 The show at the momentary combines both work he's created in his studio and editorial photography work he's done for magazines like GQ and Time. He says through it all, he's seeking a purpose. I often think of my practice as like playing chess. Like, you know, I make a move and then I kind of have to go, you know, do something else and come back and see like, you know, what it's telling me to do next. And yeah.