 I understand there's a big market for that, probably a much bigger market for that than there is for your kind of writing. But can you just offer a sort of defense of your kind of writing for the stage? I mean, we're used to that kind of writing in literature, but I feel like most people who think of theater don't think of a show that's as not just thoughtful, but like intense. It's an intense piece of work. It's also fun and funny and weird. But why is there not more of this?