 I don't know. I mean, I love Goethe and German Romanticism. I can hear all the commercial producers' ears dropping down now. Never mind. And Strindberg and stuff like that. O'Neill. I mean, the great plays, the great, capital G, great plays, are very, very freaking intense plays. They go to the bottom, and I think most playwrights don't have the courage to do it, or they don't have it in their genetic material yet.