 And then I was on the road in those days with an octet with eight musicians, and I wanted to do some of that as well. Now, tactically, it was a very bad move to try to encapsulate three different orchestral sounds under one cover. That should have been three albums. So I figured, how do I justify doing three different sounds in one album? And it occurred to me that if we mixed the sounds up from the big orchestra to the ballad orchestra to the jazz octet, that would become the theme of this record.