 hugely obsessed with medieval art. And, of course, he had boxcars full of it that he purchased in Europe and then shipped over and then kind of went through it. Me, you know, I bought the postcard at the Met. But nonetheless, the passion was there. And I think there is just something about that ordinary and extraordinary that gets expressed in this very old art is people trying to figure out, you know, who are we? Where do we belong?