 It's another intense role for Hardy, and we spoke about whether he creates backstories for characters like this. I never really work with backstories. They're not necessarily essential elements. I think sometimes it's a bit overkill. If you look at what we're doing and what's going on, and you look at a case file, you try to figure out who somebody is. And in this case, this was a real person. But there's a dramatic element to it, which wasn't verbatim. So it's steered off of road. So in some aspect, there's a fantasy element to it.