 but not the person who put it on. That somehow what we wanted to get rid of was this practice of putting paint on your face, but actually that stopped you from really wrestling with, like, well, what is this practice and where did it come from? And there's, of course, this brilliant book by Eric Lott, now a classic called Love and Theft, where he really breaks down the origins of blackface and what the emotions and affects around it as a practice and a genre. Like, what engendered it? What made it so popular?