 And I learned that, like, you know, because I didn't know it at the time, but I was doing this kind of genre work. I was looking at minstrelsy and having to understand, like, well, what's different about that audience then versus now that makes this not okay? Like, what did that audience need to see? What were they used to seeing? What was shaping their way of seeing that made this a palatable form of theater versus where we are now? And that really kicked off, like, the next couple plays I wrote, which includes Appropriate, right? Where I wanted to kind of historicize...