 Right, exactly. And this year is, I think, the 23rd or the 24th year that I've done it. In the beginning, I did it to get work, and they were very sort of, you know, rejected New Yorker cartoons. And then they became narratives like Don't Let the Pigeon Drive the Bus, and sometimes they became wordless and a little bit more serious. What I started to realize is that every year they are something that I am not allowed to do for work.