text: "A Welshman, a poet of distinction, and a man in whose work much of the peculiarly Welsh attitude to life is expressed with singular grace and sincerity. He combines a vivid sense of beauty with affection for the homely, keen zest for life and adventure with a rare appreciation of the common, universal pleasures, and finds in those simple things of daily life a precious quality, a dignity and a wonder that consecrate them. Natural, simple and unaffected, he is free from sham in feeling and artifice in expression. He has re-discovered for those who have forgotten them, the joys of simple nature. He has found romance in that which has become commonplace; and of the native impulses of an unspoilt heart, and the responses of a sensitive spirit, he has made a new world of experience and delight. He is a lover of life, accepting it and glorying in it. He affirms values that were falling into neglect, and in an age that is mercenary reminds us that we have the capacity for spiritual enjoyment."
  Davies' friend and mentor, the poet Edward Thomas, drew a comparison with the work of Wordsworth: "He can write commonplace or inaccurate English, but it is also natural to him to write, such as Wordsworth wrote, with the clearness, compactness and felicity which make a man think with shame how unworthily, through natural stupidity or uncertainty, he manages his native tongue. In subtlety he abounds, and where else today shall we find simplicity like this?"
  Daniel George, reviewing the 1943 Collected Poems for Tribune, called Davies' work "new yet old, recalling now Herrick, now Blake – of whom it was said, as of Goldsmith, that he wrote like an angel but according to those who had met him talked like poor Poll, except that he was no parrot of other people's opinions."
  Appearance and character
  Osbert Sitwell, a close friend, thought Davies bore an "unmistakable likeness" to his distant actor cousin Henry Irving. Sitwell described him as having a "long and aquiline" face and "broad-shouldered and vigorous".
  In an introduction to his 1951 The Essential W. H. Davies, Brian Waters said Davies's "character and personality rather than good looks were the keynote to his expressive face"