text: On 15 November 1787, lunching with friends, Gluck suffered a heart arrhythmia and died a few hours later, at the age of 73. Usually, it is mentioned Gluck had several strokes and became paralyzed on his right side. Robl, a family doctor, had doubts as Gluck was still able to play his clavicord or piano in 1783. At a formal commemoration on 8 April 1788, his friend, pupil and successor Salieri conducted Gluck's De profundis, and a Requiem by the Italian composer Niccolò Jommelli was given. His death opened the way for Mozart at court, according to H. C. Robbins Landon. Gluck was buried in the Matzleinsdorfer Friedhof. On 29 September 1890, his remains were transferred to the Zentralfriedhof; a tomb was erected containing the original plaque.
  Legacy
  Although only half of his work survived after a fire in 1809, Gluck's musical legacy includes approximately 35 complete full-length operas plus around a dozen shorter operas and operatic introductions, as well as numerous ballets and instrumental works. His reforms influenced Mozart, particularly his opera Idomeneo (1781). He left behind a flourishing school of disciples in Paris, who would dominate the French stage throughout the Revolutionary and Napoleonic period. As well as Salieri, they included Sacchini, Cherubini, Méhul and Spontini. His greatest French admirer would be Hector Berlioz, whose epic Les Troyens may be seen as the culmination of the Gluckian tradition. Though Gluck wrote no operas in German, his example influenced the German school of opera, particularly Carl Maria von Weber and Richard Wagner, whose concept of music drama was not so far removed from Gluck's own.