text: Also in 1978, independently from the STURP research, Giovanni Tamburelli obtained at CSELT a 3D-elaboration from the Shroud with higher resolution than Jumper and Mottern. A second result of Tamburelli was the electronic removal from the image of the blood that apparently covers the face.
  Tests for pigments
  In October 1978, a team of scientists affiliated with STURP took 32 samples from the surface of the Shroud, using adhesive tape. Of those samples, 18 were taken from areas of the Shroud that showed a body or blood image, while 14 were taken from non-image areas. The chemical microscopist Walter McCrone, a leading expert in the forensic authentication of historical documents and works of art, examined the tapes using polarized light microscopy and other physical and chemical techniques. McCrone concluded that the Shroud's body image had been painted with a dilute pigment of red ochre (a form of iron oxide) in a collagen tempera (i.e., gelatin) medium, using a technique similar to the grisaille employed in the 14th century by Simone Martini and other European artists. McCrone also found that the "bloodstains" in the image had been highlighted with vermilion (a bright red pigment made from mercury sulfide), also in a collagen tempera medium. McCrone reported that no actual blood was present in the samples taken from the Shroud.