text: However, like Anansi's penchant for ingenuity, Anansi's quintessential presence in the Diaspora saw the trickster figure reinvented through a multi-ethnic exchange that transcended its Akan-Ashanti origins, typified in the diversity of names attributed to these Anansi stories, from the "Anansi-tori" to the "Kuenta di Nanzi". Even the character "Ti Bouki," the buffoon constantly harassed by "Ti Malice" or "Uncle Mischief", a Haitian trickster associated with Anansi, references this exchange: "Bouki" itself is a word descending from the Wolof language that also references a particular folk animal (the hyena) indigenous to them. The same applies to Anansi's role in the lives of Africans beyond the era of slavery; New World Anansi tales entertain just as much as they instruct, highlight his avarice and other flaws alongside his cleverness, and feature the mundane just as much as they do the subversive. Anansi becomes both an ideal to be aspired toward, and a cautionary tale against the selfish desires that can cause our undoing. Anansi has effectively evolved beyond a mere trickster figure; the wealth of narratives and social influences have thus led to him being considered a classical hero.
  Popular Anansi stories
  Among many stories attached to Anansi and collected in literature, one explains how he became known as the owner of all stories in the world. It is so popular that it has been studied and republished alongside other stories many times, including as children's books, like the Caldecott Medal-winning A Story a Story by Gail E. Haley, which follows Akan oral tradition by beginning the tale with: "We do not really mean, we do not really mean that what we are about to say is true. A story, a story; let it come, let it go". Haley's story later continues it by concluding: "This is my story that I have related. If it be sweet, or if it be not sweet, take some elsewhere, and let some come back to me." The following folktales listed will begin with this notable folktale alongside other anansesem (spider tales), some of which were recorded by Rattray in his prolific work on the subject; additional stories that arose out of the Anansesem tradition in the Diaspora have been included.
  Akan-Ashanti Anansi stories
  How the Sky-God's stories came to be Anansi's stories