text: Critical reception Reviewing for Rolling Stone in July 1973, Lester Bangs hailed Springsteen as a daring new artist who sets himself apart from his contemporaries with songwriting that either has a serious meaning or showcases his uninhibited gift for verbose, overloaded lyrics and rhyme schemes. "Some of [his words] can mean something socially or otherwise", Bangs said, "but there's plenty of 'em that don't even pretend to, reveling in the joy of utter crass showoff talent run amuck and totally out of control". Peter Knobler wrote in Crawdaddy that "he sings with a freshness and urgency I haven't heard since I was rocked by 'Like a Rolling Stone' ... the album rocks, then glides, then rocks again. There is the combined sensibility of the chaser and the chaste, the street punk and the bookworm." Creem magazine's Robert Christgau said Springsteen's songs are dominated by the kind of mannered emotional transparency and "absurdist energy" that made Bob Dylan "a genius instead of a talent". In Christgau's Record Guide (1981), he wrote that despite the grandiloquent, unaccompanied "Mary Queen of Arkansas" and "The Angel", songs such as "Blinded by the Light" and "Growin' Up" foreshadow Springsteen's "unguarded teen-underclass poetry", while even the maundering "Lost in the Flood" is interesting.