text: Various sorts of overgowns were worn over the kirtle, and are called by different names by costume historians. When fitted, this garment is often called a cotehardie (although this usage of the word has been heavily criticized) and might have hanging sleeves and sometimes worn with a jeweled or metalworked belt.  Over time, the hanging part of the sleeve became longer and narrower until it was the merest streamer, called a tippet, then gaining the floral or leaflike daggings in the end of the century.
  Sleeveless overgowns or tabards derive from the cyclas, an unfitted rectangle of cloth with an opening for the head that was worn in the 13th century.  By the early 14th century, the sides began to be sewn together, creating a sleeveless overgown or surcoat. Outdoors, women wore cloaks or mantles, often lined in fur.  The houppelande was also adopted by women late in the century.  Women invariably wore their houppelandes floor-length, the waistline rising up to right underneath the bust, sleeves very wide and hanging, like angel sleeves.
  Headdresses
  As one might imagine, a woman's outfit was not complete without some kind of headwear. As with today, a medieval woman had many options- from straw hats, to hoods to elaborate headpieces. A woman's activity and occasion would dictate what she wore on her head.
  The Middle Ages, particularly the 14th and 15th centuries, were home to some of the most outstanding and gravity-defying headwear in history.