text: Given Kubrick's fear of flying, the entire film was shot in England. Sound-stage works were completed at London's Pinewood Studios which included a detailed recreation of Greenwich Village. Kubrick's perfectionism went as far as sending workmen to Manhattan to measure street widths and note newspaper vending machine locations. Real New York footage was also shot to be rear projected behind Cruise. Production was followed by a strong campaign of secrecy helped by Kubrick always working with a short team on set. Outdoor locations included Hatton Garden for a Greenwich Village street, Hamleys for the toy store from the film's ending, and Mentmore Towers and Elveden Hall in Elveden, Suffolk, England for the mansion. Larry Smith, who had first served as a gaffer on both Barry Lyndon and The Shining, was chosen by Kubrick to be the film's cinematographer. Wherever possible, Smith made use of available light sources visible in the shots such as lamps and Christmas tree lights, but when this was insufficient he used Chinese paper ball lamps to softly brighten the scene and/or other types of film lighting. The color was enhanced by push processing the film reels (emulsion) which helped bring out the intensity of the color and emphasize highlights. This effect is evident in the Christmas party scene at Ziegler's house, with Smith noting that the push processing "made the lights appear to be much brighter than they were" and created a "wonderful warm glow."