text: Hitler biographer Sir Ian Kershaw wrote in The Guardian that the film had enormous emotive power, calling it a triumph and "a marvellous historical drama". Kershaw also said that he found it hard to imagine anyone would find Hitler to be a sympathetic figure in his final days. Wim Wenders, in a review for the German newspaper Die Zeit, said the film was absent of a strong point of view for Hitler which made him harmless, and compared Downfall to Resident Evil: Apocalypse, stating that in Resident Evil the viewer would know which character was evil.
  Humanization concerns
  Downfall was the subject of dispute by critics and audiences in Germany before and after its release, with many concerned regarding Hitler's portrayal in the film as a human being with emotions in spite of his actions and ideologies. The portrayal sparked debate in Germany due to publicity from commentators, film magazines, and newspapers, leading the German tabloid Bild to ask the question, "Are we allowed to show the monster as a human being?"
  It was criticized for its scenes involving the members of the Nazi party, with author Giles MacDonogh criticizing the portrayals as being sympathetic towards SS officers Wilhelm Mohnke and Ernst-Günther Schenck, the former of whom was accused of murdering a group of British prisoners of war in the Wormhoudt massacre. At a discussion in London, Hirschbiegel said that the allegations that Schenck had performed unethical medical experiments were unproven. Russian press visited the set, making the producers uneasy and occasionally defensive. Yana Bezhanskay, director of Globus Film, Constantin's Russian partner, raised her voice to Russian journalists and said: "This is an antifascist film and nowhere in it do you see Hitler praised."