text: DSP technology In 1990, Rodgers introduced software-based digital church organs with technology which connected multiple Digital Signal Processors (DSP) in parallel to generate pipe organ sound with stereo imaging. Sounds in other digital organs are derived from DSPs in either a sampled or synthesis type generation system. Sampled technologies use sounds recorded from various ranks of pipe organs. In synthesis systems, the wave shape is created by tone generators instead of using a sound sample. Both systems generate organ tones, sometimes in stereo in better systems, rather than simply playing recorded tones as a simple digital keyboard sampler might do. Marketed by Eminent, Wyvern, Copeman Hart, Cantor, and Van der Pole in Europe, synthesis organs may use circuitry purchased from Musicom, an English supply company. In the digital organ category, synthesis-based systems are rarely seen outside of Europe.
  Sampling
  Many digital organs use high-quality samples to produce an accurate sound. Sampled systems may have samples of organ pipe sound for each individual note, or may use only one or a few samples which are then frequency-shifted to generate the equivalent of a 61-note pipe rank. Some digital organs like Walker Technical and the very costly Marshall & Ogletree organs use longer samples for additional realism, rather than having to repeat shorter samples in their generation of sound. Sampling in 2000s-era organs is typically done with 24-bit or 32-bit resolution, at a higher rate than the 44.1 kHz of CD-quality audio having 16-bit resolution.