text: According to temple worship rules, or Agamas, dance and music are the necessary aspects of daily puja for temple deities. Devadasis were known by various local terms such as Basivi in Karnataka, Matangi in Maharashtra, and Kalavantin in Goa and Damaon. Devadasis were also known as Jogini, Venkatasani, Nailis, Muralis and Theradiyan. Devadasi is sometimes referred to as a caste (varna); however some question the accuracy of this usage. "According to the devadasi themselves there exists a devdasi 'way of life' or 'professional ethic' (vritti, murai) but not a devadasi jāti (sub-caste). Later, the office of devdasi became hereditary but it did not confer the right to work without adequate qualification" (Amrit Srinivasan, 1985). In Europe the term bayadere (from , from , literally dancer) was occasionally used.
  Ancient and medieval period
  The definite origin of the Devadasi or Devidasi tradition is murky due to its early inception. The first known mention of a Devadasi is to a girl named Amrapali, who was declared Nagarvadhu by the king during the time of the Buddha. Many scholars have noted that the tradition has no basis in scriptures. A. S. Altekar states that, "the custom of association of dancing girls with temples is unknown to Jataka literature. It is not mentioned by Greek writers, and the Arthashastra, which describes in detail the life of Ganika, is silent about it."