text: 45. Mt 27:15–22, with Pilate (bass), Pilate's wife (soprano), and Turba on  (Chorus I & II), and on  (Chorus I & II)
  46. "" by Johann Heermann, stanza 4:
  47. Mt 27:23a, with Pilate (bass)
  48–49. Recitative  and Aria  (soprano)
  50. Mt 27:23b–26, with Pilate (bass), and Turba on  (Chorus I & II), and on  (Chorus I & II)
  51–52. Recitative  and Aria  (alto)
  53. Mt 27:27–30, with Turba on  (Chorus I & II)
  54. "" by Paul Gerhardt, stanza 1 and 2:
  55. Mt 27:31–32
  56–57. Recitative  and Aria  (bass)
  58. Mt 27:33–44, with Turba on  (Chorus I & II), and on  (Chorus I & II)
  59–60. Recitative  and Aria  –  (alto – Chorus II)
  61. Mt 27:45–50, with Vox Christi, and Turba on  (Chorus I), and on  (Chorus II)
  62. "" by Paul Gerhardt, stanza 9:
  63. Mt 27:51–59, with Turba on  (Chorus I & II)
  64–65. Recitative  and Aria  (bass)
  66. Mt 27:59–66, with Pilate (bass), and Turba on  (Chorus I & II)
  67. Recitative  –  (bass, tenor, alto, soprano – Chorus II)
  68.  (Chorus I & II)
  Movements
  The work is divided into two parts to be performed before and after the sermon of the Good Friday service.