text: Champa Apsaras were also an important motif in the art of Champa, medieval Angkor's neighbour to the east along the coast of what is now central Vietnam. Especially noteworthy are the depictions of apsaras in the Tra Kieu Style of Cham art, a style which flourished in the 10th and 11th centuries AD.
  China
  Apsaras are often depicted in East Asian Buddhist art. They are referred to as feitian () in Chinese.
  They are depicted as flying figures in the mural paintings and sculptures of Buddhist cave sites in China such as in the Mogao Caves, Yulin Caves, Tianlongshan grottoes, the Yungang, and Longmen Grottoes. They are also depicted on tiles of pagoda, such as Xiuding-si pagoda.
  They may also be depicted as dancers or musicians holding musical instruments such as flute, pipa, or sheng. Apsara may be portrayed as multiple spirits who played music for Buddhas. Generally, they are depicted with a long skirt fluttering in the wind.
  Apsara is sometimes portrayed as a single powerful and influential spirit or god who wears an outfit  with "flowing sleeves" and lives in Tian. This version of Apsara is used in Chinese folk religion as an object of worship and in Chinese folklore.