text: In contrast to frequency divider circuitry with only a few independent pitch sources, quality electronic church organs have at least one oscillator per note and often additional sets to create a superior ensemble effect. For instance, Rodgers Opus 1 featured eight sets of transistorized pitch generators. Even today, digital organs use software-based digital oscillators to create large numbers of independent pitch and tone sources to better simulate the effect of a large pipe organ.
  Digital church organs (1971–)
  Digital church organs are designed as pipe organ replacements or as digital consoles to play existing pipes. The differences in sound timbre between piped and digital instruments are debated, but modern digital organs are less expensive and more space efficient.
  Digital organs are a viable alternative for churches that may have a pipe organ and can no longer afford to maintain it. Some pipe organs, on the other hand, might be playable without major rebuilding for many decades. However the high initial cost, and longer lead time to design, build, and "voice" pipe organs has limited their production.
  Most new digital church organs synthesize sounds from recorded pipe samples, although some model the pipe sound by additive synthesis. Modelling the sound is done by a professional organ "voicer", who finishes the organ in its location, much like the process of regulating and voicing a pipe organ. These organs also use high-quality custom-designed audio systems. The builders of both custom and factory digital church organs include the firms of Ahlborn-Galanti, Allen, Eminent, Johannus, Makin, Rodgers, Viscount, and Wyvern.