	Marodić painted iconostasis contrary to the canons of the Orthodox faith. Trained in Italy, he was heavily influenced by the Renaissance. Leonardo da Vinci's "The Last Supper" is not being painted in Orthodox churches but Marodić painted it in the prominent, central position. Other non-canonical deviations include lack of the visible halos around the saints' heads, there are no names of the saint on the icons, God was painted in human form and there are representations of the Holy Trinity and the Coronation of the Virgin. The frescoes on the walls and columns, on the other hand, followed the church canons.