photorealistic cinematography of a  horse  skeleton suspended in a tank filled with yellowish brown murky milky embalming fluid with a beautiful woman in the foreground,  inside the shining's overlook hotel hallways at magic hour with the sun shining god rays shining into a large 60's hotel lobby room filled with volumetric haze by the shining cinematographer john alcott on a cooke panchro 18mm lens and shot on eastman kodak 5254 color 35mm film, in color