Peredvizhniki [SEP] end time
Repin). They portrayed social-urban life, and later used historic art to depict the common people ("The Morning of the Execution of Streltsy" by Vasily Surikov).
During their blossoming (1870–1890), the Peredvizhniki society developed an increasingly wider scope, with more natural and free images. In contrast to the traditional dark palette of the time, they chose a lighter palette, with a freer manner in their technique. They worked for naturalness in their images, and the depiction of people's relationship with
1879, he moved to Moscow and took further lessons in the workshops of Alexander Kiselyov. During the 1880s, he travelled throughout Europe; spending time in Venice and Paris. In 1888, he began exhibiting with the Peredvizhniki. He left Russia and settled in Paris in 1896, where he worked with Elizaveta Kruglikova, a painter who is best known for her monotypes. 
Although he lived there until 1914, he spent quite a bit of time in Russia and became a full member of the Peredvizhniki in 1900. However,