Relational art [SEP] discoverer or inventor
Relational art
Relational art or relational aesthetics is a mode or tendency in fine art practice originally observed and highlighted by French art critic Nicolas Bourriaud. Bourriaud defined the approach as "a set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space." The artist can be more accurately viewed as the "catalyst" in relational art, rather than being at the centre.
Origin of the term.
One of
figments and metamorphoses.
Galia Bar Or, the director and curator of The Museum of Art in Ein Harod, considers Carmi as:
“the inventor of a new genre of painting all her own. Cleverly escaping the entrapments of traditional painting, her work engages in a deep and thoughtful dialogue with relational depth patterns, its highly sensitized nervous system producing art that is nuanced, lightweight and fragmentary.
[…] Boundless and deeply personal, Carmi's version of [the myth of the artist] is channeled through