The Reception of the Romantic Hero in the First Poetic Translation of G.G. Byron''s "The Giaour"
The article focuses on the issue of the romantic hero's image interpretation as found in the irst Russian poetic translation of G.G. Byron's «The Giaour» made in 1822 by N.A. Radischev. The present initial part of the article briefly characterizes the status of the issue in question in Russian literary criticism and outlines theoretical and methodological principles of its study based on an assay of historical and cultural conditions and forms of aesthetic appreciation of Byron's Romantic «writing» model in the literary situation of 1820-s in Russia.