The communicative space of siberian photography in 1918-1930
The paper examines the characteristic features of the communicative space of Siberian photography on the example of the attribution of porter photography. Photography has become an important visual source of information for modern research. This interest in photography is explained by the ability of the photograph to create a different attitude to reality through photographic images. The cultural analysis of photography allows the curator to correctly attribute the photograph, to consider it as a sociocultural phenomenon that is part of the world of relations between technology, images and society, bearing the imprint of these connections, and actively participating in their change and development, to reconstruct the era under study.