GENRE OF IDYLL IN A CREATION OF N.M. KARAMZIN AND K.R.
In literary criticism, there are various approaches to the analysis of genre features sentimental idyll, the words in a mobile form, capable of reacting with the prosaic and poetic genres. By studying the types and specifics of the idyllic chronotope in Russian prose and poetry, the scientists reveal the relationship of the ideological and aesthetic positions inherent in the idyllic genre, with features of historical circumstances, a literary movement, creative method and spiritual principles of the era. Promising consideration idyll as rolling evolving genre, involving the presence of lyrical prose and structural properties, allows you to discover the similarities and differences in the work of writers, to draw a parallel between the essential elements in their works in the context of the literary movement and time. In the article on the example of prose and poetry, N.M. Karamzin, the poet K.R. (Grand Duke Konstantin Romanov) considered genre features idyll corresponding theoretical justification sentimentalism XVIII-early XIX century and realism of late XIX-early XX century. This aspect of the analysis reveals signs of an idyllic landscape in the genres of elegies, letters and stories, which are characterized in the system of leitmotifs, symbols and images, and closer to understanding the beauty categories and «sensual ideal» in the development of the authors of love, nature, philosophical topics in a variety of artistic material in prose and poetry. The analysis covered such components idyllic chronotope as a natural beginning of human unity with the elements, family love, life, close to nature, to achieve harmony, synthesis of reality and dream, picked their sentimental orientation, are equally relevant to the conflict in dramatic romantic prose N. M. Karamzin and lyrical background in realistic works in poetry KR According to the authors, in idyllic panoramic paintings and natural landscapes shown interest to writers of human psychology, the problem of the relationship of internal and external to the character of the hero through a connection with nature.