SINGING OBIKHODES FROM ANTONIEVO-SIJSKY MONASTERY: SOME REMARKS ABOUT PALEOGRAPHY AND REPERTOIRE
In this article the singing Obikhodes from Antonievo-Sĳsky monastery are described as paleographic monuments, analyzed from the perspective of the fullness of the repertouire and the presence of other singing styles besides znamenny. The manuscripts are split into monasterial (those originating in the Antonievo-Sĳsky monastery) and non-monasterial (coming from other sources). The Obikhodes of the Antonievo-Sĳ sky monastery clearly show that all the events of the Russian 17th century church life were reﬂected in the church-singing tradition of the monastery.