Rhizome as a Model of the Film's Artistic Space
The article examines the network (rhizomorphic) structure of the film’s artistic space. The hypothesis about the existence of two structural elements of the rhizome - the node and the plateau - is substantiated, screen works are evaluated in terms of the plateaus and nodes of the rhizome. An assumption is made about the ways of forming nonlinear narratives and the possibility of its application in film dramaturgy, a priori subject to axial orientation in accordance with the lines of time.