Portrait genre in Mao Yan's works. The experience of pictorial hauntology
The article is dedicated to the portrait genre in the work of Mao Yan, one of the key representatives of contemporary art in China. It analyzes the originality of his artistic manner, its’ influences and stylistic genesis, as well as the general connection of his work with the current cultural and philosophical context - in particular, the doctrine of hauntology, formulated by J. Derrida and his followers.