Conceptual Potential of Art: Musical and Historic Sketch on the Material of the 1930-s
The author centers round the scientific attitude to art creativity and its perception. The uniqueness is in possibilities of art to penetrate into such spheres of human being which are practically inaccessible for scientific cognition. The ideal complete picture of the world can be shaped only on condition of joining its scientific and artistic components. The reason for choosing artistic material is two big anniversaries of this year: 125 years since Sergei Prokofiyev’s birthday and 110 years since Dmitri Shostakovich’s birthday. We dwell upon demonstrative fragments of their pieces of the 1930s. What K. Stanislavski defined as a super objective of theatrical art, in understanding artistic pieces can be defined as a super issue of big art. Assent form habitual methods of analysis of the technology and the image of art material to finding out in it ideas and conceptions of general human content is meant.