Audiovisual content, museum items and curatorial narrative in the exhibition space of the classical museum
The article provides an analysis of the inclusion of audiovisual content and curatorial narrative in the exhibition environment of the classical museum. As a result of referring to the specifics of compiling exhibition texts, methods of demonstrating films (to a greater extent, their fragments), reflecting the history of getting objects from their usual context in the «non-native», as well as the design decision, the conclusion about the structure of the exhibition «Stop! Shot!» is how to represent the chronology of the change in the status of an object and the influence of social thought on the way it relates to this object.