On question of renovation of music language and interpretation <i> (via example of the B. Bartok’s Sonata No2 for violin and piano)</i>
The article deals with the difficulties faced by the performers of the B. Bartok’s Second Sonata for violin and piano. The author gives also an analysis of musical language and the interpretations of this musical composition by such performers as Joseph Szigeti (violin) and Bela Bartok (piano) and Isaak Stern (violin) and Yefim Bronfman (piano). In spite of all the differences, both interpretations can be considered as perfect realisations of the author's conception.