The Poetic Figure of Talmeh in Abulfaiz Faizi's Creations
The article dwells on the analysis beset with belles-lettres figure of talmeh (reminiscence) in Abulfayz Faizi's poetry. It is underscored that Abulfayz Faizi (1547-1595) as one of the outstanding representatives of the Persian literature of India referring to the XVI-th century, by his rich creations exerted a huge influence on the poetry development of his time and subsequent centuries. The author of the article lays an emphasis upon the idea that he as one of the famous representatives of the Indian style, not only occupied an important role in his development, but showed high mastership in reference to the usage of belles-lettres means of images either. Alongside with other poetic figures was used a large considerable number of talmeh in completed volume in his creations. In the belles-lettres productions it is a kind of hint of historical or literary fact, to the actions or fortunes of any literary protagonist who must be commonly known. It is noted that in Abulfayz Faizi’s poetry talmehs are widely used and created on the basis of images of the following Eastern poems: Farhad and Shirin, Leily and Mejnun, Yusuf and Zuleikha, while applying the reality is depicted or lyrical experiences are taken more greater ideological-artistic depth. It is asserted that Abulfayz Faizi has made significant advances in the usage of talmehs associated with historical personalities, mythological protagonists, namely Zaratushtara, Jamshed, Rustam, Mansour Hallaj, etc., which Faizi quite often resorts to aimed at accommodation of deep meanings and thoughts. Proceeding from the analysis the author of the article elicits that in Abulfaiz Faizi's poetry the system of classical talmehs dealing with Qoran heroes which is of a particular importance as well. The adduced examples testify Abulfaiz Faizi's achievements in the relevant direction.