LANDSCAPE DISCURSE IN THE PARADIGM OF SILVER AGE CULTURE: THE "STAR" MYTH OF POET BY VYACH. IVANOV, M. VOLOSHIN, B. PASTERNAK
The author compares three books of lyrics of the leading poets of the Silver Age, Vyach. Ivanov, M. Voloshin, B. Pasternak, which made it possible to identify typologically similar features of lyrical subjects and to detect their differences in the individual-author presentation. All three lyric subjects have a “star” nature, which determines the path of self-realization. The path of each of them forms a correlation of value orientations: “Love”, “Beauty”, “Cognition”, Creativity”. Vyach. Ivanov's lyrical subject, the “titan-star”, passes by the ascent to “Love” through “Beauty” and by descent to “Creativity”. The lyrical subject of M. Voloshin, the “angel-star”, goes by descending through “Cognition” to “Creativity” and ascension to “Love”. The “twin-star” character of lyric subject B. Pasternak determines the co-nature of “Love” and “Creativity”. Conducting his lyrical subject through their substantial unity, the author's consciousness forms its “twin”, receptive consciousness, which determines the discursive nature of the artistic world. Landscape discourse evolves from the presentation of figurative languages (predominantly, the symbol), to marking specific space-time coordinates of the lyric subject, and further to the performance of the subjective function. Nature receives a voice and becomes an autonomous subject in the artistic world, and the reader's consciousness through the actualization of meanings embedded in the artistic world by the author's consciousness, forms its own aesthetic reality on the modal complementarity relations.