VALERY BRYUSOV’S "RUSSKIE SIMVOLISTY" AND PAUL VERLAINE’S "ROMANCES SANS PAROLES" FROM THE ASPECT OF PARATEXTUALITY
The article analyzes V. Bryusov's collections Russkie Simvolisty and P. Verlaine’s Romances sans Paroles in terms of Gérard Genette's concept of paratext. It is considered how paratextual elements influence the perception of the text by the reader, and how the paratext of V. Bryusov's collections correlates with the paratext of the collection of his idol and “teacher” - Paul Verlaine