Spatial inculcation in the film "Mirror" by Andrei Tarkovsky and P. A. Florensky''s philosophical ideas
The main idea of the article is to identify the spatiotemporal structure of Andrei Tarkovsky's cinematic language for example the analysis of the film «Mirror». This problem is seen through the prism of the philosophical ideas of Pavel Florensky, concerning the spatial structure of the world, which included the concept of memory.