FEATURES OF THE ARTISTIC METHOD OF KANTA IBRAGIMOV
The relevance of the topic is due to the high degree of popularity of K. Ibragimov's prose, the scale of the problems posed by the writer, the breadth of coverage of historical reality, the originality of the writer's artistic method. And all these questions are still at the initial stage of comprehension - the formulation of the problem. The choice of the topic, its relevance, is thus due to the insufficient degree of research of K. Ibragimov's creativity in the context of the development of Chechen prose of the late twentieth - early twenty-first centuries and the lack of literary identification of the artistic method. The aim of the research is to identify the features of the writer's method (through interaction with various artistic systems: realism, naturalism, symbolism). The methodology is based on the principles of historical-literary and comparative-typological research methods, as well as structural-stylistic analysis. As a result, it was revealed that K. Ibragimov's creative method is syncretic, the writer synthesizes the methods of realism and naturalism (moreover, closer to the traditions of Western European naturalism, not Russian). There are also tendencies to symbolize certain fragments, situations, details, through which the author's position and his ideological and ideological attitudes are reflected. In general, the method of complex philological analysis of K. Ibragimov's works is important for Chechen literary studies and can become the basis for the analysis of epic works and other Chechen authors of the recent period. The greatest significance and value, in our opinion, is the application to the study of modern methods of analysis, including the postmodern model, and their adaptation to the material of North Caucasian literature.