THEATER, NEW DANCE, PSYCHOLOGY: ON THE ISSUE OF THEATRICAL REFORM IN RUSSIA AT THE BEGINNING OF THE 20TH CENTURY
The article discusses the problem of the influence of psychology and new dance, which developed at the beginning of the 20th century, on the formation of K. Stanislavsky's, V. Meyer hold's, E. Vakhtangov's methods of actor training. The given examples assure us that it is the interest in psychology, gesture and dance that formed the methods of actor training, now also used in the education of the ballet dancer.