Anton Rubinstein as a Creator of Chamber Vocal Music
The paper is devoted to considering the chamber vocal heritage of A. Rubinstein in terms of modernity. The authors focus on history of the subject, reasons for which the music by the eminent composer is not frequently performed on the concert stage. The authors analyze particular music pieces of the composer and problems of their performing interpretation. They highlight importance of integrating the composer’s vocal music into the repertoire of today’s concert vocalists and vocal students in Russia and China.