"AUTHOR'S CINEMA" IN MODERN KYRGYZ CINEMA
The subject of this article is the consideration of “author’s cinema” in contemporary Kyrgyz cinema in the context of national art culture. The author focuses on the culturological analysis of all the "copyright" films of Kyrgyz directors in the post-Soviet period. The main goal of the study is to identify the features of "author's cinema" in Kyrgyz cinema in comparison with the films of the "sixties" of domestic cinema. The novelty of the article lies in the fact that the author for the first time in the national cinema theory examines the features and originality of the “second wave” of development of Kyrgyz cinema on the example of such world-famous films as A. Abdykalykov’s film trilogy “Selkinchek”, “Beshkampir”, “Maymyl”; “Rough River, Tranquil Sea” by M.Sarulu, “Aiyl okmotu” by E. Abdyzhaparov, “Unknown Route” by T. Birnazarov and others. The results of the study can be used in the further development of the cultural problems of Kyrgyz cinema, as well as in the practical activities of Kyrgyz filmmakers.