Poetics of Sound Image of the World of B. Lyatoshynsky (on Example of Piano Works)
The features of B. Lyatoshynsky's musical thinking that reflect linguistic and stylistic as well as semantic characteristics of transformation of sound image as a semantic model of the world are revealed. It is proved that due to the intensification of phonic means and complexity of the system of organization of musical language the intellectualization of sound image thinking is carried out that testifies the formation of a new concept of intonated sound perception of the era. B. Liatoshynsky's innovation is disclosed that was significantly ahead of time by the novelty of soundand life perception, was connected with symphonization of song folklore and expression of the national idea through the symbolism of speech production.