COMMUNICATIVE TYPOLOGY OF LYRICAL POEMS BY V. KHODASEVICH
Until now, insufficient attention has been paid to the problem of studying the communicative structure of lyric poems by various poets. Meanwhile, the study of this phenomenon contributes to the identification of the individual poetics of one or another author. Article is devoted to the study of the communicative structure of lyric poems by Vl. Khodasevich, identifying different types of subjects in his poetry. The author of the article proves that pure "I" prevails in the poet's lyrics - a subject reflecting the features of his inner world. This form of primary narrative is embodied with the help of a special set of linguistic means (verbs in 1st and 2nd person of the present, future tense and 2nd person of the imperative mood, personal and possessive pronouns, addresses, questions). The second place in terms of usage belongs to this poet's poems with an implicit "I" -subject, embodied in the third personal narrative, sometimes turning into a primary one. A special place in the lyrics by Vl. Khodasevich are the poems in which the phenomenon of auto-addressing is presented, accompanied by the "splitting" of the pure "I" -subject into the "I" physical and spiritual, "I" of different times. The researcher notes that in these verses there is a "splitting" not only of the addressee, but also over the addressee, which contributes to the formation of the reader's emotionalcomplicity. The examples of verses considered in the article are extremely interesting, in which, due to the change of "I" - subjects (role and positional "I" subjects; pure and implicit "I" - subjects), as well as when the direct speech of various characters is included in the verse, addressed to different addressees, not only subjective, but also addressee polyphony arises.