Synestheticity in the structure of musical dedication of I. Vyshnegradsky
For the first time, the authors attempted to solve the problem of identifying a synesthetic model for integrating mental processes in the structure of I. Vyshnegradsky's musical talent: based on the development of a model for integrating the synesthetic character of mental processes in the composer's musical talent structure, three levels of musical text are presented: timbre, compositional and intonational-dramaturgic. The significance of the study by N. Kolyadyenko for this article is noted that, with- in the framework of the interpretation of the sound, timbre-phonic level, intermodal syntheses are activated in the first place, which make it possible to identify the intersensual component of the musical sound. In the analysis of intonation-dramaturgical and compositional-thematic levels, complex intersensory connections can be applied, in particular, gestalt synesthesia “space and time”. The first timbre-level is interconnected with the component of the structure of musical talentcreativity. This level of synesthetic integration of the mental processes of the structure of the musical talent of I. Vyshnegradsky contains a clearly expressed visual component. It is represented by the perception of the meaning of artistic creativity of psycho-semantics of non-verbal semantic differential, which takes into account acoustic parameters. The second compositional thematic level is interconnected with the intellectual structural component of musical talent and includes constructive and logical structures. The mathematical, numerical approach in the works of I.Vyshnegradsky is reflected in the principles of symbolism. The third intonational-dramatic level is interconnected with the structural components of musical talent by musicality and spirituality. For the interconnection of the intonational-dramatic level and components of the structure of musical talent (spirituality and musicality) in the process of integrating the synesthetic character of the psychological process, synesthesias of associative origin are most important (most often this is the subject of research by art historians). The aesthetic and ethical values of creativity I. Vyshnegradsky described as the basis of the musical, spiritual, creative and intellectual development of man. Studies of the synesthetic model of the integration of mental processes in the structure of musical talent of I. Vyshnegradsky - timbre-phonic, intonational-dramaturgical, structural-compositional levels are presented. The article may be useful to students and students of vocational schools, when studying courses in the history of music and performing arts, as well as teachers and artists.