RECEPTION OF "ALICE" BY L. CARROLL IN THE SOVIET UNION: THEANIMATED VERSION
The analysis of the classic work rebuilt under its new, changed functioning is given in the paper. Translation reception is interpreted by means of cinematography. Russian contour animated film adaptation does not cease to be a source of information about the UK and about British children’s literature over the years. Tales’ biaddress and receptive bidirectionality are revealed: cartoons are expected both for adult and child audience. Soviet adult audience, who grew up in an atmosphere of ideological prohibitions, always greatly appreciated the role of subtexts, implicit and explicit statements, which are numerous in the books. Cartoons, born out of a literary genre, began to live an independent life and became the “golden fund” of domestic animation.