About the musical-choreographic drama of ballet F. Ashton "Marguerite and Armand"
The article is devoted to the legendary ballet «Marguerite and Armand». The article focuses on the relationship of F. Liszt’s music and F. Ashton’s choreographic solutions. The correlation of dramatically deep and lyrical episodes of the ballet is taken in the account. The analysis is conducted from the standpoint of the implementation in the ballet of the ideas and images of the Romantic era. The characteristics of Romanticism are reflected at the level of musical and choreographic text, autobiographical context, interpretation of artistic images and emotional degree of sensory experiences.