Specific of artistic world modeling in the Russian symbolism fiction: theory, trends, transpersonal models
The article is devoted to the study of the peculiar properties of artistic world modeling in the Russian symbolism fiction with an emphasis on the anthropological and ontological concepts of Man and Being, structuring the “world-like” novel model. The ability to identify the evolutionary dynamics of both the aesthetic and ethical-philosophical paradigm of the modernist type of artistic consciousness, identified in the context of existentialization and neo-mythologization trends, determines the relevance of the research problem. The novelty of this research is in the analysis of the author's transpersonal models of myth in Russian modernist novels at the beginning of 20th century, in terms of knowledge of the “aesthetic imperative of integrity” integrating text consciousness (the world as a text), personal consciousness (I-being) and ontological consciousness (being-in-me). Mythological-cultural concepts of Christological philosophy of D. Merezhkovsky, the semiosphere of V. Bryusov’s novel “The Fiery Angel”, mythological codes of the anti-utopian novel-myth L. Andreev, reflecting the most important categories and attitudes of the transpersonal anthropological and religious-philosophical concepts of the “new religious consciousness” of Russian symbolism became the object of this study.