The artist and the plastic idea in the author's ceramics of the Southern Urals of the second half of the XX-beginning of the XXI century
The actual problem of plastic interpretation of the form in the author's ceramics is considered on the material of the creativity of the masters of the Southern Urals of the second half of the XX-beginning of the XXI century. The rise of cultural development in the industrial cities of the region, the emergence of ceramic factories attracted a pleiad of artists of decorative and applied art here. To trace the change of styles, to analyze the change of expressive means and features of the emotional and plastic figurative solution of works is part of the tasks of the article. The research of the issue is based on art history and interdisciplinary scientific methods. The new perception of the visual beginning in the applied art of the 1980s, which led the artistic process to the polystylistics of postmodernism of the 90s and, finally, to the importance of the author's individual idea in the interpretation of the image in the new century is focused in the article. During the studied period, the author's ceramics collected by the museum funds of the Southern Urals are represented by the names: V. T. Egorova, V. P. Zharikov, A. P. Kudryavtsev, V. F. Tainitsky, N. G. Bochkareva, E. A. Shchetinkina, B. I. Tryapitsyn, V. B. Khorkholyuk, A. S. Purik, E. F. Sharafutdinova, V. V. Portnova.