Creative Union of Mikhail Bronner And Boris Pevzner as an Example of Interaction between Composer and Conductor for Study by Future Musicians-Teachers
The long-term creative union of Boris Pevzner serves as the object of research -founder of the Choir Theater on the basis of the State Budgetary Cultural Institution of the city of Moscow “Moskontsert” and Mikhail Bronner, author of unique compositions for the choral theater. In the work of M. Bronner, as a true heir to the best classical traditions of the Russian composer school, a bright artistic individuality and high professionalism are noted. The author of the article analyzes the choral opera “The Long Return” by M. Bronner as a “starting point”, the beginning of creative friendship between the creators, focusing on the works that lie in the field of choral theatre, the characteristics of musical-dramatic and musical-compositional solutions to creative tasks, the features of the interpretation of the choral opera genre in the context of a choral performance and the structure of the musical composition as a whole. The method of “double portrait” makes it possible to reveal the individual and common style guidelines of two artists in the field of contemporary musical and performing arts. Also, parallels in the field of choral theater become obvious, which is of particular importance in the process of professional training of music teachers.