Psychoacoustics of Overtone Ear in Presentorial Activities
The particularity of overtone ear and its connection with the choir intoning are analyzed here. The article summarizes the results of acoustic study of choir sounding by the means of hardware. The author provides the characteristic of overtone sounding and establishes connection between the features of human voice overtone line and such a notion as a «timbre». Particular attention is paid to the issues of choir intoning development, vocal overtone management and choral ear training for conductors, who are working with a capella choirs.