The harp in the M. I. Glinka’s artworks
The harp in the M. I. Glinka’s artworks The article studies M. I. Glinka’s art creativity, the origins of which the author sees in amateur music-making enlightened Russian nobility. Changes in the application of the tool not only as a solo and accompanying, but also as an ensemble and orchestral expansion are caused by Glinka’s familiarity with harpists professionals in Russia and Europe. Complicated texture of the harp last opus by Glinka says about his explore the possibilities of the harp systems S. Erara with â double movement and concert repertoire for this harp by Western composers.