The latest Scriabin’s sonatas as a phenomenon of individual style of the composer
The article systematizes information about the last sonatas of Scriabin according to the displaying religious ecstatics coming from the Russian Christian tradition. Sonata are analyzed from the standpoint of liturgical ecstatics excluding concentration subjectivly expressed the tragedy and «demonic» influences of Sonata h-moll Liszt’s imagery, and having an objective vision of joyfulness «untragedy being». The mystery and liturgical drama opposed classical and romantic sonata rod sent by principled static of ritual action, gravitating to rondo repeatability of leading idea and general structure symmetry.