TIMBRE ASPECTS OF CONTEMPORARY MUSIC: METHODOLOGICAL PROBLEMS OF RESEARCH
Understanding the nature of timbre from the point of view of musical art was one of the most important tasks of composers, theorists and performers in all eras. The most important milestones in the evolution of timbre aspects in musical art were such historical periods as Baroque, classicism and romanticism, since the main trends in the use of different timbres were modified. The transfer of the analytical approach to the various possibilities of sound synthesis characteristic of electronic and electroacoustic music has proved to be extremely promising for modern computer music. Synthesis of the technical, scientific and creative beginning in the field of modern work with timbre allows to speak about formation of new timbre thinking which aspects are also multidimensional, as well as the nature of the timbre. In practice, information technology in music significantly influenced the modes of transmission of musical information. The article deals with methodological and methodical aspects of the problem of the study.