THE CONCEPT OF THE "LITTLE MAN" IN THE FILM BY KIRA MURATOVA "SENSITIVE POLICEMAN" (1992) AND "INTERESTS" (1994)
Problems, which Kira Muratova is analysing, her versions of the "the small person" shows significance in her creativity of the topic of the classics of Russian literature, and of the feminist discourse. Muratova’s movement from avant-garde Russian cinema is very important trend. Her "the small person" is a new anthropological type. Borrowing motifs of traditional culture and discourses of contemporary art, film director, organizes the space with its own laws. Analysis of the features of the concept of the "the small person" in two films 2000s. reveals the mystery of the origin of the unique arsenal of means of expression, which is associated with features of her philosophical and artistic concept.