Fresco in contemporary monumental art and design
Monumental art exists in synthesis with architecture. Works of monumental and decorative art affect the masses and live among people. Such art is rarely seen in a Museum. It is part of the architectural and natural ensemble. This art appears in the stone age. Throughout the history of mankind, this type of art has been an integral part of architecture. Almost any material can be entered into the architectural environment and interior, if there is a competent application. The apogee of such art usually comes at times when the collective consciousness is very sharply developed and the individuality is not developed at all. Throughout the history of mankind, the fresco has occupied an important place in the art and culture of all States. Ancient cultures and the culture of the middle Ages tended mainly to the monumental and this determined the collective cultural consciousness of the society of these epochs. In Soviet times, the murals demonstrated in Soviet times how successful people are in science, agriculture, sports, manufacturing, science and art, and even space exploration. If we talk about modern times and the manifestation of this art, I would like to note that the work of street artists do not always fit into the surrounding space, look complete, form and organize the design of the architectural environment. One of the main advantages of the fresco is its originality, belonging to the historical heritage of artistic culture. The fresco executed at the high level corresponding to design of architectural, environmental space and an interior will help to create design of high level.