THE FORMPart 2. Semiotic intentions of the form in art
This article is the second part of the material published in issue 1/2 of this collection and is devoted to the consideration of the concept of form in connection with the category of sign referent as the semiotic basis of the object-subject content of a work: the specifics and conditions for verifying its artistic and figurative nature. The question of the semiotic meaning of a work is a new direction in history and theory, due to the importance of revealing the ontological foundations of form, and this allows us to establish criteria for characterizing an artistic object in terms of its phenomenality, typology and morphological specificity.