Functional aspects of intertextem ‘lost paradise’ in poetic discourse of the XX-XXI century (based on russian rock poetry)
The article is centered on the study of poetic phraseology in Russian rock poetry exemplified in songs by famous rock musicians such as S. Namin from the rock group «Tsvety», V. Tsoy from the rock group «Kino», Kipelov from the rock group «Aria», V. Butusov from the rock group «Nautilus Pompilius», S. Surganova from the rock group «Surganova and Orkestr» and others. The purpose of this article is to analyze peculiar qualities of reminiscence quote ‘lost paradise’ in the poetic discourse of the XX-XXI century in lyric texts of famous rock bands. The objectives of the study are to examine the features of the phraseological unit ‘lost paradise’ in the individual author’s use in the poetic works in which this phraseological unit receives a clearly-figurative embodiment, as well as to determine the features of verbalization of the concept of happiness through this phraseological unit. The main methods applied in the research are a philological analysis of the text and a structural-semantic method of analyzing language units. The study of the phraseological unit ‘lost paradise’ within the framework of poetic discourse resulted in the conclusion that poetic phrase ‘lost paradise’ is often used in poetic discourses among rock performers of the past and present centuries, verbalizing the concept of happiness in different ways. Phraseologiсal units with a ‘paradise’ component form a phraseological field, which includes such phraseological units as lost paradise, earthly paradise, heavenly paradise, from paradise to paradise, an unknown paradise. These phraseological units come into various systemic connections, i.e. synonymous, antonymic, associative, which allows us to represent the axiological category of happiness in different ways. The axiological connotation of these phraseological units, which arises as a result of revealing the associative-figurative basis of phraseological units, inclusion in the artistic-figurative system, building new contextual connections and relationships, also allows you to understand the author's value guidelines.