THE PROBLEM OF STYLE DIVERSITY IN THE WORKS OF MOSES REISHER: FROM CONSTRUCTIVISMTO NEOCLASSICS, FROM VARIATIONS OF NEORUSSIAN STYLE TO ARCHITECTURE OF “KHRUSHCHEVSKY MINIMALISM”
Let us take a look at the problem of stylistic diversity in the works of Moses Veniaminovich Reischer (1902-1980). The architect took an active part in the popularization of constructivism style and the formation of the Ural architectural part of avant-garde and made a huge contribution to the creation of the architectural look of Yekaterinburg. There is a mistaken belief that he is an architect of one style, who retired from active architectural practice with a change of architectural ideology in the country. In the 1930s, Moses Veniaminovich began to actively use the forms of neoclassicism and, over time, expanded the style variety of his projects. The article provides a brief overview of the creative method of the Ural architect, which provides us to talk about the multi-style in the work of the architect as a productive quality. The architect builds a consistent evolution of the development of Soviet architecture and allows you to see that historyof architecture is a holistic process, in which one style evolves into another without any visual randomness or isolation from the context of a place.