CONCERTS FOR CLARINET AND LOUIS SPOHR AND CARL MARIA VON WEBER&ACUTE;S ORCHESTRA: SIMILARITIES AND DISTINCTIONS.
The objective of this article is to analyse the Shpor’s concerts for clarinet with orchestra, which were created in the first third of the 21 century, and to find the similarities and the diversities of these concertos. This analysis is about the clarinet as a solo instrument and it involves the main composers’ functions and different performers. Various approaches to structure a concert cycle like size and transformation of structure of the Allegro can be seen in the detailed analysis of the compositions of different composers. In the creative works of L.Shpor and K.M.Veber there is a certain personalization of the concert genre and this genre is used to compare the evolution of the dramaturgic characters. This article reveals evolutionary ways of instrumentation, applying new instruments in the music scores, especially in the wind instruments group, and their contrasts. It also studies various theories of a concert’s consistency.