IN THE FANTASTIC WORKS OF I. S. TURGENEV “GHOSTS” AND “ENOUGH”
The article examines the content of the plot and genre experiment in the fantastic works of I. S. Turgenev in the 1860s. «Ghosts» and «Enough», the image of the philosophizing subject, the forms of expression of the author's consciousness are analyzed, the peculiarities of the poetics of narration and composition in the context of the development of Russian philosophical prose are determined. The work traces the historical and literary connection of the works of the Russian writer with romantic aesthetics and poetics. The article deepens the understanding of the artistic and philosophical evolution of Turgenev, the peculiarities of his worldview.