THE INTERPRETATION OF THE CLASSICS ON THE RUSSIAN STAGE (FOR EXAMPLE STAGING "THE IDIOT" BY DOSTOEVSKY IN BOLSHOI DRAMA THEATER OF M. GORKY)
In this article for example staging “The Idiot” by Dostoevsky in Bolshoi Drama Theater of M. Gorky is considered the problem of relationship in theatrical company where the director (Tovstonogov) and actors by trial and error, counteraction and methods of “a rigid hand” go on the way of creation of substance which and it is accepted to call Theatre. Articles objectively are the cornerstone two interconnected phenomena: endowments (in this case art intuition of the director Tovstonogov, ability to see talent in the person, to reveal him basic features) and creativity.