MODERN CHECHEN THEATRE AND THE FORMATION OF ETHNO-CULTURAL IDENTITY
In this article we attempt to consider the problem of national identity through the prism of theatrical art of the Chechen Republic. Significant place in the formation of national identity is the theatre. He, as a kind of synthetic art is an inexhaustible object for the study of the spiritual life of society. Theatre art at the turn of the century is a complicated and rapid way of experimentation, testing the strength of the foundations of classical theatre. The actual challenge is the study of the preservation and development of theatrical traditions of the peoples of Russia, in particular, the historical knowledge of the peculiar experience of the establishment of national professional theatres in the Chechen Republic. The problem of modern theatre in the absence of new and interesting pieces. Prospects of the existing theatre infrastructure can be associated only with the participation of the state.