Concept of the Literary Screen Version of R.W. Fasbinder
In the article a concept of the literary screen version of the German director of the second half of the 20 th century R.W. Fasbinder is considered. This concept can be extracted from his essays and notes. The problem of the implicit expressed dialectics between the predestined by the author sense of a work and the reader's (versus director's) freedoms of interpretation is of special interest. This aspect finds remarkable similarities to questions which were formulated by some representatives of The Constance School of reception aesthetics.