CULTURE AND TRADITION: TO THE PROBLEM OF ETHNOFUTURISTIC PROSPECTS OF ARTISTIC EXPERIENCE
The purpose of the article is to appeal to an epistemic existential problems and prospects of ethno-cultural reality. The output of the previous era - postmodern - requires its own specific methods and principles of creation of creative works, a radical update graphic-expressive language of contemporary art. The author raises a question about the actualization of traditional ethnic forms of artistic experience, re-interpreted by in the study of language, traditions, problems and trends of national art, for the creative unity of his artistic practices in the XXI century. Reveals the dominant ethno-cultural artistic thinking, which promotes the author argues that a new round of development of its philosophical aspects, in complete rethinking of the grounds of the entire reality of life and ways mates meaning of human existence with the highest spiritual values. One of the promising creative platforms in this regard, in the opinion of the author, is ethno-futuristic direction in the fine arts, has already attracted lively interest of researchers actively discussing the possibility to restore the natural connection of generations in the transfer of ethno-cultural experience.