0_Wizard
I love to paint as a form of Modernism which is a philosophical movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries.
Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries.
chosen_Modernism_0
Modernism
chosen_topic_0_Modernism
Modernism
Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries. Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed then by reactions of horror to World War I. Modernism also rejected the certainty of Enlightenment thinking, and many modernists rejected religious belief. Modernism, in general, includes the activities and creations of those who felt the traditional forms of art, architecture, literature, religious faith, philosophy, social organization, activities of daily life, and even the sciences, were becoming ill-fitted to their tasks and outdated in the new economic, social, and political environment of an emerging fully industrialized world.
History of art
The history of art is the history of any activity or product made by humans in a visual form for aesthetical or communicative purposes, expressing ideas, emotions or, in general, a worldview. Over time visual art has been classified in diverse ways, from the medieval distinction between liberal arts and mechanical arts, to the modern distinction between fine arts and applied arts, or to the many contemporary definitions, which define art as a manifestation of human creativity. The subsequent expansion of the list of "principal arts" in the 20th century reached to nine: architecture, dance, sculpture, music, painting, poetry (described broadly as a form of literature with aesthetic purpose or function, which also includes the distinct genres of theatre and narrative), film, photography and graphic arts.
History of Western civilization
Western civilization traces its roots back to Western Europe and the Western Mediterranean. It is linked to the Roman Empire and with Medieval Western Christendom which emerged from the Middle Ages to experience such transformative episodes as the Renaissance, the Reformation, the Enlightenment, the Industrial Revolution, scientific revolution, and the development of liberal democracy. The civilizations of Classical Greece, Ancient Rome and Ancient Israel are considered seminal periods in Western history; a few cultural contributions also emerged from the pagan peoples of pre-Christian Europe, such as the Celts and Germans.
List of Dutch inventions and discoveries
The Netherlands had a considerable part in the making of modern society. The Netherlands and its people have made numerous seminal contributions to the world's civilization, especially in art, science, technology and engineering, economics and finance, cartography and geography, exploration and navigation, law and jurisprudence, thought and philosophy, medicine, and agriculture. Dutch-speaking people, in spite of their relatively small number, have a significant history of invention, innovation, discovery and exploration. The following list is composed of objects, (largely) unknown lands, breakthrough ideas/concepts, principles, phenomena, processes, methods, techniques, styles etc., that were discovered or invented (or pioneered) by people from the Netherlands and Dutch-speaking people from the former Southern Netherlands ("Zuid-Nederlanders" in Dutch).
History of painting
The history of painting reaches back in time to artifacts from pre-historic humans, and spans all cultures. It represents a continuous, though periodically disrupted, tradition from Antiquity. Across cultures, and spanning continents and millennia, the history of painting is an ongoing river of creativity, that continues into the 21st century. Until the early 20th century it relied primarily on representational, religious and classical motifs, after which time more purely abstract and conceptual approaches gained favor. Developments in Eastern painting historically parallel those in Western painting, in general, a few centuries earlier.
Ethnomusicology
Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, instead of only its isolated sound component. The term "ethnomusicology" is said to have been first coined by Jaap Kunst from the Greek words ἔθνος ("ethnos", "nation") and μουσική ("mousike", "music"), is often defined as the anthropology or ethnography of music, or as musical anthropology. During its early development from comparative musicology in the 1950s, ethnomusicology was primarily oriented toward non-Western music, but for several decades has included the study of all and any musics of the world (including Western art music and popular music) from anthropological, sociological and intercultural perspectives.
Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (support base). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism).
1_Apprentice
That's so cool. Do you like Pablo Picasso?
0_Wizard
Of course, he is one of my favorite sculptor and painter and to crown it all he is a Spanish  poet 
Pablo Picasso (; ; 25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France.
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Pablo Picasso
partner_1_Pablo_Picasso
List of historical opera characters
This is a list of historical figures who have been characters in opera or operetta. Historical accuracy in such works has often been subject to the imperatives of dramatic presentation. Consequently, in many cases:  For the purposes of this list, Biblical characters are generally taken to be fictional, unless there is clear evidence of their historicity. Operas appear in bold when the historical figure is also the title role. Where a character appears in more than opera, the entries are sorted by composer. Abdisho IV Maron, Patriarch of the Chaldean Catholic Church  Peter Abelard, French priest, scholar, theologian  John Quincy Adams, American President  Gabriele Adorno, fifth Doge of Genoa  Flavius Aetius, Roman general  Heinrich Cornelius Agrippa, German alchemist, writer  Marcus Vipsanius Agrippa, Roman statesman and general  Gnaeus Domitius Ahenobarbus, Roman consul (32 BC)  Pharaoh Akhenaten of Egypt  3rd Duke of Alba, Governor of the Spanish Netherlands  Albert of Mainz, Elector and Archbishop of Mainz  Buzz Aldrin, American astronaut  Alexander the Great, King of Macedon (He appears in about 70 other operas set to the same text by Metastasio as used by Pacini, including one by Leonardo Vinci.)
Lorenzo Domínguez
Lorenzo Domínguez (Santiago de Chile 1901-Mendoza, Argentina 1963) was a prolific Latin American sculptor whose art is a deliberate and personal synthesis of pre-Columbian and Rapa Nui (Easter Island) aesthetics with a European artistic formation. Lorenzo Domínguez's art is the antithesis of the idea of "autochthony" and "cultural unity". In fact, his life of constant and lasting migrations across continents and through multiple countries could be used as an example of the limitations of a nationalistic approach to the history of art. He was born in Santiago de Chile in 1901. He spent his childhood and adolescence in Santiago, but as a child he stayed for a whole year at a boarding school in Málaga, in southern Spain.
Luis Cernuda
Luis Cernuda (born Luis Cernuda Bidón September 21, 1902 – November 5, 1963) was a Spanish poet, a member of the Generation of '27. During the Spanish Civil War, in early 1938, he went to the UK to deliver some lectures and this became the start of an exile that lasted till the end of his life. He taught in the universities of Glasgow and Cambridge before moving in 1947 to the US. In the 1950s he moved to Mexico. While he continued to write poetry, he also published wide-ranging books of critical essays, covering French, English and German as well as Spanish literature. He was frank about his homosexuality at a time when this was problematic and became something of a role model for this in Spain.
Romanticism
Romanticism (also the Romantic era or the Romantic period) was an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the aristocratic social and political norms of the Age of Enlightenment, and the scientific rationalization of nature—all components of modernity.
History of Seville
Seville has been one of the most important cities in Spain since ancient times; the first settlers of the site have been identified with the Tartessian culture. The destruction of their settlement is attributed to the Carthaginians, giving way to the emergence of the Roman city of Hispalis, built very near the Roman colony of Itálica (now Santiponce), which was only 9 km northwest of present-day Seville. Itálica, the birthplace of the Roman emperors Trajan and Hadrian, was founded in 206-205 BC. Itálica is well preserved and gives an impression of how Hispalis may have looked in the later Roman period.
La Fábula de Polifemo y Galatea
La Fábula de Polifemo y Galatea ("The Fable of Polyphemus and Galatea"), or simply the "Polifemo", is a literary work written by Spanish poet Luis de Góngora y Argote. The poem, though borrowing heavily from prior literary sources of Greek and Roman Antiquity, attempts to go beyond the established versions of the myth by reconfiguring the narrative structure handed down by Ovid. Through the incorporation of highly innovative poetic techniques, Góngora effectively advances the background story of Acis and Galatea’s infatuation as well as the jealousy of the Cyclops Polyphemus. The "Polifemo" was completed in manuscript form in 1613 and was subsequently published in 1627 after Góngora’s death (see 1627 in poetry).
Diego Velázquez
Diego Rodríguez de Silva y Velázquez (; ; ; baptized on June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV, and one of the most important painters of the Spanish Golden Age. He was an individualistic artist of the contemporary Baroque period. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family, other notable European figures, and commoners, culminating in the production of his masterpiece "Las Meninas" (1656). From the first quarter of the nineteenth century, Velázquez's artwork was a model for the realist and impressionist painters, in particular Édouard Manet.
1_Apprentice
Yeah he's really cool. What makes art postmodern?
0_Wizard
Well we can describe Postmodern as a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath.
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath.
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Postmodern art
partner_0_Postmodern_art
Postmodern art
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern. There are several characteristics which lend art to being postmodern; these include bricolage, the use of words prominently as the central artistic element, collage, simplification, appropriation, performance art, the recycling of past styles and themes in a modern-day context, as well as the break-up of the barrier between fine and high arts and low art and popular culture.
Modernism
Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries. Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed then by reactions of horror to World War I. Modernism also rejected the certainty of Enlightenment thinking, and many modernists rejected religious belief. Modernism, in general, includes the activities and creations of those who felt the traditional forms of art, architecture, literature, religious faith, philosophy, social organization, activities of daily life, and even the sciences, were becoming ill-fitted to their tasks and outdated in the new economic, social, and political environment of an emerging fully industrialized world.
Late modernism
In the visual arts, late modernism encompasses the overall production of most recent art made between the aftermath of World War II and the early years of the 21st century. The terminology often points to similarities between late modernism and post-modernism although there are differences. The predominant term for art produced since the 1950s is contemporary art. Not all art labelled as contemporary art is modernist or post-modern, and the broader term encompasses both artists who continue to work in modern and late modernist traditions, as well as artists who reject modernism for post-modernism or other reasons.
Postmodernism
Postmodernism describes a broad movement that developed in the mid- to late-20th century across philosophy, the arts, architecture, and criticism which marked a departure from modernism. While encompassing a broad range of ideas, postmodernism is typically defined by an attitude of skepticism, irony, or rejection toward grand narratives, ideologies, and various tenets of universalism, including objective notions of reason, human nature, social progress, moral universalism, absolute truth, and objective reality. Instead, postmodern thinkers may assert that claims to knowledge and truth are products of social, historical or political discourses or interpretations, and are therefore contextual or socially constructed.
Art of Europe
The art of Europe or Western art encompasses the history of visual art in Europe. European prehistoric art started as mobile rock, and cave painting art, and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the art of the Ancient Middle East, and the Ancient Aegean civilisations, dating from the 3rd millennium BC. Parallel with these significant cultures, art of one form or another existed all over Europe, wherever there were people, leaving signs such as carvings, decorated artifacts and huge standing stones. However a consistent pattern of artistic development within Europe becomes clear only with the art of Ancient Greece, adopted and transformed by Rome and carried; with the Empire, across much of Europe, North Africa and the Middle East.
Postmodern architecture
Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Le Corbusier and Ludwig Mies van der Rohe. The movement was given a doctrine by the architect and architectural theorist Robert Venturi in his 1966 book "Complexity and Contradiction in Architecture". The style flourished from the 1980s through the 1990s, particularly in the work of Venturi, Philip Johnson, Charles Moore and Michael Graves. In the late 1990s it divided into a multitude of new tendencies, including high-tech architecture, neo-classicism and deconstructivism.
Postmodern literature
Postmodern literature is literature characterized by reliance on narrative techniques such as fragmentation, paradox, and the unreliable narrator; and often is (though not exclusively) defined as a style or a trend which emerged in the post–World War II era. Postmodern works are seen as a response against dogmatic following of Enlightenment thinking and Modernist approaches to literature. Postmodern literature, like postmodernism as a whole, tends to resist definition or classification as a "movement". Indeed, the convergence of postmodern literature with various modes of critical theory, particularly reader-response and deconstructionist approaches, and the subversions of the implicit contract between author, text and reader by which its works are often characterised, have led to pre-modern fictions such as Cervantes' "Don Quixote" (1605, 1615) and Laurence Sterne's eighteenth-century satire "Tristram Shandy" being retrospectively considered by some as early examples of postmodern literature.
1_Apprentice
That's cool. Who's your favorite post modern painter?
0_Wizard
I like John Wilde for his  printmaker of fantastic imagery.
John Wilde (December 12, 1919 – March 9, 2006, pronounced "WILL-dee") was a painter, draughtsman and printmaker of fantastic imagery.
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John Wilde
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John Wilde
John Wilde (December 12, 1919 – March 9, 2006, pronounced "WILL-dee") was a painter, draughtsman and printmaker of fantastic imagery. Born near Milwaukee, Wilde lived most of his life in Wisconsin, save for service in the U.S. Army during World War II. He received bachelor and master degrees in art from the University of Wisconsin–Madison, where he taught for some 35 years. Wilde was associated with the Magic Realism movement and Surrealism in the United States. His darkly humorous figurative imagery often included self-portraits through which he interacted with the people, animals and surreal objects that populate his fantasy world.
English literature
This article is focused on English-language literature rather than the literature of England, so that it includes writers from Scotland, Wales, and the whole of Ireland, as well as literature in English from countries of the former British Empire, including the United States. However, until the early 19th century, it only deals with the literature of the United Kingdom and Ireland. It does not include literature written in the other languages of Britain. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon settlers in the fifth century, are called Old English.
Oscar Wilde
Oscar Fingal O'Flahertie Wills Wilde (16 October 185430 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is best remembered for his epigrams and plays, his novel "The Picture of Dorian Gray", as well as the circumstances of his imprisonment and early death. Wilde's parents were successful Anglo-Irish intellectuals in Dublin. Their son became fluent in French and German early in life. At university, Wilde read Greats; he proved himself to be an outstanding classicist, first at Dublin, then at Oxford.
John Wilde (jurist)
John Wilde (also known as John Wylde) (1590–1669) was an English lawyer and politician. As a serjeant-at-law he was referred to as Serjeant Wilde before he was appointed judge. He was a judge, chief baron of the exchequer, and member of the Council of State of the Commonwealth period. He was the son and heir of George Wylde of Worcester, The Harriots Droitwich and Kempsey, Worcestershire, serjeant-at-law, who also represented Droitwich in parliament, by his wife Frances, daughter of Sir Edmund Huddleston of Sawston, Cambridgeshire. He matriculated from Balliol College, Oxford, on 18 January 1605, aged 14, and graduated B.A.
Vitreography
Vitreography is a fine art printmaking technique that uses a float glass matrix instead of the traditional matrices of metal, wood or stone. A print created using the technique is called a vitreograph. Unlike a monotype, in which ink is painted onto a smooth glass plate and transferred to paper to produce a unique work, the vitreograph technique involves fixing the imagery in, or on, the glass plate. This allows the production of an edition of prints. In addition to being relatively inexpensive, glass is chemically inert. It does not oxidize, nor does it change or interact with the composition of printing inks, especially yellows and whites, which can turn green or gray in contact with metal plates.
British literature
British literature is literature in the English language from the United Kingdom, Isle of Man, and Channel Islands. Anglo-Saxon (Old English) literature is included, and there is some discussion of Latin and Anglo-Norman literature, where literature in these languages relate to the early development of the English language and literature. There is also some brief discussion of major figures who wrote in Scots, but the main discussion is in the various Scottish literature articles. The article Literature in the other languages of Britain focusses on the literatures written in the other languages that are, and have been, used in Britain.
Monday or Tuesday (film)
Monday or Tuesday () is a 1966 Yugoslav drama film directed by Vatroslav Mimica starring Slobodan Dimitrijević. The film follows a day in the life of a divorced Zagreb journalist Marko Požgaj (played by Dimitrijević), an average modern intellectual who goes about his daily business. Mundane scenes of Požgaj's day are shown interspersed with flashbacks and fantastic imagery reflecting his inner life. These include his recollections of childhood, his feelings about the present and past, including memories of his first marriage, his current girlfriend Rajka (Jagoda Kaloper) and his father killed in World War II (Pavle Vuisić), as well as his fantasies and hopes about the future.
1_Apprentice
Where did post modernism start?
0_Wizard
It was developed in the mid- to late-20th century across philosophy, the arts and architecture
Postmodernism describes a broad movement that developed in the mid- to late-20th century across philosophy, the arts, architecture, and criticism which marked a departure from modernism.
partner_Postmodernism_0
Postmodernism
partner_3_Postmodernism
History of art
The history of art is the history of any activity or product made by humans in a visual form for aesthetical or communicative purposes, expressing ideas, emotions or, in general, a worldview. Over time visual art has been classified in diverse ways, from the medieval distinction between liberal arts and mechanical arts, to the modern distinction between fine arts and applied arts, or to the many contemporary definitions, which define art as a manifestation of human creativity. The subsequent expansion of the list of "principal arts" in the 20th century reached to nine: architecture, dance, sculpture, music, painting, poetry (described broadly as a form of literature with aesthetic purpose or function, which also includes the distinct genres of theatre and narrative), film, photography and graphic arts.
Postmodernism
Postmodernism describes a broad movement that developed in the mid- to late-20th century across philosophy, the arts, architecture, and criticism which marked a departure from modernism. While encompassing a broad range of ideas, postmodernism is typically defined by an attitude of skepticism, irony, or rejection toward grand narratives, ideologies, and various tenets of universalism, including objective notions of reason, human nature, social progress, moral universalism, absolute truth, and objective reality. Instead, postmodern thinkers may assert that claims to knowledge and truth are products of social, historical or political discourses or interpretations, and are therefore contextual or socially constructed.
List of Dutch inventions and discoveries
The Netherlands had a considerable part in the making of modern society. The Netherlands and its people have made numerous seminal contributions to the world's civilization, especially in art, science, technology and engineering, economics and finance, cartography and geography, exploration and navigation, law and jurisprudence, thought and philosophy, medicine, and agriculture. Dutch-speaking people, in spite of their relatively small number, have a significant history of invention, innovation, discovery and exploration. The following list is composed of objects, (largely) unknown lands, breakthrough ideas/concepts, principles, phenomena, processes, methods, techniques, styles etc., that were discovered or invented (or pioneered) by people from the Netherlands and Dutch-speaking people from the former Southern Netherlands ("Zuid-Nederlanders" in Dutch).
Culture of the United Kingdom
The culture of the United Kingdom is influenced by the UK's history as a developed island country, a liberal democracy and a major power; its predominantly Christian religious life; and its composition of four countries—England, Wales, Scotland and Northern Ireland—each of which has distinct customs, cultures and symbolism. The wider culture of Europe has also influenced British culture, and Humanism, Protestantism and representative democracy developed from broader Western culture. British literature, music, cinema, art, theatre, comedy, media, television, philosophy, architecture and education are important aspects of British culture.
History of painting
The history of painting reaches back in time to artifacts from pre-historic humans, and spans all cultures. It represents a continuous, though periodically disrupted, tradition from Antiquity. Across cultures, and spanning continents and millennia, the history of painting is an ongoing river of creativity, that continues into the 21st century. Until the early 20th century it relied primarily on representational, religious and classical motifs, after which time more purely abstract and conceptual approaches gained favor. Developments in Eastern painting historically parallel those in Western painting, in general, a few centuries earlier.
France
France (), officially the French Republic (, ), is a country whose territory consists of metropolitan France in western Europe, as well as several overseas regions and territories. The metropolitan area of France extends from the Mediterranean Sea to the English Channel and the North Sea, and from the Rhine to the Atlantic Ocean. The overseas territories include French Guiana in South America and several islands in the Atlantic, Pacific and Indian oceans. The country's 18 integral regions (five of which are situated overseas) span a combined area of which, as of October 2017, has a population of 67.15 million people.
History of Western civilization
Western civilization traces its roots back to Western Europe and the Western Mediterranean. It is linked to the Roman Empire and with Medieval Western Christendom which emerged from the Middle Ages to experience such transformative episodes as the Renaissance, the Reformation, the Enlightenment, the Industrial Revolution, scientific revolution, and the development of liberal democracy. The civilizations of Classical Greece, Ancient Rome and Ancient Israel are considered seminal periods in Western history; a few cultural contributions also emerged from the pagan peoples of pre-Christian Europe, such as the Celts and Germans.