0_Wizard
I love science fiction movies about extraterrestrial and alien invasion
The alien invasion or space invasion is a usual part of science fiction stories and film, in which extraterrestrials invade the Earth either to exterminate and supplant human life, enslave it under an intense state, harvest people for food, steal the planet's resources, or destroy the planet altogether.
chosen_Alien_invasion_0
Alien invasion
chosen_topic_0_Alien_invasion
Alien invasion
The alien invasion or space invasion is a usual part of science fiction stories and film, in which extraterrestrials invade the Earth either to exterminate and supplant human life, enslave it under an intense state, harvest people for food, steal the planet's resources, or destroy the planet altogether. The invasion scenario has been used as an allegory for a protest against military hegemony and the societal ills of the time. H.G. Wells' novel "The War of the Worlds" extended the invasion literature that was already common when science fiction was first emerging as a genre. Prospects of invasion tended to vary with the state of current affairs, and current perceptions of threat.
Science fiction film
Science fiction film (or sci-fi film) is a genre that uses speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, alien worlds, extrasensory perception and time travel, along with futuristic elements such as spacecraft, robots, cyborgs, interstellar travel or other technologies. Science fiction films have often been used to focus on political or social issues, and to explore philosophical issues like the human condition. In many cases, tropes derived from written science fiction may be used by filmmakers ignorant of or at best indifferent to the standards of scientific plausibility and plot logic to which written science fiction is traditionally held.
Science fiction
Science fiction (often shortened to SF or sci-fi) is a genre of speculative fiction, typically dealing with imaginative concepts such as futuristic science and technology, space travel, time travel, faster than light travel, parallel universes, and extraterrestrial life. Science fiction often explores the potential consequences of scientific and other innovations, and has been called a "literature of ideas". It usually avoids the supernatural, unlike the related genre of fantasy. Historically, science-fiction stories have had a grounding in actual science, but now this is only expected of hard science fiction.
The War of the Worlds
The War of the Worlds is a science fiction novel by English author H. G. Wells first serialised in 1897 by "Pearson's Magazine" in the UK and by "Cosmopolitan" magazine in the US. The novel's first appearance in hardcover was in 1898 from publisher William Heinemann of London. Written between 1895 and 1897, it is one of the earliest stories that detail a conflict between mankind and an extraterrestrial race. The novel is the first-person narrative of both an unnamed protagonist in Surrey and of his younger brother in London as southern England is invaded by Martians. The novel is one of the most commented-on works in the science fiction canon.
History of science fiction films
The history of science fiction films parallels that of the motion picture industry as a whole, although it took several decades before the genre was taken seriously. Since the 1960s, major science fiction films have succeeded in pulling in large audience shares, and films of this genre have become a regular staple of the film industry. Science fiction films have led the way in special effects technology, and have also been used as a vehicle for social commentary. Science fiction films appeared very early in the silent film era. The initial attempts were short films of typically 1 to 2 minutes in duration, shot in black and white, but sometimes with colour tinting.
Apocalyptic and post-apocalyptic fiction
Apocalyptic and post-apocalyptic fiction is a subgenre of science fiction, science fantasy or horror in which the Earth's technological civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; natural, such as an impact event; man-made, such as nuclear warfare or resource depletion; medical, such as a Pandemic, whether natural or man-made; Eschatological such as the Last Judgement, Second Coming or Ragnarök; or imaginative, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics, or alien invasion. The story may involve attempts to prevent an apocalypse event, deal with the impact and consequences of the event itself, or it may be post-apocalyptic, set after the event.
Potential cultural impact of extraterrestrial contact
The cultural impact of extraterrestrial contact is the corpus of changes to terrestrial science, technology, religion, politics, and ecosystems resulting from contact with an extraterrestrial civilization. It is closely related to the search for extraterrestrial intelligence (SETI), which attempts to locate intelligent life as opposed to analyzing the implications of contact with that life. The potential changes from extraterrestrial contact could vary greatly in magnitude and type, based on the extraterrestrial civilization's level of technological advancement, degree of benevolence or malevolence, and level of mutual comprehension between itself and humanity.
1_Apprentice
They certainly seem interesting though I don't watch them often, do you have a favorite science fiction movie in particular?