0_Wizard
Jazz is considered "America's Classical Music"
Jazz is seen by many as 'America's classical music'.
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Jazz
chosen_topic_0_Jazz
Music
Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and vocal techniques ranging from singing to rapping; there are solely instrumental pieces, solely vocal pieces (such as songs without instrumental accompaniment) and pieces that combine singing and instruments.
Women in music
Women in music describes the role of women as composers, songwriters, instrumental performers, singers, conductors, music scholars, music educators, music critics/music journalists and other musical professions. As well, it describes music movements (e.g., women's music, which is music written and performed by women for women), events and genres related to women, women's issues and feminism. In the 2010s, while women comprise a significant proportion of popular music and classical music singers, and a significant proportion of songwriters (many of them being singer-songwriters), there are few women record producers, rock critics and rock instrumentalists.
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as 'America's classical music'. Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation.
Classical music
Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music. While a more precise term is also used to refer to the period from 1750 to 1820 (the Classical period), this article is about the broad span of time from before the 6th century AD to the present day, which includes the Classical period and various other periods. The central norms of this tradition became codified between 1550 and 1900, which is known as the common-practice period. The major time divisions of Western art music are as follows:  European art music is largely distinguished from many other non-European classical and some popular musical forms by its system of staff notation, in use since about the 11th century.
Music of the United States
The music of the United States reflects the country's multi-ethnic population through a diverse array of styles. It is a mixture of music influenced by West African, Irish, Scottish and mainland European among others. The country's most internationally renowned genres are jazz, blues, country, bluegrass, rock, rhythm and blues, soul, ragtime, hip hop, barbershop, pop, experimental, techno, house, dance, boogaloo, salsa, and rock and roll. The United States has the world's largest music market with a total retail value of 4,898.3 million dollars in 2014, and its music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience.
Music of Italy
The music of Italy ranges across a broad spectrum of opera and instrumental classical music and a body of popular music drawn from both native and imported sources. Music has traditionally been one of the cultural markers of Italian national and ethnic identity and holds an important position in society and in politics. Italian innovation in musical scales, harmony, notation, and theatre enabled the development of opera in the late 16th century, and much of modern European classical music, such as the symphony and concerto. Instrumental and vocal classical music is an iconic part of Italian identity, spanning experimental art music and international fusions to symphonic music and opera.
Tale Ognenovski
Tale Ognenovski () (April 27, 1922 - June 19, 2012) was a Macedonian multi-instrumentalist who played clarinet, recorder, tin whistle, bagpipe, zurna, and drums. He composed or arranged "300 instrumental compositions": Macedonian folk dances, jazz compositions, and classical concerts. On January 27, 1956, he performed at Carnegie Hall in New York City as a clarinet and reed pipe (recorder) soloist of the Macedonian State Ensemble of Folk Dances and Songs. For this Carnegie Hall concert "The New York Times" music critic John Martin, wrote two articles: "Ballet: Yugoslav Folk Art; 'Tanec' Dancers Appear at Carnegie Hall in Display of Tremendous Skill" ", published on January 28, 1956, and "The Dance: Folk Art; Group From Yugoslavia In Impressive Debut Learning vs. Magic No Macedonian Monopoly The Week's Events", published on February 5, 1956.
1_Apprentice
I don't know much about jazz, but I do like music.  Do you like any other types of music?
0_Wizard
There are many forms of techno now, but Detroit was its origination.
Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.
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Techno
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Techno
Techno is a form of electronic dance music that emerged in Detroit, Michigan, in the United States during the mid-to-late 1980s. The first recorded use of the word "techno" in reference to a specific genre of music was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built. In Detroit, techno resulted from the melding of African American music including Chicago house, funk, electro, and electric jazz with electronic music by artists such as Kraftwerk, Giorgio Moroder, and Yellow Magic Orchestra. Added to this is the influence of futuristic and fictional themes relevant to life in American late capitalist society, with Alvin Toffler's book "The Third Wave" being a notable point of reference.
Detroit techno
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Detroit has been cited as the birthplace of techno. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Santonio Echols, Will Thomas and Mike Banks. The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the "Belleville Three". The three, who were high school friends from Belleville, Michigan, created electronic music tracks in their basement(s).
Pratītyasamutpāda
Pratītyasamutpāda (; "paṭiccasamuppāda"), commonly translated as dependent origination, or dependent arising, is the principle that all "dharmas" ("things") arise in dependence upon other "dharmas": "if this exists, that exists; if this ceases to exist, that also ceases to exist". The principle is applied in the twelve links of dependent origination doctrine in Buddhism, which describes the chain of causes which result in rebirth and dukkha. By breaking the chain, liberation from this endless cycles of rebirth and dukkha can be attained. Additionally, one could be seen to reach a level of consciousness associated with ascendance.
Music of Detroit
Detroit, Michigan is a major center in the United States for the creation and performance of music, and is the birthplace of the musical subgenres known as “The Motown Sound" and Techno. The Metro Detroit area has a rich musical history spanning the past century, beginning with the revival of the world-renowned Detroit Symphony Orchestra in 1918. The major genres represented in Detroit music include Classical, Blues, Jazz, Gospel, R&B, Rock and roll, Pop, Punk, Soul, Electronica and Hip-hop. The Greater Detroit area has been the birthplace and/or primary venue for numerous Platinum-selling artists, whose total album sales, according to one estimate, had surpassed 40 million units by the year 2000.
Detroit
Detroit () is the most populous city in the U.S. state of Michigan, the largest city on the United States–Canada border, and the seat of Wayne County. The municipality of Detroit had a 2016 estimated population of 672,795, making it the 23rd-most populous city in the United States. The metropolitan area, known as Metro Detroit, is home to 4.3 million people, making it the second-largest in the Midwest after Chicago. Detroit is a major port on the Detroit River, one of the four major straits that connect the Great Lakes system to the Saint Lawrence Seaway. The Detroit Metropolitan Airport is among the most important hubs in the United States.
Minimal techno
Minimal techno is a minimalist subgenre of techno music. It is characterized by a stripped-down aesthetic that exploits the use of repetition and understated development. Minimal techno is thought to have been originally developed in the early 1990s by Detroit-based producers Robert Hood and Daniel Bell. By the early 2000s the term 'minimal' generally described a style of techno that was popularised in Germany by labels such as Kompakt, Perlon, and Richie Hawtin's M-nus, among others. Minimal techno first emerged in the early 1990s. The development of the style is often attributed to a so-called "second wave" of American producers associated with Detroit techno.
Origination Clause
The Origination Clause, sometimes called the Revenue Clause, is part of Article I of the United States Constitution. This clause says that all bills for raising revenue must start in the House of Representatives, but the Senate may propose or concur with amendments as in the case of other bills. The Origination Clause stemmed from a British parliamentary practice that all money bills must have their first reading (and any other initial readings) in the House of Commons before being sent to the House of Lords. This practice was intended to ensure that the power of the purse is possessed by the legislative body most responsive to the people, although the British practice was modified in America by allowing the Senate to amend these bills.