0_Wizard
I enjoy jazz music, or "America's classical music" as some like to call it. Do you like jazz?
Jazz is seen by many as 'America's classical music'.
chosen_Jazz_0
Jazz
chosen_topic_0_Jazz
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as 'America's classical music'. Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation.
Jazz in Germany
An overview of the evolution of Jazz music in Germany reveals that the development of jazz in Germany and its public notice differ from the "motherland" of jazz, the USA, in several respects. One of the first books with the word "jazz" in the title originates from Germany. In his book "Jazz - Eine Musikalische Zeitfrage" (Jazz - A Musical Issue) of 1927, Paul Bernhard relates the term Jazz to a specific dance. When dancer Josephine Baker visited Berlin in 1925, she found it dazzling. "The city had a jewel-like sparkle," she said, "the vast cafés reminded me of ocean liners powered by the rhythms of their orchestras.
Music
Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and vocal techniques ranging from singing to rapping; there are solely instrumental pieces, solely vocal pieces (such as songs without instrumental accompaniment) and pieces that combine singing and instruments.
Tale Ognenovski
Tale Ognenovski () (April 27, 1922 - June 19, 2012) was a Macedonian multi-instrumentalist who played clarinet, recorder, tin whistle, bagpipe, zurna, and drums. He composed or arranged "300 instrumental compositions": Macedonian folk dances, jazz compositions, and classical concerts. On January 27, 1956, he performed at Carnegie Hall in New York City as a clarinet and reed pipe (recorder) soloist of the Macedonian State Ensemble of Folk Dances and Songs. For this Carnegie Hall concert "The New York Times" music critic John Martin, wrote two articles: "Ballet: Yugoslav Folk Art; 'Tanec' Dancers Appear at Carnegie Hall in Display of Tremendous Skill" ", published on January 28, 1956, and "The Dance: Folk Art; Group From Yugoslavia In Impressive Debut Learning vs. Magic No Macedonian Monopoly The Week's Events", published on February 5, 1956.
Free jazz
Free jazz is an approach to jazz music that was first developed in the 1950s and 60s as musicians attempted to alter, extend, or break down jazz convention, often by discarding fixed chord changes or tempos. Though the music of free jazz composers varied widely, a common feature was dissatisfaction with the limitations of bebop, hard bop, and modal jazz that had developed in the 1940s and 50s. Often described as avant-garde, free jazz has also been described as an attempt to return jazz to its primitive, often religious, roots and emphasis on collective improvisation. As its name implies, free jazz cannot be defined more than loosely, as many musicians draw on free jazz concepts and idioms, and it was never completely distinct as a genre.
Music of Italy
The music of Italy ranges across a broad spectrum of opera and instrumental classical music and a body of popular music drawn from both native and imported sources. Music has traditionally been one of the cultural markers of Italian national and ethnic identity and holds an important position in society and in politics. Italian innovation in musical scales, harmony, notation, and theatre enabled the development of opera in the late 16th century, and much of modern European classical music, such as the symphony and concerto. Instrumental and vocal classical music is an iconic part of Italian identity, spanning experimental art music and international fusions to symphonic music and opera.
Jazz in India
Jazz music in India originated in the 1920s in Mumbai (formerly known as Bombay) and in Kolkata (formerly known as Calcutta), where African-American jazz musicians performed. They inspired Goan musicians who then imbibed jazz into the sounds of India’s Hindi film music industry. There has been much interaction between Indian music and jazz music. An active jazz scene exists today in cities like Mumbai (formerly known as Bombay), Pune, Delhi, Goa, and Kolkata. In India, jazz was probably first performed regularly in the metropoles Calcutta and Bombay in the early or middle 1920s. The era from the 1930s to the 1950s is often called as the golden age of jazz in India.