0_Wizard
I've always wanted to be a disc jockey. I would love to play recorded music for a live audience.
A disc jockey (DJ) is a person who plays existing recorded music for a live audience.
chosen_Disc_jockey_0
Disc jockey
chosen_topic_0_Disc_jockey
History of radio disc jockeys
The history of radio disc jockeys covers the time when gramophone records were first transmitted by experimental radio broadcasters to present day radio personalities who host shows featuring a variety of recorded music. For a number of decades beginning in the 1930s, the term "disc jockey", "DJ", "deejay", or "jock" was exclusively used to describe on-air personalities who played selections of popular recorded music on radio broadcasting stations. The term "disc jockey" first appeared in print in a 1941 issue of Variety magazine, although the origin of the term is generally attributed to American radio news commentator Walter Winchell who used it to describe radio presenter Martin Block's practice of introducing phonograph recordings to create a "Make Believe Ballroom" experience for radio listeners.
Disc jockey
A disc jockey (DJ) is a person who plays existing recorded music for a live audience. Most common types of DJs include radio DJ, club DJ who performs at a nightclub or Music festival and turntablist who uses record players, usually turntable, to manipulate sounds on the phonograph record. Originally, the "disc" in "disc jockey" referred to gramophone records, but now "DJ" is used as an all-encompassing term to describe someone who mixes recorded music from any source, including vinyl records, cassettes, CDs, or digital audio files stored on USB stick or laptop. DJs typically perform for a live audience in a nightclub or dance club or a TV, radio broadcast audience, or in the 2010s, an online radio audience.
History of DJing
DJing is the art of mixing recorded music in real time. "For the history of radio disc jockeys, see Radio disc jockey history". The practice of modern "real time" disc jockey mixing was preceded by radio personalities who introduced and played individual selections of recorded music on broadcast radio stations. In 1935, American radio commentator Walter Winchell coined the term "disc jockey" (the combination of "disc", referring to the disc records, and "jockey", which is an operator of a machine) as a description of radio announcer Martin Block, the first radio announcer to gain widespread fame for playing popular recorded music over the air.
The Beatles
The Beatles were an English rock band formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential music band. Rooted in skiffle, beat and 1950s rock and roll, the Beatles later experimented with several musical styles, ranging from pop ballads and Indian music to psychedelia and hard rock, often incorporating classical elements and unconventional recording techniques in innovative ways. In 1963 their enormous popularity first emerged as "Beatlemania"; as the group's music grew in sophistication, led by primary songwriters Lennon and McCartney, the band were integral to pop music's evolution into an art form and to the development of the counterculture of the 1960s.
Laugh track
A laugh track (or laughter track) is a separate soundtrack for a recorded comedy show containing the sound of audience laughter. In some productions, the laughter is a live audience response instead; in the United States, where it was most used, the term usually implies artificial laughter (canned laughter or fake laughter) made to be inserted into the show. This was invented by American sound engineer Charles "Charley" Douglass. The Douglass laugh track became a standard in mainstream television in the U.S., dominating most prime-time sitcoms from the late 1950s to the late 1970s. By the 1980s, the Douglass family was eventually outrivalled by other sound engineers who created stereophonic laugh tracks different from the original analog track.
Oddworld Inhabitants
Oddworld Inhabitants Inc. is an American video game developer founded in 1994 by special-effects and computer-animation veterans Sherry McKenna and Lorne Lanning. The company is primarily known for the incomplete "Oddworld Quintology", a series of award-winning video games about the fictional planet of Oddworld and its native creatures. The series debuted with "" in 1997 and continued with "" in 2001 but the studio has also developed standalone titles "" in 1998 and "" in 2005. Oddworld Inhabitants took a break from game development for a time following the release of "Stranger's Wrath", even though it had already begun preliminary work on its next Oddworld title, "The Brutal Ballad of Fangus Klot".
Phonographic Performance Limited
Phonographic Performance Limited, commonly known as PPL, is a UK-based music licensing company and performance rights organisation founded by Decca and EMI in 1934. As of 2012 PPL collected royalties for 65,000 performers and 10,000 record companies. Its field of operation is distinct from the Performing Right Society, now called PRS for Music, founded in 1914, which originally collected fees for live performance of sheet music. PPL was formed in May 1934 by the record companies EMI and Decca Records, following a ground-breaking court case against a coffee shop in Bristol. The coffee shop, Stephen Carwardine & Co, had been keeping its customers entertained by playing records.
1_Apprentice
What type of music would you like to play?
0_Wizard
Dance music. I would like to play at a nightclub or music festival. 
Most common types of DJs include radio DJ, club DJ who performs at a nightclub or Music festival and turntablist who uses record players, usually turntable, to manipulate sounds on the phonograph record.
self_Disc_jockey_1
Disc jockey
self_1_Disc_jockey
Electronic dance music
Electronic dance music (also known as EDM, dance music, club music, or simply dance) is a broad range of percussive electronic music genres made largely for nightclubs, raves, and festivals. EDM is generally produced for playback by disc jockeys (DJs) who create seamless selections of tracks, called a mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. In Europe, EDM is more commonly called 'dance music' or simply 'dance'. In the late 1980s and early 1990s, following the emergence of raving, pirate radio, and an upsurge of interest in club culture, EDM acquired mainstream popularity in Europe.
Disco
Disco is a musical style originating in the early 1970s. It began to emerge from America's urban nightlife scene, where it had been curtailed to house parties and makeshift discotheques from the middle of the decade onwards, after which, it began making regular mainstream appearances, gaining popularity and increasing airplay on radio. Its popularity was achieved sometime during the mid-1970s to the early 1980s. Its initial audiences in the U.S. were club-goers, both male and female, from the African American, Italian American, Latino, and psychedelic communities in Philadelphia, Chicago, San Francisco, and New York City during the late 1960s and early 1970s.
Rave
A rave (from the verb: "to rave") is a large dance party at a nightclub, dance club or festival featuring performances by DJs, who select and mix a seamless flow of loud electronic dance music songs and tracks. Raves typically involve usage of drugs, such as ecstasy. DJs at rave events play electronic dance music on vinyl, CDs and digital audio from a wide range of genres, including house, trance, techno, hardcore, breakbeat and electro-industrial. Occasionally live performers playing synthesizer or other electronic instruments will play electronic music. The music is amplified with a large, powerful sound reinforcement system, typically with huge subwoofers to produce a deep bass sound.
Techno
Techno is a form of electronic dance music that emerged in Detroit, Michigan, in the United States during the mid-to-late 1980s. The first recorded use of the word "techno" in reference to a specific genre of music was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built. In Detroit, techno resulted from the melding of African American music including Chicago house, funk, electro, and electric jazz with electronic music by artists such as Kraftwerk, Giorgio Moroder, and Yellow Magic Orchestra. Added to this is the influence of futuristic and fictional themes relevant to life in American late capitalist society, with Alvin Toffler's book "The Third Wave" being a notable point of reference.
House music
House music is a genre of electronic music created by club DJs and music producers in Chicago in the early 1980s. Early house music was generally characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines, off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, which preceded and influenced it, as both were DJ and record producer-created dance music, house was more electronic and minimalistic. The mechanical, repetitive rhythm of house was one of its main components. Many house songs were instrumental, with no vocals; some had singing throughout the song with lyrics; and some had singing but no actual words.
Dance music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are the surviving medieval dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance).
Popular music of Birmingham
Birmingham's culture of popular music first developed in the mid-1950s. By the early 1960s the city's music scene had emerged as one of the largest and most vibrant in the country; a "seething cauldron of musical activity", with over 500 bands constantly exchanging members and performing regularly across a well-developed network of venues and promoters. By 1963 the city's music was also already becoming recognised for what would become its defining characteristic: the refusal of its musicians to conform to any single style or genre. Birmingham's tradition of combining a highly collaborative culture with an open acceptance of individualism and experimentation dates back as far back as the 18th century, and musically this has expressed itself in the wide variety of music produced within the city, often by closely related groups of musicians, from the "rampant eclecticism" of the Brum beat era, to the city's "infamously fragmented" post-punk scene, to the "astonishing range" of distinctive and radical electronic music produced in the city from the 1980s to the early 21st century.
1_Apprentice
That sounds like fun. Have you been to a music festival before?