0_Wizard
Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, rhythm
Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques.
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Singing
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Singing
Singing is the act of producing musical sounds with the voice and augments regular speech by the use of sustained tonality, rhythm, and a variety of vocal techniques. A person who sings is called a singer or vocalist. Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir of singers or a band of instrumentalists. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band.
Music
Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and vocal techniques ranging from singing to rapping; there are solely instrumental pieces, solely vocal pieces (such as songs without instrumental accompaniment) and pieces that combine singing and instruments.
Cognitive neuroscience of music
The cognitive neuroscience of music is the scientific study of brain-based mechanisms involved in the cognitive processes underlying music. These behaviours include music listening, performing, composing, reading, writing, and ancillary activities. It also is increasingly concerned with the brain basis for musical aesthetics and musical emotion. Scientists working in this field may have training in cognitive neuroscience, neurology, neuroanatomy, psychology, music theory, computer science, and other relevant fields. The cognitive neuroscience of music represents a significant branch of music psychology, and is distinguished from related fields such as cognitive musicology in its reliance on direct observations of the brain and use of such techniques as functional magnetic resonance imaging (fMRI), transcranial magnetic stimulation (TMS), magnetoencephalography (MEG), electroencephalography (EEG), and positron emission tomography (PET).
Music theory
Music theory is the study of the practices and possibilities of music. "The Oxford Companion to Music" describes three interrelated uses of the term "music theory":  The first is what is otherwise called 'rudiments', currently taught as the elements of notation, of key signatures, of time signatures, of rhythmic notation, and so on. [...] The second is the study of writings about music from ancient times onwards. [...] The third is an area of current musicological study that seeks to define processes and general principles in music — a sphere of research that can be distinguished from analysis in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built.
The Unanswered Question (lecture series)
The Unanswered Question is the title of a lecture series given by Leonard Bernstein in the fall of 1973. This series of six lectures was a component of Bernstein’s duties as the Charles Eliot Norton Professor of Poetry for the 1972-73 academic year at Harvard University, and is therefore often referred to as the Norton Lectures. The lectures were both recorded on video and printed as a book, titled "The Unanswered Question: Six Talks at Harvard." During his year as visiting professor at Harvard University, Leonard Bernstein had various duties, such as being in residence and advising students, but historically the most significant of these was to deliver a series of lectures.
Amusia
Amusia is a musical disorder that appears mainly as a defect in processing pitch but also encompasses musical memory and recognition. Two main classifications of amusia exist: acquired amusia, which occurs as a result of brain damage, and congenital amusia, which results from a music-processing anomaly present since birth. Studies have shown that congenital amusia is a deficit in fine-grained pitch discrimination and that 4% of the population suffers from this disorder. Acquired amusia, on the other hand, may take several forms. Patients with brain damage may experience the loss of ability to produce musical sounds while sparing speech, much like aphasics lose speech selectively but can sometimes still sing.
Tonality
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality. In this hierarchy, the individual pitch or triadic chord with the greatest stability is called the tonic. The root of the tonic chord forms the name given to the key; so in the key of C major, the note C is both the tonic of the scale and the root of the tonic chord (C–E–G). Simple folk music songs often start and end with the tonic note. The most common use of the term "is to designate the arrangement of musical phenomena around a referential tonic in European music from about 1600 to about 1910" .
1_Apprentice
Wow, this just about singing. Are you a Vocalist? I love music so much.
0_Wizard
A person who sings is called a singer or vocalist
A person who sings is called a singer or vocalist.
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Singing
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Andy Russell (singer)
Andy Russell (born Andrés Rábago; September 16, 1919 – April 16, 1992) was an American popular vocalist, actor, and entertainer of Mexican descent, specializing in traditional pop and Latin music. He sold 8 million records in the 1940s singing in a romantic, baritone voice and in his trademark bilingual English and Spanish style. He had chart-busters, such as "Bésame Mucho," "Amor," and "What a Diff'rence a Day Made." He also made personal appearances and performed on radio programs, most notably "Your Hit Parade", in several movies, and on television. During this initial phase of his career, his popularity in the United States rivaled that of crooners Frank Sinatra and Perry Como.
Billie Holiday
Eleanora Fagan (April 7, 1915 – July 17, 1959), better known as Billie Holiday, was an American jazz musician and singer-songwriter with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills, which made up for her limited range and lack of formal music education. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by the producer John Hammond, who commended her voice.
Journey to the Past
"Journey to the Past" is a song written by lyricist Lynn Ahrens and composer Stephen Flaherty for the animated musical film "Anastasia" (1997). Originally recorded for the film by American actress and singer Liz Callaway in her titular role as the singing voice of Anastasia – who is going by her nickname "Anya" at the time – the song expresses the character's desire to follow sparse clues about her past in the hopes of learning more about her family and who she is. The third song written and recorded for the film, Ahrens and Flaherty conceived "Journey to the Past" as a means of expressing the different emotions Anya feels while she prepares to venture out on her own for the first time.
Myles Kennedy
Myles Richard Kennedy (born Myles Richard Bass; November 27, 1969) is an American musician, singer, and songwriter, best known as the lead vocalist and rhythm guitarist of the rock band Alter Bridge, and as the lead vocalist in guitarist Slash's backing band, known as Myles Kennedy and the Conspirators. A former guitar instructor from Spokane, Washington, he has worked as a session musician and songwriter, making both studio and live appearances with several artists, and has been involved with several projects throughout his career. Born in Boston, Massachusetts, and raised in Northern Idaho and Spokane, Kennedy attended Spokane Falls Community College to study music theory.
Alice in Chains
Alice in Chains is an American rock band formed in Seattle, Washington, in 1987 by guitarist/vocalist Jerry Cantrell and drummer Sean Kinney, who then recruited bassist Mike Starr and lead vocalist Layne Staley. Mike Starr was replaced in 1993 by Mike Inez. The band took its name from Staley's previous group, the glam metal band Alice N' Chains. Although widely associated with grunge music, the band's sound incorporates heavy metal elements. Since its formation, Alice in Chains has released five studio albums, three EPs, three live albums, four compilations, two DVDs, 30 music videos and 28 singles.
Al Jolson
Al Jolson (born Asa Yoelson; May 26, 1886 – October 23, 1950) was an American singer, comedian, stage and film actor. At the peak of his career, he was dubbed "The World's Greatest Entertainer." His performing style was brash and extroverted, and he popularized a large number of songs that benefited from his "shamelessly sentimental, melodramatic approach." Numerous well-known singers were influenced by his music, including Bing Crosby, Bob Dylan, Rod Stewart, David Bowie and others. Dylan once referred to him as "somebody whose life I can feel." Broadway critic Gilbert Seldes compared him to the Greek god Pan, claiming that Jolson represented "the concentration of our national health and gaiety."
Musical ensemble
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instruments, such as the jazz quartet or the orchestra. Some music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo (harpsichord and cello) and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families (such as piano, strings, and wind instruments) or group together instruments from the same instrument family, such as string ensembles (e.g., string quartet) or wind ensembles (e.g., wind quintet).
1_Apprentice
Exactly my dear. You talk about singing, do you want to go into singing?
0_Wizard
They also perform music (arias, recitatives, songs
Singers perform music (arias, recitatives, songs, etc.)
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Singing
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Giulio Cesare
Giulio Cesare in Egitto (; Italian for "Julius Caesar in Egypt", HWV 17), commonly known as Giulio Cesare, is a dramma per musica ("opera seria") in three acts composed for the Royal Academy of Music by George Frideric Handel in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. The opera's plot is loosely based on historic events during the Roman Civil War of 49–45 BC.
St Mark Passion, BWV 247
The St Mark Passion (), BWV 247, is a lost Passion setting by Johann Sebastian Bach, first performed in Leipzig on Good Friday, 23 March 1731 and again, in a revised version, in 1744. Though Bach's music is lost, the libretto by Picander is still extant, and from this, the work can to some degree be reconstructed. Unlike Bach's earlier existing passions ("St John Passion" and "St Matthew Passion"), the "Markus-Passion" is probably a parody—it recycles previous works. The "St Mark Passion" seems to reuse virtually the whole of the Trauer Ode "Laß, Fürstin, laß noch einen Strahl", BWV 198,Wilhelm Rust.
Agrippina (opera)
Agrippina (HWV 6) is an "opera seria" in three acts by George Frideric Handel with a libretto by Cardinal Vincenzo Grimani. Composed for the Venice "Carnevale" season, the opera tells the story of Agrippina, the mother of Nero, as she plots the downfall of the Roman Emperor Claudius and the installation of her son as emperor. Grimani's libretto, considered one of the best that Handel set, is an "anti-heroic satirical comedy", full of topical political allusions. Some analysts believe that it reflects Grimani's political and diplomatic rivalry with Pope Clement XI. Handel composed "Agrippina" at the end of a three-year sojourn in Italy.
St Matthew Passion
The St Matthew Passion (), BWV 244, is a "Passion", a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander (Christian Friedrich Henrici). It sets chapters and of the Gospel of Matthew (in the German translation of Martin Luther) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew". The "St Matthew Passion" is the second of two Passion settings by Bach that have survived in their entirety, the first being the "St John Passion", first performed in 1724.
Herz und Mund und Tat und Leben, BWV 147
Johann Sebastian Bach composed the church cantata (Heart and mouth and deed and life), , in 1723 during his first year as "Thomaskantor", the director of church music in Leipzig. His cantata is part of his first cantata cycle there and was written for the Marian feast of the Visitation on 2 July, which commemorates Mary's visit to Elizabeth as narrated in the Gospel of Luke in the prescribed reading for the feast day. Bach based the music on his earlier cantata BWV 147a, written originally in Weimar in 1716 for Advent. He expanded the Advent cantata in six movements to ten movements in two parts in the new work.
Porgy and Bess
Porgy and Bess is an English-language opera by the American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play "Porgy", itself an adaptation of DuBose Heyward's 1925 novel of the same name. "Porgy and Bess" was first performed in Boston on September 30, 1935, before it moved to Broadway in New York City. It featured a cast of classically trained African-American singers—a daring artistic choice at the time. After suffering from an initially unpopular public reception due in part to its racially charged theme, a 1976 Houston Grand Opera production gained it new popularity, and it is now one of the best-known and most frequently performed operas.
Meine Seel erhebt den Herren, BWV 10
In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren, , as part of his second cantata cycle. Taken from Martin Luther's German translation of the Magnificat canticle ("Meine Seele erhebt den Herren"), the title translates as "My soul magnifies the Lord". Also known as Bach's "German Magnificat", the work follows his chorale cantata format. Bach composed "Meine Seel erhebt den Herren" for the Feast of the Visitation (2 July), which commemorates Mary's visit to Elizabeth as narrated in the Gospel of Luke, 1st chapter, verses 39 to 56. In that narrative the words of the Magnificat, , are spoken by Mary.