0_Wizard
The term kararoke means to sing to an instruental version of  a recording with no vocal track. Have you ever participated?
The term "karaoke" is also used by recording engineers to refer to  an instrumental version of a recording (i.e., to a version of a recording with no vocal track).
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Karaoke
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Karaoke
The term "karaoke" is also used by recording engineers to refer to  an instrumental version of a recording (i.e., to a version of a recording with no vocal track). The concept of creating studio recordings that lack the lead vocal has been around for nearly as long as recording itself. Many artists, amateur and professional, perform in situations where a full band/orchestra is either logistically or financially impractical, so they use a "karaoke" recording; they are, however, the original artists. (This is not to be confused with "lip synching," in which a performer mimes to a previously produced studio recording with the lead vocal intact.)
Automatic double tracking
Automatic double-tracking or artificial double-tracking (ADT) is an analogue recording technique designed to enhance the sound of voices or instruments during the mixing process. It uses tape delay to create a delayed copy of an audio signal which is then combined with the original. The effect is intended to simulate the sound of the natural doubling of voices or instruments achieved by double tracking. The technique was originally developed in 1966 by engineers at Abbey Road Studios in London at the request of The Beatles. As early as the 1950s, it was discovered that double tracking the lead vocal in a song gave it a richer, more appealing sound, especially for singers with weak or light voices.
Creedence Clearwater Revival
Creedence Clearwater Revival, often referred to as simply Creedence or CCR, was an American rock band active in the late 1960s and early 1970s. The band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother rhythm guitarist Tom Fogerty, bassist Stu Cook and drummer Doug Clifford. Their musical style encompassed the roots rock, swamp rock, and blues rock genres. Despite their San Francisco Bay Area origins, they played in a Southern rock style, with lyrics about bayous, catfish, the Mississippi River, and other popular elements of Southern United States iconography, as well as political and socially-conscious lyrics about topics including the Vietnam War.
Revolver (Beatles album)
Revolver is the seventh studio album by the English rock band the Beatles. Released on 5 August 1966, it was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology up to that time, building on the advances of their 1965 release "Rubber Soul". The album's diverse sounds include tape loops and backwards recordings on the psychedelic "Tomorrow Never Knows", a classical string octet on "Eleanor Rigby", and Indian-music backing on "Love You To". The album was reduced to eleven songs by Capitol Records in North America, where three of its tracks instead appeared on the June 1966 release "Yesterday and Today".
John Fogerty
John Cameron Fogerty (born May 28, 1945) is an American musician, singer, and songwriter. Together with his brother Tom and Doug Clifford, he founded the band Creedence Clearwater Revival, for which he was the lead singer, lead guitarist and principal songwriter. The group had nine top-ten singles and eight gold albums between 1968 and 1972, and was inducted into the Rock and Roll Hall of Fame in 1993. After CCR parted ways in 1972 Fogerty had a successful solo career. He was listed on "Rolling Stone" magazine's list of 100 Greatest Guitarists (at number 40) and the list of 100 Greatest Singers (at number 72).
Graduation (album)
Graduation is the third studio album by American rapper Kanye West. It was released on September 11, 2007, through Roc-A-Fella Records. Recording sessions for the album took place during 2005 to 2007 at Chung King Studios, Sony Music Studios in New York City, at Chalice Studios and The Record Plant in Los Angeles. It was primarily produced by West himself, with contributions from DJ Toomp, as well as Mike Dean, Nottz, Brian "All Day" Miller, Eric Hudson, Warryn Campbell, Gee Roberson, Plain Pat and Jon Brion. It features guest contributions from artists, including Mos Def, Dwele, T-Pain, Lil Wayne, DJ Premier and Chris Martin of Coldplay.
The Beatles' recording technology
The studio practices of the Beatles evolved during the 1960s and, in some cases, influenced the way popular music was recorded. Some of the effects they employed were sampling, artificial double tracking (ADT) and the elaborate use of multitrack recording machines. They also used classical instruments on their recordings and guitar feedback. The group's attitude toward the recording process was summed up by Paul McCartney: "We would say, 'Try it. Just try it for us. If it sounds crappy, OK, we'll lose it. But it might just sound good.' We were always pushing ahead: Louder, further, longer, more, different."