0_Wizard
I greatly enjoy listening to Classical music. It has a rich history rooted in the traditions of Western culture. 
Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music.
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Music
Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and vocal techniques ranging from singing to rapping; there are solely instrumental pieces, solely vocal pieces (such as songs without instrumental accompaniment) and pieces that combine singing and instruments.
Ethnomusicology
Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, instead of only its isolated sound component. The term "ethnomusicology" is said to have been first coined by Jaap Kunst from the Greek words ἔθνος ("ethnos", "nation") and μουσική ("mousike", "music"), is often defined as the anthropology or ethnography of music, or as musical anthropology. During its early development from comparative musicology in the 1950s, ethnomusicology was primarily oriented toward non-Western music, but for several decades has included the study of all and any musics of the world (including Western art music and popular music) from anthropological, sociological and intercultural perspectives.
Western canon
The Western canon is the body of books, music, and art that scholars generally accept as the most important and influential in shaping Western culture. It includes works of fiction, non-fiction, poetry, drama, music, art, sculpture, and architecture generally perceived as being of major artistic merit and representing the high culture of Europe and North America. University of California philosopher John Searle suggests that the Western canon can be roughly defined as "a certain Western intellectual tradition that goes from, say, Socrates to Wittgenstein in philosophy, and from Homer to James Joyce in literature".
Western culture
Western culture, sometimes equated with Western civilization, Occidental culture, the Western world, Western society, European civilization, or Judeo-Greco-Christian civilization, is a term used very broadly to refer to a heritage of social norms, ethical values, traditional customs, belief systems, political systems and specific artifacts and technologies that have some origin or association with Europe. The term also applies beyond Europe, to countries and cultures whose histories are strongly connected to Europe by immigration, colonization, or influence. For example, "Western Culture" includes countries in the Americas and Australasia, whose language and demographic ethnicity majorities are European.
Classical music
Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music. While a more precise term is also used to refer to the period from 1750 to 1820 (the Classical period), this article is about the broad span of time from before the 6th century AD to the present day, which includes the Classical period and various other periods. The central norms of this tradition became codified between 1550 and 1900, which is known as the common-practice period. The major time divisions of Western art music are as follows:  European art music is largely distinguished from many other non-European classical and some popular musical forms by its system of staff notation, in use since about the 11th century.
Women in music
Women in music describes the role of women as composers, songwriters, instrumental performers, singers, conductors, music scholars, music educators, music critics/music journalists and other musical professions. As well, it describes music movements (e.g., women's music, which is music written and performed by women for women), events and genres related to women, women's issues and feminism. In the 2010s, while women comprise a significant proportion of popular music and classical music singers, and a significant proportion of songwriters (many of them being singer-songwriters), there are few women record producers, rock critics and rock instrumentalists.
Culture of Italy
Italy is considered the birthplace of Western civilization and a cultural superpower. Italy has been the starting point of phenomena of international impact such as the Magna Graecia, the Roman Empire, the Roman Catholic Church, the Renaissance, the Risorgimento and the European integration. During its history, the nation gave birth to an enormous number of notable people. Both the internal and external faces of Western culture were born on the Italian peninsula, whether one looks at the history of the Christian faith, civil institutions (such as the Senate), philosophy, law, art, science, or social customs and culture.
1_Apprentice
Who is your favorite composer?
0_Wizard
Difficult to choose but I would have to say Bach. 
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Clavier-Übung III
The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. It is considered Bach's most significant and extensive work for organ, containing some of his most musically complex and technically demanding compositions for that instrument. In its use of modal forms, motet-style and canons, it looks back to the religious music of masters of the stile antico, such as Frescobaldi, Palestrina, Lotti and Caldara. At the same time, Bach was forward-looking, incorporating and distilling modern baroque musical forms, such as the French-style chorale.
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the "Brandenburg Concertos" and the "Goldberg Variations", and vocal music such as the "St Matthew Passion" and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. Having become an orphan at age 10, he lived for five years with his eldest brother, after which he continued his musical formation in Lüneburg.
Bach House (Eisenach)
The Bach House in Eisenach, Thuringia, Germany, is a museum dedicated to the composer Johann Sebastian Bach who was born in the city. On its 600 m² it displays around 250 original exhibits, among them a Bach music autograph. The core of the building complex is a half-timbered house, ca. 550 years old, which was mistakenly identified as Bach's birth house in the middle of the 19th century. In 1905, the Leipzig-based Neue Bachgesellschaft acquired the building. In 1907, it was opened as the first Bach museum. The Bach family was a widespread musical family, with members working in musical professions throughout Thuringia since the first half of the 16th century until the end of the 18th century.
Kayode Ajulo
Abraham Olukayode "Kayode" Ajulo is a Nigerian lawyer, unionist, lecturer, admnistrator, orator, writer, and rights activist. He is the Principal Partner of Kayode Ajulo & Co. Castle of Law (a full commercial law firm in Abuja with contacts in Lagos, Akure, Kaduna, Jos, Ibadan, Enugu, London, Cardiff, Kumasi and Bangui). He is also the Founder/Chairman of the Egalitarian Mission, Africa, a non-governmental and non-profit making Organisation for the promotion of rule of law, social and economic equality in Africa. Ajulo is well known for promotion of social justice, good governance and social opportunities.
Toccata and Fugue in D minor, BWV 565
The Toccata and Fugue in D minor, BWV 565, is a piece of organ music written, according to its oldest extant sources, by Johann Sebastian Bach. The piece opens with a toccata section, followed by a fugue that ends in a coda. It is one of the most famous works in the organ repertoire. Scholars differ as to when it was composed. It could have been as early as 1704 (when the presumed composer was still in his teens), which would be one explanation for the unusual features; alternatively a date as late as the 1750s has been suggested (Bach died in 1750). To a large extent the piece conforms to the characteristics deemed typical for the north German organ school of the baroque era with divergent stylistic influences, such as south German characteristics, described in scholarly literature on the piece.
Organ Sonatas (Bach)
The organ sonatas, BWV 525–530 by Johann Sebastian Bach are a collection of six sonatas in trio sonata form. Each of the sonatas has three movements, with three independent parts in the two manuals and obbligato pedal. The collection was put together in Leipzig in the late 1720s and contained reworkings of prior compositions by Bach from earlier cantatas, organ works and chamber music as well as some newly composed movements. The sixth sonata, BWV 530, is the only one for which all three movements were specially composed for the collection. When played on an organ, the second manual part is often played an octave lower on the keyboard with appropriate registration.
Magnificat (Bach)
Johann Sebastian Bach's is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque orchestra including trumpets and timpani. It is the first major liturgical composition on a Latin text by Bach. In 1723, after taking up his post as Thomaskantor in Leipzig, Bach set the text of the Magnificat in a twelve movement composition in the key of E-flat major. For a performance at Christmas he inserted four hymns ("laudes") related to that feast. This version, including the Christmas interpolations, was given the number BWV 243a in the catalogue of Bach's works.