0_Wizard
I have always loved listening to the clarinet. I love woodwind instruments.
The clarinet is a musical-instrument family belonging to the group known as the woodwind instruments.
chosen_Clarinet_0
Clarinet
chosen_topic_0_Clarinet
Clarinet
The clarinet is a musical-instrument family belonging to the group known as the woodwind instruments. It has a single-reed mouthpiece, a straight cylindrical tube with an almost cylindrical bore, and a flared bell. A person who plays a clarinet is called a "clarinetist" (sometimes spelled "clarinettist"). While the similarity in sound between the earliest clarinets and the trumpet may hold a clue to its name, other factors may have been involved. During the Late Baroque era, composers such as Bach and Handel were making new demands on the skills of their trumpeters, who were often required to play difficult melodic passages in the high, or as it came to be called, "clarion" register.
Classical music
Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music. While a more precise term is also used to refer to the period from 1750 to 1820 (the Classical period), this article is about the broad span of time from before the 6th century AD to the present day, which includes the Classical period and various other periods. The central norms of this tradition became codified between 1550 and 1900, which is known as the common-practice period. The major time divisions of Western art music are as follows:  European art music is largely distinguished from many other non-European classical and some popular musical forms by its system of staff notation, in use since about the 11th century.
Musical ensemble
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instruments, such as the jazz quartet or the orchestra. Some music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo (harpsichord and cello) and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families (such as piano, strings, and wind instruments) or group together instruments from the same instrument family, such as string ensembles (e.g., string quartet) or wind ensembles (e.g., wind quintet).
Saxophone
The saxophone (also referred to as the sax) is a family of woodwind instruments. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet. Like the clarinet, saxophones have holes in the instrument which the player closes using a system of key mechanisms. When the player presses a key, a pad either covers a hole or lifts off a hole, lowering or raising the pitch, respectively. The saxophone family was invented by the Belgian instrument maker Adolphe Sax in 1840. Adolphe Sax wanted to create a group or series of instruments that would be the most powerful and vocal of the woodwinds, and the most adaptive of the brass instruments, that would fill the vacant middle ground between the two sections.
Bassoon
The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor clefs, and occasionally the treble. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature. The bassoon is a non-transposing instrument known for its distinctive tone colour, wide range, variety of character and agility. Listeners often compare its warm, dark, reedy timbre to that of a male baritone voice. Someone who plays the bassoon is called a bassoonist. The word bassoon comes from French "basson" and from Italian "bassone" ("basso" with the augmentative suffix "-one").
Reed (mouthpiece)
A reed is a thin strip of material which vibrates to produce a sound on a musical instrument. The reeds of most woodwind instruments are made from "Arundo donax" ("Giant cane") or synthetic material; tuned reeds (as in harmonicas and accordions) are made of metal or synthetics. Musical instruments may be classified according to the type and number of reeds used. The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort.
Woodwind instrument
Woodwind instruments are a family of musical instruments within the more general category of wind instruments. There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes). What differentiates these instruments from other wind instruments is the way in which they produce their sound. All woodwinds produce sound by splitting an exhaled air stream on a sharp edge, such as a reed or a fipple. A woodwind may be made of any material, not just wood. Common examples include brass, silver, and cane, as well as other metals including gold and platinum. Examples are a saxophone, a bassoon and a piccolo.
1_Apprentice
Do you play any woodwind instruments?
0_Wizard
No, just a dream of mine to be a clarinetist (or could be spelled clarinettist)
A person who plays a clarinet is called a "clarinetist" (sometimes spelled "clarinettist").
chosen_Clarinet_0
Clarinet
chosen_topic_0_Clarinet
Clarinet
The clarinet is a musical-instrument family belonging to the group known as the woodwind instruments. It has a single-reed mouthpiece, a straight cylindrical tube with an almost cylindrical bore, and a flared bell. A person who plays a clarinet is called a "clarinetist" (sometimes spelled "clarinettist"). While the similarity in sound between the earliest clarinets and the trumpet may hold a clue to its name, other factors may have been involved. During the Late Baroque era, composers such as Bach and Handel were making new demands on the skills of their trumpeters, who were often required to play difficult melodic passages in the high, or as it came to be called, "clarion" register.
Tale Ognenovski
Tale Ognenovski () (April 27, 1922 - June 19, 2012) was a Macedonian multi-instrumentalist who played clarinet, recorder, tin whistle, bagpipe, zurna, and drums. He composed or arranged "300 instrumental compositions": Macedonian folk dances, jazz compositions, and classical concerts. On January 27, 1956, he performed at Carnegie Hall in New York City as a clarinet and reed pipe (recorder) soloist of the Macedonian State Ensemble of Folk Dances and Songs. For this Carnegie Hall concert "The New York Times" music critic John Martin, wrote two articles: "Ballet: Yugoslav Folk Art; 'Tanec' Dancers Appear at Carnegie Hall in Display of Tremendous Skill" ", published on January 28, 1956, and "The Dance: Folk Art; Group From Yugoslavia In Impressive Debut Learning vs. Magic No Macedonian Monopoly The Week's Events", published on February 5, 1956.
Reginald Kell
Reginald Clifford Kell (8 June 19065 August 1981) was an English clarinettist. He was noted especially for his career as a soloist and chamber music player. He was the principal clarinettist in leading British orchestras, including the London Philharmonic, Philharmonia, and Royal Philharmonic, and was also active as a solo recording artist. Kell was influential as one of the first clarinettists to employ continuous vibrato to enhance the expressive quality of the instrument. He was also a noted teacher, serving two different appointments at his "alma mater", the Royal Academy of Music in London.
Clarinet Concerto (Nielsen)
Carl Nielsen's Concerto for Clarinet and orchestra, op. 57 [D.F.129] was written for Danish clarinetist Aage Oxenvad in 1928. The concerto is presented in one long movement, with four distinct theme groups. In 1921, Nielsen heard the Copenhagen Wind Quintet rehearsing some music by Mozart. He was struck by the tonal beauty and musicianship of this group, and he soon became intimately acquainted with its members. That same year, he wrote his Wind Quintet expressly for this ensemble. The last movement of this work is a theme and variations depicting in music the personalities of the five players and their respective instruments, much in the manner that Elgar portrayed his friends in the Enigma Variations.
Jack Brymer
John (Jack) Alexander Brymer OBE (27 January 191515 September 2003) was an English clarinettist. "The Times" called him "the leading clarinettist of his generation, perhaps of the century". He was largely self-taught as a player, and he performed as an amateur before being invited by Sir Thomas Beecham to join the Royal Philharmonic Orchestra in 1947. He remained with the orchestra until 1963, two years after Beecham's death. Brymer later played in the BBC Symphony and London Symphony Orchestras. He was also associated with several chamber music ensembles, and maintained a lifelong pleasure in playing jazz.
Jazz in Germany
An overview of the evolution of Jazz music in Germany reveals that the development of jazz in Germany and its public notice differ from the "motherland" of jazz, the USA, in several respects. One of the first books with the word "jazz" in the title originates from Germany. In his book "Jazz - Eine Musikalische Zeitfrage" (Jazz - A Musical Issue) of 1927, Paul Bernhard relates the term Jazz to a specific dance. When dancer Josephine Baker visited Berlin in 1925, she found it dazzling. "The city had a jewel-like sparkle," she said, "the vast cafés reminded me of ocean liners powered by the rhythms of their orchestras.
Dream Mine
The Dream Mine, or Relief Mine, is a mine in Salem, Utah, built by John Hyrum Koyle in the 1890s and incorporated in 1909. Koyle prophesied that the mine would provide financial support for members of The Church of Jesus Christ of Latter-day Saints (LDS Church) just before the Second Coming of Jesus Christ. Koyle's prophecies were controversial among leaders of the LDS Church, and in 1948 he was excommunicated. Even after Koyle's death in 1949, his followers, known as "Dream Miners," continued to trade and hold stock in the mine to the present day. John Hyrum Koyle was born in Spanish Fork, Utah, on August 14, 1864, to John Hyrum Koyle, Sr. and Adlinda Hillman.
1_Apprentice
Do you have a favorite clarinetist or clarinettist?