0_Wizard
I have always been a fan of the color blue.  I believe that it is one of the three primary colors
Blue is one of the three primary colours of pigments in painting and traditional colour theory, as well as in the RGB colour model.
chosen_Blue_0
Blue
chosen_topic_0_Blue
Color mixing
There are two types of color mixing: "Additive" and "Subtractive". In both cases, there are three primary colors, three secondary colors (colors made from 2 of the three primary colors in equal amounts), and one tertiary color made from all three primary colors. This point is a common source of confusion, as there are different sets of primary colors depending on whether you are working with additive or subtractive mixing. The additive mixing of colors is unintuitive as it does not correspond to the mixing of physical substances (such as paint) which would correspond to subtractive mixing. For instance, one can additively mix yellow and blue by shining yellow light together with blue light, which will result in not green but a white light.
Color theory
In the visual arts, color theory or colour theory is a body of practical guidance to color mixing and the visual effects of a specific color combination. There are also definitions (or categories) of colors based on the color wheel: primary color, secondary color and tertiary color. Although color theory principles first appeared in the writings of Leone Battista Alberti (c.1435) and the notebooks of Leonardo da Vinci (c.1490), a tradition of "colory theory" began in the 18th century, initially within a partisan controversy over Isaac Newton's theory of color ("Opticks", 1704) and the nature of primary colors.
Complementary colors
Complementary colors are pairs of colors which, when combined, cancel each other out. This means that when combined, they produce a gray-scale color like white or black. When placed next to each other, they create the strongest contrast for those particular two colors. Due to this striking color clash, the term opposite colors is often considered more appropriate than "complementary colors". Which pairs of colors are considered complementary depends on the color theory one uses:  On the traditional color wheel developed in the 18th century, used by Claude Monet and Vincent van Gogh and other painters, and still used by many artists today, the primary colors were considered to be red, yellow, and blue, and the primary–secondary complementary pairs are red–green (Christmas), blue-orange (Westwood), and yellow–purple (Mesa High).
Shades of blue
Varieties of the color blue may differ in hue, chroma (also called saturation, intensity, or colorfulness), or lightness (or value, tone, or brightness), or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a blue or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below. In this section, the term tint is used in its technical sense as used in color theory, meaning a blueish color mixed with white or light gray. Baby blue is known as one of the pastel colors. With a hue code of 199, this color is a tone of azure.
Primary color
A set of primary colors is, most tangibly, a set of "real" physical pigmented media or colored lights that can be combined in varying amounts to produce a "gamut" of colors. This is the essential method used in applications that are intended to elicit the perception of diverse sets of color, e.g. electronic displays, color printing, and paintings. Perceptions associated with a given combination of primary colors are predicted by applying the appropriate mixing model (additive, subtractive, additive averaging etc.) that embodies the underlying physics of how light interacts with the media and ultimately the retina.
Color wheel
A color wheel or colour circle is an abstract illustrative organization of color hues around a circle, which shows the relationships between primary colors, secondary colors, tertiary colors etc. Some sources use the terms "color wheel" and "color circle" interchangeably; however, one term or the other may be more prevalent in certain fields or certain versions as mentioned above. For instance, some reserve the term "color wheel" for mechanical rotating devices, such as color tops or filter wheels. Others classify various color wheels as "color disc", "color chart", and "color scale" varieties.
RGB color model
The RGB color model is an additive color model in which red, green and blue light are added together in various ways to reproduce a broad array of colors. The name of the model comes from the initials of the three additive primary colors, red, green, and blue. The main purpose of the RGB color model is for the sensing, representation and display of images in electronic systems, such as televisions and computers, though it has also been used in conventional photography. Before the electronic age, the RGB color model already had a solid theory behind it, based in human perception of colors. RGB is a "device-dependent" color model: different devices detect or reproduce a given RGB value differently, since the color elements (such as phosphors or dyes) and their response to the individual R, G, and B levels vary from manufacturer to manufacturer, or even in the same device over time.
1_Apprentice
yeah i think it is, why do you like blue?
0_Wizard
I think because it has been so important in art since the ancient times.  
Blue has been an important colour in art and decoration since ancient times.
chosen_Blue_0
Blue
chosen_topic_0_Blue
Looted art
Looted art has been a consequence of looting during war, natural disaster and riot for centuries. Looting of art, archaeology and other cultural property may be an opportunistic criminal act or may be a more organized case of unlawful or unethical pillage by the victor of a conflict. The term "looted art" reflects bias, and whether particular art has been taken legally or illegally is often the subject of conflicting laws and subjective interpretations of governments and people; use of the term "looted art" in reference to a particular art object implies that the art was taken illegally. Related terms include "art theft" (the stealing of valuable artifacts, mostly because of commercial reasons), "illicit antiquities" (covertly traded antiquities or artifacts of archaeological interest, found in illegal or unregulated excavations), "provenance" (the origin or source of a piece of art), and "art repatriation" (the process of returning artworks and antiques to their rightful owners).
Italian art
Since ancient times, Greeks, Etruscans and Celts have inhabited the south, centre and north of the Italian peninsula respectively. The very numerous Rock Drawings in Valcamonica go back to 8,000 BC, and there are rich remains of Etruscan art from thousands of tombs, as well as rich remains from the Greek colonies at Paestum, Agrigento and elsewhere. Ancient Rome finally emerged as the dominant Italian and European power. The Roman remains in Italy are of extraordinary richness, from the grand Imperial monuments of Rome itself to the survival of exceptionally preserved ordinary buildings in Pompeii and neighbouring sites.
Greece
  Greece (), officially the Hellenic Republic (), historically also known as Hellas, is a country in Southern Europe, with a population of approximately /1e6 round 0 million as of . Athens is the nation's capital and largest city, followed by Thessaloniki. Greece is located at the crossroads of Europe, Asia, and Africa. Situated on the southern tip of the Balkan peninsula, it shares land borders with Albania to the northwest, the Republic of Macedonia and Bulgaria to the north, and Turkey to the northeast. The Aegean Sea lies to the east of the mainland, the Ionian Sea to the west, the Cretan Sea and the Mediterranean Sea to the south.
Visual arts by indigenous peoples of the Americas
Visual arts by indigenous peoples of the Americas encompasses the visual artistic traditions of the indigenous peoples of the Americas from ancient times to the present. These include works from South America, Mesoamerica, North America including Greenland, as well as Siberian Yup'ik peoples who have great cultural overlap with Native Alaskan Yup'iks. In North America, the Lithic stage or Paleo-Indian period is defined as approximately 18,000–8000 BCE. The period from around 8000–800 BCE is generally referred to as the Archaic period. The production of bannerstones, Projectile point, Lithic reduction styles and pictographic cave paintings are some of the art that remains from this time period.
Rhetoric
Rhetoric is the art of discourse, wherein a writer or speaker strives to inform, persuade or motivate particular audiences in specific situations. As a subject of formal study and a productive civic practice, rhetoric has played a central role in the European tradition. Its best known definition comes from Aristotle, who considers it a counterpart of both logic and politics, and calls it "the faculty of observing in any given case the available means of persuasion." Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals, logos, pathos, and ethos.
Alireza Shapour Shahbazi
Alireza Shapour Shahbazi (4 September 1942 Shiraz - 15 July 2006 Walla Walla, Washington) () was a prominent Persian archeologist, Iranologist and a world expert on Achaemenid archeology. Alireza Shahbazi got a BA degree in and an MA degree in East Asian archeology from SOAS. Shahbazi had a doctorate degree in Achaemenid archeology from University of London. Alireza Shapour Shahbazi was a lecturer in Achaemenid archeology and Iranology at Harvard University. He was also a full professor of Archeology at Shiraz University and founded Achaemenid research Foundation in 1973. After the Islamic revolution, he moved to the USA and became a Full Professor of history in Eastern Oregon University.
Art of Europe
The art of Europe or Western art encompasses the history of visual art in Europe. European prehistoric art started as mobile rock, and cave painting art, and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the art of the Ancient Middle East, and the Ancient Aegean civilisations, dating from the 3rd millennium BC. Parallel with these significant cultures, art of one form or another existed all over Europe, wherever there were people, leaving signs such as carvings, decorated artifacts and huge standing stones. However a consistent pattern of artistic development within Europe becomes clear only with the art of Ancient Greece, adopted and transformed by Rome and carried; with the Empire, across much of Europe, North Africa and the Middle East.
1_Apprentice
oh it has? I really like it because it's said to "calm down" mentally you know