0_Wizard
violin or sometimes called fiddle is a wooden string instrument in the violin family.
The violin, also known informally as a fiddle, is a wooden string instrument in the violin family.
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Violin
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Double bass
The double bass, or simply the bass (and numerous other names), is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra. It is a transposing instrument and is typically notated one octave higher than tuned to avoid excessive ledger lines below the staff. The double bass is the only modern bowed string instrument that is tuned in fourths (like a viol), rather than fifths, with strings usually tuned to E, A, D and G. The instrument's exact lineage is still a matter of some debate, with scholars divided on whether the bass is derived from the viol or the violin family.
Violin
The violin, also known informally as a fiddle, is a wooden string instrument in the violin family. Most violins have a hollow wooden body. It is the smallest and highest-pitched instrument in the family in regular use. Smaller violin-type instruments are known, including the violino piccolo and the kit violin, but these are virtually unused. The violin typically has four strings tuned in perfect fifths, and is most commonly played by drawing a bow across its strings, though it can also be played by plucking the strings with the fingers (pizzicato) and by striking the strings with the wooden side of the bow (col legno).
Cello
The cello ( ; plural cellos or celli) or violoncello ( ; ) is a bowed, and sometimes plucked, string instrument with four strings tuned in perfect fifths. The strings from low to high are generally tuned to C, G, D and A, an octave lower than the viola. It is the bass member of the violin family of musical instruments, which also includes the violin, viola and the double bass. The cello is used as a solo musical instrument, as well as in chamber music ensembles (e.g., string quartet), string orchestras, as a member of the string section of symphony orchestras, and some types of rock bands. It is the second-largest and second lowest (in pitch) bowed string instrument in the modern symphony orchestra, the double bass being the largest and having the lowest (deepest) pitch.
String instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when the performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord , the musician presses a key that plucks the string. With bowed instruments, the player rubs the strings with a horsehair bow, causing them to vibrate. With a hurdy-gurdy, the musician operates a mechanical wheel that rubs the strings.
Viol
The viol , viola da gamba , or (informally) gamba, is any one of a family of bowed, fretted and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone which better matches the open strings. Viols first appeared in Spain in the mid to late 15th century and were most popular in the Renaissance and Baroque (1600-1750) periods.
Mandolin
A mandolin ( ; literally "small mandola") is a stringed musical instrument in the lute family and is usually plucked with a plectrum or "pick". It commonly has four courses of doubled metal strings tuned in unison (8 strings), although five (10 strings) and six (12 strings) course versions also exist. The courses are normally tuned in a succession of perfect fifths. It is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but three are common, the "Neapolitan" or "round-backed" mandolin, the "carved-top" mandolin and the "flat-backed" mandolin.
Violin family
The violin family of musical instruments was developed in Italy in the 16th century. At the time the name of this family of instruments was violas da braccio which was used to distinguish them from the viol family (violas "da gamba"). The standard modern violin family consists of the violin, viola, cello, and double bass. Instrument names in the violin family are all derived from the root "viola", which is a derivative of the Medieval Latin word "vitula" (meaning "stringed instrument"). A "violin" is a "little viola", a "violone" is a "big viola" or a bass violin, and a "violoncello" (often abbreviated "cello") is a "small violone" (or literally, a "small big viola").
1_Apprentice
Who created the violin?
0_Wizard
It was created by six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach
The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
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Six Sonatas for Violin and Harpsichord, BWV 1014–1019
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Six Sonatas for Violin and Harpsichord, BWV 1014–1019
The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba. Unlike baroque sonatas for solo instrument and continuo, where the realisation of the figured bass was left to the discretion of the performer, the keyboard part in the sonatas was almost entirely specified by Bach. They were probably mostly composed during Bach's final years in Cöthen between 1720 and 1723, before he moved to Leipzig. The extant sources for the collection span the whole of Bach's period in Leipzig, during which time he continued to make changes to the score.
Organ Sonatas (Bach)
The organ sonatas, BWV 525–530 by Johann Sebastian Bach are a collection of six sonatas in trio sonata form. Each of the sonatas has three movements, with three independent parts in the two manuals and obbligato pedal. The collection was put together in Leipzig in the late 1720s and contained reworkings of prior compositions by Bach from earlier cantatas, organ works and chamber music as well as some newly composed movements. The sixth sonata, BWV 530, is the only one for which all three movements were specially composed for the collection. When played on an organ, the second manual part is often played an octave lower on the keyboard with appropriate registration.
Keyboard concertos by Johann Sebastian Bach
The harpsichord concertos, BWV 1052–1065, are concertos for harpsichord, strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord (BWV 1052–1058), three concertos for two harpsichords (BWV 1060–1062), two concertos for three harpsichords (BWV 1063 and 1064), and one concerto for four harpsichords (BWV 1065). Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and "Brandenburg Concerto" No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord (BWV 1059) which adds an oboe to the strings and continuo.
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the "Brandenburg Concertos" and the "Goldberg Variations", and vocal music such as the "St Matthew Passion" and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. Having become an orphan at age 10, he lived for five years with his eldest brother, after which he continued his musical formation in Lüneburg.
Clavier-Übung III
The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. It is considered Bach's most significant and extensive work for organ, containing some of his most musically complex and technically demanding compositions for that instrument. In its use of modal forms, motet-style and canons, it looks back to the religious music of masters of the stile antico, such as Frescobaldi, Palestrina, Lotti and Caldara. At the same time, Bach was forward-looking, incorporating and distilling modern baroque musical forms, such as the French-style chorale.
Toccata and Fugue in D minor, BWV 565
The Toccata and Fugue in D minor, BWV 565, is a piece of organ music written, according to its oldest extant sources, by Johann Sebastian Bach. The piece opens with a toccata section, followed by a fugue that ends in a coda. It is one of the most famous works in the organ repertoire. Scholars differ as to when it was composed. It could have been as early as 1704 (when the presumed composer was still in his teens), which would be one explanation for the unusual features; alternatively a date as late as the 1750s has been suggested (Bach died in 1750). To a large extent the piece conforms to the characteristics deemed typical for the north German organ school of the baroque era with divergent stylistic influences, such as south German characteristics, described in scholarly literature on the piece.
Bach House (Eisenach)
The Bach House in Eisenach, Thuringia, Germany, is a museum dedicated to the composer Johann Sebastian Bach who was born in the city. On its 600 m² it displays around 250 original exhibits, among them a Bach music autograph. The core of the building complex is a half-timbered house, ca. 550 years old, which was mistakenly identified as Bach's birth house in the middle of the 19th century. In 1905, the Leipzig-based Neue Bachgesellschaft acquired the building. In 1907, it was opened as the first Bach museum. The Bach family was a widespread musical family, with members working in musical professions throughout Thuringia since the first half of the 16th century until the end of the 18th century.
1_Apprentice
Wow violin dates back to such a period of time?
0_Wizard
We also have the smaller variant known as he violino piccolo and the kit violin, but these are virtually unused.
Smaller violin-type instruments are known, including the violino piccolo and the kit violin, but these are virtually unused.
chosen_Violin_0
Violin
The violin, also known informally as a fiddle, is a wooden string instrument in the violin family. Most violins have a hollow wooden body. It is the smallest and highest-pitched instrument in the family in regular use. Smaller violin-type instruments are known, including the violino piccolo and the kit violin, but these are virtually unused. The violin typically has four strings tuned in perfect fifths, and is most commonly played by drawing a bow across its strings, though it can also be played by plucking the strings with the fingers (pizzicato) and by striking the strings with the wooden side of the bow (col legno).
Violino piccolo
The violino piccolo (also called the "Diskantgeige", "Terzgeige", "Quartgeige" or "Violino alla francese") is a stringed instrument of the baroque period. Most examples are similar to a child's size violin in size, and are tuned a minor third (B–F–C–G) or a fourth higher (C–G–D–A). Probably the most famous work featuring violino piccolo is the first Brandenburg Concerto of Johann Sebastian Bach. The best-known violino piccolo is the Brothers Amati example in the National Music Museum, in Vermillion, South Dakota. By modern measurements, the body is size, the neck size, and the head corresponds to that of a size instrument.
Wachet auf, ruft uns die Stimme, BWV 140
Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas "" (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the hymn appears unchanged in movements 1, 4 and 7. An unknown author supplied poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second (movement 4) in the style of a chorale prelude, and the third as a four-part chorale.
Brandenburg Concertos
The Brandenburg Concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). They are widely regarded as some of the best orchestral compositions of the Baroque era. Bach wrote out the music himself for presentation to the Margrave rather than leaving it to a copyist. While he took the opportunity to revise the music, most likely, it was not freshly composed. He appears to have selected the six pieces from concertos he had composed over a number of years while Kapellmeister at Köthen, and possibly extending back to his employment at Weimar (1708–17).
Herr Christ, der einge Gottessohn, BWV 96
Johann Sebastian Bach composed the church cantata (Lord Christ, the only Son of God), BWV 96, in Leipzig for the 18th Sunday after Trinity and first performed it on 8 October 1724. The chorale cantata, part of Bach's second annual cycle, is based on the hymn in five stanzas "" by Elisabeth Cruciger, published in " in 1524. The hymn, related to mysticism and comparing Jesus to the Morning star, matches two aspects of the prescribed gospel for the Sunday, the Great Commandment and a theological dispute about the term "Son of David". An unknown poet kept the first and last stanza for the first and last movement of the cantata, and paraphrased the inner stanzas as four movements, alternating recitative and aria.
Kit violin
The kit violin, dancing master's kit, or kit, is a stringed instrument. It is essentially a very small violin, designed to fit in a pocket – hence its other common name, the pochette (French for "small pocket"). It was used by dance masters in royal courts and other places of nobility, as well as by street musicians until around the 18th century. Occasionally, the rebec was used in the same way. Several are called for (as "violini piccoli alla francese" – small French violins) in Monteverdi's 1607 "Orfeo". The word "kit" probably arose from an abbreviation of the word "pocket" to "-cket" and subsequently "kit"; alternatively, it may be a corruption of “cittern” ().
Prince Johann Ernst of Saxe-Weimar
Johann Ernst of Saxe-Weimar () (25 December 1696 – 1 August 1715) was a German prince, son by his second marriage of Johann Ernst III, Duke of Saxe-Weimar. Despite his early death he is remembered as a collector and commissioner of music and as a composer some of whose concertos were arranged for harpsichord or organ by Johann Sebastian Bach, who was court organist in Weimar at the time. Johann Ernst was born in Weimar, the fourth son and sixth child of Johann Ernst III, Duke of Saxe-Weimar, and second child of the Duke's second wife, Charlotte Dorothea Sophia of Hesse-Homburg. As a young child the prince took violin lessons from G.C.
1_Apprentice
Are there electronic violins?