Escrita por Tom Stoppard, e transmitida pelas rádios BBC 2 e BBC 6 Music em um evento de multicast, a peça áudio-visual, que como visto anteriormente aqui no blog, conta a história de "Dark Side of the Moon" através de uma série de experimentos mentais envolvendo Emily como personagem principal, vai ganhar uma edição luxuosa nos moldes de um livro capa-dura, que incluí um CD (54 min) com a quase totalidade do álbum homenageado, e 56 páginas contendo a íntegra do roteiro da peça. O lançamento está previsto para 25 de novembro deste ano, pela editora Faber & Faber.
Abaixo o original da divulgação pelo site do "Pink Floyd" (pinkfloyd.news):
The 'Darkside' play, written by Sir Tom Stoppard for BBC Radio 2, to celebrate the 40th anniversary release of The Dark Side of the Moon is be released worldwide as a deluxe CD package on Monday 25 November. Distributed worldwide by ADA for Parlophone/Warner Music group, the play was an original commission by BBC Radio 2, and broadcast in the UK on 26 August 2013. It will now be available to fans outside the UK with its release on CD and digital download.
Produced in collaboration with Sir Tom Stoppard's publishers Faber and Faber, the package resembles a hard-backed book, including a CD carrying the 54-minute play, which includes the majority of the Dark Side of the Moon album, plus a 56-page bound insert of the play's script in English.
Sir Tom Stoppard said: "When 'The Dark Side of the Moon' was a new album in 1973, a friend of mine walked into my room where I was working with a copy in his hand and said 'You really have to do a play about this album'. So, when, roughly 39-and-a-half years later, Jeff Smith from Radio 2 asked me if I'd like to do some kind of play around the 40th birthday of the Pink Floyd album, it really wasn't a very difficult decision".
The cover features design and photography by StormStudios, in collaboration with Hipgnosis designer Aubrey 'Po' Powell, based on the specially-created Aardman Animations piece used to publicise the broadcast. The full play script includes all the dialogue and stage directions, plus Roger Waters' original lyrics from the album. The release also features a bonus disc with text translations in German, French, Spanish, Italian, Dutch, Portuguese, Japanese, Mandarin, and Russian.
'Darkside' is an abstract and compelling drama which follows Emily, a philosophy student, through a series of thought experiments, which are vividly brought to life. The play also ranges over a series of grand themes, which are both thought provoking and laced with Stoppard's characteristic wit and humour. The impressive cast includes Bill Nighy as Dr Antrobus/the Witch Finder, Rufus Sewell as Mr Baggott/Ethics Man, Adrian Scarborough as Fat Man, and Amaka Okafor as Emily.
Left to right: Rufus Sewell, Iwan Rheon, Sir Tom Stoppard, Amaka Okafor, Bill Nighy.
David Gilmour: "I found the script of Tom's play fascinating; I can't think of a better way to celebrate The Dark Side of The Moon's 40-year anniversary".
Nick Mason: "I love it. If anyone is going to mess with the crown jewel of albums, Tom is a very good choice".
Bill Nighy: "To get a combination of Tom Stoppard and Pink Floyd ... is a massive deal, a marriage made in radio heaven".
The radio play was produced and directed by James Robinson.


|Ganryttool||Дата: Четверг, 04.12.2014, 11:04 | Сообщение # 1|
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Like cinema, my life continues to evolve. More than 24 frames per second. In full color or black and white. This is my musings about anything and everything.
Thursday, September 17, 2009
They say it's the last song. They don't know us, you see. It's only the last song if we let it be.
Lars Von Trier's films have always provoked discussions. Critics call his work either pretentious or a masterpiece.
I manage to see Dancer in the Dark again. I still think of it as groundbreaking.
A. O. Scott of The New York Times: Lars von Trier's musical, shot in raw, jumpy digital video, is a fascinating exercise in brutality, mitigated by the otherworldy charisma (and the music) of the Icelandic pop star Bjork. As Selma, a Czech immigrant factory worker going blind in the early 1960's in Washington State (the film was shot in Sweden), Bjork seems to be inventing a whole new style of film acting, and her performance is miraculous. von Trier, continuing his campaign to rescue the art of film from complacency and convention, follows Selma's utter annihilation with sadistic relish. "Dancer in the Dark" is both stupefyingly bad and utterly overpowering; it can elicit, sometimes within a single scene, a gasp of rapture and a spasm of revulsion. Come to the theater prepared, with a handkerchief in one hand and a rotten tomato in the other.


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Rewind Networks today announced the launch of HITS MOVIES HD (StarHub TV Channel 512), Asia’s newest basic movie channel on 1 October 2018. Celebrating the best movies ever made from the 1960s to the 1990s, HITS MOVIES HD features a carefully curated selection of the finest films in HD.
“We are excited to partner with StarHub for the launch of HITS MOVIES HD – making Singapore our debut market for the channel in Asia” said Mr Avi Himatsinghani, CEO, Rewind Networks. “HITS MOVIES HD fills a clear need gap in the evolving subscription video landscape for quality, evergreen movies on the basic tier – a perfect fit for StarHub viewers looking for a unique and compelling entertainment offering at no additional cost.”
At launch, HITS MOVIES HD’s select lineup of films will include movie hits from a wide range of genres – from romance (Grease, West Side Story) and action (Star Trek: The Motion Picture, The Terminator, The Italian Job) to comedies (The Pink Panther, Trading Places), thrillers (Fatal Attraction) and westerns (For A Few Dollars More).
Rewind Networks’ VP and Channel Head Sandie Lee handpicked the titles for the channel based on two main factors: the film’s emotional appeal to loyal, older audiences, as well as its ability to attract younger viewers.
“It is important for us that the titles we pick for the channel resonate strongly with viewers who, would love to watch them fondly again, or in the case of younger viewers, may have heard of these movies through remakes and adaptations but never had the chance to watch the original,” she said. “In addition to MGM Studios and Paramount Pictures, we will be acquiring movies from other leading studios in the coming months.”
HITS MOVIES will air in stunning High Definition for viewers to fall in love with, whether for the first time – or all over again.


“Dumb and Dumber To” is a film made in a style of comedy that is ten years past its prime. Some of the jokes fall flat while others have you on the edge of your seats laughing. Is the movie bad? No, but it isn’t the quality you expect from Jim Carrey. The film tries to shock the audience but can’t compete with shock factor in comedies like “We’re the Millers”, “Horrible Bosses”, and “22 Jump Street”.
I love the premise of this film. A man trying to find his daughter in order to save his own life. Jim Carrey and Jeff Daniels do a great job with what they were given and are carrying the Farelly’s to new highs based only upon the strength of the original film, their followings, and a need for the audience to laugh.
I give “Dumb and Dumber To” a 5 out of 10.


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A Professional Drama Queen Goes in Search for Her Mother in Emma Lord's 'When You Get the Chance'
In Emma Lord’s When You Get the Chance, Millie Price just got into a prestigious pre-college that will help her achieve her dreams of becoming a Broadway star. However, her father is refusing to let her go. So what does a kid do when one parent says no? They go ask the other.
The problem is that Millie doesn’t have any idea who her mother is. She was raised by her father and her aunt with little to no information about the woman who carried her and brought her to life. So the most natural course of action, to Millie, is to go find her mother, thus catapulting a Mamma Mia-themed narrative.
Digging through her father’s old LiveJournal from 2003, Millie pieces together some clues that lead her to three potential candidates. Millie sets off to befriend them, to get to know them, and to subsequently figure out which one is her mother.
Things become complicated when she applies for an internship with New York’s best talent agent, where, Steph, one of her prospective mothers, works. Though she plans to use the internship to get to know Steph better, she could also use the money to help pay for pre-college. However, she must now compete for the position against, Oliver, her sworn nemesis with whom she may have an undefined love/hate relationship.
Though the themes of When You Get the Chance can be heavy, Lord handles them with trained delicacy. In Millie Price, she’s created a protagonist who is defiant and driven—and even a little bit of a drama queen--but fun and a delight to watch as she moves steadfastly towards her goals. But she’s also vulnerable--her vulnerabilities portrayed in how she deals when clashing with her father, the one parent that's been present for her always.
When You Get the Chance touches on themes of family--what it means to be wanted and how Millie moves forward with chasing her dreams and living her fullest life without letting her mother’s abandonment become an obstacle. It also teaches us that, often, we have exactly what we need and we’re exactly where we need to be. Millie eventually comes to this conclusion, but not without first unnecessarily entangling many threads.
Lord has crafted a fun, lighthearted story that will charm the hearts of audiences across diverse age groups. It's exactly the kind of warm read necessary to get through this long winter.


Viggo dating ariadna 2016 dating violence statistics on college campuses
Are celebrities more likely to divorce or break up?
Earlier this week news reports surfaced that Viggo Mortensen, 58, and his partner had split up.
He tells Esquire that he chose Madrid "Because I fell in love and she lived there." Click through our gallery to check out more pictures of Ariadna Gil.
Among the Best Actor nominees was the surprise inclusion of real-life Ghostbuster villain Viggo Mortensen, for Captain Fantastic.
Since 2009, the actor has been in a relationship with Spanish actress Ariadna Gil.
According to a 2016 Esquire piece about him, Mortensen lives with his girlfriend in Madrid.
Two years later, another Cronenberg film Eastern Promises (2007) earned him further critical acclaim and a nomination for the Academy Award for Best Actor.
At tonight's Academy Awards, Viggo Mortensen has been nominated for Best Actor for his role in Captain Fantastic.I’d actually been wondering if Viggo was still with Ariadna – I hadn’t seen them together in a while, and during Viggo’s promotion of , he didn’t get any questions about his love life, and Ariadna was nowhere around.According to random gossip, Viggo is a homewrecker – Ariadna was married (with a kid too) when she met Viggo, and they had some kind of affair.Full Story That’s what the photo agency is calling it... Good things happen when David Cronenberg and Viggo Mortensen make movies together. Full Story There’s so little on him, and then when it’s there, it’s the really good kind.
This is Viggo Mortensen in Madrid with his longtime partner Ariadna Gil. Click here Full Story One of the biggest ongoing questions surrounding the Avengers franchise is the potential involvement of Dr. Viggo is expected at TIFF later this week to screen it. I don’t think I have to say much more to those of you who are enjoying this? Full Story David Cronenberg’s A Dangerous Method screened at the London Film Festival tonight with all three of the film’s headliners in attendance looking very pretty and or very sexy and in the case of Michael Fassbender, obviously, both. I wonder if Keira’s dress on anyone else produces the same results. Ok so first, check out Viggo Mortensen in Spain the other day, holding hands and embracing Ariadna Gil. She was married at the time, has a child, and according to some Spanish gossips, left her husband after falling in desperate love with Viggo, and they’ve been together ever since.Ariadna allegedly left her husband for Viggo and never looked back, although…


Jason London (James Cavanagh)
Jason London, a native of Dallas, Texas, made his debut in the period feature, "The Man in the Moon" in 1991. The versatile actor went on to appear in the World War II drama "December" (working with "Last Stand" writer / director Gabe Torres) before starring in Richard Linklater's hit Gen-X comedy "Dazed and Confused." As Randy "Pink" Floyd, football player and group conscience, London conveyed the proper combination of self-doubt and confidence for a teen on the verge of adulthood. He portrayed Susan Sarandon's son in the drama "Safe Passage" and co-starred as a small-town hick entranced with John Leguizamo's Chi Chi Rodriguez in "To Wong Foo, Thanks for Everything, Julie Newmar." Additional film credits include "The Rage: Carrie 2," "Poor White Trash," "$pent" and "Out Cold."
On television, London appeared in the Fox vampire thriller, "Blood Ties," then went on to star in such TV movies as ABC's "Country Estates," the PBS film "I'll Fly Away: Then and Now" (as Nathan Bedford, the role originally played by twin brother Jeremy in the series) and HBO's critically acclaimed 1996 drama "If These Walls Could Talk." London's miniseries have included Hallmark Entertainment's "Jason and the Argonauts," ABC's "False Arrest" and NBC's "A Matter of Justice." He has also guest starred on such series as "Tales From the Crypt," "The Outer Limits" and "Route 66."
more about Jason: The Life and Career of Jason London


A filmmaker’s review of “The Square”
Last week, the list actors and films nominated for the Academy Awards was released. As usual, I skimmed down the list past the usual characters until my eyes caught a flash of the word “documentary” on the screen. I had already seen one of the documentary features nominated (Dirty Wars), and ever since Sundance 2013, I had been waiting for a date circled on my calendar, January 17, to finally watch The Square on Netflix.
I love documentary film, and the art of the documentary is what drew me to filmmaking in the first place. As someone with a several humble years of experience in the trade, I wanted to sit down and write a bit about these two films from the perspective of a filmmaker, starting with The Square.
Harnessing the power of the medium
What The Square does exceptionally well is harness the power of the medium. I have to give praise to Jehane Jounaim her crew for the cinematography and intimacy of the film. This is one of the most immersive documentaries I have watched. This is what makes it such a beautiful film. Video has the ability to take the viewer inside a moment, and live it, so to speak. The camera crew for The Square took visibly extraordinary risks to capture moments that conveyed the reality of what Egyptians have experienced in Tahrir over the past three years.
I found my eyes hot with tears at a multiple points during the film. The story of Egypt’s journey as a country and people since the beginning of 2011 is perhaps one of the most gripping I have ever witnessed during my life. The camera crew of The Square‘s production team took extraordinary risks to immerse the viewer in Egypt’s revolution. They put me in the middle of the square, and it was overwhelming.
There are scenes where I sat waiting for a stray bullet or tear gas canister to send the lens of the camera crashing into the pavement. In 2010 I visited Iyad Burnat at his home in Palestine. After hearing stories of protestors in Bil’in killed by gas canisters and “rubber” bullets, my perspective on “non-lethal” ammunition changed. I knew that even if the Egyptian police weren’t firing live bullets (which they did), protestors could still be killed by their munitions.
The film also harnesses characters well (cast listed here). Rather than cut to talking heads to pontificate about the revolution, the film follows a group of revolutionaries that includes one member of the Muslim Brotherhood and one woman. Their cameras put you inside the square, and inside the lives and conversations amongst them and their families as they navigate through Egypt’s ever changing state of civil society. You are able to see their personal struggles close up, and it is hard not to feel a connection to them by the end of the film.
Here are some of my favorite moments from the film. I love these because of the raw emotion they captured.
Mubarak steps down
This is a moment in the film that we all know is coming, yet unless you were in Tahrir on February 11, 2011, you haven’t felt it in this way. I watched the elation of multitudes gathered in the square, and the weeping of individuals unable to control the outpouring of years worth of emotion. After viewing the film, this moment is one I feel that I understand just a little bit better.
Ramy Essam sings “Taty Taty” in Tahrir
This is perhaps one of the most amazing moments I have witnessed captured by a documentary. As security forces, draped in riot gear, surround Tahrir, Ramy Essam leads a crowd of protestors in lyrics that expose the hypocrisy of military rule to the very face of the oppressor. The group stands defiant, proud, and brave. I love how this scene was edited. For me, it was a beautiful moment of courage.
Mina Daniel’s Mother after Maspero massacre
At this point in the film, and Egypt’s story, tragedy still plagues the country. Police and army brutality is constantly rising. The moment the sacrifice and heartbreak of Egyptians hit me hard was after the Maspero massacre. The heartfelt words spoken by Mina Daniel’s mother at his memorial made me want to book a ticket to Cairo just to say, “I am with you. Mina is not forgotten.” This scene was so powerful because it was intimate. If you don’t connect with this family during the film, you need to check your pulse.
Lastly, what I love about this film is that it didn’t give up. Producing and editing a documentary is a painful process. You have to take a huge experience, communicate it within a relatively small time window, and retain the emotion and integrity of the story. The makers of The Square went back to Egypt to continue filming and produce a second edit of the film because they thought it was important to include as much of the constantly developing story as possible. I can’t tell you the kind of perseverance that takes.
From a production standpoint, I have few criticisms of the film. From a journalistic standpoint, I hold some concerns shared by others in the community of journalists covering the Arab world.
The most circulated criticism piece that I have found so far comes from Max Fisher at the Washington Post. The thesis and headline of his post is “The Square is a beautiful documentary. But its politics are dangerous.” Fisher argues that, “The Brotherhood’s role in the revolution itself is not just excised, it is rewritten into something much more nefarious.” However, the best critical review I have read comes from Evan Hill at Al Jazeera: “The Egypt outside ‘The Square’.” Hill states, “Some of the same young Egyptians who protested alongside Noujaim’s activists now criticize what they see as the film’s rose-tinted bias and oversimplification of an ongoing revolutionary moment that is far from pure or straightforward.”
This is essentially where The Square‘s weakness lies, and some would argue, failure.
As the film progressed, I found myself concerned about the way the Muslim Brotherhood was portrayed, waiting for moments to balance out the narrative that favors the secular revolutionaries. Sharing sentiments from other observers of Egypt, Fisher relays this from an interview, “They cited the degree to which the film had become a Western darling: Sympathy for liberal or secular activists is after all high in the West, while concern for the Muslim Brotherhood is low.”
The filmmakers do work to bring in the Brotherhood perspective with Magdy Ashour, who is portrayed in a positive and sympathetic light. He is a great, complex character that displays the middle ground between the dichotomy portrayed in the West as military vs Brotherhood. The truth, as pointed out by Issam el-Amrani on The Arabist, is that many Egyptians possess this middle ground. However, we are never taken inside the Muslim Brotherhood organization the same way that we are taken into the community of the revolutionaries. The brutality that Muslim Brotherhood members endured at the hands of the military after Morsi’s ouster is acknowledged, but not deeply covered in the way the revolutionary movement was.
In the end, I desired greater coverage of the deadly crackdown on Muslim Brotherhood/anti-coup sit-in in July 2013, and a stronger voice for other groups during the early 2011 protests. My concerns were somewhat assuaged by a scene at the end of the film where the main revolutionary protagonist Ahmed talks on the phone with Magdy, after the June 30 ouster of Morsi. The two share a moment of unity, affirmation of brotherhood, and common desire for Egypt to attain true freedom and internal peace. Through this scene and narration, the filmmakers do make an effort to keep the narrative framed as a struggle of people vs power. However, it is almost too little, too late.
Subjectivity and documentary film
The Square brings up the topic of objectivity vs. subjectivity in journalistic media. I ascribe to a view that believes journalism and subjectivity are not necessarily mutually exclusive. None of us are truly objective, and I think that acknowledging our own subjectivity is what is important, to a degree. That said, a responsibility to be accurate to the story remains. Overwhelmingly, the debate over The Square that many are having is one of accuracy.
In The Square, the problem is not that it heavily covers the revolutionary side, but that it lacks a sufficient counterbalance. We need to hear what Ahmed thinks of the Muslim Brotherhood. We need to hear his perspective, regardless of what he thinks, because his voice is important. Ahmed also embodies what many young, liberal revolutionaries have felt over the past three years. The problem arises when there is not a direct voice of equal weight from the side he is addressing.
As for not moving much outside Tahrir, I would argue that the film doesn’t need to. The focus is clearly stated in the title. There’s nothing wrong with focusing heavily on what happened in Tahrir Square. When filmmakers tell a story, focus is essential in order to achieve a clear and digestible storyline. I don’t believe the filmmakers set out to produce a comprehensive film on the Egyptian revolution. They set out to tell the unique story of what happened inside Tahrir Square during Egypt’s revolution. I even think it’s fine to have a film that focuses only on the more liberal revolutionary perspective, as long as the film is branded as such.
The Square flirts with this line a bit. For an individual that has followed Egypt relatively closely, they know enough context to sift through information presented. But those unfamiliar with the Egypt’s story may finish the film with some inaccurate and unfair notions about the Muslim Brotherhood constituency, not to mention a flawed understanding of Egypt’s recent history. For those of us in the West, there is a danger of confirming liberal, Western biases about our view of the Egyptian revolution and the July 3rd military coup.
Editing is a tough and tiring process. In Hill’s article, he cites Noujaim on the editing process, “The filmmakers had to edit down from more than 1,500 hours of footage, she said, and the ‘news and the politics’ of the revolution were best left to journalists.” I have to disagree with Noujaim on this. The film is telling personal stories, but it is also telling a story of political and historical significance. The mistake here is that, in this case, she is a journalist. Certain stories we take on as filmmakers carry a responsibility to amplify the story to the world as accurately as possible.
In my opinion, the director and editors had two options. The first is to expand and deepen areas of focus in the film in a way that strives for historical accuracy as much as it does for an effective story. The second is to tell a strictly revolutionary point of view, clearly stating the intention and purpose as such, so that viewers understand it is not an endeavor to tackle the whole picture, only a slice of it.
While not perfect, The Square is beautiful and the best attempt to tell the story of Egypt’s revolution to date. This is an important film, and a powerful one. Despite shortcomings, I have an immense amount of admiration and respect for the team that told this story. And you deserve to see it. Documentaries like this do not come around often. Understand the film for what it is and use it as a jumping off point to connect further with Egypt and their struggle for “bread, dignity, and social justice.” The violence and division on the streets in Egypt today, the anniversary of the revolution, further underscore the struggle to translate a revolution into sustainable political progress.


Friday, October 13, 2017
Dinner/Reception: 5:30 p.m.
Movie Screening: 6:30 p.m.
Theater of the Performing Arts
359 Washington Street
Hartford, CT (View Map)
$10 Adults; $5 Children
CREC Technical Assistance and Brokering Services will screen “One by One: The Teachings of Diana King,” a film directed by Harvey Hubbell, on Friday October 13 at the Theater for the Performing Arts.
This event will help raise awareness of specific learning disability (SLD)/dyslexia and will kick off a series of educational opportunities. These opportunities will allow educators and community members to develop strategies and learn skills that will help them better teach and support students of all ages who have a SLD/dyslexia.
A reception with dinner will start at 5:30 p.m., followed by the screening at 6:30 p.m.
Following the movie, there will be a question and answer session with the Director and SLD/dyslexia experts. They will be answering questions from the audience, which is expected to include parents, teachers, doctors, and students.
Sponsored tickets are available by contacting Jeannette Estrada at firstname.lastname@example.org or (860) 524-4038.


Frank A. Langella, Jr. (born January 1, 1938) is an American stage and film actor. He has won three Tony Awards, two for Best Leading Actor in a Play for his performance as Richard Nixon in the play Frost/Nixon and for the role of Leslie in Edward Albee's Seascape. Additionally, Langella has won two Obie Awards and was nominated for an Academy Award for Best Actor in a Leading Role in the film production of Frost/Nixon (2008).
Frank Langella is an important figure in the history of Count Dracula’s evolution. At the time of Dracula's (1979) release, he was very much the antithesis of what you would expect the Count to look, sound, or even act like. He was young, attractive and a very sexually appealing Dracula, which upset many the fans of the original novel, but delighted film critics and female viewers. Frank Langella transformed Dracula from a predator... into a seducer. He introduced the 'sexy' to the vampire genre and, without question, helped turn it into what it is today.
|Dracula (portrayed by Frank Langella)|
with a new vampire post every day! Who's your favorite?


When I saw Pixar's newest movie, Brave, I knew I had to write about it.
These are all the thoughts that I can recall on seeing the movie only once. I try my best not to forget anything, but I inevitably will.
(photographed: Brave poster)
Brave is very much about the ups and downs of a mother-daughter relationship and about the ability to control ones fate. I'm sure all mothers and daughters in the theatre were fighting back tears. I certainly was. And for that reason, I think the movie succeeded.
However, with that being said, I was expecting much more attention to detail, especially since we are dealing with Pixar.
I was disappointed when the storyline with the witch wasn't revisited. She was clearly involved in the past spell that went wrong yet we learn nothing more of her other than the fact that she posed as a wood carver who apparently creates many bear-related objects. The "hint" she gave Merida about transforming her mother back to a human was rather predictable as well.
In addition to that disappointment, I experienced a bit of confusion in certain parts. I was under the impression that the legend in which the king turned into the bear was meant to take place long ago, yet he still existed as a bear in the forest, despite being trapped under all the wreckage. I believed that the ones who turned into bears just turned into regular bears, not immortal ones.
I adored Merida. Her accent was strong, but not obnoxious. Her hair took up half the screen. Most memorable of all, was her independent personality. I love stories involving strong-willed women, and Merida was definitely one. Her maturity by the end of the movie was apparent when she was willing to finally choose a suitor.
I also enjoyed Merida's mother and father. Her mother was clearly an important component to the plot of the story. The scene when she is trying to sneak upstairs to the repair the tapestry as Merida is distracting the crowd was a touching one. Merida's ability to translate her mother's hand gestures to complete thoughts showcased a clear progression in their relationship.
Some of my favorite characters were those of the men from the different regions. The portion of the movie when they arrive and attempt to win Merida's hand in marriage was one of my favorite parts.
Other than that, however, I felt Brave was lacking some amazing supporting characters. Some characters that I felt could have use more of a role in the movie were Merida's little brothers. They reminded me of the minions in Despicable Me, serving as comedic relief though not as essential cogs in the wheel that is the plot of the story.
The scenic setting in Scotland was breathtaking. I loved all the shots of the fog in the mountains.
I also found myself obsessed with all the vibrant, curly strands of Merida's hair and how they bounced as she ran. The attention to detail was nothing short then what I expect of Pixar, and I'm impressed at how far they have come since Toy Story.
I loved all the music, from the bagpipes in the background to the lyrical ones. Julie Fowlis' "Touch the Sky" is a definite favorite. For those who don't remember it, it was the song that was playing in the beginning on Merida's first adventure through the forest. A possible new running song? I think so.
Final Verdict: Of all the Pixar movies I have seen, ranked from least to most favorite, Brave probably falls somewhere in the middle. Without a doubt, I enjoyed the movie and really felt the little strings attached to my heart tug. I never felt the movie dragged on like I did with others, such as Cars. However, there were several scenes throughout the film in which I felt the creators missed opportunities to add more detail, a quality that I love most about Pixar films. If you are considering taking kids or younger siblings to this movie, don't hesitate. All the kids in the theatre were thoroughly enjoying themselves. Would I watch this movie again? Yes. But I won't be the first racing to stores to buy it when it hits shelves.


Sharon Vonne Stone (born March 10, 1958) is an American actress, film producer, and former fashion model.
Stone first achieved international recognition for her role in the erotic thriller Basic Instinct by Paul Verhoeven. She was nominated for an Academy Award for Best Actress and won a Golden Globe Award for Best Actress in a Motion Picture Drama for her performance in Casino. She received further acclaim and Golden Globe Award nominations for her roles in The Mighty and The Muse. In 2004, Stone won the Emmy Award for Outstanding Guest Actress in a Drama Series for her performance in The Practice. She has also appeared in such movies as Alpha Dog, Bobby and, most recently, Lovelace.
Age in 2013: 55(10 March 1958)
Height in Meters: 1.74m
Height in Centimeters: 174cm
Height in Feet: 5 Feet 8 1/2 Inches
Weight in Kilograms: 58kg
Weight in Pounds: 126lbs
Body Measurement and Size: 36-25-35
Bra Size: 36B
Eye Color: Green


Lifestyle of Ranbir Kapoor
Bollywood’s heartthrob Ranbir Kapoor leads a luxurious and care free life. Let’s have look on his lifestyle.
Real name :- Ranbir’s real name is Ranbir Raj Kapoor.
Nick name :- Ranbir is dearly called Dabboo by his mom and his friends calls him Gangroo.
Born :- Ranbir was born in the year of 1982, 28 September.
Hometown :- He was born and brought up in Mumbai, Maharashtra.
Father :- Ranbir has lost his father very recently, he is none other than Rishi Kapoor.
Mother :- Ranbir’s mother is famous actress Neetu Kapoor.
Sister :- Ranbir’s sister is Riddhima Kapoor Sahani who is 3 years elder to him.
Family :- Ranbir belongs to The Kapoor family of Bollywood.
Grandfather :- His grandfather was a great actor late Raj Kapoor.
Cousins :- Ranbir shares a great friendship with his two cousin sisters Karishma and Kareena.
Education :- Ranbir finished his schooling from Bombay Scottish School, Mumbai. After that he completed his bachelors from H.R college of Commerce and Economics, India Then, Ranbir went to New York and studied visual arts and finished his film studies from Lee Strasberg Theatre and Film Institute.
Career :- Ranbir started his Bollywood career as an assistant director. He assisted Sanjay LeelaBhansali and his father Rishi Kapoor for the film “Black” and “AaAablautChale” respectively. After that he started his acting career as male lead in Sawaariya with another star kid Sonam Kapoor. This versatile actor has already proved his acting skill and did many projects with renowned filmmakers in Bollywood. Ranbir also produced his own film – Jagga Jassos.
Awards :- He received 4 filmfare awards for best actorcategory from his first film Sawaariya to Sanju in 2019.
Tattoo :- He got two tattoo- one is on is right wrist- inked “awara” in hindi And second one on his right palm- it shows a black small cross.
Love life :- Ranbir is famous for his controversial love life. For his edgy behavior he is tagged “Romeo of Bollywood”. He was in relationship with Imran Khan’s present wife Avantika when Ranbirhad not appeared in Bollywood. He has many rumored girlfriends. Before Sonam Kapoor, Ranbir was involved with Sanjay Kapur’s previous wife Nandita Mahtani. After Sonam, Ranbir’s name was involved with DeepikaPadukone, Anushka Sharma and even with Katrina Kaif. Now he is dating with Alia Bhatt. Rumor is they are engaged and will tie knot very soon.
Charge :- Ranbir charges 20 Crore for one film. But apart from films- he earns much more from brand promotions.
For one brand promotion- he takes 15Crore.
Net Worth :- This leading superstar has a huge net worth and that is 320 Crore.
Car collection :- This actor is pure car love and collects luxurious cars. He owns Audi A8, Audi R8, Range Rover sport, Mercedes Benz G63.
Bike Collection :- Ranbir is very passionate about bikes. Knowing this fact, Sanjay Dutt himself gifted him a Harley Davidson on his 30th birthday.
House :- Ranbir bought his new apartment in Pali hillat 35 crore and named itVatsu. The flat was designed by Gauri Khan.
For More Bollywood News: – https://goo.gl/mjGGsu
Reporters : Ria Saha || Aparajita Das
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Tuesday November 19 6:30 PM
Join Boulder County Republicans for a private screening of "HARRIET"
Featured Guest Speaker: Professor William B Allen
Learn more about Harriet Tubman, a strong and courageous Republican woman. Her heroic tale of escape from slavery and the subsequent freeing of hundreds or more slaves changed the course of our nation's history!
We have the honor of hosting Professor William B Allen, CU Conservative Visiting Scholar. Immediately following the movie, he will share his expertise of the Abolitionist time period and a short review of the movie for its historical accuracy.


I love watching this film on Christmas Eve while munching on mince pies and singing along with the Muppets to ‘One more sleep til Christmas’ being my favourite song. Can you believe this film is 24 years old?!
Another Crimbo RomCom that has both really sad moments as well as really funny ones, from Liam Neeson’s character having to deal with being a single parent after his wife’s death to Hugh Grant’s dance scene as the Prime Minister in Number 10.
Keeeeeevvvvvvviiiiinnnnnnnnnn!! Love this film, also how cute was Macauley as a kid? I have no idea how they could manage to forget about their child as they head off on their Christmas holiday (on more than one occasion!) but but it does make a good film.
One of my more recent Christmas film favourites, with voices from Jim Broadbent, Hugh Laurie and Imelda Staunton, where Arthur ensures that no child is forgotten about at Christmas when a present for Gwen is left behind.
Clark Griswold and his family show us how not to do Christmas! This is another film that even after watching many times still makes me laugh with cousin Eddie rocking up outside their home with his trailer and when they go to take their Christmas tree home.
Fed up of all the feel good Christmas films that make you feel all warm and fuzzy inside? Then this is the film for you with its chain smoking, alcoholic, thieving, sex addicted Santa Claus!
The oldest film on my list as it was made 70 years ago in 1946, it is about a man who thinks that his life is no longer worth living and decides to commit suicide on Christmas Eve. He is saved by an Angel called Clarence who shows him how other people’s lives would be had he never existed.
I love Tim Burton films and this is probably my most favourite film ever! I do see this more as a Halloween film but other people see it as a Christmas one so that’s why it will feature in my Halloween favourites too.
What is your favourite Christmas film?


Sunday, January 5, 2014
Palm Springs International Film Festival
The Palm Springs International Film Festival is a big deal. Second-largest film festival in the US (after Sundance, I guess), they are showing over 180 films this year from dozens of countries. We have tickets to see three films, but it was really hard to choose from all they have. We saw The Broken Circle Breakdown last night, which is a Belgian film about a Belgian who plays American bluegrass music and his relationship with a woman and their daughter who gets cancer. It is a beautiful and engaging film that is Belgium's entry for the Oscars this year. I highly recommend it if it comes to the Plimoth this year. We will be going to see Nightingale (China) and The Forgotten Kingdom (South Africa) this week. It was especially fun that the director of the Belgian film was at the showing and stayed for questions after. We saw on the news that a ton of famous actors were here for the opening gala like Tom Hanks, Meryl Streep and Matthew McConnaughey, but they don't seem to be staying at the Happy Traveler or shopping at the same super market we frequent, but maybe we'll see them at Starbucks.


Tony Barry – Bio
Tony Barry is an award winning and highly-respected actor and voice artist. Having played both leading and character roles in over 55 feature films and 45 television series and theatre (in Australia, New Zealand, UK, Korea and Japan), Tony is most well-known for his award-winning performance in Gaylene Preston’s film memoir, Home By Christmas, in which Tony won Best Lead Actor at the QANTAS New Zealand Film and Television Awards in 2010. Other notable roles include those in Baz Luhrmann’s Australia, The Time of Our Lives: both seasons (first season with two legs and the second with one!), Mystery Road, Hell Has Harbour Views,(Best Supporting Actor nomination), Infamous Victory: Ben Chifley’s Battle for Coal, Paper Giants: The Birth of Cleo, Road to Nhill, I Can Jump Puddles, (Best Actor nomination), The Night We Called It A Day, multi award-winning Korean film Lady Vengeance, and Tony’s PENGUIN Award-winning performance in the ABC’s Scales of Justice: a 1983 dramatic television mini-series that initiated the Fitzgerald Royal Commission into Queensland Police Corruption and brought down the Joh Bjelke-Petersen Government.
Such a diverse and successful acting career is equally matched by Tony’s contribution to both the local community (awarded The 2017 ECHO’s "True Believers" award for Community Activism and the Arts), and his continual activism in matters pertaining to indigenous rights, the environment, conservation, and politics. Tony has also worked to educate, motivate, and inspire confidence in a wide range of students in schools, correctional centres, Queensland Police, indigenous groups, recovering drug and alcohol groups, to TAFE and filmmaking classes. Tony is considered a natural teacher with a unique energy and technique, who has not only empowered countless students over the course of his career, but continues to believe in the need to empower youth to have their say in the future direction of our planet. This is the foundation of YEP.


Born 1953, Georg Heinzen studied German literature and history at the Heinrich-Heine-University in Düsseldorf und scriptwriting at the University of Film and Television in Munich.
Georg Heinzen writes scripts for feature film and tv movies. As headwriter he creates tv series like "SK Kölsch". Georg Heinzen is teaching scriptwriting at the International Filmschool, Cologne.
2011 he lived as artist in residence fort Art Foundation North Rhine-Westphalia in Mumbai, India. There he worked as lecturer at Whistling Woods Filmschool, Mumbai, and the Film- and Television Institute of India, Puna.
Georg Heinzen lives and works in Düsseldorf, Germany.
MANGA GIRL / tv series, schriptwriter, ZDF 2015
ORIGINAL COPY / documentary / director & producer, 2015
LESS IS MORE / tv movie, scriptwriter, ARD 2012
THE BEST YEAR OF MY LIFE / tv movie, scriptwriter, ARD 2006
TAKE AWAY / shortfilm, writer and director, 2004
GRAN PARADISO / feature film, scriptwriter, Warner Brothers 2001
A QUESTION OF BELIEVE / tv movie, scriptwriter, ARD 1998
SK KÖLSCH / tv series, creator and Headwriter, SAT.1 1997


born Rosemarie Magdalena Albach in Nazi-era Vienna, six months after the Anschluss, into a family of actors that included her paternal grandmother Rosa Albach-Retty, her Austrian father Wolf Albach-Retty and her German mother Magda Schneider. Romy Schneider's first film, made when she was 15, was Wenn der weiße Flieder wieder blüht (When the White Lilacs Bloom Again) in 1953, credited as Romy Schneider-Albach. She starred the portrayal of Empress Elisabeth of Austria, in the romantic biopic Sissi (1955), Sissi – The Young Empress (1956) and Sissi – Fateful Years of an Empress (1957). She was found dead in her apartment in Paris on 29 May 1982. She had died from cardiac arrest.


Suppose that you have started a new movie-rating website and you have been collecting data on reviewer’s rating of various movies.
Figure01 shows a certain instance of the populated database. Log into MySQL server and create a database named E18XXXLab05. Create necessary tables in the database considering the following:
- Decide suitable names and data types for each field,
- Define primary keys and foreign keys for each table,
- Choose referential integrity options that should be used on each of the following operations
- ON UPDATE
- ON DELETE
Write the following SQL queries using MySQL, to retrieve the data from the database, you created in task01 above.
- Find all the details about the movies presented in the populated MOVIE
- Find all the details about the movies directed by ‘James Cameron’.
- Find all the details about the movies directed by ‘James Cameron’, on or after the year 2000.
- Find all the stars presented in the rating table.
- Find the distinct stars presented in the table.
- Find movie ids and each movie’s director.
- Find movie ids, titles, years of the movies directed by ‘Steven Spielberg’.
- Obtain the Cartesian product of the details presented in two tables MOVIE and RATING.
- Obtain the Cartesian product of the movie id and title from MOVIE table with movie id, reviewer id and stars from RATING
- Select movie ids of each movie with its title, reviewer id and stars
- Select movie ids of each movie with its title, reviewer id and stars received, where number of stars are less than or equal to three.
- Select movie ids of each movie with its title, reviewer id and stars received, where the number of stars is between two and four (two and four inclusive).
- Select reviewer ids with the corresponding movie id reviewed by each reviewer.
- Select distinct tuples from the results produced by the execution of the above query (query number 14).
- Select each movie id with its corresponding title, reviewer id, reviewer name and stars
- Select each movie id with its corresponding title, reviewer id, reviewer name and stars received, where the number of stars received is equal to five.
- Select movie title with its corresponding reviewer name and stars, where the movie’s rating date is missing.
- Select all the movie director names and reviewer names into one column. Do not include null values.
- Select the details about the reviewers who have a last name called ‘Martinez’.
- Select the details about the ratings which have been rated before the 10th day of the month. Use substring comparison.
- Write the above query (query number 20) without using substring comparison.
- Show the effect of giving one more star to the movies reviewed by ‘Brittany Harris’. Here select relevant details from the RATING
- Select movie titles with its reviewer name and stars Order the result by movie title in the alphabetical order.
- Select movie titles with its stars received and rating date. Order the result by movie title in the alphabetical order, then by stars and rating date both in descending order.
- Write a nested query to retrieve the details of the movies directed by a director who is also a reviewer.


The film was released worldwide on 6 July 2016. It has grossed ₹623.33 crore ( $96 million) worldwide, and was one of the top five highest-grossing Indian films ever.
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The proceeds of the exhibition amount to ₹3,00,000 was donated to the victims of 2018 Kerala floods through the Telugu Movie Artists Association.


Kaleigh Osadick is a Ukrainian actor born in Winnipeg, Canada, who now lives in Vancouver, Canada. Kaleigh got her Bachelor degree in Theatre, Film, and Psychology from the University of Manitoba in 2012-2015. She later followed with a degree in Education, from the University of British Columbia in 2017-2018.
As a storyteller, Kaleigh’s earliest debut was back in 2015 where she took part in Winnipeg’s Fringe Festival. She has trained with Comedy legends such as, Howard Nemetz. (2018) Football Factory’s Frank Harper, (2020) and Sitcom trailblazer, Scott Sedita (2022). In 2019 Kaleigh stared in her first feature film with up and coming UK director, Naeem Mahmood. The film will be released in 2022. Kaleigh has appeared in many short films and commercials as of late. She has worked with brands such as, JOI Beauty and Pedrino Spritz.
Kaleigh’s most recent involvement includes Improv with The Groundlings and Principal role in an upcoming BC project titled, BC BUDS. This film will start filming in May 2022. Kaleigh is represented by Premiere Talent Management.
As an educator, Kaleigh’s philosophy is centred around inclusion. She focuses on creating equal artistic opportunities for those with disabilities, and strives to be a bridge between the Arts and the disability community. Some organizations Kaleigh has worked with include Los Angeles’, The Miracle Project, and New York’s theatre, BEAT Festival.


Prometheus 2: Alien: Covenant - The Controversial Ending and What It Means for the Future of the Alien Series
Prometheus 2: Everything You Need to Know About Alien: Covenant
If you are a fan of science fiction, horror, and action movies, you might have heard of Prometheus 2, also known as Alien: Covenant. This film is a sequel to Prometheus (2012), which was a prequel to the iconic Alien (1979) and its sequels. But what is Prometheus 2 about? Who are the stars and the director of this film? When and how was it released and received? And how does it relate to the Alien franchise? In this article, we will answer all these questions and more. Read on to find out everything you need to know about Prometheus 2.
What is Prometheus 2?
Prometheus 2 is a science fiction action horror film that was released in 2017. It is the second entry in the Alien prequel series, and the sixth installment in the Alien franchise overall. It was directed by Ridley Scott, who also directed the original Alien and Prometheus. It was written by John Logan and Dante Harper, based on a story by Jack Paglen and Michael Green, and inspired by the characters created by Dan O'Bannon and Ronald Shusett.
The plot of Prometheus 2
The plot of Prometheus 2 follows the crew of the colonization ship Covenant, which is on its way to a remote planet called Origae-6, where they hope to establish a new human settlement. However, along the way, they receive a mysterious transmission from a nearby planet that appears to be a paradise. They decide to investigate, but soon discover that the planet is actually a hellish nightmare, inhabited by hostile creatures and a sinister android named David, who survived the doomed Prometheus expedition.
The cast and crew of Prometheus 2
The cast of Prometheus 2 features some familiar faces from previous films, as well as some new ones. Here are some of the main actors and their roles:
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Michael Fassbender as David and Walter, two androids with different personalities and agendas. Fassbender reprised his role as David from Prometheus, and also played Walter, a newer model that serves as the Covenant's caretaker.
Katherine Waterston as Daniels, the chief terraformist of the Covenant and the main protagonist of the film. Waterston is best known for her roles in Fantastic Beasts and Where to Find Them (2016) and Inherent Vice (2014).
Billy Crudup as Oram, the first mate of the Covenant and the acting captain after an accident kills the original captain. Crudup has starred in films such as Watchmen (2009), Almost Famous (2000), and Big Fish (2003).
Danny McBride as Tennessee, the pilot of the Covenant and one of its few survivors. McBride is a comedian who has appeared in comedies such as Pineapple Express (2008), This Is the End (2013), and Vice Principals (2016-2017).
Demián Bichir as Lope, the head of security of the Covenant and one of its few survivors. Bichir is an Oscar-nominated actor who has worked in films such as A Better Life (2011), The Hateful Eight (2015), and The Nun (2018).
The crew behind the scenes of Prometheus 2 includes some talented professionals who The crew behind the scenes of Prometheus 2 includes some talented professionals who have contributed to the success of the film. Here are some of the key figures:
Ridley Scott as the director and producer of the film. Scott is a legendary filmmaker who has directed classics such as Blade Runner (1982), Gladiator (2000), and The Martian (2015).
John Logan and Dante Harper as the screenwriters of the film. Logan is an acclaimed playwright and screenwriter who has written films such as The Aviator (2004), Skyfall (2012), and Spectre (2015). Harper is a newcomer who made his debut with Prometheus 2.
Jed Kurzel as the composer of the film. Kurzel is an Australian musician and composer who has scored films such as The Babadook (2014), Macbeth (2015), and Assassin's Creed (2016).
Dariusz Wolski as the cinematographer of the film. Wolski is a Polish cinematographer who has worked with Scott on films such as The Counselor (2013), Exodus: Gods and Kings (2014), and The Martian (2015).
Pietro Scalia as the editor of the film. Scalia is an Oscar-winning editor who has edited films such as JFK (1991), Gladiator (2000), and Black Hawk Down (2001).
Why is Prometheus 2 called Alien: Covenant?
One of the most intriguing questions about Prometheus 2 is why it is called Alien: Covenant, instead of simply Prometheus 2. The answer lies in the connection between Prometheus and Alien, the meaning of the title Alien: Covenant, and the implications of the title for the future of the franchise.
The connection between Prometheus and Alien
Prometheus was originally conceived as a direct prequel to Alien, but during its development, it became more of a standalone film that explored its own themes and ideas. However, it still had some links to Alien, such as the presence of the mysterious Engineers, who created humanity and the deadly xenomorphs, and the appearance of a proto-xenomorph at the end of the film.
Prometheus 2, on the other hand, is much more closely tied to Alien, as it features more recognizable elements from the original film, such as the iconic xenomorphs, the facehuggers, the chestbursters, and the eggs. It also reveals more about the origin and evolution of the xenomorphs, and how they are related to the Engineers and humanity.
The meaning of the title Alien: Covenant
The title Alien: Covenant has multiple meanings that reflect the themes and plot of the film. Here are some of them:
It refers to the Covenant, which is the name of the ship that carries the colonists to their new home. The Covenant also represents a promise or a contract between humanity and their creators, which is tested by their encounter with David and his experiments.
It refers to the covenant between David and the xenomorphs, which he sees as his children and his masterpiece. David has a twisted fascination with the xenomorphs, and he uses them as a weapon against humanity and the Engineers.
It refers to the covenant between God and humanity, which is a recurring motif in both Prometheus and Prometheus 2. The films explore questions such as why did God create us? What is our purpose? How do we relate to our creators? And what happens when we rebel against them?
The implications of the title for the future of The implications of the title for the future of the franchise
The title Alien: Covenant also hints at the direction that the franchise will take in the future. According to Ridley Scott, Prometheus 2 is the second film in a planned trilogy that will lead up to the events of Alien. The third film, which is currently in development, is tentatively titled Alien: Awakening, and it will explore what happened to David and the surviving Engineers after Prometheus 2. Scott has also expressed interest in making more films that will expand the Alien universe and explore different aspects of the xenomorphs and their origins.
What are the main themes and messages of Prometheus 2?
Prometheus 2 is a film that tackles some big and complex themes and messages, such as the origin of life, the dangers of playing God, and the horror of the unknown. Here are some of the main themes and messages of Prometheus 2:
The search for the origin of life
One of the main themes of Prometheus 2 is the search for the origin of life, which drives both the human and the android characters. The Covenant crew is looking for a new home where they can start a new life, while David is looking for the secrets of creation that he can use to create his own life forms. Both quests are motivated by curiosity, ambition, and faith, but they also lead to tragic consequences.
The dangers of playing God
Another theme of Prometheus 2 is the dangers of playing God, which is exemplified by David's actions. David is a synthetic being who has surpassed his human creators in intelligence and creativity, but he also lacks empathy and morality. He sees himself as a god who can manipulate life as he pleases, but he also disregards the value and dignity of other living beings. He experiments on humans and Engineers, creati


The story of Beauty and the Beast revolves around Belle, a diligent and diligent girl. Bella replaced her father as a prisoner in the ugly Beast's castle, but later discovered that he was really a prince and loved him. Knowing that Belle has fallen in love with the Beast, Gaston leads an angry mob to kill him. In the end, Belle's sincere love helped Beast break the curse, returning to humanity.
Emma Watson will play the mermaid in the portrayed version of Disney's classic Beauty and the Beast films released March 17, 2017.


“People always leave.” This sentiment, courtesy of One Tree Hill’s Peyton Sawyer, remains as true today as when she first spoke it in 2005.
It also applies to TV shows, which seem to disappear from streaming services just when we need them the most. One Tree Hill, for example, left Hulu on Tuesday, ending the teen drama’s long, successful run on the streamer.
But there’s an important second part of Peyton’s quote: “Sometimes, they come back.” And just like that, One Tree Hill is already available to watch on a new streamer: HBO Max!
If you’re settling in to watch this iconic teen drama for the first time since its original run (2003–2012), there’s a good chance you’ve forgotten just how many famous faces popped up in Tree Hill, including a few then- unknown actors who are now household names.
Read on for our breakdown of 10 familiar names you can expect to encounter during watch, then drop a comment with your favorite famous appearances.
TAGS: HBO Max, One Tree Hill
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The summer movie season of 2020 was essentially cancelled due to COVID-19. So I thought it might be interesting to create some reminders of fun moments of summers past – namely, great movies from previous years that offered a bit of an escape. Just something to throw a little levity and fun back into people's social feeds. Hence, TypograFlicks was born.
Each post features a typographically driven “movie poster” with movie info and a trivia teaser for the following poster (with designs based on movie trading cards from the 70s, 80s and 90s.)
Prints of all pieces here are available at https://doug-pedersen-art.myshopify.com/


Part of the NOTED Special Colletion by eXtasy Books and Devine Destinies.
What happens when your stepdaughter finds out she was adopted? Do you go looking for her birth family, or do you let it go?
Find out how Neil and his stepdaughter Rikki take a trip to Neil's past, and the woman he once loved.
Away to Me
Sometimes you have to go back to move forward…
“What doesn’t lie? The evidence.”
The evidence in front of Neil Falcon proved that his late wife wasn’t the birth mother of his stepdaughter, Rikki. If Rita lied to him about Rikki’s roots, what else did she hide from him?
The confused pair begin a search that leads them down a road that makes an unexpected backwards turn, to Neil’s past, and the woman who once held his heart.
Kelsey Wagner is shocked to see the man she once adored appear on her doorstep with claims that Rikki may be her biological child. After finding out her daughter wants her to be a part of her life, she agrees,.
With Neil’s help, Kelsey settles into the role of helping him raise their daughter.
Amidst the confusion of raising a teenage daughter, the old feelings resurface.
They know their daughter wants them to become a family, but can they make it work?
Cover art by MARTINE JARDIN.