Julie Sokolowski , Karl Sarafidis , Yassine Salim
Running Time : 1h 45min
Distributor:Tadrart Films IFC
FRANCE, Year of production: 2009
›› OFFICIAL WEB SITE
Chocked and scandalized by the blind and ecstatic faith of Hadewijch, a young novice, the mother superior expells her from the convent. Hadewijch thus returns to being Céline, a young parisian daughter of a diplomat. Her passionate love for God, her fury and her encounter with Yassine and Nassir, lead her – between grace and folly – onto a perilous path.
Brazil: Bruno Dumont aims not to please us, which is what pleases us.
Les Cahiers du Cinéma: (Dumont) is impressive through his serene, calm, masterful yet humble direction and the spontaneous fictional digressions which punctuate the character’s strange journey.
Les Inrockuptibles: A film at once inspired and staggering.
Libération: The balancing act [Brunot Dumont] achieves in this film of furious mysticism is one which needs to been seen in order to be believed.
A philosophy professor, Brunot Dumont began his career in film initially by directing short sociological features and documentaries. With the aim to show the stark austerity of reality, he inspired himself with his home community Bailleul in the North of France in order to film his first long feature La Vie de Jésus in 1996. The film was was awarded a Mention Spéciale Caméra d'or at Cannes and the prix Jean Vigo in 1997. With the same, characteristic stripped down and brutal style, he shot L'Humanité , which won the Grand Prix du Jury at Cannes in 1999, as well as the best actor and actress awards for the two non-professional leads : Emmanuel Schotte and Séverine Caneele , an unprecedented event which caused a stir among the Cannes intelligentsia that year. In 2003, he broke from his usual tone and abandoned the Northern tip of France to shoot a hyper sexualised violent road movie in California, Twenty-nine palms. In 2006 he was again awarded the Grand Prix du Jury for his film Flandres which reconnected him to his Flemish roots and denounced, through its portrayal of the destinies of two young farmers in the midst of war, the human excesses that lead to devastating conflicts. With Hadewijch , shooting both in Paris and in the middle-East, Dumont turns his close, critical observation inward as he centers on religious mysticism and its fanatical extremities.
Director's Selective biography
1994 - Marie et Freddy
1997 - La Vie de Jésus
1999 - L'Humanité
2003 - Twentynine Palms
2006 - Flandres
2009 - Hadewijch


Films are a rage in India and filmstars in India are treated as demigods. In fact Indian film industry is the second biggest film industry after Hollywood. In recent times Indian films have made rapid strides, both in terms of technique and content.
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Love Project Films based in L.A. is an independent film production company providing film investment opportunities that allow the freelance filmmaker to have creative freedom, while offering investors a venture opportunity with returns that can endure for many years.
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As with any financial investment, there is always an element of risk and it is very important that you do not invest what you cannot afford to lose. While it is not possible to guarantee the commercial success of any film project, we want the best for our investors, so we are very selective in the opportunities that we offer.
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I make it a point not to know anything about these things before I watch them so I can go in with no preconceptions.
Nobody's going to mistake this for high art, that's for sure. The acting was amateurish, the scene choices were questionable (going from normal environments to checkerboard and loop Green Hill, wut), and for a movie allegedly about Sonic, he was absent for far too much of it. I felt for the length that the movie ran, it had too much dead space; either more should have happened in the plot, or the movie should have been shorter. The CGI stood out noticeably with Sonic and the robots frequently not even casting shadows. I don't think it would have killed them to have Robotnik's mustache at least be long enough to stick a little off the sides of his face, either. Jaleel White hasn't voiced Sonic in over a decade, and you can tell. A few parts were well acted, like the banter between him and the female GUN soldier (where he thankfully seems aware of how awkward him hitting on a human female is, which hasn't always been the case), but in the fight scenes his voice seemed really flat and forced. Probably the biggest flaw in the movie is that there's no real climax or resolution, it just sort of stops, and right as things were starting to happen.
That said, I have to keep it in perspective that this movie is being done for fun without any hope of profiting, and without any assistance from Sega. And that, unfortunately, I have seen "professional" movies worse than this one. I might have actually found this enjoyable if it was the first part of a series or an extended teaser rather than being the entire movie itself.
Also Egoraptor voiced the E-100 series, and that's


Robert Beltran plays Chakotay, the fearless First Officer on STAR TREK: VOYAGER from Paramount Network Television. A Native American who attended the Starfleet Academy and became a Lieutenant Commander, Chakotay resigned his position to join the Maquis as a Captain. When the Maquis rebels united with the Federation crew in the series' debut episode, Chakotay agreed to become Captain Janeway's (Kate Mulgrew) First Officer.
Born and raised in Bakersfield, California, Beltran graduated from Fresno State University with a degree in Theater Arts. His love for acting began in elementary school and his passion has flourished throughout the years into an impressive list of credits.
Beltran's extensive theater background includes performances in "A Midsummer Night's Dream," "Hamlet," and "King Henry IV" for the California Shakespeare Festival. He has worked with El Teatro Campesino, the theater company of famed writer/director Luis Valdez, where he appeared in "Corridos," "Rose of the Rancho," and "La Pastorela." In the Los Angeles Theater Center, Beltran performed to critical acclaim in the Luis Valdez play "I Don't Have To Show You No Stinkin' Badges."
His feature film credits include his critically-acclaimed performance in "Eating Raoul" which was proceeded with lead roles in "Gaby" and "Kiss Me A Killer." He also starred in "Scenes From the Class Struggle in Beverly Hills" and portrayed John Sturges in Oliver Stone's highly-acclaimed film "Nixon."
Prior to joining STAR TREK: VOYAGER, Beltran appeared in the recurring role of Lieutenant Soto in FOX's "Models, Inc." His television performances include the lead role in HBO's "Midnight Caller" and the ABC mini-series "The Mystic Warrior." He has also guest starred on numerous programs including "Lois & Clark: The New Adventures of Superman," "Murder, She Wrote" and "Miami Vice."
Beltran is the founding member and co-artistic director of the East Los Angeles Classic Theater Group. Designed to provide cultural enrichment to the East Los Angeles community, the theatre company has performed "A Touch of the Poet" and "The Price" at California State University at Los Angeles. Most recently Robert directed and starred in "Hamlet" at the Actor's Gang Theater in Hollywood.


Nichole is a proud member of Actor's Equity Association
A Virginia native, Nichole left the mountains for a move to London, England, where she pursued her education in theatre performance with the Theatre Academy London. After returning to the states, she performed in concert with both Tony winner Kelli O'Hara, and music legend Bobby McFerrin at The Ferguson Center for the Arts. Since then she has traveled the world with her national and international tours!
Nichole is a graduate of Christopher Newport University, where she received a degree in Music-Theatre/Dance Performance. She now resides in New York City, where she can be found starring in audition rooms and cabarets across the city.


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The womanizer who took over Sir James' name and number - who Sir James detests as sullying that good name and number by relying too much on gadgetry to get the work done - has moved onto other things, and Sir James' nebbish nephew Jimmy Bond has proved to be a disappointment as a spy and a man, and thus are not candidates for the job.
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Moon watched "A Taxi Driver" Sunday in a Seoul theater, the president's office said. The movie is based on the true story of a Korean taxi driver and Jurgen Hinzpeter, a German journalist who covered the bloody 1980 uprising that erupted in the southern city of Gwangju in protest at a martial law.
At that time, citizens in Gwangju took up arms to stop a military attack that killed hundreds of people. The uprising later was officially recognized in school textbooks as a pro-democracy movement.
On Sunday, Moon visited the theater with Edeltraut Brahmstaedt, the German reporter's wife, her family, and actor Song Kang-ho who starred in the movie. The journalist died in May last year and part of his body has been enshrined in a special cemetery in Gwangju.
Moon and Brahmstaedt "shed tears" after watching the movie, the president's office said in a statement. "A Taxi Driver" has become this year's most-viewed film with eight million in attendance as of Monday on its 13th day of run, according to real-time box-office data.
Moon has promised to improve communication with the public and mingle with citizens in theaters and concert halls regularly, envisaging his image of loving popular arts and culture.
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Blade 2 is widely considered a better movie than Signs for several reasons. Firstly, Blade 2 is a more visually stunning film with innovative and eye-catching special effects. The film’s action sequences are expertly choreographed and its dark, stylized aesthetic sets it apart from other action films of its time.
Secondly, Blade 2 features a stronger and more compelling narrative than Signs. The film’s plot is well-structured, and its pacing is brisk, keeping audiences engaged from start to finish. Blade 2’s characters are also more likable and memorable than those in Signs, and the film’s themes of identity and redemption are handled with intelligence and nuance.
Additionally, Blade 2’s soundtrack is highly praised for its eclectic mix of hip-hop, industrial, and electronic music, which enhances the film’s overall mood and atmosphere. In contrast, Signs’ soundtrack is less noteworthy and doesn’t add much to the film’s experience.
Lastly, Blade 2 has a more diverse cast, featuring actors of different ethnicities, while Signs has a predominantly white cast. This gives Blade 2 a more inclusive and representative feel, making it more appealing to a wider audience.
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Bulletproof: Season 2 premieres Wednesday, June 10 at 9|8c. Here's what you need to know. CW’s Summer Schedule. The CW has released the first part of its summer schedule and announced six new series that will be joining the lineup including a Taye Diggs game show, a cop thriller and a future space drama. > The CW Summer 2020 Schedule. Comments Off on The CW Announces Summer Premiere Dates. The CW Spring 2020 TV Schedule and Premiere Dates. TV Grapevine. The CW Network today announced premiere dates for four of its summer series, including scripted dramas BULLETPROOF and BURDEN OF TRUTH, as well as the magical MASTERS OF ILLUSION and PENN & TELLER: FOOL US.
The CW Schedule Summer 2020. The CW Announces Summer Premiere Dates. The CW has finalized its summer plans as it continues to push for more year-round programming. Tweet. Here’s what’s on tap… Read more. March 31, 2020 by Marisa Roffman Filed under The CW. The CW 2020-21 Schedule: ... a second season of CW Seed-generated Two Sentence Horror Stories, scripted acquisitions The Outpost and Pandora, which the CW has been airing as original summer … The CW fall 2020 schedule is here and it very different from what we’re used to. From Superman & Lois to the final episodes of Supernatural Season 15, to Riverdale Season 5 The CW has revealed its 2020-2021 primetime schedule. Posted by Sammi Turano Posted 2 months ago March 31, 2020. The CW have released their 2020 Spring schedule and premiere dates for their primetime television shows. February 14, 2020 The Cancel Beast Leave a comment. The CW has set its summer lineup, including the season premieres of MASTERS OF ILLUSION, BURDEN OF TRUTH, and BULLETPROOF.


Does anyone remember when Elvis played Kitimat?
Not the real Elvis, but impersonator Bobby Greer, who “was one of the first (if not the first) to recreate Elvis in the 70’s”, according to a new video of a legendary performance he gave in the Skeena in 1986.
This amazing rare footage shows Breer entertaining an enthusiastic crowd. The show was sponsored by the Kitimat Lions Club. “We apologize for the film quality. The equipment in those days was primitive compared to the tech of today,” Homer Greer writes.
Check out the video here.


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A colloquium in tribute to Carmelo Bene - actor stage director, author and movie director - will take place on the 8th, 9th, 12th January 2013, in Paris.
Away from any commemorative celebration, the colloquium presents itself as a laboratory of reflection dealing with the issues of Carmelo Bene's research in the fields of theatrical theory and practice.
During the different sessions of discussion, stress will be laid on the voice in its connections with the text, the body and the visible, along with the unprecedented role played by the sound technologies. The professors’ reflections will enter into dialogue with the words and experiences of artists and technicians who collaborated with Carmelo Bene. As part of the colloquium, a series of short performances will be presented. On the 8th January, at the National Superior Academy for Drama, Silvia Pasello and Ares Tavolazzy will propose a musical tribute and Georges Lavaudant will present the work of the students of the Carmelo Bene’s workshop. Finaly, a large space will be dedicated to the diffusion of audiovisual documents: a movie by Mario Masini et Marcello Tacconelli and a documentary by Luisa Viglietti will be presented on the 9th January at the INHA ; and the colloquium will end with the screening of a performance by Carmelo Bene, Pinocchio, on the 12th January at the Cinéma le Panthéon.
Tuesday, 8 January
Wednesday, 9 January
Saturday, 12 January 2013
Venues : INHA, CNSAD, Cinéma du Panthéon
Institut National d’Histoire de l’Art
2 rue Vivienne, 75002 Paris
Conservatoire National Supérieur d’Art Dramatique
2 bis rue du Conservatoire, 75009 Paris
Cinéma du Panthéon
13 rue Victor Cousin, 75005 Paris
Unique entry for the screening of Pinocchio : 6 euros
Presentation of the colloquium on labex-arts website:
Organised by Cristina De Simone, Piergiorgio Giacchè, Bruna Filippi, Christian Biet
Produced by HAR, Université Paris Ouest-Nanterre, Labex Arts-H2H, Université Paris 8 Vincennes-Saint-Denis, CNSAD, Dipartimento Uomo e Territorio dell’Università di Perugia (Italie)
in collaboration with the UTE (Union of Theatres of Europe) and the ERT (Emilia Romagna Teatro Fondazione)


selected stills from the film Academia by Mia Hernandez
Check out the full animation here.
Asymmetric Magazine: Tell us about your submission.
Mia Hernandez: These are some stills from my recent film that explores mental health and academic success in teens. I decided to interview different teens and create different animated shorts to go along with their interview responses. I then went on to projecting the correlating animated short onto the physical interviewee and filmed that.
AM: How does this film compare to your other works?
MH: This piece is much more experimental than my previous films. Having utilized not only computer animation but also projection and live actors, the difficulty level went up and required a lot more focus to detail. I have always done the average stop motion animated films, so this film was a huge leap towards mastering the variety of programs required to create a computer animated film while also dabbling in projection mapping type work.
AM: What do you hope to achieve with your animated pieces?
MH: Every one of my films thus far is influenced by my environment. Whether it's a social issue or just documenting or highlighting a location, I hope to convey my thoughts and opinions to an audience through my films. I hope to shed light to those issues or just bring forth awareness to a certain topic.
AM: What's your biggest inspiration?
MH: My biggest inspiration has to be my environment. What I witness and experience tends to always tie back into my work. Living in LA has exposed me to so much and has led me to explore so much more in my art.
AM: Tell us more about the role LA plays in your work.
MH: LA, as cheesy as it may sound, is my heart and soul. It's so eclectic, and it's easy to find inspiration everywhere you go. My work has been inspired by various theatre productions I have seen and places I have been to in LA. My environment has always impacted my art, and I have LA to thank for all of that.
AM: What music is currently inspiring you?
MH: MF Doom has greatly inspired me and opened me up to many interesting people who also share my appreciation of his work.
AM: What separates you from other animators?
MH: I always try to utilize different mediums with my films and tend not to be very linear with my storytelling.
AM: What can we expect to see from you next?
MH: More experimental films that cover different topics that are relevant to the times and maybe a few short films geared towards younger audiences.
Mia Hernandez is a 17-year-old animator based in LA. She has been animating since the age of nine, and her latest film was premiered at Cal Arts.


Women in Film & Video New England (WIFVNE) supports female voices within the film, television and media industry.
By bringing together industry officials, workers & audiences, WIFVNE promotes positive images of women to the public, and works to empower women working in the industry to achieve their professional potential. Membership is open to everyone who supports our mission.
- Monthly networking opportunities
- Work-In-Progress screenings
- Industry related events such as screenplay readings
- Access to job listings before they go public
- and more!
Learn about Membership with WIFVNE now!


5 Bollywood Horror Comedies That’ll Manage To Send A Chill Down Your Spine While You LOL
So, to be honest, I’ve only watched horror movies through the gaps of my fingers covering my eyes. And yet, those movies would have a lasting impression for days (read weeks) of waking up in the middle of the night, holding myself to visiting the bathroom. ‘Cause who knows what’s waiting at the other side of that door, amirite?
Having said that, more than the serious and full-fledged horror movies, my recent favourite genre is definitely Zom-Coms and horror comedies. I truly enjoy the comic timing that breaks the scare at the right time. Making it relatable and scary and the same time. It all started with the era of Bhoot Bangla (1965) all the way till Bhool Bhulaiya (2007) and Goa Gone (2013) with a comeback in this genre and it just never fails to entertain ever since.
So, let me take you through the best Bollywood horror comedies that have terrified me with a side of LOL.
1. Stree (2018)
Vicky tries to unravel the mystery of the witch that attacks the men of the village. Loved the work of Shraddha Kapoor, Rajkumar Rao and the supporting cast too.
2. Bhediya (2022)
A recent launch starring Varun Dhawan and Kriti Sanon, this movie is going to have to laugh and shiver at the same time. Bhaskar (VD) gets bitten by a wolf in the forest and the movie is basically about his struggle while he turns into a shape-shifting ware wolf. Yup, you heard it.
3. Phone bhoot (2022)
Another cute, yet freaky movie that blew me by surprise. Especially the performances by Katrina Kaif, Ishaan Khattar and Siddhant Chaturvedi were more than badass. The two boys are obsessed with ghosts since childhood. Until they meet one up close and personal.
4. Roohi (2021)
I won’t tell you much ‘cause I’ll end up giving away too much. But you have to watch this for the comic timing of Jahnvi Kapoor, Rajkumar Rao and Varun Sharma. Absolutely phenomenal.
5. Bhool bhulaiya (2007)
The first BB was goosebump-worthy and you can’t deny it. Akshay Kumar and Vidya Balan have found the balance of funny and scary so beautifully. And if you’re one of the few dozen people who haven’t watched it yet, I’d suggest you do it asap.
If you’ve not indulged in this genre yet, I’d suggest you give it a watch. You won’t regret it. In fact, it might replace your need to watch scary horror movies altogether. Hawww, imagine that. Not kidding.
Tell me your favourite movie in this genre, in the comments below!


Theatre Camp is back!
Two 1-week camps for Ages 9+
One 2-week camp for ages 12+
Legends, Fables and Fairy Tales
In this year’s Theatre Wakefield Summer Camp, we will be exploring animal fables, legends and fairy tales that come to us from the fonts of wisdom (and perhaps other places too). Through movement, speech, imagination and observation, we will create characters, learn to work together as an ensemble, as well as put our new skills to use in forming a theatre piece. An exciting program for ages 9 and up!
To register, please click on a link below
Week 1: An Animal Tale (ages 9+)
Week 2: Shadows of Nature (ages 9+)
Weeks 3 & 4: Animal Encounter (ages 12+)
Julie Le Gal (Week 1 and Weeks 3 & 4)
Julie Le Gal trained in the Michael Chekhov technique and Rudolf Steiner’s speech work in New York City. She has worked as a professional actor in theatre, film and TV for over twenty years, and has created and directed theatre and taught for almost as long. Winner: 2011 Rideau Award for best creation of the year. She has taught in professional acting schools, programs and conferences, leads workshops, and coaches individuals.
Ekaterina Vetrov (Week 2)
Ekaterina Vetrov, Artistic Director of Once Upon a Kingdom Theatre, Ottawa received a BA degree with Specialization in Theatre and Masters of Fine Arts in Theatre, Directing from the University of Ottawa. .. Ekaterina has over 10 years experience of teaching theatre to children of various ages, and she directs 6 to 10 shows with her students every year. Director of the show “The Legend of Parvana Lake” that was selected to represent Canada at the World Festival of Children’s Theatre, Stratford ON (2016). http://onceuponakingdom.com


20 February 2008
Merlyn Theatre, CUB Malthouse
The creatives and cast of Malthouse Theatre’s Tartuffe seduce the audience so convincingly that imperfections with the production become irrelevant.
It’s an intimidating task to adapt a classic work. Louise Fox remains true to Molière’s structure and characters, whilst delightfully playing with the language. (How could anyone resist rhyming Tartuffe with poof?) Grange, the Financial Review, Byron Bay and Desperate Housewives didn’t make the 17th century French original, but they set up many a contemporary reference and joke in this version. If Molière had a Facebook profile, I’m sure he too would have referenced it.
In this version we find ourselves in a suburb like Toorak, complete with its own pool and ornate faux French iron fencing. As always Anna Tregloan’s design beautifully supports the script and the space with an intelligent balance the practical and the aesthetic.
Living here are an indulged family, frustrated by their patriarch’s (and his mother’s) admiration and support of the very religious Tartuffe. With a cast including Marcus Graham, Alison Whyte, Barry Otto and Malthouse favourites Francis Greenslade and Peter Houghton, it would be difficult to be disappointed in cast. On a technical level, the scenes between Alison and Marcus are superb. There buzz from making an audience laugh is naturally addictive for a performer, but some of the clownish aspects of some performances could be better balanced. The clowning can be huge in this farce, but there was a bit of “look at me” acting, which really shouldn’t happen in a cast this experienced.
The build to Tartuffe’s entrance is structured perfectly. Certainly there is a lot of exposition in the first scenes, but we are eager to see the god-like presence that has taken over the household. Marcus doesn’t disappoint. His god-like entrance is as divine as it can be and we very soon discover how this Tartuffe was able to so thoroughly deceive and seduce. Getting over the fact that he is pleasing on the eye, Marcus’ delivers a complex and rounded character. He successfully elicits a degree of empathy and support for the character we could so easily despise – which makes his Act Two downfall even stronger.
The pace picks up significantly in Act Two as it heads to the unavoidable deus ex machina (used almost in its literal sense). I do wonder if a contemporary “king” may have been more relevant than the choice of Christian king or even a less obvious Christian image. It certainly worked in the context of the script, but in the context of Melbourne in 2008, there was something lacking. The final ironic twist may also have been more poignant with a different image of religion, belief or intervening deity.
Finally Matthew Lutton’s direction must be acknowledged. (He was assisting director Michael Kantor until a few weeks ago, when his own ironic deus ex machina intervention arrived when Michael became ill.) There are some hints of inexperience, especially in communicating in a big space, but otherwise the direction is tight, balanced and admirable. Act 1 would benefit from work on establishing the status and relationships of the characters through direction and performance, rather than relying on dialogue and exposition. And sometimes a joke for the sake of a laugh distracts too much from the story and doesn’t serve the script and production as a whole.
At the end of the night, Tartuffe is thoroughly enjoyable. It’s not the strongest or most relevant piece of theatre I’ve seen at the Malthouse, but it’s one that sets the bar high for the rest of season.
This review originally appeared on AussieTheatre.com.
Photo by Jeff Busby.


Vega’s Grand Opening!
We’re finally done with the first bodega makeover. Congratulations to the Vega Family and the Roxbury community.
We’re on Amazon Prime! You can now watch the trailer.
Host - Jerry Diaz
Bodega Makeover is excited to welcome Jerry Diaz to the Bodega Makeover team. Diaz is the new host of Bodega Makeover and can be seen in the upcoming pilot episode.
Jerry Diaz, also known as “Elmo Difoca,” the oldest son to Dominican parents, began demonstrating signs of his artistic talent at an early age. After high school, Jerry decided to experiment with his creative talents, and began his performance career as a member of a rap group called “The Pedigree.” His lyrical ability, combined with his humor piqued his interest in acting.
Diaz can be seen in the movie Juan Bago, he has also had starring roles in independent films such as Hood Politics, The Jolopeo, and most recently The Stockroom. Diaz also co-wrote the script for and starred in the 2008 New York International Latino Film Festival promotional spot.
Diaz is a co-founder of the New York based sketch comedy troupe, ROOM 28 and he has been featured in several viral videos and sketches, including Cuchifrito (on Flama), I Won’t Vote For You and NBC Bring the Funny.


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Romeo and Juliet
Written by Willian Shakespeare
Directed by Adriana Baer
The Riverside Theatre
91 Claremont Avenue
Between 120th & 122nd Streets
Scenic Design: Stephen Dobay
Light Design: Paul Toben
Costume Design: Kevin Thacker
Sound & Music Design: Matthew Walsh & Brandon Wolcott
Fight & Movement Choreography: Casey Robinson
Hair and Makeup Design: Adrienne Giffen
Assistant Set & Props Design: Brian Bené
Dramaturg: Emily Madison
General Manager: Jill Bernard
Company Manager: Alona Fogel
Production Stage Manager: D Westerholm
Assistant Stage Managers: Steven Rowe & Michelle Cote
Assistant Director: Phil Gates
Romeo: Ian McNeely
Montague: Dennis Paton
Lady Montague: Elizabeth Romanski
Benvolio: Philip Mutz*
Abraham: Patrick Barrett
Juliet: Linnea Wilson
Capulet: Philip Callen*
Lady Capulet: Laurie Schroeder*
Nurse: Eileen DeSandre*
Tybalt: Ben Newman*
Peter: Ben Williams*
Sampson: Asher Bailey
Gregory: Jonathan Horvath*
Prince: Michael Markham
Mercutio: Max Woertendyke*
Paris: Moses Villarama*
Friar Laurence: Marty Brown*
Apothecary: Asher Bailey
Friar John: Jonathan Horvath*
* Member of Actors' Equity Association
Vibrant. Muscular. Raw. First love thwarted by a violent community blinded
by ego and pride. A fated young couple fight for what they know is
right. Visceral physicality and urgent, energetic use of language are
brought to the forefront in this passionate production of Shakespeare's most
popular love story.
Adriana Baer's directing credits include Woyzeck (Bay Area Critics Circle Award for Best Direction),
The Maids, and No Exit at The Cutting Ball Theater (San Francisco) where she was the Associate Artistic
Director during the 2004-2007 seasons. During her tenure at The Cutting Ball, the company received
four "Best of San Francisco" awards, including one for No Exit. Other directing credits include A
Streetcar Named Desire, The Seagull, The Hairy Ape, Miss Julie, and Girls in Uniform. She has also
directed a number of new play premiers including Tender was the Night by Jeffrey James Keyes and The
Suicide of the Glutton by Jason Platt.
She has worked with The Public Theater, Theater Communications Group, American Conservatory Theater
(assistant director to Mark Lamos), Berkeley Repertory Theatre, SF Circus Center/Pickle Circus,
California Shakespeare Theater (assistant director to Sharon Ott), and Bay Area Playwrights Foundation.
Most recently, Adriana Assistant Directed for Libby Appel at Oregon Shakespeare Festival and for
Robert Woodruff on Opera Boston’s Madame White Snake. This fall, she will travel with the production
to the Beijing International Music Festival.
Adriana received her BA from Sarah Lawrence College, has studied intensively in Berlin, and is in her
final year of the MFA Directing program at Columbia University chaired by Anne Bogart. She is an
Associate Artist at The Cutting Ball Theater and a member of the Old Vic New Voices Network.
Photos by Carol Rosegg.
Click here to download the production press release.
Click here to download the production program.


Monday, August 19, 2013
Europa Report Report.
Hello good readers,
I love all sorts of stories and don't really care how they get in my brain, so I often watch films.
I had heard some buzz on Twitter about Europa Report and since I could watch it on Amazon for less than going to a theatre I thought I would give it a try.
This is one of those movies that I really wanted to like because it's truly science fiction, and you don't get to see much of that in films these days. There's more and more science fantasy and super heroes but less and less actual sciencey movies.
So, I set down with great anticipation to watch the film.
What follows contains Spoilers so if you haven't watched the film yet go do so and come back. Seriously, Spoilers. Here they come.
First, what I didn't like. The film suffers from a very slow first act, painfully slow. We learn about the mission from people who aren't on the mission through the documentary style of the film. They just sit there and recount what happened. Not only is this slow, but it has the added side effect of the viewer spending less time with the crew of the spaceship.
Therefore, when stuff does finally start to pick up, instead of feeling emotion, I just said, "Meh". This is because I really didn't know any of the characters, and if you don't care about the characters it's hard to care about what's happening in general. This disconnect along with some questionable editing is the downfall of the film.
Sounds like I hated it, but I didn't, because the film has two things that save it.
One, it's about something. It's about exploration and the human desire to explore the unknown. This is a great theme and one that should be mined for stories more often.
Second, was the ending. The ending was just satisfying enough to make me feel like I didn't waste my time. I won't spoil it for you too much, but one word, tentacles.
Overall, I suggest this film. It wasn't perfect, but it was solid with good special effects.


The Golden Era of the Golden Globes
The Golden Globes, which celebrated its 75th anniversary on Sunday, first premiered on January 20, 1944. Although originally intended to honor excellence in film and television, nowadays, most of us basically only watched this year for the black dresses and Oprah. Because let’s be honest, when Creep-O Casey Affleck wins Best Actor, the awards themselves don’t mean much. Of course, even in the Hollywood heydays of yore, Tinseltown was not without its garbage.
With the bright lights shining on the red carpet especially hot this season, we can’t forget that Hollywood has always been a hotbed of exploitation, glamour, glitz, and scandal. Don’t just take my word for it! Here are some award-worthy works of nonfiction about Classic Hollywood.
Best History ― The Story of Hollywood
Before the big sign, the studios, and the movie stars, Hollywood was nothing more than an agricultural community. Then director D.W. Griffith came along, and in 1912, the Hollywood as we know it was born. Author Gregory Paul Williams tells the full story through 800+ vintage images from his personal collection in this stunning coffee-table book. What better way to learn history than through pretty pictures?
Best Animated Picture ― Walt Disney: A Biography
A boy from Chicago with an interest in drawing moves out west with dreams of transforming the cartoon industry. Sounds like a Disney movie in the making.
Best Screenplay Guide ― Cinema
Bust this out for your next Trivial Pursuit party! (Anyone? Just me? Okay.) Overflowing with facts, myths, and infographs about the silver screen, anyone can feel like a movie buff with Graham Tarrant’s handy-dandy guidebook.
Best Comedy ― Groucho and Me
Groucho hilariously—and admittedly inaccurately—recalls stories from his childhood in New York, his days in vaudeville, and his adventures in Hollywood. While not an in-depth look at his life and career by any means, Groucho manages to charm his audience once again through his unmatched wit and his unmistakable humor.
Best Memoir ― My Autobiography
Biographies don’t get much better than this. Charlie takes readers on an intimate journey, from his impoverished London upbringing, his explosive movie career, and even his blacklisting after the McCarthy trials. A prolific creative, Charlie was best known for making others smile, even when he was at his most troubled.
Best Mystery ― The Black Dahlia
I’m a sucker for crime, and the Black Dahlia case continues to be one of my favorite unsolved cases. In this fictionalized version of events, LAPD officer Dwight “Bucky” Bleichert investigates the grisly murder of budding actress, Elizabeth Short. Found horribly mutilated—drained of blood, severed into halves, with a Cheshire grin carved into her face—Short’s notorious death continues to spark debate and discussion in and outside of Hollywood circles. Although the book takes many liberties with the case (Short’s murderer is still unknown, although there are tons of theories), James Ellroy ushered in a new wave of neo-noir fans.
Best Leading Lady ― Carole Lombard: Twentieth-Century Star and A Star is Born
Carole’s life was marked by tragedy. A car accident that left a noticeable scar on her face nearly ended her film career prematurely; her infertility destroyed her hopes for a family; and she and her mother died in a shocking plane crash while raising money for WWII efforts. However, through all the hardships, Lombard endured until her death. She was beloved in Hollywood and remains an Old Hollywood favorite starlet.
A chronology of Tinseltown’s leading ladies from the Golden Age to now, George Tiffin compiles a gorgeous gift book for aspiring actresses. This is an all-in-one guide to the women who transformed Hollywood through their star power.
Best Drama ― The Hollywood Book of Scandals
Truthfully, most of us love the Hollywood scandals more than we love the movies. Nothing makes us feel better about our own lives than witnessing the ridiculous drama in someone else’s. From the Debbie Reynolds/Eddie Fisher/Elizabeth Taylor love triangle to O.J.’s infamous ride to freedom, let’s all bask in the collective schadenfreude for a while.
In Memoriam ― Roger Moore: À Bientôt . . .
Published just several months after his death last year, Sir Roger Moore’s final memoir is a haunting farewell to the beloved Bond. In his own words, Moore reflects on his prolific career, the art of aging, and sincere moments of happiness and sorrow along the way. Scattered throughout are Moore’s own hand-drawn sketches, making this a truly treasurable book for casual biography readers, James Bond collectors, and cinephiles everywhere.


The book is always better. Except when it’s not.
The Princess Bride > The Princess Bride by William Goldman
The story in a story worked better in the film than in the book. Peter Faulk is much more fun than S Morgenstern.
Buttercup is annoying in both.
Fletch > Fletch by Gregory McDonald
In the movie he was Jane Doe, Ted Nugent and Dr. Rosenpenis. In the books he was just Fletch. Also, the books didn’t have Harold Faltermeyer.
Omega Man > I Am Legend by Richard Matheson
The book, unfortunately, did not star Charleton Heston. That’s not really Matheson’s fault. It’s just how it is. The book was better, however, than The Last Man on Earth.
Where Eagles Dare > Where Eagles Dare by Alistair MacLean
The movie had more twists than the book. And more turns. It had the same amount of eagles though. Which was zero. Zero eagles.
Note: Almost all MacLean movies were better than the books including both Navarone films.
All Bond Movies > Bond Books by Ian Fleming
All Bond movies were better than the source material. With the possible exception of the Daniel Craig films.
Hunt for Red October, Patriot Games, Clear and Present Danger > The Ryanverse by Tom Clancy
I tried every one of them and I just can’t do the Ryan books for some reason. Red Storm Rising was great. Without Remorse was excellent. Couldn’t do the Ryan books though. The movies I could finish.
Maximum Overdrive > Trucks by Stephen King
Mostly because of the AC/DC soundtrack and that cool ass Green Goblin semi.
The Bourne Sequels > The Bourne Supremacy and The Bourne Ultimatum by Robert Ludlum
The Bourne Identity movie was neither better or worse than the book. It was different. Both the book and movie are fantastic. The sequels were much better than the books.
Planet of the Apes > La Planète des Singes by Pierre Boulle
It’s like the movie, but with all the conflict removed. Every bit of it. However, if you happen to read it in the original French, that’s impressive.
Strange Brew > Hamlet by William Shakespeare
Shakespeare didn’t have mind controlled hockey players, the Mutants of 2031 AD or even Max Von Sydow. It’s like he wasn’t even trying.
Did I miss any?


Hungarian films win two Silver Bears at Berlinale
Two Hungarian films in competition at the Berlinale international film festival have won Silver Bears this year. The Silver Bear for Best Director went to Dénes Nagy for his debut film Natural Light made in Hungarian-Latvian-French-German co-production. The Silver Bear for Best Supporting Performance has been awarded to Lilla Kizlinger in Forest - I See You Everywhere directed by Bence Fliegauf.
„Természetes fény” („Natural Light”). Source: YouTube


Analog photography & motion picture. Battling against digital photography, although digital is fun too. Discussion on film and film cameras. Hasselblad, Nikon, Yashica, Exakta, etc. Portra, Ektar, Velvia, Neopan, Velvia Polaroid, etc. 120, 4x5, 8x10, polaroid, printing darkroom processing. Slow photography.
Monday, September 1, 2014
A film about one of the last analog, chemical printing shops in France.


Top 5 Iconic Necklaces from Movies
Such truly amazing jewelry has adorned the silver screen over the years. Who has never even fallen head over heels for movie stars' vintage jewelry and recognizable outfits, especially when we think back to the legendary movies that have gone down in history? Actresses have mesmerized us with their treasures and their enthralling performances, from Marilyn Monroe to Julia Roberts.
But when it comes to jewelry, certain models stand out from the crowd. Join us as we list some of our all-time best necklaces from movies, each one just as memorable as the previous.
1.Lorelei Lee’s diamond necklace in Gentlemen Prefer Blondes (1953)
Marylin Monroe's jewelry collection for the movie Gentlemen Prefer Blondes is the perfect example of a star-studded showstopper.
As one of the oldest pieces of jewelry known to have appeared in a motion picture just at time—more than 500 years old—Monroe acquired this legendary pendant from Meyer Rosenbaum of Detroit for the 1953 movie. Empress Maria Theresa of Austria and Marie Antoinette both wore that glittering pendant, which belonged to the Maharajah of Baroda in India initially.
2. The Titanic pendant with Rose's Heart of the Ocean (1997)
Is there any love story more heartbreaking and romantic than Rose and Jack's in the 1997 hit movie Titanic? Regardless, it's difficult to surpass. The heart-shaped pendant Rose, played by Kate Winslet, wears throughout the movie serves as a prominent symbol.
Is there a more heartbreaking and fascinating story than Rose and Jack's in the 1997 hit film Titanic? Anywhere at rate, it's challenging to surpass! The pendant with a heart on it that Kate Winslet's character Rose is seen wearing frequently throughout the movie.
3. Moulin Rouge's Satine's diamond necklace (2001)
It's indeed obvious that Nicole Kidman's Satine, who enters the Moulin Rouge on a swing that is hooked to the ceiling and sings "Diamonds are a Girl's Best Friend," is going to perform everything exceptional. With openwork lace designs and scrolls, the item is considered as having been influenced by Louis XVI's aesthetic. It also has 1,308 diamonds totaling an astonishing 134 carats!
Its estimated $1 million value makes it among the costliest piece of jewelry ever designed for a movie at the time that it was produced. It is hardly surprising that Moulin Rouge earned an Academy Award for Best Costume Design at the 2002 Oscars.
4. Ruby and diamond necklace worn by Vivian in Pretty Woman (1990)
The crimson opera dress, blazing red hair, and jaw-dropping ruby and diamond necklace worn by Vivian in Pretty Woman are among the most recognizable movie looks ever. The stunning necklace is the icing on the cake for Julia Roberts' character, who experiences an amazing change during the movie.
A magnificent necklace with a $1.35 million estimated value was created with 23 pear-shaped rubies encircled by diamond hearts.
5. Holly Golightly’s pearl necklace in Breakfast at Tiffany’s (1961)
This would be impolite to either not bring up Audrey Hepburn's glitzy depiction of Holly Golightly in the 1961 movie Breakfast at Tiffany's when we're discussing of legendary cinematic scenes.
Hepburn's multi-strand pearl and diamond clasp necklace from the film oozes genuine vintage style.
The necklace complements the rest of the classic ensemble, which also includes an arm-length pair of gloves, a Givenchy haute couture little black dress, and a chic cigarette holder.
That movie elevated Tiffany's become a popular tourist destination and established the little black dress and pearls as an iconic piece of fashion history that almost every lady must acquire!


If you are involved in theatre, please feel welcome to contact me about the plays I have available for groups to produce. Whether humorous or covering contemporary issues (and often both) my plays mostly range in length from the 10 to 30-minute, and generally involve simple sets.
Below are sample synopsis; enjoy!
‘Paying for life’ is a four – scene short play, following what happens when adult off-spring discover that their newly-deceased father has been paying money to an unknown woman for decades. It requires a simple set, and three actors.
‘Birthright’ – watch this space! Premiering later this year. A contemporary (and probably controversial) play dealing with land rights issues.
‘Where there’s a will’ Comedy/drama dealing with a contemporary issue. Two older women, long-term friends, meet weekly in the back room of a charity shop to sort donated clothing and goods. The after-death revenge of a mutual friend, who had been subjected to elder abuse, inspires them to make changes in their own lives. Requires a simple set and two actors. Due to premier later this year.
‘The Audition’ is fast-moving slapstick comedy, reminiscent of Charlie Chaplin, with the characters exaggerating their actions and facial expressions. It requires a pianist who is skilled and creative. Other than the keyboard music, everything (including the singing) is mimed, until the finale, at which time the choir performs a stirring piece. The specific music to be used in the play is at the discretion of the production team. Whilst this play will be a challenge to put on, it should also be fun. Involves a choir-size cast, and a simple set.
‘Sarah-Jane’ premiered Nelson 2019, with an encore performance by request at Garin College, is only available through NZ Play Bureau. It was used by Garin’s senior Drama students for NCEA 2019 level 13, and was set to be played at Nelson Fringe festival 2020.
A young girl waves to the old man rocking on his veranda, and so begins a relationship which has life-changing consequences for both of them. The story covers how society views such relationships, adoption, and much more. It involves a very simple set, and just two actors.
#nzplays #trishpalmer #contemporaryplays #shortplays #comedyplays


May 8, 2019
Don and Suzi welcomed on Susan Brownfield, a singer, actor, director and teacher who is one of two people behind the creation of Boutique Theatre Basel. From 7 June to 23 June, Brownfield is directing the musical, "The Last 5 Years." She joined the SwissPats to discuss that, as well as her journey from Oregon, to Boston, to Maine to Bulgaria and now to Switzerland. For more information on the musical, visit boutiquetheatrebasel.com.
The SwissPats also discuss the wild May snowstorm that hit Switzerland last weekend, and an odd quirk to the toilets on the older SBB trains.


Helene Wong was born in Taihape, New Zealand, and grew up in Lower Hutt, near Wellington. After graduating in Sociology from Victoria University of Wellington, she worked in the Public Service, becoming in 1978 social policy adviser to Prime Minister Sir Robert Muldoon, and the first woman to be appointed to his Advisory Group.
Her career then took a different turn as she followed her love of theatre, working as an actor and director before moving into film and television in the mid-1980s. She was appointed as the first script development executive in the NZ Film Commission, then worked as a freelance script consultant on several short and feature-length projects, including Illustrious Energy, Leon Narbey’s acclaimed feature film about Chinese goldminers in Otago.
Helene then wrote and directed documentaries for television, notably Footprints of the Dragon, about Chinese in New Zealand, for the series An Immigrant Nation. It was among the ten top-rating documentaries of 1995. The following year, she became a film critic with the New Zealand Listener, a position she still holds.
Helene has taught classes in scriptwriting, film criticism, cultural identity and the media; judged numerous industry awards; served on the jury of the Asia-Pacific Film Festival in Auckland in 1996; and, from 2000 to 2006 was a member of the board of the NZ Film Commission. Helene Wong is now a full-time writer and occasional actor.


- The Vision of Escaflowne
This is my favorite anime series, the story the music the characters. I just thoroughly enjoyed it. It just has that certain feeling to it I like. It was nice to see how Hitomi, Van, Allen, and Folken developed as the story went on. Also, the fighting animations were fluid and very well done for it’s time. It’s always exciting to watch two mechs fight with swords!
- Last Exile
I discovered this while on anime news network a while back and went to the main site. It immediately pulled me in and I bought the entire box set. It was worth it! It reminded me of Skies of Arcadia. The animation was fluid and the story telling is top notch. Now that I think about it there is a bit of Panzer Dragoon in there as well. Excellent anime!
- Magical Shopping Arcade Abenobashi
What can I say: this anime is hilarious and fun to watch. The story is deep while at the same time being completely loony! Arumi and Sasshi are constantly transported to different worlds, but it’s oh so much deeper than that!
- Gurren Lagann
I’m actually still watching this. You can see it every Monday on Sci-fi’s Ani-Monday’s. It airs at 11:00pm to 12:00am. The Story is nothing new, but the way in which it is told is masterful. A boy struggling underground, finally reaches the surface when a strange object comes crashing through the ceiling of his underground city. What lies above? Incredible adventures and serious story telling of two races struggling to survive and a looming prophecy of impending doom! Fun filled animation, story and likable characters from the very start. Also, good character development! It will remind you of Breath of Fire 5 in some respects, but 100 times better than that garbage.
- Full Metal Alchemist
I began watching this on Cartoon Network’s Adult Swim. I like it very much and am a fan. Ed and his brother Al’s struggle for the Philosophers stone was well told with plenty of Alchemy, action, and drama.
- Conan boy of the Future
An anime series by none other than the master himself: Hayao Miyazaki. This anime is really deep and charming. Showing us a taste of what Miyazaki would make in the future. I think it still holds out to this day as a wonderful tale of a boy and a girl struggling to survive amidst a world that has fallen apart and an evil villain hell bent on repeating the horrors of the past. It really shows you what a boy wouldn’t do for true love.
This is a part of Adult Swims new line-up. The animation is top notch. Although I haven’t seen it in English I have watched the entire series English sub. I must say another gem, with a great story about a prince and his female body guard. She struggles to protect him as a mysterious power lay hidden inside him. Give it a shot you wont be dissapointed! I wasn’t.
All I can say is wow! This highly resembles something Hayao Miyazaki would have made, that is: if he made another anime series. What are Mushi-shi? Well they are another form of life neither plant nor animal but something else entirely. You follow the journey of a Mushi master as he travels the world. Each episode has a different enthralling tale to tell. You’ll always be captivated by what each episode throws at you next. Excellent story telling at it’s finest. Highly recommended!
- Samuri Champloo
Mugen, Jin and Fuu! An anime with style and a cool beat to it too! It’s set in fudal Japan but also feels modern. I can’t put it into words well enough. The story is fun, and the characters are unique. A search to find the samurai whom smells of sunflowers? Crazy action, hilarious dialogue. What more could you ask for?
- Blood +
This was also part of Adult Swim’s past line-up. I watched it until the very last episode not liking it at first. It quickly began to captivate me and made me want to learn more about Saya and Haji’s past. This was a great series and had a very well written thought provoking story. If you want to see character development this series sure isn’t laking it. Saya battles Chiropterans (vampires) as she struggles to remember her troubled past, grow as a person and deal with her future confrontation with her sister.
- The Snow Queen
Another series similar in story telling to that of Hayoa Miyazaki. I’ve been watching these as they’ve become fan subbed.
Each story is fairly charming in it’s own right. A young girl Gerda shows undeniable determination as she goes off on her own to search for her childhood friend Kay who has been spirited away by the Snow Queen.
Well, I hope you watch some of these gems of anime and I’d be happy to hear all of your top 10.
See the thing with me is: I hate anime series that go past 60 episodes. I’ve already given up on Bleach, and gave up on One Peice a long time ago. The stories just become monotonous and dull, solely existing and creating bull shit episodes to make money, a cash cow if you will. Another example would be Naruto but I’ll stop there. Anime that have short and sweet stories should only be about 26 episodes. That’s my rule of thumb. Up to 50 is alright but stretching it a little. What do you guys think?
Hopefully you guys can fill me in on some other gems that I may not be aware of.
Well a bit too long as far as my expected episode length, it was a good series though. I hated the ending, but oh well, the Manga wasn’t finished yet so I guess it’s acceptable. The music was excellent and the characters likable and charming.
Yes I actually like the anime series.
I also really enjoyed this anime. It was captivating and kept you watching until the end. Good story is vital. Nothing lacking in that department.
Record of Lodoss Wars
A serious well done fantasy anime.
I guess I’ll stop here for now.


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Homo sum: humani nihil a me alienum puto
Thursday, August 16, 2007
Best movie line ever: "Napalm in the morning"
Andrew Sullivan does it, so I think I will too: my favorite movie lines ever.
Here's as good a place to start as any:
8/16/2007 12:15:00 PM
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Visit the APK for June First Friday!
At 6:00pm, come to the world premiere screening of documentary films created by students at the teen film workshop with Marie Acemah of See Stories. Rising 7th-12th graders will create original mini-documentaries inspired by the exhibit Mug Up: The Language of Cannery Work.
You can see all 9 films here
The workshop is partially funded by the citizens of the City and Borough of Juneau through sales tax revenues and is sponsored by the Friends of the Alaska State Library, Archives, and Museum.
©Friends of the Alaska State Libraries, Archives and Museum.
FoSLAM is a 501(c)3 non-profit organization. Juneau, AK , P.O. Box 22421, Juneau, AK 99802


“The fact that everyone is talking about it, for whatever reason: challenged by it; disturbed by it; annoyed by it; loving it; can’t wait to see the next one — all of the above, we absolutely love it.”
Jeff Daniels is speaking of the new HBO drama “The Newsroom,” in which he stars as insufferable newscaster Will McAvoy, and he wants you to know he’s undaunted by the commotion the Aaron Sorkin series has stirred up since its premiere last Sunday.
The workplace drama marks Sorkin’s first new TV series in nearly six years — with past shows including NBC’s hit “The West Wing” and the short-lived “Studio 60 on the Sunset Strip.” The premiere of “The Newsroom” drew a solid 2.1 million viewers, but reception for the series has been less than warm.
“The fact that it’s blown up, the fact that people love it and that people hate it — that people are just screaming at Sorkin and getting bent out of shape about this, that and the other thing — it’s great,” Daniels told The Times on Tuesday by phone. “What we love, believe it or not, is that people are talking about it.”
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The next two videos I have to write and produce are a trailer and context video, both for Little Shop of Horrors. A context video is intended to offer enhanced information regarding a play, such as what was happening historically in the world during the action of the play, or some interesting facts about the creation of the script, challenges in producing the piece, or other behind-the-scenes information that might provide a new dimension of appreciation for the play.
An example of our recent context video for Sylvia:
While the four-to-six minute context video might require more research than the 45-second trailer, it is usually the trailer that is the more challenging piece. In fact, I’ve observed that when writing, shorter is always more difficult. The shorter a piece is, the more one must identify exactly what must be said and distill it to its most essential components. Poe and Twain will tell you (if they could) that the short story form can be far more challenging than writing a novel for that very reason.
But aside from its compressed nature, the trailer offers another daunting challenge. You must tell two equally compelling stories: The story of what the play is about, and (more importantly) the story of why the viewer wants to see it.
Both are a challenge, but the latter is the most elusive, especially for a theatre production. Whereas cinematic trailers have been a staple for decades, trailers for theatre productions are a new form, still evolving. One must remember that theatrical audiences are different than movigoers – they are after an intimate person-to-person experience, the very thing that theatre can offer but film can’t. So the theatre trailer mustn’t make the mistake of trying to simply show the action of a play the way a cinematic trailer might. (this is also a practical difficulty – most shows are not rehearsed, costumed, or in some cases even cast, at the time work must begin on the trailer).
So what do we show in a theatre trailer? I’m still learning this myself. Short pieces of dialogue can work, if they are kinetic. Props, lighting, music can all tell the viewer what it might feel like to be in the theatre during the production. Here are two of my trailers that feel the most successful:
So now to my current challenge, the musical Little Shop of Horrors. What is exciting about the show? The music, the campy fun (the show originated as a shlocky black & white Roger Corman film), the choreography, the eccentric characters, the theatricality of the plant puppet. These are all elements that will engage the audience during the live experience. So how do I hint at these with the trailer? How do I tell this story?
I guess I’ll find out soon. The deadline approacheth!


Project Gelb screened at the 2017 Vancouver Queer Film Festival. The 43-minute documentary, originally released in 2015, highlights the dating experiences of 8 Asian men. The majority of them are gay and of East-Asian ethnicity.
The men represent a wide range of ages, from 20 to 68 years old, and each describes their stories of navigating the dangerous waters of dating as Asian men in a society where being Asian is being a minority. A review of the documentary can be viewed on the Georgia Straight online magazine.
The documentary can be viewed here in its entirety:
The film is by director Francis Luta, a native of Toronto, Canada. Francis was at the screening in Vancouver, where I saw the documentary for the first time. I recently interviewed him by phone and ask why he made the film and what have been some of its outcomes. I hope you enjoy the interview below.
* * *
Gayasianmale.net: How did the idea of the film come about?
Francis Luta: During the making of the film, I was taking stock of my friendships and realized that I had very few Asian friends, specifically gay Asian friends. As an adult, friendships have become much more important to me since I was more of a loner in school and making new friends in your late twenties/early thirties isn’t the easiest. One of the reasons why I made the film was to meet other Asian guys, not only to commiserate but also to have genuine connections.
A lot of what the guys spoke about in the film happened to me. The whole experience of dating and using the social apps is something that I was familiar with. There came a point where I had enough and wanted to do something; to give back to the community in a small scale but to do it in an artistic manner. So, I made a documentary.
Where did the name of the film come from?
Project Gelb was supposed to be a temporary title. The other documentaries I was working on at the time had the word ‘Project’ in it and after a while, the title stuck. Gelb is the German word for yellow and I initially chose this working title because I spent a year living in Germany in my mid-20s. It was an important year of finding myself, my artistic voice, and forced myself try things outside of my comfort zone. Coming back to Canada, I wanted a project to somehow reflect my German experience
It is also a bit of a joke when you think about it. It goes back to what Chris Tsujiuchi mentions in the film – there is not much room for non-white performers – and pokes fun at the supposed ideal of an Aryan race.
Where did the men come from? Was it primarily filmed in Toronto?
The men were from the network of people I already knew. I met Kevin through mutual friends and he and Chris T were already friends. I think I met Chris Jai from Facebook. Dr. Albert Wong is a neighbor of mine. Yes, they all live in Toronto. They were filmed separately, one at a time – in a span of a couple of months.
I wanted the men to be from different demographics – older, younger, straight, gay. I also specifically wanted someone who was an actor – someone not shy about his looks. Steven was the hardest to find. There had been other guys in my network that fit this description but they did not want to participate in the documentary. Fortunately, Steven stepped up.
Was there something that you learned or experience with one of these men that has really stuck with you?
This film as a whole was like holding up a mirror to myself. While it was these guys telling their stories in front of the camera, it was also me telling mine; it was me hiding behind them while they told their stories.
When Kevin spoke about his experiences going to gay clubs and how other Asian guys would eye each other down as if their territory were invaded by another Asian guy – this stuck with me because I’ve had similar experiences. Once I was at a party and was having a really good conversation with a white guy. His Asian boyfriend was so jealous that he basically ruined the conversation. He could have easily joined in but instead showed such animosity towards me. I don’t know if it had to do with the fact that maybe I was flirty, or that I was Asian or whether we were having such a good conversation without him. I would’ve been happy to talk to him too—without the attitude. It is humorous but also sad.
Has making this film changed you?
Coming across Chris’s interview during the editing process, he says “if you are Asian and want to be center stage like Beyoncé – then that is what you should do. And if you do that and commit to it people will accept it. That has been my experience.” I realized that this is what I wanted people to walk away with from this film, so I made it the concluding note.
You almost have to be delusional about your goal and tackle it aggressively. This is also the advice I have taken from the film. Thanks, Chris!
There was this one scene with a shirtless white guy walking down a street carrying a large sign ‘I don’t date Asian’ – was there any difficulty or awkwardness in filming that scene?
When I look back I realize – wow, that was actually kind of bold. This was one of those ‘delusional’ things you do especially when you are in the arts.
In one of Jaime’s sound bites, he mentioned that seeing ‘No Asian’ in dating apps is like seeing someone walking down the street carrying a big sign with ‘I don’t date Asians’ written on it. I immediately realized that we needed to do a visual depiction. The idea came naturally and there were no second thoughts. We found a model from Craigslist, I went to Staples for the poster materials and we filmed the next day. Alex, the model, was actually married to an Asian girl at the time, so he had also taken a personal interest in the project.
I did not really care what was going to happen. I just knew it had to be done. We were actually stopped and questioned by the police, thankfully they were just curious and let us go on about our business. It was actually kind of fun.
The words were written backward so when we were out in public you had to take a second look to read it. In fact, people did take second looks even in a busy financial district – and they weren’t really sure what to make of it. They didn’t know what we were shooting. Unfortunately, we couldn’t go about passing out business cards explaining the intent — that we were not racists and we were just making a film.
Some people defend similar statements in the dating apps by saying it is just a preference but when you see it actually depicted – it’s clear that their statement is ridiculous and unacceptable anywhere else, and that they are no better than me by saying that. It’s not cool and it doesn’t make you desirable – and if you feel so strongly about it that you still feel the need to defend and proclaim it in this day and age, then be more transparent about it by saying you are ignorant, uncultured and ugly.
How have the men’s lives changed after the film, if any?
Most of the guys are still doing what they love doing. Kevin and Chris T are both artistic directors. Chris is actually currently on tour doing his thing fearlessly. I really admire that about him. Chris Jai was a journalist when I met him but now he’s doing more styling and wardrobe for films and Steven is modeling and acting in New York. Even though we don’t keep in touch on a regular basis, I think in a way, making this doc allowed us to make peace with certain things and tackle our individual goals harder than before.
Besides the Vancouver Queer Film Festival, did Project Gelb screen anywhere else?
Vancouver was the career benchmark for the film. It was submitted to other festivals but did not get accepted due to its length. It’s an unusual length to be screened at a festival. Festivals usually want to screen as many short films as possible in one sitting and Project Gelb takes up a lot of space.
I knew the risk of keeping it at this length from the beginning but didn’t want to compromise; it is 43 minutes of insight into ‘our story’ and I just felt so strongly about not budging. Thankfully the Vancouver Queer Film Festival came along and accepted it.
Was there anything else that you wanted to add about the film?
The one criticism that I received was that the film was ‘one-sided’. Obviously, it is one-sided. That is because it is our story. It is from our side. It is not a criticism to me; it is an obvious fact.
Thank you for making the film and for agreeing to this interview Francis!
Thanks for doing this article, Edward!
* * *


Daniel Craig is the new ‘Bond ambassador’ of the Indian Railways
Now we all know that the famous imaginary spy is going to visit India soon to shoot sequences for his latest movie, Bond 23. But what we didn’t know is that the Indian Railways which will be hosting many of his stunts has managed to extract a neat deal with the production house. As part of the agreement, IR will be able to hire Bond actor Daniel Craig as a brand ambassador for a season. Surprised? Here are the details.
Indian Railways PRO Chabbu Kumar told Humor Unplugged that the deal has almost been finalized and EON productions will soon sign the agreement. “Yes, he will be our brand ambassador and will be seen doing many risky stunts on our trains – including using the restroom. The production house has agreed to all our demands and we have asked them to revert with details on how they plan to take this forward. We will provide them all the assistance and equipment they need,” Kumar said.
Railways sources have also confirmed that Craig has already practiced a round of stunts during a hushed up visit to Mumbai recently. He did train surfing, participated in a live derailment and even tried to shift gears on a diesel engine. As part of the deal, the Bond star will appear in a few commercials praising the railways and the railway minister. Former railway minister Lallo Prasad Yadav will also make his Hollywood debut with the movie and will be seen in the walkover role of a rail safety analyst.
|Craig practicing a|


The MHS Drama Dukes are preparing for their March production of “The Sound of Music.” Showing March 20th-22nd, the Drama Dukes will perform a total of 3 shows entailing the heartwarming story of the Von Trapp Family Singers.
The cast and stage crew are working intently to provide a wonderful show for its viewers. The cast includes Rebecca Bixler as Maria Rainer, Daniel Greco as Captain Von Trapp, Nick Kish as Max Detweiller, Isabella Warner as Elsa Schrader, Kyleigh Muniz as Mother Abbess, and Savannah Waffler, Logan Waite, Natalie DiRuzza, Jack Ritchie, Autumn Ronske, Irelyn Johnson, and Karighyn Johnson collectively as the Von Trapp Children.
If you are interested in being a part of the show, unfortunately, auditions have been closed, but spots within the stage crew are still available. If interested, contact Nia Lambdin and Morgan McGill for information.
Ticket sales will begin shortly. They can be bought from the cast, Mr. Locke, at the door, or from Mr. Al-Hadid. It is advised to buy tickets in advance due to the possibility of having tickets be sold out. We hope to see you there, opening night on March 20th.


Last night I went to see Alt J play at the 02 Brixton Academy; they were absolutely fantastic, (despite front man Joe Newman losing his voice at points.)
There is something about watching live music that changes the way you hear a song, do you know what I mean? Once you have heard a band sing live with live feeling, crowds and a different context, you just want to listen to them again and again and again. Well, I do anyway, which is why today I am listening to ‘The Awesome Wave’ on repeat.
My favourite song from the album is ‘Matilda,’ – it manages to be both beautifully soft and a real crowd-swaying anthem.
DID you know, that the song is inspired by the 1994 Luc Besson film Leon (Natalie Portman’s first film and my god, she is the most beautiful little girl.)
Hitman Léon says the line, “This is from Mathilda,” as he gives a corrupt DEA detective a grip of grenade pins. “The song is about that moment in the film,” say Alt J’s Newman , “and it talks about Jean Reno’s relationship with Matilda, and Leon’s relationship with her.”
Well, now you know. I found this video on YouTube which an Alt J fan created to illustrate the films influences on ‘Matilda.’
It’s so well done, Portman’s face is simply perfect.