If you love strong, powerful women with a sexual appetite as much as we do, we’ve got a fascinating story for you about a Broadway and Hollywood superstar you’ve probably never heard of.
It all started when we were approached by actor Romy Nordlinger last year to discuss a show she wrote and staged with the help of Director Katie McHugh (Yonder Window), called PLACES. It’s the story of silent movie icon Alla Nazimova; an extraordinary lady of her time and business woman role model.
She managed to break the Hollywood glass ceiling at the start of the 20th Century, but in the end her mould-breaking lifestyle and notorious bisexuality proved to be more than her peers could handle, and her star faded into relative obscurity.
We were instantly hooked and met with Romy and Katie in New York this January to discuss the project further. Meeting these lovely, passionate, and talented women for brunch turned out to be the beginning of a beautiful partnership that will see us co-produce PLACES at this year’s Edinburgh Fringe.
We really love the story and the people we’re working with on it, and we can’t wait to stage the show here in Edinburgh this August.
Catch PLACES in Edinburgh
PLACES is on for a full run at the Edinburgh Fringe, and tickets are now on sale at EdFringe.com.
Where: New Town Theatre (Venue 7)
Dates: 3-14 and 16-27 August
Time: 5pm (show lasts for 60 minutes)
Price: tickets available from £10
Or catch Nazzie in New York…
PLACES is also part of the 59e59 East to Edinburgh festival programme in New York City this July.
Check out the PLACES show teaser.
Long before Madonna, the world was Gaga for Nazimova; a 1920s silent movie femme fatale, and pioneering scissor sister.
From Tsarist Russia to Broadway, Alla went on to become the highest paid silent movie star in Tinseltown, and the first female director/producer in Hollywood, epitomising the rags to riches fairy tale. Unapologetic about her bisexual decadence and lust for life, she defied the moral and artistic codes of her time that eventually forced her into obscurity.
A trailblazer swept under the rug, Nazimova will not be silenced. In PLACES, a racy, multimedia look at one of the most daring artistic voices and talents of the 20th century, Nazimova tells it like it was…and still is.


Zak suggested that I watch shutter island, as it would be a movie that I would enjoy. :) He wasn't wrong. I was pulled right into the story (even if the acting was a little distracting at times).
- It's 1954, and up-and-coming U.S. marshal Teddy Daniels is assigned to investigate the disappearance of a patient from Boston's Shutter Island Ashecliffe Hospital. He's been pushing for an assignment on the island for personal reasons, but before long he wonders whether he hasn't been brought there as part of a twisted plot by hospital doctors whose radical treatments range from unethical to illegal to downright sinister. Teddy's shrewd investigating skills soon provide a promising lead, but the hospital refuses him access to records he suspects would break the case wide open. As a hurricane cuts off communication with the mainland, more dangerous criminals "escape" in the confusion, and the puzzling, improbable clues multiply, Teddy begins to doubt everything - his memory, his partner, even his own sanity.
The best bit however is the twist at the end, which I hope to not spoil for you.
Anyway, being a hospital for the criminally insane post WWII it's hardly an unusual propostition that you would see someone who is Manic-Depressive (BiPolar)...which of course you do. It got me wondering if Zak equated me with the Manic-Depressive in the movie, or if he hadn't connected the dots between A and B. Most likely he hasn't noticed the link. Which is quite sweet in a way...makes me feel that little bit more normal. LOL, on the other hand if he did link A and B, then I ought to feel quite insulted!
The BiPolar person isn't exhibiting symptoms aside from her psychotic break makes me wonder if Hollywood even bothers to research the illnesses they are trying to portray. It is however, quite obvious they seized upon the two illnesses that are well known to the public to help authenticate the Insane Asylum image. I suppose that I should be thankful I'm not Schizophrenic, as they were tared with the "I'm covered in my own filth" brush. So much for social media trying to educate the masses about mental illness.
So, back to me (lol, anyone would think it's all I ever talk about). Hmmm, I wonder if I could behave as calmly as the bipolar person did in the movie when they killed their family...I honestly doubt it. After having listened to the accounts of friends who have also dealt with BiPolar psychotic breaks, I doubt that any of them could say the same either. Usually there are lots of tears, shouting, rocking back and forth, clinging to loved ones begging them to stop the insanity...hardly any of which was evident in the movie version of a BiPolar break. Although I suppose since this scene was such a tiny part within the whole of the movie, I could cut them a little slack.
I suppose that if taken solely as a movie thriller, and not an accurate portrayal of mental illness (which is the position I ought to take) this movie captures exactly what Hollywood intended it to. After all would people really want to go to the movies to see real life?
Here's to the escapisim of movies, the knowledge that the good guys always win, Santa always arrives before the sun comes up, the funny guy gets the girl, kisses are accompanied by fireworks, and that everything is wrapped up in just over two hours.


Welcome to the mesmerizing realm of movies, where stories come alive on the silver screen, captivating audiences of all ages and backgrounds. The world of cinema has the incredible ability to transport us to faraway lands, introduce us to fascinating characters, and evoke a whirlwind of emotions within a matter of hours. Movies have evolved into an art form that transcends boundaries, allowing us to connect with diverse narratives and explore the human experience in ways that are both inspiring and thought-provoking.
In this article, we dive deep into the fascinating world of movies, delving into their magic, impact, and enduring appeal. From the enchanting tales of fantasy to heart-wrenching dramas that tug at our heartstrings, there is something for everyone within the vast expanse of cinematic offerings. With their power to entertain, educate, and leave an indelible mark, movies have stood the test of time, captivating audiences for over a century.
Immerse yourself in this exploration of the silver screen, as we take a closer look at the various genres, directors, and actors who have shaped the landscape of film. We will explore the art of storytelling through motion pictures, discussing how movies have the ability to transport us to different eras, cultures, and even parallel universes. So grab your popcorn, settle into a comfortable seat, and join us on this exhilarating journey through the captivating world of movies.
The Evolution of Film: From Silent Era to Modern Cinema
In the fascinating realm of movies, the journey from the silent era to modern cinema has been nothing short of remarkable. It all began with the first motion pictures that captivated audiences without the need for spoken words. Through groundbreaking innovations, films have evolved to incorporate not only dialogue but also stunning visual effects and immersive soundscapes.
During the early days of cinema, the absence of spoken language was overcome by the power of visuals. Icons like Charlie Chaplin and Buster Keaton brought laughter and tears to audiences worldwide, telling stories solely through expressive gestures, exaggerated movements, and intertitles that conveyed key messages. These pioneers of silent film set the stage for the artistic possibilities and emotional connections that movies could establish.
As time went on, technology advanced, and the advent of sound revolutionized the film industry. With synchronized dialogue and music, movies gained a new dimension that elevated storytelling to greater heights. Suddenly, the power of words could be woven into the fabric of visual storytelling, allowing for more nuanced characterization and profound narratives.
As the years passed, filmmakers continued to push the boundaries of what was possible on the silver screen. The introduction of color, widescreen formats, and special effects transformed movies into immersive experiences. From sweeping epics to high-octane action sequences, the art of filmmaking expanded its horizons, providing audiences with dazzling visual spectacles that transported them to new worlds.
In the present day, modern cinema has become a sophisticated amalgamation of artistic vision, cutting-edge technology, and diverse storytelling. With advancements such as computer-generated imagery (CGI), motion capture, and digital cinematography, filmmakers can bring their wildest imaginings to life. Whether it’s fantasy realms, space adventures, or realistic dramas, the medium of film has evolved to offer unparalleled visual richness and sensory immersion.
The evolution of film, from the silent era to modern cinema, is a testament to the relentless pursuit of artistic innovation and the desire to captivate and inspire audiences. As we continue to embrace new technologies and storytelling techniques, it is both exciting and humbling to witness the wondrous transformations that unfold within the magical world of movies.
The Power of Visual Storytelling: How Movies Capture our Imagination
Movies have an incredible way of captivating and inspiring us through the power of visual storytelling. Through mesmerizing visuals, filmmakers are able to transport audiences to different worlds, evoke emotions, and spark our imagination in ways that other forms of storytelling simply cannot. The combination of stunning visuals, compelling narratives, and the skillful use of cinematography make movies a truly magical medium.
One of the unique aspects of movies is their ability to visually depict stories in a way that engages our senses and emotions. From sweeping landscapes to intricate details, filmmakers have the freedom to create visually stunning worlds that we can immerse ourselves in. Whether it’s a sci-fi epic set in a distant galaxy or a period drama set in a bygone era, movies have the power to transport us to these imaginative realms and allow us to experience stories in a deeply personal way.
Moreover, the visual aspects of movies play a crucial role in enhancing the overall storytelling experience. Through the use of color, composition, and visual effects, filmmakers can create specific moods and atmospheres that complement the narrative. For instance, a warm and vibrant color palette can evoke feelings of joy and happiness, while darker tones and shadows can convey suspense and tension. These visual choices not only help to drive the plot forward but also enhance our emotional connection to the story being told.
Furthermore, the art of cinematography in movies is a testament to the power of visual storytelling. The way in which a scene is framed, the movement of the camera, and the use of lighting can all have a profound impact on our interpretation of a story. A skilled cinematographer can capture the essence of a character’s emotions through a close-up shot or create a sense of awe and wonder through a sweeping panoramic view. These visual techniques add depth and richness to the storytelling, making movies a truly immersive and captivating experience.
In conclusion, movies have an unparalleled ability to capture our imagination through the power of visual storytelling. By creating visually stunning worlds, enhancing the narrative through visual choices, and employing the art of cinematography, movies have the power to transport us to new realms, evoke emotions, and leave a lasting impact on our lives. The magic of movies lies in their ability to tell stories that resonate with us on a visual and emotional level, making them a truly exceptional form of entertainment.
The Impact of Movies: Entertainment, Education, and Influence
Movies have become an integral part of our lives, offering us a wide range of experiences and emotions. From the captivating stories to the stunning visuals, movies have the power to provide endless entertainment. They take us on thrilling adventures and allow us to escape from reality, even if just for a couple of hours.
But movies go beyond mere entertainment. They have the potential to educate and enlighten us. Many films tackle important social issues, shedding light on topics that may be unfamiliar or controversial. Through the power of storytelling, movies have the ability to raise awareness, provoke thought, and inspire change. They can challenge our perspectives and make us question our beliefs, leading to personal growth and intellectual expansion.
Moreover, movies possess a notable influence over society. They have the ability to shape popular culture, influence fashion trends, and even impact political discourse. Movie characters become cultural icons, their words and actions echoing in our collective consciousness. Movies can also inspire individuals to pursue certain careers or hobbies, as they showcase various professions and passions. The effect of movies on our lives is undeniable, leaving a lasting imprint on our thoughts, emotions, and choices.
In conclusion, movies hold a significant place in our society, offering us not only entertainment but also education and influence. They transport us to different worlds, introduce us to diverse perspectives, and leave us with lasting impressions. Whether we seek a thrilling escape or a thought-provoking journey, movies have the power to captivate our hearts and minds, making them a truly magical form of artistic expression.


Cast & Crew
- Writer, Director & Producer – Ian Darling
- Producer – Susan MacKinnon
- Director of Photography – Peter A. Holland
- Editor – Sally Fryer
- Line Producer – Mary Macrae
Ian Darling is an award winning documentary filmmaker with Shark Island Productions in Sydney, Australia. His director and producer credits include THE OASIS, IN THE COMPANY OF ACTORS, ALONE ACROSS AUSTRALIA and WOODSTOCK FOR CAPITALISTS. His films have all screened on ABC Television in Australia, a variety of television networks around the world, and at over 100 international film festivals.
In 2008 he won the AFI Award for Best Direction in a Documentary for THE OASIS. The film was also nominated for a Walkley, IF, ATOM, Australian Directors Guild and Logie Award.
Currently he is directing and producing two feature documentaries, both with extensive outreach and education programs: PAUL KELLY – STORIES OF ME and OUR LITTLE GARDEN, and a short documentary THE SOLDIER.
He recently produced two short fiction films, POLLY AND ME (writer and director) and WALL BOY. Both social policy short films will act as companion pieces to the homeless documentary THE OASIS, and its on-going outreach and education campaign. THE OASIS will formally go on the educational curriculum in every State and Territory in 2011.
He was the creator of the “Australia’s Homeless Youth” project, which in addition to producing the documentary THE OASIS, established the independent National Youth Commission and report into youth homelessness. The project was launched in April 2008, in conjunction with a national screening and live panel discussion on ABC Television. In 2011 he launched the “Oasis Homeless Short Film Competition” for schools.
He is Chair of The Caledonia Foundation, a private foundation focusing on the education, training and welfare of disadvantaged young Australians. He is the founder and Chair of the Documentary Australia Foundation, a philanthropic initiative supporting the documentary film industry in Australia. He also manages the Shark Island Foundation and the Shark Island Documentary Fund, which supports Australian documentary filmmakers and the local film industry.
Ian Darling was Chair of the Sydney Theatre Company and the STC Foundation, from 2006-2010. He was the founder and Managing Director of the Caledonia Investments group from 1992 to 2003. He has been a Director of the National Institute of Dramatic Art (NIDA), a member of the Advisory Board of The Salvation Army, and Chair of the Oasis Youth Support Network. He is currently a member of the Advisory Board of the Centre for Social Impact.
He was the recipient of the AbaF Business Arts Leadership Award in 2008. His photographs have been finalists in the Moran Contemporary Photographic Prize, the National Photographic Portrait Prize, the Sydney Life Photography Prize, and is represented in the permanent collection at the National Portrait Gallery in Canberra.
Susan is a founder and for 8 years was Co Executive Director of the Documentary Australia Foundation, established in 2006 to bring filmmakers and philanthropists together. Susan worked to establish this organisation resulting in significant growth in philanthropic engagement in documentary.
Susan was formerly the Documentary Investment Manager at the Film Finance Corporation. She served 6 years as a Board Director for the South Australian Film Corporation, was a member of the Screen ACT Investment Fund and was a founding member and served 6 years on the Board of the Australian International Documentary Conference.
Peter won a Gold ACS Award for his first feature film as D.P. on ‘Gabriel’ for director Shane Abbess. This $200.000 film was picked up by Sony Pictures for world wide theatrical distribution. As well as awards, Peter has reaped much praise for his distinctive & original look on this film.
Peter started his film career working under some of the great names in modern film making history, in the camera & lighting departments, on films including The Matrix trilogy, Priscilla Queen of the Desert, Babe, Babe Pig in the City, Moulin Rouge & Birthday Girl.
After graduating from the highly acclaimed AFTRS in 2003, with a Masters degree in Cinematography, Peter began a prolific path shooting commercial, music video, short film, documentary & feature film productions.
He is currently working in both Sydney and L.A (pub 2009).
She has 19 years experience as a freelance documentary film editor both in London and Sydney, and has cut over 100 documentaries during her career. She worked principally for the BBC and Channel 4 in the UK and for the ABC and SBS since arriving in Australia in 1998.
In 2011 she gained accreditation from the Australian Screen Editor’s Guild, and in 2012 was awarded an ‘Ellie’ by the Guild for Best Editing in a Documentary Feature for the film Paul Kelly – Stories of Me which charts the remarkable life of one of Australia’s most gifted and beloved singer-songwriters. Paul Kelly – Stories of Me also won the Film Critics Circle of Australia Award for Best Documentary in 2012. In 2008 she won the AFI Award for Best Editing in a Documentary for The Oasis – an observational feature documentary shot over two years about a group of severely disadvantaged kids who live on the streets of inner Sydney.
Working with Shark Island Productions since 2005 she was consulting editor on Stories from the Inside, editor of two short dramas, Polly and Me (a harrowing tale of child abuse and neglect, seen through the eyes of an 8 year old girl), and Wall Boy, In the Company of Actors – a feature documentary starring Cate Blanchett and Hugo Weaving, in which a company of actors reveals the magic and struggle of creating world class theatre, Alone Across Australia which was voted ‘one of the top 20 adventure films of all time’ and has now won over 25 international awards, and Woodstock for Capitalists which won several awards including a Cine Golden Eagle Award.
Sally was a finalist for the Dendy Awards Best Documentary Category 2005 with Political Football and winner of the Australian Film Critics Award for Best Documentary in 2003 with The Original Mermaid. Her work has twice been nominated for an Emmy award and many many years ago Watergate – a compelling 5 part series – won an International Emmy for Best Documentary series.
For Shark Island Mary has co-produced PAUL KELLY – STORIES OF ME about singer/ songwriter Paul Kelly and his peers, THE SOLDIER a personal story of a volunteer, and most recently STORIES FROM THE INSIDE, made by the inmates in the maximum security prison youth unit at Port Phillip Prison, Victoria. Mary production managed the short dramas POLLY AND ME and WALL BOY made as part of the ongoing outreach and education campaign around youth homelessness, she was also a line producer and production assistant for THE OASIS, (the feature length documentary about the youth refuge of the same name in Surry Hills, Sydney) and IN THE COMPANY OF ACTORS.
She also enjoys working at developing the online components of Shark Island Productions and assisting in implementing the education and outreach strategies around documentaries.
Prior to working at Shark Island Productions Mary had a career as a Stage Manager in the theatre, working mainly in Sydney for Sydney Theatre Company, Belvoir Street Theatre, Force Majeure, Griffin and independent productions including CLOUDSTREET, HEDDA GABLER, MY ZINC BED, WAITING FOR GODOT and A CHEERY SOUL.
- Music – Felicity Fox
- Sound Designer – Annie Breslin
- Production Designer – Nick McCallum
- Costume Designer – Jo Briscoe
Film and televisions projects for which Felicity has received individual recognition include: The Oasis (AFI nomination, Best Soundtrack), Redheads(AFI nomination, Best Feature Score), Fistful of Flies (winner AGSC award for Best Original Song Composed for a Feature Film), Afrika, Capetown to Cairo(ARIA nomination and AGSC/APRA Award nomination for Best Soundtrack Album) A Cave in the Snow (AGSC/APRA Award nomination for Best Soundtrack Album) and Loyal to My Image (winner Best Original Music for Film, FIFREC Film Festival France). TV series Felicity has scored include;About Women, Baby Boom to Bust, Dust to Dust and Journeys to the Ends of the Earth.
Major theatre projects include: the Paralympics Opening Ceremony in Sydney, 2000 (Assistant Music Director/Composer), Frozen Girl, created in South Korea with REM and Sadari Theatre and toured to Seoul, Pusan, Sydney and Melbourne in 1999-2000, Baby X, a play by Campion Decent, for the Mardi Gras Festival and Belvoir St Theatre, 2000 and Senesino, an original dance-theatre work for the Mardi Gras festival, 1998.
Felicity is currently completing her Masters degree in Composition at the Sydney Conservatorium, composing a large multi-media work for string orchestra, voices, percussion and electronic surround sound.
Feature film credits include Mad Max 2, Evil Angels, High Tide, Young Einstein, The Well, Soft Fruit, Passion, The Monkeys Mask, Unfolding Florence, Unfinished Sky, Australia, Contact (winner Best Documentary at the 2009 Sydney Film Festival).
Short film sound design credits include the documentary – Girl in a Mirror, the dance film –The Shape of Water, and the photo essay -Siberia.
She has also enjoyed the challenges of theatre sound design. She has contributed to two plays for The Sydney Theatre Company -Influence andDemocracy and was Sound Designer on an independent production for the Stables Theatre – 4.48 Psychosis.
Annie was Head of Sound at the Australian Film Television and Radio School (AFTRS) from 1995 to 2001. She co-wrote and introduced the first AFTRS Graduate Certificate in Screen Composition.
In 2002 Annie was the recipient of a Centenary Medal for services to the Australian Community and the Australian Film Industry. She has 6 AFI nominations and received the 2008 AFI award and the 2008 ASSG award for best sound for Unfinished Sky.
Nick is currently designing Sanctum, Australia’s first 3D Feature Film.
Produced by James Cameron and directed by Alister Grierson, Sanctum is set entirely in a flooding cave environment built at the Warner Roadshow studios on the Gold Coast, Queensland.
Nick’s designs have replicated war torn East Timor, Borneo, W.W.2 PNG, 1860’s London, Santa Barbara California, Mexico, contemporary and period Australia and futuristic visions of the years 2500 and 3000.
His Feature Film Production Design credits include The Black Balloon starring Toni Collette, Kokoda, Gettin’ Square starring Sam Worthington and David Wenham, The Clinic, Subdivision with Gary Sweet, Steve Bisley and Bruce Spence, The Nugget starring Eric Bana, The Goddess of 1967 with Rose Byrne and In a Savage Land starring Rufus Sewell and Martin Donovan.
Nick’s Television Production Designs include Answered By Fire with David Wenham, The Potato Factory, starring Ben Cross and Lisa McCune and the internationally successful Spellbinder series, shot throughout Poland and China.
Theatre design credits include Australia’s Entertainment Centre tour ofGrease, The Arena Spectacular with John Farnham, Craig McLachlan, Natalie Bassingthwaighte & Magda Szubanski
Nick has twice been nominated for Australia’s prodigious AFI AWARD for Best Production Design for a Feature Film and twice nominated for Inside Film IF Award for Best Production Design for a Feature Film (pub 2009).
She has worked as Production Designer on the short Hush for SBS’ Bit of Black Business series as well as numerous music videos, series pilots and commercials.
She has also designed extensively for live performance companies, including Sydney Theatre Company, Company B Belvoir, Griffin, Oz Opera, Darlinghurst, Old Fitzroy, Jigsaw, Riverside, Legs on the Wall, Sydney Conservatorium and ATYP, with shows that have toured both nationally and internationally (pub 2009).
She has also attended a few awards nights like, “Nickelodeon Kids Choice Awards” and the “Astra Awards”. Madi was nominated in three categories and the show won “Best Children’s Programme 2007”.
Madi has also appeared on ABC TV presenting Bono/U2’s song “The Joshua Tree” and has been the subject of various newspaper and magazine interviews.
Madi has just completed shooting the short drama Polly and Me for Shark Island Productions alongside Emma Palmer and Terry Serio, This has been a great experience for Madi and she has thoroughly enjoyed her journey so far (pub 2009).
Emma has also worked as a voice artist on the children’s cartoon Gasp (SLR Productions). Her short film credits include Polly and Me (Shark Island Productions), Thanks for Coming (Pearly Productions) and Dinner with Diamonds (UTS). Her television credits include All Saints, Underbelly II: A Tale of Two Cities, and AFTRS television series Offside (pub 2009).
Terry’s theatre accomplishments cross comedy, drama and musical genres in independent theatre, large scale productions and national and international touring productions. Credits include RASPUTIN, HAIR, THE THREEPENNY OPERA, BLASTED, 4.48 PSYCHOSIS, SUMMER RAIN, CONCUSSION, UNDER ICE and OF MICE AND MEN (Sport For Jove Company). Terry played the roles of Bob Hawke and John Howard in the runaway success of 2006-08, KEATING! (Company B – Belvoir Street Theatre), which earned him the 2007 Helpmann Award for Best Supporting Actor in a Musical. In 2015 he played Keith Richards ina show called A RIFF ON KEEF – THE HUMAN MYTH at the Griffin Theatre.
Terry is also an accomplished musician singer/songwriter and can be seen frequently playing in his band Terry Serio’s Ministry of Truth. His cd OBLIVION is available online and he has a new cd WHO’S TO CRY also on cd baby/iTunes.
His radio show STAGEFRIGHT on the cult radio station FBi 94.5FM has become a mainstay of the Sydney theatre scene.
John’s theatre work includes the Sydney season of The Phantom of the Opera, performing in 33 operas with Opera Australia, and the Titanic Experience at Fox Studios Backlot. He performs in musicals around the club circuit (pub 2009).
|WRITER AND DIRECTOR||Ian Darling|
|DIRECTOR OF PHOTOGRAPHY||Peter A. Holland|
|LINE PRODUCER||Mary Macrae|
|SOUND DESIGNER||Annie Breslin|
|PRODUCTION DESIGNER||Nicholas McCallum|
|COSTUME DESIGNER||Jo Briscoe|
|1ST ASSISTANT DIRECTOR||John Titley|
|SCRIPT CONSULTANT||Joan Sauers|
|FOCUS PULLER||Rupert Ananda Brown|
|CLAPPER LOADER||Hugh Rutherford|
|DATA WRANGLER||Nir Shelter|
|STEADICAM OPERATOR||Robert Agganis|
|SOUND RECORDIST||Robert Mackay|
|BOOM OPERATOR||Richard Teague|
|BEST BOY||Graeme Cook|
|LIGHTING ASSISTANT||Gillian Huxley|
|KEY GRIP||Greg Tidman|
|ASSISTANT GRIP||John Gibson|
|ART DIRECTOR||John-Paul (Lon) Lucini|
|PROPS BUYER||Sam Lukins|
|STANDBY PROPS||Dillon Yeats|
|MAKE UP DESIGNER||Peggy Carter|
|HAIR AND ASSISTANT MAKE UP||Jodi Locke|
|MAKE UP SECONDMENT||Claudine Terides|
|STANDBY WARDROBE||Terri Kibbler|
|PRODUCTION ASSISTANT||Tina Nielsen|
|ASSISTANT EDITOR||Hilary Balmond|
|FIGHT CHOREOGRAPHER||Michael Pentecost|
|SAFETY SUPERVISOR||Greg Blandy|
|TRAFFIC CONTROL||Who Dares|
|VIDEO POST PRODUCTION||The Lab|
|SOUND POST PRODUCTION||Soundfirm|
|MUSIC RECORDED AND MIXED AT||Trackdown|
|PUBLICITY AND WEB DESIGN||Rachel Dight, Swivel Creative|
|STILLS PHOTOGRAPHER||Wendy McDougall|


|The Avengers http://www.originalavengers.com/
Site for the original Avengers TV series
|The Champions http://www2.tpg.com.au/users/klsdb4/champions/index.html
The Champions is a British spy/ adventure/ action/ drama (and always humourous) television show made in 1967.
|Danger Man http://dspace.dial.pipex.com/town/place/gu93/dman.htm
Guns, Girls, Gangsters, Glamour! John Drake, the original secret agent took them all in his stride.
|Get Smart! http://www.bcpl.lib.md.us/~cbirkmey/getsmart.html
Don't tell me there's a web site devoted to GET SMART that has information about everything you could possibly want to know about the show?
|The Man from U.N.C.L.E. http://www.uncle.org/
This Web Server provides a place for The Fans From U.N.C.L.E. to archive and view material on the net.
|Un-Official Mission Impossible Page http://www.geocities.com/TelevisionCity/1574/|
|Mission Impossible Official Movie Page http://www.missionimpossible.com/
From the Paramount Movie
|The New Avengers http://www.ee.surrey.ac.uk/Contrib/Entertainment/NewAvengers/
A sequel TV series to the classic Avengers
|The Professionals http://www.personal.u-net.com/~carnfort/Professionals/home.htm
The site dedicated to that infamous, controversial, brilliant, fast-paced, hard-hitting, all-action, explosive, long-running cult British crime-action-drama The Professionals.
|Spy Game http://www.mca.com/tv/spygame/
ABC TV series
|La Femme Nikita fan site http://cherokee.simplenet.com/codename.htm|


Twelfth Night was showing. I'd never read/seen this play so it was a new experience. Actually I probably hadn't seen a stage play since school either. To be honest I pretty much hated Shakespeare in school. The English was weird and reading it was a chore. Plays are meant to be seen not read! It's like reading a movie script which is a totally different experience to watching the movie. But since then I've grown an appreciation for Shakespeare (even if I'm still a complete noob at it). Particularly now, I've been joining in on #ShakespeareSunday each week which is run by @hollowcrownfans.
So I was adamant there was no way I was going to miss seeing a play at The Globe Theatre. They had modernised it and I saw it on one of their first press night performances. It was a blast, the performers were fantastic and full of energy, really funny too. It was a great atmosphere and the sun was still up when the play started. I could have stood in the 'mosh pit' but it was worth paying more for a seat higher up. The Globe had an interesting exhibition as well and I'd recommend the guided tour too. They had a talk on about the play before the performance which went over my head a little as I didn't know this play well (or really, at all).


Beloved Utah Woman Will Have Their BioPic Premiered at Sundance
Accepted to Sundance – 'Quiet Heroes' – the story of Utah heroes Dr. Kristen Ries and Maggie Snyder during the early years of the AIDS pandemic. Genuine heroes who treated us when so many were dying. A film by Jenny Mackenzie, Jared Ruga and Amanda Stoddard. I cannot wait.
Dr. Kristen Ries and Maggie Snyder are genuine heroes. When so many of us were dying in the days of the great plague--no one would treat us. Hell, no one would see us. Except Kristen and Maggie. Now, thanks to Sundance, the world will know. A film telling their AIDS story will inspire so many. Huge thanks to the filmmakers and my love forever to these women. When we passed the 2015 landmark non-discrimination bill signed by the Governor and the bill sponsors, the Governor turned around and gave me a copy--I handed it to Kristen and Maggie, the two people I most respect in the world.


Paula Bernstein is a writer/editor with many years of experience working for industry publications such as Variety, The Hollywood Reporter and IndieWire. A regular contributor to Fortune.com, Filmmaker Magazine and No Film School, she also produces video content.
She recently directed "Sole Doctor,” a short documentary which has screened at Palm Springs ShortsFest, DOC NYC, Napa Valley Film Festival, Portland International Film Festival and other festivals. It was acquired for U.S. theatrical distribution by Neon and for international distribution by ShortsTV.
She is the co-author of "Identical Strangers: A Memoir of Twins Separated and Reunited" (Random House, 2007).
A graduate of Wellesley College, Bernstein received her M.A. in Cinema Studies from New York University. She lives with her husband, filmmaker Anthony Orkin, and their two daughters, in Portland, Oregon.
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Expert Tips for First-Time Documentary Filmmakers (Like Myself)
Filmmaker Magazine, August 25, 2016
"Sole Doctor" is a short documentary set at George's Shoe Repair, a family-owned business in Portland, Oregon that has served the community for over 50 years. George is preparing to pass the store on to his son, Joshua, a former modern dancer. Mia, Joshua's young daughter, also learns the family trade.
Directed and produced by Paula Bernstein, "Sole Doctor" marks Bernstein's directorial debut. She has chronicled the experience of directing her first short film in a series of journals for Filmmaker Magazine.
"Sole Doctor" has screened at multiple film festivals, including Palm Springs ShortFest, DOC NYC, the Napa Valley Film Festival and BendFilm Festival. Check here for upcoming screenings and find out more about the film here.


Alex recently won 2 Emmy Awards for his work on his most recent feature documentary WILDLAND. The film received grants from Sundance, ITVS, and Telluride Mountainfilm, and went on to play theatrically in over a dozen cities and was broadcast nationally on Independent Lens. The film is currently nominated for Outstanding Nature Documentary, Cinematography and Editing.
Previously Alex produced and edited LOW & CLEAR which won the Audience Award at SXSW and played at True/False, HotDocs and IDFA. The film was hailed by Paste Magazine as ‘the best documentary of the year.’
He also created the documentary web-series SPARROW SONGS which landed him on Filmmaker Magazine’s list of The 25 New Faces of Independent Film and earned him a World Press Photo Award nomination.
Alex’s stories - both as a director and editor - feature wildly different locations and people but are unified by a common theme.
These are stories of people working to transform themselves through bold and unconventional means. The resulting films are authentic and intimate looks at how we choose to live our lives and what we value. Often these stories are set against an epic backdrop – a mountain on fire, the depths of the pacific, an entrenched political system – but every piece is rooted in its characters. We’re on their shoulders as they battle to both reinvent and understand the shape of their lives, and through watching their journey we come away with a better understanding of our own.
On the commercial side Alex has created and overseen broad campaigns for a diverse client list including Tesla and SolarCity, Filson, Patagonia, Chevrolet, Ram Trucks, and the US Army.
In 2018, Alex was named as the Sundance Institute | Discovery Impact fellow for his work telling stories that showcase the natural world.
Alex is an adjunct professor at USC's School of Cinematic Arts, and spends much of his free time exploring the San Gabriel Mountains with his two kids.


Formato transmediale Svedese vincitore degli iEmmy Awards 2008.
Synopsis “The truth about Marika” (Sanningen om Marika)
Marika disappears without a trace. When the case, after two years, reopens there is no evidence that she ever existed. 20 000 Swedish citizens have vanished and Marika is one of them. Why? What is the truth about Marika?
The case of Marika draws attention right before the drama series premieres on TV. A young woman finds out that SVT is making drama based on her blog, and she claims that everything is based on the disappearance of her best friend. SVT denies any part of this accusation and declare that the woman has made everything up, it’s fiction. But the woman proves the contrary even though all traces have been erased. The case becomes a mystery.
This is a “participation drama”, created to enrich a drama production through the participation of viewers. The story takes place on television, the Internet, radio and mobile phones. Every week theories are discussed on a TV-show that in the end expose the truth about Marika. Viewers are directly involved in the plot and its conclusion. The mobile phones become an important tool in the twilight zone between fiction and reality, and bring the story to the streets into a fiction without limits.
Original Title: Sanningen om Marika
Broadcaster: Sveriges television, SVT
Date of First Broadcast: 28 October 2007
Original Language: Swedish
Total Number of Episodes: 5
Running Time: 58:00 minutes
— Il sito ufficiale di The truth about Marika.


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To kick start the new year, I’m presenting to you a very special infuser (I bet you didn’t see that one coming)! Every time I think I’ve toured fun infusers on the market, I always end up finding a new one wich deserve it’s own post on my blog.
Anyway let me introduce to you the Death Star infuser from the well-known Star Wars movies saga. Check this out :
This infuser will be perfect to brew your Dagobah Green Tea (Dagobah is a planet in the Star Wars movies).
Both available on this site :


The REP returns with Home Theatre for Erdington residents
After the success of last year, Birmingham Repertory Theatre is bringing theatre into new homes of Erdington residents on Saturday 10 October with the return of, Home Theatre.
Birmingham Repertory Theatre is looking for residents from all four wards of Erdington District (Erdington, Kingstanding, Stockland Green and Tyburn) who would like to have a play created especially for them. The resulting play will then be performed in their homes for them and their invited audience on 10 October.
These tailor-made performances will be created by Birmingham theatre artists and will be based on the Host’s own personal stories, experiences or anything they wish to see a performance about.
If you are interested in this exciting opportunity, or have a friend, neighbour or relative who might be, please get in touch.
Email firstname.lastname@example.org for more information.
Take a look at the fantastic video below that has been created as part of the 2014 project:


The hit show The Big Bang Theory has an engaging plotline with centering on the awkward relations of Sheldon Cooper (Jim Parsons) and his girlfriend Amy (Mayim Bialik). The most recent episode featured the first couple’s kiss and the show’s exec discussed the kiss and what’s ahead.
“I can tell you the script — the way the kiss was described in the script — it said, “Sheldon leans in and puts his lips on hers and after a few moments, it melts into a real kiss, the kind of kiss that mommies and daddies do.” That was the action line, because it was referring to a joke that Sheldon had said about kissing when Amy was daydreaming about them kissing. No one watching at home will ever know that, but at our table read, our director Mark [Cendrowski] got to say that out loud as he was describing the kiss. I thought it was a really good way to describe what we were hoping to capture, and I think it was — it was one of those kisses that mommies and daddies do.”
Fans will obviously want to know what’s next.
“That’s an important question. We’re not going to do too much relationship stuff between Sheldon and Amy right away, but obviously this is a moment that occurred and you’ll hear about it here and there. But sometimes we like to make a big move and then put that aspect down for a few episodes before we revisit it. But it happened. He clearly didn’t dislike it. It turned out to be not as bad as he thought it would be — as he described to Leonard when he got home. And we’ll see where they go from there.”
The episode’s final scene with Leonard returned fans to the Sheldon Cooper they know and love.
“That scene was actually a bit of a last-minute addition. I mean, that kiss was such a beautiful moment. And you could have easily ended the episode on it. But we felt it would be nice to see that there was no giant shift in who Sheldon was. That, while there was a small shift and he didn’t dislike the kiss, he’s still Sheldon. I thought that was a way for that scene to show that. So there was a little growth — he didn’t dislike the kiss, but he also liked when the conductor played the banjo and meeting his new friend, Eric, who loves trains as much as he does. They were all great. In his mind, one was no better than the other. They’re just events that occurred that night, which I think was still a fairly Sheldon-y way of looking at it.”


Southwest Airlines Co. (NYSE: LUV) continues its partnership with the Sundance Institute and the renowned Sundance Film Festival as a means of supporting independent filmmakers and the creative community. This year's partnership focuses on filmmakers who are forging their own paths in the field of short films. The partnership also centers on the creation of video content that celebrates the magic of storytelling through a collaboration with Reaa Puri, celebrated filmmaker, alumna member of the Sundance Collective Artist Community, and co-founder of Breaktide Productions, an all women-of color owned film Production Company.
As the presenting sponsor of the 2021 Sundance Film Festival Short Film program, Southwest celebrates the 50 short films selected to premiere in the Festival and congratulates the filmmakers who have earned this prestigious honor.
"A good story holds immense power, and we're proud to support the creatives dedicated to the craft and art of storytelling," said Brandy King, Director of External Communication which includes Brand Partnerships and Entertainment Public Relations. "We're honored to, again, partner with the Sundance Institute to celebrate filmmakers at the absolute premier event in film, Sundance Film Festival."
"The Sundance Film Festival Short Film line-up showcases the amazing talent of the filmmakers, whose films span a range of topics," said Mike Plante, Senior Programmer, Short Film at Sundance. "We are grateful for our partnership with Southwest to support these creatives and continue our mission to build a community dedicated to independent storytelling."
As a visual love letter to storytelling, Reaa Puri created a video for Southwest Airlines to give viewers a behind-the-scenes glimpse at the creative process of filmmaking. This video will play in the virtual waiting rooms before film screenings on the Sundance Film Festival platform, be featured on the Festival Main Street, and be shared on Southwest's social channels in the coming days as the Festival kicks off.
"This piece is a letter of love and gratitude to storytelling, to a diverse community of storytellers, and to the artist and dreamer that lives inside us all," said Puri. "In my own work, I am learning that the creative process is sacred. It is to be cherished; it is to be celebrated and shared with community. I hope other artists view this piece as an affirmation to follow their wildest dreams and creative pursuits. Our stories hold immeasurable power and need telling. But beyond the final product, our intentional approach to the creative process is making way for a liberated, just, equitable, pleasurable, and compassionate world to be born."
Sundance fans and Festival attendees can experience the Music Speakeasy, Sound & Vision, presented by Southwest Airlines, which will take place Monday, Feb. 1 from 9:00 p.m.– 9:45 p.m. Central Time. This unconventional audio/visual experience will feature artists Bardo (Chicano Batman), Aliana Castillo, Ant Clemons, Blue DeTiger, Elissa Miekle, Enny, Frances Forever, Jensen McRae, Orion Sun, Tekno, Sofia Valdes and Viagra Boys, in an exclusive series of performances that will get everyone grooving from the comfort of their living rooms.
Southwest Customers can enjoy Sundance Film Festival content onboard through on-demand TV series channels on the Inflight Entertainment Portal. The Sundance Film Festival Shorts channel features short films from the 2020 Sundance Film Festival, and will include a selection of shorts from the 2021 Film Festival in the coming months. The Journey to Sundance channel follows emerging filmmaker, Bridget Moloney, as she premieres her short film, "Blocks," at the 2020 Sundance Film Festival.
Following the Festival, Southwest will sponsor the Sundance Film Festival Shorts Film Tour, which will showcase select short films at venues across the country, public health permitting.
ABOUT SOUTHWEST AIRLINES CO.
In its 50th year of service, Dallas-based Southwest Airlines Co. continues to differentiate itself from other air carriers with exemplary Customer Service delivered by nearly 58,000 Employees to a Customer base that topped 130 million Passengers in 2019. Southwest has a robust network of point-to-point service with a strong presence across top leisure and business markets. In peak travel seasons during 2019, Southwest operated more than 4,000 weekday departures among a network of 101 destinations in the United States and 10 additional countries. In 2020, the carrier added service to Hilo, Hawaii; Cozumel, Mexico; Miami, Palm Springs, Calif., Steamboat Springs, and Montrose (Telluride), Colo. In 2021, Southwest will begin service to both Chicago (O'Hare) and Sarasota/Bradenton on Feb. 14; both Savannah/Hilton Head and Colorado Springs on March 11; both Houston (Bush) and Santa Barbara, Calif. on April 12; Fresno, Calif. on April 25; and Jackson, Miss., on June 6.
The carrier issued its Southwest® Promise in May 2020 to highlight new and round-the-clock efforts to support its Customers and Employees well-being and comfort. Among the changes are enhanced cleaning efforts at airports and onboard aircraft, and face covering requirements for Customers and Employees. Additional details about the Southwest Promise are available at Southwest.com/Promise.
Southwest coined Transfarency® to describe its purposed philosophy of treating Customers honestly and fairly, and low fares actually staying low. Southwest is the only major U.S. airline to offer bags fly free® to everyone (first and second checked pieces of luggage, size and weight limits apply, some carriers offer free checked bags on select routes or in qualified circumstances). Southwest does not charge change fees, though fare differences might apply.
Southwest is one of the most honored airlines in the world, known for a triple bottom line approach that contributes to the carrier's performance and productivity, the importance of its People and the communities they serve, and an overall commitment to efficiency and the planet. Learn more about how the carrier gives back to communities across the world by visiting Southwest.com/citizenship.
Book Southwest Airlines' low fares online at Southwest.com or by phone at 800-I-FLY-SWA.
SOURCE Southwest Airlines Co.


Welcome to Latest Movie Releases.
Here we summarize, review, and help you decide on movies that are out right now, or coming soon to theaters. We discuss current theatrical releases as well as future movie releases. We also feature special offers on movie tickets, theater discounts, and concessions.
If you enjoy a good movie, and like to be entertained, latest movie releases are always at your fingertips. Whether you prefer horror movies, dramas, romantic comedies, action films or suspenseful thrillers, you should be able to find the current news on films that are playing now, and buy movie tickets online.
Finding latest movie releases and upcoming movie premieres used to be a hassle. First you had to use the phonebook and look up movie theaters. Then you had to call each of them to find out which films they were currently showing and listen carefully to the times each film was playing. Naturally, this process would be annoying. First, the call lines would sometimes be busy on weekends, second , if you missed what the recording said in regards to a certain time, you had to listen to the entire call all over again. In this modern day of Internet and computer convenience, however, that whole routine is now unnecessary.
Now online movie websites offer a one stop place to see trailers, movie clips, and buy tickets online. They often times have rewards programs (especially the theater sites like AMC and Cinemark) which can help you earn free movies by buying movie tickets online. One can also win movie memorabilia with the rewards program. They have news about the latest movie releases and offer movie trailers that can help you decide which movie to go and watch. The customer can then purchase the movie tickets online. They also offer gift cards for your family and friends.
Aside from knowing which movies are now playing, you’ll more than likely want to view a few trailers to better understand the film options. Since we’re most likely going to spend money on theater tickets and concessions, we may as well get our money’s worth and see a preview of exactly what we will be viewing.
Going to the movies can cost a pretty penny nowadays. Factoring in kids, concessions and rising ticket prices, heading to the movie theater can be a serious hit to the wallet. But there are latest movie releases so epically awesome, you simply can’t wait to watch them on dvd just to save money. So whether taking the entire family out for a night at the movies, or planning to hit the theaters alone, knowing where to get the best movie ticket deals can help take some of the financial strain off seeing new releases.
If you are more of a home movie viewer, we also feature upcoming movies to be released on dvd and streaming. The dvd and streaming medium has provided a whole new dimension in home entertainment. We feature trailers, reviews, and more for dvd and streaming movies as well.
At our site, we feature upcoming movie trailers, and overall critic reviews. With the help of our sponsors, make your decision for your next movie night here.


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This set contains the original 2007 'Transformers' movie, along with 'Transformers: Revenge of the Fallen' (2009), and 'Transformers: Dark of the Moon' (2011). Presented in widescreen format, the three movies run for a total of 492 minutes and offer high-impact action.
Price $12.00 or OBO Cash only
Will meet at agreed location due to Covid-19


While there have been many love songs released over the years, songs from movie soundtracks can be some of the most romantic and beautiful songs recorded. Who can forget “Unchained Melody” from Ghost, or “My Heart Will Go On” from Titanic, or “I Will Always Love You” from The Bodyguard? These romantic movie soundtrack songs can also spend a lot of time on the music charts, as well as defining a great movie moment. “I Will Always Love You” spent 14 weeks in the top spot. “My Heart Will Go On” spent 10 weeks at number one. In Grease, who couldn’t identify with Sandy while she sang “Hopelessly Devoted To You”? From Casablanca, one of the most watched movies, the song “As Time Goes By” is the number two song on the American Film Insitute’s top 100 best songs in film. The above-mentioned movies are about people that are in love, but a beautiful love song can also come from a cartoon. Take “Can You Feel The Love Tonight?”, that was from The Lion King, which had a great soundtrack. Here are a few more that were chart-toppers in their day: “Time Of My Life” from Dirty Dancing, “Against All Odds” from Against All Odds, “Wind Beneath My Wings” from Beaches and “I Just Called To Say I Love You” from The Woman In Red.


Bhool Bhulaiyaa 2 has been released in cinema halls on 20 May 2022. Kartik Aryan and Kiara Advani have stunned everyone with their acting in this movie. After the stupendous success of Akshay Kumar’s Bhool Bhulaiyaa, there was speculation whether Kartik Aaryan will be able to fill his gap? Along with this, Rajpal Yadav has again told with his acting that even today he has the same acting skill as he used to be.
Yesterday, Bhool Bhulaiyaa 2 has done very well at the box office, due to which it is believed that no one can stop this movie from becoming a superhit. In Bhool Bhulaiyaa 2, you will get a chance to experience a lot of thrillers along with comedy tadka.
The entire star cast of the movie has left no stone unturned to make it a super hit. In such a situation, if you want to know the earnings of Bhool Bhulaiyaa 2 on the first day, then read the article completely.
Bhool Bhulaiyaa 2 Earns Rs.14.11 Cr on First Day[Only Hindi]
Bhool Bhulaiyaa 2 creates a miraculous success at the box office on the first day of release. It is found that on the first day of Bool Bhulaiyaa 2, this movie successfully earns Rs.14.11 Cr at the box office.
Rs.14.11 Cr earnings have been received from Bhool Bhulaiyaa 2 Hindi language only. On the second and third days of the movie’s release, Saturday and Sunday is occurring, it is believed that this movie is now going to create a stir at the box office.
Shreedhar Pillai who is the Entertainment Industry tracker, Columnist & Writer, created a tweet on their Twitter handle in which he talks about the success and earning of Bhool Bhulaiyaa 2 at the Box office. Have a look at that tweet.
Bhool Bhulaiyaa 2 Full Star Cast
Dear Users, all the star cast of Bhool Bhulaiyaa 2 is so impressive and full of a great actors!
- Kartik Aryan as Dr. Neil
- Kiara Advani as Reet Thakur
- Rajpal Yadav as Chota Pandit
- Tabu as Anulika, ManjulikaBaba
- Sanjay Mishra as Jyotishi
- Govind Namdev as baba
Friends, 14.11 Cr is the earning of 1 day in the Hindi language of Bhool Bhulaiyaa. Everyone is expecting that this film is going to earn a lot of money right now. I hope you find this article interesting and loving. You are reading the Khabarxp.com news article! Thank You!


Catwoman Basketball Scene
Catwoman Basketball Scene. 3 536 675 просмотров3,5 млн просмотров. The worst scene from one of the worst movies ever made. The Ringer's Jason Concepcion, Micah Peters, Mallory Rubin, and Chris Ryan break down the bizarre basketball scene in Halle Berry's 2004 flop, 'Catwoman... Not many apparently, because it took one Redditor to point out that the movie contains the single worst basketball scene in the history of If "Catwoman" had been seen by the throngs that openly mock it...
The whole Catwoman scene is there to let the characters show of with their sport skills and let them rub their bodys against each other. Catwoman: Basketball Scene. catwoman. 1 просмотр10 лет назад. Catwoman Basketball Scene. 4 июл 201228 просмотров. Комментировать0. The worst scene from one of the worst movies ever made. Humor Me, and Watch This Basketball Scene from Catwoman. So that's how I didn't know that the movie contained this absolutely hilarious train wreck of a scene.
Batman - Catwoman Basketball Scene. Like us on Facebook! They were basketball grinding on each other in front of small kids. And the amount of cuts gave me a headache. NBA BASKETBALL - Mickael Jordan dunks in your face. Wuithier Joël. 0:29. Michael Jordan, The Best Dunk of his Life, basketball, nba. basketballvideos1. 0:56. While the 'Catwoman' scene is terrible, it isn't trying to be overly serious or realistic. Unfortunately, seeing things like the tape that helped Sigourney Weaver palm the basketball didn't help too much…
Catwoman - Outrageous [Basketball Scene] Halle Berry No Copyright Intended. Entertainment Purposes Only. The Ringer's Jason Concepcion, Micah Peters, Mallory Rubin, and Chris Ryan break down the bizarre basketball scene in Halle Berry's 2004 flop, Catwoman, as a part of The Ringer's superhero week. Catwoman - Outrageous [Basketball Scene] Halle Berry. 123AllOfBritney 14.642 views8 years ago. 6:23. Worst movie scene ever! Catwoman Basketball scene. Yortie 1.216 views1 year ago.
Catwoman - Basketball scene. Яко е! Catwoman - Basketball scene. 02:56. The basketball scene from 'Catwoman' is the worst movie scene of all time.pic.twitter.com/IWwBFQ6kLt. 12:26 - 24 мая 2018 г. Catwoman Basketball Scene created on gifs.com>.
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Begin your journey with Wanetah by downloading this guide!
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Wanetah Walmsley began her career in entertainment as a triple threat performer; acting, singing, and dancing. As Co-founder of Trendify Media, she is currently involved in several projects as a producer, director, and content creator. She currently coaches actors and clients in personal development.
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The Immigrant Justice group at Christ Church is hosting a Film Festival beginning in January thru February.
Festival del Cine Dignidad Latinoamericana will feature stories that center on the experiences of Latin American immigrants and refugees. Each evening will begin with soup and empanadas at 5 p.m. and the films, both documentaries and narratives, will start at 5:30 p.m. Please join us to learn more about our Latinx neighbors’ experiences in our pursuit of justice for all!
Christ Church is located at 2200 Bellevue Avenue in Maplewood. See more information on Facebook.
- January 13-Who Is Dayani Cristal?
a 2013 documentary about the immigrant experience of crossing the Arizona desert
- January 20-Road Trip Nation: Beyond the Dream
a 2016 documentary about 3 DACA recipients’ quest to learn from fellow immigrants
- February 10-Separated: Children at the Border
A 2018 Frontline documentary that explores
Trump’s “zero tolerance” policy
- February 24-Icebox
2018 feature film about a young boy who becomes trapped inside America’s rigid immigration process


A pharmacist’s uneventful life spirals out of control when he has an affair with a trophy wife who enjoys sex, drugs and murder.
Two 19th-century opportunists (Simon Pegg, Andy Serkis) become serial killers so that they can maintain their profitable business supplying cadavers to an anatomist (Tom Wilkinson).
Former skateboard champion Kim wants to make more money after her mother’s tragic death. She joins the elite posh servicing company, which sends her off to Austria.
A talented runner (Lenora Crichlow) from a rough part of London joins the British track team and races for glory at the World Championships
In the summer of 1976, a British drama teacher (Minnie Driver) tries to motivate her apathetic students by staging a glam-rock musical version of William Shakespeare’s “The Tempest.”
Stricken with polio as a child, Ian Dury (Andy Serkis) finds success as a British punk rocker in the 1970s.
The girls of St. Trinians hunt for buried treasure after discovering Miss Fritton (Rupert Everett) is related to a pirate.
Micky (Tuppence Middleton) enjoys a reunion with Do (Alexandra Roach), her childhood friend. But a fire kills Do and leaves Micky burned and with amnesia. Micky makes a journey of self-discovery, for nothing is as she remembered it.
A teenage boy (Jamie Blackley) plots revenge for the murder of his online friend and subsequently attracts the attention of a female MI5 agent, who convinces him to commit homicide.
A haunting ghost story spanning two worlds, two centuries apart. When 13 year old Tolly finds he can mysteriously travel between the two, he begins an adventure that unlocks family secrets laid buried for generations.
A group of film students at Leatherhead University in search of funding for their feature film The Love Storm end up having to rewrite and make it into a pornographic film. This leads the boys head first into a world of erotica that they did not even know existed and into the life of actress Candy Fiveways (Carmen Electra).


sábado, abril 02, 2005
la vida robot
They should make a movie out of this, especially since no one remembers Stand and Deliver anymore. Maybe they can get Lou Diamond Philips to play one of the teachers!
soy maestra bilingüe del quinto grado en una primaria en tejas. i am a bilingual fifth-grade teacher at an elementary school in texas. and if you'll pardon my language, the NEA has no fucking respect for teachers' privacy.


Learn about screenplays with online courses and programs
What are screenplays?
Screenplays are written documents that serve as the foundation for producing films, television shows, and other visual media. They are a form of storytelling through words, providing a detailed framework for actors, directors, and production teams to follow in bringing a story to life on the screen.
A screenplay typically includes descriptions of scenes, dialogue, character actions, and camera directions. It acts as a blueprint that guides every aspect of a production, from the performances of actors to the shots captured by the cinematographer.
Whether one dreams of creating blockbuster movies, thought-provoking documentaries, or engaging television series, a strong foundation in screenwriting is the key to turning those creative visions into reality.
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Screenplay course curriculum
A course in screenwriting can equip aspiring writers with the knowledge and skills needed to write compelling screenplays for film and television. Some examples of potential content covered include:
Fundamentals of story structure
Start building the knowledge you need to work in the screenplay field with edX. From accelerated boot camps to comprehensive programs that allow you to earn a bachelor’s degree or (for more advanced learners) a master’s degree, there are many different learning formats available to fit your needs. You can also explore executive education courses specifically designed for busy professionals. Find the right course for you.
Explore jobs related to screenplays
Screenwriting skills are versatile and can be applied across various media and industries, making it an exciting and adaptable career path for those passionate about storytelling and creative expression. Some examples of careers where learning about screenplays could be useful include:
Screenwriter: Crafts scripts for film, television, web series, or other visual media. This includes writing original screenplays, adaptations, or episodes for TV series.
Film critic: Analyzes and writes about films and television shows, offering insights into storytelling and cinematography.
Script doctor: Revises and improves existing screenplays, helping to enhance plot, character development, and dialogue.
Film director: Some screenwriters transition to directing, using their storytelling skills to bring their own scripts to life on screen.
Each of these roles will have different education and skills requirements. Some employers may seek candidates with a degree in English or theater depending on the role. Before deciding on a specific learning path, research the positions you hope to pursue and align your coursework with your career goals.


Oήŀ𝜾ŋē Seberg Watch Stream
Coauthor: Alabama Comunicación
Info: Agencia de #comunicación y #marketing #cinematográfico 🌵pasión por comunicar. Fan. María A. al mando @laprincesa_blog
Country - UK Jack O'Connell Anna Waterhouse movie info - Seberg is a movie starring Kristen Stewart, Yvan Attal, and Gabriel Sky. Inspired by real events in the life of French New Wave icon Jean Seberg. In the late 1960s, Hoover's FBI targeted her because of her political and romantic 2019
😄😄(2 laughs. 😢(1 possible cry. Kristen Stewart gives a slightly contrite performance and she seems to have been once again typecast. Thankfully, the supporting cast are there with good performances to make up for the lack of personal connection with the main character. Unfortunately the excellent costume design is not enough to carry the film and will likely be overlooked.
Speaking after a screening at TIFF, the director explained the film is really a story of voyeurism; the addiction and danger of the watcher and watched. Even so, the excitement of surveillance is lost on an emotional contrived performance.
What's"Seberg English Full Movie Watch Online Watch Seberg Online Melty. Seberg Online Megashare SeBeRg free OnLinE no sign up… WATCH Seberg ONLINE EARNTHENECKLACE. Seberg watch streaming. I don't think you have to see this in a big screen just wait for it on streaming platforms. Seberg Watch streams. 📽Audience REACTIONS at its North American PREMIERE. Seberg Watch stream.nbcolympics. As a viewer who is very familiar with the work of Jean Seberg I simply can't accept Kristen in that role. She simply doesn't measure up to the character she is trying to play. She probably did well in the Twilight movies because she really has "dead eyes. Seberg was vibrant and alive in all of her roles, a talent Kristen has yet to develop.
#filmreactiviews. Director: Benedict Andrews Actors: Kristen Stewart, Yvan Attal, Gabriel Sky, Jack O’Connell Genres: Biography, Drama, Thriller Country: UK, USA Release Year: 2019 Duration: 96 min Synopsis: Inspired by real events in the life of French New Wave icon Jean Seberg. In the late 1960s, Hoover’s FBI targeted her because of her political and romantic involvement with civil rights activist Hakim Jamal. Seberg Watch stream. Seberg Watch stream new. Seberg Watch stream new albums. Seberg watch streamers. Seberg (Benedict Andrews) is an affair drama which is an interpretation of a real story. Combining the lead character's professional and personal roles, it explores her personal and relational lives.
Seberg Watch stream online. (Seberg) in hindi download… movie todaypk Download" instanmovie…. This movie was good but nothing out of the ordinary. Although Kristen Stewart's performance was good she had the room to really make the role her own. Seberg Watch stream of consciousness. 🤓(learn about true events. Seberg Watch streaming sur internet. Seberg An ambitious young FBI agent is assigned to investigate iconic actress Jean Seberg when she becomes embroiled in the tumultuous civil rights movement in late 1960s Los Angeles. Genre: Drama, Thriller Actor: Anthony Mackie, Colm Meaney, Jack O'Connell, Kristen Stewart, Margaret Qualley, Stephen Root, Vince Vaughn, Yvan Attal, Zazie Beetz Director: Benedict Andrews Country: UK, USA Duration: 103 min Quality: CAM Release: 2019 IMDb: 4. 7.
Seberg Watch streaming. Seberg Watch.


Diego Aparicio, GCRP 2022
Diego Aparicio is the founder and artistic director of Queer Wave: the Cyprus LGBTQIA+ film festival. Queer Wave had its inaugural edition online in August 2020, followed by a 10-day physical edition in September 2021. Diego was one of 20 finalists worldwide shortlisted for the 2021 Commonwealth Youth Awards, amongst 1,000 nominees from 43 countries. He served as an official jury member for Giornate degli Autori at the Venice International Film Festival in 2018, and has assisted the Giornate as pre-selector in their past three editions. He was also part of the selection panel for the 2022 LUX Audience Award, presented jointly by the European Parliament and the European Film Academy. Diego’s credits as production assistant include four international co-productions, two of which premiered at the Cannes Critics’ Week and Karlovy Vary. He graduated with a physics degree from Imperial College London in 2016.


There’s an odd, unwritten pop culture rule that the public generally prefers entertainers stay in their own lane.
If you play football, you can’t also play baseball. If you’re a singer, you can’t be an actor. And if you’re an actor, you can’t be a singer.
That hasn’t stopped a whole bunch of actors from trying. Boomers in particular seem unafraid to foist their vanity projects on the public, including Russell Crowe, Kevin Bacon, Keanu Reeves, David Duchovny, Jeff Bridges, Hugh Laurie and Bruce Willis.
Yet another singing actor headlined the Minnesota State Fair Grandstand Friday night for a show billed as Music, Movie and a Conversation with Kevin Costner with special guest Modern West.
The evening opened with a (lengthy) clip reel of Costner’s various film roles that included a lot of tough-guy stuff, explosions and droning monologues. Then Costner and his band, Modern West, played an 85-minute set followed by 30 minutes of Q&A time with Costner and a screening of “Field of Dreams.” He drew a crowd of 3,584, with top ticket prices at $75.
Modern West turned out to be a pleasant surprise. They were rock solid and played with a professional expertise on par with any number of multi-platinum country acts. (Plus, band member Teddy Morgan is a Minnesota native and the only musician on stage whom Costner introduced to the crowd.)
Costner, on the other hand, isn’t much of a singer. There were glimmers of promise here and there that suggest a vocal coach could work wonders. (If he’s had professional training, that person should find a new line of work.) Mostly, though, he did a lot of talk singing that came across as flat and distant, much like his acting. He warmed up a bit by the end, but there were some cringeworthy moments, up to and including his attempt at a bit of a Dylan impression during “Hey Mr. Tambourine Man.”
As for his original songs, oof. Again, the band played them beautifully, but they came across as fifth-rate Eagles knockoffs with lyrics written by a random cliché generator. Indeed, the songs were as banal as their titles: “Long Hot Night,” “Chasing the Wind,” “Alive in the City,” “Long Way from Home” and so on.
To his credit, Costner was self-deprecating about his musical fame. He opened by thanking the women in the audience (who clearly adored him) for persuading their husbands to come. Twice, he said he was playing a new song but, really, everything was a new song for most of the people in attendance.
In the Q&A, Costner shared some rambling anecdotes about his various films, spoke several times about the deep meanings in his songs and revealed he has four or five dream projects, including a “Western saga.” Indeed, Costner loves making Westerns and “rolling in the dirt, shooting at the bad guys … the more raw it is, the more I love it.”
He said he was in a band in his 20s but was stung by the criticism he received and stopped playing music. Fifteen years ago, his second wife persuaded him to take it up again.
After a confusing story about the film “For Love of the Game,” Costner thanked the crowd once again and said, “See you at the movies!”


| when you spend $25 on participating products. . . ... (15 episodes, 1960-1962) Claire Kennedy. The screenplay was written by Ned Wynn. Earn points. A Girl . | Here are the opening credits to the short lived early 1960's TV series "National Velvet" starring Lori Martin. Collect bonus rewards from our many partners, including AMC, Stubs, Cinemark Connections, Regal Crown Club when you link accounts. 2 hr 5 min. National Velvet is the story of a 14-year-old girl named Velvet Brown, who trains and rides her horse, named The Piebald, to victory in the Grand National steeplechase. Although she recovered quickly, she suffered greatly later in life. Soured on life by a serious accident, Mike plans to steal from the country family that has taken him in, but his resolve is weakened by the kindness of young Velvet (). Recently selected by the prestigious American Film Institute as one of … Set to the thunder of the Grand National Steeplechase!" Velvet owns a beautiful horse, King, which she hopes will run in the Grand National Steeplechase some day. Sign up for a FANALERT® to find out when tickets are available in your area. Mickey Rooney Donald ... National Velvet is the story of a 12-year-old, horse-crazy girl, Velvet Brown, who lives in the small town of Sewels in Sussex, England. Get a $5 reward for a movie on us. ... (11 episodes, 1960-1961) For me, Elizabeth Taylor WAS Velvet Brown, and this is how I'll always remember her. Synopsis. The cast of National Velvet includes both well-known and unfamiliar actors, but either way they all really made the movie come to life. She is also very grateful for the opportunity to work with such a delightful cast, and everyone involved in this production. 74. It’s loaded with the film’s plot outline, trivia, trailer, photos & more. Earn 125 points on every ticket you buy. Rack up 500 points and you'll score a $5 reward for more movies. Here are the first several minutes of the episode The Stranger from the National Velvet (1960-62) tv series. With Lori Martin, Ann Doran, James McCallion, Arthur Space. TMDb Score. Filming & Production | BUY TICKETS, Get 2x the points pay with World Elite Mastercard®. Teddy is Edwina's boyfriend. Meet the cast and learn more about the stars of National Velvet with exclusive news, pictures, videos and more at TVGuide.com International Velvet is a 1978 American picture and a sequel to the 1944 picture National Velvet starring Tatum O'Neal, Christopher Plummer, Anthony Hopkins and Nanette Newman, and directed by Bryan Forbes. Dame Elizabeth Taylor fell in love with King Charles while visiting the Rivera Country Club. Report This. . Company Credits This is a very rare clip showing Lori Martin behind the scenes of her then new show, "National Velvet." Cast Elizabeth Taylor Velvet Brown Mickey Rooney Mike Taylor Donald Crisp Mr. Brown Anne Revere Mrs. Brown Angela Lansbury Edwina Brown Juanita Brown Butch Jenkins Donald Brown Reginald Owen Farmer Ede Arthur Treacher Man with Umbrella Juanita Quigley Malvolia Brown Norma Varden Miss Sims Terry Kilburn Ted William Austin Reporter William Norton Bailey Bookie | This stars an incredibly beautiful 12-year old Elizabeth Taylor, Mickey Rooney, and Donald Crisp as the curmudgeonly but lovable father, Mr. Brown. LEARN MORE. Mi Taylor (Mickey Rooney) was a young wanderer and opportunist whose father had given him "all the roads in the Kingdom" to travel. National Velvet Cast - Rexall Drug Store Promotions - Duration: 2 minutes, 28 seconds. National Velvet: Anne Revere, Angela Lansbury, Elizabeth Taylor, Mickey Rooney, Donald Crisp, Clarence Brown, Pandro S. Berman National Velvet - Cast, Crew and Credits - TV.com Search Velvet Brown lives on a dairy farm with her parents Martha and Herbert, an ex-jockey, Mi Taylor, her brother Donald and her sister Edwina. National Velvet Cast and Crew "Simple Story Of A Boy . National Velvet is an American drama series. SEE DETAILS, Buy tickets. Get your swag on with discounted movies to stream at home, exclusive movie gear, access to advanced screenings and discounts galore. Aided by former jockey Mi Taylor and encouraged by her family, the determined Velvet gets her steed, affectionately called "The Pie," ready for the big day. Peck, Wyman, and Oscar-nominated director Clarence Brown ("National Velvet") all received Oscar-nominations. movie theaters are playing National Velvet near you. The film received mixed reviews. International Velvet was partly filmed at Birmingham University, England. She wins a spirited gelding in a raffle and decides to train him for the Grand National steeplechase. Although National Velvet was the first starring role for 11-year-old Elizabeth Taylor, the early part of the film belongs to Mickey Rooney in the showier role of Mike Taylor, a headstrong English ex-jockey. Velvet is a 1984 American action/drama TV film for the ABC Network directed by Richard Lang, starring Leah Ayres, Shari Belafonte and Mary-Margaret Humes.The film was inspired by the American TV series Charlie’s Angels. Fandango helps you go back to the movies with confidence and peace of mind. In many cases you can click on the names of these National Velvet actors to find out more about them. And A Horse! One of the roads, and a notation in his father's journal, leads him to the quiet English countryside home of the Brown family. Login to create it. Watch Exclusive 'Love Sarah' Clip: They'll Come, What to Watch on FandangoNOW: ‘News of the World,’ ‘Promising Young Woman,’ ‘Synchronic’ and More, G, Looking for movie tickets? National Velvet cast list, ordered alphabetically with photos of the actors and actresses when available. We know life happens, so if something comes up, you can return or exchange your tickets up until the posted showtime. Claude Jarman Jr. ("Intruder in the Dust") received a special Oscar for Outstanding Child Actor. Release Dates National Velvet: Lori Martin, Arthur Space, Carole Wells, Ann Doran, James McCallion, Joseph Scott, Ricky Kelman, Carl Crow National Velvet - Cast, Crew and Credits - TV.com Search 4,249 views; 9 years ago; 9:18. Enter your location to see which Museumtvholder. “A FILM TO REMEMBER” series is of films who’ve reached a milestone anniversary since their origin of release. Enjoy the movie National Velvet in four minutes. Can't find a movie or TV show? Official Sites Enid Bagnold. National Velvet (1944) Trivia (27) Add new Dame Elizabeth Taylor fell from the horse and broke her back during the filming of the racing scene. National Velvet stars Lori Martin as Velvet Brown, a girl who lives on a dairy farm with her parents, Martha ( Ann Doran) and Herbert Brown ( Arthur Space ), an ex-jockey Mi Taylor, played by Scottish actor James McCallion (1918-1991), her brother, … National Velvet Clarence Brown (1944) 11min. Mary is very excited to be a part of this production of the beloved story, National Velvet. Cast. When Velvet Brown, an equine-loving 12-year-old living in rural Sussex, becomes the owner of a rambunctious horse, she decides to train it for England's Grand National race. The youngest daughter, Velvet, has a passion for horses and when she wins the spirited steed Pie in a town lottery, Mi is encouraged to train the horse. Technical Specs, See agents for this cast & crew on IMDbPro, associate producer (58 episodes, 1960-1962), executive producer (58 episodes, 1960-1962), assistant production manager: MGM (54 episodes, 1960-1962), unit production manager (32 episodes, 1960-1961), production supervisor / production manager (28 episodes, 1960-1962), unit production manager (26 episodes, 1961-1962), assistant director (12 episodes, 1960-1961), assistant director (10 episodes, 1960-1961), assistant director (6 episodes, 1961-1962), recording supervisor (58 episodes, 1960-1962), stunt double: Ricky Kelman (2 episodes, 1961), composer: theme music (58 episodes, 1960-1962), musician: harmonica (58 episodes, 1960-1962), music supervisor (50 episodes, 1960-1962), music supervisor (37 episodes, 1960-1962). Mi Taylor is a young wanderer and opportunist who finds himself in the quiet English countryside home of the Brown family. Plot. Screen Reader Users: To optimize your experience with your screen reading software, please use our Flixster.com website, which has the same tickets as our Fandango.com and MovieTickets.com websites. ... (58 episodes, 1960-1962) Anne Howard Bailey. Edit. U Certificate ... an Oscar-winning one from Anne Revere as Velvet's mother, and the appeal of Taylor as Velvet, this is a richly satisfying movie. . Find movie and film cast and crew information for National Velvet (1944) - Clarence Brown on AllMovie Storyline.


I consider myself a Mario fan despite not really playing many of the games between Super Mario World and....well Mario Odyssey. Despite this huge gap in my resume, I have such fond memories of the original NES trilogy, Super Mario World, and the two Super Mario Land games for the Gameboy. The only reason I... Continue Reading →
Disclaimer...I was in the middle of moving these last couple of weeks so I apologize to my three fans about my reviews being late. I'll get back to them at some point but for now, you guys will get my review on Ghouli...aka an episode that, despite being deeply flawed, moved me in a way... Continue Reading →
Recap: Back in the early 1900's, while wholesome families sing wholesome songs during wholesome car rides and wholesome father's dutifully fix tires while wholesomely cursing ("darn it!"), a decidedly unwholesome man-beast murders the wholesome father before being shot to death by a wholesome search party. Years later, Mulder is not being very wholesome and is... Continue Reading →
The first season of Breaking Bad was great, but felt at times a bit rushed and lacking in finesse. Some episodes seemed too eager to have defining moments which ended up seeming tacked on while others struggled at time with the tone. Really enjoyable season, much better than anything I would ever write (except for... Continue Reading →
My relationship with superhero movies has been on thin ice lately. I loved the Dark Knight Trilogy and generally enjoy a lot of the MCU movies. However, it feels like every superhero movie lately follows the same basic pattern and I've come down with a nasty bout of superhero fatigue. Captain America 3? Follows the same ol... Continue Reading →
Breaking Bad doesn't ever take the easy way out. The last episode forced Walt to deal with consequences of his actions rather than speed right to the next action scene. Well this episode takes it a step further and makes sure those consequences have lasting effects. Damn I love this show (hence why I... Continue Reading →
Most shows tend to gloss over some of the less glamorous aspects of a plot to get to the next action scene. I mean, who wants to see a protagonist deal with his wife all over his secret in the second episode? Who really wants to know how the main characters dealt with the two bodies from the climax of the first episode? Who the hell wants to spend an entire episode watching characters having emotional responses to what they did in the first episode. Well seeing as this is the episode that hooked me on Breaking Bad, I can definitely say "me".
Could Breaking Bad have begun its first episode in a less unorthodox fashion? Sure, it could but then it wouldn’t be Breaking Bad. It’s a great start to a series, what with Walt speeding around in an RV, dressed in only his tightie whities, a couple of bodies sloshing around in the back of the vehicle. It’s such a bizarre and frenetic scene and, coupled with his great confession to his family and that badass image of him pointing the gun at the sirens, does a fantastic job of making you wonder “whaaaat is happening?” (in a good way).


Recently, I have begun watching the Netflix original series House of Cards, a show that delves inside the lives of the most powerful men in the US.
My first impression was rather negative for the show; I admit it looked like a boring political drama, however, with my growing admiration of Mr. Spacey I thought I’d give it a try. I was definitely surprised by how intriguing and undeniably addictive it was to watch how one man will do anything to get what he wants. Francis Underwood is a complex character. I’m only a few episodes into the first series and it is evident that, even though we are given his perspective on the politics through his speech to the audience, we are still left guessing what his next moves are. We are falsely led to believe that we know what Frank has planned to do next, but we don’t. By the end of each episode the audience is still dazed by the precise, almost perfect, actions that have placed Frank in a better situation than ever.
By watching this series it makes me think. This character is ruthless, disliked by many, but most importantly he gets what he wants. He has the capability to outwit and manipulate almost anyone he likes, including the president, now that’s impressive. Frank Underwood leaves me evaluating my own ability to get what I want. Of course I don’t want to manipulate people or have people hate me, but I wish I could have the same level of confidence that this man does.


the brotp is strong with these two
Stormageddon actually looks a lot like Prince George.
"We will sing to you, Doctor. The universe will sing you to your sleep. This song is ending. But the story never ends."
i just love how jack wears both suspenders AND a belt
it’s like otherwise he wouldn’t be able to keep his pants on even for a second
"Episode 4 saw the words Bad Wolf appear for the first time. I just made it up on a whim, cos I liked the idea of the TARDIS being graffiti’d. But then I spent the rest of the episode idly wondering who that kid was, why he wrote those odd words. And, having dismissed notions of Evil Super Villain Kid, a plan began to form, in mid-production. Knowing that Rose would become the Time Goddess at the end of the series, I wondered if a Time Goddess would imprint herself on the universe, creating things in her image, like the face of Jesus in a bagel. Better still, these signs would actually summon her into existence. That’s the sort of thing you think about in this job, late at night. And then I worked backwards, inserting Bad Wolf references into almost every script. Funnily enough, I never told anyone what I was doing, in case it didn’t work, but the design department picked up on it—they didn’t even ask what it meant, they just offered to stencil it on Captain Jack’s bomb, in German. The idea spread without anyone knowing what it meant. Which is very Bad Wolf in itself."
Clémence Poésy & Emma Watson as The Doctor and her Companion
As soon as I read this fic, I knew this had to be done.
I’ll be honest with you - it’s not the first time I’ve pictured Clémence as the Doctor. Being British myself I know it’s totally wrong that anyone from outside the UK should play the part, but there’s just something about the way she looks and moves that screams Time Lord to me.
The 12th Doctor is revealed
It is a woman
it is Pepper Potts from Iron man
She would be a goddamn scary Doctor.
Just starting the 50th special, the first episode I’ve seen with JLC, and man she is a cutie. Like I want to cuddle you in a non-sexual way because you are completely adorable.
A reminder that this is post-Children of Earth for Jack. He had just lost the love of his life, Ianto, and is trying to cope by escaping Earth. “Haven’t traveled far enough yet. Got a lot of dirt to shake off my shoes”
Sound like someone we know?
The Doctor knows more than anyone else that he shouldn’t travel alone and he knows how hard it is to actually find someone when you’re so scared of losing them again. The Doctor is making sure that Jack doesn’t make the same mistake.
A reminder that he also killed his grandson to save the Earth when the Doctor wasn’t there.
He killed a child, his grandchild, in front of the child’s mother, his daughter.
The Doctor also knows more than anyone how it feels to be so thoroughly crushed by the guilt and grief of actually killing your loved ones, of putting them through unimaginable suffering. He knows that he wasn’t there and he can’t make it better, but he can do this. He can make sure Jack isn’t alone, at least for a little while.