Well, as you will discover with this blog, I am world renowned (okay, in my world at least) for my abilities to never succeed on a date, especially the first date. I am exceptionally thick with women, as every man is (or at least claims to be to not have to listen to them), but pretty receptive to at least trying to get along with them. This particular story is about a girl and a foreign film she wanted to see.
I happened to meet a girl in a bar one night and struck up a pretty decent conversation with her. Now bear in mind, this was during my college time, so for me a "pretty decent conversation" probably meant that I didn't fall asleep or throw up on her. That's a feat in and of itself, because I was generally highly intoxicated at bars and would have to have been to be talking to a girl (you see, in addition to being terrible with women, I am terrified of them). Well, we exchanged phone numbers and I actually followed up and called her a couple days later. Eager to go out with this girl, I suggested a pretty standard first date: dinner and a movie. I let her pick the restaurant and movie as I am nothing if not a consummate gentleman. She chose the restaurant (nothing too fancy, but a decent little sit down place) and I asked what movie she would like to see. This is where my woman skills start to shine through.
It's no secret to those who know me that I am a huge horror movie fan. In fact, I've started a horror blog in addition to this one here. So, there happens to be a great Japanese director named Takashi Miike who is pretty well known for being the reason people say "Japanese people are fucked up". His movies are generally very violent and often strange, but well shot and interesting. He had a little movie called Audition that came out in Japan in 1999. Well, a few years later (ie. when I was on a date with this girl), it had finally started making an appearance in the states. The movie is about a man who holds fake auditions to meet women after his wife dies. He meets one and really likes her, but finds out that she is batshit insane, to the point of keeping a man in her apartment in a burlap sack and feeding that guy puke. She ends up torturing the guy in a pretty gruesome scene. Now, it's an unsettling movie at best, hard to watch, but incredibly well done and very tense. It's a movie I greatly admire and still find it enthralling, but hard to watch. Miike has also made some other great movies like Ichi the Killer, Visitor Q, Imprints, and my recent favorite, Sukiyaki Western Django.
So, this girl mentions that she heard there was a great foreign film playing at the student union that night. Well, I bet you can see where this is going. She said it was called Audition and she had heard it was a bit of a thriller. Now, I have already seen this movie at this point, so what I should have said was, "Hmmm, I've already seen that and I don't know if it's a good date movie," or at least warned her about the graphic torture scenes and the overall theme of the movie. Instead, what I said was, "I would gladly see that movie again. Let's go!" Yup, dating mastermind.
The dinner was quite good and we headed to movie theater in a fairly pleasant mood with full bellies. The conversation over dinner wasn't quite as enticing as I had remembered from the night before, but then again nothing is when you aren't drinking. She also managed to say a couple of things during the date that struck me as a bit shallow, like asking me to admire her Prada purse her sister had given to her. When I asked what Prada was, I was met with a stare of contempt and amazement (at the time, The Devil Wears Prada was just a book I hadn't read, not a movie I hadn't seen). Oh well, she was still okay, even if she did mention to me that I didn't really match what she had worn. Well, I apologized for not coordinating outfits with her, which got a bit of a chuckle, but I had the sense that she really wasn't kidding about that comment. On the way to the movie I was planning on warning her a bit about the content when she said something to the effect of thinking farmers were selfish and taking up government grants (I don't remember how the topic came up). Now, I am a farm boy, born and raised. I paid my way through college by milking cows, so I know that farmers don't make that much money and quite frankly could use the grants. But hey, that's just me.
So at this point, she's made it pretty abundantly clear we aren't working out as a couple. I decided not to tell her the content of the movie. Well, at the peak of the torture scene, I happened to exchange glances with her and if there were a way to say "I'm never going on another date with you" with your eyes, hers said that to me right then. We walked out of the movie and she just laid into me about how I should have said something to her to warn her about that and how she couldn't believe that I had agreed to see that with a girl. I shrugged, said I still liked the movie. She said she was going to go home and responded by walking away and saying "O.k."
Needless to say, there wasn't a second date.


Award-winning playwright and TV writer Gina Gionfriddo joins Aaron for an extensive discussion about TV and theatre writing. They talk Law & Order, the politics of TV writers’ rooms, and how to tackle a scene. Gina is a recipient of a WGA award, an Outer Critics Circle award, a Guggenheim fellowship, and she’s a two-time finalist for the Pulitzer Prize in Drama.
Monthly Archives: July 2018
Join Aaron for his in-depth convo with the man who co-wrote 36 episodes (!) of Cheers, the greatest sitcom of all time. Behind the scenes stories, memories from production, and what made the show such a classic. Stick around for stories about working with Tom Hanks, rewriting Mannequin, and Ken’s love for The Producers.
A practical guide to caring for your aging parents and loved ones. Jody Gastfriend, author of My Parent’s Keeper: The Guilt, Grief, Guesswork, and Unexpected Gifts of Caregiving and Michael Hoak discuss the challenges and gifts of caregiving. Subscribe: Apple Podcasts | Stitcher | Spotify | Soundcloud
What makes life meaningful? Yale Professors Miroslav Volf and Matthew Croasmun explore this question in their course “Life Worth Living” and in the latest YDS podcast.


Monday, April 09, 2012
YouTube Announces Movie Rental Partnership with Paramount
YouTube recently announced a movie rental partnership with Paramount Pictures, despite the online video website's long-running litigation with Paramount's parent company Viacom. YouTube will offer online rentals of nearly 500 Paramount films. The two companies, whose parent companies have sparred in court for years, decided to put their differences aside for this licensing agreement.
Viacom is currently seeking to overturn its defeat in a landmark $1B lawsuit in which it charged YouTube and parent company Google with "massive" copyright infringement. In its 2007 suit against YouTube, Viacom alleged that many of its programs have been illegally uploaded on YouTube and that YouTube and Google executives knew about it, but did nothing to stop it.
The Paramount deal means that YouTube now has movie rental deals with five of the six major film studios, as well as more than ten independent film studios, adding to their growing catalog of nearly 9,000 feature-length movies.
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Independent Films, Drama Movies, Action & Mystery, TV and Theatrical Sales
One fence, four fans, and the game of their lives. This is a story about four men and a radio.
Offside is the second short film in the trilogy by Tadmor & Nattiv regarding the Middle East conflict. This short is a follow-up to their last short film Strangers. Offside was shot in Israel during September 2005 at the security zone that separates between the Israel and Palestine authority.


Williamstown Theatre Festival gives out the award on behalf of the Anna L. Weissberger Foundation.
The two will be joined by Broadway alums Emily Skinner, James T. Lane, and more.
The season, which will also feature three world premieres, launches in September with Lynn Nottage's Clyde's at the Chicago theatre.
Broadway alum Danny Gardner will play the early film star of The Hunchback of Notre Dame and The Phantom of the Opera.
Drew Fornarola will direct the Pulitzer Prize-winning Stephen Sondheim and James Lapine musical.
The Broadway-bound jukebox biomusical stars Mike Wartella and Christy Altomare.
The new work from the Pulitzer Prize finalist Dael Orlandersmith plays through May 1
The pair perform "Maybe", one of the duets shared between mother Diana and daughter Natalie, in the Tony winning musical.
The Former Secretary of State, NY Senator, and First Lady will be featured in the offstage role of The Giant.
Milwaukee Repertory presents the new work from the Pulitzer Prize finalist.
Yours, Stephen Sondheim will also feature the Chicago Symphony Orchestra conducted by Kevin Stites.
Emmy nominee Kenneth Ferrone directs with choreography by Sarah O’Gleby.
Artistic Director Daniel C. Levine directs the Andrew Lloyd Webber-Tim Rice musical.
Tony winner Kenny Leon will direct the new musical at Atlanta's Alliance Theatre.
Vendôme Pictures and Pathé Films have partnered with Deaf West Theatre to develop a new musical about the sole hearing member of a Deaf family.
The 2022-2023 season will also include Ragtime, Seven Guitars, Much Ado About Nothing, and more.
The new musical follows the challenges faced by three sisters from the Dominican Republic who start a new life in the United States.
The new musical is scheduled to begin performances April 26 at the New Jersey venue.
The new musical includes music and lyrics by Gaby Alter and a book by Josh Billig.
Donna Feore will direct the musical penned by Richard Oberacker and Robert Taylor at Seattle Rep.
The production blends the worlds of tabletop roleplay games and theatre to create an interactive experience.
The production features Broadway alum Saint Aubyn as one of two actors playing the Rock & Roll Hall of Fame–honored musician.
The Tony- and Pulitzer–winning show is currently playing on Broadway and West End, and in Melbourne, Australia.
The show features music and lyrics by Nolan Williams, Jr. and a book co-written by Williams with Nikkole Salter.
The three-day festival returns to the Connecticut venue with three new women-penned works following its 2021 cancellation.
Jovanni Sy, Alan H. Green and Tony nominee Kate Baldwin will also star in the adaption of the hit 1984 film at Stages St. Louis.
The Emmy-winning composer is aiming for a New York run with the musical comedy about "movies that should not be musicals."
Performances begin at Paper Mill Playhouse March 24.
The staged reading at Westport Country Playhouse also features Broadway alums Joi Danielle Price and Stacie Morgain Lewis.
Obie winner Stevie Walker-Webb directs R. Eric Thomas' new play, a contemporary spin on the golden age of family sitcoms.
The work received 9 Drama Desk nominations and 5 Lucille Lortel nominations for its Off-Broadway premiere, including a win for Best Musical.
The married duo are both alums of the hit competition show American Idol.
Tony winner Wayne Cilento will direct the Broadway-aimed production after performing in the musical's original cast.
The new musical from the Schmigadoon scribe stars Ben Fankhauser and Phoenix Best.
The season includes the premiere of the new musical The Griswold’s Broadway Vacation.
New plays by Anna Ouyang Moench and Harrison David Rivers will also be part of the summer season.
Gordon Greenberg will direct the Edward Albee classic.
Telling the story of Emilio and Gloria Estefan, the jukebox bio-musical opened on Broadway in 2015.
The two join Matthew Gardiner, Jorge Acevedo, Mark G. Meadows, and Chelsea Pace.
Original Broadway cast member Hunter Foster directs the New Jersey production.
Sondheim, Styne, and Laurents' Gypsy has also been announced as part of the Colorado theatre's summer season.
Jessica Vosk, Lillias White, Victoria Clark, and Donna McKechnie are also scheduled for Provincetown’s Art House Theatre.
Directed by Kimberly Senior, performances begin next month at the Boston venue.
The new musical will make its debut this fall at Seattle’s 5th Avenue Theatre followed by an engagement at Houston’s Theatre Under the Stars.
The new show plus a re-imagining of Shakespeare's As You Like It round out the California playhouse's 2022-2023 season.
The world premiere opened at Delaware Theatre Company March 4.
The Marc Shaiman, Scott Wittman, and Terrence McNally musical features a revised book and two additional songs not heard in the 2011 Broadway run.
The production marks Bond's directorial debut with the company.
Alan Paul will direct a cast that also includes Betsy Morgan, Christine Bunuan, Paulina Yeung, and Ethan Le Phong.
Michael Mayer directs the production, featuring choreography by Steven Hoggett and a book by Anthony McCarten.
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Meganelizabeth Diamond is an interdisciplinary artist from Winnipeg, Manitoba currently based out of Camp Morton, Manitoba. Her practise utilizies both both analogue and digital forms of image capturing, collaging, and film-making. She is a collective member of Open City Cinema and helps co-program the Winnipeg Underground Film Festival. Her work has shown at artist run centres and film festivals across Canada and the United States. Meganelizabeth sits on the board of directors of PLATFORM photographic centre + digital arts and has recently completed her BFA Honours at the University of Manitoba.


Level up your communication with techniques rooted in improv and drama
HOW CAN I HELP YOU TODAY?
Pre-record your presentation and get my critique within a week
Collect detailed feedback at your next rehearsal
Plan an interactive dinner with the power of improv
Scientific research suggests that at least 60% of communication is non-verbal
How you move, use your voice, and use facial expressions plays a large part on whether your audience even trusts you!
WORKING WITH ME IS DIFFERENT
Hi, I'm Lindsay Weldon--founder of this here website. The work I do at Theater Thinking is rooted in my improv and the theatre arts background.
As a trained actress and teacher, I'm obsessed with helping you set yourself apart on any stage (whether in a conference room or on a literal stage).
- Look more like "The Boss" than Angela in the 80's
- Get your audience itching to spread and share your message for you
- Highlight your unique-ness (never be boring again)
So glad you're here!,


Mowbray's Speech: Act 1 Scene 3
As Mowbray and Bullingbrook are about to fight after repeated acquisitions towards one another, an unexpected interupption occurs. After the trumpet sounds for them to begin the battle, King Richard II stops the fight before they even lay a sword on each other. He makes the decision to banish each of them from England. Bullingbrook is only banished for ten years or “till twice five summers” (1.3.141) while Mowbray is banished for life. Bullingbrook accepts his punishment with dignity and defiance. Mowbray's words are also dignified but are spoken in undeniable pain. He feels that Bullingbrook should also be harshly rewarded. This is apparent in his words, “a heavy sentence, my most sovereign liege, all unlooked-for from your highness' mouth.” It almost seems as if Mowbray subtly questions King Richard judgment.
Mowbray uses words and phrases such as “heavy,” “dull,”and “death,” to describe what this banishment feel like to him. He makes it apparent that the King's banishment “robs” him and “enjails” him. Mowbray is effective in his appeals to his audience to make them feel sympathy for him. Mowbray has two audiences, King Richard, and the people who came to watch the fight. He implies that he would like mercy from his King, and this speech, in a sense, is begging the King for a sentence like Bullingbrook's.
Mowbray describes the greatest pain of his banishment is he will no longer be able to speak in native tongue. He talks movingly of how his tongue will be like an “unstringed viol or a harp” or a “cunning instrument cased up.” Mowbray implies that in his banishment, important aspects of his life will ultimately die. He is not free, nor is his tongue free. He refers to his tongue as “within my mouth you have enjailed my tongue.” Without his native tongue his life becomes useless, and even like “death.” His hope becomes dim as he mentions that he is “too old” and “too far in years” to attain anything else in his lifetime.
Mowbray's attempt of gaining sympathy is effective. He portrays what his life will become in banishment. He feels the weight of his sentence with pain and outwardly demonstrates the certain “death” he experiences. However, his speech unexpectedly not effective enough. The next lines from King Richard show little empathy.


in a desperate effort to have more film-related content on the blog, I'm going to start a series of posts called "formative films," detailing films that have not only shaped my cinematic tastes, but my professional and personal lives as well.
these are the films that inspired to me to write, to go to film school, to seek out internships, and to work with some of the people responsible for making independent cinema the inspiring, multifaceted beast that it is today.
while I still struggle every day to both make ends meet and establish myself in an industry that is constantly changing and filled with some of the most vapid, self-absorbed people on the planet, these films all continue to inspire me to push forward while staying true to my artistic goals. and every day I'm thankful for the academy award nominees, golden globe winners, and emmy winners that I've had the pleasure to work with and get to know over the years.
despite all of the hardships, it's still worth it. and it always will be.
hopefully my words will make some of you go and see these films for the first time, or maybe you'll revisit them in a new light.
or maybe you'll all hate these posts and only pay attention when I give you free music.
but I hope not.
music inspires me to create as well, but these films do so much more. they inspire me to go to new places within myself in the hope of bringing back something profound, which I believe is the ultimate goal of any artist who lives and breathes for his or her craft. they inspire me to see the beauty in the mundane, in the ugly, in the horrific.
basically, in everyday life.
and I hope they can do the same for you.


Advocacy in Action Lunch and Learn
July 25, 2019
11:30 am - 1:00 pm
No More Thoughts & Prayers – a locally-produced documentary film that name features high school students and their efforts toward sensible gun reform in the wake of the shooting at Marjorie Stoneman Douglas High School. The film’s director, Michele Steinberg, and Gail Wechsler from Mom’s Demand Action will share their insights and answer questions about what citizens can do.
Drinks are provided, please bring your lunch. There is not cost to attend.
RSVP requested but not required. Please RSVP below or call 314-993-5181.


The DAC Applause! performing arts program presents the musical theatre production of Dr. Doolittle Jr. on Friday, April 4 at 7 p.m.
DAC Applause! brings to life this classic tale of kindness that crawls, sings and flies onto the stage with all of the characters we’ve come to love through the stories of Hugh Lofting and the magical movie musical. This tale will teach, delight, and enchant the whole family!
The musical concerns the classic tale of a wacky but kind Doctor who can talk to animals, in almost 500 animal languages! The show takes the audience on a journey from the small English village of Puddleby-in-the-Marsh to the far corners of the world.
Tickets are $8 for age 8 and up and $5 for age 7 and under. To buy tickets online, visit www.DurangoArts.tix.com.
This DAC Applause! production is made possible by support from the Durango Friends of the Arts.
For more information contact the Durango Arts Center at 802 E. Second Avenue, Durango at www.DurangoArts.org or by calling (970) 259-2606.


What does Will Shakespeare have in common with hip hop?
We’re both so hot, we’ll make your bottom lip drop!
So say Shayla and Shakespeare in the midst of the wild and wonderful battle of words that is Shakespeare: The Remix. Colliding original text from Shakespeare’s plays with original rhymes fresh from the mouth of a high school girl, The Remix is an introduction to all that is good, relevant and irreverent in Shakespeare and in hip hop.
When Shayla, a hip-hop-loving high school girl on the verge of dropping out, meets Shakespeare, a 440-year-old ghost having a mid-death crisis, a pitched battle of wits erupts that pits Shayla’s sharp and questioning young mind against Shakespeare’s hunger to prove himself relevant. As Shayla and Shakespeare jump in and out of scenes from Hamlet, Macbeth, Romeo and Juliet, A Midsummer Night’s Dream, and Merchant of Venice, it is the third character – the “ghost” audience of school kids watching and often participating in the show – that is left most wowed and inspired by the power of words. The Remix is an unparalleled way to introduce Shakespeare (as you’ve never known him) to young audiences.
The Remix is a uniquely hip, dynamic, educational way to introduce Shakespeare to young audiences. Includes monologues and scenes from Hamlet, Romeo and Juliet, Macbeth, A Midsummer Night’s Dream, and Merchant of Venice. Length: 45 minutes. Appropriate for grades 5-12.
Thanks to tours in California, Connecticut, Iowa, Massachusetts, Missouri, New Jersey, and New York, Shakespeare: The Remix has reached over a hundred schools and tens of thousands of students. Make your school next. Collective Consciousness Theatre is currently touring a production of Shakespeare: The Remix, directed by Dexter J. Singleton. To inquire about booking a show in Connecticut, contact email@example.com. For all other bookings, contact firstname.lastname@example.org.
“Shakespeare: The Remix was the perfect show for us to use in reaching out to the community – it is able to reach people of all shapes and sizes. As soon as the first beats came out of the boombox, the young people were hooked. Not only was it entertaining for the kids, but I had parents come up to me saying they learned more about Shakespeare in these 45 minutes then they did all through high school and college! The Remix is a truly unique piece of musical theater.”
- Michael Harrington, Artistic Director, The Arts Farm
“The youth of Jane Boyd truly benefited from the Arts Farm workshops and the production of Shakespeare: The Remix. The opportunity to interact with thespians and view a live production opened up their perspective on opportunities for themselves.”
- Karl Cassell, Executive Director, Jane Boyd Community House
The Remix is also available for theatres to stage and tour on their own. It is 45 minutes in length; requires two actors and a simple, portable set; includes six hip hop/spoken word songs (and underscoring for the Shakespearean scenes) on one CD. To request a script, demo CD, or to inquire about staging your own production of Shakespeare: The Remix, contact email@example.com.


|Two New Videos
||[Apr. 23rd, 2005|07:05 pm]
Two new videos today, sent to me by John Floyd of Orlando. One is simply John's first attempt to create a short, signed & subtitled video, shot with a webcam and edited with Windows Movie Maker. It's a bit out of focus and the captions need to be clearer, but my first efforts weren't perfect either. John was brave enough to try and he'll learn as he continues. That's how I started too. Congratulations, John!|
See his video!
Also, a very funny video from deaf Texas man - who is he, John? - who assembled a few video clips and himself on a webcam. VERY CREATIVE! Note: This one is signed, no subtitles.


I’ve been in a rush these last few days, but fancied putting a little time aside to write a post quick and general as it may be; writing just seems to be a great escape at the moment for me and something I am really enjoying, so I thought I’d share my top 5 films at the moment.
5: Tangled. Tangled for me is a recent favourite owing to the fact that it only came out a few years ago and I, at that time, thought my self then much to ‘mature’ to still be watching Disney films and dismissed it until about 1 year ago. I love the whole twist they put on the classic Rapunzel story
4: Coming to america. This film came out exactly 10 years before I was born.. but it is still a clasic and a personal fav of mine. Eddie Murphy has to be one of the best actors and was a favorite when I was younger in his versions of Dr Doolittle. Coming to america is a great comady for everyone and it gets me every time. I first saw this film 5 months ago and have watched it around 5 times already.
3. Grave Encounters. I am a hudge horror flim fanatic and its surprising only one horror has made it into my top 5. Maybe because i havent seen many of the classics… But this film had me and one of my friends screaming, hiding and flying across the room as we were so scared and I never normally get scared at films of this genre. Its set in an abandoned mental hospital which is scary enough without all the added extras they put in and the great camera angles that really sudder your spine. A serious must for any die hard horror fan like me.
2: Harry Potter and the half blood prince. I myself am surprised that this film only got to number 2 in my list as about 1 week ago the whole list would be full of harry potter. But if I could only watch one for the rest of my life it would be this one. I think that its my favorite due to the tragic ending and answerd questions it has throughout, The film I know is nothing to the book but it is still a great film and the best of the potters for me!
1: My top and most favorite film ever is probably one any one could guess if they new me. not only is the main male character EXTREMLY attractive but the whole film is a beautiful story and one that has me almost in tears every time… Titanic. I cant physically bring myself to reveiw this film as its so beautiful it needs to be watched its self. I again have only first seen this within the last maybe month and I have fallen In love with the whole story, characters and grace behid the film. Leonardo has to be the most beautiful creature alive in this film and I know he’s too old for me but then he was perfect.
A boring post but one I hope to look back on in the future and re-watch my favorite films as a 30 year old.


Well, there’s no need to say anything about the final season of Game of Thrones. Perhaps some of you have already managed to see the first series and are impatiently waiting for the new one. Do not worry, there will be no spoilers. On the contrary, instead of theorizing and attempting to predict the future of this series, we will plunge into the past. More precisely into the actors’ memories.
We at Bright Side adore Game of Thrones and were thrilled to find out the actors’ favorite scenes, memories of their days on set, moments that shocked them the most, and some other interesting facts. And we can’t wait to tell you so you can share our emotions.
- 1 1- Kit Harington (Jon Snow)
- 2 2. Emilia Clarke (Daenerys Targaryen)
- 3 3. Lena Headey (Cersei Lannister)
- 4 4. Nikolaj Coster-Waldau (Jaime Lannister)
- 5 5. Peter Dinklage (Tyrion Lannister)
- 6 6. Sophie Turner (Sansa Stark)
- 7 7. Maisie Williams (Arya Stark)
- 8 8. Isaac Hempstead Wright (Bran Stark)
- 9 9. Gwendoline Christie (Brienne of Tarth)
- 10 10. Iain Glen (Jorah Mormont)
- 11 11. Rory McCann (Sandor “The Hound” Clegane)
- 12 12. John Bradley (Samwell Tarly)
- 13 13. Liam Cunningham (Davos Seaworth)
- 14 Bonus: What GoT actors will miss?
1- Kit Harington (Jon Snow)
Kit’s favorite day on set was in Iceland. He was surprised by the beauty of the area. In addition, they filmed a scene with Rose Leslie, when Jon Show couldn’t kill Ygritte. She is the actress that he was most comfortable acting with. And who, as we all know, became his wife later.
His death became, for Kit, the most shocking moment in the series. But he knew that everything was going to be ok since he hasn’t gotten a call from producers confirming the death. We weren’t so lucky when we were trying to figure out if Jon Snow would be alive. We were shocked and nervous.
2. Emilia Clarke (Daenerys Targaryen)
Emilia fell off a horse on her first day on set. Being a real actress, she tried to act while falling. Now she can look back and laugh when she remembers this moment, but at the time, she cried and asked them to stop filming.
Emilia likes the moment when her character was getting the Unsullied. She was able to be a bad girl for the first time and to be honest, we also like her for being so cool.
3. Lena Headey (Cersei Lannister)
Lena’s favorite scene is the one in which Cersei and Robert Baratheon talk about their marriage. She believes that this moment turned out to be touching and showed these heroes from another side. Really, who could expect that these 2 people would be so outspoken?
4. Nikolaj Coster-Waldau (Jaime Lannister)
The scene where Jaime and Brienne are sitting in the bathtub is one Nikolaj’s favorites. He liked to shoot it, but not because they were sitting in the bath naked, as some might think. This scene showed a new side of his character’s personality.
The most fun scene for Nikolaj was the one with the loot train attack. He liked being on the horse all day and was amazed with the beauty of the location where the filming took place. He felt lucky to be able to participate in such a grandiose shooting.
5. Peter Dinklage (Tyrion Lannister)
Peter never really wanted to star in a fantasy series. He prefers to portray real life. However, his opinion has changed. Peter believes that this show is one of the most realistic because of the relationship between the heroes, even if dragons live alongside them.
6. Sophie Turner (Sansa Stark)
Sophie’s favorite day on set was the reunion day of Sansa and Arya. She remembers it as the funniest day. The girls constantly laughed and were glad that they were together again. Just like us when we saw it on screen.
The most shocking moment for Sophie was the death of Ned Stark. Remember how unexpected it was? And until the last moment we didn’t believe that it would even happen. At that moment, Sophie realized that all the characters were in jeopardy and that even the life of a favorite character could end.
7. Maisie Williams (Arya Stark)
When talking about the first day on set Maisie remembers throwing a pie at Sophie’s face. She was asked to get the pie right on the cheek. These memories make her laugh. And we totally understand. Food fights always bring fun.
We’re hardly telling you a secret when we reveal that Maisie and Sophie are the best of friends off set. Therefore, it’s not surprising that her most fun day on the set was a reunion with her serial sister. The girls had a lot of fun that day and rode on Bran’s wheelchair.
8. Isaac Hempstead Wright (Bran Stark)
For Isaac, one of the coolest scenes is the moment when he stood next to the Night King and the army of the dead. There were a lot of walk-ons with zombie makeup and a fan was spraying snow the whole time.
The moment with Hodor was shocking to Isaac. It was hard for him to believe it was happening. This scene was very emotional and revealed the meaning of Hodor’s stay with Bran.
9. Gwendoline Christie (Brienne of Tarth)
Gwendoline was very nervous before the first meeting with Nikolaj. She entered the truck to meet him and saw him sitting in a chair. He just looked at her from head to toe and asked dryly, “Yes?” Looking at their relationship now, it’s become clear that Gwendoline wasn’t offended. The actors constantly laugh together and tease each other.
10. Iain Glen (Jorah Mormont)
Iain’s favorite day was when they shot the gladiator contest. His little girl was there and announced the beginning and the end of the shooting. He was also impressed by the scale of the set decoration and how real it looked.
11. Rory McCann (Sandor “The Hound” Clegane)
Rory’s favorite day was shooting the fight between the Hound and Brienne. The actors had prepared for this for a long time and we can’t deny that it was totally worth it. The fight was impressive.
Rory was shocked by the Red Wedding. He only read his part in that episode, and did not know what was happening to the others. He was very upset when he saw that mind-blowing moment. It even made him cry.
12. John Bradley (Samwell Tarly)
The Fist of the First Men scene is John’s favorite shooting day. They filmed it in Iceland, in an incredibly beautiful location. Both the landscape and the friends made that day special.
On the first day, John had to shoot a fight scene. Or rather, his poor fighting skills. And this was only his fourth hour in front of the camera in his entire life. The first 3 hours were in drama school.
13. Liam Cunningham (Davos Seaworth)
The strangest scene in which Liam has ever taken part was the moment with the shadow birth. They filmed it in a cold cave. It was weird, but Liam liked what he saw on the monitor. According to him, it looked like a painting.
Liam likes the battle of the Blackwater, especially its visual aspect. And we completely agree with him. The scene was spectacular and tense.
Bonus: What GoT actors will miss?
The actors say they will miss each other and the whole team after the show ends. They have become more than just a crew. They are like family. All together they claim that they were lucky enough to work with wonderful people and they made us feel lucky to see one of the greatest shows ever on TV. So with tears in our eyes, we can say that we will miss this family too.
What are your favorite memories and moments from Game of Thrones? It’s your turn to share your picks. You can do it in the comments.


ReelAbilities Boston Film Festival
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Filmmaker and Toledo native Andrew Lahmann (right) consults with actor Ryan Stiles (left) during the production of Out of Nothing, a documentary feature both men co-produced, which is to be screened in Toledo this Thursday.
Filmmaker and Toledo native Andrew Lahmann will be returning this Thursday for a special screening of his new documentary feature, Out of Nothing, at Toledo Middle School.
Following the true-life story of four men from the Pacific Northwest as they attempt to set new land speed records on homemade motorcycles at the Bonneville Salt Flats, Lahmann served as co-producer along with actor Ryan Stiles in the first such administrative role for the Toledo High School graduate.
"This one actually started two years before I came on board," he said of the film, noting Director Chad DeRosa had compiled about 90 hours of footage before Lahamnn became involved.
As producer, Lahamnn said it was his responsibility to bring together a staff of camera operators, sound engineers, editors, musicians and others throughout the production process, adding roughly 20 people served at the core of production but many more were involved up to the completion of the film.
"A lot of my production team that I brought on board had been involved with previous projects," he said, mentioning the Project Showcase series of shorts he recently produced for Toledo High School as a means of encouraging young people to take pride in their community.
"A lot of the students in the Toledo School District don't really develop an appreciation for a small town until after they've left," he said, noting his own experience of returning home and re-discovering Toledo after having spent time at school in Bellingham.
He added Out of Nothing tends to parallel his work on Project Showcase, stating the two revolve around the idea of emboldening people to take risks and pursue their passions.
"It wasn't just a documentary about motorcycles or land speed racing," Lahmann said he observed. "We wanted to make a film about people following their dreams...You could almost remove motorcycles and insert your passions there, and the message would remain the same."
Several members of the production staff from Out of Nothing are expected to be present during Thursday's screening, which is scheduled to begin at dusk, and they plan to be available afterward to speak about their experiences and answer questions. The screening will also take place in the middle school's athletic field, so those in attendance are encouraged to bring chairs and a blanket.
The cost for tickets will be $5 per person, or $15 for a family of four or more. All the proceeds from the event will be split between efforts to renovate the Girls Softball Fields on Jackson Hwy. and the hoop house project at the middle school as part of the school garden initiative.
Lahmann said, at the end of the day, he hopes those watching Out of Nothing will find themselves encouraged to begin thinking outside the realm of what they can do and instead look toward what their dreams may accomplish.
"I want people, when they're done seeing the film," he said, "to be inspired to really get on their horse and conquer the world, whatever their passions are."
A promotional image for Out of Nothing, which is expected to see wide theatrical distribution before long, according to Lahmann.


Bye Bye BlackbirdWords & Music by Ray Henderson & Mort Dixon, 1926
Recorded by Eddie Cantor, 1953*
A A7sus4 A Pack up all my cares and woe, E6 E A9 A Here I go, singin' low -- A Bm7-5 A E7 Bye bye blackbird. E7 Where somebody waits for me, E7 E7/6 E7 Sugar's sweet, and so is she -- E7 E7/6 E7 A AM7 Bye bye blackbird. Bridge: C#7 C#m7-5 C#7 G7 F#7 No one here can love or understand me; B7 Bm7-5 B7 F7 E7 Oh what hard luck stories they all hand me. A A7sus4 A Make my bed and light the light, E7/6 E7 F#7 I'll arrive late tonight -- D9 E7 A F#7 D9 Bm7-5 E7 A Blackbird, bye bye, blackbird, bye bye.
*Cantor actually dubbed the song for the actor who portrayed him (Keefe Brasselle) in The Eddie Cantor Story. Joe Cocker's bluesy 1993 rendition in the movie "Sleepless In Seattle" gave it a whole new life.


I have a lot of fond memories as a kid watching Jackie Chan movies. His martial arts skills were (and still are) unmatched in terms of form, creativity, and translating it all to film. On top of that, Jackie has incredible comedic timing, adding to his fight scenes and making his movies much more well-rounded. I spent so many days quoting Shanghai Noon or Rush Hour with my friends as a kid.
That’s why I was shocked and dismayed to see that Rush Hour 2, which I consider to be superior to the original, has a 52% approval rating on Rottentomatoes! How can this be!?
Rush Hour 2 doesn’t feel as fresh or funny as the first, and the stunts lack some of the intricacy normally seen in Chan’s films.
“Doesn’t feel as fresh or funny as the first”? Did I understand the words coming out of your mouth? Rush Hour 2 is hilarious, with tons of new and hilarious gags. They completely flip the dynamic from the original by putting Carter in the role of “stranger in the strange land” and it makes for far better comedy than Jackie Chan in the first movie. From his misunderstandings about the Triad club to the massage parlor, the gags in RH2 are so far above those in RH.
And “the stunts lack some intricacy”? I’m sorry, did you not see Jackie fight a guy in a room full of reclining chairs or on a bamboo scaffolding? Because both of those were stellarly choreographed fights with the right amount of comedy interjected. Get outta here with that shit.
Now we have to admit
- The plot is basically recycled from the original. It’s just the odd duo, buddy-cop movie of a black guy and an Asian guy. One’s in his element, one’s a fish out of water.
- As with most movies from the 2000s, there are a lot of jokes that would not fly in 2019. I mean, I’m still gonna laugh, but I feel guilty as I do.
- The plot is overly convoluted. I mean, the main villain fakes his own death, we’re introduced to another main villain, but it’s all a fake-out because the original villain was still alive the whole time. None of it makes sense or is necessary.
But come on now…
- There’s something to be said for a movie that takes gags from the first movie and builds on them. From Detective You to all the lost in translation bits, Rush Hour 2 does it as good, if not better, than the original.
- The bamboo scaffolding scene, as Jackie is fighting guys off while Tucker takes the stairs is just too much fun. And when the old lady tells Chris “move aside Kobe,” I die laughing every time.
- Chris Tucker singing “Don’t Stop ’til You Get Enough” is maybe the greatest cover of all time.
- The end credit bloopers are the pinnacle of comedy. Chris is calling Jackie by the wrong name all the time, seeing how many times Jackie fails a stunt to make it work, to the classic “damn, he ain’t gonna be in Rush Hour 3,” those moments just stand out above even the jokes in the movie.


Here’s where I rank the seasons of my favorite show so far!!
The story. The cast. The location. There is so much to love about this season. I love the story of the coven, I love the tie ins to Marie Laveau and New Orleans history (while it is dramatized, make sure y’all check out my blog post about the media’s portrayal of Voodoo – Vodou Fact vs Fiction). While I get she’s the “bad guy,” I absolutely love Fiona Goode. Jessica Lange and Angela Bassett make this season, which I will watch again and again.
2. Murder House
The first season will always have a special place in my heart. And, honestly, if it wasn’t for the witchy goodness that was season 3, this would probably be my favorite season. I love the way the stories all intertwine and come together. And I know a lot of people didn’t like it, but I love how this season keeps getting revisited via “American Horror Stories.” I loved this season so much, I’ll always need more.
I loved this season because after a few seasons where there were so many story lines and so much mess to sort through, this one just seemed like a simple return to basics. Classic horror movies are my favorite, and how much more classic is a haunted summer camp stalked by a serial killer?
I was not a fan of this season the first time I watched it, it seemed like they were just trying to do too much. The second time around I watched it though I really liked it. Maybe I needed to watch it again so that all the stories made sense, but like with Murder House I love the way it all intertwined and I thought the ending was perfect.
This season was very similar to Hotel for me where I thought there was too much going on. The second time I watched it I liked it better, but I didn’t quite warm to it the same way I did to Hotel. I think the aliens are what get me. I’m watching this season again now since my husband hasn’t seen it and there are a lot of things that are perfectly terrifying and it has amazing themes. But…I can’t get over what feels like the randomness of the aliens.
6. Freak Show
I’ll be truthful: I didn’t watch this season for years. Why? I hate clowns. HAAATE. When I watched it though, I fell in love with a lot of the “freaks” in the show and ended up enjoying the season. I will watch it again (again, my husband hasn’t seen this season) and I can get past the clown thing. This season makes me so sad though over the treatment of people that are different, it can be a lot.
I love Coven. I love Murder House. So…why so low?? I thought this season was really slow going to start. Like there was so much build up and then it just took off like crazy. The two teens you’re introduced to in the beginning suddenly don’t seem to matter anymore (until the very end, which I didn’t like the ending here). Also watching this season, especially the first episode, is so hard; it’s so scary because it could be real. When the newscaster realizes he won’t make it home to see his kids and tells them he loves them? I sob.
I know a lot of people don’t like this season and would rate it last. I liked it, at least I liked the first half. Maybe it’s just because I love a lot of those “My Ghost Story” type shows so it was semi-nostalgic for me…I’m not sure. I think it started off really great but then the second half….eh.
I don’t want to watch this season again (and I don’t care that my husband hasn’t seen it). It’s too scary because it could easily be real. The home invasions, the mass shootings, the political mess. I could watch the news for that so…hard pass.


Alright. I’m sick of people pronouncing the name Borat incorrectly. At first it didn’t bother me much, but now that the Borat movie is, well, kicking so much ass, everyone is talking about it and everyone is pronouncing the name incorrectly. It’s irritating, because it’s so easy to pronounce properly. Let’s take a look:
The common (and incorrect) pronunciation is “bo” as in Bo Derrick and “rat” as in sewer rat. Bo-rat. Considering that’s how the name is spelled, it’s not a real surprise that people are screwing it up.
However, if you listen to how Sascha Baron Cohen (the guy who plays Borat) pronounces the name, it’s “bo” as in Bo Derrick and “rot” as in link rot. Bo-rot.
It’s not hard, so get it right, media!0 People like this. Be the first!


Broadcasting students at Franklin High School are officially a national award-winning team.
The National Academy of Television Arts & Sciences (NATAS) hosted the Second Annual National Student Production Awards on October 3. The students at FHS watched the broadcast live from their classroom.
FHS students were nominated for several awards, and they walked away with two. FHS graduate Jacob Ferguson won in the Arts and Entertainment/Cultural Affairs category. The class’s film, Supertramp, won in the Long Form – Fiction category.
“We are so honored to win two national awards,” said FHS TV and film production teacher Keri Thompson. “I’m thrilled to see them being awarded this high honor which is equivalent to winning a Super Bowl for us.”
Ferguson’s promotional video for Annie, which he edited days before the performance, is what won him the award. Ferguson also directed Supertramp, but the film was a culmination of the team’s efforts.
The students involved in creating Supertramp were Ferguson, Bryson Sams, Porter Edwards, Dante Cameron, Ryan Coke, Brandon Kelly, Jack Durham and Cole Winton.
“There were set backs and criticism along the way, but Jacob persevered,” Thompson said. “He surrounded himself with a crew that saw his vision and helped bring it to life. I’m so proud of them for never giving up.”
Three other schools received national Student Production Award nominations, including Brentwood High School, Ravenwood High School and Summit High School.


I'm the Doctor. I'm a Time Lord. I'm from the planet Gallifrey in the constellation of Kasterborous. I'm 903 years old and I'm the man who's going to save your lives and all six billion people on the planet below. You have a problem with that? In that case...allons-y!Happy Easter, guys! Here's something I recently found out that I hope you guys enjoy along with your sweets - some Disney/Doctor Who stuff.
-The Tenth Doctor (David Tennant), Voyage Of The Damned
For those who've never watched it, Doctor Who is a BBC sci-fi show that is the longest-running sci-fi TV show in the world (between its original and revived versions, it's older than even Star Trek) and is about is about "a madman in a box" - with the madman being the Doctor, an eccentric, talkative, extremely intelligent and almost millenium-old Time Lord from the planet Gallifrey and the box being the TARDIS (Time And Relative Dimension In Space), a time machine/spaceship disguised on the outside as a 1963 blue British police public phone box. I wasn't too familiar with the series until a few weeks ago, but the revived version in particular is something I now find very, very interesting. And as if that wasn't enough, not only is there quite a bit of good Disney/Doctor Who fanart, especially on this site, but there has been an attempt to officially marry the two.
During its big acquisition spree in the 1980s and early 90s when it added the likes of ESPN and ABC, Disney attempted to acquire Doctor Who from the BBC. Had it succeeded, a TARDIS walkthrough would have been added as a Tomorrowland attraction, and word also is that new Doctors would have been announced at the parks. Furthermore, if recent history is any indication, I personally would not have ruled out guests having the chance to meet the Doctor and maybe a companion or two. So far, though, the single official collaboration is a 1975 segment of Disney Time, a British production, being guest-hosted by the Fourth Doctor (Tom Baker), complete with the TARDIS. Here are the sources I found related to that:
Disney Time with the Fourth Doctor - youtu.be/nk23lmdZc4Y
Who Disney Timey-Wimey by Jim Korkis for MousePlanet - www.mouseplanet.com/10166/Who_…
What do you guys think? Would a Disney-owned Doctor Who be a good idea or bad idea? And if you think it's a good idea, how much do you want to see it at the parks or on TV/films? You can definitely sound off in the comments - and I'll also have a poll on my profile page.
In the meantime, there is quite a bit of cool Disney/Doctor Who fanart out there, especially on this site. Here's just a bit of it:
Doctor, Doctor by John Martin (bluejake01)
Mickey dressed as the Tenth Doctor and wielding a sonic paintbrush alongside the Tenth Doctor himself outside the TARDIS at one of the parks (I'm guessing Anaheim because I think they're outside Sleeping Beauty's Castle.) It's also definitely worth mentioning that Mickey uses one of the Tenth Doctor's most well-known catchphrases, "Allons-y!" (French for "Let's go!") in a recent short in French, Croissant de Triomphe (video.disney.com/watch/croissa….
Time Lord Princesses by Amy Mebberson (courtesy of Tumblr) - img.gawkerassets.com/img/181ud…
A lineup of every Princess as one of the Doctor's incarnations on television or film. Specifically, Tiana as the First Doctor (William Hartnell), Aurora as the Second Doctor (Patrick Troughton), Cinderella as the Third Doctor (Jon Pertwee), Rapunzel as the Fourth Doctor, Snow White as the Fifth Doctor (Peter Davison), Merida as the Sixth Doctor (Colin Baker), Jasmine as the Seventh Doctor (Sylvester McCoy), Pocahontas as the Eighth Doctor (Paul McGann), Mulan as the Ninth Doctor (Christopher Eccleston), Ariel as the Tenth Doctor and Belle as the Eleventh (and current) Doctor (Matt Smith.)
A Different Ginger by Kat (Son-Neko)
Inspired by The Runaway Bride, the 2006 Christmas special, but with Ariel replacing Donna Noble (Catherine Tate) alongside the Tenth Doctor.
Adventure In The Great, Wide Somewhere... by Karen Hallion (khallion)
Belle encountering the TARDIS with the Doctor's hand sticking out of the door during the dandelion field scene in Beauty And The Beast. Karen has a bevy of Disney/Doctor Who works like this that are also on shirts, but this one's my favorite because Belle would work great as an assistant or companion in my opinion.
Halloween At The TARDIS by Lisa (trustahope)
Rose Tyler (Billie Piper) and the Tenth Doctor as Rapunzel and Flynn respectively on Halloween (possibly Not-So-Scary?) handing out candy to kids - one dressed as a Weeping Angel and one dressed as the Eleventh Doctor - from the TARDIS doorway.


I attended an advance screening of this film. All opinions are my own.
“Marvel Studios’ BLACK PANTHER follows T’Challa who, after the death of his father, the King of Wakanda, returns home to the isolated, technologically advanced African nation to succeed to the throne and take his rightful place as king. But when a powerful old enemy reappears, T’Challa’s mettle as king—and Black Panther—is tested when he is drawn into a formidable conflict that puts the fate of Wakanda and the entire world at risk. Faced with treachery and danger, the young king must rally his allies and release the full power of Black Panther to defeat his foes and secure the safety of his people and their way of life.”-©Marvel Studios
I love the Marvel studios films and I have been so excited to see BLACK PANTHER. This movie was fantastic. It is a wonderful addition to the Marvel Cinematic Universe.
I thought the storyline of this film was excellent. It had a very quick pace. BLACK PANTHER seemed to have a more serious tone than some of the other Marvel movies that have come out lately. This movie is not a stand-alone movie. If you have not seen other movies in the Marvel Cinematic Universe, especially Captain America: Civil War, you may be a bit confused and lost. This movie picks up right after that film.
The special effects and visuals in this movie were fantastic, especially the action scenes. There is a really neat car chase that is a definite stand out. I thought it was one of the coolest car chases that has been done in a Marvel film.
I thought the cast in this movie was fantastic, especially the female characters. There is definitely a lot of women empowerment featured in this film. Women play a huge role in running the country of Wakanda. I also liked that Martin Freeman returned to this film to play Agent Everett Ross. I thought he was underutilized in Civil War. I was so glad to see him more in this film.
This movie is rated PG-13 “for prolonged scenes of action violence and a brief rude gesture” (a character ‘flipping off’ another character in a playful manner). I personally thought that this movie was more violent than some of the previous Marvel movies. Saying this though, I do think if your children have watched previous films in the franchise, they will be okay viewing this one.
I loved watching BLACK PANTHER. I thought it was a great film. Make sure you stay through the credits for two additional scenes.
BLACK PANTHER gets bragging rights!!
BLACK PANTHER is now playing in theaters.
Watch the trailer…
Follow BLACK PANTHER on Twitter
Follow Marvel Studios on Instagram


By Chace Fery & Connor Patrick
The Avengers series has always been a great way to bring all your favorite Marvel characters together in one action-packed film. Infinity War is no exception. Avengers: Infinity War is the newest addition to the popular Marvel Cinematic Universe franchise. The Marvel movie franchise is so popular, in fact, that it is recognized as the highest grossing movie franchise of all time.
Due to the tremendous advertising build-up and the $300 million plus production budget, the fan base had high expectations for the film. Infinity War is the 19th installment in the Marvel Cinematic Universe.
Despite the overwhelming amount of revenue already generated, the film’s plot may seem to be lacking for some loyal Marvel fans. Right off the bat, the film immerses the viewer in nonstop action. The lengthy two hour and 44-minute film never seems to let off the gas pedal. However, the substantially large cast makes the film a bit difficult to follow. Having characters merge into different groups throughout the film makes for a distant and confusing storyline. It’s arguable that Marvel bit off more than they could chew with Infinity War. But the other hand, having such a talented cast playing as all our favorite heroes is rewarding to see.
(Photo courtesy of Digital Spy).
While potentially underwhelming to some viewers, the film still provides the typical intense action that has become the trademark of Marvel superhero films. Performing as expected, the film has managed to generate 640.9 million box office on opening weekend alone. With this impressive feat, Disney is now responsible for nine of the ten largest openings in North American history. Clearly, the film is already on the right track financially, but the big question remains, how will it hold up with fans?
Avengers: Infinity War is no cookie cutter Marvel film, it’s truly something different. By no means does this film have a happy ending. Only being part one, of a two-part film, Infinity War leaves fans confused or even angered, but still eager for more. In addition to the constant carnage, the film proceeds to feel dark and hopeless at times. Surely a new feeling from the Marvel cinematic universe. It leads one to wonder, how long will our favorite heroes hold up against the great power of their evil enemies.
Overall, the film was an enjoyable experience. At no point was Infinity War slow or boring. Unlike the others, this film is truly something different, with such a massive collision of plotlines and characters. To conclude, a word of advice from the Hummer staff… be careful not to get too attached to your favorite superhero in Avengers: Infinity War…
(Photo courtesy of Gamespot).


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Extraction | Official Trailer | Screenplay by JOE RUSSO Directed by SAM HARGRAVE | Netflix3:03
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Tyler Rake (Chris Hemsworth) is a fearless black market mercenary who embarks on the deadliest mission of his career when he’s enlisted to rescue the kidnapped son of an international crime lord. Directed by Sam Hargrave, this action-packed, edge-of-your-seat thriller is produced by Joe and Anthony Russo, the visionary directors of Avengers: Endgame. Screenplay by JOE RUSSO Directed by SAM HARGRAVE Watch Extraction on Netflix April 24: https://www.netflix.com/title/80230399 SUBSCRIBE: http://bit.ly/29qBUt7 About Netflix: Netflix is the world's leading streaming entertainment service with over 167 million paid memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments. Extraction | Official Trailer | Netflix https://youtube.com/Netflix A hardened mercenary's mission becomes a soul-searching race to survive when he's sent into Bangladesh to rescue a drug lord's kidnapped son.
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November and December have some great African-led movies you should watch before the end of the year. Here’s our compilation of some great picks to watch during the holidays:
Christmas Ransom (December 1)
This Stan Original Film premiered on Stan on December 1, an Aussie comedy clearly inspired by Home Alone. You can imagine this one’s a comedy.
Christmas Ransom portrays a pair of shoplifting kids played by Evan Stanhope and Tahlia Sturzaker hijack the Harrington and Sons toy store, teaming up with heavily pregnant security officer Gladys to save Christmas.
The wackiness of the movie will make anyone who watches it feel like a child again, and the cast of the film had a lot of fun making their film’s joy infectious.
Darby and the Dead (December 2)
While Darby and the Dead doesn’t really count as upcoming anymore, it’s still one black-led comedy you shouldn’t miss this December. Darby (Riele Downs) suffered a near-death experience.
When she was seven, Darby (Riele Downs) and her mother were swept away by a wave. Darby was resurrected, but her mother passed away. Darby gained the ability to see the dead and began a side business to help these spirits, called “Deados”, to move on to the afterlife by helping them fulfill all unfinished business.
This Hulu film is a modern take on the classic teen horror comedy genre, with all the black comedy tropes it entails, and this time with an African Canadian lead.
Emancipation (December 9)
Emancipation is a 2022 historical action film starring Will Smith, notable for being his first feature film after the infamous Oscar slap. The film is directed by Antoine Fuqua and written by William N. Collage, based on the true story of Gordon, named “Peter” in the film, and the photographs released worldwide of his heavily scourged back from an overseer’s whippings.
Devotion (November 23)
If you’re into historic war films, you might like Devotion. This one’s a 2022 American biographical war film, inspired on the 2015 book Devotion: An Epic Story of Heroism, Friendship, and Sacrifice.
The movie tells the story of the comradeship between naval officers Tom Hudner and Jesse Brown during the Korean War. Jesse Brown is the first black aviator in U.S. Navy History, and it was his rapport with Tom Hudner what helped win the most brutal battle in the Korean War, making them the Navy’s most celebrated wingmen.


Bicycle Thieves is a film that has been able to transcend time not only with its brilliance in directing and cinematography, but also in the ability to draw the viewer into a realm of compassion and awe. The film, in its simplest form, is about the struggle of a man (Antonio Ricci), accompanied by his 9 year-old son (Bruno), to find a stolen bicycle in post-WWII Italy. However, one would not be wrong to state that the film is truly about the breakdown and loss of a man’s economic stability and morals as his son watches on. Since the film touches on many aspects of life, it is impossible to simply state what is the film’s dominant theme. Issues of class-struggle arise, the burdens of the commoner, the government’s role in providing for its citizens in times of dire needs, and the patriarchal struggle of a man having to provide for his family are all dominant themes. The city of Rome also plays a role in the film; projecting its grandeur throughout multiple shots. Columned buildings, passenger-filled streetcars, crowds of fans waiting outside of the majestic Roman stadiums, and the role of the church fill the screen at various times; forcing the viewer to imagine what an Italian life would consist of. Italian culture is even a central character, highlighting aspects that help to define their cultural independency from other Western countries. Bicycle Thieves revolutionized the film industry upon its release. It was, and still is, widely heralded as a brilliant masterpiece. Critics throughout the years have analyzed the content of this film, and yet some have managed to leave out a central motif—the role of Bruno as the moral compass for Antonio. Seventy years later, the effects of this film are still important and continue to influence cinema.
In 1999, film critic Roger Ebert gave Bicycle Thieves a four-star rating in his review titled, “The Bicycle Thief.” Ebert stated that the film “is so well-entrenched as an official masterpiece that it is a little startling to visit it again after many years and realize that it is still alive and has strength and freshness” (Ebert). In his analysis, Ebert writes about the film’s beauty in its simplicity. The director, Vittorio De Sica, believed in using non-professional actors—quite literally people he found working on the streets of Italy—to capture the raw emotion of the struggles of the commoner. Ebert points out that De Sica “believed that everyone could play one role perfectly: himself” (Ebert). In his analysis, Ebert decides to highlight the fact that Antonio, on his first day on the job, hangs up a poster of Rita Hayworth; noting the “ironic contrast between the world of Hollywood and the everyday lives of neorealism” (Ebert). He states in his review that the film serves as a “parable” to the needs of the common man, and that although there were some critical reviews when it was first released, over time the film is able to “[escape] from its critics” and simply become a story (Ebert). Ebert mentions a scene in a restaurant that Antonio and Bruno visit noting that this is where Antonio starts to develop as a character on a deeper basis. However, he does not elaborate on how Antonio and Bruno are discussing Antonio’s pay—Antonio accounting for the pejorative government stipend along with his work’s wages. Without reading deep into this scene, Ebert is not considering the life lesson being taught to Bruno. That although a man can work hard and be paid a decent wage, there will still be those who have inherited their wealth while others inherit the struggle to attain such equality. Ebert also misses in thoroughly analyzing the role of Bruno. Ebert points out that the restaurant scene does highlight the relationship between father and son, however it also points to Antonio realizing that a major source of his joy comes from bettering the life of his son, and how his son is there to help guide him into making moral and proper decisions. Where Ebert misses in his analysis of the poverty of Bicycle Thieves, Charles Burnett picks up.
A director and film critic for The Criterion Collection, Charles Burnett, provides elegant prose in his review of Bicycle Thieves. Burnett states that the film “gives meaning to the common man” and draws comparisons from the film to his own life (Burnett). Having grown up near housing projects in Los Angeles, Burnett states how he can see what the film was actually made for, “a tool for change” (Burnett). Burnett goes on to state that the goal of the film is to bring awareness to social conditions that can only be solved by a political solution. Burnett’s analysis of the film is literarily pleasing and analytical. He states that the “most significant insight” he gained from watching the film was that “stories don’t have to be complicated” (Burnett). With this sentence Burnett is capturing the essence of the film; that a story about a man and his son trying to find a stolen bicycle carries with it myriad of underlying meanings and intrinsic connotations of everyday life. The simplicity of Bicycle Thieves has made it the time-defying movie that it is. The scene that stands out the most for Burnett is Antonio’s first ride to work on his bike with Bruno sitting on the handlebars. The “lovely score over the scene…turns it into poetry” (Burnett). Perhaps it is because of his own similar experiences, that Burnett can read so well into the scenes of the film and picks up where Ebert misses. Picking out facial expression of background characters; minor roles played with such expression and emotion on the faces that belong to the average Italian. What Burnett is picking out of the film is what resonates with myself as well; that the lives of everyday people, no matter how lackluster, are incredibly beautiful and full of meaning. The acts of the commoners may seem useless and inept for the haut monde, but De Sica, and Burnett in his prose, have captured the beauty of the common man and solidified it in film history. However, Burnett also misses in analyzing the role of Bruno as well. What seems to be producing all the joy in Antonio on his bike ride to work with his son is the opportunity to provide for his family. Bruno is there to ensure his father’s bike is in working order and to see that it is well taken care. But what Bruno is actually taking care of is his father. He is ensuring that his father will be able to provide for his family and in turn provide the stability and happiness that he is desperately trying to pursue.
Bicycle Thieves is a transcendent film that sits in a class of its own. Filmmaker and critic Godfrey Cheshire, states in his article, “Bicycle Thieves: A Passionate Commitment to the Real,” that “much of modern cinema can seem to flow from twin fountainheads: Orson Welles’s Citizen Kane and Vittorio De Sica’s Bicycle Thieves” (Cheshire). Cheshire details the bifurcation of the film industry based upon these two films. “Where Citizen Kane heralded the age of auteur and …individual vision, Bicycle Thieves renounced ‘egoism’ for collective concern” (Cheshire). The amiable camera techniques used by De Sica help to give the film a look that is pure and cathartic. Cheshire focuses on the role of neorealism in his critique quite a bit. He states that it was “born in the fires of war” and was conceived to offer a rejection to Fascism and fantasy (Cheshire). Cheshire also touches slightly on the idea of the city of Rome as an important character as well. However, it is only Cheshire who touches briefly on the idea of Bruno as Antonio’s moral compass. “A second viewing of the film might suggest that… Bruno has been ‘looking after’ Antonio” (Cheshire).
Throughout the film there are many instances when it seems as if Bruno is there to provide clarity and a moral direction for his father. When Antonio strays and begins to set aside his morals and ethics, it is Bruno who helps keep him rooted. In the first scene where Bruno is shown, he is cleaning his father’s bike for him before his first day of work. Needing more light, Bruno opens a window to finish his work. As Antonio and Bruno are leaving, Bruno’s golden morals are shown for the first time as he rushes back to close the window, preventing an early-morning draft from hitting his baby brother. Later when Antonio, out of frustration and annoyance, slaps Bruno for questioning his actions, the pain and horror expressed on Bruno’s face is almost immediately mirrored on that of Antonio’s as well—a look that represents immediate regret and guilt. The final scene is where we see Antonio’s morals corrupt and shatter. Antonio sends Bruno off to wait for him on a street corner nearby. Thinking his son—and moral compass—is gone Antonio breaks down and decides to steal a bicycle. As he is pedaling away from the crowd of people who saw him steal the bike, Bruno’s face is filled with confusion and horror as his father tries to escape on the stolen bicycle. Antonio is quickly caught and the horror on Bruno’s face is once again mirrored on Antonio’s once he sees his son. This scene is quite hard to watch as a man, out as desperation to provide for his family, has a relapse in morals and commits the same crime done to him.
Bicycle Thieves has been able to inspire films well beyond its release date. The Pursuit of Happyness (2006), starring Will Smith, seems to be the modern version of this film. Within the first 20 minutes there are multiple similarities between the films. The mother in The Pursuit of Happyness is working in some sort of laundromat with stacks of linens as high as the camera portrays, giving a nod to the scene where Maria, Antonio’s wife, has to pawn their bed sheets. The theme of a man having to struggle to provide for his family is similar, as well as the lack of government intervention to ensure a more egalitarian society. Chris, Smith’s character, even has the tool for his livelihood stolen—a bone density monitor—and has to chase down the thief, only to have them roll away in a subway car. Chris, like Antonio, must steal something as well to try and better himself and provide for a family that society demands is his patriarchal duty. The theme and camera work are similar as well; capturing the role of the San Francisco Bay Area and American culture; similar to the way De Sica captured Rome and Italian culture in Bicycle Thieves.
Bicycle Thieves is a masterpiece beautifully shot, acted, and directed. The raw emotion portrayed on the actors’ faces come from deep felt experiences that only the common (wo)man could experience. De Sica captured a theme that will be able to transcend time; the struggles of the everyday citizen and the beauty, drama, and heartbreak that happens in their day to day struggles. Whether it was intentional or not, De Sica’s decision to have Bruno to act as Antonio’s guiding light can be applied to real life, as parents often look to their children for inspiration and motivation to strive, not only to make themselves better, but for a society that is better as well. By observing films like Bicycle Thieves and The Pursuit of Happyness, the viewer can understand the struggles of their neighbors, as well as the problems that need to be addressed throughout the world. These films will continue to inspire future generations because of their depictions of everyday struggles and their portrayals of the culture that allows those struggles to exist.
Ebert, Roger. “The Bicycle Thief.” RogerEbert.com, 19 March, 1999, https://www.rogerebert.com/reviews/great-movie-the-bicycle-thief–bicycle-thieves-1949
Burnett, Charles. “Bicycle Thieves: Ode to the Common Man.” The Criterion Collection, 12 February 2007, https://www.criterion.com/current/posts/1090-bicycle-thieves-ode-to-the-common-man
Cheshire, Godfrey. “Bicycle Thieves: A Passionate Commitment to the Real.” The Criterion Collection, 12 February 2007. https://www.criterion.com/current/posts/467-bicycle-thieves-a-passionate-commitment-to-the-real


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Alexis began acting in 2008 after a long career in the music business. She is very naturalistic, funny and enjoys characterful roles in comedy and drama. Alexis is perhaps best known for her TV acting work on BBC, ITV2, and SKY, but she has also appeared in films, such as the Anglo-Kosovan movie, ‘The Field Of Blackbirds’, theatre productions and several commercials.
‘Better Things’ on BBC/FX
Alexis was delighted to play the guest role of ‘Charlotte’ in Pamela Adlon’s fantastic US dramedy series, co-starring with Celia Imrie.
‘Almost Never’ on BBC/Disney
Alexis can currently be seen co-starring with Kimberly Wyatt, Ryan Early, Colin Hoult and the fantastic young cast in ‘Almost Never’.
‘Wannabe’ on BBC3
In 2018, Alexis bagged the recurring role of ‘Sarah The Brass’ in BBC’s One’s ‘Wannabe‘, about a group of ‘MumPop’ singers, brought to you by the award-winning team behind ‘People Just Do Nothing’. It was a fantastic role for Alexis as a former popstar herself! ‘Wannabe’ was co-written by Lily Brazier and Ben Murray.
‘Timewasters’ on ITV2
Alexis also appeared in the fab time-travelling comedy series, ‘Timewasters’ playing bolshy Vi.
‘Sick Note’ on SKY
Alexis had a great time appearing in a fab comedy role on SKY Atlantic’s ‘Sick Note, playing Officer Reilly alongside Nick Frost & Rupert Grint.
‘Bad Mother’ on Mumsnet
Alexis appeared as US businesswoman ‘Vicky’ in ‘Bad Mother’, Mumsnet’s first ever online comedy series, written by Susie Gilmour and directed by Matt Winn. It has already been featured in The Daily Mail and The Huffington Post and co-stars Kevin Bishop, Dolly Wells and Laura Patch.
Alexis’s other notable screen credits include: ‘Little Big Men’ for Channel 4, ‘Autopsy: The Last Days Of’ for ITV, pilots for BBC3 and Channel 4, online sketches for Hat Trick, several short films, a lead role in the world’s first iPhone drama, ‘Persona’ and leads in commercials for Domino’s, M&S, John Lewis, Mikado, Schweppes, The Fragrance Store and Niquitin. Stage credits include: ‘Before And After’ at The Arcola, ‘Over The Rainbow’ the musical national tour with Maureen Nolan, the lead in ‘Snow White’ at Dunstable Grove Theatre and a rather terrifying Lady Macbeth for British Touring Shakespeare.
Alexis used to perform stand-up comedy in character as Aussie wannabe, Denise and was actually commissioned to make this pilot for Jamie Oliver’s Fresh One Productions as the hapless characte
Stand Up Comedy Competitions: Finalist in Colchester New Comedian Of The Year, Semi-Finalist in The Funny Women Stand-Up Awards, Semi-Finalist in Leicester Square New Comedian Of The Year and shortlisted for ‘So You Think You Are Funny’.
Alexis has voiced adverts for Schweppes, Domino’s and many more. Her natural accent is London, with a tinge of Essex, with a warm, engaging and likeable tone and a playing age in her early ‘30’s.
Alexis Strum Commercial Voice Reel Montage


As the founder of L'ouest, Sarah is a director currently residing in West LA. She has written and directed numberous short films (White Wolves, Natura, Eden, Venice I Love You), web series (Más Cine, That's My Jam, Ready in 5, Tu Historia), and music videos (Escondido, Welfair, Livewire). For many of her past projects, she has teamed up with LaLaLa Productions, a production company in Costa Rica. Sarah brings a designer's eye to all her work and is comfortable directing a variety of styles and genres.
Over the years Angela has produced and developed groundbreaking work outside of traditional film and tv, including an interactive, dj art installation combining music and visuals. She is a key part of the concept and creation of the new web series for L'ouest: That's My Jam, Mantra, and Nite Life. She serves as Head of Development at L’ouest.
As a music fan and creator, Caleb brings his unique vision to L’ouest as the Lead Music Supervisor. He is a recent addition but has already been impressing everyone he collaborates with and oversees.
Hailing from Colombia, Danna is a director and motion graphic artist who has worked with various agencies, social media brands, and production companies throughout Los Angeles. She has produced more than 500 viral animations for both Buzzfeed and Mitú’s social media platforms, resulting in millions of views and shares. One quick search demonstrates the immense love and audience response to her work. She has also created engaging pieces for the Billboard Music Awards, Golden Globes, Streamy Awards, and Emmys. Now as a creative director at L’ouest, Danna is currently in production on her first animated short “Helium.”
With an upbringing in the Midwest and a short-lived relocation to Southern California between 2001 and 2003, Josh gained an interest in film and production. His studies have ranged from photography to animation, and hopes to both produce and direct short films. He is excited to be invited in and to share his skillsets with the L'ouest team.
Bio coming soon.
L’ouest is pleased to have Jude as our in-house Marketing Director. With her vast experience and ongoing passion, she is sure to be a perfect fit with the team.


As an established artist in Vancouver, Tom wears many hats; vocalist, keyboardist, composer, arranger, producer, musical director, teacher, and actor. He can sing and play any style of music, and often does. He was music leader for the 2013 Grey Cup gala and played again in 2014. He has accompanied Jack Jones at River Rock Show Theatre and arranged and sang on numerous vocal sessions with Grammy winner Dave Pierce. He was featured vocalist and actor in the Showtime movie, "Reefer Madness" and was vocal coach to Will Ferrell in the movie "Elf". Tom musically directed "All Grown Up" at Richmond Gateway Theatre, and the Jessie Award-nominated "Red Rock Diner" at the Arts Club Theater. As a session musician, he has written, produced and sung TV and radio jingles for the Canadian, U.S., Japanese and New Zealand markets. Tom is a featured sideman in many lower mainland musical acts, and is co-leader, with the Hot Mammas, of Sing, Sing, Sing!, a tribute to the great songs of the 20th century.


5 edition of Star Wars, Episode II Attack of the Clones found in the catalog.
August 2002 by Alfred Publishing Company .
Written in English
|The Physical Object|
|Number of Pages||40|
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Aug 08, · After having enjoyed the movie, I eagerly devoured R.A. Salvatore's novelization of Star Wars, Episode II: Attack of the Clones.
Most fans who will read this novelization will already be familiar with the saga thus far, or have seen this movie, so I will skip summarizing any of the plot/5().
Dec 26, · The Art of Star Wars, Episode II - Attack of the Clones [Mark Vaz] on homemadehattie.com *FREE* shipping on qualifying offers. For more than twenty-five years, the visual brilliance of the Star Wars films has captivated audiences far and wide.
From lush words to intricate landscapes/5(45). Star Wars: Episode II – Attack of the Clones is a American epic space-opera film directed by George Lucas and written by Lucas and Jonathan homemadehattie.com is the second installment Episode II Attack of the Clones book the Star Wars prequel trilogy, the fifth film to be produced, and the second film in the "Skywalker saga".It stars Ewan McGregor, Natalie Portman, Hayden Christensen, Ian McDiarmid, Samuel L.
Jackson Directed by: George Lucas. The book I chose was Star Wars the Attack of the clones by Henry homemadehattie.com book had a problem on each page. It was like that because Anakin and Obi - wan were captured by the evil Count Dooku, but they were saved by all of the Jedi in the temple but the evil /5.
The Star Wars: Episode II Attack of the Clones novelization by R. Salvatore, published by Del Rey on April 23,is the official novel adaptation of the film Star Wars: Episode II Attack of the Clones. It includes expansion of scenes from the movie, many scenes cut from the movie, and.
Star Wars: Episode II - Attack of the Clones () Plot. Showing all 7 items Jump to: Summaries (6) Synopsis (1) Summaries. Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé Amidala, while Obi-Wan Kenobi investigates an assassination attempt on the senator and discovers a secret clone army crafted for.
Star Wars: Episode II Attack of the Clones is a film directed by George Lucas and written by Lucas and Jonathan Hales. It is the second film in the Star Wars prequel trilogy. The film is set ten years after the Battle of Naboo, when the galaxy is on the brink of civil war.
Under the. Mar 09, · The Opening Title Crawl for 's Star Wars Episode II: Attack of the Clones. The synopsis is a bit more interesting this time, but not much. This opening sets the. The book Star Wars Episode II: Attack of the clones by Patricia. Wrede, tells the story about a civil war going on with the republic and the seperate territory lead by count Duku.
The characters in this book are Obi wan and his apprentice anikain/5. Apr 01, · In the book Star Wars Episode II: Attack of The Clones, it tells a Star Wars of how a once peaceful galaxy comes closer and closer to war. As an attack on senator Amidala's life occurs, Obi-wan Kenobi and Anakin Skywalker are assigned to protect her from further harm.
During their watch a droid puts two poisonous insects into Padme's room/5. Apr 01, · Star Wars: Episode II: Attack of the Clones - Book ReviewThe best way to sum it up is "Romeo & Juliet" meets "MacBeth" in a weird "King Lear" sort of way (if that makes any sense).Like all Star Wars Episodes, this one opens up with exiting goings on, then there comes the inevitable long lull only punctuated once or twice by any sort of action.5/5(6).
Star Wars, Episode II: Attack Of The Clones () About book: Obviously, this book is the companion to the movie of the same title. It fills in some valuable additional background and character development that was absent in the homemadehattie.com: we get more of a view of.
May 16, · Title: Star Wars: Episode II - Attack of the Clones () / Want to share IMDb's rating on your own site.
Use the HTML below. This episode of the Star wars saga was criticized by some when it came out for having wooden dialogue and too much digital landscaping to be any good.
I wasn't overly impressed with it myself, but having seen /10(K). Dec 09, · Star Wars: Episode II - Attack of the Clones Limited Edition Blu-ray SteelBook Unboxing Revenge of the Sith Limited Edition Blu-ray SteelBook Unboxing - Duration. I'm talking in terms of "core world/expansion region/outer rim/unknown regions" etc.
I feel like given that Earth is 27, lightyears from the galactic core, and that the galactic diameter is aboutlight-years, that would place us relatively close to the core, since.
Shop Star Wars: Episode II Attack of the Clones [Blu-ray] [SteelBook]  at Best Buy. Find low everyday prices and buy online for delivery or in-store pick-up. Price Match Guarantee/5(). Apr 23, · Attack of the Clones succeeds in book form Continuing the trend of novelizations of the prequel trilogy outshining their films, R.
Salvatore's adaptation of Attack of the Clones is a must-read for any Star Wars fan. Salvatore's novelization adds much-needed depth to the main characters, both personally and in developing relationships/5(62).
Star Wars: Episode II - Attack of the Clones Reviews. Probably the most difficult of the Star Wars films to take in (maybe tied with The Last Jedi) but the one with the biggest payoff if you.
Star Wars: Attack of the Clones is a seminal tale of the Star Wars mythos, unlocking some of the history and events that laid the foundation for the Rebel Alliance's epic struggle against the Empire as chronicled in the original Star Wars film trilogy. Nov 12, · Star Wars on homemadehattie.com The Star Wars: Episode II R.A.
Salvatore was known for exactly one thing in the Star Wars Universe prior to writing the novelization for Attack of the Clones. A large collection of SW: Episode II - Attack of the Clones trivia quizzes in our Movies category. trivia questions to answer. Play our quiz games to test your knowledge.
How much do you know. The Art of STAR WARS: Episode II - Attack of the Clones [Book] I think I can speak for everyone that while we're all lamenting that we may not be able to get our hands on this book or that, it's because we all just really want to be a little more part of the game that you created.
May 01, · In Star wars attack of the clones there is a patawan named Anikan Skywalker. He wants to find his mom. So he becomes a Jedi knight. His mentor goes to a planet, and he does not know the name of the planet. He finds a guy named Jango Fett and his son Boba Fett.
Jango fett starts shooting Obi One Kanobi with a laser gun/5(19). Trailer: Episode II Attack of the Clones. Released in March,this trailer revealed the battle action of Episode II. This week on The Star Wars Show we take a look at E.K.
Johnston's upcoming book, Queen's Peril, find out First Order stormtroopers fly now in the new Star Wars: Rise of Skywalker clip, and check out the brand new series. Star Wars: Episode II Attack of the Clones - Opening Crawl Unlike other films in the saga, the camera tilts up after the crawl recedes into space, rather than the traditional tilt down.
This is also the only Star Wars crawl to introduce a new villain: Count Dooku. Need Help Finding the Perfect Book. Take the Quiz. Star Wars Episode II: Attack of the Clones (Volume 2) Junior Novelization by: Patricia C Wrede Star Wars Episode III: Revenge of the Sith (Volume 3) By: Patricia C Wrede.
Other Books Ages Coming Soon Paola Santiago and the River of Tears. This book review discusses spoilers from the movie and the novelization. Be warned. As you're well aware, this is the novelization of the film Attack of the Clones, plus a bit extra.
This book contains scenes that take place outside of the film. Dec 16, · Star Wars: Episode II - Attack Of The Clones Paperback – 3 Apr by R A Salvatore (Author) › Visit Amazon's R A Salvatore Page.
search results for this author. R A Salvatore (Author) out of 5 stars 24 ratings. See all 5 formats and editions Hide other formats and editions 4/5(24). All information about the book Star Wars: Episode II - Attack of the Clones (Star Wars: Episode II - Attack of the Clones ()) - bibliographic data, summary, search for links to download an e-book in PDF, EPUB or read online.
In latethe movie was released in IMAX theaters as Star Wars: Episode II -- Attack of the Clones: The IMAX Experience, with a pared-down running time of minutes in order to meet the technical requirements of the large-screen format.~Karl Williams/5().
Jan 26, · Star Wars Episode II: Attack Of The Clones often competes for the much sought-after title of "worst Star Wars film ever" alongside its predecessor The Phantom Menace.
There a few things Episode II does quite a lot worse than that which came before it, but as a whole, it does slightly improve on the homemadehattie.com: Dan Peeke. May 19, · The second film in writer/director George Lucas' trilolgy of prequels to the original films, STAR WARS: EPISODE II: ATTACK OF THE CLONES picks up 10 years after the events of The Phantom homemadehattie.com Skywalker (Hayden Christiansen) is a Jedi student under Jedi Knight Obi-Wan Kenobi (Ewan MacGregor).After an attempt on the life of Senator (and former Queen) Padme Amidala 3/5.
Nov 20, · Book Reviews Author Interviews Star Wars: Episode II — Attack of the Clones. type. Movie; When Star Wars: Attack of the Clones hit theaters inthere were still nine homemadehattie.com: Darren Franich.
Music by John Williams. Alto Saxophone Book & CD. Each book includes eight pages of full-color photo panels from the motion picture. Each book (except piano accompaniment) includes a CD with demonstration and play-along tracks for each title.
Sure to be a hit with all instrumentalists. Titles are: Across the Stars (Love Theme from Star Wars®:Brand: Alfred Music.
Find many great new & used options and get the best deals for Star Wars Episode II: Attack of the Clones (Blu-ray Disc,SteelBook) at the best online /5(7). Oct 12, · Jango Fett is a very famous fictional character in the Star Wars movies and he had been created by George Lucas.
Jango Fett had made his debut in the movie, Star Wars: Episode II – Attack of the Clones, and he had been portrayed by Temuera Morrison. Star Wars: Episode II - Attack of the Clones» 4 issues.
Four issue comic book adaptation of the movie. This edit will also create new pages on Comic Vine for. Star Wars Episode II: Attack of the Clones benefits from an increased emphasis on thrilling action, although they're once again undercut by ponderous plot points and underdeveloped characters.
65%65%. May 14, · Not the Atomic Stink Bomb many feared it would be, Star Wars: Episode II - Attack of the Clones has it pretty easy. To soothe the scars of abuse heaped on audiences by 4/ Movie Review.
A long time ago in a galaxy far, far away (cue music) This fifth installment in the Star Wars saga takes place 10 years after the events of Episode I – The Phantom homemadehattie.com serving her maximum tenure as Naboo’s queen, Padmé Amidala now represents her people as a prominent homemadehattie.com: Bob Smithouser.
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Free shipping for many products!/5(12).May 08, · The Force is back -- along with fun and excitement, as well as the bonus of romance -- in "Star Wars: Episode II -- Attack of the Clones." George Lucas has .