No Time To Die (James Bond) [4K Ultra-HD]  [Blu-ray] [Region Free]
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Indeed she isn’t alone, as the female characters in the film are just as capable as the men, and the film proves that the world of women secret agents is just as action packed and thrilling as the world of James Bond. Fine detail is exemplary, outside of some of the softness around the edge of the image inherent with the Panavision lenses and shooting style utilised.
It’s not always noticeable in the image but it is consistently present and looks natural and free from any digital tinkering or other noise introduced into the transfer.We reviewed the Region free UK Ultra HD Blu-ray release of No Time to Die on a JVC-DLA N5 Ultra HD 4K projector, a Philips 55PUS6754/12 and a Panasonic DP-UB9000 Dolby Vision HDR10 4K Ultra HD Blu-ray player. It’s a really rich listen and has some serious weight and heft to it both in terms of the score and the sound effects. It’s a film packed with the action that you’d expect from the franchise, the kind of doomsday scenario and villain’s lair that the last few films have been rather tentative about, finally embracing what the earlier Bonds did with tedious regularity by the end, yet when it comes to character arcs, this is the most personal story yet. In my opinion if Sean Connery had been Bond in OHMSS then we would all think it was the best Bond film ever.
More emotional than action-packed, even with its story issues, this is a wonderful send off to Daniel Craig and to a Bond we will likely not see again. There’s also a fair bit of detective work to do before Bond finds the true villain behind the plot, although the ‘red herrings’ are quite plausible, and once again build on Bond’s character, what he’s been through in his career. The film did not go as I thought it would though I did know Craig was bailing out of the Bonds’ well for me not a bad film and as always they get the settings right .
in the latest cinema installment of the Ian Fleming-created series, this one directed by Cary Joji Fukunaga ( Jane Eyre, Beasts of No Nation).
You may print off one copy, and may download extracts, of any page(s) from our site for your personal reference and you may draw the attention of others within your organisation to material posted on our site. Being James Bond (UHD Exclusive) (1080p, 46:39): A look back at Craig's 15-year tenure as the world's most famous secret agent. And letting the dust settle on this legacy of Craig’s, what’s perhaps most interesting is that his Bond, from his very first film and especially through to his epic conclusion here, is very much an emotional beast, governed more by his feelings for three women than the more traditional notion of an endless treadmill of megalomaniacal uber villains. Thank you Zavvi for your excellent service, making sure it is packaged correctly and getting here safely and on time.Despite the film’s process in establishing his back story in the opening scene, his motives never really quite make sense; certainly feeling a little too comic book for the more realistic take that the Craig films have chosen. It's a great conclusion to Daniel Craigs Bond, and really keeps you exciting and on the edge of your seat all the way through! This James Bond No Time To Die 2-Disc Collector's Edition 4K Ultra HD + Blu-Ray includes exclusive never-before-seen bonus features.


JANE BORDEAUX (IMDB/SAG/AFTRA) (ACTRESS)
- ON TELEVISION SERIES -
RECURRING ROLE: STAR FLEET
- FEATURED FILM -
ROLE: #1 OF 4 FEATURED LEAD STREET GIRLS
Jane Bordeaux worked for Disney's, Buena Vista Television as the executive assistant to the Director of Development of television programing. Deciding she needed more creativity and excitement in her life, she switched gears, left Disney, and began working for legendary high-fashion model, celebrity and icon photographers Lance Staedler and Kwaku Alston at a Santa Monica, CA, photography agency. Jane Bordeaux soon started working in the high-fashion industry. The day making her decision to leave the photography agency, Jane Bordeaux was employed by Elite Model Management as the front desk receptionist, model portfolio manager and open call coordinator in Beverly Hills, CA. While at Elite, Jane Bordeaux was encouraged by her modeling agent colleagues to pursue acting. Since, at only 5' 4" she could not be a runway model, however, they all agreed due to her unique and stunning features and crossover look, she would make the perfect leading lady on Film or in Television. Taking notice of Jane's stunning facial features, the "world's first super-model", Janice Dickinson, once said to Jane Bordeaux, "you may be too short to runway model honey but your face is way too pretty to be stuck here sitting behind a desk all day, you really should pursue acting kiddo...".
With a boost of encouragement by Janice and her friend Jamie Kennedy, soon after, Jane Bordeaux departed from her position at Elite to free up her time. She was Immediately summoned by a Top Beverly Hills, CA, Theatrical & Film Agent who quickly booked her on many auditions for major leading actress role's. Jane was hand selected to audition for many lead and supporting actress roll such as the lead actress roll 'T-X' for the film (Terminator 3: Rise of the Machines), directed by Jonathan Mostow, written by James Cameron. She succeed in landing many supporting rolls in; films (The Time Machine, Phone Booth, Ali, Charlie's Angels), television (ER, James Dean, Gideon's Crossing, 90210, Star Trek, Felicity, Little Richard Story), and commercials such as (Boeing, and ATT). Her first speaking roll was as Hank's assistant in the film The First $20 Million Is Always the Hardest, however, her lines were ultimately edited from the film to her delight since the film was deemed unfavorable with most audiences and ultimately went straight to video. "That film was not at all how I wanted to be introduced on screen to the world. Some actresses might be upset their lines got cut from a film, I on the other in this case felt very lucky (laughed)" ~ Jane.
"I've acted in many commercials and feature films for a short period of time before I quit to pursue my music and writing full time... I loved every minute of acting though. I wanted to be my own director and producer, so right now I am spending my time getting ready to release my first album in 2019. Fans have been asking me to so I may decide to get back into acting soon... we'll see if I have enough time. I guess you'll have to stay tuned". - JANE BORDEAUX


Robert pattinson and kristen stewart dating history
But all have grown into their roles, cutting loose in a film that (thankfully) sidesteps the melodrama of its prequels." Though the film received mixed reviews, some critics praised his performance.
Jake Coyle of The Associated Press said that "The young actor has an unmistakable screen presence.
He later got the leading role of vampire Edward Cullen in the film adaptations of the Twilight novels by Stephenie Meyer, which consisted of five films between 20 that combined grossed over .3 billion in worldwide receipts.
Twilight brought Pattinson worldwide fame, In 2010, Pattinson was named one of TIME magazine's 100 most influential people in the world, and also in the same year Forbes ranked him as one of the most powerful celebrities in the world in the Forbes Celebrity 100. Pattinson started his career as a model at the age of 12.
This campaign has also featured the track Whole Lotta Love by English rock band Led Zeppelin.
In January 2016, he appeared in another campaign for Dior Homme shot by German photographer and director Peter Lindbergh.
This is a camouflage for his own problems that slowly unfurl, adding colour and improving the film." In the film, he played the dual roles, first a brief but crucial role of Charles Marker, a reporter in Germany during World War I and latter as an adult version of the leader.
Justin Chang of Variety wrote, "An eerily precise match of filmmaker and material, Cosmopolis probes the soullessness of the 1% with the cinematic equivalent of latex gloves. Pattinson's excellent performance reps an indispensable asset." Robbie Collin of The Telegraph stated that it is a sensational performance from Robert Pattinson, "yes, that Robert Pattinson – as Packer.He is a supporter of End Child Prostitution, Child Pornography, and Trafficking of Children for Sexual Purposes (ECPAT), and the GO Campaign, a nonprofit organization that raises awareness and funds to help orphans and vulnerable children throughout the world.He became ambassador of the latter in 2015 to help raise international awareness of it.However in Remember Me, he pours it on thickly and self-consciously.With low eyes, sleeves rolled up just so and cigarette drooping artfully from his mouth, Tyler (like Edward Cullen) is a reluctant romantic." The film received mixed reviews, but Pattinson's performance was praised.
He became involved in amateur theatre at the Barnes Theatre Company.


Dancing Brick are curating the first of our Fletton Shuffles, an evening of haphazard gatherings of sketchy theatre, theatrical sketches, music and comedy. The Fletton Shuffles will provide a platform for young theatre makers to try out new work in front of an informed, informal audience.
Each night will be loosely themed around something that's interesting us at that moment and seeing as how the first is at the Museum in Docklands, in the heart of the city, we're putting on work that deals with commerce, crashes and the city. It's on the 6th November from 6-9pm at the Museum in Docklands, part of the Museum of London, right by Canary Wharf DLR.
Dancing Brick and her Friends present an evening of theatrical upstarts crunching the problems of the city in the jaws of the Docklands. Enjoy some sketchy theatre, some theatrical sketches, some music and some comedy from the best of London’s new theatre makers.


In the spirit (pun not intended) of the recent hype on Harry Potter and the Half-Blood Prince, I will like to feature Emma Watson in a lovely leather halter top. I overheard over the air that she did not want to reveal which college she will be attending for fear of Harry Potter's posters being put up all around the school to welcome her. Lol.
Emma "Hermione" Watson attended the premiere of 'Harry Potter and the Half-Blood Prince' at New York's Ziegfeld Theatre Thursday night looking lovely in a leather halter dress.
Watson, 19, is starting college in the US this fall at an unnamed institution and told People magazine how her one hope is that she does NOT get a Potter fan as a roommate.
[end of post]


Built in the art deco style, this movie theatre was the heart of social life in my hometown for those who loved Hollywood movies. My mother, of course, was an avid fan of the glitz and glamour. My father adored Fred Astaire and Ginger Rogers. My mother had American pen pals who sent her packages of magazines, from memory, Photoplay and Silver Screen. She would pour over them before her afternoon siesta. She never parted with a single magazine.
Empire Talkies was also a place where many teens experienced their first kiss. You knew who was on a date when you saw them choose the back row. Upstairs was even more private with individual booths. I can remember the twentysomethings avoiding the younger crowd’s gaze when coming down the stairs! The movie would be shown all week. Western cowboy movies were always a big hit, so was any movie with Elvis in it.
My sister was a huge fan of The Beatles. When they came to India my parents had to keep close watch on her because they thought she would take off to try and meet them in the far north! When the movie ‘A Hard Day’s Night’ was released she pleaded with the manager to give her one of the movie posters which she cherished. She watched the movie all week for every session. I think he only relented to get rid of her!
I, too, love movies but unlike my mother, I’m a fan of only a few Hollywood movies. My favourite picture of all time is Babette’s Feast. A movie of generosity of spirit. I love it more each time I watch it. Sitting on a blanket under stars watching movies with pizza and wine during the Perth Festival is a fond memory with a friend. Days I would love to experience again.
The beautiful movie theatre no longer exists. Built by a prominent Bollywood acting family considered ‘acting royalty’, it is a crumbled ruin. It saddens me to know this. Many a teenage love story would start with “Remember when we went to Empire ….”. The building may have been crushed by time, hopefully, memories last longer.
Until next time
a dawn bird
In response to Ragtag Daily Prompt: Picture


PANEL: Hollywood & Games
This panel brings together a mix of companies and executives from the film and games industries to share ideas about relationship between games and the film industry and how to create new business opportunities at the intersection of these two exciting media industries.
• Chris Hewish, Executive Vice President of Interactive, Skydance Media Interactive
• TQ Jefferson, Executive Producer, Skybound Interactive
• Derek Douglas, Head of Video Games Department, Creative Artists Agency
• Andrew Stalbow, CEO & Co-Founder, Seriously
• Anatoly Ropotov, CEO, Game Insight
Moderator: Ned Sherman, Counsel and Director, Manatt Digital


Looks like this event has already ended.
Check out upcoming events by this organizer, or organize your very own event.
SXSW Film Happy Hour - Houston, TX
Wednesday, August 29, 2012 from 6:00 PM to 8:30 PM (CDT)
SXSW Film Happy Hour!
Come meet and mingle with SXSW Programmers as we gear up for the 2013 Festival.
Whether you have questions about submitting a film, want to learn more about the event or just want a free drink. We look forward to seeing you while we are in town.
Food Truck and Complimentary Cocktails On-site.
Special thanks to the Aurora Picture Show, Houston Film Commision, SWAMP, MFAH Films and Houston Cinema Arts Society, Republic Tequila & Oh My! Pocket Pies for partnering with us on the event.
See you there!


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Lightbox Film Center
Click here to learn more about us.
In addition to one-off screenings, Lightbox Film Center runs several film series over the calendar year, including:
6 screenings that celebrate the French film-maker known for his intense 1960s gangster films
ADA Compliance: Lightbox Film Center is ADA accessible. Please use the ramp on the east side of International House Philadelphia to enter the building, then use the ramp to enter the Ibrahim Theater through the East Alcove. The first row of seats are ADA accessible.
215-387-5125, press 2
FOR FILMS AND EVENTS PRESENTED BY IHP, THE BOX OFFICE IS OPEN TUESDAY - SATURDAY FROM 12 PM TO 8PM AND AT OTHER SELECT TIMES.


Movies are oftentimes based on fiction and wide imagination of humans. It can be written according to past experiences and will then be portrayed by individuals who can justify an act. Directors, Scriptwriter, actors/actresses and all the staffs that make-up a movie should always be present and attentive in order for the news movie to succeed. In this article, you can identify which movies news that will represent as a good example to fellow film makers who wish to have a big draw back to them.
Here are the top 10 new movies that will capture your heart:
- Danish Girl
- Killing Them Safely
- The Hunger Games: Mockingjay, Part 2
- Kingdom of Shadows
- The Night Before
- The Good Dinosaur
- Secret in Their Eyes
- Criminal Activities
The movie is based on a true to life love story of Lili Elbe and Gerda Wegener and it’s directed by Tom Hooper. This movie shows how love can be handled if you’re portraying a role that is far from your personality, from yourself.
Gerda Wegener is the artist and painter here who made her husband post for her as a woman which then makes her paintings bloom. Later on, realization takes place when her husband found the love of being a woman and decided to do a sex surgery. What happened to their love story? Catch it on November 27, 2015 in theaters. It’s primarily cast by Eddie Redmayne as Lili Elbe / Einar Wegener and Alicia Vikander as Gerda Wegener.
Killing Them Safely
It is a documentary film that will surely be a big hit on-screen. “Are they saving lives? Or killing people?” This eye-opener alone can make you think of what it’s like to be a fully enforced officer living with guns and bullets all through his life. This is directed by Nick Berardini and coming up in cinemas on November 27, 2015.
The Hunger Games: Mockingjay, Part 2
A must watch film as Katniss Everdeen takes more challenging obstacles for the future of Panem, as she confronts about their final showdown. Will she survive? We will know on the 20th of November 2015. Directed by Francis Lawrence and mainly cast by Jennifer Lawrence as Katniss Everdeen.
Kingdom of Shadows
This is another documentary film that is set to emphasize the evolution of drug trafficking nowadays. With the help of Homeland Security officer Oscar Hagelsieb, will he be able to help after being tempted and surrounded with childhood peers involved on it? We’ll find that out. Directed by Bernardo Ruiz and showing on November 17, 2015.
The Night Before
This film is perfect for friends who just want to chill out and have fun. The film is about childhood friends who always set Christmas time as their time to excessively get drunk and be sensually active. Now that they’re on their adulthood, they’ve set that time as special as possible. Let’s see how this movie sets on the movie screen on November 25, 2015, directed by Jonathan Levine.
The Good Dinosaur
This is one of the best movies for your children to watch for. Based on an animated story of dinosaur who finds himself away from home and befriend by a little boy named, Spot. Directed by Peter Sohn and showing on November 25, 2015 in Cinemas.
Secret in Their Eyes
It is a thriller movie that gives justice to a teenage daughter of Jess (played by Julia Roberts) who was brutally murdered by unknown suspect. After years of searching, will Jess find the peace in her heart? Let’s find out on November 20, 2015. Starring Julia Roberts, Nicole Kidman and Chiwetel Ejiofor, directed by Billy Ray.
It is thriller movie that talks about friends who have been given a deal. Prior to their realization, the deal came from a criminal. For them to be set free, they need to kidnap any member of the family of their enemy. Will they be debt-free? Find out on November 20, 2015. The movie is directed by Jackie Earle Haley, starring John Travolta.
This is a movie that tackles two women who find love unexpectedly. Both working in New York, these women gets attracted to each other which then later on break through as Carol was questioned by her husband as a mother. We’ll try to find out what really happen here on November 20, 2015 in theaters.
This is a Sylvester Stallone film which he himself acts as a boxing trainor of the grandson of Apollo Creed, one of his boxing batchmate. This is directed by Ryan Coogler and showing on November 25, 2015.
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Have you decided which one catches your attention now? Wait until its showtime!


The scene in particular was one taken from Act V of William Shakespeare’s A Midsummer Night’s Dream. The scene, often referred to as the story of “Pyramus and Thisbe” is considered a play within a play. While the story of Pyramus and Thisbe is likely taken from an even older Latin poem—Ovid’s Metamorphosis—it’s relationship to A Midsummer Night’s Dream is one lovers of literature most often allude to.
The story is a comedy, resembling the relationship dynamics of Romeo and Juliet and revealing thematic elements of “forbidden love.” However, in Pyramus and Thisbe, there is a twist. For this play within a play is performed not by professional actors, but by the “mechanicals,” a group of amateurs looking for their big break: laborers and stage hands collected near Athens. As this slapstick crew of ragtag actors puts on their performance, they turn serious themes into comedic ones; much less tragic than the greater play suggests.
Some of the notable characters in the play are Pyramus, who is young and in love, and Thisbe, who is also young and in love. There is a wall through which Pyramus and Thisbe profess and express their love for one another, a lion throwing chaos into the mix, and a poetic Moon shining light.
Staying strong to Shakespearean roots, all the major roles were played by male actors. Yes, even Thisbe was played by a male who is actually the reluctant bellows mender from A Midsummer Night’s Dream, Francis Flute. As you are surely beginning to realize, before students could even begin practicing their lines for the play, they had to have an understanding of the intricacies present in Shakespeare’s A Midsummer Night’s Dream. Without understanding the historical context of the play and its actors, the allusions to recurring motifs, and the intricacies of a “play within a play,” the actors would have likely failed in their performance. Fortunately, the opposite was true.
The play was a smashing success! Over the past few months, Mr. Hirst and a group of student-actors worked hard to prepare for CCA’s first play. Students were given the task of memorizing lines, learning stage cues, creating costumes and props, and decorating the stage. Working under the keen guidance of ELA teacher, Mr. Hirst, students gathered multiple times a week, after school, to practice their dialogue and stage movements with the rest of the drama crew.
As always, it’s important to recognize that the actors on stage were just the tip of the iceberg. Hours of careful planning and cooperative design begot beautiful stage scenery, fun costumes, and well-managed curtain calls, lighting, and sound. The actors were not the only stars of the show. Everyone involved is to be praised for the riveting performance and comedic reliving of “Pyramus and Thisbe,” a play within William Shakespeare’s A Midsummer Night’s Dream.
Will CCA continue to host a drama club? It’s too early to tell what might unfold in the upcoming years. However, I will say this: if CCA drama is led by Mr. Hirst again, you can count on the next play being just as fun, engaging, and education as the last.
Thank you CCA students, actors, stagehands, and Mr. Hirst for all your hard work and dedication to entertainment, education, and live theatre!


From Raina Telgemeier, the #1 New York Times bestselling, multiple Eisner Award-winning author of Smile and Sisters! Callie loves theater. And while she would totally try out for her middle school's production of Moon over Mississippi, she can't really sing. Instead she's the set designer for the drama department's stage crew, and this year she's determined to create a set worthy of Broadway on a middle-school budget. But how can she, when she doesn't know much about carpentry, ticket sales are down, and the crew members are having trouble working together? Not to mention the onstage AND offstage drama that occurs once the actors are chosen. And when two cute brothers enter the picture, things get even crazier!
Callie rides an emotional roller coaster while serving on the stage crew for a middle school production of Moon over Mississippi as various relationships start and end, and others never quite get going.
This series gives teachers, trainers, and trainee teachers practical guidance in key aspects of language teaching. Each book includes an introduction and up to 100 classroom ideas, materials, and techniques. The activities are clearly presented, and offer teachers all the information they need about appropriate level, time, preparation, materials, variations, and follow-up activities.
Author: J. L. Styan
Publisher: Peter Lang
Release Date: 2000-01-01
Genre: Literary Criticism
This book introduces the elements of drama and the principles behind the reading and study of plays - classical and modern. It makes a special point of seeing drama as intended for acting and performance, and it therefore emphasizes the role of the spectator at a play and the sort of theatre for which drama was written. The performance approach to the study of plays finally clarifies the different kinds of drama (comedy, tragedy, melodrama, and farce) and identifies its forms (realism, stylization, and symbolism). The book draws on specific examples of drama, is rich in helpful charts and diagrams, and contains a comprehensive glossary. "Drama" will be a useful guide for students and general playgoers alike.
Author: David Willinger
Release Date: 2018-01-29
Genre: Performing Arts
Since his emergence from the Flemish avant-garde movement of the 1980s, Ivo van Hove's directorial career has crossed international boundaries, challenging established notions of theatre-making. He has brought radical interpretations of the classics to America and organic acting technique to Europe. Ivo van Hove Onstage is the first full English language study of one of theatre's most prominent iconoclasts. It presents a comprehensive, multifaceted account of van Hove's extraordinary work, including key productions, design innovations, his revolutionary approach to text and ambience, and his relationships with specific theatres and companies.
"A wealth of lively and practical suggestions for all teachers, producers and anyone engaged in drama at any age. This is a book of ideas based on work at the famous Anna Scher Children's Theatre in London, which can be adapted and developed for any situation" -- Back cover.
Author: Mary Beth Rose
Publisher: Northwestern University Press
Release Date: 1990
Genre: Literary Criticism
Charivari and the comedy of abjection in Othello / Michael D. Bristol -- Slander for slander in Measure for Measure / M. Lindsay Kaplan -- Staging pardon scenes : variations of tragicomedy / Janet M. Spencer -- Wales, Ireland, and 1 Henry IV / Christopher Highley -- Sovereignty, disorder, and fetishism in Marlowe's Edward II / David H. Thurn -- Symbolic capital in the Spanish comedia / George Mariscal -- Husband-murder and petty treason in English renaissance tragedy / Betty S. Travitsky -- Giving up the ghost in a world of decay : Hamlet, revenge and denial / Robert N. Watson -- Reforming Prince Hal : the sovereign inheritor in 2 Henry IV / Jonathan Crewe -- King Lear and the royal progress : social display in Shakespearean tragedy / Bruce Thomas Boehrer.
Author: Eric Bentley
Publisher: Hal Leonard Corporation
Release Date: 1964
Genre: Performing Arts
(Applause Books). "Eric Bentley's radical new look at the grammar of theatre...is a work of exceptional virtue... The book justifies its title by being precisely about the ways in which life manifests itself in the theatre...This is a book to be read again and again." Frank Kermode, The New York Review of Books
The Really Useful Drama Book offers busy primary school teachers a collection of step-by-step drama sessions, inspired by high-quality picturebooks, that will engage children and promote enjoyable learning across the curriculum. Lively and thoughtful, the interactive drama sessions are structured around a wide range of texts, including wordless picturebooks, postmodern picturebooks, short stories, well-known texts by recognisable authors and some you may not have come across before, all chosen for their power to foster curiosity. The step-by-step sessions can also be adapted to incorporate your own ideas and passions, allowing you to structure them for the topics you’re exploring with your class. Each session is structured around two texts and offers a guide to the drama strategies used, teaching objectives, ideas for writing opportunities, problems, emotions and challenges to explore, and a clear guide to exploring each text. Ten key themes are explored: Suspense Prejudice Friendship Rhyme and rhythm War and conflict Nature Overcoming fear Possessions and obsessions Dreams Short stories With a focus on the crucial role of imagination in the classroom, The Really Useful Drama Book helps reclaim a purposeful, passionate pedagogy and shows teachers how drama can place children right at the heart of a story, encouraging their desire to ask questions, solve problems and search out new information.
Author: Nils Göran David Malmqvist
Release Date: 1989-12-31
Genre: Literary Criticism
The aim of the Selective Guide is to facilitate the first stage of research for those interested in Chinese literature between 1900 and 1949. It provides the reader with basic information on more than 300 words by Chinese writers. The contributions are based on independent research of sinologists from numerous countries. The guide consists of four volumes, which deal with the novel, the short story, the poem, and the drama (the current volume) respectively. Each volume contains an introduction which surveys the development of the particular genre and its characteristics in the period covered. All entries contain bibliographical information, summary of content and appraisal of the work as well as references to secondary sources and translations.
Author: Phil Jones
Publisher: Psychology Press
Release Date: 1996
Drama as Therapydescribes and defines dramatherapy, providing in one volume a definition of the core processes at work in dramatherapy, a clear description of how to structure sessions, a thorough review of techniques and a wide range of examples from clinical practice. At the heart of the book is a definition of the nine core processes which define how and why dramatherapy can offer the opportunity for change. Also included are step-by-step breakdowns of the ways of working with a broad range of clients. Dramatherapy's approach to role, play, mask, ritual, performance and script are all described. The book includes extensive historical material from the 1920s to the present day, covering work in the US, the UK, Russia and the Netherlands. It challenges previous accounts of dramatherapy's history with details of Evreinov's Theatrotherapy, Iljine's work in Russia and interviews with innovators in the field, including Peter Slade, Sue Jennings and Marion Lindquvist.


In December 2013, we were granted funding from the Arts Council England to start work on a new piece, called Billie Killer. This has been a great experience and we have now completed the first stage of the project, culminating with performances at the White Theatre, Department of Drama, Bristol, on the 4th, 6th and 7th of February 2014.
We are entering now the next stage in the development of the piece and at this point we would like to thank Pam Tait, Prof. Simon Jones and Rod Terry for their generous support. A special ‘Thank you!’ to the Alumni Foundation, University of Bristol, which has supported financially the twinning of Billie Killer with the start-up of CASL (Centre for Actors in a Second Language).
An adaptation of a folk tale – experimental theatre – the story of Goat, Wolf and Billies – the Nu Nu production involves masks, music, poetry, colours, tragedy and something more…
Involving artists from different countries, our piece uses material from diverse cultures to create a new, contemporary perspective on folklore and ritual.


When Kate was in Primary School and the school play was announced, she went straight home and wrote down who in the class should play each role.
Casting was always the goal….before she even knew it was a job!
Kate has a Bachelor of Arts from Monash University, majoring in Psychology &
Sociology. After uni, she worked at various
Casting Agencies in Melbourne, then spent many years
as the Extras Casting Director on some of the biggest
films to shoot in Australia.
During her Extras Casting career, Kate had the privilege
of working with legendary Directors: Baz Luhrmann, George Miller, Alex Proyas and Guillermo Del Toro.
Since making the move back into Main Casting Kate has cast successful ABC productions; Utopia, Ja’mie Private School Girl, Jonah from Tonga & The first Aboriginal Narrative Comedy, 8MMM: Aboriginal Radio. She has also cast a number TV Pilots and Television Commercials.
Kate is committed to and passionate about casting and can often be found checking
out the local acting talent at schools, theatre and film
festivals around Melbourne & Sydney.
She has travelled all over the world and her favourite place
is the Galapagos Islands.


May 30, 2018
You're invited to the ultimate gal pal Sesh with our two lovely Hallmark ladies, Cindy Busby and Tammy Gillis chatting all about the upcoming premiere of Marrying Mr. Darcy! We dish all about their time on set, the Darcy sisterhood and working together, the adorable Darcy dogs and collaborate on some creative film...
Mar 1, 2018
In this exclusive sesh, Jacks and Shawl chat about the much anticipated Royal Hearts! After interviewing Cindy Busby, star of the film, the gals were so excited for this movie and it did not disappoint! Join us as we play games, talk about the Hollywood royalty that is Cowboy Hank aka James Brolin, the princess...
Feb 23, 2018
The gals sesh with Cindy about all things Hallmark, working with Hollywood royalty and what it's like to play a princess!


Interested in exploring Israel while developing your filmmaking skills, networking with fellow young filmmakers, and connecting with Israel's top film industry professionals?
The Onward Israel Jerusalem Film Workshop, in cooperation with Jerusalem Film Workshop and United King Films, is a 6 week program great for creative young filmmakers looking for an opportunity to gain filmmaking skills and explore the land of Israel. Participants will gain comprehensive knowledge of filmmaking and expand their professional network, all while living in Jerusalem and sight-seeing the rest of Israel.
Over the course of 6 weeks, participants will develop and expand their cinematography, editing, screenwriting, and directing skills. Participants will have the opportunity to make two short films while using the tools and equipment we provide along with hands-on support from our teachers and mentors.Summer 2017
Included: Board (2 meals a day), lodging, insurance, transportation and program costs.
Participants are responsible for arranging their own flights.
This Onward Israel program is operated through a partnership between the Beacon and Shapira Foundations and other lead philanthropists, The Jewish Agency for Israel, and the Jerusalem Film Workshop.
Student Village Dormatories at Hebrew University, Jerusalem.
Single rooms, 3-4 per apartment.
Open to filmmakers and film lovers, aged 18-27, from around the world.Preference to Jewish young adults who have had one previous short-term Israel experience - Birthright or a teen travel program.
For More Information:
For more information http://www.jerusalemfilmworkshop.com/
or contact Ilana- firstname.lastname@example.org
The Registration is Now Closed.
To Watch a short video from the Onward Israel Jerusalem Film Workshop Experience, click here.
Click here to read more about what life is really like in Jerusalem from two Onward Israel summer 2015 participants.To Watch the Onward video Click here<>>
A partnership between:


Filmmaker Jennifer Tennican will be here at Convivium to introduce the film and participate in a panel discussion after the hour-long film.
Heart of Glass reveals the highs and lows of an innovative startup, while offering an intimate look into the professional and personal lives of an often overlooked population. Tennican says the film is as much about sustainable food production as it is about social entrepreneurship, disability advocacy and community inclusion.
Doors at Convivium will open at 6:30 pm and there is a $10 suggested donation that helps support the filmmaker. The film will start at 7 pm and lasts about an hour. There will be a half-hour panel discussion immediately following the film. Beer, wine and coffee drinks as well as snacks will be available for purchase.
This event is generously sponsored by MidWest One Bank and Hills & Dales.


Originally, I was going to make Ms. Atwell January's Icon since that was when the second season of Agent Carter premiered, but that didn't feel right, too...promotional, so I decided to push her back to February. But it wasn't even a choice that Hayley Atwell would be an Icon of the Month at some point. She's taken a character that was originally supposed to be nothing more than Captain America's love interest and transformed her into the one of the most popular, most critically acclaimed characters not just in the Marvel Cinematic Universe, but probably in entertainment. I genuinely think she's played a vital role in showing Marvel, DC, and the entertainment industry in general that yes, people want to see women in lead roles, as protagonists and not as helpless damsels in distress. At the same time, she doesn't play Peggy as some overblown STRONG FEMALE CHARACTER. There's femininity in the character that isn't hidden away all the time. Peggy knows that men find her sexy and attractive and she has zero qualms at using that and the sexism of the time period as an advantage.
Aside from her work with Peggy Carter, I chose Atwell because of her sense of humor. Her dubsmash battles with the cast of Agents of S.H.I.E.L.D. were epic. Her behind the scenes pictures she posted on her Twitter were hilarious for all the hijinks she'd gotten into when the cameras weren't rolling. Alas, she deleted her social media accounts for the sake of privacy, which I can respect.


Looks like it’s going to be a hot time in this old town tonight. Let’s just hope Lonely Boy and his book don’t go up in flames.
-XoXo Gossip Girl
-Favorite Scene 5x04 Part 2: Memoirs of an Invisible Dan
Dan: I’m sorry you’re not hurt.
Serena: No, not hurt. Mystified. In high school, you were the only one who saw me for who I really was. Or who I wanted to be. You helped me be somebody that I was more proud of.
Dan: I didn’t know.
-Favorite Scene 5x04 Part 6: Memoirs of an Invisible Dan
"It’s just a book, Charles"
"What if it’s not?"
Blair: Do you know what this summoning is about?
Chuck: I do, but I can’t say. I’m sworn to secrecy.
Blair: Since when do you bite your tongue?
Chuck: I’m learning.
-Favorite Scene 5x04 Part 1: Memoirs of an Invisible Dan
Good-Bye Gossip Girl 7 Friendships
3/7. Chuck Bass & Lily Van der Woodsen
I’m sorry to inform you that my love for you is unconditional.
Blair: Well isn’t Humphrey becoming quite the drama queen.
Chuck: Isn’t that usually your role?
Blair: I prefer drama princess now.
Chuck: How are you, by the way?
Blair: I’m okay. Thanks for asking.
-Favorite Scene 5x04 Part 3: Memoirs of an Invisible Dan


“Rocking Chair” theatre play started
We prepared a theatre play called Rocking Chair for informing students about the measures to be taken before an eartquake, the correct behavior during and after earthquake. Between the 22nd of February and 31st of March, the play was performed 50 times in 10 schools with an audience comprising 6.560 primary school students.
The theatre play takes 40 minutes. The students learn correct behaviour models such as Drop- Cover- Hold. Alongside, preparing a Disaster and Emergency Kit and Danger Hunt ability is taught in a fun manner.


Published on May 29th, 2017 | by admin0
The Oslo Bloomsday Celebrations 2017
When: Friday16.06.17 at 18.00
Where: The Ibsen Museum, Henrik Ibsens gate 26, Oslo
Entrance fee: adult 200 kr. – students 150 kr.
For pre-paid tickets contact – email@example.com
Tickets avaiable at door – cash only
More info at: www.facebook.com/bloomsdayoslo
His Excellency Karl Gardner, Ambassador of Ireland
PLURABELLE: Joyce and Modern Ireland
Presented Dr Sam McManus.
In this short talk Sam will look at how Ulysses resonates in a modern changing Ireland and examine how themes Joyce was concerned with a century ago have become ever more relevant.
Sam is a doctor, co-director of Irrgrønn Productions Oslo and a writer. His short story, ‘The Dog in the Story’, has been shortlisted for the prestigious 2017 Hennessy Fiction Award.
“Why can’t you kiss a man without going and marrying him first?”
“Molly” is a provocative new stage adaptation of James Joyce’s final soliloquy in Ulysses that that was premiered at the Galway Theatre Festival to rave reviews last April.
During the middle of the night, Molly Bloom lies awake,plagued by insomnia, wind and her husband’s snoring as she reflects on life’s ups and downs. A caustic wit is matched with searing honesty in her night time musings.
IFTA nominated Galway actress Tara Breathnach plays Molly in this dynamic one-woman portrayal directed by Petal Pilley
Bloomsday costumes welcome
The Oslo Bloomsday Society would like to thank our sponsors:
Cappelen Damm, Dubliner Folk Pub, Embassy of Ireland, NIBA, O’Reilly’s Irish Pub.
We would also like to thank Ibsenmuseet


A little naughty tale to start your weekend.
By Damian Bloodstone (email@example.com)
Copyright © 12/20/2014 All Rights Reserved. This cannot be copied in whole or in part without the author’s sole express permission.
He noticed how empty the place was for the foreign film. The movie began as he got out some popcorn. The butter caused his fingers to become slick.
He hated French class. The trouble he had was the boring way it was taught. This aid told him she could help learn the language of love through movies.
A romance, he disliked those. When the love scene began, he surged and looked away in embarrassment.
The shock of her hand on his belly caused his breath to catch. He looked at her.
“Watch the film,” she said as she deftly unfastened his belt.
When her hand slid inside his waistband, he jumped. The scene had caused a little rush but the warmth of her hand made him hard. The slickness of the butter caused her hand to slide. Those fingers gripped him just enough.
She placed her finger over his mouth a second. Her hand moved slightly faster.
He tasted the butter on her finger. Her hand held and caressed him. He didn’t make a sound as he came.
She smiled at him as she pulled out her hand.
French class became so much more than boring suddenly.


In the beginning this website was built mainly for acting purposes but as my life journey has many different faces and phases I decided to share that here too.
Who is Marta?
A one-woman band.
My professional journey started studying Photography in Madrid and years later I put that into practise in London as a headshots photographer.
You can find some of my work here.
Then I thoroughly trained as actress during many years - on this website you'll be able to see all the training and work I've gone through - a nurturing, heart-and-eye-opening experience.
In the arts field I also trained in dancing, singing and voice-over acting.
Studied theatre directing and playwriting - created, directed and produced several theatre pieces.
And worked as an acting coach and a presenter.
I really enjoy creating, learning and discovering new things.
So teaching, studying and the arts are
what bring that into my life.
Besides being a performing artist I've dedicated much of my time as an Educator in drama, voice and languages.
Right now I'm working as a translator (ENG > SPA) and as an English teacher in Madrid, teaching adults and children.
More info here.
Also, when I get the chance I do voice-over acting projects. You can find some of my work here.
And sometimes I provide my services as a
I learned about computer programming and here you can find access to some of my code and info about my experience.
If you are reading this and are interested in my:
Language or drama teaching
Communication & voice coaching
Or making music with me...
...drop me a line! :)


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Write something about yourself. No need to be fancy, just an overview.


Our star studded cast of highly trained music & professional acting teachers are skilled in helping you or your kids expand your thespian talents, fine tune your melodic aspirations & soar past your public performance goals. Choose from the multitude of music and theatre programs below...
This class is an introduction to both music and acting fundamentals. The first half of the class focuses on learning the building blocks for music. Students learn basic rhythm patterns, simple songs with movement and are introduced to the music staff and music notation. The second half is centered around learning the first steps of performing on stage. Students learn confidence performing in front of others on their own and in a group as well as the importance of stage blocking, proper voice projection, and character building.
Mondays: 3:15pm to 4:00pm
In this class, students explore three of the most important aspects of stage performance: singing, choreography, and acting. Students will work with various excerpts of popular musical theatre songs and scenes, introducing them to both contemporary and classic productions. The students will then write their very own musical including set and costume design. The teachers will then select appropriate music for their musical to sing and learn the choreography and this will be presented by video or on stage if permitted this year.
This class will participate in our Recitals in December and in June.
We offer Musical Theatre Group classes to the following groups: 5-8yrs & 9-12yrs
Thursdays: 4:00pm to 5:30pm
Thursdays: 5:30pm to 7:30pm
Work from the ground up to be the best performer you can be! Students will learn the basic building blocks of acting: proper voice technique, character building, using the space onstage, and accessing emotion. Using excerpts and scenes from various plays, students will work towards a short performance.
In this class, students are exposed to the critical knowledge needed to navigate through Vancouver's acting industry and be shown the skills necessary to increase the chances of success as a working actor/actress. Using scenes from various films and television shows, students will learn the basics of acting, how to adjust for the camera, audition process, and the ins and outs of being on-set.
This class runs from September through the end of June.
Our Film and Television classes may intake new students at the beginning of each month, our other group classes accept new students at any time, so we could get you started in class as soon as next week!
Monday: 6:00pm to 7:30pm
Thursdays: 7:30pm to 9:00pm
Mondays: 5:00pm to 6:00pm


The pursuants of this course shall be propelled into interesting and lucrative world of dubbing. The course comprises of sessions in speech therapy to fine tune one’s acoustic abilities. Students will also be briefed on basics of sound recording and in depth sessions in mike techniques, lip sync, dialogue improvisation, character regeneration, tonal variations, voice modulation in stage, radio, TV, films etc. would finally result in moulding a theoretically sound dubbing professional.
Student Helpline No : +91 7736068014
Timings : 10:30 AM - 05:00 PM, MON - FRI


8 TIPS to IMPROVE your Castability!
WHAT’S WITH THE LIST!!?
Relax. It’s okay. Just trying to make a point. We spoke last about acting as either a hobby or, more importantly, your vocation. Regardless of what it means for you, if you want to book work, a casting director likely will call you in to audition.
Yes, you can sidestep this person, but eventually the majority of your auditions will come through a casting office. They are the cog in the booking wheel. An essential part of the industry process.
As you cycle through the hundreds of casting faces that will become part of your life, you will encounter a few “casting curveballs” along the way. I told you I played baseball and I can’t help myself to an analogy once in a while!
To assist you getting started with your acting journey, or to simply re-set your mentality about casting directors in general, I offer up eight thoughts!
LIONS and TIGERS and CASTING DIRECTORS!!
Let’s get this out of the way! Here The Wizard of Oz is quite appropriate. Dorothy, encouraged to ‘follow the yellow brick road’ as a way to get home, is a perfect analogy for SUCCESS. Before she can make it back, along the way, she has to overcome the threat of lions, tigers and bears. As we quickly learn, Dorothy creates more worry in her mind than what actually happens when she and her friends met a certain lion.
As performers, let’s not fill our heads to much as the wonderfully talented Judy Garland did in that scene. It is important you don’t psych yourself out before you ever get started on booking work. Are casting directors people you should be frightened of? Absolutely not. However, when starting out, we’ve all worried about making an impression in auditions. Over time, we learn to re-direct that worry into our “business” to build healthy relationships with casting and then later into our craft so that we can “show” them our true artistic selves.
Bottom line: Let’s not start out scared of casting directors. It won’t help you act better!
How do we stop worrying and start booking?
Great question! Here is where I lean on my experience both in front, behind and alongside the camera. Very likely, you know some of these tips already, but consistently they re-surface — even in my private coaching with above the line performers!
Here are my tips:
1. YOU ARE A SOLUTION
Take a moment to understand the daily grind for Casting Directors. At times, it’s analogous to living in a maze and all they want to do is find a way out as fast as they can — and you hold the key! First and foremost, when you get an audition, do realize that you’ve already won. And won big!! Why? Because casting only has time to see about .001% of the actors who are possibly right for any role that comes available. Moreover, if you’re in a competitve market like New York, Los Angeles or London, it’s a huge win whenever you get an audition. Make the most of it! Rather than being fearful, just do your work and be a solution! Casting will appreciate you making it easier that day to get them through their MAZE of casting problems.
2. THEY ARE THE H.R. DEPT.
Remember to view casting as the Human Resources division found in all companies and industries worldwide. Do know that in the United States, for example, a casting director, despite being an independent contractor most of the time, is governed by the same Labor codes as any Human Resources director. They are conducting job interviews (“auditions”) in the eyes of the governing labor entities. Be professional!
3. CASTING OFFICES ARE TYPICALLY OVERWHELMED
Am I repeating myself? Yes. With historical context. Virtually every casting director would agree they live a constant state of flux. When I first started out, before digital technology, the typica casting director overwhelm was the TIME it took to process their work – sorting through hundreds of black and white photos, landline phones and really slow computers. It was physically arduous. Today, despite all the technology advances and the electronic casting portals, casting is now wading through thousands of thumbnail images to fill casting times. Frustratingly, agencies and actors and clients too often wait until the last second to communicate or confirm. Just carry this with you – CASTING IS ALWAYS SWAMPED!
4. CASTING DIRECTORS HAVE INSIDE INFORMATION … sometimes!
I wrote a book. Whew! Shameless plug, yes, but I bring it up because in it I have a chapter on REJECTION. In my coaching experience, actors tend to focus on not getting the job and how they’ve “been rejected.” Honestly, in most cases, this couldn’t be further from the truth — most of the time. Sometimes what happens is that a casting director is given new specs for a role. I share because this has happened to me! For example, on Monday, production might be looking for a 30-something Caucasian male and by the end of the week, the role changes to an elderly Asian woman. So next time you audition, do a GREAT job and wonder why you didn’t get it? Well, what MAY have happened is they changed the man to a woman or the African-American ethnicity to Asian. Casting directors have the inside information, so relax and stop believing every time you don’t get hired is a personal affront to you. It can be harmful to your psyche.
5. NEVER FORGET – IT ONLY TAKES ONE
That’s right! It only takes one casting director who truly adores you, your talent, and everything about you to potentially change your career. JUST ONE. Now that does not mean you should NOT try to create a professional association with as many casting directors as you possible. Just realize that it only takes one to make a difference. Now interestingly, I started my career in Atlanta a long time ago and back then there were only a couple casting directors in the entire town. So, if that’s your circumstance, do know the “it only takes one” phrase goes both ways. No need to be scared, but be mindful as you start out. You might find that by seeing the same office over and over, you begin to build a relationship where you do get the feedback to be better — something that might not happen right away in a larger market.
6. AVOID “US VS. THEM” MENTALITY
Simply put, no matter what happens, no matter how many times you audition and don’t get hired, no matter how many times your agent or manager attempts to get you an audition and the answer from casting is “no,” DO NOT MAKE the casting community your enemy in your mind. This will only serve to harm you — not them. Do not go into an audition with the subconscious thought that it is ME against THEM. I’ve discussed this too many times with coaching clients. You will lose. Your performance will suffer and it will slowly prompt casting from having any desire to see you again in the future. Be their solution, not their problem!
7. CASTING DIRECTORS ARE HUMANS — NOT GODS!
This comes up repeatedly in private sessions. For whatever reason, actors put casting directors on a pedestal and it colors both their interaction, and more important, their audition with that office. Please understand both sides of the coin —casting directors have a job BUT so do you. They are people too. However, actors at times, will deify casting and put them on a pedestal. What happens? Now casting is so seemingly out of reach, the actor’s behavior in the casting office and/or their auditions are likely to be less than what they could have been because there is now a need to impress! How many times have we heard… “don’t push it!” Believe me, no “performance” is needed when you meet a casting director. Be you! Let them digest everything you’re about. For them, the only real performance you will ever need is when you hear… “Action.” Do that well and good things can happen!
8. RESPECTFULLY…CASTING’S POWER IS LIMITED
Meet a casting director outside their office, at a Q&A and invariably they will admit ell their “power” is very limited in today’s world. We know this. We see it happen in sports. Do all quarterbacks get to call their own plays? Sometimes, yes. Often, coaches and coordinators labor over what needs to be done situationally for every down in football and it’s their job to decide. Why? Ultimately, that’s the coach’s job and the owner says so! It’s now the same in show business. Film directors, TV Showrunners, Producers, know that it is their neck on the line when it comes to who is cast. Even though the casting directors are supporting these decision-makers in the process, often the final casting decisions are made by the casting director. Now, based on their seniority and/or their relationship with the aforementioned titles, a casting director can potentially influence who gets cast but usually it’s often for smaller roles at best. This does not diminish casting directors’ role in any way but it should help you the actor mentally and thus encourage you to expand your professional associations to production, direction, etc.
I called this post “Casting Curveballs,” because casting is such a fluid part of our profession and long-term career. From my experience, the most important advice to you from everything I’ve shared above, is this statement: There are hundreds of eligible actors perfect for every role, so if you’ve been called in for an audition – you’ve already won!!! Casting directors want you to be brilliant!! By all means, BE BRILLIANT and the results will take care of themselves!


Jim and I generally don’t agree on movies. I enjoy a wide range of movies, from mainstream to documentary. Jim is pretty much only interested in a movie if it’s been nominated for an Academy Award, the more lifesucking the better (he actually liked There Will Be Blood – painful). So between January and the end of February he kicks into high gear movie watching. Except, not so much this year.
Last week we found ourselves just one week away from the awards and we had both only seen 1 movie on the best picture list (Avatar) and 1 best actress performance (Meryl Streep in Julie & Julia). I had also seen a handful of movies that were nominated in categories such as Costume (Coco Before Chanel and The Young Victoria), Cinematography (Harry Potter), Documentary Feature (Food Inc. – Jim watched 15 minutes and then left the room saying it was too biased a la Michael Moore) and Art Direction (Sherlock Holmes – Jim had no interest in seeing this – seriously?). Panic set in.
We immediately headed to the theater to watch the Nominated and Commended Animated Shorts. All 5 nominees were featured plus 3 bonus “highly commended” films. Jim and I actually agreed on our two favorites – miracle. Our top choice was one of the commended films, The Kinematograph, a Polish entry. The Kinematograph was heart-wrenching, in just under 10 minutes, no less. If you get a chance, see it, now. If you click on the link above you can see the trailer. I don’t want to give the story away, but the trailer sums it up nicely: The Kinematograph is the story of a man working on the creation of moving pictures, in color. But, as the trailer says, every invention comes at a price. Seriously, I was crying at the end, and I’m pretty sure I heard a sniffle out of Jim too. I have no idea why The Kinematograph wasn’t nominated, but, then again, I’ve never understood the Academy’s obsession with the Coen Brothers either (they’re nominated AGAIN this year).
Our second favorite short was much cheerier, beloved Wallace & Gromit in A Matter of Loaf and Death. Wallace and Gromit are now bakery owners and a serial killer fixated on killing bakers is on the loose! If you’ve ever seen Wallace & Gromit before, you can pretty much figure out how this goes. Still, it was 30 minutes of fun and I love that Wallace & Gromit is still in stop-action animation instead of following the Pixar parade, like most everyone else.
After the Shorts we stopped at the video store to rent District 9, a best picture nominee. I wish we hadn’t. For the record, I like action movies, I like Sci-Fi movies, I own a DVD of Predator! But District 9 was, in a word – ok 2 – complete sh*t. When it started, we thought it was going to be a commentary on refugee camps and the tensions between refugees and the inhabitants of the cities in which they flee too – NOPE. Then, when they started talking about how the aliens, referred to as prawns, adored cat food, we thought maybe it was a satire – NOPE. 52 minutes in we couldn’t have cared less, we just wanted the torture to end. If we had been in the theater we would have walked out (something I have never actually done), as it was we just turned off the TV.
So we head into Awards night completely unprepared. Can you help us out? Have you seen the nominated films? Which are your favorites? Which would you say to skip?


THE MAGIC FLUTE
From Executive Producer Roland Emmerich (Moonfall) comes a captivating film that follows a teen on two journeys: one into a prestigious boarding school to fulfill his aspirations as a singer, and another into a parallel world filled with fantasy and adventure. Tim (Jack Wolfe, Shadow And Bone) has been dreaming his whole life about attending Mozart All Boys Music School, but already his first days there confront him with a hostile headmaster (F. Murray Abraham, The White Lotus), the stresses of a first love, and serious doubts about the authenticity of his singing voice. When he discovers a mystical gateway in the school’s library, he is pulled into the fantastic cosmos of Mozart’s opera, The Magic Flute, where imagination has no limits and the Queen of the Night (Sabine Devieilhe) reigns.
Theatrical Release in the U.S.: March 10th 2023
Flute Film was founded by Producer and Entrepreneur Christopher Zwickler,
who studied filmproduction at the renowned Filmakademie Ludwigsburg. His mid length feature “The Last Will”,
directed by Dustin Loose, was awarded with a silver student Oscar of the Academy of Motion
Picture Arts and Sciences.
Parallel to his involvement as a film producer, Zwickler, together with Hollywood director
Roland Emmerich, founded Flimmer, a marketing agency for films, which was acquired
only three years after its founding by the French media company Webedia (AlloCine).
In 2021 Flute Film produced “The Magic Flute”, a modern screen adaptation of Mozart’s
beloved opera starring international film- and opera stars such as F. Murray Abraham, Jack
Wolfe, Sabine Devieilhe, Morris Robinson and many more. The film premiered at the Zurich
Sandra Winterberg Christopher Zwickler Maximilian Schuermann


by FRANCIS VEBER in an adaptation by SEAN FOLEY
Cast Included CLAUDIE BLAKLEY, KENNETH BRANAGH, ROB BRYDON, MARCUS FRASER, MARK HADFIELD and ALEX MACQUEEN
Two men. Two lonely hotel rooms. An adjoining door...
One of them is a killer… one of them wants to die… What could possibly go wrong?
Sean Foley directs his darkly hilarious adaptation of Francis Veberʼs classic French farce. The Painkiller will be the fourth production in the Plays at the Garrick season and will unite Kenneth Branagh and Rob Brydon, who will star in this comic tour-de-force alongside Claudie Blakley, Marcus Fraser, Mark Hadfield and Alex Macqueen.


There are a few reasons why we CAN'T WAIT to see this film:
1. It's in 3D! Anything in 3D automatically makes it a mandatory trip to the theaters.
2. It's futuristic sci-fi. One of the best genres for fiction films by far.
3. It stars Jeff Bridges. You know - the Dude! He rocks!
And of course, last but not least - Daft Punk has composed the score for the film.
This is not Daft Punk's first time working in the movies. We love their film Interstella 5555, where the French electronic duo paired up with Japanese animators to release a feature length anime film set to Daft Punk music. After that came Electroma, a story about 2 robots on the quest to become human, which the duo starred in and directed, but did not compose music for.
And that brings us to Tron:Legacy. There has been so much buzz about this film and about this score...will it live up to the hype? We think so. Want a sneak preview? Check out this music video from the movie for the Daft Punk song Derezzed.


Only the Brave is a Hollywood movie that tells the harrowing story and pays tribute to the 19 Granite Mountain hotshot firemen who lost their lives protecting the town of Yarnell, AZ from an out of control wildfire in 2013.
It takes a special person to fight fires; especially wildfires in remote mountainous areas. On June 30, 2013, Arizona lost 19 very special men in the Granite Mountain Fire near Yarnell. The tragedy gained nationwide attention and became the plot for the 2017 Hollywood movie: Only the Brave. In an effort to help others honor […]


Deuce of Spades – The Hot Rod Movie
How long has it been since you were excited about a car movie? Looking back there were a few good car movies, (Who remembers Dirty Mary and Crazy Larry) especially my all time favorite “American Graffiti”. Has there been or will there ever be a car movie with such massive appeal and with an equally massive following? Released in 1973, American Graffiti still spawns clone cars and I saw “John Milner” (Paul Le Mat) at this year’s Grand National Roadster Show. Wikopedia’s got a ton to say about American Graffiti, but none more amazing then this: Graffiti is the highest cost-to-profit success in film history.
When I first saw the trailer for Deuce of Spades, the first thing I thought of was American Graffiti. Deuce of Spades is a true car movie and it’s focused purely on hot rods. I can’t wait. I’m not saying they’re similar, because they’re not!
Faith Granger, the woman (yea, a woman) behind Deuce of Spades tells me, ” American Graffiti is a feel good movie about cruising and coming of age… and having fun.” Deuce of Spades, on the other hand, is “An epic drama. It’s a long, intense, fun and at times a tear-jerker. It’s very dark and deep, inspiring and artistic and fun too! It’s a hot rod film with substance and that in itself has never been attempted.”
More about Faith Granger… I struggled how to describe her then decided to call her the mother of Deuce of Spades. It’s the only thing that fits because she’s doing nearly everything to make this movie:
Its her idea and she wrote it
She’s filming (actually holding the camera!) directing and producing it
She’s editing it and doing about half the music herself (the other half is donated by some cool 50’s style rockabilly artists)
Heck, it’s even her car featured as the star of the movie.
Faith is, in her words, “a Hot Rod girl extraordinaire, renaissance woman, chick of many hats, master juggler, jack of all trades and master of a couple…” No kidding. Faith believes she should have been born in the US, but some how started life in France. A self taught singer/songwriter and guitar player since age 7, at 10, Faith left France for Beirut. 5 months into her stay in Beirut, a civil war broke out. Yea, really! Persevering and eventually finding success in music, radio and even some modeling and acting, she followed her heart and landed in Los Angeles with a suitcase and $400.
That doesn’t sound like somone who can make a convincing hot rod movie does it? There’s more. Faith’s passion for all things mechanical started when she was 12. Everything from sneaking a peak at a mechanic’s handbook under her desk in class to tearing apart her dad’s carb to clean it, Faith liked to get her hands dirty and says, “I was a real tomboy.” She started with motorcycles, then a couple years later go into cars. Finally, she got her hands on the smooth deuce roadster in the film. (more on that in another blog)
Fast forward to January 2007 Grand National Roadster Show in Pomona, CA. Faith, to celebrate her Deuce roadster’s 75th birthday, Faith decided to make a short movie called “Last of the Hiboy Girls” honoring women and their old Ford roadsters. As Faith enjoyed watching the car show audience stop and spend a full hour watching her movie (forgetting about the rest of the show) she knew she had to make her own featured film. Deuce of Spades was born. A film true to the era, true to the cars and true to the spirit of hot rodding.
There’s so much more to say about Faith and this movie, but I’ll end it here with this movie trailer for Deuce of Spades. When I first saw it, I immediately contacted Faith to find out who she was and how I can help her with promote the film. Deuce of Spades is almost done now and should be available Spring 2009. With everything she’s done herself, she’s enjoyed, “Full artistic control, pure artistic endeavor” while at the same time, “Glorifying the old jalopies and telling their side of the story for a change.” Sounds great, but that also means she’s footing the bill herself; true, “Indie” film style. If the spirit of the movie moves you, make a donation here. Faith’s having trouble feeding her actors on set, so it’d needed!
Make sure you leave a comment about the trailer here to encourage her. I’ll write more to help her tease the movie later. It’s gonna be great!


First a model, then an actress, Adeline first became involved behind the scenes in films after an urgent call for office help brought her quickly to the studio of John Graham, a production manager. Her ability to turn the whirlwind mess into a manageable atmosphere caused Graham to say, "I don't know who you are, but never leave me."
As you can see, this lady's an exception. But let's start at the beginning - Adeline was a precocious child at the piano, as her mother discovered she could play by ear at the tender age of 2. Her mother wrote, produced and acted in off-Broadway plays in the 1920s & 30s, which was a lucky thing for Adeline as she enjoyed the spotlight immensely. Adeline herself was a part of one of these plays, "Lest We Forget", with speaking lines at age 9.
At age 15 a friend suggested Adeline ought to model, and so she tried it out. In 1938 she became a Powers model with photos in hand, and as a young adult she modeled for various publications. Because the Powers agency did not offer classes, I was curious to know how Adeline learned to pose. She replied, "I don't know how I learned to pose; it just came naturally to me I guess." The fashion publications were "nothing of note" Adeline says, but she has polished and beautiful photos to show for it. The photo at right was one taken for the agency. And her mother was a wonderful support, designing clothes for her photo shoots and supporting Adeline in her creative endeavors.
Because she grew up in Brooklyn, the film industry was nearby, and Adeline auditioned for many commercials and movie projects. Today her piano is covered with framed photos including one of Adeline posing with a Coca-Cola bag circa 1950s. Commercials like this brought Adeline into the world of film, and as she had some secretarial skills, she also grew in demand thanks to the needs of busy production managers like John Graham.
On-screen, Adeline was often an extra in the movies. As an extra, the clothes she wore were "nothing of particular consequence", but described in advance by the studio to inform you how your clothing should fit the film. In one famous scene, she wore a smart blue suit standing behind none other than Cary Grant.
The film was "North By Northwest"; the scene was in the elevator. Originally Adeline was slated to be an extra on the street during a farewell cab scene with Grant. Director Alfred Hitchcock deemed Adeline "too pretty" for the street scene, and instead sent her to stand amidst the pressing crowd in the elevator. On the first take, Mr. Grant stood in front of Adeline so that she couldn't be seen. At a pause in filming, Adeline coolly whispered into his ear, "My mother will never forgive you."
And Mr. Grant stepped to one side.
Off camera, Adeline developed extensive experience as a production coordinator, managing "the nerve center" of the many and varied requirements of a film production. In this role she was a part of dozens of films and TV shows, including The Patty Duke Show from 1962 to 1965. A complete list of her impressive film career is located at IMDB (note to Adeline: this will create a link to a website that shows your movie credits). Even behind the scenes, her encounters with movie stars were still an occasional part of working life. During a production with Paul Newman, the office staff moved off-site for an impromptu meeting. As Adeline lugged a heavy typewriter to the meeting location, Mr. Newman graciously intercepted the bulky equipment, saying, "Let me help you with that."
While working on Three Days of the Condor starring Robert Redford, the production team struggled with a last-minute script change. After much delay, Adeline rushed the final version of the script onto the set. As her production jobs were nearly always confined to an office, Adeline's face was unknown to many on set. Crowds of public spectators were lined up along the set to get a glimpse of the famous names. When Mr. Redford spotted her, he picked her up and gave her a big hug in thanks for the new script, much to the curiosity of those crowds of people, who all wondered "Who's that?!"
Despite this memorable display of public affection, Adeline lived a quiet life mostly outside the spotlight, although her first meeting with her future husband Herb Seakwood was indeed like something out of a movie. Mr. Seakwood was an attorney who needed temporary help at his office, and Adeline answered the call to take a letter for him. Although she did not remember shorthand, she ambitiously wrote as he dictated page after page of difficult "legalese." It was a harried ordeal for Adeline, and due to hours focused on the legal pad, Adeline did not even remember his face afterward.
After this temporary job, Adeline and her future beau had no connection, and it was more than a decade later when Cupid struck. This time, Adeline met him accompanying her aunt to his office to create her aunt's will. Not two weeks later, this aunt passed away unexpectedly, and Adeline found herself back at Mr. Seakwood's office to manage the estate. Adeline and Herb fell in love, and they have been doting companions ever since.
Their deep sentiment is displayed in their clothes, as the dress and suit they wore in 1980 at their wedding are still in the closet, carried out and worn every anniversary. Likewise, Adeline wears the same vintage dress each year to commemorate their first meeting decades ago (see photo below). They are utterly charming, and the among the most loving couples I've ever met.
Back at the piano, other framed photos show Adeline smiling with the likes of Christopher Reeve, Robert Redford, William Shatner, Carroll O'Connor and Peter Falk. Adeline's impressively able at the piano even today. Due to decades of playing by ear, she has at her fingertips a world of tunes, both old standards and her own original works with effervescently positive lyrics. She graciously played some for me during our interview, much to my delight.
And today Adeline brings delight to many more than me. She's the Sunshine Lady for three local organizations, offering a smile and kind word to countless people new to our area. Her bright charm is a gift once cultivated both on and off stage, behind and in front of the camera.


MONTY PYTHON’S SPAMELOT COMING TO HERSHEY THEATRE
Dates: March 9 & 10
$65, $60, $50, $25 + processing fee
THREE DIFFERENT SHOWS!
Friday, March 9th: 8: p.m.
Saturday, March 10: 2: p.m. & 8: p.m.
The “funniest show on earth”, is back to taunt Hershey for a second time! Spamelot is coming to Hershey Theatre nearby to Annville Inn!
Winner of the 2005 Tony Award for Best Musical, Monty Python’s SPAMALOT, the musical comedy sensation lovingly ripped off from the film classic “Monty Python and The Holy Grail,” now returns to spread laughter and cheer throughout the kingdom. SPAMALOT tells the tale of King Arthur and his Knights of the Round Table as they embark on their quest for the Holy Grail. But before they can find their grail, they’re taking a little side-trip to the fair city of Hershey. More details, click here.
Your perfect weekend: A stay at Annville Inn Bed & Breakfast, and an enjoyable evening at Monty Python’s Spamelot!


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Mumbai: Alia Bhatt and Karan Johar spent their weekend discussing their upcoming much-anticipated collaboration, Takht. The actor on September 14 took to Instagram to share a glimpse of her talks with Karan. The upcoming film, which has a screenplay by Sumit Roy and dialogues penned by Hussain Haidry, will be directed by Karan. Set in the Mughal era, the film also stars Vicky Kaushal, Ranveer Singh, Kareena Kapoor Khan, Anil Kapoor, Bhumi Pednekar and Jahnvi Kapoor. Also Read – I have personal ambitions now: PriyankaAlia shared an Instagram Story which featured the director sitting in a chair in what appeared to be an office cabin. The Raazi star wasn’t visible in the post but shared a sneak peek of a red mug with written Takht on it. It appears that the film’s preparation have begun as both Alia and Ranveer were spotted outside Dharma Productions office recently. Takht marks Karan’s return to direction three years after the release of Ae Dil Hai Mushkil.


DG global is tasked with full production management of the graduation ceremony series including close liaison and communication with the Deakin University
graduations department, stage management, graphic design and content creation, and entertainment management of 22 graduation ceremonies – approximately 10,500 students graduated over the year.
DG global provides a complete creative agency service across all aspects of the graduation ceremony series with a core objective of highlighting – through an innovative and engaging graduation experience – that Deakin University is a vibrant, energetic tertiary educational institution, a point of difference from other universities in this sector.
DG global provides creative and production execution for the events, including technical production, set design and audio visual production, including live streaming services for each ceremony.
Extensive content and media creation forms an integral part of the ceremony series, including a purpose produced opening film, ‘live’ highlights feature, and screen content with live camera feeds.
Each ceremony concludes with a performance moment to engage, inspire and uplift students as they celebrate with their peers and family.
Included in the ceremony series are local and international graduating students from all Deakin campuses, families, dignitaries, alumni, honorary doctorate and awards recipients and university staff, faculty and board representatives.