Oliver! is a musical based on Charles Dickens’ Oliver Twist with music and lyrics written by Lionel Bart. First opened in the West End in 1960, it has gone on to have multiple productions throughout the world since then, not forgetting the film version from 1968. Oliver! is a musical that even non-musical lovers know!
Oliver! is alarge undertaking for any theatre company let alone a youth one but KYDS managed to execute it excellently. From the opening of ‘Food, Glorious Food’, the performers showed confidence and enthusiasm that continued throughout the show.
Beau Hens performed the titular role. He had a lovely singing voice and ‘Where is Love’ stood out as a particular tender moment. He was well supported by Tom Nicoll as Fagin. Tom’s confidence shone through and had a real command of the stage. Lola Emson beautifully performed the role of Nancy. She really brought Nancy to life and demonstrated some great acting through song in As Long As He Needs Me.
Other notable performances were Matthew Greed as Mr. Sowerberry, Ben Collins as Mr. Bumble and Charlie Werner as The Artful Dodger. This is a large company show and every performer gave a solid performance.
The set was simple yet effective and the use of different levels gave it real depth. The use of the street lamps to set the scene really worked and the transformation into Fagin’s Den was very clever.
It was great to have a band, led by Leah Cave, to support the performers and they were very good. There were some occasions where they seemed a little loud and some of the dialogue was missed but this may have been to some issues there seemed to be with some of the mics.
The choreography was effective and the performers danced well. It looked well rehearsed and added to the overall show, particularly in ‘I’d Do Anything’, which was excellent. The only weak area was really the lack of projection and gabbled dialogue of some performers. It was unfortunate that some dialogue was missed due to this.
Well done to the Director, Bradley Cole and the whole team on producing an excellent show. Overall, the performers should be exceedingly proud of themselves on what they have achieved.
Reviewer: Sarah Miles
Published at TheatreLife.org
Oliver! by Lionel Bart
KYDS Youth Drama Society
Directed by Bradley Cole
Assisted by Alexandra Berriman
Choreographer: Julie Davidge
Musical Director: Leah Cave
It is always a pleasure to be invited to the award winning KYDS productions and meet the wonderful front of house members who all help to keep this company going. The enthusiasm and dedication of the cast and crew is obvious from the first rise of the curtain. With a full house, the buzz of the audience full of family and friends it is good to know that this youth group has such support from the local community.
From the original Dickens story of the orphan boy, Oliver Twist, Lionel Bart created a wonderful musical classic which has delighted audiences since 1960. From the opening song ‘Food Glorious Food’, we saw the very large group of cast in grey costumes and dirty faces sing their hearts out. The award winning score features many well-loved songs such as ‘Consider Yourself’, ’Who Will Buy’ ‘Oom Pah Pah’ and ‘As Long as He Needs Me’.
New director Bradley Cole has given this show a simple touch using very little scenery and limited Victorian flair, something which I felt was sometimes needed. For me it was just a little too basic but he had huge support from a very strong cast of principals, who helped bring the story to life. A seven piece orchestra led by Musical Director Leah Cave was a great addition.
Eleven year old Beau Hens took on the title role of Oliver. With his sweet expressions and clear singing voice he was totally suitable for the role. His solo ‘Where is love’ brought many a tear to the eye in the audience. He also had a clear beautifully spoken voice.
Ben Collins and Emily Hatton as Mr Bumble and Widow Corney worked well together and I loved them singing ‘I shall scream’ song. Ben’s solo ‘Boy for Sale’ was superb. Ben’s voice has matured even more over the last few months and now has a lovely rich sound to add to his wonderful stage presence on stage. Emily also has a delightful voice and confidence on stage.
I loved Mr & Mrs Sowerberry, which was brought to life by Matthew Greed and Millie Sheldrick. Good characterisation here and full of humour and energy. Good direction in this scene.
Next we get to see Oliver meeting The Artful Dodger – cheekily played by Charlie Warner. Charlie always gives such a fun performance and his smile lights the stage.
On to Fagin’s Den, with Tom Nicoll in the much coveted role of Fagin. His height, demeanour plus his wonderful characterisation of Fagin made me smile and sing along as he and the cast sang ‘You have to pick a pocket or two’. Well done Tom.
Towards the end of Act one, we meet Nancy and her friend Bet. (Lola Emson and Grace Robards). Both these girls were excellent with clear mature singing voices. Lola certainly got everyone singing and with the opening of Act 2 – her Oom Pah Pah was a delight. I also loved her rendition of ‘As Long as he needs me’.
Now enter Bill Sykes singing ‘My Name’. Looking suitably menacingly evil in black with dark makeup, he used his cudgel to great effect putting the fear of God into the boys of Fagin’s den. Mr Brownlow and Mrs Bedwin (Olly Smith and Daisy Loerns) were suitably elegant and acted well on stage.
Mentions must also be made for the lovely singing voices of Amy Swallow as The Milkmaid, Lana Willis-Gill as The Rose Seller.
The support from the ensemble was as usual very well executed and you could see that everyone on the stage was enjoying themselves. Maybe a little bit more certainty with the choreography in the scenes, with everyone on, might have made it a little more seamless. I also think that the crew would have done better to have pulled the downstage tab across whilst completing set changes, as this did detract from the show a little.
Lighting and sound were suitable for the show as were costumes and makeup,
This was a really feel good musical with excellent performances from the whole cast. It is always a pleasure to see how much the young cast are improving from one show to the next and I look forward to seeing their next pantomime in November.
NODA Representative – District 8
North Essex Theatre Guild
30th June 2018
Oliver is probably one of the best known and best loved of all modern-day musicals, based on Charles Dicken’s book “Oliver Twist”.
KYDS took the opportunity to amass twenty-six enthusiastic and talented youngsters together with an orchestra of seven musicians to stage this production of Oliver to a large audience who were anticipating a stunning show and were not disappointed.
I have found it difficult to write this adjudication without it being full of superlatives
Front of House
I received the usual warm greeting from the FOH management one has come to expect from KYDS.
The Team produced a twenty-four-page programme with information about, KYDS the youth drama society, life in the Workhouse, and six pages of cast list together with thumbnail sketches of each member of the cast. A list of the scenes and the songs, plus the organizations that have supported KYDS both with this production and throughout the year completed the colourful programme.
The costumes were a delight to study, whether they were made or hired, I didn’t have that information, they were just right for the period and the characters. The only ones I would query were the Bow Street runners as they looked like a “Sherlock Homes” character in deer stalkers and capes, not as I would have expected them to dress.
In the main the make-up was excellent, the Workhouse Children with dirty faces and the same for Fagin’s followers. It’s difficult to age young people, so sometimes its better not to try too hard, Mr Brownlow’s makeup was far too heavy whereas Mr Sowerberry’s was spot on.
The production used the Black Curtains to good effect rather that making the use of scenery this worked extremely well and kept the pace of the production just right.
The use of various levels for many of the scenes worked very well the stage hands were extremely versatile with changes from scene to scene conducted at a rip-roaring pace.
The first Workhouse Scene in particular with lots of tables and benches was struck in what seemed a matter of seconds.
A delightful array of properties was on view from food to Fagin’s handkerchiefs to the knifegrinders wheel. A tremendous amount of work had gone into making and sourcing all of these. I loved the cat in the Bumbles scene it should have had a cast credit in the programme.
The lighting ranged from murky workhouse, to bright sunlight, and then a more sinister lighting for Fagins’s den. It was also used to great effect to represent to mood of the piece, whether happy moments or sad ones.
I was delighted that the orchestra didn’t overpower the singers as sometimeshappens the sound levels were just right, so the audience could hear every word being said or sung.
There were a couple of strange noises of crackling, a minor technical problem I suspect.
Oliver – Beau Hens
What a talent this young man has no only has he a great singing voice, but a great stage presence, the part of Oliver requires the “Ah! Factor” but Beau gave the part more thanthat, he gave us the cheekiness, the aggressive side when Noah was talking about Oliver’smother, (the fight with Noah was superb), and the sad side of Oliver.
Beau not only had the Ah! Factor but the Wow factor as well.
Artful Dodger – Charlie Warner
Another stunning performance from a young actor full of character, one of Fagin’s men through and through but with a soft spot for Oliver, Charlie gave the part depth, both in his singing and acting.
Fagin – Tom Nicoll
A gem of a part for any actor and Tom took full advantage of the opportunity to play Fagin. Tom has the advantage of being tall, in fact very tall, and he dominated his gang of robbers, he also controlled the stage and moved around as though he owned it, which I supposed he did!
His songs were a delight to listen too not only did he sing them very well but also acted them out as well.
We felt sorry for Fagin in the last scene with him all alone having lost his gang and singing“Reviewing the Situation”
This was a great performance well done.
Bill Sykes – Tom Hennessey
The real villain of the piece a nasty piece of work, Tom looked the part, but I think he needed to be more aggression in his manner not in movement, which was just right, but with his voice.
Nancy – Lola Emson
Lola played Nancy to the full, a very strong character portraying bags of energy making full use of her powerful singing voice, but still having the gentle touch when dealing with Oliver and her love for Bill.
Great power and energy singing “Oom Pah Pah” and the gentle voice in “As Long as He Needs Me” was a joy to listen to.
Mr Bumble – Ben Collins
Suitably padded out to be the Mr Bumble that we expect, Ben gave a terrific performance of self-assumed power dominating the children in his care, but having a more gentle manner toward Widow Corney.
A great singing voice and good stage presence.
Widow Corney – Emily Hatton
Different from the traditional way she is played Emily gave the character a more gentle but devious slant on Widow Corney making up to Mr Bumble then dominating him when married to him.
When not playing the Widow, Emily was the Strawberry seller and part of the Ensemble Another terrific performance from a young actor.
Mr & Mrs Sowerberry – Matthew Greed & Millie Sheldrick
These two young actors worked as a pair of rather slimy undertakers Mr Sowerberry rather dominated by his wife but with an eye for a good cheap deal in having Oliver working forhim Mrs Stowerberry very much the boss in the household, their song “Its Your Funeral”was a work of art. Both gave very mature performances.
Charlotte – Emily Upton
Emily had a lot of fun with Mrs Sowerberry, trying to put Oliver in the coffin this was a terrific piece of business very carefully choreographed and carried out, Emily brought her character to life
Noah/ Charley – Marcus Renshaw
A little “tough guy” or so he thought until he came up against Oliver, these two gave us one hell of a fight Marcus was loud strong and arrogant as Noah played him just how it should be played
Bet – Grace Robards
Wonderful singing and dancing along side Nancy, full of life and energy. Grace gave Bet a life of her own, I loved her singing with Nancy they complement each other so well.
Mrs Bedwin – Daisy Loerns
Mr Brownlows Housekeeper a pity we only saw this character for just one scene but Daisy gave a lovely portrayal of the caring member of Mr Brownlows household. This was a very well judged piece of acting.
Doctor Grimwig – Steven Hyde
Just one short scene for Doctor Grimwig but Steven made the most of it, very much the caring doctor.
Mr Brownlow – Olly Smith
Olly gave us the “kind old gentleman” that Mr Brownlow was, who turns out to be OliversGrandfather. Olly had the right stance and voice for the character he was playing, and created a real passion for Oliver, but as I have already mentioned his make-up was too strong
The Street Sellers – Emily Hatton, Amy Swallow, Lana Willis-Gill and Ben Collins
All gave us a glorious rendition on “Who Will Buy” especially the stunning voice of Lana the Rose Seller.
The Ensemble and Old Sally, Old Lady and the Bow Street Runners
The entire cast worked as one moving seamlessly from one character to another and from scene to scene without a hitch
It was a joy to watch.
The Band – Leah Cave (Musical Director)
It great to hear and be able to see the players so often these day the musicians are hidden away or taped music is used. The orchestra really added the overall enjoyment of the show.
Production – Bradley Cole, Director, Alexandra Berriman Assistant Director and Production Manager and Julie Davidge, Choreographer.
Congratulations to the Director and all the production team, KYDS created a performance that was a joy to watch, fast moving high powered dance routines not forgetting the great curtain call.
A tremendous amount of work from a very talented production team gave the audience on Saturday evening a show worth seeing, they enjoyed it and so did I


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100.000 viewers and 744 screenings in The Czech and Slovak Republic... The 20th anniversary edition of the International Film Festival Prague – Febiofest is over. Thank You!
We are happy to announce that a number of films that were screened at Febiofest this year, have found distributors and will have regular showings in Czech cinemas. Please note that not all films will be “English Friendly”.
The winner of the Grand Prix of IFF Prague - Febiofest is the British film Broken (dir. Rufus Norris).
This year's main part of the festival in Prague at Cinestar Anděl will again be followed by a series of regional echoes in 12 cities!!!
The 20th annual IFF Prague - Febiofest featured a new competion for Film Novellas. The jury has chosen three winners – the films Buzkashi Boys, While and Exhibition - now share three prizes - each receive € 2,500.


1. Summer Nights (Jaden Burnett, Megan Crump)1. Summer Nights (Jaden Burnett, Megan Crump)
2. Mariah (Chris Jensen)
3. I Will Never Leave You (Erika Poulsen, Necia Greenwood)
4. Somewhere Over the Rainbow (Carson Center, John Robert on Guitar)
5. Lost in the Woods ( DeGrey Christensen, Craig Gardner, Ellis Lucero, Paul Cave, Jaden Burnett, Jace Crump, Jerry Black)
6. Up The Ladder to the Roof (Chelsea Marsden, Jennifer Mills, Sarah Clark)
7. Some People (Tia Trimble)
8. Only Us (Sydney Carlson and Tyler Nelson)
9. Can’t Help Falling in Love ( Full Cast)
10. Moving too Fast (Paul Cave)
11. Gimme Gimme (Jill Broadhead)
12. Lida Rose/ Sweet and Low (Kelsey Eastmond, Craig Gardner, Marcus Williams, Blake Draper, James Eastmond)
13. Wizard and I (Avonlea Simons)
14. Who I’d Be (Steve Dunford, Colton Simons, Rachel Raddatz)
15. You Don’t Own Me (Kris Holley, Miranda Mobbs, Katie Wiscombe, Laura Holley, Debbie Maurin, Kara Poulsen, Mandy Bartholomew)
16. When You Believe (Ewell Family)
17. One Day More – (Full Cast, Soloists: Steve Dunford, Paul Cave, Amy Rachel Raddatz, Sydney Carlson, Colton Simons, Blake Draper, DeGrey Christensen, Jill Broadhead)
Directed by Colton Simons
Codirector Sarah Clark
Some of the Cast
Paul was a BYU Young Ambassadors performer, has directed two Broadway Review shows, and currently has an entertainment career as a Sinatra/Bublé-style crooner for various kinds of family or corporate events.
In musical theater, his leading roles include Jack (Newsies), Marius (Les Misérables), Danglars (The Count of Monte Cristo), Peter, Pilate, and Judas (Lamb of God), Billy Crocker (Anything Goes); in Canada, Mr. Banks (Mary Poppins) and Frank Abegnale Jr. (Catch Me If You Can).
Carson loves performing, and could not be happier to be able to during this crazy time. Some of her favorite performances include The Scarlet Pimpernel (ensemble), Mary Poppins (Winifred Banks), Jayne Eyre (Mrs. Reed/Lady Ingram), White Christmas (Mrs. Snoring Man), Pericles, Prince of Tyre (Thaisa), and Ragtime (ensemble). She has a BA from BYU in theater education and currently teaches the young children’s musical theater class, Broadway Bound, through Center Stage Youth Performers. A huge shout out to John-Robert and his amazing guitar skills that made this song possible!
Steve Dunford has been singing on stages around this valley since his first experience right here at Payson Community Theater as a 7 year old! From Playmakers on, Steve has always loved performing and feels very at home on stage. It’s been 6 years since his last theatrical role, when he played Jean ValJean in Les Miserables. Steve lives in Salem with his beautiful wife, Amber and their 4 incredible kids. He works in the events field and seems to have plenty of extra time lately for some strange reason… since about the 13th of March. Weird. Anyhow, he’s very excited to share the stage with his friends once again!
Craig Gardner has performed in theater and choirs since 8 years old, in such memorable roles as Mercutio (Romeo and Juliet), Harold Hill (Music Man), Riff (West Side Story), Danvers Carew (Jekyl & Hyde), and the very important Man #4 in Les Miserables. He loves the theater, enjoys singing and performing, and is grateful to be part of PCT. Above all, Craig is grateful for the love and support of his family.
J.R. Canaan’s love for music began at an early age as he grew up with up with singer/songwriter parents. He has played guitar for 17 years and is currently playing in an indie folk band called Vann Moon. He lives in Lehi with his wife and baby girl.
Marcus Williams has been on the stage since he was a little boy and has performed all over the world. He has been actor, dancer, pit musician, choreographer, producer, assistant director, director, set builder, and theater company co-founder. He is excited that theater is back!
Avonlea is excited to be apart of another PCT show especially during this crazy year! You may have seen her recently in Newsies (Katherine) at the Scera and in Mary Poppins (Mary) at PCT. Avonlea is currently busy finishing her bachelors, teaching voice lessons and being a mom of two. Thank you to the babysitters and to her awesome hubby for putting on this amazing show!
DeGrey Christensen has been performing in musical theatre productions since high school. His favorite roles have been Jean Valjean in Salem Hills High School’s Production of Les Miserables, Durdles/Nick Cricker in UVU’s The Mystery of Edwin Drood, and most recently the lead in the number Lost in the Woods in this February’s Animated Night on Broadway.
DeGrey has always loved music and theatre and has loved performing with Payson Community Theatre whenever he gets the chance.


Hell in a Handbag Productions is pleased to continue its 20th anniversary season with the return of one of its most popular holiday musicals: Christmas Dearest.Joan Crawford (David Cerda) returns in Handbag’s very own version of A Christmas Carol. It’s 1953 and Joan is desperate to reignite her career with the new film, Oh, Mary!, a big splashy musical adaption of the life of the Virgin Mary. Everything has to be perfect, but the stress of surviving in Hollywood has turned Joan into a tyrant! Even Carol Ann (Ed Jones), Joan’s faithful personal assistant is at her wits’ end. What Joan needs is a miracle, and that’s exactly what she gets when she’s visited by three ghosts who try to show Joan the error of her ways and the true meaning of the holidays.


The Mistress Saved My Marriage - The Stage Play
Jul 15, 2023
Cannon Center for the Performing Arts
255 N. Main St.
Memphis, TN 38103
Jul 15, 2023 at 7:30pm to 9:30pm
When a devoted wife is caught in the middle of a love triangle, she becomes determined to do whatever it takes to save her marriage. While fighting her husbands mistress wasn't a part of her life plan, she swallows her pride to compete for the man she loves. As the battle intensifies for his heart, the inevitable question becomes, how far will she have to go to win him back?


Brad is an actor, known for TryLife and Buttered Bread. His acting credits include several episode the ITV series «Vera» and he has appeared on the front cover of one of the biggest wedding magazines in the UK, «Your North East Wedding». Additionally, Brad has worked alongside Ken Loach on his film «Sorry We Missed You», which was released in 2019 to celebrated success. His biggest accolade to date has been winning Mr. Sunderland 2017 and competing in the Mr. England 2017 finals.
How did you get involved in acting?
BH: I was scouted by an agent to join their agency. Since then I have gone on to make many TV acting appearances.
What are your weak points when it comes to acting? How do you try to improve them?
BH: I don’t believe in weak points. I believe if enough time and effort is extracted into something it can be mastered. I want to be diverse in more playing roles which I am looking to do now.
What are your strong points as an actor?
BH: I am always trying to improve myself as an individual and in particular as
an actor. I study top actors and I practice. For me the best way to do this is
to built up a picture of the character and become it. Live as of you are that
character, how would they portray themselves to the audience. For me it is all about drawing the attention of the audience. I feel I am a strong character actor. I can keep audience gripped based on the character and their personality. For me I am able to become the character which I feel people are drawn to.
What have you learned from the directors that you have worked with throughout your career?
BH: I have worked with some brilliant directors. It has enabled me to see acting in a total different aspect. I get to see it from not only in front of the camera but behind it, which I feel is important. I like to see what the audience sees. It has also allowed me to become a stronger actor based on feedback from directors.
What’s challenging about bringing a script to life?
BH: The most challenging thing is becoming the character. I have never really found this difficult but I think in terms of the script the other actors have to also be very intricate to their characters. Learning not only lines it also knowing your cue. Knowing when to carry out an action is important
as it flows with the script. I think it would have to be someone who understands me or someone who has a very similar personality. I am intense and I portray that in every character I play.
Which scene are you working on today? Any exciting new projects?
BH: I am currently working on my own film which I have written, directed
and acting in. We are filming the last scene for the film which will be out in the coming weeks.
What is one professional goal you have for yourself ?
BH: My aim is to act in blockbuster Hollywood films. For me it is about personal success and this comes from working with the best directors and actors. It is a love I have which I wish to express.
If someone is going to make your life into a movie, who would play you?
BH: I’d love to play Reggie Kray. I see myself as that kind of actor. I love anything based around the 60s. I think I would make a bad ass gangsta!
Which role that you have played you like the most?
BH: My latest film. I play an undercover detective. It suits me very well. I also played a boxer who suffered from Mental health issues which I enjoyed
as it allowed me to portray the reality of everyday personal problems.
Who is your inspiration?
BH: My inspiration is my father. No one comes close to that. I like to think my style of acting is very different to anyone out there.


Tel: +44 (0)208 941 7907 / Mob: +44 (0)7790 605191
Liv recently appeared in the crime thriller 'City Of Tiny Lights' (directed by Pete Travis) and ITV's feature length drama 'Churchill's Secret' (directed by Charles Sturridge).
A British-Danish citizen, she relocated from Copenhagen to Northern California at a young age and later moved to Los Angeles where she studied method acting at the distinguished Lee Strasberg Theatre and Film Institute. She worked on a variety of Canadian film projects including 'Almost Home',Triggered', 'Endgame' and starred as Mel in 'Crooked'.
Whilst living in Vancouver, Liv was also cast as the lead in a series of webisodes produced by The Justice Institute of British Columbia (directed by Bob Walker) and in the science-fiction drama 'Close Contact’
(directed by Ron Heaps).
She recently portrayed Louise in 'Born Evil' which was selected to screen at Sitges International Film Festival and is looking forward to undertaking new projects both in the UK and internationally.


The hype surrounding the “Oppenheimer” movie in IMAX is palpable and for good reason. This film, projected in the immersive IMAX format, promises to deliver a cinematic experience like no other. The larger-than-life screen, combined with the superior sound quality of IMAX, is expected to bring the story of J. Robert Oppenheimer, the “father of the atomic bomb,” to life in a way that’s both visually stunning and emotionally resonant.
The anticipation is further fueled by the fact that this is not just any movie, but one directed by Christopher Nolan, a filmmaker known for his meticulous attention to detail and his love for shooting on film, particularly IMAX. Nolan’s previous works have set a high bar for IMAX presentations, and expectations are sky-high for “Oppenheimer.” The hype is not just about the technology, but also about the potential for this film to be a landmark in cinematic storytelling, leveraging the power of IMAX to draw viewers into Oppenheimer’s world.
IMAX, a name synonymous with larger-than-life cinematic experiences, has been wowing audiences for decades. The journey of IMAX began with its iconic 70mm film projection, taking viewers on unforgettable visual adventures. However, with advancements in digital technology, the IMAX experience has transformed, offering new possibilities and challenges. In this blog post, we’ll explore the evolution of IMAX, comparing the pros and cons of both IMAX 70mm film and digital IMAX projection.
Comparison table highlighting some key differences between IMAX 70mm film and digital IMAX projection:
|IMAX 70mm Film
|Crisp and detailed
|Extremely high (18K+)
|High (4K or 2K)
|Rich and vibrant
|Vivid and accurate
|Varies (typically 1.43:1)
|Standard widescreen (1.90:1 or 1.43:1)
|Immersive and powerful
|Immersive and powerful
|Projected from 70mm film
|Projected from digital source
|Slightly prone to variations due to film quality and aging
|Consistent across screenings
|Film handling and upkeep required
|Minimal maintenance required
|Limited number of theaters
|Preferred by some directors for its unique aesthetic
|Increasingly embraced due to advancements in digital technology
|Higher production and distribution costs
|Lower production and distribution costs
It’s worth noting that the digital IMAX format has evolved over the years, and some newer digital IMAX installations have adopted advanced technologies like laser projection and higher resolutions. As a result, the specifications and capabilities of digital IMAX can vary to some extent depending on the specific theater and equipment being used.
IMAX 70mm film projection offers a unique and immersive experience due to the larger film format, while digital IMAX provides high-quality visuals and sound with more consistency and accessibility. Ultimately, the choice between the two formats depends on various factors such as the filmmaker’s preference, theater availability, and technological advancements.
Comparing IMAX 70mm Film vs Digital IMAX:
IMAX 70mm Film:
- Exceptional Image Quality: IMAX 70mm film provides exceptional clarity, sharpness, and detail due to its large film format.
- Immersive Experience: The combination of the larger film format, high-resolution image, and powerful sound system creates a truly immersive cinematic experience.
- Unique Aesthetic: Some filmmakers and cinephiles appreciate the unique aesthetic qualities of film projection, including the grain structure and texture.
- Dynamic Range: IMAX 70mm film offers excellent contrast and dynamic range, resulting in deep blacks and vibrant colors.
- Filmmaker Preference: Certain directors choose to shoot or project their films in IMAX 70mm to achieve a specific visual impact or to create a more cinematic experience.
- Limited Availability: IMAX 70mm film projection is available in a limited number of theaters due to the specialized equipment and film distribution requirements.
- Film Handling and Upkeep: Working with 70mm film requires careful handling, regular maintenance, and specialized projection equipment, which can be more labor-intensive and costly.
- Image Consistency: Film projection may be susceptible to variations in image quality due to film quality, aging, or the condition of the projection equipment.
- Higher Production Costs: Producing and distributing films in the IMAX 70mm format can be more expensive compared to digital formats.
- High-Quality Visuals: Digital IMAX offers crisp and detailed visuals with high resolutions, typically 4K or 2K, resulting in a visually stunning presentation.
- Consistent Image Quality: Digital projection ensures consistent image quality across screenings since it is not subject to variations in film quality or aging.
- Accessibility: Digital IMAX is more widely available, allowing a larger audience to experience the IMAX format.
- Lower Maintenance: Digital projection requires less maintenance compared to film, as there is no need for film handling, cleaning, or regular equipment calibration.
- Lower Production Costs: Producing and distributing films in digital formats generally incur lower costs compared to shooting and distributing on 70mm film.
- Aesthetic Differences: Some cinephiles argue that the digital format lacks the unique aesthetic qualities and texture that can be achieved with IMAX 70mm film.
- Limited Resolution: Although digital IMAX offers high resolutions, it may not match the extreme resolution capabilities of IMAX 70mm film.
- Dynamic Range: While digital IMAX offers good contrast, it may not provide the same level of dynamic range and deep blacks as IMAX 70mm film.
- Filmmaker Preference: Despite advancements in digital technology, some filmmakers and purists still prefer the aesthetic and authenticity of shooting on film.
These pros and cons highlight the trade-offs between IMAX 70mm film and digital IMAX, and the choice between the two formats often depends on factors such as the filmmaker’s artistic vision, availability of equipment, theater infrastructure, and audience preferences.
Tabular Comparison: Pros and Cons of IMAX 70mm film and digital IMAX:
|IMAX 70mm Film
|Exceptional image quality
|Consistent image quality
|Unique aesthetic qualities
|Accessibility to a larger audience
|Dynamic range and vibrant colors
|Lower maintenance requirements
|Filmmaker preference for specific visuals
|Lower production costs
|Lack of unique aesthetic texture
|Film handling and upkeep
|Limited resolution compared to IMAX 70mm film
|Image consistency variations
|Lesser dynamic range compared to IMAX 70mm film
|Higher production costs
|Filmmaker preference for film aesthetic
It’s important to note that these pros and cons may vary depending on individual preferences, advancements in technology, and the specific implementation of IMAX in different theaters.
In conclusion, the anticipation for the “Oppenheimer” movie in IMAX is a testament to the power of this format in enhancing cinematic storytelling. With the combination of Christopher Nolan’s directorial prowess and the immersive qualities of IMAX, whether in 70mm or Digital, audiences are eagerly awaiting a viewing experience that promises to be both visually spectacular and deeply engaging.


Oct 4, 2018
Derek M. Koch (Monster Kid Radio) and Scott Morris (Disney, Indiana) are joining forces to present Plan 9 by 9, a podcast breaking down Ed Wood's Plan 9 From Outer Space nine minutes at a time! In this introductory episode, Derek and Scott reveal how they first heard of the film and how they expect the rest of the podcast to play out.
Special Thanks to our Criswell, Joshua Kennedy.
And Extra Special Thanks to all our backers!


In 2012, inmates at San Quentin prison rehearsed and performed the play HAMLET, directed by Lesley Currier and Suraya Keating of Marin Shakespeare Company.
Simultaneously, the men created a "Parallel Play" -- their own autobiographical stories, inspired by the themes in HAMLET, told through theatre, and directed by Suraya Keating. Here you can see video of their performances, and read transcripts of what they wrote.The "Parallel Play" was supported in part by a grant from Theatre Bay Area's CA$H
Fund. We are grateful to Cal Humanities for a 2013 Community Stories grant, which has allowed us to make this material available online. If you would like to use these playlets in performance, please contact Lesley Currier at
firstname.lastname@example.org We hope you find this material useful, and we welcome your feedback and comments.
We would like to acknowledge the courage and talent of the men who participated in this production. These are all men who have made terrible choices at some point in their lives, who have hurt others and themselves, and who are trying now to be the best men they can be. In telling their stories, they are hoping to heal themselves and others. Shakespeare provides the perfect inspiration for looking deeply at the complexities of human motivation and the aspiration for divine forgiveness.


Even if you are not a big X-men fan, or haven’t kept up with the series, this movie will satisfy you. It is easy to catch up with everyone, as the character development is very good in the first half-hour. That may be why the first half-hour seems slow. But rest assured, the rest of the movie picks up steam and delivers all the way home. And that is where this movie takes you, on a journey home of sorts for one of the characters.
Along the way, many of the other characters find their way home, in a sense, in each of their own ways. It is not a light movie, with heavy family themes; but great lines and little quips from familiar faces will keep you chuckling. Be warned, however, because I did hear open weeping from some of the audience at the end. The plot is great, the action is intense, if not violently gory, but in the end you will feel your heart touched by this ultimately meaty movie.
Most sites are giving this film, Logan, a 4 out of 5 rating. I would bump it up to 4.5 because of the way it is expertly crafted. Hugh Jackman is superb, along with the rest of the cast. It is a fitting end to his character, and by the looks of him at the end, he ain’t comin’ back! I would bet on an Oscar nod for the little girl, Laura, played by Dafne Keen. She is phenomenal in all aspects, from her brooding looks and range of emotion, to her adept mastery of the action scenes. This one is a winner.


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The Bahamas, particularly Nassau, has played a significant role in the James Bond film franchise, serving as a stunning backdrop for several iconic scenes. The relationship between James Bond and the Bahamas began with the 1965 film Thunderball and continued with Never Say Never Again (1983) and Casino Royale (2006). All three films relied heavily on locations in and around Nassau & Paradise Island.
However almost every James Bond film with an underwater scene was filmed in the Bahamas. Due to the Bahamas water’s unique properties of shallow, crystal clear water, bright sunlight and accessible filming locations. Other films include: You Only Live Twice (1967), The Spy Who Loved Me (1977):, For Your Eyes Only (1981), The World is Not Enough (1999).
Consider booking a Nassau to Exuma Day Trip to visit the Thunderball filming locations in the Exuma Islands.
The Bahamas’ allure for Bond filmmakers lies in its exquisite natural beauty, turquoise waters, and the perfect blend of tropical paradise and luxury. The country’s government and tourism industry have actively promoted these Bond connections, further establishing the Bahamas as a premier destination for Bond enthusiasts and travelers seeking to experience the allure of the 007 lifestyle.
The Bahamas have become an integral part of the James Bond film legacy, featuring prominently in several films. The stunning landscapes, underwater scenes, and luxurious settings have made the Bahamas an iconic Bond destination, attracting fans and tourists from around the world.


Cute Teenage Group Halloween Costumes
Halloween is a time for creativity and fun, and what better way to celebrate than by dressing up in cute group costumes with your friends? Teenagers often enjoy going trick-or-treating or attending Halloween parties together, and coordinating costumes can add an extra element of excitement to the festivities. In this article, we will explore some adorable and trendy group Halloween costume ideas that are perfect for teenagers. Whether you’re looking for something spooky, funny, or nostalgic, these costume ideas will surely make you the center of attention at any Halloween event.
1. Classic Movie Characters:
One popular theme for group costumes is dressing up as characters from classic movies. This idea allows you and your friends to pay homage to your favorite films while showcasing your creativity. Consider going as the iconic characters from “The Wizard of Oz,” such as Dorothy, the Scarecrow, the Tin Man, and the Cowardly Lion. Another timeless option is the cast of “The Breakfast Club,” with each friend representing one of the beloved characters from this 80s coming-of-age film. These costumes are not only cute but also instantly recognizable, making them a hit at any Halloween gathering.
2. Disney Princesses and Princes:
For those who grew up watching Disney movies, dressing up as Disney princesses and princes can be a dream come true. Gather your friends and transform into a group of enchanting characters like Cinderella, Belle, Ariel, Prince Charming, Aladdin, or even Elsa and Anna from “Frozen.” This theme offers endless possibilities, allowing each member of your group to choose their favorite Disney character. Not only will you look adorable, but you’ll also bring a touch of magic to any Halloween event.
3. Pop Culture Icons:
In today’s digital age, pop culture plays a significant role in our lives. Dressing up as pop culture icons is a fantastic way to showcase your interests and stay relevant. Consider going as the characters from a popular TV show like “Stranger Things” or “Riverdale.” You and your friends can recreate the iconic looks of Eleven, Nancy, or Betty and Veronica. Another idea is to dress up as famous musicians or bands, such as the Spice Girls or the Beatles. These costumes will not only be cute but also demonstrate your knowledge of current trends.
4. Food and Beverage Group Costumes:
If you and your friends have a shared love for food or beverages, why not incorporate that into your Halloween costumes? This theme allows for both creativity and humor. Consider dressing up as a group of favorite snacks like popcorn, pizza, or tacos. Alternatively, you could go as different beverages like soda cans or coffee cups. These costumes are not only cute but also provide an opportunity for some playful banter and inside jokes among your group.
Halloween is a time for teenagers to have fun and express their creativity through costumes. By choosing cute group costumes, you and your friends can make a lasting impression at any Halloween event. Whether you opt for classic movie characters, Disney princesses and princes, pop culture icons, or food and beverage-themed costumes, the possibilities are endless. Remember to plan ahead, coordinate with your friends, and most importantly, have a spooktacular time celebrating Halloween together!


I'm a freelance 2D Concept artist/Illustrator based in London UK.
Here you can find a selection of personal and professional artworks ...I hope you like it!!
Please feel free to drop me a mail at firstname.lastname@example.org if you have any questions, or interested in work collaborations.
graduation film "Pasticcere" Alberto Antinori, Adolfo di Molfetta, Giulia Landi, Eugenio Laviola
Winner at 3DNA 2010 Napoli Comicon / Winner at Piemonte Movie festival 2010 / Winner at KLIK! FESTIVAL AMSTERDAM 2010 / Selected at Festival du Courtmetrage Saint Maur des Fosses 2010 / Selected at Milano Film Festival 2010 / Selected at Cinanima Espinho-Portugal 2010 / Selected at TINDIRINDIS Festival Vilnius Lituania / Selected at "EUROLAB" Amiens / Selected at INTERFILM 26th International Short Film Festival BERLIN / Winner at Festival del Cine Italiano de MADRID 2010 / Selected at 2010 Red Stick International Animation Festival, Baton Rouge USA............&..many others


Horror Movie Remakes
Remakes are the theme for this edition of May Monster Madness. Some movies need to be remade so they can evolve into something more relevant, others are perfect left to their classic style and shouldn’t be messed with. I generally favor the classic, but I do understand why old movies are remade — youngsters these days probably wouldn’t ever watch the original, or have even heard of it, without the remake. I’m obviously not going to post every horror movie ever remade, as the list is far too long. I have carefully selected a handful of movies that I believe to be true classic horror movies. If I’ve missed something that you feel should be matched up, please feel free to discuss in the comments.
For the following horror movie remakes, who do you think did it better?
Director: Alfred Hitchcock
Writers: Joseph Stefano (screenplay), Robert Bloch (novel)
Stars: Anthony Perkins, Vera Miles, John Gavin
Director: Gus Van Sant
Writers: Robert Bloch (novel), Joseph Stefano (screenplay)
Stars: Vince Vaughn, Anne Heche, Julianne Moore
* My opinion: I prefer the classic. Something about it being filmed in black & white gives it a more haunting vibe. While I feel that Gus Van Sant did an impeccable job with this remake, and that Vince Vaughn delivered an amazing performance in this role, Anthony Perkins IS Norman Bates for me.
The Texas Chainsaw Massacre
Director: Tobe Hooper
Writers: Kim Henkel (story), Tobe Hooper (story)
Stars: Marilyn Burns, Allen Danziger, Paul A. Partain
Director: Marcus Nispel
Writers: Kim Henkel, Tobe Hooper, Scott Kosar
Stars: Jessica Biel, Jonathan Tucker, Erica Leerhsen
* My opinion: The original film was slightly more disturbing in this case, but the remake scared the shit out of me too. I would be happy to watch either one. Any movie based on true events is especially creepy to me.
The Evil Dead
Director: Sam Raimi
Writer: Sam Raimi
Stars: Bruce Campbell, Ellen Sandweiss, Richard DeManincor
Director: Fede Alvarez
Writers: Fede Alvarez (screenplay), Rodo Sayagues (screenplay), Sam Raimi (based on the motion picture “The Evil Dead”, written by)
Stars: Jane Levy, Shiloh Fernandez, Lou Taylor Pucci
* My opinion: I have not yet seen the remake of The Evil Dead so I would love to hear opinions on this match up! I adore Bruce Campbell so I’m not certain how I feel about this one being remade, but I do feel compelled to check it out.
Director: Kurt Neumann
Writers: George Langelaan (story), James Clavell
Stars: David Hedison, Patricia Owens, Vincent Price
Director: David Cronenberg
Writers: George Langelaan (short story), Charles Edward Pogue (screenplay)
Stars: Jeff Goldblum, Geena Davis, John Getz
* My opinion: I have to go with the remake on this one. I love everything that Jeff Goldblum is in. He is such a remarkable, eccentric actor. Goldblum is the epitome of captivating.
Director: Richard Donner
Writer: David Seltzer
Stars: Gregory Peck, Lee Remick, David Warner
Director: John Moore
Writer: David Seltzer
Stars: Liev Schreiber, Julia Stiles, Seamus Davey-Fitzpatrick
* My opinion: I LOVED The Omen movies when I was younger. In fact, my favorite was always the second one — most likely because I had a major crush on Jonathan Scott-Taylor, the actor that played Damien in the sequel. 🙂 I obviously had a thing for the bad boys. In this case, the son of satan.
Wasn’t he a cutie? Or, as we said back in the 80’s, a babe. lol. I was only five years old when the second movie came out, but by the time I saw the movie I was pretty close to the same age he was in the movie.
So… which is better – the original or the remake?
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Looking back at all the people who were part of Almost Live!, it’s notable that there are literally none of them that moved onto completely different careers after the show wrapped years ago. None of the cast members went into the clergy – or became an actuary, astronaut, statistician, pipe-fitter, cartographer, or tried their hand at dentistry. Yes, Joe Guppy DID become a psychotherapist for a while, but he also simultaneously taught comedy. The two DO go hand-in-hand after all. But most everyone moved from the show to somewhat related fields: Some on to TV work, writing projects, standup comedy, public speaking, and theater. But one former cast member has pretty much done – and continues to do – ALL of that. And she was already under sail before she ever arrived at Almost Live!
Lauren Weedman has a performing career longer that KING KONG’s arms. Both of them. She’s acted in countless movies and TV shows, from Arrested Development, to Will and Grace, from Two Broke Girls, to Masters of Sex. She played major roles in the HBO series Hung and Looking. But as you’ll discover in this episode, her very first TV experience was on Almost Live!
Without question one of the most accomplished talents that ever strolled into the studios of
Almost Live! Actress, comedian, theater performer, artist, author, playwright, AND the single mom of Leo. They live together in L.A. – at nearby Santa Monica.


Oscar contender The Shape Of Water has been hit by a lawsuit claiming that its surreal plot is a rip-off of a 1969 play.
Director Guillermo del Toro has already won a BAFTA for the movie. It is also the most-nominated film at the Oscars, with 13 nods including best picture, best director and best actress.
It depicts a romance between a cleaner who works at a secret lab, played by British actress Sally Hawkins, and a mysterious river creature.
But legal papers filed in Los Angeles claim it “brazenly copies the story, elements, characters and themes” from a play called Let Me Hear You Whisper.
The lawsuit was filed by the son of playwright Paul Zindel, who died in 2003.
It lists what it claims are 60 resemblances between The Shape Of Water and the play.
They include the basic premise of a lonely cleaner working in a Cold War-era lab who forms a bond with a captive aquatic creature and tries to set it free.
However, in Let Me Hear You Whisper, the creature is a dolphin rather than a half-man, half-river creature.
Despite “glaring similarities”, the lawsuit claims Del Toro, producer Daniel Kraus and studio Fox Searchlight “never bothered to seek or obtain a customary licence” for the rights to the play – or credit Zindel.
Fox Searchlight said the claims were “baseless (and) wholly without merit” and appeared timed “to coincide with the Academy Award voting cycle in order to pressure our studio to quickly settle”.
Ballots to choose the Oscar winners were sent out to 8,000 members of the Academy just a day before the lawsuit was filed.
The studio said it would “vigorously defend ourselves and, by extension, this groundbreaking and original film”.


Regé-Jean Page (/ˈrɛɡeɪ ˈʒɑːn ˈpeɪdʒ/ reh-gay ZHAHN PAYJ; was born in 1990 in London, United Kingdom to a Zimbabwean mother who was a nurse and an English father who was a preacher. He is the second youngest of four children and was in a band with his little brother. Page spent his childhood in Harare, Zimbabwe before returning to London for secondary school. He opened up about his childhood, “my family was rather spread out — I have family in South Africa, Australia, Sweden, Grenada, Florida — so you make pit stops and you grow your perspective.” Speaking of Zimbabwe, he said, “It’s the most beautiful place in the world. Everyone says this about their own country, but it’s objectively beautiful. And because it was so young I think there’s a genuine generosity in people from Zimbabwe, which is slowly being chipped away at, as we hit our terrible teens and realise the world is a harsh, cold, difficult place that one must be strong enough to survive.”
After returning to the UK, Page took up acting as a hobby during Saturday school. He says the National Youth Theatre changed his trajectory. After two years of auditioning, Page was accepted to Drama Centre London, graduating in 2013.
Regé-Jean Page’s work is quickly establishing him as one the most exciting British acting talents of his generation.
Regé gathered rave reviews in his break-out lead role as ‘Chicken George’ in the award winning event-series ‘ROOTS’, then went on to star in the Shondaland legal thriller ‘For The People’, Peter Jackson sci-fi blockbuster ‘Mortal Engines’, and jazz age epic ‘Sylvie’s Love’, before re-partnering with Shonda as the romantic lead of her Netflix debut, period-romance spectacular: ‘BRIDGERTON’.
Trained at the National Youth Theatre of Great Britain, then the infamously left-field ‘Drama Centre London’, Regé began his career on stage, in ‘The History Boys’ at the Sheffield Crucible, and then alongside Jonathan Price in ‘The Merchant Of Venice’ at Shakespeare’s Globe.
Raised in Zimbabwe, schooled in the UK, and working extensively in the USA, Regé is known for a keen international perspective and versatility that characterises his work.


it's a sad story. but that's not what's bothering me. well then, yes Juliet was young. no big deal, so she met a guy in party and when their glances met they knew they were meant to be. that's okay. some pepole are lucky, they find it- that legendary, hollywoodic thing called loved at first sight. but, whenever i read this, i feel like it's dragging on and on while it could be shorter. and still, that's okay. what i don't understand is our culture! i mean, what's wrong with us? why so many couples like to compare themselves to Romeo and Juliet? huh? pepole they DIED in the end!!! they weren't lucky in love, they were two rebelious teenagers that thought that the best way to rebel their parents is falling in love with the enemy. and shouting, screaming, yelling, and threatening is not a way to get what you want. going behind your parents back isn't a way either. i'm sorry, but they were stupid, and any couple who likes to think of themselves like a modern Romeo & Juliet is also stupid. this play is a demonstration to how instead of forcing your child to marry the enemy's child so you can make peace, you are lucky enough so you don't have to force them, but you prefer to keep being in a war.now, for another thing- the real story, not the play but the two young lovers that Romeo and Juliet are based on. their story is a bit different. and i'm sorry for them. because fate really was against them and their families weren't even enemies. now, this is a sad story and not about the stupidity of humans but about being unlucky.


Annie's life is in jeopardy after she witnesses the horrific murder of her closest friend. Fleeing from two attackers she stumbles across Kyle, a recluse living in the middle of the woods. Two worlds collide in this grindhouse psychological thriller that will make you question your trust in mankind. Written, directed and starring Michael Biehn (The Terminator, Aliens, Grindhouse: Planet Terror, The Divide.) Also starring Jennifer Blanc (Hatchet III), Danielle Harris (Halloween 4: The Return of Michael Myers) and Tanya Newbould (X-Men: The Last Stand.)
*Bonus features on The Victim include feature-length audio commentary by writer/director Biehn and co-star/co-producer Jennifer Blanc, a making-of featurette, and the theatrical trailer
Pre=Buy The Victim on AMAZON!
Or on Anchorbay Entertinment's website!
Check out more Videos on THE VICTIM'S YouTube page! Interviews and more!!!


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Only Metacritic.com uses METASCORES, which let you know at a glance how each item was reviewed Movie Reviews and Ratings - Find latest Bollywood and Hollywood Movie Reviews and Ratings from Industry experts. We’ve all been there. Not every critic is the same. Movie Reviews Great Movies Collections TV/Streaming Features Latest reviews. We work in a very competitive market, and we aim to be the Latest Movie Ratings best among the writing websites. List of the latest action movies in 2019 and the best action movies of 2018 & the 2010's. That’s when the children encounter a magical creature that grants wishes. Metacritic offers aggregated movie reviews from the top critics, and our own METASCORE pinpoints at a glance how each movie was reviewed Jun 07, 2020 · The aforementioned new movie with this dubious honor is The Last Days of American Crime, which debuted on Netflix on Friday — and which, as of …. Reviews of new movies, art, foreign and documentary films by co-chief critics A.O. Find the latest movie reviews from Empire, the world’s biggest movie destination. Parents trust our expert reviews and objective advice The Best Movies of 2018. Learn the facts, history, and evolution behind 50 years of ratings Get all the latest Tamil movie reviews. Today any movie commercially released in America features a rating. Find ratings and reviews for the newest movie and TV shows. Ratings help provide you with guidance and information about movie content, so that you – the parent, who knows your children best – can decide if a movie …. Today any movie commercially released in America features latest movie ratings a rating. With a new James Bond movie due for release in 2020, we imagine plenty of fans are planning a …. Keep checking back for updates as release dates shift Mar 16, 2020 · New on Netflix: All the Movies and TV Coming in July By Josh Jackson July 1, 2020 A Decade Later, Let’s Itemize the Sins of M. Their host reveals he is the patron of Jerome Debney the reclusive J.D. Movies.com, the ultimate source for everything movies, is your destination for new movie trailers, reviews, photos, times, tickets + more!Stay in the know with the latest movie news and cast interviews at Movies.com Bollywood Movie Reviews & Ratings - Get all the latest Updates on Entertainment News, Bollywood Gossips, Movie Reviews, Box Office Collections, Music Launch, Awards & Events.


– source www.Mashable.com
Boba Fett won’t be getting an adventure of his own after all, or at least not anytime soon.
The famed Star Wars bounty hunter had been pegged for a spin-off movie of his own back in May, but it’s not happening anymore. That buzzy upcoming TV series The Mandalorian (among other things) seems to have put it to rest.
The Boba Fett movie wasn’t ever officially announced, and its technically-informal cancellation also comes to us via shadowy sources. Variety reported on Friday that Lucasfilm is no longer working on the project, and Disney/Lucasfilm had no comment. Read more…


The film Audrey Estrougo in theaters in september …
Jail Birds by Audrey Estrougo will be presented in preview at the Francophone Film Festival of Angouleme on August 26 and released in theaters on September 14 by Rezo Films.
Sophie Marceau, Alice Belaïdi, Anne Le Ny, Eye Haïdara, Naidra Ayadi, Aurore Broutin, Nailia Harzoune, Benjamin Siksou and Carole Franck will accompany the film to Angouleme before a provincial tour.
In order to save the man she loves from jail, Mathilde takes his place by helping his break-out.
While she exclusively relies on him to survive in this prison setting, Mathilde has not heard from him since her imprisonment.
Isolated, with her son as her only support, she is now identified by the inmate number 383205-B.
Will Mathilde become a convict like any other one?
Audrey Estrougo self-taught filmmaker, directed his first feature film at 21 years old, Regarde-moi. After the musical comedy Toi, moi, les autres and Une Histoire banale, Jail Birds is the fourth feature film of this talented director. Through very different films, Audrey Estrougo imposes a committed and radical cinema.
Surrounded by great actresses (Suzanne Clément, Anne Le Ny, Eye Haidara, Marie-Sohna Conde, Carole Franck, Nailia Harzoune, Aurore Broutin, Alice Belaïdi …), Sophie Marceau fills the screen and is undoubtedly, in one of its roles most unexpected.
Check out the trailer here!


First Interactive 3D Live Show is now open (in partnership with Independence Creative) in Tomorrow City Incheon South Korea !
The company, the global leader in augmented reality, introduced Interactive 3D Live Show™, a solution that promises to deliver breakthrough experiences in a theater/presentation format.
With the new offering from Total Immersion, spectators share the stage with virtual live performers, playing a guessing game around what’s real and what’s not. For organizations looking for an effective, dramatic way to engage audiences, Interactive 3D Live Show provides a way to bring characters to life on stage — as game show hosts, storytellers, historical characters, or whatever the situation calls for.
The turnkey Total Immersion solution consists of:
– Live performance. A next generation live stage show, the platform combines the appeal of a real/virtual performer with the magic of 3D effects.
– Audience participation. Guests are swept into the story as they’re integrated into the show.
– Scalability. The platform supports an easy upgrade of current 3D or 4D theatres into a one-of-a-kind live 3D show.
– Branding. Interactive 3D Live Show brings characters to life on stage, entertaining audiences as the characters assume various guises.
“We’re demonstrating the magical ability of augmented reality to capture visitors’ attention and imagination,” said Bruno Uzzan, CEO, Total Immersion. “The audience experiences real time interaction with augmented reality content — and is pulled into the scene, dynamically. A show featuring a 3D augmented reality model of a helicopter might, for example, place audience members in the window of the chopper. This application of augmented reality was designed for those in the entertainment industry, but it’s just as appropriate for any organization that wants to add drama and engagement to product demos and presentations.”
Filed under: Amusement Park, New Projects | Tagged: Independence, Interactive 3D Live Show!, Museums, Partners in action, Theme Park | 2 Comments »


FILMMAKER #3,4,5: Kate Ewald, Lorenzo Gattorna, and Margaret Rorison
Where: The Barn & Cupola @ 2315 Albany Street, Durham, NC
When: Saturday, April 19, 2014 @ 7pm
Contact: email@example.com [352.318.5872 or 352.318.6705
UNEXPOSED is gearing up for its third monthly screening on Saturday, April 19th featuring works by the programming trio of Sight Unseen based in Baltimore.
* Make-Up Iterations, 2014, 16mm, color, silent, 2.5m
* REVLON / CLINIQUE / OPI REDUX, 2013, 16mm, color, silent, 2m
* Feedback Landscape (Purple), 2012, analog video feedback to HD, color, sound, 8.5m
* Apollo’s Eye, 2010, digital video, color, sound, 2m
* Sunrise Fires, 2013, 16mm-to-digital, b/w and color, sound, 6.5m
* Mountain Lying Down, 2012, 16mm-to-digital, b/w & color, sound, 3m
* The Enchanted Forest, 2011, 16mm-to-digital, color, sound, 6.5m
* Pull/Drift, 2013, 16mm, color, sound, 10m
* The Waiting Sands, 2013, 16mm, color, sound, 5m
* Gowanus Haze, 2012, 16mm, b/w, sound, 5m
Kate Ewald is a time-based media artist and curator living in Baltimore, MD. With diverse interests in live & expanded cinema, classical structuralist filmmaking, intermedia, mechanical accidents, and homemade video feedback rigs, many of her works violently challenge the conventional assumptions of the spectator as they relate to expectations of narrative, perception, and time. Her curatorial, critical, and academic work is inspired by artistic practice and a ritualistic study of theoretical philosophies.
Kate currently holds a studio at the cooperatively run Current Gallery in Baltimore. Her films & videos have shown at Microscope Gallery, Videofag, Videopolis, & High Zero Festival, among others. She recently contributed a piece about Sight Unseen to Incite! Journal of Experimental Media #4 and has a proposal accepted to Millennium Film Journal #60 about ecological implications of (and alternatives to) traditional film processing.
Lorenzo Gattorna is a filmmaker and programmer originally from New York now residing in Baltimore. He received a BFA from Tisch School of the Arts at NYU in 2007. His short films have screened in exhibitions associated with ARKIPEL, Artsfest Film Festival, Baltimore City Paper, CCNY, Chicago Underground Film Festival, Colour out of Space, EMP Collective, Haverhill Experimental Film Festival, LMAKprojects, Les Rencontres Internationales, Maryland Film Festival, Maysles Cinema, Microscope Gallery, Onion City Experimental Film and Video Festival, Plug Projects, Sonic Circuits, Spectacle Theater, TULCA Festival of Visual Arts, UnionDocs, Utopia Film Festival, Videofag, VIDEOMEDEJA and Views from the Avant-Garde at the New York Film Festival. He has programmed screenings for Anthology Film Archives, Antimatter [Media Art], Maysles Cinema, Spectacle Theater and UnionDocs. Recently he received the 2012 Creative Alliance Media Makers’ Fellowship for Falling Out and was selected as a Semi-Finalist for the 2013 Janet & Walter Sondheim Artscape Prize for Coupled Vision.
Margaret Rorison has been making films since 2011. Before she discovered the magic of filmmaking, she spent most of her energy on poetry, painting and photography. Her current work often develops from extensive walks through rural and urban landscapes, combining memories, field recordings and text. She is interested in the potentials of storytelling through the use of live projection and sound.
Rorison’s work has been screened at various festivals and venues including CROSSROADS, AAFF, Images Festival, Mono No Aware VI & VII, Sonic Circuits Festival, Microscope Gallery, The Moscow Museum of Modern Art and The High Zero Festival. She is a partial member of the artist run film lab, LaborBerlin and holds an MFA from The Maryland Institute College of Art.


Excited for More? Upcoming October Watch Party 2021
A young woman has her heart set on life, until she is challenged to write a compelling physics thesis. She chooses to use a subject that is super creative and innovative! Her research helps her discover what her heart’s true desire really is. But, there’s one major challenge, that is, her mother. Will she follow her dream, or fold into what is expected of her?
When you sign up we can reveal to you the title of the movie (due to licensing).
Part 1: October 21st
Part 2: October 28th
7:30pm to 9:00pm EST


What is Maya?
Maya is professional 3D software for creating realistic characters and blockbuster-worthy effects.
- Bring believable characters to life with engaging animation tools.
- Shape 3D objects and scenes with intuitive modeling tools.
- Create realistic effects—from explosions to cloth simulation.
Maya’s powerful tools help you iterate faster so you can focus on creativity and meet deadlines.
Deliver stunning visuals
Add fine details to characters and scenes, and deliver quality work that keeps clients coming back.
Scale for complexity
Top artists in the industry rely on Maya to create the most complex shots, characters, and worlds.
Breathe life into 3D models with powerful animation tools
Whether you’re animating lifelike digi doubles or lovable cartoon characters, Maya has the animation toolset to bring your 3D assets to life.
Create detailed simulations with Bifrost for Maya
From blazing explosions to complex snowstorms, Bifrost makes it possible to create physically accurate simulations in a single visual programming environment.
Harnessing the power of rigging in Maya
Rodeo FX’s lead rigger, Mathias Røyrvik, puts Maya’s latest rigging tools to the test on his Peaky Rhino character.
Creating a 3D animated sequence remotely
See how the tools in the Media & Entertainment Collection are being used for animated short, Mkali’s Mission.
Spreading awareness on climate change
The team behind award-winning short film Migrants used Maya to tell a beautiful story about climate change.


Olesya Bondareva graduated from television journalism faculty of Moscow State University.
In the early 1990's she worked for several years in the First Channel (Ostankino) as commentator. She also made cultural reports and covered the wars in Chechnya and Armenia (Karabakh) as a special reporter. At the same she made two independent films, one about the Armenian genocide and another about Russian elections.
In 1993 The Open Society Institute gave her a prize for her “innovative approach to journalism”.
From 1995 onwards she worked seven years as director of a highly popular television “Point of View” (Vzgliad). During this time she made approximately 150 documentary stories, portraits and short films. One of these documentaries, “Gisele”, was awarded a second price at the Montenegro Documentary Film Festival.
In 1999 with Marianna Yarovskaya she co-produced the film "Undesirables" which received the Student Academy Award in 2001 and a College Emmy Award in the year 2000.
In 2001-2006, with Marianna Yarovskaya she co-directed and co-produced a documentary film "Holy Warriors" which was screened in 17 countries and received the Best Documentary award at the European Independent Film Festival in Paris (2007), the Critics Price at the 54th Belgrade Festival of Documentary and Short Film (2007), the Audience Choice award at DocumentArt Festival in Poland, among others.
In 2002 she made a documentary entitled “Generation” which was nominated in 2003 for TEFI price, the “Russian Emmy”.
In 2004, together with the Institute of Ethnology and Anthropology of the Russian Academy of Sciences she created a documentary film studio, of which she is currently the Director. With a grant from the Federal Committee on Culture and Cinematography (Russia) she directed “The man invented the stars” which was screened at numerous festivals in Russia.
During 2007 - 2008 she worked as chief editor of the magazine “Digital Photo” (circulation 100 000).
In 2008 she produced and directed feature documentary “Canceled Love”.
Currently she works on an independent long-term project about spiritual teachers in different cultures. In this context she has made several expeditions to India, Altai, Kyrgystan and Kazakhstan. Her personal website is www.bota.asia.
Mauri Pasanen studied languages, literature and film theory at universities in Turku (Finland) and Universite de Paris IV (France). He holds a Master of Arts degree.
His first film “Traces” (Finland, 2006) was a short documentary about a young Russian woman's quest to re-establish a family connection broken two generations earlier by the Holocaust. “Traces” was part of the official selection of more than twenty independent film festivals in a dozen different countries, including Rhode Island Film Festival (USA); Rozstaje Europy (Poland) and Washington DC Independent Film Festival (USA). “Traces” was awarded “Best In Festival” price at Swansea Bay Film Festival (UK, 2007) and a 2nd place at Cleveland Indie Gathering (USA, 2007). Apart from the festival circuit it has also been screened by numerous genealogical associations in Israel, Canada and the UK. The film's website: www.traces.tv.
In 2008 Mauri joined Olesya Bondareva who was in Kazakhstan researching shamans, healers and Sufi masters of Central Asia. This research and the material recorded during the Kazakhstan expedition forms the basis of both their “Kazakhdervish“ documentary feature project and the exhibition “The Last Dervish of Kazakhstan”.


Thursday, December 17, 2015 at 6:30 PM
Ossining Public Library, Budarz Theater
Three homeless teenagers brave Chicago winters, the pressures of high school, and life alone on the streets to build a brighter future. Against all odds, these kids defy stereotypes as they create new, surprising definitions of home. Can they recover from the traumas of abandonment and homelessness, and build the future they dream of? Join us for the film and an inspiring discussion of how we, as a society, are addressing homelessness and housing for people living in poverty…and how we can do better.
To view the trailer, click here
Interim Executive Director, IFCA Housing Network
Karen is responsible for the management and oversight of IFCA and its 127 units of affordable and senior housing, serving nearly 200 tenants, including the provision of transitional housing and case management services to families with children through the Emergency Housing Apartment Program in partnership with Westchester County.
Prior to joining IFCA, Karen was Principal of KDT Associates, a consulting firm she founded in 2006 that provided strategic planning, organizational management, brand marketing, fundraising and development services to numerous non-profit and for-profit clients.
Prior to starting her own consulting firm, Karen spent five years as Director of Development at Open Door Family Medical Centers, a federally qualified Community Health Center in Westchester County, where she managed a multifaceted fundraising and development program. During her five year tenure at Open Door she contributed to the agency’s growth from two locations, serving approximately 18,000 people, to four locations, serving over 40,000 under and uninsured people countywide.
At the onset of her career, Karen worked in marketing and advertising at BBDO, one of the world’s largest advertising agencies and part of the Omnicom Group.
Anne De Mare
Playwright,Director,and Filmaker of The Homestretch,
In conjunction with long-time film partner Kirsten Kelly, Anne’s documentary film work has been supported by MacArthur Foundation, Sundance Institute, ITVS/Independent Lens, and The W.K. Kellogg Foundationto name a few. Anne has spoken about documentary film and filmmaking at such universtities as Harvard, Columbia Northwestern, University of Chicago, The Schomburg Center for Research in Black Culture, The Jewish Museum, The Museum of Television and Radio, and others.
Anne and Kirsten’s most recent film, The Homestretch, premiered at the Hot Docs Canadian International Documentary Festival (Toronto). The film was broadcast nationally on the award-winning PBS series- Independent Lens, was selected as part of the traveling Human Rights Watch Film Festival, invited to tour in the prestigious American Film Showcase with the U.S. State Department, and will be screening next spring as part of the White House Initiative on Educational Excellence for African Americans Film Series.
Anne’s original plays have been presented in Chicago, London and New York. Anne and Kirsten bring the unique storytelling sensibility of a theatre background to their film work and share a deep commitment to projects that celebrate the transformative power of the human spirit, where the individual experience illuminates the face of society as a whole. They are currently in development for The Girl With The Rivet Gun, an animated media project based on the real-life experiences of women industrial workers during World War II based on an extensive filmed oral history project they produced for New York University.


Clickenzee to read the article!
Aside from being a runner, Melvin's been a lot of other things in his 81 years on Earth. Long before he was a celebrated filmmaker and Knight in the French Legion of Honor, he was a cable car operator in San Francisco -- until he published a short story and his employers began to think he was a bit too intellectual for their tastes so he moved to France, taught himself the language and became a French writer and eventually a hotshot French film director. That's when America started to take notice. He returned, to Hollywood, and directed Watermelon Man, a 1970 film about a racist who wakes up one morning to find himself suddenly and inexplicably black. This too was fraught with difficulty. The studio wanted Melvin to hire a white actor and have him play the role in blackface. "Why not hire a black actor and have him do the first five minutes of the film in whiteface?" Melvin asked. A long pause. "Can that be done?" they wanted to know. "People always believe the king can play the pauper, but the pauper can't play the king," Melvin said.
Clickenzee to emawesome!
After Watermelon Man Melvin wanted to make a serious movie about race in America, where a black man fights a corrupt police force and wins, but the studios wouldn't have any of it so Melvin did it on his own, with his own money and a $50,000 loan from Bill Cosby he made Sweet Sweetback's Baadasssss Song on a shoestring budget, working twenty hour days. Without the money to hire a leading man, Melvin played the part himself and people flocked to see it. Hollywood realized that there was money to be made in black audiences, but Melvin had moved on. He wrote novels, he made records, he became a Wall Street trader (and wrote a book), he made art, he wrote plays. And he ran.
Today he runs four or ten miles a day. "It's a pain in the ass," he tells me, "but if you want to say Get back motherfucker, you have to be able to back it up." The people who run in Melvin's movies aren't running for recreation, they're running because people want to kill them. Sweetback runs through Los Angeles and into Mexico with helicopters chasing him.
Melvin has a jazz band now, Laxative, made up of members of the band Burnt Sugar (watch Burnt Sugar play here) and they're on tour, which is how I ended up photographing him for the cover of the Philadelphia Weekly and how I ended up in his Manhattan apartment with Michael Gonzales who wrote the article. (You can follow Melvin Van Peebles wid Laxative here on Facebook.) (Side note: Wunderkind bass player Jared Nickerson was in Gods and Monsters with Jeff Buckley.)
MVP and Laxative are going to be on WRTI radio this Friday night from 10:00 until midnight, and then the next day, Saturday, they're playing at Johnny Brendas. I'm hoping I get a chance to go running with him while he's in town.
To learn more about Melvin, I recommend the 2003 film Badasssss! about the making of Sweet Sweetback where Melvin is played by his real life son, Mario Van Peebles. Also there's a great documentary about him called How to Eat Your Watermelon in White Company (and Enjoy It). That one's on Netflix streaming.
Add me: [LiveJournal] [Facebook] [Twitter] [Google+] [Tumblr]


In the 1930s before he came to America, young London-born Alfred Hitchcock (1899–1980) was already a world-acknowledged master of cinema, a sublime orchestrator of images and emotions. Often with story contributions from his wife Alma Reville, Hitchcock thrilled viewers with engrossing mystery, gripping suspense, intimate romance, psychological insight, witty British humor, and droll cameo appearances. Even after settling in America, he continued to portray his homeland with deep affection. Get your tickets to this series before they sell out!
March 22: The Man Who Knew Too Much (1934). Hitchcock’s youthful mastery of suspense, humor and a compelling story move this thriller at an enthralling pace. A vacationing couple (Leslie Banks, Edna Best) are told of a plot to assassinate an international diplomat; their daughter (Nova Pilbeam) is kidnapped to keep them quiet; and the evil shooter (Peter Lorre) is in position at a Royal Albert Hall concert, waiting for his cymbal-crash cue. With atmospheric production design by Alfred Junge, who worked on Michael Powell classics like The Red Shoes. Digital restoration, 84 min.
March 29: Sabotage (1936). Based on Joseph Conrad’s novel The Secret Agent, with script contributions by Hitchcock’s wife Alma Reville, Sabotage centers on a woman (Sylvia Sidney) who doesn’t know that her husband (Oscar Homolka) is the saboteur wreaking havoc in London. Scotland Yard and Sidney’s little brother (Desmond Tester) get involved, but Sidney is the one with righteous agency. Features one of Hitchcock’s most intense suspense sequences. In 35mm, 76 min.
April 5: The 39 Steps (1936). Adapted from John Buchan’s novel, with script work by Alma Reville, this is one of Hitchcock’s masterpieces. Vacationing in London, an innocent man (Robert Donat) finds a murdered woman in his bed, and flees for Scotland when the police assume he’s the killer. Spies are chasing him too, and on a quest to track down the master villain, he’s handcuffed to a feisty beauty (Madeleine Carroll), and must rely on the help of many flavorful characters. Hitchcock liked to say, “Other directors’ films are slices of life; my films are slices of cake.” Bon appetite! In 35mm, 81 min.
April 12: Young and Innocent (1937). A woman’s body washes ashore, and an innocent young chap (Derrick De Marney) is accused of murder. A tense situation, but charm abounds as he enlists the reluctant help of a policeman’s teenage daughter (Nova Pilbeam) to help him flee and sleuth out the real killer. The couple is humorously waylaid by a children’s party, and Hitchcock propels us towards the real culprit with a stupendous, unbroken shot that traverses a hotel lobby and ballroom, right up to a most guilty face. Screenplay co-written by alma Reville. In 35mm, 80 min.
April 19: The Lady Vanishes (1938). A favorite film of everyone from Orson Welles to author James Thurber, The Lady Vanishes is a perfect blending of thrills and laughs. On a Balkan train trip a dear old lady (Dame May Whitty) is suddenly not there anymore. Young Margaret Lockwood had befriended Whitty, and reports her disappearance. But no one believes her, because the woman is right there—but it’s some other woman, eerily wearing Whitty’s clothes. Won’t someone—maybe that whimsical musician Michael Redgrave—help Lockwood solve one of the cinema’s most entertaining mysteries? In 35mm, 97 min.
April 26: Rebecca (1940). This haunting romantic mystery finds the shy, unworldly Joan Fontaine marrying the dashing Laurence Olivier and moving to Manderly, his house on the Cornish coast. Fontaine must live in the shadow of Rebecca, Olivier’s dead first wife, to whom her sinister housekeeper Judith Anderson was more than professionally devoted. And by the way, how did Rebecca die? From Daphne Du Maurier’s novel. In 35mm, 130 min.
May 3: Suspicion (1941). Joan Fontaine won the Best Actress Oscar for her portrayal of a woman who defies her stuffy parents and marries notorious playboy Cary Grant. He’s irresponsible, charming and lovable, but Fontaine starts putting together bits of evidence that spell lethal danger. With Nigel Bruce, and script work by Alma Reville. In 35mm, 99 min.
May 10: Stage Fright (1950). Stage star Marlene Dietrich gets her boyfriend Richard Todd to help cover up her self-defense killing of her abusive husband, and Todd becomes murder suspect number one. Drama student Jane Wyman, who’s crazy about Todd, gets her father (the delightful Alastair Sim) to help him, and Wyman does her own sleuthing while pretending to be Dietrich’s maid. Hitchcock’s wife adapted the screenplay, and his daughter Patricia plays Wyman’s chum. In 35mm, 110 min.
May 17: Dial M For Murder (1954). Suave Ray Milland is nervous. He’s married to gorgeous, wealthy Grace Kelly, but she like writer Robert Cummings. Milland needs to do something drastic now, before Kelly makes Cummings her insurance beneficiary. Stunningly, Kelly kills her attacker, but is accused of murder. Can Cummings and Scotland Yard’s John Williams figure out how to trap the true guilty party? In 35mm, 88 min.
– Greg Olson, Manager of Film Programs
Images: Alfred Hitchock Presents (CBS) TV Series (1955–1962), CBS/Photofest © CBS. Rebecca (1940), United Artists/Photofest © United Artists


Total online: 1
|Main » 2010 » February » 3 » Avatar 2
The science-fiction movie Avatar is already promised a huge success when it will get released. So Director James Cameron and the studios are alreadythinking about the future of this new movie franchise. Yeap, we may expectAvatar 2 to be greenlit quite soon.
Actually they were thinking about making a movie sequel to Avatar since the very beginning: most of the cast has indeed sign on for a trilogy! This was revealed a few days ago by Actor Sam Worthington who's got the lead in the first Avatar as Jack Sully:
"You work 18-hour days. I was on it for 14 months. Jim's still editing. We'll still be filming it up to the day it's released — probably after the movie comes out, knowing Jim! That commitment is what makes him the man he is. It's life or death. It's war. That's how he approaches movies… We're signed for a trilogy
. But I think I'll be 94 by the time it finishes, to be honest. I know Jim's got some ideas in his big head."
Actor Sam Worthington
But what could possibly be the plot of Avatar 2? Well, two potential plots have shown up online:
- the story of Avatar 2 could imply Jack Sully going deeper in the jungle of the planet Pandora:
"If the public likes Avatar, it's a possibility. After all, here we are exploring the surface of the planet Pandora. The interior remains to be seen."
Producer Jon Landau
- or a whole new setting could be introduced, either in space or on a new planet:
"What would you think if I told you that should a sequel to AVATAR happen, it might not even take place on Pandora? It's all up the air as of now. But remember I'm telling you this. Pandora is not the be all and end all of the Consortium."
An anonymous insider source
I don't really care about where Avatar 2 would take place as long as DirectorJames Cameron and his team show the same commitment to make this sequel to Avatar a real success.
And I'm confident that Avatar, from the experience they gained while making the first film, will be even more amazing! Besides I guess that Avatar 2 won't be released before 2012, so that would let time to the technology to drastically improve.
Here's an update from James Cameron, it concerns Avatar 2:
"We have some story ideas about how to branch out into other moons of Polyphemus and the Alpha Centauri A (ACA) solar system."
Director James Cameron
Category: Other news |
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- Does kleiny have a girlfriend?
- Do Jessie and Buzz get together?
- Do Woody and Bo Peep get together?
- Does Bo Peep kiss Woody?
- Is Bullseye Jessie’s or Woody’s horse?
- Who does Buzz Lightyear have a crush on?
- Is there a girl Forky?
- Who is Paul kleiny dating?
- How old is Paul Klein?
- Does Woody love Jessie or Bo Peep?
- Who is Forky’s girlfriend?
- Is Bonnie Andy’s sister?
- Who is Woody’s girlfriend in Toy Story?
- Is Bo Peep Woody’s girlfriend?
- Will there be a Toy Story 5?
- Is Bo Peep a villain?
- Is Bailey Woody’s son?
- Who died in Toy Story 4?
Does kleiny have a girlfriend?
DANCING On Ice’s Alex Murphy is dating YouTube millionaire Paul Klein – one half of the duo Woody and Kleiny.
The pair met and really hit it off while taking part in Celebrity Coach Trip last year and have been dating ever since..
Do Jessie and Buzz get together?
In Toy Story of Terror, Buzz is very protective of Jessie. … After Jessie is caught by Jonesy, and put in the case with the other toys, she and Buzz share a joyful reunion where they embrace, happy that they’re safely back together. Their relationship isn’t shown as much in Toy Story 4, but they are still a couple.
Do Woody and Bo Peep get together?
However, Woody’s recent experiences have made him disillusioned about returning to Bonnie, and after encouragement from Buzz, he chooses to stay with Bo Peep. The two run to each other and share a heartwarming hug before bidding farewell to Andy’s old toys.
Does Bo Peep kiss Woody?
Is there a reason that we never see Woody and Bo Peep kiss on screen? In all 4 toy story movies, they either never kiss or do it off screen. … You know, a strong woman character kissing Woody in the end would maybe water down the rest of her actions throughout the movie.
Is Bullseye Jessie’s or Woody’s horse?
Even though he is Woody’s horse, Bullseye seems to be more attached to Jessie, as it can be seen mostly in Toy Story 3. He can be often seen with her at his side, usually with an arm around him.
Who does Buzz Lightyear have a crush on?
Jessie the CowgirlJessie the Cowgirl is the tritagonist in the Toy Story series. She is the love interest of Buzz Lightyear.
Is there a girl Forky?
The movie’s end credits introduce what appears to be a long-haired, knife-based, coded-as-female version of Forky (rude to enforce a gender binary on sentient trash, but okay!) and there we see Forky comfort her and promise she’ll learn that she, too, is not trash.
Who is Paul kleiny dating?
OurPrivacy Noticeexplains more about how we use your data, and your rights. You can unsubscribe at any time. Dancing on Ice star Alex Murphy is dating popular YouTube star Paul Klein. The two hit it off after crossing paths last year while both appearing on TV reality show Celebrity Coach Trip.
How old is Paul Klein?
32 yearsPaul Klein Profile:Personal InfoStage NamePaul KleinBirthdayApril 30, 1988Age32 years (As in 2021)GenderMale20 more rows
Does Woody love Jessie or Bo Peep?
Fidelity Counts: When Toy Story ends, Woody is in a relationship with Bo Peep. When Toy Story 2 starts, he’s still in the same relationship. That’s not the way it happens in a typical sequel. Usually, the guy gets the girl at the end of the movie and they live happily ever after…
Who is Forky’s girlfriend?
Karen BeverlyKaren Beverly is a minor character from Toy Story 4. She is a sentient toy that Bonnie created from a plastic knife in first grade.
Is Bonnie Andy’s sister?
Andy Davis is a major character in the Toy Story movies. He is the owner of many of the main toys (such as Woody and Buzz) in the films until the end of Toy Story 3 where he gave them to Bonnie Anderson. In the Toy Story series, Andy lives with his little sister Molly and their mom.
Who is Woody’s girlfriend in Toy Story?
Bo Peep. Bo Peep is a porcelain figurine who serves as Woody’s romantic interest. Bo Peep, inspired by the nursery rhyme “Little Bo-Peep”, is a sweet-natured shepherdess accompanied by a single figure meant to resemble three sheep. In the first film, she and her sheep are detachable components of Molly’s bedside lamp.
Is Bo Peep Woody’s girlfriend?
Portrayed by. “Little” Bo Peep is a supporting character in the Toy Story franchise and the deuteragonist of the fourth film. She is a porcelain shepherdess figurine and Sheriff Woody’s girlfriend in the films.
Will there be a Toy Story 5?
Pixar can, and should, create a fifth film. There – we said it, even though the filmmakers have remained mum on the matter. Buzz’s catchphrase is, after all, “To infinity and beyond.” That’s definitely more than five. Here are five reasons there’s hope – yes, hope – for “Toy Story 5.”
Is Bo Peep a villain?
The villain that seems to be set up in Toy Story 4, a doll named Gabby Gabby, just doesn’t seem to hold as much emotional weight to the toys as Bo Peep would as a villain. Plus, her tragic backstory has already been revealed. … We of course won’t know for sure until Toy Story 4 hits theaters on June 21.
Is Bailey Woody’s son?
Son of Paul Wood who’s one half of the British comedy duo Woody & Kleiny. He’s often featured in the duo’s videos and his Instagram account is run by them. It’s amassed over 210,000 followers.
Who died in Toy Story 4?
Don RicklesPotato Head, the late comedian Don Rickles. Fans had been curious to know whether Rickles, who died in April 2017 at the age of 90, would appear in the upcoming fourth film in the franchise, in which he’s voiced surly spud Mr. Potato Head since the series’ 1995 inception.