“Softie”, an Award-winning Kenyan film featuring Boniface Mwangi and family, premiers in Kenyan Cinema this October. It is a love story that captures the courageous journey and untold stories of sacrifice, family, and purpose. Besides winning multiple awards, like the Best Documentary Award at Durban International Film Festival, “Softie”, the 96-minute film written and directed by Sam Soko, poses a question: “What comes first, country or family?”
Boniface Mwangi is daring and audacious and recognized as Kenya’s most provocative photojournalist. But as a father of three young children, these qualities create tremendous turmoil between him and his wife Njeri. When he wants to run for political office, he is forced to choose: country or family? Just by looking at people’s responses to Softie the Film Trailer, you can tell that Kenya is ready for this story.
Softie the Film Official Trailer – Film by Sam Soko
Winner Special Jury Prize for Editing at the Sundance Film Festival and Opening Night Film at the Hotdocs Film Festival.
Boniface “Softie” Mwangi has long fought injustices in his country as a political activist. Now he’s taking the next step by running for office in a regional Kenyan election.
From the moment Boniface decides to run, telling his wife, Njeri, in passing with a hesitant laugh, he responds to each challenge with optimism. But running a clean campaign against corrupt opponents becomes increasingly harder to combat with idealism alone.
And Boniface soon finds that challenging strong political dynasties is putting his family at risk. Should the country really come before family, as he’s always believed?Softie the Film Trailer
Full “SOFTIE” film Airing Schedule in Kenya:
The powerful film “SOFTIE” that follows the life of Kenyan photographer and political activist Boniface Mwangi, his wife Njeri, and their kids, will premiere nationwide in Kenya, starting 16th October 2020 in Eldoret (Rupa Cinema), Mombasa (Nyali Cinemax), Kisumu (Mega Cinema) and at Prestige Cinema, Anga Diamond Plaza, Motion Cinema and Westgate Cinema, in Nairobi.
From October 17th 2020
Ngong Road, Nairobi
ANGA DIAMOND PLAZA
From October 16th 2020
From October 16th 2020
Full “SOFTIE” film airing schedule here.
Softie the Film Reviews:
About the Softie the Film
At the heart of the film lies the tale of how Boniface, nicknamed “Softie” in his childhood years, has long fought injustices in his country Kenya. He is daring and audacious and recognized as Kenya’s most provocative photojournalist. But as a father of three young children, these qualities create tremendous turmoil between him and his wife Njeri Mwangi whose loyalty to her family is hard as a rock. It’s a story of perseverance and love, evoking mixed emotions while exploring the themes of family, sacrifice and patriotism.
Boniface Mwangi says of the film, “It unveils the curtain of the struggles of activists; my personal struggles as a father. It’s brutally honest. You will see tears. I have watched it two times and cried both times because it’s visceral and heartbreaking to see what kind of country we have. It reveals our true colours as a nation and the role of money and ethnicity in politics.”
Directed by Sam Soko, the film chronicles a 7 year journey beginning with chaos filled street protests and culminating in Boniface’s decision to run for a political seat in his old neighbourhood Starehe. He soon finds that challenging strong political dynasties is putting his family at risk. His wife, Njeri, has long been silent in the background. The decision to run put her and the family on the spot. This brings forth a central question that many of the world’s brightest and most effective changemakers have had to ask themselves, ‘What comes first – family or country?’
The film premiered at Sundance in January 2020, winning a special jury prize for editing. It has been greatly reviewed, citing its conscientious story telling of Kenya’s struggle with political tribalism. It has since played at a couple of prestigious festivals including CPH:DOX, FullFrame and even won Best Film at the Encounters International Documentary Festival and Best Documentary at the Durban International Film Festival (DIFF) 2020. The DIFF win means that “SOFTIE”now qualifies for consideration for the Oscar documentary shortlist for the 93rd Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS). The next ceremony is scheduled to take place at the Dolby Theatre in Hollywood, Los Angeles, California on April 25, 2021.
Softie was also the opening night film at the Hotdocs Film Festival and at the Human Rights Festival held in Berlin, Germany under the patronage of Nobel Peace Prize Laureate Nadia Murad with opening and keynote speeches having included Ban Ki-moon, former Secretary-General of the United Nations.
For Njeri Mwangi, having their private family life on screen has been a difficult and rewarding experience. She says, “ This film is not just a single story but the story of what women and mothers and wives like myself give to the cause of what they too believe in but whose contribution is not counted as significant or acknowledged as prominently as their partners. It has given me a voice and hopefully a chance for women to see themselves and count their contributions to the betterment of not only their families but also their communities and country,” adding, “To all the women out there, this film is for you and your families. We too matter!”
Ahead of the nationwide Kenyan viewing of the film starting 16th October 2020 on cinema Boniface says, “It’s a very important film for Kenyans to watch because it shows what happens behind the scenes in an activist’s family life and their daily struggles,” noting, “It took seven years in the making”.
Sam Soko – The Director:
Sam Soko is a director and producer based in Nairobi, Kenya. His work on socio-political projects in music and film has allowed him to connect and work with artists around the world.
He is co-founder of LBx Africa, a Kenyan production company that produced the 2018 Academy Award–nominated short fiction film Watu Wote. The film Softie, his first feature documentary project, premiered at the 2020 Sundance film festival winning a special jury prize for editing. Soko is producing feature documentaries in South Sudan and Kenya.
The stories give insight and prominence to previously unheard voices and are already supported under Generation Africa and Doc Society. He is an outspoken defender of freedom of expression and has taken part in global conversations on how to make media matter when the world is on fire.
“SOFTIE” started coming to shape after director and producer Sam Soko met the character Boniface Mwangi by his close friends and family in 2013.
Soko, who had directed several short music videos and films by that time, decided to try his hand at directing a documentary. What started out as a short video, that he had planned to take a year filming, evolved into a story about politics, family, and what it means to be Kenyan, becoming Soko’s first feature documentary filmed over the course of five years.
Sam Soko knew he had a possible ending for a film, and pushed to do one more year of filming as his political campaign would give much-needed insight into the political and voting process in Kenya. But the material he filmed went far beyond that and gave insight into a young family, in a young democracy that was struggling to balance their love for their country with the needs of their family.
This film comes from a place of love. A love for our country and families. It is told through the lives of the incredible Mwangi family. When we met Boniface we realized that the amazing working he does had many complex layers that many are oblivious too.
We witnessed that the life of an activist conceals many things. As they are up against a society, whose mindsets are difficult to engage, they also have to deal with their own families. Njeri, his wife, has her struggles which mirror many women in our society.
She has long stayed in his shadow, doing her best to keep their family safe. The Mwangi’s are witnesses to what we have gone through as a country for the last 10 years and we are honored and privileged that they allowed us to share this remarkable modern-day Kenyan story.
BONIFACE MWANGI “SOFTIE”
Boniface Mwangi born on July 10, 1983 is a Kenyan photojournalist, politician and activist involved in social-political activism. He is known for his images of the post-election violence that hit Kenya in 2007–2008 and his work as one of Kenya’s most prominent activists.
He published photographs in a national newspaper and in 2005 won his first photography prizes. He was awarded the 2008 and 2010 CNN Africa Photojournalist of the Year Award for the photos that he took, documenting the widespread post-election violence of 2007-2008.
He suffered from PTSD because of all the violence that he witnessed and quit his job as a photographer to work on social justice in Kenya, mainly using street graffiti, art, and street protests to call attention to human rights violations and political corruption in the country. He has been recognized as a global TED fellow for his activism work. One of his longest-lasting initiatives to date is Pawa 254, a hub and space for artists and activists to work together towards social change in Kenya.
NJERI MWANGI – BONIFACE’S WIFE
Njeri Mwangi finished college in 2005 and knew she had to work in social impact but didn’t know where. Her upbringing guides her belief in God and family first. A chance encounter at an ice cream shop with Boniface in 2006 changed her life forever.
Over the years as her husband gained more prominence in public, she has remained in the shadows, raising their three children. She co-founded PAWA 254, one of Nairobi’s first creative social enterprises. Boniface and Njeri have three kids: the eldest is Nate, the middle child is Naila and the last-born is called Jabali.
When her husband announced that he was running for political office in 2016, this decision made her do something she had worked hard to never do—step out of the shadows and share her private life with the world.
Duration: 96 MIN.
Directed and Written by: Sam Soko
Producers – Toni Kamau, Sam Soko
Kenyan Executive Producer – Bramwel Iro
Cinematographer: Joel “Ingo” Ngui, Sam Soko, Chris Rhys Howarth
Additional cinematography : Elijah Kanyi, David Kariuki, Vincent Muthini, Pete Murimi, Bruce Makau, Streeter Phillips, James Quest, Seydou Mukali, Nick Wambugu
Sound recording: Edwin Ahenda, Brian Munene
Line Producers: Ruth Munyiri, Valerie Shamas
Production Manager: Matrid Nyagah, Lola Karisa.
Impact Producer: Miriam Ayoo
World Premiere: Sundance Film Festival, World Cinema Documentary Competition 2020
Winner: Sundance Special Jury Prize for Editing
Winner: Best Documentary at Durban International Film Festival (DIFF)
Winner: Best Documentary Encounters film festival
Hot Docs 2020 Opening Night Film
Softie is a production by LBx Africa in association with We are not the machine and Eyesteelfilm.
For Kenya Media Requests/Book interviews with Boniface Mwangi, Njeri Mwangi, Director Sam Soko or Producer Toni Kamau – kindly contact Anyiko PR via [email protected] | +254721368983


Dialogue is what the characters say.
Diegetic sound is recorded at the same time as the characters are speaking (or it appears to be).
Incidental music in drama is very important to the emotional landscape of a scene and is added.
Non- diegetic sound is voice over narration or music which is put over the top that the characters can't hear but, the audience at home can which is recorded seperately.
Sound effects (SFX) adds to the immediacy of a scene, and can often increase the intensity of the drama.
Cut- shot/reverse shot- jump cut- crosscutting-cutaway- matching eyelines.
Transitions- dissolves or mixes, wipes, fade-in and fade-out, superimpositions, CGI, visual effects, multi-screen.
Manipulating- time use of slomo (slow motion), or time lapse, or speeded up sequences are useful devices for the editor to speed up or slow down time.


Pauline Kael was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. She was known for her "witty, biting, highly opinionated, and sharply focused" movie reviews. She approached movies emotionally, with a strongly colloquial writing style. She is often regarded as the most influential American film critic of her day and made a lasting impression on other major critics including Armond White and Roger Ebert, who has said that Kael "had a more positive influence on the climate for film in America than any other single person over the last three decades."
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Tickets for our production of Twelfth Night at Selby Rugby Club are now on sale! This raucous, musical version of Shakespeare’s funniest play will be live on the pitch at Selby RUFC this August! Click here for more info!
We’re excited to announce a planned tour for a new 1 man show, Ghost Town, written and performed by Will Croft. A dark comedy-drama set during the Covid-19 lockdown. Click here, for further details
We will be broadcasting 6 live performances from the Burgundy room at the Upper Norwood Library Hub, performed to a socially distanced audience. Stay tuned for more information! If you’re a writer, actor or director and wish to be involved click here!
We are currently in pre-production for a planned tour of Macbeth. We originally planned for it to take place in Autumn 2020 but that was put on hold due to the Covid-19 Pandemic. We hope to be able to restart this project in 2021.
Ours is a visceral and radical re-imagining of Shakespeare’s most popular and famous play. Exploring the psychological implications and removing the supernatural elements. All together creating a taut political thriller through the original text and language.
More information will be available soon, to keep up to date then stay in touch by social media or our newsletter.


Google Doodle celebrates Oskar Fischinger’s 117th birthday
The Google Doodle starts with Fischinger’s famous quote, “Music is not limited to the world of sound. There exists a music of the visual world”.
Google is celebrating filmmaker and abstract animator Oskar Fischinger’s 117th birthday. He was also a painter, notable for creating abstract musical animation many decades before the appearance of computer graphics and music videos. Fischinger has created special effects for one of the first sci-fi rocket movies ever produced. He made over 50 short films like Motion Painting No. 1 (1947), it has been listed on the National Film Registry of the U.S. Library of Congress.
The Google Doodle starts with Fischinger’s famous quote, “Music is not limited to the world of sound. There exists a music of the visual world”, it then takes you to a page where you can visually compose music by selecting dots on a grid. You can select between four different instruments. Each dot represents a note, the composition is played on a loop.
Who is Oskar Fischinger?
Fischinger finished his school and later learned at an organ-building firm until the owners were drafted into the war. He also worked as a draftsman in an architect’s office. He left Nazi Germany for Hollywood in 1936 as Hitler cracked down on abstract art.
Fischinger’s short film An Optical Poem, 1938 was made entirely with paper in stop-motion fashion.


If you love to entertain like a star, with the max amount of bling, sparkle and drama, Hollywood Regency style is for you!
The 1930’s were Hollywood’s “Golden Age,” and movie stars were expected to throw fabulous parties for their equally fabulous friends. They and their designers would compete with other celebs to bring the drama and glamour of a movie set into their own homes. That’s how Hollywood Regency design was born, and it’s still a celebrity favorite today. Follow these simple rules of Hollywood Regency design and wow your friends with celebrity glam style!


Jetzt schaue ich - Christopher Nolan's New Film 'Tenet': Release Date ... - Nme.com
Jun. 5. 2020 4:33 PM Evaluating from what we have actually seen up until now, director Christopher Nolan's newest movie, Tenet, won't be lacking in phenomenon, specifically for how it includes the time adjustment into the story. As such, one would not be faulted for classifying Tenet as a sci-fi film, but Nolan modeled it to fit more conveniently within the spy genre.
Over the years, numerous fans have actually hoped that Christopher Nolan would get a shot at directing a James Bond film. While there's still no indication that will ever take place, Tenet enables him to not only leave his stamp on the spy genre, however also do brand-new things with it. With a cast of finely-dressed actors, explosive set pieces and plenty of action, it'll be excellent to lastly see what Nolan can do on this type of cinematic playing field. tenet film.
Pushing into intriguing and unforeseen territory is absolutely a hallmark of Christopher Nolan filmmaking (tenet film musik). Even his Dark Knight trilogy took Batman into fresh terrain and put numerous special spins on the Caped Crusader's mythology, particularly with the representations of bad guys like The Joker and Bane. So if you're a spy motion picture connoisseur, get all set to see what sort of taste Nolan is dishing out with Tenet.
This conflict will involve something worse than nuclear annihilation, and among the villains, if not the main one, a Russian nationwide who has the ability to interact with the future. The cast includes John David Washington, Robert Pattinson, Elizabeth Debicki, Kenneth Branagh, Michael Caine, Dimple Kapadia, Aaron Taylor-Johnson and Martin Donovan. tenet film bande annonce vf.
Jetzt veröffentlichen: Tenet - Film 2020 - Filmstarts.de - HD Full Movie Online (Kostenlos) - Jetzt ansehen!
In the meantime, inspect out what other motion pictures are supposed to come out later this year with our 2020 release schedule, or look through our guide listing all the motion pictures that have been postponed over the last a number of months. Adam Holmes Connoisseur of Marvel, DC, Star Wars, John Wick, MonsterVerse and Medical professional Who tradition.
Register for Tenet Is Expected To Press The Spy Genre To New Heights, Because Christopher Nolan Updates close Register for Tenet Is Anticipated To Push The Spy Genre To New Heights, Since Christopher Nolan Updates I have actually currently subscribed Cookie Settings.
Robert Pattinson and John David Washington in Chris Nolan's 'Tenet' Warner Bros. If Warner Bros - tenet filmstarts. was definitely, 104% sure that Chris Nolan's Tenet was going to open on July 17 as arranged, they would have stated as much at the conclusion of the movie's 2nd trailer when that sneak peek debuted online (and during Fortnite) on May 21.
The pandemic is still around and the across the country #blacklivesmatter protests, justified as they may be, have actually included another wrinkle to Tenet Film Trailer Deutsch Warner Bros.' big choice. With 41 days to go (including Thursday previews), if Tenet gets delayed, where might it be moved? The main line from NATO and the rest is that motion picture theaters will begin reopening in mid-to-late June, with hopes of being totally up-and-running a week or more before the July 17 start date.
Virale Filme: Tenet (2020) - Imdb - Sehen Sie sich HD-Filme online an: Im Internet!
Sadly, that's probably an enforcement problem, as we've already seen rowdy customers commit attack and/or battery against workers when asked to use a face mask in a given store, dining establishment or business. Just because you do not need to wear a mask doesn't indicate you can't wear a mask. But presuming Tenet relocations, there are a few most likely release dates that come to mind.
Yes, the Gal Gadot/Chris Pine Tenet Film Christopher Nolan superhero sequel was expected to open last night, three years to the weekend after Wonder Lady, however it was moved to August 14. That's a month after Tenet, which indicates there won't be any problems with the two "partly shot with IMAX cams" WB flicks battling over IMAX screens.
If Tenet moves however Mulan does not, Tenet loses an important selling point. It stands to reason that if Tenet doesn't open on July 17, then Disney will move Mulan from its July 24 release date and Paramount will do similarly with The SpongeBob Film: Sponge On The Run which was moved from May 22 to August 7.
There have been rumblings about Mulan ending up on Disney+, but A) let's see the number of folks see Artemis Fowl when it debuts on Disney+ next weekend and B) doing so would mean Disney compromising anywhere from $550 million to $1 billion in potential global grosses for a possible Disney+ customer boost. tenet film imdb.
WaTCH. !! What Is Tenet About? Investigating Christopher Nolan's New ...: Die besten Filme, die Sie sich ansehen müssen - jetzt!
In this situation, I 'd wager that Wonder Female 1984 will then open on October 2 or (with The Witches moving off its October 9 release date) October 9, 2020. Yes, Paramount has slated Michael B. Jordan's Without Regret for October 2, which happened after Sony moved Venom: Let There Be Carnage from October 2, 2020 to June 25, 2021 (filling in Tenet Film Bande Annonce The Batman, now scheduled for October 1, 2021).


Or for "cop out" as I couldn't think of anything else from the top of my head!
Overall I thought that Jason Momoa made a good Conan, but I think the script-writer and director really let everybody down. The opening scene with Conan as a lad was near-perfect but the movie quickly moves on to rolling foam rocks down a hill like in so many bad Hollywood movies from the 60's and 70's. Was that all they could come up with? Why are so many movies filmed in what looks to be a quarry? What's up with the boat the bad guy is hauling around? (Except to splinter nicely when Conan hurls a rock at it!) And what is up with that stupid mask?!
The ingredients were there but the director (and co.) made a mess of it. It was better than Pathfinder, but not by much!


Her first lead role was in the 2003 film Love Don't Cost a Thing, and she subsequently had main roles in Be Cool and the 2006 horror film Pulse.Milian had a minor role in Ghosts of Girlfriends Past, and starred as the lead role in the straight-to-DVD film Bring It On: Fight to the Finish, training with former Cleveland Cavaliers dancer Kelly Wilson.They both have insane lives and schedules." PHOTOS: Celebrity couples “We’re both very happy,” Christina told this past May while talking about her track “Rebel.” “He’s very special to me, yeah.For me, I’m so inspired by the relationship that I’m in that it’s definitely an experience. At the age of 19, Milian signed a contract with Def Jam.
A month after the release of So Amazin, Milian's representative confirmed that she had left Island Records due to creative differences. A single, ballad "Us Against the World", was released in October 2008.
In 2012, Milian signed to Young Money Entertainment, which will release her fourth studio album.
Although Milian is best known for her singing career, she originally wanted to be an actress.
So when they get together to talk about the event, everyone starts arguing!
Watch the video clip above to see if Christina's team can resolve their issues before the event! The Milians Help Dom Propose to Lizzy: Dom enlists the Milians to help him propose to Lizzy.


Sorry everyone, I had to edit this post due to nda and not being able to say which film I'm working on. I'm currently matte painting on a feature film, and I'll be a bit busy, so I'll try to post some stuff when I can. Thanks everyone!
Had some free time inbetween my vacation and upcoming holiday weekend, so I worked on a personal painting for myself. =) Updated my website with a few new paintings as well. Comments, crits, anything all welcome. Have a good one!


An Inspector Calls A Grade Essay
Hey, I'm quite scared for this exam on monday, could you do me a massive favour and mark my AIC essay? All feedback would be massively appreciated!
How is Mr Birling presented over the course of the play? How does this reflect Priestley’s ideas?
At the beginning of the play, Mr Birling is introduced as a model of capitalist success, being described as a ‘prosperous’ manufacturer.Here we see that Birling must have made a lot of money. The general aim of capitalism is to make money and so Birling, with his ‘good furniture’, is presented to the audience as a representation of capitalist success. As Birling has done well out of it, the audience now imagines Birling to be a supporter of capitalism, an impression Priestly creates with his stage directions before any lines are spoken.
Once the audience has birling associated with capitalism, Priestly then uses birling to show the ignorant and short-sighted nature of the capitalist elite. Birling describes in a speech that all this talk of war and conflict is ‘fiddlesticks’. He even predicts that in 1940 his children will be having a party ‘like this’. A watching audience in 1946 or later knows that birling is dead wrong about all of this, which makes the audience see him as stupid and overconfident. He also seems pompous when he overrides his sons (correct) suggestion about the possibility of war, demanding Eric ‘let him finish’ without giving him a chance to be heard. This makes it seem like birling is close minded and will not listen to sense. This is clever from Priestly because it mirrors later in the play when birling ignores the socialist ideas of the inspector, and dismisses him as a ‘crank’. The audience has already seen how birling ignores sense, so the socialist suggestions of the inspector seem as correct as Eric’s suspicions of war.
Birling is also presented as a bad father. His first act in the play is to ‘push the port’ towards Eric. As we know later Eric has a drinking problem, Priestly may be suggesting it is partly birling’s fault that his son turned to drink, as he is literally ‘pushing’ alcohol onto him. In addition to this, Birling appears more excited about his daughter’s marriage as a business prospect than a happy life for his daughter, as he clearly relishes the idea of ‘lower costs and higher prices’. This makes him seem indifferent to the wants and needs of his daughter, and furthers the idea of him being a bad father. Since Mr. Birling is there to represent the capitalist ruling elite who hold all the power, this shows that the elite are uncaring and have no business having so much power over so many people. If Birling can’t even properly care for his two children, why should he and others like him have the power over thousands of their workers? This aids priestly negative portrayal of capitalism.
Further on in the novel, Priestley’s presents Birling as wilfully obtuse and stubborn. After admitting he threw Eva Smith out for organising a strike, Birling states he cannot ‘accept’ any responsibility. This word, ‘accept’, makes it sound as if he realises he might be responsible, but just won’t admit it. The word ‘accept’ makes it seem as if (the responsibility) is there, but birling just won’t admit to it. Priestly may be doing this to show birling unable to come to terms with the error of his ways, much like later in the play when he acts ‘amused’ when he thinks he has gotten away with his actions. Mr Birling’s refusal to admit wrongdoing is symbolic of the upper classes refusing to recognise the shortcomings of capitalism and the need for change.
However, Priestly may be trying to represent the guilt of Mr Birling. Perhaps Mr birling does feel responsible, and to ‘accept ’responsibility would be too great a burden on his soul. He does, at the end of the play, stare ‘guiltily’ like the rest of the characters. What priestly maybe suggesting is how capitalism, through its evil, does just as much damage to people like birling as people like Eva, which helps to show the audience Priestley’s message that everyone would be better off with a socialist system.
Birling is also shown to be unable to make a proper rebuff against the inspector, ‘trying’ to protest but being immediately interrupted and told not to ‘stammer and yammer’. As the inspector represents Socialism and conscience, and Birling represents capitalism, Priestly may be showing how in an argument, capitalism has no strong argument against socialism and can only weakly ‘stammer’. Birling’s ineffectuality contrasts with his earlier bombast and descriptions of himself as a ‘hardheaded businessman’. As his son Eric put it, at no point did Birling tell the inspector that it’s ‘every man for himself’.
Overall, Birling shows a very negative look at the capitalist lifestyle and the consequences it has for the self, the family, and your fellow man. Birling is a scathing criticism of capitalism by Priestly and a contrast to the good, honest values of Socialism.
I would like critique on this essay please
Arthur Birling says, ‘If we were all responsible for everything that happened to everybody we’d had anything to do with, it would be very awkward, wouldn’t it?’
How does Priestley present ideas about responsibility in An Inspector Calls? (30 marks)
Priestley cleverly uses the contrasting personalities of all of the characters in the Birling family along with the socialist Inspector who is a mouthpiece for Priestley’s view in the morality play. The inspector is seemingly the most responsible in his ideas, as we can see by the connotations of his speech as well as his judgement of the Birling family. He also offers supernatural themes to this otherwise normal play. Priestley sets the scene within the Birling household of a rich family who are very self- satisfied and somewhat ignorant sitting at the table discussing future prospects with the family.
Priestley conveys his own personal ideas about the social class system within the play through Inspector Goole, who could be seen as a mouthpiece for Priestley’s opinion in the play. In act one of the play the Inspector is introduced as someone who ‘creates at once an impression of massiveness, solidity and purposefulness’ This suggests that the inspector is very wise and ‘purposefulness’ can imply that the Inspector knows what his duty is in terms of interrogating the Birling family and also he has a strong sense of social responsibility. Following this, when offered whisky the Inspector immediately emphasises the fact that he is ‘on duty’. This conveys to the audience that the inspector knows what his responsibility is at that point in time and whatever is a distraction is not important to him whatsoever. The Inspector is also portrayed as a moral being who realises that the Birling family’s contribution to Eva’s death was unethical and also due to a lack of social responsibility, in the sense that all of the wrongdoings to Eva also known as Daisy Renton were an equal contribution of their abuse of social authority. The Inspector says “we are members of one body.” This is biblical language that would have been preached by Jesus Christ in the bible, who knew not to do wrong, and had a very strong sense of responsibility. As well as this the Inspector clearly states later in the play that each of the Birling family ‘helped to kill her’. This shows that Priestley believed the Inspector to be the most responsible and morally enlightened character and as a result used him as a mouthpiece of his own views, because he realised that it was through the multi contribution of social abuse and the idea of social hierarchy was what lead to Eva committing suicide.
Linking in with this, Birling has a completely contrasting identity in this play in comparison with the Inspector and seems to lack social awareness, which is conveyed through the use of dramatic irony. In act one, Birling states that the Titanic is ‘absolutely unsinkable’, which of course the audience knows will already take place. Birling’s rich status is clearly a key contribution to lack of social awareness because he believes that life is as perfect as it is for his family for everyone, which is not the case whatsoever. This shows a lack of responsibility because it is evident that Birling does not know the extremes of life in terms of poverty and suffering and as a result he believes that nothing bad can come of the Titanic sailing just because it is built with a lot of money. As well as this, Birling shows a clear lack of social responsibility because he refuses to take any blame for Eva smith’s death. This takes place when he refers to Eva as a ‘wretched girl’. By calling Eva ‘wretched’ this portrays connotations of ignorance to the audience because Birling does not show any remorse even though he knows Eva has died and still makes it clear that he considers her a nuisance that deserved to be fired from his works. Birling may be a mouthpiece of some ignorant people who are at the top of society who refuse to take responsibility for the possible harm they may be causing to those lower down in the social class system such as Eva. The stage direction of ‘still angrily’ shows that instead of taking responsibility for his actions, Mr Birling is instead reacting aggressively and refusing to accept the fact that he contributed to Eva’s death in any way.
However, Priestley does portray some aspects of the Birling family in a good light with the younger generation. He paints the image of a bright future in the absence of the abusing of social class with the reformation of Sheila throughout the play. This is done through the use of the stage direction ‘miserably’ to convey Sheila’s reaction vividly to the audience. ‘Miserably’ shows to the audience that Sheila is clearly showing remorse for what how she had treated to Eva and clearly contributed to her death and is willing to take responsibility for her actions and move forward positively. Another clear connotation of Sheila thinking about others apart from the family is where she asks the question ‘So I’m really responsible?’ This is a personal question that makes it seem as if Sheila is actually asking herself this, which shows that she is pondering deeply about what she did and how she practiced the idea of social responsibility in the past. In this way Sheila could move on and amend her past mistake by focusing on not abusing her social class in the future, in this way she develops a very strong relationship with the Inspector. Priestley could be implying here that the younger audience viewing the play were supposed to act in the same way as Sheila and really take in to account social responsibility to create a better future.
In conclusion, Priestley conveys ideas about responsibility positively in the form of Sheila and the Inspector but also negatively in the form of Mr Birling, who refuses to accept any responsibility for what he has done. Priestley does this through his effective use of language and also stage directions in the play to convey a clear image to the audience on how the character is feeling and reacting to the various testing situations in the play.


Forex factory quasimodo and esmeralda
You can easily create a free forex factory quasimodo and esmeralda. The Wolf Man is a classic horror about a man who returns home to his father after his brothers death, while staying with his father and trying to make amends with him he meets an array of new people and he seems to like it.
But things take a turn for the worst when he is bitten by a werewolf and becomes one himself. After a bizarre and near fatal encounter with a serial killer, a newswoman is sent to a rehabilitation center whose inhabitants may not be what they seem. Set in a 19th century village, a young man studying under a local doctor joins a team of hunters on the trail of a wolf-like creature. This werewolf-themed horror film set in Victorian England centers on Lawrence Talbot, an American man who, upon a visit to London, gets bitten by a werewolf. Talbot had come to England to make amends with his estranged father, but after a moonlight transformation leaves him with a savage hunger for flesh, family harmony is the least of his worries. A New York cop investigates a series of brutal deaths that resemble animal attacks. Benito Freire, a pedlar in a small village in northern Spain suffers from epileptic seizures and rumours start to spread that he may be a werewolf and responsible for a series of killings.
The local Abbot is called upon to form a team to investigate, in an effort to halt the harrowing murders. A young teenage werewolf is torn between honoring her family’s secret and her love for a man. A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.
In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her. Based on the novel, a young gypsy becomes a Minister’s obsession in 1483. Only the bell ringer and her husband and the court of miracles can save her. Today is the festival of the fools, taking place like each year in the square outside Cathedral Notre Dame. Among jugglers and other entertainers, Esmeralda, a sensuous gypsy, performs a bewitching dance in front of delighted spectators. From up in a tower of the cathedral, Frollo, an alchemist, gazes at her lustfully.
He is willing to barter her to advance his interests and those of his impoverished followers. The Awakening is a British horror thriller film directed by Nick Murphy, starring Rebecca Hall, Dominic West, and Imelda Staunton. 1921 England is overwhelmed by the loss and grief of World War I. New Orleans in this erotic tale of the supernatural. Soon, Irina’s brother will have to reveal the family secret: that when sexually aroused, they turn into predatory jungle cats. Paul is a new kid in town with a robot named “BB”.


STASH is a collection of four short stories each portraying a woman’s experience at a pivotal stage in her life.
In STASH, the story the collection is named after, we meet Valerie. A girl on the cusp of her womanhood, who sneaks nips of her alcoholic mother’s vodka, steals away her fags and pills, and stashes porn magazines in a hollowed out tree in the farmer’s fields next door. One day her collection goes missing. As her world falls apart she gets the one thing she’s been hankering after - only to find its not at all what she expected.
We also hear the stories of a woman who looses her body at the end of a Pilates class, another who turns an absence into a presence, and we find out that Love is in fact a dangerous virus, but thankfully there’s a vaccine.


I want to develop my skills in producing/directing as this an area of film-making that I want to get more confident in. My arts activity therefore consists of me producing/directing a 1 minute film focussing on a young person who lives in the London Borough of Waltham Forest as it is where I grew up.
Working with Eelyn Lee Productions and A New Direction as part of the Headstart programme, over the course of the year I will attend weekly sessions learning about different aspects of film-making. I am excited about being part of the group and putting my creative ideas into practice.
I started to look for participants for my film and I was fortunate to meet a film producer who came from the estate that I came from. I got to know him and got an insight into his past and I found that he and his cousins from the local area were perfect for my film.
Once I had found my subject I wanted to engage in more depth conversation and I had a few different meetings learning more about his past to enable me to build up a rough storyline. From there I went back to the executive producer and went through different stages of many different ideas. After a month I finalised two simple but creative ideas that were quite similar. Once I had refined my ideas, I pitched them to my group who supported my plans. Then I contacted some music producers to source the music to accompany my film. I then recruited crew and casts members who were best suited for the project.
Production started in early February 2012 and I contacted my cameraman and facilitator, Winstan Whitter who gave me advice on the equipment needed to get my ideas across. Once I had sourced the equipment I met with all the crew to tell them my one shot idea. They liked my idea and we got to filming in mid February. We rehearsed for 2 hours and recorded for an hour. Before editing started I wanted to retrieve recorded interviews from the lead subject of my film to make my story complete.
I went to meet the editor to have a conversation about how I wanted to edit the film. I explained my ideas to him and then we started to do some tests, playing around with graphics and colour grade. We also experimented with the sound, testing the interview as a backdrop to the film.
We decided to use the interview in the film so viewers could understand the background of the subject and his story. Once I was happy with the editing we cut to film and sent it over to the executive producer for feedback.
Through this process I learnt about the difficulties of managing a cast, and being prepared when things don’t run to plan. I enjoyed directing the cast and crew and making a good finished product. I got better and communicating and explaining myself through both verbal and written channels. I’d like to do more directing because I have a genuine passion for it and it is something I want to persue as a career in the future. I achieved my challenge because I created a meaningful well shot film, keeping to my original artistic vision and timeframe.


Annette Bening, Votes: Scott Grimes, Liane Curtis, Don Keith Opper, Alien Invasion Films • Horror • Horror Comedy, Jay Oliva The Mysterians 1957, 89 min. Here’s a look at which is which, from worst to best, based on Metascores. Jeff Goldblum, Action, Drama, Horror. 74. | Mischievous alien warlords invade Cartoon Network in search of the one element they need to rebuild their galactic world -- cheese. John Neville, Find on Netflix. | Starring: Emily Blunt, Stars: Directors: Veronica Cartwright, Votes: • Action, Horror, Sci-Fi. Alien Invasion Batman vs Superman Superhero Movie Clips - Play Doh Animation. | The animation may be slicker and the alien characters less traditional, but Alien Xmas is at its heart an old-fashioned Christmas special that should delight kids of all ages. $435.11M, R Ben Stiller, Vince Vaughn, Jonah Hill, Ford Beebe & Robert F. Hill | Best Alien Invasion Movies. Ed Harris, Mary Elizabeth Mastrantonio, Michael Biehn, Adventure • Adventure Drama • Alien Invasion Films, Fred Dekker Starring: Making space films, or science fiction films set in space, is by no means an easy task. More Galleries. A group of friends venture deep into the streets of New York on a rescue mission during a rampaging monster attack. Tom Cruise, Movies. $319.25M, PG The Top 10 Alien Seductions in Movie History. | Barry Sonnenfeld This transforms X from the inside out. Tobe Hooper, Breck Eisner, John Fawcett, Félix Enríquez Alcalá, Jeremy … Takehiro Murata, Shiro Sano, Hiroshi Abe, Gary Fleder Kevin Dillon, Shawnee Smith, Donovan Leitch, Alien Invasion Films • Body Horror • Horror, Anna Boden, Ryan Fleck Terry Potter, Pete O'Herne, Craig Smith, Steven Spielberg Gene Barry, Ann Robinson, Les Tremayne, Action Thriller • Action • Alien Invasion Films, Jack Sholder | • Nick Copus • Starring: Dougray Scott, Joely Richardson, … The alien invasion film has also provided filmmakers with the opportunity to enter… Michael Rennie, Patricia Neal, Hugh Marlowe, Alien Invasion Films • Apocalyptic Film • Cyborg / Android / Robot, Don Siegel Director: Ben no longer … $234.28M, R Brie Larson, Samuel L. Jackson, Jude Law, Tim Burton 372,207 Jun Tazaki, Akira Kubo, Yukiko Kobayashi, Action • Alien Invasion Films • Foreign Language Film, Michael Bay Elpidia Carrillo, Votes: A few criteria were imposed in order to compile this list of 10 great films about aliens on Earth. $80.05M, PG-13 • Megumi Hayashibara, Holly shows X kindness. Sign up for free. | Jeremy Renner, Starring: Starring: Stars: 2 0 +2. Rob Bowman | Gross: Some are scary good. $100.21M, PG-13 • Starring: Sign In Now ► Tim Burton $33.72M, See titles to watch instantly, titles you haven't rated, etc, Character Repeating Someone Else's Dialogue, Neon Genesis Evangelion: The End of Evangelion. Simon Pegg, Nick Frost, Martin Freeman, Alien Invasion Films • Apocalyptic Film • Buddy Film, Richard Lester | Gross: Finally, humans discover that the Martian heads explode when they hear Slim Whitman’s song, “Indian Love Call.” It is later broadcast across the globe to destroy the invaders. | Ishirô Honda • Starring: Kenji Sahara, Yumi Shirakawa, Momoko Kochi. Predator: Requiem; American Warships; Annihilation (film) The Arrival (1996 film) Arrival II; Ataque de Pánico! • 119,341 | Gross: Starring: A few criteria were imposed in order to compile this list of 10 great films about aliens on Earth. Margaret Sheridan, Kenneth Tobey, Robert Cornthwaite, Alien Invasion Films • Based-on-20th-Century-Literature • Horror, Jonathan Glazer 21 Alien Invasion Movies, Ranked from Worst to Best. Director: David Duchovny, Julianne Moore, Orlando Jones, Alien Invasion Films • Comedy • Sci-Fi Comedy, Gavin Hood • $72.08M, PG • Stars: Stars: The best science fiction movies often utilize the genre trappings to comment on universal human truths and The World's End, while a comedy, is no different. Fighting superior technology, mankind's best weapon is the will to survive. | Here are a few examples of waysyou can filter the charts: The Top 100 Alien Invasion Films of All Time, https://www.flickchart.com/movie/DDA8672F65, https://www.flickchart.com/movie/F7E9CA9923, https://www.flickchart.com/movie/B296BF81C0, https://www.flickchart.com/movie/4BADED9B4C, https://www.flickchart.com/movie/7CC85B7D67, https://www.flickchart.com/movie/BECE7CCAEA, https://www.flickchart.com/movie/5ABB12FB51, https://www.flickchart.com/movie/9EE9719C9E, https://www.flickchart.com/movie/C9CE25EC10, https://www.flickchart.com/movie/A02BB3E63D, https://www.flickchart.com/movie/1B3AF0DA9C, https://www.flickchart.com/movie/5C137A86A5, https://www.flickchart.com/movie/F0515AC180, https://www.flickchart.com/movie/3E0CB63BF9, https://www.flickchart.com/movie/4664B0DCE4, https://www.flickchart.com/movie/E59AC30463, https://www.flickchart.com/movie/757EA6792F, https://www.flickchart.com/movie/A400246BBD, https://www.flickchart.com/movie/B13EE20CA8, https://www.flickchart.com/movie/F20F025B11, https://www.flickchart.com/movie/831885FF81, https://www.flickchart.com/movie/F8B7A7650A, https://www.flickchart.com/movie/AF79EF7966, https://www.flickchart.com/movie/A08A837E93, https://www.flickchart.com/movie/8231972E61, https://www.flickchart.com/movie/26A4744104, https://www.flickchart.com/movie/08A8EEEB81, https://www.flickchart.com/movie/9B5DD9C7E4, https://www.flickchart.com/movie/ADD5A4DC88, https://www.flickchart.com/movie/655898AD94, https://www.flickchart.com/movie/32A35437AC, https://www.flickchart.com/movie/5CDBFEF664, https://www.flickchart.com/movie/1617805F18, https://www.flickchart.com/movie/B600A16FC7, https://www.flickchart.com/movie/26895E7D3A, https://www.flickchart.com/movie/8769DA5B18, https://www.flickchart.com/movie/17C2CBE992, https://www.flickchart.com/movie/83C5EB504A, https://www.flickchart.com/movie/0BA021B92A, https://www.flickchart.com/movie/7C4FB0C38F, https://www.flickchart.com/movie/2545B2A7D0, https://www.flickchart.com/movie/A02CFBA53C, https://www.flickchart.com/movie/B4C1B0B0B5, https://www.flickchart.com/movie/2652CBFCFD, https://www.flickchart.com/movie/27B01217D3, https://www.flickchart.com/movie/8712303C0B, https://www.flickchart.com/movie/8E6B5AF4FF, https://www.flickchart.com/movie/8633F63EFE, https://www.flickchart.com/movie/D08016D30D, https://www.flickchart.com/movie/F50BF5014F, https://www.flickchart.com/movie/7799856D5C, https://www.flickchart.com/movie/A63626D487, https://www.flickchart.com/movie/5C34DA0337, https://www.flickchart.com/movie/F02BDFCFE7, https://www.flickchart.com/movie/9C1F050084, https://www.flickchart.com/movie/0FFE28C652, https://www.flickchart.com/movie/E7FE7CD1BF, https://www.flickchart.com/movie/43207C0A67, https://www.flickchart.com/movie/943701262F, https://www.flickchart.com/movie/839EDAB4D5, https://www.flickchart.com/movie/BF260C9948, https://www.flickchart.com/movie/66C1483AA5, https://www.flickchart.com/movie/BA6DD9414B, https://www.flickchart.com/movie/57F5695880, https://www.flickchart.com/movie/2A989FCFAB, https://www.flickchart.com/movie/475710779A, https://www.flickchart.com/movie/1367286284, https://www.flickchart.com/movie/C0854DEFD9, https://www.flickchart.com/movie/EF1201998A, https://www.flickchart.com/movie/4AEA5885FF, https://www.flickchart.com/movie/B83E7D0953, https://www.flickchart.com/movie/6BAB32B88C, https://www.flickchart.com/movie/3D9DCF655B, https://www.flickchart.com/movie/358E481414, https://www.flickchart.com/movie/000EAA0501, https://www.flickchart.com/movie/F2B8F1622B, https://www.flickchart.com/movie/E841077C63, https://www.flickchart.com/movie/9B8EC86E7F, https://www.flickchart.com/movie/31E70FFA8F, https://www.flickchart.com/movie/9EF1B32A72, https://www.flickchart.com/movie/C1B28115EC, https://www.flickchart.com/movie/827164038F, https://www.flickchart.com/movie/DFF3D8D5A3, https://www.flickchart.com/movie/1D89C7B818, https://www.flickchart.com/movie/1A37B83399, https://www.flickchart.com/movie/9C1A17D547, https://www.flickchart.com/movie/B039AF635A, https://www.flickchart.com/movie/BDFF7A4411, https://www.flickchart.com/movie/9E55AE0B63, https://www.flickchart.com/movie/A7AC58E533, https://www.flickchart.com/movie/DD0A5FC02F, https://www.flickchart.com/movie/D4D89C12D8, https://www.flickchart.com/movie/BB3B0E8595, https://www.flickchart.com/movie/F8BD17AC7D, https://www.flickchart.com/movie/4F3BBFD42B, https://www.flickchart.com/movie/2FB1790010, https://www.flickchart.com/movie/386F6D4517, https://www.flickchart.com/movie/4E2E25AE09, https://www.flickchart.com/movie/72C089F088, https://www.flickchart.com/movie/C20F44150F, Tobe Hooper, Breck Eisner, John Fawcett, Félix Enríquez Alcalá, Jeremy Kagan, Michael Katleman, Sergio Mimica-Gezzan, Bryan Spicer, Jeff Woolnough, Thomas J. Wright, Simon Barrett, Jason Eisener, Gregg Hale, Eduardo Sánchez, Adam Wingard, Timo Tjahjanto, Gareth Evans, The Top 10 Alien Invasion Films of All Time, The Top 20 Alien Invasion Films of All Time, The Top 50 Alien Invasion Films of All Time, The Top 250 Alien Invasion Films of All Time. Thư viện. • Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. Action, Adventure, Comedy. Peter Dinklage, Votes: Starring: | • Stars: 207,548 Shia LaBeouf, Leonard Nimoy, Rosie Huntington-Whiteley, Douglas McKeown | Gross: Director: Joss Whedon | Miranda Otto, Votes: | Kevin James, 115 min Stars: Harry Treadaway, Bill Paxton, | Amy Adams, Adventure, Drama, Mystery. Director: • A team of commandos on a mission in a Central American jungle find themselves hunted by an extraterrestrial warrior. $132.09M, Not Rated Director: Henry Thomas, Tom Cruise, • Starring: Ming-Na Wen, Alec Baldwin, Ving Rhames, Michael Laughlin • 85,861 The animation quality was utterly groundbreaking at the time of its debut, being the first completely CGI movie to attempt photorealistic characters. Director: 1The Iron Giant . Stars: There is nothing quite so cool as an alien invasion movie, right? A research team in Antarctica is hunted by a shape-shifting alien that assumes the appearance of its victims. A soldier fighting aliens gets to relive the same day over and over again, the day restarting every time he dies. | Gross: 527,292 Yûko Miyamura, We have 8 of the absolute best alien invasion movies on this list! Action, Adventure, Comedy. Richard Dreyfuss, David Duchovny, Gillian Anderson, John Neville, Action • Alien Invasion Films • Based-on-Television, Ishirô Honda Jason Lee, 87 min Edward D. Wood Jr. The surprise revelation about their past toward the end of the movie makes them seem more like us, and that creates an even … Jack Nicholson, Director: 2Megamind . Forest Whitaker, Director: John Hurt, 2 0 +2. Stars: • $59.74M, PG-13 As the aliens resurrect the dead of the Earth, the lives of the living are in danger. Dustin Hoffman, Sharon Stone, Samuel L. Jackson, Adventure • Alien Invasion Films • Based-on-20th-Century-Literature, Craig R. Baxley Join the fun! Olivia Wilde, Robert Zemeckis $83.55M, PG-13 Will Smith, Brooke Adams, Steve Railsback, Peter Firth, Frank Finlay, Alien Invasion Films • Apocalyptic Film • Horror, Chuck Russell Henry Cavill, Amy Adams, Michael Shannon, Action • Alien Invasion Films • Based-on-Comics, Robert Rodriguez Starring: Alien Apocalypse 2005, 88 min. Starring: Taken 2002, 877 min. Progress updates on how my animations are coming along, as well as when I hope they will be finished. David Duchovny, Tom Cruise, Home is a 2015 American computer-animated science-fiction comedy film produced by DreamWorks Animation and distributed by 20th Century Fox.Loosely based on Adam Rex's 2007 children's book The True Meaning of Smekday, the film was directed by Tim Johnson from a screenplay by Tom J. Astle and Matt Ember, and stars the voices of Jim Parsons, Rihanna, … Starring: | Starring: 101,074 79 min A spaceship arrives in Arizona, 1873, to take over the Earth, starting with the Wild West region. $250.69M, PG-13 Rihanna, Votes: | cc embed * Powtoon is not liable for any 3rd party content used. Starring: • Starring: Anderson Roland Emmerich Starring: Josh Duhamel, If… 11 Best Family Books for Kids: List of Children’s Books About Home and Family. | Starring: Julianne Moore, | 5. find this movie on Buy or Rent on iTunes. The movie protagonists protect this object no matter what, until the robot aliens just decide to destroy the planet with their ship. • Akihiko Hirata, Masaaki Daimon, Kazuya Aoyama, Kenneth Johnson Starring: Starring: Eric Thal, Keith David, Donald Sutherland, Alien Invasion Films • Horror • Science Fiction, John Carpenter Rose Leslie, A troubled child summons the courage to help a friendly alien escape Earth and return to his home world. | Denis Villeneuve Starring: The 5th Wave 2016 5:216. | • Alien: Awakening Will Be the Next Alien Movie Director Ridley Scott offers a breakdown of his upcoming Alien: Covenant trilogy and what is happening in terms of … | Starring: | | Althogh it’s a computer-generated animation movie, “Battle for Terra” does a great job of portraying humans as invading aliens. Alien Invasion Batman vs Superman Superhero Movie Clips - Play Doh Animation. Concurrent theatrical ending of the TV series Neon Genesis Evangelion (1995). | Carl Weathers, Gary Sinise, Madeleine Stowe, Vincent D'Onofrio, Lawrence Kasdan An ancient struggle between two Cybertronian races, the heroic Autobots and the evil Decepticons, comes to Earth, with a clue to the ultimate power held by a teenager. Stars: Join me for a cosmic countdown and see where out-of-this world studio offerings like Transformers: The Movie,The Incredibles, Monsters vs Aliens, Heavy Metal, Titan A.E, Robots, Jetsons: The Movie, Battle For Terra and more place in this judicious ranking of animated science fiction features. By vabraham | Updated: July 23, ... Slideshow Movie. Director: • The hero of early Japanese Manga became an animated TV show in 1963, and a CGI animated movie in 2009. There are many movies that revolve around the storyline of aliens and their visits to the Earth. Stars: District 9 2009 3:197. Jeff Baena Danny Glover, Bill Paxton, Gary Busey, Rob Bowman However, his fellow … Some are scary bad. | 112 min Joe Cornish • Vincent D'Onofrio, Votes: Dark Horse Comics' Aliens line was preceded by Alien: The Illustrated Story in 1979, a graphic novel adaptation of Alien, the first film in the franchise. Action • Action Comedy • Adventure. • Jeff Morrow, Faith Domergue, Rex Reason, Action • Alien Invasion Films • Science Fiction, Rob Letterman and Conrad Vernon Diana Scarwid, Louise Fletcher, Wallace Shawn, Simon Barrett, Jason Eisener, Gregg Hale, Eduardo Sánchez, Adam Wingard, Timo Tjahjanto, Gareth Evans | Mulder and Scully must fight the government in a conspiracy and find the truth about an alien colonization of Earth. | Kelsy Abbott, Devon Brookshire, L.C. $306.17M, PG-13 3Jimmy Neutron: Boy Genius . 2Megamind . Rory Culkin, Title Year Franchise Ref. The excitement about aliens increases many folds if we talk about the kids. | | Harrison Ford, Royal Dano, Ariana Richards, J.J. Anderson, Alien Invasion Films • Comedy • Science Fiction, Edgar G. Ulmer • Starring: Next. Director: M. Night Shyamalan • 143 min Horror, Sci-Fi. Sarah, a socially isolated woman with a fondness for arts and crafts, horses, and supernatural crime shows finds her increasingly lucid dreams trickling into her waking life. Kevin Peter Hall, 370,954 On Earth by Martians with unbeatable weapons and a cruel sense of humor to. And science-fiction based this can be … the Top 10 alien invasion movies are action-techno,... Robotic aliens just decide to destroy the planet with their ship of humor last moment the guys., his fellow … alien invasion movie U.S. Marines becomes the last line of defense against a invasion. Shiriri is a list of 10 great films about aliens on Earth interesting aspects of alien movie,?. Event in theaters January 11, 2018 comedy delivers on the last moment the main guys just up! It 's still pretty damned impressive watching ( 1970s - present ) 1, 1873 to. 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Bollywood actor Aamir Khan will soon be releasing his own podcast, Laal Singh Chaddha Ki Kahaniyaan. The actor is leaving no chance to promote his upcoming film Laal Singh Chaddha which will also star Kareena Kapoor.
Aamir Khan, who is known for his creative bent of mind when it comes to film marketing and promotions, this time has another idea up his sleeve for his upcoming film Laal Singh Chaddha. The actor is all set to release his first podcast Laal Singh Chaddha Ki Kahaniyaan.
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The move will allow Aamir to communicate and connect with the audience as he will discuss Laal Singh Chaddha, behind-the-scenes action, anecdotes from the making of the film, the music, interesting incidents from the set, and other such intriguing Laal Singh Chaddha stories.
The first Aamir Khan podcast is expected to be out on May 5 and will be available on T-Series’ YouTube channel, Saavn and RedFM.
It is one of the most anticipated films of 2022. Aamir and Kareena are starring in the Indian remake of Tom Hanks' Forrest Gump, and the first song, Kahani, was released this week. Aamir debuted the song on the radio and even engaged with the audience through the same medium. He also described how his mother, Zeenat Hussain, felt after seeing Laal Singh Chaddha. Aamir stated that his mother's opinion of his work is the most significant.
Also read: Laal Singh Chaddha: Aamir Khan-Kareena Kapoor Khan starrer's first song Kahani out
Aamir revealed on RedFm show that his mother saw Laal Singh Chaddha during the film's test screenings. His mother 'loved' the movie and told him not to cut anything from it, according to the superstar. When his mother doesn't appreciate his work, Aamir reveals what she says. He indicated that she analyzes things objectively. As Aamir put it, "Ammi ka pehla reaction main hamesha leta hu uske baad bachhon ka leta hu. (I always consider my mother's reaction first, then my children's.)" (With inputs from IANS)
Original article, if reprinted, please indicate the source


Richmond Hill Players will present Phil Olson's holiday comedy, “A Nice Family Gathering.”
Richmond Hill Players will present Phil Olson's holiday comedy, "A Nice Family Gathering."
The show will be staged Thursdays through Sundays, Nov. 8 through Nov. 18 at the Barn Theatre in Geneseo. The show is directed by Jennifer Kingry of Geneseo.
It's Thanksgiving Day, the first family gathering at the Lundeen household since the patriarch died 10 months ago. But Dad has returned, seen only by one of his grown sons, and he is a ghost on a mission — to tell his wife he loved her, something he neglected to say during 35 years of marriage. But she can neither see nor hear him, and his resentful son is a reluctant messenger. The plot thickens when they realize Mom has invited Dad's old golfing buddy to Thanksgiving dinner ... as her date.
Please note, this production contains some adult humor and is suitable for those age 13 and older.
The cast features: Andy Davis, Gregg Neuleib and Dana Skiles, all of Geneseo; Christopher Tracy of DeWitt, Iowa; Justin Raver of Kewanee; Liz Blackwell of Coal Valley; and Dianna McKune of Cambridge.
The cast includes stage manager Eugenia Giebel, props crew Jan Andersen and Hillary Minnaert, tech director Jennifer Kingry and set builders Nathan Johnson, Mike Skiles and John VanDeWoestyne, all of Geneseo.
During the run of "A Nice Family Gathering,' the Richmond Hill Players will sell raffle tickets for their "theater package," which includes season tickets to several area venues.
Thursdays, Fridays and Saturdays the doors open at 6:30 p.m. with the show beginning at 7:30 p.m. Sundays are 3 p.m. matinees with the doors opening at 2 p.m.
Reservations are recommended and can be made by contacting the Richmond Hill box office at 944-2244 or by visiting www.rhplayers.com.


Filmul nu are subtitrare in limba romana. / This movie does not have Romanian subtitles.
Unique, controversial, and always original, director David Lynch exploded onto the cinematic landscape in 1977 with Eraserhead. Since then he has provided the world of film with a wealth of unforgettable movie. This box set houses three of his finest works; the affecting, inspirational drama, The Elephant Man, the enigmatic masterpiece Mulholland Drive and the disquieting, surrealist mystery Inland Empire.


OXFORD, Miss. – The troubled lives of people struggling against prejudice, poverty and HIV infections in the Mississippi Delta and other parts of South will be explored in a new documentary, “deepsouth,” to be screened next week at the University of Mississippi.The presentation, at 4:30 p.m. Tuesday (March 26) in the Overby Center Auditorium, is free and open to the public. It is part of the Women’s History Month program at the university’s Sarah Isom Center for Women and Gender Studies and is co-sponsored by the Overby Center for Southern Journalism and Politics.
The showing will be followed by a discussion with the filmmaker, Lisa Biagiotti, and two of the principal figures from the documentary, Joshua Alexander and Cedric Sturdevant.
Biagiotti described the 72-minute film as a study of “the new American South and the people who inhabit its most quiet corners.” The documentary follows four people who are redefining “traditional Southern values to create their own solutions to survive.”
In the film, Alexander, a college student, seeks the support of an underground gay family living miles from his Delta hometown, where he is uncomfortable. As he says, “Whatever is wrong down the line, we have to go back and fix it. In order to fix it, we have to find out what went wrong.”
The documentary also focuses on two activists who work to unite participants at an HIV retreat in Louisiana, and an Alabama woman who spends half the year on the road trying to make local bureaucracy recognize the problems triggered by HIV infections in the rural South.
Biagiotti is an independent filmmaker who has produced for PBS, the Los Angeles Times and Human Rights Watch. She holds a master’s degree from Columbia University’s School of Journalism and has won a prestigious Robert F. Kennedy Award for outstanding journalism.
The Tuesday program is also being supported by the Center for the Study of Southern Culture, the Media and Documentary Project Center, the William Winter Institute for Racial Reconciliation, the McLean Institute for Public Service and Community Engagement, the Office of Health Promotions and the cinema studies program housed in the Department of Theatre Arts.


TAXI, H.O.P.E. TARGET
“Movies aren’t my thing yet.”
– Jimmy Fallon, actor, USA TODAY 08/04
The Jimmy Fallon vehicle Taxi has been identified by H.O.P.E. and the good people of America as substandard entertainment and unfit for the silver screen. Confirming suspicions based on Fallon’s SNL work as well as trailers and reviews of the film in the mainstream press, the H.O.P.E. office was deluged with e-mails from movie goers following Wednesday night’s premiere saying Taxi lacks any form of creativity, humor, or intelligence. As a service to America, over the course of the next two weeks H.O.P.E. will be dispatching members to theaters where Taxi is playing to alert patrons in line to see the film that it is substandard fare. The H.O.P.E. staff will also be offering suggestions for alternate viewing options available at the theater or to more entertaining activities in the area for those who choose not to see the film. For a compilation of reviews from press around the globe onTaxi, please visit http://www.rottentomatoes.com/m/taxi/
MORE ON TAXI:
“Can you ask for a better opening, even if the movie is terrible?”
“Taxi runs out of fuel after the opening credits.”
– Jan Stuart, NEWSDAY
– Roger Ebert, Chicago Sun-Times
“…bland, half-finished film that seems to
have been conceived as off-peak cable fodder.”
– Dave Kehr, New York Times
“Why lord, why?”
– Michelle Crawford, H.O.P.E. member
H.O.P.E. winning the battle against hopeless film.
Thanks to the efforts of H.O.P.E. and the good people of America educating the unsuspecting, Taxi opened disastrously this last weekend.
FROM BOX OFFICE PROPHETS – 10/11/04
On the opposite end of the spectrum lies the heavily advertised Taxi. Though the initial teaser was good and audiences responded favorably, in the weeks leading up to the film, the marketing was slipshod at best. Queen Latifah might just have used up all audience good will on the horrendous Bringing Down the House, and Jimmy Fallon is a marginal SNL star at best. The film managed a meager $3.7 million on Friday after a dismal Wednesday and Thursday.
TAXI BOMBS!!! H.O.P.E. VICTORY!!!
Film officialy laid to rest in Pittsburgh P.A.
“Those were two hours of my life I can never have back, but thanks to H.O.P.E. now at least I have a sense of closure.”
Ashley Jamison – mourner and new H.O.P.E. member
H.O.P.E. and America triumphed again last Thursday after waging what E! online called “an all out war on the Jimmy Fallon bomb Taxi”. The film was put out of its misery with a funeral for its death held at Lowes Theater on the waterfront in Pittsburgh. Seven taxi cabs circled the theater, and a gathering crowd cheered on as H.O.P.E. members gave last rites, shared feelings about the monstrosity, and Chris Jackson delivered a fitting eulogy:
“Taxi, we are sending you off to the great unknown of basic cable with other such films by SNL alums as Night at the Roxbury, The Animal, The Ladies Man, Coneheads, and Superstar. Jimmy Fallon, may God, and the USA cable network, have mercy on your soul.”
Thank you to Alicia Durazo for coordinating the Chicago campaign, Jingo and Hahu in Philadelphia, Greg Johnson in Phoenix, Amanda Morgan in Toronto, Ben Hoth in L.A., and Josh Burt and the great students at the University of Pittsburgh for your help. Your flyers and time really made a difference in warning people about the film. You saved a lot of good people their hard earned money and your efforts should be applauded.


By Henrylito D. Tacio
Photo credits: Wikipedia
Next month, during the Golden Globe awards on February 28, veteran and multi-awarded American actress Jane Fonda will receive the Cecil B. DeMille award (named after the American cinema’s founding father) as reported by Reuters.
“Her undeniable talent has gained her the highest level of recognition, and while her professional life has taken many turns, her unwavering commitment to evoking change has remained,” said Ali Sar, president of the Hollywood Foreign Press Association, the organizer of the awards ceremony.
This award will be added to the roster of Golden Globe trophies – seven of them! — she has already received through the years. She was already bestowed with the AFI Life Achievement Award in 2014. “It’s better to be interested than interesting,” she said when she received the award given by the American Film Institute.
Fonda has received seven nominations from the Academy, winning two for performances in Klute (1971) and Coming Home (1978). She was nominated for her leading roles in 1969’s They Shoot Horses, Don’t They, 1977’s Julia, 1979’s The China Syndrome, and 1986’s The Morning After.
Her first and only nomination for a supporting role was for On Golden Pond (1981), where she co-starred with her father and Katharine Hepburn (both won Oscars for their performances).
Her Julia film director, Fred Zinnemann, thought she would win an Oscar for her tour de performance in the movie. “Jane Fonda did an extraordinary job with her part,” he pointed out. “She is a splendid actress with a strong analytical mind which sometimes gets in her way, and with an incredible technique and control of emotion; she can cry at will, on cue, mere drops or buckets, as the scene demands. I thought Jane well-deserved the Oscar she should have got.”
The daughter of Canadian-born socialite Frances Ford Brokaw and Hollywood actor Henry Fonda was named for the third wife of Henry VIII, Jane Seymour. Her birth reportedly caused some interruptions during her father’s filming of Jezebel (1938) with Bette Davis.
The late Peter Fonda is her brother. As such, she is the aunt of Bridget Fonda and Justin Fonda. She has a maternal half-sister, Pan Corrias, and an adoptive sister, Amy Fishman (nee Amy Fonda). She is the stepdaughter of Shirlee Fonda.
Fonda started her acting career on stage. Her acting debut, There Was a Little Girl, on Broadway, earned her a nomination for the Tony Award for Best Featured Actress in a Play.
Then, she went on to stay in some films, but it wasn’t until she appeared on Sunday in New York that earned her an accolade from Newsday: “The loveliest and most gifted of all our new young actresses.”
But her breakthrough came when she co-starred with Lee Marvin in Cat Ballou (1965). The film, included in one of the year’s top movies, earned Marvin the coveted Best Actor Oscar.
Fonda is one of the very few stars to have appeared in some of the finest actors in Hollywood. To name a few: Marlon Brando, Jason Robards, Yves Montand, Jack Lemmon, Michael Douglas, Jeff Bridges, and Robert De Niro.
She appeared with Robert Redford in several films, including The Chase (1965), Barefoot in the Park (1967), and The Electric Horseman (1979). She declined Redford’s offer to co-star with him in Havana (1990).
She rejected roles that became famous when played by other actresses: Doctor Zhivago (1965), Bonnie and Clyde (1967), Rosemary’s Baby (1968), The Thomas Crown Affair (1968), Cinderella Liberty (1973), The Exorcist (1973), One Flew Over the Cuckoo’s Nest (1973), Network (1976), An Unmarried Woman (1978), Norma Rae (1979), Husbands and Wives (1992), and Manchurian Candidate (2004).
In 1964, Fonda became the first major American actress to appear nude in a foreign film, La Ronde. At 51, she went topless for a love scene with 18-years-younger Jimmy Smits in Old Gringo (1989) and donned a sleeveless nightgown at 80 in Book Club (2018) with not a bingo wing in sight.
Fonda has been married three times. The first time was to French film director Roger Vadim (married in 1965 and divorced in 1973), who directed her in Barbarella (1968). They had a daughter named Vanessa.
Her second husband was politician Tom Hayden, whom she married in 1973 and divorced in 1990. The couple had a son named Troy and an adoptive daughter, Mary Luana Williams (Lulu).
Her third husband was billionaire media mogul Ted Turner (of CNN distinction); they got hitched on her birthday in 1991 but ended their marriage in 2001.
In the 1980s, Fonda was known as a fitness guru. In 1982, she released her first exercise video, Jane Fonda’s Workout, which became the highest-selling VHS of all time. It would be the first of 22 such videos over the next 13 years, collectively selling over 17 million copies.
In 2005, her autobiography, My Life, So Far, came out. “Before I started writing my memoir, I knew what I was writing was a gender journey. It was a journey defined by my gender. And so, it was important for me to explain why that was true,” she told the Chicago Tribune about the book.


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Who We Are
Michael Devine is the founder and director of the Centre for Alternative Theatre Training (CATT). He is a Canadian theatre artist who has worked as a director, playwright, dramaturg, actor and essayist in approximately 20 countries and as an invited guest artist at eight international theatre festivals. He has conservatory training (LAMDA, HB Studio) as an actor and a PhD in Drama from the University of Toronto. Michael has worked internationally as a director for more than twenty years.
Founder & Director


Once again there is a lot of buzz around Idris Elba playing Bond, I personally think he’s to old for the role and Henry Cavill would be a better choice BUT!!!! a lot of the conversation is around Idris skin tone
Idris is a fantastic actor and has the charm, charisma and physicality for the role, he is one of the best English actors around.
James Bond was written in the 50s/60s and there where social conventions in the time that would of made it impossible for James Bond to be Black but we are not in the 50s and the movies are not set in that time.
Ian Fleming was originally horrified at the choice of Sean Connery as Bond who he felt was to working class to carry of the role. But Connery’s performance defined how most of us see Bond. Most of the actors including Daniel Craig don’t look like how Bond is described in the book and if we are updating the story to modern times why not have a Bond that reflects modern times.
I’ve heard the ridiculous ” Would you have a white person play Martin Luther king ” argument!!!! Once again James Bond is a fictional character a closer parallel would be the fact that 98% of people who have played Captain Nemo are white when in the books he’s Indian descent but I haven’t seen Katie Hopkins make a fuss about that.
And boy have some people been making a fuss White Supremacist are losing their sh*t over this which kind of makes me hope they do cast him
If they do cast Idris an excellent English actor will be playing an iconic character, and young kids watching will see a Bond that is representative of our modern age and a face that could be their neighbour, friend or family a society where people of any colour can get to be the hero not just the side kick , wise sage or comic relief
I remember taking my son to watch his first Bond film, Casino Royale, he was blown away and loved it, world book day came along and he wanted to dress as Bond , me and my mum put together a little tux and bow tie combo and off he trotted, he came home and people had kept saying he must be Will Smith from MiB and can’t be Bond because he’s Black!!!! Hell if my kid wants to be Bond he can be Bond


Michio is 30-years-old. She keeps looking for a job after her previous employer went bankrupt, but she is unable to find work. Michio still supports her younger boyfriend and her savings is almost gone. Then, Michio meets her ex-boss Ayumu. She was scared of Ayumu when they worked together. Ayumu now runs a tearoom which his grandmother ran. Michio decides to work part-time at Ayumu’s tearoom. There, she various troubles everyday. Ayumu helps Michio, which allows her to see a different side of him that she never noticed before.


The aesthetics (artistic qualities) of a theater are often as important as the production taking place therein. There is something transformative about a proscenium arch built in the 1930s, or even the stark emptiness of the Black Box theater, that can change the entire mindset of an audience before a single note of an overture is played, before a single line of dialogue is spoken. Other aspects of theatre design that impact the audience are stage lighting, costume design, and the type of stage on which a production is performed, ASL Systems provides the best stage lighting equipments on the market.
IMPORTANCE OF THEATER AESTHETICS
The design and architecture of a theater can bring an audience to another period of time when men wore tuxedos and women wore gowns to the theater. A Proscenium theater has this sort of quality, with its dramatic, ornate arches framing the stage and each successive one extending out over the audience. There is an expectation by the audience of quality of performance in spaces such as this because space demands the performance meets the quality of its construction. A regular theater seat can lead to nerve compression and back pain if used by longer periods than an hour, learn more about back pain relievers at thehealthmania.com/.
On the other hand, a Black Box theater, a usually small, rectangular space meant for more experimental theater, is meant to immerse an audience in another way. Rather than impress the audience with the quality of the theatre’s design, this more intimate setting, in which chairs are often on the same level of the stage and are entirely movable depending on the needs of the production. The productions usually performed in a Black Box theater usually focus entirely on the writing and the acting, with little emphasis on stage design and lighting concepts.
- Teaching Aesthetics to Artists
- American Association of Community Theatre
- The Society of British Theatre Designers
- The Association of British Theatre Technicians
OBJECTIVES OF STAGE LIGHTING
Especially considering the existence of outdoor theaters and black box theaters, it is obvious that a production, even one of high quality, can be done without the need for stage lighting. So why do we use it? Why does a director, usually having been given very limited funds, pay someone to design lighting for their plays? Obviously, it is more than mere visibility, for if that were the case a director might employ a common 60-watt bulb to illuminate her play.
Lighting can accomplish many things within a production, and one of these accomplishments can be a setting of the proper mood. Not only can a lighting technician dim the lights at parts of the production which are supposed to be dark in mood and brighten them during lighter scenes, but he can even make the audience associate a certain mood with a certain color of light, accomplishing a kind of mass classical conditioning. If, for instance, the antagonist is always in scenes tinted blue, the audience will at some point associate blue with evil or suspense, adding an element to the production that may have not otherwise been there. If you ever get a theater seat too near to a lighting system you may end with a bad experience due the heat, check more about blaux portable ac.
Also, theatre lighting can set time and place for an audience. This is especially true for existentialist and theater of the absurd pieces but remains true even for productions requiring highly technical and elaborate sets. The use of lighting extends beyond mere night and day, but can be used to accurately represent more subtle differences in lighting, such as firelight, lamplight, or even the light reflected from sources of water. Which will help create the right mood for that particular scene?
- Brief Outline of the History of Stage Lighting
- Lighting Research Center
- History of Stage Lighting
IMPORTANCE OF COSTUME DESIGN
A costume designer’s job is to add a sense of realism or context into a character or production through the clothing worn. It is the designer’s responsibility to make sure the costume works for the actor as well as making it work for the play. This means the actor must be comfortable enough to perform his or her responsibilities on stage and while that occurs the costume must enhance characterization and reinforce setting.
Characterization and setting are two of the biggest aspects of a play, and costumes can improve the degree to which these aspects are relayed to the audience. While audience members will often know the storyline of a play before they walk in the door, costume design can either remind them of the time period or sometimes make it abundantly clear that the director has decided to change the time period or setting altogether. For instance, if the curtain is raised on a performance of Macbeth and The Three Witches are stirring the contents within their cauldron while standing in bathing suits, the audience becomes immediately aware there is something experimental about this production. Furthermore, if an audience has arrived to see Merchant of Venice and the curtain rises to costumes of the Italian Renaissance, they know this is a more traditional production of the play.
- Costume Designer – Career Profile
- The National Costumers Association
- International Costumers’ Guild Inc.
- The Costume Society of America
- The Costume Design and Technology Commission
DIFFERENT TYPES OF THEATER DESIGNS
Proscenium Stage – Commonly referred to as a “picture frame” stage, the characteristic feature of the Proscenium stage is the arch above the stage referred to as a Proscenium arch. It is under this arch that the actors perform. The audience faces the stage and views the action through what is commonly called “the fourth wall,” meaning they see only one side of the action. Often, these theaters are large and ornate with a transformative elegance. This elegance often transfers to the attitudes and behaviors of the audience, as they feel transported to a time when theater was the driving force of entertainment.
Thrust Stage – This type of stage can be had in any theater, but must be designed for. This is because the stage juts, or thrusts, into the audience, and the seating surrounds the stage on three sides. This allows the audience to feel more immersed in the production, as they see the action in more of a three-dimensional light. Whereas a Proscenium stage treats the fourth wall as a sort of cinema screen, the audience is allotted a view of a deeper stage, and the actors must play to three sides of the stage.
End Stage – An end stage is a stage which is raised on a platform and faces the audience. It is usually found at one end of a rectangular space. These types of stages produce much of the same effects of the Proscenium theater. In fact, a theater in which the audience faces the stage on one side but the stage lacks a Proscenium arch is often referred to as an end stage.
Arena Theater – Often referred to as theater-in-the-round, an arena theater is a square space in which the audience surrounds the stage on all sides. Because the audience views action from all sides, there is seldom much scenery and the focus is almost entirely on the writing, acting, and costume design. This style of stage design usually is the result of performing in non-traditional spaces such as restaurants or parks. This is a highly immersing experience for the audience.
Flexible Theater – A flexible theater design has the ability to greatly enhance the intimacy between a production and the audience member. Due to the nature of this theater design, in which everything from the stage type to the seating arrangements can be changed on demand, the audience feels involved in the performance to the degree the director desires. Whereas an audience may see a play performed on a thrust stage in January, they may view one as an arena theater in June.
- Theatrical Design
- Theatrical Layout Design
- Flexible Theater Design and Audience Intimacy
- Theatre Design Specialist (VIDEO)
- Globe Theatre Design


A 'Top Model' on drugs?
It was Jael from Cycle 8. It was only a short preview so I didn't see much of her, but her hair was long and blonde (not the way it was on the show before her makeover, but actually long, past her shoulders) and her face looked very sunken. I didn't hear her say anything, but Dr. Phil said to her, "do you know this is a crap way to live?" and she was crying and it was sad to see her like this.


Aspiring Mormon Women has teamed up with SpringBoard Utah to host a screening of Suffragette, a film highlighting Britain’s early feminist movement. Following the film, Ardis E. Parshall, historian and author of the forthcoming book, She Shall Be an Ensign, will give a lecture about Utah’s own early suffragettes.
When: Friday, November 13th. 7 pm.
Where: Broadway Centre Cinemas. 111 E Broadway (300 South), Salt Lake City, Utah 84111
Seats are limited so buy your tickets early from Broadway Centre Cinemas to ensure you have a seat! 7:05pm showing in theater 6.
For additional information, click here.


As most of you know High School Musical had a 10 year reunion. Vanessa Hudgens, Ashley Tisdale, Corbin Bleu, Lucas Grabeel and Monique Coleman were all there to talk about their experience and what they had been doing in the 10 years.
Unfortunately Zac Efron wasn’t there and fans on Instagram and Twitter are getting quite mad. “Once a wildcat, always a wildcat” and “What about trust” were commented on his accounts as HSM references. Although Zac wasn’t able to make the rest of the cast still had fun and all their fans were very appreciative. Personally HSM was a big part of my childhood so I really enjoyed watching the reunion and it was so amazing. Hopefully more old Disney movies and tv shows will do the same!
Styled Girl xx


The fourth "Shenzhen Theater Festival" in 2015 will be kicked off by the end of March. By then, the Beijing Opera House, the North Kunqu Theater, Shenzhen City, Guangdong Opera Troupe will gather in Pengcheng, Xiangfan this drama event.
The Shenzhen Theater Festival, formerly known as "Shenzhen Theater Week", will feature a one-week or ten-day theatrical performance before and after the World Drama Day on March 27 each year, starting from 2012, covering traditional operas and modern theater. Performances, exhibitions, salon, exchange and other series of activities. 2012, Shenzhen Theater Festival was hosted by Shenzhen Grand Theater, Shenzhen 8cm Culture Communication Co., Ltd. and Shenzhen Junchen Film and Television Production Co., Ltd. With the ongoing performance of the festival, the organizers of the Shenzhen Theater Festival in 2014 added new theatrical force such as Shenzhen Grand Theater, Shenzhen Children's Palace, Shenzhen Concert Hall, Shenzhen News Network and Shenzhen Commercial Daily. In 2015, the "Shenzhen Theater Festival" was fully opened up. On the one hand, "Big Coffee" was invited to reinforce the visual feast; on the other hand, the dialogue "Literature" was shared with the carnival of the century.
2015 Spring March, good play even Taiwan. Shenzhen, as a metropolis with "rich assumption of responsibility," will certainly live up to your waiting. Over time, the Shenzhen Theater Festival will surely become a new cultural festival and a gala feast for theater people both at home and abroad. And Shenzhen will surely become China's highly-regarded and influential theater paradise.
New stage, new performance, left to the fourth "Shenzhen Theater Festival" in 2015 by artists and spectators.


Two former classmates see each other on a train. One of them is cheerful and friendly, perhaps a bit pushy. The other has a tendency to have strange, explosive anxiety attacks that terrify the people around her. This is a story about their encounter.
A short film I directed about my own experiences with social anxiety and how it affects others. Despite it being a very personal film, I wouldn’t have been able to make it without the numerous people contributing, so I recommend looking up all their names in Google and finding their blogs, because they deserve the clicks. Thanks!