Foreign-language sound trackingKastrati Center offers foreign-language sound tracking of industrial and publicity films, videos, CDs and tapes.
Irrespective of the language in which the film material is available, our native speakers ensure that the film will sound as though it had been originally produced in the target language. The foreign language translation of the original text is adapted.
We advise you on the choice of the right solution , from voice-over through to dubbing.
Using modern production methods and the latest digital recording processes, we achieve sound ranges that are particularly suitable for industrial films and company videos.


First and foremost, we’d like to extend a very special THANK YOU to the Bob Jolly Charitable Trust. Back in September, we were the recipient of a $500 grant and with that generous donation, we were able to put more into this outstanding project.
FOR IMMEDIATE RELEASE
Happy Medium To Present “Home-Grown Theatre” with Dying City
(BOSTON) – Happy Medium Theatre (HMT) will invite audiences into their home this summer—literally– when they present Christopher Shinn’s Pulitzer finalist play Dying City. HMT advisory board members and Boston fringe theatre favorites, newlyweds Kiki Samko (2013 Elliott Norton Award, Dog Sees God) and Michael Underhill (IRNE award nominee, Hairy Tales and Knock!) will open their home to audiences for the production, which will run June 17 – July 18, 2015. The play will be performed in the couples’ Jamaica Plain condo, limiting audiences to no more than 20 people per show and promising the most intimate theatrical experience of the year.
When the Factory Theatre– HMT’s home for the past five-plus years–closed its doors in October of 2014, HMT was forced to re-evaluate plans for its Summer 2015 production of Dying City. The play, an intimate piece about war and grief and how these ideas play out in human relationships, had been set for a June/July run at the Factory. Samko plays Kelly, a therapist who lost her husband to the war in Iraq. Underhill plays both that husband, Craig, and his identical twin brother, Peter. The story of the disintegrating relationships among these characters is told via a series of flashbacks punctuating a surprise visit by Peter to Kelly’s apartment. Through subtleties and subtext, we find the devastating truth about what has happened to these individuals.
The idea of homegrown theatre emerged from meetings among director Cameron Cronin, stage manager and HMT founder Mikey DiLoreto, and actors Samko and Underhill. “We met to do a read-through of the script and talk about the uncertain future of the production shortly after the announcement that the Factory would be closing,” Samko says. “The more we thought about it, the more the idea of a really intimate experience made sense. We played with the idea of touring it, like Theatre on Fire’s ‘home invasions’ and performing it in living rooms all over Boston and even got feedback and help from [Theatre of Fire artistic director] Darren Evans. But the more we talked, this play seemed so personal that inviting folks into our home seemed to make the most sense.”
Samko and Underhill are long-time theatrical collaborators, who met working on a show together in 2009 and have been together ever since. They tied the knot last June and purchased their first home together in Jamaica Plain in September. “The idea just clicked,” said Underhill. “Doing this intensely personal show in our home deepens our connection to the play – and hopefully will do that for the audience too.”
The couple knows the challenges and benefits of working closely together—they’ve been involved in more than 25 productions together over the past six years. But while they’ve worked together for countless hours, this is their most challenging production to date. The two have played strangers, acquaintances, nemeses, friends, and even siblings, but this is their first time playing romantic opposites—and in-laws—and the relationship between Craig and Kelly is nothing like Samko and Underhill’s. “Craig and Kelly are desperately clinging to each other, which is in turn tearing them apart,” Samko says. “They don’t speak the same language. But part of what makes my relationship with Mike work is that we share a vocabulary.”
Dying City is a production not to be missed. It will offer audiences an intimate portrait of a dying relationship struggling to survive, presented by a real-life couple who are thriving in their new marriage and new home. The production will open on the weekend of their one-year anniversary and they cannot think of a better way to celebrate than doing what they love—performing side by side.
Please email firstname.lastname@example.org to receive the address of the Samko/Underhill abode.


Dec 14, 2022
Bunnie welcomes TikTok's most popular
policeman, Officer Kevin Eudy. He passes her interrogation on
everything from how to get out of a ticket (good luck) and the
craziest thing someone has done after getting in trouble. Officer
Kevin opens up about seeing domestic violence in his own
upbringing, and how it inspired him to go into law enforcement and
create his non-profit Love Behind the Badge to do his part in
making a difference. He also shares the secrets from being married
for 13 years and how he and his wife rebuilt the marriage to be
even stronger than ever after going through some tough times.
Bunnie also grills him in some rapid fire questions, and Officer
Kevin confesses if he's ever taken his officer uniform out of the
streets and into the bedroom for some role play. Hot!


Ironically, given the fame of the film, Metropolis did not start out as a script.
The story itself was initially written for magazine serialisation by Thea von Harbou in 1925, with the intention of adapting it into a film for her husband Fritz Lang to direct.
That serialisation was subsequently collected as a novel in 1926, ahead of the film’s release, and copies were given away at the premier in Berlin the following January.
Lang and von Harbou’s script would take the key elements of her novel, simplifying much of the story for the big screen and jettisoning some of the more outré aspects — such as the more overt occult themes — to produce the movie.
But with that dual running came the opportunity to adapt, change and revamp the storyline of von Harbou’s original novel in a variety of different ways over the years — both in hacking the film to bits and in turning it into other things, such as Jeff Mills’ hour-long version, or the hugely truncated one served up by UFA in the wake of the American edits.
Last year it was announced the creator of Mr Robot, Sam Esmail, is working on a big budget miniseries adaptation of the story, in the vein of Westworld. Japanese writer Osamu Tezuka loosely adapted it into a manga in the 1940s, which was itself turned into a movie at the turn of the millennium.
And then there was the West End musical.
On paper Metropolis doesn’t seem the likeliest subject for adaptation into a big barnstorming stage production, in the vein of Phantom of the Opera or Les Mis, even allowing for its star-crossed lovers storyline. After all, at its heart is a robot destroying a giant futuristic city.
Thinking otherwise was theatre impresario Michael White – who had made his name staging Sleuth and the Rocky Horror Show, before producing the cinema version of the latter and turning to television and film production, including the Comic Strip Presents for Channel 4.
Somehow he thought an adaptation of Lang’s film — back in the headlines after the controversial Moroder rerelease — was the suitable basis for his big budget return to the West End.
Securing £2.5million in funding, including heavy investment from US and Japanese backers, it came at a time when the West End had seen some notably spectacular flops — including a failed, expensive version of Ziegfeld the year before.
Central to the production was elaborate set by acclaimed theatre designer Ralph Koltai, based on a toolkit and costing an eye-watering £800,000. The set split open to reveal a giant machine, with working lifts and pistons to convey the inner workings of the city. For many, it would prove to be the highlight of the production.
Academy Award-winning songwriter Joseph Brooks wrote the music, with playwright Dusty Hughes overseeing the lyrics and French director Jerome Savary in charge.
The workshopping of the songs was originally done by the late Stephanie Lawrence and by Michael Ball, who was set to take on the lead role of Stephen – the play’s version of the film’s hero, Freder – before signing on for Aspects of Love instead. In the end, Graham Bickley would take on the part.
Opposite Bickley was award-winning Broadway actress Judy Kuhn, making her West End debut as Maria, with Brookside’s Stifyn Parri as George… but the star name attached to the production was Brian Blessed.
Yes. That one.
Blessed had form in the West End, of course, having been part of the original cast when Cats opened nearly a decade earlier, but was best known as a film and television actor over the previous two decades.
Here, have an obligatory Gordon’s Alive to tide you over until we get to his singing.
The adaptation took, it is fair to say, some pretty significant liberties with Lang and von Harbou’s script — including anglicising all the character names. A greater focus was put on the children under Maria’s protection, giving it the air of a jukebox musical, while the ending is heavily reworked — the reconciliation of Joh and Freder, and the ruling and working classes being brought together in the spirit of the original film’s message, are replaced.
In its wake comes mistaken identities, Freeman (Blessed, in the equivalent role of Fredersen) killing himself and the city collapsing as the workers clamber from the underground to freedom.
Does it work? Well… kind of. Obviously now it’s only possible to judge through scratchy VHS transfers and the cast recording. There’s no denying the talent of the cast. Kuhn and Bickley are fine, and Blessed gives a typical post-Flash Blessed performance (ie he starts at 11 and only goes up from there).
But it also seems to lack the heart of the original film and the catchiness of the big West End numbers. The songs are all fine, but there’s no obvious crossover hits. There’s no I Dreamed A Dream or The Phantom of the Opera or, ironically given Ball’s early involvement, no Love Changes Everything.
With a decent amount of hype and advertising, despite the costs, anticipation was high that Metropolis could do well. White was aiming to run the show until the end of 1989, with talk of a transfer to Broadway should it prove a hit. Despite the recent high profile flops, the West End seemed to be doing well in 1989, with Cats, Phantom, Aspects of Love and Les Mis all performing strongly, and Miss Saigon on the horizon.
The stars were even asked to sing on Wogan. They don’t give that honour out to everyone, you know…
But Metropolis the musical seemed as cursed as the original film from the outset. The huge cost meant the show had to turn over £80,000 a week in ticket sales just to break even, while the elaborate set had an unfortunate habit of breaking down, causing significant problems for the 60-strong cast and crew.
While the show drew decent houses at the weekend, it struggled to fill the Piccadilly Theatre for most of its run, generating a loyal but unfortunately just too small following.
Things weren’t helped when the launch of the show was delayed by technical problems then, less than a month into its run, performances on two consecutive days had to be scrapped altogether after workmen from the London Electricity Board accidentally blacked out the theatre during repairs on a nearby street, leading to threats of legal action.
“It was a very dodgy job,” Parri said in an interview with Sunshine Radio. “We thought it was going to close every week.”
Poor reviews added to the problem. The Stage called it a “dehumanised spectacle”, adding:
“Metropolis is stuffed with songs that are as indeterminate as they are interminable”.
Its critics were less kind.
Joseph Gallivan, writing in Punch during the dying days of the show’s run, said:
“I have to say it was the most abysmal thing I have ever seen on the stage, ever.
“Would anyone still have gone, knowing that PC ‘Fancy’ Smith out of Z-Cars was going to be flown in on a cut-away goldfish bowl, with badger-striped beard and factory owner’s frock coat, waving a cane and shouting his head off about ‘the machines being beautiful’?”
In the summer, one of the cast – Mark Frederick – narrowly escaped with his life when he was among those on board the pleasure steamer the Marchioness on the River Thames when it was struck by a dredger and sank, with the loss of 51 lives.
The cast would go on to raise money for the disaster appeal, with Blessed asking audience members to donate.
But just days later the plug was pulled on the show. White had given up, and announced the end would come after just six months. The investors would not recoup their £2.5million. Metropolis would be replaced by a staging of Stephen Sondheim’s musical A Little Night Music.
It wasn’t all bad news. Judy Kuhn was nominated for the best actress in a musical at that year’s Olivier Awards – narrowly missing out to Lea Salonga who won for Miss Saigon, which opened just as Metropolis was shutting up shop.
White went back to concentrating on film production, overseeing Nuns on the Run, The Pope Must Die and Enigma, among other releases. Graham Bickley followed up Metropolis by becoming the second Joey Boswell in Bread.
After brief local runs in Germany and Italy, things went dark on the show for years. Brooks retooled the book, working with US composer Randy Bowser to tighten production and streamline many of the perceived flaws the 1989 run had suffered.
By 2002, with around a third of the play completely changed, the new version was staged in Oregon with a view to taking it to Broadway.
The transition to the bright lights of New York never happened, but the show continued to find minor success in US regional theatre and school productions.
And in the most unlikely turn of events, Metropolis is back in London this autumn.
28 years after closing, and 90 years after the film’s premier in Berlin, the musical is being resurrected by All Star Productions, the resident theatre company of Ye Olde Rose and Crown theatre, above a pub in Walthamstow.
— All Star Productions (@allstarpro) July 20, 2017
It’s unlikely to have the £800,000 set the White production did, but even after all these years, Metropolis just keeps coming back.


Paris is a city where we find ourselves equally enamored with places we find and people we meet. A beautiful shot lies around each corner, all one really needs to do is take off the lens cap and snap away.
For this series we decided to be inspired by the beauty of old black and white films, especially the film Pickpocket by Robert Bresson, known for his spiritual and ascetic style. In the same way Bresson would use non-professional actors and have them repeat scenes until their performance was removed, we show Paris at its most basic level. By stripping away color and high contrast, the photos are allowed to tell the story through their subtlety.
View the whole collection of photos of Paris on our Flickr.


The World of Tomorrow is my favorite science fiction short film. Now, it’s getting a sequel!
When you have 15 minutes to spare, catch it on Netflix. The story follows a young girl Emily Prime as she’s visited by a third-generation clone of herself. The clone proceeds to tell her about her own future through relived memories. What you find is ethereal animated short that’s light-handed with prose yet profound in its overall message.
The World of Tomorrow is something you must experience on your own, with an open mind and no disruptions. It makes you ponder how the choices of the future will impact society and whether ia wealth of advancements can truly safeguard the human race.
The film, by Don Hertzfeldt, was nominated for an Oscar in 2016. With other great works in his repertoire, such as It’s a Beautiful Day, it’s clear the forthcoming sequel titled The Burden of Other People’s Thoughts will likely join the ranks of his esteemed films.


How did Ars Fennica get its start? The film opens up the origin of why a fine art award was needed in Finland over 30 years ago.
ARS FENNICA 2019
The work of Ragnar Kjartansson (born 1976 in Reykjavik, Iceland) is originally grounded in theatre, performance and painting. But, as he moves freely between art forms, he makes music sculptural, painting performative, and turns film into tableaux vivants.


[Saturday October 18, 2014]
3 smiles of today:
1. Watching “The Best of Me”.
Perhaps this should be filed under a “tear of today” as opposed to a “smile”… 😉 The movie was amazing though, as expected. A tiny part of me was hoping that the ending in the movie would be changed from the book, but it wasn’t – which made it really, really good, but it was also so unbelievably sad and tragic. I started crying about halfway through the movie (I was already a bit teary from the start, because of how adorable Dawson and Amanda were), and the tears just kept on flowing until the credits. Amazing, as usual for a Nicholas Sparks movie. ❤
2. Elderly couple in front of me inside the theatre for “The Best of Me”.
A few moments before the film began, an elderly couple walked in – hand in hand, and sat in front of me. And throughout the movie, they held hands, and near the end of the movie, they whispered “I love you” to each other. It was adorable to watch, and amazing to see a couple in their [simply my guess at their age] 70s going out to watch this romantic movie on a Saturday evening.
3. A lovely gentleman holding the door for me.
I suppose this is pretty commonplace in Canada (there are definitely more than a few memes about Canadians being way too polite about holding doors), but for some reason, this struck me today. As I was going into the subway station after watching “The Best of Me”, the [physically attractive] guy in front of me held open the door and smiled at me. He was so polite about it, and he definitely was not obligated (according to Canadian society, that is) to do so – I was still pretty far away.


Celebrate character design and animation by bringing your characters together in a short animated group film.
Students will learn to design their own characters and then learn the basic principles of animation. They will see their characters come to life and then come together with the other characters creating a short animated film that will be under a minute. The tones of the films will be silly and fun in nature. Students will get copies of their own animations. This course would help equip students in discerning further pursuits of applying for Animation and the Arts.
Base Tuition: $405 | Materials fee: $30 = TOTAL $435Notes: Each day will have a 1-hour lunch break.
|Code||Instructor||Dates & Time||Days||Length||Register|
|681||Enzo Avolio||Aug. 12, 2019 to Aug. 16, 2019|
TERM - Summer 2019
|Mon - Fri|
10 a.m. - 5 p.m.
|Summer Art Camps for Youth||$435.00|


Promotional Film Production, Leeds, West Yorkshire
We are a creative online movie production company, making online promotional movies for businesses since 2009. Based in Calverley LS28 near Leeds, North Yorkshire but with filming and editing clients across the world. We have filmed documentaries, corporate events, outdoor action and more for clients including sole traders, small businesses, training companies and charities. Our experience and no fuss approach means our videos are creative and affordable, ideal for businesses, charities and individual alike.
Pro HD film production for online promotional movies for businesses. From events, products, travel for your online marketing.
Post production for your online film: editing, colour grading, visual effects, titles, animations and more.
An honest and creative delve into the world of professional film making for businesses.
Business Feedback on our Film Making and Multimedia Service...
This short film is a lovely exploration of filming using a L.C.W. Mark II variable 77mm ND(Neutral Density) filter …
Mark Zaretti - 5th June 2013
Most of the time we do the filming but sometimes the situation will arise where it's not possible for us to do the …
Mark Zaretti - 30th May 2013
Just imagine, every picture you've ever posted on facebook, twitter or your own website is suddenly able to be …
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Creative Film Projects
As well as client work, we have a number of creative film projects on the go:


Dan Flannery TV Filmography
Michael Crichton has created a medical drama that chronicles life and death in a Chicago hospital emergency room. Each episode tells the tale of another day in the ER, from the exciting to the mundane, and the joyous to the heart-rending.
Chicago, 1963. As head of the police department's Major Crime Unit, Lieutenant Michael Torello must deal with the city's most dangerous criminals.
A unique family drama set in the world of a hip hop empire.
The story of firefighters in Chicago, both on a personal and professional level.
Mayor Tom Kane, diagnosed with a dementia disorder, struggles to keep his grip on power in Chicago.


When a movie, TV show, or play thoroughly entertains you, you might say that it is compelling drama. It sucks you right into the story. As you watch the action, you identify with the characters and live their lives and loves with them. When a drama is compelling enough, you disappear. When a movie is boring, your seat may become uncomfortable, you may get hungry, you may make comments to your friends, but when the story engages you completely, you are gone. There is only the story.
The most compelling drama there is, is your life. You were cast in the role of you and your only option is to play it brilliantly. Meryl Streep or Jonny Depp, could never play you with all the subtleties you put into the role. They are too busy being them (which probably isn’t as easy as it looks). You play you with all your soul, with incredible attention to every little detail. When you stub your toe, you care immensely about the pain and you come up with inimitable facial expressions to demonstrate your inner experience. Unlike produced dramas, the role you play is not always filled with plot moving purpose. You have to keep playing you when you’re bored, when you’re cranky, when you’re watching other dramas on television.
It is natural and unavoidable to be compelled by the drama of your own life. When big things are happening, it’s easy to get sucked into the action. The suffering that the drama creates is real suffering. It’s different from suffering along with a movie character, because you have no confidence that it will end. It is also the same suffering, its a different tune played on the same instrument that is your self.
When you are playing the role of yourself, no amount of suffering or joy will allow you to step out of character. Everywhere you step is still you. All you can do to relieve the suffering of your character is to pay attention to the drama. See what motivates your action. Marvel at your brilliance in creating an amazing, complex, unique human being. As you suffer, feel compassion for your character, for yourself. That’s all part of the drama. It’s completely compelling.


|On June 10, 1922 a star was born. She would be called the World's Greatest Entertainer and produced a body of work astounding in its range, amazing in its power and timeless in its ability to exult, enthrall and excite audiences around the world. Her name? Frances Ethel Gumm. Doesn't sound familiar? How about her stage name: Judy Garland.
Judy's performance in the "Wizard of Oz" gave her a theme song for the rest of her life, "Over the Rainbow." Filmed in 1939, "The Wizard of Oz" has been seen by more people than any other film ever made.
In 1935, at the age of 13, Judy signed her contract with MGM, the grandest movie factory in Hollywood. Judy sang and danced her way into starring roles for the movie studio that produced the world's grandest musicals. In 1948, Judy was MGM's leading box office superstar. All told, she made thirty-two feature films, earned one Academy Award and was nominated for two others.
She starred in 30 of her own television shows, garnering ten Emmy Award nominations.
Between 1951 and 1969, Judy fulfilled over eleven hundred nightclub and concert performances, winning a special Antoinette Perry (Tony) award for the first of three record-breaking Broadway engagements at the Palace Theater. She recorded nearly 100 singles and over a dozen record albums. "Judy Garland at Carnegie Hall" received an unprecedented five Grammys in 1962 (including Album of the Year) and has never been out of print.
The brightest star of the Hollywood musical and an entertainer of almost magical power, Judy Garland was the little girl with the great big voice: The woman of a half-dozen comebacks, a hundred heartbreaks and countless thousands of headlines.
Judy's Scarecrow co-star Ray Bolger delivered the most fitting epitaph: Judy didn't die. She just wore out.
A native of Santa Fe, New Mexico, Julie has been singing since the time she could talk. It started in her neighbors' living rooms and eventually moved to the stage. She studied opera for two years at the University of New Mexico and then moved to the Big Apple to complete her degree in Musical Theater at the American Academy of Music and Dramatic Arts. Most recently, Julie sang in the Santa Fe Opera's 2005 production of Turandot and has been musical director of Into the Woods and Cats for the Santa Fe Performing Arts School.
Stars Never Fade Productions will travel to your city for exciting live performances.
For more information, please contact us at
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The Devil All the Time: Trailer Released for the Most-Awaited on Netflix
Robert Pattinson and Tom Holland are the leads of a starry ensemble in The Devil All the Time. The movie is directed by Antonio Campos and Jake Gyllenhaal happens to be one of the producers. Here’s the most awaited trailer you got to check out for going through a pool of emotions:
The film features talents like Mia Wasikowska, Sebastian Stan, and Bill Skarsgård. If you’ve already read the novel of the same name, written by Donald Ray Pollock, you’ll know what to expect from it already. For those who haven’t, it revolves around a life of a preacher, a couple, and sheriff that darkly gets intertwined with a boy named Arvin Russell. The character Arvin is played by Tom Holland and the story is depicted in the Knockemstiff town of Ohio.
The heart of the story revolves around why and how people from two points on a map without connecting on a straight line come together. If you’ve seen the trailer, you can tell from the voice you’ve heard. It is been said over a montage of landscapes across the small town and also shows the important faces of the characters to explore.
What does The Devil All the Time trailer reveal?
The trailer shows that Arvin’s father is dead and the boy knows what his father did. As soon as that’s revealed there is a character violently suffocating a man’s face into the mud. The trailer then quickly moves onto the rough characters that work around the plot. It also hovers around places like the woods, a lake, a cemetery, and then a church.
We then see the camera landing on Robert Pattison as the preacher delivering scriptures to the followers. The camera quickly shifts to Arvin talking inside a car and saying that the man isn’t a preacher and claiming, “he’s as bad as they got on the damn radio”.
The trailer swiftly moves onto a women’s hand lighting up a match that was figuratively struck on a burned-out field and we see a forest full of crosses. Moreover, the visuals are backed by voice-overs stating, “when they look back on it, they had no other choice.”
Pattison as the preacher clearly seems to have started something “delusion”. Quickly, the people of the small down go from unsettling to corrupt; they are now overpowered by sin.
Soon after we see murder, alcohol, sex, guns, and more. It seems like a thrilling trailer that matches well with the audio and visuals. The end of the trailer reflects Arvin saying that he needs to do something as he has to do it and not because he wants to. It keeps the excitement highs and makes you start imagining what it could be.
The Devil All the Time is an awaited psychological thriller that not only interesting mail leads and support cast, but also includes names like Jason Clarke, Riley Keough, Harry Melling, Pokey LaFarge, Haley Bennett, and Eliza Scanlen. Moreover, the scripted version of the novel has been co-written by Paulo Campos and Antonio Campos. Randall Poster is another producer along with Max Born and Riva Marker. You can stream it on Netflix from September 16.


Although ghosts and phantoms are frequent subjects for television documentaries, there have been few series that have treated the spirit world in a serious manner. In 1953, Topper, a fantasy-comedy about a businessman who is harassed by a ghostly couple trying to get him to loosen up and enjoy life, became a successful television series. The characters were derived from Topper (1937), a comedy that became popular enough among motion picture audiences to produce two sequels.
On Alcoa Presents: One Step Beyond, which premiered in the 1950s, serious students of psychical research recognized many classic cases of ghosts and phantoms presented in a balanced manner, but with the actual names and places changed.
The emphasis was on romantic comedy in the television series The Ghost and Mrs. Muir (1968–70) in which the restless spirit of a handsome sea captain (Edward Mulhare) haunted a beautiful widow (Hope Lange) in a picturesque New England seaside cottage. The series was another successful adaptation of a popular motion picture (The Ghost and Mrs. Muir, 1947).
Serious treatment of ghosts and phantoms remained largely the province of documentaries until The X-Files premiered in the 1993–94 season. Although FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) investigated many areas of the paranormal, hauntings and ghostly phenomena were treated as matters of serious inquiry throughout the series' nine-year run.
The Others (1999–2000) also treated the spirit world seriously, but was canceled after one season. The series starred Julianne Nicholson as a college student with latent mediumistic abilities who was mentored by an experienced medium (Bill Cobbs).
In September 2002, the series Haunted premiered with Matthew Fox as a private investigator who received assistance from the spirit world while solving crimes. In October 2002, the Sci Fi Channel began an eight-week revision of the classic series In Search Of with host Mitch Pileggi offering occasional segments on ghosts.
Today, the most popular television programs dealing with ghosts and the afterlife are Crossing Over with John Edward and Beyond with James Van Praagh. Their presentations consist primarily of their professed ability as mediums to establish communication with spirits and to relay personal communications to family members who have come to the studio as members of the audience.
Internet Movie Database Inc. [Online] http://us.imdb.com.
Maltin, Leonard, ed. Leonard Maltin's 1999 Movie & Video Guide. New York: Dutton Signet, 1998.
Steiger, Brad, and Sherry Hansen Steiger. Hollywood and the Supernatural. New York: St. Martin's Press, 1990.
VideoHound's Golden Movie Retriever. Farmington Hills, Mich.: Visible Ink Press, 1999.


Almost a month after its premiere, I finally had the chance to watch James Cameron's Avatar.
I have read and heard various reviews (and spoilers) of the movie and most of them had been positive that's why I watched it!
When it comes to James Cameron films, viewers could only expect everything to be on a grand scale. Well, I like the story and the whole movie. The effects are great and Cameron really knew exactly when to create and release it. If he made the movie years ago, it might not be as great as it is today.
Shall I write down a synopsis of the movie? Nahhh... Too many people have already written about it and I don't want to join the bandwagon. Hahaha! But I love the system of belief of the Na'vi... Everything is connected... I love you Eywa...
Should I rate the movie with stars and all? Hmm...I am not a movie critic and it would not be fair if I give out stars just for the heck of it. I love the movie. That's it!
If only CDO has an IMAX or 3D theatre...maybe I'll give the movie a gazillion stars... hahahahaha!
I SEE YOU...


Britain’s Queen of Clean tells the harrowing story of the shocking and brutal abuse she suffered as a child, which she has now overcome. Read by the author.
For Kim Woodburn finding fame in her 60s in the smash hit television series How Clean is Your House? with fellow dust-buster Aggie Mackenzie is like living a fairytale.
Often she has simply wished that she had never been born, for Kim has overcome horrific emotional and physical abuse both at the hands of her alcoholic mother and her father.
In her brave and revealing story Kim’s memories of growing up are not of love and cuddles, but of beatings and random cruelty. Shuttled between the brutal houses of her warring parents, a succession of miserable children’s homes and a grim convent – Kim’s past has cast a long shadow over her life.
But just before her sixteenth birthday she finally made her escape. It has taken decades of hard work, and a wonderfully happy marriage to conquer depression but now she has emerged unbowed and unbeaten as Britain’s Queen of Clean.
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Type : Biography


The Resurrection of Gavin Stone is an inspirational comedy rated PG about faith and forgiveness. Gavin Stone, a washed-up former child star is forced to do community service at a local mega- church and pretends to be Christian so he can land the part of Jesus in their annual Passion Play only to discover that the most important role of his life is far from Hollywood.
First of all, I don’t often review films that appear in the traditional cinema, but this is one I was happy to review for two simple reasons. It is a limited release film, so it is possible you may not even be able to see it where you are (it’s not playing anywhere too near me). But, secondly, and most importantly, this is a faith-based film. I’ll mention more in my review about this, but I am disclosing that it is Christian, but it is not sappy–at least not too much. The best description I can give is think Hallmark movie fused with a message of faith. At first, I wasn’t certain what I was going to think of it, but I definitely recommend it for family viewing. Futhermore, this film differs from many Christian films because it is actually a comedy. All too often, faith-based films are dramas with heart-wrenching stories. That is not a bad thing per se, but lighter films can be a nice respite. In this case, this is a comedy that even helps devout Christians (like me) laugh at themselves.
More than likely, you may recognize a few names in this film. I did not recognize Brett Dalton who plays Gavin Stone himself (but I think he would be a perfect addition to Hallmark–I was impressed with him, but more about him later), but the actor portraying his skeptical father is Neil Flynn, who has had quite a career, most notably on The Middle. Watching him immerse himself in this role was like watching a master acting class. His considerable experience stands out, but he makes it all look entirely effortless. Even in scenes with less experienced actors, Neil is able to cast his aura upon this intriguing role of the father who was never really “there” for Gavin as he was growing up. But Waylon Stone knows his boy all too well, and if Gavin truly is playing the church game as his father suspects, he will confront him about his suspicions, even if he is not much better than an agnostic himself.
As a special treat, wrestler Shawn Michaels plays ex-con Doug. I’m not a wrestling fan (sorry), but this part was just a blast! Doug is the typical tough guy, and he can be macho while being a Christian at the same time. I adore the fact that this character appears in this film. He relates to poor Gavin on many levels because after all, Gavin is only there to do his community service hours. But there is no doubt that Doug has been changed by the gospel of Christ, and he only hopes that Gavin has, too.
Since most of the story happens at a church, a pastor is requisite to the tale, right? And D.B. Sweeney is just the man to portray the uncompromising, but kind man of faith, Pastor Allen Richardson. While I am unfamiliar with his work heretofore, D.B. strikes the perfect balance of simple faith and soft-spoken truth. He is benevolent and trusting with Gavin from the beginning, and he never questions much of anything until Gavin shows some interest in his daughter. D.B. is the typical, mysterious man of the cloth. You can’t help but wonder what the story is behind the man who leads this church that appears to be alive and thriving. His preaching is never too laced with fire and brimstone to be ultra offensive, but he will make you think. And from the beginning, that is exactly what he does with Gavin Stone. His faith is genuine and rock solid no matter the circumstances around him.
As the enchanting daughter of Pastor Richardson, Anjelah Johnson-Reyes is purely captivating. I don’t know anything else in which she has appeared, but she hit the mark in every way as the single-focused, uncompromising Kelly who does all in her power to teach Gavin what the true meaning of being a Christian is. There are times her character does appear to be “holier than thou,” and I believe this characteristic will resonate with all Christians who have struggled not to become proud nor rude. Her father continues to counsel her to open her eyes to Gavin and not to get upset when everything does not go as she thinks it should. She is one of those overly-involved church people who has made it clear that she is not interested in a relationship with any man, but there is something about Gavin, and seeing Kelly’s vulnerability causes her to be even more radiant and genuine. I adore how Anjelah portrays this role, and at times, I may have seen myself (I have directed many a church production, and I know how arduous it can be). Although Kelly is as wholesome as can be, it’s refreshing to see the interactions and chaste chemistry between Gavin and her. I may have to investigate Anjelah’s other works as she is enchanting.
But since Gavin Stone is the central character to this story, without the amazing acting of Brett in this role, this movie would have fallen flat. I suppose I connected with Gavin immediately because of what I do for living/hobby. I interview actors, and when appropriate, I do discuss spiritual things with them. I have been honored to have actors open up to me in that fashion on occasion. But Gavin is the total antithesis of the actors I typically feature on my site. From the beginning, he is the arrogant, know-it-all, “God’s gift to womankind” sort of guy, even though he is a washed-up actor. He is forced to return to his roots and do his community service in his hometown. Furthermore, he is compelled to do cleaning work at the church, until he gets this brilliant idea.
He can be an actor in the church production of the life of Jesus Christ. Yes, indeed, with his experience, he’s doing those ingenues a service. He will play Jesus, and no more cleaning carpets and toilets for him! There’s just one problem. All members of the production need to be Christians. And so Gavin becomes the master actor and plays the role of his life.
Over the course of the rehearsals, he turns on the charm with the pastor’s daughter. He connects with a couple other men (Doug is one of them), and in the end, he has a choice to make that before this experience would have been an easy one to make. I don’t want to spoil the story, but he has some soul searching to do, and his portrayal of Christ, though briefly seen within the film, is like nothing else you will probably see in a church production.
It behooves the viewer to remember that this is a Christian film, and more than likely it will only appeal to Christians or seekers. And there is not one thing wrong with that outlook or purpose. The story is cute, funny, and thought-provoking at times. More than likely, there will be someone with whom you can bond and/or relate. And maybe if you tell your friends that Shawn Michaels or Neil Flynn is in it, they will accompany you to the theater for that reason.
I appreciate the fact that the gospel is interwoven into the framework of the story. There is nothing that bothers me more in a Christian film (or book) than for the action to stop and some paltry attempt at the gospel message be inserted in an awkward way. But this movie never does this. I found myself crying towards the end of the film because the message hit home. I have many actor friends, and I pray that they will find the faith that I have found in Him. But all I can do now is exactly what everyone in the movie did who interacted with Gavin.
Some might call the conclusion cheesy. That term always bothers me when applied to films like this or even Hallmark films that have similar storylines. While parts of the film might appear unrealitic, for ninety minutes, you can watch the film with your family, have a few laughs at clean jokes and situational humor, savor a sweet romance, and ultimately hope that Gavin will make the right decision. You can probably guess the predictable ending, but I still say it’s worth your time and money. As I explained to my mother, it’s not Academy-Award-worthy, but I don’t care. I want to get the word out about this film and support is as much as I can so that Hollywood will understand that the faith community wants more films like this.
I salute everyone involved with the film because there truly wasn’t a boring moment nor a moment when I thought, “That actor is horrible.” Some of the actors have less experience, but it doesn’t mean that they can’t act. If you are interested in learning more about this film, check out the links below. It opens (limited release) Friday, January 20. Here’s hoping you will go see it!
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Film Production Print & Design
Having years of experience working for Art Departments in the film industry for countless years has given us acute knowledge of the ins and outs of printing for Film and Television. We have supplied printing and design services for many productions, large and small, typically for Art Department and Wardrobe.
From Greeking Kits for Props, large format on-set printing, to customized clothing for Wardrobe and Costumes, we can get it done. We also have a DGC member in our midst if you need daily help with on-set Graphic Design overflow. Production Department in need of gifts for your crew? We do that.
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She has studied and performed comedy at The Second City in Chicago and The Upright Citizens Brigade in New York. She holds a BFA from Boston University and studied Advanced Screenwriting at NYU Tisch School in London.
She has worked at Greenpoint Pictures in Brooklyn and as a freelance commercial producer and casting assistant in Boston and New York.
Olivia is passionate about women and comedy and strives to increase female representation in the industry. Her mission is to promote women both on screen and behind the scenes through her writing and producing.


I am a sucker for a romance movie. I remember watching Ghost as a teenager and immediately falling under the spell of romance. Although every movie in this genre is quite similar (a handsome lead actor and a lovable lead actress overcome whatever obstacles are in their way to be together) I still enjoy a happy ending, no matter how predictable it may be. And there are bound to be a few tears along the way. Here are the top five romantic movies that I can watch over and over again.
~ 1) Ghost
Ghost is my absolute favorite movie! I know every word by heart. Yeah, the movie is a bit dated and the special effects aren’t really the best, but the love story makes you forget all of that. Sexy Patrick Swayze and Demi Moore work so well together and the chemistry between them is so strong it almost makes you believe they are a real life couple. It tells the magic of being in love and how strong the feelings can be, even after death. The ending makes me cry EVERY time! Make sure you have tissues.
Watching Ghost for the first time all of those years ago also gave me my favorite song. My parents can tell you how annoying it was to listen to me play it over and over and over. I believe it is one of the best love songs and I still love listening to it.
~ 2) Sleepless in Seattle
Sleepless in Seattle is a movie about a widower and his son. Feeling that his father needs a wife, the son calls into a radio show and gets a huge response. Who will they choose? Tom Hanks and Meg Ryan are two of my favorite actors and I loved this movie as a teenager. The soundtrack introduced me to Nat King Cole, Louis Armstrong, Jimmy Durante and Harry Connick Jr. A romantic movie and sappy love songs had me dreaming of future romances and dancing at my wedding.
~ 3) An Affair to Remember
Through Sleepless in Seattle I was also introduced to An Affair to Remember. (Meg Ryan was watching An Affair to Remember when she decided to ask Tom Hanks to meet her on the top of the Empire State building.) Carey Grant and Deborah Kerr meet on a cruise ship and fall in love, even though they are both in serious relationships with other people. After the cruise they must decide if they will be together and if both believe they should be they will meet on top of the Empire State building on Valentine’s Day. Will they both agree to give their love a chance? I love Carey Grants charm and Deborah Kerr’s singing. My favorite scenes are when they meet his grandmother and the very ending of the movie. If you haven’t seen this movie yet get some tissues and watch it right away – if you’re a hopeless romantic like me then you’ll love it.
~ 4) 50 First Dates
My husband laughs at me every time I put this movie on because I have watched it so many times. I love Drew Barrymore and Adam Sandler together and this movie always makes me smile. I think the idea behind this movie is so sweet. He is so in love with her that he gets her to fall for him over and over again, every day coming up with new ways to get her attention and win her heart. If that’s not true love I don’t know what is.
~ 5) The Proposal
Some people may say this isn’t really one of the best romance movies out there but I absolutely love it! Sandra Bullock begging Ryan Reynolds to marry her so she can get a green card results in some pretty funny interactions between them. I can’t even pick a favorite part. I love Sandra Bullock dancing around in the woods singing ‘Get Low’ by Lil Jon, or the scene where she opens up one night and talks a bit about herself, or the ending, when they realize they are actually in love. And once you see Oscar Nunez dance to ‘Relax’ by Frankie Goes to Hollywood you will never, ever, get the song out of your head! With romance, humor, great actors (including Betty White), as well as gorgeous lighting and scenery, this is a must see if you haven’t watched it yet.
It was hard to narrow my list down to just five. If there are some movies here you haven’t see then grab some chocolate and some tissues, curl up on the couch and enjoy. Or, even if you have already seen them, curl up with your snacks and tissues and watch them again!
What are your favorite romantic movies? There are so many more I haven’t mentioned. I would love to hear of a few new ones I haven’t seen yet. I love a good romance movie. You can leave a list of your favorites below.


Scopophilia - translated as 'the love of looking' - refers to the predominately male gaze of Hollywood cinema. Used in feminist film criticism, the term is heavily influenced by both Freudian & Lacanian psychoanalysis. Both the subject matter and the techniques of filming are seen to encapsulate the desire of men to look at women.
Made specifically for The Art House Wakefield solo development oppertunity SOME TIMES, the work uses footage from the 1962 film 'The Brain That Wouldn't Die'. Focusing on individual characters, the film has been manipulated and re-edited into two seperate video pieces. The themes of voyeuristic sadism, narcissism, festish and desire are singled out and magnified.
By creating space between the female and male characters and by positiong the works in different parts of the building, the spectators own voyeurism is also questioned.
Still from Scopophilia Part 1 2012
Click on image to play (opens in a new window)


Due to an unforeseen scheduling conflict, it is with great regret that we must announce the postponement of our THINNER Reunion Screening and Event. A new date is to be determined. The Oceanside Intl Film Festival thanks our passionate community and sponsors for their support of our ever-growing events and festival. All ticket purchases will be refunded within the next couple of days. We thank everyone for their understanding.
The Oceanside International Film Festival announces a special reunion screening of STEPHEN KING’S THINNER that will take place at The Star Theatre in Downtown Oceanside, CA on Saturday, June 17th with doors opening at 4:30pm and the screening commencing at 5:30pm. The presentation will be followed by a retrospective panel discussion with attending cast & crew of the film. Set to appear in-person are Director Tom Holland(Child’s Play, Fright Night), Stars Robert John Burke & Lucinda Jenney, as well as makeup & effects artist Vincent J. Guastini with more mysterious guests are to be announced.
In STEPHEN KING’S THINNER, an obese lawyer (Billy Halek, played by Robert John Burke) finds himself growing “Thinner” when a mysterious carney (Michael Constantine) places a hex on him. Now the lawyer must call upon his friends in organized crime (Joe Mantegna) to help persuade the old man to lift the curse. Time is running out for the desperate lawyer as he draws closer to his own death & grows ever thinner by the day. The Event will be preceded by a lobby reception, complete with a meet & greet for ticketed attendees and a Red Carpet hosted by Julia Marchese and Teri Gamble of the Horror Movie Survival Guide podcast.
Previous special events & guests the Oceanside International Film Festival have hosted include the 20th Anniversary Cast & Crew Reunion for Blue Crush (2002) & Multiple Cast & Crew Preview Events for TNT’s locally produced TV Series Animal Kingdom. Other guests hosted by OIFF include Orange is the New Black star Taryn Manning, Six Feet Under star Joanna Cassidy, Star Wars production designer Alan Roderick-Jones, among many others. Tickets are available now for this special event, presented by Visit Oceanside. Tickets are Available Now via Events.com.


Mandolin Media is a UK-based independent content production company specialising in documentaries, short films, music videos and photography.
Our clients include The BBC, Getty, The United Nations, The Bill and Melinda Gates Foundation, WorldSkills International, Oxfam, Voluntary Service Overseas, GoDaddy.
Paul JAMES Driscoll - lead filmmaker, editor
Paul has eight years experience in filmmaking in the UK and the Middle East. He has led numerous film, video and photography projects that have been aired on national television, screened in cinemas and shown at major events.
He graduated from Liverpool John Moores University with a BA in International Journalism. After graduating, he wrote for various publications in the UK and for The National newspaper in Abu Dhabi. However, with an increasing passion for visual storytelling, he accepted a full-time Multimedia Producer role in January 2011.
He has won several awards for short films produced while at The National and the feature length documentary Nanny Culture that he wrote, directed, co-filmed and co-edited.
His main areas of interest lie in social issues and human-interest stories.
Bhulla Beghal - editor, animator, filmmaker
Bhulla has been in the creative industry for 8 years working in filmmaking, illustration, animation and campaigns using creativity for social change. He has a First Class degree in Illustration with Animation from the Manchester School of Art and a Masters in Film and Television from the University of Birmingham. His work centres around social topics; domestic abuse and the Deaf community to name a couple. He and his first short film on domestic abuse have successfully instigated multiple public seminars and has since been on the television and radio to spread awareness of it. His involvement with the Deaf community has seen him produce a documentary on the Deaf, as well as organising educational workshops for the community. Bhulla has won an award for an animation as well as nominations for his films. His artistic foundation seeps through to what Bhulla captures with a camera. He travelled with Mandolin Media to Abu Dhabi to work on a feature documentary as a cinematographer and then worked on the edit of the film. Bhulla is constantly intrigued by people and believes everyone should have the chance to tell their story. Therefore, he strives to and enjoys the opportunity to provide a creative platform to allow people to express themselves.
Areas of business
With a highly flexible production style and strong experience in B2B content creation, Mandolin Media can meet the communicative needs of a broad range of clients. Our speciality lies in producing documentaries and non-fiction films & videos. We focus on raising awareness of NGOs, charities and corporate clients' work, we also produce music videos, commercials and photo stories.
- Visual Storytelling:
Short films - Promotional commercials - Event coverage - Music videos - Profiles - Documentaries
- Photographic Work:
Portraiture - Event coverage - Travel & lifestyle - Social media galleries - Documentaries
Mandolin acts as a freelance team covering issues that can be communicated through short films and documentary story-telling.
We cover all aspects of the production cycle, from creating concepts and story boarding to production and editing. We typically seek topical features that have a strong societal, human interest or environmental element.
Our speciality lies in combining written, filmed and photographic journalism experience to produce content bundles designed for use by the world’s major publications and broadcasters.
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Just finished the play this morning! I had mixed feelings about it all the way through, but the ending made it all worthwhile. I’ll give it a 7/10.
(A shorter review here: http://literaryqueen20.tumblr.com/post/148366764408/harry-potter-and-the-cursed-child)
The Main Review: (contains minor spoilers)
The play focuses on Albus Severus Potter and how he feels about being Harry Potters son. He gets sorted into Slytherin, becomes friends with Scorpius Malfoy (who’s a really sweet kid!) and becomes kind of angsty. I loved reading about him, but I wish we got more info about the other kids, like James, Lily, Hugo…etc. Teddy Lupin wasn’t mentioned at all, which was rather disappointing. Another major aspect of the play was time travel. I won’t give away too much, but it was fascinating and confusing at the same time. Some of the things that happened in alternate timelines seemed ridiculous and highly u uncharacteristic. It was like reading bad fanfiction.
When I first started reading this, I was thrown off a bit by the tone and the stiffness with which certain characters spoke. It seemed unnatural, but I kept in mind that a play script reads very differently than a book. Also, we’re seeing Harry, Ron, Hermione, Ginny…etc, twenty years later, so of course they’ve changed a bit. Speaking of that, Draco Malfoy is actually civil! My favorite thing about this play is that Draco actually interacted with everyone in a mature way and managed to become a kinder person. There was even some light banter between him and the trio, which was surprising .
Despite the negative points, it was an entertaining story! It was a lot of fun to enter the wizarding world again. It’s not what a lot of fans were hoping for (me included) but there was enough in it to satisfy me. I’m actually hoping for a sequel.
Has anyone else finished it? Thoughts?


I originally wrote Milestone several years ago – before the Hillsborough Inquest was announced. When the Inquest verdicts were delivered I realised I could adapt the script with just a very small number of changes. I liked the idea of the character seeing the events as a catalyst for change – a theme referred to by many of the victims’ families. Also, adding a practical dilemma in the character’s situation and the practical steps he identifies to help him deal with it, enabled me to demonstrate the long-term effects of the tragedy on many, many people – some of whom are no longer with us. Amidst his confusion of knowing what to feel after the verdicts he speaks directly to his Father – killed at Hillsborough – looks for answers to his immediate dilemma and pays tribute to him for introducing him to the wonderful game of football. It felt important to me to include in that conversation the fact that football continues to be a part of his family’s life.
In my view, the 96 victims were murdered for being Working Class – a view shared by many – and I felt it was important to imbue the script with a recognition of this and the event’s place in the history of class struggle. In my attempt to do this I referred to other significant milestones and turning points in history to shine the light as brightly upon victories and triumphs as on those darker moments too. Economic policies and successive governments from the 1980’s onwards divided, disenfranchised and fragmented the Working Class, hampering efforts to fight back, and elevating the Establishment to a position of assumed impunity. The Hillsborough families’ victory – their determination, tenacity, dignity, and resourcefulness – demonstrates our ability to challenge injustice in the face of seemingly insurmountable structural barriers. Their victory – as well as being rightfully their own – is one for not only the Working Class and society at large, but for humanity itself.
THE WRITER- TONY CLARE
Tony has been writing for about 12 years. His most notable successes include being nominated for the Nick Darke Award in 2012 for his screenplay, Pins and Needles. In 2007 he was given a trial on the continuing drama, Hollyoaks, which probably came too soon in his writing career! Nevertheless the experience gave him the confidence and enthusiasm to continue writing. Four full reads from BBC Writersroom and an honourable mention on their website for his submission to their In The Red rapid response followed, and this too inspired him to continue writing. More recently he was longlisted for the Alfred Bradley Bursary Award and shortlisted for Little Pieces of Gold’s Education showcase.
His first inspiration to become a writer was watching an episode of Coronation Street when he was seven. Later he was inspired by writers including Jimmy McGovern, Jim Allen, Paul Flannery, Paul Laverty, and Susannah Grant. He is currently writing a feature film script for which he plans to seek an Independent Production Company to take forward.
THE ACTOR – NEIL CAPLE
Neil Caple trained at the Central School of Speech and Drama and in a 30+ year career, has worked in just about every facet of the business, from Greek Classics for the Open University to school’s programmes in the Sierra Nevada mountains. He has been a principal actor with both the RSC and Royal National Theatre, and appeared in just about every Rep in the country. On television he has made EMI Award winning dramas, been a regular in a Soap Opera (Brookside, 300 episodes) and appeared in adaptations of classic novels. He has acted in several films, and made around 40 radio plays for the BBC. He was also a regular on Radio 4’s satirical comedy series ‘Weekending’. More recently he has enjoyed directing in Drama colleges, and was the Artistic Director of Merseyside Community theatre 2008-10.


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Began his professional career in the 1990's as a graphic and digital artist working on publications such as X-Men and GI Joe comics. His passion to grow and create a well-rounded foundation for himself led him to another pivotal decision, authoring a children's book titled "Hergbert: The Not So Scary Monster". During the drafting phase of his second book, Mr. Phipps decided to take a break from writing, a decision that would change his life forever.
As an avid lover of film and the filmmaking process, an opportunity presented itself in the form of directing an independent film. He found the passion he had been looking for all along and the rest they say is history. Kevin's directing and assistant directing projects, to date, include a slew of independent feature films, music videos, and nationalcommercials. Most notably his recent work on the feature film ”Grief “ "Coyote Requiem", the TV pilot "H.O.P.E", several commercials such as Kellogg’s, Vanish in London, Oil of Olay, Cigna, Canal+ which is now C-More, Quest, Head and Shoulders to name a few.
(Producer/Actor) has worked in and out of entertainment for the past 25yrs. His career spectrum includes work in many different areas such as music, film, television, and international business. Innovative by nature, he has held many hats throughout his life in order to better understand how to consistently bring success to projects that warrant the opportunity. Being raised in a family with a history of strong work ethics and an affinity for the arts, it was natural that he would eventually gravitate towards starting his own company.
As an actor, Angelo has acted in close to 30 narrative and short film projects to-date that have garnered several critical acclaim write-ups and independent awards. In 2011, and after many years of acquiring international business and marketing experience he formed his own production company, Rangelo Productions.
Emmy Award-winning producer/director who has been in the film and video business for over 30 years. She is an Arizona native and received her bachelor’s degree from California State University, Long Beach with a degree in Radio/TV/Film and her Master’s Degree in American Media and Popular Culture from Arizona State University.
Helen began her professional career in the news department at KTTV Los Angeles, later establishing her own production company.
Helen is the Founder and Executive Director of the Prescott Film Festival, where she provides vision and direction. She is also the Managing Director of Operations at the Yavapai College Performing Arts Center and the Director of the Film and Media Arts Program at YC.
In 2018 she won an Emmy for producing and directing “Campus Safety During an Alien Invasion” in the Educational/Instructional category, Rocky Mountain Chapter of the National Academy of Television Arts and Sciences.
Kim Marie is the founder and president of Mirror Dog Productions, an award-winning multimedia production company. Mirror Dog Productions is a full-service production company and partner in WWTVN worldwide network and foreign distribution. Developing media inspiring awareness, education, and change from the inside, out. Kim Marie has chosen to influence the world for the better--through cinematography and sharing narratives of those whose voices that need to be heard.
“I have a passion for storytelling and being the “Voice for the Voiceless,” said Kim Marie. Mirror Dog creates productions that are an organic unity of integral works of art. Developing films and television that showcase the human spirit, while inspiring change from the inside, out.
Kim further feels that “The positive change we bring, and the level of outreach we have,
brings hope, inspiration, education, and awareness that will save lives all around the world.”
Mitesh Patel is the Founder and President of Applied Art Productions. Patel graduated from M.S University for a Masters in Applied Arts. After graduating, he decided to open a business focusing in advertising and design. Later developed into a production, distribution, and VFX. With his experience, Patel continues to bring his combination of creative solutions and management skills ensures success of each production. Patel holds extensive knowledge to establish creative and professional partnerships with talented writers, directors and producers.
Kristopher Mason Strachan
Kristopher Mason Strachan is a stand-up comic who performs and writes as Kris Mason. He studied Film and Photography at Rutgers University. Kristopher was a Valley film critic for 10 years and a member of the Phoenix Film Critics' Society. He has hosted multiple Q&A Filmmakers' panels each year at the Phoenix Film Festival.
Scott Gore served in the US Navy right out of high school and got a taste of what the world is like. Since then, he has travelled all over the world to over 20 countries serving and caring for people living in hard places. For the past 3 1/2 years Scott has been writing screenplays and is a screenwriter best known for his screenplay Instant Karma which was produced last year. One of his current projects is called Albert - a screenplay about the most famous scientist who ever lived.
Lisa is a Chicago native who graduated from Northwestern University. She has taken classes with film critic Roger Ebert and for decades has viewed all genres of movies. As an advocate of watching films in theaters, Lisa attends over a hundred features a year. Her favorite yearly event is to see the Oscar nominated shorts and documentaries before the awards. She is excited to be involved in this festival that promotes new filmmakers.


Here at Red Cat Creations, we aim to provide event and wedding decorations to suit every taste, theme and budget.
We are a creative studio based in Colchester where we bespoke-make decorations for wedding and events, as well as for theatrical productions. We can create a wide range of decorations from table centrepieces, table plans and signs, wedding favours and various props for theatre.
With several years experience in the theatre industry, our founder and in-house creator Rhyan Eldon-Davis has dressed a great number of sets with props she has made and sourced specifically for each production. Rhyan is so passionate about making peoples ideas come to life, whilst understanding the necessity of working to strict deadlines and budget, which easily transfers over to events and weddings.
Please feel free to contact us to discuss your ideas or better still, make an appointment to come and discuss your ideas in our Colchester based studio. Bring with you any collages, magazine cuttings, images or doodles that will help us bring your dream to life.
After graduating from the University of the Creative Arts, Rhyan worked in a number of fields within the theatre industry. First as a Scenic Artist, then a prop maker, and finally as an Assistant Stage Manager.
During her time in the theatre industry, Rhyan worked on a great number of productions, creating exciting and interesting props as well as helping to dress the sets. Working closely with directors and designers she learnt that she has a great passion for making peoples ideas become a reality.
In January 2018, Rhyan got engaged on a beautiful, (freezing), windswept beach in Iceland. From then, she embarked into the wonderful world of wedding planning, marrying her wonderful husband in June 2019. This journey made her realise her creative skills could be used to help others create the events of their dreams and so Red Cat Creations was born…


MOVIES WITH GREAT ARCHERY SCENES
Archery is an art and skill that takes full advantage of two tools; a bow and an arrow. The two-work hand-in-hand together to enable an archer to take a shot at the desired target. Dating back to the Stone Age period, bow and arrow was an essential tool used as a weapon, for protection and hunting. Much hasn’t changed except for the fact that bow and arrows are no longer a weapon of choice in the event of war due to the introduction of more sophisticated artillery.
It takes precision and accuracy to be proficient in archery. Archery remains popular in the modern world and consequently has lured leading movie starts in Hollywood and Pinewood studios to take up roles requiring the use of bows and arrows. To ascertain our claims, we’ve drawn up a list of compelling archery scenes as depicted in the movies discussed below.
War of the Arrows
Released on 10th August 2011 the movie War of the Arrows is a production of three companies namely; Dasepo Club, DCG Plus and SOVIK Venture Capital. Nam-Yi is the movies main character who resorts to seeking revenge after enemy forces attacked their home, slaughtering his step-father and taking his sister into captivity. Angered by the enemies move, Nam-Yi decides to go after his enemies in a daring revenge mission. Nam-Yi’s chooses to bow and arrows as his weapons of choice to go after the enemy. Nam-Yi uses his weapons expertly, and he successfully subdues the Qing army of experienced bowmen. Towards the end of the movie, Nam-Yi uses his traditional bow and his ability to camouflage through thick vegetation to take clean and precise shots at the enemy.
Lord of the Ring
, a blockbuster that takes you on a mesmerizing adventure with the story spiced up with mind-blowing characters such as the orcs, elf, and hobbits. The film won the prestigious Oscar award four times. The movies center on an ancient ring that had gone missing for centuries and was later found in the hands of a hobbit who must take the ring to the cracks of Doom to be disposed of and put an end to the dark lord’s reign.
The battle of helms deep opening is one astounding scene that relates to archery. In a bid to save Thornburg from Uruk-hai army under the leadership of Saruman, archers took to battle with superb technique to kill their enemies.
Avengers Age of Ultron
A Marvel Studios production, Age of Ultron is superhero film released on 13th April 2015 in the United States of America. Loki once again is the mastermind behind all wrongdoing. The Avengers go in search of Ultron who plans to wipe out humanity. Towards the end of the movie, Hawkeye the Avengers archer showcases his prowess in utilizing his skills by taking out ultra-bits with utmost precision.
Supposing you’re going to watch any of the above movies, perhaps it’s about time that you do so. The level of professionalism showcased, and the skills are just exceptional.


ac186bab57 ^ Savage, Annaliza (November 14, 2008). The Cat tells her about the true nature of the Other Mother and "how she wishes something to eat". Coulais' score was performed by the Hungarian Symphony Orchestra and features choral pieces sung by the Children's Choir of Nice in a nonsense language. i hear a line like "i don't care about your brains, just give me head" and all i can think about is, "how much are we really paying here?" all of a sudden, i feel ashamed by our society and what's become of it. O. Faux Affably Evil: The Other Mother. Follow IMDb on Twitter Create a list User Lists Related lists from IMDb users 2009 a list of 43 titles created 02Feb2012 Ellies choice a list of 45 titles created 24Jun2012 Best Animated films a list of 28 titles created 25Jul2012 CRTANI FILMOVI a list of 27 titles created 22Apr2014 Oscar Animation Nominees/winners a list of 49 titles created 07Oct2014 See all related lists Connect with IMDb Share this Rating Title: Coraline (2009) 7.7/10 Want to share IMDb's rating on your own site? Use the HTML below. References. In Conclusion While, at first glance, Coraline appears to be a cautionary tale about appreciating what youve got and not falling for things that are too good to be true, the movies dark and twisted imagery hints to deeper concepts.
Forcible. The Worm That Walks: The other Bobinsky near the end of the movie. Parents as People: Coraline's parents mean well, but they don't have time for her. Throughout the movie, magical, supernatural things happen around her. Awards Award Category Recipient(s) Outcome Academy Awards Best Animated Feature Henry Selick Nominated American Film Institute Awards Best 10 Movies Won Annie Awards Best Animated Feature Nominated Best Directing in a Feature Production Henry Selick Nominated Best Voice Acting in a Feature Production Dawn French Nominated Best Music in an Animated Feature Production Bruno Coulais Won Best Character Animation in a Feature Production Travis Knight Nominated Best Character Design in a Feature Production Shane Prigmore; Shannon Tindle Won Best Production Design in a Feature Production Christopher Appelhans; Tadahiro Uesugi Won Best Storyboarding in a Feature Production Chris Butler Nominated Annecy International Animated Film Festival Best Feature Tied Won Broadcast Film Critics Association Awards Best Animated Feature Nominated BAFTA Awards Best Animated Film Nominated BAFTA Childrens Award Best Feature Film Won Chicago Film Critics Association Awards Best Animated Feature Nominated Cinema Audio Society Awards Lifetime Achievement Henry Selick Won Career Achievement (sound designer/re-recording mixer) Randy Thom Won EDA [Alliance of Women Film Journalists] Award Best Animated Female ([the character of] Coraline) Won Best Animated Film Nominated Golden Globe Awards Best Animated Feature Film Nominated Motion Picture Sound Editors Golden Reel Awards Best Sound Editing: Sound Effects, Foley, Music, Dialogue and ADR Animation in a Feature Film Nominated Online Film Critics Society Awards Best Animated Film Nominated People's Choice Awards Best Animated 3D Movie of 2009 Nominated Producers Guild of America Awards Producer of the Year in Animated Motion Picture Nominated San Francisco Film Critics Circle Awards Best Animated Feature Won St. He had a smile sewn into his face for Coraline. as Wyborn "Wybie" Lovat, the geeky, nervous 11-year-old grandson of Coraline's landlady. Took a Level in Kindness: Movie!Coraline. ..


The Art of Wedding Videography
An immersive and visceral cinematic experience, this is not your average wedding video.
Your wedding video is entirely unique and personal for you and for us. We are completely invested in telling your love story as the greatest love story to be told.
Award-winning director Julien began his filmmaking career in Paris in 2011 after graduating from film school. He worked on everything from tv shows, commercials, music videos and made his own award-winning short film.
After moving to Florida and planning his wedding, he realized something was missing in the wedding videography industry. The cinematography and storytelling of a movie filmmaker. As an Orlando wedding videographer inspired by classic Hollywood motion pictures, Julien uses his passion for cinema and experience to create unique and emotionally powerful wedding films.
Meet your personal
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Whether you envision a modern elegant black-tie wedding, a romantic garden wedding, a destination wedding, or a Disney fairy tale wedding, we are here to capture your vision for you and your loved ones to experience forever.


Brian is an accountant, Quickbooks instructor and aspiring documentary filmmaker. With over fifteen years in accounting, he works with small to medium sized businesses and non-profits to accurately track and understand their financials and plan for the future.
April 18th, 2012
Pogo Piggybackers creates and develops screenplays and TV shows. Its mission is to cultivate and nurture the unique vision of aspiring filmmakers.Writer-Director and founder Paolo Monico is a member of the Directors Guild of America. After a decade of experience in directing commercials, he helmed “Four Single Fathers”, a TV movie starring Jennifer Esposito and Alessandro Gassman, produced by Gabriele Muccino (“The Pursuit of Happiness” / “Seven Pounds”), Mediaset and Indiana Production. Pogo is currently developing its first feature and the concept for a TV show.
October 3rd, 2011


The Routledge Companion to Michael Chekhov brings together Chekhov specialists from around the world – theatre practitioners, theorists, historians and archivists – to provide an astonishingly comprehensive assessment of his life, work and legacy.
This volume aims to connect East and West; theatre theory and practice. It reconsiders the history of Chekhov’s acting method, directing and pedagogy, using the archival documents found across the globe: in Russia, England, America, Germany, Lithuania and Switzerland. It presents Chekhov’s legacy and ideas in the framework of interdisciplinary theatre practices and theories, as well as at the crossroads of cultures, in the context of his forays into such areas as Western mime and Asian cosmology.
This remarkable Companion, thoughtfully edited by two leading Chekhov scholars, will prove invaluable to students and scholars of theatre, theatre practitioners and theoreticians, and specialists in Slavic and transcultural studies.
► The Routledge Companion to Michael Chekhov de M.-C. Autant-Mathieu et Yana Meerzon


Coach Jim Harbaugh at The Truth About Reading Film Screening and Discussion, Flint, MI | March 22, 2023
Photo by Jake May, MLive.com
Since the premiere of The Truth About Reading in September 2022, this new eye-opening documentary has been shared with audiences across the country in private community screenings. In March 2023, the University of Michigan-Flint hosted a showing of the film with UM Football Coach Jim Harbaugh and Genesee County Sheriff Christopher Swanson as featured panelists alongside the film’s director, Nick Nanton, one of the film’s stars, Nora Chahbazi, and Johnell Allen-Bey of Nation Outside.
The Truth About Reading looks at the illiteracy problem in America, highlighting people who learned to read as adults, and sharing proposed solutions for working towards a future where every child learns to read proficiently. The documentary highlights the powerful stories of David Chalk and John Corcoran, two men who didn’t learn how to read and write until they were adults.
The panelists gathered together after the film showing to discuss their personal connections to the documentary, the painful reality of the illiteracy crisis, and their reactions to watching the film.
“Chahbazi, who has seen the film now almost 10 times, said the film weighs on her each time she relives the experience of the adults featured… [Coach Harbaugh] told the audience that the film encouraged him to become a better coach and made him think about accountability in his own life.” (Dylan Goetz, MLive.com)
The Truth About Reading is now available to purchase for personal viewing via Vimeo On Demand and is anticipated to be added to various streaming platforms in early 2024.
To inquire about community screenings or educational licenses, please reach out to our team at firstname.lastname@example.org
The Truth About Reading is brought to you by the John Corcoran Foundation,


HomeNewsNetflix has released a trailer for their new Wednesday Addams series.
Netflix has released a trailer for their new Wednesday Addams series.
August 17, 2022
On Wednesday, Netflix released the first trailer for their new show, based on the iconic Addams Family character.
The upcoming comedy-horror series reimagines Wednesday as a teen who arrives at the appropriately eerie Nevermore Academy after being expelled from her eighth school in five years due to a grisly piranha-related incident.
We also see footage of the character playing cello, learning to fence, getting to know her classmates, and attending a school dance where blood appears to rain down from the ceiling in the newly-released clip (released, fittingly, on Wednesday).
“Little did I know, I’d be stepping into a nightmare, full of mystery, mayhem, and murder,” says Wednesday in voiceover, before adding, “I think I’m going to love it here.”
Wednesday is directed by Tim Burton, best known for his work on Beetlejuice, Nightmare Before Christmas, and Edward Scissorhands, and stars Luis Guzmán and Catherine Zeta-Jones as Wednesday’s parents, Gomez and Morticia Addams.
The teaser concludes with the teenager clicking twice, a nod to the iconic theme music from the original sitcom.
Lisa Loring originated the role of Wednesday Addams in the 1960s, and Christina Ricci played the character twice on screen, including in the cult classic Addams Family Values.
Christina, surprisingly, is also set to appear in the new series, though details about her character are still unknown.
Jenna appeared in Jane the Virgin, You, and the recent Scream revival before landing the role of Wednesday.
Wednesday’s release date has yet to be announced, but it is expected later in 2022. Fingers crossed it arrives in time for Halloween…


Remember the soft-spoken Simmi Ahuja in Bluffmaster, who breaks up with her fiancÃ© when she finds out that he is a cheat? Or Rani, who is the object of affection of two friends Salman Khan and Akshay Kumar, in Mujhse Shaadi Karogi? Actor Priyanka Chopra wants to break out of that sweet, simple girl mode and get into the thick of things. And she has been working hard in that direction.
It is Gatka, a popular Sikh martial art, which is keeping Chopra preoccupied. After displaying her martial art skill in Farhan Akhtarâ€™s Don, she has been training rigorously under a specialist from Ludhiana for Goldie Behlâ€™s forthcoming film Drona.
Abhishek Bachchan plays a superhero in the movie, while Chopra plays his bodyguard. â€œItâ€™s easy to become typecast in Bollywood, so I want to keep doing different things.
Besides, there is always a little bit of me in all the characters I play, and I have always been sporty,â€ says the actor who replaced Sushmita Sen as the brand ambassador of luxury watch Tag Heur. Portions of her action sequence have been shot in Czech Republic.
Chopra is essaying a similar action role in Love Story 2050, a futuristic film spanning from 2007 to 2050. Chopra is paired opposite Harman Baweja, and plays two characters â€” one set in 2007 and the other in 2050. â€œIt is challenging because it is all based on our own imagination, but the movie has an exciting script and it was great fun working on it,â€ she says.
Incidentally, Chopra is also rumoured to be seeing Harry Bawejaâ€™s son. â€œHarman is a great friend,â€ she begins and then adds, â€œHe is very, very talented and he has done really well in
the movie. It used to be great fun on the sets since this was a rare occasion when I was the senior. Harmanâ€™s older than me, but I used to bully him a lot,â€ she laughs.
While Chopra is eagerly awaiting the release of the two movies, the other films that will be released this year are Guddu Dhanoaâ€™s Big Brother, opposite Sunny Deol, and God Tussi Great Ho, a comedy opposite Salman Khan. Both the movies are supposed to release in the next few months. â€œI wouldnâ€™t have realised that I have a funny bone in me but for God Tussi… It was a wonderful experience, really,â€ she says.
So, is she happy with the way her career has shaped up? Chopra smiles contentedly. â€œI believe that whenever you walk, you take a step forward. There has been a qualitative improvement in my films, from Andaaz to Aitraaz to Salaam-e-Ishq. It is great to be part of a wonderful lineage of actors who have done good work in the industry,â€ she says. Point taken.


By Terri Ginsberg,Andrea Mensch
- Offers a cautious mixture of theoretical rigor, conceptual accessibility, and highbrow inclusiveness
- Includes essays by means of recognized writers in addition to up-and-coming students who take cutting edge serious ways to either commonplace and emergent components within the box, specifically relating to race, gender, sexuality, and (trans)nationalism
- Distinctive for its modern relevance, reorienting the sector to the worldwide twenty-first century
- Fills serious gaps within the extant scholarship, commencing the sphere onto new terrains of serious engagement
Read or Download A Companion to German Cinema (CNCZ - Wiley Blackwell Companions to National Cinemas) PDF
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Challenging our bodies is approximately Ronald Reagan, Robert Bly, "America," Rambo, soiled Harry, nationwide id, and person manhood. by way of linking blockbuster Hollywood motion pictures of the Eighties to Ronald Reagan and his photograph, Susan Jeffords explores the hyperlinks among masculinity and U. S. id and the way their photos replaced in the course of that decade.
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Additional info for A Companion to German Cinema (CNCZ - Wiley Blackwell Companions to National Cinemas)
A Companion to German Cinema (CNCZ - Wiley Blackwell Companions to National Cinemas) by Terri Ginsberg,Andrea Mensch


FFF is a place for students to celebrate students, where media makers and artists can come together to show and discuss their best work from the past year.
10 films are chosen by a panel of judges from the community, professionals in their fields. The final 10 are then premiered on the big screen at the Nickelodeon Theatre. Feel free to invite family, friends, crew and cast; it's a nice way to celebrate your hard work.
Become connected to the greater Columbia Art and Film community while building bridges with fellow students. Learn how your peers created their films and the challenges they faced during the after-screening talkbacks.
There are a Best in Show and Community Choice Award for the two films that show the most polish. Neither award is monetary, it's simply a symbol of the work you have done. Since FFF is a film festival registered through FilmFreeway you can add this achievement to your resume!
The Deadline to submit is March 22nd, 2020
Tickets go on sale on February 21st, buy them here: https://nickelodeon.org/
The festival is on April 5th at the Nickelodeon Theatre (1607 Main Street Columbia, SC 29201)


A white theatre director has stepped down from his role on the Bob Marley musical to give the job to a black director.Dominic Cooke, director of Bob Marley musical Get Up, Stand Up, steps down to give job to black director Clint Dyer
Dominic Cooke, who is best known for his work on Follies and the Olivier Award-winning Ma Rainey’s Black Bottom, had been brought on to direct Get Up, Stand Up! The Bob Marley Story ahead of its scheduled opening in London’s West End in spring 2021.
However, on Wednesday (22 July), Cooke announced that he was standing aside from the project so that Clint Dyer, who has written and directed plays including Death of England and Sylvia Plath, could take over instead.
“In recent weeks the conversation about race has changed in theatre, as it has across society,” Cooke said. “With that in mind, and after much reflection, I have decided to step aside from my role to make way for Clint Dyer to lead the project.
“Clint is a brilliant theatre-maker and an inspiring leader. I can’t wait to see what he brings to this powerful story… The world needs Bob Marley’s transformative message now more than ever.”
Thanking Cooke for his “respect, dignity and heart”, Dyer said: “I am incredibly honoured to be offered the opportunity to take on the role of director. As a British-Jamaican I have been a Marleyite since I could hear, so understand the great honour this actually is.”
Get Up, Stand Up! will run at the Lyric Theatre and stars Girl from the North Country actor Arinzé Kene as Marley himself.
The show features many of the reggae musician’s biggest hits, including “No Woman No Cry”, “Exodus” and “Three Little Birds”.


Film and Media
STUDY FILM AT A HOLLYWOOD STUDIO!
The Weekend/Evening College at Mount Saint Mary’s University, Los Angeles is excited to offer our Film & Media courses at the historic Sunset Gower Studios! Our stages and labs put students right in the center of the entertainment capital of the world on a working studio lot that has been home to legendary productions from “I Love Lucy” up to award winning films like “La La Land”!
Through small class sizes, hands-on instruction, and one-on-one mentoring, students gain experience in the development, production, and post-production of cinematic storytelling. The low-residency structure of the program is designed to accommodate working individuals and those already in the media industry, as well as those who would like to pursue studio internships or work on their projects full time.
Plus: get certified in industry-leading software suites like ProTools, Avid Media Composer, and DaVinci Resolve — helping you get ahead in the competitive film and television job market.
一道本不卡免费高清Students can select between evening courses or classes that meet 6 weekends per semester in 4 possible course blocks: Saturday & Sunday, 8am-2pm & 3pm-9pm.
一道本不卡免费高清In addition to a BA in Film & Media, the program offers four minor options:
- Film & Media
- Film, Media & Social Justice
- Professional Photography
一道本不卡免费高清Realize your dreams of being a working member of the media with a Bachelors of Arts degree in Film & Media from Weekend/Evening College at Mount Saint Mary’s University.
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一道本不卡免费高清Start your new future today by enrolling in Weekend/Evening College from Mount Saint Mary’s University.