When you feel the beat, you can't help but dance, even if it is in a movie.
Just like Tresillo said in the Trolls World Tour movie, we can't live in a world without reggaetón. And in a perfect world, this urban genre and movies collide. But, that wasn't always the case. Reggaetón started as an underground genre in the barrios of Puerto Rico and slowly, but surely, made its way to world-renowned stages worldwide.
With the fusion of other genres and artists emerging not only from the Island but across Latin America, reggaetón has evolved significantly in the last two decades. It went from being the beat-up street genre to the most played music in clubs and is now featured in movies, not only the songs but also the artists.
Here some Puerto Rican reggaetón singers that made the crossover to the screen:
You might have seen him singing alongside Will Smith at the closing ceremony of the 2018 FIFA World Cup and dominating the stages worldwide. The "X" and "El Amante" singer made a crossover to the big screen in 2017 when he debuted in
Vin Diesel's "xXx: Return of Xander Cage." He also played antagonist Lorenzo "Zawy-Lo" Rodriguez in Bad Boys for Life opposite Will Smith and Martin Lawerence. Be sure to catch his autobio-series "El Ganador" streaming on Netflix.
Don Omar and Tego Calderón
They've made us dance over the years with hit songs like "Danza Kuduro" and "Guasa Guasa" respectively. Still, Don Omar and Tego Calderón made us laugh even more with their breakout roles as Leo and Santos in the Fast and the Furious franchise. They first appeared in Vin Diesel's short film "Los Bandoleros," and then they became part of Dominic Toretto's familia in 2009's "Fast & Furious." In 2011, they reprised their roles in "Fast Five" and again in 2017's "The Fate of the Furious."
El Negrito de Ojos Claros is another Puerto Rican artist set to join the Fast and the Furious family in the upcoming 2021 movie "F9" (alternatively known as "Fast & Furious 9"). Besides this forthcoming role, Ozuna made his big-screen debut locally with the leading character in movies "Qué León" and its sequel "Qué leones."
René Pérez (Residente from Calle 13)
He's had many tracks featured in films such as "Miss Bala" and "Feel the Noise," but you might have caught a peek of a crazy-haired Residente portraying a tattoo artist in the comedy "Old Dogs" featuring Robin Williams and John Travolta. Residente has a cameo as the person that misspelled William's "free man" tattoo across his chest before the big bonfire scene.
His soundtrack filmography is longer than any other reaggaetón artists, with songs featured in movies, series, and video games such as "Bad Boys for Life," "Spies in Disguise," "Just Dance," "The Do-Over," "Benchwarmers," "The Bold and the Beautiful," and many more. Daddy Yankee had his actorial debut in "Talento de Barrio," a 2008 movie shown in New York, Los Ángeles, New Jersey, and across Latin America. The film tries to depict the beginnings of reggaetón in Puerto Rico, following Yankee's fictional character who battled between the thug life and a music career.
An artist who has taken the world by storm is indeed this young rapper from Vega Baja that made it to the Super Bowl halftime stage with Jennifer López, Shakira, and J Balvin. Bad Bunny made his big screen debut in "Bullet Train," facing off against Brad Pitt. He also appeared in the Netflix series "Narcos." He's set to appear in "American Sole," a film produced by Kevin Hart starring Pete Davidson and O'Shea Jackson


There is probably no person who would not like the products of cinema. Today, genres in cinema, there are dozens, maybe even hundreds. The owners of personal computers very much like to install on the screen of your monitor Wallpaper, which shows some clips from their favorite movies or TV series. Some owners of the computers set Wallpapers which depict their favorite actor in the form of characters of the films in which he starred. Now very often you can find these Wallpapers on the monitor of friends and acquaintances. After all, cinema is an integral part of everyone's life.


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For many years now I’ve been listening to and working together with guitarist Bram Stadhouders, enjoying his fabulous ideas and sound.
We share a passion for music that can elevate moving images, and we both feel we can contribute to films within a wide scope of styles. Coming from improvised music and being dedicated to our own instruments, the piano and the guitar, while exploring the use of electronic possibilities in depth, we decided to join forces and start working as a collective in this field.
Our first commission was to make a score for the documentary ‘Monne de Miranda – Zoon van Mokum’ by Saskia van den Heuvel, produced by Wilde Harten Producties. You can watch it here.
When you are looking for music to enrich your project, whether it is film, documentary, dance or theatre, please let us know through firstname.lastname@example.org or email@example.com
Music for film and (dance-)theatre is a passion for many years now. I worked with choreographer Hans Tuerlings / Raz for 10 years, I worked with Conny Janssen Danst in 3 productions, I worked with Marc van Vliet / Tuig for over 10 years and I did several documentaries and trailers, such as the film ‘Dit is ons Leven’ by Jesse van Venrooij (https://www.filmmoment.nl/) and the trailer for Brabant Cultureel


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June 2, 2016
This is a trailer for a movie that will... Probably never come. I just got some cheesy movie clips and put my face on them. The programs I used were movieride, fxguru, and vivavideo. Enjoy!


The makers are trying to cover every event from the skipper's life and turn it reel from real. MS Dhoni’s journey from landing in Kharagpur at the age of 20 for a job and eventually being a part of the railway cricket team as a wicket keeper, every minute detail is being looked after and the filmmakers are trying hard to portray realism on screen. Sushant Singh took to Twitter and shared the wedding picture from the sets. He is seen wearing a traditional outfit with a tilak on his forehead. The actor shoots for the marriage sequence with Kiara Advani, who plays his wife in the film. The wedding was shot in a fashion similar to the real one. Kiara Advani plays the role of Sakshi Dhoni.
Anupam Kher, will be seen playing Sushant's father in the film, and can be seen in the picture with the actor. Fans of the Indian Skipper MS Dhoni and the Bollywood fraternity are eagerly awaiting the movie's release which is a biopic on Indian cricketer, Mahendra Singh Dhoni. Seen along with the actor will be Anupam Kher and actress Kiara Advani, who was last seen in the movie Fugly. After many auditions conducted by director Neeraj Pandey, Kiara managed to get through the auditions and was selected as the lead female of the film. We expect this movie to be a game-changer for Kiara since her first film hadn't done well and didn't get her the recognition she deserved.


About The Film
Investigating the urban legend behind a strange painting sold on eBay rumored to come to life in the middle of the night, filmmaker Gregg Gibbs goes on a journey to discover the truth behind the superstitious claims that spurred a internet sensation. Combining aspects of documentary and horror movie genres, "The Haunted Painting" confronts irrational beliefs; surrounding hoaxes versus facts, superstitious beliefs and society's obsessive fascination with the unknowable. The cumulative results lead to discoveries both shocking and surprising.
Gregg Gibbs is an artist, writer and director who lives in Los Angeles. His first documentary "The Treasures of Long Gone John" premiered at SXSW 2006 and went on to play numerous film festivals including Melbourne International, Leeds FF and MOMA New York. Additional films include "I, Gauguin" which premiered at the Calgary IFF 2011 and the short film "Gone Again" which premiered at the Olympia Film Festival 2015. He is a contributing writer and short film director for Juxtapoz magazine, and continues to exhibit his artwork in galleries and museums. Recently his feature documentary "Olompali: A Hippie Odyssey" premiered at DocLands 2018.


This is so perfect. Wish the DW producers would do an Austen episode. (If you're not a Who fan, check out the show at www.bbc.co.uk/doctorwho.)
Happily, I'm also going to the Doctor Who exhibition at the Olympia Two during my visit!
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The plane lands, and Ruby grabs her bag. As she leaves the plane, she finally takes in her surroundings. As everything clicks into place, she stops walking and moves to a wall. She then sits down, and breaks. What is happening to me? she begins to think. Yesterday my life was normal……. I was normal. And now this. now this is taking me from everything I know. WHY?! What did I do to deserve this?
“Ruby, are you alright?” Her fathers voice breaks into her thoughts and interrupt her questions.
“Yeah. I’m fine.” she says through clenched teeth.
“Okay, then let’s get going.”
They walk out of the airport, leaving behind any regrets of moving Ruby so suddenly.
(To Be Continued)


Simon Callow is an actor, director, and writer. He has appeared on the stage and in many films, including the hugely popular Four Weddings and a Funeral. Callow's books include Being an Actor; Shooting the Actor, a highly acclaimed biography of Charles Laughton; and a three volume biography of Orson Welles.
"A superbly wrought, aesthetically and psychologically acute portrait of Welles's sheer, undisciplined genius...Not since Francois Truffaut's book on Hitchcock has an arts biographer possessed such a professional and intuitive understanding of his subject." —Kirkus Reviews
One-Man Band, the third volume of Simon Callow's Orson Welles biography, has just been published by Viking Press, a division of Penguin Books.
LinksSimon Callow's Website
Orson Welles Volume I: The Road to Xanadu
In this first installment of his masterful biography, Simon Callow captures the chameleonic genius of Orson Welles as only an actor/director deeply rooted in the entertainment industry could. Here is Welles’s prodigious childhood; his youth in New York, with its fraught partnership with John Houseman and the groundbreaking triumph of his all-black Macbeth; the pioneering radio work that culminated in the notorious 1938 broadcast of War of the Worlds; and finally, his work in Hollywood, including an authoritative account of the making of Citizen Kane. Rich in detail and insight, this is far and away the definitive look at Orson Welles—a figure even more extraordinary than the myths that have surrounded him.(Penguin, February 1997)
Orson Welles Volume II: Hello Americans
The first volume of Simon Callow’s magisterial biography of Orson Welles was praised as a “splendidly entertaining, definitive work” by Entertainment Weekly. Now, this eagerly anticipated second volume examines the years following Citizen Kane up to the time of Macbeth, in which Welles’s Hollywood film career unraveled. In close and colorful detail, Callow offers a scrupulous analysis of the factors involved, revealing the immense and sometimes self-defeating complexities of Welles’s temperament as well as some of the monstrous personalities with whom he had to contend.(Penguin, November 2007)
Being An Actor
Few actors have ever been more eloquent, more honest, or more entertaining about their life and their profession than Simon Callow, one of the finest actors of his time and increasingly one of the most admired writers about the theater.
Beginning with the letter to Laurence Olivier that produced his first theatrical job to his triumph as Mozart in the original production of Amadeus, Callow takes us with him on his progress through England’s rich and demanding theater: his training at London’s famed Drama Centre, his grim and glorious apprenticeship in the provincial theater, his breakthrough at the Joint Stock Company, and then success at Olivier’s National Theatre are among the way stations.
Callow provides a guide not only to the actor’s profession but also to the intricacies of his art, from unemployment—“the primeval slime from which all actors emerge and to which, inevitably, they return”—to the last night of a long run.
(Picador, August 2003)
Charles Dickens and the Great Theatre of the World
Acclaimed actor and writer Simon Callow offers a fresh perspective on one of the greatest novelists in the English language, Charles Dickens, in this lively, colorful biography.
Dickens was one of the first true celebrity authors. Thousands of fans in Britain and America eagerly awaited each new installment of his stories and flocked to see him on his legendary speaking tours. Not only did he create an incredible cast of characters on the page, but he was also a dazzling mimic and storyteller, and he wrote, stage-managed, and acted in plays for the public. Throughout his life, from his childhood performances in pubs to his legendarily powerful reading tours, Dickens was fanatical about the stage. Callow reveals Dickens's genius on and off the page and offers a compelling insight into a life that was driven as much by performance and showmanship as by literature.(Knopf, August 2012)


Macau is often called “The Las Vegas of Asia”, but unlike the original Sin City, Macau is more of a serious gamblers’ destination, lacking the raucous nightlife and entertainment. There are no Broadway shows here, no pool parties, and no real clubs or bars. Really, the only show in town is the aquatic Cirque du Soleil style show playing at the City of Dreams Casino, called House of Dancing Water.
Like Cirque’s “O” in Las Vegas, the House of Dancing Water show takes place in a specially-built theater. The audience sits in a circle around a 3.7 Million gallon pool, which contains a multifaceted stage that can be raised and lowered above and below the waterline. Here, the front rows are actually the cheap seats – you will get wet.
It’s no coincidence that House of Dancing Water (HODW) is compared to Cirque du Soleil – this Macau production was created and directed by Franco Dragone, one of Cirque’s original founders. Having seen a few Cirque shows, including the very similar “O” show in Las Vegas, comparisons are inevitable. We actually felt like House of Dancing Water was better.
Tickets do not come cheap. We paid HK$ 680 (US$ 87) per ticket for mid-tier seats. Since the 2,000 seat theater is built with the audience “in the round”, there really are no bad seats here. And, while expensive, it was worth every penny.
The show was incredible, featuring a huge cast of divers, acrobats, and dancers. There were a lot of “oohs” and “aahs” as the performers flew across the stage, flipping and splashing into the water.
There is a storyline, but really it doesn’t matter. The beautiful and breathtaking feats of the cast are spellbinding.
At points, we really did sit on the very edge of our seats – watching divers leap from high up in the rafters or motorcycle riders jump across the stage, narrowly missing each other midair.
If you go to Macau – definitely check out the House of Dancing Water Show at City of Dreams. You won’t regret it!


For any inquiries and for further information feel free to leave us message using the following contact form:
Jens EderPrincipal Investigator
Filmuniversität Babelsberg Konrad Wolf
Jens Eder teaches at Filmuniversität Babelsberg Konrad Wolf, Germany, and writes on narrative, politics, emotion, characters, discourses, and representations of humanity in audiovisual and other media as well as on cross-media strategies.
Chris TedjasukmanaPrincipal Investigator Freie Universität
Chris Tedjasukmana is Visiting Professor at University of Vienna and Principal Investigator of this project at the Freie Universität Berlin, Germany. He is also co-editor of the journal Montage AV. His research focuses on political aesthetics and the public sphere.
Jonathan GuggenbergerResearch Assistant
Freie Universität Berlin
Jonathan Guggenberger is a filmmaker and research assistant for this project. He studied Fine Arts at UdK Berlin, focusing on video and installations, before transferring to Freie Universität to study Film and Political Science.
Raphael FlechtnerSite Admin
Raphael Flechtner studied philosophy and film studies at Freie Universität Berlin and Université Sorbonne Paris IV. Currently, he continues his studies at Berlin School of Mind and Brain. As a former student assistant to Chris Tedjasukmana, he now serves as this project’s web administrator.
Julian Radlmaier studied film science at Freie Universität Berlin and film direction at DFFB. Besides his work as a research associate for this project, he works as a filmmaker.
Dana Rostek is currently studying art history at the University of Bonn. She worked as a student assistant to Prof. Hartmann.
Neal GrahamResearch Assistant / Translation and Editing
After completing his Bachelor’s degree in philosophy and media studies, Neal is now pursuing a Master’s degree in media studies at the University of Bonn. He is also a research assistant to Britta Hartmann.


1.Pretty in Pink (1986)
Molly Ringwald started in this and a lot of movies in my list. And look at Jon Cryer (Alan) from Two and a Half Men. Molly plays Andie Walsh a girl who must make a decision to choose between the affections of her doting childhood sweetheart Duckie (Cryer) and a rich but sensitive player.
Best scene in the movie when Duckie dances in the record shop to "Try a Little Tenderness"... Miming the whole song and with so much feeling. By far the best scene.
2. Dirty Dancing (1987)
"Nobody puts baby in a corner."
Dirty Dancing is one of those movies that every girl has to seen once in her life. Frances or Baby as she is know, spends the Summer at a holiday camp and falls for Patrick Swayze's character Johnny the dance teacher at the camp.
The dance finale and one of the most influential dance moves of all time. If anyone has seen Crazy Stupid Love then they have seen this move only with a half naked Ryan Goosling instead.
3. Flashdance (1983)
Alex Owens played by Jennifer Beals, is a determined 18 year old who works as a welder during the day and a dancer during the night at a local bar. Famous music from this movie include Irene Cara's "What A Feeling" and Michael Sembello's "Maniac". The story follows Alex's struggles in finding love and getting to dance with the Pittsburgh Conservatory of Dance.
The famous water dance scene.
This image shows a trend of the 80's- oversized t-shirts and jumpers... Especially those without necklines and short cut sleeves.
Ren McCormick (the yummy Kevin Bacon) moves to live with his aunt and uncle in a Midwestern town over run by rules made by the minister and the church, banning youthful joys such as music or dancing! But like most great movies- every rule is broken. Ren revolts against all the rules with his best friend Willard played by Chris Penn and the minister's daughter.
5. The Goonies (1985)
Stars a young and good looking Josh Brolin. A group of kids in a small town find a treasure map and follow it down into the caves as into trouble.
And who can forget the cute friendship between Chunk and Sloth, the monster from the tunnels.
6. Back to The Future (1985)
Marty McFly (Michael J. Fox) is blasted back through time from 1985 to 1955. Marty works with a friend of his Doctor Emmett Brown and his lil dog Einstein. Travelling back in the DeLorean, making it one of the most famous movie props of all time. Marty accidentally alters the actions of his parents causing serious problems and vaporising his future completely.
Einstein- greatest dog ever!
7.Risky Business (1983)
Joel played by Tom Cruise, had normal teenage fantasies...cars, girls, money just like every other young man. Then his parents left for a week, and all his fantasies came true.
Most famous movie scene, a popular Halloween costume and a scene copied by many tv shows including Scrubs.
8. Desperately Seeking Susan (1985)
Staring Madonna as Susan (when she was a actor as well as a singer), Rosanna Arquette as Roberta and Aiden Quinn. Roberts gets mixed up for Susan and results in trouble and love.
And the jacket that every 16 year old girl, that has ever seen the movie wants. With the pyramid eye on the back- the jacket that causes all of Susan's and Roberta's mix ups. I would love a statement jacket like this and it is this type of jacket that is coming back in style.
9. And 10. Three Men and a Baby... And Three Men and a Little Lady
Tom Selleck, Steve Guttenburg and Ted Danson start in these two great movies about family, responsibility and their love for one little girl. It follows their stories as they grow and adapt to a new baby, changing dating and partying for feeding and changing nappies. Mary, the little baby, soon becomes "Daddy's girl" to all three men.
In the sequel Three Men and a Little Lady, Mary is now 5 years old and ends up in England with her mother agreeing to marry. The three men all realise how empty life is without Mary and vow to eat her back.
Other movies to see include
"Bueller.... Bueller... Bueller... Anybody... Bueller"
Gilbert Grape staring a young Johnny Depp and Leonardo DiCaprio. Brilliantly heartwarming movie with great first time acting by DiCaprio.
"Wax on... Wax off"
St. Elmo's Fire staring a young and beautiful Demi Moore and let me tell you her outfits are amazing.
Say Anything- one of my favourite movies and the best scene ever- a great way to win someone back! Amazing soundtrack and great cast.
The great Molly Ringwald- again... This time in 16 Candles, her birthday is forgotten but it ends up being one to remember.
Cocktail... With Tom Cruise you say, well how can I resist.
Big, with Tom Hanks, this is the best scene in the movie filmed dancing on a giant floor piano is defiantly a scene to remember.
And of course Top Gun! "Take my breath awaaaaaaay!!!"
So I know I said this blog was about fashion, but movie costumes also count and 80's is a time of great change within the fashion world.
Stretchy-Stirrup Pants are coming back I can feel it, since leggings are back with a storm it's only a matter of time before these stirrup pants come back.
Fingerless gloves- a love of Madonna in the 80's.
Oversized tops- as seen on Jennifer Beals above! The oversized wooly jumper are back with a shout and look great with leggings or white wash denim jeans or Levi's.
Parachute pants- a ridiculous design but none the less wore by most teenagers in the 80's. Absolutely massive pants seen in the likes of MC Hammer.
Legwarmers; I think they have had their time, not even wore on gym-goers nowadays. Dancers maybe but I do doubt it.
Overalls, dungarees and Doc Martins... Are to name a few more of the 80's styles that made a comeback. Doc Martins are here to stay I think but overalls and dungarees can stay back in the times.
Well that's been my visit to the 80's... Hope you enjoyed this post I loved reliving my next great passion next to fashion and that is movies and the soundtracks that go with them.


A NIGHT AT THE THEATRE
ACTRESSES ALWAYS LIE
Experimental theatre with El Pollo Campero, Comidas para llevar
Las actrices siempre mienten (Actresses Always Lie)is experimental theatre exploring stereotypes and clichés associated with actresses (What does an actress know what to do merely by being an actress?), using them as an excuse to go further and speak of issues that interest them as creators and as individuals (profession, gender, instability). “We start out from the basic premise that everything that happens on stage is a consensual lie, and that the truth is of no importance on the stage. We understand everything as a construct around the truth, more of less truthful but ultimately a lie. We believe that life as well is just a construct, a lie."
El Pollo Campero, Comidas para llevar is an experimental theatre group formed by Gloria March Chulvi and Cris Celada. In March 2012 it debuted its first work,Sekvantaro. Piezas correspondientes de duración relativa en las que las actrices intentarán no hacer teatroas part of the 5th Cenit international experimental theatre festival (TNT-Atalaya), where it was awarded the prize for best show. They also received the prize for best director at the ACT Festival and the prize for best new show at the 2nd Andalusia Theatre Awards. At CA2M they will be presenting their latest work, Las actrices siempre mienten.
Admission free while seats last
This event is part of the programme for Noche de los teatros 2017


California is known as one of the biggest producers of film and television in the world. This is largely due to Los Angeles, the entertainment capital of the world. There are tons of movies and shows that are produced in California every year, which is a trend that is sure to continue in the coming years. However, there’s one challenge that every film crew faces when they are trying to get to work on a new project. Transporting a film crew to the location of a production can be a big task for anyone to overcome. There are typically a lot of people involved in a film project along with tons of equipment. That’s why charter buses are the ideal solution for film crews trying to get to their next project. Keep reading on below to learn about why charter buses are perfect for transporting film crews to their projects.
1. Enough Space for Equipment
Film crews tend to travel with lots of heavy equipment like cameras, costumes, microphones, lights, and more. Carting all of this equipment to a destination away from the city can be extremely challenging. That’s why charter buses are such a great option. You can easily reserve a charter bus that has enough space for the crew and their equipment. Many charter buses are outfitted with overhead storage as well as luggage bays below, so you know you will be able to fit everything on the bus.
2. Room for the Entire Crew
We’ve already mentioned the amount of space that a charter bus provides for storing a film crew’s equipment, but it’s also worth noting that you can reserve a charter bus that can transport your entire crew. The average charter bus seats around 50 people. The passengers will enjoy leg room, comfortable seats, and a smooth ride if you decide to reserve a charter bus from a great company like Ebmeyer Charter. A film crew can consist of 20 people or 200. Whatever the case is for your film crew, you can get them to where they need to be with a charter bus.
3. Great Amenities for Passengers
Transporting a cast and crew to a location that involves hours of travel time means that you want to ensure they are comfortable. If you book a charter bus, the passengers will be able to enjoy WiFi, movies, power outlets, onboard bathrooms, and more. You can rest assured that you cast and crew will arrive at the project ready to work and give it their all thanks to the comfortable ride that charter buses provide.
If you are in the California area and are in need of transportation for your film crew, reach out to Ebmeyer Charter today. We have the latest and greatest charter bus amenities and can make sure you and your crew arrive on time and ready to create something special. Reach out to us today to learn more.


INTERVIEW FOR SWALLOW (2017)
Philadelphia Gay News: "Samy el-Noury is a renaissance man. A well-respected actor, Noury is also a musician, a brown belt in Shaolin Kung Fu, does pretty well on a trapeze, speaks a smattering of French, Arabic and Spanish, is fluent in Japanese and knows his way around a puppet. Not bad for someone who hasn’t turned 30 yet."
REVIEWS FOR CHARM (2017)
Interview with DC Theatre Scene: "... it is a trans experience. Maybe not the trans experience. It is one story. I think there are parts of it that are very real. I remember the first time we went through a read of the play, I cried at moments. Some of these words are words that have come from my mouth, in total honesty... and then, there are perspectives that trans people in the play have that I don’t agree with, but I certainly know trans people who do."
Review from DC Theatre Scene: "[el-Noury] brings a playful spirit... and ends up being swept up into the family."
DC Metro Theatre Arts: "Logan, the unlikeliest of the group, is a college-bound boy who is not sure whether he’s gay or trans. Played by Samy El-Noury, he adds a note of innocence to the proceedings, much like the ingenue in a straight comedy."
REVIEWS FOR HARRY AND THE THIEF (2016)
WYPR: "The cast includes a narrator named Anita, who’s a movie director. The play we’re watching is the movie that Anita is making... El-Noury plays Anita as preening, posing and sexually ambiguous."
MD Theatre Guide: "Anita (Samy el-Noury), the show’s director, is everywhere at once, giving acting direction and handing out props, all while delivering a hilarious side commentary for the audience."
The Baltimore Sun: "Samy el-Noury captures the camp humor in Anita."
REVIEWS FOR THE DUM DUMS (2015)
Broadway World: "From the Glass Mind Theatre company actors Liz Galuardi, Samy el-Noury and Ann Turiano, director Benjamin Kamine draws believable, nuanced performances."
DC Metro Theatre Arts: "El-Noury is challenged most of all, as he is called upon to switch between long-dead human dermatologist to current zenomorphic threat multiple times in a five-minute period. His comfort with character voices and physicality create effective contrasts, as the play rapidly moves toward a harrowing climax."
Baltimore Post Examiner: "[El-Noury] infuses Lambert with a gentle naivety which helps to quietly settle the audience before the real trouble begins. Both Turiano and el-Noury adroitly portray a number of other characters throughout the play, as Traeger and Schill’s respective minds slowly become unraveled."
REVIEWS FOR MACBETH (2015)
The Bad Oracle: "I have been a fan of el-Noury in the past and now I’m signed and sealed in love with him... A slight and gentle man with eyes full of confusion and fire, he isn’t your grandmother’s Macbeth. El-Noury is no brute and he plays the part as a delicate soul grown hard as a black diamond by the heat of powerlust. The contrast between his trembling body standing under a naked light bulb, vulnerable and horrified, after his first murder and the growl of his voice as he spits 'There is blood on thy face!' at his minions after one much later is electrifying, horrifying. El-Noury makes me want to listen to him even when I know what he’s going to say."
Theatre Bloom: "[El-Noury] delivers a much more internalized Scottish tyrant than the masses are used to expecting. This does not, however, mean that his performance is anything less than brilliant... [El-Noury] exposes the rarely seen psyche of Macbeth's internal monologue. Driven a great deal throughout the performance by a lingering fear and doubt that he cannot shake, when that finally transforms to wrath at the end— the transformation is glorious as el-Noury's timid characterization undergoes metamorphosis and erupts into a terrified beast lashing out as it is cornered. Well rounded, well grounded, and well played, el-Noury delivers an unconventional Macbeth that is on par for the performance as a whole and is wholly pleasing throughout the production."
REVIEWS FOR THE ALL-AMERICAN GENDERF*CK CABARET (2014)
The Bad Oracle: "I fell in love with [el-Noury's] Benji – his physicality is beautiful and funny and expert."
City Paper: "Benji is a comic gem, as el-Noury understands that some of the play's punch lines rely on his facial reactions and physical responses."
REVIEWS FOR PETER PAN & WENDY (2014)
DC Metro Theatre Arts: "Peter Pan (Samy el-Noury) is adventurous and fun. El-Noury also brings a strong singing voice to the show, his title number 'He is the Pan' being a most fun vocal adventure... Crowing and zipping about the stage, el-Noury is filled with engaging energy and knows how to respond to younger audiences when they invite themselves into the production. He plays well with Wendy and much like the lost boys is extremely animated and very exciting to watch."
MD Theatre Guide: "[el-Noury] as Peter Pan joined in on the fun and excitement and gave a performance that deserved the clapping encouragement from the children in the audience."


Renowned creator and entertainer Bhuvan Bam has invested extensive effort and time in crafting the script and dubbing for the highly anticipated ‘Takeshi Castle Reboot’. In a remarkable display of commitment Bhuvan undertook over 120 days to ensure that the show’s new rendition lives up to its iconic legacy.
Stepping into the role of the voiceover artist for the beloved Japanese Game Show, Bhuvan Bam is set to take the reins as the new host. Takeshi Castle, a cultural phenomenon during the early 2000s, owes much of its popularity to the uproarious voiceover provided by the legendary Jaaved Jaaferi. His witty commentary left both children and adults in fits of laughter.
Recently, Amazon Prime Video announced the much-anticipated Reboot version of Takeshi Castle, featuring Bhuvan Bam as the fresh voice behind the show. Known not only for his popular character ‘Titu Mama’ but also for his exceptional storytelling abilities, Bhuvan took on the monumental task of scripting and dubbing, ensuring the show’s revival is nothing short of spectacular. With Bhuvan’s meticulous attention to detail and his dedication to capturing the essence of the original, fans can expect an exhilarating experience that pays homage to the show’s nostalgic roots while introducing a fresh, modern twist.
In the teaser released by Prime Video, Bhuvan Bam’s character, Titu Mama, is seen to be captured by the Yakuza gang due to his financial obligations and is compelled to provide Hindi voiceovers for the show.
While preserving the charm of the original 1980s Japanese game show, the revamped version now returns after 34 years with commentary provided by actor and content creator Bhuvan Bam, who resurrects his beloved BB Ki Vines character, ‘Titu Mama.’
The series is set to be available for streaming on Prime Video in India starting November 2 and promises to be a thrilling adventure for both loyal fans of the classic series and new audiences alike. Published at High News !


Debby Ryan to Executive Produce ‘Jessica Darling’s It List’
From TheWrap.com - By Beatrice Verhoeven
MarVista Entertainment Group is reuniting with Disney Channel’s Debby Ryan, who will serve as an executive producer on “Jessica Darling’s It List,” TheWrap has exclusively learned.
“It List” stars actress/model Chloe East as Jessica Darling, a smart, witty, opinionated girl heading into the 7th grade. But before she does, her popular sister Bethany (Blair Fowler) gives her the “It List,” a cheat sheet on how to navigate middle school.
Ryan previously starred in two movies for MarVista that aired on the Disney Channel: “Radio Rebel” and “16 Wishes.” Other executive producers on the film are Emmy Award-winner Julie Hanan Carruthers (“All My Children”) and Sandy Ropp Ryan alongside MarVista’s CEO Fernando Szew, Director of Development and Production John Burd and EVP Production & Development Robyn Snyder.
Tosca Musk and Jina Panebianco serve as producers. The film is based on the book, “Jessica Darling’s It List: the “(Totally Not) Guaranteed Guide to Popularity, Prettiness and Perfection,” written by Megan McCafferty, to which MarVista owns the rights. It was adapted for the screen by Writers Guild of American Award winner Julie Sherman Wolfe, and Ali Scher is directing.
Other cast members include Emma Rayne Lyle, Jane Widdop, Jane Sibbett, Eric Lutes, Ashley Liao and Eva Bella.
Jessica Darling’s IT List will be releasing on June 21st.
The film will be available on Digital HD and On Demand at the following platforms:
Broadband – Amazon, Google Play, iTunes, Sling/Blockbuster, Vimeo, Vudu, Xfinity
Satellite/Cable – AT&T, Charter, DirecTV, Dish, iNDEMAND (Comcast, Cox, Time Warner Cable) Verizon, Vubiquity


After discovering the sufferings of man, Prince Siddhartha Gautama renounces his family and worldly possessions to be an ascetic and attains enlightenment through years of penance.
Legend Of Buddha is a wonderful animated movie in Hindi. The journey of how Prince Siddhartha Gautam became Buddha, The Enlightened One. The movie features spectacular animation technology to narrate the story of Buddha right from his childhood till the day he attains Nirvana. The story reflects qualities of truth , morals and sacrifice for the younger generation
Directed by: Shamboo Falke
Produced by: Stalin Saravanan
Written by: Caarthick Raju and Ramesh Karthikeyan
Starring: Dwayne Tan, Bridgit Mendler
Music by: Bharathwaj
Edited by: Roopak Ghadei
Production company: Pentamedia Graphics Ltd
Distributed by: Kingdom Animasia Inc.
Release date: 22 October 2004
Click on the link below to watch the movie on YouTube


‘I Feel Free Now,’ Says Sanjay Dutt
‘I Feel Free Now,’ Says Sanjay Dutt Actor Sanjay Dutt says that he is enjoying making films. The actor also added that he feels relieved now. Meanwhile, he admitted that Ranbir Kapoor did a far better job then he could have in his biopic ‘Sanju’ and tells us who is his favourite gangster of all time.
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Holy Crap does this show suck!!! Why the fuck is it necessary? I know the ratings aren't all that any longer, why not cancel the boredom and just announce the winners during commercial breaks of regular prime time programming?
I feel like I am cheating the greatness that is/was The Soprano's by burying this here in the same post as the crappy Oscar broadcast rant but here I am just the same doing just that.
Today, I completed watching The Soprano's and without hesitation, I can say that this is easily one of, if not the, greatest dramatic series in the history of television. Brilliant writing, acting, and everything in between.
Two films I watched and enjoyed over the weekend:
"The Groomsmen" written and directed by the very talented Edward Burns. I really enjoyed this film and thought the casting was brilliant.
"The Devil Wears Prada" is there any better actress than Meryl Streep? I think not.


June 24, 2012 Leave a comment
Here’s the 2nd in a series of 17 reviews covering the films in TCM’s August 30th “Summer Under the Stars” line up, featuring Warren William:
THE MOUTHPIECE (1932) Dir: James Flood & Elliot Nugent
The story of The Mouthpiece is almost biblical in its simplicity: a man’s fall from grace followed by sacrificial redemption. While working as a prosecutor in the District Attorney’s office Vincent Day (Warren William) inadvertently sends an innocent boy to death in the electric chair. His conscience will not allow him to live with the guilt of this fatal mistake, and the result is a drunken odyssey among the lower depths ofNew York’s sleazy saloon culture. After he receives a few words of encouragement from his forward-thinking bartender (Guy Kibbee), Day swallows his shame and cynically reinvents himself as the immensely successful legal defender of the very reprobates and human filth he previously took off the streets. Soon he is so accustomed to the deep-water pressures of living with bottom-feeding parasites that he resolves to plumb even lower, brazenly attempting to seduce his underage stenographer Celia Faraday (Sydney Fox). When Celia’s humble decency compels the wayward attorney to bend his crooked line 180 degrees, he makes the fatal discovery that he has chosen a road from which there is no going back.
When it was released in the spring of 1932, The Mouthpiece scored an enormous box-office hit with depression era audiences, and made a bona fide star of Warner Brothers recently signed contract player Warren William. Only a year earlier William was toiling semi-successfully on theNew York stage and enduring continual comparisons to John Barrymore, leading his new employers to initially assign him to continental melodramas and high society roles. In short order, however, something new emerged, eventually coalescing in this, his sixth film with the studio. Here producers and scenario writers settled on the template for the dominant film persona of William’s early years: the amoral, conscienceless power broker who was forced by circumstances to adopt a remorseless personal dictum: “smash, or be smashed.” Along with the crackling urban energy of studio mates Edward G. Robinson and James Cagney, William exemplified a new masculine construction then invading cinema. Unlike the conformist go-getters of the silent era, these men had no use for dead Victorian ideals; they would need more direct means to survive and thrive in the disintegrating social order of depression-eraAmerica.
It is no wonder that Warren William became so popular after the release of The Mouthpiece. As Vincent Day he swaggers along a character arc that takes him from paragon of virtue to conscienceless predator in one uneasy step. During the course of the film he delivers a spellbindingly theatrical jury summation (after tenderly remembering the victim, he turns to the accused and shouts: “Only her MURDERER remains!”), knocks out a hostile witness as he steps out of the court docket, gleefully tricks a bank president out of $10,000 and endures the debilitating shame of seeing himself through the eyes of the only decent person he knows. William even provides some amusing visual shorthand to denote Day’s position on the line between good and evil: his trademark pencil moustache doesn’t appear until the clean-shaven lawyer has completed his journey to the immoral underside of jurisprudence. It is the role of a lifetime for any actor – at least the kind of actor thatHollywood produced in the early sound era – and William wrestles maximum dramatic possibilities from every opportunity. The contemporary press was uniformly laudatory of the film, where the actor was variously dubbed “wonderfully engaging,” “magnificent,” “electric,” “forceful” and “extraordinarily entertaining.” This degenerate persona was so successful for Warren William that Warner Brothers immediately set it in stone: during the next four years he repeated it at their whim, and became Hollywood’s unquestioned king of the underhanded, the immoral and the downright nasty.
Adeptly packed into a mere 84 minutes, The Mouthpiece is a wonder of economy, indelibly stamped with Warner Brother’s well-tooled assembly line pacing. The script needs only five minutes to take Vince Day from up-and-coming to down and out, and each character is smartly etched with a bare minimum of exposition. Day’s world-weary secretary Hickey (played by the magnificent Aline MacMahon) becomes a remarkably sympathetic and endearing character with just a handful of scenes, and a few lines are all that’s needed to add dimension to the single scene of a helpfulNew York City hack driver. It should be no surprise that a studio where workers were directed to recycle bent nails from old sets would turn out a movie with so little fat. Warner Brothers always did work close to the bone.
The Mouthpiece is part of Turner Classic Movies’ Summer Under the Stars tribute to Warren William on August 30th, 2012. It airs at 9:45 AM EST.


“Partners” movie explores history, segregation
“Partners of the Heart,” a one-hour documentary about a medical and social odyssey that started at Vanderbilt in 1930 and grew to global prominence, was screened last Friday at the Nashville Independent Film Festival.
Written, directed and produced by New York-based film maker Andrea Kalin, the movie explores the lives and times of Dr. Alfred Blalock, surgeon savant, and his assistant Vivien Thomas, a black man who remained in the physician-giant’s shadow during a 40-year career.
The film shined a light on Thomas’s contributions. Actor Morgan Freeman movingly narrates the story, describing a young man who grew up in North Nashville. Thomas’ father was a carpenter, and Vivien swung a hammer for years, saving money for college. But in 1929 the stock market crash busted his savings and dashed his hopes of higher education. The next year Blalock, then a young Vanderbilt surgeon, hired the 19-year-old Thomas as a janitor; within a year he was running the lab.
At Vanderbilt in the 1930s the two made the first major stride in shock treatment, explaining that massive blood loss led to the condition. At Johns Hopkins in the 1940s Thomas invented and refined, for Blalock, the first surgical technique to save “blue babies.” It was also the first pediatric heart surgery.
Kalin said the movie “is a window to our country’s social history. Vivien Thomas’ personal triumph sends a message of cooperation and leaves a warning to our society about the risk of discrimination.”
The film mixes period-accurate reenactments with family and official photos and interviews with several prominent surgeons, including Levi Watkins, Vanderbilt’s first black medical school graduate, Denton Cooley, and Alex Haller, a Vanderbilt graduate who followed Blalock to Hopkins. They helped describe the enigmatic character of Thomas, how he was revered for his science, yet segregated by society.
“I’ve been telling Vivien Thomas’s story for 20 years, but I’ve never told it this well,” Dr. Arnold Strauss, professor and chairman of Pediatrics, said after seeing the movie. “It blows me away, the impact this man had on medicine. That was the beginning of heart surgery.”
“Partners of the Heart” will air on TV sometime in 2003 as part of the PBS series “American Experience.” Read more about it at partnersoftheheart.com.


Despite of Aaraiz’s family background and being aware of his mother’s negative mind set, Eeshal repudiates the decision of her father and takes a bold decision of getting married to Aaraiz but life becomes difficult for her as soon as she enters her new house and even more miserable due to the nefarious attitude of her mother-in-law and an evil-minded sister-in-law.
On the other hand Eeshal’s Dad is constantly destroying her married life through his vicious activities as he wants to take his daughter out of that house.
Starring: Ahsan Khan, Mehwish Hayat, Javed Shiekh, Bushra Ansari,
Faris Shafi, Aly Khan, Nosheen Shah, Sana Askari and others.
Directed By Anjum Shahzad
Written By Samira Fazal
Episode 28 - Last Episode


Hallie Flanagan & Untold Stories of the Federal Theatre Project (1935-1939) NEW
Sponsored by Adult School Dept. of the Montclair Public Library. 50 S. Fullerton Ave., Montclair, NJ 07042. 6:30 p.m. Explore how Flanagan, as director of the theatrical wing of the WPA, helped usher in spectacular stage perfomances during the 1930s, including the 'Living Newspapers" series, the birth of the puppet-play "Pinocchio" and "Voodoo MacBeth" with an all-Black cast directed by Orson Welles. For more info: https://asm.augusoft.net/index.cfm?method=ClassInfo.ClassInformation&int_class_id=46602&int_category_id=0&int_sub_category_id=0&int_catalog_id=0, email@example.com, 973-744-0500. $20.


Voddler is a streaming rental service. However, voddler websites directly from hundreds of movies, series and documentaries you can watch. All you have to do is register and download a small plugin.
After signing up, you can browse to find the voddler movie and series Catalog. These are usually a new version is available, although some cost a little more. Old movies and series with just a little free advertising in the press can be played.
Voddler Catalog, currently over 500 films, more than 250 full-and more than 30 documentary series. Modest numbers of this kind, but the catalog is still growing and a lot of the content is completely free.
Voddler movie, online streaming service and a great series as long as you have a good internet connection, you can enjoy your favorite shows anytime and anywhere thanks documentaries.


Sophia McDowell is a graduate from the California Institute of the Arts in the BFA Acting Program. She has ten years of commercial, television, and voiceover experience. She is known best for starring alongside Kelvin Harrison Jr. in GuccixDazed "Unity Call" for the Absolute Beginners Series of short films. As well as portraying Red in "Circuit". Sophia has performed in stage productions of August Wilson's "Two Trains Running", "The Servant of Two Masters", and "Fight Song". Additional training includes the Stratford Shakespeare School Theater Performance Intensive. Additionally, she sings 1st soprano and is a 1st degree black belt in Tae-Kwon-Do.


Kathmandu, October 24: Bollywood actor Anupam Kher is in Nepal. He is taking snaps of fascinating natural beauties from the foot of the tallest mountain peak, Sagarmatha.
Cine actor Kher has arrived in Nepal along with other actors of Bollywood for a film shooting. He has posted beautiful pictures on his social networking sites captured on his camera.
Similarly, Bollywood’s most influential actor Amitabh Bachchan and veteran artiest Danny Denzongpa are also coming to Nepal, according media reports.


NBC has rolled out their new plans for the 10:00 P.M. hour . . . now that "The Jay Leno Show" is being booted from primetime.
(--As far as we know, the plan is still to have "The Jay Leno Show" run up until NBC begins covering the Winter Olympics on February 12th. Then, by March 1st, they'll be ready to move on with their new programming.)
--Here's what they're doing every night at 10:00 P.M.:
--Monday: "Law & Order"
--Tuesday: "Parenthood" . . . a new drama with former "Gilmore Girls" star LAUREN GRAHAM based on the 1989 STEVE MARTIN movie of the same name.
--Wednesday: "Law & Order: Special Victims Unit"
--Thursday: JERRY SEINFELD'S new reality show "The Marriage Ref".
--Friday: "Dateline NBC", which will run from 9:00 to 11:00 P.M.


Published: 9th June 1984
This week’s Library of Death story gets the front cover treatment and it even wraps around to the back cover too (although all the good stuff is on the front half).
This week Dracula climbs into a postbox to kill someone, Beth Rogan keeps matching wits with an evil house, Max continues to play with his food and Kenny manages to get shot.
Tales From The Grave sets up another morality tale with an ending you can see coming a mile off, Library of Death serves up a decent mummy horror story and A Ghastly Tale manages to not be entirely terrible this week.
The Dracula File – Dracula wakes up for another evening of killing and makes his way onto a bus where he kills the ticket inspector (remember those?). Agent Stakis continues to hunt for him and Dracula catches a whiff of garlic and realises that he is still being hunted.
Outside, Dracula’s slaves patrol the area, looking for threats. They accidentally target the wrong man who is then killed by Dracula in one of the great scenes in the whole storyline, but Stakis evades his pursuers for now.
The Nightcomers – As Cutler tries to escape, he runs into a ghost (who turns out to be ‘Edna,’ someone he’s responsible for the death of). Unable to leave he keeps an eye on Beth and Rogan, who he realises must be the kids of the couple he had served up to Raven’s Meet, the haunted house and the centre of all of this.
After stopping the house from catching ablaze, Beth and Rogan enter Raven’s Meet looking for the source of its power. However, this episode ends with a disembodied hand chasing after them.
The Thirteenth Floor – A family arrives at Maxwell Tower expecting to move in. However, a mix up with the council has meant that they now have nowhere to live. Even though they aren’t tenants, Max is pissed off and decides to invite the man responsible, Mr. Bullock, to a meeting. On the thirteenth floor.
This all plays out as an ‘out at sea’ allegory with Bullock trapped on a raft that is breaking apart. Things get worse when we see that there are sharks on the way too.
Tales From The Grave ‘The Escape’ – Tales From The Grave starts a new anthology series which features Billy White, a dishonest undertaker’s apprentice, who is working for the equally unscrupulous Jeb Morgan. A female cadaver is brought in and Billy goes to steal the rings on her fingers. Jeb gets there first though, leaving Billy quite angry about the whole thing.
Months later, the corpse of a wealthy American is brought in and is due to be shipped back across the ocean. Billy seeing his chance decides to prep the man’s coffin and then kills Jeb, throwing him in the cellar. He then gets into the specially prepared coffin with Jeb’s stolen riches.
You’d think that literally losing the boss would probably delay the coffin getting shipped, but let’s not get caught up in the details, people!
A Ghastly Tale ‘The Final Cut’ – After last week’s effort, anything would be an improvement and this one-pager gets to the point pretty quickly. Film set. Hunchback. Man climbing rope. Director yells ‘cut.’ Hunchback cuts rope. Man falls to a probably death. It’s a simple pun and the page layout kind of spoils the punchline immediately but it’s okay.
Library of Death: Terror of the Tomb – A standard ‘Curse of the Mummy’ effort, this story features an archaeologist, Blake, who is searching for a man who went missing during an expedition in Egypt to the tomb of Ka-Rey. He arrives at a mummy’s tomb and finds the man’s body in a sarcophagus with all indications showing that he was buried alive.
He doesn’t need to guess who is responsible because a mummy comes leaping out after him, chasing him across the tomb, eventually catching him.
Twenty years later, another adventurer sets out looking to solve the mystery of Blake’s disappearance. However, a sarcophagus in the tomb already has this new man’s name etched on it. It’s fairly predictable stuff but the intricate artwork is excellent!
Monster – In the Scottish wilderness, Terry and Kenny camp down and get some sleep, only to be disturbed by a poacher who rather unwisely decides to get on Terry’s bad side. Things get even worse when the poacher accidentally shoots Kenny, prompting Terry to forcibly turn the gun back on the man and kill him with it.
They ride off on the poacher’s bike but eventually Kenny’s wounds get the better of him and he collapses. Terry carries him to a nearby house but as they enter the grounds, two guard dogs attack.


There are no PDA's here, did you know? Not the digital kind. I'm talking about Public Displays of Affection. That was invented before Personal Digital Assistants...
Men and women aren't seen anywhere showing affection to each other in public. Just ain't done. No kissing. I hadn't noticed this.
What I did notice the other day was the same young man's face on a lot of billboards advertising various movies. He was in dramatic poses with a sword walking out of a fiery background. There were several others of him posing with handguns. He looked to be the Indian version of James Bond and Indiana Jones rolled into one. I was told he was quite popular among the young people and is making a lot of movies recently. They're formulaic but they sell lots of tickets.
When I asked about the guns I was told that there is tight gun control here. Citizens aren't allowed weapons. Period. Only the police are armed. This discussion led to a surprising detail about the movies: There's no kissing!
Up until two years ago none of the movie stars actually kissed each other on the big screen. Not the movies made here at least. Not that it's outlawed (to the best of my knowledge) it's just culturally unacceptable. Or was until two years ago. Then there was this particular movie... the stars kissed eighteen times! Everyone who went counted... :-)
The people I was with couldn't remember the name of the movie, just that everyone called it "Eighteen Kisses". That's how everybody remembers it. I mentioned it to our cab driver Deva and he laughed: "Yah, yah!"
By the way, "Yah" and "Okay" always seem to come in pairs here. I've heard lots of people say "yah, yah" or "okay, okay". :-)
The Eighteen Kisses movie broke the ice, or the dam burst (pardon the pun reference to a certain American movie that has gone with the wind.) All movies seem to have kissing now, no problem. No going back to that genteel era of yesteryear where kisses were a mere romantic suggestion and as the stars had stars in their eyes, their lips parting and nearly touching... the music swells...
Fade to black...


Movie Review :: The Amazing Spiderman (2012)
One of the world’s most popular characters is back on the big screen as a new chapter in the Spider-Man legacy is revealed in The Amazing Spider-Man™.
Yes, Spidey’s back!
And this time played by Social Network’s Andrew Garfield.
The new Peter Parker!
The Amazing Spider-Man is the story of Peter Parker, an outcast high schooler who was abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben ( Martin Sheen) and Aunt May ( Sally Field).
Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. Peter is also finding his way with his first high school crush, Gwen Stacy (Emma Stone), and together, they struggle with love, commitment, and secrets.
As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents’ disappearance – leading him directly to Oscorp and the lab of Dr. Curt Connors (Ifans), his father’s former partner.
So there’s a hot hero and a hot damsel. Not forgetting the villain in this movie!
As Spider-Man is set on a collision course with Connors’ alter-ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.
Having a fear of lizards, scenes of the villain made me cringe and covered my face with my cap. *shivers*
Thanks to Sony Pictures Malaysia and Malaysia’s Hottest Bloggers I got to watch this awesome movie.
Overall, this movie was pretty damn awesome, packed with superb action and breathtaking 3D effects!
Psst. Having a cute Spidey was a plus! Heh heh.
My ratings : 9/10
Catch this movie at the nearest IMAX Theaters in 3D!!


Sixteen-year-old Kyouko Mogami followed her childhood friend and love interest Shoutarou “Shou” Fuwa to Tokyo to support him while he works toward his dream of becoming a top idol in the entertainment industry. But after finding out that Shou considers her as little more than a mere housekeeper, she swears to enact revenge by entering the entertainment industry herself and beating him at his own game!
However, Kyouko’s revenge plan suffers a setback almost immediately when she is rejected by the talent agency of her choice. Fortunately, the president of the agency gives her a second chance, and places her in the newly made “Love Me” section. Kyouko then begins her long journey to stardom, cultivating her skills as an actress and forming relationships with new friends along the way.


Tag Archives: networker
What does Yoda know about LinkedIn?
On October 22, 2012 By James Potter - The Linked In Man
Being a huge Star Wars fan and continual networker I am often reminded of scenes from the film and how they play out in business life. How many people that we meet in real life appear a bit like Darth Vader? Unapproachable, faceless and full of foreboding, hard to engage and difficult to build business […]ReadMore


It’s easy to think we understand the role the protagonist plays in a story. We’ve seen movies and read books, after all. We know the protagonist when we see him. However, as I coach and edit authors, I’ve found that while many authors may be able to spot a protagonist, they don’t necessarily know how to create one.
And this is a huge problem.
In a traditional story, the protagonist has several very specific requirements, and if your protagonist doesn’t meet those requirements, your story will break down.
Definition of Protagonist
The protagonist can also be called the hero or main character, but these terms are imprecise, and for some stories, plainly false. The protagonist of Macbeth, for example, is clearly not a hero. Nick Carraway is the main character of The Great Gatsby but he is not the protagonist.
My favorite definition of the protagonist is from Stephen Koch’s Writer’s Workshop:
The protagonist is the character whose fate matters most to the story.
The protagonist centers the story. She defines the plot and moves it forward. Her fate determines whether the story is a tragedy or comedy.
You may not know who your protagonist is until you are halfway through writing your novel. You may think your protagonist is one character, only to find out your villain is actually your protagonist. You do not need to know who your protagonist is before you begin writing, but as you look at your work in progress, ask “Whose future is most important to this story, to the other characters in this story? Whose future is most important to me?” If you can answer these questions, you have found your protagonist.
How to Characterize a Protagonist
How do you make a protagonist more interesting? How do you bring depth to the protagonist’s personality?
The best way to characterize the protagonist is through an antagonist. An antagonist, or villain, is not necessarily evil or “the bad guy.” Instead, the antagonist is the protagonist’s opposite, their shadow or mirror.
The human mind loves to compare. It especially loves to compare people, and by characterizing your antagonist, you naturally create a comparison that characterizes your protagonist.
Here’s a trick: When you are writing your villain, the stronger you make the antagonist, the better your protagonist will look when he wins. The more you increase the values of your antagonist, the more interesting your protagonist becomes.
Is There Only One Protagonist?
While there is usually only one protagonist in a story, this isn’t always true. In romantic comedies and “buddy stories,” there can be two protagonists. For example, in Romeo and Juliet it is the fate of both characters, not just one of them, that matters to the story. Same with Lethal Weapon and The Odd Couple.
I love stories with multiple viewpoint characters, stories like The Yacoubian Building or The Joy Luck Clubor 44 Scottland Street.* These stories have multiple characters who could be protagonists, but while the stories begin with several possible protagonists, by the end, the author has led you to just one or two.
The Most Important Requirement for the Protagonist
This is the single most important element of your protagonist, and thus one of the most important of your novel as a whole. If your protagonist fails to do this, your story will fail. Seriously.
Your protagonist must choose.
Protagonists must make decisions. A character who does not choose her own fate, and thus suffer the consequences of her choice, is not a protagonist. She is, at best, a background character.
Donald Miller says story is, “A character who wants something and is willing to go through conflict to get it.” If your character does not want something enough to choose to go through conflict to get it, your reader will walk away disappointed.
Your protagonist may reject the choice at first. She may debate back and forth between which option to choose. She may spend a hundred pages waffling. This can actually be a good thing. Choice is hard! However, she must choose.
Readers will bear with a protagonist who isn’t very likable. They will endure selfishness, pride, and even cowardice in a character. However, readers will not endure a protagonist who does not decide.
What do you think? What is the most important trait for a protagonist?
Your protagonist is presented with a choice, perhaps a choice to accept or reject some type of quest.
For fifteen minutes, show her internal or external debate between the two options. Which does she choose?
When your time is finished, post your practice in the comments section. And if you post, please be sure to give feedback to a few other writers.
*By purchasing from these affiliate links, you do a little bit to support The Write Practice. Thank you!
Every writer knows they need them. Successful stories always seem to feature heroic good guys locked in glorious dramatic battle with villainous bad guys. Leave these key characters out and a writer rightfully risks losing his or her audience. Why they need them, however, has always been a foregone conclusion.
For too long the concepts of Protagonist and Antagonist have lingered within a soup of mutually agreed upon lies. Lies that lead to worthless advice such as The audience must feel for the Protagonist or The Villain shall be so powerful that he takes the Protagonist to the end of their very end. Romantic advice, to be sure, but advice that ultimately doesn’t say anything useful or worse, universal.
Instead, writers should think of these two characters from an objective perspective. Consider their functional purpose within a story rather than their emotional status within the hearts of the Audience. Only by removing oneself from a subjective appreciation of these characters can an Author ensure that their story operates both soundly and effectively.
Further exploration into the objective functions of Protagonist and Antagonist begins with the single story point they both revolve around: the Story Goal.
Defining the Goal of a story
When thinking objectively, the Story Goal is not what the Protagonist wants or needs. Characters do not maintain separate Story Goals based on their personal motivations. The correct way to think of a Story Goal is to envision it as the central focal point by which all the characters in a story orbit around and provide perspective on.
It all begins with the initial event or decision that creates the story’s problem. A chasm opens up and an effort begins to take shape—one with the sole purpose of resolving that inequity. The Story Goal represents that final step in the resolution process. Complete it and the characters have resolution. Leave it open and the problem persists far beyond the walls of the story.
This Goal then becomes a concern to everyone in the story. It is not simply the Protagonist’s Goal or an individual Goal of another character, but rather the Goal of focus for the entire cast. It is an objective goal.
Development of a story point
There are some who will be for this resolution and some who will not. Those who are for the successful completion of these efforts are Pro- goal (as in Protagonist). They are for the resolution of the inequity. Those who are against resolution should be Con goal, but unfortunately the suffix Ant (as in Antagonist) has been used so often and absorbed so strongly into the communal bloodstream of working writers that a much needed correction at this date seems beyond hope. Thus, Antagonist it is for those opposed to resolution.
One for, one against.
Over time these archetypes have become less and less an identifier of purpose and more of a fancy-pants label for who the story is about or who the audience should care about.
Mean good guys, nice bad guys
Determining which character is for and which one is against proves to be an infinitely better approach than simply looking at who is a hero and who is a villain. Why?
Because sometimes the Protagonist isn’t a nice person.
Tony Gilroy’s thriller Michael Clayton provides a masterful example of shifting sympathies and weighing audience expectations. As covered in the article The True Definition of a Protagonist, Michael Clayton (George Clooney) is not the Protagonist. He certainly is the good guy, but he is neither for nor against the efforts to resolve uNorth’s legal troubles—the true objective problem in the story.
Problems begin with Arthur’s breakdown and end with Karen’s (Tilda Swinton’s) confession. Michael has his own take on the matter (a point-of-view essential to a Main Character), but he doesn’t function in the way a Protagonist should.
Standing against her in the role of Antagonist? Why, that’s Arthur (Tom Wilkinson). He stands in the way of Karen’s success and works diligently to unravel any resolution she may find. He functions as an Antagonist, but he is portrayed sympathetically. He’s one of the good guys. When it comes to looking at these character objectively—the way one should when taking in the larger context of a story—audience affiliation holds no higher ground.
Sometimes the good guy is for resolution, other times the good guy is not. Sometimes both Protagonist and Antagonist are good guys.
Take How to Train Your Dragon. Inequity strikes with the destruction of the village, creating with it the Story Goal of Training the Next Generation of Dragon Killers. One person works for this Goal, the other against it. Stoick, Hiccup’s father, wants the young ones to learn how to take down the giant lizards. Hiccup works against that.
The one character everyone naturally assumes is the Protagonist—Hiccup—actually works as the Antagonist of the main story when seen objectively.
Protagonist and Antagonist mean so much more than simply who the good guy is and who the bad guy is. They have an important function to perform in regards to the unfolding process of problem-solving within a story. The Protagonist represents the side of the argument that is for the successful resolution. The Antagonist shows the side dead set against it.
A reason for conflict
This is why they clash. Not because one guy has God on his side or has a heart of gold or because the other guy embraces dark forces and hates kittens. They clash because of their individual motivations in regards to the Story Goal:
- The Protagonist pursues the Story Goal and considers the value of doing so.
- The Antagonist prevents the Story Goal and forces others to reconsider what it is they are doing.
These motivations stay rock solid throughout the entire story. They must because again, we are looking at them in terms of their objective function. Objectivity does not include the subjective notions of change and emotional catharsis. Stories need both objective and subjective less you risk Transformers: Dark of the Moon.
A purpose behind the labels
Writers need Protagonist and an Antagonist in order to successfully prove that what they’re saying is true. Arguments only succeed when all points counter have been accounted for. If a writer illustrates the efforts to solve a problem, they need to equally illustrate the efforts to prevent it.
Only then will the Audience buy in to what the writer is saying.
Protagonist and Antagonist did not come into existence in order to establish who an Audience should root for or who should be rallied against. Rather, they developed naturally as two opposing forces arguing the logical half of a story’s argument. Seeing them in this light solidifies their purpose within a work and allows a writer to confidently and consistently craft meaningful stories.
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Saturday, July 12, 2008
WarGames 25th Anniversary Back in Theaters
The WarGames 25th Anniversary is playing in select theatres nationwide on Thursday,July 24th. For all fans of movies of the 1980s this show is going to be one big treat!! The 1980s saw some classic movies that got their names written in history,and one of my favourites is 'Sixteen Candles'..Molly Ringwald simply redefined the definition of acting,never before had I wept along with the heroine of any movie,this movie simply caught me unawares!! Not many children of today know about the magic of these movies,to bring back memories of the 1980s!! The WarGames is a tribute to all those wonderful movies,the showing is one night only and will include never-before-seen interviews with film's creators and the cast (including Broderick and Ally Sheedy) and crew on how the movie was ahead of its time and its relevance today. Additionally, only at this one night event, get a sneak peek at the making of the sequel – WarGames: The Dead Code. Hope you don't miss out on this opportunity..Try and make it there...!!! For more details on the select centers and the show long on to fathomevents.com!!


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The world we knew is gone. An epidemic of apocalyptic proportions has swept the globe causing the dead to rise and feed on the living. In a matter of months society has crumbled. In a world ruled by the dead, we are forced to finally start living. Based on a comic book series of the same name by Robert Kirkman, this AMC project focuses on the world after a zombie apocalypse. The series follows a police officer, Rick Grimes, who wakes up from a coma to find the world ravaged with zombies. Looking for his family, he and a group of survivors attempt to battle against the zombies in order to stay alive. The Walking Dead is an epic, edge-of-your-seat drama where personal struggles are magnified against a backdrop of moment-to-moment survival. A survivalist story at its core, the series explores how the living are changed by the overwhelming realization that those who survive can be far more dangerous than the mindless walkers roaming the earth. They themselves have become the walking dead.
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BF Artist Film Festival founder Beth Fox and The Lab F artistic director/curator Karolina Magnusson Murray discuss setting up in(ter)dependent artist-run projects before the premiere screening of the tenth BF Artist Film Festival.
The BF Artist Film Festival is a critical platform for artists working with moving image. Open to national and international artists, the festival programme is selected via a recurring open call held three times annually. The BF Artist Film Festival is a nomadic project partnering with different artist-led spaces around the UK, offering multiple and varied screening opportunities to selected artists while engaging new audiences around the country. This is the BF Artist Film Festival’s first collaboration with The Lab F.
The Lab F is a new cross-disciplinary arts platform embedded within London’s newest 24hr licensed music and arts venue FOLD, based in Canning Town. Positioned at the intersections of the club scene, digital culture, art, music and performance, The Lab F champions experimental arts within 7000 square feet of industrial multipurpose space, including an auditorium, state of the art AV rig, and high definition LED wall.
Beth Fox, Karolina Magnusson-Murray
gillian house, Stephenson Street, London E16 4SA, UK


You’re the star of an obscure French indie flick. Arty even for arthouse. Lately, you’ve been seeing this girl who’s into that sort of thing. She’s not the sort of girl you usually date. She smokes e-cigs and drinks espressos, wears short skirts all the time, never flosses. She has the shiniest brown hair. She’s let you kiss her twice, her tongue fluttering up against your mouth, soft and surprised. She invites you to a film festival showing the works of a lesser-known French director.
He has a certain je ne sais quoi, she says.
The first film comes up. You’re nestled in close to your new girlfriend, not quite holding hands, fingers nearly brushing. The hair on the back of your knuckles rises at the lights go down.
A familiar face fills the screen, and your arthouse girl nudges your shoulder.
Is that you?
It is, you say. I think it is.
The film is just you doing a series of mundane things: putting on stockings, painting your toenails, brushing your teeth. Your favorite scene is a shot of you applying liquid eyeliner and, in the mirror’s reflection, the image of the man filming you with his phone is captured. He’s wearing a beret; he must be the French director.
Why didn’t you tell me, your girlfriend whispers.
There is no dialogue in your movie, only a series of intertitles written in French. You can’t read French, can’t speak it. Your girlfriend’s mouth moves as she whispers the words. You find them so beautiful: the words, her breath, her mouth.
On the screen, you are stepping out of the apartment into the sunshine. You squint and adjust the waistband of your skirt.
A French intertitle flashes across the screen. The font, you think, is very nice.
What does it say? you whisper to your girlfriend.
Shh, she says. She lifts your hand to her mouth and kisses it, her lips caressing each finger in its turn. You sigh and shift in your seat. On the screen, you do the same.
The final shot of the movie is you standing alone on the sidewalk, holding a balloon. There’s no color in the film, but you think the balloon is red. In films like this, the balloon is always red.
But you have never stood alone on the sidewalk and held a balloon.
You lean over to mention this to your girlfriend, but she shushes you again, hands you a red balloon.
A man gave this to me for you, she says. Take it, go on.
You take the balloon. On the screen, a light breeze rustles your skirt.
Now what? you say to your girlfriend, but she only arches her eyebrows in response.
All right, you say, all right, and slide out of your seat and leave the theater. You stand on the sidewalk outside and hold the red balloon in your hand. After a while, finally, you let it go.
Cathy Ulrich is a writer from Montana. She likes silent movies. Her work has been published in a variety of journals, including Split Lip Magazine, The Airgonaut, and Booth.


It is that time of the year again for the Solothurn Film Days, our very own film festival. It is a Swiss thing, no Oscars or Emmi awards, just eight days of Swiss films to be seen and yes, the Swiss do have a film industry. It has even happened that a Swiss film was nominated and won an Academy Award for the best foreign language film. One of our film directors, Xavier Koller, produced the film Journey of Hope in 1990 telling of a Turkish family that wanted a better life in Switzerland and the hardships they had crossing the borders illegally. However, such prizes are few and far between in the Swiss film scene. As I live in Switzerland, I am quite up to date on what our film industry produces, but understand that if you do not speak one of our 4 Swiss languages then the contents are lost on you.
However, for once in a year our town is transformed. Hotel rooms and even private rooms must be found for various film people who visit and want to see the films. It used to be a time when the bearded, extroverts were regarded as something completely different when they would take over the restaurants in the evening, but now Solothurn has enough of their own daily extroverts and it is no longer so special.
I was taking a wheeie in my chair through the town and as I approached our so-called Landhaus and I saw that preparations were already being made for the festival. The building where the films are shown was being decorated with various banners calling for some acrobatic actions of those decorating and a conquest of various angles aided by a crane.
Is it all worth it? Of course and the film showings are sold out regularly. We have even had some film “stars” attending various films that they appeared in. Maximillian Schell, Bruno Ganz and Marthe Keller to name those that might be known in other countries and have even appeared in international films. Bruno Ganz gave a very good performance of Hitler in the film “Downfall”. Marthe Keller played in many Ameican films one being “Marathon Mann” with Dustin Hofmann, and Maximillian Schell with his sister Maria belong to a well know film dynasty. Otherwise Swiss film stars are not so well known over the borders, but yes we have them.
Even our little market town of Solothurn can become an important place for various festivals. And then we have the national literature days where authors meet and give lectures. But enough, that is in a months time. I will be back.


Halloween Film Festival Last Call for 2018 Submissions Announced
The 3rd Annual Halloween International Film Festival, presented by OBX Entertainment and Halloween Daily News, returns to Kill Devil Hills, North Carolina during HalloWeek on the
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Tickets are flying off the shelves for this summer’s production of Romeo and Juliet to celebrate 30 years of Shakespeare productions at Stafford Castle.
The production which is due to take place between June 24th and July 9th has already sold 5000 tickets of the 11,000 available for sale. Several shows have sold out already and there are waiting lists for afternoon performances.
Work has now begun on building the set and stage, which has been specially designed to make use of the stunning backdrop of the castle.
A new seating layout has also been introduced, with two grandstands separated into Montagues and Capulets, which will give improved sightlines on previous shows and bring the audience closer to the actors.
Production Manager Richard Goodman, who has worked on 10 previous Shakespeare plays at the castle, said: ‘It’s a really ingenious stage and a fantastic use of space.
‘There will be lots of things happening that we’ve never done and the design aspect has really gone into overdrive this year.
The production will star Madeleine Leslay (from BBC’s The Archers) as Juliet and Tom Lane as Romeo, backed by a strong supporting cast led by Gill Jordan (best known for her comic creation Doreen Tipton) as the nurse.
Director Tim Ford said: ‘We’ve spoken a lot about the tremendous cast, but behind the scenes there’s a brilliant creative team as well, working on the lighting, sound and effects.
‘It’s going to be a visual treat and we can’t wait for the opening night.’
Tim added: ‘To have sold 5,000 tickets at this stage is unheard of and just shows the appetite in the area for a high-quality production.
‘It’s a really exciting and positive response and shows how much people have missed the Shakespeare plays – there’s a great buzz around the town for its return this year.’


10 October - 14 November 2022
Talk 5.15pm Screening 7pm
Germany was a fertile hotbed of early cinematic creativity. Directors and cinematographers were literally making up techniques, creating effects, and evolving the language of cinema in ways that are still current to this day. And the films they made were both great art and big box office. Peter Kessler is looking forward to sharing with you nine of the greatest silent (and early talking) films ever made.
And, to do our bit during this winter of spiralling fuel bills, I’m glad to announce that the popcorn will be free.
As if that weren’t enough, we will be presenting a series of four lectures (packed with clips of course) that dig into the films, their creators, and the influence they had on succeeding generations.
Every screening and lecture at Magdalen Monday Movies is completely free. You can book up to ten tickets per event, and you can come back to our booking page to add bookings later in the season.
Lectures will take place at 5.15pm on Mondays of 1st, 3rd, 5th and 7th week – full details on the booking form, where you’ll also find informative, spoiler-free blurbs on all the movies.
Our films are:
By Fritz Lang:
- Der Müde Tod (Destiny) (10 Oct)
- Dr Mabuse der Spieler (Dr Mabuse the Gambler) (17 Oct)
- Metropolis (21 Nov)
- M (5 Dec)
By Friedrich Wilhelm Murnau:
- Der Letzte Mann (The Last Laugh) (24 Oct)
- Nosferatu – special Hallowe’en screening (with live musical accompaniment) (31 Oct)
- Sunrise: A Song of Two Humans (28 Nov)
By Ernst Lubitsch:


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Target Margin Theater presents "The ( * ) Inn"
Sunday Mar 10 2013 7:00 PM - 9:00 PM
Abrons Arts Center
466 Grand Street
New York, NY 10002
View on Mapquest
Target Margin Theater
(March 7-March 30) - It’s Tevye on drugs. Watch out! The shtetl turns uncanny in Hirschbein’s classic of Yiddish life. You might be expecting the farm life, the chicken-plucking and the arranged marriage, but not the S&M lust and the body-snatching wedding guests. "The ( * ) Inn" was an early touchstone for experimental theater in Yiddish, a sensation in Vilna, in London and in a 1917 New York production. This play is a perfect example of why we at Target Margin Theater believe Yiddish drama is as innovative and challenging as any in the world.
"The ( * ) Inn"
*empty, vacant, abandoned; usually translated as “Haunted”
by Peretz Hirschbein
adapted & directed by David Herskovits
from the translation by Isaac Goldberg
with Ugo Chukwu, Rachel Claire, Amir Darvish, David Greenspan, Susan Hyon, Meg MacCary, Sam T. West
The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
For more inforation and to purchase tickets click on Contact Website above.
After you’ve spent a night at The ( * ) Inn join us for these additional FREE events. All events at Abrons unless otherwise noted. RSVP to Contact above.
March 13th, 7pm
Di puste krestshme: readings of scenes from Hirschbien’s “The ( * ) Inn" in Yiddish. Includes discussion with David Mandelbaum & The New Yiddish Rep
March 20th, 7pm
Raisins & Melodies: music from Yiddish Theater. Zalmen Mlotek gives us a glimpse of the extraordinary universe of music for Yiddish theater. Presented in cooperation with The National Yiddish Theatre-Folksbiene
March 23rd, 6pm
Yiddish Theater Lives! The legacy and influence in contemporary performance today. Panel discussion led by Debra Caplan
Post Performance Discussions
with director David Herskovits and collaborators, will be offered on March 17th & March 28th
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It’s never boring here at Posana, and the last few weeks have been no different! Chef Peter was recently asked to be featured in an upcoming pilot for PBS. Christine van Blokland and crew were in Asheville recently to film the pilot episode for a possible new series for PBS called “No Lousy Tshirts”, a travel series.
Christine and her crew filmed at Posana Cafe as Part of a peek into the Asheville scene. Chef Peter was a natural in front of the camera, and Christine and her crew were lovely to work with. We will keep you updated on the show, and watch for more camera-friendly specials from the kitchen at Posana!