This course introduced students to the larger landscape of English drama by playwrights other than Shakespeare, examining sixteenth- and seventeenth-century plays in the various social and political contexts in which they were produced. We also studied the lives and reigns of Queen Elizabeth I and James I of England, particularly with respect to their relationships to the English Theatres as institutions and to specific playing companies and dramatic works. Reading the drama written and produced during their reigns––a body of work that is equally rich but often quite different from what Shakespeare wrote––students were immersed in a distinctly bold brand of English stagecraft. Our primary texts for the semester included Thomas Kyd’s Spanish Tragedy, Christopher Marlowe’s daring over-reacher, Tamburlaine The Great (1587), Ben Jonson’s pointed smack-down of the wealthy and corrupt, Volpone (1606); John Webster’s creepy Duchess of Malfi (1612); Francis Beaumont’s odd and wonderful Knight of the Burning Pestle (1607), Thomas Dekker’s citizen/artisan tribute, The Shoemakers’ Holiday (1595), and his collaboration with Thomas Middleton, the tobacco-smoking, pants-wearing Roaring Girl (ca. 1608). We also watched the film version of The Revenger’s Tragedy (1606) from 2002 (and in a previous semester, portions of a 1972 BBC production of The Duchess of Malfi).
In addition to these works, each student in the class had the opportunity to read literary criticism on these plays and another play by these authors or an additional playwright, including John Fletcher, Thomas Heywood, Lady Mary Wroth, Elizabeth Cary, or Jane Cavendish and Elizabeth Brackley. Our textbook, Peter Womack’s English Renaissance Drama, helped guide us through a wide landscape of playwrights, specific plays, acting companies and patrons, dramatic sub-genres, and motifs common to the period. As we studied Elizabethan and Jacobean Drama, we considered the troublesome and ever-expanding list known as the “literary canon”; the importance of editing practices in the publication and circulation of early modern plays; and the extent to which all drama from the period exhibits the literary forms and aesthetics we associate with its best-known playwright, William Shakespeare.
Students wrote regular posts on our course Blog about the plays we read and also posted “virtual handouts” that culled salient information from essays in John D. Cox and David Scott Kastan’s A New History of English Drama (1997) to learn more about the early modern playhouses and their daily operations. The final project for the course allowed them to write a critical analysis of an additional play, or a critical history of a play from the assigned reading in addition to several other options; they also collaborated in groups to create movie trailers for each of the plays we read in the semester. You have their consent to watch them here.


I've just gotten home from watching "Becoming Jane". Lovely film, even though it was a bit odd to see one of the current villains in "24" as Jane's loving father. Casting was excellent, with only an occasional vowel of Anne Hathaway's giving her away. And very brave of Hollywood to go for the (look away now) unhappy ending.
In the film, Jane is in love with Tom LeFroy, a young barrister dependent on his uncle's purse. They decide to run off together, but Jane thinks better of it when she realises that Tom sends his parents a share of the allowance he stands to lose if they marry.
But leaving the angst aside for the moment, let's go to the delightful scene reminiscent of the ball scene from the definitive "Pride and Prejudice" from 1995 (Colin Firth, a man I wouldn't kick out of my bed for eating jam doughnuts), where the sexual tension was so intense, I snapped open my fan. In this film, Jane and Tom, each with other partners, meet in a diagonal cross during a country dance.
Reading between the lines, here's how I reckon the conversation *really* went:
Jane and Tom see eachother - their eyes widen, they blush, they grin like hyenas.
Jane: Tom! How lovely to see you!
Tom: Jane...why, you know, I never noticed what a lovely bosom you have.
Jane: Yes, this housekeeper really knows how to fit one into a corset. But, love, I have never noticed you breaking the four millisecond rule before.
Tom (blushing): Well, my darling, we do, actually. We're terribly beastly. I just didn't want you to catch me looking...you're the one woman whose good opinion ever mattered...
Jane (blushing): Well, now that you mention it...
Tom: Yes, my sweet?
Jane: I've been looking too. And those trousers...
Jane: Well, I expect you'd have a hard time finding the proper size cricket box...and...
Tom: Why, Jane! Such hidden depths. And...
Jane: That coat makes your bum look fabulous.
Tom: Why, darling, it's getting warm in here. And my heart is beating faster... would you consider...
Tom: Spending your life with me?
Tom: I'll have £2500 a year.
Jane: Ah. In my novel, "First Impressions", Mr Bingley has £5000. Mr Darcy, £10,000.
Tom: I see. A bit of pride and prejudice over my situation, perhaps?
Jane: (Thoughtful silence) Those figures are a bit excessive. I can dispose of myself for £2500 and affection.
Tom: Such sense and sensibility...shall we, my love?
I hope I've convinced you with my powers of persuasion.
*The four millisecond rule states that every man, straight or gay, looks at a woman's chest for four milliseconds on meeting her. Breaking the four millisecond rule means staring for five milliseconds or longer.


Exploring the World of “Avatar “: A Journey into James Cameron’s Vision
“New Avatar ” is the highly anticipated continuation of James Cameron’s visionary saga that began with the groundbreaking film “Avatar.” Set to expand the mesmerizing universe of Pandora, this installment promises to delve deeper into the enchanting world, captivating audiences with its immersive storytelling and awe-inspiring visuals.
James Cameron, the mastermind behind cinematic classics like “Titanic” and the first two “Terminator” films, introduced us to Pandora in 2009. The lush, vibrant world inhabited by the Na’vi, a species deeply connected to nature, became an instant sensation. The groundbreaking use of 3D technology and motion-capture revolutionized filmmaking, immersing viewers in a breathtaking and visually stunning experience.
As anticipation mounts for “New Avatar ,” fans eagerly await the next chapter in the epic tale. The film is poised to take us on another exhilarating adventure, promising to explore new territories of Pandora while continuing the saga of Jake Sully and Neytiri, whose love story blossomed against the backdrop of a struggle for the planet’s future.
One of the most compelling aspects of the “Avatar” series is its emphasis on environmentalism and the harmony between nature and its inhabitants. The films highlight the importance of respecting and preserving the natural world, a theme that resonates strongly with audiences globally.
The success of the previous films has set high expectations for “New Avatar ,” not just in terms of its visual splendor but also its narrative depth. James Cameron’s meticulous attention to detail and dedication to pushing the boundaries of technology in filmmaking ensures that each frame is a work of art.
Moreover, the cast, including Sam Worthington and Zoe Saldana reprising their roles as Jake Sully and Neytiri, along with new additions, is poised to bring depth and emotion to the storyline, creating a compelling connection between the characters and the audience.
While details about the plot of “New Avatar ” remain closely guarded secrets, one can expect an enthralling narrative that delves deeper into the conflicts and alliances on Pandora. The film is expected to continue exploring themes of colonization, spirituality, and the resilience of indigenous cultures, all while delivering an adrenaline-pumping cinematic experience.
Furthermore, the advancements in filmmaking technology since the release of the previous movies are likely to elevate the visual spectacle to even greater heights, immersing audiences in a world that feels more tangible and mesmerizing than ever before.
Here are the actors and characters that were expected or rumored to return:
- Sam Worthington as Jake Sully.
- Zoe Saldana as Neytiri
- Sigourney Weaver as Dr. Grace Augustine.
- Stephen Lang as Colonel Miles Quaritch
- CCH Pounder as Mo’at
- Cliff Curtis as Tonowari
- Matt Gerald as Corporal Lyle Wainfleet
Please note that these details are based on information available up until January 2022, and there might have been updates or changes regarding the cast of “New Avatar” since then. James Cameron, the director, is known for assembling a talented ensemble, and additional actors might have been added or announced for new roles in the movie. For the most current and accurate information, it’s best to refer to official announcements or news releases closer to the film’s release date.


KS3 Drama allows students to gain the key skills and confidence to pursue Drama as an option at GCSE level.
Our focus in Drama runs along 3 strands: Firstly we help students gain confidence, develop their team working skills and refine their creative thinking. Secondly we will ensure that our curriculum sits alongside and compliments what the students will undertake in KS4 studies in Drama. Thirdly we focus our energy on the skill of performance.
The Year 7 curriculum allows students to gain all of their Drama terminology to allow them to verbalise and respond to their own practice and that of their peers. We love the creativity and fun energy that Year 7 have, so we use this to inspire our schemes of work. All texts and areas of study presented to Year 7 are age appropriate and centre on the notion of creativity through play.
The Year 8 curriculum will reflect the changing maturity levels and interests of students. In Year 8 students will continue to add to their existing Drama terminology, and begin exploring the work of Theatre Practitioners. They will also have a greater focus on the work of professional playwrights and practitioners. Students in Year 8 will be encouraged to look at the world around them when creating work.
The Year 9 curriculum will begin to allow students to work in an increasingly independent way to develop their own work. The primary aim for this year is to get students ready for the expectations of the GCSE in Drama. In year 9 there is a strong focus on the inclusion of literacy and use of play texts to aid in our generation of Drama. Students in Year 9 Drama will be pushed out of their comfort zone and will be encouraged to explore new styles of making and performing theatre. All students in Year 9 are given an IGNITE card, this will allow them to view 5 theatre productions for free.
Students in KS3 are actively encouraged to attend out Drama club. This is a hugely successful club that puts on one published play per year.
Productions include: Midsummer Night’s Dream. Our Day Out. Confusions.
In Year 10 and Year 11 students will follow the Welsh Board (EDUQAS) GCSE Drama Curriculum.
This course follows a 3 component structure and aims to prepare students to continue their studies at college or drama school.
Year 10 will give students a chance to experience the key Drama practitioners, how to devise their own work, and how to review work. Students in Year 10 will complete their component 1 devised piece in this year, leaving the time needed in Year 11 for their scripted studies.
Year 11 focuses on component 2 & 3 – C2 sees the students cast in professional published plays. They study and perform in a live exam in March/April. Alongside this, they study the play DNA, forming part of their practical examination study. Students sit a written exam on their practical studies in the May of their Year 11 year. Students in Year 11 also are taken to the theatre to view a piece of live theatre, they then review this for their written exam.


Rise of the Runelords
Sandpoint's own showman
Despite being an accomplished illusionist and performer, Cyrdak has never thought it necessary to hide his aging body. His cheeks are a little sunken in and he has lines on his forehead from years of stretching his face this way and that. As long as he has been in Sandpoint his facial hair has never grown beyond 5 o’clock shadow. Cyrdak usually wears clothing that allows for movement and his favorite black cape.
Cyrdak is the owner of the Sandpoint Theatre, a massive playhouse that he financed entirely by himself. Known to many, the Sandpoint Theatre is one of the most impressive theatres on this side of Varisia and easily competes with many of the “big-city” theatres, a fact that Cyrdak takes great pride in given the circumstances of his emigration from Magnimar. When he moved from Magnimar to Sandpoint to be with his husband rumors abounded for a while but as with all rumors eventually they died off.


The Evangelization Station
Pray for Pope Francis
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THE ANSWER IS NO! Curtain pulled on church play, Bishop Kane says parish's abortion drama not appropriate
9/15/2004 7:58:00 PM by Bonnie Miller Rubin - Chicago Tribune
When Chicago writer Delle Chatman launched a play about abortion, she didn't do it to be controversial. All she wanted, she said, was to create a forum to address a painful and polarizing subject.
Her show, the story of a Catholic politician denied communion for his support of abortion-rights legislation, was set to run Oct. 1-3 at her North Side parish, St. Gertrude, with the full support of the pastor.
But on Tuesday, she received word that Bishop Francis Kane had decided "The Answer" was inappropriate for production in a Catholic church.
Chatman, a screenwriter with Hollywood credentials and a graduate student in theology, was disappointed but resolute. Rehearsal continued Tuesday evening in the church rectory, and the producers said they will look for another stage.
"It's a loss," said Chatman, 52. "I want to believe that the Catholic Church can be a setting for an inspiring dialogue about this subject and a play can be a prayer that Catholics can say."
The flap started when a news release about the show caught the attention of Catholic Citizens of Illinois, an organization that aims to bring "traditional Catholic values to the public life of Illinois." The group posted an item on its Web site, generating some blistering e-mail and phone calls to the Archdiocese of Chicago.
After reviewing the script, Kane pulled the plug on the production, which had been in rehearsal for about a month.
"It was decided that this was just not something that should be held in a church at a Catholic parish," said archdiocese spokesman Jim Dwyer. "It's just not appropriate."
St. Gertrude's pastor, Rev. Bill Kenneally, responded that it was inappropriate for the church hierarchy to stifle discussion.
"It's disappointing that the bishop stepped in at this point. There are plenty of problems for him to be involved in and to get involved at this stage is inappropriate," said Kenneally. "But he's just doing his job."
Set to a score of gospel, jazz and sacred music, "The Answer" is centered on the mythical Sen. James Berkley Harrison of Missouri--considered a shoo-in for re-election until he is denied communion for a vote supporting abortion rights.
With his campaign under attack, the senator is dealt a more personal blow when his daughter reveals she has had an abortion, which he knew nothing about. The revelation deals a crushing blow to his political ambitions and his marriage.
"I wanted to get to the bottom of the pain that is underneath abortion," said Chatman, who started writing the play in 1987. "I thought a good story could create a safe place for folks to share instead of shout. ... Jesus told stories--that is the primary way in which he taught--and we're doing the same."
A panel discussion on the politics of abortion was to follow the production, which featured two dozen parishioners in the cast and crew.
At a meeting Tuesday with Kane and other church leaders, Kenneally said he would look for another venue--including a nearby school, the Raven Theater and other churches. He also made no promises that he would shut the production down.
"It's hard for people to understand how a play works, that there are different characters with different points of view," said Kenneally, who has been at St. Gertrude for 20 years. "The play is extraordinarily Catholic in its desire to show that abortion has effects that are always traumatic."
However, to abortion opponents like Mary Anne Hackett, there is no dilemma to examine.
"They are presenting this as if there are arguments on both sides," said Hackett, president of Catholic Citizens of Illinois. "The church teaches that this is an unspeakable crime and there is no other side."
Hackett, who has not read the script, said her ire is directed not at the playwright but at the parish, which also hosted Rev. Jesse Jackson--a supporter of abortion rights--last spring.
Mark Kollar, a Chicago actor who plays the senator, hopes the production can still find an audience. "I thought it painted a very good portrait of a family faced with a significant dilemma, which is why I wanted to do it."
Copyright © 2004, Chicago Tribune


2016-10-14 / Schools
Santa Su channels ‘Scooby-Doo’
Cartoon series provides inspiration for Filmstock fest
The phrase “If it weren’t for you meddling kids . . . ” will take on new meaning when Santa Susana High School’s Career Technical Education film production class presents the fall edition of Filmstock.
The Oct. 28 student film festival will feature eight original, three- to five-minute shorts. This year’s theme is “The Mysteries of Scooby Doo.”
Entering its 15th session, the program is the brainchild of teacher Luke Golden, a Woodstock, N.Y., native. The Boston University film school alum teaches two periods of film studies: movie production and ROP (Regional Occupational Program) video production. The former, an intro class, teaches film theory and history and includes field trips to film studios.
“It’s creative problem-solving and incredible group work,” Golden said of the program. “Every year, the class votes on a theme.”
Past themes have included Alfred Hitchcock, Universal Monsters and “The Twilight Zone.” What’s different about this fall’s Filmstock is that students are working on a TV series, requiring them to write, shoot and direct eight episodes with zero budget— all equipment, props and costumes have been donated. The class edits the series on Adobe Premiere Pro.
Having his 32 students create a series (instead of individual films) reduces isolation, Golden said.
“There are more opportunities for team building and collaborating,” he said.
Inside 604 Productions
Written and filmed in four weeks, the students’ “Street Street” series, not unlike “Scooby Doo,” features a monster of the week.
First aired on CBS in 1969 as “Scooby-Doo, Where Are You?” Hanna-Barbera’s animated mystery comedy featured a motley crew of unlikely ghostbusters: teenagers Fred, Daphne, Velma and Shaggy, and the titular talking Great Dane, Scooby-Doo.
Like a face full of cotton candy on Scooby-Doo’s tongue wagging puss, Golden’s students are eating up their assignment.
“I am extremely proud of the amount of work we’ve been able to accomplish in such a short time,” said Ashley Arabian, 17, president of 604 Productions, the semester’s production company.
As president, the Santa Su senior is in charge of organizing Filmstock. She also runs the writers’ room. Sarah Best and Daniel McGreevy run the camera department, while Crista McBride and Riot Cindric handle art direction, including working one of the characters: a lamp.
“They had to figure out how to puppeteer the lamp to make it look like it had emotions,” Ashley said.
Ryan Salanga acted as location scout, securing permission for shoots at such local venues as Dr. Conkey’s Candy & Coffee, Harley’s Simi Bowl and Corriganville Park. Scheduling master Dustin Flores coordinated shots and served as assistant director, while editors Jack Slotnick and Matt Goldberg represented post production.
It was Cody Frisk’s theme idea that the students chose unanimously, Ashley said. Cody, 17, found inspiration while bingeing on J.J. Abrams’ “Fringe.”
“I wondered if I could make my own group of people and it ended up being a very goofy batch, which lent itself to the Scooby-Doo aspect,” Cody said of their series. Antagonists include a ghost who has a cold, Jekyll-&-Hyde-spoofing Dr. Pepper and Mr. Pibb, and the Simi-appropriate Cougar Man.
That said, take the Scooby- Doo theme with a grain of salt (or a Scooby Snack) —the campy cartoon serves as tonal, not literal, inspiration, Golden said.
Spring awards ceremony
In May, the film program holds its spring showcase. Spring Filmstock tends to be a looser, more free-form affair, replete with an Academy Awards-like ceremony.
“My husband and I were blown away by the quality of films the advanced film kids created,” said Ashley’s mother, Jennifer Arabian, comparing one documentary style film on a homeless man to a “60 Minutes” segment.
Golden believes his classes teach pupils to keep up with fast evolving Hollywood.
“The industry is changing so much with the internet and streaming. This teaches them to be as adaptable and versatile as possible,” Golden said of his courses.
The program also allows students to play to their strengths.
“Though my favorite part has to be directing, I am awful at writing scripts,” Cody said. “Every once in a while, I get a good idea or two.”
Content-wise, the teacher employs his “sensitive grandmother” golden rule: “Pretend that you have the most sensitive grandmother in Simi Valley attending your film and be in tune to that.”
For Ashley, the hands-on experience has inspired her not only to seek an entertainment career but to identify specifically what to pursue.
“I want to work in TV, not movies,” she said. “My brain is hard-wired for telling stories in long form.”
The coolest part: The high schoolers’ efforts count as college credit toward UC, Cal State and California community colleges.
As Shaggy would put it, “Like wow, man!”
Filmstock begins at 7 p.m., Fri., Oct. 28 at Santa Susana High School Performing Arts Auditorium, 3570 Cochran St., Simi Valley. The public is welcome. Tickets are $12 at the door and $10 online at santasusana.org.


Newen Studios, a subsidiary of the TF1 group, is a major fast growing European player in audiovisual production and distribution, with a multi-genre strategy (drama, film, animation, TV movie, documentary, non-scripted…).
Deeply rooted in 11 countries, the group has more than 50 creative labels and a passionate overall team of 600 people each bringing their unique expertise.
Shows produced by Newen Studios are exported globally alongside a curated slate of third party programming, thanks to its distribution subsidiary Newen Connect whose activities help to shine a light on European content.
Romain Bessi, CEO of Newen Studios
Newen France, headed by Vincent Meslet and Léonor Grandsire, is a French entity that belongs to the Newen Studios Group. It is the leading producer of fiction in France with 800 hours produced by 2022, a unique know-how in daily soap operas (Demain nous appartient, Ici tout commence), and a strong capacity to carry out large-scale projects through its 22 labels. Newen France is also the leading producer of documentaries with more than 80 programs produced per year.
Since 2004, Blue Spirit has been producing and manufacturing series and feature-length animation. All the work, from pre-production to image editing, takes place in studios based in Paris, Angoulême and Montreal. Blue Spirit Productions’ editorial line: mass market projects with high standards of writing and image quality.
Founded in 2002, Anagram is an independent production company known for the quality of its films and series. Since 2013, Mats Alders has served as Anagram's Chairman and CEO.
A Flemish production company founded in April 2001, De Mensen works with public and private channels in Belgium, digital platforms and many international players. De Mensen is equally at home producing gameshows (Blokken, 13th season), travelogues (Reizen Waes) and drama (Beau Séjour, Salamander, Professor T, all broadcast or adapted in several European countries).
Flare Film is an independent German film production company founded by Martin Heisler in 2008, specializing in the production of feature films, documentaries and - via its subsidiary Flare Entertainment - series for the national and international market.
With more than 25 years of experience, iZen is one of the largest independent Spanish production groups. It has developed projects for Amazon, Netflix, TVE, TVG, CanalSur, ÀPunt, CMM and many others. Izen Group has extensive experience in the production of fiction, both original content and adaptation of international shows.
Created and produced shows such as El Cid (Amazon Originals).
Several hours of prime time programming.
Efficient production model to produce ambitious shows as well as daily series for streaming platforms, national and regional channels.
Experience in quality primetime drama and feature film production.
Set up in 1993 by Bo Ehrhardt and Birgitte Hald, Nimbus is one of the leading Danish studios. It has received critical acclaim for a number of movies (Festen, Jury prize at the Cannes Festival) and movies like the Antboy trilogy have been a box office success. It has also scored big with TV series, in particular The Bridge, one of the most sold and adapted Scandi series in the world.
Set up in 2003 under the direction of producers Pieter Kuijpers, Iris Otten and Sander van Meurs, Pupkin is a subsidiary of Tuvalu and one of the main Dutch studios for movies and drama. Its films and series have won awards at various festivals and been sold internationally; they cover a broad spectrum, from crime to family viewing.
Founded in 2021 and based in Denmark, the production company Real Laval is specialized in documentary series and films.
These documentaries, co-produced internationally, aim to show reality by focusing on strong points of view, new angles and innovative execution for an international audience.
Based in Montreal with offices in London, Los Angeles and Vancouver, Reel One develops, finances, produces and distributes TV films and series for a global audience. Set up in 2001 by media entrepreneur Tom Berry, Reel One is one of the most dynamic players in audiovisual production and distribution. Reel One is already a market leader in the TV movie sector and has recently branched out into the production and distribution of TV series.
In February 2020, Newen Studios created the production company Ringside Studios with English producer Gub Neal and DoveTale Media. The English drama market is a key segment on a global level. Ringside Studios will develop high quality English and international dramas, which can be distributed by Newen Studios.
Tuvalu Media Group est le premier producteur indépendant aux Pays-Bas. Reconnu pour sa créativité et la qualité de ses productions, Tuvalu développe et produit du divertissement, des fictions, longs métrages, documentaires avec l'ensemble des diffuseurs néerlandais. Parmi ses principaux programmes figurent notamment The First Years, Raising the nation, Maestro (format BBC) ou encore Petite ville, grande ville .
Newen Connect, the distribution subsidiary of Newen Studios (TF1 group), exports the company's programs worldwide as well as those of third-party producers.
A major player in distribution and co-production in Europe, Newen Connect has a multi-genre content catalog ranging from fiction to feature films, including documentaries, animation and entertainment.
Set up in 1995, TF1 Studio is the distribution and acquisition subsidiary of the TF1 Group, one of France’s leading media groups. This relationship enables TF1 Studio to rely on TF1’s support and develop close partnerships in all areas of TV and cinema, while giving it a privileged position in the international market.
The TF1 group is also present in cinema via its subsidiary TF1 Films Production, which co-produces between 15 and 20 films a year, including resounding box office hits in France like Intouchables, Le Grand Bain, Les Tuche, La Ch’tite Famille and (in 2019) Hors Normes. TF1 Films Production has more than 600 films to its credit.
TF1 Production is a subsidiary of the TF1 group that produces programs for the TF1 group channels. TF1 Production's activities revolve around a very wide range of content: magazines, entertainment, series, documentaries, short formats and sports events.


In the ever-expanding world of online entertainment, choosing the right platform to watch movies can be a daunting task. With 2024 upon us, the landscape of streaming services has evolved, offering a plethora of options catering to diverse tastes and preferences. Let’s dive into the best platforms to watch ดูหนังออนไลน์ movies online this year, each bringing its unique flavor to the digital cinematic experience.
1. Netflix: The Streaming Behemoth
As the pioneer of online streaming, Netflix continues to dominate the market in 2024. Boasting an extensive library of movies across genres, Netflix has something for everyone. From critically acclaimed originals to classic favorites, the platform’s user-friendly interface and recommendation algorithms make it a go-to choice for many movie enthusiasts.
2. Amazon Prime Video: A One-Stop Shop
Amazon Prime Video stands out as a comprehensive platform that goes beyond just streaming movies. With a vast selection of films available to Prime members, the platform also offers exclusive content, making it a one-stop-shop for all your entertainment needs. The convenience of bundling with other Amazon Prime benefits adds extra value to this streaming service.
3. Hulu: The Home of Current TV Shows and Movies
For those who crave up-to-date content, Hulu remains a top choice. Boasting a combination of current TV shows and an extensive movie library, Hulu provides a well-rounded streaming experience. The platform’s unique feature of offering recently aired episodes shortly after broadcast is a major draw for users who want to stay current with their favorite shows.
4. Disney+: A Magical Haven for Family-Friendly Content
Disney+ continues to enchant audiences in 2024, especially for families and fans of Disney, Pixar, Marvel, and Star Wars. With an ever-expanding library that includes both classic and new releases, Disney+ remains a go-to platform for heartwarming and adventurous cinematic experiences. The platform’s user-friendly interface makes it easy for users of all ages to navigate.
5. HBO Max: Where Quality Meets Variety
HBO Max caters to those seeking high-quality content and a diverse range of movies. With a library that includes HBO originals, Warner Bros. films, and a curated selection of classics, HBO Max distinguishes itself with a focus on delivering premium entertainment. The platform is a must-have for those who appreciate a mix of blockbuster hits and critically acclaimed films.
6. Apple TV+: A Hub for Original Content
Apple TV+ stands out for its commitment to original content, featuring exclusive movies and TV shows produced by Apple. With a growing library of high-quality productions, Apple TV+ appeals to users looking for fresh and innovative storytelling. The platform’s sleek design and integration with other Apple devices enhance the overall viewing experience.
7. Mubi: Curated Cinematic Excellence
For cinephiles seeking a curated and unique movie-watching experience, Mubi remains a standout platform. Offering a handpicked selection of films that changes daily, Mubi focuses on quality over quantity. It’s the perfect choice for those who appreciate a more artistic and curated approach to cinema.
8. Tubi: Free and Varied Selection
For budget-conscious viewers, Tubi stands out as a free streaming service with a surprisingly diverse selection of movies. While ad-supported, Tubi provides an excellent opportunity to discover hidden gems and enjoy a range of films without the need for a subscription.
Conclusion: Tailoring Your Movie-Watching Experience in 2024
In 2024, the options for watching movies online are abundant and cater to a wide range of preferences. Whether you prioritize the vast libraries of streaming giants like Netflix and Amazon Prime Video or prefer the curated selections of platforms like Mubi, there’s a perfect fit for every movie enthusiast. As the digital landscape continues to evolve, exploring these platforms will ensure you stay connected to the best cinematic experiences in the years to come.


Films with big budgets focus heavily on the accessories, props, and costumes of the characters. They do this to make the fictional world more believable and natural to the eye. Sometimes, films make minor mistakes in terms of the actor’s wardrobe but some mistakes are more serious than others. While some aren’t so noticeable, others are very big, glaring mistakes, which is why it’s hard to see how they went unnoticed!
La La Land – Wrong Colored Shirt
In the scene where Sebastian and Mia get into a road rage incident, he is wearing a brown-colored shirt. However, when he gets to his apartment and speaks with his sister, he can be seen sporting a blue-colored shirt. Then, in the following scene, he practices on the piano while wearing the brown-colored shirt he wore from the other scene. Damien Chazelle, the director of the film, acknowledged this error in the audio commentary.
Dirty Dancing – No Shorts Yet
While the production team of Dirty Dancing was having “the time of their lives,” none of them noticed that Baby was sporting denim shorts in 1963 even though the piece of clothing became fashionable around 20 years later. Fashion wise, it doesn’t make sense.
Thor: Ragnarok – No More Green Powder
When Thor and Bruce Banner try to escape and assimilate into the audience, a bright green material that looks like powder hits Banner in the face. However, in the next scene, there is no trace of the green stuff on his face or clothes, and Banner looks completely clean.
Zootopia – A Different Shirt
When Judy gets back home from work, she places the “Carrots For One” package inside the microwave and stands there to watch it turn while wearing a pink round neck t-shirt. When she is about to eat, we can see that she is in her uniform again. Apparently, this wardrobe fail happened because a previous version of the scene had been deleted. In that version, Judy changes from her uniform to a set of more comfortable clothes once she gets home.
Catch Me If You Can – No Braces Yet
In 2002, the film Catch Me If You Can was released with Amy Adams as one of its stars. In this biographical film, which is set in the 1960’s, Adams’ character has wired-metal braces even though they were not popular until the 1970’s. Another silly mistake that fact-checking could have helped avoid.
The Curious Case of Benjamin Button – A Need For More Old-Fashioned Sunglasses
The 2008 iconic film The Curious Case of Benjamin Button stars Brad Pitt as someone who gets younger, as opposed to getting older. In 2008, people talked about the movie and its interesting plot line. In one scene, Pit can be spotted sporting Ray-Ban sunglasses. The setting of the scene is in 1945 while the specific model of sunglasses he wore were created later, in 1952.
Wonder Woman – Spotless Boots
Even in one of 2017’s highest-grossing films, there is still some minor wardrobe mistake. In one of the iconic scenes in the movie, Diana aka Wonder Woman, who was played by Gal Gadot, runs through a field of horror and gunshots. The field was also very muddy, so her boots should have been covered in mud. In the following scene, however, her boots are spotless.
John Carter – Might Have Been Too Cropped
Lynn Collins, who played the Martian warrior Princess Dejah Thoris, admitted that her costume had been altered at her request. The original design wasn’t supposed to be as revealing, but when Collins tried her costume on, she thought its cut should be higher. Even though the altered costume became quite different from what the director wanted, the books which the movie is based on describe the outfits even skimpier.
Braveheart – The Premature Scottish Kilt
Who could forget this epic Oscar-winning war film? Mel Gibson stars in the 1995 movie Braveheart, one of the highly successful films back in the 90’s. The actor gave an excellent performance playing the role of a Scottish warrior named William Wallace. Even though the film is set in the 1200s, Gibson can be seen wearing a Scottish kilt, which were actually not worn by Scots until centuries later, in the 1500s.
Gladiator – The Appearance Of Spandex Shorts
Did you know that if you look really closely at Russell Crowe in the 2000 movie Gladiator, you will be able to see his skin colored, high-waisted spandex shorts under his Gladiator armor. We’re pretty sure spandex shorts were not yet available in Ancient Rome, where this film is set.
The Tudors – Risqué Ruffs
Fashion can be a big part of the success of a movie. In The Tudors, women characters wore ruffs without an undershirt. However, this look is not very accurate for Western European women during the 16th century and this was, in fact, considered almost scandalous.
Saving Private Ryan – Wrong Boots For The Time
Directed by Steven Spielberg, Saving Private Ryan is set during World War II. At the time, brown boots were worn by soldiers, but in the film, the soldiers sported black jump boots, which were made in the ‘50s. Needless to say, wearing those boots should have been impossible in the movie.
Pretty Woman – The Magic Nightgown
It’s safe to say that practically everyone has seen Pretty Woman. It seems that while shooting the film’s most romantic scene, the crew got so distracted that they failed to notice one detail. The scene starts out with Vivian wearing a long white nightgown, but at the end of that same scene, she’s already wearing a short one.
Captain America: The First Avenger – Unsuitable Hairstyle
In the first Captain America film, Peggy Carter’s hair touches her shoulder. Beautifully done, her hairstyle is definitely suitable to the era, but it would not have been approved since she serves in the military. In the 1940’s, it was a requirement for female soldiers to style their hair up, as they had to make sure their uniform collar was free of hair.
Back to the Future – Wrong Guitar
Michael J Fox played the main character Marty McFly, who plays the song “Johnny B. Goode” on an ES-345 Gibson guitar from 1958. The scene, however, is set in 1955, meaning the guitar was not invented yet. It’s actually quite a silly mistake.
Captain America: The First Avenger – The Headset Was Premature
In the blockbuster movie Captain America: The First Avenger, you can see Jim Morita wearing a really advanced headset. The movie is set during the Second World War and we’re quite sure they didn’t have these headsets back then. What’s more, this specific kind of advanced headset was invented in year 2000, which makes its use in the Captain America film several decades too early.
Django Unchained – No Sunglasses Yet
Directed by Quentin Tarantino, Django Unchained is a historic film that depicts the African Americans’ slavery during the 1800’s. The film stars Jamie Foxx and Kerry Washington, and it earned almost $300 million in the box office. Jamie Foxx’s character Django can be seen sporting sunglasses for most of the film. The issue, however, is that sunglasses were only invented in 1929.
The King’s Speech – Wrong Kilt
Colin Firth gained recognition all over the world after his amazing performance in the 2010 movie The King’s Speech. Firth played the role of England’s Prince Albert, who had a speech impediment. Since he became king, he needed to speak a lot but he struggled with the impediment. In one scene, the King can be seen wearing a kilt with an Irish design, though it should have been Scottish Balmoral.
Pride & Prejudice – No Rubber Boots Yet
This romantic drama based on a book stars Keira Knightley, who gave an excellent performance. This movie is based on the Jane Austen classic novel “Pride & Prejudice” published in 1813. The film shows Knightley’s character, Lizzie, wearing Wellies, or also known as rubber Wellington boots. This should have been impossible since rubber boots were invented 40 years after the time of the story.
Legends of the Fall – Styling Belonged At Another Time
Legends of the Fall stars Brad Pitt, who looks gorgeous as always, needless to say. However, his hunky portrayal of Tristan Ludlow didn’t quite line up with the time of the movie, which is set in 1910. Pitt’s character can be seen sporting a ‘60s hairstyle and some stubble. It didn’t matter how good looking you were, back then, a five 0’clock shadow was not accepted.
Troy – No Umbrellas Yet
In the 2004 movie Troy, Orlando Bloom can be seen enjoying the shade of a pink parasol, but this is more than comical. Historically, it doesn’t make any sense. This particular kind of umbrella was only invented in 5th century BCE by the Greeks, which means it occurred 800 years after Troy got conquered. It is still funny, though.
Raiders of the Lost Ark – An Extra Wearing Jeans
A young Harrison Ford may be hard to see past in the movie Raiders of the Lost Ark, but if you try really hard, you will spot an extra wearing a t-shirt and jeans in the background. We love a look that is modern and casual, but the extra’s ensemble does not really reflect 1930’s fashion.
Indiana Jones and the Last Crusade – No Medal Wearing Nazis
In the 1989 movie Indiana Jones and the Last Crusade, you can see Nazis wearing shiny and fancy medals. However, in reality, these medals were actually worn only at the end of the Second World War. This movie is set in 1938, so the full-blown war had not even started quite yet.
Glory – No Digital Watches Yet
The 1989 movie Glory stars Denzel Washington, Matthew Broderick, Cary Elwes and Morgan Freeman. Somehow, things got digital in this film that is set during the period of the American Civil War. Interestingly, in one scene, you can spot a soldier sporting a digital watch. In case you didn’t know, wristwatches were only created around the year 1923. Digital watches, on the other hand, only came into fashion in the ‘70s.
Public Enemies – Too Modern Robe
Johnny Depp’s character, John Dillinger, can be seen in the 2009 movie Public Enemies, sporting a sleek, modern robe which many of the judges at that time would not have been able to get their hands on. Since this movie is set during the Great Depression, a robe that is this nice is very unrealistic. Anyone would have found it extremely difficult to design and make such a nice, advanced robe which isn’t as heavy as those they were using at that time.
Almost Famous – The Black Sabbath T-Shirt
Almost Famous has turned into a fan-favorite comedy film. However, this iconic movie starring Kate Hudson, Billy Crudup and Patrick Fugit isn’t actually perfect and has a little hiccup. There is a small but quite hilarious wardrobe mix up in the movie. In one scene, you can spot a person sporting a Black Sabbath t-shirt, which was manufactured in 1997. The film, however, is set in the early ‘70s, so it makes no sense.
Pearl Harbor – Bare Legs Were Unacceptable
In terms of historical films, oftentimes it is really hard to get everything right. No one involved in the film was alive during the time it is set in, so how could every little detail be done correctly? This film, Pearl Harbor, is about the Japanese’ unbelievable attack on Pearl Harbor in 1941. In the movie, women are shown wearing skirts without any stockings, but this was highly unacceptable at that time. A woman just would not go out in public bare legged.
The Untouchables – No Lapels Yet
This 1987 film stars so many legendary actors, including Sean Connery, Kevin Costner, and Robert De Niro, that it’s hard to explain how this wardrobe error went past production. In the movie The Untouchables, Costner plays Elliot Ness, who wears a suit with lapels. However, lapels were actually invented much later, so they don’t reflect the period of time the movie supposedly takes place.
The Other Boleyn Girl – Hair Should Have Been Up
In the 2008 movie The Other Boleyn Girl, Natalie Portman’s character wears a French Hood while her hair is down. The film is set in the 16th century, and at that time, these were worn with the hair pulled and an attached veil in the back that hides the hair. Actually, this is only one of the many inaccuracies in the film, which possibly caused the mixed reviews that the film received.
Pirates of the Caribbean: The Curse of the Black Pearl – No Red Coats Yet
In the 2003 movie Pirates of the Caribbean: the Curse of the Black Pearl, soldiers wear red coats. They were supposedly from the British Empire. However, these British uniforms were only issued in 1747. This film is set around the 1720s, so despite being only a couple of years off, these uniforms were still not accurate historically.
Julius Caesar – Too Early For The Bullet Bra
Back in the ‘50s, bullet bras were iconic lingerie pieces and wearing them was regarded as a norm. However, it would have been impossible for the female characters of Julius Caesar to own one since the film is set in 44 BC, almost 2000 years before the invention of the bras. Wrong time, guys!
Good Night and Good Luck – No Name Tags Yet
Directed by George Clooney, this 2005 historical drama is about the conflict between a U.S. Senator and a veteran television reporter. Set in the ‘50s, the film features officers who wear name tags. However, it wasn’t until 1967 when army personnel started wearing this kind of name tags.
American Hustle – Too Early For The Rolex
Louis C.K. is one of the memorable actors in the 2013 film American Hustle. The movie received numerous nominations for the Academy Awards, including Best Director, Best Picture and Best Actor. However, Stoddard Thorsen, the character C.K. played, can be spotted wearing a Rolex that was produced in 2010 even though the film takes place in the ‘70s.
Amadeus – No Zippers Yet
This period film from 1984 is the biography of Wolfgang Amadeus Mozart. The musical genius was alive and active in the 1700s. However, if you look closely, you can see the dancers wearing clothes with zippers. Actually, people only started using zippers about one hundred years after Mozart had already passed away.
The Color Purple – No Clip-On Ties Yet
Starring Danny Glover, the movie The Color Purple tells the stories of African American women that lived in the south in the early 20th century. In the film, Glover can be seen sporting a clip-on tie, which were invented in 1928. The movie, however, is set in the year 1916.
Gangs of New York – Too Early For The Uniforms
The 2002 movie starring Daniel Day-Lewis, Leonardo DiCaprio and Cameron Diaz is set in the 1800s. It is about the different New York gangs at the time. There is one scene in the film where you can see one firefighter wearing a modern uniform, something that was out of place for the time period.
My Girl – No Mood Rings Yet
In the 1991 movie My Girl starring Anna Chlumsky, the main character Vada, who was played by the actress, can be spotted wearing a mood ring. Even though that kinds of rings became trendy in 1975, the movie is actually set in 1972. It’s possible they were not in the mood to do a fact check.
Sense and Sensibility – Too Modern For A Diaper
In case you didn’t know, babies used to wear cloth for doing their business. It actually took some time before parents and babies could have the luxury of the diapers that we have today. In Sense and Sensibility, the material used for the diaper of a baby is clearly much too modern for that time.
Singin’ In the Rain – Wrong Dress For The Time
The 1952 film Singin’ in the Rain also experienced a bit of a wardrobe mishap. You can see Reynolds’ character Kathy Selden wearing a pink dress that was actually very ‘50s because of the tulle included in the skirt. The film, however, is set in the late ‘20s.
The Wedding Singer – Wrong Haircut For The Time
We admit…we love seeing Drew Barrymore and Adam Sandler together in their wonderful films! These two share such a unique chemistry that can be seen in their movies together. Their film The Wedding Singer takes place in the ‘80s, but could easily be mistaken for movie set in the ‘90s due to this hairdo. The haircut just SCREAMS nineties, though we have to say, it suits her well.
Schindler’s List – No Shaving
The female characters in Schindler’s List are seen with shaved armpits and legs. However, in the ‘30s and ‘40s, European women didn’t typically shave. In addition, those who suffered in the concentration camps most likely didn’t even consider shaving.
Picnic at Hanging Rock – Wrong Hairstyle For The Time
Set in the 1900s, Picnic at Hanging Rock features girls with hairstyles which might make you think they grew up during the ‘70s. In the early 1900s, women wore their hair up. In the film, however, the girls wear their hair down, parted in the middle and straight.
The Informant – Too Early For Nike
Nike has actually taken quite a while to get into the golf business. As a matter of fact, they just began producing golf shoes in 1996. The Informant, however, takes place between 1992 and 1994. In one scene, the FBI officers are seen wearing those Nike shoes while playing golf in Hawaii.
The Last Samurai – Too Late For The Armor
Tom Cruise stars in the film The Last Samurai, which shows the actor wearing a samurai armor. However, the suit that he wore in the movie was used 250 years before the time when the film supposedly takes place. People should really start fact checking.
Seabiscuit – No Strapped Helmets Yet
The sweet Toby Maguire starred in Seabiscuit as a Jockey. The film is about the famous racehorse champion. In the photo, you can see chin helmet but this kind wasn’t around until 1956. Despite this mistake, the film did really well and received great reviews and multiple Academy Award nominations.
The Notebook – Different Colored Hair
Even The Notebook had wardrobe issues. In the movie, Allie dates a guy named Lon and even gets engaged to him. In one scene, after recovering from his war wounds, Lon waits for Allie. As he does this, his hair keeps turning from brown to black and then back to brown. Makes us wonder how they did not realize this.
Where Eagles Dare – Wrong Hairstyle For The Time
This 1968 British movie is set during the Second World War. It features Clint Eastwood, Ingrid Pitt and Richard Burton. It’s possible that the producers forgot that the 1960s hairstyle Pitt had while playing the German waitress Heidi was not right for the setting of the film.
The Great Escape – Too Modern Wardrobe
Steve McQueen wore very trendy and modern Prisoner of War clothes in this 1963 film. The movie is about British prisoners of war that escaped from Germany in World War II. This fact actually makes his outfit pretty questionable.
Quadrophenia – Wrong T- Shirt
Quadrophenia tells the story of two British subcultures – the mods and the rockers – and their ongoing rivalry. Although the film is set in the ‘60s, it was filmed in 1979. Therefore, it makes no sense that one rocker wears a Motorhead T-shirt when the band was not formed until 1975.
Unforgiven – No Belt Loops Yet
Directed by Clint Eastwood, this 1992 film features Clint himself, Gene Hackman, and Morgan Freeman. In one scene, Gene Hackman’s character can be seen wearing belt loops but this shouldn’t have been possible since they were only found in sportswear until after the 1920s.
Ben Hur – Too Early For The Star of David
Charlton Heston stars in the film adaptation of the 1880 novel Ben Hur: A Tale of the Christ. The actor must not have known that the Star of David which was part of his costume was misplaced. Actually, it wasn’t really authentic since the first records that were found linked the Star of David to Judaism during the 1100s. It would have been more possible for the real Ben Hur to wear a Menorah, which is more accurate for the time period.
Pompeii – No Purple Capes
This disaster film was released in 2014 and is a collaboration between three countries: the U.S., Germany, and Canada. Perhaps this is the reason why some facts in the movie are not accurate. The film shows some generals wearing purple capes. However, at the time, the Emperor Nero punished anyone that wore purple with death.
There will be Blood – No Waffle Soles Yet
The amazing Daniel Day-Lewis portrayed the miner-turn-oil magnate in the late 1800s. The actor wore boots with waffle soles even though they were only invented in the 1970s by Nike.
The Mummy – The Disappearing Band
There is an error in the 1999 movie The Mummy. When Rick and Evelyn traverse a tunnel located in the City of the Dead, Rick can be seen sporting a leather wrist band that disappears and reappears between several shots. We wonder what happened during editing.
The Ten Commandments – Wrong Color Dress For The Time
In this film from 1956, Nefertiti is seen sporting a blue silk dress, which was dyed to appear teal. Historically, this isn’t possible because during that time, you could only dye sheer silk by using natural tints.
Pretty Woman – A Tie Gets Tied And Untied
In the iconic movie Pretty Woman, which stars Richard Gere and Julia Roberts, there was a minor but confusing error. Throughout the film, Edward, played by Richard Gere, is always seen wearing a tie. The error happened in the unforgettable scene where Vivian, who is played by Julia Roberts, is watching I Love Lucy and then gets up to undo Edward’s tie. In the next scene, Edward can be seen with his tie done and then undone again.


Oscar(R) gowns and clutches
OMG, if you guys could see my site stats during the Academy Awards show! It looks like ALL of you are watching it ‘cuz you can hear a cricket chirp on this blog. 🙂
I was inspired by the colors, textures, cuts and styles of the many beautiful women. So of course, some clutches came to mind while I was watching the show. Yes, they telecast it here live as well. It’s the only awards show that I can watch on TV live in Viet Nam. All other shows like the Golden Globes(R) and Grammys(R) are not televised here so I watch it on my Mac via a live stream that I dig on the net to find. I watch zero sports and ALL awards shows (Country Music, Emmy, People’s Choice… all of it). Eye candy.
As a huge movie fan, the Oscars is the biggest night for me. I love seeing the film clips, hearing the speeches, watching the “In Memoriam” piece (hey, wasn’t Esperanza Spalding great?)… hey pretty much all of it.
So here are a few of my favorite gowns for various reasons along with some clutches that popped into mind. They are not meant to go with these gowns rather I’ve paired them with clutches whose characteristics are evoked by the gowns featured. Check out the gowns and I hope they will inspire you to create some great clutches for the spring and bridal seasons!
Click on the images for a bigger view. Please note that all photos are courtesy of Getty Images.
Rooney Mara. First movie in ages that I had to fast forward through a scene because I couldn’t stomach it.
Michelle Williams slays me in every film she’s in. Time for a comedy, Michelle!
Octavia Spencer looks amazing! Have you seen “The Help”? It’ll stay with you long past the viewing.
Jane Seymour looks amazing at any age!
I love this woman more than the dress, but the bejeweling brings some sparkle to an odd-colored gown. Miss her as Sookie!
Viola Davis. Granted I haven’t seen Meryl Streep in The Iron Lady but Viola was incredible in The Help. She is equally stunning in this green color, especially with her au naturel red hair! 🙂
Gwyneth Paltrow. My favorite look for this body type. Both the cape and floral embellishment enhance the simplicity in the dress and clutch without overpowering either.
The fun is over. Until the next Oscars! 🙂
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Confirmation Witness Service
Tomorrow evening, May 2, at 7 p.m., our eighth-grade confirmands will share their faith statements with our church community in the annual witness service. Their statements are drawn from scripture and tradition, worship and their own experience, along with the activities, books, and people who have inspired and encouraged them in their faith. Come and support these young people, and be lifted up by their thoughtful testimony. And continue to pray for them as they renew their baptismal vows in the rite of confirmation at the 11 a.m. worship service this Sunday, May 4.
Reel Talk film on May 9: “Places in the Heart”
The Reel Talk film on Friday evening, May 9 is “Places in the Heart.” Sally Field won an Oscar for her lead performance in this 1984 film which also starred Danny Glover and John Malkovich. The film will be shown in the Seminar Room. Doors open at 6:00 p.m.; the film starts at 6:30.
Happy Hour on Friday
Drop in and decompress with Grace friends at a Happy Hour on Friday, May 9, from 6:30 to 8 p.m. at the home of RoseMary and Darrell Anderson, 115 South East Avenue, Oak Park. Your RSVP is appreciated but not required (firstname.lastname@example.org).
Parking on Division Street will be available during the Tower renovation project
Parking will continue to be available on Division Street on Sunday mornings, as well as during the week, while the church tower is undergoing renovation.


The Truman Show - Religion
1925 WordsFeb 10th, 20088 Pages
The movie, The Truman Show, can be related to religion in many ways. Jim Carrey stars as Truman Burbank, a 30-year-old man, whose whole life has been the plot of an acclaimed TV show. The movie shows how reality can be altered and created when confined into a small space. The movie is set in the town of Sea Haven, which is built inside a studio in Hollywood, California. Truman was born and adopted by a corporation, and that's when the show started. Throughout the movie, there are three religious points brought up, the issue of free will, God as all knowing, and the ideas of Calvin. The director has made it clear that religion plays an important role in everybody's life, and it is hard to escape from God.
Truman Burbank was born and raised…show more content…
Truman gets off his boat and walks up the stairs toward a door to the real world. He speaks to Christof for the first time, and he is given the choice to stay in his protected world or to go out into the unknown. Truman chooses to leave.
John Calvin, writer of 'Institutes of the Christian Religion', believes that knowing and understanding God and one's self are interrelated. Calvin claims that one can not fully understand God unless they truly know and understand themselves, and vice versa. Truman did not know himself as much as he believed he did. He was controlled by a TV show and did not even know it. Things occurred in Truman's life for entertainment purposes only, not because of natural occurrence. Truman believed that he lived a life that was truly his own, only to find out later on that it was the life that his 'creator' wanted it to be.
When Truman finally realized the life he was living was not his, he chose to try to escape from it. At this point he began to understand himself and what he truly stood for, his freedom. When he was about to leave Seahaven, he spoke with Christof or you could say he 'found' his creator. When Christof first gets to talk to Truman, when he is at the exit of the studio, he says " I am the creator...of a television show that gives hope and joy and inspiration to everybody." The pause after "I am the creator" gives this conversation the feeling of Truman talking to God, like
Transcript of Film Techniques in The Truman Show
Film Techniques The Truman Opening Sequence The opening sequence consists of The Truman Show being introduced by people, telling us about how they are impacted or how they feel about The Truman Show. They say for many it is like a way of life which raises our expectations of the show Character The main character in the movie is Truman Burbank. He is just a normal person and he doesn’t know he is being filmed during his whole life. The other characters include Cristof who is the creator, and Syliva who is trying to tell Truman that he is being filmed constantly. Setting The setting is significant to the movie as it is an island, which means it is surrounded by water; so since Truman is scared of water, he will not leave the island. But the ‘island’ is actually in a massive dome in which the creator, Cristof can control everything. Eg, weather, time of day. Storyline The storyline is purely based upon what is happening in Truman Burbanks life, but when an actor on the show tries to tell him that everything is fake and that he is being filmed, he starts getting curious which leads him to trying to leave the island to go to Fiji. Personally if someone hadn’t told me what was happening I would have not have known what was going on until about half way through the film. Structure of Time The structure in time of the movie includes Truman having many flashbacks, which gives us indications on why he feels a certain way about things. For example it shows that Truman is scared of water, then he has a flash back where his dad when he drowns off a boat infront of him. Cause and Effect There are many parts in the movie, where the creator causes things to happen within the dome which affects the way Truman thinks about things. The main one would be when Truman is young and he and his dad are fishing, and Cristof directs the actor playing Trumans dad to pretend to drown, which then causes Truman to have a fear of water. Point of View The point of view is mainly from Truman, but is also sometimes in the view of the creators/ producers and people watching the show, and how they feel about the show and what is happening within it. Closing Sequence In the closing sequence of the movie, Truman tricks the creators/producers and escapes the island on a boat. He has realised he is being filmed and the possibility of him leaving the island has come true. The creator tries everything he can do to make Truman head back home. He is even trying to kill Truman instead of him finding the door out of the dome. The lighting of the movie is controlled of the
creator of the film. He can control the time
of the day and the sun light through the dome. Lighting The camera angles of this film is very interesting as it is showing us what is happening to Truman with him unaware he is being filmed, so we can see what Truman is seeing. Camera/Film Visual Composition The visual composition of this show is all artificial, as the people in the show are all actors and Truman is being filmed but he doesn’t know it. The characters are all on a loop and Truman starts to notice this throughout the movie. The space within the frame entirely depends on what Truman is looking at. Acting The acting in the film is very good, as Truman believes that everyone is just doing there everyday things, but in reality they are all actors on a loop. Without Sylvia telling him that everything is fake I don’t believe that he would have ever realised. Sound The sound is very relevant to what is happening in the film and the music sets the mood for whatever may happen next.


Slidell Youth & Community Orchestra 2012-2013 Spring Concert Features The James Bond Theme, Goldfinger, You Only Live Twice, Live and Let Die, For Your Eyes Only, and Diamonds Are Forever. Recapture the excitement of the best-loved James Bond movie themes in this maxi-medley. James Bond Medley James Bond Medley, Featuring: The James Bond Theme / For Your Eyes Only / Goldfinger / Live and Let Die / Nobody Does It Better (Conductor Score & Parts) (Full Orchestra), Movie, #YL00-25056Full Orchestra : Conductor Score & Parts : Mov Aug 18 2020 • 8:33 AM. James Bond Theme (Techno Remix) 1977 version of James Bond Theme (from "The Spy Who Loved Me") James Bond Medley (sequenced by Phil Smith) From Russia With Love. The medley features five classic hits, the "James Bond Theme," "For This work is an unofficial Epic … Inspired by Hanz Zimmer and Billie Eilish "No Time to Die".. Arr. Ned Ginsburg. by Michael Walsh. Created with Sketch. James Bond Theme; Skyfall; Nobody Does It Better; Goldfinger and Live and Let Die are presented in this powerful medley of movie themes that will appeal to all audiences. In his James Bond Medley arrangement, Victor Lopez shows that the 007 agent is alive and well. Dame Shirley Bassey sings this fantastic medley of Bond theme tunes Goldfinger, Moonraker and Diamonds are Forever. Featuring: The James Bond Theme / For Your Eyes Only / Goldfinger / Live and Let Die / Nobody Does It Better. Concert Band Conductor Score & Parts. James Bond Theme. Full Orchestra Conductor Score & Parts. Featuring: The James Bond Theme / Goldfinger / You Only Live Twice / Live and Let Die / For Your Eyes Only / Diamonds Are Forever. By Marty Gold. Recapture the excitement of the best-loved James Bond movie themes in this maxi-medley. Although this arrangement is written for intermediate full orchestra, it has been scored in such a way that it will also sound as effective with strings only. SATB Choral Octavo. The medley features five classic hits, the James Bond Theme, For Your Eyes Only, Goldfinger, Live and Let Die, and No Body Does It Better. I teamed up with Composer and Arranger Michael Romanyshyn to produce this EPIC MEDLEY.. By Monty Norman / arr. Goldfinger (sequenced by Caramba) Thunderball. The master of mystery and intrigue continues to fascinate all of us, generation after generation, with charismatic motion picture after motion picture, each with uniquely memorable scores. Each song in the medley was a #1 hit in addition to being featured in some of the most Each song in the medley was a #1 hit in addition to being featured in some of the most popular movies of our time. Marty Gold salutes 007, in all his glory, with The James Bond Theme, Goldfinger, and From Russia With Love. Created with Sketch. Created with Sketch. On Her Majesty's Secret Service (Main Title, John Barry Orchestra) We Have All The Time In The World Victor López. This not-so-secret secret agent has been the inspiration for music that has become part of our musical culture for five decades. Orchestra Plays Medley of 25 James Bond Themes. In his James Bond Medley arrangement, Victor López shows that the 007 agent is alive and well. Created with Sketch. In his James Bond Medley arrangement, Victor Lopez shows that the 007 agent is alive and well.
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This year is the 10th anniversary of AMC’s annual event, the AMC Best Picture Showcase. On two successive Saturdays, the theater chain runs all of the nominees for the Best Picture Oscar (at selected locations). With eight nominees this year, they’re running four movies on February 20th and the remaining four on the next Saturday, February 27th. The Oscars, of course, are on Sunday, February 28th.
So, what did I think of the movies that played on Day 2?
Brooklyn: Saoirse Ronan plays Eilis Lacey, an Irish girl who immigrates to America in the 1950’s and ends up in Brooklyn. Finding romance in America, she soon has to decide which world she really belongs to: her new life in Brooklyn or back in Ireland. A beautifully filmed character study of both a woman and an era.
Spotlight: A driving film about the journalist team that broke the Catholic molestation scandal as not just a couple of bad priests here and there, but rather as a systemic problem within the Church. A powerful film with a strong ensemble cast.
The Martian: When an accident occurs on the first manned Mars mission, the crew is forced to abandon their base and leave the planet. What they don’t know is that astronaut Mark Watney, presumed dead in the accident, is actually still alive and stranded on Mars. What ensues is a harrowing tale of survival on a hostile planet. An excellent, riveting movie with a good dose of humor. The screenwriters did an excellent job taking a scientifically dense novel and turning it into a terrific movie.
The Revenant:Leonardo Dicaprio plays Hugh Glass, a fur trapper in 1823. When he is mauled by a bear and left for dead by other members of his hunting party, he expends every effort to survive and gain revenge on those who wronged him. A little long, but very moving. Features some of the best outdoor cinematography ever seen in a film.
I liked all of these films. Each one is highly worthwhile in diverse ways. My pick for the day was The Martian, an uplifting film backed by real science.


Did you already decide your halloween costume and makeup? This holiday isn't much celebrated here but it has always intrigued me: the scary decorations, the delicious treats, the mysterious atmosphere and the frightening costumes.
I picked a character which I enjoyed a lot from the recent movie, Suicide Squad, and which seems to be very popular this year. Of course, I'm talking about the insane Harley Quinn, played by the stunning Margot Robbie :)
How will you celebrate Halloween? What costume should you wear?
Have a great weekend!


Lady Lempressa Berauld
The daughter of Duke Berauld, and dispossessed mother
Recently, Lady Lempressa hired the Thieves’ Guild to detain her ex-husband from a “business meeting”. However, the meeting was in actuality a court date to determine custody of their child. Due to this, the activity was not legally sanctioned (i.e., it was not sactionable). Xend knew this but pretended not to and completed the mission, but then made a deal with her ex-husband to give him their son in exchange for his house and his leaving town with his son.
The party was tasked with retrieving the boy, but Lempressa has already set sail out of town. They teamed up with a pirate to catch up to Lempressa’s ship, and they brought her and the boy both back to town. They also had her sign a confession stating she knowingly hired the Thieves’ Guild to perform an illegal job and devieved the Guild as to the nature of that job (i.e., so that they thought it was legally sanctioned).


For the second year, the Palm Coast Hilton Garden Inn will be transformed into a Cinema hosting a menagerie of films, produced in lands far away as well as right here in our county. A film festival originated by independent filmmakers for independent filmmakers, which means you never know what sort of eye candy you may stumble upon.
On Friday at 6:00 pm there will be a free screening of “Wave of the Winter” by Mike Cianciulli featuring Pipeline and Kelly Slater. Mike aka Chinch, grew up in Flagler Beach and is now an editor with Surfline, traveling the globe following the best competitive surfering. He was also one of my first interviews here on Flagler Surf- here.) Any donations made during this time will be contributed to the Tommy Tant Scholarship Fund.
On Saturday, January 10th at 12:00 noon you will have the opportunity to meet Laura Tyler, the makeup artist for “Hunger Games: Mockingjay Part 1” in theaters now. Laura has also won season 5 of Syfy network’s “Face-Off.” and will be demonstrating her skills as she transforms an actor into a flesh eating Zombie right in front of you! She will also be taking time to answer questions and sign autographs, you shouldn’t miss it


A child of a drama theatre family, Nina Kotyantz is a writer/ director who grew up with immense fascination for the depths of the human psyche. Curious to understand what makes us who we are, she went on to explore the human condition through various artistic and academic forms, exploring memory, identity, dreams and the unconscious mind. She holds a master's degree from Harvard University specializing in existential anthropology, psychoanalytic theory and storytelling, and an MFA in film production from Loyola Marymount University. She has published fiction and non-fiction in various magazines, and her short films have screened at festivals domestically. Her upcoming short film, PHANTOM VALLEY, was shot on Super 16mm. Nina is currently developing a follow-up feature script.


Composer for the silent screen
Bringing silent films to life with live performance
Ever heard of Harpo Marx? The poor sod lasted just two weeks as a silent film pianist- and it’s no wonder. Harpo only knew two songs which he could rotate, speeding up or slowing down his fingers in hopes of fitting the music to the action on the screen. Luckily, Steven Gellatly has a few more songs up his sleeve to fit the action on the screen. Steven has written and performed live scores for films such as 'The Son of the Sheik', 'All night', 'The Lodger', 'Foolish Wives' and various shorts.
'Sir Arne's Treasure' (Stiller, 1919). University of Dundee, 25/09/2019 6pm Baxter Suite, Towver building University of Dundee
'The Constant Nymph' (Brunel, 1928; starring Ivor Novello). University of Dundee. Date and location TBC
'All Night' (Powell, 1922; Starring Rudolph Valentino). Moonzie Kirk. Date to be confirmed
'Nosferatu' (Murnau, 1922). Giffordtown Town Hall. Date to be confirmed
In the News


Documentary and Creative Producer experienced in creative development, international production and post- production flash and digital effects projects for documentary film, TV commercials, and music videos.
Produced documentary films in Europe shown on major online cinemas: Snagfilms and Amazon Prime. More than 40 top rated TV/mobile commercials and music videos for famous brands: SNAPCHAT, VERIZON, STARBUCKS, TBS STUDIOS, PUBLICIS UNITED, BBDO, LEO BURNETT, GREY GROUP, SAATCHI&SAATCH, UNILEVER, Y&R ETC.
“MV Entertainment” – an official SNAPCHAT’s service provider, a full- service video production company.
Creative and Executive producer
“Imperfect Gentlemen” Feature film, Poland & USA, to be released in 2021 Creative and Executive Producer
since 2018 since 2016
Robert Gallo arrives in Warsaw and has his world turned upside down when he meets Kasia, a desirable, free diver, who works at a luxurious nightclub in the Polish capital, “The Abyss”, owned by Vladimir Medvedev. Robert and Kasia are irreversibly drawn to each other and begin an intense and passionate affair. But Robert mistakes passion for love and must come to terms with the darker forces working within Kasia and her real world. When Kasia suddenly disappears, Robert is willing to risk everything to find her again, but does he really know who he’s looking for?
“Moms” Documentary Series, USA , to be released in 2020
Creative and Executive Producer
Every episode is dedicated to a mother of a famous entertainment artist. The concept is to learn what methods they’ve used to help make their famous child achieve success.
“All About Love!” Documentary film, Poland&USA to be released in 2019
Creative and Executive Producer
A motley mix of ordinary people sharing their stories about love, loss and everything in be- tween
“Tattoo girls” Documentary film with Green Box Europe, Poland 2018
Executive and creative Producer
Tattoo girls is a memoir of life as it is, and of women as they are. A window to the lives of sev- en women from the same city where nothing is exactly as it seems, and reality is often hidden behind illusions.
Amber Studio (Moscow, Russia) 2014 -2016
Creative Lead Producer
Producing TV commercials, music videos, pitching presentation packages for tenders, budget- ing, creative concepts analysis and development.
Host/Critic (Moscow, Russia) June 2016
Interview series with leading actors, Producer and Director of “Captain Fantastic” for Cosmo- politan Russia magazine. Captain Fantastic is a 2016 American comedy-drama film written and directed by Matt Ross (Aviator;American Psycho;Face/Off; Silicon Valley) and starring Viggo Mortensen (Lord of the Rings; 28 days). The story centers on a family that is forced by cir- cumstances to reintegrate into society after living in isolation for a decade.Viggo Mortensen was nominated for Oscar, Golden Globe, BAFTA, SAG awards for this movie.
“Down, but not out!” Documentary film with Green Box Europe, Poland 2015
“Down, But Not Out!” captures all the action of four amateur women boxers as they step for the first time into the ring. VOD distribution: Amazon, HULU, Snagfilms, mySpotlightTV, among others.
“No excuses” (Short Film) with Green Box Europe 2015
“No Excuses” raises questions about human complexity, where woman are competing alongside men in a male dominated CrossFit gym. VOD distribution: Amazon, HULU, Snagfilms, mySpotlightTV, among others.
“Viktor” by Philip Martinez, Russia & France 2014
Krasniy Kvadrat Ltd.,
“Desire for Beauty” Documentary film with Green Box Europe 2013
The first Polish feature documentary on beauty and self-perception. It follows the winding jour- neys of four people who turn to plastic surgery as the last resort in their search for perfection. Cinema release in Poland – spring 2013
Action Film Studio 2010 – 2013
Produced 45+ TV Commercials for top brands. Success case: Russian company ‘Kalina’ was bought by American “Unilever” following the successes of the TV commercials and sales growth.


I have to say that I loved it ... it was a great season opener. I didn't check the clock once and I think that it was definitely worth the wait.
Before the actual episode started, there was set of past moments shown. They mixed it all up, which was weird
there was a flashback to past moments but I don’t see why they mixed s6 and s7 all together … can’t they go in order? :\ Anyway, I was just curious. Moving on to the actual episode.
They started out in the Arctic, where a woman walks in asking for Regan. Who is this lady? None other than Tess Mercer, the acting CEO of Luthercorp. Regan isn't impressed and questions her qualifications to which she responds that Lex believed in her and that's all that mattered. She starts making demands, saying that she knows there was someone else there. They say they may have found body remains.
Then you see a figure lurking.
IT'S OLLIE!! Well, the Green Arrow. Justin Hartley is a regular this season (which thrills me to no end) and he wasted no time showing up. He's shoots some arrows and it seems he has not come alone. Dinah's there with her famous Canary cry. Unfortunately he runs into Regan but AC saves his butt. The banter between the three of them is cute.
Well, what do you know? Dinah may be growing on me. ;D
They see something in the trenches and it's Clark's red jacket. Damn, that stupid thing can survive anything, can't it? I swear, it's got its own powers. Ollie asks, "Clark, where are you?" My shipper heart skips a beat.
We roll the credits and OMG! Justin's there! Plus, they have a shirtless scene. Considering how many of those he has, I think it definitely deserved its place. A bit weird to see all the new people and not Michael but JUSTIN! &hearts
After the commercial break, we come back to the Luthor mansion, which Lois has broken into, dressed like a maid. She has tools in her cleaning box and opens a safety box, where she takes a USB drive. Hearing a noise, she closes it and pretends to clean. She's startled by Tess saying "you missed a spot". How the heck did she get back from the Arctic so fast anyway? Oh wait, I forgot ... it's Smallville.
At first she thinks that Tess is the secretary and then someone Lex is having sex with. Tess knows who Lois is and tells her who she is. Lois just wants to know where Chloe is, because there are no records of Chloe's arrest. Tess is assured in Chloe's guilt, just because Lex locked her up. Lois shoots back with, "The only thing that Chloe's guilty of is standing up for what she believes in". The Chlo-Lo ... it EXISTS! She's ushered out by the security but she's happy that she still got something.
I really liked Lois ... she's totally strong and awesome. Her scene with Tess was interesting and I think there's a good dynamic going. How she let Tess think she won and then walked away with evidence was perfect. The actress who plays Tess, Cassidy Freeman, is a bit stiff but she does the cold, determined bitch act really well.
Anyway, back to Chloe ... we find her in Montana and they're testing her because of her high intelligence levels. She tries to protest that she's normal but they say that if she gets tried regularly, she could end up in Federal prison for 20 years. So she goes with it.
In the meantime, our Justice League is frantically searching for our favorite Boyscout with no success. Dinah thinks that they should give up, that something may have happened to him. Does Oliver agree? No way. He tells them that "Clark would never give up on us, we're not giving up on him!" This episode makes me happier and happier by the second. They excuse Bart and Victor's absence (kinda), saying they've searched the southern hemisphere for Clark but it's weird to not see them. I know Kyle had some scheduling issues but I wish Victor had showed up.
Where is the one they're looking for? Well, he's in Russia and we see him next. Scruffy, dirty but still freaking gorgeous. He's moving boxes and when he stops for a second, this jerk guy tells Clark he doesn't get breaks and can't leave until he pays him back. Clark says he can get him the money but that guy won't let him make a phone call. He just wants to let people know he's okay. That dude, however, is not sympathetic. Clark sees an open truck and tries to escape but is stopped with bullets. That man beats him up and knocks him unconscious.
I wonder what the backstory is there ... and it seems Clark doesn't have any powers, which I got from the stills and previews but I do wonder how he lost it. Tom is back with a bang though ... I really love his determination and how adorable he is. :D
Tess gets around quickly because she's now at the Daily Planet, talking to that Regan guy. She asks him about his last flight with Lex and subtly accuses him of taking Lex out. That guy is offended at Tess's accusations and tells her he looked her up. Basically it's a scene of "I'm the better minion" "No, I'M the better minion". Didn't really tune in. But she does say if he doesn't find Lex, he'll lose his job.
We return to Chloe. Glasses guy (as I know call him) wants some help in finding some group of terrorist phone numbers. I feel a bit of dread her but we go on. She decodes the numbers from the encrypted code that they're communicating through ... and OMG! It's the JL numbers. AC goes out first and Dinah goes second. The third one, she stops at the last three digits though ... I think she recognizes Ollie's phone number. I thought of my Chlollie shipping friends there because she recognized Ollie's number and not the other two? Interesting. Either way, she quickly comes to the conclusion that this is NOT the DDS and tries to escape.
It fails ... she is stopped by what looks like Regan. He gets around fast too, I guess. And he is determined to find that third person.
In Russia, Clark is awakening and he's met with the jerk. He tries to fight them but he can't. They're interrupted by a voice speaking Russian (I think it's Russian?) and it's OLLIE! I am not sure how he found Clark and they never explain it but oh well ... he's THERE! He says his name is Roy Conner, which is a nudge to the comic book fans. Drops some names and pretends he's on their side. Eyes Clark and purposely picks a fight with him.
Those two are rolling around ... very HOT. Ollie pulls out a knife and puts it against Clark's neck (see icon), giving some money for the beluga and wants to buy Clark too, on the pretense that he will kill him. Jerk says he'll throw him in for free. Loser ... and he has sucky taste. They walk away and Clark asks Oliver "what took you so long?" Can I get an awwww? ;D
And they're on Ollie's private plane, where Oliver gives Clark a drink, which he promises to be good for him. They're talking and Clark's telling the story of what happened. I do really believe Oliver knows the big secret, from the way they're talking and that? Is awesome. He says "Clark, you could've died up there" and he sounds so worried that my heart melts. Nobody can convince me it's not love. Nobody.
They talk about Lex a little and then Clark mentions Chloe. Oliver tells her what we already know ... she's never been arrested and Clark tells him that Lex probably has her. That "Jimmy betrayed Lex and he went after Chloe". Oh dear ... I wonder how he's going to feel about the proposal and subsequent engagement. :\
For now, Oliver tells her that she may be at a facility in Montana (which she is) and Clark wants to go. Oliver is curious to what Clark can do cuz he doesn't have his powers and "nobody who has ever gone in has come out of that place" but Clark's insistent and they make plans to go.
I really loved the Oliver-Clark bonding in this scene. I felt a good connection from those two ... Justin and Tom did a lovely job. I think Clark can have a solid male friend this season, if they play it right and that's really what I want for him. Lois and Chloe are great but he needs a guy.
Remember how Dinah and AC were caught? Yeah, they're at the facility too, chained up. They refuse to give Regan any answers and he's certain he'll get them from the third member.
Somewhere else, the door gets blown down, allowing Green Arrow and Clark to enter. GA wants Clark to stay with him but Clark wants to split up. Oliver doesn't think that's safe, due to Clark's powerless state but Clark's stubborn and they go their separate ways. Dude, they really can't stay friendly very long, can they? *sighs* Boys.
I'm know this is getting long but I have a lot to say about this one! Bear with me.
Clark's not alone for long ... he meets up with Lois, who is with two security guards (I'm assuming). They ask if they know each other. Clark says "no" and Lois is all "he wish he didn't know me". She takes out the security guards and can I say Lois with a gun is too cool? Because it is! Team Lane-Kent go to find Chloe!
Who is refusing to cooperate and tell these 33.1 people anything. In a creepy scene, they tell her that Moira Sullivan was able to control people and they took some of her spinal fluid (EWW). They inject her with it and she gives them the last numbers. Of course they find out that Oliver is in the building.
Unsuspecting Oliver, who finds AC and Dinah but is injected and told to do whatever it takes to find Lex. Uh, oh.
Team Lane-Kent find Chloe and Lois shoots the door open. She gets taken out immediately walking in but Clark knocks that guy out. Chloe and Clark reunite and I giggle a little because they're all hugging and Lois is just laying there. Poor Lois. I love you Lois! Clark tells her that he came with Oliver and Chloe warns that they're after Ollie.
Clark goes outside and he finds Oliver immediately but Ollie is not his usual self (DUH!). He wants to know where Lex is and when Clark says he doesn't know, fires an arrow at him. OUCH! That was painful to watch. Oliver says the next one will go through his heart if he doesn't tell him but Clark really doesn't know and gets an arrow shot through his chest. It's gruesome.
Ollie snaps out of his trance and rushes to Clark's side. He's all tearful too. Chloe comes out and she says she can heal him. Clark protests of course but it doesn't matter ... Chloe's powers don't work on Clark!
He's flashing back to his memories and the last one is of J'onn. But wait ... that's not a memory. J'onn is there! Why hello Martian Manhunter! Long time no see! He picks up Clark and flies away with him, leaving Chloe and Oliver behind.
The next scene has Clark waking up in a barn and talking to J'onn. I really loved this scene because it has everything I've always wanted to hear. They first talk about how Clark is healed due to the sun but the MM lost his abilities because the sun takes them away. Oh no! How does that work? I hope he gets them back.
Clark has had a few realizations though and sees that the life he's been holding onto at the farm hasn't existed in ages. I'm loving new mature Clark ... he knows he has to move on and says so. J'onn gives him back his jacket ... damn it. That thing should've stayed dead. Overall, it's a very sweet scene and I have hopes for s8.
We go back to Tess, who is entering Lex's former office and the headline of the paper she's reading has "Luthorcorp Executive Goes Missing" with a picture of that Regan guy. Did she have anything to do with it? Maybe. Maybe not ... it may be the League. It's too vague.
Everything is covered by white cloths and the first thing she takes off is the one on the window. Then she takes it off the desk and chair and sits there. A blonde woman comes in, saying that it suits her. She gets upset and says finding Lex is priority. She's a good minion, isn't she? The blonde has a footprint and to me, it looks like Clark's.
The blonde is dismissed and Tess opens a briefcase with a huge diamond looking stone there. It glows ... I wonder it is.
Instead of finding out, we move back to Chloe, who is wondering what's happening to her. She sees Jimmy and they reunite. He's embarrassed about the proposal but she gives him a "yes" answer. "What I wanted in the past kept me from seeing what I have right now." My assumption is that she's talking about Clark. When she says he's perfect, I roll my eyes a little and at least Jimmy disagrees. She then adds, "which is perfect for me". The scene is not as gag worthy as it could've been.
They kiss and at least Chloe is happy.
Clark is meeting with the JL trio. They talk a little and banter, which is fun. Ollie hints at knowing Tess by saying that the new CEO is more manipulative than Lex ever was. When he jokes that Clark sounds like he will be wearing a costume and doing the double life thing like them, Dinah adds, "You might want to find something a little more form fitting."
I was hoping they'd redeem Dinah in this episode and you know what? They did. I really like her now. I still ship Oliver with Clark, Chloe and Lois but she's adorable. At the very least, she has good taste.
In the last few minutes of the show, we have Lois writing an article. There's squeaking noises and she looks annoyed. It's Clark! "I'm sorry, is this bothering you?" "The chair or you in it?" Looks like we're back to our s4 Clois banter! I'm loving Erica's new hair ... the color is fabulous.
They both compliment each other and he starts to leave, telling her he'll see her there bright and early Monday morning. She's confused and he reveals he has taken a job there. Lots of cute dialogue between those two. When she think he's going to be starting at the mail room, he tells her that they're going to be neighbors and takes off.
Lois picks up the name tag in the desk across from hers and seeing his name, says "You got to be kidding me". But she does give a cute little smile looking after him, which rocks!
End of episode. I really enjoyed this one. I thought it went by really well and I'm looking forward to this season. I don't know how other people feel but it was a wonderful start.
The preview for next week looks good too! Sorry for rambling so much. Have a good night all and I'll see you same place, same time next Thursday. :D


Show Me The Animation
Over the past few months Show Me The Animation have been busy creating a specially curated iOS app. The app aims to showcase the best animation from around the world, from both award-winning animators to up-and-coming animation talent.
The short films selected offer an eclectic mix of styles from across the globe and between them have been screened at hundreds of festivals and won bags full of awards.
Alongside the initial set of 28 films the app also includes Show Me The Animation's Faces of Animation series featuring interviews with top industry talent, as well as all of the monthly Do It In Ten animation entries. There are also set to be regular updates to the app with new films added periodically and Show Me The Animation already have a number of films they are really excited about.


She is beautiful, she is a diva who always attracts us with her impeccable acting and unforgettable dance. She is none other than the gorgeous Deepika Padukone who is coming us to entertain with her another remarkable performance of ‘Ghoomar’ in the upcoming movie ‘Padmavati’. When Sanjay Leela Bhansali got Deepika dancing to “Nagada” song in Ramleela we were stunned. After that when Bhansali took her in “Deewani Mastani” and “Mohe Rang Do” song in Bajirao Mastani we were in owe. Now Bhansali is back again with his very first song Ghoomar from the movie Padmavati in which Deepika mesmerizes and makes us believe that she is indeed Rani Padmini.
Ghoomar Video Song in HD
Ghoomar is the traditional folk dance of Rajasthan. The dance is chiefly performed by veiled women who wear flowing dresses called Ghagra. The three minutes nineteen seconds song sees rani Padmini performing the dance to perfection. The one thing that binds us to all Bhansali’s song that is his grandness and luxury scenes with heavy jewelry, magnificence set and the coordination of performers. The song shows that Rani Padmini is dancing with grace on traditional beats as her husband Mahrawal ratan Singh watches on. After watching this song we just can’t wait for other songs from the movie.
The movie is going to release on 1st December this year.


Angela Carter’s The Courtship of Mr. Lyon tells the story of a down-on-his-luck lawyer whose car breaks down in the snow during Christmastime. He does not have the money to buy his daughter the one thing she asked for: a single white rose. He walks to get help after his car dies and comes upon a mysterious house, upon the gate of which is a single white rose. He enters the house through a door that opens on his own and a dog ushers him to a phone, beside which is the number for a mechanic, who tells the man that the house’s master has taken care of all expenses. As he is leaving the house the man takes the white rose and is accosted by its master, a lion-like man who angrily reprimands him. The master listens to the man’s explanation, that he took the rose for his daughter, and agrees to let the man leave if he brings back his daughter, Beauty, for dinner. The dinner is short and the man leaves his daughter with the master and leaves for London. Time passes and the daughter grows close to the master. Her father calls and she visits him in London, but she promises that she will return by Winter’s end. She doesn’t and his dog visits her in London to bring her back. She returns to the master’s house to find him on his death bed. She rushes to his side and he tells her he is dying, but she kisses his paw and tells him she’ll be his forever if he stays alive. The moment she kisses him he turns into a man and says that he thinks he can stomach some food. The story ends with a sentence in present tense as Mr. and Mrs. Lyon walk together with the dog.
Angela Carter’s story is a somewhat unique take on the Beauty and the Beast storyline, narrated by an omniscient narrator who doesn’t have a specific personality or stake in the story. Carter’s use of the 3rd person is deft: she is able to convey rich details without being overbearing or making the narrator too much of a character. For example the sentence “There was an air of exhaustion, of despair in the house and, worse, a kind of physical disillusion, as if its glamour had been sustained by a cheap conjuring trick and now the conjurer, having failed to pull the crowds, had departed to try his luck elsewhere” (144). By getting into the head of the character we are following and describing the scene from what is essential their perspective, Carter is able to vividly describe the scene as the narrator without making the narrator into a character.
In his Six Memos for the Next Millenium, Italo Calvino talks about the concept of quickness. He gives a plethora of examples of what he considers quickness to be, and specifically mentions that his own personal motto since childhood has been Festina lente, or “hurry slowly.” He explains that the concept is intriguing to him because of its emblems, and the potential which utilization of the concept unlocks. Angela Carter utilizes the concept of Festina lente in The Courtship of Mr. Lyon. The wealthy lion and his “agate eyes” are contrasted with the helpless, down-on-their-luck family of Beauty and the lawyer. The story itself is short considering the amount of action that happens in the plot and the time that passes, but there is grand attention to detail in many places, such as the quote in the paragraph above. The author writes a plot that must either move very quickly or become stagnant, and fills each sentence with detail, cleverly getting in to the head of each character via the narrator (as mentioned above) to avoid becoming sluggish.


Jason Segel Open For 'How I Met Your Mother' Reunion
The TV sitcom “How I Met Your Mother” finale ended the nine season run in 2014 with Ted Mosby concluding in 2030 the story to his kids of how his wife and him got together in addition to met the children’s aunt Robin. A television series loved by many, fans were sad to see it go and remained hopeful that a possible reunion between the old crew would occur.
Answering their prayers, one member of the 5 main characters appears to be on board with the idea as reported by Time. Jason Segel, who plays the adorable Marshall Eriksen on HIMYM, revealed in an interview during the Austin Film Festival that he’d enjoy getting back together with everyone else.
“I’d be around for whatever those guys wanted to do,” he said according to The Hollywood Reporter. “It changed my life.” Regarding what would happen to his character, Segel informed reporters that he would be down with whatever the writers planned and would leave the ideas to them. He revealed that he had never gotten involved with the writing, instead, he did his best to excellently perform what the writers needed him to do. Segel also revealed great admiration for the writers of the show whom he called “brilliant.”
“How I Met Your Mother” has been considered an iconic piece of film in the 21st century, with the actors and writers going on to win awards for their brilliant portrayal of character and excellent storyline. The story follows 5 main characters as they go through life and fall in love. It mainty tels the story of Ted Mosby (played by Josh Radnor) as he meets and later falls in love with Lily Aldrin (played by Alyson Hannigan), with the other main characters being Robin Scherbatsky (played by Cobie Smulders), Barney Stinson (played by Neil Patrick Harris), and of course Marshall Eriksen (played by Jason Segel).
Many fans now wait to see what the thoughts of the other main characters will be on a possible reunion with many believing that is is possible and a HIMYM short might eventually be in the works soon enough.