You’re lucky if you’re a Korean show fan looking for something new to watch on Netflix. We’ve scoured the streaming service’s vast content library and found ten top-notch shows loved by critics and audiences alike. These series are not only great for practicing your language skills, but they are also highly engaging and binge-worthy.
Learning a new language can be daunting, but immersing yourself in the culture and language is one of the best ways to improve. However, depending on where you live, it may be difficult to find native speakers to practice. Fortunately, you can hear native speakers converse and better understand how the language is practiced by watching Korean dramas on Netflix.
Whether you’re in the mood for a gripping drama, thrilling action, or sweet romance, there’s something for everyone among these Korean Netflix shows. From historical dramas to crime thrillers, these series offer various genres.
All the series listed are currently available on Netflix in the US, so you can start streaming them immediately. So if you’re ready for a new binge-worthy series, look at our top picks for the best Korean shows on Netflix.
Squid Game (2021-present)
- Tomatometer: 95%
- Genre: Thriller, Drama, Survival
Squid Game is a must-watch for anyone interested in the best Korean dramas on Netflix. It set records when it premiered in 2021, becoming the number one show on Netflix’s top 10 in 94 countries, including the US and UK. The show centers around contestants on a game show that recruits people in debt and offers them a tempting prize, but at a deadly cost. The series is a brutal yet thrilling drama with a heart and is already up for a second season. It is available on Netflix in the US and UK.
My Name (2021)
- Tomatometer: 100%
- Genre: Crime, Suspense, Thriller
My Name is a must-watch crime drama series streaming on Netflix in the US and UK. The series follows a woman determined to avenge her gangster father’s death. To do so, she joins a gang and infiltrates the local police force under a fake name, where she pairs with a young narcotics detective. The series is characterized by its film noir-like style and hard-hitting fight scenes, making it a perfect choice for fans of crime dramas. With a 100% Tomatometer rating, My Name is a highly-rated and critically acclaimed series worth watching.
Mr. Sunshine (2018)
- Tomatometer: Audience score – 94%
- Genre: Political Drama, Historical Drama, Romance
Mr. Sunshine is a historical and political drama series streaming on Netflix in the US and UK. The series follows Eugene, a man born into slavery in the 1800s Joseon but escapes to the United States and returns to Joseon as a U.S. Marine. He meets and falls in love with the granddaughter of an aristocrat who has betrothed since childhood to a nobleman.
The series is a captivating and sweeping story that centers around the star-crossed love of the main characters and is woven together with historical events and political intrigue. Though it noted that the historical events depicted in the series should be taken with a grain of salt, it is a great way to learn about Korean history while enjoying an edge-of-your-seat dramatic series. With an audience score of 94%, Mr. Sunshine is a popular and well-liked series among viewers.
Crash Landing On You
- Season: 1
- Tomatometer: Audience score only – 98%
- Genre: Romance, Comedy, Drama
If you’re a fan of romantic dramas with a touch of comedy, Crash Landing On You is a must-watch. This charming and heartfelt series follows a South Korean heiress who accidentally gets blown over the demilitarized zone (DMZ) and into North Korea, where a handsome soldier takes her in. The show was a massive hit in Korea and abroad, becoming the third highest-rated K-drama in cable television history. Catch all episodes on Netflix, and also available on the UK version of Netflix.
Our Blues: A Heartwarming Journey on Jeju Island
- Genre: Emotional Drama
- Cast: Ensemble Premiered in 2022
Our Blues captivated audiences with its realistic portrayal of the day-to-day lives of Jeju Island residents. With its bittersweet moments, this understated series drew comparisons to hit shows such as “This Is Us” and “Love Actually.” With a wide cast of characters, the show beautifully captured life’s big and small moments. Available on the UK version of Netflix.
- Genre: Crime, Thriller, Suspense, Fantasy
- Cast: Lee Je-hoon, Kim Hye-soo, Cho Jin-woong
- Tomatometer: Audience score only – 100%
The Signal is a dark and suspenseful crime drama that follows a criminal profiler in 2015 who finds a walkie-talkie that allows him to communicate across time with a police detective from 1989. The show follows the solving of a cold case, and the profiler, Park Hae-young, is added to a newly formed hard case team.
The exhibition explores how changing the past affects the future. The show is well-written, has great acting performances, and offers a healthy dose of suspense. Fans of Broadchurch and Sherlock will enjoy this show, which is also available on the UK version of Netflix.
If you’re a fan of crime dramas like Broadchurch and Sherlock, you’ll want to add Signal to your watchlist. This South Korean show, originally aired in 2016, has a unique twist that sets it apart from other crime dramas: the main character, a criminal profiler named Park Hae-young, discovers a walkie-talkie that allows him to communicate with a police detective from 1989.
The show’s premise is intriguing from the start, and it only gets more captivating as the story unfolds. The time-travel element adds a layer of complexity to the crime-solving, as the characters must navigate the butterfly effect of changing the past. But it’s not just the plot that makes Signal worth watching; the acting is top-notch, with particular praise going to the lead actors, Jo Jin-Woong and Lee Je-hoon, for their performances.
One thing that sets Signal apart is its attention to character development. Each member of the cold case team, including Park Hae-young, has an arc and backstory explored throughout the series. The writing is also well-done, with a balance of tension and emotion that keeps you on the edge of your seat.
- Genre: Political Drama, Period Drama, Horror, Zombies
- Cast: Joo Ji-hoon, Ryu Seung-ryong, Bae Doona, Kim Sang-ho, Kim Sung-gyu, Heo Joon-ho, Jun Suk-ho
The Kingdom is a South Korean series that premiered in 2019 and is currently available on Netflix. The show is a masterful blend of genres that keeps you guessing at every turn. It is a political drama set in 16th-century Korea, following the story of a sick king and his son, the crown prince, who is determined to uncover the truth about his father’s illness. But it’s also a horror series with a terrifying twist: the Kingdom is plagued by an outbreak of zombies.
The show is based on a webtoon of the same name, and it’s a perfect blend of genres that keeps the viewer guessing till the end. The historical setting is richly detailed and immerses the viewer in the world of 16th-century Korea, while the political intrigue will keep you on the edge of your seat. And then there are the zombies, which provide a thrilling and terrifying element that elevates the show to a new level.
The acting is excellent, with particular praise going to Joo Ji-hoon for his portrayal of the crown prince, who is determined to protect his Kingdom and his people from the zombies. The cinematography is also noteworthy, with the show’s visuals providing a stark contrast between the grandeur of the palace and the grime of the zombies.
With two seasons available to watch, Kingdom is a must-watch series that keeps you guessing until the end. So if you’re looking for a show that offers a unique blend of political drama, period pieces, and horror, look no further than Kingdom.
- Genre: Reality, Dating Shows, Survival
- Cast: Unknown
- Tomatometer: Audience score only – 46%
Single’s Inferno is a must-watch for fans of reality TV. The show combines Survivor and Love Island elements, as singles are left to survive on a deserted island. If they find a romantic partner, they get to leave the island and go to a luxury paradise. However, those who can’t find a date are left to compete with each other and fend for themselves on the island. Despite some negative reviews, the show’s premise is unique and may be enjoyable for those who enjoy reality dating shows with a survival twist. The show is available on the UK version of Netflix.
Twenty Five Twenty One
- Genre: Romance, Drama
- Cast: Unknown
- Tomatometer: Audience score only – 95%
Twenty Five Twenty One is a heart-wrenching romantic drama about young people and one of the best Korean dramas on Netflix. The show follows five characters and their love lives from the 1990s to the 2020s, complete with high school drama, first loves, and lessons learned. It’s a lovely, sweet show that is easily among the best Korean dramas on Netflix. If you are a fan of romance and drama, this show is a must-watch. It is also available on the UK version of Netflix.
All of Us Are Dead
- Genre: Teen Drama, Horror, Zombies
- Cast: Unknown
- Tomatometer: 87%
All of Us Are Dead is a hit zombie show about teens trapped in their high school. The students slowly realize they’re stuck in ground zero of a zombie outbreak after a science experiment goes wrong, and no one is coming to pick them up after class. It’s gross, gory, and compelling, even occasionally thought-provoking. For horror fans, it’s fun. Fans of Battle Royale and The Walking Dead will enjoy this bloody thriller. The show is also available on the UK version of Netflix.


LITTLE SHOP OF HORRORS
Rick Moranis, Ellen Greene, Steve Martin,
James Belushi, John Candy, Bill Murray
Warner Bros.; Directed by Frank Oz
Rated PG-13; 88 minutes; 1986
The monster musical comedy based on the 1960 Roger Corman cult classic and adapted from the award-winning stage hit. LITTLE SHOP OF HORRORS presents an extraordinary triangle involving a lower eastside Manhattan flower shop employee named Seymour, his whimsical co-worker Audrey, and a mysterious plant nicknamed Audrey II—whose growth rate is surpassed only by its peculiar appetite.
"The looniest, nuttiest, most outrageous movie musical comedy in years. Lends new meaning to the word crazy. Loads of fun."
- Jeffrey Lyons, SNEAK PREVIEWS/INN
"Just when you thought Hollywood had lost the knack for making good-time musicals along comes this raucous rib-tickler to put a song and a scare in your heart. Steve Martin is savagely funny."
- Peter Travers, PEOPLE MAGAZINE
"Hilariously funny, consistently witty. LITTLE SHOP OF HORRORS is an instant comedy classic!"
- Joy Gould Boyum, GLAMOUR
"We both had a great time, an off beat, up beat, really funny entertainment that was about romance and a man-eating plant. This movie is going to run for a long time. I'd like to see it again tonight."
- SISKEL & EBERT AT THE MOVIES
"The movie is a scream! An Academy Award® should be created for best plant. I'll tell ya, I hope to see it again."
- Gene Shalit, TODAY SHOW, NBC-TV
"A winning, delightful, full blown movie musical."
- Janet Maslin, THE NEW YORK TIMES
"Grandly ,loony, full-bodied and explosively funny! It's a wildly infectious show!"
- Michael Wilmington, LOS ANGELES TIMES
"Great fun! Great score! Great cast! Steve Martin is so good, he deserves a supporting actor Oscar® nomination. It's going to do a big, big business in laughs!"
- Joel Siegel, WABC-TV
"HHH 1/2. One of the best and certainly funniest musicals in years! A musical classic with joyful songs. A hothouse full of laughs!"
- Gene Siskel, CHICAGO TRIBUNE
"A wonderful holiday movie! I loved it."
- Gary Franklin, KABC-TV
"The funniest movie of the holiday season! One of the most imaginative musical-comedy films ever."
- Digby Diehl, KCBS-TV
"HHH 1/2. You're going to love LITTLE SHOP OF HORRORS. It's a monstrous good time. It's movie magic."
- Jack Curry, USA TODAY
"HHH1/2. Explosive big laughs. One of those movies that fans want to include in their lives."
- Roger Ebert, CHICAGO SUN-TIMES
"HHH1/2. Delightfully entertaining."
- Richard Freedman, NEWHOUSE NEWSPAPERS
"A lot of bloomin’ fun! Chuckles and chills by the gross."
- Guy Flatley, COSMOPOLITAN
"A fiendish delight for comedy fans!"
- Judith Crist, WOR-TV (NEW YORK)
"****. Wonderfully fresh, playfully inventive, rampant hilarity . . . it is a great, big success."
- Joe Leydon, HOUSTON POST
"****. Explosively funny, endlessly cool, deliriously off-the-wall!"
- Tom Sabulis, DALLAS TIMES HERALD
"A delightfully demented musical comedy."
- James Verniere, BOSTON HERALD
"Oh boy, this is mad, wild fun. A bright and spritely movie musical. A delicious comedy."
- Katie Kelly, ENTERTAINMENT TONIGHT
"HHH 1/2. A funny, snappy comic romp with verve and ingenuity! Steve Martin is utterly hilarious—fun pops joyfully on the screen!"
- William Wolf, GANNETT NEWS SERVICE
"Exhilarating fun. You'll leave the theater humming the sings and buzzing with the energy of this unstoppable hit!"
- Michael Medved, SNEAK PREVIEWS/PBS-TV
"HHH 1/2. This Christmas, head directly for LITTLE SHOP OF HORRORS! A deliciously daft, delightfully, oddball antic. A bloomin' hit!"
- Harry Haun, NEW YORK DAILY NEWS
"LITTLE SHOP is irresistible! Steve Martin's outrageously funny performance in pure cinematic laughing gas."
- Joseph Gelmis, NEWSDAY
"A delightful, off-beat musical!"
- Rob Baker, WOMEN'S WEAR DAILY
"A musical extravaganza!"
- David Edelstein, THE VILLAGE VOICE
"A lot of fun! It has a delightful doo-wop score, a funny script and an all-star comic cast. LITTLE SHOP OF HORRORS offers more laughs per minute than many a recent comedy."
- John H. Richardson, LOS ANGELES DAILY NEWS
"Steve Martin is hilarious. Death by laughter."
- Richard Corliss, TIME MAGAZINE


Dirt! The Movie is a 2009 expository documentary directed by Gene Rosow and Bill Benenson. Based off the book Dirt: The Ecstatic Skin of the Earth by William Bryant Logan, the film explores the consequences of our mistreatment of the dirt and soil of the world and our relationship with it.
Most of the film is narrated by Jamie Lee Curtis and by interviews with many people around the world. This is one of the major strengths of the film because we get different perspectives from people from different economic, social, and cultural background. It was interesting to see how different cultures interacted with dirt and why it was a necessity to their way of life. On top of that each interviewer had some sort of strong connection with dirt and the film focused a lot about how we feel about our relationship with our earth and made you appreciate all of the things dirt has done for a species.
While the animations seemed childish at times I felt as if they kept the film somewhat entertaining. Without the cartoons the whole movie would have just been footage of dirt landscapes and the interviews themselves. However, some animations were definitely weaker than others. Parts like the watercolor animation were cool to see unlike the little personified dirt cartoons parading around on screen we saw throughout.
While the film had many different interviews each one was a different topic making the film seem kind of all over the place. The filmmakers obviously tried to make this film accessible to everyone with topics ranging from the history of dirt using cartoonish animations to the dark topic of farmer suicide due to unfertile soil. The movie really generalized these issues and skipped around to different topics. One example was when they started to talk about the Dust Bowl it seemed like the documentary was going to make a big deal about our mistreatment of dirt and how that was a consequence but it barely talked about the event for five minutes.
The documentary also didn’t provide many solutions and when it did it didn’t even mention how feasible it was. The economic and political sides of the issues were not touched upon for the most part. For example, at the part where the lady had a garden on her roof and around her building in a city she talked about how great this is for dirt and the environment but we have no idea how much that would cost or how possible it even is. The film didn’t really touch on the corporation side of the issues either which I feel is an important perspective in environmental documentaries.
While the film has its weaknesses it still introduces an issue that many people don’t really think about in an accessible way. Going into this film I had no idea what they were even going to see about dirt for an hour and a half. However, after my viewing I am much more aware of the issues going on in our soil. The overall message of how we connect ourselves with dirt and our natural world was received Because of this the documentary did its job in educating me even if it didn’t necessarily motivate me.
Written by Matt Allchin


(Richard & George)
As an actor, (and as an associate producer of the original production of You've Got Hate Mail) Jeff has been involved with Van Zandt /Milmore Productions for the past 14 years. Elsewhere, Jeff has performed in and directed countless regional productions over the past thirty years. Some favorites include; Nicely Nicely in Guys and Dolls, Sweeny Todd in Sweeny Todd, Max in Lend Me a Tenor, The Cowardly Lion in The Wizard of OZ, and Elliott Garfield in The Good-bye Girl.
Miss Duffy began her career in summer stock in her hometown of Minneapolis, working in such shows as The Girl In The Freudian Slip; Play It Again, Sam, and others as a teenager. She graduated from the American Academy of Dramatic Arts in New York after which her very first audition landed her a running role on the soap opera Love Of Life. While in New York she also played the drama queen Penny on The Doctors, starred on Broadway in Once In A Lifetime, directed by Tom Moore, and The Enchanted at the Kennedy Center. Other regional theater roles include Three Sisters and The Curse Of The Starving Class at St. Louis Rep, Barefoot In The Park at the Aspen Theatre Festival, and Never Too Late with the Kenley Players. In Los Angeles she has appeared in Taming Of The Shrew at the Globe Playhouse, and Merry Wives Of Windsor, Richard III and Twelfth Night with the Kingsmen Shakespeare Festival. She also played Juliet in a PBS production of Romeo & Juilet early in her career. Recently she appeared as Birdie in an acclaimed production of The Little Foxes at the Pasadena Playhouse and Barbara in Boom at the Furious Theatre Company.
On television she has starred in a number of series, most notably Designing Women and Newhart. For the latter, she received an Emmy nomination each of the 7 years she appeared on the show, plus 3 VQT awards, 5 American Comedy Nominations, and a Golden Globe Nomination. She has also been seen in a number of TV movies and mini-series, such as The Blue And The Gray, Children In The Crossfire, Sooner Or Later, On Strike For Christmas, 7 Things To Do Before I'm 30, and many more. Recently she has appeared in a number of guest roles including Shameless and a recurring role on Nickelodeon's Drake And Josh as the Mean Teacher. Films include Dumb And Dumberer, and Intolerable Cruelty. She and husband Jerry Lacy occasionally appear together in the popular live fake radio show The Thrilling Adventure And Suspense Hour at Largo in Hollywood.
Gina Ferranti is a New York City born actress and producer. She has performed in numerous off-Broadway shows, including Tony n Tina's Wedding, The Great Divide, and is slated to star opposite Ralph Macchio and Mario Cantone in Charles Messina's A Room of My Own. She has also starred in several independent films; Spy: the Movie, Merging, and Choose. Gina's Off-Broadway producer credits include Mercury: The Afterlife and Times of a Rock God, The Accidental Pervert and John Guare's Cop Out and The Talking Dog. Gina is a graduate of The Neighborhood Playhouse School of the Theater. You can learn more about her at www.ginaferranti.com.
|REBECCA HARRIS FLYNN
NY Theatre: Submitted by C Randall McCloskey (Teatro LATEA Theatre); Looking Good (Beckmann Theater). Regional Theatre: Drop Dead! (also written by Billy & Jane and directed by Gary), Noises Off, A Midsummer Night's Dream, The Foreigner, Story Theatre, Bullshot Crummond (Duncan Smith Theater); Proof (Coastal Artists Ensemble), Battlefield (Passage Theatre), Picasso at the Lapine Agile, Laughter of the 23rd Floor, The Boys Next Door (Center Playhouse), Social Security (The Strand), The Man Who Came To Dinner (The Great Auditorium). Rebecca is President of the Holmdel Theatre Company, where she produces works that seek to integrate professional actors, directors, technicians and designers as mentors to students, non-professionals and apprentices in a synergistic artistic and educational exchange. She is the recipient of the 2012 Community Arts Education Leader award for outstanding and invaluable service to the local artistic community.
Teresa Ganzel received her formal training from The Goodman School of Drama at The Art Institute of Chicago. Arriving in Los Angeles, she quickly began working in comedic roles in film and television. Film included playing Jackie Gleason's wife in The Toy and Jeff Goldblum's love interest in Transylvania 6-500. In television, her first role guest starring role as Greedy Gretchen in Three's Company then led to starring with Jim Carey in the 13 episode sitcom The Duck Factory and alongside Lynn Redgrave in the 13 episode Teachers Only. Several more pilots and many guest starring roles such as Bill Paxton's wife in the comedy mini-series Fresno, The Newhart Show, Night Court, Married with Children, etc. She appeared as a frequent guest and sketch performer with Johnny Carson on The Tonight Show during the final ten years of his reign. She was a popular celebrity contestant on game shows such as The Pyramid Show, Hollywood Squares, etc. Upcoming is the feature Escort Service. And she is an active voice over actress. On stage she received the Robby Award's best supporting actress/comedy for her portrayal of Corrine Stohler in House of Blue Leaves directed by Gordon Hunt and the Drama Logue award best ensemble cast for Last of the Red Hot Lovers directed by Michael Michetti. Recently she has toured in Viagara Falls originating the role of Jacqueline Tempest with the late great Harold Gould and with Bernie Kopell and Robert Pine. From Palm Springs to Palm Beach to several stops in between including Off Broadway at The Little Shubert in New York. Teresa is thrilled to be back in New York!
A native Californian, Emmy winner Khrystyne Haje started her career at age 14 as a fashion model. Gracing covers and billboards world-wide, she quickly progressed to commercials, starring roles in Network TV movies and the role of Simone, on ABC's 5-year top 20 hit Head of the Class - now in syndication.
She was awarded the Civilian Medal of Honor from the U.S. Department of Defense, for entertaining U.S. troops in the Persian Gulf on the Bob Hope tour.
People Magazine named Khrystyne, one of "The 50 Most Beautiful People In The World" with a beautiful center fold that won a CLEA for beauty.
In addition to a variety of Network TV appearances, Khrystyne was privileged to be cast in "Man of the Year", John Ritter's final film.
Her numerous appearances, staring roles and high recognize-ability add power to her personal message of preserving our natural resources and lifting the human spirit. As a founding board member of ECO, the Earth Communication Office, she works hard to protect our delicate ecosystems. She's presented at the White House on community involvement, publicly taken a stand with MADD, (Mothers Against Drunk Driving) and contributed her time and resources to Best Buddies, which enhances the lives of people with intellectual disabilities by offering love, support and friendship.
Khrystyne's personal life is spent with family and close friends. The only girl in a family of four boys, she developed a love for sports and the great outdoors. She travels between NY, Los Angeles and the Northern California Redwoods, where she maintains a preserve.
Brian is best remembered for his first film role, Dante Hicks in Kevin Smith's independent cult classic Clerks. Brian has worked with some of the film industry's best in Mallrats, Chasing Amy, Dogma, Jay and Silent Bob Strike Back. He voiced the role of Dante for the animated series Clerks on ABC. He starred in the title role of the very dark comedy Vulgar. He owned a flower shop for the demented in the film Drop Dead Roses. He tackled the role of a former TV superhero in the film The Junior Defenders. Brian returned to the role of Dante in the film sequel Clerks 2. He recently took a turn towards the horror genre in Steven Mena's film, Brutal Massacre, a mock-u-mentary look at the making of a horror film. Brian was seen in M. Night Shyamalan's The Happening and James L. Brooks comedy How do you know?.
Brian began his acting career in theatre. He has performed in over 50 productions such as The Beauty Queen of Lenanne, Translations, and Dancing at Lughnasa. Some of his other favorite roles include Stones in his Pockets, Picasso at the Lapin Agile, ART, The Passion of Dracula, and The Crucible. As a member of the New Jersey Repertory Theater since 1998, he appeared in the world premiers of A World I Never Made, Mike Folie's An Unhappy Woman and Panama and D.W. Gregory's The Good Daughter. He appeared in Ian August's Submitted by C. Randall McCloskey as part of the 2012 NYC Fringe Festival.
|AVA SERENE PORTMAN
Ava is thrilled to be a part of the YGHM cast! Favorite theater roles: Beatrice in Much Ado About Nothing, Angelique in The Imaginary Invalid, Brooke in Noises Off, Helena in Midsummer Night’s Dream, and Martha in The Children’s Hour. Film/Television: My Crazy Love, Banana Dart Board, the web-series AP Life, and the upcoming indie-horror film Under A Blanket of Blue. A big THANK YOU to all family and friends who have been supportive!
Frances Solgan is excited to be part of You've Got Hate Mail. Fran is from Red Bank, NJ and recently played Gail in Escape From Happiness on the Brookdale Stage. Fran would like to extend a very big thank you to her teacher and previous director, John Buckovec, for all of his support. To the cast and crew: it's been great working with you all! You are all so amazing. To Billy Van Zandt, Jane Milmore and Gary Shaffer, thank you for this wonderful opportunity! To Mom, Dad and other special family and friends (you know who you are), thank you for everything; I love you all. Enjoy the show!
A native of Virginia, Sherle (rhymes with "hurl") has been associated with Van Zandt/Milmore for more than 30 years playing everything from a gruff Viet Nam vet in Infidelities, to a world famous sex symbol in Confessions of a Dirty Blonde. Other roles she created include Sweet Carnation's Nan in Merrily We Dance and Sing, Peg with the zipper-trouble in Bathroom Humor, televangelist Honey Pie Burgermeister in The Senator Wore Pantyhose, Annie Quinn the Groupie in Do Not Disturb, Arlene in What the Bellhop Saw, Edie in What the Rabbi Saw and Fran in Til Death Do Us Part and her favorite - that of washed up television star Mona Monet in the Van Zandt/Milmore classic Drop Dead. Sherle is glad to be back alongside Billy, Jane, and Glenn in the role she created in the original 2007 production. All things considered, the last 30 years have been fabulous. The next 30 should be even better. Jane and Billy, I love you. Blessed be.
Cerina grew up performing at the age of 3 in her mother's ballet studio in Las Vegas, Nevada. She soon moved from dancing to acting when she began starring in many plays and musicals in her hometown. At sweet-sixteen, she was crowned Miss Nevada Teen USA, and finished top 15 in the nationally televised Miss Teen USA Pageant. Not loving the term "beauty queen," but in love with performing, Cerina moved to Los Angeles, started college on an academic scholarship, but her acting career quickly began.
First known as "Maya, The Yellow Power Ranger" in the #1 watched show in the world, FOX's Power Rangers Lost Galaxy, Cerina went from a TV super hero, to a silver screen sex symbol, when she showed off her comedic chops in her daring role as "Areola" in Not Another Teen Movie. She is famous around the globe as a "scream queen" from her outstanding performance in Eli Roth's/ Lions Gate's horror sensation, Cabin Fever. Many magazines have labeled her as one of the "Hottest Women in Horror"—she can be seen in many popular genre films, starred in the action thriller It Waits, Dark Castle's Return to House On Haunted Hill, and tapped into her edgier side in Darkened Room, a short film created for her and directed by David Lynch.
Cerina is also busy guest starring on some of the world's most popular TV shows such as, CSI, Bones, Two And A Half Men, Gary Unmarried, and many others over the years. She stole hearts in the charming romantic comedy Everybody Wants To Be Italian and got best actress nominations from festivals around the country for her poignant performance in Steven R. Monroe's compelling drama Complacent. Also written and directed by Steven R. Monroe, Cerina just wrapped the lead role in the action-revenge thriller MoniKa – which she also Co-Executive produced.
Cerina is also working hard as a writer. She co-wrote Harper Collin's best selling witty, sexy, fun, How To Eat Like A Hot Chick: Eat What You Love, Love How You Feel, and How To Love Like A Hot Chick: The Girlfriend-to-Girlfriend Guide to Getting the Love You Deserve. The third in the series, Live Like A Hot Chick, just hit stores. Cerina, with co-author Jodi Lipper, also have a column in the Huffington Post, and their irreverent, uplifting advice is published in many magazines and popular websites. Ms. Vincent's savvy, sexy wit, and celebrity, expert advice can also be seen at various times on the Today show, Tyra Banks, Extra, I-Village, Good Morning America and on dozens of other news and radio stations around the country.
Cerina has traveled the world meeting her fans, promoted her films on various media including Access Hollywood, The Howard Stern Show, MTV UK and on hundreds of national radio stations including MAXIM, COSMO and PLAYBOY radio. She has appeared in and on covers of dozens of magazines in the US and all over Europe, but in "real life" enjoys cooking, yoga, happy hour with her girlfriends, and spending time with her large, loving Italian family. Currently, Cerina is busy writing her 4th book in the Hot Chick Book Series, and excited for the release of her latest action/thriller, MoniKa.
|BILLY VAN ZANDT & JANE MILMORE
THEATRE: Love, Sex And the IRS; Suitehearts; Lie, Cheat, And Genuflect; Playing Doctor; Having A Wonderful Time, Wish You Were Her; A Little Quickie; Drop Dead; Bathroom Humor; Infidelities; The Senator Wore Pantyhose; What The Bellhop Saw; Till Death Do Us Part; Do Not Disturb; Merrily We Dance & Sing; What The Rabbi Saw; Confessions Of A Dirty Blonde; Silent Laughter; The Pennies; A Night At the Nutcracker; The Property Known As Garland (Van Zandt); You've Got Hate Mail; Wrong Window; High School Reunion: the Musical. TELEVISION: Newhart; Anything But Love; I Love Lucy: The Very First Show (Emmy nomination); Sydney; Nurses; Martin (People's Choice Award, NAACP Image Award); Daddy Dearest; Wayans Bros.; Suddenly Susan; Bless This House; Yes, Dear; The Hughleys (Prism Award); Center Of thee Universe; Jack and Janet Save the Planet. FILM: A Wake In Providence (Ft. Lauderdale Film Festival Audience Award). Visit Billy and Jane at www.vanzandtmilmore.com and www.samuelfrench.com.
Gary Shaffer's directing credits include High School Reunion: the Musical (co-director), Fiorello!; The Pajama Game; Promises, Promises; Run For Your Wife; Side by Side by Sondheim; Noises Off; Camelot; Not Now, Darling; Forum; Guys & Dolls; Pump Boys & Dinettes and at New York’s Manhattan Rep Theatre: And I’ll Scratch Yours. His original comedy Bases Loaded was recently performed at Ocean County College in New Jersey. Producing credits include the Off-Broadway runs of Anne Meara's After-Play, My Italy Story, Kosher Franks, Santa Claus is Coming Out and Carol Channeling. His company, Shaffer Marketing, has handled promotions for productions in New York, Las Vegas and elsewhere.
A skilled fight choreographer, aerial performer, and actor, Jen is currently a member of the technical production staff at the Brookdale Performing Arts Center (NJ). She has worked as a builder, rigger, and security coordinator in a wide variety of entertainment venues, as well as spending several years as an adventure guide, corporate trainer, and experiential educator. Her recent regional backstage assignments include A Christmas Carol at the McCarter Theatre (stage crew), the 2011 Princeton Festival (Props Master), and at Brookdale, Julius Caesar (Set Designer). Previous Van Zandt/Milmore productions for Jen include Wrong Window (Props Master), and High School Reunion: The Musical (Props Master, Rigger).
Having left behind a long career in higher education, Noel freelances as a graphic artist and writer, and is a principle at Rainwater Creative Content. For more than a decade, he's produced theatrical productions for VZ/M.
Danny, of Paris, New York, and Red Bank is the Official Van Zandt/Milmore Photographer. In addition to his work in fashion, advertising, and editorial, he also does extensive work shooting head shots, and is frequently requested for Soap Opera Digest. Past credits include many national magazines, album covers and shooting for Spin Magazine.


Posted - 11/12/2003 : 11:18:24
| The four word film review is based in the UK. It's editor is based in the UK. Therefore the film titles that we use here are typically the UK (or European or International) title.
If you can't find the film you want by the name you know it as in your country- submit it as a new film to be added and we'll worry about whether it's listed under a different name or not.


30475 - CRITICAL APPROACHES TO THE ARTS II - MODULE II (CINEMA)
Course taught in English
Go to class group/s: 31
Class-group lessons delivered on campus
There are no formal prerequisites for this course. You may or may not already be a cinema follower. Anyone can take this course. This is an introductory course both for those already cinema followers as well as those who have not followed cinema before. All films will be shown either in English or with English sub-titles. No previous knowledge of social theory is necessary.
The role of cinema in our society is a complex one starting with the factor of entertainment as popular expression. On a deeper analysis, cinema represents the expression of social mores, collective anxieties and cultural paradigms. The course has three principal objectives: - Provide the students with a comprehensive understanding of how cinema works both technically and culturally. - Help the student develop a personal understanding of major social theories as well as the capacity for expressing and analyzing cinematic narrative. - Teach structural, cultural, semiotic and linguistic theories which help the student identify significant social-cultural themes within cinematic narrative.
This course offers the student a complex understanding of cinema, its structure and its meaning.
- Analysis of the cinematic language and its relation to social theories and Consumer Culture Theory.
- Theoretical basis of the cultural questions represented through cinema and their relationship to social and psychological needs.
- How story structure guides our emotional response.
- The vision of key films or streaming episodes in order to understand their lingustic development and social significance.
The course is based on the vision and subsequent in-class or on-line discussion of specific films or streaming episodes which have attracted the public's attention for various motives.
- Analyze the semiotic meaning of any scene in any film.
- Understand the social theories at the basis of a film's narrative and the protagonist's relation to society.
- Identify the cinematographic elements utilzed in a film's narration.
- Appreciate various genres of film from various cultures.
- Distinguish the anthropological as well as cultural values expressed in a film's narrative.
- Evaluate the sociological and psychological basis for a films cultural appeal.
- Understand and evaluate the professional roles connected to the production of a film.
- Relate a film's theme to a larger understanding of contemporary culture and social theory.
- Recognize a story's potential appeal relating to the psychological and social treatment of the protagonist.
- Face-to-face lectures
- Online lectures
- Guest speaker's talks (in class or in distance)
- Individual assignments
- Interactive class activities (role playing, business game, simulation, online forum, instant polls)
- The in-class or on-line vision of films or episodes followed by group discussion.
- In-class and on-line lectures.
- Flash quizzes asking to relate cinematographic themes to social theories.
- An analysis of a Video Clip as a mid-term exercise.
The required Mid-term Paper is a semiotic, cinematographic and sociological analysis of a musical video clip chosen by the student. In the paper, the student uses his or her understanding of semiotics in order to analyze the cinematographic elements of a video clip and how they reveal the underlying social theories discussed in class and in readings. The same approach is used in the Final Exam where the student must elaborate on the structure of the clip seen and how their understanding of social theory and cinematic language are braided into a significant narrative with social, emotional and psychological consequences.
The Mid-Term Paper is worth 40% of your Final Grade. The Final Exam is worth the remaining 60%.
There is no partial paper for non-attending students. In the Final Exam the student must elaborate on the structure of the clip seen during the exam and how their understanding of social theory and cinematic language are braided into a significant narrative with social, emotional and psychological consequences.
The Final Exam is 100% of your Final Grade.
Cod. 30475 Class Dispensa: Cinema & Social Theory, edited by Edward Rozzo - Pelican Editions, EGEA
Introducing Social Theory, Third Edition, Pip Jones and Liz Bradbury, Polity Press


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Episode Name:Cat’s Cradle
Summary:Hanna worries that her mother is keeping a dangerous secret and is determined to protect her at all costs, which leads her to an uncomfortable meeting with Detective Holbrook. A clue in Ali’s things leads the Liars to a creepy mask maker, who takes a shine to Emily and may have ties to another Rosewood resident. Spencer and Toby continue their search into a painful chapter of Toby’s past and Melissa returns to Rosewood. Meanwhile, A targets Emily’s mom, leading Aria to make a desperate plea of Ella.
Starting with Spencer, she gets a bit of a shock when UPenn reject her application. It’s not surprising that even a type-A, over-achiever like Spencer would struggle to maintain academic excellence while also dealing with murder mysteries and stints in mental hospitals, but she takes it pretty hard all the same. She claims to be the first of her family to not attend the college and Ezra warns her against using the same essay, which details her experiences with A and subsequent breakdown, for other applications. With the knowledge that going to college would make the fifth series of Pretty Little Liars a little difficult, will she even go away next year?
Sadly, the show seems to be doing its best to keep all four Liars in Rosewood for the foreseeable future. Emily’s dreams of attending Stanford with Paige on a swimming scholarship are fading fast, as a shoulder injury she gets while saving Mona from A causes her to nearly overdose on painkillers. Her medicated state during an important swim meet puts her in the hospital and probably ruins her chances of winning the spot over rival Shana, so it seems likely the show will follow the grand old tradition of sending its graduating cast to the bog-standard local college.


The theater is the place to be for a good night of immersion and fun. Actors play their parts with vigor, the curtain opens and closes, and the stage lights up to establish the atmosphere of the production. Your eyes get to enjoy everything that is happening on stage—which is why visiting a Lasik eye center in Los Angeles can give you the better eyesight you’re looking for!
How Lasik Eye Surgery Can Help with Theatrical Performance
Getting Lasik eye surgery is the best way to improve your eyesight and eliminate any conditions or hindrances that can cause your sight to suffer from some difficulties. This not only works in helping you in your everyday tasks, your work productivity, your performance in video games, and even your athletic performance, this can also benefit your performance on stage as well.
Engaging in theater can be great, but physically taxing as well, which is why as an actor, or even a part of the production staff, you’ll need to be at your healthiest all the time, including your eyesight. Here’s how getting Lasik eye surgery by the best eye surgeon in Orange County can improve your performance on stage:
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One thing that’s very important with theater is memorizing the script. The script is what tells you what you should say as your character, as well as what specific moment is slated to happen with the right cues.
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Truly, services provided by the best Lasik eye center in Los Angeles are something that thespians can enjoy. Visit any eye center near you if you’re suffering from any eye-related conditions and you’ll be able to take the stage by storm!


My daughter is a filmmaker. She is off to college in the fall to pursue this fine art. This week at school, they had a heated Battle of the Videos where the kids of Advanced Film Production, squared off. They had to make a music video to Kanye West's "Love Lockdown". My girl and her partner Miranda toiled tirelessly to create this. For those of you, like me, who enjoy a film just for the film and don't notice all the special techniques, editing, and camera shots that make a film brilliant, this one is filled with a lot of special razzmatazz. It made editing that much more cumbersome. If they weren't at school, they were upstairs on the computer for hours at a time. The final night of production, they didn't sleep, not a wink. The two of them working through the night while the rest of the house slept.
And in the end, they won.
The videos were judged by a panel of teachers and then, the winner, was shown to the whole school. My child who has decided she likes the name, O-Dawgg (Dear Lord, how I hope that moniker doesn't stick), said the whole school was abuzz. O-Dawgg's film teacher of 4 years, a Tim Gunn lookalike who has helped mold this passion of hers, said he took the video home to show his wife. She, I'm sure having been shown many, many student projects over the years, told him she really didn't want to watch another kid's video. He insisted. He said she was blown away.
As you will be, as we all are.
O-Dawgg's films can be viewed at Mirlivia Productions on Youtube.
Today's Download: Of course, Kanye West's "Love Lockdown". Great song, even though I want to give it a rest for awhile. It's been reverberating in my head all week. The chords floated down from the upstairs workspace as they edited and reedited. O-Dawgg says she never wants to hear it again. Congratulations, Olivia and Miranda. We are proud.


by Godfrey Cheshire, Matt Zoller Seitz and Armond White; Edited by Jim Colvill
Comprising of the kind of long-form criticism that is all too rare these days, the weekly film columns in the NY Press included polemics, reviews, interviews, festival reports and features. A far cry from what is often derisively termed the "consumer report" mode of criticism, Cheshire, Seitz and White were passionately engaged with the film culture of both their own time, and what had come before. They constituted three distinctly different voices: equally accomplished, yet notably individual, perspectives on cinema. Their distinctive tastes and approaches were often positioned in direct dialogue with each other, a constant critical conversation that frequently saw each writer directly challenging his colleagues. Dialogue is important in criticism, and here you can find a healthy example of it existing under one proverbial roof. The Press Gang is three-way dialogue between Cheshire, Seitz and White assesses the 1990s in cinema, along with pieces on New York's vibrant repertory scene that allow us to read the authors' takes on directors such as Hitchcock, Lean, Kubrick, Welles, Fassbinder and Bresson; as well as topics such as the legacy of Star Wars, film noir, early film projection in New York City, the New York Film Critics Circle, Sundance, the terrorist attacks of 9/11 and the emerging cinema of Iran and Taiwan.


Attack the Gas Station!, 1999
dir: Kim Sang-Jin
The Korean New Cinema begins with movies like this one. They are unconventional, edgy and stimulating. Box Office takings soar, film exports increased and artistes get recognition at international festivals. As time goes by, Korean movies became more and more formulaic and thus getting more and more boring and unimaginative. The production quality has improved, no doubts, but the creative quality has gone down a mile.
The year 1999 is an important year for Korean cinema. It is the year where Koreans flock the cinemas and kick started the revival of the Korean movie box office hit phenomena. The movie that led this was SHIRI which eventually beat TITANIC at the box office but that same year also saw the release of TELL ME SOMETHING and ATTACK OF THE GAS STATION! The year also marked the release of critically acclaimed movies such as NOWHERE TO HIDE and MEMENTO MORI.
ATTACK THE GAS STATION! is a black comedy and is set in the course of one night, like Johnnie To’s PTU. It also reminds one of movies like Guy Ritchie’s LOCK, STOCK AND TWO SMOKING BARRELS. Four friends, each with their own dark history, got bored and decided to rob a gas station. They have actually robbed the station the night before but since they are so bored, they decided to do it again. However, the station’s boss is smarter this time and hid the cash.
Seeing that there is not much money in the till, they put the boss and his teenage employees captive and run the station themselves under the direction of their leader (played by Lee Sung-Jae). Clumsy as they are since they do not know how to pump gas, they manage to get some cash out of the station’s customers, and in the course of doing so, also kidnapped customers that annoys them.
The situation becomes more chaotic when local gangs are involved and the four guys, who are all excellent fighters, made captive of these gangsters. By now, you will imagine what it is like in the room where all these people are held captive, the station employees, the arrogant customers and local gangsters, one of whom has a grudge against one of the station employees. It is quite a spectacle to see the shift in power among the captives which is at once comical but is so true to human behaviour.
Then the four guys decided to order Chinese food and got the delivery boy involved in the chaos. The delivery boy felt that he was insulted and gathered his big gang of delivery boys to teach them a lesson. Here, we see the role of the “lower” income group/blue collar workers in affecting the politics of the country, that is if you wish to see this as a metaphor and commentary on the state of the Korean society.
The final scene is a huge ensemble of gangsters, delivery boys as well as cops and the standoff is comical. Of course, the four guys got away and the incident was then forgotten but the movie sticks in my mind. The shooting style and look and feel is edgy, one cannot but see the decay of youth and the rise of the lower income class and all these within a movie that many will consider comedy. Movies like this one makes my heart pump faster and leaves me feeling refreshed. They make me love the movies more. It is very satisfying.


House Of The Dragon: 8 Takeaways After Rhaenyra’s Season 1 Finale Shockers (And More) For What Comes Next
House of the Dragons had shockers and heartbreak to spare in the Season 1 finale, and here are some points that could be huge for Season 2.
House of the Dragon Season 1 Episode 8 Ending Explained | Recap
As Season 1 of House of the Dragon nears its conclusion, it is abundantly evident that the first season’s main goal was to advance the plot toward the inciting occurrence. We get another episode that feels every bit as long as its 67-minute runtime, packed with multiple plots, some new character development, and plenty of defining moments that could reflect the direction the show goes in Season 1’s final two episodes. This happens as we continue the build-up toward something major happening.
#houseofdragon #endingexplained #Recap #MediaBreakdown
Top 10 Things You Missed in House of the Dragon Episode 8
Mixed within the family drama of “House of the Dragon’s” 8th episode were a lot of great details you may have missed. For this list, we’ll be looking at small details like Easter eggs and references you may not have noticed the first time around in the episode “The Lord of the Tides.” If you haven’t seen the new episode yet, there will be spoilers. Our countdown includes a High Valyrian History Lesson, Arryk & Erryk, The King’s Mask, and more! Anything else you noticed? Let us know in the comments below!
Watch more great “Game of Thrones” videos here:
Top 20 Shocking Game of Thrones Betrayals: https://youtu.be/qy2iQQOp-uQ
Top 20 Times Game of Thrones Went Too Far: https://youtu.be/f5zmB88RuD8
Top 10 Times Game of Thrones Characters Went BEAST MODE: https://youtu.be/j6kpKIRFox8
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House of the Dragon Season 1 FINALE DISCUSSION
HotD s1x10 episode breakdown
ep 9 was all about the greens in king’s landing, this week was
all Rhaenyra Targaryen and her black allies on Dragonstone
Contact ► [email protected]
Twitter ► twitter.com/whycreator
Vermithor & Silverwing art by –
Aemond vs Lucerys storm’s end art by – https://mallorydorn.com/
House Of The Dragon Episode 6 FULL Breakdown and Game Of Thrones Easter Eggs
House Of The Dragon Episode 6. Game Of Thrones Easter Eggs, Dance Of The Dragons, Aegon II, New Dragons, Vhagar, Ending Explained & Episode 7 ► https://bit.ly/AwesomeSubscribe
House Of The Dragon Episode 7 Trailer https://www.youtube.com/watch?v=xjRA6_p7ZcI &list=PLOIeYdZ3QczxGuSDE8NtOuthqbKFChC0q &index=1
House Of The Dragon Episode 5 https://www.youtube.com/watch?v=-f_lK17-088 &list=PLOIeYdZ3QczxGuSDE8NtOuthqbKFChC0q &index=1
House Of The Dragon Dance Of The Dragons https://www.youtube.com/watch?v=m3rV0oaKuN4 &list=PLOIeYdZ3QczxGuSDE8NtOuthqbKFChC0q &index=1
Loki Season 2 Trailer https://www.youtube.com/watch?v=E7_0PU3jkUg &list=PLOIeYdZ3QczwWT3yd94Xc6n-ooI85uV_u &index=1 &t=0s
Marvel Secret Invasion Trailer https://www.youtube.com/watch?v=Kd-2nciUU-k &list=PLOIeYdZ3QczwWT3yd94Xc6n-ooI85uV_u &index=1
Black Panther Wakanda Forever Trailer https://www.youtube.com/watch?v=GFVKCPnmUN8 &list=PLOIeYdZ3QczwWT3yd94Xc6n-ooI85uV_u &index=1
Guardians of the Galaxy 3 Trailer https://www.youtube.com/watch?v=WS1S8XKNCIk &list=PLOIeYdZ3QczwWT3yd94Xc6n-ooI85uV_u &index=1
Emergency Awesome New Videos https://www.youtube.com/watch?v=FeOfhzu7ZdY &list=PLOIeYdZ3QczxQXxyV_2D8kuEs_QsuQIyJ &index=7
House of the Dragon Episode 1 – Episode 10 Finale https://www.youtube.com/watch?v=KhqMOEzFu-Q &list=PLOIeYdZ3QczxGuSDE8NtOuthqbKFChC0q &index=1
Game Of Thrones Episodes https://www.youtube.com/watch?v=6yt4zOmjFHs &list=PLOIeYdZ3Qczy79AfbfCgys2YwI8g6zD16 &index=13
Covering Full House Of the Dragon Episode 6 Breakdown. The Princess and The Queen. Game Of Thrones Easter Eggs and References Explained. Aftermath of House Of The Dragon Episode 5 Rhaenyra Wedding to Laenor Velaryon. New Dragons Vhagar, Meleys and Seasmoke Explained. Game Of Thrones Red Wedding and Joffrey Purple Wedding Easter Eggs.
Why King Viserys Targaryen is Dying. Aegon II Targaryen Explained and new scenes. Aegon II and brother Aemond Targaryen. Aegon vs Rhaenyra and Iron Throne. Daemon and Rhaenyra Explained. House Of The Dragon Episode 6 Time Jump with older Rhaenyra and Alicent actresses explained. Harrenhal Explained, Aegon and Valyria Explained.
Rhaenyra and Harwin Strong, Rhaenyra and Criston Cole Explained. The House of the Dragon Trailer also has footage covering future episodes through the middle of the season including Episode 7, Episode 8, Episode 9, and Episode 10 Finale. Aegon’s Conquest. New Characters, Game of Thrones History and Lore. New House of The Dragon Intro Scene, New Titles.
Dance of The Dragons Trailer and A Song of Ice And Fire Book Easter Eggs. Jon Snow Daenerys Targaryen Family History and Lore. George RR Martin involvement explained. Game Of Thrones, A Song of Ice And Fire Books it’s based on. And the House of the Dragon Game of Thrones Episode Timeline.
Black Panther 2 Trailer, Avengers 5 Kang Dynasty Trailer, Avengers 6 Secret Wars Trailer, Thunderbolts Trailer, Ant-Man 3 Trailer, Deadpool 3, Fantastic Four Teaser and videos from Disney Plus Day.
My House of the Dragon Episode 7 Trailer video will post next! Full House Of The Dragon Episode 7 video next sun. Rick and Morty Season 6 Episode 4 video tues!
Twitch Channel https://twitch.tv/emergencyawesome
My Website https://emergencyawesome.com
:: Video Playlists For Shows ::
New Emergency Awesome Videos https://www.youtube.com/playlist?list=PLOIeYdZ3QczxQXxyV_2D8kuEs_QsuQIyJ
House of The Dragon Episodes https://www.youtube.com/playlist?list=PLOIeYdZ3QczxqJeNeCsF_ghizcTS9nM4X
Loki Episodes https://www.youtube.com/playlist?list=PLOIeYdZ3Qczy8mUNqHU-35xtTd-JpJU3l
The Mandalorian Episodes https://www.youtube.com/playlist?list=PLOIeYdZ3QczzsN78nOjS-ABHwKaB7KONW
Game of Thrones Episodes https://www.youtube.com/playlist?list=SPOIeYdZ3QczxGuSDE8NtOuthqbKFChC0q
Marvel Movies and Avengers https://www.youtube.com/playlist?list=PLOIeYdZ3QczwWT3yd94Xc6n-ooI85uV_u
Rick and Morty Season 6 Episodes https://www.youtube.com/playlist?list=PLOIeYdZ3Qczyvx-lFYzOv9s6bOv7b9wYR
Avatar The Last Airbender Episodes https://www.youtube.com/playlist?list=PLOIeYdZ3Qczx-z2jyyX4naSnE1A8d0hkC
The Witcher Season 3 Episodes Netflix https://www.youtube.com/playlist?list=PLOIeYdZ3QczyRsUjubTL0CQyPIu1g9OtV
The Boys Season 3 Episodes https://www.youtube.com/playlist?list=PLOIeYdZ3Qczw-KMQyuCrxcxV3mSQWTAdR
Spider Man Videos https://www.youtube.com/playlist?list=PLOIeYdZ3QczzbRhRiGhj3-MaZ_24kadOy
The Batman and DC Movies https://www.youtube.com/playlist?list=PLOIeYdZ3QczwCLH9RIm-7ui56ameRYmdQ
Justice League Snyder Cut Videos https://www.youtube.com/playlist?list=PLOIeYdZ3QczwCLH9RIm-7ui56ameRYmdQ
Star Wars Movies https://www.youtube.com/playlist?list=PLOIeYdZ3QczztMg8cT1WS0P8ATv-MhUEJ
THANKS FOR WATCHING!!


Posters and Puzzles
Eye of the Tiger
The Rocky Statue — a larger-than-life boxer — is one of Philadelphia’s most famous pieces of public art.
The fictional Rocky Balboa of Sylvester Stallone’s Rocky movies was immortalized in bronze by artist A. Thomas Schomberg in 1980 for a scene in the film Rocky III.
After the filming was complete, Stallone donated the statue to the City of Philadelphia.
Since 2006, the statue has been located at the bottom of the stairs at the Philadelphia Museum of Art


Watching a lot of TV shows and movies? Cannot remember where You left off? Too many movies coming out to remember what to watch?
If Yes - than this app is what you need.
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The official music video of Julian Wassermann's new single 'Guard' is finally online! Here we would like to give you an insight to the production and the story behind. Julian Wassermann’s video tells the story of a single father trying to make his own interests palatable to his son. He doesn’t realize that his son doesn’t share his passion. Already at the beginning it becomes obvious that the son only pretends to be enthusiastic about boxing out of consideration for his father - while he fears to confess his true passion: dancing.
The music video tells how a child learns to deal with his expectations and finds his own role in life. It was developed and shot by Virus.
When they heard the track for the first time, they were excited and interested in working together with Julian. The film was shot in a disused factory in Harburg, near Hamburg. As you may have noticed, the industrial scenery was particularly important in this video shoot. The boxing ring scene was shot at the harbour at "Work Your Champ", also here a very special atmosphere was captured. The skyscrapers are in the middle of Hamburg's city centre. The depicted apartment was specially furnished for the shoot, as the apartment had previously been empty. We are overjoyed about such a successful film project, grateful for a successful cooperation and would like to thank everyone for the support. We hope you like the video as much as we do.


It’s nice to get a behind-the -scenes look at a movie, but even better when you can write about it. Well, I can finally do some of that for the upcoming “War for Planet of the Apes,” which arrives on July 14th—and we have a new trailer, too. It is the third in the series directed by Matt Reeves, starring Andy Serkis, Woody Harrelson, Steve Zahn, Amiah Miller, Karin Konoval, and Terry Notary. In this installment, Caesar (Serkis) is leading the apes against a human army led by the heartless Colonel (Harrelson).
I was one of a number of editors who got a look at the making of “War for the Planet of the Apes” on the movie’s Vancouver set last December. We had a chance to talk with the producer, director, and stars, along with the visual effects producer, Ryan Stafford. One thing that was clear from the discussion is that the story and presentation were paramount, and that the actors worked hard to deliver compelling scenes even while wearing prosthetics and motion-capture gear.


In Messina, the governor Leonato, his daughter Hero, and her cousin Beatrice (Antonio's daughter) learn from a messenger
that Don Pedro has won victory in a battle and is returning home. He arrives with Claudio, Benedick, and Pedro's bastard brother,
Don John. Claudio falls in love with Hero at first sight. Benedick and Beatrice chide one another and trade witticisms. In
private, Claudio tells Benedick of his love, but Benedick only teases him. Don Pedro, however, vows to help Claudio by disguising
himself as Claudio and making advances to Hero. Leonato's brother Antonio overhears Don Pedro and Claudio's conversation,
but believes Don Pedro is in love with Hero, rather than Claudio. Informing Leonato of this, both rejoice at prince Don Pedro's
supposed intentions and plan to tell Hero. Don John's servant Conrade informs Don John of Claudio and Pedro's plans to woo
Hero for Claudio, but John, who enjoys being grouchy and spreading gloom, plans to attempt to foil the plans.
At dinner, while discussing husbands, Beatrice vows to never marry, echoing Benedick's earlier vow. The men arrive in
masks: Don Pedro and Hero dance; Benedick and Beatrice dance, and she makes fun of Benedick in general, possibly not knowing
she is in fact dancing with him. Don John appears to Claudio, who identifies himself as Benedick, even though Don John knows
he's Claudio. Don John tells him Don Pedro is actually in love with Hero, causing Claudio to become depressed. Benedick carries
the ruse further, depressing him more. To his relief, though, Don Pedro unites Hero and Claudio in future marriage. Further,
Don Pedro plans to convince Beatrice and Benedick to marry one another, even though both has vowed to never marry. Soon, Don
John learns of Claudio's engagement to Hero. Still hoping to foil their marriage, he and his servant Borachio plan to brand
Hero as a prostitute and thus compromise the marriage. In the orchard/garden, Don Pedro, Leonato, and Claudio discuss Beatrice's
"love" for Benedick. Although Benedick is hiding, they know he is there and lead him to believe she loves him; Benedick takes
Similarly, Hero and her servant Ursula Discuss how Benedick is "in love" with Beatrice, while Beatrice herself hides
in the trees and listens; she too takes the bait. Separately, Don Pedro and Claudio tease Benedick for being quiet. Don John
appears and tells Pedro and Claudio that Hero is a whore/prostitute and will give proof of it the evening before the wedding.
At nightfall, Dogberry and Verges instruct the night watch to watch over the city. In hiding, they hear Borachio (drunk) tell
Conrade how he heath let Margaret woo him from Hero's bedroom, and thus deceive Don Pedro and Claudio into believing Hero
is a whore. The next day, at the wedding, Claudio plans to denounce Hero and will not marry her. The watch arrests Borachio
and Conrade, then Dogberry and Verges come to Leonato to tell him of the arrest, though he impatiently shrugs them off.
At the wedding, Claudio and Don Pedro accuse Hero of being a whore. Leonato vows to determine if the accusations are
true. Further, the Friar suggest they pretend that Hero has died from the accusation, so that if a lie is being propagated,
the source may admit the lie out of remorse. Privately, Benedick and Beatrice profess their love for one another. She asks
him to prove his love by killing Claudio for wronging Hero. In prison, Dogberry interrogates Borachio and Conrade; the Sexton
(recorder) plans to tell Leonato of their crimes.
In a courtyard, Benedick charges Claudio to a duel. Before this can
occur, Dogberry brings Borachio who admits of his wrongdoings to slander Hero. Leonato, still dissembling that Hero is dead,
instructs Claudio to come to his house in the morning, so that he can marry a "cousin" of Hero, who is nearly identical to
her (and actually is her). Beatrice and Benedick continue to fall in love. At the tomb, Claudio delivers and epitaph to Hero.
Then, in the morning, Benedick asks Leonato for Beatrice's hand in marriage. Further, Hero and Claudio are again engaged to
be married. Lastly, it is reported that Don John has been arrested for his deceit and will be punished.
Act 2, Scene 1
"The fault will be in the music, cousin, if you be not wooed in good time: if the prince be too important, tell him there
is measure in every thing and so dance
out the answer. For, hear me, Hero: wooing, wedding, and repenting, is as a Scotch jig, a measure, and a cinque pace:
the first suit is hot and hasty, like a Scotch jig, and full as fantastical; the wedding, mannerly-modest, as a
full of state and ancientry; and then comes repentance and, with his bad legs, falls into the cinque pace faster and faster,
till he sink into his grave."
related internet links
a complete, searchable
e-text of the play.from
The Complete Works of
William Shakespeare online
extensive links to Medieval, Shakespeare
and other relevant sites of interest
An annotated guide to Shakespeare
resources on the Internet.
Also has a timelineof important
historical events that affected his writings.
The reconstructed Shakespeare's Globe on
London's Bankside, including Theatre,
and Exhibition departments.
dedicated to the experience and
understanding of Shakespeare
who's Shakespeare?" you ask.
why, the greatest playwright of all time!
There are many people out there
in the world, some students
(especially the students), who couldn't
care less about Shakespeare.
this site believes this dislike towards
the Bard comes from the fact that
his writings are difficult to understand.
that's where shakespeareNet steps in!
they've broken down the plays into two
categories: the players and
the breakdowns begin learning,
and have fun


Explore our course catalog below to find the perfect fit for you or your young actor!
With instructor Megan Williams, students will explore The Journey of the Noble Gnarble (if class sizes allow). Students will learn the basics of theatre: working in an ensemble, moving on stage, singing, dancing, and creating as a group!
Combining the best of both worlds, students learn the basics of musical theatre. Develop cooperation, basic techniques, and self-confidence you’ll carry with you forever!
Under the instruction of Maria Getz Beery, this workshop gives students the unique opportunity to explore the basics of playwriting by creating compelling characters, interesting conflicts, and engaging dialogue. Classes consist of a variety of brainstorming and “writing on your feet” exercises to inspire creativity through storytelling. Each student completes a full one-act play by the end of the semester with the option of presenting it in a staged reading format.
Taught by Maria Getz Beery, this high energy class will get you thinking on your feet! Students will learn the basics of improvisation through a variety of games and exercises. They will create dialogue, characters and settings on the spot each week by using brainstorming and their creativity. The class will culminate in a showcase/improv show for parents and friends!
Learn the basics of theatre or work one-on-one with one of our professional acting instructors to further develop and expand your acting skills.
Everyone deserves the opportunity to experience the transformative power of engaging with the arts, no matter their financial situation. Click below to explore our generous financial aid options and take the next step toward unleashing your full creative potential.
Our theatre instructors bring a passion for the stage and years of professional acting experience to every classroom experience. Our friendly, caring, and dedicated faculty are committed to bringing out the best in each student and guiding them toward reaching their full potential.


The documentary “Raw Faith” featuring Marilyn Sewell has its theatrical debut this week.
According to Sewell, “We’re opening in NY at the Quad Cinema in Greenwich Village on Friday, June 24, screening all that week. Peter Wiedensmith, the director, and I will be there to do Q&A Friday evening and on Saturday and Sunday screenings.”
About the film:
Raw Faith is an intimate and revealing documentary that follows two years in the private life of Marilyn Sewell, an outspoken and socially progressive Unitarian minister who has re-energized her Portland community.
While serving a community that relies on her for wisdom and advice (on both personal and ethical issues), Marilyn struggles quietly with decisions about her own future. As she seeks to reconcile the commitments of her profession with a longing for intimacy and love, childhood memories of mental illness and alcoholism come back to the surface – and must be dealt with before she can move forward.
As Marilyn’s life unfolds in front of the camera (in real time), she shares her journey with remarkable candor, humor and increasing wisdom, ultimately leading her to an unexpected revelation of faith and love in all of its guises.


This year has been a tough one for Hollywood. The Covid-19 pandemic has decimated box office revenues and forced movie studios to delay or cancel many of their most anticipated releases. But despite all the challenges, there have still been some great movies released in 2020. Here are our picks for the best movies of 2022!
What is the Best Thing about these Movies?
The best thing about these movies is that they offer a wide range of genres and styles. There is something for everyone, whether you’re looking for a heart-warming drama, an action-packed thriller, or a hilarious comedy.
What’s more, these movies are all highly acclaimed by both critics and audiences. They have won numerous awards and have been praised for their excellent storytelling, performances, and production values.
So if you’re looking for the best movies of the year, look no further than this list. You’re sure to find something that you’ll enjoy watching over and over again.
The 8 Best Movies of 2022 That Will Definitely Blow Your Mind
As we say goodbye to 2020 and all the films it had to offer, we’re already looking ahead to next year and the amazing slate of films that are set to be released. From big blockbusters to small indies, there’s something for everyone in 2022. Here are eight of the best movies that will definitely blow your mind.
1. A Wrinkle in Time
A Wrinkle in Time is one of the best movies of – the year that will define Hollywood.
The movie is about a young girl named Meg who goes on a journey to find her father. Along the way, she meets some interesting characters and learns some important lessons.
The acting in the movie is excellent, and the special effects are amazing. The story is very inspiring, and the ending is very satisfying.
This movie is a must-see for anyone who loves adventure movies. It is one of the best movies of – the year that will define Hollywood.
2. The Black Panther
The Black Panther was one of the best movies of 2018. It grossed over $1 billion at the box office and was praised by critics for its strong story, excellent acting, and gorgeous visuals.
The Black Panther also had a profound cultural impact. It was one of the first superhero movies to feature a predominantly black cast, and it helped to change the way Hollywood views diversity.
The Black Panther is a landmark film that will be remembered for years to come. It is a film that represents progress and possibility, and it gives hope to people of all colors that they can be represented in Hollywood.
3. The Incredibles 2
The Incredibles 2 was one of the best movies of 2018. It was a sequel to the 2004 film The Incredibles and followed the Parr family as they tried to stop the villain, Screenslaver.
The movie was a huge success, grossing over $1 billion at the box office. It received rave reviews from critics and audiences alike, and it is considered one of the best superhero movies ever made.
The Incredibles 2 is a must-watch for any fan of superhero movies or simply anyone who wants to watch a great movie.
4. Jurassic World: Fallen Kingdom
Jurassic World: the Fallen Kingdom will be the feature film that everyone is talking about in 2022, chiefly due to its climactic scenes. As with 2015’s Jurassic World, these scenes harness modern technology to bring dinosaurs back from extinction and then plunge them into an action-packed adventure.
5. Avengers: Infinity War
Avengers: Infinity War was one of the best movies of 2018. The movie was a huge success, grossing over $2 billion at the box office.
The movie featured an all-star cast, including Robert Downey Jr., Chris Evans, and Scarlett Johansson. The movie was directed by Anthony and Joe Russo, who also directed the previous two Avengers movies.
Avengers: Infinity War was a critical success as well. The movie received positive reviews from critics, who praised its story, direction, and acting.
Related Article – Tamil Movie 2022 Download For Free in HD
6. Solo: A Star Wars Story
Released on May 23rd 2022, Solo: A Star Wars Story is the fourth Star Wars prequel film. It grossed $220M on its opening weekend and made over $2B at the box office worldwide. The film was directed by Ron Howard and written by Jonathan Kasdan and Lawrence Kasdan, based on characters created by George Lucas. It stars Alden Ehrenreich as Han Solo, Donald Glover as Lando Calrissian, Emilia Clarke as Kira Nerys, Woody Harrelson as Beckett, Phoebe Waller-Bridge as L3-37, and Joonas Suotamo as Chewbacca.
7. Ant-Man and the Wasp
” Ant-Man and the Wasp ” is a Featured Film produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. The film is directed by Peyton Reed. It stars Michael Douglas, Evangeline Lilly, and Hannah John-Kamen. The film is scheduled to be released on July 4, 2022, in IMAX and 3D. Ant-Man & the Wasp” will be the fourth installment in the Marvel Cinematic Universe following ” Avengers: Infinity War,” with ” Ant-Man ” director Peyton Reed returning to helm this sequel.
Related Article – Top 10 Movies on Netflix To Watch 2022 Online
8. Mission: Impossible – Fallout
On the weekend of 18th to 20th July 2022, “Mission: Impossible – Fallout” will blow your mind. I can’t say exactly what that mind-blowing moment will be without giving too much away, but let’s just say that it involves Tom Cruise clinging onto the roof of an airborne helicopter and putting a live grenade in his mouth.
Conclusion: What is Next for These Film Genres?
The question of what is next for these film genres is an ongoing one. With the film industry constantly evolving and changing, it’s hard to predict what will happen next. One thing that we can be sure of though is that the future of cinema will be exciting and unpredictable.
In this essay, I have discussed the future of these three film genres in light of their pasts, presents, and potential futures. I have looked at how they are all changing in different ways and how they are all progressing in their own ways. It has been my goal to show that these three genres are not so different from each other as many people might think; instead they share a common thread: change.


Billy Lynn's Long Halftime Walk After triumphing at the 2012 Oscars with 'Billy Lynn's Long Halftime Walk', which was praised for its use of 3D and the strength and sense of special effects, Ang Lee seemed poised to look for new challenges related to the use of technology . Therefore, his new work, 'Billy Lynn's Long Halftime Walk', had generated a curiosity and an expectation very difficult to surpass (and to fulfill for the own film).
What was most striking about the project was not that it was going to become the first film ever shot at 120 frames per second (it can only be seen as it was conceived in 6 cinemas around the world), but the story it was going to adapt To be directed that way: Ben Fountain's novel, Billy Lynn's Long Halftime Walk which chronicles the life of a young soldier when he survives a battle in Iraq and returns to his country as a hero for a promotional tour.
Having celebrated its World Premiere in the Festival of New York, we can say that the critics are being of the most disparate, surely much more negative than expected. Here's what some media say about 'Billy Lynn's Long Halftime Walk':
The Hollywood Reporter's opinion is favorable to the proposal. Billy Lynn's Long Halftime Walk According to David Rooney, "In 'Billy Lynn', Ang Lee employs even more advanced developments in the service of the film, with the aim of improving the emotional experience by using an innovative combination of 4K resolution and a 3D at 120 frames per Second, which is five times the standard speed. " Variety's criticism is also positive. This is what Owen Gleberman writes: "It is a new technical paradigm in a well-acted conventional film, and the art of this is the way these two things go hand in hand."
In the middle ground Eric Kohn's opinion in IndieWire, which considers that, despite his virtues, "Billy Lynn 'is just a passable story that pretends to be bigger than life."
Reception predominantly unfavorable
Going by the negative opinions, this is what Dan Callahan says in The Wrap: "From a narrative point of view, 'Billy Lynn's Long Halftime Walk' is as clumsy and unenthusiastic as its title." For his part, Rodrigo Perez of The Playlist notes that "the use of technology is a major mistake that causes the emotional distance from this well-meaning drama, instead of captivating the viewer." To conclude, Benjamin Lee says in The Guardian that "Watch Billy Lynn's Long Halftime Walk Full Movie Online it's a strange choice to try out this technology and Lee's two-hour argument about how movies will look in the future is flawed."
Released in the past New York Film Festival, the new work of Ang Lee, titled 'Billy Lynn's Long Halftime Walk', premieres new international trailer.
Adapting the novel by Ben Fountain and starring Joe Alwyn, the film is a war drama about the post-traumatic stress of soldiers returning home, and in which Alwyn plays the title Billy Lynn, a young soldier who, after surviving To a battle in the Iraq conflict, returns to the United States as a hero in a voluptuous promotional campaign.
Ang Lee, twice an Oscar for Best Director for 'Brokeback Mountain' and 'The Life of Pi', took on a new challenge to shoot his new film: combining the resolution in 4K and a 3D at 120 frames per second (five times Higher than the standard speed). Billy Lynn's Long Halftime Walk can be viewed in its original format in only six cinemas around the world.
In the new trailer that TriStar Pictures has revealed, we can see how Ang Lee returns willing to touch the fiber to the viewers to the rhythm of an emotional cover of David Bowie's 'Heroes', perfect soundtrack to accompany a new style exercise that promises Surprising by its overwhelming visual quality.


Against just about everyone’s recommendation, I went to see Promised Land. The theater was not full, although the theater complex had it’s share of customers. Most people went to see Les Mis or Silver Linings Playbook or The Hobbit. Here are my quick reviews of those: Les Mis: If you are a fan of the the stage play, you may be disappointed as I was, if not, but you like musicals or opera, go see it. The Hobbit can probably be summed up as Lord of the Rings without Viggo Mortensen, Liv Tyler and David Wenham, and who’d want to see that? I still want to see Silver Linings Playbook.
All that being said and done, here is my pitch to you of Promised Land. I’m going to pitch it as if it’s my screenplay, and you’re my Hollywood producer contact.
But first the bottom line on top: The smear campaign against the movie calls it preachy, bloated, factually incorrect about fracking, and just a plain old bad movie. Not only are these reviews wrong, the claims pretty much illustrate what the writers are trying to say to us about how conservatives sell their agenda.
Here’s my pitch:
The logline of a movie is the one-liner that screenwriters use to pitch their idea to potential producers. It’s supposed to be a shapshot of the premise with irony. Movie loglines are not generally distributed to the public, and are not to be confused with the tagline which is. However, they say the logline can be usually be gleaned from the movie poster. In the poster for Promised Land, Matt Damon, playing Steve Butler, the gas company fracking salesman protagonist, is looking over his shoulder. The tagline above is: “What’s your price?” I’m going to say the logline is: “A young man who lost his own farming community sells his own loss to other farming communities as their last best chance for survival.” Or in Save the Cat terms, it’s about a guy from a rural community that was lost when the plant closed, who now survives by selling short term thinking to people in other rural communities as their only hope to avoid his fate.
Steve Butler will tell you, he’s not a bad guy. He the protagonist for pete’s sake. He’s the golden boy of Global Crosspower Solutions, just chosen to be its new regional manager. His partner is devoted single mom, Sue Thomason played by Frances McDormand. The pair travel around the country, costume as the locals, and sell natural gas leases to people unsure of their future.
As most successfully pitched screenplays go, the protagonist goes through a character arc. He starts out in one place with flaws, does his thing in the first half to get from place A to place B, confronts many antagonists, from his own flaws to other people with opposing goals, fails, learns his lesson, changes, and gets to place B, or perhaps place C which is better than place B. If the protagonist is Matt Damon, he usually gets a girl along the way, but not before he loses her. Yes, Steve Butler has his character arc.
Antagonists? There are several. First, there’s the truck rented by Sue that frequently fails to start. Then, there’s the girl, Alice, sweetly and sarcastically depicted by Rosemarie DeWitt. Alice plays coy, and puts Steve through a town hazing rite. Then she depicts all the traditional love-interest behavior expected since the days of Shakespeare. But, Alice is the character who gives us the theme of the movie: It’s about learning how to take care of something even when it’s not easy. High school science teacher/retired Boeing engineer, Hal Holbrook’s Frank Yates, is the science establishment’s representative, but a gentle antagonist to Steve Butler. He gets the science, and he gets the economics. Partner Sue is another antagonist as she has her own competing love story, and interest in that promotion.
Eventually, perhaps a bit later than needed, enters super-antagonist, Dustin Noble, rival for the hearts of all the movie’s young women, Alice, her friends, her young students, and all the women in the audience, played by John Krasinski (and his teeth). Krasinski plays the environmental activist who bests Steve Butler every time. He’s a smart alec who seems to have all the moves, and all the answers. Given what this movie is supposed to be about, he should have been the protagonist, shouldn’t he? Well, there is something off about Dustin Nobel, and if you’ve ever done any activism yourself, and I’m sure many of you reading this post have, you’ll notice it just like Steve and Sue notice that there something just a bit off about the horses.
In a real pitch to a Hollywood producer, I would not be shy about revealing the twist, or the end, but this is a review, and I do want you to see they movie, so I’ll stop here on the story description. But, here’s the rest of my pitch:
Word of mouth on Promised Land is that, even if you’re against fracking, this movie is just bad, and not worth your time. Fracking proponents wanted it to be a big, bloated, false-fact-laden attack on them. But, there are only two short scenes attempting to explain fracking. One is the Holbrook’s very short scene advising the townspeople to ask questions before signing on, and the second is a comedic bit Krasinski’s Dustin Nobel does in front of school children, and it’s not exactly what it appears to be. Some claim writers Damon and Krasinski are laughing at the people in the community, the American idiots. That’s not true either. The people who sign on with Global are not vilified. They represent the Americans whose American dream has died, and who do what they think they have to do for their families.
The one criticism that is true is that the movie was, in part, produced by Image Nation, a division of Abu Dhabi Media. The argument the frackers make is that this movie was made to smear fracking, and promote oil for the nation of UAE, as if natural gas and oil are the only energy possibilities that exist. The same critics don’t seem to be too disturbed that Men in Black 3 and The Help were produced by the same company, and what that might say about what happens when the money is sucked out of a country and expensive projects like film making have to be funded out of the country. Promised Land is part of a multi-film partnership Image Nation has with the other producer, Participant Media. They say they don’t care what the subject matter is when they choose the scripts. Their next joint film is a horror movie about an American oil company executive.
When the movie turned out to be a quieter statement that anticipated, giving both sides of the issue, and creating no real villains, the pro-fracking community ignored the reality, and continued on with their pre-release meme. Just Google the title, and you’ll see what I mean. But, writers, Damon and Krasinski (and Dave Eggers who came up with the original story along with Krasinski) were more clever than they are being given credit for in the reviews. They made their little quiet movie, and in doing so, it seems to me, they baited their opponents, and their opponents took the bait. Opponents of the movie have done exactly what we in the left-leaning activist community have come to expect of them. They don’t’ make their case by being correct, or telling the truth. They win, when they win, by reducing choices, and personally smearing individuals in the opposition. Global warming is false because Al Gore has a carbon footprint. The Clinton tax rates were bad because Bill was a cad with women. No need to ask questions about fracking because fracking opponents are all backed by the UAE, and dare to depict the American people stupid. There’s no honest debate on the issues, and there are no real choices. That is what Promised Land is about.
I give the movie 3 1/2 cat treats for a well-structured script, and setting things up so the chips will fall as they may (and usually do).


Globe to globe
Students find out about the Globe to Globe theatre season of Shakespeare plays and then practise booking tickets.
What to do
2. Write the word ‘globe’ on the board. Can any of the students tell you what the word means? Answer: A round ball that has a map of the world on it, or a round object. Explain that ‘The Globe’ is the name of a place. What and where is it? Answer: It’s the name of the theatre where Shakespeare’s plays were originally performed. A reconstruction of Shakespeare’s Globe was opened in 1997 very close to the site of the original theatre.
3. Give copies of the two paragraphs at the top of the activity page to some students and ask them to read out the paragraphs to the rest of the class. Help with any new words and comprehension problems. Clarify that the photographs the students looked at are from six of the 37 Shakespeare productions in the Globe to Globe season. Can the students say which countries the productions might come from?
4. Make copies of the second activity page and cut it in half. Give students copies of the top half. Ask them to quickly read the descriptions and match the titles of the Shakespeare plays with the pictures. When they have finished, check through the answers together, asking students to give reasons for their choices.
5. Focus on the descriptions. Invite students to explain what information is included in the first three lines of each description. Answer: The title of the play; the name of the company; the place the company is from; the language the play is performed in.
Each student in the group then chooses one of the productions and reads the corresponding description in more detail. When they are ready, the students exchange information about the six productions and then decide which one they would all most like to see as a group. Ask the different groups to explain their choices to the rest of the class.
6. Tell the students that you want them to imagine that they are going to go to London to see the production of their choice. What do they have to do first? Answer: Book the tickets. Explain that they are going to look at the booking information for Globe to Globe. They should look at the information and do the following:
If more than one group wants to see the same production, they can do the task together.
7. Finally, students can prepare what they would say if they booked the tickets on the phone.


An Academy Award-nominated documentary about end-of-life care will be screened at 6 p.m. Tuesday, April 16, in the Curtis Theatre Classroom in the Memorial Center for Learning and Innovation, 228 W. Miller St.
“End Game” is a 40-minute documentary produced by Netflix. The 2018 film, which was nominated for an Oscar for Best Documentary Short Subject, follows the stories of several terminally ill patients and their medical providers as they face the end of their lives.
Following the film, a discussion about advance care planning initiatives will be held. The program and film are free to the public.
Free parking is available in the parking garage south of the MCLI at Rutledge and Carpenter streets or in the parking lot on the east side of the building.
To register, call 217-788-3333 or visit MemorialMedical.com/Events.


randomness…feed your mind and your blog
week of May 6: At the Movies
1. Do you like going to the movie threater? How often do you go? What treats do you buy when you go?
Brad and I looooove going to the movies – many of our dates in the first few years we dated revolved around films. We don’t go so much anymore since it’s not really in the budget, but we definitely go whenever we can and whenever there’s a movie we would love to see in theatre. What treats? We’re generally partial to the nachos and cheese, although we both enjoy popcorn as well. We usually buy a pop too.
2. Cell phones in the theater, do you keep yours on or off?
Off. We’re pretty serious about our movies and would hate to have one interrupted.
3. What’s the last movie you went to see in the theater?
Spiderman III – yesterday!
4. Have you ever waited on line for an obscene amount of time (several hours) just to get tickets to a movie? Also, have you ever dressed up as a film character…..i.e. a hobbit, a witch or wizard…while watching a movie?
Ummm … I have probably waited between 1 – 2 hours for movie tickets … we’ve also lined up several hours before a movie starts so we can get the best seats in the house. While I have not dressed up as a film character, I was known in my younger days to dress themed ie. going to see Star Wars Episode One wearing my jeans with Star Wars patches and my Star Wars shirt, etc. =)
5. What do you like most and least about going to the movies?
Most? It’s BIIIIG and the sound is great. There’s just something in going to see a movie at the theatre.
Least? People talking – I want to throw things at them =) Also, the commercials!! I love seeing previews (the ones yesterday were great! Pirates of the Carribean 3, Shrek 3, The Bourne Ultimatum, ummmm … the one about the surfing penguins …), but I truly hate seeing car commercials and stuff. We don’t have television for a reason =)
6. What’s the worst movie you’ve ever seen? Why?
Hmmm … at the movies? Dude Where’s My Car … momentary lapse of judgement at age 16, what a waste of money! On video? That horrible movie with that washed-up actor about a cave and the thing in it … I think it had Tara Reid in it? It’s so bad I can’t even remember what it’s called. Oh. And also The Secret. And also Sin City – which we turned off after 10 minutes or so.
till next time…
Filed under Uncategorized


Jimmy Romero (JONNY CRUZ) is an ex-thief turned adventure-loving ‘urban explorer’ who delves into abandoned buildings, storm drains, and forgotten tunnels for fun and challenge. He and his entrepreneurial partner Micki Thorne (HALLEE HIRSCH) have never met a “Keep Out” sign they could resist. Blackmailed by a ruthless tycoon named Sebastian Koenig (Emmy Award Nominee STEVE RAILSBACK), Jimmy and Micki find themselves guiding Koenig’s cool and beautiful operative, Gin Cross (NATHALIE KELLEY), through a shattered office tower mere hours before it is to be imploded. Hidden somewhere in the explosive-packed interior is a priceless relic spirited out of France on the eve of World War II.
But Jimmy discovers that others are searching for this prize as well. Members of a shadowy religious order led by Reverend Artemis Quaid (Emmy Award Nominee ROBERT PICARDO) seek to recover the relic while a smooth and psychopathic treasure hunter named Eric Volker (Tony Award Winner GREGORY JBARA) is determined to profit from its retrieval. Jimmy finds himself in a nine-story battle of wits and fists with Volker’s sophisticated crew of bandits… all while time relentlessly counts down to implosion.
INFILTRATORS is an action-packed thriller from the producers of EXIT SPEED. It was written and directed by Humanitas Award winner Michael Stokes whose film HAUNTING AT THE BEACON won the Best Feature Film Prize at the Paranoia Film Festival. Berlin-based composer Dirk Ehlert contributes the driving score.
INFILTRATORS was shot on location in an active demolition site and features the true-life implosion of an historical nine story office tower, adding a thrilling authenticity to this tale of two-fisted urban adventurers battling over a fabulous treasure.
Written and Directed by Michael Stokes, Infiltrators is about Jimmy Romero, an ex-thief turned adventure-loving ‘urban explorer’ who delves into abandoned buildings, storm drains, and forgotten tunnels for fun and challenge. Blackmailed by a ruthless tycoon, Jimmy finds himself leading a team into a shattered office tower mere hours before it is to be imploded. Hidden somewhere in the explosive-packed interior is an ancient religious relic spirited out of France during World War II and lost for the last seventy years. The tycoon wants Jimmy to recover it but there are others hunting for the relic as well. Jimmy finds himself in a nine story battle with a sophisticated crew of bandits – all while time counts inexorably down to implosion.
The cast includes Jonny Cruz, Nathalie Kelley, Hallee Hirsh, Robert Picardo, Gregory Jbara, Rocco Nugent, and Steve Railsback.
Champions of Wayne proudly presents the premiere of Infiltrators. The movie, produced by WMHS alum Sally Helppie and starring WMHS alum Greg Jbara, will premiere Saturday, September 28, 2013, at the State-Wayne Theatre. All proceeds from the event will go to support Champions of Wayne.
Champions of Wayne will create a Hollywood vibe in downtown Wayne with the premiere of Infiltrators. Special guests include cast members: WMHS alum Greg Jbara; Robert Picardo; Hallee Hirsh; Rocco Nugent; and Film Producer and WMHS alum Sally Helppie, and Writer-Director Michael Stokes. A question and answer panel with the aforementioned guests will follow the premiere of the movie.
What is Champions of Wayne?
Champions of Wayne, a 501c3 non-profit operating at Wayne Memorial and Tinkham Alternative High Schools, is an innovative and unique educational program that involves adult mentoring, customized academic goals, and financial rewards. Champions was initiated in 2009 as a start-up program involving 50 students and a handful of mentors. Program popularity has exploded in recent years, as 550 students and 130 mentors participated this past semester.
Participation in Champions has changed the lives of many Wayne students. While students at risk of dropping out increases, the percentage of students completing 9th grade has doubled since 2009 and one WMHS grad begins at Harvard University this fall.
Whether it be purchasing a ticket to the premiere, or purchasing one of our sponsorship packages, please consider contributing to Champions of Wayne. Visit our website for more information.


Alright, let's get something out of the way right at the top: I've never been a huge fan of the Guardians of the Galaxy series.
Don't get me wrong, it's a well-executed series and genuinely funny at times but it's just never been my favorite part of the Marvel Cinematic Universe. I like superhero films that have a more serious tone; my favorite currently being Captain America: Civil War. All that said, I recently watched the third installment of the Guardians series and enjoyed it. I'm not sure it'll necessarily anchor itself as a pillar in the vast library Marvel films, but it's a fun film.
- James Gunn's writing is as sharp as ever. Character dialogue is authentic and humor hits well (most of the time).
- Great special effects. Am I the only one who feels like visual effects in Marvel films can be hit or miss? Thankfully, this film is spectactular in the special FX.
- Soundtrack is meh. The music in this series has always (for me at least) been a highlight. This time around, I found it a bit... lackluster? It's OK but not necessarily distinct or memorable.
- Plot is OK, but not necessarily building towards anything. It's nice to see some backstory to characters like Rocket Racoon, but I didn't feel particularly invested in the story. It didn't feel like it was going to make a bigger impact in future films. That's not necessarily a bad thing but just a change of pace compared to the prior massive infinity war story arc we had earlier.
So where does that leave us? 4 stars sounds about right. It's currently at spot 278 in my flickchart: