Kayla portrayed the role of Barbara in boom, a UPStages Student Lab production. The show was directed by John Michnya, a doctoral student at the university.
Company marked Kayla's first Sondheim, as well as her first production at the University. She relished the role of Joanne, especially as it will be several decades until she is qualified to play it again. The Pitt Musical Theatre Club produced Company in the Spring 2013 Semester. The show was directed by Shannon Knapp, who is currently working as one of the artistic directors and founders of Alarum Theatre.
Kayla portrayed Sarah in the 2010 World Premiere of Facefull: The World's First Social Networking Musical. The book and score were composed by her father, Michael Martine, who also directed. The show performed at the Susquehanna Stage Company in Marrietta, PA.


30A Unique 30A: Catch a Movie Under the Stars – By Lindsey Rogers Jazz up a regular movie night in South Walton with a film screening under the stars. More and more of our local communities have started outdoor movie nights and they’re perfect not only for families, but even date nights or picnic dinners after a day in the sun. Movies in the park add an exciting twist to watching a movie on your couch. First and foremost, you’re outside enjoying the night sky. In additi… http://ow.ly/oZ755026yv3
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BACKGROUND: Shakespeare, a master storyteller, can spin an intricate, vivid story. In A Midsummer Night’s Dream, he presents a complex and amusing tale of love and emotion. And, in keeping with conventions of Elizabethan comedy, it all ends happily ever after.
ASSIGNMENT: Let’s try it ourselves. Read the following story, and then finish it with a happy ending. Be as creative as you’d like and make sure your story resolves the issues facing at least half of those mentioned.
Here we go, now pay attention…
heseus plans to marry Hippolyta, whom he captured from the Amazons. But as they plan their wedding, one of his servants comes to him with a problem. The servant’s daughter, Hermia, loves a man named Lysander, even though the servant has arranged for Hermia to marry a man named Demetrius. To complicate things even more, Hermia’s friend, Helena, loves Demetrius, while Demetrius, instead, loves only Hermia.
Theseus decides that Hermia must marry Demetrius or face death. So, Lysander and Hermia make plans to elope into the woods. But Helena hears their plans.
Meanwhile, in fairyland, Oberon, King of the Fairies, argues with his wife, Titania, over an Indian Boy she wants to raise as she likes. Oberon believes the boy should grow up and become a warrior, but Titania objects. Titania leaves as Oberon plots to cast a spell on her to make her fall in love with the first thing she sees.
Oberon summons Puck, also known as Robin Goodfellow, to use a magical flower to cast the spell on Titania. Oberon also decides to cast the love spell on Demetrius so that he will fall in love with Helena. As Oberon casts the spell on Titania, Puck accidentally casts the spell on Lysander. Puck also finds a group of workers in the woods rehearsing for a play they want to perform at Theseus’ wedding. As a gag, Puck puts the head of an ass on one of the rehearsing actors.
After Oberon realizes Puck’s mistake with Lysander, they cast the spell on Demetrius, who also falls in love with Helena, creating one big love mess. Now, Demetrius and Lysander both love Helena, instead of Hermia. To top that off, the fairy princess Titania wakes up and falls in love with the man with the head of an ass…
You’ve read the beginning of the story.
So what happens next?
Write a creative and happy ending. Play the role of the master storyteller. Finish this story and create an ending for this mess. How would you resolve this situation? What happens to these people? Who ends up with whom? You decide.
Requirements: Your imagined ending should cover no more than two pages double-spaced – roughly 600 words. The above story takes 301 words, so you can pack a lot of information in if you choose your words carefully.
You must make mention of AT LEAST HALF THE CHARACTERS introduced:
ü AND the man with the ass-head.
YOU WILL BE GRADED AS FOLLOWS:
Mechanics: (30 points)
· You use varied complete sentence styles to make your writing interesting.
· Your writing is devoid of mechanical mistakes and errors.
Characters: (30 points)
· You fully incorporate AT LEAST HALF the characters mentioned and logically resolve the conflicts facing each of them.
· The characters in your story live happily ever after.
Creativity: (40 points)
· You develop an interesting, readable tale that artfully and understandable picks up from where the story begins.
· You maintain the lively spirit of the original story in your writing.


SHARE TWEET 0 The problem with platitudes is that they may profess a nice sentiment, but the statement tends to be an obvious one, and it will be a fleeting memory by the time you finish reading that t-shirt or bumper sticker. Walter Mitty Stiller works as a photo manager for Life Magazine and spends a large portion of his time daydreaming about being confident and courageous. Stiller opens his movie with a nice mix of quiet and playful visuals, but this approach becomes tedious as the story wears on.
But no one probably expected something quite so adventurous as this take on James Thurber's renowned short story, which was famously filmed in the '40s as a Danny Kaye vehicle directed by Norman Z McLeod.
Stiller's version bears as little resemblance to Thurber's story as the McLeod version did - all that remains is the name and the fact that Mitty played here by Stiller is a man who "zones out" of his dull life, daydreaming amazing and heroic achievements to make up for the ordinariness of his everyday existence.
In this iteration, Mitty works at Life magazine as clerk in the photography department and is charged with handing over the image for the final cover - a "quintessence"-capturing shot from acclaimed snapper Sean O'Connell Penn. But when the negative can't be found, Mitty must finally break out of his work-a-day drudgery and do something noteworthy.
This ambition and excitement keep the enjoyment level rolling along through the dull patches. The movie comes crashing back to earth each time Mitty returns to reality, which is obviously the plan, but even when Mitty finally takes off on his big adventure, the film struggles to keep a consistent pace or tone.
It aims to be profound but its central message and theme - that Mitty needs to get a life - is hammered home with all the subtlety of a helicopter to the face. Mitty works at Life, the magazine's "meaning of life" motto is trotted out about a dozen times But you still have to admire the film.
It's fun and inventive, and Stiller tries to tap into his inner Michel Gondry, with inventive visuals that bring the imaginary world crashing into the real one, even if it lacks the high levels of quirk found in Gondry films. It's also one of the better Stiller performances we've seen to date, while Scott is wonderfully obnoxious as the manager in charge of shutting down Life magazine, Oswalt is funny as an eHarmony technician, and Penn is nicely restrained as rogue photographer O'Connell.
The plot itself is both frustrating and rewarding. I'm terrible at predicting twists, but a major plot point about the missing negative almost had me screaming at the screen for an hour. Despite this, the film still managed to resolve in a satisfactory manner.
As adventurous as it is, it still feels very safe. As charming as it is, it's also very frustrating.
And as much as it has a lot of warmth and heart to it, it comes off as obvious and a bit superficial. Thankfully it's fun and predominantly enjoyable though, making it definitely worth a look.
Stiller has aimed high, and even if he hasn't made it to the top, the view is still pretty good from where he ended up.Dec 21, · Walter Mitty: To see the world, things dangerous to come to, to see behind walls, draw closer, to find each other, and to feel.
That is the purpose of life. Exquisitely produced, immaculately acted, and thoroughly uninvolving, The Secret Life of Walter Mitty is a perfect nothing of a movie.
It takes James Thurber’s beloved short story about a man. "The Secret Life of Walter Mitty" () is a short story by James Thurber. The most famous of Thurber's stories, it first appeared in The New Yorker on March 18, , and was first collected in his book My World and Welcome to It (Harcourt, Brace and Company, ).
It has since been reprinted in James Thurber: Writings and Drawings (The Library of America, , ISBN ), is. The Secret Life of Walter Mitty is a very funny film, and a great vehicle for Danny Kaye.
For me, one of the highlights of the film is the fantasy-within-a-fantasy performance of Symphony For an Unstrung Tongue (The Little Fiddle) – a hilariously funny Danny Kaye sketch, which can be viewed via YouTube.
The movie is highly recommended. The Secret Life of Walter Mitty Original Motion Picture Soundtrack Various artists. 1. Step Out – José González 2. Dirty Paws – Of Monsters and Men 3.
Stay Alive – José González 4. Far Away – Junip 5. Don’t Let It Pass – Junip 6. Lake Michigan – Rogue Wave 7. . Walter Mitty (Movie). Life is about finding yourself, each other, and being true to one’s self.
The Secret Life of Walter Mitty is an extremely original and creative story written by James Thurber. The movie, The Secret Life Of Walter Mitty, starring Ben Stiller, conveys a daydreamer escaping his typical life by disappearing into a realm of.


We think Liam Neeson has an incredible look regardless of whether plastic surgery is involved or not. Did Liam Neeson get a nose job? Does Liam Neeson have fake boobs? All plastic surgery info, including facelift, nose job, botox, and lips, is listed below!
Table of Contents
Who is Liam Neeson?
Liam Neeson is an Irish actor. He is best known by the public for his role as Oscar Shindler in Steven Spielberg’s movie Shinlder’s List. He has also played prominent roles in the films The Grey, Taken, Batman Begins, Kingdom of Heaven, Love Actually, Clash of the Titans and Les Miserables. His accolades include an Academy Award for Best Actor, a BAFTA Award for Best Actor in a Leading Role, and three Golden Globe Awards for Best Actor in a Motion Picture Drama. He was born William John Neeson in Ballymena, County Antrim, Northern Ireland, and was raised Catholic. He is the son of Katherine Brown and Bernard Neeson, and younger brother to Rosaline, Elizabeth and Bernadette. He was married to actress Natasha Richardson, until her death in March 2009. He has two sons, Michael and Daniel.
Neeson dated Helen Mirren for 4 years after meeting her on the set of 1981’s “Excalibur.” Liam married Natasha Richardson on July 3, 1994, and they welcomed 2 sons: Micheál (born in 1995) and Daniel (born in 1996). Sadly, Natasha passed away from an epidural hematoma in 2009 after a skiing accident; Liam donated her organs, and Micheál changed his last name to Richardson to honor his late mother.
Liam Neeson’s Plastic Surgeries
Liam Neeson will never have cosmetic surgery – because he wants to grow old “gracefully”. The ‘Taken’ star is embracing life in his seventh decade and, like his Hollywood peer George Clooney, he doesn’t ever intend to go under the surgeon’s knife to try and recapture his youth.
What plastic surgeries are lurking behind the facade? Whether it's a nose job or butt lift, or anything in between, here is a list of all the cosmetic enhancements Liam Neeson has done.
|Nose Job (Rhinoplasty)
|Eyelid Surgery (Blepharoplasty)
Plastic Surgery Pics
Sometimes pictures can reveal more than words. Check out these pics of Liam Neeson. Is there any plastic surgery involved?
"It's an extraordinary thing, this tiny little province of Northern Ireland, where carnage happened. And I was part of it. I grew up in it."Liam Neeson
"Every cliche about kids is true; they grow up so quickly, you blink and they're gone, and you have to spend the time with them now. But that's a joy."Liam Neeson
"As you know, Hollywood loves to pigeonhole all the actors and actresses, and suddenly I got 're-pigeonholed' as an action actor."Liam Neeson
"I gravitate toward women."Liam Neeson
"I certainly notice the vitality in Belfast, which wasn't there in the Seventies. There was a war going on then. Now there are cranes everywhere. There really is a sense of renewal and hope."Liam Neeson


Comcast | Bell | Cogeco | Eastlink | Rogers | Shaw
He's the world's biggest child star, adored by millions and has just about everything a 10-year-old could want. Still, Ricky has problems. For starters, there are the obsessed fans. And the jealous co-stars. And, of course, his parents who are more worried about his homework and making him take out the garbage than his Hollywood career. When he's not on-set, he's hanging out with pals Benny, Morris, Jamal and Alice.


For all the social media threads about how Warner Bros. Discovery is canceling movies and series and cutting many jobs, in an attempt to cut costs and reduce debt, a new content trailer is coming to HBO and HBO Max proves that the studio still has a number of high-profile projects coming to screens next year.
Love and Death Release Date
The release date for Love and Death has yet to be revealed, as it has been speculated that work on the series is still ongoing. However, many sources say that the series could premiere in 2022.
We need to talk about Candy
The trailer gives me the energy that The Thing About Pam thought it did, and it does is about ten times better (in the trailer alone, so the series seems like a step up from this mess). And we see Olsen approach the husband of her friend Allan Gore (Jesse Plemons) and ask him if he would like to have an affair with her. Although we don’t see much of Betty Gore (played by Lily Rabe) in the trailer, she plays an important role in Candy’s story, as she is the victim, but her story is not just that of a love-crazed woman, destined to kill her best friend.
Apparently, the case (according to Candy’s account) became known to Betty, and when Betty confronted her, Candy claims that Betty was the one who attacked with the ax first, and to kill Betty with the ax it was just yourself.
-defending. So, in theory, there are two ways to tell this story (much like the Zodiac alluded to who David Fincher and company thought was the real Zodiac Killer). You can tell Candy’s story of what happened through the lens as the truth, or you can give your own take on the case and how you think it happened.
When will Love and Death with Elizabeth Olsen air on HBO Max?
The streamer has yet to announce an official release date for the limited series. However, according to E! News, we can expect to see Love and Death in 2023.
Olsen will take on the lead role of Candy Montgomery. Actors Jesse Plemons, Lily Rabe, Patrick Fugit, KeirGilchrist, Elizabeth Marvel, Tom Pelphrey, and Krysten Ritter also star in the series.


Ben 10: Resurrection is a fictional television series created by Sci100 and written by Sci, Ahmad, and Reo. It is a collabration between Sci100 Studios (who owns the series), Ahmad15, and Reo 54, the latter two being hired for writers.
The series focuses on Ben Tennyson waking up in 2056, to discover that he died 28 years ago. With his return, the residents of Bellwood are forced to face the strange reality of loved ones, friends, and enemies returning from the dead, unaged since dying. One of the several people dealing with this is Officer Luke, a 28-year old man who initially suspects Ben is lying, only to fight alongside with him and discover he truly is the hero he heard about in his youth. Other characters also handle the situation in their own way, as Ben and Luke attempt to work together to figure out how and why the dead are being resurrected.
Season One: ReturnedEdit
Season One will focus on the beginning of The Returned coming to Bellwood, as Ben and Luke establish a relationship, different characters address the event in different ways, Ben searches for his Omnitrix, and an anti-Returned group begins to emerge, believing the dead are inherently evil.
- Trouble Reborn
- TBA - Introduction of more characters to Plot, two new returned (one good, one bad)
- TBA - continued introduction of more characters to plot, two new turned (one good, one bad); Ben thinks his Omnitrix might be in his grave, they open up his grave to see his old body, but no trix
- Just the Beginning - one of the returned (bad guy) warns that what's happened so far is only the beginning of a greater event
- Once Again a Hero - Ben finally gets his Omnitrix back, only for a mass return to occur
- Returned - A mass group of returned appear in Bellwood, leading to a returned hate group forming
- Inner Demons
- Cast Out Into Fire - Ben discovers Luke is his son
Season Two: Schemes of the DevilEdit
Season Two will focus on the mystery of <tba>'s child, the relationship between Luke and Ben, the government's interference with the Returned, and the rising presence of unfriendly-returned.
- Policy -
- Schemes of the Devil
- Thanksgiving of the Dead- The Truth about Ben is revealed to Luke
- Family Drama - Luke and Ben fight
- Storm - Luke is Killed by Storm
- Aftermath - The aftermath of the Storm and the revelation of Ben being Luke's father, Luke returns from the dead with another strange man
- A Great Labor - <tba> is about to have her child
- And I Saw A Beast - <tba> gives birth to her child, with severe consquences for Bellwood and the Universe
Season Three: Master of DeathEdit
- No More Death - Following the events of "And I Saw a Beast", Bellwood is without power. Meanwhile, one character is revealed to be responsible for the dead coming back, entering a secret lab beneath his house and activating a machine, which summons another mass returned.
- TBA -
- Master of Death - Ben and Luke conflict the man who is responible for bring back the dead.
- No More Life - The conclusion to the storyline.


THE NIGHT is an Iranian suspenseful, psychological thriller with elements of horror starring SHAHAB HOSSEINI from the executive producer of ‘The Texas Chainsaw Massacre’. Hosseini is best known for his FESTIVAL DE CANNES BEST ACTOR-WINNING performance in the Academy Award-Winner 'The Salesman' by Asghar Farhadi as well as his BERLINALE SILVER BEAR FOR BEST ACTOR-Winning performance (along with the rest of the cast) in the Academy Award-winner 'A Separation' by Asghar Farhadi. THE NIGHT is the feature directorial debut of Iranian-American Kourosh Ahari whose previous short film ‘Generations’ was backed by Tom Hanks.
THE NIGHT is produced by Alex Bretow (‘Generations’) and Kourosh Ahari for Mammoth Pictures, Sundance/SXSW Alumni Jeffrey Allard (executive producer of 'The Texas Chainsaw Massacre' alongside Michael Bay  starring Jessica Biel) for Indie Entertainment, SXSW Alumni Cheryl Staurulakis (‘The Night Watchmen’, ‘Toxic Beauty’) for Orama Filmworks, Armin Amiri (‘The Wrestler’) for Supernova8 Films and Mohammad Dormanesh for Ayat Films. Academy Award-nominee and Golden Globe-winner Terry George (writer/director/producer of 'Hotel Rwanda') is consulting producer. Sundance/SXSW/Tribeca Alumni George Rush (Film Independent Spirit Award-Winning producer of Sundance-hit 'Sorry To Bother You' [Annapurna]), Leo Staurulakis, Ryan Clarkson, David Spisak, Chris Johns, Derek Benham, Robert Spears, Charles Freiberg and P.K. Patel executive produce. Jennifer Dehghan (art director of Sofia Coppola's Festival de Cannes Official Selection 'The Beguiled') is production designer and Academy Award-nominee Kami Asgar ('Apocalypto', 'The Passion of the Christ', 'Venom') is supervising sound editor.
THE NIGHT is the first US/Iran co-production in recent history and marks Hosseini's first performance in a US-produced film. The crew is diverse, every department head–production through post–being Iranian or of Iranian descent.
THE NIGHT is from production company Mammoth Pictures in association with 7Skies Entertainment, Indie Entertainment, Orama Filmworks, Leveller Media and Supernova8 Films.


Since September, a large group of children from years 5 and 6 have been attending Drama Club, after school, every Tuesday in preparation for our annual end of year production. Our show this year was 'The Wizard of Oz'.
Throughout the year, the whole drama group have shown real musical and acting talent and a real desire touch themselves to the limit.
This hard work finally came together during two evening performances on the stage at Cockburn High School on Monday 1st and Tuesday 2nd July.
Supported by family and friends, the children shone and were outstanding. Below are some images from the two evenings. They don't do justice to the performance they gave but we hope you are able to see the joy and and thrill in their faces.


--- Casting Call, September 2021 ---
Open auditions will be held to form a community theatre cast for Truth War. The world premier of this award-winning drama by Kansas playwright Roy Stucky will be directed by the author.
Auditions will be held in the historic 1936 Blue Shoes Theatre (formerly Pretty Prairie Civic Theatre).
Auditions will be cold-read. Bring no audition material. Out of respect for your valuable time, auditions will be filmed. Your actual reading should take perhaps ten minutes. There is no singing in Truth War.
2021 Auditions - September 7, 8, 9, 10 from 7 to 9 PM as well as September 11 from noon to 5 PM.
(20210907-19, 20210908-19, 20210909-19, 20210910-19, 20210911-12)
Callbacks - September 13, 14, 15, 16 from 7 to 9 PM.
(20210913-19, 20210914-19, 20210915-19, 20210916-19)
Rehearsal begins September 18, 2021.
Performances will be December 2, 3, 4, 9, 10, 11.
(20211202-19, 20211203-19, 20211204-19, 20211209-19, 20211210-19, 20211211-19)
Truth War has 27 characters in the cast. All these roles (14 male, 13 female) are named speaking characters whose line count ranges from 197 lines to 3. Though the depicted ages of the characters span from 18 to 60, great latitude in the actual age of actors will be exercised.
Truth War - Abstract - Allen examines the fatal history of Espada's civil war, which was fought over the nature of Truth. The conflict is seen through a deceased historian's collected material. As Allen reads that material, characters from the nearly forgotten tragedy come onstage to enact their story.
Blue Shoes Theatre, 105 West Main, Pretty Prairie, Kansas 67570
Art is our passion. Quality is our standard. Join your excellence to something unique.


Muhlenberg College offers bachelor's degrees with an academic focus on a rounded Liberal Arts education as well as pre-professional studies. We will spend a considerable amount of time thinking about where ideas come from, how we can develop ideas, and the role of creative collaboration in television writing. 1 degrees were awarded at the associate level (2-Year). Who We Are. This course will also count as an elective in the Media & Communication major and in the new Documentary Storymaking Minor. ENG 226 Introduction to ScreenwritingExamination of screenwriting fundamentals: story structure (theme and plot), character, dialogue, scene description and development, and script formats. Muhlenberg College aims to develop independent critical thinkers who are intellectually agile, characterized by a zest for reasoned and civil debate, committed to understanding the diversity of the human experience, able to express ideas with clarity and grace, committed to lifelong learning, equipped with ethical and civic values, and prepared for lives of leadership and service. As the course proceeds chronologically, it briefly demonstrates images of African Americans in mainstream Hollywood films, but focuses primarily on how filmmakers of African descent have sought to respond to mainstream representations and create their own narratives and styles. Muhlenberg College ist ein US-amerikanisches Privat-College, das 1848 gegründet wurde. FLM 330 New Asian Cinemas This course will selectively explore the national cinemas of Japan, China, Taiwan, India, and Korea. Das College befindet sich in Allentown, Pennsylvania und beschäftigt fast 200 Vollzeit-Kräfte. Analytical viewing assignments from each of the genres explored will be required. Prerequisite(s):COM 251 Introduction to Moviemaking recommended. At Muhlenberg. FLM 227 Melodrama âMelodramaâ does not just mean exaggerated emotion; it is a form of popular storytelling that puts its characters in dramatic situations in which the stakes are nothing less than the victory of good over evil. Attendance at weekly screenings is required.Meets general academic requirement HU. Students present ongoing work and final projects in either an online or broadcast venue. FLM 387 Art of Video EditingWhile editing was historically seen as merely a nuts-and-bolts technical pursuit, it has increasingly proven indispensable to the artistic process. The student-run Muhlenberg Film Association screens two films a semester for the campus community, often outdoors on the College Green. Die Leitmesse für Denkmalpflege 2020 'denkmal' in Leipzig ist abgesagt! FLM 281 Indiewood, USAThis course explores the movement to develop and sustain a low-budget, risk-taking, reality-based strain of independent film production in America as an alternative to the dominance of commercially-driven Hollywood product and production standards. The Film Studies Department at Muhlenberg College on Academia.edu See the most popular majors at Muhlenberg College. 358. Special emphasis is placed on advanced textual and film analysis, scholarly discussion, and writing. Students should start conceptualizing their ideas well in advance of the start of the semester. Special Collections & Archives; Muhlenberg College Digital Repository; Student Honors Theses; Library Home; Library Technology; Film Screenings; Film Screenings Class Movie Screenings: B-02. FLM 450 CUE: Film Studies Seminar Advanced study and analysis of selected areas in film studies designed for majors and other qualified students. About. Majors & Fields of Study at Muhlenberg College. Both film studies and production tracks culminate in a senior experience course. The course also considers as a sub-theme the âroad movieâ in American culture and what it says about the relationship of dominant American culture to the land and the indigenous inhabitants. We will focus on Reservoir Dogs, Pulp Fiction, Jackie Brown, the two-part Kill Bill, Inglourious Basterds, and Django Unchained as well as some of the many disparate films that influenced him. Contact information and tips for finding online resources can be found on theAccessing Online Resourcespage. Conceiving, coordinating, shooting, and editing the project, production teams will encounter real-time pressure and problem-solving situations.Required lab.Prerequisite(s):COM 251 - Introduction to Moviemaking. Through their research-production projects, students learn to work with more advanced visual and organizational concepts and tools. The film studies program at Muhlenberg offers a rigorous interdisciplinary experience that helps students understand both the technical and expressive components of the cinematic medium and gain practical experience in film production within the framework of a liberal arts education. Network. What are the demands of nonfiction editing, and in what ways might these two modes align? FLM 334 Bollywood: Indian Popular Cinema Indiaâs Bombay/Mumbai-based cinema is one of the worldâs few challenges to the influence of American film. Taught in English. The course will also include extensive practice in editing and re-writing, and include weekend trips to local cinemas to review films on short deadlines. COM 351 Video Production Refines an understanding of video/television concepts and operations through the application of advanced production techniques. Topics may include auteur studies, genre or form studies, national or regional film studies, film theory, or explorations of film and popular culture. Muhlenberg has an active film culture both on and off-campus. ENG 255 Literature and Film This course examines the relationship between novels and plays and their film-adaptations, concentrating on the different ways in which we read and interpret these narrative forms. Gefällt 12.426 Mal. In addition, Muhlenberg has established exchange opportunities in Europe and in Japan. Genres that may be taught include commercials, daytime, primetime (sitcom and drama), and film. Filmmakers and films we study will be drawn from a list that includes John Cassavetes (Shadows), Martin Scorsese (Mean Streets), Terence Malick (Badlands), Charles Burnett (Killer of Sheep), Jim Jarmusch (Stranger than Paradise), Joyce Chopra (Smooth Talk), John Sayles (Lianna), Whit Stillman (Last Days of Disco), Steven Soderbergh (sex, lies & videotape), Abel Ferrara (Bad Lieutenant ), David Lynch (Blue Velvet), Sadie Benning (It Wasnât Love), Gus van Sant (My Own Private Idaho), Julian Schnabel (Basquiat), Kimberley Peirce (Boys Donât Cry), Larry Clarke (Kids), Hal Hartley (Trust), Michael Cuesta (L.I.E. Like Tarantino, we will watch films closely and analyze their themes and structures. Playwrights may include John Osborne, Arnold Wesker, Ann Jellicoe, Harold Pinter, Joe Orton, Edward Bond, and Shelagh Delaney. Attendance at weekly screenings is required.Meets general academic requirement HU. © It focuses on films that are often classified as âwomenâs filmsâ and âsocial problem films,â but also includes films that could be classified as action films or âmenâs melodramasââ and so there will be a lot of discussion about issues of gender and race. Muhlenburg College. ), Kelly Reichardt (Wendy & Lucy), and Richard Linklater (Waking Life). Open to students at all levels. Network. Students explore the convergence of video and digital media while studying the problems of constructing narrative and documentary texts within emerging experimental formats. In addition to screening and exploring some of the best such films produced over the course of 50 years, this course attends closely to the struggle of some of the more successful independent filmmakers (and actors) to maintain their commitment to alternative practices in the face of the seductions of Hollywood, on the one hand, and formal conventions fostered by organizations like the Sundance Film Festival & Institute on the other. The course will attend closely to the variety of decisions that inform the translation of literary works into a different medium with different conventions for a different audience.Meets general academic requirement HU. Students will create an online archive of all finished work, and learn about ways to develop and market their own critical voice. We will then trace the emergence of John Osborne and other "Angry Young Men," and the development of a drama overtly engaged with issues of class, gender, and sexuality. We will focus on generating compelling subjects, scripting and storyboarding, casting and location scouting, and all of the work that goes into creating engaging images in front of a camera. Legal and ethical issues involved in media production are considered. FLM 250 Contemporary World Cinema This course offers a selective survey of some of the most cutting-edge films produced around the world in the last 10-20 years, including those that offer sustained insight into specific national cultures, and those that are more global in orientation, and address the worldwide mixing and mingling of people and cultures. Required Monday evening screenings. It was named for Henry Melchior Muhlenberg, who established the German Lutheran faith in the United States in the 18th century. In addition, readings put all the films in the context of theoretical discussions concerning what constitutes âblack,â âAfrican,â or âThird Cinema,â politically and aesthetically. While the filmmakers under consideration vary, the course deals with similar questions each time: the validity of the auteur theory as a way of understanding film, the relationships between filmmakers and their art, and the nature of our ideas about art and artistic production. Program Director: Dr. Amy Corbin, Associate Professor of Media & Communication and Film Studies Tempelhof-Schöneberg (Rights reserved) Issue 2018 (Rights reserved) Reads . FLM 389 Writing The TV Spec ScriptWriters seeking work in the television industry generally complete a "spec script," a complete script for an episode of a program that already exists. FLM 229 Travel and Cultural Encounters in Film This course looks at narrative and experimental films that thematize the act of travel as a trigger for cultural encounters, which often result in conflicts, power differentials, and individual senses of displacement or disorientation. Attendance at weekly screenings is required.Meets general academic requirement HU. Attendance at weekly screenings is required.Meets general academic requirement DE. The cultural encounters depicted include those in colonial Africa, India, and the Americas, as well as post-colonial encounters in new relationship configurations such as migration and tourism. Across all areas of study, Muhlenberg College awarded 734 undergraduate degrees in 2018 - 2019 . Provides hands-on experience beginning with the development of a professional project, treatment, script, and storyboard. Muhlenberg College is a private liberal arts college affiliated to the Evangelical Lutheran Church. Students will conceptualize, outline, and write a feature-length screenplay, focusing on story structure, character development, conflict, dialogue, and resolution. This course examines the worldâs largest film industry with the aim of understanding the place of popular cinema outside of the Hollywood model. Meets general academic requirement AR. FLM 332 Film Cultures of North Africa & the Middle East This course will focus on the development of national cinematic traditions in Egypt, on the struggle for cultural self-definition in the former French colonies of Algeria and Tunisia, on cinematic representations of post-revolutionary Iran, and on how Arab and Israeli filmmakers address the so-called âquestionâ of Palestine. Applying theoretical and practical frameworks, we will consider pacing, rhythm, sequencing, continuity, sound, color and other elements in an editor's arsenal, to explore the many ways that editing contributes to story and concept development. Contact. ENG 238, 239 Plays on Film "Plays on Film" is a study of the (all too few) successful films made from stage plays, approached in the context of why adaptations of plays to film typically don't, in fact, work. Through close engagement with theoretical readings and film texts, weâll consider questions like what constitutes queerness, how does the definition shift accross cultural contexts, and is there a queer aesthetic? In addition,no more than 2 courses from any single department or major (other than FLM) can count toward the film … Muhlenberg College, Allentown. Spearheaded by a group of young directors who also wrote their own screenplays (Truffaut, Godard, Malle, Chabrol, Resnais, among others), this movement gave rise to "Le cinema dâauteur" as an innovative and influential way to produce films. Muhlenberg College 2400 Chew St. Allentown, PA 18104 484-664-3100. Prerequisite(s): ENG 226 - Introduction to Screenwriting or permission of instructor. Film Studies and Media & Communication. Film has emerged in the last 100 years as a global phenomenon with broad social, cultural, and commercial implications. Focusing on production tools and skills, class workshops and outside exercises that facilitate becoming comfortable with camera and editing equipment and with the overall production process. Neuerwerbungen im Juni 2010 Universität Heidelberg Alle Institute. About. Publications . FLM 288 Directing/Performance FilmThis is an introductory-level course in directing and acting for camera, focusing on philosophies of screen acting, the ability to work within the technical requirements of screen media, and the development of productive and respectful working relationships on set. Students will learn how to work with cameras, audio-recording equipment, and post-production facilities.Meets general academic requirement AR. Writers will comment on each otherâs work in a workshop setting. FLM 201 Film History I: 1895-1945 An exploration of the international history of film from its invention through the silent era, the rise of Hollywood, and the development of sound to the end of World War II. Contact. Students should start conceptualizing their ideas well in advance of the start of the semester. Thus, film is a vital subject of intellectual inquiry that is useful to a wide range of students, not merely as vocational training for media professionals. The program’s goal is for all students of the discipline to extend the range and quality of their viewing experiences and to become better informed interpreters of the ways in which film both shapes and represents the world around them. The emphasis is on narrative films, with some attention to experimental films. Writers will comment on each otherâs work in a workshop setting. The Paul McHale Collection This collection documents the congressional work of Paul McHale (1950-), U.S. Representative for Pennsylvania's 15th district from 1993-1998. How, for example, can an edit align with and accentuate the dynamics of a scripted scene? FLM 325 French New Wave Cinema This course explores the very rich period in French Cinema during the 1950s and 1960s that is known as the French New Wave (La Nouvelle Vague). A program for Media & Communication and Film Studies majors in Dublin, Ireland, and a Dance program in Arezzo, Italy, are both offered during the spring semester. Trexler Library has many online resources available through the library website. We want to make sure new students know the open atmosphere of our community. We will also consider how these topics are illus trated throughmelodramaâs aesthetics, such as music, dramatic editing, and symbolic use of setting. Faculty regularly arrange special screenings, often accompanied by visiting filmmakers. FLM 380 Pre-Production Plan/DesignStudents will learn the process of film and videomaking from idea stage to the day before shooting begins. Attendance at weekly screenings is required.Prerequisite(s): FLM 202, 204 Film History II: 1950-Present and senior film studies major or permission of the instructor.Meets general academic requirement W. FLM 970 Film Studies Independent Study/Research Independent study may be enrolled in any academic department with approval of the advisor and should provide an opportunity to undertake an in-depth examination of some facet of film studies literature and research findings. FLM 360 Major Filmmakers This course focuses on one or two major filmmakers and considers repeated and/or developing themes in his or her body of work. National cinematic traditions have developed in virtually every corner of the world, making an understanding of film’s relationship to its conditions of production and reception integral to the work of cultural historians, students of politics and communications, philosophers, and sociologists alike. Films explored in this course will likely include Bad Education (Spain), Amores Perros (Mexico), Code Unknown (Austria/France), Chunkging Express (Hong Kong/China), The World (China), A Separation (Iran), Once Upon a Time in Anatolia (Turkey), The Best of Youth (Italy), Waltz with Bashir (Israel), The Class (France), and District 9 (South Africa), among others. Schule, Studien (1539–1554) [Bearbeiten | Quelltext bearbeiten] 1539 bis 1546 besuchte Montaigne das Collège de Guyenne in Bordeaux, wo er bei seinen Lehrern teilweise gefürchtet war, weil er besser Latein sprach als sie. Professors: Birgel, Cartelli, Coppa, McEwan, Tafler Though a close analysis of these films, the student will gain an understanding and appreciation of cinematic techniques as well as the cultural, social and political background which shaped these works. Muhlenberg College offers 64 distinct undergraduate degrees, concentrated into 45 majors within 17 broad fields of study. We will then look the ways these plays helped to revitalize the British cinema of the postwar era, creating a cinematic scene in which the free cinema and "kitchen sink" films of the 1950s gave way to the bold, taboo-breaking movies of the 1960s. Attendance at weekly screenings is required.Meets general academic requirement DE. FLM 202, 204 Film History II: 1950-Present An exploration of the international history of film from the end of the War through important European developments (the French New Wave, Italian Neo-Realism, and New German Cinema) and dramatic changes in production and viewing in the United States (through the Sixties and Seventies) to recent emergence of national and regional cinemas in countries all over the world. Attendance at weekly film screenings is requiredMeets general academic requirement DE and HU. COM 367 Studio Workshop in Television & Film Beginning with a survey of the promise and demands, historical, economic, and political circumstances surrounding community television, this course broadens students' exposure to television formats beyond mainstream commercial media. In this course, students will study and write a spec script for an existing show of their choice. American Studies at Muhlenberg offers students the opportunity to study the culture and history of the United States from an interdisciplinary perspective. Film studies is also designed to complement other major and minor programs that students might choose to pursue in art, media and communication, English, music, and theatre arts, among others. Meets general academic requirement HU (and W when offered as 317). Attendance at weekly screenings is required.Meets general academic requirement DE. These films contain scenes of very graphic violence and vulgar language. Will work in a variety of lengths and formats, for example, can an edit align with and the! To work with more advanced visual and organizational concepts and operations through the application of advanced production techniques provide rules! Emphasis is on narrative films, then you should choose another course course. Study the culture and history of the genres explored will be required Health, Residential, and writing sure., Joe Orton, Edward Bond, and Shelagh Delaney doors on campus are Lutheran. Experience course the convergence of video and digital media while studying the problems of constructing narrative and Documentary within... Count as an elective in the media & Communication major and in Japan visiting filmmakers Taiwan. Will comment on each otherâs work in tandem to meet the needs of community. Resources can be found on theAccessing online Resourcespage, Image-Film + Videos thr 355 On-Camera this! 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Have a Ph.D or other terminal degree in their respective fields Studies course are familiar Tarantinoâs! Students to the day before shooting begins Indian popular cinema outside of the worldâs challenges. Major in film Studies consists of 6 courses, at least one screenplay, Muhlenberg College ist ein Privat-College. Undergraduate degrees in 2018 - 2019 the aim of understanding the place popular! Least 2 of which must be at the 300 level or above to. Provides hands-on experience beginning with the development of a professional project, treatment, script, and Shelagh Delaney when! As pre-professional Studies seminary in 1848 by the Reverend Samuel K Brobst rules their! And Disability Services work in tandem to meet the needs of our students who require accommodations sich in Allentown United. Who learned his craft watching films while working in a variety of On-Camera genres from. Disability Services work in a variety of lengths and formats, for,. 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Man, did I miss out! Okay. Not really. But, I was slightly delayed in my love for the series.
I was able to watch 92 episodes within a month. Now, I know that's not a crazy-marathon-Mad-Men watching extravaganza. Crazy would be 92 episodes in like three days.
But for me and my schedule (kids, work, more work, house, dog, watching the series when my husband isn't home) this is like superwoman speed.
A few things I observed:
1. There's a reason why I sell vintage. It's incredible. And when the whole set is set in decade- appropriate everything, it's almost too much to take in for a vintager like myself (who happens to favor the 60s). Holy Wow.
2. You would think this series is about Don Draper (actor John Hamm- AMAZING actor.) It's not. I know, I know. He is the main protagonist. You love him, then hate him, then love him again. But no. This series is really about Peggy Olson (Elisabeth Moss, INCREDIBLE actress!)
Think of it this way: You know how the story Peter Pan is about Peter Pan? Okay. Yeah. The title says it all, right? I mean Wendy, the boys, the Lost Boys and Captain Hook. But Peter Pan isn't really about Peter. It's about Wendy. It's about her love, fears, and everything in between.
Think of Mad Men in the same vein. It could've been called Don Draper. It should have, really. And Peggy is truly central to the story. Yes, it's about Don's life, and the demons he battles, but it's also and mostly about Peggy, her loves, fears ... and everything else in between.
3. They drink a lot. Like, a lot a lot. They all should have had liver failure and died by episode 23.
4. They smoke a lot. Like, a lot a lot. So much that by the end of the series, it seemed fitting that I take up this ghastly habit. But I didn't. And you shouldn't. Just don't. It's gross and it'll kill you. Leave that well enough of alone and instead do some deep-breathing without a cigarette in your mouth.
5. Character Joan Harris (Christian Hendricks- HOLY MOLY is she amazing) is the bomb. Well, she's a bombshell and the bomb. I loved her hair. I loved her wardrobe the best. I loved her one-liners. Heck. I loved her bosom, too! She's an incredible character.
7. The lives of these people aren't lives I would ever want to live. It's sad. I mean, people loved the show! Went crazy for it. And perhaps, it's that so many people identify with struggling with "life issues," and love watching amazing characters and incredible sets and wardrobes. I understand that. But, it more or less depressed me. Don Draper had about fifty thousand chances to make his life right.
But he couldn't do it. He wouldn't do it.
Don't be like Don. Be like Peggy. Be like Peggy who tried to choose well, all the time. Even when it hurt her.
I still love the series for the theme, despite my few criticisms. I'd recommend it, too. But be prepared to ponder the show after you watch a few episodes. It makes you think!
By the way, I drink from -- almost every morning -- this 60s Fireking cup. Imagine my delight when I saw the same cup (ABC logo) on the television?
I love vintage.


Monday, 9 March 2015
Film Review - The Triplets Of Belleville (2003)
The animation is derived from french culture and follows the story of a boy named 'Champion' who dreams to win the Tour de France, the journey is wacky, grotesque and its plot is hidden beneath the exploits on screen by the absurd doings of the characters. The humour is quite dark in places and the animation looks to surprise at every turn, becoming quite surreal in places you would expect realism. With almost everything being exaggerated in some form, it keeps the animation fresh in the audiences mind and that being said keeps them glued to the screen.
I would recommend this film to those who enjoy watching humorous grotesque animations, a flair for the theatrical or into the wacky day to days of people who rival the personas of some cult classics such as 'Wacky Racers'.


Join us and Fridley Theatres in celebrating the greatness of cinema! Together, we are giving you a chance to see some of your favorite classic movie…for free!
All you have to do is visit a Fridley Theatre movie screening on a Thursday during the contest and mention NASH FM 97.3 to receive a free ticket! Limit of five tickets per group per visit! Offer is good July 23rd, July 30th, August 6th, August 13th, and August 20th at the following locations:
There is a minimum of ten guaranteed free tickets available per screening, and they are given on a first come, first serve basis! Offer is not good for any IMAX or new movie releases screenings.


Best of the Middlebury New Filmmakers Festival
From April 23, 2017 12:00 pm until April 23, 2017 7:00 pm Save to calendar
The Vermont-based Middlebury New Filmmakers Festival took place in August 2016, and the various category winners of the festival are going on the road! The six VTeddy Award winning films from 2016 will screen at our very own Prez Hall. Showtimes are Noon, 3pm and 5:30 (a different short film & feature length film pairing for each show.) See full schedule and film descriptions at our website.


Whidbey Playhouse’s virtual production of “Having our Say: The Delany Sisters’ First 100 Years” takes the audience back in time through the lived experience of two Black women, 103-year-old Sadie and 101-year-old Bessie Delany.
In the play, the sisters reminisce what their life was like during the time of Reconstruction, Jim Crow laws, two world wars, the Harlem Renaissance and the civil rights movement while they prepare dinner in remembrance of their father on his birthday.
The Delany sisters were real women, and the play is based on their memoir published in 1994.
“It’s about two powerful, strong, independent women who were very successful in their own right, in their own time when it wasn’t typical for Black women to be in the career choices they had,” said Sue Riney, chairperson of the Whidbey Playhouse.
The team also chose the play because of the small cast and crew size, and it was also one of the few scripts licensed to be recorded and put online.
The creative team recorded the play and it will be available online to view.
There were only a handful of people, including the two actresses, involved in the production.
“It’s also really timely considering it’s Black History Month and these are real women who lived,” said Oak Harbor resident Allenda Jenkins, who plays Bessie Delany in the story.
“A lot of this rings true today,” she said of the play’s themes of survival and hard work.
Germaine Kornegay plays Sadie and said she noticed a lot of “weird similarities” in her own life to that of her character.
The sisters reflect on the discrimination they faced, how they had to work hard in their respective professions (Sadie was a high school teacher and Bessie was a dentist), and find ways to survive in the world as Black women.
“I lived a lot of that story in my modern life now,” Kornegay said.
There are also sisterly squabbles over things like a burnt pan, and the two discuss how their family was very tight-knit.
The actresses rehearsed for months over the phone and through video calls, and last week was the first time the actresses had rehearsed in-person.
It felt different, the actresses said, but added the show must go on. No one was in the audience except for the small crew.
The actresses stay six feet apart, and the crew all wear masks during rehearsals.
“We want to keep the theater alive and vibrant even in COVID,” Jenkins said.
“It may not be the same feel as being in the theater, but this is kind of how theater has to be during COVID.”
Broadway shows have had to adapt too, she added.
“So we’re not alone in doing this,” Jenkins said.
One of her favorite lines, Jenkins said, exemplifies the sisters’ grit and optimism for life.
“Life is short but it’s up to you to make it sweet,” she said.
Tickets cost $10 and can be purchased online at www.ShowTix4U.com


Did you date this one wrong, Sam? Didn't that show end, like, a year ago? Probably a Netflix series or something, right? I heard, overall, the show was very good. That and The Wire. I really gotta watch The Wire.
yeah we've been watching it on dvd. i really want to see the wire too!
I loved the show so much! The ending was both awesome and lame. But still, I loved it anyway! I want to watch Firefly which I've heard is awesome and the Wire sounds good too... ANd Mad Men which is starting up again soon... that show rocks! So many shows, so little time...
I agree with you 100%! But, in hindsight, the ride up to the last episode rocked my world.
I agree too! We didn't think it would end that way but it is still an awesome show... Firefly is HIGHLY recommended as well :)
awesome! firefly was the next show we were going to watch
That's so weird, I just watched the last episode tonight too. I actually liked the ending. I had heard people weren't happy with it.
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Don’t forget to pack your blanket and snacks for Bryant Parks Movie Nights this summer with a great line up of films the entire summer. Sit on the Lawn to enjoy great food, friends, and a feature film. Lawn opens 5pm and film begins at sunset. A new the Beer and Wine Lounge on the Upper Terrace to enjoy refreshments for purchase before and during the movie.
Lineup of films:
Summer 2023 Movie Line-up
Indiana Jones and the Last Crusade
Starring Harrison Ford and directed by Steven Spielberg
Starring Michael B. Jordan and directed by Steven Caple Jr.
Starring Nikki Blonsky and directed by Adam Shankman
Mission: Impossible – Rogue Nation
Starring Tom Cruise and directed by Chrisopher McQuarrie
Wayne’s World 2
Starring Mike Myers and directed by Stephen Surjik
Starring Neve Campbell and directed by Wes Craven
Beverly Hills Cop II
Starring Eddie Murphy and directed by Tony Scott
Star Trek VIII: First Contact
Starring Patrick Stewart and directed by Jonathan Frakes
Starring Michelle Pfeiffer and directed by Patricia Birch
The Godfather: Part II
Starring Al Pacino and directed by Francis Ford Coppola
Fifth and Sixth Avenues and between 40th and 42nd Streets in Midtown Manhattan
The lawn opens at 5pm for picnicking, and film begins at 8pm.
Food and beverage curated by Hester Street Fair will be available for purchase on the Fountain Terrace starting 4pm. Beer, wine and snacks by Stout NYC will be available for purchase on the back of the lawn. Beer and wine purchased must remain in the designated area, which is from the red rope on the lawn to the back steps.


Written in English
In, Critical quarterly, Vol. 14, no. 4, 1972.
Hamlet without the Prince of Denmark: How development has disappeared from today’s ‘development’ discourse With Ha-Joon Chang, Faculty of Economics, University of Cambridge Decem , C3 – Centre for International Development, Sensengasse 3, Vienna 07 It is Hamlet's status as “Prince of Denmark” that de Grazia would draw back into focus. According to “Hamlet” without Hamlet, Hamlet is first and foremost a prince dispossessed; even his name indicates his endemic attachment to locale: “Hamme, as the earliest dictionaries establish, derives from the Germanic word for home. A hamlet is ‘Hamlet without the Prince’ is a well worn expression for something without significance. In no play of Shakespeare does so much of the effect depend on a single character. It is, of course, quite legitimate to discuss Hamlet’s character, to point to his human qualities, his Hamlet without the Prince by John Quiggin on Febru In the February edition of Prospect, William Skidelsky has a piece on the decline of book ://
Hamlet's Relationship with the Ghost From Hamlet, an ideal prince, and other essays in Shakesperean interpretation: Hamlet; Merchant of Venice; Othello; King Lear by Alexander W. Crawford. Boston R.G. Badger. The ghost in Hamlet no doubt performs an important dramatic function. Whatever may have been Shakespeare's belief about ghosts he utilizes the popular conception to render Hamlet, Prince of Denmark William Shakespeare [Collins edition] 2 copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth below, apply if you wish book or any other medium if you either delete this “Small Print!” and all other references to Project Gutenberg, or Hamlet - The Prince of Denmark, the title character, and the protagonist. About thirty years old at the start of the play, Hamlet is the son of Queen Gertrude and the late King Hamlet, and the nephew of the present king, Claudius. Hamlet is melancholy, bitter, and cynical, full of hatred for his uncle’s scheming and disgust for his mother’s The Tragedy of Hamlet, Prince of Denmark ASCII text placed in the public domain by Moby Lexical Tools, SGML markup by Jon Bosak, XML version by Jon Bosak, Without the sensible and true avouch Of mine own eyes. MARCELLUS Is it not like the king? HORATIO As thou art to thyself:
Hamlet William Shakespeare, William Shakespeare. Publisher: Sheba Blake Publishing 0 14 0 Summary Shakespeare's immortal play Hamlet needs little introduction, but in short: A Danish prince learns from his father (now a ghost) that he was murdered by his own brother Claudius, who married the prince's mother and took the ://?id= Scandals in the court are scintillating without being surprising. With the words "something is rotten in the state of Denmark", Shakespeare underlines the universality of 'rotten'-ness. The king of Denmark is killed by his brother, who lusts after the crown and the queen. Hamlet, the prince, comes to know about this and vows This book is available for free download in a number of formats - including epub, pdf, azw, mobi and more. You can also read the full text online using our ereader. The play, set in Denmark, recounts how Prince Hamlet exacts revenge on his uncle Claudius, who has murdered Hamlet's father, the King, and then taken the throne and married Gertrude Hamlet without the Prince of Denmark Noam Chomsky. Search for other works by this author on: But this too passes without mention. As McNamara's book was in press, Hackworth returned to the former battleground to “make personal peace” with the “tough fighters” who remained alive. He visited the commander he fought, still living


Tomorrow Never Dies - 1997 -119 min - With Pierce Brosnan, Jonathan Pryce, Michelle Yeoh. Rated PG-13 for intense sequences of action violence, sexuality and innuendo.
World is Not Enough - VHS
17 Again (may not work)
A Lot Like Love - 107 min - 2005. With Amanda Peet, Ashton Kutcher, Taryn Manning - Rated PG-13 for sexual content, nudity and language.
Armageddon - BEST movie ever! Really. 1998. 150min. With Bruce Willis, Billy Bob Thornton, Ben Affleck. Rated PG-13 for sci-fi disaster action, sensuality and brief language. Reality. See my comments below about why this is the best movie EVER.
Brave New Girl - 2004. 120 min. With Virginia Madsen, Lindsey Haun, Barbara Mamabolo. Holly has everything it takes to be a star; the voice, the dream and the dedication, but she lacks the means to break away from her humble Texas upbringing. Rated PG-13 for thematic elements including teen drug and sexual content.
Beyond the Minds Eye - VHS - 45min Computer Graphics, 3d light rendering animations.
Black Stallion - VHS
Bruce Almighty - 2003. 101 min. Sometimes hangs up around Ch 12. With Jim Carrey, Morgan Freeman, Jennifer Aniston. Rated PG-13 for language, sexual content and some crude humor.
Charlie & Choc Factory - 2005. With Johnny Depp, Freddie Highmore, David Kelly. Rated PG for quirky situations, action and mild language.
Cloverfield - 2008 - 85 min. With Lizzy Caplan, Jessica Lucas, TJ Miller. Rated PG-13 for violence, terror and disturbing images. Not really worth the watch if you ask me.
Dangerous Minds - VHS
Dark Knight, The - DVD - PG-13 for Intense sequences of violence and some menance. 153 mins. Christian Bale. Heath Ledger
Dodge Ball, 2004 - PG13 for rude and sexual humor, and language - 92 min. With Vince Vaughn, Christine Taylor, Ben Stiller.
Elf - 2003 - DVD and VHS - Rated PG for some mild rude humor and language. With Will Ferrell, James Caan, Bob Newhart.
Flicka - 95 min - With Tim McGraw, Maria Bello, Alison Lohman
Forrest Gump - VHS
Groundhog Day - VHS
Inception - DVD - PG-13. Sequences of Violence and action Throughout. 148 min. Lenardo Dicaprio
Independence Day - VHS
Indiana Jones and the Last Crusade - VHS
Iron Man - Robert Downey
Jumanji - VHS
Keeper of Time - PG - 76 min - With Michael O'Hearn, Adam T. Dawson, Parker Alexander - Pretty lame movie, but it is PG, it is like a Harry Potter Movie and does have some special effects that are kind of neat but simple.
Lean on Me - 1989 - With Morgan Freeman, Beverly Todd, Robert Guillaume. 108 min
Les Meserables - VHS
Lethal Weapon 2 - VHS
Mr. Holland's Opaus - VHS
MIB Men in Black - PG-13. 98 Min. Will Smith. Tommy Lee Jones
Miracle Match -
Mission Impossible - DVD and VHS . PG-13. 110 min. Tom Cruise
Mr. Deeds - Wouldn't play on a PC...does on the Mac
National Geographic - VHS
The Invisible World - 58 Min
The Incredible Human Machine
Net, The - VHS
Old Yeller - VHS
Parent Trap - VHS
Parent Trap, The - VHS
Perfect Store, - The - VHS
Santa Clause, The - VHS
Shark Tale - 2004 - 90 min. With Will Smith, Robert De Niro, Renée Zellweger. Rated PG for some mild language and crude humor.
Soloist, The - Inspirational MOvie
Stomp the Yard - 114 min, With Columbus Short, Meagan Good, Ne-Yo.
Stand and Deliver - 1988 - 103 min. VHS and DVD. With Eliot, Edward James Olmos, Estelle Harris. Highly motivational. A dedicated teacher inspires his dropout prone students to learn calculus.
Star Trek II - PG - 113 min
Star Trek IV - PG - 119 min
Star Trek VII Generations
Star Trek XI
Original Movie - VHS
Empire Stikes Back - VHS
Return of the Jedi - VHS
Sylvester - VHS
Two Brothers - Two tigers are separated as cubs and taken into captivity, only to be reunited years later as enemies by an explorer (Pearce) who inadvertently forces them...
The In Laws - 98 min - Michael Douglas
The Lake House - 98 min - With Keanu Reeves, Sandra Bullock, Christopher Plummer.
Vantage Point - 89min - Forrest Whitaker, Dennis Quaid, William Hurt, Matthew Fox, Segourney Weaver
Witching of Ben Wagner - VHS
XXX - DVD PG-13. Violence, Non-stop action sequences. Sensuality, Drug content and Language. 124 Mins. Vin Diesel
Movies useful for portions of the video (for class purposes):
Lords of Dogtown, Making of, the - Story board, Preview for Zoro, etc.
Hulk - Disc 2
Super Man - Side 2 Extras, including the interview for the part of Lois.
13 going on 30 - PG13
Alot Like Love - PG-13
Exposure - R- Ron Silver
One Hour Photo - R - Robin Williams (not funny...serious drama/suspense)
Paparazzi - R
Photographer, The - Theme: Great photos are right in front of you...quit chasing after them. Rated R for brief drug usage and language: Pt 1: 15:11, 16:00, 17:50, 18:00 (D). Pt. 2: 1:46, 6:22, 17:40, Pt. 4: 12:20, 19:26.
Public Eye - (can't seem to get a hold of this movie)
Salvador - R- James Woods, James Belushi , Michael Murphy
Somebody Has Got to Shoot the Picture - R- Roy Schneider
Where the Heart Is - PG13
Under Fire - R- Nick Nolte, Gene Hackman
Re Armageddon: I have watched this movie 20-30 times...as I watch this movie
each year about 4-5 times showing it to my students (dead days when half the
class is gone anyway...like today). Now 13 years old, each year I reminded at
what a good movie this.
I realize there are a lot of critics of this movie and that there are challenges with the movie, but in all fairness, this movie has just about everything a good movie should have. I mean, unless you are wanting to watch a non-fiction movie, then this is the perfect fiction story. First the movie starts with action. There are so many movies today that are good...but just never get that WHAMO start that Armageddon starts with. The movie has tons of humor, so many lines that are just down right funny that this could almost be called a comedy. I have seen comedy movies that aren't as funny as Armageddon. It has romance...a real love story. The presidential montage with the incredible music score raking you across a range of motions from a father who messed up, to a dying father to a father saying good bye to his little girl, is just down right brilliant (brings tears to my eyes just writing this...and every time while watching it).
The tension building from get go is what makes this movie and the middle 15 minutes probably the most dramatic movie ever. The movie reminds me of how fragile life is...and how fragile our existence on this planet is, really. I think the message that the president reads is very well written and very dramatic.
I think the acting is really well done. The all star cast is perfect. Bruce Willis is flawless. Billy Bob is great. Keith David (General Kimsey) is hysterical. The suspense...although you guess how the movie is going to end before it begins, is enough to keep you glued to your seat. The cinematography is incredible with great lighting, composition, filming, scenery, shallow depth of film, etc. The pacing is also very well done with very few slow spots.
So, sure you can poke holes in lots of technical details, but Armageddon is perfectly entertaining...and based on just about every other movie I have ever seen (and I watch a ton of movies and shows) is the best all around movie ever.


|For Colored Girls|
I went to see For Colored Girls last night for the 1st time, so I decided to give my little review on the film....
First off, I just want to send off my respects to EVERY actress in this film, for doing such a superb job. Everyone played their roles well. My two stand-out performances in this film (as far as Oscar consideration goes), is Kimberly Elise and Loretta Divine.
|Oscar Worthy Performance|
Kimberly Elise-Kimberly played a mother of two young kids, who was being abused by their insecure father (played by Michael Ealey--good performance from him btw). She worked as an assistant to Janet's character as well. In every scene of Kimberly's character, I felt her. I felt her pain, I felt her tears, I felt her emotions and I felt her drama. It is like I had an emotional connection to her character, and I haven't even been through half of what she's been through. That ladies and gentlemen, is what you call an Extraordinary Acting Performance. My only problem when Kimberly's character (is a problem I actually had with several of the actresses characters), was there wasn't enough focus on her character, to bring out all you wanted to see from her performance. I think this may have had something to do with too many characters and scenarios in the film.
|Oscar Worthy Performance|
|Anika Noni Rose|
Anika Noni Rose- Anika played a dance instructor that met what she thought was good man. To make a story short, she invited him to dinner and he raped her. After that point, I really got lost with her character. I mean there were a few scenes after her rape incident that were touching, but I do not think you can go from such a powerful such as rape, and then kind of lose the focus of that character. Her performance could have been Oscar worthy but yet again, the focus drifted away from her too many times.
Whoopi Goldberg-What can I say about Whoopi?? Whoopi played an overly-religious mother of (Thandie Newton and Tessa Thompson's characters), who did not want her younger daughter to fall into the foot steps of her older daughter. Whoopi's performance was really good, and could have possibly been considered for an Oscar had her character had more focus. What I think could have added to her character, was at the end of the film, when all of the women came together (minus Whoopi) and recited poetry to connect to each other, is have Whoopi walk up very dramatically, reciting poetry to both her daughters, in a powerful riveting way. I think they should have showed her forgiving her eldest daughter in that scene. I really saw no redemption between her and her eldest daughter, and that would have added so much more to her character had they done it that way.
Overall, superb film, the best of Tyler Perry's films. Will go down in the ranks of "greatest films with a black ensemble cast,", along with The Color Purple, Boyz In The Hood, Soul Food, Waiting To Exhale, Raisin In The Sun. I think Tyler did a swell job with the conveying of the poetry in the film and getting the best out of the actresses. My only gripes with him are:
- He did not build up to the powerful scenes that occurred in the film...they just happen unexpectedly, out of nowhere. In other words, he did not prepare the audience for what was about to happen
- He did not focus enough on the characters for the audience to really get into. I am pretty sure if there were more focus on many of the characters, we could see multiple Oscar nominations, because the film's characters had so much potential
- Eliminate some of the characters. I think Janet and Kerri's characters were unnecessary, and did not add much to flow of the film
- Gave the film a different title. When I watched this film,I did not just see a black woman's problem, I saw something ALL women could relate to. For the title alone, I think he may have steered away a diverse audience, which could have resulted in a bigger turn-out
Basically, at times throughout the film, I felt disconnected from the characters. Once the focus was on the character, you start to get into that character, and then 'poof', you find yourself being disconnected too quickly, and into another character. The problem was never Tyler under-performing the actresses, cause he did a spectacular job bringing the best out of them. I guess there lies the inexperience of Tyler as a director, but a starting point in the right direction nonetheless. I think the cinematography could have been more precise and more riveting. But overall, a well-done job from Tyler Perry.
Overall out of 5 stars I give the film 4.5 stars
Please go support this film, it may just change your life.


Founder's Day Trailer (Concept)
Directed, Written & Produced by Erik C Bloomquist
Dont let the term "Concept Trailer" fool you, this feels like a very short edit of a great finished film. The trailer seems to focus on the fact that Founders Day will be story and character driven. It gives the impression of suspense and possibly even community secrets, rather than over the top gore, and effects, which I am sure will be a welcome change for some fans. I expect that is going to garner attention with fans of all sorts as it feels slightly reminiscent to Scream, the true horror fans will be pulled into to the story, right along side those who may normally be a bit more hesitant to play in our favorite genre. Director Erik Bloomquist has set the bar very high for himself and his cast with this very polished trailer, I know I am already looking forward to hearing that production (currently expected to go into production this fall) has started so we can begin counting down the days until its release. But don't take my word for it click the link below to check out the Trailer for FOUNDER'S DAY yourself, be sure to like, share and comment to give your support to the upcoming feature!
Erik C. Bloomquist Talks Founder's Day
My pleasure! Thanks for having me.
First off for those who may not have had the opportunity to check out the trailer can you give our readers just a brief description of your vision for the film?
Founders Day is equal parts a traditional murder mystery and contemporary horror film. Our goal is to create an intelligent, frightening and extremely fun time at the movies.
When first viewing the trailer, I just took it for granted that it was a film awaiting release due, so it was a bit shocking to hear it was concept only. It is so complete and polished it doesn't at all feel like a concept trailer, how were you able to accomplish that?
That’s awesome! Thanks so much. I love when people say that. I have an incredible cast and crew. They're crazy talented and really understand the vision. I feel extremely fortunate to work with them. The goal was to create something that showed what Founders Day already is - not what it might be. With my awesome team, a year of extensive planning, and really exciting material, I think that we did what we set out to do. I can’t wait for the next stage.
What were some of the unique challenges in filming a concept trailer that truly feels like a great condensed edit of a full film?
Definitely the most difficult and exhilarating part was the production schedule. On a feature film, you’ll typically have a full day at one location. Throughout this five day shoot, we had 14 or 15 locations. We had to be extremely efficient with our time while making sure that we were not short changing the creative process. And again, I think the fact that we were able to do that is a testament to the people I work with and how prepared and excited we were to create this thing.
One of the aspects that plays so well in making the trailer appear to be from a full film is the large cast, and various locations. However it also seems to a layman that those same things would pose a risk also, since the film isn't yet fully funded. What if any precautions have you taken to ensure the same cast and locations, come time to go into full production mode?
I’d love to bring back as many of the original cast members and locations as possible, but there is always the possibility of scheduling issues and other unforeseen factors coming into play. I’m going on some preliminary location scouts for the feature now and will be doing an extensive casting call throughout the east coast once we’re officially green lit. Once the film is complete, we’ll cut a new theatrical trailer. I think that a side by side comparison of the concept trailer and the theatrical trailer would be a really fun special feature on the Blu-Ray!
I had read previously that you had starting funding campaings on both Kickstarter and Indiegogo, are those funding campaigns still active? If so can provide the link information for our viewers, and tell us when the campaigns are scheduled to end?
These campaigns are unfortunately not active. They were specifically for the concept trailer (and thank you once again to everyone who pledged!). We may be launching another campaign at some point for this feature, but right now we are undecided.
As an artist using these new forms of funding you have a unique perspective on the impact they are making on the industry. What if any changes do you see coming for the industry due to this kind of personal symbiotic relationship between fan and film maker?
I think that the internet is great for creating grassroots momentum and to prove the market for a project. There is a lot of merit to the traditional studio model of film making, and I respect it a lot. But for up and coming filmmakers who may not have direct access to these kinds of resources, the internet is a place where, with a little bit a luck, one can get people excited about art before it takes off.
Since this film isn't traditionally funded so to say, I'm interested in some of the tricks of the trade that you are, or plan on, using to help control production costs to get the most bang for hard fought for buck?
By and large, our projected budget is a modest one, but we've made sure that it’s not less than we’re going to need. I think that having a clear and thoughtful vision is key to not wasting money and time. Money cannot create creativity, but, if used appropriately, it can facilitate it. We’re filming in an amazing area with a community of people and businesses who are so excited to be a part of a project like this, many of whom are generously donating their time and resources to production. They can sense the impact that this movie is having. It’s electric.
You've stated that you are currently planning to go into full production mode this fall, once completed what are your plans for this film? Will go be touring it through the various film festivals before distribution, or are you planning on immediately going into distribution mode once complete?
Either. Like all independent filmmakers, I’d love to go straight into a nationwide theatrical release, but I also think that it would be so exciting to take this on a film festival tour and experience it for the first time with movie lovers all over the country and world. At the end of the day, I want as many people as possible to experience this film in ideal viewing conditions.
In closing, is there anything else you would like to let our audience know about how they can help bring this vision to life, and where can they go keep track of where the project is in terms of production?
This project is exciting because it appeals to so many different groups of people. Both horror enthusiasts and people that have told me that this is the first scary movie ever that they actually want to see. I love that. Founders Day has a distinct and palpable mood: fear, mischief, paranoia, and little bit of dark comedy. And above all, fun. It’s something that I feel really well equipped to create and am so glad that people are responding to it with such love and enthusiasm. Watching and sharing the trailer is absolutely invaluable to making this happen. So please, check out the trailer on YouTube, and like/comment/share. Also join us at our social media links below to join the Founders Day community.
Thank you again for taking time out to chat with us! We hope you will be back in touch with us as soon as you move forward. We would love regular updates that we can then share with our readers in our news section!
You bet! Looking forward to sharing some exciting updates soon. Click on the picture below to see the trailer for yourself.


Wayne Brady to Star in Broadway Revival of 'The Wiz'
Wayne Brady is returning to Broadway!
On Wednesday (June 7), the 51-year-old entertainer announced that he will be starring in the upcoming revival of the Tony-winning musical The Wiz when it returns to New York City next spring.
Keep reading to find out more...
Wayne will be playing the titular role of The Wiz in the beloved Black-led spin on The Wizard of Oz.
"So you wanted to meet The Wizard? Well, you've come to right place because I'm coming back to BROADWAY!!! As The Wiz!" Wayne shared on Instagram.
The limited Broadway run will follow a national tour beginning this September in Baltimore with Alan Mingo Jr. playing the The Wiz.
Before the revival arrives on Broadway in spring 2024, Wayne will be playing The Wiz in San Francisco from January 16 through February 11 and in Los Angeles from February 13 through March 3.
Over the years, Wayne has starred in a few Broadway shows including Chicago and Kinky Boots.
The revival of The Wiz was first announced in December 2022.
The 2023 Tony Awards will be taking this place this Sunday, June 11, on CBS on June 11 with Ariana DeBose as the host for the second year in a row. Check out the full list of nominations!


His destiny moves us only because it might have been ours—because the Oracle laid the same curse upon us before our birth as upon him. For I well know that you are ill, and yet,  sick as you are, there is not one of you whose illness equals mine.
Overhearing, the messenger offers what he believes will be cheering news. Not to mention, Oedipus once killed a man at a crossroads, which sounds a lot like the way Laius died. Proposes that Oedipal desire is the "nuclear complex" of all neuroses; first usage of "Oedipus complex" in It was prophesized that the king will be murdered by his own son, and the son will sleep with his own mother.
The themes here are described as contrast theme: Actually the play Oedipus is a trilogy of Oedipus which was written in three plays: The Austrian psychiatristSigmund Freud —attended. Oedipus the King might also be called the first detective story in Western literature.
But the hand which stabbed out my eyes was mine alone. What does all this mean, when we stop and analyse it in terms of the interplay between fate and personal actions in Oedipus the King. Oh Zeus, what have you done. Fear of the prophecy drove him from his home in Corinth and brought him ultimately to Thebes.
But he will prove to be a native Theban. Oedipal case study[ edit ] Female Oedipus attitude: From that change he will derive no pleasure. Cast me out as quickly as you can, away from Thebes, to a place where no one, no living human being, will cross my path.
You are not rousing me from a deep sleep. Plot The three main plot in the Oedipus the King are: I now consider this to be a universal event in early childhood. And he will turn out to be the brother of the children in his house—their father, too, both at once, and the husband and the son of the very woman who gave birth to them.
Triangulation can take place with a romantic rival, for a woman, or with a work rival, for the reputation of being more potent.
Yet, Teiresias insists not to tell anything to Oedipus because the news he brings will bring noting just burden to Oedipus. Now blinded and disgraced, Oedipus begs Creon to kill him, but as the play concludes, he quietly submits to Creon's leadership, and humbly awaits the oracle that will determine whether he will stay in Thebes or be cast out forever.
In Psycho-analytic notes on an autobiographical account of a case of paranoia Dementia paranoidesFreud writes that "disappointment over a woman" object drives or "a mishap in social relations with other men" ego drives is the cause of regression or symptom formation.
Oedipus subjects a series of unwilling citizens to questioning, including a blind prophet, Teiresias. Considers paternal and maternal incest. When Oedipus left his parents foster parents because of the prophecy, it is his will to stay away from the prophecy.
In his dying moments, the hapless villain realises that, in seeking to avert the prophecy, he had, in fact, helped it to come true. Determined and stubborn 2.
He will set off for a foreign country, groping the ground before him with a stick. What are you so keen to get from me.
Honest and loyal man 4. The plot of Sophocles’ great tragedy Oedipus the King (sometimes known as Oedipus Rex or Oedipus Tyrannos) has long been admired. In his Poetics, Aristotle held it up as the exemplary Greek tragedy.
Oedipus Rex or Oedipus the King Questions and Answers. The Question and Answer section for Oedipus Rex or Oedipus the King is a great resource to. Oedipus is the protagonist and hero of this play and he's a king.
Plot Analysis Oedipus is aware that there is a curse on Thebes and has Creon gather insight into how to lift it These are the circumstances at the beginning of the play. A summary of Oedipus the King, lines – in Sophocles's The Oedipus Plays.
Learn exactly what happened in this chapter, scene, or section of The Oedipus Plays and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.
Oedipus arrives, hears the messenger’s news, and rejoices with Jocasta; king and queen concur that prophecies are worthless and the world is ruled by chance. However, Oedipus still fears the part of the prophecy that said he would sleep with his mother.
Oedipus the King unfolds as a murder mystery, a political thriller, and a psychological whodunit. Throughout this mythic story of patricide and incest, Sophocles emphasizes the irony of a man determined to track down, expose, and punish an assassin, who turns out to be himself.Analysis of oedipus the king


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Steph Paul is a Haitian-American award-winning Choreographer and Director who cultivates brave spaces for the excavation and celebration of the stories that move through us. A maker of percussive, full-bodied, social justice driven work, she is passionate about art as a means to build community and amplify unheard voices.
Steph is a Resident Director of Albany Park Theater Project, a nationally renowned theater company that creates original plays inspired by people's real-life stories. She is an Artistic Associate of Chicago Dance Crash, the premier fusion-style contemporary dance company in the Midwest and the Founding Artistic Director of Be the Groove, Chicago’s own rhythm, dance and drum ensemble.
Theatre credits include Humana Festival at Actors Theatre of Louisville, Shakespeare Theatre Company, Studio Theatre, City Theatre, Repertory Theatre of St. Louis, Chicago Shakespeare Theater, Goodman Theatre, Court Theatre, Albany Park Theater Project, Third Rail Projects and National Theatre of Scotland.
She has set choreography, taught and presented work at multiple venues, universities and dance programs including Royal Opera House Muscat, Harris Theater for Music and Dance, Jay Pritzker Pavilion - Millennium Park, Columbia College Chicago, Ohio Northern University, Southern Illinois University - Edwardsville, Beloit College, Northwestern University, Evanston Dance Ensemble and Chicago National Association of Dance Masters.
Steph is a Helen Hayes award-winner, Joseph Jefferson Award and St. Louis Theater Circle Award nominee, and an inaugural 3Arts Make-A-Wave Grantee.
She is a proud member of SDC.
Steph is also a lover of tennis, açaí bowls and improbable comebacks. She appreciates that you found your way to her internet home.


Their relationship has been a topic of debate
and discussion among fans of the series, and has even been the subject of fanfiction and fanart. Some fans view Sasunaru as a romantic pairing, while others see it as a close friendship or a rivalry.
It's worth noting that Sasunaru is not an official canon pairing in the Naruto series, and any romantic or intimate aspects of their relationship are largely left up to interpretation by the fans.
As I mentioned earlier, Sasunaru is not an official canon pairing in the Naruto series. However, there are many moments throughout the series that have led some fans to interpret their relationship as more than just friendship or rivalry.
in the early episodes of the series, Naruto is shown to have a crush on Sakura Haruno, while Sasuke is portrayed as cold and distant towards everyone. However, as the series progresses, Naruto and Sasuke develop a bond that is deeper than just friendship or rivalry. They understand each other in ways that no one else can, and their connection becomes increasingly emotional.
There are many moments
throughout the series where Sasuke and Naruto share intimate and emotionally charged scenes. For example, in one scene, Sasuke and Naruto have a conversation on a rooftop, where Sasuke confesses that he feels like he's living in a nightmare. Naruto listens to him without judgment and offers him support.
There are also many scenes
where Sasuke and Naruto physically touch each other in ways that are beyond just friendship. For example, in one scene, Sasuke puts his hand on Naruto's shoulder and says that he's glad Naruto is his teammate. In another scene, Naruto holds Sasuke's hand and promises to bring him back to the village.