“Game of Thrones” Season 5 will travel to Dorne for the first time and catch up with a character we haven’t seen in a while. She’s going to look very different.
Remember Myrcella Baratheon? She’s the only daughter of Cersei Lannister and Robert Baratheon — but as we know, her real father is her uncle, Jaime Lannister. Myrcella was shipped off to Dorne in Season 2 when Tyrion made a pact with House Martell that Myrcella would marry Trystan Martell, who we’ll meet next season. In exchange, the Dornishmen would aid the Lannisters during war. Cersei was not happy about this.
We haven’t seen Myrcella since Season 2 when she was played by Aimee Richardson, but when “GoT” travels to Dorne we’ll see her portrayed by a new actress, Nell Tiger Free. “GoT” is known for recasting actors for various reasons, but in Myrcella’s case it’s likely because the character has grown up so much. Here’s what Myrcella used to look like:
Image via Tumblr
Here’s what she’ll look like in Season 5:
And here’s Myrcella with Trystane:
HBO also released new photos of the Sand Snakes in two new clips. One is a scene between Jon Snow and Mance Rayder, which fans got to see last month in the last Sight vision sent via text and Twitter. The second clip shows the conversation between Varys and Tyrion that we glimpsed in the first trailer. Check out the clips below followed by new photos in the slideshow:
“Game of Thrones” returns on Sunday, April 12 at 9:00 p.m. ET on HBO.
Source: Huff Post


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Watching movies in cinemas is a good experience but watching your favourite movies while lying in your bed with snacks is the most luxurious feeling. We all want to watch our favourite movies in our leisure time without going out. But all the movies are not available on Internet sites. There are also many older people who want to watch their favourite movies back in the time when they were young.
There are certain apps that give you the option to watch your favourite movies of whichever decade on your android devices. HBO max tops the list of these apps. It is an app that will let you watch your favourite movies without having to waste time searching them on the Internet. The movies can be played with subtitles in different languages. Moreover the HD quality of the movies makes your experience more enjoyable.
You can pause them, play them and also zoom in whenever you want. This is an online movie streaming platform that allows you to watch movies of all genres whether it is a new or an old movie. This app was developed by Warner Media Global. You can also watch different series like friends etc on this app.


Yup, I have a BA in English from Arizona State. Final GPA was 3.43, enough for Cum Laude honors. Now comes finding a job, which I hope to do by the end of the summer. Aiming for one in the Phoenix valley as I've grown quite attached to that area.
Now onto other things...
- I watched all of the Mad Max movies in preparation for the newest entry, Mad Max: Fury Road, which was fantastic. Even if most of the movie is one big chase, it's surprising how much variety goes into it. The "slow" moments are where one has to catch their breath, I say. Ranking them from highest to lowest, I'd go Fury Road, Road Warrior, the original, and then Beyond Thunderdome.
- Last night I watched Song of the Sea and then watched it again this morning before sending the disc back to Netflix. From the opening frames of animation to the bittersweet end, this movie was a joy to watch. Through two viewings there are minor nitpicks with the story, but those almost non-issues aside I have no problems with this movie. If I had seen it in 2014, it would have been my favorite movie of that year. The strongest of recommends.
- In preparation for the new Pixar movie Inside Out, I'm on a quest to watch all of the previous Pixar movies and record my thoughts on Letterboxd (mandatory plug: letterboxd.com/Hoagmaster/). There have been varying degrees of enjoyment, but so far my high bar is a tie between Toy Story 2 and The Incredibles while the lowest bar is Cars.
- I finished all of the main Ace Attorney games. A very enjoyable romp that took me nearly five months. Not sure if I'll pursue any of the other games right away, but I am glad I played them.
- I'm fully caught up on Steven Universe, which continues to be a delight. Entered the conversation for my favorite TV shows.
Well... Until a couple of weeks, I guess. E3 2015 is right around the corner!


Private Practice Season 6 Episode 6
- There's a lot going on at Seaside Wellness as Private Practice prepares to return for its sixth season.
Onscreen, Addison (Kate Walsh) finally has the baby she's always wanted in Henry and was last seen tasked with the tough decision of deciding between two men who both envision a future with her.
Sam (Taye Diggs) came to his senses, realized he was letting not wanting children stand in the way of a relationship with her and proposed in the fifth-season finale, while Jake (Benjamin Bratt) is wooing Addison by doing everything right from the start.
The Hollywood Reporter caught up with the cast during a visit to the show's Hollywood set to mark the Shonda Rhimes drama's landmark 100th episode to get the scoop on what's in store for the no-holds-barred season.
With the show facing an uncertain future beyond its 13-epiosde order with star Walsh departing after the initial run, THR quizzed the cast and creators and challenged them to play a version of the game "Shag, Marry, Kill" for how they'd like their characters' journeys to end. The results? They're fun -- and surprising.
Private Practice Season 6 Episode 6, Watch Private Practice Season 6 Episode 6 Online, Private Practice Season 6 Episode 6 Free, Watch Private Practice Season 6 Episode 6 Free,


Cristina Molino is a spanish director and cinematographer.
Born in Madrid (Spain) in 1985, she trained as a photographer at Efti School (Madrid Photography School) while she was studing Audiovisual Communication at Universidad Complutense de Madrid.
Later on she finished her studies as Cinematographer at Madrid´s Film School, ECAM (Escuela de Cine y del Audiovisual de la Comunidad de Madrid), where she was awarded with first-class honours and received a prize sponsored by Kodak, Technicolor Spain and Camara Rental.
After working as photographer (stage in which she gets the photography prize Biodiversidad Photography Awards by the government of Spain) and several projects as Cinematographer, she became partner of the production company Think Mol and thus, she initiated herself also as a film director. ¿Te vas? (Are you leaving?), a work that has been awarded in fifthteen film festivals including the International Film Festival of Locarno, was the first short film that she directed. Soon after she directed her second short film: Retorno (Return).
Two of her more recent projects are two short films for the english TV channel Channel 4 in association with Arts Council England and London based dance company Ballet Boyz: Keep Dancing (2013) and Dance with me (2014).
In all these projects she have had also the role of cinematographer and scriptwriter.
In 2013 she wrote and directed the short film Beyond Memories produced by The Weinstein Company and Lexus as part of the project Lexus Short Films (5 short films directed by 5 directors from different continents, being Cristina the filmmaker representing Europe). The first screening took place during the 2013 Oscars week and the world premiere at Cannes Film Festival 2013. More information at http://www.lexus-int.com/lexusshortfilms/beyond-memories/
She has received several awards for her work as director as: Locarno Film Festival, Special Mention of the Youth Jury (Switzerland, 2009); Best Director Award, Cineculpable Film Festival (Spain, 2010); Best Director Award, Cartagena Fim Festival FICC (Spain, 2010); Best Short Film Award “¿Te vas?”, Go Short Film Festival (The Netherlands, 2011); Best Short Film Award “¿Te vas?” Online Competition, Maremetraggio Film Festival (Italy, 2011); Special Mention of the Jury “¿Te vas?”, Mediterranean Short Film Festival of Tangier (Morocco, 2011); Best Director Award, Asti Film Festival (Italy, 2011); Lady Filmmakers Film Festival or Special Mention of the Jury (USA, 2012) among others.
Her work as a cinematographer has also been recognized with several awards: Plus Camerimage Nomination for Best Cinematography Award (Poland, 2009); Best Cinematography Award CrashFest Film Festival (Greece, 2010); Best Cinematography Award KO&DIGITAL Festival de Cine Solidario (Spain, 2011); Best Cinematography Award Shaan-E-Awadh International Film Festival (India, 2012).
Currently Cristina combines the development of her first feature film with her work as commercials director and cinematographer for the spanish advertising production companies BTZ. and Think Mol, and for the american production company Wonderful Content.
Vimeo Profile: https://vimeo.com/cristinamolino


FRANKLYMYDEAR is an experimental design and creative direction practice in los angeles, Creating print and digital experiences for film, art, music and culture clients worldwide.
Founded and led by filmmaker and creative director Jessica Toscano working with clients and collaborators around the world. Since 2014, she has worked with local and international artists, including award winning filmmakers, directors, producers, cinematographers, production designers, costume designers, production companies, talent agencies and musicians as well as culture and fashion brands. The studio provides art direction, creative direction, visual identity, branding for creatives, key art, pitch decks, web design, ux design, web development, photo and film.
for project inquiries, commissions, and collaborations, contact: email@example.com
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About a decade ago, I had my first experience of Hamlet
, via Kenneth Branagh's full-length sumptious cinematic adaptation
in glorious 70mm. I remember at the time, thinking the following:
- blimey, 70mm is gorgeous
- I can't follow everything that's going on, but I can follow enough to get by
- how many phrases from the English language were plucked from this ?!
- If Ophelia isn't the archetypal Doctor Who companion, I don't know who is...
- Kate Winslet. She'd make a great companion (she wasn't the all-conquering Titantic heroine she is now)
Fast-forward to this weekend, and we three (times two, making six) ended up voyaging from various corners of the UK (and one eBayer from Bermuda) to the twee country town of Stratford-upon-Avon
to see a RSC
production of Hamlet
, with David Tennant and Patrick Stewart leading the cast.
After all the hassles of buying the tickets
and getting there, getting into the play was one huge anti-climax. It was a relatively small venue in a quiet part of Stratford's riverside
, and we just showed the usher our tickets and entered a stunningly stark place
, with mirrors acting as a theatre backdrop
. No props, no set dressing, it was a real courtyard, with the actors entering and exiting the stage through corridors amongst the audience, and I loved the idea.
Unfortuanately, as the play progressed, they brought in a prop here, a set dressing there, until by the end the small space was festooned with props and things, which somewhat spoilt it. The ananachronism of it all - helicopters, guns, notepads, condoms - didn't help either. Why use a gun to shoot someone when at the end you end up with a fencing fight?
I'm not too sure what I was expecting - probably epic acting histronics, but I didn't really get the whole experience. It's a production I think I admired more than I liked or loved - I certainly didn't come out of it gabbling or loving it. One of my party left after thirty minutes, saying it was the worst production she'd seen. The rest of my party seemed to love it, although one of them was more star-struck than anything else.
Not being a Shakespearian acolyte, it was to be fair a little hard for me to seperate the actors from the production. For the Tennant fans, there was a fair amount of TimeLord/Tennant-esque dashing around the stage like an epileptic gazelle. Oh, and he wore alternatively a tuxedo, and then a student-esque T-shirt. He's certainly a very very skinny fellow - I need his thyroids. He strangely lacked stage presence - there was one speech where I totally lost interest and had no idea what he was talking about, and he pretty much mumbled his way through To Be or Not To Be (oh baby can't you see, we're gonna make it to the toooooppppp)
For the Stewart fans, despite looking a lot like Professor X, he seemed far more convincing and Shakespearian actorly than Tennant. Of course, afterwards there was a mad rush for autographs
, although I elected to have a pint instead until other members of my party came back.
Since I haven't been to the theatre in eons, I also forgot that theatre tends to bring out the maudlin and confused in me, mostly because there's no filter between me and the actors, like you have in cinema and television. Then again, I love stand-up comedy, where there's no filter at all. I'm still trying to process that particular thought, but then again: "For there is nothing either good or bad, but thinking makes it so."


The Walt Disney Company and Sony Pictures Entertainment (SPE) have announced a multi-year license agreement for US streaming and TV rights to new Sony Pictures theatrical releases for Disney Media & Entertainment Distribution platforms, including streaming services from Disney + and Hulu, and linear entertainment networks such as ABC, Disney Channels and Freeform, FX and National Geographic.
Tom Holland and Jacky Gyllenhaal in Columbia Pictures’ SPIDER-MAN: Far from Home
The unprecedented deal between Disney and Sony encompasses US rights to new theatrical releases from 2022 to 2026 – starting for each film after the Pay-1 TV window – and builds on the companies’ previous agreement that SPE films are in the Post Licensed to FX. Pay 1 TV window.
“This groundbreaking agreement confirms the unique and lasting value of our films to movie lovers and the platforms and networks that serve them,” said Keith Le Goy, president of Sony Pictures Entertainment, Worldwide Distribution and Networks. “We are very excited to be working with Disney to deliver our titles to their viewers and subscribers. This agreement cements a key element of our film distribution strategy, which is to maximize the value of each of our films by bringing them to consumers across the window with a variety of key partners. “
The agreement also grants rights to a significant number of PES cult library titles such as the “Jumanji” and “Hotel TransylvaniaFranchises and Sony Pictures’ portfolio of Marvel Universe character films – including Spider-Man – offer Disney tremendous programming potential on its platforms, positioning them as prime targets for the blockbuster Spider Man Movies. A particularly notable feature of the agreement is that Hulu will have access to a significant number of SPE library titles as early as June this year.
“This pioneering multi-year, platform-independent agreement gives the Disney Media and Entertainment Distribution team a tremendous amount of flexibility and programming capabilities to bring Sony’s rich selection of award-winning action and family films to our direct customer services and linear channels,” said Chuck Saftler, director Business operations for ABC, Freeform, FX Networks and Acquisitions in the Networks division of DMED. “This is a win for fans who will benefit from the ability to access the best content from two of Hollywood’s most prolific studios across a variety of viewing platforms and experiences.”
The financial terms of the agreement were not disclosed.


If you want to successfully release your film both domestically and internationally, the Indie Film Community can connect you with reliable and trustworthy distributors in many regions of the world. And we can help you with negotiating your distribution deal and delivering your movie.
You made a great movie but don’t assume that anyone will ever know about it. You need to make them aware of it by doing a robust marketing campaign.
First, identifying your core or niche audience lays the groundwork for effective strategies. Next, building awareness within this audience is essential for growth and loyalty. Leveraging social media's power amplifies your impact, and executing targeted campaigns expands your reach. Lastly, mastering direct marketing creates a direct audience connection, empowering you to navigate the filmmaking landscape confidently and purposefully.
The best time to do a D&M plan is at the idea or script phase. If you map out your marketing strategy at the idea or script phase, then you will be able to build marketable elements into your movie that will help connect to your target audience.
If you want to release your short film and try to make money with it then YES, you will need a D&M plan. We charge the same fee for all D&M plans, shorts or features. NOTE: It is the same amount of work to do a proper D&M plan for a short film as it is for a feature.
You likely spent (or will spend) tens or hundreds of thousands of dollars in making your movie. $3,850 for a comprehensive D&M plan is the best investment that you can make in giving yourself the best chance of getting an audience, viewership, and ultimately make money with your movie.
Our team are EXPERTS in Film Distribution & Marketing. We do a thorough and comprehensive customized release plan for your movie . . . giving you practical, realistic guidance on how to make your film successful!
This is the most commonly asked question. A Distributor will NOT do marketing for your movie; they will merely put your movie onto streaming platforms. For example: Suppose that they put your movie onto an AVOD platform like TUBI. Your movie will be one of 100,000 other movies & TV shows on that platform. How will the viewing audience find your movie in the vast sea of 100,000? They likely won’t; unless you do some marketing to create audience awareness. Your Distributor will NOT do marketing for your movie; you will have to do the marketing yourself. A D&M plan is your marketing strategy. You will absolutely need it!
You should find an additional source of funding for Marketing; otherwise, all of your hard work and expense in making the movie will go to waste if you don’t get your movie properly distributed and marketed.
NO, we do not guarantee the success of any movie. Much of the success of a movie depends on how good the movie is. But we do assure that you will have a much better chance of success with a D&M plan.
Yes, it will give you a roadmap on exactly what to do; how to do it; and how much to spend. Obviously, it’s up to you whether or not you follow every recommendation in the plan. And by the way, remember that you will need to have funds available to do marketing expenditures.
If you don’t want to execute the plan yourself, our team can help you. We will charge you fair fees for our time and services; those fees are outlined in the plan.
The film business is super high risk, and many indie films lose money. With a D&M plan you will have a 5x better chance of making money with your movie, but there are no guarantees.
© Copyright 2024 Indie Film Community. All rights reserved.


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A new film from the makers of
VIEW THE TRAILER: https://stilldreamingmovie.com/
March 29, 2018
Zeitgeist Teatro Zuccone https://zeitgeistarts.com/
Social hour: 3:00 pm – appetizers provided
Screening 4:00 pm
At The Lillian Booth Actors Home just outside NYC, a group of long-retired Broadway entertainers dive into a production of Shakespeare’s A Midsummer Night’s Dream and find that nothing is what it seems to be. With a play that is usually about young love and sex farce, this ensemble finds that for them, the themes of perception, reality and dreaming deeply resonate at this stage of life. As they deal with the shifting mental and physical challenges of old age, they realize that creativity is a magical force of renewal. Starring Broadway luminaries from another era, STILL DREAMING thrills with the force of its relevance for those of any age.


After time travel in The Terminator, aliens in Predator and mind control in Total Recall, Arnie takes on the controversial topic of cloning in this ’00 flick, The 6th Day. It might not be as critically acclaimed as the others, but by gosh is it entertaining.
Set in a futuristic world – ‘sooner than you think‘ the film suggests – Arnie plays Adam Gibson, a helicopter pilot who remains rather old-fashioned in a world where you can order milk from the touch of a button on your fridge. One of the inventions this film accurately predicted is the sat nav, although in this film it can drive the car to your destination. The futuristic element definitely recalls Total Recall, but I’ll allow it. His daughter’s dog, Oliver, snuffs it one morning (incidentally his birthday) while Adam is at work, and his wife (Wendy Crewson) suggests that he take the dog to RePet, a cloning facility for animals.
It turns out that cloning of all animals has been proven scientifically possible, and practically achievable, although an incident involving the clone of a human has rendered the practise of human cloning illegal. Nevertheless, an underground cloning facility exists, with RePet as their public face.
Adam decides not to clone the dog, as he feels it’s worth teaching his daughter that all things must die. Nevertheless, when he gets home, he finds that Oliver is alive and well, yapping at him on the front lawn. He then hears a party, as well as people singing ‘Happy Birthday‘ from inside his house, and when he looks in, he sees another Arnie! Dum-dum-DUMMM!
However, the baddies are onto him, specifically Michael Rooker (Merle from The Walking Dead), Terry Crews (from the Old Spice adverts), Sarah Wynter and Rodney Rowland. Despite being rather easy to defeat, the arch-baddie Michael Drucker (Tony Goldwyn) is able to ressurect them through the utilisation of his cloning device, although it would surely be cheaper just to hire new grunts. Eventually, Arnie manages to team up with himself, resulting in some pretty hilarious dialogue. See below.
The effects are adequate, the action is fab, the sci-fi is pretty decent, the dialogue is cheesy and Arnie is simply Arnie. If you’re looking for a rip-roaring sci-fi action B-movie then you’ve come to the right place. Arnie never disappoints!


Te Kōhanga Reo o Pikitia in Auckland performed the play “Frozen” or “Hukapapa” with the tamariki as the star attraction. A play adapted from the stage production into all in te reo. The Kōhanga reo kaimahi worked for months to get the props, scripts and even translated the songs into Māori to bring the production to life
There were over 40 different costumes and hundreds of hours of work that had gone into making the 2hour show. They performed to a pack house and in typical South Auckland swagger the whānau took it all in stride.
The Kōhanga Reo kaimahi and whānau were understated about their efforts but clearly they were relieved it was over and that the production was success. Although the show was mainly directed by women the heavy lifting a and cooking the BBQ was left to the men.
But for Kaiako Wairemana Taipari the main priority was te reo and working collaboratively to bring whānau, kaimahi and Kaumatua together.
A great night of entertainment and wholesome fun, a whooping $900 was collected on the night to help support the Kōhanga Reo ō Pikitia. Congratulations on a fabulous show! Ka wani kee!
Here some highlights from the play.


Settle in for a movie at the library! The same movie will be shown on Monday nights and Friday afternoons every other month beginning in June.
Registration is required for each screening and opens two weeks before the event. Popcorn will be available at the beginning of the movie.
August 1 & 5 – Thor (2011) Rated: PG-13
October 3 & 7 – Halloweentown (1998) Rated: TV-G
December 5 & 9 – How the Grinch Stole Christmas (2000) Rated: PG
Showing of PG-13 Movies
Jurassic Park and Thor are both rated PG-13. Parents or legal guardians are responsible for deciding if the films are appropriate for their children. Library staff will not be verifying age during the program.


We are happy to share with you a video profile of one of our Exploratorium Cinema Artists in Residence, Paul Clipson. Phoebe Tooke (of Moving Images dept) shot and edited this piece after spending time with Paul in his process of creating a newly commissioned work. Special thanks to her for a beautiful short profile capturing Paul’s creation of a reflective, 16mm cine poem along the Embarcadero in San Francisco. Paul’s film not only frames the materiality of the water front, it also highlights the ephemeral or fragile qualities of both place and film. We are excited to see his finished work, but in the meantime, enjoy this!


My Advanced Sophomore Literature and Composition class spent all 45 minutes of class today engaging in a “Socratic Seminar” (student-led class discussion) about the play Macbeth. As usual with this class, I tried to cram too many topics into the agenda. Sorry, students: I’ll adjust my plans with greater accuracy as the year moves along.
There were many highlights of the conversation from my point of view, and although I disagreed with some of the interpretations I heard, none were ill-informed or just plain wrong.
When Nicole commented that Macbeth’s lack of children “fueled” his ambitions for power, I was very, very proud. I’ve been intentionally not making that argument in class so as to let the students come to that important psychological conclusion themselves, and voila! Good old Harold Bloom will add to the evidence for that interpretation when we read his chapter on Macbeth over the weekend.
I was worried that the class would just spend fifteen seconds on the Nietzschean material, but instead the students dug deeply into the Apollonian and Dionysian aspects of the play. Here I thought that no one got it exactly right. Yes, the witches represent the Dionysian force, but Macbeth is definitely the Apollonian. Yeah, yeah, I know that he kills a lot of people and that seems chaotic and thus Dionysian. But he is actually trying to force his particular sense of order on Scotland, and that is Apollonian. Remember, the main characters in a tragedy are the Apollonian force as they try to find their way through the challenging world in which they find themselves. The witches cause mischief and stir up the dreamlike, unconscious part of Macbeth, so it makes sense that they are Dionysian. No one mentioned in class that the play has no chorus, which was an omission. But notice how all of the rather interchangeable thanes function like a chorus (Lennox, Ross, Caithness, Menteith, etc.). They talk among themselves and to nameless citizens (a “Lord”) to comment on the actions of Macbeth.
The class also got a bit sidetracked in discussing what Hegel would have said about the play. Too many students zeroed in on the climactic moment when Macbeth decides to keep wading across the River of Blood (3.4). Remember that in the play Antigone, our heroine is trapped between two equally good/bad paths from page one. That is not the case in Macbeth. He begins the play as a war hero who is riding high, but then he meets the witches who plant the seeds of ambition and murder in his mind. He doesn’t have to do anything, though, and he speaks that clearly (“If chance will have me king . . .” 1.3). If you want to make the Hegelian argument, it would make more sense to talk about how his wife functions as one half of the Scylla/Charybdis in his life. If he chooses not to kill Duncan, then he will lose the respect of his wife, and that’s a bad path. But killing Duncan is also a bad path, so his life is going to take a turn for the worse after he meets the witches. I know that when I teach this play I hammer home the importance of the climax so forcefully that it is no surprise that many students went right to the River of Blood moment when discussing the Hegelian interpretation, but that is really an important moment in the map of Shakespeare’s plot arc (a.k.a. Freytag’s Pyramid). Overall, Macbeth is not a play that illustrates Hegel’s theory especially well.
Andrew made a wonderful point about children representing “lineage” in Macbeth, which was then augmented by Paul’s closing shot just as we were packing up after the bell. Paul argued that Macbeth lives in the present and is trying to “kill the future” by murdering children (Paul particularly mentioned Young Siward in Act 5). You are both absolutely correct: Macbeth’s childlessness makes him resent children and those who have children to inherit their titles. Notice how the witches’ prophecies to Macbeth and Banquo in 1.3 plant this seed in Macbeth’s mind. The Harold Bloom article will explain why Macbeth has no children (if you read carefully).


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- Original Title : Casino Royale
- Movie title in your country : Casino Royale
- Year of movie : 2006
- Genres of movie : Action, Adventure, Thriller,
- Status of movie : Released
- Release date of movie : 2006-11-15
- Companies of movie : United Artists, Columbia Pictures, Eon Productions, Casino Royale Productions, Stillking Films, Casino Royale, Studio Babelsberg, Government of the Commonwealth of the Bahamas, Danjaq,
- Countries of movie : Bahamas, Czech Republic, Germany, United Kingdom, United States of America,
- Language of movie : English, Français,
- Durationof movie : 144 Min
- Average vote of movie : 6.9
- Youtube ID of movie : 36mnx8dBbGE
- Translation of movie : EN,DE,UK,RU,FR,IT,SV,SK,DA,NL,ES,ZH,TR,HU,FI,PT,PL,CS,HE,NO,JA,EL,
- Actors of movie :Richard Sammel (Adolph Gettler), Jesper Christensen (Mr. White), Caterina Murino (Solange Dimitrios), Malcolm Sinclair (Dryden), Sebastien Foucan (Mollaka), Simon Abkarian (Alex Dimitrios), Judi Dench (M), Tsai Chin (Madame Wu), Ivana Miličević (Valenka), Daniel Craig (James Bond), Lazar Ristovski (Kaminofsky), Giancarlo Giannini (René Mathis), Claudio Santamaria (Carlos), Darwin Shaw (Fisher), Mads Mikkelsen (Le Chiffre), Eva Green (Vesper Lynd), Emmanuel Avena (Leo), Clemens Schick (Kratt), Veruschka von Lehndorff (Gräfin von Wallenstein), Ade (Infante), Tobias Menzies (Villiers), Jeffrey Wright (Felix Leiter), Isaach De Bankolé (Steven Obanno), Ludger Pistor (Mendel), Urbano Barberini (Tomelli), Tom Chadbon (Stockbroker), Joseph Millson (Carter)
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Visual Effects Producer : Julia Wigginton, Sound Effects Editor : Oliver Tarney, Sound Designer : Martin Cantwell, Art Direction : James Hambidge, Casting : Heather Carey, Visual Effects Supervisor : Mark Michaels, Screenplay : Robert Wade, Sound Re-Recording Mixer : Mike Prestwood Smith, Assistant Director : Lisa Romano, Location Manager : Steve Harvey, Costume Supervisor : Dan Grace, Unit Publicist : Linda Gamble, Dialogue Editor : Simon Chase, Costume Design : Lindy Hemming, Producer : Barbara Broccoli, Supervising Art Director : Simon Lamont, Still Photographer : Larry D. Horricks, Visual Effects Supervisor : Val Wardlaw, Screenplay : Neal Purvis, Set Decoration : Lee Sandales, Rigging Gaffer : Lee Knight, Set Costumer : Nicholas Roche-Gordon, Casting : Debbie McWilliams, Construction Coordinator : Martina Ter-Akopowá, Camera Operator : Clive Jackson, Editor : Stuart Baird, Stunt Coordinator : Pavel Cajzl, Steadicam Operator : Jaromir Sedina, Stunt Coordinator : Gary Powell, Assistant Director : Lorenzo Marangoni, Visual Effects Editor : Aled Robinson, Location Manager : Jo Beckett, Prop Maker : Thomas Jones, Gaffer : Eddie Knight, Prop Maker : Carl Wilson, Makeup Artist : Laura McIntosh, First Assistant Editor : Kate Baird, Foley : Paul Hanks, Transportation Coordinator : Jiri Husak, Production Manager : Janine Modder, Visual Effects Supervisor : Angela Barson, Camera Operator : Jaromir Sedina, Makeup Artist : Hana Surkalova, Assistant Director : Jakub Dvorak, Script Supervisor : Aminta Townshend, Location Manager : Eddie Folcarelli, Special Effects Coordinator : Pavel Sagner, Director : Martin Campbell, Script Supervisor : Laura Miles, Visual Effects Editor : Billy A. Campbell, Supervising Sound Editor : Eddy Joseph, Production Manager : Chris Brock, Set Costumer : Patricie Soptenková, Still Photographer : Jay Maidment, Production Manager : Sabrina Allaria, Sound Editor : Stuart Morton, Art Direction : Dominic Masters, Underwater Camera : Mike Valentine, Sound Re-Recording Mixer : Mark Taylor, Helicopter Camera : John Marzano, Property Master : Ty Teiger, Digital Intermediate : Jan Hogevold, Art Department Coordinator : Gabriela Dolenska, Picture Car Coordinator : Jiri Fleischer, Foley : Peter Burgis, Art Department Coordinator : Sarah Robinson, Music : David Arnold, Second Unit Cinematographer : Alexander Witt, Digital Intermediate : Maria Stroka, Visual Effects Producer : Stephen Elson, Production Design : Peter Lamont, Visual Effects Producer : Paul Edwards, Location Manager : Simona Serafini, Assistant Art Director : Guy Bradley, Script Supervisor : Lori Wyant, Casting : Béatrice Kruger, Still Photographer : Susie Allnutt, Director of Photography : Phil Meheux, Script Supervisor : Jean Bourne, Transportation Coordinator : Rajesh Rajilal, ADR & Dubbing : Colin Ritchie, Additional Photography : Warwick Sloss, Camera Operator : Karl Morgan, Music Editor : Dominic Gibbs, Sound Effects Editor : James Boyle, Sound Effects Editor : Jack Whittaker, Foley : Ian Waggott, Publicist : Flax Glor, Production Manager : Jasmin Torbati, Location Manager : Robin Higgs, Art Direction : Peter Francis, Sound Effects Editor : James Harrison, Location Manager : Nicola Catullo, Camera Operator : Roberto W. Contreras D., Assistant Director : Consuelo Bidorini, Assistant Art Director : Peter Dorme, Art Direction : Michael Lamont, Set Decoration : Simon Wakefield, Greensman : Ian Whiteford, Camera Operator : Roger Pearce, Screenplay : Paul Haggis, Art Direction : Steven Lawrence, Assistant Art Director : Molly Sole, Construction Coordinator : Catherine Haugh, Rigging Gaffer : Ronnie Phillips, Producer : Michael G. Wilson, Casting : Camilla-Valentine Isola, Executive Producer : Wayne Anthony
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The Avalon and Brookwood Actors Guild present Servant of Two Masters opening this Friday and running through Sunday February 10.
All shows take place at Kensington’s St. Paul’s Methodist Church and costs five dollars for a ticket.
A Servant of Two Masters is a classic comedy originally written by experienced playwright Carlo Goldoni and dates back to 1743. It’s about a servant who discreetly tries to serve two lieges without either finding out. The two masters also happen to be in love.
In Goldoni’s plot, the story follows many different characters as they explore the tricky and confusing road of love in Venice. The story begins with the engagement of Dr. Lombardi’s son Silvio and Signor Pantalone’s daughter, Clarice. Clarice was engaged to Federigo a fellow from Turin who was slain by his sister’s lover Florindo over the fact that he wanted to marry her, but Federigo thought otherwise. The wedding however, is suddenly interrupted by Beatrice disguised as Federigo so that she can get money owed to her brother by Pantalone to find her lost love Florindo, who at the same time is looking for her. Trufledino the servant of Beatrice is also serving Florindo behind her back.
The Avalon and Brookwood Actors Guild has a history of making minor alterations to their scripts, and A Servant of Two Masters is no different. The script faced major revision by directors and faculty members. The subplot now features a romance between Smeraldina and Wei Wei the Waiter. The directing team also completely rewrote the ending to take a happier turn rather that concluding with Truffaldino‘s surprising death.
“We took that construct and stretched it out a little further,” said former Avalon teacher and current play director Dan Corey. “What I am quite proud of doing with our version is taking a scene previously done off stage and making it the center stage. It’s akin to making Oedipus gouge his own eyeballs out onstage. It’s great.”
Corey, who acts professionally in local theater, began his acting career doing commercials as an elementary school student, and he continued doing plays in high school. After high school, he worked at a community theater in Crawfordsville, Ind., and even starred in a few plays in college.
“After a couple of years of teaching at Avalon, I decided to get back into theater, working in community theater first, then working my way up to non-equity professional theater in the DC metro area,” said Corey. “In a couple of months, I will be working on my first play where everyone will be an equity actor except me – I like to think it means I’m moving up in the world!”
Elizabeth McCarthy, a Brookwood School senior, plays the lead roll of Truffaldino, the servant working for two masters. McCarthy outshines the entire cast with her performance, despite an extended leave of absence just before the play for tryouts at Juilliard.
The character of Truffaldino is a man, but McCarthy has done a superb job of acting the roll. She performs in a style that should remind audience members of famed actor Jonny Depp.
For the part, McCarthy wears an asymmetrical jacket covered in patches, with mismatched gloves, and she dances about the stage. Liz interacts with the audience a great deal, climbing over chairs and through the aisles and delivering her lines directly to specific people in the audience. Truffaldino is an eccentric onlooker to the unfolding of the play, half involved in everything that happens in the play. Truffaldino is present for most scenes of the play, bringing laughter to the experience.
Josh Solomon brings a certain baroque masculinity to the role of Florindo, Beatrice’s love interest. Solomon adds excitement with skilled swordsmanship in the action scenes.
Standout performances from Brookwood’s Mary Davern (Clarice) and Martha Rivas (Beatrice) are clever, daring and sweet. Matt Agrafiotis plays Silvio, the son of Dr. Lombardi, to a tee with his foolish antics. The audience will also enjoy Billy Kantor as Pantalone, a Venetian merchant, and Zach Jensen as Dr. Lombardi.
Mary Sorensen plays Brighella, an inn keeper looking for respect, and the Petruccelli’s, Chiara and Teresa, play Clarice’s strong-willed maid.
The cast and crew include the following:
Elizabeth McCarthy as Truffaldino (The Servant)
Joshua Solomon as Florindo
Martha Rivas as Beatrice
Matt Agrafiotis as Silvio
Mary Davern as Clarice
Billy Kantor as Pantalone
Zack Jensen as Dr. Lombardi
Mary Sorensen as Brighella
Chiara and Teresa Petruccelli as Smeraldina (Another Servant)
Morgan Kurtz – Director,
David Solomon – Stage Manager,
Thomas Bonatti – Assistant Tech Director


Samantha Akkineni is an Indian actress and model. She has established a career in the Tamil and Telugu film industries and is a recipient of several awards including four Filmfare Awards. While pursuing a degree in commerce, Akkineni worked part-time on modeling assignments. her real name is Samantha Ruth Prabhu and other Name Samantha Akkineni, Her Nickname is Yasodha, Yasho, Sam. Profession Actress. Samantha Akkineni began her professional film career in (2010).
Samantha Akkineni was born on 28 April 1987 in Chennai, Tamil Nadu, India. Her father’s name is Joseph Prabhu and her mother’s name is Ninette. Samantha Akkineni has two brothers and no sister. Samantha Akkineni’s brother Name is Jonathan Prabhu and David Prabhu. Samantha Akkineni Home / Town, Chennai, Tamil Nadu, India.
Samantha Akkineni Favorites Things:
Samantha Akkineni Favorite Actor’s name is Dhanush, Suriya, Rajnikanth. Her favorite Foods, Sushi, Sweet Pongal, Dairy Milk Chocolate, Paalakova. Her Boy Friend Siddharth(2013-2015) and Nage Chaitanya (2015 Present). Her Favorite Film The West Wing and Favorite Color Black. Samantha Akkineni hobbies Reading, listening to music, shopping, gymming.
Salary 80 Lakh/Film (INR)
Net Worth 15 Crore (INR)
Last Ten years, Samantha Akkineni Filmography:
|96 remakeFilms that have not yet been released||2019|
|Raju Gari Gandhi 2||2017|
|Seethamma Vakitlo Sirimalle Chettu||2013|
|Theeya Velai Seiyyanum Kumaru||2013|
|Ekk Deewana Tha||2012|
|Neethaane En Ponvasantham||2012|
|Yeto Vellipoyindhi Manasu||2012|
|Ye Maaya Chesave||2010|
Samantha Akkineni Height, weight, and physical measurement:
Height: 5 feet 5 inches
Body Measurements: 34-26-34
Bra Size: 34 inches
Dress Size: 4 (US)
Eye Color: Hazel Brown
Sexuality – Straight


One of the most beautiful things to watch is the adventurous journey of black British actors. Like a flower, they went from obscurity to become some of the most sort after actors in the industry. Interestingly, black British actors have been around since the era of silent movies. But sadly, the British movie industry was notorious for denying them opportunities and adequate pay. Determined to put their talent to work, many travelled across the Atlantic in search of fulfilment. And with the recent success of many of them, I daresay that this move was ingenious. In the last decade, British movie screens have begun to see more black British actors. Even Hollywood, seem not to get enough of their dynamic talents. Today, we shine the spotlight on ten of the most talented black British male actors.
1. Idris Elba
First to grace our list of the most talented black British male actors is 48 years old Idrissa Akuna Elba. He is an actor, producer, writer, singer, rapper, songwriter and DJ. Born in Hackney, London in England, Idris Elba kickstarted his acting career in 1994 with the movie, Crimewatch. This was the beginning of over forty-five more amazing movies and many awards. In 2016, Time 100 named him as one of the Most Influential People in the World. So far, at the global box office, his movies have grossed over $9.8 billion. He is mostly known for his dark role as DCI John Luther in British series Luther.
2. John Boyega
John Adedayo Bamidele Adegboyega is a British- Nigerian actor and producer. He first enchanted us when he starred in the sci-fi comedy movie, Attack the Block. But, his international recognition came with the movie, Star Wars sequel trilogy, where he played the role of Finn. He has since gone on to feature in many more dramas and films. In 2016, he received the Trophée Chopard at the Cannes Film Festival as well as the BAFTA Rising Star Award. In 2020, the New African magazine mentioned Boyega as one of the Top 100 most influential Africans.
3. Daniel Kaluuya
31-year-old Daniel Kaluuya is another top black British male actor you most likely already know. Born in London, Daniel at age 9 wrote his first play.
He began acting at a very young age at the Anna Scher Theatre School. His first movie role was in the movie, Shoot the Messenger where he played the role of Reece. He is mostly remembered for his iconic performance as Agent Tucker in Johnny English Reborn. Likewise, his role in Get Out earned him multiple nominations. So far, Daniel has won about 10 awards from his 26 nominations.
4. Ashley Walters
Also known as Ashley D, Ashley Walter is yet another very talented black British male actor. He is an actor, rapper, and songwriter.
He is most popularly known for his role as Ricky in Bullet Boy released in 1994. Walters has also featured in many British TV shows such as The Bill, Doctor Who, Grange Hill, Holby City, and Silent Witness.
His iconic role as notorious gangster Dushane in hugely acclaimed British TV series Top Boy, only confirmed his flawless acting skills.
In 2017, Lisa Maffia and Sheila Nortley awarded him with the British Urban Film Festival honorary award. This was to mark his 25 years of magnificent contribution to film and television.
5. Lennie James
Active in the industry since 1988, Lennie Michael James’ remarkable talent singled him out. He is a Nottingham born actor, playwright and screenwriter.
James has appeared in over 20 movies. He received critical acclaim for his role as Detective Chief Inspector (DCI) Tony Gates in the movie, Line of Duty. He also starred in The Walking Dead, Critical, and Jericho.
In case you don’t know, James was the writer of the autobiographical TV film, Storm Damage in 2000. This was nominated for a British Academy Television Award for Best Drama Series.
6. David Oyelowo
Born in Oxfordshire, England in 1976, David Oyelowo is a face you wouldn’t forget in a hurry. He began his acting career in 1999 by playing roles in Ben Jonson’s Volpone.
One of his most popular roles was playing Martin Luther King Jr in Selma. This singular movie earned him numerous awards from different award agencies.
In 2016, David was appointed Officer of the Order of the British Empire (OBE). He has so far won more than 18 awards from over 40 nominations. Hence, earning him a spot as one of the most talented black British male actors.
7. Richard Ayoade
Of course, it wouldn’t make sense if Richard Ellef Ayoade is missing here. This multi-talented black British male actor is a screenwriter and comedian. He is also a television presenter, film director, and author.
He started acting in 2000 by playing characters at the Edinburgh Festival Fringe. Since then, he has featured in at least 13 movies. The most popular amongst which is his role as Maurice Moss in The IT Crowd.
Richard has won about seven awards, including an International Emmy Awards. He is also an author of three film comedic books: A Cinematic Odyssey, The Grip of Film, and Ayoade on Top.
8. Chiwetel Ejiofor
Sure to grace our list is Chiwetel Umeadi Ejiofor, a British-Nigerian actor and filmmaker. He was first sighted in 1996 in the television film, Deadly Voyage. Since then, he has featured in at least 40 movies.
His epochal role in 12 Years a Slave will never be forgotten. This singular role earned him over 35 local and international awards. In 2008, Queen Elizabeth II recognized his services to the arts and appointed him Officer of the Order of the British Empire (OBE). In the 2015 birthday honours, his rank was elevated to Commander of the OBE
9. David Harewood
Born in 1965, David Harewood is a black British actor and presenter. He began acting in 1990. But his role as David Estes in Homeland where he was a CIA Counterterrorism Director brought him to the limelight.
At a young age of 18, David gained entry into the Royal Academy of Dramatic Art. Since then he has featured in over fifteen movies, and over 50 TV films and series.
David Harewood is also a member of the Order of the British Empire and an ambassador for mental health. In 2019, he hosted a BBC documentary titled, David Harewood: My Psychosis and Me.
10. Adewale Akinnuoye-Agbaje
Another talented black British male actor worthy of mention is Adewale Akinnuoye-Agbaje. He is a director, actor, and former fashion model.
He first started as a model before ending up in Hollywood. There, in 1995, he took on his first debut role as Kahega in the movie, Congo.
Adewale has starred in numerous movies such as Oz, The Bourne Identity, Thor: The Dark World, Suicide Squad, Lost. He is also a lawyer with a Masters degree from the University of London.
Much to be admired is the sheer willpower and determination of these black British actors. Driven by their passion, they have refused to give in to any limitations or excuses.
This is why they have gracefully earned a spot not only on British movie screens but also in Hollywood. Hence, their daring achievements will continue to remain a blazing trail for many budding black British actors.
What's Your Reaction?
Chimnonso Onyekwelu is an excellent copywriter and a recovering Attorney. She spends most of her time writing, reading and writing again.


Yeah, it’s really sad because the entire film industry loves him, he’s so highly regarded as a human being. He definitely doesn’t deserve the vitriol against him.
I think it’s just that he’s such a glaring example of nepotism. That’s not necessarily a bad thing, but his father is the biggest star in India. There was no way he was ever, EVER going to live up to that. And then he married arguably the biggest female star in India. So no matter what he does, he looks unsuccessful in comparison to the rest of his family. He really is very well-spoken, modest to the point of self-deprecation, and he accepts criticism head on. I don’t want to name names, but there are a lot of star kids who don’t handle failure with 1/5 the grace he does.
I do feel really bad for him because he’s one of those people who can give good performances, have movies that perform well, and he’ll always be seen as a disappointment or someone who doesn’t deserve what they have. Personally, I don’t know how you could watch his KWK episode and not find him utterly charming, even if you don’t like him as an actor. He even just came off of two huge blockbuster movies, and there are people questioning his right to even be on the show. It’s just like…..???
And the worst of it is that it all comes down to a weird masculinity thing. Like, if your wife is more successful than you, you’re less of a man. If you live with your parents, you’re less of a man. If you don’t have a six pack, you’re less of a man. If you do multi-starrers (which EVERYONE should be doing, btw!) you’re less of a man. The way people talk about him in particular makes me EXTREMELY uncomfortable because here’s someone who openly supports his wife, who is collaborative and wants to work with other actors, who is a family man and always speaks respectfully, and who acknowledges his shortcomings, and people somehow construe all that to be a negative thing.
Honestly, more men in the film industry should be like him. His acting skills aside, as a human being, he’s pretty ace.


I just saw CJ7
by Stephen Chow, the director of such greats as Shaolin Soccer and Kung Fu Hustle, and I gotta tell you, it was excellent. If you enjoy the quirky humor of his other movies, then I don't think this will disappoint (it even has a bit of his wacky Kung Fu as well). At first I really didn't know what to expect from the movie, I had a feeling it might be aimed at young kids, but the show is just so strange that in the end I don't know who it was aimed at. Not only that, but it's got some sad moments, and you can normally take that with a grain of salt from me, because I tear up at pretty much every movie I see. But my girlfriend--perhaps I am finally rubbing off on her--told me that a movie had never made her cry before, so there you have it. Maybe it just takes a really strange movie to move some people.


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Our job is to make our students masterful storytellers in the specific on-camera acting genres of drama, single-camera comedy, multi-camera comedy, and commercials. We do this through a combination of audition-style prepared reads, partnered scene work, cold reading, and frozen reading. All class material is pulled from network TV or feature films and chosen specifically for each student for a completely personalized approach to their development.
In order to create consistently brilliant acting work, actors need a solid PROCESS for preparing the material, a PREGAME RITUAL for preparing their instrument for delivering the performance as intended, and a REHEARSAL NETWORK of at least six trusted colleagues, friends, and loved ones to rehearse with and put them on tape as part of their prep for every acting opportunity.
In addition to developing our students' process and pregame, we've also built the importance of community into our studio's culture. The last Saturday night of every month is Family Dinner Night, where all our private coaching clients and students come together in fellowship to build relationships that will make the difference in their personal and professional lives.
ACCEPTANCE INTO CLASS IS BY PHONE INTERVIEW AND THEN A FREE AUDIT.
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My favorite movies list:
So, I probably have too many movies to place here, so don’t get all up-in arms if you don’t spy your favorites. Also, I’m a more ‘mainstream’ watcher and my knowledge varies from genre to genre, so don’t expect any anime (sorry), unrated films, older films, or horror, because I generally don’t watch that kind of thing and if I did, I wouldn’t know enough to make intelligent commentary on the matter. (Whether or not I have intelligent commentary now is another matter entirely).
All will be revealed, after the break.
Everything Pixar- With the exception of Cars 2, which dipped most unfortunately into mediocrity, Pixar has fantastic heartwarming stories. I could list all of their films (save the aforementioned one) on this list, but that would take too long, so I’ll merely give you my favorite of favorites: The Incredibles.
How to Train Your Dragon– If Pixar is the ruling monarch of animation, Dreamworks is its stunted half-brother who ran off to elope with pop-culture references. At least, that’s what I used to think. For a while, it seemed like Dreamworks was just trying way too hard to wave it’s middle finger in Disney & Pixar’s faces. When it finally got over that period, (somewhere in between Over the Hedge and Kung Fu Panda) and started coming up with it’s own ideas, the quality movies improved drastically, finally culminating in one of my all time favorite movies, How to Train Your Dragon.
Star Wars- Because no movie list is complete without it.
Iron Man 1 & 2– Because Robert Downey Jr is not Tony Stark. Tony Stark IS Robert Downey Jr.
Napoleon Dynamite- Yes, I know. Yes, yes, I’ve heard that too. But I still love this movie. Vote for Pedro.
The Lord of The Rings Trilogy– For the battle shots alone. Heck, if all three movies were absolute crap BUT they kept the Helm’s Deep sequence in, I’d still be tempted to put it on this list.
Schindler’s List– I don’t cry, especially during movies, (unless they’re so heart-wrenchingly bad that I laugh until tears come), but I did at the end of this one.
(Most of) Indiana Jones– NO THE LAST ONE DOESN’T COUNT! Why do you do these things, George? Why!!!
The Dark Knight– Because if you can do a gritty reboot after this:
You deserve an award. Plus it was the only time I’ve ever been genuinely freaked out on behalf of the hero in a superhero movie. When it’s Superman, you know he’s going to get back up, remove the kryptonite dagger (or whatever) and save the day. With Heath Ledger’s Joker pulling the strings, you’re not so sure.
Monty Python & The Holy Grail– if you need me to list reasons, I’ll send my rabbit after you.
The Princess Bride– See entry above, minus the rabbit, insert iocane powder.
The Matrix. (Specifically the first one) Never mind the jaw-dropping awesomeness that still looks good in CGI standards despite being made over a decade ago. Never mind the short, sweet and to the point storyline that never lets up on action. Never mind the genius Hugo Weaving brings to one of his most memorable villainous roles as the agent Mr. Anderson. No, the genius to my mind is the fact that this movie has Keanu Reeves and is still kick-butt awesome. The stone-still wide-eyed gaping look that defines his acting career works in this case. And that, my friends, is a true miracle.
The Bourne Trilogy- Matt Damon kicks butt in various locations around the globe, yes please!
There are many, many more. Feel free to list them in the comments if you feel I’ve forgotten a classic!


Lead Witness Capture Operator – “Dawn of the Planet of the Apes” 2013-2014
- Shot on Sony F3 cameras during production of the film and in the motion capture volume. All footage shot was used as animation reference for VFX artists.
Assistant to Jim Sharp – EVP Production, Twentieth Century Fox Television 2011-2012
- Assisted Mr. Sharp in overseeing all areas of Fox Television production. Responsibilities included coordinating all show budgets and production issues between studio executives and show production staffs, as well as answering heavy phones, filing, and scheduling for Mr. Sharp.
Assistant to Rupert Wyatt – Director of “Rise of the Planet of the Apes” 2010-2011Assisted the
- Director in all areas of Pre-Production, Physical Production, and Post Production. Acted as his liaison between 20th Century Fox executives and all heads of department. Accompanied the Director up to Vancouver for 5 months of Production and completion of principal photography.
Assistant to Robert Green – Creative Producer and Head of USR Content / Fox Digital 2009-2010
- Acted as assistant to Mr. Green, as well as POC and Office Manager for USR Content. Responsibilitiesincluded hiring crew during prep and production of independent features and numerous Fox Digital Web Series, as well as handling all deal memos, equipment rental for all projects, scheduling, rolling calls.
Key Set Production Assistant – “Heroes” – Seasons 1 and 2 2007-2008
- Responsible for wrangling background, distribution of crew radios, office distro, setting lockups between other PA’s, and assisting AD staff in all other areas of Television Production.
Office Production Assistant – “Will and Grace” – Season 8 2006-2007
- Duties included NBC/Universal Network runs, answering phones, audience coordinating for live shows, and assisting in all other areas of sitcom television production
Production Secretary – NBC / Universal Television Production 2005
- Floating assistant to Exec VP Jerry DiCanio and VP’s Susan Dale Ross, Pam Putch, and Jim McGee. Duties included answering heavy phones, data entry, filing, and scheduling


Seventy-four years and four continents are what it takes Maggie O’Farrell to tell the tale of Daniel and Claudette. He is an academic, a father, a divorcee and Irish American. She is British and an enigma. Theirs is a love story but will it have a happy ending?
We zoom back and forth in time as the story unravels. Zip back ten years, move to a different country and suddenly an opaque aspect of the story becomes clear. At times we are told what happens to a character far into the distant future. Sometimes the micro story that you find yourself in seems totally separate from the story only for the information to suddenly make sense a few chapters on.
Parents, children, step-children, lovers, siblings and college friends flit in and out of the narrative. One minute you are in London but you might just as easily pop up in Bolivia, France, India, the USA, Scotland or Ireland. At times you want to grab hold of Daniel and Claudette to give them a good shake and to stop being so stupid. And that happy ending? It’s well worth embarking on the time slipping, jet setting journey of THIS MUST BE THE PLACE to find out for yourself.
DISCLAIMER: I was sent a review copy by the publisher in return for an honest review.
THIS MUST BE THE PLACE by Maggie O’Farrell
Published by Tinder Press
Hardback £18.99, Kindle £9.49


Guardians star Dave Bautista to spice up Denis Villeneuve Dune reboot
Back in 2016, Legendary acquired TV and film rights to Herbert's iconic 1965 novel. Those who didn't read the book and its sequels may know the series best from David Lynch's 1984 film, which starred Kyle MacLachlan as Paul Atreides. While it later attained cult status, the film flopped with critics and at the box office. But many praise the complex and imaginative world of the books, which feature a fictional drug called Melange and known as "the spice," as well as the dangerous sandworms that attack those who try to harvest it.
Bautista should have some time to delve in to the world of Dune. Guardians of the Galaxy Vol. 3 is in limbo after director James Gunn was fired for past off-color tweets, then moved on to rival DC. Bautista has been perhaps one of the most outspoken cast members protesting Gunn's departure.


DC vs. Marvel Comics was a comic book limited series crossover published by
DC Comics and ... After exchanging punches and a burst of heat-vision,
Superman wins eventually. ... a sudden flushing of the sewer knocks Cap off
balance as Batman manages to strike him with a Batarang. ... JLA/Avengers ·
Amalgam Comics ...
China Box Office: 'Batman v Superman' Opens Well Behind Marvel's ...
China Box Office: 'Batman v Superman' Opens Well Behind Marvel's 'Avengers'
Franchise. 12:11 AM PDT 3/29/2016 by Patrick Brzeski. FACEBOOK; TWITTER ...
Is Batman In Avengers: Infinity War? - Alex Zalben - Medium
Mar 20, 2018 ... I have been explaining, so very patiently, for years that Batman is a DC Comics
character. Years. Decades ... No, he's a DC character, and the Avengers are
Marvel characters. ... Okay, but is Superman in Infinity War? …Yeah ...
Warner Bros.' DC films are no longer trying to be Marvel
Apr 5, 2019 ... However, as Warner Bros. begins to stray from the Marvel strategy of ... While
films about Superman and Batman have done well at the box office, the ... “
Avengers: Endgame,” a major climactic event, is setting records for ...


After all the hype and despite all better intuition I saw it. Fine.
First of all Joaquin Phoenix does a fine job - excellent job, of portraying the Joker. One can tell there was a lot of mental work and preparation that went into it. The film - well written, well executed - and it made money - a lot of money - off a reasonably small investment, compared with other Superhero movies.
But, at the end, I don't care. I didn't need the back-story of the Joker explained to me. I liked him perfectly well the way he was. Heath Ledger was a fine example of a Joker, and reviewing the old Batman movie clips, I'm not sure who again is supposed to be the Hero. My money says The Joker. In any event, another super-villain movie the world really didn't need, that brought nothing new or of substance to the Superhero universe but made the studio's a pile of money. Expect more of the same.


Meanwhile, the Wise Men were busy finding wise things on their smartphones. Ha, ha.
The little kids always add some comedic relief to the play. Thank goodness they have the older kids to hold it all together.
Of course, sometimes the older kids have their fun too. Mary decides her feet are sore, so she puts them up on the makeshift manger. I remember putting my feet up a lot when I was pregnant.
Later, Joseph and Mary had a little tussle over who got to hold the improvised Baby Jesus. It was funny to watch.
The shepherds hung out on their hill, tending their sheep. Actually all their sheep were missing (the cast is a little small due to families being out of town), so they just played with their imaginary sheep.
And tried out some wrestling moves. The angels didn't approve.
Meanwhile, King Herod waited patiently on his throne, running shoes ready to make a mad dash if need be.
The three Wise Men came to visit him and find out where the newborn King was.
Later, King Herod died.
And the play ends with Joy to the World. It is so joyous to see the kids better understand the Nativity play and the true meaning of Christmas.
Wishing you a joyous Christmas!


Mp4moviez2 is one of the popular online streaming websites that feature pirated movies, episodes, videos, television shows, and web series. This website permits its users to watch and download movies without taking any charges, which makes this website popular among people.
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In the month of October of 2022, we are going to have outstanding and awesome movies in the theatres. This month many blockbuster movies are scheduled to be released. In this list, Vikram Vedha, Ram Setu, Doctor G, GoodBye, Thank God, and many more bollywood movies. If we talk about hollywood movies, we find that Avater: The Way of Water, Black Adam, Prey for the Devil, Don’t Worry Darling, etc.
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Vikram – Hit List
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Free Bollywood Movies Sites | Free Movies Websites
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Piracy is illegal and criminal activity; we never promote such pirated content on our website. We are just giving the required information regarding these websites. We never recommend anyone to watch movies on such websites. You must not watch movies and shows on such illegal platforms. You can choose other authentic and valid sources where watching and streaming movies are not illegal. In this article, we have explained the procedures of mp4moviez2 and other similar platforms that choose to sell pirated content. No one should do piracy and promote such pirated content.


The first teaser for Joy has been released, the movie will be out on December 25th, 2015, here’s the trailer and captures:
- Movie Productions > Joy (2015) > Official Teaser Trailer Captures
JOY is the wild story of a family across four generations centered on the girl who becomes the woman who founds a business dynasty and becomes a matriarch in her own right. Betrayal, treachery, the loss of innocence and the scars of love, pave the road in this intense emotional and human comedy about becoming a true boss of family and enterprise facing a world of unforgiving commerce. Allies become adversaries and adversaries become allies, both inside and outside the family, as Joy’s inner life and fierce imagination carry her through the storm she faces. Jennifer Lawrence stars, with Robert De Niro, Bradley Cooper, Edgar Ramirez, Isabella Rossellini, Diane Ladd, and Virginia Madsen. Like David O. Russell’s previous films, Joy defies genre to tell a story of family, loyalty, and love.
Bradley Cooper is heading back to war, aided by his cinematic band of brothers. The American Sniper actor will produce Warner Bros.’ upcoming Ghost Army, alongside Sniper producer Andrew Lazar and The Hangover director Todd Phillips. Deadline first reported the news, and a rep for Cooper confirmed his involvement to EW.
The film will be based on the recently-published book, The Ghost Army Of World War II: How One Top-Secret Unit Deceived The Enemy with Inflatable Tanks, Sound Effects, And Other Audacious Fakery, by Rick Beyer and Elizabeth Sayles. The story follows the true events of a top-secret group of artists and designers—”Cecil B. DeMille warriors,” as they were called—recruited to fool the Nazis during World War II. Using diversions such as inflatable tanks, phony radio traffic, and dummy soldiers, the troops managed to save thousands of Allied lives by tricking the enemy into thinking their flimsy ghost army was the real thing.
Beyer also wrote and directed a 2013 documentary about the unit (see trailer below), but Henry Gayden (Earth To Echo) will script the screenplay for the feature film.
While there’s no confirmation on whether Cooper will star in Ghost Army, the actor’s upcoming schedule is crowded with on-screen projects. Cooper will next be seen in John Wells’ culinary drama Adam Jones, followed by Joy, which reunites him with Silver Linings Playbook’s Jennifer Lawrence and David O. Russell. In addition, he’s reportedly in talks to make his directing debut with another Warner Bros. film, A Star Is Born, where he would also take on the lead. The most recent news comes on the heels of the announcement that Cooper will produce the Syfy adaptation of Hyperion with Phillips.
Bradley and his co-star Emma Stone attended a photocall and special premiere screening of “Aloha” yesterday in London. Bradley is currently in town because he will start The Elephant Man on West End next week. We have added the high quality images in our gallery.
Bradley made an appearance on Good Morning America yesterday alongside his friend Anthony Daniels to raise awareness for bone marrow donations. We think the interview is definitely worth your time and be sure to head over to DeleteBloodCancer.org and BeTheMatch.org for more information. Also be sure to spread the word using the #AnthonysFight hashtag on social media.
Anthony Daniels is 23 years old, yet he’s battling Hodgkin’s lymphoma – a cancer of the lymphatic system — for the fourth time.
“Each time I beat cancer, it puts more of a toll on my body,” he said. “And every single time it comes back, it gets worse.”
A boxing enthusiast, Daniels knows he needs to keep fighting the disease. He has been looking for a bone marrow donor for a year and a half.
Daniels has a special supporter in his corner. Actor Bradley Cooper appeared alongside him on “Good Morning America” today to raise awareness about the man’s fight.
Bradley attended his Sardi’s Caricature Unveiling yesterday in New York. We have added the high quality images in our gallery.
Bradley attended the “China: Through The Looking Glass” Costume Institute Benefit Gala yesterday in New York. It appears he skipped the red carpet so we only have a few high quality images so far of him arriving outside the venue and at the Yahoo! after party. We will look out for more.
The 2015 Tony Awards Nominations were announced earlier this week and Bradley received a nomination for Best Performance by an Actor in a Leading Role in a Play for his work in “The Elephant Man“. He shares the category with Steven Boyer (Hand to God), Ben Miles (Wolf Hall Parts One & Two), Bill Nighy (Skylight), and Alex Sharp (The Curious Incident of the Dog in the Night-Time). The play also received nominations for Best Revival of a Play, Best Performance by an Actress in a Featured Role in a Play (Patricia Clarkson), and Best Performance by an Actor in a Featured Role in a Play (Alessandro Nivola). The Tony Awards will be held on June 7, 2015. Bradley attended the Nominees Reception and we have added the high quality images in our gallery.
A bunch of new stills of “Aloha” are released and we added the ones featuring Bradley in our gallery. We also added a new on-set photo and the official U.K. poster. The movie will be released on May 29 in the U.S. and September 4 in the U.K.
In ALOHA, a celebrated military contractor (Bradley Cooper) returns to the site of his greatest career triumphs – the US Space program in Honolulu, Hawaii – and reconnects with a long-ago love (Rachel McAdams) while unexpectedly falling for the hard-charging Air Force watchdog (Emma Stone) assigned to him. From Academy Award®-winner Cameron Crowe, the writer-director behind such films as Jerry Maguire and Almost Famous, ALOHA also stars Bill Murray, John Krasinski, Danny McBride, and Alec Baldwin.


This classic, "Out at the Movies: A History of Gay Cinema," by Steven Paul Davies covers the basic ground, focusing on, but not limited to films made in the United States. From the closet days of the fifties: (The Wizard of Oz) through the ominous classics of the sixties: (The Killing of Sister George, Midnight Cowboy, The Children's Hour) up through the early 21st century: (Angels in America, Brokeback Mountain, Transamerica), he chronicles a progression of the best-known films, actors and directors who brought LGBT life to light on the big screen.
"Queer Screen: A Screen Reader," edited by Jackie Stacey and Sarah Street is an anthology, a collection of different writers presenting a compilation of articles about specific queer films and the issues surrounding them. Most of the contributors to this anthology are women and so it provides a distinctly lesbian perspective to the world of queer cinema.
"Queer Cinema in Europe," edited by Robin Griffiths takes us across the pond with another anthology examining queer identity in film. This book contains fourteen scholarly essays. Identities, aesthetics, queer bars and queer spaces and coming out stories in the cinema of Europe are some of the topics broached in this collection of predominantly male writers.


This is Elephant’s Dream. It’s an open-source movie project that has been going on for about a year. The production team made everything they used in the movie publicly available- from the models they used to the sound effects. They also have a DVD for sale.
Not only would the movie be made using Open Source software, but the contents themselves were to be Open as well: all of the digital assets and production files are released under a Creative Commons license, allowing everyone to see how the movie was made, make changes to it and create a new, derived movie. This will be an invaluable archive not only for the Blender community, but for the 3D community in general.
blendernation blog: http://www.blendernation.com/2006/05/18/the-worlds-first-open-movie-released/
Have a nice day


After graduating from the USC Film School, Harry began working in the film industry as a Camera Assistant and Operator. Over the course of his career his work in film has taken him all across the planet from South East Asia, to Africa, to Iceland and more.
Harry had the opportunity to work with some of the most talented Directors of Photography in the world including Emmanual "Chivo" Lubezki, Seamus McGarvey, Robert Yeoman, Jeff Cronenweth, and many others. He's also worked with foremost Directors such as Terrence Malick, Paul Thomas Anderson, Martin McDonough, Mike Nichols, Tom Ford, and numerous others.
Some of the feature films Harry has worked on include "There Will Be Blood," "Three Billboards Outside Ebbing Missouri," "The Avengers," "The New World," "The Patriot," and the list goes on. After 27 years working alongside the camera, Harry has decided to branch out into doing his own still photography, after his professional apprenticeships, he's honed his compositional and lighting crafts over time.
But more important, Harry has fined tuned his passion and appreciation of the power of photography, the emotional impact one can make with just the right frame of the right subject at the right frozen moment in time. That is what drives Harry now, to continuously explore that aspect of photography. He hopes you enjoy perusing his life adventures expressed through his website here. A link to the rest of his feature film credits follows:


Imagine the worst movie ever made. No, seriously, THE WORST. Now multiply it by 100. That might give you an idea of what it’s like to watch the absolutely hilarious, confusing, nonsensical The Room, a 2003 movie written, produced, directed and starred (YES IT’S THAT BAD) by a very strange person named Tommy Wiseau.
The Disaster Artist: My Life Inside The Room, The Greatest Bad Movie Ever Made (2013, Simon and Schuster, 270 pages) is lead actor Greg Sestero’s account on how the movie got made and how the hell he ended up in it. It alternates chapters following his getting to know Tommy Wiseau and the making of the movie itself, revealing that this absolute masterpiece could have turned out to be much, much worse.
Sestero is as charming a storyteller as it gets: by the end, the reader feels like part of the cast, exhausted by Tommy’s tantrums and relieved to see the filming process get wrapped. All of this is made an incredibly fast and enjoyable read thanks to Sestero’s comic insights into Wiseau’s mind and that of everyone involved in making the movie.
What makes this such a great book, however, is that it never resents the craziness; in fact, it embraces it and redeems it. I honestly don’t think it’s possible to come out of reading this without warming up to Tommy and his determination to make it in Hollywood even if Hollywood constantly spits on his face. Sestero does an incredible job at portraying this dark, mysterious and complex person as more than the guy we laugh at at the movie theater. Wiseau is human, heart-breakingly so, and you’re constantly reminded of that when his weaknesses and insecurities show between the cracks of his megalomaniac and arrogant exterior façade.
Set to be adapted to movie by James Franco (who will play Wiseau himself), The Disaster Artist is a treat to anyone who has ever watched The Room or is in any way interested in the backstories of Hollywood movies. To be quite honest, it’s a great read to anyone interested in, well, interesting people, because if there is anything to be said about Wiseau, it’s that he succeeded at being completely different from everyone else.
To sum up: watch the movie, read the book, and come and thank me when you manage to stop laughing.


Legendary Encounters: The Matrix Deck building game is a card game themed around the Matrix trilogy. In this Legendary Encounters: The Matrix, the Plot runs alongside of the Matrix films and reveals all the exciting parts of the Matrix movies. Presenting with choices and contributing to the interweaving storyline. Following the plot of The Matrix trilogy, Players can play as either Neo or other iconic heroes from this Matrix to save human race from extinction.
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March 30: Join the ACLU of Nevada for 'A Single Woman' at UNR
Jeanette Rankin, the first female member of the United States Congress and co-founder of the American Civil Liberties Union, was a woman ahead of her time. As a suffragist and an advocate for peace in the first half of the 20th century, Rankin’s adherence to her deepest convictions despite political and social opposition serves as an inspiring example for contemporary activists and concerned citizens.
Please join us for a screening of A Single Woman, a film adaptation of the stage play that tells Rankin’s story.
- What: Screening of A Single Woman, the story of ACLU co-founder Jeanette Rankin. A panel discussion will follow.
- When: Monday, March 30th at 6:00 PM
- Where: Joe Crowley Student Union Theater at the University of Nevada, Reno
*Refreshments will be provided*
“The world doesn’t need many of the biographical films that come my way, but this looks to be an exception. Jeanette Rankin is an extraordinary subject, and the prospect of a film that honors the sweep of her life is instantly intriguing.”
--Joe Morgenstern, Pulitzer Prize-winning Film Critic for The Wall Street Journal


2 edition of Hampstead theatre, 1959-1978. found in the catalog.
Hampstead theatre, 1959-1978.
Hampstead Theatre Ltd.
Essays by various hands.
|The Physical Object|
|Pagination||63 p. :|
|Number of Pages||63|
Hampstead Theatre Bio, Photos, Theatre Credits, Stage History -. Hampstead’s Artistic Director, Edward Hall, has directed many of Hampstead’s greatest successes including the Olivier Award winning Sunny Afternoon, Chariots of Fire, Wonderland and Filthy Business. Maisie Williams makes her stage debut. Her television credits include Game of Thrones (8 series) and films include Mary Shelley and Early Man.
Roxana Silbert is Hampstead Theatre’s Artistic Director. She was previously Artistic Director of Birmingham REP and Artistic Director of Paines Plough. She has been Associate Director at the RSC and Associate Director at the Royal Court Theatre. ‘night, Mother is the final play in Hampstead Theatre’s Classics Season, celebrating 60 years. Cancellation Policy. No refunds or exchanges available after purchase. Cast. Ella Road’s debut play is a powerfully provocative vision of a dystopian future, questioning the value we place on one another, whether knowledge really is power, and if love truly can conquer all.. Sam Yates makes his Hampstead Theatre Main Stage directorial debut. His theatre credits include Glengarry Glen Ross.
Hampstead Theatre, has announced the full cast and creative team for James Tait Black prize-nominated writer Hannah Khalil’s dark new thriller Sleepwalking which will run from 26 March until 2 May , marking her debut at the theatre. BOOK TICKETS FOR SLEEPWALKING. Acclaimed stage and screen actors Eileen Nicholas and Jeany Spark will. Hampstead [DVD]  out of 5 stars DVD $ $ 8. 34 $ $ $ shipping. Audible Listen to Books & Original Audio Performances: Book Depository Books With Free Delivery Worldwide: Box Office Mojo Find Movie Box Office Data: ComiXology Thousands of Digital Comics.
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Hampstead Theatre has been in NW3 for over 50 years, occupying one of London’s state-of-the-art theatres, and attracting audiences Hampstead theatre all over the globe. Here’s a snapshot of where our bookers came from in the UK.
Location. Hampstead Theatre, Eton Avenue, Swiss Cottage, London, NW3 3EU BOX OFFICE: History. The original theatre (The Hampstead Theatre Club) was created in in Moreland Hall, a parish church school hall in Holly Bush Vale, Hampstead Village.
James Roose-Evans was the first Artistic Director, and the – season included The 1959-1978. book Waiter and The Room by Harold Pinter, Eugène Ionesco's Jacques and The Sport of My Mad Mother by Ann Jellicoe.
Hampstead Theatre identifies and produces important new writers. We challenge established writers and seek out the best Hampstead theatre work to bring to plays are sometimes provocative, always intelligent, often full of laughter.
The opening season in – 60 included two new plays by Harold Pinter, The Room and The Dumb Waiter. The Hampstead Stage Company is a national educational touring theatre focused on bringing classic literature to life. The Hampstead Stage Company is a national educational touring theatre focused on bringing classic literature to life.
About Us. I'll book with you over and over again.” - Marsha G. Hampstead Theatre has been in NW3 for over 50 years, occupying one of London’s state-of-the-art theatres, and attracting audiences from all over the globe.
Here’s a snapshot of where our bookers came from in the UK. Location. Hampstead Theatre, Eton Avenue, Swiss Cottage, London, NW3 3EU BOX OFFICE: Hampstead Theatre, London, United Kingdom.
12, likes 78 talking about this 20, were here. Hampstead Theatre has one simple mission: to entertain with originality.
Trailers, interviews, and promo videos of Hampstead Theatre's past, current and forthcoming productions.
The artist reflects on the events that inspired Hampstead theatre’s #aiww: The Arrest of Ai Weiwei, streamed by the Guardian this month Published: 24 Apr Ai Weiwei: 'I became the enemy of. Hampstead is a British drama film directed by Joel Hopkins and written by Robert Festinger. It is based on the life of Harry Hallowes who successfully claimed ownership of a half-acre plot of Hampstead Heath.
The film stars Diane Keaton, Brendan Gleeson, James Norton, Lesley Manville, Jason Watkins, Hugh Skinner, and Simon film was released on 23 Juneby Entertainment One. London’s Hampstead Theatre has recently been very successful in bringing some of its best shows to a wider public – despite coronavirus.
This week, it’s the turn of Howard Brenton’s #aiww: The Arrest of Ai Weiwei, which was first staged at this venue in Apriland in the intervening years it has gained in resonance and e of COVID, the ideology and mentality of.
James Roose-Evans (born 11 November ) is a British theatre director, priest, and writer on experimental theatre, ritual and he founded the Hampstead Theatre Club, in London; in the Bleddfa Centre for the Creative Spirit, in mid-Wales; and in Frontier Theatre Productions.
He is best known for directing the West End play 84 Charing Cross Road. Hampstead Theatre has been in NW3 for over 50 years, occupying one of London’s state-of-the-art theatres, and attracting audiences from all over the globe.
Here’s a snapshot of where our bookers came from in the UK. Photo courtesy of Hampstead Theatre “We’re all talking together as a business,” says Jo, a crucial improvement at an organisation with a small staff.
“In a good way, we [Marketing] are being forced to communicate better with the Development Team and the Sales Team on the front line, the box office and the front-of-house team.”. Early life. Bennett was born in Penang, the Straits Settlements, to British parents, educated at Prior's Field School, an independent girls boarding school in Godalming, and trained at made her stage début in the season at the Shakespeare Memorial Theatre in Stratford upon Avon, and her film début in The Long Dark Hall () with Rex Harrison.
I recently saw a childrens play here, 'Little Woolf's Book of Badness'. The 5 year old i went with loved it, as did most of the adults in the audience. Hampstead Theatre is modern and tickets are reasonably priced- as is the food on sale in the interval. By the look of it the programme of up and coming plays is nicely varied.
Worth a visit Yelp reviews. Josephine Ann Tewson (born 26 February ) is a British stage and television character actress. She is best known for her roles in popular and long-running British television sitcoms, such as Elizabeth "Liz" Warden, one of the long-suffering neighbours of Hyacinth Bucket in Keeping Up Appearances (–95), and Miss Davenport in Last of the Summer Wine (–10).
Hapgood is at Hampstead theatre, London, until 23 January Source: Hampstead theatre Wed 9 Dec EST Last modified on Thu 26 Mar EDT. Books Music Art & design TV & radio Stage Classical Games More Theatre Wonderland review – Scargill, strikes, solidarity and scars 4 / 5 stars 4 out of 5 stars.
Hampstead theatre, London. Location. Hampstead Theatre, Eton Avenue, Swiss Cottage, London, NW3 3EU BOX OFFICE: Written and directed by Nina Raine, the acclaimed medical drama Tiger Country, staged at Hampstead theatre inis available to watch for free until 10pm on Sunday 26 April.
Hampstead, London ( miles from Hampstead Theatre) Well set in the Camden district of London, Wilson House - Swiss Cottage is located km from Lord's Cricket Ground, km from London Zoo and km from Madame Tussauds. Written by Doctor Foster’s Mike Bartlett, the gripping drama Wild, staged at Hampstead theatre inis now available to watch online until 10pm on Sunday 5 April.
`A book which will repay constant re-reading by anyone seriously concerned with the art and practice of the theatre whether as student or practitioner.' - Amateur Stage `No one interested in the development of the modern stage should miss this excellent book by the founder of the Hampstead Theatre.' - Rene Elvin, The StageReviews: 2.


Who inspired the character Elena Prikaznova?
In the BBC programme, Lawrence Rees reported upon the love story of Franz Wunsch and Helena Citronova. The characters of Franz and Elena in the book are inspired by these two, though it should be pointed out that the character representation is fictional and no opinions expressed are actual opinions of these two characters. In the documentary, Helena admitted to falling in love with her captor and did testify for his acts of mercy in his post war trial in Vienna travelling from Israel to do so.
What song did Helena sing?
Helena sings to be able to stay in Kanada. The song is from the 30s film Moscow - Shanghai, originally performed by Pola Negri who later become the lover of Rudolf Valentino and Charlie Chaplin. Click here to hear the song.
How would you describe her affair with Franz?
Like most things with Franz and Elena, it is complicated. Nothing polarizes opnion quite like their story. She has lost her whole family to the camp so she is justifiably disgusted by his advances. She loses her love for Mihael and her own self-respect to him, for in the camp she is seen as a collaborator. Elena suffers badly, though she is also resourceful. She never throws herself on the wires and is able to manipulate others such as Ruth and Franz to her advantage. We will never know the full story, but how much of her behaviour is genuine? In the end, she does let herself fall for Franz, particularly after she sees him risk all to save her sister. However, she is also hard headed enough not to pursue the affair after the war.