If you are a fan of the classic Disney film Mary Poppins, you should not miss out on the upcoming Houston, Texas, production of Mary Poppins. The show will take place in the Sarofim Hall – Hobby Center on Dec 16 to 24. It is one of the many exciting events taking place in the city.
In Houston, Texas, the Hobby Center for Performing Arts is a beautiful theater that opened to the public in 2002. Located at the edge of the Theater District, this theater boasts 60-foot glass walls and an incredibly scenic setting. The theater offers spectacular views of the Houston skyscrapers and Tranquility Park.
You can experience this musical during one of the many scheduled performances at the Hobby Center. Mary Poppins is an enchanting production that will delight everyone in the audience. The musical is based on the novel by P. L. Travers and tells the story of an unforgettable nanny.
If you want to see the musical life, you can buy tickets from Houstonbrite. Their prices range from $41 to $659 and offer a 100% guarantee.
The Hobby Center for the Performing Arts is a theater located in Houston, Texas. The facility opened in 2002 and is an important cultural center in the city. Its 60-foot glass walls offer a beautiful view of Tranquility Park and the city’s skyscrapers.
This theater offers seating for 2,600 people. The performance space is wheelchair accessible. In addition, the theater includes accessible restrooms and box seats. If you’re in a wheelchair, you’ll want to select a seat in the theater’s mezzanine section, where box seats are located.
Mary Poppins Houston Texas at Sarofim Hall – Hobby Center tickets start at $41. Tickets average $56, but you can also find tickets for lower prices.
If you’re looking for a great holiday tradition, you should check out the Houston production of Mary Poppins by Cameron Mackintosh and Disney. This musical is based on the classic Walt Disney film and Broadway show. The show will feature popular songs and dances from the film and new ones created for the stage production. The production also features choreography by Linda Goodrich.
Based on the stories by P.I. Travers, this musical has been a smash-hit worldwide. This production features a 52-member cast and stunning scenery. The show will also feature original songs by the Sherman brothers, which adds to the show’s musicality. It is also produced by Cameron Mackintosh, who has previously produced such shows as The Phantom of the Opera, Cats, and Les Miserables.
If you’re a fan of Disney movies, you might want to take in a live production of Mary Poppins. This musical is presented by Theatre Under the Stars and is based on the beloved book by P. L. Travers. The production features a stellar cast, including Courtney Markowitz as the title character. Other cast members include Kelly Lomonte, a third-year Humphreys School of Musical Theatre student. She has previously performed in Hairspray and A Christmas Story.
The cast comprises a variety of people, including local residents. The show’s director is Courtney Markowitz, who has been acting on stage since 2001. She has been a part of numerous musicals, including EVITA, and has performed as Mary Poppins, Bert, and the lovable Mrs. Banks.
Whether you are a fan of Disney movies or live theater, you will not want to miss this production of Mary Poppins. Directed by Linda Goodrich, this production will delight the whole family. The show features the popular songs from the film, plus new ones. Mary Poppins is a delightful musical adventure that will change the lives of the Banks family. Sutton Foster is a Broadway favorite who won Tony Awards for her roles in Anything Goes and Thoroughly Modern Millie. She has also originated roles in Little Women, Shrek the Musical, and Young Frankenstein. The show features songs from the Great American Songbook and Broadway hits.


Shakespeare, william - hamlet's plot riassunto dell'opera amleto di shakespeare in inglese. Hamlet: hamlet, tragedy in five acts by william shakespeare, written about 1599–1601 the play was evidently preceded by another play of hamlet. Line-by-line modern translations of every shakespeare play and poem scene 5 in william shakespeare's hamlet scene 5 summary & analysis from litcharts. A teacher’s guide to the signet classic edition of william shakespeare’s hamlet 3 activities for use before reading the play shakespeare’s language. Hamlet by william shakespeare summary 4 hamlet: reading shakespeare 5 “original hamlet,” is a lost play that scholars believe was written mere decades.
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Annabelle Wallis isn an English actress, most prominently known for her role as Jane Seymours in Tudors and Grace Burgess in the Peaky Blinders.
Annabelle Wallis – Height, Weight, Age, Movies & Family – Biography
Annabelle Wallis Childhood Accomplishments:
Wallis starred in numerous short films in Portugal before moving to London to pursue a career in film. She placed some adverts and looked at drama schools in London before deciding to hire an agent.
Annabelle Wallis Awards and Achievements:
- Annabelle Wallis bagged a nomination at the MTV Movie Awards for her role in the horror film Annabelle.
- In 2017, she received a nomination at the Alliance of Women Film Journalist for her role in the Mummy.
Best Known For:
Annabelle Wallis best known for her role as Jane Seymour in the drama series The Tudors and Grace Burgess in Peaky Blinders.
Annabelle Wallis’s Body Measurements
|Height||5 ft 7 in / 170 cm|
|Weight||128 lb / 58 kg|
|Breast Size||34 in / 87 cm|
|Bra Size||38 B (US) / 85 B (EU)|
|Cup Size||B (US)|
|Body Measurements||34-24-35 in | 87-63-89 cm|
|Chest Size||34 in / 87 cm|
|Waist Size||24 in / 63 cm|
|Hips Size||35 in / 89 cm|
|Shoe Size||10 (US) or 7.5 (UK) or 40.5 (EU)|
|Dress Size||4 (US) or 36 (EU) or 8 (UK)|
|Natural Breasts or Implants||Natural|
Interesting Facts about Annabelle Wallis:
- Annabelle Wallis is fluent in Spanish, Portuguese, French and Armenian.
- She has a pet dog named Zeus.
- She is related to actors Jamie and Jared Harris, director Damian Harris and singer Marie Llyod.
- Wallis does more than just mingle with Hollywood’s elite. She is also deeply involved in the fashion business, not only through her stunning red-carpet outfits, but also through a strong network of industry contacts.
- She has an older brother Francis, who has directed videos for Michael Kors, Pixie Lott and Birdy.
- Annabelle Wallis is best friends with Jared Leto.
- During her haydays, she acted in a Bollywood movie, Dil Jo Bhikaey, opposite Amitabh Bachan.
Annabelle Wallis’s Personal Info
|Full Name||Annabelle Wallis|
|Occupation||Actor, Voice Actor|
|Date of Birth||5 September 1984 (age 37 years)|
|Birthplace||Oxford, Oxfordshire, England, United Kingdom|
|Sibling Names||Francis Wallis|
Annabelle Wallis’s Pre-Relationships
Annabelle Wallis was dating James Rousseau in 2014 but the couple split in 2014. Annabelle Wallis dated Coldplay’s frontman Chris Martin from 2015 to 2017. Their relationship was tumultuous and on and off. In 2018, she began dating actor Chris Pine, although in 2022, the couple called it quits. The actor was recently spotted with Sebastain Stan of the MCU franchise, leaving Robert Pattison’s birthday party.
Annabelle Wallis Family and Personal Life:
Born on September 5, 1984 in Oxford England to parents Arthur and Marie Wallis. She was for most of her childhood in Cascais Portugal. She has an older brother named Francis Wallis. She attended the Saint Dominic’s International School in San Domingos de Rana. She was born into a family that had actors. Her uncle was Richard Harris, a famous Irish actor, she is cousins to actors Jamie and Jared Harries and director Damian Harris. Marie Llyod, a famous English singer, comedian and musical theater actress is also related to her, from her father’s side. She has a golden retriever named Zeus.
In 2014, Annabelle Wallis was dating James Rousseau, but the couple divorced. From 2015 to 2017, Annabelle Wallis dated Coldplay frontman Chris Martin. Their relationship was turbulent and intermittent. She began dating actor Chris Pine in 2018, but the couple split up in 2022.
Annabelle Wallis’s Most Favorite Things
|Guilty Pleasure||Odd food combinations|
|Favorite TV Show||Breaking Bad (2008-2013), House of Cards|
|Favorite Place||Africa and Portugal|
|Favorite Costume||Sixties-style pencil skirts and outfits nipped at the waist|
|Childhood Memory||Beach Picnics with childhood friends|
|Retail Brand||Zara, Topshop|
|Premium Brand||Valentino, Versace|
|Designers||JW Anderson, Peter Pilotto, Roksanda Ilincic, and Georgia Harding|
|Dream Character||Musician Patti Smith, Jasmine played by Cate Blanchett in Blue Jasmine (2013)|
|Celebrity Twitter Page||Stephen Fry, Jemima Goldsmith, Frankie Boyle|
What is Annabelle Wallis’s Net Worth?
Annabelle Wallis’s current net worth is $ 4 million.
What is her source of income?
Her main source of income is acting. But it is reported that she earns somewhere between $100,00 to $1 million. Since the last two movies she was part of were a massive box office success with ‘X-Men: First Class’ raking in $353 million and ‘The Conjuring’ bringing in $257 million.
Annabelle Wallis studied at Saint Dominic’s International School in San Domingo’s de Rana.
In an interview with Glass magazine, Annabelle discussed how her time overseas helped her develop the character of Grace Burgess. “You know my belief is that the world is a large place, so if you get the chance to live overseas, the life lessons it gives you are like no other,” she says. When I was one and a half years old, my family relocated to Cascais. I consider myself extremely privileged to have grown up in a Latin culture and to have learned another language. When I approach a character or a story, I may approach it from various perspectives, including a more international one.”
During this one-on-one interview with Collider, Wallis discussed why she was moved to tears by the script, how much she enjoyed working with Griffin as a director, how obsessed she is with her co-star Knightley, feeling bad about having to be so mean to Depp, and how she felt about the story’s ending.
Currently, Annabelle Wallis lives in Oxford but frequents London due to her work.
She owns an Audi Suv.
Makeup Tips by Annabelle Wallis:
For her morning routine, she keeps it light and warm.
When speaking to Vogue about her evening routine, a classic red lip, smokey eyes and chiseled contour is her look.
Her beauty tip is to exercise and keep one mentally happy.
Brands she owns or uses:
Annabelle Wallis has modeled for some of the best brands that includes Chanel, Valentino, Prada and Dolce & Gabbana.
Annabelle Wallis has had a nose job or so it is believed. Although the actress has not yet made any public statements regarding her rhinoplasty, there are arising speculations from her last look in the Peaky Blinders (2013) and the finale look of the series in 2019.
Annabelle Wallis Social Media Profiles
Annabelle Wallis Movies List
- 2005 – Dil Jo Bhi Kahey…
- 2006 – True True Lie
- 2007 – Steel Trap
- 2008 – Body of Lies
- 2009 – Right Hand Drive
- 2011 – W.E., X-Men: First Class
- 2013 – Hello Carter
- 2014 – Annabelle
- 2015 – Sword of Vengeance
- 2016 – Grimsby, Come and Find Me, Mine
- 2017 – King Arthur: Legend of the Sword, The Mummy
- 2018 – Tag
- 2020 – The Silencing
- 2021 – Boss Level, Malignant, Silent Night, Warning
Annabelle Wallis TV Shows
- 2005 – Jericho
- 2007 – Diana: Last Days of a Princess
- 2009 – Ghost Town
- 2009,10 – The Tudors
- 2010 – The Lost Future
- 2011 – Strike Back: Project Dawn, Pan Am
- 2013,19 – Peaky Blinders
- 2014 – Fleming: The Man Who Would Be Bond, The Musketeers
- 2018 – Star Trek: Short Treks
- 2019 – The Loudest Voice
- 2020 – Home Movie: The Princess Bride
- 2020,21 – Star Trek: Discovery
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About Edge Hill Players
Edge Hill Players is the theatre group that rehearses and performs at the Sacred Heart Parish, Edge Hill, Wimbledon SW19.
First formed 35 years ago, it was revived in 2016 to offer inexpensive musicals, pantomimes and other performances for all the family. Since reforming we have performed five full-scale musicals (Oklahoma, Anything Goes, Singin' in the Rain, The Sound of Music and Oliver!), five original pantomimes (The Mish Mash Panto, Babes in the Wood, Cinderella, Snow White & the Magnificent Seven, Aladdin, and Jack & the Beanstalk), and Showtime, a theatrical extravaganza featuring scenes and songs from various shows.
We perform a Musical production every September and a Pantomime for all ages every January.
Our members range from 4 to 85, and if you are interested in joining, working backstage, or helping organise, please get in touch!


What will irritate the bejeesus out of me is the little details.
I studied law enforcement in college, and learned a lot about crime scene investigation. I love a good mystery or police procedural show, but the way they handle crime scenes just pains me. I know that they don't have the time to show how it's actually done, but it still just irks me. It's a wonder that my wife will sit down and watch Castle with me every week, because inevitably I cringe at the way the murder scene is handled.
But the topic of today's post is (mostly) about even smaller details in movies and TV shows that drive me nuts. Here are some examples:
1. "Call me" - The awkward but lovable boy has just met the rebellious outsider chick who is new in school (and who has the body of a supermodel despite being a nerd), and they have awkward banter. She walks away, or goes to her dad's car, and says, "Call me." But she never gives him a phone number. In the next scene, Mr. Awkward is calling her, and she answers on her cell phone. Really?
This also happens with addresses - "Swing by my place at 7pm" she'll say, despite the fact that he would have no way to know where she lives.
2. "The suspect's name is Geoffrey Blomkamphisburgh" - The cop/spy/whatever has found the driver's license, passport, or scrap of paper with the suspect's name on it, and is on the phone with the trusty cohort back at the station, and gives the cohort the suspect's name, which is one or more of the following:
- able to be spelled multiple ways
- in a foreign language
- generally difficult to spell
3. Doing anything that I've seen busted on Mythbusters - I mean, really...it's on TV too. There's just no excuse.
And one big one that I just can't resist complaining about:
4. The Spy Who's Been Everywhere, Done Everything, and has Mastered Every Skill - You've seen him in dozens of movies (*cough* Jason Bourne *cough*). The CIA's former top operative/assassin, he knows off the top of his head the details of the war crimes (from 2 decades ago) of the Serbian bad guy that nobody else has ever heard of; speaks perfect French, Farsi, Russian, and Tagalog (look it up); knows what the symbols of some secret society from 1200 A.D. mean and how they relate to the murderer in the story; and he can kick the asses of 10 Navy SEALs with his right hand tied to his left ankle.
There are many more, I just can't think of them right this second. Seriously, if you ever have to sit next to me through a movie or show where there's a crime scene investigation, I apologize in advance. And no, I do not watch CSI, of any flavor. I tried once, and I nearly had an aneurism.


Are there any options for them should they need to stop the audition due to reasons of any kind. The site also has an overview of all rehearsals , rehearsals, and rehearsals open to the public , as well as upcoming performances.
The preparation is crucial when holding theatre productions or auditions. Prior to beginning the audition process prepare an audition package filled with the essential information. This should include the exact date and time for the audition, the cast breakdown, a short synopsis of the show, criteria for auditioning and contacts for the cast and production personnel.
Packets for auditions are crucial to excellent theater auditions. They provide details to potential actors about how the audition process works, what roles are available and any other information which can be useful in preparation for auditions. Painters play a crucial role in the preparation of a great theatre audition. They are able to create a clear picture of the person or scene that will aid an actor in understanding what the goal is for the character and the best way they should approach the audition. It could be the difference between a poor audition and one that is outstanding. The design of the set painter could help establish the atmosphere for auditions. Painter’s designs for sets helps make the experience more welcoming and comfortable for the actors. This will help make sure that the audition is a pleasant one. When done right, a great theatre auditions packet should include an extensive stage design, outline of the script, information about the role, as well as an overview of what is expected of the actors.
In the event that potential actors attend an audition, it’s essential to ensure they are having a great experience. Be sure to create an inviting, relaxing environment. Always be welcoming and warm and available to address any concerns the actor might need to ask. Also, it is important to clarify any expectations you might have regarding the audition. When audit


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With a sad heart, I must take a moment for Eleanor Parker. The news is breaking that she passed on at the ripe age of 91.
She was best known as Baroness Elsa Schraeder in The Sounds of Music, though had been nominated for three Oscars times before that for playing strong women in a time when strong women were generally frowned upon.
Despite that, she has played opposite leading men such as Clark Gable, William Holden and Glenn Ford, in addition to Georg on Trapp actor Christopher Plummer.
Ms. Parker never established herself as a major name, instead choosing to be a character actress, one of those people we see and call “that guy/lady who played that one character in the movie about…” You may not know Margaret Hamilton by name, but you’d recognize her with or without her green witch makeup, and Clint Howard, an actor more memorable for his “crazy eyes” (you’ll know him when you see him). Even before you knew his name, you knew his face. In her era, Eleanor Parker was largely another “that lady who played,” despite her Oscar nominations, a fact she openly acknowledged. She spent years adjusting to the fame that The Sound of Music brought her, though it was a decade after her last Oscar nomination.
Said Plummer, “Eleanor Parker was and is one of the most beautiful ladies I have ever known, I hardly believe the sad news for I was sure she was enchanted and would live forever.”
I think you’ll be hard pressed to find anyone who disagrees, Mr. Plummer. Though this was one of her lesser challenging roles, her coolness and pragmatism certainly make it one of her most memorable.
Ms. Parker joins Richard Haydn (1905-1985), the ever-lovable “Uncle Max”Detweiler, and Peggy Wood (1892-1978), the unforgettable Mother Abbess who encouraged her to climb e’vry mountain until she found her dream. Portia Nelson (1920-2001), Ana Lee (1913-2004), Evadne Baker (1897-1995), Sisters Berthe, Margaretta, and Bernice, respectively, as well as Norma Varden (1898-1989), the stern housekeeper, Frau Schmidt and Doris Lloyd (1896-1968), the “other baroness,” Baroness Ebberfeld. Gilchrist Stuart (1919-1977) and Ben WRight (1915-1989), Franz and Herr Zeller, round out the list of actors from Sound of Music that we have lost.


Can an animated film for teenagers have something to say to the readers of this very interesting blog which explores the boundaries of the human mind? Red Hands, an Italian 30' long film in stop-motion and 2D animation, had his premiere at the Rome Film Festival on October 20th, 2018.
As you can see from the trailer above, it's a story of domestic abuse. Ernesto, a 12 year-old boy, discovers that the magnificent red graffiti appeared on the walls of his street are made by Luna, a girl with a mysterious power. She can emit a blood-like liquid from her hands, but her power is a side-effect of her father's violence at home.


A character who you can relate to the most
I have to admit that I can't stand main characters who are very flawed. The stories that I connect to most have a protagonist who has good qualities and is essentially what I consider to be a "good person," people who have a sense of right and wrong and who try to do the right thing. Usually if I really like a movie it's because the main character was valiant in some way that I admired. I know that most people probably feel the same way... I just think that maybe the degree to which I like a movie is very heavily influenced by the admirability of the main character.
So what about you? What characters do you relate to?


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Fate From the beginning, we know that the story of Romeo and Juliet will end in tragedy. We also know that their tragic ends will not result from their own personal defects but from fate, which has marked them for sorrow.
Emphasizing fate's control over their destinies, the Prologue tells us these "star-cross'd lovers'" relationship is deathmark'd.
Completely by chance, Capulet's servant meets Romeo and Benvolio, wondering if they know how to read. This accidental meeting emphasizes the importance of fate in the play. Romeo claims it is his "fortune" to read — indeed, "fortune" or chance has led Capulet's servant to him — and this scene prepares us for the tragic inevitability of the play.
The lovers will be punished not because of flaws within their personalities but because fate is against them. Ironically, the servant invites Romeo to the Capulet's house, as long as he is not a Montague, to "crush a cup of wine.
Love Love is another important thematic element in the play, which presents various types of love: How do these various types of love relate to one another? Is physical attraction a necessary component of romantic love? Because words are slippery, Juliet worries that Romeo's protestation of love are merely lies.
How can we know if love is true? Value and Doubleness Another important theme is the idea of value and doubleness.
Just as language is ambiguous, so are value judgments. Within a flower, for example lies both poison and medicine. Similarly, the deaths of Romeo and Juliet are tragic but also bring new life to Verona. The Friar's own role in the play contains this ambiguity. Although he tries to help the lovers, his actions lead to their suffering.
Shakespeare's message is that nothing is purely good or evil; everything contains elements of both. Meaning of Gender A final theme to be considered is the meaning of gender. In particular, the play offers a variety of versions of masculinity.
One example is Mercutio, the showy male bird, who enjoys quarreling, fencing and joking. Mercutio has definite ideas about what masculinity should look like.
He criticizes Tybalt for being too interested in his clothes and for speaking with a fake accent. Similarly, he suggests that Romeo's love-melancholy is effeminate, while his more sociable self is properly masculine.
Therefore, his happiest when Romeo rejoins his witty, crazy group of male friends: Romeo's masculinity is constantly questioned. Following Mercutio's death, for example, Romeo fears that his love of Juliet has effeminized him: In addition, the Friar accuses Romeo of being an "[u]nseemly woman in a seeming man" and says that his tears are "womanish" III.
What is the proper role for a man? The play seems to suggest that violence is not the way. Mediating between Mercutio's violent temper and Romeo's passivity, the Prince is possibly the best model of masculine behavior in the play:Romeo and Juliet: Morals, Ethics, Social Issues Pillar: Positive Social Environments Division: III identify and discuss how timeless themes are developed in a variety of oral, print and other media texts Review the themes of Romeo and Juliet.
Discuss how the social offenses listed above support the themes of the play. Morals & Themes in Romeo and Juliet The morals and themes in Romeo and Juliet depict a dramatic and violently beautiful story. The morals and themes go together fabulously.
They look like the outcome, weather good or bad, to a problem. Making decisions quickly, sacrificing anything for true love, and holding a grudge are morals that would go. All Rights Reserved. Have a great year!
Struggling with themes such as Morality and Ethics in Charles Dickens's Hard Times? We've got the quick and easy lowdown on it here. Romeo and Juliet study guide contains a biography of William Shakespeare, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.
(Click the themes infographic to download.) Romeo and Juliet might as well be a litmus test for your level of cynicism: are these crazy kids the two most romantic lovers in all of history—Bella (Click the themes infographic to download.) If you've ever had a bad breakup, you know how quickly.


SuzAnne Barabas and James Hindman will work with you whether you are in the middle of a project, starting a script from scratch or brand new to playwriting, you already possess, deep inside you, everything you need to jumpstart your art and bring forth your unique voice. This workshop includes exercises to keep you going from first draft through revisions and gives you quiet time on your own to think and write. As a supportive collective we’ll read aloud and discuss our pages and give each playwright a private session.
As New Jersey Rep is a member of the NNPN (National New Play Network) we will discuss how best to present your play when submitting to theatre festivals and developmental reading series. What are theatres looking for? How can we get them to choose your play? You will also receive a one hour reading of your work at the American Theatre Wing Award winning, New Jersey Rep. Company in order to further develop your play.
You may be starting with an idea for a new full-length play, moving forward with a work-in-progress or wanting to focus on one-acts; this workshop will provide you with positive support by de-mystifying the playwright’s process. Are you a writer who begins from character or from story? You’ll work at your own pace as we examine themes, structure, dialogue and character in an environment that brings out and channels your creativity. The goal is to give you the tools to move forward with your writing and rewriting while keeping the “play” in playwriting.
James Hindman is an award-winning playwright and actor. His plays have been produced in London, New York, Los Angeles and across the U.S. He’s performed on Broadway, appeared in several television shows and films, and is also co-owner of the theatrical licensing and producing company, Miracle or 2 Productions. His one-man show, What Doesn’t Kill You, was recently produced at The International Dublin Theatre festival where it received a 5 Star review in the Irish Times and was nominated for three Oscar Wilde Awards.
As a writer, his Off Broadway credits include: Popcorn Falls directed by two-time Tony Award Winner Christian Borle (Chosen ‘Top Twenty Theatrical Moments of 2018’), Pete 'N' Keely (Outer Critics Award nomination, two Drama Desk nominations), The Audience (Drama Desk nomination), A Christmas Survival Guide, Being Audrey (Transport Group, NEA Grant recipient), The Gorges Motel, One Christmas Eve At Evergreen Mall (NYFringe Festival) and his one man show, What Doesn’t Kill You.
His other works include Multiple Family Dwelling (New Jersey Rep.), The Bikinis (Long Wharf, Goodspeed Musicals), The Drama Department (Terrence McNally Award finalist), Heaven Help Us (Denver Center, Carbonell Award nom.), and The Pin-Up Girls (Casa Manana Theatre). His plays are published by Dramatist Play Service, Samuel French, Stage Rights and Dramatic Publishing. Many of his short plays and monologues are published by Smith & Kraus and Applause Books. He has been a featured artist at the Last Frontier Theatre Conference, is a member of The Dramatist Guild of America and a substitute teacher for Playwriting at The Barrow Group.
As a performer: Film and Television: “The Report”, “Oceans 8”, Marvel’s “Iron Fist”, “The Americans”, recurring role on Steven Spielberg’s “Public Morals”, “Madam Secretary”, “Forever”, “Believe”, “Person of Interest”, “Hostages”, “House Of Cards”, “Henry’s Crime”, “The Sopranos”, "Law and Order, SVU, CI”, “Rescue Me” and “The Blacklist”. Broadway and tours: Mary Poppins, The Scarlet Pimpernel, 1776, City of Angels, A Grand Night for Singing, Once Upon a Mattress, Falsettos, Dancing at Lughnasa.
SuzAnne Barabas has been the artistic director of the Award-Winning, New Jersey Repertory Company, for over 25 years—a professional, non-profit regional theater whose mission is to develop and produce new plays, and to make a lasting contribution to the American Stage.
The New York Times said of NJ Rep, "The New Jersey Repertory Company is a godsend to audiences and, especially, playwrights—a skillful, professional ensemble dedicated solely to performing new works."
At NJ Rep, Ms. Barabas has produced more than 150 plays of which 125 have been world premieres. In addition, she has presented over 400 developmental readings, as well as introduced 136 new works through its Theatre Brut Short-Play Festivals that focus on visionary and avant-garde works. Ms. Barabas' responsibility is to help select these plays, out of the hundreds that are submitted. Those that are selected often go through the process of table readings or readings in front of an audience to aid the playwright in the further development of the play.
NJ Rep is also a member of NNPN (National New Play Network), where like-minded theaters share plays and champion their playwrights. For NJ Rep, Ms. Barabas has directed more than 30 plays, some of which she co-authored.
In addition, Ms. Barabas directed productions of The Housewives of Mannheim at 59E59 Theater (NYC), Ensemble Theater of Santa Barbara (CA), and Phoenix Theater (Indianapolis). She directed regional productions of Ibsen's A Doll's House, The Fantasticks, The Roar of the Greasepaint the Smell of the Crowd, Cabaret, Shaw's Heartbreak House, A.R. Gurney's The Perfect Party, Marsha Norman's 'Night Mother, Philip Barry's The Philadelphia Story, Christopher Durang's Beyond Therapy, Mark Dunn's Belles, James Hindman’s What Doesn’t Kill You, Lee Blessing's Down the Road among others. She is a member of Actors Equity Association, BMI, the Dramatists Guild, SDC, and LPTW.


Get an answer for 'Discuss the theme of freedom and forgiveness in The Tempest.' and find homework help for other The Tempest questions at eNotes How does Prospero change from the vengeance at the ... - eNotes Get an answer for 'How does Prospero change from the vengeance at the beginning of The Tempest to forgiveness? Include direct quotes for a better understanding. ' and find homework help for other ... Essays on The Tempest Forgivness Versus Reconciliation Free Essays on The Tempest Forgivness Versus Reconciliation. Get help with your writing. 1 through 30 SparkNotes: The Tempest: A+ Student Essay A+ Student Essay. To what extent does Caliban differ from The Tempest's human characters?What might Shakespeare be saying by giving dialogue to an inhuman beast? At first, Caliban resembles a freak, whose greed, lust, and laziness contrast with the noble attributes of the humans around him.
Forgiveness Essays: Examples, Topics, Titles, & Outlines | Page 3
Explore Shakespeare's Presentation of the Themes of Forgiveness and Reconciliation in the Tempest. essay B. Words: 2480; Category: Free Essays; Pages: 5. Forgiveness and Reconciliation In | The Tempest | Forgiveness - Scribd Forgiveness and Reconciliation In - Free download as Word Doc (.doc / .docx), PDF File (.pdf), Text File (.txt) or read online for free. Tempest Shakespeare. TFG “What to do with so much sorrow?”: Art and the ... - DDD UAB 15 Jun 2017 ... reinterpretation of Shakespeare´s Tempest, staging Felix Phillips as .... enables his “own discovery of an ethic of forgiveness” and, subsequently, the discernment to ...... As Atwood mentions in her essay Payback: Debt and the ...
Prospero's Mirages of Power Struggle and Conscience in The Tempest Lauren Gifford . Of all William Shakespeare's plays, The Tempest emerges as one of the strongest testimonies to the morality of its characters as they respond to Prospero's egocentric motives, which are resolved by brea
Shakespeare Studies The Tempest English Literature Essay. Course Code+Name. Professor's Name. University Name. City, State. Date Of Submission. In the play, "The Tempest", Shakespeare uses a lot of deviations from the normal representations in plays. Free Tempests: Relevance of The Tempest Toda Essay
The Nature of the Tempest Essay - Home | Businessays.net
The Tempest Digital Essay | luwislinenglishblog2012 The Tempest Digital Essay. characters: The Tempest is an original playwright by William Shakespeare, a ships carrying what was soon to be the shipwreck survivors were caught in a tempest storm, hence the name The Tempest, conjured by a sorcerer by the name of Prospero. Essay- The Tempest | English Literature Tempest is one of the most popular plays written by William Shakespeare. It is a revenge story but with a difference. The villains are forgiven in the end to change their corrupt thoughts and to lead a good life. Shakespeare intends us to learn about friendship, freedom, love and forgiveness from this story.
The Tempest Allegorical To The Bible Essay - Graduateway
Shakespeare's The Tempest: The Liberating Essay The nature of discovery entails a Journey that is transformation and concerns one's relationship with one's self or one's world. Discoveries can be either sought or serendipitous and can lead to good or bad consequences, but ultimately they are all concerned with the acquisition of greater ... Injustice for Justice: an Analysis on Equity in the the Tempest Prospero himself even asks for forgiveness from the audience in the epilogue. Although Prospero is a one sided character, he brings Justice into The Tempest. Shakespeare, through Prospero, comments on not only major historical events occuring during his time but also general aspects of life such as justice and mercy, which make his works all ... The Tempest | Folger Shakespeare Library A story of shipwreck and magic, The Tempest begins on a ship caught in a violent storm with Alonso, the king of Naples, on board. On a nearby island, the exiled Duke of Milan, Prospero, tells his daughter, Miranda, that he has caused the storm with his magical powers. The Tempest Essays for College Students | JGDB
📚 Revenge and Reconciliation in the Tempest - essay example for free Newyorkessays - database with more than 65000 college essays for studying 】


Sentai Filmworks is sliding out another show onto The Anime Network ahead of the home video release with The World is Still Beautiful. Set for release on DVD and Blu-ray in October, sadly in Japanese only, they’ve now brought the twelve episode series to the service in full in that form. The show is available to guest viewers for the first episode and premium users for subsequent episodes at the moment.
The series was directed by Hajime Kamegaki who has handled a couple of feature films as well as Fushigi Yugi OVA’s and several TV episodes, a number of Lupin the 3rd specials and served as an episode director for part of Magic Knight Rayearth. Character designer for the series will be Ichiro Uno, whose most reecntly work has been in the new Hajime no Ippo series as doing key animation for the opening and first episode. Largely working in key animation side of many shows for the past decade, this is his first full character design job.
Based on the manga series that began in 2011 after a pair of one-shots by Dai Shiina, it’s been running in Hana to Yume and has ten volumes out so far in Japan. The manga has not been picked up for North American release.
Plot concept: Based off of the manga Soreseka by Dai Shiina, The World is Still Beautiful is a fantasy romancethat centers on Nike Lemercier, the fourth princess of the Rain Dukedom with the unique power to call forth the rain. After losing a game of rock, paper, scissors with her sisters, she has tomarry the king of the Sun Kingdom, Livius I. Upon meeting him, she discovers he is still a child, despite conquering the world in only three years before ascending to the throne. Although they are total strangers at first, they soon grow to understand and develop an emotional bond with one another.


Elle Woods is the protagonist of Amanda Brown’s novel Legally Blonde and the film of the same name, as well as a sequel, Legally Blonde 2: Red, White and Blonde.Woods was also portrayed in the Broadway adaptation of the same name
Last week, we learned that Anna Kendrick is in talks to play Cinderella in the big-screen adaptation of Stephen Sondheim’s Into the Woods — a fitting choice, given the actress’ musical-theater (and So.
A guide to the work of Stephen Sondheim, including production information, publications, recordings, a complete song listing and more.
off-Broadway production of Into the Woods by Fiasco Theater, coming March 7. Also, excitingly, though San Francisco has not gotten a ton of pre-Broadway tryouts in recent years, Roman Holiday – The Co.
Turket In An Opera Hat The Holiday Hootenanny chat is one of the Washington Post’s most beloved annual traditions — the holiday-themed edition of Carolyn Hax Live. It started way back in 2000, and has been going ever since. Almost overnight, everyone became obsessed with the twisting plot lines and eccentric cast of characters, as well as the dramatic real-life
A batch of new Into the Woods images from director Rob Marshall’s (Chicago) feature film adaptation of the Stephen Sondheim musical has landed online. The Disney production stars James Corden (Begin A.
Music and Lyrics by Stephen Sondheim Book by James Lapine Directed by Geoffrey A. Cox Produced by Kristen Fogle Musical Direction by Christopher T. Miller
Prior to watching this movie Into the Woods, I knew nothing about the story. I have never seen the musical although I sure would like to! I chose this movie because I.
Disney released a teaser trailer for Into the Woods, but there were some mystery surrounding the looks of some of the characters. Now Entertainment Weekly has released 4 covers, giving us the first lo.
Sippy Tango Lets Dance Shashin Singh, who organizes local tango events and dances, called milongas, has been hosting the free outdoor session at Freedom. have put on my dance shoes so I can twirl freely on the pavement, one let’s go.’” Vladimir Kosarev: “15 seconds!” Lynn Martinez: “What does he think I am… a dancer?!” No. That’s why we
Last week in Los Angeles I landed an exclusive video interview with director Rob Marshall for his adaptation of Stephen Sondheim’s classic stage musical, Into the Woods. During our conversation we dis.
Get ready to go INTO THE WOODS with BottledSnail! BottledSnail Productions is thrilled to present its major production for 2018: the Tony Award-winning musical by Stephen Sondheim and James Lapine, Into the Woods.
« Shows. Into the Woods blends various familiar fairy tales with an original story of a childless Baker and his Wife, who catalyze the action of the story by attempting to reverse a curse on their family in order to have a child. In the first act, the characters set out to achieve their goal of living "Happily Ever After" through familiar routes – Cinderella goes to the Ball and captures the.
Disney has just released the trailer for Into the Woods, based on a Broadway musical that brings a modern twist into the Brothers Grimm fairy tales. It follows tales such as Cinderella (Anna Kendrick).
Oh, those moments in the woods! Though it takes a few spills along the way, the Public’s new production of Stephen Sondheim and James Lapine’s fairy tale Into The Woods, which opened. but they are.
Disney’s upcoming musical fantasy film Into the Woods is sure to be a hit with audiences, especially now that Ellen has revealed some of the new cast members that will star alongside Meryl Streep, Joh.
With Mary Poppins Returns set to dominate the box office this holiday season, and Anna and the Apocalypse earning indie cred.
LifeHouse Theater’s 25th silver anniversary season continues in the New Year with the world-premiere musical, “Prodigal Son.” This new musical features a fresh new take on the biblical parable as the story of the Prodigal Son unfolds against the backdrop of a 1930’s jazz club.
This Tony Award-winning musical doesn’t need more praise from me for its marvelously intricate reworking of the classic fairy tales ”Cinderella,” ”Little Red Riding Hood,” ”Jack and the Beanstalk,” an.
The play, Into the Woods, is truly a musical masterpiece depicting such familiar fairy tale characters in a less than perfect light. Stephen Sondheim’s music and lyrics and James Lapine’s story are definitely a "Happily Ever After".
Into the Woods, the film adaptation of Stephen Sondheim’s 1986 musical due out this holiday season, is starting to drop new clips and trailers left and right, and we’ve got two more to whet your appet.
"Into the Woods" is a modern twist on several of the beloved Brothers Grimm fairy tales, intertwining the plots of a few choice stories and exploring the consequences of the characters’ wishes and.
Lyrics to ‘Children Will Listen’ by Company – Into the Woods: How do you say to your child in the night? Nothing’s all black, but then nothing’s all white How
A childless baker and his wife endeavor to lift their family curse by journeying into the woods, where they encounter Rapunzel (and her witchly "mother"), Cinderella, Jack (of Beanstalk fame.
It’s no surprise that Disney’s upcoming adaptation of “Into the Woods” will be less dark than its source material, but the pic will also feature major plot changes. Composer Stephen Sondheim, who wrot.
The Venice Little Theatre is traveling "Into the Woods" to mix a varied group of familiar fairy tale characters as they learn new life lessons in the popular Stephen Sondheim musical. They’re gatherin.
Dec 31, 2018 · Into the Woods summary of box office results, charts and release information and related links.
We’ve embraced our inner theater fan-girl and compiled a list of the greatest musical soundtracks ever!
Lyrics to ‘Prologue: Into the Woods’ by Company – Into the Woods: Into the woods, It’s time to go, I hate to leave, I have to go. Into the woods- It’s time,
“Into the Woods” is a modern twist on several of the beloved Brothers Grimm fairy tales, intertwining the plots of a few choice stories and exploring the consequences of the characters’ wishes and que.
Big Eyes is Tim Burton pretending to be ordinary. about the movie adaptation of Stephen Sondheim’s fairy-tale musical Into the Woods is the appalled, terrified face James Corden’s Baker makes whene.
Pop Music Greek Your Amazon Music account is currently associated with a different marketplace. To enjoy Prime Music, go to Your Music Library and transfer your account to Amazon.com (US). Kenny Holland Singing Vines TUESDAY, DECEMBER 18, 2018. People’s Choice finalists. Two of the most popular acts in Australian country music – Brothers3 and Graham Rodger, each representing
The event doubled as a launch party for the DVD/Blu-ray release of Disney’s Into the Woods film adaptation—hitting stores Tuesday—and a number of performers serenades the crowd with songs from that ic.
If you have young kids and are thinking about seeing Into The Woods, you might want to avoid it. I trusted it would be okay since it was Disney.
Musical revolves around a childless baker and his wife who attempt to lift a family curse by journeying into the woods to confront the witch that put the spell on them. Along the way, they encounter R.


The African Legend Lives on!
CHADWICK BOSEMAN. -John B. Oyaro
Black Panther did what no Marvel movie franchise had ever done before — it inspired, energized, and filled Africans with pride. It portrayed what most optimistic and ambitious people imagined of Africa — A continent that reaps from its resources, technologically advanced, marveled at by the rest of the world, and whose States are led by leaders driven by the desire to focus on the right and not just the possible.
At the center of the movie Franchise that became the fourth-highest grossing movie in the domestic-box office, was King Tchalla — acted by Chadwick Boseman. As captured in The Atlantic, Boseman’s humanity is what made the movie work;
…rooted in Boseman’s gravitas, is his ability to project authority and power. T’Challa is a purposefully idealized figure, a sensitive and just warrior who struggles courageously with the burden of leading an entire nation. The movie wouldn’t work without the innate humanity he gives T’Challa, even as he bounds into battle in a high-tech suit.
It was the humanity of King Tchalla that resonated with most Africans who flocked cinemas in Johannesburg, Nairobi, and Lagos. Finally, there was a billion-dollar film for the world to see that spoke to their wildest imagination and made them feel appreciated and powerful. More so, King Tchalla’s embodied what young people across the continent envisioned in a leader — sensitive and just and courageously struggling to lead the right way.
Boseman saw the impact the movie had, especially on young black children across the world, and he decided to fit in the role of Superhero seamlessly. He would on countless occasions do the famous “Wakanda sign”. His humility, calm, precision, and Zen-temperament made him handle fame with a big heart.
Just like King Tchalla, Boseman struggled courageously with a burden of his own that the world didn’t know about — his fight with Colon cancer. It's mind-blowing to picture how he managed to continue with his role as Black Panther, after being diagnosed with Stage 3 cancer. Thus it was befitting that in 2018 in his Howard Commencement speech he reminded the graduates what mattered the most in life;
Purpose crosses discipline; it is the reason you are on the planet in this particular point in history — Your very existence is wrapped up in things you are here to fulfill.
Boseman’s existence was wrapped up in things that he courageously fulfilled. His acting role in Jackie Robinson, the African-American who in 1947 ended segregation in Baseball by being a member of the Dodgers, inspired many, and as captured by Rachel Robinson, Boseman at best captured Jack’s quiet dignity even when he was under attack.
Coincidentally, Boseman died the same day as Jackie Robinson Day. And even though both men broke barriers that made black people across the world proud, they both died at a time when black people have had to face injustice and exclusion. However, both Boseman and Jackie remind us that an abiding faith in God, discipline, and mostly quiet dignity under attack could make us rise out of any demise.
Rest in Power African Legend! Wakanda Forever!


Has anyone else wondered what in the world Donald Trump has been talking about the last couple weeks regarding prayer rugs and criminals driving across the United States-Mexico border in technologically advanced cars with women whose mouths have been taped? Well, thanks to Rachel Maddow, we can finally make some sense of it all.
During her MSNBC show on Monday evening, Maddow was able to decipher the president’s strange comments, and figured out that he has simply been quoting scenes from Sicario: Day of the Soldado, a fictional movie which was released about six months ago. Surprisingly, in the movie, characters are indeed seen driving across the border in fancy cars, and — you guessed it — women’s mouths are indeed duct taped shut. And in another movie scene, prayer rugs also just so happen to be found near the border.
So what does this really mean? Well, for starters, it could mean that our beloved president is so far out of touch with reality that he believes a completely fictional movie he’s seen is actually playing out in real life.
However, as plausible as that seems, it’s equally as plausible to assume that one of his advisers. who realizes just how out of touch he may be. watched the movie and thought they could show him some of the scenes and pass them off as footage from real life, thinking Trump wouldn’t know the difference.
Either way, this is quite a troubling discovery that Maddow has made. It’s one thing to make stuff like this up in order to build your case when things aren’t going your way, but when someone is able to connect the dots and realizes everything regarding your foreign policy is based on scenes from a fictional movie, it could spell disaster for your presidency.


The Ninth Annual Colony Film Festival is a showcase for independent films from all over the country, but we particularly like featuring local and regional talent. If you're an aspiring filmmaker or just a movie fan, you won't want to miss this event. Filmmakers who attend the festival are given the opportunity to tell a little about their film at the screening, and there are always great networking opportunities.
As a small festival, we provide many opportunities for filmmakers and audience to exchange information. We include quality speakers and a workshop covering topics of interest to filmmakers.
Each accepted filmmaker will receive two VIP passes (Each valued at $30) allowing entry to all films, workshops, and refreshments in the VIP room. Additional VIP passes for collaborators may be purchased at a discounted price of $15.View 2015 Winners | Got questions? Email us!


"Fatherless" is inspired by the true story of Ken Johnson, Chaplain for the Indianapolis Colts. Born in Los Angeles and surrounded by drugs, alcohol and extreme poverty, football became Ken's escape. When football fails to give him what he so desperately wants, Ken turns to the only other thing in his life, faith in God. The film begins as Ken struggles with the remnants of his past including a mother he has not seen for years. His life turns upside down when he encounters a young boy by the name of Jeremy who is fatherless. Ken must confront the ghetto from the dim recesses of his mind as he tries to show Jeremy that people hurt people, because they are hurting.


Who bought it: Me.
What is it: It’s about the breakdown of a talented woman. This seems like psychological drama at its finest. And I love such! Already, I am rooting for it. I hope to love it.
When: September 3, 2011
Where: Meet up with Jasper of Avalon.com.ph
Why: Plath is a poet. I’ve heard good things about her writings. And poets make wonderful, and richly complex, storytellers, so I have a feeling that this would be really good.
How much: Php 350.00


The Students Theater Group at WHU – Otto Beisheim School of Management demonstrated their theatrical skills once more with this year’s winter production. The group of amateur actors under director Max Schäfer succeeded in delighting audiences on three evenings, from December 1 through 3.
“Sherlock in Love,” by Kai Hinkelmann, is a parody of Sir Arthur Conan Doyle’s world-famous Sherlock Holmes. Together with his assistant Dr. Watson, he seems to succeed at solving even the trickiest criminal cases, and the two have gained some notoriety as a result. What the public does not know, though, is this: the real genius behind their detective work is their under-appreciated and frustrated housekeeper, Martha. But she is not the only one who has now grown annoyed by Sherlock’s arrogance and presumptuousness, and so their next case poses virtually unsolvable challenges for Sherlock and Watson.
The last thing they need is for the unsuccessful yet all the more importunate reporter Patricia Lowsmith to appear on the scene. Not only Sherlock and Dr. Watson but also Inspector Gregson of Scotland Yard quickly find themselves stymied by the next case, one spiced with a generous helping of love, jealousy, and desire for revenge. Fortunately Maid Martha is attuned to nearly everything and can add one and one.
The three main players, Tim Paulus, Cedric Crecelius and Johanna Wagner, were brilliant in their roles as Sherlock Holmes, Dr. Watson and the clever and typically annoyed housekeeper Martha. This marked the first performance for many of the other actors with the Students Theater Group, but the young ensemble offered a convincing performance of this frivolous comedy. This was not least the result of the occasional ambiguous pun.
Fans of the WHU Students Theater Group can look forward to the next production, which is upcoming in the spring of 2018.
WHU’s Students Theater Group
WHU’s student theater group has been in existence since the fall of 1989. The initiator was Philipp Burgtorf (Diplom class of 1993), who had received acting and directing lessons during a year abroad. In recent years, the amateur actors have delighted their audiences with classics from Sartre, Camus, Dürrenmatt, Shakespeare as well as comedies by Arnold/ Bach or Simons amongst others.
The WHU theater group stands for extraordinary commitment on the part of the ever-changing cast, great attention to detail, and a variety of characters.
A full house and an enthusiastic audience are the reward for these efforts on a regular basis, whereby the audience is not just made up of members of the WHU community, because all performances are public.


Along with movie schedules, KinoPoisk has a huge database full of movie buff trivia, just like IMDB. It's easy to look up information about almost any movie simply by running a search for a movie title, actor or director. Plus, you can write a read you saw recently, as well as read other information about actors, directors, and much more. All of this with extensive content including original posters and pictures.
KinoPoisk is an excellent app for Russian speaking users. Now you can access a colossal database full of movie information. Plus you can get tickets for any movie that's currently playing. All of this through a simple, easy to access interface that's very comfortable to use and easy to search.


The unexpected appearance of Lady Gaga at the 2023 Oscars caused a sensation. The singer surprised everyone by attending the ceremony and showed her humanity by helping a photographer who tripped in the crowd. However, what stood out most about her attendance was her brilliant performance, in which she sang a capella with impressive emotion.
Lady Gaga’s arrival at the Dolby Theatre in Hollywood, Los Angeles (California), was a complete surprise since her attendance was not scheduled. According to Variety, the singer made the decision to attend “at the last minute“. The anticipation was enormous when the artist arrived, as many expected her to perform “Hold My Hand,” the soundtrack of “Top Gun: Maverick”. Gaga’s performance was one of the most anticipated of the ceremony, and although the Academy of Hollywood did not confirm it, it eventually happened.
Lady Gaga took the stage accompanied only by a guitarist and a pianist to perform the song a capella. What surprised everyone was that the artist appeared on stage without any makeup, wearing a simple outfit composed of ripped jeans, a basic black T-shirt, and sneakers. Her image conveyed humility, closeness, and sensitivity, which was consistent with the speech she gave before starting to sing.
“We all need heroes and heroines, even when we are broken inside. And sometimes, we can find our own heroes,” the singer said before starting her performance, which left the entire theater emotional and on their feet.
Lady Gaga’s performance at the 2023 Oscars has become one of the most talked-about moments of the night. Her interpretation of “Hold My Hand” was a demonstration of her impressive voice and great talent as an artist. In addition, her decision to appear on stage without makeup and in an informal outfit has been widely praised on social media, as it demonstrates her authenticity and closeness to her fans.
Lady Gaga’s appearance at the 2023 Oscars has also given rise to speculation about her possible return to the movies. The singer, who made her big-screen debut with “A Star is Born” in 2018, is currently filming the movie “Joker: Folie à Deux”. Her participation in the Oscars may be a preview of her next foray into cinema, although there is no official confirmation yet.
In any case, Lady Gaga’s presence at the 2023 Oscars was a pleasant surprise for all attendees and viewers. The artist has once again demonstrated her humanity and enormous talent as a singer, leaving an indelible mark on the most important ceremony in cinema.


I enjoy capturing people at work,
and my job as an actor has given me the pleasure of working with some fine, hardworking, talented people.
My work as an actor allows me to spend a lot of time in the company of creative people.
Be it in the rehearsal room of a play, or on a tv/film set I find the work, and the people who undertake it, fascinating.
And I am lucky to often work in environments that have been lit by very talented DOPs...
If you would like to contact me, find me on Twitter !
Cur scéal chugam, má tá tada le rá agat!


The red carpet premiere of the fantastic new metal horror comedy, Deathgasm, was hosted in Hollywood, CA.
On Thursday night, Dark Sky Films, the New Zealand Film Commission, and Timpson Films hosted a red carpet premiere for Deathgasm, a metal horror comedy with a soundtrack featuring Axeslasher, Midnight, Nunslaughter, Pathology, Skull Fist, Bulletbelt, Beastwars, Razorwire, 8 Foot Sativa, and Norweigan metal legends Emperor.
Guests at the premiere included members of Body Count, Thrown Into Exile, and Fear Factory, along with director Jason Lei Howden and film stars Kimberly Crossman and Delaney Tabron.
As for Deathgasm itself? It’s bloody fantastic! New Zealand writer/director Jason Lei Howden is a talent to watch, channeling Sam Raimi and Peter Jackson in his directorial debut. Deathgasm is a story of the heavy metal band who accidentally opens the gates to hell when they find and play a piece of demonic sheet music, and it is the best horror comedy since Shaun of the Dead. It also brought to mind Evil Dead 2, Reanimator, and Bad Taste, which are all delightfully over-the-top horror classics. The audience roared with laughter several times during the Cinefamily screening.
Deathgasm is available on demand now on iTunes, Vimeo, Vudo, Amazon, Google Play and all your favorite video-on-demand retailers. If you love horror, metal, and fun, this movie is for you.


Melissa Jean Chávez, soprano
"Cooly exemplary production" - Washington Post
"Vocal Excellence" - DC Metro Arts
"Chill Inducing" - DC Theatre Scene
Melissa Jean Chávez has been acclaimed by the Washington Post for her “voluptuous voice” and “cooly exemplary production”. Recents productions include Carmen (Micaela), Cendrillon (Marie), La Boheme (Mimi), Die Zauberflöte (Pamina), La Boheme (Mimi), Cendrillon (Marie), Tragedy of Madame Butterfly (Cio-Cio San), In Series Operetta Holiday and Strauss Vier Lezte Lieder.
Recent review highlights include acclaim for her portrayal of Fiordiligi in Nick Olcott's adaptation of Cosi fan tutte, and as Laurie in the In Series's production of The Tender Land.
"Soprano Melissa Chavez was a winning and sympathetic Florrie [Fiordiligi]. Teetering on the edge of sophistication, her Ohio-ness wins out when it matters and her struggles with her virtue come across as quite real." - Washington Post
"Soprano Melissa Chávez captured [Laurie's] emotional volubility, her transparent tone and bell-like high notes powering the character’s hopeful first aria and the transports of her love." - Washington Post
Copyright 2023 Melissa Jean Chávez


A film editorial and review blog dedicated to the made up stories to matter to us today. New content every Tuesday and Thursday at 10 am!
So this is a bit of a random film to bring back up into focus years after its release. I knew this would be a snag when I started this blog, and it appears we’ve hit it: sometimes films I want to discuss don’t match the films that are hot-topics in pop-culture right now. On the bright-side, I’ll be able to discuss this movie to the lengths I really want to go to, without worrying about spoiling a semi-popular movie made a whopping 6 years ago. Ponyo, known in Japan as Ponyo on the Cliff by the Sea, was the first movie to once and for all introduce me to the legendary world of Studio Ghibli. But did it live up to the expectations I had for such a renowned filmmaking powerhouse?Read more
So today’s article, I’m excited to say, will be my first departure from writing about one specific movie. Instead, I’d really love to talk one aspect of film that I am quite passionate about, one that can enrich my experience of watching of movie if it’s any good, and is of considerable importance in any movie. This aspect can extenuate a story, add to it, or tell one all of its own, but can, quite sadly, be often overlooked. However, I still believe, personally, it is one of the most important elements of any good movie; equal in importance to a movie’s writing and filming. What I’m talking about in such high regard is a film’s musical score.Read more
Based off a hit novel written by an Entertainment Weekly writer, Gone Girl has now been made into a movie that will be released this fall. I’ve seen two trailers and did a quick Google search on the subject, so my view on this film is only influenced by the little I’ve heard in the media. I got thinking about it again after seeing the second trailer in theaters the other night, and, in getting progressively excited and captivated as the two minuet trailer spun on, leaving highly intrigued by the prospect of this movie. But what exactly grabbed at my attention?Read more
Greetings film fanatics and story enthusiasts of the Tumblrverce! This marks the first official post on Made Up Stories Can Matter, and that makes me, personally, very excited! But what might make you even more excited this week is this summer’s biggest blockbuster (thus far), which just came out just last Friday: Dawn of the Planet of the Apes. In a sentence long review: it’s a kick-ass film. Whether you’ve been waiting for the film since 2011, or you’re just finding out about it now (and, if so…how, exactly?), I’d love to give you my impressions in depth.Read more
Welcome to Made Up Stories Can Matter! Things might be looking a little bare here, but don’t worry, the first bit of content will be posted this coming Tuesday, and every consecutive Tuesday and Thursday at 10 am. Feel free to hit that little ol’ follow button to see what I have to offer as soon as it gets uploaded.


Can Darash, a Jewish teenager, track a killer, rescue his family from ruin, and discover the truth about Yeshua?
The rebel, Yeshua, drove the merchants and moneychangers from the Temple with a whip. Hours later, one of them was murdered. Now fifteen-year-old Darash must find a way to protect his family from poverty even as he struggles with the grief of losing his father.
When another murder is committed, Darash finds himself searching for a dangerous killer and relying on an old, blind basket-weaver for help. Despite the odds, Darash discovers he has strength of character, a deep compassion for others, and an uncanny knack for problem-solving. But will he be able to expose the killer before the killer finds him?


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The Return of Georgina Starr, or, Theda
There's a real sense of occasion about the Artprojx premiere of Georgina Starr's film Theda, which is receiving it's one off debut at the Prince Charles cinema in Leicester Square. As Giorgio and I turn into the square there are crowds of people, crash barriers, paparazzi, searchlights, men in sharp suits - oh, no, wait a minute: this is the premiere of the new James Bond film.
We skirt round the 007 crowds and up the side street to the Prince Charles. There are film posters outside and the hoading up above the cinema has THEDA by GEORGINA STARR in blissfully huge letters, which I love. ('You would,' says Sara Preibsch who I sit next to in the screening).
Missing in action some time ago (at least in London and to my notes), tonight is the return of Georgina Starr, coming back with a sold out screening of her new film work. There's a lot of faces around: artists, dealers, gallerists, writers, hopefuls, even a lonely blogger...it is, like I said, an occasion.
The work is accompanied, as every silent film should be, by a live band. Tonight is the London Improvisers Orchestra. And tonight will be the first time they have seen the film, undoubtedly putting a bit of pressure and excitement into their playing.
The lights go down, the curtain parts, the film begins.
The word THEDA appears in white on a black screen, followed by the word Prelude. Georgina's face appears in black and white. It's that face I recognise from her previous works: part beautiful woman, part little girl, part street urchin, part cute ventriloquist's dummy. It is truly a great face. The band shimmy about with a bit of clomping and parping. What's she gonna do? What's going on? She's has panda eye silent film make up. She starts pulling faces - no, expressions. Slowly, precisely, she goes through a whole repetoire of expressions, culled, I shouldn't wonder, from a selecton of silent films. She's awestruck, frightened, overcome, angry, afraid, terrorised, saddened, maddened, amazed...she gently moves from one state to another, letting each emotion have its time, its peak, and then moves on...
Eventually, this fades to black and the screen presents the word ACT.
What follows, as I take it, is a sort of story made up from various scenes that Theda Bara is known to have played but which are no longer extant (according to the press blurb some of the film stock spontaneously combusted). The 'story', therefore, goes a little like this:
Theda/Starr is a sort of medium, weirdly dressed in a bizarre headress (above) who is visited by a female client (also Starr). The medium goes into spasm, turns a misty green (a curious and surprising effect in a black and white film - and the only time a colour appears in the whole piece) then slumps over. Cut to a picture of a sphinx and Theda/Starr on its feet, looking up at a sort of crystal ball in which she herself is fighting some invisible demons. Then to London. A gentleman, who'll we learn is called Ronaldo Wright, with moustache and large pipe, appears. He too is played, naturally, by Georgina. He stops in his perambulation along the street to examine a poster advertising a performance by a sapphic Theda (called something like CleoSaloSappho...). Clearly excited by this he hurries off to the theatre. As he leaves we focus on the poster for a while longer and watch as the letters of Theda's name rearrange themselves to spell DEATH....
Ronaldo/Starr watches Theda/Starr perform a bewildering range of bizarre dances, all the while drawing her in a succession of detailed pencil sketches. She dances with a dead mans head; in egyptian costume; I think there's even a dance of the seven veils in there somewhere...
After the performance(s) Ronaldo/Starr sends her a note, asking if she would pose for a sculpture. She arrives at his studio. A lengthy series of shots then show the scupltor, Ronaldo/Starr, wrestling with the clay, fashioning appalling lumps and bumps of scuplture, like Rebecca Warren on acid. Somehow, later, the sculpture is revealed to us - and a horrified Theda/Starr - as a double portrait of her standing back to back with herself. One the one side the young and beautiful her, on the other a wizened and deathly looking version. The work is called The Allegory of Vanity. During the night a cat burglar (complete with whiskers, no less) creeps in through the skylight and knocks the sculpture over, smashing it. Ronaldo returns the next morning to find it in pieces and, gathering them up, sits at the table, lamenting and raging at the gods, fuelling his despair with plentiful gulps of absinthe until, inevitably, he passes out, the pieces of the sculpture lying around him. Finally we see a vision of Theda/Starr prone over a supine skeleton. She leans forward and seems to kiss the skull's nonexistent lips.
Then follows: EPILOGUE.
A women is speaking to camera, but, of course, her words are silent and indecipherable and the quality of the film renders her almost invisible beneath the scratches and the age of the stock, which, after a short while completely falls apart and burns away.
We all give a big round of applause. There are some cheers and some whistles.
Georgina, with a sweeping flash of blonde hair, stands up from the audience and takes a shy bow, turns and applauds the musicians.
We all leave.
The press blurb says that the film questions 'ideas of loss and neglect within all art forms. Looking at deception and pretence within both art and acting; the mythologising of artworks, performers and stars; the lure of vanity and obssession with possesing artists and art; and finally confronting mortality, ownership and ultimately destruction and death.'
I think they pretty much have it covered. After all, that's a pretty good checklist for any artwork to stand up against.
I was thinking about memory and loss though. And difficulties in communication.
No one makes silent films now. But we've all just sat thru one and watched as Georgina performed a range of emotions for us. Was she communicating those emotions? Or was she practising communicating? How do we communicate those emotions? So often in life the real emotions decend upon us without any chance for rehearsal. We can often make mistakes. But here she is, showing how to do them. And it's all being subtly subverted by the musicians, who are also scrutinising the expressions in order to provide fitting accompaniment. It's safe to say that their interpretation didn't always fit with mine. We couldn't agree. We were all looking at Georgina but we were all seeing something slightly different.
We couldn't reach agreement on the middle of the piece, either, the ACT. The story was like a series of vignettes, strung together by Theda's presence within them. They were like fragments of memories tied together for the purpose of understanding. While the press info says that this shouldn't be seen as a film about Theda, it neglects to say that this could be seen as a film about Georgina. Or rather about Georgina's 'memory' of Theda. It's rare to spend time on something that you don't, on some level, fall a little in love with, or empathise with, become protector and champion of. And Georgina must have a done a big piece of research into Theda and her life to arrive at where she is now. She has rescued her from the rotting films and history books, and she has rescued a part of herself too. I wonder: who will do that for us? Who will represent us in 90 years time? Keep us from the dark corners of history, quietly self combusting? What fragments will we leave behind?
That last decaying piece of film at the end. Was that Theda? Or was that Georgina again? It was hard to tell. Hard to tell not only what that woman was saying, but who indeed, she was. A scratched, fading, literally decaying image of a silent figure, talking but not being heard. A memory, but not a very good or clear one.
And then, suddenly, she is burned away.
Theda, or Georgina, is gone.
But not, now, forgotten.


Winston Freeman is thirteen years old. His story is told from his point of view, through narration and online diary entries. There is not excessive foreshadowing, and the foreshadowing he provides is not reliable because he is inherently pessimistic about his own abilities and future.
The story begins with Winston’s diary entry about he and his mother unpacking the moving truck. They bought a house in Vancouver, WA. This is his first move. He was born in Los Angeles, in a gated community in the Tarzana neighborhood. He lived in that same house until now. However, this is not the first time the rug has been pulled out from under him. His father died unexpectedly and mysteriously when he was seven years old.
His mother says that he died of heart failure, which has always bothered him because his father was an extremely healthy eater and a weekend cyclist. He taught poetry and Theatre Arts at Los Angeles City College. Will
Since his father’s death, his mother, who develops software for restaurants has telecommuted. Though her company is based in LA, she was able to move to an area closer to her family and long-time friends because she works from home. She was born and raised in Vancouver. She met Winston’s father when she enrolled in his theatre arts class at the age of nineteen. He was twenty nine years old at the time.
Winston Freeman’s hero’s journey from a boy who is painfully shy and lives boldly in his own imagination to a young man of confidence and principle begins when the summer ends and he begins the year at Discovery Middle School. There he meets Jewel, a confident, but secretive girl who is misunderstood by boys her age. She is; however, unconcerned by this and seeks adventure after adventure. It is her urging that calls Winston to an adventure of his own. The adventure of his life, that begins with his attempt to seek the answers that he doesn’t feel he has about his father’s death and life.
Winston plays an online game called FantasyScape. However, she is extremely protective of him and keeps roping him into all these other activities to make him a “well-balanced” child.
Winston is and only child and has a beagle named Romeo, who his mother bought for him three months after his father’s death. He named him Romeo after a character in a play he’d seen with his mother recently. He’d wanted to be Romeo, because Romeo acted. He may have acted stupidly in the end, but he acted.
His story contains a few other characters. A male teacher, who becomes a mentor for him and Jewel and Joe, the old man who lives next door, who grunts and glares. He keeps the online diary because his mother makes him. She is protective and upbeat, though he “catches” her sadness when he sneaks up on her. He hates chocolate, but loves gummi candies. He misses Alison from L.A., who he’s sure he’ll marry.
Still working out the rest. Four days until kick-off!


t all began as a mild curiosity in a junkyard and turned into quite a spirit of adventure! The swinging 60s introduced us to the Beatles, MODs and a Science Fiction serial that would last well over 50 years. Doctor Who took its audience on a trip through time and space in an old Police Public Call Box piloted by a crotchety elderly man only known as the Doctor!
The First Doctor, portrayed by the legendary William Hartnell was your stereotypical grandfather, the grandfather of the universe I would say! He was brash and didn’t take no nonsense. Though through his hardened exterior he had a soft and loving side towards his granddaughter Susan and whoever joined him on his adventures.
The adventures of the First Doctor was when the ball started rolling with the show itself. We were introduced to a large manner of thuggery from the cosmos. The Daleks for that matter were the first proper monsters the Doctor and Co. faced. Space metal dustbin that thrived on the destruction of anything/one that wasn’t a Dalek, looking back at the time they were unveiled it is pretty obvious to why children would hide behind bits of furniture.
At the time it was brand-new and not forgetting how Nazi-like the creatures are. It was somewhat too close to home, being as the Second World War ended less than 20 years before Doctor Who even started. Though the Daleks would go onto become a fan favourite which resulted in two films starring Hammer Horror actor Peter Cushion in the title of role of 'Dr. Who.'
The Hartnell era of the show also introduced us to the Time Meddling Monk, another time traveller with a TARDIS but with a sinister objective to cause carnage and mess with time itself. The 1960s run of the show was many of firsts for the series and paved the way for the show today. I would go as far to say however that if it wasn’t for the bold move of introducing the idea of regeneration we wouldn’t have a series that is fifty plus years old.
In 1966 William Hartnell had to leave the show due to ill health, this was when Patrick Troughton took over the title role of the Doctor. However it was the First Doctor’s swansong story that introduced us to the frightening emotionless Cybermen, who were last seen in the season finale of Peter Capaldi’s final series of the Doctor Who. In 1966 a new monster for the series was born and slowly became a fan favourite, the Cybermen were more or less the Roman Empire of the cosmos, branching out from Mondas to Telos and far out into the depths of space.
These silver giants were an unstoppable force and somehow dwindled away during the Civil Cyber War, but they were out there crippled but alive slowly growing stronger until they had the resources to strike which would eventually result into another defeat when the Doctor would ruin their plan.
The first Cyber-story was titled The Tenth Planet (1966) and it took place of a polar icecap set in 1986, it was a brilliant piece of science-fiction where it would predict Britain’s future. A lot of what if’s were circling around when the story was created. The costume of one of the astronauts was seen again in Star Wars, Episode VII: The Empire Strikes Back (1980). So could this mean that Doctor Who and Star Wars are part of the same universe? Many of eagle-eyed fans can spot that many number of guest actors have small roles in the Star Wars franchise.
Jeremy Bulloch who played the role of Tor in the 1965 story The Space Museum, he would later on have another guest appearance in Doctor Who for the introduction of Sarah Jane Smith in 1974 for the serial The Time Warrior. Many fans know that Bulloch was guy behind the mask of Boba Fett in two episodes of the original trilogy of Star Wars.
So that’s it, a brief insight to Doctor Who 1963-66. Roll on the next article that will feature our favourite cosmic hobo, Doctor No. 2 portrayed by the legendary Patrick Troughton. “OH MY GIDDY AUNT!”


“It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds."
Monday, December 4, 2017
How bad is it? Bad enough.
Should you see it? No.
Nick Cannon stars in this "21 Jump Street" meets "Beverly Hills Cop" would-be action comedy. A cop is sent undercover to an elite school to infiltrate a car theft ring. So there's basketball as well as the usual stereotypes and chase scenes. There's little character development, nothing in the plot that isn't ticking boxes of what studios think can be marketed and not one good joke.


Following on the success of our previous One Act Play Seasons, Peridot Theatre welcomes submissions for their final season for 2023. Peridot Theatre is calling for original One Act Plays to be performed in November 2023 at the Clayton Community Centre.
Peridot Theatre is proud to support and encourage new works, so if you have an idea for a short play that you would like to develop for performance, please submit your script! Peridot Theatre will support your play by providing rehearsal space and an opportunity to have your work performed publicly during the week of our One Act Play season. They welcome submissions that already have a director or cast attached. However, if required, we can also help find directors and actors to work on your play.
Peridot Theatre are seeking to be as inclusive as possible and therefore will interpret the theme broadly. They are looking for works that explore, in some way:
– migration, refugee and/or settlement stories, or/and
– make use of languages other than English.
Lodge your submission and script by emailing [email protected] by 25 June 2023. No more than 30 scripts will be accepted.
Performance Dates: 9-11 November (4 shows)
Performance Location: Clayton Community Centre (9 – 15 Cooke Street, Clayton, 3168)
Rehearsal Period: August to October 2023
Rehearsal Location: Fleigner Hall (31 Highland Ave, Oakleigh East, 3166)
Please read the submission guidelines below.
ONE ACT PLAY SUBMISSION GUIDELINES
1. Eligibility: Plays must be original work. We are looking for plays that are new, inventive, fresh, and not an adaptation of work by another author.
2. Theme: Migration, Refugee, Settlement stories or plays that make use of languages other than English
3. Length: Running for between 5 minutes to no more than approximately 20-30 minutes. Exceptions may be made for works deemed exceptionally creative or original.
4. Structure: Although not a requirement, preferential consideration will be given to plays with basic setting – for example: in one scene and/or a single setting.
5. Genre: Can be comedy, drama, mystery, thriller or monologue.
6. Cast: No more than five on-stage actors. More characters are allowed if actors double, or you use projection/voice-over. A list of characters with a brief physical description of each must be included with your script.
7. Technical Limitation: In order to facilitate set changes between plays, settings should be simple, suitable for small stage or black box theatre, requiring very minimal set or furniture and limited technical effects. You will only have 3 to 5 minutes to set up the stage between performances.
8. Format: PDF or Microsoft Word, prepared using standard formatting for a stage play. Any text in a language other than English must be followed by the English translation or the English translation provided as a footnote on the same page.
9. Anonymity: The author’s name must not appear on any of the pages, allowing the script to be initially evaluated anonymously. Pages should be numbered.
10. Submission Limit: One play per playwright.
11. Submission Method: Please email your script, with a separate one-page submission sheet that includes:
a. playwright(s) name(s)
b. a brief introduction about the playwright(s)
c. a brief synopsis of the play
d. explanatory notes about the background of the play and how it relates to our theme
e. any staging/casting ideas we should consider
f. if you have a director and cast already attached to the project or if you would like us to find a director/cast
12. Deadline: Please email the one-page submission & script to [email protected] by 25 June 2023. No more than 30 scripts will be accepted. With our receipt of the thirtieth script, no further entries will be considered.
13. Selection Process: The play selection process begins with evaluation by our team of readers, who will independently score each play according to their assessment of how the play reflects the theme of Migration, Refugee, Settlement stories or makes use of languages other than English in storytelling, character, dialogue, theatricality and their own emotional response. The second stage may involve a short online discussion with the playwright about their work and vision for the play. The plays chosen will be announced by the end of June 2023.
14. Rehearsal and Performance: Plays selected will be rehearsed at Fleigner Hall (from August to October 2023) and performed at Clayton Community Centre.


Hi, I am Ali have been the community worker in Lisvane Baptist for the past year. I have been in church ministry ‘officially’ since I left university…nearly 18 years ago. I have spent many years working with children, youth and schools in Llanedeyrn in East Cardiff. During that time I was also the lead director of a Theatre in Education company called Going Public, who specialise in resources for the SRE curriculum. My roles have seen me take assemblies, lessons, creative workshops, mentoring teenagers both within school and outside, run play therapy sessions with children, run community drama groups and stage shows for the GCSE curriculum.
I have a lovely hubby and a gorgeous 5yr old called Rhys who loves fast, posh cars! I am an avid reader of literary fiction, love drama and theatre, ‘quality’ coffee and wine. Everyone says I am loud – and I love a good laugh!


As of Opening Night, the revival of Funny Girl successfully opened on Broadway receiving good reviews from the New York Times.
In The Untitled Rachel Berry Project, she decides to leave Broadway and go to Los Angeles to shoot the very first episode of a new series based on her life.
In What the World Needs Now, with Mercedes' piece of advice and with New Directions' and Alumni's help, Rachel goes to New York to audition for a play in a new Broadway show, which is revealed to have gotten later in the season.
In The Break-Up, Finn returns, but with the ongoing drama, Rachel breaks off their relationship "for now" and their relationship was put on hold.
In Glease, it seems their relationship has fully dropped after Finn says they shouldn't have contact and he doesn't want to know about Rachel's arrival to Lima, Ohio if she does return again someday.
She is a Tony award-winning musical theatre actress.
She graduated from the New York Academy of the Dramatic Arts (NYADA), after getting a second chance at her degree, following her decision to drop out in Bash.
In The New Rachel, Rachel is now a student at NYADA and is struggling to fit in with the new adjustments.


Mary louise parker dating
This was also the time when men began to wear something tied around their necks.
This combination of coat, vest, britches and neck-wear has been worn by men in some variation ever since.
He has been thoroughly trained and schooled in the then highly stylized technique of portraying women -- to such an extent that any trace of masculinity seems to have been drummed out of him.See more » "All the world's a stage," wrote the Bard, "and all the men and women merely players that strut and fret their hour upon the stage.""Stage Beauty" is set in the world of seventeenth-century Restoration theatre, but the stage serves as a microcosm for life itself, and the roles played by the actors before the public mirror the roles they play in their private lives.The question is, do they create their roles, or do their roles create them?Based in the 1660's of London's theaters, this film is about the rules of gender roles in theatre production, and means to change them for everyone's benefit.Ned Kynaston is the assumedly gay cross-dressing actor who has been playing female parts in plays for years, particularly Desdemona in Othello, he also has a close relationship with a member of the Royal Court, the Duke of Buckingham.


Join this couple, each with Down syndrome, on their wedding day and share the joys and trials of their first year of marriage
Mark your calendar for 7/7 at 6 p.m. for a reception and uplifting film at the United Theatre to benefit the Olean Center. On this special evening we are excited to premier a short film about the Olean Center followed by a screening of “Monica and David,” a film that explores the marriage of a young couple with Down syndrome, and the family and community who strive to support them.
“Monica and David” was voted Best Documentary Feature at the Tribeca Film Festival and earned an Emmy nomination for director-producer Alexandra Codina, who also succeeded in getting HBO to produce a movie about the couple.
In reviews for the film, Boston.com praised Codina for the intimacy they felt with Monica, David, and their family. Variety said the film was "Neither overly sentimental nor insistently uplifting” and credited Codina with an expertly edited documentary.
Codina is a first cousin to Monica and felt the need to produce the film after seeing responses to the announcement of her cousin’s wedding. While some considered it a “cute gesture between kids” Codina wanted to share her perspective of this “very powerful, very serious, very adult” decision.
Please join us on 7/7 at 6 p.m. and support children and adults served by the Olean Center. You can choose between a $50 admission to a reception and the film, or $25 for the pre-film reception only. You can buy tickets here from the United Theatre website. (The first screen will ask if you want to sign in – you can say NO to go straight to purchase tickets)


For all those that are interested in film production, acting, and/or directing, LabShorts is definitely a CIO that could be for you! The group describes themselves as “a film production organization dedicated to producing critically engaged short films focusing on a range of social issues including gender, race, sexuality, class, mental health, and the challenges of student life.”
LabShorts produces two short films per semester and their goal is to create opportunities for artists with various backgrounds to come together and have their voices be heard by sharing and creating art together.
Check out one of their short films from the Spring 2019 semester here!
Due to the pandemic, LabShorts is operating virtually this semester and the group is remotely filming and editing films. Anyone with an interest in film-making is encouraged to join!


🍿 Only Lovers Left Alive · 2013 · ★★★★★
Here’s a new masterpiece (instant classic?). My girlfriend introduced me to Mr. Jarmusch, when I told her I wanted to watch this movie all she said was “Jim Jarmusch! You have to watch it!”
This is like nothing I’ve seen before and I think I am going to keep coming back to it for years, even if it’s only for the beautifully played music; but all the knowledge and culture put into this is what makes it fascinating. Forget all of those “vampire” movies, this is the real thing.


You know it’s going to be good when Cate Blanchett and Meryl Streep are part of the cast
What do you get when you put award-winning actors like Meryl Streep, Cate Blanchett, Jennifer Lawrence, and Leonardo DiCaprio in one film? You get a must-see movie about the comet possibly ending all life on earth.
Directed by Adam McKay, the same director who made the film “The Big Short,” “Don’t Look Up” centers on Kate Dibiasky (Jennifer Lawrence), an astronomy grad student, and her professor Dr. Randall Mindy (Leonardo DiCaprio) who made a discovery of a comet orbiting the solar system and indicating a possible direct collision with Earth.
Aside from the big comet problem, another problem on the rise is that mankind doesn’t seem to care about the planet-killer. This is where President Orlean (Meryl Streep) and morning show host Brie (Cate Blanchett) come to play. With only six months until the comet makes impact, managing the 24-hour news cycle and gaining the attention of the social media-obsessed public before it’s too late proves shockingly comical. What do you think will it take for people to look up?
Aside from the mentioned stars, also making appearances on the film are Ariana Grande, Timothee Chalamet, Kid Cudi, Jonah Hill, Tyler Perry and more.
Watch the trailer below:
“Don’t Look Up” will be on Netflix come December 24, 2021.


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As a ploy to gain publicity, a motion picture director wants his star actress to take a baby with her on a train trip. The director's secretary asks the train's engineer, an old boyfriend, for help. As the engineer ponders what to do, a stranger in the train station tells him that he has a baby that could be used. On board the train, the actress meets a young doctor whom she knew in school, and whom she is still in love with. The presence of the baby causes a series of misunderstandings between them, but the real problems begin when the engineer begins to suspect that the baby may have been kidnapped.