Season 2 of the Netflix hit show Narcos closed off with Pablo’s death. This left many wondering what was to follow, creators of the show and insiders did open up in saying that the show will be following the Carli cartel. Netflix just released the official trailer for the show which gives us more detail about the direction of the show. In upcoming Season, the main character is Pedro Pascal who plays Javier Peña, with the first two seasons lead Boyd Holbrook who plays Steve Murphy gone. The show will be available on Netflix September 1. Check out the season 3 trailer below.
Narcos | Season 3 Official Trailer [HD] | Netflix


On November 4th the Alvord Theater at Northland College found itself packed with an eager audience, all eyes affixed to a blank white screen on center stage. This was the venue for the “sneak preview” of the annual Big Water Film Festival (BWFF). Started in 2008, the festival aims to bring films “as fresh as the water of Lake Superior” to viewers in the the Chequamegon Bay area. The BWFF, which took place from November 4-8 this year, shows features, shorts, documentaries, and animations from the region and from around the world.At Northland College, the night’s line up consisted of five films ranging in themes from wolves to local food harvests.
Enhancing the festival was the presence of several of the filmmakers who each engaged with the audience after the showing of their respective films. The crowd in the Alvord Theater that night did not hesitate to take advantage of this opportunity to experience the more personal aspects of filmmaking. Questions were asked about the filmmakers’ passions, motives, and techniques.
The “sneak preview” at Northland College was followed by three more full days of film showings in Ashland, Wisconsin. At the end of the festival, films were presented with various awards, including an Audience Favorite award which was determined by audience votes.
Trailer for BWFF Honorable Mention, “Taking Alcatraz”, that was part of the sneak preview.


This film features singular surfers who all differ from each other in their approach to surfing but not in their love for the ocean and surfing. Among them are: Bryce Young, Ryan Burch, Derrick Disney, David Rastovich, Gavin Beschen etc..
This independent film directed by Jack Coleman features alternative boards and original surfers. Particularly known for his experimental surf clips shot in super 8mm or super 16mm, Jack offers with Zone Frequency a relatively sober film from a cinematographic point of view. All the originality of the film lies in the content he shows and not in the way this content is shown.
- Original poster "Zone Frequency" by Jack Coleman
- Size : 420x620mm
- Paper 160g
- Printed in Hossegor
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‘Dunkirk’ is Written and Directed by Christopher Nolan and is based upon the Dunkirk evacuation during World War Two, the film stars Tom Hardy, Cillian Murphy, Fionn Whitehead and Mark Rylance.
The film begins right in the middle of the war, we are with a young soldier running from gunfire to the safety of Dunkirk beach, only for him to realise he is amongst several thousand other poor souls trapped on the shore, waiting to be rescued or, more likely, picked off by German bombers. Then we realise something else…we are trapped with them. From that opening, till the film’s end, we are completely immersed in the situation. The excellent sound design puts us directly on that beach. Every bullet flying by, every feeling of claustrophobia, every moment of dread is also ours. That is the films crowning achievement.
The story structure, like Nolan’s other works, do not follow a traditional narrative structure. There are three stories at play during the film, one on land, one on sea and one in the air, each lasting a week, away and an hour respectively. The first story, where we meet Tommy (Whitehead) see’s a young soldier trying to escape the beach and stow away on any ship he can. The second follows a civilian fisherman making his way to help rescue the troops and the third shows a pilot (Hardy) attempting to fight the German bombers from blowing up the trapped soldiers. For some this may be a confusing experience, seeing the same event from different perspectives can be difficult to follow but thankfully Nolan pulls all the threads together in time to maximise the effect of the films third act.
Another possible criticism is that there is very little character development, very few of our main cast even get character names. There are no rousing speeches or tales of the ‘pretty gal back home’. However this is what makes the film in many ways more engaging. How many brave souls die at war we never know? How many times have we seen the emotional pull of a film being our investment in characters desperate to get home to their families? The trick here is that every person in the film is the same, scared, desperate for rescue and it is the reality of the situation, the reality of war and the brave men who both fought and those who came to rescue them that gives us the emotional connection. We see our Grandfathers and Great Grandfathers on that screen. We are rooting for everyone through the eyes of the few characters we follow. While this is a film about an event, rather than a person, the people we do meet are all played, or rather underplayed, with excellence.
Aside from the piercing sounds of explosions, or tense silence, we are treated to another incredible score from Hans Zimmer. Every note triggers an emotion, be it hope, fear or relief the score serves the story and the visuals as well as any you will hear. As for the visuals, this is simply a masterpiece of technical filmmaking. The scale of the cinematography is both haunting and beautiful. The effects and stunts seem entirely practical, from the dogfights in the air to the boats sinking there is a brutal reality to everything you see, if there is much CGI it is almost impossible to notice.
Visually stunning, scored to perfection but with certain elements that may prove divisive, the story structure and character development, what no one can deny is that this is a war film that is simply unlike any other. Tragic, heart wrenching, beautiful and unforgettable. You will not watch ‘Dunkirk’, you will experience it and you will hopefully remember how lucky we all are to be sitting safely in a cinema thanks to the many who have fought for us.
5 out of 5


OMG you guys!!! Legally Blonde The Musical is coming to a venue near you!
Starring Rita Simons as Paulette Bonafonte, ucie Jones as Elle Woods and Bill Ward as Professor Callahan.
The smash hit Broadway and West End Musical based on the best loved movie follows beautiful and popular sorority sister Elle Woods who loves to be pampered and is passionate about pink. When she is dumped by her boyfriend Warner Huntingdon III for a more serious girlfriend she puts down the credit cards and picks up the books. Packing up her trusty pooch, Bruiser, she bags herself a place at the prestigious Harvard Law School to try and win him back. With the support of her new friends she learns that you can be both smart and fashionable.
Rita Simons is best known for playing Roxy Mitchell in BBC’s Eastenders for which she has won numerous awards and is one of Britain’s best loved actresses.
Lucie Jones is currently playing Maureen in the 20th anniversary UK tour of Rent. Her previous theatre credits include: Ghost, We Will Rock You and Les Miserables and her TV acting credits includes: Midsomer Murders, The Sarah Jane Adventures and Lucie was a finalist in the 2009 series of The X Factor.
Bill Ward is best known for his work on two of the country’s leading soap, Emmerdale and Coronation Street but Bill is no stranger to the stage and has performed in Spamalot and The Tempest.
This all singing, all dancing romantic comedy is a fun-filled, feel-good pink fest, so bend and snap up your tickets today!
Star casting to be announced.


Happy Easter! We thought we’d share with you some of the fun Easter eggs we’ve made this year for the cast and crew of musicals CATS at the London Palladium, The Jersey Boys – currently on tour in Dublin, and The Bodyguard on tour, currently in Newcastle.
This is now the fourth year we’ve made eggs for the shows and it’s one of our favourite commissions. The production team are fabulously creative and so much fun to work with!
The Jersey Boys is the story of Frankie Valli and the Four Seasons, and has won an Olivier Award for Best New Musical.
We were briefed to capture American glitz and one of the most striking images from the show are the red jackets worn by Franki Valli and the Four Seasons. Diana recreated the jacket design on the Easter eggs using a combination of techniques. We were really pleased with the resulting eggs and have already seen tweets from Tim Driesen who plays Frankie Valli.
Our second brief was to create Easter Eggs for Andrew Lloyd Weber’s CATS at the London Palladium now coming to the end of a 12 week run staring Nicole Scherzinger.
Diana went through several design iterations before the final Purr and Paw print which captured the shows sensuality. We had so much fun making these!
That is perfect! It looks lovely – Jeff Brady
The final brief was for The Bodyguard the musical, currently on tour at the Newcastle Theatre Royal starring Alexandra Burke. This was the most difficult egg to create as we tried to recreate an iconic image for the show in chocolate. After several iterations with lots of ideas and input from Tim Jones, Diana created the Oscar scene that is one of the pivotal scenes in the show and surrounded the statue with a design incorporating song lyrics from the show. We also picked up the shows blue and gold colours in the packaging for the Easter eggs.
These look great! Thank you. I particularly like the gold writing with the song names – Tim Jones
The Easter eggs were completed with a selection of our fresh chocolates. Jeff, Tim and the production team chose a selection of flavours and styles that the cast would find most delicious!
We had so much fun making these eggs and hope the cast and crew love them too!


Discover London's Theatre Disctict
Theatre is at the heart of England’s history and culture with its first performance space opening during the 16th century. London’s Theatreland district comprises of 40 incredible venues in and amongst The Strand, Oxford Circus, Regent Street and Kingsway. Performances staged in London’s West End are predominantly musicals, classic and modern plays and comedy performances and we are located within walking distance from London’s most popular Theatre streets; Drury Lane, The Strand and Covent Garden.
Palm Court Brasserie offers a fantastic Lunch and Theatre menu designed to complete your perfect day out in London whilst visiting the iconic West End. Watch one of shows nearby like The Lion King, Mamma Mia! 42nd Street or Charlie and the Chocolate Factory and dine from a delectable selection of starters, mains and desserts centered on the best of the French cuisine. Choose from sophisticated, French classics such as Marinated Salmon, Beef Bourguignon or Salmon Fillet finished with an indulgent Valrhona Chocolate Tart with chantilly cream or our much-loved crème brulée.


Famous Buildings Used in Film & TV
We look at some buildings you might recognise from film and television…
Article By: Francesca Burke
Last Update: September 2019
St Paul’s Cathedral, London
World famous St Paul’s Cathedral has been used in films including Harry Potter, the original Mary Poppins, Lawrence of Arabia and Sherlock Holmes. Its world-famous dome, designed by Sir Christopher Wren, makes it an ideal point of reference for an international audience. Furthermore, its beautiful interior, including a geometric staircase and sweeping crypt with mosaic floors, lends itself to use in cinema.
The Bradbury Building, Los Angeles
The Bradbury Building in Los Angeles is most famous for its use in the original Blade Runner film. Its magnificent walkways, ornate ironwork and glass ceiling make it an ideal location for atmospheric film and TV sets. Films shot there include The Artist and (500) Days of Summer, while TV shows include Pushing Daisies, Quantum Leap and the 1960s TV series Mission: Impossible. Are you a fan of Justin Timberlake? You might recognise the Bradbury Building from the video for his song Say Something.
Al-Khazneh Temple, Petra
The ancient temple of Al-Khazneh in Petra, Jordan, might not be a familiar name to most westerners, but it earned its place in cinema history as the entrance to the resting place of the Holy Grail in 1989’s Indiana Jones and the Last Crusade. Al-Khazneh also featured in Transformers: Revenge of the Fallen and on the Sky travel documentary An Idiot Abroad.
The Eiffel Tower, Paris
Paris is home to one of the most famous buildings on the planet: the Eiffel Tower. The tower has appeared in numerous films, either as a main plot point or as a feature to set the scene. Eiffel Tower features in a variety of films, including The Lavender Hill Mob, Moulin Rouge!, A View to a Kill and Godzilla.
We hope you enjoyed this post about famous buildings in film. Have a question or fact? Why not leave a comment?


Ben Scheff, Tour General Manager and Composer
Ben Scheff is a sound designer and composer for theatre, dance, and circus. Selected credits include Off-Broadway: Only Human (Jesse James Films), Kennedy: Bobby Kennedy’s Last Crusade (LDK/New Circle Theater), Red Roses, Green Gold (MWM Live). Touring: ’Twas the Night Before… (Cirque du Soleil), The Great American Road Trip and Carnival (Circus Smirkus). Regional: The Secret in the Wings and A Midsummer Night’s Dream (South Coast Rep Youth Conservatory), No Room for Wishing (Company 1/Central Square Theater). Assistant/Associate Sound Design: Roundabout Theatre Company, Manhattan Theatre Club, New York Theater Workshop, Cherry Lane Theater, Primary Stages, Playwright’s Realm, Oregon Shakespeare Festival, South Coast Rep, The Geffen Playhouse, Opera Theater of St. Louis, Clarence Brown Theater. Production Audio: MCC, The Boston Conservatory, Trinity Repertory Company, and The O’Neill Theater Center.
During the summers he is the Tour General Manager of Circus Smirkus’ Big Top Tour. He is a graduate of UC Irvine and Rhode Island College. www.scheffsound.com


Sunday, March 17, 2019
Production Context of Bye Bye Blues :: Anne Wheeler Bye Bye Blues Essays
Production setting of bye Bye BluesIn his essay on the historic fiction film, Leger Grindon writes History is no more than a useful device to speak of the present time. The historic film indulges its contact with the conterminous and generally refuses the past its lucid and foreign character (Grindon 189). It is exactly this distinct character, however, that director Anne Wheeler hoped to capture in her 1989 film Bye Bye Blues. In an interview taken during the films production, Wheeler explained Im trying to present history as it was, not as we hope it was (Hays 9). With Bye Bye Blues, Wheeler has created more than simply what Grindon purports the historical fiction to be her film captures much of the detail of lifetime on the Canadian home-front during the Second World War. Wheeler does, however, weave into the film a deeper message about the role of the woman in society, which, ultimately, speaks directly to the earreach of the 1990s. While Bye Bye Blues is factual, the film does not translate history entirely as it happened. This is not to say that Wheeler has overtly classified the forties as a period of triumph for feminists the gentleman over, for she has not. Much of Bye Bye Blues is indeed authentic. Wheeler has say time and again in interviews that stylistically, she likes to keep things as realistic as possible (Hays 9). This is evidenced by the manner in which Wheeler tackles her field of study the film treats the events of the past with subtlety. The overall impression left by accounts of life on the home-front is of ... boredom and ... deprivation punctuated by moments of terror (Klein 10). Had the director overdraw the events of the war, even on the home-front, she would have sacrificed some of the films realism. or else of glorifying the war and over-dramatizing events like the return of Daisys husband, the story is presented in a straight-forward and unsentimental manner. Wheeler presents problems that are true-to-life, such as Dais y being ineffective to afford new shoes for her son. And certainly the events the film addresses are historically accurate Japan did invade Singapore at the end of 1940, pickings enemy soldiers hostage as prisoners of war (Snyder 267). During the war, women were left to fend for themselves and their children, without well-educated whether their husbands were dead or alive, let alone where they could write to them (Vickers 25).


Sunday, April 25, 2010
Act I. The Campaign
In attempting to market District 9 to American audiences, Sony Pictures had a difficult task. There were no big stars in the film, save for the producer-attachment of Lord of the Rings trilogy director Peter Jackson. Though the Sci-Fi element and the aliens that come with the genre intrigue people, the extraterrestrials in the film were grotesque-looking, labeled as “prawns” throughout the movie. District 9 was not based on a series of novels by a Philip Dick or a H.G. Wells; nor was the film shot and released in 3-D, an element of today’s movie market that contributed to a 10% year-over-year increase in domestic box office receipts, according to the MPAA. So, why did the movie end up grossing, according to Box Office Mojo, $115.6 million domestically? Sure the Oscar®-nominated product itself was a great film, but there had to be some strong marketing that generated buzz for its August 14, 2009 opening weekend. Let me take you through Sony’s campaign.


“I will seep into you and will live forever”. Premiere of “Myth” in Toronto
April 4, 2018
Reading Time: 4minutes
When Vasyl Slipak died of battlefield injuries on the big screen, the King’s Garden Hall was silent. All 300 spectators watched as life of the world-renowned opera singer, who left his career in Paris to help his Motherland in difficult times, has faded. This was the last screening of the documentary narrative film “Myth” (front nickname of Vasyl Slipak) in Canada, which took place on April 1 in Toronto.
The idea of a film about Vasyl Slipak’s life belongs to directors Leonid Kanter and Ivan Yasniy. As Vasyli’s brother, Orest, says, “when Leonid called me and offered to shoot a movie, I was a little surprised, because this was a tragedy, and someone wanted to shoot a movie. But then I talked more and more with Leonid and Ivan and realized that they had very good intentions.” The first screening of “Myth” took place on February 8, 2018 – less than 2 years after Vasyl Slipak’s death.
The film has had the most rentals in the history of Ukrainian documentary cinema: it was shown in all the major cinema networks throughout all major cities. At the end of 2018, it will be shown on one of the central Ukrainian television channels (ICTV). The film has been sent to international festivals and has already been shown in the USA, Italy and Canada. In Canada, the film was featured in 23 cities, from Quebec to Alberta. Soon, “Myth” will be available to the audience in Poland, the Czech Republic, Germany, Switzerland and France.
It seems that Vasyl Slipak was made to have films created about him. Kanter noted that Vasyl was a very versatile man, who can become familiar to many in the audience: “If you are in immigration – you can say, “he is an immigrant, he is like us.” Very different people can find themselves in him – military personnel, volunteers, singers, artists, musicians”.
The artistic figure of Slipak made possible the combination of documentary material with animated cartoons, created by a Ukrainian cartoonist Yuri Zhuravel. Following Kanter’s idea, the animation in “Myth” enlivens the material, transforms a journalistic prose into an artistic work, and enhances emotions.
Before the screening, the directors explained that “Myth” is a movie about love. Vasyl Slipak personified love – he loved his life, friends, women’s beauty, parents, his homeland, his profession. Even when he lived in Lviv, he worked as a volunteer in a home for disabled children. He was not forced to be a volunteer, he simply handed himself over, as Kanter said. And people loved Vasyl – the directors talked to many of those who knew him during his life, took their love and soaked the entire film with it. According to Orest Slipak, the film turned out to be true, and Vasyl would have been pleased with it.
Kanter explained that he did not try to heroise Vasyl in the film, or to make him into an insurmountable cyborg. “We showed him like a man he was,” said Kanter. He was a man of principles and great patriotism, as evidenced in particular by the love story of Vasyl with a girl Lisa, with whom he broke up when she forced him to choose between love and Ukraine.
For those who did not know Vasyl Slipak, it was interesting to find out that, as a child, he was quiet and peaceful. Orest Slipak said: “He never fought, he was always obedient. I still do not understand how such a warrior came to be from this ‘nerd’. He has completely changed.” Such changes are shown in the film – Vasyl’s friends tell how it seemed that a fire broke out inside him; perhaps because in addition to the opera, he began to sing rock. Vasyl Slipak has learned to fight in a week, and his military brothers in the film say that it is not worth remembering him as a singer, but rather it is worth remembering him as a soldier. Maybe this was his true calling – as Vasyl himself said, “I play a role on stage, and in Ukraine I am real.” Vasyl‘s last words “I will seep into you and live forever” apparently were addressed to Ukraine.
The co-director of “Myth” Ivan Yasniy told the audience about Vasyl: “he was a merry man, there were always many funny and interesting stories around him. In the trenches at the front there are many animals and soldiers take care of them. In the last frames of the film, Vasyl is shown with a kitty, which he found and began to take care of. But when he died, the kitty was left alone. Someone wrote about it on Facebook, and Vasyl’s friends from France wanted to take her. Despite the bureaucratic problems in Ukraine, she managed to travel to France and over there she was named Vasylyna”.
At the end of the screening, Ivan Yasniy talked about Vasyl Slipak Foundation, whose mission it is to support Vasyl‘s memory. The Foundation has already created an archive of Vasyl Slipak at the historic museum in Lviv, where all his belongings are being stored. “We want his life to be available for generations to come. There may be new books, new films,” said Yasniy.
The second major project of the Foundation is hosting an international musical marathon named after Vasyl. The idea of this marathon arose spontaneously during the first anniversary of his passing. “Many of his friends – musicians, composers, conductors – wanted to come to Lviv and see where Vasyl came from. They arrived for three days and held concerts on different stages in Lviv, dedicated to Vasyl‘s memory and to all the fallen soldiers. From now on, the marathon will begin annually on the day of his passing, June 29.”This year it will open in Kyiv, in the large hall of the conservatory, which now carries Vasyl’s name.
The Foundation also launched a competition for young vocalists, also named after Vasyl Slipak, which first was held in Lviv last year. This will support young Ukrainian talents and give them access to the world stage, which will be a worthy continuation of Vasyl Slipak’s musical career.
The screening was organized by the “Dopomoha Ukraini – Aid Ukraine” organization.


Amy Andrews Harrell is a Costume Designer with a wide range of experience in both period and contemporary film and television. She received an Emmy nomination for her costume designs on National Geographic’s “Killing Lincoln,” and won the Emmy as Costume Supervisor on the HBO miniseries “John Adams.” She also won the Costume Society of America’s 2018 Best Costume Design Award for the PBS miniseries “Mercy Street”. She was the Costume Supervisor on Greta Gerwig’s “Little Women,” which won an Academy Award for Best Costume Design, and she was the Costume Designer on the Showtime Limited series “The Good Lord Bird,” with Ethan Hawke which was a recipient of the Peabody Award. Most recently she stepped into the world of horror, designing “The Black Phone” for director Scott Derrickson, which will be released summer of 2022. Also look for her designs on Rodrigo Garcia’s modern family drama “Raymond and Ray” starring Ewan McGregor and Ethan Hawke.
Amy earned a 2013 Primetime Emmy nomination for her costume design of "Killing Lincoln".
She won the 2008 Primetime Emmy for her work as costume supervisor on HBO's "John Adams".
Costumes from Mercy Street season 1 were invitited to be a part of the prestigious 2016 FIDM Art of Television Costume Design Exhibit.
Mercy Street costumes are also on display at the The Lyceum Museum in Alexandria, VA and in the Historic Center Hill Mansion Museam in Petersburg, VA.
Amy won The Costume Society of America's 2018 Best Costume Design Award for season 2 of "Mercy Street".
Seasons 1 & 2
Directed by Dan Ragussis
Starring Daniel Radcliffe, Toni Collete and Tracy Letts
Directed by Meg Ryan
Starring Meg Ryan, Tom Hanks and Sam Shepard
With clips and photos of
Mercy Street Season 2 Costumes
A slide show featuring
costume close ups and renderings.
Featuring Ginnifer Goodwin and Amy speaking about recreating Jackie's pink suit.


It’s been some time since I saw the first Taken movie but I remember parts of it very well. In the movie, Liam Neeson plays a Dad whose daughter is taken and trafficked in the sex slave trade. This Dad also happens to have a “particular set of skills” as a former CIA operative. In the movie, Bryan Mills (played by Liam) daughter is taken while on vacation in France. He spends the rest of the movie trying to find his daughter and single-handedly dismantling this human trafficking ring. What makes this movie stand out to me above all the other iterations of this franchise is the fight against human trafficking.
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The boardroom had a wall of windows that overlooked the city. Although most of the guests would sit at the round table and focus on
The last post we talked about the famous “my yoke is easy” and how burdens make us their servants. However, how do you get free


Sushmita Sen is an Indian film actress, model, and beauty queen crowned Miss Universe in 1994. She was born on November 19, 1975, in Hyderabad, India. After completing her schooling, Sushmita started her career as a model and debuted in the film industry in 1996 with the movie “Dastak”. She gained critical acclaim for her performance in the film and went on to star in several successful movies such as “Biwi No.1”, “Main Hoon Na”, and “Chingaari”.
In addition to her successful film career, Sushmita pioneered breaking stereotypes and challenging societal norms. She adopted two girls, Renee and Alisah, as a single mother, becoming one of the first Indian actresses to do so. She has also been vocal about supporting LGBT rights and a strong advocate for women’s empowerment.
Sushmita has won several awards for her work in the film industry, including the Filmfare Award for Best Supporting Actress for her role in “Biwi No.1”. In 2010, she was honored with the prestigious National Award for her role in the movie “Filhaal”.
Apart from her work in the entertainment industry, Sushmita is also involved in various philanthropic activities. She has established the “I Am She” foundation to empower women in India.
Sushmita Sen is considered one of the most iconic and influential actresses in the Indian film industry. Her grace, talent, and charisma have won the hearts of millions of fans worldwide.
Sushmita Sen Images
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Laugh and Learn with Tales of an Urban Indian
Mon, 14 Jul 2014 16:49:48 GMT —
If you live in Hannibal, you might have seen a bright yellow transit bus not picking people up and taking them to other destinations.
That is because it is the home of the Bluff City Theater TMs one man play ... Tales of an Urban Indian.
The play is based loosely on a young boy growing up on a reservation and in the city of Vancouver, Canada.
"I was native actor in the film and television industry and theater and a lot of roles that I was going for, were very stoic, you know, sort of, ugh, white man disgraced our village sort of thing," Darrell Dennis, actor and playwright of Tales of an Urban Indian said.
Dennis says that's far cry from how he grew up in Canada and he shares that in the opening lines of his play.
"I'm what's referred to as one of the lucky ones, I wasn't forced to go to residential school, I wasn't adopted out, I never got sick from a Hudson Bay blanket," Dennis said.
The man responsible for bringing the play to the area says the one man show is worth seeing.
"This play, while it TMs very funny, it TMs also extremely moving, it deals with some very important issues," Joe Anderson, Executive Director of the Bluff City Theater, said.
Anderson is also Canadian and has worked with Dennis before.
Dennis plays about 40 characters and they've all had some influence on the main character, Simon.
For example, Simon's grandmother.
"Kina sit down already, move closer, respect your elders," Dennis said in character.
Or take for example an ex-girlfriend.
"It TMs great to meet you, you know this is the west coast right so it TMs like, "Hi my name is Tina and everything's just fabulous,"" Dennis channelled.
Tales of an Urban Indian is performed on a moving transit bus and lasts approximately 90 minutes.
The semi-autobiographical tale, which contains adult-themed topics, is playing through August 10, 2014. Click here for details.


This article was published on February 2, 2018 and information contained within may now be out of date.
Spilsby can look forward to a monthly film night after funding was secured for the event for the next 12 months.
The Spilsby Community Plan Group was seeking funding to bring a monthly film night to the town after this revealed as one of the most requested items by residents at the Community Day held in 2017. The group has successfully obtained sufficient funding from the Big Lottery Fund to run the event for the next 12 months.
January saw the successful showing of “The Viceroy’s House” starring Hugh Bonneville and Gillian Anderson, and the funding is well timed after Friday’s showing of “Wonder Woman”.
March’s film will be the classic film “The Third Man” starring Orson Welles and will be shown on Saturday 3rd March in the Franklin Hall. Doors open at 6:15pm, with the film starting at 7pm. Admission is £4 with refreshments available.


THE REAL WINNER
Casey wins the chance of a lifetime, to learn how to run a ranch of her own. Unfortunately, Jason, the ranch owner, runs it as a men only operation. When Casey shows up to claim her prize, Jason doesn’t want her there. Fearing a lawsuit, he gives in, assigning her busywork that frustrates and infuriates her.
Jason finds he has a protective streak where Casey’s concerned. He does his best to ignore her, but can’t. When a series of suspicious mishaps occur, Jason wants Casey gone, but once Casey gets attacked, Jason can’t let her go. After an unexpected night together, Jason knows he’ll always want Casey in his life. But Casey has no memory of it, leaving Jason feeling used and confused. Had he imagined their night together?
Follow Jason and Casey along their path of mystery, murder and romance as they find their way through their journey. Can Jason protect Casey long enough to convince her to build a life together on their ranch?


It’s easy to see what initially attracted Charlie Kaufman to Chaos Walking. The filmmaker behind Eternal Sunshine of the Spotless Mind and I’m Thinking of Ending Things wrote the original draft of the screenplay back in 2012, long before the movie starred two massive franchise leads in Tom Holland and Daisy Ridley. The story—based on a novel by the brilliant Patrick Ness, author of the equally brilliant A Monster Calls—takes place on a distant planet where former Earthlings have settled. A mysterious affliction causes the settlers’ thoughts to echo audibly outside their heads, giving everyone access to everyone else’s inner dialogue. To Kaufman, whose films rumble with the self-conflict of the human mind, that probably sounds like the scariest setup in the world. Just imagine what untranslatable, alienating thoughts could be spilling into the air, shattering our dream of being known on our own terms. It’d be an existential nightmare.
But Kaufman left this project years ago, and Lionsgate had his draft revised by six different writers in order to launch Chaos Walking into a YA franchise. Existential nightmares don’t make for appealing YA franchises, so the 2021 version of Chaos Walking is the safest, most literal version of the “thoughts out loud” conceit imaginable. There’s a great gag in the Buffy the Vampire Slayer episode “Earshot” where Buffy temporarily gains the ability to read minds, and while she’s listening to her friends frantically sort out their thoughts, she hears the most vapid member of the gang think a sentence before saying the exact same thing out loud. That’s how everyone thinks in Chaos Walking. The inner electrical storm of wants and fears and self-talk is conspicuously tame. When a character’s going about their day, they’re just thinking simple thoughts about their current activity; when a character’s trying to hide their thoughts, they just think of something unrelated over and over. The settlers call the thoughts-out-loud affliction The Noise, but here it’s little more than an annoying murmur.
This flaccid take on the concept is good for some laughs here and there, usually when Holland’s character is trying to squash his naughty thoughts about Ridley’s character. Hopefully audiences find that enjoyable enough, as Ridley’s transition from uncomfortable with mind-flirting to comfortable with mind-flirting is about as deep a connection as these characters will forge. Holland and Ridley are serviceable in the roles but suffer from their inability to add character to mediocre writing. They may have the charm and poise to lead a blockbuster, but Chaos Walking doesn’t make a good case for them beyond their good looks and memorization expertise.
Perhaps the most surprising thing about the movie is that it sidles outside of the YA blockbuster template in its second hour. There’s a twist midway that’s supposed to really shake things up, but because the first half squanders the concept’s potential so limply, it just feels like the first time the movie is actually moving. It has something to do with the mystery of women being immune to The Noise, and it builds to an incipient allegory about how patriarchal ideologies survive and thrive. There’s even a preacher character who begs the question of how misogyny is codified into a community’s way of life. But these musings are all but abandoned when the movie’s goal shifts to sequel setup. You know how it goes.
What’s left still had a hundred-million-dollar budget, so the aliens and the action are acceptable by modern standards, and the effects team gets to have fun visualizing The Noise in recognizable ways. But for a movie about the impossibility of keeping ideas inside your head, there’s not a lot going on inside Chaos Walking’s noggin besides the potential for another Chaos Walking. It’s a shame it couldn’t see its own potential.


China is known as the land of Kung Fu. If you want to see this magnificent fighting technic, The Legend of Kung Fu show is the perfect place. This magnificent show is produced by China Heaven Creation and you can watch it at the Red Theatre every day.
This show has been described by the Deputy Irish Ambassador to China as “more energetic than River Dance”.
It is a must-see performance if you are in Beijing and is performed by a group of the best Kung Fu practitioners of China. These excellent Kung Fu practitioners are collected by best directors and designers of China Heaven Creation also known as CHC.
The Legend of Kung Fu Show has mixed traditional martial arts and modern theatre together and it presents stunning Kung Fu skills of the performers. Other aspects such as the exquisite ballet and the music alongside the beautiful story have made this show, the most loved Kung Fu show in China.
The show was first performed on the Beijing stage in 2004 and since then, it has attained several awards and has become a world-class show known to many.
The story is mostly without narrative but there are English subtitles shown above the stage so you would better understand the storyline. The actors do not speak and they perform Kung Fu, acrobatics and dance.
The story is about a young boy dreaming to become a Kung Fu master and reach enlightenment. He takes the journey of a monk and must face many obstacles, both from this world and from his own mind. He needs to overcome his fears in order to become a true Kung Fu master.
The show consists of seven scenes:
- Initiation: The little monk arrives at the temple and is initiated into the monastery and given the name Chun Yi (the pure one).
- Learning: The little monk is studying Zen and Kung Fu very hard. Years have gone by and the boy becomes a man.
- Casting: After many years of hard training, our monk Chun Yi’s body turns to iron.
- Illusion: Chun Yi chases the beautiful fairy he has created in his mind and hence, cannot continue with his Buddhist practices.
- Remorse: The monk Chun Yi loses his way of Buddhist practices and suffers from great remorse.
- Temple Gate: Passing through the temple gate is a glorious ritual for a monk, Chun Yi must accomplish this final task to become a warrior monk.
- Epilogue: The old master passes on the stave and Chun Yi becomes the Abbot.


Theatrical makeup artists have a very exciting job. One day, they may be using rubber prostheses to turn an actor into a terrifying zombie, while the next day, they may be applying makeup to transform a group of actors and actresses into Victorian-era society members.
Theatrical makeup artists may work on television, film, theater and other performance settings, applying makeup to actors and actresses on set. Many specialize in one or two areas of the field, whether it be special effects makeup, high definition makeup or airbrushing. Others base their specialty on performance settings. Those who apply makeup on Broadway, for example, must know how to accurately determine the makeup needs of the actors based on the lighting, distance from the audience to the stage and script.
Preparing for a Theatrical Makeup Career
Learning how to do this type of makeup well takes much more than a steady hand and creative eye; it takes an education at theatrical makeup school. In theatrical makeup school, students learn all about skin care, makeup application techniques, sanitation, blending and highlighting tricks and color selection through a combination of classroom study and hands-on instruction.
When looking for a theatrical makeup school, make sure you select a location that spends extensive time working with students in hands-on settings — such as a school like Jolie Academy. In addition to classroom training, advanced makeup students get experience preparing for theatrical makeup careers by working in the student clinic and by taking advantage of occasional opportunities to volunteer their skills locally by doing makeup for area performers. This experience is a great way to improve your skills and determine if theater makeup really is for you.


Through Lilly’s eyes, the world is a dark but beautiful place, where she and her sister, Rosalyn, live happily in the heart of an enchanted forest. In reality, each day is a battle for Rosalyn, who has been forced to take up prostitution in order to provide for herself and her delusional sister and simply pay the rent for their inner-city, tenement apartment.
An odd twist of fate brings an unlikely ally into their lives, in the form of a local drug addict. Together, they form a plot against a vicious crime boss; a plan that will either lead to their salvation or their doom.
Based on the Brothers Grimm fairy tale “Snow-White and Rose-Red,” Rose White pits dark reality against an even darker fantasy, in a world where there are no happy endings.


A young business man struggles with the demands of city life, after losing his job he takes his frustrations out on a group of city pigeons. Karma returns on him and the young man finds himself turned into a pigeon! Through the transformation he learns about the playful world of a misunderstood animal.
Join the lucky pigeons and see them perform daring aerials, acrobatic feats and be part of their soulful story.
Performances on Worthing Promenade outside the Pavilion Theatre lasting approx. 60 mins at 2pm and 5pm


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Flipkart Daily Trivia Quiz Answers, 13th January 2021
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Which Anil Kapoor and Abhishek Bachchan starrer film was directed by Anupam Kher?
Answer :- Om Jai Jagadish
In the Netflix film Drive, the thieves managed to steal money and gold from
Answer :- Rashtrapati Bhavan
In which film does Salman Khan play the role of an AIDS patient?
Answer :- Phir Milenge
In which of these films did Dharmendra play a filmstar?
Answer :- Guddi
Chris Hemsworth, who plays Thor in Marvel films, was seen in which film franchise reboot?
Answer :- Men in Black


Three Fine Scores
As promised here I spent Christmas with Jewish Friends watching a movie and going out for Chinese. The movie, True Grit, was the first of three very good films I’ve seen in the last month. Each of them was enhanced by a fine score.
I had my doubts about True Grit in the first minutes. I’m always a little leery of the Coen Brothers. Aside from the outstanding Fargo, everything I’ve seen of theirs gives me the uncomfortable feeling of not being in on some joke. I never know if they’re being ironic, or playing for laughs, and it makes me feel stupid.
Right off True Grit gave me that feeling. The actors spoke in some kind of weird dialect, which reviews later told me was them speaking without contractions. Why? If I found that aspect of the movie incomprehensible, the plot was the opposite. Though I’d neither read the book nor seen the John Wayne original, I’d seen enough Westerns as a kid to know from the first minute that the girl was going to avenge her dad’s death, that she’d try to enlist the old drunk Rooster Cogburn into helping her, that he’d initially refuse then reluctantly agree. I knew they were going to ride horses out into the Wild West to look for the bad guys, and they’d eventually get them. Did I want to spend two hours watching it happen?
True, there was Jeff Bridges. He’s so good that, as he proved in Crazy Heart, it’s fun watching him do anything – struggling to tie his shoes, sleeping one off, even puking in a garbage can. But that movie also had Maggie Gyllenhaal – another actor I’ll watch do anything. And it had plenty of heart, crazy or not. Haillee Steinfeld plays a properly spunky Mattie Ross in True Grit, but I wasn’t sure I was up to two hours of her avoiding apostrophes.
As predicted, they got on their horses and forded a river then headed out into the big country….and that’s where the movie suddenly came to life. Because, whether due to where it was shot, or how, that country looked like no cowboy country I’d aver seen in or out of a movie. It was beautiful, and strange.
And, thanks to the music, very moving. The memory of old cowboy movies had me expecting some rehash of the rollicking Bonanza theme, or warmed over Aaron Copeland. Instead Carter Burwell chose several 19th century American hymns just at that pleasant edge of familiarity where they’re comfortable, but don’t bring along a lot of baggage, like the Battle Hymn of the Republic would. Burwell arranged them for piano and strings with the right balance of feeling and restraint. The result is the American West viewed as a real place, not some Hollywood set. A place of tangible beauty in contrast to the grubby men and women with their unbeautiful acts of violence. The music gives voice to the better nature of our ancestors who’d gone West looking for something higher. Burwell’s arrangements express reverence for those ideals, whether God, or in Mattie’s case, Justice. The overriding feeling is elegiac, a mourning for ideals unfulfilled, for a past that’s not only gone but never was what we thought it was.
The music avoids the cheap sentimentality so common in Hollywood scores, and in the work of Ken Burns as he depicted 19th century America. I experience the theme to his “Civil War” series as an emotional violation. I feel it poking into my chest, grabbing hold and strumming away at my heartstrings. I wanted to yell –Hey, I didn’t ask to feel that! The taste of sentimentality is unmistakable – it’s cloying, overly sweet, and ultimately fake. Nutrisweet for the heart.
Burwell coaxes, seduces with his score. His piano and strings invite us into the mysteries of those Protestant hymns, and through them into the mystery of the Old West. I left the movie asking the question every real historian must wish for his audience to ask – what was it really like then?
Speaking of sentimentality, there’s Tchaikovsky. His sweeping melodies, while much finer than most Hollywood fare, have the mark of sentimentality, giving me the vague sense that my feelings are being manipulated. And though he possesses great orchestration skills, he often uses them to turn a sense of drama into melodrama.
His music was perfect for Black Swan.
This was one of those rare films that got deep into me, whose effect lingered for days afterwards. It’s painful to watch – especially for the fingers and toes. Not to speak of the heart. It sounds like I’m contradicting myself here, because director Aronofsky and Natalie Portman, in the role of a career, spend every moment assaulting the senses and feelings. The difference is that those feeling are not the ersatz of sentiment, but real. Real envy, twisted motherly love, crazed perfectionism, repressed sexuality, wicked Maestro manipulation, has-been despair…
I haven’t given Tchaikovsky a fair shake in part because I’ve never seen any of his ballets. He didn’t write their music to be heard alone, but to accompany visuals. As background to Black Swan I didn’t hear any hint of sentimentality, just cue after cue in which the music turned up the emotional volume of what was on screen. Which is to say, movie music at its best.
I’m, going to give Tchaikovsky another listen. Better yet, I’m going to go see Swan Lake.
The King’s Speech
MAJOR SPOILER ALERT
The King’s Speech is a fascinating tale, one which came to a history ignoramus like me brand new. It required the virtuoso performances of Colin Firth and Geoffrey Rush. It didn’t require, but was enhanced by the skillful interiors, which in this case made me feel like I was getting a peek into the real lives of the Royals. The movie required the music to stay out of the way, until the climax. Which it did. The music avoided all the royal clichés – regal fanfares and noble strings –which was just right, because this is a movie about Royals as people, not Kings and Queens.
Then comes the climax, the stammering King rising to give the speech of a lifetime, to the world on radio, declaring war on Germany. The music playing behind the speech pole-axed me. Beethoven. One of the great products of Germany, who the King was busy declaring war on. The filmmakers didn’t choose something obscure, but the somber second movement of the 7th Symphony, one of Beethoven’s best known passages. I was sure the filmmakers were playing for some kind of irony. And they kept playing, because in the period after the successful speech, which despite the sober moment is filled with relief and congratulations – they play more Beethoven, the slow movement from the 2nd piano Concerto. Irony on irony, because this is one of the most peaceful, affectionate things Beethoven wrote.
All I could figure was that the filmmakers were highlighting the monumental irony that the same culture that produced Bach, Mozart and Beethoven could produce Hitler. More than irony, it’s perhaps the great historical mystery of the 20th century. Then again, they were stuck. There’s no other piece of music that comes close to the noble sorrow of that movement.
Then I happened to speak to my friend Jill Ker Conway, who was five in Australia when her parents sat her down in front of the radio to hear the broadcast of the King’s Speech live. Wow. To think that I know someone who was alive then, who heard that! Jill has a keen musical ear, and distinctly remembers that the BBC played that Beethoven movement throughout the speech. I was further astounded. How could they do that? She said that no one even thought about the fact that Beethoven was German. I can’t imagine that today. The 24/7 news channels, surviving newspapers, blogs would be so busy dissecting the meaning of the BBC’s music choice that they’d forget that Hitler was about to try to take over the world.
Perhaps I’ve become just another old crank, but I do often feel we’re living in a cultural wasteland. It’s heartening to see three really good movies, and better, that they have great scores.


- We are thrilled to have Seth Judice joining us to star in production of Billy Elliot the Musical, as Billy Elliot! Visit our Recent News section to learn more!
- Season Tickets are now on sale! You can purchase Season Tickets by calling our box office, open Monday-Friday 10am-2pm.
- Billy Elliot is just around the corner! You don’t want to miss this fabulous musical. Get your tickets today!
- Spend your summer at the Palace Performing Arts School! Click here to register for Musical Theatre Aventure or Beauty and the Beast Jr!


If you're looking for a film to see after you've run for the sanitized satire of Team America: World Police, do me a favor and check out The Final Cut. The movie was written and directed by my friend Omar Naim, and it's a twisty-turny sci-fi thriller featuring Robin Williams and Jim Caviezel. I begged Omar to call it "Mork N' Jesus" but he just wouldn't relent.
Not only is it a good film, but Omar's a good friend, and I want to support them both. Go forth, movie-watching public, and check it out at a theater near you!
posted by opus at
September 2003 October 2003 November 2003 December 2003 January 2004 February 2004 March 2004 April 2004 May 2004 June 2004 July 2004 August 2004 September 2004 October 2004 November 2004 December 2004 January 2005 February 2005 March 2005 April 2005


John M. Slattery Jr. (born August 13, 1962) is an American actor and director, best known for his role as Roger Sterling in the AMC drama series Mad Men. Slattery’s other acting credits include a starring role as Ben Bradlee, Jr., in the Best Picture-winning film Spotlight, and the role of Howard Stark in the Marvel Cinematic Universe films Iron Man 2, Ant-Man, Captain America: Civil War, and.
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Jon Hamm – IMDb – Jon Hamm, Actor: Mad Men. Jon Hamm was born on March 10, 1971 in St. Louis, Missouri, USA as Jonathan Daniel Hamm. He is an actor and producer, known for Mad Men (2007), The Town (2010) and Million Dollar Arm (2014).


Sunday, May 27, 2012
The crew discover that a Peacekeeper beacon wired into Moya is broadcasting their location far and wide. Their quest to disable the beacon leads them to a backwater planet where the inhabitants look vaguely like 1940's/1950's Earth farmers, but with alien prosthetic makeup because, well, they're aliens.
The script tries to draw some parallels between the alien mother and her son, who discovers Crichton hiding in their barn, and Crichton's own situation (they are both new to alien encounters), but beyond remarking on the superficial similarity, it doesn't really go anywhere with it.
The story also unwisely splits up the Moya crew. At this point, we don't really know them that well, so taking some time to see how they interact would probably be a good idea, but instead they are all shunted off into separate subplots that don't really amount to a whole heck of a lot. D'Argo gets captured, then fairly quickly freed. Zan and Rygel attempt to disconnect the Peacekeeper device from Moya.
All in all, a most unsatisfying and rather listless episode.
Jargon watch: "What in hezmana is going on?" Interestingly, Aeryn has the line: "I'm new to all this escaped prisoner crap". No "dren" yet!


Introducing Bag-ong Teatrong Junquera
When it comes to Cebuano history in the streets of Colon, Palm Grass Heritage Hotel will always be there to support. In partnership with the youth of Gen. Junquera Street organized a theatre group “Bag-ong Teatrong Junquera”, an organization that will help invoke the importance of the first theatre in Cebu in the 1800’s that was founded by Governor Inocencio Junquera. This group is also in partnership with universities University of the Visayas and the University of San Jose-Recoletos along with five barangays along Gen. Junquera Street - Barangay Kamagayan, Kalubihan, Cogon-Ramos, San Antonio, and Sta. Cruz. Bag-ong Teatrong Junquera officially launched their first debut project “Abtik Pas Kilat” last March 12, 2019 which is a stage play about Heneral Leon Kilat and his story on the 1898 Cebu Revolution.
The story of Abtik Pas Kilat is directed by Clouie Monsanto and Jed Nicole Alerta. tells a story about two children from Barangay Kamagayan who get transported to 1898 to meet Leon Kilat and help him in the Cebu Revolution. It stars Clouie Monsanto as Constancia. Angelo Seismundo as Leon Kilat, Jed Nicole Alerta as Nioel, Maebelle Sortones as Mabel, Brandon Sutter as Lino, Paul Stephen Pakson as Luis Flores, Vincent Ferandez as Simplicio, and John Lao as General Montero. The plot of the play was written by three youths from Barangay Kamagayan and the scriptwriter is from the University of the Philippines - Cebu theatre group UPStage.
When being asked the question “As a student, what is the experience like directing a play?” director Clouie Monsanto responds with “As a student, I have to be honest it was never easy balancing class and also directing a play. The only thing I put in mind is that I considered these two as work and a big deal. I made sure I have my time for my school duties and my duties as an actor and director. All in all I consider it stressful, but a very good one knowing I am enjoying it because I know what I did is for passion.” Bag-ong Teatrong Junquera wishes to market the play as an advocacy along with creating awareness of Cebu’s history, with a goal to invite the Cebu heritage community and promote to schools about Cebuano history. Just in time for the celebration of the 121st year of the Battle of Tres de Abril, this community play for the Cebuano youth will be shown on April 1 and 2, 2019 at the University of San Carlos - Downtown Campus Fr. Albert van Gansewinkel Hall.


ITLP forged a partnership with the Fine & Performing Arts Department at the University of Dar es Salaam to deepen and expand the ITLP mission in Tanzania.
The University agreed to provide Tanzanian theatre artists to work alongside US theatre artists in the ITLP 2008 Summer program to build local capacity to continue to use theatre in education.
That summer, five Tanzanian theatre arts students from U of Dar were selected to work with the US teaching artists.
ITLP Teaching Artists:
Dion Graham - TV, film & stage actor, arts educator
Elissa Adams - dramaturg, Director of New Play Development at Children's Theatre of Minneapolis
Eric Booth - actor, writer, nationally recognized arts education scholar & practitioner
James Williams - TV, film & stage actor, arts educator
JD Steele - award-winning gospel singer, music director, arts educator
Jeanette Horn - veteran ITLP teaching artist, actress, director, writer, arts educator
Marianna Houston - actress, playwright, arts educator
Nilaja Sun - returning ITLP TA, actress, playwright, arts educator
Nora Stillman - returning ITLP TA, actress, Education Director of TEAM Theatre Company in Dublin, Ireland
Rashaad Ernesto Green - actor, arts educator, filmmaker
University of Dar es Salaam Teaching Artists:


There is a new horror film slated for release tomorrow, Devil’s Due. You may not have heard of the movie but maybe you heard about or have seen the viral marketing for this movie.
Funny, yet disturbing.
This movie is based on fictional characters but there are several well known possession movies that are based on allegedly true stories. Probably the best known of these is The Exorcist, based on the story of Roland Doe (not his real name), a 13-year-old boy who in 1949 underwent a month long exorcism ritual conducted by two Jesuit priests, Fathers William Bowdern and Walter Halloran. In the movie version it is a young girl who is overtaken by an evil entity after playing with a Ouija Board. Roland’s ordeal also began with a Ouija board. Several manifestations were inflicted on the boy, writing would spontaneously appear on Roland’s skin, he spoke in a guttural voice, he had an aversion to sacred objects, he was vulgar with the priests and even tried to urinate on them. Finally, according to Tom Leonard of the Daily Mail, the boy shouted out “Satan, I am St. Michael! I command you to leave this body now!” He went limp and announced “He is gone!” He acted normally and has never had a relapse since that moment, prompting some to say the boy was faking the whole thing.
A possession movie I found most interesting was the 2012 release The Possession. Usually it seems the Catholics have the corner market on exorcisms but this story has a Jewish slant. The movie is loosely based on the book The Dibbuk Box by Jason Haxton. In the movie a young girl buys the Dibbuk box at a yard sale and becomes possessed by the evil spirit from Jewish folklore that was trapped inside when she opens the box. In real life the box was first purchased at an Estate sale and later on eBay, finally coming to Jason Haxton. The box has a history of strange and tragic occurrences happening to those in possession or vicinity of the box. Haxton still owns the box and says it is in a safe place, whatever that means. Apparently some strange things happened on the set of The Possession even though the crew and cast turned down Haxton’s offer to give them the actual Dibbuk box. Several times lights inexplicably exploded and phantom gusts of wind would billow on the set. When shooting wrapped up all the props, including the movie version of the Dibbuk box, were put into storage. A short time later the storage unit burned to the ground with no explanation.
Demonic possession is discussed in the Bible numerous times and many religions hold the belief that spirits can possess the living. Dr. William B. Bradshaw, Ph.D, a demonologist, wrote Sinister Among Us as a layman’s primer into demonology. Dr. Bradshaw holds his Ph.D. in demonology has spent decades studying the subject. While he concedes that mental disease, physical maladies, and human choice are usually at the root of these cases he believes that there is a struggle between good and evil. As he points out in his book, possession is not always head-spinning, levitating, pea soup shooting obvious and can strike in the most unlikely place. Which makes the prospect even more unsettling.
Unfortunately, my usual advice of never turn off the lights probably won’t help in this situation. Unless you are an unbeliever, then you should be fine, right?


Friday, July 11, 2008
Saturday, July 5, 2008
I love movies-the costumes, the sets, all of it. I find that it is harder for me to actually go see movies in the movie theatre though-too many people talking on cell phones and things like that which is unfortunate. So, I wait for most of them to go to dvd and know that I am missing out. Anyway, I wanted to share some of my favorite images. This is a lot of images! I will stop here for now but have so many more!


Crime Patrol is a series based on real life crimes but portrayed through fictional actors. Other than the fictional actors the entire story is original showing the actual circumstances that arose during the crime. Not just the circumstances but the series' each episode shows the story of the crime; what intentions the criminal had while committing the crime, how the victim felt, how the cops traced the criminals and caught hold of them everything. And the episode sums up with the action taken in the case.
Crime Patrol Season 4 - 13th January 2013 episode shows a rape case in which the security guard of a building, Amjad Khan, raped a girl residing in that building.
You might also like to see:
Bigg Boss 6 Grand Finale episode
Crime Patrol Season 4- 12th January 2013
Nach Baliye 5 - 13th January 2013 episode
KBC 6 - 13th January 2013 episode


Reality can sometimes be quite dull. In films, TV programmes, or even the news, reality gets changed and made more dramatic and exciting. It seems that we want the altered, edited and “sexed up” version of reality more than reality itself.
Perhaps this is the reason why so many people get caught up (or caught out) by fake news stories; something that is more sensational than reality is far more exciting.
When a Supreme Court case relating to Britain’s exit from the European Union was televised many people commented on how dull it was. Although this was a momentous and historic case, many on social media complained that it wasn’t as dramatic as fictionalised courtroom dramas they had seen on TV.
The film “Sully” based on the true events of the Hudson River plane crash invented tension and conflict around the subsequent investigation that, according to the real Captain Sullenberger’s accounts, never occurred. The real story wasn’t deemed dramatic enough for Hollywood and had to be embellished.
Are we turning our backs on truth?


Come to the premiere of My Old School - a film about the now abandoned Woonsocket Middle/High School!
WHEN: SATURDAY OCTOBER 5TH
WHERE: WOONSOCKET HIGH SCHOOL ON CASS AVE
TIME: 7:00 PM
TICKETS AVAILABLE LOCALLY AT:
Chan's Restaurant, Park Square Florist, WNRI, Roger's Flowers, Pepin Lumber, Nys Flowers, WOON Radio, Museum of Work & Culture. OR purchase your tickets online atwww.OldSchoolWoonsocket.com
LET'S MAKE THIS HUGE! SPREAD THE WORD!


A young man’s life is ruined because his father is a fan of the wrong movie.
In Latin American countries parents actually name their children after movie characters, such as James Bond, Batman, Rambo, Superman, etc. Here is a true story of one of them.
FILM CANNES LIONS 2014 - SILVER
EL SOL 2014 - BRONZE
EL OJO DE IBEROAMÉRICA 2014 - SILVER
FIAP 2014 - SILVER
WAVE 2014 - BRONZE
THE CUP 2014 - BEST OF ENTERTAINMENT
THE CUP 2014 - BEST OF FILM
USH 2014 - 4th BEST IDEA
NEW YORK FESTIVAL 2014 - BRONZE
CARIBE 2014 - SILVER
RADIO MERCURY AWARDS - BEST OF SHOW


Yes, I know she’s a fictional character, but Robin is far and away my favourite character in How I Met Your Mother (tough contest against Barney, but she just gets the title). I think I like her because I relate to her and want to be like her. She’s quite contradictory; she’s definitely tough and independent, but not ‘masculine’ (guns and cigars aside). She’s career driven, and ambitious.
It’s refreshing to have a woman on TV whose sole goal in life isn’t to get married and have babies. There are so few women on television who are openly child-free by choice, but still portrayed as ‘normal’ women. Go Robin for flying that flag.
Mostly though? I love Robin because she’s a bro. One of my favourite episodes is her bro’s night with Barney, where she suits up and plays laser tag like a true bro, proving that girls can be pretty awesome at that too, and make the best wing-men.
Plus she really knows the power of suiting up; trust me, it always goes down well.
And anyway, how can you not like a girl who can bust out moves like these?


Sophie Masson. Credit: Flavio Masson
Aspiring actress Sofia Masson spoke to Digital Journal’s Markos Papadatos about starring in the movie The Wrong Blind Date on Lifetime.
“The wrong blind date”
“It was such a fulfilling experience working on ‘The Wrong Blind Date,'” she admitted. “Because this was my second film with David, I was already familiar with the production process and everything went smoothly. The cast was also quite small, so I really got to get to know everyone personally.”
“Principal David [DeCoteau] is incredible in its ability to cover so much material in such a quick and organized manner. He also really respects and trusts his actors and encourages us to make bold decisions,” she said.
She loved playing her character Hannah for many reasons. “We actually have a lot in common: she’s very stubborn and extremely devoted to protecting her mother and her friends. She is also very intuitive, especially when she senses something is wrong with Kevin. What I loved most was how she never stopped trying to find out who Kevin was. She kept digging and eventually helped reveal his true colors,” she said.
She complimented her co-stars, including Rainer Dawn, Meredith Thomas, Vivica A. Fox, Clark Moore and Matthew Pohlkamp. “It was a pleasure working with everyone on this project. Rainer and I met for coffee a few days before shooting, where we discussed the script and our own career goals – we hit it off straight away,” she said of Rainer.
Masson continued, “The same goes for my off-screen relationship with Meredith, who was my very first on-screen mom. Her positive energy is contagious and she is so caring. It goes without saying that Vivica is amazing and it was such an honor to work with her. It lights up the room and brings so much energy to every scene. I hope to work with her again in the near future.”
The digital age
As an actress in the digital age, she replied: “Having started acting professionally in early 2020, all I know is the digital age. It was certainly a strange time starting a whole new chapter of my life where everything went virtual. In a way, however, it was reassuring to know that the entire industry was reinventing itself in this new Covid era.”
“Thank God for technology and its ability to bring us together at such a difficult time and allow us to continue creating art no matter the circumstances. I’m also excited about this new era of streaming. With so many streaming platforms, there is a constant demand for new content. To keep up with this demand, the industry has seen a dramatic increase in both film and television opportunities,” she explained.
Discussing her future plans in acting, she said, “I have a couple of projects in the pipeline that I’m really excited about. I can’t reveal too much information just yet, but a short film I produced and starred in late last year is nearing completion and I look forward to the world seeing it.”
Regarding her definition of success, she said: “My definition is constantly changing. At this point in my career, success would mean working consistently on projects that are both creatively challenging and rewarding. I would love the challenge of playing a character who is drastically different from me, or someone who isn’t particularly likable. I feel that this would require something new from me; I’d like to see how far I can go out of my creative ‘box’, so to speak.”
Masson concluded of The Wrong Blind Date by saying, “First of all, thank you to those who saw the film! Your support means so much. As far as I would like you to take away from our film, I would say be careful who you trust. Serious. In the digital age, privacy is becoming increasingly difficult. Be aware of what you choose to share with the world because it might come back to bite you.”


'If you’ve only got a hammer every problem becomes a nail. Looking for the ingenious solution'
Mark Williams was born in Birmingham and brought up in Bromsgrove. He went to the local Comprehensive and then Brasenose College Oxford University where he studied English.
He has been acting since his schooldays and has worked for Mikron (the narrowboat theatre company) the Royal Shakespeare Company, the National Theatre Company and Birmingham Rep.
He has appeared in many films including: 101 Dalmatians, Shakespeare in Love, Stardust and as Mr. Weasley in 7 of the 8 Harry Potter Films
On Television he is known for the Fast Show and as the eponymous hero of the Father Brown series.
A lifelong interest in Industrial Archaeology led him to present 2 documentary series on Britain’s Industrial Revolution, a series on Railways and one on Explosives.
Maritime history: military, social, economic and engineering covers several feet of his bookshelves. He owns a small fishing boat and can tie a bowline.


Columbus Winter Arts Festival helps students display unique talents
For the second time, the Columbus Drama, art, and band department wanted to help their students display their unique talents to an audience at the annual winter arts festival.
The winter arts festival is an after school event in which Columbus art, drama, and band members can display their works by performing on stage or displaying their art at a gallery. With food and drinks available at the event, the winter arts festival can be a fun experience for both artist and audience.
“It gives people a chance to see what the kids are doing in January. Some guys are doing art, coming up with theatre pieces, monologues, poems, and it’s a great outlet for these kids.” Said David Eisenberg, head of the art department at Columbus.
And the Winter Arts festival gives students a unique opportunity to express themselves in various forms. High school is an important age for self discovery and realizing one’s full potential. And the Columbus facility hopes the winter arts festival hopes the event can help these students reach their full potential and blossom into thriving young artists.
“The fact that the students can transform into another being and into something else and become these other characters, and to create that kind of an impact on an audience as well is one of the most powerful forms of art that there is.” Said Erin McGrath, head of the drama department at Columbus.
And the winter arts festival and leave an impact on the lives of the students. Students in high school may be shy or insecure due to a lack of confidence or conviction. And the departments hosting the winter arts festival hopes the students can break out of their shell by expressing their emotions through their art and impressing an audience while doing so.
“It gives people confidence. There were people performing on stage at the winter arts festival that a couple years ago wouldn’t talk in class, now they’re singing in front of people. I think is gives people an avenue to shine.” Said David Eisenberg.
And with the experience of the winter arts festival, these young artists can continue to express themselves as they master their craft and hope to leave an impact on the world around them through their various forms of art.
With Contributions by Carlos Rodriguez


Author of over 20 plays, Octavio Solis is considered by many to be one of the most prominent Latino playwrights in America. His imaginative and ever-evolving work continues to cross cultural and aesthetic boundaries, solidifying him as one of the great playwrights of our time. Read more about Octavio on his website. Some carrer highlights include:
NSangou is an actor, playwright, and teacher originally from Baltimore, MD. His work focuses mainly on identity stories and the empowerment of the human spirit by recognizing and embracing one’s personal gifts - utilizing Hip Hop theater, poetry, and West African performance aesthetics. He currently resides in New York. Read more about NSangou here. Some career highlights include:
NSangou talks about his journey & his work with Chadwick Boseman
NSongu talks about his work with Hip Hop Artist Common
From writing captivating characters and storylines for film and television, to delving into complex relationships of everyday people brought to life on stage, award winning writer Hilary Bettis has quickly become a force in the entertainment industry. Read more about Hilary on her website.
Hilary talks about her journey
Don Nguyen was born in Saigon, Vietnam and grew up in Lincoln, Nebraska. He studied theatre at the University of Nebraska-Lincoln and served as the Artistic Director of the Shelterbelt Theatre in Omaha from 1999-2003. Don currently resides in New York City. Read more about Don on his website.
Don talks about his journey
Some career highlights include:
Isaac Gómez is an award-winning Chicago-based playwright originally from El Paso, Texas/Ciudad Juárez, Mexico. Read more about Isaac here.
Isaac talks about his journey


Each July we bring out the film Gettysburg and watch it in a couple of sittings. (My husband can’t wait for the four plus hour epic to come out in Blu-ray.)
I’ll be the first to admit that it’s more than a bit hokey here and there but the scene of the defense of Little Round Top by the 20th Maine Volunteer Infantry Regiment is always a highlight.
My current reading for class discusses the legacy of bayonet charges from the Mexican War and the debate over the frequency of their use during the American Civil War still goes on. Undebatable is the inspired use of a downhill bayonet charge by Col. Joshua Lawrence Chamberlain and its standing on the list of well-known actions at Gettysburg.
Check them out. Very much worth perusing.


We all love a great movie. We really love those filmed in our cities and neighborhoods. But what happens after the crew and cast leave?
Our InFocus+ partner Next Season Productions fosters collaboration between production companies, filmmakers and philanthropists with those who lead schools and non-profit organizations. Each project will be individually designed and may include:
- Host Screenings
- Acting Workshops
- Filmmaking Workshops
- Social Action Opportunities
- Special Projects and Events
We want to extend the impact of powerful films by providing tools that continue the film’s message and themes. Our goal is to close the gap between the business/entertainment value of productions that are filmed in under-resourced communities.


Some Enchanted Evening: A Welcome Celebration
Thursday, October 18
An award-winning cast of stars from the stage and screen come together for a musical celebration of the many cultures that call Hawaii home. Along with songs from some of the most beloved Broadway and Hollywood musicals, you’ll discover new favorites at this concert under the stars that will be a night to remember!
Enjoy a picnic style evening at the Waikiki Shell while celebrating the accomplishments of your fellow ADA Members as the ADA honors the Gold Medal, Humanitarian, and Distinguished Service Award Recipients.
Starring TONY Award Winner and GRAMMY Nominee Kelli O'Hara
Kelli has unequivocally established herself as one of Broadway's great leading ladies. Her portrayal of Anna Leonowens in The King and I garnered her a Tony Award for Best Leading Actress in a musical, along with Drama League and Outer Critics nominations.
Kelli is currently starring as Katie in the new web-series thriller The Accidental Wolf and can be seen in the highly anticipated second season of Netflix's hit 13 Reasons Why and CBS's All Access The Good Fight.
Featuring TONY Award Winner and GRAMMY Nominee Ruthie Ann Miles
Ruthie Ann is well known for her role as Lady Thiang in The King and I, for which she garnered a TONY Award and GRAMMY nomination. She will star in Chess at the Kennedy Center in Washington, D.C. as Svetlana, singing the beloved musical classics, "Someone Else's Story" and "I Know Him So Well." On television, she's most recognizable as Young Hee in the EMMY nominated show The Americans.
Ruthie grew up in Honolulu and will showcase her award-winning talent on stage during this exciting night under the stars.
Featuring Acclaimed Actor and Singer Telly Leung
Telly Leung is New York City native currently starring in Disney’s Aladdin on Broadway as the title role. His Broadway & national touring credits include: In Transit, Allegiance (with George Takei & Lea Salonga), Godspell, Rent (final Broadway company), Wicked (Boq, original Chicago company), Pacific Overtures, and Flower Drum Song. In 2010, he starred as Angel in Rent at the Hollywood Bowl opposite Wayne Brady, directed by Neil Patrick Harris. He’s appeared on television as Wes the Warbler on “Glee”, as well as guest star appearances on “Instinct”, “Odd Mom Out,” “Deadbeat” and “Law and Order: Criminal Intent.” Telly is featured on many original Broadway cast recordings and has released two solo albums - I’ll Cover You (2012) and Songs for You (2016).
This event will also feature Broadway stars Clifton and DeeDee Hall.
Hosted by Hawaii's very own Brook Lee, former Miss Universe, television personality and actress, with songs from the Kamehameha Schools Children's Chorus, known for their songs from the Disney animated hit movie Lilo and Stitch.
This is a complimentary event. Registration and ticket are required as
capacity is limited. Round-trip shuttles will be provided.
What's Happening at ADA 2018
New Dentist Reception
Friday, October 19 from 5-6:30 p.m.
Join friends and colleagues for an evening of fun, drinks and Aloha Spirit at Oahu's favorite boutique hotel, The Modern Honolulu. Your ticket includes an open bar and heavy appetizers. More details will be available soon, but in the meantime, please save the date.
The Modern Honolulu
1775 Ala Moana Blvd
New Dentist Conference attendees: FREE
Additional tickets can be purchased in the registration system or at the door.
Must be 21 or over to attend. Ticket required for entry.
ADA 2018 Leaders' Celebration
Sunday, October 21 from 5-8 p.m.
Join your friends, colleagues, peers and guests for an evening of fine food, drinks and fun as we celebrate our ADA leaders in Honolulu! The ADA is covering the majority of the costs – keeping ticket prices reasonable. More information will be available soon, but in the meantime, please save the date!
Hilton Hawaiian Village
2005 Kalia Rd


Have you met Totora? “My Neighbor Totoro” is one of those rare films that both children and adults find enchanting. The Studio Ghibli production, which was written and directed by legendary animator Hayao Miyazaki, debuted in Japan in 1988.
Totoro is an enigmatic creature, and it seems throughout the film that only the sisters Satsuki and Mei can actually see Totoro. A verse in the film’s song describes Totoro as a forest spirits that comes to you “only when you are a child”.
Can’t get enough of the magic movie? Though we cannot relive Totoro’s magical adventures, we can take this most lovable mascot wherever to go. Featuring delicate embroidery motif taken directly from “My Neighbor Totoro”, the denim series with four kinds of daily goods are available such as tote bag, lunch tote bag, mini pouch, wide pouch – at least we can enjoy a playful extensions of the Ghibli universe.


When I heard that I would be modelling for Loskey, I was very nervous! I am used to performing on stage at school and I would say that I am a fairly confident person, but modelling was new to me. However, there was nothing to worry about. When we were in the studio all the amazing women that were there made me feel very comfortable in front of the camera and I was soon relaxed and enjoying myself!
In addition to drama, I also enjoy working with young children. I also keep very busy with gymnastics, watersports and photography. At school I am studying Drama, Psychology and Sociology with the hope to go on and do Drama and Psychology at university. I loved the experience of working with such a talented, supportive group of women and can’t wait to see Loskey out there in the real world!


Movies, the epitome of visual storytelling, have held audiences captivated for over a century. From the luminescent black-and-white frames of the silent era to the immersive experiences of modern blockbusters, the evolution of cinema is a testament to humanity’s boundless creativity and thirst for narrative exploration.
The Power of Visual Storytelling:
At its core, a movie is a powerful medium for storytelling. gizmogo Through the marriage of visuals, sound, and narrative, filmmakers transport viewers to worlds unknown, evoke emotions, and ignite imaginations. The silver screen becomes a canvas where dreams, fantasies, and realities converge to create a symphony of cinematic emotions.
Genres: A Kaleidoscope of Experiences:
The diversity of the cinematic landscape is awe-inspiring. From the heart-pounding suspense of thrillers to the heartwarming tales of romance, and the fantastical realms of science fiction, movies come in myriad genres, each catering to a unique set of preferences and emotions. Whether one seeks laughter, tears, or adrenaline, there is a film for every mood and occasion.
Technology’s Influence on Cinematography:
The technological advancements in filmmaking have been nothing short of revolutionary. The transition from grainy black-and-white reels to high-definition, visually stunning masterpieces showcases the relentless pursuit of perfection in cinematography. CGI, 3D, and cutting-edge sound technologies transport audiences into realms previously unimaginable.
Movies are not just a form of entertainment; they are mirrors reflecting society’s values, aspirations, and challenges. Iconic films have the power to shape cultural norms, challenge prejudices, and inspire social change. From the rebellious spirit of the ’60s counterculture to the poignant reflections on diversity in contemporary cinema, movies are a mirror reflecting the evolving ethos of our times.
Awards and Recognition:
The Oscars, Golden Globes, Cannes Film Festival—these are not just ceremonies; they are celebrations of the cinematic artistry that captivates and transcends borders. The recognition bestowed upon filmmakers and actors is a testament to their contribution to the collective tapestry of global storytelling.
Certain movies become timeless classics, etching themselves into the collective memory of generations. Whether it’s the timeless romance of “Casablanca,” the epic saga of “The Godfather,” or the fantastical allure of “Star Wars,” these films become cultural touchstones, sparking nostalgia and admiration for years to come.
The Future of Cinema:
As we stand on the precipice of a new era, with virtual reality and interactive storytelling on the horizon, the future of movies holds exciting possibilities. The essence of cinema, however, remains unchanged—the power to transport, captivate, and connect.
In conclusion, movies are not just a form of entertainment; they are portals to diverse worlds, emotional voyages, and reflections of the human experience. As we continue to witness the magic unfolding on the silver screen, the allure of movies persists—a timeless journey into the realms of imagination and emotion.


This movie is terrible. Of course, this isn’t a secret or a new revelation I’ve come to in deducing how mind-boggingly lazy this film is. In fact, it’s so bad that I can safely classify it with The Happening which induces similar headaches and constant facepalms while maintaining its ability to make me want to suffer through it even though I know I’ll hate myself afterward.
In many ways, a movie like this is more painful to watch than your average stinker featured on Mystery Science Theater 3000since here was likely a sizable budget along with “professional” actors and crew. I can almost forgive myself for buying this on DVD the first time since I had never seen it before and generally liked the first one. But I sold that DVD and years later bought it again in a three pack with the first and third movies in this series. I guess that too is as unjustifiable as buying The Happening. I have a sickness.
Just in case you haven’t experienced the awfulness of this film, let me spoil some of the surprise. In I Still Know What You Did Last Summer, it is now two summers (two!) after the events that kicked off the first film. Even starting with the title, this movie makes no damn sense. Julie (Jennifer Love Hewitt) is back and bang-less and still carries grief and sorrow for not-killing a man who killed her friends. But she has new friends now including Brandy, Mekhi Phifer, and Matthew Settle, none of whom will likely be alive at the end.
Brandy wins a dream trip to a secluded island in the Bahamas and brings Julie, Tyrell (Phifer), and Will (Settle) since Ray (Freddy Prinze Jr.) is being a fuddy duddy and working. But it’s all a ruse since they didn’t really win a contest and have just been lured to the island by the preceeding summer’s killer Ben Willis for revenge! Even though he conceivably knew where Julie lived and could have snuck in and killed her without the silly shenanigans or cashing in reward miles.
This film does not deserve a 2000+ word review so I’ll have to refer you to other reviews and message boards for the full breadth of how little this movie makes sense. For the most part, ISKWYDLS is just one massive plot hole after another as you can’t help but think of why Ben Willis went to all the trouble of securing airfare, ferry travel, and lodging for his soon-to-be victims, or how Willis knew exactly where and when to set a trap on a road that Ray is traveling on, or even how Ray manages to travel by bus from the Mid-Atlantic (at least) to Miami in one night, or even why future Oscar-nominee John Hawkes got saddled with horrible dialogue such as “I’ll kick it with my homies in Cambridge.” Things like sense and reason don’t exist within miles of this film.
Trust me when I say, the script by Trey Callaway (if that’s even a real person and not an Alan Smithee-like alias) is rife with inconsistencies and utter destruction of the suspension of disbelief that it is a marvel how this was greenlit to start with or how anyone involved was so desperate for money that they participated. Like The Happening, for a major studio production, almost everything is so bad and laughable that at least some of it has to be intentional. This is also the film that made me realize how important a competent editor is.
For his part, director Danny Cannon at least was more successful than his screenwriter as at least the movie is coherent even if it is garbage and some of the photography is pretty cool looking. If you consider the first film to be a shameless rip-off of Scream and its successes, this movie is attempting to rip-off every lazy horror cliche in the book stolen from every shitty horror sequel in the past 30 years. I really want to tell you to skip it for your sanity but I feel you would be depriving yourself of … something. If need be, I’ll lend you my copy. I need it back though.


Name: Steve Brustien
Height: 6’ 0”
Weight: 190 lbs.
Hair: Bald / Balding
Steve is currently a principal, in the 1st National touring company of the Tony award winning Broadway musical, “ Tootsie “.
After a successful career on Wall St., where he was a Member of The New York Stock Exchange, Steve focused on his original passion, acting. He has appeared on television, in films, shorts, independents, as well as industrials. Steve’s commercial work includes TV and radio ads. His comic timing has been honed doing stand-up, improv and sketch work.


Producers and creators of Cinema Coast Films, Denise and Haley bring their film, writing, music and podcast talent to the world.
Their love and passion for film, music and the arts have been their primary focus throughout their lives.
Collaborative and Innovative, Denise and Haley bring a fresh perspective to produce & direct films, podcasts & music.
Conversations in Greenwich
Cinema Coast Films
Film and Stage Productions
Contact Denise M.Nelson & Haley Mellinger
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Reasons to Love Outdoor Movie Theatres Today
It is critical to understand that the open-air theatre has been one of the best ways to enjoy a movie where you will find that the same is getting some comeback in the society of today. It is crucial to note that that the open cinema is among the top kind of places that will be important to consider if you would like to have some essential times out.
It will be a great time to have some good times as well as love for the outdoor movie theatres where you can gather more info here. Getting to know the proper kind of the reasons to love outdoor movie theatres, you should consider these ideas.
For all of the beverages and the foods that you would like to utilize today, you should understand that it will be for your own gains if you will consider the use of the outdoor movie theatres. For the beverages and the food, you should note that it will be better if you will have some more info here.
The other aspect of using the right outdoor movie theatres is that you will have a great chance of getting the right kind of outdoor enjoyment. The great company will be something that you can be sure of getting the right kind of the community at your disposal.
To gather more about working with the best kind of the open-air cinemas will be a crucial aspect to consider for more info here. If you are looking for the best outdoor movie theatres, you should note that you will have one of the proper kinds of the place where will offer you the right whole family moments.
The costs of the tickets are yet some of the things that you will be sure of saving with the best kind of the way to save money. You should know that paying cash is next to nothing when it comes to the outdoor movie theatres.
The other aspect of using the top outdoor movie theatres is that you will be sure of getting the best of the place where you can do more than watching a movie. Getting the proper kind of the outdoor movie theatres will be a great aspect to consider when it comes to your own multitasking activities where you can have these ideas for your Knowledge.
Also, by using right open-air cinema times you will be sure of getting the best bonding times with the people that you love. To have the perfect kind of the outdoor movie theatres will be crucial for your own desires where you will be sure of getting the proper bonding times.


PTA is hosting a movie night on Friday, July 31st at 7:30pm on the school field. The age appropriate movie will be selected by the largest applause from the available choices, so come early to cheer for your choice.
Bring chairs and blankets to make your experience a comfortable one. Feel free to bring your own food or purchase from the PTA concession stand, which opens at 6:30pm – popcorn, nachos, hot dogs, pizza and drinks will be available for purchase. This is NOT an overnight event this year.
If you’d like to help with concessions, please contact PTA at email@example.com


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