Trifles play essays
Trifles analysis trifles is a one-act play set in a small farmhouse the action takes place in the course of a single day, satisfying the aristotelian unity that. Is this the perfect essay for you save time and order analysis of the play “trifles” by susan glaspell (smith) essay editing for only $139 per page. Page 2 trifles essay trifles play essay trifles by susan glaspell essay on the play trifles tiffany from new york essays hi there, would you like to get such. This essay has focused on trifles play which was authored by susan glaspell, the play shows concerns in societal setting issues such as culture gender and sex roles.
Professional essays on trifles authoritative academic resources for essays, homework and school projects on trifles. This research compares the play “trifles” and the story “a jury of her peers” the paper tells that the story is more detailed. Trifles by susan glaspell this essay trifles by susan glaspell and other 63,000+ term papers, college essay examples and free essays are available now on reviewessayscom.
Save your essays here so you can in trifles susan glaspell portrays a scenario that we are not able to hear directly from mrs wright in glaspell's play. Susan glaspell’s trifles is a dramatic play that presents feminism as triumphant over male patriarchy this is mainly done through the way the characters present. Result for trifles by susan glaspell - analysis: 500 essays analysis: trifles by susan glaspell. Susan glaspell lived in a time where the most evident social issue was the inequality between men and women, and that women greatly relied on men in order. View and download trifles essays examples also discover topics, titles, outlines, thesis statements, and conclusions for your trifles essay.
Drama - trifles by susan glaspell 5 pages 1325 words november 2014 saved essays save your essays here so you can locate them quickly. This free photography and arts essay on essay: 'trifles' (play) is perfect for photography and arts students to use as an example dec 6. Trifles: a gender play essays susan glaspell's trifles explores the classical male stereotype of women by declaring that women frequently worry about matters of. Trifles i would like to make three major points major #1: since this is the first play we’ve read, the stage direction really caught my eye and i tended to. Free essay: it is by her invisibility in the play that the women notice all the “trifles” and that the men at the end of the play know no more than at the.
- This free photography and arts essay on essay: 'trifles' (play) is perfect for photography and arts students to use as an example.
- In susan glaspell’s one-act play trifles, the author illustrates the inequity of gender-bound limits placed on women in the early 1900’s and the insignificance of.
- Early in her essay, holstein writes that glaspell’s play trifles is deceptive in that it seems “simple, almost inconsequential (282) on the surface, it seems.
Example essay on trifles: do things are just how they seem to be at first glance when i just started reading the play, i caught myself on the thought that i begin to. Trifles study guide contains literature essays, quiz questions, major themes, characters, and a full summary and analysis. In susan glaspell's, trifles, symbolism is used to emphasize the meaning of the play glaspell writes of a woman who murdered her husband because he was. Trifles by susan glaspell essay osanna 16/04/2016 4:56:29 on trifles by susan glaspell: glaspell's work murder she never actually makes an interesting plot the play. Trifles play essay questions trifles play essay questions, super easy reading - 100 short stories, simple present tense, audio exercises easy reading (1) - 200 short.


Estamos a meses de que se realice una nueva edición del Festival Cannes en Francia, sin embargo a este no le ha importado y ha anunciado que el director Spike Lee será el presidente del jurado de la próxima edición y en donde se une a nombres como Alejandro González Iñárritu, Cate Blanchett, Pedro Almodovar, y George Miller.
El director ofreció un pequeño comunicado sobre la noticia.
“In this life I have lived, my biggest blessings have been when they arrived unexpected, when they happened out of nowhere. When I got the call that I was offered the opportunity to be president of Cannes jury for 2020, I was shocked, happy, surprised and proud all at the same time.”
To me the Cannes Film Festival (besides being the most important film festival in the world – no disrespect to anybody) has had a great impact on my film career. You could easily say Cannes changed the trajectory of who I became in world cinema.
It started way back in 1986 – my first feature film She’s Gotta Have It, which won the Prix de la Jeunesse in the Director’s Fortnight. The next joint was in 1989 – Do The Right Thing, an Official Selection in Competition. And I don’t have the time nor space to write about the cinematic explosion that jumped off, still relative to this, 30 years later.
Then Jungle Fever 1991 – Official Selection in Competition, Girl 6 1996 – Official Selection out of Competition, Summer Of Sam 1999 – Director’s Fortnight, Ten Minutes Older 2002 – Official Selection in Un Certain Regard and then BlacKkKlansman 2018 – Official Selection in Competition where it won the Grand Prix, which became the launching pad for the world theatrical release which led to my Academy Award for screenplay.
So if you were keeping score that’s 7 Spike Joints to be chosen. In closing I’m honored to be the first person of the African diaspora (USA) to be named president of the Cannes jury and of a main film festival. The Lee family sincerely thanks the Festival de Cannes, Pierre Lescure and Thierry Frémaux and the great people of France who have supported my film career throughout four decades. I will always treasure this special relationship.”


Ladies, I confess. I love Christmas movies during the holidays – especially Christmas romance movies. I spend way too much time in front of the Hallmark channel right after I finish my turkey dinner. You have to admit, it is hard to avoid Christmas movies after Thanksgiving. (But, I do skip the “Christmas in July movies.” Way too extra).
These days there’s more choice outside of BET. Hallmark is getting all DE&I these days and has some nice pieces with non-white characters. And, I do love the Hallmark channel’s Mahogany movies which feature wholesome black people falling in love. I am enjoying their Christmas pieces.
Oprah’s Own channel has Black Christmas movies as well. I was looking around on YouTube and was pleasantly surprised to see someone put together a bunch of Black Christmas movies so we don’t have to have cable or netflix to enjoy. See below.


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- Stars: Kamal Haasan, Fahadh Faasil, Gayathrie, Kalidas Jayaram
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Amar is assigned to investigate a case of serial killings. When Amar investigates the case, he realizes it is not what it seems to be and following down this path will lead to nothing but war between everyone involved.
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On Martin Luther King Day, I finally was able to go to a showing of Stephen Spielberg's "Lincoln" (2012) at our local theater. I had wanted to see it ever since it had been released, but somehow just was unable to find the time, especially around the holidays.
It was worth the wait. I had read several reviews of the film, but none of them spoiled the magnificence and richness of the experience for me. It was beautifully filmed, using almost entirely Richmond and Petersburg locations, which added a lot of interest for me personally, as I live in the area. It was interesting to watch and realize that a particular scene was filmed at the Virginia Governor's Mansion or in the Capitol Building. For example, Thomas Sully's romanticized Victorian portrait of Pocahontas stood out in one scene, cluing me in to the room in the Capitol being used. Spielberg made great use of local people and buildings and took special care for the most part that the surroundings were accurate for Civil War period Washington.
Although minor historical inaccuracies do exist throughout the film--Mary Todd Lincoln never sat in the House to see the vote taken on the 13th Amendment; Lincoln did not die in the position the film showed at all but was laid diagonally across the too short bed; Connecticut did not have a split vote on the Amendment; and the House would not have been as full as it looked in the movie, as those representatives of Congress from the Southern states were absent due to the war, etc.--I readily agree that probably few of these things were likely noticed by most people nor did they detract from my enjoyment of the film. It's not a documentary, but entertainment based on history.
Daniel Day-Lewis, Sally Field, and Tommy Lee Jones were excellently cast in their roles and entirely believable in their portrayals. Powerful performances by each really fired the picture--I agree with one comment I saw that it was almost as if Day-Lewis were channeling Lincoln--and supporting actors like James Spader, Joseph Gordon-Levitt, Hal Holbrook, and Gloria Reuben added much depth to the storytelling. Spielberg does a wonderful job of filming Tony Kushner's literate script, and they both made good use of historian Doris Kearns Goodwin's book, Team of Rivals, as source material. Each character was carefully and thoughtfully made human, shown with their flaws and emotions, their strengths and their weaknesses, their passions, and set against the terrible times of the Civil War. I was totally drawn into Lincoln's efforts at getting the amendment passed before the war's end, and his reasons for this were certainly made clear in the film. The production greatly added to my understanding of all the political maneuverings and manipulations, deals, and back room bargaining that went on to make things happen. I'm glad that I took the opportunity to see the film, it was totally worthwhile and satisfying to me as a movie goer and history buff. I would encourage anyone to make the effort to see this film for its outstanding performances and strong story about a very crucial episode in our nation's history.


You just have to see these Netflix series and movies!
The cold weather is perfect for a couch date with a nice warm blanket, a cup of tea and of course: your favorite movies and series. Sometimes choosing a movie can take hours, so the fun is a thing of the past soon. But we have good news, we’ve summarised the best Netflix movies and series for you. Put on your tracksuit, because you won’t be moving from the TV anytime soon!
–The Great Gatsby is a must see. The romantic film starring Leonardo Dicaprio shows the life of Nick Carraway. The film takes place in the roaring twenties, and is chock-full of love and drama. The movie is 2.5 hours, but you won’t be bored for a minute.
–Extremely Wicked, Shockingly Evil and Vile tells the story of Ted Bundy and his girlfriend Liz Kendall. It is a biographical crime film and can be quite violent. Ted Bundy himself is portrayed by Zac Efron.
– When you feel like a bit of suspense, Nerve is the perfect option. The film is about teenagers playing a kind of truth or dare game. The tasks become ever more daring, until lives are at stake.
In the holiday mood allready? Then be sure not to miss these movies either!
–Holiday in the Wild is about a divorced woman who travels to Zambia for the holidays. She meets a pilot with whom she doesn’t click at first. But they soon discover there is a click after al.
–A Christmas Prince is bound to leave you swooning. Two parts of this film have already been released, and a third one is coming soon! A Christmas Prince: The Royal Baby will be on Netflix on 5 December.
–Love Actually is one of our favourites. The film shows different love relationships, all of which have some interconnection. The film starts five weeks before Christmas and ends on the holidays. The perfect movie for a couch date!
-The Missing Is an exciting crime series. The series is about ex-detective Julien Baptiste trying to solve unsolved cases about missing persons. Every season has a different storyline, yet they are all connected. You can’t miss this one.
–Dynasty is about Fallon Carrington, the daughter of super-rich Blake Carrington. In this series, you will find out all about the rich family, who certainly don’t shy away from a little drama.
–Casa di Papel is a must see! This series is about a Spanish gang robbing a bank. The gang holds all the people in the bank hostage, and try to keep themselves popular with the Spanish inhabitants. This series is also popular with our ambassadors!
With these recommendations, you don’t have to spend hours looking for the perfect movie during your couch date! Which movies and series would you like to recommend t


→ How clear is the statement of the film?
→ How well does the film fit to the target group?
→ How creative/innovative is the film?
→ Does the film encourage the audience to visit the destination/hotel or to buy the product?
→ Is the overall impression harmonious and authentic to the topic?
→ How long does the film remain in your memory?
→ Rating print (creativity, design, appealing)
→ Rating internet (rapidity, creative, clear structure, layout)


While many people from the turbulent ’60s are now joining the ranks of senior citizens, it is still the WW2 generation that makes up the majority of seniors living on their own. This group of people may be known as the greatest generation because of their efforts during the war years, but the era also produced some of the most beloved movies of all time.
When considering the best movies for seniors to enjoy, it is important to keep in mind the values of the WW2 generation. Men and women who were raised in that era valued their country, culture, family, hard work, and morality. Not only were the movies filmed during this era among the most brilliant ever made, they were also wholesome. It is natural that a top-ten list of movies for seniors will be comprised mostly of films from that golden era, but there are also a few modern surprises to make the list as well.
10. Bringing Up Baby
One could probably just throw a list of Katharine Hepburn and Cary Grant movies together and the result would be a top-ten list of the all-time greatest movies. But this comedy involving an eccentric girl, a lion, and a bachelor probably forces more involuntary laughter from a person than any screwball comedy before or since.
9. The Philadelphia Story
Long before profane movies such as The Hangover, there was this hilarious movie which also featured Hepburn and Grant. The film involves divorce, alcohol, carousing, and never once caused anybody watching to wince or blush; just laugh.
8. The Treasure of the Sierra Madre
The only thing one needs to know about this action-adventure is that while Bogart stars and Huston directs, greed takes center stage for a thrilling conclusion.
7. National Treasure
This movie makes the list despite being filmed in 2004. Nicholas Cage, possibly the the closest thing to Jimmy Stewart that modern film goers have, stars as a man who has to track down the stolen Declaration of Independence. The film is notable for its story, wild action, and lack of swearing and sexual content.
6. It’s a Wonderful Life
Speaking of Jimmy Stewart, this Frank Capra classic is worth watching no matter how many times one has seen the picture.
5. The Thin Man
William Powell and Myrna Loy star in this successful movie series from the 1930s as a spirited couple who enjoy a drink, and solving mysteries even more so. The banter between the couple is worth its weight in gold, and probably influenced the 1980s Moonlighting series with Bruce Willis and Cybill Shepherd.
4. Harold and Maude
This dark romantic comedy from 1971 pairs an unlikely couple – a young man with a woman who is nearly 80 – but the relationship, and film itself, is a sweet and quirky look at getting the most out of life.
3. Back to the Future
Any senior citizen would be delighted to travel back to the 1950s with Micheal J Fox in this endearing, witty modern classic.
2. Toy Story
There are three different movies in this franchise, and each one is better than the previous. Any senior will relate to the importance of toys, whether in his or her past, or for their children or grandchildren. The color, comedy, and celebrity voices can make any bleak day brighter.
1. The Wizard of Oz
Usually, when someone comes across this movie on TV, they can’t help but continue watching this dazzling masterpiece. The 1939 film only won Academy Awards for music and song, but the movie that beat it for best picture was Gone With the Wind.
Of course, anybody reading this list will beg to disagree with some of the movies listed. Of course, everyone has their own tastes. However, it may be said, with confidence, that the movies listed here are not only (some of) the best movies for seniors, but (some of) the best movies for anyone of any age who enjoys a good laugh or cry.
A movie is something that can be enjoyed alone, or can be even more enjoyable when viewed with a family member or companion. Retire-At-Home provides many services for seniors who are living at home, and through companion care, seniors can even find someone to share in the movie watching experience.


The City of Milton will host a series of free family movies on the side lawn at Northwestern Middle School this summer, said Special Events Coordinator Angela Thompson.
The "Movies in the Park™ - City of Milton presented by Southern Outdoor Cinema, Sponsored by Northside Hospital Forsyth" series will kick off Saturday, June 2 at 7:30 p.m. with a showing of "Alvin and the Chipmunks: Chipwrecked."
The series continues July 7 with "The Three Stooges" and Aug. 4 with a third film to be determined. All three movies will be shown at the school, located at 12805 Birmingham Highway (click here for directions).
At sundown the film will be shown on Southern Outdoor Cinema's huge, two-story inflatable movie screen in high-definition. Before the film there will be a fun, festival atmosphere with face painting, an inflatable moonwalk and tons of children's activities.
Concessions will be available, so just bring your lawn chair, blanket and bug spray.
"We've had success with a single movie and a summer concert series in the past," said Thompson. "It just seemed like a perfect fit to continue this tradition with a movie series aimed at providing local families with a fun, free night out."
For more information on "Alvin and the Chipmunks: Chipwrecked," click here. For more information on the summer movie series, visit www.gamoviesinthepark.com or contact Thompson at 678-242-2530 or firstname.lastname@example.org.


Awkward (styled as Awkward.) is an American teen comedy series created by Lauren Lungerich for MTV. The show’s central character is Jenna Hamilton (Ashley Richards), a 16-year-old “invisible” girl in high school, wise beyond her years, with an irreverent, optimistic outlook on life, who just wants to fit in. Things go from bad to worse when she gets a mysterious “care-frontation” letter in which the writer says she could disappear and no one would notice. Her reaction leads to a misunderstanding of epic proportions causing everyone to believe that Jenna’s accident was a failed suicide attempt.
Jenna is what everyone calls a ‘loser’, but in the end she succeed in becoming popular without changing herself: she will keep on wearing hoodie, jeans and sneakers, but she will even make fall in love with her the most handsome guys in the school. An authentic revenge for common girls.


Ah Tri State Treasure, my second least favorite episode of Season 3 (I will explain why in my in the next part of the Season 3 retrospect). It did have some good moments like Phineas and Ferb helping Lawrence.....and that is much it. Well okay, I won't lie.....I thought the ending was funny. Not what happened after that scene but before it with the UFO's I actually liked that scene, but what happened after that was what ruined the episode for me.
It's not as bad as Meatloaf Surprise but it comes close, for what it is, it is a mediocre episode in my opinion.
NothingbutblanknessFeatured By OwnerMay 3, 2013Student Traditional Artist
I just have to bring up, Doof turned himself into a teenager in that episode, but when it's revealed the whole episode was a movie and never happened, Doof is still at the festival and a teenager? How do you fuck up your OWN COP-OUT ENDING?!
Exactly, that was the main thing that ruined the episode for me...okay it's the second main problem for me. The main problem I had with it was the "reveal" of Worthington. While Baljeet is one of my favorite characters in the show, I thought that was a dumb move to make him and Buford the reveal for Worthington. This was an episode that did not need them at all.
As for the Doofenshmirtz plot, This is probably the first for me that Doof's plan was not interesting at all. Mostly because they don't put a focus on it at all. Either way, I did not care for it at all.
Aside from Phineas and Ferb and Lawrence working together and the UFO scene (I won't lie, it is a guilty pleasure for me ) This episode is completley mediocre and forgettable.


The recently released film Just One Drop, directed by Laurel Chiten (Blind Dog Films), has now been classified by the British Board of Film (BBFC) and is available for public screenings in the UK.
The film explores the controversy around homeopathy, and asks if it has been given a “fair shake”. Explaining the reason behind the film, Chiten (pictured left) says: “Homeopathy has been maligned and misrepresented for 200 years. All I am trying to do with this film is give homeopathy a voice, a voice that continues to be misinterpreted.
“I want Just One Drop to open up a dialogue, get people talking to each other, asking questions, and sharing information. My ultimate dream is to have homeopathy available as a health care option for everyone and be integrated into healthcare systems around the world.”


I will guess that you screen them every time the phone rings and if the telephone number isn't recognized by you, you let it go to voicemail. After all, if it's an important call, they'll leave a message directly?
Trade show videos or video production s may be used in enhancing the product you're currently displaying in your trade show booth. Video production can also convey a large number of images and information in a small space, as well as giving your company feel and the look of a much larger entity. Sound and the motion color of a video production that is developed will attract a lot of attention.
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Final and recording Production: Once the storyboard and the script are finished the final production begins. This is the area where you record the artist drawing his design. Once that is completed you send the production crew it and let them put it all together.
One day when her son was older and working in his father's fields, he suddenly cried out, "My head hurts! My head hurts!" His father instructed one of the servants to carry him to the house. The Shunemite woman sent a servant on a dash for Elisha and she followed as quickly as event video production she could.
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Marketing your business doesn't necessarily mean spending tons of money. You just have to know the right people to talk to and the right place to be in to introduce your business.


Christina Gaillard is a musician, producer and composer who lives in Los Angeles and Mexico City.
Gaillard is one-half of LA-based R&B dance duo HIPS, which has been featured in the Guardian newspaper, OUT Magazine and many music websites. Gaillard produces the band's tracks and splits vocal and instrumentation duties with her collaborator, filmmaker and musician Drew Denny.
Gaillard has scored a variety of film and television projects, including 2018’s Noticias de Pluton, which won a special mention at the Morelia Film Festival, and a recent documentary for VICE. She was the music supervisor for "The Wedding Invitation," a feature film released in theaters in 2017.
The granddaughter of jazz legend Slim Gaillard, and the niece of Marvin Gaye, she has been making music since age two.
She is available to work on a range of projects, including as a producer, composer of film or television scores and as a music supervisor.


Rise of the Planet of the Apes was more than a fantastic movie. To those of us who love great apes and who are determined to end their use in entertainment, the movie went beyond raising deeply important issues of human prejudice and empathy. To us, Rise of the Planet of the Apes – and the next movie in the prequels to the iconic 1968 Planet of the Apes, Dawn of the Planet of the Apes – may represent a turning point for ape welfare. Because, you see, these movies are proof that human actors, with the assistance of technology and creative genius, can tell the ape story. They can BE apes.
|Incredible human actors play apes in Rise of the Planet of the Apes|
The method that brings these ape characters to life is called “performance capture.” In a recent interview, Staci Layne Wilson of Dread Central was talking to Andy Serkis (who plays chimpanzee Caesar) about the method, and asked if it was helpful “to have a lot of other actors also doing motion capture” in the movie.
|Karin Konoval as orangutan Maurice|
“It's a great ensemble cast, really talented actors,” Andy responded. “I don't actually see myself as the best of motion capture. I think I’m a relatively good actor, but there are amazing actors in this film… Karin [Konoval], who plays Maurice, is fantastic; she turns in a wonderful performance.”
Andy is right about Karin, of course. Maurice is the orangutan in the movie, and anyone who has ever looked into an orangutan’s eyes will recognize the honesty of Karin Konoval’s performance.
So how does one do it? How does one BE an ape?
If you haven’t seen video of performance capture in the raw, before the technological wizards do their magic, you should check it out. During filming, the ape actors wear grey body suits rigged with sensors that track every movement of their body, a helmet camera that tracks facial expressions in meticulous detail, and a sound microphone. Then, in post-production, the geniuses at Weta Digital apply the "digital make up," adding anatomical layers until the actors look like apes.
The result is magic for audiences around the world. The result may also lead to end of Hollywood's use of apes in movies. See the magic, and see a real dawn for apes in entertainment.
Dawn of the Planet of the Apes opens in U.S. theaters on July 11.


AVE MARIA | Love, Theft and Other Entanglements | 3000 Nights
MAD Solutions Boasts Three Films at the HIFF in Palestine
Within its activities in international film festivals, MAD Solutions will be taking part in Haifa Independent Film Festival (HIFF) in Palestine (14 - 19 March) with three Palestinian films from its list of clientele. The three MAD films are: Basil Khalil's OscarÂ®-nominated short film AVE MARIA, Muayad Alayan's feature film Love, Theft and Other Entanglements, which will be the festival's opening film, and Mai Masri's feature 3000 Nights that will be screening on the closing night.
HIFF aims to contribute towards the development of cinema and enhancement of the film industry in Palestine and the entire Arab world. The festival will include five days of films from the Arab world, in addition to international selections. Moreover, the programme also includes Palestinian films that will be featured in Haifa for the first time. Giving respect and valued attention to local productions is an important step towards empowering cinema and culture within the community. The film program will be accompanied by concerts and other cultural events. In addition to encouraging cinema, HIFF also aims to encourage liveliness and cultural activity within Haifa.
AVE MARIA is a 14-minute comedy tells the story of Palestinian nuns living in the middle of the West Bank wilderness, who have their daily routine of silence and prayer disrupted when a family of Israeli settlers breaks down right outside their convent just as the Sabbath is beginning. The family needs to get home but can't operate the phone, and the Nuns have taken a vow of silence.
Shot in black and white, Love, Theft and Other Entanglements revolves around a Palestinian car thief who gets into the trouble of his life when he steals the wrong car. What he thought was an Israeli car and an easy way to make money, turns out to be a load of misfortune when he discovers a kidnapped Israeli soldier in the trunk.
Written and directed by Mai Masri, 3000 Nights tells the story of a young Palestinian school teacher who gives birth to her son in an Israeli prison, where she fights to protect him, survive and maintain hope.
Screening times of MAD films at Haifa Independent Film Festival (HIFF) GMT+2
Love, Theft and Other Entanglements (opening film):
Monday, 14th of March at 08:00 pm in Khashabi Theatre
Saturday, 19th of March at 06:00 pm in Arab Cultural Center
Tuesday, 15th of March at 06:00 pm in Khashabi Theatre
Saturday, 19th of March at 06:00 pm in Kabareet
3000 Night (closing night film):
Thursday, 17th of March at 08:15 pm in Arab Cultural Center
Saturday, 19th of March at 08:00 pm in Arab Cultural Center


I've never considered myself a lucky person. I've had my fair share of opportunities but lucky? Nope……and yet. Standing on the beach at Wells Next The Sea, with the sun glaring down and a seal chilling on a sand dune before me, while I bossed (some call it directing apparently) a dynamic cinematographer and a production assistant around, I certainly felt a sense of luck. And yet….this situation arose from ‘opportunity’. I say opportunity purposefully and I mean opportunity not AN opportunity. Some given, some created and here lies the core of this blog:
What to do with fantastic opportunities and where to find them.
It's likely that the story of exactly how I came to be standing on a beach filming with a crew will give a better, more interesting account than anything else I could offer to help you understand about the power of opportunity. So here goes:
I'm a student, a Film Studies student at DMU, currently coming to the end of my second year. Through my first year (and my first pandemic!) I quickly realised that I could get through uni without getting too involved. I could attend my classes and do my assignments and that would be that. I would work hard, get a first and go on to do an MA. But deep down that wasn’t what I wanted or expected for my university experience. I wanted to learn about film and watch films, yes, but I also wanted to be involved in the creation of film in all, and any way possible. So, without absolute opportunities handed to me on a plate, I looked for them. It wasn't until the beginning of the second year that I started a new module called ‘Professional Practice - Film Festivals' that I saw the perfect opportunity. I knew when I chose this module that this was the opportunity I craved. It had opportunity written all over it, even if this went above and beyond the needs of the module. A year of learning, planning, developing, and then running a film festival was just full of potential! So, I threw myself into it and looked for and created the opportunities I had been wanting.
The module required us students to come up with an idea for a film festival which we would have to pitch to film professionals, peers and lecturers who would then vote on the one they thought would fit the brief best. Then the chosen idea would become a fully-fledged film festival. I am lucky enough to have a passion for history and in my spare time when I am not watching or involved in films, I am researching history, all parts of history in an attempt to broaden my knowledge, or at least write down where I found that knowledge online (to give me some credit I have a ton of books).
Having previously written a piece about Leonardo da Vinci I was already aware of a document called the Codex Leicester - I knew it was historical, obviously, and had Leicester in the name, obviously, so it must be a good option, surely.
The Codex Leicester is a manuscript written in around 1510 by Italian artist, scientist and utter genius Leonardo Da Vinci. Da Vinci is well known as a Renaissance painter with such works as The Last Supper and the Mona Lisa as well as The Vatruvian Man. He was born in Florence, Italy in 1452 and throughout his life had an unlimited desire for knowledge. As well as being a painter, he was a polymath, an engineer, an inventor and a theorist (to name a few). Quite simply the Codex Leicester was a book in which da Vinci had written about his theories in a type of coded handwriting. It was brought to England in 1717 by Mr Thomas Coke who just happened to also be the Earl of Leicester. Jump to 1994 and William Henry Gates III, aka Bill Gates, yes THE Bill Gates, purchased this book for over $30 million! Making it one of the most expensive books ever sold. Here we are with a link between Leicester, Leonard da Vinci and Bill Gates - it really was like something out of a film! Or certainly a film festival. And so I pitched my idea.
And won - and yes, I did feel lucky at that point as there were some fantastic ideas from the other students too. So the Codex Leicester Film Festival was born and with it a ton of other opportunities.
Although this was not part of the aims of the module, I saw another opportunity to create a short documentary about the Codex Leicester that could be screened at the film festival. I emailed everyone that had the slightest link to the Codex Leicester, including The British Library, a Leicester historian, the ancestral home of Thomas Coke and yes, Bill Gates. The Leicester historian emailed back (which I will talk about later) and so did the curator of manuscripts at the ancestral home of Thomas Coke, Holkham Hall in Norfolk.
After a bit of negotiation, the curator at Holkham Hall agreed to an interview and for us to create a short film about Thomas Coke and his link to the Codex Leicester (they have a facsimile of the original at Holkham). I sent out an email to all film studies students asking for a cinematographer, editor and production assistant. The opportunities were growing not just for myself!
So in late March on a beautiful sunny day, myself and a camera crew (all first year students at DMU) who themselves had recognised a great opportunity, set off for Norfolk (I say a beautiful sunny day but it was still pitch black when we left!). We spent 14 hours together filming the beach, the interior and exterior of Holkham Hall, the interview with the curator as well as the books linked to the Codex Leicester. It was an utterly wonderful experience and one I will never forget. We came back to Leicester exhausted but excited to hand all our hard work over to another, exceptionally talented first year student to edit. The turnaround time was 10 days (I’m still staggered at this) and although we will continue to edit and probably revisit for more filming, a version of the documentary was screened at the Codex Leicester Film Festival Celebration Event! Which was then seen by film professionals, students and lecturers and plans are being made for this film to go on to be shown at local venues next year. What an opportunity.
But the legacy goes on. Not only did the documentary happen and those involved benefited greatly, but also a number of other opportunities are ongoing today. As for the Leicester historian, we are just about to start working on a different documentary about another manuscript called the Codex Leicestrensis that is actually in Leicester. It predates the da Vinci codex and I got to see the original at the records office. Without the new opportunity that I created from the one I was given, I would never have started what I’m working on now.
The moral of the story: if you can - use, create and take all the opportunities that open up to you. You never know where it might lead.
Miranda Loveridge-Graham is a Film Studies Student at DMU. She is the owner of
ManuScript Media as well as the Director of ManuScript Theatre Company.
Miranda is currently the Head of Volunteers for the UK Asian Film Festival
Leicester and is involved in a number of other projects.
Contact email@example.com for further information.


Taylor Sheridan’s contribution to the Film and TV industry as an American screenwriter, director and actor has made him a true trailblazer in his field displaying leadership and service to his community.
He began his career acting in recurring roles in television series like Veronica Mars, Walker, Texas Ranger and most notably, as David Hale in Sons of Anarchy. Sheridan has written several films, including the screenplay for Sicario (2015), for which he was nominated for the Writers Guild of America Award for Best Original Screenplay. He was nominated for the Academy Award for Best Original Screenplay for Hell or High Water 2016), which was nominated for four Oscars, including Best Picture. Sheridan also wrote and directed the 2017 crime film Wind River and wrote the 2018 sequel to Sicario. He is a co-creator of the Paramount Network television series Yellowstone, the Kevin Costner-led series, which has amassed fan bases around the world and provided Sheridan with a platform to shed light on a part of the country and lifestyle that he is intimately connected to having grown up in Texas. The success of this series has led to an overall deal with ViacomCBS leading to new series such as Y:1883 and Mayor of Kingston. Sheridan remains an avid equestrian and cowboy at heart.


DANZ UP 2.0 《炫舞场2.0》
Tang Wai-kit / Director Currently Artistic Director of We Draman Group, Tang graduated from the School of Drama, the Hong Kong Academy for Performing Arts (HKAPA) (Advanced Diploma, Professional Diploma, Bachelor of Fine Arts), Ecole de Internationale de Mimodrame de Marcel Marceau and Middlesex University (Master of Fine Arts in Theatre Directing). He has been teaching at the HKAPA since 1992. In 1998, he pursued further studies in London and began to explore a career in the theatre. He joined Perpetual Motion Theatre Company and Gina Theatre, and performed in Edinburgh Fringe Festival, Cairo International Experimental Theatre Festival, Kiev, Moldova and Korea with both companies. Tang moved to Seoul in 2000, and returned to Hong Kong in 2006. He won Best Director and Best Actor in the 19th Hong Kong Drama Award for University of Laughter, and the Ten Top Production of the Year for The Goat, or who is Sylvia? and Iron. His production The Woman in Black won Outstanding Effect in the 4th Hong Kong Theatre Libre.
Shing Mak / Choreographer Mak has ten years of choreographing, teaching and performance experience. For the Hong Kong dance film The Way We Dance, he was nominated for Best Action Choreography in the 46 Golden Horse Film Awards. Other notable works include Trick or Cheat, and Hi, Fidelity. He has also choreographed for many Hong Kong stars such as William Chan, Sherman Chung Tsu Man, Kary Ng, Endy Chow, Andy Lau, Aaron Kwok, Vanness Wu, Eason Chan, Richie Jen, George Lam, Sally Yeh, Paula Tsui, Elva Hsiao, and Karen Mok. He also participates in the production and performance of various events including promotional events, fashion shows, anniversary dinner banquets, among others.
Matthew Cheng / Playwright Cheng graduated with a Master of Fine Arts in Drama from the HKAPA, majoring in Playwriting. He received an Outstanding Playwright Award during his studies. With The Bloody Hell, Cheng won Best Script in the Here and Now Scriptwriting Competition organised by the Hong Kong Repertory Theatre. Other awards include Outstanding Young Playwright in the 12th Hong Kong Drama Awards. He was awarded Outstanding Young Artist (Drama) in the Hong Kong Arts Development Awards 2007. For The Last Supper, he won Best Play in the 21st Hong Kong Drama Awards and the 4th Hong Kong Theatre Libre, as well as Outstanding Playwright in the 9th Chinese Drama Festival in 2014. The play was named top ten and top six plays of 2013 respectively by Time Out Beijing and The Beijing News. The Last Supper went on five tours to Chinese cities and to Singapore. It was also performed in French in Paris.
Day Tai / Music In 2014, Tai won the Best Original Film Song in the 33rd Hong Kong Film Awards for The Way We Dance. For She Remembers, He Forgets, he was nominated for Best Original Film Score and Best Original Film Song in the 35th Hong Kong Film Awards in 2016. A composer for films and advertisements, he also works as a record producer and musical director for musicals and concerts. Tai formed the band A-day in 2001. Their song Portrait was the top prizewinner in the 19th CASH Song Writers Quest in 2017.
Cliff Huen Tin-yeung / Performer Former dancer of City Contemporary Dance Company (CCDC), Huen graduated from the HKAPA with a Bachelor of Arts, majoring in Contemporary Dance. He has collaborated with artists such as Willy Tsao, Helen Lai, Sang Jijia, Xing Liang, Mui Cheuk-yin and Yuri Ng. Film credits include High Noon and Diva; theatre credits include Bent, Equus and Black Monday. He is the founder and artistic director of Four Degrees Dance Laboratory and ARTREAL SPACE.
RX Wong / Performer Wong is a well-known beatbox artist in Asia. He ranked second in the China Beatbox Contest 2012, and is hailed by the Chinese and Hong Kong media as the leading figure of Hong Kong’s beatbox scene. Since 2009, Wong has performed with other well-known artists and celebrities, including Khalil Fong, Denise Ho, Chiu Tsang-Hei, Ivana Wong, and Chip Tsao. In 2011, he participated with Hong Kong singer Jonathan Wong in a singing contest organised by Japan’s TBS Television Broadcast. They broke the winning streak record, and Wong was named “Man of Thousand Voices”. In 2015, Wong released his debut album.
Cheronna Ng / Performer Ng is a member of the award-winning Hong Kong girls group Super Girls. A passionate dancer and singer, Ng’s film credits include Return of the Cuckoo, A Secret Between Us, Love Detective and King of Mahjong. Her break-out role is Little Chatterbox in the TVB drama Never Dance Alone. Ng has appeared in commercials for many international brands.
Lokman Yeung / Performer Since 2005 Yeung has practiced different forms of street dance and specialises in locking. He also practiced taekwondo in his early years, in turn infusing his dance with a unique power and elaborate movements. In 2013, he played the male lead Dave in the Hong Kong dance film The Way We Dance. Yeung won the Mind GaLa 2on2 FunkStyle Competition (2013), Soul Fever 2on2 Allstyle Battle (2014) and was first runner-up in the Hong Kong Street Dance Open Competition 1on1 Locking Battle in 2015.
Lydia Lau / Performer Born in Hong Kong and raised in Canada, Lau returned to Hong Kong from Toronto in 2010. She played the supporting role of Milk Tea in the Hong Kong dance film The Way We Dance. She currently works as a dance teacher, choreographer, presenter and actor.
Chan Suk-yi / Performer Chan holds a Master of Fine Arts in Drama from the HKAPA, majoring in Acting. He studied acting and teaching methods under Philippe Gaulier. He was a full-time actor at Chung Ying Theatre Company and Hong Kong Repertory Theatre, and full-time lecturer at the School of Drama, the HKAPA. He was awarded Best Actor (Comedy) for Miss Du Shi Niang and Best Director (Comedy) for Oldsters On Fire at the Hong Kong Drama Awards by the Hong Kong Federation of Drama Societies. Chan is currently Artistic Director of Whole Theatre and Examiner at the Hong Kong Arts Development Council.


Apple aired a 30-second commercial for the iPhone tonight on ABC during the Academy Awards. The ad featured 31 different television and film characters (including those played by Lucille Ball, Dustin Hoffman, and Will Ferrell) answering the phone.
Then the commercial showed a spinning iPhone followed by a black screen with the word “Hello” in white. At no point did the ad mention the iPhone by name. Will post here as soon as it becomes available online.
Update: I’ve now posted the video.


“Westworld” star Ed Harris and “The Haunting of Hill House” breakout Oliver Jackson-Cohen are among the new additions to the cast of actor Maggie Gyllenhaal”s directorial debut “The Lost Daughter”.
According to Variety, “Succession” actor Dagmara Dominczyk, Jack Farthing of “Love Wedding Repeat” fame and Alba Rohrwacher, known for “Daughter of Mine”, are also part of the star-studded ensemble.
Already announced cast members are Oscar winner Olivia Colman, Dakota Johnson, Jessie Buckley, “Normal People” heartthrob Paul Mescal, and Gyllenhaal”s husband, actor Peter Sarsgaard.
“The Lost Daughter” will follow Colman”s Leda, an elegant college professor who, while on a seaside vacation, becomes obsessed with a young woman, Nina (Johnson), and her young daughter, as she watches them on the beach Their compelling relationship forces Leda to confront the trauma surrounding her own motherhood, and she begins to unravel as the consequences of her past choices as a young mother seep into her present consciousness.
The film, adapted by Gyllenhaal from the acclaimed novel by Elena Ferrante, recently wrapped production in Greece. Gyllenhaal and Charlie Dorfman will produce with Talia Kleinhendler and Osnat Handelsman-Keren of Pie Films
The Haunting of Bly Manor star Oliver Jackson-Cohen is a fan-favourite choice to play Marc Spector in Moon Knight, and he’s now opened up on whether he’s still interested in the Marvel Studios role…
Oliver Jackson-Cohen has made a huge impact in Hollywood thanks to roles in The Haunting of Hill House and The Invisible Man, and the actor will next be seen in The Haunting of Bly Manor (check back here on Monday for our review of the series before it returns to Netflix on October 9th).
Talking to ComicBook.com about whether he would be interested in playing Marc Spector in Marvel Studios and Disney+’s Moon Knight, it sounds like the actor has been doing his research!
“Listen, Twitter is quite the encyclopedia and I have been very fortunate that people have educated me well on Moon Knight and Marvel and the world of it,” Jackson-Cohen explained. “The honest response is that I have no idea, no one has called me about this,” he continued, “but, again, I stand by what I said, that Moon Knight sounds like a fascinating, fascinating character, and I’d love to get my hands on that, but you just never know, do you?”
Jackson-Cohen has been a fan-favourite choice to take on the lead role in Moon Knight for a while now, though a recent rumor suggested that Keanu Reeves might be at the top of Marvel’s wish list.
Time will tell whether he ends up becoming a contender for the role, but Marvel Studios would be wise to snatch Jackson-Cohen up for something, especially as it’s clear his star is now on the rise.
Who is Oliver Jackson-Cohen?
Oliver Mansour Jackson-Cohen (born 24 October 1986) is an English film actor and model. He is best known for his role as Adrian Griffin in the 2020 remake of The Invisible Man and for his role in the Netflix series The Haunting of Hill House, which will receive a second season, titled The Haunting of Bly Manor.
The Haunting of Bly Manor Oliver Jackson-Cohen as Peter
After an au pair’s tragic death, Henry hires a young American nanny to care for his orphaned niece and nephew who reside at Bly Manor with the chef Owen, groundskeeper Jamie and housekeeper, Mrs. Grose.


GUYS. In the 2014 episode of Supernatural, Sam is possessed by Lucifer, Cas is human, and the Croatoan virus has broken out everywhere.
Right now, at the end of season 8, Cas is human, and we know Lucifer is coming back in season 9, and the Winchesters never fully got rid of the Croatoan virus.
Also we know Cas isn’t going to be a virgin in S9, and in 2014, we know Cas had orgies.
2014 could still potentially happen.
it’s now 2014..
#oh my god #look at this #how it starts off with reds and oranges and purples #bright colors #and then it gets continuously darker towards the end #it’s so fitting to the story #and then there is that strip of white at the end #which has to be the king’s cross scene #and it’s just #light #in a dark time #which is extremely beautiful
Every frame of the Harry Potter movies, condensed into a barcode.
you know why theres a white part at the end? because happiness can be found even in the darkest of times
only the harry potter fandom would make me have feelings about color stripes.
"…if only one remembers to turn on the light."


Coraline Doll is the latest must-have toy for kids everywhere. The Coraline Doll is based on the beloved character from the 2009 stop-motion animated film, Coraline. The doll is a perfect replica of the movie character, complete with her signature blue hair and yellow raincoat.
The Coraline Doll is a great way for kids to express their creativity and imagination. Kids can use the doll to act out scenes from the movie, create new stories, and explore their own ideas. The doll is made from high-quality materials, making it durable and long-lasting. It also comes with an array of accessories, including a secret key and a button-eyed doll.
The Coraline Doll is a great gift for any child. It is sure to bring hours of imaginative play and entertainment. Kids can use the doll to reenact scenes from the movie, create their own stories, or just explore their own ideas. The doll is also a great way to introduce younger kids to the world of stop-motion animation.
The Coraline Doll is a must-have toy for kids everywhere. It is a great way to encourage creative play and imagination. Kids will love the doll and its accessories, and parents will appreciate its quality and durability. So, if you’re looking for a great gift for your child, look no further than the Coraline Doll.


Over the last six years, Geoff has inspired people to dream through his images and films. Blending the line between realism and surrealism, Geoff's style inspires the viewer to dream and imagine. Whether it be underwater in freezing conditions, to on land in remote corners of the globe. His focus
to create captivating imagery has driven him to help modern brands bring their product's vision to life.
Geoff has become well known for his underwater images and films ranging from places like the Great Lakes, the Bahamas, Finland, and Iceland. He has worked with high end brands, film productions, and editorial publications from around the world.
Geoff resides in his home province of Ontario with his wife.


Great Northern leaders Rachel Stolte and Solon Bixler play supporting roles in this heartwarming road movie Etienne! written and directed by Jeff Mizushima.
Etienne! tells the story of Richard who spends his days taking care of his best friend, Etienne, a dwarf hamster. When Etienne is diagnosed with terminal cancer, Richard decides to take the hamster on a bicycle road trip to give it a chance to see the world before it dies. Etienne! also, tells the story of Elodi, a free spirit who sets out on a road trip of self-discovery. As the journey's of both Richard and Elodie unfold, the two become fatefully connected as the life of Etienne turns their cosmic worlds into a much smaller place.


The infection has reached extreme levels as Syriana, Brokeback Mountain, Paradise Now, Transamerica, Capote, Munich, Goodnight and Good luck dominate the best picture, directing, screenwriting and some actor categories.
I come at this from complete ignorance of the films... having seen none. However, I will eventually see Capote (one of my favorite writers) and Goodnight and Good luck (Murrow being my favorite journalist). That does not mean that I am not aware of the agenda of such films, especially Goodnight gets bits panties in a twist over the McCarthyism bogeyman while totally ignoring the fact our nation was rife with communist spies, traitors and fifth-columnists at the time. Rosenbergs, anyone?
At least Hollywood had the smarts to cast a woman as a woman in Transamerica to stridently demand that a caring, tolerant and diversity-praising society is expected to embrace the "progressive" idea of a 6-foot-2 junior high principal showing up for work after summer vacation in a print frock and a wig.
But it's not the films that make me grind my molars in a recurring fit of conservative bruxism, it's the choke hold the left has on American film making as it tries to ram its agenda down the throats of Americans who obviously do not support such films or their political message.
The great myth that is grandly exploded this year is that Hollywood is apolitical...its only drive is to make money.
Estimated total box office revenue for: Brokeback -- about $80 million, Munich --$106 million, Good Night and Good Luck -- $43 million, and Capote -- $28 million, Syriana --$59, Transamerica -- $7.1million. Total... $323.
Meanwhile The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, earned $669 million worldwide at the box office so far. Oscar nominations: one--makeup.
Last year's Passion of the Christ -- a total of $612 million. Oscar nominations: zero.
Paradise Now, the Palestinian film by anti-Semite Hany Abu-Assad is a "quality Nazi film" which glorifies suicide bombers who make war against shoppers, grade school children and grandparents. The result? An Oscar nomination for best foreign film... it's grossed less than $1 million.
The cherry on the top of this propaganda sundae is Abu-Assad's declaration that he too would blow up children, were he not a filmmaker. 'Course that's easy to say on the car phone in your Bentley.
Not to be outdone, Steven Spielberg, a typical traitor to his own heritage, turns history on its ear in Munich by giving a skewed Oliver Stone treatment of the 1972 slaughter of 11 Israeli athletes by terrorists, in the end casting Israel's retaliation for the outrage as villainous.
Anti-Christian, anti-Israel, pro-terrorist, pro-atheist, pro-homosexual-transgendered and all the rest.
Hooray for Hollywood!
I need to take a shower.


This weekend I was able to attend a taping of Celebrity Family Feud with TV Bob through the TV Nation course. As a big fan of the show, I was really excited to get the chance to see how the show is filmed and what goes on behind the scenes that gets cut. This trip ended up exceeding all my expectations solely because of TV Bob. With him at our sides, we were given the full VIP treatment and were allowed to do a full tour of CBS studio including a peek at the sets for The Bold and the Beautiful and The Price Is Right, as well as getting the chance to see what goes on in the sound department. Before the show, while we were going on the tour, I was most excited to see art from Survivor, a favorite show of mine, and was able to get a good look at a room filled with Survivor logos. The show itself was fantastic and getting to watch Steve Harvey was well worth the trip. In between takes, he took the time to answer audience questions and tell stories. This was something he didn’t have to do, but he wanted every person to feel that they got a full experience. I think it says a lot about him, knowing what success can do to a person, that he took the time to have fun with the audience even though he stated several times he was getting hungry. After the show, TV Bob took us up onto the stage to take a picture. We were stopped by a woman who questioned who we were, but one “hello” from TV Bob and she let us go on our way! On the stage I got the chance to fill another dream of mine – I got to hit the Family Feud buzzer. As we left, our group ran into Ray Romano and got a picture with him. Finally, TV Bob let us come to the lunch reserved for the Family Feud crew. The day was absolutely unforgettable and made me really excited about career prospects. As much as I love scripted content and it is where I think I want to work, seeing the process of filming an unscripted show was extremely fun and has broadened my horizons. I had an incredible time and hope to attend more tapings in the future!


Julia Roberts (44), well known actor in the USA, states that "love" is the secret to looking young.
She has a husband, three young children, and looks in the mirror once a day. Happiness and the love of a good man, who she calls her Prince Charming, keep her looking good.
She also admits to keeping up "maintenance".
See the full story here: http://www.winnipegfreepress.com/arts-and-life/entertainment/celebrities/julia-roberts-love-keeps-me-looking-young-143768666.html
Have a great day!


Reaching Pre-Pandemic Levels, ‘Venom’ Debuts $ 90.1 Million | Business and finance
NEW YORK (AP) – Pandemic cinema is finally starting to look like pre-pandemic cinema. Sony Pictures’ Marvel Sequel “Venom: let there be carnage” blew expectations for its debut with $ 90.1 million in ticket sales, easily making it the best opening in the pandemic, according to studio estimates on Sunday.
“Venom: Let There Be Carnage” was due to open with nearly half that total. But the film, which is released exclusively in theaters, even surpassed the debut of the 2018 original. “Venom,” the offshoot of “Spider-Man” that introduced Tom Hardy’s parasitic alien symbiote, launched with $ 80.3 million. Only the 2019 “Joker” ($ 96.2 million) opened bigger in October.
The result – with strong international sales for the James Bond film “No time to die” – was the best news for movie theaters in over 18 months.
“With apologies to Mr. Twain: The death of films has been greatly exaggerated,” Tom Rothman, president and CEO of Sony Pictures’ Motion Picture Group, said in a statement.
MGM’s “Let There Be Carnage” and “No Time to Die” were originally scheduled to open last year. Believing the best box office comeback would come with an exclusive theatrical release, both studios (neither of which have major streaming platforms) have withstood better cinema conditions. Over the weekend, their wait was rewarded.
“No Time to Die,” which opens in North America on Friday, launched with $ 119.1 million in 54 foreign markets. The pace, according to MGM and Universal Pictures (which owns many international rights), was roughly in line with the opening of “Fall from the Sky. After its London premiere last week,“ No Time to Die ”- the 25th Bond film and Daniel Craig’s latest outing as a super spy – grossed $ 25.6million in the UK and Ireland. Its $ 11.4million on Saturday had the best day at the box – office for any Bond film in its own territory.
Prior to “Let There Be Carnage”, the main pandemic overtures had been Walt Disney’s “Black Widow” ($ 80 million), “Shang-Chi and the Legend of the Ten Rings” ($ 75 million) and “Fast and Furious. Universal Pictures’ Suite ‘F9’ ($ 70 million). ‘Black Widow’ launched simultaneously in homes, prompting trial of star Scarlett Johansson which was settled last week. “Shang-Chi”, “F9” and “Let There Be Carnage” only made their theatrical debuts.
“Movies can only become cultural when people see them together on the biggest and best screens and have that experience as a group,” said Josh Greenstein, president of Sony Motion Pictures Group. “You cannot reproduce this on your own at home.”
After many delays, Sony has finally brought forward the release of the sequel to “Venom”, directed by Andy Serkis and starring Woody Harrelson as the foe of Venom Carnage, by two weeks. Abroad, he also added $ 13.8 million in Russia.
“We have seen the health of ‘Shang-Chi’ and it has given us confidence that when the product is there, the box office will return,” said Adrian Smith, Sony’s head of distribution. “It’s very encouraging to see the demand for theatricality.”
Not everything bounces back in theaters and quickly like the Marvel movies and the biggest brands. Family outings are still in slow motion, as are ticket sales in arthouse cinemas. Older audiences and families with unvaccinated children were more cautious.
“The Addams Family 2”, an animated sequel to MGM and United Artists Releasing, opened with $ 18 million despite terrible reviews (27% fresh on Rotten Tomatoes) from critics. The film, a sequel to the 2019 cartoon reboot, was released simultaneously on video-on-demand.
“The Many Saints of Newark”, the long-standing prequel to “The Sopranos,” failed. The film, co-written by The creator of the “Sopranos” David Chase and takes place decades before HBO’s flagship series, which opened with $ 5 million. The film, like all of Warner Bros. in 2021, also aired on HBO Max for subscribers – a practice some filmmakers, including Chase, have denounced. The studio has pledged to return to exclusive theatrical windows in 2022.
But movie shows, especially those that particularly appeal to young men, drove an even larger share of theatrical releases this year. Marvel’s “Shang-Chi”, the studio’s first film directed by an Asian superhero, dominated last month in theaters. It had been the # 1 movie for four straight weeks. “Shang-Chi” this weekend became the first film to surpass $ 200 million nationally, with a cumulative total of $ 206.1 million in the United States and Canada, and $ 386.9 million in the world
Large format screens are also helping to stimulate the recovery. With $ 30 million in global sales, IMAX had its best October weekend ever. Megan Colligan, president of IMAX Entertainment, called it proof of “what today’s box office is capable of.”
“The perception may be that these films are outperforming,” said Colligan, “but the reality is that a lot of people underestimate how excited global consumers are about returning to the movies.”
Estimated Friday-Sunday ticket sales at US and Canadian theaters, according to Comscore. Final national figures will be released on Monday.
1. “Venom: Let There Be Carnage”, $ 90.1 million
2. “The Addams Family 2”, $ 18 million
3. “Shang-Chi and the Legend of the Ten Rings”, $ 6 million
4. “The Many Saints of Newark”, $ 5 million
5. “Dear Evan Hansen”, $ 2.5 million
6. “Free boy”, $ 2.28 million
7. “Candyman”, $ 1.2 million
8. “Jungle Cruise”, $ 680,000
9. “The Music of Jesus”, $ 560,000
10. “Titanium”, $ 516,000
Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.


#1: Film was invented in 1888
It’s crazy to think that just a little more than twenty years after the Civil War took place, film was invented. This was the same era that housed the wild west. The same decade where skyscrapers were a new city concept. But in 1888, Louis LePrince produced the Roundhay Garden Scene on his single-lens camera. The two-second long clip consisted of his family members and friends dancing/walking in circles outside an estate. Hey, you’ve got to start somewhere, right?
#2: Band accompaniment
In recent years, it’s become somewhat of a novelty to have orchestras perform live soundtracks while classic movies play. I myself have seen a live orchestra accompaniment to Home Alone and a couple of Harry Potter films. The live music just seems to add a layer of engagement to the film-viewing experience. But did you know that back in film’s early days, this was kind of a norm? With so many early films being silent films, bands and orchestras would accompany the movie to provide sound where there wasn’t.
#3: The silver age of film
Did you know film is a combination of plastic and gelatinous emulsion made from silver? Well, silver halide crystals to be specific. During recording, the camera lens shines light on the film and the reaction of the light causes the silver crystals to darken. It’s how negatives are formed. Maybe this is what they meant by the silver age of film?
#4: 1000 ft. of film
Back when film reels were shown in movie theaters via projectors (ah, the good ol’ days), the typical length of film was about 1000 ft. That’s nearly a quarter of a mile!
#5: 11-minute runtime
With ~1000 ft. of film per reel, the runtime must have been pretty long right? Nope. The average reel of film played approximately 11 minutes of movie. Now, imagine how many reels of film each movie required. An hour and a half movie back in the day required approximately 8-9 film reels … or a mile and a half of film just to play a 90-minute movie.
#6: Two-reeler film
As you can see by the length of film, it wasn’t exactly economical to ship that much film. That’s why two-reelers were invented – to help cut costs of the standard, single 1000 ft. reel. They doubled the amount to save on shipping costs and help reduce the number of transitions (and the human error that came with them) in the middle of movies by half.
#7: Is that a reel or a dumbbell?
Imagine how much a movie weighs today. Zero pounds. Zero ounces. Because it’s all digital, right? Back in films heyday, that wasn’t the case. An entire movie on film weighed around 60 pounds. I’m no mathematician but when you break it all down, every 1000 ft. of film (or one reel) weighed approximately 5 lbs. And at 5lbs per reel for 9 reels for a full movie (plus the weight of the reels and canisters themselves) they’re clocking in at 60-ish lbs.
#8: Film is still being used today
It may seem like film has faded and gone the way of the VHS tape, but that’s just not true. Although it has taken a backseat to newer digital formats for their ease of use and cost-effectiveness, film is still very much alive. In fact, it’s in somewhat of a resurgence with many of today’s most notorious directors, including Quentin Tarentino and Chistopher Nolan, opting to shoot on film rather than digital. Each going as far to say that digital is killing the movie industry.
#9: Longest Hollywood film ever made
In 1963, Cleopatra was released to critical praise and took home four Academy Awards in the process. But amid being 1963’s highest-grossing film, featuring epic performances from Elizabeth Taylor, Richard Burton and Rex Harrions, Cleopatra also enters the movie record books for being the longest Hollywood film of all time with a 4 hour and 8 minute run time. That’s nearly 27 reels of film! What can I say, they used to make epics back in the day.
#10: MMs of film
Even if you know nothing about film, you’re probably at least aware that it’s gauged in a millimeter format that refers to the width of the film. The four most commonly used gauges are Super 8/8 mm (used for amatuer film recordings), 16 mm (low budget films and television), 35 mm (popular format for motion pictures) and 65 mm (used for widescreen presentations like IMAX).
If you’ve got any reels of film laying up in your dusty attic or down in your humid basement, now’s the time to save them through digitization. Fun fact #11, we can help!


Tuesday, December 30, 2008
Can I just say I was wrong? My husband is 11 years my senior and while I am a child of the 80's, he is a child of the 70's. So there has always been this struggle in our car...which IPod to hook up. When he wins, he plays ABBA. I cannot stand ABBA. To me, it has a real disco sound to it. I don't like disco.
Years ago in Canada I saw a billboard for Mamma Mia and I wanted to go until.....I found it was based on ABBA songs. Yuck. But on the Eve of Christmas Eve, I begrudging ling agreed to rent the movie. One week later...I have been converted!!
I HAVE SEEN THE MOVIE 7 TIMES AND I HAVE LISTENED TO THE SOUNDTRACK COUNTLESS TIMES!!! If you haven't seen the movie....go right now and get it....go...go...I'll wait.
It is so upbeat and Meryl Streep is amazing. My only downside is Colin Firth. I love that man. I love him for the characters he has played..Darcy in Pride and Predjudice. The amount of love that oozed from his presence around Elizabeth is amazing. And I loved him in Bridget Jones Diary. I imagine him looking at me that way. So I was a bit perturbed when they took my perfect man and made him gay. Not because of social issues but because.....hey leave someone perfect for us women.
Get the movie...you won't regret it.


PitchPerfect3, and now Star Wars’ The Last Jedi fall feloniously to the “War”
Actually, I’ve read a lot worse offensive spews about “The War” or otherwise known as the war on women. Realize of course that I make it a point not to write about such sleazy matters as all male or all female casts or who is making how much money for a film, or who is directing the picture.
One could find themselves out of a job – just ask the National Football League. Yet, quite openly it’s run its course since the opus of Kathryn Bigelow. Although she did win an Academy Award or “Oscar” in 2008 for the portrayal of the stresses on a bomb defusing crew.
Then again in 2012, she was nominated again for her brilliant direction in the film, Zero Dark Thirty, although she did not win she was still with incredible cohorts. If there is one iota of truth about Bigelow’s directing is that at least one cast member is worth seeing the show and they always get their nominations as well. (Jeremy Renner for The Hurt Locker, and Jessica Chastain for Zero Dark Thirty.)
I believe that Kathryn Bigelow has a healthy perspective on female directors. From an article, I read at IMDb, “If there’s specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can’t change my gender, and I refuse to stop making movies. It’s irrelevant who or what directed a movie, the important thing is that you either respond to it or you don’t. There should be more women directing; I think there’s just not the awareness that it’s really possible. It is.”
She is right about “more women in directing.” Although the folks from Pitch Perfect 3 are already trying to come up with special costumes to wear to the Academy Awards show this year as did the patrons at this year’s Golden Globe awards by wearing all black.
As much as I do admire and respect Elizabeth Banks I still think she overreacted in her position as director for Pitch Perfect II. I must add that given the talent within the show furthermore, it was a much sought-after sequel, she did do an awesome job.
I would like to expose my significant opinion here: There have been quite many female directors such as recently Lina Wertmüller, Jane Campion and Sofia Coppola. There are of course many other females that are well represented in the film industry. But the next person I hear squabbling about how much more a man got for a film than a lady counterpart, I always get reminded that Julia Roberts, Meryl Streep, Nicole Kidman and many, many more are being paid nicely. Stop gripping!


REMNANTS OF THE ORDER
a Star Wars fan film
Pai has grown up under the reign of the Empire. Her best friend is a Stormtrooper she calls HV, and she lives with her uncle, Bolo. Although she's hardly taken notice of the intergalactic war raging around her, she'll soon find that destiny can not be kept at bay.
Remnants of the Order is a Fan Film written and directed by Kees van Hattum, whose love for Star Wars inspired him to become a filmmaker. This love for the franchise is shared by the Cast and Crew.
Please subscribe to the Remnants of the Order mailing list below!
Premiere date delay:
We had planned on releasing Remnants of the Order on December 16th. Unfortunately we've had to make the hard decision to delay the film.
This film has been created from an enormous passion for Star Wars. It will be a beautiful film, but essential details that will bring it to a higher level are not yet finished. We feel it is very important to show you a film we can get behind and be proud of. We hope you understand.
We will keep everybody up to date through Instagram, Facebook and our Mailing list about the new release date!
Want to be notified about all developments of the campaign ? Subscribe to our mailing list below!
Special thanks to Drukbedrijf.nl for sponsoring our Posters and Flyers!
Special thanks to Reklame Totaal for sponsoring our Crew Shirts!
This movie has been funded through Cinecrowd!


is one of the most in-demand videography companies in the UK. Tom's award-winning wedding films are unique and emotive stories that are created using an unobtrusive style of documentary filmmaking. Tom limits the number of weddings he films to just 30 a year. This is done to ensure each film is given the right amount of time it needs to be made as perfectly and uniquely as possible.
Before filming weddings, Tom spent many years studying film both in the UK and the US. He has a degree in Film Studies and a Masters in Documentary Productions, as well as a wealth of experience within the television industry. Since setting up his own business over 15 years ago Tom has enjoyed great success and has already filmed over 700 weddings.


You don’t have to look far to find good action cinema these days. While studios remain firmly focused on their blockbusters, the DTV action market remains a booming industry of grizzled ass-kickers and action veterans. We got three MCU entries this year, and they all lived up to the franchise standard of stunning set pieces, Steven Spielberg returned to blockbuster filmmaking and took on his own legacy with the ambitious crowd-pleaser Ready Player One, and Christopher McQuarrie became the first director to return for a Mission: Impossible sequel and ended up delivering one of the greatest films in the franchise.
If you’re in the mood for car chases, fight scenes, and apocalyptic stakes, we’ve been keeping this list updated all year, so check out our picks for the best action movies of 2018
Ready Player One
It’s insanely impressive that 43 years after inventing the blockbuster, Steven Spielberg can still craft one magical slice of escapist fun. What better proof than Ready Player One, a story—based on author Ernest Cline’s uncomfortably zealous ode to the 1980’s—about a literal escape from reality into a neon-lit pop culture paradise. The film is not without its faults; the script by Cline and Zak Penn almost makes you feel like main character Wade Watts (Tye Sheridan) would say some vicious things about The Last Jedi on Twitter if given the chance. But Spielberg’s uncanny eye for spectacle is at its most playful here. The film’s first major set-piece, a white knuckle car chase through a video game labyrinth that plays with Spielberg’s own filmography, is one of the most dazzling 15-minutes of the director’s career. Also, if you say you didn’t give at least an appreciative chuckle at the trip to Stanley Kubrick’s The Shining Overlook, you’re lying. — Vinnie Mancuso
There have been more nuanced action films this year, actions films with more style, or flair, or technical realism, but only one single action film in 2018 saw Dwayne “The Rock” Johnson and his massive mutated gorilla friend square off against a giant crocodile and a ten-story-tall wolf. In fairness, that is a very specific genre, but it’s one that brought me almost too much joy over the 107-minute runtime of Rampage. Based on the 1986 video by only the loosest definition of the word, Rampage is a deeply silly movie, the literal dictionary definition of a popcorn flick, but in a way that harkens back to the sensibilities of the 1990’s prime playful Arnold Schwarzenegger (Think Last Action Hero). Much like the Austrian Oak, what Johnson lacks in range he makes up for tenfold in an almost superhuman desire to deliver the biggest, loudest, most fun summer movies possible while wearing the most khaki-colored wardrobe known to mankind. As long as there are CGI cities to be stomped, I will watch The Rock do his darndest to save them. — Vinnie Mancuso
Jurassic World: Fallen Kingdom
Jurassic World: Fallen Kingdom is a spectacle-filled monster B-movie on such a massive scale and studio budget I can hardly believe it exists. Nefarious businessmen, DNA fuckery, exploding volcanos, and of course, big ol’ dinosaurs abound in the Jurassic World sequel. Chris Pratt and Bryce Dallas Howardreunite (and they’re allowed to be a lot more likable this time) for another romp among the prehistoric when an active volcano on Isla Nublar threatens to wipe out dinosaur life on earth once again. The rest of the film spans from the lush tropical terrors of the island to a steely gothic manor where the the newly rescued dinos are housed in the third act, and A Monster Calls director J.A. Bayona amps up the style factor this time around, paying plenty of homage not only to Steven Spielberg but to monster movies across the genre. It’s kind of a goofy film, but that’s part of its charm and it sure to deliver the dino action. – Haleigh Foutch
Ant-Man and the Wasp
Marvel’s lightest fare of the year, Ant-Man and the Wasp is a joyful, romantic romp through San Francisco (and the Quantum Realm) that’s rich with energetic and playfully conceived set-pieces. Paul Rudd is, as always, a delight to watch as the post-Civil War Scott Lang, who’s spent the last two years bonding with his daughter during house arrest, but it’s Evangeline Lilly‘s Hope Van Dayne who gets to suit up for the first time and deliver some of the best ass kickings. Her initial fight with Ghost (Hannah John-Kamen) is a worthy hand-to-hand throwdown, enhanced by their physics-defying abilities. Though there’s nothing quite as surprising and innovative as the toy train fight from the first film, director Peyton Reed and his team come up with plenty of fun size gags, culminating in a car chase through the city streets that puts Pez to dangerous use. Light and breezy with a lot of heart, Ant-Man and the Wasp emerged as one of summer’s best popcorn flicks. — Haleigh Foutch
The Transformers franchise takes a big swing away from the days of Bayhem with Bumblebee, the tender-hearted prequel spinoff that focuses in on how it is everyone’s favorite mute, yellow Autobot made his way to Earth. Kubo and the Two String director Travis Knight makes his live-action directing debut with the scaled-down Transformers riff, which stars Hailee Steinfeld as a teenage girl grieving the loss of her father, who discovers Bumblebee and helps him create a home on earth. Pulling freely from the Amblin playbook, Bumblebee is all heart, making the Autobot an adorable fish out of water, who plays pet and pal to the young lady who rescued him. Knight also serves up some thrilling action sequences, notably different from the balls-to-the-walls insanity of the steel and glass tidal waves Michael Bayunleashed. To the contrary, Bumblebee is all about the heart and the human connection behind the spectacle.
Deadpool 2 is a relentlessly cheeky, action-packed piece of snark cinema that takes all the subversion, one-liners and meta-humor of the first film and amps it up to 10, and with John Wick and Atomic Blonde director David Leitch taking over at the helm, the sequel’s action scenes got a serious boost as well. There’s clearly a bigger budget, which helps, but it really Leitch’s expertise at directing action and some damn fine fight choreography that gives Deadpool 2 the edge in the ass-kicking department. From Domino’s (Zazie Beetz) Rube Goldberg sequence of luck during the X-Force assault to the addition of the gun-toting future badass Cable (Josh Brolin), Deadpool 2’s action scenes deliver one hell of a kinetic jolt between the dick jokes. — Haleigh Foutch


Complete the form below to submit your film to Festival Stop Motion Montreal. Multiple entries from a director, company or organization are permitted. Please use one entry form per film.
Please include :
IMP: For films produced in a language other than french or english, the Festival must receive a copy of the film with french or english subtitles to be considered eligible.
*Technical specifications for the final screening copy:
You can provide us with the projection copy of your film immediately, and it will also be used as a viewing copy for the selection process. Use the transfer site of your choice such as WeTransfer, DropJar or DropBox, and you will be able to integrate the download link into this form.
You can alternatively provide us with an online viewing copy ("screener"). In the event of the selection of your film, you will, however, need to send us the final projection copy to [email protected] no later than August 3, 2020.
To maximize the quality of the screening experience in the theatre we recommend the following formats :
N.B. Some of our theaters project DCP only, while others cannot support this format. Please send us either a Prores file or a .mov file, in addition to your DCP, when available. Your film could be presented on multiple occasions. For example, in a competitive screening and it's second screening session, in our ''Best of the Fest'' program or in our Discovery program, etc. Those screenings will be held in different theaters during the duration of our event.
All films and submission materials must be received by June 30, 2020 at 11:59 PM EST. To stay on top of all the latest festival news, you can like and follow our Facebook, Twitter or Instagram pages and sign up for our newsletter via our website.


Mohamed born in Egypt 1983, He is one of the most experienced directors in the film, TVCs & video production in the Middle East. He has been working in the field since 2009 on numerous projects in Egypt, KSA, Turkey & Switzerland.
He loved film making from his childhood and His experience grow up through many projects such as: Music in street documentary film, Adalet short film, Coca cola TV commercials, Fairy TV commercials, Rawappy TV commercials, Gannah TV commercial, Ceramica Cliopatra TV commercial, Aboya Altayeb musical video clip and a lot of children films.
Now, he is playing multi roles as: Filmmaker | TVCs Director | Video Producer | Creative Writer & Storyteller | Film Project Manager | Film Production Manager | Film Camp Leader | Filmmaking Instructor. And he is opening to play roles more close with business, corporate and NGOs field such as Media Communications Manager, Marketing Communications Manager, Content Manager, and relevant roles.
As a FILM/TV/VIDEO/CREATIVE SOLUTIONS EXPERT FOR MARKETING COMMUNICATIONS & MEDIA, He is specialist in producing films and videos to promote business and help marketing teams to reach the target audiences and/or help in social change and educational purposes through variety channels and mediums such as: Ads Films, Short/Doc Films, Educational Films, Social Responsibility Films, TV Commercials, Promotional & Marketing Videos, Social Media Videos, TV Promos, TV Programs, and Live Events Coverage (TV/Video).
As a Filmmaking instructor, many academies and organizations around the globe using his services and consults to deliver film-making knowledge to their students, interns, campers, even children and teachers. He taught and trained many film students and interns around the globe.


The 2009-2010 theatre season was a great success. Our fall production of “Sweeney Todd” was selected to perform at the Florida State Thespian Competition in Tampa (as the first high school to ever perform this musical) and the spring musical “Peter Pan” was a soaring success. This year, the American Heritage Center for the Arts has truly reached new theatrical heights. Next year’s musicals promise to be just as, if not more, successful. So, faithful theatre patrons and newcomers alike, mark your calendars for next year’s sure-to-be-brilliant main stage productions.
Light in the Piazza: This musical young-love story, set in the cities of Florence and Rome, Italy, tells the tale of an American tourist named Clara Johnson who falls for Italian native Fabrizio Naccarelli. However, Clara’s mother strongly objects to the relationship for reasons only revealed as the story unfolds. Based on the novella by Elizabeth Spencer, the show features a challenging musical score, composed by Adam Guettal, as well as a script by Craig Lucas. With 34 nominations and 13 awards from various associations such as the Tony, Drama Desk, and Outer Critic Circle Awards, “Light in the Piazza” combines NeoRomantic classical and opera style music to create a complex but beautiful score. Auditions for the roles of Clara, Fabrizio, and Margaret will be held June 1st, and auditions for the remaining cast will be held at the start of the 2010-2011 school year. For further information, see Mr. Usher. The production will be staged in November in the main theatre.
The King and I: Based on the book “Anna and the King of Siam” by Margaret Landon, “The King and I” tells the story of Anna Leonowens, a British woman who became the schoolteacher to the King of Siam’s children in the 1860s. With music and lyrics by the esteemed Broadway duo Rodgers and Hammerstein, the show debuted on Broadway in 1951, winning the Tony for Best Musical. This classic musical will be performed in the Heritage main stage in March. Auditions dates will be announced next year.


Donghae will Play The Lead Role in New SBS Drama
Super Junior Donghae announced that he will be appear as the lead role in new SBS Drama. The drama will aired on November 22nd and it will show on Monday-Tuesday. The title is It’s Fine Dad’s Daughter. In this drama, Donghae will play as Wookgi, the lead role. SBS Drama division said to Money Today Star News On October 14th “We plan for Donghae to cast as the lead role”. On the other hand, SM Entertainment said that “It’s true that we have received the proposal and have done a meeting, but we haven’t made a decision yet.”
The drama is about a child that grows up without worries and rebuilds her life after experiencing her dad’s sudden death.


1) Tilda Swinton creeps the shit out of me.
2) I just friended someone who I have no idea who it is and she just left a "it's been so long. How have you been?" message on my wall. Do I try to figure out who it is or just go on pretending like I know?
3) Milkshakes and excessive drinking do not mix.
4) Chicken fingers and excessive drinking on the other hand do.
5) After watching the Black Swan, I felt like I had just seen someone disembowel a puppy. Great movie. Not sure I could watch it again.


Tips in Watching Amazing Trading Movies
Whatever our reasons are for watching trading movies, such as enjoying the scene where character became rich and live is a pleasurable life, this type of movie still provide us a glimpse about people who are living in higher society. Although, we can say that people would just romanticize the things they would do once they make it big. You have to figure out that whenever you view here to be inspired about online trading, you need to know more about this service from this website which include movies related to how people succeeded in online trading so look here for more on this product in this company or page now!
1. Try Watching The Wall Street
For people who are into trading of stocks during the ’87, this movie is something you shouldn’t miss since the premiere happened at the time of the lowest point of stock market according to its history. This movie is somehow related to trading and cheating through back-door deals.
2. Watch Wall Street: Money Never Sleeps
The movie seemed like the comeback of wall street movie after many years with some changes and additions in its characters.
3. The Big Short Movie is a Must-See
According to some reviewers, you will be inspired by this movie because it explains in a clear way the actual situation during the housing collapse and it portrays trading from the short sellers’ side.
4. See The Wolf of Wall Street Movie
This movie follow the journey of a young trader who was encouraged to do corrupt deeds because of greed. For those movie fans of real life stories, you have to know that the movie “The Wolf of Wall Street” was based on the actual life of John Belfort which became a trader who spent some time in jail after he has admitted to his crimes.
Aside from the movies mentioned above, you can also watch Margin Call, Boiler Room, Inside Job, Enron: The Smartest Guys in the Room, American Psycho, and The China Hustle since these movies are somehow related to trading. Some of these movies like The China Hustle is related to using crypto trading bot.
Recently, there is an increasing number of people who are very much interested in watching trading movies and they don’t really care if this movie is fiction or fact. The characters of the movie will seem like a celebrity right after they have seen the movie. Be updated about the latest trading movie that you should watch. Be reminded to read more now about trading movies so click and check it out!


Belle (Emma Watson), a bright, beautiful and independent young woman, is taken prisoner by a beast (Dan Stevens) in its castle. Despite her fears, she befriends the castle’s enchanted staff and learns to look beyond the beast’s hideous exterior, allowing her to recognize the kind heart and soul of the true prince that hides on the inside.
I know this review is late because I already watched it a day after the movie officially released, but work didn’t let me take a break *sigh*.
Who doesn’t know Beauty and the Beast? I bet all 90’s kids like me love this tale. It teach us for never judge someone by their appearance. Long before I heard Disney’s plan to produce the live-action version, I was researched the theory that said if Belle actually suffer from Stockhlom Syndrome. But then I decided to ignore all that theory and just enjoy the movie instead.
The first thing that caught my attention was the music. It’s lovely scene, in my opinion. I know not everyone enjoy the musical part, I even heard some of my friends complained about it. But to me, it’s awesome.
The best musical scene is when all servants serve dinner for Belle. The effect is incredible with lots of lighting playing in this scene. The singing is also enchanting.
Not only the musical, the whole set is fantastic. Their property, the castle set and even the costume, everything is perfect. You will forget that the plot doesn’t give any twist because of this incredible set. Disney really spoiled our eyes.
The actor&actress’s performance also deserves standing ovation. They bring the characters into life. Honestly, my first reason why I wanna watch it is because there’s Emma Watson and Luke Evans. It always fun seeing the actor playing different role from their previous film. Especially when the actor have the strong image from their previous role.
Lovely dance scene. It’s so magical (T^T)
Highly recommend for anyone who loves classic tale and musical as well. (^__^)
Production company : Walt Disney Pictures
Distributed by : Walt Disney Studios
Release date : March 17, 2017


I really don’t sleep deeply enough these days. Therefore my dreams become slightly overpowering ‘In dreams emotions can be overwhelming’, says Stephane in The Science of Sleep (2006). Michael Gondry’s films often have a dreamlike, poetic dimension, and this movie certainly has.
Although unlike Stephane, played by Gael Garcia Bernal, I know where my dreams and reality meets. The treatment of this subject matter did however strike a cord with me. The way in which strange manifestations of reality mix with the boundless possibilities of the dream, and how this is depicted, makes for a visually moving film. As a top class dreamer myself I found the film both plausible but yet still interestingly different.
The film in one sense is a basic love story. Stephane has just got a job, with the help of his mother, in a calendar printing company as an illustrator, working with some very odd people. He falls in love with one of his new female neighbours called Stephanie (Charlotte Gainsbourg). At this point Stephane becomes unable to distinguish dream content from real life, and the viewer is also often left to decipher this. Freudian analysis and meaning takes over, and from the dreams, and his reactions to them we are able to understand his character a little better.
What makes this film anything but a ‘basic love story’ is however the expressive ideas it displays and thankfully its unresolved conclusion. My dreams are never resolved and neither is my life, which is one reason why this approach is refreshingly different, and honest.
In a movie, which visually is anything but ‘real’, it manages to convey to me a sense of our inner turmoil, even if in a rather extreme way.
It is often hard for me to deal with sleep as it can actually awaken senses and memories stored away deep in the recesses of the sub-conscious. What comes across in the film is how we are effected by not only important events, but frequently just how random much of our remembrances are. Those strange morning dreams we all have are a great example of this, and I am sure, like me, all those light sleepers out there can understand this aspect of the film, as I did.
And finally, reminiscent of Wayne Coyle, aka Mr Flaming Lips, I loved the absurdly giant hands, and definitely want a pair, which are not just in my dream.


November 7, 2020 8:00 pm
Grace Ann Arbor
CANCELLED – GSM Just Mercy Screening
On November 7th from 8:00pm-11:00pm, GSM will be hosting a screening of the movie "Just Mercy" at Grace Ann Arbor. Afterward, we will spend some time discussing different ideas presented in the movie. Individually wrapped snacks will be provided. You must register to attend this event, and wearing a mask is required.


Artist, Writer, Film Producer
Best known as the screenwriter and producer of the iconic TV series Lonesome Dove, and classic films including The Perfect Storm, The Black Stallion, and Legends of the Fall, Bill Wittliff is also a distinguished photographer whose photographs have been exhibited in the U.S. and abroad. He and his wife, Sally, co-founded the highly regarded Encino Press and, with the support of Texas State, the Wittliff Collections at Texas State University.
Tau Legacy Circle of Giving
Richard Rainwater (1996)
$10,000 - $34,999
✔ Commemorative gift
✔ Recognition in future e-blasts
✔ Recognition on Tau Trustees website


Inside Llewyn Davis
Inside Llewyn Davis chronicles a struggling young folk singer, played by Oscar Isaacs, who arrives in Manhattan in 1961 and tries to navigate the treacherous waters of the the Greenwich Village coffeehouse scene, as well as having to deal with a disaffected girlfriend, his father's dementia, the suicide of his musical partner, and the loss of his friend's cat . . .
Suffused with the music of the time, the film is an emotional journey inside the soul of Llewyn Davis.