Beauty and the Beast Costume Rentals
Always one of the more popular shows. Our Beauty and the Beast costume rentals are sure to make your show a great success. We have so wonderfully thought out the designs for our Beauty and the Beast costumes you can be guaranteed to be able to put on a great looking show with costs that won’t break your budget. Design touches such as including two costumes in one for some of the enchanted characters means your production will be enhanced by the ease of costume changes. We are constantly updating and enhancing our Beauty and the Beast costumes so check back regularly for updated photos. Broadway Quality theatrical costumes with Gold level customer service. We ship our Beauty and the Beast theater costume rentals anywhere in the USA or Canada!
Beauty and the Beast Jr
Catalog covers Jr and adult shows, We have costumes for kindergarten through adult for all character.


Oh how we love this sweet little film by Shutter Life Productionsâ€¦.it truly is balloons galore! Ladies (and gents) think of everything you would say if someone asked you to describe the perfect proposalâ€¦.because this film IS IT!
Oh how we love this sweet little film by Shutter Life Productions....it truly is balloons galore!
Ladies (and gents) think of everything you would say if someone asked you to describe the perfect proposal....because this film IS IT! Patrick the groom to be (yes,she says yes!) is incredibly thoughtful when it comes to proposing to Kimberly. Add some mystery, a treasure hunt, a gallery full of balloons and memories and you have the sweetest proposal.....grab those tissues!
Yes we shed some tears ourselves in the OFD office, how could you not! Check out Shutter Life Productions to see more of their excellent films.
A big THANK YOU to Shutter Life Productions for allowing us to share their work.
One stylish couple and a gorgeous wedding day filled with happy guests - this is a real wedding film to enjoy
How adorable this wedding film is - it even has a first dance flash mob, and the sweetest wedding pup!
What a real Irish wedding is all about - love, laughter, fun, family and friends, dare you not to shed a tear...


TIPS FOR BACKYARD PLAYS
Backyard plays are a great opportunity to make memories with your kids. It provides them with an acting experience without a huge time commitment. For the last 14 years I have written and produced a backyard play. I’ve listed some tips for producing your own back yard play. It’s an enjoyable experience that can be a little intimidating to take on but is well worth the effort.
Here is my tried and true method:
- Each play is based on a well known classic story that is modernized. A current event is usually depicted somewhere in the script and music is used liberally throughout. For instance for the last Cinderella play we started by the Prince performing a rap about Cinderella inspired by Alexander Hamilton’s Rap Song. We often play a clip of Another One Bites the Dust by Queen when a character dies. Our plays are always lighthearted fun.
- About a month before the play I try to have the outline of the play written and then work on filling in the details. If any of the middle school age performers are interested, they review the draft and provide suggestions. Reasonable suggestions are discussed and a first draft is produced. For the last two years the kids selected a play that was performed years ago (before they were born). By re-using an old script I am able to greatly truncate the writing process to one weeks’ time.
- I try to keep each script to about 15 pages using 14 point font. The ideal time for a play is about 35 to 40 minutes with no intermission. Most plays have 6 scenes.
- Since we only rehearse for one week, it is best to give the script to the leads the week before rehearsals start. Practices are Monday, Tuesday, and Wednesday from 9:00am to 11:00am with a full dress rehearsal on Wednesday. The play is always on Thursday at 6:00pm with Friday as the rain date. By keeping the rehearsals and performance to the same week we are able to keep the audience’s expectations low and not lose performers due to scheduling conflicts.
- The play is held in my postage stamp back yard incorporating the tree house in some fashion. To make the “stage”, I use black king size flat sheets (from Walmart) that I hang from a supported pvc pipe that separates my yard from the neighbors. The neighbors’ yard is backstage. Usually the kids will work on some props the week of the play and usually we will make something interesting. For instance, the year we did Charlie and the Chocolate Factory we had the winch hooked up to the tree house fire poll and used clear shower curtains to make a “tube” around the fire pole so that the Augustus Gloop character could appear to be sucked up the tube after he fell into the chocolate river. It was a slow “sucking” but was hysterical!
- Since year two we have a speaker system so that the audience can actually hear the performers. We have graduated to wireless microphones but have used wired mics in the past. It makes the experience so much more enjoyable! There are a lot of inexpensive microphone systems on the market.
- I always use a narrator who sets up most of the scenes. It’s an easy way to keep the audience informed about what is about to happen. The narrator is usually one of the middle school kids who I will station near me so we can easily communicate if adjustments need to be made. A young participant will carry the scene signs as we prepare the set for the next scene. I like to use an outgoing 4 year old for this job as they often need to kill a little time. The cuter the better!
- We always start by two performers welcoming the crowd, letting them know how long the play will be and inviting them for cookies and lemonade in my other neighbors’ yard. (I’m lucky that I have great neighbors on each side of my lot).
- We always tell the back story of the lead characters which often involves the mother dying. Proof that the classic stories were often written by fathers not mothers. It’s also a good way to include more characters thus increasing the number of roles.
- Scenes from a classic movies are often incorporated into the plays. For instance, in last year’s Beauty and the Beast, the Better Version, before Gaston stormed the castle he hired Vazzini of Princess Bride to free Belle from the castle. The Vizzini character challenged the Beast to a battle of the wits using the dialogue from the movie.
- We invite the entire neighborhood to attend by placing a black board announcing the play on the front sidewalk for the week before the play.
- All good mannered children are welcome to join the cast. The typical ages are from 4 years old to 8th I usually don’t know the number of kids that I will have in the play until the first rehearsal. I often divide up some lines if we get more kids than anticipated or write extra lines. The biggest cast I ever had was 50 for Snow White and the Many, Many Dwarfs. A cast of 20 is ideal.
- We never charge any admission to attend.
- The first rehearsal is called the read through where final cast decisions are made. Usually the leads are selected before but sometimes they are selected on Monday. The kids will suggest edits or additions to their lines. Performers love saying lines that they have written. I will often leave blanks in the play until Monday morning so they can help me add some lines. On the flip side, something will usually be cut down as there is nothing like a child reading the lines you have carefully crafted to help you decide what makes sense and what doesn’t.
- If there is a dance number or some theatrical choreographed element we will start practicing that on Monday. For instance in The Little Mermaid, Ariel and the mermaids performed The Cup Song when Ariel left the ocean. We have had good success using choreography intended for another purpose. As long as the child who knows the dance is in the front the others will be able to learn the number and participate.
- On Tuesday we start moving when we do the lines and practice moving on the set which is usually still imaginary at this point. We usually have some props we can use as place markers to help the kids know where to go. The curtain separating my yard from back stage is always up by this point making the yard look like a stage. I also usually take the seats of the swing set so kids aren’t accidentally kicked by swingers – a common back yard tragedy.
- All the kids are responsible for doing their own costumes and they bring these on Wednesday for the full dress rehearsal. Usually there is at least one parent in every group that goes all out and makes an amazing costume. It really does make a difference. I have a lot of old costumes that I keep and are reused every year.
- Thursday is the day that my husband and I set everything up in the back yard. We get the speaker system ready, set up the props and chairs and blankets for the audience. I have a table set up near the stage area where I have the script and the computer with the cut music ready which is hooked up to a speaker.
- My husband cuts the music for me using garage band. I use a lot of classics, popular songs and sound effects. Music is a good way to keep the energy of the performers up and make everything fun.
- An hour before the performance starts I have all of the kids back to the basement to do the last read through with the music. They all then put their additional costumes in the back stage areas on tables that I have set up and marked for each performer.
- I never require kids to memorize their lines. They each have a script and I tell them that it’s fine if they need to read from the script. Most of the leads will learn their lines and it does make the play run smoother. I am always on hand to whisper lines if needed.
- The key to the whole play is that the audience is filled with the friends and family of the performers who are happy with whatever happens.
- I don’t give much acting advice (since I really don’t know much about real acting) other than the actors need to face the audience and speak slow enough to be understood. I also tell them to remember to smile.
- Plays with fake fight scenes are always popular. To control the level of violence I always have music playing. Pirates of the Caribbean, Raiders of the Lost Ark and Star Wars have a lot of great fight music. A slow motion fight works best with the Chariots of Fire theme music.
- Most of the performers perform barefoot with minimal costuming.
- Other parents will often help with the props and I keep a lot on hand that can be re-purposed.
- Every play that I have ever written ends with the same lines. The narrator will say, “and they all lived” and every performer will then yell “happily ever after” and then I play some dance music and all the performers do a short celebratory dance.
I’m attaching the script from last year’s Beauty and the Beast with some photos. Please feel free to use this script for your own backyard play. I plan to write an e-book with other scripts that I have developed including: Snow White and the Many, Many Dwarfs, Beauty and the Beasty Boys, Charlie and the Chocolate Factory, Matilda, Snow White and Cinderella.


The entertainment industry has been sliced and diced in the news media, romanticized in countless movies and TV shows, and remains the mecca of many who dream of working in music, film, television, and video games. So with all the hype the industry gets, you'd think that media and entertainment jobs are as glamorous and free-flowing as the big (and small) screen makes them out to be.
Yet the conceptions that many have about working in the industry sometimes fall a step or two short of the truth. Here, then, is the breath of fresh air you’ve been looking for.
Four shocking truths about working in the entertainment industry
1. A lack of formal skills won’t kill your chances. Unlike engineers or nurses, two professions requiring years in school, many jobs in the entertainment industry don’t require formalized skills. Many working in entertainment hone their talents on the job. In the video game industry for example, the litmus test is the candidate’s passion for games, not whether he or she went to school for video game design. Some never went to college at all. Many work their way up from testers to creative directors, learning as they go.
2. The stars aren’t the most important people in the industry. For all the jobs visible to the public—actors, directors, musicians—there are countless jobs that you might never see, hear, or think about that form the bedrock of the industry. The entertainment lawyers defending intellectual property. The key grips who oversee all the rigging for lighting and cameras on a movie set. The sound designers who create the sound effects that match on-screen action. The social media strategists who spark viral demand for a new game, movie, or album. Each as integral as the next to the success of the project, but most only as visible as their listing in the closing credits.
3. Data scientists, not producers, increasingly determine which shows are greenlit. The award-winning Netflix original series House of Cards would have been seen as a risky bet in the old world of network television. Many scoffed at the two-year deal the show received without even a pilot episode—the tryout that every show once had to perform. But with a mass of data about viewer preferences and a team of data scientists and engineers to interpret that information, Netflix knew that House of Cards would resonate with its viewers. Based on that same data, Netflix also knew how to release the show—an entire season at a time, perfect for the binge-watching its viewers love.
4. If you want to strike it rich, don’t become an actor or actress. While an A-list actress might command tens of millions of dollars for every film, the average actor isn’t so lucky. Unemployment is rampant, and the mean wage was just $41.94 per hour in May 2013. Other jobs, however, like talent agents and art directors can make considerably more. Talent agents made a mean hourly wage of $46.35, art directors made $46.46 per hour. While actors get the recognition of being on screen, those behind the scenes are just as vital to creating the next hit—and may make more in the process.
The industry is expanding rapidly and media and entertainment jobs are created every day as new technologies offer different avenues to creating and delivering content. The field is vast and opportunities abound for the right candidates that understand where their skills can best be applied, whether that’s in front of the camera, behind it, or nowhere near it.


It’s no secret that I love Shakespeare. I’m a big fan of the Bard and spent a considerable amount of time working for a classic theatre company who primarily focused on the works of Shakespeare with a few other classic playwrights mixed in. I haven’t really had a chance to be involved with theatre in quite some time, so when Flagstaff Shakespeare Festival asked me to do the press photos for their upcoming production of A Midsummer Night’s Dream, I was beyond thrilled. I met up with the cast at their rehearsal space and along with the Director of the show, we managed to capture some of the pure joy of this show. Here are my favorites from our time together.
If you’re in Northern Arizona or just want to take a drive, this show, as well as their production of Romeo and Juliet, is going to be amazing. If you’re not in the area, you can always support them through their IndieGoGo Page.


Roda capoeira Praça republica 05/02/2017
There is a reason this video has over 300,000 views
This film tells the story of the legendary Master Pastinha, Poet and the Guardian of Capoeira Angola.
A great video clip of the 2015 Batizado with Contra Mestre Metido and Capoeira Evolução in Austin, TX.
Mestre Bimba, Capoeira Iluminada is a feature-length documentary film that tells the story of Manoel dos Reis Machado, Mestre Bimba.


Roger Rueff ’78, MS ’83, PhD ’85
When I left Mines with the Ph.D. in 1985, I began working for Amoco Oil Company (now BP) at its research facility in Naperville, Illinois. One of my co-workers was CPR-alum Mark Furlong — who, oddly enough, was leaving Mines with his own Ph.D. in 1981 just as I was returning to grad school from working for Marathon Oil Company in Louisiana. In fact, the grad student office I moved into in Alderson Hall was the one he had just vacated, and he is the one who recruited me several years later to work at Amoco.
I knew that Mark acted in community theatre as a hobby, and I’d been thinking of trying my hand at it, too, so one afternoon when he was in my office, I asked him to let me know when he heard of auditions for any new show. As it happened, there was an audition that very night for a production of “The Lion in Winter.” I auditioned and won the role of Geoffrey, the middle son, who mostly is called on to brood. In working on that production, however, I discovered what I felt was an intuitive understanding of stage work and dramatic writing — so I started reading and, eventually, trying to write plays.
A few years later, I became involved at a play/playwright development organization in Chicago called Chicago Dramatists. During a playwriting workshop there, I met a young director who liked my work and who (I didn’t know at the time) was a friend of Kevin Spacey. Unbeknownst to me, he sent Kevin my recently penned play, “Hospitality Suite.” Kevin liked it and set up a reading at the Manhattan Theatre Club. They didn’t produce it, but that got me a New York agent, who sent the play to South Coast Repertory Theatre (SCR), where it premiered in 1992. SCR produced another play of mine in 1993, which is when I decide to take the leap and change course, come what may.
A few years later, Kevin called me to propose the idea of producing the play as a film, which I was fortunate enough to be given the opportunity to adapt as “The Big Kahuna,” starring him and Danny DeVito. Because the film has been shown across the world, it has drawn attention to the play (thanks to double-title-card credit), and I’ve been fortunate enough to have a number of foreign productions, some of which I’ve been able to attend — which, in turn, has led to a number of European business contacts and an agent headquartered in Rome.
In the years-long meantime, to address the more practical aspects of making a living, I developed a freelance business writing and communications business, which runs the gamut, such as it is, from video scripts and technical documentation development to business theatre.


Telugu actor Varun Tej who made his lead debut in the movie Mukunda is currently gearing up for his next project Mister and Fidaa. Ahead of his huge project, the actor was bed-ridden for two months after breaking his leg. But now the actor is back and is ready to work simultaneously on both his movies.
The 26-year-old handsome hunk who is also a cousin of famous actors Allu Arjun and Ram Charan is happy to be back working on his next project Mister with director Srinu Vaitla and Fidaa directed by Shekar Kamulla. The fact that Varun Tej is topping the social media trends prove how much his fans and followers are happy that he is back!
Varun has not only impressed every one with his acting skills, but also his jaw dropping good looks. Let’s take a look a some of his hottest pictures. The handsome bearded actor will definitely give you beard goals!


Everything begins with a thought.
While figuring out how to compose a film script, the primary thing you want is a thought, and your thought needs to fit with the sort of market you’re focusing on. short drama scripts On the off chance that you are composing something to film yourself on a low financial plan, you really want to consider things like the quantity of areas and the number of entertainers you’ll need to recruit. On the off chance that you’re composing something to offer to Hollywood, your creative mind can be limitless. Hollywood is generally on the lookout for dream, repulsiveness and sci-fi, as well as more sensible movies about everyday life, and authentic shows.
Your thought needs to snare individuals rapidly. On the off chance that you can’t make sense of the essential reason for someone in extremely short request, then, at that point, you’ll experience difficulty selling the completed content. For the most part, thoughts that are difficult to make sense of are likewise difficult to watch when they’re transformed into films. This is a significant initial step while figuring out how to compose a film script.
Be visual without pleating the chiefs style.
A decent screenplay doesn’t get too definite in the space of visual portrayals and they’re even less point by point while depicting activities on screen. Chiefs like to envision the film in their own specific manner. A brilliant screenwriter gives the chief barely enough to light his creative mind, without causing that person to feel choked. Assuming you are composing the screenplay for yourself to guide, you might need to be more visual, yet that can be a snare. You’ll get the opportunity to track down better ways of getting things done and in the event that you’re attached to a specific methodology, you might miss them.
Great discourse and practical exchange are regularly totally different things.
While figuring out how to compose a film script the correct way, composing discourse is totally basic for the formation of the screenplay. The subject is too perplexing to be in any way canvassed in a short outline like this, yet you should see the manner in which individuals talk in motion pictures while focusing on the distinctions among that and the manner in which individuals talk, in actuality. You’ll see that film discourse is really not that sensible by any means. It simply gives the deception of being sensible. Individuals in films talk in a way that arrives at the point rapidly, and they’re continuously looking at something fascinating. They don’t invest their energy examining the climate, they talk about things that are basic to the story. They’re continuously contending, and producing emotional struggle, not simply relaxing, or making casual banter.


This post is a review of the upcoming movie Smurfs: The Lost Village opening to theater to the public this Friday April 7th 2017. I hope you enjoy my take on the movie and find it informative for you and your family. #smufsmovie #rwm #ad
In celebration for #MCBD on January 27th 2017 I was chosen to write a review for the Little Artist Box Set by Niki Daly.
Come celebrate with me, grab your children snuggle up and #ReadYourWorld.


© Parks Canada / Rhonda Markel
The Chilkoot Trail Artist Residency is a creative journey through Klondike Gold Rush National Historic Park, Alaska, and Chilkoot Trail National Historic Site, British Columbia. Each artist hikes the trail over a two week period, allowing time to work and savour the experience. The artists offer workshops at campgrounds and interact with hikers in creative ways. Watch for post-hike Artist Talks in Skagway and Whitehorse as well!
Parks Canada partners with the Yukon Arts Centre, U.S. National Park Service, Alaska Geographic, and the Skagway Arts Council to facilitate this unique program.
2015 Artists in Residence
July 1 - 14
Kevin Curry is currently an Assistant Teaching Professor at Florida State University, where he teaches Digital Foundations, Sculpture and Public Art & Architectural Art. Kevin received his BFA from the College for Creative Studies in Detroit, Michigan, and his MFA in Sculpture from Southern Illinois University. Kevin has been an Artist-in-Residence in Houston, TX, Fort Collins and Denver, CO. and at Grand Canyon National Park. Besides numerous private collections and exhibitions, Kevin also completed a public art commission for the City of Denver titled “Face the sun” and recently exhibited a floating sculptural work at the Mourdes Collection in West Palm Beach.
July 8 - 21
Heather Bell Callaghan is a local girl who loves the outdoors and was born and raised in the southern Yukon. Her first art mentor was her Grandma, Tlingit artist Eliza Bosely (nee Fox), who lovingly shared with her various technical skills that she thought were both useful and beautiful. Heather is from the Eagle-Killerwhale Clan and has spent the last ten years travelling, studying art, playing outside, taking dance classes, and learning as she goes. Her time as a patrol person on the Chilkoot Trail and growing up on the Haines Road allowed her much time in the mountains where she cultivated a deep love of our rugged home.
July 29 - August 11
Michelle Latimer is a filmmaker, producer, actor and curator. Her award-winning documentary, ALIAS, premiered at the 2013 Hot Docs Film Festival before screening internationally. Prior to that, her short film Choke premiered at the Sundance Film Festival, received a special Jury Honorable Mention in International Short Filmmaking, was named by Toronto Film Festival among Canada’s Top Ten of 2012 and nominated for a Genie Award. Michelle is currently starring in the critically acclaimed television series Blackstone, and appears as an industry judge on CBC’s, Short Film Face Off. In 2013, she was named among Playback magazine’s 10 To Watch.
Artist Residency Gallery


Have you seen the movie Coraline? It is stop-motion film directed by Henry Selick, about an adventurous little girl who stumbles across the “Other World” in which her “other mother” tries to keep her. It is a fascinating film that has the air of a Tim Burton film, of which I am obsessed.
One crew member was hired specifically to knit miniature sweaters and other clothing for the puppet characters, using knitting needles as thin as human hair. This artist would be Althea Crome. She finds “great joy and comfort in the process that knitting provides.” However, the added challenge of creating a physical object that is so small in measure has reignited her excitement about her already beloved art form.
Her fascination with small scale knitting emerged in 2000 and ever since Althea has pushed the envelope creating and perfecting new techniques and designs. “The ‘bug-knit’ scale has allowed her the freedom to create and experiment with designs that would be a pain on a larger scale.
Althea’s needles are insanely tiny, and she must have the eyes of a hawk to see where her stitches are. It takes great concentration for me to keep count of scarf stitches, let alone stitches of a sweater that will only fit around my finger.


Share 'THE FINAL CURTAIN: Dr. Vernell Lillie, founder of Kuntu Repertory Theater, dies at 89'
THE FINAL CURTAIN: Dr. Vernell Lillie, founder of Kuntu Repertory Theater, dies at 89
May 28, 2020
by Renee P. AldrichFor New Pittsburgh CourierFor more than 35 years, the University of Pittsburgh’s Kuntu Repertory Theater was an institution in Pittsburgh. And it was Dr. Vernell Audrey Lillie who gave it the reputation of having a bold, brave look into t…
You can share this discussion in two ways…
Share this link:
Send it with your computer's email program: Email this


Oh, baby be strong for me; Baby belong to me. : The song captured the spirit of the students determined to make sure people remember their names. Irene Cara is currently single, according to our records.. So, you like art movies, huh, Coco? Lien wiki : Irene Cara Irene Cara (born Irene Cara Escalera; March 18, 1959) is an American singer, songwriter and actress. Certainly not for you, my dear. : Paul McCrane Montgomery MacNeil. PM. I keep my eyes open. The song was performed by Irene Cara, who played the role of Coco Hernandez in the original film. Natürlich war ich begeistert von der Musik, denn schließlich war ich schon vorher total verliebt in "Fame" und "Flashdance" den beiden großen Hits Irene Caras. [singing] Fame - Der Weg zum Ruhm ist ein Musikfilm aus dem Jahr 1980 von Alan Parker mit Irene Cara, Eddie Barth und Lee Curreri. Dort trat sie bereits als Kind im spanischsprachigen Radio und Fernsehen auf. Irene Cara played the role of Coco Hernandez in the film and also sang this title song. Coco Irene Cara: Madeleine Stolze: Bruno Lee Curreri: Benjamin Völz: Lisa Laura Dean: Claudia Marnitz: Hilary Antonia Franceschi: Susanna Bonaséwicz: Ralph Barry Miller: Stefan Krause: Montgomery Paul McCrane: Torsten Sense: Kritiken. I'm just killin' time here. I mean it beats watching "Laverne and Shirley", right? Irene Cara (* 18. Irene Cara Escalera (born March 18, 1959) known professionally as Irene Cara, is an American singer, songwriter, dancer and actress. Her song, “Flashdance… What a Feeling,” became an international hit and won an Academy Award for “Best Original Song.” In July 1982, it was re-released on the back of the successful TV series and topped the charts in several countries, including the Netherlands, New Zealand and the United Kingdom. : : It was also her debut single as a recording artist. EB. Dancing's just the tip of this iceberg. That might be impossible. Irene Cara Escalara (born March 18, 1959) is an American singer-songwriter, actress and dancer.She co-wrote the song "Flashdance... What a Feeling" from the movie Flashdance.She won the Academy Award for Best Original Song for the song. Actress and singer best known for her role as Coco Hernandez in the 1980 film Fame. I know its not going to be all standing ovations. : : Coco Hernandez Singer Irene Cara attends the Covenant With Youth Awards Gala at the Beverly Hilton Hotel on April 26, 2007 in Beverly Hills, California. Coco Hernandez Look, it is better than real school. Remember my name.  The song was re-released in the United Kingdom in July 1982, where it peaked at the top of the UK Singles Chart for three weeks following the debut of the Fame TV series on the British television network BBC One the previous month, becoming Britain's third best-selling song of 1982 behind "Eye of The Tiger" by Survivor and "Come On Eileen" by Dexys Midnight Runners and the Emerald Express, the latter of which dethroned "Fame" from the top of the UK Singles Chart. : Erstmals aufmerksam auf sich machte Cara 1975 in dem Thriller Aaron Loves Angela. Irene Cara (born Irene Cara Escalera; March 18, 1959) is an American singer, songwriter and actress. Louise Bethune, Peggie Blue, Ivonne Lewis, "I Feel Love" Lyrics by Betty Box, Music by, This page was last edited on 29 December 2020, at 12:43. The movie was adapted into a TV series, which achieved notable ratings success in the latter country, and stage show which toured Europe.. And I'll look back on Venus, I'll look back on Mars, And I'll burn with the fire of ten million stars, And in time, And in time, We will all be stars. Irene Cara, a former student of the school, was cast as Coco Hernandez. Irene Cara Escalera (born March 18, 1959) known professionally as Irene Cara, is an American singer, songwriter, dancer and actress.Cara sang and co-wrote the song "Flashdance...What a Feeling" (from the film Flashdance), for which she won an Academy Award for Best Original Song and a Grammy Award for Best Female Pop Vocal Performance in 1984. MT. Fortunately for Irene Caraâs character, she was not asked to prepare anything for the audition, so maybe all she sacrificed was a couple hours picking out her clothes, doing her makeup and heading across town â plus subway fare.  It has over sold 1.07 million copies in Britain. Irene Cara as Coco Hernandez The star of the film, Coco Hernandez was so talented she was the only student to be accepted into the music, drama and dance departments. [the girls are fighting over Leroy] The darker the berry, the sweeter the juice. Cara wurde als Tochter puertoricanischer Einwanderer geboren, die Anfang der 1950er nach New York kamen. Help me need you... François Lafete The American Movie Actress was born in The Bronx, NY on March 18, 1959. Irene Cara Coco Hernandez. I'm a professional. Look, I'm not my dear! Die Plätze an der „High School of Performing Arts“ sind begrenzt – Coco (Irene Cara) und Ralph (Barry Miller) wollen einen von ihnen ergattern. This scene was so disturbing to me as a kid. Doch eine Sängerin hat es Fletcher besonders angetan: die Rock-Ikone Tina Turner. Maureen Teefy Leroy Johnson. In der New Yorker Hochschule für darstellende Künste finden Aufnahmeprüfungen statt. Irene Caraâs Film Career Irene Cara as James Earl Jonesâ estranged daughter in the short-lived series âGabrielâs Fireâ. May 15, 2020 For many young artists, seeing Fame for the first time is life altering. by Anonymous: reply 12: 11/26/2017: Irene Cara played the role of Coco Hernandez in the movie Fame and sang the vocals for the theme song. Flashdance - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | cinema.de [singing] Barry Miller Ralph Garci/Raul Garcia. Though that period was the height of her fame (pun not intended), Irene continued to act into the early 1990s, and had success charting with dance hits in Europe. Fame (1980) Irene Cara as Coco. Actress and singer best known for her role as Coco â¦ I sing the body electric, I celebrate the me yet to come, I toast to my own reunion, When I become one with the sun! Irene Cara Escalera, known professionally as Irene Cara, is an American singer, songwriter, dancer and actress. Das Erfolgsmusical FAME, basierend auf dem Alan-Parker-Film mit Irene Cara und seinem gleichnamigen oscargekrönten Titel-Song, mit Dancin‘ On The Sidewalk und I Want To Make Magic begleitet Tänzer, Sänger und Schauspieler von der bestandenen Aufnahmeprüfung an der ‚Highschool for performing Arts’ durch das erste Semester mit all seinen Höhen und Tiefen, mit den … The song won the Academy Award for Best Original Song in 1980, and the Golden Globe Award the same year. Finden Sie perfekte Stock-Fotos zum Thema Irene Cara; sowie redaktionelle Newsbilder von Getty Images. Irene Cara drehte Filme mit Filme Schauspieler + Regisseure Links Fotos Übersicht Fame - Der Weg zum Ruhm Coco Hernandez (1980) Komplette Handlung und Informationen zu Fame - Der Weg zum Ruhm Irene Cara during "Faces of the 80's" Competition - August 14, 1982 at Beacon Theater in New York City, New York, United States. Help me through. In 2004, it finished at number 51 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. Irene Cara (* 18. When I'm down and feelin' blue, I close my eyes so I can be with you. : Oh, Antonioni and those people? | Actress and singer best known for her role as Coco Hernandez in the 1980 film Fame. "Fame" rose to number four on the Billboard Hot 100 in September 1980. The song earned Cara a Grammy nomination for Best Female Pop Vocal Performance. I'm gonna live forever, I'm gonna learn how to fly - high! Filmpreise: Preis/Veranstaltung Jahr, Ort Kategorie Person; 66. Coco Hernandez Coco (Irene Cara) from Fame: A lesson in sexual assault. A sure-as-shit major contributor." And I mean to be a major contributor. She became famous for her role as Coco Hernandez in the 1980 film Fame, earning her a Golden Globe nomination, and her recording of the song "Fame" became an international hit. He's not into vanilla. Coco Hernandez | Sure. It was also her debut single as a recording artist. Actress and singer best known for her role as Coco Hernandez in the 1980 film Fame. You see, I do the whole thing. : : [singing] Irene Cara (nacida como Irene T. Escalera el 18 de marzo de 1959 en el Bronx, Nueva York) es una actriz y cantante estadounidense. Laura Dean Lisa Monroe. "Fame" is a pop song, written by Michael Gore (music) and Dean Pitchford (lyrics) and released in 1980, that achieved chart success as the theme song to the Fame film and TV series. It was also used in other TV shows related to Fame. Debbie Allen, Irene Cara, and Erica Gimpel talk to Shondaland about the 40th anniversary of the classic film. Gene Anthony Ray, who plays Leroy Johnson, was also a Performing Arts student but had been expelled from the school for disruptive behavior.


Film Clubs in New South Wales
Clubs Listed : 24
Australian Religious Film Society —- Visited: 8 Times
Listing id: 35624
The club is located at 2/41-43 Higginbotham Rd, Gladesville, NSW 2111.
02 9808 4…
Blacktown City Libraries Film Club —- Visited: 33 Times
Listing id: 35568
The club may be reached thru Roger Swanson.
Bowraville Theatre Film Society —- Visited: 83 Times
Listing id: 35571
Braidwood Film Club —- Visited: 11 Times
Listing id: 35575
The club may be reached thru Jill McLeod.
Brooklyn Community Film Society —- Visited: 13 Times
Listing id: 35578
The club may be reached thru Ruth Steel.
Bundeena-Maianbar Film Society —- Visited: 99 Times
Listing id: 35489
Our Film Society is fairly young and we invite you to join our membership so that we can screen more films for your enjoyment. Our agreement with the Film Society Federation and the National Film Library from which we borrow prevents us from charging an entry fee for individual screenings.
Website – Email
Deerubbin Island Film Society —- Visited: 31 Times
Listing id: 35586
DIFS was born in 2000 on Dangar Island, near Brooklyn on the Hawkesbury River, New South Wales, Australia. Our first night fundraiser screened Mambo Kings, with a special video message from the Sydney Morning Herald’s film critic Doug Anderson, a risque short and gallons of mango daiquiri.
Federal Film Society —- Visited: 78 Times
Listing id: 35590
Friends’ Flicks Film Society —- Visited: 46 Times
Listing id: 35594
Inner West Film Forum —- Visited: 135 Times
Listing id: 35597
The club may be reached at the Petersham Bowling Club, 77 Brighton St., Petersham, NSW 2049.
Lithgow Valley Movie Club —- Visited: 22 Times
Listing id: 35491
New South Wales Federation of Film Societies —- Visited: 161 Times
Listing id: 35316
A volunteer-run organisation providing resources and expertise to help you start and run a successful film society, film club, or film study group in NSW, dedicated to the promotion of film art, culture, and education. Affiliated with the Australian Council of Film Societies (founded 1949).
Website – Email
Orange Film Society —- Visited: 43 Times
Listing id: 35348
The Film Society’s aim is to encourage interest in film as an art and as a medium of entertainment, information and education. A film is shown every month on the last Sunday, except December. We select cultural films for our program (eg. Arthouse, Foreign Language). We try to bring films that our members would not get the chance see living in the area. We try to give our program variety.
Website – Email 02 6362 5…
Queer Screen —- Visited: 70 Times
Listing id: 35340
This organisation, Queer Screen, had the central aim of reclaiming Sydney’s LGBT film festival as owned and operated by the community. In recent years, new initiatives have grown to include special events and curated programs right across Australia, making Queer Screen one of only a handful of LGBTIQ film organisations world-over to operate a national slate of events throughout the year.
Website – Email +61 2 933…
Rising Sun Film Society —- Visited: 34 Times
Listing id: 35553
A group of people in Moree who get together once a month to watch a movie. Our Group gets together once a month to watch a film on the big screen at the Masonic Lodge in Heber Street. Afterwards we have a bite to eat, mingle and discuss how AMAZING or perhaps how UNAMAZING the film was. Either way is an excellent way to get out of the house for a bit, watch a movie, meet some people and not have to drive 1 hour to Narrabri. The club may be reached thru Cameron Fearnley.
Website 02 6752 6…
Riverina Flickers —- Visited: 13 Times
Listing id: 35338
We are a community based short film festival, based in Griffith. The festival is open to filmamkers from around the world. There is a strong focus on youth and indigenous film makers. Plus a strong focus on education opportunities in the new media field. It has strong business support at a local level, plus industry support. The club may be reached thru Neville Dwyer at 68b Clifton Blvd, Griffith, NSW.
Email 6964 7228…
Screen Producers Association of Australia (SPAA) —- Visited: 74 Times
Listing id: 35332
Screen Producers Australia unites screen businesses to campaign for a healthy commercial environment. For over 50 years we have supported the interests of screen businesses, both large and small, in their production of feature films, television programs, interactive content and games across all genres and formats.
Website – Email
Town Hall Theatre Film Club —- Visited: 88 Times
Listing id: 35605
Under the Milky Way Film Society —- Visited: 23 Times
Listing id: 35606
The club may be reached thru Michael Lerano.
Watagan Mountains Film Society —- Visited: 10 Times
Listing id: 35609
This society is located in the Watagan Mountains on the East Coast of New South Wales, Australia. The mountains are between the Hunter River Catchment and the Tuggerah Lakes. The club may be reached thru Rudolf Werner.
WEA Sydney Film Society —- Visited: 317 Times
Listing id: 35615
The WEA Sydney Film Society is a non-profit film society based in Sydney, Australia. It is a club of WEA Sydney, which is part of the Workers’ Educational Association. It was established as WEA Film Study Group in 1961.
Wollongong Wea Film Society —- Visited: 9 Times
Listing id: 35556
The society is a small group who share and study film in a relaxed friendly atmosphere. The club may be reached thru Kerrie.
02 4226 1…
Women in Film & Television NSW (WIFT) —- Visited: 82 Times
Listing id: 35330
Women in Film and Television NSW is committed to improving the status of women, both on and off the screen, by supporting and advancing women working in the film, television and related screen industries. We are a membership based non-profit organisation.
Website – Email (61 2) 93…
Workshop Film Group —- Visited: 195 Times
Listing id: 35620
Classic Films screened on the 1st and 3rd Fridays of the month at 8.00pm. Complimentary coffee, tea and biscuits served after the screening. The club can be reached at Workshop Arts Centre, 33 Laurel St., Willoughby in Sydney NSW, on the corner of Hollywood Crescent.
Website 02 9489 0… 0438 178 …


- Will Netflix lose all Disney content?
- What will Netflix lose with Disney?
- Does Netflix have Moana 2020?
- Does Bill Gates have shares in Apple?
- Is Netflix owned by Google?
- How much is Netflix monthly for 2020?
- What will Disney stock be worth in 10 years?
- What companies is Apple going to buy?
- What percentage of Netflix content is Disney?
- Did Disney try to buy Netflix?
- Is Disney plus or Netflix better?
- Does Apple want to buy Disney?
- Is Disney plus worth it 2020?
- Does Disney plus Kill Netflix?
- What Disney movies are on Netflix 2020?
- Who is richer Apple or Disney?
- Who really owns Netflix?
- Is Apple going to buy Netflix?
- What’s leaving Netflix 2020?
- Is Netflix going broke?
- Does Netflix have Disney movies?
Will Netflix lose all Disney content?
Disney is mostly disappearing from Netflix over the course of 2020 (with a caveat).
Starting with Disney’s 2019 slate of movies, all those films are destined for Disney Plus.
That means Captain Marvel, the first movie Disney released theatrically in 2019, is the first movie on Disney Plus instead of Netflix..
What will Netflix lose with Disney?
estimates Netflix lost over 1.1 million subscribers to Disney+ with barely a month in the game. A poll conducted by the firm found that 24 million people in the U.S. subscribed to Disney+ since its launch, while 5.8% of Netflix users cancelled their subscriptions to make the switch.
Does Netflix have Moana 2020?
Moana is leaving Netflix — and a trail of broken hearts along with it. The highly-successful Disney animated film is leaving Netflix on Dec. 20 to make way for a new lineup of films for the holiday season and new year.
Does Bill Gates have shares in Apple?
Why Microsoft founder Bill Gates owns a $2.7 billion stake in Apple. The world’s third-richest man, Bill Gates, made his fortune through Microsoft, but interestingly, he’s invested about 2 per cent of his wealth into rival company Apple.
Is Netflix owned by Google?
Amazon is the second-largest internet company behind Alphabet Inc., which owns Google. Netflix has also grown from a movie rental company into a streaming and production company producing award-winning original content, with more than 151 million subscribers worldwide.
How much is Netflix monthly for 2020?
How much does Netflix cost?PlansPriceSimultaneous streamsBasic$8.99/mo.*1Standard$12.99/mo.*2Premium$15.99/mo.*4Sep 1, 2020
What will Disney stock be worth in 10 years?
If you invested $1,000 in Disney 10 years ago, that investment would now be worth more than $4,600 as of Feb. 25, 2020, for a total return of around 370%, according to CNBC calculations. In the same time frame, by comparison, the S&P 500 earned a total return of nearly 250%.
What companies is Apple going to buy?
Companies that Apple could buy in 2019.A24 Studio.Lionsgate Entertainment Corp (LGF.A, LGF.B)Viacom (VIA, VIAB)Sony Pictures.MGM Studios.Netflix (NFLX)Take-Two Interactive Software (TTWO)
What percentage of Netflix content is Disney?
In the first year of launch, Disney+ will include 7,500 episodes of current and past TV shows and 500 movies, according to Disney. That represents just 16% of Netflix’s U.S. catalog of 47,000 TV episodes and 12.5% of the Netflix movie library of 4,000 titles, Ampere Analysis estimates.
Did Disney try to buy Netflix?
Now it is going to spend billions of dollars a year to try to beat Netflix. … In 2012, for instance, Disney struck a deal to sell its movies to Netflix for an estimated $300 million a year, instead of striking a deal with conventional distributors like HBO or Showtime.
Is Disney plus or Netflix better?
Bottom line. Both Disney+ and Netflix are top-tier streaming services, but if you have to choose only one, you should stick with Netflix for now. It costs more, but it also offers a significantly larger content library and a wider variety of movies and TV shows. Of course, it depends on what you want to watch.
Does Apple want to buy Disney?
And now the idea has resurfaced. … So with the problems surrounding the coronavirus, the idea has resurfaced that Apple could buy Disney, as it’s mentioned Apple is still a healthy company with its $98 billion in net cash reserves which would enable Apple to buy Disney “at the current fire-sale price.”
Is Disney plus worth it 2020?
Disney Plus includes thousands of Disney-owned TV shows and movies in a clean, easy-to-use interface, making it well worth the $7 per month. Just like seemingly everything else Disney does, from Rise of Skywalker to Avengers: Endgame to Galaxy’s Edge, its streaming service is a phenomenon.
Does Disney plus Kill Netflix?
But the potential is so big it could end up with more movies and tv shows than Netflix. … Especially considering that Disney is going to take all of their shows and movies off of Netflix and put them on Disney+.
What Disney movies are on Netflix 2020?
The 7 Disney Movies You Can Stream on Netflix With Your Kids in 2020 — Before They’re Gone!Ralph Breaks the Internet. … Saving Mr. … Chicken Little. … The Princess and the Frog. … Miracle. … Mary Poppins Returns.
Who is richer Apple or Disney?
Apple is worth more than $1 trillion and was the first company to ever reach that mark. Disney’s market value is $246 billion.
Who really owns Netflix?
Meet Netflix billionaire Reed Hastings, who has spent millions on education reform, takes 6 weeks of vacation every year, and says he has no hobbies outside of work. After racking up $40 in late fees at a traditional video rental store, Reed Hastings co-founded Netflix and made $5 billion in the process.
Is Apple going to buy Netflix?
Apple should buy Netflix but it would likely cost at least $189 billion, JP Morgan says. Apple has nearly $250 billion in cash. J.P. Morgan thinks strategic acquisitions for the tech giant could be Netflix, Activision Blizzard or Sonos.
What’s leaving Netflix 2020?
The Best Shows Leaving Netflix: December 2020The West Wing: Leaving December 24.The Office: Leaving December 31.Gossip Girl: Leaving December 31.Ralph Breaks the Internet: Leaving December 10.Spider-Man: Into the Spider-Verse: Leaving December 25.
Is Netflix going broke?
Netflix is in debt because it is spending so much money on original content, something like $15 billion this year and $17.8 billion in 2020, but it is not going bankrupt.
Does Netflix have Disney movies?
Since 2016, Netflix has been the first place to watch Disney’s movies with a subscription. … Starting with Disney’s 2019 slate of movies, all those films are destined for Disney Plus.


On today’s show, we feature the documentary film, Buck. Both its star, Buck Brannaman and the creator and
director, Cindy Meehl, provide their perspectives on the making of and the reaction to this Sundance award winning film. Plus we talk about horses and people. Here is the film’s site. This duo rarely does interview together so we were pleased they made it happen.
Then, we are joined by Martin Tyner, founder and CEO of Southwest Wildlife Foundation. From their site:
“With its focus on wildlife and environmental education, the SWF provides approximately 100 programs, reaching over 30, 000 people annually.” Their mission statement reads: “The Southwest Wildlife Foundation is dedicated to wildlife rescue, wildlife and environmental education.”


6 edition of Plays: three found in the catalog.
|Statement||David Edgar ; with an introduction by the author.|
|Series||Methuen world dramatists|
|Contributions||Edgar, David, 1948-, Edgar, David, 1948-, Edgar, David, 1948-, Edgar, David, 1948-|
|The Physical Object|
|Pagination||xii, 418 p. ;|
|Number of Pages||418|
|LC Control Number||91062105|
Place Names of Lancashire
Atlas of the worlds commerce
Cooperatives and national development
Federal-state-local solutions to crime and drug abuse
Murder in the Sentier
handbook for teachers of religion in grades 3, 4, 5
An Economic Analysis of Private International Law (Materialien Zum Auslandischen Und Internationalen Privatrecht)
Childrens services legislation
Deficiency in the appropriation for printing. Letter from the Acting Secretary of the Treasury, transmitting a copy of a communication from the Public Printer submitting an estimate of deficiency in appropriation for public printing and binding for the last quarter of the current fiscal year.
vacuum-spark spectra of the metals
This book contained three of my favorite August Wilson plays. He was an amazing playwright and this book with these three plays exemplifies that/5(12). Of the three plays, Mourning Becomes Electra is, in my view, the weakest and most contrived.
It is not a bad play, to be clear -- O'Neill writes flawed not bad plays, such is his talent -- but it is the one most forced in its construction to drive to a tragic conclusion/5.
"Just a bunch of kids dressed up in animal costumes. Braverman Grant winner Margot Helen Tenenbaum is Plays: three book genius (even if she denies it.)/5. Three Plays: Exit the King / The Killer / Macbett.
Exit the King is a highly stylized, ritualized death rite unfolding the final hours of the once-great king Berenger the First. As he dies, his kingdom also dies.
His armies suffer defeat, the young emigrate, the seasons change overnight, and his kingdom’s borders shrink to the outline of his throne/5. Three Plays: Night of January 16th, Ideal, Think Twice Mass Market Paperback – April 5, by/5(17).
Even as plays these all are great reading, and deserve to be produced more often than they are. McPherson and Martin McDonaugh are the reason why the best plays of the 21st century belong to Irish playwrights.
Book & condition were perfect. Excellent copy. But it took weeks to get here/5(8). These plays represent three phases in the career of the dramatist Girish Karnad, all three are classics of the Indian stage. The first play, Tughlaq, is a historical play in the manner of Plays: three book Parsee theater.4/5.
This is the first book in the Readers' Favorite five star rated Sophie Washington book series that includes: Sophie Washington: Queen of the Bee (Book 1) Sophie Washington: The Snitch. We would like to show you a description here but the Plays: three book won’t allow more. Search the world's most comprehensive index of full-text books.
My library. The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caufield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in.
From celebrated Pulitzer Prize-winning writer Thornton Wilder, three of the greatest plays in American literature together in one volume. This omnibus edition brings together Wilder’s three best-known plays: Our Town, The Skin of Our Teeth, and The es a preface by the author, as well as a foreword by playwright John Guare.
Plays of Sophocles: Oedipus the King; Oedipus at Colonus; Antigone Alternate Title: Oedipus Trilogy Note: Three Greek plays Contents: Oedipus the King -- Oedipus at Colonus -- Antigone. Language: English: LoC Class: PA: Language and Literatures: Classical Languages and Literature: Subject: Tragedies Subject: Antigone (Mythological character Cited by: 3.
Hundreds of royalty-free plays for kids and teens. Short plays, one-act plays, and full-length scripts for elementary, middle-school, and high school students.
These are original, high-quality play scripts that you will not find anywhere else. Drama Notebook is a leading resource of royalty-free plays for schools. Three victims, three bullets, three cities. The shooters' aim is as fearsomely precise as their target selection.
When Lindsay realizes that the fallen men and women excel in a lucrative, criminal activity, she leads the charge in the manhunt for the killers. His translations include Sophocles’s Three Theban Plays, Aeschylus’s Oresteia (nominated for a National Book Award), Homer’s Iliad (winner of the Harold Morton Landon Translation Award by The Academy of American Poets), Homer’s Odyssey, and Virgil's Aeneid/5(25).
The three plays--"Antigone," "Oedipus the King," and "Oedipus at Colonus"--are not strictly a trilogy, but all are based on the Theban myths that were old even in Sophocles' time. This particular edition was rendered by Robert Fagles, perhaps the best translator of the Greek classics into English/5(34).
Between andAyn Rand wrote the three original stage plays collected in this volume. Since Night of January 16th is covered as a separate volume on this site, only the other two plays are discussed here.
Ideal grew out of a conversation with a movie fan who gushed that she would give her life to meet a certain famous s, Rand conceived of a story in which the. NEW PLAYS & Discounts. Bargain Basement. Editor's Choice. ** The Visit or The Old Lady Comes to Call. Friedrich Durrenmatt adapted Tony Kushner 25% OFF $ Add to cart.
Tom Stoppard 25% OFF $ Add to cart. + Great Scenes from Minority Playwrights. March Cassady 25% OFF $ Add to cart. + Improv Beyond Rules - A Practical Guide to. The three Theban plays, or Oedipus cycle, by Sophocles, originating in 5th century BC, is not a true example of a trilogy because the plays were written at separate times and with different themes/purposes.
In ancient India, an example of an early trilogy includes the epic Mahabharata, which originally consisted of three portions. The Find a Play tool, created by Playscripts, Inc., allows theater makers to search our vast catalog of plays by cast size, theme, genre, duration, and more.
No Exit (French: Huis Clos, pronounced [ɥi klo]) is a existentialist French play by Jean-Paul Sartre. The original title is the French equivalent of the legal term in camera, referring to a private discussion behind closed doors. The play was first performed at the Characters: Joseph Garcin, Inès Serrano, Estelle.
About The Three Theban Plays. The heroic Greek dramas that have moved theatergoers and readers since the fifth century B.C. Towering over the rest of Greek tragedy, the three plays that tell the story of the fated Theban royal family—Antigone, Oedipus the King and Oedipus at Colonus—are among the most enduring and timeless dramas ever written.
Robert Fagles’s. Hail it and continue the hype hail train until the next book graces us with its dope ass presence Cry Plays: Dreamfall Chapters - Book Four Cry Plays: Dreamfall Chapters - Book Three.
There is a series of 6 picture books suitable for schools which have been turned into plays for a blend of different ages and abilities, all part of my Laureateship project.
Bug Club Plays to Read were winners in the British Book Design Awards because “they combined imagination and innovation to truly reflect the educational requirements of. – best resource for reading books. Browse your favourite books and read them free in our e-reader.
Best fiction books are always available here - the largest online library. Add your books to our library. The story of Oedipus has captured the human imagination as few others. It is the story of a man fated to kill his father and marry his mother, a man who by a cruel irony brings these things to pass by his very efforts to avoid them.
But these plays are not about fate, and not about irony. They are about character, choice and consequence. In Antigone we see a woman who will. Playscripts, Inc.
brings new plays and musicals (theater scripts) to professional, school, community, and college theaters to perform, read and enjoy. eScripts now available.
And the Band Played On: Politics, People, and the AIDS Epidemic is a book by San Francisco Chronicle journalist Randy book chronicles the discovery and spread of the human immunodeficiency virus (HIV) and acquired immune deficiency syndrome (AIDS) with a special emphasis on government indifference and political infighting—specifically in the United Author: Randy Shilts.
Three Tall Women is a play by Edward Albee, which won the Pulitzer Prize for Drama, Albee's third. 5 Awards and nominations.
Off-Broadway production. West End production. Broadway production. 7 External links. A: A is a year-old woman. She is thin, autocratic, proud, and wealthy, with "encroaching senility".Cited by: 3. Ward off threats of Neanderthals and dinosaurs in this epic expedition. Play Adelantado Trilogy: Book Three free online!89%().
Autoplay When autoplay is enabled, a suggested video will automatically play next. Up next Cry Plays: Dreamfall Chapters - Book Three [P4] [Final] - Duration: A story within a story (or story within a plot) is a literary device in which one character within a narrative narrates.
A play may have a brief play within it, such as Shakespeare's play Hamlet; a film may show the characters watching a short film; or a novel may contain a short story within the novel.A story within a story can be used in all types of narration: novels, short stories, plays.
Great Reading Experience - Make your books available for reading even when you are not connected to the Internet - Change font and layout, search within the book - Highlight text, add margin notes and select words to find definition, to translate, or to search online Discover Millions of Titles - Over 4 million books in every imaginable /5(6K).
A banquet prepared. Enter MACBETH, LADY MACBETH, ROSS, LENNOX, Lords, and Attendants MACBETH You know your own degrees; sit down: at first And last the hearty welcome. Lords Thanks to your majesty.
MACBETH Ourself will mingle with society, And play the humble host. Our hostess keeps her state, but in best time We will require her welcome. LADY. The heroic Greek dramas that have moved theatergoers and readers since the fifth century B.C. Towering over the rest of Greek tragedy, the three plays that tell the story of the fated Theban royal family—Antigone, Oedipus the King and Oedipus at Colonus—are among the most enduring and timeless dramas ever Fagles's authoritative and acclaimed translation /5().
Three Plays: Our Town; The Skin of Our Teeth; The Matchmaker (The Greatest Masterpieces of American Literature) by Wilder, Thornton Seller Arizona Book Gallery Published Condition Near Fine Edition Limited Edition Item Price $.
Reader's Theater Scripts and Plays. Readers Theater is a dramatic presentation of a written work in a script form. Readers read from a "script" and reading parts are divided among the readers.
No memorization, costumes, blocking, or special lighting is needed. He has published eight plays and is a play director and actor as well as a teacher and scholar. His books include The Trinidad Carnival, The Theatre of Black Americans, and Shakespeare in Sable: A History of Black Shakespearean Actors.
He was a founder-member of the Whitehall Players in Trinidad and of the Federal Theatre Company in Jamaica. Rule Clarifications and Plays Welcome to the "Rule Clarifications and Plays" umpire page.
From this page you can access the monthly files intended to sharpen your. The heroic Greek dramas that have moved theatergoers and readers since the fifth century B.C.
Towering over the rest of Greek tragedy, the three plays that tell the story of the fated Theban royal family—Antigone, Oedipus the King and Oedipus at Colonus—are among the most enduring and timeless dramas ever written.
Robert Fagles's authoritative and acclaimed translation 4/5(10). If you’ve never played Dungeons and Dragons (D&D) before, it might surprise you to note that books play an essential role (unless you read this article).While those polyhedral dice (especially your D20) are necessary, it’s awfully hard to play without knowing the rules, getting some guidance, or using a : Cindy Butor.
Comments on 45 places you can download tens of thousands books, plays and other literary texts completely legally for free In an increasingly digital world, literature is evolving. Sales of e-readers continue to rise, yet the cost of digital books and texts has not necessarily decreased to the extent to which many initially predicted.


Thank you to everyone who joined our one year anniversary celebration last night! We couldn't have asked for a better crowd to celebrate it with, we hope you had a brilliant evening and made some great connections. Huge thanks to the people who made it possible: our team, volunteers, sponsors and partners! Check out the photos here.
Over the past year, we've screened 74 short films in total and we chose eight of them to be screened again yesterday - congrats to the filmmakers! We had a variety of short films, including UK and international films, comedy and animation. Some are available to watch online and some are still going around festivals, you can check out the details below!


A lot of us here at Plex grew up on old-fashioned trips to our neighborhood theater. It was a place for firsts—first movies, first jobs, first dates. Let’s just say, with every ticket torn, a memory was made. While we’re glad there are so many ways now to enjoy the movies we love, the important role that local theaters play hasn’t changed. But sadly, their ability to survive has.
If You Rebuild It, They Will Come
Based on a recent U.S. survey by OnePoll on behalf of Plex, an overwhelming majority responded “yes” to having heart-warming and nostalgic memories of going to theaters as kids. Almost half the people surveyed had a first date at a movie theater, 43% have had a first kiss there, and 28% worked at a movie theater for their first job. Many (almost 52%) even intentionally look to select an independent theater when they go to the movies. Of the 2,000 Americans surveyed, two-thirds believe that the closure of independent movie theaters is a huge loss.
The story of a cinema hall is the story of the community around it. And now, as many of these local landmarks compete with the giants, we want to make sure their story has a happy ending. These beating hearts of our neighborhoods have been making dreams come true our whole lives. As a fellow independent, the time has come for us to return the favor.
Greenlighting the Grant
Helping One Theater Dream Again
The Plex Theater of Dreams Grant is a helping hand initiative that includes a $100,000 donation, on-the-ground volunteer support from Plexians, and assistance with grassroots marketing for one year. To award this grant, we’re searching for an independent theater that’s deeply entrenched in the community it serves. One which has been around for over a decade and has been the go-to place for the entire community.
Who Can Apply?
The grant is open to all independent theaters in the USA (no chains, sorry) that are currently registered nonprofit organizations under Section 501(c)(3). All applications will be considered by our review committee and evaluated based on application requirements.
Applications for the Theater of Dreams Grant are now closed.
We had an incredible response from some truly great theaters across the country, and we would like to thank all the applicants for taking the time to create such heartwarming submissions.
Due to the overwhelming number of entries, we’re extending the announcement of the final winner until December 2023, as we evaluate (and re-evaluate) every application. We appreciate your patience as the committee makes its decision.


AnnaSophia Robb cast as Carrie Bradshaw in ‘The Carrie Diaries’
It’s official: the small-screen adaptation of ‘The Carrie Diaries’ has found its Carrie Bradshaw.
‘Sex and the City’ fans will soon be in for a big treat as the CW Network goes into production on the small-screen adaptation of Candace Bushnell’s novel, ‘The Carrie Diaries’; and after much speculation, actress AnnaSophia Robb has been confirmed for the lead role of Carrie Bradshaw. A prequel to ‘Sex and the City’, the novel follows a teenaged Carrie through her final year of high school as she deals with friends, boys, and of course fashion.
‘Sex and the City’ was explosively popular from the moment it began airing on HBO back in 1998; the show had a successful multi-season run as it followed the adventures of Carrie and her BFFs Miranda, Charlotte, and Samantha, all based on characters from Bushnell’s novel. The TV series later spawned two movies following the further adventures of the four friends.
Now, Warner Bros. is ready to bring a young Carrie to the masses through ‘The Carrie Diaries’, which as of yet has no official air date. Bushnell has signed on to produce, along with Josh Schwartz, Stephanie Savage, Len Goldstein, and Amy B. Harris.
Like Sarah Jessica Parker, who was the original Carrie in the ‘Sex’ TV series and films, Robb is blonde, has two first names, and has been acting from a young age. Robb is best known for her roles in films like ‘Charlie and the Chocolate Factory’, ‘Bridge to Terabithia’, and ‘Soul Surfer’, in which she played one-armed teen surfer Bethany Hamilton. Now, the 18-year-old starlet will take on her most grown-up role to date in what will hopefully become a successful TV series.
Meanwhile, the jury is still out on the possibility of a third ‘Sex’ film: while Parker had hinted last summer that she knew the plot and that the movie could happen, so far, no further news about that film has surfaced.


Rona Segal is an Israeli director and screenwriter. Rona has written the feature film SIX ACTS (2013), Winner of the TVE “Another Look” award in San Sebastian Film Festival 2012, Best Screenplay and Best Debut at the Haifa Film Festival 2012, Jury’s award at the POEF 2013, and more. SIX ACTS was distributed worldwide by Playtime. Rona has directed two web series, TRAIL BLAZERS (2018) and CAUGHT IN THE WEB (2020), which premiered at Fipadoc, Biarritz, and was nominated for Best Israeli web series 2020. Her latest short documentary, MISSION: HEBRON, premiered at IDFA 2020, and was selected as an EFA Short Film Candidate by Tampere Film Festival 2021. Later this year, MISSION: HEBRON won the Oscar-qualifying Best Film award at Short Shorts Film Festival in Japan, Best short documentary at the Jerusalem Film Festival and Human Values award at Drama Short Film Festival in Greece.


Repertorio Proudly Presents the World Premiere of the Spanish Language National Francesca Primus Award: "Mariela en el desierto" (Mariela in the Desert)
December 19, 2011
For Immediate Release
December 19, 2011
Media Contact: Katie Rosin / Kampfire PR
917-562-5670 / Katie@kampfirefilmspr.com
Repertorio Proudly Presents the World Premiere of the Spanish Language National Francesca Primus Prize Winner
“I am just amazed by [Zulema Clares’] range…Clares is one of the finest actors working in New York City.” -Montserrat Méndez, nytheatre.com
MARIELA EN EL DESIERTO
Mariela in the Desert
Written by KAREN ZACARÍAS
ZULEMA CLARES, JOHN CONCADO, ROBERT HAGER, MARIA HELÁN, AlFREDO HUERECA, TERESA YENQUE,
Directed by JERRY RUÍZ
PREVIEWS BEGIN SATURDAY, FEBRUARY 4, 2012
OPENING NIGHT IS MONDAY, FEBRUARY 6, 2012 AT 7PM
AT REPERTORIO ESPAÑOL
TICKETS ON SALE NOW AT REPERTORIO.ORG
REPERTORIO ESPAÑOL is pleased to announce the world premiere production of Karen Zacarías’ MARIELA EN EL DESIERTO (Mariela in the Desert), directed by Jerry Ruíz. MARIELA EN EL DESIERTO will begin previews at Repertorio Español’s Gramercy Arts Theater (138 East 27th Street, btw. Lex. & 3rd) on Saturday, February 4, 2012. Opening Night is Monday, Feburary 6 (7 p.m.).
Mariela and José were once the golden couple of the Mexican artist inner-circle. Together they built a family and an artist colony to host friends like Diego Rivera, Frida Kahlo, and Rufino Tamayo. But now their daughter has grown and run away, Frida and Diego are too famous to call, and artistic inspiration has been strangled by isolation and mendacity. Set in an empty artists’ colony in the Mexican desert in 1950, this mystery play reveals what happens to relationships when a long hidden family lie is exposed.
The production stars Zulema Clares (Best Actress Award at the Camaguey Theater Festival) as Mariela, John Concado as Adam, Robert Hager (Bdwy: Bye Bye Birdie, Spring Awakening) as Carlos, Maria Helán (Oliver Stone’s World Trade Center) as Blanca, Alfredo Huereca (HOLA Best Actor and New York ACE Best Actor) as José, and Teresa Yenque (Roundabout Theater Company, The Public, Lincoln Center) as Oliva.
The production features scenic, lighting, sound and costumes design by Robert Federico. Fernando Then is the production manager. (THIS IS OPTIONAL---- INCLUDE ONLY IF YOU WANT).
CLICK HERE FOR A FULL PERFORMANCE SCHEDULE FOR 'MARIELA EN EL DESIERTO'
[+] CLICK FOR 'MARIELA EN EL DESIERTO'S' HOMEPAGE
Tickets are $27-50 (Seniors (65+) & Students with valid ID: $5-$10 discount) and are available online at www.repertorio.org or by calling 212-225-9999. Tickets may also be purchased in-person at Repertorio Español’s Gramercy Arts Theater Box Office located at 138 East 27 St. New York, NY between Lexington and Third Avenues (Sun-Thurs 10am-7pm | Fri-Sat 10am-9pm).
Running Time: 2 hours
Repertorio Español’s 2011-2012 Season will include:
The U.S. Premiere of Mario Diament’s Cita a Ciegas (Blind Date) – (Previews begin May 16,2012) - June 5, 2012.
The World Premiere of Probation by Yoshsvani Medina. – July 13, 2012
Repertorio is a member of ART NY, TCG, Arts & Business Council of New York, Theatre Development Fund, The Hispanic Federation, New York City & Company, Americans for the Arts & the Alliance of Teatros Latinos.
KAREN ZACARÍAS (Playwright) plays include Mariela in the Desert (also translated into Spanish as Mariela en el Desierto), The Book Club Play, Legacy of Light, The Sins of Sor Juana (also translated into Spanish as Los Pecados de Sor Juana) , the adaptation of the best-selling book How the García Girls Lost Their Accents and TYA musicals (music by Debbie Wicks La Puma) Einstein is a Dummy, Looking for Roberto Clemente, Jane of the Jungle, Cinderella Eats Rice and Beans, Ferdinand the Bull, and Frida Libre.
Her plays have been produced at The Kennedy Center, Arena Stage, The Goodman Theater, The Denver Center, Alliance Theater, Round House Theater, Imagination Stage, Berkshire Theater Festival, South Coast Rep, La Jolla Playhouse, The Arden, Cleveland Playhouse, San Jose Rep, and many more.
Her awards include: 2010 Steinberg Citation for Best New Play (Legacy of Light), National Francesca Primus Prize (Mariela in the Desert), New Voices Award, National Latino Play Award, ATT/TCG First Stages Award, Finalist Susan S. Blackburn Award and a Helen Hayes Award for Outstanding New Play (The Sins of Sor Juana). She has commissions from South Coast Rep, La Jolla Playhouse, The Denver Center, Imagination Stage, and Arena Stage.
Karen is a playwright-in-residence at Arena Stage and teaches playwriting at Georgetown University. She is the founder of the award-winning arts program Young Playwrights’ Theater, which has served over 75,000 children.
Karen Z lives in D.C. with her husband Rett, and children Nico, Kati, and Maia.
JERRY RUÍZ (Director) is a director based in NYC. Recent directing credits include Enfrascada by Tanya Saracho for Clubbed Thumb, Sangre by Mando Alvarado for Summerstage, Rattlers by Johnna Adams for Flux Theater Ensemble, Twelfth Night for Chalk Rep in LA, and The King is Dead by Caroline V. McGraw. In 2012, he will be directing Mariela in the Desert by Karen Zacarias for Repertorio Espanol and Love Goes to Press for the Mint Theater Company.
Jerry has developed work at The Public Theater, Second Stage, The Atlantic, Playwright's Horizons, Two River Theater Company, New Dramatists, and the Playwright's Realm. He was a recipient of the NEA/TCG Career Development Program for Directors. 2011 Phil Killian Directing Fellow at Oregon Shakespeare Festival. 2008-2009 Soho Rep Writer/Director Lab. Jerry graduated from the MFA Directing program at UCSD. BA: Harvard. www.jerryruizdirector.com
ABOUT REPERTORIO ESPANOL:
Repertorio Español was founded in 1968 by René Buch and Gilberto Zaldívar, to present the best of Latin American, Spanish and Hispanic-American theatre in distinctive, quality productions, and to bring theatre to a broad audience in New York City and across the country, including seniors, students and Hispanics of all national backgrounds. The organization has been awarded Drama Desk, OBIE and New York State Governor's Awards.
# # #
Who: Repertorio Español
What: Mariela en el Desierto (Mariela in the Desert)
Where: Repertorio Español, 138 East 27 St. NYC
When: Beginning Feburary 3
How: www.repertorio.org or 212-225-9999


The Health For All Film Festival – inviting filmmakers to submit ‘Health For All’ short videos
24 October 2019 – 30 January 2020
In May 2020, on the occasion of the 73rd World Health Assembly, WHO will host the first-ever Health for All Film Festival in Geneva, Switzerland.
WHO is inviting filmmakers, both amateur and professional, to participate in the inaugural film festival by submitting short videos falling in one of 3 categories:
- short films showing human-interest stories and testimonies about health from individuals, communities, and/or healthcare workers navigating a personal, local or global health challenge, championing solutions, or driving change;
- animations showing testimonies, health messaging and/or challenges and solutions to achieving health and well-being for all, or to educate about a health issue; and
- videos celebrating the work of nurses and midwives, showing how they impact people’s lives and the daily realities of their work.
Closing date for entries is 30 January 2020.
Visit the WHO Health For All Film Festival website for more information.


Brian is an actor, writer, filmmaker born and raised in Sacramento, California. While completing a degree in Theatre Arts at Sacramento City College, he performed on stage across the city. After continuing his studies of Film and Drama at San Diego State University, he moved to Los Angeles to fulfill his career aspirations. Brian has worked successfully as an actor, writer, and producer both on stage and in film. Testing his theatre chops in a new city, Brian wore all three hats on several stage productions in the NOHO arts district. These projects included, 'Games', 'Pieces', and the critically acclaimed 'That's My Desire'. 'Desire', a harsh prison drama, became a successful fund-raiser for Inner City Youth during performances at LATC. Brian was acknowledged citywide as "Best Lead Actor" by reviewplays.com for his work in "The Dolly." As Brian switched his focus to film, he continued to act and produce from his own screenplays. Early projects included the 16mm short 'Daydream Believer', and the feature 'Rites of Spring'. His film, the 35mm 'Ranchero', co-starring Danny Trejo, was awarded "Best of Festival" at Indie Fest USA. The script garnered him the "Best Screenplay" award at the S.E.N.E. Film, Music & Art Festival. Brian worked as a multi-hyphenate on the feature 'Mobster', where he's credited as writer, producer, director, and actor. With several projects in development, Brian continues to create content that he hopes will move, entertain, and inspire his audience.
This is just a simple notice. Everything is in order and this is a simple link.


About the Festival
The Overcome Film Festival is a venue for all storytellers, filmmakers, and artists to tell the world their stories of survival and triumph over adversity.
It is the focus of the film festival to give survivors a voice and a venue to share their life experiences and provide hope to others.
Everyone is invited to participate with their work. Animation, narrative and non-narratives, audiovisual poetry films, and experimental works are accepted.
The Overcome Film Festival especially encourages the entries of anyone who wants to share their experiences in overcoming challenges, illnesses, disabilities
or any other factor that has contributed to their growth as a person and motivated them to celebrate their existence.
The Overcome Film Festival is an international event and everyone all over the world is encouraged and welcome to participate.
Awards & Prizes
The Overcome Film Festival will publish the name of the winners online and certificates will be awarded.
As the festival is about providing a voice to survivors, financial awards and prizes will be foregone in lieu of certificates.
Rules & Terms
Submit your work via the submission platforms provided.
Winners will be notified via email.
The Overcome Film Festival cannot accept the following works:
Anything that you are not the author and copyright holder of the work you submit.
Offensive, illegal, discriminatory, or harmful.
Anything that discloses the personal information and likeness of any individual that you do not have written permission to do so.
Anything that you are not comfortable allowing us to show in public.
Submission means you read and agree to the complete rules and terms of the festival.
Please be aware that if your film is selected to run in the festival, you will be requested to subtitle and narrate your film as the focus of the festival is to include everyone.
Dates & Deadlines
July 16, 2017 Opening Date
August 23, 2017 Earlybird Deadline
September 5, 2017 Regular Deadline
September 19, 2017 Late Deadline
October 3, 2017 Extended Deadline
October 10, 2017 Notification Date
October 23 to 29, 2017 Event Date
Short films - international
Feature films - international
Short films - national
Feature films - national
Audio visual narrative poetry films
Official Submission Platforms


As I’ve said, we do a lot of talking trying to figure out how Dave could do this after 10 years of marriage and seeming to be happy for much of that time. So, for all our Trek friends, this should be familiar. We have a theory that this is the alternate Dave and the real Dave, the nice, good, loving Dave, is trapped in some alternate universe. This, of course, started with the original Star Trek series in the Mirror Mirror episode where a transporter mishap swaps Captain Kirk and crew with their evil counterparts in a parallel universe.
Or maybe it’s really like the movie The Last Starfighter, and this is the Beta Dave filling in his place while the Real Dave is out fighting to save the Galaxy.
Yeah, sounds wild, but no more wild than thinking Dave would ever do what he’s doing.


Juliet and Romeo
With Lost Dog’s blend of dance, theatre, and comedy this duet reveals the real story of Romeo and Juliet. It turns out they didn’t die in a tragic misunderstanding, they grew up and lived happily ever after. Well, they lived at least.
Now they’re 40ish, at least one of them is in the grips of a mid-life crisis, they feel constantly mocked by their teenage selves and haunted by the pressures of being the poster couple for romantic love. They have decided to confront their current struggles by putting on a performance – about themselves. Their therapist told them it was a terrible idea.
This duet takes on our cultural obsession with youth and our inevitable issues with longevity.
Solène won Outstanding Female Modern Performance at the 2018 National Dance Awards for her role as Juliet.
Home for Broken Turns
The Home for Broken Turns is the kind of place that makes you dream of running away to the circus. But it is also a sanctuary, a place where the few remaining occupants could be described as family. This is the story of a group of women who exist on the outskirts, fiercely protective of each other and ready to savage anything that threatens to break up their dwindling pack.


I have compiled a list of some of the best family movie trailers that have stood the test to time. In this list, you will find movies from many different genres which will make you feel nostalgic just watching them.
Top 10 Best Family Movies
1. Home Alone 1990
- Kevin An 8-year old troublemaker must protect his home from a pair of burglars when he is accidentally left home alone by his family during Christmas vacation.
- Bachelor and all round slob, Buck, babysits his brother’s rebellious teenage daughter and her cute younger brother and sister.
3.The Adams Family
- Con artists plan to fleece the eccentric family using an accomplice who claims to be their long-lost Uncle Fester.
4. Annie 1982
- A young orphan girl’s adventures in finding a family that will take her.
5. Mary Poppins
- A magic nanny comes to work for a cold banker’s unhappy family.
6. The Princess Bride
- While home sick in bed, a young boy’s grandfather reads him a story called The Princess Bride.
7. Back to the Future
- Marty McFly, a 17-year-old high school student, is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his close friend, the maverick scientist Doc Brown.
8. Willie Wonka and the Chocolate Factory 1971
- Charlie receives a golden ticket to a factory, his sweet tooth wants going into the lushing candy, it turns out there’s an adventure in everything.
9. The Wizard of Oz
- Dorothy Gale has been swept away to a magical land in a tornado and embarks on a quest to see the Wizard who can help her return home.
10. The Karate Kid Original
- A martial arts master agrees to teach karate to a bullied teenager.
Most parents are going to remember these family movies. I would love to hear exactly what movies you would have on this list for your children.


In 2019, a Fresh Prince of Bel-Air fan came up with an idea to reboot the sitcom as a gritty drama, even making a mock trailer to show how it could look.
Three years on and the show’s star Will Smith has made it a reality – and the first real trailer has been revealed.
The title character still moves from west Philadelphia, where he was born and raised, to his aunt and uncle’s luxury mansion in a wealthy LA suburb.
But the tone of the show has been flipped and turned upside down.
Instead of the breezy comedy of the 1990s original, the new show – simply titled Bel-Air – is deadly serious.
In the original, the famous theme tune explained that the main character Will got in one little fight and his mom got scared.
In the new version, that still happens – but guns are involved in the basketball court confrontation, and a hardened Philadelphia criminal is looking for him.
Will, now played by Jabari Banks, is taken in by Uncle Phil and Aunt Vivian, who have to protect him and concoct a story about him moving to LA to pursue a better education.
The new trailer also introduces us to the new incarnations of cousins Carlton, Ashley and Hilary, as well as butler Geoffrey, played by English actor Jimmy Akingbola.
Will Smith has developed the new show with the fan who made the original trailer, aspiring film-maker Morgan Cooper.
“Three years ago, my guy Morgan Cooper uploaded his fan trailer to YouTube, showing how he envisioned the Fresh Prince as a drama,” Smith wrote on YouTube.
“Now, here is the first full look at his retelling of the story that’s always been so close to my heart.”
Smith and Cooper are executive producers of Bel-Air, which will launch on Peacock in the US on 13 February. It will be shown on Sky and Now in the UK in February, with an exact date to be confirmed.


Автор: Шекспир Уильям Художник: Bianchi Fausto Издательство: Macmillan, 2015 г. Серия: Macmillan Readers
Аннотация к книге "Hamlet"
Shakespeare's famous story of the young Prince Hamlet's journey into despair and revenge after learning that his uncle is his father's murderer. This Macmillan Reader is written as a playscript and includes original extracts from Hamlet. - Extra grammar and vocabulary exercises - Notes about the life of William Shakespeare - Notes about the story - Points for Understanding comprehension questions - Glossary of difficult vocabulary - Free resources including worksheets, tests and author data sheets at Macmillan Readers website. Retold by Margaret Tarner. Скачать Hamlet William Shakespeare.


Films, videos and photographs
Finnish artist Salla Tykkä tells stories frontally, instinctively, even primally. Her films show complete mastery of the medium and powerfully use it to visualize the experience of young girls running, discovering things, and discovering themselves. Salla Tykkä’s fascinating films, videos and photographs also manage to convey psychological elements and a real sense of the body: a kind of breathless physicality.
Her film/video installations tell stories in which the artist makes the protagonist face unexpected encounters and conflicts and odd situations. In the first film of the CAVE trilogy, a girl called Lasso comes back home from a run and goes behind her house to see if there is anyone behind a big window. There she sees the fascinating spectacle of a bare-chested man dancing majestically with a lasso. Here it is the girl and not the boy who is the voyeur. Salla Tykkä’s girls come out of their secret rooms and their adolescent skins, becoming women as they do so. In the photographs and videos displayed at the Lambert Collection, these girls see and feel themselves as strong presences: they want to be seen and recognized.


October 2, 2013
On Wednesday, October 2, The Architecture Graduate Student Association will be hosting a sneak preview of Archiculture, an award-winning film being released in Spring 2014. Archiculture is a documentary that offers a unique glimpse into the world of design education through the eyes of five architecture students. Director Ian Harris and Giancarlo Tramontozzi, a student starring in the film, will join us and moderate a discussion after the film. The event is at 5:30 p.m. in Diefendorf Hall 148 on UB’s South Campus located on Main Street in Buffalo. Admission is free.
The film preview is at http://www.archiculturefilm.com/


This week join Steve, Andrew, and Jonathan as they provide a brief overview of television pilots and attempt to pitch one another some pilots that REALLY deserve a second chance. Come join the fun. 😉
Month: July 2023
Jonathan plays catch…up with the idea of the 1970s’s The Bionic Dog. Join Jonathan as he discusses the silly wonderfulness that was this spin-off idea.
This week join Andrew in conversation with historian Gary Edgerton about Ken Burns’s new documentary Vietnam. They discuss Burns as a filmmaker, whether Burns is a “proper” historian, and who he considers to be the audience for his films.
It is all about the tension between the old and the new in today’s mini-episode. Join Jonathan as he discusses three recent history-focused TV programs: Star Trek: Strange New Worlds (Paramount+, 2022-present), Call Me Kate (Netflix, 2023), and Muscles & Mayhem: An Unauthorized Story of American Gladiators (Netflix, 2023).


Taraji talks about Detective Carter on The Talk
In the upcoming episodes what can we expect from your character, Detective Joss Carter?
Taraji P Henson:
Oh wow, she is going to find herself in some pickles. Those two guys that she has to watch *sighs*, oh they just get into so much trouble. Even though they're doing incredible things, they're saving lives, but it just goes against everything that she took an oath for as a detective. You know, they break all the rules. But at the end of the day, a saved life is a saved life. She will find herself in some pickles


Infinite 8 Season – “Computers in Film! – CHICOINDIE.COM
The Chico Independent Film Festival
INFINITE 8 Season – “Computer in Film” Series
Films, Music and Awards!
Chicoindie.com for links!
– Single and Group Purchases for 2019 Season –
2019 – September
Our Fiscal Sponsor
Chico Independent Film Festival is a Partner and fiscally sponsored project of Independent Arts & Media, a 501(c)(3) organization that supports people and projects that use media and the arts to build community and participation. Federal tax ID: 94-3355076.
Fiscal Submissions for 2019 have Begun!
September, 2019 Donate to us via Email!
INFINITE 8 Season will be COMPUTERS IN FILM SERIES!
All Student Submissions fees are waived, please pass that on!
Peace thru the Arts…
Film & VIDEO TRAILERS 2010-PRESENT!
Chico – Ca.


Use the search boxes below to find the best private cinema in London.
About London's best private cinemas
Cinemas used to be only for movies but now they have opened themselves up to the events market, you can find a whole range of private cinemas and screening rooms for hire in London.
From traditional private cinemas to theatres and other types of screening rooms, our roundup of the best private cinemas for hire in London will guarantee to find your perfect match.
You can hire small private cinemas and screening rooms in hotels or whole cinemas, even massive screening facilities on rooftops. There really is no end to what you can find. Imagine showing your presentation on the big screen, it will give it the real wow factor.
Whether you're rewarding your staff or holding a meeting, London has a great range of private cinema rooms, from large to small to make your event a truly unique experience.


Obi-Wan is tragically forced to fight his pupil to the death…
3) A fall-redemption story.
Anakin and Vader. The hero Anakin rises, falls, becomes Vader, and is ultimately redeemed—thanks the to the spark of goodness/love in him finally actuated by his son Luke. (Obviously this is wrapped up in Return of the Jedi, but we spend most of our time with Anakin in the prequels.)
In a nutshell, for me, the prequels simply failed to tell any of these in a believable, impacting way.
Story #2 (Anakin and Obi-Wan) was somewhat redeemed by the heart-wrenching, beautifully rendered duel on Mustafar, given an extra special dose of mojo by Ewan McGregor.
My kids, watching alongside me, had the same impression. Most of the time, I found myself wondering: “Wait– Wha– Huh? Why is he doing that? Why would anyone do that?” These were roads paved by completely unconvincing setups and payoffs. It seemed like George Lucas dreamed up a bunch of really cool scenes, and then yanked the characters on and off the stage to string the story together with wooden exposition.
But even the not-so-awesomely told stories aren’t enough to justify my negative feelings toward the prequels. And I’m not here to bash them anyway. On the contrary, I’m here to “let go of my hate.”
Finally, I had the sense to ask myself: “Tom, if you don’t know what these feelings ARE, then what are they LIKE?”
“Good question, Tom,” I responded to myself. “Basically, I feel like I lost a best friend.”
I was on to something. For so many years before the prequels, Star Wars was my pal. Yeah yeah, they’re just movies, but go with me here for a second. Think of a movie or book or piece of art or piece of pecan pie that you really really love—something that connects or comforts or inspires you.
Like a good friend, Star Wars accepted, reflected, and celebrated so much of what was in my kid-to-teenage heart. We had a lot in common—sense of adventure, sense of humor, love of spaceships, politics, spirituality, imagination, ideas about what made a hero and what redemption was about, the certainty that an obscure kid could grow up and save the galaxy, a love for all things lightsabery. And it was all made “real” by characters and events who existed in a consistent—if fantastical—universe that really existed as long as my frayed Beta tapes existed. More than that, because everyone else seemed to love Star Wars, it was a bridge to the rest of humanity. Here was a non-threatening set of values, art, characters, stories, and sundry coolness that I had in common with millions of other people around the world! I could unabashedly parade around using the Force without getting made fun of, because it was dang cool.
I trusted Star Wars to always be there for me.
(Is this getting too weird?)
For that great gift, thank you George Lucas.
But with the prequels seemed to disavow so much profundity (midi-chlorians, etc.), mangle the basic mechanics of human relations (epic love story based on whining, etc.), and confuse manic depressive paranoid schizophrenia with a character development (pretty much anything Anakin does in relation to the emperor and Padme). (I know, I know, there are prequel defenders ready to bury me in tomes of expanded universe explanations!)
Star Wars—my friend—had suddenly turned its back on me.