We’ve made booking the Blaze Foley Documentary Event easy.
Presented by the Filmmaker in person
- We can create a micro-cinema experience in your venue.
- All we need is a sound system (one microphone and 3 DI boxes on stage).
- Setup time is typically 30 minutes. Sound check typically takes less than 15 minutes.
- Order is: film first (60 minutes), Q&A, break, then Gurf performs (45 minutes).
- The micro-cinema is created with portable, state-of-the-art HD player and projector.
- After the film, people feel great! It’s a tragic story that is funny and uplifting.
- Gurf’s performance is sublime, you can hear a pin drop (so we need a “listening” room).
- We trust you to know your market, ticket prices can be $20 per person in larger markets.
- Equipment we need at the venue:
- PA and/or mixer
- 1 microphone
- 3 DI boxes
- Speakers with monitors
- Projector screen a plus but not absolutely required
- That’s all! We provide the rest (we bring the HD player and HD projector)
The filmmaker with Gurf Morlix
The director presenting the film and Gurf Morlix performing the songs of Blaze Foley is our most popular show (we did 72 shows in 2011 in the US, Canada, and Europe). Gurf Morlix is an award-winning Americana artist with solo projects and a lengthy resume of critically acclaimed album production and collaboration work with Lucinda Williams, Mary Gauthier, Ray Wiley Hubbard, Sam Baker, Ray Bonneville, and many others.
I arrive with the film on my MacBook Air, an exceptionally reliable playback device. I connect to my projector via HDMI, or can connect to your projector via HDMI or VGA. I prefer to use my own projector since I know it works well with the movie, but I have no problem using your projector if it’s as good or better than my projector. For my projector, I typically need to set the projector about ten feet in front of the screen and need to connect to your sound system via RCA or 3.5mm stereo jack (headphone jack on the MacBook).
Gurf Morlix sings Anything Less by Blaze Foley
Recorded at Communitea in Canmore, Alberta as part of the June 2011 “Gurf Blazing Across Alberta” tour.
Posted on Nov 18, 2011
Gurf and Blaze orange
Orange poster for the Gurf and Blaze event
For literary events, we can show the film in conjunction with award-winning author and actress Sybil Rosen, reading from her memoir “Living in the Woods in a Tree: Remembering Blaze Foley” published by North Texas State University Press. Sybil has performed with the film throughout it’s release from NYC to LA.
If you have local musicians who are fans of Blaze’s music, booking the film with their performance makes for a great event.
Want to bring the film to your town?
The best way to bring the film to your town’s theater is to talk with the theater manager and request the show. It’s far more impressive to the theater operator if fans are requesting the film, rather than me contacting the theater. Theater owners always want to rent the theater to me but if they see there’s an audience for the film, they’ll be more far more receptive to booking the film. Contact me for ideas on how to pitch the film to your local theater.
For non-traditional screenings (locations that are not a movie theater, like a house concert series), we typically bring a top-of-the-line High-Def projector and screen. But if you want to show it yourself, here are the film specs and event configurations:
- Available on BluRay, DVD, or QuickTime file
- Other formats like DigiBeta or HDCAM available on request (with additional cost)
- Event can be film only, film + live music, and film + book reading
- Runtime is 79 minutes (film only) and 59 minutes (film + music or film + book)
- We can help you book live music acts (Gurf Morlix is our most popular act)
- Book reading by award-winning author Sybil Rosen from the memoir of her time with Blaze
- Q&A by the filmmakers on request
The film is very popular with fans of songwriters and Americana roots music. We tell people the film is about “Murder, Music and Mayhem” and even though it’s a tragic tale, it’s funny, inspiring, and energizes the audience. Whenever we show it, venue owners are very happy with the results.


Luhrmann’s adaptation of the great American novel, The Great Gatsby, was met with criticism for its avant-garde aesthetics. Elvis can fix this.
Baz Luhrmann Elvis A biopic can fix some things in it The great gatsby which critics and audiences alike saw as major mistakes. Biopics have become a Hollywood staple, since Bohemian Rhapsody i Rocketman Manand it’s only a matter of time until one, re-records the King of Rock ‘N Roll. Elviswith Austin Butler and Tom Hanks, it was directed by Baz Luhrmann, his last directorial project. The great gatsby back in 2013. Almost 10 years apart, Elvis could correct some of the shortcomings of Luhrmann’s successor.
The act of adapting a great American novel is never without its critics, and movies adapted from books can kill a franchise. Written by F. Scott Fitzgerald in 1925, The great gatsby put money and wealth at its center, and focused on showing the evil side of the Roaring 20s. When it was adapted by Luhrmann, critics felt that the film looked too 3D, and strayed too far from the original book’s original message. They also felt that the aesthetics of the film pushed the idea that this lifestyle was something to be looked at and criticized, and that it was highly offensive. This mistake of not following the story can be changed Elvis.
Trailer no Elvis Luhrmann originally intended to take his saturated style and combine it with the real story of the story he was adapting into the film, to address the major criticisms from the remake of the film. The great gatsby. Luhrmann is remaking a film that draws from the original sources, but he appears to be approaching it in a way that is more concrete than the story he’s telling. The cinematography is colorful, cheerful, and cheerful in Luhrmann’s style, but the purpose of ElvisThe story of his story is revealed.
Elvis, after all, is a perfect fit for Luhrmann’s stylistic choices. The King himself is larger than life, beautiful, beautiful, and his life is emotional, perfect with Luhrmann as the director. This means Luhrmann can play to his strengths through his title character (played by Austin Butler,) while keeping the story true. For example, Elvis’ avant-garde, unique clothes were part of his personality, but the crowd he was playing to in the 1950s was beige and conservative. The trailer shows this, perfectly combining Luhrmann’s style with reality, making the singer’s story a reality. Where The great gatsby was criticized for wanting to prioritize style over substance, Luhrmann Elvis combine the two to tell the almost unbelievable true story of a rock star.
The concept of Baz Luhrmann The great gatsby it is truly marked with its character; Cool, loud, and stylish. Some critics felt that this was a disservice to Fitzgerald’s story and the book’s central message. However, elvis’ The trailer shows that Luhrmann can achieve his directorial vision without having to deal with the story at hand. This was the biggest criticism he faced with his last film, namely Elvis can finally win over the critics.
Next: How Elvis Presley’s Bodyguard Helped Launch Bruce Lee’s Career
- Elvis (2022)Release date: June 24, 2022
Honor Among Thieves continues in a new version of Dungeons & Dragons
For the author


Along with my film crew and my producer, I’m making a documentary.
It will be a film about higher consciousness.
I will be sharing the wisdom I have gained while Soul searching this past 10 years for peace of mind.
Filming began a week ago and will likely last well into next year (2020).
I am excited to be doing this project, I think it will have value in the world.
Today my daughter and I will be filmed having a conversation. She is also a spiritual person at age 31.
Stay tuned for more details coming later.


A filmography is a list of films in which the individual has participated. It lists the names of the movies, the supervisor and the workshops as well as the release dates. In the United States, it is commonly written in the MLA style layout. It is utilized alongside a bibliography. In addition to revealing the movie’s impact, a filmography can be valuable for information analytics. Additionally, it can be made use of as a resume.
A filmography is likewise known as a film bibliography. It’s used for pointing out motion pictures in creating, and is often utilized as a referral. A filmography is a collection of a movie’s titles that are related to some first standard. A supervisor’s filmography might consist of all of his movies, while a comedy filmography would feature only his comedies. A filmography can be really comprehensive, or as restricted as a star’s.
A filmography is a list of movies regarding a specific subject. While bibliographies are not thorough, they can be beneficial for scientists in determining sources that can be used to sustain their study. Nevertheless, they are not always the best option for the ordinary person due to the fact that they’re not as extensive as a filmography. A bibliography is most likely to provide a person a review of readily available products, while a filmography focuses on films for a certain topic.
A filmography is a list of films related to a solitary topic. As an example, an actor’s filmography would consist of all the films he has actually shown up in. A director’s filmography would certainly provide all the funnies that he has routed. As a whole, words filmography describes a series of comparable film titles. A supervisor’s filmography may include all of the movies guided by that director. While filmography is commonly made use of in news articles, it is extra general in nature.
A filmography is a checklist of films connected to a subject. In MLA, a filmography consists of the title of the film, director, manufacturing company, release day, as well as other contributors. Unlike a bibliography, a filmography does not list all second resources. It only lists pick second works that pertain to a certain topic. As well as it is not simply a listing of movies associated with a specific subject.
In the USA, filmography is an essential source of info on the history of film. Its usage in news stories as well as documentaries is frequently described as a filmography. In fact, a filmography can be a superb resource of info for researchers as well as historians. The filmography is an exceptional resource of info on a subject, and can assist a scientist discover a wide range of secondary sources. If a researcher wishes to develop a full-on filmography, they can try to find a bibliography.
A filmography can also be an archive of information about a certain topic. It can be a checklist of comparable titles that relate to a specific subject. For example, a filmography of a star’s acting occupation may be a filmography of his or her comedies. Another sort of filmography is one for a director’s movies. For a supervisor, a filmography can be a superb source. It is necessary to recognize the background of a flick before you see it.
A filmography is a checklist of films that relate to a particular subject. A filmmaker’s filmography is a listing of his or her movies. A filmography is also a listing of his/her previous films. A filmography is a vital resource of info for movie followers. In addition, it’s an important tool for those who want to make a job in the film industry. In addition, a filmmaker’s filmography is a vital part of a director’s occupation.
A filmography is a listing of comparable films. It is not necessarily thorough, but it consists of all movies that belong to a topic. A director’s filmography, on the other hand, is a list of every one of the movies routed by him. A filmmaker’s filmography is additionally a superb resource of details on how to make a motion picture. It is feasible to create your own filmography by noting all the films that connect to the topic.
Typically, a filmography is a list of motion pictures with comparable qualities. A filmography is not a biography, but it is an index of movies. A filmography is a listing of films with the very same qualities. A cinematographer is the person who produces a filmography. A supervisor’s filmography is not a bibliography. It is a data source of films that have actually been recorded in a details nation.
A filmography can be used to document an individual’s occupation. A filmmaker’s filmography is a collection of all his movies. A supervisor’s filmography is a collection of his or her work. A supervisor’s filmography is generally classified according to the supervisor’s design of films. It is a listing of movies that associate with a specific classification. It serves when you wish to mention films in a message.
A filmography is a checklist of the motion pictures that a person has actually routed or generated. It can be used to determine that has directed what kinds of motion pictures. A director’s filmography is a checklist of the films that he has actually guided. A filmography can be organized in various methods. A filmography is not restricted to details people. For example, a director’s filmography can be utilized to define his funny movies. It is also beneficial to compile a list of various kinds of films.
A filmography can be extremely extensive, or it can be as basic as a list of movies in one genre. A filmography can also be a listing of films that connect to particular requirements. As an example, a star’s filmography is a checklist of his films. A supervisor’s filmography is a checklist of all the movies he has guided. For instance, a director’s filmography could be a list of all his funnies.
A filmography is a listing of movies that a person has joined. A filmography might be a star’s filmography if he has starred in numerous films. A director’s folio may be a supervisor’s filmography if he guided more than one funny. The listing of movies must be detailed by title. Italicized titles are much better than the original titles, which are not necessarily the exact same. click here
A filmography resembles a book, however it is not limited to the works of a solitary individual. It can be a collection of films from a certain category. A supervisor’s filmography will consist of all of the movies he has actually made. A supervisor’s filmography is a listing of all his movies. It might also include the films that the director directed during his profession. A filmmaker’s filmography can be as huge or as tiny as he suches as.


Although we did not make the original pleated scarf from the movie, “Confessions of a Shopaholic,” we were able to successfully recreate one that looks just as good… if not better :-). I didn’t actually know anything about the movie until a friend of mine mentioned it, asking if the scarf was ours. After watching the film, I told him that I could replicate the scarf, no problem – when I gave it to him, he became so elated.
Below is a picture of Isla Lang Fisher wearing the green scarf in the movie.
…and this is the scarf we made!


'The Christening’ is a landscape of the heart. It is a rollicking great read about a girl, a guy, a baby and a Spitfire. It has love and hate, war and peace, betrayal and redemption, the hand of God ... and drinking Guinness. Based in Ireland during the Second World War, it’s a musical with action, drama, romance and magic. Appealing to a wide audience and age group, it’s like watching a Classic Movie that casts it’s spell over the wide panorama of your imagination. In a word ... “Unputdownable!”
It Captures beautifully the magic of what it is to really, truly, deeply love someone.
It's like watching a movie - I was hooked. I can't wait to see it on the big screen.
I loved how the writer trusted my own imagination. It was provocative - I felt compelled to read it all in one day.
What a voice - when I heard her singing to him at the market I knew there was going to be fireworks.
The Christening has a ring of innocence that is a refreshing break from all of the edgy tones that prevail these days
Hollywood screen writer, Emmy - Bafta and Humanitas award winner.


Boston Area Theatre Website Design Drives More Time on Site and Page Views
The Capitol Theatre and Arlington has been showing films since 1925. The theatre website design features movies coded with movie listing schema to ensure top ranking for movie buffs searching for movies and listings. The site was designed to increase visitors’ time on site and lower the number of site visitors who bounced from the site immediately after landing on the site.
- 25% increase in Pages per Session
- 30% increase in time on site
- 34%decrease in bounce rate


The movie business, from its inception to today, as viewed through the lens of 300 of its most financially and/or critically successful feature films
Wednesday, February 17, 2010
Can Tim Burton's Alice Beat His Charlie
Can Tim Burton's Alice in Wonderland beat Charlie and the Chocolate Factory at the box office? Even if it does that doesn't mean it will make a profit from its theatrical release - making the DVD sales critical to profitability. Now that distributor Disney has announced a shortened window between the theatrical and DVD release to increase DVD sales, theater owners are revolting. Per a recent Los Angeles Times blog, two of the U.K.'s three major cinema chains currently have no plans to show Alice in any of their theaters.


Check out the new trailer for “Footloose!!!”
It’s a really cool trailer! It reminds me of a movie that would’ve come out in the 80′s or even in the 50′s! Kenny Wormals looks like he could be the new James Dean while Julianne Hough looks so aspiring and bloody gorgeous!
I love how it looks so care-free! It looks like this movie will just have so much spirit and energy without it being like a corny musical. The only thing that worries me is that it’s a remake, and they don’t do as well as the original…but regardless, this movie looks pretty fun!
It looks like it’ll have its share of action, drama, bad-boy charms and romance, as well as some entertaining dance moves!
October 14th!!! Footloose!!!


MICHAEL KOEHLER spent his childhood making home movies in East Africa. After earning a BFA in Film & TV Production from NYU’s Tisch School of the Arts, he spent a year in Southeast Asia doing relief and documentary work. He then returned to New York City, where he edited narrative, documentary, and non-profit film projects for four years. He currently works as a screenwriter and story consultant and he also runs Lights Film School, an online education environment for independent filmmakers around the world.
NOAH WAGNER is an award-winning director, writer, editor and producer based out of NYC and LA, and a film school graduate of NYU’s Tisch School of the Arts. He has worked in varying capacities for The Daily Show with Jon Stewart, BBC, NBC Universal, Pepsi, The New Yorker, Expedia, Blue Man Group, and HBO, where he spent close to a decade creating ancillary video, VR, and digital content for documentaries, sports, and series such as Westworld, Silicon Valley, Ballers, and Game of Thrones.
His work has appeared on HBO, NBC, BBC, Nowness, Vimeo Staff Picks and The New Yorker, where it was named to their year-end “Best Of” list. His films have screened at film festivals worldwide - under the moniker “A Work of Ark” - and he is currently in development with Michael on the feature-length adaptation of Watch Room.


This blog I dedicate to all my friends who avoid fantasy (movies or books) like the plague. Allow me to take you to a world that is as real as your life right now. A world where you can escape whenever you like and return with answers to questions of your real life. Your fantasies could be as tragic as the real world, and the real world could be as magical as your fantasies.
Pan's Labyrinth (The Labyrinth of the Faun) written and directed Guillermo del Toro, tells the tale of Ofelia who comes with her pregnant mother to live with her stepfather Captain Vidal in post - civil war Spain. The vicious and conceited Captain is posted in the region to douse any unrest by anti-facist rebels in the region. The story draws a parallel between Mercedes the housekeeper who protects her rebellious brother by acting as an informer, and Ofelia who has to complete three tasks entrusted to her by a faun who claims that she is Princess Monana reborn.
Ofelia's endeavours range from fighting a monstrous frog to escaping a monster with eyes in his palms. She faces failure and rejection when they are accidents due to her carelessness, while her mother's condition worsens. In the meantime, Mercedes has to face her trials as the Captain's suspicions grow.
It is a fast-paced, thrilling, suspenseful narration that keeps you at the edge of your seat, as Ofelia and Mercedes bravely encounter the Captain's attrocities in their own worlds of real and magic-realism. Their fates are decided by the paths they chose to fulfil their destinies. Its a movie for audiences of all ages, children and adults alike. Guillermo del Toro, brings out the child in you, even while you realise the crudeness of both worlds - real and magic-real. The music is haunting, and blends in beautifully with the picturisation. The director spins a web of courage, honour, valour, and loyalty as he tells the tale of good and evil. Though tragic, the ending left me with a content smile on my face.


Detective Pikachu may not be the last film to see humans interacting with fictional Pokemon characters. Most recently, Netflix is reported to be in the early stages of developing a live-action Pokemon TV series.
The news came from an unnamed source who explained that the live-action Pokemon film would be written by Joe Henderson. “He is the executive producer of the popular Netflix series Lucifer, which is entering its sixth and final season,” the source told Variety, July 26, 2021.
In addition, the source also explained that the live-action project will be similar to Detective Pikachu, starring Ryan Reynold and Justice Smith, which was released in 2019. However, neither Netflix nor Henderson representatives have responded to the news of the project.
Allegedly, the development of the Netflix Pokemon series came because many users watched the existing Pokemon series, including “Pokemon: Indigi League” and “Pokemon Journeys”. Netflix has also made a push into anime in recent years, having previously announced series based on the “Far Cry”, “Splinter Cell” and “Terminator” films.
Netflix has also turned to more live-action adaptations of anime titles, including the upcoming “Cowboy Bebop” and “One Piece” films. Previously, the video streaming app also released the live-action film “Death Note” in 2017.
The Pokemon franchise as a whole has become a worldwide phenomenon since it was first launched in 1995. The franchise now includes several television shows, movies, video games, card games, books, comics, and more. The latest was live-action and Detective Pikachu proved to be a box office success upon its release.
Henderson is currently developing a series adaptation of the “Shadecraft” comic book on Netflix, which was announced in March. He also wrote the comic, working with artists Lee Garbett and Georgia Lee who is also an executive producer.


February 20, 2023
Shelia Daffe is an Emmy Award-winning casting director and co-founder of The Felix Organization. In this film, she shares her adoption story.
December 9, 2022
Dr. Brad Imler
Dr. Imler’s passion and commitment for adoption arose out of the blessing he experienced as an adopted child. He would later meet his birth mother when he was 20 years where he learned about the journey she made in choosing life and adoption for him.


Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmmable.
web site developed by kukulcan graphic design
"... recalling the work of Terrence Malick, Werner Herzog and the late Chris Marker... THE END OF TIME becomes immersive and hypnotic... a ravishingly beautiful experience."
"A work of vision... A globe-trotting cine-essay about time... poetic and lovely."
"Mettler's trippy films work as perceptual experiences... free your mind, and the rest will follow."
"Peter Mettler traverses the globe to explore (and explode) our conceptions of time, in this entrancing combination of documentary and mind-expanding philosophical speculation."
"One of Canada's great cinematic experimentalists returns with a documentary exploring the meaning of time... There is not a hint of the didactic here, but rather pure contemplation, much like Graham Coleman's 1979 masterpiece Tibet: A Buddhist Trilogy, which also sought to introduce a timeless, meditative state for viewers."
"Peter Mettler's poetic lens has inquired into everything from personal fulfillment (Gambling, Gods and LSD) to the Northern Lights (Picture of Light). Now he's after his most elusive prey yet: the very human concept of time... (The End of Time) is of a piece with Patricio Guzmán's Nostalgia for the Light, a film that similarly finds miraculous unity in seemingly random things."
"A film trip. A world film."
"A form of cinematic meditation ... powerful, moving and sensually ravishing to watch."
"Peter pushes forward with every new film, in his bid for a re-visioned consciousness."
"Mettler has tuned himself to the world. Always receptive to the unexpected."
"One of the year's best films, The End of Time isn't something you simply watch; it's something you surrender to."
"This mesmerizing documentary uses images and sound to observe time and make our understanding of it palpable."
"To call it a documentary is misleading... Cosmomentary would be a more appropriate name for the genre Mettler is pioneering."
"The End of Time explores an impressive array of ideas related to humankind's relationship with time. Better yet, it does so while providing an uncommonly intense degree of audiovisual stimulation - leave it to Mettler to make lava flows seem impossibly sexy."
"Mettler approaches time as might an alien who s come to Earth for the first time..."


TV Is Changing – Should Job-Seekers Be Worried?
But adaptation doesn’t have to restrict opportunities for those looking to break into the television or media industries. In fact, changes to the way Big TV does business could bring a breath of fresh air to their technology, the way they operate and the way they hire.
Casting Choices: A-lister vs. Minority
The entertainment industry does not have a great track record when it comes to portraying minorities on film. They aren’t exactly making strides when it comes to pumping diversity into their casting calls, either.


Main / Health & Fitness / Links to vampire diaries
Links to vampire diaries
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Unlinking spells allows a witch to sever the magical link between two or more beings previously established by a Throughout The Vampire Diaries Series. I am officially opening up preferences for Supernatural! The characters I'll write for are (I will also accept ideas for other people that aren't on this list). Vampire Diaries If you are a Vampire Diaries fan, then you should definitely watch The CW's new series called “The Originals,” a spin-off of the show. Two of the. External links. Website · Production website. The Vampire Diaries is an American supernatural drama television series developed by Kevin. The Vampire Diaries Follow this link. Make sure you scroll all the way down because there are a bunch of ads in there.
[Warning: This story contains spoilers from The Vampire Diaries' season six finale .] The Vampire Diaries said its goodbye to Elena (Nina. The latest Tweets from logoless tvd (@logolessvd). not my links! (posting The Vampire Diaries [3x13 — Bringing Out the Dead]kaitecissi.tk#!PFRS2bhL!-. Official Post from After Show Reactions: If they're blocked on YouTube, you'll find the links here. This will be updated for every episode. Note: Do not read on if you have not seen Season 3, Episode 12 of The CW's The Vampire Diaries, entitled, “The Ties That Bind.” I have a. Contents[show] Legacies Cast Crew The Originals Cast Crew The Vampire Diaries Cast Crew See also Website Twitter Instagram Facebook YouTube The CW.
Unlinking spells allows a witch to sever the magical link between two or more beings previously established by a Throughout The Vampire Diaries Series. A place for fans of The Vampire Diaries to share their favorite articles, bookmarks, links, and websites. Vampire Diaries If you are a Vampire Diaries fan, then you should definitely watch The CW's new series called “The Originals,” a spin-off of the show. Two of the. i either got them from the vampire diaries screencap gallery (kissthemgoodbye. net, but there are a couple others) and i got some from a nina dobrev fansite (that . Candice Accola and Kat Graham talk New Year (Examiner) Paul Wesley Talks Vampire Mania (Gossipcenter) Will Rose Die From A Wolf's Bite.


The Topic that I am considering doing for the class final project is a magazine styled article that discusses the struggles women from that past and present have had while attempting to achieve recognition within the industry. Women such as; Marion Dougherty (casting director), Tracey Moffat (film director), Greta Schiller (director, producer, cinematographer), Sofia Coppola (director), Agnes Varda (director, producer), and many, many others, have all had to (and still have to) overcome the obstacles of finding their roles in film, looking past all of the gender bias and notions that film and cinema is a 'man's industry'. There are so many great female directors; cinematographers; producers; casting directors; editors; and grip members throughout history that helped shape so many films that we as spectators deem as 'classics' and 'must sees', who have challenged society's way of looking, yet many of which, people still haven't heard about. Its appears that there has always been a huge difference in percentages between men and women working behind the scenes in cinema and film, and those numbers are either dropping even lower, or have remained at a constant for at least three years, if not more.My goal is to create a researched supported opinion article that hopefully has the power to inspire women and all others who have felt ostracized within the film practice, young and old, to follow in the footsteps of the great women pioneers of film industry, and those who are just recently starting to make a name for themselves. I am going to construct a magazine cover (brush up on my photo-shopping skills), that features a number of powerful, professional women in the field. No one is going to change the nature of cinema for us, we have to do it ourselves. Maybe by understanding more about how these women fought discrimination, and still had the strength to do what they love, this goal could be achieved. I hope to inspire females all over the world, with different cultures and ideas to stick to their guns and just go for it. The worst that could happen? We realize a flaw in our strategies, in our approaches and attempts, and we learn from them. As an aspiring worker in post production in film and television, I am also very curious about how one gets their foot in the door and paves the way for a future in a creative career that is mainly driven by men. For this I will research numerous internship opportunities and entry level positions, for those who have the same dream of working with film, despite the hardships that are expected to come, and study how often women actually get the positions they interview for. How many denials and rejections did they have to go through before they landed the positions they sought out for, if they even did. I hope this article will inspire and motivate young women to actually get out there, in the media field, and go for it. The Industry needs more young people especially women, as illuminated in the Celluloid research findings. We make up only a small percentage of the hundreds/ thousands of people working in the film industry, and It can quite discouraging for aspiring editors, colorists, cinematographers, directors and producers that feel held back because of their age and gender.One day I hope to have my name listed among these groundbreaking women, and who knows, maybe one day I will (maybe I'll just add it in my pretend magazine just because) :}
- Topic: Women in Cinema: The Struggle for Roles & Recognition
- Research thus far:
- The Celluloid Ceiling: Behind-the-Scenes Employment of Women on the Top 250 Films of 2012 by Martha M. Lauzen, Phd.
- Rickey, Carrie. "Female Directors Gain Ground, Slowly."The New York Times. N.p., 11 Jan. 2013. Web. 3 Oct. 2013. <http://www.nytimes.com/2013/01/13/movies/female-film-directors-slowly-gain-ground.html?_r=1&>.
- Kang, Inkoo. "Weekly Update for November 8: Women Centric, Directed and Written Films Playing Near You."Women and Hollywood. Indie Wire, 06 Nov. 2013. Web. 09 Nov. 2013. <http://blogs.indiewire.com/womenandhollywood/weekly-update-for-november-8-women-centric-directed-and-written-films-playing-near-you>.
- "WMM | ABOUT | JOBS AND INTERNSHIPS."WMM | ABOUT | JOBS AND INTERNSHIPS. N.p., n.d. Web. 09 Nov. 2013. <http://www.wmm.com/about/jobs.shtml>.
- Jamie. "Women, Action, & the Media."WAM. Gender Focus, 26 Feb. 2013. Web. 09 Nov. 2013. <http://www.womenactionmedia.org/2013/02/26/my-boobs-and-i-are-outraged/>.
- Lyn, Charlie. "Hollywood Plotlines Are Still Sidelining Women." The Guardian. The Guardian, 1 Nov. 2013. Web. 09 Nov. 2013. <http://www.theguardian.com/film/2013/nov/02/don-jon-no-real-women-in-hollywood>.
Friday, October 18, 2013
Women in Cinema: The Struggle for Roles & Recognition
Posted by Anonymous at 9:28 PM


"Hello, My Name is Doris" is one of a growing number of movies targeting Boomers -- and this one should be especially endearing because it stars Sally Field. It is wonderful to see her back on the screen playing Doris Miller, a single spinsterish woman who fantasizes about a romance with a younger man. The plot alone is reason enough to support the film, even though at times it seems Doris is being made fun of instead of having fun.
Still, there are lessons to be learned from this charming, funny, and poignant film. For one thing, Doris is a hoarder, replicating the undesirable behavior of her deceased mother; in fact, she continues to live in her mother's junk-filled home. Let this be a lesson to those who cannot let go of the past. On the positive side, however, her imagined romance breathes new life into Doris in a way that demonstrates embracing new things is possible at any age. When she steps outside her comfort zone and becomes something of a trendy heroine to the younger generation, Doris really is symbolic of the Boomer penchant for reinvention.
Doris' pining for a younger man, while sad in some ways, is a welcome change from the more traditional older man-younger woman scenario that occupies life, literature, and movies. It certainly shows that women are just as capable of lusting after youth. In the end, however, the real lesson of the movie is that after all of her angst, Doris emerges a better, stronger, more together person. And Sally Field plays her to perfection.


Mr. Fixit has finished for the week. The tiling in the bathroom is finished. Now we wait for the new vanity and the shower doors to arrive. Mr. Fixit needs some time off, and so do I. So, I could have slept in this morning. My life is my own for the next three days.
I slept poorly all night long and finally got up just before five. I may go back to bed after writing this, though, which is something I could not do if he were here. So. . . there is that, anyway.
As I write here this morning, I realize that I may not be coherent enough in thought to put together a post. My body tingles with fatigue. My brain is fog. I am consumed by anxieties and fears that would do me no good to confess.
Such is life.
And such are movies. Films, if you prefer. I have decided that the best parts of most films are the exposition. Nearly all filmmakers can start a movie well. After introducing the conflict, however, after the movie takes its dramatic turn. . . . I've decided that I will only watch movies up to that point. Sometimes you can get a good half hour or more before the dramatic arc takes you into terrible territory. I've learned all I ever will from conflict. I'm schooled in it. Neophytes must learn from it, and it is best if they can learn much from dramatic narratives and cautionary tales. They don't, of course. They go out to see if it is true. But perhaps they will remember the lesson that drama tried to teach them after they are burned.
Me? Oh, I'm done with that. As I say, I'm just going to watch the pretty part of the movie now. That has always been the best part, anyway.
I will post this now, but I may come back and add to it or change it after I get up again. Now, I must return to my bed and try to get more rest. I feel I haven't rested for months.


Published on June 11th, 2013 | by Zane Merva0
Ford Mustang wins lead roll in Need For Speed Movie
Ford Motor Company and Dreamworks have announced that the two have partnered to produce a feature film based on the popular video game series “Need For Speed.” The upcoming action flick will feature a custom “hero” Mustang as the star of the movie.
The movie, slated for a March 14th, 2014 release, will feature “significant integration” of Ford products and will star “Breaking Bad” star Aaron Paul as the lead.
“’Need for Speed’ is rooted in Americana, and when we were casting our hero car for the film, Ford Mustang was the obvious choice,” said Stacy Snider of Dreamworks Studio. “With its 50-year history in film, the iconic Mustang is the perfect co-star for Aaron Paul. We are privileged to have such an esteemed partner like Ford working with us on this film and look forward to seeing their Mustang up on the big screen next year.”
“Ford Mustang is a symbol of freedom and optimism that allows you to be the person you dream of being, making it the perfect fit for this story,” said Farley. “Ford is excited to partner with DreamWorks and Electronic Arts as they bring the epic gaming franchise of ‘Need For Speed’ to the big screen, allowing us to go further with them as they tell their great story on the global stage.”
To say the Ford Mustang has been used a lot in the movies would be an understatement. The iconic pony car has seen over 3,000 cameos in feature films over the years. The car has had a role in multiple James Bond movies, including “Gold Finger” and “Diamonds Are Forever.” Of course, nearly everyone knows about the Mustang’s most famous role, starring alongside Steve McQueen in the Movie “Bullett”
The next game in the ‘Need For Speed” series, “Need For Speed Rivals” is due out on November 19th of this year (2013) and will be available on XBox 360, XBox One, and Playstation 3/4.


I love horror flicks, as I've probably indicated on several occasions, but when I first saw the trailer for House at the End of the Street, I thought it looked interesting, but something I could wait for DVD on. But it was my daughter's turn to pick the movie, so off we went.
The movie opens by showing us the brutal murder of a couple by what appears to be their daughter, who bludgeons them both to death in a creepy sequence.
Flash forward a few years to teenaged Elissa, played by Jennifer Lawrence (The Hunger Games, X-Men: First Class), and her mom moving into a new house after leaving Chicago. It's a nice house, and Elissa's mom points out the only reason they can afford such nice new digs is the murder house across the way. They're told no one lives there anymore, but Elissa soon meets Ryan Jacobson, the son of the dead family. He is in fact living in the house, and soon tells her how his sister Carol Anne murdered their parents after being in an accident that gave her brain damage and changed her personality. Supposedly, she ran out into the woods afterwards and may be there still (giving a nice urban legend to the small town). Ryan is an outcast, of course, because people are creeped out that he lives in that house all alone. But is he really all alone? What happened to Carol Anne?
Of course, Elissa is an open-minded, sensitive girl who can handle herself. She befriends Ryan, moodily played by Max Thieriot (Nancy Drew, My Soul to Take), and tries to draw him out into the world. Needless to say, it doesn't go well.
That's really all I'll say here, because as is required by law, all horror movies these days have a twist. I won't give this one away, but it's pretty clever. This is a perfectly servicable movie, not great, but good enough where you don't feel you wasted your time. It puts more character development out there than normally is seen in these movies, as you witness a lot of conflict between Elissa and her mom, ably played by Elisabeth Shue (Adventures in Babysitting, The Karate Kid). Not to mention Jennifer Lawrence is an Oscar nominated actress, so the talent is pretty high caliber.
All in all, good, not great, but creepy and entertaining.


MAKING THE MAGIC
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When you work with Blue Telescope, you’re working with musicians, dancers, artists, designers, filmmakers, programmers, and engineers. We bring our many talents and our whole selves to work—a rowdy cast of characters ready to stage your next production. We have enormous range and give it everything we’ve got! You’ll eventually feel like one of the gang. Together, we’ll risk presenting your idea in a way that’s surprising and new. The work will be better for it.


In the words of Bob & Tom Show character Donnie Baker…”I’ll say it right to your face”…Tom Cruise is my favorite actor. He gets no love from Hollywood or the millions of award shows that they like to throw themselves. Everyone who acts WITH him seems to grab the awards. He’s just Tom and he makes bad ass movies and I can’t wait to see Jack Reacher 2 coming out this Friday, Oct. 21st. By the way…does the guy age at all? Regardless of how one may feel about his personal life it has to be noted that he is a great actor and a true movie star. Let’s face it…there aren’t too many real movie stars anymore. When you think of this guy’s movie catalog it’s pretty mind blowing. I don’t care what people think…Tommy is my favorite and dang if Jack Reacher 2 doesn’t look like a kick ass movie!


Sara Ali Khan full biography, Wiki, Age, Height, Weight, Family and Relationship.
|Sara Ali Khan|
Let’s know about Sara Ali Khan
Sara Ali Khan is an Indian actress. Born in the family of Nawabs, She made her debut in the glamor world with the film ‘Kedarnath’ (2018).
Sara Ali Khan was born in Mumbai, India on August 12, 1993 (age 25 years; in 2018). In 2017, She entered the world of glamor with the film ‘ Kedarnath‘. Even before being an actress, with her mother Amrita Singh! Hello! ‘Appeared on the cover page of the magazine.
Sara Ali Khan did her studies from Besant Montessori School, Mumbai, India. Her parents were so eager to bring her to school that she had to lobby for that school’s headmaster for Sara admission. She completed her graduate studies in History and Political Science from Columbia University, New York in 2016.
She wanted to be an actress, while her father, Saif Ali Khan, wanted to complete full studies before. In 2018, she stepped into Bollywood with the film ‘Kedarnath‘ with Sushant Singh Rajput. This movie is reportedly inspired by the 2013 Kedarnath disaster.
Family & Relatives
Sara Ali Khan was born and raised in a Nawab family of Mumbai. Her grandfather, Mansoor Ali Khan Pataudi, was a famous Indian cricketer, while his grandmother, Sharmila Tagore, is a famous actress. She is the daughter of famous Bollywood actor Saif Ali Khan and Amrita Singh. She has a brole Ibrahim Ali Khan.
Sara Ali Khan is 165 cm tall and weighs almost. 50kg As a child, Sarah Ali Khan had a high weight and weighed approximately 96 kg. She worked hard and transformed to fit with fat. Sarah Ali Khan followed a balanced diet to reduce the weight of gaming and weight.
After that her body Measurements is 32-26-34.
|Biography & Wiki of Sara Ali Khan|
|Real Name||Sara Ali Khan|
|Age ( in 2019 jan)||25 years|
|Date of Birth||11 Agust 1993|
|Birth Place||Mumbai, Maharashtra, India|
|Hometown||Mumbai, Maharashtra, India|
|Debut||Film:- Kedarnath (2018)|
|Body Measurements||32-24-26 Inches|
|Waist Size||24 Inches|
|Hip Size||26 Inches|
|Eye Color||Dark Brown Color|
|Father||Saif Ali Khan (actor)|
|Mother||Amrita Singh ( actress)
Step mother- Kareena kapoor Khan (actress)
Ibrahim Ali Khan
|Boyfriend & Marital Status|
|Boyfriends||Veer Pahariya (Shushil kumar shinde grandson) by Abp news|
|Education & College|
|Education Qualification||Graduated from history and political science|
|School||Besant Montessori School, Mumbai|
|College||Columbia University of New York|
|Favorite Actresses||Katrina Kaif|
|Favorite destination||Goa, London and New York|
|Net Worth||$12 Million|
|Salary||11-12 Crores (INR) per Film|
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6 months in, the latest director to get the [the films of] treatment is Michel Gondry. An obvious choice, seeing as the series is all about diversity and originality, qualities that perfect this filmmaker’s palette. This Behind [the films of] post explores how I tried to compress Gondry’s films to under 3 minutes.
Here’s a great quote from Michel Gondry:
Childhood occupies the biggest part of your brain, so a lot of my memories onsciously (and consciously) enter the videos I do.
The first thing anyone will notice from a Gondry film is the playfulness. His films are filled with home-crafted materials and visual tricks. You could almost say he makes films for ‘the child in you’, and that’s exactly what makes his films a delight to watch. I chose to open the video with the playful notes from Grizzly Bear’s Two Weeks, along with this kid from Eternal Sunshine of the Spotless Mind playing in the rain.
I actually didn’t do this little quirk on purpose. I put the clip on the timeline and this little red light ignited in perfect sync with the music. It was such a great moment, I wish I did come up with it myself.
But we erased that.
This is where the magic of editing hands a helping hand. In the film, Jack Black says this line while behind a group of people. Obviously that’s not a great shot, because you want to make it last for about 2 seconds max and you don’t want the viewer to have to look for the person saying the line. In the trailer for Be Kind Rewind, they solved this by showing this shot of Jack Black, who is conveniently in a pose that really suits the line. I always thought that moment was more hilarious in the trailer than it was in the film, so I copied it here.
First Green Hornet shot here. I actually enjoyed this film, I thought it was very refreshing to have a superhero film and a buddy comedy in one, I’d never seen anything like it. I think the big mistake is to go in expecting something like the trailer was advertising. It’s definitely not Gondry’s finest work, but I disagree with people who say it’s a bad film. Unfortunately it doesn’t harmonize with a lot of other shots, apart from the very few I used here. It was really hard looking for these little bits that would work.
I butchered Two Weeks a lot, but fortunately the song is so strong it can handle almost any cut you throw at it, and it even sounds really cool. That’s when you know you have a good track, if you can mess with it and it still sounds awesome.
This is where Killer Crane by TV on the Radio kicks in. It’s from their new album Nine Types of Light (which you should definitely give a listen). There’s a very subtle, warm flow through the entire song, which really builds up to the ‘dreaminess’ of the third part.
I think The Science of Sleep is Gondry’s best work, so it gets a little segment of it’s own here.
How happy is the blameless Vestal’s lot! The world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each pray’r accepted, and each wish resign’d.
This quote from Alexander Pope (used in Eternal Sunshine of the Spotless Mind) is an intro to the third segment of the video, which is set to an acoustic version of Sleepyhead by Passion Pit. The third segment is an ode to dreamers, including mister Gondry and some of his characters (such as Stephane).
I needed a smooth transition to this shot, because the previous shot has a lot of light and conveniently also a lens flare, so I could use the light coming from the projector to make the transition smoother.
This is a great font called Impact Label. I used a white color because black kind of disappeared in the shots and I did want the titles to be more prominent.
This is one of my favorite shots ever, so simple and powerful, which is why it’s the very last shot.
Like with every episode of [the films of], I have a very good reason for choosing the next director. The line-up so far has been pretty impressive, but there hasn’t been a filmmaker like Gondry. [the films of] is all about great filmmakers doing their thing, but it also has a collective goal: showing the minds that shape film as we know it today. That goal is also the reason there are only active directors in the series.
In the series as a unit, Gondry represents European cinema and the impact it has had through the years. I felt it was really important to have a really distinctive director from Europe, one you wouldn’t find anywhere else, and Michel Gondry is exactly that.
And to think we’re halfway already! Only 6 more [the films of]’s to go, and wow, what a load of amazing filmmakers lined up for the rest of the year. Next month’s episode hits July 29th, and it is certainly going to be the favorite for many of you. Here’s a hint: lamp.
Keep an eye out for some exciting announcements on my Tumblr next month!


LOS ANGELES, CA — Boyd Kestner and Natalie Imbruglia will star in an independent family comedy called “Little Loopers” currently in production in Palm Springs, California.
Natalie is best known to audiences as Beth Brennan in the popular Australian soap opera Neighbours, as well as her starring role in Johnny English. Natalie is also an accomplished singer/songwriter selling over 6 million albums. Boyd Kestner has many memorable roles in iconic films such as Hannibal, Black Hawk Down, and G.I. Jane.
Written and Produced by Boyd Kestner “Little Loopers” is the story of a once promising golfer named Hutch McGee (Boyd Kestner), who after a mishap with the law, is sentenced to community service. Hutch is then forced into a coaching position for “First Tee”, the outreach program for children ages 10-16.
Initially, Hutch just wants to serve his time and makes no effort to better the lives of the children, a hilarious quintet of kids, but once he begins his work, he is smitten by the organization’s director, a beautiful, devoted woman named Kristin Wright (Natalie Imbruglia).
It is through Kristin’s commitment to the children that Hutch slowly begins to change his ways. Along the way, he begins to bond with the children in a way he could never have imagined.
The cast also includes Rob Morrow (Numb3rs) as Big Earl Boyd as Louis, Jay Ferguson (Mad Men) as Todd and Gregg Bello (The Wrestler) as Joe the Bartender.
Directed by Jimmy Valdez and Produced by Chris Barish and Jimmy Valdez of Barish/Valdez Entertainment. BV2 is a newly formed production company by Christopher Barish and Jim Valdez with an initial focus on family entertainment.
The company just wrapped production on its first feature film “Zoey to the Max” starring Amy Smart and Grant Bowler and is currently in production on “Little Loopers” starring Rob Morrow, Natalie Imbruglia, Morris Chestnut and Boyd Kestner.
Imbruglia is currently represented by Leigh Brillstein at Resolution and Todd Diener and Katie Rhodes at Untitled Entertainment.


Afrikaans movies online
Discover Afrikaans movies and films online - Join now to learn more about Afrikaans culture and language through movies.
Afrikaans movies & news . Afrikaans. Browse our collection of the latest full length movies . Visit SBS On Demand. Movie snacks. Explore Afrikaans. Find upcoming movies and TV shows that speak
You can find some of the best Afrikaans movies on streaming sites such as:
A collection of vintage Afrikaans films from South Africa. This playlist is a useful substitute for the friday night bioscope sessions!
Afrikaans and South African Movies Online - Join our community to discover the very best films from classic movies to contemporary award winning titles.
You can stream this Afrikaans series online on Showmax. READ ALSO: Top 15 Afrikaans movies of 2019-2020. 2. Die Spreeus. IMDb score: 8.6/10. As you stream series online, do not forget this one. Just like Die Byl, this series is about investigations too. However, the hunted are not serial killers but rather ghosts and other types of creatures
Jakhalsdans is a full-length Afrikaans film with English subtitles on Loxton was shot and 23 April 2010 started to turn in theaters. Directed by Oscar nominee Darrell Roodt . The premiere


HBO’s latest collection, The Final of Us, is setting viewership data on the community. This previous Sunday’s second episode, titled “Contaminated,” reached 5.7 million viewers throughout linear TV and HBO Max over its first night time within the US, which was good for a 22% spike in viewership from the January 15 premiere. This was the very best proportion progress for an authentic HBO present from its premiere to its second episode within the historical past of the community, in keeping with Selection.
For comparability, episode two of Home of the Dragon reached many tens of millions extra viewers–10.2 million–but the proportion progress in comparison with the premiere was solely 2%.
The January 15 collection premiere of The Final of Us, in the meantime, has now climbed to 18 million viewers in its first week, which is greater than 4 instances the viewership for its premiere of 4.7 million. The debut of The Final of Us on HBO was the community’s second-biggest collection premiere since 2010, solely trailing Home of the Dragon.
HBO has stated that Sunday night viewership for any collection often represents about 20%-40% of a present’s whole viewership per episode. As such, “Contaminated” ought to see an enormous bump in viewership within the coming days. In any case, the collection premiere climbed to 10 million viewers after two days.
New episodes of HBO’s The Final of Us air Sunday nights at 9 PM ET, working as much as the Season 1 finale on March 12. There’s additionally an official podcast hosted by Troy Baker during which Mazin and Druckmann break down every episode scene-by-scene.
For extra, take a look at GameSpot’s interview with Tess actress Anna Torv, who breaks down the horrifying climax within the newest episode.
The merchandise mentioned right here have been independently chosen by our editors.
GameSpot could get a share of the income in case you purchase something featured on our website.


Me & Mental Health
Arusi "The Wedding"
Arusi "The Wedding" is the name of the ensemble theatre production created by the Me & Mental Health team with Free Theatre. Me & Mental Health is the initiative of a team of young African Australians in the western suburbs seeking to address the mental health crises within their communities and the cultural challenges in response. Originally designed as a dialogue theatre work, the Covid-19 restrictions have limited the production to a play-reading form for film, with live performances occurring in late 2023.
Arusi tells the story of a young guy facing the pressures of his imminent wedding amidst family expectations, financial burdens, and the lingering cloud of Covid. Inspired by Nigerian popular theatre, the play unpacks the cultural complexities around mental health through a powerful character-driven narrative and a comic melodramatic style.
Watch the Playreading
Watch the Me & Mental Health Clip


Jeffrey Hunter, responsible. Henry Herman Jr. McKinnies. (Born November 25, 1926 in New Orleans, died. May 27, 1969 in Los Angeles) – American actor and film producer.
He was the only child of sales engineer. His parents met at the University of Arkansas, and in 1930 the family moved to Milwaukee, Wisconsin. As a teenager, he performed with the North Shore Children’s Theater, the local Port Players (1942-1944), local television station WTMJ-TV and theater in Chicago. In 1945, after graduating from high school in Whitefish Bay High School, where he was captain of the football team, he enlisted in the U.S. Navy States and in 1945-46 underwent training at Great Lakes Naval Station in Illinois. On the eve of his transfer to Japan fell ill and was discharged from military service. In 1948, he worked at two radio programs at Northwestern Playshop. In 1949, he received a bachelor’s degree from the School of Speech at Northwestern University in Illinois, and then began studying on a scholarship at the Department of Radio and drama at UCLA, where he appeared in student presentation only my sons (All My Sons, 1950).
His onscreen adventure began performing in Shakespearean drama Julius Caesar (Julius Caesar, 1950) alongside Charlton Heston and noir thriller Fourteen Hours (Fourteen Hours, 1951), where she made her debut as Grace Kelly. Over the next two decades, Jeffrey Hunter revealed his versatility as an actor in a wide range of films – dramas, comedies, westerns, sci-fi and war movies. He has won appreciation in the role of Jesus in the film Nicholas Ray’s King of Kings (King of Kings, 1961). In 1963, he signed a two-year contract with Warner Bros.. The NBC series Star Trek (1966) starred as Captain Christopher Pike of the USS Enterprise. Over the next few years, he played in several movies filmed in Class B Europe, Hong Kong, Mexico and Asia, and occasionally in the Hollywood television productions.
In 1969 in Spain, during the filming of criminal Hurray America! (¡Viva América!), Jeffrey Hunter was accidentally wounded in the blast. Soon after, he began to complain of headaches and dizziness. He was briefly hospitalized after returning to Los Angeles. Shortly afterwards, May 27, 1969 for the stairs in his house fell and hit his head, suffered a brain hemorrhage. He died at the age of 42 years, during surgery for treatment of fractures of the skull.
He was married three times; Barbara Rush (from 1 December 1950 to 29 March 1955), with whom he has a son, Christopher (born 29 August 1952). His second wife was an ex-model Joan Bartlett (from 7 July 1957 to 28 February 1967), with whom he has two sons – Todd and Scott, and adopted son of Richard Steele (born March 9, 1953). February 4, 1969, he married for the third time with Emily McLaughlin.


Originally published November 2014
To think you knew all the trivia there was to know about The Princess Bride, only to come across a book with even more entertaining nuggets of information?
In the wake of one-of-the-best-movies-ever’s 25th anniversary, actor Cary Elwes delivers a wonderful memoir about one of Rob Reiner’s signature films, the screen adaptation of William Goldman’s “The Princess Bride.”
This isn’t high art. It’s not going to win a Pulitzer. It’s not a book destined for book clubs everywhere. It’s just fun. From the beginning as Reiner scores the rights to make the film, and he along with friend and partner Andy Scheinman cast the film, to the wrap and subsequent screenings, Elwes narrates the experience from a 24-year-old’s point of view—the guy who just landed his biggest role at the time, and certainly one of the most memorable of his career (although my 17-year-old much prefers his stint on “Psych.”)
I’m not going to score a Ph.D. for learning any of this, but my pop culture IQ gained a few points from discovering:
- Elwes served as a PA on “Octopussy,” and was charged with driving Roger Moore to and fro.
- Andre The Giant was loved by everyone on the set. And he could drink you and the rest of the pub under the table.
- Christopher Guest’s Count Rugen really did knock out Elwes’ Westley.
- Elwes and Mandy “Inigo Montoya” Patinkin worked for months on the infamous swordfight scene and only used doubles for the acrobatics off the bar.
- Robin Wright had to do “Santa Barbara” for another year in exchange for time off to film the movie, which is fine by me, because the girl killed it as Kelly Capwell. Damn, I loved that soap. (Eden+Cruz=4ever!)
- Michael Palin was tapped first to play the Impressive Clergyman, but had to turn it down because of his upcoming role in “A Fish Called Wanda”—also so, so good!
But there’s more—maybe even a life lesson if you’re willing to listen closely. Outside of enjoying a story about what a great experience it was to make the film, it confirmed what I think is really a tenet of positive work environments, happy families, and just plain ‘ol good living—it comes from the top down, and it is supported by an all-in kind of commitment from the people involved. Not a single person interviewed said anything differently about director Rob Reiner than this—he was generous, kind, supportive, engaging and knew what he wanted without being an asshole about it.
And for the actors involved, everyone was all business and all about having fun at the same time. As previously mentioned, everyone holds their memories of Andre close—that he was just a lovely person and so kindhearted. And much like Elwes, Patinkin, Wright et al gave nothing but their best from start to finish.
It’s that kind of passion I like to see in my family and at work—an overall spirit of positivity. And when things like, such as in case of the movie, the weather, get in the way of making progress, it’s best to know what you can control and what you can’t, and remain confident the work will get done.
The Princess Bride, still teaching a thing or two, 25 years later. Thank you, Cary.


So, over thanksgiving Break, I read I Am Number Four, The Power of Six, The Rise of Nine, and all the little novellas in that series.
And I Watched the I Am Number Four movie.
Now, I do recall liking the movie the couple of times I’ve watched it in the past. This last time I watched it, however, I read the book RIGHT BEFORE watching the movie. This caused me to notice everything, details both small and big, that the movie got wrong, and I was very bitter.
I don’t like to be bitter. In the future, I shall make a conscious effort to put at least a month in between reading a book and watching said book’s movie adaption.
Especially for The Mortal Instruments movie that’s coming out next summer. I really don’t want to be bitter watching that movie.
So, mainly, if there’s been a sizable chunk of time between reading I Am Number Four and watching the movie adaption, there’s only one thing that really annoys me, and that’s that a couple of the big events in the book were moved forward one event in the movie, i.e., Sam finding out John’s an alien and Henri’s death.


Priceless opens in theatres nationwide on Friday, October 14 with an important message:
She’s Worth Fighting For…
for KING & COUNTRY’S Joel Smallbone stars in the movie as James Stevens, an unlikely hero. Inspired by true stories the movie is a drama/thriller with redemption as an underlying theme. When James (Smallbone) finds himself at a dark crossroad in life he has a choice – impact lives for good, at his own peril; or, for evil.
“Part of the DNA of for KING & COUNTRY is this idea of respect and honor in relationships and women being priceless,” Joel says. “What we’ve found in our beliefs as men is that people are made equal. The film continues the idea that no one is a commodity and everyone deserves to be loved and loved well. And we are fortunate to have our family on board for this journey.”
Ben Smallbone directs while David Smallbone and Luke Smallbone serve as executive producers. Early into the filming process Joel shared how much working with his brother on the project meant to him:
https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2Fpricelessthemovie%2Fposts%2F1640230999552886%3A0&width=500Filming for the movie began in August 2015 in Albuquerque, New Mexico. Bianca Santos and Amber Midthunder also star – alongside Jim Parrack and David Koechner. In preparation for his part Joel, who is originally from Australia, partnered with Steve Corona – dialect coach:


Well howdy-doo everybody.
It's time for my Tuesday update to the sketch a day. After watching the amazingly well done Dual Spires episode of Psych I found myself a little inspired by the source material/inspiration for this show.
If you were a fan of Twin Peaks this was probably one of the best pieces of comedy you will watch on TV this year.
I can't say enough about how well it was executed. Flawless.
Anyway, I sat down to do my sketch and all I could think of was poor Laura Palmer and Detective Dale Cooper. So I started sketching, and found that I had put down a rough outline of Laura and Detective Cooper in the Black Lodge.
I think I'll probably go about finishing up the sketch tomorrow. I know, I've been doing a lot of sketch series lately. But I think I really want to see how this one looks more fleshed out.
I'm also really wanting to sit down and watch the series again. And I do have a couple weeks of vacation coming up, so it's a strong possibility to actually happen soon.
Maybe I'll see you all there. On the other side.


Social Justice Movie Viewing: SKIN
Time & Location
About The Event
The Social Justice Team Invites You to a Showing of the 2019 Oscar Award Winner for Best Live Action Short: “SKIN”
Directed by Guy Nattiv
In “Skin,” a young boy has an innocent encounter with an African American man at a supermarket and his parents react to the exchange with racial violence. The two families find themselves in a clash with shocking consequences.
We will view the twenty-one minute film together on zoom with a discussion to follow. Watch the trailer HERE.


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8.5" x 11"
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PERFORMING ARTS / Film & Video / Screenwriting
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ROCKINGHORSE is a modernized, satirical adaptation of the multi-award-winner, TO KILL A MOCKINGBIRD. The screenplay, ROCKINGHORSE, is a compilation and reworking of three MOCKINGBIRD source materials: the film, the reading script, and the novel. ROCKINGHORSE is a family script. The lead is a single father, a lawyer raising two young sons. Societal themes upgraded for the 21st century are: from rape, to sexual harassment; from racial bias, to cybertech bias; and from getting the mental illness stigma, to the getting-high recovery process. ROCKINGHORSE is a comedic drama. This screenplay heavily draws upon humor to lighten up life.
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Homeschool Global Visayas presents Broadway Youth Cebu’s Summer 2023 Musical Theatre Workshop production of the global hit musical “We Will Rock You” on July 21, 22 and 23, 2023 at the Siddhartha Theatre, Guang Ming College.
After a three year hiatus, Broadway Youth Cebu, the recipient of BroadwayWorld Philippines Theatre Company of the Decade, conducted its 2023 Summer Musical Theatre Workshop and will now present its culminating event – the staging of WE WILL ROCK YOU young@part, on July 21, 22 and 23, 2023 at the Siddhartha Theatre.
“We Will Rock You” young@part is the author-approved, licensed adaptation of this musical performed entirely by young Cebuano students. This musical, which took the West End and the rest of the world by storm, features 18 of Queen’s greatest hits alongside a hilarious script written by British playwright Ben Elton.
Set in a dystopian future where rock music has been banned by the evil Killer Queen, two rebels – Galileo Figaro and Scaramouche – go on a journey to lead the Bohemians into reclaiming rock music and celebrating it. Songs featured include “Radio Gaga”, “I Want To Break Free”, “Somebody To Love”, “Under Pressure”, “Another One Bites the Dust”, “Headlong”, and of course “Bohemian Rhapsody.”
Since its inception in 2017, Broadway Youth Cebu has always been committed to the development of young Cebuano talent in preparation for possible opportunities on the global stage. It aims to fulfill this mission through its Summer Musical Theatre workshop project, which is the first of its kind in Cebu. Led by Hong Kong-based Cebuano theater director and teacher Allan Nazareno, and Cebu based theater director Rudy Aviles, BYC is headed by a creative team of theater practitioners in Cebu, namely production manager Rhodamie Chan, choreographer Alfie Mosqueda voice coach Fitz Galenzoga, acting coach Everild Catugal, and stage manager Clariza Mae Sevilla.
WE WILL ROCK YOU features an all Cebuano teen cast rocking it out to the greatest hits from the Queen catalogue. Fans of 80s music will certainly be in for a treat as these familiar songs are now performed by a young Cebuano cast. The show will have 4 performances – Friday, July 21 at 7PM; Saturday, July 22 at 3PM and 7PM; and Sunday, July 23 at 3PM at the Siddhartha Theatre, Guang Ming College at V Rama Avenue. Tickets are at P600, P1000 and P1500. For tickets, message the Facebook page /broadwayyouthcebu.


Simple easy post today since we're about to leave for Boston.
Here is the preview trailer for John Carter, and yes it is cool and yes I really want to see it (the real reason will come shortly)
A bit of quick background for those who don't know anything about it. It originally was to be John Carter of Mars. It is based on an old Edgar Rice Burroughs novel and Carter is a civil war veteran transplanted to Mars to help fight this war blah blah blah. A premise I like. The SINGULAR reason I really want to see this though is Peter Gabriel singing My Body is a Cage. Before I saw the trailer I was in the camp that probably wasn't going to see this movie, at least not till it came out on dvd or netflix. but Peter Gabriel can do no wrong and has sold me once again because this song rocks. I leave you with the full song, which is just awesome. Marvel at Gabriel's majesty.


Jury headed by Shri Basu Chatterjee for Feature Films, Ms. Aruna Raje for Non-Feature Films and Shri Swapan Mullick for Best Writing on Cinema announce the Awards
The award for the best feature film has been conferred to Paan Singh Tomar (Hindi) produced by UTV Software communications Ltd. and directed by Tigmanshu Dhulia . In non-feature film category, the award for the Best Film has been conferred to Shepherds of Paradise (Gojri & Urdu) produced and directed by Raja Shabir Khan. In the category of Best Writing on Cinema section, the book Silent Cinema in India – A Pictorial Journey (English) written by B.D. Garga and published by Harper Collins Publisher India has bagged the top honour, whereas Shri P.S. Radhakrishnan has been conferred the award for the Best film Critic.
In the Feature Film category, a total of 38 films from 14 languages have been selected for the 60th National Awards. Chittagong (Hindi) and 101 Chodiyangal (Malayalam) have shared the Indira Gandhi award for the Best Debut Film of a Director. The award for the Best Popular Film for providing wholesome entertainment has been shared by Vicky Donor (Hindi) and Ustad Hotel (Malayalam). The award for the Best Director has been conferred on Shri Shivaji Lotan Patil for the film Dhag (Marathi). The award for the Best Actor has been shared by Shri Irrfaan playing the title role in Paan Singh Tomar and Shri Vikram Gokhale for the film Anumati(Marathi). The award for the Best Actress has been conferred on Ms Usha Jadhav for her performance in Dhag (Marathi). The award for the best Supporting Actor has been conferred on Shri Anu Kapur for the film Vicky Donor. The award for the best supporting Actress has been shared by Ms Dolly Ahluwalia for the film Vicky Donor and Ms Kalpana for the film ThanichallaNjan (Malyalam). The Best Child Artist award has been shared by Master Virendra Pratap for Dekh Indian Circus (Hindi) and Master Minon for 101 Chodiyangal (Malayalam).
The award for the Best Male playback singer has been conferred on Shri Shankar Mahadevan for the song Bolo Na from the film Chittagong. The award for the Best Female Playback singer has been conferred on Ms Aarti Ankalikar-Tikekar for the song Palakein Naa Moon Don from the film Samhita (Marathi). The award for the best Screen play writer (original) has been conferred on Shri Sujoy Ghosh for the film Kahaani. The award for best Screen play writer (adapted) has been conferred on Shri Bhavesh Mandalia and Shri Umesh Shukla for the film Oh My God. The award for the best Dialogue has been conferred on Ms Anjali Menon for the film Ustad Hotel (Malayalam). The award for the best lyrics has been conferred on Shri Prasoon Joshi for the song Bolo Na from the film Chittagong. A special jury award has been conferred on Shri Rituparno Ghosh and Shri Nawazuddin Siddiqui for the films Chitrangadha (Bengali), Kahaani, Gangs of Wasseypur, Dekh Indian circus and Talaash (Hindi). The award for the best choreography has been conferred on Pt. Birju Maharaj for the film Vishwaroopam (Tamil).
In the Non-Feature Film category, Shri Vikrant Pawar has got the Best Director award for the film Kaatal (Marathi). The Award for the Best Debut Film of a Director has been conferred to Shri Lipika Singh Darai for the film Eka Gachha Eka Manisa Eka Samudra (Odia). Shumona Goel and Shai Heredia for the film I Am Micro (English) and Vasudah Joshi for Cancer Katha (English) have been selected for Special Jury Award. Timbaktu (English) has been awarded as the Best film in the Environmental category and Dreaming Taj Mahal ( Hindi & Urdu) has been conferred the award for the Best Promotional film.


When Will Marvel Announce Their Phase 3 Film Slate?
Earlier this year Marvel Studios revealed the date for Edgar Wright’s Ant-Man as July 31, 2015 but their plans beyond Ant-Man are somewhat vague. Besides the obvious sequels in the Captain America and Thor solo franchises there are still no definitive plans for a Black Widow solo film or a continuation for Mark Ruffalo’s Hulk, a real shame as I think they’re both some of the most interesting characters on the Avengers roster by far. There is however plans to get characters such as Doctor Strange and Black Panther off the ground and introduce them into the greater Marvel cinematic universe. Although no dates have yet to be set in stone it is a matter of when and not if.
At a recent press junket for the upcoming Thor: The Dark World, Marvel Studios President and comic book movie messiah Kevin Feige spoke to Movies.com about the future of the Marvel cinematic universe and when announcements about Phase 3 might be made. When asked about getting a Doctor Strange film to the big screen, which Feige has repeatedly promised for Phase 3, he responded:
“Doc Strange, as I’ve been saying for years, is a movie I believe we should make – we’re just figuring out how to make it a great movie. It is in active development right now. Whether that’s one of the movies we announce for 2016/2017, we have to see. I think it’ll be the middle of next year before we announce officially what the post Ant-Man films will be.”
That sounds like basic confirmation to me, and most people are speculating it’ll be announced at the 2014 San Diego Comic-Con as Marvel has traditionally used the event in recent years for such big announcements as the highly anticipated Avengers: Age of Ultron and Guardians of the Galaxy. Furthermore, Feige was also asked about when, if ever, we’d get to see one of Marvel’s female heroes land their own solo film. He cited the strong female characters already established in the Marvel cinematic universe and that one or more characters may snatch up a spot in the studios film slate for 2016.
“I know we have numerous exciting female heroes, whether none of them are currently slated, some of them are in development – frankly, you can look at what Jane Foster does in Thor: The Dark World, look at Pepper Potts literally saving the day and defeating the bad guy in Iron Man 3, and I’d say we already have great female heroes that are showcased and play major roles in our universe now. Captain America: The Winter Soldier, as you will see, features Black Widow in her biggest role yet in any of our films. In terms of a solo standalone female hero, I’m not sure when that will be. We make two movies a year, we’ve planned through 2015 and we have some big ideas of what we’re doing in 2016 and 2017, so we’ll see what happens.”
While not exactly a confidence inspiring statement, chatter abounds from very reliable sources that talks are in fact taking place within the studio that at least one female character is being very seriously looked at to join the wider Marvel cinematic universe both in her own film and others. And just who is she? Well if there is any truth to the talk, it seems that Captain Marvel (and yes, it’s CAPTAIN Marvel rather than Ms Marvel now) could be landing her own film.
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Before I even knew anything about the book Twilight and the ones after, Eli had gotten wind that there was a new vampire movie coming out. The man L-O-V-E-S vampire movies. We have to watch them all and most of them more than once. Next thing I knew, the book Twilight was the rave all over the blogging community. It was awesome to read how people felt about it and has made me want to read the book - something I haven't yet done.
After spending all of last weekend with my friends and Eli doing his own thing, he wanted us to do something Sunday afternoon. His suggestion was going to see the vampire movie and grab something to eat. I couldn't pass down hanging out with my husband, so I got all ready to go! There was a part of me that didn't want to see the movie without reading the book first, but then there was another part that was very much OK with it. And I am glad I went. The movie was awesome. Eli thoroughly enjoyed it and literally can't stop talking about it and says that we will be owning it. In fact, he wants to go see it again.
The movie was definitely great. It has made me excited to actually read the books and look forward to the next movie coming out. It is also nice knowing it is something that I can share with Eli who also wants to read the books.


STATEN ISLAND, N.Y. — February 1, 2017. Home is where the Art is and a number of films and television episodes that are stamped ‘Made In NY’ were actually filmed in New York’s Forgotten Borough – Staten Island.
Pictured: Brendan, a member of Theatrical Teamsters Local 817
This is Brendan a member of Theatrical Teamsters Local 817. I met him in January when he was directing traffic – helping truck drivers park their trailers – on Union Place near the Paramount Theatre. The historic venue was used as a set for a Gotham episode that aired on January 16. On the day I shot this portrait it was being used as a set for Marvel’s ‘The Defenders’ aka ‘Group Therapy’, the working title. Brendan told me that Sigourney Weaver was one of the actors on set that day.
Pictured: NYPD fliers used for film shoots
These fliers are becoming increasingly common in Staten Island. This flier notified the residents that to avoid being towed they should not park on Beach Street during filming of The Defenders / Group Therapy. Over the last several years I have added many of these fliers to my photo gallery. The majority of these fliers and shoots were discovered by pure chance: I stumbled on a number of film shoots including ‘Hair Brain’ and ‘The Girl Who Invented Kissing’ and many, many television shoots including: Gotham (Bayley Seton Hospital, Tappen Park and the Paramount Theatre); The Blacklist (Edgewater Street and Tappen Park), and; Boardwalk Empire (Dr. Ted Brown’s home on St. Paul’s Avenue, Silver Lake Park).
Pictured: The Kreischer Mansion
Having met the set decorator and set up crew for Boardwalk I started watching the show and subsequently traveled to Charleston to shoot the Kreischer Mansion which was featured in the pilot episode.
Pictured: The Boardwalk Empire ‘home’ of villain Chalky White.
My daily travels take me through several neighborhoods. In Stapleton Heights I discovered the beautiful Victorian house on St. Paul’s Avenue was a location for Boardwalk Empire – it was the home of Albert “Chalky” White, one of Boardwalk’s gangsters. It must have been disruptive for owner Dr. Ted Brown to rent it out but his home is now a part of history.
Pictured: a 1924 Model T Ford used in an episode of Boardwalk Empire
Later that season I spotted a 1924 Model T Ford parked on Forest Avenue. Boardwalk was filming a scene in Silver Lake Park. After Boardwalk was abruptly ended (cancelled) I thought perhaps my days of photographing film shoots were over. I was wrong – it wasn’t long before I stumbled on a film shoot in Tappen Park (Stapleton proper): the movie “The Girl Who Invented Kissing” used the park as a location, installing a vintage phone booth.
Pictured: A vintage phone booth used as a prop
A season or two ago I photographed Gotham’s “Arkham Asylum” aka Bayley Seton Hospital in Clifton – the location used to film Penguin’s release from the “care” of Dr. Hugo Strange. Gotham has filmed several episodes in at least three locations in Stapleton, including Tappen Park.
Pictured: the Arkham Asylum gate – at Bayley Seton Hospital
The Blacklist also used Tappen Park as a location – as well as the Rosebank waterfront – where a number of warehouses, etc., were severely damaged by Hurricane Sandy and still bear the scars from that encounter. Ideal locations for James Spader and friends.
Pictured: a camera operator prepares to shoot an episode of The Blacklist (Tappen Park)
Every location I’ve seen is surrounded by a large number of tractor trailers – Haddad’s equipment rented out to the film company. There are mobile wardrobes (on one occasion I saw the vintage clothes used in Boardwalk with the characters’ names taped on the plastic bags protecting the clothes) and dressing rooms, catering trucks, electrical generators and trucks full of props and other gear.
Pictured: mobile restrooms, labeled Lucy and Desi
It is not uncommon to see the mobile dressing rooms parked along Beach Street. During the Boardwalk Empire run Beach was used by mobile wardrobe trailers and dressing rooms, even when the shoot itself was on St. Paul’s Avenue in Stapleton Heights. That trend continues to the present day – on larger shoots one can find trailers parked along Beach, on Union Place, on Water Street and along Bay Street. ABC’s The Defenders shoots in particular feature many trailers, literally surrounding Tappen Park.
Pictured: mobile dressing rooms
Pictured: the Paramount Theatre
Recent shoots feature the Paramount Theatre which has been used by both Gotham and The Defenders.
Pictured: a front view of the historic Paramount
Pictured: outside the Paramount Theatre a worker coils electrical cables
At press time the Paramount is again hosting film crews and actors – The Defenders has obtained permits to shoot interior and exterior scenes over the course of three days: February first through the third. These shoots do inconvenience anyone who needs to park in the area and have hurt local businesses like the pan Asian restaurant ‘Bay House’ but they bring in revenue for the City and the Island and it is not a terrible thing that Staten Island is becoming known as a film friendly borough. After all, Home is where the Art is…
Pictured: inside the Paramount carpenters build sets (shoot: The Defenders)
See more photos in the Movie Sets gallery (flickr)


The following essay on Alcestis was originally published in The Tragic Drama of the Greeks. A.E. Haigh. Oxford: Clarendon Press, 1896. pp. 284-5.
The Alcestis, the only Greek example of a tragi-comedy, was brought out in 438 [B.C.], and formed the last of a group of four plays. It must have been substituted, therefore, for the usual satyric drama. This fact accounts for its peculiar tone. The comic scenes with which it is interspersed were apparently intended to reproduce, in a modified shape, the humours of the satyric style of composition. We learn from the Cyclops, as well as from other sources, that two of the principal features in this kind of play were, first, its wild indecency and exaltation of the animal side of human nature, and secondly, its amusing picture of the selfish effrontery of the satyrs. Both these qualities are introduced into the Alcestis by Euripides. The gross sensuality of the satyrs is represented, in a more refined form, by the cheerful epicureanism of Hercules; their shameless imprudence finds a counterpart in the dialogue between Admetus and Pheres. In this well-known scene the unblushing egotism of father and son is depicted with humorous exaggeration. Admetus, whose life can only be saved by the substitution of a voluntary victim, gravely approaches his father for neglecting to offer himself in place of Alcestis, and points out that for an old man, already on the brink of the grave, such a sacrifice would have been a graceful and becoming act. Pheres replies, with considerable spirit, that he enjoys his life far too much to lay down the small remainder from a mistaken sense of honour. If Admetus can find a series of wives as foolish as Alcestis, he may prolong his life to eternity; but he is much mistaken if he expects to bury his father before the proper time.
The chief defect of the play is the character of Admetus. His ready acquiescence in the death of Alcestis, in order to preserve his own life, is not only revolting in itself, but seems inconsistent with agony of remorse which he elsewhere displays. His selfishness, however, might have been forgotten in the midst of the pathetic incidents of the tragedy, had not Euripides gone out of his way to bring it into fresh prominence by the deliberate insertion of the scene with Pheres. The case is one of those in which, for the sake of a humorous situation and an effective debate, he has not scrupled to degrade one of his characters, and to destroy the moral balance of the composition. The love and devotion of Alcestis are drawn with such infinite pathos, that the unworthiness of her husband, as the object of the sacrifice, jars upon the feelings; and it is a striking testimony to the beauty of the play, that in spite of this vital flaw it should have won such universal popularity.
Modern poets, in their imitations of the Alcestis, have invented various devices, in order to improve the plot, raise the character of Admetus, and supply him with a worthy motive for his conduct. Alfieri, in his Alceste Seconda, supposes that Alceste had been the first to hear the oracle, and that she had devoted herself to death before the others could interfere. Admeto and Fereo are horrified on making the discovery, and endeavour to prevent the sacrifice, and to die in her place; but their efforts are too late. By this device the moral tone of the play is much improved, and the characters all become patterns of virtue. The general result, however, is far from successful; and the continual protestations of devotion and self-sacrifice, uttered from every quarter throughout the whole of the action, become wearisome by their repetition. Browning, in Balaustion's Adventure, has also briefly sketched a novel version of the story. He supposes that Admetus has resolved to abandon the ways of his ancestors, and to govern, not for his own advantage, but for that of his subjects. In the midst of these splendid dreams for the restoration of the golden age, he is suddenly confronted with death. Alcestis offers to die in his place. He at first refuses, but is at length persuaded to consent, in order that his glorious project may not perish. This conception of his conduct is one of great beauty, and gives a new significance to the legend; still, it is possible that a play written on these lines might suffer from the same defect as that of Alfieri. Indeed, the fable of Alcestis, considered as a subject for pure tragedy, presents inherent difficulties which perhaps no dramatist could entirely overcome.
The story had already been dramatized by Phrynichus. Nothing, however, is known about his play, beyond the fact that it suggested to Euripides the introduction of Death, who comes in person to claim his victim. Phrynicus probably followed the original form of the legend, in which the gods were said to have restored Alcestis of their own accord, ad a reward for her piety. Such a theme would be appropriate to the old lyrical drama; but the later tragedy required more variety of action. Euripides, therefore, to supply the deficiency, skilfully invented the interposition of Hercules, which not only adds diversity to the plot, but also gives occasion for one of the comic interludes which he wished to introduce.
Every critic has admired the pathos and dramatic effect of the final scene, in which Alcestis is brought back disguised as a stranger, and received at first with reluctance, until she is gradually recognized. Two points in the scene deserve notice. The first is the curious resemblance which it bears to the conclusion of the Winter's Tale, where Leontes is taken to see, as he imagines, the statue of his dead wife, and finds instead the living Hermione. The second is the silence of Alcestis, after her return from the grave. This silence is due, not to the theatrical exigencies, and the absence of a third actor, as some critics have supposed, but to the deliberate choice of the poet. For one who has just been restored from the darkness of the tomb, no form of words could be so appropriate as the mute and half-dazed torpor in which she stands; and Alfieri, in his version, by departing from the example set by Euripides, and placing a speech in her mouth, has spoiled one of the most thrilling effects of the original play.
Back to Euripides


Lance (Paul Blackthorne) calls the Arrow (Stephen Amell) when another archer appears in town and starts skewering businessmen. Diggle (David Ramsey) uses A.R.G.U.S. to find the archer’s identity; he is a man named Simon Lacroix (guest star Matt Ward), who goes by the codename Komodo. However, the team hits a rough patch with the mission and gets help from a surprising source – Laurel (Katie Cassidy). Meanwhile, Oliver begins to worry that he hasn’t heard from Thea (Willa Holland), which forces Roy (Colton Haynes) to tell him the truth about why she left town. Ray Palmer (Brandon Routh) pursues Felicity (Emily Bett Rickards). In the flashback, Maseo (guest star Karl Yune) tells Oliver that Amanda Waller has ordered his first kill. As Oliver looks down the scope of the rifle, he sees the target is his best friend, Tommy (guest star Colin Donnell). Despite her promise to her sister, Laurel debates sharing a secret about Sara (Caity Lotz) with Lance.
New outtakes from Kaite’s Institute Nagazine have been added to the gallery, check them out she looks amazing as always.
– Studio Photoshoots > Outtakes > 2014 > Set 005
OLIVER SEARCHES FOR AN IDENTITY BEYOND THE ARROW — With crime in Starling City at an all-time low thanks to the Arrow (Stephen Amell) and his team, Oliver thinks he can finally balance being both the Arrow and Oliver Queen and asks Felicity (Emily Bett Rickards) out on a date. However, when a new villain (guest star Peter Stormare) emerges, who has claimed the name Vertigo from the recently deceased Count, Oliver is caught off-guard and someone close to him is hurt. Oliver and a newly suited up Roy (Colton Haynes) take on the Count. Meanwhile, Diggle (David Ramsey) becomes a father, Lance (Paul Blackthorne) is promoted to Captain, Laurel (Katie Cassidy) joins Arrow’s inner circle and Felicity gets a part-time job at a tech store to make ends meet. Also, Oliver fights to regain his company, Queen Consolidated, but comes up against a very worthy opponent – the charming Ray Palmer (Brandon Routh).
Here is a new clip from Kaite’s movie The Scribbler, And remember that The Scribbler is out tomorrow in some theatres and on itunes. And the Blu-Ray/DVD is out in October.
The first poster for the new season of Arrow is out now, I have to say its a step up from last years poster when she was put in the back, This time she is right by Oliver. I can see this year being a big one for Laurel and Katie.
– Arrow > Season 3 > Other > Poster
Arrow season two is not out till next monday in the UK but it is out tomorrow in the US and the Gag Reel is now out online for people to see. As soon as my blu-ray copy comes I will add all the bonus features and work on all the missing season two caps.
Katie Cassidy talks about playing a woman with Dissociative Personality Disorder and the trouble with lip piercings.
It was nearly two years ago that I visited the set of The Scribbler at Linda Vista Hospital in Los Angeles. Katie Cassidy was just about to begin filming “Arrow” after shooting the pilot. That’s how long it takes with indie films, and XLrator Media is releasing The Scribbler in theaters, VOD and iTunes on September 19. Based on the Dan Schaffer graphic novel, The Scribbler stars Cassidy as Suki, a woman with multiple personalities being interrogated about deaths at the halfway house in which she now lives. Suki’s story reveals a process known as the Siamese Burn which attempts to remove her alters, and one alter who uses Suki’s body to scribble messages backwards all over the wall. On the set, Cassidy was dressed in a skeleton costume which she wears for the second half of the movie, and took her lip ring out in between takes.
CraveOnline: I was wondering if you would have the lip piercing from the comic book, and you do. So you take it in and out in between takes?
Katie Cassidy: I do, because if you’ll notice, I started to get a little scab.
Are you tempted to fiddle with it?
Yeah, it’s actually become a habit, I think as a character and then me also in general. Off set, I’ll look for it and it’s not there.
Did you go after this film?
How did you hear about The Scribbler and how did you fight for it?
I read the script and fell in love with it, the character. I’d been looking to play a character like this for a while, so I called my agents, had a meeting with the director and producers. Prior to going to the meeting, prepping for it I obviously read up about Dissociative Identity Disorder and came in with my ideas and thoughts specifically on different scenes, on this character, on what I thought the character should look like, what I would do, actually sat down with somebody who had a multiple personality and just observe and learn as much as I possibly can. They were obviously impressed with my presentation on it and I got the offer.
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2024 Oak Cliff Film Society Donation
The Oak Cliff Film Festival is the main program of the Oak Cliff Film Festival Society; a non-profit 501(c)3 tax-exempt corporation. EIN # 83-3104354
Oak Cliff Film Society is a non-profit organization dedicated to discovering independent and archival films and sharing them with new audiences via screenings and educational programs. OCFS is committed to cultivating the film community in and promoting the Dallas neighborhood of Oak Cliff by inspiring and educating filmmakers, audiences and artists. The Oak Cliff Film Society strives to utilize historic theaters and venues whenever possible for its annual Oak Cliff Film Festival Program.