Think of creating photographs as managing a theater stage performance. You walk in and all the actors are on stage. No-one knows who the lead actor is, who the supporting cast is, even the painters and carpenters are all on stage. The backdrop is unfinished, music, talking, noise everywhere. Total and absolute chaos with no order or control! Your role as the photographer is to take control of the situation fast, turn the total chaos into order, then deliver a polished performance that the audience will love and understand. Take control, impose your will. Be aggressive. “You stand there, you are the main actor. You five are the supporting cast, stand over there. Everyone else off stage, this is what we’re going to do!”
Nominate the main subject of your photograph, the main actor. This is the reason for taking the picture, its purpose, its story. The idea. The castle, a village, whatever it is; but there must be a main actor, or you have no photo. Would we watch a stage play with no lead actor, there would be no focal point if just a mass of supporting cast and the stage backdrop? There would be no plot, no story. However, our main actor has a real serious ego problem. He is happy to work with a lead actress, but apart from that, he seriously, does not like any competition. He wants all the lime-light, he wants everyone to look at him. Nominate a secondary hero to tell the story, but everything else, is strictly supporting cast only.
Having decided our main hero and our secondary hero or lead actor, then everything else is either supporting cast or generic stage backdrop. The supporting cast are the objects that help support the story, but are not the main feature, they set the environment, context, geographic signature. The stage backdrop is the background scene that still adds valuable information to the story, like where the image is taken. The role of the supporting cast and stage lighting is to stroke the ego of the main actor, making him look great. However, the supporting cast also want to be lead actors; we must ‘de-emphasize’ to keep them in their place; out of the main spot-light as secondary information.


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Whilst The Jazz Singer can be categorised as a musical, the film is a Hollywood landmark for the talking that takes place between the characters within the scenes.
Just as Jakie is forced to engage with the conflicting demands of tradition and modern expression, with both scenes of synchronised dialogue and silent-era sequences requiring intertitles, The Jazz Singer signalled the birth of the ‘talkies’ and the decline of the tradition silent film feature. In live-recorded dialogue, Jakie tells his transfixed audience ‘Wait a minute, wait a minute, you ain’t heard nothin’ yet’, then he turns to his band and says ‘Now give it to ’em hard and heavy. Go right ahead’. These famous lines perfectly encapsulate the profound effect that the film had on audiences as they rippled out across the mass-consciousness of the movie-going public.
Nevertheless, unlike the later ‘Singin’ Swingin’ Glorious Feelin’ Technicolor Musical’, that is Singin’ in the Rain (1952) – a film about the production of a rival to The Jazz Singer, and similar films in which the tropes of the musical are deployed with a certain predetermined acknowledgement that ‘everything will work out fine in the end’ — The Jazz Singer very seriously foregrounds the conflicts within the narrative…
The full 750 word version of this review is published in Directory of World Cinema: American Hollywood 1, edited by Lincoln Geraghty, published by Intellect Books, 2011.


Tips to Build Story Structure for Screenplay Template
It’s important for you to learn how to build a story structure before making screenplay template. Creating the story structure means you need to pay attention on how you will arrange all elements of your story. A great chronological order of your story structure will help you to elicit the emotional response.
Meet The Expectation
A good story structure will be a huge help in creating screenplay template. So, if you want to make a story structure that could attract its reader, you should put a deep thought into it. You need to realize that most people would like to expect unusual thing happen at particular times in a story.
Making story structure first will allow you to see all elements of the screenplay template you try to build. As you start to write story structure, you should try to modify things in a way that would drive your readers finish the whole pages. Make them enjoy your story and questioning how it ends.
Establish the Veracious Pacing
Pacing is the most fundamental element of making story structure. This will be a key to detect if screenplay will have fabulous story plot or not. If you are able to create the right pacing, you will also keep your audiences from leaving their seats before finishing it.
A fast pacing story will typically attract the executives and producers. If the screenplay can meet their expectation, they would like to use your work for the next project.
Give the Best for Two Main Elements
In order to make attractive screenplay template, you should give your best shot on two main elements. First, you should focus on the heart of the screenplay itself which is the story content.
Second, pay attention the form you are using to structure the story. This will also be important key whether you can convey the story properly or not.
Arranging The Scenes
It’s almost unavoidable to not edit the scenes part when you are writing the screenplay template. But with story structure on your hand, you will be able to assign the goals for each scene you create. This will help you to keep your goals as you wanted from beginning even if you have to edit them numerously.
The last task in making story structure is you should ensure it’s organized properly. Afterwards, you can use it as guidance to make the screenplay template. The better you make a story structure, the more delightful you will make screenplay.


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- Winning Miss Israel: In 2004, Gadot won the title of Miss Israel and represented her country at the 2004 Miss Universe pageant.
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Blurb about Rory Williams and his Irish Setter daemon, Sashura:Rory listened as the bedroom door closed behind Amy. He knew she was hurting over her decision to leave the Doctor and part of him wanted to go comfort her but he knew she had to work through it on her own. That's who his Amy was. He laid there, listening to the sobs the walls and door didn't muffle and his heart broke. He knew she didn't love the Doctor, not like she loved him, but it still hurt to hear her cry over another man.
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is a Russian name meaning "defender of man"Other Doctor Who / Torchwood Daemons:


- Academic School:
Arts and Humanities
- Academic Department:
Arts and Media
- 212-647-7800 ext:1272
- B.A. in Theater Arts and Dramatic Literature from Brown University
- M.F.A. in Acting from New York University
Lucy Winner is Professor and mentor in Arts and Media who has mentored students in performing arts for over thirty-five years. With particular expertise in applied theater, theater and education, and theater, social change and community health, her teaching includes theatre histories in social and political context; improvisation and clowning; and theatre and social change as well as a range of other studies in theatre and performance. She mentors students in individualized projects and internships, helping them to use the vast cultural resources of New York City as a studio and also serves as the faculty mentor and facilitator of our partnerships with the 92Y Dance Education Laboratory and the Yip Harburg Lyric Foundation. In addition to her work at ESC, she is a co-founder and Education Director of the Winter/Summer Institute, an international applied theatre project on issues of community health that began in Lesotho, southern Africa, in 2006 (www.wsimaketheatre.org), and currently works with the Irondale Theatre Ensemble’s police/civilian theatre project, “To Protect, To Serve and To Understand” as their training and facilitation consultant, to help build stronger police/community trust, understanding, and justice in urban settings.
Winner, L. “Grappling with distance: Making theatre across continents, cultures, languages and race” Applied Theatre Research, Volume 7, Number 1, 1 August 2019, pp. 121-129(9).
Winner, L. and Lissard, K. Making Theater, Making a Difference: Winter/Summer Institute in Theatre for Development. All About Mentoring, Issue 32, Spring, 2007.
Winner, L. Democratic Acts: Theatre of Public Trials. Theatre Topics, September, 2005. Winner,L. and Lissard, K. What Does Democracy Look Like? Community Arts Network, http://www.communityarts.net , April, 2005.
Winner, L. Adolescence and Activism: Theatre for Survival. In J. MacDougall, S.
Yoder (Ed.), Contaminating Theatre: Intersections of Theatre, Therapy and
Public Health. Evanston, Northwestern University Press, 1998.


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Port City Playwrights’ Project is a non-profit community of writers for the stage and screen in the greater Wilmington, NC, area that supports members at all levels of development, giving them an opportunity to hone their craft in order to create high-quality work. To that end, we offer a supportive atmosphere in which playwrights and screenwriters:
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Our Latest Releases
By Mark Redfield
Dennis Paoli writes plays and films. His oeuvre includes adaptations of the works of Poe and Lovecraft. Re-Animator (1985), Dreams of the Witch House (2005), The Black Cat (2007) and Nevermore: An Evening with Edgar Allan Poe, a one-man play starring Jeffrey Combs that has been winning and astonishing audiences around the country since its premiere at The Steve Allen Theatre in Los Angeles in 2009.
Paoli taught writing and Gothic Literature at Hunter College, City University of New York. Now retired from teaching, he is busier than ever, writing. He is also Donor/Advisor of the Heidi Paoli Fund for cancer patients.
I talked with Dennis about his approach to adaptation and screen and play writing, and getting under the skin of the man Edgar Allan Poe.
MARK: How did the play Nevermore come about? There’s a story told by Jeffrey (or Stuart, I can’t remember which) that Stuart Gordon, while directing Jeffrey Combs in the Masters of Horror episode that your wrote, The Black Cat, that after watching him for a few days on-set in costume and make-up said, “You should do a one man show.” Jeffrey’s response, of course, was to gently balk at the idea at first, but that’s another story…
Masters of Horror producer Mick Garris, director Stuart Gordon, and writer Dennis Paoli (photo courtesy Icons of Fright)
DENNIS: (laughs) That’s what I heard. I have never, for the record, I have never been on the set of any of the things that I’ve written that have been produced as films or TV or video. Never. And that’s, you know, standard operating procedure for writers. Writers aren’t always---not only are they not always invited to the set, but even if they were they wouldn’t be welcome, but the fact is, knowing Stuart---
Stuart Gordon is one of my oldest and best friends, and knowing Jeffrey, Jeffrey is a friend of high standing, and knowing everybody I would have thought I would have gotten myself on the set at some point (laughing) and the fact is, Stuart and I, going back, we have acted together.
We acted together in college. We were in a satire comedy group and as a high school student and through college and then we did some professional work together and in every script I’ve written, I’ve written a part with myself in mind.
A small part. So I can actually get on the set and invariably, and this is in absolutely in every case, it’s the first thing to be cut—that character. So, I mean it’s either fate or it’s Stuart seeing through my ruse. But I have never been on set.
Dennis Paoli, Stuart Gordon, Jeffrey Combs and Mark Redfield during an audience question and answer session, after a performance of Nevermore in Baltimore in 2010. (Photo: Jennifer Rouse)
MARK: But you have to agree that Jeffrey makes a pretty great Poe.
DENNIS: Oh—when I saw The Black Cat, when I saw the cut of The Black Cat, it’s absolutely what I thought. The first thing I thought was that Jeffrey has nailed this, and that it is a part that was made for him, or he was made for. When you sit back and look at that—it sounds prideful to say that, you know, that Jeff is THE person to play Poe—wonderful people have played Poe—John Astin has played Poe, You have played him, among others. Wonderful people have shows of Poe’s work…But this was different. This is taking and appreciating Poe in a broader swath of his character.
MARK: You’re talking about Poe in the play Nevermore now…
DENNIS: This was appreciating Poe as a…He’s not an easy person to spend a pleasant evening in the theater with. This was taking Poe to be the tortured and dramatic character that he was in life and that certainly came through in Combs’ work.
MARK: I want to ask you about your early days in the Organic Theater in Wisconsin, and with Stuart Gordon. Were you involved with the play “Poe”, written by Stephen Most, that Stuart directed in the 1970s?
DENNIS: I was not. I’ve never seen it. I read it. I read the work and I certainly know the work of the actors who were in it. Richard Fire played Poe and he can play a tortured artist with the best of ‘em (laughs). He was a brilliant, brilliant actor in the Organic Theatre Company and I knew it was a labor of love for Stuart, because you know, going back, knowing him as well as I do, and sharing our enthusiasms as we do, Poe was a shared favorite. So, I wasn’t at all surprised to hear that the theater was doing a Poe play, and I wasn’t at all surprised to hear how phantasmagorical it was, because one, the Organic theatre was a great narrative theater. They told stories as well as any theater company I’ve ever seen. They could create narrative magic. And the story of Poe’s last hours is one of the mysteries of—not just American literature, but of American history. And it opens onto Poe’s psychology, which of course opens up all his great work.
So all his great narrative stories and poems were accessible to that piece of drama, so I wasn’t surprised when I read it to see how spectacularly fantastic it was. It had great flights in it—Poe meets the raven, as a character. It’s wonderfully inventive and imaginative. But I never saw it.
And when I came to work on Nevermore, I’m sort of glad I didn’t see it. I didn’t want to be affected by some other—you know, I never saw John Astin’s show, except for snippets on television, a clip that was televised.
I knew there had been numerous works, and there continue to be numerous works, including---some are musicals that have played in New York in the last couple of years, on Poe, and Poe’s last hours and Poe’s career…
MARK: There’s a lot of gold to be mined by a writer with Poe’s life and work. It’s a very deep well to draw from.
DENNIS: Poe’s character is a fascinating character and dramatists love it—my major experience with Poe is (not seeing these plays and films but) as an author—is as a writer. He’s in my Gothic Fiction class which I am teaching now.
One of Stuart Gordon’s favorite Poe stories is “the Imp of the Perverse”. I present “The Imp of the Perverse” as a critical work by Poe to the class, and only when they (the students) read it do they discover that it’s a story that sounds like a critical essay on human psychology, and after they’ve read all of its four pages it’s when they discover that it’s a rant from a madman! (laughs). It’s wonderful! So I approach Poe purely from his work.
Cover art THE BLACK CAT
MARK: How did you approach the adaptation of The Black Cat? Especially using Poe as the protagonist in the adaptation, which Stuart tells me was a mutual idea that the two of you had.
DENNIS: When we were working on The Black Cat, I cast a broad net. I didn’t just re-read the favorite stories, I read all his stories. I didn’t just go back and read the favorite poems, I re-read all the poems. I didn’t just read his biography, I hunted down and read as much of his magazine work as I possibly could, including a series on interior decoration; on hand-writing of other authors—(laughs) What seems the most trivial subjects that he would invest a great deal of intelligent and real talent writing. It was fascinating to see.
MARK: As you’ve never been on a set of one of your scripts, what did you think of The Black Cat?
DENNIS: I thought The Black Cat came out great. And that film is much more of a fantasy, you know, that’s much more of a fantasy of Poe’s life, as opposed to Nevermore, which, you know, again, is a fictional situation but it’s one that Poe found himself in often.
The Black Cat had a trope in it-- that Poe had this episode in his life where he was--- an alcoholic episode in his life where he believed the experiences of “The Black Cat”. So we were making a comment on the relationship of art and life.
Jeffrey Combs in the Masters of Horror episode The Black Cat
MARK: You mentioned “The Imp of the Perverse”, and I want to come back to “The Black Cat”, but I wanted to know if you’ve had a chance to read Paul Collins new biography, Edgar Allan Poe : The Fever Called Living?
DENNIS: No, not yet! It’s on order, now, actually. Is it any good?
MARK: It’s great. I recommend it as a great “starter” bio to get into Poe, and then move onto the more academic biographies. It’s a great read. And Collins “gets it”. He gets Poe’s struggle as a writer, and his career as an evolving writer and editor.
DENNIS: When you think about it, that was Poe’s tragedy.
MARK: Poe’s a jobbing, working writer for hire, churning out stuff like the article on interior decorating…
DENNIS: When you think about it, that’s Poe’s tragedy. That’s his tragedy. That he looked upon it as a real frivolous waste of his talent and yet, while he was doing it, he COULD NOT keep himself from investing himself, and his talent, in that work. It was going out in HIS magazine. But I do believe it was just the way he had to work.
MARK: All or nothing.
DENNIS: It was his relationship to the page and the pen, and it had to be that way.
Cover art for THE PIT AND THE PENDULUM movie poster
MARK: I want to jump for a moment before we talk about Nevermore again…So, you have a long and artistically fruitful collaboration with Stuart Gordon, and then Jeffrey Combs. The film Re-Animator (1985) comes along. There’s a history behind Re-Animator that I’d love to get into one day—it was kicked around as a play (now it’s a musical based on the film!), a potential television series, then eventually the 1985 film…
I’m curious about the film The Pit and The Pendulum. How’d that come about?
DENNIS: We love Poe! And at that time, Stuart was just considering projects to do and he could present projects to others and Pit and the Pendulum is a great story but it opens up—the problem with the movie adaptation is how do we get the character to that moment under the pendulum, the swinging pendulum?
it was the same kind of collaboration with Poe that Nevermore was. It was taking Poe, as we had in several case taken Lovecraft, and tried to be faithful to the spirit of the stories while opening the story up to a film narrative, ands once we started talking about it the ideas just started flowing out.
Of course, when we were under the impression while working on it we were going to have a much larger budget than we ended up having! The fact is, it’s called “The Pit and the Pendulum”, but we cut the pit! (laughs). There were twenty pages, which is essentially twenty minutes, spent in the pit. Several characters, several cannibalistic characters…trapped in this pit…also, we lost some of the great political undertones that we thought were really fascinating.
New NEVERMORE art - Print poster art
MARK: let’s chat about methodology for a moment. I want to jump to Nevermore as we touched on this with The Black Cat; How did you research Nevermore? Work on it?
DENNIS: I looked at the issues of his own character, the major conflicts in his life. The fact that his values, his core values, and his core values was poetry. Primarily poetry and the fact that he felt under-appreciated. And the fact that he lived in such extreme poverty is a very traumatic thing and such an awful struggle that he had to go through.
The fact that he had lost his wife. The love of his life, and yet was somehow casting about for another female figure, and we can trace that back to his losing his mother. The lines of the conflicts that he was struggling with at that point in his life became so clear, reached so clearly back to his own work, to the situations in his own life.
His childhood, his having been orphaned to his struggle as a writer, to his struggles to evolve his own character. Because he, left to his own devices much of his life, seemed to pick up his life-lessons as he could, along the way.
And these themes, the threads of his life came together so clearly for me that it was fascinating and exhilarating to put together the sort of statements from different points of his life—from his letters and his prose, that crystallized those values and feelings and those conflicts.
The difficulty was structure. Structuring them out, but what helped were the works that were chosen as part of the reading. How did they connect with his life and how did they open up? How did they crack open the conflicts and let his reminiscences and complaints, and his passion, pour out?
Jeffrey Combs in Nevermore: An Evening with Edgar Allan Poe.
Once we found that, once we let his works structure the piece, his life—he just came to life. And all the quotes and statements of Poe’s that I was able to pull came from entirely different decades of his life, but they are indeed things he said—attributable to him. They make up 75%-85% of the script. It was letting him speak for himself. And what was wonderful is, once you do that, I started to speak like Poe, I was able to start writing sentences like his. I stated to use vocabulary the way he did.
I felt like I was collaborating with Poe. It was spectacular. It’s one of the great writing experiences I have.
MARK: And it’s one of the great instances of that unpredictable alchemical magic that happens between writer, director and actor. I would still love to see a film of this made some day. I don’t want to f=give up too easily!
DENNIS: I think the film script of Nevermore is..I love…we have a script.
MARK: Jeffrey’s very keen on the movie script.
DENNIS: Yes! We love the script! The script actually dramatizes all of the Poe pieces in the play. As Poe recites them, he lives through “The Tell-Tale Heart”, and also through some really fantastic moments, which are, almost like pure imagination visualized—his poems to Helen. In “Annabel Lee” we find, and in “The Raven”, we find that they are incredibly dramatic and it’s all designed to be visually stunning. It sounds like something like “The Raven” would be claustrophobic, I mean it’s a bird and a room---but it’s a spectacularly rich visual environment that Poe creates in that poem if you look at it.
And if you take a couple of suggestions from each of those pieces and cull them, you get some magical moments.
I think we have a script that would not only satisfy fans of Poe but would reach out and make new fans for him. In an entirely different medium which didn’t exists when he was writing. There are filmic things about his work. In some degree, the acute visual descriptions in some of his work, like “The Tell-Tale Heart” are fantastically film-worthy. They anticipate film.
We’d love to see that script get made. We’d love to see that movie made.
MARK: I’m not going to count it out just yet.
DENNIS: Never! I got the script right here! Whenever they’re ready, we’re ready!
“This is Poe in his own words. Our text is taken from his letters and essays and we have based our evening on reviews and reports of his actual appearances. Our goal is to present a sense of the fascinating man behind the poetry and brilliant tales, a man who could be his own worst enemy, and whose life was even more bizarre and tragic than his strangest story.”
- Stuart Gordon, October 2014
Redfield Arts Audio Presents “Nevermore, An Evening with Edgar Allan Poe”. Starring Jeffrey Combs. Written by Dennis Paoli. Directed by Stuart Gordon. Produced for audio by Mark Redfield. Incidental Music by Natalie Combs. Sound Design by Jennifer Rouse. Cover Photo by Ward Boult.
Running Time: approximately 90 minutes
Distributed by Oasis Audio
Produced by Redfield Arts Audio
Copyright 2020 The Mark Redfield Company
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The Friends is welcoming back the Delvena Theatre Company for this special presentation at the Robbins Library.
Charles Dickens wrote some of the most powerful, imaginative, and adored novels of all time. Using lots of humor, the actors will take the audience on a journey into the life and loves of the great man. Through the use of monologues and scenes, the actors will embody the ridiculous, the romantic and the frightening characters that Mr. Dickens so richly created. They will also explore with the audience some of Mr. Dickens romantic adventures, and how he loved with every “chink and crevice” of his being. There’s a bit of scandal, and a whole lot of worship for the great man who loved Boston profoundly. The cast will open up after the show for a lively discussion regarding Charles Dickens.
The Dickens You Say is supported in part by a grant from the Arlington Cultural Council, a local agency which is supported by the Massachusetts Cultural Council, a state agency.
The event will take place on Thursday, December 1 at 7 pm in the Community Room (lower level) of the Robbins Library. It is free and open to all.


26th day of challenge - to watch a Mexican soap opera! As the six friends did in the very first episode (remember? “Push her down the stairs!”)
Oh, I really did enjoy this one. Me and adniil - we were watching the same thing and decided to write in here what did we understand from the episode. So, it was the TV show “Abrázame muy fuerte" and the episode "¡Porque es mi hermano!"
I was a little bit disappointed, I could understand few things, although I don’t speak Spanish. And that’s why I could imagine all the things, because I just did understand it. And also maybe I have an soap opera background, because my grandmother watched them when I was a kid.
Already at the first moment I recognized that the women who’s in the lead role was also in a soap opera “Rosalinda” where she was blind. And I think that those guys and most of the cast, also were in that one. But anyways…
That Rosalinda girl is getting married in this episode to a really good guy, who is in love with her and who wants all the best for her. She decides to marry him, because she doesn’t want to hurt him and she cannot be together with the men she loves, I suppose, because she thinks that he is her relative, but maybe he has some evil fiancee, you can never know.
In the hospital, that’s her mother and she’s speaking with the Rosalinda girls love of the life. And the mother tells to her love of the life to give a congradulations to Rosalinda on her wedding day, so he goes and does that and Rosalinda starts to remember her romantic ideas about Hose-Maria - her love of the life.
The evil men “padre” wants to get Rosalinda to himself, that’s why he thinks that this marriage is a good thing, because she won’t be happy and he will rescue her from it (probably he wanted to kill her husband). That’s why also at the end he tries to rape her as the naive girl doesn’t understand anything of his evil plans and trusts him.
At the end when Hose-Maria (Rosalinda’s love of the life) comes in and wants to hit “padre”, because he tried to rape his love (he wants to protect her, although she is with another men), but mother stops him, and she shouts out that “padre” is actually father of Hose-Maria.
That’s happening in this episode from my point of view.


Job Spec: Videographer
We are recruiting for an organised and creative Videographer with a passion for music to work with our creative team to plan, film and edit video content across our 3 day standing at Brighton Music conference. Our Videographer’s responsibilities will include ensuring that the necessary filming equipment is available for use, directing other camera operators on set and editing film footage.
We require a high quality highlights video package filmed, edited and produced to professional broadcast standard.
- Film videos on set or on location.
- Ensure that equipment for a shoot is present and working.
- Plan the shoot with the creative team and the client.
- Edit footage in post-production.
- Direct other camera operators so that the needed footage is acquired.
- Excellent computer literacy.
- Proficiency with editing software such as PhotoShop.
- Excellent interpersonal skills.
- Relative fitness and stamina to work long hours.
- Proficiency with camera equipment.
Successful applicants will receive:
3 day Brighton Music Conference pass/ Local travel expenses / Food & drink expenses / Personalised linkedin reference


Movie Poster: 'The Eleventh Year' Sales Taxes not included in item price $26.55
Movie Poster: 'The Eleventh Year'  directed by Dziga Vertov
Designers: Vladimir Stenberg, Georgii Stenberg
This a movie poster, which announces the famous documentary by Dziga Vertov. His actual name was Denis Kaufman, and he was one of the founders and main theorists of news-reel and documentary shooting.
This documentary was released in 1928, and was called 'The Eleventh Year', meaning the eleventh year after the October Revolution. Its main idea was to show the progress the young soviet state had achieved. The man on the poster is an image of Dziga Vertov himself. His eyeglasses reflect the agricultural and industrial machinery. This is an illustration of one of his main theories – that a true documentary is not about mere snap-shooting of life, but instead it is about life, run through the eyes of the observer, whoever he is - or whatever it is. Unlike other documentaries of that time this principle implied the distinctive presence of the protagonist in the movie, although he might not be shown directly or it might not be human at all.
This was a silent black and white documentary. But the cut was done in a way that illustrated the sounds of the machinery and other things shown. This was a staggering technique for the twenties and it did earn Dziga Vertov a wide international acclaim.
This constructivist poster done by Stenberg brothers is a masterpiece itself. The bold type on the left side says the name of the film: 'The Eleventh'. To the right there are the credits: “Author-Director Dziga Vertov Chief Cameraman Kaufman”. The Chief Cameraman Kaufman was Dziga Vertov’s brother – Mikhail, who was also a noted film maker. There was also another brilliant cinematographer in this family: the third brother Boris, together with parents, moved to Poland after the Revolution. In 1954 he won Oscar and Golden Globe for the first American feature film On the Waterfront, but he never had a chance to meet his brothers after 1917.
|Movie Poster: 'The Eleventh Year'
|Vladimir Stenberg, Georgii Stenberg
|29 x 41 cm
11 1/2 x 16 1/8 in


Bangkok Bank extends the success of its “Young Director Award Season 2” project to promote tourism in eight secondary provinces, announcing the winners of the Golden Bualuang award who won prizes totaling 800,000 baht. The Bank will present the winning submissions on the Bank’s online channels to help stimulate the economy and distribute income to local areas. At the same time, the project will give Thai students who are interested in making films a stage to showcase their skills and directly learn from eight famous directors as they embark on their careers as film directors.
Bangkok Bank President Mr. Chartsiri Sophonpanich said the Bank has supported the Young Director Award project for two consecutive years to help stimulate the economy by promoting the unique charm of Thailand’s secondary provinces as new destinations for tourists from around the world. At the same time, the project will showcase the creativity and storytelling skills of young generations who are interested in making films. The event was well received with more than 230 participating teams. Eight finalists had a chance to join a masterclass session in creating short films with eight famous directors who acted as their mentors to help promote tourism in eight secondary provinces.
“The Bank would like to thank those who participated in the Young Director Award Season 2 project. The event was well received with more than 230 participating teams. We would like to congratulate all winners who created outstanding works that won the judges’ hearts. We believe that all of them gained useful knowledge and experience from this project which will help them in their future careers in the Thai film industry, which plays a key role in stimulating the Thai economy with creative thinking. As a leading regional bank, we are delighted to support activities that stimulate the economy and distribute income to local communities. We are ready to be a trusted partner for all people, businesses and industries to help drive the Thai economy toward sustainable growth,” said Mr. Chartsiri.
Bangkok Bank Director and Senior Executive Vice President, Corporate Secretary and Project Founder Kobsak Pootrakool highlighted the success of the Young Director Award Season 1, which was produced under the theme of “Favorite Dish, Secret Episode”. “The first round of the Young Director Award promoted restaurants with a “Favorite Restaurant, Secret Episode” badge certified by Bangkok Bank. This year the second season of the project invited new generations to promote local community tourism and products to strengthen local economies, particularly across the eight secondary cities. Short films from eight finalists represent the potential of the young generation who are ready to become professionals in the film industry.”


'KGF Chapter 2' movie review and box office collection LIVE updates
KGF: Chapter 2' scores the biggest ever opening in India in terms of Nett Profits, beats 'RRR' in the pursuits - Box Office India
'RRR' to claim the top spot. The nett profits of 'KGF 2' are currently valued at Rs. 107.65 crores with 'RRR' standing at Rs. 103.61 crores
Forget Hindi film industry, not even telugu and Tamil film industries ever took Kannada film industry seriously till KGF and now @prashanth_neel put it on the world map
The MONSTER success of KGF 2 is a clear proof that if money is spent on MAKING and not wasted on STAR RENUMERATIONS bigger QUALITY and BIGGEST HITS will come
KGF Chapter 2' box office collection day 2: Hindi version on course for Rs. 40-45 Cr on day #2, Rs. 175 Cr. by weekend
'K.G.F 2' (Hindi) is well on course for an Rs. 40-45 crore nett outing at the box office to take the two-day nett collection closer to Rs. 100 crore.


Jawan joins the 800 crore club...
The most recent movie by director Atlee, Jawan, has been doing exceptionally well both domestically and internationally.
Jawan has joined the 800 crore club at the global box office, according to cinema trade analyst Manobala Vijayabalan on Monday. Vijay Sethupathi, Nayanthara, and Shah Rukh Khan play the key characters in Jawan.
Shahrukh plays both Vikram Rathore and his son Azad in the movie Jawan. Sanjay Dutt and Deepika Padukone make cameo appearances as wellyanthara, and Vijay Sethupathi play the main characters in the movie Jawan.
According to Manobala, who announced the news on X, formerly known as Twitter, Jawan has joined the rare "800 cr club" at the WW Box Office. Only tracked shows in India have sold 1390142 movie tickets as of the tenth day.


The Nightwatch orders its members on Babylon 5 to target Delenn in an attempt to undermine Minbari actions during the recent crisis. Londo presents Refa with an ultimatum.
Ivanova, in C&C, is joined by Sheridan. She explains to him that they have succeeded in ridding the station of all the members of the Nightwatch they know about, and that Garibaldi is trying to track down the ones they might not know about. Garibaldi arrives, his arm in a sling, and explains that he fractured it during the recent attack on the station. He explains that most of the people on the station are upset about the communications channels being shut down, but Sheridan and Ivanova know they can't be reinstated until Earth can be prevented from using them to retake the station. Garibaldi asks how long Sheridan plans to be out of his uniform, and Sheridan explains that he won't put it back on until the situation is resolved. He leaves to make the rounds, which both Garibaldi and Ivanova are unsure about. Sheridan insists he can take care of himself and leaves.
As Sheridan makes his rounds in the Zocalo, a gunman waits, enclosed in shadows high above, targeting him with his weapon. Just as he is about to fire, he is pulled away by Boggs, a former member of Garibaldi's security staff, telling him that he was told to wait. The gunman insists that he had a good shot, but Boggs is less sure, saying instead that, should Sheridan fall, others would rise to take his place and that, sooner or later, they will get their "pound of flesh."
Delenn and Lennier approach Marcus as he returns from a voyage. Delenn tells Marcus that she has called for the Nafak'cha, the rebirth ceremony, which commemorates a great change that is coming, or one that has already arrived. Marcus feels that the time may be inappropriate, given that everyone will be embroiled in ceremonies of their own for a while.
One such ceremony is taking place where the members of EarthForce commit the bodies of their comrades, fallen in battle against Earth, to the depths of space, led by Sheridan, wearing his uniform one final time.
Delenn, in disguise, arrives at a bar Marcus frequents in Downbelow. She asks him why he isn't preparing for the ceremony, but he tells her that he has decided against participating. She doesn't understand his reluctance, but their conversation is cut short when someone he has been waiting for comes in.
Garibaldi turns off the computer system and restarts it. When it comes back on-line, the codes have been changed, but something new has happened as well: the computer has taken on an attitude of its own, and is less than inclined to follow Garibaldi's orders, which is due to a faulty artificial intelligence program, originally planned to be integrated into the station, which accidentally came on-line. As the computer taunts him and Ivanova, they plan to get rid of it yet again.
Delenn and Lennier approach Londo about taking place in the rebirth ceremony, but he is less than inclined to do what is necessary, which involves giving away something that once held great importance to him, and telling someone something he had never told anyone else. Delenn explains that she feels he needs to make up for the past and prepare for the future, but Londo claims he is already doing that, and has no interest in the ceremony. He storms off.
As Garibaldi puts up with the neverending ramblings of the computer, Ivanova calls him to report the kidnapping. Delenn asks her captors to let her tend to the bodyguard's injuries, incurred in the gunfire. Boggs reappears and checks on the status of another member of the Nightwatch, who is busy scrambling some circuits.
While Sheridan talks to Marcus, who blames himself for Delenn's kidnapping, Corwin reports that a call about the kidnapping is coming in. Sheridan has it traced, and it goes through. It is Boggs who explains his demands to have the Minbari cruisers leave in six hours, or all the hostages will be killed. They have scrambled the Babcom lines so the call can't be traced, and are monitoring all security channels. He warns them not to do anything stupid, or he will have no qualms about using violence, which he demonstrates by having the bodyguard killed, despite Delenn's screams of protestation. Marcus runs off to try to track Boggs down himself. Sheridan orders Garibaldi to find out all he can about Boggs' contacts, and anything else they may be able to use to find them.
Delenn and Lenann speak to each other in Minbari about a possible escape method, but the gunman understands their language, which he picked up during the war, and thwarts the plan by tightening their loosening ropes. He tells them that neither of them will survive the ordeal, but Delenn stuns him by telling him that she feels sorry for him, something he doesn't understand. She tells him that he is an unfortunate casualty of the war, and though the Earth and the Minbari have managed to come together, he has not, and he is left all alone. He starts to fire on her, but Lenann jumps up from his chair, diverting the weapon, which severely injures him. Boggs appears and stops the gunman from going any further.
Marcus, meanwhile, has kept his word, having dispatched of everyone in the bar except two of the poker players, who he soon takes care of. As he surveys the damage, realizing there is no one left awake to give him information, Lennier arrives and tells Marcus that he has come to discuss the rebirth ceremony, asking him again to come. Marcus doesn't understand why he's talking about that, and Lennier explains that it was Delenn's last request, and that, if he doesn't continue the preparations, there is nothing else to do. Lennier turns away, and Marcus grabs him on the arm, something which infuriates Lennier. Lennier rounds back on Marcus, explaining that he would like to tear apart the station looking for Delenn, but can't. As his part of the rebirth ceremony, he explains why he must do what she asks: he loves her.
Lennier explains that his love for her is not romantic love, but more higher and more noble, a "pure, perfect love," that he knows can never truly be returned, since she is fated for another. He has made a vow never to leave her side, a vow Marcus recognizes as dangerous. At that point, the last gambler Marcus downed awakes, and begins to tell Marcus, under threat of more pain, what he wants to know.
Ivanova explains that, though they still can't trace the call, they did find a background sound which Garibaldi is able to identify as the cooling system which feeds the fusion reactor in Grey sector. Sheridan knows that isn't enough, but Marcus arrives with another piece of the puzzle: the man he talked to overheard a contact in Security talk about delivering some equipment for call scrambling to level 14. They scan Grey 14 and find that it has been closed off - supposedly under Garibaldi's orders, orders he never gave. They begin preparing their attack, which, Sheridan explains, begins with a surrender.
Lennier tells Ivanova and Sheridan that Delenn will be okay, since the knife missed her vital organs. Sheridan wants to continue with the rebirth ceremony, but Lennier says that, since the ceremony must be held within a certain amount of time after preparations begin, she will not be able to conduct the ceremony. Garibaldi, meanwhile, is still being taunted by the artificial intelligence. While he is in the elevator, he is finally pushed too far, and shoots out the speaker.
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The actor appears centered on his career as he has been filming TV collection and movies consecutively. Despite having followers hold tabs on his life, the actor has remained secretive about his love life and tries his best to avoid matters revolving round it. Still, followers are interested by Matt Czuchry’s dating life; https://legitdatingwebsites.com/brilic-review/ here is what we know.
Moreover, in an interview with the Vulture in 2011, he shed gentle on his singlehood. His blooming relationship with Bosworth obtained confirmed after the pair were noticed enjoying each other’s firm even after the sequence they worked on had been canceled. The Snake is the sixth of all zodiac animals and is intuitive, charming, and deep. Snake’s romantic and friendship potential is most compatible with Monkey, Rooster, and Ox indicators, based on Chinese zodiac compatibility rules. However, individuals of Tiger and Pig indicators must be avoided when choosing a associate.
Is matt czuchry married?
Still, he is a star amongst all communities, including the LGBTQ+, because of his anti-discrimination stance. Moreover, in an interview with the Vulture in 2011, he shed light on his singlehood. The present revolved around the bold lives of 30-plus single mom, Lorelai Gilmore (Lauren Graham), and her clever daughter, Rory (Alexis Bledel). His father, Andrew Czuchry, is a professor at East Tennessee State University, and his mother, Sandra, is a homemaker.
From the photographs taken, rumors in regards to the two reuniting surfaced; nevertheless, nothing solid came out of it. According to sources, Czuchry plays the male lead opposite Emma Roberts, whose involvement was announced officially two weeks in the past. While rumored for awhile, Czuchry’s casting was never confirmed until the actor was lately snapped filming scenes for the upcoming twelfth season of the favored anthology franchise.
Sarah paulson is brazenly homosexual and pleased with it
Gabriel has quickly turn into a well-liked title in the leisure trade together with his spectacular performances. In 1990, he partnered with producer Jim Wilson to form Tig Productions, and the company’s first movie was the epic Dances with Wolves, which Costner directed and starred in. His breakthrough position was in Silverado in 1985, which led to his casting in The Untouchables and No Way Out in 1987, each of which elevated his standing to A-list film star. Furthermore, the Friday Night Lights actor stands at a towering top of 5 feet 9½ inches or 1.77 meters. Hailing from the suburbs of Manchester, New Hampshire, Czuchry was born in 1977.


She will play the character Misaki Nadeshiko/Kamen Rider Nadeshiko, named after the winning Japan women’s soccer team Nadeshiko Japan.
While Mano’s releases as an idol have been somewhat slow lately it seems that her acting career is going really well, and with this announcement that she will be among the cast for a Kamen Rider movie it seems that it will get even better.
For those who might not be aware Kamen Rider is an amazingly popular series starting back in 1971 which features masked heroes as the main protagonists, and while I have heard quite a lot about them I wouldn’t have guessed that one day we would see an H!P member become one of the Kamen Riders since not many females have become Kamen Riders.
As for Mano’s costume it seems that she will have a blue and silver colored Kamen outfit so fans will easily be able to recognize her from among the other actors (she’s also holding the “fourze” which will probably be a big part of the movie), and while we only have two pictures of her from the set it seems that this will be an amazing movie to check out once it’s released due to the popularity of the Kamen Riders series as well as Mano’s appearance.
Hopefully everyone can check it out once it’s released in December!
The movie will premiere on 12/10.


Readings and Workshops
Arts in the Armed Forces to Celebrate Veterans Day With Reading of 2022 Pulitzer Winner Fat Ham on Broadway
The James Ijames play will be directed by Sideeq Heard and feature cast members from the Public Theater production from earlier this year.
James Ijames’ 2022 Pulitzer-winning play Fat Ham is headed to Broadway for a one-night-only reading from Arts in the Armed Forces in honor of Veteran’s Day. Planned for Broadway’s American Airlines Theater November 7 at 6 PM, the event will be free for veterans, current active duty service members, and their guests, with a limited number of civilian tickets available by sponsoring a military ticket.
The cast, under the direction of Sideeq Heard, will include a number of alumni from The Public Theater and National Black Theater’s recent Off-Broadway co-production of the work, including Nikki Crawford, Chris Herbie Holland, Adrianna Mitchell, Calvin Leon Smith, Marcel Spears, and Benja Kay Thomas, newly joined by J. Bernard Calloway and Alexandria Lewis.
Ijames’ reinvention of Shakespeare’s Hamlet, exploding the psychological classic into a comic tragedy, was recently announced as the 2022 Pulitzer Prize for Drama. Taking place at a cookout, Juicy, a queer Southern college kid, grapples with identity questions, the ghost of his father, a supernatural demand for vengeance, and the choice of breaking or continuing cycles of trauma and violence.
The reading will be followed by a Q&A.
Founded by former Marine and Broadway alum Adam Driver and Joanne Tucker, Arts in the Armed Forces looks to enrich the lives of military in the US with theater and film. Their core program brings play readings with professional actors to military installations around the world free of charge.
Service members looking for tickets can visit Events.AITAF.org. Civilians wanting to sponsor a military ticket and attend can make a donation at Donate.AITAF.org.
Take a look at The Public Theater and National Black Theater’s 2022 Off-Broadway production of Fat Ham:


Choosing the right movie. Since this was for a martial arts school, obviously everyone was going to love action movies. We decided to go with a movie that featured the master of the school ("Ninja Turf") and that brought a lot of students in because it was a hard DVD to find. Attendees has a blast watching this "classic," and afterward we did a Q&A with him and the writer.
Photo: City on Fire
This event was a great way to build a community amongst the students without having to spend extra money. As the word spreads, more and more people are asking about the next Movie Night and what movies they'd like to see. Whether you do this with friends at home or as a social activity for work, it's a great way to build relationships while having fun!Making friends is easy when there's food and a movie!


The Society of LGBTQ Entertainment Critics (GALECA) unveiled on Tuesday its 2022 Dorian Award nominations, which recognize the best in mainstream and independent movies. Winners will be revealed March 17.
Jane Campion’s western drama The Power of the Dog leads the pack with nine nods in total, including for best film, best LGBTQ film and best director. Animated film Flee received five nominations, along with 1920s-set racial drama Passing and Steven Spielberg’s West Side Story.
In the best film performance category, which is gender neutral, nominees include Kristen Stewart for Spencer, Andrew Garfield for Tick, Tick… Boom! and Benedict Cumberbatch for The Power of the Dog.
“You could say the movies and performances chosen by our Society’s members are a reflection of what appeals to the entire trendsetting Queer and Trans community,” said GALECA president Monika Estrella Negra, in a statement. “As our representation grows in the industry and beyond, expect the Dorian Awards to continue to shine light on the importance, and excitement, of having diverse critical eyes on cinema. There is much work to be done in advancing a variety of voices and images that often go unheard and unseen.”


CAST & CREW
Marisa is an East Coast native that made the leap (okay fine, it was a plane ride) to LA about 6 years ago. She currently studies at Anthony Meindl’s Actor Workshop in the master class and her most recent credits include the horror feature “Mandao of the Dead” currently in distribution, the comedic short “Jesse’s Girl” which can be seen now in multiple festivals, and the dramatic short “Charlie” (which she also co-produced) that just had its world premiere. Mostly only wearing the actor hat thus far, “The Post Relationship” is her writing and producing debut but would not like to make it her last. She has a soft, fuzzy spot for subtle and dark comedy, along with deeply character driven pieces. In her spare time she enjoys burning fall scented candles year round, watching obscene amounts of Law and Order, drinking coffee or wine depending on the time of day, and her cat Lucy.
LAUREN FRANCES MAHONEY
Lauren is a freelance editor and videographer based in Los Angeles with experience producing and directing narrative, documentary and commercial content. She has worked in production at Brave New Films, Sandwich Video, and the Los Angeles Academy of Figurative Art's online degree program. She completed an MFA in directing film at MET Film School in Berlin, Germany in 2017. She is currently producing the podcast Self-Helpless, wherein 3 comedians discuss mental health and self-help.
Director of Photography
Elizabeth is a freelance cinematographer based in Los Angeles, California with experience shooting narrative, documentary, and promotional content.
Her credits include the feature film "I'm OK" (2017) and full-length documentary "Some of my Best Friends are Kimchi" (2018). She contributed additional camera work on the Oscar-nominated documentary "The Hunting Ground" (2016), and she shot Buzzfeed's female-forward "Ladylike" series (2017), which has garnered over 13 million views.
Elizabeth is fluent in Spanish and loves to travel. She has spent time in Spain, Honduras, Guatemala, France, and Tanzania. She created travel pieces in both Madrid and Denver, CO, and has filmed in Mexico, Japan, and Thailand.
Devin Spahn has been making movies since elementary school. He was an instrumental team member in his high school's daily morning news show, and graduated from California State University Long Beach with a BA in Film and Electronic Arts. He has edited several documentaries, wrote and directed a web series pilot for A&E, edited every episode of the comedy series The Post Relationship, edits an ongoing editorial commentary vlog for a New York Times bestselling author, and is currently directing a music video for a local artist. Devin enjoys cooking, avoiding other people if he can help it, and waiting year-round for it to be Christmastime already.
As both an Assistant Director and film teacher, Diana enjoys learning, creating, and exploring all parts of the production process. She believes that in order to be a good AD, you have to understand what you're asking people to do, and in order to be a good teacher, you have to be constantly practicing and updating your skills. As a result, she has worked in almost every role on a production: cinematographer, sound mixer, director, gaffer, writer, producer, make-up artist, production designer, PA, editor, colorist, composer, and VFX artist. When she's not on set, you can find her hanging out with her two African dwarf frogs.
Dustin is a full time graphic designer with the Art Directors Guild of IATSE creating visuals for all forms of film, television, commercials, and theatre. He works as a Production Designer for short media and music videos. Dustin's graphic design credits include: Bright (Netflix), Hearts Beat Loud, Mayans MC (FX), The Romanoffs (Amazon), Insecure (HBO), and Super Troopers 2. Find more over at cakebrigade.com/dustin
Katie Spahn is a 24-year-old artist who, having had kidney disease since 16, spends her abundant free time crafting and creating music for commissions and personal expression. Katie is very passionate about art as well as animals and environmentalism. You can find her on Instagram @katiekid03 to follow her artwork and health journey.
Hair and Make up
Growing up in LA, Sarah was familiar with movie sets and seeing celebrities, but it never occurred to her to work in film until some film students in college asked her to help with makeup and set design. Sarah soon fell in love with the “ #setlife “ as it allowed her to connect with others and be creative. After college she attended Cinema Makeup School to deepens her knowledge of makeup and special fx. Sarah works on set for film, tv and music videos and has worked at special fx houses such as Legacy FX and Fractured FX. Her true love is special fx and character makeup but beauty holds a special place in her heart as well.
Darrell grew up in the small town of Sonora, California, you're probably thinking, "Oh yeah, wine country, nice!" Close, but not quite, more near Yosemite, in the foothills of the Sierra Nevadas. Okay great, that's cleared up, you're ready to hear about all the amazing things Darrell has done in his life thus far. First, he got a degree in Biology from Cal Poly San Luis Obispo, foolishly thinking that a stable career as Pharmacist was what he wanted to do with his life, what was he thinking right. Darrell said hold up, acting sounds like way more fun. Next thing he knew, the bags were packed, and he was living in Southern California. The universe, in it's ultimate wisdom, then provided a wonderful commercial agent that started sending this fledgling actor out into the harsh world of auditioning in LA. BAM! WAKE UP CALL! Darrell had the quick realization that he didn't have any idea what he was doing when it came to acting. That's when the universe stepped in again and said, "Hey go check out this acting studio!" Enter Anthony Miendl's Actors Workshop where, in a moment of transcendence and unimaginable human connection, Darrell realized that acting is what he was meant to do, and as the Germans say, "the rest is history.”
Dennis is a Los Angeles based actor-comedian who began his career as a B.F.A. performer at Ithaca College in New York, he also received improvisational training from the Groundlings, the Upright Citizens Brigade Theatre in NYC/Los Angeles and the Massachusetts-based ImprovBoston.
Dennis Hurley’s television and film credits include: NBC's Superstore, The Daily Show, the official ‘Can’t Stop The Feeling’ music video by Justin Timberlake, Unusual Suspects, True Nightmares, Un Amor, Tosh.0, and a supporting role in the upcoming thriller, Involution (https://involutionfilm.com/).
Main Website: www.dennis-hurley.com
Originally from Little Rock, Arkansas, Ron Hanks received his MFA in acting from DePaul University in Chicago and was a stage actor in NYC for the following five years. One of his favorite roles there was “Peter” in the National Tour of “Narnia” for which he earned his Equity card. Ron then moved to Los Angeles to pursue film and television with some of his favorite credits being “Golden California”, “Winterthorne”, “Blood Runs Black”, and SYFY’s “Disaster LA”. In 2014, he and his cinematographer wife, Elizabeth, started their production company, 1157 Productions, with which Ron has directed the short film “Dirt Eaters” and the feature-length movie “I’m OK”. In 2017 Ron’s screenplay “Capacity” was an Academy Nicholl Fellowship Quarterfinalist, and in 2018 the short form series he produced “Broken” garnered two Primetime Emmy nominations. In his free time he loves traveling, playing with his new puppy, and is a chocolate aficionado.
Catherine Eure has been acting professionally since moving to LA at 18. She's studied at the Lee Strasberg Institute, Stella Adler, and with Ivanna Chubbuck. She's worked in numerous independent shorts and features and recently moved to Atlanta to work in the Southeast market. She loves hot sauce, rolling her eyes, and overly opinionated pit-bulls and she is only happy when it rains.
Sooner or late, I was destined to be in the entertainment industry. From an early age, I have loved showing off for my friends or anybody else that would listen and watch my imitations of classic Hollywood stars like Edgar G. Robinson or of President Richard M. Nixon. But my most popular trick according to my parents was gargling my cola at birthday parties. It was only when the US Navy brought me to the Armed Forces Radio and TV Center in Los Angeles did I actually start exploring my dreams, starting with some background acting gigs while still on active duty. When I retired from the Navy in 1994, I started doing community theater with relative success at the start with a nomination for best in a major supporting role in a comedy at a local San Diego theater for the season. And eventually, I wound my way back up to Los Angeles for more film and tv experience. My first screen credit was in the movie Simone in 2002.
Michelle Serje is an Actor, Comedian, and Fitness and Fashion Model. She just recently shot a Google Commercial with legendary director Terrence Malick, and had an amazingly surreal experience. Currently performing on an improv team, she has completed all of UCB training and continues to challenge herself in exploring all aspects of comedy. She creates comedy skits and sketches and is currently writing her own show. Michelle would like to thank Lauren and Marisa for giving her the opportunity to explore her range in the most playful and freeing way! Instagram: @michelleserje
Tim is a 30 year old actor having a blast doing comedic and dramatic roles, as well as improv comedy and blogging. He can be found aon Instagram as @timothybye and his blog can be found at treatsbyer.blogspot.com. He's also performing monthly improv shows at the LA Connection Comedy Theater in Burbank.


This is the place to buy tickets to any of the independent productions, ACTT productions, college shows, festivals and events.
Welcome to the Moon
ACTT First Year Actors (Group C) present: WELCOME TO THE MOON
Directed by Naomi Livingstone
A note from the Director:
I first encountered the writing of John Patrick Shanley as a child via his whimsical, exuberant romantic comedy film Moonstruck. Something of its gutsiness, its bittersweet yearning and unashamed tribute to the madness of love just captured me. As an adult acting student, I stumbled upon his play Danny and the Deep Blue Sea and the deal was sealed: I was in love with John Patrick Shanley’s writing. Specifically, his ‘early’ stuff. His most recent film (first a play), the Oscar-nominated Doubt is a revelation and he continues to inspire. But it’s this love stuff -the big poetic images, the struggle to own identity, to chase
dreams and...love - wrapped in a tough Bronx world that really gets me going.
So, it was my great pleasure to get to share his work and explore Welcome to the Moon and other plays (yes, from the ‘early’ period) with the wonderfully talented and dedicated cast of First Year group C.
41 Holt St Surry Hills, NSW
17 January 2015
10am - 3pm


Three SCENIE Awards for Belle!
Delighted and honored to be included in this year’s SCENIES for The Belle of Amherst by William Luce OUTSTANDING SOLO PERFORMANCE PRODUCTION OUTSTANDING SOLO PERFORMANCE OUTSTANDING PRODUCTION DESIGN Thank you, Steven Stanley! Your pure unabashed joy for theatre fills my heart with hope and possibility! 2016-2017 SCENIES: OUTSTANDING SOLO PERFORMANCE PRODUCTION – Producers: Sierra Madre…read more
Circle Mirror Transformation: October 1st, 2017
“Circle Mirror Tranformation” by Annie Baker A staged reading directed by the wonderful Richard Israel. It’s a reunion with dear friends from the West Coast Ensemble days! read more
Airplane! The Reading!! September 22nd & 23rd, 2017
“Airplane! The Reading!!” Original Screenplay written by Jerry Zucker, Jim Abrahams & David Zucker Directed by Jim Hardie Excited to be joining the ACE Classic Movie Theatre Players reading numerous roles in “Airplane!”, the film ranked #10 on AFI’s 100 Funniest American Movies of All Time!read more
“Our Town” by Thornton Wilde: July 28th & 29th, 2017
Delighted to return to participate in the Annual Tree People’s Canyon Nights reading the role of Mrs. Gibbs in Thornton Wilder’s Pulitzer Prize winning play, “Our Town”. The reading is starring the wonderful Robert Forster (Academy Award nominee “Jackie Brown”), Peter Mackenzie (Black-ish) and Jack Kehler (“The Big Lebowski”) to name a few…read more
The Belle of Amherst: March 18th – April 23rd, 2017
I dwell in possibility. When I was 16, I saw “The Belle of Amherst” by William Luce and fell in love with the play and with Emily Dickinson. I hoped one day to play the role and that day has come! Excited to announce that I am co-producing with Sierra Madre Playhouse and starring in this lovely…read more
They – A Short Play: December 2nd – 4th, 2016
Enjoying being a part of the Megan Foley & Chuck Marra’s The Project. This is an original project we wrote about people in our lives that have made a difference. We are performing December 2-4, 2016 at The Whitmore-Lindley Theatre located at 11006 Magnolia Blvd., North Hollywood, CA 91601. Hope you can join us!read more
The Best Man by Gore Vidal: September 12th & 13th, 2016
Ferrell Marshall to read the role of Mable Cantwell in Gore Vidal’s “The Best Man”, a theatrical event to benefit Tree People. Starring the wonderful Robert Forster, Cliff De Young and Tim DeKay. Join us for an evening of theatre under the stars! “THE BEST MAN” by GORE VIDAL A staged reading directed by Jill Klein Performances August 12 & 13, 2016 @ 8:00pm…read more
Ferrell Marshall wins Stage Raw Theatre Award!
Ferrell Marshall wins the Stage Raw Theatre “Supporting Female Performance” Award 2016! Check out the winners here!read more
Stage Raw Awards Announced
Ferrell Marshall nominated for Female Supporting Lead and August Viverito, director, nominated for Best Comedy Direction – ENRON. Check out the nominees here!read more
Enron nominated by LA Drama Critics Circle!
LADCC Awards – Enron nominated for Best Production, Directing and Writing Los Angeles Drama Critics Circle. Check out the nominees here! read more


B.J. Wilson is a Chicago based filmmaker and Chairman of the Chicago Film Scene non-profit. Check out the Chicago Film Scene website here: https://chicagofilmscene.com
ABOUT MBP: Chicago based producer Max Brudvig’s comedy, film, and friends podcast. The main goal here is to tell stories and have good conversation. Topics vary by guest but generally include movies, pop culture, futurism, comedy, Chicago, video games, hockey, MMA, cannabis, nature, politics, and whatever other thought-turds float to the surface.


William Shakespeare's Twelfth Night.
This essay looks at Shakespeare's comedy, Twelfth Night. It will summarize the plot in which twins are separated by a shipwreck. One of the two, Viola, disguises herself as a man and becomes involved in the love affair between Duke Orsino and the Lady Olivia. In addition, this essay will examine the contexts relating to this story, particularly the historical period and society which is reflected in the play. Finally, a series of discussion and essay questions will provide direction for further study.


Karen is a queer, mixed-race Chicago based Lighting Designer and Theatre Planning Intern at Schuler Shook. She graduated in 2022 with a BFA in Lighting Design from The Theatre School at DePaul University.
Karen has worked throughout Chicago. Recent credits include Lighting Design for A Town Called Progress with Promethean Theatre Company, Assistant Lighting Design for A Very Hungry Caterpillar at Chicago Children's Theatre, and Lighting Supervisor for various productions at Lifeline Theatre.
Beyond theatre, Karen values time spent outdoors with her family and friends. They enjoy creating and sharing art rooted in interpersonal connection and powerful emotions on both a small and large scale.


We’re sure that all theatre enthusiasts have been looking forward to hearing what’s going to happen at the local scene in the new season. Thanks to our partnership with one of the biggest and most popular theatres in Brno – National Theatre Brno (Czech: Národní divadlo Brno), we bring you basic schedule of their exciting upcoming program!
Looking for a nice way to spend your evening? Are you a theatre fan? We have a perfect idea for you: come and see the renewed premiere of Swan Like in Brno National Theatre (NdB – Národní divadlo Brno in Czech! The performance is dedicated to the 100th anniversary of the first Swan Lake show in NdB.


September 11, 2011
From eyes of Brook Peters! a must see for any New yOrker or any one!
The Second Day!
On September 11, 2001, 4 year-old Brook Peters was attending his second day of kindergarten near the World Trade Center in New York City when two planes struck the Twin Towers.
The Second Day is Brook’s inspiring film on 9/11 and its aftermath through the eyes of young people and educators who experienced that tragic day.
When Brook set out to tell his story about 9/11, he didn’t realize he would be telling a story of inner strength and resilience. Through the experience of interviewing his classmates, and talking about The Second Day film with international press, Brook realized that his message of inner strength is...


dr Spencer Reid made a connection with Maeve in Season 8, a woman he had never seen in person because of her fear of a stalker. They started dating but broke up after a few months.
He later dated Kelly Parker for three years until she died in a car accident in 2004. Reid later dated other women before marrying Suzanne Szmanda in 2007. They have a son together named William James Szmanda.
Reid has spoken out about his wife's death and how it affected him. He said: "I didn't want to live anymore. I felt like my life was over. I couldn't get out of bed for a long time."
Aftersix monthsIn grief, he decided to move on with his life and married Suzanne in a small wedding ceremony a few days after her funeral.
Own Spencer and Suzannea medical clinicin Vancouver, where they treat patients injured in car accidents.
Reid has also spoken out about his addiction issues in the past. In an interview with Parade magazine, he said: "I used to do cocaine all the time.
Table of contents
- Who is Spencer Reid dating?
- What Happens to Spencer Reid in Season 8?
- Who is Reid's girlfriend in season 8?
- Is Spencer Reid's girlfriend...?
- Who does Spencer Reid kiss?
- Spencer Reid died?
- How old was Spencer Reid when his father left him?
- Is Spencer Reid realistic?
What Happens to Spencer Reid in Season 8?
Spencer Reid lost Maeve. Maeve's hapless love ended abruptly and tragically when she was kidnapped by a demented former student. His body was found near a dam where it had been dumped, but not before he made a video diary that revealed his final moments on Earth.
Reid spent months trying to find Maeve's killer, but to no avail. In the series finale "The End of All Things", she discovers that she is still alive and well thanks to a psychic she worked for.the police station. Both travel back in time to change history, leaving everyone, including Maeve's ex-lover, happy.your life.
He then tells her that he has fallen in love with heran other manand wants to move to New York with him. Spencer realizes that this would have happened even if she hadn't time-travelled, and decides not to go after all. She says goodbye and leaves her life forever. He returns home to an empty apartment and closes the door behind him, ending the episode.
Spence later writes a book about her experience called Second Chance. The film version was released in 2011 and starred Jim Caviezel as Dr. Spencer Reid.
Who is Reid's girlfriend in season 8?
dr Maeve DonovanDr. Maeve Donovan was a recurring charactercriminal thoughtswho appeared as SSA Spencer Reid's girlfriend ineighth season. He first appeared in the Season 8 premiere "Status Quo," which aired September 25, 2015.
Maeve is a forensic psychiatrist at the Baltimore Institute of Mental Health who works with Reid on cases involving the criminally insane. He is also one of the few people who know about Reid's other job as a federal agent. In the episode "Ransom", it is revealed that she is from Maryland and is a graduate of Johns Hopkins University School of Medicine.
Their relationship began when they both worked in the FBI. When asked how she knew she could be trusted, Reid said that anyone can be trusted not to do anything crazy. He goes on to say that you can't trust anyone not to feel something, which is why he doesn't work with partners. It is revealed later in the episode that she is pregnant and is due to give birth in late February or early March 2016. In the season 8 finale "The Greater Good", it is revealed that she has been promotedchief doctorfor Maryland and will leave the office after the birth.
Is Spencer Reid's girlfriend...?
Maeve Donovan was a recurring character on Criminal Minds who played SSA Spencer Reid's girlfriend in season eight. She first appeared in the episode "Firewall" and was subsequently killed in the season finale "Homecoming".
A medical student at Columbia University, she joins the BAU as a crime scene photographer after her boyfriend, FBI Special Agent Spencer Reid, is killed in an attack on his apartment building. His father is a renowned surgeon while his mother is a professor of anthropology at Columbia University.
After joining the team, Maeve learns about her cases through phone calls with her parents in New York City. It is also clear that she is interested in a career in law enforcement.
Inthe last episodeIn the series "Homecoming" it is revealed that Maeve has been accepted into the FBI Academy in Quantico, Virginia and will later leave the BAU. Inthe last momentsIt is also revealed in the episode that he received his new identity as a federal agent and that his birthday is actually December 4 instead of October 15 as stated in the show's opening sequence.
Who does Spencer Reid kiss?
Reid and Maxine kiss at the end of the episode. After Reid suffers a brain injury, Maeve reappears as a vision in the series finale ("And In The End...").
Maeve kisses Spencer on the cheek before disappearing.
Spencer Reid died?
Reed was killed. When Reid's ex-girlfriend Maeve disappeared, the BAU rallied to support him. During his downtime, the team was willing to do anything to help their friend. Despite the team's best efforts, Dr. Reid killed by a young woman named Tanya Miller.
Maev survivedher meetingwith Tanya and was recorded by another of Reid's friends, Scottie Ferguson. He eventually found his way back to the United States where he leads a quiet life in California.
In February 2016, it was reported that Reid had been shot dead at his Los Angeles home. The police did not provide any information on the cause of death or possible suspects.
Before he died, Dr. Reid made multiple attempts to contact Maeve or Scottie to let them know what had happened. He never got an answer from either of them. It is believed that this may have led to a complete nervous breakdown.
Reid is rememberedhis friendsand colleagues as true heroes who would have given without hesitationhis lifeFor someone who cared. He will be greatly missed.
How old was Spencer Reid when his father left him?
He is considered a genius and self-taught. Spencer Reid, the son ofwilliam kingand Diana Reid, was born on October 28, 1981. She graduated from high school when she was twelve years old. His father left him and his mother, partly because he could no longer cope with his paranoid illness.
Is Spencer Reid realistic?
Spencer Reid is a fictional character played byMateo Grey Gublerin the CBS detective drama Criminal Minds. Reid is a genius with an IQ of 187 and an eidetic memory that he can read.20,000 wordsper minute. He is also the founder and head of the FBI's original Mental Crimes Unit.
Reid was one of the first characters introduced in the series premiere alongside Jennifer "JJ" Jareau (Lisa Cook). The two main characters work for the FBI's Behavior Analysis Unit (BAU), where they use their skills to solve crimes that fall within the realm of forensic psychology. The unit is led by Special Agent Jason Blye (Daniel Henney), who hires recruitsboth agentsand psychologists from around the world to work on cases together.
Originally from Toronto, Canada, Reid graduated from George Brown College with a bachelor's degree in criminal justice. He has been arrested multiple times for assault and armed robbery but claims he is innocent of all charges. His intelligence and photographic memory helped him avoid conviction, and he believes his problems stem from police corruption. Despite this, he managed to come to terms with other officials and prosecutors during the court proceedings.
Reid began working at the BAU after being recruited by Agent Jareau.
Who is Spencer Reid in a relationship with? ›
Spencer Reid began a relationship with a woman named Maeve, whom he had never met in person because she lived in fear of a stalker. This star-crossed relationship came to an abrupt—and tragic—end when Maeve was kidnapped by a deranged ex-student of hers.Who was Spencer Reid's wife? ›
|First Appearance||The Fisher King, part 1|
Maeve Donovan was a recurring character who appeared as SSA Spencer Reid's girlfriend in Season Eight of Criminal Minds.Does Reid get a girlfriend in season 15? ›
He meets a woman named Maxine Brenner (Rachael Leigh Cook) in (Season 15, Episode 4) "Saturday".Who does Spencer Reid kiss? ›
Criminal Minds, Season 1 - Episode 18: Somebody''s Watching.What is Reid's secret? ›
And off goes the light bulb for Reid: His dirty little "secret" is that he enjoyed poisoning his fellow inmates. Their full conversation, including Cat's confession about her pregnancy, is played for Lindsey, who had no idea Cat was with child and surrenders herself -- and Diana -- to the BAU.Why did Reid leave Criminal Minds? ›
Opening up to Deadline (opens in new tab), the show's executive producer Erica Messer said that schedule-wise it was very difficult for Matthew to come back as Spencer Reid in Criminal Minds: Evolution. “He's been doing other projects and a lot of those were lining up during our window.Who is the mystery girl Reid is talking to? ›
one of its most disturbing UnSub MOs ever, it also (segue alert!) raised the curtain on who has been playing BAU agent Spencer Reid's mystery girlfriend. And the answer, as guessed by some fans with very good ears, is…. Beth Riesgraf aka Leverage's Parker, in a dark wig.Who is reids mystery girl? ›
Criminal Minds introduced Reid's new love interest. Max, played by Rachael Leigh Cook, made a huge impact on viewers.What episode does Reid get a girlfriend? ›
"Criminal Minds" Zugzwang (TV Episode 2013) - IMDb.
Who is Reid's love interest in season 15? ›
Maxine "Max" Brenner is a recurring character who had appeared in Season Fifteen of Criminal Minds as a potential love interest for SSA Spencer Reid.Is Reid going to be in season 16? ›
Spencer Reid (Matthew Gray Gubler) is not returning for the 16th season, especially considering how prominent he was in Criminal Minds proper. There's a reason for this Reid-shaped gap in the show (and it's not just because he's a fan favorite).Does Reid end up with a girlfriend? ›
In the wake of JJ's confession, it has now been confirmed by TVLine that Reid's new love interest will be played by Perception star Rachael Leigh Cook. Rachael is set to play Max, who manages to build up an unusual relationship with Reid. Her character will appear in at least two episodes of the final season.Does Reid fall in love in Criminal Minds? ›
Back in season 1, it seemed like something might be brewing when brilliant, but awkward, Spencer Reid (Matthew Gray Gubler) confessed to having a little office crush on JJ Jareau (A. J. Cook). An attempt at setting the two up was made, but ultimately, romance never blossomed.What happens to Spencer Reid's girlfriend? ›
Reid's girlfriend, Maeve, is abducted,, Dr. Reid and the team go after her. Dr. Reid nearly convinces Maeve's captor to let her go, but things change quickly, resulting in a murder suicide that claims Maeve's life.What episode does Reid get a girl? ›
"Criminal Minds" Zugzwang (TV Episode 2013) - IMDb.Does Reid ever meet the girl on the phone? ›
A secret relationship turns deadly
In shrouded mystery, Reid is shown talking on the phone with a mysterious woman about these headaches. Over the course of a few episodes, it's revealed that he's had a secret relationship with a geneticist named Maeve (Beth Riesgraf) for months.
Criminal Minds introduced Reid's new love interest. Max, played by Rachael Leigh Cook, made a huge impact on viewers.When did JJ tell Reid she loved him? ›
In "Truth or Dare", the Season 14 finale, Jareau tells Reid that she has loved him ever since they first met.Does JJ love Reid romantically? ›
Criminal Minds delivered an emotional and unforgettable moment during its 15th and final season premiere on Wednesday. The two-hour premiere saw JJ (A.J. Cook) profess her love for Spencer Reid (Matthew Gray Gubler) after he saved her life when she was shot in a parking garage.
Do Reid and JJ have a baby? ›
Henry is born. Henry was born during "Memoriam", and after the team gets to meet him after finishing a case, JJ asks Reid and Garcia to be Henry's godfather and godmother, respectively. In "Normal", JJ brings Henry to the BAU headquarters after the team solves a case, and the team takes turns holding him.Who is Spencer Reid's daughter? ›
Abigail Reid gets kidnapped at age 4 while her parents were asleep.


BY: CRAIG STEVENS
"Change in the Family" follows Zo, a young Black transgender man from Silver Spring, Maryland. The documentary vividly chronicles the experiences of Zo and his family members during his transition from female to male.
American University PRIDE on Monday will screen the film, followed by a Q&A session with director Dr. Sam Hampton.
The screening will be held in Kerwin Auditorium 2 at 6:30 p.m.
"This film is about bridges," said Zo. "Lately, I've been feeling like part of my purpose in life is to serve as a bridge towards understanding foreign concepts for the people around meâ€¦ Iï¸ think that people of marginalized identitiesâ€”be it race, gender, ability or otherwiseâ€”are often expected to explain ourselves to the cookie-cutter vanilla world we didn't ask to be born into."
This gripping project provides a window into the ups and downs of Zo's life. Hampton's brilliant combination of home videos and family interviews reconstructs Zo's transition, shattering preconceptions and challenging stereotypes.
"Iï¸ won't get the chance to meet every person who ends up watching this film, talk to them, and make my black trans identity that much more real, tangible and acceptable in their minds," Zo continued. "Iï¸ hope that this film can serve as a bridge towards greater acceptance and understanding, and can serve as a reference point for other youth who might be having similar experiences."
The hour-long screening will be followed by a Q&A session with Hampton and Dr. Susanne Unger from AU's Department of Anthropology. Check out the documentary before it hits the film festival circuit in 2018.


GRANT High School students are delving into their creative side as they prepare for this year’s musical Spectrum.
Created especially for the school by musical duo Scott Maxwell and Mike Bakker, the production showcases the talent of around 65 students from the Mount Gambier high school.
Producer and assistant director Abbey Marston-Kleemann said audiences should expect to be “blown away” by the outstanding performance.
“Preparations are going really well, we have been rehearsing almost every day and everything is slowly coming together,” she said.
“The students have loved being involved – we are so


Inspired by the lyrics of Meek Mill's "Cold Hearted", this episode explores the life of a mega-star rapper who gets fatally shot, with his faithful sidekick by his side, and all suspects - his wife, manager and best friend.
Inspired by the lyrics of Notorious BIG's "I've Got A Story to Tell", this episode dramatizes the struggle of a woman tired of her NBA fiancée's philandering; Ashley has an affair with a neighborhood hustler.
Age-restricted video (based on Community Guidelines)
Inspired by the lyrics of Fetty Wap's "Trap Queen," this episode of Tales tells the story of devoted love: Crystal discovers that her boyfriend and the love of her life, Reggie, is running drugs out of the strip club they own together. Despite her initial hesitation, Crystal decides to join force...


A lot of people love watching a movie. Many of them choose to have it at home and veg out every weekend nights. People tried to search for a reliable portal where they can access a better quality of movies at an affordable price. Most of the people do not have much idea where to find it. If one has fast internet connection and a laptop of PC then you’re all good. People always love to check what’s new and waiting for the latest trailer and movie titles. They always wanted to be updated with the latest box office in the nearby cinema or storehouses in towns. At go movies, everything is just in the store right away for you.
The Internet is very wide and finding good movie copies are not easy. Since the offering of DSL and high-speed broadband, watching movies at home became a part of everyone’s life. In cinema, watching a movie is limited and costs a lot. Instead of doing this, people now just need to sit back and relax at home and play different movies and watch it online as long as they want.
There are good qualities of movies such as
- Dolby surrounded
- DVD Rip
You only need to pay one time and access more movies online. You can even watch movie trailers to come out very soon for free. You read star reviews and conduct boking online and watch the movie the same time it was release. Be the first one to see it at a minimum payment. Who doesn’t like that? There are many categories to choose from Drama, Comedy, Romance, Sci-Fi, Horror, Suspense, Thriller, etc. customer would also enjoy the high quality of sounds and with no interruptions in between movies. With small payment made, you can enjoy lots of movies and just follow simple instruction on how to register. Precisely, you can access all the types of movie you want.


May 20th, 2011 H2OBaby Posted in Uncategorized | No Comments »
In a few more days, on May 30 to be exact, Philippines’ GMA network will be airing the Korean drama Playful Kiss. I’m not so sure if I should be happy or sad about it. Haha! Well, I’m glad that Kim Hyun Joong will be getting more exposure but I don’t really like how GMA 7 dubs Asian dramas.
Playful kiss is the Korean adaptation of the Japanese manga Itazura Na Kiss. An earlier adaptation of the manga is It Started With A Kiss (Taiwanese). The Taiwanese version is more dramatic compared to the Korean version, while the Korean versions stays more true to the manga. I like both versions in their own ways.
I don’t like dubbed dramas in general for several reasons. First, I like to hear their real voice, watching Tagalog dubbed dramas makes me feel like I’m watching anime. Second, they change the dialogues to sync it with the mouth movements. Third, they sometimes alter the ending.
Anyways, I’m still going to watch the Tagalog dub version of Playful Kiss… for the love of Kim Hyun Joong. Here’s GMA’s teaser courtesy of princessfiony @ YT.
P.S. I laughed when I found out the Tagalog dub names of the characters… Gelo Baek and Honey O. Why didn’t they just use the real names? And the voice of Baek Seung Jo sounds like Gu Jun Pyo’s of the Tagalog dub version of Boys Over Flowers.