2023 CAST Theater Season
March 16-18, 23-25 at 7:30 p.m. | Tickets $15
Consider yourself at home with Lionel Bart's classic musical based on the Charles Dickens novel, Oliver Twist. The streets of Victorian England come to life as Oliver, a malnourished orphan in a workhouse, becomes the neglected apprentice of an undertaker. Oliver escapes to London and finds acceptance amongst a group of petty thieves and pickpockets led by the elderly Fagin. When Oliver is captured for a theft that he did not commit, the benevolent victim, Mr. Brownlow takes him in. Fearing the safety of his hideout, Fagin employs the sinister Bill Sikes and the sympathetic Nancy to kidnap him back, threatening Oliver’s chances of discovering the true love of a family. Directed by Gayle Gearhart and Mason Strouse.
A Comedy of Tenors
May 4-6, 11-13 at 7:30 p.m. | Adults $12, Students $10
One hotel suite, four tenors, two wives, three girlfriends, and a soccer stadium filled with screaming fans. What could possibly go wrong? It is 1930s Paris and the stage is set for the concert of the century—as long as producer Henry Saunders can keep the amorous Italian superstar Tito Merelli and his hot-blooded wife Maria from causing runaway chaos. Written by Ken Ludwig, this is an uproarious ride full of mistaken identities, blissful romance, and madcap delight. Directed by Matt Hertlein.
Into the Woods
July 13-15, 20-22 at 7:30 p.m. | Tickets $15
James Lapine and Stephen Sondheim take everyone's favorite storybook characters and bring them together for a timeless, yet relevant, piece—a rare modern classic. The story follows a Baker and his wife, who wish to have a child; Cinderella, who wishes to attend the King's Festival; and Jack, who wishes his cow would give milk. When the Baker and his wife learn that they cannot have a child because of a Witch's curse, the two set off on a journey to break the curse. Everyone's wish is granted, but the consequences of their actions return to haunt them later with disastrous results. Directed by Robert Roxby and Gary Wilsoncroft. Sponsored in part by CNB Bank.
White Liars & Black Comedy
October 19-21, 26-28 at 7:30 p.m. | Adults $12, Students $10
Enjoy an evening of two comedic one-acts by Peter Shaffer. The White Liars depicts a fateful encounter between a down and out fortune teller, a rock musician, and his agent. The agent bribes Baroness Lemberg to fake some hocus pocus over a crystal ball, presumably to discourage the musician from pursuing his girlfriend. The trickery entangles each of them in a dense web of deception. In Black Comedy, a blackout occurs on the night a young sculptor plans to meet his debutante's millionaire father and a wealthy patron. Unexpected guests, aging spinsters, errant phone cords, and other snares impede his frantic attempts to return the “borrowed” tems before light is restored. Together, these one-acts are a sharply etched study of characters steeped in deception. Directed by Dawn Deppe and Scott Muirhead.
A Christmas Story
All Performances are SOLD OUT!
December 7-9, 14-16 at 7:30pm
December 10 at 3pm
Season ticket holders who would like to exchange their tickets can contact CAST and exchanges will be done if/when possible. If you have tickets you can no longer use, please give them to someone or let CAST know so that they can be released and resold. No refunds will be offered. We will not be starting and waiting lists. Some tickets may become available. Follow CAST on Facebook or click the button below to see what tickets are available.
Humorist Jean Shepherd's memoir of growing up in the midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher and even Santa Claus himself at Higbee's Department Store. The consistent response: "You'll shoot your eye out!" All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. Directed by Mason and Kellie Strouse.
CAST previously had plans to present Winter Wonderettes in December 2023. However... we have exciting news! December marks the 40th year since the debut of the film A Christmas Story. Because of this, we have decided to close our 40th year at CAST with this old chestnut! All previously purchased tickets for Winter Wonderettes will be honored on the same dates. If you would like new tickets issued for this show, please contact the CAST office.


Justice League Full Movie HD Watch Online & Torrent Download
Justice League Info
Release Date: 17 Nov 2017
|Directed by||:||Zack Snyder|
|Written by||:||Chris Terrio, Joss Whedon|
|Starring||:||Ben Affleck, Gal Gadot, Jason Momoa, Ezra Miller|
|Production company||:||DC Comics, Kennedy Miller Productions, Lin Pictures, Warner Bros., DC Entertainment, RatPac-Dune Entertainment, Cruel and Unusual Films|
|Distributed by||:||United States of America|
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The battle for earth just got real, can you save us? The 3D Justice League Ride at Movie World puts you in the action. For tickets and info click here!. A new image from Zack Snyder on Vero has promised DC fans a month of exclusive behind the scenes photos from the set of Justice League. Justice League Full Movie. This movie and all movies on our site do not have any videos hosted by us to watch. And when your friends start seeing that you feelings for each other they will bother you and try to set you up. Justice League: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound. Watch Justice League Full Movie Online Free. Movie ‘Justice League’ was released in 2017-11-15 in genre Action,Adventure,Fantasy,Science Fiction. Find product information, ratings and reviews for Justice League® Batman Boys’ Deluxe Muscle Costume online on justiceleaguefullmovie.com.
Justice League Sttoryline:
Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne and Diana Prince assemble a team of metahumans consisting of Barry Allen, Arthur Curry, and Victor Stone to face the catastrophic threat of Steppenwolf and the Parademons who are on the hunt for three Mother Boxes on Earth.


The Hamilton Underground Film Festival 2012 Entry Form.
FILMS MUST BE LESS THAN 4 MINUTES LONG
Print off this form and enclose with your film.
Send entries to:
PO Box 4201
Hamilton , 3247
Title of your film:
Director (Owner of film):
Rights granted and guarantees made by the Producer*
The Producer grants The Hamilton Underground Film Festival 2012:
The non-exclusive rights to reproduce the film, or part of the film and to exhibit the film by
any medium for the purposes of the festival or its promotion. The Producer guarantees
that they have obtained all the necessary permissions, licences and clearances to enter
this film and that the film and all of its composing elements and our screening of the film
does not infringe the moral and ethical rights including copyright of any third party. Any
claims made by any person or entity against the film, actors, crew, locations or any other
party are entirely the responsibility of the Producer. The Producer also assures that all the
above information is correct and that they agree to abide by the Rules and Conditions as
specified on the Film Festival’s webpage. The Hamilton Underground Film Festival will
communicate with entrants predominantly by email; your signature on this form is also
your consent to being emailed by the festival about this and future festivals.
Your film will, if selected , be part of a DVD compilation. *(producer means the legal owner of the film)
Send as a
DATA-DVD AVI or .MOV, as well as a standard DVD for viewing
All formats should be letterboxed at 720/576 (Standard definition) PAL DV.
cheers - the HUFF crew


Next year many literary lovers can rejoice because PBS announced this week that the Lorraine Hansberry documentary, Sigthed Eyes/Feeling Heart will air on January 19, 2018. This is part of the network’s American Master’s “Inspiring Woman” campaign. The highly-anticipated documentary on the activist and artist will chronicle the life of the history making playwright, as the first Black woman to create a play that was performed on Broadway.
She is the genius behind the play A Raisin in the Sun, Hansberry is also known for incorporating activism into her art to create awareness. The film will be narrated by LaTanya Richardson-Jackson. Viewers can expect to see interviews with some icons such as Sidney Poitier, Harry Belafonte, Louis Gossett Jr. and Ruby Dee. The film premiered at the Toronto Film Festival.
American Masters -Lorraine Hansberry: Sighted Eyes/Feeling Heart premieres nationwide on Friday, January 19 at 9 p.m. on PBS.


The Dalkey Players presented the Caroline Foundation, partner of CCRT, with a cheque for €1000 following the success of their play, Jane Eyre.
The director, Emma Jane Nulty, dedicated the Jane Eyre production in memory of Caroline Dwyer-Hickey. The production played at the Dalkey Town Hall from November 6th to 9th.
Caroline was an active actor for many years with the Dalkey Players. You can read their wonderful tribute to Caroline at – http://dalkeyplayers.ie/?p=26


Jan Tománek (1978) in 1996 he graduated from the high school of art and industry Václav Hollar. From 1999 to 2005 he studied at Academy of Fine Arts in Prague at the professor's Michael Bielicky and Veronika Bromová field of New Media.
In 1994–1996, he contributed to gaming magazines as a student Excalibur, Score and founded a magazine Level, where he worked as editor-in-chief in 1995.
He has been an active non-paying member since 2001 Mensa.
While studying at Academy of Fine Arts he created short films, both live and animated and combined. He participated in the creation of the project for Prague Lantern magic and collaborated with his parents on a number of children's films and animated films evening snacks for Czech television.
He is known as a director, artist, screenwriter and producer of popular animated films Goat story, for which he won a number of international film awards, was nominated for the Czech Lion and won the Febiofest Kristián award and the best animated film.
In 2021 He founded a citizens' initiative Hello forum and he still tries to point out the iniquities around him in his texts. In addition to directing and creative work in Art And Animation studio, is mainly engaged in writing books.
In 2018, he published his first novel Butterfly scream – a conspiracy thriller from the Czech environment. He followed Chandelier for the Pope – a raw and harsh story from the hell of the normalization camps, which was published in the fall of 2019 and a dystopian novel at the end of 2021 Ark of books.
He issued an amendment in 2022 War with trees – a bitterly funny parable of the two years of senseless measures we lived through and in 2023 his last book so far A Guide down the Rabbit hole.
He lives with his wife on the outskirts of Prague and is the father of two children.
In the years 2005 – 2012, Jan Tománek devoted himself to the creation of animated films. In his Art And Animation studio the first Czech 3D animated film The Goat Story was created, which in 2008 became the most successful Czech animated film in terms of audiences. Over 500,000 viewers saw both films in Czech cinemas alone, and they were translated into many world languages and were seen by millions of viewers in dozens of countries.
In 2009, Jan Tománek won the prestigious Febiofest critics' prize - Kristián for The Goat Story and was also nominated for the Czech Lion for the best creative solution.
In addition to production and direction, he also created the overall artistic concept and wrote the scripts for the films.
Goat story - The Old Prague Legends
The cheerful story tells about Kuba and his constantly chattering Goat, who bring eggs to the construction of the Charles Bridge. Love for the city girl Máca leads Kuba to work at the legendary Old Town Astronomical Clock. The whole story is interwoven with the mysterious fate of the poor student Matěj from Faust's house and other rumors and ghosts of medieval Prague. In addition to the great acting performances of Jiří Lábus and Matěj Hádek, "The Goat Story" - the first Czech 3D animated film - gained a reputation as a film with a special and distinctive visual concept, which won the favor of foreign viewers as well.
Goat story with cheese
The story of the goat with cheese loosely follows on from the previous part. The plot of the film has been transferred from medieval Prague to the fairy-tale cheese kingdom, and in addition to the old familiar characters, the audience can look forward to a number of fairy-tale creatures and new protagonists - the children of Kuba and Máci - Honzík and Zuzanka, who go through the entire story together with the Goat. The overall tuning of the film is more family and fairy tale than in the previous part.


I knew from the beginning that this movie is going to be really hard and really difficult to understand; I was psyched to watch it though so i watched the movie with my father ( another movie fan ) and prayed to god that the movie is not going to be boring. Fifteen minutes into the movie I was interested and not bored, even though I didn’t understand everything completely.The movie is so interesting and it is so well shot that you never get bored of it, but again you may not understand all the details of the mystery and the clues.
The main concept is easy to understand, it is about a spy who is in the government and smiley who is a disgraced agent, has to find the spy. The concept is really clear; but who is the SPY? This is the mystery that blows your mind and doesn’t give you any clue but still makes you interested to follow the story. The trailer makes the movie feel like an extreme mystery spy movie but it is more like a suspenseful spy movie because it sometimes gives you the idea of who the spy is and that makes it less than an extreme mystery and more like a suspenseful mystery.
1) The story and the script: The story went on beautifully so you were interested to see who the spy is and how are they going to solve the mystery. The movie sometimes got so confusing that you didn’t get how do they get the information about the spy and find the clues. However, that is not a weakness of the movie because the movie contains all the secrets, twists, and answers inside it, but the problem is that you have to really pay attention and try to look outside the box. The story of this movie gets really complicated, but it doesn’t get boring and it goes on strongly. The script and dialogue is sometimes considered real and everyone talk in their own way; for example the detective talks like a detective ,and the normal person talks like a normal (British) person.
2) The character and actor’s performances: Gary oldman is a terrific actor and he is just brilliant as a detective. When you watch his movies then you understand that he is just playing a different character every time that he is in a movie, and he plays his role in the best way possible; for example in Leon: The professional he is completely a villain and in the Dark knight trilogy he is just a good guy that you would trust to give any secret to but at the same time take him serious and don’t think of him as a joke like Nicholas cage in some of his movies. Other actors are all terrific too; Tom hardy is just so real and good that you feel close to him and he acts brilliantly and realistically that you just smile when he appears on the screen. Other terrific actors in this movie are Benedict Cumberbatch who is most famous for his role in the TV series Sherlock, John Hurt who is most famous as his role in the movies Alien and V for Vendetta, Colin firth who is famous for his role in the movie king’s speech, Mark strong who is most famous for his role in the movie Sherlock Holmes, and all the other great actors. Basically everyone act terrifically good in this movie. The characters are important too and you care about some of them, but the issue is that sometimes you don’t care that much about the four suspects because there is not a lot of origins and descriptions about them. Smiley (Gary Oldman) is a character you care about and want to see his back story. However, there is a little bit of his back story given but you want to see more and that is my main issue with the movie that a lot of characters that you were supposed to care about, you didn’t. Some characters are just kind of there to complete the mystery and give some clues. Sometimes things happened to the characters that you had to really care about and be shocked, but sometimes it just fell flat on its back not giving you the strong feeling that it should have gave. Even though there are some character problems, you still will enjoy the movie because the actors save the characters from falling completely flat.
3) Cinematography and visual effects: The movie was so well shot, beautiful and glorious that you never got bored of watching the movie. The movie does not contain a lot of special effects like the movie 300 has, but the graphics, look of the movie, colors, feeling of the scene’s look is much better than 300 and gives you a better feeling. The movie doesn’t use a lot of CGI but is much more interesting than a movie that’s is full of CGI and good special effects.
4) Direction- Plot holes, things that didn’t make sense, and unnecessary scenes: I can’t really say there is any plot holes because even though it looks confusing and you can’t figure some things out, the movie contains all the secrets and clues inside it and it is just difficult to get it so you should watch the movie several times to understand exactly what is happening. There were things that didn’t make sense but that again is because the movie is difficult and you will understand it much better if you watch it several times. There is no unnecessary scene, sometimes it even looks like the movie should’ve been a bit longer to make you care more about the characters and describe what is happening with more details. Overall the direction is pretty good but confusing at times because sometimes it just felt like that the director had the idea in his mind but couldn’t just represent it, though it has so much good points that this doesn’t really effect the movie. Tomas Alfredson (The director of the horror masterpiece ,Let the right one in, which I haven’t watched) is a brilliant director who knows that even if the story is difficult to understand, what should he do to prevent the movie from getting boring.
5) Soundtrack: For me soundtrack of a movie is a really big part of the movie because if the soundtrack doesn’t match the movie or the scene, then the movie will not give you the feeling that it should. In this movie; the soundtrack is so good and it matches the genre, the scenes, and the story. Sometimes the music saved the difficult story from getting boring. The trailer music composed by Danny Elfman (The famous composer of Tim Burton movies) is the second best score for a mystery movie that I have ever heard in my life ( The first one is Hans Zimmer’s inception score ), and what I love about the score is that it gives you the exact feeling of the movie and that is just awesome.
6) Editing: The movie is edited in a really good and beautiful way that represents the feeling that the movie should give you. The movie is always cutting but not in a bad way, because when they cut it prevents the movie from getting boring and dull. I like that when people talk about something, then it doesn’t only show them talk and shows them narrate what happened to them. Sometimes you hear someone talk and then it shows another scene in which something really normal is happening ( for example sometimes when they talk, then it shows the room for the smiley and the other four suspects,) and it is not boring at all! The editing was well done even though it didn’t have CGI.
7) Ending: Don’t worry! I never spoil a movie for anyone and I HATE people who spoil movies for me. The movies that have been spoiled for me are Seven, the Beautiful Mind, Others, and some other movies that I don’t have in mind right now! For me the ending is so important, especially about a mystery movie because everything depends on the ending. The ending of a movie is what can make a movie LEGENDARY or WASTE OF LIFE! This movie’s ending is really good because it has some surprises and the mystery is solved. There is a problem though, and the problem is that you don’t really care about the characters as much as you should. Because this movie is based on characters and there is not that much character build up, the movie’s ending is not as surprising as it should have been. The ending is surprising but it could be a complete surprise if there was more build up for the characters especially the suspects. Sometimes you even may guess who the spy is and that is one of my problems with the movie. So the ending was satisfying but not as much surprising and effective.
Pros: Great actor performances great story and script, fantastic cinematography and visual effects, matching soundtrack, Great editing, and great directions.
Cons: Characters not as interesting as they should have been (especially the suspects), and a good ending but lack of a really good surprise. the story is difficult for most of the audience ,and it looks like the movie should’ve been longer to give more build up for the characters and then a lot of these problems would be solved.
I have my own rating and my rating is like
Legendary: 10 to flawless
Masterpiece: 9 to 9.9
Fantastic: 8 to 8.9
Give it a try: 7 to 7.9
Mediocre: 6 to 6.9
Try to avoid: 5 to 5.9
Bad: 4 to 4.9
Waste of time: 3 to 3.9
Awful: 2 to 2.9
Waste of life: 1 to 1.9
WTF: 0 to less than 0
This Movie is…
Fantastic: 8 to 8.9
I have to watch this movie again, so my review may change if I understand more of what is happening.
MPAA Rating: This movie is rated R-restricted
ArinaBorina age rating system: This movie should be OK for a 15 year old, and completely appropriate for a 16 year old. I mean, I am 15 and didn’t have a problem with the movie so I think it is appropriate for a 15 year old if he/she can understand this is a movie and get the concept. There are some gory violence but that shouldn’t be a problem, and there is some sex/semi nudity scenes but that should be kind of OK for a 15 year old because there is not too much violence or sex.


Flea-Man had managed to capture the psychotic killer who had slaughtered his girlfriend. In the dark alley he raised his fists to deliver the death blow.
Then a bright light flashed in the back of the alley. Flea-Man's eyes adjusted to the intense glow and he saw a figure step from the glow. He gasped as he realized that it was a younger version of himself. In the bright red and yellow costume he wore as a teenager.
"What do you think you're doing?"
"This villain killed my love and now I am repaying him, kind for kind."
"The younger version shook his head.
"No, you're succumbing to the whims of a world of writers who are trying to bring a gritty feel to what used to be a bright and happy medium. Don't you miss the way it used to be?"
"What do you mean?"
"Jumping across the metropolitan skyline, looking for gaudily garbed villains who were scheming ways to take over the world. Getting the girl in the end...well, sometimes. Do you remember ?"
A single tear rolled down Flea-Man's costumed visage.
"It's time to stop being a slave to the writers who have lost their way. It's time to be your own man and be happy again."
Flea-Man smiled and as he did the sky brightened, his girlfriend appeared and the villain was taken off to be beaten by the cops.
The next day Brian Michael Bendis was found dead of a heart attack at his computer.


October 9, 2020
Ultimately, the live-action “Mulan” was a disappointment. I was so excited to see more Asian representation on the American silver-screen and mourned the movie’s delayed release. However, I could not enjoy the movie knowing that Disney had wasted so much potential (and money) on this pathetic shell of “Mulan.” I didn’t have to look hard to find someone else who felt as dissatisfied as I was.
As a person who grew up on Disney animated films and adored their inspiring stories, I felt let down by this “Mulan.” In their future endeavors, I hope that Disney can learn from their mistakes and reignite that hope and joy in their audience, let us believe that dreams can really come true.
Because during these difficult times, don’t we all need a little more wonder in our lives?


Pirates of the Caribbean Dead Men Tell No Tales - Father's Curse: Two years following the post-credits scene of At World's End, 12-year old Henry Turner boards the Flying Dutchman to inform his father, Will Turner, that the mythical Trident of Poseidon is able to break his curse and free him from his ship, and of his intent to seek Jack Sparrow's help to find it. Will does not believe the Trident exists and orders Henry to leave his ship and never come back.
Pirates of the Caribbean: Dead Men Tell No Tales (released overseas as Pirates of the Caribbean: Salazar's Revenge) is a 2017 American swashbuckler fantasy film. It is the fifth installment in the Pirates of the Caribbean film series and the sequel to On Stranger Tides (2011). The film is directed by Joachim Rønning and Espen Sandberg from a script by Jeff Nathanson, with Jerry Bruckheimer serving again as producer. Johnny Depp, Kevin McNally and Geoffrey Rush reprise their roles as Jack Sparrow, Joshamee Gibbs and Hector Barbossa, respectively, while Javier Bardem, Brenton Thwaites and Kaya Scodelario join the cast as Armando Salazar, Henry Turner and Carina Smyth. The film also features the returns of Orlando Bloom and Keira Knightley as Will Turner and Elizabeth Swann, following their absence from the previous film.
TM & © Disney (2017)


Wedding Season continues on Hallmark with Wedding Season, a movie about an aspiring feature writer tasked with writing about her own whirlwind wedding season. Trish (Stephanie Bennett) has to make it through three weddings in three weekends and live to write the tale. Uh, also Trish hates weddings! But will these weddings renew her faith in marriage or will she run away long before she’s even a bride?
The Gist: Stephanie Bennett (Christmas Class Reunion) plays Trish, an executive assistant for the lifestyle mag Beguile. Her dream: become a feature writer and land a byline on the cover. Trish’s dream comes true — although her boss makes it feel more like a nightmare. Instead of approving any of her pitches, Trish is tasked with writing about the real life wedding gauntlet she’s about to run as her three oldest friends all get married in three back to back to back weeks. Trish is hesitant about this, mainly because she knows her friend Michelle (The 100‘s Luisa d’Oliveira) is super private and kind of a control freak… and also because Trish doesn’t like the wedding industrial complex. Oh well! Trish knows that the only way to get ahead is to turn her wedding season into a great read.
Of course Trish can’t go to all these weddings alone. That’s why her best friend Sean (Nancy Drew’s Nathanael Vass) has secured his brother Ryan (In the Dark’s Casey Deidrick) as her +1 to all three events. But how will Trish navigate three weddings, three best friends, writing her first feature piece, and whatever the heck is happening between her and Ryan all at the same time? One thing’s for sure: she’s gonna have plenty to write about.
Performance Worth Watching: Luisa d’Oliveira is a blast as the increasingly uptight Michelle. It’s hard to make a stick in the mud character fun, but d’Oliveira does just that. She’s blunt, straightforward, and quite possibly undergoes the biggest emotional arc of the entire cast. She’s the kind of character we rarely see in Hallmark movies, especially as a supporting player.
Memorable Dialogue: One of Michelle’s Michelle-isms: “Did my sensitivity chip go offline?”
Our Take: Wedding Season has a lot in common with its lead, Trish. Like our aspiring magazine writer, Wedding Season sets out with big ambitions and a whole lot to get done. Not only does it have the prerequisite love story to tell, it also has a large cast to service and a whole lot of emotional beats outside of Trish and Ryan’s romance to tie up before the credits role.
Wedding Season could have played it safe and kept things simple by relegating all of Trish’s besties to bit parts, kinda like what we saw happen to the supporting cast in The Professional Bridesmaid. And the movie could’ve made all three weddings cookie cutter affairs with some simple “I dos” and a slow dance. Honestly, the movie could’ve devoted a lot more time to scenes of Ryan and Trish walking and talking, which is the preferred way that Hallmark couples get to know each other. Fortunately for viewers, Wedding Season isn’t keen on playing things safe. Remember, this movie is as ambitious as Trish.
And Wedding Season is a much fuller, richer movie because of this. It gives us a full cast of characters, complete with engaging — and in one case completely unexpected! — story arcs. The movie gives Trish, and also Ryan, a series of obstacles to overcome that are unique to each wedding and couple. Unlike a below average Hallmark movie where the plot putts along and we get a lot of dry exposition scenes, Wedding Season has a three-wedding structure that helps it feel solid and intentional. Add in fun characters that feel like real friends and you have a fun, springtime watch.
That’s not to say that Wedding Season is entirely perfect, or up there with the best Hallmark movie of 2023 (so far). As original as some of the character dynamics are (a platonic male/female BFF situation, we love to see it), the basic plot is one we’ve seen before. And the contrivance that Trish’s boss needs the big feature piece about three weddings done early, after Trish has only been to one wedding, felt silly and out of place in a movie that otherwise didn’t strain believability. But considering that I’ve seen Hallmark movies set up a really fun premise and then let it completely drop in favor of the same old same old, Wedding Season is a winner that will actually keep you guessing.
Our Call: STREAM IT. In fact, I wouldn’t mind catching up with the Wedding Season cast in a completely different season.


“…For the love, for laughter, I flew up to your arms…”
Sufjan Stevens’ “Visions of Gideon” included in the soundtrack for the brilliant independent film ‘Call Me By Your Name’  directed by Luca Guadagnino. Must listen & watch.
All the rights reserved to Sufjan Stevens & Sony Music Entertainment.
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Xem Thêm Bài Viết Về Âm Nhạc Khác: https://southtexasrefugees.org/am-nhac


DAVID ALAN GRIER
Actor; Comedian; Broadway Star; Star of FOX TV series "In Living Color" (1994-1998)
Although David Alan Grier has been known for his ability to create comedy and humor, the graduate of the Yale School of Drama has successfully made the diverse jump from theatre to television to film and still alternates between all three.
Trained in Shakespeare at Yale, Grier began his professional career on Broadway as Jackie Robinson in "The First," for which he earned a Tony nomination in 1981. He then starred opposite Denzel Washington in "A Soldier's Play," and both actors continued their roles in the film version, A SOLDIER'S STORY. Grier starred on Broadway in "A Funny Thing Happened on the Way to the Forum." He has also performed at the New York Shakespeare Festival in productions of "Richard III" and "The Merry Wives of Windsor" at Central Park.
Grier's television credits are abundant, from recent comedy specials such as "The Book of David" to starring in "DAG". He is currently co-starring with Bonnie Hunt in "Life With Bonnie" on ABC, but most audiences will recognize him as one of the principle cast members of the acclaimed television series "In Living Color" - where he helped to create some of that show's most memorable characters. Keeping his close comedic relationship with the Wayans' brothers, he co-starred with Damon Wayans in "Damon."
He will next be seen in "TipToes" with Matthew McConaughey, Gary Oldman and Kate Beckinsale, and "The Woodsman" with Kevin Bacon, Benjamin Bratt, Mos Def and Eve.
Grier was born in Detroit, Michigan and currently resides in Los Angeles. When not in production on a series or film, he continues to travel the country on his comedy tour.
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|BBC commissions third series of The Indian Doctor|
|Wednesday, 05 June 2013 16:24|
Rondo Media and Avatar Productions begin filming the third series of award-winning drama The Indian Doctor in the summer.
The award-winning drama airs on BBC One Daytime and BBC Wales in the autumn.
Sanjeev Bhaskar (Goodness Gracious Me, The Kumars at No. 42) again plays Dr Prem Sharma, the eponymous hero, alongside his wife Kamini, played by Ayesha Dharker (Coronation Street, Life Isn’t All Ha Ha Hee Hee).
Mali Harries (The Fabulous Baker Boys) returns as Megan Evans with husband PC Emlyn Dorkins, played by Alun Ap Brinley (Pobol y Cwm).
The new series (5x45 for BBC Daytime; 3x60 for BBC Wales) builds on the critical and commercial success of the first two award-winning series. In addition to strong viewing figures at home, the drama sold well in other territories, including New Zealand, Spain, Benelux, Scandinavia and Latin America.
Set in1966, The Indian Doctor: Series 3 sees Prem confront a new crisis with the return to Trefelin of the Thomas brothers, Basil and Robert, the successful sons of recently deceased village philanthropist Wilfred Thomas.
Younger brother Robert is a highflying and high-living Harley Street doctor who quickly sets about signing up many of Prem’s patients for his new medical practice. Robert is also home to reacquaint himself with his ex-girlfriend Megan, whose marriage is under strain.
But older brother Basil has greater things in mind: an ambitious plan to build a complete new town in place of the old village. And to fulfil his vision, he offers Trefelin locals the chance to buy brand new state-of-the-art homes in exchange for the deeds to their existing houses.
Prem quickly finds himself isolated as he tries to balance the ambitions of his forward-thinking wife and enthusiastic villagers with his personal doubts about the development and fears for the future.
BBC Daytime executive producer Gerard Melling says: ‘We are pleased to welcome back The Indian Doctor as part of BBC Daytime’s ongoing commitment to quality drama and independent production in the nations and regions.’ BBC Daytime Controller Damian Kavanagh adds: “It’s great to see another successful drama series returning to the Daytime schedule this autumn.”
Tom Ware, executive producer for Rondo Media, adds: ‘We’re delighted with this third commission. The new series provides a great opportunity to further develop The Indian Doctor’s well-loved characters. They’ll be embroiled in new storylines that promise something for everyone, with a heady mix of love and connivance at their core.’
The third series is being filmed in South Wales during the summer, 2013.
The first series of The Indian Doctor for BBC One Daytime won the following awards:
The Indian Doctor is made by Rondo Media and Avatar Films. The executive producers are Tom Ware for Rondo Media, Deep Sehgal for Avatar Films and Gerard Melling for the BBC.


She moved on to Columbia College Chicago, where she found a delightful and remarkable group of creative, talented and strange theatre people, whom she remembers with great fondness. Ellie received her Bachelor of Arts degree in Technical Theatre at the ripe old age of 24. While at Columbia, she worked with Chicago's up and coming theatre community, including the now famed Steppenwolf Theatre Company. Hey, they were just a group of wacky ex-college kids at the time. Who woulda thunk it?
After graduation, Ellie spent her time working as a stage manager, lighting technician, sound technician, property mistress and general nuisance at places like Court Theatre, Organic Theatre Company, Gilbert and Sullivan Operetta Company, Body Politic, Victory Gardens and a couple of places she conveniently forgot. She taught basic construction skills and lighting to hundreds of high school kids at Northwestern University's "Cherub" program.
In the summer of 1986, she did time as the production stage manager at the Chautauqua Institution in Chautauqua, New York, where she hob-nobbed with the likes of Jennifer Beals (Flash Dance), Anthony Edwards (Top Gun, ER) and William Hurt (Big Chill, Kiss of the Spider Woman). Much less impressive than it sounds, especially when she was shooing bats from the production office. (Theatre is glamourous!)
Since coming to SSC, Ellie has developed The Children's Theatre Company, which has become renowned through the south suburbs as THE place for plays for young audiences, schlepped band risers for hundreds of concerts, created and advised The PAC Rats Theatre Company, hung out with loads of really nice people and created the coolest office on campus.
In 1998 she began directing the children's plays at South Suburban College and continues the tradition of quality live entertainment for young audiences. Shunko brings her own sense of style and humour to her productions. Rehearsals are often a festive affair. Shunko firmly believes that if a cast must have fun at rehearsals and performances. "When the performers are enjoying themselves," she notes "the audience will, too."
Shunko chooses the scripts of double Shubert Playwriting award-winner, Michele L. Vacca, as her vehicles. "Michele's scripts are tightly written and enourmously entertaining, but they still leave plenty of room for artistic interpretation by the director and cast." Vacca and production teammate Robert Boburka, are the talent behind Classics On Stage! All of their children's theatre scripts and plays are available for production by amateur or professional companies.
While on her rare vacations from the theatre, Ellie goes hog-wild with her Kodak DC4800 digital and shoots anything that doesn't run away. She has also inexplicably become the official photographer of SSC's theatre and music departments. Zillions of her production photos can be seen (and swiped if you ask nicely) on the department websites.
pages last updated: Sun, Oct 19, 2003 at 9:50 PM


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INK & STEEL... This thrilling festival winner from LoneShark Studios puts a fresh spin on the crime/mafia genre when a ruthless mob enforcer is tasked with protecting his boss’ outcast son. As a violent turf war escalates, they hide at a remote upstate New York farm, imposing on a scared single mother and her young son. As worlds collide, time is running out before the family’s enemies close in.
THE CAST & CREW... Starring Richard Fiske as Michael, the veteran mafia enforcer, and Tyler Noble (We Own the Night) as the don’s son, Ink & Steel was written and produced by Jonathan Ehlers, Jason Radspinner, and Patrick Ward-Perkins. Directed by Ehlers & Ward-Perkins, the film also stars Molly Ryman, Jason Beckmann and Jack Millard (Star Trek).
THE FESTIVAL WINS... Ink & Steel premiered at Soho International Film Festival where it took home the Audience Award. It went on to win Best Director at Long Beach International Festival, as well as Best Feature at Emerge Film Festival.
THE BACKSTORY... The filmmakers began principal photography in November 2012 just as Hurricane Sandy struck the East Coast and battered the Eastern seaboard and Long Island in particular where filming was taking place. As the hurricane hit, the crew was faced with strong winds, freezing temperatures, driving rains, power outages and a complete lack of heat that had the filmmakers sleeping in a farmhouse attic in 30-degree temperatures. Fending off looters in the aftermath, surviving gas shortages and chain-sawing downed trees were all part of the incredible story of the making of Ink & Steel.
Love independent film? So Do we.
Ink & Steel was proudly produced by LoneShark Studios, where story comes first. If you'd like to know more about LoneShark Studios, please click here.


‘Ride the Wave’ is a New ‘Star Wars’ Thriller for Time
“I can’t believe how well it worked,” said Mr. Mihaljevic, who has made a film and television show based on his book and is in talks to produce a TV series.
“It’s a very unique experience, and it’s something that we wanted to try out.
It’s really something new, and I’m thrilled to be a part of it.”
Mr. Muhljevica said he and Mr. Pajak will work closely together to adapt the novel into a film, and he hopes to have a screenplay ready by the time the book comes out.
He has already started talking with Mr. B.J. Novak, the screenwriter who penned the novel, about the possibility of collaborating.
“It would be an incredible story, I’m excited about it,” Mr. Jovanovic said.
“I think it’s very good.
I’m not sure what he’ll do with it, but I’d love to collaborate with him.
I’ve known him for many years.
Mr:B.J.’s story has been widely embraced in recent years, and the new film is the latest in a series of movies to explore the characters of the book. “
In my opinion, this is a great opportunity to tell a story that’s very much part of the Marvel Universe.”
Mr:B.J.’s story has been widely embraced in recent years, and the new film is the latest in a series of movies to explore the characters of the book.
It also includes a number of other elements from the novel.
“The book is an incredible and unique story that is told with such great care and detail,” Mr Mihljecic said.
“I think that’s something I love about the book, it’s so full of stories that have to do with the lives of these people.
It really is a really unique piece of literature.”
In the novel’s universe, the first of several films to take place during the Galactic Civil War is set in the year 2025, when the Rebel Alliance and the Galactic Empire are still fighting, with many of the characters who populate the book still alive and kicking.
In one of the first scenes, a young Jedi, Luke Skywalker, fights against a large group of Imperial stormtroopers.
He is shot dead by an assassin and, as he is being loaded onto a transport, his daughter Leia Organa is brought to the surface of the planet Yavin 4, where she meets Han Solo, who is planning to help her find her father.
The novel ends with Luke Skywalker being reunited with his father, and returning to the planet Coruscant, where he has a vision of the destruction of the Death Star, which was destroyed at the Battle of Endor in A New Hope.
The final scene shows Leia Organan, who was still alive, standing before a statue of her father and then her mother, a small figure, looking at the stars.


“I do what I love”… This is the phrase we associate with film making.
SteamCat Productions came into existence when a couple from the States approached Michelle Nel, the executive producer and founder, about the possibility of making a movie for the Sundance Film Festival. Through this, SteamCat was born.
SteamCat Productions is made up of a pair of filmmakers and we like to describe ourselves as 'indie filmmakers' who are jacks of all trades. We do everything from conceptualization to post production and love to partner with all the young, fresh and hot people in the industry; it was because of this that we began to partner with Tracy-Lee Rosslind, working with her on multiple TVC and Online shoots. We even took on the challenge of designing her website!
We have worked on multiple TVC’s, music videos and product films; we even dabble in the arts by producing art films. We love what we do and this is evident in the way we approach every project, no matter how big or small, with all the energy, professionalism and excitement we can muster!
Our goal is to offer affordable solutions to everyone’s film making needs! How do we do this? We do this by keeping things personal; we love all the work we do and we want to help make our clients lives easier by taking on any and all work that comes our way. We WILL make it work!
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In 1978, Tove travelled to Poland to monitor work on a televised Moomin puppet animation. From 1977–81, Polish studio Semafor (Studio Malych Form Filmowych) produced the animated series Opowiadania Muminków (The Moomins).
The series employed traditional cut-out animation techniques, and before each episode was filmed, the script was sent to Finland for Tove and Lars Jansson to check. The series was aired in Germany and Poland in 8–9-minute episodes. It became particularly popular in the UK, where it was narrated by the comedian Richard Murdoch. In Finland, the series was shown with the original soundtrack at the turn of the 1980s. In 2008, producer Tom Carpelan and director Maria Lindberg made a film based on the Polish animation called Moomin and Midsummer Madness (Muumi ja vaarallinen juhannus). In 2009, they began to process old Polish material for a 3D-animation called Moomins and the Comet Chase (Muumi ja punainen pyrstötähti).


- Lexus fulfils its role as the Official Automotive Partner of the Venice International Film Festival – La Biennale di Venezia – for a seventh consecutive year
- Lexus electrified models bring leading stars to the red carpet for the opening night of the festival, one of the most important dates in the international movie calendar
- The 80th edition of the festival takes place on the Venice Lido until 9 September
Lexus shared the red carpet spotlight with famous figures from contemporary European cinema this week at the opening night of the 80th edition of the Venice International Film Festival – La Biennale di Venezia.
As the Official Car of the festival for a seventh consecutive year, Lexus is providing a fleet of electrified models as luxury transport for film-makers, actors and VIP attendees to screenings and events, taking place on the Venice Lido until 9 September. The occasion is also providing a high-profile showcase for the LBX, Lexus’ breakthrough new hybrid compact crossover that will be launched across Europe later this year.
The festival opened this week (30 August) with the world premiere of the film Comandante. Its director Edoardo De Angelis and leading actor Pierfrancisco Favini were brought to the red carpet by Lexus, together with actor Caterina Murino (Casino Royale) – the “godmother” of this year’s festival – and director Alice Diop (St Omer), the Luigi De Laurentiis Award Jury President.
Paolo Moroni, Director of Lexus Italy, said: “Every year we aim to show and tell something new and extraordinary in the wonderful setting of the festival. This year our undoubted ‘star’ is the new Lexus LBX. We are honoured to present this exceptional SUV that we believe will help make the red carpet even more special.”


I just watched Les Miserables as performed by students at our school. Les Miz is... hard. Jean Valjean is basically unsingable. Almost every major role has a song that stretches their range to the very limit.
And all I can say is: Damn. It was the students who cajoled the drama director to do the play; they took it upon themselves to do the best and most difficult musicals out there.
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A movie review by Brett Cravaliat.
I recently watched Cockneys vs Zombies, a hilariously silly zombie flick set in the East End of London. Without putting out any spoilers because basically the movie is about as un-spoilerable as it gets, it’s one of the best zombie flicks since Shaun of the Dead. In terms of un-spoilerable, imagine a film where some Cockneys end up in a zombie invasion and have to fight to survive. There. That’s it. That’s 80% of the plot. The other 20% of the plot however is not fresh or innovative, but it is when it comes to zombie films, that’s all I’ll say.
There is a scene in this film which I highly regard as one of the best action scenes in zombie cinema. I won’t spoiler this one because it will break some of the tension build up, but you’ll know it when you see it – all I’ll say is it takes the chase scene motif and absolutely knocks it out of the park. Take the finest off centre British humour, apply it to zombie films, throw in some absurdist comedy, and you’re there.
The rest of the film goes along spendidly and whilst the plot outline – a group of people surviving a zombie invasion – is pretty much the staple of the zombie genre, this film does things around that which make it an underhyped classic. It’s got nods to some of the classic British films, Lock Stock, Spice World, all the greats. Yep I said Spice World. Maybe it was just me, but there is one scene in the film where I was 100% sure I knew where it was going. They had me convinced they were going down the macho big trucks and big guns route, and then they British’d the hell out of it. Classic. Unexpected. Hilarious.
Definitely worth a watch and has some surprisingly big names in it. A little gory in places but it’s a zombie flick, with a lot of Cockneys.
– Brett Cravaliat


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Much of the film, which Morgen made with the full participation of Cobain's wife, Courtney Love, his daughter, Frances Bean Cobain, and his mother, father, and sister, consists of Cobain’s own creations: there’s the music, sounding glorious as ever, as well as art work, notebooks, films, and audio recordings that had never been made public.Morgen presents them in an artistic mashup of sound and image, interspersed with interviews with Cobain’s survivors.Courtney Love reunited with her daughter Frances Bean Cobain ...apparently closing the book on a feud that's been raging for years.Frances Bean Cobain, daughter of the late Nirvana singer and songwriter, Kurt Cobain, reunited with her mom, Courtney Love, on the red carpet at the Sundance Film Festival on Saturday.Frances Bean and Love smiled as they embraced before screening of the film, .Frances Bean, 22-years-old, is an executive producer of the documentary and worked with director Brett Morgen, whom Love had approached several years ago about making the film.The documentary focuses on Kurt Cobain’s life as a husband and father in addition to his musical artistry.
In Brett Morgen’s revelatory documentary “Kurt Cobain: A Montage of Heck,” which airs tonight on HBO, we see—almost from the inside—the evolution of Cobain’s sensitive brilliance and the art and destruction that it fed.Love and Bean hugged it out Saturday at the Sundance premiere of "Kurt Cobain: Montage of Heck" ...the first time they've been seen together in more than 5 years.At the beginning, we see Super-8 footage of Kurt, a blond toddler waving and blowing kisses from his stroller; soon he’s wearing a sport coat and playing a tiny guitar. The film ends just before his death, at twenty-seven.In between, “Montage of Heck” shows the evolution of an artist. His sister, Kimberly Cobain, says, “I’m so glad I never got that genius brain.” His mother, Wendy O’Connor, recalls that, as a little boy, Kurt “was so kind and so worried about people—if they were O.


Pamela Bowell is Visiting Reader in the Department of Culture and Creative Arts, where she also teaches on undergraduate programmes in drama. Pamela is internationally recognised as an authority on process drama and has an active research and publication interest in this field. She also engages in consultancy, staff development and project work relating drama as a pedagogical process and has served in a range of leadership roles nationally and internationally including ten years as Chair of National Drama – the UK’s leading association for drama teachers. She is also a regular workshop leader, presenter and keynote speaker at conferences and CPD events both in the UK and overseas. Before joining Bishop Grosseteste University in 2006, she was a secondary school drama teacher in the UK and Australia, a local authority advisory teacher and theatre in education actor/teacher and, for 20 years, subject leader in Drama in the School of Education, Kingston University.
Pamela contributes of the teaching of Applied Drama on undergraduate single and joint honours programmes in Drama. Her teaching interests include the pedagogy of process drama, the relationship between theatre and educational drama, drama as a cross-curricular learning process, teacher-in-role and the process of co-creativity.
Pamela’s research background is in applied drama. Her current research interests include how and why children and young people learn through the drama process; the relationship between theory of mind and process drama; Dorothy Heathcote’s seminal principle of ‘internal coherence’ and the logic of drama; the dynamic nature of the teacher’s artistic and pedagogic decision-making in an evolving process drama. She has a long-standing research and publication collaboration with Brian Heap, Philip Sherlock Centre for the Creative Arts, University of the West Indies – Mona. Their writings are required texts in colleges and universities, worldwide. Pamela is also a very experienced and respected director of international conferences in the field of drama in education; most recently the National Drama International Conference 2013: Heathcote Reconsidered, University of Greenwich, London. Currently, she is Co-Editor of Drama Research: international journal of drama in education.
Pamela engages in a wide range of consultancy activities in the UK and overseas. She works with teachers and students in schools, local authorities, professional associations and universities exploring the ways in which drama provides a creative and compelling mechanism for learning and expression. She has a long-term relationship with 11 schools in the North Runnymede Learning Partnership, Surrey. Currently NRLP – using drama to raise the self-esteem, self-confidence and social skills of ‘invisible’ children. 2006 – 2008 International Research Consultant to the Norwegian national research project ‘Drama, Creativity and Arts Integration for Learning’, based at Stavanger University, Norway.
2015 Teaching in role – just another name is never enough, in Duffy, P. (ed) A Reflective Practitioner’s Guide to (Mis)Adventures in Drama Education. Bristol UK/Chicago USA: Intellect (forthcoming) 2013 Planning Process Drama: enriching teaching and learning (2nd Edition) Abingdon: Routledge 2010 Drama is not a dirty word: past achievements, present concerns, alternative futures, in Research in Drama Education. 15 (4). 579 -592. [view article] 2009 . Ramallah, Palestine: Quattan Centre for Educational Research & Development. 2007 Processing Post-colonialism: a case study of process drama and cultural diversity . Caribbean Quarterly. 53 (1&2). 84-94. 2005 Drama on the Run – a prelude to mapping the practice of process drama . The Journal of Aesthetic Education. 39 (4). 58-69. [view article] Bowell, P., Heap, B.S. (2005) Processidrama – polkulja opettamiseen ja oppimiseen. Helsinki: Drammatyo.
2013 The Water-Reckoning – the development off a digitally mediated drama project building on Heathcote’s Rolling Role concept. National Drama International Conference: Heathcote Reconsidered. University of Greenwich, London. 2012 Process Drama – more complex that we think. 7th International Drama in Education Research Institute, Limerick, Ireland. 2010 Process Drama – a portal for inclusion. VSA Arts International Conference. Kennedy Center for the Performing Arts, Washington D.C. 6th – 12th June. 2009 Drama is not a dirty word: drawing on past achievements, grounding ourselves in the present, stepping into the vortex of alternative futures. 6th International Drama in Education Research Institute ‘Drama Research Futures: Examining our past, critiquing our present, imagining tomorrow’. Sydney. 14th – 18th July. 2008 The Valley of the Kings: I know that he thinks that she feels that they do …. . National Drama International Conference ‘Drama – Mind, Body and Spirit’. Durham. 2006 Using drama to produce multifaceted art experiences from notionally mono-cultural material. 5th International Drama in Education Research Institute ‘Returning the Gaze, Reclaiming the Voice’. Kingston, Jamaica. 2006 D4LC: The drama for learning and creativity project; the story so far. National Drama International Conference ‘Drama for the Future’. Winchester. 11th – 13th April. 2005 “I do not want death in my house” – using process drama to deliver the HIV/AIDS curriculum. International Research in Drama and Theatre Education Conference. Exeter. 1st – 4th April.
2014/2009 Keynote Speaker and Workshop Leader: Association of Drama in Education in Ireland Conference, Dublin, Ireland. 2014 Visiting Teaching Artist Residency, University of South Carolina, Columbia, USA. 2013 Visiting Tutor: Qatan Centre for Education and Research, Ramallah, Palestine. 2013 Masterclass Tutor: American Alliance for Theatre and Education Conference, Bethesda, Maryland, USA. 2013 Keynote Speaker and Workshop Leader: Drama New Zealand Conference, University of Waikato, Hamilton, New Zealand. 2012 Visiting Teaching Artist: Ministry of Education, Singapore. 2011 Workshop Leader and Keynote Speaker: 18th International Drama Seminar, Antalya, Turkey. 2010 Keynote Speaker and Workshop Leader: Drama for Learning and Creativity Conference. Zakopane, Poland. 2009 Co-Leader: Process Drama Research Hub. 6th International Drama in Education Research Institute ‘Drama Research Futures: Examining our past, critiquing our present, imagining tomorrow’. University of Sydney, Australia. 2008 UK Delegate: IDEA Europe Youth Projet européen Symposium. Paris, France.


Watch Lets Hold Hands Tightly and Watch The Sunset with Indonesian Subs: Summary – Korean Drama Let’s hold hands and watch the sunset A woman who had married a high school senior and had had a crush on him since his freshman year. She is now a devoted wife, but a death crisis ensues. They look back on their past together and realize how important the love between them and their family is.
Korean drama Hold my hands and watch the sunset It will be broadcast on the MBC TV channel. Release date: March 21, 2018 – 32 episodes in total every Wednesday and Thursday at 10:00 p.m. Korean time, which means it’s Thursday and Friday mornings here.
Watch “Lets Hold Hands Tightly” and “The Sunset” with Indonesian subtitles. Watch Streaming and Download My Mister Hold Me Tight (Let’s Hold Hands Tightly and Watch the Sunset / Son Kkok Japgo, Jineun Seokyangeul Baraboja / 손 꼭 잡고 지는 석양을 바라보자) Series at Bioskopkeren.monster. Light but high quality
Han Hye Jin
Yoon Sang Hyun
Yu in young
Kim Tae Hoon
Lee Na Yoon
Download Indonesian subtitles Here
Read the instructions Here
If it feels heavy, lower the video quality in writing HD The
Watching the two films, Lets Hold Hands Tightly and The Sunset with Indo Sub, gives a unique perspective on the beauty of Indonesian culture. Both films tell stories of love and friendship, and the importance of family and community.
Lets Hold Hands Tightly is a romantic drama directed by Joko Anwar. It follows two young adults, Abiyoga and Aghi, as they fall in love and experience the trials and tribulations of a long-distance relationship. The film has a unique visual style, using vibrant colors and lush landscapes to convey the beauty of Indonesia. It also highlights the importance of family and community in Indonesian culture, as Abiyoga and Aghi’s families are supportive and understanding of their relationship. The film is a beautiful exploration of love and friendship, and the importance of family and community.
The Sunset with Indo Sub is a documentary directed by Joko Anwar. The film follows the lives of three Indonesian families living in the remote village of Jambi. Through interviews and footage of the families’ daily lives, the film explores the importance of family and community in Indonesian culture. The film also highlights the beauty of the Indonesian landscape, with its lush jungles, vibrant colors, and stunning sunsets. The film is a beautiful exploration of Indonesian culture and the beauty of the Indonesian landscape.
Both films are a wonderful exploration of Indonesian culture and the beauty of the Indonesian landscape. They both highlight the importance of family and community, and the beauty of the Indonesian landscape. They also show the importance of love and friendship, and the beauty of long-distance relationships. Both films are a wonderful exploration of Indonesian culture and the beauty of the Indonesian landscape, and are well worth watching.


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A Cry For Help: The Tracy Thurman Story (1989) starring
Nancy McKeon and Dale Midkiff (Not
avail at Amazon. "Internet Movie database" link - register)(can sometimes be seen
on cable TV). A Torrington, Connecticut woman sues the
police in 1983 for allowing her abusive estranged husband
to stalk and eventually brutally beat and stab her despite
her repeated attempts to protect herself by calling the
police and using the legal system as it was intended to
The Burning Bed (Farrah Fawcett, Paul LeMat); Anchor
Bay Entertainment (1995) The story of Francine Hughes,
who set fire to her house and her ex-husband, Mickey, after
years of horrendous beatings and relentless stalking. She
was eventually found "not guilty" by reason of temporary
Duel (1971) starring Dennis Weaver (Universal City
Studios) A traveling salesman does something on the
highway to offend the driver of an enormous tractor trailer
truck, which leads to a terrifying road rage incident where
the salesman is nearly killed by the unseen and completely
anonymous truck driver.
Every Nine Seconds (1997) (Hearst Entertainment) (Not
avail at Amazon. "Internet Movie database" link - register) (can sometimes be seen on cable TV) The story of a
reporter, who grew up in an abusive family herself, who
goes undercover at a crisis phone line to research an article
on domestic abuse. She becomes involved with two battered
women through her work there. One is the wife of an insurance
executive, whose husband is just returning from an 18-month
prison term for beating her with a golf club. The other
is a 16-year-old who is flattered to be going out with
an older man whose boyfriend is continually pressuring
her to have sex and is verbally and physically abusive.
I Never Sang for My Father (Gene Hackman, Melvyn Douglas); Columbia
video tells the story of a father, who was driven, shaming, and abusive
with his children because of his own tormented youth, and his 44-year-old
son, who has never been able to truly separate from his father and live
a life of his own. The film culminates with a powerful confrontation between
son and father about the son's desire to move away to California and marry
the woman he loves, where, for the first time, the son is able to assert
himself with his father despite his father's attempts to shame and control
Once Were Warriors (Rena Owen, Tamuera Morrison); Fine Line
husband and wife, both Maori and living in a housing development
in New Zealand, struggle with his alcohol binges and the emotional
neglect and verbal and physical abuse that follows when he drinks.
Rape and Marriage: The Rideout Case (Linda Hamilton, Mickey
Rourke, Rip Torn); (1980) A
video that portrays the events surrounding the infamous 1978 husband-wife
rape case in Oregon.
Searching for Bobby Fischer (1994) starring Joe Montegna,
Laurence Fishburne, Joan Allen, Max Pomeranc, and Ben Kingsley (Paramount
story of a young boy who is a chess prodigy and the shaming and
control he endures at the hands of his prickly tutor whose
"win at all cost" mentality flies in the face of the boy's emotional
and sensitive nature.
Sleeping With the Enemy (Julia Roberts, Patrick Bergin);
20th Century Fox (1991) This
video, particularly in the first 20-30 minutes, portrays the compulsivity,
control, and violence in a upscale battering relationship and the
humiliating, demeaning, and terrifying atmosphere in which a battered
woman lives. It also clearly demonstrates the careful planning necessary
to leave a battering relationship.
This Boy's Life (Robert De Niro, Ellen Barkin); Warner Brothers
Boy's Life is based on a memoir by author Tobias Wolff, which presents
a slice-of life drama of his conflict as a rebellious teen with
his overbearing, tyrannical, and abusive stepfather.
What's Love Got to Do With It (Angela Bassett, Laurence
Fishburne); Touchstone Pictures (1993)
This video is the story of Ike and Tina Turner. It shows
Ike "strung out" on cocaine, flaunting an endless
series of girlfriends, attempting to control Tina's personal
and professional life, and perpetrating vicious verbal
abuse and violent beatings on Tina through the course of
their relationship. The domestic abuse escalates, particularly
when Tina begins to come into her own as a singer and starts
to take more of the "show biz" spotlight than
Ike, who feels more and more inadequate and envious as
(1978) starring Karen Grassle, Mike Farrell, LeVar Burton,
Howard Duff, and Joan Blondell (Hearst Entertainment):
can be seen on cable TV This video presents a tale
of three different couples of different ages, backgrounds,
and circumstances where domestic abuse is occurring.
The Color Purple (Danny Glover, Whoopi Goldberg);
Warner Brothers (1985) The story of a black woman who
grows up in the early decades of the twentieth century
in the rural South. She marries a man who womanizes, isolates
her from her long-lost sister, and controls her in every
way imaginable, including being emotionally, verbally,
and physically abusive with her.
Doing Time On Maple Drive (1992) starring James
B. Sikking, Bibi Besch, and Jim Carrey. A story about the
impact of years of secrets and lies on two generations
of a shame- based family. It includes an especially powerful
scene where family members finally talk openly about the
unhealthy dynamics of the system and its effect on their
thoughts and behaviors in the present.
Escape from Terror: The Teresa Stamper Story (Adam
Storke, Maria Pitillo) (Not
avail at Amazon. "Internet Movie database" link - register) (can
sometimes be seen on cable TV) An estranged husband, who has been verbally
and physically, stalks and then kidnaps his Oklahoma wife after shooting
The Great Santini (Robert Duvall, Blythe Danner); (1980)A
story about "Bull" Meechum, an ace Marine fighter pilot,
modelled after author Pat Conroy's father, who is a warrior without
a war to fight in 1962. In the video, he expects his children to
behave in the same way his soldiers do and acts out his own insecurities
with his wife and children through explosive anger, abusive and violent
behavior, and an intense desire to control.
Mommie Dearest (Faye Dunaway, Steve Forrest); Paramount Pictures
story of the relationship between movie star Joan Crawford and her
adopted daughter Christina from a best-selling memoir by Christina,
which tells a tale of Joan's insecurities, alcohol binges, and emotional,
verbal, and physical abuse of her daughter.
One Would Tell (Fred Savage, Candace Cameron); (1996)
(Available at Amazon.com June 2006)
Movie database" link - register)
sometimes be seen on cable TV) An adolescent girl falls for the high school "hunk," only
to discover later that he is, in fact, controlling and physically abusive.
Ordinary People(1980) starring Donald Sutherland, Mary Tyler-Moore,
and Timothy Hutton (Paramount Pictures) This
story focuses on a "normal" suburban family that experiences
a gut-wrenching tragedy when the older son dies in a boating accident.
The emotional turmoil centers around the mother, who loved her older
son more than her younger one, and is unable and unwilling to connect
with her younger son in any meaningful way. It includes a powerful
scene where the father finally confronts his wife with the cold and
steely shaming that she is doing to their remaining son and realizes,
at long last, that she is incapable of really giving emotionally
of herself to him or their son.
Dreams (Lindsey Wagner, Michael Nouri) (1990)The
story of John and Charlotte Fedders, from Charlotte's book, that talks
about their life together through John's work as a Wall Street attorney
and as "top cop" of Ronald Reagan's Securities and Exchange
Commission and the battering that she experienced throughout their marriage.
The video offers an excellent example of the "cycle of violence," clearly
demonstrating the escalation, explosion, and deception phases around
the first violent incident in their relationship when John slaps Charlotte
and breaks her eardrum.
Sling Blade(1996) starring Billy Bob Thornton, Dwight Yoakam,
J.T. Walsh, and John Ritter (Miramax Films) The
story of a retarded man who, after being released from an institution
for killing his mother and her lover, comes to live with a woman
and her son. The woman's boyfriend is entitled, shaming, hostile,
and abusive, particularly with her son.
avail at Amazon. "Internet Movie database" link - register)This
video offers the story of a verbally and physically abusive man who
begins to understand and change his attitudes and behaviors and goes
on to develop treatment programs for other abusive men.


Hey everyone! Sorry for the delay on the posts, been quite busy around these times. I've managed to see the new Nightmare On Elm Street flick with my date for the night, completely crowded theater. Mind you, this is in Washington, DC. I avoided taking her to my usual spot in MD, which is the Magic Johnson Theater, because it's a pretty ghetto, loud atmosophere full of obnoxious teenagers running around. But over where we were in the "nicer" area of the city, we've experienced some of the same obnoxious talking, "Ooooh Freddy gonna cut you up, bitch!" But they, the scissor-handed child molester does bring out the worst in people.
My opinion about this flick? I'm a big fan of the original. I have the DVD in my possession, but I'm not a huge movie geek where it has to appeal to my standards in order for it to be a good film. But not only was this 2010 version just "okay" to me, they really took all of the cool shit from the movie out! I mean c'mon, this is Nightmare On Elm Street. You mean to tell me you're gonna cut out Johnny Depp's death scene? You're gonna half-cut the famous Bathtub scene? You're not gonna make the mother as an alcoholic, but a damn flight attendant?
That's some of the things you should know about this without spoiling it for you. They did added some pretty cool elements within this new one, but you can tell that this is the age of depressed teenagers that slice their wrists while watching Twilight Part 39 and needed to accommodate that crowd. *Sigh* The scares and suspense was a good balance, but I wanted to see more action and less plot development. They really explored the "child molestation" aspect of Freddy, which was lightly touched on in the original but went deeper into the second. The new actor who plays Freddy did an impressive job with the little resources he was given, so I applaud that.
Over all, I give this movie a solid 3/5. Here's Complex Magazine's index of all of Freddy's exploits, including his famous one liners throughout the films.


AU Arts Tickets
Theatre & Musical Theatre Senior Capstone
Home > Musical/Theatre Senior Capstone (DPA) > Theatre & Musical Theatre Senior Capstone
Presented by the Theater Department of the Dept. of Performing Arts
Artistic Direction by Nathan Blustein
Graduating theatre and musical theatre students present original works, culminating their performing arts education.
This production contains mature themes.
Thursday, December 6, 2018 8:00 PM ET
|Studio Theatre - Katzen Arts Center
Katzen Ticket Office
202.885.3634 (open M-F, 11am-4pm - 8/27/18-12/7/18)
The Katzen Studio Theater is located in the AU Katzen Arts Center, 4400 Massachusettes Ave., NW, Washington DC, 20016
Parking is available in the Katzen Garage (located under the building, off Massachusettes Ave.). Patrons may pay for parking on level 1 (P1) using their license plate number. Rates are $2 per an hour, M-F, 7am-5pm. Parking is free on weekends and weekday evenings after 5pm.
It is recommended to purchase tickets in advance. Studio Theater performances often sell out quickly.


This is a VERY exciting post for me! I've tried to create Doctor Who nail arts before, NO LUCK! So I googled for some ideas, and I found some pretty good ones, so I just mixed it up a bit. I'm a HUGE Doctor Who fan, really! I'm completely obsessed with the show, I've re-watched it I don't kow how many times, and I'm more than anxious about the 50th years of DW episode and the Christmas special, cause the 8th season won't start until late next year, so yes, very anxious.
Bad Wolf was a plot line on Doctor Who, I'm not gonna give you any spoilers, but it was one of the best plot lines on the show so far, totally mind blowing. Because of that I've been wanting to do something for that for a while. So just go watch Doctor Who, you won't regret.


The Slick Rock Student Film Festival is Central California's premier film competition for middle and high school students in Fresno, Kern, Kings, Madera, Mariposa, Merced, and Tulare counties. It is a program of the Tulare County Office of Education with support from the Tulare County Suicide Prevention Task Force.
Slick Rock challenges students to meet industry standards in the technical aspects of film production. The competition is divided into two levels: middle school and high school. Each level offers a variety of film genres for participation.
The 19th Annual Slick Rock Student Film Festival awards ceremony was held at the Visalia Fox Theatre on May 13, 2022 and featured the presentation of awards in each category. The winning videos are posted below.
Over 330 videos from 44 schools throughout the Central Valley were submitted by more than 680 middle and high school students. During the day at the Fox Theatre, over 160 films designated as the Premiere Cut films were also shown.
Click the PLAY buttons below to view the 2022 winning entry in each category.
Best of Show Winners
Middle School Category Winners
Middle and High School Category Winners
High School Category Winners
To view the 2022 Premiere Cut Films, please contact Slick Rock staff at email@example.com.


The Toronto Motorcycle Film Festival is the first and only Canadian film festival dedicated to screening the newest and best motorcycle and moto culture films curated from around the world.
At each screening expect to see a good mix of a feature film plus some shorts of varying lengths. Where possible, we also hold Q&A sessions with filmmakers, directors or producers after each screening. A panel of judges from the media, industry and moto community will choose the winning films for various categories while the audience will choose their favourite for the People's Choice Award.
The 2nd Annual Toronto Motorcycle Film Festival will take place September 27-30, 2018 in Toronto at the Revue Cinema.
Check out https://www.torontomotofilmfest.com/ for film guide, tickets and more information!


School: Fort Collins High School
Sports and/or Extracurricular Activities:
Haley has been a massive part of the FCHS Tower Theater program for the past four years, working backstage in a variety of roles from crew member to stage manager, helping bring new students into the arts and keeping veteran students positive and invigorated.
Haley is currently a theater officer, one of six, and is responsible for community outreach, where she helps organize tours of our shows to middle and elementary schools, group attendance at the other PSD high school shows, and in-building events to keep our theater students having fun and staying engaged with the arts.
Administrator/Teacher/Coach Notes and Comments:
A GPA doesn’t tell the story. Neither do awards and recognitions, no matter how well-deserved. The story with Haley Maestas is pretty simple: She is an amazing human being. When people are feeling low, she picks them up. When people are lost in this thing called high school, she helps them find their way. When the world needs changing she changes it – at her home, her school, in her community, and, I’m willing to bet, she’ll continue it well into her collegiate and post-academic life. Haley is an outstanding person, and I couldn’t be more proud and honored to have had her in our building, and in my classroom.


Friday, March 14, 2014
Bad movies are amazing and I had so much fun with them today. My friend Josh had never seen the old Hobbit and LOTR movies from the 70's and so we decided that it was an experience he needed to have. I also had some extra cold stone gift cards so we went there and got an ice cream cake and ice cream cupcakes. We had planned to get the old Hobbit movie from the Provo library but of course true to character it disappointed us and wasn't available. Determined to watch some bad movies though, we watched Conqueror of Shamballa and the old Fellowship/Two Towers movie and the old Return of the King. The experience was even better once Josh realized that the Return of the King was a "musical." After those glorious films we reantiquated ourselves with good entertainment with some "How I Met Your Mother."


It's Thanksgiving week, and whether you're traveling to see loved ones or staying in for a Friendsgiving, you're going to want to have a list of streaming, holiday-themed movies in your back pocket in case you need them. Everyone knows there are a million December holiday-centric options, but, much like how there aren't any Thanksgiving songs, Turkey Day movies are a little harder to come by. Still, there are some options currently available on Netflix, Hulu, and Amazon Prime to get you by.
While there are currently a million Christmas romantic comedies currently streaming on Netflix, including some pretty great 2018 ones like The Holiday Calendar and The Princess Switch, we're still waiting on that Thanksgiving-themed Netflix original. However, they do have "A Holiday Engagement," a 2011 rom com starring Bonnie Somerville, who plays a jilted woman who hires a hot actor to pretend to be her fiancé at Thanksgiving dinner. The cheese factor is high with this one, but it does mostly center around Thanksgiving week.
"Pieces of April" is a 2003 indie film, or at least as much of an indie film as it can be with Katie Holmes as its lead. You guys, this movie is so good and underrated and we are all lucky it's available on Hulu. Holmes plays a woman who hosts Thanksgiving for her dysfunctional family in a tiny NYC apartment and it will feel SO REAL when you see how hard that is to pull off. Go watch it.
For a different route via Hulu, there's also "Drinksgiving," a party comedy starring Pamela Mitchell as Sarah, a recently-graduated woman who wants to host a shindig to show off how great she's doing (spoiler alert: She's not).
The 1995 classic "Home for the Holidays," starring Holly Hunter, is on Amazon. I watched it for the first time last Thanksgiving, and it's a classic for a reason. In fact, if you're having a bad week, this is where you should start. Directed by Jodie Foster, it features Anne Bancroft, Robert Downey Jr., Dylan McDermott and more.
If corny slasher flicks are more your speed this holiday season, "Thankskilling" is where it's at. It's about an evil turkey who terrorizes a handful of college students on a camping trip in November. The trailer looks ridiculous, and somehow a sequel was made.
If you're willing to pony up some cash, you can rent the great Thanksgiving movie "Planes, Trains and Automobiles" on Amazon for $3.99.
Of course, once you've settled down with pumpkin pie, all holiday movies are officially fair game. If that's your vibe, check out our Christmas flicks roundup.
Enjoy time with people you like with these movies, and have a great Thanksgiving!


Based on the Tony Award-winning musical, this musical adaptation from director Stephen Chbosky is a misguided disappointment that feels more like a horrible after-school special on bullying, suicide, and mental illness than an actual musical. After directing the charming coming-of-age movies “The Perks of Being a Wallflower” and “Wonder,” Stephen Chbosky fails to capture the tone and atmosphere that he brought to both films and makes the characters very unrelatable. While filming this movie at the age of 27, Ben Platt reprised his Tony Award-winning performance as Evan Hansen. Despite being a talented singer in this movie, he is unconvincing as Evan Hansen. The role requires a teenager to play this role, and by having Platt play Evan Hansen, he comes off as a creepy adult instead of a kid making this character one of the most unlikable characters I have seen in quite some time. “Dear Evan Hansen” is one of the most disappointing musicals in recent years because it lacks the charm and likeability the Broadway show had and replaces it with a story about suicide and mental illness told in the worse way possible. Due to the misguided direction and a lead character that is one hundred percent miscast, “Dear Evan Hansen” could have been something special but failed to succeed expectations. The film also made me ask myself a fascinating question: should Broadway musicals stay as shows and not be adapted into movies based on the material you see onstage?
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