Very conservative and modest Not allowed to show much bare skin The role of the women is to stay at home clean, cook and look after the kids.
The movie not only focuses on soccer but also on the role gender plays in the lives of the characters, how cultural differences impact each person throughout the film, and how race is still an important issue within each society.
Jess Bhamra lives in West London with her traditional Punjabi Sikh Indian family and dreams of playing soccer professionally but her mother does not allow her from playing it because she is a girl.
One day while playing out in the park, she is spotted by a girl named Jules who invites her to join the local club team. When she arrives, her team is tied and she makes a free kick that allows for them to win the game. After the match, Jess and Jules are offered a full ride scholarship to play soccer at Santa Clara University.
Because Jess is reluctant to tell her parents about the scholarship, her friend Tony, decides to lie to them and tell them that he is engaged to Jess as long as she is able to go to any college she pleases and play soccer. But in the end, Jess builds up the courage to tell her family the truth and her family accepts her wishes and allows her to go abroad to play soccer.
Indian culture has many rules and expectations that can be hard to achieve. Culture plays a major role in the lives of the Bhamra and Paxton families.
The Bhamra family live in West London in a neighborhood called Hounslow that is known for being a community filled with Indian culture. For example, Pinky must have a traditional Indian wedding with an Indian husband.
Indian women must be conservative and modest while showing little skin Indian Culture. I could have carried on playing all night. Boys, on the other hand, get more freedom to do whatever they wanted and can dress however they want to, but girls have more rules and restrictions placed on them.
In the Sikh culture and religion, when someone is to be married, they are joining their two families instead of just individuals Sikh Weddings. Bhamra share a similar view on how their daughters should behave and be spending less time playing sports and more time trying to find a husband.
The film also address the issue of homosexuality through the character Tony. The Sikh culture believes in five vices and lust is one of them. Most Sikhs view homosexuality as proof of lust Sikh Religion. Tony feels that he is unable to open up to his parents or members of his community in fear of being shamed or punished.
Society has placed certain ideals on appropriate behavior in regards to gender roles. In the film, gender roles play an important part in the lives of the characters. Because of such roles, one learns what is deemed as masculine or feminine behavior.
Indian women are supposed to be good cooks and housewives. Bhamra exemplifies the optimal Indian woman because is she always shown throughout the film preparing food and serving others. Her behavior is deviant because she is acting outside of the normal gender roles and ruining her chances of being integrated into the Indian community.
This cultural basis of gender is relevant in both Indian and Western cultures. Bhamra wants her daughter to focus less on soccer and more on learning to become an appropriate Sikh woman and she does so by giving Jess cooking lessons. Jess views the cooking lessons as a way for her mother to control her and push her into to becoming more womanly.
Jules is much like her friend Jess: Paxton, Jules mother, is struggling to understand her daughter who is much more interested in soccer than going shopping and boys like regular girls.Bend It Like Beckham and “Bending” the Rules. By Jamie Rees. Bend It Like Beckham is primarily a film about skybox2008.comr, because the protagonist is part of a traditional Indian family, food plays an important role in the film.
What you want and what your parents will accept is a common disagreement in most households these days. In the movie ‘Bend it like Beckham’ they showed . Jun 24, · Bend it like Beckham is a film that embodies a collection of themes.
Culture, Gender roles, and racism play an important role in the film and in the lives of the characters. Culture, Gender roles, and racism play an important role in the film and in the lives of the characters. Analysis Of The Movie ' Bend It Like Beckham ' Words | 6 Pages In the movie “Bend it Like Beckham” (Chadha, ) the main characters Jess and Pinky, belong to .
Bend it Like Beckham is one of her most famous works. After describing the movie contents, the main actors and the director, I am going to apply intersectional analysis to this movie.
Before starting the intersectional analysis the term intersectionality needs to be explained. Jun 24, · Bend it like Beckham is a film that embodies a collection of themes. Culture, Gender roles, and racism play an important role in the film and in the lives of the characters.
Culture, Gender roles, and racism play an important role in the film and in the lives of the characters.


Pixie haircuts are a game-changer. There’s nothing more radical that you can do to your hair than getting a pixie cut. Anytime a celebrity needs to get back in the spotlight, they’ll get a pixie cut. Natalie Portman is one of them. Natalie Portman is an Academy Award and Golden Globe winning Israeli-American actress. She is known for her roles in the Star Wars prequel trilogy, Closer, and V for Vendetta. She had cropped hair pixie for V for Vendetta. “It was a one-shot deal, and that was the most stressful thing about the experience,” Portman said of her scene in V for Vendetta in which her hair is shaved off. And she looks quite cool in this short hairstyle. Her perfect oval face shape and bone structure show more flattering with the hairstyle. Let’s take a look at 20 Natalie Portman Pixie Cuts that We Love with our collected pictures below!


Disaster Reduction Institution
Behind the slightly off-putting name lies an educational museum devoted to the terrible earthquake of 1995. A film simulation on a giant screen, followed by a life-size reconstruction of the devastated streets, give you the impression of witnessing the event in real time and you leave feeling rather shaken by this realistic rendering. Another equally gripping film chronicles the events just after the quake.
9.30am-5.30pm, Fri-Sat 9.30am-7pm - closed Mon


If you require accessible tickets, please contact the venue of your preferred show directly. They will be able to give you all the information you need to purchase suitable tickets.
Frequently Asked Questions
You can purchase a maximum of 8 tickets. If you require a larger group booking, please contact the venue directly.
There is no age recommendation for Hey Duggee The Live Theatre Show. It can be enjoyed by the whole family!
The show is approximately 55 minutes with no interval.
Hey Duggee The Live Theatre Show is the first ever stage adaptation of the much-loved CBeebies television series. Join Duggee and the Squirrels live on stage in this vibrant and interactive brand-new show, bursting with music, puppets and plenty of Duggee hugs for the whole family to enjoy.


- AARP - http://blog.aarp.org -
Oscar Night: Grownups Get to Stay Up Late
Posted By Bill Newcott On February 21, 2013 @ 12:44 pm In Entertainment | Comments Disabled
Remember when the movie musical was dead? Well, Sunday night’s Academy Awards telecast will be a resounding reminder that, in the immortal words of Dr. Frankenstein, “It’s ALIVE!!”
Most important for grownup movie lovers, this year’s Oscar production numbers will recognize that for the past decade musicals have aimed themselves squarely at us: Les Miserable s, Chicago , Hairspray , and Mama Mia!  were all a far cry from the kid-centric days of Chitty Chitty Bang Ban g and Barney’s Great Adventure.
Not all of them will be singing and dancing, but among the night’s performers, presenters, and recipients we’ll get glimpses of many stars who’ve provided the movie musical soundtracks of our lives: John Travolta  (Saturday Night Fever and Hairspray), Richard Gere  (Chicago), Christopher Plummer  (The Sound of Music), Shirley Bassey  (Goldfinger), Nicole Kidman  (Moulin Rouge!) and, most emphatically, Barbra Streisand,  whose last Oscars performance came 36 years ago, the night Rocky won Best Picture .
2012 was one of the best years ever for grownup movies; such a good year, in fact, that while many of our own Movies for Grownups Awards favorites were overlooked in the major categories (Quartet , A Late Quartet , Hitchcock , Bernie, Hyde Park on Hudson , and Trouble With the Curve  among them) it’s hard to argue with the list of nominees.
Here’s my list of who should win on Sunday night (as opposed to who will win. Big difference):
Best Picture: Lincoln  Steven Spielberg takes a guy we thought we knew and reveals him to us, as if for the first time.
Best Actor: Denzel Washington (Movies for Grownups winner), Flight  In a career-crowning performance, Washington convinces us a pill-popping, boozing airline pilot can mask his addictions…while allowing us to see he’s really flying on empty.
Best Actress: Emmanuelle Riva Amour  For those of us who fell in love with her as a beautiful young woman in Alain Resnais’ Hiroshima Mon Amour (1959), Riva remains an irresistible force, even as a woman living out her last days. Riva, who turns 86 on Oscar night, is the oldest Best Actress nominee ever; 9-year-old Quvenzhane Wallis (Beasts of the Southern Wild) is the youngest. But no child should ever win an Oscar. Grownups act. Children play-act.
Best Supporting Actor: Tommy Lee Jones Lincoln  The category is a 50-plus bonanza: Alan Arkin (Argo), Robert De Niro (Silver Linings Playbook), and Christoph Waltz (Django Unchained) would all be welcome faces behind the podium. But we give Jones the edge for his show stopping turn as the fiery Thaddeus Stevens.
Best Supporting Actress: Jacki Weaver (Movies for Grownups Winner), Silver Linings Playbook  If not for her ever-optimistic character, we would give up hope for the troubled family in the first reel. While Robert De Niro and Bradley Cooper, as father and son, battle it out, we find refuge in Weaver’s against-all-odds smile.
Director: Steven Spielberg (Movies for Grownups Winner), Lincoln  If anyone thought the boy genius had lost a step, this one puts that suggestion to rest for good.
Documentary: Searching for Sugar Man (Movies for Grownups Winner)  As two South African men seek out the fate of their favorite Motown-based singer, a priceless tale of intergenerational respect blossoms.
Foreign Language Film Amour (Movies for Grownups Winner) The story of a couple living out their last months together is as beautiful, and difficult, as life itself.
The crack Movies for Grownups Oscars task force will be tweeting and blogging their fingers off on Oscar night. Join us here, or follow us on Twitter at #movies4grownups.
Here’s our list of Movies for Grownups winners for 2012.
Credit: Amy Sancetta/AP
Article printed from AARP: http://blog.aarp.org
URL to article: http://blog.aarp.org/2013/02/21/oscar-night-grownups-get-to-stay-up-late/
URLs in this post:
 Image: http://blog.aarp.org/wp-content/uploads/2013/02/240-oscar-statue-upcoming-academy-awards2.jpg
 Les Miserable: http://www.aarp.org/entertainment/movies-for-grownups/info-12-2012/review-les-misrables-isnt-quite-revolutionary.html?intcmp=AE-ENDART1-REL
 Chicago: http://www.aarp.org/about-aarp/press-center/info-2003/nr031103.html
 Hairspray: https://www.youtube.com/watch?v=kkzcNF-jlWw
 Mama Mia!: https://www.youtube.com/watch?v=yzhxHsqQvsI
 Chitty Chitty Bang Ban: https://www.youtube.com/watch?v=ZTTzcXSLjhI
 John Travolta: http://www.aarp.org/entertainment/music/info-12-2012/christmas-newton-john-travolta.html
 Richard Gere: http://www.aarp.org/politics-society/advocacy/info-2004/inspire_awards_2005_richard_gere.html
 Christopher Plummer: http://www.aarp.org/videos.id=971396619001/
 Shirley Bassey: http://www.youtube.com/watch?v=yAyogqIdyzY
 Nicole Kidman: http://www.youtube.com/watch?v=dtEgAx80NC4
 Barbra Streisand,: http://www.aarp.org/entertainment/movies-for-grownups/info-12-2012/reviews-parental-guidance-and-guilt-trip-find-fun-in-families.html
 Rocky won Best Picture: http://www.aarp.org/entertainment/movies-for-grownups/info-05-2011/another-round-with-rocky.html
 See Slideshow: Oscar Night 2013 - Red Carpet Stars & Style: http://www.aarp.org/entertainment/style-trends/info-02-2013/academy-awards-2013-photos.html#slide1
 Quartet: http://www.aarp.org/entertainment/movies-for-grownups/info-01-2013/review-dustin-hoffmans-lyrical-quartet.html
 A Late Quartet: http://www.aarp.org/entertainment/movies-for-grownups/info-11-2012/movie-review-a-late-quartet.html
 Hitchcock: http://www.aarp.org/entertainment/movies-for-grownups/info-11-2012/movie-review-hitchcock.html
 Hyde Park on Hudson: http://www.aarp.org/entertainment/movies-for-grownups/info-12-2012/bill-murray-fdr-hyde-park-on-hudson.html
 Trouble With the Curve: http://www.aarp.org/entertainment/movies-for-grownups/info-09-2012/movie-review-trouble-with-the-curve.html
 Lincoln : http://www.aarp.org/entertainment/movies-for-grownups/info-11-2012/movie-review-lincoln-daniel-day-lewis-spielberg.html
 Denzel Washington (Movies for Grownups winner), : http://www.aarp.org/entertainment/movies-for-grownups/info-11-2012/movie-review-flight.html
 Emmanuelle Riva Amour: http://www.aarp.org/entertainment/movies-for-grownups/info-12-2012/review-amour-explores-love-and-death.html
 Tommy Lee Jones Lincoln : http://www.aarp.org/entertainment/movies-for-grownups/info-07-2012/meryl-streep-tommy-lee-jones-hope-springs-intrvw.html
 Jacki Weaver (Movies for Grownups Winner), : http://www.aarp.org/entertainment/movies-for-grownups/info-12-2012/review-silver-linings-playbook-shines.html
 Steven Spielberg (Movies for Grownups Winner), Lincoln : http://www.aarp.org/entertainment/movies-for-grownups/info-09-2012/looking-for-lincoln.html
 Searching for Sugar Man (Movies for Grownups Winner): http://www.aarp.org/videos.id=2044987477001/
 Image: http://www.youtube.com/watch?v=4xOTu2G-OLw
Copyright © 2013 AARP. All rights reserved.


Experimental Film / Live Film and Video / Live Coding
22.10.2015 / 6PM
Born in 1976, his work includes short films, videos, live image performances and objects. Since 2000 he has performed extensively in live film and video, either as a solo artist or in various groups and collaborations. These have included Ultra (2000-02), Mikroloops (2007-11) and performances with Steven Ball, Andras Blazsek, Zenial, Arszyn, Hannes Hoelzl, Bryan Eubanks, Kateřina Zochová, Vojta Procházka, Michal Zbořil and many others.
Recent collaborations have included projects with open live coding group Kolektiv, curating NoLab at Roxy/Nod Prague (2007-09), the ScreenLab series at Školská 28 Gallery Prague (2010-12) and The Hole site-specific sound gallery (2013). He has published texts on music, film and media arts in Cinepur, A2, Iluminace, Kino Ikon, Flashart, Film a doba and other journals. He teaches at the Center for Audiovisual studies at FAMU, the Academy for Performing Arts in Prague.


The Grindhouse Players present
The Grindhouse Players present the Atlanta premiere of PHONE BOOTH, a dramatic suspense-thriller based on the 2003 movie written by Larry Cohen.
Stu Shepard, a fast-talking, c-list New York City publicist is terrorized by an unseen sniper when he picks up the ringing phone in a Times Square phone booth.
Featuring Michael Anderson, Lydia Castro, Jake Mercer, Sarah Navratil, Jermaine Shorts.
Friday & Saturday nights.
Tickets also available at PULP during regular business hours.
(Parking available anywhere in our lot after 7pm.)
668 11th Street NW
Atlanta, GA 30318
|Kid Friendly: No|
|Dog Friendly: No|
|Wheelchair Accessible: Yes!|


On wikipedia.org the have the release dates for the 2nd and 3rd Naruto Movie!
Naruto the Movie 2: Legend of the Stone of Gelel (???????????????, Daigekitotsu! Maboroshi no Chiteiiseki Dattebayo?, lit. Great Clash! The Illusionary Ruins at the Depths of the Earth) is a 2005 film directed by Hirotsugu Kawasaki and co-written by Kawasaki and Yuka Miyata. It is the second film based on the popular Narutoanime and manga series by Masashi Kishimoto. It was released in theaters in Japan on August 6, 2005. The movie takes place after episode 160. The English dubbed version of the film is set to come out July 29, 2008. Unlike its predecessor, Ninja Clash in the Land of Snow, Legend of the Stone of Gelel will not see a theatrical release in the United States, but will be direct-to-video instead.
Naruto the Movie 3: Guardians of the Crescent Moon Kingdom (???!??????????????????!, Dai K?fun! Mikazuki Jima no Animaru Panikku Dattebayo!?, lit. Great Excitement! The Animal Panic of Crescent Moon Island!) is a 2006film written and directed by Toshiyuki Tsuru. It is the third film based on the popular Narutoanime and manga series by Masashi Kishimoto. It was announced on August 6, 2005 at the opening of Naruto the Movie 2: Legend of the Stone of Gelel. TVTokyo's website states that Great Excitement! The Animal Panic of Crescent Moon Island! was released in DVD format on April 25, 2007  The movie takes place after episode 196, during the anime's filler arcs. Footage of this movie is seen in the opening and ending credits for episodes 197 through 199. The film's theme music is "Tsubomi" by MARIA
The first 100,000 people to see the movie in certain theaters were to receive a Naruto themed yo-yo. It has a picture of Naruto Uzumaki on it, and when spun it lights up, imitating the appearance of a Rasengan.
July 29th and October 11th. Thanks for the info, I was wondering*when I could buy them. I've been waiting for the second movie since last June when I saw the first Naruto movie at the theater and now I won't have to wait too long after for the third movie to come out either.


Minnesota is represented in the Academy Award nominations in 2014, with nominations for an actor, actress, producer and a writer, all with Minnesota connections.
Barkhad Abdi, Actor in a Supporting Role, Captain Phillips
Barkhad Abdi plays the leader of a pirate gang in the movie Captain Phillips. This is Abdi's first Oscar nomination, and incredibly, his first time acting, and his first movie role - he was discovered and landed the part in 2011 at an open casting call in Minneapolis. He was also nominated for a SAG award and a Golden Globe award for the role. After such a stellar start to his acting career, we hope we'll see more roles for him in future movies.
Bill Pohlad, Producer, 12 Years a Slave
Epic drama 12 Years a Slave is one of the most nominated movies in 2014, with 9 nominations, including for Best Director, Best Actor, Best Actress in a Supporting Role, Best Picture, and Best Screenplay. The film was directed by Steve McQueen and produced by a team including Brad Pitt, Steve McQueen, Dede Gardner, and Minnesota's Bill Pohlad. (The Minnesota connection? Pohlad's father, Carl Pohlad used to own the Minnesota Twins, and his brother Jim Pohlad is the current owner).
Melisa Wallack, Best Original Screenplay, Dallas Buyers Club
Minnesota native Melisa Wallack co-wrote the drama Dallas Buyers Club with Craig Borten. The movie tells the story of a newly-diagnosed HIV-positive man, and the struggle to get medication for AIDS patients in 1980's Dallas.
Amy Adams, Actress in a Leading Role, American Hustle
Amy Adams, though born in Italy, started her film acting career in Minnesota. She began acting in dinner theaters, including several productions at the Chanhassen Dinner Theater in the late 1990s, before being cast in her first film role (Drop Dead Gorgeous, which was filmed in Minnesota). From then, she's gone on to star in several movies and pick up numerous awards and nominations.
Find out the winners, and cheer on our Minnesota nominees, at the Academy Awards ceremony on Sunday March 2.


We produce TV commercials, branded content, educational and corporate films, documentaries, music videos, events, and more. If you have an idea, we're excited to work with you to realize it. We strive to look outside of the box to turn even the most complex marketing strategies into compelling stories that grab the viewer.
Our team has the experience and bandwidth to handle a wide variety of productions and post production needs. We’ll help you develop, execute and complete any size project, anytime, with all of the support along the way.


My favorite show to watch on cold afternoons is "Felicity". I got the show on DVD my freshman year of college, and since then I watch all four seasons about once a year (usually in the wintertime). The lessons learned, quotes spoken and fashion worn by each of the characters inspire me every time I watch the show. Keri Russell was a great actress and a style icon in the late nineties, and she is still one of my favorites to this day. I am always drawn to super chunky knit sweaters and things like menswear inspired oxfords, and I'd like to thank my favorite show for that.


But whether you are reading this in February or July, the topic of love can be equally charged and confusing. So, what is love? Love is not any of the gifts, activities or behaviors that companies market to you. It is not the act of contorting yourself, your beliefs or your desires to please someone else…anyone else.
Although both are clearly evil characters who do evil things in order to satisfy their ambition, at the same time, as Macbeth nears his end, he is given eloquent lines that speak of his suffering and loss and his recognition of his own mortality. Note, for example, how It seems very clear that the character of Macbeth is imbued with more dignity and heroism by Shakespeare than the character of Doctor Faustus is by Marlowe.
She should have died hereafter; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death Macbeth here clearly acknowledges that he has no future now, but what is so inspiring about him as a character is the way that even after he learns Macduff is the fulfilment of the final prophecy, he does not give in, and determines to fight to the very end, even when he knows that end is certain.
By contrast, Faustus is a man who, when he has the power he has sacrificed so much for, squanders it in rather silly and petty ways, only realising the true extent of what he has done at the end of his life before he is claimed.
There is nothing heroic about him and the way that he meets his end, whereas it is fitting and proper to view Macbeth as a tragic hero because of his bravery in the face of certain defeat and death.Compare Reformed, but Rejected, where the villain has repented and wants to go straight, but may find that the hero, or society in general, doesn't trust him enough to let initiativeblog.com, a particularly bad case of Reformed But Rejected can easily fuel a case of Chronic Villainy.
A Self-Fulfilling Prophecy, courtesy of What the Hell, Hero? or All of the Other Reindeer. Day 1(*) Unit: Anglo-Saxon/Old English.
1. (*)Print out your grading sheet for the first quarter or use the Excel version. Vocabulary. 1. Keep a vocabulary notebook and/or notecards for terms you will be .
This site is devoted to the production or performance of works from earlier periods of English spoken in original pronunciation (OP) – that is, in an accent that would have been in use at the time.
Free essays, research papers, term papers, and other writings on literature, science, history, politics, and more. In the beginning they were both well respected men.
In the beginning they were both well respected men. Dr. Faustus was a German scholar and Macbeth was a General in the King's Army. Both men were living very good lives, at the plateau of their careers, until they began to become dissatisfied with their limits/5(2). Here you will find the books and essays written by those who believe Christopher Marlowe was Shakespeare. HOME THE CHRISTOPHER Dr. Faustus, Edward II, The Jew Alice Arden in Arden of Faversham (an anonymous play often attributed to Marlowe) is the prototype for Lady Macbeth, and The Taming of a Shrew (the anonymous model for . This site is devoted to the production or performance of works from earlier periods of English spoken in original pronunciation (OP) – that is, in an accent that would have been in use at the time.
Dr. Faustus was a German scholar and Macbeth was a General in the King's Army. Both men were living very good lives, at the plateau of their careers, until they began to become dissatisfied with their limits/5(2). The Shakespearean characters every actor wants to play are his most notorious villains, Iago of Othello, and the eponymous Magnificent Bastard of Richard initiativeblog.comrly, every actress wants to be Lady Macbeth, his greatest initiativeblog.com roguish buffoon Falstaff was so popular that Shakespeare gave him his own spin-off comedy in which he is the protagonist.


Posted on April 16, 2014
The cinema industry in Europe is transitioning from celluloid (film) to digital. As this demand for digital cinema content expands, the dematerialization transmission of films and live events via satellite is considered a fast, secure solution for broadcasting content to an unlimited number of cinemas in a given coverage area.
Read the full article published on page 22-24, about DSAT Cinema and IDC's Digital Cinema Solutions.
Learn more about IDC's Digital Cinema Solutions.


In my thesis I examined the role of sound effects and sound design in the cinema, looking specifically at the sound design work of Alan Splet who created many memorable and groundbreaking soundtracks between 1970 and his death in 1994. Engaging with contemporary sound theorists Splet’s overall contribution to film sound is explored and his influence assessed. When he died Splet left behind a significant sound effects library Sound Mountain and this archive was utilised in this thesis to explore his working methodologies and creative approaches. This archive is maintained by Splet’s partner, the sound designer Ann Kroeber. Splet’s sound design is also explored in relation to the early critical debates by sound practitioners from the advent of sound cinema in 1927. These early practitioners initially outlined a preference for reverberant sound over dialogue intelligibility and, using examples from Splet’s work, the thesis argues that this would have been a preferable direction for cinematic sound to have developed and that an asynchronous approach to the soundtrack, championed by the early pioneers and utilised so effectively by Splet, offers many creative opportunities for contemporary cinema.


Victor Kazan has worked in the entertainment industry for more than fifty years. After reading Romance Languages at the University of London he trained as an actor at Webber-Douglas Academy of Dramatic Art. Over the next two decades, while still occasionally performing, he worked principally as a director and writer in British theatre and television before taking up residency in Melbourne to work in the Australian film industry.
His screenwriting credits include: feature films Dalkeith, The Madness That Was Kolberg, Stoker’s Boat, The Last Supper, Beethoven’s Tenth, Hit the Ground Running; documentary films Smithy Revisited, Present Day Dinosaurs, Much Ado About Shakespeare; telemovie McGregor Rules and mini-series Requiem for a Wren.
Among the works that he has penned for the stage are an adaptation of Pirandello’s absurdist play Sei personaggi in cerca d’autore, the revue Rome and All That Jazz and one-act plays A Late Night Encounter, The Birthday Treat, Good Night Sleep Tight.
Musical Theatre has been an important part of Victor’s life ever since 1955, when at the age of eight he played the role of Little Jake in an amateur production of Annie Get Your Gun at London’s Scala Theatre. Twenty or so years later he wrote the book and lyrics for his first musical A Little Bit of Fluff.
His long-standing writing partnership with Kevin Purcell began in the early-1990s. Their previous collaborations include Atlantis, The Ghost of Manderley and The Stranger from Seville.


ULAB Film Club unveils its highly-anticipated film screening event, "Suggestions 3: The Final Chapter," at the Bangladesh Shilpakala Academy on 14 October 2023. The event, graced by the presence of renowned film producer and chairman of Jaaz Multimedia, Abdul Aziz, was a remarkable success. ULAB Film Club's advisor and faculty members, accompanied by a vibrant audience of over 250, gathered to celebrate the cinematic artistry on display.
Directed by Mohammed Farhad Hossain Fahad and produced by Asif Faiyed, the president of ULAB Film Club, "Suggestions 3" provides a captivating portrayal of university life and its struggles. This two-and-a-half-hour action-comedy film received accolades for the outstanding performances of talented ULAB students and its engaging storyline.
Film producer Abdul Aziz, in his speech, expressed his gratitude to ULAB and added, "I am looking forward to this film. I'm assuring you that if this film production looks good, I will make it a blockbuster hit."
ULAB Film Club extends heartfelt gratitude to the sponsors, media partners, volunteers, and enthusiastic film enthusiasts who contributed to the success.


The Good Son March 1, 2018 today Episode of Pinoy Tambayan Replay free online only on our Pinoy tv website. Filipinos our Pinoyflix is your favorite tambayan channel to watch pinoy tv series free. Today we are going to telecast Pinoy tv The Good Son March 1 2018 for all OFW Pinoy tambayan. All Pinoy1tv followers know that our Filipino channel is the best place to watch all Pinoy TV Shows like you’re watching Pinoy teleserye The Good Son March 1 2018. Pinoy network The Good Son March 1 2018 Full episode updated below.
Pinoy Tambayan The Good Son March 1 2018
The Good Son Part 1
The Good Son Part 2
The Good Son Part 3
The Good Son Part 4
The Good Son Part 5
- Show Name: The Good Son
- Broadcasted by: ABS-CBN
- Genre: Family drama, Romance
- Directed by: Manny Q. Palo, Andoy Ranay, Jerome C. Pobocan, Darnel Joy Villaflor
- Running Time: 30 – 45 minutes
- First Episode Date: September 25, 2017
- Original Language(s): Filipino, English
The Good Son is a 2017 Philippines TV series that is based on family drama and romance. It is broadcasted by ABS-CBN and premiered on September 25, 2017. Today Pinoy TV telecasted The Good Son March 1, 2018 episode.


"Mon instinct m'a toujours guidé, dans la vie comme dans un role..."
"I always follow my instinct, both in life and in my acting , in character..."
"My perfectionism constantly pushes me to work harder and to the finest detail in order to give the maximum of depth in the role i interpret..."
One does not become an actor overnight. This profession cannot be improvised. It's a profession which requires a lot of work, passion, rigour, determination, it's a conviction.
Professional actress with more than 10 years of professional training under her belt.
Coming from the south of France, near Avignon, Iris made her theatrical debut when she was very young as she took part in many different workshops and theatrical courses. While studying Modern Literature she took theatre option to engage in further learning.
In the year 2000, she decided to move to Paris in order to completely devote herself to the acting profession.
Being a perfectionist, Iris continued to shape herself in such courses as "Cours Florent" with professors from Comédie Française, Theatre and Cinema Workshops "Fanny Vallon", but also through intensive trainings (in front of camera, voice training, respiration techniques) with film directors, then minly at Actors Studio directed by Jack Waltzer from 2002 until 2012.
Jack Waltzer, an acclaimed coach and member of the Actors Studio, has worked with such famous actors as Sigourney Weaver, Dustin Hoffman, Marlon Brando...
Jack Waltzer has taught Iris essential keys to take up a role, how to work on it, and give birth to it, by creating an internal and external life for her character - a life perceived by the author or the director : to convey true emotions to the audience so they can live, understand, and feel the story of each character and of the movie itself to finally be touched. He taught her how to be autonomous in building a role and on a set. "This is how I view working on a role, a combination of acting techniques and what I personally want to give as an actress".
During 10 years of training at the Actors Studio, Iris discovered her vision of acting : being an organic actress who feels and passes on the viewers genuine emotions.
She began her professional career by playing main roles in short films, then in medium-length films and TV series. She played live in sketches on TF1, then also in advertising and institutional films. She interpreted a little role in the movie "Aicha" directed by Yamina Benguigui and broadcast by tne national TV channel - France 2. She also played in a "Dior" commercial with Jude Law and the director Guy Ritchie - LCL Bank commercial with Gad Elmaleh and the director Patrice Leconte, and also with Jean Claude Aumont - Lady Speed Stick . Recently, she has had one of the main roles in a feature length film "Blood Dust" directed by Antonio da Silva.
Being also a professional sports coach, with a state-certified diploma in fitness, she practices a lot of sports which gives her an extra advantage in interpreting certain roles. Sports also gives her a physical and mental resistance, as well as a combativeness which pushes her to always make progress in life and in her acting profession. Actors need to take care of their bodies as they are their main tool, along with the voice and acting.
She has been trained in different areas, including "Les Mills" Concept, "Strala Yoga", a technique created by Tara Stiles in New York. Tara Stiles actually recommended me to Reebok for which I became brand ambassador. We have worked together in sports events and magazines in need of articles, interviews and advice of certified coaches.
Having discovered sport at the age of 14 with her practice of Modern Jazz dance, Iris made her first steps on the stage as a dancer. For a few years she used to take part in two shows per year directed by her choreographer in "Théatre Antique from Orange", a magnifiscent stage with 9000 seats.
Passion, hard work, dedication and being a team player are some of the core values that define her.
She is also interested in co-production of films and she was a co-producer of several short films such as "Last Call" directed by Camille Delamarre and chosen by different festivals (Los Angeles, Canada, Brest).
Passionate about art in general, she has a particular sensitivity for dance, jazz, travels, literature, photography and writing. Living in Paris, she is improving her english as she would like to work with foreign directors and play roles in other countries. She travels regularly to New York. She loves particularly New York for her high and beautiful energy.
Agencies : Pépites / Di to Di / Céline / Profil / FMA Fashion Models Agency/ Rebecca / Ovation / VIP Models / Smith&Smith / Coccinelle / Sport Models...
Represented in Paris by th by the artistic agent Karin Gélain from "AK2A Agency" (www.agenceak2a.fr).
Official Website with her Showreel :
ShowReel Iris Sarg : http://vimeo.com/97359990


Jaron Watts is an apprenticing writer and has written several great articles detailing the workshops and guest speakers we’ve had in the class. Here are some of his articles!
Richard Jennings Acting Workshop
Hey guys just finished up a workshop with Richard Jennings, professor of acting and directing at USC. Jennings stopped by and spoke with the class about acting for the camera. I was excited to receive tips on how to portray a character for film, because it is something I have been interested in for a while. One thing that he stresses is too speak quieter, which is the antithesis to acting on stage. When actors are performing on stage it is important to be loud, so that their voice can reach the person sitting in the very back of the theatre, which is a challenge for me because I naturally speak softer. While on the subject, he mentions that it is important for directors to get a natural performance out of their actors. The performance should not be over the top, so less Faye Dunaway in Mommie Dearest and more realism. Next he explained that the actor should take time to arrive at the “moment” to create intimacy. He used one of his pupils to illustrate his point, who improvised as a stern nun. Jennings continued with saying that the director should not intimidate the actor, because it can hinder what the actor is trying to translate to the camera. If it helps use the underwear method to block out a brass director. I received some neat information, and left the workshop eager to put the tools he gave us in to use.
Victor Holtcamp stopped by the class on Friday October 1. Holtcamp came to consult the class on tips for writing a proper screenplay and to discuss structure. I thought his visit was perfect timing, because I’m currently working on a screenplay for a screenwriting class. He explained that structure means exactly what it says; it’s the blueprint to how screenplays are written. There are particular elements used in the structure such as the story or characters being set up, themes that are stated, subplots or the B story being incepted, and the conclusion. It’s important to include all the before mentioned elements, without them the story will crash, I know personally. He stated that the thesis, anti thesis, and synthesis of the film is established in the third act. Funny, because that is the reason that all the loose ends are tied up in the final part of the film. It is essential for that to happen, because it is included in how the structure of the story is set up. For example, Kill Bill would not be as effective if the Bride killed Bill in the first 30 minutes of the film, or if Dorothy found her way back to Kansas 10 minutes into the film. Holtcamp revealed to the class that if one studies the structure, they will see how much their favorite movies or television shows follows it. Holtcamp used television shows such as Law and Order as an example to how shows follow this particular structure. Law and Order has the same setup every week; the crime is identified, the culprit is caught, there is a twist, the trial takes place, and finally there is a resolution. I believe our story adept to the structure, which is why the story works so well and we have a successful story. The structure can be found at Blake Snyder.com, enlisted under The Blake Snyder Beat Sheet.
Yesterday I had an opportunity to attend a workshop conducted by Brian Gunter, who has worked as a gaffer on such films as The Blind Side, Remember the Titans, and Sweet Home Alabama. Gunter was at the ETV studios to talk to a group about lighting for film. The workshop was significant to me and others working on Dreadful Sorry, because the lighting is a crucial part in giving the film its dark, horrifying mood. It was important for us to hear how lighting is achieved to create that mood. He started out the workshop by showing us clips of films that he has worked on such as Last Holiday and Pink Panther 2. While showing the clips he provided commentary on his experiences of lighting the different films. The commentary was very funny; especially his little dig at Liv Tyler, but lets digress. It was at that moment that I had an epiphany, I really like this guy’s sense of humor. He went on to give some information about light. He mentioned that lighting is used to support the script and that it is also used to set the mood of the film, i.e. happy, sad, mournful, and sexy. One thing that stuck with me is that he believes that lighting is a subjective form. He stated that a lighting technician can be lighting a set, and that the person to his right could rave about how great it looks, while the person to the left can criticize it for being awful. He simply states that it’s art, and there is no wrong or right way in creating it. One trick that I learned yesterday is that in order to create a day exterior from inside, ambient soft light has to come through the window. I assumed that the shot has to be done during the day with the sun. Actually, due to the lack of control of the sun it is harder to shoot using the sun as a light source. I came out of the workshop with new knowledge of how lighting works, and look forward to putting the knowledge to use in the future.
Brian and Jocelyn Rish
On Friday October 8, siblings Jocelyn and Brian Rish spoke with the class about their film, Saying Goodbye, directed by Cliff Springs. The film revolves around an elderly woman, Alma, who checks into a nursing home. While there she meets a new friend, who succumbs to Alzheimer in the film. Alma lives a few remaining years at the nursing home, but eventually dies. Jocelyn and Brian shared their experiences of pre production with the class. They explained some issues they dealt with, such as the diva like behavior of the cat, Marmalade, who would sometimes not perform to task. The siblings also spoke about how they had issues finding a director of photography. Dave Insley eventually came on board to complete the job. Insley’s credits include the television series The Wire and The X-Files, and the film Body of Lies. They shot the film in Columbia at Agape nursing home. They mentioned how they wanted the nursing home to look like a nursing home, but at the same time to not look like one. The film is currently being shopped around to various film festivals. Saying Goodbye was made in conjunction with the SC Film Commission, and is set for release in 2010. To learn more about the film and Jocelyn and Brian visit the website sayinggoodbye.com
Hey guys just want to update you on what happened in class. Today we touched on lighting in conjunction for Brian Gunter’s visit on Saturday Oct 31. We watched a video on YouTube that dealt with lighting. We also watched a video from the NY Times that discussed the lighting behind the animated film, How To Train Your Dragon. Roger Deakins, the man behind the lighting of the film, discussed how even though it is an animated film, he wanted the lighting to seem realistic and not like any other animated film. The creators of the film wanted the lighting to be reminiscent of Deakins past work, such as The Village and The Assassination of Jesse James, two films that are in my opinion supremely shot. We went on to watch a montage of films that Mr. Gunter has worked on. The class seemed eager and anxious to meet the man behind the lights of the films. Before the end of class, we discussed where exactly we are in terms of pre production. Everything seems to be moving along great. The images for the posters look eerie, which they should. The documentary is also moving forward. I got an opportunity to interview with Josh Rose, who is in charge of the documenting the film’s process, so be on the lookout for some of my “enlightened” quotes. It is truly exciting to see the pre production phase of the film moving along. As cliché as it sounds, it’s almost like watching a child develop. In short, everything is starting to come together and we are anxiously waiting for everyone to see the final product soon.


This is a story about a girl that wants the lead part in a play. It's Peter Pan her classmates tell her she can play that part because it's a boy and the boy is white. Her family supports her and she believes she can be anything she wants to be. It turns out to be very good. I would use this is my classroom to show students that they can do many things as long as they set their mind to it and work hard. I would like to have a "play" and there would be no limitations on who could play which parts. It would be whoever was the best at it.
Lexile Measure: 680L


Now that the important part of my summer has been covered, I can now get into the less significant but still noteworthy occurrences.
This summer I saw a few movies that were crummy. "Bride Wars," "District 9," and "Lakeview Terrace" were three of them. Then I saw a few that I thought were quite good, and I was surprised at how much I liked them. "Changeling," "Inglorious Basterds," and "Nothing but the Truth" were three of those. I also saw some that are some of my new favorites. "The Devil's Backbone" and "The Seventh Seal" are the two that impressed themselves on me. "Devil's Backbone" (El espinazo del diablo, if you please) is a ghost/suspense story set in a Spanish orphanage during the Spanish Civil War. However, it is has a story with various themes and symbols running all through and throughout, and it never sacrifices story for scares (it isn't scary in the traditional, 'ghost story' sense). This movie is just too good for that.
"The Seventh Seal" is by prolific director Ingmar Bergman. The story takes place during the Crusades, and it centers around the question of God's presence/absence in the time of great suffering. Bergman was a former Lutheran, and in his movies (especially this one) he makes his questions and doubts about God painfully obvious. The movie was filmed in Swedish (Bergman's native tongue) in 1957, so some of the concepts and dialogue may be a bit alien and strange. Please don't let that deter you; go rent it now.
And that's part two! Only ??? more to go!
The Reckless Love of God?
2 weeks ago


Mario Puzo was an Italian American author and screenwriter, best known for his novel and screenplay The Godfather (), which was later co-adapted into a. The Godfather: Mario Puzo, Francis Ford Coppola, Anthony Puzo, Robert J El padrino Compra tu Kindle aquí o descarga una aplicación de lectura Kindle. Home · Documents; Mario Puzo – Paskutinis Donas . descargar el padrino de mario puzo en ingls; Ttulo original: The Godfather: Cubierta Biografa. Mario Puzo .
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Edit Details Official Sites: Giorgio Clericuzio 3 episodes, I believe in America. So they beat her. Bobby Bantz 2 episodes, It may be interesting to find how the story could be the real sequel of the Godfather, part II.
Headed by Don Domenico Clericuzio, the family executes a rival gang on the night of the Don’s daughter’s wedding, including her new husband, the son of his rival. As the elder don dies, his young heir moves into the position. Do not miss this film! Clemenza as Richard Castellano Robert Duvall My Favourite TV Movies.
Mario Puzo · OverDrive (Rakuten OverDrive): eBooks, audiobooks and videos for libraries
You must be a registered user to use the IMDb rating plugin. She kept her honor. Keep cescargar of everything you watch; tell your friends. Search for ” The Last Don ” on Amazon.
Mario Puzo – Paskutinis Donas
Share this Rating Title: Sign in with Facebook Other Sign in options. Tom Hagen Sterling Hayden Claudia De Lena 2 episodes, Michael Massee Frequently Asked Questions Q: See this year’s top trailers in under a minute, including Avengers: Search for ” The Godfather ” on Amazon.
The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son. The true life story of mafia boss Joesph Bonanno. Edit Cast Complete series cast summary: A smaller orchestra of about 40 recorded additional music at Capitol Studios, Hollywood. A young FBI cadet must receive the help of an incarcerated and manipulative cannibal killer to help catch another serial killer, a madman who skins his victims.
Bethany Aquitane 2 episodes, Jody Racicot Francis Ford Coppola went to the hospital after the scene was completed, and Sofia Coppola was born.
This must rank as the best film along with part 2 of all time.
Add the first question. Don Domenico Clericuzio 3 episodes, The Last Don — 7. When the nephew falls in love with a beautiful actress, everything is set in place for the grandson to set up a coupe to take over the family. Yes No Report this.
The Last Don
Sonny Corleone Richard S. Crazy Credits In the end credits, Marlon Brando’s name is the only one that is not accompanied by the character name that he plays e. Nominated for 3 Primetime Emmys. But the story is very well introduced, all the actors are convincing. Sophia Ballazzo 2 episodes, Descrgar scene of the photographers waiting outside the hospital for Don Vito’s release and following his ambulance is deleted.
A co-rival in the family is a nephew who has been raise to take his father’s place in the family as a hitman and has established his place by assassinating a padrrino who killed a Senator’s daughter.
Cross De Lena 2 episodes, The Silence of the Lambs Don Vito Corleone Al Pacino Keep track of everything you watch; tell your friends. Claudia De Lena 2 episodes, Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency.


saint joan of the stockyards
by Bertolt Brecht | MAY 4-6, 2017 | 8PM | ROBLE STUDIO THEATER
Boom, bust and blood. Bertolt Brecht’s Saint Joan of the Stockyards chronicles the social worker Joan Dark’s futile battle with the gruesome corruption of the meatpacking industry. Charity and good will are no match for the all-conquering machinery of capital as it devours cattle and workers alike. Featuring an all-women cast and a riot grrrl punk chorus, this production splatters audiences with the raw, extreme horror of economic and environmental injustices, just as fresh (or rotten) now as they were when the play was written in 1931.
ABOUT THE DIRECTORJessi Piggott is a Ph.D. candidate at Stanford's Department of Theater and Performance Studies. received an M.A. in Theater Studies from the Freie Universität Berlin where she studied as a DAAD scholarship holder. Her thesis explored monstrous strategies of Shakespearean adaptation in the work of German playwright Heiner Müller. Originally from Canada, Jessi completed her B.A. in the drama honors program at the University of Alberta with a focus on critical theory, solo and clown performance, and directing. Current research interests include embodiments of monstrosity in contemporary performance, postdramatic theater, and intersections of politics and performance.
This production is sold out. Tickets may be made available on performance nights through our waitlist program.
where to go
This production is produced in collaboration with Stanford Women* in Theater and with the support of the Clayman Institute for Gender Research


- 2013-2020 Academy of Arts Novi Sad
Professor of Film and Theatre Directing at the Academy of Arts University of Novi Sad and Professor of Digital Video at Interdisciplinary studies University of Arts in Belgrade.
- 2008-2013 Academy of Arts Novi Sad
Associate professor at Drama Department.
- 2006 Festival du Film Serbe, Paris, France
Best Film Award for The Party.
- 2005 Screenplay festival, Vrnjacka banja
Best Screenplay Award for The Party.
- 2005- International Video Festival VideoMedeja
Member of selection committee.
- 2003 Dokufest Prizren
Special prize for The Travelling of the Dead.
- 2003 International Festival of Short and Documentary Film/Video Belgrade
Member of the board.
- 2003 Berlinale Talent Campus, Germany
- 2003-2008 Academy of Arts Novi Sad
Assistant professor at Drama Department.
- 1992-2002 Academy of Arts Novi Sad
Assistant at Drama Department.
- 1999/2000 World TV and Westdeutschen Rundfunk, Novi Sad/Koeln, Yugoslavia/Germany
Researcher and production coordinator for documentary film about Novi Sad after NATO bombing Europa war so nach (Europe was so close).
- 1998 “Balkan Answer” Festival of Yugoslav video art, Free Culture Foundation, St. Petersburg, Russia
- 1998 Theaterzwang ’98 Festival Freier Theater NRW, Dortmund, Germany
Member of jury.
- 1997 Deep Europe Workshop/Hybrid WorkSpace/ Orangerie/Temporary Media Lab/documenta x, Kassel, Germany
- 1997 INFANT97 International festival of alternative and new theatre, Novi Sad
- 1997 Annual Exhibition at the Centre for Contemporary Art, Princess Ljubica’s Residence, Belgrade
Video installation Light my fire.
- 1995-1998 “Transkatalog” magazine for Art and Culture, Novi Sad
Member of editorial board.
- 1997 WRO 97 International Media Art Biennale, Wroclaw, Poland
Special Award of Magazine Gazeta Wyborcza for Eyewitness.
- 1996 Yugoslav Festival of Short and Documentary Film/Video Belgrade
Golden Prize of Belgrade for Best Experimental Video for Eyewitness.
- 1995 Annual Exhibition at the Centre for Contemporary Art, Cinema Rex, Belgrade
Video installation Eyewitness.
- 1995-1997 Radio B-92, Belgrade
Directing four video art and documentaries for video production.
- 1994 Yugoslav Festival of Short and Documentary Film/Video Belgrade
Special Award for Experimental Video for Impossible Made in Serbia II.
- 1991 Alert Film GmbH, Berlin, Germany
First assistant director at Dušan Makavejev’s feature Gorilla bathes at noon.
- 1991 Festival JRT (Yugoslav TV festival), Neum
Authors’ Award and Critics’ Award for Punishment and freedom.
- 1987-1991 TV Novi Sad
Director at documentary and art/cultural department.


There’s nothing more beautiful than a love that lasts forever! Encapsulate your lasting love and emotions through this lovely, beauty and the beast themed preserved flower arrangement!
Preserved roses accompanied by artificial foliage.
Comes with a Belle acrylic.
Approx. 12cm (W) x 20cm (H)
• As some contents are subject to availability, they may be replaced with similar items of equal or greater value.
Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. It is about a young prince, imprisoned in the form of a beast, can be freed only by true love. Years later, his chance shows itself when a young maiden named Belle offers to take her ill father's place as his prisoner. With help from the castle's enchanted staff, Belle learns to appreciate her captor and immediately falls in love with him.


Video of the Fortnight - Cybermen!
Even if you're not a major Dr Who fan, I think you might just like this.
It's a souped up clip from the 1983 story "The Five Doctors" in which a gang of Cybermen meet their fate at the hands of a Raston Warrior Robot! Whilst all the destruction is going on the Third Doctor and assistant Sarah Jane Smith, played by Jon Pertwee and Elisabeth Sladen respectively, make good their escape!
The juxtaposition of speeded up visuals and "saucy" saxaphone score works perfectly! Remind you of anything? Dr Who as an intergalactic sex farce, anyone?


A Fine Fiasco – Actor’s Edition (Digital 8.5×11″ PDF)
A Commedia dell’Arte Play for the Modern Stage
A play by Gwen Adams. Purchase a digital printable 8.5×11″ PDF version prepared for actors for perusal or performance. 98 pages. This can be downloaded and printed once. Additional reprints available with a performance license.
To learn about the play, read an excerpt, and more, visit plays by Gwen Adams. This purchase does not provide a license for performance. To license this script for performance or to make further reprints for a licensed performance, please visit our licensing application.
If you prefer a print copy, you can purchase a 5×7.25” perfect-bound script, 108 pages, available June 24, 2023 from Amazon.


After a week of filming and ubiquity, we finally completed our movie. We worked really well together, only arguing about a few things once or twice. But now we have to ask ourselves; How well did we manage?
Personally, I think my group did exceptionally well on managing our time and working independently. We stuck criteria and made a great MTV in the time frame we were given. I helped out more specifically with the filming, editing and planning. Lots of the scenarios and ideas in our movie was created by me. I appeared the least amount of times in the movie since I worked particularly behind the scenes.
When it comes down to managing myself, I think I did a pretty good job, especially as apart of the group. I was there to kick my friends when we went off task so we were able to finish on time and move onto the next thing on our list. Editing was probably the task that I managed myself the most with, I focused solely on finishing the movie so we worked more quickly than we thought we would and got a lot done.
If my group had to do something better, I think it would be all doing something at once. Some of our group members started to mess around when they were not needed. It would had been better if we got each other to work on something else while we worked on the movie. Other than that, I think we did pretty good on our movie and managing ourselves. We got a 17 out of 20 on our rubric which is pretty impressive.


I don't want to make too much of this, but a movie is to be released in April (?) based on Ayn Rand's Book, "Atlas Shrugged."
They made some plot changes and a high-speed train plays a big part in it. The important thing to remember is this, Rand was strongly opposed to government intervention over anything, like Libertarians who see her book as a basic primer. So, in the movie we'll see the HSR as a good thing being privately funded and promoted; I think against the evil government which wants to prevent it. If the movie makers had only asked me about introducing this hot potato, I would have steered them away.
I can't wait to see it. I won't really know which side to cheer; the private HSR side or the evil government side.


Thor: Love and Thunder is an upcoming American superhero film based on the Marvel Comics character Thor
Following the events of Avengers: Endgame (2019), Thor attempts to find inner peace but must return to action and recruit Valkyrie, Korg, and Jane Foster—who has become the Mighty Thor—to stop Gorr the God Butcher from eliminating all gods.
By January 2018, Hemsworth and Waititi had discussed plans for a sequel to Ragnarok. Love and Thunder was officially announced in July 2019.
Natalie Portman returns as Mighty Thor
Thor: Love and Thunder is scheduled to be released in the United States on July 8, 2022


In this article you will get the information regarding The Legend of Tarzan Movie 2016.
From the Director of Happy Potter and The Deathly Hallows. David Yates’s “The Legend of Tarzan” movie 2016 is one of the upcoming Hollywood movie will hit the cinemas soon.
Alan Riche, Tony Ludwig, David Barron, Jerry Weintraub are the producers of the movie.
The movie is written by Adam Cozad and Craig Brewer.
The Legend of Tarzan Movie 2016 is based on the fictional character Tarzan. Tarzan’s childhood was in the jungle of Africa after his mother died and his father was killed. Then he was raised by the leader of the apes. In the young age Tarzan meets Jane Porter. Tarzan left the jungle in search of her. Tarzan live his childhood in jungle which gives him many ability and skills. He is extraordinary from a normal men.
Here is the cast of The Legend of Tarzan Movie 2016
- Alexander Skarsgard is playing the role of Tarzan. Alexander is famous for his vampire role in True blood on the HBO. He is a Swedish actor.
- Rory j Saper as young tarzan.
- Margot Robbie is playing the role of Tarzan’s wife (Jane Porter). One of upcoming movies of Margot are Suicide Squad were she is in the role of Harleen Quinzel. She made her debut in About time.
- Ella Purnell as young Jane Porter. She made her debut in 2010 in Never Let Me Go. Her upcoming movie is Access Ali Areas.
- Samuel jackson is playing the role of George Washington Williams. Samuel is an American Actor. Best known for his major role in movies like Iron Man, Captain America: the winter soldier, Avengers: Age of ultron, Thor etc.
- Christopher Waltz is Playing the role of Captain Leon Rom. He is a Austrain-German actor.His Upcoming movie in 2017 is Downsizing.
- Djimon Hounsou is playing the role of Chief Mbonga. His upcoming movies in 2017 are Same kind of diffrent as ME, Knights of Roundtable, Blazing Samurai.
- Hadley Fraser as Tarzan’s father.
- Casper Crump as Captain Kerchover.
Here is the trailer of the Legend of Tarzan Movie 2016


Princes who have been turned into Dwarfs seek the red shoes of a lady in order to break the spell, although it will not be easy.
A kindhearted street urchin named Aladdin embarks on a magical adventure after finding a lamp that releases a wisecracking genie while a power-hungry Grand Vizier vies for the same lamp that has the power to make their deepest wishes come true.
The love story between a pampered Cocker Spaniel named Lady and a streetwise mongrel named Tramp. Lady finds herself out on the street after her owners have a baby and is saved from a pack by Tramp, who tries to show her to live her life footloose and collar-free.
Multiple coincidences and a chance meeting bring together Alice and Jack, two strangers from very different family backgrounds, for an unexpected Christmastime courtship filled with personal revelations, misread signals, and a very real health scare that will either destroy or strengthen the budding romance.
Jack Malik is a struggling singer-songwriter in an English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie. After a freak bus accident during a mysterious global blackout, Jack wakes up to discover that he's the only person on Earth who can remember The Beatles.
Kate is a young woman subscribed to bad decisions. Her last date with disaster? That of having accepted to work as Santa's elf for a department store. However, she meets Tom there. Her life takes a new turn. For Kate, it seems too good to be true.
A beautiful, pure-hearted young woman, Maleficent has an idyllic life growing up in a peaceable forest kingdom, until one day when an invading army threatens the harmony of the land. Maleficent rises to be the land's fiercest protector, but she ultimately suffers a ruthless betrayal – an act that begins to turn her heart into stone. Bent on revenge, Maleficent faces an epic battle with the invading King's successor and, as a result, places a curse upon his newborn infant Aurora. As the child grows, Maleficent realizes that Aurora holds the key to peace in the kingdom – and to Maleficent's true happiness as well.
When a huge blizzard (that doesn't show signs of stopping) hits, Gracetown is completely snowed in. But even though it's cold outside, things are heating up inside, proving that Christmas is magical when it comes to love.
Seasoned musician Jackson Maine discovers — and falls in love with — struggling artist Ally. She has just about given up on her dream to make it big as a singer — until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.
The film is about Khokababu (Dev) who is a cool and a clever guy. Bhaiji is a well-known don in his territory whom everybody fears and obeys. Khoka joins Bhaiji's circle as an accountant where he has a wacky senior Khanra Babu. Khoka with his super wit starts to obtain every luxury that a perfect office should have and starts to hoax Bhaiji. Problems occur when Khoka falls in love with Bhaiji's sister Pooja (Subhasree Ganguly). That's how our super-clever Chalu Cheez Khokababu takes the story ahead.
1952: Bishop Bilodeau visits a québécois prison to hear the confession of a boyhood friend jailed for murder 40 years ago. The inmates force the prelate to watch a play depicting what really happened in 1912. We meet him as a young man, strait-laced, intent on convincing Simon (now the convict) to join the seminary with him.
When her father unexpectedly passes away, young Ella finds herself at the mercy of her cruel stepmother and her daughters. Never one to give up hope, Ella's fortunes begin to change after meeting a dashing stranger in the woods.
Lara Jean's love life goes from imaginary to out of control when her secret letters to every boy she's ever fallen for are mysteriously mailed out.
Enzo, a family dog with a near-human soul and a philosopher's mind, evaluates his life through the lessons learned by his human owner, the race-car driver Denny Swift.
Princess Jasmine grows tired of being forced to remain in the palace, so she sneaks out into the marketplace, in disguise, where she meets street-urchin Aladdin. The couple falls in love, although Jasmine may only marry a prince. After being thrown in jail, Aladdin becomes embroiled in a plot to find a mysterious lamp, with which the evil Jafar hopes to rule the land.
A live-action adaptation of Disney's version of the classic tale of a cursed prince and a beautiful young woman who helps him break the spell.
When timid bank clerk Stanley Ipkiss discovers a magical mask containing the spirit of the Norse god Loki, his entire life changes. While wearing the mask, Ipkiss becomes a supernatural playboy exuding charm and confidence which allows him to catch the eye of local nightclub singer Tina Carlyle. Unfortunately, under the mask's influence, Ipkiss also robs a bank, which angers junior crime lord Dorian Tyrell, whose goons get blamed for the heist.
When Bella Swan moves to a small town in the Pacific Northwest to live with her father, she meets the reclusive Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire. Despite Edward's repeated cautions, Bella can't help but fall in love with him, a fatal move that endangers her own life when a coven of bloodsuckers try to challenge the Cullen clan.
Jae-hoon recently breaks up with his girlfriend and he still cannot give her up. Whenever he gets drunk, it has become a daily routine to call her and act out of drunkenness. On the other hand, Sun-young also decides to break up with his boyfriend. But she holds a grudge against him. For them, it seems that the beginning and the end of a love affair are both difficult. Can they overcome from the previous romance and start the new one?
Fred Flarsky is a gifted and free-spirited journalist who has a knack for getting into trouble. Charlotte Field is one of the most influential women in the world -- a smart, sophisticated and accomplished politician. When Fred unexpectedly runs into Charlotte, he soon realizes that she was his former baby sitter and childhood crush. When Charlotte decides to make a run for the presidency, she impulsively hires Fred as her speechwriter -- much to the dismay of her trusted advisers.


Well this is a very important, we should ALWAYS strive to seek and animate the subtext, and the subtext should ALWAYS be different to the text. This is so important that for non dialogue shots, Randy Cook would record the unspoken dialogue (subtext) of a shot for his animators to animate to in their scenes.
Here's an hypothetical scene - A girl appears from a fitting room and shows a new dress she's wearing to her boyfriend, she asks his opinion, he says "yeah, it's great".
If we have his body language mimicking that thought, (it's great) the animation could be fantastic, but the idea isn't very interesting. It's what we call on-the-nose acting, and is just that, acting the words without any deeper thought as to their meaning or what the character is thinking. If the boyfriend says "yeah, it's great", yet his body language says "I'm bored, can we go home now?" we'll have gotten inside the character and given him some depth and therefore created something much more interesting and entertaining.


Join us for the first annual DESC Impact Short Film Festival
September 22, 2021
4EA is proudly sponsoring the first-ever short film festival presented by Seattle’s Downtown Emergency Service Center (DESC) this Thursday, September 23 at 7 p.m. We are excited to offer the $500 Social Justice Award to the film that best depicts the idea of social justice and the balance between individuals and society.
The virtual event will consist of a broad range of amateur and professional short films (under 10 minutes each) that focus on the impact of homelessness. Per DESC, the festival “celebrates the fact that everyone can have an impact on homelessness, whether that helps one individual or effects systemic change.” Four total awards will be given to finalists based on criteria set by DESC.
As with any major city, the struggles of homelessness are an important topic for Seattle. 4EA is devoted to assisting housing operators and architects in developing and maintaining affordable housing on the West Coast. DESC is a valued client, and we celebrate our current work on Hobson Place and Bitter Lake Supportive Housing.


Surely you have already seen Dragon Ball, this animated series was part of everyone’s childhood. When we were children, we looked forward to each day to see another chapter. The characters became a beautiful memory of our childhood. But now we want to change this, in Wife.xxx we want to ruin your childhood memories and turn them into something very dirty and perverse. This is why we brought Bulma’s adventures. As you may recall, Bulma was a character who was looking for Dragon Balls because she wants to find a boyfriend. And in this video she didn’t find a boyfriend, but several. You can’t miss this video where you will see Bulma fucking almost all the Dragon Ball characters.


Character Profile: Starbuck Cloudhoof
A Brief Introduction to Starbuck
What Purpose Does He Serve?
As a Character, he is from the fanon I'm working on at the moment named "Harmony Lost", specifically, coming from the tail end of the fanon's timeline, 973 years ahead of canon in a divergent timeline. His story being that of a caravan of settlers which went missing without a trace out of a number of different caravans sent to different sectors of Old Equestria, near the end of Act 3 of Harmony Lost.
Starbuck's story is one of a number of short stories which will make up Act 3 of Harmony Lost as a character existing in the world but not key to it. It is all of these short stories i


Mr. Franco recently finished his work in the feature film, Glenn’s Gotta Go. He played the title role of Glenn and his wife was played by Ruth Buzzi. Directed by Levie Isaacks, written and produced by Brad Maule. The release is scheduled for February 2019. Independent films have kept him busy for the past few years.
Mr. Franco has worked on stage with Mary Crosby and Judd Nelson at the Los Angeles Theatre Center in a production of The Seagull.
He started acting in 1982 in Santa Barbara, CA but finished his studies at the Los Angeles Theatre Academy. He apprenticed at the Los Angeles Theatre Center where he worked and learned by watching a great pool of talent on stage. Actors like Deirdre O’Connell (Stars in the Morning Sky) and Philip Baker Hall (The Inspector General). He was able to participate in some memorable productions, the most interesting being a Glasnost production with Russian playwright Alexander Galin and his play Stars in the Morning Sky, The Inspector General directed by Stein Winge, director of the National Theatre of Norway, and The Seagull directed by Charles Marowitz. Presently, Mr. Franco studies with Sara Gaston in Houston, Texas.
During a break from acting, Mr. Franco became an award-winning western saddlemaker and participated in a National Endowment of the Arts project for saddlery that took him to Hawaii.
His favorite spectator sport is Polo. Now with Chukker TV, watching polo has gotten a lot easier but he still likes to go out to the playing fields and watch game off the tailgate of his pick-up. He enjoys cycling and has participated in a 500-mile bike ride to raise money for the Arthritis Foundation. Cooking, watching classic movies, and going to the gun club are among his interests.
Lately, his carpentry skills have been called on to repair his home for the second time due to flooding (once for the 2016 Memorial Day flood and now from hurricane Harvey). While acting is his primary focus, now making his own independent films is what he is actively working on. Barring any more floods, he is looking forward to finishing his own scripts and working on a movie with Ron Howard or Martin Scorsese, whoever may cast him first.
|Wonder London||Skip||Beautiful Lies Entertainment|
|Missing Cart||Mr. Akers||Cameron Raser|
|Schism (Short)||Lead||George Chuang|
|Sacramental Seal (Short)||Lead||Cameron Sonsini|
|Jook Joint Blues (Short)||Principal||Lorie Mitchell|
|Drone (Short)||Supporting||Director, Wojciech Lorenc|
|Glenn’s Gotta Go||Lead||Director, Levie Isaacks|
|Shotgun Honey||Principal||Director, Jennifer Fox|
|Black Moth||Supporting||Al Houston Feature Film|
|Fly In The Windshield||Rickie "Hooch" Dunbar||MATCH Theatre|
|Before The Fire||Pastor Stewart||Fade To Black Festival, MATCH|
|The Women Order||Lucien Cutrere||Theatre S. W., Houston|
|Mojave||Juan||Odyssey Theatre, L.A., CA|
|Stars In The Morning Sky||Nikolai||LA Theatre Center, L.A. CA|
|The Inspector General||Dobochinski||LA Theatre Center, L.A. CA|
|The Seagull||Yakov||LA Theatre Center, L.A. CA|
|Cinders||The Director||El Camino Theatre, L.A. CA|
|The Seagull||Trigorin||El Camino Theatre, L.A. CA|
|Holy Ghosts||Orin Hart||El Camino Theatre, L.A. CA|
|Sara Gaston||Acting Class/Coaching|
|David Rainey||Acting Class|
|Will Wallace Acting Co.||Acting workshops|
|Santa Barbara City College||AA Degree Theatre Arts|
|Los Angeles City College Theatre Academy||Certificate of Completion|
Swimming: pools, ocean, rivers.
Bicyling: Touring bike.
Cooking: knife work, flambé
Dialects: French, Russian, Spanish, Cajun.
Firearms: CHL small arms semiautomatic and revolver, Shotgun (Trap, Skeet, Sporting Clays)
Ridding Horse: Western, Pleasure, Gathering, Penn work, Trail drive.
Leatherwork: Award winning saddlemaker of wester saddles


M&M Productions USA, founded in 1988, is a full service event planning and production company specializing in highly customized consultation and design services. We provide turnkey solutions for full production events, breakout meeting management, audience response systems, lighting and stage design, video production, digital signage, script authoring, speaker training, webcasting, virtual conferences, live broadcast services, and event choreography.
M&M Productions USA retains certified professionals in event planning, script writing, lighting, stage design, audio, broadcast, and video disciplines to extend and incorporate the latest technologies available in order to produce memorable events for our clients and their attendees. Whether you need pyrotechnics, lasers, or an automated lighting show; our staff will design, install and execute your program with style. The addition of appropriate lighting and special effects is a key element in creating an exceptional experience for your audience.


Izetta Klein Vocal Studio
Private Vocal Lessons
Izetta has been a professional theatrical performer for more than 20 years. A proud member of Actors Equity Association, she has worked alongside top Broadway professionals in New York and California. Now a proud mother of twins, Izetta has returned to the Bay Area with the desire to share her experience with the next generation of musical theater stars!
Izetta's performance credits include the International Tour of "Evita" (Mistress), "Little Shop of Horrors" (Ronette), "West Side Story" (Anita), "Into the Woods" (The Witch), "Rock of Ages" (Justice), and "Peter Pan" (Tiger Lily). She has also worked locally with companies such as Cabrillo Stage, Children's Musical Theater of San Jose (CMTSJ), Peninsula Youth Theatre (PYT), Palo Alto Players, American Musical Theater of San Jose (AMT), and various high schools as a Director, Vocal Director and Choreographer. Now a proud mother of twins, Izetta has returned to the Bay Area with the desire to share her experience with the next generation of musical theater stars!
Izetta's Students: She has worked with many high school students in preparation for their college auditions. Her past students have recently been accepted into the following Musical Theatre Programs: Full Scholarship to CARNEGIE MELLON, NYU's TISCH SCHOOL OF THE ARTS, The Master of Fine Arts in Musical Theatre program at the BOSTON CONSERVATORY and OTTERBEIN UNIVERSITY. Izetta's older students are performing professionally in New York, in shows such as: A Christmas Carol, The National Tour of MEMPHIS, The National Tour of WICKED, Broadway's WICKED, and Broadway's SOMETHING ROTTEN.


You Better Believe I’m Gonna Talk About It
with Will Ritchie
I love the Real Housewives, films, TV and books and I’ll be sharing some of that love with you. I’ll be talking about some of the wildest moments happening in reality tv as well as reviewing and talking about some of my favourite films, books, tv shows and art exhibitions. I’ll hopefully have some special guests to talk about, life, philosophy, art, politics and pop culture. I might even throw in a bit of music too!


Headshots | Francis Gum
Photographer: Francis Gum
Andreas Holm-Hansen is a Danish actor and model from Copenhagen, Denmark. He is living in Los Angeles, California. He is a redhead with many freckles and pale white skin. He trained in New York at the New York Film Academy, which is a Meisner based school. Andreas loves doing improv, comedy and commercials. Andreas Holm-Hansen as been in a number of TV and print commercials both in The US, Denmark and parts of Europe. Andreas Holm Hansen has also acted in short film and music videos. He has been on set with starts such as Pink, Justin Timberlake and Carly Rae Jepsen working as an actor in music videos. Andreas Holm-Hansen has also worked a great deal as a model. He is agency represented in Los Angeles. He was the cover model for Red Hot 2. For this project he received press both in The US and Danmark and his picture was featured in numerous articles including GQ Magazine. He also did a live interview on national television, prime time in Denmark.
Andreas Holm-Hansen is a fitness advocate and loves to work out and stay in shape. He is an active fitness goer and takes care of himself with a good diet and healthy lifestyle choices. He has a twin brother and an older brother back in Copenhagen. Both of his brothers appeared in multiple commercials in Denmark before Andreas started pursuing a career of his own. His read hair and freckles caught the attention of many productions, casting directors, photographers and directors and earned him a lot of jobs early in his career. After many years of acting and modelling in commercials, tv ads, print ads and more in Denmark, Andreas Holm-Hansen has decided to move back to Los Angeles to continue working as an actor and model in the land of Hollywood.


It was a pleasure to welcome Emerge: 7 Women, 7 Stools, an entertaining and educational production about 7 different women with personal obstacles that they at first struggle with but soon overcome. Their stories include a Housewife, a Grandmother, a Cancer Survivor, a College Student, a Mistress, a Hustler and an Abused Woman.
Each character and story is based on inspired true stories of women. The production offered good singing, dancing and acting. The crowd was captivated by its talent and colorful set.
Welcome again Emerge: 7 Women, 7 Stools.


Fast life, drug life, Thug life, rock life Every night!
So it’s finally dropped…the video for Kanye West’s hit “All of the Lights” off My Dark Twisted Fantasy. This video is packed with a lot of different filming techniques and colors that add much excitement to the video which just happens to be directed by Hype Williams. I wish the video covered the entire original song on the album, but nonetheless the video was done well. The intro was one of my favorite parts of the video as well as the transition from the different styles and colors of text into a full visual shot of Kanye rapping his verse on top of a cop car was a really cool sequence.
You might also be wondering about where they got the concept for the “flashy” use of text in the video. Well it was a concept that was borrowed from controversial French Film director Gaspar Noe’s 2009 film Enter the Void (Text was done by Thorsten Fleisch). Check out the opening sequence and see for yourself!


Last Vegas becomes a Netflix hit a decade after it was a box-office success. Released in 2013, the comedy film follows four friends who take a break from retired life to throw a wild bachelor party in Las Vegas for their last remaining single pal. The Last Vegas cast features four celebrated and seasoned stars – Michael Douglas, Robert De Niro, Morgan Freeman, and Kevin Kline – who went a long way toward making the movie a modest box-office success.
Now, a decade after Last Vegas was released in theaters, the star-studded comedy is now a hit on Netflix. For the week of October 2 to October 8, Last Vegas received 7.2 million viewing hours and 4.1 million total views, ranking 8th on the charts and marking its first week in Netflix’s Global Top 10.
Why Was Last Vegas Forgotten?
At the time of its release in 2013, Last Vegas opened to $16 million and came in third place at the box office. It ended its theatrical run with a final worldwide gross of $134 million, nearly five times its budget of $28 million. The comedy’s box office success gave its distributor, CBS Films, its highest-grossing release in its history, which begs the question of why, after only a decade, Last Vegas has largely been forgotten and is only now being rediscovered on Netflix.
Despite its modest box office success, Last Vegas was disregarded by critics as a retread of The Hangover with an older cast. This resulted in a 46 percent rating on Rotten Tomatoes, where its audience score of 59 percent suggests that those who saw the film shared similar sentiments. The film’s four stars, none of which had ever shared the screen before Last Vegas, went a long way towards making the movie watchable, though it appears to offer little else. Even though Last Vegas may have been forgotten, audiences are now rediscovering it on Netflix.


Flatwater Shakespeare: Events
Flatwater Shakespeare loves the 80s in this musical take on Shakespeare's comedy classic.
Bob Hall and the Flatwater Shakespeare Company present Edmond Rostand's classic romance at The Haymarket Theatre!
The show opens Thursday, March 29, at The Haymarket Theatre, 803 "Q" Street in Lincoln. Performances continue Friday-Sunday, March 30-31 and April 1; and Thursday-Sunday, April 5-8 and 12-15. All show times are 7:30 p.m. Ticket prices are $18 fo
Shakespeare's Most Intimate Tragedy
Auditions for all roles for Flatwater Shakespeare's October production of *Othello*.
Flatwater Shakespeare"s "A Midsummer Night's Dream" Tours the city of Lincoln June 30 - July 10
Flatwater Shakespeare and The Haymarket Theatre Present Tony Kushner's modern classic!
Shakespeare's lyric tale of love and war. Flatwater Theatre performs at the Wyuka Cemetery at 38th and O Streets Thursday-Sunday at 7:30 pm from Sept. 9-Sept. 26th.
P. O. Box 84935
Lincoln, NE, 68501-4935
Phone: (402) 473-2897


We are pleased to welcome you to a yet another film season at the Nivaagaard Collection. True to form, our autumn screenings include a variety of fiction films and documentaries about great artists and artistic events. As an homage to our current special exhibition on the role of humour in art and culture, this season includes two legendary films featuring Charlie Chaplin and the duo Laurel and Hardy.
The films will be shown in our Bergia room, on selected Fridays at 5pm.
Admission to the Friday Film Nights is free for annual pass holders or people who have paid for admission to the museum. You can register via email@example.com or tel. (+45) 49 14 10 17
Some film titles are protected by copyright. Titles marked with an asterisk (*) have therefore been changed in the public programme. You can get the original titles from the museum’s reception or by sending an e-mail to (firstname.lastname@example.org


CULTURAL ANTHROPOLOGY 206Z
JUNE 9th, 2009
THEARTRICAL FILM REVIEW
“THE GODS MUST BE CRAZY”
EXECUTIVE PRODUCER BOET TROSKIE
WRITTEN, PRODUCED, AND DIRECTED BY JAMIE UYS
MARIUS WEYERS, SANDRA PRINSLOO, AND N!XAU (SAN BUSHMAN)
GENERAL OVERVIEW OF THE FILM
The “Gods Must Be Crazy” is a comedy which the director
has compared “The Little People” (San Bushman) foragers in the
While the narrator ends his explanation of the civilized and Kalahari 13 minutes into the film, a Caucasian female reporter, Kate Thompson (actress Sandra Prinsloo) gets a gig as a school teacher. Then a “litter bug” pilot who just finished his coca-cola throws the empty clear bottle that happens to cause chaos after a Bushman, Xi (actor N!XAU) finds it. He brings it to his band of foragers and they end up using the bottle for many things but then it becomes a problem as everyone wanted the bottle and they start having problems with emotions like jealousy, envy, anger, and violence. Xi, the leader of “The Evil Thing” decides to take it to the end of the world.
Then the plot begins with three separate stories which they all meet by the end of the movie. First story is the leader of “The Evil Thing”, the Bushman who finds a bottle? The second story, a female reporter who is met with a male Caucasian microbiologist, Andrew Steyn (actor Marius Weyers) that gets nervous with women. Then the third story which chaos is caused by a Caucasian male Sam Boga (actor Louw Verwey). He leads a team of black male guerrillas who start off murdering high government officials north 2000 miles from where the first two stories are. Sam and the guerrillas kind of randomly get to were Kate is teaching in a village and then kidnaps the children and Kate.
Xi gets arrested for poaching on someone else’s land and is bailed out of jail by Andrew and his mechanic and assistant M’pudi (actor Michael Thys) a non black and non Caucasian. M’pudi was saved by the Bushman many years earlier and was able to speak and understand their language. The three of them end up saving the children. However, Andrew doesn’t get recognition as being a hero to impress or let Kate know he was apart of saving the children. Instead, a safari tour guide, Jack Hind (actor Nic De Jager) gets the credit, as the microbiologist is too humble and nervous still with women.
The movie gives you a perspective of the cultures from foraging to industrialism and how we can be nutty. Such as, a scene in the first few minutes of the movie when the narrator explains how complex industrialized society is, the film shows a Caucasian lady starting up her car to pick up her mail, a distance of 40 feet, then going back 40 feet.
At the end of the movie, bad guys get arrested or killed, Andrew and
Kate have a bit more affection toward each other, and Xi walks to somewhere in
Africa that looks like the
HOW THE FILM RELATES TO THE COURSE
In the movie I enjoyed two experiences and two institutions that are related to the course
When Xi becomes the leader of “The Evil Thing” garbage tosses by the litter bug pilot which the Bushman think is from the Gods. It destroys their harmony by causing emotional problems with ownership as the Bushman foraging societies do not really own anything and it caused jealousy, hatred, and violence in their primitive culture.
I look back to the documentary on the Yanamomo who are foragers like the Bushman but they do horticulture and have more communication with the civilized societies and less severe climate to deal with. Giving shot guns to the Bushman would probably change their culture as it did with the Yanamomo who ended up using the weapons on themselves. In the movie it was just a simple bottle that caused problems with the Bushman.
Then later in the movie there is a comical scene where Andrew’s assistant M’pudi gets board and teaches Xi how to drive. Thinking back to our class were the Laplanders, a foraging society who chase rain deer, which later were introduced to snowmobiles that destroyed there culture. Just thinking about the destruction of the Bushman if they where given jeeps. They would need to be involved with industrial society which would destroy their culture as they would need gas, oil, and mechanics.
The institutions of survival without water amazed
me. In class we talked about when the
Bushman lack resources in the harsh environment of the
The 2nd institution is punishment when Xi was poaching on private land and freaked out a child who was possibly a transhumant pastoralist and notified the authorities. Xi gets arrested. M’pudi who speaks Bushman was the translator for Xi’s in court. He learned that Xi was going to be locked up for three months and told Andrew that it was a death sentence. They later bailed Xi out of jail and told the judge that they could use him as an “ecological expert”. From our class, some cultures have no sense of time or punishment which was repeated in this movie as Xi was in jail for almost two weeks and never touched his jail food
I did not find issues that were controversial in this movie except for the group of guerrillas lead by Sam Boga. There was no racism or political problems between the races of people in the movie, and I have no idea why the guerrillas were in dispute.
THE FILM AS ETHNOGRAPHY
ETHNOGRAPHIC ISSUES RAISED
The movie starts off with explaining “The Little People”
or the Bushman and how they live after the wet season in the
Also in the movie at the beginning narrating that the Bushman have no sense of ownership and in the desert the hardest things are bone and wood, no rocks to be found. That setup the idea of a glass bottle being dropped from the sky from the gods which the Bushman believes as they do not know about industrial societies makes sense ethnographically. Like Xi notices in the movie an animal with circled four legs which was a jeep. It seems that Xi throughout the movie is normal compared to the other characters after learning outside of this movie and throughout the movie taking inside the ethnography about the Bushman. The others portrayed in the movie are crazy looking at this with cultural relativism instead of ethnocentrism view. Now I watch the movie and do not find it as humorous as I did before taking Anthropology 206z.
THE FILM AS ETHNOGRAPHY
PORTRAYAL OF CHARACTERS
The modern society character, Kate and the bad guys are somewhat
stereotypical, but the rest of the characters had their own individualism. For instance, Kate who plays a helpless woman
at first screams just like classical horror movies. I doubt that a woman, especially from
Then the stereotype of the bad guys as being stupid for this movie I think is a stereotype. Like the two guerrillas who keep playing cards with each other and leave toward the end of the movie to get away from site of the leader to continue playing. Bad guys are usually not stupid and more disciplined to be bad like our current time 21 years after this movie was made, 9/11. But it makes comedy in the movie.
Xi, M’pudi, and Andrew seem to portray more as individuals then stereotypes. I haven’t watched any movies with Bushman but have watched in class documentaries on forager societies and Xi is portrayed well in this movie as natural and unique.
M’pudi’s character is played kind of like an American “red-neck” being a mechanic and when he got bored taught Xi how to drive in the movie. Not thinking like a scientist, who he is assisting, how damaging that could be to a culture.


- This event has passed.
“Where there is Darkness” movie screening
April 11, 2019 @ 7:00 pm
“WHERE THERE IS DARKNESS” is a life-changing movie with a Lenten message on mercy and forgiveness.
It tells a true story of murder and mystery, produced by Stella Mar Films, about Fr. Rene Robert and his plea to save the life of the man who murdered him in 2016.
There will be one showing only at 7 p.m. on Thursday April 11, at the Roxy Theatre in Saskatoon. Tickets are $10 each. Contact Angie Hammerlindl at 306-374-9230, or Debbie Kowalski at 306-978-3013, or Claudette Thibodeau at 306-249-5034 for tickets.


HOW YOUNG FILMMAKERS SEE THE WORLD
Take a look at the 5 winning short films below, all by female-identifying directors.
Each director was awarded a real industry job directing a branded short film with a budget from the brand sponsors, as well as a $3000 cash prize. In addition, The Utah Film Center, which supports diverse voices of women in film, is also awarding each honoree an additional $5,000 through The Girlgaze Foundation.
Thank you to all of the amazing directors who submitted films, we received over 800 submissions from female-identifying filmmakers all across the U.S.
And thank you to Glamour and our sponsors LuMee, Birchbox, THEOUTNET.COM, and South Coast Plaza for helping our mission to close the gender gap one job at a time.
Keep an eye out for the January edition of Glamour Magazine for the full story!
by Valerie Schenkman, 30
“These women speak for millions of other women globally who may not be able to speak up for themselves. They should always be heard and not just listened to.” – Bela Bajaria, Vice President of Content Acquisition, Netflix
“Pocket Sized Feminism combines film and poetry in a way that moves us and inspires us and reminds us of the power of our medium. It reminds us of the power of raising our voices.” – Shonda Rhimes, Writer, Executive Producer
Valerie Schenkman will be directing a promotional video for Birchbox.
The Black Mambas
by Jess Colquhoun, 24
“Impressive, powerful visual storytelling. The strength of the director’s vision creates real impact.” – Geena Davis, Academy Award Winning Actor, Founder of the Geena Davis Institute on Gender in Media & Co-founder & Chair of The Bentonville Film Festival
“The images of The Black Mambas are incredibly evocative, combining the deep, conflicted feelings of fear and pride that these women face every day to show up to work and protect the land against poachers.” – Jill Soloway, Artist
Jess Colquhoun will be directing a 2018 Glamour Women of the Year related short film.
by Molly Fisher, 30
“Party Dress was so simple yet deeply poignant. I thought it was perfect storytelling through pictures. This short still captivates my thoughts.” – Jada Pinkett Smith, Actress, Producer, & Activist
“Gender has nothing to do with the way we dress, yet society puts so much pressure on us to look a certain way. Party Dress shows why it's important to stop pushing this simplified image of femininity onto young girls and women. We must be allowed to express ourselves however our hearts desire.” – Lilly Singh, Entertainer
Molly Fisher will be directing a fashion video for South Coast Plaza.
by Brittany “B.Monét” Fennell, 27
“Such a simple and impactful way to tell a story. You immediately are thrown into the shoes of this young woman, who is for the first time spilling her truth out in the form of slam poetry. Poetic, moving, and powerful storytelling.” -- Chloë Grace Moretz, Actress & Activist
“B.Monèt manages to break my heart in under two and a half minutes with her original, moving mother-daughter relationship that's at the core of this piece. Q.U.E.E.N. also shows us the healing power that lies in the poetic nature of rap music and performance.” – Jill Soloway, Artist
B.Monét Fennell will be directing a short film for LuMee with the theme “2 sides to every story” shot with LuMee lighting.
The Looking Ceremony
by Fany de la Chica, 33
“I love how [The Looking Ceremony] instantly creates an atmosphere of a culture with strong traditions, but with a modern protagonist taking her destiny into her own hands.” – Crystal Moselle, Filmmaker
“[The Looking Ceremony] submerges you in the feverish anxiety of a modern bride-to-be in today’s gypsy culture and then gives you a chance to breathe with the most stunning vistas of this old-world town.” – Jill Soloway, Artist
Fany de la Chica will be directing a promotional video for THE OUTNET.COM’s in-house fashion brand’s campaign.
Judges chose the five winners from over 800 submissions. In addition to Cindi Leive, editor-in-chief of Glamour, and Amanda de Cadenet, CEO and founder of Girlgaze, the jury included Netflix vice president of content acquisition Bela Bajaria; Academy Award winning actor and founder of the Geena Davis Institute on Gender in Media and co-founder and chair of the Bentonville Film Festival Geena Davis; filmmaker Gia Coppola; actor, director, producer, screenwriter, and musician Rashida Jones; director and director of photography Ellen Kuras; photographer Inez van Lamsweerde; director Victoria Mahoney; actress and activist Chloë Grace Moretz; filmmaker Crystal Moselle; president of HBO documentary films and family programming Sheila Nevins; two time Academy Award and Emmy Award winning filmmaker Sharmeen Obaid-Chinoy; Condé Nast Entertainment president Dawn Ostroff; writer, director, and producer Kimberly Peirce; writer and director Dee Rees; writer and executive producer Shonda Rhimes; award winning actress and activist Tracee Ellis Ross; producer and documentary filmmaker and Founder/CEO of Artemis Rising Foundation Regina K. Scully; entertainer Lilly Singh; actress, producer and activist Jada Pinkett Smith; artist Jill Soloway; actress, activist, and artist Amandla Stenberg; director Sam Taylor-Johnson; and actress and recording artist Zendaya. Additionally, Birchbox CEO and cofounder Katia Beauchamp served as an entrepreneurial advisor for the competition.


- each film is created and completed on just 15 metres of celluloid super 8mm cine film.
- There's no opportunity for any second takes or to do post-production effects, grading or even editing.
- the first time successful straight8ers even see their film is together with the audience at its premiere.
- sound tracks must be original and are uploaded 'blind', before the directors even see their film.
Back to the 50's
In a team of 3, we concepted and directed 'Back to the 50's', this was selected by Straight 8 and screened at the ICA in London as part of the Soho Shorts festival. We decided to embrace the challenge of shooting on a super8 camera and wrote a script based on a 1950's dinner party but actually shoot it entirely backwards - filming starts at the end of the evening's meal. As the soundtrack had to be added separately, we thought it would be unlikely for it to perfectly match up with the visuals so decided to write it from the beginning of the evening. Being completely opposite to the filming created a interesting contrast and played with the typical etiquette expected of that era.
In collaboration with Sophie Both and Mollie Courtenay.