At The Movement, he directed AND SHE WOULD STAND LIKE THIS by Harrison David Rivers, choreographed by Kia LaBeija. He also conceived and directed LOOK UPON OUR LOWLINESS by Harrison David Rivers, and the North-American premiere of BINTOU, by Koffi Kwahulé, translated by Chantal Bilodeau, nominated for three AUDELCO Awards.
David attended New York University's Tisch School of the Arts at Playwrights Horizon's Theater School and has directed and developed work with companies including Atlantic Theater Company, The Public Theater, INTAR, Rattlestick Playwrights' Theater, LAByrinth Theater Company, American Conservatory Theatre, The Playwrights' Center, Brooklyn Arts Exchange, and The Drama League.
David was a participant in the Leadership U: One-on-One program, funded by The Andrew W. Mellon Foundation and administered by Theatre Communications Group, where he served as the Artistic Associate for the Atlantic Theater Company from 2017 - 2018. He is a member of the Latinx Theatre Commons Steering Committee. He is a member of the 2017 artEquity Facilitator Training cohort. Alumnus of The Drama League Director's Project, LAByrinth Intensive Ensemble, NALAC Leadership Institute, and Lincoln Center Theater Directors Lab.
He is the co-creator of el GALLO with designer Darrin George, has designed costumes for Bebe Zahara Benet (Season 1 Winner of RuPaul's Drag Race), and was the Assistant Costume Designer for the Tony winning Peter and the Starcatcher and HAIR Broadway Revival.


Breaking Bad Season 1
On review aggregator Rotten Tomatoes, the series' first season has an approval rating of 86% based on 43 reviews, with an average rating of 8.3/10. The site's critics consensus reads: "Though at times it feels forced and its imagery can be gruesome, Breaking Bad is darkly gripping and features a strong sympathetic lead in Bryan Cranston." The first season of Breaking Bad also received generally favorable reviews on Metacritic, scoring a 73 out of 100. New York Post critic Linda Stasi praised the series, particularly the acting of Cranston and Paul, stating "Cranston and Paul are so good, it's astounding. I'd say the two have created great chemistry, but I'm ashamed to say such a cheap thing." Robert Bianco of USA Today also praised Cranston and Paul, exclaiming "There is humor in the show, mostly in Walt's efforts to impose scholarly logic on the business and on his idiot apprentice, a role Paul plays very well. But even their scenes lean toward the suspenseful, as the duo learns that killing someone, even in self-defense, is ugly, messy work."
Breaking Bad Season 1
The first season received numerous awards and nominations, including four Primetime Emmy Award nominations with two wins. Bryan Cranston won for Outstanding Lead Actor in a Drama Series and Lynne Willingham won for Outstanding Single-Camera Picture Editing for a Drama Series. Vince Gilligan was nominated for Outstanding Directing for a Drama Series for the pilot episode and John Toll was nominated for Outstanding Cinematography for a One-Hour Series for the pilot episode. Cranston also won a Satellite Award for Best Actor in a Drama Series. The series was nominated for Outstanding New Program of the Year at the Television Critics Association Awards. The series also received three Writers Guild of America Award nominations with one win. It was nominated for Best New Series, Patty Lin was nominated for Best Episodic Drama for "Gray Matter", and Vince Gilligan won for Best Episodic Drama for his work on the pilot.
During the course of the series, 62 episodes of Breaking Bad aired over five seasons. The pilot episode was first aired on January 20, 2008, and the series finale, was broadcast on September 29, 2013. Breaking Bad: Original Minisodes, which consisted of several one- to five-minute clips, released 17 short episodes over the course of three years throughout Breaking Bad's run.
On February 17, 2009, five "mini-episodes" were made available online before the premiere of the show's second season. These five were eventually included with Breaking Bad: The Complete Second Season.
For the first season, see Crupi, Anthony (September 30, 2013). "Breaking Bad Finale Draws 10.3 Million Viewers". Adweek. Archived from the original on September 30, 2013. Retrieved June 15, 2015.
For the second season, see Hibberd, James (July 16, 2012). "'Breaking Bad' returns to record premiere ratings". Entertainment Weekly. Archived from the original on September 20, 2015. Retrieved June 16, 2015.
At Walt's house, Skyler poses vague questions about marijuana to her sister Marie Schrader, who jumps to the conclusion that they're discussing Walter Jr., despite Skyler's denials. Shortly thereafter, Marie persuades her husband, Hank Schrader, a DEA agent, to scare the boy straight. Marie is breaking the law herself, however, having stolen a pair of shoes from a store where she felt the sales clerk was ignoring her.
[Editor's note: Last year, RogerEbert.com contributor Dave Bunting began editing a series of video essays that arrange images from seasons of "Breaking Bad" in ways that highlight the show's motifs, colors and textures. His latest piece, about the cinematography of Season 1, is embedded below. You can also view the video and an accompanying essay by Max Winter at Press Play. Bunting previously published videos about Season 3, Season 4, and the first half of Season 5 at Press Play, and is finishing the series as a coproduction between that site and RogerEbert.com. You can find his video essay and the transcript of an interview with series cinematographer Michael Slovis about Season 2 here or at Press Play, with an accompanying essay by Arielle Bernstein. Bunting's concluding video, about the second half of Season 5, will run after the series finale.]
While cinematographer Michael Slovis has, since he came aboard in season two, helped define the visual signatures of "Breaking Bad," the show's aesthetics were firmly established from the beginning. Over the course of its maiden seven episodes, AMC's hit series set itself apart from much of its small-screen competition via a distinctive and daring look, one whose bracing realism evolved to include ever-more-inventive stylization.
Further action movie-ish embellishments become prevalent as the season advances. Those include the monster-movie silhouette of Walt at the top of a staircase in episode three, the whiplash editing used for Walt's homicide in that same episode, and the clichéd sight of Walt not turning around or flinching as he walks away from a car explosion in episode four. That stylization reaches an apex in episode six, whose first fifteen minutes boast almost as many flamboyant strokes as the previous five episodes combined: an opening view of sparkling columns of light shining through a door's bullet holes; cross-cutting between Walt laying down the law to Jesse and forthcoming curbside chaos, highlighted by a dramatic zoom out from bald Walt's bloody face; a series of hallucinatory time-lapse views of the city, highway and desert; and a schizoid montage of Jesse slinging dope to a variety of colorful customers.
Breaking Bad season 1 was much shorter than the other four seasons within the AMC series. The debut season consisted of just seven episodes that aired in the first few months of 2008. Vince Gilligan's series was initially planned to have 9 episodes in season 1; however, the 2007 Writers' Strike forced the season to be cut short - a fortuitous turn of events, according to Gilligan.
Breaking Bad's first season focused on Walter White's (Bryan Cranston) transition from depressed high school science teacher to underground meth cook. Walt's cancer diagnosis pushed him toward manufacturing illegal narcotics in the hope of financially supporting his family. With the help of a former student, Jesse Pinkman (Aaron Paul), Walt learned how to make an impressive product; however, his problems were far from over. After run-ins with the Mexican drug cartel, Walt adopted the name Heisenberg and decided to grow his own empire with his "blue sky" signature product. He conducted his illegal activities in secret in order to hide the truth from his family, as well as his brother-in-law Hank Schrader, who happened to be a DEA agent.
The series was written and developed by Vince Gilligan. When AMC greenlit Breaking Bad, the network ordered nine episodes to comprise the debut season. During production on season 7, the Writer's Guild of America went on strike. The strike occurred in early November, 2007, and halted production on the series for four months. The nine-episode order was then cut to seven episodes, which caused Gilligan to rethink how he wanted to shape the series. The writer's strike had a negative impact on many in the industry, but Gilligan credits it as a "godsend" in an interview with Esquire. If it wasn't for that strike, Breaking Bad could have turned out much differently.
Gilligan and the rest of the creative team also had time to look at Breaking Bad's bigger picture. They realized that they were running out of scripts because they were blowing through big moments too fast. During the strike, the team figured that they should slow down the pace of the series. They also threw out the scripts from the final two episodes planned for season 1, and went in a different direction when developing the follow-up season. Gilligan believed that Breaking Bad wouldn't have lasted so long if they went with the original plan, thinking it would have been a "less rich experience."
The call to adventure trope had been done numerous times in many different formats. From sci-fi soap operas to fantasy quests across treacherous terrain, Breaking Bad breaks that mold by introducing this very same trope to the drug trade, bringing with it some incredible writing, fleshed out characters and an Oscar-worthy performance from Bryan Cranston. Although a little slow to begin with, the second half to this first season sets into motion a chain of events that propel this series to become the exciting phenomenon it ultimately ends up as.
By mid-May Lalo is in prison and Jimmy has successfully got him a $7 million bail. Jimmy has to head off into the desert to retrieve that $7 million and encounters a couple of issues to say the least. The season ends a few days later with Jimmy and Kim plotting to take down Howard and Lalo surviving an assassination attempt.
Lydia Rodarte-Quayle (Laura Fraser) is a significant enemy of Walter White in the fifth season of Breaking Bad. She seems like the type of person who would smile to your face then shoot you in the back when you turn around, or would snitch on her best friend if she was in prison.
"Better Call Saul," which is currently airing its final episodes at the time of this writing, has always been a show with extreme attention to detail. Creators Vince Gilligan and Peter Gould have taken advantage of the shared universe of "Better Call Saul" and its critically acclaimed forebearer "Breaking Bad." What's more impressive is that a spin-off show is of the same caliber, if not better, than its predecessor. The incredible tension, drama, and character work of "Better Call Saul" has helped to make the show progressively better each season. Moreover, its connection to "Breaking Bad" and the six years that it takes place before that show occurs helps to create an exciting through-line that eagle-eyed viewers can pick up on if they're paying attention. 041b061a72


Parizad is a middle-class kid who is extremely smart and emotionally complicated. The brutal world that he encounters challenges his patience and perseverance. When he sets out to be successful there are many challenges which include a mysterious and dangerous prankster. This book is essential reading for anyone who loves children’s books. It’s also ideal for YA audiences. Parizaad will make you cheer at every stage of his journey.
The cast of the film was well-received. The story is well written. Parizaad is a dark-skinned, college student who has a literary heart. A crush on Shauky the neighbor makes his love life more complicated. She accidentally leaves a love note on the roof of her home. Naheed’s father believes that he is the one to accuse Naheed of being responsible for the crime. But the truth is much more complicated than this.
Although the story is well written but there are some suspense moments. Ahmed Naasaaz, Parizaad’s brother-in law, is the first principal character in this film. The actor is very sympathetic and convincing as a poet. his acting abilities are top-notch. Even though he’s not very vocal, Ainee manages to keep the pace of the comedy. Lovers of romantic dramas will adore the heartbreaking end of the film.
The story follows a hapless college student struggling to overcome his own challenges in life. The film’s cast is impressive, and the movie’s main characters are introduced one by one. Female leads are also featured. an appearance and the plot is compelling. But there are numerous twists and turns along the way. The film has scenes where male characters become friends with female characters. If you’re looking for a wholesome and uplifting Pakistani tv drama online (humtv.net), then look no further. The plot is as authentic as you can get.
The story follows the struggles of a man whose race isn’t a major aspect of society. Despite his ethnicity, his family is self-centered and he has to work hard to make his parents happy. There are numerous female and male cameos within the cast. The film’s protagonist is a college student who tries to overcome adversity.
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It’s one of the best Bollywood movies. It’s an intriguing story of a man who has been discriminated against by society due to due to his gender and beliefs. Parizaad is charming, regardless of his shortcomings. He manages to draw the audience into his world. The movie’s main characters include Ahmed Ali Akbar and Naheed. They each have their own shortcomings the film is an unabashed love story.
This tale is about an sex-based female who disguises as a man. This isn’t a typical love story, but it does offer fascinating insight into society’s perception of women. The film is about sexual harassment and pakistani Tv drama online the exploitation of a minority. The message of the film, is that homosexuals must be treated with respect. The film is about one man whose sexuality is not his fault.
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Are you a fan of Dramacool or just starting to explore this fascinating world of entertainment? In this article, we will provide you with a comprehensive guide to Korean dramas,MyAsianTv including their history, genres, popular dramas, and where to watch them. Join us as we delve into the exciting and addictive world of Korean dramas.
Introduction to Korean Dramas
Korean dramas, also known as K-dramas, are television series produced in South Korea. They have gained popularity not only in Korea but also in other countries, especially in Asia, due to their unique storytelling, high production values, and talented actors.
History of Korean Dramas
The first Korean drama aired in the 1960s, but it wasn’t until the 1990s when they gained popularity in Korea and other Asian countries. The early 2000s marked a significant change in Korean dramas’ production values, with higher budgets and more sophisticated camera work and editing techniques.
Genres of Korean Dramas
Korean dramas cover a wide range of genres, from historical dramas to romantic comedies to action-packed thrillers. Some of the most popular genres of Korean dramas include:
- Historical Dramas (Sageuk)
- Romance (Rom-Coms)
- Fantasy and Sci-fi
- Action and Adventure
- Medical Dramas
Popular Korean Dramas
With so many Korean dramas to choose from, it can be overwhelming to decide where to start. Here are some of the most popular Korean dramas of all time:
- “Crash Landing on You”
- “Itaewon Class”
- “Descendants of the Sun”
- “The Heirs”
- “Boys Over Flowers”
- “My Love from the Star”
- “Secret Garden”
- “Full House”
- “Winter Sonata”
Where to Watch Korean Dramas
Thanks to streaming platforms, it’s now easier than ever to watch Korean dramas online. Some of the most popular streaming platforms for Korean dramas include:
Why Are Korean Dramas So Addictive?
Korean dramas have a unique storytelling style that sets them apart from other TV shows. They often focus on character development and relationships, which make the audience feel emotionally invested in the story. Korean dramas also have a habit of leaving viewers on cliffhangers at the end of each episode, making them want to watch more.
Learning Korean Through Dramas
If you’re interested in learning Korean, watching Korean dramas can be a fun and effective way to improve your language skills. Many streaming platforms offer Korean dramas with subtitles in various languages, making it easy to follow along.
Impact of Korean Dramas on Pop Culture
Korean dramas have not only gained popularity in Asia but also in other parts of the world, including the United States and Europe. They have influenced fashion, music, and even tourism in Korea, with fans visiting filming locations of their favorite dramas.
In conclusion, Korean dramas are a fascinating and addictive form of entertainment that have gained worldwide popularity due to their unique storytelling and talented actors. Whether you’re a long-time fan or just starting to explore this world of entertainment, we hope this guide has provided you with valuable information and resources.
- What is a typical episode length of a Korean drama?
- Most Korean dramas have 16-20 episodes, with each episode lasting about an hour.
- Can I watch Korean dramas with English subtitles?
- Yes, most streaming platforms offer Korean dramas with subtitles in various languages, including English.


THE QUIET ROOM / 2018
When Michael (Jamal Douglas) attempts suicide and doesn't leave a note, he inadvertently awakens Hattie (Alaska Thunderfuck), a demon that haunts the hospital. Now he must find a way to stop her rampage before she kills everyone he connects with.
Starring: Jamal Douglas, Alaska Thunderfuck (RuPaul's Drag Race, Scared Famous), Kit Williamson (Mad Men, EastSiders), Lisa Wilcox (A Nightmare On Elm Street 4-5), Chris Salvatore (Eating Out 3-5, Paternity Leave), Brian McCook (RuPaul's Drag Race, Trixie & Katya Show), Barkley Harper, Stephanie Kerbis, and Indar Smith.
Don't forget to leave a note. That's her only rule.
I made The Quiet Room because time and again, horror has been a space that elevates marginalized voices. From the complexities of race in Night of the Living Dead to the feminist final girls of the 1980s, horror has been notably missing an entry: leading LGBTQ roles. Mental health in horror is another frequent misstep, often leaving the main character no choice but to kill himself to destroy the monster, a too-easy answer to what began as an allegory for their own anguish. I set out to create the film I haven’t seen: a queer-identified character of color with a true-to-life story about living with mental illness.
My experiences as a gay survivor of suicide and of a system of neglectful institutionalization have informed the deeply personal story lurking just below the surface. Socially aware horror is proving itself to be the next big genre and The Quiet Room is important because it champions themes of inclusivity, fighting oppression, and finding the tools to overcome personal darkness. Most of all, I am grateful to have the opportunity to tell the story of a queer-identified man who doesn’t have to be the monster.
FIRST CUT - CHAPMAN UNIVERSITY / 2017
The Quiet Room is a selection of Dodge College of Film and Media Arts' First Cut showcase. The Leo Freedman Foundation's First Cut honors Chapman University's top films of 2017.
BLUMHOUSE INTERN SHORT FILM FESTIVAL / 2016
Mischief Night won the "audience award" at the 2016's Fall Blumhouse Intern Short Film Festival. Read more about it on blumhouse.com.
TWISTED HORROR PICTURE SHOW / 2016
Santaland won "Best College Scare" at Twister Alley's Twisted Horror Picture show in 2016.


Patrick Scott McDermott
actor . singer . dancer
Patrick Scott McDermott is an actor, singer and dancer. At 15 years old, Patrick has been a part of Broadway, national tour, opera and regional theatre productions along with film, T.V., commercial, and voice over credits including a sketch on Saturday Night Live. He recently played Lucas Hollister in the upcoming film 'Rust' with Alec Baldwin.
Chicago Theatre Review
“Patrick Scott McDermott is a terrific Artful Dodger. This very likable, absolutely dynamic talent easily owns the stage in every scene. Master McDermott has the right look, size and demeanor to play opposite Edgar and the other boys. And did I mention that this young man can sing and dance like a young Gene Kelly? There’s a reason why he’s Fagin’s favorite little thief.”


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What exactly did Shakespeare write about and why is he so popular? His enduring tales of love, jealousy, betrayal, revenge, corruption, family, feuds, ghosts, witches and murder are explored and explained in this wide-ranging book. Provides information on Shakespeare's life and Elizabethan drama, his greatest plays, poems and songs, and his use of language. Includes a guide to his plays, a Who's who in the world of Shakespeare, and a glossary of Shakespearean words and characters. With over 200 internet links to downloadable pictures and useful websites to find out more and listen to extracts from plays.


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Storytelling through film has been a lifelong passion of mine, as I believe it is a powerful medium for artistic expression. My latest project, Aix-Hale, tells the story of a street performer who is wrongly convicted of a crime and finds himself being chased through the picturesque cobblestone streets of Aix en Provence, France. During the parkour running and jumping scenes, we employed a variety of techniques including the use of drones, GoPros, and a unique device called a Twizgrip. This small car with camera mounts allowed us to capture dynamic shots in narrow spaces. Aix-Hale had its premiere at Le Festival International du Film Black de Montréal, where it received the award for Best Narrative Short film. It also won Best Action Short at the Bloodstained Indie Film Festival in Japan before its French premiere in Paris at the Festival du Court d'Art District. Aix-Hale was selected to represent French cinema at the 2023 Francophone Short Films in Harlem, and all proceeds from the film will be donated to the Maysles Documentary Center, a nonprofit organization in Harlem dedicated to community, education, and documentary film.
During the initial Covid lockdown, a project called "Thanks Nurses (left)" was created to raise funds for the American Nurses Association. This initiative featured renowned actors Noah Wyle, Rita Wilson, Simon Helberg, and Constance Wu, who filmed themselves remotely using mobile devices from their own homes. Despite the challenge of maintaining smooth transitions and ensuring the seamless integration of all the different elements, the project successfully captured the essence of gratitude and support for nurses during the pandemic.
Teleios is a sci-fi film that about a future conflict between genetically modified humans and advanced artificial intelligence. The film won best picture at the New York Science Fiction Film Festival and went on to earn two dozen international awards, securing distribution through Screen Media and is currently available on Amazon Prime. Teleios was released worldwide under various titles, such as "Beyond the Trek" in the US and Japan, "Deep Space" in the UK, and "Teleios: Endlose Angst" in Germany. The word "Teleios" itself means "perfect" in Greek, symbolizing humanity's pursuit of perfection through science. While I personally favor the original title, I understand the rationale behind the distributors' decision to opt for a more explicit sci-fi genre indication. Additionally, it has made appearances at prominent sci-fi/fantasy festivals and conventions like Comi-Con, Other Worlds Austin, Boston SciFi Film Festival, Fantastic Planet and CONvergence.
"Cutting Room" marked my feature film directorial debut and was among the initial films featured on the Netflix streaming platform. The film had its premiere at the Milano International Film Festival, where it garnered two awards. Described as a "serial killer comedy," the movie serves is a dark satire about entertainment industry and the despair it fosters. To capture an authentic and nostalgic feel, I chose to shoot on 35mm. We filmed at the Howard Hughes film studios in Hollywood, a dilapidated building that still housed remnants of the silent film era, including old film cans and an underground railroad in the basement. Later, the film was reedited, incorporating additional footage, and rebranded as "Wide Scream," which is now available on Amazon Prime.
As a result of my expertise in the intersection of cutting-edge technology and film, I have been invited to deliver lectures at prestigious institutions such as Occidental College, Ringling College Art and Design, University of Minnesota, the Global Entrepreneurship Funding Forum, Visual Communications, and Los Angeles Unified Schools.
Among the various short films I've created across different genres, including Dies Irae (action), f8 (psychological drama), Coffee and Sugar (comedy), The Interview (dark comedy), and Salome's Kiss (drama), my favorite is one of my earliest works, Richard Roe. This comedic film revolves around an unremarkable individual who is so forgettable that no one remembers him. Like the tree in the forest analogy - if a person is not remembered, did they exist? Richard Roe marked my initial success as a filmmaker and instilled in me the belief that I could forge a career in this field. Garnering numerous accolades, the film was showcased at festivals such as Palm Springs, Telluride, Seattle, and Sarasota International Film Festivals.


Ameriqueno is a semi-finalist in the Big Break International Screenwriting Contest.
Fragment is a winner in the Short Screenplay category of the 23rd Annual Woods Hole Film Festival.
Fragment is a finalist in the Writers Place Screenwriting Competition, finishing in the top ten.
Fragment is a semi-finalist of the Richmond International Film Festival. The RIFF will take place in Richmond, Virginia from February 27th to March 2rd, 2014.
Storytime is a top ten finalist in the American Gem Short Script and Literary Festival.
Pendant is one of seven featured plays at the 3rd Annual NUTLab 5 & Dime at Marran Theater on the campus of Lesley University in Cambridge, MA. Curtain rises on Sunday, May 19th @ 3 P.M. The event is a collaboration between New Urban Theatre Lab and Proscenium Playwrights.
Storytime is an Official Selection and Top Finalist of the Richmond International Film Festival. The RIFF will take place at the historic Byrd Theatre in Richmond, Virginia from February 28th to March 3rd.
Storytime is a finalist in the 2012 The Writers Place Screenplay Competition.
Storytime will be part of the Estrogenius Xtended Reading Series on Saturday, November 30th at 3 P.M. at TBG Theatre, 312 West 36th Street in New York City.
Storytime is a finalist in the 2012 Eddie Bauer, Jr. Screenplay Competition.
Fragment was produced by the KNOW Theatre of Binghamton, N.Y. as one of the Kennedy Center American College Theater Festival, Region I finalists (July 5-8). It was directed by Chris Zlomek with Jason Walsh as Isiah and Shawn Robinson as Flec. Special thanks to Artistic Director Tim Gleason for welcoming us to his wonderful theatre. Thanks also to Tim Borden (Scenic Designer), Kat D'Andrea (Production Manager) and Amanda Marsico (Stage Manager), as well as the KNOW Theatre's Board of Directors for hosting a delightful brunch. I really hope to have the opportunity to visit again.
Storytime won Best Short Script at the 2012 California International Shorts Festival.
Fragment was chosen as a National Semi-Finalist at the Kennedy Center American College Theater Festival, Region I (New England and New York State) in the ten-minute play category. The reading was directed by Matthew A.J. Gregory. Kevin Anglade read Isiah, while Matthew Haughton read Flec. Stage directions were read by Dave Guillaume.
Unmade will have a reading as part of the F.A.C.T. Words and Wine series at the A.R.T./New York Studios in New York City located at 520 8th Avenue. The reading will take place on Sunday, November 20th at 6:30 PM. More info here.
Unmade will have a reading as part of Culture*Park's 10th Annual Short Plays Marathon on Saturday, November 19th at the Whaling Museum Theatre in New Bedford, MA. The Marathon runs from 1 PM to 11 PM. Unmade will be read at 7 PM. More info here.
Storytime is an Official Selection of 5th Annual GIAA Festival of Short Movies and Screenplays. The festival will take place on Saturday, November 19th and Sunday, November 20th in Manhattan.
Ameriqueño reached the Semi-Finals of the Scriptapalooza International Screenplay Contest. For placing among the top 100, the script will be marketed to established production companies and literary representatives for one year.
Unmade had a reading at New Urban Theatre Lab's Five and Dime at Boston Playwrights Theatre.
My ten-minute play, Fraction, had a reading as part of Culture*Park's 9th Annual Short Plays Marathon at the Whaling Museum Theatre in New Bedford, MA.
Clutter, a full-length play, had a reading as part of the Lesley University Reading Series.
Storytime was featured in The Seven: New Works Festival 2010 presented by the FUSION Theatre Company of Albuquerque, New Mexico. The ten-minute play received a full Equity production.
Ameriqueño reached the Semi-Finals of the Rhode Island International Film Festival Screenplay Competition.
My adaptation of my ten-minute play, Storytime, reached the Semi-Finals of the Gimme Credit International Screenplay Competition in the Short Screenplay category.
Last Call, a short film co-produced and co-directed with Raul Ruiz Miquel and written by Robbi D'Allessandro (also co-producing), was an Official Selection of the Asheville Film Festival.


Motorbike Jazz: Indie Short Film Trailer
Served as cinematographer on a short film shot in the deserts outside of Las Vegas, NV.
“Motorbike Jazz tells the story of a young man named King and his life racing motorcycles out in the deserts surrounding Las Vegas. King has one problem though, his girlfriend Ruby has just decided it might be time for them to break up. Will he crash and burn or will he find the will to move on? Set to original jazz music by Darryl Brenzel, Motorbike Jazz tells a familiar tale in a brave new way.”
Motorbike Jazz Poster Design
Served as Director of Photography / Cinematographer on this short film shot in the deserts outside of Las Vegas, NV.


Anybody heard of a movie called ‘Spectral’?
Spectral is an action sci-fi film starring James Badge Dale, Emily Mortimer and Bruce Greenwood. There’s been no trailer and there’s not much information out there. It’s been described as ‘Ghostbusters’ meets ‘Black Hawk Down’.
Spectral will follows a DARPA (Defense Advanced Research Projects Agency) scientist who embarks on a deadly mission with a Special Ops team in a battle-scarred and war-torn city. Once there, the team must hunt down mysterious phantom aggressors who have been causing inexplicable civilian deaths.
The film is based on a short story by Ian Fried, was shot largely on location in Budapest, and relies heavily on practical effects in order to serve up an authentic, gritty atmosphere firmly planted in reality.
Netflix acquired it from Legendary – presumably they decided they weren’t going to make any money from it with a cinema release. It’s hitting Netflix on 9 Dec apparently.
Let’s face it, it’s bound to be utter guff, but we’re going to watch it so you don’t have to.


How true this statement is! God’s handiwork is even seen in the process it took for my church to see this movie.
God’s Not Dead wasn’t even supposed to play in our local theater. One of the larger churches asked our theater to show it. To do so, they had to guarantee a minimum of 400 ticket sales. So the church purchased the tickets.
Along comes my church. The time we chose to go as a group was playing in a theater with 78 seats. We bought all the seats and needed more. So they bumped the movie into a bigger theater. Then they bumped it up again. At this point, we had 175 tickets. But the demand within our body to see this movie required more. The theater approved our opening another showing but we had to purchase all 78 seats. We did. We had 253 tickets and every single one was accounted for.
When we arrived at the theater, we saw they added an additional showing at a later time. Originally it was only supposed to show for the weekend (Fri-Sun). Now they’ve extended it until Thursday. All this from a movie the theater hadn’t advertised at all. In fact, if you went to their website to see what was playing, you wouldn’t find it. You had to know what you were looking for and search for the closest theater with tickets.
God’s Not Dead brought in 8.6 million though it only opened in 780 theaters! Now try to tell me God is dead …
If you’re not familiar with the movie, check out the trailer and find it near you while it’s still in theaters.
For those of you who’d like a quick review … God’s Not Dead is primarily about a freshman in college who can’t bring himself to denounce his God or run from the opposition. But it’s much more than that. God is alive! He’s working in us and through us to affect much more than we could possibly imagine.
I’d suggest small children stay home as I imagine they’d find it boring, but there was a boy who may have been as young as 5 years old the first time I went who seemed to handle it pretty well. He clapped along with the music at the end and seemed to enjoy himself, so use your discretion. You know your children. My sensitive 13 year old was bothered by one scene, but she still loved the movie. Other than that, I’ve heard nothing but wonderful feedback. And it has sparked so much great conversation. So get out there if you can. Show the world God’s not dead!


CA Drama Club presents Disney’s Beauty and the Beast Jr.
We invite you to be our guest to see a tale as old as time!
When: May 11th or 12th at 7:00 pm and May 13th at 3:00 pm
Where: Cornerstone Academy Multi-Purpose Room
- Tickets are $10/adult and $5/students after April 21st
- Please contact Ms. McCue at email@example.com or Ms. Evans at firstname.lastname@example.org with questions.
Please use the attached flyer to order ticket and view additional information:


I made the mistake of actually watching the Atlas Shrugged film trilogy (I’m pretty sure they’re still available on Youtube). I honestly have no idea why: maybe the notion of seeing an abysmally-bad “philosophical novel” turned into an unforgivably bad “epic trilogy” elicited morbid curiosity, I honestly don’t know.
What I do Know is: Ayn Rand was a horrible novelist — but whoever was behind these godawful cinematic travesties is infinitely worse.
Really: Battlefield Earth was a far better film than Atlas Shrugged. Then again, The same can be said for the respective novels.
(Which is not to say that L. Ron Hubbard’s novel/the movie version of same were actually good — just that both manage to be somewhat less egregiously bad than Rand’s shitty schlock — in ANY form.
The truly horrifying thing about the “Shrugged” trilogy is: Leonard Peikoff had to OK the movies to be produced int he first place. This wasn’t some “fan-film” situation. That’s the horrible part: there is literally no way to make any of Ayn Rand’s novels “good” — not even with Patricia Neal and Gary cooper. Although admittedly, THAT was at least half-way watchable.
Horribly enough, until I saw the “Shrugged” trilogy, I thought the 2002 movie “Teenage Caveman” was the worst thing I had ever watched:
I was wrong. Teenage Caveman is a work of transcendent cinematic grandeur as compared to the “Shrugged” trilogy.
The actors can’t act. The dialog is awful. Even if you had competent actors/a competent screenplay, you would still be producing Atlas Shrugged. “Snuff porn” for yuppie scum is….unappealing.


Why Do We Recommend French Movies for You?
French is a great language to start learning if you don’t know how to speak it. This language is one of the most spoken languages, with around 73 million speakers all over the world. Estimates show that this number has risen to 500 million in 2015 and will be increased to over 650 million in 2050. Watching a French movie is one of the ways through which you can learn the language. Read on to find out more!
Seven Must-See Movies of the Last Decade
We can’t deny the fact that French is a simple language to learn and good to speak at the same time. For this fact, we have some movie samples for you to check out. Lucky are those who already know this language. But for those who are still learning, they can rely on translate English to French software for help. This tool will make you enjoy watching the movie to the fullest. It can also help you understand the language without any challenges. Check out a few movie samples provided below:
- L’Avenir (2016)
This is a French-German drama of the year 2016. It also goes by the name ‘Things to Come.’ It got nominated as the 3rd best foreign language film in 2017. Isabelle Huppert plays the role of a middle-aged philosophy professor. In this movie, she is called Nathalie Chazeaux. This character passes through a life challenging experience. She has an old aged mom whom she has to take care of. Besides, she gets dumped by her husband and loses her job. This movie touches on love, life, and time. Watch it to see how Nathalie will manage all the challenges that she faces in her life.
- Elle (2016)
This film has won different awards, including being the best film at the 42nd Cesar Awards in France. Isabelle Huppert is the major character in this movie. She is known as Michele Leblanc. She is a businesswoman who gets raped but doesn’t report the matter to the police. The reason for this was because of her past life experience with the police. This film shows the life of Michele and how she has affairs with two different men. One of them was a husband to her neighbor. The other man was the husband of her business partner. Watch this movie to see what happens to Michele.
- Bande de Filles (2014)
Bande de Filles, also known as ‘Girlhood,’ is a French drama movie. Its story revolves around a girl by the name Marieme. This girl is surrounded by a culture where she has to struggle to survive. She joins a gang of ladies who are into drugs and stealing. The major reason for that was because she saw Ismael together with these ladies. Ismael is a man whom Marieme had a crush on. Marieme gets disappointed with life as she leaves the gang and decides to work for a drug lord by the name Abou. This brings out issues in her relationship with Ismael. Later on, she wins her life back after all the struggles that she passes through. This is an interesting movie to watch.
- Deux jours, Une Nuit (2014)
This movie is also known as ‘Two Days, One Night’ in English. Its story maneuvers around a character by the name Sandra. Sandra is a worker who wants to return to her job after a medical leave. She gets surprised to find out that her workmates are against her return. The main reason was that the company had promised them a €1,000 bonus if they voted her out of the company. This movie is all about trust and how Sandra managed to go through her battles. She gets help from her husband, Manu, together with her real friends at work. But before she succeeds, Sandra has to convince her workmates to reject the bonus offer. This was to make sure that she can secure her job back. Later on, she rejects the job offer only to save a colleague by the name Alphonse. The management had declined to renew his contract after accepting her back.
- Intouchables (2011)
Do you like comedy-drama movies? Watch out for the Intouchables, also known as ‘Untouchables’ in simple English. This movie got released in the year 2011. It was also voted for in the cultural event in France within the same year. This movie has a character by the name of Driss. This man went for an interview as a live-in caregiver for Philippe. Driss was from the Paris ghetto while Philippe was a wealthy man with quadriplegia. This is a condition where all four limbs are not functioning.
Driss got hired for this job, but he never had plans to secure it. He only wanted to present himself for the interview to get a signature from the interviewer. This was for him to continue receiving his welfare benefits. Driss changed the life of Philippe in as much as he didn’t have any experience in doing that job. Watch out on how Philippe’s life got restored by Driss and how he left him living a happy life once more.
- Des Hommes et des dieux (2010)
If you are a fan of drama movies, then here is one for you. This movie was produced in the year 2010. It is also known as ‘Of Gods and Men’ when translated to English. It focuses on nine Trappist monks who used to live among the Muslim community in Algeria. Their peaceful stay got corrupted when seven of them got kidnapped by a group of terrorists. They were later on assassinated. The movie also touches on the weakness of the government that contributes to the deaths. Watching this movie is good as it shows the importance of being together in one common religion. Besides, it also depicts how strong this unity can be.
- Le Scaphandre et le Papillon (2007)
Also known as ‘The Diving Bell and the Butterfly,’ this movie was shot in the year 2007. Looking at that time, someone might claim that this is an old-aged movie to watch by now, but I can prove you’re wrong. This movie circulates this main character by the name Jean-Dominique Bauby. He is completely paralyzed and can’t move any other part of his body except his left eyelid.
You don’t want to miss watching this movie to know how Bauby communicates to his therapist. He manages all that by raising his eyelid to respond to words that he is being told. Watch out as the therapist struggles to understand all that Bauby communicates. You will get surprised by what he does under his condition. The man, later on, suffers a fatal death from pneumonia. This movie will teach you how to appreciate being who you are. Bauby undergoes a lot of suffering but finally manages to do many things. This was with the help of his therapist.
Wait for No Further – Try out These Movies and You Will Love Watching Them!
If you are or want to be part of the French community, then what are you still waiting for? Try watching these movies provided and you will enjoy every bit of the French language. Choose the best French movie sites that are always up to date to enjoy such films. Also, if you find love in the French culture, do not hesitate to celebrate it with others by watching movies. With this list, we hope that you will enjoy your French language day.


I’ll disclose that Superman is not exactly in the upper-echelons of my fandom preferences. I find the mythos to be rather interesting, but the tales of his heroic life on Earth often feel dated and unimaginative. After the trailers I was optimistic that perhaps an updated, engaging version of the story of Kal-El was possible, even probable. It’s been a very long time since anyone has managed to pretty much anything good with the Superman franchise. The latest attempt brings together writer David Goyer (whose credits include the latest Batman trilogy and the Blade films) and director Zach Snyder (300, Watchmen, Suckerpunch), with a little help from Chris Nolan. With these guys at the helm, I was definitely expecting a grittier, darker take on Superman mythos. What we got was a bleak, grim film full of gratuitous CGI fight sequences that drag on for what feels like hours that ultimately fails its canon, the characters and the audience. Even more frustrating is the suburb casting and the fleeting moments where the nuance from Goyer and Nolan show through, and hammer home just how good this film could have been.
From a nerd point of view, the movie often feels like one long “oh, SO close moment.” At a few points throughout the film, it’s almost painfully close to exactly what I wanted, but then screws it all up. The opening of the film is chief among these. We’re treated to a lengthy introduction showing how and why Jor-El and Lana are so adamant about sending their only son to Earth, as Krypton faces destruction. I was very impressed with the overall look of Krypton itself; the production designs did a fantastic job of portraying a world both futuristic and entirely alien. The story managed to get some good traction as you watch Jor-El and his wife Lana scramble to save their son from the destruction of their planet. But then it all starts to fall apart, the questions start, and so many good things are squandered for an action moment. Why is Jor-El, supposedly a man of peace and a respected scientist, able to match guns with the elite of the Krypton military? What exactly is the point of Zod’s coup, when the planet is doomed in just weeks? And why send Zod to the Phantom Zone and spare him from the destruction of the planet?
We then jump forward and see the now-named Clark Kent doing the anonymous good-guy thing, wandering from city to city saving people and slipping out before anyone can say “who was that guy?” These random acts of heroism are interspersed with flashbacks to Clark’s formative years on Earth with his adoptive parents, leading to his eventual discovery of his origin via an ancient bit of Krypton technology, along with the chance to save the life of Lois Lane. I think this part of the film is where all the possibility really shines through. It does a surprisingly good job of establishing an emotional core to the film, and a reason for Kal to feel an attachment to the people of Earth. Kevin Costner and Diane Lane are picture-perfect as Jonathan and Martha Kent, and their acting is superb. Unfortunately, the writers (I believe) altered the critical life lessons that Jon shares with young Clark, going from the canonical “Always Do Good Things” to “It’s Ok to Let People Die If You Can Keep Your Secret.” While I can see how this later sets up the gamble of Clark trusting the people of Earth, I think it detracts for one of the Superman series’ most core thoughts..the idea that doing the right thing is paramount. As well, Jon Kent’s death is changed from a heart-attack (something Clark is powerless to stop) to a tragic death by tornado that Kal chooses to allow (at his father’s insistence) in order to avoid revealing his abilities. But overall, this portion of the movie works better than almost any other, and it left me hopeful for the prospects of the rest of the film.
Sadly, soon my hope were dashed. Not long after the intrepid Lois Lane manages to discover the identity of her mystery savior, Zod arrives at Earth with his demand for custody of Kal-El. Again, the set-up here is very good, and Michael Shannon is believable and disturbing as the single-minded military despot. However, what ensues following this is an hour of trite action footage filmed at camera angles that move at a migraine inducing space. Kal fights the Zod and his soldiers all over the damn place, always with the same city-wrecking results. And the fight sequences pointless drag out far longer than is necessary, to the point where they actually become so boring that I lost any interest in who might win…I just wanted to be able to look at the screen without getting motion sickness. (And I saw the film in 2D…I can’t even imagine how 3D audiences felt!) Almost all storytelling is lost, and Clark’s lines (and Henry Cavill’s acting) go right down the tubes, with Zod and Lois right behind him. What makes the whole thing especially depressing is the beautiful cruelty of Zod’s plan (to terraform the Earth into a Krypon-like replica and save his race at the expense every human life), and how perfect it fits the mindset of his character, both in the film and in the canon. It also sets up what could have been a perfect tipping point moment for Kal-El…how to manage to save both his own people and the people of Earth. Sadly, the writing takes a nosedive here and Superman essentially commits the complete genocide of his own people (for reasons that aren’t entirely clear). For me, this was where the tone of the film reached its nadir. There was nothing in the way of even a little dark humor, let alone any real comic relief, up to this point and the sheer grimness of the entire affair settled on me. More excessively long action sequences follow this, and we reach another point where there was SO much squandered potential. Zod has been defeated, but he is able to engage his heat vision long enough to endanger a nearby family, forcing Clark to kill him to save them. Had Clark not committed genocide not a few hours prior, this moment could have been far more impactful, even more so if the canon lessons of Papa Kent been left in place. So instead of a Superman torn apart by having to take a life so brutally, it becomes just one more death in an already bloody, depressing (and bloody depressing) movie. The denouement again shines with a sense of possibility for the film as we see Clark taking his new job at the Daily Planet and slyly flirting with Lois, along with an incredibly moving flashback sequence of young Clark Kent with a red towel for a cape as his parents look on and hope aloud for his future. This short moment is by the best in the film, and it leaves me wondering how Man of Steel could have turned out if the same care used in this small sequences had been used throughout the film.
Despite the numerous failings of the film, there are a few other positive pieces worth mentioning. The film does manage to use a few wonderfully subtle moments to remind us of the details from the earlier incarnations of the franchise. A very short but purposeful shot of the water tower over Clark’s hometown reads “Smallville” without any other mention of the town’s name. Weather maps and images from the military radar are clearly labeled “Metropolis” without much other mention of the name of city that plays host to much of the story. The name “Superman” is said only twice in the entirety of movie, giving subtle homage to the eponym of the franchise without being cheesy and cliche. Unfortunately, they do little to save this disappointing entry in the Superman legacy.
From a feminist point of view, there’s a lot to like about Man of Steel, particularly early on. Lana, wife of Jor-El and mother of Kal, bravely faces the possibility to death to save her son, stands defiantly to see justice served to the man to killed her husband, and fearlessly awaits the end of her planet. Sadly, she’s marred slightly in the strange need to have her fight with Jor-El to send Kal to Earth…after all, no one is going to survive the destruction of Krypton. I love Amy Adams’ portrayal of the fearless Lois Lane (even if I object to her hair color) as she berates her way past military commanders in search the story she’s seeking. Almost as good is the moments she’s her boss at the Daily Planet to print a story she thinks is important, even if it risks her career, and then finding a way to get it printed after she loses the argument. Unfortunately, after Zod’s arrival on Earth, she seems to be reduced to doing very little other than staring at the sky while her hair blows artfully in the wind. Martha Kent provides a strong anchor point for Kal, especially after the death of Jonathon. She handles the destruction of her house in a manner befitting her unflappable resilience in the face of all she’s encountered over the years. Diane Lane’s performance is one of the biggest highpoints of the entire film. Finally, one of Zod’s most trusted and able soldiers is a woman (who isn’t named in the film, but is identified as Faora in the credits), and she’s pretty much a bad-ass. All in all, against the backdrop of superhero films, I can’t complain too much about the depiction of women in this movie. A little more plot-critical action for Lois would have been nice, but it’s overall much better than I expected.
I could absolutely write another 1000 words on the horrific abuses of all things physics in this film, but I think I’ll just sum it up briefly: physics do not appear to apply to anyone or anything in this film in any consistent or reasonable way. (If Superman is able to fly mostly because he’s jumping REALLY hard, how can he change direction or HOVER?!!?!) Beyond that, I’ll leave those gripes to the physics bloggers.
I don’t think that Man of Steel has killed the Superman franchise…after all, the film pulled in almost $150 million. I just really hope that if they decide to build a sequel, they put someone else at the helm. Zach Snyder should stick to films about naked Greeks killing lots of people in very stylish ways.


With a rather straightforward title, 13 Bom di Jakarta (international title: 13 Bombs) promises action to its audience—on a grand scale. Touted as the biggest local action movie of the year in most of its promotional materials, the boastful nature of the promotion feels symbolic to the movie itself; it tells instead of shows.
The movie started off strong, with an action sequence where the antagonists managed to blow up a cash delivery vehicle before demanding 100 Bitcoins. Led by the enigmatic Arok (Rio Dewanto), the terrorist group preaches of equality and fairness. The group is driven by the desire to destroy and rebuild the corrupt economic system, rife with structural poverty. The hostage is all of Jakarta, since the group claimed that they have planted 13 bombs all over the city.
The demand leads to the involvement of Oscar (Chicco Kurniawan) and William (Ardhito Pramono), fictionalized versions of the founders of Indodax, a cryptocurrency trading company. The terrorists’ specific request to transfer the Bitcoins through Indodax raised suspicions from the bureau handling the case, the Indonesian Counter Terrorist Agency (ICTA). There’s the strict leader General Damaskus (Rukman Rosadi), the sharp-witted Karin (Putri Ayudya), and the hotheaded Emil (Ganindra Bimo)—all typical roles for an action flick. From then on, the game of cat and mouse between the agency and the terrorists begins, with Oscar and William stuck in the middle.
The narrative moves fast with urgency—the atmosphere is tense and the story moves with intention. Audiences are led to keep up with the pace, wondering about the motives of the characters and how the plot will progress amid intense action sequences. The use of practical effects, as opposed to CGI, lend the movie more weight. This strong buildup, unfortunately, loses its focus as the story progresses.
As mentioned in the beginning of this piece, 13 Bom di Jakarta insists on telling rather than showing. The investigation process is only shown as fragments, upon which characters act as mouthpieces, describing what’s happening to the audience. The background for many of these scenes? Numerous computer monitors with cryptics graphs and diagrams.
Mistakes from the conflicting parties happen one after another. Sure, they move the plot, but one is left to wonder if these so-called elite agents and well-organized terrorists are really competent people at all.
At times, the movie feels more akin to a long commercial for Indodax instead of a coherent narrative. Look closer at the letter “B” on the movie’s logotype and you’ll easily notice that it’s the symbol for Bitcoin. Throughout its runtime, the words cryptocurrency, Bitcoin, or Indodax are mentioned perhaps as frequently as the bomb threats—further diluting its focus.
What’s most glaring about 13 Bom di Jakarta is how heavy-handed everything is. Audiences are left with no room to connect the plot points, as everything is spelled out and spoon-fed. The clunky dialogues give the movie no favors in doing so as well.
The best antagonists are those who make enough sense that we can empathize with their cause, and Arok could have easily been one. As the character with the most fleshed-out backstory, Arok’s cause to rebuild the economic system to be more equal is just—if a bit unoriginal. He recruited “revolutionaries” with similar backgrounds, who follow him with reverence and admiration. What’s unfortunate is that 13 Bom di Jakarta falls into the trap of making his point too relatable, and to remedy that they treated him with the cliche of obsessive “the-ends-justify-the-means” persona, with a willingness to sacrifice everything that stands in his way.
Nearing the end, a twist that’s been teased but never foreshadowed happened. Of course, it is of no consequence. After a barrage of cliches, everything happens as you might predict. The status quo is maintained and nothing really changed, save for a bunch of dead people.
Watching movies—especially action movies—certainly requires a suspension of disbelief. However, 13 Bom di Jakarta demands too much of it. The special forces all wear full tactical gear to combat the terrorists, but of course the key characters don’t wear helmets. Civilians aren’t supposed to get involved in the armed combat between the agency and the terrorists, but of course they do. And if the civilian characters which happened to be based on real people ended up saving the day? Yeah, sure, why not.
Parts of 13 Bom di Jakarta genuinely shine, mostly through the combination of compelling performances, practical actions, or overall amazing shots. Granted, some scenes feel like they’re only there because they look cool, but they do look cool. Rio Dewanto’s Arok is fearsomely charismatic, and Lutesha—playing William’s fiance Agnes—steals every scene she’s in. There’s also the terrorist with a tortured conscience, Waluyo, played brilliantly by Muhammad Khan. On parts when the movie delivers, one can’t help but wonder, why isn’t the movie more focused on the character-driven moments or pure adrenaline actions, as opposed to disjointed narratives that rely on twists and turns. As a bombastic project with grand ambitions, 13 Bom di Jakarta still manages to excite, but its potential could’ve been delivered better had it not conflated itself with spectacles.


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On 25 January 2017 the opening of the 12th annual film «French cinema Soirées» festival will take place. The festival will be held in major cities of Ukraine. Credit Agricole Bank is the official partner of the festival.
Credit Agricole Bank, as a bank with French origins, supports cultural events and initiatives related to France on an ongoing basis. «We see the mission of our bank as not only rendering of top-quality financial services, but also as providing additional benefits to our existing and potential customers. We strive to promote cultural exchanges between France and Ukraine, give the Ukrainian people an opportunity to get to know better the rich French heritage, language and culture. Credit Agricole Bank has been the major partner of the significant event – the «French Spring in Ukraine» festival for several years. This year, we are delighted to have this opportunity to expand our support of the projects of French Embassy and Institut Français and invite the admirers of France to join the «French cinema Soirées» film festival that will last for an entire month», - Jean-Paul Piotrowski, CEO of Credit Agricole Bank, said.
«French cinema Soirées» will start in Ukraine on 25 January. The collection of the best and new French movies will be traditionally presented by the Embassy of France in Ukraine, Institut francais d'Ukraine and «Arthouse Traffic» company. Credit Agricole Bank is the official partner of the festival, TM Kronenbourg 1664 is the official sponsor of the festival, Air France is the official airline. In Kyiv, movies will be shown in the original language with Ukrainian subtitles.
The festival is an excellent opportunity to join French cinema art. The program includes five movies starring Marion Cotillard, Louis Garrel, Audrey Tautou, Melanie Laurent and Berenice Bejo.
«French cinema Soirées» will open with «Mal de Pierre» («From the Land of the Moon») by Nicole Garcia – a sensual romance included in the competitive program of the Cannes Festival. Main characters were played by Marion Cotillard and Louis Garrel.
«The Eternity» movie by Tran Anh Hung, starring French actors Audrey Tautou, Melanie Laurent and Berenice Bejo, offers a panoramic view of the XX-th century through the lens of the destiny of a family. The excellence of visual representation was ensured by Lee Ping Bin - Cannes Festival award winner, the favorite cameraman of Wong Kar-Wai.
New work of Iranian director Asghar Farhadi «The Salesman» is a story of a couple of play-actors who have moved into a new apartment. The movie has recently been shortlisted for the Academy Award too. The premiere of the film took place in the Cannes Festival, and the film won Cannes Best Actor and Best Scenario awards.
«The Beautiful Days of Aranjuez» is a new film by Wim Wenders shot in the French language based on the same-name story by Peter Handke. The storyline focuses on a man and a woman talking on the terrace. There is a writer watching them; he is writing a book, but it’s not clear whether he is overhearing their talk or just imagining them. The premiere of the film took place at the Venice Film Festival. The film was shot in 3D format, and the filming took place in the villa of Sarah Bernard.
The animation part of «French cinema Soirées» is represented by «The Red Turtle» movie which is a co-production of France and Japan. This is a story of a shipwrecked man who found himself on an uninhabited tropic island. «The Red Turtle» was directed by Michaël Dudok de Wit, winner of the Academy Award, BAFTA and Cesar. The movie was produced by the famous Isao Takahata, co-founder of Studio Ghibli (together with Hayao Miyazaki).
As an official partner of the festival Credit Agricole Bank pleased to invite all fans to take this opportunity and join the French cinema at «French cinema Soirées».
About Credit Agricole:
PJSC «CREDIT AGRICOLE BANK» is a modern universal bank owned by the leading financial group in Europe – Credit Agricole Group (France). The Group is a major partner of the French economy and one of the largest banking groups in Europe. It is a leading retail bank in Europe, having the largest portfolio of assets under management, being first in the field of bank insurance and third - in project financing in Europe. Credit Agricole has been operating in the financial market of Ukraine since 1993 and renders the entire range of banking services to private individuals, including VIP clients, and business. The Bank pays special attention to cooperation with agricultural enterprises. Reliability and business reputation of CREDIT AGRICOLE in Ukraine is confirmed by the highest possible FITCH ratings, leading positions in bank sustainability, bank deposit reliability and bank profitability rankings, as well as by 460 000 private and 26 000 corporate customers, including representatives of small and medium business, large Ukrainian companies and international corporations.
Viktoriia Torianyk, Head of PR and corporate communications Credit Agricole Bank.
Phone: +38 044 581 07 45, e-mail: Viktoriia.Torianyk@credit-agricole.ua


Amanda Waring © 2014
To BOOK any of the shows for your Festival, Theatre or Event please email firstname.lastname@example.org
Amanda Waring’s Unique, hilarious and critically acclaimed one woman show FOR THE LOVE OF CHOCOLATE
“For The Love of Chocolate!”
"Treat yourself to this hour long feast of a show celebrating the power of chocolate, that has a cult following from headlining at the Assembly rooms in Edinburgh, at the Brighton festival and in the West End of London. Let West end star Amanda Waring accompanied by the virtuoso guitarist Andy Robinson delight and entice your audience in this one hour show that is dripping with passion, magic. frivolity and audience participation. Let Conchita, the mexican housewife with a passion for life love and all things chocolate bring some passion and sweet stuff into yours! Let Conchita read your chocolate fortune, share her aphrodisiac fondue chocolate , indulge in the chocolate tasting and marvel at her rolling around in melted chocolate. An unforgettable show for your unforgettable audience. !"
Amanda Waring is well known for her leading roles in the West End including her title role of Gigi in Alan Jay Lerner’s hit musical, Ophelia in Hamlet and Shakespeare’s Juliet. She starred in the film version of the Oscar short listed film ‘The Princess and The Pea’ as well as appearing in television dramas Casualty, Outside Edge and A Month In The Country.
Acclaimed reviews include:
The Times: “A must see show!”
The Daily Mail: “An hilarious, sensuous, edible delight”
Spirit FM radio: “The show stopping ending when waring covered seductively from head to toe
in melted chocolate and rolls around the stage is unforgettable”
Let Conchita, the Mexican housewife with a passion for life, love and all things chocolate
bring some passion and sweet stuff back into yours!
Listen to a radio interview about my show that Amanda did on Spirit FM
A GLASS HALF FULL
Amanda Waring’s unique and inspirational comedy revue. Through anecdote, music, stand-up, cake and the unexpected, Amanda explores how we may all lead a more fulfilling life. With guitarist Andy Robinson.
OTHER SHOWS AVAILABLE TO BOOK
Amanda is the artistic director of Walk our Talk and Amanda Waring Productions. Her Company offers a repertoire of unique sell-out performances that have delighted audiences worldwide. The company was founded with the intention of providing heart-warming, uplifting and inspirational theatrical entertainment. The shows are a rich tapestry of words and music presented in a simple yet strikingly stylish way. Amanda Waring has devised and directed each entertainment in the repertoire combining the talents leading performers of stage and screen including - Virginia McKenna, Robert Powell, Sam Kelly, and Hugh Bonneville, Amanda Waring Productions have been invited to perform their unique plays and sophisticated soirees at festivals around the world including Spain, Bermuda, Gibraltar and the Bahamas. Festivals in the U.K include Perth, Ludlow, Fowey, Exeter and Dartington.
The 20th Century Revue Starring Virginia McKenna, David Simeon, Amanda Waring and musicians Duncan Lamont Phillip Mountford A whistle-stop tour of the last 100 years. Look back in wonder, sadness and laughter through the words, music and images of some of the greatest artists and commentators of the century. Devised and directed by Amanda Waring.
THE GIFT OF CHRISTMAS - A heartwarming Christmas revue, humourous, magical, festive and poignant. Devised and directed by Amanda Waring
NOW WE ARE SIXTY – A lighthearted look at later life through poetry, song and anecdote. Devised and directed by Amanda Waring
|Our Training Pack for Dignity|
|the big adventure|
|what do you see|


On episode 15 of “The HBCU Podcast,” we have Angela McCrae. She’s a graduate of Morgan State University. She currently serves as Digital Communications Manager for Firelight Media.
During this episode we talk about the highly anticipated documentary: Tell Them We Are Rising: The Story of Black Colleges and Universities Directed by award-winning documentary filmmaker Stanley Nelson and we’ll also discuss the HBCU Rising Campaign.
Film Premieres on Independent Lens on PBS, Monday, February 19, 2018, at 9 PM ET
WATCH: official feature trailer for TELL THEM WE ARE RISING, the first-ever documentary on the history of HBCUs in America, premiering on Independent Lens @PBS on Feb 19th at 9pET.
Angela McCrae is filmmaker and communications leader with 15 years of experience in television/film, journalism, and philanthropy. Her career began in broadcast news as a student at Morgan State University while working as full-time morning show audio engineer for WBFF FOX45’s debut morning news show. She went on to launch a production company producing local commercial spots, marketing videos and taught at-risk high school students the craft of storytelling and video production. Ms. McCrae spent over 6 years at NBCUniversal achieving two GEM Awards for innovation and launched the company’s Young Professionals Network in 2016.
Currently, she is Digital Communications Manager for master documentarian Stanley Nelson’s upcoming historically black college documentary, Tell Them We Are Rising: The Story of Black Colleges and Universities, airing on PBS’ Independent Lens February 19th, 2018. As a filmmaker, she is passionate about developing digital and experiential campaigns around her projects. Ms. McCrae served as co-producer and co-writer for the web-series The BFF Chronicles, starring Erika Alexander and Kim Coles of Living Single. Her directorial debut short film #WhereIsBeauty, starring soul-singer Goapele, has been nominated for two awards and is currently traveling the film festival circuit screening internationally at the Cannes Pan African International Film Festival.


Lights, Camera, Action...
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Another wonderful project done by The Odd Seed! I must say patience is a virtue The Odd Seed has as I thought the project would be very turn key, but we had a good time with this project, it was done in a timely manner and what great service!
I am impressed by CsapoDesign's exceptional service and extraordinary talent to get the job done right. I love my new book cover. Job well done!
Nikola took the brief and translated it in a beautiful way to convey exactly the concept I desired. He was responsive, professional and available. I loved working with him and will definitely request him for my next book. A wonderful experience. I highly recommend him as a designer!
How bchristensen05 started their book cover journey
Romance, Young Adult
Childhood friends who've always secretly loved each other are torn apart by tragedy. When Noah moves to California following the death of his father he is approached by a casting agent who is desperately in need of a replacement for a small role in a movie his company is casting. He accepts on a whim but before long his one line in a movie turns into several movies, of which he becomes the star. Can KJ and Noah overcome the obstacles Noahs new life presents or will their relationship fall apart?
Women ages 11-99.
What colors do you want to see in your design?
I'm open to different interpretations but here is what I envision. It's pretty simple.
A black background with an image of a single white daisy(top view).


When it comes to crunch time in college, I usually put a movie or series on repeat to keep me company through the overwhelming hours. In the past I found comfort in watching every episode ever of the Sex & the City series since it’s just long enough to watch over a couple of sleepless nights. Or weeks.
In Sex & the City 2 I couldn’t help but admire Big and Carrie’s new abode. It’s a bit color-mashy for my personal taste, but I still think it’s wonderful. I like how some aspects are crowded and over sized. It makes me look forward to having a real grown up home.
I’m in a constant struggle with how to organize my bookshelves. They change weekly. Maybe I’ll tackle something like Big and Carrie’s dining room, but out of all the pictures, the walk-in wardrobe is the most of what I want. Not that I own a lot of clothes or shoes, but I really like the juxtaposition between Carrie and Big’s sides – how their own sides suit each other so well. And how a little of Carrie has snuck onto Big’s side.


It’s not something that can be learned only from journals or books. In fact, since it is an integral element of modern life it is possible to watch a variety of excellent films focusing on subjects related to economics. From the financial crisis of 2008 to the creation theories of games, films have explored a range of subjects that are relevant to economists. When you’re choosing the perfect film for your next movie night, consider one of these films which economists will appreciate.
1. Too Big To Fail
A documentary that is based of the book Big to Fail An Insider’s Story about how Wall Street and Washington Fought to save the Financial System – and themselves, which focuses on what happened in 2008 as well as how it got there. You can easily watch this on sdmoviespoint at any time. The film is told from the perspective of key players within the various financial institutions working to stop the global economic collapse.
The movie that got everyone interested in the field of statistics. Moneyball is inspired by a real story of a head coach of the Oakland A’s baseball team, who utilized statistics to understand the strengths and weaknesses of his players and transforming his team from the bottom of the league to becoming a top team. The economists will be delighted to see statistics used in real-world scenarios and will appreciate the facts that the statisticians are the main characters in the film. For more information on stats in sports read our comprehensive analysis about the topic!
Arbitrage is a thriller featuring Richard Gere as a hedge fund manager who is involved in fraudulent accounting practices, in secret, in order to hide his losses, and to stay out of being prosecuted for fraud. When a car crash could expose his secret and he has to decide on how to deceive the police to safeguard his secrets.
4. “The Wolf Of Wall Street
Another film that is that is based on a real tale, this movie follows the rise and decline of Jordan Belfort, a stockbroker in the 80s who made millions of dollars through corruption and fraud. It depicts the most outrageous lavishness that was this period of Wall Street boom years, the film was a huge popular with the general public due to its moral inconsistency and an all-star cast led by Leonardo DiCaprio. Just do a my5tv activate and enjoys such movies.
5. Wall Street
A film that had the same theme as Wolf of Wall Street, this 1980s drama stars Michael Douglas as a stockbroker who is entangled with a corporate raider that has unsavory plans. A look at life as a 1980s trader at its most shady and outrageous and shady ways, the film explores the morality of wealth, morality and the power of the soaring corporate world of the top.
6. The Informant!
For a lighthearted comedy crime movie with an economics focus, you should check out The Informant, a 2009. Matt Damon movie The Informant! Based on the true account of a whistleblower’s story in which he discloses a price fixing conspiracy in his workplace to the FBI The film is a story of a whistleblower while he attempts to gather evidence against his employer. With a funny, humorous approach, the film takes a look at how corporate fraud takes place and the obstacles to stopping it.
7. The Big Short
Another biographical film that focuses on the 2008 financial crisis, this one is worth watching for the distinctive way that financial instruments are explained. Through cameos by well-known stars and fourth-wall-breaking conversations into film, the film provides information on concepts like collateralised debt and subprime mortgages obligations in a way that is easy to understand.
8. A Beautiful Mind
A fictionalized account about the story of John Nash, the mathematician who invented game theory, that would later become an important subject in the field of economics research. The film explores both Nash’s mathematical works as well as the schizophrenia was his condition The film became a huge film, and was highly praised by historians and people working who work in mathematics.
9. Inside Job
Another documentary on the financial system. This one concentrates on the US specifically and how the industry of financial services has risen in power and facilitated corruption over the last couple of years. The film is split into five parts. it briefly examines the history of the financial industry prior to going on to the start of the 2000s’ bubble, the recession and the current situation.
10. Margin Call
Another film that focuses on this year’s financial crises the fictorialized drama takes place over the course of 24 hours in the largest Wall Street investment bank as the crisis is beginning to unfold. A thrilling and high-energy film with a cast that includes prominent names, this is not one to miss.


Saturday, December 22, 2007
We all know that Vadivelu plays three roles (of Indira, Yama and commoner Azhagappan) in his forthcoming film Indiralogathil Na Azhagappan. However, what has been the film’s best-kept secret (till now) is that Vadivelu dons 15 get-ups when he appears in the role of Azhagappan.
Indiralogathil… is directed by Thambi Ramiah for Manickam Narayanan’s Seventh Channel Communications. Music is scored by Sabesh-Murali and Gopinath handles the camera. The film sees actress Shriya making a special appearance in an item number.
Coming to Vadivelu’s get-ups, the comedian stars as a manager-artiste of a drama troupe. The troupe conducts dramas under various funny titles. It is while appearing in these dramas that one will see Vadivelu sporting various get-ups.
With such a set up, it looks like the team is out to have viewers laughing in the theatres and rolling in the aisles.
Posted by Kumar at 11:13 PM


Film enthusiasts, film makers and the internet have honoured the late legendary film critic Roger Ebert after he passed away.
Roger Ebert passed away on the 4th of April after losing his battle against cancer. He was 70.
A massive outpouring from film lovers, fans of Ebert and critics alike have paid tribute to the man who wasn’t afraid to speak his mind in his movie reviews.
Michael Moore began retweeting posts honouring Ebert, while Reddit’s /r/Movies subreddit changed their Upvote/Downvote arrows to Thumbs Up/Thumbs Down, in memory of his method of reviewing movies.
Prominent figures, such as Barack Obama and Steve Martin, expressed their reaction to the Pulitzer-prize winner’s death.
“The movies won’t be the same without Roger – President Obama”, the President’s Twitter handle posted.
He became more prominent in the public eye after he collaborated with Gene Siskel, a film critic, and colleague at the Chicago Tribune, with the movie review show “Siskel & Ebert At the Movies”, which started in 1986 and ended after Siskel’s death in 1999.