Hello and welcome to all you beautiful people, today we’re going to be looking at the Netflix series Locke & Key. It was first released February 7th 2020 and created by Meredith Averil, Aron Eli Coleite and Carlton Cuse. The show is based on a series of graphic novels of the same name written by Joe Hill and illustrated by Gabriel Rodriguez.
The Locke siblings move into their ancestral home, Keyhouse, after the tragic death of their father. They quickly find magical keys that hold the secrets of what happened to their dad and all the things he didn’t tell them.
I didn’t read the original graphic novel series so this will entirely focus on the show. So without further ado let’s get into it.
I was drawn to this series because of the magical keys. To me it was an original way for magic to be used and I still see it that way. I like the magical keys. The problem is I don’t think they were utilised to their full potential by the main characters. The villain shows the audience how the keys can be used. Yes one key is used by one of the siblings that ultimately changes her personality but generally the keys are in the background. I do really like the designs for the keys.
I like the emotional journey and overall character development the main characters go through. All of the Locke family has an obviously big wound that affects them all in different ways. Through the episodes they eventually face their wounds and become stronger as a family because of it. The mystery of Keyhouse and what happened to their dad there leads them on this journey. Finding truth brings understanding.
The villain is also a plus for the series. Dodge is not one of those antagonists you’re going to love to hate but she is a decent villain. She has a clear goal and knows how to utilise the tools at her disposal to get what she wants. Her presence is felt throughout the series which is the sign of a decent villain for me.
Locke and Key is very much a supernatural teen drama series similar to the Vampire diaries but with no vampires or werewolves. However it does have some typical teen drama elements and story subplots. For some people that can be even scarier than monsters that might show up. This isn’t something I like or dislike. Really I tolerate it. I can deal with the love triangle and bullies getting their comeuppance as long as the ratio with the main plot is balanced. For Locke and Key I’d say it’s around that level.
Now for the dislikes, most pertaining to the several plot holes and terrible decisions the main characters make. Look I know the main characters are in their teens and a bit younger but some of their decisions are questionable. Especially in the final few episodes. I don’t want to go into detail and spoil anything but I am letting you know they’re there. You will question why they did this or that. It all comes down to how much that’ll bother you.
Something that is odd is Bode disappears until the plot needs him to be there. You notice it because Bode is the one who first finds the keys and knows they need to protect them from Dodge, yet in some episodes he’s absent for a good chunk of time. Some might consider this a good thing as Bode can be a little annoying sometimes. Maybe Bode knows to steer away from that teen drama. The logical explanation is that the actor is young and it’s probably best he’s only there when he needs to be.
It’s pretty evident that a season 2 is on the way, the ending does set it up. From what I can tell it hasn’t been picked up for another season yet. Whether another season is on the way or not, writing for a second season is already being worked on. Obviously a major change they can make is filling in the plot holes and making sure that there aren’t anymore in the future. I would like to see more keys be discovered and for the main characters to use them more. Maybe experiment with them so they can better use them in the future. A plot I would like to see is looking at the origin of the keys. Doing research I know it’s an important part in the graphic novels so I’d like to see it in the series.
In conclusion, Locke & Key isn’t the standout series of the year but some will find it entertaining. Like I did. It’s a short series filled with magic. Just make sure to look over the main characters’ lack of common sense and plot holes that are scattered about. If you don’t mind teen drama and want your magic presented in a different way why not give Locke and Key a try. Who knows you might find it entertaining despite its flaws too. Thank you for reading and I look forward to seeing you all in my next post.


Some cast members, production team and network executives were at the State Capitol yesterday (March 31) to receive congratulatory certificates from both the Senate and House recognizing a successful first season for the hit CBS TV show, “Hawaii Five-0″.
Cast members Alex O’Loughlin and Daniel Dae Kim were joined by original series actor Al Harrington as well as an executive from CBS TV on the Senate floor. Members of the production team as well officials from the state and city film offices met with legislators after the floor presentation.
CBS is expected to renew “Hawaii Five-0″ for a second season this coming May.
Al Harrington, Daniel Dae Kim and Alex O’Loughlin seated on the Senate floor.


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For my project I was thinking about focusing on the movie Memento. Because I am horrible with Mac computers and all the cool programs we’ve messed with up until this point, I am going to be focusing on creating a blog. In this blog I would ideally like to have at least one visual aid and two or three written posts per week. Each week I will be discussing something from the movie and bringing either things I have learned from this class or some of my other classes to write blog posts.
For the first week I would like to create a couple “movie in frames” for Memento. I would also like to write a post on Why I think Memento is a “serious/educational” film yet it still captures your attention. My second post will be discussing how Memento relate to psychology and memory. Lenny talks a lot about conditioning and habit. I remember watching this movie in my high school psychology class and I thought it was a good way to learn the material.
During the second week I would like to put together a map of all the places and people Lenny came in contact with. I’ve seen the movie a couple of times and still I get confused. Then I would like to write a post on how other people were manipulating him. My third will be on how at times he was manipulating himself even though he thinks he has a flawless system of making himself remember things in his life.
During week three I would like to focus on movies that start with the end and work their way back to the beginning. I thought The way this was done in Memento was fantastic! I haven’t really done the research on this, but one movie that comes to mind is Fight Club. Psychology and memory also come into play in this movie so I think the two movies will tie together nicely. Instead of a visual aid this week I would like to try to do a podcast. I don’t want it to be more than a couple minutes because I know its going to take me a long time to figure out.
For the final week I would like to screen shot the best scene from the movie. I haven’t figured out which scene I’m going to use yet but I have time. Since this is the final week of the project I would like to write a post bringing everything together with a nice conclusion.
So to wrap of this proposal, my project is going to be a blog about Memento. I will need a ridiculous amount of paper and a couple pens to do this project. I will probably be writing and rewriting blog posts. I want them to at least be 250 words since that was always the requirement for our posts.I’m probably going to need my friends help with figuring out how to do things and make my blog look super cool. He’s a computer nerd so I go to him for all my computer needs. Since I will be using the Macs at school I will be using the audio program on there for my podcast. I haven’t decided what I want to use for my “movies in frames” because I didn’t like what we used in class. My audience is obviously the class, but I think anyone who likes Memento and psychology will get a kick out of my blog. It’s safe to say I have my work cut out for me because I really hate Macs and the way they work. Being computer illiterate doesn’t help me either.
Watching the Black Swan is always a mind blowing experience. It really puts the constant struggle of perfection in perspective for people who normally don’t see this side of dancers. Natalie Portman was perfect in this movie. She had everything about a dancer down pack, from her body type to her personality to her thrive for perfection. I love movies involving dysfunction. Putting a dancer with an eating disorder as the main character was great because people only see the good things that come from being a performer not the bad. I wish they got a little movie in depth with the relationship of the mother and daughter because it is a big part of why Natalie’s character is the way she is. The unhealthiness of the relationship kills me. There would be hour upon hours of therapy sessions for these two women.
The video above is my favorite scene from the movie. In my opinion it brings the whole movie together nicely. Even the sound and lighting are perfect for this scene. The music just builds up the suspense and makes it more dramatic when the applause from everyone kicks in. The Lighting always makes her look angelic and at peace. Its crazy how she went through all this just to have a perfect performance. She sacrificed her own life for this version of perfection and she was perfectly happy with it. She was at peace with dying at the end. The lighting even makes it feel like that more when it slowly gets brighter and brighter like she is seeing the light at the end of the tunnel. All in all it was a very entertaining and fulfilling movie.
The Paperman must have folded and thrown dozens of paper airplanes out the window of his job to get this woman’s attention. A woman he only met for a brief moment. A woman who had the ability to brighten his day and make him feel alive again after feeling miserable and depressed for so long. He didn’t even have time to get her name before she was already on the train. All he had left was a piece a paper with her luscious red lips placed gently on it. This piece of paper was the only one folded into an airplane that made it to its intended receiver. Paperman had already given up at this point seeing that she had already left the building she was in. This original piece of paper with the lipstick mark achieved the impossible. This tiny paper airplane was able to bring two people who have only met once for a brief moment back together again. I chose this screen shot because this is the moment the paper airplane gets her attention. This is the moment when fate or destiny takes control over two strangers lives. I love the confused yet intrigued expression she has on her face and how the only color in the clip is the red lipstick. I love how she decides to follow a paper airplane with her lipstick on it. It’s amazing how something so simple can change a person’s life in a heartbeat. This is the moment of new beginnings and romance.
Movies in frames are as simple as they appear. You take four frames from a movie and put them together to make a statement. This is on Tumbrl, a site for social uses and entertainment purposes. You can share,comment, and follow. I would say it’s used for more creative rather than scholarly purposes, but you can obviously use it for both. I think it would be a good visual aid for a project. I chose movies in frames because The Breakfast Club one caught my attention. It was the first one one the site and I was almost speechless. I always watch this movie at work because my boss is obsessed with Molly Ringwald (she kind of looks like her too). I completely understand why these frames were chosen, but if you haven’t seen the movie I think you’d be like, “oh-okay?” It takes looking at a girl head to toe a little too seriously. It definitely got me more interested in what was to come next as I scrolled down the page. I also like the idea of taking frames from a movie and doing what you want with them. You can arrangement the images in so many different ways! You can put the images in order so it is like your watching a short version of the movie. You can focus on one character like in The Breakfast Club. You can even focus on one particular scene. It’s so simple, yet there’s so many possibilities. I like when things are simple yet effective. Movies in frames get people reacting and thinking. I think its a new, refreshing way to look at movies. You’re not just sitting there watching a movie anymore. Now you have to think why the person arranged the images that way.
Wreck It Ralph:
It’s like Candyland on crack!!! My favorite line of all time, “What’s going on in this candy coated heart of darkness.” I love that John C. Reilly is Ralph. Disney never disappoints me.
Completely hilarious. Who doesn’t like Paul Rudd and Hippies. It takes your mind away from the “real world.”
Alice in Wonderland(Tim Burton’s):
Alice in Wonderland +Tim Burton= AWESOME! Johnny Depp plays the weirdest character as usual. I just want to throw myself in Wonderland with all the cool things it has to offer.
“It’s so fluffy, I’m gonna die!!!” This movie definitely wins in adorableness. Three orphans getting adopted by a criminal. What could go wrong? Agnes gets me laughing every time.
The Boondock Saints:
Religious Irish men aka “good people” killing bad people. Makes perfect sense. Everything is just a big contradiction and I love it. Norman Reedus and Willem Dafoe make this movie amazing.
Personally I think that there are Donald films and Charlie films, but the line between them is thin. There are clearly movies out there that are meant to get you thinking, feeling, and reacting. They don’t need all the extra in your face action to make you think it’s a good movie. There are also movies that you just watch to watch. They are purely for entertainment. Yes, you can find some meaning or life lesson in these movies, but you can do that with anything. I can look at the back of my Frosted Flakes cereal box right now and pull some sort of information out of it. What I took from the movie was that there’s a middle grown. I think people are reading too much into whether a movie is “serious” or “entertaining.” Why can’t a movie be both? People can take away whatever they want from a movie. If you think a movie was meaningful and had an amazing life lesson then great. If you thought it was just entertaining then great. Your still getting something from the movie.
The main character wanted so much to write a screenplay that was meaningful and life changing. He spent countless hours trying to make flowers this amazing movie. In other words he wanted to make a “serious film. He realized it wouldn’t watch it if he was even able to finish writing it. He ended up with an “entertaining film” in the sense that it had drama and a love story. Ideally I think everyone wants to produce a serious film, but what you get after you put in things that the audience likes blurs the line. Is a movie not serous if you found it entertaining? I don’t know and that’s why I can’t label Adaptation as serious or entertaining. It was clearly meant to get you thinking, but it was also funny and entertaining. The movie was meant for you to see how movies are made. It shows how difficult it is to write and compose a “serious” movie and still have it be a hit. Entertaining movies are the money makers right now. How can you make someone think,feel, and reflect if all they want is to be entertained? Normally I don’t think about movies when I watch them. I’m not watching a movie to be educated. In the case of Adaptation I am. I have to read between the lines and think about how I feel. The first time I saw this movie I just watched it because it was on. I only understood what the movie was about when I watched it in class and was actually paying attention. I don’t think this movie needs to be seen multiple times to get what it’s about. I think as the viewer you have to put yourself in the mindset to see a “serious” movie.
I personally LOVE this trailer. I really enjoy Seth Rogen movies. There’s just something about him that makes you like him instantly. You like want to be his friend and laugh at all his jokes. There hasn’t been a movie that he was in where I didn’t laugh at some point or another. I’m so excited that he is married to Rose Byrne in this movie…like her of all people really? She’s so awkward and weird, but I think that’s why I like it. Let’s not even get started on Zac Efron. I can’t decide if I like him as an actor or not. I just can’t get over his High School Musical days. This trailer makes me laugh every time I watch it…and trust me I’ve watched it a lot. I was literally in tears the first time I saw it and I try to contain myself every time I have to watch it now…which is extremely hard. From a normal viewers point of view this trailer does everything it is supposed to. It has music that leads you into the theme of the movie. The trailer gives you an idea of what the movie will be about and shows you clips of the movie that will make people want to go see it. I know that they are different clips from different parts of the movie, but the way they put it together makes it seem like a mini movie.IT MAKES YOU LAUGH which is good because it is a comedy after all. Now that I have to pick it apart though, I wouldn’t say its good enough. I am afraid that all the clips they showed you in the trailer will be the only funny parts in the movie.This does tend to happen with a lot of movies these days…especially action films. That’s my only complaint about the trailer. Stop giving away all the good parts!!! But I’m still going to go see it regardless.


Some students at the University of North Georgia (UNG) from the film and digital media program won the Audience Award at the 2017 Athens 24 Hour-ish Film Festival for their horror-comedy short film, “And Beyond.”
Beginning the week April 26th, the students were able to write, shoot, and edit film in less than a weekend.
Students Tatianna Pangle and Jeremy Thao, the producers, Director Tylere Brown, First Assistant and Key Grip Brandon Adams, Tyler Calder as the sound-audio mixer, Tara Toombs as script supervisor, and Editor Kristina Kromer created the production. Thao wrote and directed the film production, while Pangle and Madeleine Pearson starred in the film.
“And Beyond” takes place in an alternative universe where actor Tom Hanks is portrayed as the president. The film involves two friends who discuss the politics of their universe, and through this conversation, one friend makes the decision to do something dramatic which could change their relationship forever. The premise of the film was required by the festival organizers. All teams were required to include Tom Hanks as president, a red shoe, and a specific line of dialogue in the film.
“Competitions like this challenge filmmakers’ creativity and test their ability to buckle down and do the work. This crew of students demonstrated their artistry as well as a high level of craftsmanship, both things which we instill in our majors. We’re very proud of them,” said Jeff Marker, head of the communication, media & journalism department.


In late 2016 I was invited to meet celebrated chef Michael Caines at the site of his planned flagship venture, Lympstone Manor. The magnificent but somewhat dilapidated property was then a building site, abuzz with tradespeople, lovingly restoring and extending it to realise Michael’s dream of creating a 21st century country house hotel, restaurant and vineyard. Michael excitedly showed me around the site, talking me through his vision for the hotel – and for a film he wanted to create.
Titled ‘No reason, just passion’, a phrase Michael attributed to the project, the film is a portrait of Lympstone Manor and how it represents the realisation of a long-held dream.
Phase two of Michael’s project involved planting a vineyard with the long term aim of producing Lympstone Manor’s own English sparkling wine. I will be documenting this on a ongoing basis, producing films as the vineyard develops.
The first mini-documentary, ‘The Planting of the Vines’, sets the scene – showing how over just a few days the grounds at Lympstone Manor were transformed and planted as a new vineyard.


THIS CONTAINS SPOILERS TO THE FILM. IF YOU INTEND TO SEE THE FILM DON’T READ THIS YET. READ IT AFTERWARDS.
I am not a big fan of horror films at all and even less fond of Stephen King, so The Mist was certainly not on my list of films to see. The thing that changed my mind was hearing that the director Frank Darabont was offered a huge amount of money, I think they were prepared to double his fee, to change the ending for a more Hollywood friendly version, but he refused.
So in way of supporting his decision not to bow to the focus groups I had to see it.
After a bit of a slow start the film settles into a whats outside suspense style film. A group of people get holed up at there local supermarket (which in my book is scary enough, imagine getting stuck in Woolworths) whilst outside a mist has descended and anyone caught in the mist is killed by things unseen. Well unseen at least for the first part of the film.
This genre of film tends to have horribly predictive heroes with ‘lets roll’ kind of moments as the main character grabs a knife between his teeth and switches his twin AKs to full auto whilst shouting some witty one liners as he kicks alien/mutant/zombie arse. None of that in this film, thank god. The film remains firmly planted in reality, well as far as people go. Outside the store reality has gone to pot.
As fear of whats outside increases order and society starts to crumble which brings us to a great character, Mrs Carmody. She is extremely religious and believes what is happening is the end of days and begins to preach to the people about how only the righteous shall survive. You know, the usual Bible preacher stuff. The people in there desperation and lack of anything better to cling too follow her and she promotes herself to a vessel from god.
I don’t want to give any spoilers away so will just say that it’s not a feel good film but is wonderfully dark and nasty film. It also reminded me of the game Half Life, at least in the look of the creatures. Thankfully the director did not change the ending. I can imagine what the studio wanted, shudder.


Kaylee Toland - Drama Subject Leader
I studied a degree in Drama and Theatre Studies at the University of Chichester, which I thoroughly enjoyed. I then went on to complete a PGCE at the University of Sussex.
I thoroughly enjoy working with, and teaching young people, I find it a very rewarding career. I am currently the curriculum leader for drama. One of my goals for the drama department is to boost extra curricular drama activities around the school, and to create more opportunities for students to share their amazing work through drama evenings.


"...a play of culture shocks and culture clashes, has you reexamining the everyday pattern's of the America you take for granted....
many flashes of radiance but a subtle through-line"
Howard Shapiro, Philadelphia Inquirer, InterAct Theatre, Philadelphia, PA
"McCullough uses the characters' relationships with Ater to explore such big themes as cultural imperialism, the persistence of ritual and the human cost of both social isolation and the need to belong." The Old Globe, San Diego, CA; James Hebert, San Diego Union Tribune.
Abu Ansari as "Ater," Chicago Dramatists 2005, directed by Russ Tutterow, photo by
SINCE AFRICA chronicles the relationship between a Dinka refugee from Southern Sudan and three Americans — a North Shore socialite, her daughter, and an African American Deacon — who help him acclimate to Chicago's unfamiliar urban surroundings.
A look at American culture through the eyes of an African, this play explores the tensions between blacks and whites, Africans and African-Americans, the devout and the non-religious.
As Ater tries to navigate this new world, the Dinka refugee is confounded by American's self-centered nature and our ideas of art and ritual. Just when he thinks he is finding his place here, a letter arrives with news of his family in Africa and it sends him into an emotional tailspin.
Meanwhile the Deacon's inability to connect with this refugee forces him to question his own identity as an African and as an American. The socialite's misconceptions and romantic notions about Africa are turned on end. Both she and her daughter, still reeling from the recent loss of their husband/father, have a difficult time processing their own private tragedy when faced with the truly epic tragedy of the Lost Boys of Sudan.
Guiding each of these characters through the journey of the play is the Nameless One, a non-speaking, dancer spirit who embodies the commonality of human experience and the under-lying spirituality in even the most lost souls.
Cast: 3 women, 2 men
Since Africa was a finalist for the Susan Smith Blackburn Award and nominated for a Joseph Jefferson Award for Best New Work (2005). It was commissioned by Cincinnati Shakespeare Festival and premiered at Chicago Dramatists.
"McCullough has written a sensitive and deeply thoughtful play with four rich characters"
Hedy Weiss, Chicago Sun-Times, Chicago Dramatists, Chicago, IL


After living through different decades with Marvel’s most “unusual couple,” WandaVision has come to an end after 9 astounding episodes. The finale answered questions asked throughout the series but left room for more questioning to be explored. From Wanda Maximoff becoming “The Scarlet Witch” to Monica Rambeau acquiring powers, here’s everything WandaVision could have set up as Marvel’s Cinematic Universe moves into its phase 4.
Not the Last We See of The Scarlet Witch
Early into WandaVision production, Kevin Feige (President of Marvel Studios) confirmed that WandaVision will directly tie into Doctor Strange in the Multiverse of Madness. Elizabeth Olsen’s Scarlett Witch/Wanda Maximoff is set to play a big role in the sequel alongside Doctor Stephen Strange himself, Benedict Cumberbatch.
The final post-credits scene of WandaVision depicts an isolated Wanda in a mountainous region drinking tea, all while her astral body is flipping through “The Darkhold,” or “Book of the Dammed.” Interestingly, Strange also practices astral projection during his training at Kamar Taj in Doctor Strange. It is unknown if Wanda or Strange will work together or against each other in the Doctor Strange sequel.
The director of the Disney+ series, Matt Shakman, confirms there is more to Wanda than we know. “There’s a lot more to her story to be told, so this is only one part of a very complicated and very rich life,” Shakman revealed. Olsen tells MTV that Wanda is “doing great” as filming continues in England for Doctor Strange 2 and describes both her and Cumberbatch’s characters as having an “evolution” since WandaVision.
Where are the Twins after The Hex disappears?
In the comics, Billy and Tommy’s souls are reincarnated through different parents and eventually join the Young Avengers. During the second post-credit scene, the twins are heard calling for their mother’s help, suggesting that they may still exist somewhere in a different universe or realm.
Only 2 more sleeps until a new episode of @wandavision? Are you as excited as us???#WandaVision #BillyandTommy #BillyMaximoff #TommyMaximoff #WandaMaximoff #TheVision #Marvel #MCU #JulianHilliard #JettKlyne pic.twitter.com/4joYLL875o— Julian Hilliard (@_JulianHilliard) February 17, 2021
The return of Billy and Tommy’s actors Julian Hilliard and Jett Klyne, respectively, doesn’t seem to be completely off the table. Back in November, both actors were seen in London, in now-deleted Instagram posts, around the time Doctor Strange 2 began filming. So there’s a high chance this isn’t the last time we see the twins back in action.
WandaVision Could Set Up The Young Avengers
Though it is not confirmed as a series or movie yet, Marvel has already cast most members of the Young Avengers before our eyes. In the comics, Billy and Tommy/Wiccan and Speed are members of the Young Avengers and they’ve already been introduced in WandaVision with their powers.
Other members in the group are Kate Bishop who will appear in Hawkeye on Disney+, played by Hailee Steinfeld. America Chavez, played by Xochitl Gomez, will appear in Doctor Strange 2. Cassie Lang (now played by Kathryn Newton), who we know as Scott Lang’s daughter, will return in Ant-Man and the Wasp: Quantumania. She becomes Stature in the Young Avengers comics.
Rumored to star in the upcoming Disney+ series, The Falcon and the Winter Soldier, Elijah Richardson is said to play Eli Bradley/Patriot — another member of the Young Avengers. Kevin Feige has not confirmed anything in development for them but it’s very possible later down the line in the MCU, the new generation of heroes could assemble.
Big Reunion for Captain Marvel Sequel
Teyonah Parris‘ (Monica Rambeau) role in the upcoming Captain Marvel 2 film, was solidified in WandaVision. From losing her mother to cancer to finding her inner hero, the series set up her role to take on space and reunite with “an old friend” in the next Captain Marvel installment. At least that what fans can expect from Rambeau, after a post-credit scene, in the final episode of WandaVision, explains the fate of the S.W.O.R.D. agent.
In the aftermath of the events in Westview, Rambeau is requested inside the town’s movie theatre. There, a skull acting as a S.W.O.R.D. agent reveals to her that an old friend of her mothers would like to meet with her, signaling upwards. This implies that Nick Fury, who we see hanging out in space at the end of Spider-Man: Far From Home, could be soliciting her assistance in space. Rambeau, who has developed powers after entering ‘the hex’, could come face to face with her “auntie” Carol Danvers in Captain Marvel 2.
So far, it’s confirmed that Megan McDonnell (WandaVision writer) will write the script and Candyman director, Nia DaCosta, will direct the film. As for the skulls, it could hint at their appearance in the future Disney+ series, Secret Invasion.
Mutants Join the Marvel Cinematic Universe
Early fan theories heavily suggested that WandaVision would introduce the X-Men into the MCU. The appearance of Evan Peters acting at first as “Pietro Maximoff” implied the existence of a multiverse, given that his version of “Pietro”/Quicksilver already exists in Fox’s X-Men universe as Peter Maximoff.
The Disney-Fox merger seemed like a no-brainer that the X-Men could be easily transitioned into the MCU through Quicksilver. As clever as the fan theories were, WandaVision put an end to them all. In the final episode, it’s revealed that Peters was playing a random civilian by the name of Ralph Bohner, who was under Agatha Harkness’ control while in ‘the hex’.
All hope isn’t gone, however. The Illuminerdi reports the MCU is developing a movie by the title of The Mutants. “It’ll be a while. It’s all just beginning and the five-year plan that we’ve been working on,” Kevin Feige said in 2019 regarding the X-Men, “So really it’s much more, for us, less about specifics of when and where [the X-Men will appear] right now and more just the comfort factor and how nice it is that they’re home. That they’re all back. But it will be a very long time.”


With “Dark Phoenix” hitting theaters this weekend, another chapter in the X-Men cinema saga comes to a close.
Including the two “Deadpool” movies, the franchise now sits at an even dozen films. “Dark Phoenix” will add to the reported $5.7 billion in earnings at the box office for the franchise, which makes it one of the most successful film series of all time.
Like other successful comic book-to-big screen projects, big-name actors have lent their talents with great results. Award-winning actors Patrick Stewart, Ian McKellen, Hugh Jackman, Jennifer Lawrence, James Marsden, Halle Berry, Famke Janssen, James McAvoy, Michael Fassbender, Kevin Bacon and Ryan Reynolds -- to name a few -- have graced the big screen as mutants.
With numbers and names like that, it is no wonder the success has filtered into collecting.
“The X-Men are very popular,” said Steve Grad, Principal Authenticator for Beckett Authentication Services. “Obviously Patrick Stewart, Ian McKellen, Hugh Jackman really led the way with the original movies, and we still regularly see those items come through for authentication.”
The new generation of films had the daunting task of following up the much-loved original trilogy, a task some franchises have failed. Not this group. Led by McAvoy, Fassbender and Sophie Turner, “X-Men: First Class,” “X-Men: Days of Future Past” and “X-Men: Apocalypse” gave the storyline new life (literally).
“I really think the older movies are more popular, but with Sophie Turner now involved with the new film, I think that could change,” Grad added. “She’s very popular, and people really love her from her work on ‘Game of Thrones.’”
One of the great aspects of the genre is the renewed interest in the source material.
“Almost always,” said Steve Borock, President and Primary Grader at CBCS. “Even when there are only rumors of an upcoming movie or TV show, we see a flood of books come in with that character or characters.”
The success of the X-Men movie franchise comes as no surprise to those familiar with its impact in comics – even if the original can’t be beat in the minds of many.
“The X-Men have a huge following in comics, especially since 1975 when Giant-Size X-Men #1 came out, but the X-Men movies are not as beloved as much as the comic is by most fans,” Borock said.
Be sure to visit www.beckett-authentication.com for your authentication needs and cbcscomics.com for comic book grading and certification.


Palm Beach, FL. May 14, 2005 – While many view the benefits of sport performance psychology as limited to sports and business, an accomplished movie actor recently offered a different glimpse into how these advisory services can help those in the film industry.
Rik Van Nutter, the actor who appeared alongside Sean Connery in the James Bond movie Thunderball, (as CIA agent Felix Leiter), with NFL legend Jim Brown in Pacific Inferno, and with Peter Ustinov and Sandra Dee in Romanoff and Juliet, indicates that people in all walks of life benefit from this “science of success.”
Van Nutter writes: Dr. John F. Murray, my good friend and advisor, has helped me a lot. He is well known and respected in his work with professional athletes, executives and celebrities and Im happy to be able to make these comments. His performance psychology services would be very useful in the high-demand film industry, and in many other endeavors where an indiviudal desires more success.” As a footnote, Rik was married to the film star Anita Ekberg in the 1960s and 70s.
Dr. John F. Murray is a sports psychologist and clinical psychologist providing sports psychology and counseling services based in Palm Beach, Florida.


Carmen is a 23 year old woman who owns a clothing Boutique in Downtown LA. She seems to have it all going for herself on the outside, but in the inside she is DAMAGED. Carmen is in a BATTLE with love, when her fiance' Lance becomes controlling towards her after announcing the engagement. She does what she can to make him happy by doing what he asks of her, but it's NEVER ENOUGH! After a night of arguing, she finds herself at a party, and stumbles across someone who will not only teach her the True meaning of love, but also show her what it can do!


Nevertheless Shakespeare keeps this character ambiguous, the fact that Othello is unable to stab him leaves the audience wondering the nature of Iago’s villainy and evil linking him closer to the devil. It looks like your browser needs an update. Emilia expresses astonished disbelief, and Othello says, "Ay, 'twas he that told me first: / An honest man he is, and hates the slime / That sticks on filthy deeds" (5.2.147-149). Act 5 Scene 2 Emilia: Emilia is the guardian of Desdemona’s honor, a role Othello should have assumed. Start studying Key Quotes: Iago. If Iago is the devil incarnate, pure evil, then he needs no motives other than evil itself. In his final speech the Moor presents himself as both hero and villain. But then if I were you, I would not be me, and if I were not â¦ Rationality on Marriage Act 5 Scene 1 Iago: Although often Iago is labels as a “motiveless villain” this quote highlights his jealousy as one of the sources and roots to the tragedy he is creating, emphasizing the destructive nature of jealousy as a whole. Her subversive nature is highlighted here and the fact that Desdemona blames herself could actually show that she has come to the realization that going against societies conventions and desiring a marriage that would have been portrayed as negatively towards the contemporary audience is her downfall. Emilia also shows courage and self-assurance in chastising Othello for doubting his wifeâs virtue, scolding him âIf you think other / Remove your thoughtâ (4.2.). He reminds Lodovico and the others (with characteristic self-effacement) that he has been of service to the Venetian state, and seems to want to insist on his identity as heroic soldier, not disastrous husband. He is to save Desdemona from herself, not in hate but in honour; in honour, and also in love. .whose noble nature was wrought on . Emilia. Ac 5 scene 2 Othello: Shakespeare is trying to show Othello’s confusion; his speech at line 90 is a little disjointed, with short phrases and questions. Act 5 Scene 2 Iago: Even though this quote does once again highlight Iago’s villainy, it does emphasize the fact that Othello in reality really did concoct his own downfall. Examination Questions on Othello Question: What is the relationship between Iago and Emilia? To ensure the best experience, please update your browser. Relationships between different races were still prohibited and viewed negatively. He feels that nature should reflect the chaos he finds himself mired in. 369â370). Iago can often be likened to the devil which this quote portrays him as lacking humanity. Act 5 scene 2 Desdemona: though this quote prove to create even more pathos from the audience through Desdemona’s undying love that she continues to feel for Othello highlighting her devotion towards him, it could also convey many character tragic flaws that Desdemona truly has. Twice more Emilia expresses the strongest possible doubt that it was Iago who said that Desdemona was false, and Othello becomes impatient with her. She follows Iago in wifely duty, but during the play develops a strong loyalty to Desdemona and, at the end, denounces Iago's lies to defend Desdemona's reputation. He still insists that he is honourable: has his pride been his downfall? In spite of all the bizarre behaviour Iago has induced in him the dignity of his ending is impressive . Emilia’s love for her mistress and her determination to honor the truth illicit much courage and independence from the character which, in light of the tragic sequence of events, can be seen as heroic. Emilia’s castigation of Othello reminds us how far the noble Moor has fallen and the cruelty of her words might perhaps represent some kind of poetic justice. This again links to the racist ideas that were common practice at the time. âVillainy, villainy, villainy!â âHe begged me to steal itâ âfoolâ Act 5 Scene 2 Emilia: Emilia is the guardian of Desdemonaâs honor, a role Othello should have assumed. '” (lines 96-7). -Emilia -Desdemona Explication: Emilia is talking about men how they are the same (Iago, Othello) and once finished he âbelchesâ the women, gets rid of her since no use left. Powered by WordPress. Iago to Emilia Iago stoops low enough to the point of even deceiving his own wife all in his grand scheme to get revenge against Othello. "Now, now, very now" Repetition when talking to Brabantio ... "Othello's opinion of Iago was the opinion of â¦ Because the handkerchief serves as proof of married chastity, it cannot be copied by Emilia and Bianca. When she realizes Othello has killed Desdemona, Emilia immediately lashes out at him, stating âThou dost belie her and thou art a devilâ (5.2. Iago uses and manipulates Emilia by getting her to take the handkerchief that Othello gave to Desdemona as a token of his love. However, his devilment is clearly recognized by all the characters on stage. The repetition of this quote is highly charged; Emilia is as reluctant as Desdemona to believe her husband is not what he seems. Search. . Thrown such despite and heavy terms â¦ “Villainy, villainy, villainy!” “He begged me to steal it” “fool”. (3.4.) ). Of course, it seems that Shakespeare never wishes us to fully understand Iago’s motives. That he sees Desdemona’s death as a monumental loss can be confirmed by the fact that he thinks there should now be “‘a huge eclipse / Of sun and moon, and that th’affrighted globe / Should Yawn at alteration'” (lines 97-9). Act 5 Scene 2 Othello: But does Othello remain somewhat deluded and self-dramatising, as some critics have suggested? Emilia defies her hierarchal position and condemns the Moor for his baseness in calling Desdemona a “*****”. lago has neither the desire nor the ability to love anything or anybody. English II Honors: Othello Act 5 Study Guide, “If Cassio do remain he hath a daily beauty in his life that makes me ugly”. "No one in Othello comes to understand himself or anyone else. She is caught between her conscience and her responsibilities as both a wife and Desdemona's attendant. Act 5 Scene 2 Iago: This could be seen as a weak ending for such a diabolical villain, however it adds to the enigmatic nature of his evil and suggests that Iago was acting entirely without motive. My husband say she was false?’ . ââTis not a year or two shows us a man.They are but stomachs, and we all but food;They eat us â¦ The Othello quotes below are all either spoken by Iago or refer to Iago. “Oh brave Iago, honest and just That hast such a noble sense of thy friend’s wrong! . (report of a lecture), "The Othello who enters the bed-chamber with the words, 'It is the cause, it is the cause, my soul', is not the man of the Fourth Act. Shakespeare's Venice looks like some accounts of his plays, since it is not a place that can tolerate difference: the only characters left alive on stage are white men. As soon as they arrive,... (full context) One minor relationship which revealingly impacts the tragic arc of the play is that between Iago and Emilia. Instead of seeking safety in silence and ignorance, Emilia shouts ‘I care not for thy [Othello’s] sword… the Moor hath killed my mistress. This servitude was a key contributor to her murder in this scene. Cassio finds the handkerchief, and he asks Bianca to make a copy of it. When her husband draws his sword against her, Emilia does not shy away but instead shows a bravery that challenges her assumed reputation, and cries ”Twill out, ’twill out. Emilia questions the Moor of the source of this deceit and dishonesty. She's just trapped in a marriage to possibly the most malevolent Shakespearean villain ever. âI wouldn't even consider it if I were you. Iâll have the work taâen out And give ât Iago. EMILIA THE HEROINE (however these heroic qualities could be undermined by the actions that she previously committed though unintentional against Othello and Desdemona). Act 5 Scene 2 Iago: Even though this quote does once again highlight Iago's villainy, it does emphasize the fact that Othello in reality really did concoct his own downfall. It is an emblem of Desdemona's body that does not circulate because her body is not supposed to circulate: the regulated passage of the handkerchief is along family lines, not elsewhere. However, it could also show the incompatibility of Desdemona and Othello, they were too different. Act 5 Scene 2 Lodovico: The fact that his comes from a the superior and upper class Lodovico heightens the tragedy of the situation. “angel” and “devil””water” and “fire””blacker devil” and “heavenly true”. Throughout, his motives have been questionable and founded merely on rumors and hearsay. ", "Shakespeare had portrayed [Othello] the very opposite to a jealous man: he was noble, generous, open-hearted; unsuspicious and unsuspecting; and who, even after the exhibition of the handkerchief as evidence of his wife's guilt, bursts out in her praise. Emilia is perceptive and cynical, maybe as a result of her relationship with Iago. "It is thought abroad that 'twixt my sheets. In her dying words she says ‘Moor she was chaste…so come my soul to bliss, as I speak true; so speaking as I think, I die, I die’ (5:2:247-249). Learn vocabulary, terms, and more with flashcards, games, and other study tools. Cassio makes this comment to Iago after greeting Emilia with a kiss. When Iago declares at the end of the play that 'From this time forth I never will speak word' (V, ii, 301), the very means by which he avoids self-incrimination becomes an assurance that he will not repeat his offence. (2.1.) Emilia Analysis . Act 5 Scene 2 Othello: Othello proudly declares that he has killed his wife moments after denying having any knowledge of her death. Questions the extent of Iago’s villainy and more of Othello’s own hamartia that caused his tragic downfall. From this day forth I never will speak a word”. Thinks Cassio had an affair with Emilia too! Emilia and Iagoâs relationship is extremely unbalanced. Alas, Iago, my lord hath so bewhored her. Oh no! Admittedly Othello does not confess his own guilt or express remorse here, but he clearly understands what he has lost. "The fifty-two uses of honest and honesty in Othello are a very queer business: there is no other play in which Shakespeare worries a word like that . I have no wife”. “O, thou Othello, that wert once so good”. “I look down towards his feet – but that’s a fable. That is his motive. "Iago's polemics is modelled on and distorts methods prescribed by sixteenth-century sermon theory. However, it could also show Emilia coming to realization of the character that she truly believed Iago to be but had constantly been denying to herself. This is due to Iagoâs manipulation. In Act IV Scene 2, Iago is annoyed when Emilia refers to Iagoâs false suspicion that Othello cuckolded him. lago uses Emilia as his tool; she is cared for only in so far as she is of use to him. Act 5 Scene 2: The characters finally come to the realization of what Iago truly is however it has all come too late to stop this tragedy from ensuing. Resources. While Emilia loves Iago, Iago does not love Emilia. Othello is a mighty war general who should not be taught how to slay and kill. “This is the night that either makes or fordoes me quite”. Quotes to show Iago believes Othello slept with his wife. âI know thou didst not,â she says to Iago in the last scene in the wake of finding Othello had killed her special lady, ââ¦thouârt not such a miscreantâ (Act 5, Scene 2). In Othello, there are certain relationships that Shakespeare establishes which turn out to have major repercussions on the main action of the play. Iago is a “‘cursed slave'” “Spartan dog” and a “‘demi-devil'”. Ultimately, whatever its proximate motives, malice is motiveless; that is the secret of its power and its horror, why it can go unsuspected and why its revelation always shocks. This is further evidence of the tumultuous state of his mind but also that in denying having done any wrong, his strong conviction and belief that he is in fact merely and agent of justice. In his final speech and his suicide he is able, as he was before the Senate of Venice, to express his nobility and to manifest himself rightly. When Othello demands an explanation, Iago is silent. Although throughout the play Iago is constantly portrayed as a somewhat director of a play within a play, ultimately no one is really invincible in the tragic genre. Emilia response to Iago shows her voice: Cassio (to Iago) Not to-night, good Iago. The closeness of Iago and Othello also seems to be suggested by the references to unchristian behavior. This was her first remembrance from the Moor. Although everyone, including Othello, believes that Iago is a loyal and devoted friend, Iago understands the strategic advantage that false friendship gives him. “She’s like a liar gone to burning hell: Twas I that killed her!”. Iagoâs public treatment of Emilia is as dismissive as the way he speaks to her in private. What wife? This is an example of women showing obedience to the men He was a gallant Moor, of royal blood . . Everybody calls Iago honest once or twice, but with Othello it becomes an obsession; at the crucial moment just before Emilia exposes Iago he keeps howling the word out. Quotes. Emilia also hints at her loyalty potentially being to her own self first (though she has played the game of the obedient wife throughout the majority of the play) in Act IV, scene iii. #2: âBut I will wear my heart upon my sleeve For daws to peck at: I am not what I am.â #3: âOur bodies are our gardens, to the which our wills are gardeners.â Iago says this line to Roderigo at the start of the play as he explains that he secretly hates Othello and is plotting against him. Upon learning that the source is her husband, she cries: ‘O mistress, villainy hath made mocks with love! #2: âI am glad I have found this napkin. He seizes on discourses that the Shakespearean audience was accustomed to as salvific, and he deforms them toward an evil end. . “Demand me nothing. Iago is responsible for the death of almost every main character in this play, whether directly or indirectly. Iagoâs short lines sound like threats: âSpeak within doorsâ (IV.2.146) and âYou are a fool, go toâ (IV.2.150). 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Filmmaker Michael Bay will make a new thriller centering on use of a Ouija board. This is more important than it may sound.
I’m not one to get paranoid about the occult, but the latest news from the Hasbro toy company strikes me as more than a little odd. The toymaker reports that filmmaker Michael Bay will produce a film called "Ouija" for Universal Studios. According to the Hollywood Reporter, the film will be "a supernatural adventure with the Ouija board playing an integral part."
Bay’s most recent film as director was the immensely successful Transformers, released last summer. Hasbro is the maker of the popular toys on which the movie was based.
Bay’s production company, Platinum Dunes, has produced numerous horror films in recent years, including remakes of The Amityville Horror, The Texas Chainsaw Massacre, and The Hitcher. The company plans to release a remake of Friday the 13th next year.
As the Reporter story notes, the ouija board is marketed as an innocent toy, but the premise behind it is very strange indeed: "Players’ fingers are placed on a small planchette that mysteriously moves to letters and numbers in order to spell out messages from beyond the earthly realm."
Because of this aspect and the Christian and Jewish objections to what is called divination, Hollywood depictions of ouija board use have typically been cautionary, suggesting that dabbling with them is dangerous. Particularly notable is the centrality of ouija board use in laying the groundwork for the demonic possession of young Regan in the book and film The Exorcist.
It looks extremely unlikely that a film made in cooperation with a firm that has sold millions of ouija boards worldwide since 1966 will take that approach. If the film is a success, interest in and use of ouija boards can only increase. That, of course, is Hasbro’s intention.


L é o n i e V i n c e n t
A c t o r
Welcome to my official website!
I am a half French, half Swedish multi-lingual actress, fluent in English (UK and US), Swedish and French, hailing from Stockholm, Sweden.
My passion is bringing characters to life with depth and intensity.
I strive to bring a unique perspective to characters I play, grounded complexity and warmth.
With extensive experience and training, I am able to tackle challenging and diverse roles that push the boundaries of my abilities.
I am always on the lookout for new and exciting projects to take on. I am dedicated, hardworking and ready to make a difference in the world of film.
I strive to connect with audiences and deliver performances that leave a lasting impression, and I am grateful for the opportunities to showcase my abilities.
Furthermore, as a professional, I am easy to work with and able to collaborate effectively with directors and other actors, making me a valuable asset on any set.
If you are searching for an actor who is committed, nerdy, passionate, and able to deliver memorable performances, you've come to the right place!
"Léonie has a strong, inspiring and rewarding force.
As an employee, she is eager to contribute to the artistic development in the organization, and as an actor she is incredibly skilled and brave.
..She loves challenges and has managed to deliver fantastic performances - complex character work, strong and at the same time vulnerable vibrating."
- Therese Willstedt 2019 (CEO, Artistic Director, Stage Director)


Israel’s film industry has been making waves in the international scene in recent years, with critically acclaimed movies such as “Foxtrot” and “Sand Storm” garnering attention and awards at prestigious film festivals around the world. But beyond just the success of individual films, Israel’s film industry as a whole has been steadily growing, with an increasing number of Israeli movies being produced each year. If you’re a film enthusiast visiting Israel, exploring the country’s film industry is a must-do. Here’s a tour guide to some of the cities and regions that are at the forefront of Israel’s film industry.
Tel Aviv: The Heart of Israeli Film
It’s no surprise that Tel Aviv, Israel’s bustling cultural and commercial hub, is at the center of the country’s film industry. The city is home to several film schools, including the prestigious Sam Spiegel Film and Television School, which has produced some of Israel’s most successful filmmakers. Tel Aviv is also home to the Tel Aviv International Student Film Festival, which showcases the work of young filmmakers from around the world. If you’re interested in catching a film while in Tel Aviv, check out the city’s art-house cinemas, such as the Cinematheque and the Lev Cinema.
Haifa: The City of Festivals
Haifa, Israel’s third-largest city, is a hub for cultural events, including several film festivals. The Haifa International Film Festival, held annually in September, is one of the country’s biggest film events. The festival showcases both Israeli and international films, and draws filmmakers and audiences from around the world. Haifa is also home to the Haifa Film Workshop, a program that provides funding and support for emerging filmmakers.
Jerusalem: A City of Contrasts
Jerusalem, Israel’s capital, is a city of contrasts, where ancient history and modernity collide. The city’s film industry reflects this dichotomy, with filmmakers exploring themes of religion, politics, and identity. One of Jerusalem’s most notable film events is the Jerusalem Film Festival, which showcases both Israeli and international films. The festival takes place each July at the Jerusalem Cinematheque, one of the city’s most popular cinemas.
South of Israel: Desert and Diversity
The south of Israel may not be as well-known for its film industry as Tel Aviv, Haifa, or Jerusalem, but the region has been the setting for several critically acclaimed Israeli films. The Negev Desert, with its stark, otherworldly landscapes, has been the backdrop for several movies, including “Sand Storm” and “Deserted.” The city of Be’er Sheva, the capital of the Negev, is home to the Be’er Sheva International Film Festival, which features both Israeli and international movies.
Conclusion: Israel’s Film Industry on the Rise
Israel’s film industry may be relatively small compared to Hollywood or Bollywood, but it is a vibrant and growing part of the country’s cultural landscape. From Tel Aviv to Haifa to Jerusalem to the Negev, there are countless opportunities to explore Israel’s film scene, whether you’re interested in catching a movie or taking a film-related course. As Israel continues to produce successful and innovative films, it’s clear that the country’s film industry is on the rise.


Everybody loves a villain. In Joaquin Phoenix’s new movie I’M STILL HERE he allows us to watch as he turns himself into one. Though the film never admits to it, this is an experimental look at the way we interpret celebrity, debauchery and madness. As Phoenix transforms into a self-important jerk we learn something about oursleves and the expectations we place on our public figures. We have in the end or scathing criticism of Hollywood and celebrity media.
The fact that it is all fabrication does nothing to hurt the movie-going experience. In fact, it adds to it. Phoenix has invested more dedication into this character than any in his history, and the bravery he exhibits is the best part of the story.
I liked also how there was no aversion to showing uncomfortable scenes. We get to see all sorts of self-destruction such as drug use, prostitutes, vomiting and public embarrassment (including five minutes of the David Letterman interview that brought the new Joaquin character into the limelight.) Witnessing Phoenix in these compromising situations brings us closer to the character. And that’s not the only method they employ to get us to love him. There’s also something a little bit transcendent about the new Joaqhin. His image is almost prophetic and in one scene he has a reverence to the spiritual ramblings of actor Edward James Olmos. There is something identifiable in Phoenix’s desire to be true to himself and his dreams of rap notoriety. By the end of the film it is almost excruciating to witness his life completely fall apart.
If you haven’t seen this yet I’m going to completely spoil the ending for you unless you stop reading here. The final sequence of the film is one of my favorites. After his disastrous encounter with David Letterman, Phoenix flees to Panama to visit his father. The final shot of the film is an incredibly long one, where Phoenix walks through a river and slowly sinks into it until he is completely submerged. This ending is a parallel to the images that started film, of him jumping into a pool near a waterfall. The clear biblical illusion to baptism is one of the most interesting concepts of the film. Phoenix is here killing his one year persona to be born again into his actual self.
All in all the movie is both compelling and entertaining. I award it 4 F**king Awesomes which will be represented by a picture of Joaquin’s beard because it’s bad ass.
I had one beer and about 12 oz. of a pretty strong screwdriver which were incredibly easy to sneak into the Broadway Theatre. There were like three other people in the theatre with Delano and I and it was so dark in there no one could have seen our drinks. In fact it was almost too dark since I myself could hardly see my own drink. I could certain hear Delano’s drinks though since he apparently has no skill for preventing them from clinking into each other and/or falling over. I award The Broadway 4 1/2 F**king Awesomes.
I’m Still Here is an exceptionally bad movie, though the attempt to entertain is admirable. The movie explores the narcissism of celebrity, or at least the character of an overconfident seemingly prima-donna who believes he can conquer any industry after conquering the film industry. What he doesn’t understand, and what P-Diddy shows, is that it takes a lot more effort to suck at music and be famous than what Phoenix is able to put out.
Yet, there are those who will say, that in the process of exploring the hubris of the celebrity, Phoenix and Casey Aflek actually explore the obsession of the public with celebrity. He pushes himself further into degradation, and the audience is expected to react. The film attempts to heap sympathy onto Phoenix, and then asks the audience to compare this to the media coverage of Phoenix, and then explore the difference. Don’t get me wrong, there are some times when I really felt as though I had to walk away from the film, feeling so sorry for the Phoenix character. This comes at what could be construed as the climax of the film, which is a meeting with P-Diddy in a studio, a meeting Phoenix has anticipated since the beginning of the film, only to be told off by Diddy. This moment is complex and crushing, as we watch all the hope drain from Phoenix, as he still attempts to cop an attitude.
Yet, this comparison between the empathy the audience is expected to feel with the character versus the media perception of him falls flat if the audience is unaware of anything Phoenix has done prior to the film, as well as the attention it has received afterwards. Some, like myself, might be unaware of Phoenix’s prior success as Johnny Cash in Walk The Line. I needed some reminding, since that character was simply Jonny Cash to me, which should be kudos to Phoenix for making the actor dissolve in the film, but I was also attempting to finger a girl on a couch in a shitty apartment while I was watching it, so I wasn’t really paying much attention anyway, so perhaps that isn’t a compliment. Nevertheless, the sheer fact that this movie depends on the notoriety of the actor’s previous success simply bounces the attention from the audience back towards the narcissism of the celebrity. In a word, this movie couldn’t stand on its own for maximum dramatic effect.
I might have relented on this film had not those responsible for creating this atrocity revealed that it was a hoax all along, as Phoenix did recently on David Letterman. This is simply another “fuck you” at the audience, which, on second thought, is kind of redeeming given that I enjoy a little butt play, as well as the works of Robert Morris and Donald Judd, whose work is also a “fuck you” to the audience. To align this film with minimalist sculpture would not be a stretch, but I will leave that to those more rehearsed in that field.
Revealing that it was a hoax all along simply shatters the reality of the documentary, and pushes it back into the realm of shear entertainment rather that informational. Can we now call it a documentary given the information? Can we simply ignore the information and appreciate it for what it is? If we have to have an understanding of what is at stake for our pro/antagonist as far as his previous success is concerned, don’t we have to have take into consideration what is said of the film after the film?
Throughout the film, there is a grappling with the frustrations of the general public believing Phoenix is hoaxing it up. While they play it off pretty well, confronting one of his assistants about allegedly selling information to the press, what if it had all worked out? What if Phoenix had succeeded in throwing away a film career for music? Let’s not forget that Diddy liked two track produced by Phoenix, even he was being polite, and even if Diddy might have been in on it. I mean, Kevin Bacon is in a band, and while it isn’t a very good band, I’m sure Bacon loves being in the band regardless of its success. Drake made his way from cut-rate acting to hip-hop stardom. And there are less talented people out there that have had success, like ICP. If Phoenix had had some minor success in hip-hop, would he have pursued it? And then what might we think of the film?
There were a lot of funny parts in the film that probably could not have been replicated if it was scripted, such as Phoenix getting shit on, and there were some powerful moments, such as Phoenix baptizing himself in the river (and then arising, post-film, pure and shaven to reclaim his film success). Nevertheless, this film sucked, like all movies do. Obvious gaffs, such as the director, Casey Aflek jumping in and adding commentary, were blights on the documentary genre, particularly after the established fact that this is a commentary-less documentary. Plus, the “Fuck you” to the audience is a bit of a turn off, but when you think about it, kind of a turn on. Lots of shaky camera for authenticity. And Goddamn if Phoenix talking about “smelling their bubbles” isn’t really believable. In attempting to create a sympathetic character from a character that unsympathizable (such as the movie “The Wrestler”), we merely found out where Arther Craven has vanished: in Juaquin Phoenix. This leads me to my final film score: 2 1/2 fucking sucks, but since I had so much fun writing this review, I’m going to give it 1 fucking suck, but since Joaquin Phoenix is tough to spell, and even when you spell it right it still pops up in spell checker, I’m going to finally give it 1 1/2 fucking sucks, which I will also represent in the form of Phoenix’s nappy beard, which sucked.
The theater was way too dark to find where my bottles were, as I blindly groped for the bottle-opener. Furthermore, no one goes to this theater, making my colleague, Johnny Awesome, and I stand out as we try to down what is clearly a beer and a screwdriver. The Broadway, though, isn’t really known for its accommodations and comfort that suburb superplexes are known for, because the focus is on film, not the stadium seating, or overpriced gourmet (though you can purchase a latte, which is awesome), or the all-in-one shopping located within. The Broadway lacks all of these, and that’s why this place sucks. It cuts the crap and focuses on film. I am giving it ½ fucking suck.


Fallen 1998 Watch Online Full Movie Free. You can Download Fallen 1998 full movie free with easy direct option Only at Rdxhd. Fallen 1998 Movies, TV, Celebs, and more. Menu. Movies. Showtimes & Tickets Showtimes & Tickets Top Rated Movies Most Popular Movies Browse by Genre Top Box Office In Theaters Coming Soon Coming Soon DVD & Blu-Ray Releases Release Calendar Movie News India Spotlight. TV Shows. Top Rated Shows Most Popular Shows Browse by Genre TV News India. 19/12/2014 · UPDATE: After home video only distribution in the US and little success among audiences, you have a better chance of winning big at onlineroulettecasino.co than seeing a sequel actually happen. A Fallen sequel is in the works, despite Fallen not having been released yet. A movie for Torment, the Fallen sequel to Lauren Kate‘s four.
After witnessing the execution of serial killer Edgar Reese Elias Koteas, whom he arrested, police detective John Hobbes Denzel Washington, and his partner, Jonesy John Goodman, are soon investigating another murderer whose mode of operation is. Fallen 1998 User Score. Play Trailer; Overview. strong violence, horror, gore, and strong drug use. A movie rated R for profanity often has more severe or frequent language than the PG-13 rating would permit. An R-rated movie may have more blood, gore, drug use, nudity, or graphic sexuality than a PG-13 movie would admit.
Fallen subtitles. Detective John Hobbes is searching for a criminal he's already met. already caught. and already killed. Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style. Watch Online Fallen 1998 Free Full Movie with english subtitle. Stream Fallen Online on 123movies and 123movieshub. After my initial viewing of the movie, Fallen, I knew that I had just seen a brilliant film. However, I did have a few questions, mostly concerning plot holes and things of that nature, so I immediately watched the parts in question again and found that everything ties in nicely with very few, if any, plot holes.
|Fallen is a great mix of crime film, and supernatural horror with a psychological twist. The movie describle the execution of serial killer Edgar Reese and the witnesses of homicide detective John Hobbes to those killing series.||28/04/2019 · Fallen 1998 Official Trailer - Denzel Washington, John Goodman Movie HDHomicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they.||You are watching the movie Fallen 1998 produced in USA belongs in Category Adult, Adventure, Animation, Aventure, Family, Film-Noir, with duration 124 min, broadcast at 123MOVIES.10S.LIVE,Director by Gregory Hoblit, The film is directed by Gregory Hoblit.||“Fallen” is the kind of horror story I most enjoy, set in ordinary and realistic circumstances, with a villain who lives mostly in our minds. Movies like this play with our apprehensions, instead of slamming us with freaky special effects. By suggesting that the evil resides in the real world, they make everything scary; one of the movie's.|
Fallen 1998 tt0119099. Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Fallen ends with a brilliant and unusual twist, and if you know the ending, the film is much more fascinating. Therefore, if you haven't seen the movie stop reading now, and, after you see the film, join me back here later. Rent Fallen 1998 starring Denzel Washington and John Goodman on DVD and Blu-ray. Get unlimited DVD Movies & TV Shows delivered to your door with no late fees, ever. Fast, free delivery. One month free. Fallen Yify Hd Movie Psychopath Fallen 1998 Torrent Fallen Full Movie With English Subtitles Yts Fallen. Recent Movies. Brexit 2019 7.1. Political strategist Dominic Cummings leads a popular but controversial campaign to convince British voters to leave the.
Movies; Fallen 1998 Play Now. Turn off light Favorite Comments Report. HD Server. HD 1080p. Stream in HD Download in HD. Stream in HD Download in HD. Fallen 1998 Watch in HD. Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Is Fallen worth seeing? Fallen shares the same exact same plot summary as Shocker and House 3, both of which came out back in 1989. 9 years later, Fallen was released and made more of the story than either previous movie could have dreamed of. Fallen was better directed, better funded and featured an all-star cast that all combined to put it in. Showtimes & Tickets Top Box Office Coming Soon Most Popular Movies Top Rated Movies Top Rated Indian Movies Lowest Rated Movies Movie News. TV Shows. Top Rated TV Most Popular TV TV News. Fallen 1998 Full Cast & Crew. Directed by 1 Writing credits 1 Cast 70 Produced by 9 Music by 1 Cinematography by 1 Film Editing by 1. Fallen 1998 mijn stem. 3,59 1837 1837 stemmen. Verenigde Staten Thriller / Mystery 124 minuten geregisseerd door Gregory Hoblit met Denzel Washington, John Goodman en Donald Sutherland Politieman John Hobbes Washington heeft eindelijk seriemoordenaar Edgar Reese te pakken en is getuige van diens executie op de elektrische stoel. Als.
Movie reviews for Fallen. MRQE Metric: See what the critics had to say and watch the trailer. Any movie that uses The Stones as a motif is alright by me. The plot leads up to a thoroughly satisfying conclusion. The narration aspect of the movie was a really clever little add on and ties the whole movie together. Fallen, for me, is one of those movies that I like despite knowing that its not nearly as good as it could have been. Financial analysis of Fallen 1998 including budget, domestic and international box office gross, DVD and Blu-ray sales reports, total earnings and profitability. Find trailers, reviews, synopsis, awards and cast information for Fallen 1998 - Gregory Hoblit on AllMovie - Directed by Gregory Hoblit Primal Fear, Fallen.
View in iTunes Academy Award-winner Denzel Washington stars as a tenacious homicide detective caught in the grasp of unimaginable evil in the suspense-thriller Fallen. Detective John Hobbes Washington and his partner, Jonesy John Goodman, apprehend a demonic serial killer and witness his execution--but the grisly murders continue. One of two movies with Denzel Washington and John Goodman in which the Rolling Stones song Sympathy for the Devil appears: in this film and Flight 2012 from Robert Zemeckis. Both Gregory Hoblit and Robert Zemeckis have made successful time travel films like Frequency 2000 and the Back to the Future movies. Fallen is the first novel in the Fallen series written by Lauren Kate. It is a young adult, fantasy, paranormal romance published in 2009 under Delacorte Press. The novel revolves around a young girl named Lucinda Price who is sent to Sword & Cross Reform School in Savannah, Georgia, after she is accused of murdering a boy by starting a fire. Fallen 1998 Cast and Crew After witnessing the execution of serial killer Edgar Reese Elias Koteas, whom he arrested, police detective John Hobbes Denzel Washington, and his partner, Jonesy John Goodman, are soon investigating another murderer whose mode of operation is eerily similar to Reese's. What to Expect Fallen is more of a thriller than a horror, but it involves enough of the supernatural to qualify for inclusion here. It probably won’t be considered “scary” to most fans of horror, it contains no gore, has no need of visual effects and you never actually see the supernatural threat.
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4951 Studios originally started out as 4951 Films. My original mission was to create films and videos. The colors represent the very foundations of color in film itself. Technicolor was based on the mixture of Red, Blue and Green to create color in film. Ultimately my homage to the beginning of film, which parallels to my beginning.
The shapes that surround the Icons are the extraction of the negative space with in a film reel. As I branched out in search of new forms of expression I started doing photography as well as design. The three icons represent the three disciplines I currently pursue Video, Design and Photography.
The 3D rendering of the image represents the future and will ultimately be used as the intro for my productions.
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Feature Friday - Synchronicity Films
26 June 2015
On Feature Fridays we picked one company from our Directory and got to know their business a bit better by asking them a few quick questions.
1. Who are Synchronicity Films?
Synchronicity Films is an award-winning production company owned and run by producer and executive producer Claire Mundell.
Synchronicity creates, develops and produces feature films and television drama. We seek out original voices and bring stories to life with energy, passion and care. We work on projects we love, with people we like.
Claire is a former Chair of BAFTA Scotland and an alumni of the prestigious film business development programme Inside Pictures.
2. Tell us about some of your most notable work
Most recently Synchronicity produced NOT ANOTHER HAPPY ENDING, a romantic comedy with Scottish star Karen Gillan in the lead role. Not Another Happy Ending was the Closing Film of the Edinburgh International Film Festival 2013. It tells the story of blocked novelist Jane Lockhart, whose struggling publisher has to unblock her or he's finished. With Jane's newfound success, she's become too happy and she can't write when she's happy.The only trouble is, the worse he makes her feel, the more he realises he's in love with her....
We also co-produced the multiple award winning WEEKEND, from acclaimed writer - director Andrew Haigh. Weekend is a tender contemporary love story, about a 48 relationship which develops when Russell heads out to a gay club, after a drunken house party with his straight mates. Just before closing time he picks up Glen, but what's expected to be just a one-night stand becomes something else, something special.
We won BAFTA Scotland Best Film award in 2009 with the movie CRYING WITH LAUGHTER, written and directed by Justin Molotnikov. Crying with Laughter is a revenge thriller with blackly comedic elements, about two former school friends who are defined by an incident in their past that one can't remember, and the other can't forget.
Synchronicity's current slate includes an adaptation of Paul Auster's IN THE COUNTRY OF LAST THINGS to be directed by Peter Webber (Girl with the Pearl Earring); THE DEVIL'S STAIRCASE to be directed by Ben Lucas (Wasted on The Young); KILL, a taught psychological thriller by first time writer/ director Rodger Griffiths, in co-production with Cinescope ; thriller BLIND MICE, director Simon Arthur (Silver Tongues) in co-production with Blinder Films; and GLASGOW KISS from Sundance-winning writer / director Marianna Palka.
Synchronicity's television drama development slate includes THE CRY, a 3 parter for BBC1 written by Jacquelin Perske (Love My Way) based on the novel of the same name by Helen Fitzgerald; REDEMPTION SONG, written by Ben Tagoe (Coronation St); SURROGATES by Colin McLaren (The Legend of Barney Thomson, Donkeys); and several other projects with some of the UK's top television writers.
3. Where are you based?
Synchronicity Films is based in the West End of Glasgow.
4. What's the biggest challenge film producers face in Scotland?
The challenges facing Scottish producers are multiple and varied. The journey of a film from initial idea to distribution is a long, complicated and often torturous road, not for the faint hearted! Television drama is just as complex, competitive, labour intensive and demanding.
It's hard to single out just one challenge, but I'd say the biggest is perhaps the struggle to stay alive as a company long enough to survive the length of time that any form of drama - film or television - takes to develop, and get funded into production.
Most small scripted indies in Scotland are undercapitalised and when lead times are at least 2 - 3 years, often more, it's tough to sustain sufficient turnover from the small amounts of overhead and recoveries achievable during the development phase.
Ratios of development to production are pure conjecture but rarely any less than 15:1, meaning company slates require multiple projects in order to increase the chances of any single project getting into production. Proper attention and development of those projects requires skilled drama and scripted professionals, and that talent is hard to find, afford and retain in Scotland when demand and generous remuneration for their experience is offered not just in London, but now (with the proliferation of drama) all over the world. Small scottish film producers have to compete for such talent or grow their own.
Drama development is also demanding on resources in relation to source material. Significant capital is required for the acquisition of rights in existing properties such as books and scripts, but also to enable commissioning of original material, so we often have to work harder to compete with the well capitalised super drama indies.
A base in Scotland of course means regularly being in London, often every other week, to ensure key relationships with talent and business contacts are developed and maintained, and to ensure as much visibility in the industry as possible. The advantage of regular face time with seeing business colleagues, funders and commissioners, and even just being seen to be 'around', is significant.
Overall funding, specifically for feature film, is low in Scotland compared with nearby neighbours such as Northern Ireland, Ireland and many countries in mainland Europe, so we do well to achieve as we do. The sector continues to grow and Scottish films are regularly being developed, funded and seen all over the world but the volume of what we produce is not high enough yet. We need to be making more than 5 or 6 films a year to create any kind of critical mass which will have longevity. And profits from successful drama developed by Scottish indies has to be reinvested in Scottish indies, if we are ever to achieve growth and sustainability, and create a more level playing field on which to compete with the super-indies.