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No matter if it is a feature film, a short documentary, or a documentary short, documentaries are important pieces of information and documentary film making is no exception. In fact, documentaries are one of the most significant forms of information and documentary film making is the oldest form of information gathering. In today’s world, we often come across information that is not true or is just a part of history that we are not sure about. These types of documentaries are often called “soft” documentaries due to their focus on documentary proof rather than narration from a narrator.
What Is The Purpose Behind Documentaries
A documentary film is a fictional motion-image intended to “Document reality, typically for the purpose of education, entertainment, or simply preserving a historical record”. These type of documentaries are often produced as part of an artistic expression and do not attempt to tell a full story nor are they meant to be an explanation of a specific event. Some of these types of movies are so well done that you would think they were made for a feature film. The term for this genre of documentary is compilations or staged events. Most documentary film making projects will fall into this category.
The first rule about making documentary films is that the subject of the documentary must be given the opportunity to be involved. It is unlikely that a child will be interested in watching his or her grandparents go through the experiences depicted in a documentary film. In fact, the only way a child will react to a film is if it is entertaining and creates an interest in that subject. Therefore, if you are thinking about producing a documentary you must give your subjects a chance to say what they want to say without censorship.
Documentaries that are successful in the cinema generally have a strong theme or a message that runs through the film. However, not all documentaries follow this simple formula. There are many documentaries that tell the story of how two families met, how one family moved into a new home and then finally married. Then there are documentaries on the life of David Bowie and his relationships with his various musical groups and his personal life. A documentary on the life of Richard Nixon could easily be considered a far more complex film than a film on the life of David Bowie.
Points To Note About Documentaries And How They Are Made
As a general rule documentaries are more successful if they try to tell a story rather than simply documenting events. If you are trying to make a documentary about a natural disaster such as a flood, your subject may want to talk about water conservation and global warming. This information may be difficult for a film company to obtain if they are not involved in the process. However, some documentaries do try to tackle controversial topics. Documentaries can be controversial for several reasons. For example, some films try to portray the crimes and evils committed by the government, while other documentaries try to show the viewpoints of those who have wronged the government.
When looking for funding, some documentaries try to raise money through the public. The money raised from the public usually helps the filmmakers to complete their film and provide them with the necessary equipment to distribute their film effectively. Even though many of these documentaries are successful at getting viewers to donate to their theatrical release, it is not always guaranteed that a film will actually get released theatrically. Often times, the film gets lost in the shuffle of other movies and theatrical play. Many of these films never receive a chance to be shown in mainstream theatres due to lack of funding. For this reason, it is important that you as the viewer research your preferred documentary film so you can better determine whether or not it is worth the financial investment.


Now, the moment I have been waiting for! I get to rant on and on about how much I love the villains of Gotham!!! I mean DC…… Awh who am I kidding? They are all from Gotham!
So let’s get right into it!
#3 Bane and all of his muscles. After watching the way Bane was portrayed in the final Christopher Nolan film, I was in love. Every move he made was strategically planned out and he was constantly one step ahead of Batman. This shows how much smarter Bane is than his target. Looking at Bane you would think he’s a dumb brute with some one behind the scenes calling the shots and while Talia is constantly talking down to him as if that’s so. He proves over and over that it is untrue. He spent his years in prison researching and surpassing most scientists intellectual levels.
#2 The Gotham City Sirens, who consist of Cat Woman, Poison Ivy and my all time favorite female character Harley Quinn. Together the woman form an alliance to protect themselves from other villains and heroes Gotham. Along the way they screw each other over, time after time, but ultimately their friendship with stands and they are always there when they are most needed. Ivy originally brought the girls together after Harley had seemed to hit rock bottom when she realizes The Joker is actually dead. They stayed at Selena Kyle’s apartment and assisted one another in any category possible. While living together Poison Ivy exposes Harley to a chemical that makes her faster, stronger and immune to Ivy’s poison. Once she realizes The Joker is in prison and not actually dead, she attempts to redeem herself with him by breaking him out with her new powers. In the end The Joker turns on her and tries to kill her, Ivy and Cat Woman run to the rescue and forever on they are inseparable. Harley learned her lesson and stayed faithful to her girls.
#1 As predictable as this is, I have to pick The Joker as my number one. Because he has so many different origin stories I can’t pick a favorite. So I’m just going to go on and on about how diabolical, creepy, insane and utterly BRILLIANT he is. He’s a ruthless killing machine. I can’t even begin to explain how easy it is for him to just take people’s lives. He literally enjoys it, making his obviously psychopathic. There is no better way to describe the ultimate killing machine. No other villain in comic history is so confident and overly content with who they are. He commits his crimes in unmistakable ways. If he is going to kill you, he’s going to make sure people know he did it. He always leaves a trail behind but is never caught. Impossible as it may be, he is always getting away. Like I mentioned before there are so many different origins, so there are so many different abilities he may or may not have. All of them as interesting as they are, they make his the most unique and interesting villain to ever exist.
So, first day back and Chels takes Joker from me? Ouch, that’s low. Jokers dominance goes without saying, and while I can’t steal him back from Chels (cop out), I have to recognize the fact that he is the villain of alllllll villains. So there Steve. :p Not to mention, she also kind of stole the top 3 female villains in the DC Universe, leaving me with the likes of Talia ah Guhl, Cheetah, and freaking Bloody Mary. Like seriously?! She is playing dirty, so bare with me if you don’t particularly agree with my female pick because truthfully neither do I!
#3 May as well get it out of the way, has to dive deep to fine this one. We’re gonna go with Blackfire for #3. Blackfire is actually kind of interesting, for one she is the sister of Teen Titans member Starfire. Naturally she posses all of the same abilities as her sibling, (flight, star bolts, different color eyes, etc.) but the only difference is this girl isn’t afraid to use them. The black in her name Blackfire, must be point at her heart because unlike sweet, innocent, and naïve Starfire, this girl will rip your freaking throat out. Maybe that’s enough to warrant her a #3 spot.
#2 Finally I get to choose a male, I’m going with the man with the plan (literally always has a plan) Lex Luthor. Interesting thing about Luthor is he doesn’t really have a power per se (although he has developed Tony Stark like suits in the past), but he holds a tremendous amount of power on Earth. The founder and CEO of LexCorp, he soon finds himself at the seat of presidency. Thing is he don’t like Superman. Goes without saying I know, but he has a distinct hatred for interfering aliens (Such as the Man of Steel). While other villains just simply want to defeat their protagonist and would actually go mad if they were to die (Batman-Joker) Lex Luthor wants Supermans very existence on Earth to cease and is willing to do any means necessary to do so (think Krytponite) his hatred for said hero turns him into a sociopath, which makes him all the more interesting and puts him at #2.
#1 You know me, I live to stir up controversy. So my #1 is gonna be Slade Wilson. Deathstroke. Slade. Whatever you wanna call him the dude is a bad-A. I can speak more about Slade, the Teen Titans version, then the others. Slade was a man of mystery; he had a fascination with Robin, turned him and Terra against the Titans, hinted that he may or may not have some kind of relation Robin, and most interesting struck a deal with a devil to try and take down the devils daughter Raven. He is a master combat specialist, and of course espionage. He actually was killed but brought back to life by Ravens father in return for a promise to deliver her to him. He was never shown again in the show after he was defeated, and yet he never really died either. You know what that means? He is still at large. Dum dum dummmmmmmmm. Slade is #1.
Bang Bang! There you have it! Comment and let us know if you agree with our picks and let us know if you don’t as well.
See ya, BYE! :)


When Jenna’s emotionally abusive mother-in-law accuses her of an affair with her spiritual director and threatens to expose them, she risks losing her reputation as a woman of faith. Will she capitulate to her mother-in-law’s wishes again or fight for what she holds dear? Andee has found what she wants: fame, fortune, and respect. There’s also a special man in her life—Jenna’s brother. Despite her success, a secret quells Andee’s contentment. Jenna and Andee form an unlikely relationship that leads them to a crossroad. They can follow familiar inclinations, or risk it all and walk in faith.


By Larry Laneer
July 24, 2019
Lyric Theatre closes its summer sojourn downtown at the Thelma Gaylord with Titanic: The Musical, a title that should cause serious theatergoers to cringe. But not so fast. This musical and how Lyric does it have much going for it.
With music and lyrics by Maury Yeston and story and book by Peter Stone, this 1997 show depicts in a deeply personal way one of the world’s historic disasters. Some of this country’s richest people were on that ship (names Astor, Guggenheim, Widener). But she also carried passengers in third class who aspired to a new life in America. The musical features stories of both.
Nota bene: Other than the subject matter, this show has nothing to do with the 1997 motion picture Titanic. It is not an adaptation of the movie (thank goodness).
The director Michael Baron has marshalled forces for this production that, compared to musicals today, are, well, titanic (from the Greek titanikos of the Titans). A cast of 41 actors fronts a choir of 58 singers and an orchestra of 21 musicians, conducted by Oklahoma City Philharmonic music director Alexander Mickelthwate. The choir and orchestra perform onstage in black tie.
The unhelpful program does not include a cast list or show which characters are performing the songs, although it does have cast biographies. Thus, sometimes it’s hard to know which actors are singing the songs, which is too bad because they all do fine jobs. (The program is in the form of a full-sized newspaper, reproducing the front page of The Daily Oklahoman of April 16, 1912.)
Jeffrey Ambrosini gives a sensitive performance as the ship’s captain on his final voyage. Jason Bias is excellent as First Class Steward Henry Etches, serving champagne up to the end. As J. Bruce Ismay, chairman of the White Star Line, who puts speed over safety, Patrick Borror conveys imperiousness and scumbaggery in equal parts. Ian Marcontell gives a strong performance as a boiler room man who worries Ismay’s ambition and the captain’s compliance endanger the ship. The appealing Gavin Guthrie brings youthful energy as the Bellboy. Charlie Monnot plays the ship’s last, best hope in telegrapher Harold Bride.
This show could be done as a grand spectacle, but Baron and his designers opted for a schematic production, which is more like a lightly staged, fully costumed concert version of the musical. This is a prudent choice, because Yeston’s score and Stone’s book are strong on their own. Jeffrey Meek has designed some eye-popping costumes for Lyric in recent seasons, especially for shows at the Thelma Gaylord. In this production, however, his realistic costumes give the production a credible authenticity. Kimberly Powers’s scenic design consists of nautical-looking steel stairs at left and right and a platform across the back of the stage that becomes the ship’s bridge and other locations. Sound design by Anthony Risi plays a big role in this production where much is left to the imaginations of audience members.
The strength of Titanic: The Musical lies in Yeston’s score. It leans too much toward show music to be called operatic. (But that’s not a knock. Some great music has been written for musical theater.) My favorite part comes at the end of the first act, when the ship hits the iceberg. Yeston builds tension in a haunting triple meter, and, then, just as you expect a grinding, loud impact—silence. The moment is elegant and powerful in its simplicity.
|Titanic: The Musical by Maury Yeston (music and lyrics) and Peter Stone (story and book)
Lyric Theatre of Oklahoma
7:30 p.m. Wednesday-Thursday, July 24-25, 8:00 p.m. Friday, July 26
2:00 p.m. and 8:00 p.m. Saturday, July 27, 2:00 p.m. Sunday, July 28
Thelma Gaylord Performing Arts Theatre
201 N. Walker Ave.
Tickets start at $32


In a remarkable discovery that has sent shockwaves through the literary world, a lost Shakespearean play titled “King Harold” has been unearthed in an attic in Fitzrovia. This newfound masterpiece promises to offer fresh insights into one of England’s most pivotal moments: the events leading up to the Battle of Hastings in 1066.
“King Harold” transports audiences back to a tumultuous era of medieval intrigue, where the fate of a kingdom hangs in the balance. The play centers on the eponymous Harold Godwinson, the embattled King of England, as he grapples with internal strife and external threats to his rule.
As the Norman invasion looms on the horizon, Harold finds himself ensnared in a web of political machinations, familial rivalries, and prophetic warnings. With the fate of England hanging in the balance, Harold must navigate treacherous waters as he seeks to secure his crown and defend his realm from foreign invaders.
At the heart of the drama lies Harold’s complex relationship with his ambitious brother Tostig, whose thirst for power threatens to destabilize the kingdom. As tensions escalate and battle lines are drawn, Harold must confront his own inner demons and make the ultimate sacrifice for the greater good of his people.
Amidst the swirling chaos of war and betrayal, “King Harold” weaves a tapestry of human drama, exploring themes of loyalty, honor, and the inexorable march of destiny. From the hallowed halls of Westminster to the blood-soaked fields of Hastings, the play offers a riveting portrayal of a pivotal moment in English history.
With its rich language, nuanced characters, and gripping narrative, “King Harold” promises to captivate audiences with its timeless tale of courage and sacrifice. As scholars and theater enthusiasts alike clamor to experience this newfound treasure, “King Harold” takes its rightful place alongside Shakespeare’s greatest works, offering a poignant reminder of the enduring power of storytelling.
Journey back to the tumultuous days of 1066 with “King Harold,” a lost masterpiece by William Shakespeare, rediscovered in the heart of Fitzrovia.


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The In February of 2011, Scarlett Johansson and Sean Penn made headlines after they decided to take a trip down to Mexico together.More About Age: 56 Birthplace: California, United States of America Profession: Film Producer, Screenwriter, Actor, Film Director Credits: Mystic River, 21 Grams, Milk, Dogtown and Z-Boys Also Ranked #69 on The Best Actors Working Today #40 on The Best American Actors Working Today #99 on The Greatest Actors & Actresses in Entertainment History #37 on The Best Living American Actors Scarlett Johannsson started dating Ryan Reynolds in 2007. Johansson subsequently starred in Manny & Lo (1996), and garnered further acclaim and prominence with roles in The Horse Whisperer (1998) and Ghost World (2001).She shifted to adult roles with her performances in Girl with a Pearl Earring (2003) and Lost in Translation (2003), for which she won a BAFTA Award for Best Actress in a Leading Role.“They went to the after party together.” But this is hardly the first time Johansson — who is currently going through a divorce with ex Romain Dauriac — and Jost have sparked dating rumors.
Scarlett Johansson and Colin Jost’s summer fling is heating up!A source spilled on their like, raw, drunken attraction, or whatever, about their very exciting night. Then they went back to talking and hanging with other people.” Yeah, no, seems standard.


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Calista Busch | Staff Writer
As the week draws to an end the curtains are closing on the Mason High School drama camp.
For kindergartners through eighth graders, that love acting, singing, or dancing, this is their week to shine. According to Rebekah Cychosz, Mason graduate and instructor of one of the acting and dancing classes, this camp is an opportunity for young kids to be introduced to theater and the drama club at the high school.
“It’s a place for kids,” Cychosz said. “It gives them an intro into different aspects of theater.”
Throughout the week, the younger grades worked on many skills with members of the high school Drama Club. According to senior Katie Kenniston there is a wide variety of classes that are led by members of the club, beginning at the basics and eventually delving into more in-depth aspects of theater with the older students attending.
“There’s dance classes and then there’s acting classes and singing classes,” Kenniston said. “If you’re an older kid you can take things like tech theater and makeup.”
This camp is an opportunity for the high school students helping as well. According to theater director, Allen Young, this is a way for high school members to improve their skills by teaching others.
“The (high school students) get an opportunity to reinforce what they learned by teaching it,” Young said. “Then, the kids get a chance to experience a little bit of theater over the course of the week.”
To the drama club veterans volunteering there, though, it is about more than just improving skills. According to Kenniston while the camp doesn’t directly correlate to their shows put on during the school year, it brings the high school members closer together.
“It grows us,” Kenniston said. “It helps us become more of a family because we do spend time in the summer together.”
Similarly, according to sophomore Sujaya Sunkara this camp is an experience for high school and younger drama enthusiasts alike.
“I love kids and I love drama club so it’s kind of a way to mix that together,” Sukara said. “It’s really just a good experience to get to include both in one thing.”
At the end of the week the skills the attendees have learned, culminate in a performance put on for the parents. According to Young, this performance is where the students apply the skills they’ve learned throughout the duration of the camp.
“During the week they put together a performance for their parents,” Young said. “(This is) to show off the skills that they’ve learned or developed over the course of the week.”
There are many opportunities available to the participants and helpers at this camp and according to Sunkara that is what the camp is.
“It’s really just a camp for opportunities,” Sunkara said.
To see pictures or read of there articles written by The Chronicle staff check out our work at www.thecspn.com.
Thanks for reading!


Time for another instalment of…
The Skeptical Samurai’s Guide to the Movies!
This week’s movie: The Crow
This is one of my favourite movies of all time.
I am not going to dissect the entire movie (as this is not the type of movie that really lends itself to Fact vs. Fiction treatment!), but
instead i am going to focus one particular aspect of this film. Specifically, the tragic death of Brandon Lee.
Brandon Lee was born Feb 1st/1965 and died tragically Mar 31/1993. Brandon was accidently shot while filming a scene for the film “The Crow”. As a result of the bizarre circumstances surrounding his death, as one might expect, a variety of different claims began to surface regarding his death. In honour of Brandon Lee, let’s take a skeptical look at some of the claims surrounding the late actor’s death.
Claim: “The Crow” was released without the approval of Brandon Lee’s family
Reality: I remember when the trailer for this movie 1st came out. I was so excited! Shortly after the trailer was released, i began hearing “rumors” that the lead actor had actually been tragically killed while filming a stunt and the movie was being released ithout the consent of the fallen actor’s family. You see kids, back in the day, prior to the proliferation of the internet, one did not have immediate access to info. When a story “broke” sometimes you would not hear about it until days or even weeks later and when you finally did get the info it could be difficult to verify it. Sadly, the “rumor” that Brandon had tragically died turned out to be true. However, the second part of the “rumor”, that the movie was being release without his family’s consent, could not have been further from the truth. The director and production crew actually contemplated not even releasing the movie. In addition to fears that releasing the movie would be in “bad taste”, the issue of how to market a movie in which the lead actor was deceased (and had died while making the film) was also major concern. However, because Brandon had been so proud of the film, the Lee family felt strongly that “The Crow” should be released. Both Eliza (Brandon’s fiancé) and the rest of Brandon’s family wanted the movie released as a final tribute to Brandon.
Claim: Brandon’s death was no accident. Instead, it was the result of a “curse”
passed onto him by his late father, Bruce Lee.
Reality: Legend has it that Bruce Lee had some sort of “curse” on him. Those who propagate this myth are not clear regarding who put the curse on the Lee family, how it affected the Lee family, or how it was passed on from Bruce to his son, Brandon. All that seems to be said with any certainty is that the curse killed Bruce, the curse was passed onto his son Brandon, and ultimately it killed him as well. Let us look at the notion of a family “curse” a little bit closer shall we. Those of you who regularly read the blog will most likely know what i have to say about the possibility of a “curse”. For the uninformed, it is quite simple actually, there is no such thing as a curse. The possibility of a cruse defies our current understandings of the natural world. In order for a curse to exist, there would have to be extraordinary amount evidence refuting most (if not all) of what we currently know about the natural world. But, for the sake of arguement, let us put the above aside and assume that a “curse” is a real possibility, and let us assume that the “Lee family curse” is a reality. Contrary to popular belief, Bruce Lee was actually born into a rather well off family.
At the age of 18, for circumstances i will explore/expand upon in an upcoming blog post about the film Dragon: The Bruce Lee Story, Bruce (real name, Lee Jun-fan) moved to the United States. Despite moving to America with only $100 in his pocket, as a result of hard work and perseverance Lee managed to get a university education (although he never graduated), run a successful martial arts club, become a fixture in the California martial arts community, and eventually become a television and film star. With that information in mind, the notion of a curse seems rather silly. I mean aren’t curses supposed to be bad! We should all be so fortunate to have such a “curse” in our lives!
Those that propagate the myth of a “Lee family curse” will quickly dismiss the above and information, claiming that both Bruce and Brandon died under mysterious circumstances and this is more than enough to prove the existence of a curse. Sounds compelling at first, but upon further investigation, the circumstances surrounding the death of both Bruce and Brandon Lee are far from super natural. In regards to Bruce, our best evidence tells us that Bruce died as a result of an adverse reaction to an over the counter medication, which lead to cerebral edema (swelling of the brain) and ultimately lead to his untimely death. No super-natural explanation is required to explain Bruce’s death, a little bit of logic and reason tells us that Bruce died tragically as a result of a extremely adverse reaction to an over the counter medication. Unlikely and rare, yes, but impossible, far from it.
Much like his father, Brandon’s death was not the result of some sort of super-natural curse. Instead it was the result of another set of tragic circumstances. The reports change slightly depending on which account you read, but essentially what happened is as follows: In an attempt to make a close-up shot of a revolver seem more real, dummy rounds are typically used to filled the cylinder of the gun. As seen in the following picture:
When looking at the business end of a revolver one can easily see whether or not there are actually rounds in the cylinder. Using an unloaded gun could easily be spotted by viewer and could arguably ruin an otherwise realistic scene. That where dummy rounds come in. Dummy rounds are used to load the revolver for close-ups to give that “real life” look. These types of rounds contain a bullet, but no actually charge (which is required to actually fire/propel the bullet forward). Unbeknowst to anyone on the set that day, the bullet from the dummy round broke off and became logged in the barrel of the revolver. Fast forward to later in the day, the same gun is loaded with blanks, which contained a charge without a bullet. I think you can see where this is going. During a scene, involving a stunt where the character Eric Draven (played by Brandon Lee) was shot, the revolver was pointed at Brandon and the trigger was pulled. Because the gun, had a bullet in the barrel with a blank with a charge in the cylinder, when the trigger was pulled, it ignited the charge which then propelled the broken bullet from the dummy round forward, ultimately killing Brandon. Similar to his father, the notion of a Lee family curse sounds compelling at first, but upon further investigation both Bruce and Brandon’s deaths were the result of tragic circumstances.
Claim: The scene in which Brandon Lee was fatally shot was left in the final cut of the movie.
Contrary to popular belief, the above clip is NOT the scenein which Brandon was fatally shot.
Instead, Brandon was killed while filming a scene that involved the assault of his character’s fiancé and the “death” of his character. In the scene, Eric Draven walks into his apartment to find his fiancé being assaulted. The original script/scene involved one of the thugs (specifically a character called Funboy) shooting Lee’s character in the stomach through the bag of groceries that he was carrying. Re-watch the movie, the above scene will not be found in the film. The scene was shot as described above, and footage of Brandon being shot and fatally wounded did exist, but for obvious reasons this footage was not used in the final cut of the movie. In fact, again for obvious reasons, the director and production crew felt that it was in bad taste to “re-shoot” the same
scene, and instead re-wrote it and re-shot it. The scene was changed to have a different thug (specifically a character by the name of Tin Tin) kill Eric Draven by fatally wounding him with a knife.
So what happened to the original footage?
This is less clear. Some sources indicate that the footage was immediately destroyed. Others indicate that the footage was seized
by local police (who were conducting an investigation to rule out the possibility of foul play) and remains as evidence. Others maintain that the footage was viewed as evidence, and after ruling out foul play, was destroyed. In reality the truth most likely somewhere in the middle and without having access to police records/evidence (which for obvious reasons we cannot) this question may go unanswered.
Claim: Michael Massee,
the actor who played “FunBoy”, was never heard from again after the movie was released.
I remember hearing all sorts of stories regarding what happened to Massee and many rumors still persist to this day. Some say he went insane. Others say that he took his own life. These accounts could not be further from the truth. Massee was understandably devastated over the death of Brandon Lee. While he was not actually responsible for Brandon’s death (as previously discussed, Brandon’s death was the result of a set of tragic circumstances and was ruled an accident by law enforcement) it was ultimately him who pulled the trigger on the faulty prop. He took a year off from acting and essentially, in his own words “did nothing”.
Coming to terms with what happened he got back to acting and remains a regular in television and film to this day.
This has been the skeptical samurai
Working to serve…
Through the process of inquiry…


Like REALLY REALLY?
Did I really have the opportunity to travel to Los Angeles, California and attend The Price Is Right TV show Recording? Uh, Yes I did.
Did my friend win some things on The Price is Right? Uh, Yes she did.
Seriously though it is still so surreal that my friend and I visited LA and was on the show called “The Price is Right“.
So here’s the story: Last minute my friend called me on a Sunday night (like literally the night before) and asked me if I wanted to go to LA with her because she has tickets to The Price is Right. Well I just happened to have Monday off so I was like, “Sure let’s go”. We traveled to LA non rev style.


Mazda - RX-8 X-Men Concept
Original name: マツダ RX-8 X-Men コンセプト
Mazda Rotary Power Hits Hollywood, Forms Cars into Superheroes
- Tinsel Town Welcomes RX-8 in X-MEN Movie Sequel –
When X2, the eagerly anticipated sequel to the box-office smash X-MEN, hits movie theaters this spring, audiences will catch their first glimpse of the Mazda RX-8 'X-MEN Car.'
In true superhero fashion, the aggressively styled Mazda RX-8 'X-MEN Car,' based on the production model 2004 Mazda RX-8, possesses its own unique super power-in this case, the new generation rotary engine RENESIS. In addition, its dominant presence is accentuated by an impenetrable Mutant Blue exterior which includes an X-shaped grille, a fierce rear spoiler and an enlarged trademark "X" on the vehicle's nameplate.
On the inside, the Mazda RX-8 'X-MEN Car' is trimmed in imposing silver and black shades, including the door trim, seats and steering wheel. A communication device is prominently displayed on the upper center console.
X2 director Brian Singer worked closely with Mazda on the RX-8 'X-MEN Car' in a unique collaboration to bring the Mazda RX-8, the company's brand icon, to the big screen with a starring role in the film. Singer revised the movie's original script to accommodate the vehicle.
Mazda RX-8, developed with the concept of "four-door sports car with space for four adults," is powered by the new generation rotary engine RENESIS. The car embodies the following values:
Unique sports car styling.
Functionality for four adults.
Innovative driving quality that provides a superb combination of handling performance and comfort.
Mazda's unique craftsmanship incorporating the perspective of "Customer Delight."
High level safety and consideration for the environment.
Twentieth Century Fox's X2, directed by Bryan Singer (X-MEN, Apt Pupil, The Usual Suspects), features an all-star cast, including Halle Berry, Hugh Jackman, Patrick Stewart, Ian McKellen and Rebecca Romijn-Stamos. With futuristic gadgetry and the latest in movie special effects, along with big-budget sets, amazing costumes, a cast of Hollywood notables, X2 is bound for box-office success.


Movies are back. Finally. After weeks of feverish speculation about whether the combined forces of Barbie and Oppenheimer could revive the movie theater business, Barbie earned $337 million worldwide and Oppenheimer brought in another $174 million. Together, the movies delivered the biggest weekend at the box office since Avengers: Endgame dropped in April of 2019. Barbie, in particular, has skyrocketed beyond analysts’ predictions to land the biggest debut of the year so far. Writer-director Greta Gerwig can now also claim the biggest opening weekend for a female director ever.
But what was so striking about this past weekend wasn’t the cash totals at the box office but the throngs of pink-clad fans flocking to movie theaters that have felt all-too-empty since the pandemic. For once, people didn’t opt to stay home and watch Netflix. Instead, they went out, met up with friends, and maybe even donned a T-shirt depicting a pink A-bomb explosion to celebrate the two films. Thematically, tonally, even in terms of color, Barbie and Oppenheimer could not be more different. But both offered audiences something they were sorely missing: A good time at the movie theater.
Studio executives are surely already picking apart the Barbenheimer phenomenon for lessons about future film rollouts. Maybe there’s something to be gleaned from the double feature mania: More than 200,000 people purchased tickets to see Barbie and Oppenheimer on the same day, according to the National Association of Theatre Owners. But this particular phenomenon may not be replicable. Here’s what we learned this weekend.
Read More: How Barbie Came to Life
Barbie and Oppenheimer actually boosted each other’s sales
In the lead up to Barbenheimer, much was made of whether Barbie would pull audiences away from the World War II era biopic or vice versa. Given how weak the box office has been so far this year, surely one movie would cannibalize the other. But it turns out that a rising tide lifts all boats. Every time one movie dropped a trailer, the other seemed to always trend on Twitter.
And six percent of people who bought a ticket to Oppenheimer this past weekend did so because their first choice, Barbie, was sold out, according to a poll conducted by The Quorum as reported by Matt Belloni in Puck. That equals about $5 million of Oppenheimer‘s impressive $80.5 million in domestic ticket sales.
The festive Barbenheimer challenge certainly helped. Individuals who may have been inclined to just see one of the two films may have been cajoled into watching the second by friends, family, or partners who wanted to participate in the double feature. I felt a tinge of FOMO for not watching the movies back-to-back (despite already watching Barbie months ago to report TIME’s cover story on the film) and even tried and failed to snag last-minute tickets to the doll movie to add on to my Oppenheimer experience. All but the first rows were sold out at every convenient theater.
Those Oppenheimer numbers were also significantly boosted by the fact that moviegoers sought out expensive IMAX tickets for the film. Premium ticket prices made up nearly half of all ticket sales for the film its opening weekend, according to Variety. The limited number of IMAX screens also created a sense of scarcity around Oppenheimer tickets—a quick look at Manhattan and Brooklyn’s theaters on Friday night and Saturday afternoon revealed that no seats remained in any 70 mm showings of the film, let alone IMAX screenings screening, save a few front row spots. Seats are regular screenings of both movies were nearly as rare, no doubt further driving demand. No one wants to show up to happy hour drinks this week and not have an opinion on Barbenheimer.
Read More: Why Barbenheimer Mania Is Unstoppable
Women want to see movies too
As I argued in a recent piece, Barbie is a rarity because it courts a primarily female audience, partially by embracing a hot-pink feminine aesthetic. Most big-budget action movies, from Mission: Impossible to Marvel—even the ones starring women—are mostly marketed toward young men. The few marketed toward women are often way too small in budget and scale to ever court this level of success.
Women want to see big splashy movies made by women, for women. And it turns out if you make those movies for women, they will buy tickets too. I don’t know when Hollywood forgot that: Probably around the time they started shoving rom-coms onto streaming services.
Read More: We’re Ignoring the Real Reason Barbie May Dominate the Box Office
That’s not to say men didn’t run to Barbie too. The audience opening weekend was 65% female, which means that men made up a significant portion of the audience. As Barbie producer David Heyman predicted in an interview for TIME’s Barbie cover story in June, Ryan Gosling’s performance as Ken resonated with that demographic. “I think Ryan is undeniable and so affecting in the film. People really care for Ken even when he’s misguided,” he said. “I think a lot of boys and men will find there’s a lot to relate to in Ken as they try to find their place in the world. But it’s all done with such a light touch and such generosity, and Ryan is just, I think, extraordinary.”
Read More: Barbie Is a Movie About Male Fragility. Let’s Dig In
And then there’s there are few current directors who speak directly to women quite like Greta Gerwig does. Her previous films, Lady Bird and Little Women did well at the box office, with the former making $79 million and the latter bringing in $206 million, both impressive numbers given their budgets. But those box office totals are just a fraction of the $337 million Barbie made in her opening weekend. Gerwig’s name was surely a draw to regular Letterboxd users, but the Barbie audience wound up being far more expansive than film buffs. Many of the text messages that poured in over the weekend with friends’ Barbie reviews cited Gerwig’s incredible instincts for truthfully capturing the inner lives of women and the relationships between female characters. “Watch Lady Bird and Little Women next,” I urged.
The larger culture’s discovery of this particular genius reminds me of the moment after Ryan Coogler’s Black Panther became a massive hit, and moviegoers went back to discover Creed and Fruitvale Station. Sometimes it takes a mega blockbuster based on IP for a general audience to discover a creative genius. And sometimes it takes a studio trusting a creative genius to turn its product into art.
Read More: In a Year Marked By Division, Black Panther Director Ryan Coogler Brought People Together
Trust good directors to make good movies based on original ideas
Studios and the media are rushing to draw conclusions about the state of film. Movies like Fast X, The Flash, and Ant-Man and the Wasp: Quantumania underperformed at the box office earlier this year. Does the success of Barbie and Oppenheimer suggest that audiences are hungry for new ideas rather than old IP? Maybe. Superhero fatigue is real. But it’s not that simple.
When trying to dissect why movies like Fast X, The Flash, and Ant-Man failed, I can’t help but recall how those films left me feeling utterly exhausted. It’s not just that I had to expend energy trying to remember what happened in the many other installments. Or that I had to figure out which plot points I needed to retain to enjoy future entries in the Fast & Furious, Marvel, and, DC universes. These entries just weren’t very good movies.
A brief glance at Rotten Tomatoes or Metacritic confirms that I’m not alone in feeling depleted by sequels. I have specific complaints about those movies, like an over-reliance on poorly-rendered CGI. (Both Barbie and Oppenheimer are beautifully shot and incredibly tactile, a respite from the muddy space landscapes of recent superhero films.) But 10, 15, and 32 movies into these franchises, respectively, it also feels as if their creators are running out of ideas.
Spider-Man: Across the Spider-verse is also a superhero film, and a sequel. It’s currently the No. 2 movie at the domestic box office this year. Why? Because it’s actually a good movie. We’ve seen countless Spider-Man films over the years. We should be sick of this character too. But the animation is innovative and gorgeous. The ideas turn superhero tropes on their heads.
Barbie and Oppenheimer are actually good. I realize that’s a qualitative statement, not a quantitative one. And while most of the reviews for both films have been rather rapturous there are exceptions. (TIME’s own Stephanie Zacharek wasn’t a huge fan of Barbie.) Neither film is perfect. But both are ambitious and engaging. The filmmakers clearly felt passionate about the material and it shows onscreen.
Read More: Why It Took 64 Years to Make a Barbie Movie
Does making a good movie guarantee box office success? Of course not. Plenty of great movies have failed at the box office over the years. Some have become cult classics or found a second life on DVD or on streaming. I will never get over a terrific thriller like Widows faltering at the box office. Blame audiences for simply not turning off Netflix and leaving their houses enough. But it happens all the time. But word-of-mouth buzz can boost a movie significantly. Moviegoers are certainly more likely to want to see a film their friends say is good than one their friends say is bad.
And can good directors totally muck up a big IP project? Definitely. The Eternals and Thor: Love and Thunder faltered even though Chloe Zhao and Taika Waititi are some of the best directors working today. I would argue those films were bogged down with so much internal superhero lore and fan service that their failings can be attributed as much to Marvel as the individual directors.
Nolan and Gerwig seemed to operate largely free from studio machinations in the creation of these films, however unlikely that may sound. Nolan has had a blank check to make almost whatever he wants since The Dark Knight. No other director could get away with shooting a biopic like it was a thriller, hopping across multiple timelines. And in TIME’s Barbie cover story I reported extensively on how, even though executives at Mattel may have had differing ideas of what Barbie should be, ultimately Gerwig says she was allowed to make the movie she envisioned. The results speak for themselves.
Read More: Barbie Is a Movie About Male Fragility. Let’s Dig In
This may be a once-in-a-decade phenomenon
So what can Hollywood learn from the success of Barbenheimer? Perhaps not much. While a good deal of the Barbie marketing was orchestrated by Warner Bros. and Mattel—as one Mattel executive reminded me in an interview, Barbiecore “didn’t just happen”—which movies become social media sensations and which ones falter is a puzzle that will likely never be completely solved.
The people behind Barbie certainly weren’t trying to boost Oppeneheimer‘s ticket sales along with their own. Barbenheimer T-shirts featuring both the doll and the physicist were all generated by fans. And remember the #GentleMinions trend last year? That was unexpectedly born from Gen Zers nostalgic for a movie series from their childhood, not by some genius executive.
Studio attempts to control such narratives often fail. When the Spider-Man villain film Morbius released last year, fans seized onto the catchphrase “It’s Morbin’ Time” (never actually uttered in the film) to poke fun at the poorly reviewed movie. Sony tried and failed to capitalize on the viral moment by re-releasing the film, which then bombed at the box office for a second time.
The marketing for Barbie was inescapable and yet for some reason, we didn’t resent it. The absurdity of its ubiquity maybe won us over. Or we were happy to just share a laugh over the same joke about just how many products companies could turn pink.
Read More: Every Single Barbie Partnership We Could Find
We need communal culture again
If there’s one lesson to be learned here, it’s that we as a society are desperate for communal experiences. To state the obvious, we all really needed a fun weekend at the movies. It’s been a rough few years. The pandemic separated us. So do streaming services that keep us at home, and the increasing stratification of cultural experiences that preclude water cooler moments in the culture.
These movies performed well because audiences remembered for the first time in years why we go to theaters: To enjoy movies with other people. You take photos with your friends. You plan to meet for cocktails between the two legs of your double feature. You laugh when everyone else in the theater laughs, and your seat shakes when every other seat in the theater shakes.
Not since millions of people across the world decided to host Game of Thrones watch parties has a cultural phenomenon felt quite so inescapable. It’s fun to talk to your friends about a movie or TV show you’ve all seen instead of the increasingly fraught topics of politics and pandemic fears and job anxieties. Oppenheimer isn’t exactly a laugh riot. (Neither, for that matter, was Game of Thrones.) But it was a thought-provoking movie we could discuss online and in person—and contrasting it with Barbie was delightful. Maybe the big takeaway should be: Make moviegoing fun again.


Fox Presents the Films of Marilyn The Diamond Dust Collection by Simon Claridge
In 2014 celebrated contemporary artist Simon Claridge began a collaboration with Twentieth Century Fox Consumer Products - a Hollywood studio synonymous with some of the greatest films in living memory - and one of their most illustrious film stars; Marilyn Monroe.
Revealing a new side to Marilyn Monroe
Twentieth Century Fox Studios produced 12 iconic films starring Marilyn Monroe, 5 of which are in Marilyn’s top grossing of all time; films that subsequently launched her career and began the world’s love affair with the captivating and stunning young actress.
The six interpretations of Marilyn Monroe created for this collection are drawn from her most famous Fox movies; ‘Gentlemen Prefer Blondes’ and ‘How to Marry a Millionaire’ and the prestigious and rare collection of photography stills, test shots and outtakes from the Fox Studios’ coveted archives. From the FOX film archives spanning decades, Claridge has created six silkscreens that capture Marilyn Monroe’s film career at 20th Century Fox. Some, drawn from her most iconic films, will be familiar to you, whilst others, taken from never-before-seen test-shots, capture a different, less familiar side to Marilyn.
The Diamond Dust Collection by Simon Claridge adds a new dimension to the Fox and Marilyn Monroe film legacy. With this unique fine art work, Claridge’s technique builds layer upon layer of colour and shade in his work and serves conversely to peel back the layers to reveal a quality in Monroe beneath the Hollywood veneer. This feat is both testament to Claridge’s refined artistic skill, but also his personal attachment to the movies 'Gentlemen Prefer Blondes’ and ‘How To Marry a Millionaire’, and the incurred zeal to pay respect to both the woman that she was as well as the silver screen icon that she became.
The collection is available in galleries and online now.


Sushant Singh Rajput who started his career as a Television actor is now one of the super stars of B-Town. We all know about his relationship with his television co-star Ankita Lokhande.
It seems like this actor wants to avoid his past in order to make his future tension free. Yes, we are talking about Zee Rishtey Awards. Sushant was invited for this award show, but he chose to miss the event as he did not want to meet his ex, Ankita Lokhande.
For those who don’t know, Sushant started his career from Television and was one of the most popular actors too. He was playing the lead role in the famous serial known as Pavitra Rishta.
According to the report by Mumbai Mirror, the organizers had planned to honor all the hit shows from Zee channel and Pavitra Rishta was one of the top serials. For this, Sushant and Ankita had to jointly collect the award. So to stay away from any type of misunderstanding and chaos, the actor decided to miss the award function.
As the actor cancelled his plan at the last moment, Ankita went up on the stage alone to receive the award.
If you are thinking that they both dislike each other, then you are totally wrong. They share a good bond with one another in spite of the break up. In fact, Sushant was the first one who came to know about Ankita’s big Bollywood debut in Kangana Ranaut’s Manaikarnika: The Queen of Jhansi.


ALEXANDRA AND EDWARD
Back in August, we had the pleasure of putting this short film together for our good friends wedding. Thank you to the Boyd and Lawson families for giving us the opportunity to capture your special day!
Production Company: Far North Visuals
Directed by: Ian Boyd
Executive Producer: Noah Vaton, Grady Robertson
Cinematography: Grady Robertson, Noah Vaton, Oscar Wolfgang
Edited by: Grady Robertson
© Far North Visuals 2023


These days, there is a hard time for actor Emraan Hashmi who starring in the movie Crook. On Wednesday, the entire cast and crew has to return back to the country, India from Australia. The reason behind is Australian City Council denied the film any further permission to shoot. The team has to suffer a lot from this, and it was really a bad day for them.
Senior unit member said the they have to return with incomplete shoot, this is very disheartening for all of us. The main thing to wrap and come to India for post production and other patch work.
It seems that from the very first day, Crook is facing difficulties and controversies. May be because main theme of movie is on racial discrimination and after that actor Emraan Hashmi faced dangerous accident and now they have to wrap there shoot with completing it.
Bollywood Emraan Hashmi is known as serial kissing and sizzling chemistry with her female co-stars. His chemistry goes so well with Bollywood hot beauties; they became very good friend of Emraan Hashmi.
Emraan Hashmi meet an accident in Melbourne, Australia on Thursday. When he was shooting for his upcoming movie Crook, Emraan met an accident. Movie Crook is produced under the banner of Vishesh Films and directed by Mohit Suri director of movie Raaz 2.
New female actresss is opposite with Emraan Hashmi, Neha Sharma. Let’s hope Emraan get well soon and there chemistry also goes well.
Directer said that there will be kissing scenes but it is done by an Australian girl not by the lead actress, Neha. He is shortlisting Australian actor soon it will come to an end.
Shooting will start in February, most probably movie is all about the racial discrimination between India and Australia, he research a lot an said that he never this this small cause will take such a huge problem.
There would be an Indian leading lady, Telugu cinema’s Neha Sharma, but she wouldn’t get to kiss the serial kisser. The smooching scenes in the script have been saved for the Aussie girl.
Guess Emraan Hashmi is bored of kissing his Indian co-stars so now he
has decided to give this ‘privilege’ to an Australian chick. In Mohit
Suri‘s film Crook: It’s Good To Be Bad, which is on racial attacks on
Indian students in Australia, Emraan would be working with four
Australian actors one of them would be a girl that his character would
fall in love with in Australia.
Neha Sharma is the Indian actress in the film but she wouldn’t get to
kiss the serial kisser hero Emraan Hashmi. The smooching scenes have
been saved for the Aussie girl. The director has auditioned a number
of Australian actors and will zero in on the final actors shortly. The
shoot starts in February. When I started researching on the problem
of racial attacks in Australia I never thought it went so deep and
far. The film would look at segregation discrimination and racism
among all kinds of people. The characters would speak Hindi, English
and other languages as it would be an upmarket film.
Neha Sharma made her debut in Telugu films with Telugu superstar
Chiranjeevi’s son Ram Charan Teja in Chirutha. For her Hindi film
debut Neha plays a girl born and brought up in Australia. She plays a
student who tries to mend the cultural gap between Indians and


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The People V. the State of Illusion
It never ceases to amaze me how just when you are asking a question that the universe brings the answer to you. I do not usually write film reviews on this blog post, but there was a film premier that I recently attended for the People V. the State of Illusion.
This film is loosely in the same genre as movies like “What the Bleep Do We Know” and “Down the Rabbit Hole”, but different, refreshing and transformational.
It so touched me that I asked the film maker Austin Vickers’, if I could write a review. I am not sure Austin would have agreed if he had read some past brutally honest critiques I have written for others work product in a prior career, but if you know me you know that I will if nothing else, I WILL tell you exactly what I am thinking. Below is my honest assessment of the film.
There are no famous actors in this film, no multimillion dollar special effects, no pyrotechnics and no cute animation. And yet this film kept the interest of the viewing audience glued to their seats. Why is that you ask? Well let me tell you what I found so appealing.
It is as if this movie that brings together science and a story was created for those seeking answers to universal questions about our own existence, where we are going and what we perceive on a combined cellular and spiritual level. This movie made me think. It helped me see my reality in a new way. It helped me answers questions that I had which in turn allowed me process and release old beliefs and patterns that I was still holding on a cellular level. I will not get into the specific beliefs or patterns, but I will explain that for me just seeing the movie caused a shift and I felt parts of my left and right side of my body tingle as I released.
I was fortunate to be able to get a copy of the movie and have watched the extended scientific interviews and viewed the film several times and glean something new with each viewing.
I am sharing my thoughts with you today in the chance that this movie can help do the same for other viewers as well.Have a day filled with Love,


Meet us at the Film France-Ficam stand located at the International Village - Riviera, pavilion 105 from July 8th to 14th.
Our contacts on site are Alissa Aubenque, coordinator of Ecoprod (contact via firstname.lastname@example.org), as well as members of the collective Baptiste Heynemann (CST), Joanna Gallardo (Film Paris Region) and Caroline Julliard-Mourgues (Film France).
BREAKFAST ECOPROD x CST
We will organize a breakfast in partnership with the CST on their stand at the International Village - Riviera, pavilion 107 on Sunday, July 11 from 10am. Come and eat a croissant with us!
The Cannes Film Festival will also be the opportunity to exchange on the subject of eco-production during two digital roundtables in English organized in partnership with Birgit Heidsiek, editor-in-chief of Green Film Shooting magazine.
Ecoprod & Green Film Shooting present:
New innovations for green production
Date: July 13, 11:00 a.m. – 1:00 p.m.
11:00 a.m. - Are new technologies always more sustainable?
The use of energy-efficient LED lights is often recommended as a best practice. But are LED lights, in any case, more energy-efficient or can the use of a traditional HMI light sometimes be a better solution? The state-of-the-art technology virtual production enables productions to create any kind of set in the studio, which reduces set decoration, mobility, and transportation to a minimum. But digital production requires saving huge amounts of data, which is energy intensive.
Experienced film industry experts will discuss advanced technological innovations and their real costs to the environment by considering their carbon footprint as well as their life-cycle assessment.
- Benoît Ruiz, Workflowers – France
- Nils Maier, Gaffer & CEO of the rental house Maier Bros – Germany
- Giovanni Pompeli, Producer & line producer, Kino produzioni – Italy
- Olivier Marchetti, CEO of Studio Provence – France
12:00 p.m. - What is (really) a green film?
Ecological sustainability in film production is open to many different approaches. There are various methods and tools but no common standards or understandings, which raises the question of which criteria make a production green and how it can be certified as such. Is it enough to simply measure the carbon footprint? What can be done to avoid greenwashing in film production? Does eco-friendly film production also require green storytelling? And what is about social responsibility?
Film professionals and representatives from film funds will debate the differences and difficulties of defining a green production.
- Alissa Aubenque, Ecoprod Coordinator – France
- Cyril Dion, Director (Demain, Animal) – France
- Katharina Retzlaff, German Federal Film Board – Germany
- Nevina Satta, Sardegna Film Commission – Italy
The Ecoprod & Green Film Shooting roundtables will take place online as part of the Cannes Marché du Film and will be streamed on Facebook.
Please register to: https://www.helloasso.com/associations/ecoprod/evenements/ecoprod


2021 Red Cedar Film Festival planning is underway!
Dates: Thursday, July 29 - Sunday, August 1, 2021
The 2021 Festival is being planned as an in-person film screening event.
To ensure that all have a safe and enjoyable film festival experience, COVID-19 safety protocols, such as masks for unvaccinated individuals and social distancing, will be observed based upon current local, state, and federal requirements and guidance.
FOR MORE INFORMATION ABOUT THIS EVENT VISIT REDCEDARFILM.ORG


Jesse St. Louis is a theatrically trained character actor with comedy experience, who does his own stunts.
Born in San Francisco, CA, Jesse moved with his family to New York when he was 4. He grew up in Sag Harbor, NY and graduated high school from The Stony Brook School. Jesse studied acting on Long Island at The Gateway Playhouse in Bellport and also at The Bay Street Theatre in Sag Harbor. His acting training continued at Marymount Manhattan College in NYC, where his studies centered around the plays of Ibsen and Chekov. At St. Olaf College, where he graduated with a liberal arts degree in Philosophy, he immersed himself in the study and performance of classical theatre, appearing in works by Shakespeare, Brecht, Pirandello, and many others. After college, Jesse moved to NYC and began doing stand-up comedy. He performed at several comedy venues such as: Surf Reality, Collective Unconscious, New York Comedy Club and Pianos on Ludlow, where he once opened for the sketch comedy group The Whitest Kids U'Know (2007) He honed his comedic skills in Florida with Theatre Conspiracy, appearing in numerous, well received productions of the "Abridged" series of plays. At the same time, he broadened his dramatic foundation with his performance of Kevin Kling's acclaimed one man show "21A" Jesse earned his Actor's Equity Association membership with his dramatic turn as Lesgate in Florida Repertory's production of "Dial 'M' for Murder." He made his feature film debut in the award winning comedy Breaking Up with Rosie (2013) Jesse made his television debut in July 2012 with four scenes on episode 606 of USA Network's popular show Burn Notice (2007).
Stars as the title character in the action-comedy Catching Junior Tate (2015).


- This event has passed.
Women’s Day Special Wednesday Movie Night – “The Destroyer”
August 14, 2019 @ 6:00 pm - 10:30 pmR250
August is Women’s Month
Join us for Wednesday Movie Nights at Bistro BonBon, where we’ll be showing QUALITY MOVIES every Wednesday evening.
WOMEN’S DAY SPECIAL FOR THIS SCREENING ONLY:
You can expect to receive a glass of bubbles upon arrival, a main meal & dessert, PLUS 20% off all house wine as well as a sweet treat takeaway ALL for R250 per person!
Arrive at 18:30 for dinner and enjoy the movie from 19:15pm onwards.
TONIGHT’S FEATURE FILM:
As a young cop, Erin Bell went undercover to infiltrate a gang in the California desert — with tragic results. Bell continues to work as a detective for the Los Angeles Police Department, but feelings of anger and remorse leave her worn-down and consumed by guilt. When the leader of that gang suddenly re-emerges, Erin embarks on an obsessive quest to find his former associates, bring him to justice and make peace with her tortured past.
Nicole Kidman like you have never see her before!


Our Sports & Entertainment Case Study
ROME INTERNATIONAL FILM FESTIVAL
Rhythm served as the marketing and public relations team behind The Rome International Film Festival (RIFF) in 2022 which had a record-breaking 19th event that featured major film screenings including: international features and shorts, tier 1 filmmakers and talent, educational panels, talk-back sessions, cocktail functions, after-parties with industry VIPs, and celebrity appearances.
- The November 10 screening of ‘Her Name was Hester’ was a sold-out event.
- Over 1,777 individual tickets sold
- 1,128 All Access pass holders
- 16,000 people reached via RIFF’s social media
- RIFF doubled its revenues through ticket sales and sponsorship.
“As the Rome International Film Festival continues to grow into a regional event, we needed assistance with public relations and an event planning team that could help elevate our brand to a broader audience. The dynamic team at Rhythm Communications is prompt and professional and always goes above and beyond in every way. They take the initiative and blend it into the organization helping us to fulfill our goals.
– Seth Ingram, Rome International Film Festival


4 MARKETING TIPS FROM BOX OFFICE HIT ‘DEADPOOL’
Hollywood has long been a source of marketing inspiration for businesses – even those outside of the entertainment industries.
After all, selling goods and services often comes down to telling a great story.
So what can your business learn from the latest film to take the box office by storm, Deadpool?
The film, which stars Ryan Reynolds in the title role, grossed US$132 million ($184 million) during its opening weekend in the US alone, more than double its budget of US$58 million.
So what did the markers of the film do right and what can your brand learn from their example?
1. STAY TRUE TO YOUR BRAND
Deadpool is based on the minor character Wade Wilson (aka Deadpool) in the Marvel superhero franchise.
The makers of the film were faced with the choice of keeping the Deadpool character true to the original comic book version to get die-hard fans onboard, or making the character more family-friendly and therefore appealing to a wider audience.
As Inc reports, the filmmakers chose the former option and committed to making a film those die-hard fans would love.
But this choice meant the film would have an R-rating, instead of a more family-friendly classification given Deadpool’s adult-only content.
Even Reynolds himself has said the fans are responsible for getting the film made, which is something he has been working at for 11 years, according to Business Insider.
“You guys, the internet, fans, you guys made the studio do this,” he said.
“You bent their aims behind their backs, twisted their frigging necks and here we are.”
2. LEARN FROM PAST MISTAKES
Getting Deadpool’s costume right was another essential element in making sure the film didn’t receive the same reaction as the character’s cinematic debut in 2009.
As CMO Essentials explains, the Deadpool character featured in the 2009 film X-Men Origins: Wolverine but without a costume and little speaking time: “In short, they killed Deadpool.”
In an interview with Entertainment Weekly, head of domestic marketing at 20th Century Fox Marc Winstock said from the outset, the makers of Deadpool had this core fan base in mind.
“They had two big fears,” he said.
“One was the costume, and two was the R-rating. If they didn’t get the costume right, they knew that this was trouble, and if it wasn’t R-rated, they would say, ‘This isn’t Deadpool. This is some abomination.’”
3. GET AN INFLUENCER ON BOARD WHO IS UP FOR ANYTHING
Influencer marketing is becoming an increasingly important way for brands to get their message to their audience and the Deadpool marketing team’s decision to place Reynolds at the heart of the film’s marketing is an example of how powerful this kind of marketing can be.
Keeping those die-hard fans in mind, the marketing team concentrated their efforts on using Reynolds to convince potential filmgoers the movie was for them.
According to Weinstock, this included “full days of shoots” for promotional content. He even took part in a mock celebrity interview with Mario Lopez on whether the film would have a PG-13 rating.
“Ryan was a huge partner in this,” he said.
“We came up with a bunch of crazy ideas, and he was like, ‘Great, I’ll do it.’”
4. BE BOLD
Marketing an R-rated film give the marketing team permission to be bold, according to Weinstock.
“We knew it wasn’t like, ‘How are we going to get every single person all at once, all audiences’,” he said.
“Because we’re R-rated, we can’t get teenagers, so how do we get a bunch of adults?”
One of the billboards for the film featured only emojis and letters – a skull emoji, a ‘poo’ emoji and the letter L – while other ads portrayed the movie as a romantic comedy.
According to Forbes, the marketing for the film in the month preceding the release was ubiquitous, with Deadpool marketing material showing up in random television spots, on dating app Tinder and even the Super Bowl.
And Deadpool even had a message for Australian fans in this Australia Day video.
“Most marketing campaigns don’t give audiences credit for being all that intelligent or open-minded, but the campaign for Deadpool didn’t hold back, taking the stance that fans who embraced the campaign would get the weirdness of the character himself (and hence, the movie) and those who didn’t never would,” said Forbes writer Alisha Grauso.
*Article originally written by smartcompany.com.au*


There is a thin line between genius and insanity.
quoted by the stepson of a killer on:
Friday, April 18, 2014
check out the episode with Jennifer jones and her lesbian partner bobbie joe who kill their landlord. for me one of the most shocking things about these true crime shows is how is it that so many killers (or other law breakers) have not thought ahead to the likelihood that they will get caught!
I saw most of this movie the other day and completely fell in love with Maggie and her British accent. Most child acting I don't care much for but she is brilliant!


‘Mary Poppins’ practically perfect in every way!
Sheldon College has marked its 20 year anniversary year in style, with a stunning production of the Broadway Musical ‘Mary Poppins’ at Redland Performing Arts Centre. The two-week season sold out in just days, with an extra performance added to meet demand. Over 3,700 Redlands’ residents enjoyed the outstanding presentation, featuring many students of the Australian School of the Arts (ASTA) in lead roles.
Executive Producer/Director Mr Darren Harvey, addressed the audience on the final night and said “This show has had so many firsts for us, it is our longest season, biggest audience, first time with a digital projected set, first time using a theatrical flying rig, and also our largest cast including over 300 costumes”.
The show received excellent local and national reviews including the prestigious theatre publication Stage Whispers. Audiences were amazed at the professional standard of the young performers, with many ranking it on a par with high budget professional touring shows. To quote the musical’s ubiquitous lead character, Sheldon College’s Mary Poppins the Broadway Musical was “practically perfect”.


You are here
An exciting series featuring critically acclaimed authors, thought-provoking films, current events, controversial issues, and more, 85 Queen invites you to be part of the discussion at Central Library.
Setting the Stage: A Day in the Life of a Stage Manager
Tuesday, February 9 at 7 pm
Latin Film Festival: The Awakening of the Ants
Wednesday, February 10 at 7 pm
An Evening with Jael Richardson
Wednesday, February 17 at 7 pm


Not having a second set of eyes for the Director.
An editor can help overview the shots and instinctively know how the edit can come together without needing to be in front of the edit bay. This could save thousands in unnecessary pick up shoots to fix the issue that could have been prevented if the editor was engaged earlier in the production process.
Not having enough crew on set.
Most of the time, money is an issue in production. Cutting crew cost might not be the best solution. Try saving money on location instead of on the crew. Keep in mind the crew is there to help you get the look and feel you are after. If you don’t have enough crew to execute the look, then the overall production will hinder.
Not preserving space on commercial spots.
Lots of times we see all this real estate left and right of frame and think that we need to close the shot up and take out the negative space. By doing this you are limiting the editor to fit necessary graphics on screen which end up making the scene look like an after thought in post.
Not finalizing the script before a shoot.
Not locking the script before a shoot leads to missing coverage, and an unhappy crew that isn’t organized for the next shot. Locking the script and creating a clear shotlist will make your production go much smoother and you will retain a happy crew that will most likely want to work with you in the future.
Not “fixing” it on set rather than relying on fixing it in POST.
All editors have heard this throughout their career. It’s almost always easier to fix it on set than to spend days to fix it in post. Keep this in mind the next shoot you are on set and check with all parties to see if you are able to trouble shoot on location or if it is easier to just fix it in post.


Released Date: 1st June 2021
Genres: Drama , Romance
Film Stars: Piyush Sharma, Vivaan yadav, Satish Kumar Yadav, Sunny Singh , Shivani Sharma, Shikhi Bora
Movie Quality: 720p HDRip
File Size: 684MB
Story : The story of four aimless and shameless friends Rocky, Bablu, shiv and sky and how their world turns upside down after one of them is blessed with amazing superpower and how they turn this miracle into opportunity to make money.


We Are Wild Health - How We Made a Crowdfunding Kickstarter Film
The last 10 years has seen huge growth in crowdfunding for start up businesses worldwide, all with their own original story to tell. Here is a behind-the-scenes look at our latest crowdfunding film project for Wild Health Cafe.
Kickstarter, Seedrs, GoFundMe… these are three of many places that start-up enterprises can utilise to seek crowdfunding on the web. Many of them follow a similar format, providing the start-up a limited time to hit a funding target. Investors are attracted by an idea that they see strong potential growth in, and if they are lucky, as an emotional connection.
We started with a deep dive into the story of Wild Health to immerse ourselves in their story. The owners Lucy & Lindsay’s story started with a daydream on a beach that turned into positive action in a short space of time. After spending time with them in their cafe and talking to regulars, we realised that their USP wasn’t just the delicious vegan food they served, but the warmth and friendliness they provide their customers day in, day out.
In pre-production, we discussed ways of bringing the film to life by using some original, creative techniques and decided to bring some of their unique offerings to life using stop motion sequences. Time-lapses, strong interview content and drone footage also got written up on the board as sequence elements, but it was imperative that these were all tied together using a strong narrative that would keep the audience interested to watch this 4 minute film.
We chose a beautiful day to film on, starting at sunrise to set the scene of the beautiful seaside location of Leigh-on-Sea, Essex. Next up, was to capture some sequences around the cafe. We waited to close to shoot the interview footage on a 2 camera, 3 mic setup. Lastly, it was to experiment with the stop motion sequences. We prepped Lucy & Lindsay to have their ingredients for their cheesecake and their flagship cold press juice ready. We tried a few different sequences, with some never to see the light of day! But we were delighted with the results.
We constructed our narrative from the best interview content, and after the first cut we realised we needed a few extra shots to make the film complete, namely some strong community shots and a few timelapses to add to the production value.
We feel the final film brings the character of the owners, the location and the vegan wellness movement to life, and most importantly, our clients loved it!


Art is Key was a project for 20 HIV positive young people aged 17 and over to participate in a film making process facilitated by Turtle Key Arts. The group of young people formed a production company to create their film about growing up living with HIV in the UK.
Using the expressive arts of writing, drama, music and film making, young people could share their experiences of what it is like to have grown up living with HIV in the UK. In the first session, in October 2015, participants worked alongside a professional film maker and drama facilitator to explore the subject matter in depth. There were activities to generate ideas, characters and scenarios that formed the starting point to develop into a short film.
Between October and April the group continued to work on their ideas, with input from both CHIVA and the filmmaker. You can read more about their work process here.
After the end of the film making week at the Lyric Theatre in Hammersmith, there was a sharing of the work in progress for family, friends and an invited closed audience. (All participants in the film have their identity protected.)
(Above image shows some of the key themes that emerged through the initial workshop)


GS Holiday Movie Day
Event Location Address : 8220 Trillium Circle Avenue, Grand Blanc, MI Event Full Details (include costs and contact info): Join us for a private screening of the movie of your choice; The Grinch or Mary Poppins Returns. Tickets are $7, snack combo is $3 and the movie day patch is $2. All are welcome. Please feel free to bring friends and family members. Check in is at 8:30 a.m. The movies will begin at 9:00 a.m.
Registration closes December 15, 2018.
Contact Tammie Sanders at firstname.lastname@example.org with any questions.
NCG Trillium Cinema
8220 Trillium Circle Avenue Grand Blanc, MI


BEYOND NOLLYWOOD is a term I coined to describe new wave audio-visual content from Nigeria such as short films, art house, animation, documentary, experimental and music videos. The term takes inspiration from my book The Nigerian Filmmaker’s Guide to Success: Beyond Nollywood(2014).
While Nollywood is largely accepted as a carte blanche description of the Nigerian film industry it does not adequately describe diverse Nigerian audio-visual content. A growing number of filmmakershave emerged in the Nigerian film space creating work distinct from Nollywood. The content they are making is dynamic and poised to supersede Nollywood.
This has created opening for the emergence of BEYOND NOLLYWOOD as a description for a new class of content creator.
This trend is being driven by demographics with Nigeria’s youth population quoted as 65% of its estimated 200 million people. In recent years we have seen a West African cultural explosion with Afrobeats, ankara inspired fashions and indigenous art crossing over.
BEYOND NOLLYWOOD is made up of a collective of filmmakers who are either Nigerian, from the Nigerian diaspora or are non-Nigerian but making work that relates to Nigerian/West African culture.
BEYOND NOLLYWOOD has been showcased at London Short Film Festival (2020) Berlin International Film Festival Africa Hub (2019), University Arts London (2019), ENCOUNTERS
Short Film and Animation Festival (2018), International Film Festival of Rotterdam (2018) andthe British Film Institute (2014, 2016, 2018).
BEYOND NOLLYWOOD has featured on press platforms which include CNN, BBC Africa, BBC London News, BBC World Service Radio, ID, London Live, Voice Online, Nigerian Watch, BBC Merseyside, British Blacklist, Shadow and Act, Okay Africa, Der Standard, Screen Africa, Guardian (Nigeria), Premium Times (Nigeria), WINGS Arik Air Inflight Magazine, Afropean
blog, BellaNaija, Ynaija and Stella DimokoKorkus’ Blog.
BEYOND NOLLYWOOD aims to enrich world cinema, increase international industry and audience awareness of independent filmmakers working in the West African film space and
support the development of a thriving Nigerian film culture.
If you are enthused by world cinema, independent filmmaking and African culture – BEYOND NOLLYWOOD is for you!


Based on Alexandre Dumas' epic masterpiece, the award-winning Best Musical, The Count of Monte Cristo is a story about fate, power, and one man’s quest for vengeance.
Edmond Dantes is a young sailor who wants nothing more than to marry his love Mercedes and live a quiet life. But, that life is shattered when Edmond is wrongly accused of treason by three men: one who wants his job, one who wants his fiancé, and one who just wants to further his own political career. After years locked away in prison, where he’s mentored by a fellow prisoner, Edmond escapes. Now, with the help of a great fortune, cunning allies, and a brilliant scheme, Edmond assumes a new identity—the Count of Monte Cristo—and he won’t rest until the score has been settled.


I hope you enjoy my very first movie review: The Age of Adaline.
This movie was cute! Cuter than I thought it was going to be actually. Not the most epic love story you’ve ever seen, but a cute movie if you’re at home on a rainy night and want something sweet to watch.
And of course after you add Mr. Michiel Huisman to the mix??! This makes this movie one the must see romantic movies for 2015!
Enjoy the movie, my fellow movie buffs! Don’t forget the popcorn! 😉


visitor of this website since its relaunch on February 14th,
LAKESHORE ANNOUNCES: INFINITELY POLAR BEAR
O.S.T. date: March
PROJECT : THE INVITATION date: February
SESSIONS PHOTOS +
Lakeshore Records will release
the various artists soundtrack to INFINITELY POLAR BEAR, the new
film starring Mark Ruffalo and Zoe Saldana. The soundtrack
features the score by Composer Theodore Shapiro and music by
various artists curated by GRAMMY® winner Randall Poster, music
supervisor on hit movies such as Academy Award winners Boyhood and
Grand Budapest Hotel.
Written and directed by Maya Forbes (Monsters vs. Aliens, Diary of
a Wimpy Kid), Infinitely Polar Bear is produced by J.J.
Abrams and Mark Ruffalo. Infinitely Polar Bear opens in
theaters on June 19 via Sony Pictures Classics.
According to FMR: Theodore Shapiro is
reteaming with director Karyn Kusama (Girlfight, Jennifer's Body) on
the upcoming thriller THE INVITATION. The movie stars Logan
Marshall-Green, Tammy Blanchard, Michiel Huisman, Emayatzy
Corinealdi, Lindsay Burdge, John Carroll Lynch, Mike Doyle and Jay
Larson. The film follows a haunted man attending a dinner party who
becomes gripped with paranoia that his ex-wife and her new husband
are harboring an insidious agenda. THE INVITATION is set
to premiere next month at the South by Southwest Film
SPY score was recorded last week at The Newman Scoring Stage and
Sunset Sound. You can check a few photos from the sessions below.
Click on images to see them in better resolution. The group picture
to R): Alan Kaplan, Chris Fogel, Teddy Shapiro, Steve Holtman, Jon
Lewis, Mark Graham, Dan Fornero, Randy Kerber, Bill Reichenbach,
Doug Tornquist. So far no soundtrack album has been confirmed.
The movie opens on May 22nd and you can also watch the
news archive (COMING SOON)
(c) 2010-2015 Petr Kocanda All content is intended for
promotional use of the composer only and shouldn't be used for any


WAZIR, a movie which keeps the viewer on the edge of the seat until the climax. Woke up early On a lazy Sunday morning to watch Wazir, the reason is simple. Some of the rare and best talents came together in this movie. Vidhu Vinod Chopra, Bejoy Nambiar, Amitabh Bachan & Farhan Akhtar, multi-talented individuals who can do magic with movies. The art of deception, the most favorite topic of every story writer is the key element here also and he wins it up to an extent.
This is a short movie with no lag in the story anywhere. The best part is the cast, Sr. Bachan sir and Farhan the rockstar made this movie interesting. The story line is simple, the base being revenge. The way they linked this story with chess had made this story interesting. After watching the movie, you feel like this was a game of chess between characters in this movie. There are many surprises in the movie and they play with our mind in a way that we can’t leave the seat until we know the truth.
Being a short movie with running time close to 2hrs, there is no point digging into the details of the story. Let me summarize Wazir, the story of a cop and a physically handicapped common man who met and became friends because of circumstances which lead to the climax of this movie 😛 . The outstanding performances by Sr Bachan sir & Farhan Akhtar supported by Aditi Rao Hydari and Manav Kaul. Unlike the regular movies where you see a lot of bloodshed in the name of revenge, here it is straight to the point. Songs composed by Shantanu Moitra & Advaita were apt for the situations.
This movie is shot mostly in Delhi and a little part in Srinagar. In fact, there are more indoor scenes than outdoor ones. The start of the movie gives you doubt of a slow movie and gathers pace suddenly after which it never slows down, until…Well, you guys will understand where it slows down and that is the only negative part of the movie. While everyone waits for a twist, Bejoy Nambiar made sure that henceforth no one will wait for one 🙂 in is the movie. The twist was simple and so predictable that I will say without that, this would have been an awesome movie.
My rating 3/5 based on the superb performances of Big B, Farhan and Aditi and the movie until the climax.If the climax was a bit different I would have rated this 3.5 /5


Elizabeth is a native Texan and Southern Methodist University graduate where she received her Bachelors degree in Film and Media Arts. Even though her artistic talent was realized at a very young age, Elizabeth did not receive formal art instruction until her senior year in college. She is the founder and creative force behind the Where Is The #Love project and owner of Resilience Road Productions. Elizabeth has worked on programs for major television networks like MTV, she has produced and directed music videos, and created content within the commercial arena. She is currently co-writing a feature film, The Kiss, with an award winning writer that is based off of one of her original stories. Her art is showcased in private collections around the world.
She believes that all things in life can be explained and conveyed through self expression and love for others.
Some of her favorite things are, the ocean, travel, the musculoskeletal system, laughter, Bomb pops, and the smell of wild jasmine.
"There was a young girl, who stopped by the "Inside Out" film shoot, whose dream was to be a film director, so I grabbed her by the hand and kept her by my side. I asked her call 'Action!' on one of the scenes, and she lit up like the sun. Her father was so proud! She couldn't believe that I was serious. I told her ' It's your scene. Call it when your ready.'" I yelled out 'Quiet on the set!' and my amazing crew fell silent and looked to her for direction. She looked to me, and I nodded. Then she yelled out "Action!" and the magic began. That's it! That's what it's all about." Lizzy


Born and raised in Kentucky, Kayla is what you would call the driven type wrapped up in Southern Charm. Writing her first full length screenplay at the age of 11, she knew at that moment that working in film production was in her future. As her love for film grew she was determined to learn everything she could and soon added web design, digital design, photography and graphic design skills under her belt. Not one to box herself in, Kayla got a few video courses under her belt in college but taught herself the ins and outs of DSLR filmmaking. This ambitiousness and tenacity paid off and landed her a year long video contract for the Lorenzo de Medici Study Abroad Institute in Florence, Italy as soon as she graduated from Western Kentucky University. Add to that internships with renowned cinematographer and filmmaker Philip Bloom and a web developer position with Provident Music Group (Sony), Kayla is proof that talent and ambition go hand in hand. With a (slightly concerning) obsession with tea and Doctor Who (David Tennant is by far the best Doctor), Kayla makes her home in Nashville, Tennessee with her growing collection of Tardis’s and musician fiance (who doesn’t mind her silent film star crush on Buster Keaton).
Kayla has won various awards with her work at Imagewest along with receiving press from the work that she’s done on different projects.
Take some time and explore the footage I shot during the 2013 year while living in Florence, Italy. It was an incredible opportunity to be able to work for LdM not only for the video experience, but to also be able to see the unique beauty of Italy. This footage includes projects shot in the locations of locations of Rome, Tuscania and Florence, Italy.
What can I help you with? A design project? Video masterpiece? An enchanting photography shoot? Chats about Doctor Who or herbal teas? Just take a minute to fill out the form below and send me a hello. I'll do the best I can to get back to you at a decent time with a hearty response!


Come On, Get Happy! I'm on The Happiness Patrol!
For what feels like for the longest time, we have been trying to get Lewis Bailey to join us on an episode Doctor Who: Podshock. Lewis does a podcast called The Happiness Patrol @TheHPatrol along with Dale Who @FishCustard2010 , Tara Wheeler @TARDIS_Tara (who you may also know as a Corespondent for Doctor Who: Podshock), and Lela Sandstrom @LelaSandstrom, due to scheduling reasons it never worked out. He has been also trying to get me on The Happiness Patrol as well for a while and for the same reason, it hadn't worked. Although we had Lewis on an episode in a recorded segment at the Doctor Who: Podshock 5th Anniversary Event we held last August as well on an episode from Gallifrey 21 last February in Los Angeles at our Meet & Greet Event there, this is the first time we have him on our show in a studio setting for Doctor Who: Podshock - Episode 230 along with Dale, Tara, and Lela. Not only is The Happiness Patrol in the latest episode of DWP, but I am in the latest episode of The Happiness Patrol as well!
Check out episode 47 of The Happiness Patrol, where we talk up Doctor Who scarves. They have been a classic icon of the Doctor Who series since the Tom Baker era. I had a grand time on the show. It was a great deal of fun. If you enjoyed our segment together on the latest Doctor Who: Podshock episode (where we are talking about another classic icon of Doctor Who, the TARDIS/Police Box), you will want to check out this episode of The Happiness Patrol. As I write this, I haven't heard the episode myself yet, it is being billed as "the ADULT side of The Happiness Patrol" – I didn't think it was too raunchy, but just the same, consider yourself warned.
the happiness patrol: The Happiness Patrol Episode Forty-Seven: After Dark: "Hey there you crazy hep Kats & Kittens, it's time now for the ADULT side of The Happiness Patrol as we present: The Happiness Patrol After Dark. Tonight's guest is from the swingingest berg that never sleeps, New York City baby!
Ladies and gentlemen, The Happiness Patrol presents none other the the ultra cool Pod Father himself, Mr. Louis Trapani. He sits in while Dale, Lewis, Lela and Tara discuss the finer points of The Tom Baker Scarf.
We also put out a public cry to our listeners for your earliest photos of you and your first scarf. Clocking in a just over an hour, this is one not to miss...
So sit back, turn it up, and get ready swing with the heppest peeps in all of Doctor Who Podcasting baby, it's The Happiness Patrol Episode Forty-Seven: After Dark"
Thanks to Lewis, Dale, Tara, and Lela for inviting me to be on their show and just the same, I thank them all for being on ours. We will have to do it again sometime soon.