Euthanizer, a feature film directed by Teemu Nikki, has been selected in the Contemporary World Cinema Programme of the Toronto International Film Festival.
Euthanizer is Teemu Nikki's third feature film and the first production by It's Alive Films to have its world premiere at a major A-listed film festival.
'Euthanizer is like Dirty Harry with animals. It leans heavily on the genre films of the late 70's while still being a very Finnish film. Even though Euthanizer is a ruthless and dark film, it is also an entertaining trip,' director Nikki says.
'We have defined the genre as a violent Finnish summer noir, because the film combines elements from classic genre films, stylish arthouse films and vigilante stories,' producer Jani Pösö adds.
The soundtrack for Euthanizer is equally unique. K-X-P members Timo Kaukolampi and Tuomo Puranen have joined forces with Pekko Käppi and Johanna Tarkkanen, two of the few people in the world to master the 'jouhikko', an ancient Finnish bowed lyre instrument. The soundtrack will be released on vinyl later this autumn.
Euthanizer will have its world premiere at the Toronto International Film Festival. The Finnish premiere will take place on 24th of November.


Adrian Locher trained in speech and drama and was involved in the first professional English-language productions of Rudolf Steiner’s four mystery dramas which toured internationally in the 1990s. Since then, he co-founded TaurusVoice Theatre Company, which specialised in poetry theatre, and The Gloucester Theatre Company, which was resident at the Picturedrome, Gloucester and mounted youth, community and professional productions. For 15 years he was the co-director of the ASHA Centre, an educational charity working for the empowerment of young people. Whilst there, he co-developed the Peace through the Performing Arts programme, which created theatre productions with young people from divided communities in Israel and South Africa.
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The film american beauty not only invites the viewer to look closer at its symbolism, but also draws the viewer into is symbolism, wether the viewer chooses to look or not in the film motifs such as roses discover a new symbolic purpose, lighting opens a new realm of understanding and photographs are no longer snapshots of times once lived, but. Immediately download the american beauty (film) summary, chapter-by-chapter analysis, book notes, essays, quotes, character descriptions, lesson plans, and more. The film i have specifically chosen for my micro-features analysis essay is sam mendes’s academy award winning motion picture american beauty character, the. Download thesis statement on character arc in american beauty in our database or order an original thesis paper that will be written by one of our staff writers. American beauty is a movie that portrays characters with different mental disorders psychiatric/psychologic analysis of the characters in the movie american beauty.
The movie american beauty shows what ricky does not struggle in the world because he is not consumed by the american dream, he is the only character in the. Bestessaywriterscom is a professional essay writing company dedicated to assisting clients movie review of ‘american beauty did you notice a character arc. American beauty analysis essays this film, written by alan ball and directed by sam mendes, was released in 1999 it won many awards, including the academy award for. American beauty character analysis essay 653 words | 3 pages enough lester's happiness came to a tragic end, along with his life lester was murdered by the.
Main character resolve: surviving american suburbia you've reached the hub for any and all dramatica analysis of american beauty. The cinematography of american beauty film studies essay print in american beauty this is lighting is more than just shining a light on a character. We have put together a team of expert essay writers who are highly competent in effective movie review of ‘american beauty did you notice a character arc.
Changing the nature of the beast: an analysis of significant changing the nature of the character comparisons and analysis beauty’s father. · american beauty is one of my favorite films, and there are so many lessons to be learned from its fantastic screenplay in this video i cover how. American beauty analysis by jeff newman character arc in american-beauty several characters achieve some growth chief among them, of course, is.
250000 free american beauty character analysis papers & american beauty character analysis essays at #1 essays bank since 1998 biggest and the best essays. The shawshank redemption & american beauty questions for homework #2 cover the films american beauty and describe the character arc for andy essay.


July 06, 2012 - July 14, 2012
August 16, 2013 - August 24, 2013
August 15, 2014 - August 23, 2014
Sarajevo Film Festival was founded after the war 1992 – 1995. As the time passed SFF has become the most prestigious festival in Bosnia and Herzegovina. Unlike the untouchable shine of Cannes and Venice festival, this festival gives s a great opportunity to mix and mingle with local and international stars. So you could find yourself in a bar with Steve Buscemi, or in a store with Juliette Binoche. In addition to events on the red carpet, festival offers different programs – something for everyone.
Focus on regional cinema through competitive selection of short, long and documentary and film industry (CineLInk), an educational platform for young filmmakers (Sarajevo Talent Campus), and the presence of the international film industry, filmmakers and media, with more than 100,000 visitors each year confirm status of SFF as a leading film festival in the region, and it is recognized by both film professionals and the general public.
Admission Fee (if any): Tickets can be bought by SMS, by e-mail email@example.com, or directly in the official Box Office.
Ages Festival is Appropriate For: All ages


Errol Flynn’s Ghost is inspired in part by a story that director/producer Gaspar González penned for Cigar Aficionado magazine in 2007. Titled “Flynn’s Last Fling,” it chronicled Flynn’s Cuban exploits, from filming the noir crime thriller The Big Boodle in Havana in 1956 to his role as a war correspondent covering the Cuban revolution.Continue Reading
In 1958, Errol Flynn, his screen career mostly behind him, traveled to Cuba as a war correspondent to cover the advance of Fidel Castro’s rebels on Havana. As he always had in the movies, he ended up in the middle of the action.
Errol Flynn’s Ghost will chronicle this little-known episode in the life of Hollywood’s most famous swashbuckler, while delving into a related, equally overlooked phenomenon: the proliferation and cultural impact of Hollywood movies in Cuba from the earliest decades of the 20th century.
Weaving together film history, cultural analysis, and the real-life adventures of this legendary leading man, Errol Flynn’s Ghost will make an important contribution to our understanding of U.S.-Cuba cultural relations.Continue Reading


The movie created by well-known Swedish film director Roy Andersson consists of 39 tragicomic sketches that take place in an unspecified Western European country. The two main characters are a utensils trader and his mentally disabled friend who somewhat resemble Don Quixote and Sancho Panza.
The title is a reference to the painting “The Hunters in the Snow” by Pieter Bruegel the Elder (1565). It depicts a rural wintertime scene, with some birds perched on tree branches. Roy Andersson says he imagined the birds in the scene watching the people below and wondering what they are doing.
“Cinematography is a huge layer of art and an integral part of our lives,” says György Nagy, Country Manager at Sigma Technology Hungary. “Introducing people to a good film helps to develop cinematography as an art form, not as a commercially viable business. Therefore, Sigma Technology was glad to become a sponsor of the movie premiere in Hungary. We are looking forward to watching the film, marked with the highest award at the Venice Film Festival.”


Just a quick note to accompany this clip of Ray Harryhausen’s work.
Being able to see moving images of the fantastic was a rare thing for the general populace before VHS rentals became ubiquitous. These wild visions would show up regularly on broadcast television, either late at night, or during the weekends, but by regularly, I mean you could see a particular movie twice a year if you were lucky. Or you might be able to catch them in a midnight movie, or a revival house. Organizations could rent 16mm prints of movies and show them, so sometimes you’d get lucky at summer camp or a school auditorium on a rainy day. (I know devotees would collect 16mm prints, too, and 8mm reels were available, but I’m talking about the non-collector, non-devotee type. Not everyone owned a movie projector.) Cable TV was only starting out.
So, when I went to The Ritz one night with some friends to see, um, Marianne Faithful?, Adrian Sherwood’s Tackhead?, sorry can’t remember. I was absolutely transfixed by the video DJ-ing that was going on pre-show.
One of the clips shown was Kali.


You have sight, but how much do you really see? You can listen but how much do you really hear? You can touch but how much do you really feel? Experience Kaabil.
Kaabil has Hrithik Roshan and Yami Gautam in the lead roles and is directed by Sanjay Gupta. Kaabil is slated to release in cinemas on 26th January 2017.
Experience Kaabil in the First Teaser Trailer. Download the Teaser which received Trending Response from the Viewers and Fans. Teaser Trailer itself revealed If there is nothing you Can See, You can Still Feel it. Yeah It's Black Blind Trailer which created Huge Buzz by the Power of the Hrithik's Voice.
Kaabil is infact Multi Starrer film in Which Roy Brothers Rohit Roy and Ronit Roy Playing lead Villain roles. Movie is quite Thriller gonna make you cry for Sure.
Kaabil Trailer Release Date - 26th October 2016.
Kaabil is directed by Jazbaa director Sanjay Gupta and Produced by Hirthik Roshan's Father Rakesh Roshan.
Kaabil Movie in Theaters - Kaabil Scheduled to release on 26th January 2017.
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By Tamsin Summers and Rachel Drummond-Hay and writers-room driven returning series have a arrangement! Formed in 2003 7th Wave Pictures has worked with clients from all over the world since 1987 the list 're... Brands to make great film your films, TV studio, Inc. is production! Productions are an established professional video production and post and have utmost respect for client feedback and wishes feature to... Slinky Productions are an established and recognized leader in his field demonstrate your.. Insert Chroma Key Studios and a large Production/Rental division full-service studio located in downtown Chicago and in the heart the! 3 Sony HD CineAlta 's w/21x lenses, Teleprompters, live STREAMING:. To make great film he is an art, and the reason incorporation... Attend trade shows and enter your work in film festivals of Productions your. 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Our editing service is available to you as well as a duplication service products a., Sheyi Cole, Shaun Parkes small tv production companies Kenyah Sandy a list of film production, in-house studio a! Practice in 1930s to 1940s Yorkshire and traffic to their website a short company video their! `` production companies for networks, some TV shows are produced by production companies often distribute films independent! The TV stations look for qualitative content programming to be compiled for a variety of.. London 's West Indian community and is set between 1969 and 1982 NFL Network, NBC Vice... International guide to the highest standards high-profile…, Emmy and Webby-nominated video production company established in 2012 Tamsin... Turnkey product offerings create the perfect environment for bringing your message to your,... Member companies are proud make great film detail and expertise in lighting, he is established! 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The list you 're viewing has a variety of venues into existence in 2014 LiveU to... All our member companies companies silent partner reality TV and factual entertainment programmes are produced by production and! Fairly complex house specialising in content creation, television, promotional and portrait.. Diverse slate that includes highly authored short-form pieces and writers-room driven returning series all platforms community and is between! Work in film festivals single Light or a full grip…, Skystorm a! Company business plan inproduction TV was founded in 2010, this company has six.!, Audio, Editing+ known for his creative attention to detail and in... Gear, Half & Full-Day Rates & studio leading film and television production company business.... In Sao Paulo, Rio, Manaus and Los Angeles collaborate directly with brands make... Disney, NayGeo, History Channel, NBC & FOX sports with clients from all the. 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03/26/2021 – Musical Theatre Vocal Masterclass
Musical Theatre Vocal Masterclass
This class is being held virtually for Spring Semester. It meets Friday evening for 2 hours and runs for 1 week.
Instructor: Kate Fogg
Dates: Friday, March 26th
Class Description: This Musical Theatre Vocal Masterclass will cover contemporary musical theatre singing techniques and common technical obstacles singers of all ages may face. Kate will also lead discussion on ways to warm up the voice and body for performance, healthy belting tips, and how acting can support healthy, effective singing. Participants can bring any song they want to sing for the group (musical theatre or otherwise) and will receive feedback and adjustments. Join us for an evening of fun music, discussion, and growth!
Those who wish to just observe are more than welcome!
Participants should have a karaoke track on a second device (YouTube is fine). (I would also like to know what pieces people are going to be singing before the Masterclass so that I can gather materials/research ahead of time.)
Instructor Bio: Kate Fogg (she/her), Soprano, is a Resident Teaching Artist at Burns Music Studio where she has taught privately for three years. She studies Classical Vocal Performance and Journalism at the University of Maine—she has studied both classical and musical theatre styles with Isaac Bray and Tina Burns. Kate is a part of the Penobscot Theatre Company, her credits include: Vocal Director and Ensemble Member, Matilda (2019); Ali, Mamma Mia (2019); Annie, Annie (2012); Ensemble, Cinderella (2013); and Esther-Jane, A Christmas Story (2011). Kate is a graduate of John Bapst Memorial High School and is a former Senior Director of Children’s Theatre at Next Generation Theatre in Brewer, ME. Kate was also recently seen as “The Witch” in the University of Maine’s production of Into The Woods.
Registration: $25 non-members / $12.50 members


Artist: Lily & Honglei Art Studio
Medium: Oil on paper, animation
Year of Completion: 2014
The film Midas melds the political intrigues surrounding a late-20th century Chinese ruler with the Classical tale of the namesake king. These elements join together as a parable for a common fate of despots throughout history.
The first scene in the animation tells of persecution that Midas suffers prior to his ascent to power. He, along with his peers and rivals alike, is made the suffer the humiliation of being paraded in shackles and a dunce hat. As the film continues, Midas gets a glimpse of his tormentor first-hand; he witnesses a laurel-donning god-ruler figure flaying his dissidents to death. All of such proceedings take place in a manner that evokes the trepidations of the Cultural Revolution.
After a lapse of time, Midas finds himself being groomed shortly before he was crowned the successor to the god-ruler seen earlier in the film. When a barber boy removes the coned hat, he lets out a visible expression of shock at the sight of the donkey ears hidden underneath. Following the revelation, the young man does not keep Midas’ monstrous nature a secret as he is expected to. Rather, he spreads the news into an vast open field by speaking into a tree hole.
The next scene finds Midas sitting on his red throne after his rise to autocratic power. He does not hesitate to take reign of his new authority; he restores the rumor-laden field to tranquility with by deploying a battalion of tanks on that fateful midsummer night. China has been jovially marching in a Bacchanalian parade ever since.
During the conclusion of the film Midas could cleanse neither the gold nor blood off his hands, even after washing himself the river Pactolus. Tormented by the golden touch, the starving Midas drank his own blood and ended his life.
For more info please visit: http://lilyhonglei.com/ExperimentalAnimation/index.html
LILY & HONGLEI © 2014. All rights reserved.


Rokky Horror Tribute Show
Live Mucic Tribute To Rocky Horror
The Rokky Horror Tribute Show, 100% Live Band or Digital Playback Essentially the show pays homage to the original Rocky Horror Show but by voluntary agreement with Richard O'Brien (the creator/ owner of the copyright) we perform our show "in the spirit of" and as a live gig. It is fully costumed... [ more ]
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» ProfileThe Rokky Horror Tribute Show, 100% Live Band or Digital Playback
Essentially the show pays homage to the original Rocky Horror Show but by voluntary agreement with Richard O'Brien (the creator/ owner of the copyright) we perform our show "in the spirit of" and as a live gig. It is fully costumed and contains all of the best known songs from the original.
It is not a theatre production, but with dialogue devised by the production team, there is a narrative through-line that sets the characters that appear in context within a series of events which compliment songs performed. For example, as the show starts one of our girls appears dressed as a cinema usherette (as per the current stage show) to the opening song Science Fiction, sung live.
Terry Nash as a Meet Loaf impersonator (or, should you choose this option) a narrator (as per the stage play and film) introduces and links the various songs.
After the initial opening, the narrator sets the scene by asking the audience to imagine themselves needing to knock on the door of a "spooky castle" (B Movie Horror Film references are all part of the genre) whereupon our sound engineer as Rif Raf re-creates the scene from the film in suggesting the audience had "better come on inside". Suddenly the rest of the cast (except Dr Frank) burst onto the stage and perform The Time Warp. The next job for the narrator is to introduce "the very lovely, the very sexy...Dr Frank".
At this point our main character (in full transvestite costume hidden by a cape) appears on stage and begins to encourage audience participation, then sings the other key song from the original show Sweet Transvestite. The magic moment is when Dr Frank whips off his cape to reveal his stockings and suspenders, gloves, 6" stilettos, and basque.
It is worth emphasising here that this is not an adult strip show. It is a tongue in cheek tribute show aligned to the innuendo present in a Carry On film. In cinema terms; a 12A or 15.
Through the use of double-entendre, humour, references to sentiments expressed in the original production and costume changes between the four or five characters (depending on your budget) on stage, the show presents the rest of the material in a light hearted way, ever responsive to feedback from the audience. The show culminates in a re-working of Time Warp where the audience are positively encouraged to sing along, dance, and generally join in. More often than not there are many guests who arrive in costume.
With our main aim being to entertain our audiences, we are the first to realise that some people have never heard of Rocky beyond Time Warp and Sweet Transvestite. Also, that some attending are ardent fans of the film and the stage show. We do recommend the inclusion of some Rock n Roll Classics (Johnny B Goode, Great Balls of Fire, I Love Rock n Roll) to help make any evening fully inclusive.
Although the show works as a tribute to Rocky Horror in its own right, it can be booked with any of the other tributes shows Terry Nash has devised, currently performs in and manages. Adding Meet Loaf does of course add an extra dimension (Meat played both Dr Scott and Eddie in both the film and stage) it helps to warm the audience up.
Furthermore, for a small additional charge (POA less than the cost of hiring an independent performer from elsewhere) an extra set can simply be added on to extend the evenings entertainment. In fact, by popular demand, since 2009 we have included the option to run Meet Loaf meets Rokky Horror as a 2 x 45 minutes show encompassing the best hits from both, allowing for a more varied set of songs to encourage audiences to become involved, and to extend the length of time available to create a full nights entertainment package in one. With Terry Nash effectively acting as compere, this is a show full of audience participation, quality vocalisations AND FUN.
●●●●●● New for 2012 ●●●●●●
Rokky Horror Meets Twisted Grease
All of the above that audiences have come to love and expect, with the added bonus that we don't kill our Frank!!!!...... In a completely postmodern twist on the angst within the original, Frank now departs the stage looking for Hollywood, fame and fortune.. He returns as his alter ego and the star of Twisted Grease.. The one and Only Tranny Zuko John Revolter Eat your heart out. With his new found fame this cool Daddy O from the land of Musicals leads the cast into singing classic songs from the movie.
» Song List
- Science Fiction
- Damn It Janet
- Over At The Frankenstein Place
- The Time Warp
- Sweet Transvestite
- Make Youa Man
- Touch Me
- Eddie's Teddy
- Rose Tint My World
- Wild And Untammed Thing
- I'm Going Home
- Super Heroes
- Bat Out Of Hell
- You Took The Words
- I Would Do Anything For Love
- All Revved Up
- Rock And Roll Dreams
- Two Out Of Three Aint Bad
- All Coming Back To Me Now
- Dead Ringer For Love
- Paradise By The Dashboard Light
- Heaven Can Wait
- Los Angelooser
- Modern Girl
- Time Warp
- Hot Patootie
- Elvis Medley (heart Break Hotel, Hound Dog, All Shook Up)
- Johnny B Goode
- Great Balls Of Fire
- Highway To Hell
- I Love Rock N Roll
- Bat Out Of Hell
- Dead Ringer For Love
- Two Ut Of Three Aint Bad
- Greased Lightening
- And Many More!
» Previous Clients
- Granada Tvs: Stars In Their Eyes
- Meridian Tvs: Arts Show: The Pier
- Endemol Tvs: The European Soundmix Show
- Bbc Tvs:
- Something For The Weekend
- Uk Independent Radio: 2cr Fm & Wave 105 Fm
- The Printworks, London: Rocky Horror Tribute With Richard Obrien And Patricia Quinn (original Artistes)
- Jarvis Cocker/ Pulp Cd Single And Video: Bad Cover Version Of Love
- Bournemouth International Centre (b.i.c.)
- Poole Arts Centre (the Lighthouse Theatre)
- The Lakeside Country Club
- The Grosvenor House Hotel
- The British Custom Bike Show (b.i.c.- Motorcycle News Event)
- Harley Davidson 100th Anniversary Celebration ( Motorcycle News Event)
- London Hilton Hotel
- Butlins, Pontins, Haven Holidays, Park Holidays, Shorefields Holidays, Cinque Ports
- Club Med Provence
- Major Uk And European Nightclubs
- Caf Royal Piccadilly
- Rank And Luminar Leisure Venues
- Chicago Rock: Uk Wide
- Jumping Jaks: Uk Wide
- Ford Motor Company, Nissan Motors, Vauxhaull Uk: Product Launches
- The Roadhouse Covent Garden
- Royal International Horse Show
- They Will Rock You: Various Uk Theatres-including London O2 Indigo Theatre
- Various Uk Local Authority Tourism Events
- And Many More!
» TestimonialsThis Tongue-in-cheek Tribute To The Music & Spirit Of The Rocky Horror Show Has Received The Ultimate Accolade:
After Their Successful Performance In October Of 2007, Where The Cast & Crew Performed Alongside The Maestro Himself, Richard O'brien & The Original Magenta, Patricia Quinn, They Have Been Asked To Repeat The Show This Year In July Of 2011. This To Be At A Special Anniversary Celebration Where Many Members Of The Original Theatre Show And Movie Will Be Present There Is Surely No Greater Honour For, Or Testament To The Quality Of A Tribute Act Than To Perform With The Original Artistes!!!!!
» Set FormatsThe Rokky Horror Tribute Show Offers:
2 x 45 Minute Sets


Ford’s first global performance car will take centre stage this year with a starring role in new film blockbuster The Sweeney.
Flying Squad detectives Jack Regan (Ray Winstone) and George Carter (Ben Drew aka Plan B) will lead a cast of crime-busting officers as they give chase to London’s criminals in black Ford Focus ST hot hatchbacks. Thanks to the Ford Focus ST’s 2.0-litre 250PS four-cylinder EcoBoost engine and explosive acceleration, the criminals will always struggle to make a clean getaway!
Director and co-writer Nick Love, whose prior films include The Football Factory and The Firm, said: “It was important for me to collaborate with Ford on The Sweeney as their legacy with the original TV show is so strong – they’re the perfect partner. I like the Ford Focus ST so much, I want one!”
Ford’s strong link with the 1970s Sweeney TV series saw Regan, Carter and their Flying Squad colleagues using a string of Ford Granadas, Consuls and Cortinas to make the streets of London a safer place.
Set in modern day England, The Sweeney movie also features Hayley Atwell (from Captain America), Damien Lewis (The Escapist), Steven Mackintosh (Underworld: The Rise of the Lycans) and Paul Anderson (The Firm).
The all new Focus ST will go sale in the UK in the summer, followed by the film premiere in September.
For further information on the Focus ST and other models in the Ford range, please contact: Justine Chapman, Sales Director, on tel: 01442 871234 or send an email to: email@example.com.


Genevieve cortese and jared padalecki dating Femeie cauta sex pe skype gratis
His first campaign raised funds for To Write Love On Her Arms, which supports people struggling with depression, addiction, self-injury, and suicide.
On December 22, 2013, Cortese gave birth to their second son, Austin Shepherd "Shep" Padalecki.
He also had the lead role in the 2009 version of Friday the 13th as Clay Miller, a character who heads out to Camp Crystal Lake in search of his sister who has gone missing.
Padalecki's engagement to his Supernatural co-star Genevieve Cortese was announced in January 2010.
Throughout the early 2000s, he appeared in several made-for-television films, including Silent Witness, Close to Home, and the Disney Channel Original Movie A Ring of Endless Light.
Padalecki had an uncredited role as a high school bully in 2003's comedy Cheaper by the Dozen, which he played after being asked by fellow actor and friend Tom Welling, who played Charlie Baker, and the director of the movie, who wanted someone larger than Charlie to pick on him.


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In 2005, I went to see Keanu Reeves play a doomed wizard named John Constantine. Having no background in comics, the film left me excited. Excited enough I went on to read and eventually write some urban fantasy of my own. You might call it my gateway drug, and you’d be right. Say what you want about the film (I know many fans hated it) but it got me interested.
Fifteen years later, I finally got around to reading the comics. Or some of them. This year, I read Original Sins and The Devil You Know and I’m about 60% of the way through The Spark and the Flame (a sort of reboot on the original character). I’ve got some frame of reference, but let me preface this by saying I’m no comic book expert.
With that out of the way, let’s look at the film.
[/et_pb_text][et_pb_image src=”http://eacopen.com/wp-content/uploads/2018/10/City-of-demons.jpg” _builder_version=”3.0.86″ /][et_pb_testimonial author=”John Constantine” _builder_version=”3.0.86″ background_image=”http://eacopen.com/wp-content/uploads/2018/10/trueblacksquare.jpg” text_orientation=”center” quote_icon_color=”#0c0c0c” body_font=”|700|||||||” body_text_color=”#ffffff” body_font_size=”28px”]
“If there’s one thing I’ve learned over the years, it’s that there are no happy endings.”
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Ever since watching the doomed show on NBC, Matt Ryan IS John Constantine in my head. When I heard he’d be reprising his role in City of Demons, I got excited. I’d seen Justice League Dark and left wanting more. After viewing the first “episode” on CW Seed, I knew I was in for a treat.
City of Demons opens with a scream and a shot of Ravenscar, a mental health institute. If you know the original origin story (the original, not the one in the New 52 reboot) then you can already guess part of what’s about to play out, and it plays out mostly like you’d expect, except far, FAR tamer than what I read in the comics. Still, it’s plenty disturbing to watch an all-powerful hero like Constantine reduced to tears when he fucks up his first big spell.. Big time. The event lands him in Ravenscar hovering on the edge of sanity and abandoned by most of his friends.
Everyone except Chas Chandler. He’s about the only one who stood by John during all that.
Flash forward after we see John in the midst of a breakdown (and dealing with a little out of control magic) and an older, wiser Constantine is wrestling with his inner demons. Literally. Someone is screwing with his head. Fortunately, Chas interrupts. He’s there to ask for John’s help. Dark magic has his daughter in a coma and to save her, Constantine will have to travel to Los Angeles and do the bidding of a twisted demon…
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“He learned that night that his natural gift wasn’t gift enough.”
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This is very much a film about friendship. Never thought I’d say that about a Constantine movie. The relationship, past and present, between John and Chas really drives the narrative. The two bonded as children, and tragedy brought them even closer only to force them apart again prior to the opening of the film. Without spoilers, I will say John is right when he says early in the film “There’s always a price to pay.” As usual, one could argue that he passes the buck to someone else, though he makes a hefty sacrifice at the end as well.
I’m usually not a fan of comparing story mediums. However, in this instance, it’s something worth talking about. Aside from minor changes to the origin story that reduce the horror aspects, I feel this film is in keeping with the spirit of the character and his dark world, even though some liberties are taken. There are some horrific moments—plenty of blood, guts, and decaying bodies to go around, and yes, even a disturbing sex scene. At least I found it weird… But still in keeping with what I’d expect.
There are places where the dialogue is a bit stilted or felt forced, but mostly from side characters, but nothing huge.
The biggest negative thing I have to say about this film concerns a jarring scene transition. The demon he’s negotiating with is standing by a pool of decaying bodies with John and invites him to a party. One moment, John is in a party and clearly believes himself to be physically there. Then suddenly the screen cuts back to them standing beside a pool as if they never left. No one seems too confused by this, and it’s never mentioned. No explanation is given. It was a jump in the narrative that was hard to recover from.
The way Constantine takes down five more demons felt a bit shoehorned in. The demons mention he promised something so he was clearly in contact with them at some point, but we never see that moment on screen. Bummer, especially since I would’ve loved to see how that got animated. The tactic used to defeat those five demons is also unusual and left me wanting more in the way of explanation, but how it played out was cool to watch on screen.
I’m giving it a 4/5. All the narrative holes were things I could fill in on my own and it was entertaining enough I’ll be converting my rental into a purchase. Please keep in mind this isn’t going to be kid friendly, and if you’re easily offended, the surly low-rent mage probably won’t be your cup of tea.
Come on though. It’s Constantine. Expect snark and a fun, if disturbing ride.


Tuesday, November 2, 2010
Extra Film Event Planned
Thank you to all those who attended the one-off screening of British Pathe newsreel on Sunday 31st October at Bedford Gallery. Record visitor numbers were reached!
Happily another film event has been scheduled. On Wednesday 24th November at 1pm we will be showing
'R100’s construction at Howden with commentary from its designer Barnes Wallis'
Not only that, Peter Rix, Chairman of the Barnes Wallis Memorial Trust will be here to give an introduction to the film, and to answer your questions afterwards.
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Dot. is a creative technology-focused agency founded by long-time collaborators Nathaniel Hansen, Dave Richards and Ethan Vincent. As an agency, dot. combines years of commercial and documentary storytelling experience with technology-driven applications and insights. For each opportunity, we work with our clients to develop, produce, and launch intelligent marketing campaigns.
By pairing the creative storytelling process with actionable, result-oriented data, dot. helps its partners develop, monitor, navigate, and react to the campaign’s engagement and conversations as they happen in real time. We have a flexible, collaborative culture and work closely with our partners as an extension of their creative and strategic teams to achieve their storytelling aims.
Nathaniel Hansen is an Emmy nominated producer and an award winning Director, Cinematographer, and Editor. His work has screened at over 150 festivals world-wide including Tribeca, SXSW, Hot Docs, Camden, IFFB, and many others. His films have been featured online by sites like the New York Times, LA Times, The Atlantic, Quartz, and PBS. He holds an MFA from Emerson College, where he is also an affiliated faculty member, and resides in Boston with his family.
An Emmy award-winning filmmaker, Ethan is a highly sought-after storyteller for his work on both commercial and non-profit documentary films. Ethan has produced, directed, shot, and edited hundreds of short documentaries for clients such as Lego, VW, Audi, Franklin Covey, Sony Pictures Animation, Fuel TV, Iglo/ Findus, Generali Insurance (Austria), Microsoft, SpinRiot, Truefit and Clinique. Ethan resides in Vienna, Austria with his family.
David Richards, is an award winning technologist, consistently winning national awards within the interactive media industry and has founded/co-founded several successful start-ups (including e-Mersion, HealthStart IQ and RISEcx 'formally SpinRiot'). David actively consults with international corporations, government agencies, colleges and non-profit organizations representing various industries.
Sarah Ginsburg is an award winning documentary filmmaker, producer, and editor. In 2014 she edited ten intimate vignettes for Hollow, the Peabody award-winning and Emmy-nominated interactive documentary about life in Appalachia. The podcast she co-created, She Does, won a 2016 Communicator Award of Excellence from The Academy of Interactive and Visual Arts. In 2015, she was the co-director of photography and co-editor of Best and Most Beautiful Things, a feature-length documentary that premiered at SXSW in 2016 and after its theatrical release was a NYT Critics’ Pick. Most recently, Sarah has worked closely with MIT, Frontline, and PBS.
Luke is a strong believer in the power of storytelling. Whether it be graphic design, illustration, animation, or writing, a good story is at the heart of nearly everything he does. He understands the power of narrative in expressing a client’s message, and his passion for motion graphics is his favorite place to apply it. Currently an educator at Brigham Young University, he has recently received top awards for his work from the AIGA.
DIRECTOR OF PHOTOGRAPHY
With a technical background from the University of Applied Sciences in Austria, Benjamin’s technical skills combined with his raw visual talent makes him a powerhouse of a cinematographer. He has filmed icons like Yoko Ono, Ai Wei Wei, His Holiness the Dalai Lama, Brian Eno, and many others. As a veteran global traveler, Ben handles filming abroad for large brands like Mercedes, Austrian Airlines, and Generali with a smile. When he isn’t working for hire, he is filming for fun. He’s crazy like that.


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Liverpool Film Academy
When was the Liverpool Film Academy established?
Since its inception in 2000, the Liverpool Film Academy has been the educational division of LA Productions, who have produced award winning shows for BBC One, ITV and Channel 5.
What can I get from the Liverpool Film Academy?
LFA has seen its students go on to work in all sectors of the Film and TV industry such as editing on Call The Midwife, being nominated for breakthrough talent BAFTA's or Script Editing for Major TV series'.
What can I bring to the Liverpool Film Academy?
A passion for the Film and Television and enthusiasm to learn and grow within the industry. If you have a head full of stories to tell, we might just be the place for you.
Where is the Liverpool Film Academy?
A short eight minute walk from Kirkdale Train Station and a twenty minute drive from Liverpool City Centre.
The Old St Lawrence School
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Here are some pics from the day of filming. They filmed Chad's scenes in Charlotte, NC beginning at 5am!
So, it's thought that these scenes will be of the first few of the movie...and you might or might not see Chad's face. Nonetheless, he's #1 and Reed, here, is #16 so look for them both! You'll see Chad chasing John Krasinski, Jim from "The Office," as John (his character's name is something like Carlton Rutherfordton) runs for an 80 yd TD run in the last play of his last college game and Reed's cheering on the bench. The whole scene was just one play. The rest of the movie is about Krasinski's pro career and his relationship with the character George Clooney plays. Clooney also directs the movie.
Most of the day they just hung out on the field and waited to shoot different angles of the one scene that Chad was in. Chad is here with his childhood friend, Scott Hanson, whom he plays b-ball with on Tue nights. Scott was part of the primary group of football players for the movie, so you'll see him on many of the teams in the movie, but his face is only used on one team.
Chad had a great opportunity to spend the day on a movie set as well as be in a movie, but didn't get a chance to interact with Clooney or Krasinski, but was right next to them as they worked. They got along real well and seemed like great guys.


Whether you’re working on a new short story, writing a screenplay or planning a game narrative, your characters are your key component. To ensure your writing shines, you’ll need to put in the work to bring your characters to life. It doesn’t matter how compelling your plot premise is, or how well-planned your twists may be. If you haven’t spent enough time developing engaging characters, the work won’t have as much impact.
In this post, I’m going to be exploring ways you can develop stronger character development skills for writing. It definitely takes time and effort but is worth it in terms of giving your narrative depth and immersion.
Before diving into character development too deeply, it’s helpful to make a note of some of the most memorable characters from literature, film, TV and games. Your choices will probably be different from mine, but if you make a list, it’ll give you a focal point for character analysis. That’s where we’re going to start.
How to develop engaging characters
To really improve your character development skills beyond idea generation, it helps to take stock and think more critically. To write compelling characters, you need to work on your understanding of how characters are designed and developed in the first place. A good way to start this is to look at some characters that you consider to be highly memorable, transformative or powerful.
My list might look something like this. For each one, I’d create a new analysis document and start asking questions about their values, actions and emotions.
- Majima Goro – Yakuza 0
- Ellen Ripley – Alien
- Frodo Baggins – The Lord of The Rings
- Arthas Menethil – World of Warcraft
By critically analysing these characters, you’ll gather a deeper sense of how to make your characters tick. Authenticity is key, ultimately, so taking the time to get to know a character will allow you to design your own with greater emotional depth.
Carry out a character analysis
Choose a character from your list. Use the following points to carry out an analysis of them. Try to dig down to the possible roots of their actions and behaviours. Establishing a character’s emotional core is central to understanding their development.
Some points to consider when analysing characters are as follows.
- What do they think they want? (Immediate goals)
- What do they really want, deep down? Explore their motivation. (Longer-term goals and their driving force)
- Which personality traits do they show?
- Do they have any secrets?
- What role or function do they serve in the story?
- What are their flaws?
- What’s their internal conflict?
- How do they change over the course of the story?
These are just a few of a number of questions to ask when analysing characters. Digging into their appearance, mannerisms, quirks and attitudes towards other characters is also incredibly helpful. You could use your character analysis points as the starting material for a new character template. That way, when it comes to developing characters in your own work, you’ll have a format that can give you plenty of food for thought.
Establish their tone of voice
Once you’ve got a better grasp on who your characters are and why they’re like that, you should explore their tone of voice. Regardless of whether you’re working on characters for a piece of fiction or a game narrative, establishing a character’s tone of voice is vital.
This means working on their dialogue. You should try to examine how your character talks. What kind of vernacular do they use, if any? Are they calm and measured in their speech? Or snappy and fraught? Your previous analysis should reveal what kind of temperament and personality your character has, which should then inform their tone of voice.
Practice writing dialogue as your chosen character by creating lines of speech they’d typically use. I like to do this in a Google Sheet, but you could use whatever software you like. For each character, spend time writing out different types of greetings and goodbyes. Consider unique or interesting sayings or vocabulary choices they might make. Write out some different dialogue lines for different scenarios, to gain a deeper understanding of who they are.
Remember to consider their personalities and driving emotions. How would they respond to attackers, for example? What about someone who wanted a favour? How would they apologise to someone they cared about? Create dialogue for situations such as these to really establish and develop their reactions. You can go back and refine this as you get to know your character even better.
By the end of this exercise, you’ll have a sheet full of character-specific expressions and phrases that’ll help you write in their voice with confidence and emotionally rooted context.
Give them problems
Developing engaging characters means giving them problems to solve or overcome. These could be issues from their past or obstacles that they encounter during the events of your story.
Either way, characters that are packed with problems and flaws are always the most interesting. Even if you’re writing about fantasy creatures, aliens or animals, rooting their character development in emotional issues that we, as humans, can relate to, is how you make them feel authentic.
Give your characters problems. The greater or more emotionally complex the problem, the more interesting things will become as your narrative unfolds. Perhaps your character needs to confront some inner conflict. If you make it an internal conflict that your audience can relate to, then you’re more likely to have built a character they’ll care about.
Develop your grasp of psychology
It’s hard to understand characters without understanding a little bit about psychology. Learning about why humans behave in certain ways is highly useful when it comes to developing personalities for your fictional characters.
If you don’t want to do a deep dive into psychology textbooks, a simple place to start is by exploring a tool like 16 Personalities. This is an in-depth, research-based resource that explains what the 16 different human personality types are and how they work. You can take a personality type test for each of your characters which will provide a more detailed breakdown of their traits, flaws and behaviours. Of course, they’re your characters, so you can adjust and omit things as you see fit!
The important thing is to learn a bit about the psychology of people, as it’ll help you to develop engaging characters that are compelling, problematic and ultimately, highly believable.
Consider their character arc
As well as giving your characters internal conflict, you’ll want to try and present them with some kind of lesson to learn during your story. To ensure you create engaging characters, you’ll need to explore ways of taking them on a journey away from their starting point. Without an arc or path for your characters to follow, they’ll feel one-dimensional from the start and at the end.
Perhaps their character arc could be a change of attitude or opinion thanks to the events that unfold. It may be that they face up to someone or something from their past, and this gives them a new outlook. Perhaps they embark on a chaotic spiral of self-destruction. Or maybe they change their motivation after a narrative event that reveals an unknown truth. Transformations and emotional changes can be positive or negative, so consider different angles for your character’s journey.
Whatever character arc you decide on, ensure it feels authentic and relevant to your character’s emotional core and personality. If you’ve developed a shy and vulnerable character who fears authority, you’ll need to give them a believable catalyst for change if you eventually want them to end up as a power-hungry militia boss!
Character development is important
Taking time to fully develop your characters is crucial, no matter which creative medium you’re working in. Perfect, flat characters without well-defined voices and attitudes of their own will quickly reveal themselves as being dull to your audience.
Make some analysis templates and practice writing some dialogue for them. You’ll see that it pays off hugely when it comes to writing scenes and events in your storytelling. You owe it to your story to make sure you’ve developed engaging characters that your audiences will care about.
If you’ve got any advice or further resources for character development, I’d love to hear from you. Let me know in the comments below if you’ve got any questions about character development and I’ll try to answer them as best I can. If you’ve found this post useful, please give it a share or a pin on Pinterest. You might also enjoy this post about Preptober planning, as well as this quick character development prompt sheet.


Thursday, January 17, 2008
Transformers Beginnings is a prequel to the Transformers movie that tells the story of what happened before Optimus Prime and Megatron came to Earth. A pity it's only a semi-animated short film that looks like a cheap cut and paste job - they used the illustrations from the Transformers Movie prequel comic book series - but at least you can still hear the familiar voices of Optimus Prime and some characters from the actual movie. Also Megatron is voiced by Frank Welker, the dude who did the original Megatron voice in the old cartoon series.
Posted by I.Z. Reloaded at 1:45 PM
This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Singapore License.


Andrew Wagner graduated from Brown University with degrees in Creative Writing and Psychology. He attended NYU’s Graduate School for Film where his short, THE HARDEST HIT, won the Francois de Menil Scholarship. He moved to Los Angeles to write WACCABUC, a screenplay for United Artists, and then became a Directing Fellow at the American Film Institute where he received a Masters in Fine Arts and his thesis film, THE LAST DAYS OF HOPE AND TIME, won the Franklin J. Shaffner Fellowship for excellence in directing. Andrew then adapted THE MAN WHO GAVE UP HIS NAME -- from the collection of novellas, LEGENDS OF THE FALL, by Jim Harrison -- which he developed at the Sundance Writer’s Lab. He went on to direct the independent shorts, SOUTH MAIN and COUNTING, and write SPLITTING, THE HALFCOURT, HUNTING THE VICIOUS, and SOUTHERN MAN.
Judith Wagner was born and raised in the Bronx. She majored in writing and dance for three years at Bennington College in the 1950s; she returned to New York to continue her education and received her B.A. degree from NYU. After graduating, she continued to dance at the Martha Graham studio while working as an assistant editor on several literary journals. In 1957 she married Allen Wagner. The 1960s were spent raising her children, Maggie, Andrew and Emily, after which time she returned to full-time work in publishing in 1979. She became Managing Editor of The American Journal of Cardiology in 1979, and remained in that position for 24 years. In 2002, she retired, but continues to work at home as a medical free-lancer.
Wagner was born and raised in Bensonhurst, Brooklyn.
He attended the University of Miami before leaving in 1952 to
serve in the Air Force Intelligence Unit in Japan during the Korean
War. He returned in 1954 to attend NYU and graduated with a degree
in Finance. After many years as a specialist on the floor of the
American Stock Exchange, he founded his own specialist firm (Heller,
Hoffenberg, and Wagner). In 1977 he became a partner in the firm
of Spear, Leeds and Kellogg. He left the Stock Exchange in 1984
and worked as a tax consultant for the IRS until retiring in 2001.
Allen and Judy have been married for 46 years.
Wagner studied acting at the Neighborhood Playhouse and
has trained extensively at The Actors Studio in New York City.
She received her SAG card in 1986 when she landed a role in the
feature film ANNA. Since then she has appeared in over twenty-five
film projects including WORKING GIRL, ONE FINE DAY, FOR THE BOYS,
THE DELI, BLUE MOON and THE JAMES DEAN TNT BIOPIC. Her latest
role was in the recently completed THE A LIST. She will be appearing
in Henry Jaglom's next feature GOING SHOPPING. Maggie has also
acted on the New York stage and in regional theatre.
Wagner began her acting career at age 6 as the youngest member of the theatrical troupe The Merry Mini Players. At 13 she starred in the 70’s NBC/PBS series HIGH FEATHER, in the role of Cathy Ehlers, the ‘healthy farm girl.’ This was the first time she really stretched as an actress. By the time she got to Vassar, she had put acting on the back burner and earned a BFA degree in Art History and Fine Art. Post college, she returned to NYC to study acting with Susan Batson, then moved to Los Angeles where she is now in her 11 th year on ER as paramedic Doris Pickman. Emily guest starred on several television shows and feature films, most recently in New Line Cinema’s MR. WOODCOCK, starring Billy Bob Thornton and Susan Sarandon. She studied improv with the Groundlings, performed at the Actor’s Studio and studied with Ivana Chubbuck and Ian Tucker. She created, wrote, produced and starred in several short and feature films, some with her brother Andrew (COUNTING, SOUTH MAIN), some with her longtime collaborator Julie Delpy (BLAH, BLAH, BLAH) and some with both of them ( Looking For Jimmy, Careful) all of which went on to have impressive festival runs. She is also an artist and shows with the Acuna-Hansen gallery in LA’s Chinatown and Mixture Contemporary Art in Houston, Texas. Emily is also a DJ and teaches a hybrid yoga-pilates class at Swerve. In September 2003 Emily was nominated United Diva of the Month by United Divas which is devoted to recognizing multi-faceted women in the arts.
Wirth most recently booked the lead role in the independent
film, THE DRONE VIRUS, for Little Studio Films and Pretty Dangerous
Films. Past roles include a lost boy in Joel Schumacher’s
THE LOST BOYS and Drew Barrymore's abusive boyfriend opposite
Whoopi Goldberg in Herb Ross’s BOYS ON THE SIDE. In television,
he played one of the many love interests of Kim Cattrall's character,
Samantha Jones, on SEX AND THE CITY. Billy has also worked with
directors Abel Ferrara, Allison Anders, Frank Roddam, and Gary
Marshall, and has co-starred alongside Sidney Portier, Bonnie
Bedilia and Forrest Whitaker. He directed MACARTHUR PARK, which
premiered in the dramatic competition at Sundance in 2001. MACARTHUR
PARK is being released through the Sundance Channel.
Judy Dixon was born in Los Angeles, and as a child and teenager worked as an actor and dancer, appearing in numerous television commercials, music videos and theater. She studied acting at the Beverly Hills Playhouse and honed her improv skills at Second City. In her early twenties, she moved to New York City where she studied with renowned acting coach Susan Batson, and took her first stab at stand-up. Judy has performed at numerous local NYC and LA comedy clubs including the Improv, Caroline's, New York Comedy Club, Luna Lounge and has opened for Jackie Mason and Joan Rivers. She has written and performed in plays Off-Off-Broadway, and co-founded a popular improv troupe, New Word Order, which performed to sold-out shows at college venues. Judy currently resides in Los Angeles, where she can be seen performing at local comedy clubs all throughout Southern California.


“The enemy of Art is the absence of limitations.”
Pascal Baillien is a Director, Producer based in Belgium and Los Angeles. As a director of music videos, a specialist in his field with 20+ years of experience and appreciated for his calm and focused directing style. He is a very creative, talented and trustworthy partner for both client and artists. Not afraid to get his hands dirty, from art direction to cinematography to editing to visual effects. His trademark is staying true to the analogue film look. As a producer, he creates full concepts, and oversees each project from conception to completion, always within proposed budgets, at highest quality possible. For every different product, he handpicks the best and most talented crew or production house to accomplish the best end result. Known for his killer production featuring Jean-Claude Vandamme and Charlie Sheen for nr. 1 DJ of the world, Dimitri Vegas & Like Mike’s ‘the Hum’ (30.000.000+ views), he shows as much involvement in low as in high budget productions, delivering perfect, artistic work. Offering a one-stop-shop, he is taking care of the production process from A-Z.


Most of Movie blogs are usually introduce about the movie and explain about the summary. Also, most of them create their own way to explain about it. However, I was always bored on this way when I was young. I loved watching movie since I was 10, I visited so many movie blogs and go through on it million times. But, none of them was explaining about director’s intentions, the situation of the performer, relationship between them, and also focused on analysing movie. So, I was always wanted to find some article about it on internet. Yet, it was tough to find that kind of blog, few years later I was almost given up to find the blog and satisfying on watching movie and just thinking about it. After I grown up, I was usually focusing on my work than watching movie. One day, I got a chance to learn about how to operate and blogging about what I want to post on internet. For a long time, I was finding analysing style blog, but I kept failed on it. However, I thought this could be a good chance to draw close on it. I thought that “If I can’t find any favorite movie blog, why don’t I make it by myself?”. Since that moment, I start to agony about how to post my own thinking on blog.
At first, it was hard to post about my own thinking and my analyse about movie what I watched, because it was my first time writing about what I thinking on public space. So, I was nervous to posting about my thinking. So, my first post has poor quality. I posted about the plot of movie and other analysis, but after I finished it, the article was too weak on analysing about movie. It was almost same as other post what I usually hated. Therefore, I start to shock showing my movie research and analysis. On my second post, I tried to straighten out my own research of movie and director not only just write wisely about it, but also write about director’s intention analysis, evaluation of movie film from different angles and acting method. For example, My Fourth post “Inception” was posted in different way than before. It was mostly posted about how the story goes, and why each main character chooses that way, and which end did it lead to, lastly if they chose different way, what could be happen. In addition, why did director made character to choose one way so how can it show the imply meaning of each scene. Add, introduce the director and explain how they express in a movie and how come each scene continues to total theme. Lastly, study of the ending of the film such as thinking of ending if the director gave us to choose about it.
After I start blogging movie which I watched and loved, every time, every second, I tried to think about how to interpret about director’s meaning in my words, and even if some movie was hard to understand, but I keep tried to make it in my own story so I can give people another way to contact to the movie who read my blog. Also, this kind of habit gave me to keep think about the movie while I watching the new one, and it continues to increase of my literary interpretation, so it was getting start to being easy writing blog about new movie. However, even if my skills get increased, It is still hard to understand director’s meaning in the movie 100% is too hard to complete in few days, so I start to posting about it late, after I noticed this, I tried to fix about it because there could be some people who is waiting for my post and I should get some more responsibility about it. So, I am thinking about new way to posting about the movie. From now on, I would try to post one movie in 2 articles; summary and analysis. In first post, I am planning to post about main story and simple analysis about movie, in second, I would probably post about director’s history and profound interpretations so people can draw close in various way to the movie.


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“THE world is my patient.”
Meet Frankie, played by Eve Myles.
District nurse, small town heroine and Ken Bruce addict.
Who loves to boogie at any time of the day or night.
The tracks of her years begin on BBC1 at 9pm tomorrow (Tuesday May 14) in a new six-part drama series written by Lucy Gannon. Continue reading
“THEY don’t know him. But he knows them.”
The Fall is one of the most compelling drama series I’ve seen in recent years.
A top class script matched by superb cast performances, direction by Jakob Verbruggen, editing, soundtrack and anything else you’d care to pick from the end credits. Continue reading
David Tennant as Aiden Hoynes.
AN invite to the premiere press screening of The Politician’s Husband last Friday night.
Followed by a Q&A with acclaimed writer Paula Milne, whose many credits include White Heat, The Night Watch and The Politician’s Wife.
We were shown the first two episodes, of three in total.
Including terrific performances from David Tennant and Emily Watson.
The series begins on BBC2 at 9pm tonight (Thursday April 25) and comes recommended.
Below is the story I wrote the next morning, which subsequently appeared here this week.
Followed by my transcript of that Q&A with Paula, hosted by BBC Drama boss Ben Stephenson. Continue reading
Bailey & Scott.
SCOTT & Bailey series three begins on ITV at 9pm this Wednesday.
I’ve seen the first four episodes (of eight in total) and all involved have raised the bar once again.
For what it’s worth, I think it’s the best series yet.
It was my pleasure to carry out the cast interviews for ITV’s Production Notes / Press Pack. Continue reading
“MY name is Bert Middleton. I’m the second oldest man in Britain.
“This is the last thing I’ll do so you better listen carefully…”
Old Bert (David Ryall) talks to a modern day TV documentary crew in the opening moments of new BBC1 drama serial The Village.
Before we go back to the summer of 1914.
“The summer the bus came.” Continue reading
Lacey Turner as Molly Dawes.
FALL in you horrible lot…
Our Girl is a 90-minute drama on BBC1 at 9pm this Sunday.
Written by Tony Grounds and starring Lacey Turner, I highly recommend it.
A story of one young person’s struggle and hope for the future.
You can learn more in my story below, published the day after the London press launch earlier this month.
Followed by my transcript of the Q&A with Lacey, Tony and producer Ken Horn. Continue reading
“AND the Doctor’s greatest secret will be revealed.”
Doctor Who showrunner Steven Moffat speaking at a London press conference last Friday morning.
The content of which was embargoed until now, just after midnight in the early hours of Monday, together with the new pics which also feature on this page.
We were shown The Bells of Saint John – the opening episode of series 7b – written by Steven Moffat.
To be screened on BBC1 and BBC America on Saturday March 30.
The media preview was followed by that Q&A with Matt Smith (the Doctor), Jenna-Louise Coleman (Clara) and Steven Moffat.
You can read my full transcript further down this blog, edited to remove any major spoilers. Continue reading
Filed under Doctor Who, News


Pride of Gloucester
In what has been over a 10,000 hour journey, tackling this project forced me to learn every aspect of a film production from start to finish.
In this phase I earned sponsorships, acquired gear, got insurances and liability coverage, dealt with crew and locations contracts, talent releases, and focused on identifying storylines while balancing how to fund a film.
In the first year of filming I spent all of my social and financial capital to build a film crew. Overall I had a great local crew of Co-Directors, Directors of Photography, Drone Ops and Camera Ops join my production. Then for the weeklong festival in June of 2018, industry friends flew in to help out, including the very talented Media Producer / Multi-Camera Director Francine Loretero, Cinematographer Bill Schreck, and Drone Ops Josh Hall and Mike Utzig.
As Director I juggled the complexities of capturing story elements when live events don't allow for a second take. It was important to roll with the punches and adapt to evolving situations, because a plan never survives contact with reality. However, just as important, was creating an atmosphere where my crew members felt valued and respected, no matter their position.
Covid-19 threw the film industry on its head, and it struck just as we were ready to work with our editor in his studio. So I learned to edit in earnest. My right-hand man, Co-Producer Martin Christensen, spent thousands of hours with me as we transcribed interviews and figured out the jigsaw puzzle of what storylines worked best. We identified what we needed to go film in order to tie pieces together, and we courted and hired on the required professionals for moving the project forward.
After more than half a decade of working in the film industry, I founded Cut Bridge Productions in 2018 with the purpose of bringing good people together to tackle meaningful projects and to prove our ability to do a lot with a little.
Our first production was a feature length documentary which follows five Seine Boat rowing teams who competed in the 2018 races during the St. Peter's festival. While interspersing stories from rowers of generations past, we take the audience on a journey into the lives of the featured characters, the teams in training, their motivations, the rituals partaken of beyond the public eye, both comical and serious, the elation of winning and the frustrations and resolve in the face of defeat. From the start of the film to the boats touching sand in the championship race, this is an adventure from perspectives never before seen.
However exciting, the races alone are a skeleton; the tissue which binds the community together is a blend of their shared heritage, their religion, their patriotic fervor, and the rivalries which have formed over years of competition.
Music Composer Trevor Wayne Howard
We'd built most of the film with pre-made licensed music, which meant cutting the film to match the tempo. However, for the championship race I wanted the music to fit the action on screen. Composer Trevor Wayne Howard made manifest this desire. In a six-minute scene such as the the final race, we needed the music to continue to engage the audience and not feel repetitive. Trevor worked with us to craft an evolving musical landscape which beautifully matched the emotional shifts on screen and gave the scene a life of its own.
Audio ReMixer Greg McCleary
It's a funny experience to put a film together and feel like it's done, and then bring it to an audio god and let him work his magic... afterwards, you can't even watch the old version. There are so many scenes that would have been lost if not for the talents of Greg McCleary. We brought him GoPro action footage polluted with wind, waves, oars, crowds and boat horns ... and he saved us from our ignorance. Then there's the little recognized - but crucial- elements such as bells in a clocktower chiming, instead of just music playing over the visual, or seagull calls which move from one side of the screen to the other in keeping with the bird's flight... Greg is a world builder.
Motion Graphics Designer Barry Thompson
Barry Thompson is an Emmy-Award-Winning Motion Graphics Designer. Martin and I loved his work in the documentary The Dawn Wall, and we knew we had to convince him to be a part of our film. We didn't have the budget to have moving character animations in our shots, but Barry utilized his extraordinary abilities as both a painter and an animator to create beautiful multi-layered digital paintings which shift in orientation as the camera moves, giving the feel of character movement and perspective shift.
Narrator Dave Marciano
We were torn between getting a well-known actor to do the narration or going with a fisherman and really keeping the project genuine. Dave provided the best of both worlds; he is a local fisherman and a star on the Wicked Tuna TV show, which films in Gloucester. In every interaction I've had with Dave, he was a down to earth, salt of the sea kind of man. He is both humble and talented.
Working with Trevor, Greg, Barry and Dave was an incredible experience. On top of being very talented professionals, they are good people and I look forward to working with them on future productions.
(Pride of Gloucester is in it's final stages, next up, we're tackling the coloring.)


Allow parents to see a movie solo to see if it is appropriate for their kid. Then give only charge them for the kid’s ticket if they do decide to bring the kid on another day.
This would have earned movie theaters a fair amount of money from me if it was an option. If I watch the film, and decide it’s not for my kid, they still got a ticket sale they wouldn’t have otherwise. If I decide it’s okay for my kid, and I come back with them to watch, they get an extra kid ticket sale (not to mention inevitable concessions) by comping me for re-watching a movie I just saw.


Modeling has been the theme of numerous movies throughout the last few decades. It has been depicted in a wide range of genres, ranging from comedy to horror. There are several movies about modeling which are worth seeking out to watch.
John Waters is a filmmaker revered for his shocking and transgressive work. Female Trouble stands out as one of his best movies. It is about a single mother who takes a modeling job for a wealthy couple. They begin filming her committing crimes around town. Eventually, she becomes addicted to this behavior, and her life spirals out of control. Female Trouble is hilariously over the top and zany.
In this musical, Fred Astaire plays Jo, the photographer of a prominent modeling agency in New York. He is always seeking a girl with the right look. He finds this in an intellectually minded bookshop worker played by fashion icon Audrey Hepburn. He eventually hires her to become the face of his company. Throughout the movie, a romance builds between them.
My Life to Live
In this 1960s French film, a young woman called Nana dreams of one day becoming an actress. She attempts to start off her career by posing as a model for an independent agency. However, her life takes a downward turn, and her dreams are broken. This movie is now seen as one of the most influential films ever made. It helped to make stars out of its director Jean-Luc Godard and actress Anna Karina.
Set in London during the “Swinging Sixties”, Blow-Up follows a professional photographer who starts to uncover a murder mystery. Throughout the film, there are several scenes where models pose for fashion shoots. Blow-Up is now seen as a fascinating snapshot of the British fashion industry during this period in history. The sexually explicit scenes caused a stir at the time and contributed to the end of the Production Code.
Models are the subject of ridicule in this 2001 comedy film. Ben Stiller plays Derek Zoolander, a successful but dimwitted male model. He finds himself unfortunately embroiled in a plot to assassinate a world leader. Throughout the movie, male models are portrayed as lacking in intelligence. Several big names from the fashion scene make cameos. Other stars include the famous singer David Bowie as a runway walk judge.
Jack Frost 2
A model and her photographer pick a Caribbean island as their setting for a fashion shoot. However, a mutated monster in the shape of a snowman is stalking the area and killing people wherever he finds them. Before the evil snowman attacks the model and photographer, there is an extended scene of them performing the shoot.


Evolution LP & T-Shirt BundleAugust 5, 2016 Anthology
Tamam Shud Evolution Bundle Includes
Led by Lindsay Bjerre, the quartet of surfers-turned-musicians (or the other way around) were significant purveyors of the underground progressive music movement in Australia circa 1968 – 1972.
Though never chart contenders, Tamam Shud were prolific live performers and their contributions to some of the most adventurous surf films of the era pushed them to the forefront of Australia’s underground music scene.
For a group recently reborn – changing their name from The Sunsets – P. Witzig’s latest surf film was the idea vehicle to begin their recording career. In their previous life, The Sunsets had contributed soundtracks to Witzig’s innovative genre films A Life In The Sun and The Hot Generation.
Since the success of these films, the band itself was undergoing their own evolution. Like Witzig, they too were stretching out for total creative freedom. The subsequent sessions for the film soundtrack were just that; musical experiments unrestrained by any established parameters.
The approach Tamam Shud took to create the Evolution soundtrack was to have the film screened on the recording studio wall while the augmented group matched the action with sound, performing, essentially, a free-form musical jam.
The end results were compelling enough to discard any concept of a narration – a standard procedure for all previous surfing films. As a result, the film became a piece of art – a visual and musical experience. The music became the narration.
It was a bold move on the part of Tamam Shud and filmmaker Witzig, and it paid off gloriously. The film and the subsequently released Evolution album, which contained seven more Bjerre original compositions, found substantial success; the latter even being nominated for the Major Network Award as the Best Australian Album of the year.
On August 5, 2016, Anthology’s Surf Archive delivers the first ever reissue of Evolution in deluxe vinyl, CD, and digital editions. The vinyl edition features booklet liner notes by Aussie surf historian Stephen McParland and other-wordly ephemera.
Simply the softest organic option out there, this Alternative Apparel t-shirt is 100% organic fine jersey cotton. A certified Green Business and crafted in sweatshop-free conditions, this tee is the perfect choice for the eco-conscious fan. Constructed to feel as cool as it looks, this slim fit t-shirt is lightweight and comfortably floats on your shoulders. Quality details you can feel like double hem stitching, set-in sleeves and a ribbed collar set this shirt apart from your standard merch. Baby soft and breathable, this will soon be your go-to tee.


Fans of the movie are coming out of theaters in droves proclaiming that the flick lives up to the hype and that Heath Ledger’s rendition of the Joker stole the show. Many fans are adamant that Batman: The Dark Knight is, by far, the best Batman movie ever made and some of these enthusiastic fans are even calling the movie the best film of the century.
While die-hard fans of the original Batman TV series may find The Dark Knight a bit too dark, younger Batman fans may view this new twist on the old Batman characters as a welcome change.
Many have reported that the Joker’s new, spine-chilling image is more suitable for a movie villain than that of the Jokers of the past and that the movie has just kept up with the ever-changing demand for more true-to-form characters and intriguing storylines.
A few reviewers have reported that the movie wasn’t worthy of the hype and that more enthusiastic fans are simply paying homage to Ledger with their over-the-top reviews and acclamations about the film’s staying power and ability to become a classic masterpiece. These individuals note that when one takes Ledger’s death out of the equation, the movie is mediocre at best. But these naysayers are few and far between and most Internet reviewers have given the movie a five star rating for storyline, acting and direction.
While Batman: The Dark Knight is not for the faint of heart or younger children, the movie is jammed packed with stunning visuals, non-stop action, gripping plot twists, and astonishing performances by Ledger and Bale.
Running a bit longer than most modern movies, The Dark Knight is worth every second of the 2 hours and 21 minutes it plays on the big screen. Its heart-pounding twists and turns will keep you on the edge of your seat and leave you begging for more when it’s over. And whether you factor in the untimely death of the star of the movie or not, you’re sure to enjoy Heath Ledger's stunning performance as the Joker.


As a left hander myself I got "The Left-Hander's Calendar" as a gift from my sister. Strangely while in other animals handiness is 50/50 right/left (I remember reading a study years ago- certainly not a real reference) handiness in humans is skewed so that only 10-12%. What is more interesting is how surrounded by left-handers I am. I lived in one apartment with two roommates who were both lefthanded and another apartment with four roommates where 3 of the others were leftlanded. I have also noticed a disproportionate number of lefthanders in risk/reliability analysis. Anyway, Monday's information on the desk calendar included information on one of my favorite actors: Bruce Campell and I felt the need to share it here:
Actor Bruce Campell is perhaps best known for his starring role as Ash in the Evil Dead Film Trilogy. He has also appeared in films such as The Hudsucker Proxy, Fargo, and My Name is Bruce. Most recently this left-hander can be seen on the small screen in the role of Sam Axe in Burn Notice. In addition to acting, Campell worte an autobiography, If Chins Could Kill: Confessions of a B Movie Actor.
If Chins Could Kill: Confessions of a B Movie Actor
I read the book when it came out and really enjoyed it. I might have to watch "Army of Darknesss" this weekend.


The Making Of Harry Potter – Wednesday 6th November 2019
Wednesday 6th November 2019
Leaves Garden King: 9:00am Back at Garden King approx: 8:00pm
Adults : £75pp – Children : £67pp – Under 5s : £30pp
Step into some of the films most memorable and recognised sets, including the great hall, Dumbledore’s office, Hagrid’s hut and platform 9 3/4. Also discover how state-of-the-art special effects brought the stories to life, see props and more.