At Imaginarium Studio, we believe that film and video production are deeply interwoven; especially in the Thunder Bay region. Our community is rich with talented young people who are passionate, highly skilled and who are pursuing careers in this field. Thunder Bay is home to a fantastic film production program at Confederation College which graduates 30-40 young filmmakers annually. The experience of producing film; the problem solving necessary to execute challenging projects; the natural tendency to push the limits of what is possible for a film project; contribute to the development, skills and expertise of the many talented film and video professionals in our region.
Imaginarium Studio actively supports film production and local film-makers.
Love & Hate
Written and directed by: Piotr Skowronski
Imaginarium Studio, our contractors, partners and friends, dedicated their talents, skills and time to making this passion project a reality. We are grateful to all those who participated. For a full list of credits and for more information about this film, please visit the official Love & Hate website.
Production Space Offer: Supporting Film Production In Thunder Bay
Imaginarium Studio is offering limited use of our production studio at no cost to local filmmakers working on non-commercial film projects. Applications from local filmmakers are currently being accepted. Click here for more details.


Caleb Neubauer is a composer for stage and screen. He has produced music for performances, including at the Museum of Contemporary Art Chicago. He has composed original songs and soundtracks for indie films and experimental dance, and consulted on sound for a feature film, The Bullitt’s Burden, which premiered at the 2017 Bicycle Film Festival. He has also performed as a multi-instrumentalist singer-songwriter, both solo and with bands and ensembles across the country, and written and recorded albums under the moniker Misty Aeons. You can listen to two reels below.


Creating plot diagrams for character and plot arcs helps you see what’s important and non-important in character and plot progression. It’s a great strategy for developmental editing and helps find the bare bones of your story and your characters.
How to Diagram Your Character and Plot Arcs
Start by drawing the standard plot diagram: two lines, forming a mountain. This will represent the rise and fall of your story, the mountain point being the climax (for the story or character). Keep it simple: this is only diagramming the basic story of your WIP, what everything boils down to.
The simplest way to do this is pen and paper or whiteboard and dry erase marker. If you’d prefer to work on the computer, there are several mind mapping software programs that work well. Though you really only need a program with simple drawing capabilities and text functions, such as OneNote or Paint.
Next, create a more complex diagram for each character arc and plot arc in your WIP, detailing events, scenes, plot points, etc, that pertain to the particular arc you’re diagramming along the line. Draw it with
You need diagrams for each main plot, side plot, main character arc, side character arc, everything. Make sure it matches what you’ve written, not what’s in your head.
Don’t skip over the small scenes for the side characters or side plots. You need to see how every scene affects the story
Once it’s all mapped out, study the diagrams and arcs. Ask these questions:
- Does each complex arc relate to the diagram of your basic story?
- Is something missing from a character or plot arc that is needed for a final conflict or resolution?
- Are there too many scenes or steps to a final conflict or resolution?
- Are there not enough scenes or steps to a final conflict or resolution?
- Do characters strive for something on their arc diagram?
- Are there characters without any growth, progression, or regression?
- Are there characters who don’t contribute or get in the way of the main rising action, climax, or resolution of the basic story arc?
- Do any of the scenes or character arcs conflict with other character/plot arcs?
- Do some of the scenes or characters overlap with others and can they be combined?
- Are there scenes that don’t contribute to a character or plot arc?
Studying your manuscript’s
What if I already have plot diagrams from my original outline?
If you made plot diagrams as part of your outline before you started writing, do it again and base the arcs on what you wrote in your most recent draft. You want to diagram what you’ve written, not what you meant to write. Compare the two and ask the following questions:
- Do the diagrams differentiate? Where?
- Is one cleaner than the other?
- Does one feel like the plot/character(s) progresses more smoothly than the other? (Smooth as in the pacing is right, not that everything goes well for the characters.)
- Does one feel more complete? Or does one more have loose ends that need addressing?
Pick the plot arc(s) that you feel has better pacing, plot progression, and character progression. Was it the outline diagram or the one based on your most recent draft?
If it’s the original outline diagram, then you need to see where the plot points and character progression/trials deviated and revise your current WIP draft to mirror its original outline.
If the diagrams based on your most recent draft have better pacing, plot progression, and character progression, then ask the questions in the previous section and use them to address any plot, character, or pacing problems.
This comparison strategy is similar to the comparison strategy in re-outlining your novel, but it works just as effectively in seeing where you deviated and analyzing if the deviation is better or makes your WIP worse.
Looking for more developmental editing tips?


All of these films are based on true tragedies that a lot of people have not educated themselves about. They explore sensitive topics that people often avoid, but they need to be seen. Knowledge is power, and these films can be a great way to teach yourself about inequality and injustice in our society today.
13TH A documentary exploring the racial inequality in the American prison system today, demonstrating the disproportionate amount of African Americans facing time. The Official Trailer: Netflix Link: https://www.netflix.com/watch/80091741
I Am Not Your Negro This film "envisions the book James Baldwin never finished, to examine race in America." (pbs.org) The Official Trailer: Netflix Link: https://www.netflix.com/watch/80144402
LA 92 A documentary about the LA riots in 1992 following the verdict of the Rodney King trial. Official Trailer: Netflix Link: https://www.netflix.com/watch/80184131
Strong Island An investigation of the murder a young African American man in 1992. Official Trailer: Netflix Link: https://www.netflix.com/watch/80168230
When They See Us A four part series about the Central Park Five, who were convicted of a rape that they did not commit. Official Trailer: Netflix Link: https://www.netflix.com/watch/80200643


Quinn is from Millsboro, Delaware and even though she is still young, she has already positioned herself as one of the few top youth actresses in the business since she competed at IMTA in 2009 where she won Most Sought After Talent of the Year. Her career has really taken off!
Quinn has worked alongside some of the best talents in the industry. In the film Extinction she filmed on-location in Budapest, Hungary with Matthew Fox and Jeffrey Donovan as the lead role of Lu. Before that, she played the supporting role of Becca in the feature film Non-Stop with Liam Neeson and Julianne Moore. In Wishin' and Hopin' she worked with Molly Ringwald. In the award-winning HBO mini-series Mildred Pierce, Quinn played the lead of Ray Pierce opposite Kate Winslet. She also starred in the holiday film Love the Coopers.
In addition to the big screen, Quinn has booked several pilots, including ABC’s Dark Horse, Polly in PBS’s The Odd Squad, and CBS’s Unforgettable. You can also see her with Ariana Grande in the Nestle Nesquik commercials, on Nickelodeon as Vanessa on Team UmiZoomi, as well as in commercial spots for Macy's and Pillsbury and as one of the stars of GAP’s “I Want Candy” national campaign. Additionally, Quinn has appeared in commercials for Ortega, Kodak, and Tyson Chicken. All of this and Quinn is not even 20! WOW!


Lucille Edwina "Lucy" Davis is the main protagonist of the Hit Entertainment film Angelina Ballerina: The First Movie. She is an imaginative 5-year-old girl who is taken to Chipping Cheddar by Angelina and Alice. She is from Baldwin, California and is portrayed by Kelsey White. In another Hit Entertainment film A Big Day at the Fair, she is now an adult and works as a ticket seller at the New York World's Fair, portrayed by Angelina Jolie.
Community content is available under CC-BY-SA unless otherwise noted.


|18 Jul 2019
At Junior Prize Giving on 3 July we welcomed OA Arthur Hughes (Paterson ’10) as our Guest Speaker. Arthur left AGS in 2010, and moved to Cardiff to begin his actor training at the Royal Welsh College of Music & Drama. Upon graduating in 2013 Arthur moved to London and joined the BBC Radio Drama Company, providing many of the voices for various Radio 4 plays and productions. Since then, Arthur has worked at theatres across London and the UK, including the National Theatre, Donmar Warehouse, Regents Park Open Air Theatre and Sheffield Crucible. In 2018, Arthur made his international screen debut in the supernatural thriller series ‘The Innocents’ on Netflix, and can currently be heard on Radio 4 as the mischievous Ruairi in ‘The Archers’. Junior Prizegiving was a wonderful event in the School calendar with fabulous speeches from the students and a fantastic address from our honoured guest Arthur.


Macbeth s inner turmoil
Gcse: macbeth browse by rating: 4 star+ (14) macbeth also worries about his own safety when he is analysis of macbeth's inner turmoil over killing king. How does the incident with banquo's ghost convey macbeth's inner conflict. Shakespeare's macbeth: fear and the dagger of the mind discuss macbeth's response to the ghost as a real ghost or as a metaphor for his inner turmoil. Extracts from this document introduction shakespeares macbeth term 3 assignment 1 1 with close reference to the passage, discuss macbeths inner turmoil over the assassination of king duncan. How do generic conventions inform your understanding of how do generic conventions inform your understanding of and lady macbeth’s inner turmoil as they. Macbeth’s inner turmoil begins in act i, scene vii where he has a long soliloquy about his impending murder of king duncan he exclaims that, “if it were done when ’tis done, then ’twere well/it were done quickly. When lady macbeth and macbeth discuss murdering duncan act 1, scene 7 reveals macbeth's inner turmoil in his decison to kill king duncan.
Macbeth's inner turmoil has begun to surface, resulting in him hallucinating is this a dagger which i see before me, the handle toward my hand. Lady macbeth’s soliloquies speeches that are made as an ‘aside’ or are long monologues often reveal a lot about inner turmoil robert also has inner problems. Read expert analysis on macbeth act ii - scene i at act ii - scene i act ii - scene ii it represents macbeth's inner turmoil and feelings of horror about the. Macbeth is his own destruction english literature essay this quote reinforces the fact that macbeth's inner turmoil of good this shows macbeth's. In shakespeare’s macbeth, the banquet scene’s purpose is to show the chaos and inner turmoil within macbeth as the guilt from his past crimes tears away at his conscience.
Update: how do shakespeare use of comic relief and his revealing of macbeth inner turmoil adds new dimensions to the tragedy. Macbeth's ambitions help him the role of ambition in macbeth the tragedy of macbeth by william shakespeare not only does his inner turmoil affect his. Macbeth's inner turmoil machete’s inner turmoil, highlighting his uncertainties, regarding the act of regicide, are prevalent throughout the play - macbeth's inner turmoil. Macbeth by william shakespeare compare the duke’s emotional turmoil to the plight of acteon it shows the inner workings of macbeth's mind.
How does the structure of act v serve to bring together the country’s outer turmoil and macbeth’s inner turmoil also. Macbeth and lady macbeth’s relation is an irony throughout the play with macbeth’s coronation, not only does his inner turmoil affect his mentality. Machete’s inner turmoil, highlighting his uncertainties, regarding the act of regicide, are prevalent throughout the play the character who once was seen as a noble man to the king eventually becomes his murderer. Print macbeth act 5, scene 1: discuss lady macbeth's inner turmoil practice exams macbeth act 5, scene 2: summary & quotes.
Start studying macbeth act 1, scene 1 learn but it also creates inner turmoil strips away macbeth's masculinity by saying she is disappointed and asking if. Home sample essays macbeth essay while being in an inner turmoil of clashing qualities also, the captain’s description of macbeth’s fighting style. Find helpful customer reviews and review ratings for macbeth at amazoncom read honest and and the screen picture consistently reflects macbeth’s inner turmoil.
Macbeth s inner turmoil
This essay macbeth and other 63,000+ term papers but it also creates inner turmoil it takes lady macbeth's steely sense of purpose to push him into the deed. Macbeth – analysis of major characters but it also creates inner turmoil it takes lady macbeth’s steely sense of purpose to push him into the.
Transcript of macbeth- banquo's ghost macbeth and throne of blood conclusion the dark background illustrates lady macbeth's inner turmoil and confusion. Because we first hear of macbeth in the wounded captain’s account but it also creates inner turmoil it takes lady macbeth’s steely sense of purpose to. The language that they use is fraught with imagery suggestive of suspicion, paranoia, and inner turmoil, like macbeth’s evocative “full of scorpions is my mind. Find out why this is the most important scene in macbeth. Macbeth ambition and inner destiny/fate vs choice/freewill also how characters use language to resolve inner turmoil the play to fuel macbeth’s ambition. Macbeth text analysis- act 2 scene 1 macbeth’s downfall was his lust for power scene 1 sees macbeth expressing his inner turmoil about murdering duncan the.
Macbeth and ambition macbeth’s ambitions do not drive him a significant distance towards committing the murder of duncan but it also creates inner turmoil. Macbeth, trafalgar studios he's very much a leader, charismatic and a man of action, but he conveys macbeth's inner turmoil with great subtlety.


Kobe Bryant's cameo appearance on 'Modern Family' to air on May 19
Lakers guard Kobe Bryant took a simple approach when he made a cameo appearance in ABC's "Modern Family" following a Lakers home game. Let's just say he didn't obsess over the script as much as he does game film.
"I'm winging it. They just told me to be myself," Bryant said in March. "So I'm just going to be a smart."
Well, the approach paid off. His appearance made the cut for "Modern Family's" season finale, which will air May 19 at 9 p.m. Though Lakers forward Pau Gasol also was filmed, his appearance didn't make the final cut, ABC representative Yani Chang said by e-mail.
As far as what the episode entails, we do know this: Sophia Vergara (as Gloria Delgado-Pritchett) and Ty Burrell (as Phil Dunphy) appeared at the Lakers' game March 2 during their 122-99 victory over the Indiana Pacers and filmed a segment that featured the Kiss Cam locking in on them, leading to an awkward exchange where the two hesitated to kiss. In a press release, ABC mentions that Julie Bowen (as Claire Dunphy) plans for the family to take a new family portrait but obstacles arise. That includes Gloria and Manny (played by Rico Rodriguez) going with Phil and Alex (played by Ariel Winter) to a Lakers games, Luke (played by Nolan Gould) being tied up with a school project and Cameron (Eric Stonestreet) getting a gig as a wedding singer.
-- Mark Medina
Follow the L.A. Times Lakers blog on Twitter. E-mail the Lakers blog at firstname.lastname@example.org


JESSIE HARPERA reminder for those of you who remember her, Jessie Harper's memorial is at Davenham Church on Monday next 24th August at 12 noon. Jessie was a founder member of the Players and chairman for some time.
ONE-ACT PLAY FESTIVALAfter the success of our recent collaborative event with Moulton Drama Group with the One- Act plays in July, we are taking a well earned break for a week or two while we regroup and consider the forthcoming programme. The one act plays were well received, although audiences were not as full as in the winter months. The varied programme had something for everyone and was a valuable exercise in getting to know and work with another drama group. We would like to thank MDG for joining us in this project.
COMMUNITY MOSAIC PROJECTThe Mosaic Project is going on apace and Jan Johnson has been running various workshops for people to get involved. The work so far is looking amazing and Jan is always open to offers of help. The next workshop is Sunday 30th August from 12 to 4pm. Just go along to Jan’s house next door to the theatre and enjoy! For up-to-date mosaic news, see the mosaic Facebook page at https://www.facebook.com/TheDavenhamVillageMosaicProject
PLAY READINGSDenise Barry is going to hold monthly play readings starting on Thursday 9th September then after it will be the first Thursday in the month. It is hoped to keep these going even when a play is in rehearsal as it an ideal opportunity to familiarise ourselves with a wide range of plays and to read for pleasure without the pressure of an audition!
NEXT DAVENHAM PRODUCTIONSheila Hetherington, from Moulton, is going to direct our Autumn play. It is to be ‘Entertaining Angels’ by Richard Everett and the audition is Thursday 27th August. The play is to be performed w/b 12th October
A summary of the play from Sheila…..
As a clergy wife Grace has spent a life time on her best behaviour. Now, following the death of her husband, Bardolph, she is enjoying the new found freedom to do and say exactly as she pleases. The return of her eccentric missionary sister Ruth, together with some disturbing revelations, force Grace to confront the truth of her marriage. With sharp tongued probing wit, this play asks whether God can be trusted to do anything right at all, or is the whole thing a divine exercise in trial and error?
The play offers 5 great character roles for 4 females and 1 male [ages F: 2x 60’s 1x30-40 1x 20-30 and M: 60’s ] Obviously as the rehearsal period is short, people would need to be willing to earn lines early.
We will also need a prompt, for one month before and during the play; a props team and someone to oversee costumes please.
If anyone has a burning desire to direct in the future, Sheila is happy for them to be an assistant.
FOR YOUR DIARYSo - get those diaries out for forthcoming events……
Thursday 27th August Audition for ‘ Entertaining Angels’ 7.30pm
Sunday 30th August 12-4pm Mosaic workshop
Thursday 3rd September AGM 7.30pm A chance to air your views . After the meeting there will be a slide show of this year’s plays and some light refreshments.
Saturday 5th September 7.30pm -an invitation to Moulton Drama Group’s Cabaret evening. There is no charge and people will be performing ‘turns’. There will also be a Faith supper. BYO drink. Please let Sheila know if you are attending on….. email@example.com
Jazz dates Thursday 24th September, Thursday 29th October, Thursday 26th November and Friday 11th December. See http://dsp-davenham.blogspot.co.uk/p/jazz.html
Week Beginning 12th October Our Autumn production ‘Entertaining Angels’ by Richard Everett
Friday 23rd October An evening with Chris Bannister at Davenham. Tickets £10 from 01606 259596 or www.danarts.org
Week Beginning 23rd November Moulton Drama Group play week Neighbourhood Watch by Alan Ayckbourn - see http://www.mdg.org.uk/
Saturday 23rd January 2016 Musical evening with Ailsa and John Booth at our theatre 23rd Jan 2016
That’s all for now folks. Hope this finds you all well and eager to start the new season at THE DAVENHAM PLAYERS !!!!


Tag: Music - all content
Today, it’s Oscar Night. The 90th Academy Awards ceremony takes place in the honorable Dolby Theatre. Being a Cinenut ever since my dad took me to the local movie theatre for watching Star Wars: The Empire Strikes Back when I was a young boy, this is a must watch for me.
I have seen most of the nominated movies and for the first time, I don’t really have clear favorites. Be it Dunkirk, The Shape Of Water, The Darkest Hour or Three Billboards… - they’re all exceptionally well made and the same is true for the other nominees. We’ll see how the Academy members decide…
Game of Thrones fans will instantly recognize this song. It is from the famous intro scene of the sixth season’s final episode The winds of Winter. The song’s name is Light of the Seven and its composer is Ramin Djawadi.
It’s popular among youtubers as material to cover and has been covered even by large orchestras. The song received much praise, even outside the Game Of Thrones continuum.
Some lesser known stuff from Deep Purple. Not exactly a song either, but more a recorded Jam Session that took place while they were recording the Perfect Strangers album. An instrumental track with mostly Mr. Blackmore showing off.


We thought we’d share a little bit of makeup humor for the morning. Check out this video from actress and filmmaker, Anna Akana. Anna Akana is most known for her online weekly show where she writes semi-autobiographical stories and acts out all the parts. Despite the success she’s seen with snackable comedic content, her passion lies with dark dramas. As an actress, Anna Akana is currently working on the film Kids Versus Monsters and has a recurring role on ABC Family’s The Fosters.
While this clip is humorous, the underlying message is great. Beware, Anna uses the ‘F’ word a few times.


Black Widow (2005) is a macabre film noir musical for CBC Television, starring singers Sarah Slean, Martin Tielli, Mary Margaret O’Hara, and actors Tom McCamus and Julian Richings. The film received a Czech Crystal for Best Performing Arts Program at the prestigious Golden Prague International Television Festival. The film also received six Gemini Award nominations, including Best Photography, Editing, Sound, and Performance in a Performing Arts Program, as well as Best Costume Design and Original Music Score.
Youkali Hotel (2003), also for CBC, stars acclaimed Canadian cabaret singer Patricia O’Callaghan, and features performances by Mary Margaret O’Hara, Hawksley Workman, Kurt Swinghammer and Albert Schultz. Youkali Hotel was nominated for the Rose D’Or in Europe, and received three 2004 Gemini Award nominations for Photography, Editing and Production Design – ultimately winning the award for Best Photography. The film also received three awards at the 2004 Yorkton Film Festival, including Best Direction-Dramatic, Best Arts Production, and Best Performance.
Also in 2003, Patricia wrote and directed Dear Juliet, an hour-long documentary produced by Primitive Entertainment for TVOntario’s The View From Here. The film explores the enduring myth of Shakespeare’s tragic heroine, and the thousands of lovelorn letters which people from all over the world write to her each year, addressed simply: Juliet, Verona, Italy.
David has co-written several feature-length performance specials for the internationally renowned arts production company, Rhombus Media, including the Emmy Award-nominated September Songs: The Music of Kurt Weill (1995), starring Teresa Stratas, Elvis Costello, Nick Cave, Lou Reed, Betty Carter and Charlie Haden. He was also Co-Writer and Associate Director of Tuscan Skies – Andrea Bocelli (2001), a music special for A&E Television and worldwide DVD release, and Stormy Weather: The Music of Harold Arlen (2002), featuring singers Sandra Bernhard, Deborah Harry, Jimmy Scott, Rufus Wainwright and Hawksley Workman.
David and Patricia also co-directed and produced Enigmatico (1995), a Genie-nominated and Hot Docs Award-winning arts documentary that interweaves the poetry, opera, painting, sculpture and photography of several prominent Italian-Canadian artists; Time on Earth (1997), which follows three seniors as they travel the highways of North America in their motor-homes; and The Lanza Sessions (2000), a behind the-scenes portrayal of the recording of the musical soundtrack for a yet-to-be-made Hollywood biography of Mario Lanza, featuring Canadian opera star, Richard Margison, as the voice of Lanza.


A few sparkly and exciting ice events have happened between now and the last time this blog had a regular heartbeat. Here’s one I wanted to share.
In the last post I had written in 2010, into blue noon: over a frozen road, I had just finished editing a short video, using footage from a drive up the ice road between Inuvik and Tuktoyaktuk, NWT. That drive stays with me in magical ways (did we really see all that … spaciousness? mysteriousness?) and in some exciting ways, so does the film itself.
In 2011, Dan Sokolowski, director of the Dawson City International Short Film Festival, encouraged me to re-edit the footage for screening at that year’s festival. The problem with some of the original sunless footage was that it became too pixelated on the large screen. So I went back to the tape from the trip I did to Inuvik in autumn, and combined the two.
The result is a trance in two seasons.
Ice Road to Tuk did indeed show at the DCISFF in 2011. And another result: it was included in a screening program in March 2012, at the Vancouver Women in Film Festival, where it won the NFB Short Documentary Film Award!! It was part of Wise + Wild: A showcase of Short Films from the Yukon, curated by Lulu Keating of Red Snapper Films (and of Dawson City, thank you very much. she’s quite the mentor and inspiration here. I’ll have to find an ice connection to tell some stories about her).
What an honour to be included in the first place, and then recognized like this. I used the prize money towards buying the c.1914 upright piano that now graces my living room … and hopefully will appear in a new short film soon.


Freitag, 11. Juni 2010
CHANEL- KARL LAGERFELD- REMEMBER NOW
Chanel's latest short film, which debuted last night in Saint Tropez before guests — in town to preview the brand's Cruise 2011 show today — played a rousing game of petanque, is now online. The 17-minute film features Abbey Lee Kershaw as a Jane Birkin lookalike, Freja Beha Erichsen channeling Mick Jagger, and Magdalena Frackowiak emulating Brigitte Bardot.
Lagerfeld, who wrote, directed, and makes a cameo in the film, said Monday: “When I do a film, I see the movie before I’ve made it. I don’t make scripts because it’s written in my head. I like short one-liners.” And Heidi Mount, who plays a party hostess, added: “There’s a script, but it’s basically Karl telling you what he wants. He has the whole thing up in his head.”


Thursday, November 15, 2018 from 1pm - 5pm and
Friday, November 16, 2018 from 10am - 3pm
At SIRT, Stage 10, Pinewood Toronto Studios, 225 Commissioners St., Toronto
Join us for a special, two-day workshop with Alister Chapman and Sony Professional Solutions to learn about High Dynamic Range, Log, Raw and Gamma and how to achieve “the film look” with Alister Chapman. A special screening of Alister’s work "Desert Adventures with Sony’s VENICE" will follow the workshop.
This event is for professionals in the film industry and will cover topics like:
What is the film look?
Colour and brightness levels used in movies.
Depth of field and managing focus.
Contrast ratios used in movies.
How a light meter can help if using an electronic camera.
Lighting techniques for a more film-like look.
Anamorphic lenses and anamorphic production.
Grading and post-production overview.
The workshop will be followed by "Desert Adventures with the Sony’s Venice”, a production by Alister.
Registration is happening now, get your tickets: https://bit.ly/2qmXqI9


The short films alternate; the next film starts after a short break of 30 seconds. The cinema is a free service for all visitors.
A short interview with the architect about the concept and his inspiration from history.
Producer: Henrik V. Pedersen
Copenhagen, 2004. 3 minutes. In English with Danish subtitles.
A film about the many routes of Jewish immigrants to Denmark.
Producer: Casper HøybergCopenhagen, 2004. 8 minutes. In Danish with English subtitles.
Now you can catch a glimpse behind the scenes at the museum, and see what else is going on. Follow us @thedanishjewishmuseum
Get a discount of 10% at selected cafés by showing your ticket from the museum (Photo: Eddie Michel Azoulay).
- an exhibition about Jews in Denmark
The exhibition is a broad story of Jewish life in Denmark and focuses on co-exixstence and indentity through 400 years. Read more...
September - May:
Tuesday - Friday: 13 - 16
Saturday - Sunday: 12 - 17
June - August
Tuesday - Sunday: 10-17


When Peter Pan, leader of the Lost Boys, loses his shadow, headstrong Wendy helps him to reattach it. In return, she is invited to Neverland, where Tinker Bell the fairy, Tiger Lily and the vengeful Captain Hook await.
based on the work of J.M. Barrie, and directed by Mike Stephens
This is the regional premier of this fast-paced comedy about the inhabitants of one of the smallest trailer parks in Texas — four doublewides and a shed — who are thrown for a loop when they realize the nearby town of Tugaloo is determined to annex them. Produced by special arrangement with Dramatists Play Service, Inc.
by Jessie Jones, Nicholas Hope, & Jamie Wooten, and directed by Stacey Smith
Brooke Wyeth returns home to Palm Springs after a six-year absence to celebrate Christmas with her parents, her brother, and her aunt, announcing that she is about to publish a memoir dredging up a pivotal and tragic event in the family’s history—a wound they don’t want reopened. Produced by special arrangement with Dramatists Play Service, Inc.
by Jon Robin Baitz, and directed by Adam Singleton
Jacob Marley’s Christmas Carol: “Marley was dead, to begin with...,” but perhaps he had more involvement with Scrooge’s redemption than Dickens led us to believe. Produced by special arrangement with Dramatists Play Service, Inc.
by Tom Mula and directed by Mike Stephens
Welcome to Almost, Maine, a place that’s so far north, it’s almost not in the United States. One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents find themselves falling in and out of love in unexpected and hilarious ways.Produced by special arrangement with Dramatists Play Service, Inc.
by John Cariani, and directed by Tyler Sparks
A comedic play about misunderstandings, love and deception. Benedick and Beatrice don't love each other but then they do. Claudio and Hero love each other but then they don't but then they do again. Everyone gets married.
by William Shakespeare, directed by Amanda Keith


A generation of star Marilyn Monroe, accompanied by our growth, Marilyn Monroe soft enamel pins, is a classic legend. Marilyn Monroe (June 1, 1926-august 5, 1962), born in Los Angeles, California, is an American actress, model and producer. In 1948, he starred in his first film, Skoda, Ho! Scuda, hi! ” In 1950, he starred in the drama cometary beauty. In 1952, he starred in the love song and dance film “gentlemen love beautiful people”. November 5, 1953, starring in the love comedy “willing to marry a son-in-law” released. On September 1, 1954, he began to shoot the romantic comedy “the itch of seven years” and won the 9th British Academy of film and Television Arts Film Award for Best Foreign Actress . On March 3, 1956, the leading romantic comedy “bus stop” started shooting, with which it was nominated as the best actress of the 14th Golden Globe of American film and television film – musical comedy.
Marilyn Monroe’s acting experience
In 1948, Marilyn Monroe was in the romantic comedy “scuda, Ho! Scuda, hi! 》She plays a girl who drives the church, but only one line. Then she plays a girl in a rowing boat, but most of the scenes are deleted, leaving only one long shot. On May 27, 1949, photographer Tom Kelly took several nude photos for Monroe to publish the monthly calendar of Miss golden dream. The photos on the calendar were not written with names, and Monroe got $50 for this. On August 15, the musical comedy tickets to Tomahawk started shooting. In October, she took part in the crime film “the night is still”, and Marilyn Monroe was soft Enamel pin is worth your collection.
Character evaluation of soft Enamel Pins
Marilyn Monroe, a familiar name, Marilyn Monroe soft enamel pins, a familiar image. With her signature smile and seductive body language, she created one sexy image after another. Her moving performance style and the fall of the golden age make her a permanent sex symbol and representative figure of pop culture in the hearts of fans. Many people have grown up with many or few of her photos, and they have a deep memory: the black-and-white photo of her wearing a white skirt on the New York Street, her skirt blown open by the underground heat; the photo with her eyes slightly closed and lips slightly cocked in front of the camera; the photo with her beautiful legs exposed on the sofa. These photos are no longer photos, but a kind of special emotional communication, a kind of pure sexy freeze frame.
How to get Marilyn Monroe soft enamel pins?
Our company has prepared beautiful Marilyn Monroe soft enamel pins for you. For your happy smile, come and wear Marilyn Monroe soft enamel pins. It will bring you good luck. At the same time, we can also customize other soft enamel pins of our factory, and the price is also very favorable. Our various soft enamel pins are sold well to other countries, so please feel free to customize them.


“it’s the new.” is a 1991 American science-fiction action film co-written, produced and directed by James Cameron. The film stars Arnold Schwarzenegger, Linda Hamilton, Robert Patrick and Edward Furlong. It is the sequel to the 1984 film The Terminator, and the second installment in the Terminator franchise.
“it’s the new.” features writing and performances from Jackie Benhayon, Erin Fleming, Gab Thom, Dru Kramcsak, Jack O’Keefe, Andrew Nealis, Tee Nutt, and Bill Reick.
2017 Festival Performance Date
Thursday, April 20th 7:00pm at The Playground at Adrienne Theater with Locked In Julia’s Basement and The Amazing Flying Edelmen
Facebook – facebook.com/ItsTheNew


Hello. I'm Amy and I'm a college student studying zoology. Yes, I have a life but that doesn't mean I'm not a dork. In my spare time I enjoy obsessing over dork-oriented things. This here journal is my fandom world. Here I obsess over the books/movies/tv shows/celebrities that I love. My favorite obsession of all time is definitely Harry Potter. I've been a fan of the world of Harry Potter for the past 6 years and still love it just as much. My other obsessions include Joan of Arcadia, Spider-man, Tobey Maguire, Pride and Prejudice, Colin Firth, Lord of the Rings, abc's Lost, reality tv shows, Star Wars, Phantom of the Opera, Disney, Pirates of the Caribbean, and Peter Pan. It is also noteworthy to say I am obviously obsessed with animals, my country America, and at the very top of my list, JESUS CHRIST. Yes, I am a proud Christian!
By the way, I'm really weird ^^ and I know it. bwahahaha.


The other day we watched a film about a Jew, living in America, who had escaped Austria when the Nazis took over. Before she left Austria, the Nazis stole all the family possessions, including a famous work of art worth millions of dollars. Sixty years later the painting was displayed in an art gallery in Vienna and the film describes her, eventually successful, efforts to restore the painting to its rightful owner.
In a sub-plot there are flashbacks in the film, to the period when Austria was taken over by the Nazis. We see scenes where the population was stirred up in hatred for the Jews. Jewish families were humiliated by ordinary people on the street, and of course they were eventually led away to their deaths. Continue reading “Who should we blame?”


As far as spectacular experiences go, I'd say this was pretty first-rate. If you haven't seen Les Miserables yet and are going to and you don't want things spoiled, go no further. If you are easily annoyed by excessive fangirling, this post isn't for you. But if you love Les Miserables, whether or not you have seen the current play in Manila, whether or not you are going to, whether or not you have memorised the songs, whichever version you think is the best, join me in fangirling, though I must warn you that this is going to be a long post. (However, if you think Nick Jonas was the best Marius...)
Watching Les Miserables in Solaire Theatre was an experience of many firsts. First time to watch a show with an international cast. I've seen a number of plays since the very first one (which was Trumpets' The Lion, the Witch, and the Wardrobe) but they were all usually with a local cast. First time to watch a play as popular as Les Miserables (did you know when I was a kid I thought there would be a lot of dialogue in between the songs?). First time to watch Les Miserables live. First time to watch a play where an orchestra plays live. First time to go Solaire. First time to dress up for a gala show. First time to watch a play with two of the best girls I have ever met. The list goes on and on.
Sans casinos and the cloying (yes, literatures days! That means "sickeningly sweet") scent that pervades almost every nook and cranny, Solaire is a pretty grand place from the gold lights to the floors of marble and carpet. The theater is not as big as CCP, but, in my opinion, just the right, intimate size. I heard that there was a sentiment going on that it should have been staged at CCP, but I'm glad it wasn't.
I love that the show started on the dot. As soon as the voice announcing that we were to turn off our cellphones ceased speaking, all the house lights turned off, the stage lights—at least, some of them—turned on.
And then you hear it, the opening strains of Les Miserables that is so familiar to us who have grown up hearing the music. Men—prisoners—chained to oars as they row a boat under the watchful eye of Inspector Javert. Cue in the chills and the fangirling. It was all I could do not to burst out into song with the actors. I had to content myself with mouthing the lyrics instead.
The set was so...wow. I am speechless. The transitions were smooth and seamless (sans a couple of scenes perhaps). I love how they built the set, using only parts of the stage to tell the story, but you understand it right away because, it feeds your mind the illusion that goes with the story. Pull out a panel, and you have an interior wall of the priest's house. Pull in stone wall with a gate, and Cosette in the garden comes into view, pining for this boy she caught a glimpse of on the street. Jean Valjean's soliloquy "Who Am I?" has him facing the audience and walking around the stage as he agonises, to tell or not to tell his past? And just as he sings his line "I'm Jean Valjean!" he whirls to face the back of the stage and the scene changes--the back opens so quickly to reveal a court and the prisoner who is being tried and convicted as Jean Valjean. I cannot do it justice as I tell it. You will have to see it for yourself.
And the effects! Another wow, wow, wow! The part where Jean Valjean is dragging through the tunnels? What was that? Was there a TV in there? And what makes their voices echo? And when Javert sings his reprise of "Stars" before plunging into the river in despair? Oh, wow. I was waiting for that moment. It's easy to create that scene in movies where you have green screens and CGI and all those special effects, but I was excited to see how they would interpret it in a stage play. I did not expect or think that they would interpret it the way they did--no falling down a trapdoor forward or backward. No lights suddenly shutting off together to imply that the character has plunged himself to his watery grave. Instead, the rails rise, and we are given the illusion that he is falling, faster, faster, and then the stage lights reflect water and we know that Javert has drowned himself. Again, words do not give it justice.
We didn't get to see Rachel Ann Go, which made me kind of disappointed, as everyone has been raving about her. Ah well, next time. Some things are just not meant to be, like Marius and Eponine. Speaking of the latter, Eponine was played by Kerrie Anne Greenland, and she has such a lovely voice. As we were seated at the topmost part of the theatre, the faces were no more than a blur, and yet we could hear the pain in her voice as she sang, "Without him, the world will go on turning. The world is full of happiness that I have never known!" And again, the resignation, when she sang, "I love him, but only on my own." Simon Gleeson was awesome as Jean Valjean. And Enjolras! Chris Durling played him, and while I think Ramin Karimloo my love will always be my favourite, I love the strength, passion, the resolution in the Chris' voice as he sang "Red and Black" and "Do You Hear the People Sing?" The play is not all passionate highs and rallying people together to fight for a common cause. After the barricade has fallen, signifying the end of the June Rebellion—and not the French Revolution, as people usually think it to be—Marius is left, the only survivor, thanks to Jean Valjean's kindness. And yet, he is haunted by the fact that he is indeed alive, while everyone else, including Gavroche and Eponine, has died. Les Miserables Manila does a beautiful interpretation of the song, "Empty Chairs and Empty Tables", where the "ghosts" pick up the candles and the sudden darkness leaves Marius very much alone.
Les Miserables goes beyond the theatrics and the amazing lights, stage effects, set, cast. A play couldn't be that powerful and leave everyone much affected, if it weren't for the very story written by Victor Hugo. It's his characters that people relate to, in which people see as a reflection of themselves—the Jean Valjeans, standing at the brink of a dark past and a hopeful future; the Enjolrases and the rest of the students, idealists and dreamers who wish to fix the broken world; the Javerts, the realists, those who live by the book; the Eponines, those who love without that same love being returned to them (I once saw a meme that said that the highest level of friendzone level is the Eponine Level). And again, the list goes on and on.
I am a huge fan of Victor Hugo's works, though some of them may be too depressing for others. He does not waste characters. Not in The Hunchback of Notre Dame, certainly not in Les Miserables. Take for instance Gavroche. It's been some years since the Jean Valjean came to the Thernardier's inn to take Cosette away. Neither the movie nor the play mention this, but there was a boy in a crib that night that Mrs. Thernardier often forgot, so engrossed was she in her two daughters and in running the inn. It is only when they are grown up that we learn that one of those two girls was Eponine. And the boy in the crib was Gavroche. Which is why, in the "A Little Fall of Rain", my heart always breaks for Gavroche. Eponine was the one who would check up on him every now and then, long after the Thernardiers forgot that they had children to look after.
Enter Grantaire as well. Most people will know him as the the boy who was always drunk every time a scene with the students happens. But Grantaire had a tender heart, and it was he who looked after Gavroche. In Les Miserables Manila, after Eponine is shot, and she lies dying in Marius' arms, Gavroche runs to her, but Grantaire stops him and comforts the little lad for the death of the only relative who ever cared for him. When Gavroche dies, it is Grantaire who holds him when he takes his last breath, and it is Gavroche's death that makes the indecisive Grantaire make up his mind to stand with Enjolras and the rest of the people in the barricade. It is Grantaire who dies beside Enjolras, the last two students standing for the rights of the people.
Les Miserables is most often known for Jean Valjean, the ex-convict who turned his life away, and Marius friendzone-ing Eponine (cue in the opening strains of "On My Own"). But it is so much more than that. It is about a man who stood at the crossroads and decided that his dark past wasn't going to affect his future. It is about sacrifices and choices, people and relationships. It is about rich students who did not like how the royalty was handling things, and decided to be the voice for the silent poor and helpless. It may seemingly have accomplished nothing for the people in the story, but for the reader, for those who watched the movie, and perhaps, even more so, the play, it has left a significant mark. And, while the world seems so miserable, so hopeless, there is a tiny ray of light that breaks into that cold morning after the barricade has fallen. To quote a stanza in one of the verses of the last song:
Do you hear the people sing, lost in the valley of the night
It is a music of a people who are climbing to the light
For the wretched of the earth there is a flame that never dies
Even the darkest night will end and the sun will rise.


IN THEATRES NOW IN SELECT US AND CANADIAN CITIES
|Click here for full US theatre schedule|
Tickets for the US
Tickets for Canada
Watch Trailer Here
Hallelujah: Leonard Cohen, A Journey, A Song is a definitive exploration of singer-songwriter Leonard Cohen as seen through the prism of his internationally renowned song, “Hallelujah.” This feature-length documentary weaves together three creative strands: The songwriter and his times; the song’s dramatic journey from record label reject to chart-topping hit; and moving testimonies from major recording artists for whom “Hallelujah” has become a personal touchstone. Approved for production by Leonard Cohen just before his 80th birthday in 2014, the film accesses a wealth of never-before-seen archival materials from the Cohen Trust including Cohen’s personal notebooks, journals and photographs, performance footage, and extremely rare audio recordings and interviews.
Featuring interviews with Judy Collins, Adrienne Clarkson, Brandi Carlile, Rufus Wainwright, Eric Church, Hal Willner, John Lissauer, Regina Spektor, Glen Hansard, Larry “Ratso” Sloman and many more. Directed by Dan Geller and Dayna Goldfine. Produced by Dayna Goldfine, p.g.a. Dan Geller, p.g.a. Executive Producers Jonathan Dana, Morgan Neville, Robert Kory, Mike Drews, and Robin Sagon Drews. Consulting Producers Alan Light and Celeste Schaefer Snyder.


Westdale Theatre 1014 King St. West
Located in the heart of Westdale Village, the Westdale Theatre (for the sake of using British slang here, I shall be referring to the theatre as the cinema, except when I am talking about the actual name of the theatre. Let’s see how I do, shall we?) offers filmgoers the opportunity to experience both blockbuster hits and limited releases in the comfort of a smaller, intimate setting which some may consider an escape from the bigger, bustling cinemas. Kristin and I decided to check out The Tree of Life, a film we’d seen previews for and had both been wanting to see since it’d been released.
We first ventured over to Grapes and Hops which we had spotted during our Westdale Village tour stop. Unfortunately they were closed, but a return visit is most definitely in order. Tucked away in the village, Kristin and I were taken with the lush garden and the quaint cottage-like setting. It’s also the kind of place where the four of us would definitely have fun and be silly. And how neat would it be to try and create our own wine?? Perfect for summer.
We headed back to the box office and purchased our tickets. With time to kill, another one of those impromptu photoshoots took place where we attempted to pose all treelike which resulted in hilarity, especially when I realized that I could hone my yoga skills and break out into the yoga tree pose. I’d say we were quite successful posing as trees. After grabbing some refreshments we headed into the cinema. We’d both been to this particular theatre before, a while back though. Sidenote: Okay, theatre sounds cool too, especially if said with an accent and a certain air, like theaaaaaaatre. The Westdale Theatre maintains the classic elements of a cinema, from the box office booth to the marquee lights to the sign and even the concession stand board and popcorn bags! Loved all of the décor. It almost transports you back to the time when cinemas were first invented and watching moving pictures with an audience was a novelty.
I am not going to attempt to write a review of this film because I am no film critic. What I will say though is that if you do choose to see this film, you have to go into it with a very open mind. It is not your typical, straightforward film, it does not have a set course of events. That’s the beauty of those atypical genres of film, I reckon. I don’t know much about art house films let alone the art house genre, and Kristin and I were discussing if we’d seen any films which would be considered art house. I must note that there was a disclaimer posted outside making its patrons aware that the film was a ‘uniquely visionary and deeply philosophical film.’ This quote set the tone for the film, in my opinion: The nuns taught us there were two ways through life – the way of nature and the way of grace. You have to choose which one you’ll follow.
The cinematography was just lush. The shots of the various landscapes—the desert, the ocean—there was a lot of symbolism surrounding life, how we all connect to nature through different mediums. The elements of earth, wind, fire, water were all represented in some shape or form and religious undertones alluded to by the narration of various Biblical passages.
On our way out, we spotted some velvet curtains and a comfy couch with old movie posters as a backdrop and couldn’t resist another photoshoot. As we enjoyed the cool summer evening outside, the nearly full moon wasn’t the only thing lighting up the village. I had spotted several ‘W’s’ lit up and realized that yes, the W in fact stood for Westdale! Kristin and I tried our hand at forming the signature W which, let me tell you, was no easy task, but I think we managed quite well.
So for those who want a change from the cineplex and are in the mood for watching something out of the ordinary, Westdale Theatre is the place to go.


你曾经导演过电影吗? 那你16岁的时候呢? Have you ever made a music video in 纽约? 温顿的这些学生做了. 七个学生, 从两个校区, came together in the same classroom with one goal in mind: to help each other make their films. This ColLAB fulfilled the promise of two campuses, one school.
Students in this ColLAB were pushed through the five stages of video production: writing, 规划, 拍摄, 编辑, 和筛选.
In the ColLAB preparation days leading up to January, the students wrote their scripts and watched music videos and short films made by other students their age. They even had visiting filmmakers from Winchendon’s French exchange program screen films in class and talk about the Filmmaking process.
Darryl Brooks made a music video on Winchendon’s MA campus during Mr. Holby’s Filmmaking ColLAB in the spring of 2019.
Lama Volant visited Winchendon’s MA campus as part of the French exchange program with Mr. Delorme and became a guest speaker in our classroom.
Next, students on both campuses planned their films. They wrote shot lists, drew storyboards, and made prototypes of their films.
故事板就像一本漫画书. It helps the Film Maker pre-visualize their film. The storyboard plays an important role in organizing the production process.
When making a film, it’s important to make a prototype before going into production. This allows you to test your ideas and see what doesn’t work. If you look at the difference between Omar’s prototype here and his final film at the bottom, 你会注意到他走了多远.
最后, students from Winchendon’s 麻萨诸塞州 campus boarded a bus at 6 AM and arrived in time for their 10 AM class on Winchendon’s NYC campus.
在第一天上课的时候, students from both campuses learned about what they needed to do to prepare, 分析图像, 开始了相机的基本操作. They learned techniques such as the profile shot, 的广角镜头, 跟踪拍摄, 平移镜头, 机架焦点.
在制作的第二天, the entire class came together for five hours to film Sydney’s music video.
Sydney was stressed while she prepared for her big day of 拍摄. When she got on set she discovered something new about herself; she loves directing and motivating others.
在编辑网赌软件排行榜的电影之前, 网赌软件排行榜班受到了格雷特·霍尔比的邀请, 纽约的歌剧导演, 和亚瑟Elgort, 她的丈夫, 一个摄影师, 参观他们在曼哈顿的工作室. Grethe Holby also introduced us to “Bounce. 篮球歌剧”. 这是网赌软件排行榜旅行中最精彩的部分. 网赌软件排行榜很感激.
Grethe Holby is an opera director here in NYC. Arthur Elgort is 一个摄影师 known for his fashion shoots and his work for Vogue magazine.
最后, as the students finished 拍摄 their movies, they moved into the 编辑 process and continued to explore the city. For students from Winchendon’s MA campus, we know we’ll miss the Big Apple.
The final stage of any film is when you screen it to an audience, your friends and family. 在温顿学校, our ColLAB program ends in a symposium where students showcase their work and receive feedback from their peers.


Nollywood Stephanie Linus gives hope to trafficked victims in Italy
Nollywood Stephanie Linus, says her advocacy visit to Italy, on human trafficking was to further raise awareness on the heinous crime and give hope to victims. Linus is currently in Italy, to advocate for victims of human trafficking in partnership with the international medical humanitarian organization – Doctors Without Borders (MSF) and SOS Mediterranee. According…
Beloved Nollywood actress, Chidi Ihezie Okafor, now sings for the kingdom
It is official. Popular Nollywood actress, Chidi Ihezie Okafor, has found a new passion- singing for the kingdom.
Humjo’s Tuki and A Night With My Son are ready
Nollywood producer and director, Humphrey Ojonugwa Ottuh, popularly known as Humjo, is ready to offer two motion picture projects with his signature for public viewing, and he has promised television viewers and movie goers exciting times.
Best Films Of 2017
This year gave us so many iconic moments in the world of cinema and film, it's nearly impossible to keep track of them all. Still, on the huge list, there are some films that set themselves apart and it'd be sad to enter 2018 in full swing without watching any of the ones we have…
Boyo, Omotoso challenge Nollywood, make a different kind of film
There is no debate. Nollywood was founded on talkies. Till date, most offerings from the industry do more talking than showing. Not that the filmmakers here lack the capacity to make silent films or art films.
Infidelity and cheating in African tradition
One of the most common central themes of Nollywood film and music is the love between men and women; the interplay of generational forces, the abuse of women and children.
Moroccan Filmmaker Khadija Alami seeks collaboration with Nollywood
Veteran Moroccan film producer, Khadija Alami, has called for collaboration in filmmaking between morocco movie stakeholders and the Nigerian movie industry, popularly known as Nollywood.
Saint Obi returns with bumper package
Just when many had started asking of his whereabouts, Nollywood’s big boy Saint Obi is back with a bumper package. The Imo State native...


The Return of Dogtanian
In 1990 The Return of Dogtanian, a sequel to Dogtanian and the Three Muskehounds, was released by BRB Internacional and Thames Television. For better or worse, this second series was very different in style to the original.
The most obvious difference is in the drawing and animation of the characters, which looks much more Western compared to the Japanese-produced first series. Plot and dialogue are less complex, with more reliance on physical humour.
The cast supplying the voices has noticeably changed, with Dave Mallow replacing Cam Clarke in the title role. Almost all the old characters are present and there are some new ones: Blancbec, the King's evil twin brother; the sinister Duke of Boujeau, perhaps designed as a replacement for the absent Count Rochefort; and Dogtanian and Juliette's two children.
The second series in no way achieved the same success as its well-loved predecessor, with most fans regarding it as a crude and inferior product. Yet its appearance almost ten years after the original is testimony to the continuing popularity of Dogtanian.
Ten years have passed since the events narrated in Dogtanian and the Three Muskehounds. Dogtanian is living on the outskirts of Paris with Juliette, to whom he is married, and their two children Philippe and Fleur. He still has Sandy, now a very old horse. Planchet has left Dogtanian's service and runs a prospering inn.
Athos seems to spend most of his time eating, while Aramis is always surrounded by girls and Porthos has acquired a luxurious house. Pip has taken to wearing a judge's wig. The Muskehounds are still led by Monsieur Treville, though he is clearly advanced in years.
Richelieu is still Cardinal, with Milady and Widimer at his side, although Count Rochefort is absent. And Louis XIII is still on the throne - or is he?
The four Muskehounds are brought together by a mysterious summons. Queen Anne needs their help; her husband the King is acting strangely and she is very worried. Treville is also worried, because Louis has told him that his Musketeers are to be sent away on manoeuvres while the Cardinal's Guards protect the palace in their place.
The Man in the Golden Mask
Meanwhile Pip goes to visit his cousin Pataplot, who lives at a monastery. There he meets a prisoner whose face is hidden by a golden mask. When the mask is taken off, Pip realises that this is the King himself and fetches Dogtanian and his three friends to rescue him.
The King has been captured by his evil twin brother, Blancbec, who has assumed the throne. The Muskehounds soon reinstate Louis, but his twin, aided by the thuggish Count Boujeau, is always looking for his chance to do away with his brother and seize power.
Back on active service Dogtanian realises that the faithful Sandy is no longer as sprightly as he used to be, but cannot bear to part with his old friend. Pip suggests they visit an old magician named Alexi, who lives in the forest. This wise old hound reinvigorates Sandy with a potion.
It turns out to be lucky that Dogtanian has made Alexi's acquaintance, as the King falls gravely ill and the best doctors in France cannot find out what is wrong with him. It is discovered that Louis has been poisoned by Blancbec's men. Alexi is fetched despite Boujeau's attempts to dispose of him and quickly cures the King, but Blancbec is not defeated yet.
The Duke of Bavaria
The King has invited the Duke of Bavaria on a diplomatic visit. Blancbec goes to meet him disguised as the King and insults him so badly that he leaves for home, with disastrous implications for the friendship between the two countries. Dressed as a Muskehound, the real King is smuggled out of Paris, catches up with the Duke and explains the situation. A peace treaty is signed between the two countries.
Throughout these events Cardinal Richelieu, Milady and Widimer are reduced to the role of bemused onlookers. They know something strange is going on - as do their Guards, who frequently witness odd occurrences in the forest around Paris - but cannot tell what.
The King receives two noblemen from Normandy, the Baron de la Tour and the Viscount de la Fontaine, who complain that they are being robbed by a bandit named Pedigreen Hood who then gives the money he has stolen to the peasants. What the nobles do not admit is that they have raised taxes to an impossibly high level and the peasants cannot pay.
Meanwhile Pip receives a visitor of his own - Camembert, a mouse from the same province who reports that the situation there is so bad even a mouse cannot find enough to eat. Dogtanian and the Muskehounds set off at once to investigate. As they ride through a forest they are ambushed by Pedigreen Hood and his band of outlaws, including Friar Bernard, Terry and Little Dog, who have mistaken our heroes for henchmen of the oppressive noblemen. When they realise their mistake they depart as suddenly as they attacked.
The Muskehounds witness the poverty of the locals and the brave actions of the outlaws. Pedigreen's band complain that the King has told the noblemen to raise taxes too high, but the Muskehounds know this is not so and conclude that someone else is behind the tax inflation. They set off for Paris to report on the situation, but run into Widimer and a group of the Cardinal's Guards who have come to get rid of Pedigreen. Dogtanian tries to persuade them not to, but Widimer refuses to listen. He and his men come off worst in a scrap with the outlaws and flee.
It is of course Blancbec who is responsible for encouraging the noblemen to raise taxes in the hope of inciting rebellion in the province. Now Boujeau arrives with a cunning plan: to hold an archery contest. The elusive Pedigreen, a superb bowman, will be unable to resist entering and walk straight into a trap. (Those familiar with the legend of Robin Hood might recognise this device.)
Sure enough Pedigreen enters the contest, wins and goes up to collect his prize, whereupon he is seized by soldiers. His outlaws leap to his defence and there is a battle in which the Muskehounds help Pedigreen and the Cardinal's Guards join the other side. Pedigreen escapes but Widimer declares the Muskehounds outlaws, and they are forced to flee to Pedigreen's camp.
To lure the outlaws and the Muskehounds out, Boujeau and his private army attack a village. Dogtanian and the others rush to its defence but are heavily outnumbered. Widimer, attracted by the commotion, appears and joins in on Dogtanian's side. Boujeau escapes but the greedy noblemen are captured.
Queen Anne has invited Princess Dalma, a beautiful cousin of the King, to stay. She will be travelling from Italy and Louis asks the Muskehounds to escort her from the border. On the way they ride to the rescue of a woman who has been robbed by a mysterious masked man but fail to catch the thief. They meet with the Princess and ride with her coach to Paris.
There is a ball at the Palace in honour of Dalma's visit to which Dogtanian (accompanied by Juliette) and the other Muskehounds are invited. The Princess complains that her shoes are hurting her and goes into her room to change them, with Athos waiting loyally outside the door. Meanwhile the masked thief enters the ballroom and quietly sets about robbing the guests. Dogtanian has a duel with the intruder but he is incredibly agile and escapes, leaving behind the stolen goods and his calling card, a black rose.
The King sets the Muskehounds the task of finding the elusive villain. Richelieu suspects that the robber is in league with Dogtanian, while Blancbec is interested in acquiring him as an ally. The thief falls for a trap set by the Muskehounds but is rescued by Boujeau, who then offers him a reward if he will dispose of the King. However the thief refuses and escapes. This time it is the Muskehounds who fight off Boujeau's men to save him. Widimer arrives and attacks the Muskehounds, thinking that they are indeed in league with the thief. Both he and Boujeau's men get away in the confusion.
The masked man approaches the Muskehounds and promises to forsake his criminal activities, since they saved him from Boujeau. He takes off his mask and is revealed to be Princess Dalma. She throws a black rose to Athos, and quickly disappears into the darkness.
Kidnap, Rescue and Triumph
Blancbec hires Milady to kidnap Dogtanian's daughter Fleur. She arrives at their house claiming to have a message from Cardinal Richelieu. Juliette asks her to wait until her husband returns. Milady plays with Fleur until the opportunity arises for her to seize the child and carry her off.
When the kidnap is discovered Dogtanian believes the Cardinal is to blame and goes with the other Muskehounds to confront him, getting in a fight with Widimer along the way. The Cardinal protests that he had nothing to do with the kidnapping, and Dogtanian goes after Blancbec instead. Richelieu decides that the time has come to put personal rivalries aside for the sake of France and orders Widimer to help find Fleur.
Blancbec tells Milady to inform Dogtanian that Fleur will die if Dogtanian does not help him overthrow the King, and to cut off one of the little girl's ears to show he is serious. But Milady has grown fond of Fleur and will not be a party to such cruelty. She takes Fleur away, pursued by Boujeau and his men. Just as they catch up the Muskehounds and the Cardinal's Guards arrive and defeat the enemy forces, but Boujeau gets away with Fleur. He finds Blancbec and tells him that all is lost and they must flee.
Dogtanian arrives and Blancbec commands him to throw down his sword or his daughter will be killed. He complies, but Fleur escapes from Boujeau and the two villains escape - only to be caught by the other Muskehounds. Widimer claims the prisoners in the name of the Cardinal. Richelieu sentences Blancbec to be put in the golden mask and confined to prison, so that none may learn the secret of the King's twin brother.
After these adventures Treville announces his resignation. He offers the post to Dogtanian, despite Widimer's best efforts. Dogtanian feels he is unworthy of this honour and it is Richelieu who persuades him to take up the position. Once again the series ends with Dogtanian triumphant, rewarded for his brave actions and surrounded by family and friends.


Carine Roitfeld is Leaving Vogue Paris
It is true and official, the incredible and iconic editor of Vogue Paris Carine Roitfeld is leaving her post as Editor in Chief. Her last issue will be the March issue. I have to say they are definitely going to be big shoes to fill at Vogue Paris as Carine’s work is iconic and has an incredible reputation, so far no successor has been named, nor has Carine informed the public of her future endeavors or where she plans to go….I thought I would post some shots of Carine’swork. She has always been an inspiration to me in my own styling career.
One of the most anticipated movies of the season was definitely The Black Swan starring Natalie Portman, Vincent Cassel and Mila Kunis. This dark and twisted look into the ballet world has won rave reviews for the amazing performance of Natalie Portman as Nina as well as Mila Kunis in the supporting role of Lilly, the dancer trying to steal Nina’s dream role of the Swan Queen in Swan Lake. Not only is the the film incredible, but the fashion is truly to die for…the ballet costumes were designed by Rodarte and are absolutely stunning. This movie is a definite must see if you haven’t seen it yet as there is already a great deal of Oscar buzz being thrown around since it’s debut at TIFF this past fall.
The combination of the acting along with the costumes and make-up really make this dark movie incredible. One of my favourites in a long time, and definitely one that will remain iconic and memorable.
Here are some stills from the film showing the great fashions and make-up:


The story is centered around Elphaba, the misunderstood, smart, and fairy girl of emerald-green skin who grows up to become famous Wicked Witch of the West.
The musical is told from the perspective of the witches of the Land of Oz; its plot begins before and continues after Dorothy’s arrival in Oz from Kansas and it includes several references to the 1939 film and Baum’s novel.
Wicked tells the story of two unlikely friends Elphaba (wicked Witch) and Galinda (The Good Witch), who struggles through personalities and viewpoints, rivalry over the same love-interest, reacts of the Wizards corrupt government and, surprisingly Elphaba’s public fall from grace.
It’s original stars including Idina Menzel as Elphaba, Kristin Chenoweth as Glinda and Joey Grey as the Wizard. The original Broadway production won Tony Awards and six Drama Desk Awards, while its original cast album received a Grammy Award.
In March 2016, Wicked surpassed $1 billion in Broadway revenue. On August 16th, 2017, with its 5, 759th performance, it surpassed Mamma Mia! To become Broadway’s 7th longest running musical and 8th honest running show.
It’s based on 1995 Gregory Maguire novel Wicked: The life and Times of the Wicked Witch of the West, an alternative telling of the 1939 Wizard of Oz.
Try to get out and see Wicked sometime before they are done showing in Cleveland December 3rd, 2017. One of the best performances I have ever seen, definitely recommend it to everyone!


To cite correctly your film, here are the basic components you need to have cite:
Last name, First name of the creator. “Title of the film or video.” Title of the website, role of contributors and their First name Last name, Version, Numbers, Publisher, Publication date, URL.
-List films by their title. Include the name of the director, the film studio or distributor, and the release year. If relevant, list performer names after the director's name.
Blade Runner. Directed by Ridley Scott, performances by Harrison Ford, Rutger Hauer, and Sean Young, 1982.
In the case you want to draw attention to a particular actor or director in your works cited for ease of finding, you can list the actor or director first:
Scott, Ridley, director. Blade Runner. Warner Bros, 1982.
If you’re using an image in your paper or research project:
Include a Figure number, shortened to “Fig.1” Also include the creator’s name, title of work (italicized), date of creation/publication, the medium of reproduction. Publication information of the source.See below example.
Jackson, Jeff. Sean Young in Blade Runner. 6 Apr. 2003. Flickr
SCREENSHOT OF A FILM
Fig 2. Screenshot of Eleven in the "upside down" from the episode "The Bathtub" Stranger Things, Netflix, 2016.
“Chapter Seven: The Bathtub.” Stranger Things, Season 1, Episode 7, Netflix, 15 July 2016. Netflix,
The above video interview would be cited:
Scott, Ridley. “Ridley Scott Breaks Down His Favorite Scene from Blade Runner | Blade Runner | Blade Runner | WIRED”
Interview by Wired. YouTube. 19 September 2017. https://www.youtube.com/watch?v=IpzFOHEO8Sc Accessed October
TV INTERVIEW ON YOUTUBE
de Armas, Ana. Interview by James Cordon. The Late Late Show With James Corden. YouTube. Uploaded 6 October
2017. https://www.youtube.com/watch?v=k6ZRmTD_e2k Accessed October 25, 2017.
Luscombe, Belinda. "10 QUESTIONS for Ridley Scott." Time, vol. 168, no. 20, 13 Nov. 2006, p. 8. EBSCOhost,


Michael Heitzman is a director-writer living in New York City.
Recent: 42nd Street Ordway Center for the Performing Arts, Beauty and the Beast/La Mirada/McCoy Rigby Entertainment, 42nd Street at Drury Lane Theatre in Chicago (2018 Jeff Award nomination, Best Director), Newsies, Big River and Legally Blonde at Sacramento Music Circus, Beauty and the Beast, SHREK and Disney's The Little Mermaid, at North Shore Music Theater (7 of Boston’s 2016 IRNE Award nominations, including Best Director).
He is the Resident Director of The Lucille Lortel Awards for nine years, which celebrates excellence Off-Broadway. He is also the director and co-writer of VICES which was nominated for 8 Jeff Awards, including Best Director.
Other credits: Disney’s Beauty and the Beast (associate director, Moscow, Paris, Amsterdam), Disney’s The Little Mermaid (associate director, Paper Mill Playhouse, Pittsburgh CLO, Dallas Summer Musicals, 5th Avenue).
For television, he co-wrote and directed the single camera situation comedy Scott Free starring Danny Burstein, Beth Leavel, Mary Testa and Kathy Najimy. He also directed the Broadway medley with James Inglehart, Mamma Mia, Peter Gallagher and the Rockettes for the premiere episode of the Meredith Vieira daytime talk show.
A 2009 Dramatist Guild Fellow, he and longtime writing partner Ilene Reid are co-writers of the Grammy-nominated song “Throw That Girl Around” from the Broadway musical Swing! Their musical Bingo! The Winning Musical, co-written with David Holcenberg, had a successful off-Broadway run and continues to have numerous productions both nationally and internationally. He and Ms. Reid are currently working with director/choreographer Josh Rhodes on their new musical Solana and have begun writing a musical adaptation of the Patrick Dennis novel, Genius. For samples and more information about my writing, go to www.heitzmanreid.com


In the captivating realm of filmmaking, where every frame tells a story, the unsung hero often resides in the meticulous process known as pre-production. It’s the backstage dance that sets the stage for the grand performance, the invisible hand guiding the journey from concept to creation.
The Prelude to Cinematic Magic
Embarking on the Script Odyssey:
At the heart of pre-production lies the sacred script, the literary blueprint that breathes life into visual tales. From the birth of an idea to the final draft, this phase is a symphony of creativity. Writers, directors, and producers converge to sculpt a narrative that will later unfold on the silver screen.
Casting the Spell with Casting:
Enter the casting room, where characters transition from words on a page to flesh-and-blood embodiments of imagination. Each actor chosen is a brushstroke, contributing to the masterpiece in their unique way. Chemistry tests, auditions, and directorial intuition converge to form the alchemy of a perfect cast.
Budgeting: The Financial Choreography:
An often overlooked dance in the pre-production ballet is the careful budgeting that ensures the vision isn’t compromised. From location scouting to wardrobe choices, every aspect demands financial consideration. Balancing creativity with fiscal responsibility is an art form in itself.
The Symphony of Planning
Location Scouting: Where Dreams Take Root:
The canvas on which the story unfolds is the chosen location. Scouting involves more than just finding a pretty backdrop; it’s about selecting a space that breathes life into the narrative. The architecture, ambiance, and atmosphere—all must align with the director’s vision.
Building the Crew: A Creative Brotherhood:
Behind every iconic film is a crew of unsung heroes—photographer, art directors, costume designers. Pre-production is the time when this creative brotherhood is forged. The vision is shared, and each department starts crafting its piece of the puzzle.
The Technical Choreography of Shooting Schedules:
Akin to orchestrating a complex ballet, planning shooting schedules requires precision. Balancing the availability of actors, locations, and the ever-changing elements of weather, it’s a logical ballet where the director waltzes with time. The vision is shared, and each department starts crafting its piece of the puzzle of production.
Navigating the Technology Maze:
In the 21st-century filmmaking landscape, pre-production isn’t just about pen, paper, and artistic vision. It’s a high-tech ballet where digital tools and software play a pivotal role. From pre-visualization software that transforms scripts into 3D environments to advanced scheduling tools that manage the intricate dance of shooting days, technology is a silent partner in the pre production waltz.
Environmental Impact: Balancing Creativity and Sustainability:
As the world becomes increasingly conscious of its environmental footprint, pre-production is evolving to embrace sustainability. Location choices consider not only aesthetic but also the ecological impact. It’s a delicate balance, ensuring that the pursuit of cinematic brilliance doesn’t come at the expense of the planet. The green initiatives in pre-production are not just about meeting industry standards. Weaving tales that echo responsibly across the globe.
The Tapestry of Design:
Costume Design: Beyond Fabric and Thread:
Costumes are not just clothes; they are extensions of the characters. The costume designer delves into the psyche of each character. Weaving fabrics that convey personality, emotion, and sometimes, the very essence of the story.
Production Design: Crafting Worlds Beyond Imagination:
Creating the visual identity of a film falls into the hands of the production designer.
Storyboarding: Sketching the Visual Symphony:
Storyboarding is the artistic sketching of a film’s key scenes. A visual script of sorts, it aids in translating the written word into a series of images. It’s where the director’s vision meets the tangible world. And each frame is a stroke on the canvas of the audience’s imagination.
The Unseen Challenges:
Risk Management: Navigating the Storms:
Pre-production isn’t without its storms. From unforeseen logical challenges to unexpected budget constraint, the path is fraught with obstacles. Effective risk management becomes the guiding star, ensuring that, even in the face of adversity, the show goes on.
Legalities: The Fine Print of Creativity:
Amidst the artistic fervor, legalities weave their way into production. Contracts, permits, and intellectual property considerations demand attention.
The Final Act: Ready, Set, Action!
As the final pieces of the pre production puzzle fall into place, the stage is set, and the curtain rises on the production phase. The months of planning, creative collaboration, and strategic foresight converge in a harmonious crescendo. It’s a testament to the unsung artistry that precedes the magic of cinema.
Pre-production is not just a list; it’s an ode to the creative process. It’s the heartbeat of filmmaker, where dreams take form and stories come to life. The next time you find yourself enchanted by the silver screen, take a moment to appreciate.
Do I need permission to use YouTube videos?
“Yes, you generally need permission to use YouTube videos. Content creators hold copyright, and using videos without permission may violate copyright law.”


I seem to get everything I need right after I need it.
I recently helped in making a film, and just a few days after the deadline for submission, the rainy season finally started. We had been waiting to try and film in the rain for weeks prior to that, and ended up doing the scene without the rain.
The day after the actual screening, my YouTubesubscriber box had a video titled “HOW TO MAKE FAKE BLOOD! – Special FX!“. The film had a scene with some fake blood in it, and although our props manager did a pretty good job of making the blood, it wasn’t perfect. On the plus side, the lower quality projectors actual made the blood seem better than it was on a high quality screen, by seeming darker and thicker.
Similar, but not quite identical, Final Cut Pro X was announced literally days after I finally finished downloading the older version of Final Cut Studio.
I’m sure if I went into it I could think of many more examples if I went into it. What examples of something like this can you think of that happened to you? I’m interested in seeing your feedback.


Harry Potter and the Deathly Hallows – Part 1
The moment you’ve been waiting for is almost here. Harry Potter and the Deathly Hallows – Part 1 hits the big screen on November 19th, so grab your wizarding gear and take a trip to your local movie theater, where you’ll enter a magical world of harrowing journeys, never-before-seen spells and hair-raising excitement.
Based on the seventh installment of J.K. Rowling’s beloved series, this is the first of two riveting, full-length features (Part 2 releases on July 15, 2011) that will follow Harry and his friends as they try to outsmart the Death Eaters and put a stop to the Dark Lord’s evil doings once and for all. Now that Dumbledore is gone, Voldemort’s henchmen have taken over Hogwarts and seized control of the Ministry of Magic, making Harry’s hunt for Horcruxes more dangerous than ever before. And to make matters worse, he’s slowly starting to realize that his future might already have been decided.
Does Harry have the strength to survive long enough so that he can prepare to face Voldemort in what is sure to be their final battle? Unless you’ve mastered the art of Divination since the release of Harry Potter and the Half-Blood Prince, you’ll have to see the movie to find out.


Freelance Cinematographer, Camera Operator and Video Producer.
Cameron is an aspiring cinematographer and camera operator based in Glasgow, Scotland.
Having recently graduated from Edinburgh Napier University with his BA Honours degree in Television Cameron is now seeking work in the industry as a freelance camera operator and cinematographer.
Through his studies and other external work Cameron has had experience on a wide variety of projects, such as short films, where he has had experience shooting on cinema cameras such as the Ursa mini and the Arri Alexa, documentaries, live broadcasts and more. Cameron is also a keen writer having written and shot two short films, “A Date With Anxiety” and “To Dwell in Vanity”, which won the Clements Family Prize in 2019.
- Knowledge of a wide array of cameras, from DSLRs to television cameras.
- Training and experience using the Arri Alexa.
- Knowledge of the different variables of a camera such as ISO, aperture, shutter speed, FPS, resolution, white balance.
- Experience conducting interviews with the public and project contributors.
- Knowledge of camera theory and familiar with techniques such as leading lines and rule of thirds.
- Experience of sound recording on location.
- Experience of using Adobe software such as Premiere, After Effects and Photoshop.
- Experience producing and camera operating on a student studio show through my studies.
- Experience collaborating and shooting short form comedy for The BBC Social page.
- Hold a full clean driver’s license.
- Experience writing and formatting scripts for both factual and fictional pieces.
- National Theatre Of Scotland, (SHIFT: Transmission, FutureProof: Transmissions) (Feb 2018, Oct 2018)
- Shot and edited weekly behind the scenes content for their social media platforms.
- Worked as a team for each weekly episode to ensure that episodes were delivered by a deadline.
- Was involved through the college for the SHIFT: Transmissions project but was then commissioned outwith the college for the FutureProof: Transmissions project.
- Assisted a school student in producing their video for the FutureProof:Transmissions project.
- #IPlay4Peace Armistice Concert (Nov, 2019)
- Camera operator as part of a multicam shoot.
- Worked as part of a team taking direction from the project director.
- Assisted in the transportation and set up of equipment.
- Runner with Mentorn: Debate Night (Nov, 2019)
- Meeting and greeting important guests and panellists.
- Making cups of coffee for cast and crew.
- Greeting the audience and making sure their needs are catered for.
- Assisting with set up of the set.
- Live Gig/Session Filmings (2018 – 2019)
- Shot and edited multiple gigs and live sessions all around Glasgow.
- Created content as both a photographer and videographer for bands social media pages.
- Experience filming both individually and as part of a multiple camera set up.


Austin Wright’s novel “Tony and Susan” is a dazzling achievement: simultaneously a riveting portrayal of the experience of reading and a page-turning thriller, written in startlingly arresting prose. It is also a novel about fear and regret, revenge and aging, marriage and creativity. It is simply unique. The novel was originally published in 1993, whereas its reprinting has been described as the return of a modern classic. Fifteen years ago, Susan Morrow left her first husband Edward Sheffield. One day, comfortable in her home, and her second marriage, she receives, entirely out of the blue, a parcel containing the manuscript of her ex-husband's first novel. He writes asking her to read the book; she was always his best critic, he says.
As Susan reads, she is awed by the skillful, harrowing story—a story that real-world readers of Tony and Susan will encounter in its entirety. It’s about a man, Tony, whose wife and daughter are abducted by some menacing men in the middle of the road. And as Tony copes with the aftermath of this violent incident, Susan copes with the memories of her dead marriage and the realities of her current domestic situation. Susan and Tony seem to speak to one another, the way any attentive reader feels that he is speaking with the characters on the page. It takes the reader to live in Susan's head as Tony's story brings to the surface her thoughts on how she has lead her life.
Susan enjoys Edward's novel and finds herself sympathizing with Tony. She decides to invite Edward over for dinner the night he is in town in order to discuss his work, but Edward never calls despite the fact that Susan leaves several messages at his hotel. The following day, having discovered he has checked out, she writes a thoughtful piece of criticism for him and then trashes it, sending him a brief note instead telling him she will give him her thoughts if he would like them. The novel was adapted into a screenplay by Tom Ford and developed into the 2016 film Nocturnal Animals, directed by Ford, which was released to positive reception. Following the adaptation, the book was again republished, with a new cover and the updated title of Nocturnal Animals, corresponding with the film's release.


The Pancake Epidemic and DreamWorks Animation are proud to present a newly commissioned work by contemporary artist, Dashiell Manley created for the Felix The Cat Room at TPE. An investigation into the moving image, the work highlights the animation process through a series of Preston Blair walk cycles. These works placed in the context of the Felix the Cat room underscore the longstanding relationship between Felix the Cat, cinema and contemporary art.
Small Walk Cycle (number)
Watercolor, gouache, ink, gesso, absorbent ground, aluminum, wood, paper, pastel, polymer medium, lighting gels, acrylic sheet, steel
These works were inspired by a moment in which I was trying to bridge two areas of my practice; painting and film. I was looking to come up with a physical yet static articulation of the cinematic moment, or cinematic event. While watching a projected film it occurred to me that the purest moment of cinema seemed to exist in the beam of light from the lens of the projector to the surface of the screen. This led me to consider the negative spaces that artworks occupy, the space between the back of the work and the wall, the bottom of the work and the floor, and so on. In addition, the works were generally finished with an incision, thereby creating an aperture in which light could pass ( the space between the lens and the screen).
For the last 5 years my work has dealt with animation in different ways, usually projects resulting in short stop motion films. I see this project as a proposal of sorts. While no actual film was ever made, I see the exhibition space that these works occupy as the projection screen, the works as mechanical aspects of the projectors, and the viewers as main performers. The figurative aspects of the works consist of reproductions of the Preston Blair walk cycle, both pointing back at the history of animation, in addition to nudging the viewer forward in their attempt to actually walk around the works.


By accessing and using this Site, you agree to be bound by all Pakistan's applicable laws and regulations. Any user promoting videos containing Religious Hatred contents will be banned and reported to email@example.com
On this episode of Collider Movie Talk (Wednesday September 13th, 2017) Mark Ellis, Jon Schnepp, John Rocha, David Griffin, Ashley Mova and Wendy Lee discuss the following:
1) Star Wars Episode 9 moves from May to December 2019; JJ Abrams director discussion
2) Disney sets release dates for Aladdin and more following Star Wars shift
3) First full trailer released for The Disaster Artist
4) First trailer released for Downsizing starring Matt Damon
5) 47 Meters Down Sequel coming entitled 48 Meters Down
6) Mail Bag
7) Live Twitter Questions
Now that JJ Abrams has been confirmed as director on Star Wars Episode 9, Disney has shifted release dates for a number of films, including Episode 9 in order to accommodate his hiring. The movie was set for a May 29, 2019 release but now, the ninth Star Wars film in the Skywalker Saga will arrive in theaters on December 20, 2019.
While Disney’s biggest announcement yesterday involved moving Star Wars from May 2019 to December 2019, the Mouse House also officially dated a number of other major studio releases we can expect to see over the next few years. The most notable changes include Aladdin now taking on the empty Star Wars date of May 24th, 2019 and the Untitled Christopher Robin Project that stars Ewan McGregor moving to August 3rd, 2018;
BUY OR SELL
A24 has released the first, full trailer for The Disaster Artist. Directed by James Franco and written by (500) Days of Summer’s Scott Neustadter and Michael H. Weber, the film follows the making of Tommy Wiseau’s The Room, the infamous cult film that’s often cited as one of the worst movies ever made.
Paramount Pictures has released the first teaser for Downsizing. The upcoming dramedy takes place in a world where Norwegian scientists have solved overpopulation by shrinking people down to the size of action figures. With the promise of great wealth and a new life, a married couple decides they want to give the irreversible process a go.
THR reports that the surprise hit of the summer, 47 Meters Down, is getting a sequel entitled - you guessed it - 48 Meters Down. Director Johannes Roberts returns to write and direct the project, in a story set in Brazil about a group of girls who find some hidden underwater ruins inhabited by Great White Sharks. There’s no word on a production start or release date.
LIVE TWITTER QUESTIONS
Check out the YouTube Playlist for Awesometacular: https://www.youtube.com/playlist?list=PLayt6616lBckuUHPMdwFINi_vcyc-ysnC
Follow us on Twitter: http://www.twitter.com/ColliderVideo
Follow us on Instagram: http://www.instagram.com/ColliderVideo
Follow us on Facebook: https://www.facebook.com/colliderdotcom


Watch trailer: vimeo.com/378578655
The Search is a short film that features in Thanatos, a multisensory touring exhibition centring on an eponymous original perfume that evokes the scent of a decomposing body in a woodland.
Supported by Arts Council England.
Exhibition and screening schedule:
9 Jan - 23 Feb 2020: Phoenix Cinema & Art Centre, Leicester (www.phoenix.org.uk/event/th...)
26 Feb - 31 Mar 2020: Constantine Gallery, Teesside University, Middlesbrough
2 Apr - 6 May 2020: The Old Operating Theatre Museum, London (Postponed due to Covid-19 pandemic)


When my boyfriend first heard \"Call Me Maybe\"
Mr. Darcy: hey, I just met you
Mr. Darcy: and this this crazy
Mr. Darcy: but I'm going to act coldly distant to you for a long time, , then awkwardly admit my undying love to you and save you from liking a horrible liar and gambler, then propose to you, telling you I love you not for your beauty but for your mind.
Mr. Darcy: so call me maybe.
so after i saw the avengers
these two girls, no older than eight, were standing outside the theatre with their parents, and i overheard their conversation.
girl 1: so which guy was the cutest?
girl 2: loki! duh!
girl 1: uh no it was hulk
girl 2: YOU WEIRDO!
girl 1: you're the weirdo!
their dad: actually, you're both weirdos, captain america was the cutest


SEE STATIC AT SOUTHERN REP THEATER IN NEW ORLEANS THURSDAY, APRIL 30, FRIDAY, MAY 1ST, AND SATURDAY, MAY 2ND. MORE INFO AND TICKET LINKS TO COME!
"Static... A story that trickles like a warm, trippy Jim Morrison poem into a dark, colder ocean, accompanied by live original music reminiscent of an old CD by 'The Cure.' A beautifully crafted masterpiece interweaving theater, music, and moving pictures. *****"
- Ian Pickles & Co. Media, Edinburgh Festival Fringe
"...Orignal and mesmerizing. This wasn't your typical stage production."
-Analog Artist Digital World
"The best stories are personal, yet universal. STATIC has that combination."
"Listeners will find themselves hypnotized and held warmly by the dark, lustrous tones."
-Ground Control Magazine
"Very touching, heartfelt story ... performed through both wonderful performances, great storytelling and music."
- Rob, Edinburgh Fringe Review
STATIC was conceived by actor / playwright Conor Kelly O’Brien after being inspired by the music of New Orleans musician, Daniel Amedee, who writes and performs under LIGHT SOUND.
ABOUT THE CREATORS
Conor Kelly O’Brien is a writer / arts administrator most recently seen Off-Broadway with the The Actors Company Theatre's (TACT) production of Arsenic & Old Lace and various featured television roles (The Deuce, Mysteries at The Museum). Conor has performed on stages across the country (Kansas City Stages, 59E59 Theatres, Pittsburgh Fringe, The Cell Theatre, Under St. Marks, Philadelphia Improv Theatre, etc). He is the co-founder and director of the Scranton Fringe Festival and a proud member of the New Vintage Ensemble.
Daniel Amedee is a musician, writer and actor from New Orleans, who writes and performs with his band, LIGHT SOUND. He's been touring full time since 2009 and has performed all over the US, Canada, Ireland, and England. He has been fortunate enough to work with industry notables such as Noel Hogan (The Cranberries), Pat Spurgeon (Rogue Wave), and Sylvain Carton (Beats Antique) to name a few. Daniel also recently published his first novel, Human World, with indie publishing house Boyle and Dalton.
STATIC is Produced and Directed by Michael Pillot.
STATIC has been performed at Scranton Fringe Festival, The Orlando Fringe Festival, Off Broadyway at 59E59 Theaters, and at the Edinburgh Fringe Festival.
Buy the music from the show on Vinyl, Cassette, CD, or Digital Download via BandCamp.


Main / Puzzle / Size zero full movie watch online
Size zero full movie watch online download
Watch Size Zero Full Movie Soundarya aka sweety Anushka Shetty is a carefree working girl who is a foodie and enjoys her life to the fullest But her mother Urvashi is worried about her obese daughter and all the grooms that she finds reject Sweety as she is fat Frustrated by all the rejections Sweety says No to Abhi Arya. Watch Size Zero Telugu Online Free, Watch Size Zero Telugu Full Movie, Watch Size Zero Full Movie Free Streaming Online with Telugu Subtitles ready for download, Size Zero p, p, BrRip, DvdRip, CapRip, Telesyc, High Zero Telugu Movie Torrent,Size Zero Telugu Torrent,Size Zero. Zero  Full Movie Download | Watch Online Full HD px. zero full movie watch online zero full movie watch online in hindi size zero full movie watch online size zero full movie watch online free size zero full movie watch online in telugu size zero full movie watch online in telugu free zero degree full movie watch.
Anushka shetty at size zero telugu movie audio launch pictures 4. Anushka shetty anushka in size zero movie gallery anushka shetty pinterest size zero. Anushka shetty to wear bikini in. Shruti hassan, arya, anushka shetty. Size zero tamil bluray rip full movie watch online free latest movies pinterest size zero. Watch Power Telugu Movie Online, Power Telugu Movie Watch Online Free, Watch Power Telugu Movie Free Online, Power Telugu Movie Free Watch Online , Power Telugu Full Movie Watch Free Online, Power Telugu Movie Free Online Download. The Legend of Michael Mishra () Full Movie Watch Online HD. Inji Iduppazhagi: Size Zero Tamil Movie Online - Anushka Shetty, Arya, Prakash Raj, Urvashi, Sonal Chauhan and Pavani Gangireddy. Find more movies like Arunachalam to watch, Latest Arunachalam Trailer, The movie revolves around Arunachalam (Rajini), who is the son of the VIP of a village who finds out about his.


Like a lot of people, I guess, I have done my share of TV watching. Early on in the pandemic, the good folks at MDK (Modern Daily Knitting) recommended Schitt's Creek as good fun. Having had my COMPLETE fill of made for TV Hallmark "movies", I was pretty much ready to try anything. So, for a delightful month or so, my husband and I binge watched Schitt's Creek. The MDK people set me up by saying yes, it's a comedy, but watch for the love. So, basically, I was already primed to love it.
Not disappointed. LOVED this show. We have seen all the episodes at least twice...well, ok, maybe three times. David. Patrick. Johnny. Yes, look for the love. ❤❤❤
P.S. Want to see the newest silver earrings?? Sure! Click HERE to shop. Full disclosure, they are currently sold out but I'll make a pair just for you! 👌