Roar: Tigers of the Sundarbans - A Thrilling Adventure in the Wild
Roar: Tigers of the Sundarbans is a 2014 Hindi-language film that takes you on a daring mission to face the most feared predator of the jungle - the white tiger. The film is directed by Kamal Sadanah and stars Abhinav Shukla, Himarsha Venkatsamy, Subrat Dutta, Nora Fatehi, Ali Quli Mirza and others.
The film follows Pandit (Abhinav Shukla), a commando who loses his brother Uday (Pulkit Jawahar), a photojournalist, to a white tigress in the Sundarbans, a vast mangrove forest that spans India and Bangladesh. Pandit vows to avenge his brother's death and assembles a team of elite soldiers to enter the prohibited core area of the forest, where the tigress and her cub are hiding. However, they soon realize that they are not only up against a fierce animal, but also the hostile environment and the local villagers who worship the tigress as their goddess.
Roar: Tigers of the Sundarbans is a visually stunning film that showcases the beauty and danger of the Sundarbans, as well as the animal-man conflict that plagues the region. The film features spectacular aerial shots, realistic special effects and thrilling action sequences that keep you on the edge of your seat. The film also boasts of an international crew, including LA-based cinematographer Michael Watson, Scandinavian helicam team and Academy Award winner Resul Pookutty for sound design.
Roar - Tigers Of The Sunderbans movie 720p download
Roar: Tigers of the Sundarbans is a rare film that explores a unique concept and delivers an entertaining and engaging experience. The film was premiered by Salman Khan in Mumbai on 31 July 2014 and released on 31 October 2014. The film received mixed reviews from critics, but was praised for its novelty, editing and computer graphics. The film is available to watch on Prime Video.
Roar: Tigers of the Sundarbans was made on a modest budget of 150 million rupees, but faced a tough competition at the box office from other releases like Happy New Year, Super Nani and The Shaukeens. The film opened with a low collection of 15 million rupees on its first day, and managed to earn around 50 million rupees in its first week. The film's total domestic gross was estimated to be around 83.8 million rupees, making it a flop at the box office. However, the film did receive some appreciation from the audience for its daring attempt to make a film on a rare subject and its technical excellence.
Roar: Tigers of the Sundarbans is not just a film, but a tribute to the majestic creatures that inhabit the Sundarbans and the challenges they face due to human interference. The film also raises awareness about the importance of conservation and coexistence between man and nature. The film is a must-watch for anyone who loves adventure, wildlife and thrill.
Roar: Tigers of the Sundarbans is not only a film, but also a passion project for its director and co-writer Kamal Sadanah, who spent four years researching and developing the film. In an interview, he said that he was inspired by the stories of the Sundarbans and the white tiger, and wanted to make a film that would showcase the beauty and mystery of the region. He also said that he faced many challenges while shooting the film, such as dealing with the weather, the terrain, the permissions, the logistics and the safety of the crew and the animals. He said that he was grateful to his producer Abis Rizvi, who supported his vision and invested in the film.
Roar: Tigers of the Sundarbans also features an ensemble cast of talented actors, who played their roles with conviction and dedication. Abhinav Shukla, who played the lead role of Pandit, said that he underwent rigorous training to prepare for his role as a commando, and also learned how to handle weapons and perform stunts. Himarsha Venkatsamy, who played Jhumpa, said that she enjoyed working with the tigers and was amazed by their intelligence and grace. Nora Fatehi, who played CJ, said that she had a lot of fun shooting in the Sundarbans and was impressed by the director's vision and creativity.
Roar: Tigers of the Sundarbans is a film that deserves to be watched and appreciated for its bold and innovative attempt to make a film on a subject that has never been explored before in Indian cinema. The film is a testament to the director's passion, the producer's faith, the cast's talent and the crew's hard work. The film is a thrilling adventure that will keep you hooked till the end. 29c81ba772


Bollywood blockbusters have covered almost all sorts of genres and themes, with sports being the most epic. From Priyanka Chopra to Aamir Khan, all our top actors have their share of remarkable sports films. With a great history of the nation in sports, movies made on inspiring stories of sportspersons take us on an emotional and enjoyable ride.
India has been blessed with some of the great sportspersons like Milkha Singh and MS Dhoni; who have risen above their personal limitations and achieved something for themselves and the nation. Such stories motivate the filmmakers to portray their journey on big screen. Let’s have a look at some of them.
1. MS Dhoni: The Untold Story
It is based on the life of former Captain of the Indian Cricket Team, Mahendra Singh Dhoni. MS Dhoni, one of the India’s great cricketers totally deserved this biopic. The movie was released on September 30, 2016 and chronicles the life of Dhoni from a young age. The film stars late Sushant Singh Rajput as MS Dhoni, Kiara Advani, Disha Patani and Anupam Kher.
It describes the story of a young boy who tries to please his father by working for Indian Railways, but ultimately decides to follow his dream of playing for the Indian Cricket Team. Sushant Singh Rajput did a great job in replicating his personality.
2. Mary Kom
Mary Kom is another of the great biopics that deserves a must watch. It describes the journey of Mary Kom to become a boxer and to her victory at 2008 World Boxing Championship.
It stars Priyanka Chopra in the lead role, who played her role with all the grace. Her efforts at learning boxing and putting muscle strength are quite visible and impressive. She played the role of a boxer as well as a mother and the various shades of her role seemed quite authentic.
3. Bhaag Milkha Bhaag
Bhaag Milkha Bhaag is another epic story of ‘the flying Sikh’, athlete and Olympian Milkha Singh; who was a champion of the Commonwealth games. It depicts how Milkha Singh overcame massacre of his family and India-Pakistan partition and became the one who represented India at international sports.
It is the 6th highest grossing bollywood film of 2013 worldwide. In terms of physical transformation, no other actor managed a better impact for the role than Farhan Akhtar. The kind of athletic look that Farhan Akhtar gave provides an exact reflection of the real Milkha Singh.
Dangal is a story of a family, where a wrestler Mahavir Singh Phogat trains his daughters Geeta Phogat and Babita Kumari for Commonwealth games. Aamir Khan perfectly plays the role of Mahavir Singh, who gives up on his dream to win a gold at Olympics due to family responsibilities.
But, later, trains his daughters in order to fulfill his dream, despite the stigmas of society. And finally, his daughters fulfill their father’s dream of winning a gold for India in wrestling. It is a movie that inspires us to dream and believe that your hard work never goes in vain.
Starred by Parineeti Chopra, Saina is the most recent biopic of a badminton player, Saina Nehwal; who ranked number one in the sport. It is an inspiring story that features financial hardships and various ups and downs in the career of Saina Nehwal. It also shows how people connected with her contribute to her unbreakable spirit. Moreover, it is her mother whose fierce ambition to see her daughter as world no 1, contributes to her success.
These were some of the most amazing and inspiring biopics. And if, by chance, you’ve missed a movie, then go and watch it as they’ll just blow you up with the marvelous plot and execution. All these movies are based on true events and show how an ordinary man is able to fulfill his dreams by not giving up.


Andreas was born and grew up in Hamburg, Germany. As a young boy he dreamed of becoming a tennis pro, but that’s simply not where life took him. After high school he pursued a career in the advertising universe. He gained experience as a production assistant at Germany’s biggest and well known production company Markenfilm. Within one year and after tagging along various film shoots he worked six more months with Jung von Matt, one of the world's most creative ad agencies, as a junior editor. In that time he also spent some time in the TV world at the NDR and parallel shot a bunch of personal short films and spec commercials. He began his directing career with his first client commercial at the age of 21 before enrolling at film school.
Andreas quickly gained momentum with a viral film for „Dirt Devil“ which accumulated over 30 million views on Vimeo and officially was titled the 5th most viewed online film of 2011. The film is also part of the permanent collection of the Museum of Modern Art in NYC. Andreas partnered with top agencies like R/GA, Publicis, JWT, WCRS, TM, Heimat, André, Leo's thjnk tank, Serviceplan and Jung von Matt. He has helmed campaigns for clients like BMW, Heineken, Mc Donald's, O'Neill, Opel, Fila, Uniqlo and more. He won The Young Director Award in Cannes two times and was honored at the prestigious Saatchi & Saatchi New Directors Showcase along with winning numerous other accolades and shortlists at festivals and marketing conventions. Including Cannes Lions, D&AD, ADC, Epica, Eurobest and NYC Festival, to name a few. He received a scholarship for the UCLA Film Academy Masterclass in Los Angeles and graduated from the esteemed Film Academy Baden-Württemberg in April 2014. Due to his last work he caught the attention of Ridley Scott and his well known company RSA Films. For feature film Roth is representend by CAA.
Most recently, Andreas shot visually enthralling films for UNIQLO with Novak Djokovic and Kei Nishikori as well as a spot for LEXUS. Andreas is a multi-disciplined director who loves to create films with a cinematic look and a distinctive, textured style – he definitly has his indiviual handwriting.


THE HOBBIT: THE DESOLATION OF SMAUG - [ movie website ] [ movie trailer ]
Starring: Ian McKellen, Martin Freeman, Richard Armitage, Cate Blanchett, Orlando Bloom, Christopher Lee, Hugo Weaving, Evangeline Lilly, John Bell, Jed Brophy, Adam Brown, John Callen, Benedict Cumberbatch, Luke Evans, Stephen Fry, Ryan Gage, Mark Hadlow, Peter Hambleton, Stephen Hunter, William Kircher, Sylvester McCoy, Graham McTavish, Michael Mizrahi, James Nesbitt, Dean O'Gorman, Lee Pace, Mikael Persbrandt, Ken Stott, Aidan Turner
Director: Peter Jackson
Synopsis: "The Hobbit: The Desolation of Smaug" continues the adventure of the title character Bilbo Baggins as he journeys with the Wizard Gandalf and thirteen Dwarves, led by Thorin Oakenshield, on an epic quest to reclaim the Lonely Mountain and the lost Dwarf Kingdom of Erebor. Having survived the beginning of their unexpected journey, the Company continues East, encountering along the way the skin-changer Beorn and a swarm of giant Spiders in the treacherous forest of Mirkwood. After escaping capture by the dangerous Wood-elves, the Dwarves journey to Lake-town, and finally to the Lonely Mountain itself, where they must face the greatest danger of all - a creature more terrifying than any other; one which will test not only the depth of their courage but the limits of their friendship and the wisdom of the journey itself - the Dragon Smaug.
MPAA Rating: PG-13 - for extended sequences of intense fantasy action violence, and frightening images.
Genres: Adventure, Fantasy
TYLER PERRY'S A MADEA CHRISTMAS - [ movie website ] [ movie trailer ]
Starring: Tyler Perry, Kathy Najimy, Chad Michael Murray, Anna Maria Horsford, Tika Sumpter, Eric Lively, JR Lemon, Alicia Witt, Lisa Whelchel, Larry the Cable Guy
Director: Tyler Perry
Synopsis: Madea gets coaxed into helping a friend pay her daughter a surprise visit in the country for Christmas, but the biggest surprise is what they'll find when they arrive. As the small, rural town prepares for its annual Christmas Carnival, new secrets are revealed and old relationships are tested while Madea dishes her own brand of Christmas Spirit to all.
MPAA Rating: PG-13 - for sexual references, crude humor and language.
ANCHORMAN 2: THE LEGEND CONTINUES - [ movie website ] [ movie trailer ]
Starring: Will Ferrell, Christina Applegate, Steve Carell, David Koechner, Paul Rudd, Kristen Wiig, James Marsden, Dylan Baker, Meagan Good, Harrison Ford, Greg Kinnear, Josh Lawson, Vince Vaughn, Luke Wilson, Nicole Kidman
Director: Adam McKay
Synopsis: With the 70's behind him, San Diego's top rated newsman, Ron Burgundy (Will Ferrell), returns to the news desk in "Anchorman 2: The Legend Continues." Also back for more are Ron's co-anchor and wife, Veronica Corningstone (Christina Applegate), weather man Brick Tamland (Steve Carell), man on the street Brian Fantana (Paul Rudd) and sports guy Champ Kind (David Koechner) - All of whom won't make it easy to stay classy ... while taking the nation's first 24-hour news channel by storm.
MPAA Rating: PG-13 - for crude and sexual content, drug use, language and comic violence.


If I’m honest, I don’t really like Christian movies. I’ve seen a few, and while I usually get something personal out of it and I find it edifying for my own faith, I still cringe every time I watch one. There’s just something about the forced message, or the acting, that diminishes the messages power. Or maybe it’s the portrayal of the Gospel that sometimes seems weak. I wish that Christians in the film industry would make something truly artful, that the message behind a compelling a story was more subtle, and that a “Christian movie” could be disguised as mainstream in order to reach a wider audience.
I went into the theater for Unplanned with this in mind. However, this particular “Christian movie” is far more compelling than any other Christian movie I’ve seen before? Why? Because it’s about abortion. Abortion is the silent genocide of our day. In a culture that prides itself in fighting for equal rights this particular issue has gone by the wayside and only the “pro-lifers” care to fight for the rights of the babies in the womb.
This movie is more than just a Christian movie right now. It’s a cry for our culture to wake up and recognize that we are silently killing off our own human race for the sake of convenience, for the sake of ‘women’s rights’, for the sake of personal freedom. If this movie helps save any lives at all who could have been lost to abortion I will be all for that.
So here’s my honest reaction to seeing the movie Unplanned. Did it have Christian movie cringe-worthy moments? Keep reading to find out.
The movie was incredibly powerful and emotional. I expected this and was not disappointed. Abby Johnson’s real life story is incredibly eye opening and she was the perfect person to base a movie like this off of. Right away you are drawn into her life and her story and the ride is heart-wrenching and thrilling all at the same time.
I didn’t care for the pacing of the movie or the initial narration. I think the story could have been told just as well without the narration in the beginning. The flashbacks were a bit confusing to me and I was left wanting more details about certain events of her life because I didn’t catch which event happened when.
Along with the pacing of the movie is the editing. The main story is centered around Abby’s “conversion” if you will regarding her complacent and pro-choice stance to the total opposite. However, once the conversion takes place she has to take action. This is where the pacing felt off to me. The court trial was anticlimactic. I felt like that could have been the driving event of the entire movie. I’m sure during the process Abby was forced to recall many details of her past, even if it wasn’t directly brought up in court. I wished there was a courtroom scene where we saw everyone in there together hashing it out in front of a judge but we didn’t get to see any of that at all. Just “this isn’t over” from Abby’s Planned Parenthood boss, Cheryl. That was just a bit anticlimactic for me. I think it also would have been fun to see Abby being depicted in the many interviews she did on TV with various news hosts. But instead, the movie ends after the Planned Parenthood clinic she used to run closes.
Let’s talk about the acting. The actress who played Abby Johnson did a stellar job. I felt her performance was convincing and moving. If you look her up online you will quickly find interviews and videos of her explaining how AFTER she accepted the role, knowing that Hollywood might blacklist her from any future gigs, she found out that her mom had almost aborted her. The actresses mother was in the clinic room on the table and suddenly had a change of heart and walked out. If that doesn’t give you chills I don’t know what will. Clearly, God knew from the very start, that this actress would have her own powerful story to share as she stepped into a vital movie-role for the pro-life movement. Was that unplanned? I think not.
The woman who played Cheryl (the Planned Parenthood boss) also did a phenomenal job depicting this character. She was fierce, intimidating, and evil. I do not know what this woman in real life is like but I can infer that this character was used as a representation of Planned Parenthood as a whole. The organization, when it comes down to it, is hungry for profits not hungry to help women in need. The abortion industry is a business and the movie did a fair job explaining the ins and outs of what that actually looks like. Cheryl at first, draws Abby in and prunes her for advancement but then when betrayed tries everything to devour her.
As far as the rest of the characters, most of them supporting, they were okay. I actually felt like the rest of the Planned Parenthood workers were very believable too. They were warm and friendly and seemed completely naive that they might be doing anything wrong by working in the abortion industry. I was glad they were depicted this way. Abby’s family was okay in the film too. The protesters and 40 days for life crew were okay too.
Speaking of the protesters. The movie was honest in showing that some people on the pro-life side carry their position poorly. Shouting at fences, holding up bloody images, spewing condemnations at vulnerable women, etc… none of those things are effective or helpful! Then, the people who were with the organization “40 days for life” were the opposite, they were gentle and kind and not condescending and not approving of the other style of protest.
I like that they made this point to show the difference because just like we hope for our world to wake up to the atrocity of abortion, the pro-life camp needs to also wake up to where we’re getting it wrong. Where are our words or actions more hurtful than helpful? We need to be able to see our weakness in order to grow stronger. Pro-choice people who are thinking of changing their stance will be more inclined to do so if they don’t see us as condemning.
As far as any cheesy Christian movie moments? There were a few. I felt like a lot of the pro-life characters (the people with 40 days for life and Abby’s family) were a little flat. They just were not very interesting or compelling to watch. The acting was mediocre and I wished there had been more raw emotion. Some of those scenes just seemed very scripted and I was very aware I was watching a written-for-the-screen movie. When you watch a movie you want to get lost in the story and forget that you’re watching a movie, but unfortunately I didn’t feel that way the entire the time (sometimes I did – like during the abortion scenes). I also felt that everyone in this movie looked too good all the time. Most of the hairstyles were all the same (not everyone in real life curls their long hair the same way every single day) and the clothing and make-up looked way too polished to feel believable. It’s okay to have actors ‘look normal’ in a movie and not be so put together. I don’t know why this bothers me but it does. Everyone looked too pretty and it bugged me.
Now, I would like to address the most controversial aspect of this film, the reason it has an R rating: the abortion scenes. There are a few of them. I am only going to address the most memorable ones for myself as a viewer. One scene is when Abby Johnson undergoes a chemical abortion. Basically, she takes some pills that induce labor and what follows is a grisly scene in her home bathroom where she endures a traumatic passing of the fetus.
The other scene is the one surrounding her “conversion” where she witnesses an ultrasound guided abortion on the monitor. What the previews don’t show you is that you see the blood being sucked through a tube. It’s actually hard for me to write that and think about it too much because it makes me feel sick.
I believe these scenes (and others) are appropriate to warrant an R rating. If you don’t have a strong stomach, don’t see the movie. If you want to understand the reality of what an abortion actually looks like, see the movie. I would argue that, in today’s culture, it is better to be fully aware and exposed to what an abortion is than to not be. So, see the movie, because this is important.
Watching these scenes gave me a better understanding of the trauma that a woman goes through when undergoing an abortion (any kind too!) and I feel more compassion and heartache for their experiences. I hope that this movie can help give women something to relate to and that it can bring them some healing.
I found it interesting that on IMDB the R rating for Unplanned says it is for “some disturbing/bloody images”. Yes, that’s true – it is disturbing and bloody. However, for the movie Hacksaw Ridge it is rated R for “intense prolonged realistically graphic” war scenes (I’ve seen this movie so I can attest to the truth of this statement), “including grisly bloody images”. Maybe it’s just me, but I would describe the abortion scenes in Unplanned as grisly. They are not “prolonged” but they certainly are “realistically graphic”.
There was also one scene in particular where the writers had a perfect opportunity to explain the Gospel. I believe it was a scene where Abby is asking her husband how God could ever forgive her. His response was simple, “Because He is God.” It’s not that this isn’t true… but it was a perfect moment to talk about Jesus and the sacrifice He made for us and that His blood covers our sin! But…I guess that would have been too much Christian propaganda for an already intense film? I don’t know…but it was disappointing not to have taken advantage of that perfect opportunity to share the Gospel of Jesus. Oh well… *facepalm*
If you want to read an interesting Pro-Choice Review start here. If you want to go read some real haters just go to google, you’ll find a bunch pretty easily.
I’m going to wrap up this blog – I know it is long. I know it isn’t very polished either but I really wanted to share my thoughts on this movie and wanted to do it sooner than later.
Nick and I would like to see the movie again sometime and write something a little more polished and detailed. It’s been a couple weeks since I’ve seen it now so the content isn’t as fresh. Next time we see it I will take a few notes. Even though I had a few criticisms of the movie I believe the pros far outweigh the cons. This movie is a powerful story, a true story, and it has been and will continue proving to a pivotal tool in helping to save the future of our children, helping bring healing to post-abortive women, and helping abortion industry workers to get out of their field and also find healing. I hope you go see the movie and would love to know what you think.


Two years ago, Islamist militants were bombing cinemas in the Pakistani city of Peshawar and the region’s Pashto-language film industry had ground to halt. But security has improved dramatically, and Peshawar’s filmmakers are now back at work and cinemas have reopened. Why going to the movies is such a big deal in Pakistan Aamir Saeed/IRIN Why going to the movies is such a big deal in Pakistan Historically, Peshawar, the capital of northwestern Khyber Pakhtunkhwa Province, has been at the heart of Pakistan’s Pashto-language film industry.
Read the original here:
As Islamist militancy wanes, Pakistan’s Pashto filmmakers bounce back


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It is said that if there is a spirit in the mind and there is a desire to do anything, no matter how many adverse circumstances it may happen, one can not prevent the person from succeeding. And prove this to be the case of Robert Downey Jr, who knows the world as Iron Man and Tony Stark.
In the year 2015, Robert Downey Jr was the highest earning actor in the world. But what is the secret to the success of this great actor in the world? And how he reached such a big point, the story behind it is also very interesting and inspirational.
And Robert had to face a lot of difficulties to reach such a big point. It has become a superstar out of such a bad situation, if someone gets in that situation, then there is no other way than to end his life. So let’s know while not late, the biography of Iron Man.
Robert Downey Jr(Tony Stark, Iron Man) Wiki, Biography, Wife, Height, Age, Family, Father, Net-worth
|Bio And Personal Info.|
|Real Name||Robert John Downey Jr.|
|Nickname||RJD, Bob, Bob Downey|
|Date Of Birth||April 4, 1965|
|Age In 2019||54 years|
|Birth Place||Manhattan, New York, U.S|
|Home Town||Greenwich Village|
|School||Santa Monica High School|
|Hobbies||Martial Arts Wing Chun|
Robert Downey Jr Wiki, Biography
Robert Downey Jr was born on 4 April 1965 in Manhattan New York, America. Robert Downey Jr father’s name was Robert Downey Sr, and the mother’s name was Elsie Ford. Robert Downey Jr father was a filmmaker, director, and actor, his mother was an actress. From the time he was five years old, he used to play a small role in his father’s films. He played a dog in the 1975 film Pound. After that, he worked at Graysar’s Palace in the year 1972. Apart from this, he also worked in some plays and television shows. After that, he worked in films like Less than Zero, Air America, Chances R.
Robert Downey Jr Drug Addiction
Robert’s father was a Drug Addict and seeing his father, he started taking drugs only at a very young age. Robert was a child at that time, he did not understand much about all of these things, he also consumed drugs like his father, until he was 8 years old, he became addicted to drugs. Robert’s childhood was very difficult Because when he was younger his parents had divorced after that, he lived with his father in Los Angeles and used to drink drugs even here.
As his age progressed, his habit of taking drugs was also increasing. And at the age of 20, it increased so much that he felt that if the drugs were not found, he would go crazy. Due to drug addiction, he had to go to prison several times.
Also Read Tom Cruise
Robert Downey Jr Education
Friends Robert studied his school from Santa Monica High School, but when he turned 16, he left his studies and returned to his mother to New York and again went to the movies and from 1983 to 1990 He worked in many films because of which he started appearing in the eyes of people, but till now he was not able to get rid of drug addiction. In the Year 1990 Robert tried to get rid of drugs many times but every time he found disappointment, but with that his Hollywood career was moving very fast, he made an image of the best actor in the eyes of the media and some of his films have been quite a hit, including the Soapdish and the shortcut film.
Get Rid of Drugs
Once in drug addiction, he slept on his neighbor’s bed as his bed. For this, he was given the necessary training for three years to get rid of drug addiction, in which he failed. So they were arrested again. His habit of taking drugs had increased so much that he always used to carry drugs.
Once it was caught with drugs and guns. And again he was sentenced to leave the drug for three years. And this time he also felt that the drug was ruining his lives, so they decided to leave the drug. And when he came out of jail three years later, his habit of taking drugs was completely finished. Robert Downey Jr’s wife Susan also gave him the courage to leave drugs.
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Turning Point of Robert Downey Jr
After his drug addiction, he made a comeback in his career, and fortunately, he got the role of the main character in the blockbuster film Iron Man of the year 2007. The movie Iron Man became a superhit, it became a super hit with the name of the Iron Man. His acting was very much liked in this film and he got great love from the whole world After that, films like Iron Man 2 made him such a success that he became the world’s largest star in 2015. and after that his every film was called Blockbuster and after that, he worked in many big films, including Avenger. Captain America Civil War | And Avenger Infiniti War includes friends today, Robert knows the whole world as Iron Man.
Robert Downey Jr Wife
In 1992, Robert married, a girl named Dabora Falconer, and stayed away from disputes for about 3 to 4 years, when there was a good time in his life, then there was another problem in his life when he was involved in the drugs He was caught and spent 1 year in jail. This time was the hardest time of his life, after his wife Deborah Falconer sent him a divorce notice, even after 2001 he had been arrested several times.
When Robert was fully freed from prison, in 2004, he had a good time in his life when he met a girl named Susan, they fell in love with each other, and he got married in 2005,
Susan married Robert and demanded that if Robert had to live with Susan, Then he would have to leave the drugs. Robert chose Susan over drugs, and he took up courage and started leaving the drug addiction It was difficult at the beginning but Robert quit this addiction by courage.
Robert Downey Jr Networth
Robert Downey Jr networth is approx. $300 Millions.


Yeh Hai Mohabbatein 19th December 2018 Written Episode, Written Update onThe Episode starts with Rohan and Karan leaving on a bike. Ruhi. 19 Dec 2018. Yeh Hai Mohabbatein. DS Hero. 0 Comments. Todays telecast of Yeh Hai Mohabbatein 19th December 2018 in 720p High Definition can be watched online on DailyMotion below. Watch this Star Plus television serial, Yeh Hai Mohabbatein in high quality for 19th December 2018. Drama Serial Yeh Hai Mohabbatein 19th December 2018 video Watch Online. Star Plus Drama Serial Yeh Hai Mohabbatein episode 1634 Full Episode. HD Quality Video.
Yeh Hai Mohabbatein 19th December 2018 Episode updates involve the following events. Rohan tells his brother that at night he got a letter from their mother and she is planning something great so we need not worry. Simmi tells Ishita and Raman that he got a message from the bank and Param got this huge amount from somebody she does not know. Yeh Hai Mohabbatein 19th December 2018 Written Episode Update: Today's YHM 19 Dec episode starts with Karan and Rohan going to baba road. Ruhi and Alia reach their destination. On the call, Sudha tells the goons to harass Ruhi and Alia. Karan and Roh. TV Serials; Yeh Hai Mohabbatein 19th December 2018 Episode Written Updates: Param sold Ananya’s heart. Simmi will go in the team of Sudha in the episode of Yeh Hai Mohabbatein. Star Plus Yeh Hai Mohabbatein 19th December 2018 Written Episode, YHM Written Update. Today’s 19.12.2018 Yeh Hai Mohabbatein episode starts with Aaliya. Star Plus November 19, 2018 Yeh Hai Mohabbatein Leave a comment Video watch online Yeh Hai Mohabbatein 19th November 2018 full Episode 1613 of Star Plus drama serial Yeh Hai Mohabbatein complete show episodes by starplus today Yeh Hai Mohabbatein episode 1613.
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Yeh Hai Mohabbatein 19th December 2018 Written Episode Update: Rohan and Karan play a drama. December 19, 2018 Written Updates Leave a comment. Yeh Hai Mohabbatein 19th December 2018 Written Episode, Written Update on Tellyupdate.co.in. The. 10/12/2018 · Yeh Hai Mohabbatein 27th December 2018 Full Episode Star plus Ye Hai Mohabbatein 27 December 2018 Full Today Episode Yeh Hai Mohabbatein 27th December 2018 Latest Latest Episode Telly News Kya News Star Plus 2018 YehHaiMohabbatein Ishita Raman Ruhi Adi Nidhi Aliya Adi Shagun StarPlus DivyankaTripathi KaranPatel TELLY. Yeh hai mohabbatein. 40K likes. TV Show. See more of Yeh hai mohabbatein on Facebook. 24/12/2018 · Yeh Hai Mohabbatein - 25th December 2018 _ Starplus Today News YHM- Dailymotion. For You Explore. Do you want to remove all your recent searches? All recent searches will be deleted. Cancel Remove. Log in. Watch fullscreen. Watch Video Online Yeh Hai Mohabbatein 19th April 2018 Today Episode 1456 Star Plus in HD Video. HotStar drama Serial Yeh Hai Mohabbatein Episode 1456.
16/12/2018 · Yeh Hai Mohabbatein - 17th December 2018 Starplus News Yeh Hai Mohabbatein - 17th December 2018 Starplus News- Dailymotion. For You Explore. Do you want to remove all your recent searches? All recent searches will be deleted. Cancel Remove. Log in. Watch. Yeh Hai Mohabbatein December 19, 2018 Preview. December 19, 2018. in Entertainment, India, Nation, News. 0 0. 0. 34. VIEWS. ADVERTISEMENT. The upcoming episode is going to have us clap and do baby dance as something really unusual is going to.
Yeh Hai Mohabbatein 18th December 2018 Written Episode, Written Update on. The Episode starts with Raman getting the phone. Rohan says I doubt on them, why are they being good to. Karan Patel का छलका दर्द, Yeh Hai Mohabbatein और Divyanka Tripathi पर कही ये बात EXCLUSIVE. Yeh Hai Mohabbatein preview, October 19, 2018, episode: Raman warns Ishita that he'll break their relationship Description: Yeh Hai Mohabbatein preview: Raman will get to know that Ishita hasn't sent the jewelry to their family jeweler for polish. What will happen next? Yeh Hai Mohabbatein 03 September 2018 Full Episode Seriels Episode by SERIEL EPISODE. 0:17. Yeh Hai Mohabbatein Raman's Death by StarPlus. 0:31. 19. Yeh Hai Mohabbatein - 3rd December 2019 Star Plus Yeh Hai Mohabbatein Serial Upcoming Twist 2019 by DESIFEED Video. Yeh Hai Chahatein transl. This is Love is an Indian drama television series produced by Ekta Kapoor for Star Plus. It is a spin-off series of Yeh Hai Mohabbatein. It premieres on 19 December 2019 and stars Sargun Kaur Luthra and Abrar Qazi.
Watch Video Online Yeh Hai Mohabbatein 19th July 2018 Full Episode 1529 Star Plus in HD Video. HotStar drama Serial Yeh Hai Mohabbatein Episode 1529 full by Star Plus. Video Online Yeh Hai Mohabbatein 19 July 2018. Video Source: Star Plus Telecast Date: 19th July 2018 Video Owner: HotStar & Star Plus Official Website. HotStar Serial Yeh Hai Mohabbatein Episode 1528 full by Star Plus. Watch Yeh Hai Mohabbatein 19th July 2018 HD Video Online. Yeh Hai Mohabbatein 19 July 2018. Video Source: Standard Video Licence Telecast Date: 19th July 2018 Distributed by: Star Plus Official Website. Get latest News Information, Articles on Yeh Hai Mohabbatein Written Update Updated on September 19, 2018 22:24 with exclusive Pictures, photos & videos on Yeh Hai Mohabbatein. Rumours have re-surfaced about ‘Yeh Hai Mohabbatein’, with reports suggesting the Balaji Telefilms popular series ending in December. According to SpotBoye, the show is expected to end its six-year run in December, to make way for its spin-off series ‘Yeh Hai Chahatein’. ‘Yeh Hai Mohabbaten’ has been ruling its slot in India and. 19/03/2018 · Raman brings Ishita home from the hospital. Later, Ishita and Mihika find an unusual chemical on the pages of Raman's diary. Watch the latest and full episodes of Ye Hai Mohabbatein streaming on Hotstar. Watch Yeh Hai Mohabbatein a/an Hindi Romance TV Serial on Hotstar now.
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Yeh Hai Mohabbatein - Season 43: Ishita Is in Trouble - Param traps Ishita and asks the blackmailer to keep an eye on her. Pihu requests Raman not to marry Mihika. Watch the latest and full episodes of Ye Hai Mohabbatein streaming on Hotstar.
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‘Shadows in Reality’ – Potentially Brilliant Productions
12-Week Drama Course on the theme of Mental Health
Starts Monday 10th July, 7pm at The Casa, Hope Street, Liverpool
Runs for 12 weeks
A series of drama workshops using creativity to explore the theme of mental illness. Each session will examine our attitudes toward mental health and feature characters from literature and drama such as Hamlet’s Ophelia, Kafka’s Metamorphosis, Tennessee William’s Blanche Dubois and Sophocles’ Ajax.
It is intended for both actors and non-actors who wish to explore these themes in an informal setting with the opportunity to perform in a ‘sharing’ in October.
To book a place contact Mikyla on 0759 0458 297 or firstname.lastname@example.org
Alternatively come along on the evening.


World-renowned actor, director and producer Andy Serkis has been awarded an honorary degree by Lancaster University.
He was awarded the degree of Doctor of Letters by the Vice-Chancellor Professor Mark E. Smith.
Andy Serkis has taken leading roles in some of cinema’s biggest movie franchises. A pioneer of performance capture, his roles as Gollum (Lord of the Rings), Supreme Leader Snoke (Star Wars) and Caesar (Planet of the Apes) have become legendary, alongside significant non-performance-capture roles, including Ian Dury in Sex & Drugs & Rock & Roll. He has received an Empire Award, and two Saturn Awards for his motion-capture acting. He earned a Golden Globe nomination for his portrayal of serial killer Ian Brady in the British television film Longford (2006) and was nominated for a BAFTA for his portrayal of new wave and punk rock musician Ian Dury in the biopic Sex & Drugs & Rock & Roll (2010). Serkis also portrayed Ulysses Klaue in the Marvel Cinematic Universe films Avengers: Age of Ultron (2015) and Black Panther (2018).
A Lancaster alumnus, Andy’s first acting role came in Barrie Keefe’s Gotcha. As a Dukes Theatre member, he took a lead role in their first Theatre-in-the-Park production. A successful stage career followed, before movie stardom beckoned.
Andy has also most recently taken to a career as a film director – serving as second unit director on The Hobbit franchise, and then his directorial debut Breathe (2017), through his company, The Imaginarium.
Andy remains a leading innovator in CGI and performance capture, including through directing Mowgli: Legend of the Jungle (2018).


“I’m a cook,” says James Bond.
“I have a passion for food, and I’m fascinated by food.
And I also have a love for the outdoors.
I’m not a superman.”
And yet, James Bond has to live in the shadows.
We’re not told much about his life outside of his role in Skyfall, which opens in theaters on Dec. 25.
The film also tells a story about how a young Bond falls in love with a woman in a bikini, and that the relationship blossoms into an affair.
We also hear about the secret life of Bond’s longtime girlfriend, Skye.
But the most intriguing aspect of James Bond’s life in the new movie is the way it has shifted since the last film, with the franchise now moving into the 21st century and James Bond appearing in many different ways.
We hear a lot about Bond’s travels, which range from the deserts of Africa to the Caribbean, the Great Wall of China to Japan.
And we see how Bond is still fascinated by his secret life, which includes an attempt to make a diamond necklace out of gold and a trip to Russia, where he is married to a beautiful Russian woman.
We also see Bond’s past as a spy, which is interesting in that the franchise’s original story arc in the 1970s was about the British secret service tracking down and killing the Nazis.
Bond’s main goal in the last movie was to help the Soviets foil an invasion of Germany.
Now, he’s trying to do the same thing, and it’s about time he’s getting some more attention.
Bond is the most popular spy film of all time, and we see a lot of Bond in movies and TV shows across the world.
James Bond: World War II is the first James Bond film that we’ve seen since 2007’s Casino Royale.
That movie was written and directed by Sam Mendes, who also wrote and directed the original 007 film.
Mendes is now the director of Skyfall.
He’s been writing the script for a decade and has worked on a number of James Bonds, including The Spy Who Loved Me, Casino Royale and Quantum of Solace.
He has said that he is not interested in doing another James Bond movie after Skyfall because it’s been so successful.
Mondes says he would like to work with James Bond again, but it would have to be a new Bond.
Bond has been around for a long time, so the idea that Bond would want to return to the character in his 20s is intriguing.
We’re also getting to see what Bond’s real-life life is like.
Bond will appear in the upcoming film Casino Royale, which will feature a different Bond than in the first film.
This new version will feature Bond in a different uniform, and he will have to take on a new persona, such as “the Man With The Golden Gun.”
This new character will also be a real-world person, which means that Bond is in the public eye more than ever.
This new version of James “The Spy Who Leapt Through Time” Bond will have a younger, more vulnerable Bond in the role.
He will be younger and more vulnerable.
Bond would have a more intimate relationship with Skye, a relationship that is much more about her feelings for him than anything else.
This Bond will be much more open and willing to talk about his past.
Bond could be talking about his love life with Skyes, which would make sense given his obsession with women.
Bond may be speaking about how he was involved with the Nazis and what happened with the war, which could be a great way to explore what went on in those dark times.
We are also getting a glimpse into the life of the German secret service, the BND.
Bond has been in the spotlight in many of his films, including Skyfall and Casino Royale; we’ve even seen him in a new role in a movie called “Spectre.”
But this is the only James Bond role we’ve ever seen that will be entirely about him as a man in his late 20s, and this will be the first time that he’ll be a person in his early 20s.
It’s a new way for Bond to be seen in the world of movies and television, and hopefully, we’ll see more of it.


The history of queer cinema is filled with its fair share of tragic stories and silenced character pieces. Firebird, the latest film from Estonian writer-director Peeter Rebane and British writer-star Tom Prior, incorporates the tropes of a Cold War-era thriller into its narrative while also emphasizing the soaring and aching romance that the LGBTQ+ audience could significantly benefit from seeing more of. This story is even more extraordinary because it is based on a real-life romance between a young Russian private and a Soviet-acquired Estonian fighter pilot that the late Russian actor Sergey Fetisov recalled.
Tom is best recognized for his stage and screen portrayals of engaging characters and compelling themes. His previous work includes such notable productions as “The Theory of Everything,” “Kingsman: The Secret Service,” and, most recently, “Firebird.”
During a recent interview with British Thoughts, Tom talked about Firebird, the seven-year filmmaking process, and how he thinks it encourages audiences to love more bravely. Read more on the Q&A below:
British Thoughts: On a more personal level, what is the movie “Firebird” about?
Tom Prior: It’s a love story at its deepest core and really what it means to follow love at all costs. It’s a story about a forbidden romance set in the backdrop of the Soviet Union, where LGBT relationships are illegal. This means that our two main characters must go after what they want much harder than it would be today, but it depends on where you are in the world.
BT: Have you ever experienced having a love so forbidden that you have to fight tooth and nail just to have that kind of love?
TP: Thankfully, no. I’ve never been in such a situation where it’s risking my very life. So within the film, I did as much research as possible and met the real Sergey in Russia to get to grips with what it was really like.
BT: You mentioned you’d met the real-life Sergey. What was it like when meeting him? How was it like bringing his real romantic life to the screen? And what was the process like? What impact did meeting Sergey bring to the film?
TP: I think meeting him in person created an instinct with how I wanted to play him and how me and Peter Rebain, my co-writer, were writing him. We didn’t want to portray shame, self-sabotage, or self-hatred for this part of his identity, but really to show his disposition as sunny, radiant, hopeful, and not giving up on love. When I met Sergey in Russia in 2016, that’s who he was.
He was unapologetic yet he still knew how to discern situations. He wasn’t foolish, but he certainly followed his heart at all costs. That was inspiring for me to find, meeting him got me to look at my own life by believing my truth and following the dreams and goals I have for myself.
We also wanted Sergey to show his ambitious side in the film. That’s why he dreams about attending acting school but doesn’t think he can do it. It’s through meeting Roman that he gets to follow his dreams.
BT: You emphasize the importance of really accepting one’s true self. Did that influence the concept or idea of the project itself while you were creating and filming it? Was that always at the back of your mind? To show the importance of being able to accept your true self?
TP: I’d say that that’s almost like my lifestyle. I have felt it’s very important to be radically honest with yourself and others throughout life. And that’s a process. But, you know, you can only really do what you can with what you have. But as an actor, I’m always looking for the truth. And I want to be able to show something truthfully. And that, for me, is always the kind of number one filter. Is this believable? And then after that, is this entertaining? Because it’s already doing something very realistic. But also, if it’s not interesting since it is subjective we might lose the audience and their attention.
So, it’s about searching for the truth as an actor. But also, I’d say that very much tips into my own life. I love to have very authentic and truthful experiences. Whether that means food or an encounter with another person, or when I travel, I love to go and have authentic experiences with the traditional culture and art.
BT: Did exploring the culture while preparing for the movie help you portray the character better?
TP: Yeah, very much so. I was fortunate enough to go to Russia at least three to four times since 2017 for the process of making the film from research and then going back for Sergey’s funeral. We went again in 2018 to film. I fell in love with Russian culture, the food, and the hospitality of many Russians we met. They were so amazingly humble, emptying their fridge onto the table and telling us to have more.
I went to where the Russian theatre practitioner Konstantin Stanislavski was the one who pioneered modern acting techniques. I even went to the extent of listening to the Harry Potter books in Russian. Now, I don’t speak that much of the language. Still, it was more for me to feel it so that on a very subconscious, permeable level, it would affect me physiologically on how I would communicate.
BT: I understand that there was a little bit of a language barrier between you and Oleg. Was there any difficulty with that? Did it somehow affect the film? Was there any good side to having that language barrier?
TP: In the long run, it had ended up being helpful to the film because when Peter and I were writing the film, we struggled with how to write the language of how these two guys meet. Because there was no language to be able to describe that at the time. You’re not allowed to talk about it. Nobody suspected anybody else of being in love with the same sex. It just wasn’t a thing. When we cast Oleg, I was a little concerned. I didn’t speak much Russian, and he didn’t speak much English, but we worked it out from a physical chemistry point of view. And it becomes about stealing glances, looks, small physical gestures, and the space between the two of us that becomes more of the language than speaking.
There were a few times on set it was difficult to communicate how to understand something intellectually, but from a trust point of view, we just had to go there. We had to fall into the arms of each other and go, “I trust you.” Because it doesn’t matter how much trying talking we did. Otherwise, it wouldn’t make much sense.
BT: I discovered that this project took seven years to finish. Not only that, you are the lead role for this film, but you are also one of the producers and the music supervisors. How challenging was it to do all these things while filming simultaneously?
TP: The production process was complicated at the beginning, considering the fact that we had to work on the screenplay and come up with the funding for the film. I was already approached to be the lead actor in 2014. By the end of December, we were already putting up a couple of scenes.
Peter graciously allowed those changes to happen, and I gave him more feedback after. We rewrote the entire script for the next two and a half years. I implemented some changes and wanted it to be a bit different, but I think it would be a very different film if I hadn’t been a part of the writing. It would not, for better or for worse — I hope it’s for the better — be what it is now.
We had to raise more money than initially intended. And then, I did the acting in 2018, and thankfully our lead producer Brigitte Rosenbrooker, took over most of the production while we were filming.
Peter and I also went to Warsaw and worked with our music composer, and the three of us created a musical score for the film. So I ended up doing quite a lot, simply being approached to play the lead in the movie, and then everything else kept clawing me back in, and it was, for the most part, a real pleasure.
BT: After this seven-year-long joyride of a process, how does it feel that the movie is finally out and everyone in the world can finally see it?
TP: It’s amazing to hear that people enjoy it because there’s this big moment where I was in the cinema — just Peter, myself, our editor, and cinematographer. We might’ve been watching the film how many times alone during the pandemic. But we rented a cinema to show the movie just to look at the colour grading and technical edits. I was thinking, “what if nobody likes this film?”, “what’s going to happen?” six years of work nobody wants to watch at this point. So I’m very grateful to see that people are enjoying it. That’s a massive payoff.
And it’s been amazing to receive messages from people saying how the film impacted their lives. It’s made them have a greater understanding of others who are more open about their sexuality. It made viewers open a discussion about identity. One of the biggest highlights for me was the time someone wrote to me saying that Firebird felt like a massive hug and saying things will be okay.
BT: Throughout the filming process, with all the scenes that you guys took and shot, what is the most unforgettable scene you ever did during the filming process?
TP: The final scene of the whole film was unforgettable. It was a combination of acting and technicality because there’s nowhere to hide as an actor. It’s just me, the other people around, and the music. And I’m looking as if I’m acting on an empty stage and just letting go completely. It was one of those moments where I had to get out of the way as an actor. It was very surreal to make like I experienced my life flashing before my eyes. But obviously playing Sergey and seeing how the relationship with Vermont unfolded, was extraordinary. For me, that’s the most extraordinary and the most memorable part of making the film.
BT: As you mentioned earlier, Sergei passed away before actually being able to see the film. If he were still with us right now, how do you think would he feel watching his own life story on the big screen? How do you imagine him watching it?
TP: Honestly speaking, I think he’ll be happy with it. We made it with his only stipulation: that we make the film about love, not politics. And I think he would be proud of it and be very moved by having his life story told in such a way. I had a fantastic team who researched everything down to the last detail. The film’s colouring, sound design, and attention to detail are amazingly authentic, like the pen, cars, and everything we use. People who have lived through that time have said it’s somewhat scary how accurate the film is in terms of the richness of that world. And so I think he’d be delighted.
BT: Before I end this interview, what exciting news do you have for your fans? What do they have to watch out for, and what do they have to stay in tune for? And what’s your message to your fans also to our LGBTQ friends as well?
TP: The message for fans would be, firstly, thank you so much for your support, belief and honest and humble sharing. I think for me, it would be like there is so much you can achieve when you go after what you’re most afraid of. I didn’t play this role after writing and all the work for several years because I got such a confidence crash just before we were supposed to start filming that. So I thought maybe we should get somebody else to play the character and I didn’t want fear to get the best out of me. It’s about learning from your greatest fears and from there the most wonderful opportunities come forward.
For more on Firebird:


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High Street Library
Saturday 1st April 2017 , 2pm - 4.30pm
Saturday 8th April 2017 , 1pm - 4.30pm
Saturday 1st April: Story crafting A monster has come to town… what happens next? Make a monster film as a group then act it out with puppets on camera. Write the story, make the props and help make the huge monster who has come to town. This is a two part workshop and is suitable for children aged 8 plus.
Saturday 8th April: Puppet crafting In part two of our film making workshop we will be making puppets for the stories you wrote and filming it alongside our monster co-star! This workshop is suitable for children aged 8 plus


A Large space and performance facility, complete with retractable seating. The Theatre easily seats up to 160 people and is the perfect space for exercise classes, performances, dance, drama, music and a whole host of other events and activities.
The Theatre measures (Approx): -
Width - 15m
Length - 11m
Height - 4.6m
Seating, tables, sound and lighting are all available on request.
Help can be given to find local caterers if required or clients can use their own provider.
Prices from £28 per hour
Available evenings, weekends and school holidays. All year round! Free parking available onsite.Enquire / Book Now


My 20 All-Time Favorite Community Episodes
To commemorate its arrival on Netflix, and with really nothing else better to do during this quarantine period, I decided to rewatch my favorite show, Community, and list down what I think are the 20 best episodes and give a few notes about each.
(This is the SPOILER WARNING but knowing some of the details to these episodes won’t really hinder the viewing experience.)
How I’m going to list the episodes:
I decided to take note of my favorite episodes per season and not try to rank all episodes of the show together because I think it’s more fair that way. So every season has at least 3 episodes but Seasons 2 and 3 will each get 4 episodes because I think they were the best seasons of the show (with Season 5 being a close runner-up).
It’s difficult to narrow down these lists and not be able to include some other great episodes so here are some honorable mentions.
2x01 Anthropology 101 — The immediate fallout of what happened on the Season 1 finale with the whole awkward Jeff-Britta-Annie situation and Abed forcing a new story on the group made for an unforgettable dumpster fire.
2x09 Conspiracy Theories & Interior Design — Just the fact that everyone was trying to conspire with one another to create this convoluted story made for a satisfying and funny ending.
2x19 Critical Film Studies — Jeff’s birthday surprise for Abed gets delayed after Jeff and Abed meet for dinner and Abed acts weird and by weird I mean he was acting normal…until the waiter slips up. This was another clever movie homage that put a spotlight on the Jeff-Abed friendship.
2x23 A Fistful of Paintballs & 2x24 For a Few Paintballs More — The two-parter season finale of season 2 is a great paintball homage to Western cinema (for 2x23) and to Star Wars (for 2x24).
3x07 Studies in Modern Movement — This is mainly about the study group helping Annie move in to Troy & Abed’s apartment but what stole the show was the Jeff/Dean karaoke montage which will forever be a top 10 moment on the show with an additional scene where Jeff tries to beat the Dean up in the Karaoke room.
3x08 Documentary Filmmaking: Redux — The Dean’s descent to madness while trying to shoot a new TV ad for Greendale is probably one of Jim Rash’s best performances on the show and the wholesome ending ties this episode nicely.
4x04 Alternative History of the German Invasion — The study group being forced to fight for the study room they feel entitled to because of a “German invasion” and everyone else in the school demanding justice to finally use the room was a funny wake up call for the study group and an effective way of showing that they aren’t just the only people in the school.
4x12 Heroic Origins — Abed trying to figure out the study group’s origins leads to some interesting flashbacks that ends with a pretty cool revelation about how connected the study group is even before meeting.
5x09 VCR Maintenance & Educational Publishing — This episode is worth mentioning mainly on here because the Dean’s freestyle rap apology might be the best moment on the show ever. Regardless, this was also a pretty good episode that featured Brie Larson playing a VCR game and a different and more ruthless side of Shirley.
6x11 Modern Espionage — Ah yes, another paintball episode and the very last one at that. The show was able to keep things interesting by making the whole paintball game a secret and there was also a great reference to the Captain America: Winter Soldier elevator scene that was directed by frequent Community directors Joe & Anthony Russo.
The Top 20
Pilot (Season 1, Episode 1)
The episode that started it all. The first interactions of the study group were pretty rocky and funny because of the way Jeff orchestrated everyone to argue with each other and Abed’s “Breakfast Club” reenactment was great amidst all the chaos. This is also the debut of the classic “Winger Speech” that we, Community fans, know and love.
Contemporary American Poultry (Season 1, Episode 21)
This episode is a homage to mafia and mobster movies which they did really well. The contrast between the seriousness of typical mafia movies and the initial mundane nature of chicken fingers was brilliant. As the study group gains more and more power with the control of the chicken fingers, the struggle for it makes for an interesting conclusion between Jeff and Abed.
Modern Warfare (Season 1, Episode 23)
The first paintball episode really is one of the best when it comes to embracing the absurdity that is Greendale. It is an action-packed episode that does not forget to address the typical tropes of action movies. This episode is so awesome, it’s hard to put into words how cool it is, you’ll get it once you watch it. Also, Señor Chang’s involvement leads to one of the coolest scenes and shots of Season 1.
Epidemiology (Season 2, Episode 6)
Personally, this is my favorite Halloween episode. When a lot of the students in the school’s Halloween party start to exhibit “zombie-like” symptoms, it was up to Troy and Abed to step up from being the nerds to the heroes of the story. The “zombie” set-up was pretty funny and the way they tackled all the zombie movie tropes was great as well.
Cooperative Calligraphy (Season 2, Episode 8)
What starts out as an innocent question of Annie wondering where her pen is turns into a full on investigation within the study group. With this tension, Abed kept on insisting that this was going to be a bottle episode which he hates. This bottle episode (even acknowledged by Jeff) had probably the best dialogue and character interactions of the season with the whole episode taking place inside the study room. Going through everybody’s personal belongings leads to the hilarious finger-pointing throughout the whole thing when it seems like no one took the pen. Even with the study group being in shambles throughout the whole thing, it has the perfect resolution that only seven dysfunctional but close people can understand.
Advanced Dungeons & Dragons (Season 2, Episode 14)
In an act of surprising selflessness, Jeff coordinates with the study group to organize a Dungeons & Dragons game with a schoolmate who struggles with depression so that they can boost his self-esteem. It was amazing how the writers and the actors were able to simulate a campaign through a TV episode. There were also a lot of great character moments as they went from being initially reluctant to really play the game to being so invested and emotional about all of it.
Paradigms of Human Memory (Season 2, Episode 21)
Normally, when typical comedies do an episode that primarily does flashbacks to scenes, they would just rehash clips from previous episodes to make it easier for them. Luckily, Community isn’t your typical comedy. The brilliance of this episode really just hinges on the fact that all the clips and flashbacks are completely new and out of context as they reminisce about their adventures the audience never got to see with each short clip having their own unique hysterical moment.
Remedial Chaos Theory (Season 3, Episode 4)
This episode is up there when people talk about best possible sitcom episodes ever. “Remedial Chaos Theory” was the show’s only Emmy-nominated effort and it showed the brilliance of this show and its understanding of its characters. This was basically seven different episodes (that showed seven different timelines) in one. It was a brilliant character study of all seven people in the study group and cleverly showed how different the dynamics of the group change when one of them isn’t around. The writers really turned a simple chore of going out to get pizza into one of the most interesting episodes on TV.
Regional Holiday Music (Season 3, Episode 10)
This is my my favorite Christmas episode because it is also the Glee parody episode and they nailed everything about it. They addressed every trope from the forced musical mashups to asking whatever Regionals are to even the overly nice Glee club instructor. With the episode starting with the study group reliving their hatred of the club, things get a lot more interesting as Abed tries to recruit them to perform at the Christmas pageant. The study group’s gradual descent into “Glee” madness that leads to them bursting into songs (which are well-done and hilarious) will never get old.
Pillows and Blankets (Season 3, Episode 14)
Community takes a clever look at the War (Pillow Fight) between Troy’s Blanketsburg and Abed’s Pillowtown through a homage on war documentaries. The silliness of a pillow fight that affects everyone in the school is a perfect contrast to the overly serious tone of documentaries which even includes its own narrator for this episode. From the hilarious out of context stills from the war to the participants recounting the events, this episode embraces all the typical tropes and turns them into wholesome comedy with an ending that highlights how much Jeff cares about Troy and Abed.
Basic Lupine Urology (Season 3, Episode 17)
This homage to Law & Order was another masterclass in using tried and tested crime tropes and applying them to the uninteresting and mundane events in Greendale. From their detective outfits to having a good cap/bad cop duo and of course a trial scene that became overly dramatic, they checked all the boxes and proved that even dramatic tropes are a little bit funnier with that Community charm.
Cooperative Escapism in Familial Relations (Season 4, Episode 5)
Unlike the others on this list, the reason this episode stood out was because of the drama that surrounded it. Jeff finally meets his estranged father with Britta’s “help” and at first, there seemed to be some respect building from their initial conversations. However, when William Winger wanted to take some credit for how well he thought Jeff had turned out, Jeff went on to expose himself as honestly as possible to his father. Jeff then confesses how he is far from being well-adjusted by sharing some heartbreaking anecdotes and crediting his father’s absence for why he is the person that he is now. That scene may be the best dramatic scene of the show.
Herstory of Dance (Season 4, Episode 8)
Britta’s challenge to organize her own Sophie B. Hawkins dance to rival the Dean’s Sadie Hawkins dance was a fun jab at how the school has a lot of dances for a community college. Abed’s attempt at the “two dates at once” trope meets an unexpected turn when Rachel (played by Brie Larson) helps him with his hijinks but eventually becomes the girl he connected with the most. The episode end on a real wholesome note with an unexpected act of kindness by someone you would least expect.
Intro to Felt Surrogacy (Season 4, Episode 9)
This was the puppet episode that was also a musical. I loved how wholesome the episode felt because of the puppets and it was a great way for the study group to open up and share what happened to them in their adventure that took a turn for the worse. Oh, and all the songs in the episode were pretty good too.
Cooperative Polygraphy (Season 5, Episode 4)
Another brilliant bottle episode driven by smart writing and dialogue. In an episode where the main cast where pretty much in just one place, this was one of the most tense and emotional episodes of the season. With the passing of one of their closest schoolmates, tensions rise as they all take lie detector tests where they forcefully admit to some truths they were hiding. Amidst the initial tension of the episode, it does end in a classic and wholesome way as they talk everything out.
Geothermal Escapism (Season 5, Episode 5)
Community sends Donald Glover off in an epic school-wide game of Hot Lava and it really highlights the study group’s struggles (mainly Abed) of letting Troy go by heavily committing to the game. As much as this was a great final showcase of Troy and Abed being the masters of committing to high concepts like this, there was also a nice spotlight on Britta as the straight man during the whole situation. While everyone else was suspending their sense of reality to make the game as epic as possible, Britta does a great job trying to talk sense to everyone, especially to Abed, that it’s okay to be sad and it’s okay to let go.
App Development & Condiments (Season 5, Episode 8)
Who would have thought that a simple app that rated students and teachers would eventually turn a school into a dystopian society within days? Well, Community did and they did it pretty well. The “rating things is a flawed system” trope has been around for a while (even Black Mirror had an episode on it 2 years after this episode was aired) so it’s not a completely unique take by the show but the way they wrote it made for an awesome and bizarre predicament for everyone in the school. Having the status quo flipped on its head made for an interesting look at how our favorite characters adjusted to the change.
Advanced Safety Feature (Season 6, Episode 7)
Britta’s old flame (formerly known as Subway) returns, now with a new identity and now marketing a different brand, Honda. This episode was an obvious advertisement for Honda, but the thing is, the writing of the show is so smart that it didn’t bother me one bit. The product placement was so blatant and out there that it was hilarious at times. The show was not shy in telling the audience who sponsored this episode but they wrote it in a way where the absurdity was acknowledged and even addressed by the characters.
Basic RV Repair & Palmistry (Season 6, Episode 10)
This is one of the more unique Community episodes as most of the episode has the study group on the road and in Elroy’s RV (there were some study room scenes that Abed keeps trying to flashback to). I loved how this is a pretty Abed-centric episode with him initially annoying the study group with too many fourth wall breaks but eventually providing the solution to the group’s unfortunate predicament by having his own “Winger Speech” moment. His speech about holding on and letting go was the cherry on top of a great episode.
Emotional Consequences of Broadcast Television (Season 6, Episode 13)
Of course, the series finale had to be included on this list. For a show that has embraced its meta nature and tried every sitcom trope and even a lot of tropes outside its genre, how could they make an ending that would satisfy most of its fans? Obviously, by making the characters come up with their own pitches for a Season 7 and this format worked to perfection. Each pitch that was brought up projected each character’s inner thoughts and feelings and it became a nice exploration on where each character was at at the end of this season. It was a perfect meta finale for the perfect meta show.