This is a post about something that made me happy this weekend.
If I’ve ever seen the animated Anastasia movie, I was so young that I have literally no recollection of it whatsoever. But after the cast and creative team were announced for the musical adaptation, which premiered this month at Hartford Stage, I was immediately excited.
I decided not to watch the movie before seeing the musical because I really strongly believe that adaptations, even of the most well loved and popular work, need to be able to stand on their own. I knew the basic story of the show, but really had no idea what to expect when we got to the theater.
On Saturday, my mom and I rented a car in Queens and road tripped up to Hartford for the day to see the show, and we arrived at the theatre tired and starving, so I bypassed the costume exhibit in the lobby to scarf down a soft pretzel from the bar before we took our seats.
As soon as I saw the show’s curtain, animated with projections of gently falling snow, I expected a show full of lush design and Anastasia didn’t disappoint in that regard. I loved the entire cast’s performances, but I ultimately left the theatre a little confused about the story that had happened on stage during the previous two-and-a-half hours. Regardless, I loved this show and genuinely enjoyed my afternoon at the theatre this Saturday.
Continue reading “#onceuponaroadtrip: Anastasia at Hartford Stage.”
Let’s talk about the Spring Awakening Tony Awards fundraiser. Let’s talk about what it takes and what it means to perform on the Tonys. Let’s talk about what a commercial producer of a Broadway show’s job is.
I love Spring Awakening. I love the original production and I love the Deaf West revival. While the original production’s first national tour cast is the cast of my heart, the Broadway revival, performed simultaneously in American Sign Language and spoken English and featuring Deaf, Hard of Hearing, and hearing actors was better. It told the story of the show more successfully than the original production. The layers of depth added by Michael Arden’s directorial choices filled in holes in the show’s book. It was fucking incredible. But unlike the original broadway production, it was not a financial success despite its rabid (or… passionate) young fan base.
This week, commercial producer Ken Davenport and non-profit LA theatre company Deaf West asked fans of the Spring Awakening revival to donate $200,000 to fund a performance by the show’s cast on the 2016 Tony Awards, and I have some questions and I have some concerns.
Continue reading “let’s talk about that Spring Awakening kickstarter.”
I see a whole lot of theatre, and I see a whole lot of theatre in New York. It can get expensive if you’re regularly buying full price tickets, so I cut costs by… not doing that.
I have access to some discounts that are only available to students (shout out to those college IDs with no listed expiration date…) (I AM still a student, just not enrolled in a full time degree program), but there are many, many others open to everyone who knows how to find them.
Here’s a rundown of all the ways I save on Broadway and Off Broadway tickets.
Continue reading “but, how do you afford all those tickets?”


When Singapore girl Toni Lee makes a wish, little does she know that her dreams can come true! The 10-year-old travels back to ancient China, and becomes the poor painter Ma Liang, who is presented with a special gift by the Spirit of Creation. Anything Ma Liang paints can come to life! And he uses this gift to provide for the poor and the under-privileged. But what happens when the tyrannical Emperor finds out? Will this spell the end of Ma Liang and the Magic Paintbrush? "If only.... " A Singapore girl faces her dreaded exams; and her parents don't seem to understand how she feels. I Theatre's last production of the year, the Magic Paintbrush , is a theatrical work of genius. The first time the play was run was in 2000, and the musical generated so much hype it was made into a book by publisher Marshall Cavendish. The 2016 version stole the hearts of the audience from the get-go. With powerful songs put together by the I Theatre music trio of Kenneth Lyen, Ba
This is a story of our parenting journey. We became parents by Purpose, on purpose. It is our heart to continue this journey in a purposeful posture; and to bring up our children so that they will know and understand their purpose in life.


Mr. Silvester Mutua (Lecturer of Journalism) has been selected to be a member of the Machafest Short Film Festival Competition Jury for the second year in a row. As part of the jury, Mr. Mutua will shortlist ten pieces for screening at the Machakos People’s Park amphitheater, after which the best four will be selected.
The festival features short films based on any key idea or phrase, and is organized by the Machakos Entertainment Centre for Film, Media, Music and the Arts (Machawood). Teams of USIU-Africa Journalism majors are also participating in the Festival’s student category.
Journalism lecturer appointed to film festival jury


Behind The Sightings ( 2021 )
Behind The Sightings
Behind the Sightings follows Todd and Jessica Smith, two filmmakers from Raleigh in North Carolina, who set out to produce a documentary exploring the highly publicized, creepy clown sighting epidemic, which was investigated by local law enforcement. As the young married couple venture into Peachtree Way, Nash County, in search of clowns, what they found was far from funny.
Actores: Jan Hartsell, Todd Smith, Jessica Smith
Director: Tony Cadwell, Tony Cadwell, Tony Cadwell
Fecha de estreno: 2021


The first King Kong movie was made in 1933. But many of us remember one of its most successful adaptations, directed by Peter Jackson and released in 2005.
Today FAN has reports that the Walt Disney Film Company has begun work on a series about the legendary monster. It was written by Stephanie Folsom, best known for her work on films such as Thor: Ragnarok and Toy Story 4.
And some details of the project are already known. For example, the action of the series will take place in the present day, but with a reference to the past, in which the viewer will learn not only all the secrets of Kong Island, but also the mysterious birth of the “Monkey King” .
Add boring tech to your favorite sources


There’s injustice in a world where The Notebook is only at a 52% on Rotten Tomatoes.
Film critics have forever been trashing the romcom. That’s because they’re a bunch of stinky old men who don’t realize not every movie has to be Oscar caliber. Some movies are just meant to make you feel good.
I’ve missed a ton of great chick flicks in theaters because they’re reviewed so poorly. Then, I’m home on a rainy Saturday night, catch one on TV and realize… that really made me happy. So what if 27 Dresses is “completely cliched”… I could watch that scene where Katherine Heigl and James Marsden belt out “Bennie and the Jets” a million times. And who the hell cares if “you can see everything coming in A Walk to Remember from a mile away” when Landon makes Jaime’s dream of being in two places at once come true!
And yes, some romcoms are REALLY awful (i.e. Dear John, The Bounty Hunter, Leap Year)… But that’s because they don’t fulfill the proper chick flick criteria: chemistry, comedy (even the most dramatic of romance movies need a little “com” for their “rom”), and cliched originality (definition: to take a cliched element in your romcom and make it special. example: “If you’re a bird, I’m a bird” scene in The Notebook). It’s not because they didn’t meet film school criteria which they weren’t trying to achieve in the first place.
This is a site where romcoms will be reviewed for exactly what they’re meant to be.


Given how many movies and TV shows we’ve been watching these days, it’s useful to have a personal rating system. I’ve used and tweaked this scale over time and it’s worked pretty well for me.
How to use this system The scale ranges from 0-51 but coming up with a specific number off the top of your head is tricky. That’s where the associated descriptions comes in handy.
Consider a movie and see if how you feel about the movie, matches with the associated descriptions.


Presented by the Greater London Linux Users Group, CinePaint project leader Robin Rowe and his partner Gabrielle Pantera will talk about Linux in the film industry and CinePaint. Linux is the #1 operating system for feature animation and visual effects. It’s used by all the major studios for making blockbuster films. CinePaint is the second most popular image editing software in the film industry after Photoshop.
December 8th, 2012, Saturday, 12:30pm to 1pm
Mozilla Space London
101 St. Martins Lane
Map. Nearest tube is Leicester Square on the Piccadilly and Northern Line.Posted in CinePaint, Events1 Comment


Art Deco dresses are the ones which have geometric designs, bold colours and lavish ornamentation. This style first made its appearance in France, after World War I, but lost their charm post World War II.
Having said that, we saw it make a come back with the release of the movie “The Great Gatsby” and also a lot of celebs adorned dresses during the Oscars and Golden Globe Red carpet.
Photo Credits: Aditya Kavoor
Photo Credits: Aditya KavoorDo you like ‘Art Deco’ inspired dresses? Do leave me your comments.xoxo


When I read the first of the Amber Chronicles last year, I didn’t enjoy it all that much. It was all right, I suppose, and the notion of travelling through shadow to the one kingdom that is… what? Real? Genuine? Anyway, it’s the top level of whatever reality-hierarchy Zelazny cooked up for the story and […]
You have just read a long and well-written blog post. It was both insightful and funny.Move along.
Who the hell am I writing this for? Everyone has already seen the movie, read the book, or both. Maybe I’m writing it for the people who’ve only seen the movie. If that’s the case, I’m only going to say what I would say about any respectable book-to-movie conversion. The movie was pretty faithful to […]


GETTING THROUGH REHEARSALS
In the theater things don’t always happen in a nice, sequential and unstressful order. And in Equity-waiver theatre—read low-budget—things not going as planned is the order of the day. Meaning a playwright doesn’t often have the luxury of a wonderful space to work in, fabulous designers to bring her vision to life, a positive casting period during which actors ideal for the roles you’ve written show up to audition and a smooth but exciting rehearsal period where each rehearsal builds upon the last; until finally your show peaks on opening night in front of an appreciative audience with top critics in attendance loving your play who would then write great reviews. Oh, would that it were so easy! In fact, getting a play up is more a case of overcoming obstacles—whether those obstacles be physical or mental. And with Villa Thrilla, we had our share of both.
Once we had our cast—a challenge in itself and no fault of the casting director—rehearsal began with just four weeks until opening night. Four weeks is not much time when you’re mounting a new play with a cast of ten; particularly when it seemed impossible to get all the actors to the same rehearsals, even though the play they’d signed on to do required that their characters be on stage at the same time.
You do your best to get peoples’ schedules ahead of time in order to plan rehearsals but a few people in our cast apparently hadn’t heard about looking at a calendar to verify their availability before committing to doing Villa Thrilla. Did they not know about Yom Kippur or their Mother’s birthday when they signed on? We also lost a cast member one week into rehearsals, lost another cast member for a week and a half when a parent 2000 miles away became sick and a were burdened by a third cast member who was so difficult to work with we wanted to lose him but couldn’t because replacing him would have meant losing another cast member we liked and there just wasn’t time to get new people up to speed.
The fact that we didn’t have all the actors to rehearse with when we needed them, and when they’d agreed to be there before we hired them, made more work for Gary Lee Reed (Director), Josephine Austin (Stage Manager) and me. Gary couldn’t tell what he was looking at with the stage missing up to five people at any given rehearsal, which resulted in his having to block scenes multiple times. Josie was constantly changing blocking in her master script and having to phone errant actors who were late or hadn’t shown up. And I was not able to watch and rewrite during rehearsals, something I’d been counting on. Why couldn’t I? Because I was standing-in for missing cast members—often two or three of them in the same scene. I spent my rewrite time dashing around the stage speaking with multiple dialects and vocal timbres providing “real” people for the actors (who had actually shown up) to rehearse with. Some nights, we wanted to strangle someone—usually someone who was missing—and yet, we had to try to remain upbeat for those who bothered to come. What would be gained by screaming? I don’t know we didn’t try it. I had hoped the rehearsal period would be a gloriously fruitful time when my script would change and grow in leaps and bounds. But alas, I didn’t get to have that luxury on this one.
Being an AEA actor as well as a playwright, I like to think I understand actors but when I put my producer hat on for Villa Thrilla, I was shocked by the behavior of some of my fellow thespians. Emergencies are one thing but it would never occur to me to commit to doing a show, commence rehearsals and then spring a few “unavailable” dates on the producers. In retrospect, I would have helped myself by choosing a play with a smaller cast but I’ve already explained why I chose this play in the post entitled THE PLAY’S THE THING
Shockingly, we did not have our entire cast onstage at the same time until five days before opening. And the only thing I can say by way of comfort if you’re considering producing your play is that once we got to tech, the actors were mostly great. They showed up for the remainder of rehearsals and performances and, for the most part, knew their lines. So you may get a few more gray hairs, but if you hire professionals, they will be there when it matters—for them.
Next up: Ticketing


View the following clip from the film, Rockyand complete the following 4 part analysis:
1.Mise-en-scene analysis—How does the clip use compositional elements of film to create meaning? What elements are used? What effects are created in a scene, and what is their purpose? How does the film attempt to achieve its goal by the way it looks, and does it succeed?
2.Narrative structure analysis—Examine the clip’s narrative structure—plot, character, and theme. How does the plot unfold? What are the motivations of the characters? What is the theme of the film, and how is that theme constructed?
3.Semiotic analysis—What objects or images are repeated in multiple instances? In what context do they appear? Are there any symbols or metaphors that tell you about the characters’ personalities or themes of the film? What might you be able to infer about characters from small hints? How are these hints (signs) used to construct characters? How do they relate to the relative role of those characters, or the relationships between multiple characters? Remember: Something as simple as someone’s appearance can reveal information about them.
4.Contextual analysis—Think about the culture, time, and place of the film’s creation. What might the film say about the culture or time period that created it? How does the meaning of the film change when seen outside of its culture? What characteristics distinguishes the film as being of its particular culture?
5.Create a shot scene analysis chart of at least 1 minute from the clip.
Paper should be well supported with examples from the film


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Perhaps just as logically, within a postmodern America wallowing in talk-show politics and benefits rollbacks, those in the presumed vicinity of the Left have been wary of making counterclaims. Susan Sarandon, Spike Lee, Oliver Stone and Lizzie Borden—to name only a few—speak about their intent as individual artists, as women, as African-Americans and so forth. Once things were profoundly different, of course, at least in certain key regards. Speaking out on political issues and anti-fascism was practically de rigueur, and precisely because the Left had been for a decade the leading anti-fascist force its early warnings and its preliminary mobilizations were richly vindicated.
As the leading Hollywood unionists, moreover, Communists had carried the torch for the underpaid and badly treated backstage worker as well as the actor and writer. If they gained powerful enemies, they also had earned the hard-won loyalties of thousands of non-communist and utterly non-political Hollywoodites.
Apart from fascism and unionism, they continued to crusade on issues such as racial equality that still lay far outside the mainstream political order.
- Islamic Jurisprudence in the Classical Era.
- Head to Tail Wellness: Western Veterinary Medicine Meets Eastern Wisdom;
- Moon Mirror.
- Customer Reviews?
- Film Links.
- Cinema of Japan - Wikipedia!
Email required. Password required. Create an account Forgot your password? Subscribe for instant access to all articles since Kenji Mizoguchi, who died in , ended his career with a series of masterpieces including The Life of Oharu , Ugetsu and Sansho the Bailiff Mizoguchi's films often deal with the tragedies inflicted on women by Japanese society. The Blue Ribbon Awards were established in The number of films produced, and the cinema audience reached a peak in the s.
Laboring in the Shadow of Hollywood
A typical program picture was shot in four weeks. The demand for these program pictures in quantity meant the growth of film series such as The Hoodlum Soldier or Akumyo. The huge level of activity of s Japanese cinema also resulted in many classics. Akira Kurosawa directed the classic Yojimbo. Kon Ichikawa captured the watershed Olympics in his three-hour documentary Tokyo Olympiad Seijun Suzuki was fired by Nikkatsu for "making films that don't make any sense and don't make any money" after his surrealist yakuza flick Branded to Kill The s were the peak years of the Japanese New Wave movement, which began in the s and continued through the early s.
Documentary played a crucial role in the New Wave, as directors such as Hani, Kazuo Kuroki , Toshio Matsumoto , and Hiroshi Teshigahara moved from documentary into fiction film, while feature filmmakers like Oshima and Imamura also made documentaries. Shinsuke Ogawa and Noriaki Tsuchimoto became the most important documentarists: "two figures [that] tower over the landscape of Japanese documentary.
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The s saw the cinema audience drop due to the spread of television. Total audience declined from 1. The resulting pink film industry became the stepping stone for many young independent filmmakers. The seventies also saw the start of the " idol eiga ", films starring young "idols" , who would bring in audiences due to their fame and popularity. Toshiya Fujita made the revenge film Lady Snowblood in In the Hochi Film Award was created. Nagisa Oshima directed In the Realm of the Senses , a film detailing a crime of passion involving Sada Abe set in the s.
Controversial for its explicit sexual content, it has never been seen uncensored in Japan. Yoji Yamada introduced the commercially successful Tora-San series , while also directing other films, notably the popular The Yellow Handkerchief , which won the first Japan Academy Prize for Best Film in Dodes'ka-den by Akira Kurosawa and Sandakan No. The s saw the decline of the major Japanese film studios and their associated chains of cinemas, with major studios Toho and Toei barely staying in business, Shochiku supported almost solely by the Otoko wa tsurai films, and Nikkatsu declining even further.
Seijun Suzuki made a comeback beginning with Zigeunerweisen in New directors who appeared in the 80s include actor Juzo Itami , who directed his first film, The Funeral , in , and achieved critical and box office success with Tampopo in Kiyoshi Kurosawa , who would generate international attention beginning in the mids, made his initial debut with pink films and genre horror.
During the s, anime gained in popularity, with new animated movies released every summer and winter, often based upon popular anime television series. Mamoru Oshii released his landmark Angel's Egg in Katsuhiro Otomo followed suit by adapting his own manga Akira into a feature film of the same name in Home video made possible the creation of a direct-to-video film industry. Because of economic recessions, the number of movie theaters in Japan had been steadily decreasing since the s. The s saw the reversal of this trend and the introduction of the Multiplex in Japan.
Kiyoshi Kurosawa gained international recognition following the release of Cure Former documentary filmmaker Hirokazu Koreeda launched an acclaimed feature career with Maborosi and After Life Several new anime directors rose to widespread recognition, bringing with them notions of anime as not only entertainment, but modern art. Mamoru Oshii released the internationally acclaimed philosophical science fiction action film Ghost in the Shell in Satoshi Kon directed the award-winning psychological thriller Perfect Blue. Hideaki Anno also gained considerable recognition with The End of Evangelion in The number of movies being shown in Japan steadily increased, with about films released in Movies based on Japanese television series were especially popular during this period.
Anime films now accounted for 60 percent of Japanese film production. The s and s are considered to be "Japanese Cinema's Second Golden Age", due to the immense popularity of anime, both within Japan and overseas. In , Godzilla: Final Wars , directed by Ryuhei Kitamura , was released to celebrate the 50th anniversary of Godzilla. In , director Seijun Suzuki made his 56th film, Princess Raccoon. Hirokazu Koreeda claimed film festival awards around the world with two of his films Distance and Nobody Knows. Yoji Yamada , director of the Otoko wa Tsurai yo series, made a trilogy of acclaimed revisionist samurai films, 's Twilight Samurai , followed by The Hidden Blade in and Love and Honor in In anime, Hayao Miyazaki directed Spirited Away in , breaking Japanese box office records and winning several awards—including the Academy Award for Best Animated Feature in  —followed by Howl's Moving Castle and Ponyo in and respectively.
In , Mamoru Oshii released the anime movie Ghost in the Shell 2: Innocence which received critical praise around the world. His film The Sky Crawlers was met with similarly positive international reception. Satoshi Kon also released three quieter, but nonetheless highly successful films: Millennium Actress , Tokyo Godfathers , and Paprika. Katsuhiro Otomo released Steamboy , his first animated project since the short film compilation Memories , in After several years of directing primarily lower-key live-action films, Hideaki Anno formed his own production studio and revisited his still-popular Evangelion franchise with the Rebuild of Evangelion tetralogy, a new series of films providing an alternate retelling of the original story.
The laws were passed on November 30 and came into effect on December 7. In , at a gathering for the Agency of Cultural Affairs, twelve policies were proposed in a written report to allow public-made films to be promoted and shown at the Film Center of the National Museum of Modern Art. Genres of Japanese film include: [ citation needed ].
Paul Buhle, The Hollywood Left: Aesthetics and Politics, NLR I/, July–August
From Wikipedia, the free encyclopedia. Further information: War film. This section needs expansion. You can help by adding to it. April Motion Picture Producers Association of Japan. Retrieved 7 May Retrieved March 24, Screen Australia. Archived from the original on October 27, Retrieved Anime News Network.
British Film Institute. December 4, BBC Culture. Retrieved 1 November Gendai Shokan.
Who's Who of Victorian Cinema. Retrieved 14 December Media Art Plaza. Archived from the original on 28 May Retrieved 29 December McDonald Reading a Japanese Film: Cinema in Context. University of Hawaii Press. Archived from the original on May 28, Retrieved June 8, Edwin Mellen Press. Matsuda Film Productions.
New York: Continuum. Bright Lights Film Journal 30 October Archived from the original on The Japanese Period Film. In Miyao, Daisuke ed. The Oxford Handbook of Japanese Cinema.


Veteran actress, Grace Omaboe known in show business as Maame Dokono has advised female celebrities to stop being pompous and choosy.
According to her, life has taught her a lesson which she believes the younger ones in the entertainment industry need to learn from.
She mentioned that she looked at the looks and the material things her second husband flaunted and therefore left her first husband for him but it turned out his attitude and character were bad.
Maame Dokono as she is affectionately called disclosed this to Deloris Frimpong Manso on the ‘Delay Show’.
She mentioned that female celebrities should focus on men who will understand their work and love them for who they are.
Maame Dokono added that they should not look at the outward features but rather focus on the character and attitude of the men who come into their lives so they make informed choices.
She asked that female celebrities and women should hold their men and never leave them because they may regret it in the future.


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Yes, yes, so much yes. The Theory of Everything is wonderful in every way. The acting, the music, the cinemaphotography, they're all stunning. The story is beautiful and tragic and inspirational all at once.
Before I Go To Sleep is entertaining and worth watching, but ultimately this is one of those movies you will almost immediately forget about.
Super weird, didn't really appeal to me. However, I suppose it is worth watching. BRING BACK MORE KEATON ERA STARS!
Pretty, pretty, pretty good. Not a life changer, but worth watching.
As someone who thinks Robert Duvall can do no wrong, it pains me to say that this just wasn't that great. I blame RDJ.
YES, YES, SO MUCH YES.
Planet of the Apes movies are always amazingness and this is no exception.
drew bailey scott
My raison d'etre: Seeking and experiencing that which improves my life in all areas. The purpose of this blog: to share those incredible discoveries with others, hopefully making their lives even better!


Are you a Whovian or know someone that is? Then you will love these gifts for Doctor Who fans.
“Everything's got to end sometime. Otherwise, nothing would ever get started." - The 11th Doctor - A Christmas Carol
Do you know a huge Whovian? Are you searching for Gifts for Doctor Who fans? There are so many Doctor Who collectibles to pick from, it can be overwhelming. To make your decision easier, I have gathered my favorite Gifts for Doctor Who fans.
Below are 17 gifts for Doctor Who fans. I love all these pieces and would be super excited if I were to receive any of them.
1. CYBERMEN DOCTOR WHO PEN/PENCIL HOLDER | WHOVIAN GIFT | 3D PRINTED DESK ORGANIZER | SUCCULENT PLANTER
This 3D printed Doctor Who Cyberman holder can be used as a pencil holder or a succulent planter. The holder is available in 2 sizes medium and large. Buy a single planter for your loved one, or buy one of each. They make great gifts for Doctor Who fans.
2. DOCTOR WHO K-9 PLUSH
Every Doctor Who fan would absolutely love this plush K-9 figure. He is so cute! The robot dog could be sat on a shelf and admired or used as a door stop. Doctor Who’s K-9 has a 100% Cotton canvas exterior. He measures 18 inches x 10 inches x 10 inches.
3. RESIN BUST INSPIRED BY DR. WHO'S, THE SILENCE
You can terrify all your guests with this handmade Silence bust. Even though they will not remember what happened. This amazing gift for Doctor Who fans measures 10 inches wide x 21 inches high.
4. TIN - METAL SIGN - TARDIS PARKING ONLY - 8"X12" / 12"X18" INDOOR/OUTDOOR - GREAT HOME DECOR AND GIFT FOR DOCTOR WHO FANS
Here is a fun metal sign that can be hung inside or outside. The aluminum Tardis Parking Only sign is available in 2 sizes: 8 inches x 12 inches and 12 inches x 18 inches. These unique gifts for Doctor Who fans will bring a smile to your giftee’s face.
5. DOCTOR WHO THEMED MYSTERY GIFT BOX
Are you having a hard time deciding between all the amazing gifts for Doctor Who fans? Then check out this themed mystery box. The TARDIS box is packed full of over $210 worth of Doctor Who merchandise
6. DOCTOR WHO WEEPING ANGEL CERAMIC COOKIE JAR
This officially licensed Doctor Who Cookie Jar measures 11 inches tall. It features a Weeping Angel face on each side. One angel has its eyes covered, and the other is revealing its evil intentions.
7. DOCTOR WHO 13TH DOCTOR WITH GOGGLES POP! VINYL FIGURE
Here is a super cute Doctor Who Funko Pop! vinyl figure of the 13th Doctor. This figure is based on Jodie Whittaker’s character. She measures about 3.75 inches tall. It is the perfect gift for any Doctor Who or Funko Pop fan.
8. DOCTOR WHO 50TH ANNIVERSARY BRITISH ICON DALEK W/SOUND & LIGHTS
This is the ultimate Doctor Who Dalek collectible. It has been produced exclusively for Doctor Who's 50th anniversary year. It measures an impressive 12 inches tall. The limited-edition Dalek features a unique British Union Flag decor. It has a poseable arm, head, and eye. It also includes 10 Dalek phrases with lights and sound FX.
9. CUSTOM MATT SMITH SONIC SCREWDRIVER WITH BLUE LIGHTS AND MULTIPLE SOUNDS.
Every Doctor Who fan needs a sonic screwdriver. This handmade piece will definitely be a hit. This sonic screwdriver is based on the one Matt Smith used as the 11th Doctor Who.
10. DOCTOR WHO BLUE DALEK 16" TALKING PLUSH
Who knew the Daleks could be so cuddly? This Doctor Who character would make a great collectible plush. It measures 16 inches tall. It requires 3 LR44 batteries (included). Sure to make a great gift for any Doctor Who fan. Officially licensed.
The Dalek is also available in Red. You can find it HERE. These would make great gifts for Doctor Who fans.
11. DOCTOR WHO THE SEVENTH DOCTOR CERAMIC 3D MUG SYLVESTER MCCOY
12. DOCTOR WHO K-9 5 OZ. GEEKI TIKIS MUG
I can never get enough of K-9. Here is a whimsical tiki mug of our favorite crime fighting robot dog. K-9 measures approximately 2.7 inches tall x 2 inches wide x 4.14 inches long.
13. SINGLE "DR WHO" 21-OZ LASER ENGRAVED STEMLESS WINE GLASS - YOUR CHOICE OF 8 DESIGNS!
14. DOCTOR WHO VINYL RECORD CLOCK DR WHO
Here is a unique Doctor Who clock made from a vinyl record. The clock measures 12 inches x 12 inches. The clock uses 1 AA battery. It runs on a silent analog function, so there are no annoying ticking noises.
15. BABY POLICE BOX STAINED GLASS SUNCATCHER (MADE TO ORDER)
This stained glass Doctor Who Tardis is handmade. The artist uses the copper foil method. The baby police box measures approximately 3.75 inches wide x 6 inches tall.
A larger version is available HERE.
16. GALE FORCE 9 GF9DW008 DR. WHO TIME OF THE DALEKS BOARD GAME
Is your giftee a fan of board games? Then check this out. The Daleks are trying to take over and to do so, The Doctor must be erased from time itself.
17. LEGO IDEAS DOCTOR WHO 21304 BUILDING KIT
You are never too old for Legos. This Doctor Who Lego Set features the TARDIS console room. Included in the set are Clara Oswald, 2 Daleks, a Weeping Angel, the Eleventh Doctor, and the Twelfth Doctor.
You can also get a LED lighting kit for the set too! You can find it HERE.


My name is Gillian Armstrong. I have recently graduated with an MA from the University of Toronto where I focused on gender-bent Shakespeare performances. I am interested in adaptation, feminism, and classical theatre with a twist. I am also both a theatre admin and a wannabe theatre director.
The main purpose of this blog is to study Shakespeare. I love all Shakespeare but I am particularly interested in productions that adapt the context of the bard’s plays, textual edits, or gender-bending characters. My MA project looked at gender-swapped productions and why I believe they are a necessity to staging contemporary Shakespeare in order to make theatre inclusive and equitable.
I also have this blog so I can archive my thoughts on shows in case I forget things oops.


Hi, I’m Brittany. For as long as I can remember I have loved watching movies. I love how they can transport the audience into a different world or story, even for a brief moment in time. I’ve always wanted to find a way to keep track of the movies I have watched and express howI feel about them, and thus “A Movie A Day” was born.
I am an 8th grade English teacher. When I am not watching movies or blogging, I like to read, be active, hang out with my friends and family, and play with my dog, Keebler.


Clients of Freedom from Torture will bring their stories to audiences for acclaimed play, The Jungle, when it transfers to the West End in July. They won’t be on the stage but their voices and stories can be accessed via audio and video recordings installed in the theatre.
The clients are members of the Write to Life Group whose journey to rehabilitation includes creative writing and performance as well as other kinds of activism. They recorded their experiences to help bring their stories to a wider audience and aid understanding of what is really involved in finding a safe home in the UK.
The audio recordings techniques was previously used to accompany the play The Claim, by Tim Cowbury, and directed by Mark Maughan, which toured theatres earlier this year. Clients spoke with the playwright and director about their experiences. This helped to shape the narrative, which depicted a bizarre asylum interview between a refugee, his case owner and an interpreter, more interested in responding to each other than in listening to the refugee’s story. It is a tale of misunderstandings, often wilful ones, and underlines the perils of translation and the importance of listening.
The play is set in the former “jungle” refugee camp at Calais, gathering point for refugees and migrants who aim to make a new life in the UK. The play tells stories of the camp and its eventual destruction by French authorities.
Write to Life co-ordinator Sheila Hayman says of The Claim:
"The asylum interview is an experience nobody would want to endure. It was hard persuading our group members, all torture survivors, to revisit it for the audio recordings which recall their personal experiences. A male interviewer, for example, repeatedly asking a female survivor how often she was raped, and by how many men, or a translator repeatedly translating “I was not drunk” as “I was drunk”, are not things that should happen in a civilised society."
This time the clients were not involved in the creative development of The Jungle but there is no doubt that it reflects at least some of their own experiences. The play is set in the former “jungle” refugee camp at Calais, gathering point for refugees and migrants who aim to make a new life in the UK. The play tells stories of the camp and its eventual destruction by French authorities.
For the audience, the play is an immersive experience with some of the audience sitting on benches in the Afghan café, centre of camp life, and others (in the circle) observing the scene from the White Cliffs of Dover, across the channel. The play was a sell-out in its earlier staging at the Young Vic and will no doubt do even better at The Playhouse, where it previews from 16 June with an opening night on 5 July.
The perennial challenge for producers of theatre works as moving and engaging as this is to harness the emotion and energy stirred up in the audience by the performance. In the case of both The Claim and The Jungle, the producers wanted their audiences to understand the reality of what they had just seen depicted on stage, and then to have a way to act on it.
Through this link to Freedom from Torture and its work, they will be able to do this, and with luck make a real and lasting change so that future asylum seekers will be spared the horrors depicted in the plays.
Lost and Found, an earlier production by Write to Life, will be performed in a new version at the Victoria and Albert Museum on the afternoon of Sunday 17 June, as part of Refugee Week celebrations. All performance are free. See here for more information on time and place of performances.
Further information and tickets to The Jungle.
For more information on Write to Life click here.


Unseen footage and extended clips from the award winning skateboard video “Fulfill the Dream”. Part II – Featuring; Chad Muska, Peter Smolik, Steve “Crazy Monk” Olson, Brandon Turner, Aaron Snyder, Jesse Silvey, Toan Nguyen, and Sammy Baptista. Shot and Cut by Erik Hatch.
Jesse Silvey8 Videos
Unseen footage and extended clips from the award winning skateboard video “Fulfill the Dream”. Featuring; Chad Muska, Peter Smolik, Steve “Crazy Monk” Olson, Brandon Turner, Aaron Snyder, Jesse Silvey, Toan Nguyen, and Sammy Baptista. Shot and Cut by Erik Hatch.
A preview of the upcoming Skateboard Stories episodes (10-20). Featuring footage from 1995 of; Carl Nunes, Mike Santarossa, Dylan Gardner, Tony Tieu, Hard Rock Pro Vert Contest at Fashion Island, Joey Pulsifer, Noe Flores, Chris Orr, Russ Pope, Ricky Higgins, Jeff Taylor, George Nagai, the 810 Castillo House, Tony B., Rick Kosick, Jacob Rodrigue, plus […]
HOMiE VIDEO 0:00 – Black and White Super8 film from 2004 and 2008. Featuring; Benny Bermudez, George Nagai, Jacob Rodrigue, Ajana Green, The Tiburon Tickler, Bird, J.P., August, Kim Hatch, Alexi Bayly, Noe Flores, David Flores, Ian Hatch, The Dude, Bofa, Erik Hatch, Jesse Silvey, Beto Guerrero, Masaki Itoi, Ricks, Anthony Petti, Kyle Liddle, Baron […]
Fulfill the Dream. Iconic skateboard video produced by Shorty’s Skateboards in 1998. 20 year anniversary. Chad Muska, Steve Olson, Peter Smolik, Jesse Silvey, Sammy Baptista, Toan Nguyen, Aaron Snyder and Brandon Turner. Directed by Tony Buyalos. Edited by April Hamrick. Filmed by Erik Hatch, Danny Minnick and many more. Premiered at Snow Valley Resort in […]
While I was filming for Shorty’s (1995-2002) I was also making the Church of Skatan videos. During the filming of Guilty, we had no plans for a new Church video and I had started filming with my friends and also many various shredders from SLO, SB, and Ventura counties (and more). The video that came […]
Jesse Silvey with a casual noseblunt slide in downtown Boston Mass. Early 2000’s.
Caleb Moore, Johnny Oliver, Jesse Silvey and the boys skate the Powell Skatezone in Goleta Ca. 1989-1990.


Here are eight more stories of Grace, the popular character from Amazing Grace and Starring Grace. Grace finds that her family is changing and so is her group of friends. There's a new girl who puts Grace's nose out of joint, a production of Sleeping Beauty that aims to be very different, a school bully to contend with, and goodbyes to be said to a friend who moves away. Grace has to adapt to a new member of the family, and learns how it feels to lose someone. And as always, when things change for Grace, she turns to stories for inspiration.
Publisher: Frances Lincoln


TUM has rare talent in Performing Arts. Much as the institution is associated with TVET it has students drawn from all Faculties to form ‘TEAM KUBWA’, TUM’s Drama Club. This year the team did TUM proud at the Kenya Nationals Drama and Film Festival held in Bungoma County from 3rd to 13th of April 2019 at Kibabii University.
A total of thirty one (31) Universities across the country participated at the event. The Drama group represented TUM very well and the results were outstanding. Among the items presented were a Kiswahili play ‘Vilipuzi’, written by Yusuf Dalu and Co-Directed by Daniel Mwaringa and a Documentary Feature - ‘Against the Grain’ done by our very own student in the Communication Studies Department, Samuel Namukhana. The play whose theme was advocacy against negative misuse of social media, besides winning the best Kiswahili play was awarded the best play in advocating for generation and use of clean content on the internet. Other awards for the play included: the ‘Best ‘Comedy’ and the ‘Best Production Design’.
On the other hand, our Feature Documentary on encouraging women in TVET was awarded the second best overall. Other awards for the film included: ‘Best Producer Award’, ‘Best Presentation’, ‘Best Director Award’, ‘Best Documentary Feature’ and ‘Best Cinematography’. They say the sky is the limit but for TUM it is way over and above the clouds.


I am a really big TV junkie ... I can't remember a time where I didn't love watching television. And I've had many favorites over the years.
When I was little, it was:
Pee-Wee's Playhouse ... I'm sorry, he's just awesome. Still funny today, too.
Then, when I got a little bit older, it was:
Clarissa Explains it All ... I loved her outfits.
The Wonder Years ... This show still makes me emotional.
Beavis and Butthead ... Again, they are still hilarious and still relevant.
Daria ... Just so incredibly smart and well-written.
Beverly Hills, 90210 ... A completely juicy, trashy guilty pleasure.
The State ... HI-larious.
Then later on it was:
My S0-Called Life ... This show spoke to me on so many levels. This was my adolescence.
Friends ... I have the lines from practically every episode memorized.
And then even later it was:
Sex And The City ... Just so very smart, funny and well-written. Makes me miss my girls.
What Not To Wear ... I've watched it since the first episode. They are amazing.
and now it's:
Mad Men ... Hands down the best show on television.
What do you love watching on TV?


I always like to comment on things happening in American culture and evaluate them from a Christian worldview. While politics has dominated my recent posts, I am not in any danger of becoming a ‘political’ blog. Fireproof was released in theaters recently and is a movie you will want to see. It deals with the type of marital conflicts that I have talked with couples about for years; stress, conflict, values, intimacy, work, etc. Joyfully, it diverges from the typical film describing a marriage with problems and shows how one couple overcomes their difficulties by applying Christian values.
Focus on the Family said:
As the couple prepares to enter divorce proceedings, Caleb’s father challenges his son to make a 40-day commitment called, "The Love Dare." Caleb becomes frustrated throughout the process and finally asks his father, "How am I supposed to show love to somebody who constantly rejects me?" When his father explains that this is the love Christ shows to us, Caleb makes a life-changing commitment to God. He then faces his toughest job ever: rescuing his wife’s heart.
MovieMinistry.com also had a great review
Firefighter Caleb Holt is willing to sacrifice his life to save strangers from death in burning buildings, but his reluctance to sacrifice anything at all for his wife, Catherine, is tearing their marriage apart. As Caleb struggles with his anger and his addiction to pornography, Catherine is drawn to the romantic advances of a colleague at work. Neither of them seem very interested in saving their marriage, until Caleb’s father steps in and challenges his son to take The Love Dare: forty days of exercises in unconditional love that may or may not change Catherine’s decision to file for divorce, but will certainly change Caleb forever. Fireproof is from the studio that made Facing the Giants.
The NY Times says, It’s a Healthy Marriage of Faith and Filmmaking
An almost all-volunteer cast and crew, including a star who was an ’80s teen heartthrob, and a plot about a firefighter who saves his marriage by turning to God — it hardly sounds like a recipe for box office success, let alone a best-selling book. But that’s what the film “Fireproof” has spawned. The movie features Kirk Cameron, an alumnus of the television show “Growing Pains,” as the firefighter, and it cost just $500,000 to produce. Yet it opened two weekends ago with $6.5 million in ticket sales, good for No. 4 at the box office, just a few spots behind the No. 1 big-budget action thriller "Eagle Eye" and five spots ahead of Spike Lee’s World War II epic, “Miracle at St. Anna.” This past weekend “Fireproof” made $4.1 million more and so far has about $12.5 million total, according to estimates by Media by Numbers, a box office tracking company.
Enjoy the trailer:


Who gets to tell the story matters. We think it's time that women's voices get heard.
SheWorxx is an evolving community of Tucson-based theater makers—playwrights, directors, actors, dramaturgs, designers and others—building gender parity and sisterhood in theater locally and globally through community engagement, mentoring, peer education, and the production of works by women. Sheworxx is being incubated by the YWCA Southern Arizona. Performances are held at the YWCA's Frances McClelland Community Center, 525 N. Bonita Avenue, Tucson 85745.
The facts: Seventy percent of all theatre tickets are purchased by women, women make up 60-70% of American theatre audiences and 50% of all graduate theatre students are women. Yet, over the past 25 years, just 12-17% of staged plays in the US were written and/or directed by women. In the 2014-2015 theatre season only 24% of all plays produced were written by a woman, living or dead. Sixty-eight percent of the Broadway audience is female, but there was not a single new play by a woman on Broadway in the 2013–14 season, despite the fact that, on Broadway, shows written by women (who statistically write more female roles than men) actually pull in more at the box office than plays by men. Sheworxx is our response.


Finally a Kristen Stewart movie I don’t have to be ashamed of looking forward to. Death to Twilight!
So it’s going to be Snow White vs Snow White next year and I for one hope the battle comes out to be a tie because both films look fantastic. In fact if it wasn’t for the fact that I knew they were based on the same story I would have never thought to compare the two Snow White films as the appear to be drastically different.
Mirror Mirror looks like a fun comedic take on the Snow White tale with a goofball Julia Roberts as the evil queen, Lily Collins as the pretty princess that might shockingly be kind of bad ass, and Armie Hammer as the hot dork of a prince.
Looks like a pretty fun ride, right?
Snow White and the Huntsman on the other hand is all dark. Charlize Theron is deliciously evil and Kristen Stewart is the type of character I always felt she should play. Gone is weak little Bella Swan and in comes Snow White a girl that doesn’t wait to be saved but does the saving herself and for that I say thank god. Kristen never struck me as the helpless weak girl she played in the Twilight films, so this is a fantastic change.
Oh and Snow White may be getting her time in the spotlight now, but does anyone remember this…
When this came out it didn’t get the credit it deserved because it was pretty damn good.


It's hard to know what to write about BB King. 89 years is more than a decent innings but I'm still sad. For me, his music isn't so much about the songs, it's about his guitar tone and his attitude. Even from the point of view of a fan who never even sat in the same room as BB, it's obvious that he was a true gentleman. My Friend DJ BudE did indeed meet Mr King twice and said that, "you could tell that he took the time with people no matter their age or status".
BB King - You're Gonna Miss Me - https://youtu.be/12MKmxnH2yY
U2's Rattle and Hum film and double LP marked a resurgence in interest in BB Kin'g music. It's probably my favourite "rockumentary". There are three pivotal moments in the movie for me. First is when the picture moves from black and white into stunning technicolour during "Where The Streets Have No Name". That bit is wasted on a small screen, you have to see it at the cinema to understand. The second bit is The Edge playing a Rickenbacker at Sun Studios during the recording of "Angel of Harlem"; it's almost the perfect sound. And then there's the footage with BB King which is sublime.
BB King and U2 - When Love Comes To Town (Rattle and Hum excerpt) - https://youtu.be/ZRHV-HWhqWQ
Freddie King, Albert King and BB King are all gone now but the Blues lives on. "We Three Kings" indeed...
I've got nothing else this week. Buy yourself a ticket to see us play on May 30th, it's a great show.
"The sky is cryin', look at the tears rolling down the street...", Elmore James, The Sky Is Crying, 1959.


Frequently Asked Questions
How can I bring Defining Hope to my school, hospital, or community?
To arrange educational licensing or to organize a screening of the film, please contact Estelle Grosso at [email protected].
How do I receive the contact hours available for viewing the film?
Nurses will receive 1.25 free contact hours for watching the film and completing the evaluation thanks to the generous support of Walden University. Walden University is accredited as a provider of continuing nursing education by the American Nurses Credentialing Center’s Commission on Accreditation.
To obtain your CE, please visit https://hope.film/cne.
After you complete the evaluation, you will be able to download or print your certificate.
Can I buy a DVD of the film?
Yes! DVDs of Defining Hope became available for purchase in June of 2018. The film is also available for digital download through Kino Lorber and on iTunes.
For more information, please contact:
Lisa Frank, Producer ([email protected])
Sign up for our mailing list here: http://eepurl.com/bCKh9f
Or fill out the form below:


Written by Lizzie Jago – Music by Anna Rusbatch
Celebrating the triumph of the human spirit, this musical is dedicated to refugees, all over the world.
Kesho Amahoro is a true story, set in Benaco Refugee Camp in Northern Tanzania during the Rwandan Genocide in and 1994. It tells the story of the young refugee Esperance, and her siblings. They join the resilient Kasulu Street Kids and face incredible setbacks and deep heartache, but manage to look positively to the future.
A cast of 100 young performers from Braeburn High School, Kenya and Downs Junior School, Brighton, plus a small youth and adult orchestra, will come together to bring this extraordinary musical to life.
Lizzie Jago and Anna Rusbatch founded the Chicken Knitters Theatre Company in 2009 in Kenya. The Company strives to create innovative, challenging and thought-provoking musicals that raise awareness of social issues, historical events and true stories.
Kesho Amahoro was first performed in 2010 in Kenya. The Rwandan High Commissioner to Kenya (former Ambassador) H.E. Mr William George Kayonga attended the final show:
“I didn’t know what to expect, but WOW, it was a great, great play... In Uganda, I was a victim of bullying in school, based on the fact that I was a refugee... Thank you very much for the message you shared today.”
Kesho Amahoro will make its UK debut in London, on stage at the Rose Theatre Kingston at the International Youth Arts Festival 2013. Ticket sale profits will be donated to Save the Children and the UNHCR to support the children of Syria currently facing the difficulties of life as a refugee.
26th July 12.00
27th July 19.30
28th July 12.30
For tickets contact the Rose Theatre Box Office:
Tel: 08444 821556 or visit www.rosetheatrekingston.org


Kristina Sunshine Jung is a daughter of infamous drug trafficker and smuggler George Jung and drug-addicted mother Mirtha Jung. She is a writer, poetess, and businesswoman and famous as a daughter of drug lord George Jung after the release of movie ‘blow’ in 2011. She had an unfriendly and sour relationship with her father as depicted in this movie. Find out in this article that what her net worth, occupation, personal life and her relationship with her father are.
She was born in 1978 to Mirtha Jung and George Jung. Her father was the key member of the organized drug cartel named Medellin Cartel and her mom was cocaine addicted. Her parents got divorced when she was 6 years old in 1984. She never had a chance to live with him but she reconciled with her dad when he released from jail in 2014. After the release of this movie, she visited her father when he was in jail in 2002. Now they both are in a good relationship as they both spotted at events. She also posted photos with her father on her Instagram account. She is running a clothing business with her father and the name of their brand is ‘Boston George (BG) Apparel and Merchandise’.
Kristina Sunshine Jung was also the part of movie ‘Blow’ that was based on the life of her father but later her scene with Johnny Depp has been deleted on the request of the federal government by motion picture company but these scenes can be found in the DVD version of this movie. This film was released in 2001 and nominated for Oscars. Her scene was acted by actress Emma Roberts and her mother played by Spanish actress Penélope Cruz. In this fil, she never visited her father when he was in prison.
Personal life & net worth:
There is no information when she got married. Her husband name is Romian Karan and the couple has one child together and it is a daughter named daughter Athena Romina Karan. She is living with her family in California. She was raised by her paternal grandparents and her aunt. She is a businesswoman and her estimated net worth is $150 k in the year 2018.
Kristina Sunshine Jung’ quick life facts:
|Name||Kristina Sunshine Jung|
|Nick Name||Kristina Jung,|
|Date of Birth||08-01-78|
|Place of birth||Florida, USA|
|Father name||George Jacob Jung A.k.a Boston George and El Americano|
|Mother name||Mirtha Jung|
|Siblings||1 (Clara Pearson, half-sister)|
|Step-mother||Ronda Clay Spinello Jung|
|Famous for||Daughter of drug lord George Jung|
|Occupation||Writer, poetess, Entrepreneur & businesswoman|
|Husband name||Romain Karan|
|Daughter name||Athena Romina Karan|
|Net worth||$ 150K|
|Grandparents (her guardians)||Frederick Jung and Ermine Jung|
|Aunt (who raised her at the age of 18)||Marie Jung|
|Her clothing brand name||BG Apparel and Merchandise|
|Movie||Blow (2001) with Johnny Depp|


SELLO MOLEFI is a Singer-Songwriter, Music Composer and Arts Leader from Kroonstad South Africa. Sello studies took place at FUBA Academy in Johannesburg and Wits University Music School. His career as a vocalist landed him a role in Disney’s The Lion King, which originally brought him to Australia in 2003. Sello then toured with the production to Shanghai, back to Johannesburg then onto the West End in London.
In 2016 after finishing the contract Sello decided to go home to South Africa to fulfill a life long dream and open an Arts Centre, and so Bokamoso Arts Centre was born. He is an accomplished composer, working in both stage and screen and most significantly wrote the theme song for the movie Elephant Tales. Sello composed, directed and performed his original show ‘Mantswe’ at the 2009 Melbourne FringeFestival an his first EP ‘Mamelang’ came out in 2016. ‘Mamelang’ draws it’s inspiration from the humble beginnings of Negro Spiritual hymns, choral, jazz spoken word and African Traditional Sounds. Sello is now
back and on tour with MADIBA the Musical and working on his new EP.


The Video College was set up through a local residents' association in 1994 to give people of all ages an opportunity to train in one of the most vital areas of film making. Once we've re-established a group of interested and committed young people, we'll again be opening up after school, Saturdays and on holidays. Ready to Work in Film 2015 was developed to focus on the needs of the film industry and of eight 18-24 year olds (four women and four men) from black, Asian and ethnic minority communities who are serious about working in UK film.
The six-month film training programme will be followed by industry placements and a screening. It will help to redress the current under-representation in creative, technical and production grades of the UK film workforce of women, people from minority, economically disadvantaged groups, including those who are disabled. It will also identify, develop and fast-track new and diverse talent that can reach and communicate with new audiences.
Reviews and Ratings
We do not have any reviews about The Video College available right now.


I am primarily adept at recording and delivering voice-overs for commercials, voicemails, audiobooks, podcasts, and cartoons/animations. My voice versatility and the styles best suited for my voice include announcements, girlish, upbeat, hip, feminine, child-like, informational, inspiring, perky, and storytelling roles. My voice age range is 12 to 20 years of age, and I consistently speak clearly and pleasingly.
As a Voice Over Actress, I use my emotional intelligence and comprehension skills to accurately interpret scripts and bring the characters to life in the way the directors and writers intend.
My equipment includes a condenser mic, sound insulator, Focusrite audio interface, and Adobe Audition.


Actor says The Adhan got into his spirit during the shooting ‘Taken 2′ in Istanbul
The Irish actor admitted to the Sun newspaper that The call to prayer (Adhan)
happens five times a day, and for the first week, it drives you crazy, and then it just gets into your spirit, and it’s the most beautiful, beautiful thing.
Neeson was born in 1952, in Ballymena, Northern Ireland. Neeson worked as a forklift operator for Guinness, truck driver, assistant architect and an amateur boxer. He had originally sought a career as a teacher by attending St. Mary’s Teaching College in Belfast. in 1976, Neeson joined the Belfast Lyric Players’ Theater and made his professional acting debut in the play “The Risen People…


This room has been called a “jewel” for the community of Paola. It is a historic theater that holds 299 people and can be used for concerts, movies, theatre shows, political forum, dance recitals, and much more. Renovated in 2009, it comes complete with remote-controlled lighting, surround sound, Blu-ray/DVD access, microphones, a full-stage width movie screen, and a variety of stage backdrops.
SCHWARTZ FAMILY THEATER
For further information or to set an appointment to fill out a rental contract, contact
Chad Myers at (913) 259-3650


I could not believe my eyes when I read on July 24th, "The first lawsuit from the Colorado shooting has been filed by an uninjured man." I struggle to see how anyone could sue over this tragic event, let alone an uninjured man. Folks, please know that the vast majority of attorneys who represent plaintiffs are professionals who would never file such a claim. Please also know that our legal system usually works. I am confident that a judge will dismiss the case.
Torrence Brown is the man suing the movie theater and other defendants. He says he was at the "Dark Knight" premier in Colorado when the lunatic with the orange, Oompa Loompa hairdo (credit my friend, Jay Squires for that line) opened fire inside the movie theater. Mr. Brown was not injured! His best friend was shot in the chest and died. If there is a legitimate cause of action, let the best friend's family bring it.
Instead, Mr. Brown is suing the movie theater, the doctors of the lunatic, and the film studio that produced the "Dark Knight." Here are Mr. Brown's theories. First, the theater was negligent for having an emergency door that was not equipped with an alarm. This allowed the murderer to exit the theater after purchasing a ticket and reenter with his cache of weapons. No rational person can believe that a door alarm would have stopped this killer. He could have reenterd through the front door. Who was going to stop him, the pimply faced kid behnd the popcorn counter? Moreover, movie theater owners don't have a duty to foresee that crazy third parties are going to burst into their establishment with assault weapons. Brown's second theory is that the murderer's doctors were negligent for not carefully monitoring the medicine he was on. How can Mr. Brown's attorney even know at this early stage what, if any, medications the murderer was prescribed? It's obviously rank speculation. Moreover, doctors prescribe medication. They cannot force a patient to be compliant. Finally, Mr. Brown claims that Warner Bros. is negligent because the blueprint for this heinous shooting episode may have been a scene from the last Batman movie where the Joker bursts into a high-society event and terrorizes the patrons. This is rank speculation. Even if it's true, Warner Bros. cannot be held to be responsible for how a mad man reacts to a movie scene.
This case is far more egregious than the lawsuit filed against the New York dry cleaner over the missing pants. In the wake of a national tragedy, this lawsuit is downright disrespectful. I'm pissed that some lawyer is willing to harm the reputation of the profession by filing this case. I welcome your comments, but please don't expect me to justify this lawsuit because I cannot.


by javabeans | April 18, 2010
As announced last week, Yoon Eun-hye is making a cameo appearance on MBC’s Personal Taste, and recently shot her scenes. The stills were released on the 19th and depict her unplanned reunion with Lee Min-ho, her ex.
Yoon Eun-hye plays “Eun-soo” (a change from the previously reported “Eun-hye”) in these scenes, filmed at a movie cinema in Ilsan on April 18. She and Jin-ho (Lee Min-ho) dated in their university days, after which she went to Johns Hopkins University and became a doctor. In the episode, Eun-soo runs into Jin-ho as the latter is about to buy movie tickets with Kae-in. News of this former relationship gives Kae-in a hint as to Jin-ho’s actual status as a straight man — although knowing her, I bet she’ll write it off as mere college experimentation or some such. (Love her, but she’s not exactly the sharpest knife, is she?)
You probably recall that Yoon Eun-hye had almost been the lead in this project when it was first announced. She said of taking the guest spot, “Because I had been looking with interest at Personal Taste, I readily agreed to do the cameo.”
Via Star News


I make a distinction between movies that are "good" and those that I enjoy watching repeatedly. While there has to be *some* overlap, there doesn't have to be much. Think about a movie like Schindler's List, which is generally regarded as a well made and "good" movie. It's also not the kind of movie that I'd watch very often given its content.
Contrast that with a movie like Goonies, which isn't going to win awards for writing, directing, etc. However, it's a fun movie that lots of people my age wore out the tape of on the old VCR.
Well, when these movies disappeared, I was angry, but since I was the one to lose them, I had no one to blame but myself. So, I just hit Amazon and ordered used copies. The last of them came yesterday and my collection is back to complete.
The 3 movies in question?
- Shaun of the Dead - Best zombie romantic comedy ever.
- Bubba Ho Tep - Elvis and a black JFK fighting a 4000 year old mummy in a nursing home. What's not to like.
- Strange Brew - Don't like this one, eh? Well, take off, you hoser.


HAPPY HALLOWEEN – KEN GARFF NISSAN SALT LAKE
25 Best Horror Films of All Time (NSFW)
When it comes to horror movies, opinions are like ax holes: Nearly everybody’s got one.
So Wired.com went straight to the experts for this frightful film roundup. Since 1979, horror magazine Fangoria has waltzed on the bleeding edge of the genre, dedicating itself to coverage and criticism of gore, splatter and exploitation films and the people that make them.
Just in time for Halloween, we asked four of Fangoria‘s savants of slash — Editor-in-Chief Chris Alexander, Managing Editor Michael Gingold, Director of Marketing Bekah McKendry and Contributing Editor Sam Zimmerman — to spill their guts on the top 25 horror films of all time.
(NSFW alert: Some photos in this gallery are not safe for work.)
Chris Alexander: Disturbing one-of-a-kind creeper that also effectively killed director Tod Browning‘s career.
Michael Gingold: Let’s see someone try to remake this one today.
Bekah McKendry: One of the first cinematic examples of the antihero, and a concept that was way ahead of its time. Plus, the dinner scene reminds me of most Fango staff meetings!
Sam Zimmerman: Aside from the generally disturbing qualities this film has throughout, the sheer out-of-controlness of the end reveal makes my life better.
The Wolf Man (1941)
Chris Alexander: Lon Chaney Jr. hunts for blood on the moors in Universal’s emotionally sophisticated shocker.
Michael Gingold: The movie that made the full moon what it is today.
Bekah McKendry: Dracula and the Invisible Man were always so educated and classy. You could picture the Wolf Man in a seedy bar slamming Rum Runners before jumping on his Harley. Chaney played the transformation brilliantly and laid the groundwork for many great werewolves to come.
Sam Zimmerman: My personal preference of the Universal classics. It’s a beautiful, tragic story, plus werewolves will forever be the most boss of monsters.
House on Haunted Hill (1959)
Chris Alexander: The king of the gimmick flick, William Castle, teams up with the Prince of Ham, Vincent Price, in this creepy haunted-house classic.
Michael Gingold: Quintessential Castle … watch out for floating skeletons!
Bekah McKendry: The P.T. Barnum of the film world brings you flying skeletons, an overly dramatic Price and a cinematic experience that is campy yet pure brilliance.
Sam Zimmerman: I truly love that in Castle’s universe, it’s completely normal and even a bit of demented fun that married couples are forever out to kill each other. The only other horror film I smile at as much is Creepshow.
Eyes Without a Face (1960)
Chris Alexander: George Franju’s epic mad-scientist drama still has the power to turn stomachs.
Michael Gingold: Proof that black and white can shock you just as powerfully as color.
Sam Zimmerman: An early indicator that the French were up to no good when it came to frights. It’s incredible.
Bekah McKendry: Like the also-French Grand Guignol, it has been the subject of a long-running debate about whether it is exploitive horror or artistic genius. This film unquestionably shows that horror can be art.
Rosemary’s Baby (1968)
Chris Alexander: The movie that put Polish director Roman Polanski on the U.S. map is nothing short of a masterpiece, with a waifish Mia Farrow carrying Satan’s spawn to term.
Michael Gingold: Sometimes, the devil you know is worse …
Bekah McKendry: One of the best examples of a postmodern horror movie. The horror just keeps on rolling after the film ends. Plus, it is a beautifully subconscious commentary on the 1960s’ sexual revolution and control of the female body.
Sam Zimmerman: So much of horror relies upon your own emotional connection to the characters. Rosemary is without a doubt one of the sweetest, most well-meaning and adorable protagonists in horror history. Watching what should be a tremendously happy time in her life become a monstrous plague on her body and psyche, via Polanski’s expertise with dread, kills me every time.
The Exorcist (1973)
Chris Alexander: What more can be said about this theological thriller other than it continues to be one of the most terrifying films ever made?
Michael Gingold: A movie that can still turn heads nearly four decades later.
Bekah McKendry: This film turned Linda Blair into a horror starlet, and for Washington, D.C., natives (like myself), it turned a long set of stairs into a horror mecca.
Sam Zimmerman: Few times have I ever been flat-out horrified at a film. Captain Howdy‘s terrible powder-white face is one of them.
The Wicker Man (1973)
Chris Alexander: Gothic, earthy and weird thriller that combines sex, paganism, mystery and black humor to grand effect. Builds to one of the most alarming climaxes ever.
Michael Gingold: This unique cult item keeps the horror tantalizingly just off screen for most of the running time, before winding up with one of the scariest finales ever. And who knew Christopher Lee has such a great singing voice?
Bekah McKendry: A religion that promotes naked musical dance numbers and wild orgies. Where do I sign up?
Sam Zimmerman: Wait, we’re not talking about the Nicolas Cage version?
The Texas Chain Saw Massacre (1974)
Chris Alexander: Gritty, filthy and blackly funny, Tobe Hooper’s savage shocker is like hell itself unleashed on-screen.
Michael Gingold: Perhaps the most notorious horror title in film history.
Bekah McKendry: There were no grand settings or lavish costumes. Instead, the putrid visual aesthetic of this film oozes off the screen, making it a horror classic.
Sam Zimmerman: This was probably the first film in which it was hammered home to me that not everything evil happens at night.
Chris Alexander: Steven Spielberg’s nerve-shredding adventure sees a monstrous shark terrorizing a small New England town. Even after multiple viewings, this one still maintains its primal power to manipulate an audience.
Michael Gingold: Watch it once for the shark, watch it twice for Spielberg’s best-ever work with actors.
Bekah McKendry: To this day, I cannot swim in any ocean, lake or oversized bathtub without recalling this movie.
Sam Zimmerman: The Fango team just called me “Son of Hooper” last week.
Chris Alexander: Sad, stylish and shocking Brian De Palma-directed melodrama improves upon Stephen King’s novel and offers a revelatory performance by Sissy Spacek as a tormented teen cursed with telekinesis. Moving Pino Donnagio score and a head-spinning last reel (and final shot!).
Michael Gingold: Thanks to King and De Palma, countless people don’t feel so bad about how their own proms went.
Bekah McKendry: This movie offered a shockingly real depiction of what it is like for girls to come of age in sexually repressive environments … minus the telekinesis, which, if I had possessed it during my teen years, I would have used to mentally smack up bitches left and right.
Sam Zimmerman: I’ve always been oddly attracted and emotionally drawn to tales of damaged female protagonists, and that can probably be traced back to my extreme love of this film. (P.S. You should see its contemporary spiritual soul mate, May, starring Angela Bettis and directed by Lucky McKee. It’s marvelous.)
Chris Alexander: Italian director Dario Argento‘s designer horror show is like a blood-spattered, feature-length rock video, full of sound, fury, style and gore.
Michael Gingold: Argento’s most popular film and greatest visual feast grabs you by the throat and shakes you for 90-odd minutes … and makes you love it.
Bekah McKendry: This was honestly one of the films that pushed me to study and write about horror instead of just being a die-hard fan. The visuals and sound in this film are a feast for the senses.
Sam Zimmerman: While it may not be your favorite Argento (I would say it’s mine), it’s probably the best introduction into his wild, colorful and often nonsensical universe, one with an absolutely killer soundtrack and that remains eerie, creepy and very affecting.
Chris Alexander: The first big American body-count movie put John Carpenter on the map and birthed a wave of stalk-and-slash exploitation. But very little blood is spilled on-screen here, and the picture is a testament to Carpenter’s fluid style and intense electronic music.
Michael Gingold: The movie that scared the life out of me at an impressionable age and set me on the path I’m still following today. Would that Michael Myers would go after those responsible for all the awful sequels and rip-offs.
Bekah McKendry: Would I be tarred and feathered if I professed my extreme love of Halloween III: Season of the Witch?
Sam Zimmerman: The juxtaposition during P.J. Soles‘ death should be enough to justify this film as the classic that it is. Thankfully though, the rest of Halloween is just as great.
Dawn of the Dead (1978)
Chris Alexander: The Gone With the Wind of zombie films, George A. Romero‘s epic, explicit tale of the living-dead apocalypse gets better with age, featuring revolting gore, multidimensional characters, action, humor and full-blooded horror. Often imitated, rarely duplicated.
Michael Gingold: The most conspicuous consumption ever seen on a movie screen, and one of the few films in history to singlehandedly create an entire genre.
Sam Zimmerman: That one zombie’s flannel is on point.
Bekah McKendry: Even during a zombie apocalypse, the mall is packed!
Chris Alexander: Wes Craven may have streamlined the concept, but Don Coscarelli got there first, blurring dreams and reality in a tale of a Tall Man, haunted graveyards and brain-shredding silver spheres.
Michael Gingold: The first R-rated horror film I ever saw in a theater still creeps me out today. Do you have the (silver) balls to sit through this one without flinching?
Bekah McKendry: I have read countless internet debates on whether or not this is actually a good movie or just really overhyped. Yes, it is a good f’n movie!
Sam Zimmerman: I’ll never forget the first time I saw Phantasm and its peek into the other dimension/world, and I realized how much I love horror films that are completely unafraid of having scope and being bat-shit crazy.
Cannibal Holocaust (1980)
Chris Alexander: Gruesome, depressing, exploitative and unforgettable Italian epic that is as wrenching as it is indefensible. Fans of cute furry animals, turtles — and humanity — should probably avoid this one at all costs.
Michael Gingold: Sorry, I can’t get behind this one. Yes, it has a place in the halls of notoriety, but killing real animals on-screen is a kind of horror I can’t stomach.
Bekah McKendry: A depraved piece of video nasty that will forever be used to test horror chops and stomach control.
Sam Zimmerman: This film has been blown out of proportion as a sort of rite of passage for gore and shock-hungry horror fans. While no doubt very disturbing, it holds a lot more value than that. It’s genuinely scary, has haunting music and what’s probably my favorite last line of any movie.
An American Werewolf in London (1981)
Chris Alexander: A towering horror film laced with genuine humor and charm, John Landis’ wolf-man reimagining is pretty much a perfect movie, goosed by Rick Baker’s alarming man-to-monster FX.
Michael Gingold: Any movie that gave horror an extra foot in the door at the Oscars deserves its place in genre history.
Bekah McKendry: Awesome! Awesome! Kicks ass! Awesome!
Sam Zimmerman: American Werewolf is my favorite movie of all time. It contains the best transformation scene, is a shining example of horror/comedy that hasn’t been surpassed, the werewolf design and attacks are frightening and intense and the comedy is naturalistic and witty. It’s just all-around perfect. I shit you not.
The Beyond (1981)
Chris Alexander: Italian horror masterpiece driven by abstract gore, atmosphere and throbbing music.
Michael Gingold: So hypnotically stylish and memorably gruesome, it doesn’t have to make sense.
Sam Zimmerman: In every zombie movie ever, the main character comes across an undead child and, for at least one whole minute, wrestles with his emotions about the necessity and moral ethics of destroying one so young. In The Beyond, David Warbeck blows the brains out of that evil little ginger without a second-guess, and it results in one of the best head shots of all time. The Beyond rules.
Bekah McKendry: Sam, why you gotta bring gingers into it, punk? Anyway, The Beyond is like a bottomless bottle of acid slowly being poured on your brain. Wait, I think that scene is in the movie.
The Evil Dead (1983)
Chris Alexander: Sam Raimi rubbed dimes together and made horror history with this ballistic shocker of demonic possession and relentless gore.
Michael Gingold: Even the camerawork is scary in Raimi’s DIY horror classic.
Bekah McKendry: This film is often glossed over as casual horror fans leap at Evil Dead II and Army of Darkness, but true horror fans know the roots, and that it takes the solid foundation of this film to continue the brilliance in the sequels.
Sam Zimmerman: Truthfully, I prefer Evil Dead II, but the overarching influence of Raimi’s original is not to be ignored. It’s full of style, originality and nasty fun.
Chris Alexander: David Cronenberg refines his body-horror obsessions, making deft observations about technology, voyeurism and, of course, sex in this paranoid masterpiece.
Michael Gingold: An ahead-of-its-time flop when first released; happily, fans and critics have caught up with Cronenberg’s horrific study of monstrous media in the years since. Can we get the Jersey Shore and Real Housewives people cast in these TV shows?
Bekah McKendry: I don’t quite know what exactly is going on or how many things symbolically looked like vaginas, but the film is a great commentary on new technologies, fear and the original reality television.
Sam Zimmerman: Cronenberg is a force of nature, a director who constantly uses genre to intelligently and excitingly work through a whole mess of issues, taboos and fears. Videodrome is one of many stunning examples of such. The Criterion Collection thinks so too.
A Nightmare on Elm Street (1984)
Chris Alexander: The movie that first gave us Freddy Krueger is also one of the key pictures in the slasher canon, filled with dark, surreal imagery and explosive murders.
Michael Gingold: Remember when Freddy was genuinely frightening? If not, time for a refresher.
Bekah McKendry: This was Freddy back when Freddy was still scary and not the fourth Stooge. My little preteen heart was broken when Johnny Depp was reduced to a giant fountain of blood.
Sam Zimmerman: Despite its many sequels, A Nightmare on Elm Street is very much one of a kind. Its uniqueness and scares still hold up (thanks to the master, Wes Craven), and if you try and tell me you aren’t bothered by Tina’s body-bag appearance in the school hallway, you’re full of it.
The Return of the Living Dead (1985)
Chris Alexander: Part send-up, part irreverent punk-rock rip-off, all balls-out horror film, Dan O’Bannon‘s cracked explosion of brain-eating corpse mayhem is really scary and really funny. Great soundtrack album featuring The Cramps, The Damned and Roky Erickson, among others.
Michael Gingold: A bracing blast of humor added to the classic George A. Romero zombie mythos. Yeah, we wanna paaaaartyyyyyyy!!
Bekah McKendry: A literal interpretation of the phrase “punk’s not dead,” and Trash is still the hottest zombie ever.
Sam Zimmerman: It doesn’t get radder than this. Up the punx!
Angel Heart (1987)
Chris Alexander: Alan Parker‘s grafting of supernatural horror onto a grubby film-noir framework is haunting, hypnotic and offers a young Mickey Rourke at the peak of his powers.
Michael Gingold: Rourke in his prime, Lisa Bonet in her … uh … prime, and Robert De Niro as “Louis Cypher” (nudge nudge) add up to one spooky detective story.
Bekah McKendry: One of the best voodoo movies. It received a huge amount of controversy for the sexy showcasing of Cosby kid Bonet, but the film stands on its own with its gorgeous tone, stellar acting and endlessly twisting plot, plus a very unusual role for De Niro, who can eat a hardboiled egg like no one else.
Sam Zimmerman: Noir and horror have always been kindred spirits, and very successfully become a beautiful pair in this very weird and kind of off-putting (in a good way) film. (Bonus: For another noir mashup that will quite simply blow your mind, it would behoove you to see Alex Proyas’ Dark City.)
Shaun of the Dead (2004)
Chris Alexander: Funny and charming U.K. romp was an instant classic upon release and manages to straddle the comedy and horror realms smashingly.
Michael Gingold: Yes, it’s one of the funniest zombie films ever — but it’s also, in its odd way, one of the most moving.
Bekah McKendry: Expanding on the style set up in their hit show Spaced, Simon Pegg and Edgar Wright create an endearing movie that loves horror films just as much as it spoofs them.
Sam Zimmerman: Billed as a parody, but containing way too much heart, story, character and love for its homages to be lumped in with the likes of other spoof-oriented films, Shaun of the Dead is actually the best horror/comedy since American Werewolf, and every bit of hype about it is completely true.
Chris Alexander: Malevolent French melodrama goes for the throat … and the womb. Pregnant women should never, ever watch this violent, relentless shocker.
Michael Gingold: French horror became a cause célèbre in the late 2000s, and this example deservedly won the highest praise for truly intense, gory chills. (Check out the harrowing French/Canadian co-production Martyrs, too — if you think you can handle it.)
Bekah McKendry: As soon I get pregnant, I’ll be removing all scissors from my house. This film disturbed the hell out of me and has gone down as one of the scariest films I’ve ever seen (and I watch a lot of really freaky shit).
Sam Zimmerman: While there have been plenty of winners, no horror movie in the 2000s excited me more than Inside (except maybe House of the Devil). It’s a marriage of horrifying atmosphere, insane and shocking violence and what should go down as one of the top villains in horror history (Béatrice Dalle is that out of control).
Let the Right One In (2009)
Chris Alexander: Lyrical Scandinavian vampire drama is as much a coming-of-age story as it is contemporary Gothic thriller. The remake ain’t bad either.
Michael Gingold: A little boy, a little vampire girl, a movie that’s decidedly not for kids. For adults, it’s one of the best evocations of childhood fears and fantasies ever.
Bekah McKendry: It contains the one element that always makes horror films more terrifying: freaky children. But the film showcases them in a beautifully Gothic fairy tale.
Sam Zimmerman: There’s been so much written about this film with a ton more eloquence than I can employ, so I will just say that, yes, it is that great and beautiful of a picture.


A few weeks ago I watched the movie Nicholas Nickleby and the score captured me. It's incredible, really, and it was done by a woman; Rachel Portman, who I learned was the first woman to win an academy award for a film score, and I can see why. The melodies are simply lovely, light, and happy.
I've been trying to learn how to play this on piano. It isn't too difficult.
As I was snatching the song for this weeks Soundtrack Saturday, I came across another score from another movie also by Portman. I was surprised to hear that it sounded extremely similar to the score from Nicholas Nickleby. For one thing, they're both in the same key. Also, they just have a very, very similar feel to them. Tell me what you think.


I’m not a hardcore Star Wars fan (I mean the one who dresses up as Chewie for Comic Con). But I do love the movies so I was pretty excited about seeing The Force Awakens. I bought tickets the moment they got on sale. After the premier I tried to avoid spoilers as much as I could and I succeeded. So I came to the cinema totally clear. When the Star Wars logo appeared and music started playing, the excitement got even bigger.
Now to the movie. After watching it, I went online and read some people’s reactions. And to be honest I agree with some of them.
My first thoughts after the movie? They did not fuck up. It was a Star Wars movie every fan wants to see. It has a villain, a hero, lightsabers. It even has Han Solo, Chewie and Millenium Falcon. What else do we need? Really, that’s what I think. That they did not fuck up. They bet on the right horse. They decided to go with the classic. On the other hand, it was something we have seen before. It was quiet repetitive, just dressed up differently. Darth Vader replaced by Kylo Ren, Death Star replaced by that deadly planet (I’m sorry, does it even have a name?), R2-D2 replaced by BB-8 (I know R2-D2 was there too, but … come on).
Next thing, but not a bad thing. Who is Ren? I have really no idea. I guess it was intention. Of course, there are some hypotheses online. She might be Luke’s daughter or even another Leia’s and Han’s child. I hope we will find out in the next movie.
And lastly, I’m really sorry, but who the fuck chose Adam Driver to play Kylo Ren? It’s not a role for him. When Kylo took of his mask, I was like “Whaaat?”. The role really does not fit him. Dunno why. Sorry Adam.


WHO AM I?
My name is Kristian Severens
From a young age film and photography have been my passion.
After graduation I started off as a cameraman for the local TV station in Sittard. During my time there I also started making short films. After my time at local TV, I got employed at a video production company where I learned even more about the industry.
I currently have 4 years of work experience and have decided to continue as freelancer. My portfolio now consists of many short films, a feature film and a few documentaries. I have also been able to provide customers with beautiful photos and videos. It is my goal to expand this further by providing people and companies with great video productions and photoshoots. Will you be the next one?


It looks like small-budget movies make the ultimate success story at the box office. We’ve seen the magic happen with Kantara, The Kashmir Files and many more such films. Adah Sharma led The Kerala Story is the latest example. Celebrations are in order because it has gained the Super-Duper Hit verdict and left behind Shah Rukh Khan’s Pathaan.
We all know, Pathaan was a rage upon its arrival at the threatres worldwide. The film was special because it marked Shah Rukh Khan’s comeback to the big screens after 4 long years. It earned a massive 543.22 crores nett at the Indian box office and raked in profits of 293.22 crores (ROI% = 117.28).
Directed by Sudipto Sen, Adah Sharma starrer The Kerala Story has been made on a budget of 30 crores. The film has collected 112.92 crores nett till day 9. And with that, its ROI (return on investment) has come to 82.92 crores.
When converted into a percentage, The Kerala Story has earned profits of 276.4%. This is more than 2X the profits that Shah Rukh Khan starrer Pathaan made at the box office. The SRK starrer film had a huge cost of 250 crores on it, hence it ended up making less ROI despite earning over 500 crores .
The Kerala Story has now gained the Super-Duper Hit verdict at the box office and is the only one to claim so in 2023.


Charles Spencer Chaplin, Actor, Writer and Director. Born April 16 th 1889 in Walworth, London England. His Parents, Charles Chaplin and Hannah Chaplin both Stage Musicians, his Father died aged 37 his mother developed severe mental and physical problems. Charlie made his first stage appearance in 1984 when his mother took ill and could not perform on stage. Charlie says in his Auto-Biography that is when he first realised he loved performing.
Between 1903 and 1906 Charles performed in the stage version of Sherlock Holmes playing Paper Boy Billy. He then went on to perform in the Casey Circus for a year. His Brother Sydney joined the Karno Troupe and provided a way for Charlie to join. He met Stan Laurel whom he had met years before.
The Karno Troupe toured the UsA Twice, on the second Visit Charlie Decided to stay. In 1913 Chaplin left the stage to join Mack Sennet’s Keystone Films Studio, marking a milestone both in his own life and in the history of film. The pace of film making in early Hollywood seems impossible by today’s standards. In just two months, Chaplin appeared in the following Keystone films: Making a Living, Kid Auto Races, Mabel’s Strange Predicament, Between Showers, A Film Johnnie, Tango Tangles, His Favourite Pastime, Cruel, Cruel Love. Although Chaplin started at the Keystone company as a bit player, with the introduction of his world-famous tramp character he quickly exploded into a major star. By April, at the age of 25, Chaplin directed his first film, ‘Twenty Minutes of Love.’ By November of that year, Chaplin is left Keystone, having signed an exclusive contract for the newly formed Essa nay Film Company.
“While watching a silent picture each individual supplies the unspoken words according to his own understanding of the action. The dullard sees the story in his own way as does the intelligent, the wise, and so on-each one, as I said before, supplying his own understanding and everyone is pleased. But when the actor gives through the spoken word his own interpretation-then-well, there is ...
Sidney followed in Charlie’s steps this time, and joined the Keystone company shortly before Charlie left it.


Vernon. HBO Max is releasing its documentary film about Vernon’s very own Action Park on Aug. 27. Titled “Class Action Park,” the film documents the unsupervised, sometimes lethal, no-holds-barred thrills of the park’s life and times, from its inception in 1978 to its closing in 1996. (The site is now Mountain Creek Resort.) For more information and locals’ memories of the park in its heyday, see the related story, “Action Park book relives the good, the bad and the unbelievable,” at the advertisernewsnorth.com. The trailer for the documentary, which starts with the narration “The story of Action Park is a true crime story,” may be found on YouTube (bit.ly/2QpCQDL).


Now the central idea here is that each camera is looking at the other cameras while they all move around. That in itself is nice, but you need to have something else around all the cameras to make the final film visually interesting. So in this episode I try and figure out what might be the best location to film the Motion Timelpase Inception event.
For more info about Gadget John and on how I edit my videos and a really in-depth gear list go over to my website https://www.gadgetjohn.uk/filmmaking-gear/
Follow me on Instagram / Twitter: @gadgetjohnuk
#motiontimelapseinception #motiontimelapse #timelapse


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