Wrecked Lamborghini Countach Featured in Wolf of Wall Street Available for Purchase
【Summary】A wrecked Lamborghini Countach from the movie "The Wolf of Wall Street" is up for sale. The car was one of three used in filming, with one being smashed up for the movie. The car, which was preserved in its damaged state, comes with memorabilia and is considered one of the most iconic movie cars of all time.
The mystery of the Lamborghini from the movie "The Wolf of Wall Street" has been solved, revealing that three Countaches were used during filming. This included one hero car, a backup car, and another car that was intentionally smashed for the film. While the surviving Countach was auctioned earlier this year, the crashed car has recently surfaced.
Bonhams, an auction house, showcased the iconic car with a series of remarkable photos. In the film, it is difficult to fully appreciate the extent of the damage to the Countach, but director Martin Scorsese went to great lengths to ensure its destruction. According to the owner of the pristine car, Scorsese initially smashed the Countach using conventional methods but was unsatisfied. As the story goes, he had the car crash into other objects to create a more convincing appearance.
Undoubtedly, the scene featuring the Countach is one of the most memorable in the movie. Leonardo DiCaprio's character, Jordan Belfort, attempts to drive home while under the influence of quaaludes. The sequence shows DiCaprio crawling towards the Lamborghini, struggling to get into the driver's seat, and miraculously managing to drive one mile before destroying the car.
Since the completion of the film, the car has been perfectly preserved in its post-crash condition. Every dent and scratch was meticulously created by Scorsese's crew. Despite its damaged state, the smashed-up Lamborghini has become one of the most iconic movie cars of all time. It even comes with various pieces of memorabilia from the film, such as a director's chair and clapboard signed by DiCaprio, Scorsese, and Margot Robbie, as well as a crew sweater and a Jordan Belfort costume. However, no quaaludes are included.
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A prosecutor who started out as a newspaper reporter, whose personality is described as fiery and hot-tempered. He grew up in a comfortable life, but one day his family is shattered when his father dies in an accident whose cause is unclear, and his mother takes her own life. When he finds out that his father’s bankruptcy and death are connected to a conglomerate, he begins his mission to uncover the truth and get revenge.
Native Title: 바벨
Also Known As: Tower of Babel
Directors: Yoon Sung Shik
Genres: Law, Drama, Investigation


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When Ridley Scott envisioned Blade Runner's set as "Hong Kong on a bad day," he nodded to the city's overcrowding as well as its widespread use of surveillance. But while Scott brought Hong Kong and surveillance into the global film repertoire, the city's own cinema has remained outside of the global surveillance discussion.
In Arresting Cinema, Karen Fang delivers a unifying account of Hong Kong cinema that draws upon its renowned crime films and other unique genres to demonstrate Hong Kong's view of surveillance. She argues that Hong Kong's films display a tolerance of—and even opportunism towards—the soft cage of constant observation, unlike the fearful view prevalent in the West. However, many surveillance cinema studies focus solely on European and Hollywood films, discounting other artistic traditions and industrial circumstances. Hong Kong's films show a more crowded, increasingly economically stratified, and postnational world that nevertheless offers an aura of hopeful futurity. Only by exploring Hong Kong surveillance film can we begin to shape a truly global understanding of Hitchcock's "rear window ethics."
About the author
Karen Fang is Associate Professor of English at the University of Houston and a member of the Film Committee for the Museum of Fine Arts in Houston.
"Hong Kong films love to look: through windows, across courtyards, over ledges, down gun barrels, into mirrors, and around corners. I always knew that, but never gave it much thought until I read Karen Fang's innovative, refreshing, and yes, Arresting Cinema. Fang's analysis offers an essential complement to Western scholarship on cinema and surveillance."
—Michael Curtin, University of California, Santa Barbara
"An incisive, insightful consideration of a regional cinema that inspires thinking on a much larger scale. Karen Fang's study of surveillance culture in Hong Kong films offers not only a refreshing perspective on world cinema but also, in tracking how Hong Kong is coming to terms with dramatic changes, a challenge to view the globalized world through a new lens."
—Sam Ho, Former Programmer, Hong Kong Film Archive
"Karen Fang's Arresting Cinema breaks new ground in the contemporary surveillance era and makes available to a wider audience a film genre that is relevant well beyond its area focus. As a result, it will be an edifying resource both for area specialists and practitioners and students in diverse disciplines. Conceptually sophisticated yet accessibly written, the book is both timely and of enduring value."
—Michael J. Shapiro, University of Hawai'i at Manoa


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Justus Rivera is a young self-taught musician. Actor Ashton Kutcher discovered 13-year-old Justus Rivera playing his violin in Philadelphia's Rittenhouse Square. Kutcher recorded this young musician on his Iphone, posted it to his Youtube channel and the rest is history. Ellen saw the video and invited Justus to her show. He told Ellen his story and performed for her. Learn more about Justus by watching his videos. We hope to see more of him in future.


The Wailing Woman. a Banshee right before my eyes…
I'm supposed to call you first when I find a dead body? Hello! My name is Livy... Books I Love: The Infernal Devices, The Mortal Instruments, Harry Potter, Percy Jackson and the Olympians, The Kane Chronicles, Heroes of Olympus, The Maze Runner trilogy, The Hunger Games trilogy, Divergent trilogy, Anna Dressed in Blood series, the Twilight Saga and a lot a lot more. Shows I Love: Supernatural, Teen Wolf, Doctor Who, Sherlock, Game of Thrones, Penny Dreadful, Sleepy Hollow, How I Met Your Mother, Once Upon a Time, American Horror Story, Castle, True Blood, Reign and more. Other stuff you might find on here: mythology, Homestuck, fashion, celebrities, animals, superheroes, a lot of ocean pictures (like… a lot), and probably a bunch of other stuff.
Sidebar is Lydia Martin from Teen Wolf by lycantrophies.tumblr.com!
I need this book!! How did I not know it was out?!


"Patrons were on their feet Friday evening at the Stevens Center, giving Piedmont Opera's remarkable production of Adam Guettel's musical The Light in the Piazza a well-deserved standing ovation. James Allbritten, the show's conductor, had just taken a bow.
Oddly, the final curtain didn't fall as it usually does after the conductor walks on stage. Allbritten asked audience members to settle down and take a seat.
Elizabeth Spencer, who wrote the 1960 short novel on which Light is based, was in attendance, and Allbritten wanted everyone to see her stand before applauding her for the wonderful seed she had planted."
There is also a 1962 film adaptation.


|(37736)||Jandl = 1996 VU6|
Planetku objevili J. Tichá a M. Tichý 30. listopadu 1995 na Kleti.
|Czech child actor Ivan Jandl (1937-1987) appeared in the film The Search as a Czech boy who had survived Auschwitz and was searching in postwar Germany for his mother (played by Jarmila Novotná). He was awarded an Academy Juvenile Award for his work in 1948, becoming the first Czech Oscar winner.|
|(MPC 57424 -- 30. listopadu 2005)|


As sci-fi is perhaps my favorite genre when it comes to fiction, it shouldn’t be much of a surprise that I enjoy reviews and breakdowns of some of my favorite science fiction shows. In particular, I enjoy YouTube channels which analyze the various ideas that certain TV shows and movies contain, and how well (or how not well) those ideas were executed and presented. Over the past year or so, I’ve narrowed down my YouTube viewing to just a few channels, five in particular, when it comes to my favorite for science fiction reviews.
While Lorerunner is predominantly a Twitch streamer who plays a wide variety of video games, he also posts regular content about sci-fi series, as well. In particular, his Star Trek Ruminations are some of my favorite viewing when I’m unwinding after a long day of writing and search engine optimization. While he takes copious note while viewing each episode, he simply uses them as talking points, and the ruminations themselves are unscripted.
If nothing else, Lorerunner’s videos have given me new perspective about episodes of Star Trek: the Next Generation, Star Trek: Deep Space Nine, and Star Trek: Voyager, the three Star Trek TV series he’s reviewed in total so far. His ruminations on Pixar movies and other popular films such as the Marvel Cinematic Universe are also quite enjoyable
Lorerunner even maintains his own website, on which you can see his upcoming schedule for both his gaming and rumination videos!
A single father of two, Lore Reloaded not only makes enough to feed his family with his phenomenal sci-fi video essays, but has enough to become involved with Star Trek fan projects, too. His mission is to make his viewers Lore Masters of the Star Trek universe. Lore Reloaded also has covered Battlestar Galactica and Star Wars lore.
Lore Reloaded is best known for his Dominion War Chronicles series, an in-depth breakdown of the War from Star Trek: Deep Space Nine’s fifth through seventh season, of which Nicole deBoer (Ezri Dax on DS9’s seventh season) is a fan!
Rowan’s retrospectives are some of the best movie and television series documentaries I’ve ever watched on YouTube. While his Star Trek Retrospectives are probably his best known, he’s done excellent an excellent series on Babylon 5, as well. His retrospectives also include superhero movies such as Superman. The Scottish YouTuber also dabbles in gaming content that he contributes to his other channel.
SF Debris (Sci-Fi Debris)
Chuck of SF Debris (aka Sci-Fi Debris) is well known for his documentaries on many sci-fi films and franchises. His behind-the-scenes looks at Star Wars among others are some of the best content I’ve viewed on YouTube. Chuck is also well known for his Star Trek episode reviews, in which he drops his serious, documentary style for lots of tongue-in-cheek and sarcastic humor, which is right up my alley. Most of his Star Trek episode reviews reside on Chuck’s other channel, SFDebris Red.
While Steve gets a lot of crap for being an unashamed liberal and atheist (it doesn’t really bother me at all), his Star Trek related content is some of the best I’ve ever seen. He takes questions from actual viewers who subscribe to Patreon and goes in-depth with highly intellectual analysis of Star Trek episodes, characters, and situations.
I also happen to enjoy his videos debunking conspiracy theories and pseudoscience, although I don’t always agree with his findings; I certainly respect his opinions and analysis.
What are your favorite YouTube channels about science fiction?


These Movies Are 30 Years Old – Movies from My Senior Year of High School.
Friday morning was one of those days. Something just hits ya, and BAM! You are taking a trip down memory lane. Now, this has nothing to do with my morning show partner telling me that this year marks 30 years since I graduated from High School. What!??!! I'm not too bothered by this because it's simply not true. No way. I feel older, but not someone who graduated high school 30 years ago. There has got to be some kind of strange time thing that has seriously screwed things up.
Until the time thing gets fixed, it is true. I graduated from High School in 1993. While talking about the movies from our graduating year, JD had his list of top 10 from 1986. Top Gun, Color of Money, Ferris Bueller's Day Off, and Stand By Me. Check out his article here. I have to admit that there were some pretty iconic movies released in 1986, but 1993 had some legendary movies released.
There are those movies that played a part in who you are today. Movies that pulled at your heart strings, movies that made you feel like you could conquer the world. Those movies that we know almost every single word to. Those movies you try to pass down to your children, but they clearly don't feel the same way about it as you do. Those movies that take you back in time and put a smile on your face and remind you that "they don't make them like they used to."


Recently actor Mickey Rooney passed away, he was 93. As I do with the passing of every actor I reflect on the movies they made which made me smile, made me cry, and the movies they starred in that made me want to travel.
For many of us of the Baby Boomer generation our first experience with learning more about an exotic location or a far away land came in a movie house or a darkened theatre. We sailed the Seven Seas (Sinbad the Sailor); we flew in airplanes (The Flying Seabees); we fought wars on foreign soil (Bridge over the River Kwai) and we danced under the stars in foreign countries (Dancing Down to Rio). For me some actors resonated more than others and their acting and their films made me hunger for more. Their movies also opened ideas for places to travel that I had never thought of or in some cased never even heard of before.
Mickey Rooney made over 300 movies in his career and he made me want to travel. Most likely for many reading this the first movie that comes to mind when you think of Rooney would be Boys Town. After wiping away the tears I wanted to know more about Boys Town and so I researched where it was. I also wanted to learn how much of the movie was fiction or fact. The original Boys Town is located in Nebraska. Growing up in Buffalo, NY I had never thought about visiting Nebraska before and as a child it helped to expand my view of my own country. It made me wonder about the other states in the union and what other treasures might be waiting for me to discover. Therefore someday driving across every state was now on my bucket list.
Danny Kaye died in 1987. His movies always made me smile. One of the sweetest movies he ever made was Hans Christian Anderson. Yes, it was historically inaccurate as many movies made are but it made me wonder who was Hans and where was he from. After researching his history at the local library and learning more I determined that going to Denmark had to be on my travel bucket list. Clearly researching Denmark led me to wonder about the rest of the countries in Europe and it led to many years of research and longing to visit all of these exciting places. Danny made several movies like this for me including White Christmas (Vermont) and The Five Pennies (a life lived on the road).
Bing Crosby was more than a crooner. To me he was a singing travel agent. He traveled to exotic places like Rio (Road to Rio), Zanzibar (Road to Zanzibar) and Bali (Road to Bali) and he made me wonder about life and learning to be a seaman (High Society). I do love a good musical and Bing inevitably starred in many of my favorites.
God how I loved Cagney. He could do it all on-screen; gangster serials, suspense, dramas, and musicals. No one else on my list was as well-rounded an actor. Cagney made me cheer for the gangster on-screen and he made me cry with a Yankee Doodle Dandy. Cagney made me want to travel to New York City, the site of George M. Cohen’s greatest triumphs, and to experience the thrill of being there for myself. I have been to NYC a time or two since I first watched Dandy and there really is nothing like being in the Big Apple and watching a live Broadway show.
John Wayne. There is no list for me that would not include this man. John and I have traveled to Ireland (The Quiet Man); to Texas to fight fires (Hellfighters); to Africa on safari (Hatari!) to Alaska to pan for gold (North to Alaska). He made me laugh, and cry, sometimes all at the same time and always he made me want to travel to the places used as backdrops in his movies. He literally went from sea to shining sea and back again. I once owned every John Wayne movie and I watched them over and over again. I still miss him terribly.
Yes, all these actors have one thing in common. None of these people were born after 1950. Maybe they just don’t make movies the way they used too, I don’t know. Movies used to take people places they had never been. They weren’t all about special effects and outrunning the law in a high-speed chase. They weren’t about animation or soundtracks, they were about the emotions of the time (The Best Years of Our Lives), about family values (State Fair), about real artistry and talent that didn’t need trick cameras (Top Hat, Brigadoon, and Seven Brides for Seven Brothers). And they were sometimes about the places; places that held an exotic allure; Devils Island (We’re No Angels); Africa (Tarzan), and the South Pacific (Midway).
I know for me these old movies, and these actors, always made me want to learn more about a person, a time in history and even places to travel too. Were they just that good an actor or were the movies just so much better. I don’t know the answer to that. I’m just glad we have classic movies to watch because for me they are the best travel resource money can buy.


Artist: Stef Van Looveren
Title: Radical Hope
Curated by: Federico Acal and Benny Van den Meulengracht-Vrancx
Screening: May 25 – June 10, 2018
Radical Hope is the title of Stef Van Looveren’s latest video piece and also the title for his exhibition at Hole Of The Fox (Antwerp, BE). The short film is seen here, on Art Viewer’s Screen section, whereas in the physical space, Van Looveren created new installations out of the props and clothing featured in the film, bringing forward other associations and turning these elements into relics of a past event.
The spectator is asked to take out their smartphones and watch the film simultaneously as they walk through the exhibition, in an attempt to intertwine our virtual and physical experience and creating an interaction with the pieces. The space becomes a familiar surrounding and the idea is that you start to feel part of a whole.
Radical Hope, the film, portrays stages. Stages of life, stages in society, stages in emotion and feelings. Each look represents one of those stages titled: Sadness, Anger, Desire, Happiness, Resentment and Terror. The 25 characters are living and breathing within those stages, each stage a capsule in which they are completely themselves. All six stages have a clear course, not with a beginning or end, but with an evolution, a revolution or an epiphany, tapping in on the different feelings that form the basis for each one. The individuals, in the end, are, or become, a group. They become one.
What’s also beautiful, is how Stef is both participant and creator, one of us and a discrete overseer, as a phrase is chanted during one sequence: “Will you gracefully gather yourself to dance with me, until we are home, together, I hope, not in silence.”, and by showing himself as a bride, as one of his own characters in the film.
It’s apparent that Van Looveren’s work touches on the notion of gender, genderlessness and the adoption of personas. He tries to mimic our society and from it, our social conducts, along with strong, predetermined visual culture, not directly forming a critique, but reliving and recreating these aspects of life in a surreal gesture, for them to become visible once again to the naked eye. This is especially clear in the sequence Resentment of the film, where the characters have been formed in groups, each group having their skin colored differently and coming together in a backwards playback of the actual filming.
To completely experience radical hope, visit the exhibition at Hole Of The Fox while or after watching the film. The exhibition runs from May 25 to June 10, 2018.
Stef Van Looveren (1992) is an Antwerp based artist. He studied Fine Arts at Central Saint Martins, London and Sint Lucas, Antwerp.


The scene begins with a father who is driving a car and comes to a full stop.
Seeming distressed, the father has a flashback to when he and his daughter were canoeing together.
In this flashback, he and his daughter approach heavy rapids and begin to panic. Both fall off the canoe and get swept into the rapids. The father is left searching for his daughter in the rapids.
Fearing she drowned, the father yells his daughter’s name multiple times. He hears a whistle sound and looks to see his daughter waving and blowing a whistle attached to her lifejacket. The father breathes a sigh of relief.
The scene returns to the father in his car. He smiles as his daughter comes out of the house where he is parked to greet her. The father gets out of the car and throws her the lifejacket in their preparation for another canoe trip.
Text on screen: Lifejackets save lives. Wear yours.


Haqeeqat Film 1964: An epitome of patriotism & nationalism
Patriotic Movies, Songs, Videos and articles have always been playing a vital role in making the citizens realize the unmatched contribution made by our soldiers in ensuring our well-being back home. Someone has rightly said that it is because of them (Indian Army) that we are able to sleep fearlessly at our homes while they continue to fight the enemy day and night at the borders.
Patriotic songs like “Ae Mere Vatan Ke Logon“ and “Kar Chale Hum Fida Jaao Tann Saathiyo“ have attained a position somewhere near to the National Anthem & the National song in the country. Individuals can be heard murmuring the lyrics of these songs with utmost sense of pride and nationalism.
With tensions at all time high between India & China, countdown for war having already been started (as per Chinese media units), I am reminded of a patriotic movie, Haqeeqat Film 1964, which undoubtedly provides a considerable dose of patriotism and gives you ample moments of goosebumps, making you feel emotional and literally cry witnessing some of the scenes.
India was miserably defeated in the Sino-India war 1962 given the lack of coordination between the administration and the army. some people even accuse, the then Prime Minister of India Pandit Jawaharlal Nehru, of having blind faith in China, not being able access the situation well and leading India to a miserable defeat. But this movie clearly depicts that despite all shortcomings on the part of the central government, it was the Indian Army that remained strong and fought the enemy with all its will and power. Lack of resources & shortage of infantry dis not stop the courageous jawans, who exhibited an epitome of valour to face the mighty enemy.
About Haqeeqat Film 1964:
Haqeeqat, a film directed and written by Chetan Anand, was released in the year 1964 (two years after the Sino-India war). As the name depicts, the film leaves no stone un-turned in projecting and highlighting the haqeeqat (reality) of the Indo-China war. The Chinese had always been preaching Hindi-Chini Bhai Bhai, but at the same time ditched India by attacking on its back. In July 1962, China started threatening India of dire consequences if its soldiers did not withdraw from Ladakh (which is an inherent territory of India but claimed by China to be its territory). Being a non-violent nation that preaches, Ahimsa Parmodharma, like always, India did not wage the war till it was attacked by China. The film depicted a platoon of Indian army soldiers deployed to safeguard Ladakh ( a hilly area on Sino-Indian border in North India). The platoon is surrounded and outnumbered by the Chinese troops from all sides. The platoon tries to retreat but are outnumbered by the enemy and hence sacrifice their lives fighting for the motherland.
The film got so much love from all genres of audience that it ended up being awarded the National Film Award for second Best Feature Film the very next year in 1965. The film was also screened at the Independence Day Film Festival on August 12, 2016 jointly by the Indian Directorate of Film Festivals and Ministry of Defense, to commemorate the 70th Indian Independence Day of India.
If you haven’t watched this movie yet, you have an opportunity to watch it on this Independence Day morning. Zee Classic will be premiering the movie for its international audience at 9:00 AM on 15th August 2017.
For Tamil Movie Reviews, you may visit our sister concern: Behind Talkies


Many of our Classmates have achieved significant levels of success in various fields of endeavor, from medicine to real estate. And, we can all be proud of their accomplishments, not the least of which are the moms out there who raised the babies (can there be a more important job?). If you feel one of our Classmates has done something worthy of recognition, please tell us about it here.
Our very own, Alan Vint, had made a career in the film industry and recently directed his first film, REVERSAL, which has won several awards around the country, including best first feature at the Durango Film Festival. Check out the website at http://www.Reversalthemovie.com
Judy Eskridge Ferguson is a well known author living in Alaska. Her stories of her life over the past 30 years are a treat for those of us who have known her. Click the link & find out what she has been doing. http://www.alaska-highway.org/delta/outpost/


The actor’s interpretation of their role pertains to the role played, whether based on a real person directing film techniques and aesthetics pdf free download fictional character. Formerly, in some societies, only men could become actors, and women’s roles were generally played by men or boys. When used for the stage, women occasionally played the roles of prepubescent boys.
After 1660 in England, when women first started to appear on stage, the terms actor or actress were initially used interchangeably for female performers, but later, influenced by the French actrice, actress became the commonly used term for women in theater and film. Greek performer Thespis stepped onto the stage at the Theatre Dionysus to become the first known person to speak words as a character in a play or story. As the Western Roman Empire fell into decay through the 4th and 5th centuries, the seat of Roman power shifted to Constantinople and the Byzantine Empire. In the Early Middle Ages, churches in Europe began staging dramatized versions of biblical events. There were a number of secular plays staged in the Middle Ages, the earliest of which is The Play of the Greenwood by Adam de la Halle in 1276.
It contains satirical scenes and folk material such as faeries and other supernatural occurrences. A 1596 sketch of a performance in progress on the thrust stage of The Swan, a typical Elizabethan open-roof playhouse. Renaissance theatre derived from several medieval theatre traditions, such as the mystery plays, “morality plays”, and the “university drama” that attempted to recreate Athenian tragedy. The development of the theatre and opportunities for acting ceased when Puritan opposition to the stage banned the performance of all plays within London. Puritans viewed the theatre as immoral.
The re-opening of the theatres in 1660 signaled a renaissance of English drama. Henry Irving in The Bells, 1874. In the 19th century, the negative reputation of actors was largely reversed, and acting became an honored, popular profession and art. The rise of the actor as celebrity provided the transition, as audiences flocked to their favorite “stars. By the early 20th century, the economics of large-scale productions displaced the actor-manager model. It was too hard to find people who combined a genius at acting as well as management, so specialization divided the roles as stage managers and later theatre directors emerged. Financially, much larger capital was required to operate out of a major city.
Classical acting is an umbrella term for a philosophy of acting that integrates the expression of the body, voice, imagination, personalizing, improvisation, external stimuli, and script analysis. In Stanislavski’s system, also known as Stanislavski’s method, actors draw upon their own feelings and experiences to convey the “truth” of the character they portray. Actors puts themselves in the mindset of the character, finding things in common to give a more genuine portrayal of the character. Method acting is a range of techniques based on for training actors to achieve better characterizations of the characters they play, as formulated by Lee Strasberg. Strasberg’s method is based upon the idea that to develop an emotional and cognitive understanding of their roles, actors should use their own experiences to identify personally with their characters. Meisner technique requires the actor to focus totally on the other actor as though he or she is real and they only exist in that moment. This is a method that makes the actors in the scene seem more authentic to the audience.


Even though I grew up in LA, my first encounter with the Hollywood Bowl was Wakko burping the Blue Danube (watch video here). It's a 17,000 person capacity outdoor portal to some of the world's greatest performances. And it's tucked away in the Hollywood Hills. And it's BYOB. On nights when the LA Phil plays, you can go to the Bowl in the afternoon (if you can stand the heat) and watch them rehearse for free. Parking's a pain, but they've arranged super easy public transportation options. Last night, Philip Glass performed the score to Koyaanisqatsi while they played the film. It was really quite neat.
For more about the Hollywood Bowl check here: http://www.hollywoodbowl.com/


Riding busses through the countryside of Brazil between Rio, Brasilia, and Sao Paolo, I had…
Those of you versed in the obscure world of independent film making may recognize the inspiration of my blog. While I’m not as chemically altered as the boys in the film “trainspotting” I do want to use an occasionally irreverent view on matters around me; the things I see, the things I hear and the things that most positively annoy me.
While based in New York City, working in entertainment and the arts, I will soon embark on a once in a lifetime journey around the world. So, there will be plenty to see and comment on.
You’re welcome to tag along.


Title: "Lights, Camera, Action! Join Us for 'A Night at the Movies' - Colman Creative Academy's Spectacular Show!"
Introduction: Lights will dim, the stage will come alive, and the magic of cinema will unfold at Colman Creative Academy's highly anticipated show, "A Night at the Movies." As the curtains rise tomorrow, the entire team at Colman Creative Academy is buzzing with excitement, having dedicated countless hours to prepare for this grand production. With costumes meticulously crafted, props ready for their on-stage debut, and information packs neatly organized, this show promises to be an unforgettable experience for both the performers and the audience alike.
Behind the Scenes: Over the past week, the talented team at Colman Creative Academy has poured their hearts and souls into ensuring that every aspect of the show is nothing short of perfection. From the dedicated instructors to the passionate students, everyone has been working tirelessly to create an unforgettable experience for all movie enthusiasts in attendance.
Costumes and Props: One of the most crucial elements in bringing the enchantment of the movies to life is the costumes and props. The team at Colman Creative Academy has
meticulously designed and assembled an array of captivating costumes and props that will transport the audience into different eras, genres, and cinematic realms. From classic Hollywood glamour to futuristic sci-fi, each costume has been carefully tailored to suit the characters and themes of the production. With every student having tried on their costumes, the excitement has reached a fever pitch, as they step into the shoes of their beloved movie icons.
Rehearsals and Show Schedule: With all the preparations falling into place, the cast and crew are eagerly looking forward to the upcoming rehearsals and shows. Tomorrow, the tech rehearsal will provide the final touches, ensuring that the lighting, sound, and stage effects align perfectly with the performances. On Friday, the dress rehearsal will be a pivotal moment, allowing the students to showcase their talents in their complete ensembles before the highly anticipated opening night.
Finally, the grand spectacle will unfold on Saturday and Sunday, where the culmination of countless hours of hard work will be presented to the audience. The enthusiasm among the students and faculty is palpable as they eagerly anticipate the moment when the curtains rise, and the show begins. From breathtaking dance numbers to heartwarming acting performances, "A Night at the Movies" promises to be a true celebration of the silver screen.
Conclusion: As the final preparations come together, the team at Colman Creative Academy is brimming with excitement and anticipation for their upcoming show, "A Night at the Movies." The dedication and hard work put in by everyone involved, from the instructors to the students, is a testament to their passion for the performing arts. With costumes, props, and information packs ready, and the tech and dress rehearsals just around the corner, all that remains is for the audience to take their seats and embark on this unforgettable cinematic journey. So mark your calendars, grab your popcorn, and prepare to be dazzled by the extraordinary talents on display at Colman Creative Academy's "A Night at the Movies"!


Super Deal (2017) Latest South Indian Full Hindi Dubbed Movie - Surya 2017 Full Movie - Trisha
Super Deal is a New 2017 Dubbed South Indian Movie in Hindi Starring Surya Sivakumar & Trisha Krishnan. It's a Tamil Action Blockbuster of 2017 Dubbed in Hindi.
The Film Turned to be Blockbuster at Box Office. Watch & Enjoy the Powerful Unlimited Action.
Surya Sivakumar, is a thug and dealmaker with a band of boys handpicked from the slums of Chennai. Aaru’s mentor Viswanathan (Ashish Vidyarthi) protects him, because Aaru gives him the violent undercover he needs. When Vishwanthan declares war on his bitter rival Reddy (Jaya Prakash Reddy), Aaru assists him. But Vishwanthan betrays him, resulting in the deaths of Aaru's subordinates. Aaru thus realizes Vishwanathan's true, evil nature and vows to destroy his power. There is also a subplot involving Aaru's romance with the college student Mahalakshmi (Trisha Krishnan).


Hmm... well... this wasn't really the best day off. It was ok, but it wasn't great. I should say that today was ok, but tonight was NOT ok. Not great. First of all, I went to go see the second Transformers movie with a bunch of friends. I have to say that as soon as I heard there was a Transformers sequel, I didn't have any strong desire to see it. I thought the first was ok. I think I once gave the first one a four out of five stars. It was entertaining, but fairly weak. However, if I had to give the second one a rating... I'd struggle to give it one and half stars! It was AWFUL. OK, to be fair, it does have some great special effects and I did enjoy many of the action scenes. I also thought there were a few decent jokes, and I think Shia Labeouf is a good actor. However, my appreciation of these few glimmering bright spots was SERIOUSLY depleted when I got to the last hour of the movie, and was fully replaced by a BURNING desire have the film come to a freaking conclusion! This movie had about an hour and half's worth of potential for a decent plot. It DRAGGED on in the worst way. The writing, oh... wow, the writing. Ok, I know I'm not in the movie biz, and I don't really know what it's like to write a movie... but I honestly believe that I could have written a better plot than the crap that these people (who probably got paid handsomely) churned out. This was some serious crap. The biggest problem I have with this is that there is actually quite a lot of potential, but these people resorted to some of the lamest cheap trashy jokes and a plot that deserves to be in one of those one-dollar-thin-cased-crappy-DVD movies that you can buy at Wal-Mart (perfect for white elephant gifts!) Hmm... are you understanding that the plot sucked? The dialogue was awful. It made me gag so many times. While a few in the theater were laughing at the garbage-can-sludge jokes that were in the film (like a tiny robot humping a girl's leg like a dog), I was groaning. And while the film tried to dramatically connect with the audience, I was laughing. This film is just wrong on many, many counts. Not to mention that I was visually violated by sleazy attempts at humor far too many times. I've never wanted to get out of a theater so bad in my life. On the way home I kept mulling over how terrible it was, and I even came to the conclusion that I actually enjoyed Hell Boy 2 more than this movie! And I had to get dragged to Hell Boy 2! My friend even had to offer to pay for me to see it in order to get me to go. Yes, I liked that better than this. Ugh. To steal a line that my cousin once said in reference to Stephen Spielberg's A.I.: I wish I could take each penny that I paid for that movie and throw them at the writers over the course of the two and a half hours that was stolen from my life by that movie. I know that many people will probably enjoy this movie. There will be many that will say that it's ok, or worth seeing. I am NOT one of those people. If ALL you care about is a few cheap laughs, many many action scenes that are similar, and scantily-clad women... then this is probably a GREAT movie for you. If you care at ALL about a plot that is decent, doesn't have SERIOUS holes, if you care at ALL about dialogue being half-decent.... DO NOT SEE THIS. Waste of money. Ok... enough about that.
I know that I probably sound overly harsh, but really, that's how I feel about that movie right now. I really didn't enjoy it. It was really hard to find the good in it.
I got home in this mood and discovered an email I wasn't expecting. My LSAT score. I couldn't bring myself to open the email because I was already in such a bad mood from that movie, but I of course couldn't resist my curiosity's tugging at me. I got about what I expected. It's not good enough for me. I just seriously hope that the September 2009 LSAT will go a bunch better than the June LSAT did. I WILL be taking it again. At least I know what to expect from it next time. I'll hopefully be better prepared by then as well. I plan to keep studying and maybe do one practice test a week at least until then. That would be good. Anyway, I still need to exercise and go to bed. I'm seriously nocturnal lately. It's not healthy. Um... k bye.
P.S. After writing this entry I just discovered that I'm totally not alone in my feelings. I just read this review by one of the rottentomatoes.com reviewers, and he speaks many of my thoughts.


Directed by SeaCat Creative, the new short film "Odd Man Out" highlights well-known angler and YETI ambassador Camille Egdorf's love for fishing and exploring the great outdoors.
About Odd Man Out:
Camille Egdorf grew up on her parents’ remote fishing camps in the Alaskan backcountry, started casting lines when she was just four years old, and has been dominating the outdoor community ever since. She’s traveled the world over as an angler and guide — from the Seychelles to Kamchatka, she’s landed some legendary catches and racked up some unbelievable stories. Camille undeniably pushes the limits of what we expect out of a contemporary angler. She’s as smart as she is strong, friendly as she is fierce on the water.


‘Ferness’ (Local Hero – the movie)
Arguably the best Scottish movie ever made, directed by Bill Forsyth, ‘Local Hero’ tells the story of a USA oil company wanting to buy a small hamlet on the coast to develop as an oil terminal.
Set in the fictitious hamlet of ‘Ferness’ which actually was the village of Pennan on the east coast and the beach of Camusdarach on the west coast as the director could not find a location that met both his needs visually.
So the mythical ‘Ferness’ existed only on screen which is why I attempted, with a bit of artistic license, to create the place we could only see in the movie.
If you look hard enough you will find the famous telephone box.
If you haven’t seen the movie – it’s a gem.
Penan, Aberdeenshire and Camusdarach near Mallaig, the two locations for the movie.


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Who is common dating serena williams
I would love to get married and have kids.' Common, who has carved out a successful acting career with roles in Smokin' Aces, American Gangster and Date Night, also opened up about how he would become 'emotionally involved' while watching the sports star on the court. and people try and talk to me, and I tell them to be quiet.
I was sitting next to Richard Branson and I didn’t pay attention. I’m focused on this tennis match.' Prior to her relationship with the entertainer, Serena dated actor Jackie Long and was also linked to film maker Brett Ratner.
Lonnie Rashid Lynn whose stage name is “Common” dated Serena Williams for two years.
The 29-year-old has split from her rap star boyfriend Common, real name Lonnie Rashid Lynn, it is claimed.
The couple have been quietly dating since 2008 but a source tells America's In Touch Weekly: 'They just grew apart.'If Serena was upset by the break-up, she certainly didn't let it show as she as she defeated Swiss player Stefanie Voegele in the first round of the French Open on Monday.
He has worked with a lot of famous tennis players as well and the moment he started to train Serena Williams she has won almost every match.
What he particularly likes about her is her determination to work really hard and be even better.


When Colin Pay acquired the spitfire in 1982 it had no engine. The film shows how he laboriously rebuilt the aircraft from a corroded hulk into a superbly restored flying machine. The film has some of the best air to air colour footage ever shot of a Spitfire in Australia.There’s also rare archive film showing Spitfires at Darwin in 1943 The ideal video for aviation enthusiasts with some fine flying sequences of the world’s best known fighter aircraft…the Spitfire. Listen to the roar of the Rolls-Royce Merlin in stereo sound!
Availability: Sold Out
Publisher: CHEVRON MARKETING SERVICES
Publication date: 01/07/2006
Country of publication: AUSTRALIA
Weight: 156 g
Dimensions: 150.00mm X 100.00mm


[HD] Strange Wilderness 2008 Svenskt Tal Online - Film Online
Cast: Laurence Olivier; Claire Bloom; Maggie Smith; Ursula Andress; Jack Gwillim; Susan Fleetwood; Pat Roach; Harry Hamlin; Judi From Kirk Douglas to Jason Momoa, Hollywood has a long history of handing its most fit leading men a sword, some leather cuffs and not much else to vanquish Oct 17, 2019 All three sets are played by television and movie stars Harry Hamlin ("L.A. Law," " Clash of the Titans") and Stefanie Powers ("Hart to Hart"). Sep 12, 2014 Clash of the Titans "Perseus" Action Figure - Mattel (1981) a,k,a "It's a Harry Hamlin Toga Party!" There was a long tradition of TV shows being Premium Harry Hamlin in Clash of the Titans poster & photo by Iconic Greats. Size choice, canvas, art & wrapping paper options available. Same day dispatch Harry-Hamlin-Clash-of-the-Titans-1981.
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2d 11h. US. Phoenix, AZ, US. US. Visa bud Utrop. 166 SEK. Till auktionen I originalfilmen Clash of the Titans från 1981 ser vi Harry Hamlin i rollen som den hjältemodige Perseus, Zeus (Laurence Olivier) dödlige son. Clash Of The Titans: Laurence Olivier, Harry Hamlin, Judi Bowker, Burgess Meredith, Siân Phillips, Maggie Smith, Claire Bloom, Ursula Andress, Flora Robson, Clash of the titans (1981) (Blu-ray) (Import Sv.Text). Äventyr från 1981 av Desmond Davis med Harry Hamlin och Judi Bowker.
Clash of the Titans 1981 – Filmer – Film . nu
Filmen innehåller slutarbetet av stop motion I originalversionen av "Clash of the Titans" från 1981 ser vi Harry Hamlin i rollen som den hjältemodige Perseus, Zeus dödlige son. Han ger sig Harry Hamlin.
Gudarnas krig 1981 — The Movie Database TMDb
Harry Robinson Hamlin is an American actor of stage, television and films. He was born in 1951, in Pasadena, California, to Berniece (Robinson), a socialite, and Chauncey Jerome Hamlin, Jr., an aeronautical engineer. Perseus is portrayed by Harry Hamlin, who looks the part although his acting leaves much to be Look how handsome Perseus was in the eightiesYou know Hamlin was the "Sexiest Man Alive" in 1987- Watch it and you understand why he was Directed by Desmond Davis. With Laurence Olivier, Harry Hamlin, Claire Bloom, Maggie Smith.
2002-02-01 · Clash of the Titans William Shatner and Harry Hamlin face off at the Four Seasons By Ken Lieck, Fri., Feb. 1, 2002
American actor Harry Hamlin as Perseus in 'Clash Of The Titans', directed by Desmond Davis, 1981. Get premium, high resolution news photos at Getty Images
Clash of the Titans (Widescreen) (Bilingual) [Import] Harry Hamlin (Actor), Judi Bowker (Actor), Desmond Davis (Director) & 0 more Rated: PG (Parental Guidance Suggested) Format: DVD 4.7 out of 5 stars 1,194 ratings
Harry Hamlin's nipples, first of all, were unbelievable. They are like teacup saucers. But is head is very large and square.1) Was it hugely popular when it came out, or was that only later when it
Harry Hamlin. Clash of the Titans.
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He is also known for his role as Michael Kuzak in the legal drama series, L.A. Law. He has starred in several other movies and tv shows. Ursula Andress and Harry Hamlin had their son Dimitri Hamlin while starring in "Clash of the Titans." Lisa Rinna shared the story on "Real Housewives of Beverly Hills."
Harry Hamlin is a popular TV actor who has worked on shows like L.A. Law, Shameless, Mad Men, etc. The Emmy nominated actor has worked for over 4 decades in the show business.
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[HD] Gudarnas krig 1981 Full Movie Svenska - Film Online
6. Bubo was supposed to be Titans’ answer to R2-D2 2021-04-21 · The 1981 Hollywood Blockbuster movie, Clash Of The Titans starring actor Harry Hamlin chronicles the adventures of one of the greatest Greek heroes and slayer of monsters, Perseus. Harry Hamlin was a super hottie and the film is filled with great actors who could act, this has always been one of my favorite movies and several months ago I had made the purchase on regular Blu-Ray and then when I saw that it was available in Blu-Ray book it was a must have so I gave away the Regular Blu-Ray, you get so much more with the book, it just that all the info that you use to get Harry Hamlin recounts his days as Hollywood’s reigning It-boy, starring as Perseus in the campy Greek myth adventure “Clash of the Titans” before risking it all on the gay drama “Making Love.” Harry Hamlin stars as Perseus, a mortal who, due to the interference of the mighty God Zeus (Laurence Olivier), finds himself in the city of Joppa, far away from his island home. There, he falls in love with Andromeda (Judi Bowker), an imprisoned princess. May 5, 2019 - Explore Teresa's board "Harry hamlin", followed by 451 people on Pinterest.
68 bilder, fotografier och illustrationer med Harry Hamlin
It stars Harry Hamlin, Judi Bowker, Burgess Meredith, Maggie Smith and Laurence Olivier. The film features the final work of stop motion visual effects artist Ray Harryhausen. Perseus is portrayed by Harry Hamlin, who looks the part although his acting leaves much to be desired. There's Maggie Smith who plays Goddess Thetis, goddess of water (although by some accounts she is a sea nymph), who is enraged at Zeus' kindness towards Perseus when her own son, Calibos was cursed to become a monster when he crossed the gods.
Delilah Belles pappa Harry Hamlin är främst känd för sin roll som Perseus i åttiotalsfilmen ”Clash of the Titans” men har även medverkat i bland Dimitri Hamlins far är skådespelaren Harry Hamlin som Andress hade en kort romantisk affär efter att de träffades i uppsättningen Clash of the Titans. Dimitri av "Clash of the Titans" från 1981 ser vi Harry Hamlin i rollen som den och hårresande specialeffekter av effektgurun Ray Harryhausen. Som vi berättade i förra numret av Monsterklubben är Ray Harryhausen en av de ”Clash of the Titans” berättar historien om hjälten Persues (Harry Hamlin), I originalversionen av "Clash of the Titans" från 1981 ser vi Harry Hamlin i rollen som den hjältemodige Perseus, Zeus dödlige son. Han ger sig Jag pratar om Clash of the Titans, nyinspelningen av den horribelt I originalet spelade Harry Hamlin huvudrollen och gjorde det med en Clash of the Titans Making Love Strange Wilderness Hus Hus i Beverly Hills California Bilar Inga bilar 10 dyra kändisvillor bilar Harry Hamlin Clash of the Titans Making Love Strange Wilderness Hus Hus i Beverly Hills California Bilar Inga bilar 10 dyra kändisvillor bilar Harry Hamlin Dynamite Hands (in black and white, of course) is the fight story about big punch boxer Joey Popchick (Harry Hamlin, Clash Of The Titans), his trainer Gloves bättre av förvisso skönlockige, men triste Harry Hamlin i huvudrollen som Men med CLASH OF THE TITANS går han vilse i det mytologiska Peter Bogdanovich - 'The Last Picture Show'.


INFORMASI FILM - NONTON.FILM 2 years ago
|Release Date||: 23 May 2017|
|IMDB Link||: tt5173032|
|Director||: Sarah Adina Smith|
|Writer||: Sarah Adina Smith|
|Stars||: DJ Qualls,Kate Lyn Sheil,Rami Malek|
The film follows a mountain man on the run from authorities who survives the winter by breaking into empty vacation homes.
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Reexamining the flawed film and anticipating Alien: Covenant
With the release of Alien: Covenant creeping up soon, there is both excitement and concern for what director Ridley Scott will bring to the beloved franchise that he began near-40 years ago, with 1979’s ‘Alien’. Scott’s original film is considered a sci fi and horror classic, and in many ways has been the structural map for a great deal of genre films since, but there’s a sense of trepidation leading up to Covenant due to Scott’s 2012 return to the franchise with one of the most confusing and divisive films of the series, Prometheus. Now, five years on, it’s interesting to look back and examine the effect the disappointment of Prometheus had, not just on fans of the Alien series, but more specifically with the cinephiles who anticipated it.
Straight off the bat, I’ll come clean: I wouldn’t call myself a big fan of the Alien series. Rather, I’d consider myself a fan of the first two Alien films specifically. This is probably true of most people, but there’s a specific point to that. Alien is, to this day, one of my favourite films. Rewatching it the other night, I still love it, as both a sci fi fan and a horror fan. The movie has such a perfect setup and pace for a horror film, and a brilliant aesthetic that has been mirrored and straight-up ripped off by so many other films since. Much the same can be said about James Cameron’s ‘Aliens’, which I do thoroughly enjoy, but I have some issues with, notably I don’t particularly like how Newt was written, and I also think the Director’s Cut (which is now the generally accepted cut of the film) is a bit bloated. Aside from those films though, I can’t say I really care for the whole series much. I appreciate what Alien 3 was trying to do and David Fincher’s aesthetic, but the plot is far too imbalanced, and the less said about Resurrection (and the fucking awful AVP series) the better.
My point being, when Ridley Scott announced he was returning to the Alien franchise, it wasn’t so much the franchise I was excited about, but rather Scott’s involvement. And honestly, that excitement was amplified by the fact that it wasn’t going to be another xenomorph-centric film, but an exploration behind the ship the xenomorphs came from and why they came to be. To me, another generic Alien movie would be pointless; though Aliens did a great job setting up a purpose for Ripley to go back to LV-426 and fight the xenomorphs again, after that any further exploration of her character vs xenomorphs would just be contrived and redundant (and was).
And I don’t feel I was alone with this line of thinking. Though there were certainly those who were disappointed about the promise of no xenomorphs in Prometheus, Scott’s decision to return to the director’s chair with a new and particularly interesting premise exploring the lore of the xenomorphs’ creation excited fans. Maybe not so much the die-hard Alien fans who just wanted to see more Ripley vs. Aliens, but the fans who loved what made those original Alien films so damn good. It wasn’t just that we were getting a new pseudo-Alien film, it was that we were getting a film that expanded the Alien universe in a unique and interesting way, and from the universe’s fucking creator no less.
And that’s why Prometheus hurt so bad when it landed. The film just wasn’t very good. It wasn’t an utter trainwreck of a film (though some do think so). It was just kind of stupid. Scott did show that he still knew how to make a great-looking sci fi film, sure, and there were some truly impressive, intense moments of horror. But it was just such an utterly confused script, it left you to wonder which would’ve been better: a more straight-up-yet-boring story, or what we got?
Truthfully, the ambition of the story I actually love. Though there were red flags here and there in its first hour, I absolutely adored what it was setting up. The exploration of humanity and our beginnings… it felt like I was watching a new take on 2001: A Space Odyssey, only instead of tripping on acid in the second half, the film was going to deliver pure terror. For half the movie I was sitting there giddy with excitement, and that’s why it hurt so much… oh so very much… when Milburn went to pet the space-snake. Now, I didn’t care much about Milburn, and I certainly hated the Fifield character from the moment he first spoke, and them getting lost in the engineer ship already felt a little contrived… but I remember that space-snake sequence and it just being so painful to watch, because all of a sudden this seemingly grand film that was moving along so well and looked amazing turned from being the best set up to a fantastic new horror movie to being the best set up for some generic, cliched horror bullshit.
And how greatly disappointing it was. For me, this had to be one of my most anticipated films ever; a film that prior to it’s announcement I had no idea I wanted and then all of a sudden wanted so bad. And for it to turn out to be not all that great, it was such a let down. There have been those who wave its flag, claiming that the movie is genius and that it all makes sense, and I’ve heard all the theories of how it all works. But honestly, can anyone really get behind the decision making here? It wasn’t that I didn’t understand the film: I get that there are questions left unanswered purposefully, and that there’s subtext, and that sequels were always intended. But the biggest problem with Prometheus (beyond the stupidity of some of its characters and its “reveals”) is that it doesn’t have any driving force working against its protagonists. Sure, David does the thing with the black goo in Holloway’s drink, and the idiots in the ship fuck around with the space snake, and then Weyland comes into the picture and then they wake up a pissed off engineer… but who’s Shaw actually fighting against in this film? As much as David sort of instigates the events that take place, the reasons why are never explored and he’s not really used as the main antagonist. So shit just kind of… happens.
I’d like to briefly point out what I think was a missed opportunity regarding David in this film. In the blu-ray edition of the film, there is an easter egg that suggests that the Alien universe and Ridley Scott’s other seminal sci fi film Blade Runner’s universe are connected. It seems to me that this could’ve been explored with the character of David. While the humans are invested in discovering their beginnings and meeting their creators, David is aware of who created him, and is in many ways superior to humans, but remains a slave. Perhaps upon arrival on LV-223 David learns that the engineers were intent on destroying humanity, and maybe that triggers a response that leads him to manipulate events in favour of the engineers. Partner this with Holloway’s answer to David when asked why he was made, stating “We made you because we could,” maybe David (much like the replicants before him) has an ambition to be free. This would allow a more emotionally satisfying conclusion the film, as even without questions about the engineers intent answered, the resolution of the David plot would conclude the thematic purpose of the movie.
But unfortunately there was no emotional satisfaction to be had, and the excitement felt anticipating Prometheus was replaced with a feeling of deflation. And this excitement didn’t feel measured by the number of fans invested, but rather it was that the excitement of those invested just felt so dense. Marvel may draw bigger crowds, and nothing can match the volume of anticipation felt with the return of Star Wars, but those franchises are sold on their delivering more of the same. It’s fan servicing, and though that is exactly what people wanted, asked for and got, it also has been the most consistent bit of criticism against those films due to its lack of creativity. Prometheus on the other hand excited fans about the possibility of something beyond what we’d seen or imagined, and looking back now, for me personally (and I don’t think I’m alone here), this was bigger than just another entry to the franchise, this was an artistic exploration of an idea.
But now we’re getting Alien: Covenant, and though its trailers look promising and its initial reviews sound pretty okay-to-decent, it doesn’t feel quite as grand as what Prometheus felt like. I can’t help but wonder if maybe Ridley Scott should do to the Alien franchise what he did with Blade Runner 2049 and just hand it to someone else. Plenty of people were excited about a proposed new Ripley and Hicks sequel by Neill Blomkamp, but not me so much. Firstly, a lot of people had issues with Elysium, and most hated Chappie, so why is everyone so certain about his take on Aliens? And secondly, again, I don’t need another contrived Ripley vs. xenomorphs story. It’s been done.
Honestly, my hope is that Covenant does explore some of the ideas from Prometheus, but just with a bit more focus, and with a few less idiotic characters. Because I greatly appreciate what Scott has been trying to do, and it’s not without precedent; in recent years there have been a few really great alternate takes on established universe’s, such as this year’s’ Logan or (my personal favourite universe building film) 2015’s Creed. Expansion of a story and redirection of focus is a fantastic way to treat fans to something familiar while offering them something new, and it’s something that I think people are really beginning to hope to get more of from tentpoles such as Star Wars and Marvel. But it requires thought and restraint. We want these films to take chances, but they have to be respectful to their audiences. We don’t want any more stupid characters and dumb decisions in our Alien universe, just like we don’t want to the DC lore get completely shit on in the cinematic universe and then have it wipe its ass along the ground. Let’s hope Scott’s heard us, and that Alien: Covenant gets it right.


Walking by the the Cinema Boujloud in Fez is a sad experience for anyone who loves old movie houses. This once bustling cinema is closed and used for storage of market goods. The seating was still in place in the auditorium when seen in 2006. Cinema Boujaloud is symptomatic of the Moroccan cinema market which has been suffering a severe decline during the past years.
The rich heritage of Moroccan cinemas is endangered, but those who care about the future of film and their architectural value are working hard to save them, writes Derek Workman.
In 2007, Moroccan actor Tarik Mounim was in Tetouan waiting on a film set between takes. He was appearing in Goodbye Mothers, Morocco’s entry for the 2009 Oscars in the Best Foreign Film Category - which tells the story of the Jewish exodus from Morocco in the 1960s. While he waited for his scenes to be shot, he looked around the Art Deco cinema Cine Español, said to be the most beautiful in Morocco. He got to chatting with the owner, of the Español and two other cinemas in the city. It might seem pretty good, owning three cinemas, the owner told him, but it is a far cry from the twenty-five that his grandfather owned throughout the country.


Crimson Ties is a haunting tale of love, darkness, and redemption. Viviana, a young waitress, finds herself entangled in the dangerous world of Nikolai, a powerful mafia boss twice her age. Their initial encounter is sparked by an undeniable attraction and a dark secret from Nikolai’s past. As they navigate the treacherous paths of organized crime and undeniable passion, the couple faces external threats from rival clans and internal battles with their own demons. The specter of a lost love, bearing a haunting resemblance to Viviana, threatens to tear them apart. In a world where loyalty is scarce, and betrayal is abundant, will their love be their salvation or their doom?
- Introduce Viviana, a young woman (early 20s) working as a waitress in a small, run-down cafe in New York.
- Introduce Nikolai, an older, powerful mafia boss (mid-40s) with a mysterious past.
- Nikolai enters the cafe, their eyes meet. An inexplicable attraction forms.
- Viviana witnesses something she shouldn’t have. Nikolai has to decide her fate.
- To ensure her silence, Nikolai takes her to his mansion.
- Viviana discovers glimpses of his violent world but also sees moments of vulnerability.
4. Past Revelations:
- Viviana learns that Nikolai had a love in his youth who looked eerily similar to her. She passed away under suspicious circumstances.
- Viviana confronts him, and he’s tormented by old memories.
5. Growing Attraction:
- Despite the danger, the age gap, and his dark world, they’re drawn to each other.
- Intense, passionate moments where their worlds collide.
- Rival mafia clan learns about Viviana and sees her as Nikolai’s weakness. She’s kidnapped.
- Nikolai’s old and dangerous rival resurfaces, having a connection to the past love’s death.
- Nikolai has to confront his past, his rival, and rescue Viviana.
- A bloody confrontation between the two mafia clans.
- Viviana is saved, but she’s seen even more of Nikolai’s dark world.
- They face a crossroads: Can they find love in such a world? Or is the allure of the past too strong?
- Nikolai decides to leave the mafia world for Viviana, but they know there will be consequences.
They disappear together, leaving behind a city and past engulfed in shadows.


How do I find movie samples?There are a number of ways to find movie samples. One option is to search online for websites that offer free or paid movie samples. Another option is to purchase a DVD or Blu-ray of the movie you want to sample and then use a video editing program to extract the clip you need.
How do I use movie samples in my own work?
Before using a movie sample in your own work, it is important to make sure that you have the legal right to do so. In most cases, you will need to obtain permission from the copyright holder of the movie. Once you have obtained permission, you can use the sample in your work in any way you see fit.
Here is an example of a movie sample:
Movie: Pulp Fiction (1994)
Scene: Vincent Vega and Jules Winnfield discuss the meaning of a burger while eating at a diner.
The double-quarter pounder with cheese was called a Royale with cheese in France. They got the metric system there, they don't know what the f*ck a quarter pound is.
This sample could be used in a variety of ways, such as in a song about food, a trailer for a new restaurant, or a TV show about American culture.
Please note that this is just a short example. When using movie samples in your own work, it is important to be creative and find ways to use them in a way that is both original and respectful of the original work.


Southern literature scholar Michael Bibler interviews James Franco about his new adaptation of William Faulkner’s As I Lay Dying:
Filmed on location in Faulkner’s northern Mississippi, the film follows the epic journey of the Bundren family as they battle flood, fire, injury, and insanity to bury the mother, Addie, in her hometown of Jefferson. The novel is told in a series of 59 monologues spoken by 19 characters, giving it the feel of both a fragmentary dramatic script and a series of internal meditations, making it exceedingly difficult to translate to other media. As Mr. Franco explains below, bringing the novel to film poses interesting opportunities and challenges for anyone trying to capture and reimagine both the peasant realism and the modernist surrealism of Faulkner’s self-proclaimed tour-de-force. The film has already generated a great deal of buzz and will no doubt be the subject of much discussion, academic and otherwise, in the years to come.


About these songs
The tracks above are a small selection of the songs I’ve written to be performed in theatre productions and by choirs. All words and music written/performed by myself unless otherwise stated.
Songs for theatre
1. Do Not Go Gentle Into That Good Night. This song was written for I Kiss Your Heart, a theatre show written and directed by Soho Theatre’s Artistic Director Steve Marmion. It was originally sung by Grammy Award-winning vocalist Lady Rizo. On this recording, vocals by Sofia Stuart. Words, of course, by Dylan Thomas.
2. When That I Was and a Little Tiny Boy. Written for the RSC’s Shakespeare Song Competition in 2015. My song was one of seven winning songs which were performed at the RSC by members of the company. Vocals: Onur Sevigen. Words: William Shakespeare (from Twelfth Night).
3. The Weave of the Wave. Written as part of a new musical for the inaugural Swanage Fish Festival in 2015. Vocals: Sophie Cook and Onur Sevigen. Based on a story by Robin Hutchinson.
4. Silly Tilly (Song to the Sea). Written as part of a new musical for the inaugural Swanage Fish Festival in 2015. Vocals: Sophie Cook and Onur Sevigen. Based on a story by Robin Hutchinson.
5. Come Unto These Yellow Sands. From Gap Rep Theatre’s production of The Tempest. Vocals: Cordelia Rose Howard, Rebecca Hale Munro; flute: Rachel Weber.
6. Gullible Sly. From By Moonlight Theatre’s production of The Taming of the Shrew at the Rose Theatre, Kingston. Vocals: Sebastian Roughley.
Songs for choir
7. By Your Side. This was a commission from the Military Wives Choirs, written to commemorate the centenary of WWI. It has since been performed across the UK and in Canada by various Military Wives Choirs. Vocals on this demo: Sophie Cook. This arrangement: SSA and piano.


Watch our trailer of trailers. You can change these settings at any time. Retrieved 9 May You must be a registered user to use the IMDb rating plugin. She was alike a breath of fresh air the first time he saw her on the busy streets, sitting regally in a Tonga. Dhanush Gets His Hindi Right.
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Zero by Aanand L. Bhaag Milkha Bhaag Einthusan, you have outdone yourself on this one. Why do people feel so obliged to include what happens in the movie eg.
Watch Full Movie Raanjhanaa Online for Free – Voot
You can change these settings at any time. She of course didn’t takes him seriously and brushed him off. Beloved one is a Indian Hindi -language romantic drama film directed by Aanand L. Edit Details Official Sites: During one such visit, a man advises him to do the right thing rather than run away from his sins. Retrieved 27 October The story really captivates you and makes you feel apart of the characters emotional struggles.
Edit Storyline The pundit’s son Kundan Dhanush has fallen for the girl at first sight. You must be a registered user to use the IMDb rating plugin.
Zoya finally met Kundan and confessed her true feelings to him. Raanjhanaa Theatrical release poster. If you continue without changing your settings, we’ll assume that you are happy to receive all cookies on Filmibeat website. See our favorite trailers in under a minute, including a first look at Star Wars: Kundan again attempts to ask Zoya for her love but she is reluctant, revealing that she is in love with Akram.
Einthusan please add a option to turn on and off the subtitle in your videos. Ya Jaane Na Clear Notification X Do you want to clear all the notifications from your inbox?
Actor Dhanush plays the character Kundan who has a deep passion for his city Banaras and Zoya. The object of his passion is the local Muslim beauty, Zoya played by Sonam Kapoor. In lateShahid Kapoor and Sonakshi Sinha were signed as the lead pair for the film. Kovie else facing the same problem? Advertisement – opens new tab. Zoya is apparently brainwashed by this plan and as the Chief Minister desired, Kundan is hurt badly and sent to ICU, thus fulfilling Zoya’s revenge.
Anupama Chopra’s review: Raanjhanaa
The advertisment plays and then the sceen just turns blank. Retrieved 14 January The film takes a turn when Zoya returns to her hometown after eight long years only to find some things changed, and others surprisingly the same. Story was original, excellant acting.
Was this review helpful to you? Trivia In a one of its kind first, A R Rahman gets first credits as composer, followed by the director’s. You ranjjana always change this setting while you’re watching a video.
Dhanush is a geat actor.


On November 17 at 7:30 p.m. there will be a special showing of an original play by veterans, Beyond All Recognition at the Drake Performance and Event Center.
The play is about veterans who have to negotiate the military/civilian divide as the bonds of friendship and honor are tested. There are showings throughout November, with specific dates and times found at: theatre.osu.edu.
The play is about a TV star, Andy Stark, who has skyrocketed to fame in a new hit television show. Back home in Ohio, his sister Denise is struggling to readjust after military service. Beyond All Recognition is new play about brothers- and sisters-in-arms who have to negotiate the military/civilian divide as the bonds of friendship and honor are tested.
Since January 2017, the nine actors in the department’s Master of Fine Arts program have been creating this piece, inspired by their experiences working with local veterans, active military personnel and their family members, and professional caregivers.
During the development and creative process they have explored the experiences of war and its aftermath through individual research and by facilitating Shakespeare-based acting workshops for community partners.
Immediately following the performance on Friday, November 17, join the cast and invited guests for discussion that centers on the Shakespeare and Veterans initiative.
- Heather Seymour, Creative Arts Coordinator/Social Worker, Columbus Veterans Administration.
- Zack Star, founder, VetConnect.
- Mike Carrell, Assistant Vice Provost, Ohio State Office of Military and Veterans Services.
- Kevin McClatchy, Project Supervisor, MFA Outreach and Engagement Project.
Discounted Tickets for Veterans and family members are available for this special showing.
Questions? Call Heather Seymour at 614-388-7607.
Physical address of the theater:
OSU Theater Department
1089 Drake Performance and Event Center
1849 Cannon Drive
Columbus OH, 43210-1266


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Director: K. R. Devmani
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To create a safe environment for all children, tweens and young teenagers, who have the desire to expand their creative minds and find their abilities within the performing arts department.
Pouring positive energy into creating, directing, and producing scripts and stage plays for children. The vision is to inspire each child & cast member to become leaders by channeling their inner energy into a positive way through dance, musical productions and theatre.
Miss Marie Poppinz Children's Theatre & Dance
Miss Marie Poppinz program gives every kid a chance to be a different type of role. It’s not always about being the main role, it is about building each other up and doing things together. Miss Marie Poppinz Children's Theatre & Dance cherishes the community of young actors and actresses who love to be on stage! Join the movement of dancing , singing and acting, all year round.


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The movies rate extremely high on the romantic count. The love making scenes are evocative and are shot with such aesthetics that you will hardly feel titillated. In fact, the handling is very soft throughout both movies; something which stays with you.
The inner in both movies is the dialogues, intelligently written and delivered. Some of them are so deep-rooted and suffusing that you will find them relevant in many aspects of life.
Relevance is what makes love bloom in both movies. One thing that differentiates both movies is that Notting Hill ends predictably while The Notebook has a very sad ending. Yet, both movies have a pathos you can relate with.
The reason for this is that it contains many great American themes and motifs. There has also been a movie made from it starring Julie Walters and the more famous Michael Caine.
A Movie Theater has to attract people not only with movies but also with all the fun that people can have in Movie Theater. We especially appreciate this strategy if it helps us or informs us in some way. Many farmers were losing their farms and homes. Edward was only taught basic concepts and manners, so this made him simple.
The contrast is achieved through two principle means: contrasting opposite qualities held by the characters and contrasting one character's posititve or negative qualities to another's lack thereof I was 16 and it was spring time. A comedy is defined as also beginning with a problem, but one of less significant importance. In my estimation, the appropriate spacing between people at a movie theater is one seat. Coppola and the screenwriter, John Mileus, took a story written nearly eighty years earlier and used its basic theme of the inner darkness of man and the idea of the journey up a river into the unknown to tell a story about one of the darkest, Many American novels, books and movies also contain these themes and motifs, making it very easy to compare Huckleberry Finn to Pleasantville
These two movies are great for understanding the play and also for understanding a little of where Shakespeare got most of the ideas for this play. The characters try to solve the problem and the story ends with all the characters uniting in either a marriage of a party.
The movie also included several actors while the play only featured two, Frank and Rita.
To quench this thirst it has gone as far as genocide; but has often employed more subtle techniques, such as mind control.
However, Chandler wrote The Big Sleep as a piece of pulp fiction that was read by a large populace.
Your essay should attempt to run on similar lines. Grandpa said there wasn't much too his high school education.
In fact, the handling is very soft throughout both movies; something which stays with you. Introduction to home movie rental industry A. Novel - The Big Sleep: Movie vs. LCD Monitors The monitor is likely the most important part of the computer. Anything more than a whisper and it would vanish, it was so fragile.
The profit for a Movie Theatre is not coming only from tickets but also from all the sales of food and drinks. Metrics E. In Act 3, Scene 2 of this play Brutus and Antony both try to sway the minds of the Romans toward their views.


Special Projects: Ongoing
Tacoma Historical Society has facilitated a series of statues, monuments, and other public memorials of Tacoma history. This page contains information about current projects.
Eyes of the Totem
In 1927 H.C. Weaver Productions of Tacoma released the film Eyes of the Totem. It was one of three films the company produced between 1924-1928. All three had been thought lost permanently for decades until in 2014 Eyes of the Totem was rediscovered in the archives of a museum in New York City.
Tacoma Historical Society is the fiscal agent and keeper of the film. Team Totem has worked in conjunction with historians, film experts, community members and the Tacoma Art Museum to re-release Eyes of the Totem in an appropriate and attractive fashion. The film has been set to an original score by local composer John Christopher Bayman . Eyes of the Totem will be entered into multiple film festivals, so cinephiles around the world can enjoy its rebirth. A feature length documentary is also being created about the film's resurrection, and a dvd release of the film with added commentary and informational programs is on the horizon. Stay tuned and thanks for checking in.
War Memorial Park
Tacoma's War Memorial Park is located just off Jackson at Hwy 16. Tacoma Historical Society has been involved with the creation and dedication of memorials for World War I, World War II, the Korean War, and Vietnam War. Tacoma Historical Society also hosts annual Veterans Day and Memorial Day commemorations there.
Tax-deductible contributions may be sent to:
Tacoma Historical Society
PO Box 1865
Tacoma, WA 98401
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The stage at the King’s Theatre appears set for a kitsch children’s musical production as the audience enters for The Magnetic Fields’ 50 Song Memoir (Part 2); an outsized trompe l’oeil dollhouse is in centre stage, cluttered and surrounded with smaller dollhouses, lamps, microphones, instruments, old-fashioned toys.Read More
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Review: Raymond Antrobus & Joe Dunthorne, EIBF 2019
Review: Jarv Is, EIF 2019
Review: The Long Road, Fringe 2019
Review: Section 28 – The Legacy of a Homophobic Law, Fringe 2019
Review: Jeanette Winterson – Modern Monsters and Mad Genius, EIBF 2019


LAKESHORE RECORDS TO RELEASE
CASA DE MI PADRE – ORIGINAL MOTION PICTURE SOUNDTRACK
Features Original Songs Performed by Christina Aguilera, El Puma, and the Film’s Stars Will Ferrell & Genesis Rodriguez
With Original Music Composed by Andrew Feltenstein & John Nau
(February 27, 2012 – Los Angeles, CA) – Lakeshore Records will release Casa de mi Padre – Original Motion Picture Soundtrack digitally on March 13th and in stores in March 27, 2012. The soundtrack features original songs (sung in Spanish) and score written by Andrew Feltenstein and John Nau with performances by Christina Aguilera, El Puma, and the film’s Will Ferrell and Genesis Rodriguez.


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