My first experience with watching movies both in the theater and at home was in the early to mid '80s. As a kid, I migrated to the blockbusters most of the time mainly because they marketed to me through toys, video games, food, and even soundtracks. When I think back on my first exposure to these films, most had really good villains which propelled my young brain from the realms of animated evil into live action terror and horror.
Here are my most-hated movie villains as an '80s kid...
Gozer the Gozarian from Ghostbusters- You could say as a kid, I was truly frightened of all the ghostly villains in Ghostbusters. This film was likely the first time I experienced apparitions outside of The New Scooby-Doo Mysteries but these creatures weren't just people in costumes (OK, so maybe the terror dogs were.) From the time the Ghostbusters first encounter the librarian until the final cross-streaming destruction of Gozer, I was scared and eventually thankful they saved the day.
Stripe from Gremlins- Gremlins was really a horror movie that lured unexpecting kids into the theater. Gizmo was really the face of the franchise to me and I had everything from stickers to a magnetic belt with his adorable picture on it. But beyond the funny pranks that Stripe and his gang pulled during the film, I wasn't prepared for the eminent danger of these creatures wielding knives and shooting guns. The microwave scene is still one I don't really care to watch to this day.
Johnny Lawrence and the Cobra Kai from The Karate Kid - I remember a few times being bullied as a kid. I was a short and skinny kid so I guess I made an easy target for one of my neighborhood "friends" who knew I didn't pack much fight. Also, one leg of my elementary school bus journey was with mainly high school kids so I spent most days just trying to avoid them. I never really did anything to provoke being bullied so my situation didn't really match up with Daniel's in the film. But nonetheless, it didn't stop me from imagining the bullies in my circle as Cobra Kai members.
Biff Tannen (and his many iterations) from the Back to the Future trilogy - From the bully in 1955 to the Grandfather in 2015 to every relative and alternate universe iteration, Biff has always been one of my most-hated villains. His evil seemed to develop over the course of the films from bullying and essentially rape to greed and murder. And while time seemed to be the main adversary of Marty and Doc throughout the course of the film, Biff was always someone they had to account for in their journeys.
Gmork from The Neverending Story - The first time I ever watched The Neverending Story was at a sleepover birthday party at a hunting camp. Being out in the middle of the woods heightened the frightening experience of Atreyu being hunted by the wolf Gmork. And while one could argue The Nothing is the main villain, Gmork was so much more menacing and cunning than a fast-moving cloud of smoke.
That ends my list, bur I'm anxious to hear your choices! Leave a comment with your most hated movie villains as a kid...


Doug Langdale is the executive producer of the Cleopatra in Space TV series, leading the production of the show along with the other executive producer, Scott Kreamer. After starting post-production, Scott moved onto another DreamWorks Animation series, leading Doug and Fitzy Fitzmaurice to become showrunners, helping in the music direction of the show. Active in the animation industry since 1991, he mostly works with animated films and cartoons aimed at children. He was the executive, producer, and creator of three TV Shows (Adventures of Puss in Boots, The Weekenders, and Project G.e.e.K.e.R.), and executive producer and writer of Dave the Barbarian. Additionally, he was a writer for various animated films, such as The Book of Life (2014) and Scooby-Doo! Shaggy's Showdown (2017) and TV series like and Teenage Mutant Ninja Turtles , acted three two-bit roles in three films (Mothman, Breathing Room, and The Mr. Potato Head Show), and a story editor and writer for TV shows (The X's, Quack Pack, Darkwing Duck, and Ozzy & Drix). He is best known for his work on The Book of Life, Earthworm Jim, and The Weekenders. He lives in Burbank, California, with his wife, Candie Langdale. He is a writer for various animated series, including 10 episodes of the TV series Zafari and five episodes of the series The Adventures of Puss in Boots. Doug and Candie are animation producers, writers, and stand-up comedians.
He was, most recently, a writer for Maya and the Three, along with his wife, Candie.
- Season 1, episode 2, Surprise
- Season 1, episode 3, Clubbing
- Season 1, episode 6, Quarantine
- Season 1, episode 13, Rescue
- Season 1, episode 16, Paradise Found
- Season 1, episode 26, Pyramid Scheme
- Doug and Candie Langdale official website
- Doug and Candie Langdale Facebook page
- Doug and Candie Langdale Instagram page
- Doug and Candie Langdale Twitter page
- As stated on his IMDB page
- Courtney Lofty, Cleopatra comin' atcha! - the music of Cleo in Space, November 25, 2019, accessed February 29, 2020.
- He also served as the show's story editor.
- He also served as a writer for the films Top Cat Begins (2015), Guardians of Oz (2015), Scooby-Doo! Stage Fright (2013), Big Top Scooby-Doo! (2012), Scooby-Doo! Legend of the Phantosaur] (2011), Happily N'Ever After (2006), and The Return of Jafar (1994). Additionally, he served as a writer for TV series such as Kung Fu Panda: Legends of Awesomeness, The Looney Tunes Show, El Tigre: The Adventures of Manny Rivera (where he was also a story editor), , Disney's House of Mouse, Buzz Lightyear of Star Command, The Brothers Flub, The Mr. Potato Head Show, Pinky, Elmyra & the Brain, Captain Star. He was also a story editor for the TV Series Aladdin and a voice director for The X's.
- On their official website, it states that "Doug and Candie have written for and produced various shows. Doug is the creator of Dave the Barbarian and The Weekenders, and now the two of us are developing shows together."
- "Zoe Saldaña, Gabriel Iglesias, Rita Moreno to Star in Animated Epic ‘Maya and the Three’, The Wrap, Aug. 24, 2021.


Learner Journey Summary - S2
Introduction to S2 Drama
- Respond to a stimulus in order to create a three scene drama.
Mood and Atmosphere
- Creating mood and atmosphere.
- Using Theatre Arts to enhance drama.
- Learn to create a character.
Creating Stories Around Social Issues
- Learn to respond to a stimulus to create a scripted drama with an issue based theme.
Inter-Disciplinary Learning - Drama, English & Home Economics
- Work collaboratively to produce a drama on the topic of Foodbanks.


GreenEdge is equipped to film and produce professional HD videos for all occasions.
We market videos online and submit to film festivals to expand the reach.
We also offer educational help for those who want to learn how to edit video.
Red Bull, Tedx, Asana, Atlassian, PLOS One, PCH International, A&M University, Survival Media Agency, Groupon, US National Park Service, Allstate, East Bay Bicycle Coalition, Bay Area Bicycle Coalition, Sustainable Living Roadshow, Bicycle Music Festival, MonkeyLectric, Walk Oakland Bike Oakland, EcoSF
Proficient in Final Cut Pro 7 and X, Adobe Premiere Pro CS6, After Effects, Compressor, Canon 7D & 5D, Sony XD Cam, Canon C100, Transcoding, Color Correction, Audio Production, Adobe Suite, WordPress, HTML and CSS. Excellent writing, research and analytical skills.
Canon 5D Mark iii, Tamaron lens 24-70mm f/2.8, Canon L-Series telephoto lens 70-200mm f/2.8L, external flash, 10hrs video memory, Sennheiser wireless mics, lavalier microphones, RØDE shotgun microphone.
Portland State University / Masters of Urban Studies –– 2003-2006
University of California, Davis / BA Sociology, Minor Art Studio –– 1996-2000
Instituto Allende / Photography Certificate –– 2000
Photographer/Videographer Texas Film Productions 2017-2020
Photograph conferences, weddings, social events, etc. Edit photos and send to clients. Film, edit and produce music videos, livestream conferences, promotional videos and creative endeavors.
Photographer/Editor Candidly 2017-2018
Lead photographer for professional events for clients such as Austin Tech Health, Century 21, DivInc, Texas Young Professionals and others. Edited photographs and sent to clients.
Video Editor/Videographer Eddie.com 2012 – 2016
Camera operator for large scale events: Tedx, Red Bull Creation, Highway 1 Demo Days. Worked with crews of 15-20 to create seamless productions. Edited presentations incorporating slides, color correction, music integration, sound editing and graphics.
Video Editor/Producer Rock the Bike 2010 – 2016
Produced, directed, filmed and edited promotional videos. Coordinated with the director of Rock the Bike and camera crew to create event videos for the Bicycle Music Festival. Compiled video footage from several camera operators, edited and worked with the director to create final products. Promoted videos, screened at the Portland Filmed By Bike Film Festival and Austin Bike Film Festival.
Video Editor/Videographer Asana 2014 – 2015
Filmed internal company presentations at Asana, one of the top tech companies in the US. Edited the presentations interspersing powerpoint slides to create cohesive videos.
Cinematographer Lightswitch 2012 – 2015
Filmed interviews and business profiles on site at various locations throughout the Bay Area. Directed, produced and filmed.
Video Editor/Producer Bike East Bay 2010
Production Assistant Beyond Pix 2009 – 2010
Assisted with the production of the 2010 Bike to Work Day promotional videos and the 2009 Bike to Work Day promotional videos. Helped create the script by working with the Video Producer and the Director of Bike to Work Day. Advertised for and cast the actors. Coordinated the actors to ensure smooth and timely operations. Assisted with set lighting and set design. Secured props and make-up artists.


What is Chautauqua?
- It's History Alive!
If you like something that holds you spellbound, entertains you and incidentally teaches you - then you're going to love Chautauqua. We take you on an astonishing journey into the past, where historic figures appear on stage, and you question them - no holds barred! And you, the audience, are always a part of the show. You laugh . . . you cry . . . you just flat out have a good time.
And to top it off - the shows are FREE!
Chautauqua Magazine June 2015 | Download PDF
Past Chautauqua - 2015:
America at the Movies
How the movies changed America. And how America changed the movies.
Fall in love with America's Sweetheart, Mary Pickford. Be amazed by the cinematic magic of Orson Welles. See poverty and joy through the camera lens of Gordon Parks. Dream with Walt Disney whose empire started with a little mouse. Experience the story behind the making of Gone with the Wind.
History Alive Festival
June 17 - 26, 2016
Past June 2015 Festival


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Watch Online Video of Ishq Mein Marjawan 11th July 2019 Full Episode on Colors TV in HD. Right Now You Are About To Watch Today’s Episode of Ishq Mein Marjawan 11th July 2019 Available in Dailymotion and Openload.
- Arjun Bijlani (Deep)
- Nia Sharma (Anjali/Arohi)
- Aalisha Panwar (Aarohi/Tara)
- Vineet Raina (Laksh)
Full Episode Info:
- Telecast Date: 11th July 2019
- Name: Ishq Mein Marjawan
- Video Platform: Openload/Dailymotion
- Owner: Colors TV/Voot
[720p HIGH-DEFINITION (HD) VIDEOS]
Links Are Coming Soon…..


Tuesday, January 12, 2010
(click the video to watch full size on YouTube)
What does theater have to do with business ethics and leadership? In the spring of 2009, 24 MBA students at the Darden School of Business in Charlottesville learned more about the connection as they took Professor Ed Freeman's "Leadership and Theater: Ethics, Innovation, and Creativity" class. In addition to acting and directing exercises, the student's final project was writing, directing, and acting in a full-length play. This documentary follows the students throughout the class, with the grand finale of the performance.
See supporting materials at the Leadership and Theater Website.


Other notable projects...
Mamma Mia! Here We Go Again
In the lead up to the release of the film, I mixed over 60 behind-the-scenes featurettes and documentaries for use as part of the social media marketing campaign and home entertainment content.
The Hive - Series 2
78 x 7 minutes
I was the sound designer and dubbing mixer for all 78 episodes made for Disney Channel in the UK and several international territories.
For the 24th film in the James Bond franchise I premixed the UK and international theatrical trailers as well as taking care of the foreign language localisation. I also mixed all the UK and international TV commercials.


I was born in Manhattan. Raised in Brooklyn.
Graduated college in Lancaster, Pennsylvania.
Currently residing in Philadelphia.
I have worked as a freelance filmmaker and photographer for two years in Philadelphia. My freelance work runs the gamut of video production, from music videos to corporate talking-head interviews. I have over seven years of experience in all aspects of the film and television industry, from shadowing a camera assistant on the feature film, Split (2016), to working as a quality-control operator at IFC Films and Giant Interactive.
My passion is in movies. I am interested in telling uncompromising stories from unique perspectives. My personal work focuses on trying to find a new grammar for movies and pushing the language of film beyond its comfort zone. I would say I work mainly in narrative genres, but I do not consider documentary and narrative to be mutually exclusive. There is room for aspects of documentary within a narrative film, and there is room for aspects of fiction in a documentary. In fact, I would say that they are both necessary for either form to exist.
While my greatest passion is in feature films, I also have a passion for short-form content. The Internet and social media have allowed short-form content to flourish.
These days, it seems that every business or non-profit organization needs not just one video, but multiple, engrossing videos to show to current and future potential clients.
This is where I come in.
I want to help you stand out from the crowd and create a video that allows you to cast a wider, more effective net, acquiring new clients and enthusing returning ones. Setting aside a budget for video content is not just an expense but an investment - an important and necessary one in this day and age.
I have worked with many businesses and non-profit organizations who have benefited financially from the high-quality video content they upload to their websites and social media, as well as broadcast television. At the same time, all too often, I find social media pages and websites with little or no video content. And if there are videos, they are of very low quality and not engaging enough for the preoccupied minds of today's audience.
Every company, big and small, competes for the eyes and ears of consumers, and the competition continues to grow and become more competitive every year. If you want your business to grow and evolve with the times, then high-quality video content is not as much a choice anymore, as it is a necessity for the continued success of your business.
Fortunately, technology has allowed smaller, independent production houses to flourish in recent years. You no longer have to be in Hollywood to make videos that look and sound great.
Whether your organization or business has experience in video production or no experience, if we decide to work together, we will design a plan that will be our roadmap to creating the content you are seeking, within a budget you can afford.
I hope we can begin working on creating videos together soon. At the end of the day, if you are not satisfied with the video, I guarantee your money back.
© 2019 John A. Gillespie Films


We are a film team, based in Sweden about to produce the first ever mockumentary TV series about running and runners.
In this series, we encounter two radically different running groups from Sweden – Team 100 and Shinpuru – as they prepare themselves for the greatest marathon of them all, The New York City Marathon.
We just finished making the pilot and we are now working on finding good partners to finance the first season.
The Pilot is directed by Robert Lillhonga.
Join us on this journey of the making of the worlds first TV-series about runners.
May 14, 2014
We are very happy with our great trip to the biggest TV Festival in the world: the MIPTV in Cannes. Roughly the same days we had the screening of the pilot for the general public in Stockholm on April 14th with Anders Szalkai which was very well recieved, thank you all for this opportunity. Last week director Robert Lillhonga had three successful seminars of our project at Helsingborg Arena. And this week Runners is participating at SWIM LAB, updates will follow!
The Runners team is proud to announce that there will be an open screening of the pilot for the general public in Stockholm on April 14 with Anders Szalkai. Read more here: https://magnetevent.se/Event/
Say hello! We love making new friends. Plus, we promise to send all kinds of good karma your way!


Archive for the ‘News & Updates’ Category
This Saturday (Oct. 24th), ‘SORRY, THANKS” will play for the first time in San Francisco proper, at the great Landmark Clay Theater! We’re thrilled of course, to be bringing the movie back to its hometown, and to be doing it as part of the incredible new CINEMA BY THE BAY festival (first year!), presented by the San Francisco Film Society and highlighting new & emerging film work produced in or about the Bay Area. CBTB has some truly great stuff in their line-up, and the fest only runs for 4 days (Thursday thru Sunday), so head to the SFFS website for tickets quick-like, if you can. The great (& steadfastly charming) Wiley Wiggins will be in SF and for the screening/Q&A to follow, along with the very talented Ia Hernandez (Oakland-local!), who plays his girlfriend “Sara” in the movie. “S,T” in SF details:
SATURDAY, OCT 24th @ 9:00 PM / LANDMARK CLAY THEATER
And on Sunday, 6000 miles or so to the right: “SORRY, THANKS” will have its international premiere in Granada, Spain, at the FESTIVAL INTERNACIONAL DE JÓVENES REALIZADORES DE GRANADA (International Young Filmmakers Festival of Granada). Of course, we can’t wait! We’ll both be at the festival, along with actress Kenya Miles, who’s rushing over from birthday travels in London for the screening (happy birthday, Kenya!). Details:
SUNDAY (Domingo, we’re no dummies), OCT 25th (25 de Octubre!), @ 8:30 PM / TEATRO ISABEL LA CATHÓLICA
Live in Spain, perchance? Info on how to buy tickets HERE.
If you’re in northern CA or southern Spain, we hope to see you there! Bonus points for people who magically manage both.
GRACIAS por todo!
— Dia & Lauren
We’ve been running around Marin County like crazy. Well, Lauren has — I’ve been traveling for my day job and will have touched the ground in Georgia, Alabama, Texas and Colorado in the 48 hours before landing in California. She’s been postering, postcarding, stickering and generally hobnobbing for a good cause. Why so much craziness? And what’s the cause? We’re gearing up for our Bay Area premiere! It’s terribly exciting to play the film to a new audience, as well as the cast, crew, extras, helpers, bar owners, restaurateurs (burrito providers, mostly) and homeless people who made the whole thing possible. Yes, we are bringing it home, so to speak, and we can’t wait. Check it out, SORRY, THANKS to play at the lovely MILL VALLEY FILM FESTIVAL.
Two shows, this week: Sunday (Oct. 11th) at 9:00, and Monday (Oct 12th) at 9:30. Tickets HERE!
Maybe we’ll see you there? Come say hi.
– Dia (& Lauren)
Sorry, Thanks made its NY premiere at BAMcinemaFEST last night, to a packed house! Thank you to everyone who turned out—we were blown away by the audience energy and response.
And we were lucky enough to have Kenya (lead actress extraordinaire!)—not to mention Kenya’s family, who came up from D.C.—out from San Francisco, and with us for the screening and Q&A, as well as the hilarious, bespectacled Moshe Kasher (”Andrew” in the film, not to be confused with Andrew Bujalski, who plays “Mason,” also hilarious and bespectacled).
If you were in the BAM audience and liked the film, please declare yourself “a fan” by joining Sorry, Thanks on Facebook! Or sign up for our mailing list (on our homepage)—we’ll notify you only of cool things. Like Sorry, Thanks screenings elsewhere in the country (tell your out-of-state friends!), upcoming bonus footage (we have a little Sorry, Thanks comedy short that we’ll set free sometime soon—kind of like a little rascal cousin to the film proper), etc.
And BAMcinemaFEST continues until July 2nd! If you live in NYC, we really encourage you to check it out and support the dedicated filmmakers whose work is included in this incredible line-up. 2009 is the inaugural festival, and it’s already pretty darn amazing. Can’t wait for BAMcinemaFEST 2010!
Thanks again Brooklyn & BAM!
New York audiences are the best. We’re not just saying that because we live here.
—DIA & LAUREN
We’re excited to announce that Sorry, Thanks will make its New York Premiere here in Brooklyn at (the incomparable) BAM (Brooklyn Academy of Music), as part of their first ever annual BAMcinemaFEST! (”A new film festival, Brooklyn-style.”) The full festival runs June 17 — July 2 and looks, frankly, amazing: retrospectives, hilariously inventive theme-movie marathons (”Before They Were Scientologists,” anyone?), outdoor screenings, shorts, and the “New Films” line-up (yours truly can be found here), which includes some of the most talked about films on the festival circuit this year.
Here’s IndieWIRE on the BAMcinemaFEST slate: “New 16-Day BAMcinemaFEST offering 14 New York Premieres.”
Sorry, Thanks is playing on WEDNESDAY, JUNE 24th at 9:30 PM—mark your calendars! There will be a Q&A with Dia & co. following the screening (we promise staggering “behind the scenes” revelations, or at least very good grammar). Tickets are on sale now through the BAMcinemaFEST site, HERE.
If you’re a Brooklyn/NYC friend you have very possibly received an invite from us on this very subject. Or more than one, via multiple e-mediums, which does beg the question: how many invites do friends have to receive in a single week before they can in good conscience de-friend us?
We’re pretty sure the answer is that that number is incalculable, boundless. Like friendship.
Not deluged with Sorry, Thanks alerts? Wishing you were!? Easily remedied! Sign up for our mailing list, on our homepage (just kidding about deluge! we email very sparingly, unless you know us personally, in which case, yes, it is just merciless).
In other news: it’s been a very busy couple months post-SXSW. Since March, Sorry, Thanks has played at the Sarasota Film Festival, the Nashville Film Festival, and the Berkshire International Film Festival. All were amazing screenings with warm, receptive crowds. Next week (Friday, June 12th) we’ll be playing at the fast-expanding and much raved about deadCENTER Film Festival in Oklahoma City, OK. Tickets to Sorry, Thanks at deadCENTER are on sale HERE.
If you’re a New Yorker, we hope we’ll see you at BAM on the 24th …
And more summer festival updates coming soon! Check back.
—DIA & LAUREN
We’re back from Austin, TX, where Sorry, Thanks had its World Premiere at SXSW—three screenings, each with fantastic, curious, receptive audiences. We had an amazing time showing the movie, and felt lucky to play side-by-side with such great films/filmmaker friends.
And SXSW generated our first batch of reviews—great stuff! Check out the kind words & coverage …
- INDIEWIRE: “Sorry, Thanks has such keen insight into human behavior that its accuracy almost seems like pure luck …” Read the full review HERE.
- THE NEW YORK TIMES: SXSW 2009 Slideshow
- HAMMER TO NAIL: “Could easily become a well-worn favorite of the DVD library of Gen-Yers of both sexes … Sokol’s script (co-written with producer Lauren Veloski) is as seamless as any studio rom-com—if studio rom-coms had astute, nuanced dialogue …” Read the full review HERE.
- SPOUT Review: “Wiggins finds jokes within jokes, adds poignancy to Max’s worst behavior, and somehow gets away with it … the mix of humility, sadness, frustration and agony dancing across his face is a little heartbreaking, and a little hilarious. It’s that tone that sets Sorry, Thanks apart—it sets you up with its deceptively breezy, primary color staging, and, in the unlikeliest of times and modes, delivers a gut punch.” Read the full review HERE.
- SPOUT Interview with Dia: “When you’re making a really small film, the moral quandary is what you have to work with as the most authentic narrative tool … I like the idea of making a film about people who are doing bad things who might never really be accountable for their actions but who you like regardless, who you’re drawn to and identify with. That’s what real life is …” Read the full interview HERE.
- THE LOS ANGELES TIMES: “The film is a sidelong charmer …” Read the full article HERE.
- PASTE MAGAZINE: “Sokol’s experience may have come from producing, but she has leapt into the directing pool several strokes ahead of where we could reasonably expect.” Read the full article HERE.
Next up: Sorry, Thanks will be playing at the Sarasota Film Festival next week (April 1st & April 2nd), and at the Nashville Film Festival in mid-April. Keep checking this space for more festival updates!
—DIA & LAUREN
Hot off the presses (or the blogs)! Sorry, Thanks will have its world premiere at the 2009 South By Southwest Film Festival! It’s incredibly exciting after toiling away on a film to finally realize that other people are going to see it … and what better place than Austin? It’s not just that we love micheladas and migas (please note that we DON’T necessarily love them at the same time), but we feel very honored to screen for the first time at a festival which has been so staunchly supportive of truly independent films and filmmakers.
This year the full festival runs from March 13 — March 22. Please check back on our site for Sorry, Thanks screening dates/times (we’ll have more info up on February 13), and you can read about the full SXSW 2009 line-up at Indiewire: “SXSW Unveils ‘09 Line-Up” or at SXSW.com.
This actually happened back in September … but that was before we had NEWS sharing capabilities!
So, slightly belatedly, a big update: Dia was awarded the Adrienne Shelly Director’s Grant for Sorry, Thanks, at IFP’s Independent Film Week, here in New York. Needless to say, the grant is not only an incredible help towards finishing the film, but an enormous honor. We are thrilled and humbled. Adrienne Shelly was a supremely talented writer/director/actress (and damn funny)—everyone who’s seen her celebrated Waitress knows as much. But she was also (as evidenced amply by the friends who continue to work in tribute to her memory) a singularly beloved, fiercely determined creative spirit. For the past two years, the Adrienne Shelly Foundation has been a key support to female independent filmmakers who are hard at work rallying to get their own stories up on the big screen. The director’s grant is tremendously important: not only because it acknowledges that female directors are up against a glass ceiling, but because it’s a step towards shattering said ceiling.
Here’s Dia with Andy Ostroy (Adrienne Shelly’s husband), at the IFP awards ceremony on September 18th:
And congratulations to our friends from the IFP Narrative Rough Cut Lab (which Sorry, Thanks took part in back in June)—Joseph Cashiola, Nathan Duncan, and Jeff Harms—who won the IFP Finishing Funds Grant for their film A Thing as Big as the Ocean (yeah!). You can read the full Indiewire article, with a wrap-up on Independent Film Week and more info on all the IFP awards here: “Dispatch from New York.”
I made a point of documenting this back in JULY, our pre-”News Blog” days …
JULY 16: We locked picture! It wasn’t easy. It’s a commemorative moment, so we’re making it the first official Sorry, Thanks news entry.
As with all things hard-won, the moment itself was insane: we were rushing to finish before midnight, mostly for an unavoidable sound delivery deadline, but also because it was the last time that Lauren, Jen and I would all be able to meet until August (Jen to Greece, Lauren to Alaska, me to paying producing job—wow, it sounds like we’re more monied than we are!). But, chaos out of nowhere: Lauren gets an email saying she’s in the next round of the a screenwriter’s lab, then an immediate addendum email entitled “CORRECTION”… sending us all into a tailspin of doubt and nerves. And as Jen and I are yelling at her to just open the second email already, something goes terribly wrong on Jen’s system and we lose all our changes. And then Lauren remembers her laundry is about to be locked up for the night (far away in Brooklyn, and if not picked up by 8:00, Lauren has NO clothes to take to a very cold corner of the country). Jen goes into manic problem-solver mode and we call every family-operated laundry in Brooklyn. But we still have Reel 4 to contend with and no time … but Lauren will have no clothes! And of course the internet goes out and Lauren’s phone dies and Jen’s trying to use her land line but and we’re all trying to find someone to get Lauren’s clothes picked up in time and we still haven’t locked picture. I think one of us tripped and fell. And I’m pretty sure that I realized I hadn’t had any water to drink all day and I kicked Lauren’s mug across the floor in my scramble to get to the kitchen. And Jen cringed, because that’s a mighty nice carpet she’s got.
Is this self-important? This is why we hate blogs! But, the NEWS worthy resolution: a happy ending. Lauren’s script did make the next round, we found someone to pick up her clothes, and I didn’t die of dehydration (a threat I underrepresented up top, and which would have been incredibly sad). AND we locked picture!
Blogs are hell, please forgive us. And welcome. Picture locked!


Actress Jennifer Siebel Newsom and her husband, San Francisco mayor Gavin Newsom, are expecting their first child together. A rep for the couple confirmed the pregnancy in an announcement yesterday.
“We are pleased to confirm that Mayor Gavin Newsom and First Lady Jennifer Siebel Newsom are starting a family. The mayor and the first lady are thrilled to be embarking on this adventure together, and they appreciate your good wishes,” the rep said.
Jennifer is best known for her roles in ‘Life,’ ‘Mad Men’ and ‘Numb3ers.’She also stars in the indie flick The Trouble With Love , due for limited theater release this Friday.
Below is the trailer for The Trouble With Love, which actually features Jennifer in a threesome, which is causing quite a stir amongst political insiders in the bay area.
Article Source: TransWorldNews.com


Link Back To Madhu's Home Page
Link Back To Favorite Female Singers
Link Back To Mubarak Begum Songs
Link Back To Favorite Male Singers
Link Back To Talat Mahmood Songs
Badal Aur Bijli (1956) starring Ameeta, Anwar, Heera Sawant, Kumar, Manhar Desai, Manorama & Yashodhara Katju.
Producer: Artists United
Lyrics: Anjum Jaipuri
Music Director: Bipin-Babul
raat kitni haseen zindagi meharbaan
lyrics for raat kitnii hasiin zindagii meharabaaN. baat kuchh bhii nahiin ban gayii daastaaN.
Dak Babu (1954) starring Talat Mahmood, Nadira, Kuldeep Kaur, Radha Krishan & Yashodhara Katju.
Producer: Jubilee Pictures
Director: Lekhraj Bhakri
Lyrics: Prem Dhawan
Music Director: Dhaniram
ghir ghir aaye badarwaa kaare
lyrics for ghir-ghir aaye badarawa kaare. rang bhare ras bhare pyaare-pyaare. ghir-ghir aaye badarawa kaare.
Gogola (1966) starring Azad, Tabassum, Rani, Polson & Habib
Director: Balwant Dave
Lyrics: Balkavi Bairagi
Music Director: Roy Frank
zara keh do fizaaon se hamen itna
Harihar Bhakti (1956) starring Asha Mathur, Trilok Kapoor, Vivek, Maruti, Shahu Modak, Ulhas, Durga Khote, Indra & Naintara.
Producer: C. Raghuvir
Director: C. Raghuvir
Music: K. Dutta
Lyrics: S. P. Kalla
Talat Mahmood sang the same song with Lata Mangeshkar. I am not sure if there are two versions of the song in the movie or
if two versions were recorded and then one was picked for the movie.
chanda ka rang liye taaron ka sang
Sangam (1954) starring Kamini Kaushal, Shekhar & Jeewan.
Producer: Sangam Films
Director: Kiran Kumar
Lyrics: Hasrat Jaipuri
Music Director: Ram Ganguly
tera bachpan ek kahani bhul na jana
Shagoon (1964) starring Waheeda Rehman, Kamaljit, Nazir Hussain & Achla Sachdev
Producer: Shaheen Art
Lyrics: Sahir Ludhianvi
Music Director: Khaiyyam (Sharma Ji)
itne qareeb aake bhi kya jaane kis
lyrics for itne qariib aake bhii kyaa jaane kis liye kuchh ajnabii se aap hain kuchh ajnabii se hum.
TATAR KA CHOR (1955) starring Shyama, Mahipal, Vijaylaxmi, Chandrashekhar, Gope & Maruti.
Producer: M. P. Pictures
Lyrics: Prem Dhawan
Music Director: KHAYYAM (Sharma Ji)
Singers = Talat Mahmood, Asha Bhonsle & Mubarak Begum.
na manzil hai na manzil kaa nishaan
hum sunaate hain mohammad mustafa
If you know of any other duets sung by Mubarak Begum and Talat Mahmood then please share the information and also the mp3
if possible. Thanks in advance.
You can reach me at Madhu_90210@yahoo.com


The 20th Anniversary of the Bicycle Film Festival will be viewable (virtually) on November 19 and running through November 28, 2021
A virtual screening of the film Together We Cycle will be followed by a panel discussion between all-star bicycle enthusiasts, advocates, and experts tonight, Thursday May 20, 2021. The movie will then be available to stream until May 31.
Are you considering joining the ranks of happy cargo biking families you see riding around town? If so, now is a great time to pull the trigger as you can save $200 on one of the best options out there.


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On Saturday, December 3rd CNN will air the CNN Films documentary on James Ray’s comeback, “Enlighten Us.”
Read our initial reaction to the film here.
At SEEK, we are concerned about the fact that this film only portrays one side of the story of what happened in Sedona. In light of Ray’s attempts to vacate his conviction and distance himself from the role he played in the death of three people, we find all of this very concerning. We are worried about the message it sends to both consumers and professionals of the self-help industry.


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Up next is Selma, Ava DuVernay’s historical drama about civil unrest in the South during the 1950s. Starring David Oyelowo, Tom Wilkinson, and Tim Roth, Selma is rated PG-13 for disturbing thematic material including violence, and brief strong language.
Selma recalls the incredible civil rights movement to secure equal rights for people of all races led by Dr. Martin Luther King (Oyelowo) in 1965. Following King and his followers in their triumphs and struggles during the violent fight to change history, Selma highlights the epic march from Selma to Montgomery that resulted in President Johnson signing the Voting Rights Act of 1965.
9.0 out of 10
One of the biggest storylines of the Academy Award nominations was Selma’s snubbing. It was shut out of the Best Director Category and Best Actor category, both of which were considered virtual locks for nominations. Public outcry followed, with many criticizing the Academy for not recognizing diversity (all of the 20 acting nominations went to Caucasian actors, and the only non-white director nominated was Alejandro González Iñárritu). The truth is the academy is almost 94% white and 76% male with an average age well over 60. If you don’t have diversity in the voters you’re not going to see diversity in the nominees. It’s high time that the Academy makeup represents the diversity that exists society.
Selma is also the movie of the moment. Yes, it recounts one of the most historical events and periods of the Civil Rights Movement, but it is also largely a musing on modern racism and the fact that we have not yet realized the ideals King strived for. It comes at a time when racial tensions are incredibly high – with the deaths of Eric Garner and Michael Brown embroiling the country in heated conflict—which makes it all the more powerful.
From a purely cinematic viewpoint, Selma’s snubbing came as a major surprise. The film boasts major talents, with the likes of Tim Roth, Carmen Ejogo, David Oyelowo, and Tom Wilkinson.
Oyelowo was fantastic as Dr. Martin Luther King. He successfully conveyed the nuances of King’s personalities and the stark differences of his public and private personas. As King, Oyelowo made grand speeches with a booming voice in front of both hostile and sympathetic crowds but also excelled at his quieter, more intimate scenes. 2014 was a big year for Oyelowo, appearing in Selma, Interstellar, and A Most Violent Year. Here’s to hoping that his success continues in the future.
Tim Roth was also exceptional. This is his first non-Tarantino film that I’ve seen, and he played the snaky, repulsive, racist governor to perfection. Just the way he delivered his lines, with drawn out vowels and overt arrogance was fantastic.
What really held Selma together was its direction. The camera work was sweeping and precise. Ava DuVernay made some bold choices, most notably her decision to film some scenes in slow motion. It was a jarring break from the movie’s continuity but I think, given the situations in which DuVernay employed this tactic, such a sensation was exactly the point.
Unfortunately for Selma, I think the movie ended on somewhat of a sour note. Much of the film had centered around King’s acceptance of others and inhuman willingness to overcome the inequities of society, all while not shying away from the physical and social toll that his leadership put on him and his imperfections as a man. Selma ended on a moment of triumph, with (mild spoiler alert) King and his followers arriving in Montgomery, and then logically recognized the tragic end to King’s life in epilogue text. I definitely agree with this choice; a film about King’s legacy should not end with his untimely death. However, where I draw issue is with the rest of the epilogue text, specifically with regard to Governor George Wallace, played by Tim Roth. Without a doubt, Roth’s character was vile and venomous. In the epilogue text, the film stated that Wallace was the victim of an assassination attempt that left him partially paralyzed, and said that only then he come to adopt a more accepting view of race. I don’t have the correct phrasing, but the way it read on the screen was that the movie-makers were happy about his peril and were almost looking at it as “he got what was coming to him”. It read as vengeful and acerbic, which, while absolutely Wallace was, as I said, vile and venomous, goes completely against King’s teachings of tolerance, acceptance, and forgiveness.
Plenty of biopics show the turning point of a movement because it’s easy. It’s easy and satisfying. There’s enough space for struggle and for resolution. But Selma does not place itself during the actual signing of any civil rights acts nor does it show a string of victories for MLK. Instead, the films opts to show a struggle which, for its purposes, is the exact thing it needs to depict.
In racial politics, Martin Luther King has, quite understandably, transcended human form. He basically relayed what 90% of the American people want for every race: stability, kindness and fairness. He took what seemed like a ridiculous movement to many racists and catalyzed into one of the biggest chunks of American history. What’s more, he did all without violence or acrimony. He upheld his beliefs for peace. For this, many have remembered King as pacifist and a god.
Those people certainly aren’t wrong but Selma chooses a different route for King; a more human one. And while it’s probably much easier to document an admired yet controversial leader like Malcolm X’s strategic maneuvers, Selma chooses to show the personal battles King had to fight (Not resolve) to win the one against oppression. The film rightfully locks in to but one historical event and delves into the backroom politics that had to happen. Consequently, David Oyelowo’s King becomes much more of tactician than an activist for the film’s focused purposes.
Thus, we get to see all of the family moments MLK sacrificed, the fellow protestors he had to bicker with and the leaders he had to sway to ultimately launch his cause. It ain’t always pretty. While we typically knott all of the racial organizations of the era together, Selma depicts them as individual teams with their own scopes and interests that are loosely tied together. But the film largely recognizes that these turbulent moments make us appreciate the lighter ones. When we see the young activists of SNCC quarrel with the older organizers of the SLCC, it makes their compromise seem a lot more significant. Likewise, when we see all King had to do behind closed doors to secure his cause, it enhances his image as a man who was tethered to his beliefs in widespread equality.
Plenty of historical movies regarding race are also criticized for featuring more white characters than there were present in real life. Some films have additionally been condemned for having said white characters actually save the day rather than the black figures the filmmakers claim to be focusing on. Whether you agree with this criticism or not, there’s no denying that Selma is firmly focused on black leaders and sugarcoating history to make people comfortable plays no part in the movie. The plot is rife with realistic tensions on boths sides that, again, only serve to make the somewhat infrequent moments of agreement more rewarding.
In fact, and this is an odd thing to say after I lauded the portrayal of MLK, I’m not sure whether this really should be lumped in as just an MLK biopic. King runs the show, yes, and he embodies the wishes of an entire movement but the more I recount this film, the more convinced I am that it is simply about the strength of peaceful protest. The movie is exactly what it says on the poster: Selma. Civil disobedience, speeches and marches in Selma. With King as its captain, I think Selma’s biggest purpose is to prove the power of demonstration which is quite an interesting angle after the Arab Springs, Occupy movements and moments of national unrest the past few years.
Where does it rank amongst the other historical films of the year? Well, it’s quite a few notches above Unbroken. Just a bit further than American Sniper though Bradley Cooper certainly holds his own with Oyelowo’s (Which was criminally snubbed by the Academy) which puts it about on par with Imitation Game: a ranking I’m comfortable with. I’m certain grateful for the flurry of powerful nonfiction films but they’ve been exhausting to watch. Still, square off some time to get a front seat to the politics behind Selma.


|Celebrated Name:||Max Joseph|
|Real Name/Full Name:||H. Maxwell Joseph|
|Age:||39 years old|
|Birth Date:||January 16, 1982|
|Birth Place:||New York City, United States|
|Wife/Spouse (Name):||Priscila Joseph|
|Children/Kids (Son and Daughter):||No|
|Is Max Joseph Gay?:||No|
|Profession:||Filmmaker, Television Host|
|Net Worth in 2021:||$1 million|
|Last Updated:||December 2021|
Max Joseph is a young Filmmaker and a television host from America. Max Joseph is widely known for co-hosting the MTV hit show, CatFish: The TV Show, along with David Schulman. He is also is well known for making his feature film. We Are Our Friends, which released in 2015 starring Zac Effron.
Maybe you know about Max Joseph very well, but do you know how old and tall is he and what is his net worth in 2021? If you do not know, we have prepared this article about details of Max Joseph’s short biography-wiki, career, professional life, personal life, today’s net worth, age, height, weight, and more facts. Well, if you’re ready, let’s start.
Early Life & Biography
Max Joseph was born to an American Family on January 16, 1982, in New York City, New York. He is Jewish by religion. He completed his graduation from Brown University. He is a well-established television star as he worked in the reality series ‘Catfish: The TV Show.’ Apart from hosting, Max is a well-known editor and director. He is known for doing many small commercials and short films.
Taking a peek into Max Joseph’s personal life, Max is a happily married man who settled with his wife in California. Max Joseph is married to a Brazilian fashion blogger Priscila Joseph.
Age, Height, and Weight
Being born on January 16 1982, Max Joseph is 39 years old as of today’s date 24th December 2021. His height is 1.78 m tall, and his weight is 73 kg.
Max Joseph started his career by editing a small documentary named ‘State of the Economy: Oil Addiction,’ This was Max’s first step in the entertainment industry as he released it in 2008. Before starting as a Filmmaker, Max was an editor. He started directing small documentaries and made a dozen of them. Some of his documentaries are the ‘Good: Water,’ ‘Good: Immigration,’ ‘Good: Atomic Alert,’ ‘Good: Education,’ and many more in 2008.
He also directed several short films such as 12 Years of DFA: Too Old To Be New (2013), Too New To Be Classic (2013), Garden of Eden (2012), Let’s Harvest the Organs of Death Row Inmates (2009) and several other productions. He also got his fame for editing and co-hosting the MTV reality show, Catfish: The Tv Show.
He co-hosted the show along with David Schulman for six years starting from 2012. This show made him very famous as he stayed for six seasons of this show, completing it finally in 2018. He also was absent from the show for a while as he went to direct his film, We Are Your Friends, which released in 2015. Apart from documentaries and short films, Max has also directed many commercials.
Awards & Achievements
Max Joseph is a famous director and a successful co-host. His appearance on the show, Catfish, made him a famous TV personality. He was nominated for the Teen Choice Award in 2014 for the Choice TV personality Award for Catfish.
Net Worth & Salary of Max Joseph in 2021
Max Joseph is a famous television personality and successful filmmaker. His main source of income is from his documentaries and the appearances he makes on commercials and events. His salary is unknown, whereas he has an estimated net worth of $1 million as of December 2021.
Max Joseph is a successful and well-known celebrity. He has been known for his documentaries, short films and for being a part of a well-known TV show. He started his career as an editor and worked hard to start directing small documentaries, which later helped him pursue his career as a director.


Harmed in Hamilton
Jul 21-23, 26-27, 29-30, 2023.
Players' Guild of Hamilton Theatre
Why are anti-bullying strategies in Hamilton schools failing our children? Venture behind the headlines in this live journalism production, sitting at the crossroads of journalism and immersive theatre.
Research and reporting meets raw testimonials as our journalists investigate a culture of harm against Hamilton students from non-dominant communities. The show's community gatherer appears as a through-line throughout the show, engaging the audience in conversation.
Harmed in Hamilton had a seven-show run as part of the Hamilton Fringe Festival in summer 2023. The production was originally performed at the Theatre Aquarius in Oct 2022.


SINGAPORE – 02-23-2019 (PRDistribution.com) — The leading cybersecurity company, Ivacy, campaigns around safe and fast live streaming of the 91st Academy Awards.
Ivacy has made quite a name for itself for a VPN which provides its users with fast streaming speeds, and after their Unblock Netflix campaign, the cybersecurity company is now targetting the 2019 Oscars live stream. Ivacy claims a VPN is essential for users to safely and securely beat geo-restrictions to watch the 91st Academy Awards live online.The Singapore based VPN intends to provide seamless streaming of the Oscars around the world, as not every fan will have access to the live broadcast of the Oscars 2019 on tv.Ivacy’s aim also is to educate users on the possible dangers of using unsecured networks and the importance of encrypting their internet connection to guarantee privacy and safety online.Alan Martin, PR Manager, Ivacy, said: “Ivacy is tailor -built for streaming. We ensure a buffer-free Oscars live streaming experience courtesy our unlimited bandwidth. We also encourage internet users who are traveling or using public wifi hotspot to use Ivacy for accessing live streaming of the 91st Academy Awards to avoid compromising your online safety.”The Academy AwardsThe Academy Awards, also known as the Oscars, are a set of awards for artistic and technical merit in the film industry, given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), to recognize excellence in cinematic achievements as assessed by the Academy’s voting membership.IvacyIvacy VPN aims towards facilitating those audiences who are unable to watch Oscars online from their own regions and countries, or where its streaming is restricted or blocked due to licensing issues.Recently, in the Affiliate Summit Conference 2019, Ivacy has also bagged the Fastest VPN Award, which only goes about on signifying that it’s currently one of the most feasible Streaming VPN for those who are willing to watch Oscars from the comfort of their couch and on the screens of their choice.
For the original news story, please visit https://prdistribution.com/news/live-stream-oscars-2019-buffer-free-anonymously-with-ivacy.html.
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Recent big Temple Theatre productions have seen as many as 40 to 50 actors performing on stage at once. The next mainstage show will have a far more intimate feel.
“The Last Five Years,” the award-winning Jason Robert Brown musical drama named one of TIME Magazine’s 10 best shows of 2001, will feature just two actors when it begins its two-weekend run from Jan. 9 to Jan. 19. Temple is partnering with RhinoLeap Productions in Asheboro and director Jeremy Skidmore in this co-production.
“The Last Five Years” explores a five-year a five-year relationship between Jamie Wellerstein, a rising novelist played by veteran New York actor Ashley Robinson, and Cathy Hiatt, a struggling actress portrayed by Cameron Wade (both she and Robinson are making their Temple debuts). The show uses a form of storytelling in which Cathy’s story is told in reverse chronological order (beginning the show at the end of the marriage), and Jamie’s is told in chronological order (starting just after the couple first meets).
“It is a more traditional show for [RhinoLeap’s] audience, and we wanted to take a step toward a more contemporary musical for our Temple audience,” said Gavan Pamer, Temple Theatre’s marketing and development director and the musical director for “The Last Five Years.” “We feel that the story can resonate with people who balance separate careers while navigating an intimate relationship.”
Pamer said Skidmore, the artistic director at RhinoLeap, and Peggy Taphorn, Temple’s artistic director, are collaborating on the production — ”a great way for both of our companies to help one another and support each other financially by sharing the production costs,” he added. After the two-week Temple Theatre run, the show will run from Jan. 23 to Feb. 2 at the Sunset Theatre in Asheboro.
Pamer said the story may resonate with audiences having to deal with new-found success and supporting their partner when their career might not have the same trajectory.
“It also deals with living together as well as having to manage a relationship when your career takes you to different cities and you have to live apart from one another.”
“The Last Five Years” will have 10 shows total at Temple Theatre — 2 p.m. on Thursday, Jan. 9 and 16; 2 and 7:30 p.m. on Friday, Jan. 10 and 17; 7:30 p.m. on Saturday, Jan. 11 and 18; and 2 p.m. on Sunday, Jan. 12 and 19. Tickets are available at templeshows.com
Ashley Robinson (Jamie)
Past roles: Floyd Collins (Floyd—West End, London), A Clockwork Orange (Minister/ Old Woman/Mum — New World Stages), Casa Valentina (Gloria — West End, London Premiere), Truman Capote’s A Christmas Memory (Capote — New York Premiere/2015 Outer Critics Award Nom), Little Rock (Mike Wallace – Sheen Center Off-Broadway), Steve Martin’s Bright Star (Norquist — World Premiere at The Old Globe), Merrily We Roll Along (Tyler — Menier Chocolate Factory and West End). Originated the role of Jett Rink in the world premiere of Giant (Helen Hayes Award nomination, Best Actor), as well as Tybalt in The Last Goodbye (the Jeff Buckley/ Romeo and Juliet musical) at Williamstown Theatre Festival.
Other theatre credits include: Shakespeare’s R&J (Juliet/Benvolio — Theaterworks Hartford), Take Me Along (Richard — Irish Repertory Theatre, NYC), Meet Me in St. Louis (Lon — Irish Rep, NYC), Wicked (Original Chicago Cast- Fiyero u/s), A Child’s Christmas in Wales (Dylan Thomas — Irish Rep, NYC), Hair (Claude — Prince Music Theatre), Stud’s Terkel’s The Good War (World Premiere, Maltz Jupiter), The Best Little whorehouse in Texas (Roundabout, dir. Joe Mantello).
Cameron Wade (Cathy)
Favorite performing credits: Evita (Eva Peron, Nat’l Tour), Rock of Ages (Sherrie), Boeing Boeing (Gloria), 25th Annual Putnam County Spelling Bee (Olive), Urinetown (Hope) at Theatre Raleigh, High School Musical (Sharpay, NCT, Casa Manana), A Grand Night for Singing (Victoria, Centennial Station Theatre). Others: A Chorus Line (Arkansas Rep), Grease, Jesus Christ Superstar, Fiddler on the Roof (NCT), SUPERior (NYU As Performance …).
Directing/Choreography credits: Selkie, Quilters, Honk & more at Children’s Theatre of Charlotte, Fame and The Fantasticks at Gilbert Theatre, Forever Plaid at RhinoLeap, Blurred Lines … for NYU As Performance Series, Nocturne, The Colored Museum at UNC-Charlotte, The Big Picture, The Most Massive Woman Wins at Northwest School of the Arts.
Registered Drama Therapist in private practice (carolinacreativewellness.com) and serving Playmakers Repertory Company, also in residence at RhinoLeap.
Jeremy Skidmore (Director)
Skidmore has directed, produced and/or taught across five continents. He currently serves as the artistic director of RhinoLeap Productions based in Asheboro. His other leadership positions include serving as associate artistic director of the Worldwide Art Collective based in Taiwan; the artistic director of Theater Alliance of Washington, D.C.; the artistic producer of the nationally renowned Source Festival; the co-founder and president of the Capital Talent Agency, and the artistic director of the Malibu Playhouse. He was based in Washington, D.C. for 14 years where his productions there were nominated for 34 Helen Hayes awards.
— by Billy Liggett


Anne has been teaching voice for over a decade, and is currently on the teaching faculty at AMDA, LA. She taught vocal conservatory at Orange County High School for the Performing Arts, where she periodically conducts master classes, and is on applied faculty at Mount St. Mary's College.
Anne teaches the technique for all styles of singing and her students have appeared in diverse productions on stage and screen including Broadway productions, the Hollywood Bowl, American Idol, and Disney's Hannah Montana.
$40 1/2hr | $70 hr
"I have been a student of Anne's since 2005. I love the personal one-on-one attention I receive. Anne is effective at communicating the technical details of singing. When I leave a voice lesson, my voice and body feel completely refreshed. Anne truly cares about her students. Since being a student of Anne's, I have booked work for Disney, NBC, regional theatre, and most recently, I was an American Idol Season 8 contestant and booked an episode on 'Hannah Montana'."
- Valerie Curiel
AMDA, LA graduate 2007
"Anne has been my vocal teacher since I was four years old. She has taught me how to warm up effectively so that my voice is protected when I sing and it helps me to reach the notes I want to hit. Anne is also really fun to learn from."
- Maddie Levy, age 11
Credits include the role "Young Cosette"
in Les Miserables with the LA Philharmonic
"I auditioned several voice teachers before finding Anne and it was an instant fit. She has an incredible knack for being able to make me reach down inside, 'feel' my voice... A year ago I had pretty much lost confidence in my voice. After working with Anne this past year I have not only regained the confidence but also, with her help and encouragement, recorded a CD - something I would never have believed I could do! Anne sees the individual, not just the student, she listens, she encourages, she truly cares that you suceed. An hour's lesson with her leaves me smiling and singing all the way home!"
- Dee Shandera
Actress/Singer/Dancer, Orange County, CA
Huntington Beach Playhouse, Newport Theater Arts Center
Long Beach Playhouse, The Gallery Theatre


SING A PORPOISE HOME was a pleasure to read. We so enjoyed the script's exploration of magical realism through a beautiful story about acceptance and letting go. Our committee loved the script's attention to its characters' relationships, and the interconnections that the play focuses on between the two different generations and what each is able to teach to the other.
Shipwreck’d on the Body Beautiful, or, the Tats Dancing Man
*”Our readers expressed great admiration for this play. Your voice and ideas have made a significant impact on our reading team.” Eugene O’Neill Theatre Center
*Performances coming in January, 2019
James F. O’Connell, or ‘J.O.’, is a one-time sailor turned vaudeville/circus performer who travels the country telling stories, dancing and singing about his shipwrecked adventures on the Pacific Island of Pohnpei, or ‘Bonabee’ as he calls it. J.O. has long enticed his audiences with bits of song and dance from both Ireland and Pohnpei, revealing little personal secrets and fascinating cultural insights that takes them on a journey of an outsider trying to fit into what is, for J.O., a strange and amazing culture. Now, after nearly twenty years of performing, J.O. feels himself facing the end of his once compelling career. His audiences have grown less shocked by his exotic ‘painted body,’ as J.O. himself has become less engaged with his sensationalized ‘savage’ adventures. Personifying all the other characters in his tale, J.O. seems to capture the self-wrought loneliness of a life caught between subterfuge and fame while challenging his listeners to consider what, truly, defines humanity.
Sing a Porpoise Home (Porpoise – An Excerpt)
*Developed in part through an Aurand Harris fellowship from the Children‘s Theatre Foundation of America
*Winner of the NYU New Plays for Young Audiences, with development workshop
*Winner of an New England Theatre Conference Aurand Harris Playwriting award.
2 female, 2 male. The ocean holds secrets as well as great promise for Tamás’ family. On a small island, at ocean’s edge, Tamás faces both his birthday and the recent death of his beloved Grampy. His mother lovingly tries to help Tamás’ deal with the death while his estranged father also tries awkwardly to fill the gap. Only through Tamás’ unwitting discovery of a family secret does their life begin to change in surprising ways.
Donnie Q: Knight of the Third Grade (Donnie Q – An Excerpt)
*Winner of the 2017 Old Miner’s Children’s Playwright Award, with a development workshop.
3 males, 2 females. Donnie fashions himself a knight seeking to set wrongs right. His mother, Gwen, struggles to support her little family while dealing with an unhealthy relationship with Caz. Caz wants Donnie to be more ‘normal,’ which bothers Gwen. Panda, Donnie’s good friend, seeks to prove that girls are equal to boys by trying out for the boys’ baseball team. Irritating both Donnie and Panda is Frederick, a local bully and baseball player. Donnie’s crusade against oppression upsets the tenuous balance of everyone’s worlds and helps, in a slightly hilarious and slightly sad way, to create a promising future for them all.
Musical (Mis)Adventures of Goopy and Bagha
*Originally produced by the Isha Center Home School, Coimbatore, India
*Winner of East Valley Children’s Theatre playwriting competition, AZ
*To be published by YouthPLAYS
9+ female, 12+ male. 7+ either. Goopy and Bagha are forced from their communities for playing music badly. Fortunately they find each other and begin a journey to find someone, anyone, who will love their musicianship. They comically encounter ghosts, wreck a ship, and inadvertently save a kingdom through their bad music. In the end, they win over a pair of Princesses and turn evil into a footstool.
A Highly Ridiculous Tale of Jack
*Available at BigDog Plays
6 M, 3 F, 5 flexible. Jack’s bagpipe playing is terrible. His parents can’t take it anymore. So they encourage him to venture forth to share his ‘talent’ with others. Jack leaves home, but his tootling is so horrid it causes deaths all over the countryside. Jack’s bagpipe ‘music’ even scares away a menacing Revenant. Desperate to keep Jack away from the castle, the King consults his counselors–Wise One and Wise, Too–to find a way to rid the kingdom of Jack’s deadly bagpipe tootling. An overzealous knight, who wields a whopping weapon, is tasked to rid the countryside of Jack’s unbearable bagpipe playing once and for all. Screamingly hilarious!
Soul Survivor (Soul Survivor – excerpt)
*Finalist in the 2018 NYU New Plays for Young Audiences
*Selected playwright, 2018 PlayFestival of the PlayBuilder’s of Hawai’i
1 F (Fa), 1 M (All other characters). Fa dreams of being the romantic idol of teen pop idol Jesse Blue. However, Khrystal, the school’s theatre diva, always nabs the attention, sparking envious reverence from Fa. Eustis, an awkward classmate, works stealthily to help Fa discover her true self in odd, somewhat clumsy ways. As does Fa’s Dad, who’s often lost in tender memories of his late wife, Fa’s mother. Just as Fa believes she is on the verge of achieving something magical, her dream collides with reality in an unexpected, otherworldly encounter. Through music, young love and soul-wrenching encounters, Fa discovers who she can truly be.
A Most Lamentable and Excruciating ROMEO & JULIET, Or, What hath they done to thee Shakespeare?
*To be published by Big Dog Plays
7 F, 3 M. A high school drama group desperately tries to complete rehearsals for Romeo and Juliet despite the sudden departure of their teacher/director. With just two days to go, diva attitudes, hijinks, backstabbing and clowning around pockmark the rehearsal. The teen director works diligently, but ineffectively, to rally the group together. And their lead actor has just been admitted to the hospital. And the lead actress must miss the final rehearsal. And the two young girls playing the nurse just figured out she’s old! The show goes on, however in a most hilarious and unexpected production of something that almost resembles Shakespeare’s classic.
OTHER PRODUCED PLAYS
Honolulu Theatre for Youth
Everyone Knows what a Dragon Looks Like
…and the people spoke music: stories of the Marshall Islands
Keiko and Louie: Best Best Friends (Mostly)
‘Da Bugga Like Eat‘ in Runny Noses, Tiny Tails
‘Birdbrain and Featherhead’ in Fools and Monkey Tales
Island Spirits, Island Life, The EPIC Project


Hugo Girard - Strongman
"STRONGMAN" is a personal, intimate, and unique look at Hugo Girard, one of the strongest men on the planet. It reveals Hugo's deepest motivations, desires, and secrets. We follow Hugo from the gym, to his training compound, and finally to Louisiana where he competes to become "North America's Strongest Man". Along the way, we get a glimpse of Hugo's relationships with his wife, with his fellow athletes, and with the sport that he is determined to conquer. "STRONGMAN" is a film about passion, determination, hard work, and strength. It is a movie about a strongman the likes of which we have never seen before; and may never see again.
"You know you're alive when you have expectations, goals, and dreams. I can't understand somebody who doesn't have any passion…something to get them working harder or achieving something. Life is too short not to have any passion. It's passion that keeps you alive, keeps you dreaming, keep you wondering, keeps you trying." -Hugo Girard.
The movie is in English.
Running time: 45 mins
RECEIVE A FURTHER 10% OFF YOUR TOTAL BILL WHEN YOU PURCHASE THIS DVD TODAY!!
10% OFF Discount Coupon, enter the below Redemption Code during checkout:
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* Available in NTSC DVD Only (Region Free)
* THIS DVD WILL PLAY ON ANY DUAL SYSTEM NTSC / PAL DVD PLAYER AND TV.


Film Music Festival
Entry Fee: from 30 PLN
Start Date: 2018-05-29
End Date: 2018-06-05
Rating:No ratings yet. Rate this!
The music that gives our favourite films their emotional punch often gets overlooked. The special effects, the beautiful actors and the vision of the director are immediately obvious and receive the bulk of column inches, but try watching a classic movie scene with the music muted and you will quickly realise how vital the soundtrack is.
Krakow Film Music Festival aims to redress the balance by dedicating three days in May to the loving performance of music from films old and new. In a city renowned for the frequency and scope of its film festivals, a festival of film music is a fitting event in the cultural calendar.
Since the first Film Music Festival in 2009, the organisers have taken care to present their material in interesting ways. Top local and international musicians have performed musical scores live as the film they are from is being shown. A popular feature is the presentation of short sections of music along with the scenes they were composed to accompany. Film experts provide commentary and analysis.
Organised by the Krakow Festival Office in collaboration with national radio station RMF FM, the Film Music Festival is evolving into a firm favourite in the cultural yearbook.
There are no reviews.


Series Cast ; Jeff MacKay as Donald French and Lt. Donald French. Jeff MacKay. Donald French, Lt. Donald French. 59 Episodes ; Robert Conrad as Greg "Pappy".
The Black Sheep Squadron
Actor ; Dana Elcar. Col. Lard 17 Episodes ; Dirk Blocker. Lt. Jerry Bragg 12 Episodes ; Robert Ginty. Lt. T.J. Wiley 10 Episodes ; James Whitmore Jr. Capt.
This list includes all of the Black Sheep Squadron main actors and actresses,. as Captain Jim Gutterman on the television program Baa Baa Black more. Black Sheep Squadron ; Robert Conrad plays Maj. Greg 'Pappy' Boyington, Robert Ginty plays Lt. T.J. Wiley ; John Larroquette plays Lt. Bob Anderson, Simon Oakland. Description and cast list for the Black Sheep Squadron TV Show. The nurses on the Black Sheep's island became regular fixtures on the series.
Jul 23, - Description and cast list for the Black Sheep Squadron TV Show. Black Sheep Squadron cast · Katherine Cannon · John Larroquette · Linda Scruggs · Anne Francis · Robert Conrad · Simon Oakland · Dana Elcar · Dirk Blocker. We were lucky enough to watch two seasons of this rowdy group of aviators, but then it got suddenly The cast of the Black Sheep Squadron in Black Sheep Squadron - Cast ; Robert Conrad · Maj. Gregory "Pappy" Boyington ; Dana Elcar · Col. Thomas Lard ; Dirk Blocker · Lt. Jerome "Jerry" Bragg ; W.K. Stratton.


The Passion Movie Showing
Friday, April 19, 2019, 6:30 PM - 9:00 PM
Before we celebrate Christ’s resurrection, join us on Good Friday, April 19, at 6:30 p.m. for the movie “The Passion of the Christ”. This is a free event. If you’re thinking about bringing your children, keep in mind the movie is rated “R” for graphic violence related to Christ’s crucifixion.


The OT301 is an international community of people that work and live in the old Film Acamdemy on the Overtoom in Amsterdam. We are organised as an association called Vereniging EHBK (Eerste Hulp Bij Kunst). Everybody that has or runs a space within the OT301 is a member of that association. As a community we share the responsibilty for the OT301.
George (she/her) has a background in physical theatre and activism. Her interests are participatory theatre, self-devising methods, site specific performance and artivism. She works with people of all ages, abilities and identities and makes performances with both trained and non-formally trained participants.
She holds a BA in Performing Arts from De Montfort University, UK and studied choreography and performance at the SNDO, Amsterdamse Hogeschool voor de Kunsten, NL. She also studied Meisner Acting Technique with Jacqueline McClintock, Forum Theatre with Cardboard Citizens and Photo Voice with Emma Brown.
As an educator, George runs theatre and composition classes for both kids and adults, and works as a guest teacher with students at many different colleges and schools. These include the Hogeschool voor de Kunsten in Utrecht, Academie voor Theater en Dans in Amsterdam, Artez and International Schools in Amstelveen and Utrecht.
George is a member of the OT301 collective and runs a performance studio on the top floor. She is also a collaborator with HoP, a project initiating participatory practices based in the OT301. Her work with them includes directing/facilitating Forum Theatre pieces.


When shooting a video, you should be creative and original. Don’t try to copy someone else idea because that is not right, instead of that; you should conduct a persona and keyword research (marius loland). You should do a lot of research before thinking of producing a video, find out the type of video content that are popular in your industry not only popular but also successful and also ensure that there is no other brand that has done the same thing already.
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Planning is always the best in everything; this will guide you on what you are required to do (https://www.mariusloland.no/filmproduksjon/). In this case, you need to write a script in the first place and then draw a storyboard and create a shortlist before you begin filming. And to have extra footage during editing, you need to plan your b-roll shots properly.
Be selective when choosing video subjects.
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The set will determine the kind of video you are yet to produce, try shooting your videos in some different beautiful places. Don’t shoot the videos in your office because you can not fool your audience by set dressing your office to look like another different place (https://www.mariusloland.no/reklamefilm/). Make your video unique because your audience is keen and can quickly realize the place you shot the videos.
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France made in Hollywood
As famous American director Ernst Lubitsch once said: "There is Paramount Paris and Metro Paris and of course the real Paris. Paramount's is the most Parisian of all."
A high number of American films take place, either entirely or in part, in France. Some were filmed on location, others in studio, and even some in other countries.
Here is an attempt at listing them: France made in Hollywood. (181 kb)
Comments, suggestions? Please send us a note at email@example.com.
- Visit the Cinema Section of the American Center France


Labyrinth of Darkness at the Czech Center, New York
May 21st, 2013 7:00 PM
Artists/film makers include:
Jiri Trnka; Jiri Barta; Bretislav Pojar; Robert Morgan; Karen Yasinsky; Brothers Quay; James Lowne; William Cobbing; Kim L Pace; Katerina Athanasopoulou; Hiraki Sawa.
Image (left) ‘Let It Out’, 2011, Kim L PaceConceived by visual artist Kim L Pace, ‘Labyrinth of Darkness’ includes a diverse selection of films that juxtaposes contemporary international artists’ works, alongside examples from pioneering Czech animators. The aim is to bring to light common thematic concerns, narrative devices and techniques between the films, thereby facilitating a dialogue between past and present.
Bodily metaphors, which historically enabled numerous Czech animators to construct meaningful ambivalence and subvert authority within a rigorously controlled context, resonate throughout the contemporary works. Body parts are often objectified in the films – and perhaps point to the increasingly alienating technological environments in which many of us live and work.
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Hollywood is a place that is built on stories – the stories that are brought to life on the big screen, the stories of the people behind the scenes, and the stories of the talent agents who work tirelessly to bring those stories to the world. While the spotlight is often on the actors, directors, and producers, it is the talent agents who play a crucial role in making those Hollywood dreams a reality.
Behind the scenes, talent agents are the ones responsible for discovering and nurturing the talents that make it to the big screen. They are the ones who negotiate deals, secure contracts, and strategize the careers of their clients. They are the ones who hustle and network to make sure that their clients are in the right place at the right time, meeting the right people. They are the unsung heroes of Hollywood – the ones who work tirelessly to make sure that their clients’ talents are recognized and celebrated.
The untold stories of Hollywood’s top talent agents are fascinating. These are the people who have the power to launch careers, to turn unknown actors into household names, and to shape the future of the entertainment industry. They are the ones who have to navigate the cutthroat world of Hollywood, where competition is fierce and success is never guaranteed.
One such untold story is that of Jeff Berg, the former head of ICM Partners. Berg was known for his ability to spot talent and negotiate high-profile deals. He was the one responsible for launching the careers of stars like Denzel Washington and Christopher Walken. His keen eye for talent and his unparalleled negotiating skills made him a force to be reckoned with in the industry.
Then, there’s Ari Emanuel, the CEO of Endeavor Group Holdings. He has been a dominant force in the industry, representing some of the biggest names in Hollywood, including Charlize Theron, Mark Wahlberg, and Dwayne Johnson. Emanuel’s aggressive negotiating tactics and his ability to think outside the box have made him one of the most powerful talent agents in Hollywood.
These are just a few examples of the untold stories of Hollywood’s top talent agents – the ones who work tirelessly behind the scenes to shape the careers of the people we see on the big screen. Their dedication, passion, and drive have given us some of the most iconic performances and unforgettable moments in film history.
So the next time you watch a movie or a TV show, take a moment to appreciate the hard work and dedication of the talent agents who made it all possible. They are the unsung heroes of Hollywood, and their untold stories are just as captivating as the ones on the big screen.


Estamos Aquí Screening at Official Latino Film & Arts Festival
- This event has passed.
November 1, 2019 @ 10:00 am - 12:00 pmFree
Exciting news! Our documentary Estamos Aquí has been chosen to be part of the Official Latino Film & Arts Festival! And the best news? It’s free for community members!! Tickets are limited so make sure to reserve them in advance – CLICK HERE TO RESERVE.
The screening will take place at College of the Desert’s Pollock Theater in Palm Desert on Friday November 1 from 10:00 am to 12:00 pm.


If you are also a fan of Bhojpuri actress Kajal Yadav, who has worked in more than fifteen Bhojpuri films, and want to know about her family and her personal life, then this article can be useful for you because today we are talking about Kajal Yadav biography. So if you also need any information related to Kajal’s career and her family, then you can continue this article and get all the information related to Kajal’s life.
Apart from this, for your information, let us tell you that Kajal is one of those Bhojpuri actresses who belongs to a filmi background family. And for your information, let us tell you that Kajal’s mother’s name is Maya Yadav, who is a famous Bhojpuri actress and producer of Bhojpuri cinema.
|Full Name :||Kajal Yadav|
|Date of Birth :||18 July 1991|
|Birthplace :||Mumbai, India|
|Father’s Name :||soon|
|Mother’s Name :||Maya Yadav|
|Famous As :||Bhojpuri Actress, Modal|
|Age :||31 Years|
|Debut Film :||Mohabbat|
|Movies List :||Ek Vivaah Aisa Bhi, Laila Majnu, Prem Qaidi, Sasural, kajal, Gadar Machal Pyar Me, Mohabbat|
Kajal Yadav Biography : Bhojpuri actress Kajal Yadav, who has worked in Hindi, Bhojpuri films to Telugu films, was born on 18 July 1991 in Mumbai India, she is mainly known for works as an actress in Bhojpuri films, but apart from this, she is also work in many Telugu language films.
Kajal Yadav Eduacation
On the other hand, if we talk about Kajal’s education initiation, then she has completed her education from her inception to graduation from Mumbai. And Kajal has completed her acting training at Namit Kapoor acting school, apart from this she has also completed some courses from Bhubaneswar.
Kajal Yadav Filmi Career & Struggle
Kajal started her acting career in the year 2013 with the Hindi film ‘Rangdari’, and after that She started her Bhojpuri filmi career with the Bhojpuri film ‘Mohabbat’ in the year 2016, and in this film, She was accompanied by Bhojpuri’s famous actor Pradeep Pandey aka Chintu (Pradeep Pandey) in the lead role.
And since working in this film till now, Kajal has been associated with the Bhojpuri film industry, and she has worked as an actress in more than 15 Bhojpuri films, some of which are named below.
Kajal Yadav Bhojpuri movies list
Kajal has done Bhojpuri films with many big Bhojpuri actors from the year 2017 till now, some of which films’ names are below.
- Ek Vivaah Aisa Bhi
- Laila Majnu
- Prem Qaidi
- Gadar Machal Pyar Me
And Kajal is one of the most famous Bhojpuri actresses of today’s era and all her films get a lot of love by the Bhojpuri audience.
One thought on “Kajal Yadav – Wiki, Biography, Movies, Husband, Age, Family, And more”
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I think this outfit is one part Audrey Hepburn, one part cowgirl. Put me in front of a mural of a cartoon dude barfing and you have complete ridiculousness. You’re welcome. Not to mention, I’m wearing FOUR gold bows at a time (the bag, the belt, and two earrings). Next time I’ll go for five.
Speaking of Audrey Hepburn, I’ve been on an Audrey kick lately. Just this week I watched Funny Face and The Children’s Hour. Both completely different movies, both fantastic. I mean, what’s not to love about Funny Face? There’s fashion, dancing, singing, Paris, and a VELAM Isetta (new favorite car)! And if you haven’t seen The Children’s Hour, please go watch it. That movie is really powerful and tragic.
What’s your favorite Audrey movie? Besides Breakfast at Tiffany’s, my favorite would have to be Wait Until Dark.
Dress: H&M (similar) / Jacket: A&F (similar) / Belt: Target (similar) / Booties: DSW (same on sale!) / Bag: Aldo (similar on sale!) / Bracelet: BaubleBar (Lilac Twist Frame Bracelet) / Earrings: Kate Spade


Brandon Haynes is an award-winning narrative and commercial filmmaker and photographer based in Brooklyn, NY. He started his creative journey as a photographer in 2009 and fell in love with cinematography after attending Denver’s SeriesFest in 2016. Teaching himself the rules and tricks of the trade, he now blends the worlds of music, fashion, and sports with his love for TV and cinema. His drive to continually perfect his craft, and capture a striking balance of color and shadow, has allowed him to shoot for a diverse array of clients including Hennessy, Uptown Magazine, Adidas, Bumble, BET, Volkswagen, Doordash, Facebook, and Google.
In 2020, he made his narrative directorial debut with the short film "Carol Crawford". The early reception of the film has been positive, including numerous awards and nominations for Best First Time Director & Best Cinematography from the likes of the Los Angeles Cinematography Awards, DC Black Film Festival, Venice Shorts, Wales International Film Festival, and Boulevard Film Festival. His short film screenplay for “Strike of Artemis” was nominated for Best Script in Short by Cyrus Toronto International Film Festival, Marina Del Ray Film Festival, and Screencraft.
Brandon’s most recent directorial project is “Legacy” a documentary short that provides an intimate look into the life of an artist whose work has had a significant impact on society. Photographer Mark C. explores his process while reflecting on his viral photo of the Black Lives Matter 2020 protest in front of the Trump Tower. The film released in November 2020 where it was featured on Free The Work, Booooom TV, Shiny Network’s “Director Spotlight”, and awarded Best Documentary at Black Diaspora Short Film Festival.
Feel free to contact to inquire about rates and scheduling.
Clients: Billy Magazine/ Google/ Adidas/ Impose Magazine/ MSA Models/ Chase Models/ Wilhelmina/ Elite/ Uptown Magazine/ Man v Machine/Essence Magazine/ America's Cancer Society/ Hennessy/ Village Care/Institute Magazine/ NY Times/ FADER/ Volkswagen
Exhibits: Hurricane Sandy Relief Exhibit 2012/ Southern Comfort Presents: Brooklyn Artist 2012/ Greenpoint Gallery - People Choice Exhibit 2013
- Winner of Best Documentary for "Legacy" at Black Diaspora Short Film Festival
- 3 Time Winner for Carol Crawford at Boulevard Film Festival
- MiFilm Branding Lab - Director Fellow
- Free The Work: The Fellows
- Johannes Leonardo: Meet Brandon Haynes
- Malayalees for Black Lives Matter:Racism in Entertainment
- Brown Girl Magazine: Radical Responsibility - Becoming Antiracist
- Little Black Book: Minorities in Film
- Shots: MiFILM launches The Branded Lab
- Shoot Online: BIPOC Directors to Increase Representation in the Spotmaking Arena
- Prettybird: Minorities in Film Launches The Branded Lab
- The Grey District: Brandon Haynes


A Stranger Truth
On a cold, stormy night in 1890, seventeen year old Catherine Whitfield gives birth to her firstborn child - the illegitimate product of her love affair with a young footman at her family's New York estate. Surrounded by the rigid constraints of Victorian society, Catherine is forced by her father to relinquish the child to save her honor, and the Whitfield name. Devastated, Catherine makes a shocking decision to take destiny into her own hands - leaving an eerie legacy for generations to come.
In the summer of 1973, twelve year old Annie Nichols befriends a handsome, young stranger (Daniel) who arrives in her tiny, coastal town of Redwood Cove. Annie is immediately drawn to Daniel's free spirited, unconventional lifestyle and the two quickly develop a unique bond that alarms her family and friends.
Despite the unwelcome protests of their conservative community, Daniel decides to make camp in an abandoned barn on the edge of town. Soon disturbing events begin to occur, in which Daniel becomes the prime suspect.
Daniel has come for a purpose. One that will tear apart the small community - and shatter Annie's innocence forever.


Kazakhstan was not considered to be a real place and was little known across the world after its independency was announced back in 1991. However, since the British-American comedy film “Borat” by Sacha Baron Cohen was screened in Toronto film festival (September, 2006) for the first time, now every second foreigner immediately shouts out “Oh, Kazakhstan-land of Borat!” after having heard the country’s name. Here comes the question. Do these people realize to what extent this mockumentary is authentic? And what was the reaction of Kazakh nation? How it affected the country?
First and very interesting thing to know is that none of the directors have been to Kazakhstan. Second, the film was shot in a Romanian village and the name of the main character is, presumably, Romanian. In addition, the language spoken in some of the scenes is Polish. So, I would say, directors chose an interesting mix of cultures for a film about an extremely different culture. Third, the national beverage “kummys” is not prepared from horse urine, but from its milk. And it is a delicacy which is being recognized right now by many foreign scientists to be very healthy and healing.
So, as you can understand, there are tons of misleading facts and the other ton of situations which will never be observed in real life. And if you want to know about the reaction of Kazakhs to this film, stay tuned for the next post!