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Finally got to see this today.
1. Jennifer Lawrence deserved the Oscar for that performance
2. Technically so did Bradley Cooper
Amazing cast, powerful story, really interesting characters.
It’s that movie that makes you cringe a little, laugh a little and get completely enthralled into these two characters lives.
David O. Russell captured the tone and emotions of not only the main character, in dealing with his mental state, but everyone surrounding him in his life.
If you haven’t seen it yet, definitely worth a watch…


While Hubs was out Saturday evening, I watched a movie called End of the Spear. In my ‘approaching middle aged‘ state, I can no longer watch things that are completely dark and disturbing (as if that was ever really a good idea, but, hey, I was young and hip and trying to figure this whole gig out). Anyhoo, this quest for not completely morally bereft films, led me to End of the Spear last night. And I think I really liked it. It is based on a true story of 5 Christian missionaries in Ecuador who wanted to make contact with the Waodani tribe, a violent people whose lives are dominated by revenge killings. The story that unfolds after they do make contact completely changes both groups of people forever.
There was an earlier documentary released about this story called ‘Beyond the Gates of Splendor,’ which I think I will watch next. I liked that this movie didn’t try too hard to tie everything up neatly in a nice little box, yet there is still redemption and transformation in the plot. You can see moments in the film that are ‘only God.’
While on my quest, I have watched several films that are not completely morally bereft, but, how shall we say, not entirely artistically satisfying. I thought this movie did a good job of being both.
Got any other movie recommendations for me?


Robert Arnold, founder of Lateral Films, is a filmmaker based in the San Francisco Bay Area. His recent films include Annabelle (2012), There's No Sound in My Head (2010), and All Animals (2009), which won the Director's Choice Award at the San Francisco International Festival of Short Films 2009. Annabelle and All Animals were both co-directed with Robert's creative partner, writer Cynthia Mitchell. They just completed The Exchange, a narrative feature shot on location in Paris and Normandy.
In 2007, Robert's feature-length documentary, The Key of G, won the Golden Gate Award for Best Bay Area Feature Documentary at the San Francisco International Film Festival, and aired nationally on PBS. It is now in educational distribution through New Day Films.
Robert also works as a freelance cinematographer, editor, and colorist. His editing work includes Sins Invalid and This Dewdrop World (both 2013) and Families are Forever (also 2013), which premiered at the Frameline Festival.
His work as a colorist can be seen in Interior.Leather.Bar (Sundance 2013), Hotel 22 (Sundance 2014) Slomo (2013, shortlisted for an Oscar), Top Spin (2014), and The Immortalists (2014), among many others.
Robert studied Humanities at the University of California, Berkeley; Film Production at San Francisco State University; and holds a BFA from the San Francisco Art Institute.


The Crotchety Old Man Has Spoken: The Avengers (2012) – Good, but not Great! (updated from 2012)
Just saw The Avengers, and it’s a good movie.
This is the part where comic fans bite my head off – “What?! Not Great?! What are you smoking?!”
No, not great, and for one good reason…
In his 1996 HBO special “Bring the Pain,” Chris Rock said, “Niggas always want credit for some shit they supposed to do. A nigga will brag about some shit a normal man just does. A nigga will say some shit like, “I take care of my kids.” You’re supposed to, you dumb motherfucker! What kind of ignorant shit is that? “I ain’t never been to jail!” What do you want, a cookie?! You’re not supposed to go to jail, you low-expectation-having motherfucker!”
Not long ago, I started noticing how we credit people, applaud and cheer them, for doing what they are supposed to do, for what’s expected of them. As an audience, we are so constantly disappointed, by everything, that when someone actually does something that makes sense, we are amazed.
I told myself; no longer would I applaud “the norm.” I’m not going to lose my mind over Robert DeNiro’s portrayal of an Italian gangster. I’m not going to go wide eyed because James Cameron delivered a good sci-fi action movie.
And, I’m not going to applaud The Avengers movie because filmmakers delivered a good, by the numbers, comic book movie when they had over 60 years of material to draw from.
NOTE: The Avengers was first published in 1963. That’s 49 years and 4 volumes of story and character development.
I’m not going to be amazed that Joss Whedon was able to direct a good action movie that gave everyone their moment in the sun when he’s been doing that for 23 years on large and small screens, and comic books.
I’m not going to applaud Marvel for deciding, after licensing their characters in live action productions as far back as 1977 to disastrous results, to finally do it themselves, using comic book creators in the production, and reputable filmmakers.
I’m not applauding that Chris Hemsworth (Thor) delivered the same character he played last year, or that Robert Downey Jr. knows how to do a damn good Tony Stark / Iron Man after two movies, and a third soon to come.
No, I’m not applauding. I’m saying “It’s about fucking time. Now, where do you take me from here?”
That’s right! After years of asking Marvel (and Hollywood) “What have you done for me lately?!” I left The Avengers asking what’s next. What are they going to do now? Where are they going to take me, or do I look forward to more of the same four or six years from now?
The Avengers did deliver some unexpected things that should be applauded…
Chris Evans deserves massive respect for, finally, ditching his goofball performances, and showing massive acting chops many didn’t know he had. Let’s not forget, this is the same performer we thought couldn’t deliver Fantastic Four’s Johnny Storm in 2005. Now, he’s giving us the “Sentinel of Liberty,” and I have to fight the urge to stand and salute when I see him.
NOTE: Did you notice Chris Evans actually looks like Jim Cheung’s Captain America?
See what I mean?
I will join the applause for Mark Ruffalo who nailed a damn good Banner / Hulk. I regarded Ruffalo in the same way I did (Alfred) Molina as Doctor Octavius / Dr. Octopus in Spider-Man 2 (2004), and was pleasantly surprised by both. Ruffalo is an actor, producer, writer, and director who I don’t remember “lighting up the screen” until now. He got the ball, ran with it, and I hope they give it to him again in his own production.
The biggest surprise from The Avengers is…
I’ve never liked Hawkeye.
I never liked his suit.
I never liked his name.
I never liked his collection of trick arrows.
I’m not surprised Jeremy Renner kicked action movie hero ass, just see Mission Impossible: Ghost Protocol, or go back to SWAT (2003) to see him do that. No, but he made me care about a character I’ve written-off since I was 10yo. I walked away from this movie, not just loving Hawkeye; he is my favorite Marvel character now, second only to Nightcrawler.
NOTE: Yes, I am well aware this new incarnation of the character is thanks to Mark Millar’s work on The Ultimates, and you have no idea how that urks me. I’m choosing to ignore it.
The Avengers is worth the money, and the long waiting in IMAX lines, but let’s not lose our heads. Remember, we want more. We deserve more. We want to be amazed and surprised by the unexpected (i.e. Nolan’s Batman movies), or else we can stay home and watch the Blu-ray for $25.


ripped from The.Uninvited.2009.1080p.BluRay.x264-REFiNED.mkv
After the death of her ill mother in a fire, the young teenager Anna tries to commit suicide and is sent to a mental institution for treatment. Ten months later, Anna still cannot remember what had happened on the night her mother died. Her psychiatric Dr. Silberling, however, discharges her telling that she has resolved her issues. Her father and successful writer, Steven, brings her back home in an isolated mansion nearby the coast. Anna finds that her mother’s former nurse, Rachel Summers, is her stepmother now. Anna meets her beloved sister, Alex, swimming in the sea. She discovers that Steven has not delivered the letters and CDs that Alex had sent to her. As time moves on, Anna is haunted by ghosts and she believes that Rachel killed her mother. Alex and Anna decide to look for evidence to prove that Rachel is the murderer and Anna discovers the truth about the fire in the boat house.
本片為韓國恐怖片《鬼魅》重拍版，繼母由伊莉莎白班斯飾演，兩位姐妹則由Arielle Kebbel與《波特萊爾的冒險》Emily Browning飾演。電影原本想找一對真正的姐妹拍攝，但一直沒找到合適人選，全片都在英國拍攝。
安娜（Emily Browning飾）與愛麗絲（Arielle Kebbel飾）的母親剛因病去世沒多久，父親便迎娶了一個新太太瑞秋（伊莉莎白班斯飾）進家門。父親經常不在家，讓安娜與愛麗絲與繼母有了更多獨處的時間，在父親面前瑞秋表現的慈愛又體貼，但每當父親出門工作，瑞秋卻又表現的冷淡疏離，總是用怪異的眼光看著她們。
2.Temporarily disable Antivirus
3.Make sure you have the latest version of WinRAR/7-zip
Donate me for the high quality films. (1080p BDrip)


French movies and TV shows with subtitles are great tools for practicing your listening skills. However, it’s difficult to find French films with French subtitles in the US. In France, all you have to do is go to Netflix, select a French movie, and turn the subtitles on–voila, French subtitles. In the US, it’s not so easy–you can find French films on Netflix, but they’re subtitled in English. So, I was very happy to discover the filmfra.com web site. This site offers French films subtitled in French, free of charge. The selection appears somewhat random. I chose Les aventures de Rabbi Jacob (“The adventures of Rabbi Jacob”) tonight; here are some random words from the film. I doubt that I would have picked them up without the French subtitles–thanks, filmfra.com!
- (une) usine: factory; “tight ship.” The plot line crucially involves a factory full of big vats of chewing gum–I think you can see where this will end up.
- le traître: traitor. I thought it was worth including this one because of the similarity to the word traiteur, a word that occurs all over Paris and always confuses Americans. It means not “traitor,” but “caterer,” or more generally, someone who sells pre-prepared foods. In Paris, a traiteur almost always sells Chinese food, and traiteurs are all over Paris–everywhere.
- dépanneur/dépanneuse: repairman/woman.
Frankly, I was too stunned by the brilliance of this movie–an avowed treasure of French culture, starring the comic genius Louis de Funès (you pronounce the final s of proper nouns ending with ès, by the way, or at least in general)–to be able to tear myself away from it enough to take notes, so let’s leave it at three words for today! Just remember that somewhere in the world there is a web site where you can find free French movies–with French subtitles.
4 thoughts on “The adventures of Rabbi Jacob, or French movies subtitled in French”
I buried my foot in my mouth up to the ankle over this movie one time–too painful to go into the details. 🙂
This was one of the first films I attempted to watch when I was learning French in Brussels. I love its slapstick stupidity and recently I even bought my own copy, without subtitles (much more fun without)
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I buried my foot in my mouth up to the ankle over this movie one time–too painful to go into the details.🙂


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I had a movie date with my mother and my aunt yesterday. I really wanted to beg off because of my back pain that I’d been feeling for about a week already. When I called my mother to cancel, she was already set to go and my aunt was also there with her in Balbarino waiting for me to pick them up. Of course I did not have the guts to dampen their spirits so I proceeded to pick them up, no matter how much I longed to rest my back on my bed.
I met a few friends outside the theater and most of them were watching Angels and Demons. I wanted to watch that movie too but duty calls and I have to please the elders and treat them to a night of laughter. I was reserving Angels and Demons for a movie date with H later this weekend.
We did not know what to expect of BFF. We had been fooled by those ABS CBN trailers before and we were kind of wary this was one of those movies that they plug as “ang ganda ganda!” which turn out the opposite.
There was nothing spectacular about the movie and it had the usual “tatak pinoy” scenes – the fast forward animated running and chasing, the singing of the cast in the middle of nowhere, plus the choreographed dancing- but it was truly funny. My mom and I were laughing out loud (my aunt slept through!). The dialogues were witty and catchy. The plot was new and the acting of Ai-ai was hilarious. Sharon’s acting was also excellent (as usual?).
Speaking about Sharon, I really admire her for accepting her role in the movie. Her heavy figure was being ridiculed by several characters in the movie (Ai-ai, John, Gina, etc) but she bore it. Maybe she is being practical and has accepted the fact that unless she goes back to shape, this kind of role will have to do for now.
I would have fully enjoyed watching the movie had it not been for the big rats chasing each other around the theater. I was always on my toes and I had to glance off the screen several times because I was intently looking out for them. I was wearing sandals and I was apprehensive the rats might run over my feet. In between laughs, I suffered in silence. I did not tell my mom about it because I did not want to spoil her night. Besides, she needs to laugh to ward off those cancer cells.
I was not able to put off my fear any longer though. Shortly before the movie ended, I already stood up because the rats were going our direction. My mom and my aunt were confused because they still wanted to watch the NGs. I did not care to hear their objections and just bolted out of my seat. I practically ran out of the theater with them tailing behind.
On better note, I totally forgot the pain in my back during the movie. I even felt refreshed after (erasing the rats part). When I woke up this morning, my back pain was gone!
That movie did me good but that will be my last movie for now (until I forget about the rats).


In Exodus 2:5-8, a daughter of Pharaoh is out bathing herself in the river with her maidens. She notices the basket in the reeds and tells one of her slaves to go and get it for her. Pharaoh’s daughter opens the basket to reveal the crying Hebrew child. She is stricken with compassion for the boy and decides to keep him for herself rather than turn him over to be executed by the authorities. This actually teaches us a good moral lesson: insubordination is okay if the command is based upon unjust racist execution. Granted, that’s the kind of lesson a three-year-old figures out for themselves, but this is the bible, we have to take what we can get.
Once she’s sure her brother is in good hands, the Hebrew sister pops out of the reeds and says she can fetch a nurse for the child. Pharaoh’s daughter doesn’t find this amazing coincidence in the least bit suspicious and tells her to go, so the girl leaves to bring her mother. It sounds to me like the sister is trying to make it seem like she’s fetching a random Hebrew wet nurse, not the boy’s biological mother, possibly so Pharaoh’s daughter will never know they’re related. However, the writing is imprecise, so it’s hard to be sure.
This scene differs quite a bit from the 1956 movie. First of all, Pharaoh’s daughter actually get’s a name, Bithiah. And in the movie it is Bithiah who finds the basket and makes her handmaidens as to keep the child a secret. Only she and her slave, Memnet (who is never mentioned in the bible) ever know about the boy being Hebrew. This creates a wonderful plot device, which the movie exploits later on, making it much more interesting than the bible. The movie also gives her a stronger motive for keeping the child than compassion alone, saying that she is unable to conceive, and she believes the child is an answer to her prayers to the Egyptian gods. Finally, in the bible, the sister leads the mother to Pharaoh’s daughter, but in the movie, Memnet is led to the mother (this is mentioned later in the film).


The new Harley Quinn flick is a riotous, rainbow-hued confection of a film that’s the cinematic equivalent of a shot of adrenaline
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After emerging from the decidedly mediocre Suicide Squad as the only cast member to make any lasting, genuine impression on screen, the Australian actress (who also pulls double-duty as a producer on this film) managed to take that glimmer of momentum and run full-tilt with it on Birds of Prey.
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What that little gold man really says about our movie-going tastes and preferences – and what it doesn’t.
The Oscars are the undisputed juggernaut of the Hollywood awards season, capping off a series of self-congratulatory ceremonies every year and imbuing – for what it’s worth – an inherent value to its winners and nominees that goes beyond a simple award.
As much as we always wring our hands and rant and rave over who should be nominated (and win), the cultural cachet associated with these little gold statuettes has only gotten more pronounced. Even as box office numbers have declined and the movie-going audience has splintered, Hollywood still puts on the same show with the same pomp and circumstance each year – and we still get up in arms about who deserved to win and didn’t.


Agents of S.H.I.E.L.D. season 7 premieres later this month, beginning the end of the long-running Marvel Cinematic Universe spin-off show. Lead actor Clark Gregg has anchored the show for all seven seasons, even predating it as one of the characters who launched the Marvel Cinematic Universe in 2008’s Iron Man. Now, with his character’s actual ending on the horizon (after several false deaths and resurrections), Gregg sees another way for Coulson to keep going once his show ends – Marvel’s burgeoning Multiverse.
“This seems like a real good time to announce that … I really don’t know. [Laughs] Sorry! That was a little bit of quarantine sadism. I don’t know anything!” Gregg joked to Variety when discussing whether Coulson could return again, before opening a door to the idea. “It’s hard for me to imagine a scenario where I’d say, ‘No, I’m too busy to put on whatever the latest version of the suit is and go play Phil Coulson.’ I’m always thrilled when I see them changing timelines and exposing a multiverse in the cinematic [universe]. Because I think, ‘Well, I’ve seen scenarios where I could be around!’ So I really learned with this character to never say never, but I’m also really grateful for the ride that we had.”
Marvel’s Multiverse was first introduced in 2016’s Doctor Strange, and has since become a crucial aspect of the future of the Marvel Cinematic Universe, with the Doctor Strange sequel, In the Multiverse of Madnesss, planned to draw in threads from the Multiverse-centric Avengers: Endgame as well as Disney+’s reportedly mindbending Loki and WandaVision series. A Multiverse-style solution could also play a part in resolving Marvel and Sony’s current shared control of Spider-Man in movies.
As for how the Multiverse might play in to Agents of S.H.I.E.L.D., Gregg himself spoke to Variety about how the corporate separation between Marvel Television and Marvel Studios during the show’s run affected its connection to the Marvel Cinematic Universe, acknowledging that at a certain point Agents stopped aligning with the overall MCU, saying the show wasn’t “tied too closely to all that” following season 4.
“When you look back at Season 1, and you look at the way it crossed over with Hydra and took the handcuffs off our poor writers when everyone was like ‘What is this show?’ — and Sam [Jackson] and Cobie Smulders came to play — I thought that was really thrilling. I missed that part of it, but I also felt like Agents of S.H.I.E.L.D. really continued to evolve,” he confessed. “And once they got to Season 4, and there were three separate pods [of episodes] — Ghost Rider, LMDs, and the Framework — I thought this is what happens when these gutsy writers aren’t tied too closely to all that. They get to really just tear it apart and start it over with a new corner of the Marvel Universe every season, sometimes two or three times in a season.”
Gregg also opened up about the idea of taking a shot at a higher budget Marvel show, a la the planned Disney+ series, saying he’d love a chance to make a show with such resources.
“Um. [Laughs] I don’t know specifically what kind of resources those [shows] are getting. I will say, as someone who loves storytelling and television, it’s been exciting to watch — from Watchmen to Game of Thrones — what’s being done cinematically on what used to be called TV,” Gregg explained. “So in fairness, the world really changed around us. I was always proud of us for being the first ones through the door in terms of the Marvel stuff, trying to bring that to a weekly television format. I feel like ABC did a great job of trying to adapt to us as we tried to adapt to them.
“But I’d be lying if I didn’t say boy, that would really be interesting to start the experiment over, doing 10 episodes or 12 episodes the way Tom Hiddleston told me he was doing [on Loki] with that kind of budget and that Marvel Cinematic production team. Although, it’s hard for me to even think about that, just because I’m so proud of what our crew and visual effects people and cast did within the constraints of our budgets and resources.”


“You musn’t give your heart to a wild thing. The more you do, the stronger they get, until they’re strong enough to run into the woods or fly into a tree. And then to a higher tree and then to the sky.”
I’ve watched this movie no less than six times (more maybe?) – I just love it. Last night, Tom and I went to the Galileo Open-Air Theatre at Kirstenbosch and watched it under the stars. The night was cool and crisp, we were surrounded by mountains, wrapped in blankets and well-stocked with ciders – it was a perfect date night, really. We arrived early to have supper and watch the sun set, and then snuggled up and watched Audrey for two hours, while planes flew overhead and the crowd sighed and chuckled around us.
“You know what’s wrong with you, Miss Whoever-You-Are? You’re chicken, you’ve got no guts. You’re afraid to stick out your chin and say, “Okay, life’s a fact, people do fall in love, people do belong to each other, because that’s the only chance anybody’s got for real happiness.” You call yourself a free spirit, a wild thing, and you’re terrified somebody’s going to stick you in a cage. Well, baby, you’re already in that cage. You built it yourself. And it’s not bounded in the west by Tulip, Texas, or in the east by Somaliland. It’s wherever you go. Because no matter where you run, you just end up running into yourself.”
I still get chills when I watch the scene in the rain, when Audrey kisses George and poor, soggy Cat gets squashed between them. Tom and I both agree that Cat is the real star of the film – that kitty can act (or was heavily sedated, either way, he’s talented)! Tom reckons that in modern times, Holly Golightly wouldn’t end up with Paul; she’d drive straight on in her taxi and catch that flight. But that misses the whole point for me – love is a terrifying, overwhelming thing, but it’s not a cage it’s a choice. No wild thing wants to be tamed, but it can be liberating to be loved.
The Galileo was a lovely experience and something I hope to do again. The open-air cinemas are hosted around Cape Town and in the Winelands, and the movies are screened at different venues on set days. Make sure you arrive hungry and grab some tasty nachos from the Mexican Nacho – you’ll have to queue for a while, but they’re worth it. It’s also really nice to arrive early to watch the sunset – the sky last night was full of candyfloss streaks, and the light was unbelievable.
Check the Galileo’s website to find out what movies are on when – then grab your partner and don’t tell him what you’re going to see until five minutes before the movie starts in case he protests. Bring your own blankets or go for the cosy ticket option – it does get quite chilly. Now I’m going to listen to Moon River on repeat and imagine I’m at Tiffany’s for the rest of the day.


‘The Complete Works of William Shakespeare (Abridged)’ Coming Soon – LaGrange Daily News
“The Complete Works of William Shakespeare (Abridged)” coming soon
Posted at 9:00 a.m. on Saturday, September 10, 2022
The LaFayette Society of Performing Arts will soon premiere “The Complete Works of William Shakespeare (Abridged)”. The play takes Shakespeare’s iconic literature and turns it into physical, fast-paced, witty comedy.
Originally written by Adam Long, Daniel Singer and Jess Winfield in 1987, the play was written as a parody of Shakespeare’s 37 plays, all performed in shortened comic form by three to 20 actors.
Historically, the play would become world famous and earn the title of London’s longest-running comedy.
“Playing Shakespeare’s 37 plays and 154 sonnets in less than two hours is definitely going to be a comedic undertaking,” said director Jeff Sargent. “You don’t have to know Shakespeare to enjoy this play. But if you know Shakespeare, you’ll get a few more jokes.
The play is noted for the actors using their real names and playing themselves rather than specific characters from each play. The actors will speak directly to the audience for much of the play, and some scenes even involve audience participation. On occasion, the director and stage crew have been known to be directly involved in the performance and become characters themselves.
During the performance, improvisation plays an important role, and it is normal for the actors to deviate from the script and have spontaneous conversations about the material with each other or with the audience.
The cast of The Complete Works of William Shakespeare includes Beth McClanahan, Cathy Hunt, Melissa Stanley, Jackson Taylor, Ana Vega, Campbell Vice, Garrett Dye, Calvin Booth, John Barfield, Emmi Horlander, Garner Dorminy and James Dorminy.
“This show is absolutely hilarious whether you know Shakespeare or not. It’s very high energy and loud and very entertaining,” Hunt said.
McClanahan is an associate professor of mathematics at LaGrange College. In the past, she played a lot. His role will mark his return to the theater after a long break. Hunt is the Troup County School Board President and has performed with the LSPA on several occasions, with her latest role being Joy in Shadowlands. James Dorminy is a longtime actor in LSPA and has had the opportunity to play a diverse roster of characters.
Stanley is a math teacher at Callaway High School and thrilled to be able to express herself on stage. Taylor is a senior at Troup High School, and this production will be his 10e theater year. Vega is a freshman at Troup High School. This role will be his second, the first being “Elf the Musical”.
Vice is a junior at LaGrange High School and has recently appeared in three LSPA productions. Dye is a longtime cast member of LSPA, this will be his fifth LSPA production. Booth is an aspiring personal trainer and works to promote mental health for those working in the film and theater industry.
Barfield is a local artist who has a diverse theatrical experience with a few roles in the Lafayette Ballet Company. Horlander is a senior at LaGrange Academy, and this will be her first play as an actress for LSPA. Garner Dorminy is a senior at Springwood School and has been involved in theater for four years.
“It’s been wonderful working with this terrific cast,” Sargent said. “You will see new faces on the LSPA stage as we continue to grow our business by inviting new talent. We encourage people to come and be a part of our plays”
“The Complete Works of William Shakespeare (abridged)” will premiere on the LSPA Stage on September 15 at 7:30 p.m. For more information on show times and to purchase tickets, visit www.lsparts.org.


The Top Leonardo DiCaprio Movies to See
Leonardo DiCaprio, an incredible actor, environmentalist, and American film producer, began his acting career in the late 1980s and is best known for his work as an extraordinary actor, environmentalist, and American film producer. He works on various aspects of environmental consciousness, including the Academy Award, Screen Actors Guild Award, and many others, making him one of the most well-known people on the planet.
You can watch a variety of Leonardo DiCaprio films on Hargray Cable TV, which offers some of the best cable services in the United States. For example, you can add Hargray internet and use its services as a Double Play to save a lot of money while getting the ideal combination of connectivity and entertainment. Let’s take a look at some of Leonardo DiCaprio’s best-known films:
The film is set in 1996 when a research team led by Brock Lovett searches for the wrecked RMS Titanic and its remains to recover a safe containing a large diamond known as the Heart of the Ocean. Instead, they discover a drawing of a nude woman wearing the necklace, which dates back to the early 1910s, on the same day that the Titanic was hit by an iceberg and sank to the ocean’s bottom, with many people missing.
Leonardo DiCaprio portrays an impoverished young artist who receives a lucky break when he wins a third-class ticket to the Titanic in a poker game. Rose meets Jack and forms a tentative friendship with him, but her mother and fiance, Cal, protest, so she begins to ignore him. However, she soon finds that she is more comfortable with Jack than Cal. They have a romantic relationship until Jack succumbs to hypothermia after allowing Rose to climb onto a wooden panel while he remains afloat in the river. The RMS Carpathia saves Rose. The necklace is still in the coat’s pocket, she notices. Rose Dawson is her new identity.
Hugh Glass and Captain Andrew Henry’s trappers travel through the Dakotas in the 1820s, as depicted in the film. While out hunting with his half-Pawnee son Hawk, they are assaulted by an Arikara war party looking for their Chief’s daughter, who has been kidnapped. Many trappers were slain in the attack, and the survivors escaped to Fort Kiowa on a boat headed by Glass, when Glass was mauled by a grizzly bear and left in a near-death scenario. The film tells the ultimate storey of survival and historical events that you might enjoy.8.0 out of 10 on IMDb
The Aviator is a biography film.
The film is set in early 1900s Houston, where Howard Hughes, an 8-year-old boy, is bathed by his mother and learning the spelling of the term quarantine when his mother warns him about the recent cholera outbreak that wrought havoc in the city.
In 1927, he began directing his first film, the Hell’s Angels, with Noah Dietrich assisting him daily. Howard was producing blockbuster after hit, but he desired greater perfection in his work. He falls in love with Katherine Hepburn, who helps her deal with his OCD, which is growing increasingly severe.
Thriller, Drama, Adventure Genre: Blood Diamond
The film is set in Sierra Leone in the late 1990s when the country is beset by civil conflict, and rebel organisations known as the RUF infest the country with terrorism and scare the Mende people into harvesting diamonds to fund their war operations. Solomon is forced to labour for Captain Poison, a warlord until he discovers a pink diamond.
Captain Poison tries to steal the stone from Solomon but is apprehended by government troops, and both of them are imprisoned in Freetown, Sierra Leone’s capital. Danny Archer, a mercenary, is one of the detainees. He served in the South African Border War’s 32 Battalion and was arrested while attempting to smuggle diamonds into Liberia for Rudolph van de Kaap, a corrupt South African mining executive. think and explore one of the best blogs of entertainment
This is Leo’s best thriller, in which he plays a Deputy US Marshal tasked with investigating a psychiatric facility. Teddy is accompanied by his partner, a deputy marshal who is researching a missing patient on Shutter Island. He discovers other startling facts and revelations about the facility and the other patients, and the film will take you through various twists and turns, culminating in an astonishing climax that will leave you speechless.
8.2/10 on IMDb
Finally, one can claim that Leonardo DiCaprio is one of the most talented actors in American cinema, delivering flawless performances in all of his roles. He will celebrate his 47th birthday on November 11, 2021. Yet, he continues to monitor his fitness and performance in films like Inception, The Wolf of Wall Street, and many others that have been box office hits in the United States and are all-time favourites among fans.


(CNN) – Margot Kidder, who died Sunday at age 69, was more than just the actor who played Lois Lane in a series of “Superman” films in the 1970s and ’80s. She was a passionate advocate for the environment and for peace, a woman whose own struggle with mental illness chipped away at deep stigma, and a star whose most famous role tells us much about feminist progress.
Kidder’s Lois Lane was a character who bridged the notoriously male-focused world of comics with a new feminist America. Kidder didn’t write her part and wasn’t responsible for the character’s feminist shortcomings, but her role nonetheless illustrated the tension at play in late 20th-century America. Lois Lane was both a competent, ambitious journalist and a slightly flighty damsel in distress. She sniffed out stories and lobbed flinty challenges to Clark Kent; she also was in seeming constant need of Superman’s saving.
It can be tempting, when an actor dies, to reframe her most famous roles as fitting into some modern ideal. Lois Lane was not a flawless feminist icon. But neither was Kidder’s Lane a simple comic book babe. Instead, she reflected back the peculiarities and contrasts of the time.
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A Master’s degree in Media Studies with a specialization in Film and TV is a graduate-level program that focuses on the study of media in various forms, with a particular emphasis on the creation, production, and analysis of film and television. This program provides students with a deep understanding of the ways in which film and television impact society and culture, as well as the technical skills needed to create high-quality visual media.
The core curriculum of the programme covers a broad range of topics, including film theory, television production, media law and ethics, visual storytelling, and post-production techniques. Students in this program learn how to analyze and critique various types of media, as well as how to use different tools and techniques to create their own films and television shows.
One of the unique aspects of a Master’s degree in Media Studies with a specialization in Film and TV is the opportunity to work with faculty members who are experts in the field. The programme has faculty members who have worked in the industry themselves, giving students access to valuable insights and networking opportunities.
In addition to the coursework and practical experience, students may also have the opportunity to participate in research projects and publish scholarly articles related to their area of specialization. This can help them develop a deeper understanding of the industry and contribute to the ongoing discourse and development of media studies.


On the first day of the festival the participants visited the film-related places in the capital, i.e. Warsaw Film School, Documentary and Feature Film Production Company, The Chimney Pot, TPS Film Studio, New Born Studio, The National Film Archive and Studio Miniatur Filmowych. Students and teachers also participated in the integration workshop and the night screening of the student films.
On the second day there was a market of film projects that were prepared throughout the school year by students.
The first School Cinematheque DVD packages were sent to over 14 000 Polish schools. Over 10 000 students participated in the programme since it began. This year the programme had over 4000 young people participating from 400 schools around Poland.
The students presenting projects at the market were given feedback by the industry experts: Jowita Budnik, Katarzyna Trzaska, Anna Wydra, Igor Chojna, Marcin Latałło, Andrzej Mastalerz, Joanna Kaczmarek, Paweł Sala and Kamil Minkner.
The experts have also watched three films that won the Cinematheque competition. The first award was granted to Kuba Józefowicz from the Non-Public High School No. 1 in Warsaw for ‘Arbiterium’ and to Łukasz Boczkowski and Wojciech Bobik from Zbigniew Herbert High School in Trzebiatow for ‘The Man Walking on the Wall”. The Internauts’ Award was given to Agata Graczyk and Marta Wiktorowicz from the Art High School in Bydgoszcz for the animated ‘Dystopia’.


Hi everyone, in my last post I talked about how space can be made in the mix for simultaneous lines of dialogue by subtle panning. Here I want to talk briefly about another technique that you can use to reach a similar result. Often times in action movies, there will be lots of sound effects occurring at the same time as a character is speaking, such as explosions or gunfire. To ensure that the desired tracks remain the focal point of the mix, you can apply sidechain compression to duck the less desirable sounds.
A lot of EDM producers use this technique for their music to compress the melodies of their songs using the kick drum sound as the key input, but it can be used in a number of contexts, including this example on a rock track that has been explained by Graham from TheRecordingRevolution.
This could be used in a number of ways in a film context depending on the desired effect. While audio in real life would dictate that the sound of gunfire should overpower the dialogue, this isn’t necessarily the case with creative projects where the dialogue is often the more important sound to be purveyed to the viewer. In this case, you could send your effects to an auxiliary track that has a compressor on an insert, then use the dialogue as the key input, either by way of using the audio track directly, or in the case of multiple lines of dialogue, another auxiliary track that your dialogue has been routed to.
While this technique definitely has it’s applications in film, I did not think it was necessary to implement it in my Starship Troopers sound replacement. This is because I wanted the scene to be kind of chaotic and the panning automation on my lasers in combination with the spread of static panning from my machine guns made enough room in the mix for my dialogue as it was. If I had a lot of effects that were in the centre of my mix, or that overlapped the location of my dialogue then it would be a lot more appropriate to use this technique.


Brick Flicks Summer Camp
Key Event Information
Brick Flicks (July 4th - 11th) are ready to help make your LEGO characters come alive this summer
Lifetime Lab are delighted to announce that due to very popular demand Brick Flicks stop motion workshops will be returning to Lifetime Lab with a fab fun filled stop motion summer camp from Monday 4th July to Friday 11th July. Brickflicks summer camps will run from 10.00am - 1.00pm each day, please follow the link for booking details or more information.
Using a combination of readily available digital mobile technology, hand made sets and LEGO mini figures Brick Flicks encourage children to create stop motion movies. Children will learn how to collaborate to design their own sets, script, storyboard, film, edit and produce their own summer camp masterpiece. Brickflicks tutors will share technical tips and practical techniques to assist the budding movie makers develop and improve their own projects. All equipment and materials are supplied at the camp - participants are encouraged to only bring along their favourite LEGO mini figure. Have a look at some other stop motion work from Brick Flicks.


This audio was recorded at Dia:Chelsea on September 13, 2012 as part of Dia's Readings in Contemporary Poetry series.
Judith Malina was born in Germany in 1926 and is a theatre and film actress, director, and writer. She moved to New York at the age of three in 1929. She co-founded the world-renowned Living Theatre in 1947. She has appeared in such films as Dog Day Afternoon (1975) and The Addams Family (1991) and has published a series of her diaries. Her many awards include a Guggenheim fellowship (1985), the 2008 Artistic Achievement Award from the New York Innovative Theatre Awards, and the 2009 Edwin Booth Award from the Doctoral Theatre Students Association of the City University of New York. Judith Malina and Filip Marinovich read that evening.
To hear Vincent Katz's introduction to Judith Malina, please click here.


The word ‘worldview’ is bounced around often. It’s the lens through which one perceives the world and includes our convictions, values, and cultural norms. We all have preconceived ideas about things which we don’t even realize we have. The formation of our worldview starts early in life and continues throughout. At times we take deliberate actions to learn about and form convictions about a subject. At other times our convictions are formed almost imperceptibly, like the growth of an oak.
A few years ago we were watching the Pixar movie Wall E at home. My daughter was probably 11 years old at the time. I don’t recall the scene that triggered her comment, but at one point in the movie she said, “I wonder if they made this movie to make a point?”
The movie has a theme of environmental concern running through it and one of the scenes highlighting this concern caused my daughter’s worldview sniffer to react. I hadn’t said anything negative about the movie, but had tried to teach my children to watch for an author’s or movie producers agenda. Everyone has a worldview and it shows up in their work.
My daughter’s observation made me happy. I want to teach my children to be wise consumers of media and to have discernment. I want to train them to have a Biblical worldview. Noticing the values promoted in a cartoon movie is one step on this journey.


Are you a big movie fan finding alternatives to Rainierland? We are here with the list of the top 13 Rainierland alternatives. Get ready to stream your favorite movies online.
The online movie streaming website, Rainierland Free Movies is the favorite place for many to stream their favorite movies. But, currently, the site is down. Thus, movie fans are looking for the best Rainierland alternative websites. Your search now ends as you can find the 13 best Alternatives Of Rainierland right here in this blog.
Best Rainierland Movies Alternatives to Stream Movies in 2024
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Read Also: NBAStreams.Xyz Alternatives
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Users can find movies in almost every genre ranging from action, horror, sci-fi, crime, and comedy. The Crackle app is legit and offers free movies and TV shows. The website has a few drawbacks too. It does not offer HD videos, and there is no search function.
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Fmovies is a wonderful alternative for Rainierland free movies. The platform offers a wide collection of films and TV series in every genre.
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On Hubmovies.cc, you can find many movies and TV series. The website has a simple interface with less frequent pop-up ads. You can find a detailed description of movies and TV series on the platform, which helps users discover better movies.
Also Read: Hulu keeps crashing fix the issue
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- Mega Share
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So, now you know where you can find your favorite movies for free. Try any of the above 13 platforms that make the best alternatives for Rainierland.
What Is Rainierland?
Rainierland was a website that allowed users to stream movies and TV shows for free. It gained popularity for its extensive content library but operated illegally by hosting copyrighted material without proper licensing. Due to copyright infringement issues, the website was eventually taken down, and it is no longer accessible.
What Happened To Rainierland?
Rainierland, a website for streaming movies and TV shows, was shut down due to copyright infringement issues. It is no longer accessible for streaming content legally.
Is Rainierland Legal?
No, Rainierland was not legal. It provided copyrighted content without proper authorization from content creators, making it an illegal source for streaming movies and TV shows.


Living in Japan for the past ten years, I
been the only foreigner in a movie theater. If the film is, say,
American rather than Japanese, then usually I am also the only one
laughing at the jokes, which is very disconcerting for everyone
in the theater.
When I have gone with friends, students, and now my wife,
who also laugh at the jokes, the experience becomes more fun and
the film more interesting. Going to see Japanese films with someone
Japanese is also much more fun and interesting than seeing them
alone or, for that matter, seeing them where Americans usually see
Japanese films: A classroom.
People say that after taking a film class in college, you
lose the pleasure of going to the cinema. And, that too much knowledge
or too much thinking
spoils the pleasure of a film. In a sense, that can be true. If
the moment a film starts, you're thinking about how best to analyze
the film, you're probably missing a lot that the film has to offer.
Being in the cinema is one kind of pleasure. Talking with
friends about what the film means, or devoting a lot of time to
studying and writing about a film, are other kinds of pleasures.
For me, each only adds to the pleasure of the other, and
that is the most important idea that I want to impart to my students,
my readers, and those who visit atomicbombcinema.com:
Thinking, reading, and writing about film is part of the
pleasure of filmgoing.
As a scholar, I am interested in the cinema as a vehicle
for understanding society and culture.
In Atomic Bomb Cinema
my concern has been with how different cultures respond to catastrophic
events, that is to say, the bomb. We learn a lot about ourselves
and others from studying such films. We learn even more when we
compare and contrast films from different cultures, and with different
media or expressive traditions.
Jerome F. Shapiro


Whose perspective do you like to write from best, the hero (protagonist) or the villain (antagonist)? And why?
I usually err on the side of the protagonist, because I think it actually depends more on which character I like the best, aka whichever one comes easiest to me most of the time. Which raises a question of my own…
If it’s from the antagonist’s POV isn’t that just a combination of anti-hero and unreliable narrator?
In real life, every person sees themselves as the hero of their own story. This is also true for any well-developed, well-written fictional character, so I feel it’s incredibly relevant when considering what a protagonist and an antagonist are.
I was haphazardly googling around for inspiration in writing this post and I found this thought:
“Protagonist and antagonist are not point of view characters but are character functions. The protagonist is the one who is the prime mover of the effort to achieve the goal. The antagonist is all about preventing the protagonist from achieving the goal. In our own minds, protagonist represents our initiative – the motivation to affect change. Antagonist is our reticence – the motivation to maintain the status quo, or at least to return to it.” ~ The Storymind Writer’s Library
But that still leaves it as a matter of how the story is written, and the reader’s perspective on what’s happening. Here are some dictionary definitions, also found via google:
- the leading character or one of the major characters in a drama, movie, novel, or other fictional text
- the main figure or one of the most prominent figures in a real situation
- an advocate or champion of a particular cause or idea
- a person who actively opposes or is hostile to someone or something; an adversary
- (biochemistry) a substance that interferes with or inhibits the physiological action of another.
- (anatomy) a muscle whose action counteracts that of another specified muscle.
So “protagonist versus antagonist” has been explained variously as “initiative versus reticence,” “motivation to affect change versus motivation to maintain status quo,” and/or “leading character versus someone opposing/counteracting leading character in some way.”
What if it’s a character who’s trying to save the world versus a character trying to return the world to its less complicated, pre-human state? Or, to put it another way, a character who’s trying to destroy the world versus a character trying to stop them and maintain the status quo?
Frodo trying to get the One Ring to Mount Doom and destroy it vs Sauron and minions trying to stop him? Or, Sauron trying to conquer Middle Earth vs the Fellowship setting out on a quest to keep it free?
Raise your hand if you had instinctive knee-jerk answers to the previous two paragraphs, because I know I do. Most of the stories that I can think of at the moment are that first way around.
Now consider, if you’ve seen it, Dr. Horrible’s Sing-Along Blog.
On one hand you have the obvious good guy Captain Hammer, who’s as much of a tool as his name suggests and who gets the girl because, duh, he’s the good guy. On the other you have Dr. Horrible, aka Billy, an aspiring super-villain whose application to the Evil League of Evil keeps being rejected and who doesn’t get the girl because, duh, he’s the bad guy. Without giving any outright spoilers, let’s just say that in trying to get his crush to break up with Captain Hammer by proving that he’s actually a selfish, self-involved jerk, Dr. Horrible accidentally causes a death, is finally accepted by the League, and is so emotionally shut down by what he’s done that he accepts.
Who’s trying to accomplish something? Dr. Horrible. Who’s the main character and champion of a cause? Dr. Horrible. Who do we see the most of throughout the story and who does your heart break for by the end? Dr. Horrible, even though he could easily qualify as an antagonist under different circumstances — i.e. if you didn’t get primarily his side of the story.
… I haven’t really answered the IWSG question, have I?
Or maybe I have. I guess it’s all a matter of perspective.


Turf wars in New York City between rival gangs Jets and Sharks.
A retelling of the tragic story of Romeo and Juliet.
West Side Story is a timeless masterpiece of American musical theatre. It was originally composed in 1957 by Leonard Bernstein (and was Stephen Sondheim’s first job as lyricist). The original production played 732 performances on Broadway.
A new Broadway production began previews at the Palace Theatre on Broadway Monday, February 23, 2009, and opened to critical acclaim. The production broke box office records running March 19, 2009 to January 2, 2011. The musical played 27 previews and 748 regular performances, making it the longest-running production of the groundbreaking musical in Broadway history.
The show is coming to NAC Southam Hall March 13-18, 2012. Get tickets here.


Diversity has a great impact on people, and no one is unaffected by it. The film “Gran Torino” (2008) by Clint Eastwood, we see an example of how diversity affected the main character Walt in his belief system. In the beginning of the film it seemed like he always wanted to be alone, where he judged everyone else around him. Getting a close relationship with Thao and Sue made him open for their culture. Their relationship drastically changed his belief system, from judging other cultures for not being his own, to a belief system where he was openminded and also happier. Once he got to know Thao after he tried to steal his Gran Torino, everything changed for him. In the end, I think Walt was happy the incident of the supposed stealing of the car had happened. Getting to know different cultures, and being a part of it yourselves, makes us ignore the differences between us. I think it will make us focus on our similarities, and rather see the differences and diversity as something that makes the relationship stronger, something Walt did with Thao. In conclusion, getting to know different cultures will make us more open for other cultures and see the differences as a part of the world.
Walt is a dynamic character, and we follow his change as he once starts to accept his multicultural neighborhood. From fighting gang members to experiencing shooting are just some of his experiences of living in diversity. However, despite the challenges, his relationship with Thao is important to him. The Hmong culture and his own culture live side to side, and his starting view on them changed throughout the movie. One thing that especially strengthens the fact that Walt is a dynamic character is his choice with the Gran Torino. The relationship with Thao started after he tried to steal his car, and this led to him working for Walt. This was a part of the Hmong culture to show his regret with the action and make up for himself. At first, Walt blamed him and got angry. But the film ended with his choice to give the car to Thao, despite his anger. This made an impression on me, and really made me see how Walt changes throughout the film “Gran Torino”.


Release day: January 23rd , 2015
Director: Rob Cohen
Rating IMDb: 4.5 /10
My rating: ❤ ❤ and a half
Duration: 91 Minutes
So I think this is the first time I’ve done one of this, but welcome to Movie Monday. I have no idea if someone already has done this but i decided that I’ll try to do this every week to talk about the movies I’ve watched during the weekend or Mondays (As if the case today)
When a handsome, charming teenager named Noah (Ryan Guzman) moves in next door, newly separated high-school teacher Claire Peterson (Jennifer Lopez) encourages his friendship and engages in a little bit of harmless — or so she thinks — flirtation. Although Noah spends much of the time hanging out with Claire’s son, the teen’s attraction to her is palpable. One night, Claire gives in to temptation and lets Noah seduce her — but when she tries to end the relationship, he turns violent
Holly mother of my shoes. HAHAH. I did not planned to see this movie, I saw the trailer and then saw the IMDB rating (ABOVE) and I thought “Hey,I’ll just wait for it to come out on Netflix ” But my friend asked me and I wanted to go to the movies so our pick was “The boy next door” starting Jennifer Lopez and Ryan Guzman.
I felt like I just watched all those revenge obsession-affair movies in one. It was… Intense. I’ll tell you why in a second. But first I have to share how I was reminded that i like Jennifer Lopez as a singer rather than actress.
Things I liked
-It was fast paced
– Jennifer Lopez was gorgeous.
-Kristin Chenoweth was there ❤
-It was Funny (To me)
-The story was entertaining and engaging
-Sexy, especially those first 30 minutes.
-Ryan Guzman. ❤
-Ryan Guzman shirtless
-Ryan Guzman and his eyes
-Ryan Guzman and his Back side (AKA ASS)
Things I Didn’t like
-It was predictable specially towards the end
-It was corny (Sorry)
-I felt like it was done before in another setting and different actors.
-Jennifer Lopez character reminded me of herself in “Enough” but not as good.
-Ryan Guzman Serious face made me laugh instead of the intended effect.
All in all , I thought it was an entertaining movie, the first 30 minutes was very intense and hot, that is the sole reason my rating when from ❤ ❤ to ❤ ❤ and a half. which means I enjoyed it. I would say that you should watch this movie if you want something quick with some suspense and some hot. I felt like if this where a book it would be a hot adult romance and that’s how I felt as I watched it.
So yeah, GO Jennifer Lopez, you go girl! ❤ And did I mention I loved Ryan Guzman’s Abs and eyes? Yes. Now we’re clear on that!


Heart of Hollywood ® Radio Guest ListMichael Mann, academy award nominee, "The Insider"
Alan Ball, academy award nominee for original screenplay, "American Beauty"
Alan Kaufman, producer of "The Whole Nine Yards"
Jim Taylor & Alexander Payne, academy award nominee for best adapted screenplay, "Election"
Jay Russell, executive producer and director of "My Dog Skip"
Frank Darabont, academy nominee for "The Green Mile"
Jason Clarke, academy nominee for visual effects for "Stuart Little"
Tobey Maguire, "The Cider House Rules" and "Wonder Boys"
John Corigliano, academy award nominee for original score, "The Red Violin"
Diane Warren, academy award nominee for best songwriter for the last three years, academy award winner for "Music of the Heart"
Ron Meyer, COO & President of Universal Studios
Army Archerd, legendary Hollywood columnist
Elizabeth Daly, Dean of the USC School of Cinema/Television
Lawrence Kasden, famed writer and director of feature films
Al Ruddy, producer of "The Godfather"
George Shapiro and Howard West, producers of "Seinfeld" and Jim Carrey's "Man on the Moon"
Jean Firstenberg, chief operating officer and director of the American Film Institute
Hugh Hefner, publisher of "PLAYBOY" magazine
Steve Tisch, producer of "Forrest Gump," etc.
Gary LaMel, president of Warner Brothers Film Music
Gloria Stuart, writer and star of "Titanic"
Garry Marshall, "Happy Days," "Laverne and Shirley," "Pretty Woman" and "Runaway Bride"
Rod Steiger, "On The Waterfront," "The Pawnbroker," etc.
Robert Wagner and Jill St. John
Jack Kelly, Editor, PEOPLE MAGAZINE
Barry Blaustein, "Saturday Night Live" writer, producer/director of "Beyond the Mat"
Bernie Brillstein, partner of BRILLSTEIN GREY
Ernest Borgnine, famed oscar winning actor
Roy E. Disney, Executive Producer of "Fantasia/2000" and Chairman of Walt Disney Pictures Animation
Emily Watson, noted actress and star of "Angela's Ashes"
Frank McCourt, author of "Angela's Ashes," book and motion picture
Richard Gladstein, producer of "The Cider House Rules"
Mary Lou Henner, best selling author and actress famed for "Taxi," "Evening Shade," and co-star of "Man On The Moon"
Rick Yune, star of "Snow Falling On Cedars"
Michael Pressman, producer of "Chicago Hope" and Hallmark Hall of Fame "Christmas Miracle"
Lasse Hallstrom, famed director of "The Cider House Rules"
John Irving, Golden Globe nomination for best screenplay for "The Cider House Rules"
Anthony Minghella, Golden Globe nomination for best director for "The Talented Mr. Ripley" and noted for his brilliance as screenwriter and academy award winning director of "The English Patient"
Ron Shelton, writer and director of "Play it to the Bone" with Woody Harrelson and Antonio Banderas and director of "Bull Durham" and "Tin Cup"
Mark Johnson, producer of "Galaxy Quest" and academy award winner for "Rainman"
Norman Jewison, Academy Award winning director who recently directed "The Hurricane"
Robert Rehme, President of the Academy of Motion Picture Arts & Sciences
Neil Patrick Harris
Joe Barbera, famed cartoonist of Hanna Barbera
Alex Ben Block, former editor at The Hollywood Reporter, head of eStar, Inc.
William Daniels, president of SAG
Alan Ladd, Jr., noted Hollywood producer of famed Ladd family
Fiona Shaw, co-star of "The Last September," the elite class of English actors
Dennis Weaver, famed for his roles as Chester in "Gun Smoke" and "McCloud," also starred in "The Duel," Steven Spielberg's first TV movie
Thom Mount, president of the Producer's Guild of America, former president of Universal Studios
Chris Albrecht, president of original programming and motion pictures for HBO
Amy Irving, star of "Bossa Nova" and academy award nominee for "Yentil"
John Frankenheimer, one of the treasured directors of American film
Robert Evans, legendary film producer and studio head, "Chinatown" and "The Godfather"
Virginia Davis, Hollywood's first child star, played "Alice" in Walt Disney's first commercial film
Tom Hansen, top Hollywood entertainment attorney
Ethan Hawke and Michael Almereyda, star and director of "Hamlet"
Hawk Koch, producer of "Frequency" and "Keeping the Faith"
Lisa Krueger, writer and director of "Committed"
Bob Daly, former President of Warner Brothers and is now the CEO of the LA DODGERS
Steve Guttenberg, star of "Cocoon," "Three Men and a Baby, "Diner" and now producing/directing his first feature, "P.S., Your Cat is Dead"
Michael Bell, noted voice-over actor, co-producer, "P.S., Your Cat is Dead"
Pam Marsden and Baker Bloodworth, producers of Walt Disney Pictures' "Dinosaur"
Marth Coolidge, noted film director, "Valley Girl," "Rambling Rose," "Introducing Dorothy Dandridge," "Out to Sea"
Have a question or comment for Joe? Write him!
copyright 2003 Joe Sutton


Summer movie blockbuster season always brings big films to theaters, and frankly, it’s pretty much the reason we exist; all year long we go and see crappy film after crappy film, just to catch a glimpse at the trailers for the big-budget action/comedy/dramas that always tag on to the end “Coming this Summer…”. Well, it’s now August (mid-August at that), and we’ve already gotten our Pirates of the Caribbean, our Harry Potters, Transformers, and Captain Americas, but now it’s time for the hangover (and I’m not talking about The Hangover Part II) – the summer movie leftovers, which, much like stale popcorn left in the popper, are sure to leave us with a bad taste in our mouth.
And speaking of bad taste, first up this weekend is 30 Minutes or Less, the new stoner comedy from the same guy who brought us Zombieland. Starring Michael Cera (I mean, Jesse Eisenberg) as a pizza delivery boy, and comedian Aziz Ansari as his more responsible, yet still immature, school teacher roommate. Based on a true story, Eisenberg gets kidnapped while out on a delivery, his tormentors strap a bomb to his chest and say “if you don’t rob a bank for us, we’ll blow you up,” which set into motion a series of zany events, and no doubt, comedy ensues. However, in real life, the bomb the kidnappers strap to the pizza guy blows up, and “hilarity” did not ensue that day. Why the producers and director thought this was a good idea for a movie, I still do not know. But as far as the movie itself goes, it seems like instead of handing out 3D glasses at the theaters, they should pack the crowd a couple bowls, and liberally pass them around. Starring stoner-friendly actors Danny McBride and Nick Swardson as the kidnappers, the pedigree of this movie convinces me that it will come off just like Pineapple Express – a series of dick jokes, followed by some gross out comedy, some light action, a very angry and foul-mouthed McBride (does he play anything else?), a bit more action, and in the end, everyone ends up where they started. Case-closed. Swardson and Ansari are both funny frat-guy comedians, Eisenberg can act when he wants to, but when it boils down to it, the premise suffers from a “too soon” stigma based on the source material, and the comedy is just too stupid to overcome the underlying fact that this has actually happened before, and someone (pardon my choice of words) bombed once already when attempted. Save it for a late night on DVD, order some pizza, get high, and contemplate your own options when the dude comes to the door.
The next big movie opening up this weekend is Final Destination 5. Now, despite the fact that this is the fifth movie in the franchise, and comes off as tired and trite, with characters I could really have less interest in, who are getting murdered in the most “is this really all you could come up with?” ways (lasik eye surgery, accupuncture sessions), its not the movie so much I have a problem with, but the fact that the movie was even made, and the title of the film. Now pardon me as I play semantics, but wasn’t the previous movie in this series called The Final Destination, and when you number the movies before that as Final Destination 2, and 3, doesn’t that imply that when the fourth installment comes around, if you don’t name it Final Destination 4, and you call it THE Final Destination, that maybe you’re insinuating that this is the LAST movie in the series, there will be no more of them, hence this is THE FINAL Destination? Isn’t that what that means??? Well, apparently not in this case, and apparently THE FINAL Destination made enough money for the studio to say “Forget what we said – let’s make another one. And if that one does well, let’s make two more after that.” Not to mention that the movie is going to be a complete trainwreck that even these death-dodging kids can’t avoid, Hollywood should start labeling these movies as “Teen Money Wasters”, as they’re solely creating a product in order to turn a quick profit, rather than putting just a little thought and effort into making a slightly interesting film. I would make a deal with Death himself if he could get me out of having to sit through this.
And as a sort of afterthought here, a movie that might actually be decent, had we any energy left to actually discuss it, is The Help, starring the ever ubiquitous Emma Stone, who is rivaling Jason Bateman for the “Who can be in the most movies this summer?” award. Based on the insanely popular (with women) novel, Stone stars as ‘Skeeter’, a newly graduated journalism student from Ole Miss, who tackles the sticky subject of Civil Rights in the early 60’s, and fights for the rights of the black maids in her small southern town, rather than rejoin her ‘Southern Belle’ roots. A completely predictable storyline that people who watch “Oprah” and “Live with Regis and Kelly” are going to love, but frankly, we don’t want to see anything this weekend, and we’ll pass on this until our girlfriends make us watch it on DVD.
Summer is coming to an end, and so are the good movies, so excuse us for being a bit jaded this weekend. That chill in the air is just a sign of dark days to come…..horrible Halloween inspired scary movies! Ugggghhhh…..


Half Moon presents:
In Conversation with Graham Cole OBE
Graham Cole OBE
Entry Requirements: 18+ after 7pm
Misty Moon Presents "So You Think You Know Me" With Graham Cole OBE
For 25 years he pounded the Sun Hill Beat playing PC 595 Tony Stamp in the much loved Police drama series, The Bill. But what of his life before?
12 years of Theatre, musicals, Summer seasons, Repertory Theatre, well over 160 odd characters, Film and many cameo roles, working with well known stars of the past and future. 40 years in the industry.
Spend some time with Graham Cole OBE and you'll know him a little better.
After the performance Graham will meet and greet the audience.
Graham Cole OBE
He is best known as PC Tony Stamp in the ITV police drama The Bill, a role he played initially as a recurring character from 1984, and then as a regular from 1988 until 2009. Cole appeared in more episodes of the programme than any other actor. He had previously spent 12 years in Repertory Theatre, and musicals.
He appeared in numerous episodes of Doctor Who in the early 1980s, often in uncredited roles, such as Marshman and Cyberman. He has also played Melkur in The Keeper of Traken and finally a Jacondan in The Twin Dilemma. He also made a guest appearance in the final series of Sooty and Co as a detective called Maurice in the episode "Delgrub".
He presented and narrated the police video programme Police Stop!. He appeared regularly on Noel's House Party in sketches with Andrew Paul. Cole was gunged on the show, which was arranged by his mother-in-law. He has also made a guest appearance in ITV series Law & Order: UK as a barman in one episode.
Cole is a singer. In his early career Graham appeared as the Emperor of China in a record-breaking 1978/79 season of "Aladdin" at the Grand Theatre in Swansea. Other pantomime appearances have included the role of "Beast" in "Beauty & The Beast" at the Woodville Halls in Gravesend, Kent To date he has appeared in 36 pantomimes. he Played 'Scrooge' to critical acclaim at Garrick Theatre Litchfield in 2012 and Abanazer for Theater Royal Norwich 2013, 2014 He Played General Waverley In Irving Berlin's 'White Christmas 'at The Festival Theatre Edinburgh.
He then returned to the role in 2015/16 to record breaking houses at The Dominion Theatre London.
He was the subject of This Is Your Life in 1997 when he was surprised by Michael Aspel.
In 2017, Cole was interviewed for a three-part edition of The Bill Podcast about his life and career.


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1960s era wigs and hairpieces
Since the dawn of cinema, film stars have impacted fashion trends. And it was no different now – the film stars of the day influenced women’s 1960s hairstyles.
In particular, the stars of New Wave cinema and Italian film influenced popular culture. As a result, Brigitte Bardot was catapulted to international stardom and is arguably the ultimate 1960s siren. Other iconic actresses of the era each had their own signature style and look.


THE LAST STARSHIP
Written & Directed by Eric Haywood
THE LAST STARSHIP Trailer
ABOUT THE FILM
In the not-so-distant future, the vast majority of earth's population has evacuated our dying planet and relocated to Orpheus, a new world on the far side of the galaxy. Only a handful of people remain, left behind to struggle for existence on a nearly-empty homeworld.
Claire, a post-evacuation survivor, is a young mother determined to find a way for her family to adapt to life on earth now that society has collapsed and only the strong survive. But everything changes when she meets Jonah, another survivor. He offers Claire's family one last chance to leave earth and join the rest of humanity on Orpheus, but his offer comes with a significant risk.
The film was written and directed by Eric Haywood (Power, Empire). It stars Grace Byers (Empire, The Gifted), Loretta Devine (Waiting to Exhale, Grey's Anatomy), Jack Coleman (Heroes, Scandal), Jalyn Hall (All-American), and Anthony Mendez (Jane the Virgin).
So, where can you watch the full film?
The original plan was to enter The Last Starship into film festivals across the country and around the world. Hopefully, once the world gets back to normal, festival submissions can begin. In the meantime, please keep an eye on this page for future updates. All future public screenings will be listed here!


FEATURE FILM I 85 MINUTES
PRODUCTION, DIRECTION, CINEMATOGRAPHY, EDITING
IN POST PRODUCTION
This feature film is a personal project that i've been working on for a while. I financed it myself, using every penny I saved over the years.
It started when my cousin in law, who relocated to Cambodia a few years back, invited me to visit. Since my discovery of Khmer culture, I had a strong desire to capture the unique way of life that makes Cambodia such a special place. Behind the hopes and joys of their everyday life, lies a deep and collective poetry triggered by their troubled past. That’s the feeling that Rumdul Beat tries to capture: the little moments that fill our days.
Shot though a naturalist perspective, the film reveals the actions of a family during the course of a day. We follow the highs and lows of the characters and discover the inherent dichotomy of an emerging country: the dialogue between tradition and evolution, the energy of youth in contradiction with the will of experience, the future against the past. The present is a transitional place and we witness how memories are easily forgotten but remain in the hearts of those that we tend to leave behind.
As a boat ride on the Mekong, I wanted to take the viewer through a journey of discovery, rocked by a soundtrack that reflects the inspiring and diverse nature of Khmer music.
VIEW THE FILM'S WEBSITE
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Traveller, scuba diving instructor, filmmaker.
His professional career grew together with scuba diving right after 1989. He has owned diving centres in the Czech Republic and in Croatia since 1998. Together with scuba divers and film productions he started to visit different world´s diving locations. From the Red Sea, over the Indian Ocean to the Galapagos. As a diving instructor he has issued hundreds of scuba diving licenses and a few dozens of dive-master and professional certifications.
In the last 17 years he has aimed his instructor activities at the Bali Island in Indonesia. He is the co-owner of the Relax Bali resort. He cooperates with the local authorities to create an intertidal “non – fishing“ zone, Cuba marine park and he is a co-author of “the Relax Bali Wreck – Occupied by the sea“ project, an artificially sunk ship wreck and its subsequent monitoring under the water. Relax Bali wreck is a project based on monitoring the changes of an artificial undersea reef – a sunk boat. Occupying of the boat by the underwater flora and fauna is monitored in a time – lapse way.
At the same time he still spends his time travelling to the beauties of the undersea world within his scuba diving club and the CK Relax Dive community.
His crucial meeting with the filmmaker Steve Lichtag has resulted in their cooperation in underwater films and documentaries. He participated in shooting films such as The Last Hunters, Expulsion From Paradise or the latest film of the Twin Star Film production – Aldabra: Once Upon an Island 3D as an underwater cinematographer and the head of underwater logistics.
He has been the director of the Water Sea Oceans International Film Festival in Hluboka nad Vltavou since 2009.


Ant-Man 3 Poster Teases the Beginning of the Kang Dynasty
A new poster for Ant-Man and the Wasp: Quantumania teases at Marvel Studios Twitter Page. The upcoming Ant-Man sequel will be the beginning of Kang’s dynasty within the Marvel Cinematic Universe see Scott Lang (Paul Rudd), Hope Van Dyne (Evangeline Lilly), Janet Van Dyne (Michelle Pfeiffer), Hank Pym (Michael Douglas), and Cassie Lang (Kathryn Newton) transported into the Quantum Realm, where they will meet Kang the Conqueror (Jonathan Majors). Peyton Reed will be directing the third film, with a script penned by Jeff Loveness, who will write Avengers: The Kang Dynasty.
In the post Marvel Studious announces the new trailer that will be released at ESPN in the College Football Playoff National Championship this 7:30 tonight.


Backed by Simon Cowell’s production company, Syco, One Chance stars James Corden and tells the heartwarming story of Britain’s Got Talent winner, Paul Potts.
Narrative Industries Web Consultancy (previously THBOOM!) were asked to create and control screen graphics on a handful of sets & locations in the UK, using the graphics to help tell the story.
It’s wasn’t a big job, compared to the other film work we’ve done in the past, but it was fun to be back on set with a lovely crew.
One Chance is due to be released on 25 October 2013 (UK). Some of our work even made it into the One Chance movie trailer.


IRISH actor Jack Reynor has admitted he would never take on the coveted role of Christian Grey in 50 Shades of Grey — but would consider stripping off for the camera.
The Wicklow native was at the Savoy Cinema last night for the premiere of Sing Street as part of the opening of the Audi Dublin International Film Festival.
The actor, who is engaged to model Madeline Mulqueen, said he would still consider doing nude roles in movies but he would never take on actor Jamie Dornan’s role in 50 Shades of Grey.
He told The Star: “No. I wouldn’t do 50 Shades of Grey. Would I do any nudity? I don’t know, it depends on the context.
“Maybe if it was Hunger and I had a willy as big as Fassbender’s.”
The 24-year-old loves being in Ireland and would never contemplate a move to LA full time.
He said: “Ireland, it’s all got to be in Ireland, that’s it. It’s very important for me to be here.
“If I have to go over, I’ll go over but ultimately when I’m not working, I’m at home and I’m just relaxing and chilling out down in Co Wicklow.”
Jack stars alongside Ferdia Walsh-Peelo, Lucy Boynton, Maria Doyle Kennedy and Aidan Gillen in Sing Street which tells the story of Conor, a pupil at a private school who is forced into a tough inner city public school when the recession hits his family.
Director John Carney said last night that the start of the movie is “definitely autobiographical”.
He said: “The whole story is me getting revenge and meeting all the things that I failed at when I was a kid so this guy is better looking than me.
“He gets the girl, he forms the band, they sound great — all the things I couldn’t do as a kid,” the director added.


As an aspiring young actor, Nickolas knows his way around a rehearsal room. In this episode, Nickolas talks shop with Mary, the stage manager for Oh Freedom!… Read more “Nickolas meets Mary K Klinger, stage manager for “Oh Freedom!””
The songs that are used in “Oh Freedom!” not only help to tell the story of the Underground Railroad, but actually existed during that period, and were… Read more “Beth learns the meaning of a song used as part of The Underground Railroad”
Beth Gonzales, our newest MainStreet Kid Correspondent, visited an early rehearsal, and chatted afterwards with the show’s musical director, Janice Rodgers Wainwright. Take a peek!
We’re happy to welcome Nickolas Bean and Beth Gonzales as our newest “MainStreet Kid Correspondents”. They’ll be visiting rehearsals of Oh Freedom! The Story of the Underground… Read more “Kid Correspondents for “Oh Freedom””
We’re super excited to introduce you to the wonderful cast of Oh Freedom! The Story of the Underground Railroad, by Peter Manos. The West Coast premiere of… Read more “Meet the cast of “OH FREEDOM!””
The show finally opened to the public, and our Kid Correspondents were there every step of the way. Hear what they have to say about the process,… Read more “Raven & Addison at the Opening night party”
Every MainStreet show includes activities for kids to do in the lobby. Raven and Addison enjoy some mask-making before opening night of The Witches….
Everyone needs a little down time while waiting for the show to be finished. Raven and Addison go backstage to a special room called “The Green Room”.
In addition to the actors (who the audience sees), there is an additional team of people who are crucial in order for the show to run smoothly… Read more “Addison and Raven meet the crew”