Mira Lesmana is an Indonesian film producer. The daughter of musician Jack Lesmana and sister to jazz pianist Indra Lesmana. Mira became interested in film while in living Australia with her family. After returning to Indonesia and graduating from the Jakarta Art Institute, she made her first film work, a public service announcement. After a period of songwriting in the 1990s, as well as directing a documentary serial in 1996, in 1999 Lesmana made her feature film debut as co-director of Kuldesak.
Since then, she has produced several critically and commercially successful films, including Petualangan Sherina (Sherina’s Adventure; 2000), Ada Apa dengan Cinta? (What’s Up with Love?; 2002), Gie (2005), and Laskar Pelangi (The Rainbow Troops; 2008). Many of her works have been in collaboration with director Riri Riza, who also co-manages her productions company Miles Films. There latest film Ada Apa Dengan Cinta? 2 is due for release in April 2016 Mira was a founding member of the Indonesian Film Society (Masyarakat Film Indonesia).
Riri Riza is an Indonesian film director, film producer and screenwriter. Riri graduated in 1993 from the Jakarta Arts Institute, where he majored in film directing. Riza directed his first feature film, Kuldesak, in 1998, collaborating with Mira Lesmana, Nan Triveni Achnas and Rizal Mantovani. His solo feature film debut, Petualangan Sherina (Sherina’s Adventure) in 2000, established him as a director.
Together with Mira Lesmana, Riza has also become a film producer. Their Ada Apa dengan Cinta? (What’s Up With Love?), directed by Rudy Soedjarwo, had two million viewers in 2002, Indonesian cinema’s biggest box-office draw. The sequel is due for release in April 2016. His other films include Gie, Untuk Rena (For Rena), and 3 Hari Untuk Selamanya (Three Days to Forever), Sokola Rimba and Atambua 39° Celsius.
Yosep Anggi Noen
Yosep Anggi Noen was born in Yogyakarta. He is a director, screenwriter and producer. Anggi studied Communications at the Socio-Politics Faculty of Yogyakarta’s Gadjah Mada University. His first feature Peculiar Vacation and Other Illnesses premiered in 2012 Locarno where it received a special mention. It also won the Dragon and Tiger Award for Young Cinema, at Vancouver IFF and received 2 awards from Ministry of Education and Culture Indonesia. The film then traveled to over 25 festivals.
His short film A Lady Caddy Who Never Saw a Hole in One won best short film at Busan IFF 2013 and the Grand Prix of Tokyo Short Short FF 2014. Genre Sub Genre screened in Rotterdam, Seoul Mediacity and was awarded the Jury Prize in Arkipel International Experimental and Documentary Festival 2014. Another short, Love Story Not was screened in Busan 2015 and Rotterdam 2016. His second feature and latest film is the highly acclaimed, Istirahatlah Kata-Kata about the poet and activist Wiji Thukul. The film has screened in festivals around the world winning the the Golden Hanoman Award at the Jogja Asian Film Festival and 2016 was voted Best Film for 2016 by Tempo magazine. It took out the Best Film award in the ASEAN Film Festival in May 2017.
Andrew Mason is a producer with more than 30 years of industry experience in film and television production. He produced New Line’s kafkaesque thriller Dark City in 1998, directed by Alex Proyas. Between 1998 and 2003 he served as producer or executive producer for a string of US studio pictures including the Waschowski brothers’ The Matrix and its sequels, Matrix Reloaded and Matrix Revolutions, as well as Red Planet, Scooby Doo, Queen of the Damned, and Kangaroo Jack.
During this period he established City Productions to develop and produce Australian films, including Swimming Upstream (2001) and Danny Deckchair (2003). In 2011, Mason established Hopscotch Features in partnership with fellow producer Troy Lum and writer John Collee, and under that banner has produced Adoration (2013); I, Frankenstein, Saving Mr Banks and The Water Diviner. He has also served in a number of official roles including Deputy Chair on the board of the Screen NSW, the board of the Sydney Film Festival, and the Council of Australian Film Television & Radio School.
Fransiska ‘Cika’ Prihadi is the program director of MINIKINO (year-round screenings and workshops, with the international short film festival – 3rd Minikino Film Week in Bali, 7-14 October 2017). She’s also an architect, an entrepreneur in out-of-school learning and film appreciation. In May 2017, she represented MINIKINO as part of the selection committee for Seashorts 2017 Competition in Kuala Lumpur, Malaysia.
Professor Krishna Sen, is Dean of the Faculty of Arts at the University of Western Australia, and is an internationally recognised scholar of contemporary Indonesian and media studies. Krishna has held teaching and research positions at Murdoch and Curtin Universities, and was the Executive Director for Humanities and Creative Arts at the Australian Research Council in Canberra, just prior to taking up her position at UWA.
Krishna is a Fellow of the Australian Academy of Humanities (FAHA) and founding member of the Australian Research Council’s Asia Pacific Futures and Cultural Research Network. In 2014, Krishna was appointed to the Reference Group of the New Colombo Plan under Minister Julie Bishop. She is also a member of the Hawke Research Institute Advisory Board and serves on the editorial boards of several national and international journals.
Novi Kurnia is a lecturer and researcher at the Department of Communication Science, Faculty of Social and Political Sciences at Universitas Gadjah Mada, Yogyakarta, Indonesia. She is also a researcher at Pemantau Regulasi dan Regulator Media (PR2Media, Media Regulation and Regulator Research Centre), Yogyakarta. Kurnia finished her PhD study at Flinders University, South Australia, in 2014. Her thesis about women film directors and their films in post-New Order Indonesia. She also completed her master program at Flinders University in 2007 by writing a thesis about the discourse of polygamy in Indonesian cinema.
Kurnia is also the founder and chair-person of IF!fest (Indonesian Film Festival) held in Adelaide in 2006, 2008 & 2009. She has organised and served as a jury member for several film festivals in her hometown, Yogyakarta. Her main interest is film, media, gender and cultural studies. Her works published in national and international journals and books.


Admission: Adult - £10; Child - £5; Family £28
* Performances will start on each hour and take about 45 minutes to perform. To be sure of seeing a complete performance please come at least 30 minutes before the hour to allow for any waiting times. Your ticket will admit you for up to one hour.
Laura Bowler & Sam Redway: OSA (WP)
OSA brings you the opportunity to experience the awesome organism that is the rainforest. 7 physical theatre performers alongside the award-winning Ligeti Quartet and flautist, Helen Vidovich, will recreate the sounds and movement of the rainforest, amplified throughout the immersive Colourscape. This new work of cross artform music-theatre will aim to make the audience fall in love with the rainforest, to fall in love with our environment. Playful interaction with the animals of the rainforest makes this a perfect musical and theatrical experience for families.


Welcome to Nostalgia Film Shows!
A NOSTALGIA FILM SHOW is an afternoon or evening of film nostalgia for all clubs, organisations, care homes and other interested groups.
Using real film projected onto a big screen in a darkened room, the shows aim to recreate the magic of the cinema and bring back memories of how life was in former times, be it war-time Britain, the golden age of Hollywood, the swinging 60s or whatever your particular interest is.
A NOSTALGIA FILM SHOW is guaranteed to get people reminiscing about the good old days.
A typical show consists of a 1 hour programme of short films (Most run for between 5 and 20 minutes.), joined together onto reels of about 30 minutes each. The films are on the super 8 gauge, which is ideal for projecting in rooms of most sizes, from a small lounge to a medium-sized hall. All the films have sound. Film shows on the 16mm gauge are also available.
The content of the programme can be tailored to suit the interests of the audience. Information about the types of films available is given on the next page.


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Simply found another site to make the most of your most loved motion pictures with no obstacle i.e, Watch-Free.me. In any case, this webpage doesn’t appear to have download alternative, rather you can without much of a stretch watch motion pictures online for nothing.
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Posted Mei 14, 2009on:
Based on a version of the character of Abraham Van Helsing from Bram Stoker’s novel Dracula, the film also incorporates characters from other works such as the film The Wolf Man into the narrative, and draws particularly on literary classics of the gothic horror canon such as Mary Shelley’s novel Frankenstein.
Van Helsing is a 2004 American action/horror film about vampire hunter Gabriel Van Helsing, written, produced, and directed by Stephen Sommers. The film stars Hugh Jackman and Kate Beckinsale. The film opened on May 7, 2004.


has graced the Broadway stage, films, and television. She appeared on Broadway in I Love My Wife, On the 20th Century with Kevin Kline and Imogene Coca, as Ado Annie in Agnes DeMille's revival of Oklahoma and opposite Richard Burton in Camelot. She also starred in the Encores productions of Lady in the Dark and Allegro. Her film credits include Amadeus, Tootsie, Dead Again, Richie Rich, Black Sheep, Till There Way You, and Disney's My Favorite Martian opposite Jeff Daniels and Christopher Lloyd, which will be released this summer. On television she starred in Ink, The Cavanaughs, Rachel Gunn, R.N., Valerie, Saturday Night Live (1981-82), and received an Emmy nomination for ABC's One Life to Live. She appeared in CBS's Gypsy with Bette Midler and co-starred with Jane Fonda in the critically-acclaimed The Dollmaker. She starred opposite Stockard Channing in USA Network's An Unexpected Family, as well as this summer's sequel, An Unexpected Life. Christine sang on Ira Gershwin at 100: A Celebration of Carnegie Hall, part of the PBS Great Performances series and recently performed her one-woman show at the Hollywood Roosevelt's Cinegrill, where she also recorded her first CD. She is preparing a series of exclusive singing engagements across the country.
In the role of Simon Haley (father of the author Alex Haley) in Roots - the Next Generations, Dorian aged from 17 to 70 years old, creating the largest role in the combined 26 hours of Roots I and II. He played the 1936 Olympic champion and American hero Jesse Owens in The Jesse Owens Story, and has starred in several television series, including Seventh Heaven, Viper, Trials of Rosie O'Neill, Strike Force, Trauma Center, Glitter, and the highyl acclaimed series I'll Fly Away, for which he won the NAACP Image Award for Best Actor in a Drama Series. His feature film credits include Stanley Kubrick's Full Metal Jacket, Sudden Death, Against All Odds, Sparkle, The Falcon and the Snowman, and Pacific Heights. He recently starred in the prestigious remake of the MGM classic Twelve Angry Men directed by William Friedkin and starring George C. Scott and Jack Lemmon. Dorian has performed before Broadway theatre audiences across the country, starring in the Tony Award winning musical Kiss of the Spider Woman with Chita Rivera, Two Gentlemen of Verona, Jesus Christ Superstar, Over Here with the Andrew Sisters, and most recently, Crumbs from the Table of Joy, for which he won his third NAACP Image Award. He has also starred in the Broadway dramas Streamers, directed by Mike Nichols, Don't Call Back, The Mighty Gents, and the fateful musical Miss Moffat, opposite the late great Bette Davis, the woman responsible for his decision to become an actor.
Her Broadway credits include Kathy Seldon in Singin' In The Rain, Maggie in A Chorus Line, Hot Note in Sophistocated Ladies, Rosa Bud and Edwin Drood in Drood, Zaneeta in The Music Man, and Woman Of The Year. Concerts include lead vocalist to Herbie Hancock and the Super Sounds (Japan), Sophistocated Ladies with the Duke Ellington Orchestra (U.S., Japan, and Paris), An Evening Of Pops - University of San Diego, and Powell Symphony Hall with Richard Haymen, Conductor. Recent recordings include Joan of Arc (Joan), Singin' In The Rain (Kathy Seldon), Disney's Greatest Hits On Ice (voice of Mary Poppins, Snow White, and Cinderella), Pocahontas II, Aladdin, Cinderella, Mulan, Magic Flute (Animated-voice of Queen of the Night), The Music Man and Masada (Hannah). Television credits include Pacific Palisades, General Hospital, and Another World. Regional credits include Eliza Doolittle in My Fair Lady, Christine in the Yeston/Kopit Phantom, Milly in Seven Brides For Seven Brothers, Mary Magdeline in Jesus Christ Superstar, Val in A Chorus Line, April in Company, Lady Jacqueline in Me And My Girl, Bianca in Kiss Me Kate, Nanette in No, No, Nanette, Sandy in Grease and Sally in Sally. Christine resides in Los Angeles with her husband actor, Matthew N. Ashford, daughters, Grace - five years, and Emma - nine months.
is well-known for his television series work, first his work on the show Bosom Buddies starring opposite Tom Hanks, and later as Michael Harris in Newhart, where he earned four Emmy Award Nominations and an Emmy Award from The Viewers for Quality Television in 1991. He has appeared in numerous movies and films over the years, most recently in the series From The Earth To The Moon, an HBO movie. He began Off-Broadway in 1974 at Colonnades Theatre where he most fondly recalls the long running production of Reflections: Molilere In Spite of Himself (a world premiere) and A Flea In Her Ear. On Broadway he played Mercury in Cole Porter's Out Of This World for the City Center's Encores and Vince Fontaine in Grease. He played Littlechap in Stop The World I Want To Get Off for A&E On Broadway. He currently stars in the Disney series Honey, I Shrunk the Kids! which films in Calgary, Alberta, Canada. Peter is most thankful for Cathy, whom he loves madly.
recently appeared as Grace Poole in the highly acclaimed world premiere of John Caird's Jane Eyre. Other work includes Mrs. Lovett in Pittsburgh Public Theatre's production of Sweeney Todd and Golde in the Sacramento music Circus production of Fiddler On The Roof. On Broadway, audiences have seen her in Beauty and the Beast, Grand Hotel, The Little Prince, A Change In The Heir, and Play Me A Country Song. She was seen in the Off-Broadway hit Annie Warbucks, in the dual roles of Mrs. Pugh and Dr. Whittleby and as Reverend Mother in Nunsense. New York City Opera credits include the Beggar Woman in Sweeney Todd and Mabel in Pajama Game. She toured nationally in Torch Song Trilogy. Regionally, she has had leading roles in Blithe Spirit, The Sister Rosensweig, Dancing At Lughnasa, Shirley Valentine, The Threepenny Opera, Annie, and the world premier of The Brothers Karamazov at such theaters as Repertory Theatre of St. Louis, Cincinatti Playhouse, Alley Theatre, and the La Jolla Playhouse where she received a Dramalogue Award for the role of Mrs. Fix in 80 Days. This season she has guest starred on Frasier, Party of Five, The Visitor, Dharma and Greg, Sleepwalkers, Fired Up, and The Practice. Upcoming feature films include Life with Eddie Murphy and Devlin and Emmerichs' The Thirteenth Floor.
is pleased to be a part of the REPRISE! Concert Series. He just returned from New York, where for the last two years he has stood by, and gone on numerous times for Nathan Lane, Whoopi Goldberg, and David Alan Grier before taking over the role of Pseudolus in the Broadway revival of A Funny Thing Happened on the Way to the Forum. Bob has been in many Broadway and National Tours including Guys and Dolls, Annie Get Your Gun with Cathy Rigby, and Do Patent Leather Shoes Really Reflect Up? with Robby Benson. Regional theatre credits include The Brothers Karamazov with The Flying Karamazov Brothers, The Robber Bridegroom, Wizard of Oz with Cathy Rigby, Joseph and the Amazing, Technicolor Dreamcoat with Donna McKechnie and Rex Smith and The Music Man with Jim Dale and Pam Dawber. He has appeared in such films as City Slickers and Heart and Souls. Bob's television credits include Babylon 5: River of Souls, Mad About You, Love and War, Empty Nest, The Second Half, Major Dad, My Two Dads, and he was Eddie Hayes in Rob Reiner's Morton and Hayes.
first appeared on Broadway in The Utter Glory of Morrissey Hall where she also met her husband. Soon thereafter she was hired to play Wendy in Peter Pan with Sandy Duncan. Off-Broadway included Pius and Needles at the Roundabout, TNT and The Sanctuary Lamp. She was Chava in Jan Peerce's National Tour of Fiddler on the Roof, which she followed with Grease. Los Angeles audiences know her from her work in Tony 'n Tina's Wedding, Working, Del Shores' Cheatin' and Daddy's Dyin'...as well as the West Coast Premieres of Fade Out/Fade In and Merrily We Roll Along. Among Mary's many TV credits are Tracy Takes On...Vanity, and Married with Children, as well as the NBC pilot TLC where she first worked with Will Mackenzie. Mary has recorded Lady Be Good with the Gershwin Society, and co-hosted on radio with Dick Whittington & Al Lohman. As a writer Mary produced at Theatre West. Previously, her play Liberation Days was included in the Best Short Scenes of 1994, published by Smith & Kraus. She is a winner of the William Carlos Williams Poetry Award, and has published numerous short stories, and newspaper articles. She has just finished writing her first novel, Vacation with a TV Star. Mary has two chidlren, Caitlin and Eddie.
recently completed nine years as series regular Howard Burleigh on the ABC comedy hit Coach. A native of Brooklyn, Ken is a graduate of the famed Drama Department at the Catholic University of America in Washington, D.C. In New York he was first seen in The Fantasticks, which he followed with a return to the classics in the inaugural season of the Loretto-Hilton Repertory Theatre in St. Louis. Next came the national company of A Cactus Flower, directed by Abe Burrows. Ken's Broadway debut was in a glorious flop called The Fig Leaves are Falling, directed by the legendary George Abbott. Happily, his next assignment was in Terrence McNally's Adaptation/Next Off-Broadway. Back uptown for Neil Simon's Gingerbread Lady, Ken found time to co-write and direct Impressions On Love at Lincoln Center. Even greater joy was appearing in both the Broadway and London productions of Stephen Sondheim's Company. Returning to New York, Ken briefly appeared at the Brooks Atkinson Theatre in Status Quo Vadis, a one nighter...that's brief. Luckily, The Magic Show followed and then Nasty Rumors and Final Remarks, at the Public Theatre. During this time he acted in features such as Network, Thieves, Annie Hall, and produced Just The Immediate Family Off-Broadway. In Los Angeles, Ken was part of the inaugural production at the Henry Fonda Theatre - Twelve Angry Men. Subsequently, he appeared in The Normal Heart at the Las Palmas Theatre. Ken had two hectic seasons of a recurring role of Lois and Clark while simultaneously remaining a regular on Coach. Ken is happily married to actress Lisa Raggio.
began his career in Community Theater in his home state of Florida. Upon receiving a full dance scholarship, Chad moved to L.A. where his work spans from corporate industrials, videos, television, and National and L.A. Local Board of Directors and is National Chair-person of the Dance committee for SAG.
played Mordred in the U.S. and Canadian tour of Camelot, and will reprise that role in Santa Barbara CLO's upcoming production of Camelot. Chad will also be making his solo cabaret debut in "Blame It On My Youth" at the Cinegrill in June. Around the LA area, Chad has played the Leading Player in Pippin (Burbank CLO), Will Parker in Oklahoma! (Cabrillo Music Theatre), and Ernst in Cabaret (South Bay CLO). He was also nominated Best Supporting Actor in a Drama (LA Showcase Magazine) for The Secret Rapture at The Venue. A recent graduate of Northwestern University, Chad's regional credits include Singin' in the Rain (Cosmo), Lend Me a Tenor (Max), Little Shop of Horrors (Seymour), and A Midsummer Night's Dream (Demetrius). On film, Chad can be seen as Ian O'Malley in Looking For Someone for Galileo Productions and as Tom Jorgensen in Information Age for Jonason Pictures.
is very proud to be working on his first show with REPRISE! and this very talented production staff. John's musical theatre credits in choreography include such shows as Guys and Dolls, Damn Yankees, Pippin, Oklahoma, The King and I, and West Side Story. John recently received two Drama-Logue awards for his work on The Wizard of Oz, starring Cathy Rigby, which he co-choreographed with Patti Colombo, and Beehive for Saddleback Civic Light Opera. He is also proud to be a part of the new Peter Pan tour going to Broadway this fall also starring Cathy Rigby. Some of John's favorite moments on stage would be as Tulsa in Gypsy, leading player in Pippin, and as Aladdin in the Aladdin's Oasis stage show at Disneyland.
Her highlights include the first national touring company of Will Roger's Follies starring Keith Carradine, The Radio City Christmas Show (Rockettes), 42nd Street, and The Flying Dutchman (directed by Julie Taymor). Palmer will join the Sacramento Music Circus for their summer season. Her film and television credits include That Thing You Do (directed by Tom Hanks), Cinderella (starrign Whitney Houston), Mrs. Santa Claus, The Tracey Ullman Show, and the upcoming HBO movie, The Walter Winchell Story. Cheers to my new love, Tae Kwon Do, and my old love, Eugene.
most recently co-starred in the new musical revue Voices of Broadway in Los Angeles. She was assistant choreographer on the Hallmark Television version of Gypsy starring Bette Midler. Audiences may have seen her in the L.A. production of Tamara playing the roles of Emilia and Carlotta. Stage credits also include Maria in West Side Story as well as Sillabub in Cats at the Shubert Theatre in L.A. Also at the Shubert and in the national company of Evita she played Peron's mistress. Other shows include Louise in Gypsy at Long Beach CLO, Katherine (understudy) in Kiss Me Kate at the Old Globe Theatre, Kathy in Company, Chaplin at the Dorothy Chandler, national touring company of Pippin, Side by Side by Sondheim, Jenna in The Goodbye Girl at the Theatre League and Sister Mary Leo in Nunsense at CLOSBC. Her television credits include Valley of the Dolls, recurring role on The Young and the Restless, co-starring roles in Pros and Cons, as well as featured roles on the prestigious ACE Cable Awards an the pilot, The Music of Your Life. Film credits include Annie, S.O.B., as well as numerous commercials, industrials, and concert events. Kathleen is most proud of her 5 year old son, Garrett.
has appeared on Broadway in State Fair as Charlie and in The Who's Tommy. He toured with the natinoal companies of Tommy and Smokey Joe's Cafe (Victor) for which he received the 1996 Chicago Theatre Alliance Award for best actor in a visiting musical. Regional credits include Jesus Christ Superstar, Hair '88, A Chorus Line, and The Wiz. He can be seen in the film Unsettled Dreams which was presented at the Sundance Film Festival 1995. He danced in the companies of Alvin Alley, Donald Byrd, and John Holmes Chicago Dance Theater. Darrian is in hot pursuit of a recording career having made his first release in 1996, A Heavy Demonstration. You can also hear him as a featured vocalist on Andrea McCardle's Broadway album. Thanks for the support, y'all.
His New York credits include the original Broadway production of Zorba (with Anthony Quinn), Me and My Girl, the Off-Broadway production of Paris '31, and the National Tours of Romance/Romance and Zorba. Since moving to LA, he has performed in productions of Sweet, Smart, Rodgers & Hart, Tin Pan Man (Danny Grogan), The All Night Street, Man of La Mancha, Singin' In The Rain (Don Lockwood), A Christmas Carol (Fred/Narrator), and four productions of Crazy For You (Bobby Child).
a native Los Angelian, made her theatrical debut at the age of 12, in The Sound Of Music, at the Dorothy Chandler Pavilion...we won't mention how many years ago. She performed in five different roles in the original production of Annie. Other theatrical credits include Grease, Annie Get Your Gun, Inadmissible Evidence, and Fame. Some of her acting and dance credits include Hill Street Blues, Matt Houston, Flintstones (movie), George Of The Jungle (movie), Parent Trap (movie), Academy Awards, MTV Awards, American Music Awards, Drew Carey, Friends, Mad About You, The Closer, Mrs. Santa Clause, Rosie O'Donnell Show, and multiple videos, commericals, and industrials. She was very proud to tour for several years with Paula Abdul, and later with Reba McEntire. But her biggest accomplishment was suckering Lars Bethke, director and actor, into marrying her! Her performances are dedicated to the late stage manager, Bill Holland, who instilled his love of theatre in her...I miss you daddy.
has appeared on Broadway in Rent and The Who's Tommy. Her concert tours include Englebert Humperdinck (U.S.), Pet Show Boys (Europe/Asia), and Que Pasa/Latin Rap Artist (South America). Her television credits include Patti Labelle's Out All Night, Storm The Castle, American Movie Awards with Savage Garden. She has been involved in business theatre productions such as Beetlejuice's Graveyard Revue, Dr. Pepper, Mercedes Benz, Hollywood Bowl's 4th of July Spectacular, Nike, Ford, and others. Tracey was assistant choreographer on the Broadway production of Dream and the Tonight Show/Paula Abdul and she is the associate choreographer of Tommy productions in Canada, Germany, and London.
has appeared on Broadway as Patsy and Polly in Crazy For You, and Abigail and Susan in Big. Television credits include Frasier, The Drew Carey Show, Third Rock From The Sun, The Profiler, Family Matters, The Wayans Brothers, The Bold And The Beautiful, Sunset Beach, and Hope And Gloria. Regional theatre has included Promises, Promises as Miss Polanski and the Nurse, REPRISE! in Los Angeles and Encores in New York. Jill studies with the Groundlings and loves her husband Dan very much.
is excited to be in his second show with REPRISE!, having also been a part of the wonderful productino of Finian's Rainbow. He most recently finished filming the role of Babu in Sinbad: Beyond the Veil Of Mists and was seen by audiences as Slightly Soiled in the national tour of Peter Pan (starring Cathy Rigby). Some of his credits include the national tours of Cats and Babes In Toyland (Jack) and Off-Broadway in The Tail of Mortimor Stone (Barney) and Step Into My World (Lead). His regional theatre credits include the award winning L.A. production of Psycho Beach Party (Chicklet) and Nobody Hears A Broken Drum (Mr. Flannelly) as well as Voices Of Broadway (Chaplin and Emcee), Equus (Alan Strang), Grease (Doody), A Chorus Line (Mark), A Midsummer Night's Dream (Puck), and West Side Story (Baby John). In film and television, K.W. has been seen in Gypsy (Caroline's Ass) starring Bette Midler, The Tattinger's (the boyfriend), Harvest Homecoming (the window boy), Autumn Dance (Symbol), Bethie's Really Silly Clubhouse (Kodiak), and the limbo-ing Granny Putterman in thte Duracell commericals. He is presently producing and choreographing the world-premiere of Now, Voyager the musical.
is excited to be making her musical theatre debut with Pajama Game. She has performed as a professional dancer for fifteen years and has toured with Earth, Wind & Fire as a singer/dancer for the last three years. She has appeared in a variety of films including Boogie Nights, Anastasia, Hercules, and Tank Girl. She has also been seen in numerous television shows, including In Living Color, Man O Man, Jack's Place, and Out All Night. Other credits include television commercials for Sprite, Doritos, and Reebok and performances at the MTV and Soul Train music awards shows. She would like to thank her wonderful husband of five years, Tory, for his love and support.


“For the Son of Man came to seek and to save the lost.”
If you pay attention to humanity, it would seem we are all on some type of savior search. The question is, who will you look to for your salvation. It seems Hollywood is looking to Will Smith:
If aliens attack the nation’s capital on the Fourth of July, who will save us? Will Smith if you’ve seen the movie, “Independence Day”
If your love life is struggling and in need of salvation, who will you call? Will Smith, if you’ve seen the movie “Hitch”.
If alien life forms infiltrate society and threaten to take over the world, who will save us? Will Smith, if you’ve ever seen the movie “Men In Black”.
If Robots threaten to exterminate humanity, who should we call? Will Smith if you’ve ever seen the movie, “I Robot”.
If humanity is threatened by a deadly virus (too soon?) that turns humans into soulless zombies, who should we call? Will Smith, if you’ve ever seen the movie, “I Am Legend”.
I’ve heard it said, ‘the Gospel is the story, all other stories point to’. In “I Am Legend” in the closing scene, Dr. Neville (Will Smith) finds a cure through his blood that will cure a virus infected world. He declares to a mob of infected humanity, “I’ve found a cure, I can save you! I can save all of you”. Sound familiar? How about we let Will Smith handle the aliens and robots and we look to Jesus to save us from our sin! He’s found a cure!


Tuesday, 13 December 2011
BUFFY: 4.13 - ‘THE I IN TEAM’
A short promo for this episode
WRITER: David Fury
DIRECTOR: James A. Contner
WHAT’S THE SITCH?
Riley officially brings Buffy in to The Initiative where she gets a beeper and lots of reading material. To begin with, Buffy is excited and swept up in her new world. But a worried Willow tells her to be careful and watchful as they don’t know what the Initiative is really all about. Once inside, Buffy discovers that things in the Initiative are need to know only. Riley and his boys just go on mission as ordered and do as they are told no questions asked. But when Buffy comes in to the mix she starts asking questions of Professor Walsh. Questions that are making the Professor more and more uncomfortable – especially about the mysterious ‘314’ as mentioned by Ethan Rayne in the previous episode. Soon, Professor Walsh, thinking Buffy too much of a liability, hatches a nasty plan to send our girl out alone and have her trapped and then killed by some rogue demons. Then, come episodes end, the mystery of ‘314’ is revealed, with deadly consequences.
WHAT’S THE SITCH BENEATH THE SITCH?
The primary theme here is about questioning authority, not just taking things on blind faith. Riley and his boys are trained and conditioned to just do as they are told, no questions asked. But Buffy is the total opposite. She simply has to ask questions, she has to know what she is fighting for. She wants reasons. And they better be good ones. There’s also a weird rather twisted parental thing going on with ‘mommy’ Maggie Walsh and her ‘children’ Riley, Adam, and even Buffy. Maggie wants to create perfect (in her eyes) children who will behave just as she directs them to behave. Buffy does not fit the bill and so needs to be kicked out of the family. Permanently.
WHO’S GIVING US THE WIGGINS THIS WEEK?
Maggie Walsh, Polgara Demons, and Adam.
WHY IT ROCKS
Nasty Maggie. In this episode we realise just how nutty Prof Walsh is. And what she’s been doing all of her demon experiments for. Her cold and calculating attempt to kill Buffy is…cold and calculating. Lindsey Crouse is nicely chilly in her final appearance on Buffy.
Spike needs help. In a lovely reverse of last episode, Spike gets shot by an Initiative tracking dart and needs Giles’ help to escape them and to get the dart out. Let’s just say Giles gets his money back. Heh.
Buffy and Riley’s bonk/battle. There’s a beautifully and rather erotically filmed sequence in this episode which crosscuts Buffy and Riley making love for the first time with them in violent battle with multiple demons.
Willow and mousy Tara becoming closer. Aww.
Willow’s spell to ionise the atmosphere in Giles’s home has an amusing hair raising effect.
It’s a trap! The sequence where an unwitting Buffy is sent by Prof. Walsh in to a deadly trap is great. Watching on monitors, Maggie thinks Buffy has been killed…just as Riley turns up. Maggie tells Riley that something terrible has happened, that Buffy rushed off alone and against orders, and is now dead. As Maggie is busy lying to Riley, Riley sees on the monitors behind the professor Buffy’s grim face appear. Shocked, Professor Walsh turns to see Buffy alive and well as our girl tells her that she’s made a big mistake. And that she’s going to find out what a slayer really is. Yes!
Adam. The secret of ‘314’ is revealed. A huge demon, human, cybernetic hybrid monster stitched together ala Dr Frankenstein’s creation. Though Adam was never my favourite Buffy big bad, he is still a striking looking creation. Kudos to the make-up guys. And to actor George Hertzberg for wearing it well.
WHY IT SUCKS
Buffy wears out her welcome with The Initiative kinda quickly.
Professor Walsh makes a rather hasty exit (due to Lindsey Crouse suddenly deciding she wanted to leave).
I love Buffy but she can be a bit of an unfeeling so and so sometimes. Whenever something new and shiny comes along she’s kinda quick to drop her friends, especially poor Willow. It happened last season with Faith. And look how well that turned out. Still, that’s part of the main theme of this season – the power of true friendship, being more confident, more powerful when with the right people.
Adam. Yes, I know he’s in the ‘Why it rocks!” section above but I’ve always had mixed feelings about him. He looks cool. The basic concept behind him is pretty good (putting science and the supernatural together in to a physical form). But he just always felt kinda flat and lacking in any real challenge for Buffy. Plus there’s no real connection between them. In season one, The Master and Buffy were locked together in prophecy. In season two, Angelus was Buffy’s ex-lover. In season three, Faith is the temptress and the dark reflection of Buffy, and The Mayor is an odd (and evil) fatherly presence. The connection here is between Riley and Adam, not Buffy and Adam. I think Buffy always works best when she has a real emotional connection to the big bads she battles.
Grim-faced Buffy on the monitors behind a shocked Professor Walsh, telling her she’s going to find out what a slayer really is. Go Buffster!
DIALOGUE TO DIE FOR
Willow (about Buffy): “Guess she's out with Riley. You know what it's like with a spanking new boyfriend.”
Anya (re: Xander): “Yes, we've enjoyed spanking.”
Buffy (about Riley's lunch selection): “ ... A Twinkie! That's his lunch? Oh, he is so gonna be punished.”
Willow: (Miserable) “Everyone's getting spanked but me.”
Buffy: “You said it was big. You told me, but you never said it was huge!”
Riley: “Don't like to brag.”
Walsh : “You might want to be suited up for this.”
Buffy: “Oh, you mean the camo and stuff. I thought about it, but on me it's gonna look all Private Benjamin. Don't worry, I've patrolled in this halter many times.”
Buffy (grim-faced on monitors): “Professor Walsh? That simple little recon you sent me on — wasn't a racoon. Turns out it was me, trapped in the sewers with a faulty weapon and two of your pet demons. If you think that's enough to kill me, you really don't know what a Slayer is. Trust me when I say you're gonna find out.”
AND ANOTHER THING
Professor Walsh’s exit feels rushed for a good reason. Lindsey Crouse suddenly decided she wanted to leave the show, forcing the writers to bring forward her demise by several episodes. A shame.
HOW MANY STAKES?
The Team works. 3 (out of 5)


Taraki often conducts research into a range of activities to help develop, share and progress knowledge around mental health in Punjabi communities.
Taraki and Ox-Boy Productions worked together to create What Could Go Wrong, a short film focusing on mental health and wellbeing with a particular focus on Punjabi men.
The film follows the main character Ekam and his journey as he is invited to a friend’s gathering. The film follows Ekam’s thoughts, feelings, and reflections on everything that could possibly go wrong. The short film won Best Short at a film festival and has been screened in Birmingham and London. This insight report shows you how the film was made and its ongoing impact.


Isa trying to nap
Geo wanted to hold her and she went
to sleep tucked in his arm as you can see.
Sally didn't want anything to do with Isa
but Daisy really liked her. Aren't they
cute nose to nose?
You'd think they were Mom and daughter.
Last but not least, here's my guys
drawing and painting pumpkins
in the studio.
On Saturday, we went to the movies and saw Johnny English Reborn. I loved it! It was definitely my kind of movie--somewhat silly and clean but with a good story. Johnny English is a cross between James Bond and the Pink Panther! I haven't loved a movie that much in probably 20 years. I'm sure it's not for many folks but it sure made me laugh!
When we left the movie, I got to thinking that if this movie has "Reborn" in the title, perhaps there was one before it so I Googled it. Sure enough, there was one released in 2003. We looked it up on Apple TV and found out that we can rent it for $3.99. I'm dying to see it but we're going to wait until Preston and Triston come stay again so they can watch it too.
With Johnny English Smiles,


Learn the kind of 3D techniques that go into making films like Toy Story and Finding Nemo.
In this class, you will learn a range of skills that include modelling, lighting, and rendering, with a specific emphasis on animation.
No prior experience is required, as the class is suitable for the absolute beginner. The software used is the free and open-source Blender package, which you can download and use at no cost at home.
- Thursdays, with John Davis, 7-9 pm
- Autumn term: £48, Spring term: £44; Autumn & Spring: £87, Summer: £40
- Nightly fee: £3.20 (£2.50 cons)


Home literature study guides antigone the oedipus plays character analysis antigone is oedipus's daughter and the niece of creon, who is the new king of thebes. Analyzing creons speech ruler of thebes in the middle of a war, creon wants order and loyalty above all else he cannot bear to be defied. The arrogance and hubris of oedipus and creon - in ‘antigone this in-depth analysis of tragic heroes lead aristotle to create six criteria for. Based from the analysis of the play, creon’s being a tragic figure is questionable antigone, creon and the city of athens hold a different perspective altogether. Character analysis of creon after all of the confusion and corruption occurred, there is a new king for thebes and that is creon in the greek play, antigone written. In antigone, written by sophocles, creon dominates the play with his powerful yet arrogant personality even though antigone is the name of this play, creon, the ruling king of thebes with a. Oedipus p 3: wiki home creon provides information about oedipus's fate and how he was supposed to kill his an analysis of creon one of the main characters.
Oedipus the king, analysis download afraid of the end of his country, oedipus sent his brother- in- law, creon, to seek the advice from apollo, the god prophecy. Everything you ever wanted to know about creon in oedipus the king, written by masters of this stuff just for you. Name: _____ antigone worksheets answers prologue 1 what information does antigone give to ismene at the beginning of this scene creon has declared that anyone who buries polynieces will be. Detailed analysis of in jean anouilh's antigone learn all about how the in antigone such as antigone and creon contribute to the story and how they fit into the plot. Antigone's uncle, the powerfully built king creon is a weary, wrinkled man suffering the burdens of rule before the deaths of oedipus and his sons, he dedicated.
Over time, history has given society many to whom we call true heroes there are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. Antigone: character profiles, free study guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information. The tragedy of power in sophocles’ antigone august 11 creon honors the brother who defends thebes but forbids the removal of the corpse of the second.
Creon essay sophocles' antigone before one can analysis the character of creon they would first have to look at the story of oedipus the king. Learn about creon (pancrelipase capsules) may treat, uses, dosage, side effects, drug interactions, warnings, patient labeling, reviews, and related medications. When we first see creon in oedipus the king, creon is shown to be separate from the citizens of thebes take the analysis of major characters quick quiz.
For anouilh's antigone, the obvious antecedent will be sophocles' play of the same name for others, antigone's eventual acquiescence to creon's revelations. Antigone character analysis: but in the darkness i can hear them talk—the city is upset about the girl” he goes on to say to creon the he. Antigone character analysis essay character analysis of antigone and creon in william shakespeare´s antigone 1144 words | 5 pages antigone and creon. Creon (/ ˈ k r iː ɒ n / greek: κρέων, kreōn) is a figure in greek mythology best known as the ruler of thebes in the legend of oedipushe had four sons and three daughters with his wife.
Antigone analysis - literary techniques creon also cares a lot about his reputation, and abuses his power with the intention of forcing others to think as he does.
Creon character analysis this scene begins as creon is claiming his right to the throne after the death of both polynices and eteocles after doing so, he states that. I agree with you on the gender inequality, especially considering the time period that this play was written creon will be a tyrant no matter what. Meaning of the name creon, analysis of the name creon and so much morewhat does creon mean and its numerology, definition, origin, popularity and very interesting information. Character analysis of creon from the oedipus essay writing service, custom character analysis of creon from the oedipus papers, term papers, free character analysis of creon from the oedipus. Character analysis of creon from the oedipus essay writing service, custom character analysis of creon from the oedipus papers, term papers, free character analysis. Start studying antigone part 2 analysis learn vocabulary, terms, and more with flashcards, games, and other study tools.
Antigone study guide contains a biography of sophocles, literature essays, quiz questions, major themes, characters, and a full summary and analysis. In the play “antigone”, sophocles at first portrays creon as a just leader he has good, rational reasons for his laws and punishments by the end of the play.


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Work.Life. with Xaya.
Meet Xaya: Musician, General Music Assistant and full-time Schwan Locke resident. We met with Xaya to learn all about her life in the city and the inspiration behind her music and writing.
Work.Life. with Liv Little.
We caught up with Liv Little (she/her) at Locke at Broken Wharf, ahead of the release of her debut novel, ROSEWATER.
Work.Life. with Jade de Robles Rossdale.
Award-winning Creative Director Jade de Robles Rossdale gives us the lowdown on her inspirations, relocating to the Irish capital, and her first few weeks at Zanzibar Locke.
Work.Life. with Mike Will.
Visual storyteller and long-term Bermonds Locke resident Mike Will tells us his story.
In conversation with Graham O' Donnell.
Coming to Dublin December 2020, Zanzibar Locke strikes the perfect balance between heritage and modernity. Here’s the story behind its design.
In conversation with Briana Pegago, creative director.
Ellie Morag chats with Creative Director Briana on what inspires her about Edinburgh.
In conversation with Ted Simpson, filmmaker.
Meet Ted, filmmaker and director at film production studio Just Trek.


The cast of Castleconnor Drama Group are busy rehearsing this year’s play “When Your Number’s Up” a two act comedy set in the village of Carrowansheen in rural Ireland in 1990s.
The show is directed by Seamus O’Dowd and takes place in The Community Centre, Castleconnor on Friday, Saturday and Sunday, March 6-8 at 8.30pm sharp. Admission is €10 and doors open at 7.30pm.
This fast moving production is full of twists and turns with a wide range of characters and personalities, typical of rural Ireland. The story line evolves around Thomasheen Hare and his wife Bessy and their distressed cash flow.
Frank Barrett plays Thomasheen while Greta Harrison plays Bessy, his long-suffering wife. Bessy’s life is thrown off course somewhat when the local postman, Jack Long, played by John Ruane, delivers a registered letter demanding full repayment of an outstanding debt to the Hare residence.
Bessy has to think quickly on a plan to deal with the situation and she comes up with a scheme that has hilarious consequences.
Pauline Boland plays Thomasheen’s sister, Laurie-Ann, home from America and she is accompanied by her husband, Albert, played by Mick Egan. This pair is intent on making their presence felt with their side-splitting antics.
John Judge is back on stage this year playing the part of Dickie Browne, who is a rogue and always in search of a bit of a bargain!
Bill Dooher, played by Michael Barrett, is the ever-caring neighbour of Thomasheen and Bessy but as this play unfolds, Bill sees a side of Thomasheen that he had not been expecting.
Mary Kate Higgins, the village gossip, played by Breege Cahill, who is intent on trying to keep her son Mickie, played by Ciaran Connor, out of bother. However, Mickie discovers that there is a “trade lost in him” as the plot unfolds.
Andy and Packie, the Conway twins, played by Larry Jones and Donal Mulkeen, are local bovine reproduction engineers (with a difference) and bring their own humour to the show.
Padraig Connor, played by Tom Tuffy, is the local Publican, County Councillor and Undertaker, who is in for a shock when a removal does not go exactly to plan.
Grainne McLaughlin plays Geraldine the bar maid in Padraig Connor’s pub and she has her hands full when Dickie Browne and the Conway twins drop in for their customary mid morning break. The group is delighted to welcome Grainne on her first appearance with the group.
Rita Dooher, played by Rachel Naughton, is a young daughter of Bill Dooher who has come to give Bessy a hand with entertaining her visitors.
Rachel has already appeared in a number of pantomimes with the group and this is her first appearance as a cast member of the group’s main production. The group is also delighted to have her on board for this show.
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The Broadway veteran played the lead female role, Kei Kimura, when the musical made its premiere in 2012 at the Old Globe in San Diego. She will reprise her role at the Longacre Theatre starting this fall.
Takei’s “Allegiance” is a multigenerational tale with two love stories that is framed by a Japanese American war veteran looking back on his family’s time at Heart Mountain Relocation Center during World War II.
“Allegiance” features music and lyrics by Jay Kuo and a book by Marc Acito, Kuo and Lorenzo Thione. It is being directed by Stafford Arima, whose own father was interned in Canada during the war.
Previews begin Oct. 6 with an opening set for Nov. 8.


American Crime Story
— Netflix — 1 min read
Kana and I recently watched the American Crime Story Season 1 about O. J. Simpson's trial.
It was kind of weird to watch this. I was 7 or 8 years old when all of this was happening so I remember bits and bites but nothing particularly meaningful. I remember the aquittal, if it doesn't fit you must aquit, and that this case was all people were talking about for ages.
I really enjoyed the dramatization and found it really entertaining to just constantly fact check various things happening in the show. There are a ton of moments in the show where I was positive that couldn't have happened in real life only to see it actually did.


A review for the latest episode of It's Always Sunny In Philadelphia (season 12, episode 1): The Gang Turns Black
This is a poll just to see which It's Always Sunny In Philadelphia season 12 episode the community is most looking forward to.
We all love Mac and it doesn't really matter if he is gay or not, but do you think he is really gay?
With season 12 just around the corner, we're wondering how many fans out there have not seen all of season 11 of It's Always Sunny In Philadelphia yet. Please participate our poll.


Sony-Marvel movie ‘Madame Web’ will shoot in the Boston area this month
Massachusetts is about to get another preview of Marvel superhero movies: Sony’s “Spider-Man” spin-off “Madame Web,” which stars Dakota Johnson (“Fifty Shades of Grey”) , will begin filming in the Boston area this month.
“Madame Web,” which is being produced under the working title “Claire,” is set to begin filming on July 11 and continue through September, according to a source familiar with the production.
Although little is known about the specific filming locations, The Register of Patriots reported that “Madame Web” will shoot scenes in the Hangout, a 33,000-square-foot former jet hangar that was used in recent blockbusters like “Free Guy” and “Don’t Look Up,” as well as other films shot in Massachusetts such as “Patriots Day”, “Stronger” and “Ghostbusters”.
“Madame Web” is part of Sony’s Spider-Man Universe, which works in conjunction with the Marvel Cinematic Universe and features films like “Venom,” “Morbius” and the upcoming “Kraven the Hunter.” The recent “Spider-Man” trilogy starring Tom Holland as the web-slinger was a collaboration between Sony and Marvel Studios, while the other aforementioned films are handled exclusively by Sony.
Johnson will play the titular Madame Web, who in the Spider-Man comics was a blind, clairvoyant woman who lived in a complex spider web-like survival system. Alongside Johnson, “Madame Web” will feature Emma Roberts (“We’re The Millers”), Sydney Sweeney (“Euphoria”), Celeste O’Connor (“Ghostbusters: Afterlife”), Isabela Merced (“Transformers: The Last Knight”), and Tahar Rahim (“The Mauritanian”), according to Deadline.
Kendall Cooper Casting, which posted a casting notice for “Claire” in early June, is looking for local extras “of all ethnicities, ages, genders and sizes” in the Boston area for the film.
Boston-area residents hoping to be cast as extras must complete a full application that includes two recent portraits and must be able to commit to one to two days of work lasting more than 12 hours.
Additionally, the casting company is looking for cars from the year 2003 or earlier to use in the film. Michael Indelicato, a local movie pro who works primarily as a driver, posted a request on Facebook in June to rent a 2000-2003 Dodge Viper to use in the film — for $1,000 a day “plus a brand new set of tires “.
“Madame Web” won’t be the first superhero movie to shoot in the Boston area. Marvel’s upcoming sequel “Black Panther: Wakanda Forever” visited Worcester and Cambridge to film scenes last summer.
“Madame Web” is tentatively set to be released on July 7, 2023.
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I was humbled to be asked to make a presentation on writing dialogue for the Ballarat Writers Member’s Night this month. I hoped to give some advice on how a fiction or creative non-fiction writer might absorb some of those methods into their own to make their dialogue pop.
For those unfamiliar with the process of playwriting, please see my earlier blog post, which I reprised for the presentation. We were able to indulge in some tangents about altering works like Shakespeare for modern interpretations, how copyrights work with living playwrights and why it’s problematic to teach classical play scripts as part of a literature/English curriculum.
When your playscript is ready to be abandoned (I won’t say finished, because it never is!) it is given to the director, actors and producer to enliven your writing. So how exactly do they do that? Everything the director and actors needs to know about the story is hidden in text by the playwright — both intentionally and unintentionally. The playwright would have spent hours imagining, if not actually writing, about the whole world of the play. I do things like make a ‘mood board’ style collection of images of characters, settings, colours, objects or anything that speaks to the world of the play. I often write out descriptions of the set, make a timeline or history of the plot, make character profiles, and note all the things that must have happened in the world of the play between each scene which is written in the text. All those details will inform the text, but don’t appear in the text itself. Basically, anything that you are not willing to have compromised by the director or actors, you include as a clear directive. These are called stage directions and are usually notes about actions you want the characters to do (called ‘business’), technical notes such as music or lighting changes, or notes about delivery (for example noting that a particular line of dialogue should be said ‘sarcastically’). Everything else must be up for interpretation.
Let’s work an example. Here’s a piece of script. See how much information you can infer about the characters, setting, time of day, background of the world etc.
Bushman: Where’s that loaf I swapped the zucchinis for at the market yesterday?
He turns away from the stove and is distracted by the painting of his wife.
Daughter: Dad! Dad!
Bushman: (to himself) I love it how the morning sun catches –
Daughter: Dad, you’re burning it!
Bushman: Oh, sorry darl.
Daughter: Ugh. It’s too far gone. I said I would do it myself.
Bushman: I’m sorry –
Daughter: I don’t know why you think you have to be all domestic, Dad!
Bushman: I’m just trying my best, okay?… How about I do you some porridge instead?
Daughter: Nah, it’s okay.
She looks at her mother’s portrait.
Daughter: You don’t make it right, anyway.
Bushman: I know. I miss her too.
Now, compare to the same scene as prose.
The farmer put the pan on the heat and turned to get the bread from the bench, his wife’s sultry stare catching his eye. The portrait took pride of place over the dining area, facing the morning sun-soaked window and it seemed to him that wherever he went in the room, she was watching over him. He was trying to live up to her standards, trying to fill the gap she had left in her daughter’s life, but that gap was within him too. His daughter was calling his name, but it was the sharp smell of burnt bacon that smacked him out of his reverie. She inspected it, but it was too far gone. He should have let her do it herself, like she has said.
‘How about I do you some porridge instead?’ he asked her.
‘Nah, it’s okay,’ she replied, dismissing him.
But he felt like it wasn’t okay. It wasn’t okay that she had to grow up without a mother now.
Both have merit. It’s not about one way being better, but about deciding how much of a picture you want to paint, versus how much you’d like to reader to make up for themselves. The enlivening of playscripts is one of the parts of playwriting that I love the most. It’s fascinating to watch your work evolve and be interpreted in different (sometimes better) ways. We’ve all read books and drawn a picture of the hero in our mind, and when the film adaptation gets made they look nothing like our imagination. For some of you that prospect will terrify you. You want to have orchestrated every image, down to the length of the hero’s eyelashes. But some of you will enjoy the idea of allowing space for the reader to become a co-author of their own version of your text.
But for dialogue to hold its own, I would argue that it still needs to tell the reader things they need to know, without relying on the prose. If it’s simply a bonus to the prose, and doesn’t move the plot forward or reveal any details about character, why have it there at all?
So, what are the benefits of using dialogue in prose if you don’t have to? We talked about using dialogue to bring immediacy, naturalism and a sense of action and pace to the story. Dialogue can build familiarity or trust in the characters, especially if you have an unreliable narrator. Or, it can serve to add depth to character by seeing them say what they don’t mean and witnessing social, cultural or power differences between characters at play.
And what makes for good dialogue? We agreed that verbatim speech patterns were a no-go and that dialogue must be a stylised version of reality. Dialogue that moves the plot forward, deepens understanding of character or reveals something previously unknown was key.
Something I am still working on is the character’s unique voice. Every character sounds like a version of me when I first write dialogue. I’ve even had audience members who know me say they could ‘hear me’ when they watched a play of mine — and that was after several script development sessions with actors, and a director (not me) and actors rehearsing it for months.
So how do you stop all you characters sounding like you?
- Build a strong character profile — education, parent’s ethnicity/accents, place of birth, age, class, culture and pop culture/interests can all inform a character’s speech patterns.
- Consult. Talk to people who are like your character. Listen to them speaking and include those inflections, sentence structure, slang or idioms into your writing.
- Read it aloud. Firstly to yourself. When you’re ready, have it read aloud by others. Friends, family or fellow writers are okay. But I strongly suggest having actors to read your work, with a different actor playing each character and another person reading the prose. You mustn’t read a part. Record it so you can listen back later. This gives you an objective hearing of the work.
My key tips for writing dialogue like a playwright.
- Say more with less. Make sure your dialogue moves the story forward and stands alone without the prose. Look at details doubled up in prose and dialogue — choose one or the other.
- Remove the author’s voice. Make sure all your characters sound idiosyncratic.
- Get it read aloud by actors.
- If you love dialogue that much, maybe you should just be writing a play…
Megan Riedl is a Ballarat-based arts management professional and independent theatre producer, with a creative practice in poetry, playwriting and directing for the stage. She’s had six plays produced by independent and community theatre companies and poetry included in Minerva Speaks and Weathering The Future projects. She can be seen performing poetry at Words Out Loud and will be directing ‘Medea’ for Ballarat National Theatre in September.


On April 30, 2019 Peter Mayhew passed away at 74 years old. The seven foot three inch actor most famously played Chewbacca, a two hundred year old Wookie warrior in the Star Wars movies.
Peter William Mayhew￼ (19 May 1944 – 30 April 2019) was an English-American actor, best known for portraying Chewbacca in the Star Wars film series. He played the character in all of his live-action appearances from the 1977 original to 2015’s The Force Awakens before his retirement from the role.
His very first acting role was a year earlier in 1975 when he played the Minaton huge half-man half-bull bronze creature in Sinbad and the Eye of the Tiger.
An uncredited Peter Mayhew is the live suit actor stand-in for the stop-motion Minaton (the bronze mechanical minotaur), whose name is a portmanteau of “minotaur” and “automaton”. Before filming, Mayhew was working as a hospital attendant at King’s College Hospital in London.
Producer Charles H. Schneer saw Mayhew’s photo, in which he was literally standing above the crowd around him. Filmed in 1975, this was Mayhew’s very first role, right before playing his more famous role of Chewbacca in Star Wars: Episode IV – A New Hope (1977), filmed in 1976. Both films were released in 1977 (but ironically, “Star Wars” was released three months ahead of “Sinbad and the Eye of the Tiger”).
Peter, unusually tall due to an overactive pituitary gland, was the tallest member of the Star Wars cast.
At 7ft 3in – the result of an overactive pituitary gland – Mayhew was the only person on the film set who towered over David Prowse, a 6ft 5in bodybuilder who was cast in the role of the evil overlord Darth Vader.
According to USA Today, the family statement said:
“He fought his way back from being wheelchair-bound to stand tall and portray Chewbacca once more in “Star Wars: The Force Awakens,” … “He also consulted on (“Star Wars: The Last Jedi”) in an attempt to teach his successor.”
Wikipedia says Peter died of a heart attack on 30 April 2019 at his home in Boyd, Texas.
According to the Daily Mail, a study of 1.6 million men found that those over 6’2″ were more likely to develop blood clots that lead to heart attacks.
In playing the original Wookie, Peter studied the movements of bears and gorillas. The huge success that Star Wars would become was unknown at the time he auditioned for the role.
Mayhew went on to audition for Star Wars. As an independent production from a young filmmaker, there was no particular reason to believe that the film would bring him any more fame than had the Sinbad picture. The audition process was famously loose—Mayhew and fellow tall man David Prowse were both considered for the roles of Chewbacca and Darth Vader. Legend has it that Prowse asked to play the villain under the assumption that his face and voice would be used. Mayhew, meanwhile, studied bears and gorillas at the zoo in order to develop movements for the Wookiee.
According to some sources the giant actor became a multimillionaire, while other sources cite his net worth at half a million.
Peter Mayhew was a British actor and comedian who had a net worth of $5 million at the time of his death in 2019.
I’d expect the larger amount for his Star Wars character being so well known. I’ve never thought of net (financial) worth as being worth mentioning but did find the discrepancy interesting and noticed it when “net worth” was one of the top search terms related to his name.
Here are a few Star Wars scenes to enjoy as we remember Peter.


Hollywood Special: Making A Book Into a Movie with 50 Shades Producer Mike DeLucaMay 18, 2022
Mike De Luca has, arguably, more experience than anyone else out there when it comes to turning books into movies: three of the four times he's done it (for The Social Network, Moneyball and Captain Phillips), he has been nominated for an Academy Award for Best Picture and the one time he wasn't nominated for one of his book-to-film adaptations, it was for a little movie called 50 Shades of Gray. He's done several other million things in his career, including discovering Paul Thomas Anderson and David Fincher and running New Line studio at the age of 27.
But in this episode, we focused on the process of turning a book into a movie—including how producers find out about the books they end up adapting, how much control the author has over the movie and how much money they can make, among many other topics.
How Do I Get My Book Made Into a Movie?


The documentary film, being created by feminist and filmmaker Cassie Jaye. The film called “The Red Pill”, documents the Men’s Rights Right Movement and sheds the light on the issues that men face into today’s society.
Feminists of course, see this as an attack on them personally and want to shut it down. As usual, when something is not about them or links feminism in a bad light, which this film points out how, when, why and how feminism has taught people to think that men are the boogy man and gives a glimpse to who the real bad guy is.
(Sneak Preview Here: https://www.youtube.com/watch?v=HK7n_XA40V8 )
For decades, men have been fighting for men’s rights, but until now men’s voices have not been heard. This film is a must see for anyone who wants to learn the truth about feminism and the Men’s rights movement.
Question you may want to ask yourself;
Do you know of a father who was denied custody to his children?
Do you know of a father who was denied custody to his children and the mother is abusive?
Do you know any man who has committed suicide?
Do you know any man who was homeless?
Do you know of a man who has been sent to jail for not paying child support because he couldn’t afford to?
Do you know of a man who was denied the right to be a father because the mother didn’t want to be a mother and got an abortion?
These are just some of the issues cover in the film. I for one, think this film is due, and encourage everyone, feminist, MRA, or neutral to watch.
That is, if the feminists don’t shut it down. After all, we can’t have free speech can we?


PQA Red Group (teenagers) are no strangers to entering film competitions. Having won the LIGHTS ACTION PARLIAMENT competition last year, this year they aimed higher and entered 3 films into the FILMNATION SHORTS competition run in association with The Olympics. Their task was to make a three minute film on one or more of the Olympic values. Two of the three films we entered called “Sean” and “I’m Sorry I Love You…” have been shortlisted as finalists in different categories.
“Sean” a film about the inspiration a brother who died, has been, and continues to be to a younger sister, has been nominated in the last eight of the Film of The Month category having won Film of Month for December 2011. “I’m Sorry I Love You…” a film about the courage it takes to leave an abusive relationship, has been shortlisted in the last 3 of the Best Fictional Drama 14-18yr old category. Both Films by simply making the final Awards Ceremony in July have already won a prize, which is for both of them to be shown around the country, on all the live Olympic screens during the Olympics. PQA CHELTENHAM ARE GOING TO THE OLYMPICS!!!!
We are so proud of both groups who made these films, and who are looking forward to attending a glittering awards ceremony at The British Film Institute on July 04th. They are already winners, and deserve to have the most fantastic day. GOOD LUCK RED GROUP!


The BF Artist Film Festival is a critical platform for artists working with moving image. Open to national and international artists, the festival programme is selected via open call.
Despite it's current prevalence in degree shows, commercial exhibitions and international biennales, video art can still be overlooked in a gallery setting. The BF Artist Film Festival was established in 2016 to give artists working with moving image the opportunity to have their films screened in a cinema setting where they could be watched in their entirety. The festival partners with artist-led spaces aiming to offer multiple and varied screening opportunities to selected artists while engaging new audiences.
The BF Artist Festival has previously partnered with The Bomb Factory Art Foundation, Art Week Exeter, SET, east bristol contemporary, serf Leeds, GRAFT Lancaster, Nottingham Trent University, nodoCCS Venezuela, Pixelache Festival Helsinki, and Art Licks, London.
The BF Artist Film Festival acknowledges that it is increasingly difficult for emerging artists to operate as the price of studios and further education continues to rise. The Festival works to address this by keeping application fees to a minimum, and providing a supportive network to promote emerging and early career artists working within the field of moving image.
If you would like to host the next BF Artist Film Festival, or have any other suggestions or questions about the project please use the form below to get in touch.


Kuris Theatre Festival to Mark Arts Month
National Arts Month this February in Bacolod City will be marked by Kuris Theatre Festival among other culture and art activities in the city.
Kuris Theatre Festival is organized here by The Performance Laboratory and Teatrokon: West Visayas Theater Network in collaboration with the International Theater Institute–International Playwright’s Forum, and Women Playwrights International-Philippines and through the support of the National Commission for Culture and the Arts and University of St. La Salle which will be launched on February 20 at the SM City Bacolod Main Atrium.
The Kuris Theater Festival aims to establish community and university-based theater groups, as part of Philippine culture, to serve as one of the pillars for sustainable development; advance creativity and diversity of artistic expression through an acquired knowledge on Dramaturgy; educate and train potential young artists and writers on playwriting and dramaturgy to develop young Filipino playwrights, dramaturges, and theater managers; and; showcase works of local theater groups to strengthen regional networking and collaboration; and open opportunities for international linkages and exchange.
During the three-day festival on February 23-25, there will be free workshops on Dramaturgy, Management of Theatre Organizations, and Playwriting Development Workshop for Emerging Playwrights as well as presentations of various performances of the university-based and community–based theater groups in Western and Central Visayas.
The festival which now runs on its 4th year, has been a venue for increasing the awareness and knowledge of theater artists on the study and practice of Playwriting and Dramaturgy, as it hopes to establish a stronger worldwide network of playwrights and theater organizers.
These performances will be composed of original works and/or adaptation. Workshops however are open on limited slots. Interested parties may call, inquire or reserve at (034) 4334764 and 0916-648-1009.
On February 20 and in line also of the National Arts Month celebration, there will be a press launch at The Negros Museum on other NCCA-initiated projects in the Visayas.*(JCM/EAD-PIA6 Negros Occidental)


Overview: The Great Gatsby
The novel's events are filtered through the consciousness of its narrator, Nick Carraway, a young Yale graduate, who is both a part of and separate from the world he describes. Upon moving to New York, he rents a house next door to the mansion of an eccentric millionaire (Jay Gatsby). Every Saturday, Gatsby throws a party at his mansion and all the great and the good of the young fashionable world come to marvel at his extravagance (as well as swap gossipy stories about their host who--it is suggested--has a murky past).
Despite his high-living, Gatsby is dissatisfied; and Nick finds out why. Long ago, Gatsby fell in love with a young girl, Daisy. Although she has always loved Gatsby, she is currently married to Tom Buchanan. Gatsby asks Nick to help him meet Daisy once more, and Nick finally agrees--arranging tea for Daisy at his house.
George Wilson--who discovers that the car that killed his wife belongs to Gatsby--comes to Gatsby's house and shoots him. Nick arranges a funeral for his friend, and then decides to leave New York--saddened by the fatal events and disgusted by the easy way lived their lives.
Wealth as an Exploration of the Deeper Qualities of Life: The Great Gatsby
The power of Gatsby as a character is inextricably linked with his wealth. From the very beginning of The Great Gatsby, Fitzgerald sets up his eponymous hero as an enigma: the playboy millionaire with the shady past who can enjoy the frivolity and ephemera that he creates around him. However, the reality of the situation is that Gatsby is a man in love. Nothing more. He concentrated all of his life on winning Daisy back.
Beyond Enjoyment?: The Great Gatsby
In the closing pages of The Great Gatsby, Nick considers Gatsby in a wider context. Nick links Gatsby with the class of people with whom he has become so inextricably associated. They are the society persons so prominent during the 1920's and 1930's. Like his novel The Beautiful and the Damned, Fitzgerald attacks the shallow social climbing and emotional manipulation--which only causes pain. With a decadent cynicism, the party-goers in The Great Gatsby cannot see anything beyond their own enjoyment. Gatsby's love is frustrated by the social situation and his death symbolizes the dangers of his chosen path.


Written and directed by J. Cameron Keenum, 12 Til Dusk is a compelling and modern “Western” that mixes gangsta and mafia cultures with the energy of an Old West saga. ‘Dusk” is an action/adventure story of bad-guy-goes-good-to-save-his-family and, against all odds, becomes a decent human being. My favorite character in the film is Shifty, played
Last night I went to a workshop by Emily Best of Seed & Spark and hosted by UWIF to talk about the Crowd funding for Filmmakers. I thought I knew everything there was to know about crowd funding but Emily had some great insight and ideas I had not considered before. Seed & Spark: http://www.seedandspark.com/ Utah
Saturday night I joined the cast and crew of “NIGHTBLIND: Beneath the Alien Plains” for a sneak preview of the short film before it starts making its way around the film festival circuit which hopefully includes the Filmed in Utah Awards. This short film has built a foundation for an action packed feature film which
The Filmed in Utah Awards submission deadline is just around the corner. December 31st marks the end of regular submission ($20/ category) and January 31st is the cut off date for the late submissions ($30/category). Music videos, Short/Feature films, Commercials and Series that have been broadcast publicly for the first time in 2013-2014 are eligible.
When I was working at Salt Lake Community College, one of my jobs was to teach a class on PRODUCING. Now that I am no longer teaching at SLCC there is no one teaching PRODUCING in the state. So I am going to start sharing some videos from my producing class with you just for
The Online Awards and Film Festival will take place at the Infinity Events center in Salt Lake City Utah. Free tickets to the show can be picked up here: https://www.eventbrite.com/e/online-awards-film-festival-tickets-13806647053 If you want to enter a film into the competition, you can enter here: https://filmfreeway.com/festival/OnlineAwards The festival is January 17th, the weekend before the Sundance Film Festival.
The first ever Utah Music awards took place at the Covey Center in Provo Last night. Over 300 attendees took part in the inaugural event. 15 awards were presented by country superstar Nathan Osmond, and Amy Whitcomb from “The Voice” and “The Sing-Off”. Album Love Matter – VanLadyLove Alternative Shrink the Giant Artist under 18
By Warren Workman – Salt Lake City – Go Films announced today that due to the success of SAINTS & SOLDIERS: THE VOID’s opening weekend, the film will remain in all its opening weekend theaters and open in additional theaters on Friday, August 29. The film is currently playing in all Megaplex theatres throughout Utah and southern Nevada. On August 29,


Swimming with Seals (Wilder) | 2015
“Swimming with Seals” is a short documentary profiling wild swimmer Gill as she swims with seals near her home on the Isle of Skye, and deeply connects with nature. The poetic film details her introduction to wild swimming and the sensations and emotions of this sunset swim filmed in May. Comprised of conversational dialogue and images of the deep blue scenery, this film is part of the WILDER series (wilderdocs.com), profiling people with a strong interaction with nature. Our aim is to inspire you to explore your local environment, and rediscover your more wild life.


Some of us fell in love with Queen Latifah through her work in films like Beauty Shop and The Cookout while others first got turned on to her rapping in the early 1990's, or her leading role in Living Single. Still others may think back to her powerhouse performance as a bank robber in Set it Off. Wherever you first saw Queen Latifah, she is one of those actresses that can hold her own with any other performer and look good doing it. From rapping to singing to acting, Queen Latifah is one of the most talented female performers of her era.
Now if you haven't been keeping up with her distribution on-goings, go ahead and add "accomplished business woman" to that list of qualifications, as the Queen has recently signed a deal with Netflix to offer exclusive content from Latifah's company, Flavor Unit Entertainment,
What this means is that all of the films and other content owned by Flavor Unit Entertainment will be released through Netflix, and Netflix alone, beginning in 2013. This includes a lot of existing films like Beauty Shop, The Cookout and Bringing Down the House, while also including upcoming films like Percentage and House of Bodies.
This isn't so surprising considering Netflix's recent efforts to bring original content to their service rather than waiting for content to go through the theaters, television and DVD before eventually making its way to Netflix. Starting with properties like Kevin Spacey's House of Cards, Netflix is looking to produce and distribute original, high quality content and change the way we think about original video on the web.
Of course, if you want to watch not just Netflix, but a wide range of programming from all the top networks, check out DirectTVDeal.com. Although Netflix may have exclusives from Queen Latifah's company, there are still a lot of early movies and shows from the star that you can only see on TV.
Queen Latifah has defied all odds to become one of the most bankable stars in the world. Unwilling to take unsatisfactory "girlfriend" roles in order to climb the ranks and debuting as a black movie star when there weren't very many black movie stars, Latifah has proven that it's better not to look and act like everyone else if you want to prove how exceptional you are. Netflix is, of course, eager to stand behind content starring and produced by the actress, while Latifah herself calls Netflix the "perfect" platform through which to launch new movie properties.
Meanwhile, companies like HBO seem at a loss for how to make the most of the web situation. HBO has famously suffered record piracy of the series Game of Thrones largely because of a failure to give the show a web presence, forcing users to either spend money on the premium cable package, or simply download the series for free. By offering original content to all subscribers, Netflix is proving to be one of the reigning kings of media in an age when everyone from studio execs to musicians are having trouble figuring out how to make money from their content.
Hugh Luman is an avid TV viewer. He writes about his favorite shows and the latest industry news for a variety of entertainment blogs.


FIM & TV
My involvement with music for film and television has evolved over the last twenty years to become my dominant creative work, and I’m always happy to be considered as a composer for new productions. Please get in touch if you’d like to talk about a specific project or need to hear examples of my music.
I’ve also art directed numerous music videos and TV commercials, created set designs, and performed in some productions. I’ve arranged my list of credits for these different areas in the following sub categories (on the right side of the pull down menu bar)


Artists Oskar and Gaspar are digital projection artists, meaning with the click of a button, they can transform the ordinary into the extraordinary. Anything blank can suddenly turn into something beyond your wildest imagination, bright in color and with movement. Their vision? To turn a human body into something magical.
This duo is also something special because as per the people on stage, no one has ever seen them. When Mel B asks if they’ll ever get to see them, the men simply state that the crowd will be able to meet their vision.
After a quick exchange with the judges, the group chooses to call upon Heidi to take the stage with them; she is the “chosen one” to be a part of their artistic endeavor. At first, she wasn’t too convinced. She sat there, wide-eyed, not wanting to go up. But, she’s a good sport, so off she went to help out with this act!
They take her backstage, and then Heidi comes out, dressed in white and unsure of what she’s gotten herself into. She’s up there saying, “Why did they pick me!?” The crowd laughs, she stands firmly, the lights go down, and the show starts.
What happens next is stunning. All eyes are on her, as her outline starts to glow. The music is upbeat and funky, and the projections start to roll on – Heidi is transformed into Mel B, then she takes on the appearance of Simon! She becomes a tiger, a snake, a psychedelic kaleidoscope of color and movement – all while standing still. There is no movement, no costume changes; it’s all just the magic of a projected light show. Have you ever seen something like this before? It’s truly mesmerizing. Needless to say, the judges and audience were taken aback with delight! I hope to see more from Oskar and Gaspar!
Click below to have your eyes glued to your screen.


In term 3 we learnt how to do dance with Mrs Jones and how to do drama with Mrs Hull. I did not have a clue what to do, I used to do random stuff when I was dancing by myself.
I put my learning at multistructural because we used some of the elements of drama. The setting was at St James Park. Oliver, Ethan, Campbell and I were the playwrights because we wrote the play. It turned into a funny play.
The characters were Jordan, Oliver, Ethan and Campbell. We had some disagreements when it came to deciding what to do. In the end we worked together. We had to get the props and costumes or all of us to use.
We included dialogue by talking to each other, so we had look at each other in the eyes, so we could see when we were listening and needing to speak next. We were trying to be funny to entertain the audience. We had fun making the whole crowd laugh at what we were doing with our body language.
When I was trying to figure an idea by myself, I could not figure one out what was in my head, but when we were in a group with four kids, I finally got the idea out of my head.
My next step is writing a play that includes a protagonist and antagonist character to get me to relational.


NEW WORKS FESTIVAL (GROUND AND FIELD THEATER) at The UC Davis Theater Department Directed by Mindy Cooper, Danika Sudik, Lisa Quoresimo, and Tom Burmester
Role of Ethan in the new musical Fat Kid Rules the World directed by Marc Eardly (in pre-Broadway premier).
Roles of Zeus, Helios in a staged-reading of Shining by Aidaa Peerzada directed by Lisa Quoresimo.
Charlie Lavaroni was born and raised in San Francisco, California. He is a true believer that theater can change lives for the better, bridge communities, and heal. Charlie plans on continuing his passion for teaching, acting, and literature through the lenses of teaching, acting, and public service.
He attended high school at the Drew School where he was heavily involved in the theater department. At Drew, Charlie played an intergal part in many theatrical prodcutions including fall plays, spring musicals, the Fringe Festival, and winter and spring concerts. Charlie is also the founder of the Drama Club on campus.
He currently attends the University of California, Davis where is pursuing a double Beachelor of Arts degree in English and Theater. At Davis, Charlie continues his love of the performing arts by acting in mainstage and student produced productions (including Studio 301 and Millennial Theater). He has also served as an Assistant Stage Manager (Vanya and Sonia and Masha and Spike), Dramaturg (The Bluest Eye) and an Assistant Director (The 39 Steps) at Davis.
In the fall of 2017, Charlie became an inaugural acting company member and an administrative assistant for the new works festvial at Davis: Ground and Field Theater. Charlie continued this work in fall of 2018 as actor and assistant director for Daisy Violet the Bitch Beast King. In his final year at Ground and Field as a student Charlie continued as an acting ensemble member in multiple productions and as admin assistant.
Charlie is a trained theatrical actor and singer, with a strong tenor range and belt, and is also trained in Cuban salsa rueda. He has also performed with his high school's advanced salsa rueda group at San Francisco's 2014 Carnaval.
Find him on on social media using the icons below! Feel free to contact him for inquiries with the contact information located in the "contact" page. Thank you.


Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive.
Minutes after Laurie Strode, her daughter Karen and granddaughter Allyson left masked monster Michael Myers caged and burning in Laurie's basement, Laurie is rushed to the hospital with life-threatening injuries, believing she finally killed her lifelong tormentor. But when Michael manages to free himself from Laurie's trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. The Strode women join a group of other survivors of Michael's first rampage who decide to take matters into their own hands, forming a vigilante mob that sets out to hunt Michael down, once and for all.
Investigative journalist Eddie Brock attempts a comeback following a scandal, but accidentally becomes the host of Venom, a violent, super powerful alien symbiote. Soon, he must rely on his newfound powers to protect the world from a shadowy organization looking for a symbiote of their own.
After saving the life of their heir apparent, tenacious loner Snake Eyes is welcomed into an ancient Japanese clan called the Arashikage where he is taught the ways of the ninja warrior. But, when secrets from his past are revealed, Snake Eyes' honor and allegiance will be tested – even if that means losing the trust of those closest to him.
Faced with the unexpected death of his estranged father -El Máscara- and the subsequent theft of his precious mask, Rubén -Mascarita- will find himself confronted with his past. Alongside his invincible bodyguard Tony "The Cannibal" and, an unexpected ally, he will have only one day to recover it and make amends with the memory of his father.