Wild Wild West Screening in Leadville
Anyone seeking inspiration for steampunk costumes and accessories in anticipation of the National Mining Hall of Fame and Museum’s Steampunk Leadville event on June 6 will want to check out the 1999 film Wild Wild West. The film will be screened on Friday, May 29, and is a collaboration between the CMC Timberline Campus Library and the National Mining Museum and Hall of Fame. The film, starring Will Smith, Kevin Kline, Salma Hayek, and Kenneth Branagh, will be shown free of charge at 7:30pm on May 29 in Room 401 of the Climax Molybdenum Leadership Center on the CMC campus. Refreshments will be served. Wild Wild West is rated PG 13 for “action violence and sexual comments and innuendo.”
Wild Wild West—the 1999 film and its predecessor, the 1965-1969 television series of the same name—is often cited as an example of “western steampunk,” which includes fantastic and futuristic technology placed out-of-time in a Western Victorian setting. Steampunk elements in Wild Wild West include ingenious mechanical gadgets and a steam engine. The steam engine used in the film is one of the oldest operating steam locomotives in the United States, restored and repainted for the film.
For movie lovers who would like to explore Steampunk further, the CMC Leadville Library also has in its collection the entire run of the Wild Wild West TV show, The Adventures of Brisco County, Jr. TV series, another steampunk favorite, and books including H. G. Wells’ Time Machine and Alan Moore’s steampunk graphic novel, The League of Extraordinary Gentlemen.
For information about the Wild Wild West screening, films or books in the library collection, please contact Christine Whittington, CMC Leadville library director, at firstname.lastname@example.org or 719-486-4248.


The problem is if you bumped the door frame as you walked through it, or even just walked a little too fast and created a breeze, the frame would swing. And swing. And swing. Like one of those perpetual motion desk tchotchkes.
And guess what. When the door frame is swinging like that, no one cares that the Nazis are coming. They’re too busy watching the door frame swing to hear your beautiful, heart-wrenching monologue.
Our director pulled us all aside one night before a show and said “If you bump the door frame, just reach out and stop it from swinging. Yes, it will take the audience out of the play for a moment. It’s OK to ruin the magic for a few seconds if it means preserving the magic for the rest of the evening.”
I have since learned that this is excellent advice when you knock over a microphone during a panel discussion, spill water on yourself during a training, or accidentally turn off the projector instead of advancing to the next slide. It’s best to stop, acknowledge that you ruined the magic, and then get the magic back as best you can. People usually laugh and appreciate your candor. No one wants to pretend they don’t see that doorframe swinging. Magic only works if you all agree, together, to imagine new possibilities.


A Trojan priestess lies sleeping in a temple dedicated to Apollo. Apollo sees her lying there, desires her, and assaults her. She awakens and cries out, pushing him off of her. He grants her the gift of prophecy, hoping she’ll accept his advances in return. She resists him still, and he rapes her. Afterwards he curses her: she will keep her gift, and she will prophesy only the truth, but no one will believe her. She will be dismissed as crazy and a liar, even as she’s trying to save her family and her country.
Her prophecies are indeed all true. She foretells the abduction of Helen. The Trojan War. The threat of the Trojan Horse. The fall of Troy. The deaths of her father and brothers. No one believes her. After the fall of Troy, the Greek soldiers rape her and enslave her. She’s sent to Greece as a concubine, and eventually Queen Clytemnestra murders her.
There have been so many Cassandras. The woman asleep or unconscious, taken as an object by a man. The woman trying to tell the truth, in a system built to silence her.
In Susanna Clarke‘s Jonathan Strange and Mr Norrell, a young and wealthy woman lies dead in her room before her wedding day. She is of no importance to an ambitious magician, but her fiancé, a high-ranking but penniless politician, is. The magician enters her room and shuts out her family and loved ones. He summons a fairy and strikes a magical bargain: half the young woman’s life given to the fairy, in exchange for her resurrection. The young woman revives, the penniless politician marries her and becomes rich, and the magician becomes one of the most important men in Europe. The young woman spends her waking days in England, and her nights under enchantment at an endless ball in Faerie, unable to rest. When she tries to speak of her suffering, and to reveal how the magician used her life and unconscious body for his own gain, those around her hear only babbling, odd fables, or madness, and she is shut away in the countryside. It is only when another magician visits her, and sees the image of a rose obscuring her mouth when she tries to tell her story, that someone finally recognizes the magical symbol of silence.
You know this one. A princess lies in an enchanted sleep in a tower, surrounded by roses. Knights and princes attempt to penetrate her fortress and kiss her unconscious lips to win power and a throne.
You know this one. A princess, with lips as red as blood, lies in a glass coffin. A prince sees her and desires her. He steals her body and kisses her while she lies as though dead.
You know this one. A woman stands before a Senate committee and testifies to save her country from a catastrophic injustice. People insist she’s wrong, and call her a liar, and confirm her attacker anyway. Her safety, security, and peace are ripped away.
Cassandra is a horrifyingly familiar archetype. You want to get really mad with me? Cassandra is a priestess of Apollo, the very god who attacks her and who dooms her, and she had taken a vow of chastity to serve him. The scale of that betrayal and violation makes my heart clench in my chest. Some (male, obviously) writers record that, oh, well, perhaps she really consents to sex with Apollo so she can win her prophetic gift, and then only protests afterwards so that she can still claim her priestess’s vow. Way to blame the victim, guys, great job. Because of her attacker, her own family condemn and shun her, yet when she shares her prophecies with her brother Helenus, people believe her words from his mouth.
Two years ago I wrote the Persephone post from a place of anger, sorrow, and fear. I can’t believe it’s been two years— my feelings are as fresh, and as sharp, and as sickened now as they were then. It’s maybe worse now? I’ve watched in disgust and horror as somehow we careen along what looks as near the road to hell as I can imagine. Every day I’m struck by a sense of disbelief so strong it sends me reeling: “Oh my god this is really happening. This can’t be happening. This is really happening.” I’m both shocked by the profound evil and not shocked at all. Two years ago it seemed SO clear, SO abundantly obvious what a threat stood before us, and so manifestly clear how to avoid it, that I couldn’t fathom the threat being realized. And 2016 happened, and here is the evil and the cruelty and the wanton stupidity I knew would come, and yet I’m shocked and rattled every day.
There isn’t a happy-ever-after ending to Cassandra’s story the way there are in her fairytale counterparts’. Well, happy-ish? Sleeping Beauty and Snow White awaken and…I guess just marry these strangers who kissed them while they were unconscious? But now that I think about it, they never speak another word in their stories, so who really knows how happy their ever afters are. Jonathan Strange’s Lady Pole is freed from her enchantment and immediately saves those who were enchanted with her. She wants to rush to London to topple the government, but the magician who betrayed her disappears forever from England before she can confront him. After a decade of no true bodily autonomy, a voice deliberately silenced, and an adult life that’s felt like a waking nightmare, how will she be able to return to the world without more pain and grief?
These stories don’t feel like they have happy endings, and, rightly, they trouble me more as an adult than they did when I was a child. Maybe a lingerie blog isn’t the place to talk about such serious things; I had several moments while I was writing where I wondered if it wasn’t disrespectful somehow to pair underwear with stories of trauma and injustice and then be all “look! an editorial!”. But with women’s bodies being policed ever more strictly, with SESTA/FOSTA threatening the safety and lives of sex workers, and with images of lingerie and “female-presenting” nipples being banned from social media platforms for being “explicit”, maybe stories about men treating our bodies as consumables, as bargaining chips, as objects for pleasure, to be seized and afterwards dismissed, are in fact the stories we need to revisit.
I want so, so badly right now for swift and crushing justice for these fictional and real-life women. Not even retribution; I want acknowledgment, a soul-deep reckoning: this is wrong. You were wrong to touch her. You were wrong to disparage her. You were wrong to attack, dismiss, slander, erase, kill. You were wrong to discount her, and you doom yourself when you silence her.
Troy fell, Cassandra was right, and no one believed her.
* * * * *
Bra and brief: Abbie by Katherine Hamilton Intimates, 26-38 D-HH/6-16 (UK)
Waspie corset: Antoinette by Angela Friedman
Robe: Andromeda by Harlow & Fox, S, M, L
Photography: Sylvie Rosokoff


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18591km in colaboration with Migration Hub Network present a new project open for everyone.
One evening with 18591km comes with a screening of the movie “Rhytm Is It!” and a call for volunteers.
Rhythm Is It! is German documentary film directed by Thomas Grube and Enrique Sánchez Lansch. The film documents a project undertaken by the Berlin Philharmonic principal conductor Simon Rattle and choreographer Royston Maldoom who decided to popularize classical music by staging a performance of Igor Stravinsky’s ballet The Rite of Spring with a cast of 250 children recruited from Berlin’s public schools


There’s a movie meme circling the interwebz (yes, another one) and I thought I’d give it my take. I tend not to watch sad or gross movies, so I removed those questions rather than leave them blank. I’ve also added some new questions that more closely fit my movie watching habits. And I removed the silly restriction that only one movie can be chosen per question, because…Really? I can only have one favorite? Sorry, no can do.
- What’s your favorite movie of all time?
This one was a no-brainer for me. Casablanca has been my favorite film since I first saw a butchered version of it on TV as a kid many (many) moons ago, and the uncut version is even better.
- What is your favorite romance movie?
The Quiet Man
Another no-brainer for me. I usually watch romantic comedies, not heavy drama-type romances, and The Quiet Man is my all-time favorite. In fact, it’s second on my list of Top 10 Favorite Movies, right below Casablanca.
- What movie makes you truly laugh every time you watch it?
The Hallelujah Trail and North to Alaska
This question was more difficult to answer because I generally prefer movies that make me laugh (or at least smile). However, these are two movies that always make me laugh when I watch them.
- What is your favorite science fiction movie?
Star Trek: First Contact
I had to think about this one. There are better movies (2001: A Space Odyssey comes to mind) and more popular choices (Star Wars, perhaps, though funnily enough I consider the Star Wars franchise to be fantasy rather than science fiction), but First Contact is the movie I’d choose 7 times out of 10 when asked if I want to watch an SF movie.
- What is your favorite fantasy movie?
The Lord of the Rings (The Complete Trilogy)
Unfair? Perhaps. But Tolkien didn’t write a trilogy, he wrote a very long book that publishers broke into smaller chunks. I view the movies as the same thing–one very long movie broken into three parts for easier viewing.
- What is your favorite musical?
Shall We Dance
Give me any of the Astaire/Rogers movies and I’m a happy camper, but Shall We Dance is my favorite of the bunch.
- What is your favorite animated movie?
How to Train Your Dragon
It used to be Toy Story (which I still love), until this movie came along. I thought it might be “cute, but ultimately forgettable” when I saw the previews, but I’ve watched How to Train Your Dragon several times and the story gets me. Every. Single. Time.
- What is the scariest movie you’ve ever watched?
I don’t generally do scary, but I got talked into watching Alien (I didn’t know anything about it before agreeing to see it — a lesson I’ve learned not to do ever again). I’ve only seen Alien once and I’ve refused to see any of the sequels. Sorry, they’re just not for me.
- What is the most suspenseful movie you’ve ever watched?
Wait Until Dark
Forget the purportedly scary movies — if you want a movie that’ll give you a heart attack, watch Wait Until Dark.
- What movie made you think? Wouldn’t leave you alone even days afterward?
The Killing Fields
This was one of the most intense movies I’ve ever watched and it still haunts me to this day.
- What is your favorite western movie?
This is one of my very favorite of John Wayne’s movies. Add Dean Martin, Walter Brennan, Ricky Nelson, Ward Bond, Claude Akins and Angie Dickinson, and have it directed by Howard Hawks and you’ve got a winner.
- What is your favorite action/adventure movie?
Raiders of the Lost Ark
The movie that started it all is still the best, as far as I’m concerned.
- What is your favorite “guilty pleasure” movie? By guilty pleasure, I mean movies that other people have either never heard of, or that might be considered “B” (do they make “C”?) movies.
This one’s a tie between American Dreamer and High Road to China.
American Dreamer is pure escapist fantasy/wish fulfillment for me.
High Road to China stars a devilishly handsome Tom Sellek (only a couple of years into his role of Magnum PI). It was released the same year (1983) Raiders of the Lost Ark was first re-released. And while I love Raiders, I only went to see it once in the theater during it’s first release–I didn’t go see it again when it was re-released. I saw High Road to China, however, 3 times in one month. It was the first movie I ever went to see more than once. To this day I still quote it and laugh: “Remember, the ox is slow, but the earth is patient.” I can only dream that this will get a DVD release soon.
There it is for all the world to see. I suppose it’s telling that the majority of my favorite movies are pre-1990–hell, most of them are pre-1960!


This is your one stop shop for resources for actors at Stage 9. Audition notices, cast lists and other important information about auditions will be posted here.
Thank you to everyone who was auditioned for Stage 9: On Broadway [Underground]. If you were not cast in this production, please continue to audition for Stage 9 as all of you would be good fits for roles in future productions.
For those cast, please accept your role by Wednesday at 12 noon by emailing Charles Johnston, Producing Artistic Director at Stage 9 at firstname.lastname@example.org. First rehearsal will be May 17th, 2018 at 6:30 pm at Stage 9.
Charles Johnston, Producing Artistic Director
Auditions for the 2018 Season
Dog Sees God: Confessions of a Teenage Blockhead
December 2, 2017: 10:00 am to 2:00 pm
Fiddler on the Roof
November 10, 2017: 6:00 pm to 9:00 pm
November 11, 2017: 10:00 am to 2:00 pm
Stage 9: On Broadway! [Underground Edition]
May 12, 2018: 10:00 am to 2:00 pm
June 9, 2018: 10:00 am to 2:00 pm
August 25, 2018: 10:00 am to 2:00 pm
You're a Good Man, Charlie Brown [Revised]
September 8, 2018: 10:00 am to 2:00 pm


Elfie Hopkins Cannibal Hunter
Amateur detective Elfie Hopkins decides to cleanse her town of cannibals when a new family moves in next door, and begins treating her neighborhood like their own personal flesh buffet.
- 89 minutes
- Release Date
Cast & Crew
- Aneurin Barnard
- Jaime Winstone
- Ray Winstone
- Rupert Evans
- Directed by
- Ryan Andrews
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Yeap, I can only find one issue with this story, and that is: It was too short!
Michael, an ex-cop, makes a deal with the Devil to transport his family from the depths of hell into heaven. But it’s never that simple when the Lucifer himself is involved. Michael, who devoted his life to protecting people, is now forced to kill. With every victim he’s getting closer to his goal but further away from the man he used to be. In the end, he becomes a pawn in the fight between good and evil, heaven and hell, numbing his feelings of guilt and pain in alcohol.
But there is no room for failure, when it comes to protecting the people you love. Michael is willing to endure any pain and do anything the Devil requests. It is truly amazing what a man is capable of in order to rescue his family.
The way this story is written, brings out all kinds of emotions. Conversations, laced with witty humour, are followed by horrific scenes of murder.
The book is structured in a different way as well. You jump from one timeline to the other, and every single scene is a puzzle piece that helps you see the full picture. I thought it might make the plot difficult to follow, but each timeline is so different from the other, that there is no way to get them confused.
I really enjoyed this story, and can only hope that the author’s got more plans for Michael and his family in the future.


A live-action TV drama adaptation of Reiji Miyajima’s romantic comedy manga Rent-A-Girlfriend is confirmed to be aired in Japan in July 2022, the same time as the second season of the TV anime adaptation. The drama will be aired every Sunday on ABC TV’s “Drama L” programming block, directed by Daisuke Yamamoto (Ossan’s Love) on scripts by Kumiko Aso (Wakako Zake).
Ryusei Onishi, a 20-year-old member of Johnny & Associates’ boy idol group Naniwa Danshi, is cast as the male protagonist Kazuya Kinoshita. He describes his impression of the original manga, “I found each and every one of the characters to be unique and very charming! The speed at which the story progressed was very pleasant, and the world was a place I had not yet experienced. Before I knew it, I was captivated by Rent-A-Girlfriend.”
Regarding his acting policy, he says, “I want to play the role genuinely, looking the characters in the eye and paying close attention to their conversations. Kazuya’s cuteness is in the way he becomes shy and flailing around in front of girls, and in the way he easily gets paranoid. So I want to give it my all so that people don’t feel that I am an idol.”
Meanwhile, 19-year-old fashion model / actress Hiyori Sakurada, best known as Shizuno Takakamo in the Saki Achiga-hen episode of Side-A live-action series, is cast as the main heroine Chizuru Mizuhara. She says, “Although filming is still in the early stages, we are working together with the staff and cast to create the best drama possible. I hope you will pay attention to the dialogue between Kazuya and Chizuru, as well as to the characters with strong personalities!”
ラブコメディがこの夏開幕????????#彼女お借りします#ABCテレビ #テレビ朝日 pic.twitter.com/ty0q9BBZFm
— ドラマL『彼女、お借りします』【公式】7月スタート (@kanokari_drama) May 12, 2022
RELATED: Naniwa Danshi Member Shunsuke Michieda to Star in The Kindaichi Case Files New Live-action Drama
Source: “Rent-A-Girlfriend” live-action TV drama official website / Twitter


Hello, my name is Jake Thomas; I’m an Middle Tennessee State University Graduate with a degree in Mass communications with a focus in Digital Animation. I’m really passionate about the creative arts and love animation. I’m looking to expand my technical knowledge and skills in animation and video editing, as well as my creative muscles in story telling and direction. I’m a real student looking to learn everything I can. I’m looking for opportunities where I can learn and be challenged creatively. I am knowledgeable about Autodesk Maya, Adobe Photoshop, Premiere pro, Photography and animation, among others.


Hello and thank you for stumbling upon my page! My name is Karla R.
Favorite Tv show(s): The Big Bang Theory, Gilmore Girls, 2 Broke Girls, The Walking Dead, Once Upon a Time, How I Met Your Mother and every Anime known to man.
Favorite Movie: Kung Fu Panda (1 &2), V for Vendetta, and Inception.
Favorite Color(s): Black, Red, White, Green, Purple, Gray, and Navy Blue.
Lives in : York (& no, not New York, just York)
Favorite Animal: Fox


Click above to view a short film on our Professional Qualifications produced by Northern Gas Networks (NGN).
Steve Dacre, Customer Experience Development Manager at NGN, created this in-house film to help promote and drive the up take of the Qualifications. As a result of this film he had a further 28 people sign up for a Qualification. Steve was happy for us to share his film and NGN's experience of undertaking a Professional Qualifications programme.
For more information, visit https://www.instituteofcustomerservice.com/qualifications-training/professional-qualifications


The Harris Conservatory for the Arts, a 501 (c) (3) organization, was formed to serve as a cultural center for the arts, and to act as a resource for children, adults and artists who seek to enrich their lives through arts education and activities. The goal of the Conservatory is to provide services to the underprivileged and disabled in the hope that everyone will have the opportunity to benefit from experience in the arts. Our organization believes that the arts can positively change lives and reach those who cannot otherwise be reached.
Visit Us At The Harris Conservatory For The Arts
We are excited to announce that Kirby Kidz, our summer theater program, a partnership with the F.M. Kirby Center, can officially announce the productions set for this August. This year Miss Theresa Kloeker (director and choreographer) and Mrs. Doreen Ignatovich (musical director) are teaming up once again for our two shows!
This year children ages 5 to 11 years have the opportunity to participate in the magical story of Disney's Peter Pan Jr. Based on the Disney film and J.M. Barrie's enchanting play, Disney's Peter Pan JR. is a modern version of the timeless tale about a boy who wouldn't grow up... with no flying required! The score includes new arrangements of classic Disney songs and a story featuring one rousing adventure after another. Wendy Darling loves to tell stories to her brothers, Michael and John. But when her father announces she must move out of the nursery, Peter Pan comes to visit the children and whisks them away to Neverland. Their journey introduces them to the Lost Boys, Mermaids, Indians and even the infamous pirate, Captain Hook! It’s Peter to the rescue when Wendy is taken captive by the dreaded captain, who has his own sinister plans in mind for our hero.
Actors and actresses ages 11 to 18 years are invited to be part of Legally Blonde Jr. Based on the award-winning Broadway musical and the smash hit motion picture, Legally Blonde JR. is a fabulously fun journey of self-empowerment and expanding horizons. The show's instantly recognizable songs are filled with humor, wit and sass – leaving cast members and audiences alike seeing pink! Legally Blonde JR. follows the transformation of Elle Woods as she tackles stereotypes, snobbery and scandal in pursuit of her dreams. When Elle's high school boyfriend, Warner, dumps her and heads to Harvard, claiming she's not "serious" enough, Elle takes matters into her own hands, crafting a showy song-and-dance personal essay and charming her way into law school. Befriending classmate, Emmett, and spunky hairdresser, Paulette, along the way, Elle finds that books and looks aren't mutually exclusive. As Elle begins outsmarting her peers, she realizes that law may be her natural calling after all.


Acting is a form of art that requires much dedication and skill in order to become successful. With the best acting schools in the world, you can become a great actor and have a successful career.
If you are looking to hone your craft as an actor, attending one of the best acting schools in the world is a great option.
In this blog post, we will discuss the best acting schools in the world and what makes them stand out from the rest.
We will explore the programs and resources available at each school, as well as their unique approach to teaching the art of acting.
So read on to learn more about the best acting schools in the world and how they can help you take your acting career to the next level.
What are the Best Acting Schools In The World?
The Juilliard School:
The Juilliard School is one of the most prestigious performing arts schools in the world. Located in New York City, Juilliard offers programs in dance, drama, and music.
The school is renowned for its rigorous curriculum and emphasis on excellence and artistry. Juilliard’s faculty consists of renowned performing artists and teachers, who provide instruction and mentorship to their students.
Notable Juilliard alumni include some of the most talented actors, musicians, and dancers in the world. Meryl Streep, Robin Williams, and Viola Davis are just a few of the many talented actors who have graduated from Juilliard.
The school’s commitment to excellence and artistry has produced some of the finest performers in the world. If you are looking for the best acting schools in the world, Juilliard should be at the top of your list.
Their faculty is comprised of highly experienced professionals who are dedicated to helping their students achieve excellence.
Juilliard’s commitment to excellence and artistry has produced some of the finest performers in the world, and its rigorous curriculum ensures that its students have the skills and knowledge needed to pursue a successful career in the performing arts.
Related: What are the Best Christian Universities Around The World?
Nyu Tisch School of the Arts:
NYU Tisch School of the Arts is widely considered to be one of the best acting schools in the world. It has a strong reputation for providing excellent education and training to aspiring actors and directors.
The school offers a range of degree programs from undergraduate to graduate level, as well as a variety of specialized workshops and classes.
Students at NYU Tisch School of the Arts have access to world-class faculty and facilities, including the world-renowned Lee Strasberg Theater and Film Institute.
The school provides students with the opportunity to gain invaluable hands-on experience through numerous productions and performance opportunities.
NYU Tisch School of the Arts is located in the heart of New York City, providing students with access to the vibrant theatre and film communities that this city is known for.
With its excellent faculty, resources, and location, it is no wonder that NYU Tisch School of the Arts is widely considered to be one of the best acting schools in the world.
University of North Carolina School of the Arts:
The University of North Carolina School of the Arts (UNCSA) is one of the most renowned acting schools in the world.
Located in the heart of the North Carolina theatre scene, UNCSA is the perfect place to hone your acting skills and craft.
The school offers a comprehensive acting program that includes classes in acting, improvisation, stage combat, and movement. Students can also pursue a Master of Fine Arts in Acting and a Bachelor of Fine Arts in Drama.
UNCSA boasts a remarkable faculty of acclaimed actors, writers, directors, and producers. The school has produced some of the world’s most renowned actors, including Emmy winners Frances Conroy and Jada Pinkett Smith.
The school’s acting program is highly competitive, with only the top students accepted into the program.
The campus offers a unique environment for students to develop their craft, with its world-class facilities and resources.
From the drama studios to the state-of-the-art theatre, UNCSA has what it takes to help you reach your goals in the acting industry.
With its outstanding faculty, incredible resources, and competitive program, UNCSA is the perfect place to become an actor.
Uc San Diego:
UC San Diego’s Department of Theatre and Dance is renowned for its innovative approach to the study of theatre and dance.
It offers a Bachelor of Arts in Theatre, which provides students with a foundation in acting, directing, design, and dramaturgy.
The program also offers a minor in Musical Theatre and offers courses in ballet, modern, jazz, African, and improvisational dance.
UC San Diego is one of the top acting schools in the world, and its alumni list is a testament to the quality of its education.
Notable alumni include Tony Award-winning actor and director John Polson, and Academy Award-nominated actor and comedian Jordan Peele.
UC San Diego also offers a variety of workshops and classes for aspiring actors, as well as a vibrant student theatre community.
With a strong emphasis on creativity and collaboration, UC San Diego is an excellent choice for those looking to take their acting career to the next level.
The school offers a variety of performance opportunities throughout the year, from student-run productions to professional theatre companies.
Additionally, the school has a strong network of alumni working in the entertainment industry, providing students with the chance to gain experience and make connections.
For those looking for a top-notch education in acting, UC San Diego is an excellent choice. With its innovative approach to theatre, dance, and acting, students can expect to gain the skills, knowledge, and connections they need to pursue a successful acting career.
London Academy of Music & Dramatic Art:
The London Academy of Music & Dramatic Art (LAMDA) is one of the most renowned acting schools in the world, offering a range of courses in acting, music, and drama.
As a member of the Federation of Drama Schools and accredited by the Quality Assurance Agency for Higher Education, LAMDA is committed to providing students with a top-notch education.
LAMDA offers a variety of full and part-time courses, from undergraduate and postgraduate degrees to short courses and workshops.
What sets LAMDA apart is its team of highly experienced theatre professionals, who provide students with the highest quality of teaching and guidance.
Furthermore, the school boasts an impressive alumni of actors such as Colin Firth, Cate Blanchett, and Benedict Cumberbatch. It’s no wonder why LAMDA is one of the most sought-after acting schools in the world.
With its unique approach to teaching and commitment to providing students with an excellent education, LAMDA is the perfect place for aspiring actors looking to hone their craft.
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Guildhall School of Music and Drama is renowned as one of the world’s leading drama schools. For over a century, Guildhall has provided world-class training to aspiring actors, directors and theatre professionals.
Located in the heart of London, the school offers a range of courses from undergraduate to postgraduate level, including acting, directing and theatre production.
The school benefits from having a distinguished faculty of professional directors, writers, actors and designers. It also offers industry-specific courses, such as a course in drama and theatre business management.
Students at Guildhall School have the unique opportunity to collaborate with major industry partners, as well as the Royal National Theatre.
Guildhall School’s alumni are some of the world’s most renowned actors, such as Daniel Craig, David Oyelowo, Chiwetel Ejiofor and Orlando Bloom.
These actors have gone on to have tremendous success in their respective fields, thanks to the top-notch training they received at Guildhall School.
Guildhall School is the perfect place for aspiring actors to hone their craft and gain industry experience.
With its distinguished faculty, industry partnerships and comprehensive course offerings, Guildhall School is the ideal place to receive the best training in the world.
Oxford School of Drama | Woodstock:
Oxford School of Drama | Woodstock is one of the most prestigious acting schools in the world, located in the beautiful town of Woodstock, England.
The school offers a comprehensive three-year acting program, focusing on the development of the actor’s craft and the exploration of theatre’s history and development.
During this program, students can explore a variety of acting techniques, such as the Meisner technique, Viewpoints, and physical theatre.
The school also offers a range of workshops and classes that help actors to develop their skills, including workshops on improvisation, audition technique, and play development.
In addition, Oxford School of Drama | Woodstock offers an extensive range of Masterclasses on a variety of topics, such as acting for TV and film, voice and speech, and clowning.
Oxford School of Drama | Woodstock provides a unique learning environment, with a strong emphasis on self-expression and the development of art in the English (US) language.
The school is committed to providing students with an opportunity to explore the craft of acting and develop their skills in the most effective way possible.
With a highly experienced faculty, an extensive range of courses, and an inspiring atmosphere, Oxford School of Drama | Woodstock is truly one of the best acting schools in the world.
National Institute of Dramatic Art | Kensington:
The National Institute of Dramatic Art (NIDA) in Kensington is one of the world’s most prestigious acting schools. Located in Sydney, Australia, NIDA offers a wide range of courses and programs in acting and related disciplines.
With alumni such as Cate Blanchett, Hugo Weaving, and Geoffrey Rush, NIDA has established itself as one of the leaders in the international acting community. NIDA offers its students a comprehensive curriculum that covers all aspects of acting.
From courses in acting, voice and speech, directing, writing, producing, and design, to professional development programs such as workshops and masterclasses, NIDA provides students with a range of options to help them become the best actors they can be.
NIDA also offers prestigious internships, giving students the opportunity to work with acclaimed directors and actors.
The National Institute of Dramatic Art is one of the best acting schools in the world and its alumni are some of the most successful and renowned actors and directors of our time.
With its rigorous program, NIDA challenges its students to excel and reach their full potential, helping them to become the best actors they can be.
What Qualities Should I Look for When Selecting the Best Acting Schools In The World?
Finding the best acting school in the world can be a daunting task. There are a few key factors to consider when choosing the right school.
- The reputation of the school is important, as you want to be sure you are attending a school that is respected among peers in the acting community.
- Additionally, the curriculum of the school should be tailored to your specific interests and goals.
- Make sure the school you choose has experienced and knowledgeable instructors who can help you reach your goals.
- When researching the best acting schools, you should also look for schools that offer opportunities to network with other actors, directors, and industry professionals.
- Cost is another important factor to consider, as tuition and other fees associated with the school should be taken into account.
- Location is also important, so make sure the school you choose is conveniently located and easily accessible.
- Facilities and equipment should also be taken into consideration, as you want to be sure the school offers well-equipped facilities and equipment to help you hone your craft.
- Lastly, look for a school that offers a support system to help you with any challenges you may face while studying.
By taking all of these factors into consideration, you can be sure to find the best acting school in the world for you.
Related: What are the Best Federal Universities In Nigeria?
What Type of Training Do the Best Acting Schools In The World Offer?
When it comes to finding the best acting schools in the world, there is no shortage of options. From traditional universities to specialized conservatories, aspiring actors have a wide range of choices.
However, in order to truly excel in their craft, actors must have a strong foundation in the basics of acting. Here are a few of the essential classes offered by the best acting schools in the world:
- Professional Acting Classes: Professional acting classes are essential for any aspiring actor. Most top acting schools offer classes in professional acting techniques, such as scene study, improvisation, and on-camera auditions. These classes help actors to develop their own unique style and to understand the fundamentals of acting.
- Voice and Speech Classes: Acting schools often provide classes in voice and speech, which can help actors develop their vocal range, pronunciation, and diction. These classes can also help actors to understand the nuances and techniques of delivering lines with impact and emotion.
- Movement and Dance Classes: Many acting schools offer classes in movement and dance, which can help actors with their physical presence and stage presence. Movement and dance classes can teach actors how to use their body language to convey emotion and tell a story.
- Acting Theory Classes: Acting theory classes are often taught at top acting schools to help actors understand the fundamentals of acting, such as character development and scene analysis. Acting theory classes can help actors to become more aware of their craft and develop their own artistic voice.
- Auditioning and Cold Reading Classes: Auditioning and cold reading classes are also offered to help actors develop their auditioning skills and to prepare for auditions. These classes can help actors to understand the expectations of casting directors and to hone their auditioning skills.
Learning the craft of acting is an invaluable skill that can open up many doors for aspiring actors. Attending an acting school is one way to gain the knowledge and skills required to succeed in the entertainment industry.
Of course, attending an acting school does not guarantee success, but it can provide you with the tools and education to help you become a better actor, as well as give you access to industry contacts and networking opportunities.
Acting schools are not just about learning the craft – they are also about networking, making connections, and preparing yourself to take on the challenges of the industry.
While attending an acting school will not guarantee success, it can give you an edge over other aspiring actors. The best-acting schools in the world are those that offer students the opportunity to learn from experienced and successful professionals in the entertainment industry.
These schools offer a wide range of courses, from acting techniques to audition preparation, as well as providing students with invaluable industry contacts and networking opportunities.
By attending one of the best acting schools in the world, you will gain the knowledge, skills, and contacts to help you succeed in the entertainment industry.
With the right education and training, you can develop the skills and confidence needed to pursue a successful acting career. Thank you for reading!
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Art of Motion Studio presents "Love Letters", play by A.R. Gurney with theatrical reading starring Sally Ann Tumas andStephen Innocenzi.
Prelude to include live piano, vocals, and dance featuring Wendy Lane Bailey (vocalist), Janette Dishuk and M.A. Taylor (AOMDT), and Gabe Plotkin (jazz pianist).
Join us for a touching evening of theatre, music and dance. Opening reception with refreshments and live music. Post-performance talk-back with the actors. Dinner seating reserved at Piccolo Bistro with special prix fix menu for AOM's Love Letters' guests.
Date: February 11, 2018 Time: 5-7pm
Online tickets will be availabe until 12pm day of performance. Door tickets will be available first come first serve.
Before February 3rd: $14 Between February 4th-10th: $20 Day of Performance/At the Door: $25
Location: Art of Motion Studio, 17 Chestnut St. 2nd floor, Ridgewood, NJ 07450


The Sparrow And The Crow William Fitzsimmons auf Vinyl online
The Sparrow And The Crow William Fitzsimmons auf CD online
William Fitzsimmons-The Sparrow And The CrowDisc 11 Afterall2 I Dont Feel It Anymore (Song Of The Sparrow)3 We Feel Alone4 If You Would Come Back Home5 Please Forgive Me (Song Of The Crow)6 Further From You7 Just Not Each Other8 Even Now9 You Still Hurt M
They say you can´t go home again. Jared Crowe never wanted to. Home meant facing memories of abuse and neglect. Of dark closets and evil nightmares. Of his own relatives intent on killing him. But now his brother´s kidnapping forces him to face those demons. Only this time, Jared isn´t a scared little boy. He´s a full-grown Special Forces operative bent on revenge. As a little girl, Sparrow Pickney risked her life to free two abused boys. Now, as a grown woman, Sparrow needs to earn a place in her adopted family´s business or be forced into a life of degradation. The chance to prove her family loyalty comes when she catches Jared spying on the compound and captures him. When Jared sees his captor, he realizes she´s the girl of his dreams and vows to rescue her from a life of poverty. What Jared doesn´t know is that Sparrow may not be the savior he remembers, but the one responsible for abducting and torturing his brother. Jared is determined to find the truth, but that truth may be more than his heart can take. 1. Language: English. Narrator: Aiden Snow. Audio sample: http://samples.audible.de/bk/tant/006726/bk_tant_006726_sample.mp3. Digital audiobook in aax.


Journey Durant’s father warned her, “Someday you’ll have to lie in the bed you’ve made.” But she didn’t believe him… until now.
She has just received news that her ex-boyfriend is about to be released from prison, and this reformed bad girl can’t shake the feeling that her troubled past is coming home with him. The town of Emerson, Georgia has forgiven and forgotten her involvement in the most publicized tragedy in the town’s history, but only because of her three year absence, her prominent Southern Baptist family, and her marriage to the closest thing her small town has to a superhero.
Bullets and emotions fly, leaving Journey to realize that no matter what penance she has done for her past, the mistakes of her youth still carry unpaid penalties.[/text_block]


Nicole Bagala ‘20
“Legally Blonde” Review
“Oh My God! Oh My God, you guys!” I hope you got the chance to see the musical, “Legally Blonde” on October 18-19. Based on the hit 2004 movie of the same name, “Legally Blonde: The Musical” tells the tale of Elle Woods, the blonde sorority president of Delta Nu at UCLA, who enrolls at Harvard Law School in an attempt to win back her ex-boyfriend, Warner Huntington II. No one believes that Elle can succeed except for Emmett Forest, the assistant to Elle’s teacher, Professor Callahan. However, Elle proves to all who doubted her that she is more than a pretty face.
This incredible show had an amazing cast. The main characters were Elle Woods, played by Allison Mele ‘22, Warner Huntington III, played by Jake Ferris ‘21, Vivienne Kingsington, played by Marina Tonner ‘22, and Emmett Forrest, played by Riley Finn ‘22. Their acting skills and attitudes came alive on stage as the show progressed, displaying their confidence and dedication to their roles.
“My favorite part would have to be Tech Week,” Finn said. “Even though it is a hectic time for us, it is nice to see the show come together and have all the elements of theater added to it.”
Cast members who played minor roles rehearsed alongside the leads and the staff of Parks and Rec to get this show off the ground.
“The show is very different from other shows I’ve done,” explained actress Deanna Sutton. “The dancing, the singing, the energy are sky high. It really stands out among other musicals.”
“Legally Blonde” had three full houses.
“The best part was the song, “Gay or European,” because it was really funny,” added audience member Rachel Jay ‘23.
The staff worked nonstop to pull the show together and were saddened to see it end.
“The hardest part about this show was finishing in seven weeks,” says Director Anthony DePoto. “We were originally supposed to have eight weeks to rehearse but a week was cut out with a schedule conflict. But we had a great cast that all came together and the result was absolutely terrific.”


Naruto Season 3 Episode 47
Episode Summaries. Add the shows you like to a "Watchlist" and let the site take it from there. It is set two and a half years after Part I in the Naruto universe, following the ninja teenager Naruto Uzumaki and his allies. Description : Kokura Hikari is a first-year high school girl who loves rifle shooting. Now, Naruto. Video Naruto Kecil Sub Indonesia Episode 128. 1 Roar, Chidori! Brother vs. Start your free trial to watch Naruto Shippuden and other popular TV shows and movies including new releases, classics, Hulu Originals, and more. Serial DVD pertama Naruto Collectibles hanya dirilis dalam bentuk VHS di Jepang. Watch English Subbed anime series online with HD mirrors for free on your mobile and desktop. The definitive site for Reviews, Trailers, Showtimes, and Tickets. TEAM 7 VS WHITE ZETSU MONSTER AND URASHIKI ARRIVES! Wow these episodes were LIT, this arc seems promising! 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My favorite anime is Avatar: The Last Airbender (because it was my first. Boruto: Naruto Next Generations is a Japanese anime series based on the manga series of the same name and is a spin-off of and sequel to Masashi Kishimoto's Naruto. Episode 30. Naruto Episode 47- A Failure Stands Tall! Naruto Episode 48- Gaara vs. Terdapat sebanyak lima musim, yang masing-masing meliputi empat episode per volume. Naruto, Part I of the series, had 220 episodes divided into 5 seasons. Watch Naruto Season 3 Episode 53, Long Time No See: Jiraiya Returns!, on Crunchyroll. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. IMDb's advanced search allows you to run extremely powerful queries over all people and titles in the database. A mangaka from Aichi Prefecture, Kohei Horikoshi is a graduate of the Nagoya University of Arts. Watch Naruto season 1 episode 47 online. 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Broadcast live into your own environment! Available through October 24, 2021!
Hosted every year in Reno by NV Energy and Nevada Land Trust, the Banff Mountain Film Festival World Tour - Reno Edition has long been a fan favorite for those seeking adventure and inspiration.
With the cancellations of the 2020 and 2021 in-person screenings in Reno due to the global Covid-19 pandemic, the Banff Centre for the Arts, NV Energy and Nevada Land Trust welcome you to enjoy the 2021 Banff Mountain Film Festival short films from the comfort of your own environment!
The Banff Mountain Film Festival World Tour is the largest and most recognized name in adventure and environmental films. This year's tour features a collection of the most inspiring and thought-provoking action, environmental, and adventure mountain films. Traveling from remote landscapes and cultures to up close and personal with adrenaline-packed action sports, the 2021 World Tour is an exhilarating and provocative exploration of the mountain world.
Now through October 24, 2021, the Banff Mountain Film Festival will be streaming the 2021 World Tour selections to virtual filmgoers. Viewers will have several film screening programs to choose from - each containing a number of the year’s best short adventure films. Once your tickets are purchased, you will have the opportunity to view your selected film program for a period of 72 hours.
A portion of the proceeds from the Banff Mountain Film Festival virtual screenings will support Nevada Land Trust’s mission to preserve and protect our open spaces and special places!


Hosting a film in your home or in a public setting provides a wonderful opportunity for dialogue. Click here for step-by-step guidelines for leading a film dialogue event.
We are going to have a dialogue, dialogue being a conversation, an inquiry between two friends, two people, or a few people who are really concerned about it--not theoretically--who actually want to find out. So we are inquiring, we are not dogmatically stating anything, we are inquiring.
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The Michelson Family’s 2019 in Review.
Viewers beware–This is a LONG home video! I would never edit a film this long for a client (unless they specifically asked for it)! So why did I make our 2019 family film like this? Because I took so many fun video clips of our kids and I didn’t want them to get lost in my external hard drive collection. I didn’t want to forget about any of the moments I documented. So this is the version of our 2019 film that includes it ALL!!! All the baby squeaks and smiles, all the places we went, all the “happy birthdays”, and all the LOVE! If you braved watching our 20 minute long family film, thank you! I hope you enjoyed ever second!


Bengaluru. In Kengeri, Shree Aai Mata Vader Pranganhosted the screening of the Rajasthani film ‘Shri Aaiji’ on Saturday night.
A large number of audiences participated in the event, and the Vader premises were filled with enthusiastic viewers. The producer of the film, Bhawarlal Choyal, mentioned that the film will be shown across South India and will be free of cost for all audience.
During this occasion, the President of Vader, Kanhaiyalal Lacheta, General Secretary Suresh Seervi, Durgaram Gehlot, Deputy Secretary Suresh Hambad, Co-Treasurer Nathuram, Mallaram, Ramesh, Namararam, Mangilal, Bholaram, Rajaram, Hiralal, Former President Bhomaram Bhayal, Mangalaram Hambad, and Sports Minister Durgaram Lacheta were present.
As the main guests, Karnataka Seervi Mahasabha’s President Veeraram Solanki and Women’s Wing President Leelabai Choyal were honored on behalf of the Seervi community.
The film’s producer Bhawarlal Choyal and directors Hemant Choudhary and Lakhna Choudhary were felicitated by members of the community with shawls and mementos.
A large number of audience from the Kenegari Nayanhalli Mysore Road area participated in watching the film, and the entire event was managed by the members of the Navayuvak Mandal.
Screening of ‘Shri Aaiji’ Rajasthani Film in Kolegal
In Kolegal, at the Shree Choudeshwari Kalyan Mandap, the Rajasthan film ‘Shri Aaiji’ was screened under the patronage of Shree Vishnu Samaj.
The film attracted a large number of viewers, and the entire hall was filled with eager audiences. The producer Gautam Choyal, co-producer Hemant Choyal, and director Lakhna Choudhary were warmly welcomed by the Vishnu Samaj.
During this occasion, Pacharam Gurjar, Jagdish Seervi, Chennaram Jat, Devaram Seervi, Bheraram Budharam, Babulal, along with a significant number of Rajasthanis from Kolegal, Belkavadi, Hanur Mangala, Kaudahalli, Rampura, and Lok Hali, participated in watching the film. The screening of this film was also attended by audiences from these areas.


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The Favorite Stars: Oscar Predictions 2019
Dark mornings, early evenings, cold and rainy weather: the winter months definitely have their downsides. With that said, along with the snow and the sleet come a whole host of celebrations, from Halloween to Thanksgiving and Christmas. For cinephiles though, winter has one more cause for celebration, and that’s awards season. Not just awards season, but the Oscars, which is arguably the biggest night of the year as far as film is concerned.
If, like me, you’ve already started counting down to the big day, then one question is likely on your mind: who will win? Obviously, there’s no telling until the big day, but looking at the contenders you can start to paint a likely picture, so here are my predictions for the Oscar winners of 2019.
Best Animated Feature
The award for best animated feature film might be a newer addition to the Oscar’s roster, but since 2001 it has become one of the most interesting awards to follow, if not the most hotly contested. As expected, 2019’s award-eligible films include multiple showings from Disney and Disney Pixar, but there are also some surprises in the mix.
Assuming the long-awaited Incredibles 2 doesn’t take the trophy, the award could go to the charming (if surprisingly dark at times) Wes Anderson stop-motion Isle Of Dogs, or to this year’s dark horse Spider-Man: Into The Spiderverse. However, super hero fatigue is a real thing and Isle Of Dogs’ appeal is a niche one despite its recognizable cast, so my money is on Incredibles 2.
Best Original Score
Best original score is another category which sees huge blockbusters sitting alongside more arthouse offerings, although the balance is definitely leans more towards the former. All the big studios have horses in this race, from Universal’s The Green Book and First Man to Fox’s Widows, but unsurprisingly it is Disney with the most contenders, some of which aren’t even set to hit theaters for another few months.
Of the already released movies, Black Panther’s fusion of traditional African music and coolly modern hip-hop is a contender, as is Incredibles 2’s unique take on both a pulpy superhero theme and slick but retro spy thriller score. With that said, Disney’s most likely win is with the nostalgia-heavy musical Mary Poppins Returns, which will no doubt also garner a nomination or two for best original song. All that aside, it is Annapurna’s tale of love and tragedy in 1970s Harlem that is most likely win the day, with If Beale Street Could Talk currently being considered the top contender.
Makeup & Hairstyling
Makeup and hairstyling is often overlooked by audiences, both as an award category and as a component of filmmaking itself, but the artistry that goes into both cannot be overlooked. It is one of the vaster categories, awarding everything from realistic styles and methods in meticulous period dramas, to imaginative but coherent looks in fantasy and sci-fi, to ground-breaking special effects makeup in everything from superhero movies to horror.
All of these different approaches are likely to be rewarded with a nomination next year, with both Black Panther and Deadpool 2 likely to be recognized on the superhero front. Vice will also likely be given credit for its era-accurate styling, as well as making Christian Bale into a convincing Dick Cheney, while Mary Queen of Scots will earn a nod for its stunning level of period detail. As for the most likely winner though, that goes to Disney’s The Nutcracker and the Four Realms, whose psychedelic and ballet-inspired fantasy allows it to show out with boundary-pushing hair and makeup again and again.
Costuming is another element of filmmaking whose integrity to good world-building and storytelling often goes overlooked, but thankfully the academy makes sure to spotlight the tireless efforts of those who research, design and make film’s best costumes. Disney has a strong showing here too, again for the achievement of creating an organic and historically-grounded culture in Black Panther, for no doubt coming up with a charming but era-appropriate wardrobe in Mary Poppins Returns, and for going all out with the theatrical costumes for the number of well-recognised sects of characters in The Nutcracker and the Four Realms.
Aside from the mouse, Warner Bros could sneak in and win with Fantastic Beasts: The Crimes Of Grindelwald, whose costuming includes both a period-accurate wardrobe to late 1920s America and more magical fantastical elements. As for my bet, I am confident in a win for The Favourite, a quiet but tense historical drama that sees two cousins jockeying for favor in the court of Queen Anne in the 18th century.
As has historically been the case, the category for best director is sadly lacking in potential female nominees, with Marielle Heller the only woman likely to garner a mention. Can You Ever Forgive Me, her tale of a celebrity biographer who adapts by somewhat questionable means when tastes in celebrity changes, has received high praise from critics, but it is also the dark horse in a highly contested category.
Alongside Heller are names responsible for movies you should already be familiar with by this point on the list, whether that’s Adam McKay for Vice, Steve McQueen for Widows, Yargos Lanthimos for The Favourite or Barry Jenkins for If Beale Street Could Talk. However, the final award is far more likely to go to some names we haven’t mentioned thus far, whether that’s acclaimed director Alfonso Cuarón for his work on Netflix’s 1970s drama ROMA, or first-time director Bradley Cooper for his take on the timeless classic A Star Is Born. Between the two, Cuarón is the more likely, but given the academy’s love of movies depicting stardom and stars’ fall from grace, I’d love for Cooper to take the win.
Best Supporting Actor
Best supporting actor is another category that balances the expected names with some true surprises, and likewise splits the difference between up-and-coming new talent and household names. Given his extensive back catalog, it’s no surprise to see Steve Carell in the running, but it might be more shocking that, if he is nominated, it will be for his serious dramatic performance in Vice. Likewise, Adam Driver’s fame can mostly be attributed to his excellent performances in comedies and more recently sci-fi epics, making his performance in BlacKkKlansman all the worthier of a mention.
As for the actors the award is likely to come down between, Timothee Chalamet could clinch it with his performance in Amazon’s Beautiful Boy, a biographical drama following one high-achieving teen’s descent into meth addiction and the lengths his father will go to protect him. The most likely winner is Mahershala Ali though, whose part in Green Book as Jamaican-American classical pianist Don Shirley has one critics over for both its dramatic weight and comedic timing.
Best Supporting Actress
The best supporting actress category is always a competitive one, but the choices for the 2019 Oscars are particularly strong. There are quite a few award season darlings in contention this season, from Margot Robbie for Mary Queen Of Scots, to Claire Foy in First Man, to Nicole Kidman in Boy Erased – a coming-of-age drama and true story of Jared Eamons, the gay son of Baptist pastor who is forced to endure conversion therapy, in which Kidman plays the mother.
In the end though, it comes down to just a few key names, and even fewer titles. Emma Stone and Rachel Weiz are both likely to be nominated for their work in The Favorite, where they play rival cousins vying for the Queen’s affection. Amy Adams is also likely to be acknowledged for her work on Vice, where she played former Second Lady of the United States Lynne Chaney. Overall though, my bet is with Regina King, whose performance in If Beale Street Could Talk as Sharon Rivers is one of the strongest parts of an already strong film.
Aside from in a few standout cases (the year Leonardo Di Caprio was finally granted a win comes to mind) the category of best actor at the Oscar’s is notoriously hard to predict. However, it’s impossible not to acknowledge that there are some clear front-runners, as well as some dark horses that could upset the race once their movies hit theaters.
For example, Christian Bale’s portrayal of Dick Cheney in Vice is almost certainly going to be a top nomination if not a winner, and it would be similarly crazy not to give credit to John David Washington for his performance as the first black police officer in Colorado Springs in BlackKklansman. Less universally adored but still well received is Ryan Gosling’s performance as Neil Armstrong in First Man and, in a similar vein, Rami Malek could well win it for his portrayal of musical legend Freddie Mercury in Bohemian Rhapsody. With that said, if you’re looking for a safe bet, then Bradley Cooper would be the way to go, as his take on the classic by-gone rock star archetype in A Star Is Born has been loved by audiences and critics alike.
Speaking of A Star Is Born, the best actress category gives Lady Gaga a serious chance to add to her burgeoning collection of acting awards, with her performance as Ally slanted to land her an Oscar to put next to her American Horror Story Golden Globe. Also in the running is Melissa McCarthy for Can You Ever Forgive Me, for her memorable and unique portrayal of Lee Isreal, a biographer who after falling on hard times, resorted to forging letters from dead celebrities, and then stole genuine ones from library archives to sell.
Of course, there are also a few less obvious choices still worth gambling on. Olivia Colman’s performance as Queen Anne in The Favourite is still a relatively safe bet considering the Academy’s love of period dramas, as is Yalitza Aparicio’s performance in ROMA where she plays Cleo, a maid in Mexico City whose personal tragedies are set against the backdrop of increasingly violent student protests in the 1970s. Overall though, my pick for best actress comes from a film I haven’t yet mentioned – The Wife. In The Wife, Hollywood legend Glenn Close plays Joan Archer, a promising writer who ends up ghost writing her husband’s books, while he goes on to win the Nobel Prize in literature and claims she does not write at all. Her performance in this drama is pitch-perfect and achingly prescient, leading me to believe she is the hottest pick for the win.
By now, all the names in contention for best picture should be familiar to you. Vice, First Man, BlacKkKlansman, Widows, any of these titles have an almost certain chance of nomination and a fair chance of winning to boot. Separating out the likely winners from those just nominated is a case of weeding out the merely strong from the even stronger, but that does not mean it is an impossible task.
In terms of what the Academy has been shown to gravitate towards, the safest pick would probably be A Star Is Born, especially given its added boon of having a first-time director at the helm, as well as a leading lady only just growing into her own as an actress. Similarly, it is well known that aristocratic period dramas offering a peek behind the curtain of royalty often find favor come awards season, and The Favourite is definitely that. If you want to go by odds though, then the chances are it will come down to either If Beale Street Could Talk or ROMA, and out of those your best pick is whichever one you find yourself moved by more.


The Devil You Don't Know
Try as hard as they might, my aunts and uncles could never convince my grandfather to watch "Room 222."
Their reason for thinking he'd like it was the same reason he knew he wouldn't: it was about his life.
No, he'd never really taught in a mostly-black inner-city setting. But he'd done plenty of time teaching high school. And that meant he had no interest. Partly he just had no interest in coming home from doing something and then watching it. Of course, in general, he didn't watch much TV and never has, except for football ... though for a while, his fondness for Whoopi Goldberg's humor had him making the first few minutes of "Hollywood Squares" appointment TV.
But I find this a lot. Many doctors don't watch "ER," and those who do always tell me how they get stuff wrong. Well, they get, say, treatments right -- when they shout "20 cc's of diaglucosimide," it's usually accurate. But they get the other stuff -- hospital politics, relationships, etc. wrong.
But still, I find it a little surprising that they always seem to get theatre wrong.
Didn't these people -- actors, writers, directors -- work in theatre at some point? Not Broadway, they probably didn't, and I wouldn't know what's right and what's wrong anyway. No, I mean little plays -- like school plays, community and regional theatre. Are there really creative people in Hollywood who didn't sing in the chorus in THE SOUND OF MUSIC in 10th grade? Who weren't a squirrel in a kindergarten SNOW WHITE?
And if they weren't ... their kids aren't doing them now?
So why do they always get them so terribly, terribly wrong? This is my beat, after all. I know a thing or two about this.
For one thing, I've said this before, but why does every school play in a movie or TV seem to have a 70 thousand dollar budget? Who is building these sets and stitching these costumes? You remember what school plays were like -- cardboard sets, kids wearing their fathers' bathrobes, etc. I think it's just runaway hubris -- you hire a professional art director to design this stuff and of course you'll get things that look like professional art direction.
You know what else really bugs me? When they show people in rehearsals wearing nearly full costumes. Look, sometimes people will wear a rehearsal skirt, shoes, or a jacket ... may a corset or something if the costume will require something odd to affect movement. But there's really no reason to have somebody cavorting around in full costume while he still has a script in his hand.
But, as much as this annoys me, it's just dressing. I understand that audiences need to be spoon fed ... or at least we think they do. One of the reasons I love Waiting for Guffman is that it gets everything right ... well, with a satirical overemphasis, sure, but just about all of us have been in a show very much like RED WHITE AND BLAINE.
But what really gets in my craw is when a plot point hinges on a fundamental lack of understanding of the world.
I first noticed this on an episode of "Ed." "Ed" frequently irritated Amanda with stuff like this. They had a few episodes that hinged on academic matters -- her field -- and they always blew it. Like, one episode had characters tying themselves in knots over a kid who had a shot at big time academic scholarships worrying about not getting into college because PE was ruining his GPA. Like one afternoon of phone calls to Harvard and company couldn't take care of that.
The "Ed" episode that offended me with its sheer lack of logic involved the family of a young black kid suing the school because he wasn't cast as Abraham Lincoln in a play. Did anybody bother to tell them that schools do color blind casting all the time? I think most school theatre directors would love the mildly subversive irony of casting an African American Lincoln.
Okay, maybe in a town in Ohio, where "Ed" was set, they aren't quite progressive enough to go for that. I doubt it, but maybe.
But I can guarantee you ... GUARANTEE you, that there is not a school in Massachusetts that would refuse to cast a black girl as the title role in ANNIE. Yet that very issue was at the heart of an episode of "Boston Legal" a few months ago.
Look, the politics of Massachusetts school theatre directors probably skews about 90-10 liberal. The only reason somebody might hesitate to cast an African American Annie -- and I believe the show established that the girl could act and had a great voice -- would be if he or she HAD to cast a white Daddy Warbucks and worried about telling a story of a rich white man "saving" a poor black girl. Even then, I think most people wouldn't worry about it.
SIDEBAR: Man, is ANNIE a lame show. There is so much good dramatic potential in the character of Little Orphan Annie. Remember how much Ralphie loved her in A Christmas Story? She's one of the great little-girl adventurers of all time. But for some reason, they chose to use none of that and do a generic "Cinderella" remake. Hey, "Cinderella's" a great story, but why buy the rights to Little Orphan Annie and then create something that misses everything that makes her special? Oh, and the music sucks too.
Anyway I didn't see that episode of "Boston Legal." Maybe they had more complicated reasons than my simplified summary assumes. But probably I'm right and they're stupid.
I know I'm right about a recent episode of "Desperate Housewives" that featured a subplot about Felicity Huffman's character working on a private-elementary school production of LITTLE RED RIDING HOOD. She was shocked and offended that the evil mom who ran these things was going to change the script (which appeared to be a published edition) so that wolf wasn't really evil and didn't get killed by the hunter in the end.
I have worked on three different versions of LITTLE RED RIDING HOOD -- played the wolf once, assistant-directed the second, and directed the third. The first play I ever saw, when I was two years old, the play that got me hooked on theatre, was LITTLE RED RIDING HOOD.
And none of them have the wolf die in the end. Only one of the four had a villainous wolf and that one went out of its way to make him look goofy, stupid, and non-threatening. In fact, I would wager that there is not a published version of the play available in this country that plays the story straight. (INTO THE WOODS doesn't count, since it's not geared specifically for kids)
Why don't any scripts do "the real story"?
Well, because there's no surer way to freak out an audience of four-year-olds, and make sure your school or theatre gets bombarded with nasty letters, than to put an evil wolf on stage and have him successfully consume people.
(And, oh, there isn't any one "real version" of the story ... early ones have Red getting eaten and staying eaten and the wolf gets away with it ... SLEEP TIGHT, KIDS!)
Incidentally, if I were ever to write a LITTLE RED, I'd probably want to play it pretty close to the bone, mostly just to resuscitate Little Red Riding Hood as a hero. Most of these "the wolf is really the good guy" ones make her the bad guy and even the "just plain goofy" ones make her inane and insignificant.
But my point ... the writers of "Desperate Housewives" should have known better and I'm smarter than everyone.
... That is kinda the point of all these entries.
Friday, February 11, 2005
The Devil You Don't Know


Freaky Friday Earns Eight Orpheum Nominations
23 Apr, 2019
The talented cast and crew of Freaky Friday earned eight nominations from the Orpheum High School Musical Theatre Awards. The group was nominated in the following categories:
Outstanding Overall Production - Freaky Friday
Outstanding Small Ensemble - the cops
Bravo Nomination - Elliot Shah
Outstanding Featured Actress - Liv Shallow
Outstanding Supporting actress - Hazel Brady
Outstanding Lead Actress - Summer Edwards
Outstanding Direction - Ann Neal
"We are blessed and humbled by these nominations," said Ann Neal, Theatre Arts Director. "I am so proud of this fantastic cast. And as always, we congratulate all the other schools' performances. There is nothing like the talent of the young people in this area. Thank you Orpheum for recognizing them."
The Orpheum High School Musical Theatre Awards will be held Thursday, May 23, at the Orpheum. The HSMTA program supports, promotes, and enhances high school musical theatre throughout the Mid-South. Modeled after the Tony Awards®, the High School Musical Theatre Awards recognizes achievements in all areas of high school musical theatre and brings together hundreds of students from all over the region to share their talents and collaborate with one another.
04 JuneBe Peace. Build Peace. Preach Peace.
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Cuddles, Canines, and Cinema: A Christmas Movie Marathon with Your Dog for Cozy Nights In
Updated On: Tuesday, November 28, 2023 10:34:19 AM America/Los_Angeles
As the winter winds bring a chill to the air and the festive season approaches, there's no better way to embrace the holiday spirit than by hosting a Christmas movie marathon. This year, why not take the coziness up a notch and make it a memorable experience by including your furry friend? In this blog post, we'll guide you through the perfect recipe for a heartwarming Christmas movie marathon with your dog, ensuring your nights in are filled with warmth, laughter, and the unconditional love of your canine companion.
Photo by Mark Zamora
Set the Scene for Snuggles
Transform your living space into a haven of warmth and festive cheer. Dim the lights, light some candles or twinkle lights, and arrange your coziest blankets and pillows. Dogs, like us, appreciate a comfortable setting, and creating a cozy atmosphere enhances the movie marathon experience for both you and your four-legged friend.
Cozy Canine Nooks
Before hitting play, ensure your dog has their own designated cozy spot. Whether it's their favorite dog bed, a soft blanket, or right next to you on the couch, make it a snug space where they can curl up and enjoy the movie. Consider placing a few of their favorite toys nearby for added comfort.
Doggie Delights and Movie Munchies
No movie marathon is complete without snacks! While you indulge in your favorite treats, don't forget about your pup. Prepare some dog-friendly snacks like homemade treats or grab some canine-approved goodies from the pet store. This way, your dog can join in the snacking fun, making it a truly shared experience.
Canine-Approved Movie Selection
Curate a movie list that caters to both human and canine audiences. Look for films featuring heartwarming stories, delightful animations, or even movies with canine protagonists. Classics like "Home Alone," "The Grinch," or "Lady and the Tramp" are excellent choices that can entertain both you and your furry friend.
Interactive Movie Moments
Make the movie marathon interactive by incorporating moments that engage your dog. If the movie features animals or sounds that might capture their attention, watch for their reactions and interact accordingly. Keep some toys nearby for playtime during intermissions, turning the movie night into an engaging experience for your pup.
Capture the Memories
Take a break from the screen to capture the adorable moments. Whether it's your dog snuggled up with you, reacting to a funny scene, or enjoying their treats, these moments are precious and worth preserving. Snap some pictures or record short videos to immortalize the coziness of your Christmas movie night.
If your pup needs a bathroom break during your Christmas movie marathon, DoggieLawn offers the ultimate convenience. This subscription service delivers fresh, real grass patches to your doorstep regularly. It provides a mess-free and natural solution for indoor potty needs, allowing your dog to take care of business without interrupting your cozy movie night. With DoggieLawn, you can ensure your furry friend stays comfortable and content throughout the entire movie marathon experience, making it a stress-free holiday for both of you. Don't forget to include this fantastic service in your checklist for the perfect Christmas night in with your dog.
A Christmas movie marathon with your dog is more than just a night of entertainment; it's a celebration of togetherness and the joy of the holiday season. By setting the scene for snuggles, ensuring canine comfort, and curating a canine-approved movie list, you're creating an experience that both you and your furry friend will cherish. So, grab the remote, share some snacks, and embark on a cozy cinematic journey with your dog by your side – because the best movie nights are the ones spent with those you love, even if they have four legs.


when people say that raising the minimum wage will hurt workers because of layoffs or inflation they’re really just admiting that capitalism is structurally unable to provide an adequate standard of living for the working class
new zealand’s finest
It’s Okay It’s Love(2014)
This drama is tragically and beautifully written. We rarely see the deglamorized reality of Mental Illness and the stigmas that come with it. I would highly suggest this drama to everyone! You don’t even have to be a drama fan to appreciate this amazingly well written story.
In some east Asian countries, mental illness carries even more of a stigma then it does in the UK and the US, which makes this film so much more important.
Ok I cried this drama needs so much more attention
- The two male leads both suffer from mental illnesses
- The male lead has very severe schizophrenia
- He also has PTSD and can only sleep in his bathtub
- His friend (the second male) has Tourette’s which is consistently portrayed
- They DO NOT HOLD BACK on the ableist statements and remarks posed to the characters at all
- Nearing the end of the drama the male lead completely loses his grasp on reality with a severe relapse
- Neither character gets miraculously 100% cured (both are indicated to still take medication)
- They make peace with their illnesses and it’s a happy ending
The drama’s writers were also recently given a plaque for their efforts in raising awareness for this, and it breaks the stereotype of the conventional ‘perfect family’ K-drama. Seriously, go watch this.
How it’s always been
70% of the black panthers in the 1970’s were women, black women will always be an important part of this movement


6th Edition of Women International Film Festival successfully closes in Islamabad
The closing ceremony of Women International Film Festival (WIFF) took place on 13th March 2022, concluding the week-long film festival. The closing ceremony took place at the Islamabad Foreign Women Association (IFWA), hosted by the Austrian Embassy Islamabad.
H. E. Nicolaus Keller, Ambassador of Austria to Pakistan kicked off the ceremony and commended the efforts of Women Through Film and its founder & curator, Madeeha Raza. The Austrian Ambassador thanked the festival director and team and spoke about the significance of such cross-cultural activities. He expressed his desire to collaborate with the festival on a bigger scale in the near future.
In addition to the opening remarks, Fly Away Home – an Austrian feature film was screened. The film follows a 9-year-old girl and her family struggle without a home or money as the Russian military moves in to occupy their section of Vienna at the end of World War II.
Lastly, the WIFF team thanked the partners who made this year’s edition possible. For the future, the dream for WIFF is travel to more cities, partner with more organizations, and spread the message of WIFF far and wide.
The film festival ran from March 8th to 13th, with intercity screenings in Faisalabad and Peshawar, and public screenings that successfully took place on the 11th and 12th March at the PNCA Islamabad. This year the festival screened 13 films made by women from all over the world, including two films by Pakistani filmmakers, namely Mrs. Khan by Mariam Majid and Teddy 2.0 by Fatima Butt. Besides these films, the festival will also feature films received from Australia, Egypt, Estonia, France, India, Iran, Mexico, and Russia, along with two feature length films – It is Not Over Yet in collaboration with the Royal Danish Embassy, and Fly Away Home
This year, the project was supported by the Embassy of the Federal Republic of Germany, the Embassy of France in Pakistan, and the British Council.
About Women Through Film
Women Through Film, the curating entity for WIFF, is a Pakistan based initiative trying to encourage and facilitate young girls and women to use self-expression, storytelling, and fiction through filmmaking to raise their voice and create social change. It is an initiative to celebrate the success stories, struggles, and achievements of inspiring women from all walks of life. We aim to create an army of vocal, confident, fearless, and economically independent female filmmakers who can tell stories about issues that affect them, using film and other interactive media.
Email: [email protected]