PSYCHO kommt. Man hält inn Zunichst für einen harmlosen Spanner, der es letztlich auf die gestohlenen 40, Dollar abgesehen hat. Wie ein Schock wirkt es. Viel mehr als nur ein Horrorfilm: Mit seinem Film "Psycho" hinterließ Alfred Hitchcock gewaltige Spuren in der Filmgeschichte. Denn der. Psycho IV – The Beginning. Psycho ist ein US-amerikanischer Spielfilm aus dem Jahr und eine Neuverfilmung von Die große Ähnlichkeit mit dem Film von Hitchcock macht die Verfilmung von Van Sant angreifbar, denn die Unterschiede werden Psycho () • Psycho II () • Psycho III () • Psycho ().
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Psycho ist ein US-amerikanischer Thriller mit Horror-Elementen von Alfred Hitchcock aus dem Jahr Der für vier Oscars nominierte Film gilt als eines seiner zentralen Werke und ist ein Klassiker des amerikanischen Kinos. Das American Film Institute wählte Psycho auf den ersten Rang der Psycho II (), Psycho III () und Psycho IV – The Beginning (). Psycho IV – The Beginning. Psycho ist ein US-amerikanischer Spielfilm aus dem Jahr und eine Neuverfilmung von Die große Ähnlichkeit mit dem Film von Hitchcock macht die Verfilmung von Van Sant angreifbar, denn die Unterschiede werden Psycho () • Psycho II () • Psycho III () • Psycho (). Mit Psycho sprengte der Meister des Suspense, Alfred Hitchcock, Erwartungshaltungen und Genrekonventionen und schuf einen Schocker (für damalige. Psycho. 1 Std. 48 diversden.euer. Eine diebische Immobilienmaklerin für vier Oscars nominiert und häufig als der großartigste Film aller Zeiten betitelt. Psycho - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | diversden.eu Viel mehr als nur ein Horrorfilm: Mit seinem Film "Psycho" hinterließ Alfred Hitchcock gewaltige Spuren in der Filmgeschichte. Denn der. PSYCHO kommt. Man hält inn Zunichst für einen harmlosen Spanner, der es letztlich auf die gestohlenen 40, Dollar abgesehen hat. Wie ein Schock wirkt es.
Psycho - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | diversden.eu Psycho. 1 Std. 48 diversden.euer. Eine diebische Immobilienmaklerin für vier Oscars nominiert und häufig als der großartigste Film aller Zeiten betitelt. Psycho ist ein US-amerikanischer Thriller mit Horror-Elementen von Alfred Hitchcock aus dem Jahr Der für vier Oscars nominierte Film gilt als eines seiner zentralen Werke und ist ein Klassiker des amerikanischen Kinos. Das American Film Institute wählte Psycho auf den ersten Rang der Psycho II (), Psycho III () und Psycho IV – The Beginning (). Home Film Psycho. Das könnte dich auch interessieren. Abgesehen davon, Film Psycho der Film in Farbe ist, orientiert er sich sehr stark an Hitchcocks ursprünglichem Werk. Dessen junger Eigentümer, Norman Bateserzählt Marion, dass er mit seiner kranken Mutter nebenan in einem viktorianischen Haus lebe und keinerlei Freunde habe. Als Cineplex Rudolstadt überraschend erkrankte, übernahm Bass auch die Regie dieser Szene. Psycho inspirierte zahlreiche Nachahmungen; viele Regisseure haben Goldständer Werk in ihren eigenen Filmen Tribut gezollt. Vor allem das ist auch heute noch furchterregend anzuschauen. Das Haus kostete rund Schauspielerinnen und Schauspieler. User folgen 4 Follower Lies die 26 Kritiken.
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Zowat elk aspect uit en aan de film heet geniaal te zijn. En dat is, zonder overdrijven, ook zo.
De haast ondraaglijke spanning wordt nog eens extra onderstreept door de magistrale soundtrack van Bernard Herrmann.
Een klassieker zonder weerga. Vanwege de verstrengde maatregelen, schort Cinema ZED al haar vertoningen met onmiddellijke ingang op.
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Alternate Versions. Rate This. Director: Alfred Hitchcock. Writers: Joseph Stefano screenplay by , Robert Bloch based on the novel by.
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Top Rated Movies 40 Nominated for 4 Oscars. Edit Cast Complete credited cast: Anthony Perkins Norman Bates Vera Miles Lila Crane John Gavin Sam Loomis Janet Leigh Marion Crane Martin Balsam Milton Arbogast John McIntire Even later komt Norman de kelder binnen, gekleed in de kleren van zijn moeder en met een pruik op.
Hij valt Lila aan, maar Sam komt net op tijd om haar te redden. Sam en Lila ontvluchten het motel en bellen de politie, die Norman arresteert.
Een psychiater geeft nadien uitleg: Norman lijdt aan een psychose waardoor zijn dode moeder in zijn fantasie bleef voortbestaan en hem tot de moorden aanzette.
De psychose veroorzaakt bij hem tevens een gespleten persoonlijkheid , waarbij de tweede persoonlijkheid die van zijn moeder is.
Ook komt men meer over Normans verleden te weten: hij had zijn moeder en haar nieuwe geliefde gedood omdat hij het niet kon hebben dat ze met een andere man omging.
Psycho is gebaseerd op de gelijknamige roman van Robert Bloch , die op zijn beurt weer gebaseerd is op de zaak van Ed Gein , een veroordeelde seriemoordenaar uit Wisconsin.
Hitchcocks thuisstudio verwierp het idee om het boek te verfilmen, maar Hitchcock kocht desondanks de filmrechten op het boek.
Hitchcock kreeg van Paramount niet het budget dat hij voor zijn vorige films had gekregen. Hij huurde zelfs de crew van die serie in om mee te helpen aan de film.
Hij financierde de film persoonlijk. Opnames vonden plaats van 11 november tot 1 februari Hitchcock stond erop dat Bernard Herrmann de muziek voor Psycho zou componeren, ondanks dat hij Herrmann niet het bedrag dat hij normaal voor zijn diensten vroeg kon betalen.
Eerste reacties van critici op de film waren gemengd, maar het grote publiek reageerde positief. Het werd een van de succesvolste zwart-witfilms ooit.
Hedendaags wordt Psycho beschouwd als de beste film uit Hitchcocks oeuvre. De hele film was voor mij een grote grap. Ik was geschokt toen ik merkte dat mensen het allemaal heel serieus namen.
Het succes van Psycho maakte van Anthony Perkins in een klap een bekend acteur. Hij begon echter al snel last te krijgen van typecasting.
Leigh kreeg na uitkomst van de film jarenlang geregeld brieven en soms telefoontjes waarin anonieme mensen haar vertelden wat zij graag zouden doen met Marion Crane.
Deze meldde haar later dat de dader was gevonden. Anders dan het origineel, zijn deze alle drie in kleur. Hoofdrolspeler Perkins keert in alle delen terug als Norman Bates.
Hoewel Van Sant een vrijwel exacte kopie van de versie van Hitchcock maakte met andere acteurs , waren de reacties op zijn versie gemengd.
De film kreeg een Golden Raspberry Award. In werd de film opgenomen in het National Film Registry. Uit Wikipedia, de vrije encyclopedie.
Dit artikel gaat over de originele film uit Voor de nieuwe versie uit , zie Psycho Alfred Hitchcock and the Making of Psycho.
Dembner Books, , p.
Hitchcock preferred to focus the audience's attention on the solution to the mystery,  and Stefano thought such a relationship would make Sam Loomis seem cheap.
This provided some shock effect because toilets almost never were seen in American cinema in the s. Stefano thought this would make it easier to conceal the truth about "Mother" without tipping that something was being hidden.
Paramount, whose contract guaranteed another film by Hitchcock, did not want Hitchcock to make Psycho.
Paramount was expecting No Bail for the Judge starring Audrey Hepburn , who became pregnant and had to bow out, leading Hitchcock to scrap the production.
Their official stance was that the book was "too repulsive" and "impossible for films", and nothing but another of his star-studded mystery thrillers would suffice.
To keep costs down, and because he was most comfortable around them, Hitchcock took most of his crew from his television series Alfred Hitchcock Presents , including the cinematographer, set designer, script supervisor, and first assistant director.
Paramount distributed the film, but four years later Hitchcock sold his stock in Shamley to Universal's parent company MCA and his remaining six films were made at and distributed by Universal Pictures.
The film, independently produced and financed by Hitchcock, was shot at Revue Studios ,  the same location as his television show. This provided an angle of view similar to human vision, which helped to further involve the audience.
Before shooting began in November, Hitchcock dispatched assistant director Hilton A. Green to Phoenix to scout locations and shoot the opening scene.
The shot was supposed to be an aerial shot of Phoenix that slowly zoomed into the hotel window of a passionate Marion and Sam.
Ultimately, the helicopter footage proved too shaky and had to be spliced with footage from the studio. Footage of her driving into Bakersfield to trade her car is also shown.
They also provided the location shots for the scene in which she is discovered sleeping in her car by the highway patrolman. Green also took photos of a prepared list of locations for later reconstruction in the studio.
These included many real estate offices and homes such as those belonging to Marion and her sister. Lead actors Perkins and Leigh, were given freedom to interpret their roles and improvise as long as it did not involve moving the camera.
Leigh took the joke well, and she wondered whether it was done to keep her in suspense or to judge which corpse would be scarier for the audience.
Hitchcock was forced to uncharacteristically do retakes for some scenes. The final shot in the shower scene, which starts with an extreme close-up on Marion's eye and zooms in and out, proved difficult for Leigh because the water splashing in her eyes made her want to blink, and the cameraman had trouble as well because he had to manually focus while moving the camera.
Hitchcock forced retakes until all three elements were to his satisfaction. According to Hitchcock, a series of shots with Arbogast going up the stairs in the Bates house before he is stabbed were done by assistant director Hilton A.
Green, working with storyboard artist Saul Bass' drawings only while Hitchcock was incapacitated with the common cold. However, upon viewing the dailies of the shots, Hitchcock was forced to scrap them.
He claimed they were "no good" because they did not portray "an innocent person but a sinister man who was going up those stairs".
Filming the murder of Arbogast proved problematic owing to the overhead camera angle necessary to hide the film's twist.
A camera track constructed on pulleys alongside the stairway together with a chairlike device had to be constructed and thoroughly tested over a period of weeks.
Alfred Hitchcock's cameo is a signature occurrence in most of his films. In Psycho , he can be seen through a window—wearing a Stetson hat —standing outside Marion Crane's office.
Others have suggested that he chose this early appearance in the film in order to avoid distracting the audience. The murder of Leigh's character in the shower is the film's pivotal scene and one of the best-known in all of cinema.
As such, it spawned numerous myths and legends. It was shot from December 17—23, , after Leigh had twice postponed the filming, firstly for a cold and then her period.
The combination of the close shots with their short duration makes the sequence feel more subjective than it would have been if the images were presented alone or in a wider angle, an example of the technique Hitchcock described as "transferring the menace from the screen into the mind of the audience".
To capture the straight-on shot of the shower head, the camera had to be equipped with a long lens. The inner holes on the shower head were blocked and the camera placed a sufficient distance away so that the water, while appearing to be aimed directly at the lens, actually went around and past it.
The soundtrack of screeching violins, violas, and cellos was an original all-strings piece by composer Bernard Herrmann titled " The Murder ". Hitchcock originally intended to have no music for the sequence and all motel scenes ,  but Herrmann insisted he try his composition.
Afterward, Hitchcock agreed it vastly intensified the scene, and nearly doubled Herrmann's salary. There are varying accounts whether Leigh was in the shower the entire time or a body double was used for some parts of the murder sequence and its aftermath.
In an interview with Roger Ebert and in the book Alfred Hitchcock and the Making of Psycho , Leigh stated she was in the scene the entire time and Hitchcock used a stand-in only for the sequence in which Norman wraps Marion's body in a shower curtain and places it in the trunk of her car.
Riggs says that this is when she and Leigh became acquainted. As you know, you could not take the camera and just show a nude woman, it had to be done impressionistically.
So, it was done with little pieces of film, the head, the feet, the hand, etc. In that scene there were 78 pieces of film in about 45 seconds.
A popular myth emerged that ice-cold water was used in the shower scene to make Leigh's scream realistic. Leigh denied this on numerous occasions, saying the crew was accommodating, using hot water throughout the week-long shoot.
This was refuted by several figures associated with the film, including Leigh, who stated: "absolutely not! I have emphatically said this in any interview I've ever given.
I've said it to his face in front of other people I was in that shower for seven days, and, believe me, Alfred Hitchcock was right next to his camera for every one of those seventy-odd shots.
Green , the assistant director, also refutes Bass' claim: "There is not a shot in that movie that I didn't roll the camera for.
And I can tell you I never rolled the camera for Mr. Commentators such as Stephen Rebello and Bill Krohn have argued in favor of Bass' contribution to the scene in his capacity as visual consultant and storyboard artist.
According to Bill Krohn's Hitchcock At Work , Bass' first claim to have directed the scene was in , when he provided a magazine with 48 drawings used as storyboards as proof of his contribution.
Krohn notes that this final transition is highly reminiscent of the iris titles that Bass created for Vertigo. In order to create an ideal montage for the greatest emotional impact on the audience, Hitchcock shot a lot of footage of this scene which he trimmed down in the editing room.
He even brought a Moviola on the set to gauge the footage required. The final sequence, which his editor George Tomasini worked on with Hitchcock's advice, however did not go far beyond the basic structural elements set up by Bass' storyboards.
According to Donald Spoto in The Dark Side of Genius , Hitchcock's wife, Alma Reville , spotted a blooper in one of the last screenings of Psycho before its official release: after Marion was supposedly dead, one could see her blink.
According to Patricia Hitchcock , talking in Laurent Bouzereau 's "making of" documentary, Alma spotted that Leigh's character appeared to take a breath.
In either case, the postmortem activity was edited out and was never seen by audiences. It is often claimed that, despite its graphic nature, the shower scene never once shows a knife puncturing flesh.
Marion had decided to go back to Phoenix, come clean, and take the consequence, so when she stepped into the bathtub it was as if she were stepping into the baptismal waters.
The spray beating down on her was purifying the corruption from her mind, purging the evil from her soul.
She was like a virgin again, tranquil, at peace. Film theorist Robin Wood also discusses how the shower washes "away her guilt".
He comments upon the " alienation effect " of killing off the "apparent center of the film" with which spectators had identified.
Hitchcock insisted that Bernard Herrmann write the score for Psycho despite the composer's refusal to accept a reduced fee for the film's lower budget.
Herrmann used the lowered music budget to his advantage by writing for a string orchestra rather than a full symphonic ensemble,  contrary to Hitchcock's request for a jazz score.
Film composer Fred Steiner , in an analysis of the score to Psycho , points out that string instruments gave Herrmann access to a wider range in tone, dynamics, and instrumental special effects than any other single instrumental group would have.
The main title music, a tense, hurtling piece, sets the tone of impending violence, and returns three times on the soundtrack. There were rumors that Herrmann had used electronic means, including amplified bird screeches to achieve the shocking effect of the music in the shower scene.
The effect was achieved, however, only with violins in a "screeching, stabbing sound-motion of extraordinary viciousness.
Herrmann biographer Steven C. Smith writes that the music for the shower scene is "probably the most famous and most imitated cue in film music,"  but Hitchcock was originally opposed to having music in this scene.
Herrmann reminded Hitchcock of his instructions not to score this scene, to which Hitchcock replied, "Improper suggestion, my boy, improper suggestion.
The second one, over the score for Torn Curtain , resulted in the end of their professional collaboration.
To honor the fiftieth anniversary of Psycho , in July , the San Francisco Symphony  obtained a print of the film with the soundtrack removed, and projected it on a large screen in Davies Symphony Hall while the orchestra performed the score live.
This was previously mounted by the Seattle Symphony in October as well, performing at the Benaroya Hall for two consecutive evenings.
Psycho is a prime example of the type of film that appeared in the United States during the s after the erosion of the Production Code.
It was unprecedented in its depiction of sexuality and violence, right from the opening scene in which Sam and Marion are shown as lovers sharing the same bed, with Marion in a bra.
Another controversial issue was the gender bending element. Perkins, who was allegedly a homosexual ,  and Hitchcock, who previously made Rope , were both experienced in the film's transgressive subject matter.
The viewer is unaware of the Bates' gender bending, until, at the end of the movie, it is revealed that Bates crossdresses as his mother during the attempted murder of Lila.
At the station, Sam asks why Bates was dressed that way. The police officer, ignorant of Bates' split personality, bluntly utters that Bates is a transvestite.
The psychiatrist corrects him and says, "Not exactly". He explains that Bates believes that he is his own mother when he dresses in her clothes.
According to the book Alfred Hitchcock and the Making of Psycho , the censors in charge of enforcing the Production Code wrangled with Hitchcock because some of them insisted they could see one of Leigh's breasts.
Hitchcock held onto the print for several days, left it untouched, and resubmitted it for approval. Each of the censors reversed their positions: those who had previously seen the breast now did not, and those who had not, now did.
They passed the film after the director removed one shot that showed the buttocks of Leigh's stand-in.
Because board members did not show up for the re-shoot, the opening stayed. Another cause of concern for the censors was that Marion was shown flushing a toilet, with its contents torn-up note paper fully visible.
No flushing toilet had appeared in mainstream film and television in the United States at that time. Internationally, Hitchcock was forced to make minor changes to the film, mostly to the shower scene.
In Britain, the BBFC requested cuts to stabbing sounds and visible nude shots, and in New Zealand the shot of Norman washing blood from his hands was objected to.
In Singapore, though the shower scene was left untouched, the murder of Arbogast, and a shot of Norman's mother's corpse were removed.
The next year, a highly edited version missing some feet of film was submitted to the Irish censor.
O'Hara ultimately requested that an additional seven cuts be made: the line where Marion tells Sam to put his shoes on which implied that he earlier had his trousers off , two shots of Norman spying on Marion through the key-hole, Marion's undressing, the shots of Marion's blood flowing down the shower, the shots of Norman washing his hands when blood is visible, incidents of multiple stabbings "One stab is surely enough," wrote O'Hara , the words "in bed" from the Sheriff's wife's line "Norman found them dead together in bed," and Abogast's questions to Norman about whether he spent the night with Marion.
The most controversial move was Hitchcock's "no late admission" policy for the film, which was unusual for the time. It was not entirely original as Clouzot had done the same in France for Diabolique.
However, after the first day, the owners enjoyed long lines of people waiting to see the film. Hitchcock did most of the promotion himself, forbidding Leigh and Perkins to make the usual television, radio, and print interviews for fear of them revealing the plot.
The film's original trailer features a jovial Hitchcock taking the viewer on a tour of the set, and almost giving away plot details before stopping himself.
It is "tracked" with Herrmann's Psycho theme, but also jovial music from Hitchcock's comedy The Trouble with Harry ; most of Hitchcock's dialogue is post-synchronized.
The trailer was made after completion of the film, and because Janet Leigh was no longer available for filming, Hitchcock had Vera Miles don a blonde wig and scream loudly as he pulled the shower curtain back in the bathroom sequence of the preview.
Because the title Psycho instantly covers most of the screen, the switch went unnoticed by audiences for years. However, a freeze-frame analysis clearly reveals that it is Miles and not Leigh in the shower during the trailer.
Percy , was murdered. As her parents slept mere feet away, she was stabbed a dozen times with a double-edged knife.
In light of the murder, CBS agreed to postpone the broadcast. As a result of the Apollo pad fire of January 27, , the network washed its hands of Psycho.
Shortly afterward Paramount included the film in its first syndicated package of post movies, "Portfolio I".
Following another successful theatrical reissue in , the film finally made its way to general television broadcast in one of Universal's syndicated programming packages for local stations in Psycho was aired for 20 years in this format, then leased to cable for two years before returning to syndication as part of the "List of a Lifetime" package.
Psycho has been rated and re-rated several times over the years by the MPAA. Later, when the MPAA switched to a voluntary letter ratings system in , Psycho was one of a number of high-profile motion pictures to be retro-rated with an "M" Mature Audiences.
DiscoVision first released Psycho on the LaserDisc format in "standard play" 5 sides in , and "extended play" 2 sides in October This THX-certified Widescreen 1.
For the DVD release, Laurent Bouzereau produced a documentary looking at the film's production and reception. Universal released a 50th anniversary edition on Blu-ray in the United Kingdom on August 9, ,  with Australia making the same edition with a different cover available on September 1, This release marked the first time that the "Uncut" theatrical version was released on home video in 60 years.
Initial reviews of the film were mixed. While the film did not conclude satisfactorily for the critic, he commended the cast's performances as "fair".
Lejeune was so offended that she not only walked out before the end but permanently resigned her post as film critic for The Observer.
Janet Leigh has never been better", "played out beautifully", and "first American movie since Touch of Evil to stand in the same creative rank as the great European films", respectively.
Mainstream audiences enjoyed the film, with lines stretching outside of theaters as people had to wait for the next showing. This, along with box office numbers, led to a reconsideration of the film by critics, and it eventually received a large amount of praise.
In the United Kingdom, the film broke attendance records at the London Plaza Cinema, but nearly all British film critics gave it poor reviews, questioning Hitchcock's taste and judgment.
Reasons cited for this were the critics' late screenings, forcing them to rush their reviews, their dislike of the gimmicky promotion, and Hitchcock's expatriate status.
Time magazine switched its opinion from "Hitchcock bears down too heavily in this one" to "superlative" and "masterly", and Bosley Crowther put it on his Top Ten list of The site's critical consensus states, "Infamous for its shower scene, but immortal for its contribution to the horror genre.
Because Psycho was filmed with tact, grace, and art, Hitchcock didn't just create modern horror, he validated it.
Psycho was criticized for causing other filmmakers to show gory content; three years later, Blood Feast , considered to be the first " splatter film ", was released.
In Psycho , Hitchcock subverts the romantic elements that are seen in most of his work. The film is instead ironic as it presents "clarity and fulfillment" of romance.
The past is central to the film; the main characters "struggle to understand and resolve destructive personal histories" and ultimately fail.
The myth does not sustain with Marion, who dies hopelessly in her room at the Bates Motel. The room is wallpapered with floral print like Persephone's flowers, but they are only "reflected in mirrors, as images of images—twice removed from reality".
In the scene of Marion's death, Brill describes the transition from the bathroom drain to Marion's lifeless eye, "Like the eye of the amorphous sea creature at the end of Fellini's La Dolce Vita , it marks the birth of death, an emblem of final hopelessness and corruption.
Marion is deprived of "the humble treasures of love, marriage, home and family", which Hitchcock considers elements of human happiness.
There exists among Psycho ' s secondary characters a lack of "familial warmth and stability", which demonstrates the unlikelihood of domestic fantasies.
The film contains ironic jokes about domesticity, such as when Sam writes a letter to Marion, agreeing to marry her, only after the audience sees her buried in the swamp.
Sam and Marion's sister Lila, in investigating Marion's disappearance, develop an "increasingly connubial" relationship, a development that Marion is denied.
He has "an infantile and divided personality" and lives in a mansion whose past occupies the present. Norman displays stuffed birds that are "frozen in time" and keeps childhood toys and stuffed animals in his room.
He is hostile toward suggestions to move from the past, such as with Marion's suggestion to put his mother "someplace" and as a result kills Marion to preserve his past.
Brill explains, " 'Someplace' for Norman is where his delusions of love, home, and family are declared invalid and exposed. Light and darkness feature prominently in Psycho.
The first shot after the intertitle is the sunny landscape of Phoenix before the camera enters a dark hotel room where Sam and Marion appear as bright figures.
Marion is almost immediately cast in darkness; she is preceded by her shadow as she reenters the office to steal money and as she enters her bedroom.
When she flees Phoenix, darkness descends on her drive. The following sunny morning is punctured by a watchful police officer with black sunglasses, and she finally arrives at the Bates Motel in near darkness.
Examples of brightness include the opening window shades in Sam's and Marion's hotel room, vehicle headlights at night, the neon sign at the Bates Motel, "the glaring white" of the bathroom tiles where Marion dies, and the fruit cellar's exposed light bulb shining on the corpse of Norman's mother.
Such bright lights typically characterize danger and violence in Hitchcock's films. The film often features shadows, mirrors, windows, and, less so, water.
The shadows are present from the first scene where the blinds make bars on Marion and Sam as they peer out of the window.
The stuffed birds' shadows loom over Marion as she eats, and Norman's mother is seen in only shadows until the end.
More subtly, backlighting turns the rakes in the hardware store into talons above Lila's head. Mirrors reflect Marion as she packs, her eyes as she checks the rear-view mirror, her face in the policeman's sunglasses, and her hands as she counts out the money in the car dealership's bathroom.
A motel window serves as a mirror by reflecting Marion and Norman together. Hitchcock shoots through Marion's windshield and the telephone booth, when Arbogast phones Sam and Lila.
The heavy downpour can be seen as a foreshadowing of the shower, and its cessation can be seen as a symbol of Marion making up her mind to return to Phoenix.
There are a number of references to birds. Marion's last name is Crane and she is from Phoenix.
Norman comments that Marion eats like a bird. The motel room has pictures of birds on the wall. Brigitte Peucker also suggests that Norman's hobby of stuffing birds literalizes the British slang expression for sex, "stuffing birds", bird being British slang for a desirable woman.
Psycho has been called "the first psychoanalytical thriller. In , the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and was selected for preservation in the National Film Registry.
Psycho has appeared on a number of lists by websites, television channels, and magazines. The shower scene was featured as number four on the list of Bravo Network's Scariest Movie Moments,  whilst the finale was ranked number four on Premiere ' s similar list.
In , the Motion Picture Editors Guild listed the film as the twelfth best-edited film of all time based on a survey of its membership. American Film Institute has included Psycho in these lists:.
Psycho has become one of the most recognizable films in cinema history, and is arguably Hitchcock's best known film. This played on his reader's expectations of traditional plots, leaving them uncertain and anxious.
Hitchcock recognized the effect this approach could have on audiences, and utilized it in his adaptation, killing off Leigh's character at the end of the first act.
This daring plot device, coupled with the fact that the character was played by the biggest box-office name in the film, was a shocking turn of events in The shower scene has become a pop culture touchstone and is often regarded as one of the most terrifying scenes ever filmed.
Its effectiveness is often credited to the use of startling editing techniques borrowed from the Soviet montage filmmakers,   and to the iconic screeching violins in Bernard Herrmann 's musical score.
The scene has been frequently spoofed and referenced in popular culture, complete with the violin screeching sound effects see Charlie and the Chocolate Factory , among many others.
Psycho is considered by some to be the first film in the slasher film genre,  though some critics and film historians point to Michael Powell's Peeping Tom , a lesser-known film with similar themes of voyeurism and sexualized violence, whose release happened to precede Psycho ' s by a few months.
Psycho has been referenced in other films numerous times: examples include the musical horror film Phantom of the Paradise ; the horror film Halloween which starred Jamie Lee Curtis , Janet Leigh's daughter, and Donald Pleasence 's character was named " Sam Loomis " ;  the Mel Brooks tribute to many of Hitchcock's thrillers, High Anxiety ; the Fade to Black ; the Dressed to Kill ; and Wes Craven 's horror satire Scream.
The film boosted Perkins' career, but he soon began to suffer from typecasting. One letter was so "grotesque" that she passed it to the FBI.
Two agents visited Leigh and told her the culprits had been located and that she should notify the FBI if she received any more letters of that type.
Leigh said, "no other murder mystery in the history of the movies has inspired such merchandising. In , it was adapted scene-for-scene into three comic books by the Innovative Corporation.
Anthony Perkins returned to his role of Norman Bates in all three sequels, and also directed the third film.
From Wikipedia, the free encyclopedia. This article is about the film. For the remake, see Psycho film. For the sequels, see Psycho franchise.
Release date. Running time. Play media. See also: Psycho franchise. July 21, Archived from the original on July 27, Retrieved August 18, Turner Classic Movies.
Retrieved April 25, June 22, Retrieved June 15, USC Dornsife. University of Southern California. Retrieved 17 June British Film Institute.
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Edit Cast Cast overview, first billed only: Anthony Perkins Norman Bates Vera Miles Lila Crane Loomis Meg Tilly Mary Robert Loggia Bill Raymond Dennis Franz Warren Toomey Hugh Gillin Sheriff John Hunt Claudia Bryar Emma Spool Robert Alan Browne Ralph Statler Ben Hartigan Judge Lee Garlington Myrna Tim Maier Josh Jill Carroll Kim Chris Hendrie Deputy Pool Tom Holland Deputy Norris Michael Lomazow Edit Storyline It's 22 years later.
Taglines: The mystery continues Edit Did You Know? Trivia Simon Oakley likely would have been brought back as Dr. Richman for this movie.
Raymond in this movie was originally going to be Dr. Richman, played by Simon Oakley, who played him in the original.
But Simon Oakley's health was failing at this point, and he actually passed away just a month or two after this premiered.
Goofs When Norman cuts the sandwich for Mary, the sound effect added is the one of a serrated knife scraping the edge of the plate, whereas the blade that we see on the screen is clearly smooth.
Judge : The basis of the staff report Norman Bates is judged returned to sanity and is ordered released at will.
Alternate Versions The television version includes various extra takes, including one when Norman is on the porch of the house and he says goodbye to Dr.
Soundtracks Piano Sonata Op. Was this review helpful to you? Yes No Report this. Q: Why isn't Norman suspicious of Mary's name?
Q: Who is the killer? Language: English. Runtime: min. Sound Mix: Dolby. Color: Color Technicolor. Edit page. November Streaming Picks. Holiday Picks.
What to Stream on Prime Video. Clear your history. Norman Bates. Lila Crane Loomis. Bill Raymond. Warren Toomey. Sheriff John Hunt.


The Drama program offered at Cataldo is nothing short of spectacular for a K-8 school. Led by the talented Mrs. Jenna Solberg, full-time Music, Strings, and Drama instructor, budding actors and actresses have the opportunity to shine in the spotlight.
As a warm up, K-3rd grade students provide a mini-musical every year. Complete with costumes, song, dance, and speaking parts, these delightful plays entertain parents, students, and the extended community.
The extra-curricular Drama Program is offered to students in grades 4-8. Months of preparation go into these amazing productions! Additional instructors, choreographers, and countless parent volunteers make it all happen.
Willy Wonka, Beauty and the Beast, Mulan…just to name a few…have been performed in recent years.


Dusty is a Toronto-based writer, director and producer. His previous short film, WINTER HYMNS, won the Grand Jury Prize at the 2016 Slamdance Film Festival, the Golden Egg Award at the Reykjavík International Film Festival, Board of Directors Award at the North Carolina Film Festival and Best Short, Best Director and Best Cast at the Canadian Film Fest. His short films have screened at festivals worldwide, including TIFF, VIFF, BFI London Film Festival, Krakow Film Festival and have aired on CBC, Air Canada, Virgin Atlantic, and sold to Shorts International. His feature screenplay THE HUNGRY WILD was developed through the NSI Features First Program and the Whistler Film Festival's Praxis's Screenwriting Lab. Most recently, he received financing for his first feature film through Telefilm Canada's Talent to Watch program. Dusty holds a BFA with honours in film production from York University, is an alumnus of the Reykjavík Talent Lab, TIFF Talent Lab, and was selected to participate in Telefilm Canada's inaugural Not Short on Talent panel at TIFF.


Mary Poppins Baby Shower Party Ideas
Mary Poppins is a magical English nanny. She blows in on the East Wind and arrives at the Banks home at Number Seventeen Cherry Tree Lane, London where she is given charge of the Banks children and teaches them valuable lessons with a magical touch. Julie Andrews, who played the character in the 1964 film adaptation, won the Academy Award for Best Actress. British film magazine Empire included Poppins (as played by Andrews) in their 2011 list of 100 greatest movie characters. With the release of the new Tim Burton Mary Poppins in 2016, she will be crazy popular all over again! Mary Poppins is the iconic nanny. So what better way to welcome baby! Have a “Supercalifragilisticexpialidocious” party!
|Carpetbag centerpiece – if you’re really crafty have a open bottom and pull out some the things Mary Poppins does in the movie.||Kites on the ceiling||Paint cocktail umbrellas black to add to your decorations or party food.|
|Make some “chimney” tables for holding food, or just for decoration.||More chimney table ideas, or make them smaller for table decorations.||Hanging Umbrellas|
|Kite centerpiece or table number||Hanging umbrellas and kites as party decorations.||Door Decoration made from black tissue paper and a cane or a real black umbrella.|


White Ribbon Day, 16 Days of Activism against Gender-based Violence and film premiere of "I Will Not Be Silenced".
White Ribbon Day Preparations
High Commission staff making ribbons for White Ribbon Day
Hand made White Ribbon
Launch of White Ribbon Day at the Amani ya Juu café in Nairobi on 25 November 2014
The High Commissioner addressing the audience at the White Ribbon Day launch
High Commission staff and guests reciting the White Ribbon Day oath
Wangu Kanja calls for an end to violence against women, with Dr Florence Wachira and the High Commissioner looking on
Tegla Loroupe receives a grant from Dr Florence Wachira on behalf of the Australian High Commission
Examples of the messages displayed by High Commission staff for the 16 Days of Activism against Gender-based Violence
The High Commissioner presents his message as part of the 16 Days of Activism
High Commission staff member Tom with his message
High Commission staff member Nick with his message
High Commission staff member Chris with his message
African film premiere of the documentary "I Will Not Be Silenced"
Reception prior to the African film premiere of "I Will Not Be Silenced"
The High Commissioner introduces the film
The audience at the film screening
Charlotte Campbell-Stephen at the Q&A following the film screening


One of my favorite movies is the 2003 "Luther," starring Joseph Fiennes. One of my favorite lines from the movie comes from Luther preaching in the Wittenburg church. I had assumed that the makers of the film may have taken some artisitic license in creating this sermon. But it turns out that some of the words come directly from a letter written by Martin Luther to his friend, Jerome Weller, in 1530. Here is the excellent quote for your edification:
When the devil throws our sins up to us and declares we deserve death and hell, we ought to speak thus:
“I admit that I deserve death and hell.
What of it?
Does this mean that I shall be sentenced to eternal damnation?
By no means.
For I know One who suffered and made a satisfaction in my behalf.
His name is Jesus Christ, the Son of God.
Where he is, there I shall be also.”
-Martin Luther, h/t Justin Taylor


Can it be bad to have too much of a good thing?
The first Guardians of the Galaxy brought a breath of fresh air to the superhero genre, not taking itself too seriously, making fun out of its heroes, talking racoons and trees. The main issue with Guardians of the Galaxy Vol 2 is that the directors have tried to recapture the same essence of playful sillyness but have, unfortunately, taken it a few gags too far. Whilst the majority of the jokes are still genuinely funny, the shear number of them makes you feel the film has been written around the gags, rather than a story line.
In this film we see the team of ragtags, composed of Peter Quill (Chris Pratt), Gamora (Zoe Zaldana), Baby Groot (Vin Diesel), Rocket Racoon (Bradley Cooper) and Drax (Dave Bautista) quickly divided into teams and into their own storylines: Quill spends the majority of the film hoping for a relationship with his long-lost father Ego, an immortal Mr Know It All God (Kurt Russel). Gamora has to deal with sibling issues with her sister, villain Nebula (Karen Gillian). Baby Groot, Rocket and Drax are consigned to smaller side missions, which is a shame a the trio are usually the most entertaining of the group.
The film, written and directed by James Gunn, starts in Misouri in 1980, the year Kurt Russell’s Ego meets Quill’s mum whilst he was visiting earth. 34 years later, the Guardians are in the middle of a battle with an intergalactic squid on a mission that quickly turns sour when Rocket inadvertently crosses a race of gold skin humanoids called The Sovereign, led by Ayesha (Elizabeth Debicki). With the events set in motion the film goes full throttle on family drama: can Gamora and Nebula work through their differences and get over their overly screwed-up childhoold? Can Quill’s Celestial father convince him to leave his team behind and join his side as a demi god? With the main premises for the film established, there isn’t a huge amount of space left for the rest of the team, leaving them more as fringe, support characters.
The family storyline drags a bit, Kurt Russel is an amazing actor, but his part is the least interesting of the whole plot and it stops Chris Pratt from showing off his heroic and goofy self, the entire reason for his casting. Even Chris Pratt’s and Zoe Saldana’s characters, who spend most of the film dabbling in a will they or won’t they relationship struggle (they make very good company together), detracts from the film. The addition of a romantic element, even done in an ironic way, constantly acknowledging itself, is at total odds with the rest of the film.
Don’t get me wrong, it’s still a good film, it’s still an entertaining film and it’s still a funny film. It just isn’t as good as the first one.


MICHAEL FEINSTEIN TO PERFORM AT
GOVERNORS BALL ON OSCAR® SUNDAY
Michael Feinstein, two-time Emmy® and five-time Grammy® Award-nominated entertainer dubbed “The Ambassador of the Great American Songbook,” will take the stage on Oscar Sunday, February 24, at the Academy’s official post-Oscar ® celebration, the Governors Ball.
Feinstein is considered one of the premier interpreters of American standards. His 200-plus shows a year have included performances at Carnegie Hall, Sydney Opera House and the Hollywood Bowl as well as the White House and Buckingham Palace.
Feinstein has received national recognition for his commitment to celebrating America’s popular song and preserving its legacy for the next generation. In 2007, he founded the Michael Feinstein Great American Songbook Initiative, dedicated to celebrating the art form and preserving it through educational programs, Master Classes, and the annual High School Vocal Academy and Competition, which awards scholarships and prizes to students across the country. Through his live performances, recordings, film and television appearances, and his songwriting (in collaboration with Alan and Marilyn Bergman, Lindy Robbins and Carole Bayer Sager), Feinstein is an all-star force in American music.
Feinstein will perform for the Ball’s 1,500 guests, which will include Oscar winners and nominees, show presenters and performers, and other luminaries. The Ball will be held in The Ray Dolby Ballroom on the top level of the Hollywood & Highland Center®.
Oscars for outstanding film achievements of 2012 will be presented on Oscar® Sunday, February 24, at the Dolby Theatre™ at Hollywood & Highland Center®, and will be hosted by Seth MacFarlane. The Oscar presentation will be televised live on the ABC Television Network and in more than 225 countries worldwide. For more information go to Oscar.com or download the official Oscars app.
ABOUT CRAIG ZADAN AND NEIL MERON
Craig Zadan and Neil Meron are producers of critically acclaimed and award-winning feature films, television movies, series, and Broadway productions. Their feature films include The Bucket List, Footloose, Hairspray, and Chicago, which won six Academy Awards including one for “Best Picture.” For television, they’ve produced films of “Steel Magnolias,” ”Life with Judy Garland,” and “A Raisin in the Sun,” among many others and the series “Smash” and “Drop Dead Diva.” They recently returned to their roots in live theater by producing Broadway revivals of the Tony-winning “Promises, Promises” and the Tony-winning 50th Anniversary revival of “How to Succeed in Business Without Really Trying.”


“4 letters” is my first film and it came out so well.” – Hero Eswar
The movie “4 Letters” directed by R. Raghuraj stars Eswar, Tuya Chakraborthy, and Anketa Maharana under the banner Om Sri Chakra Creations. Eswar was born in India but grew up in New York where he completed his studies. His passion for acting pulled him to Hyderabad. Although he was raised in New York, he grew up watching Telugu movies. Eswar acted in many stage plays and performed in Telugu cultural programs across the United States during his college years. He received training from Satyanand Garu from Vizag and had script workshops with the director, R. Raghuraj, before “4 Letters” started filming. Eswar has received praise from Ganesh Master, who choreographed all four songs in the film, about his ability to grasp movements quickly and dance gracefully. He has also sung the song Undha Ledha in the movie which was shot in beautiful locations around Thailand. “4 Letters” is a youth entertainer filled with comedy, emotion, and has amazing songs composed by Bheems Ceciroleo. So get your friends and go see the film on February 22nd! You will definitely enjoy “4 Letters”.
Eswar: “The process of preparing for and acting in my debut movie was amazing. I am blessed to have been surrounded by experienced technicians and actors. Raghu Sir taught me everything I needed to know about my character like the body language and dialogue delivery. Chitti Babu Sir gave us beautiful visuals and made every frame colorful. Personally, I love the songs in our movie. Bheems Sir has given us four upbeat songs which were fun to dance to. His music has reached the audience well and we have gotten very good feedback. The senior actors in our movie gave me good advice about discipline and hard work which I will carry with me throughout my career. I was happy to see that our trailer crossed two million views in two days! It gave us all great energy since our release date is close. I am glad that “4 letters” is my first film and it came out so well.”


Is Captain Kirk from Iowa?
James Tiberius Kirk was born in Riverside, Iowa , on March 22, 2233, where he was raised by his parents, George and Winona Kirk .
What is Captain Kirk’s birthday?
Does James T Kirk ever get married?
He marries Miramanee and lives the happiest few months of his life, culminating in the news that Miramanee is pregnant.
What enterprise did Kirk Captain?
Did Captain Kirk have a son?
By far the biggest event in Kirk’s pre-Enterprise life, however, was his relationship with Carol Marcus and the birth of his son , David, who would eventually feature in The Wrath of Khan.
What was Captain Kirk last words?
His thoughts on that factored into Kirk’s final words , “Oh my.” Shatner recalled the night before filming Kirk’s death scene, explaining what he was thinking that led to those words . “I thought about dying , my death and this beloved character who’s going to be put to rest,” Shatner said.
How did Captain Kirk die?
But in Star Trek Into Darkness, which was set just a year later, Kirk died from warp core radiation poisoning while trying to save the Enterprise. So in the Kelvin timeline, Captain Kirk died at 26 years old.
Is Captain Kirk still alive?
William Shatner, the actor that played Captain James T. Kirk , is still alive . The film Star Trek:Generations begins with the maiden voyage of the Enterprise-B. Kirk and Picard win the day, the planet lives, but Kirk dies of injuries during the fight.
Does James T Kirk die?
James T . Kirk had to go, William Shatner was told. Klingons and Khan couldn’ t kill off Captain James T . Spoilers for a 1994 movie ahead: Kirk , played by Shatner, dies in the feature film Star Trek Generations while working with Star Trek: The Next Generation captain Jean-Luc Picard to stop a deadly missile.
Who Killed Captain Kirk?
Introduction (blurb) The U.S.S. Enterprise has encountered many strange beings and situations but none has chilled them to the bone more than death . Someone aboard the starship has killed Captain Kirk — or so it seems.
Why did Star Trek get Cancelled?
Frustrated with NBC’s refusal to move Star Trek : The Original Series and exhausted from running the first two seasons, Star Trek creator Gene Roddenberry took a severely decreased role in the production of the show’s third season, ceding control to producer Fred Freiberger.
What does the T stand for in Captain James T Kirk?
James Tiberius Kirk
Who was captain of the Enterprise before Kirk?
Who was captain of the Enterprise after Picard?
Star Trek Reveals A TNG Character Became Enterprise Captain After Picard. The new canonical Star Trek: Picard prequel novel has revealed who replaced Jean-Luc Picard ( Patrick Stewart ) as the Captain of the Enterprise: Worf (Michael Dorn).
How many enterprises did Kirk destroy?


Investigation on Luis Moro
HAVANA-Cuban-American filmmaker Luis Moro expressed his disdain for the long-standing U.S. trade and travel restrictions against Cuba in a very public way: he made a movie there.
Moro's Love and Suicide has been shown recently in U.S. film festivals.
The film, linked as it is to Moro's personal crusade against the U.S. embargo, led U.S. officials to investigate Moro for possible violation of U.S. laws that make it almost impossible for most Americans to legally visit communist Cuba.
If officials act against him, Moro says he will refuse to pay any fines, even if it means jail time.
"It's a farce - the embargo has not worked, and it is not going to work," Moro said of the policy imposed since the early 1960s. "I'm committed to fighting this to the end."
Moro, who left Cuba with his mother at the age of 5, says his campaign doesn't mean he favours the Cuban government or its leader Fidel Castro.
"I'm not pro-Castro. I'm anti-embargo," he said by telephone from Los Angeles.
A writer, actor and producer, Moro travelled to Havana in December 2003 to attend a film festival showing one of his movies.
He took the opportunity to shoot Love and Suicide, directed (and co-written with Moro) by Lisa France, using a small digital camera.
Moro says he hopes Love and Suicide will show in Havana's international film festival in December. If it does, he says he'll be back. Without a U.S. licence.


2007 | 1:05 | Trailer for my thesis film The Bronze Door
When I set out to cut this trailer, I studied over 30 different movie trailers to find out which elements made them work. I structured this edit to introduce the concept of the door and that it had some type of dark significance, but I was careful not to use shots which revealed its power. Sound design played a large part in this edit. I had to make the film seem spooky and mysterious, not only using visuals, but also with sound.


I'd never heard of the movie, although I expected it to be a "chick flick" (because of the name), but decided to keep the date open, and take my wife (the ticket was a double pass).
I was rather impressed with the invitation, which was in the design of a large movie ticket, and was very personalized (well, they are a printing company after all).
I arrived at Parramatta Greater Union, and was escorted past all the queues, and told to make my way up two levels.
After entering the entrance to Cinema 1, which happened to be the G-Max cinema (a huge 25 metre screen, with larger seats), we were greeted by staff, who invited us to collect drinks and popcorn... I immediately noticed the Coke was real Coke, not the watered down variety normally provided by cinemas.
I had told my wife, to expect some sort of sales pitch either before, or after the screening, and we made our way to the seats, which all had cute little packets of "Snap" branded lollies.
Before the movie started, We were greeted by a staff member from Snap Printing, who gave away prizes such as: an iPod Nano, Double Movie Passes, etc.
After he had finished welcoming us, the feature began (what? No sales pitch? Maybe afterwards!)
We sat through what seemed (to me) to be an incredibly long movie, which I really was not interested in - as the movie was about cooking; I enjoy cooking, but not watching or hearing about it.
My wife seemed to be enjoying the movie, which she confirmed after the screening.
Happy wife, happy life.
After the screening, there was no staff in sight to be seen, which I was appreciative of, I really dislike sales pitches on 'free stuff'! (A sales pitch via e-mail afterwards is welcome though)
The only disappointment of the night, was finding a stale chip (a French fry) between mine and my wife's seat, I guess Greater Union staff missed that one!
Perhaps I'm too easily impressed, but I was very happy with the function provided by Snap Printing.
P.S. Although I wasn't the biggest fan of the movie, perhaps it was the movie that finally pushed me over the line to start blogging, as I've been considering it for a while.
Trailer for Julie & Julia


I am a Brazilian artist who transforms space through film, site specific installation and the multimedia experience of their intersection. I film, direct and edit short films to be experienced through multiple screens.
My work weaves stunning imagery with critical social commentary, bringing to light political issues like the global climate crisis, colonialism, and international politics. My images are a result of environments I navigate - an aesthetic and psychological response to the consuming anxiety produced by late stage capitalism. Born in Rio de Janeiro, I have lived and worked in NY since 2014.


Finally, the trailer of the biopic about Coco Chanel is out. Audrey Tautou (excellent choice!!) is starring the young Gabriele, which revolutionized women's wear and thus helped to form the modern woman. The movie is based on the biography by Edmonde Charles-Roux and deals with the first, less pleasant part, of Coco's life, which she always tried very hard to hide. So the movie is going to be exciting, as it reveals new facets of this great woman; plus the customes are going to be supervised by Karl himself!
The movie is going to start April 22 in France and Belgium. The date of release for the U.S. is not yet set; it is showing in the Netherlands May 28, but unfortunatelly I found no info on the start in Germany.
Enough of talking, voila le trailer, which is just avaliable in French:
Pictures: Tinkas Welt der Kostümfilme


I MAKE MONEY TO MAKE MOVIES, NOT THE OTHER WAY AROUND
I'm D.L. Watson, an independent filmmaker living in the beautiful state of Oregon, and if you cannot tell - I love all things cinema. In a world filled with derivative content, my goal as a filmmaker is to produce films that have a unique and dramatic story told through an artistic lens.
There is a lot of remakes, reboots, and derivative content out there. I'm all about being original, fresh, and entertaining.
Every story needs a conflict. My focus is to make a film that audiences can relate to and feel engaged with.
Whether it's a clever camera trick or a throw-back to cinema from yester-year, it's going to be artistic.
I'm lucky enough that my day job is also filmmaking. I work for an independent television production company called Division Productions, LLC and we produce high-end programming for Discovery Communications. The money I make from it goes directly to funding my narrative-filmmaking passion.
In addition to producing television, writing and directing my own films, I also provide services such as film editing and visual effects / motion graphics design. I'm proficient in most modern software, especially the Adobe Production Suite and Autodesk 3Ds Max.
You might find these tutorials helpful
need freelance work done?
I'm currently available to help you achieve your cinematic dreams!
Latest from the blog...
Where I ramble about things that may or may not matter:


Joined Dec 26 2012
A friend of mine read your book a year ago, Eva's Story and said she has been praying ever since for it to be made into a movie. So I decided to read it for myself and was amazed at your incredible story.
Has a screenplay adaptation for your story been written? I agree with my friend, it will make an amazing movie.
If not, I would love to write it for your consideration.
I'm a mother of four children, and have studied screenwriting and graduated from UCLA extension with a Professional Certificate in Feature Film Writing and also completed a six month course; Pro Series which is similar to a Masters in screenwriting.


Free movies to watch
For the young people, they may be exposed to movies which are mostly computer animated. You’ll find 3D movies which are much more of an exhibition than a journey in the story. Sometimes the stories don’t even need to be meaningful to turn into a hit. This art that had been the key reason for movies before is slowly disappearing. For this reason the technological advancement of being able to watch free streaming movies has greatly helped the appreciation of past films.
Free streaming movies
For instance, Martin Scorsese is often a film director, screenwriter and producer. She has created a great deal of movies since he became active in 1963. His style of movies has revolved on action films and mafia films which has garnered many different accolades over time. Some of his movies happen to be considered part of the listing of the very best movies on earth. These movies are a prime instance of the gap between movies then and after this. A thing that people can engage in together with the technology they have got.
One might ask: What are best Martin Scorsese films? And though there are several opinions regarding the matter, here are four of the most useful operates by Mr. Scorsese.
In 2006, Scorsese won an Oscar for his movie The Departed. Many people believe that he should have won earlier but this movie can be an instance of how great he’s. The story involves the easy premise of a good cop against an undesirable cop. The insights for the dirty trade take different twists and turns within a well made production. The actors that Scorsese got to the film are wonderful at the same time; they got Leonardo DiCaprio, Matt Damon and Jack Nicholson. The star-studded cast alone is often a sure hit for fans; but what they considered as the crowning jewel is when the tale was competed.
Taxi Driver may perhaps be one of the most famous movies of them all. It’s produced the ultimate line that is certainly related to Scorsese: “You talkin’ in my opinion?” With this film, Scorsese gets Robert De Niro to learn a psychotic cab driver who turns to violence when life doesn’t provide him with fast balls. It’s won awards in several countries and is still equipped with a popularity.
The ultimate mafia film is but one that Scorsese made. Goodfellas welcomed the 90s decade in an instant. They have anything that matters in a mob film: money, crimes, deaths, and bad men. They are perfectly depicted with this movie where Ray Liotta plays a mobster in relation to become the mob leader. This continues to be among the best films in recent history which is very important to individuals who love action movies.


In the Floridian summer of 2017, brothers Andrew Paul Davis & Timothy Mark Davis acted together in Sam Shepard's True West. This experience cemented a partnership as artistic & professional collaborators, expanding on previous foundations of brotherhood & tomfoolery. And there was a quote in the play:
"One county's as good as another."
The play closed. Andrew returned to Indiana to finish his degree while Tim continued growing Fort Lauderdale-based theatre company, New City Players. Andrew had made 20 short films since 2011, and the time had come to make the jump to feature-length. He drafted Palace during the throes of True West, and planned for a March 2018 shoot. The crowdfunding, production, & post-production were ultimately successful, but there sat a need to incorporate and take on future projects with higher levels of process. In one of their late-night parking lot chats, Tim said, "I wanna start a film company with my brother." And so they did.
Palace premiered at the 2018 Heartland International Film Festival, and Andrew is currently drafting his second feature, Pompano Boy, which will be produced by Tim. Production will take place December 2019 in South Florida.
All places matter because all people matter. Before Palace, no one had ever bothered to shoot a narrative feature film in Grant County, Indiana. Everyone deserves to see their backyard on the big screen, and there's no reason they shouldn't get to. The technology is democratized and the creatives are hungry.
We itch to film all over the United States and contribute to the restless tradition of America cinema. Will you join us?


Wondershare DVD Creator 184.108.40.206 + Patch
Create a DVD masterpiece with photos, video and music. Want to make your own movies? Or maybe you just want to finally burn that film collection on your computer to DVD. Whatever you want to watch, Wondershare DVD Creator does it all. Simply drag your favorite feature film into DVD Creator for Win (Windows 8 supported), adjust the quality and click burn. Or use DVD Creator’s powerful built-in editor to combine your own photos, videos and music into home movies, slideshow, really whatever your imagination can handle.
-Burn video, photos and audio in any format
-Built-in editor lets you touch up films or craft your own
-Customize your DVD with free DVD menu templates
-Preview and burn your DVDs at top speed
-Set video aspect ratio


- Cham Refugees Community
Rarely represented in media, Seattle Cham Muslim youth filmed their own documentary, ‘Ramadan’
Young people from the Southeast Asian Muslim Cham community rarely see themselves represented in the media. But now, three Cham youth in south Seattle have brought their stories on screen in a documentary titled Ramadan. The film, which has won awards from the Southeast Asia by Seattle (SeaXSea) 2019 Film Festival and the Ethnic Heritage Council’s film festival, will be shown on February 24 at the Seattle Asian American Film Festival (SAAFF).
Read full article: https://iexaminer.org/rarely-represented-in-media-seattle-cham-muslim-youth-filmed-their-own-documentary-ramadan/


I saw the new Star Trek movie last night. Overall, I think it was a good movie — entertaining and well-acted. Unfortunately, it was much more “new” than “Star Trek.” That’s not to say the movie isn’t something people should see. For the trekkies out there, I think you’ll be impressed with the way the new band of actors pays homage to the original cast, finding ways to work in mannerisms, speech inflections and catchphrases in a way that is impressive and delightful.
The disappointment I felt last night was, instead, for the loss of the morality play that used to make Star Trek such a great TV and movie franchise. I can’t speak to Enterprise, because I never saw that ill-fated, short-running series. But Star Trek, ST: The Next Generation, ST: Deep Space 9 and ST: Voyager all fit this bill, as did the first 10 movies, if I remember them all correctly.
When Gene Roddenberry created the original Star Trek series, he pushed the bounds of acceptance at the networks and with society by using characters in outer space to deal with social and moral issues that were plaguing everyday life but that people were unable to address head-on. The original series, created in the late 1960s, dealt with racism, communism, slavery, counter-cultures, the Vietnam War — if you could find something controversial going on, there was probably a Star Trek episode about it. Did you know Star Trek was the first show on television to have an interracial kiss? The Next Generation, Deep Space Nine and Voyager all carried on this tradition.
I have been thrilled that my kids picked up my love for Star Trek — they started out being entertained by the characters, the action and the overall concept. But, as they’ve gotten older, they’ve also started to notice there are some deeper, philosophical discussions to be had after many episodes. They are excited about going to see the new Star Trek movie. I’ll take them and I’ll let them decide whether they like it or not without influence from me beforehand.
On the drive home from the theater, we’ll probably find ourselves discussing the characters and the action and the slightly confusing storyline. But the only moral dilemma or societal issue we’ll find ourselves having discussions about will be the loss of science fiction storytelling in Hollywood. That genre seems to have lost its ability to weave a tale that can have a lasting impact on its audience. It’s an ability that was destroyed by an evil, screaming, computer-generated monster that seems to be growing in intensity and resilience with every passing frame.
Star Trek used to boldly go where no one has gone before. Now, I fear, it’s going where everyone else has already been.
(Image courtesy of allmoviephoto.com)


SHARJAH, The Sharjah International Film Festival for Children and Youth (SIFF) 2022 has announced a 16-member jury comprising acclaimed directors, filmmakers, actors and academics to judge films in six categories for the much-awaited ninth edition of the festival.
SIFF, organised by FUNN, the Sharjah-based entity that promotes media arts learning among children and youth, will run between 10th and 15th October, under the theme “Think Film” at Al Jawaher Reception and Convention Centre, Sharjah.
Jurors from 11 Arab and international countries The jury of the ninth edition hails from 11 countries including Saudi Arabia, Oman, Kuwait, Iraq, Syria, USA, Canada, Belgium, Germany, Kenya, and the UAE. They will evaluate films in six categories: Student Film, GCC Short Film, International Short Film, Animation Film, Documentary Film, and Feature Film. 25 of the ‘Junior Jurors’ will evaluate the Best Child and Youth-made Film.
Student Film category The panel for this category includes Amal Al Duwaila, Emirati communication and media specialist; Nadia Rahman, Chair and Associate Professor, Zayed University; and Siona Vidakovic, director, writer, and animator.
GCC Short Film category The entries in this category will be evaluated by Heba Hamada, award-winning Kuwaiti film director and scriptwriter, Buthaina Alraisi, Omani actress, and Hani Al-shaibani, award-winning Emirati filmmaker and Art Director of Al Ain Film Festival, with more than 10 short films and six feature films to his credit.
International Short Film category Jurors for this category comprise Masoud Amralla, one of the region’s foremost experts on Arab cinema and previously the Artistic Director of the UAE Cultural Foundation and the founder of the Emirates Film Competition, and Yasir Alyasiri, award-winning Emirati director, producer, and writer.
Animation Film category Sara Oulddaddah, Animation & Manga Department Manager, Manga Productions, Saudi Arabia, will be a juror in the Animation Film category alongside Mariam Alserkal, Emirati filmmaker, producer, and founder of the boutique production company “Triplets on set”, and Laurie Gordon, Festival director of Montreal International Animation Film Festival – ANIMAZE.
Documentary Film category Jurors in this category include Ahmed Eldin, a Kuwaiti Emmy-nominated journalist, producer and actor whose award-winning documentaries on Al Jazeera English focused on social justice and human rights. He will be joined by Waad Al-Kateab, Syrian activist and award-winning filmmaker, whose “For Sama” received the BAFTA honour for Best Documentary and was nominated for the 2020 Academy Awards. The jury panel also includes Susan Mbogo, Lead Project Coordinator at DOCUBOX EADFF.
Feature Film category To judge films in this category, Emirati filmmaker Nawaf Al Janahi, whose debut film, “The Circle”, marked a turning point in Emirati and Gulf cinema, and Aida Al-Hassani, co-founder of Verein International Arab Film Festival Zurich.
Source: Emirates News Agency


It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” So opens this famous novel which has become Jane Austen's best loved and best known work, the Pride and Prejudice. It was in this book that all Jane Austen's talents combined to create not only the most wonderful love story, but dialogue that sparkles with wit and irony, an ingenious and compelling plot, and some of the most unforgettable characters ever created.
Jenny Agutter rose to fame as a child in the film of E. Nesbit's The Railway Children. Since then her film credits have included The Eagle Has Landed, Equus and An American Werewolf In London. She has been equally active in the theatre in varied roles for the RSC, Royal National Theatre and on Broadway. Her TV credits include The Buccaneers, Heartbeat and the Channel 4 series And The Beat Goes On.
„Jenny Agutter's reading in sensitive to every social nuance and to the passions swirling beneath the good manners. Every scene is gripping. Sex, though offstage, is rarely out of the mind.” (Literary Review)
Előadja: Jenny Agutter
Teljes játékidő: 220 perc
Formátum: 3 audio CD


2019 Oscar Nominated Shorts: Three Night Pass
- 2019 Oscar Nominated Short Films: Live Action - Feb 19, 2019 - 07:00PM (Tue)
- 2019 Oscar Nominated Short Films: Animated - Feb 20, 2019 - 07:00PM (Wed)
- 2019 Oscar Nominated Short Films: Documentary - Feb 21, 2019 - 07:00PM (Thu)
This is your three-night pass for The Bijou’s Short Film Festival, Feb. 19-21 at the Lincoln City Cultural Center. The Bijou will present all the short films nominated for this year’s Academy Awards. See Live Action on Tuesday (Feb. 19), Animated on Wednesday (Feb. 20) and Documentary on Thursday (Feb. 21). Admission is $10 each evening, or get a three-night pass for $28. A joint presentation of The Bijou Theatre and the Cultural Center. Sorry, LCCC membership discount does not apply for this special screening event.


Jun 25, 2015
Or buy from...
When the Southern Mariner, a huge cargo ship, is hijacked in the Far East, young TV journalist Nathalie Thompson is sent to investigate the story behind the theft. Joining forces with Philippine coastguard Peter Ramos, she embarks on an exciting quest that plunges them headfirst into the dark and dangerous world of piracy.
But, when another thousand-tonne freighter with its million-dollar cargo disappears and its American captain is killed, events start to spiral out of control. Together, Nathalie and Peter must find the courage to confront a force on the high seas that stands above the law, and escape from a violent world of guns, corruption and cold-blooded murder.
- Rights available: World/all languages.
- To enquire about rights available for this title, please contact us.
About the author
Martin has been making documentary films for thirty years. In that time he has won more than 100 international film awards. His work has ranged from directing BBC’s Horizon to producing a BAFTA nominated science series for Channel 4. His novels, although fiction, are based upon his experience in the film industry. He lives in Wimbledon with his wife Jacqueline.


The Internet Movie Database is available as a collection of flat text files, each of which contains simple relationships between movie entities. For instance, theactresses.txt file contains a list of all actresses within the IMDb and, for each actress, the list of movies (and TV shows, etc) in which that actress has appeared. The data within these text files is a treasure trove of inspiration for graph problems and projects (think:), or might even be used to motivate concepts such as parsing or relational databases.
The Internet Movie Database (IMDb) is a huge collection of movie data [that] ...started as a hobby project by an international group of movie fans.
-- Imdb Website, 2009-10-18


Watch featured videos of exonerees, events, interviews and more below, and click here to access all Innocence Project videos.
The Story Behind "Conviction"
When Kenny Waters was convicted of a murder he didn't commit, his sister Betty Anne Waters promised to help overturn his conviction and set him free. She put herself through college and law school and worked with the Innocence Project to obtain the DNA tests that finally proved Kenny's innocence. Their story is the subject of the film "Conviction."


Internet Movie Database
The objective of the Internet Movie Database is to provide useful and up to date movie information. It currently covers over 140,000 movies with over 2,000,000 filmography entries. This site claims to have everything you ever wanted to know about every movie ever made!
Metacritic This is the site to visit if you want to know what people think about a movie. You can find summaries and details of professional reviews from a large selection of publications. You can also read the critiques of site visitors and share your own opinions about the best and worst of video.
MovieWEB MovieWEB has previews of current movies. Each movie has its own page which lets you download movie pictures, movie posters, production notes, and Quicktime videos. The site also features links to movie studio Web pages.
Video ETA If you want to know the Expected Time of Arrival on video for a movie, check out this site. The listings are very complete -- with some videos we've never even heard of -- and it's easy to use. Then sign up for notification and we'll call you when the video arrives at your Video Signals store.
Box Office Guru Want to know how films are doing at the box office? This site has a wealth of data on film box office performance -- including a database that gives figures for every film released since 1989. It also has a good page of links to entertainment related Web sites for movies and television.
The Digital Bits This very informative DVD site has a great new disc and player review section, a rumor mill with all the latest gossip, and a Top 10 list for disc and player sales. Win a prize playing their monthly trivia contest and then check out Video Signals' current list of DVD rentals.
Theatre III This Acton/Boxborough theater group produces affordable, quality performing arts events. Visit this site for information on attending and/or participating in a variety of musical and dramatic events.
Hollywood Online Show times and listings for selected area theaters can be found at this site. The Hollywood Online page also features news/gossip articles and a variety of information on recent theatrical and video releases.


The Train, Mount Zion’s latest movie, is a biopic based on the life of Mike Bamiloye. In seven chapters and close to three hours, the story of Mike Bamiloye is told from his childhood right into the early phase of his ministry. We follow his story from Ilesa to Lagos to Ile-Ife.
I can’t fault a true story because it’s reality but I can surely comment on how it’s told. I think the writing of The Train is great; there’s a steady build to the climax, the audience gets endeared to the protagonist and there are the unforeseen turns that characterizes real life. Another thing that makes the story come alive is the fact that the writer doesn’t get too obsessed with making a point and leaving out the mundane details that give spice to reality. I think Damilola Mike-Bamiloye did a good job of adapting the story for the screen.
The actors did well to deliver their roles believably. Every last one of them. Seun Adejumobi as the older Bro Mike is a natural. I have some personal favorites though. The first has to be younger Abayomi played by Oluwasola Peter; he holds promise as a good actor. He made it all too easy to love his silly character. The second is Tolulope Mike-Bamiloye as Sola. She’s beautiful in the role and beautiful for the role. She embodies that demure confident fire of her character perfectly. I just have to love Omolara Ayoola’s portrayal of Peju. Whether Peju was doing the right thing or not, the passion on her character is something. Gbeminiyi doesn’t have much screen time but I love the character and how John Oguntuase breathes life into it.
The impression of time and place is laudable in The Train. From costumes, to diction, to locations. Everything merged perfectly to take the viewer on a vivid journey. The Ilesa dialect and culture shown in some of chapters is another delight to watch.
There was a scene in chapter 5 where Bro Mike’s audio doesn’t match the audio in other scenes. But I didn’t note anything unpardonable.
The pictures are beautiful. I had a lot of moments when I burst into laughter. The drama scenes in the movie are distinct from the movie. They carry the melodrama and cheesiness of stage drama and that jouncing car impression- brilliant!
The casting is meticulously done. Not only are the actors good in their roles, most of them look like the actual people they depict.
There are a lot of things to learn from the movie, I’ll just go ahead to share a few
1. As a young boy, Abayomi starts trying to direct drama. It’s wise to observe the interests of children, especially as parents. They could be indicators of their life purpose.
2. We all need someone to believe in us even when we don’t, like Peju believed in her brother.
3. From chapter 2, I was touched again by the wonder of the glorious gospel. God knows us by name and he loves us.
4. Well meaning people could be zealously and passionately working against God’s purpose for you and all the while think they are doing you good.
5. Still in line with the previous nugget; the fact that God spoke through someone’s lips in one minute, doesn’t mean they cannot air the Devil’s opinion the next. Ask Simon Peter, ask Peju.
6. The enemy will fight tooth and nail against your purpose because he knows that in it lies your relevance and fulfillment and of course, his destruction.
After watching this movie yesterday, passion was ignited in me for purpose and I was driven to pray.
How can I even forget to mention the theme song? Jaymikee and Lawrence Oyor brought fire and chills with that song and the chant.
People are different but I can almost assure you that anyone watching The Train will experience these three:
1. You will laugh
2. You will be blessed/ ministered to
3. You will be moved/ get emotional/ cry.
The Train is still on YouTube. If you haven’t seen it, what exactly are you’re waiting for?


Damn it. DAMN IT. Why does this movie look so good? Why did the above featurette make me want to see this freaking movie even more? I hate movies like this. You know what I don’t hate? Sleeping well, which I won’t do for at least a month if I see this movie. DAMN YOU, FEATURETTE!
Thanks to the official IT YouTube channel, fans were treated to a new featurette about the upcoming Stephen King adaptation. It focuses on the Losers Club, the group of kids who become determined to face their fears and do something about a clown named Pennywise who terrorizes their town every twenty-seven years.
The best (and by best, I mean the absolute worst because I hate that this featurette makes this movie I would never ordinarily want to see look so damn good) thing about this featurette is the fact that King himself seems to genuinely approve of the adaptation. He says, “I had hopes, but I was not prepared for how good it really was. I’m sure my fans will really enjoy the movie.”
What about the people that hate you for freaking them out about their own periods when they read Carrie when they were twelve, huh? Or how about the people who are writers, but became afraid of letting too many people read what they wrote after reading Misery?! WHAT ABOUT THOSE PEOPLE, STEPHEN, WHO MAY OR MAY NOT BE ME?
Shut up. I’m not tear-stained and catatonic in the corner, YOU are.
(via /Film, image: screencap)
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To strengthen the Freiburg Region as a media business centre, in late 2002 the Location Office Region Freiburg was set up. The operators of the regional advisory institution for companies in the film industry and filmmakers from all branches are the City of Freiburg via its subsidiary Freiburg Wirtschaft, Touristik und Messe GmbH Co.KG (FWTM) and the Medien- und Filmgesellschaft Baden Württemberg (MFG).
The Location Office Region Freiburg
- Assists companies such as local and foreign film and TV producers searching for filming locations
- Establishes contacts with filmmakers in the creative and technical sector as well as providers of production and post-production services
- Identifies the correct local people to speak to concerning filming permission in the cities and local authorities in the region
- Supports the MFG in establishing a database at www.location-bw.de where potential filming sites are presented in both words and pictures, so that people interested worldwide can obtain information conveniently and easily find their way to the Freiburg region.


[YAG TV] Please, Subscribe on Utube. Appreciate.
PERICLES, PRINCE OF TYRE SHAKESPEARE-20-Audio Book- en_BR
Pericles, Prince of Tyre is a Jacobean play written at least in part by William Shakespeare and included in modern editions of his collected works despite questions over its authorship, as it was not included in the First Folio. Synopsis John Gower introduces each act with a prologue. The play opens in the court of Antiochus, king of Antioch, who has offered the hand of his beautiful daughter to any man who answers his riddle; but those who fail shall die. Marina singing before Pericles, Thomas Stothard, 1825 I am no Viper, yet I feed On mother's flesh which did me breed: I sought a husband, in which labour, I found that kindness in a father; He's father, son, and husband mild, I mother, wife; and yet his child: How they may be, and yet in two, As you will live resolve it you. Pericles, the young Prince (ruler) of Tyre in Phoenicia (Lebanon), hears the riddle, and instantly understands its meaning: Antiochus is engaged in an incestuous relationship with his daughter. If he answers incorrectly, he will be killed, but if he reveals the truth, he will be killed anyway. Pericles hints that he knows the answer, and asks for more time to think. Antiochus grants him forty days, and then sends an assassin after him. However, Pericles has fled the city in disgust. Pericles returns to Tyre, where his trusted friend and counsellor Helicanus advises him to leave the city, for Antiochus surely will hunt him down. Pericles leaves Helicanus as regent and sails to Tarsus, a city beset by famine. The generous Pericles gives the governor of the city, Cleon, and his wife Dionyza, grain from his ship to save their people. The famine ends, and after being thanked profusely by Cleon and Dionyza, Pericles continues on. A storm wrecks Pericles' ship and washes him up on the shores of Pentapolis. He is rescued by a group of poor fishermen who inform him that Simonides, King of Pentapolis, is holding a tournament the next day and that the winner will receive the hand of his daughter Thaisa in marriage. Fortunately, one of the fishermen drags Pericles' suit of armour on shore that very moment, and the prince decides to enter the tournament. Although his equipment is rusty, Pericles wins the tournament and the hand of Thaisa (who is deeply attracted to him) in marriage. Simonides initially expresses doubt about the union, but soon comes to like Pericles and allows them to wed. A letter sent by the noblemen reaches Pericles in Pentapolis, who decides to return to Tyre with the pregnant Thaisa. Again, a storm arises while at sea, and Thaisa appears to die giving birth to her child, Marina. The sailors insist that Thaisa's body be set overboard in order to calm the storm. Pericles grudgingly agrees, and decides to stop at Tarsus because he fears that Marina may not survive the storm. Luckily, Thaisa's casket washes ashore at Ephesus near the residence of Lord Cerimon, a physician who revives her. Thinking that Pericles died in the storm, Thaisa becomes a priestess in the temple of Diana. Pericles departs to rule Tyre, leaving Marina in the care of Cleon and Dionyza. Marina grows up more beautiful than Philoten the daughter of Cleon and Dionyza, so Dionyza plans Marina's murder. The plan is thwarted when pirates kidnap Marina and then sell her to a brothel in Mytilene. There, Marina manages to keep her virginity by convincing the men that they should seek virtue. Worried that she is ruining their market, the brothel rents her out as a tutor to respectable young ladies. She becomes famous for music and other decorous entertainments. Meanwhile, Pericles returns to Tarsus for his daughter. The governor and his wife claim she has died; in grief, he takes to the sea. Pericles' wanderings bring him to Mytilene where the governor Lysimachus, seeking to cheer him up, brings in Marina. They compare their sad stories and joyfully realise they are father and daughter. Next, the goddess Diana appears in a dream to Pericles, and tells him to come to the temple where he finds Thaisa. The wicked Cleon and Dionyza are killed when their people revolt against their crime. Lysimachus will marry Marina.


Above: Jeffrey Alleyne in the Valleywood editing room in Petit Valley. Photograph by Mark Lyndersay.
BitDepth#948 for August 05
Jeffrey Alleyne is a contentious man. I suspect even his best friends will tell him that.
He’s aired very public beefs with a lot of people as video rants on Facebook, most of them in the formal film industry in T&T, and that’s how he first popped up on my radar.
I’d been drawn to one of his many videos of vociferous dissent with the status quo and his spirited defence of the Government’s Creative Industries initiative, which he’d described as a dismantling of the crony system he believes exists in the T&T Film Company (TTFC).
Alleyne doesn’t write commentary well, but he is persuasive in his videos. In person, he’s riveting, a constant and chaotic flow of commentary, explanations, perceptions salted with wry acknowledgement of his constrained circumstances.
At one point I actually had to hold up both hands to get him to stop for a moment so I could backtrack to a previous point he’d bounced off on the way to something else that he really needed to say.
He’s a self-confessed bad boy.
“At 13 I left school to learn a trade,” he said, “I went to learn tailoring at Samaroos and by 14, I was working. But I was also a hustler in town, hanging out with the boys I met in Boys Industrial in the plannings on Nelson and George Street.”
He spent only a short time at the correctional institution, but he became part of a baker’s dozen of boys who would hit the streets together.
“From small I used to give trouble,” Alleyne admits, “but my mother stick with me through thick and thin.”
That love remains strong between them. Marie Alleyne still lives with her son in Petit Valley, and she still defends him fiercely, giving me the flinty eye when I suggest that our scheduled midday meeting might be worth waking him up for.
Most of his young friends did not fare as well. Of the five who are still alive, two are serving multi-decade prison sentences.
Jeffrey Alleyne served eight and a half years in the Remand Yard for robbery and shooting cases, before being released in 1996.
After knocking around from one unsatisfying job to another, he decided to try to work on a rig and began putting money together to do the safety training.
Then his daughter, Sunshyne Da Silva began to do poetry monologues and he wanted to capture her performances.
He took the money for the safety course and did a videography course with Jason Riley instead.
As for crime?
“I saw my brethren getting kill out in the wars,” he explained. “I duck out of it easy and smooth. I was always a likeable fella.”
As he began recording his daughter’s work, he found video to be a comfortable fit and realised that he had a talent for directing people.
Several smaller films and shorts would follow, along with his deeply unsatisfying encounters with the TTFC and he kept studying, viewing and reviewing the Hollywood Cameraworks Masterclass video tutorials.
In October 2013 he began working on the project that’s put him on the hot list of every DVD pirate in T&T, Welcome to Warlock with a small core cast of seven.
By late December, split between working on Warlock and a pilot for a television series on Dole Chadee, he decided to post a trailer edited from the early footage on Old Year’s Night to Facebook.
According to Alleyne, hundreds of people wanted to participate in the project and he chose 74 of them of a first come, first served basis. The film, a “run and gun” project, was shot with a crew of one, D’General, Jeffrey Alleyne, using a Sony NEX VG900 digital camera.
He’d begun with a gambling scene that ends with the principals of the film falling out first badly, then murderously.
“We looked at it and liked it and decided how we would shoot around it,” he explained.
His first step was to create a backstory for Machine (Raphael Joseph) the charming roughneck anti-hero of the film. Alleyne put the film together on the strength of his grasp of story structure, which he describes as “more important than story.”
“I don’t try to reinvent the wheel, I created a circle, the hero’s journey, from imperfection to perfection.”
Perfection might be stretching it, but in the deeply flawed, emotionally brittle and quick-on-the-trigger world of Warlock, any level of forgiveness and redemption is a cool and unexpected balm.
After creating the backstory and working his way to the gambling scene, he shot most of the rest of the film in sequence.
“Sometimes the situation would change, but the plot points largely remained the same,” Alleyne said. “You could love your story, and you could love your script, but you must not be in love with the script.”
And if one of his amateur actors wasn’t working out, they would be shot dead in the film and the show would move on.
In some ways, the director’s ruthlessness with his cast plays directly to the strengths of Warlock which is characterised by its rapid, relentless pace. If people aren’t playing with guns or shooting at other people with them, they are having sex, trying really hard to have sex, bullying other people or dancing lewdly.
They also talk like Trinis, though with a thick street slang that’s decodeable with a bit of work. It soon becomes clear what a “fire” is, though I can’t figure out whether the rather loose young women are ballers or bawlers.
“People keep telling me that you have to talk like people outside for them to understand, but we talk like people talk and that’s how it should be.”
At times, Alleyne’s film feels more like a particularly sordid documentary than a street gangster drama, so immersed and comfortable is his cast in their roles.
One scene showing a young victim being collected by a forensics team wouldn’t raise an eyebrow on an evening news broadcast.
It doesn’t seem possible for amateur actors making their debut on camera to tap into such a deep and disturbing range of characterisations without living and seeing that life up close and regularly.
After the remorselessness of the film there’s a particularly startling moment after the credits as the actors, on what must have been wrap day hug each other while still clad in clothing wet with fake blood. The two protagonists, mortal enemies in far too short a time, embrace with broad smiles and somewhere in the background someone yells, “is toy guns, is toy guns.”
Between November and December, shooting came to a halt for six weeks, normally a huge problem for continuity in a fast production like this, but one of Alleyne’s secrets is to record long lead-ins and extensions on his scenes, which give him a lot of flexibility in cutting his footage together.
Another forced break came after shooting in mid-February when Alleyne’s computer went down for two months. His cousin builds his computers, and he wouldn’t complete editing until early May.
The film was formally released on the 26th of May after a first screening at the Diamond Vale Community Centre.
“All in all,” Alleyne said, “I can make a movie in six weeks time. Warlock is a hybrid between Hollywood and Nollywood. People can identify with the characters and the style.”
That they did and illegal DVD duplicators were quick to notice.
The stories came back to Alleyne quickly. One man put down three boxes of DVDs in the market and sold them out in hours. Another man told him he was making $22,000 a day selling the film.
Angry, Alleyne sent a press release out to the media calling on the authorities to do something about the flagrant piracy of his film.
Nothing happened, though Alleyne would find a new target for his ire in the media handling of his protest.
Even now, despite his more sanguine response to an act of piracy he believes cost him $10m in lost sales; he describes it as “the greatest assault on a movie I ever see.”
“I was hurt,” he said. But even more blows would come.
DVD pirates are now packaging both his older films and other films entirely as a sequel. He’s had YouTube take down postings of the film four times, but even so the film has racked up more than 40,000 views during the brief windows of time it was available.
It’s likely that if everyone who’s seen the film on a pirated disc sent him five dollars; he’d be in a very different financial situation. If your copy doesn’t have engraved art on it (Alleyne uses Lightscribe), it’s been stolen from him.
Some fans have done something similar. Facing the people who made the film, they have bought legitimate copies from the director on the spot.
Alleyne doesn’t claim any special social media savvy, but it was clear he was winning attention and he’s begun to reach out to communities in a nationwide tour, and the actors are being received warmly.
Already, the Warlock t-shirts are outselling the official DVDs and a new series is being planned with catchphrases from the film.
“I created something for the people on the street,” Alleyne said with a wry smile, “and even though it cost we, it’s there for them.”
About the film
Welcome to Warlock chronicles an argument between two young men and a gambling loss that runs quickly and wildly out of control. After an angry slap, surly contemplation draws guns out and soon people are dying.
Director and cinematographer Jeffrey Alleyne makes his resource limitations a strength. Most of the film is shot in Cameron Circle where he lives and his familiarity with the neighbourhood makes the geography of the space as much a character in the film as his actors.
There are flaws, as you might imagine, with this approach. Characters run past the same buildings and walls several times and it’s hard to understand whether it’s meant to be the same spot or another that looks like it.
Alleyne’s fast cutting style falters only once in a scene of dancing and daggering and the film hits molasses, lingering on the young people jooking waist far too long and to little point.
But as a work of action-driven fiction meant to immerse a viewer in the world of readily spent lives and easily pulled triggers, even Warlock’s fast moving videography seems barely able to keep up with people who vanish like vapor off the screen.
Jeffrey Alleyne edited Warlock with Sony Vegas Movie Studio. He also uses Adobe After Effects, Sony SoundFX, Designer SoundFX for foley and Action Essentials for the many gunshots.
Updated November 20, 2019. Jeffrey Alleyne has released Warlock on YouTube.