In the last few decades, Spain has emerged as one of the leading players in the European film industry, and with over 40 separate film festivals, gatherings and celebrations of all types on the calendar annually, the country now plays host to more cinema related events than most other nations on the continent.
What’s more, with participation of both public festival-goers (both international and Spanish) and luminaries from every pocket of every global cinema industry increasing year on year, the stage is set for Spain’s claim to one of Europe’s top destinations for film buffs and star spotters to continue to grow and flourish.
Main Features of Spanish Film Festivals
Like most major destinations that enjoy the favour of film-tourists Spain’s cinematic festival calendar has its roots in art house and independent works that were for the most part home grown productions from Spanish directors looking to make a name for themselves in the underground cinema-scene of Western Europe. However, today the picture has broadened and Spanish film events now cover a broad range of individual genres and styles; from world cinema and horror to animation and comedy.
What’s more, the Spanish film festival has adopted something of a more democratic feel than many of its continental counterparts. Where the iconic French festivals at Cannes and elsewhere are traditionally the territory of high-profile stars and industry figureheads from Hollywood and other major cinema hubs across the globe, the Spanish festival has opened itself unashamedly up to include the public in a variety of ways. Visitors to any film event in the country will notice the distinct appearance of public vote categories and open-invitation ceremonies where fans mingle in the same crowd as the stars they’ve come to see.
San Sebastián International Festival
The beginning of Spain’s film festival high season is marked by the biggest event of the year - The San Sebastián International Festival. Since its creation in the early 50s this one’s attracted some seriously big names - from Elizabeth Taylor and Audrey Hepburn, to Robert De Niro and Mel Gibson – while many point to the attendance of prolific Polish director, Roman Polanski as one of the defining and formative points in his, now extremely well known, career.
The iconic centre point of the San Sebastián Film Festival is the modern-chic Kursaal Palace, where both opening and closing ceremonies take place each year, while cinema venues across the whole of the Basque city of Donostia. San Sebastián in the corner of northwest Spain come alive for the whole period in late September, when some of the industry’s most recognisable faces and critics flock to the city for premiers before release.
International Film Festival in Valladolid
However, while San Sebastián is the king-pin event in the whole Spanish-speaking cinematic world, there are now a record number of events across the country and plenty more to see than just Donostia’s jet-set fest of high-profile art house and nu school cinema.
In 1956 the north central city of Valladolid inaugurated its own International Film Festival, Seminci, as a forum for religious filmography and Catholic cinema works. However, with an increasing shortage of films either meeting the demanding quality mark that the festival had become known for by the 70s or failing to satisfy the ‘Christian art’ criteria that was an enduring feature of the festival since its inception, the event opened its categories to a broader audience and now accepts any films related to religious themes, human values or morality.
Sitges International Film Festival
From the 10th to the 20th of October each year, the Sitges International Film Festival is held in Catalonia and has an overtly fantasy theme to it. Claiming to be the highest profile annual event of the genre, the Sitges festival has traditionally attracted a number of acclaimed directors and animators.
Film Festivals in Other Cities
Also in early October the city of Granada hosts its yearly youth film festival in conjunction with regional film schools, Madrid has a gay and lesbian cinema event and Barcelona launches its alternative film festival with categories for independent artists and filmmakers in the Spanish speaking world.
In Valencia, the Peniscola Comedy Film Festival has been increasing in size since its foundation. Held every June, the magnificent surroundings of the so called ‘Gibraltar of Valencia’ has made this date a favourite amongst travelling film buffs looking to enjoy a little of Spanish culture in-between showings and film forums.
While the Spanish film festival calendar hits its peak in the autumn months (from October to late November) it remains peppered with a variety of niche events and gatherings all year round; from the international festivals in San Sebastian on the forefront of global cinema to the smaller genre-focussed events in Peniscola, Granada and in other enticing venues right across the country.


The play “The Naked Good Life” picks up on the current debate about the climate catastrophe and presents different perspectives on the approaching existential threat and its possible social consequences. In a mind game of reversed realities, German citizens ask for asylum in Lebanon and can ultimately only secure their existence on earth by evolving into superhumans who quote Godot. Carlotta and Katrin were invited to the premiere at the Theater Aufbau Kreuzberg (TAK) and met with director Lydia Ziemke afterwards for a discussion.
“If Greta Thunberg and all the calculations are right and things change in eight and a half years and so on, it’s simply no time for democracy in Lebanon.”
How does transnational theatre collaboration between theatre professionals from Germany, Egypt, Morocco, Lebanon and Palestine work? What role does theatre play during the Arab Spring and in current civil uprisings? And to what extent is there still time for democracy in the face of the current existential threat?
We spoke to director Lydia Ziemke about these questions on the occasion of the premiere of her new theatre play “The Naked Good Life”, a collaboration between the Schauspielhaus Hamburg, the Suite 42 company and the Zoukak Theatre Company in Beirut.


Michael Flatley’s Lord Of The Dance: Dangerous Games is set to have its West End premiere at the legendary London Palladium on 1 September, 2014. The spectacular new staging of the traditional masterpiece will have an exclusive and limited run, featuring Michael Flatley in his final West End performances. http://dlvr.it/6gvyyC
As the summer holidays come to an end, the West End is returning back to normal with a handful of big announcements and openings. Firstly, later this week leading lady Denise Van Outen returns to the West End with the transfer of her one woman musical Some Girl I Used To Know. http://dlvr.it/6gR3Ts
Lucy Punch will star in the role of Paige Britain in the West End transfer of Richard Bean’s new play, Great Britain, it has been announced. Bursting with razor sharp observations about today’s society, this fast and furious new play is anarchic and foul-mouthed satire about the press, police, and the political establishment. Paige Britain is a feisty young news editor who is fiercely ambitious and determined to increase the sales of her ‘red top’ newspaper The Free Press. http://dlvr.it/6Zld6p
Today marks the first day of rehearsals for new musical Made In Dagenham. Starring Gemma Arterton as Rita O’Grady, the musical opens at the Adelphi Theatre on Wednesday 5th November (previews from 9th October). http://dlvr.it/6WlrvK
This week, Disney’s award-winning musical The Lion King welcomed its 12 millionth visitor at London’s Lyceum Theatre. The show will celebrate its 15th anniversary in October in London, where the show remains the West End’s best-selling stage production. Tickets are currently on sale until 29 March 2015. http://dlvr.it/6TTrcF
Wicked, the smash-hit, award-winning, and critically acclaimed musical that tells the untold story of the Witches of Oz, has entered its 8th year in the West End! London’s Apollo Victoria Theatre has been home to the show since September 2006. http://dlvr.it/6SWFFX
Grim: A New Musical
Top Price Tickets only £12.50
Grim: A New Musical is the epic story of the Grim Reaper falling in love with Cupid….. but she cannot be with him as it will lead to his demise!
Grim cannot be complete without her soul and Cupid cannot be complete without his soul mate. This is the story of the collision of the two most powerful forces in the world - the power of love versus the power of death….
This spellbinding new musical is the love story to for!
Top Price tickets only £12.50 (Normally £19.50)
Valid for all performances 4th – 30th August,
Monday to Saturday 7.30pm, Saturday at 3pm
Call 0845 505 8500
Adapted from Jacqueline Wilson’s popular novel, Hetty Feather transfers to the West End for 40 performances only from Tuesday 5th August until Saturday 6th September at the Vaudeville Theatre. The West End transfer follows the production’s critically acclaimed and hugely popular run at the Rose Theatre, Kingston and a smash-hit international tour. http://dlvr.it/6SSjP4
Ticket Tuesday winner Jessica Scott won tickets to see spooky West End juggernaut War Horse through our weekly Twitter competition. Here is her review of the show that she saw on Tuesday 22nd July. http://dlvr.it/6SS2Zt
It has been announced that Forbidden Broadway will transfer to the West End following its successful run at the Menier Chocolate Factory. The production will open at the Vaudeville Theatre on Tuesday 9th September for a limited eleven week run ending on Saturday 22nd November 2014. http://dlvr.it/6SQclt


Two real life brothers starring as brothers in Kerry Drumm's play Brothers really is a must-see for this year's Melbourne Fringe Festival.
Drumm has written a beautifully scripted play about two estranged brothers who are brought together by their need for support in their own personal time of crisis. The show takes place in two locations: an oncology hospital wing and in a place of memory. It's so refreshing to see a play where the dialogue contains subtly and subtext; handled by two excellent actors who know how to keep it real.
Daniel and Liam O'Kane play the two brothers reunited after living worlds apart. Matt (played by Daniel) has been holding the fort down at home, dealing with the devastating loss of some friends and family, and now battling cancer, solo. Jay (played by Liam) has been living a life of nightclubs, drugs and sex in Ibiza for ten years, now faced the reality of his own mortality. The way in which these two lives re-entwine is where this play begins. The two actors are masters of their craft. They are so inside the text, that it really does feel like you are a watching an actual conversation. The pacing, inflections and intentions are all so natural and serve to bring the text to life in a truely palatable manner.
Direction by Peter Newling, combined with set design by Kerry Drum, is incredibly clever. The studio stage at Gasworks is intimate - making it difficult to constantly flick between the hospital and various flashbacks, whilst keeping it clear what and where we are. This is achieved through the use of a simple couple of chairs and a small tallboy on the left, and a stunningly interesting 'memory wall' on the right, in front of which all of the flashbacks are performed. This is very much worth looking at and studying before the play begins - lest you find yourself distracted by it in the middle of the play once you realise the significance of it. It looks fantastic and it's a very smart way to create an abstract theatrical space. Brava.
Sound design by composer/producer Mark D'Angelo is perfect. The kind of music you hear from Jay's headphones pairs perfectly with his outfit (costume designs by Tony Tartaro), all of which screams "I'm a drugged-up DJ in the party capital of the world". Just looking at their costumes alone you can see the kinds of lives these two men have lived.
This is a really fantastic piece of theatre produced by Little Red Fox Productions. Though the ending is weirdly abrupt, the play as a whole flows beautifully - a combined effort of great writing, directing and acting. This play is selling very fast, so I suggest you book your tickets quick.
Brothers is playing at Gasworks Arts Park until October 15 as part of the Melbourne Fringe Festival. Tickets can be found here
Photos: Nigel Annison


There were 8 films nominated for Best Picture this year -- Brooklyn, The Big Short, Room, Spotlight, The Revenant, The Martian, Bridge of Spies, and Mad Max: Fury Road. I haven't seen Brooklyn (no appeal to me), Room (looks very difficult to watch, but I will try to catch it on TV) or Bridge of Spies (there is some appeal, I plan to catch on TV). Of the others, I liked them all, actually, but if I were to rank them in order, my least favorite was Spotlight, which not only won Best Picture but also was positively reviewed by just about every single person who saw it. It was really tough to even find a negative review, although a few mentioned that it played out a bit like a glorified TV movie, which it sort of felt like to me. Not that I didn't enjoy it, my review would have been positive too, but I wasn't quite riveted by the story (which I kind of knew all about) or at least not about the reporters uncovering the story, rather than the priests and the victims, which seems the more compelling story to me, and alas, I actually fell asleep in the theater before the ending. Which yeah, maybe that keeps it from being such a positive review. In my defense, it was a drinking theater with comfortable chairs and it was after midnight but yeah, something tells me I wouldn't have fallen asleep under those conditions in Mad Max.
My favorite movie of 2015 wasn't in the Best Picture race, though (which sets it apart from 2014, where my favorite three films -- Whiplash, Boyhood, and Citizenfour -- were all in the Best Picture or Best Documentary race). I had hopes that The Revenant would take the mantle and when I finally watched it last week in Los Angeles's amazing ArcLight Cinemas experience, I was pretty convinced 20 minutes in this would be the greatest movie I ever watched. That opening sequence, shot in just a few long continuous shots, was brilliantly executed and immediately riveting and those perfectly placed arrows zipping through the necks of the fur-trappers under attack by misplaced Indians, on a big screen with the sound to match... wow, just wow. That's the brilliance of the moviegoing experience in a nutshell. And right up to the point that - spoiler alert, but I can't imagine you haven't heard of this - Leo is attacked by the bear, it's just a perfect, momentous action flick. Sadly, it doesn't quite sustain that momentum through a bloated middle and some unnecessary dream sequences that took me out of the film and I kind of couldn't wait until the climactic battle I knew had to be coming, some 2 1/2 hours in. It's a great film, don't get me wrong, but with a few more edits (something Inarratu isn't known for) I think this could have been brilliant. Alas, it's not my favorite Best Picture nominee, nor my favorite film of the year. Read on for that list and a spoiler-free review of 10 Cloverfield Lane.
Vague Space Top 10 Films of 2015
2. Mad Max: Fury Road
3. The Revenant
4. The Stanford Prison Experiment
6. Star Wars: The Force Awakens
7. The Big Short
9. Paper Towns
Yeah so Victoria is a German film by director Sebastian Schipper that was out in limited release last year and is now available on Netflix, and I think everyone in the world needs to watch it. Like now. Like turn off your computer, fire up your Netflix, and go watch this movie. Don't read anymore about it. Anywhere. Because the more "pure" you are going into it the better. I'll try to keep this review brief because of the need to go in "fresh", as much as possible, as the twists and turns in this film are just Oscar-level brilliant. It's gotten very positive reviews and sports a solid 7.8 out of 10 on imdb but really all of that sells it short. It's the best movie of 2015.
So what little I can tell you is that it runs 138 minutes, a lot of the dialogue is in English (which disqualified it from eligibility for Best Foreign Film at this year's Oscars) and that it was shot in one continuous cut. Yeah. That last part sets it apart from any movie I've ever seen (if not ever made). In fact, the unbroken filming that was largely faked in 2014's Oscar-winning Birdman is actually in effect here, it actually happened. Schipper and his cast tried two previous times before getting it right, the whole movie, without edits (!) in one unbroken camera shot. Like how the fuck did that happen? And it's not two people sitting in a room or something, this movie follows a group of characters through a bunch of settings all over Berlin, starting in the early bar-closing hours of a late night and ending in the opening hours of a morning, 2+ hours later. I have no idea how they did it. I marvel at the skill. And the effect is not just a gimmick, it adds palpably to the suspense and the tension that builds as each event unravels on the screen and you are right there with the characters -- not just watching them -- a brilliant tactic I have never seen. It's stunning. I will give one brief warning while revealing nothing of the plot (I do strongly believe it's best to not know anything of the plot at all, even the genre) but the first 20-30 minutes are very much different than what the film becomes, and while I had no problem with the opening, it may turn off some viewers because not a whole lot "happens", and there's a lot of German and subtitles but hang in there -- hang the fuck in there -- because it turns into the greatest movie of last year.
Finally (this has become a long ass post) I'd like to review what I think is an early frontrunner for 2016 movie of the year ... 10 Cloverfield Lane. Much like Victoria, the less revealed about the film, the better, and everyone who hasn't quite heard about this movie might be better off not knowing the connection to the movie with a similar name made 8 years earlier, but for what it's worth, even if this was titled 10 Mockingbird Lane, it would be brilliant (and maybe just maybe better, but I actually enjoyed the connection and it all came together kind of perfectly for me, save for one kind of ridiculous scene at the end). Anyway, most of the movie is a "bottle" episode, inside a bunker with John Goodman, Mary Elizabeth Winstead (Ramona Flowers of Scott Pilgrim vs. the World) and John Gallagher Jr. (from Newsroom). Winstead's character is the focus, and we open with her leaving her boyfriend behind, getting in her car and driving, and literally from the moment of the opening title sequence (done so so brilliantly), this is a spectacular work of a great first-time director (Dan Trachtenberg). I listen to a movie podcast called "Slash Filmcast" and the guys that do the reviews are very good friends with Trachtenberg so it's kind of cool to see just a regular film-geek dude pay his dues and get the chance to direct a JJ Abrams production, and to do it so well. I don't want to reveal anything else of the plot but I was really impressed by how riveted I was (like in Victoria and much of The Revenant, but not Spotlight as much), just drawn into the story, at the edge of my seat, as the plot twists and turns in the confined space and you don't know whether to trust John Goodman's character or be afraid of him, or both. This is not a simple movie and its characters do not have simple motivations, and for that, the twists and turns are all earned, and absolutely thrilling. Go see it.
So in conclusion. Go see 10 Cloverfield Lane at the theaters. Now. And if The Revenant is still playing at a theater near you (it is), go see it on the big screen while you still have a chance. But before you leave the house, before you do anything else, set aside 2 1/2 hours to be amazed by Victoria, one of the best film experiences of recent years.


Hayao Miyasaki is an acclaimed film-maker and storyteller, perhaps best known as the director of the highly successful Studio Ghibli. He has advanced through the animation industry beginning as a simple inbetweener at Toei Animation, to acting as director, producer, screenwriter, author, artist and animator, to the leading creator, serving as both writer and director, on films such as ‘Spirited Away’ and ‘Howls Moving Castle’.
Miyazaki’s practice centres around telling stories through animated film.
Story is the Foundation:
A common tendency in animation is that of overemphasizing the technique of creating it and loosing focus in other areas. Miyazaki however believes the most important thing about animation is to “know what you want to say with it.”(1996, p.22) Early animated films often contained only simple stories, relying on hilarious gags and wild animation to entertain. Too often animation blinds the audience with the ‘baubles and the sparkles’ of animation without fleshing out a clear theme and story, which Miyazaki explains is “the very foundation of a work.”
Pixar has a similar principle, their motto is that the ‘story is king’, a philosophy that guides their filmmaking process. Pixar’s Alex Woo explains ‘drawing is just a means of communicating your ideas.’
“What you want to express should determine the techniques that you use. If you don’t have anything to say, technique alone is not enough to create a work. Technique is something people develop in order to express something.” (1996, p.145)
The Liberation and Freedom of Animation:
Miyazaki explains that, in animation, the camera can be absolutely anywhere, giving it a freedom unmatched by other mediums. The camera can fly through the air alongside planes, a Pegasus or a witch’s broomstick, and “as a result viewers soar through the air with the story’s characters, and feel liberated by the exhilarating vista unfolding below them.”
Flying in ‘Kiki’s Delivery Service’
“With the characters we share in the freedom of flying.” (1996, p.44)
He notes we can use this freedom to create a new sense of space for audiences. For example we can depict the world from the point of view of a bug, shrinking the camera to “where each blade of grass becomes a giant tree, where the ground is not flat, but bumpy and rough, and where water…has a completely different character.” (1996, p.21) Animators can create not only captivating films, but give viewers a new sense of reality and an enchanting way of looking at the world.
Maybe from the perspective of a bee pollen looks like “sweet dango dumplings.” (1996, p.156) and perchance “the caterpillar sees photosynthesis happening up close.” (1996, p.163)
Perhaps Miyazaki’s ideas influenced the creation of films such as Pixar’s 1998 film ‘A Bug’s Life’, which was directed by John Lassater, himself a massive Miyazaki fan, referring to him as his “greatest inspiration“.
Another idea Miyazaki holds is that animation can free us from reality, to new worlds where, for example, in a race between a bicycle and a race car, “it’s actually possible for the bicycle to win, fair and square.” (1996, p.46) He notes animation “allows depictions of abstract human drive and tenacity to actually exceed those of real physical powers.” and “to liberate humanity from the things that hold us back.” (1996, p.100)
Floating in ‘Ponyo on the Cliff’
Sense of Time:
The potential for limitless distortion of time in animation is another idea Miyazaki illustrates. It has the capability to depict the way an hour feels like a lifetime to a toddler, and merely a second to an adult. Or to imagine that to a honeybee, “our one second probably feels like one hundred seconds.” and, though rain seems to pour down to us, a bee would be able to dodge each raindrop as it flies.” (1996, p.150)
“By twisting both time and space, it becomes possible to create a more fantastic, magical world.” (1996, p.99)
Things I Admire
- Perhaps one of the main reasons I admire Miyazaki is his romantic view of animation:
“To my way of thinking, creating animation means creating a fictional world. That world soothes the spirit of those who are disheartened and exhausted from dealing with the sharp edges of reality, or suffering from a near-sighted distortion of their emotions. When the audience is watching animation, they are apt to feel either light and cheerful or purified and refreshed.” (1996, p.25)
- His purpose in creating his films: “My foundation is this: I want to send a message of cheer to all those wandering aimlessly through life.” (1996, p.51)
- Sheer passion for animation and creating movement. For example he talks about running in his biography and his desire to create “an exhilarating way of running that communicates joy; a character full of life, walking with his feet on solid ground; his emotional state conveyed through the way he walks and with his walk communicating the feel of the ground as he climbs up a slope – that is the ultimate.” (1996, p.37)
Running on water in ‘Ponyo on the Cliff’
“being able to show wonderful ways of running, running that expresses the very act of living, the pulse of life across the screen would give me enormous delight.” (1996, p.41)
- his imagination and ability to create surreal fantastical worlds that feel so real and believable.
Flying castle from ‘Howl’s Moving Castle’
- The way his characters are so full of energy and life, and the fact that he can bring anything, even motes of dust and soot (in ‘Spirited Away’), to life
Characters from ‘Spirited Away’
Disney animator John Lasseter draws attention to several aspects of his work I also admire:
- Weight: “He’s great at giving things a sense of scale.” (1996, p.11) In animation imbuing things with a convincing sense of weight and size is difficult to do as it is created purely through movement.
- Pacing: Many films are extremely fast-paced, as though “directors, editors, and studios feel compelled to hurry the action along at a breakneck speed.” (1996, p.11) As though the audience would lose interest if things slowed down. Miyazaki’s films “have balance – both fast and slow moments.” (1996, p.12)
Miyazaki isn’t afraid to slow things down
Miyazaki uses traditional 2D hand-drawn animation to create his films as “hand drawing on paper is the fundamental of animation.” Though he has increasingly experimented with computer-generated imagery (CGI) in some of his films to expand his practice and to give “a little boost of elegance”, he tries to find a balance between working by hand and by computer.
He explains his films often begin with small ideas, a certain something “that you feel drawn to and that you want to depict.”
“It is fine if, at times, the original starting point of a full length feature film is the image of a girl tilting her head to the side.” (1996, p.28)
From there he continues to branch out, drawing all the ideas for the setting, context, main theme, what he wants to say and achieve, the characters, and slowly crafting an imaginary world in what he calls the ‘image board’ stage of animation production.
“From within the confusion of your mind, you start to capture the hazy figure of what you want to express. And then you start to draw.” (1996, p.28)
Next he moves on to storyboarding and writing the script which, unlike western animation, is done at the same time.
Animation itself often begins while the story and storyboards are still being developed and ideas continuously developed.
“One must have the clear core of what one wants to convey.”(1996, p.69)
The whole animation team at the studio works hard together to bring Miyazaki’s vision to life, each contributing to the film in their own way.
“you’re not really making the film – it will be making you.”
Screenshots from ‘Ponyo on the Cliff’ and ‘Porco Rosso’
Key themes he works with:
- environmentalism (ecology, earth’s fragility)
- pacifism (peace, anti-war)
- feminism (strong female protagonists, matriarchal businesses, all-female factories)
- absence of villains (no simplistic stereotypes of good and evil)
- childhood transition
- flight, airplanes and vehicles
- a girl in touch with nature
- a menacing warrior woman who is actually not an antagonist
- a boy who seems destined for the girl
- inanimate objects
- His father’s work making airplane parts during WWII as director of the ‘Miyasaki Airplane’ company no doubt heavily influenced Miyazaki’s love of airplanes and vehicles. (featured in films such as ‘Porco Rosso’ and ‘The Wind Rises’)
- Interest in animation sparked by ‘The Tale of The White Serpent’ (fell in love with the heroine)
- Focus on environmentalism influenced by childhood growing up in the Showa period when ‘”nature – the mountains and rivers – were being destroyed in the name of economic progress.”
- Japanese manga and anime in particular Osamu Tezuka (‘Astro Boy’, ‘Kimba the White Lion’) whose style heavily influenced Miyazaki in his early years.
- Japanese history and mythology
- Authors such as Ursula K. Le Guin and Lewis Carroll
‘The Wind Rises’ features a warplane engineer as its main character.
- Miyazaki’s films have forever changed the world of animation with their stunning technique, meaningful stories and whimsical nature. He’s become the hero of several animators from Disney and Pixar such as Pete Docter, Glen Keane and John Lasseter.
At Pixar, when we have a problem and we can’t seem to solve it, we often take a laser disc of one of Mr. Miyazaki’s films and look at a scene in our screening room for a shot of inspiration. And it always works! We come away amazed and inspired. Toy Story owes a huge debt of gratitude to the films of Mr. Miyazaki.”
“Those who join in the work of animation are people who dream more than others and who wish to convey those dreams to others.” (1996, p.25)
Miyasaki, H 1996, Starting Point, Studio Ghibli Inc, Japan.
2015, Hayao Miyazaki, Wikipedia, viewed 22 March 2015, .


The past several months have seen much success for my student short film Libido, which received 9 nominations and 5 awards from various international film festivals. This is the most exciting time for a first time film director. Just a year ago I would never dare dream screening my short film in front of an audience! I would like to thank all the great festivals, which granted me with amazing recognitions! Special thanks to: Accolade Competition, Best Shorts Competition, Global Film Festival Awards, Los Angeles Independent Film Festival, Near Nazareth Film Festival and Short to the Point International Film Festival. I can’t wait to show you my new short film Three Little Hearts. I really hope you will like it and also I hope that one day I am able to show you my feature-length film as well.


Born in 1995 in Berlin, Timur Bartels is a German actor. He has appeared in a variety of films and TV productions since 2014, including "Mein Sohn Helen", "Der mit dem Schlag", and "The Red Band Society" (Club der roten Bänder). This latter VOX series, in which he plays one of the leading roles, has been his most significant success to date. With him, it received the German Television Award, the Grimme Award, and the Jupiter Award, among others. As an actor he already won the "German Actors Award" (Deutscher Schauspielerpreis) and the New Faces Award in 2016. Following his high-school graduation, Bartels trained as an actor in Los Angeles and London. In 2015, he produced his first short film, "20x", writing the screenplay, directing, and appearing in the lead role all himself. The film was nominated for best film in the 2016 Palm Beach International Film Festival in Florida.


Steve started his film career 29 years ago as a Set Production Assistant on Silence of the Lambs, and has remained in film production ever since.
Steve has 1st Assistant Directed over two dozen feature films & many TV series all across the US and abroad, including Fear The Walking Dead (TV), Gone (TV), Downward Dog (TV), Outsiders (TV), Concussion, Foxcatcher, Supah Ninjas! (TV), Harodim (shot in Vienna), Dandelion, Graduation, Strange Girls, On the Inside, & Riddle, The Bread My Sweet, Out of the Balck, & Mafia, among many, many others.
He has been directing more & more projects, including Mulligan (TV pilot), The Chief (a feature film, winner of a Tapestry Award), A Month of Sundays (2nd unit feature film), PSAs for the PA Film Tax Credit Program, short films, commercials, TV, and videos. His recent short films "Lightheaded" & "Breakage" have been in a huge number of film festivals in 2015 & 2016, winning audience awards. He co-directed MTV's first short form mini-series, I Remember Chloe, which grew to feature length with their blessings. Steve has directed countless narrative industrials (winning the Cine Golden Eagle Award) in many genres - instructional, comedy, drama, action, horror, etc. Steve is in production to direct a feature film in 2018.
April 5th, 2018 | 1 hr 12 mins
assistant director, behind the scenes, concussion, downward dog, dudders, fear the walking dead, foxcatcher, george romero, gone, haunt, haunted house, katie dudas, katie dudders, location scout, outsiders, pa film tax credit, pittsburgh, pittsburgh movies, podcast, scare house, scarehouse, scarehouse scott, scott simmons, silence of the lambs, the scarehouse
Creative Director Scott Simmons and Katie "Dudders" chat with Assistant Director and Pittsburgh native Steve Parys. Steve has worked on television shows and movies filmed in Pittsburgh and around the world including Silence of the Lambs, Fear the Walking Dead, and Outsiders. Steve discusses his diverse background and experiences and even shares an incredible story from the set of Silence of the Lambs.


October 25, 2022 @ 7:00 pm - 9:00 pm| £5.00
Our next film evening will be in the Church Centre on Tuesday 25th Oct, 7:15pm for 7:30pm start. We will be showing the award winning film Belfast, written and directed by Kenneth Branagh and staring Judi Dench, Jamie Dornan, Ciarán Hinds, Colin Morgan, and newcomer Jude Hill.
There will be wine, soft drinks and nibbles! It is non-profit making, but we ask for a donation of £5.00 to cover the cost of refreshments and this will include a donation to the Link to Hope Shoebox Appeal.
To book your place please either see Judith or contact Jane in the Church Office on 01732 873798.


High School Film
The Urban Film School introduces students to the various categories of film production from documentaries and commercials to movies, including film analysis. Students are trained in script writing in collaboration with the English department and actively participate in indoor and outdoor film shootings; learning everything necessary to transition into the film industry or College. A vast array of Apple computers and software allow for sophisticated editing of film material; enhancing film productions in collaboration with the music/sound production departments. All this encourages the individual student to write a script, prepare for shootings, perform the actual shooting as actor/director, edit the product, and add sound to the final product.


We have watched this trailer probably 100 times at LUV HQ. Trust me Mr. Jean (Bushman) has played it for us 99 times. This is simply a beautiful work of art… in the highest form. I can’t wait to see the film in it’s entirety. Directed by Andrew Dosunmu, and amazing lens work by Bradford Young. We must go out and support this film with our patronage.
And when you get a chance, check out the African American Film Festival Releasing Movement for more information about this film, and past works like Pariah.
Showtimes and tix at http://www.affrm.com. Directed by Andrew Dosunmu, RESTLESS CITY tells the story of a young man surviving on the fringes of New York City, where music is his passion, life is a hustle, and falling in love is his greatest risk. African-American Film Festival Releasing Movement will release the 2011 Official Sundance Selection in theaters, beginning April 27, 2012.


Sam Pollard is one of the most overlooked cinematic multihyphenates in the US. An editor, producer, director, and professor active for more than four decades, he’s played a huge role in chronicling Black US life through both his own work and his collaborations with filmmakers like Spike Lee. His newest film, MLK/FBI, is a bracing look at how the government and intelligence community monitored and harangued Martin Luther King Jr. for years. To mark the occasion, Film at Lincoln Center has put together a tribute to Pollard, streaming several of his works starting this week.
The centerpiece of the program is When the Levees Broke, Spike Lee’s 2006 miniseries on a devastated New Orleans in the aftermath of Hurricane Katrina, which Pollard produced and edited. It also includes three documentaries directed by Pollard himself: Maynard (about Maynard Holbrook Jackson, the first Black mayor of Atlanta), Sammy Davis, Jr.: I Gotta Be Me (a biography of the beloved entertainer), and Two Trains Runnin’ (about activists and musicians who traveled to Mississippi in the summer of 1964).
Individual titles in the program can be rented for $10 each, and the three films are available bundled together for $15.
When: January 15-22
More info at the Film at Lincoln Center website.


Illinois Theaters & Halloween Plays
Celebrate tradition, celebrate a good story, celebrate Halloween's past. Some of the state's local theaters are providing you with essential entertainment for Fall 2015. Head up North where there is an over abundance of shows being cast each and every weekend. Halloween plays are the perfect way to unite the family for an afternoon of laughter and fun. Costumes, production, and thriving cast in your area are waiting to provide you with a story to entertain your mind and bring the Holiday spirit out. Sit back, relax, and enjoy the show.


One of the things I am missing hugely right now are nights at the theatre. I trained professionally in musical theatre at uni, I work in a theatre, and more than anything I miss the escapism it provides. Several of London’s most renowned theatre are providing free access to some of their world class productions. Find a full list below:
National Theatre at Home
The National Theatre, which in my humble opinion is one of London’s best venues, is currently allowing free access on a weekly basis to a variety of shows via YouTube. Each show will air on YouTube at 7pm on their release day. You can find them at https://www.youtube.com/user/ntdiscovertheatre. This is the timetable they have announced so far:
One Man, Two Guvnors: 02/04 – 09/04
Jane Eyre: 09/04 – 16/04
Treasure Island: 16/04 – 23/04
Twelfth Night: 23/04 – 30/04
Shakespeare’s Globe Theatre
The Globe is also offering a similar service, putting each show up on YouTube for 14 days. They are currently showing their 2018 production of Hamlet, which you can find here: https://www.youtube.com/watch?v=cdPqu598m68&. The Globe is yet to announce the rest of their streaming season.
Andrew Lloyd Webber
Sir Andrew is currently streaming some of his world class musicals on his new YouTube channel ‘The Shows Must Go On’, available here: https://www.youtube.com/theshowsmustgoon. Every Friday at 7pm the YouTube channel will live stream one of his incredible musicals which will be live for the following 48 hours, starting with Joseph and the Amazing Technicolour Dreamcoat. This is definitely one not to miss out on!
The Hampstead Theatre is currently showing two productions under their ‘free to watch’ scheme, which you can find here: https://www.hampsteadtheatre.com/.
Wonderland: 06/04 – 12/04. This witty drama centers around the UK Miner’s Strikes of 1984-85.
Drawing the Line: 13/04 – 19/04. This play celebrates the strength of humanity during the partitioning of India in 1947.
I for one am certainly looking forward to taking advantage of all of these wonderful opportunites. Let me know in the comments if you take advantage of them too!


The Department of Theatre
The Theatre Department of Warren Wilson College offers a Bachelor of Arts degree that consists of an academically engaging curriculum combined with a theatre season made up of three adventurous mainstage productions plus many other performance projects and community events. We can do all this because the backbone of our program is the Theatre Crew: a large group of students (majors and non-majors) working in every aspects of theatre production and theatre management. The fact that Warren Wilson is a Work College is one thing that allows us to offer a theatre experience that is distinctively different from what may be found at other colleges.
We invite all students to become a part of this growing program on campus through our Theatre/English Major and Theatre Minor programs or by participating theatre production through our Practicum series of courses. Many non-majors or minors take Theatre courses as part of their Triad Education program, participate in theatre-related service activities, or simply volunteer on or offstage.
Our academic offerings include instruction in acting, directing, theatre tech and design, stage management, theatre history, dance, butoh, performance art, film analysis and appreciation, community based performance, and – in collaboration with the college’s renowned English and Creative Writing programs – dramatic literature and playwriting. We offer Wilson students the opportunity to explore how art intersects with work and community-engaged service (the other legs of the Warren Wilson Triad) in a context of lively, highly-creative performance.
The mission of the Theatre Department is to empower students, in concert with their peers, to form, bring to life, and present to the community artistic visions of excellence. In so doing, we will prepare them to lead lives distinguished by self-awareness, open communication, and making a difference. By fully integrating within the Theatre Program the Triad of academics, work, and service, students expand their intellectual, emotional, and practical capacities as they investigate the purposes and possibilities of theatre as a constantly-evolving, global, collaborative art form with the capacity to transform lives.
- To develop the theoretical knowledge and perceptual abilities needed to identify and recognize the purposes and effects of the students’ own and others’ artistic work;
- To develop the fundamental skills in performance, management, design and technical work needed to implement a theatrical vision effectively and to pursue post-graduate opportunities competitively;
- To ensure that students inculcate a process of creative self-awareness developed through communication and collaboration with peers;
- To develop knowledge of a wide variety of theatrical genres and working methods, as well as the ability to put new experiences into broader historical and artistic contexts;
- To provide opportunities for motivated students to develop in-depth a particular specialty or interest in acting, directing, design, or stage management.
Warren Wilson Theatre
The Department of Theatre’s production arm, Warren Wilson Theatre, presents at least three productions each year, plus student directed one-acts, student and guest directed full-length productions, musicals, and presentations of work created in studio classes. Productions and other theatre events include classical works, original and experimental works, Butoh/modern dance/performance art pieces, contemporary plays, and visits by guest artists. When possible, theatre coursework involves current productions, and many classes involve or culminate in performances. Academic credit is offered for theatre production involvement under the “Performance/Production Practicum” series of courses.
Theatre productions of all kinds are staged in Kittredge Theatre, the home of the Department of Theatre. This 320-seat proscenium theatre, operated by the Theatre Crew under the supervision of Technical Director Don Baker, includes a stage large enough to seat an audience for intimate theatre productions, a 30-batten counterweight system, a computer-controlled lighting system, and audio and video-projection capabilities. In addition to Kittredge Theatre, work is also performed at the outdoor Amphitheatre adjacent to Kittredge, and sometimes in Bryson Gym or in the Pavilion.
Auditions for all plays are open to all members of the community, and casting is done without regard to class standing. Competition for parts is sometimes intense, but an effort is made to keep the process from becoming too intimidating. All students, including those with no previous experience, are encouraged to audition for plays. Preference may be given to students who have taken or are taking Theatre Department classes, including Theater/English majors and Theatre minors. However, Warren Wilson Theatre and the Department of Theatre consciously foster a welcoming atmosphere of inclusivity; good theatre does not thrive in a “cliquish” atmosphere.
In the fall of 2014, for the first time ever, Warren Wilson Theatre co-produced a show with one of our Service Learning Partners, The Montford Park Players. WWC students were involved in all aspects of the production with citizens from our community–performing, building sets and costumes, working backstage, and designing the publicity and marketing. This group effort gave us Shakespeare’s The Winter’s Tale, which premiered in Kittredge Theatre on the Warren Wilson campus, then moved to the Masonic Temple in downtown Asheville for a three week run.
Don Baker, MFA
Candace Taylor, MFA
Exceptional students may wish to consider working toward completing The Senior Project in Theatre. A Senior Project in Theatre provides a challenging culmination for serious theatre majors that transforms their understanding of their abilities as creative individuals. Senior Projects in performance, directing, and design are given departmental resources and public performances. Students may also choose to undertake a project in dramaturgical or performance studies research, or creative writing for the theatre. All projects also require a comprehensive, written self-evaluation.
Our Theatre Partners
North Carolina Stage Company
NC Stage is Asheville’s professional theater company downtown. Warren Wilson students can get involved in a variety of ways through academic and service-learning opportunities. Contact the Theatre Office Crew for more information.
NC Stage also offers ticket deals for students, including specially priced season flex-passes (averaging just $3 per show), and $10 Student Rush tickets available the day of a performance. Call NC Stage at (828) 239-0263 for more info or visit www.ncstage.org.
Montford Park Players
This local community theater is the hub of Asheville’s Shakespeare scene. With indoor and outdoor venues, the performances are always highly attended by the Warren Wilson community, with our own David Mycoff usually in the cast of players. The directors are also very welcoming to students looking to join the cast. For more info visit www.montfordparkplayers.org.
The Magnetic Theatre
The Magnetic Theatre is an Asheville theater company dedicated to performing original works. Writing Professor John Crutchfield has had several of his original plays produced by The Magnetic Theatre. Warren Wilson alumni Glenn Reed and Katie Ann Towner are also active members of this theater group. For more info visit www.themagnetictheatre.org.
Asheville Community Theater
Volunteer: ACT is a volunteer-driven theatre where everyone is welcome! If you’re enthusiastic about learning a new skill or sharing your talents, they would love to have you! They hold a Volunteer Orientation session on a Monday evening once a month from 6:30-7:30 pm. Please email Chanda Calentine, the Program Director, for more information!
Internships: ACT has been able to tailor internships based on individual requirements. If you’re interested in connecting with Asheville Community Theatre about a possible internship, please email the Program Director, Chanda Calentine. For more info visit www.ashevilletheatre.org.
Art Space Charter School
Art Space is a primary school dedicated to integrating art into standardized learning. Theater, art, music, and gardening are all woven into every classroom. The school is always warm to Wilson students who are willing to lend a hand in any way possible. For more info visit www.artspacecharter.org.
Serpent Child Productions
Founded in 1993, SERPENT CHILD, is a non profit professional arts company dedicated to the collaborative creation of multi-disciplinary, community-based art. Serpent Child’s purpose is to create art in a variety of media based on the experiences, history and myths of specific communities. For more info visit www.serpentchild.org


- Bean and Vine Grand Opening
- at Bean and Vine Cafe & Wine Bar
- Saturday, May 12th 2018
Bean and Vine Grand Opening
Saturday, May 12th
7:00pm - Midnight | $5 Pomegranate Margarita
8:00pm - 10:00pm | Live Music by Gianni Russo
Celebrate the opening of our newest hot spot, and enjoy a performance by Hollywood actor and legendary singer Gianni Russo!
Although remembered most for his portrayal of Carlo Rizzi in “The Godfather”, his first acting job, his career has spanned over 40 films including such hits as The Freshman, Rush Hour, Any Given Sunday and Sea Biscuit as well as television.
Enjoy a weekend with Gianni, as the Hollywood star visits Friday, May 11th during The Godfather slot launch.
While you're here, play for your chance to go on a star-studded adventure in Los Angeles during the Among The Stars Giveaway!


I HAVE MOVED! januar2016
Very happy to announce that we founded our own animation company "RAUM 230".
So have a look on www.raum230.de for upcoming projects!
THE OLD MAN AND THE BIRD ! februar2015
My new shortfilm "The old man and the bird" will be screened at the Berlinale Festival 2015. The Film will be shown at the Generation Competition 14plus !
THE POCUPINE AND THE CAR ! august2013
The last 2 months jury halliday and me were working on a puppet play combined with some visuel elements.
Its a adaption of a short story by Bill Viola. watch the project here
KARAMBOLAGE ! may2013
Working currently for a TV series named KARAMBOLAGE on Arte
MY VALE DONE ! april2013
Comissioned work for a company called "My Vale"
Click here to see the result.
PITCH AT BERLINALE ! januar2013
Pitch about my new project "The old men and the bird" at the Berlinale.
12.02.2013 / 12:00 Uhr / Hiroshimastraße 12, 10785 Berlin
LEIPZIG BOOK FAIR ! januar2013
I will talk about A kind of sad story at the Book Fair in Leipzig.
15.03.2013 / 15:15 – 15:45 / Lesebude 2: Halle 2, Stand E311
29.KASSELER DOKFEST ! oktober2012
The installation A kind of sad story will be shown on Monitoring at the Kasseler Documentary Film and Video Festival. Also i will be in the Jury for the Golden Hercules.
DAYS OF TALENTS ! september2012
I was invited by the Federal Ministry of Education and Research for the Days of Talents. 300 talents spent a weekend in Berlin for workshops and brain sharing.
A KIND OF SAD STORY ! august2012
Just in time i finished my new work A kind of sad story for the exhibition NOT exclusiv.
Thanks a lot to Maria Carvalho (pop up artist) and Felix Boetcher (coder). They did a great job.
RIESENBECK´S WORLD PREMIERE ! juli2012
The team screening of 6 Sinn, 3 Auge, 2 Gesicht by Jan Riesenbeck will be on 7. July at the Filmladen. I was responsible for the vfx part. watch the trailer here.
PALM SPRINGS SHORTFEST ! june2012
Andersartig celebrates its premiere in America. The film is running on 19-25 June at the Palm Springs International Shortfest in California.
SUCCESSFUL WEEKEND ! may2012
3 Festivals 2 Awards ! On this weekend Andersartig won in Dessau the first price and got a special mention at Filmsalat Verden. Also it was running at back_up in Weimar.
GUEST IN RECTORATE #2 ! april2012
I was invited by the principal of the University of Art and Design in Kassel to present extracts of my work.
Tuesday 17. April 2012 at 7pm at the rectorate of the KHS Kassel.
ANDERSARTIG RUNNING IN CANNES ! march2012
Andersartig will run during the Festival Cannes in France.
It will be on the Next Generation Program by German Films on sunday,
20. May, at 20 h in Cannes, at the Star-Kino (98, rue d'Antibes)
MONSTRA12 WERE COMING ! march2012
The Animation class Kassel produced five trailers for the MONSTRA12 Festival in Lissabon. We are invited by the Festival and going to stay from 21. - 27. of March in the beautifull Lissabon, Portugal. Watch my trailer here.
CARTOON MOVIE IN LYON ! march2012
From 7.- 9. March i will be part of the Cartoon Movie Coaching Programm in Lyon. A workshop to involve young animators, producers and talents, in the European co-production and financing market.
PITCH AT FMX ! january2012
I will pitch my work during the FMX Festival in Stuttgart.
You are welcome to watch. It will be on Thursday, 10.05.2012, 12.00-13.00 h Raum Mannheim, Haus der Wirtschaft
GERMAN FILMAKER AWARD FOR ANDERSARTIG !
Up and Coming Int. Film Festival Hannover is an international competition for young film makers.
It takes place every two years in Hannover, targeting young people up to the age of 27.
Andersartig won the award in the class 25-27 ages.
Uli Aselmann is now my mentor for the next 2 years.
ANDERSARTIG WINS GOLDEN HERCULES ! november2011
At the 28th Kassel Documentary Film and Video Festival Kassel.
The “Golden Hercules” awards is an outstanding production from the region of Northern Hesse.
The prize is endowed with € 2,500 and for the third time sponsored by Machbar GmbH.
JURY HONOUR AT HAYDAUER FILMTAGE ! august2011
The film Andersartig was honoured with the Haydauer Stone Award at the 8.Haydauer Filmdays in Haydau. Thanks again to the Jury for the award !


The feel-good story of little orphan Annie arrives next week at Harborside Academy. Here is a quick glimpse at the popular musical:
What: Harborside Academy’s production of “Annie Jr.”
When: March 24-26
Where: Reuther Auditorium, 913 57th St.
Tickets: $8 ($5 for staff and students)
Synopsis: Based on the popular comic strip and adapted from the Tony Award-winning Best Musical, “Annie Jr.” is the story of an orphan determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan (played by Kayla Traxler). With equal measures of pluck and positivity, little orphan Annie (Hannah Wade) charms everyone’s hearts despite a next-to-nothing start in 1930s New York City.
More information: www.kusd.edu/finearts
— Jeffrey Zampanti


Pembrokeshire Film Society
Pembrokeshire Film Society shows films from world cinema and independent movies.
Fishguard Film Society dedicates to world cinema and arthouse films showing once a month at 7:30pm
Haverfordwest Film Society is based in Merlin’s Theatre in Pembrokeshire College.
Film on Sunday is based in The Queen’s Hall in Narberth on Sunday evenings at 7:30pm
Films 4 Tenby is based in the DeValance Pavilion showing movies on Tuesday showing relaxed screenings and family screenings.


July 29th 2008 04:54
I've said it before and I'll say it again, time moves pretty fast, if you don't stop and look around you might just miss it. Hang on, that's a movie quote. I meant to say I've said it before and I'll say it again, I especially love graphic design. Movies provide such wide range of styles when it comes to movie poster art work. So here, fourth time around, I’ve selected foreign designs for English-language films as well as foreign films and the proverbial exploitation and the arthouse. I little indulgence for everyone.
Now I’ll shut up and let you do the “Oooo”-ing, “Aahh”-ing, and "Isn't that clever?" and "Oh, so provocative!"
Wow, there's some seriously good art work in this selection. I don't know how to choose favourites (although obviously I love them all). But I gotta say, reaching for the stars it's the Red Sonja and the G-Force poster art which just scream out sensational. The sleaze in me smiles wickedly at the Boarding Gate poster, while the Nude for Satan (the title alone) is pure erotic-nightmare allure. And then The Birds just says, wahey, I bet Saul Bass never thought of that! Oh, but I really, really like the Boris poster art for The Sword and the Sorcerer and Southern Comfort has a great 70s feel (even though the movie was released in 1981). But I can't forget the original Spanish poster for Tacones Lejanos (High Heels). Like I said, very hard to pick favourites.


Rambo: Last Blood movie actors and full movie information
Rambo: Last Blood is a 2019 American action film directed by Adrian Grunberg; the screenplay, co-written by Sylvester Stallone and Matthew Cirulnick, from a story by Stallone and Dan Gordon, is based on the character John Rambo created by author David Morrell for his novel First Blood. The story follows the titular Vietnam War veteran (reprised by Stallone) as he travels to Mexico to save his adopted daughter, who has been kidnapped by a Mexican cartel and forced into prostitution. A sequel to Rambo (2008), it is the fifth installment in the Rambo franchise and co-stars Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim, Joaquín Cosío, and Oscar Jaenada.
Plans for a fifth film were announced on and off again since 2008, with different iterations developed and cancelled. The film was finally announced in May 2018, with Grunberg attached to direct. Principal photography began in October 2018 in Bulgaria and Spain, and ended in December 2018, with additional photography in May 2019. Brian Tyler returned to score the film.
Rambo: Last Blood full movie information
Eleven years after the events in Burma, Vietnam War veteran John Rambo lives in Bowie, Arizona in his deceased father’s horse ranch, which he manages with his old friend, Maria Beltran, and her granddaughter, Gabriela. Gabriela reveals to Rambo that a friend of hers, Gizelle, has found Gabriela’s biological father, Miguel, in Mexico. Against Rambo and Maria’s wishes, Gabriela secretly drives to Mexico to ask why Miguel had abandoned Gabriela and her mother years ago. Gizelle leads Gabriela to Miguel’s apartment, where he reveals to her that he never really cared for Gabriela or her mother.
Gizelle takes a heartbroken Gabriela to a local club, where Gabriela is drugged and kidnapped by enforcers of a Mexican cartel. Meanwhile, Maria informs Rambo of Gabriela’s disappearance to Mexico. Rambo travels to Mexico and interrogates both Miguel and Gizelle about Gabriela’s whereabouts. Rambo is reluctantly led by Gizelle to the club where Gabriela was last seen and confronts El Flaco, the man who last spoke with Gabriela. A mysterious woman, Carmen Delgado, tails Rambo as El Flaco leads him to Gabriela’s location. Rambo is immediately confronted, beaten and marked by the cartel, led by brothers Hugo and Victor Martinez. They take his driver’s license, revealing the ranch’s location, and a photo of Gabriela, whom Victor recognizes. The cartel vow to mistreat Gabriela further due to Rambo’s actions.
Carmen takes Rambo back to her home where she cares for him until he fully recovers. Carmen reveals herself to be an independent journalist who has been investigating the Martinez brothers, the kidnappers and murderers of her sister. Rambo later raids one of the brothels, killing several men until he finds a drugged Gabriela. On the way back home, Rambo thanks Gabriela for giving him hope for ten years before she dies from the forced overdose. Enraged, Rambo sends Maria away and rigs the ranch with traps for a confrontation, and later returns to Mexico to ask Carmen’s help in finding Victor. Carmen initially refuses, believing that it will solve nothing, but is convinced after Rambo appeals to her grief and frustrations.
Rambo raids Victor’s home, killing several guards and decapitating Victor. In retaliation, Hugo leads a group of hitmen to Rambo’s ranch, where each falls victim to the rigged traps. Saving Hugo for the last, Rambo mutilates him and rips his heart out. In the aftermath, a weakened Rambo sits on the porch of his father’s house, vowing to continue fighting and to keep the memories of his loved ones alive. During the credits, Rambo saddles up his horse and rides off into the sunset.
Rambo movie characters and Cast
- Sylvester Stallone as John Rambo
- Paz Vega as Carmen Delgado
- Sergio Peris-Mencheta as Hugo Martinez
- Adriana Barraza as Maria Beltran
- Yvette Monreal as Gabriela
- Genie Kim as Bar Patron
- Joaquín Cosío as Don Manuel
- Óscar Jaenada as Victor Martinez
- Pascacio Lopez as El Flaco
- Fenessa Pineda as Gizelle
- Marco de la O as Manuel
- Rick Zingale as Don Miguel
- Manuel Uriza as Doctor Sergio
- Mirka Prieto as Lola / Laura
- Sheila Shah as Alejandra
Production of Rambo movie
In February 2008, Sylvester Stallone revealed that making a fifth film would depend on the success of the fourth film, stating he was “gearing one up” and that it would “be quite different”. In March 2008, Stallone revealed he was “half-way through” writing Rambo V, stating that it would not be another war movie, with Bulgaria being considered to double as Rambo’s home in Arizona.In February 2009, Stallone revealed that he was proceeding with the fifth film but stated, “the conflict is whether to do it in America or a foreign country”.
In August 2009, Millennium Films green-lit the film with Stallone writing, directing and starring. At that time, the plot focused on Rambo battling human traffickers and drug lords to rescue a young girl abducted near the U.S.–Mexico border. In September 2009, Stallone revealed that the film would be titled Rambo V: The Savage Hunt, which would have been loosely based on the novel Hunter by James Byron Huggins and would have focused on Rambo leading an elite special forces kill team to hunt and kill a genetically engineered creature.Nu Image/Millennium Films released a poster and synopsis for The Savage Hunt. In November 2009, it was reported that the plot had reverted to Rambo crossing the Mexican border to rescue a girl who had been kidnapped.
In May 2010, Stallone revealed he was “done” with the character, stating, “I think Rambo’s pretty well done. I don’t think there’ll be any more. I’m about 99% sure, I was going to do it… but I feel that with Rocky Balboa, that character came complete circle. He went home. But for Rambo to go on another adventure might be, I think, misinterpreted as a mercenary gesture and not necessary. I don’t want that to happen. At the 2010 Cannes Film Festival, Millennium Films and Nu Image advertised Rambo V with posters and handouts. Following an interview with Stallone for Ain’t It Cool News, in which the director expressed his desire to end the franchise, Harry Knowles reported: “He then told me that the folks behind those posters essentially said that if Sly didn’t do it – someone else would. And Sly seems fine with that.
In 2011, Sean Hood was hired to write a new script titled Rambo: Last Stand, which he described as “more in line with the small-town thriller of First Blood.”In 2012, Hood revealed that Rambo V had been put on hold in order for Stallone to finish The Expendables 2. Hood also revealed his uncertainty on whether the film would be similar to Unforgiven or a “passing-of-the-torch”. In August 2013, it was announced that Entertainment One and Nu Image would develop and produce a Rambo TV series with Stallone. In June 2014, German film company Splendid Films confirmed that Stallone had started writing the script for Rambo V, which he described as his version of No Country for Old Men. In September 2014, it was revealed that the film would be titled Rambo: Last Blood, with Stallone directing.
In 2015, Stallone and Rambo creator David Morrell re-developed the story for Rambo V; the actor wanted a “soulful journey” for the character that the author described as a “really emotional, powerful story”. Stallone pitched the idea to the producers, but they wanted to proceed with the human trafficking story instead, prompting Stallone and Morrell to abandon it. In October 2015, Stallone pondered on the possibility of a prequel, stating: “It’s intriguing to find the whys and wherefores of how people have become what they are. The traumas, the loss and the tragedy of being in Vietnam would certainly be a great challenge for a young actor, and it would be ironic that Rambo directs younger Rambo having played it for twenty years plus In 2016, Stallone revealed that Rambo V was no longer in production
Box office collection of Rambo movie
As of November 2, 2019, Rambo: Last Blood has grossed $44.7 million in the United States and Canada, and $42.2 million in other territories, for a worldwide total of $86.9 million, against a production budget of $50 million.
In the United States and Canada, the film was released alongside Ad Astra and Downton Abbey, and was projected to gross $23–25 million from 3,618 theaters in its opening weekend The film made $7.17 million on Friday, which included $1.3 million from Thursday night previews It went on to debut to $19 million, finishing third and marking the second-best opening of the series. The film made $8.6 million in its second weekend and $3.6 million in its third, finishing sixth and eighth, respectively.
production cost of Rambo movie——
Rambo: Last Blood was theatrically released in the United States on September 20, 2019 to negative reviews, with criticisms aimed at the script, graphic violence, and what critics perceived as racist and xenophobic attitudes toward Mexico.The film has grossed $86 million worldwide against a production budget of $50 million. thnks for visiting in this blog http://tagifind.com/


After being estranged from her parents for years, Fallon Esposito returns home to mourn the death of her hitman father and, feeling the call of something deep and unnameable, decides to stay in Boston longer than she planned. As Fallon spends time with her father's partner and former protege, she learns the grim details of how her father kept a roof over her family's heads all those years--and begins to discover the killer inside herself.
rewriting the genre
Our series takes the traditionally hypermasculine crime genre and turns it on its head, placing a queer female lead at its center and making her the driver of the action. We are a primarily female-identified crew and are devoted to more diverse representation of women throughout the series.


How did this one come up?!
Disney is going to release a sequel to the Tim Burton version of Alice in Wonderland. It’s set to come to theaters on May 27, 2016. Johnny Depp and Mia Wasikowska are both going to reprise their roles as The Mad Hatter and Alice.
There are a few critical points that make this idea (for lack of a better term) stupid.
First of all, Tim Burton isn’t going to be directing. James Bobin, director of The Muppets will be taking over. This can actually be good or bad. It’s good in the sense that since the first Alice in Wonderland was lame and shameful, a new director might not be a bad idea. And Bobin isn’t a bad choice since The Muppets turned out to be a knockout even without Jim Henson. So Bobin might actually have what it takes to take over legendary directors. But the bad news is that without Burton, it’s doubtful that this sequel will have any black trees, grey clouds or demented creatures. Burton’s style is engravingly morbid and intoxicating. But Burton didn’t create too much of it in the original and if he had the chance, then maybe the sequel could have more.
Perhaps Bobin can still make something eerie…but nowhere near Burton’s style.
With the exception of a potentially decent new director, the idea of an Alice in Wonderland sequel does not scream any positive vibes. The original was a complete let-down that had zero connection or understanding to what makes Alice in Wonderland a great story. The characters had completely lost touch with what Lewis Carroll and Disney animation created. Plus, the writing was shotty and the plot was dull. Not to mention, the character of Alice didn’t possess a single spark of charismatic energy.
So Disney wants to make a continuous story of something that was dumb-tacular to begin with?
Insert a massive amount of eye-rolls here…


TV Show: The Painter of the Wind
genre: k-drama, historical, girl-dressed-as-boy
Summary: This is a what-if story. In the novel Painter of the Wind by Lee Jeong-myeong, the Joseon-era painter Hyewon (Shin Yoon-bok) is portrayed as a woman disguised as a man, and that is the story the 2008 television show is portraying. And the fact that she’s hiding as a boy has everything to do with all kinds of political intrigues.
I probably shouldn’t be posting this yet considering I’m only halfway through the show, but I would just like to say that Moon Geun-young does probably one of the best girl-dressed-as-a-boy roles ever in this show.
She really pulls off looking like a boy. Not a mature boy, but a young boy that just happens to be tall for his age. Plus she has a very boyish voice, one that hasn’t broken yet. Then on top of all that, she’s also very exuberant and brash and that just reads “young boy” to me.
I loved “She’s the Man” with Amanda Bynes, but honestly, I wouldn’t have bought her as being a boy. In “Twelfth Night,” though Imogen Stubbs does a superb job and I love this movie dearly, I still never would have mistaken her for a boy (maybe if she was only 14 like the original actors were in Shakespeare’s plays.) And as anyone that’s stalking me knows, I am desperately in love with “Sungkyunkwan Scandal” and Park Min Young, but I honestly think that in real life there’s no way she could have passed as a boy–she’s so incredibly pretty.
All of those women did superb performances, but in the end they just came out too womanly for their roles. There are just certain lines to the face that are just too female and they really start to come into focus in the early twenties as the face thins and matures.
But Moon Geun-young looks incredibly young and she has kind of chubby cheeks. She’s simply adorable and totally makes me think of my little cousins. They all looked basically how she does in “The Painter of the Wind” right up until they were about 16 or 17. After that age they just basically morphed over night into men.
Moon Geun-young does an incredible job as Shin Yoon-bok. She seems like a young teenaged boy and that is basically the person Shin Yoon-bok is. She’s very naive and there’s a lot of things her upbringing as a boy keeps her from understanding.
The character of Shin Yoon-bok was written as being very young when her father started dressing her in boy’s clothes. She was never able to learn how to be a girl before she was being forced to learn how to be a boy. Unlike in all the aforementioned shows, she was not a young woman dressing as a boy, still pining for the things she left behind. No, she was raised as a boy and to all intents and purposes her inner identity is as a boy.
I don’t know if that even makes sense, but that’s what I got from this show. It’s been pretty serious so far with some cute moments and there’s something so beautiful about the love between Shin Yoon-bok and the kisaeng Jeong Hyang (Moon Chae-won.) That relationship was so incredibly poignant, so it really makes me wonder why Moon Chae-won isn’t top billed. Instead, in every article I’ve seen so far, she’s always way down on the cast list, yet her character seemed important to me.
This show is really very charming. It probably wouldn’t ever be one of my favorite shows, but it is one that I find myself really liking. So go check it out.
My rating: 4 stars


The Celluloid Paper Trail:
Identification and Critical Interpretation of the Film Script
What kind of text is a screenplay? How were they made, and by whom? How did their form and function change over time? In this course, students will explore these questions by learning about the history, development, and bibliographical identification of the American film script, from the Silent era to the end of the twentieth century.
Screenplays are guides to the creation of another work of art: a motion picture. Students enrolled in The Celluloid Paper Trail will learn to see scripts as “blueprints” for films and to identify the material cues that tell how they fit into the larger filmmaking process, revealing the contributions of both credited and silent participants in their creation. The course will teach students to complete a full bibliographical analysis of the film script and identify common office duplication methods. Working from their analyses of the scripts themselves, students will finally experiment with incorporating material evidence into critical arguments about the history of film and production studies, with a focus on queer and feminist bibliography and the history of women in film.
Librarians, archivists, graduate students, faculty, and rare book dealers are encouraged to take the course. This course is intended for anyone interested in deepening their knowledge of screenplays as material artifacts of film production: if you work with screenplays and/or cinematic archives, this course is for you. It will also be of interest to individuals who study or work with non-letterpress material texts and twentieth century archival collections, and to booksellers, curators, and librarians whose institutions sell or acquire (or may in the future) cinematic archives and screenplays.
Hands-on exercises using archival film scripts will be an integral part of the course, and the week will include field trips to the Margaret Herrick AMPAS Library. Participants are asked to bring a laptop for daily use in course exercises.
Johnson, Kevin R. The Celluloid Paper Trail: Identification and Description of Twentieth Century Film Scripts. New Castle, Delaware: Oak Knoll Press, 2019.
Price, Steven. A History of the Screenplay. New York: Palgrave Macmillan, 2013.
McGuirl [née Schreiner], Erin. “Printing the Screenplay in Hollywood and Beyond” in Printing History (2018:Summer) pp. 28-40. Available for download via Humanities Commons at http://dx.doi.org/10.17613/8p6k-cc76.
McGuirl, Erin. “Women’s Work in Film Production and the Cinematic Archive: A Critical Bibliographical Approach” forthcoming in Journal of Cinema and Media Studies. Enrolled students will be provided with a PDF in advance of the course.
The Genius of the System: Hollywood Filmmaking in the Studio Era by Thomas Schatz. University of Minnesota Press 2010. Available from Amazon in hardcover, paperback and Kindle format, and also on Audible.com.
Monster: Living Off the Big Screen by John Gregory Dunne. New York: Vintage Books, 1997. Available from Amazon in hardcover, paperback, and Kindle format.
Dane, Rich. Cheap Copies! The OBSOLETE! Press Guide to DIY Hectography, Mimeography & Spirit Duplication. Coralville, IA: OBSOLETE! Press, 2022. Available online at https://obsoletepress.bigcartel.com/product/cheap-copies-the-obsolete-press-guide-to-diy-hectography-mimeography-and-spirit-duplication
Completion of this course helps to meet requirements for one of the following certificate requirements:
- 1 of 3 elective credit courses for Certificate in Rare Books and Manuscripts, or
- 1 of 2 elective credit courses for Certificate in Librarianship, Activism, and Justice


Ryan has been working like a dog for pretty much the last month, and in the last week I have hardly seen him at all. He crawls into bed somewhere around 2 am and says hi, and I kiss him goodbye when I leave in the morning for work. So when he actually made it home at 5 pm yesterday, we decided that we needed to go on a date. Since we have been missing our weekly Saturday matinees, we thought we'd go see a movie. After dinner at Don Antonio's, we went to see Duplicity. I'll admit that the main motivator for me was easy-on-the-eyes Clive Owen, but it is a pretty good film as well. It starts with one of the funniest opening sequences that I have ever seen and it has a nice understated sense of humor all throughout. Clive Owen and Julia Roberts have a believable chemistry. I can't even tell you the last time that I watched Julia Roberts in a movie. It may be The Mexican or Ocean's Eleven, which this movie reminded me a lot of. It's the same sort of stylish, spy movie with a humorous bend. Very entertaining indeed. An unexpected plus was Paul Giamatti in an entirely different role as corporate CEO, he was great as always. I love his Miles in Sideways which is one of my favorite films of all time. All in all, Duplicity will not change your life with it's profoundness, but it is a fun way to spend a couple of hours.


Have you ever wondered what goes on behind the scenes for theatre and live events? Do you want to be a part of some of the biggest events on campus? If so then come and join us!
We'll support you at all stages of a project, whether you've been working in the industry for years or wanting to try something new.
We run the technical side of events by YUSU Society and Colleges with anything from theatre and presentations to dance and live music.
We are equally comfortable working in venues small and large, and dedicated theatre spaces with their own equipment, or in temporary spaces with our portable lighting and sound.
About the Society
Founded in 2017, Technical Theatre Society was started with the aim of providing better collaboration between societies at York, to be a gateway for students who want to get involved in running shows, and a resource for other societies to easily find technicians and hire equipment.
We also give the societies the flexibility to perform in venues that aren't fitted out with permanent lighting and sound equipment, using our stock of portable equipment.


I've been spending some much needed quality time with Netflix this weekend and amongst the typical, not so bad movies that I've watched was a gem that I had overlooked up until now.
Silent House, starring Elizabeth Olsen the incredibly talented sister of the the Olsen twins was FANTASTIC. I wasn't expecting much from it, aside from excellent acting by Olsen which I've come to expect from her, she has yet to disappoint me. It turned out to be the one of the most thrilling films I've ever seen. It. Was. So. Good.
It's actually a remake of a Uruguayan film called La Casa Muda, which I'll definitely be checking out soon. What really set this film apart was the "real time" sequence and the effect of using a single camera, which is also in the original film. This means that you are with the main character, Sarah (Olsen), the whole time that she makes her way through the plot and it unfolds in a time sequence that is realistic to how it would actually happen. Which just amplifies the terror.
I realize that this sounds silly. It's not. I'm leaving SO much out because it's seriously incredible and I hate spoilers. I actually wouldn't even file it under the "Horror" genre because that's limiting it immensely. Maybe if there was a "psychological thriller with elements of horror, excellent acting and brilliant camera work" genre, it would belong under it.
I'm sure it will come as no surprise that this movie is graphic. You should definitely check it out!!!
While you're at it, you should also check out Martha, Marcy May, Marlene to see more Elizabeth Olsen brilliance.
If you've already seen it, what did you think?


How nerve wracking can it be to wait for an idol in the toilet? Extremely nerve wracking. So extreme that a doctor would probably prescribe her a ton of meds and recommend she get some counselling. Every second of waiting feels twice as long and she can’t even walk her nerves off because the cubicle is barely big enough for her to take more than one step in any direction.
Knock, knock, knockknockknock.
Tiffany freezes and stares at the partition on her left. It’s her. It’s her. Oh my God, it’s her. She looks down and there it is, a roll of Kim Shortae’s toilet paper.
“T-Thank you very much.”
“Use it well.”
“I will, unnie.”
A giggle. “Good.”
“Uh, I have to go now.”
“What do you think of the musical?”
Tiffany halts, her hand on the latch. “Uh . . . it’s very nice.”
“What about the role of Noyeon? How is she?”
“Very good vocals,” she says, surprising herself.
“How’s the acting.”
Tiffany pauses. Bites her lip. Scrounges her face. “Er . . .”
“Ah, I get it, thanks. That’s all I wanted to know.”
“I’ll get going first then.”
“Enjoy the show, Smiling Petals.”
“Y-You can call me Fany.”
“Fany. Nice name.”
“Uh, thanks. Your name is very nice too.” Why am I saying this? Am I out of my mind?
“Bye.” Tiffany hurries out of her cubicle and dashes to the door. She pulls it open and jumps in shock when she almost runs into a girl. “Oh my God. Hyoyeon. You’re here.”
“Yeah, of course I’m here. I told you I would be here, didn’t I?”
“Oh, sorry. I forgot.”
“And what are you doing with a roll of toilet paper? You’re acting so weird right now . . .”
“Ah, I’m sorry, but I gotta go,” Tiffany mumbles as she stuffs the roll into her bag and brushes past the taller girl, her heart threatening to burst out of her chest. She brisk walks to the theatre and melts into her seat when she finally reaches it.
“You alright there? What took you so long?”
Tiffany turns to her friend, Sooyoung, a fellow fansite master better known as Dungiewaifu, and pulls a smile. “Yeah, had a cramp before but I’m alright now,” she lies.
“Will you be able to make it through the show?”
“No problem. I’m okay now.”
“You know, I saw a few fans looking at you as you came in. I think you’re famous now,” Sooyoung chuckles.
“What? No way. Why would they look at me?”
“They probably recognised you from the photos.”
“It helps that you’re pretty too. They gave you a nickname you know.”
“You’ve gotta be kidding me.”
Sooyoung grins. “Shoelace damsel.”
Tiffany groans. “Please tell me you’re joking.”
“You really need to get on Twitter and backtrack. You’re lagging behind time.”
“I spent all my time dealing with DMs when I got on. Now, I don’t really feel like reading those tweets . . .”
“They’ve done all sorts of memes with the photos you know.”
“Please, don’t show me. No.” Tiffany tries to avoid looking at the picture on Sooyoung’s phone but her friend puts the phone right in her face. “Oh God.”
There it is. In Super AMOLED 518ppi display. She on the stairs. Shortae on one knee, tying her shoelace. The background had been changed into that of a warzone in sunset. Oh God. This is too much.
“This is even better.”
Tiffany groans when Sooyoung flicks the next picture into view. Shortae as herself in Noyeon’s field doctor outfit, shoelace undone. Tiffany’s face on Dikin’s body, kneeling on one knee to tie the shoelace for Noyeon. This is terrifying.
“That’s not all.”
Tiffany covers her eyes. “No . . . please, no more . . .”
“Come on. Look. This is hilarious.”
Sooyoung is tugging on her hand so it slips and she catches sight of the picture.
Oh God! Fanart? She has fanart with Shortae?!
Tiffany is still in shock when the lights go out, replaced by spotlights on the stage. Oh great. She’s supposed to enjoy the music in this state. Like how?
The scenes go by just like the few times she’s watched before so she is relatively calmer after the first half of the show. And she’s beginning to enjoy the show again when out of the blue, for no apparent reason at all, Taeyeon’s character, Noyeon leans in all the way and plants her lips on Dikin’s.
“NOOOOOO!” Tiffany screams.
People all around her turn and stare. Even the actors on stage jump in fright. Taeyeon especially. Their eyes meet for the quickest of moments and Tiffany sinks deep into her seat, blushing red like a tomato.
“Sorry, sorry,” she apologizes. There’s nothing she wants more to do than to melt into the carpet and disappear from this theatre right this instant.
a/n: I used @jujiirRPG’s fanart for this. adorable, isn’t it? ^^


In 1988, he starred in the blockbuster Aakhari Poratam, scripted by Yandamuri Veerendranath, and directed by K. Raghavendra Rao where he was paired opposite Sridevi and Suhasini. In 1988 he starred in Janaki Ramudu alongside Vijayashanti. This film, directed again by K. Raghavendra Rao, was also a hit. In 1989, he starred in the Maniratnam-directed romantic drama Geetanjali. The film won the National Film Award for Best Popular Film Providing Wholesome Entertainment in 1990. Immediately, he saw another success, Shiva. This film marked the debut of director Ram Gopal Varma. This film is considered a trendsetter in Telugu cinema, and made Nagarjuna a superstar. In 1990, he subsequently made his Bollywood debut with the Hindi remake of the same film titled Shiva. Even the Hindi version saw huge box-office success. He then starred in Jaitra Yatra, for which he received critical acclaim. He followed it up with sub fare like Prema Yuddham and Iddaru Iddare. Nirnayam where he acted again with Amala however was a hit.


Female Maori / PI bodyguard character wanted for Futuristic TV Series!!
There will be some acting involved and it is likely you will be required to deliver a few lines of dialogue for the audition.
This is NOT a background extra role.
- Maori / PI
- Female, late 20's - 40's
- Our character needs to be someone physically imposing.
- A strong silent type who only speaks when necessary.
- She could be 6ft+, a power lifter, a prop or just someone who demands respect of those around her.
SHOOT DATES AND PAYMENT...
The TV series will shoot from July – December in Auckland, so ideally you will be based in Auckland or close by. If you are cast a daily shooting payment will be arranged by the series producers.
Please email us with a recent photo and your contact details at: firstname.lastname@example.org


Weightlifting Fairy Kim Bok-Joo
20-year-old female weightlifter Bok Joo falls in love for the first time. The drama series is motivated by the true story of weightlifter Jang Mi Ran.
Genre : Comedy, Romance, Sport
Casts: Lee Sung-Kyung, Nam Joo-Hyuk, Kyung Soo-Jin, Lee Jae-Yoon, Lee Joo-Young
Duration: 60 min
(3 votes, average: 8.00 out of 10)


We're In The Movies!
In March, 2005, the Krueger Funeral Home was "discovered" by a Hollywood scout from DreamWorks Pictures, part of the Paramount Motion Picture Group. Producer Steven Spielberg owned the rights to the New York Times bestselling book "Flags of Our Fathers" and was planning to turn the book into a major motion picture, under the direction of Clint Eastwood.
'Flags of Our Fathers' is the story of the 5 soldiers who raised the American Flag on Iwo Jima in World War II, captured forever in one of the most famous photographs of the 20th century. One of the men in the photo, and the principal character of the movie, John Bradley, happened to be a funeral director in peacetime, both before and after the war. So a funeral home was needed in the movie to represent Mr. Bradley's place of employment. Through a process of selection over the course of several months, the Krueger Funeral Home was chosen.
On Tuesday, October 25, 2005, Clint Eastwood and a DreamWorks movie crew filmed two short scenes at our funeral home. They allowed us to stay inside the building and watch them work. Fascinating to say the least! The pictures below were taken by Krueger family members during the day's filming.


Arushi has been selected as one of the jury member of the Toronto Kids International Film Festival taking place at the TIFF Lightbox from March 9 -18, 2018.
She will be attending the eligible screenings in her age category and decide upon the winning movie along with the other jury members. All the best to all the contestants!
Watch her interview with the Breakfast TV Toronto
Arushi was interviewed on her TIFF Kids Jury duties on CTV Toronto on 9 March 2018.


Troy Full Movie In Hindi Dubbed Free Download
troy movie hindi dubbed, troy movie hindi dubbed download, troy movie hindi dubbed filmyzilla, troy movie hindi dubbed download 480p, troy movie hindi dubbed free download, troy movie hindi dubbed online, troy movie hindi dubbed download 720p, troy movie hindi dubbed watch online dailymotion, troy movie hindi dubbed download filmyzilla, troy movie hindi dubbed 300mb
troy hollywood movies in hindi dubbed, troy hollywood movies in hindi dubbed, Troy Full Movie Hindi Free Download - St George's Second-hand .... Free Download Troy (2004) Hindi Dubbed Movie Dual Audio (Hindi-English). This is a dual audio movie and available in 480p & 720p & 1080p.... Sep 19, 2019 - Troy Hindi Dubbed Movie in HD 720P Bluray Watch online ... And Download With Subtitles From Best Servers,DownLoad And Watch And Free.. Troy. (1,867)IMDb 7.22h 42min2004X-RayR. In ancient Greece, passion of 2 of ... 30 days to start watching this video and 48 hours to finish once started. Rent HD $3.99 ... I own both Blu-ray and Dvd version of this movie and there is a difference ... You get the whole package really with the additional scenes not just four.... Watch all you want for free. TRY 30 ... Paris has a divine encounter that leads him on a fateful journey to the city games in Troy, where he learns a startling truth.. You are Here to Download Troy 2004 DC x264 Dual Audio Hindi-English ... mkv Full Movie. and Available in Multiple Format 480p 720p 1080p 4k HD Hevc x264 ... Bookmark MoviesRush.in to Download Free Movies, Tv Shows & Web Series.. An adaptation of Homer's great epic, the film follows the assault on Troy by the ... (BluRay) is avilable for download in two part of mp4 formate and full hd format.... Download Troy Full Movies in Hindi Download (Hin-Eng) 480p in 300MB , 720p ... This Hollywood movie is available in 480p, 720p, 1080p HD Qualities. ... to Download Troy Full Movie then click on below Download Link for Free, just Enjoy !!
Jan 9, 2020 - Watch In HD Download Now Bookmark us Press (Ctrl+D ? Then Click Done) >> MoviesrulzFree.cc. Download Troy Hindi Dubbed 720p ~ TheMoviesFlix.com. Movie Info: Full Name: Troy; Language: Dual Audio (Hindi-English); Subtitles: Yes (English).... PICTURES: Adnan Khan resumes shooting... Troy. Related Tags Hindi MP4 Movies Download , Latest Bollywood movies , Mobile Movies Free.... Amazon.in - Buy Troy (Hindi) at a low price; free delivery on qualified orders. ... Troy movie was dubbed into Hindi for an Indian audience and the film has an ... You get the whole package really with the additional scenes not just four ... 100% Purchase Protection Amazon App Download Amazon Assistant Download Help.. Watch Troy Online on MX Player | Enjoy full Troy, 2004 Documentary movie for free in best quality. ... Troy. English, Documentary, 2004. Less Details. Like; Watchlist; Download ... lovers, a vengeful husband, and a war that will ultimately destroy an entire civilization--such is the legend of Troy. ... Immortals (Hindi Dubbed).. Oct 9, 2017 - Troy 2004 DC Dual Audio Hindi 720p BluRay 1.5GB | Movies. ... Find this Pin and more on Download by Krishna Kc. Tags ... Troy is a 2004 Action, Adventure film directed by Wolfgang Petersen and ... Siblings For Sale, Thor Movie For Free! ... Watch Lethal Weapon 3 full hd online Directed by Richard Donner.. Download Troy () Movie Full HD, DivX, DVD Summary movie - Troy () It is the year B.C. during ... Bollywood, Hollywood, Hindi Dubbed Movies Free Download.. Brad Pitt picks up a sword and brings a muscular, brooding presence to the role of Greek warrior Achilles in this spectacular retelling of The Iliad. Orlando Bloom.... Troy full movie in hd | Troy The Odyssey |troy movie not Hindi dubbed |. YS Tube. Loading... Unsubscribe from YS Tube? Cancel Unsubscribe.
Oct 9, 2017 - Troy 2004 DC Dual Audio Hindi 720p BluRay 1.5GB | Movies. ... Troy FULL MOVIE Streaming Online in Video Quality ... Troy is a 2004 Action, Adventure film directed by Wolfgang Petersen and starring Brad ... Troy MovieEpic MovieMovie TvAction MoviesHd MoviesMovies OnlineWatch ... Troy the movie free.. Troy Movie In Hindi Free Download - ORDINARIATE OF THE ARMENIAN ... troy full movie download in hindi hd 480p + .. Poseidon.... Directed by Wolfgang Petersen. With Brad Pitt, Eric Bana, Orlando Bloom, Julian Glover. An adaptation of Homer's great epic, the film follows the assault on Troy... 50e0b7e615
Emel Canser Ask Gecesi
Mscad Pro Serial And Keygen And Ckacksrar
kid cudi wzrd album download zip
X Launcher Prime: With IOS Style Theme No Ads v1.7.4 [Paid] [Latest]
Microsoft Office Professional Plus 2019 Version 1902 (Build 11328.20158) ISO
SolidWorks-2019-SP0 Activator Crack
studio d a1 mp3 16
Adobe Media Encoder CC 2018 v184.108.40.206 (x64) Patch setup free
anandpur sahib sex kand
Lovac Na Duse Pdf 14


FlixGo→News→ JAMES WAN SURPRISED WITH THE CANCELLATION OF THE ‘SWAMP THING’back
JAMES WAN SURPRISED WITH THE CANCELLATION OF THE ‘SWAMP THING’
James Wan, who was one of the producers of ‘Swamp Thing’, has no idea why his show was canceled immediately after the premiere of the pilot episode. The filmmaker stated this on his page in one of the social networks.
“It is completely incomprehensible to me why they decided to stop the production of the series. We put our souls into it, and I am incredibly proud of it. Be sure to watch the second episode. However, you will remember each one of them. The Swamp Thing deserved it,” writes the filmmaker.
Western media, citing their own sources, stated that filming was planned for three seasons of the show. Moreover, it was planned that if the show is successful, then a spin-off would be created and included in the Dark Justice League. The project’s cast includes Crystal Reed, Derek Mears, Andy Bean, Jennifer Beals, Jeryl Prescott, Will Patton, and other actors.


I was first introduced to this series about 7 years go when I received an invitation to meet the director, Sergey Miroshnechenko and see 21 Up at Lewis and Clark. I fell in love with the kids and their candid answers. I told everyone I knew about the film. I was able to find 21Up online and posted it on my blog. However, the film was broken into 3 parts and soon part 3 became unavailable.
Anyway, the film is very well made. For some reason, all four are now available and I present them to you here. You're welcome.
28 Up Part 1
28 Up Part 2
21 years of age (part 1)
21 year of age (part 2)
When the kids turned 14.
Finally, the very first film when the kids were 7.


There are only few seats left in our theaters (tickets can be reserved by purchasing a Pick Your Price ticket through the Alamo Drafthouse website), so we're opening up our overflow screening space in The Highball with free RSVPs. The DreamWorks episodes will run while the game and activity stations stay open.
For those watching the screening in The Highball, plan to arrive at 10 am to enjoy the pre-screening activities and the screening will start at 10:30 am. To attend, please complete our FREE RSVP below. RSVPs will be admitted first come, first served, and only up to venue capacity.
Please note The Highball is not a traditional screening space and that unlike the reserved Screening Tickets, seating & admission is not guaranteed.


A short film from one of our practices. by | Sep 22, 2012 | Uncategorized | 0 comments Good seeing some new faces out. Encourage your friends to join us. This is a short film I did a while back of some of our players. Don’t remember when I filmed it. Click here to view the film Submit a Comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Website Notify me of follow-up comments by email. Notify me of new posts by email.


We have a big new movie opening today, “The Amazing Spider-Man”. Word on the street has been pretty positive so far, but the thing that “Amazing Spider-Man” has been most notable for to this point was for being a “reboot”.
I believe it was “Batman Begins” that launched the term “Reboot”. They weren’t remaking a single movie as much as they were restarting the franchise. It was a subtle distinction, but it made sense. Time had passed since the last Batman installment, people were eager to have the franchise back, and Nolan and Bale put out a great picture.
Other reboots quickly followed. James Bond (which had actually been rebooting before the term “reboot” even meant anything), Hulk, Star Trek, Planet of the Apes… they started to come hot and heavy.
But they were still commingled in with the endless stream of Hollywood remakes. Hollywood loves to put out movies whose names already have a foothold, the thinking being that half of their marketing work is already done. So there’s a constant parade of films from the past either relaunching, or being remade directly. There seems to be no bounds, I’ve even heard that a Jaws remake has been being kicked around…
But it’s not ALWAYS a bad thing. The word is that this Spider-Man movie might be really good. And hey, “Spider-Man 3” was awful. There have been a lot of great films that were actually remakes. I didn’t know until a couple of weeks ago that “The Maltese Falcon” was a remake. “3:10 to Yuma”, “The Fly”, “The Thing (’82)”, “Dawn of the Dead”, “The Departed”, there have been a lot of excellent movies that were remakes.
So my question to you is, which movies would you like to see remade, and/or what franchise would you like to see get a reboot? Maybe they weren’t that good and deserve a mulligan, or maybe the special effects could use some modernizing, maybe you’d just like to see the story retold for a new generation. Perhaps the franchise is just dormant and you’d like to see it spring back to life again.
What ever the reasoning, let’s hear it. What movies/franchise would you like to see remade/rebooted?