Director Of Photography
Interest in film began at the early age of 16 when films became more than what it was. The power the medium had and the ability of it to alter perceptions. Then began the journey of film school where I got into thinking I would eventually get into direction, but it was more camera and lighting that initiated something new. The visual composition and tone was what made me want to pursue cinematography and dwell into it further. Since then I have worked as a production runner to a clapper to an assistant camera and to finally manning the camera on several short films and music videos to now eventually being the cinematographer on a feature length documentary.
Turkish Iskender Kebab
Thoughts on Hijras before and now:
My thoughts on Hijras earlier on were quite ignorant, classifying them as a certain sect of people whom I tend to avoid. After meeting the Hijras and learning from them, their hardships, their cultures and their beliefs, it all brought in a new light of perspective towards them. People whom I had considered being crude and aggressive had become pure and beautiful as we began to spend more time with them.


Location: Tokyo, Japan
Dates: 25 – 27 August 2017
Teaching language: Japanese
Functioning as Japan’s first and longest-standing film archival training course, the 12th edition of this workshop tries to give the participants every kind of information and skills necessary for contemporary moving image archiving, and to discuss and share the daily problems that archivists commonly face. The hybrid organizing committee consisting of IMAGICA, IMAGICA West, Tokyo Laboratory, Toy Film Museum, Film Preservation Society, and Japanese Association of Moving Image Archivists [tentatively named], cooperatively works with National Film Center, a FIAF member, whose curatorial and technical staff members contribute to this event as lecturers, panelists, and instructors, and strive hard to bring together various talents of Japan’s moving image archiving community including film studios, photochemical and digital labs, film and media manufacturers, filmmakers and librarians/historians/academicians. Open to the public including overseas students.
Registration is closed once maximum capacity is reached.
For further information (in Japanese only): http://ws12.peatix.com/


I am prepping for a show at the Arts Center tonight, but I wanted to drop you a note on tonight’s Summer Stage show at The Stone Pony. Bluesy, feel good Jam rockers, Gov’t Mule are set to release a two part, Live music and film CD set filmed and recorded at The Capitol Theater. Asbury’s own Danny Clinch directed and photographed the party, it is only natural that there is a post event signing of merch by the band and sneak peak showing of the film tonight at his gallery which is just down the street from The Pony. The LP is available now and will be followed up with the DVD release on July 19. A few more details from the press release:
Bring On The Music – Live at The Capitol Theatre, directed by renowned music photographer and director Danny Clinch in a 9-camera shoot, was captured during two special nights at The Capitol Theatre in Port Chester, NY, on April 27th and 28th, 2018 and showcases the band’s jam-packed live spectacle and master musicianship through a cinematic lens that is sure to thrill fans. The deluxe release features more than 5 hours of live music including a full-length concert film, interviews with the band, behind-the-scenes footage, photos shot by Danny Clinch over the years, and more. This is the first time that Gov’t Mule’s updated stage set and production have been filmed, bringing the excitement and spectacle of a Gov’t Mule show directly into fans’ homes.
You Check out a short clip from the film here. If you are inbound to Asbury for the show tonight have a great time! See you on the flip side.


Tuesday 22 October 2019, 7:30pm
The Annual Lecture: Bethan Marlow
Location: Bethesda Chapel, New Street, Mold
The annual lecture in 2019 is by Bethan Marlow.
In Welsh with simultaneous translation into English.
Her subject is: ‘Yr Wyddgrug Ddoe Yn Heddiw’ (Yesterday’s Mold In Today’s).
Bethan, the writer of the community theatre production on the Mold riots of 1869 which is being performed during this year’s Festival, will speak about her work, experience, the process of writing the drama, and discuss the themes that were present in Daniel Owen’s time and which are reflected in society today.
Bethan trained as an actress at Webber Douglas Academy before discovering her life as a writer. She also travelled and volunteered abroad before realising that she could combine her need to work with unheard communities with her writing. She is driven to write by people’s stories- their journeys, their experiences and their way of surviving in the world. Her process involves working very closely with unheard groups on the fringes of our society to create productions where their voices are heard loudly, honestly and creatively. Her proudest works are the site-specific interactive theatre productions she created by collaborating with the LGBT community of Swansea (“A Queer Christmas”, Mess Up The Mess) and residents of a council estate in North Wales (“C’laen ta!” Theatr Genedlaethol Cymru) and her verbatim musical “Nurses” (Theatr Genedlaethol Cymru). She loves to test boundaries and is a bit of an adrenaline junkie which probably explains why she’s had a fair few “firsts” in her career.
- She created the first Welsh language online drama (for BBC).
- She wrote the first Welsh language verbatim play (for Sherman Theatr and Theatr Gen).
- She wrote the first musical verbatim to come out of Wales (for Theatr Genedlaethol Cymru).
- Apart from Theatr Clwyd’s ‘Mold Riots’ Bethan is currently writing feature film ‘Madison’ with Film Cymru Wales and ieie productions, ‘Feral Monsters’, for National Theatre Wales and original tv series ‘The Trap’ with Severn Screen and Warner Media 150.
Bethan is originally from Bethel, North Wales, writes in both Welsh and English and lives with her wife and two young children.


Green Entertainment announced the latest drama serial Mohabbat Satrangi on Green TV. The OST of this drama serial is going viral on YouTube, Twitter(X), Instagram, and TickTock. Here you will get Mohabbat Satrangi Drama Timing and Cast. The day and release date is already announced in the latest news. This drama is trending on X social media and viewers from all over the world admire its cast and trailer.
Start the year off with a charming tale of love! Green Entertainment’s “Mohabbat SATRANGI” premieres on January 1st at 7 PM. This lovely story is sure to touch your heart and soul, so don’t miss it! On GreenTV. Don’t miss this beautiful tale that promises to touch your heart and soul!
Mohabbat Satrangi Drama Timing and Cast| New Pakistani Drama 2024
|Green TV Entertainment
|Jannat Saud & Ibrahim Saud
Mohabbat Satrangi Drama Cast
- Samina Ahmad
- Javeria Saud
- Tuba Anwar
- Syed Fazal Hussain
- Michelle Mumtaz
- Zooni Shiekh
- Munawar Saeed
Start the new year with a tapestry of love and drama as we premiere “Mohabbat SATRANGI” on Green Entertainment. Tune in on January 1st at 7 PM and get ready to be spellbound by an unforgettable tale!
- Khaie Drama Timing Cast Day and Story
- Kahain Kis Se Drama Timing, Cast, and Story
- Zulm Drama Timing, Cast, and Story
- Shikaar Drama Timing, Cast, and Story
| Watch Now |


LORD FINN is a new feature drama written and directed by Al Mertens.
Music by Miro Kepinski
May 5, 2018
‘Soul Hunter’ at Toronto Smartphone Film Festival
‘Soul Hunter’ by Miro Kepinski was officially selected for
7th edition of this festival will be taking place between June 7-10, 2018 at Innis Town Hall in Toronto.
April 19, 2018
‘Blindness’ at FEST ANČA
Blindness by Miro Kepinski was officially selected for Fest Anča 2018 in Slovakia.
It will be screened between June 28th and July 1st Anèa in Mordor section.
Click here to see the listing
April 14, 2018
‘In This Gray Place’ – EXCLUSIVE STREAMING
Polish radio RMF Classic streams the soundtrack for ‘In This Gray Place’ exclusively.
Click here to listen.
March 22, 2018


In the dynamic landscape of Indian cinema, few figures shine as brightly as Chitrangda Singh. With her captivating presence on screen and formidable acting prowess, she has carved a niche for herself in Bollywood. Singh’s journey in the film industry started with a glowing debut in Sudhir Mishra’s Hazaaron Khwaishein Aisi and has seen her go on to producing her own films.
She has consistently delivered performances that resonate with audiences. Her ability to seamlessly portray a range of characters, from the fiercely independent to the vulnerably nuanced, showcases her depth as an actor. Whether in intense dramas or light-hearted comedies, Singh’s on-screen presence commands attention and admiration.


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When you’ve witnessed the worst things imaginable, the world can never be the same again.
£11 / £9
When you’ve witnessed the worst things imaginable, the world can never be the same again. Battle Cry is a new 50 minute solo piece based on the true story of a former soldier battling PTSD
Relevant, real and unflinching, this original play reminds us that asking for help maybe the toughest battle.
Madam Renards is a Swindon based production company. We have a yearly touring programme of productions and primarily produce plays, musical theatre and opera. Our productions have been seen in the UK, the US and Australia.
Event photos for Battlecry:
In conversation with Matt Fox - Madam Renards Mini-Fringe Festival - Wyvern Theatre


Episodes of Static Shock.
“The Big Leagues is the episode of Static Shock where the Joker comes to Dakota and Batman and...The Big Leagues
“Frozen Out is the fifth episode of the second season of Static Shock. It first aired on February...Frozen Out
“"Brother-Sister Act" is the third episode of season 2 of Static Shock.. It first aired on...Brother-Sister Act
“Shock to the System is the first episode of the first season of Static Shock. It premiered on...Shock to the System


There are a lot of movies available on Disney but are you looking for a list of best movies of all time? If so then you’re in luck. The craze for Disney movies can be seen in people from every age group and places across the globe because it is the best streaming service. Often, we find ourselves debating with our pals over which Star Wars character we love the most. On a relaxing day, we still sometimes express our comfort by saying “Hakuna Matata” as the words remain fresh in our memory. We continue to be captivated by the scenes of these movies even years after we’ve watched them. Kids, over generations, have dreamt about the superpowers of the different superheroes gifted to them by Disney.
And then, there are those beautiful bedtime stories like Aladdin, beauty and the beast & Alice in Wonderland coming alive in our minds like never before by these fascinating movies. Indeed, Disney World has made us dream with our eyes wide open. But to get that lasting impact & an enchanting experience, you must know the right movies to start with. So let’s take you through the 15 Must Watch Disney Movies.
List of Best 15 Disney Movies of all Time
Here is a list of Disney movies of all time that must be watched in 2021. Let’s dive in.
Now, who doesn’t know Simba? A young lion, that is to succeed his father as the king. But, the story takes a turn when Simba’s father is killed by his Uncle, and Simba is manipulated into thinking he is responsible for his father’s murder and he flees into exile. Simba grew up in the company of Timon and Pumbaa. Simba soon decides to go back to the jungle and take his place as a king rightfully by fighting with his uncle who had killed his father and took the king’s place. The Lion King is one of Disney’s animated film, which has grossed a total of $1 billion on the Box Office.
A street urchin who is madly in love with Jasmine and is granted 3 wishes by the genie he has freed from a lamp. However, the sultan’s sorcerer Jafar has other evil plans for Aladdin and is behind the lamp. Jafar finally steals the lamp from Aladdin and is granted 3 wishes. Aladdin has to use his tricks to get back the lamp and to save Princess Jasmine and the kingdom from Jafar’s evil plans.
Pirate Jack Sparrow and blacksmith Will Turner try to rescue the kidnapped Elizabeth Swann from the cursed crew of the Black Pearl, captained by Hector Barbossa, who becomes undead skeletons at night.
A fairy that lives in a magical forest. She is betrayed by her true love as he intends to kill her to be the successor of King Henry and marry his daughter. Later on, she curses Stefan’s daughter Aurora. But, after Aurora grows up, Maleficent grows a motherly feeling for Aurora and takes care of her, and tries to get rid of the curse.
The Jungle Book is one of the most popular Disney movie. Mowgli, a young orphan boy, is found by Bagheera in a basket in the jungles of India. He takes Mowgli to Raksha who is a mother wolf. Mowgli is raised by Raksha and her mate Rama. Mowgli faces a lot of hardship as he is human. He has to leave his only home where he was bought up as the fear of the evil tiger Shere Khan starts to fear them. Mowgli soon leaves the jungle to go to a safer place with Bagheera the Panther and Baloo the Bear. Soon Mowgli finally decides to go to the man village and live there. Jungle Book is one of the best crowd attraction Disney classic movie.
Two teenagers who are totally different from each other meet at a party, they instantly click. The two of them have to struggle to go to the musical auditions while maintaining other school activities at the very same time. High School Musical becomes a popular movie amongst teenagers and it is one of the best films on Disney.
Princess Anna goes on a journey to save her kingdom from a curse by her elder sister Queen Elsa. Along the way, she partners with a mountain man, reindeer, and a snowman. If you are fond of an animated movie then we suggest you watch Toy Story and The Princess and the Frog.
8. Sky High
Sky High movies show a school in the sky where teenagers learn to be superheroes. William Stronghold, the son of the world’s most famous duo, tries to balance between being a normal teenager and a superhero. The only problem is William doesn’t own any superpowers. Sky High is all about friendship, falling in love, and trying to follow in your parent’s footsteps.
Rapunzel, a long-haired girl who has spent her entire life locked in a tower meets Flynn Rider. They both team up to escape the tower to discover the outside world. Tangled was produced by Walt Disney Animation Studios with computer-generated imagery animated feature.
Disney has produced many fairy tale movies. Cinderella lives a sad life after losing her parents. She is treated as a servant by her stepmother who is jealous of her beauty. She has two stepsisters who take advantage of her kindness and are jealous of her beauty. Cinderella wants to go to the Royal Ball. But, her stepmother prevents her from going to the Royal Ball. Help arrives in the form of a fairy Godmother that helps Cinderella to go to the Royal Ball with her magic. When she attends the Royal Ball, the prince falls in love with her. Cinderella is probably one of the most beautiful and popular Disney princess.
Four kids travel to the land of a fantasy world known as Narnia through a wardrobe. There they meet and join a magical lion known as Aslan to fight against an evil white witch.
A 15 year old, who was raised by a single mother, learns that she is the princess of a small European Country. She is stuck between making a choice if she wants to live the normal teen life or to step on the throne.
A scientist and also an inventor who accidentally shrinks his and his neighbor’s kids with his shrinking machine & accidentally throws them out. The kids need to find a way to get back to their normal size.
14. Bedtime Stories
Ever wished for made-up stories to come true? Bedtime Stories show you the life of a man who tells his niece and nephew bedtime stories that magically start to come true.
15. Star Wars
The Star Wars – each series centers around three sets of trilogies which are referred to as Skywalker Saga. Each trilogy centers on the generation of the Skywalker family.
Frequently Asked Question:
Here is the list of some best movies on Disney:
- Pirates of The Caribbean
- High School Musical
- Sky High
- The Lion King
- Snow White and the Seven Dwarfs
Some best-animated movies on Disney are Brave, The Incredibles, Inside Out, Zootopia, Ratatouille, Toy Story, Peter Pan, Robin Hood, The Little Mermaid.
The best action movies to watch on Disney are:
- Finest Hours
- Guardians of The Galaxy
- Avengers: End Game
You May Also Like:
- Disney Plus vs Netflix
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A viewer’s basic demands nowadays are a good story, great characters, and a meaningful message, apart from the much-needed ingredient, entertainment. Disney films fulfill each of your demands. When you finish watching these movies, you are left with a story that you remember for years, characters that you can dream about, and a message that has truly been portrayed in the most beautiful way.
Most importantly, the message often opens your eyes to new possibilities and a deeper understanding of the little things that matter. Besides, these movies promise to keep you engaged for the entire duration. You will remain curious about the happenings the whole time and sometimes even after the movie ends, desperately waiting for a sequel to take your favorite story ahead.
You will laugh, cry, get excited, emotional, and feel every bit of the journey just like these characters. These movies take you to a world where everything is different and anything is possible. In the middle of an ordinary life, Disney Movies add magic to your mind. So if you are bored of regular day-to-day life, you can tune into the Magical Disney World. If you are looking for entertainment or a heartwarming story, Disney is the place to be. But, even if you are not looking for anything, you would not want to miss out on this wonderful experience at any cost.


Between 2013-present, Hallways Microcinema has been a do-it-yourself (DIY) space located at an undisclosed location in downtown Champaign, Illinois. This underground venue has hosted semi-regular screenings of hard to find experimental and documentary film and video works; ambient and experimental music; poetry readings, performance art and lectures far outside of the academy. David Gracon was the programmer (although the space was always open to collaboration and others pitching events) and host of Hallways Microcinema. To date 21 events have been programmed. Hallways is currently on hiatus as David is living abroad in Ukraine for a year. Programming will resume fall 2018.
Semi regular updates and events are posted on Hallways Microcinema within the Facebook group.
Vol. 21: Ambient 2: No New Age. This night featured live short ambient/experimental/minimalist music performances by Jason Finkelman, Brad Decker, Mark Enslin, Wu-Morse Duo, Elizabeth Simpson and a short screening of David Gracon’s Ordinary Video Series. Saturday, July 1st 2017, 9pm.
Vol. 20: TV Party! We screened America First (2017, 10 min), a short experimental documentary by Marcos Serafim (EIU, Art MA) and the TV Party (2005, 91 min.) documentary. We also held the Dance like Ian Curtis Dance Party. Saturday, June 3rd, 2017, 9 pm.
Pop-Up Event. Tony Conrad: Completely in the Present. Documentary screening and live performance by Sunsat IV. Sunday, April 9th at 7:30, 2017. Art Theater Co-Op. Champaign. Presented by Hallways Microcinema.
Vol. 19. Outlier. This event honored the late Tony Conrad, a pioneer of experimental film, music, video and performance. We screened The Flicker (30 min. 1966) and other film/video shorts, as well as excerpts of interviews/discussions with Tony. There were DJ sets and experimental music performed by Obsolete Synthesis (Urbana) and Brad Decker. June 11th, 2016, 9 pm.
Vol. 18. Contra. We screened Gary Fritz’s feature length DIY documentary Piedra Roja (Red Rock) released on DVD in 2015. Gary presented and discussed the film in person. Friday, March 25th, 2016. 8:30 pm.
Vol. 17. NSEW. We screened the the experimental films of Vanessa Renwick of the Oregon Department of Kickass (in person and on a cross country tour from Portland, Oregon). Saturday, October 24th, 2015 at 9pm.
Vol. 16. Back to School 80’s Night where we screened the Hal Hartley classic Surviving Desire, deconstructed 80’s TV commercials with Production Notes and watched a Wendy’s training video where we learned to flip hamburgers. September 19, 2015 at 9pm.
Vol. 15. Cultural Hijacking. We screened two experimental documentaries. They included Dial H-I-S-T-O-R-Y (1997) by Johan Grimonprez (a filmic mashup/detournement of airline hijackings from the 60’s to the 80’s mixed with the texts of Don DeLillo) and What Farocki Taught (1998) by Jill Godmilow (A shot by shot replica of Harun Farocki’s 1969 ‘Inextinguishable Fire’ that critiques DOW Chemical, organizational violence and documentary filmmaking). May 23rd, 2015, 9pm.
Vol. 14. Western Media Representations of Africa. This event entailed a presentation by the Dr. Felix Kumah-Abiwu. Kumah-Abiwu unpacked how the western media gaze has historically framed, and continues to frame Africa. He also provided alternative ways of seeing the cultural richness and diversity of Africa. Saturday, March 28th, 2015 at 8:30 pm.
Vol. 13. Music for Hallways featured a night of live ambient/experimental music performances by a variety of composers/non-composers in the area including David Gracon (EIU Comm. Studies Faculty)/Brad Decker (EIU Music Faculty), Jason Finkelman (UI Krannert Center/WEFT Community Radio), Travis Stansel (CU lo-fi cassette ambient), Alan Pocaro (EIU Art Faculty), and David Luftig (Bloomington, Ill no-wave/post/pre/in between-ambient). February 28th, 2015 at 9pm.
Vol. 11. The Horrors of Heterosexuality. This event featured a presentation by Ruben Quesada and Brian Kornell. The event description claimed: Historically films have contained homosexual characters as un-natural beings in the filmic world. Through a retrospective examination of top-grossing films we will identify scenarios that have taught viewers that homosexuality is a fearful, and un-natural state of being. When in
fact, it is the heteronormative, filmic world that has created a world of horror for homosexual viewers. Saturday, November 14th, 2015 at 9 pm.
Vol. 10. Collective Suicide featured an artist talk/screening (in person) with the culture jamming video maker Coriana Close (Assistant Professor of Photography at the University of Memphis). She presented a video compositing technique she called “video weaving.” Saturday, October 11th, 2014.
Vol. 9. Subculture featured experimental film and video works by Scott Cummings (NYC) and Jesse McLean’s (U. Iowa) short mashups. We featured Cumming’s 2014 film Buffalo Juggalos (along with other short works). We also had a Skype discussion with Scott after the screening. Saturday, September 20th, 2014 at 8 pm.
Vol. 8. Punks. This event featured two documentaries about the punk subculture. Sam Geneser, a Champaign based filmmaker presented (in person) Dither: The DIY Sound (2013) and we screened The Punk Singer (2013), a documentary about Kathleen Hanna (Bikini Kill, Le Tigre). Saturday, August 23rd, 2014 at 9pm.
Vol. 7. Gut Renovation featured Su Friedrich’s Gut Renovation (2012), an essay film about gentrification in NYC. Local artist Z also presented “fauxtography.” Saturday, June 7th, 2014 at 9pm.
Vol. 6. Performing Identities This event featured two short performances. Amy Sayre performed “Voices Revisited,” a one act play where the women murdered by Jack the Ripper told their marginalized stories. Rich Jones Jr. performed “Performing Queer Bodies and Politics: Intersections and Identities.” Jones performed narratives co-constructed with queer men regarding their intersecting identities as they related to their and others’ views of their bodies. Saturday, May 3rd, 2014 at 9pm.
Vol. 5. Born in Flames. We screened Born in Flames (1983), a documentary-style feminist science fiction film by Lizzie Borden. We will also watched the Queen Mother Moore Speech in Greenhaven Prison (1973) by the People’s Communications Network. Introduction by Caroline Nappo. Saturday, March 29th, 2014 at 8 pm.
Vol. 4. PDX in Illinois: Experimental Films & Videos from Portland, Oregon was curated by Emily Eddy and Julie Perini (in person). Local poet/writer Steve Davenport did a poetry reading. Saturday, March 29th, 2014 at 8pm.
Vol. 3. Alt Histories of Black Music. This event featured Brian Dolinar’s presentation/reading “Playing Second Trumpet in the Second City: Black Chicago Jazz” and he read from his book “The Negro in Illinois: The WPA Papers.” We screened the 2012 documentary A Band Called Death. UI doctoral candidate in History T.J Tallie lead a critique and discussion. Saturday, January 25th, 2014 at 8 pm.
Vol. 2. Tuff Stuff Featured experimental poetry by Ruben Quesada, the Tuff Stuff from the Buff experimental and activist film and video program, a Skype chat with Buffalo diary filmmaker Meg Knowles and visual art by Alan Pocaro. Saturday, December 7th, 2013 at 8pm.
Vol. 1. Days of the Dead. Writer Brain Kornell did a horror reading and we screened Meshes of the Afternoon and La Ofrenda: The Days of the Dead. Saturday, November 2nd, 2013.


Spin the wheel and see the characters pop up on stage: the Prince, the King, the Castle, the Dragon, the Witch, the Jester, the Princess and the Treasure Chest.
The Children love to make up their own stories and plays featuring Mechanical Theater characters.
This Model makes for a unique, one-of-a-kind present to someone you love.
Self-assembled, no glue needed
Model size: 8.4*7.4*3 in (21*19*8 cm)


Continuing its long history of working with outstanding composers of our time, the Apollo Chorus presents Jeff Beal, a multiple Emmy winner for many TV and film scores, including the Netflix series House of Cards. The program includes the Midwest premiere of Beal's The Salvage Men, and Poor in Spirit, with the composer himself performing on trumpet. Music of Leonard Bernstein, Aaron Copland, Randall Thompson and Eric Whitacre will complete this not-to-be-missed concert experience.
Jeff Beal is a composer with a genre-defying music fludity. A four-time EMMY® winner, Beal's approach is a favorite for more sophisticated works. His TV credits include HBO's ROME, CARNIVÀLE and the Netflix series HOUSE OF CARDS. His documentary work includes BLACKFISH, WEINER, THE QUEEN OF VERSAILLES, AN INCONVENIENT SEQUEL: TRUTH TO POWER, which premiered at Sundance and will be in theaters in July, and BOSTON an upcoming documentary about the history of the Boston Marathon. Jeff's upcoming film projects include SHOCK AND AWE (directed by Rob Reiner).
Join us for Apollo After Hours, the Apollo Chorus's annual benefit. Held at Uptown Underground, the evening will feature a buffet dinner, three hours of open bar (wine, beer, well drinks), silent auction, and a cabaret-style performance by Chorus members.


The Musical Theater program at McCoy Rigby Arts is based in learning all aspects of the art of musical theater performance. Our goal is to create confident students by giving them not only the best training, but working with them on their own individual strengths as they continue to grow in both skill and as individuals. We have voice, acting, and dance classes taught by instructors with all different professional backgrounds, that focus and hone in on the skills our students need to pursue a career in the performing arts. Past productions have included: Seussical the Musical Jr., The Little Mermaid Jr., Annie, Meet me in St. Louis, Little Women, Once Upon a Mattress and …Spelling Bee, Oklahoma, Peter Pan and Matilda!
Performances April 2nd-5th at Stage Door Theater in Anaheim, CA.
Tickets will go on sale in January!
Interested in our classes or performance opportunities?
We would love to hear from you.
Musical Theater class Interest
“We love the Musical Theater department at McCoy Rigby Arts! Our children have participated in a number of shows over the years and have loved every minute of them. McCoy Rigby Arts provides a wonderful family-friendly environment for children to learn the skills they need to be successful in the theater world.”- The Bradley Family
“The musical theater department at McCoy Rigby Arts has in many ways become a home away from home for my sons. The staff is so supportive and caring. They take the time to get to know the kids personally and help them develop as people and performers. My oldest son is going to college next year as a theater major, and he has received such a strong foundation in all elements of theater, I feel confident in his continued success. Thanks McCoy Rigby Arts!”- Stacy Shube, Parent
“My son will not stop talking about his great acting and singing lessons at this awesome conservatory! He has hopes of making it big in musical theater and this studio teaches all aspects of that, from dance to singing. He’s so excited about the programs they have in place to get their young actors up on stage through their professional theater company and the connections the company has to the entertainment world. The owners are a Broadway star and producer, so they know what they’re doing and the staff they have know how to bring out young talent. I also see so many kids there for dance classes and aerial classes (the hanging from the ceiling on silks thing), which means they offer even more kinds of classes than we take. Can’t recommend enough the creative talent that is powering this place!”- Michael S., Parent
Snapshots from our outreach programs!


Apr 04, 2019 · Game Of Thrones star Pedro Pascal pokes fun at his character Oberyn Martell's gruesome death as he arrives at the show's New York premiere ... But while the fight first appears to be going Oberyn ... Jun 02, 2014 · Sunday's "Game of Thrones" featured the long-awaited confrontation between The Red Viper, Oberyn Martell (Pedro Pascal) and Gregor "The Mountain" Clegane (Hafþór Júlíus Björnsson), and the ... Pedro Pascal pictures, articles, and news. (HBO)All men must fight for their lives on Game of Thrones. It's the hard reality of living in a world plagued with unhinged warriors and egotistical royals. Nov 13, 2018 · Pedro Pascal is the latest name attached to one of Disney's planned 'Star Wars' television series. According to Variety, the actor best known for his turn as Oberyn Martell on Game of Thrones will ...
Jun 15, 2014 · 'Game of Thrones': Relive Season 4 Before the Finale . ... but we were able to create this amazing fight. PHOTOS 'Game of Thrones'' Most Gruesome Deaths ... Adds Pedro Pascal, who played Oberyn: ...
Mar 29, 2018 · Narcos and Game of Thrones star Pedro Pascal is joining Wonder Woman 2 in a key role. Pedro Pascal's part in the Wonder Woman sequel has not yet been revealed, but it sounds like he will be part ... Jun 02, 2014 · The Mountain and the Viper episode. This is the fight where the big giant crushes Oberyn's skull. Starring: Gregor - Hafþór Júlíus Björnsson Oberyn - Pedro Pascal.
It’s official: Pedro Pascal will star in “The Mandalorian.” Lucasfilm announced Wednesday that the “Game of Thrones” alum will play the title character in Jon Favreau’s upcoming ... Yeah, that's right, I said hilariously. There is joy in this Game of Thrones post, not least from Pedro Pascal's "a bikini... or a speedo." Long live canonical Apr 30, 2019 · Pedro Pascal Has Dating Affair With Co-Star Lena Headey? Ready Have A Girlfriend Or Married To A Beautiful Wife? If you are a ‘Game of Thrones’ fan, you will certainly love the character of Oberyn Martell. Although one of the fan favorites died in season four of the series, he is still seen in Narcos as the role of Javier Pena. Pedro Pascal, right, with Peter Dinklage on "Game of Thrones." (Macall B. Polay / HBO) There was a group on Reddit for straight men who said they were "Gay For Oberyn." What did you think of that?
Pedro Pascal Biography - Affair, Single, Ethnicity, Nationality, Salary, Net Worth, Height | Who is Pedro Pascal? Pedro Pascal is a Chilean-born American actor. Pedro rose to fame for his appearance on Buffy the Vampire Slayer, The Good Wife, Game of Thrones, and Graceland. Pedro Pascal: Birth Facts, Family Pedro was born Jose Pedro Balmaceda Pascal on 2 April 1975,Jun 01, 2014 · 'Game of Thrones' Pedro Pascal on his fight's brutal ending ... “It’s a classic tragic flaw situation,” showrunner Dan Weiss told EW. “He’s a character who can’t leave well enough ... May 06, 2019 · Pedro Pascal is fast becoming a superstar of nerdy culture. Having brought the devilish rogue Oberyn “The Red Viper” Martell to life during the memorable fourth season of Game of Thrones, the ... 'Game of Thrones' Stars Kit Harington and Rose Leslie Deny Split Rumors Amid Her Family's Money Trouble. After his recent trip to a wellness center, 'Game of Thrones' stars Kit Harington and Rose Leslie deny they are splitting up, as news breaks her family is in the midst of some serious money trouble. The interesting thing about playing Oberyn Martell on Game of Thrones, Pedro Pascal says, is that it was a "big in, big out." ... Game of Thrones' Pedro Pascal on Oberyn's Fight.
Pedro Pascal pictures, articles, and news. (HBO)All men must fight for their lives on Game of Thrones. It's the hard reality of living in a world plagued with unhinged warriors and egotistical royals.The saying “Valar Morghulis” came true again on Sunday night’s “Game of Thrones,” when Season 4’s most captivating new character – Pedro Pascal’s Prince Oberyn Martell – battled to the death in the arena as Tyrion Lannister’s champion. Jun 01, 2014 · Because of the new youtube rules, us smaller channels are now being removed from adsense because of the sub requirements. if you guys could please spare a few seconds and subscribe I would ... Pedro Pascal Posts 'Buds' Pic With 'Game Of Thrones' Fight Foe June 03, 2014 Prince Oberyn and The Mountain didn't get along inside the ring, but outside of work, Pedro Pascal's relationship with his "Game of Thrones" Season 4 co-star, Hafthor Julius Bjornsson, is just fine.
The Mountain and the Viper episode. This is the fight where the big giant crushes Oberyn's skull. Starring: Gregor - Hafþór Júlíus Björnsson Oberyn - Pedro Pascal.Sep 28, 2015 · Game of Thrones: Oberyn Martell Posted on September 28, 2015 by Corey Lucas The popular HBO series Game of Thrones, written for television by David Benioff and D.B. Weiss is well known for creating a buzz among its viewers.


by Barbara Hammer & Gina Carducci
U.S.A. / 30:00 / 2010
sound / colour & b/w / English
“Generations” is a film about mentoring and passing on the tradition of personal experimental filmmaking. Seventy-year-old acclaimed director Barbara Hammer hands her camera to Gina Carducci, an aspiring queer filmmaker. The women, each shooting her own footage during the last days of Astroland at Coney Island, find that the inevitable fact of ageing echoes in the architecture of the amusement park. Separately editing their respective footage, the filmmakers ultimately blend their work, thereby creating a true generational, experimental document.
World premiere at MoMA; winner of the Teddy Award for Best Short Film at the Berlin Film Festival; and winner of the Director's Choice Award at the Black Maria Film and Video Festival.
- Beta SP NTSC
- Digi-Beta NTSC
- DVD NTSC
- art and artists
- film studies
- work by/about women
Educational Sale Price (DVD/BluRay): $350.00


|Event Name: ||Family Movie Night - FREE!|
|Schedule: ||Thursday, February 21, 2013  6:00pm - 7:45pm|
|Event Type: ||Koch Meeting Room, off lobby of Main Library to the right|
|Overview: ||Enjoy a free night at the movies at the library! This month's movie is an animated feature about a hotel for monsters located in Transylvania. A recently-released-to-DVD movie is shown the third Thursday of each month at 6 p.m. in the Koch Meeting Room of the Main Library. Movie may be rated PG, so parents should accompany children 12 and under. Popcorn & Lemonade is provided by the Friends of the Library.|
|Location: ||Main Library|
1160 North Court St.
Circleville, OH 43113


Eight screen artiplex with a rooftop cinema and bar, showing both commercial and arthouse films in the heart of Hawthorn
Cinema going is a common pastime for Melbourne families. Victoria's capital city is renowned for its erractic and unpredictable weather, meaning families are often forced inside to entertain the kids.
Movie outings are always a great option for Melbourne families, particularly on rainy or exceptionally hot days.
Lido Cinema in Hawthorn is one of those beautiful movie theatres that makes cinema going even more appealing.
image c/o www.facebook.com/lidocinemas
The Lido is a historic venue locatied on Glenferrie Road, screening films that cater for everyone - some arthouse specials but also mainstream movies too.
There are eight cinema screens offering an impressive, somewhat theatrical decor to match the charm of the building's original charm.
There's also a rooftop cinema at Lido, which is great for the summer months.
Next time you're considering a movie outing with your family, why not book tickets for Lido Cinema?
Note that parking nearby can be limited, so you might want to take public transport. The nearest train station is Glenferrie on the Belgrave, Lilydale and Alamein train lines. Otherwise plan your route here.


my mom and dad were arguing in front of me whether to give me a present now or to wait til christmas and my mom was like “can we give her it now?” and my dad was like “what present” and my mom was like “you know… the good one” and my dad was like “spell it” and my mom goes “GREG, SHE’S 23”
In cinema, gloves are regularly used to represent hiding one’s true intentions. Characters often seen wearing gloves are normally hiding something
Frozen is a perfect example of this
Elsa obviously uses gloves to hide her powers and doesn’t show her true self until she discards them
BUT GUESS WHO ELSE WEARS GLOVES THE ENTIRE MOVIE
Well played Disney… well played
I’m onto you, you fucking rat.


Let’s start with my first take on the entertainment business. Hugo is brilliant, but not quite a masterpiece. I’ll leave out the plot for purposes of saving space and so I can get to the meat of the matter. Mr. Scorsese is clever and that’s just one word to describe his directing ability. Scorsese has never been a point and shoot director, he always brings a sense of depth to his shots especially aided by the best use of 3D seen in cinema to this day. His camera swoops in and out of a huge canvas and gets some particularly breathtaking shots of the gears behind clocks. Speaking of clocks, this movie is not very light on the symbolism that lies behind the inner workings of clocks. The movie, and it is explicitly stated, is about fixing things, more particularly the Cinema pioneer played by Ben Kingsley, who has not lost a touch of strength as an actor. The child actors hold up well, but sometimes I could not feel like I heard more expression coming from Asa Butterfield’s (Hugo) voice than I could see from his mouth. The movie is a little odd when it comes to act structure, but it really all dovetails together quite nicely. There’s physical humor for the kids courtesy of Sacha Baron Cohen, who gets an emotional arc of his own. All in all, a brilliant done, emotionally resonant family film.


Here is the Spider Assassin Droid from the Clone Wars line created in 2010. With 8 legs, 16 points of articulation, and a removable head “lid” that housed 3 baby spider droids this figure was quite the challenge. It was well worth it in the end, the final piece remains one of my favorites for overall coolness. It was also rewarding when I finally saw the Clone Wars episode it was featured in – one of the best episodes in the entire Clone Wars series so far.
Clone Wars Spider Assassin Droid
Here are photos of the final production piece, used with kind permission of Paul Harrison and Chuck Paskovics from the Jedi Temple Archives website.
Comments Off on Star Wars: Clone Wars Spider Assassin Droid Hasbro 4″ Figure
admin on July 9th 2012 in Star Wars


It’s been quite a while since I’ve last seen this movie. Advertisements
Talk about spoiler warnings, this one has one right in the title.
I only ever saw this movie back when I was a kid. I remember being bored to tears by it
I kind of feel the need to preface this review by mentioning that I am not an American and I have very little knowledge about the history of America beyond … Continue reading Movie Review: The Hateful Eight
I didn’t even know that this was a biographical movie until after watching it.
NO SPOILERS! This review is going to be quite unfocused and basically represent my thoughts as of this very moment.
I’m always cautious when approaching horror movie remakes.


Those in the counter/pop-culture elite – hip hipsters, bearded grad-school ironists, Tim and Eric fans (myself included), and some others of (usually) college age – probably know what Tommy Wiseau’s The Room is. It’s been described as one of the worst films ever made and one of the funniest. Those who appreciate Ed Wood, Gary Daniels, David Hue, MST3K, etc. but have not seen The Room will have to watch it for themselves – it’s just too difficult to adequately describe. And I’ll spare a long introductory description because you’re reading this online… click the wikipedia link if you’re interested and haven’t already. Over the age of 50? Not tech-savvy? (Same diff.) Move your pointer this direction and > CLICK HERE <. Hope you stumble your way back to the article.
Anyway, provided you have a sense of humor, I guarantee The Room will BLOW YOUR MIND. It’s top quality shlock; as a somber, straight-faced drama, the film has laugh-out loud timing, awkwardly written lines, and garbled english by the writer, director, producer, and star, Mr. Wiseau. However don’t look for it in you local Blockbuster (do those still exist?) or RedBox – despite its growing popularity, this is not a wide-release film. It’s not even a limited release film. Let’s just say it barely was released. Download it online if you can or drive to a college town and find the indie/hipster movie rental store.
Another way to find this movie is at small screenings across the country (Europe too, and soon across the globe I’m sure). I went to see it at my local campus, and like many of these screenings, this one was hosted by Tommy Wiseau himself. Running characteristically late, I made it in the theater (a modified lecture hall) just as the lights dimmed, with Tommy shrieking “Let’s do this! Have a good time!” – bouncing down the stairs and bee-lining down the isle, past the capacity crowd of about 98 hipsters (and 2 older ladies), toward the back of the room. As apparently the custom, Tommy stood at the back of the theater throughout the film.
The movie itself was everything I expected: having seen it before I was privy to all the funny phrases, performances, scenes and situations. And though, I initially felt awkward with Tommy’s presence three rows behind me (more on that later), I couldn’t hide my giggling as the film slowly clambered on; the rest of the audience didn’t spare any of their laughter either. Later, I embarrassed myself with a long fit of uncontrollable guffawing at the film’s jogging scene (while running in the park, the two main characters inexplicably throw a football between them – the 4th or 5th time we see absurd football-tossing camaraderie in the movie). The screening was definitely an event: kind of a Rocky Horror Picture Show mixed with Mystery Science Theater – all in a hipster stew. Some took to yelling at the film’s idiosyncrasies (e.g. “who the hell are you?” shouted when new characters appear on screen with no explanation), others would boisterously affect concern during the clumsily melodramatic scenes. Such a loud, carnival-like atmosphere, I’m surprised no-one brought a beach ball… or better, a football, for the crowd to hit around. One (long) hour and a half, 4 gratuitous full-length sex scenes, innumerable redundant lines, and many laughs later, the film was over.
All well and good – I defy anyone to watch the movie and not laugh at something. And though I felt awkward knowing Tommy was behind me, I couldn’t help but laugh at what I consider to be a very funny movie.
But what made me feel a bit queasy (besides the smell pervading the room of hipsters doing the “no-deodorant” thing) was the Q&A after-wards with Tommy. There was no shortage of “fans” with questions. And though no one was outwardly hostile (one person commented that “some people” were calling The Room the worst movie of all time) Tommy’s noticeable passive-aggressiveness was only matched by the questioners’ gleefully snarky tone. Strangely, Tommy refused to answer many questions about the financing, filming, inspiration for, and intent of the film, saying that he had already answered those questions if the audience would just pay attention (he hadn’t). Many other questions weren’t worth answering – “what’s your favorite planet?” “what’s your favorite dish at T.G.I. Friday’s?” “would you rather be a woman in the mid-20th century or a motorcycle?” But Tommy usually did answer these, though his responses were sometimes so profoundly dissociative that one wonders how much spoken English he understands.
The questions were clearly meant comedically, or possibly to get a funny response, but it’s harder to tell whether they were also intended to be demeaning or what (many of the hipsters’ behaviors are still a mystery to me). A couple times, Tommy (to the surprise of a suddenly anxious audience) took perfectly banal, polite questions to be quite insulting, such as “what are your favorite movies?” and “who are your favorite directors?” He answered these with a string of mumbled words, some expletives, before dismissing the nervous fan.
I noted that Tommy felt most at ease when “being random” and playing (or flirting) with the audience, and showed the most discomfort when probed about his creative process, the craft of film, or movies in general. Supposedly that’s how he is at every Q&A. One might conclude that he doesn’t know much of anything about film and feels threatened by these questions. This would confirm that The Room was meant to be a serious film and, contrary to what some (including Tommy) would like to believe, it is not a work of genius but rather one of incompetence.
Which raises the question, are we justified laughing at his film in front of his face? He’s clearly making money and appreciates attention, and the cost, so far, to his dignity hasn’t stopped him. In fact, he claims not to care about the barbs, so long as it’s “bringing people together” and they’re “having a fun time” (phrases he uses so often they seem like his mantra). I personally felt a little bit guilty laughing at someone’s earnest work in the presence of that person, but at the same time I do not feel bad (nor can I help) laughing at what I think is an inherently funny train-wreck.
What did creep me out in the end, was the Q&A – being part of a crowd that encourages a man to forsake his dignity in exchange for money and popularity. Tommy wants so badly to be “in on the joke” that he has rebranded his film as a “dark comedy” and himself as a Kaufmanesque weird genius. The sad reality for Mr. Wiseau is that he is the butt of the joke, and as deluded as Hollywood aspirants can be, it is utterly apparent in his tortured, surreal interactions with his “fans” that he knows it.
How long can someone maintain such irreconcilable cognitive dissonance? I don’t know, but the next time I watch The Room (I will watch it again, and I will laugh), I’ll avoid opportunities to bully its creator, willing as he is to play the fool, and instead mock it in the privacy of my own room.


Before you start reading this, take into the highest regards that I adore Judd Apatow and his loyal clan of actors, which is why I’m befuddled as to what I just witnessed unfold on-screen.
‘Funny People ’ was not a good movie. Fact. It wasn’t. It was entertaining at times and I did laugh, but it is far from Judd Apatow’s best work. Has the charm of Judd Apatow and the Apatow crew worn off? Possibly.
I was surprised to witness a film that was meticulously slow, filled with unlikeable characters, and packed with far too many unamusing dick jokes. I love a good dick joke as much as the next person, but at least make them funny dick jokes. Oh, did I forget to mention that the story went absolutely nowhere. The main character played by Adam Sandler is not just annoying, but an all-around unlikable person and reaffirms every suspicion of mine that Adam Sandler will never advance as an actor. (‘Punch-Drunk Love’ must have been a beautiful mistake in his career).
I am frustrated with ‘Funny People’ because I wanted it not to be just good, but a next-step film for Judd Apatow. Sadly, it’s not. From a simple filmmaking standpoint there are shots in this film that are painful to watch and not blocked well at all.
This film is a perfect example of a wonderfully cut trailer that sells the hell out of a bad movie. ‘Funny People’ drones on-and-on for over two-and-a-half hours. Judd Apatow has never been good at editing down his films, but this is a painful reminder of that since at least 30 minutes should have been cut from this film. It’s obvious that Judd Apatow has reached the point in his career where no one is willing to tell him that his newest film about to come out isn’t a well-constructed film, but one that needs retooling across the board since it’s just a mess.
‘Funny People’ will make a ton of money this weekend and will only further Judd


John Mills plays a farmer who loves a drink but his farm is in a state of disrepair. He meets a young girl called Dulcima who takes pity on him and becomes his cleaner. He happy to have some company and she needs to earn the money. He finds himself falling for her but things get complicated when she starts seeing the gamekeeper. However, one day she discovers the farmer is a very rich man and decides she wants to be with him after all, but she can’t stop seeing the gamekeeper…and the farmer finds out.


A home cinema is one of the most immersive and convenient ways to enjoy films, gaming, and streaming. At Pro InteliTech, we specialize in bringing the big screen to you through our bespoke home cinema systems. Combining industry-leading technology with years of experience, we create sleek, seamless and cutting edge entertainment installations.
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"Change the Subject" documentary film discussion on activism and advocacy work.
From Etta Thornburg
Facilitator: Dianne Narum
Panelists: Tina Gross, and Karla Jurgemeyer
Panel discussion on the documentary film "Change the Subject" about the Dartmouth College students whose activism and advocacy work directly lobbied the Library of Congress to change the subject term “Illegal Aliens” to “Undocumented Immigrants”. Tina Gross, of North Dakota State University and Karla Jurgemeyer, of St. Olaf College, who both worked on efforts to change the Library of Congress Subject heading, will discuss this film and the work done by libraries and librarians since the film was created.
Attendees are encouraged to watch the film - available on YouTube at: https://www.youtube.com/watch?v=1SroscdR7-Y before the session and either send your questions and comments to session facilitator, DIanne Narum at: [email protected]edu or share them during the discussion.


Best picture: Boyhood.
Runner-up: The Grand Budapest Hotel.
Best actor: Tom Hardy, Locke.
Runner-up: Michael Keaton, Birdman.
Best director: Richard Linklater, Boyhood.
Runner-up: Wes Anderson, The Grand Budapest Hotel.
Best foreign-language film: Ida.
Runner-up: Winter Sleep.
Best screenplay: Wes Anderson, The Grand Budapest Hotel.
Runner-up: Alejandro Gonzalez Inarritu, Nicolas Giacobone, Alexander Dinelaris, Jr. and Armando Bo, Birdman.
Best actress: Patricia Arquette, Boyhood.
Runner-up: Julianne Moore, Still Alice.
Best documentary/nonfiction film: CITIZENFOUR.
Runner-up: Life Itself.
Best cinematography: Emmanuel Lubezki, Birdman.
Runner-up: Dick Pope, Mr. Turner.
Douglas Edwards Experimental/Independent Film/Video Award: Walter Reuben, The David Whiting Story.
Best supporting actress: Agata Kulesza, Ida.
Runner-up: Rene Russo, Nightcrawler.
Best animation: The Tale of the Princess Kaguya.
Runner-up: The Lego Movie.
Best music score (tie): Jonny Greenwood (Inherent Vice) and Mica Levi (Under the Skin).
Best production design: Adam Stockhausen, The Grand Budapest Hotel.
Runner-up: Ondrej Nekvasil, Snowpiercer.
Best supporting actor: J.K. Simmons, Whiplash.
Runner-up: Edward Norton, Birdman.
Best editing: Sandra Adair, Boyhood.
Runner-up: Barney Pilling, The Grand Budapest Hotel.


Name: Crossing Borders Festival for New Plays
Date: August 3, 2022 - August 7, 2022
Crossing Borders (Cruzando Fronteras) is an annual celebration of new plays by Latinx theater artists. Back in person for the first time in three years, this year’s festival is curated by José Zayas and features four new plays to be read in Two River Theater's Rechnitz Theater. This festival is free and open to the public.


Colombia is a beautiful and rich country that leads the world in many positive things, but still struggles with a negative image that is unfortunately tied to its past involving drugs and violence. The recent boom in ‘Narco’ related movies and shows has not helped rid this negative image.
We teamed up with two iconic brands from Medellín (Bancolombia Bank and El Colombiano Newspaper), along with Medellín City Hall, to show the world that the city and country are no longer what we see on TV and movie screens.
We decided to Fight the Stereotype, with the Stereotype, by creating The Colombian Ambush: A mini-series starring famous Colombian and Hollywood actors and actresses that previously had roles in a ‘Narco’ series. This helped fool viewers into believing there was a new show being released, but instead were ambushed with actual positive facts about Colombia.


The 2018 Cannes Film Festival is very special. Apart from film activism for women and against racism that marks the headlines, the films are also not lacking awaited. Popular directors such as Lee Chang-Dong, Jean Luc-Godard, Nuri Bilge Ceylan, Lars Von Trier, Gasper Noé, and Spike Lee all show their talents. But in the end, it was a mucus by Hirokazu Kore-Eda, an underdog from Japan who took valuable palm d’Or. However, it almost did not surprise anyone. This year, as anyone said in Cannes, it is anyone’s game. There is no favourite of the crowd.
Award or not, as a viewer in the end it is a calculated film. This year’s Cannes has too much to offer. Most of us do not go to Cannes to watch films, but depending on the reception of films there, we can oversee their release date in our home country, and catch it later. Here is a list of the 6 Top films from the 2018 Cannes Film Festival that you cannot miss.
6 Top films from The 2018 Cannes Film Festival
1. Climax by Gasper Noé
When becoming a controversial figure in Cannes, Gasper Noé is one of the best. However, this year is somewhat different. There are only four walkouts, which, according to Noé, used to be at least around 25% of the previous audience pragmatic slot. In addition, the review is also not bad. Similar to the previous films, this one also has a super-amazing visual filled with LSD, and severe sex and violence. The only difference is that Noé did not go to the board this time by trying something that was too ambitious.
With the combination of provocative dance numbers and bad vision tortured from pure hell, this film is a treat for loyal fans of Noé. However, unlike the previous noé film, you don’t have to be an absolute fan to enjoy it. If you are someone who is looking for something very different, both aesthetically and vice versa, you can stop reading this and put it on your watch list. You will not be disappointed. The climax is of course one of the best films Noé to date.
2. Cold War by Pawel Pawlikowski
Cold War is true for his name. After winning the film winning Oscar Ida, the Pawlikowski Pawel Cold War was proven to be a proper successor in everything. It won the best director’s award in Cannes and it is very possible to be an entry this year Poland for Oscar’s best foreign films.
Starring the old muse of Pawlikowski, which is Muse Joanna Kulig and Tomasz Kot, Cold War is a calm black and white film about two people who are desperate, without hope of loving each other in the world of warless war. It includes about two decades and is shown through some nostalgic moments such as the perfect snapshot in the life of the character. Just like the last film Pawlikowski Ida, this tragic beautiful film cinematography is also a work of art. Pawlikowski did not abuse a frame from the 84 -minute film, which was on the way to being remembered as a true classic.
3. Burning by Lee Chang Dong
The legendary Korean filmmaker Lee Chang-dong finally returned after an 8-year absence, and he returned with an explosion. Just like his previous works, Lee offered us an amazing reflection of the inner life of Koreans every day. To this day, there hasn’t been a single misfire in Lee’s career. Burning gives more than expected to give it. That is one of the most positive films reviewed at the 2018 Cannes Film Festival.
This is a bitter story about the frustration of the working class. This takes us to the root of an insult experienced by a man on average from the lower class when faced with everything he wants in his life. This is painful, poetic, and maybe the best film that comes out of Korea lately.
4. The Wild Pear Tree by Nuri Bilge Ceylan
Wild pears tree by Turkish Auteur Nuri Bilge Ceylan, who won Palm d’Or with his last film Winter Sleep, was highly anticipated. It did not get any Nuri Award but received a positive review around voice.
This is the story of the sadness of a person’s life and his futile struggle to fulfil the ambitions of his writing. Aesthetics are in the highest position, and the story is made smoothly. This runs at its own speed and conveys melancholy messages in a deep and noble way. There is nothing to expect from Nuri, his growth as an artist clearly shows in the picture.
5. Shoplifters by Hirokazu Kore-eda
With Shoplifters, Kore-Eda brought Palm D’Or back to Japan after 21 years. The last Japanese film that won this award was The Eel by Shohei Imamura, who also won the award for the 1983 film The Ballad of Narayama. His work clearly showed the influence of other Asia Mr Asia such as Yasujiro Ozu and Hou Hsiao-Hsien.
This very warm and loving Japanese film is about the poor Shoplifters who live in Tokyo. Shows are something that the family does to make a living, and they are not criminals other than the meaning of the word law. The raw humanity of this film is something that we rarely see today, and maybe that’s what makes the indicator stand out among others in the competition. After you watch it, the emotional warmth of the film flows and this deep message will definitely remain in your heart for a very long time.
6. Birds of Passage by Ciro Guerra and Cristina Gallego
Birds of Passage in its first screening in Cannes universally praised by critics. This is a mafia film that you may never have seen. There is something very Shakespearean about the flamboyant. The genre and story are what is expected of anyone from a crime film, but it is intertwined with Cambodian culture and rituals, plus its deep mystical tone makes it an eternal work of art in that itself. In time, it might be as important for Cambodian cinemas as Baptist’s father and the city of the gods is for American and Brazilian cinema.


The film is only about 17 minutes long (including the end credits) while the episode runs for 25 minutes. So the episode has eight additional minutes of runtime to fill. Because of this, some scenes in the episode are stretched out a bit more, making the film seem more fast paced in return.
For instance, it takes Olivia's Elly
about five times longer to walk from her bedroom to the bathroom and turn on the tap than Rebekah's Elly
- Rebekah's Elly tiptoes to the bathroom in a seemingly straight line and locks the door, then looks out the window for a second or three before she turns on the tap.
- Olivia's Elly stops and looks into her brother's bedrooms on the way and the shot where she looks out the bathroom window at the tree is stretched out much longer, switching between Elly's face and the tree multiple times. Only then does she turn on the tap.
Elly's dialogue through the bathroom door when eating the cookie is much shorter in the film, leaving out quite a few lines that are in the episode.
All in all this is a recurring theme: the scenes are there, the dialogue is there, but the series has more lines added in and more shots to make up the scene. Anger issues
There is a noticeable difference in delivery between Olivia's and Rebekah's lines: Olivia's Elly
is a lot angrier at her parents at the beginning of the story than Rebekah's Elly
is. Not that Rebekah's Elly
is cheerful, don't get me wrong, but it's only when her brothers start to tease her that Elly's
anger really starts to show. Before that she comes across as steadfast and determined to save her tree, but not particularly angry.
Notable is the way Elly reacts to Anthony's (Tony's in the film) suggestion of him taking a shower while she's in the bath. Film Elly
responds with a determined and defensive "No."
, while TV Elly
almost breaks the glass in the window with her high pitched "NO!"
delivers a different Mr Jensen than we're used to. Scary, yes, as Max seems to excel at being, but different scary to Robert Essex' performance; Max makes a more maniacal Mr Jensen to Robert's more sinister and plotting Mr Jensen.
The delivery of the lines on what to do with the tree stump are good examples of this: Robert's Jensen
is absently dreaming of what he'd do with the stump if it was up to him, while Max's Jensen
just wants to get it over with and start cutting the tree down, and gets impatient with everybody there.
- Robert's Jensen: "…then we rip out the stump, [pause] and…perhaps burn that section…then you can [pondering]. either fill in the hole that remains [pondering]or perhaps to install a cement pond [pause] some people do that [pondering]. If I had a hole [pondering] I'd do that…"
- Max' Jensen: "…and then: we RRRRIPPP out the stump, (and-you-probably-burn-that-bit-of-it [hastily]), then you fill in the hole in the ground or perhaps… put in a cement pond. Some people do that!"
The delivery of the word "Neat"
is also a good example of the different deliveries between the two actors. Max' delivery quickly corrects Douglas' statement of everything becoming "flat"
, with an undertone of "now shut up, and let's turn this tree into bits", while Robert's really throws
the word out as to convey his opinion as the only truth.
Other differences in delivery are mostly timing and choice of wording; nothing major. Zooooom!
The shots are mostly the same too. Of course the film was shot at a different location (not at 5 Copnal Court), and the tree is very different (a straight, very tall eucalyptus tree). The bathroom is a lot smaller and the kitchen looks completely different to the one in the series, but in general the shots are very similar between the film and the episode.
But there is one shot in the film that stands out: when Mr Jensen rings the doorbel, the camera zooms in dramatically on mum, who is startled by his arrival and quickly makes sure her hair looks nice. Why does she do that? She doesn't in the episode…. does Film Mum
have a crush on Mr Jensen? Oooh…. speculation…!
This idea is strengthened by the fact she tells Mr Jensen and Robert "Off you go boys… uhhh… I mean MEN
" while half giggling as they head off to the tree with the chainsaw and the climbing gear. Oh dear, Mrs. Barton… oh dear!Click X to close?
One funny difference is one of necessity: after throwing the toilet paper at her brothers, Elly hangs out of the bathroom window. Then Robert walks into the yard and starts shouting at her. In the film, he merely gets a few words out before Elly slides the window shut with a bang. But TV Elly
has to "wind" her window shut, which takes a while. So Robert gets a whole second sentence out before she's gone.
So all in all, film and episode are similar, but slightly different.…but I haven't mentioned the big difference yet…


Um, no thank you. That particular day dream is officially over.
I like action movies on a case by case basis, but what I really love is the mushy stuff. Now let me clarify. I'm not talking about Maid in Manhattan or Sleepless in Seattle. I like old fashioned romance, when the camera pans down to her ankles while they kiss, as to allow our imaginations to do the work. I like Happily Ever After. We need more of that in our lives to counteract the not-so-good parts of life. I believe in Happily Ever after. And it sure is fun to watch on television.


The Clone Wars set is made up of eight collectable toys featuring characters from the new Clone Wars movie. This set is a cut down version of the McDonalds Clone Wars US Set which has a complement of 18 toys. Surprisingly McDonalds didn’t release all the toys here in New Zealand as I’m sure many delighted Star Wars fans (young and old) would have flocked in their droves to consume mountains of happy meals just to secure the full set.
The diet conscious among us could also opt to purchase the toys separately for $2.50 a pop. Probably a good investment as I see these toys mint in pack are now selling for $5.00 a throw on auction sites like Trademe.
The toys released two at a time over four weeks are bobble headed, made of hard plastic and have their own individual sound effects. The characters from the movie released in New Zealand like their US counterparts are all depicted in their respective spaceships. The eight piece set includes:
- Padme Amidala in Naboo Starcruiser
- Darth Vader in TIE Fighter
- Ahsoka Tano
- Asajj Ventress in Droid Fighter with Light-Up Lightsaber
- Anakin Skywalker in Jedi Starfighter
- Captain Rex
- Yoda (says "May the Force be with you!")
- Obi-Wan Kenobi


GARAGE ROMANTICis a 2021 Documentary Short from Dan Sadgrove. Garage Romantic has qualified for the Academy Awards in 2022 by winning ‘Best New Zealand Short’ at the Doc Edge International Film Festival 2021!
A big dreamer from the small town of Togliatti in Russia ponders life’s purpose while building a rocket powered sled made from discarded trash.
In 2014 I saw this feature in a magazine about a mad Russian in the outskirts of a small town sitting on a rocket powered sled in front of a big crowd. He was standing on a giant trash heap holding spare parts, playing the flute beside a fire and working from a small underground garage. 4 years later I reached out to him and we agreed to make a film togther. After that brief conversation I turned up in Togliatti, Russia a few months later with a director of photography and assistant and we spent the next ten days together talking about why he sits on a rocket and races across the ice. This doc is the result of those conversations.
Copyright © 2021, Dan Sadgrove. All rights reserved. Permission granted for Website and Magazine reproduction. MADE IN NEW ZEALAND.
BEST NZ SHORT - DOC EDGE FILM FESTIVAL 2021 (Academy Award Qualifying)
BEST DOCUMENTARY SHORT - PARIS FILM FESTIVAL 2021
BEST DOCUMENTARY SHORT - SAN FRANCISCO FROZEN FILM FESTIVAL 2021
BEST DOCUMENTARY SHORT - LOS ANGELES INTL. UNDERGROUND FF 2021
BEST DOCUMENTARY SHORT - MOSCOW SHORTS ISFF 2021
BEST DOCUMENTARY SHORT - PORT BLAIR INTERNATIONAL FILM FESTIVAL 2021
BEST DOCUMENTARY SHORT - AFIN INTERNATIONAL FILM FESTIVAL 2021
BEST DOCUMENTARY - CULT CRITIC AWARDS 2021
BEST DOCUMENTARY - FILM IN FOCUS 2021
BEST DOCUMENTARY - VIRGIN SPRING CINEFEST 2021
BEST DOCUMENTARY SHORT - ROCKY MOUNTAIN FILM FESTIVAL 2021
BEST INTL DOCUMENTARY SHORT - FOTOFILM INTL SHORT FILM FESTIVAL 2021
BEST FILM - MOSCOW SHORTS ISFF 2021
BEST CINEMATOGRAPHY - MOSCOW SHORTS ISFF 2021
BEST CINEMATOGRAPHY - VISION FEAST FILM FESTIVAL 2021
BEST DOCUMENTARY - SCREAMING OSTRICH FILM FESTIVAL 2021
BEST DOCUMENTARY SHORT - OZ INDIE FILM FEST 2022
HONORABLE MENTION - REALE FILM FESTIVAL 2021
HONORABLE MENTION - MONZA FILM FEST 2021
NOMINEE (CINEMATOGRAPHY) - AFIN INTERNATIONAL FILM FESTIVAL 2021
NOMINEE (DIRECTING, EDITING)- VISION FEAST FILM FESTIVAL 2021
FINALIST - GOLDEN NUGGET INTERNATIONAL FILM FESTIVAL 2021
FINALIST - VANCOUVER INDEPENDENT FILM FESTIVAL 2021
FINALIST - EUROPEAN CINEMATOGRAPHY AWARDS 2021
FINALIST - INTERNATIONAL SHORTS FF 2021
FINALIST - ATHENS SHORT FILM FESTIVAL 2021
FINALIST - GOLDEN SHORT FILM FESTIVAL 2021
FINALIST - LONELY SEAL INTL. FILM FESTIVAL 2021
FINALIST - ANTAKYA INTERNATIONAL FILM FESTIVAL 2021
SEMI-FINALIST - MADRID FILM AWARDS 2021
SEMI-FINALIST - FESTPRO FILM FESTIVAL 2021
SEMI-FINALIST - LONELY SEAL INTL FILM FESTIVAL 2021
SEMI-FINALIST - TEMPUS FILM FESTIVAL 2021
BERLIN SHORT FILM FESTIVAL 2021
BOSTON SHORT FILM FESTIVAL 2021
NEW YORK INDIE CINE FEST 2021
VENICE FILM WEEK 2021
GOLDEN SHORT FILM FESTIVAL 2021
UNRESTRICTED VIEW FILM FESTIVAL 2021
BEYOND EARTH FILM FESTIVAL 2021
LEONID KHROMOV INTERNATIONAL FILM FESTIVAL 2021
GOLDEN NUGGET INTERNATIONAL FILM FESTIVAL 2021
TORONTO FILM AWARDS 2021
VENEZIA SHORTS ITALY 2021
MED FF 2021
KYIV FILM FESTIVAL 2021
MIDDLEBURY NEW FILMMAKERS FESTIVAL 2021
COSMO GENETICS FILM FESTIVAL 2021
WYO FILM FESTIVAL 2021
NOTTINGHAM INTL FILM FESTIVAL 2021
LONDON REEL FILM FESTIVAL 2021
BUSHWICK FILM FESTIVAL 2021
THE HB FILM FESTIVAL 2021
TRUJILLO INTERNATIONAL INDEPENDENT FILM FESTIVAL 2021
LONDON CITY FILM AWARDS 2021
VISUALIS FILM FESTIVAL 2021
LONDON SUPER SHORTS FESTIVAL 2021
NEWBORN SHORT FILM FESTIVAL 2021
FESTIVAL ANGAELICA 2021
LE PRINCE INTERNATIONAL FILM FESTIVAL 2021
LAURUS FILM FESTIVAL 2022
CLOSE:UP REYKJAVIK FILM FESTIVAL 2022
AMERICAN DOCUMENTARY AND ANIMATION FILM FESTIVAL (Academy Award Qualifying) 2022
LA FESTIVAL OF CINEMA 2022
PRODUCED & DIRECTED BY
Dan Sadgrove is a New Zealand born director with a degree in Anthropology focusing on documentaries around the world. He has filmed in South Africa, Vietnam, Mexico, Sardinia, Argentina, United States of America & New Zealand. He is also a published documentary photographer having been featured in National Geographic for his work in Patagonia, Argentina.
DIRECTOR OF PHOTOGRAPHY
Alexander Alexandrov is a director of photography based in Los Angeles and New York. He moved to the U.S. from his native Russia and honed his filmmaking skills working in the lighting and camera departments. From there he went on to shoot films, commercials and photograph celebrity portraits and editorial features. Alex is known as a visual storyteller whose work is sensitive, emotional, always with distinctive character and edge. He has filmed all around the world and worked with many multinational brands including ASICS, Bobbi Brown, Sony, Columbia, Ford and others.
Maru Kuleshova is independent visual artist and wanderer, fully breathing and dedicated to visual space. Her works are often accompanied by the fusion of natural elements, human manifestations, their interaction and solitude in a certain timelessness, revealing in a single canvas of visible images the invisible. She currently resides in Russia.
Ben grew up in Los Angeles and the south of France but 10 years ago his passion for music and sound engineering brought him to study in London. Discovering the industry led him to nurture his vivid interest in post-production and video editing. After working his way up in some of the country’s largest post houses, he settled at Trim Editing where he works on high-end commercials, documentaries, abstract pieces and music videos. His atypical background brings a visceral and rhythmic character to his editing style.
Houston Fry is a composer, music producer and songwriter. He's created music for artists and directors like Hans Zimmer, Zayn, Alex Isley, Dave Meyers, Nicolai Fuglsig, Daniel Wolfe, Dante Ariola, David Nutter and Tristan Holmes. Alongside these artists he has worked with brands such as Apple, Nike, GE, Audi, Nissan, Wells Fargo, Ford, Samsung, Google, Facebook and more. Houston is the head of the music department at Barking Owl Sound based in Los Angeles and New York.
SOUND DESIGN BY
Morgan Johnson is an award winning sound designer currently based in Los Angeles. His work has been recognized by the Cannes Film Festival, Clio Awards, AICP Awards & Redline Film Festival among others. He’s worked with notable directors such as Darren Aronofsky, Lance Acord, John Hillcoat, Wally Pfister, Daniel Wolf, Ian Pons Jewell and many other incredibly talented filmmakers. "Garage Romantic" marks the 6th collaboration with director Dan Sadgrove.
Matic is a freelance colourist based in Auckland, New Zealand. With a design background in his home country of Slovenia Matic soon discovered his true passion lies in film. After moving to New Zealand he decided to solely focus on colour grading and has since worked on several campaigns including Nike, BMW, Google, Tesla, Uniqlo, Puma, G-Shock and has earned himself a loyal international client base that continues to grow.
Anita is a VFX artist from New Zealand. She has a large black labrador who is lovely.
BEHIND THE SCENES


Marvel fans are looking forward to Venom 2: Let There Be Carnage, which will be released in September 2021! It may not be possible for everyone to wait until then. The actor Tom Hardy turned into Eddie Brock in 2018, our favorite loser. The story follows a journalist who finds himself working with Venom. A toxic symbiote with extraordinary abilities. Venom was not only edgy, but also gory, and fun as well. Here’s your favorite anti-hero symbiote, where you can Venom 2 Streaming.
- 1 Venom 2 Streaming Online
- 1.1 Venom 2: When and Where?
- 1.2 Is Venom Coming To Netflix?
- 1.3 Do you know if Venom is on Netflix?
- 1.4 Is Venom available on Disney Plus?
- 1.5 How To Watch Venom 2 In Europe
- 1.6 Venom: Let There Be Carnage Trailer
- 1.7 How To Watch Venom 2 Stream in The U.S.
- 1.8 Stream Venom 2 in Canada
- 1.9 FAQ About Venom 2 Streaming
Venom 2 Streaming Online
We will examine Venom: Let There Be Carnage’s plot to see how it fits into the Marvel Multiverse. In a way, it is fair to say that this is the primary reason for Venom’s success. He and Venom, the symbiote on his back, The sequel were secured with him as the first cast member. Some studios and actors sign multi-picture contracts in case, Hardy returning for Let There Be Carnage and a third film is essential for Venom. Venom always looking for his next meal outside of Eddie.
Venom 2: When and Where?
The movie will not be available on any of the major streaming sites when it comes out. Venom: Let There Be Carnage won’t be on Netflix, Amazon Prime, HBO Max, or Hulu upon release. September 2021 is the exclusive premiere date for the film. To Watch Venom 2, you will need to go to the movies.
Is Venom Coming To Netflix?
First look at Venom: With Let There Be Carnage, Venom fans can relive the first Venom blockbuster. There are concerns about when Netflix subscribers can watch Venom 2 Streaming. A cameo by Venom appeared in The Amazing Spider-Man #252 in May 1984 and then debuted as the infamous villain in The Amazing Spider-Man #299 in April 1988 in a cameo, Spider-Man appears in issue #300. Spider-Man’s enemies have always been some of the most popular, and fans were happy to hear that the sentient alien symbiote would get an R-rated movie, let alone that Tom Hardy will portray Eddie Brock.
Hardy’s character in the film is Brock, who becomes bonded with a symbiote, and together, they prevent other symbiotes from taking over the world. Reid Scott, Michelle Williams, and Jenny Slate also star. It raked in $856 million worldwide, ranking ninth on the list. In the sequel, Woody Harrelson will play Carnage, another symbiotic character almost as, if not more, Andy Serkis is directing the film, bringing to it his expertise in mocap. Due to the high anticipation for the sequel, it makes sense that Netflix subscribers would watch the first film again. Netflix is not expected to release Venom or its sequel anytime soon. In a new deal, Netflix will offer theatrical releases from Sony a year after the first pay window closes, according to The Hollywood Reporter, 18 months after the film comes out.
Do you know if Venom is on Netflix?
In early 2021, Venom was showing on Netflix. In any case, it’s no longer available. On the Netflix website, there are three types of subscriptions. Costs vary based on the plan chosen: $8.99 for the basic plan, $13.99 for the standard plan, and $17.99 for the premium plan.
Is Venom available on Disney Plus?
The Marvel Cinematic Universe doesn’t include all Marvel characters. Disney’s purchase of Marvel Entertainment back in 2009. Venom and Spider-Man were among the Marvel characters Sony sold to Marvel before Disney bought it. Venom 2 Streaming is not available on Disney Plus Currently. By 2022, Disney Plus will be distributing Sony’s films. It’s unclear if Venom will be part of that movie yet because Venom is not family-friendly. Additionally, you can subscribe to Marvel, Disney Plus, Pixar, ESPN, and National Geographic for $7.99 and $79.99, respectively.
Is Venom on HBO Max?
Venom isn’t available on HBO Max. For the ad-free subscription of $14.99, HBO Max offers several shows for $9.99.
How Does Venom Work On Hulu?
Venom 2 Streaming can’t be on Hulu. Other titles are also available via the basic $5.99 or $59.99 yearly subscription.
Does Amazon Prime Have Venom?
Venom 2 Streaming is not available through Amazon Prime at the moment. If you want to see it today, you can either rent it or buy both films. If you want to see the film today, you can either rent it or buy it, it would cost $12.99. You can rent a movie for 30 days and watch it within 48 hours once you’ve started watching it.
Is There A Streaming Option For Venom: Carnage?
Venom: Let There Be Carnage will not release in theaters until September 24, 2021. In the trailer below, it says at the end, “Coming Soon, Only In Theaters.”Sony has not yet announced Venom 2 as a streaming title. The fans will be able to see Eddie Brock battle Carnage in the theaters this September after a long wait. Watch the new trailer for Venom: Let There Be Carnage if you haven’t already. Woody Harrelson will appear as Cletus Kasady in Carnage, the director is Tom Hardy. Michelle Williams and Naomie Harris, Serkis will direct the sequel. Here is the trailer for the film!
How To Watch Venom 2 In Europe
Venom: Let There Be Carnage will be available to US viewers starting September 24th. In September 2021, a theater release will take place. It’s Unknown How Much Carnage Will Be in ‘Venom 2‘ until a new release date is set. It will be released on September 15th in the UK, with much of Europe to follow a few days later.
Venom: Let There Be Carnage Trailer
Brock’s violent, human-like symbiote, Venom, cooks together in Brock’s apartment. Inside the pizza box, there is a note that reads: “RULES: people may not eat.” Venom: Let There Be Carnage is due out in 2021, so check in with CinemaBlend to find out more about the film. See our 2021 release schedule for further information about the upcoming movies.
How To Watch Venom 2 Stream in The U.S.
If you want to watch Venom 2 Streaming, you will need to become an HBO Max subscriber if you live in the United States. All HBO Max subscribers will be able to watch Venom 2 for free beginning on Friday, September 2021. The film will remain on the streaming service for 31 days.
You can sign up for HBO Max for $14.99 per month. Through HBO Max, you will be able to watch shows such as Verzuz Battle, Barry, The Flight Attendant, and more. You can also enjoy films such as Godzilla vs. Kong. For those who wish to watch Venom 2: Let There Be Carnage for free, HBO Max currently offers a seven-day free trial.
Stream Venom 2 in Canada
Venom 2 fans in Canada might be disappointed to know that the film can only be streamed online after its theater run. The streaming service Crave will be able to stream Venom 2 once the film is finished in theaters. It costs $9.99 a month if you sign up through your cable provider, but signing up directly through Crave gives you a free week. You can also watch Crave Originals on PC, Mac, Apple TV, Amazon Fire TV, Android TV, Samsung SmartTV, Chromecast, and mobile devices as part of your subscription.


Doctor Who Primer: Season Six
check this link right here now REMEMBER: I will be spoiling things like when characters enter and leave (but not how), when a new Doctor appears, and a few character/alien names. If you want to remain unspoiled for everything, I recommend you get off the Internet right now and don’t come back until you’re done. Seriously.
buy lasix with paypal General Notes: Season six has a lot of really great episodes, but the major plot point is not my favorite. Still, there are many character and story reveals in this season, so pay attention. This season is also very easily spoiled.
5×14 – A Christmas Carol: I missed this episode because it’s another that doesn’t appear in the Netflix lineup. Unsurprisingly, it plays out kind of like A Christmas Carol.
6×01 – The Impossible Astronaut: Part 1 of 2. Amy, Rory, and River are summoned to a reunion of sorts.
6×02 – Day of the Moon: Part 2 of 2. The Doctor investigates the Silence. Prepare for a million unanswered questions.
6×03 – The Curse of the Black Spot: Now for something completely different. Pirates!
6×04 – The Doctor’s Wife: Neil Gaiman’s first script for Doctor Who. Tissue alert.
6×05 – The Rebel Flesh: Part 1 of 1. I don’t think any good can come from naming something, “The Flesh.”
6×06 – The Almost People: Part 2 of 2. This and the next few episodes all tie together. Note this episode ends in a cliffhanger.
6×07 – A Good Man Goes to War: In which Rory is a badass and the Doctor is tricksy. ALSO ends in a cliffhanger of sorts, though not quite like The Almost People.
6×08 – Let’s Kill Hitler: This is why Amy and Rory can’t have nice things.
6×09 – Night Terrors: Don’t watch this in the dark. Also be ready for creepy dolls.
6×10 – The Girl Who Waited: Amy gets separated from the group in a wibbly wobbly timey wimey way. Tissue alert again.
6×11 – The God Complex: This place is one part spaceship, one part Hotel California.
6×12 – Closing Time: The Doctor visits Craig (The Lodger) to see how he’s doing. No motives here, not at all.
6×13 – The Wedding of River Song: Time is collapsing, the Doctor is being held prisoner, and eye patches are in season.
6×14 – The Doctor, The Widow, and the Wardrobe: My favorite Christmas special, involving a crash landing and a promise.


Hey everyone. I'm part of a Creative and Performing Arts program at my school, in which the seniors, with permission, can direct their own musicals. Since I've become a huge fan of BtVS, I was wondering if any of you could give your opinions on me actually gathering up the sheet music (if it's available?), writing some kind of prologue, and actually directing Buffy's "Once More, With Feeling" as a musical.
Anyone know if the rights would allow something like this? Anyone I can contact? If it's too much of a hassel, I won't do it, but I can raise a small amount of money to buy one-time rights for our theater group if need be. I think it'd be cool to add some backstory to the episode and make it into a stage production.


Alice Henty and Paul McGuire are British independent producers who relocated to New York in the late 90's and co-founded Maylo Films in 2015.
Maylo Films recently produced David France's Welcome to Chechnya, a high risk feature documentary about the ongoing anti-LGBTQ purge in Chechnya, Russia where a group of volunteer activists risk their own lives to save others. The film was shot with undercover cameras and uses ground-breaking visual effects to disguise some the subjects. It won the Grand Jury prize for editing at Sundance 2020, 3 awards at Berlinale including the Panorama Audience Award, a BAFTA, a Peabody, a Grierson and was also nominated for a prime time Emmy . It premiered on HBO [US] and BBC Storyville [UK] and then rolled out worldwide It made history by being the first documentary to land on both the Documentary and VFX Oscar shortlists.
Prior to that, Alice produced The Dog Doc and The Work, a feature documentary about a remarkable group therapy program inside Folsom State Prison, which won the Grand Jury prize at SXSW in 2016 and was nominated for a Gotham Award that same year. It was heralded as a masterpiece in verite cinema. Prior to founding Maylo Films, Alice produced and line-produced many big-hitting Academy and Emmy winning documentaries, including One Day in September, The Tillman Story Buck, Beware of Mr Baker and Skyladder. Alice was one of five documentary producers to be selected for the Creative Producing Lab and Fellowship at the Sundance Institute for 2018-19 and is a member of the Academy Doc Branch, the PGA and the Documentary Producer's Alliance [DPA].
Paul McGuire is a director, producer and show runner. Most recently he completed an Amazon Studios documentary about the Boeing 737 Max disasters and the subsequent cover up of corporate negligence. Prior to that he produced the most watched documentary series on Showtime- JJ Abram's UFO- and developed and packaged a Covid documentary for HBO. He also produced the hugely successful series Dogs for Netflix, as well as a feature doc about the intersectionality of the Women's March entitled This is Personal which premiered at Sundance 2019, and the critically acclaimed series for HBO and Sky, The Case Against Adnan Syed, that was first covered in the popular podcast, Serial. Prior to producing features, Paul directed and series produced many titles for major cable networks such as Discovery, National Geographic, Smithsonian and A&E.


The first movie I want to talk about on this year's list is probably the most important.
What is Boots Riley's Sorry to Bother You?
On the surface, in the directors own words, it is a 'Dark Comedy with magical realism inspired by the world of Telemarketing' ... got that? It is also so much more than that, oh so much more.
You only have to hear the cast and crew discuss it to know that something special was afoot with this one ...
The film defies description and expectations (the final act might just be worth it all alone, Terry Gilliam has nothing on parts of this, and that says something). It also has some smart things to say without ever feel likes it is preaching, except that it is, in all the most impactful ways.
It also has a stellar cast, all of who nail it.
Boots Riley has things to say, and he channels it into this surreal, wonderful, and eccentric story. It has all the energy of a creative work that everyone involved believes in. It does unexpected things, and is allowed to do so. It's often not subtle, but it's expertly crafted satire.
It defies description in all the ways that I like. It's pure cinema. It's what cinema is best at.
It might just be the best movie I've seen this year. That's why I didn't want to leave it until the end of the list (given these are offered in no particular order), because you should watch it. It's available now in all the regular formats. It deserves a wider audience.
You should watch it.


Majestic Filmverleih / Olga Film / Rolize GmbH & Co.PRODUCTION PRESENT
19 / 10 / 2022 – 19:00 h.
23 / 10 / 2022 – 20:00 h.
Doris Dörrie was born May 26, 1955, in Hannover. In 1973 she moved to the USA for two years in order to study acting and film at the University of the Pacific, Stockton, California. She also studied at the New School of Social Research in New York. In 1975, she returned to Germany and attended the Academy for Television and Film (Hochschule für Fernsehen und Film-HFF) in Munich. In 1978 she graduated with her movie The First Waltz (Der erste Walzer).
Afterwards she worked on several films including Paula from Portugal (Paula aus Portugal) and Inbetween (Dazwischen). Her movie Straight through the Heart (Mitten ins Herz) was shown at the Venice Film Festival and at the Tokyo International Film Festival.
Dörrie’s movie Men (Männer) was a great international success with more than 6 million visitors in Germany alone.
In 1987, Dörrie began to publish short stories, novels and children’s books. The movie Nobody Loves Me (Keiner liebt mich) is based on characters of one of her short stories.
In 2002 she wrote the first part of Mimi – the children’s book series happened to be of great success. In the following years she published more books and was manifolds rewarded for her work as a writer. In 2006 she received the German Book Award for the novel The Blue Dress (Das blaue Kleid).
At the same time Dörrie shot several very popular and successful movies, e.g. Am I Beautiful? (Bin ich schön?), Enlightenment Guaranteed (Erleuchtung garantiert) Naked (Nackt), How to cook your life, Cherry Blossoms (Kirschblüten – Hanami), The Hairdresser (Die Friseuse), Greetings from Fukushima (Grüße aus Fukushima), Cherry Blossoms and Demons (Kirschblüten und Dämonen). All of the movies won German Film awards and awards at festivals around the globe.
Since 1997, Dörrie is qualified as a professor and holds the chair of the department of Creative Writing at the Hochschule für Fernsehen und Film (HFF) in Munich. Beside her profession as a film director, Dörrie also staged 7 operas. So far she has made 32 films, published 23 books and has been honored with over 30 awards.
She is a member of The American Academy Of Motion Pictures.
Awards and Nominations
BERLIN INTERNATIONAL FILM FESTIVAL 2016
Winner C.I.C.A.E. Award, Panorama Section: Doris Dörrie
Winner Heiner Carow Award: Doris Dörrie
2nd place Panorama Audience Award: Doris Dörrie
GERMAN FILM AWARDS 2016
Nominee Best Performance in a Leading Role: Rosalie Thomass
MILL VALLEY FILM FESTIVAL 2016
Winner Audience Award: Doris Dörrie
BAVARIAN FILM AWARDS 2016
Winner Best Actress: Rosalie Thomass
ODESSA INTERNATIONAL FILM FESTIVAL 2016
Winner Golden Duke for Best Acting: Kaori Momoi & Rosalie Thomass
Nominee Golden Duke International Competition: Doris Dörrie


The European Coproductions
Project FIND is one of the co-organizers of the 2013 NECS conference and we would like to draw your attention to Friday June 21st.
FIND is organizing a unique panel discussion on European Coproductions where five renowned film professionals will present their views on how coproduction deals influence creative decisions and on other aspects of this subject.
Noemi Ferrer Schwenk, International producer, The Danish Film Insitute
Pål Røed, Film producer Friland, Norway
Jeremy Orlebar, Radio and Television producer, Freelance writer and Lecturer, UK
Pavel Strnad, Film producer, Negativ, Czech rep.
Pavel Berčík, Film producer, Evolution Films, Czech rep.
The panel discussion on The European Coproductions takes place on June 21st from 11.00 am till 12.45, the room no. 4 (301) on the 3rd. floor.
We would like to invite you to join us in this discussion where practice meets theory.
Petr Szczepanik and Daniela Paulova


FOMO 2 (2017)
FOMO 2 is a prequel to 2016’s FOMO that explored how a young boy grappled with the death of his older brother by tapping into his imagination. It is set some years prior where the older brother, the now protagonist, has just received the diagnosis of cancer. His reaction to the news and its developments is the focus of the play as it delves into the origins of FOMO’s imaginary universe.
Hide and Seek (2016)
Hide and Seek is a theatrical production about Sid and Sam (brothers, and con-artists) who escape from prison and crash an Indian wedding in pursuit of a priceless diamond ring. It is a story of relationships, of society, of regret and of redemption.
Axel is going through a difficult time. He’s fourteen years old, his brother is very sick and his family is struggling to cope. His escape is his overactive imagination and the universe he has created in his head. FOMO is a story of learning to cope with sadness, and of finding the love in difficult times.
The Rolling Cowley (2015)
The Rolling Cowley is a pirate extravaganza focusing on the importance of family.
Family is not bordered by blood.
Still Life (2014)
The lacklustre students of Arts 101 have been invited to the gallery for their first assignment by the increasingly eccentric Mr. Morgan. Their task: observe the art. Quickly the students find themselves drawn into the paintings, surrounded by their colourful characters, their whirling worlds and symphonic symbolism, until they realise a terrible truth: the paintings themselves are disappearing. Fading away. Can the students find a way to save the paintings, or will the art be lost to time forever?
About A Brown (2013)
About A Brown is a musical comedy that centres on the stories of a group of young adults. These characters epitomise the issues that challenge our generation, specifically the careful balancing act we perform in our day to day lives in order to reconcile the beliefs and behaviours handed down to us from our cultural heritage against the social values and influences we are surrounded by, having grown up in our multicultural Australian society.
Still Life (2012)
Rajan, a young theatre director, attempts to stage the perfect love story… in real life. Together with his assistant, Priya, and one of his actors, Barney, he plays cupid for two of his unwitting friends. But, as they soon discover, real life is nothing like the stage, and people don’t always act according to the script.


Maggie and I just watched Be Kind Rewind. Directed by Michel Gondry (of Eternal Sunshine fame), it follows Jack Black and Mos Def as they accidentally erase all of the videos in the store and have to recreate them with a handheld camera and a $20 budget. The overarching threat is a condo development that will replace the video store unless they manage to raise $60,000. If it sounds a little like Empire Records, that’s because it is, with one huge exception. Where Empire Records focuses on the lives of the employees, Be Kind Rewind is about the entire community of Passaic, NJ.
At turns funny and sad, Be Kind Rewind is, at heart, a paean to localized connectedness. The Be Kind Rewind store and its ensemble of weird patrons contrast with “West Coast Video”‘s army of identically dressed customers, who all get the same two movies. Implied too is the difference between the big budget movies we’re familiar with and the recreations of Be Kind Rewind. The movie deftly argues that community, and movies with heart, are more important than cookie-cutter national corporations. At the same time, the movie left me questioning how much change you can actually make in your community. It’s just not worth going up against big companies on their turf. They’re extraordinarily good at making money in ways that you just can’t compete with locally.
My takeaway is that as communities, we need to be looking for ways to reconnect that don’t involve “economic” one-size-fits-all solutions. The “sweded” movies that Black and Mos Def make are important entirely because of their context. Remove them from Passaic, sell them across the country, and they become meaningless.
It’s those very things that end up leading to real happiness.
If that’s a little heavy for you, and I don’t blame you, you should check out the “sweded” trailers a YouTube Sweded.