The Starry Messenger has evolved from an interest in the ‘perceptual moment’ of film, a borrowed phrase that is intended to position filmmaking and film watching as an expanded way of thinking in a visual language not limited by strict rationality and simple causality, which engages with the materiality of film as a manifestly analogue physical and chemical process.
The artists featured in the exhibition are: Marika Borgeson, Janine Davidson, Rebecca Meyers, Michaela Nettel, Samantha Rebello, Talena Sanders, Ana Vaz.
The seven selected artist filmmakers engage with what is made visible and invisible in the emulsion and grain and lights and darks of each unique celluloid print, and explore the materiality of the film medium through physical manipulation of film and alternative processes. This expanded understanding of the analogue film-making process has run parallel to a growing awareness that the survival of analogue film-making itself has come to resemble a campaign for a critically endangered species – as film processing labs are seemingly no-longer commercially viable and are closing – and so filmmakers, artists, and critics across the world have had to come together to campaign for institutional support to safeguard the ability to manufacture, shoot, process, print, make and project film.
At the campaign savefilm.org you can add your support to the call for national and international organisations to take active steps to protect the medium of film, and request that UNESCO recognise film, the practice of filmmaking and film projection as world cultural heritage. – Declan Sheehan, curator
Marika Borgeson Biography
Born Albuquerque, New Mexico, USA. MFA in Experimental and Documentary Arts, Duke University. Lives and works in Los Angeles.
For more information about Marika Borgeson see her website
Janine Davidson Biography
Born Belfast, 1974. MFA in Sculpture at NCAD Dublin, 2012. Lives and works in Dublin.
Rebecca Meyers Biography
Born 1976, New York. MFA in Film & Video Production, University of Iowa 2001. Academic Film Programmer & Lecturer in Film/Media Studies, Bucknell University Pennsylvania.
Michaela Nettel Biography
Born in Bedford, England, 1983. MA Animation, RCA, 2007. Lives and works in London
See more of Michaela’s work at her website
Samantha Rebello Biography
has been working in film and sound since 2004. She lives and works in London.
Talena Sanders Biography
Born USA, 1983. MFA in Experimental and Documentary Arts from Duke University. Assistant Professor of Media Arts at the University of Montana.
See more of Talena’s work at her website
Ana Vaz Biography
Born Brasília, Brazil, 1986. Masters in Cinema and Visual Arts at Le Fresnoy, Studio National des Arts Contemporains. Lives and works in Paris.
See more of Ana’s work here
Download the Press Release below:
Starry Messenger Press Release
The Starry Messenger was kindly supported by The Arts Council of Northern Ireland and Derry City Council Legacy Fund.


Choosing Katniss - Real or Not Real?
"I might try to persuade him to run away… But he’s not alone and he’d never leave his family. Or me.” CF, Ch.3
"Peeta would have nothing to come home to, anyway. Except me…” MJ,Ch.1
Gale tells Peeta in Tigris’s cellar that Katniss will choose whomever she can’t survive without. We often discuss Katniss’s decision, but Katniss wasn’t the only one who had a choice to make. She describes a loyalty and connection to both Gale and Peeta in the quotes above, but only one was ultimately true. Because only one was based on a Katniss that was completely real.
"In the woods waits the only person with whom I can be myself. Gale." THG, Ch.1
The Katniss that makes this claim is the girl Katniss wants to be. Brave, self-sufficient, a skilled hunter and a successful trader. A girl who isn’t crippled by fear, who provides for and protects her loved ones. A girl who doesn’t need anyone.
This is the Katniss that Gale knows and wants. The girl who only needs a hunting partner to complete her. A fellow rebel who hates the Capitol as much as he does and shares his desire to destroy Snow and his regime regardless of the cost.
But this image that Katniss creates for herself masks the fragile girl underneath. The girl who is afraid and distrustful. The girl who finds it easier to embrace the fires of anger than face her emotional vulnerabilities or risk immobilizing pain from rejection, abandonment or death of a loved one.
Gale is unfortunately unable to deal with a traumatized Katniss. When she doesn’t live up to his expectations, and begins to vocally disagree with his tactics, their friendship begins to suffer. He fails to recognize or respond to the hurt and desperation she is experiencing which should be apparent to him as a best friend.
By the time they reach the Capitol all they have left is their well-honed teamwork as hunting partners which they effectively utilize in the Capitol mission, and his role as fellow protector for their families. Once the ‘last shot of the war’ is fired and with Prim’s death theoretically on Gale’s hands, the ‘glue of mutual need that bonded’ them is gone. He finally sees a broken, depressed girl and can’t reconcile this person with the heroic hunter and fierce warrior that he wanted. And he is not capable of dealing with her pain in light of his own sense of loss. They both know they are no longer the two kids who would have run off into the woods if it was only with each other.
Gale chooses to leave Katniss.
"I do. I need you." CF, Ch. 24
Peeta and Katniss’s relationship follows a more complex and less linear path. He finds himself in the unique position of being the person Katniss turns to when she is the one who is in need. He remembers the starving little girl who would have died without his intervention. He begins to see a Katniss who needs his support and comfort, not just for physical survival, but emotional stability. But he is also someone she pushes away when he gets too close. Her confusing coolness towards him coincides with his own issues around self-worth.
He understands the concept of presenting an image for the world as a coping strategy. He no doubt learned to do it himself growing up with a less than ideal home life. He uses this strategy as he experiments with ways to get through to Haymitch, and then win over the audience and the Careers in the first arena.
While Peeta is able to see both the vulnerable and the dauntless sides of Katniss, his own struggles with self-image and self worth further complicate his relationship with her. Unlike Katniss, Peeta isn’t afraid to show his vulnerabilities, but given the chance to protect her, he discovers a noble purpose. However, in THG and CF, the very thing that feeds his sense of nobility in sacrificing for her sake, is also a point of weakness. He idealizes her to the point of believing that his life isn’t of much value in comparison, but it gains worth by his willingness to give up everything for her, even if she, unsurprisingly in his mind, probably doesn’t love him in return.
Peeta eventually realizes the truth. Katniss reveals her vulnerability and need on the beach in the QQ. His hijacking is ironically cathartic in that it strips away the idealized vision of Katniss and allows him to see himself as a person of worth. He deserves the truth, and he challenges Katniss to be honest with him and herself, too.
Katniss idealizes pre-hijacked Peeta, too, by the time time they are in the QQ. In MJ, Katniss alternately devalues herself as a ‘fraud’ that he finally is able to see, and strikes out in anger at his post-hijacking accusations. In the aftermath of the Capitol mission, Katniss eventually is stripped bare of her indomitable persona and her unjustified self-loathing, and she allows her whole and true self to be revealed. Peeta sees the fragile but fiercely devoted and heroic girl, who uses an image as a means of self-protection in a frightening world.
Peeta knows that they have shared a close, if at times confusing partnership. But it is because he understands her at the end, that he knows how broken she is. Where Gale leaves because she has not lived up to his needs and expectations, Peeta sees the real Katniss under the facade. He loves and accepts the whole Katniss. Peeta recognizes the reasons for her reluctance to love. He knows that if she will be honest with herself, she is capable of both deep affection and courageous spirit.
Peeta is prepared to build a relationship that recalls them at their best, but firmly rooted in reality giving them balance in their need and love. And Katniss, finally honest in acknowledging her needs and desires, chooses him, too. No longer a source of weakness for each other, they are stronger and better together. They just need to reassemble the pieces.
Peeta chooses to come home to Katniss.


Cape Cod Nightlife: Performing Arts
Cape Cod Theater and Performing Arts
You’ve come to Cape Cod for the weekend. You want to hit the town at night, but the club scene is not your thing. What else is there to do?
The answer: The theatre!
Cape Cod Theatre Companies
There are dozens of Cape Cod theatre companies offering vacationers a dynamic, and entertaining, Cape Cod nightlife option.
Whether you’re pining for comedy or satire – these Cape Cod theatre venues are some of the most popular in the region.
- Academy of Performing Arts (Orleans)
- Barnstable Comedy Club (Barnstable)
- Cape Cod Theatre Project (Falmouth)
- Cape Playhouse (Dennis)
- Cape Rep Theatre (Brewster)
- Cotuit Center for the Arts (Barnstable)
- Counter Productions (Provincetown)
- Falmouth Theatre Guild (Falmouth)
- Monomoy Theatre (Chatham)
- Payomet Performing Arts Center (Truro)
- Wellfleet Harbor Actors Theatre (W.H.A.T.) (Wellfleet)
- Woods Hole Theater Company (Falmouth)
Hurry though. Tickets to see some of the productions at these theatres sell out fast.
Weekend Getaway Packages to Cape Cod
Don’t wait too long before booking your next weekend getaway to Cape Cod. There are many Cape Cod resorts that offer fantastic vacation hotel packages for long weekend.
Check out the exciting deals at Bayside Resort Hotel – voted #1 mid-cape hotel!
Their exclusive overnight Cape Cod hotel specials are available HERE.
Get a Night for a Penny
Stay two nights and get a night for a penny.
Join our Email List and get details
to redeem this offer sent to your inbox!
You will be entered to win a 2 Night Getaway.
8.5 Very Good
8.6 | 10 Fabulous
4.3 | 5 Excellent


Alexander Michaels, President of Mode Lifestyle Magazine, has confirmed that he has signed movie actress Svetlana Spielberg for a major part in his new movie “In The Mode” that will start shooting in June 2012.
Svetlana has appeared in movies including “In A Pickle”, “Madeoff With America” and “Burn Notice” amongst others. She has acted in several TV shows and was a TV host for two years with MAKS TV in Miami. Her stage career includes parts in plays such as “Carlos Gardel” and “Vampire Masquerade” in LA.
For more information contact: info@ModeLifestyleMagazine.com
or visit: www.inthemode.org


The Orange Film Society Inc. is a self-supporting and non-profit organisation dedicated to the appreciation of film culture.
The Film Society's aim is to encourage interest in film as an art and as a medium of entertainment, information and education. A film is shown every month on the last Sunday, except December. We select cultural films for our program (eg. arthouse, foreign language). We try to bring films that our members would not get the chance see living in the area. We try to give our program variety.
2019 will be our 34th season.
It started off when a few people decided that the film industry in Orange did not have enough culture in it. So they began the Orange Film Society. They played a 16mm film in the west room at the Civic Theatre once a month, and around 20 people came. They would choose a different genre of movie a month (e.g. silent, sci-fi, etc.). As the years went by, they decided that one or two films a year would be shown at the Australian Cinema. These were popular with the members. So several years back, they decided that all films were shown at the cinema. As the years went by, the members went up.
The committee of the Orange Film Society Inc. is a group of around ten people who manage the society. They select current films for the cinema to show. Anybody can be a committee member. The committee members are nominated at our Annual General Meeting. The committee meets on the 1st Tuesday of most months in the committee members' homes.
Our Annual General Meeting
Every year, the Orange Film Society holds an annual general meeting. The venue and time varies, but is usually in October on the same night as one of our films. Everybody is welcome to attend. Here we nominate the committee, and the individual roles of the committee, e.g. President, Secretary, and Treasurer. We discuss the running of the society over the previous year, and drink wine and eat yummy food.
If you are a member you will receive a monthly e-newsletter. The newsletter includes a description on the upcoming film, video suggestions, and important notices from the committee. Plus our members can write in and suggest films to us, and we will publish them in our newsletter.
Our Committee for 2019
President - Elaina Neville
Secretary - Karen Somers
Treasurer / Membership Officer - Kris Smith
Vice President / Public Officer - Greg Tracey
Publicity Officer - Peter Young
Committee Members - Gordon McMillan, Marcia Thorp, Diane Melville, Michael Flynn, Libby Rhys-Jones, Christiane Rondeau


“Along time ago… In a galaxy far far away…”
Famous for its lewd humour, amazing musical numbers, flawless choreography and references to local politics and pop culture, the evermore popular Uni Revue is back again at the Theatre Royal with Episode 69.
And what better year was there to experience my first revue than in its 69th year!
From the moment the theatre lights were dimmed and the curtain raised to the anthem of the Imperial March, the audience were blasted into ‘hyper drive’ with the first of many musical parodies, ‘Don’t stop me now’ by Queen.
This year’s plot closely resembled the theme of Star Wars: The Force Awakens as a young girl from Rokeby (Rey) gets caught up in a fight against the evil media conglomerate, the ‘First at Six Order’ and their plan to return Tasmania to the dark ages.
Together with the help of a Stormtrooper dropout (Finn) and an adorable droid, ICUP (BB-8), they band together in the search for Peter Gee (Luke Skywalker) to repair the Bass link cable and hinder the plans of evil Supreme Leader, Kaylo Jen (Kylo Ren) once and for all!
The story was broken up with many live and pre-recorded sketches, making the show itself difficult to follow, however nonetheless still engaging and hilarious.
There were lightsaber battles, dancing Stormtroopers and some of the best CGI graphics I had ever seen!
Let’s not forget about the references towards the most offensive Christmas tree in the world, the fully clothed ‘streaker’ at the test cricket, the “MONA shit machine” or even the characterisation of David Walsh and Bob Brown and the unveiling of Kaylo Jen’s true identity – No spoilers here!
Throughout the revue’s history, I am sure that the show has been subject to many criticisms in relation to its themes. However in the eyes of many (including my own), it is obvious that the Uni Revue’s main approach is not to be taken out of distaste or offence but as an outlet to provide a carefree response on some of today’s most pressing social issues.
The only real disappointment I had overall was the quality of sound and the random crackling effect of the microphones dropping in and out from time to time.
Although the actors on stage made every effort for their voices to be heard, it was unfortunate that the audience’s attention was placed more on the prompted lyrics on screen instead of the unfolding scene on stage.
There is no denying that this year’s Uni Revue had my inner nerd sold as soon as my eyes met the printed lightsabers on an audition flyer that was handed to me during O-week earlier this year.
A special thanks goes to the Old Nick Company, the Theatre Royal as well as the cast and crew for providing me a memorable, first Uni Revue experience as well as many laughs.
Don’t miss out on The Uni Revue: Episode 69 as it presents its final show in Hobart tonight at the Theatre Royal before later moving on to the Princess Theatre in Launceston from June 6 – 10.


Description: Four female New Yorkers gossip about their sex lives (or lack thereof) and find new ways to deal with being a woman in the late 1990s.
Creator: Darren Star
Stars: Sarah Jessica Parker, Kim Cattrall, Kristin Davis
- The next best thing to being there.
- Are you ready for more?
- Even when she was being shot from the waist up, Kim Cattrall insisted on wearing heels. She said it made her feel more like Samantha.
- The medicine cabinet in Carrie’s apartment was first spied by Sarah Jessica Parker at a flea market shortly before filming began on the series. She and Matthew Broderick didn’t buy it, but reconsidered. When they went back, the cabinet was already sold to “some television show”. When she showed up for filming, the medicine cabinet was there.
- The first cable series to win an Emmy Award for Outstanding Comedy Series.
- Sarah Jessica Parker had a clause in her contract for this show stipulating that she will not do any full nudity. This is why the audience never sees Carrie in anything less than underwear, whereas all the other main female characters have been filmed in much less.
- The first dog who played Pete was scared of John Corbett, so they had to get a new dog.
- The naturally blonde Cynthia Nixon dyed her hair red to play Miranda on the show.
- The early episodes of the show had characters looking directly at the camera lens and commenting on the events in the story. This element was dropped in the last episodes of season 2.
- There are only eight episodes in season five, due to Sarah Jessica Parker’s pregnancy.
- Kim Cattrall turned down the role of Samantha Jones twice before being convinced by Darren Star’s boyfriend to give it a try and shoot the pilot episode.


This show takes us back to a time when the sixties really started to swing. It details the human cost of The Profumo Affair, the greatest scandal of the 20th century.It mixes historical fact and drama with great skill. The songs fit the era in which they are supposed to exist and rejoice in some witty lyrics which help to give the evening a light-hearted atmosphere so you never feel you are being given a history lesson.The lyrics and the tone of the songs also give you an opportunity to get inside the heads of the characters and get a feel for their personalities.The show is set in Murray’s Cabaret Club where Christine and her friend Mandy Rice Davies work as topless dancers.It was a discreet, late-night supper-club where city dealers, judges, barristers and members of the nobility came to let their hair-down, far away from the disapproving gaze of their loved ones.When John Profumo enters the club he sings a number which could have been lifted from a Gilbert and Sullivan comic opera. Not only is it entertaining but the choice of song tells you something of Profumo himself.The story is told in flashback with a Fleet Street reporter recalling the events that Christine has just revealed in an interview.The standard of performance is very high with many of the actors and dancers studying on theatre courses. Ashleigh Cole makes for a sympathetic and strong Christine who contrasts nicely with Angie Diggens’ more worldly-wise Mandy Rice Davies while Kevin Topple gives The Hack a conspiratorial air which works well as he confides in the audience.Setting the whole show in Murray’s Cabaret Club is a clever move because not only does it allows scenes with the dancing girls to provide variety, but it also means that the action can move on at a necessarily brisk pace.The scene changes and historical information are provided by large projection screen at the rear of the stage and some well-chosen pop hits from the relevant year.Director Lindsay Lloyd, in conjunction with writers Tony Franchi and Marion Wells, has given the show some real sparkle. It’s a fascinating story and this team really bring it to life with wit and invention.
Christine the Musical
Review by Andrew Clarke of the East Anglian Daily Times June 29th 2015


Carlos Flores Espinoza is a New York City-based editor and colorist born in Lima, Peru.
As a freelance artist, Carlos has edited & colored countless commercial projects for clients such as Nike, Apple, Chanel, Samsung, and Mercedes-Benz. His music video work features world-renowned artists such as Selena Gomez, Miguel and G-Eazy, and each has received millions of views online.
His narrative and documentary projects, including the short films “Vitals” and “Where We Dwell”, have garnered multiple Vimeo Staff Picks and have screened at over 100 film festivals world-wide. Carlos' first feature narrative “Welcome To Grandville” premiered at the 2018 Cleveland International Film Festival.


The trailer for Won’t Back Down looks good, and the movie is “Inspired by Real Events.”
Plot description: Two determined mothers, one a teacher, look to transform their children’s failing inner city school. Facing a powerful and entrenched bureaucracy, they risk everything to make a difference in the education and future of their children.
Starring: Vip;a Davis, Maggie Gyllenhaal, and Holly Hunter
I plan to see it this weekend and post a review. In the meantime, if you want a story where NOBODY backs down, check out Chain Gang Elementary.


Gabriel Grant has been in film and television for the past 8 years. He has worked nearly every job on a film set from cameraman to audio engineer to producer. This has put him in a unique position to manage any film set with knowledge of the needs and demands of each department.
Gabriel recently left his job as Director of Production at Connect with Kids to devote his full energy to Rook Productions.
Gabriel believes that video is the greatest tool we have for communication, and brings a personal passion to each video that Rook creates. His organization and communication skills ensure that our clients' videos are delivered on time, in budget, and of the highest quality.
Nick Grant studied Radio-Television-Film at the University of Texas, and has been working in the industry in New York City since 2009. Nick has cultivated his storytelling abilities in diverse visual arts, and always brings creative solutions to the table during the filmmaking process. Nick's skillsets include scripting, editing, graphics, and camera work.
Nick enjoys the distinct challenges afforded by commercial videography, and brings an enthusiasm for the work to each of Rook's projects. His clarity of vision and technical expertise serve to enhance Rook's videos and bring them to the next level of quality.


‘Acting In A Movie Was Amazing’ – Nguyen Tran Duy Nhat Recalls His Big-Screen Debut
When “No.1” Nguyen Tran Duy Nhat returns against Denis “The Bosnian Menace” Puric at ONE Fight Night 17 on Prime Video, it will have been four years since he last competed in ONE Championship – but the 34-year-old has kept himself busy.
As well as coaching and competing in Muay Thai and kick-starting a fresh career in MMA, “No.1” added a new string to his bow by acting in a Vietnamese film titled “Vo Sinh Dai Chien” (“The Battle of Pupils”) in 2021.
Although he’s back to his life as a fighter ahead of his next battle in U.S. primetime on Friday, December 8, Duy Nhat certainly enjoyed his foray into the world of cinema.
The Vietnamese star told onefc.com:
“[The film] is about the journey of a newly relocated boy, in which he found his love for Vietnamese traditional martial arts, as well as a girl. I starred as Ba Long, the elder pupil of the traditional martial arts club.
“I didn’t expect that I could play a role, but acting in a movie was amazing. I had a lot of fun filming. The director and other actors helped me a lot.”
With no prior experience, Duy Nhat didn’t know what to expect when he first stepped foot on set, but fortunately, much of his role was already second nature to him.
As a lifelong martial artist and a longtime coach, “No.1” had no trouble getting into a character with so many similarities.
Reflecting on the role and the reception he got, Duy Nhat said:
“Ba Long might just be a different version of me in the movie, I think. I coached and mentored young fighters in real life, so when I arrived, people told me that I could work, coach, shout, and cheer – exactly the same thing I do in the gym. It made filming much easier for me.
“Many said the movie was good and that I portrayed my character quite well. Lucky me!”
Nguyen Tran Duy Nhat Would Welcome More Acting Roles
Nguyen Tran Duy Nhat is used to hard physical toil through his career as a martial artist, but he gained a new respect for the cast and crew involved in making “Vo Sinh Dai Chien” while getting an inside look at the strenuous schedule needed for filming.
Just like in the gym, the teamwork required built a strong sense of camaraderie between every person who took part in the process – and the final product made everything worthwhile.
“Filming is a hard task, but I felt excited seeing so many people focus on making a great story on a film set.
“There is a scene where my character, Ba Long. needed to train Khoa (the main character) under the moonlight. We used the four sleepless nights to get it done, to fix the angles and things like that.
Most of the actors were not martial arts practitioners. In the end, everybody was exhausted, but the result was worth it.”
Duy Nhat still has some prime years and big goals left in ONE Championship, so he won’t take his eyes off those just yet. At the same time, his first experience of acting has definitely ignited something inside of him.
The elite striker would welcome more opportunities to go in front of the camera and share his passion for combat sports with audiences via the silver screen.
“Yes, why not [act in more films]! Acting is so fun. I loved bringing flashy, explosive action scenes to the movie. I hope there will be more chances to show people that martial arts is such a beautiful thing to see.
“But if I had to choose, then it would be fighting. I’m a real fighter with a spirit of fighting. I need competition.”


Eddie Brock is a reporter—investigating people who want to go unnoticed. But after he makes a terrible discovery at the Life Foundation, he begins to transform into ‘Venom’. The Foundation has discovered creatures called symbiotes, and believes they’re the key to the next step in human evolution. Unwittingly bonded with one, Eddie discovers he has incredible new abilities—and a voice in his head that’s telling him to embrace the darkness.
nonton film online, nonton movie online, nonton movie, nonton film, film online, bioskop online, nonton drama korea, nonton streaming, nonton film online subtile Indonesia, nonton movie online subtitle Indonesia, movie sub indo, film sub indo, nonton bioskop online 21, nonton film 21 terbaru, nonton movie 21, bioskop online streaming, nonton tv online, nonton streaming, download movie, download film terbaru, download film bluray, download movie bluray, watch movies online free, film bioskop terbaru, Layarkaca Indo, Lk21 Indonesia, Nonton Movie Online Layar Kaca 21 Indo Xxi


I’m thrilled to announce that Willa of the Wood and Willa of Dark Hollow are being adapted into a multi-season, live-action television series.
Entertainment One (eOne) is working with Amy Adams and her Bond Group Entertainment company to bring Willa’s world to the screen, and I’m so excited to be serving as an executive producer for the project. The television series will be geared toward family viewing, including older children and adults, just as the books themselves are. Script and concept development is underway. Filming location, casting, production dates, and distribution channels are still to be determined.
As I am sure most of you know, Amy Adams is a six-time Oscar nominee and two-time Golden Globe winner, acclaimed for her roles in the movies ”Enchanted,” “American Hustle,” “Vice,” and many others. She is also the star and executive producer of the HBO series “Sharp Objects.” In addition to the Willa series, her production company, Bond Group Entertainment, is currently developing adaptations of Barbara Kingsolver’s book “The Poisonwood Bible” and Claire Lombardo’s “The Most Fun We Ever Had.”
eOne is a multinational producer and distributor of films and television programming, including award-winning and nominated movies “Booksmart,” “Judy,” “Green Book,” “La La Land” and “Wonder,” and TV series “Designated Survivor,” “The Rookie,” “Criminal Minds,” and “Peppa Pig.”
It’s an honor to have Willa’s story in such talented and experienced hands. It’s been a longtime dream to see my books adapted for the screen. Now, as an executive producer I’ll be able to play a role in that process, helping to bring Willa to life in a whole new way. In addition to the Willa series, I would love to bring the Serafina Series to the screen as well, but I don’t have specific news on that front that I can share at this time.
I’m sending my most heartfelt gratitude to all my Willa fans out there. Your support and enthusiasm for Willa have been overwhelming, and have made the Willa TV project possible.
Stay tuned for more details.


Frank Capra’s It’s a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America’s understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since.
Michael Newton’s study of the film investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie’s production – notably director Frank Capra and star James Stewart – and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton’s careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film’s reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity.


On October 2, the Theatre of Equals returned from their first tour of the cities of the Voronezh Region – Pavlovsk, Borisoglebsk, and Ramon. The tour lasted from September 25 until October 2. It was supported by the Ministry for Culture of Russia, the administration of "Stolitsa" centre, the Andropov Foundation, and the "Otsovstvo" foundation. Over 1000 spectators had a chance to see the second production of the theatre – the play "Empty Souls" based on the stories by Andrei Platonov.
The first city was Pavlovsk. Here the theatre performed at the new recreation centre "Sovremennik", which was opened a year ago. The actors told us that they had never before received so much applause. When Yushka – one of the characters – died, many people couldn't help crying. When Fro met her husband, the audience encouraged the heroes with applause. And they held their breath at the final scene, when the German prisoner was interrogated.
Borisoglebsk was the next, and it was here that the Theatre of Equals has for the first time performed on a real theatre stage. The audience here was very welcoming, and all the tickets were booked long in advance. The city administration sent the Theatre of Equals a Letter of Acknowledgement, flowers and presents. After the performance, the actors had a short meeting with the audience.
On October 2, the Theatre of Equals arrived in Ramon, where they were to perform at the local recreation centre that was not designed for theatrical performances. For the first time the actors have had to perform without any special equipment, but it didn't become an obstacle. The audience was welcoming and praised the actors with applause.
– It's the first time we've performed somewhere other than Voronezh (apart from the Munich festival, of course). So this is a new experience for us and an attempt to gain a new audience. The tour demonstrates what we really are capable of. And it is this tour that helped us to feel like a real theatre, – says the Theatre director Vadim Krivosheev.
– Each town was interesting in its own way. There were different stages, different audience, different atmosphere, but what was common was the feeling that we are really welcome. Borisoglebsk impressed me the most. When we were recalled for the second time and stayed at the very edge of the stage, I saw the audience, their eyes, really close. Those eyes mirrored the feelings and emotions, and I myself couldn’t help feeling it. I almost cried at the feeling that I have made somebody happy, – says the actress Yulia Pivovarova.
The organisers of the performances in each city said that the Theatre of Equals is a unique group. They had all read about the theatre in advance, but what they do is totally amusing. The audience in Borisoglebsk say that the "Empty Souls" gets to your very heart and you can't help feeling it. Just in a couple of minutes you completely forget that these people are not just common actors.
– In Ramon two girls came to us after the play and asked to take a photo with them. They asked if we had ever imagined that we would work in such a theatre. And they were really surprised to learn that none of us was trained as actors, – told us Kristina Dolgikh.
The tour was also a debut for three actors - Dmitry Kuzmin, Maria Gorbacheva, and Ksenia Zozulina. They were rather nervous before the play, but, as real actors, could manage their emotions and win people's hearts by their performance.


How many times has Tom Cruise been married?
Tom Cruise, the actor of films like Risky Business and Mission Impossible has been married three times:
-To Mimi Rogers, they married on May 9, 1987 and they divorced on February 4, 1990.
-To Nicole Kidman, they married on December 24, 1990 and separated in 2000. They have two adopted daughters.
-To Katie Holmes, they married on November 18, 2006. They have a daughter, Suri, born on April 2006.
Cruise also has been romantically involved with actors Rebecca de Monay and Penelope Cruz.
After five years marriage, in June 2012 Katie has filed for divorce requesting sole custody of their daughter Suri.
Ask a Question!


July 6, 2019
Luck, Texas ranch
Q&A to start
Luck, Texas ranch
Doors: 7:30 Q&A to start
Rolling Roadshow and Luck Productions are joining forces to present LUCK CINEMA, a film screening series in Luck, TX. This summer Luck Cinema will make its mark with an unforgettable kickoff event: a starlit SCREENING OF THE RED HEADED STRANGER held on the original film set, featuring an IN-PERSON Q&A WITH THE MOVIE'S STAR, WILLIE NELSON and special guests from the film. The event will take place on Saturday, July 6 at 7:30 PM at Nelson's Luck, TX ranch just outside of Austin. TICKETS WILL GO ON SALE ON THURSDAY, JUNE 20TH.
Guests will be treated to the first-ever digital presentation of the recently resurfaced classic western, showcased on Rolling Roadshow's projector screen situated in the middle of the Luck, TX property where the movie was filmed. Prior to the screening, Nelson will take to the front porch of his personal “World Headquarters” clubhouse to engage in conversation with some of the film's key players.
Prior to the screening, Austin Food & Wine Alliance will host an intimate, 50-person dinner prepared by award-winning chef Jesse Griffiths of Austin's celebrated Dai Due restaurant, a heralded culinary figure and the recipient of the 2018 Austin Food & Wine grant in participation with Luck Reunion.
Outside of the annual Luck Reunion festival, the first Luck Cinema event provides the unique opportunity to experience Nelson's “Luck, TX” property firsthand. In addition to the screening itself, fans will be able to view exclusive memorabilia provided by the Wittliff Collections – founded by Bill Wittliff and his wife, Sally. Archival items from Wittliff's collection will be exhibited throughout the site; providing a deeper understanding of the unique history of the film, the story of the characters involved, and a look back at the beginnings of what “Luck, TX” is today. The team is also partnering with the Texas Film Commission who will be onsite discussing the film itself in addition to speaking to the Texas' film industry.
main screening ga: $100
Pre-show dinner $350
Austin food and wine alliance presents;
A pre-show dinner featuring Chef Jesse Griffiths of Dai Due
- 50 tickets available
- Price includes movie ticket
- Doors 6PM / Dinner:6:30PM


Norwegian Cargo has transported 10 electric Buddy cars and six Buddy bikes to be used in the upcoming Hollywood blockbuster, Downsizing, starring Matt Damon.
The cars and bikes were shipped from Oslo to New York using the bellyhold of a Boeing 787-8 Dreamliner before being trucked to Toronto for filming. The electric vehicles will be used in the Paramount Pictures movie, Downsizing, starring Matt Damon and directed by Alexander Payne. It is due to be released in late 2017.
Norwegian head of cargo, Bjorn Erik Barman-Jenssen says: “To be entrusted with valuable shipments that will take a central role in a Hollywood movie is testament to the service Norwegian offers.”
“As we continue expanding our network and widebody capacity with four new 787-9 Dreamliners coming into our fleet this year, forwarders and shippers can depend on Norwegian to deliver freight efficiently with care in mind.”


We offer Pre-Production Services that cover various aspects like research work, content & concept designing and site survey, which is done as per client's requirement. For making a documentary film, commercial film or ad-film, we do thorough research on suitable theme, good script and appropriate location. After concept is developed, a content or script is prepared by script writer in order to give a life to the whole pre-production process. Keeping in mind the budget constraint of our clients, we choose proper location for shoot.
Documentary filmmaking is an effort to 'document' truths and realities in an audio-visual way. It is certainly not a cinch to make a documentary film and needs constant and dedicated efforts. We at CM Productions understand our clients' documentary film making requirements and offer them end to end solutions, so that their intended message gets conveyed appropriately and effectively. From impeccably conducting all the pre-production activities like - researching, detailing etc, to extending Production services like - providing trained manpower, Camera men, Script writers, Light men, Production controllers etc, to performing Post- production activities like- editing, dubbing, mixing etc, we do it all for our distinctive clients, at prices that are quite competitive.
With the vast majority of consumers and businesses now accessing the internet on fast broadband connections, online video has truly come of age. CM Productions can produce a video for the front page of your website or the landing page for an email marketing campaign, or even a video ad to promote your business through directories or video sharing sites such as YouTube, Vimeo etc
CM Productions can make corporate film or video for your company or product. We provide one stop solution to your corporate identity! Complete creative and production services scripting through editing film or video, 2-D or 3-D animation


That was the phrase my father used to say when he called me Yulinka. He would say it every time he heard me singing the main song of the musical. It was more a joyful joke than anything else; it was not funny, but I liked it. It was Anika's, my grandmother's favorite movie, and she used to let me see it with her as a reward if I behaved whenever she and Thore took care of me. I was a child and loved it as much as I loved them back in the day.
I'm a bit down lately; it is hard to focus on college now that I don't see myself as a teacher in the future. Of course, my mood change doesn't mean anything to my professors or the curricula, so I'm starting to get behind, at least for the scholarship standard. I do not want to lose the scholarship; that was the deal I made with my family so they would support my "cinema thing" by giving me money for some books and, more importantly, by not trying to persuade me and fight me in every meal we have together; quality support if you ask me... Anyway, I decided to focus on college for just enough time to keep the needed scores, and I felt miserable.
While studying for the test for tomorrow, my mind started wandering. I cannot memorize more data if I only want to forget it afterward. I decided that enough was enough, I needed a break, something to cheer me up to avoid going mad. I went to my movie collection feeling the need to watch something to reconnect with myself, and oddly, I chose Singing in the Rain. I hadn't seen it since I truly understood what all the tales my family used to tell were about. I was so annoyed that I banned anything that made me remember them. That's why I wonder about the reason that made me choose it tonight.
I turned on the laptop, put my earphones on, and marveled. There was so much I didn't see because I didn't care about it back then. Why would I? In my memory, it was an almost cheesy but fun, cute, and warm musical movie about a talented couple. I vaguely remember it having to do with show business, but what I remember about the film is more the love story than anything else. The young Yulinka had eyes only for whatever her family told her to look at.
I couldn't see that, through the love story, they were telling a different story: the change from the silent movies to the talked ones.
It was so clear after seeing the film now, and I'm pretty sure you all are wondering how I did not catch it when it was so obvious, but please forgive the 12-year-old me; at least now I'm doing it. As soon as the film was over, I started my research and found out that they showed, through the silly romantic plot, the history of the ending of an era and the rise of a new one. All was true: actors were losing their jobs and status because their voices were not what the people wanted. The way things were done had to change not just in the how but in the what: they had to be careful with the equipment, the actors had to take lessons on how to speak, and they had to start hiring writers so the dialogs were better. Many directors and cinemas closed because they refused to jump into what arrived at them. Of course, musicals that exposed all the things cinema could do now became a hit.
The musical, directed by Gene Kelly and Stanley Donen, is heavily loaded with references and inside jokes about the industry, and they even have characters inspired by real-life people who went through this period. The way they presented all of this is so light due to the chosen genre; from what I have seen, musicals tend to have either lighthearted stories in which the leads tend to succeed, or dramatic ones. In both cases, the music intensifies the plot. In this case, we as an audience know from the beginning that the main characters will accomplish whatever they face because they are presented as likable, grounded people next to the other characters. And they do; what could have been a disaster becomes a triumph, both romantic and career-wise: Don Lockwood, the famous actor, saves the film he stars in with Lina Lamont, despite her awful voice. They trick the audience using the pre-recorded voice of Kathy Selden, who becomes the actor's partner because she is clever and nice, unlike Lina, who gets exposed in front of the audience.
This is a lovely story because, as it happens with "The Sound of Music," the tale is told by characters that "win". To reinforce the narrative, they made a villain of the actress whose voice is not pleasant. The actors that went through this weren't necessarily mean, but that would have left a sour sensation afterward since they didn't control that factor. The reality was, as it almost always is, more complex than fiction, in which we chose what to see, which areas we wanted to enlighten, and which ones we chose to keep in the shadows. This is why I only remembered the love story, which was why Anika loved this movie.
In my family's narrative, Thore is a hero, and Anika is the love of his life. I lived for that love when I was a child because even when he is cold to almost everyone, he isn't with her. I liked a lot how they behaved together, and I enjoyed asking a lot about their story. I knew he first saw her in a parade; she danced, and while she told the story, a younger version of me would dance around her, asking; am I dancing like you, granny? When she informed me that they met face to face during a ball, and she didn't like him back then, I would sigh because movies taught me that it was romantic because he found his way to her heart. It all sounded so glamorous, but she kept to herself that she didn't like him because she knew what he did; she knew his hands were covered in the blood of her comrades and others; she kept to herself that and more.
We would sit and watch the movie, and I'd pictured her dancing like Kathy and getting to know Thore, who was, in my innocent mind, a nice guy who made her fall for him. Now, after researching, I think that Thore is more like the actor who portrayed Don Lockwood than he was like the character because he is a fake nice guy. The actual actor was a tyrant; his co-stars talked about how much they suffered during the film's shooting because he was not just a perfectionist but a rude person who made them live in hell. Donald O'Connor ended up hospitalized, and Debbie Reynolds, a young 19 woman, cried a lot and got her foot hurt to the point they bled because he made her re-shoot the dances. All of that is hidden behind the camera, and their story is sweetened to us, the viewers. Even when I know now Thore was a nazi, which is the first complicated truth hidden in my family's narrative, I think I'm not strong enough yet to get to know what's behind the camera.
My father was right all along: if you sing in the Rain, you will get sick.


Prince of Asia wrote:Then the super liberal Bill Maher suggests that China is to blame for the lack of minority (Black) actors in movies. He goes on to say that Hollywood is increasingly looking to sell their movies to the Chinese box office, because that's where the money is. And that all Asians "Really are Racist" because Chinese people don't like to see Black people in the movies. THAT'S WHY Hollywood doesn't cast many Black actors .... Because it's the Chinese who want to see All-White cast movies. Seth nods in agreement and laughs at it.
Prince of Asia wrote:Sometimes, or perhaps many times, Liberals can be the loudest, most ignorant Racists in the Room.
DesertHoops wrote:[Prince of Asia wrote:Sometimes, or perhaps many times, Liberals can be the loudest, most ignorant Racists in the Room.
When it comes to Asians (especially straight Asian men), Liberals typical ARE the loudest most ignorant racists in most rooms.
Ted Cruz for President!
Users browsing this forum: No registered users and 1 guest


You can simply enjoy motion pictures on your television when you possess your new property enjoyment facilities put in. or maybe check out films on the players. This is the way that you can easily enjoy films without needing to stress over leasing all of them.
The costs on these gomovies brand new property entertainment centers vary coming from one retail store to the next. You will certainly desire to perform your research as well as look around just before you acquire, as this is actually a financial investment that will definitely last you an although.
You will certainly likewise desire to find a place that gives complimentary freight, as well as distribution of the films. This way you carry out certainly not need to think about having to leave your property to go get the items.
When you possess your property television room, you will certainly be able to watch your flicks along with your family and friends. You might also intend to videotape flicks, as well as see them eventually. as you enjoy them on your TELEVISION.
It is actually effortless to carry your home with you when you have home entertainment facilities. and enjoy your movies and also music any place you are. There is actually no need for you to stress over taking a trip to a theatre or even property movie theater.
If you have ever considered receiving your personal house entertainment center, you are going to desire to think of what you wish. You are going to manage to see your flicks with the TV set and play your beloved game on your computer.
Possess you been actually pondering how to view motion pictures on the web? It utilized to be you had to rely on leasing costly motion picture homes and also spending for tickets.
You may choose from a wide variety of websites to enjoy your favored movies. Some of these internet sites deliver low-priced or even free of charge leasings of their assortment of flicks and also various other video styles. They have actually also started providing Videos of movies they have launched so you may take benefit of that.
A good possibility is to rent a movie on an on the web movie rental internet site. You may pick out your favored movies as well as motion pictures from a huge range of genres. Check out classics that are on call if you prefer oldies yet goodies. You can easily additionally discover special deals like special free of charge rental durations or promos that enable you to spare loan on your flick rentals.
Yet another excellent alternative is to acquire your favorite motion pictures online at the ease of your very own house. You may utilize the internet to purchase flicks as well as other media documents. This is convenient, particularly if you operate full-time or can not commit to enjoying films every night. The price discounts are actually large because you will not must pay to lease or purchase movies at theater.
There are also free of cost film web sites that supply films that you can rent for a fraction of the expense of purchasing a flick ticket. There are also some websites that allow you to stream video recordings too.
Whether you are seeking to see movies on-line or you prefer the comfort of watching movies in the house, you can find all you prefer on the web. There are actually a great deal of selections for both complimentary as well as paid flick rental websites, consisting of a number of that promotion numerous movie stations to decide on. You may additionally find loads of DVDs and also Blu-Ray flick alternatives.
These are actually fantastic choices if you are actually attempting to enjoy new launches as well as haven’t discovered your favored. There are additionally plenty of great alternatives available if you love old flicks that you can not find anywhere else. in this particular group.
It is actually easy to understand why folks are actually so fascinated due to the world of on the internet video recording and the probability of obtaining accessibility to their favorite films. It makes it quick and easy to discover a motion picture that is actually appropriate for you can easily appreciate it whenever you desire when you view films online.
Lots of folks discover that seeing flicks online is a lot easier than seeing all of them in the theater. They may download motion pictures to their computer systems, melt all of them to disc, or replicate them onto other media gadgets. Some also prefer to rent films coming from an assortment of websites that they take pleasure in.
Many people prefer to lease movies from their neighborhood theatre, but that is actually not always a possibility. It is typically hard to find the moment to view a motion picture in a large movie theater at the movies, specifically if you operate changes or even have various other commitments.
Therefore, lots of people opt for to go online to view their favored films. Consider renting out motion pictures or purchasing them online if you really want to see movies for a lengthy time period of opportunity.
There are actually some terrific alternatives out there for anybody would like to view motion pictures. It is actually effortless to locate all the most up-to-date standards and also movies.
If you are actually searching for the most recent films, seek internet sites that deliver them. At times you can easily even discover trailers and news about upcoming flicks. In some cases you can easily even locate unique coupons for upcoming flicks.
It is actually truly exciting to enjoy movies on the web and also it is one of the fastest methods to discover brand-new motion pictures and standards. Despite which genre you like, you will have the ability to discover a variety of brand-new launches as well as well-liked films online.
Whether you wish to lease movies for yourself or intend to download and install and also watch them by yourself property amusement unit, you can do therefore easily on the web. Whether you like to watch motion pictures on a silver screen TV in the house or even on a laptop pc, you can easily discover the motion pictures you desire.


I thought it would take a bit of effort and fortitude to sit through two and a half hours of silent 1922 cinema, but actually it turned out to be an enjoyable experience. The film in question was Erich von Stroheim’s Foolish Wives, and I was watching it on the anniversary of its release on January 11th, in support of my journey through Kevin Jackson’s Constellation of Genius (Hutchinson) – a book that charts in chronological order, the year that Jackson describes as ‘year one of the modernist movement’.
If two and a half hours seems excessive, then it could have been a whole lot worse. The original version ran for over six hours before it was pared down to a more manageable size. And in this new era of epic cinema von Stroheim very much seemed to be the Steven Spielberg or the Quentin Tarantino of his day, insisting on creating mammoth films both in terms of length and budget, and much to the angst of the producers. In his next project The-Merry-Go-Round (1923), he was replaced when costs threatened to run out of hand, and his next production after that, an adaptation Frank Norris’s novel McTeague, became a behemoth of nine hours in length before it was wrestled out of his hands and cut down to a more digestible size.
So von Stroheim was a bit of a character alright, and he certainly plays a bit of a character in Foolish Wives, in the role of Count Sergius Karamzin. He’s not a real count though, rather he’s a despicable trickster who lures rich and influential women with his charm (boo!!!), in order to fund a lavish and ‘circulating in high society’ lifestyle in Monte Carlo, with his two cousins, who pose as fake princesses. It’s a part that seems to fit the vain and egotistical von Stroheim perfectly. In Constellation of Genius Jackson refers to von Stroheim as being ‘intensely narcissistic’ in his role as the count, and he’s not wrong. Present in every scene, von Stroheim seems to be as much the strutting peacock outside of his character, as he is heinous inside it. He fills the part well though, and I can imagine cinema audiences booing at the screen with tireless enthusiasm, if they did such a thing in 1922.
The plot itself is engaging, if not a little linear and predictable. Keen to reinforce their standing in the Monte Carlo scene, the fake count, with help and encouragement from and his cousins, decides to lure the wife of dignitary (Mrs. Hughes) into falling for him. He succeeds, and the rest of the film tracks this man’s dastardly deeds as he not only tries to seduce the poor woman, but trick her out of money too. But it doesn’t end there. The crooked count has promised himself to another too – his maid of all people – and significantly it’s this relationship, and something even more heinous, that contributes towards his downfall.
As far as to how ‘modernist’ this film is I’m not sure. I don’t know enough about modernist cinema to know if Foolish Wives is pushing too far into the new boundaries of what would be described as modernist. The film is certainly lavish enough, with von Stroheim putting in every effort to push the cost of production as high as possible. However, I think the expenditure – the first real million dollar picture the film poster proudly tells us – was worth it, as we are treated to some quite spectacular wide lingering shots of Monte Carlo streets and casino interiors, which were all apparently constructed in replica form, as Jackson tells us, in California.
The cinematics are quite special too, in parts. The action when it happens – such as when the Count and Mrs Hughes are stuck out in a ferocious storm, and when a fire threatens to engulf a villa – is fast moving and exciting, and there are some clever lighting effects at play at other points in the film that seem quite revolutionary and different.
Modernist or not, it’s clear to tell from watching Foolish Wives that it would have had quite an effect on cinema audiences at the start of 1922, and with it being the first million dollar cinema production, and the first major cinema release of the year, then it was certainly nourishing the seeds of modernism that were beginning to germinate in this landmark year, if nothing else.
Overall, do I think this film is a success? Absolutely. On the face of it silent cinema doesn’t have a lot to offer a modern film buff who’s used to wall-to-wall action and pumping special effects, and yet I felt as every bit engaged with Foolish Wives as I have with any sfx loaded modern day epic that I’ve seen. And this is down solely to story, and with silent cinema, story is about all there is to offer. And while Foolish Wives is perhaps as formulaic story-wise as it’s possible to get i.e. despicable character begins to profit from his evil ways before getting his comeuppance, the overplayed acting of von Stroheim, the extravagant sets, the subtle humour, and some genuinely tender moments i.e. when Mrs. Hughes realises she’s been unkind to a war veteran after he refused to act the gentleman and pick up items she dropped, all combine to create a film that’s worth the effort in watching. So block out an afternoon, and go and treat yourself.


The Flood Episode List
From The Gaming Grunts WikiJump to navigationJump to search
- Episode 01: Train The posse meet on a train to California and are ambushed by Indians!
- Episode 02: Tunnel The posse seem strangely hesitant to explore the tunnel that derailed their train.
- Episode 03: Doctor Hellstromme The posse meet the famous Doctor Hellstromme and fight off some unwelcome intruders.
- Episode 04: Good Intentions The posse head for Lost Angels aboard the Good Intentions, but somebody doesn't want them to get there....
- Episode 05: Lost Angels The posse finish up their fight on the Good Intentions, then infiltrate Lost Angels to search for someone.
- Episode 06: Guardian Angels The posse fight off some Guardian Angels and witness the climax of the Battle of Lost Angels.
- Episode 07: Recuperation The posse spend time recuperating from wounds suffered and one of them makes a lot of money in an old profession.
- Episode 08: Fire The posse make their way to Shan Fan, but get a bit sidetracked.
- Episode 09: Brother The posse get involved in a deadly family dispute.
- Episode 10: Shan Fan The posse arrive in Shan Fan, and are tasked with rescuing an important person.
- Episode 11: Amulet The posse complete their rescue and must now find a powerful artifact.
- Episode 12: Rings The posse are initiated into the Explorer's Society.
- Episode 13: Bargain The posse strike a bargain with a Shan Fan triad leader in exchange for an item the Explorer's Society needs.
- Episode 14: Hunting the Abysmal The posse search for the pirate ship Abysmal.
- Episode 15: Recruiting The posse recruit some allies in their assault on the Abysmal.
- Episode 16: Sink the Abysmal! Part 1 The posse assault the Abysmal. Battlemat photos
- Episode 17: Sink the Abysmal! Part 2 The posse continue their assault on the Abysmal.
- Episode 18: Shan Fan Kumite The posse must send one of their own into the Shan Fan Kumite.
- Episode 19: Alright for Fighting The posse deal with an interruption in the kumite.
- Episode 20: Interrogation and Preparation The posse interrogate the kumite gate crashers and prepare for the next task from their temporary boss.
- Episode 21: Sniper and Voyage The posse chase after a sniper, then travel down to Dragon's Breath to infiltrate a warlord's palace.
- Episode 22: Dragon's Breath The posse arrive at Dragon's Breath and seek for ways to infiltrate Warlord Kang's palace.
- Episode 23: Beauty and the Beignets The posse infiltrate the palace through various methods and learn about Warlord Kang's plans.
- Episode 24: Run Away The posse make a break from Kang's palace back to their ironclad and run into several roadblocks.


Marvel Studios has announced that Hugh Dancy will play Doctor Octopus in the upcoming Disney+ show Spider-Man: Freshman Year. Dancy takes over the role from Alfred Molina, who played Doc Ock in Spider-Man 2 and Spider-Man: No Way Home.
Spider-Man: Freshman Year is an animated series that will follow Peter Parker’s first year as Spider-Man. The show is set in the Marvel Cinematic Universe, but it is not clear if it will be considered canon.
Dancy is a British actor who is best known for his roles in the TV shows Hannibal and The Path. He has also appeared in films such as Black Hawk Down, Martha Marcy May Marlene, and The Adam Project.
Dancy’s casting as Doc Ock is a surprise to many fans, as Molina was widely praised for his performance in No Way Home. However, Dancy is a talented actor with a wide range, and he is sure to bring his own unique take to the role.
It is unclear how Doc Ock will be portrayed in Spider-Man: Freshman Year. It is possible that the show will show a younger version of the character, or it is possible that it will show a different version of the character from the one that appeared in the films.
It is also unclear what role Doc Ock will play in the show. It is possible that he will be the main villain, or it is possible that he will be a mentor to Peter Parker.
Fans will have to wait until the show premieres to find out more about Dancy’s portrayal of Doc Ock. However, his casting is sure to generate a lot of excitement and anticipation for the show.
Dancy’s casting as Doc Ock is a bold choice by Marvel Studios. Molina’s performance in No Way Home was one of the highlights of the film, and it will be difficult for Dancy to live up to that.
However, Dancy is a talented actor, and he is sure to bring his own unique take to the role. It will be interesting to see how he portrays Doc Ock in a different medium and at a different stage in his life.
The show’s creative team has also said that they are excited to explore new aspects of Doc Ock’s character in the series. This suggests that they may have something special in store for fans.
Overall, Dancy’s casting as Doc Ock is a risky move by Marvel Studios, but it is also a potentially rewarding one. It will be interesting to see how he portrays the character in Spider-Man: Freshman Year.


auburn-haired actress Aneta Louise Corsaut was born in Hutchinson, Kansas on
November 3, 1933. She majored in drama at Northwestern University and studied
acting with Lee
considered by some to be the father of method acting in America. Aneta dropped
out in her junior year to pursue a career in acting.
Aneta guest-starred in two TV shows during 1955: live program Producers' Showcase (1954) and the Robert Montgomery-hosted drama Robert Montgomery Presents (1950). She didn't make her feature film debut until 1958, when she starred in the cult science fiction favorite The Blob (1958) opposite Steve McQueen.
Aneta's best-known role came about in 1963, when she first appeared on The Andy Griffith Show (1960) as independent and self-sufficient schoolteacher Helen Crump. Aneta stayed on the show until its end in 1968, and reprised her role in the spin-off series Mayberry R.F.D. (1968), the made-for-TV movie Return to Mayberry (1986), and the reunion special Andy Griffith Show Reunion (1993).
Besides her role as the heroine in 'The Blob', Anita Corsaut regrettably didn't appear in many feature films. She had a role in video nasty The Toolbox Murders (1978), as well as uncredited appearances in Good Neighbor Sam (1964), A Rage to Live (1965), and Blazing Saddles (1974). She did, however, appear in many TV shows, including The Blue Knight (1975), Adam-12 (1968), House Calls (1979), Matlock (1986) (starring none other than Andy Griffith!), and General Hospital (1963), as well as guest appearances on a dozen others.
Ms. Corsaut battled cancer in her later years, and sadly died of the disease on November 6, 1995 at the age of 62. She will be remembered as Helen Crump.
Tribute to Aneta Corsaut
Wife on the Andy Griffith Show


It’s Movie Time!
One of the most remarkable films of last year was the American biographical drama “Hidden Figures” about three African American female mathematicians who served a vital role at NASA during the early years of the space program.
After seeing the movie, one of our amazingly special donors rented out the Cinema Detroit movie theater to provide a private viewing of the film for our kids during Black History Month. Thirty three of our kids and families met at The Children’s Center, enjoyed some delicious Shepherd’s Pie dinner courtesy of Ackroyd’s Scottish Bakery, then walked to the theater where they were treated to this Academy Award nominated movie along with complimentary popcorn.
“One of the things that concerns me is that we have schools that are segregated not just by race, but by income and by opportunity and we are leaving so much talent on the table,” said our anonymous donor. “I want kids to know about these remarkable women so they will know it’s possible to do whatever you aspire to do, even when the playing field isn’t fair or equal, so that maybe we won’t be leaving any talent on the table.”


La baignoire d'Archimède | Librairie - Lieu d'exposition
One night fifteen-year-old Lina, her mother and young brother are hauled from their home by Soviet guards, thrown into cattle cars and sent away. They are being deported to Siberia.
An unimaginable and harrowing journey has begun. Lina doesn't know if she'll ever see her father or her friends again. But she refuses to give up hope.
Lina hopes for her family.
For her country.
For her future.
For love - first love, with the boy she barely knows but knows she does not want to lose . . .
Will hope keep Lina alive?
Ajouter à une liste
Nombre de pages


Sometimes the greatest mysteries lurk in our own past - the mysteries of our family or predecessors.
Man was kidnapped on the street and locked in the cell for 15 years. When released he tries to find out why whas he imprisoned.
Influential lawyer pops down to police station to answer few routine questions, but suddenly from witness he changes into prime suspect in the murder case.
Sergeant Howie travels to secluded Scottish island to investigate the case of young girl disappearance and finds the locals claim that she never existed.
Jonathan Creek works for TV illusionist, but he uses his knowledge also to solve the mysterious cases such as murders or disappearances.
When a body disappears from the morgue police begins one odd investigation with the only witness in coma and a husband who is hiding something.
Police detective feels guilty about the disappearance of his younger brother when he was a kid. Now the prime suspect in that case gets out of prison and strange events took place in the area.
Pulp fiction author is tangled into web of lies when he is offered a job as ghost writer.
In the rainy night teenage girl covered in blood turns up on the police station saying that her sister has just been killed.
On New Year’s Eve influential lawyer, suspect in child murder case, is asked to come down to station for some routine enquires, but nothing will be routine that night.
Pregnant police woman begins the investigation into murder of young girl found in the boat in the middle of a lake. Meanwhile her boyfriend, also a police officer, disappears while on duty.
Most famous Polish murder case of 1930 - young girl is brutally murdered and her stepmother is the prime suspect.
Man recovers from coma to find that he has been talking under anesthesia, but the words he was saying make no sense, except that he might be in trouble.
New ghostwriter hired to write former Prime Minister memoirs discovers not everything is what it seems.
Famous hoax exposer is asked to solve the mystery surrounding a boarding school, where ghost of a child was seen.
Cold Rock is a small town, where the legend of Tall Man that kidnappes the children is still alive.
Barbara is shocked when her husband is arrested for murder from his past. She tries to find the truth.
In 16th century Spain local sheriff takes up case of brutal murders of noblemen and soon realizes noone is interested in discovering the truth.
Radio show host becomes involved in a story of one of his listeners - young traumatized boy. But not everything is what it seems.
Laura returns to a place, where she spent her childhood - an old orphanage near the ocean. During a kids party her adopted son suddenly disappears after telling her about the imaginary friend.
Living with husband and 2 children in Paris Jeanne begins to notice the changes in her house - from misplaced items to whole rooms different from what they should look like, but at some points she stops to recognize her own face.
When policeman’s wife goes missing in the rural area of France he is determined to find her.
Young woman involved in shooting other man is sent to prison, but her family is convinced that she is innocent.
Captain Didier Mege returns to his hometown Rouen and takes over the investigation - body of a man was found next to Rouen Catherdral with strange piece of stained glass next to him.


Download All Kuch Kuch Hota Hai 1998 Movie Mp3 Songs in 128 Kbps & 320 Kbps. Download All in One - Zip Link. Zip File 320 kbps songs Kuch Kuch Hota Hai 1998 Movie Mp3 Songs ZIP Download 38.23 MB Zip File 128 kbps songs. Anjali is left heartbroken when her best friend and secret crush, Rahul, falls in love with Tina. Years later, Tina’s young daughter tries to fulfil her mother’s last wish of uniting Rahul and Anjali.
16/05/2014 · 'Saajanji Ghar Aaye' from Kuch Kuch Hota Hai also known as KKHH is one of the very famous songs played at wedding functions till date. In this song Salman Kh. Kuch Kuch Lyrics. Darte darte, chupke chupke Paas aa ke kehta hun tumse Tum sunti ho meri baatein Razi ho sunne ko aahein Aur jab haath tera Mere haath mein hota hai, haye! 20/08/2019 · The 1998 Shah Rukh Khan, Kajol and Rani Mukerji starrer Kuch Kuch Hota Hai has many die hard fans. But, now that the cinema has evolved and so has the taste of the audience, many people find the iconic film problematic. And, Karan Johar recently revealed that these people aren't the only ones who found problems with Kuch Kuch Hota Hai. 14/09/2019 · View to banta hai. __count__/__total__ YouTube TV - More live TV to love. 16/10/2019 · Kuch Kuch Hota Hai has now completed 21 years after release. Yes, while it does make us feel really old now, we also realise that the film still holds a very special place in all our hearts even after this long. And there are many reasons why the film is so special for us. In fact, it is impossible.
Kuch Kuch Hota Hai Hindi: कुछ कुछ होता है, in lingua italiana: Succede qualcosa è un film indiano del 1998 scritto e diretto dal debuttante Karan Johar. Il film vede protagonisti la coppia Shahrukh Khan e Kajol nel loro quarto film insieme. Kuch Kuch Hota Hai – Und ganz plötzlich ist es Liebe Originaltitel: Kuch Kuch Hota Hai,. Als die Tochter des Dekans, Tina, auf ihr College kommt, wird aus dem Duo ein Trio – wenigstens sieht Anjali es so. Rahul allerdings verliebt sich in Tina. Als Anjali bemerkt,. Die so ersehnte Veröffentlichung von Kuch Kuch Hota Hai - Und ganz plötzlich ist es Liebe war am 1998-10-16, Sie können Service wie Netflix, Pay-per-View, eMule und Torrent, dieser großartige Film hat eine Gesamtspielzeit von 177 Minuten, Nutzer, die Van Helsing gesehen haben, bewerten ihn mit 5,8. Tags: Regarder film complet Kuch Kuch Hota Hai en streaming vf et fullstream vk, Kuch Kuch Hota Hai VK streaming, Kuch Kuch Hota Hai film gratuit, trés bonne qualité video, qualité 720p et 1080p, voir tout les filmze sur toutes les platefromes en HD et FullHD.
Kuch Kuch Hota Hai is the saddest, happiest, stupidest, smartest, corniest, most sophisticated movie I have ever seen. It's dull, no wait, it's brilliant! The story lives moment to moment with jumps in time and reflects the best in human spirit. Kuch kuch hota hai Letra: Tum paas aaye, yun muskuraaye - 2, Te has acercado a mí, has sonreído tan dulcemente. Tumne na jaane kya sapne dikhaaye, No te haces una idea de los sueños que me has dado. Tum paas aaye, yun muskuraaye, Te has acercado a. 16/10/2017 · Today we’re rewinding Kuch Kuch Hota Hai, because few things feel as good as a solid kick to the childhood. Kuch Kuch Hota Hai is a beautiful story about the triumph of conformity over all else. It is a heart-touching cinematic experience which strengthens ancient beliefs — don’t be yourself, especially if you’re a woman. Kuch Kuch Hota Hai, is the story of Rahul and Anjali. Being so close to each other, Rahul and Anjali would probably have fallen in love, however they were too busy enjoying themselves being best buddies! And then Tina Ranee Mukherjee the Principal's daughter came into their lives.
26/06/2014 · KUCH KUCH HOTA HAI -- Hindi Movie full -- Shahrukh Khan, Kajol, Rani Mukherjee. Directed by Karan Johar. With Shah Rukh Khan, Kajol, Rani Mukerji, Sana Saeed. During their college years, Anjali was in love with her best-friend Rahul, but he had eyes only for Tina. Years later, Rahul and the now-deceased Tina's eight-year-old daughter attempts to reunite her father and Anjali. Bienvenido, estas viendo Kuch Kuch Hota Hai [Una película Completa] online. GNULA siempre esta al día con los mejores estrenos a nivel mundial. pasala bien viendo Kuch Kuch Hota Hai online. Kuch Kuch Hota Hai is Karan Johar's first foray into understanding relationships in the Indian family context. This is a film from an era before he got into big cinema and expatriate Indians. The ensemble cast consisted of highly popular or young and upcoming stars like Shahrukh Khan, Kajol, Salman Khan and Rani Mukherjee.
Kuch Kuch Hota Hai Release Year - 19981. Pyar dosti hai. agar woh meri sab se achchi dost nahin ban sakti, to main usse kabhi pyar kar hi nahi sakta. kyun ki dosti bina toh pyar hota hi nahin. simple, pyar dosti hai. 16/12/2019 · The protagonists in this love triangle cannot explain their feelings but only know that “something Happens” kuch kuch hota hai when their beloved looks at them and smiles. Simple lyrics for a complicated emotion that is complimented with the lilting melody by Jatin-Lalit. Kuch Kuch Hota Hai also known as KKHH, is a 1998 Indian Hindi-language romantic drama film, released in India and the United Kingdom on 16 October 1998. It w. Regarder Kuch Kuch Hota Hai en streaming gratuitement sur Regarder Version Francaise en HD. Rahul, Anjali et Tina terminent leurs études à l'université. Anjali, la meilleure amie de Rahul, se rend compte qu'elle est amoureuse de lui quand il. Kuch Kuch Hota Hai Af Somali Dubbed by: Fanproj Productions & Ent. Kuch Kuch Hota Hai Af Somali Dubbed by: Fanproj. ahaaa qof aan comment dhiiban oo ku kalsoon fanproj wxn u bahanhy siden udawada filmkan searchinta ayan ku qoray imana so baxayo. Reply.October 28, 2019 at 1:08 pm. Fanproj to. Tyu. Reply. Hoda November 11, 2019 at.
Kuch Kuch Hota Hai - Und ganz plötzlich ist es Liebe: in HD ohne Registrierung auf stream.to 100% Kostenlos Sofort Auf iPhone, iPad, Android uvm! in Deutsch und Englisch. Kuch Kuch Hota Hai. 3,270,815 likes · 4,105 talking about this. 15 years since Rahul & Anjali started fighting with each other. 15 years since they fell. Kuch kuch hota hai Lyrics: Tum paas aaye, yoon muskuraaye / Tum paas aaye, yoon muskuraaye / Tumne na jane kya, sapne dikaaye / Tum paas aaye, yoon muskuraaye / Tumne na jane kya sapne dikaaye / Abh to mera.
Kuch Kuch Hota Hai Full Movie Brinda Meetoo; 19 videos; 104,386 views; Last updated on Jun 22, 2014; Play all Share. Loading. Save. Sign in to YouTube. Sign in. Kuch Kuch Hota Hai HQ Part 1 W/ ENG SUBS by evilla06. 9:50. kuch kuch hota hai part 2 W/ ENG SUBS by evilla06. 10:04. kuch kuch hota hai part 3 W/ ENG SUBS by evilla06. Everything. From their story to their music, from their dialogues to their climax, from acting to directing, from dance to romance. Try to understand that these movies taught Indians how to love, care, respect and live life. People could easily as. Ladki badi anjaani hai: This girl is so strange: Sapna hai, sach hai, kahani hai: Is she a dream, a reality or a story: Dekho ye pagli: This crazy girl: Bilkul na badli:. Kuch kuch hota hai: Something is happening: 10: Watch Video. More From Kuch Kuch Hota Hai. Koi Mil Gaya. Kuch Kuch Hota Hai. Kuch Kuch Hota Hai Sad Raghupati Raghav.
Directed by Devang Dholakia. With Ram Kapoor, Sunny Leone, Evelyn Sharma, Navdeep Chhabra. A middle-aged Gujrati businessman puts on a charade after a famous film actress asks to move in with him, in preparation for a movie role.
Yoga Di Base Per Principianti A Casa
Ansia E Il Tuo Corpo
Calzini A Compressione Ortopedica
Numeri Della Lotteria Per Sabato Notte Per Favore
Dd National Live Hindi
Biglietti Di Viaggio Aereo
Idiomi E Frasi D'amore
Definizione Di Anemia Normocitica
Sistema Di Scarico John Cooper Works
Giacca In Pile Tattico
Zuppa Di Ceci Vegana
Primavera 4 E Letargo 4
Elenco Di Attività Di Proprietà Di Black
Dizionario Alice Significato Dizionario Urbano
Sottobicchieri In Metallo Star Wars
Costellazione Del Segno Dell'acquario
Target Orecchini Rosa
Act Practice Khan Academy
League Of Legends Scarica Nordic
Idee Per La Cena Di Pollo In Autunno
Wrath Of The Titans 2014
Cappello Da Papà Verde Menta
179 Kw A Hp
99 Grammi Di Tacchette
Bicchiere Da Vino Magic Chef 6 Bottiglie
2017 Ford Fusion Hybrid Se Caratteristiche
Migliore Azienda Di Sviluppo Joomla
Billywig Bowtruckle Bundimun
Virgilio Moet Rose
Tosse E Congestione Del Bambino Di Zarbee
Stivali Chunky Chelsea Asos
Definizione Dell'ecosistema Del Produttore
Voglio Solo Stare Con Te Accordi
Bistecca Di Sugo Al Pepe Ciao Fresca
Diversi Tipi Di Panini Caldi
Marvel Future Fight Hack
G403 Mass Effect
Estee Lauder Double Wear 6.7 Oz
Medicina Per Il Trattamento Del Tifo
Chrysler Pt Cruiser Limited


Sexy Halloween Snow White Costumes
Sexy Disney Snow White Costumes, Halloween Character Costume
Snow White is all grown up now, but Sexy Snow White still keeps in touch with her dwarf friends Doc, Grumpy, Bashful, Sleepy, Happy, Sneezy and Dopey! You can become your own Diva with any of these stylish Snow White costumes and add a sexy twist to the popular German fairy tale. Browse through our selection of Snow White costumes and become the spitting image of this fairy tale character as well as the hit of the Halloween party with your Snow White Halloween costume. Be sure you bring a few apples to get the realism going and let your Snow White have fun trying to get others to take a bite of your poison apple!
|Halloween Snow White Costumes|
Cute Snow White costume includes dress with front lacing, embroidered apple and detachable cape.
58% off - $ 18.95
When the Evil Queen becomes jealous she orders the huntsman to take Miss Sexy Snow White into the woods to be killed. She also requires certain body parts to prove she’s been killed. However the huntsman tries to kill her but, rather, falls in love with her and then tells her to flee and hide from that wicked evil Queen! Then he delivers to the Evil Queen the liver and lungs from a boar the chef was getting ready to cook.
While in the forest, she discovers a small cottage that belonged to seven dwarfs, where she decided to rest. The dwarfs felt bad for her and said, "If you’ll cook, knit, wash our clothes, sew and make the beds, then you can stay here with us and you shall have everything that you want!" They warn her to take care, to let nobody in when they are away working in the mountains. The Queen asks her mirror "Who’s the fairest in the land?" and is mystified that Snow White appears and is alive and well and residing with the seven dwarfs and Sexy Snow White is still the fairest in the land! The Queen disguises herself three times in an attempt to kill her. First as an old peddler, the Queen offers colorful corset laces and makes them so tight that Snow White passes out and the Queen again leaves her for dead. Again, she is revived when the dwarfs loosen the laces. The Queen then becomes an old woman and brushes Snow White's hair with a poison brush. Snow White faints but again the dwarfs save her. Finally, the Queen gets the poison apple and, disguised as a farmer's wife, offers Snow White the poison apple. The Queen cut the apple in half and ate the white part and gave the poisoned, red part to Snow White. Poor Snow White took a bite and fell into a deep, deep sleep. The dwarfs couldn't bring her back this time and figured the evil Queen finally won and now she’s dead, so the dwarfs placed her in a glass coffin.
This fairy tale can end however your Snow White wants when you become this wonderful character while wearing any of these Sexy Snow White costumes for Halloween or any other occasion. You can even reveal a few different body parts which will surely enhance the story and the evening! Or you can be that sultry Queen and play the part of a commanding evil woman. Any of Diva's sexy halloween costumes would be entertaining and fun!


Veteran Nollywood star, Shan George locked lips with popular actor, Kevin Ikeduba in a steamy kiss on the set of an upcoming movie, ‘Gboko Boy’.
The suggestive photo has gone viral on social media with film enthusiasts suggesting the duo might have gotten romantic outside the demands of the movie script.
Shan George, 47 has been off the television screen for a long while. She once tested her luck in the music industry, but that didn’t go down well.
Shan’s love life has been trailed by controversies from inception as the light-skinned actress from Cross River had her first marriage at the tender age of 16.


Updated: Aug 22, 2022
A quick google search reveals that there has been much backlash in the wake of Netflix’s release of the documentary Savile: A British Horror Story. Why, then, are newspapers such as The Guardian and The Telegraph giving it respectable reviews?
Many have argued that the documentary unveils the true horror of Jimmy Savile’s crimes, without sensationalism. Even if this were true, it does not excuse the fact that Savile is at the heart of this documentary, not the people he assaulted. What the piece fails to do is paint the victims as more than mere victims. I’m tired of seeing those who have been affected mentioned only in order to create a clearer picture of the rapist. Such directing dehumanises those who have suffered. It’s documentaries like these which are perpetuating a culture in which victims are not seen, heard, or respected.
Netflix doesn’t always get it wrong. The 2019 series, Unbelievable, was based on the true story of Marie Adler, whose accusations of rape went unheeded by everyone but two female detectives, who teamed up to track down the serial rapist. Unlike the Savile documentary, the drama closely follows the victim of the crime. As a result, it is the rapist, and not Marie, who is dehumanised. Too often, rape is portrayed as a singular event. It is only in shows like Unbelievable that the lasting effects of sexual assault can be seen. The trauma of rape, for many people, will reverberate in every part of their life; it is not an isolated experience. Unbelievable didn’t shy away from the realities of living with trauma, especially when the victims are forced to work with a justice system tainted by institutional misogyny. If explorations of rape can be done, and done well, by Netflix, why are they still producing documentaries like the one about Savile?
What is also concerning is the nature of some of the criticism the show has incurred. Many viewers have voiced frustration over the past being dragged up and picked apart. Netflix users have made claims such as: “This shouldn't have been made ever. We all read the news, don't revisit this. Pay respect to the victims. Nobody needs to know the worst extent of his abuse." Though I have no doubt that these remarks are well-meaning, the implication is that we should not talk about sexual abuse. That to do so is disrespectful to those who have suffered. This is the kind of thinking that has silenced victims for decades. We do need prominent media platforms to discuss sexual abuse. We just need them to do it thoughtfully and sensitively.
What is perhaps most frustrating is how hugely popular the documentary has been so far. It is no wonder that companies like Netflix are willing to fund programmes such as these; the result is almost guaranteed to be a success. How can we, as individuals, tackle an industry that remains so willfully ignorant of the needs of victims? The only action we can take is refusing to watch the show. It’s a step that may seem insignificant but, if enough people did the same, we could alter the perspective of series like these. We are the consumer, and the power is in our hands.
- Emily Handel


Full Streaming Big Eyes in High Quality Video. Watch Full Movie Big Eyes in HD Quality. Download Full Big Eyes in High Quality. Watch Streaming Big Eyes in Best Quality. Online Streaming Big Eyes in HD Format.
Becomes clear a full description of Big Eyes below:
- Original Title : Big Eyes
- Movie title in your country : Big Eyes
- Year of movie : 2014
- Genres of movie : Drama,
- Status of movie : Released
- Release date of movie : 2014-12-25
- Companies of movie : The Weinstein Company, Silverwood Films, Electric City Entertainment, Tim Burton Productions,
- Countries of movie : Canada, United States of America,
- Language of movie : Italiano, English, Français,
- Durationof movie : 105 Min
- Average vote of movie : 6.6
- Youtube ID of movie : 2xD9uTlh5hI
- Translation of movie : SV,EN,PT,ES,RU,FR,IT,DE,HU,EL,ZH,HE,KO,RO,CS,PL,NL,DA,
- Cast of movie :Danny Huston (Dick Nolan), Amy Adams (Margaret Keane), Christoph Waltz (Walter Keane), Jon Polito (Enrico Banducci), Jason Schwartzman (Ruben), Emily Fonda (Sexy Girl), Krysten Ritter (DeeAnn), Terence Stamp (John Canaday), Farryn VanHumbeck (Lily)
Big Eyes is the most well liked movie excreted by The Weinstein Company, Silverwood Films, Electric City Entertainment, Tim Burton Productions, that comes with a description of the movie is "A drama centered on the awakening of the painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.". The film was produced with excellent graphic quality, best sound quality and finest starring actors.
You're almost only watching : Big Eyes from The Weinstein Company, Silverwood Films, Electric City Entertainment, Tim Burton Productions, in Top Video Format as well as that is supposed to be released in your Country. Have your favorites instantly movie, in push of a button! Using an unrestricted dollar amount of bandwidth and content to stream, watch what you want, whenever you want!
Executive Producer : Katterli Frauenfelder, Director of Photography : Bruno Delbonnel, Producer : Scott Alexander, Producer : Lynette Howell, Writer : Scott Alexander, Editor : Chris Lebenzon, Producer : Tim Burton, Producer : Larry Karaszewski, Director : Tim Burton, Writer : Larry Karaszewski, Executive Producer : Jamie Patricof, Executive Producer : Bob Weinstein, Executive Producer : Harvey Weinstein, Executive Producer : Derek Frey
Sure, now you can watch movie associated with Big Eyes entirely length and obtain the connect to this movie Big Eyes in High Definition Format.
Tags: artist, court case, drama, husband and wife,


GSS Timeout Movie Night: Spider-Man: Far From Home (2019)
🎉Join the GSS Movie Night on June 25th @ 5:30 PM! I know you are all dying for a great summer getaway, take out all the superhero stuff, Spider-Man: Far From Home is basically a movie about Tom Holland and Zendaya on summer vacation in Europe. They take in the sights of Venice, spend time in the Czech Republic, and even make a stop in London. It’s a delight!
Movie night is a great way to spend time with your friends. Even though we’re still practicing social distancing, there’s no reason to put our movie night on hold. You and your friends can all watch the same movie in your own homes with popcorn and drinks, laugh as loud as you want, while chatting in the chat box.


In filmmaking, there is the concept of the three act structure. This is a framework originally designated for Hollywood films and later adopted by documentary filmmakers.
It has proven to be a powerful way to draw an audience into a story.
It occurred to me, that with all the short videos I create, I strive to take the viewers through their own journey.
Turning the three act structure on its head, instead of looking at the journey of the subject, you craft the journey of the audience.
What does this look like?
One example of the Hollywood three-act structure is the Hero’s Journey. These are stories based on the struggle of a hero.
The Hero’s Journey:
The hero is faced with a problem she has to solve.
The hero sets out to solve the problem but faces many obstacles and struggles.
The hero is transformed and managed to solve the problem.
This is a popular approach to both fiction and documentaries. In creating short videos for organizations, most often you do not have the opportunity to follow one subject’s journey over time.
The Audience Journey
Grab the audience with a hook, something surprising, concerning, thought provoking
Create a series of moments that lead your audience to a deeper understanding of the issue introduced in act one
The transformation to action; present a compelling reason to take action and give the audience a concrete action they can take
Approaching each short video in this way, the question to ask is "how can I give the audience this journey?"
When you are thinking about creating a video, whether it is for a product launch, campaign, or informational video here are some specific questions to ask yourself to create this journey:
What do you want your audience to do after watching your video?
What does your audience care about?
What are their current beliefs?
Do they believe in certain generally held myths related to your product/solution?
What information or visuals or stories would inspire them?
How can you take them on the journey from what they believe now to the beliefs you want them to share with you?
This basic framework can be used for all sorts of videos, whether your goal is to instruct, inspire, or inform.
To keep your audiences attention, connection is key. This reverse three act structure is a way of thinking that will help you find ways to tell your story. It is a base upon which you can build your video strategy.
In future blog posts I’ll explore some filmic ways of taking this foundation and building compelling, emotionally engaging stories.


Everyone’s talking about Avatar and Alice. Even ComiCon had it’s moments with a potential stampede when rumors about Depp stopping by quickly spread. At least that’s how I describe it, since I had to duck and cover. But, there’s something more interesting in theaters today.
I went to a screening of Bong Joon-ho’s latest film, MOTHER. It is a funny, creepy, exciting murder mystery that also explores the mother-son relationship. And, yet another example of the latest cinematic talent out of Asia.
Hong Kong dominated for years, giving the west stars like Jackie Chan and directors like John Woo to fall in love with. Hollywood has had a long relationship with Asian cinema. The Pang Brothers minimalist horror film, Gin Gwai was remade as The Eye. Andy Lau’s Infernal Affairs 1,2 and 3 were merged to become The Departed. And, Japan’s Takashi Shimizu brought us his own remake of The Grudge.
Korean Cinema, sometimes referred to as Han Cinema, brings something new to the mix. The latest wave of movies out of Korea cannot be held in a narrow category. One thing they do have in common is the unexpected angle used. Stories that have been told since cinema began are updated and given new and broader perspectives. The subject matter ranges wildly from romance-starring septuagenarian lovers, to horror-where the monster is revealed immediately, to history-taking on brotherhood, loyalty and the effect of history on the present during the Korean War in the 1950’s, to mystery-a woman in ancient Korea use forensic science to solve a murder.
Last year, Na Hong-jin premiered his first film, The Chaser. It was picked up by an American studio before it even hit the film festival circuit. I’m curious but wary of how American film will deal with a story with a sympathetic serial killer and corrupt ex-cop/pimp as the hero. But, it’s due out in 2010, and rumored to star DiCaprio. That’s a story that could only come out of Korean Cinema today.
This is inspirational for design, marketing, branding, etc, because it shows how a creative mind can tell the same old story in a new way. The old quote, “There’s nothing new under the sun” is often used to discourage designers and artists. It may be true, but how you look at and how you show the same old, same old can create something new.


Legally Blonde was at the Lyceum Theatre, Sheffield 17th – 21st November 2015.
Our last production was the Broadway and West End smash hit written by Laurence O’Keefe and Neil Benjamin (music and lyrics) with book by Heather Hach. The West End production won seven major awards, including Best Musical 2011 (Oliver Awards). It is based on the novel “Legally Blonde” by Amanda Brown and the 2001 film of the same name.
This high energy, romantic comedy is about Elle Woods, who experiencing boyfriend trouble, decides to follow him to Harvard Law School to win him back. With new found confidence, and good friends, she discovers that being smart can also be sassy!
STOS theatre Company produces the world’s top musicals at Sheffield’s Lyceum Theatre, made for and by the people of South Yorkshire
STOS draws on the very best local talent, employs hugely experienced professional creative teams, and invests up to £100,000 on each show to ensure the production values are without equal. STOS performs exclusively at Sheffield’s 1,100 seat premier theatre venue.


You know how I complained about Marvel making mediocre movies because they know we’ll shell out the money to see them? I have the same beef with DC.
In Batman v Superman: Dawn of Justice (2016) we get the first installment of what DC is hoping will be a cash cow in their extended universe. Witness to the destruction wrought by Superman’s battle with General Zod at the end of 2013’s Man of Steel, Batman vows to bring down the so-called hero who left so many dead and injured in his wake. Meanwhile, Superman, as Clark Kent, wishes to expose Batman as the dangerous vigilante that he is. The two come face to face at a gala honoring Lex Luthor where we’re introduced to a woman after the same information Batman seeks to steal. This, as is later revealed, is Wonder Woman.
There are a number of issues with the movie, as I see it (spoiler alert!). First of all, the idea that Batman would be so self-righteous as to condemn Superman for the innocent casualties of his battle seems awfully hypocritical. Batman is hardly the goody-goody we generally know Superman to be and it’s not as if Superman went around slaughtering innocents for sport. This hypocrisy becomes even more salient during the movie’s climactic battle with Doomsday, wherein Batman lures the creature across Metropolis with no regard whatsoever to the damage it inflicts. Second, the movie employs several dream sequences as a manner of throwing us off course. They tease us with their first costumed meeting in effort to create dramatic tension, but it does little more than act as annoying filler. Third, when the two superheros do meet, Batman all but surrenders once he learns that Superman is after him only because Lex Luthor has captured Martha Kent and is forcing his hand. Cue the superfluous flashback to Batman’s origin story which the writers should assume we all know by now (write up to your audience, please, not down to them). It seems as if Superman failed to do his research beforehand. If he had, he could have just gone, “Hey Batman, they got my moms!” And Batman would have said, “Aw, hell no! We gots to save the mommies.” (In my head, this would have been an improvement.)
For those of us who were concerned that Ben Affleck couldn’t be a convincing Batman, rest assured that he does not mangle the role. He does not, however, add anything special to the Dark Knight and it could have easily been any other actor filling in for Bruce Wayne and his alter ego. Gal Gadot does a fine job of bringing Wonder Woman to the screen, but she was rather underused and the filmmakers seemed more intent on proclaiming to the audience, “Hey, we have Wonder Woman!” than fully incorporating her into the story. In fact, Jesse Eisenberg, as Lex Luthor, is the only compelling actor in a major role in this film. His portrayal of Lex as a slightly off-kilter entrepreneur is different from our usual conception of the character, but Eisenberg sells it and I’m curious to see where they’ll go with him. (“Plot twist: Lex becomes the Joker,” I said to my companion after his final scene.)
I don’t know enough about the comic source material to judge the movie on those grounds, but simply judging it as a movie based on good storytelling, Batman v Superman fails to stand up. I didn’t find it terrible…just lazy. It’s disappointing to think that this is the type of superhero movie we have to look forward to for many years to come.