If 2020 was a bingo card, The Simpsons could already have at least two squares ticked off. Moonshine River America's favorite Midwestern family travels to New York City in search of Bart's long-lost love Mary Spuckler who he wants to reconnect with since she has left Springfield and her hillbilly family there to reinvent herself in the big apple. Lisa and Marge look forward to experiencing all the city has to offer but when they realize their budget won't allow a Broadway Thefamily travels to New York City in … report. Archived. Sort by. Finally, Bart is left with one option: Mary Spuckler, the daughter of hillbilly Cletus Spuckler from "Apocalypse Cow". In one, she is wearing the same black dress and hat with the white ribbon around the hat. 1. rating: 4. In the UK and Ireland, the episode aired on Sky 1 on March 24, 2013, with 1,295,000 viewers, making it the second most watched program that week. Translations: German, Finnish, Danish, Italian, Spanish, French, Portuguese. Superintendent Chalmers is typically held up as a straight man in the bizarre world of The Simpsons. H. Golightly (Holly Golightly was the main character in "Breakfast at Tiffany's"). It's worth noting that "Moon River" is Williams' Signature Song. The Simpsons (TV Series) Moonshine River (2012) Soundtracks. Chraol an chéad eipeasóid, "Moonshine River", den cheathrú sraith is fiche The Simpsons ar an 30 Meán Fómhair 2012.Scríobh Tim Long an eipeasóid seo. die simpsons beste szenen die simpsons lustige szenen deutsch simpsons liebe deinen nachbarn die simpsons dubbed german simpsons simpsons german staffel staffel simpsons 1/4 marge simpson the simpsons New comments cannot be … The brainchild of independent cartoonist Matt Groening, author of Life in Hell, The Simpsons first aired from 1987 to 1989 as a series of animated shorts on The Tracey Ullman Show.Unofficially known as "Season 0," the original 48 ad-bumpers kicked off what is now well established as one of television's all-time classic series (which premiered … "Dark Knight Court" was dedicated to guest star Janet Reno's brother Robert. Mary accepts, but while at the train station, she and Bart take advantage of Cletus's distraction to flee to another departing train. September 30, 2012 - Moonshine River episode: Our friend Blinky appears in an aquarium at the Ayn Rand Daycare Center in the extended opening credits. Watch The Simpsons: Moonshine River from Season 24 at TVGuide.com Join / Sign Up Keep track of your favorite shows and movies, across all your devices. Find the exact moment in a TV show, movie, or music video you want to share. In New York, there is an ad that appears Canyonero car, the car that promoted. During the trip back to Springfield, Cletus comforts a saddened Bart (who cries) by giving him a photo of several of his children, including Mary, while Homer tells him that he learned the lesson on how "complicated" grown-up feelings can be. Mary tells Bart that there will be more Mary Spucklers out there, gives him their first kiss, and leaves on the train, calling out to not disappoint any of his future girlfriends and let them "fix him", as he has "a couple of problems, but is mostly great". "Lisa Goes Gaga" is the twenty-second and final episode of the twenty-third season of the American animated sitcom The Simpsons. Then, the manager announces that the showing, Romeo and Juliet, will not be played tonight, as the actors portraying the Montague and Capulet families – the Baldwin and the Estevez brothers – are at a feud with one another. ... Simpsons has Disney+ page for future predictions. Adverts that are seen from previous objects featured in the show: Although Homer personally hates New York, he is delighted to go to New York in this episode. hide. Easily move forward or backward to get to the perfect spot. Cletus then accepts that he must let his daughter go. Lisa is playing a tuba instead of her saxophone in the opening sequence. Well, The Simpsons is back for season 24. It originally aired on September 30, 2012. Moonshine River Created byMatt Groening Developed byJames L. BrooksMatt GroeningSam Simon Executive ProducersIan Maxtone-GrahamMatt SelmanJohn Frink Co-Executive ProducersKevin CurranJ. 'Moonshine River' doesn't qualify on any count." Seeing Lisa with Milhouse reminds Bart that he was never able to keep a girlfriend and, after four of his exes have rejected him persuades the family to go to New York, where he tracks down his old flame Mary Spuckler. With Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith. The episode earned a 3.8 adults 18–49 rating, on par with the previous season's premiere on September 25, 2011. Summary: Thefamily travels to New York City in search of Bart's long-lost love Mary Spucklerwho he wants to reconnect with since she has left Springfield and her hillbilly family there to reinvent herself in the big apple. The Simpsons - 24x01 - Moonshine River [Discussion Thread] Close. The Simpsons Moonshine River part 003 Cartoon Madeen. Ken Burns as narratorZooey Deschanel as Mary SpucklerSarah Michelle Gellar as Gina VendettiAnne Hathaway as JennyMaurice LaMarche as Charlie Sheen Don Pardo as AnnouncerNatalie Portman as DarcyKevin Michael Richardson as DrummerAl Roker as HimselfSarah Silverman as Nikki McKennaMarcia Wallace as Edna Krabappel. Man, who would have thought that was going to happen back when it first began? However, he praised the couch gag, saying, "Much like the cold openings on The Office, the 'couch gags' that open The Simpsons are now consistently the most enjoyable part of the show. The Simpsons (1989) - S21E07 Comedy - Yarn is the best way to find video clips by quote. During the past couple of seasons, the extended opening scenes by guest animators Banksy and Bill Plympton were more talked-about than any episode itself. Take your favorite fandoms with you and never miss a beat. The episode has ten guest stars, Ken Burns, Zooey Deschanel, Sarah Michelle Gellar, Anne Hathaway, Maurice LaMarche, Don Pardo, Natalie Portman, Kevin Michael Richardson, Al Roker and Sarah Silverman. It guest stars Ken Burns as himself, Zooey Deschanel as Mary Spuckler, Sarah Michelle Gellar as Gina Vendetti, Anne Hathaway as Jenny, Maurice … 'Moonshine River' will air on Fox in the upcoming 24th season, which will also feature Steve Carell and Jennifer Tilly. The Simpsons Episodes, Season 24 Back To Pazsaz Entertainment Network's The Simpsons Page. The episode was written by Tim Long and directed by Bob Anderson. Moonshine River 1 Cultural references 2 Trivia 3 Continuity 4 Goofs The episode has many references to the 1961 romantic comedy film Breakfast at Tiffany's: The title is a reference to the song "Moon River," which is from the film. D'fhéach 8.08 milliún duine ar an eipeasóid. With eleven guest stars, "Moonshine River" and ". In this episode written by Tim Long, Bart discovers that Cletus the Slack-Jawed Yokel's daughter, Mary, is the only girl who ever liked him, and the Simpsons head to New York (again) so Bart can be with her after finding out that Mary has been hired as a Saturday Night Live writer. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks. Plota Táirgeadh Tagairtí ... Simpsons has Disney+ page for future predictions. Eventually arriving at a Shakespeare in the Park performance, they first experience complications when the line is extremely long. The Simpsons Facebook The Simpsons Twitter The Simpsons Season 24 Episode 1: "Moonshine River" Quotes Just once I'd like your father to be on a Jumbotron for something good. This is the second episode in which the Simpsons go to New York City, the first episode being "The City of New York vs. Homer Simpson". However, Homer changes his mind and is able to find a way to get the family to New York: by swapping houses with a family from there (although the family is intentionally routed to the Flanders house). Posted by. Enraged at this, Lisa enlists the audience members to take over the roles and they perform the play. Bart: Well, if you two ever get serious and have a baby, it will look something like this! And does the episode offer a smart take on some current cultural or political fad? The title is a parody of the 1961 Academy Award-winning song, "Moon River". Episode 1: Moonshine River So great to be back, right? At first, the two refuse, still remembering the last time the family traveled to New York. The family and Cletus arrive, with Cletus demanding where Mary is heading for, but Bart, not wanting to ruin his last chance at true love, refuses. Archived. The Simpsons - 24x01 - Moonshine River [Discussion Thread] Close. The Simpsons Community Hangout OT Is there really a Simpsons reaction pic/gif for everything? Does the episode make good use of the town of Springfield, one of the greatest mythological communities in all of fiction? "Moonshine River" is the first episode of season 24 of The Simpsons and the five-hundred and ninth episode overall. New comments cannot be posted and votes cannot be cast. The Simpsons go back to New York City so that Bart can find his old girlfriend Mary Spuckler. To be clear, a 'yes' to just one of these questions would make the 508th or 509th episode worthwhile. As part of a subplot during the New York sequence, Marge, Lisa, and Maggie decide to search for culture. Welcome to The Simpsons Archive's episode guide. report. "Moonshine River" is the first episode of season 24 of The Simpsons and the five-hundred and ninth episode overall. However, the police arrive and break up the production. The episode received 8.08 million viewers, making it the most watched show in the Animation Domination on FOX that night. 'Moonshine River' opens with a cute, 40-second cartoon depicting the Simpsons as butterflies menaced by a mallet-wielding Baby Gerald (a.k.a. The Simpsons - 24x01 - Moonshine River [Discussion Thread] 75 comments. In syndication, the Create-A-Couch-Gag Contest promo is omitted. The episode was written by Tim Long and directed by Bob Anderson. Episode 1: Moonshine River So great to be back, right? However Mary's father Cletus comes to take her home against her wishes and Bart, happy that Mary seems to truly care for him, helps her escape. His straight man characteristics have waned and ebbed over the years (at times becoming just as silly as the rest of the world around him), but he's always been o… "The Simpsons" has an eerie knack for predicting the future, from Donald Trump's presidency to U.S. beating Sweden for an Olympic gold medal in curling. While premier broadcast dates are given as a reference, you must refer to the air dates chart for information on all successive Fox network broadcast dates. save. Loading... Unsubscribe from Cartoon Madeen? The Ballad of Cylinder Head Music by Zooey Deschanel Lyrics by Tim Long. ", 1st episode of the twenty-fourth season of, Learn how and when to remove these template messages, Learn how and when to remove this template message, are butterflies that come out of their cocoons and nearly get smashed by Gerald (the baby with a unibrow who Maggie hates). Gina is the only one of Bart's ex-girlfriends who punches Bart. Right? Start This article has been rated as Start-Class on the project's quality scale. He visits Gina, the girl he knew from juvenile hall just to get punched in the face. Episodes are grouped by season and sorted in broadcast order. 22. A joint-celebration of the Springfield Grand Prix and the final stage of the Tour de Springfield turns sour when the race cars and bicyclists collide with each other. When Bart watches a video of him and Mary, he realizes that she might be his true love and asks Homer and Marge if they can go to New York. During the end credits, the family announces a contest for fans to submit their own couch gag, in which the winner's couch gag will be animated and appearing on the show, and that further details are to be shown on TheSimpsons.com. They first try to go to a Broadway show, but give up when they learn they can afford only the worst seats. "Moonshine River" was dedicated to Andy Williams. save. 'Moonshine River' will air on Fox in the upcoming 24th season, which will also feature Steve Carell and Jennifer Tilly. The song is also played during the credits, which was also dedicated to Andy Williams who died of bladder cancer on September … Fievel Mousekewitz, the main protagonist of the 1986 film, This is also a possible "bait-and-switch" reference to ", This is the second time the Simpson family travelled to. share. The Simpsons: Season 24https://vk.cc/9my3RR#simpsons #심슨 #симпсоны #gag #cartoon #fox #homer #online #free #bart #lisa #marge #springfield Meanwhile, Lisa and Marge spend the trip trying to take in New York culture on the cheap. Arriving at New York City, Bart and Homer search for Mary, and eventually find her at the address. Way back in September of 1955, a weekly radio show by the name of Gunsmoke focusing on the settlement of the old west and the exploits of Marshall Matt Dillon hit American prime-time television airwaves for the first time and proceeded to churn out a total of 635 … Summary: Thefamily travels to New York City in search of Bart's long-lost love Mary Spucklerwho he wants to reconnect with since she has left Springfield and her hillbilly family there to reinvent herself in the big apple. Main character Lisa Simpson … the Unibrow Baby). The episode received mixed reviews, with much of the criticism aimed at the anti-climax and cultural references. At the end of the episode, it is revealed that a review was written for the show, which Lisa is initially disgusted at, but is diverted when she finds out the reviewer liked her performance as Juliet. Bart realizes that Lisa is right and, hoping to prove her point wrong, visits all of his past girlfriends (including Jenny the nursing home volunteer from "The Good, the Sad, and the Drugly", Darcy the pregnant teen from "Little Big Girl", Gina Vendetti the juvenile delinquent from "The Wandering Juvie", and Nikki McKenna from "Stealing First Base") to see if they still like him, but each and every one of them rejects him while Nikki still oscillates between loving Bart and hating him. Before they can kiss, Cletus arrives, having somehow found out where Mary is, and asks her to return home. Milhouse: (interrupting her) True love super date! This thread is archived. On Broadway (uncredited) Written by Jerry Leiber, Barry Mann, Mike Stoller, and Cynthia Weil. In the UK and Ireland, the episode aired on Sky 1 on March 24, 2013, with 1,295,000 viewers, making it the second most watched program that week. https://simpsons.fandom.com/wiki/Moonshine_River/References?oldid=928112, The episode has many references to the 1961 romantic comedy film. The Simpsons 24.1 Review - "Moonshine River" 1. While playing guitar, Mary is dressed similarly to Holly while she plays guitar, albeit with a red bandanna as opposed to Holly's white. That’s why it’s a little strange that the premise of The Simpsons Season 24 premiere, “Moonshine River,” is a wistful look back at Bart’s halcyon, prepubescent loves. "Moonshine River" is the first episode of The Simpsons ' twenty-fourth season. Soundtrack Credits . Right? Came true: 2020. In the film, Holly left her "family" to set up a new life in New York, much like Mary does here, though her dad comes to get her, not her husband like in the film. 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I'm a wildlife filmmaker, National Geographic Storytelling Explorer and conservation communicator from India. I am available to work remotely as a Story Producer or on location in Vancouver or India (depending upon the dates) as a Shooting Producer/Director and Presenter. Some of my proven strengths include directing, writing, and filming impact-driven stories, specifically in the human interest, conservation, character-led natural history and educational entertainment genre. I have expertise in short-form storytelling, but I'm now directing my first feature-length documentary with the support of the National Geographic Society.
I have written, shot and directed short films and TV series that focus on human-wildlife coexistence and conflict, some of the most endangered species on earth, and presenter-led wildlife expeditions. Over the last nine years, I've been recognised with over 40 awards, and nominations across 15 countries and my work has been broadcast on Animal Planet, Discovery Channel, Nat Geo Wild, Disney+ Hotstar, BBC Earth, Netflix Youtube, Buzzfeed and local Indian platforms. My latest project was as a Location Producer/Director for an upcoming feature documentary by Off the Fence.
I have a Master’s degree in Wildlife Filmmaking from the University of the West of England, Bristol, in partnership with BBC-NHU and I lived in the hub of wildlife filmmaking for two years. During my time in Bristol, I directed the critically acclaimed short film, ‘The Firefox Guardian’, and went to the Eastern Himalayas in Nepal to shoot my first industry-level film, which later became a part of the 3-part series ‘WildLives’. The film still travels to renowned film festivals, colleges and schools, starting a dialogue on ecofeminism, raising funds for red panda conservation worldwide. I now work alongside Red Panda Network on outreach activities and anti-poaching campaigns.
My work has taken me to the remotest corners — trekking at 12,000 feet in the Himalayan bamboo forests, filming red pandas, traversing rainforests looking for endangered purple frogs and, among others, searching for extremely rare turtles in the mighty Brahmaputra. But sometimes, even telling engaging stories about bats in my backyard make me happy.
BBC Earth's Facebook Watch show, 'Close Encounters', featured me in their August 12th 2021 episode, and my conservation storytelling work has been covered in Times of India, Sanctuary Asia, several podcasts, and magazines worldwide.
I am also a TEDx Speaker, 'Girls Who Click' partner photographer and lead workshops and seminars worldwide for emerging filmmakers on conservation storytelling and cinematography. I strongly believe in giving back to the community that helped me grow. I also occasionally volunteer as a wildlife rehabber and strive to shift the limelight to lesser-known species and habitats. I have been invited as a speaker to Jackson Wild, NEWF Congress, and have led National Geographic Explorer Takeover Sessions. I also give guest lectures and webinars to school and college students and at environmental conferences in several countries. I'm a Jackson Wild's Advisory Council member and was awarded the Jackson Wild Rising Star Award in 2020.
In 2020, I co-founded ‘Beyond Premieres’ with my husband, an organisation that hopes to build bridges between filmmakers and organisations working on the conservation frontline and harness the power of filmmaking to create a wave of change.
As impact-driven filmmakers ourselves, we noticed a gap between emerging filmmakers hoping to create a significant impact and those working at the grassroots level. Similarly, conservationists in the field often require help from filmmakers who are skilled science communicators to amplify their work. We refer to various case studies, use our network and, based on our own industry experience, help people collaborate. It’s a bit like conservation matchmaking!
Beyond Premieres also supports filmmakers to strategise a multi-pronged, ground-level campaign that helps embed impact in the DNA of a film project through outreach, education, capacity building, artist collaborations, and legal and policy change advice. There is no time like now to come together as powerful filmmakers and make more than just films – go one step ‘Beyond Premieres’.


Official Star Wars Darth-Vader Keyring
Add a touch of Star Wars magic to your keys or bag with this awesome official Darth Vader rubber keyring! Made with 100% rubber and featuring a metal keyring this keyring sees the iconic Darth Vader helmet, the ultimate villain, Darth Vader has become a prestigious character not just within the Star Wars franchise but within the world of popular culture. This awesome official Star Wars keyring measures approximately 9cm x 4cm from the highest point. This official Star Wars Darth Vader keyring is an easy way to jazz up your keys and bags! Born Anakin Skywalker and prophesied as being the one to bring balance to the force, Darth Vader is an iconic villain within the Star Wars franchise and has had a wide reaching cultural impact. This keyring is an awesome addition to any Star Wars fan's collection.


LASA students from AP U.S. History (APUSH) and Facing History and Ourselves classes went to see “Selma,” a movie about events in Selma, Alabama during the civil rights movement. After the movie, director of the LBJ Presidential Library Mark Updegrove spoke to the students about Lyndon B. Johnson’s (LBJ) portrayal in the film and LBJ’s involvement in the civil rights movement.
On Wednesday, Jan. 21, the field trip attendees viewed the movie at the Alamo Drafthouse. LASA junior Zoë Feder said that before the movie, she didn’t have much knowledge of the events in Selma.
“I am a little embarrassed to admit that, but all I had really retained over the years about MLK was just a more general picture and then the March on Washington,” Feder said. “It just serves as a reminder how incredibly cruel and inhumane anything other than equal rights is.”
LASA APUSH teacher Jason Flowers designed the field trip to see “Selma” after reading articles about the historical accuracy of the movie. Flowers decided to arrange for Updegrove to come speak to the students about LBJ’s portrayal in the movie after reading an article written by Updegrove. Flowers said having Updegrove come to speak after the students saw the movie made the experience more memorable.
“I was really proud of the questions the students asked,” Flowers said. “They were insightful and drove the discussion in a very productive direction and, of course, Mr. Updegrove told great stories about LBJ and the civil rights leaders depicted in the film. I hope [the students] were able to get a greater appreciation for the struggle undertaken by these civil rights leaders, Martin Luther King, John Lewis and all the others depicted in the film, in order to end segregation and regain the franchise, and also to more fully understand the part that Lyndon Johnson played in that struggle.”
LASA Facing History and Ourselves teacher Neil Loewenstern said Updegrove’s presentation clarified the history between LBJ and MLK. The movie showed an antagonistic relationship between the two when history, presented by Updegrove, showed they were actually working together. Loewenstern’s Facing History and Ourselves classes are doing a unit on discrimination in America.
“I hope students take away a better sense of the levels of discrimination minorities faced and struggled to overcome in this country,” Loewenstern said. “I hope students come to realize they have a place in that struggle, and that it is the actions of ordinary citizens like themselves that can create change. In terms of the presentation, I want them to understand there is a difference between a Hollywood movie representation of history and what that actual history is.”
Updegrove is the author of several books about LBJ’s presidency. Since the movie was released, Updegrove has been interviewed for several articles about his disagreement with the portrayal of LBJ in the film. During his presentation to the students after the movie, he discussed this fact with them. Though not happy with LBJ’s portrayal, Updegrove said he feels that “Selma” is a powerful movie that helps show the events of the civil rights movement.
“I’m glad that it illustrates, for young people in particular, how different this nation was just a half a century ago and how different it might still be if not for the leadership and sacrifices of so many who put themselves in harm’s way to create a better America,” Updegrove said. “I regret only that it doesn’t accurately capture President Johnson’s passion for civil rights and social justice and his productive partnership with Martin Luther King.”
The 2014-2015 school year is also the 50th anniversary of the passing of the the Civil Rights Act of 1964 and the Voting Rights Act of 1965. The events leading to the passing of the Voting Rights Act were what made up “Selma.”
“I thought it was important to observe that in some significant way,” Flowers said. “On a more practical level, College Board often observes these anniversaries in the form of essay questions on the AP exam, so I thought this type of activity would cement this period in the students’ minds better than a normal class.”
Feder said the movie changed the way she views the civil rights movement and that it added to her knowledge of the events during this time. She said that the movie helped her personally connect more to the events.
“I think movies really help us feel more personally connected to stories and characters,” Feder said. “So [‘Selma’] helped me see just how much the issues spread. To gain the civil rights they deserved, the people who fought through it had to consider so many different angles such as publicity, politics and just any person they encountered.”
Updegrove said that he hopes his presentation was able to help students learn more about the history behind the civil rights movement and LBJ’s involvement.
“I hope students know that we had a president 50 years ago, Lyndon Johnson, who partnered with Martin Luther King in the cause of civil rights for all Americans,” Updegrove said. “They may have disagreed at times on timing and tactics, but they shared a common goal to make good on the words that are written in our Declaration of Independence: ‘We hold these truths to be self-evident, that all men are created equal.’ Martin Luther King and Lyndon Johnson exemplify what we can do, despite our differences, if we work together.”
story by Hannah Marks


Saw Everest last night. I saw the trailer on TV like a week ago and instantly knew that I would love it. Sadly we saw it in 3D haha, I never like 3D. I don't think it adds anything, just makes it kinda annoying to watch. However - I do think that the movie was really good. If you're not a fan of slow movies you might not like this but just the fact that it's based on true events makes it so much better.
I just love movies like this one. I love "realistic" movies (quotation marks both 'cause this is based on a true story and other movies I'm about to mention are less than realistic hehe), like this one, Avatar, Rise of the Planet of the Apes, Life of Pie, Sanctum (even though that movie was kinda shitty haha) and stuff like that. When humans do something extraordinary when they go up against nature or something else. Just love it. Action pow pow humans shooting each other, or aliens or monsters and stuff like that... Not so much. Jurassic Park? Humans vs "Science"? OH YES.
Maybe you get what I'm talking about. Anyone feel the same way? These are easily my favorite movies ever. Or at least my favorite kind of movie. Nothing beats Mulan. If you get the chance I definitely recommend to see this one! It's very powerful. But skip the 3D... x


RTÉ Shortscreen features the best of Irish short films each Monday night on RTÉ2 and also makes each film available on RTÉ Player. This week ‘The Great Wide Open’ and ‘Looks Like Rain’ are included in the line-up.
Both of the above projects are 2014 winners of the Galway City of Film and RTÉ commission scheme, which is accepting entries for its 2017 round until Tuesday, January 31st.
For more information on this round see the link below.
David Crean, Drama Development Executive, RTÉ:
“The Short Film Scheme fits perfectly with RTÉ Drama’s strategy for uncovering and nurturing new writing, producing and directing talent. 2016 gave a great opportunity to Jacinta Owens and Cara Holmes and we’re excited about seeing a new, original short film in 2017.”
Ciarán Dooley’s ‘Great Wide Open’ aired yesterday, Monday January 9th at 11.50pm and will be available on RTÉ Player until Wednesday, February 8th.
The Great Wide Open tells the story of Etain and her grandfather and the summer she spends helping to make them both him & his derelict boat seaworthy again. John Kavanagh and Elena O’Connor star as the central duo with music score by Dublin based composer Stefan French and the film is produced by Mark Holland. The Great Wide Open was nominated for an IFTA Award in the Best Short Film category in 2016 and was thew inner of Best Cork Short at the 60th Cork Film Festival.
View ‘The Great Wide Open’ on RTÉ Player
Ben Conway’s ‘Looks Like Rain’ will screen next Monday, January 16th at 11.50pm. Looks Like Rain is set to the backdrop of the 1960’s, and tells the story of a boy’s banishment to the back yard as his mother races against the elements to get food on the table.
The film stars Aoibhinn McGinnity (Love/Hate) and Garrett Lombard (Pure Mule) and is directed by Kevin o’Farrell and produced by Dave Leahy and Liam Ryan for Warrior Films.
Other films currently available on RTÉ Player under Shortscreen:
Galway City of Film & RTÉ Announce New Short Film Commission


Plugging what I can only aspire to:
The most shocking opinion I harbor, however, is the fact that I dislike The Shawshank Redemption. This movie is regarded by many as a modern-day classic; it features many fine performances by great actors, and it is a heartwarming tale of friendship and redemption. For all this, however, I do not like the movie. This never fails to get a rise out of my friends, almost all of whom think it’s excellent. I always try to explain why I don’t like The Shawshank Redemption, but ordinary argumentation gets me nowhere.
I therefore devised the following Explanation of Why Shawshank Redemption Sucks, which is presented here in the form of a one-act play. This play features me and Socko, a sock puppet.
I still like The Shawshank Redemption all the same. Difference is, from now on every time I see it I’ll think of a sock puppet.


The play was written by John Reeger and Julie Shannon, it
debuted in Chicago in 1993 and has been a favorite there ever
It is based on an actual historical event that took place over 100 years ago. A ship owner (German immigrant) risks his life and property, sailing his ship through rough winter weather, to bring evergreen trees from Northern Michigan to the German immigrant families of Chicago.
The play is co-directed by Rod Caspers and Rick Schiller and will play 12 performances at the Mc Callum High School Fine Arts Acedemy Theatre, located at 5600 Sunshine Drive.
Performances, which begin on December 6, are Friday and Saturday, evenings at 7:30 beginning and Saturday and Sunday, afternoons at 2:00.
The play is recommended for families with children ages 10 years and older.
Our next production will the Hardy Boys in the Mystery of the Haunted House, which will run in the spring.


The current Tooting Arts Club production of Sweeney Todd at New York City’s Barrow Street Theatre is earning well-deserved praise for its recreation of a real London pie shop. But what’s more important than the awesome set, and more important than the smart choice to invite the audience into the pie shop to eat before the show, is how the actors interact with the audience from pre-show through curtain call.
The utilitarian tables where the audience eats, for example, become part of the stage where the actors bang, stomp, crawl and dance — often with very little warning. Having the actors move behind you, above you — or into your seat — gives a whole new viscerality to this tale of a murderous barber and his cannibalistic landlady. Not only is Pirelli (played by Stacie Bono) murdered before our eyes, but his death becomes real in part because our body fears that we might be next.
Sweeney (played by Norm Lewis) sings:
Who, sir, you, sir?
No one’s in the chair, come on! Come on!
I want you, bleeders!
You sir? Anybody!
Gentlemen, now don’t be shy!This scene produces a very different experience when the audience’s neck is inches from the barber’s razor!
American theatre in general may be facing declining audiences, but immersive theatre is the future of American theatre precisely because it provides an experience that activates all five senses in a way that Netflix never can.
But how can we show audiences what immersive theatre has to offer?
If immersive theatre has a downside, it’s that the marketing is not as well developed. The genre is relatively new, so there aren’t established norms about how to document it and sell it to audiences.
Even writing this article is frustrating because I’m trying to use words to describe the live physical experience I had in Harrington’s Pie Shop, and I can’t even use photography to illustrate the incredible energy between the performers and the audience.
I couldn’t find any photography of Sweeney Todd that showed the audience, and their press representative told me they didn’t have any photographs of audience interaction or of the actors on the tables.
Now I don’t know if they just don’t have photos of interaction or if using more standard fourth-wall photography was a deliberate decision to leave that part of the experience a surprise. But either way it does this innovative immersive play a disserve to document it like it’s a standard musical.
Documenting live theatre is always hard. The printed review or the photograph is always a poor substitute for actually being there; but with immersive theatre, it is even harder to capture the sensory experience for people who weren’t there.
This photo from Freedom: In 3 Acts aptly demonstrates the site-specific nature of our collaboration with the Wadsworth Atheneum — that’s Picasso’s “The Painter” in the background — but it doesn’t say anything at all about the struggle for civil rights during Reconstruction. We knew we could do better. (Photo: Max Lipka)
My theatre company tackles this problem in the earliest stages of our design process, by developing a detailed documentation plan. Most theatres leave photography to a special, audience-less, photo call. I’ve found that documenting immersive theatre requires both having an audience and finding a way to have the photographers and videographers do their work without disturbing the paying customers.
Balancing the competing priorities has been a learning process.
Of course, we’re not looking for cliche wedding photography: the happy couple holding hands, or kissing, or putting on the rings. What we want is photographs that capture the interactions — and the love — between the guests and the happy couple. Those are the photos that the wedding attendees want.
For those of us who believe that immersive theatre can reverse the decline in American theatre audiences, it is really important that together we figure out how to document the unique experience we offer. Finally solving this marketing problem may allow us all to reach the goal all theatre companies struggle with: reaching new audiences and getting them into the seats.


Director: Brian Henson
Original Release: 1996
Choice: Purple Penguin's
My Overall Rating: 4 stars out of 5
|via Muppet Wiki|
The biggest difference for me between this viewing and my first is the fact that I have since read the book. The "good guys" in Stevenson's story - that is, the gentleman sailors who unexpectedly find themselves pitted against Long John Silver and his gang - are portrayed more or less as idiots in the book. Thus, casting them as goofy Muppets works pretty well. Mind you, most of the pirates on Long John's side are felted, too. But the success of any Muppet movie is dependent upon the buy-in of the human cast. Long John is the key role and in a master stroke, Tim Curry was cast in the part. Billy Connolly and Jennifer Saunders also appear. Kevin Bishop is the protagonist, young Jim Hawkins. The only other human of note is Jessica Hamilton, Brian Henson's wife, who has a memorable cameo as Big-Fat-Ugly-Bug-Faced-Baby-Eating O'Brien.
I think I have fallen asleep both times I have watched the movie, though I missed different parts each time. There's really nothing wrong with the film but it doesn't maintain the same consistently goofy energy as others in the series. The same is true for 1992's The Muppet Christmas Carol but that movie's adherence to the source material more than makes up for it. Treasure Island's music is, it must be said, eye-roll inducing, especially Jim's songs. But it's still the Muppets and Muppets are wonderful.
My Rating System:
5 = The best of the best. These are the films by which I judge other films.
4 = High quality films which I feel could hold up well in repeated viewings.
3 = The vast majority of films. They're fine. Once was enough.
2 = I wasn't even sure I wanted to finish it. It's not a 1 because I'm not prepared to say it's a terrible film - just not my cup of tea.
1 = A terrible film. An insult to the art form.


bidsTime Left:7d 22h 3mpostage: $2.00Location: CZ
Time Left:10d 2h 44mpostage: $3.99Location: US
Time Left:11d 2h 46mpostage: $4.99Location: US
Time Left:25d 4h 48mpostage: $10.00Location: IS
The Transformers are alien robots from the planet Cybertron, who can transform into machines to disguise themselves. There are two races of the transformers: the autobots and the decepticons. The autobots are good transformers whose leader is Optimus Prime – other autobots include bumblebee, Jazz, Ironhide and Ratchett. The autobots battle against the evil decepticons who are lead by Megatron. Starscream is second in command who is assisted by Frenzy, Bonecrusher and Barricade. The transformers film was released in 2007 and stars Shia LaBeouf. In the film the Autobots are searching for the All Spark so they can rebuild Cybertron. The Decepticons want the All Spark so they can rule the universe. Transformers toys were first made in 1984 and popular items include clothes, pyjamas, comics, and models.


A new movie gives '80s classic "The Breakfast Club" a dose of reality. "American Teen" debuted at Sundance Film Festival last month. What do you think about portrayal of teens in movies and television?
Gerald Smith, CNNSN Producer
I think in movies from the past and from right now they protray teens in a bad way. Some are all about teens being rebelious, bad, getting pregnent, getting drunk, smokeing, doing drugs or other bad things. So many people thing teenagers are going to be really hard to handle and that they are all the same BAD! Which is soooo not true. Some teens are really good. Its totally a stereotype about teens. Television now and from movies make us out to be bad when were not. Its not fair. It makes me mad when everyone thinks haveing a teenager will be tough. Theres chemical in our brains that makes us they way we are. Teens are going through a tough time PUBERTY! We are changing! Why cant parents just trust us and their parenting job. I dont think its fair the way people portray us! We are just people were not perfect!
I actually believe the way they portray teens in movies and television is accurate. In these movies and shows, they show teens going through many changes, just like the way life is. sure in some of the movies the teens get pregnant, or do drugs, but it's all apart of the experience of growing up. you learn from your mistakes and realize how they affected your life. it shows us that we are just people and we make mistakes.
I think in this movie teens are not being shown the way that teens really act. But this movie does show how to become friends with a different group, even if it does mean a Saturday in detention.
I think movies correctly portray teens that have a worldly goal. For others that don't believe in things like doing drugs and getting pregnant, the movies are wrong. It all depends on the teen you look at.
I dissagree with Brittany. You could be doing drugs and never learn your lesson because you are dead. Or you could become pregnant and never learn your lesson because you kill your baby by abortion. You can't "realize how they affected your life" if your life is gone.
Nobody wants to see a movie about a normal teenager. you have to make it about crazy ones or else it would just be like your own boring life. people think that teen movies give a bad impression of teens, but they are just telling the stories of someone more interesting than you are.
The movie the breakfast club is a GREAT movie. The movies do in some ways portray 'teens' today. The older movies and tv shows even have the same concept of portraying 'teens' and how they act today. Shows today such as "That 70s Show" show how 'teens' acted in the 70s and also how 'teens' act today. The movies do not always show what is correct but most of the time get something about 'teen' life right.
I think that teenagers haven't been expressed the right way. In a bunch of movies, teenagers have been shown as killers, drug users, suicdals, and rude disrespectful punks. That isn't true for alot of teenagers. There are some like that, but those movies give all teenagers bad names and we get in blamed and labeled if something bad happens.
the breakfast club is one of the classics. nothing can come close to it. they can try but its not gonna be the same.the breakfast club showed teens in the 80's and this movie is supposed to show teens today?
times have changed and it will be interesting but it still wont hit the same way the breakfast club did. some think that you have to spice up teen roles in a movie or else its a "boring documentary" but take a look at some teenager lives and it is a movie. in the hectic times we live its like we all star in our own movie. i think that this could be our generations breakfast club. it will be interesting to see.
BREAKFAST CLUB IS THE BEST!!!!!!!!!!!!!!!!!!!!!!!!! HANDS DOWN!!!!!!!!!!!!!!!!!!
Hey are you a professional journalist? This article is very well written, as compared to most other blogs i saw today….
anyhow thanks for the good read!
Take a study break and find out what's filling the notebook of CNN Student News anchor Carl Azuz. We love your comments. Remember, keep them on topic and only use your first name.
You must be 13 or older to comment on this blog.


I don't usually post youtube posts in my blog, but I have to post this. It's the intro for the show Millenium from the nineties. Chris Carter made it (the creator of X-files as well). I love love love it. Me and Erik just started to watch the first season. I remember when I was a child, me and my mum used to stay up late to see it. I love love love the intro and the music. Mark Snow for the president I say! Listen to the whole theme song here. I love how the show is so dark but yet so beautiful.
Yeah, I know. It has been a lot of tv-shows and movie posts lately. But you maybe have noticed that I love love love movies and tv-shows.


» Australian Lists » Movies
Australian comedy directed by Tim Burstall and featured Jacki Weaver.
The Adventures of Barry McKenzie (1972)
Australian comedy directed by Bruce Beresford featuring Barry Crocker, Barry Humphries and Spike Milligan.
Alvin Purple (1973)
Australian comedy directed by Tim Burstall starring Graeme Blundell and Abigail.
Barry McKenzie Holds His Own (1974)
Follow up to the 1972 release also directed by Bruce Beresford starring Barry Crocker and Barry Humphries in his various guises inc. Aunt Edna, Dr. Delamphrey etc.
Sunday Too Far Away (1974)
Dealt with events leading up to the mid-1950s shearers' strike directed by Ken Hannam.
Between Wars (1974)
War drama directed by Michael Thornhill starring Corin Redgrave and Judy Morris.
The Cars That Ate Paris (1974)
Directed by Peter Weir.
The Firm Man (1974)
Directed by John Duigan. Starring Peter Cummins.
A film capturing the wildness of the youth of the time starring Jack Thompson and directed by Tim Burstall.
Picnic at Hanging Rock (1975)
Based on a book by Joan Lindsay about the mysterious disappearance of a group of schoolgirls while on a St Valentine's Day picnic in 1900. Directed by Peter Weir.
Based on the autobiography of a Sydney barmaid during the Depression. Directed by Donald Crombie and starred Helen Morse and Jack Thompson.
Mad Dog Morgan (1976)
The saga of the bushranger, directed by Philippe Mora starring American Dennis Hopper, Jack Thompson, David Gulpilil and Bill Hunter.
Don's Party (1976)
Comedy/drama directed by Bruce Beresford.
The Devil's Playground (1976)
Drama about a Catholic seminary in the 1950s directed by Fred Schepisi.
The FJ Holden (1977)
Australian drama about teenagers in Sydney's western suburbs directed by Michael Thornhill.
Journey Among Women (1977)
A film by cinematographer Tom Cowan, about women during the convict era.
The Last Wave (1977)
Australian mystery directed by Peter Weir.
The Getting of Wisdom (1977)
Directed by Bruce Beresford.
Action drama directed by Phillip Noyce starring Bill Hunter.
A post-World War II history of Australia as seen from the perspective of newsreel cameramen directed by Phillip Noyce starring Bill Hunter and Wendy Hughes.
Money Movers (1978)
A crime action drama directed by Bruce Beresford.
The Chant of Jimmie Blacksmith (1978)
A confronting film about the murder rampage of an Aborigine at the turn of the century directed by Fred Schepisi.
Breaker Morant (1979)
Directed by Bruce Beresford and starring Edward Woodward, Jack Thompson, John Waters and Bryan Brown.
Stephen Wallace's film about a prison riot, which helped make a star of Bryan Brown.
My Brilliant Career (1979)
Based on the Miles Franklin novel, the film made stars of Judy Davis and Sam Neill, directed by Gillian Armstrong.
Mad Max (1979)
Starring Mel Gibson and directed by George Miller, a cult classic.
The Club (1980)
Starring Jack Thompson directed by Bruce Beresford.
Directed by Peter Weir.
Puberty Blues (1981)
The mating rituals of two teenage surf chicks from the southern suburbs of Sydney, directed by Bruce Beresford.
Australian drama directed by Phillip Noyce.
Lonely Hearts (1981)
Directed by Paul Cox.
Winter of Our Dreams (1981)
A drama/romance directed by John Duigan starring Judy Davis and Bryan Brown.
Monkey Grip (1981)
Directed by Ken Cameron starring Noni Hazlehurst and Colin Friels.
The Clinic (1981)
Comedy about a day in the life of workers at a VD clinic, directed by David Stevens.
Mad Max 2 (1981)
Starring Mel Gibson and directed by George Miller, follow up to the cult classic that is Mad Max.
Comedy musical directed by Gillian Armstrong.
The Year of Living Dangerously (1982)
Directed by Peter Weir starring Mel Gibson and Sigourney Weaver.
The Man From Snowy River (1982)
Adaptation of Banjo Patterson's poem directed by George Miller starring Kirk Douglas.
Careful, He Might Hear You (1983)
Directed by Carl Schultz starring Wendy Hughes.
Man of Flowers (1983)
Directed by Paul Cox.
Phar Lap: Heart of a Nation (1983)
True story of the champion Australian racehorse. Directed by Simon Wincer.
My First Wife (1984)
Directed by Paul Cox starring John Hargreaves and Wendy Hughes.
Silver City (1984)
About Polish migrants moving to Australia directed by Sophia Turkiewicz starring Gosia Dobrowolska and Ivar Kants.
The More Things Change (1985)
Australian drama directed by Robyn Nevin starring Judy Morris and Barry Otto.
Mad Max Beyond Thunderdome (1985)
Third and the final in the Mad Max series directed by George Miller starring Mel Gibson and Tina Turner.
Adaptation of Peter Carey's novel about the fortunes of an advertising agent who dies and then recovers, directed by Ray Lawrence starring Barry Otto.
Devil in the Flesh (1985)
Based on the novel "Le diable au corps" directed by Scott Murray.
A Street To Die (1985)
Story of a dying Vietnam veteran directed by Bill Bennett.
A road movie with a difference, directed by Bill Bennett.
The Fringe Dwellers (1986)
Story about an Aboriginal family moving into the mainstream of a white society, directed by Bruce Beresford.
Travelling North (1986)
A comedy/drama directed by Carl Schultz starring Leo McKern and Julia Blake.
A comedy directed by Nadia Tass starring Colin Friels and Lindy Davies.
A drama directed by Paul Cox.
Dogs In Space (1986)
A story about inner-city life in Melbourne in the 1970s directed by Richard Lowenstein starring Michael Hutchence.
Crocodile Dundee (1986)
The blockbuster city meets outback movie directed by Peter Faiman starring Paul Hogan and Linda Kozlowski.
Directed by Bill Bennett.
Shadows of the Peacock (1987)
Drama/romance directed by Phillip Noyce starring Wendy Hughes.
High Tide (1987)
Drama directed by Gillian Armstrong starring Judy Davis, Claudia Karvan and Frankie J. Holden.
The Year My Voice Broke (1987)
Drama about puberty via a boy in rural Australia directed by John Duigan.
A Cry from the Dark (1988)
Based on the Lindy Chamberlain case and book Evil Angels, directed by Fred Schepisi starring Meryl Streep and Sam Neill.
Dead Calm (1988)
Horror/thriller directed by Phillip Noyce starring Nicole Kidman, Sam Neill and Billy Zane.
Rikky and Pete (1988)
A comedy/drama directed by Nadia Tass.
The Delinquents (1989)
Drama/romamnce directed by Chris Thomson starring Kylie Minogue.
Directed by Jane Campion.
Directed by John Duigan starring Nicole Kidman.
Till There Was You (1990)
Directed by John Seale starring Mark Harmon.
Death in Brunswick (1990)
Comedy directed by John Ruane starring Sam Neill.
Golden Braid (1990)
Drama directed by Paul Cox.
The Big Steal (1990)
Australian comedy directed by Nadia Tass.
A Woman's Tale (1991)
Drama directed by Paul Cox.
Black Robe (1991)
A Canadian-Australian co-production, adventure/drama directed by Bruce Beresford starring Lothaire Bluteau.
The Last Days of Chez Nous (1991)
A comedy drama directed by Gillian Armstrong starring Lisa Harrow, Bruno Ganz and Miranda Otto.
Directed by Jocelyn Moorhouse starring Hugo Weaving.
The Nun and the Bandit (1992)
Directed by Paul Cox starring Gosia Dobrowolska and Chris Haywood.
Strictly Ballroom (1992)
The smash hit comedy/romance directed by Baz Luhrmann starring Paul Mercurio, Tara Morice and Bill Hunter.
The Piano (1993)
Directed by Jane Campion starring Holly Hunter, Harvey Keitel, Sam Neill and Anna Paquin.
Bad Boy Bubby (1993)
Comedy drama directed by Rolf de Heer.
Comedy/drama directed by John Duigan starring Hugh Grant, Tara Fitzgerald, Sam Neill, Elle Macpherson, Portia de Rossi and Kate Fischer.
Directed by Paul Cox.
The Adventures of Priscilla, Queen of the Desert (1994)
A road movie with a difference! A comedy drama featuring two drag queens and a transsexual whol hold a performance a town in the middle of outback Australia. Directed by Stephan Elliot, starring Hugo Weaving, Guy Pearce, Bill Hunter and a cast of well known Australian actors.
Directed by Lawrence Johnston.
Muriel's Wedding (1994)
Directed by P J Hogan, starring Toni Collette, Rachael Griffiths & Bill Hunter.
Directed by John Duigan, starring Hugh Grant, Sam Niel, Elle McPherson, Portia de Rossi, Kate Fischer & Tara Fitzgerald. A comedy drama that challenges religous morality.
The little pig that could! A pig (babe) raised by sheep dogs defies the odds and wins a sheep dog trials...Directed by Chris Noonan.
Mr. Reliable (1996)
Directed by Nadia Tass, starring Colin Friels & Jacqueline McKenzie.
Biography drama based on a true story of Australian pianist David Helfgott. Directed by Scott Hicks, starring Geoffrey Rush.
Biography and crime thriller based on the life of Mark 'Chopper' Reid. Directed by Andrew Dominik, starring Eric Bana as 'Chopper'.
The Dish (2000)
A humorous look at Australia's role in the Apollo moon landing via the dish at Parkes. Directed by Rob Sitch, starring Sam Neill.
Pitch Black (2001)
Directed by David Twohy, starring Vin Diesel.
A mystery drama directed by Ray Lawrence, starring Anthony LaPaglia.
Rabbit-Proof Fence (2002)
An adventure drama set in 1930's Australia. Directed by Phillip Noyce.
A comedy set around the takeover of a local bowling club. Directed by Paul Moloney and starring Mick Molloy, Bill Hunter, John Clarke, Judith Lucy and a cast of well known Australian actors.
Ned Kelly (2003)
An action adventure about the life of the legendary Australian Bushranger. Directed by Gregor Jordan, starring Heath Ledger, Orlando Bloom & Geoffrey Rush.
Look Both Ways (2005)
A drama romance directed by Sarah Watt, featuring Mary Kostakidis.
Little Fish (2005)
Directed by Rowan Woods. Starring Cate Blanchett, Sam Neill, Hugo Weaving, Martin Henderson, Noni Hazlehurst, Dustin Nguyen, Joel Tobeck & Lisa McCune.
The Proposition (2005)
A crime drama directed by John Hillcoat, written by Nick Cave starring Guy Pearce.
Wolf Creek (2005)
A horror story based on backpackers stranded in remote Australia, directed by Greg Mclean.
Ten Canoes (2006)
A story set in Australia's Norther Territory, directed by Rolf de Heer & Peter Djigirr.
A romance drama directed by Neil Armfield, starring Abbie Cornish, Heath Ledger & Geoffrey Rush.
Suburban Mayhem (2006)
Directed by Paul Goldman.
The Jammed (2007)
A drama thriller directed by Dee McLachlan.
The Home Song Stories (2007)
A drama directed by Tony Ayres.
The Black Balloon (2008)
A drama directed by Elissa Down, starring Rhys Wakefield, Luke Ford & Toni Collette.
The Square (2008)
A thriller directed by Nash Edgerton, starring David Roberts, Claire van der Boom & Joel Edgerton.
An adventure drama directed by Baz Luhrmann set in pre World War II Australia, starring Hugh Jackman, Nicole Kidman, Bryan Brown, Jack Thompson, Bill Hunter and an array of well known Australian actors.
For a complete list visit the Australian Movies site which contains a list of over 1000 films. Also see Australian Screen - ASO.gov.au which provides a large database of Australia's film, audio and visual heritage made accessible online.
Movies by Year (at AustralianMovies.net)


The Shins - Simple Song
Thank you, How I Met Your Mother. Thank you.
Videogames, movies, TV.
|Marshall Eriksen:||You're telling me that when you watch "The Karate Kid", you don't root for Daniel-san?|
|Ted Mosby:||Who do you root for in "Die Hard"?|
|Barney Stinson:||Hans Gruber. Charming international bandit. In the end, he dies hard. He's the title character.|
|Lily Aldrin:||What about "The Breakfast Club"?|
|Barney Stinson:||The teacher running detention. He's the only guy in the whole movie wearing a suit.|
|Robin Scherbatsky:||I've got one. "The Terminator".|
|Barney Stinson:||What's the name of the movie, Robin? Who among us did not shed a tear when his little red eye went out in the end, and he didn't get to kill all those people?|
|Barney Stinson:||I'm sorry. I just get so emotional.|
|Ted Mosby:||I am never watching a movie with you again.|
|Barney Stinson:||They didn't even try to help him!|


Ok....so, we've had three offerings from Lucasfilm ever since it was bought by The House of Mouse. I have to say, I was surprised at how good they were. In fact, one of the three has become my all time favorite Star Wars film.
Back when Episode VII's first teaser trailer hit, I have to admit, I was prepared to be disappointed. I remember even writing a journal denoting my complete displeasure with the trailer. I thought Episode VII's first trailer looked like nothing more than a fan film with good FX. Now, I love fan films...don't get me wrong.... I even like to make them myself, even though I am not a fan of anything anymore (see my previous entries for why I am no longer a fan of anything.)
Subsequent trailers looked better, so my interest was piqued.
Then I went and saw Episode VII. I enjoyed it. Liked the action and the humor, and even getting to be reunited with a few old friends. Some folks blasted it for supposedly being nothing more than a retread of the original film. So what? It was still fun. Despite my previous misgivings, I absolutely LOVED BB-8. Harrison Ford did a great turn at playing Han Solo one last time. I noticed a few sound effects were incorrect, and yeah, Kylo Ren wasn't really much of a bad guy, and the lightsaber fights were really subpar, but overall, the film was enjoyable. Far from being my favorite though.
Rogue One. This is indeed my all time favorite Star Wars film. Why? Because it plays most unapologetically like a war-movie....a WW II movie at that. The action, the humor, the acting, the direction.... to me, this movie was pitch perfect Star Wars. Everything about this movie (in my very humble opinion....remember...just an opinion ) was light years beyond what had come before.
It was great seeing the classic ships and bad guys....seeing Darth Vader in action, and once more hearing James Earl Jones voice the Dark Lord of the Sith. I liked Jyn Erso even more than I did Rey from Eps VII and VIII. This is the best of the prequel movies... and yeah, this movie is a prequel, by a few hours. I loved little touches like tac-lights mounted onto the stormtroopers' E-11 blaster rifles.
I liked the TRON LEGACY effect of Peter Cushing's face (and Carrie Fisher's as well) onto the actors playing Grand Moff Wilhuff Tarkin and Princess Leia Organa respectively.
Dave Filoni's contributions to the Star Wars universe were present as well. (Filoni being the showrunner of Star Wars The Clone Wars and Star Wars Rebels animated series). And Michael Giachino's score was perfect. I could actually see him being the successor to John Williams, whose themes Giachino deftly weaved and adapted into his own score.
The Rebels were not quite the squeaky clean white hats (helmets, I guess) from the original trilogy. They did things that were not quite up to good guy snuff. I loved how the movie touched on "The Force" without going all Jedi (the most we saw from The Force was Vader's dark side powers.) It was as it should've been.... the Jedi are all but extinct, their fire (mostly) gone out of the universe. Blasters ruled....mostly....until Vader started slicing down rebels like a hot knife through butter. There's more I can say about Rogue One, but I think I hit most of the major points (hopefully without being too spoilery, even though the film is now at least a year or so old).
Episode VIII.... well, at one point, this was the shortest Star Wars movie EVER. (Largely because the projectionist didn't realize he/she had started running the movie 15 minutes before showtime, and had to stop and reset the movie to start at the correct time... ha ha ha.)
Like VII, I thought Ep VIII was enjoyable, but also like VII, far from my favorite Star Wars film. I was so glad to see that Carrie Fisher (rest her soul) had finished the film before becoming one with The Force. (The dedication in the end credits brought a tear to my eye.) And she played her iconic role with such grace and humor...and even got to kick a little ass in the process. Mark Hamill did a fine job with his reprisal of Luke Skywalker. I thought it was a neat touch having the jaded and cynical Luke ....well, for lack of a better phrase.... fucking with Rey when she wanted to learn the ways of The Force.
I noticed that they kinda violated George Lucas' standing rule about language in this film. It didn't bother me in the least. In fact, it amused me.
Supposedly, director Rian Johnson was given the reigns to do a new "non-Skywalker" trilogy for the Star Wars universe because the powers that be felt he did such a great job with Episode VIII. Now, I think his status on the new trilogy is up in the air.
It will be very interesting to see how venerated director Ron Howard handles the helm of the upcoming Han Solo movie, titled "Solo: A Star Wars Story". Already, I look forward to it. But, i also wonder just how much of the lore they're going to keep intact. Will Han Solo be a former Imperial officer like he was in the original lore? Will he get drummed out of the service after saving Chewbacca from an Imperial slave camp? Will we see him win the Falcon from Lando Calrissian in that game of Sabaac?
The reason I ask these questions is because Rogue One (again, my favorite Star Wars film...EVAHHHH!) did kinda mess with what was established lore. The designer of the Death Star (Bevel Lemelisk) was changed to Galen Erso, and the nature of how the Death Star came into infamy was also different.....but, these things don't bother me so much, since the story was so compelling. If you would like to see how some of the original lore played out in the Death Star's construction, I highly recommend the novel "Death Star"...relegated to non-canonical "Legends" status, but still a very good read. It is my favorite Star Wars novel. I've even thought it would be a neat idea to somehow make an animation that intertwines Death Star, Rogue One, and parts of the Star Wars Radio Play from 1980.
Anyhoo....in my very humble opinion, I think Disney is off to a great start on Star Wars.


I love these two so much <3 I've always wanted to see them figthing side by side, I'm sure they were such a good team xD Maybe in the new movie we'll see them fighting together against Tobi or something *_*
Great picture! I really love them too, they're so beautiful together of course. And i hope we will see them fight together, even if it's will be the first time we will see Kushina fighting... With the information we have, we don't have many thing....
Thank you very much! Yeah, they should make a gaiden or something about them xD I hope we get to know more info about the movie soon, it looks so interesting <3 I wonder though, if Kushina didn't die then is the kyubi still inside her?? I want to know~
You're welcome ^^ Yeah, but we can be so happy that Kishi makes that movie WITH them, seriously, since the time i waited (since the last episode with Nine Tails ) Yeah, but it's look like we don't have any new before next month, because i follow many topic wich talk about the movie, and many member say we don't have anything before next month, they think we are lucky that we have 2-3 mini trailers! (I'm sad because of that!) I don't know, because we can see in the trailer that Naruto don't have Nine Tails within him, so i think she still have him!! i just want to see the scene with Kushina cuddling some yellow hairs : i wonder if it's Minato or Naruto !!!
I expect a lot from this movie, with this alternative universe. I want to know too if the Uchihas are still alive (or if Itachi is still alive y_y sobs). Wait, I think I haven't seen that trailer you are talking about o_o youtube, here I come~
I expect a lot from this movie too, but i'm afraid of being disappointed too, because many member say that the first and second trailers is just about the story, not the movie or something like that.... I expect we can see a lot of Minato and Kushina, seriously, 'ttebane Look in my galery, there is a picture from the trailers i'm talking about
I know what you mean, I always expect a lot from the naruto movies but they always disappoint me lol;; I hope this movie won't. I've just seen the trailer <333 But according to Tobi, Naruto has the ninetails! Or so he said in the english subs XD I want to see it alreadyyyy~


Biennial Prize for Women Playwrights
(Jan. 16, 2017) — Thanks to everyone who submitted to our biennial Prize for Women Playwrights during the most recent submission period of December 15, 2016 through January 15, 2017. We received over 150 scripts from around the country and overseas. These will be reviewed and finalists selected by a panel of Lexington-area theater professionals, and a guest judge, a nationally renowned playwright tba, will choose the winning script. Eric Seale will produce and direct the winning script for a world premiere performance in Kentucky, tba.
The Kentucky Women Writers Conference awards a biennial Prize for Women Playwrights to bring more scripts by women to the stage, through a collaboration among our program, a partnering theater, and a guest judge. The winner receives a world premier production for a paying audience, with royalties, plus a cash prize of $500. The winning script may be workshopped prior to its production. If you would like to receive our bi-monthly listserv with updates about this contest and our other programming, please send your request to firstname.lastname@example.org.
Producer and Director
Eric Seale, artistic managing director of Central Kentucky Community Theatre in Springfield, KY, and former director of Actors Guild of Lexington, will independently produce the winning script, with Jessica York as assistant producer. You can read more about Eric here and here.


Bas-Film-Club is a monthly film club, allowing members to suggest a movie which is available to watch online via Channel 4 on Demand or BBC Iplayer.
After we have watched the film, A group zoom video chat will follow, to facilitate discussion and debate around each film.
Bas-Film-Club is open to everyone, and if you would like to find out more information, suggest a film, please email firstname.lastname@example.org.
Film: Hypernormalisation and Cat People
Where: BBC Iplayer
Post Film Discussion Zoom Chat
When: Friday 15th May
Start time: 5pm
Zoom Link: https://us02web.zoom.us/j/84531403970
Register for a free zoom account here: https://zoom.us/signup


Hulu has renewed Marvel’s Runaways for Season 3, sources report.
The third season of the superhero drama is slated to premiere late 2019 on the streaming platform, per sources.
Season 3 will comprise 10 episodes, down from 13.
The renewal was also hinted by Hulu content chief Craig Erwich:
“We’re extremely happy with the performance of Runaways, both on a creative and performance scale.”
Per insiders, Hulu hasn’t set Runaways Season 3 as the last in the show’s run, leaving the door open for a potential fourth season.


I am pleased to welcome you to the website of the New Star Children's Theatre. My name is Dana Hendry and I am the Director of New Star. I have been directing children's theatre for over thirty years now, having started directing in 1978, in a little town called Trenton, Ontario, in Canada, when I was only 16 years of age. I had written a children's musical and held auditions, and ended up with the whole town backing me up, providing me with rehearsal space at the local rotary club, a way to record my own music at the local radio station, and a place to perform at the local high school.
Tickets for the SuperNova Performance Troupe "Putting On The Ritz" Dinner Gala are on sale now! The show is this Sunday, May 19th. Tickets will be $2 more at the door!
LAST CHANCE to auditions for the New Star Children's Theatre original production of "Aladdin and the Magical Lamp". Rehearsals are Mondays between 7:00 P.M. to 9:00 P.M. at the Community Clubhouse Auditorium, 7997 California Avenue, Fair Oaks and Thursdays at the Fair Oaks Park McMillian Center 8020 Temple Park Road, Fair Oaks. Call the Fair Oaks Parks and Recreation District at (916) 966-1036 to register.
It's not to late to audition for the New Star Children's Theatre SuperNova Performance Troupe. Rehearsals are Mondays at 5:00 P.M. at the Community Clubhouse Auditorium, 7997 California Avenue, Fair Oaks.
Register for the New Star Children's Theatre summer musical theatre workshop for children ages 4 - 17 years old. The cast in conjunction with senior citizens from Maidu Village Retirement Community will perform a joint production of the New Star Children's Theatre Elly-nominated original script "The Misadventures of Little Red and Goldilocks".
New Star Chidren's Theatre has announced the fall play, "Curtain Up". Curtain Up is an original New Star Children's Theatre production written by New Star alumni, Sacramento Elly-nominated playwright Melanie Thompson. This announcement has already created a "buzz" with New Star alumni who may just return to star in this popular show!
Our expectation for each and every member of the cast is that they achieve their personal best. We recognize that each performer is at their own level of talent and experience and each child is special for their own reasons. That is the philosophy that we work under in running New Star. This is not a theatre company for "Stars" but one that makes EVERY performer a STAR for their performances.
New Star Children's Theatre in Fair Oaks, California serves the greater Sacramento area. We produce both original as well as classic Broadway musical productions with children ranging in age from 4 to 17 years old. Every child who auditions is given a part in the show as we strive to develop each child's sense of confidence through training in singing, dancing and acting.
New Star Chidren's Theatre is proud to be offering programs through the Fair Oaks Recreation and Park District. The Fair Oaks Recreation and Park District is an independent special district in the County of Sacramento, serving the active and eclectic community of Fair Oaks since 1945. The District features nine (9) picturesque parks and several charming rental facilities available for virtually any occasion. The District also provides a wide range of recreation programming, including special events, day camps, teen programs and trips, adult sports leagues, senior activities, youth programs, and leisure enrichment classes.


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James Bond News
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View Profile - FormerBondFan (dcistheantichrist)
Mar 14, 2017 2:00:10 GMT -5
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There's no place for the traditional tall and dark-haired James Bond in this world anymore. Only ethnic actors, freaks/weirdos, robots, pets, and other direct opposites can play James Bond.....if they can act.


ATLANTA—Get ready for a spectacular Pink Carpet event. Tickets are now available at the box office for the premiere, “It Ain’t Over,” which will be held for two show events at the Fox Theatre Atlanta on Sunday, Oct. 30, 2022.
WLS Films is presenting this poignant film, which captures the journeys of patients and their families in their quest to conquer cancer. The premiere will benefit St. Jude Children’s Research Hospital.
Bishop William L. Sheals, senior pastor of Hopewell Baptist Church since 1980, is executive producer of the movie, the Pink Carpet event and a concert featuring Sounds of Blackness, Maurette Brown Clark, Dottie Peoples, Angela Wilson and the SFTS Band, which will be held in conjunction with the movie premiere. Sheals also stars as a hospital volunteer in the movie, helping to give patients hope in their darkest moments.


Writing Prompt: You’re writing a scene set in the past (say, between 1890 and 1912). Two people go out on a first date. They could take a walk in the park, see a play or visit the ice cream parlor. But what if she suggests something a little more offbeat? Or what if he’s just received two pairs of stilts from his eccentric great-uncle? Or a newfangled zipline has just opened up down the block? What happens next?