Not Worth Stealing
I say the hell with it.
Forget about remix. Why start with crap?
I haven't seen Downfall; it was made in Germany, not Hollywood, so it might not be total crap. But what arguments over the DMCA are distracting us from is that
MODERN MOVIES AREN'T WORTH STEALING!Take Avatar. It was released on video this week. It won THREE Oscars, and was nominated for six more including best director and best picture. It's a two hour cartoon with a juvenile story you could tell in one minute. Don't believe me? Here you go:
Evil militaristic corporation lands on pristine planet occupied by noble giant smurfs and priceless ore. Military begins wiping out smurfs but one honorable disabled underling falls in love with a smurf, goes rogue, and leads the resistance. Just as all seems lost, the planet itself rises up and crushes the invaders, and the hero is magically transformed into an able-bodied smurf himself. In 3D. With lots of heart-swelling music.Avatar is crap; the only good thing about its DVD release is that if you watch it at home, you'll be able to pause it every two hours so you can pee; I saw it in the theater and I was praying for a catheter by the halfway point.
Edward Jay Epstein's recent book "The Hollywood Economist" is depressingly clear about why almost every movie made today is crap. In a nutshell, it's because moviemakers can't get distribution deals for pictures which aren't guaranteed to herd teenage boys into the theaters in droves (read the book for more details). Epstein notes on his blog that crap teenager-magnets like Avatar are squeezing indie movies (which are still occasionally worth seeing) out of the theaters. Epstein's conclusion is this:
With the prospect of American distribution rapidly fading, indie producers are now finding pre-sale financing almost impossible. "It's a dead business model," a former Miramax executive said.Bingo. So let's get started.
If so how can Indie producers continue to make movies? They might be able to find wealthy individuals entranced enough with a movie fantasy to put up the money, but they still need to devise a new way in this digital age to distribute them to an audience willing to see something more than the movie versions of amusement park rides.
I promised you two years ago (I know, I know, but I've been busy…) that I'd post a business plan for a New Studio: "…a new business model that lets creative people make a decent living making good, cheap movies. [The New Studio is] going to trust its audience to pay for quality films. It's going to grow its fan base by distributing entire movies on the Internet with no DRM."
In the unlikely event you've been eagerly waiting for me to keep this promise, you're in luck. Here's the first installment:
What is The New Studio?The New Studio is a business model which uses the new technologies of low-cost digital capture and editing, high-quality low-cost print-on-demand services, and near-zero-cost electronic distribution to take creative control of cinematic storytelling away from producers and studio executives and give it back to writers and directors.
The New Studio is owned and managed by directors and writers, who produce their own material and retain artistic control of their work. Every director in a New Studio has final cut.
The New Studio accomplishes its financial goals by enabling motion pictures to be produced, marketed, and distributed cheaply enough that there is a high probability of a modest profit (and a smaller possibility of a large profit) for every film the New Studio produces.
The New Studio may accept investments by outside producers. Producers’ relationship with The New Studio is, however, financial rather than creative. In return for lower financial risk (that is, a more predictable return on investment than a traditional studio can promise), investors in The New Studio willingly leave all creative decisions to the New Studio’s writers and directors.
What are the The New Studio’s principles?Hollywood fears the web. Studios fear that releasing their movies on the web will destroy their revenue stream.
Fear of releasing movies on the web comes from a belief that the product is worthless – so no sane person would voluntarily pay for it. This belief is justified by most of today’s movies. They are made not to satisfy an artistic urge, or to tell a story, but to make money. A lot of money.
If you need to make 100 million dollars, you have no time to think about anything else. Including telling a story.
But you don't need to make 100 million dollars, because you don't need to spend 80 million dollars to make the movie and distribute it. In 2010 you can produce movies cheaply using new technologies, as Robert Rodriguez and others have demonstrated. You can distribute movies essentially free using the Internet. This means that, as long as you’re not greedy, there are stories you can afford to tell with the new tech which studios cannot afford to tell for theatrical release. This is good for the artists but bad for middlemen who add cost but not artistic value to projects.
People will want to pay for a story which is worth the money. No story is worth $100 million (well, maybe just a few. The Bible’s done pretty well at the box office…). But lots of stories are worth $2 million.
When you put content into electronic form you enable people to make an unlimited number of copies for free. There is therefore no such thing as theft. Want proof? If someone makes a free copy of my movie, what have I lost? Only something I never had: the copier’s money. (NOTE: If you thought Digital Rights Management could stop people from making copies, you’re confused. Study until you understand why you’re wrong. Until then, don’t bother us).
While there is no such thing as theft, there is such a thing as publicity. A good product, distributed widely, creates buzz and demand. This in turn generates sales.
People who see honest publicity for a good product want to buy it. Digital Rights Management is based on a worldview of shortage. Our worldview is abundance. We think our stories are good – so good that people who see them will want to own them. We want as many people as possible to see them because we know some (not all) of those people will pay us for them.
What does The New Studio sell?We sell access, experience, and artifacts.
Access to our products and, to a few lucky fans, access to the process of producing our products.
Experience of the magic of motion pictures – the willing suspension of disbelief, the entry into the story, the magic of the motion-picture production process, the glamour of our stars.
Artifacts including high-quality art produced specially for our customers and actual items used in the production of our motion pictures.
We make motion pictures and sell films.
- We release our motion pictures free on the Internet. In high-quality audio and video formats. Before theatrical release.
- We sell films. Not DVDs (which are just little round pieces of plastic and metal) – films. Films are released to the retail market simultaneously with free Internet release. The buyer of a film gets a high-resolution DVD with an excellent motion picture that tells a compelling story. This DVD is not region-coded or protected by DRM; the buyer can play it on any device, create any number of copies, and exhibit it to the public if he chooses. The film comes in a high-quality package which creates a film experience.
The motion picture at the heart of the film is reproduced on the highest-quality media available, so that it will last a lifetime. If media is scratched, or if it degrades, it will be replaced at no cost, with no questions asked – guaranteed.
The film is sold in one of three editions, and not everyone can own one. The first edition is the limited edition.
The limited edition film includes original, limited-edition collectible art art (a numbered 8x10 archival black-and-white photograph of one of the stars by an outstanding photographer) which will grow in value over time and which represents a connection between the filmmakers and the buyer.
The limited edition film includes a high-quality illustrated book containing production stills and a commentary on the production by the screenwriter and the director; this book is available only as part of the film editions.
The limited edition film includes a unique password for a website which allows the buyer to view dailies and other production details of the next motion picture produced by the studio.
The limited edition film includes a coupon which can be redeemed for two free tickets to see the motion picture in a local theater after its theatrical release (if it gets released to theaters!).
And the limited edition film includes a lottery ticket. The two winners of the lottery will be auditioned for roles in a future motion picture produced by the studio. If the winners are not cast in speaking parts, they will be cast as extras or given roles in the crew of the production.
The limited edition film will be available for only $50 per copy. Only 100,000 limited edition copies of the film will be produced – ever.
The second edition of the film is the special edition. The special edition film includes all the contents of the limited edition. It also includes a copy of the movie’s poster (signed by the director and shipped rolled, not folded) and a numbered 11x14 archival black-and-white photo of one of the stars by an outstanding photographer, signed on the front by the star and on the back by the photographer. This photo will be shipped ready for framing in a 16x20 archival mat. Both the poster and the photograph will grow in value over time and represent the personal connection between the filmmakers and the buyer.
The special editions of the film are available for only $250 per copy. Only 1,000 special editions of the film will be produced – ever.
The third edition of the film is the collector’s edition. These collector’s edition will include, in addition to the special edition film contents, two premiums. The first premium is an actual prop or costume used in the production of the film, with a certificate of authenticity signed by the director and the star most closely associated with the item. The second premium is two tickets to the theatrical premiere of the motion picture, if such a premier is held.
The collector’s editions of the film are available for only $5,000 per copy. Only 100 collector’s editions of the film will be produced – ever.
- We sell motion pictures via iTunes. No motion picture will be released to iTunes until three months after its free Internet release – guaranteed. The motion pictures will be optimized for high-quality playback on iPads and laptop computers, and will be free of any DRM restrictions.
Our motion pictures will be available via iTunes for only $4.99 per copy (for purposes of comparison, “Chicago” is sold on iTunes for $9.99 per copy).
- We sell prints of motion pictures to theatrical distributors. No motion picture will be released to theatrical distribution until one year after its free Internet release – guaranteed. This benefits buyers of films because they will have exclusive access to high-quality prints of the motion picture for a year before the motion picture is released to theaters. It benefits theater owners because they will have access to motion pictures with a proven fan base on the day of release.
How does The New Studio sell?We sell direct, over the Internet.
We create demand by letting people experience our motion pictures in their entirety, in high-quality reproduction, for no cost. Our customers are not thieves. They are fans. They appreciate motion-picture art when they see it. If they can afford to own motion-picture art, they will choose to buy our films because those films have lasting artistic value, are worth owning, and enhance their lives.
Some of our customers cannot afford our films, but they still love and treasure motion-picture art. We celebrate the opportunity to enrich their lives by providing them with excellent art, even though they cannot afford to buy a film. Many of these people will become more prosperous, and will buy our films in the future; others will pay for downloads of our motion pictures so that they can play them through iTunes. Fans who cannot afford to pay us in cash will pay us with their voices by recommending our motion pictures to friends. A few of our fans will be inspired to make their own motion pictures, and they will tell stories we cannot imagine – and that’s the best part of all.
How does The New Studio advertise?We don’t. Our product speaks for itself. People will recommend our motion pictures to their friends and companies will recommend them to their customers. Our motion pictures are so good that we think other people will want to use them to advertise their products and services. We approve. We will give a limited number of people and companies with influence, good taste, and good products permission to host our motion pictures, uncut, on their sites – individuals’ blogs and corporate portals – to help them advertise themselves and their products and services to their customers. If you think your audience or your customers would be attracted to your site by an excellent motion picture, get in touch. But hurry – we’ll grant this permission to a limited number of people and companies who believe strongly and early in the value of each of our motion pictures.
In the next entry, I'll run the numbers to convince you that the New Studio can make money.


Join the Asian Student Association (ASA) and the Bryn Mawr Israel Coalition (BrIC) for a screening of the film Noodle.
There will be refreshments, and we will be having a discussion about the movie afterwards.
At thirty-seven, Miri is a twice-widowed, El Al flight attendant. Her well-regulated existence is suddenly turned upside down by an abandoned Chinese boy whose migrant-worker mother has been summarily deported from Israel. The film is a touching comic-drama in which two human beings — as different from each other as Tel Aviv is from Beijing — accompany each other on a remarkable journey, one that takes them both back to a meaningful life.
Tuesday, November 10, 2009
8:00pm – 10:00pm


As a follow-up to yesterday’s wonderful breakdown of the corebook Archetypes, Darren G. Miller offers up another round of TV and movie-based inspiration for the Archetypes from the Bunch of SoBs line.
Over at Geekcentricity, Darren G. Miller breaks down the Streets of Bedlam Archetypes and offers up some examples from a whole bunch of a great TV shows and movies. Highly worth reading if you’re interested in different takes on the core Archetypes.
Well done, Darren! Seriously good stuff.
Coming to theaters on August 22nd. I am so gonna be there.
I came across the following comic book series and thought I’d share. It seems to be right up Bedlam’s alley. Peep the description:
Mysterious killers dressed in white, they savaged the Cold War Russian underworld—then disappeared. Now they have resurfaced in New York, leaving a trail of dead mobsters. In this bloody wake, an amnesiac and an FBI agent search for the answer to a single question: Who are the White Suits?
The four-part series just kicked off in both print and digital format. Click the pic below to check out the preview over at Dark Horse’s site.
As Streets of Bedlam was made possible through Kickstarter, I’d be remiss not to shine the occasional light on Bedlam-related projects such as Sebastian Guiterrez’s film Hotel Noir, a work that promises trenchcoats, revolvers, and femme fatales. Pretty classic noir stuff there.
Unlike some films seeking funding, Hotel Noir is finished. The filmmakers are seeking cash to get it shown in theaters so it qualifies for larger recognition (such as awards). As a backer, you can get a digital copy of the script, a lobby card, an backer-exclusive version of the film, and more.
What convinced me wasn’t the pitch but the cast. We’re talking Carla Gugino, Danny Devito, Rufus Sewell, Rosario Dawson, Malin Akerman, Robert Forster, Mandy Moore, and Kevin Connolly.
To hear the pitch, check out the video below. For more details, hit the film’s Kickstarter page. As of this posting, the run still has two weeks to go. It’s already hit funding, which is great, but these projects can almost always use more (and you can get some great swag to boot).
According to ComicBookMovie.com, the long-awaited sequel to 2005’s violent crime saga Sin City will be hitting theaters nationwide October 4th, 2013. Directors Robert Rodriguez and Frank Miller are back as are stars Mickey Rourke (Marv) and Jessica Alba (Nancy Callahan).
Sin City may as well be required viewing for how perfectly it fits the tone and feel of Streets of Bedlam. If you haven’t seen it yet, check it out. And get ready for the return next October.
I can’t speak for the quality of the final film but this trailer is dead-on Bedlam. It even has an Archetype as its title!
Give a click to check out Samuel L. Jackon, Luke Kirby, Ruth Negga, and Tom Wilkinson in this trailer for The Samaritan.


Master Class for Actors Tasker PA
Master Class for Actors Tasker PA is a ten week, 10 class scene study class taught by our Artistic Director and Master Teacher Maggie Flanigan. This class is filled through a personal interview with Maggie, and is geared toward well trained, professional actors who are looking to challenge themselves with rich, complicated material from the greatest playwrights of the theatrical canon.
Professional actors often find that years out of a classroom working and pursuing an artistic career can slowly corrupt the fundamentals necessary to creating a character. The majority of issues that come up for an actor can be traced to fundamentals. Maggie Flanigan’s Master Class will reconnect an actor to these important components of an actor’s technique; placement of concentration, listening from unanticipated moment to unanticipated moment, crafting in a specific, simple, and personal way, and breaking down beats into clear actions and line intentions. It can be very easy for actors to become general as the months and years of working on poorly written contemporary conversation erodes their craft. Over time, actors often take short cuts, gradually becoming lazy or forgetful when approaching a script. Master Class is a format for the experienced actor to isolate these problems, and work to eliminate generalities.
The Master Class for Actors Tasker PA will present you with the challenge of working on a major part from great playwrights, an opportunity to rekindle the love of acting and the joy that comes from artistic process. You will be challenged to once again operate outside your comfort zone, tackling much better material than you have most likely been auditioning for. Actor’s can often get pigeonholed into types, whether comic or dramatic, and haven’t been given the opportunity to stretch their artistic muscle. The scenes chosen for you will be discussed and agreed upon by you and Maggie, and subsequently paired with another professional actor in class. You will be encouraged to look at style, period, and heightened language when looking at scripts. The requirement for class is attendance, and a willingness to rehearse at least twice between classes with your partner. Maggie founded her studio on the highest of standards, and her Master Class students will be expected to bring substantial work into each class.
Maggie’s lifetime work is of course rooted in the Meisner Technique, and anyone considering interviewing for this class must have a strong technique rooted in fundamental skill and a working vocabulary that well trained professional actor’s possess. Maggie expects absolute seriousness and dedication to the ten-week class, with a true willingness to explore the human condition, a desire to function from a vulnerable and empathetic place, and a commitment to the work and to fellow classmates, which reflect the qualities of a serious, professional artist.
Register for Master Class for Actors Tasker PA
Students who are interested in registering for the Master Class with Maggie should contact the studio to get more information and detail about how to register. Call (215) 600-1669 to register for the Master Class for Actors.
Master Class for Actors Tasker PA – Meisner Studio Tasker PA
Meisner Studio Tasker PA provides the Master Class for Actors from Tasker PA for students and actors from these areas of Philadelphia: Center City, Avenue of the Arts, Callowhill, Chinatown, Elfreth’s Alley, French Quarter, Logan Square, Naval Square, Jewelers’ Row, Market East, Old City, Museum District, Penn Center, Rittenhouse Square, Fitler Square, Penn’s Landing, Society Hill, South Street, Washington Square West, Midtown Village, South Philadelphia, Bella Vista, Central South Philadelphia, Devil’s Pocket, East Passyunk, East Passyunk Crossing, Franklin Delano Roosevelt Park, Girard Estate, Greenwich, Grays Ferry, Hawthorne, Italian Market, Little Saigon, Lower Moyamensing, Marconi Plaza, Moyamensing, Newbold, Packer Park, Passyunk Square, Pennsport, Two Street, Point Breeze, Queen Village, Schuylkill, Sports Complex, Tasker, Wharton, Whitman, Wilson Park, West Passyunk, Southwark, Graduate Hospital, Southwest Philadelphia, Angora, Bartram Village, Clearview, Kingsessing, Eastwick, Elmwood Park, Hedgerow, Mount Moriah, Paschall, Penrose, Southwest Schuylkill, West Philadelphia, West Philly, Belmont Village, Carroll Park, Cathedral Park, Cedar Park, Centennial District, Dunlap, Garden Court, Haddington, Haverford North, Mantua, Mill Creek, Overbrook, Overbrook Park, Overbrook Farms, Parkside, Powelton Village, Saunders Park, Spruce Hill, Squirrel Hill, University City, Walnut Hill, Woodland Terrace, Wynnefield Heights, Lower North Philadelphia, Brewerytown, Cecil B. Moore, Hartranft, Ludlow, Poplar, Sharswood, Spring Garden, Stanton, Strawberry Mansion, Yorktown, Fairmount, Northern Liberties, Upper North Philadelphia, Allegheny West, Fairhill, Glenwood, Hunting Park, Nicetown-Tioga, Bridesburg, Fishtown, Harrowgate, Kensington, Port Richmond, Andorra, East Falls, Wissahickon, Roxborough, Manayunk, Chestnut Hill, Mount Airy, Germantown, Morton, Wister, Cedarbrook, East Oak Lane, Feltonville, Fern Rock, Koreatown, Logan, Melrose Park, Ogontz, Olney, West Oak Lane, Northeast Philadelphia, Burholme, Castor Garden, Crescentville, Fox Chase, Frankford, Holmesburg, Juniata, Lawncrest, Lawndale, Lexington Park, Mayfair, Northwood, Oxford Circle, Rhawnhurst, Ryers, Tacony, Wissinoming, Academy Gardens, Ashton-Woodenbridge, Bustleton, Byberry, Crestmont Farms, Krewstown, Millbrook, Modena Park, Morrell Park, Normandy, Parkwood, Pennypack, Somerton, Torresdale, Upper Holmesburg, Winchester Park
Meisner Studio Tasker PA provides professional acting classes and training programs for working actors and serious acting students from the Philadelphia area. Learn more about these classes here: Meisner Studio Tasker PA


A file relating to the production of the wartime documentary film Raid Report, released in 1943 by the Ministry of Information. The film addresses the use of stereoscopy by the R.A.F. to decipher reconnaissance photographs of bomb damage taken over Germany and Italy. The file contains a shooting script; production credits; and documents relating to the film's licensing and distribution.
air raids, aircraft, bomb damage, dockyards, factories, film, fires, German home front, high-explosive bombs, housing, incendiary bombs, military operations, munitions, photography, railway stations, reconnaissance, technology


Select a name
Patrice Bell* as Tonya
Stage credits include: A Midsummer Nights Dream, You Can't Take it With You, and Little Shop of Horrors. Film/TV credits: Gabriel, The Onion News, and Six of One. Patrice is a Magnum Cum Laude graduate of the University of Central Florida Theatre Conservatory and a 2012 Mary Louise Rockwell Scholarship recipient at Primary Stages/ESPA. She is also a member of the NYC based vocal ensemble Bending Threads. www.bendingthreads.com “Success through Longevity!”
Nicholas De Sibio as Marcus
Singer, actor, writer, director and producer. Some favorite stage roles: Treplev, The Seagull (Columbus Rep. Theater), The Prince, The Sneezing Prince (Queens Theater in the Park), Robbie, Oscar (NY Performance Works, NYC), Raul, Extremities (Phil Bosakowski Theater, NYC) and Leona, Working Out With Leona (Courtyard Theatre, NYC). Directing credits include: The Stronger (Studio Theatre, NYC), Behind The Veil (Medicine Show, NYC), The Ties That Bind (Winner Sam. French Short Play Award, NYC), No It’s Not My Period (Ensemble Studio Theatre, NYC), Even Supermodels Get The Blues (WomenKind Festival NYC) and The Gift (TrueBoo Productions). His solo work, Strange Fruit, was performed at Ensemble Studio Theatre (NYC), Surf Reality (NYC), Dixon Place (NYC) and the 78th St. Theatre Lab (NYC). Most recent performance: Office Politics “Cabaret Benefit” (Metropolitan Room).
Josh Doucette* as Len
Josh Doucette is pleased to make his debut with Long View Theater. He has worked regionally with Chicago Shakespeare, Steppenwolf Theatre, The Pearl Theatre, and Nebraska Shakespeare, among others. He received a BFA from Creighton University, and an MFA from The Chicago College of Performing Arts. www.joshdoucette.com
Philip Guerette* as Greg
Philip is thrilled to be working with Longview. Select theater credits include Twelfth Night and The Grapes Of Wrath at The Shakespeare Theater of New Jersey, The Wild Duck and The Glass Menagerie at THEATREWORKS Colorado, and Dracula at Cohoes Music Hall. He plays Daniel Wesson in the upcoming National Geographic miniseries American Genius.
Carson Lee* as Bruce
Carson has worked professionally in New York as well as the Minneapolis/St. Paul area. New York credits include: The Water Children, Goodly Rotten Apple Productions, The Tenant, Theater for the New City, as well as the short film Sweetness. Twin Cities: Mixed Blood Theater, Frank Theater, Park Square Theater, Old Log Theater, and Starting Gate Productions. He received his B.A. in Theatre Arts (emphasis in acting) from Augsburg College in Minneapolis.
Molly Lovell as Ingrid
Molly received her training at the American Academy of Dramatic Arts. She is also the founder and artistic director of the Long View Theater Company. Some of her roles include: Catherine – And Miss Reardon Drinks a Little, Jane – Jane's Birthday, Ginger Reed – Book of Days, Female Lead – Blue Room, Daisy –Return Engagements, Linda – Talk Radio, Helena – Scenes and Revelations. Molly's Los Angeles credits include sketch comedy work with the talented actors at the Sacred Fools Theater as well as commercial work.
Maria Wolf* as Karen
Maria Wolf is thrilled to originate the role of Karen in Office Politics. Previous roles include Madame Irma in The Balcony, Vita Sackville-West in Vita & Virginia, Sunny Jacobs in The Exonerated and Lotte Schoen in Lettice & Lovage. A big thank you to Marcy Lovitch for writing this important play and to David for his love and support.


For a University claymation project I wanted to re-create one of my favourite iOS games, Monument Valley, with Lego. While the final project turned out to become something completely different, I learned a lot about many of the optical illusion techniques used by M. C. Escher.
First I began to sketch some illusions in Illustrator.
Next I visited the Lego Store to inquire about purchasing large orders of bricks. Lego felt like the perfect building material for such a project as each brick is cut proportionally. One challenge, however, was covering the rough top surface of each brick. Leaving it open would give away the illusion in the final film. Since the Lego Store receives only select colours and models, my only colour choice for the project was bubble gum pink. The store had both 2×4 bricks and 1×2 tiles for covering the top.
I then sketched a rough storyboard with Paper and developed a dope sheet as a guideline to follow for shooting. When actually shooting the film, this ended up being thrown out the window.
Finally, after setting up the lighting and working on the characters with a classmate, I shot the film using iStopMotion on iPad and iPhone. While I used a green screen in the background, I think if I were to shoot the film again I would prefer to build a real background set as well. The cloud effects added in post, using Motion, gave the clip a much more digital feel that didn’t fully align with my vision for the final piece.


The fourth and latest reboot of 1937’s “A Star is Born” opened in theaters this past weekend. Bradley Cooper, who plays the lead role of famous musician Jackson Maine, brings a grunge-rock feel to the film, which is set in present time, while bringing in a timeless love story that struggles to balance fame and fortune with alcoholism and drug abuse and leaves everyone crying in their seats.
Besides playing the lead, Cooper directed the film and co-wrote it with Will Fetters and Eric Roth.
“A Star is Born” is focused on Jackson, a country rockstar who helps a young singer named Ally (Lady Gaga) find fame while dealing with his own demons, which are sending his career into a downward spiral.
Cooper, with a haggard voice and disheveled appearance, persuasively plays the role of a struggling alcoholic and drug abuser. Cooper interprets his character in a way audiences have never seen him before. Together with Lady Gaga, he plays guitar and sings throughout the movie, and the soundtrack’s standout song, “Shallow,” is currently the number one song on iTunes.
The realism of Gaga’s performance stems from similarities between her life and that of her character. Gaga has said before that, growing up, she struggled with being made fun of for her appearance, and her character Ally experiences these same problems and learns how to overcome them in the movie.
The movie begins when Jackson, in need of a drink after his show, walks into a drag bar where struggling artist Ally is singing Edith Piaf’s 1945 song “La Vie En Rose.” From the very first look, it’s clear he is smitten.
As their feelings collide, so do their musical talents. They write a song together in the middle of the night, and Jackson invites Ally on stage to perform the new song with him at his show the next day. By the next day, the song goes viral, and everyone wants to know who the new hit singer is with Jackson Maine. Ally lands a record deal that changes her world forever but also puts a hardship on her relationship with the rockstar.
The nearly two and a half hour-long film is divided in two parts, where the first half of the film is focused on the excitement of new love. When Ally’s career takes over in the second half, Jackson Maine takes a backseat, and the film shifts away from what made the first half so intriguing.
In an interview with People TV, Cooper said that he knew for sure this movie was a go after singing with Gaga one day in her home. He also said that there are several things for the viewer to take away from this new movie about trauma and what it means to have someone by your side.


Howard Kurtz gets it wrong about North Korean censorship of American movies:
Sony’s unforgivable blunder was in making this misbegotten movie in the first place. I mean, an assassination “comedy” that includes Kim Jong Un’s head being blown up, with an internal debate over how much his hair should be on fire? As Greta Van Susteren tweeted, “Anyone who has been to NK knows how dangerous it is and would not have been so stupid to make that movie.” Sony Pictures and Seth Rogen didn’t even have the wit to make it about a fictional regime with a short leader.
Imagine the outrage if the North Koreans or anyone else made a film that showed President Obama being graphically killed? Yes, I know “Death of a President,” a 2006 film that showed the murder of George W. Bush, won an award at the Toronto film festival, and I find that despicable. But fortunately, most people never even heard of that monstrosity.
Going back to Charlie Chaplin’s The Great Dictator, films have been ridiculing tyrants. That the film displeases the tyrant is to be expected. Kurtz is right that the film about George W. Bush’s assassination is despicable. Bush was the twice-elected leader of a liberal democracy—indeed the sort of fellow who kills tyrants, just ask Saddam Hussein. Kim Jong-un is not George W. Bush. Kim Jong-un causes the suffering and premature death of millions through his policies. Kim Jong-un deserves assassination, both on film and in real life. Kurtz ought to learn that.


This is one of the films we made and is called 'The Guardian's Choice'. I hope you enjoy it!!!
We are involved in FIS which is a 3 year project whereby at the end of every year we produce a film. The children learn the process of making a film.......writing a script,storyboarding, how to use a camera, direct and act. The teachers involved are Sinead Gillespie and Aine O'Loughlin.There are 2 different groups involved. This year Sinead Gillespie's group were from 5th and 6th and their film was called 'Family Affair'. Aine O'Loughlin's group were from 2nd, 3rd and 4th and they made the film 'The Magical Journey'.We got the opportunity to go to view our films on 14th June in the cinema. We had a great time and was all the better seing it on the big screen. 'The Magical Journey' won the regional stage and now goes through to the Helix in Dublin for the National FIS FilmAwards in October. We are all very excited!!!!!The children from Junior to 6th got a chance to see the films in the hall on 21st June. All the children really enjoyed making the films.


Travis McMaster - Mark Whitten
- A Little About Us -
Travis and Mark are a creative duo who have been creating audio drama podcasts for 6 years now.
Travis is the writer and creator of The Hotel. Additionally he created and continues to write for the sci-fi anthology "The Theatre of Tomorrow", our sister show. He is also a screenwriter, and works on a number of projects with the production company, Bent Entertainment.
Mark is a voice actor who can be heard in numerous animated series and video games from companies like Disney, DreamWorks, Sony Playstation, Square Enix, Nintendo, and Bethesda to name a few. In addition to voicing the Lobby Boy, Mark also designs the soundscapes for The Hotel.
The Hotel was conceived by Travis as a vessel for short form horror that is both poetic and cosmically disturbing. A departure from our sci-fi roots with "The Theatre of Tomorrow", The Hotel is a more intimate and surreal experience. The story of our staff, and the Hotel herself, develops in deeper and deeper complexity with each passing season.
We hope you enjoy your stay with us...


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Last March, just before COVID-19 caused most of the world to go into lockdown, I actually went to a movie theater. That’s how I got to see Emma. in all its glory on the big screen, just like God and Hollywood intended.
And what a treat it is! Emma. is a confection of a movie, whipped up in pretty candy color hues of yellow, blue, and pink. This visual sweetness is offset by Jane Austen’s tart observations. The story is further embellished with lush scenery, beautiful costumes (I don’t think Emma wears the same gown twice), and a soundtrack featuring Mozart and Haydn as well as traditional English melodies.
Emma was the fourth novel Jane published, and by 1815 when the book came out she was a successful author writing under her own name. Her fame was such that even the Prince Regent was an admirer. Through an intermediary, he invited her to dedicate Emma to him.
|The Prince Regent in 1816|
That request must have bemused Jane. She was no fan of Prinny; she sided with his estranged wife Caroline of Brunswick. Writing about the royal couple in 1813 to her friend Martha Lloyd, Jane said: “Poor woman, I shall support her as long as I can because she is a Woman, and because I hate her husband.”
But Jane must have realized that when the future king asks a favor, it’s best to grant it. So Jane wrote a rather fulsome dedication anyway, calling herself “His Royal Highness’s dutiful and obedient humble servant.” I like to think she wrote it tongue-in-cheek.
What sets Emma apart from Austen’s previously published novels is that the young heroine is immature and not very likable at the outset of the story. Unlike Elizabeth Bennet in Pride and Prejudice or Elinor Dashwood in Sense and Sensibility, Emma lacks self-awareness. She’s good-hearted but basically self-centered.
“Handsome, clever, and rich,” Emma is a big fish in a small pond and occupies the top tier of her local society. Immune to her own privileged circumstances, she can be surprisingly insensitive and even carelessly cruel to people of lower rank.
And she is quite full of herself. She thinks she knows what’s best for everyone, and doesn’t scruple to manipulate people and situations to achieve her aims.
So it’s not surprising that Emma decides to conduct a social experiment. She takes a less fortunate school friend under her wing and decides to play matchmaker.
Harriet Smith doesn't know who her parents are, but she does know that someone is paying her tuition. It's assumed that she is "illegitimate," the offspring of unwed parents, and in those days illegitimacy was almost always an insurmountable barrier to social acceptance. But Emma arrogantly believes that her friendship and guidance will be enough to elevate Harriet from her inferior rank into a higher social stratum.
So Emma convinces Harriet to reject a humble farmer’s proposal and set her matrimonial sights instead on the local vicar.
And as Emma counsels her protégé, she also meddles in the lives of several people in her social circle. All the while Emma is oblivious to what’s really going on beneath the surface. Wealthy and wise local landowner Mr. Knightley tries to warn Emma, but she refuses to listen until it’s almost too late.
Emma’s saving grace is that she matures throughout the book. She’s sincerely contrite when she realizes her mistakes and she does her best to make amends. And of course, there’s a happy ending for everyone involved.
Austen described Emma as a character that no one other than herself would much like. But history has proved Jane wrong. Emma is one of Austen’s most popular novels. It’s comical, light-hearted, and fun.
Plus, there’s something rather endearing about Emma that shines through all he machinations. After all, she means well, even though most of the time she has no idea what’s going on.
In recent years Emma has been in vogue, with four mostly faithful adaptations of Austen’s novel. In 1996 there was a television movie starring Kate Beckinsale in the title role. That year also saw a lavish big-screen version of Jane’s tale with Gwyneth Paltrow in the lead.
Fast forward almost a decade and you have a four-part BBC miniseries in 2009, starring Romola Garai. And of course, just this year there’s Emma. with Ana Taylor Joy. (The period in the title is intentional – the director wanted to stress that this is a faithful adaptation of the novel, a real “period piece”).
But my favorite adaptation of Emma is 1995’s Clueless, a sparkling modern take on Jane’s classic story.
In Clueless, Emma is portrayed by Alicia Silverstone as an entitled but sweet Beverley Hills teenager. The setting is about as far away from the early 19th-century English countryside as you can get, but somehow this film captures the spirit of Austen’s story better than the other adaptations, in my opinion.
But you can judge the best adaptation for yourself. Even though cinemas remain closed for most of us, you can still see the theatrical release of Emma. For $15 you can download it on YouTube, Amazon Prime, or Google Play.
Take it from me, this movie is a great way to sink into Jane Austen’s world and forget about the present, at least for a couple of hours.
Do you have a favorite Emma adaptation? Tell us in the comments.


He is an actor, director and drama teacher with artistic experience in Peru and France since 1998. He graduated from the School of Education and School of Drama (TUC) in 1998. He is currently studying a Master’s degree in Performing Arts.
He completed a specialization course at the École de Théâtre Jacques Lecoq in Paris, France (2001-2002). In addition, he has worked as an actor, assistant director and director in several theatrical productions in both France and Peru.
Since 2012 he has been a drama teacher in several universities as well as the Conservatorio Nacional de Música. He also teaches drama in his own theatre group called "Ají Teatro", and in the independent theatre school "El Bardo". In 2019, he directed the play "Saint-Ex: El hombre detrás de El Principito" at the Ricardo Palma Theatre.
CHELA DE FERRARI Art Director, La Plaza Teatro
MIGUEL VALLADARES VIVES General Manager, Tondero
MIGUEL IZA Actor
CLAUDIA SACHA Theater Producer
CÉSAR DE MARÍA Creative Director
DENISE DIBÓS Art Director, PRELUDIO Asociación Cultural
OSWALDO CATTONE Director and Producer, Teatro Marsano


“Life in the Park” is intended to be an intimate experience. It is set on a nearly empty stage, as there is only a park bench, a trash can, a lamp post, and a leafless tree. The set is fixed. There are no scene changes. A backdrop image is optional. Costumes are simple and do not require a large budget. There are only 5 actors, making this a perfect fit for a small theater. If performed in a larger theater, I recommend one that does not exceed 400 seats. A larger theater should be nicely raked to maintain the up close and personal experience. A trio of musicians can be seen upstage left. That consists of piano, rhythm, and cello.
The play is one act and runs about 100 minutes (making it a full length play). There is no overture. There is only a short opening piece that is played as our main character, Humphrey, enters…..and the play begins.
The play tells the story of two homeless people, Humphrey and Constance. The audience will view the struggle of their everyday life, in a cold, wintry, city park. Humphrey is the fatalist, while Constance maintains a nervous form of optimism. The two find themselves sharing bits of themselves with each other, one day in the park. The play takes place on a single day in the park and ends the following morning. The other characters are Lulu (a prostitute), Derek (an artist), a disabled Veteran (in a wheelchair), and a goody-two-shoe wife and her philandering Husband. These characters show up in the same city park.
The music is fresh, yet rich with many layers for the actor to dig deep. All actors are featured with their own songs. The cello lends a certain voice to the play, as only its somber tones could do. The lyrics get to the heart of the matter.
This is a play about friendship, circumstance and choices. I hesitate saying that this is a play about the homeless, specifically. Granted, the main characters are homeless, but its message is universal and will speak to each audience member in a very personal way. When performed as I intend it to be performed, “Life in the Park” should provide the audience with a touching, thoughtful, emotional journey. Hopefully, one that they will remember.


Aashram: The show features Bobby Deol in the role of self-styled godman Kashipur Waale Baba Nirala, whose ashram is a front for crimes.
The first season of Prakash Jha directorial series ‘Aashram’ was a resounding success and now the team has wrapped up the shooting for their much-awaited season 2.
The show features Bobby Deol in the role of self-styled godman Kashipur Waale Baba Nirala, whose ashram is a front for crimes.
Adhyayan Suman, who plays the role of Tinka Singh, took to his Instagram handle on Thursday to announce the news of the wrap.
He posted pictures of the cast and crew along with the caption, “A show that resurrected me! It’s a wrap for #aashram2! Love you praksh ji for giving me TINkA SIGH! And thank you @jhadisha always baby! Thank you to the entire cast and crew! You all became family! Can’t wait for y’all to see the new season! Japnaam!”
The pictures also include actors Chandan Roy Sanyal, Darshan Kumaar and Sachin Shroff.
The first season of ‘Aashram’ was released on the OTT platform MX Player and was a resounding success.
Sharing his excitement for the same, Chandan Roy Sanyal, who played the role of ‘Bhopa Swami’, the right-hand man of a self-styled godman called Kashipur Waale Baba Nirmal (played by Bobby Deol)shared, “Aashram marked a turning point in the trajectory of my career. It gave me a special identity as an actor. The production team is taking all the necessary precautions and the love for making content people will love is palpable during the shoot. Revisiting Bhopa Swami is very exciting for me because this season is all about new twists.”


The Vampire Diaries Season 1 - Episode 2 [UPD]
"The Night of the Comet" is the second episode of the first season of The CW television series, The Vampire Diaries, and the series second episode overall. It originally aired on Thursday, September 17, 2009. The episode was written by Kevin Williamson and Julie Plec and directed by Marcos Siega. The title references the 1984 cult film Night of the Comet.
The Vampire Diaries Season 1 - Episode 2
"The Return" is the premiere episode of the second season of The CW television series, The Vampire Diaries and the 23rd episode of the series overall. It originally aired on September 9, 2010. The episode was written by Kevin Williamson and Julie Plec and directed by J. Miller Tobin.
The episode starts from exactly where the last episode of the first season ends. Elena (Nina Dobrev) walks in the door and she hears a noise in the kitchen that makes her go check what is happening. She finds John (David Anders) lying on the floor and she immediately calls 911. Katherine is standing right behind her and John warns her about it. Elena grabs the knife and tries to see who is in the house but Katherine leaves before the two meet. Elena rushes to Jeremy's (Steven R. McQueen) and finds him unconscious in his bed.
Matt Richenthal from TV Fanatic rated the episode with 4.2/5. "On "The Return," viewers were welcomed back to Mystic Falls with a slow three-quarters of an episode, as the show caught us up on events from the finale, moved pieces and characters around and laid the groundwork for what was to come." Richenthal, praised Somerhalder's acting once again: "We praised Ian Somerhalder's work every week on season one, but it must be highlighted again. [...] ...and, man, did Somerhalder sell his character's pain well."
Josie Kafka of Doux Reviews rated the episode with 3.5/4 saying that it looks like it will be a great season. "The Season Two premiere was top-notch, and set up plenty of meaty, angsty, delicious goodness for the rest of the season."
Diana Steenbergen of IGN rated the episode with 9/10. "This episode was packed from start to finish, complete with more than one shocking twist at the end. If this episode is an indication, we can put aside any fears that the second season of the show will be less fun than the first."
Popsugar of Buzzsugar gave a good review to the episode stating: "Even if it wasn't quite as crazy as I had hoped, it's setting the groundwork for what'll surely be a thrilling arc" while Alyse Wax of Fearnet said that the last 10 minutes saved the episode from being a total loss: "The action picked up, those ends began to unravel, and intrigue returned to Mystic Falls. I am officially ready for the season to unspool."
Den of Geek gave a good review to the episode saying that the episode didn't disappoint and that the show knows how to begin with a bang. "Personally, I was pretty impressed with the amount they managed to squeeze in here. I thought that the writing was exceptional, and there were quite a few memorable scenes for us as well. The heart to heart between Damon and Stefan was my favourite. [...] For the most part I was pleased with the premiere of the second season."
Elena rings the bell at Stefan's and they walk outside to watch the comet overhead. She admits to being scared earlier when she talked with Stefan since she's not sure she'd survive if her world broke apart again. They discuss what they each would have written in their diaries if they'd had the chance. Stefan looks at Elena and says that this is reality right here. They share a tentative kiss followed by a more lingering one. Caroline is in bed with a guest: Damon. He looks up from kissing her stomach and changes into his vampire form before biting her.
Based on the same-named book series authored by L. J. Smith, The Vampire Diaries is an American supernatural adolescent drama television series created by Kevin Williamson and Julie Plec. The CW broadcast the first episode of the series on September 10, 2009, and it ran for eight seasons, airing 171 episodes till it was cancelled on March 10, 2017.
*SPOILERS AHEAD* Ok, it looks like each episode will start off with a bang! Somebody getting attacked by a vampire?As Mystic Falls gets ready for it's Fall Festival for a comet passing by. Poor pretty girl Vicky is still recovering in the hospital and is visited by Stefan who tries to use his powers to see if she remembers anything about her attack. One wild pretty cool scene is when Stefan is looking around the hospital and walks in a room of blood donors, his eyes turn black and he has to get the freak out of there!Aunt Jenna is made to feel like she's failing being a guardian to Elena and Jeremy by a trouble making Mr. Tanner.Jeremy also pays Vicky a visit and keeps reminding her he likes her and she politely tells him she older, but she does it with a smile so maybe she's slowly giving in. I think this is how it'll play out.As Elena visits the Salvatore home she finds Stefan is not there at first but she gets to meet Damon who fills her in on Stefan's last girlfriend. As Stefan walks in on the two talking he unhappily insists Elena leave and then he and Damon have a talk and Damon gives him a harsh reality check that the closest he'll ever be to being human is biting the flesh of a neck.As everyone talks and preps for comet night. Elena bumps into a polite Stefan who talks about the comet and apologizes for his rude behavior.Poor Vicky keeps having crazy dreams. Like really crazy (vampires are after her) dreams. I wonder why! As she wonders around she runs into Damon and says "I know you" to his answer of"well that's unfortunate". Then the scene jumps to her in the bathroom as he's rushing her with fangs in full force! Stefan hears Vicky crying at a far distance and finds her along with Damon teasing dropping her from a building top.Damon's influence proves to be much stronger than Stefan's. Damon tried to talk Stefan into feeding on Vicky to get stronger but Stefan refuses to feed on her. Damon plays to Stefan's weakness and then releases Vicky.Stefan's secret might have been compromised bu Bonnie.Aunt Jenna and Elena have a cooling off sit down. Jeremy see's the girl he loves (Vicky) kissing another guy. Caroline runs into a hungry Damon. Elena finds Stefan to watch the comet with her and she talks a little about her "diary" and they have their first kiss.This weeks verdict: You know what! This show is growing on me. Now I know it's for the teenie audience but it has great writing, a little darker than Twilight (which I applaud) and it's building it's character's in a slow smart way, not just shoving them in your face and leaving you to figure things out for yourself.
Over the course of The Vampire Diaries, Elena dated both Salvatore brothers, but when did her heart first beat for Damon? They shared their first kiss in the season 2 finale and didn't become more intimate until season 4 after she'd become a vampire. In season 6 after Damon and Bonnie become trapped in a prison world, Elena admits exactly when she first realized she had feelings for the eldest Salvatore.
Damon admitted his love for Elena in The Vampire Diaries season 2, episode 8, "Rose", when he returned Elena's vervain necklace to her. Before handing the necklace over, Damon compelled Elena to forget his confession. Perhaps he shouldn't have, because Elena started pining for her boyfriend's brother back during season 1 of The Vampire Diaries. According to Elena's own account of things, she knew she had feelings for Damon in season 1, episode 19, "Miss Mystic Falls" when Damon stepped in to act as Elena's escort after Stefan failed to show. 041b061a72


Art has always been a part of my life. As a little girl, I would draw, paint, sing, and reenact the children shows that I would watch on a daily basis, props and all! Everyday of my childhood was filled with the music and dance styles of my culture and soon I started taking voice lessons at age eight which sparked my love for performing. I haven't wanted to stop ever since.
I trained in classical singing and spent my middle/high school years performing in any choir I could be a part of. I was exposed to my first musical theatre show tune in eighth grade and found myself in musical theatre class sophomore year. It was the beginning of my love story with theatre. I knew that a life and career in theatre was what I needed to do forever. My education continued from there and I graduated from Palm Beach Atlantic University with a B.A. in Theatre Arts with a Musical Theatre concentration in 2018.
Post graduation, I started to work with various theatre companies and grasped every theatrical opportunity that came my way. I recently wrapped up my first national tour and just joined the opening cast for the reopening Festival of The Lion King at Walt Disney World Resort. I am an artist who is passionate about storytelling and bringing heart into all the stories I am blessed with the opportunity to tell. My hispanic roots are a huge part of who I am, and I am proud to be a part of the latina representation, onstage and off. Art is for everyone and I aspire to use my voice inspire, encourage, and create joy for others.
Whenever I am not singing my heart out, you can find me binge watching the latest Netflix sensation, going on a coffee run, spending time with my friends and family, and just loving every part of life. I am so excited that you found my site! Please reach out with any questions you may have.
"Let everything you do be done in love."


Even if the title suggests a synthesis of the story that would take it back to its most basic, abstract logic, that´s not necessarily the path chosen by this film. Because, first of all, the action takes place in a very concrete and defined territory: Patagonia; and it conducts a deep exploration of that landscape by using audiovisual resources in the most liberating way. But, also, because in the film there is a wandering character who sets an itinerary that, rather than accumulating incidents, goes for an adventure that’s free from conventional limits, even those of minimalist portraits. However, Sebastián Díaz Morales’ film doesn’t rest at all on the beauty of the landscapes; instead, it leads to junctions that range between realism and strange performances, from aerial travelling shots to extended fixed ones, from visual and verbal poetry to unaffected descriptions. In the end, those crossroads are where the film finally manages to find its vanishing points.
The alluring images in his films speak clearly for themselves, for they usually lack of dialogue. This aspect lets the artist give the audience all they need to create their own individual and personal story, without imposing any set structure. The video installation Oracle alternates a series of apparently random images that are not linked one to the other. They just follow on, like the tesserae in a mosaic that is still to be completed. The title seems to allude to the tradition of the Greek Oracle as a source of wisdom and prophecy, capable of offering a vision of the future through a combination of elements from the present. A plastic bag moved by the wind, a solitary man staring at the sea, and a solar eclipse are just some of the images that appear on the screen as propitiatory signs, and with which the audience can create their own free response.


The Huntsman: Winter’s War
This sequel introduces Freya the Ice Queen (Emily Blunt), sister of the wicked villainess (Charlize Theron) in Snow White and the Huntsman. The frosty monarch is trying to get her hands on the Magic Mirror, and the only hope of stopping her evil plan is Eric the Huntsmen (Chris Hemsworth) and his forbidden love Sarah (Jessica Chastain).
You've seen the photo, now hear the story -- or at least what the scriptwriters believe to be the conversation that took place between Elvis (played by Michael Shannon) and Nixon (played by Kevin Spacey) on the day in 1970 when a famous snapshot of the two was taken.
The Jungle Book (2016)
Disney's version of The Jungle Book comes to the big screen as a live-action movie. Once again you may follow the story of Mowgli (Neel Sethi), a boy adopted by a wolves, and his unusual journey to manhood.
Barbershop: The Next Cut
The old neighborhood just ain't what it used to be, so Calvin (Ice Cube) and the workers at his barbershop decide to help clean up the community.
A dangerous situation ensues after the CIA, in desperation, puts the memories of a deceased agent (Ryan Reynolds) into the mind of a volatile convict (Kevin Costner).
This movie is filmed like a first-person-shooter video game. You are Henry, a man suffering from amnesia after being brought back to life as a cyborg. All you know is that someone has kidnapped your wife (Haley Bennett) and now they are trying to kill you...
The Boss R
After doing her time in jail for insider trading, a business tycoon (Melissa McCarthy) attempts to find somewhere her skills can again be put to use. So she takes on the promotions and sales for a young girls' club, where she uses a crass and bullying approach to selling cookies.
God’s Not Dead 2
A teacher (Melissa Joan Hart) who makes religious comments in her classroom finds herself in court with the future of her career in jeopardy.
Good behavior during the Christmas season takes on a whole new sense of urgency when an evil spirit is sent to punish those who fail to toe the line.
Ride Along 2
Even though the wedding is booked, Ben (Kevin Hart) begs to ride along on a working trip to Miami with his future brother-in-law (Ice Cube) to help the cop take down a drug dealer.
Jane (Natalie Portman) arms herself after her husband (Noah Emmerich) is shot by a gang of outlaws. But if she is going to take down the Bishop Boys, she is going to need the reluctant help of a former flame (Joel Edgerton).
Norm of the North
When a polar bear named Norm (voice of Rob Schneider) discovers that a land developing company plans to put human houses in his Arctic homeland, he heads to New York City to confront those responsible.


At 50 Forward Verona Beach we offer a variety of clubs, card playing groups, and hobbies for our members to partake in!
Senior Theater meets the first and third Monday of the month. This month Senior Theater will present an enjoyable and entertaining program of “readers theater” a form of theater where lines are not memorized but read by actors from a script. Senior Theater performs a variety of plays and skits that includes comedy and drama, as well as seasonal sketches. Actors use vocal expression to help the audience understand the story and visualize the action by hearing the script read aloud.
Movie Club meets the first Tuesday of the month. This March we will be watching Spies Like Us starring Chevy Chase and Dan Aykroyd. There is a suggested donation of $1 for popcorn, or bring your lunch to eat as you watch.
Mahjong is a strategic tile based game developed in 19th century China.
This is a group where we will discuss various books currently we are reading and discussing “God: Is He Out There?” by Mez McConnell.


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Nov 23, 2018
Ashford and Siskoid discuss In the Forest of the Night, the episode before the Rachel Talalay two parter that gave Ashford nightmares. But in this episode, Clara and Danny take the kids on an overnight field trip, and the next day, the "Team" wake up to...a forest in the city!
Write to us at
Nov 19, 2018
Jordan, Diane, and Ashford discuss the Big 3, Vincent and the Doctor...um...and Amy. Write to us about this wonderful, poignant episode from series 5.
Nov 6, 2018
Ashford and Siskoid discuss this farce of an episode, the Caretaker, written by Gareth Roberts and Steven Moffat. Missy is in this episode, and she doesn't look happy. Clara and Danny advance their relationship, and The Doctor really displays his prejudice against soldiers. Give us a holler...


Fates & Furies is a South Korean television series starring Lee Min-jung, Joo Sang-wook, So Yi-hyun and Lee Ki-woo. It aired Monday to Friday on MNTV Channel everyday at 12pm. Even though Goo Hae-Ra (Lee Min-jung) is smart and beautiful, she is in a miserable situation because of her family. Her older sister attempted suicide and her father died. The only way she can escape her situation is with money. She approaches Tae In-Joon (Joo Sang-wook). He is the second son of a shoe company owner. Tae In-Joon falls in love with Goo Hae-Ra. A woman who begins to love under false pretences in order to change her fate. The second son of a Chaebol family who pursues Goo Hae-ra because he considers she is his fate. He also intends to become the owner of his family’s company by getting his stepmother and older half-brother out of the way.


Oscar, born in New York and raised in New Jersey, came to California to pursue his dream of acting; like most Communication majors. He studied at the Australian Institute of Dramatic Arts and instead of becoming the Dominican/Colombian Cate Blanchett, he chose to pursue a higher level of gravitas: sketch comedy.
It started with performing stand-up at the Hollywood Improv and led to graduating the Second City Hollywood conservatory. He was soon performing improv and sketch comedy throughout Los Angeles. He's a 2019 Second City Hollywood Bob Curry Fellow. He trained, and finished, the 2020 Los Angeles Marathon. And then...Covid.
"This was supposed to be the year", he said. And though Oscar felt validated by the sound of God's laughter, it still wasn't enough. His desire to continue creating and performing led to his Youtube channel of original sketches dealing with the pandemic (and more). He's a recipient of the 2020 Emerging Content Creator scholarship from the National Association of Latino Independent Producers and performed in the 2021 Latino Filmmakers Network's New Normal Reading Series.
In addition, Oscar is a founding member of Diversity Higher Comedy, a sketch comedy team comprised of BIPOC comedic actors and sketch writers. Their web series "Saved by the Improv" debuted in 2020 and in 2021 they launched their very own virtual short film festival comprised of original comedic shorts.
Oscar is currently represented by MGMT Artists. In addition to writing and performing, he debates with his wife which show to binge watch next and maintains a healthy addiction to all things Batman.
SAG/AFTRA - Eligible


THE DUEL stars Liam Hemsworth as a Texas Ranger who investigates a series of murders in a small town led by a charismatic preacher played by Woody Harrelson. However, the routine undercover investigation soon turns personal for the ranger who must solve the case before he loses everything to the mysterious town. The thrilling THE DUEL is in cinemas NOW! (Nigeria and Ghana). Check showtimes here.
CAST AND CREW
Liam Hemsworth as David Kingston
Woody Harrelson as Abraham Brant
Alice Braga as Marisol
Emory Cohen as Isaac


Detroit’s story has encapsulated the iconic narrative of America over the last century: the Great Migration of African Americans escaping Jim Crow; the rise of manufacturing and the middle class; the love affair with automobiles; the flowering of the American dream; and now . . . the collapse of the economy and the fading American mythos. With its vivid, painterly palette and haunting score, DETROPIA (Emmy for best editing) sculpts a dreamlike collage of a grand city teetering on the brink of dissolution. As houses are demolished by the thousands, automobile-company wages plummet, institutions crumble, and tourists gawk at the “charming decay,” the film’s vibrant, gutsy characters glow and erupt like flames from the ashes. These soulful pragmatists and stalwart philosophers strive to make ends meet and make sense of it all, refusing to abandon hope or resistance. Their grit and pluck embody the spirit of the Motor City as it struggles to survive postindustrial America and begins to envision a radically different future. A collaboration with The Ford Foundation, ITVS, Vital Projects and Impact Partners. Winner of the 2012 Sundance Film Festival editing award.
Imagine if Frederick Wiseman and David Lynch had a bastard child, and you’ll get a sense of the movie’s off-kilter aesthetic, a potent and pointed mix of firsthand observation and surreal flights of fancy.
This haunting piece of documentary cinema tells the story of one city in economic decay; but really, as the real people in the film repeatedly state, this isn’t just a Detroit problem; it’s an American problem.
DETROPIA successfully symbolizes Detroit and nation’s anguish.
Of all the Sundance films tackling the gap between the richest 1% and the rest of the nation, the documentary ‘Detropia’ stands out for how it encapsulates the causes and potential solutions.
The most moving documentary I have seen in years. Both an ardent love letter to past vitality and a grateful salute to those who remain in place – the survivors, utterly without illusion, who refuse to leave. The filmmakers are so attuned to color and to shade that I was amazed by the handsomeness of what I was seeing. I’m not being perverse, this is a beautiful film.
Beautiful and quietly devastating.
With evocative music and hauntingly lovely cinematography, “Detropia” conveys some of the emptiness and beauty of the city while delving deeply into the economic battering it has taken.
The defeat of the middle class that has comprised the last decade of Detroit’s history. That painful story and its meaning for the rest of America is the subject of Detropia, an important, heartbreaking, and yet still occasionally hilarious documentary.


Sony plans to shoot a film about Steve Jobs biography based on the imminent appearance of Walter Isaacson. According to several U.S. media sources, the producer has agreed to pay one million dollars (747,000 euros) for the rights of the book and, if the film came to fruition, the sum would amount to three million dollars (2.242 million euros). The publisher has Isaacson’s book this month ahead of the date of its publication following the death of Jobs.
Sony has commissioned the preparation of Mark Gordon production. The studio already has in its catalog another recent success based on the biography of a prominent character in the digital world. It is the social network, which portrays the rise of Facebook and the controversial initial movements when he was in college, its founder, Mark Zuckerberg. It is a biopic not entirely flattering about the founder of Facebook.
Regarding the project by Sony, it is not the first film where the founder of Apple appears. Pirates of Silicon Valley (1999) is another movie that purports to be the story of the birth of Apple and Microsoft. In the film, the long-haired Steve Jobs (played by Noah Wyle) Demands on its employees, takes advantage of what they thought about Xerox engineers.
Bill Gates and Ballmer, of Microsoft, are always behind. Jobs accused them of stealing his ideas, but think he will win the game because “our product is better” and the young Gates replied: “don’t you understand, it does not matter.”
In fact, Bill Gates character in film is treated worse. As far as insulting. In Antitrust, 2001, however, there are enough hints to associate with the character who plays Gary Winston Tim Robbins. The film quotes Gates as a second computer magnate, trying to get information from people, without them knowing.
Other characters in the world of computers to appear or are mentioned in some films. Shawn Fanning, Napster’s creator, has a cameo in The Italian Job (2003). Hackers 2 (2000), for example, is based on the history of hunting and capture of hacker Kevin Mitnick (played by Skeet Ulrich), who ended up in jail and was forbidden to be in front of a computer.


RENO, Nev. (KRNV & MyNews4.com) -- When you think of movies, your first thought probably doesn't include the Reno-Tahoe area.
A 300,000 square foot space inside the Reno-Sparks Convention Center is empty now, but it could soon house major film productions or at least that's the hope.
"It'll bring films that not only shoot in the studio but in and around Reno, Tahoe, Sparks and the surrounding areas," said Film Reno Tahoe's Film Liaison Jeffery Spilman.
Reno Tahoe Studios was introduced to the world Monday, a year in the making and the brainchild of RSCVA's President and CEO Chris Baum and Spilman.
"We have feature films coming here, we have some smaller film projects coming here in October and November. Hoping a larger studio film in 2014," said Spilman.
Earlier this year, Governor Brian Sandoval signed Senate Bill 165, creating a new "Film Production Incentive" for the state.
"Now we're in the game and we have a proximity advantage over everybody else, it's a short drive or flight from Hollywood," said Baum.
And he said when those producers, actors and directors come, it means one thing, business for Northern Nevada.
"It's great business not only for the restaurants and hotels you would think of, but also for the local creative community, for sign companies, dry cleaners," he said. "We can see millions of dollars of economic impact very quickly from this incentive."
The various landscapes Northern Nevada has to offer, they said, have already attracted a number of reality TV tapings, commercials and music videos and Baum said there will only be more.
"It really is a huge deal and I think people will realize it more when the film crews start coming and then start seeing cameras and stars on the streets."


A selection of pieces I've written/produced for both TV and radio. This combines new with old promos as I've been away from that side of the industry for a while.
A clip from an episode of the award-winning Goodnight Burbank that I wrote & directed starring John Barrowman of Doctor Who, Torchwood, and The Flash.
One of the many daily promo videos I produced while at TMZ.
Written & produced for Harvard University and their international program to stop the global rise of malaria.
Explainer Video written & produced for Cepheid.
Explainer video written & produced for Vistage.
Explainer video written & produced for Cisco
3-D animation written & produced for a title company.


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Student Journalist, FCHS
“To be, or not to be? ... that is the question.”
This quote is arguably one of theater’s most familiar lines, and at Fairfield Central High School, we have been given the opportunity to be, to question, and to immerse ourselves in the world of theater this year.
I remember wanting to take the drama class during my freshman year, but the program had a pause for a few years due to former theater/drama teacher, Ms. Julianne Neal being promoted to the Visual and Fine Arts Coordinator for the district -- which didn't allow her the in-class time to be a teacher full-time. Ms. Neal has since retired, and I am excited that the program is back!
Our new theater teacher is Ms. Kalaylah Chisolm. She was born and reared in Hilton Head, South Carolina and joined the FCHS family in January. In her youngest years, she was active in the band. Her interest in theater began during her junior year of high school.
Ms. Chisolm earned a Bachelor’s degree in Theater from Winthrop University and recently graduated with a Master’s degree in teaching.
"It was really challenging because this was a new school for me," she said, "and I felt as if I was trying to learn about the school on top of being a student still in school myself. It was a lot. However, my students have been great and they make it very rewarding."
Ms. Chisolm also explained that one of the most challenging things is that she teaches seniors, so she won't get to put their amazing talents on display next school year. Even more, one of her classes only has two students while another has 14.
"Balancing and planning how to teach very few students about theater has definitely put me to the test, but I've figured out how to work it flawlessly now," Ms. Chisolm said.
On a personal note, I've really enjoyed how much I've learned about theater -- even the difference between 'theater' and 'theatre.' This semester has allowed me explore the history of theater, pantomime, monologues, theatrical hierarchy, stage composition, and improvisation. But wait, there more: script analysis, character analysis, theater etiquette, critiquing plays and musicals, playwriting, devised theater, and our most recent learning experience -- stage makeup!
The different types of makeup we have worked on are animals, cuts and bruises, and old age makeup. Of the three, old age was the most difficult, but creating cuts and bruises was the most exciting to do. Learning how to do stage makeup
is essential for actors/actresses because they may be chosen for a role in which stage makeup it needed. In a general sense, stage makeup is often used to create visual stereotypes or clichés that will be readily understood by the audience. It plays a vital role in the drama, character creation, and visual aesthetic of the playwright.
As Ms. Chisolm mentioned, I am a senior, so I wish I could have gotten time to do more; yet, I am very grateful for what I have learned and thankful to have experienced an amazingly, energetic teacher like Ms. Chisolm.


You can’t visit a news website without hearing about the latest obstacle that Netflix has to overcome or the new competition this company faces. They made their name with the Netflix free trial and laid everything out to people. Try them out, and if you like what they do, then subscribe and get all our movies and television shows. Long before there was Hulu Plus and Amazon video, Netflix was paving the way for a brand-new way to watch television and movies. It has been around longer than its competitors have and has produced the benchmark that everyone else is attempting to meet.The Netflix DifferenceHulu was designed for television and still has primarily television shows available. Plus, there are commercials during shows even though you pay for the service. Amazon.com is quickly becoming the Wal-Mart of the Internet world. You can get everything from dog food and furniture to books and streaming movies. It’s like trying to get a movie from Costco. It’s big and compartmentalized. Netflix is all about television and movies. From the beginning, the company offered just DVDs by mail, but they also realized the power of streaming movies. Over time they trickled in until they have a library thousands strong.Original SeriesNetflix understood that if they wanted to compete and remain relevant, then they had to do something others didn’t. And so, they decided to produce and distribute their own original series in the hopes it would be enough to keep people subscribed. It started with Lilyhammer with Steven Van Zandt and that did well, but soared with House of Cards starring Kevin Spacey. Soon, Hemlock Grove followed and now they brought back a brand new season of the cult hit Arrested Development. They have led the way for an Internet-exclusive series and many of their competitors are following in their footsteps.Choose a PlanNetflix knows that you want simplicity when considering plans. There is a plan that is dedicated to just streaming movies and another plan that is specific just to movies-by-mail. You can even get a plan which offers access to both. There are several plans available to suit whatever needs you have.MoneyNing.com has scoured the Internet and found a one-month Netflix free trial code. Visit the site and start receiving the best entertainment available at your fingertips.


The Walking Dead in its sixth season premiere wants you to remember the nightmare started here, and this show owns it.Episode Review: The Walking Dead Season 3 Midseason Finale. The Walking Dead continues to build toward the sixth seasons dramatic finale in Sunday nights episode "East" (which may be a bit of a nod to the fact that today is Easter.) And while the episode was filled with good, tense action and some nice character development EPISODE REVIEWS By TV.com Users. Write A Review.Watch Full Episodes: The Walking Dead. go.See All Videos. Season 6 Episodes. Review: The Walking Dead Season 6, Episode 9, No Way Out: A New Hope.Season 6 Episode 9. The Walking Dead recap: The survivors unite as battle breaks out in Alexandria. The Walking Dead Season 6 Episode 9 Review - No Way Out. Here we shall review the ninth of the sixteen episodes of the sixth season of The Walking Dead. The Walking Deads seventh season picks up immediately after the Season 6 finale cliffhanger, revealing who the unlucky one is on the receiving end of Lucille, a baseball bat wrapped in barbed wire. The Walking Dead - Season 8 Show All Episodes. In a world ruled by the dead, we are forced to finally start More info about this show, news, reviews, cast crew. Clone links for The Walking Dead, Loading Latest Episode: Season 8 Episode 9 (2018-02-25).
Watch The Walking Dead Season 6 Episode 9: No Way Out (2016) Online Free Full Movie Putlocker. Rick is realizing his plan to escape is a disaster. Glenn runs into trouble while attempting to save Maggie. I am still devastated from the events that occurred and Im going to hold off on any more spoilers in this review because its only a couple hours after the premiere.[SPOILER] Is Carl ok after Season 6 Episode 9 of The Walking Dead? The Walking Dead Season 6 Episode 9.the walking dead the walking dead season 6. Masters of Spinjitzu Season 8 Episode 7 Pit Bulls and Parolees Season 10 Episode 10 A Crime to Remember Season 5 Episode 4 The Kitchen Season 16 Episode 6 Star vs. the Forces of Evil Season 3 Episode 27 The Dead Files Season 9 Episode 5. After an impressively strong start, season six of The Walking Dead has spiraled into dumpster fire territory.Daryl, Take the Wheel. (Shout out to my internet friend Julie Manfredi for the subheading).
We open with the coda from the last episode twice. 15 Feb 2016 — Filed Under: TV, TV Reviews. Spoilers Ahead!!! The Walking Dead returns to television with a bang, and quite literally as a matter of fact.A lot of action happens during this episode, something that has been quite consistent throughout the season. It has been a while since we have had new episodes of The Walking Dead season 6, but we are back tonight after a long hiatusMadam Secretary: what journey will Henry take for the rest of Season 4? NCIS: New Orleans season 4 episode 14 review: The assassination plot — where is Percy? «No Way Out». Episode release date: 02.14.2016. Show Episodes (109) Show Reviews (317) Lists (3259) Events Listings News Recaps.The Walking Dead Season 6 Winter Premiere: Did the Show Finally Go Too Far with the Latest Death? Feb 17, 2016. Walking Dead Season 6, Episode 9 Review - Duration: 14:40. Rawrist 4,958 views.The Walking Dead Season 6 Midseason Premiere No Way Out REACTION REVIEW - Duration: 17:50. All Transportation. Reviews.Our baseline Quitting Likelihood for The Walking Dead, season 6.5: 40. And now, lets dive into the biggest, best, and most obnoxious moments of last nights episode, "No Way Out." The Walking Dead: "Honor" Review. The Tick: Season 1, Part 2 Review. Dragon Ball Super Episode 128: "Noble Pride To The End!Did THAT Finale Scene Ruin Season 6 of Walking Dead. The Walking Dead: Iconic Walkers from Season 6. The Walking Dead (TWD) Season 6 episode 10 spoilers, promo revealed: What happens on The Next World (Photo : Facebook/ The Walking Dead/AMC).
"The Walking Dead" Season 6 is on a winter hiatus. There will be no new segment airing on Dec. The Walking Dead Season 6. Sheriff Deputy Rick Grimes gets shot and falls into a coma. When awoken he finds himself in a Zombie Apocalypse. Norman Reedus as Daryl Dixon The Walking Dead Season 6, Episode 9 Photo Credit: Gene Page/AMC.The Poughkeepsie Tapes (Movie Review). The Walking Dead What Happened and Whats Going On (Season 5 / Episode 9). American Horror Story season 6 episode 2 review: the most shocking twist yet. Fear the Walking Dead season 2, episode 3 review: Flight 462s survivors have big potential. The Walking Dead. Статус: Идет 8 сезон. Следующая серия: 06 марта 2018 года.6.8. 5 сезон 9 серия. Что случилось и что происходит What Happened and Whats Going On. Episodic Reviews. Homeland: Season 7.The Walking Dead resumed with an action-filled episode, brimming with death and mayhem and concluding with what felt suspiciously like a glimmer of optimism. The Walking Dead returns tonight with the Season 6B premiere.The reviews for the return episode are already out, and theyre hailing this episode as perhaps the best weve ever seen in the shows run. The sixth season of The Walking Dead, an American post-apocalyptic horror television series on AMC, premiered on October 11, 2015, and concluded on April 3, 2016, consisting of 16 episodes. Developed for television by Frank Darabont The Walking Deads seventh season picks up immediately after the Season 6 finale cliffhanger, revealing who the unlucky one is on the receiving end of Lucille, a baseball bat wrapped in barbed wire. The Walking Dead - Season 8 Show All Episodes. The Walking Dead midseason seven premiere means business, busying itself with not only ingratiating our characters with much of what theyve been kept apart from for half a season now but tantalisingly book-ending it with an unforeseen turn of events involving a character you wouldnt expect. Season 9 is an upcoming season for AMCs The Walking Dead. On January 13, 2018, AMC announced the show was renewed for a ninth season with Angela Kang replacing Scott Gimple as showrunner. To be added. To be added. To be added. To be added. This review will cover all aspects of the episode.Well, The Walking Dead always does like to kick things off with a bang, and this is writer Seth Hoffman and horror effects maestro/regular premiere/finale director Greg Nicotero devising a memorable opening. Drama, horror. Director: Frank Darabont. Starring: Andrew Lincoln, Steven Yeun, Chandler Riggs and others. The series has been telling the story of the main character by the name of Rick Grimes and his family for six seasons already. French. The Walking Dead - 6x09 - Episode 9.HDTV.FLEET. srt. 18993.2 years ago. Japanese. The Walking Dead Season6 09. A premiere of The Walking Dead is always highly anticipated, and No Way Out does not disappoint. Emotionally draining, tense and shocking at times, its a stellar way to kick off the second half of Season 6. Sonequa Martin-Green on "The Walking Dead" Season 6s Heart-Wrenching Return, Negans Arrival.User Reviews. The Best Episode of TWD. Latest THE WALKING DEAD Episodes. S08E09 : Honor. S08E08 : How Its Gotta Be.While trying to escape Alexandria, Rick and his group meet trouble when sudden noise draws walkers towards them with what could be fatal consequences. Looking for his family, he and a group of survivors attempt to battle against the zombies in order to stay alive. -- See online all season.Episode 6 : Always Accountable. Episode 7 : Heads Up. Episode 8 : Start to Finish. Episode 9 : No Way Out. Watch series The Walking Dead Season Six episode 9 free online video stream arawatch tv Watch The Walking Dead Online: Season 6 Episode 9.The Walking Dead Review: No Way Out. Simply pick a site below and click "Watch Now!" button next to it. Some of the links may be broken, please upvote the working and good links so other users see those links for The Walking Dead Season 6 Episode 9 s06e09 at the top of the list. Select Season Season 1 Season 2 Season 3 Season 4 Season 5 Season 6 Season 7 Season 8 Season 9.Create a free acount to gain access to tons of cool features like subscribing to your favorite tv shows and receiving Facebook notifications when a new episode is released. The Walking Dead - Season 8 - Episode 9. (21 links) Episode 9 (S8E9) Seasons: 8 Episodes: 109 Status: Running Type: Scripted Language: English Rating: 9/10 Runtime: 60 min. Watch Will and Grace Season 9 Episode 12 Online. 51. EPS 4.Watch Modern Family Season 9 Episode 14 Online Free. 82. Want to know who might die before The Walking Dead season 6 episode 9 premiere?Civilization 6 Rise And Fall Review: The Tale Of Tamar. 10. Tv News. Reviews. Videos.The Walking Dead mid-season 8 finale shook up the show but when can audiences expect to see the next episode air? READ MORE: Watch: The First Four Minutes of The Walking Dead Season 6 Midseason Premiere Asks the Wrong Questions. This Article is related to: Television and tagged The Walking Dead, TV Episode Reviews, TV Reviews. Click here to watch it online via live stream. The Walking Dead Season 6 Midseason Premiere Review: No Way Out Forbes - 4 hours ago Review: The Walking Dead Season 6, Episode 9, No Way Out: A New Hope Indiewire The Walking Dead episodes can be found on our website including the new The Walking Dead episodes.Youll be able to watch and stream tv The Walking Dead with us here at putlocker-hd.is anytime without any restrictions or limitations. For more of "The Walking Dead" season 6 episode 9 spoilers, keep tuning in here at Franchise Herald.Partner : Best Product Reviews. Next Episode (Season 6, Episode 9) >.LATEST REVIEWS. Winter Finale Who Doesnt Make It Out Alive? In the previous episode of The Walking Dead, Ricks group and the Alexandrians were making plans on how to deal with the herd outside their walls, with Rick wanting to leave the Alexandrians out


We will be celebrating the 95th anniversary of NOSFERATU, F. W. Murnau's legendary vampiric silent film. Lots of spooky cool monster swag will be available from a plethora of artists who have joined us this for this year's show.
|Max Shrek as the terrifying Count Orlock in
F. W. Murnau's classic 1922 German silent film, NOSFERATU
*I do not own this photo*
Stay tuned for more info in the days to come! ....


A home-searching romance story about a man who buys houses and a woman who lives in one. It follows the diverse stories of the editors of a home magazine.
Other Name: 월간 집
Creator: Myung Soo-Hyun
Released: Jun. 16, 2021
Genres: Cohabitation, Comedy, Drama, Romance
Cast: Ahn Chang-hwan, Chae Jung-an, Jung Gun-joo, Jung So-min, Kim Ji-seok, Kim Won-hae, Lee Ji-won, Yoo-young, Yoon Ji-on


By best of course I mean worst, and who could that be? Most of you probably guessed it, none other than Steven Seagal. Steven has starred in many blockbuster hits, most notably “Exit Wounds,” his first film debuting in 1987 “Above the Law,” and maybe his most ridiculous movie “Hard to Kill.” What other man can have a dance off while cooking for the United States Navy (Under Siege), get thrown into a freezer make it out of the freezer alive, and fight off a cross dressing Gary Busey–and by fight off I mean breaking at least thirty-four different wrists. Most of Steven’s films have gone straight to video/dvd, which is shocking–however “Exit Wounds” starring DMX made it to the big screen and had a lasting impact on fans throughout the country. In most Seagal films, Steven tends to play a former cop, navy seal, vietnam soldier, etc.
One thing many people don’t know about Seagal is his love and passion for music. Seagal owns his own recording company and plays guitar, shockingly enough most of Steven’s songs have been featured in his latest straight to DVD films.
Steven Seagal’s latest venture has been in the area of law enforcement on the television show “Steven Seagal: Lawman.” A show much like cops, viewers ride along with Steven on his shifts in Louisiana watching Steven take down criminals.
Maybe the most hilarious product Seagal has out there today is an aftershave called “Scent of Action.”
There is nothing better to do on a Saturday or Sunday afternoon than to catch a Steven Seagal movie with your closest friends and count how many wrists Seagal breaks.