What Episode Does Ichigo Get His Final Form Sword?
In the long-running and beloved anime series, Bleach, one of the most anticipated moments for fans is when the protagonist, Ichigo Kurosaki, achieves his final form and obtains his ultimate weapon. Ichigo’s journey is filled with countless battles, character development, and a deep exploration of his inner power. As fans eagerly wait for this significant milestone, the question on everyone’s mind is, “What episode does Ichigo get his final form sword?”
Ichigo Kurosaki is a high school student with a unique ability, the power to see ghosts. Little does he know that his life is about to change forever when he encounters a Soul Reaper named Rukia Kuchiki. After an unexpected turn of events, Ichigo inherits Rukia’s powers and becomes a substitute Soul Reaper. From that point forward, Ichigo’s life becomes a thrilling adventure as he fights against evil spirits and protects the living world from supernatural threats.
Throughout the series, Ichigo goes through various transformations, each one more powerful than the last. His initial form, known as his “Shinigami” form, allows him to wield a standard katana. As the series progresses, he gains new abilities and unlocks different forms, all leading up to his final form and ultimate weapon.
The episode where Ichigo finally obtains his final form sword is Episode 308, titled “The Man Without Immortality.” This episode marks a turning point in the series, as Ichigo undergoes a profound transformation that solidifies his role as the hero who will save the world. It is during this episode that he unlocks his true potential and achieves his final form, known as his “Bankai” form.
In his Bankai form, Ichigo’s sword, Zangetsu, undergoes a significant change. It evolves into a sleek and powerful black blade, reflecting Ichigo’s growth and mastery of his spiritual powers. This final form not only enhances his physical abilities but also grants him access to incredible spiritual energy, enabling him to defeat even the most formidable foes.
The journey to Ichigo’s final form is a testament to his resilience, determination, and growth as a character. It showcases the power of friendship, self-discovery, and the willingness to fight for what is right. As fans watch Ichigo’s evolution throughout the series, they become emotionally invested in his journey, eagerly anticipating the moment when he finally achieves his full potential.
Episode 308 is a pivotal episode in the Bleach series, as it not only reveals Ichigo’s final form but also sets the stage for the epic battles and dramatic confrontations that follow. It is an episode that fans will remember for its intense action sequences, emotional depth, and the culmination of Ichigo’s character development.
So, for all the Bleach fans out there, Episode 308 is the episode you have been waiting for. It is the moment when Ichigo Kurosaki obtains his final form sword and solidifies his place as one of the most iconic and powerful anime characters of all time. Prepare to be captivated and enthralled as Ichigo unleashes his true potential and takes on the forces of evil with a newfound strength and determination.


The Polish Producers Alliance (KIPA) in cooperation with Netflix announces the creation of a new Film and TV Emergency Relief Fund to help the hardest hit workers in the television and cinema industry due to the productions shut down in Poland caused by the Coronavirus crisis. The fund will operate under the slogan: “Producers help the Crews”.
Netflix will donate 2.5 million zł to KIPA to help launch the fund. The grant is available to the most vulnerable crew members in the TV and film sector – professionals whose craftsmanship is crucial to the quality of production and who, often being freelancers, are unable to work due to the almost complete suspension of production. The aid will be directed to all film divisions – set designers, make-up artists, sound operators, DOPs, camera assistants, grippers, focus pullers, storyboard makers, gaffers and many more representing below-the-line professions.
The Polish Producers Alliance is the only chamber of commerce in the Polish audiovisual industry with 20 years of experience, which associates over 140 members, production companies, independent producers and regional film funds. One of the main objectives of KIPA is to represent and protect the economic interests of its members and to support sustainable development of the entire audiovisual sector. Therefore, KIPA has proved to be the ideal partner for Netflix to create a fund to support the sustainable development of the whole audiovisual sector.
Alicja Grawon-Jaksik, President of the Chamber said: “The funds will help us maintain emergency support we have put in place for the most fragile workers from the cultural industries. One of KIPA’ core values is solidarity, and we understand that since Netflix implements projects in Poland it feels as part of our market. Therefore for us this is a natural move that Netflix is contributing to support freelancers from TV and cinema industries in these difficult times for the media and culture at large. It’s a noble gesture.”
“We’re grateful to be able to work with KIPA to support the hardest hit crew members in the TV and film production, who are a part of the internationally admired Polish creative industry. In addition to the support we give to the crews, casts and technical partners involved in our productions, we also want to help those who most need financial assistance in the sector more broadly, especially freelancers hit by the current crisis.” adds Anna Nagler – Director, Local Language Originals, CEE at Netflix.
The creation of this fund is part of an announcement Netflix made March 20th to set up a $100 million fund for creatives whose jobs have been affected by the ongoing coronavirus pandemic, which has since been increased to $150M. Most of those funds will go towards support for the hardest hit workers on Netflix’s own productions in Poland and around the world. Netflix’s donation to KIPA, as well as to other organisations around the world (US, Canada, UK, Italy, Spain, The Netherlands, India, Brazil, Mexico and Colombia), is part of the $30 million of the hardship fund that will be dedicated to providing emergency relief to out-of-work crew across the broader film and television industry in the countries.


It’s a Wonderful Life (1946)
Personally speaking, this is one film that has really inspired me in the way I perceive life. Its directed by Frank Capra, and James Stewart (whose performance stands unparalleled), Donna Reed and Lionel Barrymore stars in it. It’s a Wonderful Life is a kind of film, which is family based, and delves into the most simplest of human emotions and values- love, trust, truth and above all self esteem. Surely after watching this movie – you would evaluate yourself.
Its Christmas eve, and all the people in the small town of Bedford are praying for this one person -George. All the way above us, it’s been decided that a guardian angel Clarence shall be sent for to save this man’s life. Stewart plays George Bailey, a small-town dreamer, who never limits his dreams within the walls, young, daring, enthusiastic and who longs to go around the world. His childhood is shown in a narrative style. His family runs a company ‘Building and Loans’, which loans money to the people of Bedford.
Donna Reed plays a pivotal character named Mary Hatch, whom George marries. The scenes between Mary and George, are some of the most romantic ones that I’ve seen, pure plain romance. George, who dreams to go abroad for college and work, keeps it aside to take care of the company (along with his uncle) after his father dies of a stroke. This was a challenge he took up, to oust Henry Potter (Lionel Barrymore), a grumpy old self-centered and ignorant businessman, who holds a financial monopoly over the town, and who treats the people of the town, like cattle. The character George has tremendous growth after he takes up the job. He also sends his brother to college who later returns as a national hero after the war. George earns the people’s respect and support through his work, and becomes a person who they can look upto during their harsh times. Potter, who realizes his upsurge in town, even offers him a job, with an attractive prize money; but George declines it, though he initially fell for his words.
But he enters into the worst situations in his life, when his uncle accidentally misplaces $8000, on the Christmas eve, and adding insult to injury- the bank examiner arrives on the same day. George takes everything as lost, and even begs Potter for help, who turns him down and reports him as a fraud to the police. He rants at his children at home, breaking the whole family’s joy before Christmas, and runs out desperately, boozes and goes off to the edge of a bridge to commit suicide. This is when the lord sends in Clarence (his guardian angel, who has to put George on track, to get his wings) into the water. He cries out for help, and George rescues him. George takes him to shelter, and shares his trouble during their chat, which to George’s surprise, Clarence had already known. He laughs off when Clarence tells him that he was his guardian angel. George then casually wishes, that he was never born; but Clarence grants his wish and takes him outside.
Clarence takes him along a Bedford, that never knew about any George Bailey. He never existed. He walks through a Bedford that had turned dark- with, violence, abuse and sex. George runs into his friends Ernie the cab-driver, Bert the police officer, Nick the bartender, Mr. Cower- his old boss, but none of them could recognize him. He runs back to his home only to find his mother shutting the door on him like a stranger. George who trembles with disbelief in his dream-like state, goes to his friend Martin’s house (which was actually constructed by George),but shocked to find a graveyard, and his brother’s grave at that place. (George had actually saved Harry from drowning during their childhood – and Clarence clarifies it to him). George tells Clarence that he wants to meet Mary Hatch, who is now an unmarried maid, working at the library. When she fails to recognize him, he creates a ruckus in the street and gets chased by the police, his old friend Bert. He reaches over the bridge where he first met Clarence.
Everything suddenly falls back to normalcy, his friend Bert takes him back, George rushes through the center of the street (and town), with a feeling of getting everything back, shouting out his wishes to the entire people around, the shops, realizing the effect every single man can have on others’ lives. He reaches his home and greets the banker, reporters and attorney who had come to arrest him, and he climbs up to his dear kids and hugs them. Mary and uncle Bill then enters the house, with a bag full of cash. Yes, it was the prize for George, from the people of Bedford when they came to know that George was in trouble.
The last few scenes are so moving and there’s no doubt you will be choked. The performance and the scenes where he dashes through the streets shouting out “Merry Christmas” and the ending scene where his brother Harry raises a toast for him are unforgettable. “It’s a Wonderful Life” is a timeless classic, and in my opinion it’s more than just a film. It’s a celebration of life, and a stage that proves the worth of each person. The film ends by leaving a message from Clarence the angel (who finally gets his wings); “Remember..No man is a failure who has friends“.


“From the story to the screen, filmmaking is an art form that demands collaboration. These workshops teach students the many aspects of what it takes to create a film, both the technical and the creative. Through professional instruction, critique, and collaboration the students cover the process of putting together a film that can be understood by an audience other than their peers.”
- Workshops are designed for students 12 to 18 years of age, but can be customized for younger students.
- Students will cover all the aspects of the filmmaking process: screenwriting, acting, lighting, shooting, and editing. Emphasis is placed on the students understanding the contribution of the multiple jobs that must be filled for a film to be created.
- Workshops’ content can be tailored to both short and long term residencies.
Lower Kuskokwim School District, June 2011
Co-taught an 8 day filmmaking intensive for highschool students. Worked to design the curriculum that would expose students to filmmaking, as well as introduce them to career pathways and opportunities within the film industry.
- students started with a lesson on screen writing, then throughout the week they worked together in groups to learn all aspects of filmmaking (script writing, shooting, lighting, acting, editing, and sound design) as they produced their own 2 min film
- guest instructors taught screenwriting, lighting, and acting


World\’s Greatest Dad
Bobcat Goldthwaite is awesome. Seriously. He always was– I still quote his standup occasionally from back in the day–but his latest movie kicks so much ass! It\’s called \”World\’s Greatest Dad\” — it stars Robin Williams (yes the premise was so cool sounding it made me overcome my Robin Williams dislike for a couple of hours) as an unpopular high school poetry teacher with a snotty perverted 15 year old son. The son eventually dies in a bizarre masturbation accident and RW covers it up by making it look like a suicide, writing out a profound suicide note that casts him as an unsung hero in his school. Since RW has always wanted to be a published author, but all of his books have gotten rejected, he really gets off on all the attention and forges a diary that he attributes to his son which makes people love the son all the more…
Basically, it\’s a sick, sick comedy that is AWESOME! It\’s like \”Heathers\” invades \”Dead Poet\’s Society.\” It was shown as part of the Boston Independent Film Festival, so Mr. Goldthwaite was there to introduce the film and answer questions at the end. He\’s still a totally funny guy. It\’s nice that Syracuse has someone on the Syracuse Walk of Fame that is not only cool, but actually from Syracuse! Is that even still there outside the Landmark Theater, because I totally can\’t find anything about it on the innerwebs.
Anyway, go see \”World\’s Greatest Dad\”– it\’s totally funny. Rock on.


From Gotham City to outer space, there is no place Christopher Nolan has gone where audiences haven't followed. As the filmmakers' latest film, "Dunkirk," hits theaters, we've ranked his best and worst cinematic efforts.
10. 'Interstellar' (2014) Visually impressive but narratively flawed, "Interstellar" talks a lot about love and the awe of exploration without successfully dramatizing it. It even denies its hero, Cooper (the great Matthew McConaughey) -- who has always wanted to go into space -- a beat where he gets to bask in finally being able to get his wish. The movie can't take the time to invest in characters when it should because it spends too much time pushing plot and headache-y exposition. (And no, you're not wrong, the sound mix is hard to hear at times.)
9. 'The Dark Knight Rises' (2012) Nolan capped off his "Dark Knight" trilogy with a bloated, plot hole-filled epic that wraps up loose threads while unnecessarily unraveling others. Bane's voice is the least of the film's problems, especially when the movie argues that all you need to heal a broken back is some old mountain man's touch and, um, push-ups. From Batman's arc being that he goes from seclusion to retirement (which isn't an arc), to faking his death at the cost of Alfred's well-being (which heroes don't do), "Rises" falls incredibly short of earning the emotional resonance that the previous films pulled off effortlessly.
8. 'Following' (1998) Nolan's first full-length feature overcomes its budgetary restrictions to deliver a taut and tense drama that toys with themes of identity that the director would grapple with on larger-scaled projects.
7. 'Insomnia' (2002) Al Pacino and Robin Williams headline a great ensemble, and give truly underrated performances, in Nolan's first (and only) remake. Unable to sleep in an Alaskan town where the sun never sets, Pacino's detective struggles to find a killer who may or may not have proof that Pacino killed a fellow cop. This slow-burn thriller is equal parts procedural and morality play; it's one of Nolan's most underrated works.
6. 'Inception' (2010) Yes, there is LOTS of exposition. "Inception" is sometimes a commercial for it. But there is also lots of crazy-good dreamscape action (we watch that gravity-defying hallway fight daily) and strong emotional beats in this captivating thriller. (Nevermind that Leo's master idea thief gives Cillian Murphy and his daddy issues a false emotional catharsis, just so Leo can be with his kids.)
5. 'The Prestige' (2006) Man, is this movie good. Like, "can't-wait-to-see-it-again" good. Two dueling magicians (Hugh Jackman and Christian Bale) will stop at nothing to pull off the ultimate trick -- even if it means losing the ones they love and breaking the laws of known science. Nolan's adaptation of the book of the same name is a mix of sci-fi twists and tragic drama.
4. 'Dunkirk' (2017) Intense and riveting barely come close to describing this WWII epic, Nolan's shortest feature film since his first. Split across three different narratives surrounding the titular military operation, "Dunkirk" follows "Saving Private Ryan" as a summer film About Something other than popcorn entertainment. The characters are intentionally threadbare -- we relate to them via crisis points only -- and that works more than it should, thanks to the technical filmmaking forces the director has assembled on the editing and cinematography front.
3. 'Batman Begins' (2005) For the first time ever on the big screen, Batman is actually scary. That is just one of the very entertaining feats Nolan pulls off in his Batman reboot, which finally made Bruce Wayne as exciting to watch as the vigilante in the cowl. The film is also largely responsible for the last decade's "grounded" and "gritty" reboot craze.
2. 'Memento' (2001) Every studio that passed on Nolan's big break would now kill to have this film in their library. "Memento" is arguably Nolan's most complete and disciplined film; there is not an ounce of fat or indulgence present here as he explores the power memory has on shaping our lives -- even in death.
1. 'The Dark Knight' (2008) What else did you think it was gonna be? This is the comic book movie we need and deserve right now. Less reading, more watching for the fabillionth time.


Pennyworth Season 4 Are you ready to dive back into the thrilling world of Pennyworth? Season 4 is approaching, and anticipation is reaching new heights. Prepare for another action-packed ride as we break down what’s in store for our beloved characters. From new alliances to formidable enemies, this season promises to keep you on the edge of your seat with its gripping storyline. So buckle up and join us as we explore the exciting episodes that await in Pennyworth Season 4! Let’s jump right in!
Pennyworth Season 4
In the first episode of Pennyworth Season 4, our favorite protagonist, Alfred, finds himself in unfamiliar territory. After several unfortunate events, he is forced to leave his old life behind and start anew. We witness Alfred’s resilience and adaptability as he ventures into uncharted waters.
Set in an intriguing backdrop filled with mystery and danger, this episode introduces us to a new world of characters. From enigmatic allies to cunning adversaries, each interaction brings unexpected twists and turns that will keep you guessing.
As Alfred navigates through this fresh chapter of his life, we glimpse his past while unraveling the present mysteries. The seamless blend of action and suspense keeps us hooked from beginning to end.
With its captivating storytelling and stellar performances from the cast, Episode 1 sets the stage for what promises to be an exhilarating season ahead. So prepare yourself for a thrilling ride as we embark on this journey alongside our fearless hero searching for a new home!
Episode 2: A New Brother
Episode 2 of Pennyworth Season 4 is titled “A New Brother,” it’s bound to leave fans on the edge of their seats! This thrilling installment introduces us to a character who turns Alfred’s world upside down.
As the episode begins, we see Alfred struggling with his newfound responsibilities as he tries to navigate the dangerous streets of London. When things seem impossible, he encounters an unexpected ally – his long-lost brother!
This revelation brings both excitement and tension to the storyline. The dynamic between these two brothers is complex and intriguing. They share similarities yet have vastly different experiences that have shaped them into who they are today.
Through intense dialogue and powerful performances, viewers will be drawn deeper into their complicated relationship. As secrets unravel and loyalties are tested, audiences will question whom they can trust.
Episode 2 builds suspense with each passing minute as our heroes face new challenges together. From heart-pounding action sequences to emotional revelations, this episode promises non-stop entertainment for fans old and new alike.
Ensure you don’t miss out on “A New Brother” in Pennyworth Season 4 – it will keep you guessing until the end! Stay tuned for more thrilling adventures in Gotham City as our beloved characters continue their quest for justice and redemption!
Episode 3: A New Threat
Episode 3 of Pennyworth Season 4, titled “A New Threat,” promises to deliver an intense and exhilarating storyline to keep viewers on the edge. As the stakes increase, our beloved characters face a danger unlike anything they’ve encountered.
In this episode, we can expect to see Alfred and his team facing off against a formidable adversary who poses a significant threat to their mission. The tension builds as they navigate treacherous territory with traps and unexpected twists.
As the plot unfolds, secrets are revealed, alliances are tested, and loyalties are questioned. Our heroes must rely on their wit, resourcefulness, and sheer determination to overcome this new menace that threatens their lives and everything they hold dear.
With each passing minute of Episode 3, the suspense escalates as we witness heart-stopping action sequences and nail-biting confrontations. The writing is sharp and dynamic, leaving us eagerly anticipating what comes next.
Stay tuned for Episode 3 of Pennyworth Season 4 – it’s sure to be an unforgettable ride filled with danger at every turn!
Episode 4: A New Ally
In Episode 4 of Pennyworth Season 4, titled “A New Ally,” the stakes are raised as our protagonist finds an unexpected source of support amidst his dangerous journey. When it seems like all hope is lost, a mysterious character enters the scene, bringing with them a glimmer of possibility.
As Alfred navigates through treacherous terrain and faces powerful adversaries, he discovers he cannot do it alone. This new ally possesses unique skills and knowledge that prove invaluable in their shared quest. Together, they form an unlikely partnership built on trust and mutual respect.
Their dynamic unfolds in gripping scenes filled with tension and suspense. The chemistry between these two characters electrifies the screen as they embark on daring escapades to uncover hidden truths. Each step brings them closer to their ultimate goal while deepening their bond.
Amidst heart-pounding action sequences and intricate plot twists, this new alliance becomes a force to be reckoned with. Their combined strength challenges the status quo and introduces unforeseen possibilities for success.
Episode 4 not only showcases the power of collaboration but also serves as a reminder that allies can appear from unexpected places. As viewers dive deeper into this captivating season, they are left eagerly anticipating what lies ahead for this newfound partnership – will it lead to victory or unravel under pressure?
Stay tuned for thrilling episodes packed with intrigue, danger, and surprises!
Episode 5: A New Quest
In the thrilling fifth episode of Pennyworth Season 4, we are taken on a wild ride as our beloved characters embark on a daring new quest. The stakes are higher than ever before, and the tension is palpable.
As Alfred and his team delve deeper into their mission, they face unexpected challenges and dangerous adversaries. Every step brings them closer to uncovering long-held secrets that could shake the foundation of everything they know.
With each passing moment, the urgency grows as time ticks away. Will they be able to decipher cryptic clues and solve perplexing puzzles in time? Or will they fall victim to the sinister forces working against them?
The beauty of this episode lies in its ability to keep viewers on the edge of their seats. Each twist and turn leaves us craving more answers, desperate to see how it unfolds.
So buckle up for an exhilarating adventure filled with heart-pounding action, unexpected alliances, and jaw-dropping revelations. Episode 5: A New Quest promises excitement and deepens our understanding of these complex characters while paving the way for what’s yet to come. Stay tuned!
Episode 6: A New Beginning
In this much-anticipated episode of Pennyworth Season 4, viewers are in for a thrilling ride as the story takes an unexpected turn. Brace yourself for a new beginning, leaving you on the edge of your seat!
Episode 6, as the title suggests, marks a fresh start for our beloved characters. They have overcome numerous challenges and now find themselves at a crossroads. This episode delves into their journeys and explores how they confront their pasts to pave the way for a brighter future.
Amidst all the chaos and uncertainty, we witness moments of self-discovery and growth. Our heroes must grapple with difficult decisions that will shape their destinies. Each choice made has consequences that ripple through not only their lives but also those around them.
The writing in this episode is impeccable, keeping us engaged from start to finish. The dialogue crackles with intensity while allowing poignant character moments to shine.
Visually stunning and expertly executed, Episode 6 showcases the talents of both cast and crew. The cinematography captures every nuance, immersing us in the rich world created by showrunners Bruno Heller and Danny Cannon.
Prepare yourself for jaw-dropping twists and turns in this rollercoaster of emotions! Pennyworth continues to prove why it is one of television’s most compelling dramas. With its stellar performances, gripping storytelling, and remarkable production value – Episode 6 is undoubtedly another triumph in this extraordinary season!
Stay tuned as we eagerly await what lies ahead in subsequent episodes!
Episode 7: A New Battle
As we reach the final episode of Pennyworth Season 4, tensions are high, and the stakes have never been more significant. In this thrilling installment, our heroes face their most formidable challenge yet—a battle that will test their courage, strength, and relationships.
The episode starts with a bang as Alfred and his allies are in a dire situation. With time running out and danger lurking at every corner, they must band together to overcome incredible odds. The intense action sequences will keep you on the edge of your seat as our protagonists fight for what they believe in.
As the battle rages on, unexpected alliances are formed while others crumble under pressure. Loyalties are tested, and sacrifices are made as everyone fights for their survival and the future of England itself. The emotional depth of this episode is truly remarkable, leaving viewers emotionally invested until the end.
But amidst all the chaos and turmoil lies a glimmer of hope—a chance for redemption and a brighter tomorrow. Our beloved characters demonstrate their unwavering commitment to justice and honor through determination and resilience.
Pennyworth Season 4 has taken us on an incredible journey filled with twists, turns, love affairs, betrayals, and political intrigue like never before! Each episode has delivered astounding performances from an exceptional cast who breathe life into these complex characters.
In conclusion (without saying “In conclusion”), Pennyworth Season 4 promises an unforgettable experience that fans won’t want to miss. From Episode 1’s introduction to new beginnings to Episode 7’s epic battle finale—every moment holds something extraordinary!
So prepare yourself for an exhilarating ride as Pennyworth Season 4 unfolds before your eyes. Get ready to laugh, cry, tense up, scream, and gasp because this season is bound to leave you breathless! So grab some popcorn, settle in, and let yourself be whisked away into the thrilling world of Pennyworth. Trust me, you won’t be disappointed!
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New movies this week include “The Hitman’s Bodyguard,” “Logan Lucky,” “Wind River,” “An Inconvenient Sequel” and “Brigsby Bear.”
Compiled by Susan Eastman
“Atomic Blonde” (action thriller, R, 115 minutes, reviewed by Katie Walsh, Tribune News Service). Charlize Theron stars in this violently stylish spy flick, a cool bit of eye candy with incredible stunts and a killer soundtrack. The story about an ‘80s agent sent to Berlin to retrieve key microfilm falters, though, with a second hour that drags into dullness. ** 1/2
“Baby Driver”: (action, R, 113 minutes, reviewed by Richard Roeper, The Chicago Sun-Times). Edgar Wright’s “Baby Driver,” about a savant of a getaway driver (Ansel Elgort) working for a criminal mastermind (Kevin Spacey), crackles with originality and dark humor and teems with perfectly timed action sequences. If you see this movie and tell me you didn’t have a great time, we’re going to have to talk about your idea of a great time. ****
“The Big Sick”: (romantic comedy, R, 119 minutes, reviewed by Roeper). In a fictionalized version of real events in his life, Kumail Nanjiani plays a comedian whose new girlfriend (Zoe Kazan) falls ill and goes into a medically induced coma. Funny and smart and wise and silly, it is without a doubt one of the best romantic comedies I have seen in a long time. ****
“Brigsby Bear”: (comedy drama, PG-13, 97 minutes, reviewed by Roeper). Kyle Mooney from “Saturday Night Live” stars as a man in his 20s devoted to an old Saturday-morning children’s show. A little too precious by half at times, “Brigsby” wins the day thanks in large part to the sharp and original screenplay, and the uniformly fine work from an interesting ***
“The Dark Tower”: (sci-fi action, PG-13, 94 minutes, reviewed by Roeper). As the Man in Black, Matthew McConaughey is supposed to send chills down your spine, but he’s nothing but a preening, one-dimensional goof. That’s just one of the many unfortunate elements in this Stephen King adaptation plagued by washed-out cinematography, mediocre special effects and stilted dialogue. *
“Despicable Me 3”: (animated, PG, 90 minutes, reviewed by Walsh). This sequel relies on pre-established audience familiarity with the characters (reformed villain Gru and his family, yellow Minions) and universe of the franchise, and then just throws subplots on top of subplots. Only the flimsiest of narrative threads stitch together the shallow stories, including a twin brother for Gru. It’s wacky, but somehow dull. *½
“Detroit”: (historical drama, R, 143 minutes, reviewed by Roeper). Arriving almost exactly 50 years since the Detroit riots of 1967, Kathryn Bigelow’s “Detroit” is a searing, pulse-pounding, shocking and deeply effective dramatic interpretation of events in and around the Algiers Motel, where police tortured, abused and assaulted a dozen “suspects,” murdering three of them. ****
“Dunkirk”: (war drama, PG-13, 106 minutes, reviewed by Roeper). Christopher Nolan’s faithful and deeply respectful retelling of one of the most pivotal battles in World War II is a gripping, deeply involving and unforgettable film that ranks among the best war movies of the decade. ****
“The Emoji Movie”: (comedy, PG, 86 minutes, reviewed by Walsh). For a film that wants to imagine the world inside smart phones, this story just feels so unimaginative and low-stakes. It’s tied too closely to the way we use smartphones to create a transporting, wild new world. Will a guy use the right emoji to woo a girl? This movie could not be more meh. *
“Girls Trip”: (comedy, R, 122 minutes, reviewed by Walsh). This film about female friendship nails comedy, boldness and heart as an heir apparent to “Bridesmaids.” Four longtime best friends in New Orleans, a city built for sin, prove that women can be powerful, naughty, gross, hilarious and sexy, while still lifting each other up. ***
“The Glass Castle”: (memoir, PG-13, 127 minutes, reviewed by Walsh). Jeanette Walls’ blockbuster chronicle of her unconventional and destitute childhood with dysfunctional dreamers for parents here feels compressed or picked over. But it eventually comes into focus, with the message of fully accepting who you are, where you come from, and what made you. ***
“The Hero”: (comedy drama, R, 96 minutes, reviewed by Roeper). This low-key charmer stars Sam Elliott as a variation on himself, a faded former star of Western movies and TV shows prompted to re-engage with life after receiving some bad medical news. What a treat it is to see the beloved veteran actor in a lead role at this stage of his career, and having so much fun with it. ***
“The Hitman’s Bodyguard”: (action comedy, R, 118 minutes, reviewed by Walsh). This is a ‘90s-style buddy action comedy with some early 2000s edge, recycling vintage character types, tropes and even politics. Samuel L. Jackson, as the hitman, and Ryan Reynolds, as the bodyguard, make for a fine pair of unlikely partners, and hit a few well-placed punchlines with expert delivery. But this becomes a boring blur with the violence exhaustingly dull. * 1/2
“An Inconvenient Sequel: Truth to Power”: (documentary, PG, 100 minutes, reviewed by Roeper). The sequel to 2006’s Oscar-winning “An Inconvenient Truth” follows Al Gore around the globe, as he meets with young (and practically worshipful) recruits to the climate-change cause. The final scenes, urging viewers to sign up and get involved, make it seem as if we’ve been watching an infomercial all this time. ***
“Kidnap”: (thriller, R, 82 minutes, reviewed by Walsh). Halle Berry stars as a mom who is fast and furious as she pushes her minivan and psyche to the limit to save her young son from abductors. But this is a shallow, extremely dumb script, with no suspense or tension at all and many opportunities for interesting twists squandered along the way. *
“Logan Lucky” (action comedy, PG-13, 119 minutes, reviewed by Walsh). This is director Steven Soderbergh at his most fun, working in slick heist-caper mode, featuring his muse of the moment, Channing Tatum. The script gets too caught up in the plan, losing momentum at the climax, but the film is just so warmheartedly enthusiastic that it’s hard not to get swept up with this group of not-so-average Joes. ***
“Maudie” (biography, PG-13, 117 minutes, reviewed by Roeper). Treated as an outcast, a fisherman’s housekeeper (Sally Hawkins) in Nova Scotia becomes something of a celebrity for her paintings. This is one of the most beautiful, life-affirming, uplifting movies of the year, capable of moving us to tears of appreciation for getting to know the title subject. *** 1/2
“The Nut Job 2: Nutty By Nature”: (animated, PG, 91 minutes, reviewed by Walsh) This unexpectedly radical, if otherwise rote, sequel is a film of excesses and extremes. From an orgiastic festival of nuts to violent mayhem, it’s a relentless melee as whirling-dervish rodents battle ham-fisted humans over the sanctity of their land and the dark side of capitalism. **
“Spider-Man: Homecoming”: (superhero action, PG-13, 133 minutes, reviewed by Walsh). This latest reboot of the beloved comic-book character (played by Tom Holland) is fun and fresh, largely because it’s not an origin story, but a real, John-Hughes-esque high-school movie. There are numerous story elements and memorable characters plus eye-popping spectacle, but the film also finds room for small, funny asides and moments that make it an addictively rich, idiosyncratic and re-watchable movie. ***
“War for the Planet of the Apes”: (sci-fi action, PG-13, 133 minutes, reviewed by Roeper). Vengeful after a human attack on their compound, Caesar (Andy Serkis, brilliant and heartbreaking) and his ape allies go on a mission to take out the officer responsible (Woody Harrelson). The result is a war movie more serious and much darker than most big-budget midsummer blockbusters. And a whole lot more captivating. ***½
“Wind River”: (western thriller, R, 111 minutes, reviewed by Roeper). An FBI investigator (Elizabeth Olsen) needs help from a wildlife agent (Jeremy Renner) to find a girl’s killer in the snows of Wyoming. It’s a stark and beautiful and haunting 21st-century thriller, filled with memorable visuals and poetic dialogue – and scenes of sudden, shocking, brutal violence. ****
“Wonder Woman”: (fantasy/action-adventure, PG-13, 141 minutes, reviewed by Roeper). Director Patty Jenkins’ origin story is packed with heart and empathy, and we have the endearing lead performance of Gal Gadot to thank for that. It’s a fully realized, three-dimensional characterization of a superhero that has never gotten her due — until now. ***½
Chatham Orpheum Theatre: 637 Main St.: Sensory Film Series: “Dunkirk,” and “The Big Sick,” Friday through Thursday. “Curious George,” 9:30 a.m. Saturday, for families with children and adults affected by Autism. Show times: 508-945-4900. www.chathamorpheum.org.
Cape Cinema: 35 Hope Lane, Dennis: National Theatre Live: “The Artist’s Garden: American Impressionism,” 1:30 p.m. Monday; “The Only Living Boy in New York,” Friday through Aug. 25; “Office Space,” 9:30 p.m. Thursday. www.capecinema.com.
Martha’s Vineyard Film Center: 79 Beach Road, Vineyard Haven: “The Big Sick,” 7:30 p.m. Friday; “An Inconvenient Sequel: Truth to Power,” 7:30 p.m. Saturday and Thursday; “Maudie,” 7:30 p.m. Sunday; AfroDixieRemixes: A Listening Session with John Sims, 7:30 p.m. Monday; “City of Ghosts,” 7:30 p.m. Tuesday; “Finding Vivian Maier,” in collaboration with Granary Gallery, 7:30 p.m. Wednesday. www.mvfilmsociety.com.
Water’s Edge Cinema: 237 Commercial St., Provincetown: Friday through Thursday: “Baby Driver,” 4:30, 7 and 9:30 p.m. with 2 p.m. rainy day matinees; “Maudie,” 4, 6:30 and 9 p.m. (no show Friday). John Waters presents “Spring Breakers (2012),” 9 p.m. Friday. 508-413-9369.
Wellfleet Drive-in Theatre: 51 State Highway (Route 6): Friday through Thursday: “The Nut Job 2: Nutty By Nature,” 7:45 p.m., followed by “Wonder Woman,” 9:15 p.m.
“Lou Colombo”: Cape Cod-based jazz trumpeter, 2 p.m. Sunday, Cotuit Library, 871 Main St. Register at cotuitlibrary.org/events or contact library. FREE!
Movie in the Backyard: “The Sandlot” (1993, 1 hr. 41 min.): 8 p.m. Tuesday, Wellfleet Preservation Hall, 335 Main St. Outdoor movie. Bring blanket or lawn chair. Cash bar. 508-349-1800. FREE!
“Gidget Goes to Rome”: 6 p.m. Wednesday, Provincetown School Building, 260 Commercial St. Bring own snacks, refreshments. 508-487-7094. FREE!


Bendigo Art Gallery and Twentieth Century Fox present Marilyn Monroe in a world first exhibition from the 5th of March to the 10th of July 2016. The comprehensive collection moulds together iconic and personal items of Monroe depicting her complex life experiences.
Forever Marilyn, the 8 metre high sculpture by Seward Johnson, has made her Australian debut in Bendigo ahead of the exhibition Bendigo Art Gallery and Twentieth Century Fox present Marilyn Monroe, at @bendigoartgallery March 5 – July 10. Celebrate Marilyn’s arrival on Sat 6 Feb at a free community celebration from 10-11am at Rosalind Park. Photo by @explorebendigo #visitbendigo #visitmelbourne #visitvictoria #marilyn
Marilyn Monroe Monroe is still seen as one of the most celebrated, while mysterious, film stars in history. Her beautiful white blonde locks paired with her hourglass figure has endlessly been idolised by men and women alike. While most knew her as Marilyn Monroe, she was born Norma Jean which led to many names to follow. Many women wanted to be her and men dreamt of dating her, but most love the transformation from the ordinary girl next door into the glamorous film star.
The Marilyn Monroe Exhibit The exhibition has an astonishing combined private collection from around the world depicting Marilyn’s life in the limelight and behind the scenes of her private life. Embrace the images, film clips, costumes and even personal garments which tell her story. Twentieth Century Fox has even allowed unique access to the wardrobe test photographs, lobby cards and film posters from 12 of Marilyn’s films done with the studio. Making her appearance for the first time outside of the United states, the Forever Marilyn statue weighs 15 tonnes and stands eight meters high overlooking Rosalind Park. The Bendigo Art Gallery has even incorporated Marilyn Monroe wallpaper throughout the showcase.
It’s not a visit to #marilynbendigo without stopping for a moment with Marilyn at the @passion8diamonds selfie wall! A photo posted by Bendigo Art Gallery (@bendigoartgallery) on
All Things Marilyn Monroe
No matter your connection with Marilyn Monroe, the exhibition offers an amazing display of her life story and accomplishments. For those looking for a little more Marilyn you can attend a Marilyn Monroe Tea with some of her biggest fans and private collectors; Marilyn After Hours offers live music and cocktails; Marilyn at the Star Cinema is showing some of her classic hit films including River of No Return, The Seven Year Itch and The Misfits; or to celebrate what would have been Marilyn’s 90th birthday, Diamonds are a Girl’s Best Friend cocktail party is raising a glass of bubbles on the red carpet fundraiser offering silent auctions, canapés and live music.
Whether you are a local, live within Victoria or are interstate, the Marilyn Monroe exhibit at the Bendigo Art Gallery is a once in a lifetime event. Since it will be available for five months, it’s a great opportunity to plan a trip to Bendigo. Stay at one of Choice’s Bendigo Hotels to be located near local attractions and the Bendigo Art Gallery.


On Saturday 27 November, twelve students from the Ponteland High School Film Club braved the aftermath of Storm Arwen, and gave up a day of their weekend, to film their forthcoming short film “The Interrogation”.
Based on a screenplay written by the students themselves, the film is a tense, psychological thriller about a man who has lost his sister.
The students had worked hard preparing for this shoot for months, with each of them taking specific roles to ensure everything ran smoothly on the day.
As a result, the seven-hour shoot went off without a hitch, with students working together to make creative decisions, as well as taking on the more menial jobs such as holding up microphones and light diffusers. While the film’s stars, Ben S-T and Jack S, may take the limelight, it was a true team effort.
Media Studies teacher, Mr Todd, who coordinates the Film Club, was deeply impressed by the mature way they all worked incredibly hard. “It was humbling to watch such an enthusiastic group of young people achieve so much by working together.”
The Interrogation will be released in early 2022.


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Because even if I went to what looks like a cute holiday movie, it would be ruined for me by its creators.
Why do they have to kill off the dog? What makes us want to go see that? How is my heart warm when I leave the theater with my sobbing children (who are soon to lose their own dog, thank you very much)? Why can't I go to a "family movie" and leave feeling good? Is that so hard for Hollywood? Apparently it is.
And I'm actually glad people are vandalizing these movie posters in LA. Yup. I am.


As filming wound down and the sun lowered in the yawning sky, the exhausted crew gathered around the director’s chair. In it sat Violet, wrapped loosely by a bathrobe that had fallen to her shoulders. Having just showered, Violet struggled to pull a brush through her hair. Water dribbled down her neck and between her breasts.
The director walked up from behind and wrapped her in a tight embrace. “Good work today Violet. Good work my dear,” he said, slowly exhaling so that his breath would warm the back of her neck. “You smell nice baby,” he whispered. She wiggled to break his embrace.
The director stood erect and cleared his throat. It was time for him to address the cast and crew.
“Sleep well tonight my friends, for tomorrow we shall film our final scene together,” he began. “Our dear Violet must be the cynosure of the day. Make her your goddess. Make her your muse. Make her your everything!
“Yes, her beauty is unparalleled. Yes! Her acting is without equal. Yes! But without you folks—without you, she is nothing.”
- Anything to which attention is strongly turned; a center of attraction, especially where beauty lies.
- That which serves to direct or guide.
- The northern constellation of Ursa Minor. Also known as the Lesser Bear or North Star.
From French cynosure, from Latin Cynosūra, from Ancient Greek Kunósoura, from kunós + ourá.
Cite this Entry
Cynosure. The Effin Word, The Effin Word, https://effinwords.com/dictionary/cynosure. Accessed 7 Dec. 2023.
The Effin Word, s.v. cynosure, accessed December 7, 2023, https://effinwords.com/dictionary/cynosure.
The Effin Word. (n.d.). Cynosure. In The Effin Word. Retrieved December 7, 2023, from https://effinwords.com/dictionary/cynosure


Bryan Cranston Dishes on His First Serious Conversation with Kevin Hart
- Xuất bản 1 thg 11, 2018
“Extra’s” Tanika Ray sat down with Kevin Hart and Bryan Cranston as they promoted their film “The Upside.” Hart is known for his comedy, but he’s showing off his dramatic chops in the movie, which has him playing an ex-con hired to care for Bryan’s character, a rich quadriplegic. Due to the serious nature of the film, Bryan met with Kevin for lunch before signing on to the movie. He revealed that it only took “two minutes” of conversation with Kevin before he was “all in” on the project.


Thu, 30 Nov|
Greener Hassocks & Ditchling AGM and screening of 'Once You Know'
Join us for the very first AGM of Greener Hassocks & Ditchling and stay on for refreshments and a screening of the film 'Once You Know'.
Time & Location
30 Nov 2023, 19:30 – 22:00
Keymer, Keymer, Hassocks BN6 8QH, UK
About the event
Join us for our first AGM as Greener Hassocks & Ditchling and find out more about how you can play a part in the vital work we are doing.
There will be a short meeting followed by a screening of the film 'Once You Know', described by one reviewer as 'A beautiful, heart-breaking, and ultimately affirming journey into the grim future we all face. Once You Know confronts our global trajectory of ecological and civilizational collapse and doesn't flinch or reach for false hope, but helps find a way to live with a truth we cannot unsee.' You can view a trailer of the film here.
Donations towards the cost of the film screening and refreshments will be gratefully received.


It’s been some time since the Gunpla TV guys were in the studio. They’re back for episode 157 after spending some time seeing some interesting things. They’ll discuss what they’ve been doing and show a little bit more of the RE/100 Nightingale.
New Bandai Star Wars kits!
– 1/72 X-Wing Starfighter
– Star Wars 1/12 Darth Vader
– Star Wars 1/12 Storm Trooper
– 1/72 Star Wars TIE Advanced x1


Sometimes, to be yourself, you have to become someone else.
Thomasina Miller knew from a young age she wasn’t like other girls. She didn’t want to be a rancher’s wife, so she makes the harrowing decision to leave all she’s known, risking everything for the chance to choose her own fate in life. Now going by “Thomas”, she realizes hiding her identity is a rather small price to pay for the freedom to live her own life and the Klondike Gold Rush is the perfect opportunity to help fund her endeavor.
Rachel Harkes knew that marrying Roy would be her ticket out of her small town in Kansas. Two years into their marriage and still looking for more adventure, Roy decides they should try their luck and join the Klondike Gold Rush.
When tragedy strikes and Thomas and Rachel are brought together at the top of the world in the unforgiving, arduous search for gold, can Thomas navigate her relationship with Rachel without revealing her secret? Will Rachel reconcile what she’s known with the new, seemingly overwhelming reality she now finds herself in?


Local writer and director, Earnest S. Wingo, will bring his new stage play The Ties That Bind to Rockford.
For the life of Sasha McNeil, it has been one filled with calamity and adversity. Inspired to move to LA to pursue an acting career, she quickly found her bright dreams were shattered as a charming yet conniver named Treamine “T-Dot” Dotson took her off her path as his drug kingpin lifestyle cost her her dreams and custody of their son. Now, back in Chicago, Sasha is on a mission to get back her life and her son. But as an estranged relationship comes back into the picture, she will soon find out that the relationship with her son isn’t the only one in need of repairing. Ties from the past aren’t as easy to loose.
Get your tickets at firstname.lastname@example.org Tickets are $15 and $20 at the door.


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To want and desire something is a very human experience. We all want to be loved. Some of us want children. And, others just want to express their inner emotions to the world. And still, some just want a glass of water. No matter what it is, we all are looking for something. Sometimes it is life-changing and others times it quenches an immediate thirst. In the realm of fiction writing, our hero must want something, very similar to real life.
I especially enjoy the jest from Vonnegut that the protagonist could desire a simple glass of water. In that statement there is brilliance. It shows that even the mundane desires can have meaning. As in life, it is all in the details. The main component of a character’s desire is motivation. It can be a society based or otherwise, but nonetheless, it is there, and it is important.
You want something. What is it? There is your story. Does the public care? Do you care? Are you an addict? Nobody cares about your addiction. They may feel disgusted towards you. That repulsion can actually anchor a reader/observer. Are you seeking to conquer this problem?—now that is a story they can attach themselves to.
In the hero’s journey, the character must appeal to us and in some cases repulse us. He must be interesting enough for us to want to know his story. Remember, not all personas will please everyone. The author knows this, so in his mind, he has formed a “what if?” question to guide the story.
For example, “what if a kid tells his friends about a dead body some other kids found?” Can you name the movie? Can you name the Director? And what was the title of the original short story? The movie is Stand by Me, directed by Rob Reiner, and the short story was written by Stephen King—The Body. If you haven’t seen the movie, watch it. It is one of my favorites.
In Stand by Me, the main character is Gordie. His friend Chris tells him and his other two friends, Vern and Teddy, about a dead body by the railroad tracks. Like curious grade school kids, they decide to go and have a look for themselves. The preparations are made and the adventure begins. Having a goal to obtain is the key to any good story, as is seen here in the adaptation of the Stephen King tale. The “want” is to discover the dead body. Yes, it is morbid but definitely more exciting than a glass of water.
Although the intent might appear to be the body, the real objective of the movie is much deeper. Throughout the mishaps of the story, we discover the reality of the children’s lives. There is nothing normal about any of them and the more we understand the more we empathize with them. This connection is what keeps us glued to the story. In our minds, we see a dead body, but our subconscious is interested in what makes these children tick.
By telling the audience the protagonist’s clear objective and desire, the author gives the reader/audience a reason to stick around. The quirks and misgivings of the main character and supporting actors are the glue that keeps the reader around until the end.
Remember, your protagonist must be hungry or thirsty for something. This will interest the reader and when they are on the journey with your hero, surprise them with his often misguided decisions. The simple thing for the protagonist to do is to sit down and watch a television show and miss out on his life, but that would be boring. Always be clear in your head of what the main character must discover, overcome, or learn. Present this want or desire immediately to the reader and convince them to jump on the adventure with your hero come hell or high water.


Other Live Cams:
- Santa Monica Pier
- 320 Santa Monica Pier - Ste A
- California 90401 - United States
- +1 310-458-8901
- [email protected]
Appearing both as a landmark Santa Monica site and incognito as any wharf or pier, the Santa Monica Pier has made dozens of cameos on screen. With the film industry calling Los Angeles its home, the Santa Monica Pier has been a favorite spot for filming. Both versatile and accessible, the Pier easily facilitates the needs of the film industry.


We Bought a Zoo is about an adventurer good at taking his brother’s advice. This advice landed him the woman of his dreams, interviews with dangerous men, in a suit surrounded by killer bees and airplanes shaking with turbulence through the eye of a storm. Somewhere along the way, this adventurer loses his compass, his wife. And this film is about finding his own way out of the metaphorical jungle, regaining the trust of those who love him and letting go – lovingly – that loss.
Like his protagonist, Cameron Crowe is an adventurer too, braving violent, stormy seas powered by cynicism with unabashed optimism and humanity. He is as much of a risk taker as, say, Park Chan-wook, another of my favorite filmmakers, who often focuses on the darkness in men and women to tell wildly interesting tales of violence. Crowe focuses on the light. When he has proper command of his material, he is a brave, even great filmmaker. He stands out from his peers the way Capra stood out. But many critics have accused him of losing a compass of his own – all over one lousy movie. Elizabethtown was a failure and it failed on many levels. It felt forced, manipulative. The lead, Orlando Bloom, seemed like he was playing a Cameron Crowe archetype than an actual flesh and blood character. It’s a shame it didn’t all work because it’s a failure I happen to enjoy as it features some of the filmmaker’s strongest moments as a writer and director.
I suspect I will not be the only critic, however, who sat in their seat rooting for Mr. Crowe to bounce back, six years after his last feature film (the solid rock documentary Pearl Jam Twenty notwithstanding). The question everyone wants answered more than anything else is, “Is Cameron Crowe back?”
Not exactly. Not the Cameron Crowe who made Say Anything or Jerry Maguire or Almost Famous. But it is undeniably a Cameron Crowe film and it works in a way Elizabethtown never quite manages to. There are some miscues and awkward misfires tonally at times (mostly in the film’s first 45 minutes), and I found myself conflicted midway through on whether or not it was all working. In the end, however, We Bought a Zoo really does work, sometimes despite itself and much of the credit is due to both Crowe’s alluring sense of optimism and the terrific, steady performance by Matt Damon, who has at least three really great moments as an actor here. This is a rock solid family drama that is more nourishing than your standard and it deserves to be a decent-sized hit when it’s released in late December.
A plot synopsis here should be brief since the plot is essentially in the title, one the filmmakers stuck with when adapting Benjamin Mee’s book. After the death of his wife, a man moves his family to the countryside to live in a struggling zoo. Much of the film focuses on Damon’s character, Hollywood’s version of Benjamin Mee, trying to fix up the zoo before a scheduled inspection. Benjamin has a lot invested here in what becomes both a spiritual and financial struggle. The family crisis that led to the move from the city takes a backseat to the daily crises that pop up at the zoo because it has to, because Benjamin knows of no other way to fix things than to fix other things. When Benjamin first visits the home, he knows it feels right, he knows this is the place but he’s reluctant to embark on this particular adventure. Maybe it would feel right if his wife was still alive. Maybe it feels right because she isn’t around anymore and that bothers him. One look at his daughter feeding some peacocks, however, and Benjamin is stopped dead in his tracks. He can think of a million different reasons why not to invest in this zoo, but it’s all trumped by his daughter’s happiness in a flash of a moment. This is sort of the experience of watching this movie. It’s so dreamy and heartfelt, at times so clunky and haphazard, it’s easy – and natural I’d argue – to question whether or not to give in. Crowe is good at helping you along, giving in.
There is certainly something selfish over this stunt he pulls, uprooting his family into something so foreign, hoping all their troubles will go away. And I love that in an argument late in the film with his son Crowe doesn’t shy away from that selfishness or Benjamin’s blindness. There are no singular heroes here, just a family man trying to do his best.
As for the rest of the cast, Elle Fanning (having a nice year in 2011), Colin Ford and Thomas Haden Church provide nice support and each actor has their moment in the sun. As young Rosie, Maggie Elizabeth Jones will steal some hearts and tickle more than few bellybuttons (she has a line late in the film that drew the biggest laugh from the audience). Finally, I was grateful Scarlett Johansson’s Kelly Foster was not a retread of the Penny Lane/Claire Colburn flawed Wonder Girl club. She is neither broken or in need of a tune-up. She is exactly as advertised: a hardworking zookeeper who is more interested in sleeping when she isn’t caring for the animals, with little time for cutesy romantic banter. Johansson is pretty good here, less mannered than usual.
Crowe’s return to form is not absolute, but it’s a welcomed surprise this holiday season. Early marketing efforts by the studio left me cold and quite nervous (and I was happy to see at least one scene from the film’s trailer not make it in the final cut). It’s no secret Crowe makes candy-flavored confections, but the first trailer released looked saccharine to the point of nausea. I’m happy to report that while We Bought a Zoo isn’t vintage Crowe, and though it is certainly emotional and honeyed, it’s an above-average family film that earns most of the tears it will likely produce.
[notification type=”star”]68/100 – We Bought a Zoo isn’t vintage Crowe, and though it is certainly emotional and honeyed, it’s an above-average family film that earns most of the tears it will likely produce.[/notification]


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Brahmāstra Section One: Shiva, otherwise called Brahmāstra, is a forthcoming Indian Hindi-language hero movie composed and coordinated by Ayan Mukerji, and delivered by Karan Johar. It stars Amitabh Bachchan, Ranbir Kapoor, Alia Bhatt, Mouni Roy and Nagarjuna Akkineni.
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|Movie Name||Brahmastra Part One: Shiva (2022)|
|Release Date||9 September 2022|
|Genre||Action, Adventure, Fantasy, Sci-Fi|
|Dubbed In||Telugu, Hindi, Tamil, Malayalam, Kannada|
|Directed by||Ayan Mukerji|
|Production companies||Dharma Productions|
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This is the narrative of Shiva who sets out looking for affection and self-revelation. During his excursion, he needs to confront numerous shrewd powers that undermine our reality.
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Beyond This Paradise
Beyond This Paradise is a New Musical with music and lyrics by Sean P. Pallatroni, and book by Zee Cohen and Jeremiah Murphy. It was premiered in August 2012 at the 45th Street Theatre, and was a finalist in the 2012 Thespis Theatre Festival. The Story follows a young woman in the 1920's, who is taken with her fiancé on what was intended to be a business trip to the Island of Pelle in the South Pacific. However, she soon discovers a new outlook in the beauty of the land, the natives, and through the love of a young island boy, David.
For more information, visit www.beyondthisparadisemusical.com


On the day of release in the UK, which happened to be the same day as my mothers birthday. Relief filled me when she finally made a decision on what she wanted to do for the day. One of the activities was to see Predators. Later that day, after catering to the whims of my mother was over and I was finally free to spend the rest of the day doing some art work. I decided to tweet, what was bothering me about this film.
I also had discussions with other people as well, though they had not seen this film they could not comment on my view point.
Most of yesterday afternoon I was helping with auditions. Once they had finished the people I was with suggested that we go and see Predators. Though I have seen this film once before. It was a good opportunity because I wanted to get my facts right before I blogged.
I have seen this movie twice now since it's release, which has only been a few days in the UK. I feel slightly over saturated with Predator though it's not a bad thing.
From the opening scene this film has a adrenaline rush experience. Oscar winning actor Adrien Brody plays the role of Royce who is wakes up while falling from the sky and lands in a jungle like environment. When he reaches the ground he meets eight others with the same experience as him self. No memory on why or how they reached the jungle or who brought them there; Apart from a blinding light which happens to be the common factor the eight share before they were kidnapped.
However the eight characters soon begin to realize that there is something out there unlike them selves and it is hunting them. They also realize, that they have to calibrate there skills, if they want to survive the horrors, that is enveloped within the jungle.
I felt the cast was a brilliant choice for this film. However the character Royce didn't really change much through out this film and remained much the same and not really growing or developing. For example I felt that the character neither became stronger or weaker or learned any lessons from his experience while being hunted by a predatory creature.
The most major element that stood out in this film to me and bothered me enough to blog it. Is when the characters discover that the planet that they are inhabiting may not be earth. The character Isabel creates a test by constructing an organic compass. The compass just spins in a rapid continuous circular motion.
Which gives the idea that the planet does not have any planetary polar points. This means that the planet has no rotation. The character Royce, also states that there has been no evidence that planet has moved round the sun and Royce also says that the sun has remained in the same position in the sky. This would suggest similarities like the film Pitched Black, there maybe no night, for at least a while anyway.
However the film does have night time but does not explain why there is a night. I feel this is a slight scientific inaccuracy in the film. A hiccup which I happen to noticed and felt the need to blog about.
The predator that is hunting the eight is brutal, cold, calculating with little remorse to its prey though similar to traditional predator. The predictor most known to us have a sense of honour and awards the warrior that defeats the predator. For example when the character named Lieutenant Mike Harridan in predators 2 (1990) was awarded a musket for defeating a well respected predator.
The film is left open to a impression that there may be a sequel and I will look forward to the fact they might create another film.


Husharu, a movie, becomes all time favorite to the Engineering students, but why? There are many reasons behind the question. The movie concept itself is familiar with the lifestyle of B.Tech students. Husharu is made with the storyline of a group of friends and their emotions in different stages, which content is attracted to the youngsters.
The lifestyle of the friends in the movie was correlated with the lifestyle of B.Tech students in real life. The movie came in the last month of 2018 and it touched the hearts of B.Tech students mainly. The elements in the movie are nostalgic to every student in their life.
Even though it is not a new concept in latest Telugu movies, the way the director mould the story is quite interesting. We can say that, movie is something different from the latest Telugu movies. The aha movies brought Husharu in their OTT now. It’s an opportunity to watch the youngsters on Aha movies, because the movie will give them a wonderful experience. Let’s check about the movie now.
Arya (TejasKancherla), Chaitanya alias Chai (AbhinavMedishetti), Bunty (TejKurapati), Dhruv (Dinesh Tej) have been school friends since childhood. They live a life of emphasis on enjoyment over education. Leading a life of drinking beer without any purpose in life, living only for friendship.
Arya falls in love with her schoolmate (DeekshaNagarkar). Chai gets close to Riya (PriyaVadlamani) whom he loves at first sight at the party. Riya leaves Chai to the US for a reason while life is going through. It turns out that Chai has been mentally depressed and also diagnosed affected with cancer. Arya gets into some trouble in love and he chooses to make Beer for income as the needs increase financially.
Why did Riya leave Chai? How did they raise the Rs. 30 lakhs required for Chaitanya Cancer Treatment? What is the role of Rahul Ramakrishna (Raju Bollam) in this story? are the rest of the story.
TejasKancherla, TejKurapati, Dinesh Tej and AbhinavMadishetti are the four heroes who bring to this story. These four did full justice to the roles they were given. Tejas Serious Attitude is impressive. Abhinav impressed with his emotional acting. The Abhinav episode turned out to be a plus in the second half. The scenes in TejKurapati and Dinesh Tej combination will turn into a feeling good in a story that goes on seriously.
Harsha does not seem to be a new director anywhere while we observe the story written and the way followed the narration. The way he blended different elements and characters in the story, should appreciate him.
Harsha’s talent is the reason behind the natural appearance of four guys and three girls on screen. He succeeded in running the subplots while leading the main story successfully. He utilized all the actors and technicians properly as per the need for the movie. Photography, music are main assets to the movie.
Screenplay and Direction are the main highlights to the movie. The performance of lead actors, PriyaVadlamudi’s glamour, cinematography and music are the assets to the movie.
Watch your favourite latest Telugu movies today!
Cast and crew:
Cast: TejasKancherla, TejKurapati, Dinesh Tej, AbhinavMedishetti, Daksha
Screenplay & Direction: Sri HarshaKonuganti
Husharu is the feel-good youthful entertainer with a new story line. A must watchable Tollywood movie.


Jealousy, once consumed, will take over the mind and body, and not only hurt the people around that individual, but destroy that individual. In Othello, we see the protagonist fall guilty to jealousy, even though he has said that he doesn’t let his feelings get the better of him.
If you have lots to say for one idea and it stretches into two paragraphs, this is basically a double-decker sandwich. It’s fine but too many double-deckers in one essay might mean you run out of space (or time!) so don’t fill up that essay too much with double-deckers!!! Alternative ways of structuring this essay.My most embarrassing moment happened February 12 2011. I was a junior at Neptune High School. I was a member of the N.J.R.O.T.C. unit there. My unit was participating in the Senior Bowl halftime show, which was a tradition every year in school. At the Senior Bowl everyone would be there including local news stations and newspapers so it was a big deal to get everything set up accordingly.Sample Othello Essay “Heaven Is My Judge”: Literary Devices in Othello. William Shakespeare's classic drama Othello centers around the two conflicting characters of scheming, manipulative Iago and the honorable, but often times faithless Othello. Despite the fact that these men are completely opposite in character, Iago commands such persuasive powers that he literally starts to affect.
Reading 'Othello' can be a very thought-provoking experience for students, and it might get them seeking answers beyond the play itself. This lesson provides a series of research topics related to.
Discuss how age, social position, and race impact the relationship between Othello and Desdemona. 3. A tragedy concerns the fall of a great man due to some flaw in his character. What is Othello's flaw, and explain how he is truly a tragic hero. 4. What are possible motives for Iago's hatred of Othello? Consider both the motives he states and.
Othello Homework Help Questions. Discuss Shakespeare's portrayal of Venice as setting for Othello in I.i-iii. The most significant purpose for Venice being the setting of Othello has to do with.
How To Write An Essay On Othello: Example and Tips Othello is one of William Shakespeare's greatest tragedies, written in the 17th century. The story is based upon two predominant characters, Othello, a Venetian general and his son Lago. This literary treat is one of Shakespeare's most famous pieces of work. It explores many ideas such as.
Write An Essay About Special Moment In My Life. Embarrassing Essay Analysis Sample. Essay Embarrassing Moments Essay Rubric. Embarrassing Moment Essay A Tale Of Two Cities Essays Tribcorrection. Essay About Unforgettable Moment In My Life Back Cover Pic. Essay Embarrassing Moments A Thumb. Most Embarrassing Moment Essay For Againstessay Phpapp.
Othello: Essay Topics 1) Some have said that the focus of Othello is not the title character, as is the case with Shakespeare's other great tragedies, Macbeth, King Lear, and Hamlet.Is Othello simply too one-dimensional to be considered a great tragic hero? Does his seemingly unrealistic gullibility lessen our interest in him and his suffering?
Get an answer for 'In Othello, what is the moment of truth for Othello?' and find homework help for other Othello questions at eNotes.
The Secret To Composing A Good Response Essay On Othello. When you compare Othello to other works by Shakespeare, you will understand that it is quite different from them. Apart from the fact that it does not have a secondary plot, the actions contained in the play are concentrated in a given time and beyond the play’s first act, it is not.
Othello Essay features Samuel Taylor Coleridge's famous critique based on his legendary and influential Shakespeare notes and lectures. Act i. sc. i. ADMIRABLE is the preparation, so truly and peculiarly Shakspearian, in the introduction of Roderigo, as the dupe on whom Iago shall first exercise his art, and in so doing display his own character. Roderigo, without any fixed principle, but not.
Othello telling his story to Desdemona and Brabantio (Act scene century) critical essay on othello Othello Plot summary of and introduction to William Shakespeare’s play Othello, with links to online texts, digital images, and other resources. See related links to what you are looking for. Alexandre Bida. Othello (Act 1, Scene 3) Othello.
Suggested essay topics and project ideas for Othello. Part of a detailed Lesson Plan by BookRags.com.
Othello Essay Examples. 648 total results. A Literary Analysis of the Characters in Othello by Williams Shakespeare. 701 words. 2 pages. A Plot Review of William Shakespeare's Othello. 498 words. 1 page. An Analysis of The Code of Honor in Othello and The Adventure of Huckleberry Finn. 1,807 words. 4 pages. The Traits of Othello That Make Him Naive in the Play Othello by William Shakespeare.
Othello Tragedy Essay. Tragic events serve to provide wisdom and learning experiences. The tragedy of Othello by William Shakespeare exemplifies tragedy at its worst, and how such a state is reached. Othello is a man of nobility, who loves a woman named Desdemona. The tragic events of the play show how Othello is betrayed by a seemingly.
Othello Essay Rubric: Criterion. Exceeds Expectations. Meets Expectations. Below Expectations. Content (10 points) Specific, illustrative development of ideas throughout essay that thoroughly analyze the topic. Some ideas are developed throughout the essay; evident attempt at analysis but lacking detail.


It's a big year for comic books movies. Not only are there a slew of them in 2016, the sheer volume of comic book content headed to the big screen has meant these films have come under more scrutiny than ever before. Case in point Dawn of Justice (review). While DC's first outing for this year has been rather hit and miss, it's the turn of Marvel's Captain America: Civil War to see if it can fare better.
Avengers assembled… mostly
We weren't the biggest fan of Age of Ultron (review). It lacked the balance of the first Avengers movie and felt like Marvel was trying to cram in too much action for each of its major characters. By contrast, 2014's Captain America: The Winter Soldier felt like a far more well rounded film, with a compelling storyline and solid mix of action. Civil War is in a similar vein, despite featuring far more of the Avengers. In fact, the only ones missing for the full pack were Hulk and Thor.
While those two are M.I.A., Civil War focuses on the tension between Cap (Chris Evans) and Iron-Man (Robert Downey Jr.), and their differing opinions on the divisive role The Avengers are playing in protecting the world. Without delving too deep into the politics, Tony Stark wants the team to fall under the jurisdiction of the United Nations, mainly out of guilt for past mistakes, while Steve Rogers wants to operate free from the control of any government. Adding further fuel to this fire is the Winter Soldier (Sebastian Stan), who is yet to be brought to task for his past transgressions.
True to source?
This film might be named Civil War, but the parallels between the superb Mark Millar penned comic books and this movie only extend to The Avengers picking their respective sides. For the watching audience, it might feel like Iron-Man is more adversary than colleague, and in many ways is made out to be on the wrong side of the film's early plot.
If there is something that Civil War is not in short supply of, it is action. It's not all CGI-drive either, which is a refreshing turn of pace from the visual intensity of Age of Ultron. As such, you've got great close quarters combat with Cap, Black Widow (Scarlett Johansson) and Bucky Barnes (Winter Soldier), as well as more intricate scenes with Iron-Man, Scarlet Witch (Elizabeth Olsen) and Ant-Man (Paul Rudd).
Unfortunately, the serious conflict present in the comic books did not carry over to the big screen. As such, one of the major fights at a German airport (seen in the trailer) seems more of a playground scrap between good friends than all out war as it has been billed.
Running time on the movie is two hours and 27 minutes, with directors Joe and Anthony Russo (The Winter Soldier) only able to cram in so much. Still, the movie ends quite abruptly, leaving one with a few lingering questions.
New kids on the block
The new additions to the roster also hold their own, and certainly have excited for their standalone projects. Black Panther (Chadwick Boseman) perhaps has the best costume of all the heroes, and his fighting skills certainly put him up there in the pantheon of Avengers. Along with the prince of Wakanda, we get a look at Peter Parker (the third iteration) and his new-look Spidey suit. While we've already seen him for a few seconds in the second trailer for Civil War, he gets a substantial amount of screentime in the film itself. In fact, Tom Holland, who plays Spider-Man, adds a refreshing change of pace in the Avenger-driven Marvel cinematic universe with his youthful exuberance.
It's fair to say that Captain America: Civil War has a fair amount of scepticism to overcome, especially in the wake of a tepid Age of Ultron. Would the Russo brothers be able to recapture the balance of The Winter Soldier while adding new characters to the Marvel cinematic universe and creating a significant rift between Earth's mightiest heroes?
The short answer is yes. While some might wish that the film pulled in more elements from the eponymous comic books, on the whole everything works well in this celluloid version. Short of a slightly rushed ending that leaves a few questions unanswered, as well as a bit of slow start, Civil War is still one of the better Marvel movies.


We Create MusIc
A selection of films we have been fortunate enough to work for.
ASTRALS MUSIC PRODUCTION
We are a high-end music and post-production facility based in the heart of Brazil, Brasília. Founded by the German composer Sascha Kratzer, winner this year of the 47th. Gramado Film Festival for “Best Original Score” with the Brazilian movie “The Friendly Man”, by Iberê Carvalho. Also nominated as a finalist for “Best Original Score for a short film” at the “MASA International Music And Sound Awards 2019” for the movie “All Roses for Lola”, by Carlos Lascano.
We are for over 9 years in the Brazilian market and have more than 20 years of experience in the audiovisual market, working on Advertising, Cinema, Film & TV series, Animations, Virtual Reality, and Games.


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Welcome Friend, I'm Kynder Ann
As a previous marketing professional and working 3 years in the film industry as a performer, I use my knowledge to ensure you get the most out of your session.
My goal is to let your true essence shine.
Whether you're an actor or model, a business professional, a couple wanting keepsake photos or just an individual wanting professional images, you won't regret booking with me!
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Wayside Creations and Dracogen are proud to present Fallout: Nuka Break - Red Star. This 25-minute episode will be released on Machinima Prime this Friday, July 12th!
Red Star diverges from the humor-filled tone of Fallout: Nuka Break-Season One and instead follows the darker essence of the iconic character, “The Ranger.” Red Star begins with “The Ranger” searching for his old tracking partner whom he finds out was slaughtered by Raiders. His partner’s widow enlists “The Ranger” to track and rescue her kidnapped daughter who was sold into slavery. As he reluctantly accepts this quest, the audience quickly becomes aware that this tale is not only one of survival and action but one in which “The Ranger” finds a renewed sense of purpose.
Vincent Talenti returns to direct alongside lead actor, Cameron Diskin, and executive producers, Steven Dengler and Amer Rhamani. Red Star features stars from both film and television. Actress Toni Wynne, of Oz The Great and Powerful, successfully transforms the kidnapped daughter into a warrior her tracking father would be proud of; and The Mindy Project’s Catherine Carlen, embodies a mother’s desperation to find her child. Also starring alongside them are Ed O’Ross of Dick Tracey and Full Metal Jacket, as well as, Vic Mignogna from Fullmetal Alchemist and Star Trek Continues.
Twig, Ben and Scar will return in the first episode of Season Two later this month. Machinima will decide the release date soon, and you’ll be the first to know!
Thank you so much for your continued support. It’s been an amazing journey, and we can’t wait for you to see the show!


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follow the latest progress in “Social Media” in defferent sites to most famous technicals / by 2017-01-07 at 7:54
As it stated in
Kim Kardashian West breaks silence on Paris robbery
– Kim KardashianA tearful Kim Kardashian West breaks her silence on her Paris robbery in a new teaser for the family’s reality show, telling two of her sisters her thoughts at the time: “They’re going to shoot me in the back.
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Kim Kardashian West breaks silence on Paris ordeal
– Reality TV star Kim Kardashian West has revealed she feared she would be shot in the back by the gunmen, who robbed her in Paris last year.The 36-year-old star was robbed at gunpoint in her hotel in the French capital last October and Kim admitted she feared she was going to die.In a new clip for her reality TV show, “Keeping Up With The Kardashians”, which returns to E!


Now when most people think of the Men in Black, they probably think of the 1997 film, Men in Black, starring Tommy Lee Jones and Will Smith, but did you know the movie might be based on a real organization. Strange sightings over the decades have created a conspiracy about a real-life supernatural organization known as the “Men in Black”. This week, Leah brings in some suspicious stories about the illusive organization, while Gavin and Chris decide if the tall tales have any possibility of being real. (Hint: We recommend steering clear of potential Men in Black.)
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And check out more This Strange World links here: https://linktr.ee/thisstrangeworldpodcast


The 1st Shimla International Film Festival for Documentary Short and Animation Films would be organised by Films Division, Ministry of Information and Broadcasting, Government of India, Mumbai in collaboration with Directorate of Information and Public Relations, Government of Himachal Pradesh from 18th to 20th March, 2011 at Gaiety Theatre Complex, Shimla.
The films which would be exhibited during the period at Gaiety are Pum Pum, Whose is this Song, Vietnam Symphony, The Elephant Boy, Zero Degrees of Separation, Salata Baladi, Ali and the Ball and Burma V.J. Reporting from Closed country.
The Festival aimed to showcase some of the best and award winning documentary, short and animation films from India and abroad, apart from films of filmmaker from Shimla. This film festival will provide an appropriate forum for film makers, film technicians and artistes of Shimla to discover and discuss the current and latest trends and techniques in this creative art. SIFF-2011 aims to prove as a useful platform for the film lovers for exchange of ideas.
The inaugural function will be followed by screening of films at Gaiety Theatre Complex on 18th March, 2011 at 10.00 a.m. Subsequent screening of the films will be held from 18th to 20th March, 2011 from 10.00 am to 8.00 p.m.
The highlights of the festival are package of selected Award Winning Films of Mumbai International Film Festival and best of Films Division Documentary films, animation films and films on Himachal Pradesh. In addition to these, two films entitled ‘For Whom The Jingle Bells’ and ‘Spot the Difference’ directed by Shri Vivek Mohan from Himachal Pradesh will be screened during the festival. Total 23 hours films will be shown in the festival. The entry to the Film Festival is free.


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Membership in our film club gives you access to a world of cinematic wonder. We offer screenings of classic and contemporary films, as well as discussions and workshops on various aspects of filmmaking. Our members also have the opportunity to showcase their own films at our annual film festival.
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Am Mittwoch, den 13. Dezember 2017, besuchten die zweiten und dritten Jahrgänge der HLW Spittal eine Aufführung des Vienna English Theatre.
The actresses and actors performing ‘Romy and Julian’ by Clive Duncan surprised the students of the HLW Spittal/Drau with a more than current and inspiring version of Shakespeare’s ‘Romeo and Juliet’. Thanks to everybody!
Some students’ opinions:
I was very impressed by this performance, because it shows us a lot - for example that we shouldn't look at people on the outside and that brand clothes aren't that important. We should pay more attention to the inner values of people, and we shouldn't give up when we love someone. The actors and the actresses played their roles very well. All in all, I liked it very much! Corinna F., 3AHW
It was very nice. The good thing is that this show was absolutely made for the youth of today. But at the beginning was it a little bit confusing. The actors were really easy to understand. It was also funny. It is a modern version of Romeo and Juliette. It shows us that the youth of today always look at the external values of other people. Moreover, you have to fight for what you love. Jaqueline, 3AHW
This play shows the old story of Romeo and Juliette from the perspective of today’s life. It’s about appreciation and to accept somebody else with all his or her mistakes. Secondly, it is said that you aren’t your label and you should wear whatever you feel comfortable in and what you prefer. At the end it is mentioned that if you love somebody you have to fight for it. Our opinion of this story is that the actors and actresses played very well and we understood everything quite easily. It was a pleasure to see this unique play. Maxime, Sandra, 3AHW
We the 3AHW had the chance to watch the play "Romy and Julian" in the city hall. The performance was very exciting, and it showed us how Romeo and Juliet would be today. It was very easy to understand the actors and actresses and they had very creative clothes. I would recommend everybody to go to this show. Finally, thanks to our teacher, we had the chance to talk to the actors and actresses and take a picture with them. Annika, 3AHW
In my opinion the performance was very good and funny, but also very meaningful. It says a lot about the youth of today. It showed that everything is dominated by the mobile phone. And it also points out that you shouldn't believe everything you hear. Sometimes you should trust the person you love because maybe she/he says the truth. You are supposed to fight for what you want and the person or things you love. The main actor, who played "Julian" was very funny and I laughed so much whenever he said something. Jasmin S., 3AHW
We watched the theatre performance of Romy & Julian and it was fantastic. I was really fascinated. The performance showed that our society is dominated by the mobile phone. At the end Julian said a very good sentence: Fight for what you love! This is a very good message, because it‘s the truth. Marie G., 3AHW


When the critically acclaimed Avatar hit theaters at midnight on Thursday, the CGI (computer-generated imagery) world was set aflame like the forests of the blue aliens that occupy this beautiful world. Many people claim that the amazing world that James Cameron has created will change the cinema industry forever, but to me, there have been greater benchmarks in the CGIndustry that have already happened. This list compiles some of the most amazing CGIn films.
1. The Mummy: Tomb of the Dragon Emperor (2008)
“I hate Mummies!” Until I saw this film. The CGI in this film really was legendary. Director Rob Cohen CGI’d Brendan Fraser in the entire movie, but no one even noticed. They noticed that he was more sarcastic and witty than any of his films since Bedazzled, but they didn’t notice that he wore a green suit for the entire movie. Cohen said, “Fraser had been complaining about all of the costume changes and the real danger that he went through in chasing mummies in the first two films (where they didn’t use and CGI). I thought we could take this franchise to a whole new level by using a CGBF (Computer Generated Brendan Fraser).” Some say that Cohen’s genius in creating a CGBF for the Mummy 3 inspired Cameron to make Avatar.
2. Deep Blue Sea (1999)
Bigger, Smarter, Faster, Meaner. That’s the tag-line for this blockbuster hit, but no one thought it would encompass this film the way it did.
Bigger – This film has the biggest shark to ever hit the screen, it makes Jaws look like little Nemo.
Smarter – The writers of this film, Duncan Kennedy and the Powers team (Donna and Wayne), could not have created a smarter script for the who’s who of Hollywood stars in this film.
Faster – The film was made in 3 weeks, the fastest major motion picture in history.
Meaner – The CGI’d shark in the film was really, really mean. Probably meaner than any other ocean-dwelling actor since Ursula from the Little Mermaid.
3. Bicentennial Man (1999)
1999 was an amazing year for films, but none were better than the Android Robin Williams in Bicentennial Man. If you ever wondered what Robin Williams looked like as a woman, Ms. Doubtfire was your film, but if you’re like me and you wondered what he’d look like as a robot, this movie was for you. It was the first movie created that used robotics in Robin Williams form, and it also introduced robot bigotry. Everyone hated robots after this movie was made. It was a huge step backwards in the progress of robots in society, especially since Short Circuit was created. It took the movie Artificial Intelligence, starring Haley Joel Osment as a boy robot, to bring the robot rights movement back to prominence.
4. Roland Emmerich – Any film he’s done
Emmerich is the master of CGD (computer generated destruction) with films like 2012, 10,000 B.C., The Day After Tomorrow, Godzilla (the Matthew Broderick one), and Independence Day. These high grossing films have made trillions of dollars, but none had the CGQ (computer generated quality) of Universal Soldier, starring Jean-Claude Van Damme and Dolph Lundgren.
5.The Whole Nine Yards (2000)
Finally, the greatest CG-Creation. Most would not guess but the film The Whole Nine Yards, starring Bruce Willis and Matthew Perry, is entirely computer generated. The comedy may be real, but the visual effects are so stunning, that not one person can tell it isn’t real acting. The reason it was done by computers is because Matthew Perry is a CGP (Computer Generated Person), meaning, he isn’t real. All of his acting is CGI and the voice acting is done by little known actor Scot Darlymple. It’s still the biggest secret in Hollywood.