“It’s A Superhero Movie” is Not An Excuse for Bad Storytelling
Wonder Woman 1984 is a disappointment of a movie filled with silly contrivances and lazy storytelling. What can we learn from it?
Let me start off by saying this is not a formal review of the movie per se. There are plenty of other resources to read or watch that will scratch your review itch.
What I want to do with this post is address one particular excuse I see that keeps popping up in response to the deluge of criticism this movie has received. That excuse being: “It’s a superhero movie, [insert your favorite excused short-falling].”
- It’s supposed to be over the top
- It’s supposed to be silly and unbelievable
- It’s supposed to be campy
- We don’t have to understand her powers
I understand why people use these excuses. Because of the reputation that comic books have, people believe that the movie versions of them should also be silly, campy, contrived, etc. Well, my answer to that is that even the best comic books are also great stories in and of themselves (The Watchmen and The Sandman immediately come to mind). But most importantly, there never is an excuse for bad storytelling.
You can have a fun and campy movie with decent storytelling, and it can still bring you along for the ride. Marvel’s Thor: Ragnarok is a perfect example. That movie is chock full of fun and camp. (Sometimes, admittedly, a tad too much.) And it has some story problems. But on the whole, the movie adheres to the rules that have been established in the Marvel Universe and the character motivations all make sense and are not as contrived. It also takes place on a planet and involves worlds filled with fantastical creatures and beings.
Wonder Woman attempts to merge the fantastical with reality. There’s nothing wrong with that—except when the aspects of reality start becoming silly (i.e. people who do and say things that normally a person wouldn’t do and say.)
The biggest issues people had with the movie were related to examples of lazy storytelling. These are poor to bad aspects of a story where it appears the creators have used little to no creativity or effort to solve the story problem.
Let’s look at a five examples of lazy storytelling (not all of which were in WW84), but these are all ones you’ve seen at one point or another. There will be some minor spoilers for WW84 in this post. But trust me, this story is so bad, there’s I could spoil that would detract from this film.
1. Breaking the rules (or having no rules)
In every world you create, that world should have rules. If you don’t establish any rules, or worse, establish some, then break them, it’s annoying to the audience and is just lazy. One of the biggest issues I had with WW84 is that end of the movie she exhibits a particular ability that it has never heretofore been established. I don’t mind if a superhero has certain abilities, but if they’ve never had that ability before, and all of a sudden they have it, you damn well better give me a good explanation. There was none given in WW84.
Which leads me to the next major example of lazy storytelling.
Contrivances are when something far-fetched, ridiculous, or highly unrealistic happens in your story, without any well-established rhyme or reason, other than because the plot needs it to happen. For example, C3P0 in Rise of Skywalker not being able to utter the language of the Sith, allowing him to decipher the map dagger—so why the hell would he be programmed with that ability in the first place? It’s there because the plot needed it to be that way. (But don’t get me started on “Rise of Skywalker. I’m exhausted complaining about it.)
One minor spoiler for WW84 is how Diana makes her invisible jet. She just has this cool trick she learned once where she made a cup disappear. Now, she’s going to use it on a whole freaking jet plane? She cast spells now?
Another contrivance is the fact that her love interest, Steve Trevor (played by Chris Pine) is able to fly one of the most advanced pieces of machinery in any era, despite the face that the last plane he flew was from World War 1.
Yet another major contrivance in the film is that the main villain turns himself into a “wishing stone” and needs to get people make wishes on him. This thereby grants him some level of power over them. The way he gets people to “use” him, he says, “Don’t you wish you had such, and such…” and they answer “Yes, of course I wish that.” Really dude? That’s your master plan. Oh, and he needs people to “touch” him for this power to work. So his master plan is to send out a broadcast to the world and the particles from the broadcast are supposedly “touching” the viewers. (Eye roll. Slap palm to forehead.)
Speaking of wishes…
3. Wishes suck!
Whenever you have a story based on someone having the power to grant wishes, you’re on shaky ground of very lazy storytelling. If you establish some kind of rules in your world, it’s not so bad. Something like in Aladdin, where you can’t wish for more wishes, or make someone fall in love with you, etc.) In this case, this wishing power seems all powerful (turning Kristen Wiig’s character into a bad reject from the Cats movie, and building walls out of nowhere. But for some reason, when the wishing power brings Steve Trevor back to life, it has to be in the body of another man? And let’s not get into the fact that Diana, who is supposed to be a higher being with boundless empathy, has zero issue with commandeering this other man’s body just to be with her lover. Going so far as to put him in danger of being shot and blown up. And not once is the issue ever raised.
Another issue with wishes is that when someone is that powerful, you remove all tension from the story. That’s one of the challenges with characters like Superman and Marvel’s Captain Marvel. These heroe’s are so powerful, you need to come up with creative ways to counteract their power. With Superman it’s Kryptonite or threatening Lois Lane. With Captain Marvel, it’s sending her out into the universe to help ostensibly dozens of other worlds in danger who don’t have Avengers.
This idea of tension caused by the relative ability or inability to defeat or overcome the challenges at hand all relate to the next issue on the docket.
4. No stakes
If there are no stakes in the proverbial game, the audience can’t get invested. WW84 does not suffer from this particular storytelling issue. But the audience needs to get invested in your story. There needs to be a sense that something big and important is at stake. Even though I said I was exhausted with Rise of Skywalker, let me return to that god-awful movie.
Without getting too much into it, it’s very hard to get too invested in anything the characters do, because the writers always found ways to bring anyone killed back to life.
- Chewie was thought to be killed. Nope. He was on a different transport.
- Kylo Re was stabbed. Rey brings him back to life.
- Luke’s lightsaber was destroyed. It is “magically” bright back into existence.
- C3P0’s memory has to be dumped so that he can read the aforementioned Sith dagger; R2D2 can just download him again.
- And the grand daddy of them all (pun intended), the Emperor is brought back as the main baddie, despite the fact that he was blown up in a reactor at the end of Return of the Jedi, and then blown up AGAIN when the Death Star II was blow up.
The audience needs to feel that there’s a real chance that the heroe’s of the story are in danger; and a sense of real loss needs to be felt when a hero.
5. Superfluous Exposition
There’s a common saying in the film world: “Don’t tell it. Show it.” It’s a hallmark of lazy storytelling to utilize some form of verbal exposition to communicate some aspect of a story, as opposed to letting the audience figure it out on their own based on the writing and direction. I don’t necessarily think this is an issue that WW84 suffered from, but it’s an aspect of lazy storytelling worth addressing.
Sometimes exposition is needed. A scientist in a sci-fi flick has to explain some over complicated aspect of astrophysics in order for the audience to get what’s going on. A doctor in a medical drama explains a surgical procedure for the same reason. These forms of exposition make sense and fit well in a story. The kind that doesn’t work as well is when a character has to explain the feelings of another character instead of letting the audience figure it out.
Part of what makes bad verbal exposition is when one character explains something to another character who should already know. There’s a scene in Christopher Nolan’s Interstellar where a character explains worm holes to Mathew McCaunaghey’s character. A man who ostensibly should already know this. It’s not that the exposition in and of itself is bad. It’s the way it’s presented. It’s obvious the only reason is exists is to help the audience understand. But in the context of the story, it’s kinda dumb.
Another popular form of verbal exposition is from a story narrator. It could be a character in the story telling the audience what is happening, as if reflecting back on an event in the past. Think of the opening of Lord of the Rings: Fellowship of the Ring, when Cate Blanchett’s Galadriel gives the backstory of the rings of power and the fall of Sauron.
I think this is a perfectly fine example for one main reason: the whole movie is somewhat of a fairytale, so having the original recited to us feels like someone reading a book.
At the end of the day, as a writer who needs to convey information to your audience, ask the question, “How can I communicate this info without having someone actually say it?” The more times you can do that, the better you will be.
6. Poor Character Development
Last, and certainly not least, is poor character development. This is when a character is not fully flushed out. It can manifest itself in any number of ways:
- Their motivations aren’t fully explored
- We don’t get to really know them
- Their interactions with other characters (particularly other main characters with whom they have a relationship), seem contrived or shallow
Poor character development is one of the most egregious forms of lazy storytelling because it’s our connection to characters that makes us even care about the story we’re watching or reading in the first place.
Let’s go back to our good ol’ trusty “friend,” the Star Wars sequel trilogy of episodes 7, 8, and 9. One of the worst developed characters in that 3-movie arc is Finn, played by British actor John Boyega. Here we have an ex-Stormtrooper who refuses to take orders, leaves the First Order, and ventures out to become a free man. That is the foundation for an amazing story and background that could play out is so many ways.
But we never, ever learn anything really deep about him. From The Force Awakens (which I actually like, despite its flaws), to The Last Jedi (hated it!), to The Rise of Skywalker (truly and deeply LOATHE IT), all we learn about Finn is that he’s really, really, really, into yelling “Rey!”
It’s no wonder Boyega has mixed fillings about his time in the Star Wars franchise.
Bad or no character development is lazy storytelling. If there is just one thing on this list you should focus on, is making well-developed characters with whom your audience can connect. If you do that, many of the other issues will solve themselves.
Now go forth and write great stories!


Welcome to the World is a daring film about a troubled man who records a video message for his pregnant sister. Drawing its power and immediacy from its first-person, confessional style, the film presents, in one continuous shot, the journey of one man's awakening from isolation back to humanity.
Автор: Albert M. Chan
Участники: Directors: Albert M. Chan and Anthony Grasso,
Producers: Richard Possemato and Albert M. Chan,
Actors: Albert M. Chan and Mary Niederkorn
Filmed entirely with a smartphone (Moto G 1st Gen) and a pair of binoculars, Peripherals (Raybone, 2016) aims to express the notion that “Life moves pretty quick, if you don’t stop and look around once in a while, you could miss it” - Peripherals displays the point of view of Patrick, a hard-working husband & father of two. Much like binoculars, which simultaneously look far ahead while obstructing peripheral vision, Patrick looks ahead at ambitions relating to material wealth while ignoring what is happening around him.
Автор: B Raybone
Участники: Film & Sound by Ben Raybone
Voice Acting by Susan Raybone


The Theatre itself offers a tiered banquet style auditorium with a fully equipped stage including lighting and sound systems. The auditorium is flanked by a large independent buffet area. A balcony area above the auditorium seats an additional 116 people in theatre-style.
At the entrance to the theatre is a large holding area incorporating a bar which can be utilised for pre-event cocktails or displays. The Theatre seats up to 444 schoolroom style, 1016 cinema style and 470 for a banquet.
A unique feature of the Theatre is its tiered levels, which not only give a full view of the stage no matter what the configuration of the room, but which also ensure that the stage is the focal point.
- Cinema Style – 1016 Persons
- School Room – 444 Persons
- Banquet Style – 470 Persons (Rounds)
- Banquet Style – 558 Persons (Square)


During a television appearance in 1982, renowned artist Jean Michel Basquiat discussed a recent experience with racism. During the interview, a live caller interrupts with racist comments aimed at Basquiat.
Basquiat: All right. So tonight after this really good meal, you know I want to go to the movies. So I’d see “Taxi Driver,” which is like my favorite movie, I think. I went to this movie on 48th and 8th, this theater, and then when I got there I put my 10 dollars in the window. The lady disappeared from it and came back gave about my 10 dollars and said… [Basquiat yells off camera at someone] No music man, this is serious.
Unknown: It is a mistake.
Basquiat: So I was like denied entrance to a movie theater and you know why?
Basquiat: So they said it was my appearance, you know, that looked like a bum, you know but it never happened to me before. I just sort…
Unknown: So don’t go to that movie theater.
Basquiat: So this is what I’m, why I’m here now right. This is my appeal to boycott the Hollywood Twin Cinema, which is they show good movies but after that…
Unknown: Everyone always wants someone to prohibit something. You know it’s always, there’s always like a restaurant they sell the coffee wrong or something or someone couldn’t use the men’s room and stuff…
Basquiat: This is a sleazy movie theater.
Unknown: Well this… but I mean if we boycotted everything everyone wanted to boycott you couldn’t go anywhere. You couldn’t go on the buses. You couldn’t take it you couldn’t take a taxi because [inaudible] … or go to a restaurant for Christ’s sake. This is what happens in New York. It’s widespread now.
Unknown: Hello? Hello?
Caller: Chris what let me ask you something, this is really something. This week how did you finally get how did you get a Buck Wheat to appear this week? I thought he was dead.
Unknown: Hello? Hello?
Caller: That really is something though are you gonna get off the next week with Spanky too or what?
Basquiat: Yeah yeah, I’m making a comeback.
Caller: Hey brother. Bro let me ask you something, didn’t you snatch my chain last week on the subway? Huh?
News, viewpoints and advice from Black professionals who support and inform communities of color.
Original content and curated articles are posted and updated daily.


What is century cinema 16 Theater Century Cinema is a cinema technology developed by CJ 4DPlex, a subsidiary of the South Korean cinema chain CJ CGV. It is based on next-generation four-dimensional technology that transcends the screen and sound effects to deliver an immersive movie-watching experience for viewers. So what does this entail? The so-called “useful effects support it,” that is, walking on a chair, moving snow/rain/foam, smells, lightning, wind, etc. century cinema, movies are combined with 3D (with glasses) or 2D (without drinks).
CJ introduced this technology commercially in 2009. Therefore, the technology is more than ten years old. It has licensed this technology to almost every cinema chain in the world. It is available in more than 60 countries and has nearly 700 rooms. In India, PVR and Cinepolis got the license.
Table of Contents
century cinema 16 Theater Features
The idea behind this technology is to make the viewers feel they are part of the plan. Therefore, Cinema century cinema has the following features:
Adjustable chair (up and down; left and right; forward and backward)
- foot tickler
- Back pain
- the face of the wind
- sprinkler water
- The smell
- A bubble
- The wind
- The rain
Watch the film below to understand how all these features are enabled in century cinema 16 movies:
Century Cinema movies can be combined with 3D if the movie supports it and can be viewed with glasses. On the other hand, films can be viewed in 2D.
What is the seating capacity in a century cinema 16 theater?
Century Cinema has approximately 75 seats. As seen in the video above, four chairs joined together to form a block. The seat is divided into 6-7 rows and two sections—one close to the screen and the other slightly further.
“Plush recliner seats”
Any time we discuss show theater seats, we should disclaim that your experience may vary. I know that part of the Cinemark XD experience is the rear seats. Every time I sit in an XD theater, there are upgraded seats and diners. In my experience, these comfortable chairs sit independently of the headrest and footrest.
So, since we can’t speak to every theater in the country, I have to conclude that this seems true.
While most of us focus on screen size and quality, the sound system makes most of today’s theaters different. Century Cinema admitted that “although the pictures are clean, it’s the sound people like the most.”
THX certification is a badge that sets the standard for audio and fidelity in the entertainment experience. So the fact that century cinema is THX certified is a big deal. Now, the size of the value depends on who you ask.
You can search for THX-certified theaters in your area here, and in most places, you’ll find that THX-certified movies are rare. If you live in Los Angeles or New York, you should be able to find other THX-branded theaters. But for most of us in big cities, suburbs, or Central America, century cinema 16 are often the only THX-certified surround theater.
WHAT IS century cinema 16?
Century Cinema is a cutting-edge cinematic technology developed by CJ 4DPLEX that provides an immersive multi-sensory cinematic experience. Century Cinema combines the image on the screen with synchronized motion seats and environmental effects such as water, wind, fog, smell, snow, and more to enhance the screen performance. It is the world’s first 4D cinema technology brand for movies, including Hollywood blockbusters, local films, and other content such as music and commercials.
THE INNOVATION OF century cinema 16
A breakthrough in creating a completely different cinematic experience
The film is no longer used on the screen. Century Cinema draws you into the show as if living in its world. We offer the signature effect of many corporate matters. With 21 types of signature effects, century cinema creates a unique environment for movies.
THE MOTIONOLOG OF century cinema 16
Perfection in translating movies to life Every second counts in the cinematic experience. What matters is how we turn those moments into reality. Providing accurate and wide-motion seating in theaters is our specialty. The century cinema 16 motion seats have a wide range of speed controls and generate enough vibration to deliver a real-time feel and impact.
THE GLOBAL IMPACT OF century cinema 16
Universality among moviegoers around the world
For the first time in the globe, century cinema has commonly spread the trend of 4D cinematic experience in many countries. Since 2009, more than 640 Hollywood blockbusters and local films have been screened in century cinema 16, surpassing 76 million moviegoers.
Fully Immersive & Sophisticated 4D Effects
century cinema offers a multi-sensory experience among 4D cinema models. Our state-of-the-art technology, quality, and unique multi-sensor effects set century cinema 16 apart as an industry leader.
MORE INFORMATION about century cinema 16
Century Cinema 16
Visit Our Cinemark Theater in Mountain View, CA. Enjoy alcoholic drinks, fast food, and Pizza Hut. Experience your movie at Cinemark! Buy Tickets Online Now!
Address:1500 NE Shoreline Blvd, Mountain View, CA 94043
In many cases, the century cinema 16 gives you a new compared to a movie. For ~ $ 2.50, the difference is worth it if you watch a movie or anything based on a special feeling.


Writer/director Mike Cahill's Sundance entry has been picked up by Fox Searchlight for wide release.
I have a feeling this won't be the balls to the wall kind of science fiction that some require, but it looks like a contemplative take on a high concept.
It reminds me, in a lot of ways, of Don McKellar's LAST NIGHT - something extraordinary happening and everyone reacting to it in real ways.
ANOTHER EARTH is set for release July 20th. LAST NIGHT is currently available on DVD .


Check out this trailer to short film put together about the inner city of Detroit coming together and planting urban farms.
Urban Roots Trailer from Tree Media on Vimeo.
Urban Roots is the next documentary from Tree Media. Produced by Leila Conners (The 11th Hour) and Mathew Schmid and directed by Mark MacInnis, the film follows the urban farming phenomenon in Detroit. Urban Roots is a timely, moving and inspiring film that speaks to a nation grappling with collapsed industrial towns and the need to forge a sustainable and prosperous future.
CLICK HERE to check out their website and find out more.
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Recently M&G NSW was contacted by a 15 year-old film maker and student from the Central Coast NSW named Noah Lawson.
Noah told us that he and a bunch of his friends had recently won Best Film International Youth Silent Film Festival in Melbourne for their film The Station made onsite at the Lake Macquarie Heritage Centre. We were intrigued.
Clicking the YouTube link we watched as a romance between an artist—bound for WW2—and a pretty girl on a train station unfolded. We wouldn’t want to spoil the ending so we will just say it’s a beautifully written three-minute story that borrows from classic silent films of the era. Noah had to be interviewed.
He explained that a group of 14 young people, aged between eight and 17 were involved in the production of the film. Many hours were spent developing the plot and in researching suitable props, authentic costumes and hairstyles, as well as “preparing the set” so that impact on the fabric of the historic building itself was avoided.
The set he’s referring to is the 1891 wooden railway station on the edge of Lake Macquarie at Toronto. A darling of a building, it began its life as a private tourist tramway before becoming part of the Government Railway network in 1910. It was acquired in 1992 by the Lake Macquarie and District Historical Society to house their local history collection and a heritage centre.
The building is beautifully presented in the film, something that Margaret Berghofer Heritage Centre Treasurer, said the Historical Society takes pride in despite the property’s upkeep being time-consuming and costly. She mentioned that the building is vulnerable to vandalism and graffiti attack, and was part-way through reporting another break-in to the police when we rang to talk to her.
Berghofer said the Historical Society was thrilled with the film and working with Noah and his friends couldn’t have been better. They worked around the museum opening hours and scrupulously tidied up after themselves. They approached the committee and provided their own Public Liability insurance for the project.
Many hours were spent developing the plot and in researching suitable props, authentic costumes and hairstyles, as well as “preparing the set”.
The train has long gone from this area and while the station building and platforms remain, the tracks themselves are covered in grass. The absence of a viable railway presented one of the challenges for the film makers. This was cleverly managed by shooting parts of the film from below the platform deftly avoiding any reference to the now grassy railway line.
With the help of train enthusiast Graham Swanson from Lake Macquarie Light Rail, the team filmed additional scenes of running steam trains and spliced them seamlessly into the action where necessary, adding an extra heritage touch.
Eight hours were spent on site filming and many more in production. Steve Lawson, Noah’s father led the group in the technical aspects of film-making, having experience as a photographer and a long interest in cinematography. Being an enthusiastic and resourceful group of home-schoolers, they called on the skillset of parents, friends and family to fill in the gaps.
They’ve done a marvellous job and we think it’s a win for everyone involved: the local community, Lake Macquarie Light Rail, Noah and his team, and the Historical Society for getting on board and supporting the initiative. A happily symbiotic relationship, and one that goes to the heart of preserving local heritage and history.
The International Youth Silent Film Festival celebrates the recreation of silent movies. Films are submitted from students in Asia, Australia, New Zealand, The Middle East, Europe, Canada and the USA.
There’s also a behind the scenes version of The Station. Check it out below.


The moral implications of modern warfare are confronted in Bleecker Street’s powerful drama, Eye in the Sky, coming to Digital HD on June 14, 2016 and Blu-ray(TM), DVD and On Demand on June 28, 2016, from Universal Pictures Home Entertainment. Tackling an ethical dilemma in a thought-provoking suspenseful story, the gritty film stars Academy Award (R) Winner, Helen Mirren (Trumbo, The Queen), Aaron Paul (“Breaking Bad,” Need for Speed), Academy Award (R) Nominee Barkhad Abdi (Captain Philips), Iain Glen (“Game of Thrones,” Lara Croft: Tomb Raider) and the late Alan Rickman (Die Hard, Harry Potter) in his final on-screen performance. Eye in the Sky “holds us in a vise and keeps squeezing” according to Peter Travers of Rolling Stone. Directed by Academy Award (R) Winner Gavin Hood (Tsotsi, Ender’s Game) and written by Guy Hibbert (“Complicit,” Five Minutes of Heaven), Eye in the Sky follows Colonel Katherine Powell (Helen Mirren), a UK-based military officer in command of a top secret drone operation to capture terrorists in Kenya. Using remote surveillance and on-the-ground intelligence, Powell discovers the targets are planning a suicide bombing and the mission escalates from “capture” to “kill.” But as American pilot Steve Watts (Aaron Paul) is about to engage, a nine-year-old girl enters the kill zone triggering an international dispute, reaching the highest levels of American and British government, over the moral, political and personal implications of modern military operations.
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Let’s do a quick poll, shall we? How many of you base your decision to watch a movie at a theatre or catch a film on TV based on movie reviews? Most certainly, many of you. If the movie isn’t something as keenly anticipated as Spiderman (one of cinema history’s top grossing films) or as highly publicized (The Social Network) you would take a minute to surf your favorite film review site and check out what the critic and audience communities have to say on the next blockbuster or the latest Friday Release.
While we have veterans such as A.O. Scott from N.Y. Times giving us an unhurried view of the big screen flick, digital culture has shifted the axis of power and influence in the hands of online voters. The majority users of film review sites prefer Voting, Polls, Percentile Response, Star Ratings, Facebook Likes and the iconic thumbs up or thumbs down sign? It’s quick, doesn’t take effort or deeper analysis on the part of the audience reviewer, and breaks down the movie going experience to something quite simple – either you liked a film or you didn’t! It’s not rocket science!
It’s not big deal really, unless you think of the long term consequences of entire generations of movie going audience in the future basing their decisions to see a film based on a Facebook Like percentile graphic or a rate-o-meter poll. Simply put, no film, no matter how well-crafted, star-studded or technically proficient enough to win an Oscar can satisfy all sections of the movie-going masses. There will be elements within each film which doesn’t meet the approval of many cinema-goers. Background score might disappoint in a movie with an otherwise brilliant star cast, cinematography and director. How do you coalesce all these complicated and technical details and reduce it to a simple ‘Like’?
I guess what the academicians are saying about ‘shorter attention spans on the Internet’ is true (Excellent articles on short attention spans on Time magazine and BBC Online). When there is so much to catch up with – news, views, information, breaking news, opinion and editorial pieces, feature articles, commentaries, video interviews, analytical and research documents, where is the time to read a six-column NYTimes-page sized movie review?
It doesn’t bode too well for those of us who are trying to make a career out of writing thesis-length reviews on lifestyle, trends, technology, fashion or art. If it’s all going to boil down to a thumbs up or down, or random users choosing three, four or five stars for the contents of the article and its object of opinion, why would a review matter in the long run? If the overpowering public opinion sinks a film to 20% popular, why would anyone be curious to click and see a detailed review?
Of course, the same can’t be said for all opinion pieces or analysis. Although our attention spans are getting shorter, features and commentaries keep getting produced and pressed at alarmingly large numbers. So, the more net users flit from one article to the next, never fully appropriating the essence of theories and analysis purported therein, the more news reams get produced in a knee-jerk syndrome to capture more eyeballs. Ironic? It’s cyberculture.
Would you hold stock in my hypothesis? When was the last time you took time out to read a film review and pursue a cinematic experience based on that? Would love to hear from you film lovers!
– Nilofar Ansher


The plot of the Calamari Wrestler is that Japanese pro wrestler Taguchi has just won the world title with his finishing move the inverted full nelson. While enjoying the moment of his victory he's surprised in the ring by a giant squid who has snatched his championship belt. Taguchi tries to fight the squid but is trounced by the squid's Northern Lights Suplex. Watching from ringside Taguchi's girlfriend Miyako recognizes the Northern Lights Suplex as being the same finisher used by her deceased ex boyfriend and former wrestling champion Iwata. Now he's back in a giant squid body and he's out for payback, respect and his championship. Miyako is torn between loyalty to her new boyfriend Taguchi and her unresolved feelings for Iwata. In his giant squid body Iwata begins to train hard for his next deadly opponent: The Squilla Boxer.
Yes, this is a comedy and no it's not for everyone's sense of humor either. But it works for me wonderfully. Come on, it's pro wrestling, a love story, a man returned to reclaim his life in a giant squid's body and to find his place in the world. If there has to be a point to this post perhaps it's that while Hollywood continues to make excellent movies, there are lots of great movies from other sources as well. Don't be put off by foreign actor names or subtitles. Or to put it another way: watch outside the box.


Mommy - This word was always associated to my mom; the person who provided me with anything and everything under the sun! If there was something I needed or something I felt, all I had to do was to tell her and my concerns would be taken care of most of the time! It had… Continue reading Life’s huge transformation – becoming a mommy!
This is my take on the Indian hindi movie Thappad. I have tried to expree what I felt after watching this powerful, yet subtle movie which opened a lot of questions in the audience minds.
I recently moved to a new place in Bengaluru. There is a tree right outside at this new place. It was something that I and my husband had instantly liked when we came to see the place. A beautiful tree with leaves coming into our home through the window, the cool breeze, the sound of… Continue reading Nature, such a teacher!
The upcoming romantic drama film 'Gully Boy' has created quite a stir amongst movie goers. It stars the very talented Ranveer Singh and Alia Bhatt in lead roles with Kalki Koechlin and Shiddant Chaturvedi in prominent roles. The movie is directed by Zoya Akhtar who is coming with this one after 4 years, her… Continue reading Why watch ‘Gully Boy’
The first poster of the much awaited big budget mammoth film Padmavati is out. The movie staring Deepika Padukone, Shahid Kapoor and Ranveer Singh (notice the order of the stars) is a high drama period film produced and directed by none other than Sanjay Leela Bhansali. This is the third film of Bhansali with Deepika… Continue reading Padmavati – first look is out and you can’t miss Deepika’s unibrow
Seeing Vidya Balan back on screen after a long time (after a lot of rumours that she is starting a family) is satisfying and hopeful as this year hasn't been very well for the film industry. Its nice to see amazing female actors carrying movies on their shoulders and this is another such movie. The… Continue reading Tumhari Sulu – smiley Vidya Balan looks funny and endearing


STUDY QUESTIONS FOR KING
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- When was the play written? What significant events had
occurred in Shakespeare’s career?
- How did the emphasis in the later tertalogy differ from
that in the first tetralogy?
- How did the Tudor historians explain the arrest of Prince
Hal by the Lord Chief Justice?
- How were early Protestant historians “revisionists” about
English history before Luther?
- How did Henry V address the political issues of the
last years of Elizabeth’s reign?
- What were the chronicle dramas and when did they
- What did Shakespeare’s audience find so fascinating about
the 15th Century?
- Why did Richard II lose the throne in 1400 and who
- What factors made Henry VI such a weak king?
- Why was the War of the Roses so traumatic for English
society? What marked the end of that war?
- Who was the king who replaced Richard III and what was his
relationship to Queen Elizabeth?
- Who were the first professional historians of English
history and why were they brought to England?
- Explain what exactly the “Tudor Myth” is.
- What were two folklore elements found in the popular
accounts of Henry V?
- Who was Holinshed and why was he so important for
- What were the characteristics of Prince Hal that
- What were humor characters and where are they found
in the play?
Act I, Prologue
- What do all the Prologues in the play have in common?
- What does the “wooden O” refer to and why?
Act I, Scene 1
- What is the crisis Canterbury and Ely face? How do they
propose to meet the challenge?
- In what areas does Henry excel according to the churchmen?
- What does Canterbury mean at line 67 when he says,
“miracles are ceased”?
Act I, Scene 2
- What is the significance when a king refers to himself as
- What does Henry demand of Canterbury?
- How does Henry make the decision to go to war seem
- Why do the nobles like Exeter support the war? Why do the
- What is the danger posed by Scotland, and how does Canterbury propose to counter it? What conceit does he use to illustrate his point?
- What are four examples of Henry’s verbal violence
in discussing his plans for the invasion?
- Why is the French ambassador anxious about delivering his
message from the Dauphin? What is the significance of the “tun of
Act II, Prologue
- How do the French seek to counter the threat of the
English invasion? What serious pun does Shakespeare use to describe
Act II, Scene 1
- Where does the scene shift to? Why does this surprise the
audience? What is Shakespeare’s purpose in making this detour?
- What are the dominant characteristics of Bardolph, Nym,
Pistol and Mistress Quickly?
- What is the cause of the dispute between Pistol and Nym?
Why is Quickly so sought after as a wife?
- Find two examples of phallic humor from the scene.
- Why does Pistol object to be called “host”? Why does the
word “solus” make him mad?
- How does Bardolph break up the fight between Pistol and
- Who is Doll Tearsheet and how does she become part of the
- What do all agree is the cause of Falstaff’s illness?
- What is the basis for the eventual settlement of the
- What does Pistol hold out as the promise of making money
in the army in France?
Act II, Scene 2
- How does Henry trick the conspirators into denying
- What is significant about the sequence in which the
conspirators are arrested?
- What possible mitigation for Cambridge’s treason does
- Why does Lord Scroop get the brunt of Henry’s wrath? What
admirable qualities does he possess?
- Why is the crime seen as so dangerous for the entire
kingdom? What is Henry’s slogan for the invasion?
Act II, Scene 3
- How is the account of Falstaff’s death handled in a
serious or poignant manner? How is it handled in a comic manner? Why is
there a mixture of tones?
- How and why does Quickly try to change what Falstaff’s
final words were? Find three examples of her verbal mistakes.
- What are three pieces of the folklore of the dying process
we learn in this scene?
- Why won’t Nym kiss Quickly good-bye?
- What slogan does Pistol come up with for the invasion?
Act II, Scene 4
- What do the three French leaders think of the threat posed
by Henry? Why do they hold these opinions?
- Characterize the manner in which Exeter delivers his
message to the French King. What is Henry’s response to the Dauphin?
- Why does the French King delay in answering Henry’s
Act III, Prologue
- To what does the Chorus compare the invasion fleet?
Act III, Scene 1
- What is a “breach,” “mine” and “petard” and how do they
figure in the attempt to take Harfleur?
- What are three ways Henry appeals to his men to charge the
breach? How does he invest his war with religious significance?
Act III, Scene 2
- How does Pistol try to placate Fluellen’s anger?
- What were the objects stolen by the three thieves and what
that tell you about them as criminals?
- Who are the four captains, and what is Shakespeare’s point
in having them from different parts of the British Isles?
- What is Fluellen’s obsession? Why does he have that? What
are some of the unusual aspects of his pronunciation? List two of his
- Why does Macmorris get angry at line 124?
Act III, Scene 3
- How are the English finally able to take Harfleur?
- What aspects of verbal violence does Henry’s speech
- What is Henry’s plan after he occupies the city?
Act III, Scene 4
- Why is the French princess learning English?
- What English words embarrass Katharine and why?
Act III, Scene 5
- What is it about the English that makes these French
leaders particularly angry about their loss of Harfleur?
- Why was the point of combat in medieval battles to capture
the enemy nobles instead of killing them?
- What conceit does the French King use to compare his army
sweeping away the English?
Act III, Scene 6
- How is it possible for Fluellen to mistake Pistol for a
- Who or what does Pistol blame for Bardolph’s problem with
- How does Pistol try and save Bardolph and why does it
- According to Gower, what is the con game that people like
Pistol are playing and how do they carry it off?
- How does Henry react to the news of Bardolph’s execution?
Why does he react this way?
- Who is Montjoy? Why does Shakespeare have him deliver the
French King’s demand in prose?
- How does Henry respond to the demand for ransom?
Act III, Scene 7
- What is the dramatic purpose of this scene?
- How many times does someone in the scene wish it were
- Explain the dynamics among the Dauphin, Constable and Orleans.
- Explain how the description of the Dauphin’s horse turns
Act IV, Prologue
- What kinds of images predominate in the description of the
two camps the night before the battle? Why?
- What does Henry do the night before the battle?
Act IV, Scene 1
- How does Henry disguise himself? Why does he disguise
- What is Pistol’s reaction to the King? Why is it unusual?
- To what does Fluellen object the night before the battle?
- How many times in the first 35 lines does Henry use “good”
or “fair”? Why?
- Between lines 86 and 234 identify three examples of dramatic
- How has his experience as a prince enabled Henry to
communicate so effectively with the three soldiers?
- What two analogies does Henry use to convince the soldiers
the King is not responsible for their souls?
- Why does Williams challenge Henry to a fight? Why was
Henry wrong to accept?
- What separates Henry from the people he rules? What has
the personal cost to him been of leadership?
- What is the sin that Henry has sought to atone for? Why
does the lecture refer to him as a conflicted man?
Act IV, Scene 2
- What are the main points of contrast the French make
between themselves and the English?
Act IV, Scene 3
- What are three major elements of Henry’s appeal in the St.
Crispin Day speech?
- For whom is Henry’s response to Montjoy primarily
- According to Henry, how will the English continue to
plague the French even after they are killed?
Act IV, Scene 4
- Why were the French at a tactical disadvantage at Agincourt according to the lecture
- In historical reality why did Henry order the slaughter of
the prisoners? Why were the nobles reluctant to obey the order? Who did
most of the killing?
- Why does Shakespeare choose to begin the depiction of the
grand battle of Agincourt with this action involving Pistol?
- What is Pistol’s primary concern throughout the scene?
Give two examples of his mistaking his captive’s French.
Act IV, Scene 5
- According to the Constable and Orleans, what is the
primary reason for the French defeat?
Act IV, Scene 6
- Why in the middle of such mass killing does Shakespeare
stop the action to focus on the deaths of York and Suffolk?
- In this scene why does Henry order the killing of the
Act IV, Scene 7
- According to Gower why does Henry order the slaughter of
- What elaborate historical parallel does Fluellen seek to
establish in the middle of the battle? Why?
- Why are the French so anxious to separate the bodies of
- How does Henry emphasize his “Welsh” heritage? Why?
Act IV, Scene 8
- What taboo word signals the seriousness of Fluellen’s rage
at Williams? Why is it a taboo word?
- Explain the concept of the fellowship of the rough jest.
What psychological function does it fulfill for Henry?
- What is Shakespeare’s point in emphasizing the disparity
in the numbers killed on both sides? How does Branagh’s film change that
Act V, Prologue
- A reference to what contemporary event enables us to date
the composition of this play?
Act V, Scene 1
- What two things does Fluellen force Pistol to do which
- What three things does Pistol propose to do to make money
after he returns to England?
Act V, Scene 2
- Why are the Duke of Burgundy and Queen Isabel important in
the dynamics of the peace conference? Who’s missing from the meeting of
the powerful? Why?
- What is unusual about Henry’s attitude toward reaching
final agreement on the details of the treaty?
- How many times does Henry ask Kate if she can love him?
- How does Henry denigrate his own abilities? Why?
- According to the lecture why was Kate’s acceptance of the
marriage so important to Henry?
- Who pronounces the benediction on the marriage? What political
significance in the marriage does the speaker find?
- What happened to Henry’s vision of a united England and France?
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If you're okay not getting anything more than "robots punching monsters," you'll have fun with Pacific Rim. Renamed My Foolish Heart and starring Dana Andrews and Susan Hayward , the film departed to such an extent from Salinger's story that Goldwyn biographer A. Scott Berg called it a " bastardization ." Drammatico, Canada, Irlanda, My Salinger Year (2020) with English Subtitles ready for download, My Salinger Year 2020 720p, 1080p, BrRip, DvdRip, Youtube, Reddit, Multilanguage and High Quality. Her name is Joanna, and she is a mess, a bit like the movie she stars in, called My Salinger Year. Cold War is a great bittersweet romance "highlight" reel. In New York City in the late '90s, Joanna (Margaret Qualley) is a young aspiring writer who lands a day job at J.D. My Salinger Year (2020). In the mid-1990s, Joanna (Margaret Qualley) is fresh off a degree in English … Film is released in 2020-11-13 by Parallel Films, micro_scope, Momento Film, . My Salinger Year (EIFF)(2020) | Showtimes, Movie Tickets & … The film is based on the memoir of the same name by Joanna Rakoff, but the film takes on such a familiar structure with stereotypical characters and weak messaging that it loses any power that the book may have had. My Salinger Year.2020.WEBSCR.XviD-EVO 댓글 0 조회 297 10.21 13:06 좋아요 204 팔로우 44 자료가 없을 때 씨앗이 부족할 때 속도가 느릴 때 토렌트에 없을 때 운영자이신가요? Salinger is a 2013 documentary film about the reclusive writer J. D. Salinger directed and produced by Shane Salerno.The film tells the story of Salinger's life … There’s no joy. SALINGER features interviews with 150 subjects including Salinger's friends, colleagues and members of his inner circle who have never spoken on the record before as ... Sundance 2020 Movie Scorecard It stars Margaret Qualley, Sigourney Weaver, Douglas Booth, Seána Kerslake, Colm Feore and Brían F. O'Byrne. Copyright © 2021 Matthew Parkinson. 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There’s nothing for us to latch onto. Release Year: 2020 Movie genres: Drama Title Movie: My Salinger Year Duration: 101 min Movie Director: Philippe Falardeau Country: Canada, Ireland Movie actors: Margaret Qualley, Sigourney Weaver, Douglas Booth Writers: Philippe Falardeau, Joanna Smith RakoffClick link My Salinger Year (2020) fmovies My Salinger Year with english My Salinger Year hdmovie99 online Salinger's literary agency. Salinger. Director: Philippe Falardeau Stars: Margaret Qualley, Sigourney Weaver, Douglas Booth My Salinger Year (2020) FULL HINDI MOVIE (~WATCH~) My Salinger Year 2020 HD Full Movie Online in 123movies Iflix. Thanks, Mayhem. My Salinger Year, specifically, feels that way, especially the way it was handled here. The lead is Joanna (Margaret Qualley), who moves to New York and becomes an assistant for an overbearing technophobic boss (Sigourney Weaver) at a literary agency. Joanna gets the job because she claims to not be a writer, despite wanting desperately to be a writer. When We First Met isn't unwatchable and it's the type of moderately pleasant movie that fits perfectly on a platform…. Take The Devil Wears Prada and move it from the world of fashion to writing and you’ve got My Salinger Year, which feels like a clickbait title based on how little J.D. My Salinger Year (2020) FULL HINDI MOVIE | Margaret Qualley, Sigourney Weaver, Douglas Booth My Salinger Year (2020) FULL HINDI MOVIE Follow \nPeppermint 2018 download \n When his eccentric, old-fashioned boss is tasked with processing Salinger’s big fan letters, he struggles to find his voice.. \n \n \n \n. Though Salinger sold the story with the hope—in the words of his agent Dorothy Olding—that it "would make a good movie", critics lambasted the film upon its release in 1949. 『쉽고 재밌게 보는 국내 토렌트』 My Salinger Year.2020.WEBSCR.XviD-EVO > 영화 > 순수한 토렌트 포털 토렌트아이 J.D. My Salinger Year.2020.WEBSCR.XviD-EVO[TGx] ⭐ 댓글 0 조회 7 15분전 좋아요 186 팔로우 36 쪽지 보내기 게시글 보기 자료 없을때 내 사이트를 가장 위로 My Salinger Year (2020) [CARTERET] | Watch My Salinger Year Online 2020 Full Movie Free HD.720Px|Watch My Salinger Year Online 2020 Full MovieS Free HD !! 『쉽고 재밌게 보는 국내 토렌트』 My.Salinger.Year.2020.WEBSCR.850MB.x264-DMV[TGx] ⭐ > 영화 > 순수한 토렌트 포털 토렌트아이 You can make a good film out of pretty much any story, but sometimes it feels like certain events—like working a boring assistant job that puts you three degrees of separation away from a famous writer—aren’t worth it. The Devil Wears Prada is a movie that's applicable to everyone and a success because of it. 『한 사이트에 통합된 토렌트』 My Salinger Year.2020.WEBSCR.XviD-EVO > 영화 > 토렌트서치 > 토렌트의 중심 All rights reserved. Un originale coming-of-age animato dall'amore per la letteratura. Take a guess the direction that the film takes. If you like Daniel Craig's version of James Bond, Quantum of Solace is worth watching. Salinger. Salinger factors into the plot. My Salinger Year. TV14 • Documentaries • Movie (2017) ... TVPG • Documentaries • Movie (2016) About this Movie. 1 hour ago | 2 views. You’ve seen this movie before even if you haven’t seen this specific iteration. It runs for less than two hours but feels like four. There’s no fun. The film had its world premiere at the 70th Berlin International Film Festival on Salinger. 27 1 User votes \n \n CIFF 2020 Movie Review My Salinger Year (CIFF 2020) September 30, 2020 Matthew Parkinson 0 Comments Brían F. O'Byrne , Colm Feore , Douglas Booth , Joanna Smith Rakoff , Margaret Qualley , My Salinger Year , Philippe Falardeau , Review , Seána Kerslake , Sigourney Weaver min read 1h 41min | Drama | 20 November 2020 (Spain) A college grad takes a clerical job working for the literary agent of the renowned, reclusive writer J.D. Movie My Salinger Year A college grad takes a clerical job working for the literary agent of the renowned, reclusive… cutt.ly ⌛ Full of “My Salinger Year” (2020) Streaming Happy Watching ⌛ My Salinger Year - Un film di Philippe Falardeau. Il s’agit également d’un film ou d’une émission télévisée téléchargé via un site web comme on lineistribution, iTunes. Year: 2020Title movie: My Salinger YearDirector: Philippe Falardeau:─────────────────────────────────❱ ❱ ❱ link ❱ ❱ ❱ My Salinger Year (2020)─────────────────────────────────:Actors: Margaret Qualley, Sigourney Weaver, Douglas BoothWriters: Philippe Falardeau, Joanna Smith RakoffGenres: DramaCountry: Canada, IrelandDuration: 101 min:───── ▼▼▼ mirror ▼▼▼ ─────────────https://afdah-123-movies.com/?83-watch_My_Salinger_Year_online_free&utm_source=tistory─────────────────────────────────:User rate: 9.613Num vote: 6176Views movie: 6525Count downloads: 5327||||||||Jiong ma 2020 gcdiMister America 2019 slreAkjilkyungchal 2019 jpbL'immortale 2019 lkdMeitantei Conan: Konjo no fisuto 2019 rzqPinocchio 2019 mrnjSea Fever 2019 tudx, https://afdah-123-movies.com/?83-watch_My_Salinger_Year_online_free&utm_source=tistory, Meitantei Conan: Konjo no fisuto 2019 rzq. My Salinger Year (2020) February 29, 2020 October 6, 2020 André Crous. My Salinger Year.2020.WEBSCR.XviD-EVO 댓글 0 조회 125 10.21 13:06 좋아요 193 팔로우 39 파일이 없을 때 씨앗이 없을 때 속도가 느릴 때 업뎃이 안될 때 웹마스터신가요? Required fields are marked *. My Salinger Year (2020) 1h 41min | Drama | 5 March 2021 (USA) A college grad takes a clerical job working for the literary agent of the renowned, reclusive writer J.D. Salinger is the focus of this fascinating 2013 documentary that looks back at his life and career. Your email address will not be published. Reclusive author J.D. October 3, 2020 by Jessie Mendoza Set in 1995, Joanna, an aspiring writer and poet, leaves Berkeley, California and her boyfriend Karl and moves to New York City and takes a job at one of … Recommendation: Go watch The Devil Wears Prada again instead of this. That agency represents Salinger, among others. My Salinger Year is a 2020 drama film written and directed by Philippe Falardeau, based upon the memoir of the same name by Joanna Rakoff. Meredith Salenger was born and raised in Malibu, California, the daughter of Dottie, an interior designer, and Gary … Salinger, author of . If you like the content you see here and would like to support me financially, please consider donating. My Salinger Year movie 2020 trailer, cast Margaret Qualley, Sigourney Weaver. And this one is dull in comparison. Meredith Salenger, Actress: Village of the Damned. GOING BACK TO MOVIE THEATERS Read More ... Monster Hunter (2020) Fatale Hunter Hunter (2020) Sister of the Groom Skylines (2020) See All … A college grad takes a clerical job working for the literary agent of the renowned, reclusive writer J.D. If you have any interest in dramas or romances you need…. Year: 2020 Title movie: My Salinger Year Director: Philippe Falardeau link My Salinger Year (2020) Actors: Margaret Qualley, Sigourney Weaver, Douglas Booth Writers: Philippe Falardeau, Joanna Smith Rakoff Genres: Drama Country: Canada, Ireland Duration: 101 min ───── mirror ───────────── \nMargaret Qualley, Sigourney Weaver, Douglas Booth | In the late 1990s, a young writer in New York got a one-day job at the Salinger Literary Agency. Your email address will not be published. Sunny Health & Fitness Squat Assist Row-N-Ride Trainer for Squat Exercise… Salinger. Conclusion: My Salinger Year might not be a story worth telling. Year: 2020 Title movie: My Salinger Year Director: Philippe Falardeau link My Salinger Year (2020) Actors: Margaret Qualley, Sigourney Weaver, Douglas Booth Writers: Philippe Falardeau, Joanna Smith Rakoff Genres: Drama Country: Canada, Ireland Duration: 101 min ───── mirror ───────────── It's the perfect…. >>> Download torrent magnet >>> My Salinger Year (2020) Running time: 101 min, Title: My Salinger Year, Year movie: 2020, Genres: Drama List of actors: Margaret Qualley, Sigourney Weaver, Douglas Booth, Made in countries: Canada, Ireland, Writers movie: Philippe Falardeau, Joanna Smith Rakoff, Director: Philippe Falardeau My_Salinger_Year_1080p_HDCAM.mkv TV14 • Documentaries • Movie (2020) Atomic Homefront.


Marvel fans worldwide are rejoicing as the highly anticipated Thunderbolts movie finally enters production, marking a significant milestone in the Marvel Cinematic Universe (MCU). After much anticipation and speculation, the wheels are finally in motion for this thrilling addition to the superhero franchise.
The Thunderbolts, a team of complex and morally ambiguous characters from the Marvel comics, have long been a favorite among fans for their compelling narratives and dynamic personalities. Now, with the start of shooting, audiences can look forward to seeing these beloved characters brought to life on the big screen in spectacular fashion.
Directed by a visionary creative team and featuring a star-studded cast, the Thunderbolts movie promises to deliver an unforgettable cinematic experience that will captivate audiences of all ages. With its blend of action, drama, and suspense, the film is poised to become a standout entry in the MCU canon.
As production gets underway, details about the plot and characters of the Thunderbolts movie are being closely guarded secrets, heightening anticipation and excitement among fans. However, rumors suggest that the film will explore themes of redemption, betrayal, and the blurred lines between heroism and villainy, providing a fresh and compelling perspective on the superhero genre.
The start of shooting for the Thunderbolts movie represents the culmination of years of planning, development, and anticipation, and fans can’t wait to see the final result. With its promise of thrilling action sequences, rich character development, and epic storytelling, the Thunderbolts movie is shaping up to be a must-see event for fans of the MCU and superhero cinema alike.
As production progresses and more details emerge, anticipation will only continue to grow for what promises to be an epic addition to the Marvel Cinematic Universe. With its stellar cast, talented creative team, and rich source material, the Thunderbolts movie is poised to make a significant impact on the world of cinema and leave a lasting impression on audiences worldwide.


With its unique set-up combining professional recording resources with a flexible urban space, Noize Fabrik is the perfect location for intimate band or label showcases, listening or live recording sessions.
Cuddle Kino // Timbuktu (Abderrahmane Sissako, 2014)
Noize Fabrik is getting ready for winter and introducing a new edition of our regular Monday movie nights: Cuddle Kino!
Every Monday we’re going to be screening a selection of movies/shortfilms curated by our Communication Manager (and film enthusiast) Clément in our cozy space (where smoking is allowed), complete with the comfiest couches and popcorn 🙂
Join us for the screening of “Timbuktu” (2014, Abderrahmane Sissako) in O.V.
Not far from the ancient Malian city of Timbuktu, proud cattle herder Kidane (Ibrahim Ahmed aka Pino) lives peacefully in the dunes with his wife Satima (Toulou Kiki), his daughter Toya (Layla Walet Mohamed), and Issan (Mehdi Ag Mohamed), their twelve-year-old shepherd. In town, the people suffer, powerless, from the regime of terror imposed by the Jihadists determined to control their faith. Music, laughter, cigarettes, even soccer have been banned. The women have become shadows but resist with dignity. Every day, the new improvised courts issue tragic and absurd sentences. Kidane and his family are being spared the chaos that prevails in Timbuktu. But their destiny changes abruptly.
It was nominated for the Academy Award for Best Foreign Language Film at the 87th Academy Awards and has been nominated for the BAFTA Award for Best Film Not in the English Language at the 69th British Academy Film Awards. It won Best Film at the 11th Africa Movie Academy Awards.
The film was named the twelfth “Best Film of the 21st Century So Far” in 2017 by The New York Times.
Doors open at 20:00, movie starts at 20:30 sharp.
WHEN: Monday 20th November, 20:00
WHERE: Noize Fabrik, Elsenstrasse 52, 3.OG
TICKETS: At the door, 3-5€


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Sive, a tragic play by John B. Keane, was published in 1959, and was first performed by the Listowel Drama Group in the same year. It was also performed by other groups soon thereafter and the play received great praise around Ireland and England. (Sive's name is pronounced like sigh-ve (it rhymes with hive, as in beehive).
Act One, Scene I
On stage are Sive and her grandmother Nanna. Sive is the illegitimate child of Nanna's dead daughter. Mena (married to Nanna's son) enters and addresses Sive.
Mena: Your uncle and I work ourselves to the marrow of the bones to give you schooling and the minute I turn my back you're cohackling with that oul' boody woman in the corner. (To Nanna.) Some day the pipe will take fire where you have it hidden and you'll go off in a big black ball of smoke and ashes.
Nanna: (Slowly.) If I do, 'tis my prayer that the wind will blow me in your direction and I'll have the satisfaction of taking you with me. Aha, you'd burn well, for you're as dry as the hobs of hell inside of you. Every woman of your age in the parish has a child of her own and nothing to show by you.


I just got tipped off that there is a website where you can make a visit to Middle-earth, very kool indeed! The Middle-earth website is a part of the release of the new Hobbit film The Desolation of Smaug, it’s made with the newest techniques such as HTML5 and three.js (…for more nerdy info click here).
The whole experience is based on a map of Middle-earth and the locations and characters from the Hobbit movies. As you probably can tell when you look at it, Google and Chrome are involved in this amazing project…but enough of me talking about it you need to have a look for yourself! Click me and take me to Middle-earth!
…and the film looks good too!


For the last couple of weeks I have been working with some film-makers to design a campaign to accompany a feature film (drama, not documentary). The idea being that when the film gets a cinematic release next year, the campaign will be launched alongside it and cinema audiences will be motivated to add their support.
This got me thinking about the use of film in campaigning, and particularly drama. I’ve worked on many campaigns that have involved the use of documentary footage, which can be a powerful testimony, but doesn’t do that much to bring new campaigners to the issue (surely if you’re prepared to seek out a documentary on an issue you must be pretty interested in the first place?). And let’s be honest, there are some fascinating documentaries out there but many more are preachy or resort to scaremongering. Some are just too highbrow or plain boring, and very few are any good for appealing to the masses. Drama, on the other hand, could potentially reach a whole new audience. Good drama can be thought-provoking and conscience-pricking, and open people’s eyes to a problem they never knew existed.
I don’t know why more campaigns don’t make use of film and drama but I’ve been racking my brain to think of a recent example, to no avail. In 1966 the BBC broadcast Ken Loach’s Cathy Come Home which was watched by over 12 million people. This was, coincidently, the same year at the charity Shelter was founded. Shelter have since said that “the film alerted the public, the media, and the government to the scale of the housing crisis, and Shelter gained many new supporters”. This is surely a ringing endorsement of the power of good drama, so why are there so used few today in campaigning?


WEDNESDAY 13 September, 8PM
A trip to the cinema to see "An Inconvenient Sequel: Truth to Power" with the Christchurch EV Group
The Christchurch EV Group meets monthly, and this month's gathering is a trip to the cinema to see "An Inconvenient Sequel: Truth to Power", the sequel to "An Inconvenient Truth", that shows just how close we are to a real energy revolution. While the movie screening starts at 8pm, come down to Joe's Garage from 7pm to catchup over beer and/or pizza and catch some EV talk.
28 Marriner St
Google map and directions


FAVORITE STELENA MOMENTS → 1/∞
This moment is so beautiful yet so tragic at the same time. He wants to walk out the door, or at least he tries. But he can’t leave without kissing her, since it might be his very last chance to before and if he dies. One last chance to hold her close, to have her lips pressed against his own. As much as he wants to be completely selfless, he can’t. Because he loves her, and he needs to say goodbye. Just in case.
I have :) I’m in love with the same man for almost 6 years now :)
JP said that because Stefan and Elena had no secrets between each other they no longer felt the need to write anymore.
They didn’t need to express their feelings in diaries because they had each other.
It’s no coincidence that Elena has started keeping a diary again considering Damon’s been…
I watched it from the start and the story of Stelena captured me immediately.
I have no idea, but I really, really hope they get their shit together!
Haha ja I feel yaa
No, nothing yet and I’m really, really sad….
Me neither :( But you’ll get through this like the rest of us. The Vampire Diaries is a great show, keep watching so we can see Stelena together again :) <3


Friday, 14 August 2015
Another 2 festivals to tell you about. The Arizona Underground Film Festival in Tucson, AZ is considered one of the biggest underground film festivals in the US. BROKEN will screen on Tuesday September 22 at 7:30pm. At the same time is the Diabolique International Film Festival which is presented by Diabolique Magazine, the fastest growing publication dedicated to genre cinema. Diabolique takes place Sept. 25 - 27 in Bloomington, Indiana. My love for the horror genre is no secret and I am very excited about being part of these events.
Thursday, 23 July 2015
Just had an excellent Q & A with the wonderful people at the Blue Whiskey Independent Film Festival in Illinois. Thank you to everyone involved for making it happen and for their dedication to independent cinema. Your hard work is appreciated. Up next for BROKEN is the Nightpiece Film Festival in Edinburgh, Scotland on August 15.
Friday, 5 June 2015
It’s always nice when someone wants to know more about who we are, what makes us tick, what made us this way. Let’s face it, if we didn’t like talking about ourselves, twitter would never have become popular. So when I approached Canadian Animation website to help promote BROKEN, I was more than happy to answer their questions. A special thanks to Grayden Laing for the opportunity.
Thursday, 28 May 2015
Saturday June 20
Jordon Common Megaplex Theatres
(part of a 2 hour animation block)
Inspired by the works of HP Lovecraft, the festival is a true celebration of the genre and one that I am extremely pleased to be a part of.
Friday, 15 May 2015
Thursday, 30 April 2015
I am very happy to report that BROKEN has been named an official selection of the CALGARY HORROR CONVENTION. The event takes place:June 20th & 21st, 2015
11:00 am - 7:00 pm daily
2120 16 Ave NE
Now in its fifth year I am looking forward to showcasing BROKEN to a dedicated horror audience.
Friday, 24 April 2015
BROKEN has been named an official selection of the CRYPTICON SEATTLE FILM FESTIVAL. Running May 22 – 24, Crypticon is the largest horror convention in the Pacific Northwest. Having grown up on Famous Monsters, Hammer, and all things dark and creepy, I have a special affinity for genre film festivals and the dedicated fans they attract. Screening times TBA.
Friday, 20 March 2015
Friday, 13 March 2015
Friday, 6 March 2015
BROKEN has been named a finalist in the RONDO HATTON CLASSIC HORROR AWARDS for Best Short Film of 2014. The awards are voted on by the public so I encourage everyone to visit the site and cast a vote. While the ballot is very long, fear not, you are not obliged to vote in all categories. Simply copy the short film section of the ballot to an email (category #10) put an X next to the film and send it to email@example.com. I thank you all for your support and for those in the Hamilton area, I will be attending the FRIGHT NIGHT FESTIVAL screening on Saturday March 7. Hope to see you there.


About Noam - Director/Producer
Noam Argov is a National Geographic Explorer and independent filmmaker. She runs her own production company that focuses on indy cinema, commercial brand work and virtual reality projects, and her academic background in international development tends to find a way into her work. Noam’s documentary short "Running Across California" premiered with Outside Online and Maine Outdoor Film Festival, and was featured on National Geographic through the "Women of Impact" campaign. Her latest documentary short "My Dear Kyrgyzstan" premiered in competition at the 2019 Big Sky Documentary Film Festival and screened at the 2019 Atlanta Film Festival. Noam has participated in the Ignite programming at the Sundance Film Festival and in the Filmmaker Workshop at Banff Mountain Film Festival, and her affiliations include the Video Consortium (chapter lead in the Bay Area), Cinefemme, and Women in Media. Her films often center on quirky heroes who defy the stereotypes of their reality, and they often generate tough conversations about attitudes, identity and our relationship with the world. No matter the project, Noam is driven by unassuming people doing the unique and incredible, whether they're a composer, editor or a character in a story.
Some media outlets and brands Noam has worked with are National Geographic, Smithsonian Channel (CBS & Showtime), The North Face, Adidas/Terrex, and Google.
*Unless otherwise specified, all images on the site are my own and my copyright. They are not to be used without my permission.


This was a commissioned mid-length documentary film for the Toronto Public Library. After our proposal was selected by the RFP committee, we spent a little over one year following several youth groups who were participating in a flagship program launched by the Library called “Poetry Saved Our Lives” or PSOL. It was a humbling and inspiring experience to say the least. We met some incredible young artists and poets, who had a lot to say. Our documentary is hopefully a testament to this talent, and can help shed more light on the incredible talents in the young people of this city and of course all across the world.
Enjoy the trailer below and please feel free to share! We are hoping to work with the library and some of the youth still involved with the program to create a sequel to this documentary to be filmed in 2017-2018.


Off the Beaten Path
Join me on an adventure. Where will we go today?
I love the entertainment field. I love being on stage and being in the orchestra. I love writing new characters and sending them out into the world through a medium like this. My first experience as an extra saw me channeling my best memory of my Granny, who slowly left us as she retreated into her childhood memories.
Josh McCausland’s heartbreaking and award-winning short film Anamnesis (2018) showcased the talented Bruce Shaw. We shared the blended real and imagined world of the lead character as he slowly slipped away into Alzheimer’s Disease. I had a ringside seat as an extra to the process of making the film. The details and number of cast required to shoot a single scene for a small film were startling. I can only imagine how many cast and crew are required for larger movies.
Another standout performer in this short film is Whitni Resides. I was fortunate enough to share a stage with her a few times. She has traded in her stage career and now writes, directs, and produces films. This gorgeous beauty is someone I am proud to know as she has a generous and compassionate heart along with immense talent in the arts.
This is a touching short film. Mr. Shaw did justice to Mr. McCausland’s vision for the film. I hope you are inspired and moved as much as I was in participating in the process. This link takes your directly to Mr. McCausland's page to view the short film.


I've been reading too many blog posts and articles recently about Harry Potter. And seeing the giant posters everywhere. "It all ends" - this is the claim the final movie posters are trying to sell, this is Rowling's own point, this is the feeling going 'round Harry Potter fans' minds. Except mine.
Because guys, Harry Potter ended in 2007.
Back when the movies first started coming out, it felt almost premature. I remember wondering how they could be making movies of a series that wasn't even complete yet (the same feeling I get, by the way, when thinking about A Song of Ice and Fire). It felt rushed, it felt passionate, it felt... exciting. There was an excitement because I wanted to see how it lived up to my expectations. I wanted to see the actors and the sets and the exciting scenes (as well as the cool stuff, like the characters figuring things out for themselves).
But they were separate. Though the movies became a thing I cared about, I never let them take over my reading experience. I continued to imagine the characters as I had before, never for a moment thinking of them as the actors. These were two worlds I cared about that were tied together at their core, but split so clearly in my head.
"It's the end of the franchise," people tell me, but I'm unconvinced. I recently read the first few pages of Harry Potter to my young cousin and it looks as though I might even convince him to read further. Though he has grown up in a world that has always had Harry Potter - though he is clearly not of my own generation, that which was completely enchanted and won over by the whole phenomenon - he wants to read the books because they tell a good story. That will never end.


An empty city.
A population in hiding.
An invisible enemy who surrounds you.
Everyone is the front line.
A testimony of fear, survival, hope.
Trailer for a new short film from Chris Leslie filmed in Glasgow in April / May 2020 during the first lockdown of the Covid 19 Pandemic.
Premiered at the Glasgow Short Film Festival in March 2021 and will be screened at the Royal Scottish Academy in Edinburgh from the 22nd May 2021 – 20th June 2021. In August 2021 it had its International Premiere at Sarajevo Film Festival


Wow! Although Team Genius had already arrived in Full Frame Documentary Film Festival in Durham-Raleigh, North Carolina and were watching films and enjoying the famed hospitality, I arrived from Orlando in time to watch Wavy Gravy before we screened SMILE 'TIL IT HURTS on 4/3. First, one can't mention the Full Frame Documentary Film Festival without mentioning what a great documentary festival it is---the festival staff and volunteers are truly amazing---and the crowds are enthusiastic and love docs!! It is one of the best organized festivals I've seen and the hospitality is unquestionably grand. Filmmakers are housed at the Durham Marriott hotel---a welcomed change from other venues. After all the travel to/from Phoenix and Florida, I eyed the soft mattress and debated whether to dive into it or run to see Wavy Gravy. Like all good festival goers, I ignored my exhaustion and opted to see another film. And, of course, I was glad I did. Watching Wavy Gravy was like reading between the lines of SMILE 'TIL IT HURTS. They could be book-ended together as two sides of the same idealistic coin. The films could be called "opposite compliments" that documented stories and people that emerged from the same tumultuous times.
We screened after Wavy Gravy to a fun audience of some 300+ people! I generally know what scenes will bring laughter, but many in this crowd laughed the entire way through---some clapping and stamping their feet to the music or singing along to the bouncing ball!! Can you imagine that? Still others were murmuring or taken aback and literally gasped at the personal stories. The audience was completely responsive and emotionally involved. It turns out there were about a dozen Up With People alumni in the audience. In the Q&A, some alumni spoke about their personal experiences in the organization. Unfortunately I didn't get all this on tape.
I was pleased to learn that the President of the Up With People International Alumni Association was in the audience. She joined Up With People in 1966 at the age of 15, but left in 1968 and dropped off the alumni grid until the 40th reunion in 2005. We spoke for quite some time after the screening. Watching SMILE 'TIL IT HURTS was obviously an emotional experience for her (it is even for people who never participated in Up With People). It struck me that her desire, like many alumni, is that the film will be an opportunity for healing and conversation and that many alumni hope the new cast members will embody the original principles of Up With People (but without the dogma). She wouldn't comment on the film because she believed it was important to see it more than once to allow the emotions to settle and the story to be absorbed. Fantastic! It's definitely an emotionally varied doc that is jam-packed with twists and multi-layered stories so seeing it more than once is good advise.
Hopefully her comment will reach the 20,000 alumni who have yet to see the film, and resonate for non-Uppies who see it also. I had a local TV personality tell me how he was a hippie demonstrator in the 1960s, and that SMILE 'TIL IT HURTS "gave him closure" on the decade because he and his peers "hated Up With People and what they represented" and that "they were the enemy". But after seeing the film, he realized that they were all kids trying to do something positive in the world in a very complex time. It's healthy to come full circle and take a more-measured view of idealistic youthful choices. It's great to see the impact of SMILE 'TIL IT HURTS on viewers.
It also strikes me that many alumni forget that when they traveled they were just kids---kids full of hope and optimism and armed with an idealistic vision for a better world. Some view the film (or sadly just the clips on YouTube) through those youthful eyes and find it difficult to step back and view the organization in a historical and cultural context. They fear to delve into a conversation about the choices made. Much was at play on the world's chessboard, from politics and religion to corporate markets, race and freedom. That doesn't invalidate a positive youthful experience. SMILE 'TIL IT HURTS takes a broader viewpoint than participating in what some might simply call a singing cultural exchange program.
So go see it!
And see it again!
Because I took a flight back to Florida early the next day, I didn't get to spend nearly as much time in Full Frame as I would have liked. But our team was there and they had a fantastic time. It's a great social network, a festival packed with thoughtful docs, and set in a city with southern hospitality that is top notch. Be sure to put Full Frame on your calendar and attend next season. It's worth it! And from all of us at SMILE 'TIL IT HURTS: thank you to all the staff and volunteers at Full Frame who made the experience especially wonderful. It was a memorable time for all of us!
- SMILE opens at Harkins Theaters in Phoenix, February 17-24
- SMILE screens in Michael Moore's Dangerous Docs at Traverse City Film Festival, July 30
- Harkins Theaters Presents SMILE 'TIL IT HURTS, Tucson, AZ July 27-31, 2010!
- Tribeca Cinemas Presents: Doc Series, NYC, May 24, 2010
- Salem Film Festival, Salem MA, February 27, 2010
- Sedona Film Festival, February 25 & 27, 2010
- Big Sky Documentary Film Festival, February 20, 2010
- Rocky Mountain Women's Film Fest, Colorado Springs, Nov 6-8
- FirstGlance Film Festival, Philadelphia, October 24
- Temecula Int'l Film & Music Festival, Sept 10 & 11
- DOCUWEEKS, IFC Center, NYC, Aug 7-13
- DOCUWEEKS, ArcLight Hollywood, LA, July 31-Aug 6
- NEWFEST Film Festival, June 5
- Full Frame Documentary Film Festival, April 3
- Florida Film Festival, March 28 & April 2
- Slamdance Film Festival, January 17 & 20
Recent Press and Praise
- Variety: Storey victory over IRS reassures community!
- Hollywood Reporter: Lawyer rescues doc film industry!
- IDA News on IRS Win
- NY Times notes "sigh of relief" for doc filmmakers
- Deadline reports on victory over IRS for documentaries
- Storey Speaks on IRS Case at IDA's DOC U Event
- Forbes Breaks Story on Knocking Down the IRS
- Filmmaker Magazine on WHY DOCUMENTARY FILMMAKING CANNOT BE A HOBBY
- New Times reports "it's sugary but pretty damn effective"
- Arizona Republic calls SMILE "a complex tale"
- Review from the Traverse City Film Festival
- Philadelphia Lawyer critically reviews "fascinating historical phenomenon"
- Madison proclaims SMILE "very relevant today"!
- New Review in Failure Magazine
- Cinema Without Borders gives us 5 stars!
- Hey U Guys UK review: "If you get a chance to catch this one, be sure to check it out."
- Hugh Hart's Industry Buzz on the "globe-hopping chorus"
- Dish Miss calls it "well-made...funny, fascinating, and very very entertaining!"
- NY Post tells how Glenn Close was Up With People
- LA Times singles out fast-paced doc!
- la2day's "Top Pick of the Week"
- Documentary.org interview with Director Lee Storey
- Rotten Tomatoes gives us an A-!"
- Conspiracy theories...often turn out to be true.
- Movie Dearest says "Up Yours, People!"
- LA Weekly cheers "Up With Docuweeks"
- Gordon and the Whale calls it "very funny, very strange, very affecting"
- Movie Geeks finds it "entertaining and enlightening"
- Village Voice proclaims "a withering critique"
- indieWIRE notes we are qualifying for an Oscar!
- pullquote's Can't Stop the Music Pt 2
- Highly rated review says keep an eye out for this one!
- Indie Week calls it especially interesting!
- Orlando Sentinel pokes a reluctant Glenn Close, by golly!
- Orlando Weekly trumpets 4 star review with 'deft wit'
- We're a hoot!
- From the San Franciso Bay Guardian
- Variety reviews our film!
- We've been blogged!
- L.A. Times gives us a nod
- The Salt Lake Tribune discusses films about music
- indieWIRE names us one of Five Films To Watch at Slamdance
- This just in from Variety's THE CIRCUIT
- Hollywood Reporter: Lawyer rescues doc film industry
Apr 6, 2009
FULL FRAME screening!
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How do you say this in Japanese? While traveling in their respective trains, Taki and Mitsuha see each other when these draw parallel, and they separately disembark and search for each other, finally meeting at the stairs of Suga Shrine [ja]. 0 1 2. Your Name.  On a December 20 blog post, the Australian distributor Madman stated that the film had made over $1,000,000 AUD in the Australian box office alone before closing its limited release run. Taki calls out to Mitsuha, saying that he feels that he recognizes her, and she responds likewise.  The film's soundtrack was the runner-up in the "Best Soundtrack" category at the 2016 Newtype Anime Awards, and the song "Zenzenzense" was the runner-up in the "Best Theme Song Category".. , The film was released in Australian cinemas on limited release on November 24, 2016, by Madman Entertainment in both its original Japanese and an English dub. more subtle rules are applied, such as … "Radwimps play a part in the popularity of anime film 'your name. As of October 31, it has earned NT$52,909,581 (about US$1.666 million) in Taipei alone. Realizing that Mitsuha is in his body at the shrine, Taki returns to find her and Mitsuha wakes up in Taki's body. For the novel, see.  Shinkai also cited Interstellar (2014) by Christopher Nolan as an influence. The release was offered in Regular, Special, and Collector's editions. tasogare. ", "Throw Your Own "Your Name."  On December 31, 2014, Shinkai announced that he had been spending his days writing storyboard for this film. Stephenie Meyer got the idea of the Twilight Saga because one night she couldn't sleep so she took sleeping pills. Cinema chain CGV Blitz also revealed that it will screen the film. A restaurant owner in Hida, who is originally from Itomori, recognizes one of Taki's sketches. Taki attempts to call Mitsuha on the phone, but cannot reach her and the body-switching ends. scores lucrative debut in China", "Japan's 'Your Name' Poised to Win China Box Office Weekend", "China box office: 'Secret Superstar' top again, surpasses 'Your Name, "Last chance to see Makoto Shinkai's Your Name in cinemas! This page provides all possible translations of the word twilight in the Japanese language. One day, Taki (in Mitsuha's body) accompanies Mitsuha's grandmother Hitoha and her sister Yotsuha to leave the ritual alcohol kuchikamizake, made by the sisters, as an offering to the Shinto shrine on a mountaintop located outside the town. Launching in 2000, The Japanese Page (TJP) has helped thousands and thousands of people get a start with Japanese. The New York Times described it as "a wistfully lovely Japanese tale", while The Atlantic said it was "a dazzling new work of anime". Twilight in Japanese is 夕暮れ. " On Metacritic, the film has a score of 79 out of 100 based on 26 critics, indicating "generally favorable reviews".  In February 2019, Marc Webb signed on to direct the remake. These supernatural events include transcending time, body possession and the kami Musubi.This is vastly different to the monotheistic faiths which I am exposed … , The success of the film also extended beyond Japan. It made an estimated $10.9 million on its opening day from 66,000 screenings and attracting over 2.77 million admissions, the biggest 2D animated opening in the country. fifth-highest-grossing film of all time in Japan, ninth-highest-grossing traditionally animated film, 16th-highest-grossing non-English film worldwide, 2016 Los Angeles Film Critics Association Awards, San Francisco Film Critics Circle Awards 2017, "Kimi no na wa (2016) - Financial Information", "Makoto Shinkai's 'your name.' Between 1944 and 2019 there were 2 births of Twilight in the countries below, which represents an average of 0 birth of children bearing the first name Twilight per year on average throughout this period. The Italian title of Shinkai's previous film. We hope this will help you to understand Japanese better. Browse the tool to shortlist your most favorite names and create your baby name list.  In 2017, the film generated ¥6,532,421,094 ($59,926,071) in media revenue from physical home video, soundtrack and book sales in Japan. Japanese Translation. Check out my lists of Japanese Kanji Calligraphy Wall Scrolls and Old Korean Hanja Calligraphy Wall Scrolls.. M Pictures released it on November 10 in Thailand, and earned 22,996,714 baht (about US$649,056) in four days. ), "Shinkai's 'your name.,' Kabaneri Win Top Newtype Anime Awards", "Shinkai's 'your name.' , The review aggregator website Rotten Tomatoes reported that 98% of critics have given the film a positive review based on 112 reviews, with an average rating of 8.22/10. Typically used as a girls name but also used sometimes as a boys name. Whether you choose a traditional Japanese baby name (Masao) or a more modern one (Hina), one thing is for sure, it's meaning in Japanese is likely to be complex. The Battle of the Warring States, Los Angeles Film Critics Association Award for Best Animated Film, Wallace & Gromit: The Curse of the Were-Rabbit, Mainichi Film Award for Best Animation Film, Fullmetal Alchemist the Movie: Conqueror of Shamballa, Macross Frontier the Movie: The Wings of Goodbye, Steins;Gate: The Movie − Load Region of Déjà Vu.  Pioneer Films announced that it will screen the film in Philippines on December 14. On the last available year for each country, we count 0 birth. , In its first week, the Blu-ray standard edition sold 202,370 units, the collector's edition sold 125,982 units and the special edition sold 94,079 units. นี้ได้ชมแน่นอน #YourName", "Shinkai's 'your name.'  In order to qualify for the Academy Awards, the film was released for one week (December 2–8, 2016) in Los Angeles.  The film was also released in the United Kingdom on November 18, 2016, distributed by Anime Limited. Mitsuha Miyamizu is a high school girl living in the rural town of Itomori near Hida. yuugure. Director Makoto Shinkai requested him to compose its music "in a way that the music will (supplement) the dialogue or monologue of the characters". Purple Plan streamed an English- and Chinese-subtitled trailer for the film and premiered the film in Singapore on November 3 and in Malaysia on November 8, with daily screenings onwards. Novel Sells Over 1 Million", "J.J. Abrams, Paramount Team Up for Sci-Fi Love Story 'Your Name, "Marc Webb to Direct 'Your Name' Remake for Paramount, Bad Robot", "Lee Isaac Chung To Direct 'Your Name' Live-Action Reimagining From Toho, Paramount And Bad Robot", Japan Media Arts Award for Animation of the Year, Crayon Shin-chan: Fierceness That Invites Storm! "RADWIMPS Release your name's "Sparkle (original ver. With their connection re-established, they shed tears of happiness and simultaneously ask for their names. , In Thailand it grossed ฿44.1 million ($1.23 million). Twilight (2008) cast and crew credits, including actors, actresses, directors, writers and more. While gazing over the impact crater, in disbelief that everyone he met in Mitsuha's body had died this entire time, Taki sees that Mitsuha's messages were deleted from his phone and his past memories gradually start fading away. twilight translations: たそがれ時. Dazu gehört der Widerspruch gegen die Verarbeitung Ihrer Daten durch Partner für deren berechtigte Interessen. , Your Name became a huge commercial success, especially in Japan, where it grossed ¥25.03 billion. He takes Taki and his friends to the town, which is now destroyed by a meteor where five hundred people were killed when the comet Tiamat unexpectedly fragmented three years earlier. Taki convinces Tessie and Sayaka, two of Mitsuha's friends, to make everyone evacuate the town, by disabling the electrical substation and broadcasting a false emergency alert. Account & Lists Account Returns & Orders. Menu. Doopliss enchants the bell of the Creepy Steeple so that each time it rings, a resident of the nearby Twilight Town is transformed into a pig. From the list of Tiamat comet victims in Itomori in the middle of the film. sees unbelievable boost in tourism". "; "kataware" also has the same sound as a word meaning one of the couple (片割れ). Shinkai's eponymous novel was published a month before the film's premiere.  Mike Toole from Anime News Network listed it as the third-best anime film of all time. ", Your Name is a Japanese novel written by Makoto Shinkai. - Your result will be FAMILY NAME first, GIVEN NAME last (as is traditional in Japan! The next day, Taki wakes up in his body and goes on a date with Miki, who tells him she enjoyed the date but also that she can tell that he is preoccupied with thoughts of someone else. Novel Before Film Opens", "Makoto Shinkai's 'your name.'  The DVD Standard Edition placed first, selling 215,963.  The film is being written by Eric Heisserer, who revealed that the Japanese right holders want it to be made from the western point of view. It was critically acclaimed for its animation, complex narrative, musical score, and emotional weight. Tops S. Korean Box Office With US$8.1 Million", "Japan body-swap fantasy is China cinema hit", "Kermode Uncut - My Top Ten Films of 2015: Part One", "Review: 'Your Name' Takes Adolescent Identity Crises to Extremes", "The Mike Toole Show The Other 100 Best Anime Movies of All Time, Part 4", "Please don't see my animated blockbuster, says Japan's 'new Miyazaki,' Makoto Shinkai", "Sitges Film Festival - The unclassifiable 'Swiss Army Man' wins Sitges 2016", "Official Competition - BFI London Film Festival 2016", "42nd Annual Los Angeles Film Critics Association Awards 2016 Winners", "Women Film Critics Circle Nominations: "Hidden Figures," "13th," & More", "20th Japan Media Arts Festival - Announcement of Award-winning Works Selected from 4,034 Entries!
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Written by Tori Eldridge
Tori Eldridge is a Honolulu-born writer, a 5th degree black belt ninja, and a former actress, dancer, singer on Broadway, television, and film. She writes action-packed, culturally-rich thrillers and mystically intriguing suspense, empowering non-fiction, and has taught ninjutsu and empowerment across the country.
Tori Eldridge is a Honolulu-born suspense writer and modern-day ninja. Her debut novel, THE NINJA DAUGHTER, the first book in the Lily Wong series (out 11/5), was inspired by her short story, “Call Me Dumpling,” featured in Suspense Magazine’s Best of 2014. Other short stories by Tori appear in several anthologies, and her screenplay The Gift earned a semi-finalist place for the Nicholl Fellowship. Tori holds a fifth-degree black belt in To Shin Do Ninjutsu.


Well into his later years, the nonviolent, gun-hating Mr. Widmark, who described himself as “gentle,” was accosted by strangers who expected him to be a tough guy. There is even a story that Joey Gallo, the New York mobster, was so taken by Mr. Widmark’s performance in “Kiss of Death” that he copied the actor’s natty posture, sadistic smirk and tittering laugh.The full Times article can be found here. And below is a preview of the movie Madigan.
“It’s a bit rough,” Mr. Widmark once said, “priding oneself that one isn’t too bad an actor and then finding one’s only remembered for a giggle.”
Wednesday, March 26, 2008
A Gentle Giant Gone
This is very sad. Only three months after I celebrated the 93rd birthday of Academy Award-winning American actor Richard Widmark in my other blog, The Rap Sheet, I hear that he has passed away at his home in Connecticut. I’ll remember Widmark for many things, but perhaps most for his portrayal of a sadistic killer in Kiss of Death (1947) and his performance as jaded New York cop Dan Madigan in both the 1968 film Madigan and its too-short-lived NBC-TV spinoff series. In its Widmark obituary, The New York Times recalls that