- What year is blood brothers set in?
- Is Blood Brothers based on a true story?
- Is there a film version of Blood Brothers?
- What religion is Mrs Johnstone?
- Why does Blood Brothers start by revealing the ending?
- What is Mrs Lyons first?
- Why does Blood Brothers have a cyclical structure?
- What was blood brothers inspired by?
- How do the blood brothers died?
- What is the moral message of Blood Brothers?
- What’s the story of blood brothers?
- What are the main themes in Blood Brothers?
- Who are some of the famous actors who have had parts in Blood Brothers?
- Is Blood Brothers non naturalistic?
- Who is the protagonist in Blood Brothers?
- What genre is blood brothers?
- Who owns the chip shop in Blood Brothers?
- What is Eddie’s job in Blood Brothers?
- Who is to blame for the death of the twins in Blood Brothers?
- What were the aims of the playwright in Blood Brothers?
- How is superstition shown in Blood Brothers?
What year is blood brothers set in?
Blood Brothers is set in Liverpool, between the 1950s and the 1970s..
Is Blood Brothers based on a true story?
A prank by a couple of rich kids and their socially inferior playmate leads to murder in “Blood Brothers,” a surprisingly uncompelling drama, based on a true story, from freshman helmer Arno Dierickx.
Is there a film version of Blood Brothers?
Blood Brother is an American action-thriller film directed by John Pogue and written by Michael Finch, Karl Gajdusek, and Charles Murray. The film stars Trey Songz.
What religion is Mrs Johnstone?
Johnstone is a deeply superstitious woman who is forever scrambling to get by, but has a good heart and a strong sense of right and wrong. After being left by her husband, she believes that she has no choice but to give up one of her twin boys—Edward—to her wealthy employer, Mrs. Lyons.
Why does Blood Brothers start by revealing the ending?
Conclusion: While the opening initially seems to give a sense of the inevitability of Mickey and Edward’s deaths, revealing the ending to us means that the audience focuses on what leads to the tragic end and examines the factors involved, such as social class and violence.
What is Mrs Lyons first?
Jennifer Lyons Quotes in Blood Brothers.
Why does Blood Brothers have a cyclical structure?
5 Structure ‘Blood Brothers’ has a circular structure as the tragic outcome is given at the start and the play then tells how that outcome was reached.
What was blood brothers inspired by?
Russell says that his work was based on a one-act play that he read as a child “about two babies switched at birth … it became the seed for Blood Brothers.” Originally developed as a school play, Blood Brothers debuted in Liverpool before Russell transferred it to West End for a short run in 1983.
How do the blood brothers died?
This revelation completely unhinges Mickey, however, as he realizes that he could be the one living Edward’s life. As he gesticulates wildly with the gun, he accidentally shoots and kills his twin, and is immediately shot and killed by the police in turn.
What is the moral message of Blood Brothers?
The main themes in Blood Brothers are connected with differences in social class, and the effects these have on the lives of the main characters. Although superstition and fate are presented as themes, the political message of the play seems to be saying that it is real-world social forces that shape people’s lives.
What’s the story of blood brothers?
Blood Brothers, a musical by Liverpudlian playwright Willy Russell, revolves around twin boys (Mickey and Edward) who are separated at birth and brought up in completely different environments in the city. The play, set in the 1960s, is divided into two acts, with songs throughout.
What are the main themes in Blood Brothers?
The main themes include:social class and inequality.superstition and fate.violence.
Who are some of the famous actors who have had parts in Blood Brothers?
BARBARA DICKSON. Dickson, whose mother came from Liverpool 8, won an Olivier Award as the original Mrs Johnstone in 1983, playing her again in 1993 and 2001. … STEPHANIE LAWRENCE. … LYN PAUL. … BERNIE NOLAN. … LINDA NOLAN. … MAUREEN NOLAN. … MELANIE C.
Is Blood Brothers non naturalistic?
Blood Brothers is non-naturalistic in style and this adds to the charm and audience appeal of the production.
Who is the protagonist in Blood Brothers?
Mickey JohnstoneThe main characters in Blood Brothers are the twins Mickey Johnstone and Edward Lyons, and their mothers Mrs Johnstone and Mrs Lyons. Mickey and Edward’s friend Linda, who becomes Mickey’s wife, is also an important character.
What genre is blood brothers?
Blood Brothers was written to be performed as a piece of musical theatre. It is ultimately a tragic story but is interspersed with comedic elements, mainly focused around the childhood and teenage years of Mickey and Eddie.
Who owns the chip shop in Blood Brothers?
At a dance • In a shop • At the cinema • In a park 18. Who owns the chip shop? Mrs Chan • Mrs Lee • Mrs Wong • Mrs Pierce 19.
What is Eddie’s job in Blood Brothers?
He eventually uses his position as a city councilman to help the embittered and impoverished Mickey—but also begins an affair with Mickey’s wife, Linda, whom Edward has been in love with for years. Good-natured and well-meaning as he is, this fatal mistake leads directly to the play’s bloody final scene.
Who is to blame for the death of the twins in Blood Brothers?
Linda and her affair with Edward carry much responsibility for the deaths of the twins.
What were the aims of the playwright in Blood Brothers?
As a playwright, he wanted to drastically change the ways plays were performed and written; he believed that the theatre could help bring about social change. He wrote plays about everyday working people and placed.
How is superstition shown in Blood Brothers?
This is linked to fate and destiny, because Mickey and Edward’s death is shown to be inevitable from the opening scene, making the superstition Mrs Lyons tells Mrs Johnstone about the twins come true. …


The Movie Guide
The Movie Guide website is your one-stop resource for information on all things film. We hope you find our site both informative and enjoyable. Movie Guide is a film blog that covers all aspects of the film industry. From trailers and television spots to film reviews and news, our primary focus is the movies. So whether you love to chat about movies with friends and family or try to figure out what to see next, we will help you on your way. Our site will provide you with all the information you need about the cinema. You’ll find it here, from film festivals and film societies to cinema listings and film reviews. At Movie Guide, we are committed to providing our readers with the latest news and information on the film industry. We will give you all the information you need about the cinema. From film festivals and film societies to cinema listings and film reviews, we will help you on your way to a great new movie experience.
We are committed to providing our readers with the latest news and information on the film industry. We will give you all the information you need about cinema; From film festivals and film societies to cinema listings and film reviews, we will help you on your way to a great new movie experience.With the launch of Movie channels and the rise of video-on-demand, the need to keep people coming to the movies has also changed. These days, it’s not as if you can’t watch a movie at home – it’s just easier to catch a movie when it’s playing at a theater near you.Movie theaters have been around since the 1920s but were primarily a niche market until the 1980s. Today, the moviegoing experience is more popular than ever before – with more than 200 million movie ticket sales every year. To capitalize on this demand for movie theaters, we, exist to serve the needs of both film enthusiasts and those who want to catch a movie playing near them. Our website provides a wealth of movie information, including reviews, trailers, and news. The site also offers trailers and unique content for upcoming movies. It is an excellent resource for anyone who wants to learn more about forthcoming films or catch up on their favorite movies from the past.With so many movies to choose from, it’s hard to know which movie theater to go to next. That’s why Movieguide’s theater guides are so helpful.
Our theater guides offer information on movies playing in theaters near you, including showtimes and ticket prices. Our site also contains reviews of the movie theaters and links to online ticket purchases. Just as Movie Guide offers a wealth of movie information, it also provides a variety of ways to interact with the site. Our website is compatible with various mobile devices and includes an option for purchasing tickets via mobile phone – even when Movie Guide is not open for business or during inclement weather.
No Results Found
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
Address: 2688 Clement Street Atlanta Georgia


With Wes Anderson's "Moonrise Kingdom" getting more and more buzz and summer officially in full swing, I thought I'd spend a bit of MY summer break making a list of camp movies. In "Moonrise Kingdom," Jared Gilman plays a twelve year old Khaki Scout, who ditches his New England sleepaway camp to embark on a journey with his new young love played by Kara Hayward. Whether you're sending your kids to camp this summer, you're a kid in the thick of it all or if you're a grown up, who attended camp as a child, this list is for you. I have THE BEST memories from summer camp, day camp AND sleepaway camp, and I hope you do too. Either way, enjoy these "campy" movies!
Bill Murray, Ivan Reitman directs - HILARIOUS!
Little Darlings (1980) Tatum O'Neal and Kristy McNichol - Love this one!
Friday the 13th (1980) Watch a young Kevin Bacon get killed!
Dirty Dancing (1987) Patrick Swayze and Jennifer Grey - Classic!
Camp Nowhere (1994) Christopher Lloyd and Jonathan Jackson - Great for kids.
Jesus Camp (2006) documentary - This one may freak you out.
Indian Summer (1993) Alan Arkin, Bill Paxton, Diane Lane, Elizabeth Perkins
Camp (2003) Anna Kendrick
Heavyweights (1995) Ben Stiller, written by Judd Apatow
Ernest Goes to Camp (1987) Jim Varney
Wet Hot American Summer (2001) Janeane Garofalo, Paul Rudd, David Hyde Pierce
The Parent Trap (1998) Lindsay Lohan, Dennis Quaid
Addams Family Values (1993) Christina Ricci, Joan Cusack, Anjelica Huston
The Baby-Sitters Club (1995) Schuyler Fisk, Rachael Leigh Cook, Larisa Oleynik SpaceCamp - Lea Thompson, Kelly Preston, Joaquin Phoenix in his feature film debut
Summercamp! (2006) documentary Sleepaway Camp (1983) slasher flick
Race for Your Life, Charlie Brown (1977)
Camp Rock (2008) made for tv Disney movie The Adventures of Spin and Marty - Disney tv series from the 1950s


Live At The O2 In Cinemas
On Wednesday May 30th you can experience Kasabian live on the big screen at a cinema near you.
The band's entire spellbinding performance at London's O2 Arena last year will be presented in full, in jaw-dropping high definition and in your face.
With over 50 cinemas across the country hosting the film you're sure to find one near you - click here for a full list of theatres and to watch the trailer.
Don't forget the popcorn...


Agnès Varda Forever
In March 2021, I collaborated with visual artist Jennifer “JJ” Jones to continue her Agnès Varda Forever project. Her project began in the summer of 2020 after she and her son watched a marathon of movies directed by Agnès Varda. Acting on a desire for more people to know about the mother of French New Wave cinema, JJ painted “AGNÈS VARDA FOREVER” in eight-inch tall letters on the utility pole at the end of her street in northeast Portland, Oregon.
We collaborated on the design and production of a poster with this handpainted “AGNÈS VARDA FOREVER” message. Each poster featured removable tabs listing a movie by Varda and a short description. There was no contact information or anything related to our identities on the posters; they were anonymous. JJ hung five hundred copies of the poster in public places all over Portland and beyond. The poster is available to download from our website and we’ve seen documentation of the poster hanging in places ranging from Laredo, Texas to Bogotá, Colombia to New York City.
Once our identities were revealed, Portland’s Clinton Street Theater invited us to create an Agnès Varda film festival in August 2021. During the festival, we organized artist talks to precede screenings of Varda’s films and organized participatory art projects in the theater and surrounding neighborhood.
Early in 2022, Gina Altamura from Holocene (a Portland music and arts venue, nightclub and events space) invited us to collaborate on Fin de Cinema, a recurring live film score series she's curated since 2009. Together with Nora Colie of POW Film Fest, we commissioned Portland-based musicians, EMA (Erika M. Anderson) and Kathy Foster with Rachel Blumberg to write and perform a new soundtrack to Varda's first film, La Pointe Courte, with Anderson composing for the first half of the film and Foster and Blumberg for the second.
The 2023 Agnès Varda Forever Festival was at the Clinton Street Theater every Monday in March. We showed some of our favorite Varda films: Le Bonheur, Daguerréotypes, Mur Murs, and The Beaches of Agnès. In June 2023, “Movies in the Alley” invited us to screen Faces Places for people living in Portland’s Sullivan’s Gulch area. Each attendee had the option to have their portrait made with a Polaroid-type camera and added to a display of the “faces” of the neighborhood.
Hollywood Theatre interview
Willamette Week’s “Best of Portland”
Oregon Public Broadcasting
I-5 Cinemabound podcast
Shirts and tote bags
Laura Glazer, Jennifer “JJ” Jones
Harrell Fletcher, Portland State University Art and Social Practice MFA program
Film Festival location
Clinton Street Theater
Film Festival programmers
Aaron Colter, Laura Glazer, Jennifer “JJ” Jones
POW Film Fest partners
Nora Colie, Tara Johnson-Medinger
Fin de Cinema curator
Fin de Cinema artists
Erika M. Anderson, Rachel Blumberg, Kathy Foster
Fin de Cinema venue
Movies in the Allery programmer
Artist stamp illustrator
DocuMart, Independent Publishing Resource Center, Outlet, Seizure Palace Screen Printing
Special thank you
Gina Altamura, Erika M. Anderson, Martine Arenella, Rebekah Bellingham of Vein of Gold, Rachel Blumberg, Christopher Branson, Kristen Gayle Castagna, Clinton Street Theater, Nora Colie, Aaron Colter, Niko Courtelis, John Cox, Christopher Diana-Peebles, Harrell Fletcher, Kathy Foster, Brandi Haile, Mykle Hansen, Polly Hatfield, Hollywood Theatre, Holocene, I-5 Cinemabound Podcast with Rob Patrick and Megan Hattie Stahl, Tara Johnson-Medinger, Ethan Kroll, Claudia Meza, Shelbie Loomis, Portland Monthly, The Portland Stamp Company, Portland State University Art and Social Practice MFA Program, Conner Reed, Jordan Rosenblum, Chance Solem-Pfeifer, Emma Swartz, Mark Swartz, Nico Swartz, Agnès Varda, Rosalie Varda, James Webb, Willamette Week, and Patricia Wolf.


At this point in my series on transmedia storytelling, I’ll step down off my TRANSMEDIA IN THE CLASSROOM IS GREAT soapbox to share with you a few of my favorite transmedia series. If you’re reading any of these works with your students, consider exposing them to some (or all) scenes from these fantastic online adaptations:
- The Lizzy Bennet Diaries (Pemberley Digital)/ adapted from Pride and Predjudice by Jane Austen: The transmedia series that launched a storytelling revolution. If you’re looking to get into transmedia, this is for sure the place to start. Lizzie is a 20-something grad student with a mountain of student loan debt and a vlog to share her strong voice and perspective. (Relatable much?)
- Emma Approved (Pemberley Digital)/ adapted from Emma by Jane Austen: Lucky for me as a Janeite, adaptations of Jane Austen’s works are very popular! EA was Pemberley Digital’s second transmedia story and perfectly refashions Emma, a heroine whom Austen once famously remarked nobody but herself would like, as a lifestyle and matchmaking coach who gets it wrong a LOT before she learns to get it right.
- The Autobiography of Jane Eyre (KalamaTea)/ adapted from Jane Eyre by Charlotte Brontë: Jane is the artistic and principled live-in tutor for the Rochester family. Although unfortunately plagued by production difficulties toward the end of the series (namely with the actor playing Rochester), I think it still stands up. It’s also one of the most naturalistic transmedia stories I’ve seen.
- From Mansfield with Love (Foot in the Door Theatre)/ adapted from Mansfield Park by Jane Austen: Another Austen classic, this time tackled by a British production company. FMWL’s heroine Fanny is rather more spirited than her textual counterpart, probably a necessity for making this story work in the modern day. The real star of this production? Its acting and the realistic relationships built between the characters.
- Green Gables Fables Adapted from Anne of Green Gables (and the rest of the Anne series) by Lucy Maude Montgomery: Most transmedia series last for just one season; GGF is the exception to that rule, capturing elements of the first three Anne books in two seasons. Not as slick and polished in terms of production value as some of the other series on this list, since it was created by college students — but GGF is utterly charming and full of heart, just like its source. You’ll fall in love with Anne, Diana, and Gilbert, and the rest of Avonlea all over again.
- Frankenstein, MD (PBS Digital Studios presented by Pemberley Digital)/ adapted from Frankenstein by Mary Shelley: Shelley’s Victor Frankenstein has here been transformed into ambitious young medical student Victoria Frankenstein, who vlogs about her experiments in the lab as a way to document what she believes will be her future greatness. I love the gender-bent casting here, and actress Anna Lore does an excellent job portraying a Victor/ia that is ambitious, arrogant, and just disdainful enough of friends and colleagues in her search for scientific breakthroughs.
- The March Family Letters (Cherrydale Studios presented by Pemberley Digital)/ adapted from Little Women by Louisa May Alcott: A wonderfully inclusive reimagining of Alcott’s novel, in which Beth identifies as asexual (ace), Laurie is a POC, and uptight Meg must come to terms with her sexuality when she finds herself attracted to Joan (fka John in the original). I think Alcott would love it.
- A Tell-Tale Vlog (Shipwrecked.)/ adapted from “The Raven” by Edgar Allan Poe: Okay okay. I admit: ATTV is not technically transmedia since it’s told exclusively in vlog format. Nonetheless, I had to include this ridiculous/hilarious webseries on this list. It shows the dreary Poe’s slog to write “The Raven” while he is annoyingly haunted by a sassy ghost named Lenore, who puts up with none of his nonsense. Shipwrecked. is currently in production for a new webseries, Edgar Allan Poe’s Murder Mystery Dinner Party, which of course includes an actual murder and promises to be as funny as it sounds, featuring other literary guests like Hemingway, Dickinson, and Wilde.
- The New Adventures of Peter and Wendy Adapted from Peter and Wendy by J.M. Barrie: My newest find, NAPW proves that even speculative or fantastical texts can be successfully adapted into transmedia set in the present day. Neverland is almost like a regular town, except that it sits on a magical hotspot, meaning there are a large number of fairies hanging around. One of those is Tinkerbell, and the camera often cleverly acts as her POV. I’m obsessed with this adorable rom-com, in which man-child millenial Peter must work through his immaturity if he wants to win back the heart of childhood friend Wendy. It enters its third season this fall.
By no means an exhaustive list! There is so much good stuff out there. What transmedia stories are you hooked on?


Wow, I just saw this trailer for an upcoming short film with a bunch of comedians that I LOVE, called Freeway to Hell.
This is the theatrical trailer for the 22 minute film “Freeway to Hell,” an Electric Television production. This project was created using repurposed footage from old movies and TV shows in the public domain. Actors have been digitally inserted into decades-old background footage.
The concept for this just blows me away, it’s just such an interesting visual and a unique idea.


The Substation Ltd45 Armenian Street, 179936 Singapore SG
Founded in 1990 by the late Kuo Pao Kun, The Substation is Singapore’s first independent contemporary arts centre. We are centrally located in the city’s civic district. Our venues include a black box theatre, a gallery, a dance studio,Random Room and two multi-function classrooms. We present and co-present a wide range of artists and programmes, from traditionally trained dancers to local rock bands; established visual artists to young poets; publications to international short film festivals; experimental theatre to seminal conferences on Singapore arts and culture.
Over the years, The Substation has worked with some of Singapore’s most critically acclaimed artists, writers and intellectuals; currently we are working closely with our Associate Artists. Just as importantly, younger and emerging artists are constantly approaching us to use our venues, and to get our support. We are always open to new proposals and ideas, and would like to hear from you.


Much loved actor Richard Briers dies after 5 year battle with emphysemaRichard Briers, actor: born Merton,
London 14 January 1934; married 1957 Ann Davies (two daughters); died London 17 February 2013.
An adaptable actor, he was equally at ease in comedy and in Shakespeare, doing voiceover, on stage or on
television. But it was comedy that he saw as his "first gift", explaining in a later interview that, "I have played
straight drama, which I love, but I eventually miss doing comedy because we are in such miserable times. And I do
feel that my purpose in life is to cheer people up."
Richard Briers will always be remembered as the affable, charming and ever-optimistic Tom Good in the Seventies BBC
sitcom The Good Life. Playing opposite Felicity Kendal as his wife Barbara, they were the couple who tried to
become self-sufficient in suburbia, encouraged and supported by their friends and neighbours the Leadbetters (Paul
Eddington and Penelope Keith).
During the mid to late Eighties, it was in the role of Martin Bryce in Ever Decreasing Circles that Briers
delighted television audiences. He played a middle-aged man at the heart of his local community who imagines
himself in competition with his neighbour and rival, Paul, played by Peter Egan.
Briers was awarded an OBE in 1989 and a CBE in 2003 for services to drama.
He was diagnosed with lung disease in 2008, the result of smoking what he estimated as some 500,000
cigarettes during his lifetime.
"The ciggies got me - I stopped ten years ago, but too late. If you do it in your 30s, you're OK, but
after 30 it gets you. I was diagnosed five years ago and didn't think it would go quite as badly as it
has. It's a bugger, but there it is. I used to love smoking."
Richard Briers speaking in January, 2013
Interview with Richard Briers:


“It’s true. All of it. The Dark Side, the Jedi. They’re real.” -Han Solo
Come join Mad House Productions in celebrations of Star Wars Episode 7: The Force Awakens for a reprise of our populare event – a fundraiser / reading of “WILLIAM SHAKESPEARE’S STAR WARS” (by Ian Doescher).
Get a reminder of how the saga of Star Wars began, in a manner that would make the Bard proud! (Then, keep the story going online with #MadHouseShows).
Entry by donation (suggested: $5).
ANDREW LYNCH (Luke Skywalker)
MICHAEL MCINTYRE (Obi-Wan Kenobi)
AMANDA KONKIN (Princess Leia Organa)
BRENT HIROSE (Han Solo)
ABBEY SPRACKLIN (Darth Vader)
ADAM DUFF (C-3PO)
CHRIS NYARADY (R2-D2)
KEEGAN FLICK-PARKER (Governor Tarkin)
& D.J. PEDERSEN (Various)


Feb. 23, 2009
"You Commie homo-loving sons of guns! I did not expect this, but I - and I want to be very clear that I do know how hard I make it to appreciate me. Often. But I - I am touched by the appreciation and I hoped for it enough that I scribbled down - so I have the names in case you were Commie homo-loving sons of guns."
In case you were trapped in an elevator during the Academy Awards, or landing in a USAir Jet on the Hudson River, you doubtless know by now that the above quote was part of Sean Penn's acceptance speech for his Oscar in the film, Milk.
For once, let's not focus on homosexuals. Or even on guns. Let's consider instead that toss-away line about Commies. The Hollywood glitterati cheered and laughed to have themselves so described by one of their favorite bad boys. And maybe, with Penn's blessing, we can use the Russian pronunciation-Gollyvood.
Was Ronald Reagan the last American concerned about Communism in Gollyvood? Reagan's gripping story of facing down the post-WWII threat of Communist infiltration in the movies is something all Americans should know. Gollyvood, when it responds at all, lionizes the blacklisted writers and stars. But it was Reagan who, as President of the Screen Actors Guild, had to face anonymous threats of acid being thrown in his face. Reagan had to sleep with a pistol under his pillow. Reagan knew the Communists' bid to shape Americans' ideas was serious business.
I often encounter conservative friends who deplore Gollyvood's anti-American turn. It's not like the good old days, they say, when Gollyvood churned out patriotic films like Yankee Doodle Dandy and Casablanca. Maybe not, I answer, but can you point to an American war that Gollyvood supported that Joe Stalin did not support first?
Conservative film critic Michael Medved explains that 1992 was the first year when Gollyvood began to make more money overseas than at home. I caught up with Michael last fall and asked him if this was still the case. No, he said, today, Gollyvood makes three-quarters of its money from outside-the-U.S. ticket sales. This explains a lot.
The problem is a very old one. In the 1930s, as ex-Communist Ronald Radosh writes in Red Star over Hollywood, Stalin made a concerted effort to penetrate the U.S. film industry. It wasn't hard. One of his top agents joked: "Columbus may have discovered America, but I discovered Hollywood."
The fact that Sean Penn can jokingly refer to his fellow actors and producers as Commies is disturbing. Gollyvood once gave Oscars to The Killing Fields, the film version of the mass murders that Pol Pot and the Khmer Rouge inflicted on Cambodia after the collapse of South Vietnam. There, everyone who had a drivers license, or even one who wore spectacles, was subject to being killed because he or she was seen as fatally infected by Western ideas. Except when Gollyvood got around to making the movie version, viewers were given impression that it was Nixon's fault.
It was French Leftists-the kind of folks normally embraced by Gollyvood-who have given us The Black Book of Communism. There, these philosophical Marxists document the killing of 100 million people in the 20th Century by their own Communist governments.
Compare the rollicking reception Sean Penn got with the international uproar when Britain's Prince Harry showed up in a Nazi uniform at a private costume party. The dim-witted Harry was quickly hustled off for sensitivity training. One assumes he might have shown up in Gollyvood as a kahgehbeest-KGB agent--replete with sky-blue shoulder boards, and it would have been laughed off.
Gollyvood has made some excellent movies about World War II and the Holocaust. And it keeps making them. Sixty-four years after Hitler shot himself, Gollyvood can be relied upon to keep shooting Nazis. Long-dead Nazis are so much easier to fight than former bosses of the Gulag. Or today's Al Qaeda terrorists. It feels so morally right-and it's a lot safer, too.


I've worked with Frank many times, and he's always a delight to have on set. What made him instrumental to the success of this particular shoot is his experience as a wrestler. Frank coached Robert King (who plays Abe Lincoln) on a wide variety of authentic wrestling moves which helped us bring more believability to the characters and more viewer entertainment to the screen.
Robert King is an experienced stage actor who knows how to move thanks to a lot of formal training in dance. Qualifications aside, what I liked most about Robert for this role was his natural poise and dignity which is simply a part of who he is as a person. This was a role where the pendulum had to swing widely, and Robert delivered. As a reserved President Lincoln he exudes a highly commanding presence, but when Abe gets his "fight club" on the viewer is taken by total surprise at Lincoln's more aggressive side. Extreme contrasts in this version of Lincoln are what make him a character you can't stop watching. Kudos to Robert for pulling it off so well and making both sides of Abe so believable.
Charlie is one of the nicest people I've had the fortune of meeting in this business. He's also an accomplished director and cinematographer. I've known Charlie for years and have worked with him on many occasions. This time, I approached Charlie to be an actor! Much like Tommy Farmer, I've also had Charlie's face in my mind for years. He has an amazing look for this kind of piece – and boy did he come alive as Hunger's 'Handler'. Those steel blue eyes and that intimating demeanor, you'd never guess what a kind and approachable person he is.
For years I've had Tommy's face in my mind. He has such a classic look that really lends itself well to period pieces such as this. The coolest part is that Tommy has spent his career on the other side of the camera as a highly respected Key Grip working on hundreds of commercials and films over the years. And if you think about it, that's why he took so quickly to performing as an actor on this project. He's a fast thinker and problem solver, and he just has a way about him that enables him to connect with people. Any direction I gave him was processed immediately and came out in his character beautifully. As a director, I take tremendous pride in my casts, and Tommy is a perfect example of why that is – because the right individual for the right role makes real magic happen on the screen.
David plays the 1800s brewmaster who transforms into a modern day version of himself. Directing David was such a great experience. He's a thoughtful actor who is able to say so much without ever saying a single word in this role.
After I'd written lyrics and developed the film concept for "These Days" I knew I needed an extremely talented composer to both help me bring the song to life with music and to help me create an eclectic group of musicians who could play the piece and perform in the film itself. Tim is an amazing talent himself. What a treat it was to have him on set representing the music he created for the film.
Working with Tim Fowler to cast real musicians for our fictitious band, I knew I wanted a voice that would help make "These Days" a song, not an advertising jingle. Kevin was just the singer I was looking for. I come from the advertising world where many professional "jingle singers" tend to have an overly polished style that sounds a bit too jingly (for lack of a better description). I didn't want a jingle, I wanted a song with a soul. Kevin is an accomplished musician and composer in his own right, but he's not from the advertising world. And that's why he was perfect for this. I wanted a singer who's carved out a life singing in thousands of bars and pubs up and down the East coast. Someone authentic. Someone real. Someone with the kind of soul and musicianship that can't be manufactured, only earned.
Peggy was not only gracious enough to find and secure the majority of background actors needed for the film, she agreed to play the role of the homeless woman in the park. A highly accomplished actor with many films to her credit, Peggy was instrumental in pulling this film off, giving generously of her time and talent.
Zach filled one of the most atypical roles you can have on set. He ran sound for an entire 15-hour shoot day knowing we would likely never use any of it in the final film (we used ADR for the entire film).
Sounds crazy, but we needed a guide track for the edit. Zach also wanted to make sure he captured plenty of ambience in case it proved useful during the film's sound design. On day 3, there Zach was again capturing fountain noise, city sounds, anything that could prove useful in post production. On the studio side Zach worked on ADR and other technical aspects that brought the film's soundscape to life.
"Near" features an original score written by Tim Fowler, an award-winning composer and sound engineer. What's more, the film's entire dialogue/performances were captured using ADR (audio dialogue replacement) which is almost unheard of.
Most films use ADR as needed. In the case of "Near" it was used as its own special effect, giving the film the highest quality sound achievable. For those unfamiliar with ADR, this is a process in which the film's actors come into the recording studio and re-record the lines they did on set. That means EVERY line you hear in "Near" was actually recorded at Sound Asylum AFTER the shoot. This was insanely tedious and required a lot of skill on behalf of the actors. It also demanded tremendous patience from sound engineers Tim and Zach in order to match the on-camera lip sync perfectly.
And the film's sound design? Sound Asylum is responsible for that too, creating a continuously engaging sound scape for the film's various environments.
Dan is one of those rare actors who can turn 3 words into an entire scene. He's just that good. This was my first time ever working with him. I had seen his reel – and was so moved by it – that I wrote the part specifically for him. Thank goodness he agreed to do it. Otherwise I would have had to change the character.
The character of Henry needed somebody special ... somebody who could bring Elena out of her shell and create an on-screen relationship that felt, above all, believable.
That's when I realized the film needed Chris Schmidt. His comedic abilities created a perfect counterpoint to Elena. Yet Chris brought so much more to "Near" than levity. Chris literally transformed INTO Henry, an individual overcoming his own obstacles. It was an amazing thing to watch.
When I began writing "Near", Mercedes immediately came to mind for the role. In fact, I wrote the first two drafts before approaching her. Fortunately for me, she was interested in the project. Once she agreed I wrote two more drafts incorporating Mercedes' bilingual abilities, and even incorporating her previous training as a modern dancer into the script.
Can you imagine what Elena's sketchbook would have looked like with stick figures? Thanks to Dennis Garcia you'll never have to. Dennis illustrated all the sketches of Henry you see in the film and is also responsible for the film's final color correction/visual effects. Remember the beautiful night sky filled with gorgeous stars and a crescent moon? That was Dennis infusing a bit of movie magic.
Christian and I worked closely together from the very start of this film project. We location scouted together ... ran through blocking together ... planned endlessly together. We were joined at the hip because we had to be. Not only was Christian the DP, he was also the film's editor – and that meant he needed to be dialed into every facet of the story, top to bottom.
We've probably shot over 100 TV spots together, but this project gave us new territory to explore. After all, planning every scene and transition for a 16- minute dramatic short film is a slightly different animal from shooting a :15 commercial. I focused primarily on directing the talent and blocking the scenes, making occasional adjustments to the design of certain shots. Christian oversaw all things camera, owning every camera angle, lens size & dolly move.
What impresses me most about Christian is his unflappable zen-like personality that keeps him relaxed and focused for such long stretches of time. Day 1 was 15 hours long, and he was just as enjoyable to be around in hour 14 as he was getting ready for the day's first shots.


Traceroute: Winner Nerd Movie Of The Year 2016 at Voidwarranties
"Traceroute": CCC Hamburg 2016 Official Selection
"Traceroute" has been selected to screen at CCC Hamburg's Chaos Cafe.
Traceroute: Winner Honorable Mention 2016 at The Indie Gathering International Film Festival
WINNER! Traceroute won a Honorable Mention Award in the Films category at The Indie Gathering International Film Festival. The festival will take place August 8-14 in Hudson, Ohio, USA.
"Traceroute": Norwich Radical Film Festival 2016 Official Selection
"Traceroute" has been selected to screen at Norwich Radical Film Festival 2016.
"Traceroute": Avalon Gallery Orlando 2016 Official Selection
"Traceroute" is proud to be part of the "More Q Than A Series" at Gallery at Avalon Island (S. Magnolia Avenue, Orlando, Florida). The screening will take place on July 6, 2016 (doors open 7 PM, screening starts at 8 PM; Q&A with Johannes Grenzfurthner after the movie).
Hedonistika 2016: Tel Aviv! Our Line-Up!
Hedonistika 2016 will take place at Cinematheque Holon (near Tel Aviv) as part of Print Screen Festival!
Created by artists collective monochrom from Vienna, Hedonistika is a travelling festival which moves from city to city and culinary landscape to culinary landscape, find local curatorial partners and cooperate with local hackers, builders, chemists and food phreaks to present a tour-de-farce of new approaches and discourses.
Hedonistika says: don't let us trick ourselves into the absurd belief that organic food and machines are enemies. They aren't. It's the system, dummies!
You don't play with food? Well, not enough, we'd say!
monochrom: Upgrate (the Hard Cheese Drive)
Upgrate (the Hard Cheese Drive)
"Traceroute": Ceau, Cinema! 2016 Official Selection
"Traceroute" has been selected to screen at Ceau, Cinema! 2016.
"Traceroute": NRW-Forum 2016 Official Selection
"Traceroute" is part of the official selection of the NRW-Forum Düsseldorf. The screening will take place on August 18, 2016 in Düsseldorf, Germany.
Traceroute: Winner Award of Merit Documentary Feature 2016 at The IndieFest Film Awards
WINNER! Traceroute won the Award of Merit at The IndieFest Film Awards in several categories: Documentary Feature, History / Biographical, Tourism / Travel, Contemporary Issues / Awareness Raising.
Traceroute: Winner Best Documentary Feature Film 2016 at the Subversive Film Awards
WINNER! Traceroute won the Award for Best Documentary Feature Film at the Subversive Film Awards in Los Angeles, USA.
"Traceroute": Subversive Cinema Society 2016 Official Selection
"Traceroute" has been selected by the Subversive Cinema Society in Los Angeles.
We appreciate your independent spirit and the unique and original style, approach, and storytelling that your film presents. At the Subversive Cinema Society, we take great pride in honoring those who take risks and thrive outside the mainstream politics of the filmmaking industry.
"Traceroute": Gen Con Film Festival 2016 Official Selection
"Traceroute" has been selected to screen at Gen Con Film Festival 2016.
Traceroute: Theatrical release in Austria
"UK Film Review" reports about Traceroute
Hannah Sayer of UK Film Review wrote a great review of Traceroute and give us three stars!
The quirky and ironic humour is effective throughout and this is showcased from the beginning when Grenzfurthner introduces the first stop on the road trip, San Francisco, as a place of endless opportunity, as well as homelessness. Within the various interviews that take place, there is a real sense that this is a collaborative exploration of creativity: of the old and the new, the past and the present, and the traditional and the digital. The use of photography and drawings interspersed between the interviews with various people associated with nerd culture shows an artistic approach to the material and these images act as reflective snapshots of moments in time, reinforcing the importance of looking back to the past as well as looking forward to the future of the digital age.
monochrom is an art-technology-philosophy group having its seat in Vienna and Zeta Draconis. monochrom is an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science, context hacking and political activism. Our mission is conducted everywhere, but first and foremost in culture-archeological digs into the seats (and pockets) of ideology and entertainment. monochrom has existed in this (and almost every other) form since 1993.
External monochrom links:
[mono IMDb (at)]
[mono IMDb (us)]
[office AT monochrom.at]
[ P r o j e c t s ]
Traceroute (Documentary feature)


this is my top 10 movies of 2013! Enjoy!
Top Ten Movies That I saw in 2013!
11. (Extra) Castle in the sky!
This is a movie that I saw this month! It's called castle in the sky. Out of all of Miyazaki's films, I found this one the most violent! But it does have funny scenes! If you're a star wars fan or a Indiana Jones fan, you have to watch this movie!
Out of all of Tim Burton's films, I found that this is my favorite! This movie is a heartwarming film for all ages! This movie has gotten a nomination in the 85th Academy Awards for Best Animated Feature! If you're a Tim Burton Fan. watch this one!
9. A Boy Named Charlie Brown!
This might be an old film but it's really good! A Boy named Charlie Brown is a funny and enjoyable film for all ages! If you're a peanuts lover a news paper cartoon lover you have to watch this film! This is the first ever peanuts film and it got a nomination for Original Song Score in the 1970 Academy Awards!
This film will be the most adorable and cutest movie that you'll see in you're entire life! This rated G film is awesome for all ages! If you love Bambi and other very cute and adorable films this movie is for you!
7. Despicable Me 2!
This is definitely the funniest comedy of the year! Despicable Me 2 is a lovable, very funny film for kids! This funny film got more than 990 million in the box office! That's almost a billion dollars!!!!
This movie is now out in Blue ray and DVD!
6. Spirited Away!
This Film is a mysterious and adventures film! Not like Castle in the Sky, there's not much violence in this cunning film! This PG movie has won many awards counting an academy awards for Best Animated Feature in the Academy Awards! It's the first anime to win an Oscar!
5. My Neighbor Totoro!
This Studio Ghibli film is as cute and adorable as Ponyo! This film is very famous for the main character, Totoro! This movie became so famous that a Totoro plush appeared in Toy Story 3!
This movie is an excellent choice for all ages!
4. Life of Pi!
This one is an amazing film with lots of visuals! This movie has a great story and a really different topic! This movie might be for older viewers but it's really good! It won 4 Academy Awards this year!!!!
3. Grave of the Fire Flies!
This Movie has a really powerful way in expressing World War 2! It has a very powerful message. I wouldn't recommend this to the younger audience but the movie is awesome! I'm not much of a fan of war but it's really good. This movie appeared in the 1001 movies to see before you die.
2. Kiki's Delivery Service!
This Movie is perfect for audiences for the young and old! I really enjoyed this film! It was funny, awesome, cute, and enjoyable for all ages! This movie got an 100 percent rating on rotten tomatoes! I highly recommend this movie!
And the Best Movie of the Year is...
Howl's Moving Castle (Movie) !!!!!!!!!!!!!!!


“And The Award Goes to…”
A familiar phrase heard a number of times when we skim through the TV channels broadcasting the awards ceremonies for different categories of films and television shows. And it is not very often until one is himself/herself a movie star or a relative to a superstar that an ordinary person like myself get to attend these award shows. But I was lucky to attend one such show; I was lucky to walk the red carpet. If you are wondering which one then let me wade away the cloud of disbelief; it was the show of not the stars but the budding stars in different categories hosted by the International School of Billund; the super-stars of tomorrow.
As I made way into the dimly lit auditorium, I was greeted by a massive screen which said “1st ISB Movie Premiere”. Wow that was indeed inviting and exciting.
So there were 4 movies which were to be screened for the premiere and the winners for all categories were to be decided from them. The movies were Robin Hood, Bloody Mary, The Little Red Riding Hood, and The Lego Movie 2.
And the categories of winners were: Best Scriptwriter, Best Movie, Best Director, Best Editor, Best Actor, Best Actress, Best Cameraman, Best Sound, Best Costumes etc. Here are the awards that were to be given away to the best of the best.
The children displayed some great levels of creativity, talent, motivation and enthusiasm in organizing this amazing show. All the movies were shot by the children of the Primary Section. They designed their own costumes, created the special effects, edited the videos. Even the awards were made by the children using different Lego Bricks.
The audience which included the parents were equally enthusiastic because am sure many including myself were attending a movie premiere followed by an awards ceremony for the first time in their lives; and all thanks to the wonderfully talented little kids.
So the movies were screened and the awards were given out. There were a bunch of enthusiastic kids and parents who walked out of the auditorium feeling fulfilled.
This was the first Annual Movie Premiere and Awards Ceremony of the ISB kids. Will be looking forward to more such amazing display of talent shows from these super talented kids. I wish we had such amazing exposure to the variety of opportunities that are being bestowed on today’s kids. But feeling extremely proud to be part of a team and school where kids are being given the opportunity and the scope for getting the best out of themselves. Kudos to team ISB and the wonderful kids.


When the film producer Simon Nasht approached me about taking part in a documentary on climate change for ABC TV, I was just a little sceptical.
While I trusted Simon, this was the ABC, not renowned for its balance on this subject. And he wanted to pit me, a grey-haired, late-50s conservative male, against an attractive, articulate, 20-something female. Was it a set-up?
Simon was persuasive, and since I was about to leave Parliament, I figured I had nothing to lose. Importantly, it might be an opportunity for opinions not normally aired on the ABC to get a run.
So began an odyssey involving 10 cities in 21 days with four film crew - to Perth, Heron Island, the Flinders Ranges, the whole time with a camera recording my every action and utterance. I look back on the experience with affection, and I congratulate the production team on the finished product, and the ABC for broadcasting it.


So you've done it! You've got the role and practiced every day, you've planned your stage blocking, you know your cue and the costume is ready. The excitement is building. But with that giddy excitement comes an undeniable apprehension. What if I miss my cue, what if I'm off key, what if the other guy doesn't show up? Worse, what if the audience hates me?! You experience the shaking knees, your throat closes and you can feel your heart beating in your chest. It's not ideal.
So how do we get past this?
I've never really been down with the "pretend your audience is naked" saying. I'm too focused on remembering my lines, I don't need something else to focus on! Plus knowing me, I'd probably just feel embarrassed and get weird about it. Don’t get me wrong, a healthy dose of nerves can be a good thing. It means you are invested, you care about the outcome. That means you’re willing to put the effort in to make it exceptional.
If you're in an ensemble, then don't be afraid. You've been rehearsing for weeks, you've got a support team behind you. And if you're by yourself… well if something goes wrong, the best way to fix it is to pretend it was all on purpose. Who's going to know?? Play it off, keep calm, and everything will fall into place.
A whole lot of time and dedication goes into performances. Learning the lyrics, finding the emotional journey of the song, working with accompanists and practicing your stage presence. There’s no need to be afraid. You've done so much work, so just relax, trust yourself and know that you've got this.


© Volker Hartmann
In 2022 we will present a specially made Frisian version of CARGO within Arcadia, the first legacy triennial.
This special event is co-produced with the German theatre company, Rimini Protokoll and offers the public a unique experience.
CARGO will play from 14th May - 26th June, 2022.
Rimini Protokoll is often described as the inventor of a new form of documentary theatre - the exploration of a theatre with artists who are not professional actors, but experts or specialists from their own field. In other words, they are professionals of theatre in the real world.
The show will be created by local makers, in collaboration with Stefan Kaegi and Jörg Karrenbauer from Rimini Protokoll who are involved in the artistic and local development of CARGO, and we are currently putting the local team together.
The production is specifically made on location, with local drivers as storytellers and the landscape as the set. It is unique to Friesland - a story rooted in the local landscape. And for the audience, the experience is truly unique - they sit in a specially designed truck which is the venue and / or a cinema, as well as a means of transport along various scenes.
This project is made possible by
Search for a bus and truck driver!
In this project the two lead roles are played by two real drivers! We are therefore looking for a driver who has both a truck and a bus driver's licence. We would prefer a foreign (non-Dutch) driver who has worked in the dairy or transport industries (but has permission to drive here) who has a different perspective than the Dutch driver (who has already been found). If you are interested please contact us at email@example.com
Spreading the call would be much appreciated!


Discover Movies App for iPad
You have a long weekend ahead of you without any plans. What is the most entertaining option? Movies off course! Today, we don’t have to spend all that much in getting movies as there are myriad options online and through your TV provider. The problem however is, finding the right movie without spending much time on searching. Discover movies app help you with just this. All you need is an iPad and $.99. You can download the app and start looking out for movies. The highlight feature of this is that pulls up movies based on genres. So, if you are an action junkie, you can look for exclusive action movies without bothering about other genres. If you are a romantic at heart, you get access to all the romantic movies available.
Though it all sounds exciting, does the app deliver the promised features? Read on to find out!
Once you load the Discover, you find a small grey tab for search and you also have advanced search in the form of ‘Favorites’, ‘Our Pick’ and ‘In Cinemas’. The design is typical Apple style, simple and to the point. It does not distract you with unwanted features, simple-to-use navigation and helps to keep your focus in searching for movies.
With the ‘In Cinema’ feature, you will be able to find the movies running in cinemas presently. Once you get access to the list, you can find more information by tapping on a particular movie. It also pops-up movies of similar genre or the other movies the lead actors have acted in. In short, it not only shows more details on the new movie you have chosen, but also makes your task easier by showing similar movies that you might be interested in.
If you are confused about the kind of movie you wish to watch, you can simply skim through ‘Our Picks’ to see if you can find something of your interest. It contains an assorted range of movies chosen by the app through various reviews and other factors. When you double-tap on a movie, it shows assorted information like the rough ratings given by people, the year when the movie released, genre, summary, the runtime, trailers, link to other websites, etc.
You can save a list of movies you really enjoy watching and have one-tap access to these movies in the future. You can save a particular film to the list of your ‘Favorites’ by tapping on the ‘heart’ icon. However, a disadvantage is that it only saves movies’ recommendations and not the details or information given about the movie you wish to save.
The other option to look out for movies is by typing the relevant keywords in the search box. However, you can search for a movie only by title as there are no features to search movies by an actor or director. This is a huge disadvantage as you will not be able to find all the movies enacted by a particular artist you like. Hope Apple rectifies this in the next version.
In short, Discover is a simple app to find movies. It supports the new iPhone 5 and Apple’s latest Operating System: iOS 6. The app is available for around $0.99 and the file size is around 4.5 MB. Download it to find the movies you want with a couple of taps. If you find any movies missing, you can report it on iTunes and they promise to add the movies!
This is a guest post is brought to you by Samantha Kirk, a writer for AT&T U Verse. Samantha provides up to date content and information for AT&T bundles, TV, internet, digital voice and other deals.


I have self-published my fourth novel: Found Again: A life of abuse and a dream have Hilda uncovering past lives. It is a story of love across time where the relationship never seems to come to fulfilment. And it all starts with a dream.
After a vivid and strange dream Hilda searches for its meaning and that of her abusive life. The dream leads her to Arthur, an archeologist, and they fall instantly in love. But can she trust him? Past life regression sessions, dreams and visions reveal scenes, some unpleasant, from some other lifetimes. Are these her lives? Or is her imagination playing tricks? Her abusive past catches up with her again when her brothers demand money. She must decide to allow her life to take its course or choose the life she desires. She decides for Arthur then she sees him with a young woman and her life falls apart, again.
Available on Kindle: http://amzn.to/2mFeO6r
And paperback: http://amzn.to/2mF7g3u


Award-winning composer and music producer Vikas Kohli from FatLabs is a good guy. You want to be his friend.
He fought super-villains while becoming the first composer to receive a Trailblazer Award from the ReelWorld Film Festival. He grilled a samosa while becoming the first composer to receive a Voice Achievers Award. He ate the samosa while receiving a MARTY award from the Mississauga Arts Council.
In 2011, Vikas began producing events and arranging the music for these events. The 1st annual Bollywood Monster Mashup show created for the Indian International Film Academy (IIFA) awards in Toronto was attended by 15,000 people. The 2nd annual Bollywood Monster Mashup show went stand-alone and was also attended by 15,000 people. The 1st annual Monster Rock Orchestra created for the Mississauga Waterfront Festival was attended by 20,000 people.
The song he produced for Bollywood film "Mission Istaanbul" was performed live at the IIFAs in Bangkok, Thailand. He composed the title track for the Canadian Film Centre's "Shanti Baba Ram & The Dancers of Hope", which aired on Canwest Global. He composed the soundtrack for "I Do. Do I?" which won a Gold Remi at the Houston International Film Festival. He composed for "The Bee", which won Best Canadian Environmental Film at the Toronto Urban Film Festival. He's produced two albums with The Responsibles, which were nominated for Punk Recording of the Year and charted nationally; co-wrote Jennifer Abadesso's song "Did You Think", which hit #1 in Paris; produced multi-million album selling Bhangra artist Mika Singh and collaborated on projects with Cappadonna (Wu-Tang Clan), Justin Nozuka, Moka Only and Apache Indian. Vikas has been profiled by ET Canada, CBC The National, CTV, Globe and Mail, Toronto Star, The Hindustan Times, Times of India and Zee News.
Things are looking good at FatLabs. Let's do lunch.
Now a sought-after music producer, Kohli is well versed in music across a variety of genres from punk, jazz, and hip-hop, to country, metal, and Bollywood pop. He is known internationally for his extensive repertoire, his expertise with song arrangements, A-list session musicians and his one-on-one artist development. When asked how he maneuvers effortlessly between so many genres, Kohli simply quips: "I just like music. Don't you?"
Composed the score for "The Bee" produced by Pixel Palette, which won Best Canadian Environmental Film award and a special honourable mention by Deepa Mehta at TUFF (Toronto Urban Film Festival).
Produced the song "Apun Ke Saath" for acclaimed Bollywood director Apoorva Lakhia's major motion film Mission Istaanbul. The song was performed live by Vivek Oberoi at the IIFA (International Indian Film Academy) in Bangkok, Thailand.
Produced the song "Tere Pyar Mein" in the upcoming major motion Bollywood film Tom, Dick and Harry Rock Again, which features Indian pop star Mika Singh.
Produced and co-wrote the title track "Dil Yeh" for the film Shanti Baba Ram and the Dancers of Hope produced by the prestigious Canadian Film Centre (founded by Academy-nominated Norman Jewison). This film has screened at the Montreal World Film Festival, Atlantic Film Festival, FILMI, Yellowknife Film Festival, Reel World Film Festival, Masala!Mehndi!Masti!, Worldwide Short Film Festival, Lanzarote Film Festival (Spain) and won a Bronze Remi at the Worldfest Houston International Film Festival. The film has also been broadcast on CBC, Canwest Global and Showtime.
Composed the score for the film "I Do. Do I?" produced by About Time Productions, which won a Gold Remi at the Worldfest Houston International Film Festival and has screened at FILMI, Mosaic, and Masala!Mehndi!Masti! The film has also secured a distribution deal with Ouat! Media.
Produced collaborations between international artists from various genres such as the song "Whiskey (Party Special}" with Mika Singh & Jamaican reggae artist Deva Bratt and "Nazarein Milane Wali" with Mika Singh & Kissdagirlz (Tef & Don).
One of Kohli's Canadian albums has been offered a USD$100K marketing & distribution album deal from international record label Tips (Tips has the highest number of gold and platinum discs of all record labels in India).
In 2008, Kohli produced the album The FatLabs Sessions by The Responsibles, which debuted in the Top 20 for radio play nationally and was nominated for Best Punk Recording of the Year at the Hamilton Music Awards. In 2006, Kohli produced their album Class*Action*Suit, which charted in the Top 100 nationally, and was also nominated for Best Punk Recording of the Year.
Produced and co-wrote the song "Did You Think" by Jennifer Abadesso and featuring Juno award-winner Moka Only. The song charted in Luxembourg, Portugal and hit #1 on Alfa Radio in Paris, France.
In 2010, Canadian Music Week held a special "Spotlight on India", which included 2 industry showcases including several artists produced by Kohli.
Hip-hop duo Tef & Don's "On The Northside" hit #1 on CIUT, was selected for Flow 93.5's Urban Flow Case CD & charted nationally.
R&B singer Tash's track "Let Me Show You", charted on Flow 93.5FM and she was selected as an NXNE showcase artist.
Kohli is actively involved in the arts scene and has spoken at UNESCO, Trinidad & Tobago Music Business Conference, NXNE, SAC, CMW, Masala!Mehndi!Masti!, Nashville Songwriters Association, Hamilton Music Awards, Toronto Independent Music Awards, ReelWorld Film Festival, Small World Music Society, Culture Days, FILMI, Toronto FIlmmakers Club, Mississauga Independent Film Festival, Undercurrents, JyaFest Arts Collective, Canada Career Arts, Tin Pan North, Trebas Institute, Durham College, Toronto City Summit Alliance and the City of Mississauga's Culture Division. He is a jury member for FACTOR, a member of the Screen Composers Guild of Canada and former advisor on the Arts and Culture Grant Assessment Committee for the City of Mississauga. He is on the Advisory Board for the Blackwood Art Gallery and on the Board of Directors for the Art Gallery of Mississauga.
Born in Ottawa, Kohli started playing guitar and studying painting at fine arts school. Kohli received his Honors Degree in Mathematics & Philosophy from the University of Toronto, his MBA from the Schulich School of Business and his CFA. Kohli now lives in Mississauga, Ontario, Canada where he runs FatLabs all hours of the day and night -- It turns out rock'n'rollers don't need sleep.


Gold Derby by Tom o'Neil - The Envelope
Tom O'Neil gets it. His first paragraph proves it:
The reason gay people are so eye-popping furious over what happened to "Brokeback Mountain" at the Academy Awards is more than just disappointment that a gay-themed movie lost best picture. To put it in classic Hollywood terms, many gays believe that Oscar — ruthlessly, deliberately and mercilessly — plunged his sword into the backs of those who love him most.Exactly. Why did Hollywood turn its back on the biggest cheerleaders its biggest night has? And overturn every well-respected indicator (most nominations, previous awards, critical praise) to do so?
It's hard to fathom, but O'Neil says even folks whose careers have been built by gay men may have turned on us:
Perhaps we can no longer assume that apparently hip Sarah Jessica Parker isn't homophobic. She made a shocking confession to Conan O'Brien and his national TV audience: she voted for best picture at the Oscars without watching "Brokeback Mountain." Instead, she accepted input about it from her three-year-old son who watched about 20 minutes of the DVD screener out of curiosity. Presumably, Sarah ended up voting for something else.
How pathetic. Michael Patrick King, the gay man who executive-produced Parker's hit, Sex and the City, should bitch-slap her. O'Neil goes on:
How can gay people not feel betrayed by Oscar when so many voters publicly admit that they never even gave "Brokeback" a chance? Worse, that didn't stop them from giving "Brokeback" all of the other Oscars it was expected to get: best director, screenplay and musical score. But they just couldn't go that last step, just couldn't install such a historic milestone on a financially successful and critically acclaimed film — worthy of Academy Awards for writing and direction — and place it in Oscar's best pic pantheon.
Can gay people ever forgive Oscar? If not, just think of what the Academy Awards will be like in years to come without their cheerleading? Will anybody care?
It's hard to imagine. Could gays give up on the Oscars? And yet, there's a much more inviting show, the Golden Globes, poised to win our hearts. It honors film and TV in one splendid night, allows the stars to get drunk, and skips all the boring technical awards for the stuff people really want.
Oh, and best of all: the Golden Globes didn't give Crash a damned thing.


As we start the New Year we are pleased to announce that a documentary film has been made of The Day Nursery. Filmmaker Molly Arenberg spent a considerable amount of time in creating this documentary by visiting with staff, parents and children. We know you will be as overwhelemed as we are at the resulting film of our 105 year old institution.
Please join us at the premiere of the film which is being hosted by The Nineteenth Century Club in Oak Park on Thursday, January 18, 2017 at 7:00 p.m.
To see a preview of the film click here
To sign up to join us at this event click here
You can also call Executive Director, Cari Christoff at 708.383.8211


When Freya sent me the story, it reminded me of the video for Brick by Boring Brick by Paramore as there are a few similarities between the two
The video tells the story of a little girl with butterfly wings who goes to explore a magical world beyond a door. The world then turns nasty and dark and she runs away, falling into a grave that has been dug throughout the video and the front woman of the band watches her then walks away as the grave digger fills in the hole.
Both stories are about a butterfly protagonist discovering things about the world and themselves and both lose parts of themselves in the process.
The very saturated appearance of the video is almost hard to look at because of the hue. It’s so orange for the most part that it’s almost off-putting.
The point where the world the girl is in begins to change and turn dark is highlighted by the moment that she rips off her butterfly wings. Many children wish they were fairies and many fairies are portrayed with butterfly wings. This scene is her physically ripping away her childhood dreams and fantasies as she realises there is no place for them in this dark horrible world.
The little girl falling into the grave, paralleled by Hayley Williams in a similar dress, sitting by could be symbolic of her recollecting the death of her childhood and her innocence. When she stands up, she throws the little girl’s doll into the grave with her and walks away, as if she is letting go of that last bit of her childhood.
In 4½ minutes, this video shows the progression from innocent child to enlightened adult. With not many words in the story I’m working on, I have a similar timeframe to do a similar thing. As this video does, I shall have to pick out key imagery to present it.


Dallas was born to father Patrick Lovato and mother Dianna Hart, who used to work as a cheerleader for the NFL’s Dallas Cowboys. Her parents separated in 1994, because of long distance relationship, and then her mother Dianna remarried to Eddie De La Garza. She has three siblings, Demi Lovato, Amber and Madison De La Garza (half-sister).
Dallas began her acting career appearing in episodes of “Wizards of Waverly Place” and “Sonny with a Chance.” She was also featured in the 2012 horror film by Chris Stokes, The Helpers. She has even given her voice to the film Snowflake, the White Gorilla as Wendy.
Dallas is also known for her roles in No Vacancy (2012), Caged No More (2016) and Bloodrun.


With the finishing of the basement and the installation of the new TV, it was time to dump the cable company. As a result of the feedback I got from people, I ended up choosing Dish network. (Thanks to everyone who commented!) Oh, did it feel good to jettison at least one localized monopoly. I never liked Adelphia, not from the day they arrived in town. The criminal indictment of their founder and some of his family members didn’t do much to improve my perception, either.
Of course, when you sign up for any new media service these days, you get swamped with a zillion deals and promotional packages. I ended up with three free months of movie channels—HBO, Cinemax, Showtime, and a variety of offshoot niche channels. There’s something like twenty-five of them. At the end of the three months, I have to cancel or else they start charging me for the movie package.
I’ll be cancelling. It’s kind of handy having all those movies available, and I’ve caught a few I wanted to see in theaters but didn’t. However, there is something about these “premium” movie channels, every last one of them, that kills the deal for me.
They all broadcast pan-and-scan formatted movies. Not a letterboxed, widescreen showing to be found anywhere.
Last night, I found myself gritting my teeth over the ruination of several shots in Harry Potter and the Prisoner of Azkaban, a movie I was only half watching as it was. Characters just vanished from shots that were, of a sudden, horribly balanced. I can only imagine what outrages would be perpetrated on some of the classics of cinema. I mean, come on. The frickin’ SciFi channel shows letterboxed movies on a regular basis. If the geeks over there can figure it out, you’ve got no excuse.
In short, there’s no way I’ll be paying to have mangled movies delivered to my home. Fix that problem, and I might be tempted to sign up. Otherwise, I’ll spend my movie-related money elsewhere, thank you very much.


freespielautomaten.net: Casino: Robert De Niro, Sharon Stone, Joe Pesci, James Woods, Kevin Pollak, Don Rickles, Alan King, Frank Vincent, Martin Scorsese, Barbara. freespielautomaten.net: Finden Sie Casino in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert von 29€. Casino is a American epic crime drama film directed by Martin Scorsese and starring Robert De Niro, Joe Pesci, and Sharon Stone. It is based on the.
Casino - Joe Pesci's death - HD
Joe pesci casino - stattdessen
Joe pesci casino - Wir
A convicted rapist, released from prison after serving a fourteen-year sentence, stalks the family of the lawyer who originally defended him. Edit Cast Cast overview, first billed only: Several edits were made in order to reduce the rating to R. No one stays at the top forever. Gambler in Phone Booth. Robert De Niro, Cathy Moriarty, Joe Pesci. I also saw this in high school on a school trip thanks, chaperones!


Wednesday, July 29, 2009
I Enjoyed Watching Fanboys
It's 1998. Linus, a die-hard Star Wars fan, has four months to live. The Phantom Menace comes out in six.So his three best friends and fellow Star Wars fans decide to go on a cross-country road trip to infiltrate the Skywalker Ranch in order to steal a rough-cut of the film. On the way, they pick fights with Star Trek fans, get into all kinds of scrapes. Celebrity cameos abound.
I'm not a big sci-fi geek or anything but I like to know things about movies and popular culture, so this movie was really for me. I found parts of it sweet and touching. Also Kristen Bell (Veronica Mars and Gossip Girl, herself) is a kind of hero of mine. (lol, geddit?)
I really loved the Star Wars fans vs Star Trek fans parts They're like, the Noranians and Vilmanians of Nerd World. Ha-ha.
I wouldn't know which side I'd be on, though. I loved Star Wars as a kid, but the most recent movies were just tragic. *cough*And someone I hate looks like Yoda*cough*
I don't know that much about Star Trek, either. But I'm curious about the original series. Because it's Shatner! And I love everything I've ever seen Shatner do. And Shatner is awesome! And I haven't seen the latest movie, but I've heard good things.
So what about you? Star Wars or Star Trek?
* Images from Wikipedia


now touring to
venues around the UK!
HOORAY FOR HOLLYWOOD is a fully self contained one woman show, written and performed by professional singer and actress Lissie Allsopp.
A Hollywood Hopeful finds herself locked in The Hollywood Museum after closing time. What follows is an evening of whimsy, wonder and self-discovery, as she is propelled into a world where her wildest dreams are suddenly possible...
With costumes, props, set, lighting, music and sound it’s a show full of glitz, glamour, fun and nostalgia! With songs from films such as La La Land, Gentlemen Prefer Blondes, Goldfinger, Singing in the Rain, Funny Girl, South Pacific, The Greatest Showman and so much more!
The setup for the show is portable and adjustable, so can work with any and all spaces.
If you would be interested in having this show brought to your event / venue please do get in touch to discuss prices and dates.
Click HERE to book your showing
or email email@example.com


Duration: 75 Minutes
Size: 378 MB
Seunggu and yunhye to enjoy the married life. Photographer seunggu they are getting older while the commute neighbors of passion and Sell a glance that was a signal waiting car ahead suffers because of the huge repair costs. Yunhye not busy managing the body is to go to the gym to exercise unfailingly hear the breakup talk of a charge taejun PT. Taejun where his girlfriend was not living in the house and to cast out the kit and parting ohgal taejun yunhye is trying to cover the labor costs of the three seunggu let their honeymoon house one room……..Purpose of Cohabitation 2016.
Size: 15898593 bytes (15.16 MiB), duration: 00:05:44, avg.bitrate: 370 kb/s
Audio: aac, 44100 Hz, stereo (und)
Video: h264, yuv420p, 478×240, 24.00 fps(r) (und)
Director: Jung Bum Sik
Stars: Yeo Jeong Cho, Tae-woo Kim, Clara Lee.
Duration: 112 Minutes
Beautiful, workaholic Bo-hee is a successful marketing executive at the number one toy company in Korea. Respected by her colleagues and in line for a promotion,
she makes an irrevocable mistake that gets her fired from her job. Bo-hee’s life further spins out of control when her husband Gang-sung leaves her soon after.
Bo-hee is befriended by her neighbor Nan-hee, an amateur sex expert who runs a sex shop on the brink of bankruptcy called “Casa Amor.” Nan-hee’s predicament
inspires Bo-hee’s creativity, and using her background in children’s toys, she is determined to save the shop by making its ambiance more refined and by
promoting better sex toys.
Stars: Hanako Nanjô, Hironari Amano, Saki Kagami
Duration: 84 Minutes
Size: 372 MB
Latest release in the popular ‘Prisoner’ series. Hanako Nanjo stars in this sexy, violent film from director Kosuke Suzuki (Stop the Bitch Campaign).
She commits a crime to help her sister in prison, only to discover that that politicians and prominent business men are using the prison for their
own desires! Now she’s desperately looking for a way out,
Director: Hiroyuki Kawasaki
Writers: Oniroku Dan (novel), Kôsuke Komatsu (screenplay)
Stars: Masahiko Miyabi, Shôji Mori, Shô Nishino
Duration: 78 Minutes
Size: 699 MB
Billionaire Mr Sam is an experimental film maniac dreaming of making a true private SM movie. He holds a production meeting with SM novelist Eden
and unemployed porn film director Justin who casts the actress Sally, a poor university student desperately in need of money. The film location is
right at the underground store room of Sam’s house. Sally refuses to cooperate after knowing the details of the movie, but is tied up naked by
them and confined in a cage in Sam’s house with the other naked actor. Struggling for survival, Sally has to forget about her dignity and be
wild to act the SM extreme. The true SM movie is on the way…
Director: Katsuya Matsumura
Writers: Tôgo Gotô (screenplay), Katsuya Matsumura (screenplay),
Stars: Dankan, Hitomi Hayasaka, Kêsuke
Duration: 73 Minutes
Size: 97 MB
A young lady moves into an apartment that is rigged with hidden cameras. A voyeur,who has raped and abused various other females
watches her every move and begins an unusual connection with her. His character is genuinely bad and dysfunctional.
A must-see for fans of depraved Japanese exploitation cinema or pinku genre.


The party approaches a burned out village. A voice shouts out a warning and six enemies appear. A fight ensues and the party emerges victorious except for one man who escaped to the northwest. Kvet and Garreth hear a muffled cry from a building and go to investigate. There they find a man buried in the ashes and rubble. He lies about his purpose. The man runs but the party chases him down, attempts to reason with him, but he attacks Garreth. Kvet slays him in the response.
The party begins to pursue the escaped soldier and heads them towards the northwest. In pursuit of the soldier, the party follows him towards a city on the horizon. Close to the city, they encounter Vash*, the whisper gnome, running from four earth elementals. The party defeats the elementals and rescues Vash. Vash then lets the party in on a secret that he knows a secret way into the city and can steal a boat with the party’s help. Everyone agrees to help and heads towards the city.
*Alternate time line Vash is unaware of the previously met Vash. Multiple Vashs are a result of the changing planes.


Hey! I uploaded the fourth installment of the Marvel Cinematic Universe Extravaganza! What did you think of the Thor movie?
Gay of Thrones Is Back!
Jonathan the hairdresser is back with weekly recaps of the latest Game of Thrones, including vague references and confusing plot summaries that aren’t actually spoilers.
New episode of the Marvel Cinematic Universe Extravaganza! what did you think of Iron Man 2?
New episode of SpoilerView! I talk about The Incredible Hulk that came out in 2008, please subsribe.
Nothing like a sweet Black Widow GIF from Marvel’s “Captain America: The Winter Soldier” to start your day off right.


Charlie Wood's Film Credits
Mad to Be Normal
A film based on the controversial Scottish psychiatrist R.D. Laing. The film highlights the unique community that Laing led in the 1960’s. The film is based in East London and stars David Tennant, Michael Gambon, Gabriel Byrne, and the beautiful Elisabeth Moss.
The Bromley Boys
This coming of age football comedy reflects a memoir of the late 60s in Britain. Based on the novel written by Dave Roberts which recounts the best and worst times that came with supporting one of England’s least favorable football teams, at the time, Bromley F.C.
Milk and Honey
Cyber crime gets a whole new meaning when Islamic extremists get involved. An old school gangster and crime lord, Marcus Lord has to leave behind his “seasoned” criminal ways in order to keep up with the newest trends in crime.
You, Me and Him
A romantic comedy, starring David Tennant, Lucy Punch, and Faye Marsay follows a lesbian couple, very much in love. Despite their vast age difference, the couple begins discussing pregnancy and challenging decisions are overcome when their neighbor (played by Tennant) comes into their lives.


Justin Timberlake‘s new movie, Justin Timberlake + The Tennessee Kids, is among the highlights for Netflix‘s October streaming slate. The streaming giant released the full list of new and returning movies and television shows for you to binge watch on weekends.
Other highlights include the first new episodes of Black Mirror, the third season of the Gillian Anderson/Jamie Dornan crime drama The Fall and the latest seasons of the CW DC Comics shows. Ferris Bueller’s Day Off and Breakfast at Tiffany’s are among the movies making a Netflix comeback.
Justin Timberlake + The Tennessee Kids was directed by Jonathan Demme (The Silence of the Lambs) and is a filmed performance of Timberlake’s MGM Grand Garden Arena in Las Vegas during his The 20/20 Experience tour. The film was screened at the Toronto International Film festival in September.


The 9th Annual Cornwall Film Festival starts tomorrow. Film lovers can get all the information needed here for this great weekend event. The are also free workshops and talks on everything film related, so make sure to find out about them while buying your passes and tickets.
1. Free drinks and snacks during film breaks
2. Vibrant atmosphere (great place to network!)
If you do attend, don't forget to fill in the audience survey form because you might just find yourself on a luxury spa weekend or a wine tasting dinner.


|“||These days, a single cop alone can't do anything to serve justice.||”|
–Yusei Kondo, Melancholic Monday
|Seleção No. 4|
| Yūsei Kondō|
February 15, 2011 (age: 35)
Misae Naomoto (wife)
Hiroshi Shirokuma (Japanese)
Yūsei Kondō (近藤 勇誠 Kondō Yūsei ) is a detective that has worked out of Japan his whole life. Not much is revealed about his past other than before the start of the series, he has been known for taking bribes and acting out of line as a police officer in Tokyo. He also lived through Careless Monday and the missile crisis in Tokyo that shot down a plane a year later. He is also in a relationship with a mistress that his wife is ignorant of. It is unknown how he became a member of the Seleção but Mr. Outside claimed to have picked each member based on their talents and skills. As a member of the Seleção, he is represented as Number IV. He had a wife named Misae who killed him for cheating on her.
Yusei Kondo is a character in the anime series Eden of the East. He was created by Kenji Kamiyama who wrote and directed the anime. There is no manga counterpart to Yusei's character. He made his first appearance in episode 2 "Melancholic Monday". He is voiced by Hiroshi Shirokuma in the Japanese version and Christopher Sabat in the English version.
Yusei is shown to take whatever steps necessary to get what he wants. He is a corrupt cop who has been alluded to taking bribes in the past in order to waive massive debts he has incurred with the mob. Yusei is also seen in an affair with an unseen mistress while already in a marriage with his current wife. He has little disregard for other people whether they are criminals or innocent people. From conversations in the anime, he is speculated to have gotten himself in deep trouble time and time again with the law and with himself.
Yusei is first seen at Tokyo's airport after getting an All Points Bulletin about a man in his twenties with black hair leaving the airport. Instead of answering the APB, he looks up the recent transactions of Selaco member Number IX, Akira Takizawa. After observing the unusual spending patterns, he tracks Akira down via the monorail that he and Saki Morimi rode to get to his home. Akira notices how their cell phones are similar and approaches Yusei, assuming that he has had his memory erased as well. Yusei doesn't know what to make of this as Akira leaves with Saki to his place. Yusei plans on following since he knows his 10 billion yen is running out and needs more funds. Before he can leave, he is intercepted by two mobsters who demand he pay him the money he owes or destroy evidence for them. Instead, Yusei calls Juiz and has her kill the two and an innocent bystander.
Yusei waits until later in the night to follow Akira and Saki to a mall that Akira bought and converted into a home. Yusei sees the state of the mall and speculates how 20,000 shut ins disappeared a year ago and that Akira must have been behind it. He meets Akira in the projection room of his theater as he reveals that he was watching him from the moment he got in. Akira asks Yusei for information since he remembers nothing as he is now convinced his memory was truly erased of the Selaco and the so-called game they are playing. Yusei instead beats up Akira and steals his phone, promising to leave Saki alone but mentioning how someone called the Supporter will come to kill him. The rule of the game is that once all the money is gone from an account, that person is killed.
In a parking lot, he sends a text to his mistress as he tries to transfer Akira's 8.2 billion to his phone to find it didn't work. Juiz explains that each phone is locked in to the users fingerprints, ergo the phone for Seleção Number IX wouldn't work for Seleção Number IV. Yusei freaks out as Akira calls him, wanting information and his phone back. Yusei agrees to meet him but encounters his wife who he realizes that he sent the text message to his mistress to. She stabs him and leaves him to die as Akira finds him. Yusei tells Akira with his dying breath that there are ten other members of Selaco and that they may have answers he is looking for. Before he dies, he states that their transactions can be found through his phone as he bleeds out.
|Eden of the East|
|Eden of the East||Kazuomi Hirasawa • Yutaka Itazu • Saki Morimi • Satoshi Ōsugi • Haruo Kasuga • Mikuru Katsuhara • Sis|
|Seleção|| Juiz • Mr. Outside • Ato's granddaughters |
Players:  Daiju Mononobe •  Jintarō Tsuji •  Toshiko Kitabayashi •  Yūsei Kondō •  Hajime Hiura •  Taishi Naomoto •  •  •  Akira Takizawa •  Ryō Yūki •  Kuroha Diana Shiratori •  Saizō Atō
|Others||AKX20000 • Angelika • Chigusa Iinuma • Seijiro Iinuma • Aya Iwashita • Asako Morimi • Asako's baby • Ryosuke Morimi • Misae Naomoto|
|Characters in bold are the main characters|


Our School App Stay connected on the go...
Actress Ann Akin welcomed at Copthall SchoolPosted on: 22/02/2018
On Wednesday 21st February the Drama department hosted a workshop organised by Ann Akin, a former Copthall student who has gone on to become an actress, she is about to star in JK Rowling’s new TV Series - The Strike series for the BBC. Ann also runs her own theatre company and was invited into Copthall to recruit students to take part in the One Barnet Many Voices Project- which aims to work with young people in Barnet to devise a piece of original theatre to be performed at the ArtsDepot later on this year. During the workshop the girls were discussing and workshopping ideas around mental health. We hope to welcome Ann back later in the year to discuss her industry and the suggested pathways to achieving in the acting and theatre world.
Mrs A. Dyson
Head KS3 Drama


Never Forget Australia documentary
Produced by Alan McGirvan and Vicki Bennett, screenplay by Vicki Bennett.
My journey in creating this documentary
Writing, co-producing and co-directing this documentary film was an exhilarating experience for me. Filming in France, working with camera crew, editors, designers and associated professionals stretched my creative spirit; I loved it. Finally, I had found my tribe.
When Executive Producer, Alan McGirvan asked if we could make a film about a book I had written, Two Pennies, I immediately said yes and a tingle of excitement ran up my spine. I knew I was in for a ride.
Two Pennies was just the starting point for the documentary Never Forget Australia. We discovered many amazing true stories about Australians in World War 1.
The Little French Digger the first story in the documentary is about an Australian Airman who smuggles a little French orphan in an oat sack and brings him to outback Australia from the war-torn battlefields of WW1.
I was so entranced by this story I have written an illustrated children's book, The Stowaway, published by Scholastic. I have also written a screenplay for a feature film about the remarkable tale of The Little French Digger.
Back to the documentary; this unique, one hour Anzac centenary film presents seven poignant stories from World War 1. It uncovers the story of Aboriginal Diggers who fought at the Western Front and never came home. We interviewed visitors to the Australian War Memorial in Villers-Bretonneux, many experiencing finding an ancestor's resting place for the very first time.
There are more poignant and little-known stories about the relationship between France and our Australian Soldiers in WW1. We use original lyrics and music by Melbourne musician Vin Healy to exemplify the emotional story between these countries which began the hundred-year love affair between Villers-Bretonneux and Australia.
Screening with SBS in 2018 (dates to be advised)


Frank Thompson: NC Silent Films
03/26/2018 | 7m 13s Video has closed captioning.
Author & film historian Frank Thompson works to research & recover silent films made in NC. His focus is currently on Asheville & environs, where a wealth of films were shot during the silent era. Mr. Thompson compares those films to documentaries or time capsules for the way they have preserved their locales as they were at the time of filming, giving audiences a glimpse back into the past.
Problems Playing Video? | Closed Captioning


⭐ CINEMA BY STARLIGHT ⭐
You are invited to join us on Thursday, 20 June from 17h00 for an fun family movie evening, where we will be screening the hilarious and heartwarming Emoji Movie.
Food, coffee and popcorn will be on sale and you are also welcome to bring a picnic. Early bird tickets can be purchased at R30 each from Mrs Parfitt (firstname.lastname@example.org
Please note that all children must be accompanied by a parent. Bring your friends!
To see the trailer for the movie, click on the link below:
Hope to see you there ?


So I went to see this movie this past weekend. It's based on the true story of "Irish" Micky Ward's struggle with his family and his upcoming boxing career. It's really good, it's one of those movies that you'd enjoy watching with your boo. Celebrities starring in this movie include: Mark Wahlberg, Christian Bale and Amy Adams.
Amy Adams. I want to talk about her for a little bit. She did a fabulous job breaking away from her Disney movie character and into the tough, supportive girlfriend. I'm not gonna lie, when I saw her in the movie it caught me off guard because all I could picture was Giselle from Enchanted.
"I've been dreaming of a true love's kiss"


When I first started watching Netflix, I was amazed by how much content was available for me to view. It wasn’t until a month later that I noticed that a series that I had been wanting to watch had disappeared unexpectedly. I searched everywhere, but couldn’t find it. I didn’t know that the series had been removed from Netflix, along with many other movies and shows. This was the first time I found out that not everything on Netflix was permanent. Now I always look on whatsonnetflix.com to find out when new shows and movies are being added, and when old one are going to be taken away.
From viewing the website, I found out that a movie that had been added a year ago was going to be taken away in the following month. I had been wanting to watch this movie since the day it was released in theaters, but I wasn’t willing to pay the high ticket prices to see it. I prefer to watch movies from the comfort of my own home. When it came to Netflix, I was ecstatic, but I could never find the time to sit down and watch the movie, because of my busy schedule.
I planned out one day in the month on my calendar to watch the movie before it was taken from Netflix for good. I scheduled everything else before or after that day so I wouldn’t have any distractions that would prevent me from seeing the movie. I bought a big jar of popcorn kernels and popped them in my popcorn popper, buttered it up, and sat down on the couch to watch the movie in front of my big screen television. The movie was even better than I expected it to be. I wish it didn’t have to go, but nothing lasts forever.


The Winter's Tale: a guide to the text and the play in performance
King, Ros (2008) The Winter's Tale: a guide to the text and the play in performance, Basingstoke, GB, Palgrave Macmillan, 168pp. (Shakespeare Handbooks).
Full text not available from this repository.
This volume examines The Winter's Tale in the context of its distinctive genre, and its place in court entertainment, showing how it both reflected and questioned some of the political and social problems of early Jacobean England. It supplies a line-by-line commentary on the text of the play, and includes the text of Shakespeare's primary source.
|Keywords:||play, tragicomedy, theatre, drama, jacobean court, shakespeare, masque|
|Subjects:||P Language and Literature > PN Literature (General) > PN0080 Criticism
P Language and Literature > PN Literature (General) > PN0441 Literary History
P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater
|Divisions :||University Structure - Pre August 2011 > School of Humanities
|Accepted Date and Publication Date:||
|Date Deposited:||16 Feb 2009|
|Last Modified:||31 Mar 2016 12:50|
|RDF:||RDF+N-Triples, RDF+N3, RDF+XML, Browse.|
Actions (login required)


Pat O’Neill, The Decay of Fiction
at Philip Martin Gallery
Through October 27th
By Lorraine Heitzman
The beginning of the fall art season in Los Angeles necessitates more gallery hours than can ever be repaid, (apologies to Mike Kelley) but none are more worthwhile than the time spent with The Decay of Fiction at Philip Martin Gallery. Pat O’Neill, the esteemed Southern California experimental filmmaker, has created an installation comprised of a 5-channel digital edit from his 35mm film of the same name. Included in the show are a few sketches and sculptures, and strips of print film, framed to cast tiny shadows, but these are secondary to the powerful, immersive experience of his film installation.
Since the late sixties, O’Neill has been making what used to be commonly known as avant-garde, or experimental films. What distinguished his films from other filmmakers’ work was his use of optical printing coupled with his installations. In recognition of his contributions, the Academy of Motion Picture Film Arts and Sciences Archive has preserved the complete collection of his films, including the original 2002 version of The Decay of Fiction.
O’Neill, born in 1939 and raised in Inglewood, California, went to UCLA where he studied design and photography in the late sixties. He also took a few film courses. At that time on the West Coast, and specifically in Los Angeles, there was only a very small community of filmmakers working outside of the mainstream movie industry. He educated himself at screenings held at the Coronet Theater and began to make films although there was little support for experimental cinema outside of New York. He taught at CalArts for a while then set up his own business in the mid-seventies, creating special effects with an optical printer. His commercial work held little interest to him in relationship to his art, but he found the photo mattes intriguing and the process of printing over images well suited to his aesthetic.
The raison d’être of The Decay of Fiction was O’Neill’s access to the vacated Ambassador Hotel in Los Angeles, just prior to its demolition. Using the empty pool, the grounds and the once stately reception rooms and interiors of the landmark building as his backdrops, O’Neill proceeded to layer images into a collage, of sorts. The hotel, best known as the site of the Robert Kennedy assassination, had a more glamorous history; it was home to the Cocoanut Grove nightclub and was the playground for many Hollywood stars and socialites. By the time he shot his footage in 1997, the abandoned hotel represented the dichotomy between its glorious past versus its present dilapidation. The location, too, situated in an immigrant neighborhood between wealthy neighborhoods to the West and the big banks downtown also emphasized its transitional and contradictory status.
After the initial documentation of the hotel, O’Neill filmed his actors in a separate location, with the intention to inhabit the spaces through reshooting and reprinting. The result is a stunning mélange of silent moving images that evoke the Golden Age of Hollywood and creates an unworldly, ghostly drama, a re-imagined Topper.
In this installation, the viewer is immersed in a nocturnal landscape anchored by the Ambassador. The filmmaker plays with scale, speed, gravity, and multiple images that conjure fantastical Hieronymus Bosch vignettes, William Blake’s drawings, and even Eadweard Muybridge’s photographic studies of motion. His actors may suggest found footage of campy B movies, but as O’Neill manipulates them, there is no single common narrative, but the spectacle of figures enacting mysterious dream-like scenarios. Each projection is beautifully filmed and compelling to watch. Together they make up a wondrous environment that celebrates the history of film and captures the magic of movie making.
Philip Martin Gallery
2712 S. La Cienega Blvd, Los Angeles, CA 90034
Tuesday – Saturday 11-6 and by appointment


Christopher Brown, also known as 'Browzan', was born and raised in Brighton, England in 1988. He is of English, Irish & Austrian descent.
2007, he moved to London to study TV & Film, graduating with a BA Honours degree. Fresh out of studies, he interned at Vertigo Films working on a number of international features.
2013, he produced a short horror film 'Going Under', which premiered at BFI London Film Festival 2013 - funded by Film London.
2015, he segued into music videos - collaborating with lo-fi Parisian punk bands... this lead him to The Brian Jonestown Massacre (starring in the Sundance winning documentary dig!) - He directed a music video for 'Pish', screening on MTV, Vice, FIP et al.
2016, he spent a year in Berlin, dedicating himself to video art and music content. That year he directed a short music documentary w/ Michael Rother of NEU! & Kraftwerk - which premiered on Quietus magazine (later released on DVD). His moving image films exhibited in Berlin and Cologne - 'Body' was nominated for a Blooom Award at the prestigious Cologne Art Fair 2016.
2017, he segued into the commercial arena - directing a video installation for Toyota narrated by Hollywood A-Lister Milla Jovovich (Fifth Element, Resident Evil) - The installation captured experimental time-lapses during the 'Berlin Festival of Light' and screened at London Print Works.
A series of video art pieces by Browzan that explore movement & aesthetics. Inspired by Avant Garde Cinema of the 1960's, these pieces celebrate aestheticism as a driving force in art.


In early March 2015 I flew to Austin, Texas for the opening night of ‘Eyes Without A Face,’ a gallery show of new works from painter Jason Edmiston hosted by Mondo. The show was gallery’s first show of all original works with no prints available of any of the artwork. Edmiston created over 100 portraits, each focused on the eyeline of a major player in pop culture history.
A few days before he was set to fly to Austin and prep the show, Edmiston took the time to chat with me over the phone for an interview that covered the show, the importance of caring for your fans, and his recent collaborations with artists Mike Mitchell, Jock, and Daniel Danger.
For the full interview visit Evil Tender Dot ComHERE.
In early 2015 Mondo continued their incredible list of film soundtracks with composer Jay Chattaway’s score for the 1990 film ‘Maniac Cop 2.’
My task was to interview Chattaway for the liner notes about the film and his relationship with the film’s writer / director William Lustig.
Chattaway is a Hollywood veteran whose work is most recognized in the television universe of the ‘Star Trek’ franchise, but I’m still a sucker for his work in the 1985 film adaptation of Stephen King’s ‘Silver Bullet.’