The silent movies began as a need not as a style. The technical impossibility to synchronize sound and image made the filmmakers from early century to use only images to tell their stories. With no dialogues, many visual forms were made to lead the audience to a visual experience where poetry blended with art to create a new art expression. The experience of those first visual poets brought a solid artistic foundation to the movies, with gestures, moves, angles and perspectives. Even after the sound was added to the cinema, those basic rudiments remained as a solid lesson to be followed.
A century later with the over exposition of images and sounds hitting our retina every second, return to the very beginning of the movies can be healthy “ Margarette’s Feast” is a silent movie exactly as the ones from early century made a century later, bringing to the audience an old visual expression which had evolved to be one of the most important way of human expression in the twentieth century.
Films became a very often expression to the understanding of the Human nature.
The use of a prime form of cinema on a contemporary background from the South of Brazil brought to this film the same universal characteristics as the silent movies from the last century.
Pedro has a dream: to give her wife Margarette a big birthday party. He doesn’t care about how far is their house from the city, the recent note about his lay off or how difficult is to receive his pension fund. Nothing else matters but his dream. He is tenacious and capable of cross any barrier to make it come true. Even when it seems impossible to do it, he uses his fantasy to reach the unreachable.
In his journey, Pedro meets many characters representing the Brazilian people and its society. His dream came true, but in the end an unpleasant surprise awaits him. The tough reality strikes him. “Margarette’s Feast” summarizes the dreams and disappointments from an entire people. The search for happiness at least for one night!
With humor, introducing characters easily found in the Brazilian daily life, is a movie when the surreal portraits the cruel reality that many times insists to hide itself.
Renato Falcão, Director
Was Born in Passo Fundo, South of Brazil. Having shot more than 20 short films, documentaries, television miniseries, music videos, and three feature films, Renato Falcão has won numerous awards for his work at film festivals around the world. His first short film, "Presage", won four international festival awards and his 1997 short "Dearly Beloved", for which he served as cinematographer, received the Best Short Film Award at Houston Worldfest. It was produced by The Shooting Gallery and starred Eric Stoltz. Falcão has also served as cinematographer for the critically acclaimed feature "Neptune's Rocking Horse" and has attended workshops with well-known directors of photography such as Laszlo Kovacs A.S.C, Sol Negrin A.S.C, and the Oscar winning Richard Shore A.S.C. In Margarette’s Feast he is the Screenwriter, Cinematographer, Editor, Director and Producer.
Hique Gomez was born in Porto Alegre (South of Brazil ) in 1959. When he was fifteen, he became a professional musician and later began to study classical guitar, orchestration, arrangements and violin.
A self-educated pianist, Hique performed with many musicians. In 1984 he met Nico Nicolaiewsky and they created as a duet a very successful musical comedy called "Tangos e Tragedias" which they have toured in Basil, Latin America, Spain and Portugal. Hique has also many notable TV appearances as a guest on the best-viewed Brazilian talk shows.
Multi-instrumentalist strongly influenced by popular culture and Brazilian folklore he has developed a very original work, as an actor and a musician mixing his characters with his musical arrangements and orchestrations. In Margarette’s Feast, he plays the main character “ the lunatic Pedro” and he also composed and produced most of the soundtrack. www.hiquegomez.com.br
Was born in Porto Alegre – South of Brazil. Started her acting career at 20 years old, mainly in comedies, winning several awards in this particular category. Ilana has been working with very important directors such as Gerald Thomas, Guel Arraes, João Falcão, Paulo Autran and Elias Andreato. Currently, she has been performing in several television comedies for the most important Brazilian networks. Actually, she is part of the cast of the most successful Brazilian stand-up comedy “Terça Insana” (Insane Tuesday). In Margarette’s Feast she plays Margarette, married to Pedro.
Is one of the most talented Brazilian actress. Born Maria Amália Feijó in 1916 in Pelotas, South of Brazil. At 86 years old she has such enthusiasm and joy that surprises all the young people on the set. Carmem has been acting since the Brazilian Radio Golden Age and had performed in over fifteen movies, short films and in several soap operas, winning many important awards. In Margarette’s Feast she plays Margarette’s mother, and is the only one who realizes that his son –in-law Pedro is a delusional dreamer. In this particular movie she gives an extremely moving and powerful performance.
MP3! This was the program used by Hique Gomez and director Renato Falcão for a whole year, the time it took to compose and to edit the movie. As Hique lives in Porto Alegre and Renato in N.Y., each layout sequence was send by using MP3, followed by long conversations by phone and e-mail. Most of the soundtrack was edited and recorded at “Pop Club Studios”. The movie length is 80 minutes, bringing the music made in Porto Alegre since the beginning of the twentieth century, such as the tracks extracted from the cd “Origins –A Música de Porto Alegre”, played brilliantly by The Geriatric Orchestra, and also Hique Gomez compositions like the movie’s main theme “ The Lunatic Theme”, orchestrated by Daniel Wolf. Last but not least, we have the very talented Ulbra’s Chamber Orchestra, Unisinos’ Orchestra and the amazing Argentinean Saxophone Quartet “Quatro Vientos.”
Director - Renato Falcão
Executive Producer- Regina Datria
Music- Hique Gomez
Art Director - Rodrigo Lopez
Casting Director- Airton Tomazzoni
Cinematographer Editing -Renato Falcão
Unit Production Manager- Dimitre Lucho
Costumes- Viviane Gil
Make-up - Isis Medeiros
Light Designer for the church scene- Heloiza Averbuck
Panels Painter- Adalberto Almeida
Art Director’s- Assistant Rafael Baldi
Set Producer (scene objects)- Rochelle Zaggo
Set Producer (food)- Alessandra Cunha
Costumes’ assistant- Andréia Venzon
Clairton “Ratinho” Pereira
Still Photographers - Cristina Lima and Myra Gonçalves
Editing Supervision -Robert Tate
Driver- Otávio “Ceará” Araújo
Chef - D. Maria
filmik - POA
filmik - USA
Lighting Equipment- Video Produções - Porto Alegre
Poster and website- Cláudio Ramires and Giliar Perez
Laboratório- DuArt - NYC
Ampliação para 35mm- Alpha Cine Labs - Seattle
Transcrição de som- Magno Sound and Video - NYC
Soundtrack Recording- Pop Club Produções Sonoras
Recording and Mixing - Edu Coelho and Gabriel Joner
Additional Recording- Marcelo Sfoggia
Mastering- Marcos Abreu
Montagem de negativo- Marcos Abreu
Credits- Sal Mallimo
Filme Negativo e Reverso- Eastman Kodak S-16mm
Camera- Aaton S16mm
Montagem- Avid MCXpress @ filmik
Transferencia de vídeo para filme- Film East - NYC
Cena adicional- Fábrica Wrightwood Labs


Benedetta Argentieri is an independent journalist and director based in New York and this is her second film. Since 2014 she has been covering the Iraqi and Syrian war, with several trips on the ground. Her work has appeared in several international publications, including Reuters, The Sunday Times, Quartz, and Corriere della Sera. In 2016 she co-directed with Bruno Chiaravalloti and Claudio Jampaglia, “Our War”, a documentary about foreigners joining the Kurds in Syria to fight the Islamic State. The film was selected at the 73rd Mostra del Cinema of Venice, in the out of competition section, and shown in several other festivals. In 2013 she co-produced “Capulcu-Voices from Gezi”, a documentary about the revolt that occurred in Gezi Park in Istanbul, Turkey, which won several awards including the Amnesty International award. In 2014 she also obtained an MA in Journalism, with a concentration in politics, from Columbia University in New York. Before moving to the United States, Benedetta worked as a staff writer at Corriere della Sera, the Italian leading newspaper. She started her career at Mediaset, a television station in Italy.


The Crowstarver (2012)
From the award-winning novel by Dick King-Smith.
The Crowstarver is a gripping and moving story set in a close-knit rural community in the early days of the Second World War. When a baby is found abandoned in a lambing pen he is adopted by the shepherd Tom Sparrow and his wife Kathy. As the boy grows up it’s clear to everyone that the mystery of his birth is not the only thing about him that’s special. John Joseph turns out to have an extraordinary gift with animals of all kinds. Foxes will eat out of his hand, hares and otters come close and he can even gentle a bucking bronco in true horse whisperer style. As the years pass, being different means John faces threats of all kinds, from ignorance and prejudice to the war itself, which brings its own share of tragedy. Full of unforgettable characters and scenes The Crowstarver combines an inspiring and heart-warming story with powerful performances, beguiling animal puppets and a stunning live score.
First brought triumphantly to the stage by Theatre Alibi in 2006, The Crowstarver toured again to delight a whole new audience of adults and young people from eight upwards.
A co-production with Exeter Northcott Theatre & Oxford Playhouse.


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Don't forget, restraints can bring out the creativity in you!
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Current Residence: ..."Long ago in the distant realm of Thiene, Italy"... Favourite genre of music: EVERYTHING Favourite photographer: Peter Parker Favourite style of art: Frank Miller's, Luigi Piccatto's, Man Gataro's Operating System: WINDOWS 7 Shell of choice: nut Favourite cartoon character: Ed, Edd & Eddy, Homer Simpson, Samurai Jack, Duck Dodgers, The Mask, Eric Cartman, Deadpool, Rick Sanchez, Grunkle Stan Personal Quote: "Why is everyone so FUCKING stupid???" Kim Jong-il
Favorite visual artistTerry Gilliam, Frank Miller, Enki BilalFavorite moviesCheck this out: http://killb94.deviantart.com/art/My-Top-21-Favorite-Movies-546503535Favorite TV showsSamurai Jack, Rick and Morty, Frasier, Ed Edd Eddy, Tales from the Crypt, Monty Python, Stargate SG-1, South Park, Star Trek, Steven Universe, Gravity Falls, Cowboy Bebop, Star Wars: Clone Wars/Rebels, The Twilight Zone, Ash vs Evil Dead, The BoondocksFavorite bands / musical artistsSquirrel Nut Zippers, Paul Williams, Harry Belafonte, Šaban Bajramović, Oliver Dragojević, Jerry GoldsmithFavorite booksIT (favorite Horror), The adventures of Pinocchio (favorite Fantasy), To Kill a Mockingbird (favorite Drama), Bride of the living Dummy (favorite Goosebumps book), 1984 (favorite Science Fiction) The Hitchhiker's Guide to the Galaxy (favorite Comedy)Favorite writersStephen King, R.L. Stine, Dino Buzzati, Philip K. Dick, Alan MooreFavorite gamesGod of war1-2, The Simpson's game, Godzilla: Unleashed, Destroy all Humans!, Deadpool, Peter Jackson's King KongFavorite gaming platformmy PlayStation 2 and computerOther InterestsDrawing comics, movie reviewing, Science Fiction
To explain why I'm looking so much forward to this, I'd probably repeat the same reasons I had for having The Martian my most anticipated movie of 2015. Any live action adaptation of a video game sucked ass, but this time it really feels as if they're trying and making an effort to make a good video game movie. I know the basics of the source material this movie based its plot upon, I can see that they're being extremely faithful but at the same time I'll see how much it will stand on its own feet as a fantasy film. The director is a very cool cat, but he's known for doing small-scaled movies such as the mega overshadowed Moon, can he handle this huge budget and complex script for an epic fantasy piece? Come on, I want a fucking good live action video game movie for at least once. If I could watch this film right now and find out if it's good, I fucking would, that's why Warcraft is by far my most anticipated movie of 2016, the stakes are high.
This better not suck. This REALLY fucking better not suck. In 2008 Kung Fu Panda broke in theaters and it blew everyone away. In 2011 the awesomess increased with a great sequel... And they better do a great third one in 2016. I'll go on a killing spree if it sucks. (20/03/2016 UPDATE: I WATCHED IT!!! Thankfully no killing spree coming. This was good. Is it as amazing as the first two? I'm not 100% sure, but it was still full of heartfelt moments, lots of character beats, plentiful laughs, engaging action set-pieces and an old moral that is told in a way that feels fresh and new. Not to mention, it's visually stunning. Seriously. It isn't perfect and I'll have to watch this movie more times before really deciding if it's the weakest of the trilogy or maybe better than the first, but for the moment I'm comfy with giving this 3,5/5)
This is the most controversial choice I've made, but I really look forward to see how the hell will this turn out. It's made by the people behind Spy, which has been the funniest film of 2015, so I think that as far as this concept goes, it's in good hands. ...I certainly have more hope for this project than I have for Batman v Superman: Dawn of Justice, Star Trek: Beyond, Finding Dory (what?), Independence Day 2 (are you kidding me?) and the remake of Jumanji (ARE YOU FUCKING KIDDING ME!??!).
So, the first Star Wars spinoff! Viddy well. This is really a movie I'm not that worried for, but damn I'm very curious to check out as soon as possible. This movie has the potential of making happy those who had problems with The Force Awakens and I wish they explain the deal between clone troopers and stormtroopers (it's set between Episode III and IV) we'll definitely get more R2-D2 and C-3PO... And hopefully some Darth Vader.
It's amazing that Deadpool will get his movie but... I also have fears it could suck. We've got movies like Watchmen, Kick-Ass and Super, violence and profanity can't be the only things this film has to offer. I want my doubts to be banished so I look forward to this. (20/02/2016 UPDATE: I WATCHED IT!!! In short it did not disappoint, I had a very gory, funny, well written and toned ride. The only flaw is that it pretends to be a 'superhero film you've never seen before' because at its core it's a by-the-book origin story, same with the conflict. Everything else, though? Amazing. 4/5)
I remember watching parts of the animated adaptation of this Ronald Dahl book, so I wanna see what this live action take on it will have to offer. It's a new Steven Spielberg movie, but as revolutionary as he is, the man has shown that he's able to fail, the fact he's directing this isn't a surety that it will be good.
I know most people are probably more looking forward to Civil War, but for some reason I've always been more interested to the smaller MARVEL films rather than the ones about the Avengers. I know jack shit about Doctor Strange, so I want to see how this movie will stand on its feet. Let it be a Guardians of the Galaxy, please. Oreven an Ant-Man.
Holy... Fucking... Sssssshit if this looks fun. The retro '70s environment looks flawless and gorgeous, personally I'm getting more and more fascinated by that period so this movie is totally my jam. I REALLY hope they didn't show the best parts in this trailer. If they didn't, then we're looking at the tip of an iceberg of awesome.
I honestly like the two new X-Men movies with the younger cast WAY more than the older films, and I like the fact that Wolverine doesn't get so much focus in this. However, not a fan of the boring costumes and Mystique not appearing in her blue form; it makes me afraid that they're pandering to the fans of The Hunger Games now that it's over.
I like all comedies from the Coen Brothers (yes, even The Ladykillers, bite me haters), this looks very promising. (16/03/2016 UPDATE: I WATCHED IT!!! ...Whelp... Do not trust Rotten Tomatoes, the truth is that this movie got a quite mixed reception. And unfortunately I'm among the people who didn't like this... It just wasn't that funny to me and the main story with George Clooney and his kidnappers was boring. It has cool scenes in it and the other characters on their own were kinda fun, but when they're crammed together to the main plot it just becomes forced and dull. THIS is the first disappointment I got from the Coen Bros, heck I could even argue how their so much hated "The Ladykillers" remake is a superior comedy with better writing, focus, humor and a sense that there are stakes. As for this thing that felt like a poor man's version of "The Big Lebowski", I'm giving it 2/5)


OH MY GOD! Has anyone else seen this? Harry Potter has grown up. And boy is he a hottie. I've been hearing on the news that people are upset because Daniel Radcliff has gone and grown up. I heard a someone say that he has a "moral responsibility" to the children who love Harry Potter. Is that fair? To say that he can only ever be Harry. Anyone who knows me I love Harry Potter books, movies, all of it. But its not fair to think that all he should ever do. The Harry movies only have 2 more to go, then what are they suppose to do. Nothing? I for one applaud him. Good for you Daniel. I hope they make it a movie so I can see it.


Making most of their post-retirement phase, elderly people in Doon are coming together to follow their passion for acting and are actively participating in various plays organised in the city. From practising their dialogue for days to bringing their life experiences to their characters, these senior citizens are using their “free time” productively.
‘As I have more time post retirement, I spend a lot of my time in doing plays’
For Santosh Kumar, a 60-year-old retired accountant, theatre is a much sought-after hobby. “Theatre shuru toh shaukh ke liye kara tha par ab theatre humse aur hum theatre se alag nahi ho sakte hai,” he says adding, “While working, I would take out time to participate in plays. I especially like portraying funny, light-hearted characters. I have been associated with Vatayan theatre group since a young age. After retirement, since I have time in my hand, I concentrate more on theatre and enjoy it to the core.” He admits that sometimes he finds it difficult to remember dialogues, but practise makes them almost perfect!
‘Elderly people bring their life experiences to acting, I get to learn a lot from them’
Director of several plays, 30-year-old Yogesh Bhatt, who is a part of the city-based theatre group, 9 Emotions, says, “I have often seen that elderly people have more enthusiasm than youngsters. They bring their life experiences to the table and it can be an enriching experience. While writing dialogues for the elderly, I try to keep them easy so that they can learn them easily. For me, apart from the fun, I also get to learn a lot while working with them.”
‘Theatre helps us maintain a strong bond with our friends’
Gajendra Verma, who had retired from a government job, and is an experienced theatre artist in town, says, “I retired in 2007. I’m 71 years old now and one of the oldest members of the Vatayan theatre group. My friends, who’re also retired, often get together to discuss plays, shows and we plan our rehearsals accordingly. This helps us keep in touch with each other. Thanks to theatre, I’m able to spend my post-retirement time productively.”
Pradeep Ghildiyal, another retired government official who’s now an active theatre artist, says, “I’ve been doing theatre for more than 30 years. I have been more active in group activities after the retirement. I really enjoy doing theatre and I think it is the best way to keep yourself engaged. Theatre has been my passion and I’m glad to be able to devote more time to it.”
‘Theatre changes lives of people’
TK Aggarwal, a 69-year-old retired mechanical engineer, the founder of Kala Manch theatre group, says, “I have been passionate about theatre since my childhood. I love to tell stories and make people laugh. When I was 30, I went to Delhi to learn direction. I got enrolled myself in an acting course and learnt different nuances of acting. It was then that I started doing theatre professionally. After finishing my course in Delhi, I came to Doon and started Kala Manch theatre group.” He adds, “I have seen theatre changing the lives of many people, including the elderly’s. We do socially relevant plays and acting together means we spend a lot of time with each other. So it helps develop bonds of friendship.”
- Mansi Chaturvedi and Taresh Dutta


The Beyond Broadway Experience
- Date 22-Jul-2016
- Starts 7:30 pm
- Venue The King's Theatre, Edinburgh
- Location 2 Leven St, Edinburgh, EH3 9LQ
THIS IS IT! If you want to spend your summer holidays having a theatre experience like NO OTHER here in Edinburgh then get yourself down to our Open Auditions for BRING IT ON: THE MUSICAL! They have arrived! 09:15 registration at Dance Base in the Grassmarket, Edinburgh – Sunday 17th January 2016. A world-class opportunity for young people between the ages of 12 and 25 to experience what it feels like to put on a professional style production in one Scotland’s greatest live theatre venues – King’s Theatre, Edinburgh. AND all organised by professional theatre producers; Beyond Broadway Productions. SEE YOU THERE!?


Oslo Skeive Filmer Film Festival is an annual international film festival (founded in 1990) focusing on gay, lesbian, bisexual and transgender themes, as well as other gender identities and expressions. Our mission and goal is to present a wide variety of domestic and international films - features, documentaries and short films, all delving into the different aspects of our community and contributing to educate, enlighten and entertain.
The 23th Oslo Skeive Filmer Film Festival takes place September 13th – 20th 2013 at Cinemateket, operated by The Norwegian Film Institute.
This year Skeive Filmer presents around 50 screenings of features, documentaries and shorts from all over the world. The festival programme is also featured in the Norwegian queer magazine Blikk.
Cinemateket has two state-of-the art theatres: Tancred (190 seats) and Lillebil (68 seats).
Both cinemas provide screening facilities for 35mm analogue and 4K digital projection, including projection capacity in the following formats: 2K/4K Dcp, HDCAM SR, HDCAM, Digital Betacam (including NTSC), Beta SP, HDV/DVCAM/DV/MiniDV, Blu-Ray, and DVD. The larger hall also provides 70mm analogue projection, RealD 3D, and Beta SP NTSC.
Contact: oglff (at) oglff.org


Corvallis Community Theatre invites prospective directors to submit
scripts for the 2007-2008 season. We will produce five plays from September
2006 through August 2007, including one musical. Please note that in 2004 we
made several changes in our play selection process. You can pick up a Play
Submission Packet from The Majestic Theatre at 115 SW Second Street in
Corvallis, or you may download the packet here in either
format. Please read all documents carefully, because they outline the selection
process and the criteria that we will use to make our decisions.
The deadline for submission has been extended to February 15th, 2007. Directors will be notified about CCT's decision regarding their play by March 31, 2007.
If you have any questions about the play selection process, please contact the Play Selection Committee Chair, Jen Waters at: email@example.com.
Best wishes and good luck!


Warner Bros. (NASDAQ:WBD) is inching toward a deal with author J.K. Rowling that would bring a long-discussed TV series based on the best-selling Harry Potter franchise to HBO Max, according to media reports.
That show would adapt each of the seven original novels in the series into a season of TV, Bloomberg said — and the longer runtime would allow for more time to delve into the Wizarding World than the movies had.
A Harry Potter series would check a box off the wishlist of Warner Bros. Discovery (WBD) CEO David Zaslav, who said he wanted to tap the company’s intellectual-property strengths and Potter in particular: Last November he said “we’re going to have a real focus on franchises … We haven’t done a Harry Potter movie in 15 years. The DC movies and the Harry Potter movies provided a lot of the profits of Warner Bros. motion pictures over the last 25 years. So focus on the franchise.”
But such a show couldn’t move forward without the support of Rowling, who wrote the seven books and is reportedly in talks to join in as a producer.


Here&39;s a great example:. Structured sleep patterns are essential to your health and recovery after each day of work. This After Effects project gives you over 1,000 different transitions you can drop into your own video project for creative transitions.
The Star Wars films are chock-full of attention-grabbing wipes. It requires a dedicated approach to best day to night transitions in film be successful and to avoid the potential problems that can go along with. This transition is the opposite of the dissolve in that it draws attention to itself. With Brittany Raymond, Kira Murphy, Adam Murciano, Isaiah Peck. Here are five of the best transition templates, courtesy of Envato Elements:.
Structure may be the most important part of transitioning from a day to a night shift. Another that comes to mind is the open shot of Contact, which is an awesome opening for a movie. The fade in and fade out usually signal the beginning or end of a scene, especially if the filmmaker is fading to/from black.
· For most shots, the night shots will have a smoother motion and your day shots will have a staccato look if you hope to capture the most dynamic shift between day and night. For transitions, whether day to night or night to day, we will use the longest intervals, since we want to capture an event that will last for many hours. · In this 11-minute video tutorial, Cal Thomson of Manchester, UK shows you how to shoot and edit a day-to-night transition for a time-lapse video. · And lastly, keep a pair of heels handy for when you need to elevate your look; Kryz’s nude pointy-toed pumps, for example, are total game-changers since they’re party-ready and can be paired with just about anything.
With this service, you unlock unlimited downloads of the best Adobe After Effects transitions and Adobe Premiere transitions. I’ve also seen it best day to night transitions in film used quite a bit in sports videos. Here are five of the most important transitions in video and film.
Why Use Transitions. The photographs in this best day to night transitions in film project show iconic buildings and each photo in this project is made from 36 photos taken at intervals and spliced together to make a full day to night transition. Considering that we need 30 photos to make one second of video, this means that if we take a shot every minute, every hour best day to night transitions in film of shooting will become two seconds of video.
The dissolve is an editing technique where one clip seems to fade—or dissolve—into the next. The lack of transitions is what makes this video so compelling and best day to night transitions in film fun to watch. As the first clip is fading out, getting lighter best day to night transitions in film and lighter, the second clip starts fading in, becoming more and more prominent. Tell family when you will be unavailable so you can rest and be ready for the transition. Sometimes you want to break the rules for stylistic reasons, highly stylized movies like “Scott Pilgrim vs. A period can be considered to be a transition only if it does not exceed 15 minutes. A wipe is a transition best day to night transitions in film that uses an animation (mostly digital these days) that “wipes” the first scene away into the next scene. Apologies for the bad video quality.
· The best films use every single second of footage to their advantage. If you have shot your movie during the day, this effect will make it appear like it was shot at night. best day to night transitions in film Here are two good examples from The Empire Strikes Back. There are many reasons why you would want to have that altered, but iMovie will always be best day to night transitions in film at hand to make everything a best day to night transitions in film possibility. The type of transition you use will be determined by the style of your film best day to night transitions in film and the requirements of the two pieces of footage you’re moving between. What is day to night timelapse shooting? A best day to night transitions in film different camera angle, or scene was then spliced into the spot where the old picture best day to night transitions in film was, so the audio from the old footage was now cut over the new footage.
The Cover: Cover your lens with something in the first shot and then uncover it with something in the next. Check out these roundups for more After Effects projects: 1. See full list on mentalfloss. Option 1 (Day to Night): This method is the most versatile for capturing the widest range of light change.
Another great example is the Pixar film, Day and Night. What are the transitions in video? It can be quite tricky to balance the bright daylight best day to night transitions in film with the low light levels of the evening. The process usually happens best day to night transitions in film so subtly and so quickly, the viewer isn&39;t even aware of the transition.
The first shows the clock wipe; the second, the diagonal wipe (pay no attention to the broken blocks at the start of the second clip—that&39;s a technical glitch, not part of the film). The embedded alpha channel allows you to simply drag and drop the files. There are several different ways to handle the changing exposure when creating a timelapse, but perhaps one of the best methods is bulb ramping. Clear the air when it comes to your requirements, too. However, this reliability starts to degrade over time, resulting in lenses that stay slightly tinted all the time, do not tint as darkly or as quickly as before, and can actually stay fully-tinted for long periods of time after leaving direct. best day to night transitions in film · Low-light cameras like the Sony A7S and Canon C300 have been opening up incredible possibilities for shooting night exterior scenes without any best day to night transitions in film lights at all. The following transition scenes are used to clue the audience in on important information and either take them comfortably out of the previous scene or prepare them for the next (or in a great case.
· The best way to wow your guests from day to night is to make the setting new and vibrant. ” Diegesis is the “story” that you see on-camera—the characters, sets, and action. But there are still some huge advantages to shooting day for night which can best day to night transitions in film make it an ideal choice for many filmmakers.
Transition periods are brief but very important since they often represent the moments when children lose their focus, causing the group to scatter here and there. 4 Day & Night Transitions - The 4 Day & Night Transitions transitions package consists of 4 flat animated transitions (sunset, night, sunrise, day). As you practice filming in low light, be sure to adhere to these best expert tips from video production school that cover the right ways to go about shooting video at night. A flash transition looks great when it is timed up to the best day to night transitions in film sound of a baseball getting best day to night transitions in film smashed out of the park or a best day to night transitions in film player making a huge dunk in basketball. Video15 Top Flat Design Templates for Adobe After EffectsAndrew Childress 2. The best example of the wipe is what&39;s known as the Iris Wipe, which you usually find in silent films, like Buster Keaton&39;s or the Merrie Melodiescartoons—the circle getting smaller and smaller. Learn more about Prestige Series Window Films.
The very last bit in the sequence best day to night transitions in film best day to night transitions in film fades slowly to white, and is my all-time favorite example of the transition:. I was wondering how Richard left best day to night transitions in film the camera for a full day at one location and he told DIYP that. Directed by Kira Murphy. Video15+ Top Sports Broadcast After Effects Templates (Football +More)Andrew Childress 4. Capturing the magic of the night takes skill. Working the night shift can be a disruption to both your schedule and best day to night transitions in film your physical well-being. Tip 3: Maintain an Appropriate Diet. · Day to Night Transition Tips Leave a comment Standard I know that it might not seem like it, given that I take a good portion of the month of October to watch really, really bad horror movies on Netflix or go to comic-conventions best to stock up on t-shirts and trinkets- but I’m a pretty busy woman.
More Best Day To Night Transitions In Film videos. You are what you eat! · So if I want best day to night transitions in film my day for night look realistic (and still see something in it) I ad sources of light, make the window of the house brighter and yellow, etc. As many people have proclaimed, day to night or night to day time-lapses are the ‘holy grail’ of time-lapse shooting. In video editing, each cut and every transition holds a deeper meaning. After the initial manufacturing of a photochromatic lens, the chemicals or film applied to the lenses move in and out of tint rapidly and reliably 1.
. My favorite use of the cutaway is in best day to night transitions in film Family Guy, where the technique is used to insert throwaway gags. See full list on photography. This is purely an best day to night transitions in film effect to allow for easy transition from a day scene to a night scene using iMovie. There’s more to video transitions than simply moving between scenes. · Choosing the best window film for day and night privacy could mean the difference between excessive glare and lack of privacy or excellent UV ray protection and savings on your next energy bill. Some transitions are more difficult than others.
Time-Lapse Photography project: Day-to-Night transitions. These 4 transitions will refresh your new video and they&39;re simple to use. A lot can be said in a minute or less; and a good transition packs a punch. Hidden Symbolism: Completion. In the L Cut transition, the editor traditionally best day to night transitions in film cut the picture frames best day to night transitions in film out of the strip, but left the narrow audio track intact, thus creating an L-shape out of the film. Transitions (TV Series – ) cast and crew credits, including actors, actresses, best day to night transitions in film directors, writers and more. Should I specify a shot transition even though I imagine the camera to be stationary, should I put in a new scene heading specifying the changes, or just put everything into. Of course, with digital best day to night transitions in film editing, one doesn&39;t need to physically cut anything anymore, but the transition is still widely used, and the name has remained the same.
I&39;m trying to write in a transition similar to the one seen in Shaun of the Dead, best day to night transitions in film when Shaun best day to night transitions in film collapses and wakes up in the same place, but night has smash cutted to day. So for those of you that are looking to go down that path, this article will detail exactly best day to night transitions in film how to do it right. The thoughtful use (or lack) of transitions is why so best day to night transitions in film many people shared an explainer video about razors. · These transitions are often used in wedding videos. The above video offers a great overview of the cut, with examples. Split edits like these are especially effective in portraying conversations. We&39;ve built a complete guide best day to night transitions in film to help you learn how to edit videos, whether you&39;re just getting started with the basics or you want to master video editing and post-production. .
Using these projects are best day to night transitions in film a shortcut to creating videos on a shoestring budget. However, you will get a staccato effect best day to night transitions in film during the day time portion. By changing your event setting with a new floor plan, lighting and decorations, you can bring new energy into the room. · Use quality, black-out curtains when you sleep to inhibit most of the sunlight during the day. How do you transition from day to night?
Oh, and don&39;t forget to shake things up by playing around with your hairstyle to get the best of both worlds! If you&39;re tired of searching and scouring the web for free versions of transition templates, then Envato Elements might just be the answer.
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Soul Surfer is a 2011 true story movie based on Bethany Hamilton’s 2004 autobiography Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board about returning to surfing after surviving a shark attack, and most of it remained accurate to what happened in real-life.
I liked this book. A lot. The story - which is based on a true story - is unique and provides insight into a culture that, for most people in the west, Fanny Herself is the story of Fanny Brandeis, a young girl coming of age in the a classic in the literature of travel and adventure partly based on his actual Inlägg om Based on a true story skrivna av musicaldiggaren. who could only find equilibrium in her life when she lost herself in her music. In my study, Performed Realness: On participatory Art and its Ethics, I address stories and ethnography, in which the vulnerable observer writes him/herself into Dramatized moving image pieces based on recordings from Story Café deal This picture book is based on the real story of Sarah Emma Edmonds, also known as Frank Thompson. Running away to avoid an arranged marriage, Sarah The purpose of this tutorial is to provide clinicians with strategies for assessing and developing children's and adolescents' personal narratives. In the 1970s, autobiographical stories written by women claimed centre to various crossover forms on the frontiers between fact-based biographies and They begin to flirt and she invests herself emotionally only to find This beautiful chapbook is bilingual and contains several illustrations—line drawings by Sandra herself!
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Frigg will find herself at the centre, tangled in the messy web of Elk's a rooster. The first hen hears the new tale, not even recognizing its origin as herself. The story is based on the 1852 original by Hans Christian Andersen. Postat av: Adnil herself. i love you.
5 Jun 2020 And though the film is loosely based on real life—following Jackson's life in her later years with her husband, literary critic Stanley Edgar Hyman (
In the 1970s, autobiographical stories written by women claimed centre to various crossover forms on the frontiers between fact-based biographies and They begin to flirt and she invests herself emotionally only to find This beautiful chapbook is bilingual and contains several illustrations—line drawings by Sandra herself! True to the Is “Eleven” based on a true story?
The film is largely faithful to true events and based on real people; in January 2002, the Boston Globe Spotlight investigations team published their first story in a series of articles exposing
The Musical Records of Old and New states Mulan's given name is not known and therefore implies Mulan is her surname. Conspiracy theories, UFO sightings, ex-employee confessions, secret tunnels — there's no shortage of Area 51 controversies. While some of the conspiracy theories are extremely far-fetched, others might make some sense.
The plot as well as promotions of the movie have created quite a buzz among people for both right and wrong reasons. By the end of the trailer, your senses would have shaken to the core, and you would have goosebumps on your body. 2017-04-30
Herself is not based on a true story, but reflects the reality of many women in Ireland and the world. The story came about when actress Clare received a call from a close friend, a single mother of three, who was about to be evicted from her home. 2021-01-07 · Is Herself Based on a True Story? No, ‘Herself’ is not based on a true story. It is written by the lead actor Clare Dunne along with Malcolm Campbell.
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2021-04-07 2021-02-26 2021-03-12 2021-02-24 2020-12-19 2020-12-29 2019-02-23 2017-05-29 2019-03-28 Based on the true story of the ghost writer for Henry Gauthier-Villars also known as Willy. Gabrielle Colette marries Willy, a semi-known novelist convinces his wife to write under his name. The book is a massive success, but fame turns abusive.
A young mother escapes her abusive husband and fights back against a broken housing system. She sets out to build her own home and in the process rebuilds her life and re-discovers herself. 2021-04-08 · Is 'Rebel' based on a true story? Here's how the real life of Erin Brockovich inspired the ABC show .
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2021-04-07 · Is it based on a true story? Tue Apr 06, 2021 at 10:59pm ET By Raven Brunner. Concrete Cowboy is set during summertime in North Philadelphia and filmed throughout the city.
LIVE: Latest News Headlines and Events l ABC News Live. 28 May 2018 In the trailer for Lifetime's Girl in the Bunker, a young teenager is approached by a strange man in the woods. He handcuffs her, then leads her Herself into Care. a Shocking True Story.
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The film is based on Jessica Bruder’s 2017 book of the same name, which includes elements that are inspired by real people and events.
Based on the true story of the girl who found herself Based on a true story, Norma Rae is the mesmerizing tale of a modern day who revolutionizes a small town and discovers a power in herself she never had.
from the story Don't Fall For the Player by wannabejohngreen (VELKOM HUMANS) with 4091 reads.
1 h 40 min2017PG-13. Delphine is She then crosses paths with Elle, confides in her, and lets herself go. Regissörer: Roman Polanski. Den här verklighetsbaserade thrillern skildrar den komplicerade relationen mellan en avskedad journalist och den mordanklagade mannen som stal hans A Terrible Secret: Scared for Her Safety, Tilly Places Herself into Care. a Shocking True Story.: Glass, Cathy: Amazon.se: Books.


‘A young monk must resist great temptation to reach enlightenment.’
Please click on the URL to the right to view the film.
Animated in ToonBoom, the visual style of Aromantic Tea is strongly influenced by Japanese sumi-e and watercolour paintings.
I was awarded a ToonBoom Certificate of Excellence by ToonBoom CEO Michael Besner, for my role as a director.
The film has been screened at multiple international events, such as Redcat’s International Children’s Film festival (Los Angeles), the International Children’s Film festival (Seattle), Athens Animfest (Athens), Golden Kuker-Sofia (Bulgaria), Ismalia Film Festival (Egypt), and the International University Student Video Contest (China).


I have worked with several writers and actors who came to me to breakthrough that almost indefinable border between our daily reality and creativity. I say this because it is a border – it’s a waiting place where our minds go when we have some kind of fear of making our dreams tangible. For a writer, it’s a manuscript. For an actor, it’s a character that he or she is trying to create for an audience. I have developed a technique for dealing with this that has had quite a few successes. If you are in that blocked place, you might want to try hypnosis.


Narasimha (2001 film) - Wikipedia Narasimha (2001 film) Narasimha is a 2001 Indian Tamil-language masala film directed by Thirupathisamy, .. The Hindu wrote that the film "has beautiful songs and .
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Narasimha Naidu - Wikipedia Narasimha Naidu is a 2001 .. Asha Saini in the lead roles and music composed by Mani Sarma.. The film recorded as Industry Hit at box .
Lakshmi Narasimha Productions - YouTube Lakshmi Narasimha Productions / LNP is an Indian film production company which .. Varun Tej's Mister Movie Video Songs : .. Hebah - Duration: 3 minutes, 17 seconds .
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Sackbut and Cornett Ensemble
This sublime CD combines the sonorous warmth of the QuintEssential Sackbut and Cornett Ensemble and the shimmering voices of Stephan Wallace, Timothy Massa and Julian Podger. Comprising of a selection of instrumental works and vocal songs accompanied by the lute. This collection also features the lute solo ‘Walsingham’ by Francis Cutting.
This World’s Globe
Musicians and Actors of the Shakespeare’s Globe Theatre London
The Musicians and Actors of Shakespeare’s Globe perform material from productions including Romeo and Juliet, Richard II, Twelfth Night, Measure for Measure and Much Ado About Nothing. Featuring acclaimed actors such as Mark Rylance, Liam Brennan, Tom Burke and John McEnery.
The Masque of Oberon
Musicians of the Globe
This masque, first performed at the Banqueting House, Whitehall on New Year’s Day 1611, is truly a feast for the senses. Featuring the music of Alfonso Ferrabosco II, Robert Johnson and others.
Such Sweet Sorrow
The Shakespeare’s Globe Musicians and Actors
This disc presents music from the plays of William Shakespeare c.1595. This is a collection of tracks that were incorporated in the Globe performances in 2004 by the Shakespeare’s Globe Musicians. It includes a lute solo by John Dowland, (c. 1610) The Frog Galliard, first performed in the production of Much Ado About Nothing.(2003)
The QuintEssential Sackbut and Cornet Ensemble
This is a beautiful collection of canzone and sonate by Giovanni Gabrieli, Giovanni Priuli, Claudio Merulo and others. Performed for the purpose of high feast days, one is transported to the majestic splendour of Venice.


Disney + Premium Shared Account
$4.99 – $34.99
Disney+ is the streaming home for watching almost everything that Disney, Pixar, Marvel, Star Wars and National Geographic produces. Watch the latest releases, Original series and movies, classic films, throwback TV shows, and so much more.
It is suggested that Disney+ has approximately 7,000 television episodes and 500 films, including Disney Channel and Freeform original television series and films, and select 20th Television and ABC Signature titles. New releases (including Blue Sky’s Spies in Disguise) from 20th Century Studios will not be available immediately on either Disney+ or Hulu, as the studio has pre-existing production agreements with other premium TV/streaming providers (including HBO in the U.S. until 2022, Crave in Canada and Sky in the UK, Ireland, Italy and Germany). Captain Marvel, Dumbo (2019), and Avengers: Endgame were the first Disney films released theatrically to stream within the pay-cable window exclusively on Disney+.
Stream and download Original Series like The Mandalorian, and fan favourites like The Simpsons, Marvel’s The Avengers, X-Men movies, Frozen and many more.
We will send you the account information of the Disney + member account (Username & Password). If account should stop working before the period there will be a replacement. Use it and enjoy.
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Denise Lee Richards (born February 17, 1971) is an American actress and former fashion model. She came to fame in the late 1990s, after a string of films that highlighted her sex appeal, including Wild Things and The World Is Not Enough. Richards is also known for her marriage to (and divorce from) actor Charlie Sheen.
Richards was born in Downers Grove, Illinois, a suburb of Chicago, to Irving Richards, who used to work for a phone company, and Joni, who owns a chain of coffeehouses named "Jitters". She is of Welsh descent on her father's side and of Croatian descent on her mother's, and was raised a Catholic. Richards moved to California with her family when she was 14 and graduated from El Camino High School in Oceanside, California, where she became a cheerleader.
Before she was an actress, Richards was a fashion model. Richards spent the majority of the 1990s appearing in lower-budget films, television movies, and guest starring in episodes of several television shows. Her first starring role in a wide theatrical release was Starship Troopers in 1997, which was followed by her role in the moderately successful cult film Wild Things in 1998. Richards was subsequently cast as Dr. Christmas Jones in the James Bond film The World Is Not Enough (1999), which had a high box office gross and contributed to Richards' renown. In addition to her film work, Richards has made regular appearances in the situation comedies Spin City, Two and a Half Men, Friends and Seinfeld. She also starred in the short-lived UPN series Sex, Love & Secrets in 2005. Throughout the early 2000s, Richards appeared in several film roles which both parodied and utilized her image as a sex symbol, including Valentine, Undercover Brother and Scary Movie 3. In December of 2004, she posed in a nude pictorial for Playboy magazine.
Richards has dated actor Patrick Muldoon. In 2002, she married actor Charlie Sheen, with whom she appeared in Scary Movie 3, where she played his character's dying wife. The couple have two daughters: Sam J, who was born on March 9, 2004, and Lola Rose, who was born on June 1, 2005. Richards was named the Sexiest Mom of 2005 by In Touch Weekly magazine.
In March of 2005, Richards filed for divorce from Sheen. The couple briefly reconciled and were seeking marriage counseling to mend their relationship. However, on January 4, 2006, Richards' representative announced that she was continuing with the divorce, and she has recently sought a restraining order against Sheen, citing his use of death threats against her.She has since been linked to actor John Stamos, whom she dated during her teenage years.
On April 25, 2006, it was reported that Richards is romantically involved with Bon Jovi guitarist Richie Sambora who recently separated from Heather Locklear.


In 1991, Sir Anthony Hopkins appeared on screen as the infamous serial killer, Hannibal Lecter—in a chilling scene that most would still remember during his first encounter with Clarice Starling, played by co-star Jodie Foster. It was then, in this cult classic The Silence of the Lambs, where the idea of a cannibal was widely distributed. About two decades later, NBC television series, Hannibal also proceeded to take off—with Mads Mikkelsen in the titular role. And that’s as much as mainstream media had gone with the controversial topic of cannibalism.
The taboo palate that is human meat, was never quite a subject that the masses had the stomach for. And while Hannibal Lecter still remains to be a fabled name that the world would recognise thanks to iconic portrayals on screen—cannibalism was hardly a genre that resonated. If anything, the Hannibal Lecters played out on film and television kept the actual act of cannibalism at arm’s length—as the depictions often kept the focus on the psyche of the murderer and killings instead.
On the back burner, were plenty of indie films and obscure low-budget docufilms that approached the idea and realities of cannibalism head-on, however they either fell under the radar or yielded to controversial reviews, given the plot’s doomed script and main narrative. After all, we are talking about people eating people.
But in these recent times, the film scene has been pretty forthcoming with stories depicting cannibalism. Earlier this year, in Mimi Cave’s horror-rom-com Fresh (which starred Sebastian Stan and Daisy Edgar-Jones), the film drew parallels between the modern-day horrors of online dating to meeting a decent man disguised as a cannibal/butcher for a high-profile clientele. Despite the subject being so implausible for anyone who don’t subscribe to cannibalism, the entire plot alluded to a parody of real-life, while giving space and room for conversations about the controversial diet. And Fresh isn’t alone in that department; more films and television series are endeavouring to “humanise” the idea of cannibalism. Whether it be in a horror-comedy manner, as shown in Anya-Taylor Joy’s next silver screen role in The Menu, or even a brooding romance as played out by Timothée Chalamet in Bones and All. Perhaps what’s even more preposterous is the real-life downfall of his Call Me By Your Name co-star Armie Hammer, after news broke of the actor’s cannibal tendencies—all to be covered in a riveting docuseries, titled House of Hammer.
So whether or not it’s giving you the ick, the human-eating trope is coming our way—full speed ahead. See all the confirmed releases here below.
Often in the fine dining scene, chefs go above and beyond to turn a meal into an experience of a lifetime. Whether it be molecular cuisine or weaving ambient effects into the tasting menu, the sky’s the limit when you’re willing to indulge in an exorbitant dinner. In the psychological horror film The Menu, Anya Taylor-Joy and Nicholas Hoult play a couple who venture to a destination dining spot—dubbed to be an exquisite, out-of-the-world experience helmed by a mysterious head chef—played by Ralph Fiennes. Upon getting there, they soon find out that the experience might just involve them ending up to be the food served on a plate instead.
‘Bones And All’
We’re all too familiar with the heart-tugging plotline of young love—especially one that centres on a star-crossed pair. Well, Bones And All, falls into the same category but with a twist. The leads Lee and Maren (played by Timothée Chalamet and Taylor Russell) are in fact, teenage cannibals, who meet and proceed to embark on a cross-country journey. The coming-of-age film sees Chalamet reunited with director Luca Guadagnino, who spearheaded the rhapsodic Call Me By Your Name, and will make its highly-anticipated debut at the Venice Film Festival.
‘House of Hammer’
Once crowned as Hollywood’s golden boy, with lauded performances in films like Call Me By Your Name and The Man from U.N.C.L.E., Armie Hammer abruptly fell from grace when allegations of sexual assault and the actor’s cannibalism tendencies surfaced. With multiple women coming forward to charge Hammer of nonconsensual BDSM, rape, and physical and emotional abuse, the investigations also led to shocking revelations from the actor’s bizarre and graphic messages—indicating to one of the women that he wanted to “barbecue and eat her rib”. While Hammer was never found guilty and still denies the allegations and cases built against him, a docu-series had been developing in the meantime—opening the Pandora’s box to the actor’s dark and sinister family history—involving Russian communists and American oil tycoons. In the Discovery+ series titled House of Hammer, the actor’s estranged aunt Casey Hammer says in an interview: “Magnify Succession a million times and it was my family.”


These romantic movies set in Ireland are the perfect thing to watch before a family trip to Ireland or for a fun St. Patrick's Day movie night at home.
When you're planning a big trip that is months away, it is fun to take advantage of the waiting time to get excited about the adventure and learn more about your destination.
These romantic movies set in Ireland have been on my watch list as we plan our big trip to Dublin, Ireland for St. Patrick's Day in March.
Some of the classic movies like The Quiet Man have long been some of my favorites, but there have been so many new movies to come out that were filmed in Ireland that I've added to the list.
Most of the Irish movies have plots that actually take place in Ireland, too. However, some start in Ireland and move to New York or the other way around.
I did include one documentary filmed in Ireland about the Irish Pubs that looked especially fun to watch before a trip, too.
14 Best Romantic Movies Set in Ireland
Queue up one of these romantic movies set in Ireland for St. Patrick's Day or to get yourself excited ahead of a trip to Ireland! Each of the movies was filmed on location and includes romantic Irish characters.
Lindsey travels to Ireland to acquire land that is perfect for a resort. She decides to enter the town's matchmaking festival to prove her investment and win over a handsome local. Starring JoAnna Garcia Swisher and Allen Leech.
A tired American ex-boxer returns to his native hamlet in Ireland to win the hand of a spirited young woman.
Starring John Wayne and Maureen O'Hara, this is one of my husband's favorite romantic movies set in Ireland!
An unlikely romance is sparked when an aspiring violinist encounters a heartthrob movie star filming his new fantasy-action film in an Irish coastal village.
Rosemary is set on winning Anthony's love. Anthony, stung by his father's plan to sell the farm in Ireland to his American cousin, is finally jolted into pursuing his dreams.
Seven interconnecting stories center around the lost and found office in an Irish train station.
In this charming love story based on the best-selling novel, a young Irish immigrant (Saoirse Ronan) travels to New York City and is torn between two countries and two men.
A street musician and a young mother discover each other's talents and push one another to realize their dreams.
Once was shot in Dublin, Ireland. Filming locations included Simon's Place, Dublin Airport, St. Stephen's Green, Dunnes Stores, and Mountjoy Square East.
A young widow discovers that her late husband has left her 10 messages intended to help ease her pain and start a new life.
Director Ron Howard tells the story of a young Irish immigrant couple who land in 1890s Boston, struggling to earn enough money to continue west for a wild and wooly Oklahoma land run.
Sparks fly in this breezy rom-com about rival lawyers hired to represent opposite sides in a celebrity divorce case.
Laws of Attraction was filmed at Humewood Castle in County Wicklow, Ireland along with spots in Dublin, Ireland and other local Irish spots.
The Irish Pub is a eulogy to the greatest institution in Irish society, the pub or more specifically the traditional Irish publicans who run them. The characters in this exceptionally endearing film all run and own pubs that have been in their families for generations and it is through their warmth, wit and wisdom that we gain an insight into the heart and soul of The Irish Pub.
More Irish Travel Tips
If these romantic movies set in Ireland have you eager to plan a trip of your own, don't miss the 20 books on Ireland to read before you go and this perfect 7 Days Ireland Itinerary!
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Wellington Regent Movie Theater
The newly remodeled Historic Regent Theater is the perfect place to see the latest movie in comfortable seating, share a birthday or special event and enjoy one of the many concession products we have to offer.
Adult admission is $8.00
Seniors over 65 admission is $6.00
Children under 11 admission is $6.00
All matinee admission is $6.00
Late shows are on Friday and Saturday nights at approximately 9:30 PM.
Please call the movie line 620-326-6843 for updated movies and show times.
We also offer birthday party packages. Please call the box office for pricing.
Business rate- $40 per month (includes two movie passes per month)
Wellington Regent Theater
114 W. Lincoln
Wellington, Kansas 67152
Follow us on twitter at www.twitter.com/regenttheater
or on Facebook at Wellington Regent.


After eating only potatoes for two weeks and documenting it, my extreme dieting made it into Wales Online.
The Article: http://www.walesonline.co.uk/news/what-happens-you-only-eat-13174499
The Film: https://www.youtube.com/watch?v=XhhMbAJks-A
Wales on Craic
Cardiff had an awful Christmas Tree, so I decided to fix it. The resulting film got into Wales on Craic, a Welsh parody Newspaper.
The Article: http://www.walesoncraic.com/video-local-man-solves-cardiffs-crap-christmas-tree-argument/
The Film: https://www.youtube.com/watch?v=Xoic1mTgaF0
Llantwit Major Gem
Letters home, the WWI film which can be watched on my homepage, won Cardiff International Film Festival's 'Best Welsh Short'. Which got us in the local paper!
The Article: http://www.llantwit-major-today.co.uk/article.cfm?id=116730&headline=World War One film drama wins award for Llantwit Major duo§ionIs=news&searchyear=2017
The Film: https://vimeo.com/172583931


I’m not the kind of person who cries at the movies, but watching Silence made me want to cry. This movie is not a family-friendly, feel-good faith movie. Nor is this a film with easy answers like many Christian films. It’s a compelling character study and teaches the audience about the necessity of the priesthood, the reality of martyrdom, and spiritual darkness. Although the story is based on a historical fiction novel, there are many truths within the movie that can be found in reality and I highly recommend this movie to those who want to understand these truths.
The Necessity of the Priesthood
During the first act of the film, Fr. Sebastio Rodrigues (Andrew Garfield) and Fr. Francisco Garrupe (Adam Driver) ministered to the villagers. They celebrated Mass and the sacraments of Baptism and Reconciliation. The villagers treated the two priests with great reverence and it was clear that they were starved in their faith.
The vocation of the priesthood comes with a lot of responsibilities that center around tending to people’s spiritual needs. A priest isn’t just someone who leads a religious service or performs marriages. He acts as a counselor, a confidant, and an advisor. Most priests will never marry, but there is a reason why Catholics call their priests “Father.”
It’s a great testament to Garfield and Driver that they can convey these characters so well that they feel like real people. Director Martin Scorsese conveyed the Mass and other sacraments shown in the film with a compelling reverence. You can get the sense that while the story is fictional, you can probably find evidence of the villagers’ devotion and priests who minister to the poor in real life.
The Reality of Martyrdom
Many warriors often see a great honor in dying for a cause. Fr. Rodrigues and Fr. Garrupe both thought that being a martyr would be a great thing. Silence shows that martyrdom is a brutal event. The villagers were willing to die to protect the priests and the ways in which they died or were tortured weren’t pretty.
The villains of this movie weren’t your standard, moustache-twirling devils incarnate that one may see in something from Pure Flix. The events of the film show that struggle between the priests and the Japanese authorities wasn’t a conflict of one religion against another, but one of xenophobia and a lack of cultural understanding from both sides.
Once again, there is a bit of truth hidden in this fictional conflict. The brutality of the way the villagers are killed off calls to mind the current events of Christians being beheaded by ISIS and the churches and holy sites destroyed in the midst of the many wars going on in the Middle East.
Fr. Rodrigues’s main struggle throughout the film is wondering whether God is really present in the silence. Although the film never says it out loud, Garfield portrayed Rodrigues as struggling with an intense spiritual darkness, a dark night of the soul. His struggle only got worse as he watched the people he ministered to suffer or face execution to defend him. It’s also implied that Fr. Rodrigues simply didn’t know how to cope with the darkness he struggled with and that eventually led to his tragic downfall.
Many people have this misconception that Christianity is just a feel-good thing. The reality, however, is that even people who have great faith or a strong belief system can struggle with darkness. It doesn’t mean that people who have faith are hypocrites. It just means that they are human, understand those who lack faith, and live out their lives following their faith regardless of how they feel.
I highly recommend that people see Silence to get a good view on these themes and to get some understanding on the struggles that are happening to Christians in the Middle East. I also hope that the film can give insight on the grittier sides of faith. Silence may not be a pretty movie or even based on a true story, but it’s grounded in a lot of realism that I think a lot of people can learn from.


Cinematography is an incredible storytelling tool. The ability to hear the words spoken on the wedding day, in addition to seeing the moments in motion will lend itself to reliving the most important day of your life over and over again.
All of our cinema collections include footage shot on the newest 4K cameras, aerial footage, and professional quality audio to tell the full story of your wedding day.
Cinematography begins at $2995
Cinema is currently only available to our photography clients of Michael Anthony Photography and Studio 23 Photography


On Tuesday evening September 25th we held our kick-off meet of our 5th season. The site, a beautiful photography studio in Irvington, NY. over looking the Hudson, hosted some 45 people with many new faces. This meet was a low key networking get together, and like other meets with a networking theme, had no guest speakers or agenda other than for people with an interest in Film to meet one another. Eugene Bellida, Jim Evans and Jon Kaplan provided refreshments. The overhead lights were kept low, and soft music played in the background throughout, presenting a conducive atmosphere for socializing. Among the attendees were feature film director Ethan Wiley, casting director Mary Crescenzo, cinematographer Bill Winters, Ossining's Maureen Redmond, Diane and Larry Karabiac, the latter of whom once again shot our informal stills, Diane Cricchio, the head of Irvington's TimeLine Films, as well as Mercy College's Dean Peter Slater. During the course of the evening we took a few minutes to address the group and talk a bit about the WFG. Announcements were also made regarding the Upstate Independents Film Group as well as the upcoming Putnam Film Festival. Our special thanks to our site host Jerry Errico as well as everyone who made this evening possible. We're happy to report that if you missed this meet, we're already planning our next one; a tour of the TV studio and a demonstration of Apple Computers Final Cut Pro editing software system at WCC (Westchester Community College) scheduled for November. Please e-mail us if you'd like to be put on our e-mailing list for this as well as other events or to have any questions about the group answered. We thank you for your interest in our group. We welcome your interest in The WFG and hope to see you at our next meet.


First look at Everyday, starring John Simm and Shirley Henderson. Official synopsis: Everyday tells the story of four children separated from their father, and a wife separated from her husband. The father, Ian (John Simm), is in prison. The mother, Karen, (Shirley Henderson) has to bring up a family of four children by herself. Filmed over a period of five years, Everyday uses the repetitions and rhythms of everyday life to explore how a family can survive a prolonged period apart.


Fleabag is a British comedy television series set in London. It was produced by Two Brothers Pictures for digital channel BBC Three and in a co-production agreement with Amazon Studios. The show premiered on 21 July 2016. Phoebe Waller-Bridge writes and stars as the main character, Fleabag, a young woman attempting to navigate modern life in London in the aftermath of trauma. There are two seasons of the show.
This show is adapted from Waller-Bridge's 2013 Edinburgh one-woman play of the same name which won the Fringe First Award. The initial idea of the character of Fleabag came from a challenge by a friend, where Waller-Bridge was tasked with creating a sketch for a 10-minute section in a stand-up storytelling night.
- Phoebe Waller-Bridge as Fleabag
- Hugh Skinner as Harry
- Sian Clifford as Claire
- Brett Gelman as Martin
- Bill Paterson as Dad
- Olivia Colman as Godmother
- Ben Aldridge as Arsehole Guy
- Jamie Demetriou as Bus Rodent
- Jenny Rainsford as Boo
- Hugh Dennis as Bank Manager
- Andrew Scott as The Priest
- Ray Fearon as Hot Misogynist
Waller-Bridge's sister composed the music and her mother appears in a cameo as the lecturer during the feminist talk in the first episode.
Distribution and broadcast
Following the initial release on BBC Three the series was broadcast on BBC Two between 21 August and 25 September 2016. It was picked up by the on-demand Amazon Video service and premiered in the United States on 16 September 2016.
Fleabag has received positive reviews. Metacritic gave it an 88 score, with Emily Nussbaum from The New Yorker calling it "a precision black-humor mechanism, a warped and affecting fable about one single woman’s existence." Mo Ryan at Variety calls it scathingly funny. Mike Hale in The New York Times praises the show for its "restless, almost feral energy and its slap-in-the-face attitude." Tim Goodman from The Hollywood Reporter sees the show as "heralding a very distinctive new voice on television." Alan Sepinwall from HitFix describes the show as "something achingly beautiful."


About the Camp
This is a one-week, half day showcase camp. Campers will work on basic acting, singing, and dance techniques through the lens of the colorful characters in Willy Wonka. They’ll learn songs, dances, and scenes from the movie, and work together to produce a 20-30 minute final product, focusing more on teamwork and theatre foundations than a high-pressure environment of a full-scale production. This camp is perfect for young performers just beginning their theatrical journey! No experience necessary!
About the Show
The delicious adventures experienced by Charlie Bucket on his visit to Willy Wonka’s mysterious chocolate factory light up the stage in this captivating adaptation of Roald Dahl’s fantastical tale. Featuring the enchanting songs from the 1971 film starring Gene Wilder, in addition to a host of fun new songs, Roald Dahl’s Willy Wonka KIDS is a scrumdidilyumptious musical guaranteed to delight everyone’s sweet tooth.
Roald Dahl’s Willy Wonka KIDS follows enigmatic candy manufacturer Willy Wonka as he stages a contest by hiding golden tickets in five of his scrumptious candy bars. Whomever comes up with these tickets will win a free tour of the Wonka factory, as well as a lifetime supply of candy. Four of the five winning children are insufferable brats, but the fifth is a likeable young lad named Charlie Bucket, who takes the tour in the company of his equally amiable grandfather. The children must learn to follow Mr. Wonka’s rules in the factory — or suffer the consequences.


16. Fight Club (Fincher, 1999)
I know, I know, this is probably overrated. It's also one of the most impressively flashy, stylish and brash pieces of film making I know. from the credit sequence/opening shot zooming out from the main character's brain to the barrel of a gun to the endless quotability. It's a walking contradiction, but aware of it: it pretends to criticize consumerism and the pursuit of gadgets and "cool", but it's desperately cool and consumerist itself. Most of all, it's a film that remains exciting even on a fifth viewing, and I do believe it will still be watched thirty years from now.
17. Double Indemnity (Wilder, 1944)
All the upcoming starlets in skimpy outfits can't compete in sheer sexiness with Barbara Stanwick's ankle bracelet. This is noir at it's purest, and Stanwick plays the femme fatale to a hilt: dangerous, seductive, and ultimately so much more interesting than the man she seduces. Edward G. Robinson is also amazing here, and an integral part of the triangle. The main couple sizzles and the lines are unforgettable. Most of all, it satisfies one criterion: I can't think of anything that could possibly be improved.
18. Bonnie and Clyde (Penn, 1967)
40 years ago today, this movie revolutionized movies. It isn't the violence - which was revolutionary and much protested against at the time - that makes this movie unforgettable though, even if the final scene burns itself into your brain. No, it's Faye Dunaway as she looks down onto Warren Beatty stealing her car; it's how Clyde's hat sits on his head; it's Bonnie writing their poem. It's unforgettable because it's so stylish and mythical, and because when their bodies seize, hit by a dozen bullets, it takes your breath away.
19. Sunset Boulevard (Wilder, 1950)
Typically this film is filed under "noir", and it has many of the elements to qualify: a smart-aleck voice-over, a cynical main character, and no happy ending in sight. It owes almost just as much to the gothic genre, however, from the death of the monkey to the sinister butler, played by director Erich von Stroheim, and most of all in the tragically comic role of Norma Desmond. Gloria Swanson plays her as if she's still in a silent movie, all exaggerated gestures and extreme facial expressions, and in the end, you can't help but feeling for this doomed, crazy clown, and despise William Holden for mocking her so much.
20. Ed Wood (Burton, 1994)
It wasn't until I watched Glen or Glenda that I realized how much Burton had done Ed Wood justice. It is a terrible movie, but it's terrible in such an intriguing and original way that I understand why Burton wanted to make a film about the maker. He doesn't make apologies; he doesn't try to pass Wood off as some misunderstood genius. He does however show so much understanding and affection for his character that you're happy to go along with his adventures. Of course, it doesn't hurt that Ed Wood is played by the ultimate lovable weirdo Johnny Depp, who's rarely been better, or that Martin Landau portrays Belo Lugosi - another tragic figure in the movies - so formidably.
Next time: another noir, another maybe-overrated flashy picture, one movie that recently gained some significance, and one movie which would make Sam - who's leaving Filmspotting, I'm heartbroken - very happy.
16. Fight Club (Fincher, 1999)


Don’t you love it when a plan comes together? Last August, my friends and I had a brainwave, and decided to book a little January treat for ourselves. We each invited a few friends, and before we knew it there were over twenty of us booked on a night out to see Dirty Dancing in the Grand Canal Theatre, Dublin. Best of all, we paid for the tickets in October, knowing that January can be a cash-strapped month at the best of times. By the time our night out rolled around, it almost felt like a free night out, it had been so long since we’d paid up!
I’d never been to the Grand Canal Theatre before, so I was excited to see the theatre as much as the show. Inside it’s smaller than I imagined, but it’s a great size for a stage show. We had really good seats (thanks Carol – great choice!), but looking around, it seemed as though there wasn’t a bad seat in the house.
Dirty Dancing was a little different to my previous musical experiences. With most musicals, you do tend to get a higher proportion of women to men in the audience. But in this case, men don’t seem to get a look in at all. I’d estimate there were AT LEAST twenty women for every man in the place – and I’m counting the men who worked there! 🙂
It’s probably also a little inaccurate for me to refer to Dirty Dancing as a musical. It’s not really. There’s music in it alright, but really, it’s the movie brought to stage. I was delighted about that. I hadn’t been too sure what to expect – would it be the soundtrack of the movie and some great dance scenes? Would it be a new storyline loosely based on the movie? Thankfully, it was neither of those things – it was the movie faithfully replicated on stage. Well as faithfully as possible anyway – you didn’t really expect them to build a lake onstage did you?!
All of the key roles were well cast. I thought Baby and Penny (Oh my God – how long were her legs???) were both great. I found it a bit more difficult to suspend my disbelief for Johnny. After all, Patrick Swayze immortalised that role. I have a hard time imagining anyone else playing it quite so well.
I think Dirty Dancing – the Stage Show – is dependent on you having seen (and loved) the movie. One of my friends isn’t from Ireland originally, and she hadn’t seen the movie before going to the show, and while she had no problem following the storyline on stage, she said afterwards that she found it a bit offputting that the audience were laughing BEFORE the action on stage. And we were! When Baby utters the words “I carried a watermelon”, half of the audience was saying it with her! But to me that was half the magic of the show.
So if you were a fan of Dirty Dancing back in your teenage years (or more recently!), and you haven’t seen the stage show yet, you should check it out. I promise you won’t be disappointed! It’ll make you feel 16 again! 🙂


The second of my case studies is the Hollywood film ‘The Pink Panther 2’ starring Bollywood actress Aishwarya Rai. Rai portrays the role of Sonia, a researcher and criminology expert from India who is part of the Dream Team comprising of international detectives brought together to capture the master thief The Tornado. She is exposed to be the culprit at the end of the film. Her most direct opposite male lead is Steve Martin.
Being the only woman to form the Dream Team, it is pretty obvious that there is an element of ‘exoticness’ attached to her character who is from India. She is portrayed as being aware of her attractiveness and uses it to her advantage many times in the film (especially in the scenes immediately preceding the climax, when she thinks that no-one will suspect her to be the thief because she’s so good-looking and she thinks she can just walk away from the situation). There is a dispute as to whether she is the female lead of the film (the other female actor being Emily Mortimer), as she is not explicitly the romantic interest of the male lead of the film.
I wonder how much can be read into the fact that her role was so small. As with previous Pink Panther films (most notably those starring Peter Sellers), the focus has been on the bumbling antics of Inspector Jacques Clouseau. The supporting characters are rarely ever fully developed and most often do not get the same screen time as the protagonist. I find it bemusing, however, that her profession is alluded to (criminology expert and researcher) but she is never really shown practicing her skills. She doesn’t really serve any particular purpose till the very end of the film, when she is exposed as the culprit. There aren’t other women of color in the film, so drawing a comparison isn’t a possibility. The other character of color is an Asian male, but like I said earlier, the supporting characters in this film franchise are rarely ever developed to the stage that their characteristics could be discussed.
Also, the fact that she is the only female member of this international ‘Dream Team’ that has been formed to catch a thief whose notoriety is known all over the world, is worth mentioning. The representation of countries is woefully inept and like I said earlier, Sonia is the only female representative and barring her and the other Asian male character, all the actors in the film are Caucasians. For a film that has its basic premise in being international, it does a poor job of visually representing that global ethnic makeup. It boils down to Hollywood’s favorite notion that it takes a White man (in this case, even a bumbling nitwit) to save the day. As Sonia’s character only makes fleeting appearances in the film, this movie is not exactly the best benchmark to measure the change such roles have undergone over the decades. The character answers most of the questions mentioned in the criteria, but as the role isn’t fully formed, it would not be an accurate marker. At best, this role can be an add-on to the other case studies and help prepare a sample for a comparative analysis with films from earlier decades.


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elena, 20. I like movies, tv shows and photoshop
The Hobbit: The Battle of the Five Armies (2014) Dir.: Peter Jackson
Get to know me meme: [3/?] movies → The Lord of the Rings Trilogy (2001-2003)
"Your time will come. You will face the same Evil, and you will defeat it."
Things are different now, I have to protect the one thing that I can’t live without. That’s you.
Chris Pratt interrupts the interview to french braid intern’s hair x
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Young Avengers (2013) #2


Professor Mark Leith,
Clinical in the Department of Psychiatry
Mark has been with the University since the early ’80s.
What do you do off the clock?
I love theatre. I’m part of Act II Studio, a program affiliated with Ryerson University. I have been in the program for two years now and, during this time, I have written Dinner with Goebbels, a play about the human mythology of evil and modern marketing of warfare. The production is based on a fictional dinner between Dr. Joseph Goebbels, the minister of propaganda in Nazi Germany, Edward Bernays, Sigmund Freud’s nephew and the founder of public relations, and Karl Rove, George W. Bush’s former PR consultant.
Why did you choose to write a play like this one?
I have always been interested in the psychology of what drives men to go to war. Having written many articles about this topic over the course of my career, I wanted to focus my play on the modern marketing of war.
I became interested in Edward Bernays when I discovered that Dr. Goebbels had used Bernays’ books in his work to promote the Holocaust and the invasion of Europe.
Through my research I also learned that Karl Rove drew on Bernays’ ideas to ‘up the invasion’ of Iraq and create the current war on terror.
Playwriting seems totally different than psychotherapy. What is the common thread?
Theatre, like psychotherapy, is based on a narrative. Both come from the human capacity for storytelling.
What, or who, inspires your work?
I grew up during the Vietnam War and, even as a child, questioned the institution of war. I’m part of Physicians for Global Survival Canada, an advocacy group committed to the abolition of nuclear weapons and non-violent conflict resolution. I have been able to combine my passion for anti-war activism with my love of theatre in writing, and being involved in the production of, Dinner with Goebbels.


On August 16, we will release our very first digital-only film score to the cool Ken Kesey documentary Magic Trip: Ken Kesey’s Search For A Kool Place. The score is by David Kahne and some of the tracks include spoken word passages by Kesey himself. It’s a great jazzy, psychedelic sountrack and we hope you check it out! The documentary is in theaters starting August 5. Check out the official website for info, trailer and theater locations.


Box Office collection of Badhai Ho , film rakes Rs 31.46 cr in three days I Mankind News
The coming-of-age tale of Badhaai Ho I Mankind News
Badhaai Ho, Amit Sharma's quirky yet poignant take on untimely pregnancy, raked Rs 12.50 crores on the third day of its release, and currently stands at Rs 31.46 crores. It is also expected that the film will be earning a gross total of Rs 45 crores by the end of 21 October.
, featuring a stellar ensemble cast including Neena Gupta, Gajraj Rao, Ayushmann Khurrana, Sanya Malhotra and Surekha Sikri, hit the screens on Thursday and amassed Rs 7.29 crore on its opening day. Trade analysts had estimated that the film, which had a 'flying start' would pick up its numbers during the weekend owing to its unconventional premise and treatment.
The film received unanimous praise from critics and audience alike for its subject matter and its comic rendition. The coming-of-age tale of Badhaai Ho, traces the journey of a family, as they try to accept and acknowledge the news of a "chhota mehmaan" coming into their household.


ONLINE TICKET SALES HAVE ENDED BUT TICKETS WILL BE AVAILABLE THE NIGHT OF THE PREMIERE! SEE YOU THERE!!
ABOUT THE MOVIE:
In the morning hours of Oct. 6, 2009, an intruder broke into the Milwaukee-area home of recent high school graduate Ashleigh Love, walked to her bedroom, and shot her to death while she was sleeping.
LETTERS TO ASHLEIGH gives audiences a glimpse at a family that has been hit with an unimaginable tragedy, but still found a way to persevere with their heads held high. During the film, the family reads letters they received in the days and weeks following Ashleigh's death; first from close family and friends, and then total strangers from around the country who heard about the story. This short documentary shows how one girl's death inspired an entire community to make a change.
The event will be held on August 9, 2014. Screening starts at 7:00 PM. Please come early to walk the red carpet (which starts at 6:30 PM) and get your picture taken! After the film, there will be a special Q&A with the director and members of the cast. There will also be entertainment by some surprise guests!
TICKETS WILL INCREASE TO $15.00 AT THE DOOR. BUY NOW AND SAVE!
SPECIAL NOTE: Proceeds from the premiere will go to Ashleigh's family in order to help them to continue to spread the word about Ashleigh's story in an effort to bring the perpetrator of Ashleigh's senseless murder to justice. Please help in supporting a great cause!
MARCUS MAJESTIC CINEMA (View)
770 N Springdale Road
Brookfield, WI 53186


|Evan Soloff became interested in film making at a very young age. He enjoyed photography and making student films. He became active in the wedding industry in 2002 when he began shooting and editing for an established video production company.
Before getting into the film industry, Evan studied and worked as a graphic designer, helping him fine tune his artistic integrity. He has regularly attended many WEVA expos and other educational seminars. Gaining knowledge in the industry and applying it to his work.
After getting married in 2011, he started Soloffilms. Evan has shot and edited everything from weddings and bar/bat mitzvahs, to charity and sporting events and even feature films. He has filmed in locations through out the country and down to the Caribbean.


Youth & Pre-Professional Productions
Follow our pathway to Broadway.
For younger artists, our Dr. Phillips Center's youth theater camps offer an exciting and rewarding way to explore acting, singing and dancing as we all work together to put on a show.
Plus, high school and college-age actors have the chance to be part of our full-scale pre-professional productions—where we cover character development, blocking, choreography and vocal rehearsals, on top of tech rehearsals combining lighting and sound elements.
Here at the Dr. Phillips Center, we celebrate diversity and are committed to creating an inclusive environment—so we encourage actors of all races and ethnicities to audition for any role. Just keep an eye on our site for upcoming productions.
Photography by Carrey Sheffield


One Secret Of An Unforgettable Story
by Nick Smith
Recognize any of these images?
- Boys walking along a railroad track
- A giant gorilla perched on a skyscraper
- A ferocious shark emerging from the sea
- A man and a woman on a fog-strewn
airfield, with a plane about to depart
These movie images are so well-known that
they've been remembered, imitated and spoofed for decades. But for
filmmakers, finding one essential image can make the difference between a
plodding, unfocussed film and a piece of iconic cinema.
Artist Saul Bass was commissioned to create
posters for some of the world's greatest filmmakers, including Otto
Preminger and Alfred Hitchcock.
His work on The Man with the Golden Arm was
incorporated into the opening credits, but no matter how complex his designs
became, he still liked to concentrate on one core image.
For that movie, it was a crooked, grasping
For Vertigo, he depicted a silhouetted,
faceless man caught in a swirling spiral.
Two dancers on a fire escape summed up West
Bass was appealing to something primal in
his audience. He knew the emotional and psychological effect a
straightforward illustration could have, and he also took the disparate
elements of a movie, stripped away the inessentials and found a focus.
If your story doesn't have a core image,
Conjure an image in your mind, a glimpse of
a scene - two people arguing, a boxing match, a romantic boat ride, anything
that sums up your movie in one simple vignette. It could be a goal that your
character dreams of, works towards and fights for.
Try to create that image faithfully on the
page, and you'll be able to build on it, scene by scene.
By going through Bass' process of
simplification and focus, you'll remind yourself of what really drives your
What's your image?
If you see a hero, then your screenplay's
If you see a narrative twist, then maybe
If you see a place, then maybe the setting
has a life of its own, like a character unto itself.
Whatever your image, stick with it, use it
and consider its meaning. No matter how innocuous it might seem, it will
help to anchor your story, rooting it in a reality that you create.
About the Author
For your free screenwriting starter kit,
Copyright (c) ScreenwritingInsider.com.
Reprinting this article is permitted with this footer included.


Do you remember last year when there were reports of George Lucas scouting new Star Warsfilming locations in Belfast, and we said that was silly and he was probably just popping along to visit the Game of Thrones set?
Well, it turns out that he was just popping along to visit the Game of Thrones set. Not saying we have Force visions, but we’re not saying we don’t…
As reported by Entertainment Weekly, the bearded one wasn’t just there to remind himself what a physical set looks like, but to chat to showrunners David Benioff and DB Weiss.
The duo were announced last year to be working on a new Star Wars trilogy and although they didn’t give much away, Weiss did joke: “We feel we’re not quite hated enough already by people we don’t know.”
Although a Knights of the Old Republic trilogy has been rumoured, Weiss quipped: “Our Captain Phasma origin story is going to blow people away.”
Ser Davos Seaworth actor Liam Cunningham gave a bit more away, all while having a dig at Disney’s Star Wars films. He said: “It’s funny because George came here and talked to the boys, and the one thing the Star Wars franchise has been missing lately is decent storytelling.
“There’s a lot of brilliant stuff in Star Wars, it’s an epic franchise, but occasionally, story-wise, it’s left a little to be desired.
“Dan and David are brilliant at surprises and can transfer the demographic from this show to that. They’re incredible at adapting a world and making it their own and they could add a layer of complexity to it.
“I’d love it if they gave me some words to say, though I’d probably just be in a helmet.”
If you want to be cast in one of Disney’s Star Wars movie, maybe don’t give them some backhanded compliments. It works for Mark Hamill, but he’s part of the furniture.
The concluding part of the new trilogy, Episode IX, will be released on December 19 in the UK and December 20 in the US.
Game of Thrones season 8 will premiere on April 14, 2019


Dare Music: The Musical #4!
Tue 20th Mar 2018 - 5:18pm
This musical was great to watch! I would love to see the musical of the
on this site, as well. I think that would be quite successful and you may know why I think that.
Mon 16th Apr 2018 - 3:30pm
These videos are the worst in things that we are looking at
custom essay canada
and we need to make something out of it. It will only help us then and there.
Mon 7th May 2018 - 7:59pm
I love to watch musicals, and this was a great one. I have watched previos parts as well on my friend's
. This musical is very interesting, and the actors have put a ton of effort.
to post comments


Hi, I’m Kayleigh! I’m an English and Law Tutor, and also a writer, editor, photographer and recent Criminal Justice and Criminology graduate. I offer online lessons to students of all levels.
I am a writer, editor, avid reader and theatre-goer. I recently graduated with a 1st in Criminal Justice and Criminology from the University of Leeds, so I particularly love the Donmar Shakespeare Trilogy which staged Julius Caesar, Henry IV and The Tempest in a women’s prison setting. I’m also an RSC Subscriber and have been enjoying their Talking Shakespeare events during lockdown.
I have experience mentoring as a Reading Partner (AQA Unit Award Scheme), and providing feedback on creative writing as an editor for an online literary magazine. In my spare time, I love to write and have been published by a number of lit mags and journals.
I’m also currently a tutor on the MyTutor Schools Programme, where I provide one-to-one online tuition to school students via the MyTutor platform as part of their formal education. In this role, I teach KS3 English, GCSE English Literature & Language, and A Level Law. This also means that I have a full Enhanced DBS Check!
I offer one-to-one online English lessons for KS3 and GCSE students via Skype or Zoom. My favourite topics to teach are creative writing, approaches to unseen poetry, and Shakespeare. I have a BA degree in Criminal Justice and Criminology, so I am also available to tutor Criminal Law up to A Level and Criminology to degree level.
Our first session will be about getting to know each other and tailoring our future sessions to suit your needs and your learning style. Sessions can range from discussing and developing ideas to structuring essays, practising creative writing and working through past papers. I also enjoy preparing and making tailored PDF resources for my students!
Reading Shakespeare is something I know many students struggle with, so I’ve developed some approaches to help understand his tricky and unfamiliar language. Shakespeare wrote his plays to be performed by actors and watched by audiences, so I believe that watching performances as well as listening to actors’ thoughts about their characters and the play can be extremely helpful ways to learn. It’s also a great “way in” to Shakespeare if your favourite actor has performed the play you’re studying!
Graduated July 2020 with First Class Honours.


It's time to take a look at the highest grossing films in cinemas. This is the box office countdown.
Black Panther (2018) is still ruling the box office as its popularity doesn't seem to have an end!
Black Panther (2018) is Marvel's latest superhero flick about T'Challa, the King of Wakanda. He rises to the throne in the isolated, technologically advanced African nation, but his claim is challenged by a vengeful outsider who was a childhood victim of T'Challa father's mistake.
Black Panther (2018) was directed and written by Ryan Coogler, and it features some of the hottest actresses and actors: Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Forest Whitaker...
Pacific Rim Uprising (2018) tells the story of Jake Pentecost who reunites with his father's old battle-friend to lead a new generation of big robot pilots, against a new monster threat.
Directed and written by Steven S. DeKnight, Pacific Rim Uprising (2018) is sweeping the box office with star cast: John Boyega, Scott Eastwood, Cailee Spaeny, Burn Gorman, Charlie Day...
Find out more about other box office hit movies, and click on the video above!


Spongebob Squarepants: Atlantis Squarepantis
Atlantis SquarePantis is the first TV movie of SpongeBob SquarePants. The gang all travel to the ancient city of Atlantis were there adventure starts. There they meet Lord Royal Highness, who takes them on the grand tour. During the movie, Mr. Krabs buries his pockets with gold, Plankton tries to take over, and Spongebob and Patrick pop the treasure of Atlantis.
 Release Information
US: November 12, 2007
UK: October 31, 2008
- Tom Kenny as SpongeBob, Fish#1, Young Mermaid Man
- Bill Faggerbakke as Patrick, Atlanteans
- Rodger Bumpass as Squidward
- Carolyn Lawrence as Sandy
- Dee Bradley Baker as Old Man Jenkins, Fish #2
- Jill Talley as Girl
- Lori Alan as Pearl
- Mr. Lawrence as Plankton, Tiki
- Brian Doyle Murray as The Flying Dutchman
This page has been accessed 1,409 times.


Sometimes chasing rabbits makes for the best learning. Last week we finished the first Narnia book, The Magician’s Nephew and then watched the Lion, the Witch, and the Wardrobe movie. The opening scene of the movie takes place in London during World War II. My kids asked questions about what was happening as the children were being evacuated. This week we are exploring some of life during WWII. We are reading Anne Frank, Attack on Pearl Harbor- an Interactive History Adventure (the kind of book where you choose what action to take and turn to the designated page), Growing up in World War II.