Red Carpet in Florence for the world premiere of Inferno movie. An evening gala for the cinema and for the city of Florence. Here we saw the first screening of the Ron Howard film that has taken the plot of the famous bestseller Inferno book by Dan Brown.
On the red carpet
world premiere of Inferno movie was present all the cast of the film, led by the famous American actor Tom Hanks
. Hollywood stars were present at the event as well as many Italian VIPs, including the same Premier Renzi.
The world premiere of Inferno was held in the Opera House in Florence, where normally happens the famous Maggio Musicale Fiorentino. The complex opened in 2014 and has taken the place of the old municipal theater that is located nearby.
The screening of the Inferno movie was opened with Tuscan specialties to start with. It was met with great enthusiasm among American actors and Tom Hanks specifically requested his favorite Tuscan soup Ribollita.
Like all the other movies that are based on the stories by Dan Brown (Angels & Demons, The Da Vinci Code) also The Inferno movie will have a great success, in Florence were organized suggestive Inferno tour
to visit the sites and palaces that are It was used during the filming of the movie.


Published December 2003 by Costume & Fashion Press .
Written in EnglishRead online
|The Physical Object|
|Number of Pages||308|
Download Richard III: The Tragedy of Richard the Third
KING RICHARD III Lo, at their births good stars were opposite. QUEEN ELIZABETH No, to their lives bad friends were contrary. KING RICHARD III All unavoided is the doom of destiny. QUEEN ELIZABETH True, when avoided grace makes destiny: My babes were destined to a Richard III: The Tragedy of Richard the Third book death, If grace had bless'd thee with a fairer life.
KING RICHARD III. There are ten history plays: Parts 1, 2, and 3 of Henry VI, Henry IV, Parts 1 and 2, Henry V, Richard II, Richard III, King John, and Henry VIII. He received most of his information and plot ideas from one book, Holinshed's Chronicles of England, Scotland, and Ireland.
The central theme of the history plays is the gain and loss of power, and /5(). Richard III is a history play by William Shakespeare, believed to have been written in approximately It depicts the Machiavellian rise to power and. Richard III = The Tragedy of King Richard the Third (Wars of the Roses #8), William Shakespeare Richard III is a historical play by William Shakespeare, believed to have been written in approximately It depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England/5(K).
Richard III is a play by William Shakespeare that was first performed in Read a Plot Overview of the entire play or a scene by scene Summary and Analysis. See a complete list of the characters in Richard III and in-depth analyses of Richard III, The Princes, and Margaret.
Here's where you'll find analysis about the play as a whole. Using his intelligence and his skills of deception and political manipulation, Richard begins his campaign for the throne. He manipulates a noblewoman, Lady Anne, into marrying him—even though she knows that he murdered her first husband.
He has his own older brother, Clarence, executed, and shifts the burden of guilt onto his sick older. King Richard III Note: World Library Language: English: LoC Class: PR: Language and Literatures: English literature: Subject: Great Britain -- Kings and rulers -- Drama Subject: Richard III, King of England, -- Drama Subject: Tragedies Subject: Historical drama Subject: Great Britain -- History -- Richard III, -- Drama.
“Macbeth”, however, is normally classified as a tragedy and “Richard III” as a history play, even though it was originally published under the title “The Most Tragicall History of King Richard III”. The reason, I think, is the difference between the ways in which the two protagonists are presented/5(5).
Richard III ends like every other Shakespearean tragedy – there's some major bloodshed and our hero/protagonist goes down pretty hard during the Battle of Bosworth Field. But even though the final act of the play is a "tragic" ending for Richard, it's a glorious new beginning for England – thanks to Richmond/King Henry VII, who defeats Richard in battle (Stage Direction, Act 5, Scene 8).
Richard III is an early history play probably written and performed around It is the culmination of Shakespeare's earlier three plays about Henry VI, and chronicles the bloody career of.
Richard III generated a great deal of interest both during and after Shakespeare's lifetime. It was published in quarto at least five times after being performed in Richard Burbage first played Richard the Third and made the "poisonous bunchbacked toad" () into one of.
Shakespeare's tragedy of King Richard the Third. New York ; Cincinnati: American Book Co., © (OCoLC) Named Person: Richard, King of England; Richard, King of England: Document Type: Book: All Authors / Contributors: William Shakespeare; W J Rolfe.
The authors join us in just a moment." Listen to the broadcast and check out an excerpt from the book. Richard III: An Arab Tragedy An NPR All Things Considered recording about a modernized take on Richard III. Images. Richard Cartoon A cartoon of Richard caught in negotiations with his horse.
Richard III's royal coat of arms. Note the boar. The Tragedy of Richard the Third Part 2 by William Shakespeare presented by Denton Community Theatre, November The anonymous history play, The True Tragedy of Richard the Third, printed inhas occasionally been cited as a source for Shakespeare’s Richard III, printed inalso Tragedy was not printed again untiland was not commented on at length untilwhen G.
Churchill found sufficient parallels between the two plays to assert that Shakespeare took incidents. NEW: Listen to a free audio recording of Richard III through July 1, In Richard III, Shakespeare invites us on a moral play draws us to identify with Richard and his fantasy of total control of self and domination of others.
Not yet king at the start of the play, Richard presents himself as an enterprising villain as he successfully plans to dispose of his brother Clarence. Buckingham, now Richard's "second self," promises to separate the prince from the queen's kindred.
Lord Rivers, Lord Grey, and Sir Thomas Vaughan are imprisoned by Richard and are executed. The frightened queen seeks sanctuary for her son. With a great display of courtesy and devotion, Richard has Prince Edward and his brother lodged in the Tower.
The True Tragedy of Richard III is an anonymous Elizabethan history play on the subject of Richard III of has attracted the attention of scholars of English Renaissance drama principally for the question of its relationship with William Shakespeare’s Richard III.
The title spelling that appears on the cover page of the quarto is The True Tragedie of Richard the third. Richard III is a historical play by William Shakespeare believed to have been written around It depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England. The play is grouped among the histories in the First Folio and is 4/4(25).
The personal prayer book of King Richard III — in which the English king likely scrawled a reminder of his birthday in his own hand — is now available to peruse online. Essays for Richard III. Richard III literature essays are academic essays for citation.
These papers were written primarily by students and provide critical analysis of Richard III. Kingship As a Means Or An End in Shakespeare's King Richard II and King Richard III.
Shakespeare's Tragedy of King Richard III. Contributor Names Shakespeare, William, Booth, Edwin, Winter, William,ed. John. The Tragedy of King Richard the Third (Book): Shakespeare, William: The acclaimed Pelican Shakespeare series edition of Richard III edited by A.
Braunmuller and Stephen Orgel. Coming to PBS in a Great Performances production starring Benedict Cumberbatch and Dame Judi Dench in December The legendary Pelican Shakespeare series features authoritative and meticulously researched.
richard, duke of york. brothers to the king. george, duke of clarence richard, duke of gloster, afterwards king richard iii a young son of clarence henry, earl of richmond, afterwards king henry vii cardinal bourchier, archbishop of canterbury thomas rotherham, archbishop of york john morton, bishop of ely duke of buckingham duke of norfolk.
The Tragedy of King Richard the Third William Shakespeare CONTENTS: Bibliographic Record Dramatis Personæ: LONDON: OXFORD UNIVERSITY PRESS, NEW YORK:Act I Scene I Scene II Scene III Scene IV Act II Scene I Scene II Scene III Scene IV Act III Scene I Scene II Scene III Scene IV Scene V Scene VI Scene VII Act IV Scene I.
RICHARD III. 87 My stay is bought with hazard of my life,) Prepare thy battle early in the morning, (For so the season of affairs requires,) And this be sure of, I, upon the first Occasion offer'd, will deceive some eyes, And aid thee in this doubtful shock of arms: In which I had more forward been, ere this, But that the life of thy young.
Richard the Third is one of the most well loved Shakespeare can’t turn away from the cunning, machiavellian Richard the Third. The role has been taken up by many of the greatest actors of all time from Laurence Olivier to Ian McKellen and is still put on around the world.
About Richard III. Shakespeare's Richard III covers events in the latter years of the Wars of the Roses — that is, from the attainder and execution of George, Duke of Clarence, into the defeat of Richard III at Bosworth Field in That war, a prolonged, intermittent conflict between the two noble houses of Lancaster and York which began inwas closer to Shakespeare and his.
The Tragedy of King Richard the Third III Summary by Michael McGoodwin, prepared William Hogarth: David Garrick as Richard III, (Detail) Richard is seen to be in devotions with the two reverend fathers and a prayer book in his hands--B.
praises his piety to the citizens. entreats Richard to interrupt his devotions to meet with. King Richard III Play. Richard the Third takes up the action from Henry VI, Part Three.
Edward IV has grown ill, and will not live much longer. Richard III (the Duke of Gloucester) still has his eye on the throne even though his brother, Edward IV occcupies it. Richard III: An Arab Tragedy represents Sulayman Al-Bassam’s fourth Shakespearean experiment, and the third Shakespeare play he has adapted.
Prior to his work on Richard III, he had written and produced an experimental improvisation on Macbeth, and three different versions of Hamlet. Until recently, the popular opinion of King Richard III [King Richard the Third] was that he was an evil hunchback who killed two little boys, brought an end to the era of the House of York, and brought about the glory of the Tudor family.
Much of his reputed evil deeds comes from William Shakespeare’s play, The Tragedy of Richard III. With. Activities A 1) Book review: You have just read the Tragedy of Richard III a play by William Shakespeare.
Now write an essay about the play. Include the following information: the time it was written; the main characters; the plot; the themes and your opinion.
The tragedy of Richard III is a play that William. Find many great new & used options and get the best deals for The Shakespeare Folios: Richard III: The Tragedy of Richard the Third by William Shakespeare (, Paperback) at the best online prices at eBay.
Free shipping for many products. Richard III remains firmly bound by the strictures of propaganda and the historical play, never allowed – through no fault of the author – to become a true tragedy. And with modern historians willing to rehabilitate Richard, it loses some utility as a historical play too.4/5(65).
The Oxford Shakespeare: The Tragedy of King Richard III John Jowett (ed.) Publisher: Oxford University Press; The Oxford Shakespeare: The Tragedy of Anthony and Cleopatra. Michael Neill () Close section The Tragedy of King Richard the Third.
THE PERSONS OF THE PLAY Close section End Matter APPENDIX A. At the start of Shakespeare's historical drama Richard III, England is at peace following a long and bloody war between the royal families of York and Edward IV has led the Yorks to.
The Daughter of Time by Josephine Tey (bookwoman) bookwoman This is a mystery involving Richard III and the two princes in the tower, and seems to have garnered a bit of 's a great read on its own, and would make a great companion read to Shakespeare's Richard III.4/5(65).
David Garrett as Richard III by William Hogarth (oil) - >Author: Tom Kmetz. King Richard III: a tragedy, in five acts: as performed at the New-York theatreD. Longworth, at the Dramatic Repository, Shakespeare-Gallery Microform in English.
"NOW IS THE WINTER OF OUR DISCONTENT": SHAKESPEARE'S RICHARD III, EXTRACTED FROM THE SECOND FOLIO,SPLENDIDLY BOUND.
SHAKESPEARE. The Tragedy of Richard the Third: with the Landing of Earle Richmond, and the Battell at Bosworth Field. [London: Tho. Cotes for Robert Allot, ].Richard III (Duke of Gloucester). Her husband, knave: wouldst thou betray me?
Sir Robert Brakenbury. I beseech your grace to pardon me, and withal Forbear your conference with the noble duke. George Plantagenet (Duke of Clarence). We know thy charge, Brakenbury, and will obey. ; Richard III (Duke of Gloucester).
We are the queen's abjects.The Tragedy of Richard the Third (a History) - the 2nd longest Shakespeare play by number of lines () - Note that Richard III is the Duke of Gloucester.


I’d like to hear from more of you. So, SPEAK UP! Don’t be shy. I’m completely harmless.
(Well… maybe not completely.)
I promise I won’t bite.
(Unless you ask me to.)
I’m really hoping the episode gives me an excuse to use this .gif:
Tonight is going to be a night we’ll never forget.
We’re going to go all out.
We’re going to paint this town every shade of red.
We’re not going to slow down.
No holds barred (whatever that means.)
No rules. No regulations.
We’re going to celebrate our lives.
We’re going to change the world.
No one ever remembers the nights when you have plenty of sleep.
We are going to live forever.
Just remember to breathe! (But DON’T BLINK!) It’s Doctor Who after all. It’ll have it’s ups and downs… but in the end, it’s always…
Thanks! I like your blog too! Even with all of the crazy anime stuff! (I enjoy some anime myslef, but I’ve kind of fallen out of it over the years. I still watch Cowboy Bebop from time to time, and I own all of Evangelion, Trigun, Berserk, Hellsing, and Escaflowne, plus all the essential movies like Akira and Ghost in the Shell and some Miyazaki stuff. Unfortunately a lot of it is just gathering dust at this point.) Most of the new stuff these days though….
Fantastic! How are you? Love the blog. I’m a huge fan of Doctor Who as well, and if I had my way I’d grow up to be a Han Solo/Mal Reynolds kind of starship captain


Earth Trust is delighted to welcome back The HandleBards, the world’s first cycling theatre company! Since 2013, their two troupes (one all-male, the other all-female) have pedalled over 6000 miles across the UK to perform their unique brand of “charmingly chaotic, environmentally sustainable, bicycle-powered Shakespeare”.
Enjoy the boys troupe performing Twelfth Night on Friday 29th June and/or join us for the girls performance of Romeo & Juliet on Tuesday 17th July (discounts available when booking for both plays).
Join the all-male troupe in the beautiful gardens of the Earth Trust Centre, at the foot of the Wittenham Clumps, for their interpretation of Twelfth Night. Bring a picnic and settle down for an evening of “gloriously eccentric” outdoor theatre. Light refreshments will be available.
For those not familiar with the play…
Duke Orsino is in love with lady Olivia, but she won’t have anything to do with suitors. Viola is shipwrecked and believes her twin brother Sebastian to be dead. She pretends to be a boy and becomes a servant to Orsino. Olivia falls in love with Viola, believing her to be a boy, whilst Viola falls in love with Orsino. Then Viola’s twin turns up…
Meanwhile, Sir Toby Belch (Olivia’s uncle), Sir Andrew Aguecheek (his friend), Maria (a maid) and Feste (a jester) plot to make a fool out of the pompous Malvolio (Olivia’s head steward).
In usual HandleBards style, we can expect riotous amounts of energy, a fair old whack of chaos, and a great deal of laughter!


This explores the historical value of historically-themed feature films, television dramas, and documentaries, particularly, but not exclusively, in an Irish context. Historically-themed feature films, television dramas and documentaries will be viewed and analysed with a view to assessing their contributions to historical understanding. The limitations of these forms will be also be explored. They will be examined under four main thematic headings: political history; social history; military history; cultural history. Irish-made and Irish–themed productions will form the majority, but significant international films, series and documentaries will also be featured. A number of documentary and feature film directors and writers will participate occasionally.
Module coordinator: Dr Donal O’Drisceoil.


Join us at the Belgrave for a weekend jam-packed with an incredible array of International films and food. Proudly brought to you by the International Film Festival Armidale, Belgrave Cinema, Armidale Ex-Services Club, Readers Companion, ABC North West and UNE Life.
Festival Passes will go on sale shortly and include opening night drinks and canapes.
Tickets for individual films will go on sale at the end of September, or when season passes sell out.
Season Pass: $150
Concession Season Pass: $140
Opening Night (included in Season Pass): $45
Individual tickets will go on sale at standard tickets prices.
Lebanon, 2017, 113 mins. (M) NOMINATED: Oscar, Best Foreign Language Film, 2018.
A thrilling legal drama based on a minor disagreement between two men, a Lebanese Christian and a Palestinian refugee working in Beirut, which escalates into a nationwide controversy. Thought-provoking, unexpected, humane and a deeply affecting plea for empathy and conciliation. Fantastic cinema!
HONEYLAND (Медена земја/Medena Zemja)
Macedonia, 2019, 89 mins. (M) NOMINATED: 2 Oscars (Best Documentary, Best International Feature Film).
Set in a remote village in the mountains outside Skopje, Hatidze cares for her elderly mother in a ruined house with no electricity or plumbing and survives by keeping bees, which she cares for meticulously, and selling the honey. Their simple lifestyle is disrupted when a Turkish family move into an abandoned house in the village and threaten to destroy this fragile environment. An extraordinary documentary filmed over three years as if by an invisible camera. Don’t miss it!
PORTRAIT OF A LADY ON FIRE (Portrait de la jeune fille en feu)
France, 2019, 122 mins. (M)
WON: Best Screenplay, Cannes Film Festival, 2019 & nominated for Palme d’Or.
Set on an island off the majestic coast of Brittany in the 18th century, this ravishing and bewitching film recounts the tale of Marianne, an artist, and Héloïse, whose portrait has been commissioned by her mother, a countess. An exquisitely executed love story, as passions slowly ignite, yet emotionally devastating as society’s dictates will irrevocably force them apart. Highly recommended.
Syria, 2019, 95 mins. (MA15+)
WON: Bafta Film Award: Best documentary; WON: Golden Eye, Best Documentary, Cannes Film Festival; NOMINATED: Oscar, Best documentary.
Filmed with courage and love, this intimate and harrowing picture of motherhood in war town Syria is immensely powerful. It is structured as a letter to the director’s baby daughter, Sama, who was born in Aleppo in the midst of the civil war. This discomforting film does have moments of peace within the horror but it mainly documents the ongoing war crimes in Syria. Unforgettable.
India, 2019, 153 mins. (M) WON: Film Awards (Best Actor), Lions Gold; WON: Best of the Fest Audience Vote, Palm Springs FF 2020.
A multi award-winning film set in Mumbai where a young man seeks to realise his dream of becoming a rapper against his parents’ wishes. Entertaining and poetic, it highlights the plight of disenfranchised youth in the minority Indian population and is loosely based on a couple of ghetto dwellers who made the journey from rags to rap-stars. A highly enjoyable musical drama.
Germany, 2018, 101 mins. (MA15+) NOMINATED: Golden Berlin Bear, Berlin FF, 2018.
A challenging drama about a refugee who, while on the run, impersonates a dead writer, but falls in love with the writer’s widow, who is unaware of her husband’s demise. Then things get even more complicated. Based on a novel set in France in 1942, the film has been adapted to the 21st century to great critical acclaim in Germany and overseas. Fascinating cinema!
South Korea, 2019, 132 mins. (MA15+) WON: 4 Oscars (Best Motion Picture, Best Director, Best International Feature Film, Best Original Screenplay).
An ambitious and ingenious tragi-comedy about a destitute family who bluff their way into a wealthy household in Seoul with disastrous results. A thought-provoking social satire, impeccably acted and filmed, thrilling, appalling, visually flawless. A unique cinematic experience by Bong Joon Ho not to be missed!
Morocco, 2019, 98 mins. (PG) NOMINATED: Un Certain Regard Award, Cannes FF, 2019.
A beautiful story of two women who transform one another’s lives. Set in a bakery in a poor quarter of Casablanca, we see how Moroccan society censures a woman who gives birth outside marriage. It is heart-rendingly and delicately portrayed and its emotional appeal will connect with you all. Unforgettable!
A WHITE, WHITE DAY (Hvítur, Hvítur Dagur)
Iceland/Denmark/Sweden, 2019, 109 mins. (M) WON: Louis Roederer Foundation Rising Star Award, Cannes Film Festival 2019.
A gritty, Icelandic drama capturing the growing obsession of a widowed ex-cop, after finding evidence of his wife’s infidelity. Visually arresting and emotionally rewarding, it is a story of grief, revenge and unconditional love. Highly recommended.
Set in 19th century rural Vietnam, a fourteen-year-old girl, May, becomes the third wife of Hung in a polygamous marriage, struggling to produce male heirs. A sensitive and passionate exploration of the reality of young women in situations beyond their control, both past and present. Multi award-winning.
PAIN AND GLORY (Dolor y Gloria)
Spain, 2019, 113 mins. (MA15+) NOMINATED: 2 Oscars (Best Actor, Best International Feature Film).
From the elegant, swirling colours of its opening, this film is a visually exciting and sensuous gem as we follow an ageing film director suffering from ill health, depression and a creative block, as he remembers past loves, his young mother, gorgeously played by Penélope Cruz, and the passion of film-making. Chance encounters, a story within a story, it is a tender. semi-autobiographical portrayal developed with Pedro Almodóvar’s usual lightness of touch, imbued with warm, rich colours. A triumph for both the director and actor, Antonio Banderas.
Bulgaria, 2018, 96 mins. (PG) WON: Best Director Award, Eurasian IFF, 2018.
A beautiful, slow-moving unfolding of a devoted couple’s life in a yurt on snow-covered fields, which is threatened by global warming. When his wife’s health deteriorates, Nanook embarks on a long journey to find their daughter, Aga, who had left years before because of a family feud. An emotionally-true visual feast. Not to be missed!
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The University of New England respects and acknowledges that its people, programs and facilities are built on land, and surrounded by a sense of belonging, both ancient and contemporary, of the world’s oldest living culture. In doing so, UNE values and respects Indigenous knowledge systems as a vital part of the knowledge capital of Australia.


The Theatre Society of CVS
The Theatre Society at the College of Vocational Studies known as Dramanomics, was founded in 2012. It provides a way for everyone to access and enjoy theatre. It started out as just a street play society and ultimately grew to include theatre and mime shows. It has consistently and actively participated in the Delhi Collegiate Theater Circuit. Our institution and numerous other Delhi University departments have recognised and given the group praise for its efforts.
The purpose of Dramanomics is to educate students about theatre and all of its facets. It discusses the current societal, political, social, and environmental issues. It looks for young, passionate writers, performers, and musicians. It offers a place where you can practise acting, teach acting, write plays, experiment with yourself, and discover the hidden sides of your nature.


One of the things that gets on my nerves about films in general is that there seems to be this cookie-cutter process that ends up making almost all films (especially the ones in America) seem like they are all the same.
The most extreme examples would be romantic comedies and of course, the usual process associated with superhero films. When I saw that Netflix relesed a movie starring Alison Brie and Molly Shannon I figured i was in for a silly comedy where Shannon occasionally tries to gross us out. Was I ever wrong..
Classified as a drama, this film has zero comedy elements in it at all and functions more like a psychological thriller. Not many actors or actresses can do the crossover between comedy to drama, and I was impressed with everyone in the film, especially Brie and Shannon.
Alison Brie plays the role of Sarah who is a socially awkward individual with very little in the way of friends. Her far more popular and attractive room-mate attempts to get her involved in more normal activities including dating a friend of hers, who she ends up genuinely having a connection with.
Sarah has a lot of issues: She sleepwalks, she loses track of time and suddenly finds herself in other parts of town with no idea how it is that she got there. She is paranoid about what her few friends and co-workers perceive to be crazy things and therefore no one believes her.
Certain things "happen" to her and we, as the audience are left to our own devices to determine if these things are actually happening or if it is all in Sarah's mind.
Horse girl does not follow the path that you think it is going to and that is what makes it so great. Even once the film is over we are left to our own devices as to what actually happened. If you watch this film with someone else (I did, but she was a dog) you will almost certainly have something to talk about afterwards, and in my mind that is a sign of a fantastic film.
https://www.youtube.com/watch?v=ieqemSsMxek from the official Netflix channel
While this ambiguity isn't going to appeal to everyone, i think that for people like me that would rather be a bit confused than to have the story laid out for me in an easy-to-follow manner, this film was a "breath of fresh air" in a Netflix library that is, for the most part, loaded with films that are all essentially the same thing.
Love psychological weirdy movies. Sort of reminds me of Shutter Island in some way. These psychological drama/thrillers actually gives your mind something to work on and lets you actually be immersed in the movie. I'm going to check it out.
I wrote a review about what is probably the most horrible movie I've seen in a while, check it out here, please don't download or stream this movie, you'll regret it lol
A film has to be special to be considered watching for me. Because like you said 95% of the american movies have the same pattern and therefire I don't watch movies. I will have a look on this one, cause it seems to be a unusal one. 🙂
On Netflix too? I'm getting bored of The Witcher.., it was going good until episode 5 when I almost fell asleep.., I could give it a go... I hate Hollywood films too.
Nice review! I haven't seen this one advertised yet in my playlist, but I have been catching up on Batwoman on my Plex server lately, so the only time I am actually in Netflix is to watch the next episode of Breaking Bad with my wife. The fact that Molly Shannon is able to pull off a serious part would make it worth watching this I think. Have you heard anything yet on the second season of Dead to Me? I am really excited for that to come back on.
Far too often in American films, the entire plot is laid out and explained that leaves nothing to the imagination, nothing to contemplate, no loose ends and this eventually results in most films being mindless and predictable.
I hear ya! Mostly why I stopped going to the movies and wasting countless dollars. I recently wrote a post about Orchids.. Orchid Update It reminded me of the last time I posted and you made a comment about the price they could fetch when hunted high in the hills. That got me to thinking about a movie with Nicolas Cage.. 'Adaptation'
You ignored me.. but I am willing to let it slide. HAHAHA!
Have you ever seen the movie with Nicolas Cage and Meryl Streep called 'Adaptation'??? This would be a good review movie for you. It had some crazy weird plot twists and lots of Hollywood satire. My wife hatted it and left the room.. haha. I stuck it out and found it strangely satisfying in the end. If you haven't seen it, please do.. I would love to hear your take on it.
Wow Something really different, but I would rate it into thriller instead of drama. It goes kinda scary but then actually is a psychological thriller. Keep flourishing.
What a coincidence - I just watched the trailer for this last night. Were were searching Netflix for something to watch and weren't quite sure about this one. Thanks for the review!
I think we'll give it a watch. I have trouble sometimes with these indie type films because although I do like a bit of ambiguity, I like it to be well thought out, if that makes sense!
My mom has schizophrenia. I totally understand the story. Good show
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I read this article while waiting delayed airplane in airport late night. Even I was very tired, your writing gave me an attraction.


Richard Dawkins, PZ Myers and Eugenie Scott have all been quoted as saying they were duped into thinking that a movie company was making a documentary called ‘Crossroads – The Intersection of Science and Religion.’ All these people agreed to appear in this film with the understanding that it would be about the debate between Creationism and Darwinism. They said they were given no idea that the project would morph into a Creationist diatribe called ‘Expelled,’ starring Ben Stein as a rabid, militantly ignorant, ID proponent who likens Darwinists to Adolf Hitler.
I don’t think they were duped any more than we were when Wendy Ward from Rampant Films and her cameraman, Nathaniel, came to our Darwin Birthday concert in February, 2007 at the UCSD School of Medicine in La Jolla, California. These two approached us, saying that they were in production of a documentary film, called ‘Crossroads – The Intersection of Science and Religion.’ They said they were interested in asking us a few questions about the evolution vs Intelligent Design controversy in America today. Being duped meant we were all tricked into believing this film would be fair and rational. However, they intended to ‘put one over on us’ and use us as the butt of their derision. We were all deceived – plainly and simply, we were lied to.
Before The Opossums of Truth performed their annual Darwin Birthday concert, complete with songs about Charles Darwin, evolution, other heroes of science and rationalism, we talked with the film crew about the future use of their film. We all signed permission slips, letting them film the concert, but I specifically added under my signature, that they could not use this filming of our concert until I, as manager and agent for the band, saw a preview of how we were going to be portrayed in the film. I know Creationists well. I was suspicious from the moment they told me who they were and what they wanted. However, the film company sounded legitimate and their movie title sounded fair, so I agreed to let them film. But at the back of my mind, during our interviews, I knew that I had to protect the band and myself from being taken out of context. I asked over and over again, “are you sure this isn’t a Creationist movie?” I queried them over and over and demanded – “we must see the finished film before we approve of our being in it!” If they didn’t, Dawkins, Myers and Scott should have done the same thing.
I have not seen the film and do not know if we appear in it or are on the cutting room floor because of my caveat when signing my permission slip. However, if these deceitful people would lie to our faces, then they sure as hell would have burned those permission slips with my warning to them about putting us in a film I had not reviewed prior to being released to the general public.
The film was scheduled to be released this year on February 12th, the birthday of Charles Darwin. It has not been released to general audiences as of now. If Creationists have to stoop so low as to lie about their intentions, then how valid is their viewpoint if it cannot stand the light of day. Religion is about beliefs; science is about facts. There is no controversy here. The two disciplines ask totally different questions and demand different answers. Creationists’ beliefs belong in the Dark Ages, along with the Flat Earth proponents.


Sarah Hawkins is a creative producer, specializing in distribution and marketing. She is a freelance producer for the female-driven production company, Busted Buggy Entertainment, and works for the Academy of Motion Picture Arts and Sciences. Hawkins is also the co-owner of the Lancaster County based production company, Dadley Productions, and the co-founder of Pretty Thing, launching in 2018. In 2017 Hawkins produced the eight-part series, OR DIE TRYING, about millennial women in Hollywood, and the comedy-fantasy, proof-of-concept, Filling In. She is an active member in women in film circles, managing the inaugural year of Moonfaze Feminist Film Festival in 2015, and is slated to speak at this year’s Digital Hollywood "The Women's Summit."
On this Episode we cover: What is creative producing? Filmmaking is collaborative process and how to work as a team. Crowd Funding Don'ts Learning hands for producing?


October 15th, 2015. Hello Everyone! We are very happy to share with you that the movie 8 Seconds, in which I got to play myself! is being released in Germany. You can watch the trailer below, and if you are in the area, don't miss this beautiful movie and witness the magical journey of a beautiful and strong woman.
See Esra Inal and Fahri Jardim in a soulful drama
On the search for the unconditional love. 8 seconds-a moment of infinity From 29.10. In the movies.


Star Wars: The Rise of Skywalker will be a flop
I made a prediction model for the domestic opening and overall gross of blockbuster movies. I can probably push it to to months before release, but I first wanted to see how accurate it is for the release of Star Wars: The Rise of Skywalker. If it seems like a worthy pursuit, I will refine the model to predict a few more releases in 2020.
Here is my prediction: The Rise of Skywalker will have a box office opening in the USA between $98M and $177M, thus lower than The Last Jedi at $220M but higher than Solo at $84M. The movie will be released on December 18.
Update: The domestic opening is now known, it was $175.5M, which is within my range. My model is not perfect, but it might be worth improving in the future.


Come see Stephen Perform with the Atlanta Shakespeare Company in Romeo & Juliet
Playing February 02, 2012 to February 26, 2012$12 General Admission Preview Thurs Feb 2, 2012
Bonus Performances Thursdays March 1 & 8
“We invite you to join us for our 13th anniversary of performing this play about young lovers, feuding families and one Friar with good intentions.”
Six months after graduating from the ASC’s 2010-2011 Apprentice Company, Stephen Hanthorn will be returning to the New American Shakespeare Tavern this fall for the ASC’s production of William Shakespeare’s Romeo and Juliet.
Stephen will be playing the parts of Paris and Sampson; as well as serving as Fight Captain for this production.
Join the cast and crew members for a lively Question and Answer session on Sunday February 12 after the show!
Click here to learn more about the Shakespeare Tavern
Atlantis Studios is pleased to announce the on-line release of the live action movie ‘Paula Peril: Midnight Whistle’. The film is available for immediate purchase HERE
For the Movie’s Website, click the image below


A weekly round-up of Harley-Davidson headlines from around the web. Harley-Davidson, Marvel Join Forces in National Search for Real-Life Fan to Star in New […]
Tag: Captain America
Harley in the Headlines: 4.11.2014
A weekly round-up of Harley-Davidson headlines from around the web. Harley-Davidson, Marvel Invite Fans into the Action and onto the Red Carpet at Marvel’s Captain […]
H-D Street 750 Hits The Red Carpet!
Celebrities and fans got up close and personal last night with the new H-D Street 750 on the red carpet for the Captain America: The […]
New Harley-Davidson Street 750 Rides Into Captain America!
Excitement is building for next Spring’s release of Marvel’s “Captain America: The Winter Soldier.” The official first trailer, which premiered in movie theaters this past […]


When Vivienne Acheampong first auditioned to be in The Sandman, the 10-episode Netflix show based on Neil Gaiman’s comic book series, it was for the role of a grandmother. “They were like, ‘So, this character is 70 years old. Don’t worry about the age,’” she says. “I was like, ‘Yeah … O.K.’” But it was September 2020—the middle of the coronavirus lockdown—when many productions were halted indefinitely, and the part sounded interesting to the millennial. So she just went with it.
One month after that audition, the casting directors gave her a new part to read for: Lucienne, a librarian in charge of every book ever written—or even imagined. (In the comic, the character is a man named “Lucien.”) The project was tightly guarded, so Acheampong was given only a few scenes instead of the entire script. As she read through the material, the part “clicked” for her. “Even though there were limits to what I knew, instantly I was like, This is incredible,” she says.
Now Acheampong is acting opposite Tom Sturridge, who plays Lord Morpheus, the commander in chief of a mystical realm called “the Dreaming.” After numerous failed attempts at movie adaptations of the 1990s comic, Gaiman’s world is finally on-screen. With it, Acheampong has gone from a substitute teacher who takes small acting jobs to a rising star.
Performing always came naturally to Acheampong, who was born and raised in London. As a child, she’d impersonate her aunts and siblings with ease as she told stories, and she played the trumpet, piano, and guitar for 10 years.
While she acted in school plays, she never thought acting could be a job. “We’re from a working-class background,” she says. “I had an amazing upbringing, and my parents were always very supportive, but I think that, especially if you’re from a Ghanaian family, I’ve got no performers, no actors, no artists, nothing like this in my background.” Her parents told her, “We really support you … but have something you can fall back on.”
In college, she studied psychology and law, and took a few drama courses on the side. “I really was not having a great time,” she explains. She confided in her sister, who helped her look for other options. Eventually, Acheampong’s sister found the Brit School, a highly competitive performing-arts program that’s free for those accepted.
“I’d never heard of anything like drama school, and I never thought of being an actor,” says Acheampong. Once she enrolled in the program, “it just changed my life and I just never looked back.”
Between acting jobs, such as roles in fringe shows in Edinburgh and the BAFTA-winning BBC sketch series Famalam, Acheampong worked as a substitute teacher at London primary schools. Emerging actors “don’t know how or where the money is going to come from,” she says. “I just never wanted to be in a position where it was money that stopped me from doing this, because I was so focused on wanting to do it.”
It doesn’t look like she’ll be back in the classroom anytime soon. She’s currently filming a hush-hush project in London she can’t discuss.
Actors often talk about the moment “it” happens, when their career is launched by a big part in a buzzy show or movie. “I don’t know if ‘it’s’ happening,” Acheampong says, “but whatever is happening feels really lovely.”
Season One of The Sandman is available for streaming on Netflix
Bridget Arsenault is the London Editor for AIR MAIL


The XX PlayLab is a collaborative program of the Boston Center for the Arts and Company One Theatre, designed to propel the work of female playwrights from development to production. Writers at various stages of their careers receive mentorship, dramaturgical support and advocacy through a process that culminates in an annual festival, positioning new works in context of local and national conversations about the new play sector.
XX PlayLab: New Ideas | Festival Weekend
June 6 & 7, 2014
BCA Plaza Theatres
Discover the ideas that shape our city and nation's vibrant new play sector with this year's XX PlayLab artists. This weekend-long festival of new work will feature panel discussions, staged readings and talkbacks with the playmakers.
2014 Festival Schedule:
The Splendor Variations | by Kirsten Greenidge
Friday, June 6 at 8pm
Based on Splendor, this IRNE-nominated play was produced in 2013 for the opening of Company One Theatre's 15th Season. An outgrowth of Greenidge’s short play “Thanksgiving” (part of GRIMM, 2010), Splendor was developed as part of the 2012-13 XX PlayLab.
Shelter of Last Resort | by Miranda Craigwell
Saturday, June 7 at 10am
It’s 1815, no – it’s 2005 – and storms are brewing off the Gulf Coast as the mixed community of New Orleans learns what the water brings us, and what it takes away.
Astro Boy and the God Of Comics
Saturday, June 7 at 2pm
Created and directed by Natsu Onoda Power, this sensational, multimedia, experimental theatre piece, devised with an ensemble cast, combines live hand drawing, interactive video, and large-format animation by actors on stage. A major step in the imaginative use of technology in theatre; ASTRO BOY is a truly ground breaking work.
Geek Theatre: Bringing Outsiders Center Stage
Saturday, June 7 at 2:30pm
It's time to Geek Out to sci-fi, comics, robots, and big-tent diversity! Geek Theatre is on the rise and we are talking to the folks at the center!
FUFU & OREOS | Written and performed by Obehi Janice
Saturday, June 7 at 4:30pm
A multiculti 20-something navigates the collisions between her Nigerian heritage, her American lifestyle, and loaded promise of Prozac.
What's Next: XX Artist Panel
Saturday, June 7 at 7:15pm
A conversation with this season's XX PlayLab artists talking about some of the biggest issues of the new play field: representation, parity, opportunity, and mentorship.
Saturday, June 7 at 8:45pm
Celebrate with the Boston Center for the Arts and Company One Theatre as we bring an end to this year’s festival and the 2013-14 XX PlayLab!
Sunday, March 23, 2014 at 7pm | BCA Plaza Theatres
Re-join the core artists of the 2013-14 XX PlayLab, see new snippets of their works in progress, and participate in a panel conversation about the exploration of new storytelling forms on stage. All three playwrights are pushing narrative in new directions, and will speak about their discoveries, their process, and their visions for the future. Free and open to the public.
Master Scriptwriting for Stage & Screen
January 8 - March 19, 2014 | Grub Street headquarters and BCA Plaza Theatre
Ready to work with professional actors to bring your script to life? Want to get your script produced, get an agent, or apply for an MFA program? In this intensive forum in partnership with Grub Street, you will polish and complete a full-length screenplay or play. Work with peers, professional actors, and Grub Street instructors Nina Louise Morrison and Mark Fogarty to bring your script to life.
Sunday, November 10, 2013 at 7pm | BCA Plaza Theatres
Meet this year's generation of artists and collaborators for the first event of XX PlayLab 2014! Company One Theatre's Dramaturg and Director of New Work, Ilana M. Brownstein, will moderate conversations with the writers and artistic staff, followed by a sneak peak of their new work. Free and Open to the public


RTL-SDR and HackRF Used in Mr. Robot – A TV Drama About Hacking
A few readers have written in to let us know the role SDRs played in the last season of "Mr. Robot". The show which is available on Amazon Prime is about "Mr. Robot", a young cyber-security engineer by day and a vigilante hacker by night. The show has actual cyber security experts on the team, so whilst still embellished for drama, the hacks performed in the show are fairly accurate, at least when compared to other TV shows.
Spoilers of the technical SDR hacks performed in the show are described below, but no story is revealed.
In the recently aired season 4 episode 9, a character uses a smartphone running an SSH connection to connect to a HackRF running on a Raspberry Pi. The HackRF is then used to jam a garage door keyfob operating at 315 MHz, thus preventing people from leaving a parking lot.
Shortly after she can be seen using the HackRF again with Simple IMSI Catcher. Presumably they were running a fake cellphone basestation as they use the IMSI information to try and determine someones phone number which leads to being able to hack their text messages. The SDR used in the fake basestation appears to have been a bladeRF.
In season 4 episode 4 GQRX and Audacity can be seen on screen being used to monitor a wiretap via rtl_tcp and an E4000 RTL-SDR dongle.
Did we miss any other instances of SDRs being used in the show? Or have you seen SDRs in use on other TV shows? Let us know in the comments.
In the last episode of HBO’s “Silicon Valley” Gilfoyle uses GQRX with, what looks like, a HackRF.
In one of the earlier episodes of Season 1, a small transceiver was used with a Rolljam attack to unlock a car. It looked like a typical CC1101 based card, but I didn’t get a good enough look to be sure.
And they’ve used btscanner and bluesniff to get info from phones.
By the way, almost every hack you see on screen was actually executed on camera. The show’s technical staff would get everything staged for the actors, who would then execute the hack. The show’s creator, Sam Esmail, was insistent that the audience see what is actually taking place in the real world.


Apr 16, 2014 Comments Off on Basil da Cunha’s Até ver a luz (After The Night – review)
By Vincent Nadeau
Structured around one of Lisbon’s creole slums, da Cunha’s film follows Sombra, an outcast living a solitary nocturnal (as his name suggests) life. Only just out of prison, Sombra desperately owes the local gang boss some money. This debt will eventually drag him into a confusing and bloody armed robbery, which will, consequently, force our main protagonist to run away.
The film’s in media res opening instantly sets a particular and somehow subverting tone; as viewers we are transported between both the documentary and the generic gangster-film genres. This specific tone ultimately brings out the best and the worst aspects of the film. On the one hand, da Cunha’s representation of a singular space in Lisbon is remarkably realistic and direct, yet, on the other hand, his characters are particularly unconvincing and uncharismatic.
Basil da Cunha paints unidealized views of the life of a neighbourhood. Moreover, this life, energy and culture completely prevail over the storyline. Da Cunha stressed the importance of improvisation in his direction saying that his actors are ‘only given acting intentions, certain cues they can’t miss and the rest is a bit like jazz, a kind of orchestrated improvisation’. Although this sense of improvisation is extremely palpable in Até ver a luz, it unfortunately fails to match the captivating intimacy with which da Cunha’s gaze interacts with the creole culture. The camera mostly accompanies Sombra in his wanderings through the slum. However Sombra’s character lacks depth: apart from his tender attachment to a pet iguana, he fails to manifest any emotions or complexions. As a result, the film is in dire need of poetry. On that account, Até ver a luz is simply strongest when it focuses on everyday people.


With an all-star cast led by Brad Pitt, Margot Robbie and Diego Calva, 'Babylon' promises to be a lavish and thrilling exploration of the rise of Hollywood in the 1920s. But despite the impressive production, i.e. design, cinematography and music, the film ultimately falls short in its execution, leaving the audience with a feeling of emptiness and dissatisfaction.
Thus, Damien Chazelle's latest film 'Babylon' can be described as a dazzling and magnificent tribute to the golden age of Hollywood, which takes place in the 1920s during the transition from silent films to talkies. With a budget of $150+ million, the film is a feast for the eyes, with impressive production design, cinematography and music. Yet despite its grandeur, Babylon falls short of its promise as a compelling and nuanced exploration of the rise of Hollywood.
The film follows three industry players - a power star, a would-be starlet and an up-and-coming director - whose lives intersect in a wild and hedonistic entertainment. Brad Pitt star game Jack Conrad with his usual "smoothness" and charm, but the character is one-dimensional and without depth. Margot Robbie, as an aspiring actress Nellie LaRoy, delivers a fearless performance, but the character is poorly written and underdeveloped. Diego Calva, as a Mexican-American assistant Manny Torres, is the most likeable and relatable of the three main characters, but his bit feels forced and contrived.
One of the main ones the film's shortcoming is its lack of historical accuracy. Chazelle takes liberties with the facts and presents Hollywood counter-history, which focuses on the supposed excesses of the period but fails to capture the complexities and nuances of the period. The film also does not explore the impact of the transition to synchronous sound on the industry and the people who worked in it.
Another major problem with the film is its script. Chazelle's script is too much ambitious and tries to cram in too many stories, resulting in a disjointed and unfocused narrative. The characters are shallow and underdeveloped, and the dialogue is often clunky and forced. The film also has problems with pace, as the first two hours feel slow and boring and the last act rushed and contrived.
Despite its shortcomings, it has 'Babylon' its strengths. Cinematography of the film Linus Sandgren it is fluid and propulsive and captures the frenetic energy of the period. Music Justin Hurwitz is one of the year's best, with recurring character themes that give the film an operatic feel. The production design is also impressive, ranging between the feeling of authenticity and something larger than life. This is the real Hollywood!
In summary, 'Babylon' is a film worth seeing for its spectacle and technical achievements, but ultimately falls short of its promise as a compelling and nuanced exploration of the rise of Hollywood. It's a film that's high on style but low on substance, leaving audiences feeling empty and unsatisfied. The IMDB rating: 7.5/10 is high and unexpected, and slightly unjustified.
I recommend watching the film in the cinema, because as mentioned, you need a big screen to experience the gelding and experience the production.


SEASON 31 | October 2018
Until the flood
Written by Dael Orlandersmith
Directed by Jenny Lavery
Presented by Theatre en Bloc
From Pulitzer Prize finalist, Dael Orlandersmith (Yellowman), comes an extraordinary theatrical event that explores the reactions of the St. Louis region to the shooting of Michael Brown in Ferguson, Missouri. After conducting hundreds of interviews, Orlandersmith crafted a stunning play featuring eight real-life characters, all with unique and interesting perspectives. These stories reflect a range of human experiences – the drive to forward one’s prospects with education, the innate need to protect our loved ones from the harsh realities of the world and the urge to seek answers to life’s biggest questions. The result is a theatrical mosaic of diverse voices that explores how a community heals and grows together.
Theatre en Bloc is thrilled to present the Regional Premiere of this newly published piece that keeps in-line with our mission to produce quality theatre that is relevant to communities and situations in Austin, TX. There will also be Optional Talk Backs regarding race relations, impacts of trauma on a community, and self-protection following each performance.
Featuring Florinda Bryant, in a one-woman powerhouse performance.
About Florinda Bryant
Florinda is an interdisciplinary artist and arts educator who calls Austin home. As a performer and director she is no stranger to many stages in Austin, having worked with Salvage Vanguard Theater, the Rude Mechs, the Vortex, Paper Chairs and Teatro Vivo. Some of favorite recent performances include Am I White by Adrienne Dawes, The Panza Monologues by Virginia Grise, Bright Now Beyond by Daniel Alexander Jones and Bobby Halverson and Fixing King John adapted by Kirk Lynn. As a writer and poet, Florinda enjoys engaging audiences in explorations around identity, body and community. Her award winning one-woman show Half-Breed Southern Fried was produced as part of the Performing Blackness Series at UT and was directed by Laurie Carlos. As a facilitator and arts educator, Florinda has worked with at risk communities, young men and women, and adults – using performance as a social justice tool for empowerment and change for over 18 years. A member of the Austin Project, sponsored by the John L. Warfield Center for African and African American Studies, UT at Austin. Florinda was also a 2013 Woman of the Year for Racial Justice award recipient from the YWCA.
Directed by Jenny Lavery. Production Management by Blake Addyson. Lighting Design by Rachel Atkinson. Set Design by Blake Addyson. Costume Design by Jenny Hanna-Chambers. Photography by Errich Petersen. Producing Artistic Director Jenny Lavery.
Funded in part by the Cultural Arts Division of the City of Austin Economic Development Department.


This short was written & directed by my good friend Keshawn Dixon. It was my first experience of producing dramas. Although it was hard work I really enjoyed the process. One of the actresses, Keira Allen-Anderson was so impressive, her scream at the end of the film still gives me chills. When I wrote my drama short about FGM I knew I wanted her to play one of the main roles. I’ll be blogging shortly about the film I’m in the process of making.


Full Streaming The Walking Deceased in High QualityNow you can enjoy The Walking Deceased in best quality with duration 90 Min and was released on 2015-03-20 with MPAA rating is 11.
- Original Title : Walking with the Dead
- Movie title in your country : The Walking Deceased
- Year of movie : 2015
- Genres of movie : Science Fiction, Comedy,
- Status of movie : Released
- Release date of movie : 2015-03-20
- Companies of movie : Splendid Film,
- Countries of movie : United States of America,
- Language of movie : Deutsch, English,
- Durationof movie : 90 Min
- Average vote of movie : 4.1
- Youtube ID of movie : bPc2ek7JG6s
- Translation of movie : EN,IT,DE,EL,ES,
- Cast of movie :Tim Ogletree (Green Bay), Joey Oglesby (Chicago), Dave Sheridan (Sheriff Lincoln), Troy Ogletree (Romeo), Sophia Taylor Ali (Brooklyn), Danielle Garcia (Harlem), Mason Dakota Galyon (Chris), Jacqui Holland (Isaac), Andrew Pozza (Darnell), Richard Lukens (Abraham), Martha Prentiss (Sarah), Trenton Rostedt (Mysterious Wandrer), Tiffany Braden (Contortion Zombie Stripper)
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Download full The Walking Deceased in HD Quality with movie plot "THE WALKING DECEASED is the Scary Movie of the zombie genre, ripping on the biggest and best of zombie pop-culture, arguably the most crazed genre in the world. The story follows a group of survivors from all walks of the apocalypse – an idiotic Sheriff with definite coma-induced brain damage, his hardass son and a hobo with only a crossbow to stave off the walking dead, four squabbling friends forced to survive this zombieland together, and a lonely zombie who just needs love to fully regain his warm body – who leave their once-safe mall hideout in search of the rumored Safe Haven Ranch, a refuge untouched by the zombie virus that has ravaged humanity. But despite the comforting name, they discover that this sanctuary may not be as welcoming as advertised." in HD video. Full Streaming The Walking Deceased in High Quality by push of the button above.
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Director : Scott Dow, Writer : Tim Ogletree
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Tags: spoof, zombies,


Indias Film is a Production Company based in Montevideo, Uruguay with more than 25 years in the field.
Located in Carrasco neighborhood, the company was constructed specifically to serve as a Production Company. It has offices, editing and postproduction islands, a 50 square meters long studio, a production room, a dressing room and a camera equipment room. Everything in a 500 square meters infrastructure.
Av. Italia 6550
+598 2600 2759


Looking for the perfect collector's item to celebrate the thrilling adventure of Star Wars: Return of the Jedi? The Hallmark itty bittys® Star Wars: Return of the Jedi™ Plush Collector Set is the ideal addition to your collection! This set includes stylized versions of Luke Skywalker in his iconic Jedi robes, Lando Calrissian in Skiff Guard disguise, infamous crime lord Jabba the Hutt (with his pet, Salacious Crumb), and Jabba's attendant, Bib Fortuna.
Recreate the daring mission by the Rebel Alliance as they infiltrate Jabba the Hutt's Palace on Tatooine to save Han Solo with these adorable plush characters. Your Star Wars collection won't be complete without this unique Jedi™ Plush Collector Set of 4!


Abigael 'Boyfriend' Gilfas and Trouble in the Black Marsh Swamp
Valesburg. In an attempt to get a discount of some elven armour, Abigael goes around and finds out some information about the man who sells it. Going to his shop Abigael invites him out, asking him to show her around the town, he surprised agrees to meet her later. Abigael goes to Bregor receiving the Love potion off him. Later that day Gilfas guides Abigael around Valesburg, after a while they retreat to a bar. When Gilfas is somewhat intoxicated Abigael pours the love potion into his drink, without him noticing. They walk back to his shop, Abigael giving him a kiss on the cheek asks to see him again tomorrow.
Early the next day the party are approached by the mayor of the town, who asks them if they could look into some unruly activity in the Black Marsh Swamp next to the town of Evanfar. The party agree to go for 150 gold for each of them, but with provision that if the work is more difficult than they had anticipated they may demand more. The mayor agrees to this and tells them that they would have to inform the local authority for political reasons and will send them a messenger with a letter, at Vincent’s request.
Abigael continues to date Gilfas. At the end of the week Abigael informs him that she has to go somewhere for a few days with her party. Gilfas, who hasn't meet the party yet, asks her if he can meet them. Later that day Abigael and Gilfas meet up with the rest of the party at the bar. While the party are sitting around in an awkward silence, Tudagub casts a Zone of Truth. He asks Abigael about the lock box, to which she tells him everything she found out. Tudagub then asks what attracted her to Gilfas. In an attempt to save his and Abigael's plan, Bregor tries to get Gilfas out of the shop. This ends ups with Gilfas charging out and when Abigael catches up with him, he breaks up with her. Abigael returns, shouting and hitting Tudagub. He casts Speak with Animals and has a conversation with Mr Mogwoggles.
Exiting Valesburg the party make their way to Evenfar. While asking around the party hear rumors that there are people going missing and the tale of a legend of a Gracken living in the swamp. The party decide to head into the swamp in search of the Hydra. While searching the swamp, the party stumbles across and battle some alligators, Abigael being knocked unconcious when she gets whipped by one of them. The party decide to resume their search the next day. Halfway through the day Bregor hears some splashing and when they peer through some reeds they spot the Hydra. The party manage to defeat the Hydra and, after collecting some of its heads, head back towards Valesburg.
After returning to Valesburg, the party makes a visit to the Mayor. Agreeing to a 'better' deal instead of gold the party recieve the Bow of Theseus. Later that night, while the party are at an Inn, a small child gives them a note from Dalamar who is in need of the parties services once again. The next day the party go and visit Dalamar who gives them a quest to bring to him, Sir Brightblade who was last seen in Chandar. The party leave Valesburg and travel to Chandar.
Entering Chandar the party go about finding information about Sir Brightblade. They find him at the Golden Teacup, an Inn reserved for nobles. Vincent asks him to come with them to see Dalamar. Brightblade then asks him to leave. Refusing, Vincent challenges him to a duel. At dawn the next day the two of them duel. At first, Vincent seems to have the upper hand, but yields when he is brought down low by one of Brightblade's strikes. The party discuss the idea of how to covertly bring Brightblade to Dalamar. They decide to employ Abigael to get in contact from some 'seedy' characters to see if they can get some more information. She meets up with the rest of the party after failing to find anymore information.


The 9 Most Unanswered Questions about Acting
What to Expect From Getting Acting Training Lessons
Acting training is something that a lot of professional actors have already been doing to even make them better in the art of acting. For most professional actors, having a role in a movie no matter how big or small is what matters in their professional life. This goes to say that you really need to work your way that hard in order for you to achieve greatness in the world of films being the amateur that you are. Acting training thus comes all that much essential for the aspiring actor in film to smoothen out their acting abilities and help them better stand out in bagging a particular role or not. Acting training companies such as F.U.N. Acting Studios make sure that every person is properly trained for the roles that they will be playing among stage plays, televisions, as well as in the movies.
It is only among highly reputable acting training classes such as F.U.N. Acting Studios that you can learn as much as you can with acting. So that you will up your chances of being hired in the role that you plan to be one in a movie, you have to get a clear understanding of what it takes to be in front of the camera for other people to see, how you must give your all, and how you can better hear out and carry out the instructions that your director will give you. Whatever role you will be playing for as long as you stay an actor, there is no doubt that you must constantly update your skills with acting training. Furthermore, you can only be respected as an actor in the field of movies when you will be able to show how much hard work you are willing to put out there. There is a need for you to go through the best acting training classes just so you can perfect your craft and the role that you are thinking of playing. What is great at F.U.N. Acting Studios is their being able to really give you the real life film requisites such as real lights, real sets, as well as real cameras. Actor training with Danny Ray at F.U.N. Acting Studios must be something that you must be thinking of doing to get only the best acting skills that you can ever think of.
What sets apart the acting training skills that you can get in actor training with Danny Ray is that you will be more than just a physical appearance in films, movies, or stage play, you become the role that you are playing in your psyche that will even make you all that more effective in being an actor. At F.U.N. Acting Studios, you can better tap into a world made of imagination that will turn the fictional roles to a more real one.
Cited reference: visit


Originally published at Deadline | March 7, 2022
The Ballantyne Strong, Inc. subsidiary’s first original feature film adapts Norman Miller’s book, The Great Salad Oil Swindle. It’s a true-life crime drama that watches as ex-butcher turned salad oil exporter Anthony “Tino” DeAngelis and his Bayonne, New Jersey blue collar crew nearly destroy American Express and eventually crash Wall Street in their bid to corner the market on salad oil futures in the early 1960s.
Award-winning business journalist, CNBC contributor, author and former hedge fund manager Ron Insana, who heads up Insana Entertainment Group as CEO, brought the idea for The Tank Job to Ballantyne Chairman Kyle Cerminara in January of last year, and they have been collaborating on it ever since. Cerminara and Insana are former colleagues, having worked together in the hedge fund industry under Steve Cohen of Point72. Both had aspirations of building feature films and documentaries that tell the stories of many of the recent great financial dramas that have occurred in the capital markets industry. This, then, was the impetus for Ballantyne to create Strong Studios, and hire David Ozer to lead the business unit as President.
Sam Sokolow (National Geographic’s Genius) and Nicholas Levis (Darkon) will produce The Tank Job alongside Insana, with Cerminara, Ozer and Ballantyne CEO Mark Roberson serving as exec producers. Strong Studios is now entering discussions with potential distributors for the project.
“I told Ron Insana that I would be delighted to see the story of the salad oil scandal made into a movie,” said Berkshire Hathaway’s Chairman and CEO, Warren Buffett, “and I am pleased that Ron and Strong Studios are now bringing this story to the big screen.”
“The enormous fraud perpetrated by Allied Crude Vegetable Oil Refining Company and conman Anthony “Tino” De Angelis in 1963 is legendary,” said Ozer, “and I am excited to work with an all-star creative team to bring this riveting story of how the great salad oil scandal nearly crashed the market, swindled millions of dollars from investors, and almost decimated American Express.”
“You couldn’t make Tino DeAngelis up,” added Insana. “Everybody on the street knew the guy was shady. But, everybody was making money until, you know, they weren’t. This is a crazy comedy of errors and avarice and greed and lies and deceptions. You know, Wall Street. ‘The Tank Job’ will be like a love child of “The Big Short” and “My Cousin Vinny!””
Sokolow is a writer, director and producer who earned an Oscar nomination and an Annie Award in 1996 for his writing on Pixar’s iconic film Toy Story. He has also written or co-written films including Money Talk, Cheaper by the Dozen, Garfield and Garfield: A Tail of Two Kitties, and received story credit on titles including Evan Almighty and Daddy Day Camp. Sokolow’s first film as a director, Monster Mash: The Movie—which he helmed with Joel Cohen—was released by Turner Home Entertainment in 1995.
Headquartered in New York City, Strong Studios develops and produces original feature films and television series, while acquiring third party rights to content for global, multi-platform distribution. The studio launched in March with an IP development slate acquisition and an initial distribution agreement with Chicken Soup for the Soul Entertainment’s Screen Media for two new scripted series—the supernatural horror Safehaven, and the dramedy Flagrant, with Michael Rapaport—both of which have been greenlighted for production this year. Screen Media will distribute both series, with their streaming services Crackle, Popcornflix, and Chicken Soup for the Soul having first rights to premiere. Additional series in Strong Studios’ development and production pipeline include Shadows in the Vineyard, starring Judith Light and Noah Wyle; the drama Heartbeat, co-created by DJ couple Kiss and M.O.S.; and the horror series MidNightMares.
Ballantyne Strong, Inc. is a diversified holding company with operations and holdings across a broad range of industries. Its Strong Entertainment segment is the largest premium screen supplier in North America, provides technical support services and related products and services to the cinema exhibition industry, and recently launched its studio operations to produce content for streaming and other entertainment outlets.
Sokolow is repped by Foundation Media Partners, APA and Alexander, Lawrence, Frumes & Labowitz.


I would like to start of my blog by stating that I am not a famous person or a rich person. I am someone looking to enjoy the experience of acting and writing for stage and screen. From the age of 14 I considered myself a writer, egotistical I know! I wrote short stories and poetry that even now I look back and think really?
My love for the stage came just after starting college, I enjoyed being able to dive head first into playing another character and forget about the world around me.
It wasn’t until university that I guess I realised that not every play you perform has to be ‘traditional’. Creating and manipulating the world around me became a fascination and that was where my love for writing came from.
I have not become the world famous playwright I would like to be but at this point I am still hopeful and enthusiastic about any interesting and new experiences with the theatre world. I will take on any role and be the best I can be. That is also why I decided to start a blog, some times the theatrical world, even in small and quiet parts of the world can be the most clicky organisations you will ever deal with.
I will continue to persue my art of acting and writing but I feel that sometimes, even when writers block looms and an audition crashed an burned you find yourself wanting to vent it out but eventually say.
The Show Must Go On!
So to my life audience, whoever you are….Enjoy!


“We make up horrors to help us cope with the real ones.”
-Stephen King (maybe)
Fay Wray, the lead actress in the original King Kong (1933), was convinced to take the role
stating she would be opposite “the tallest, darkest man in Hollywood”, presuming it was Cary Grant.
The Exorcist was the first ever horror film to be nominated for ‘Best Picture’
at the Academy Awards.
Nosferatu (1922) was the first ever adaptation of Bram Stoker’s Dracula,
albeit unlicensed and unofficial.
Lon Chaney Sr, or the “Man of 1000 Faces”, starred in The Hunchback of Notre Dame,
Phantom of the Opera, and Oliver Twist
From 1930-1950 there were 8 films which featured Frankenstein’s monster.
What you have learned today
- The golden age of horror was most likely before you were born
- The Chaney family helped shape the history of horror
- The producers of Nosferatu only barely didn’t get sued for copyright infringement (because they were broke)


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Our film location is filmmaker friendly. The open space of the stage allows for your creativity to soar and the ability to create the environment you need for your film. Shooting projects at our studio is simple, transparent pricing in a convenient location.
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Please be prepared for a final walk-through at the end of your shoot. All crews should wrap with enough time to clean and vacate their equipment by their designated end-time, otherwise overtime will be charged.


Trivia: Which of the following movies did NOT receive an Academy Award for Best Picture?
1) Braveheart 2) The Godfather 3) Casablanca 4) Saving Private Ryan 5) Rocky
Answer: Saving Private Ryan was a Best Picture nominee in 1998, but lost to Shakespeare in Love. Saving Private Ryan is a 1998 American epic war film set during the invasion of Normandy in World War II. and was directed by Steven Spielberg.


He looked at her,
and so did she.
He saw the years wasted.
She saw her life wasted.
Was it supposed to turn out like this? It was love at first sight. It was the fiery passion. It was one for all and all for one.
Friends were forgotten, families discarded. To separate lives from the world, to make a world of their own.
It was Romeo and Juliet who won at the end.
But were they winning?
The conversations died.
The passion fizzled.
Love became routine.
Romeo missed his friends, “Am I not enough for you?”, asked Juliet.
Juliet missed her home. “Am I not your home now?”, asked Romeo.
Things went cold, and things went bitter.
If you can’t hold onto the love, is it really love?
Time is cruel, it cruelly brings out the truth. Even truths you didn’t think existed. So they ask themselves, were all the tender moments a lie? Was that longing a trick?
They try to hold on. Fight each other to have a fighting chance.
If they let go, it all becomes a mistake.
They try to hold on. But its getting difficult now, mending ties torn require energy.
And he looks at her again and she looks right back.
They try to see the person they fell for.
But the lights are too dim, too hazy to see things clear.
Tomorrow could be a different day.
Photograph courtesy : Manuel Estheim


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A white diplomat comes to the capital of the Central African Republic.
His passport says that he is Liberia’s General Consul to the Central African Republic.
But he was not appointed by the usual channels. He bought his diplomatic passport for $150,000 from a broker he found online.
And he is really there to access vast reserves of diamonds.
That is the plot of a new film, but it is not fiction. It was the real adventure of documentary film maker Mads Brugger.
Brugger pretends to be a wealthy diplomat in his film “The Ambassador.”
Anchor Marco Werman talks to Mads Brugger, who says despite his eccentric clothes and questionable credentials, he did not stand out in the Central African Republic.


From Wikipedia, the free encyclopedia
No. of monitors 6,000 unmarried displays (2016)
2,a hundred multiplex displays (2016)
• according to capita 6 according to million (2016)
Produced feature movies (2017)
range of 123moviese admissions (2016)
overall 2,2 hundred,000,000
Gross field office
overall ₹15,500 crore (US$2.4 billion) (2016)
national movies India: US$2.1 billion (2015)
South Asian cinema
Cinema of Bangladesh
Cinema of India
Cinema of Nepal
Cinema of Pakistan
Cinema of Sri Lanka
part of a sequence at the
lifestyle of India
Mythology and folklore
song and acting arts
Flag of India.svg India portal
v t e
The Cinema of India includes films produced in the country of India. Cinema is immensely famous in India, with as many as 1,six hundred movies produced in diverse languages every year. Indian cinema produces more films watched through greater humans than some other u . s .; in 2011, over three.five billion tickets were offered across the globe, 900,000 more than Hollywood.
As of 2013 India ranked first in phrases of annual film output, accompanied by Nollywood, Hollywood and China. In 2012, India produced 1,602 feature films. The Indian movie enterprise reached average sales of $1.86 billion (₹ninety three billion) in 2011. In 2015, India had a complete container office gross folks$2.1 billion, one in every of the most important in the global.
Indian cinema is a worldwide corporation. Its films have a following for the duration of Southern Asia, and across Asia, Europe, the more middle East, North the united states, japanese Africa and somewhere else, reaching in over 90 international locations. Biopics such as Dangal have become transnational blockbusters grossing over $300 million global
international establishments together with 20th Century Fox, Sony pictures, Walt Disney snap shots and Warner Bros invested within the enterprise along side Indian corporations inclusive of AVM Productions, Prasad’s group, solar pix, PVP Cinemas, Zee, UTV, Suresh Productions, Eros movies, Ayngaran worldwide, Pyramid Saimira, Aascar films and Adlabs. by way of 2003 as many as 30 movie manufacturing organizations were indexed inside the countrywide inventory change of India.
the overall revenue of Indian cinema reached US$1.three billion in 2000. The enterprise is segmented by way of language. The Hindi language movie industry is called Bollywood, the most important quarter, representing 43% of field office sales. The South Indian film industry encompasses five film cultures: Telugu, Tamil, Kannada, Malayalam and Tulu. combined Tamil and Telugu movie industries revenues constitute 36%.
thousands and thousands of Indians distant places watch Indian films, accounting for a few 12% of sales. music rights alone account for four–5% of internet revenues.[22


- What race is Naveen?
- Does Snow White kiss a frog?
- Is Dr facilier Tiana’s father?
- What happens when the princess kisses the frog?
- Why did the princess kiss the frog?
- How many frogs do you have to kiss before you find a prince?
- Who is the villain in Tiana?
- What is the climax of the frog prince?
- What race is Princess Jasmine?
- Who is the oldest Disney princess?
- Who turned the prince into a frog?
- What does it mean to kiss the frog?
- Who is the black Disney princess?
- What is the moral of the frog prince?
- What race is Moana?
- What is the real story of the princess and the frog?
- How does the frog prince end?
- Why did the princess cry?
- How did Tiana’s mom died?
- What fairytale is The Princess and the Frog based on?
- Is Prince Naveen black?
What race is Naveen?
His skin is brown, but he isn’t African-American.
“A lot of moms had issues with that,” Coleman said.
“It felt like it was a slap in the face to black men.” Coleman asked a Disney executive if Prince Naveen was Creole and was told that his background was made up; he’s whatever ethnicity they have in fictional Maldonia..
Does Snow White kiss a frog?
The wicked witch (Snow White’s own stepmother, in fact) had put an evil curse on the young prince, transforming him into his current amphibian form. The curse could be broken only by true love’s kiss. … With a cheerful smile, Snow White bent closer to the ugly creature, her lips puckered for true love’s perfect kiss…
Is Dr facilier Tiana’s father?
Facilier is Tiana’s father James, the one who supposedly died at the war. … But like Cassim in “Aladdin III”, Facilier eventually forgot his first goal, and over the years his heart was darkened by the many tricks he had to play on innocent people to pay his always-increasing debts to the Friends on the Other Side.
What happens when the princess kisses the frog?
All my life, I looked at the princess who kissed a frog story as just a cute children’s fairy tale where the poor prince gets bewitched by the evil witch, who then turns him into a frog. … She abides by her father’s request, kisses the frog and marries the prince he becomes, and they live happily ever after.
Why did the princess kiss the frog?
The Frog Prince story itself is mentioned several times in the film, being read to Princess Tiana as a child and inspiring the spoiled Prince Naveen (who has been transformed into a frog) to suggest Tiana kiss him to break his spell.
How many frogs do you have to kiss before you find a prince?
The average woman will kiss 22 frogs before finding their prince, it has emerged. Researchers who carried out a detailed study found the journey to find true love is anything but a smooth one for the majority of the population.
Who is the villain in Tiana?
Dr. FacilierDr. Facilier, also known as the Shadow Man, is the main antagonist of Disney’s 2009 feature film The Princess and the Frog. He is an evil bokor (witch doctor) who plans to rule New Orleans with help from his “friends on the other side”.
What is the climax of the frog prince?
Climax. For three nights in a row the frog comes back tapping at her door to let him in so they can sleep together.
What race is Princess Jasmine?
The role of Jasmine, a wide-eyed princess with a pet tiger, has been given to Naomi Scott: a biracial actress of British and Indian descent.
Who is the oldest Disney princess?
ElsaElsa. Elsa, at 21, is the oldest Disney Princess and the only non-teenager in the group.
Who turned the prince into a frog?
Naveen explains to Tiana that he was turned into a frog by the shadow man. Tiana then tells him that she is not a princess but a waitress.
What does it mean to kiss the frog?
A common phrase in the venture business is that you have to “kiss a lot of frogs to find a prince”, meaning that you have to look at a lot of companies to find the real gems.
Who is the black Disney princess?
Princess TianaAnika Noni Rose opens up about her legacy as the 1st Black Disney princess. The actor who voiced Princess Tiana in the 2009 animated film “The Princess and the Frog” is opening up about her legacy portraying the groundbreaking character.
What is the moral of the frog prince?
Morals: Keep your promises. The Frog Prince Story: Moral of the story- Keep your promises.
What race is Moana?
The film tells the story of Moana, the strong-willed daughter of a chief of a Polynesian village, who is chosen by the ocean itself to reunite a mystical relic with the goddess Te Fiti.
What is the real story of the princess and the frog?
The Frog Princess novel was originally based on a Brothers Grimm fairytale called The Frog Prince. In that story, a princess loses a golden ball down a well, and the Frog Prince retrieves it for her under the proviso that she will take him with her to the palace and be his friend.
How does the frog prince end?
The frog disappears under the water and emerges a few moments later with the princess’ golden ball in his mouth. As soon as she’s taken her ball back from the frog, the princess runs off home, forgetting to honour her end of the bargain.
Why did the princess cry?
Princess September was crying because one day she found her parrot lying dead at the bottom of its golden cage.
How did Tiana’s mom died?
She dies after hitting her head on the steps as she tries to keep Frollo from seizing her baby.
What fairytale is The Princess and the Frog based on?
The Frog PrinceThe 49th Disney animated feature film, the film is loosely based on the novel The Frog Princess by E. D. Baker, which is in turn based on the Brothers Grimm fairy tale “The Frog Prince”.
Is Prince Naveen black?
Prince Naveen hails from the fictional land of Maldonia and is voiced by a Brazilian actor; Disney says that he is not white. “Disney obviously doesn’t think a black man is worthy of the title of prince,” Angela Bronner Helm wrote March 19 on the site. “His hair and features are decidedly non-black.


Flicks, additionally referred to as a motion picture, motion picture movie, or multimedia movie, is a creative job of visual art using still pictures or recorded media to simulate actual experiences that communicate specific messages, concepts, feelings, views, or environment. Flicks are produced by independent film companies, Hollywood workshops, or tv networks and also are distributed by means of residence video distributors. Motion pictures can be actual aesthetic impacts (think horror films), shop methods, truth shows, comedy spoofs, or part of a joke. The web content of the movies varies from serious subjects to slapstick funny, from fantasy films to science fiction and also from video to industrial advertising and marketing.
Movies may exist in 3 formats: independent films, independent movie circulation business (VDI), and Hollywood producers. Independent film manufacturing business are self-operated and do not market their item to distributors; rather, they make their very own independent movies and distribute them directly to viewers. They might sell their movie stock to producers or direct clients. Hollywood studios produce as well as disperse motion pictures and also release them to theaters. In the USA, VDI (videotape circulation firms) make a house video clip copy of a movie made for launch in the United States and then offer it to movie theaters either by renting out their disks or offering them on consignment.
Motion picture homes or cinemas show a certain film throughout a movie program or event. Movie theatres exhibit only the feature films of a studio or distributor. Some major UNITED STATE cities have multiplexes with several screens, occasionally run by a solitary driver, and a huge range of seating arrangements inside the theatre to suit the large range of visitors who might be in participation. Most of these big screen movie theaters are owned by multiplexes themselves as well as are independently operated.
Hollywood workshops produce and distribute movies and also distribute them to theater, computer game shops, and to houses through mail order. The major Hollywood production and also developing companies have thousands of movie manufacturing and also development centers around the world. Each of the business’s cinema have been developed or refurbished according to the design of the movie and also its special impacts.
An unique event in a city is highlighted by a grand opening for a movie theater. The occasion is the crowning glory of that cinema’s year. It is usually attended by a huge celebration of people, including journalism, digital photographers, as well as the general public. After the grand opening, tickets go on sale to the general public for the next proving of that flick. People go to these cinemas not just to see films yet additionally to go to unique occasions held by the movie theater firm and regional performers.
A day at the movies can come to be an active experience. Movies make fascinating background sound while they are being enjoyed. Hearing the audio of a loud cinema wailing out an old favorite or a character’s name is constantly interesting. The active experiences that a day at the films can use makes for fantastic memories that last a life time. Flick event planning is not as basic as just selecting a date and also a film. There are several aspects that need to be thought about in making a successful event.
Planning eventful experiences for a Hollywood Film Celebration, or any other major occasion in a community’s background, needs a lot of advancement prep work. Employing an expert event organizer that has experience handling active experiences is necessary. They need to do a lot of study and interview individuals to discover what sorts of occasions passion of their clients. The organizer should additionally figure out how the city in its entirety is preparing for the event, specifically with regard to public safety and crowd control.
These professional occasion coordinators will certainly help you take advantage of your motion picture experience. They can organize whatever from home entertainment to promos that will attract individuals from all profession to participate in your special occasions. The very best component regarding hiring an occasion coordinator is that they know the significance of maintaining budgets low and how to strike an excellent equilibrium in between home entertainment as well as neighborhood safety.
Flicks are categorized into two types. The first kind is a motion picture, that includes staged movie and videos. The 2nd sort of films is a TELEVISION show and also consists of tv programs broadcast on regional networks. Both of these kinds of flicks have been around for virtually a century, however the creation of the celluloid movie camera aided to alter the market permanently. Today’s motion pictures take advantage of computer technology, sound, special impacts, as well as CGI in order to develop a globe that is not unlike the globes shown in publications as well as comic books. Unique results are utilized to create monsters and creatures that are extra reasonable than anything that can realistically be created.
There are a number of preferred styles of flicks. They include funny, activity, sci-fi, drama, scary, as well as romance movies. Monthly, there are a number of brand-new releases of popular flicks made by Hollywood. A popular television collection, like “Heroes,” is a staple of a lot of families around the globe.
Along with motion pictures, flicks are likewise created tv in a variety of styles. A few of one of the most popular of these styles are DVD, VHS, and also Betamax. These formats permit customers to store flicks for a longer amount of time as well as to keep them from being misplaced or destroyed. An additional alternative offered for consumers that intend to possess several duplicates of a film is to acquire a VCR/ DVD mix. putlocker
Films have become an integral part of the American society. Many individuals will go to terrific lengths to possess a copy of a favored flick. The popularity of these movies has actually given them a life past the entertainment center of the residence. People that love to watch movies on the cinema will certainly oftentimes lease or purchase flicks in order to take home the titles that they take pleasure in the most.


AU: Blaine tries to tell Quinn his feelings for her a second time but she refuses to talk about it. She thinks he deserves someone better.
AU: Quinn and Blaine had been secretly dating and finally hooked up at the wedding.
Is there any song you want on GLEE? Tell us the song, by who, and who you want to hear singing it! Check out some suggestions below!
Note: the ones that have a ? need someone to sing them! You can suggest who should be singing these songs
“So, are you ready for round two?”
He can hear the smile in her voice, and his lips curve in a smirk as he turns to face her.
“Yeah, just let me limber up a little before you ravish me again.”
Her smile widens as she shakes her head. “Shut up and get over here.”


A documentary about David Bohm is a great followup to Thrive, which I so enjoyed. Einstein called Bohm his “spiritual son,” and the Dalai Lama named him as his “science guru.” A feature documentary Infinite Potential: The Life and Ideas of David Bohm was just released. The producer Paul Howard says Bohm merges, into his physics, “profound ideas which have been known for millennia by the mystical traditions of the east, a realization that the whole Universe is contained in each part of the universe and that all of time is contained in each and every passing moment. A wholeness that is held together by Consciousness itself.”
The film’s website itself is rich with insights, especially the blogposts by scientists who knew David Bohm.
Bohm was a brilliant physicist who explored consciousness and the underlying nature of reality. He glimped the profound interconnectedness of the Universe—and our place within it. Bohm’s insights are transformational for anyone. I (Jeane) watched the trailer and ordered the film. I can’t overstate the importance of the film’s themes of wholeness, oneness, our essential interconnectedness and the evolving convergence of science and spirituality.


Nick Pollard quoted Quentin Tarantino as saying that “Cinema is the new church.” Christians therefore need to take cinema seriously and to think about it missiologically. Can we find a way to do effective film outreach? Nick outlined some basic questions that missionaries ask:
- What are the stories of this culture?
- How do they shape the people’s beliefs and values?
- How can we communicate the gospel to people with those beliefs and values?
- Can we use those stories in our communication?
In a media-dominated society, stories are told in the cinema, on TV, and in popular music, as well as in many other contexts. Can we understand these stories and use them?
Nick described how Damaris UK had used this thinking to enable them to make a positive contribution to contemporary popular culture. They had begun working with mainstream film distributors to create official resources for the film’s release. This enables effective outreach by connecting with high-profile stories and helping people to reflect on the beliefs and values explored in the film, which creates a great opportunity for churches to explain the Christian message in relevant and appropriate ways.
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