Nice to meet you!
I'm Melanie! I am a recent grad of Chapman University's Dodge College of Film and Media Arts. In May I graduated with honors, earning my BFA in Digital Arts, emphasizing in Art Direction and minoring in Film Studies. I recently moved to LA and finished an internship this summer at Moving Colour, an animation studio based in the Downtown Arts District of Los Angeles. Passionate about the industry since Blue's Clues, I am currently pursuing entry-level positions in visual development and animation production.
- NEW During my internship at Moving Colour I cleaned-up and colored rough animation on a large scale project for Syfy25: Origin Stories series. Check it out!
- Collaborated with SYFY WIRE, part of the Syfy Channel to promote Luc Besson's "Valerian and the City of a Thousand Planets." The piece was promoted in a special featurette, with a special guest appearance by the director himself!
- Chapman Kappa "Fleurish: Finding Your Inner Beauty" Promotional Video
- Calliope Art & Literary Magazine (Spring 2016)
- "Characters: The Artwork of Melanie Duke"
- Formerly exhibited at Chapman University's Leatherby Libraries


United States of Play (SOP)
The only non-musical, non-improv, tri-co, theatrical organization on campus!
United States of Play is a tri-co theatre group that seeks to encourage theatrical engagement and growth on each of its three member campuses. The group offers various theatrical services, such as acting exercises, short skits, practice monologues and staged readings, in addition to the production of at least one larger scale dramatic (meaning non-musical and non-improv) production each semester. This is a chance to develop and explore your theatrical talents, be they in acting, directing, costume design, lighting, set design, tech crew, or just critical reading. SOP welcomes interested students of all skill levels! No previous experience in theatre is required.


Chiyaan vikram thangalaan Movie release date,cast,review – The dialogue for Pa Ranjith’s 2024 historical Tamil film Thangalaan, also known as Thangalan, was written by Tamizh Prabha. Malavika Mohan, Parvathy Thiruvothu, Pasupathy, Daniel Caltagirone, Harikrishnan, and numerous others played supporting roles alongside Chiyaan Vikram, who played the key roles.
Thangalaan Music Director
The movie’s soundtrack, composed by GV Prakash, will be available in Malayalam, Tamil, Telugu, Kannada, and Hindi. Vikram’s most recent appearance was in Ponniyin Selvan II, Mani Ratnam’s masterpiece.
Natchathiram Nagargiradhu, a romantic musical drama, was Pa Ranjith’s previous feature film. In addition, the director plans to helm a follow-up to his sports drama Sarpatta Parambarai.
The film’s soundtrack and background score were written by G.V. Prakash Kumar, while Kishor Kumar handled the photography and Selva Rk managed the editing.
This movie was produced by K.E. Gnanavelraja under the auspices of Studio Green and Neelam Productions.
Thangalaan is a historical drama film based on true events that happened in Kolar Gold Fields (KGF).
Ranjith had previously directed Natchathiram Nagargirathu, while Vikram had previously starred in Ponniyin Selvan by Mani Ratnam.
The title introduction video of the film increased excitement for its release due to Vikram’s rugged and rustic appearance. A video revealing the film’s title and its first teaser were released on October 23, 2022.
Update on Thangalaan Teaser On November 1st, Chiyaan Vikram and Pa. Ranjith’s Thangalaan teaser will finally release, thrilling fans and bringing an end to their lengthy wait.
On November 1st, be ready to be enthralled with a teaser that will undoubtedly surpass your expectations.
thangalaan Movie release date
Date of Release On January 26, 2023, the film Thangalaan—which was shot in Tamil, Telugu, Malayalam, Kannada, and Hindi—will make its theatrical debut.
Chiyaan vikram thangalaan Movie cast details
- Director: Pa Ranjith
- Story: Pa Ranjith
- Dialogue: Tamil Prabha
- Cinematography: Kishore Kumar
- Music: G V Prakash Kumar
- Producer: K. E. Gnanavel Raja
- Production: Neelam Productions, Studio Green
In the Tamil cinema industry, Pa Ranjith is a well-known director who is renowned for his distinctive storytelling and socially concerned topics.
Popular music composer G V Prakash Kumar is well-known in the Tamil cinema industry for his melodic compositions. Two production organizations working on the movie are Neelam Productions and Studio Green.


So, while I've been laid up I've gotten to watch a lot of TV, which includes a few movies. So since I'm bored at the moment I figured why not talk about them a little.
It's kind of odd that my friend Cary would post on his blog today about watching Aeon Flux and Ultraviolet recently as I myself just watched Aeon Flux the other day and Ultraviolet is up soon. I basically agree with what he said about the former. It was a decent action flick and the story and acting was pretty decent. I never watched the old MTV cartoon, so I didn't have anything to compare it to except for other movies, but it was good for what it was. It had some cool action sequences and so forth as well.
As for Ultraviolet, I didn't have high hopes for it, and after reading Cary's thoughts I still don't. But I'll watch it anyway just once.
I also finally saw Rent last night. I had never seen the play, and I'm not one much for musicals, but the opening number really appealed to me, so I gave it a shot. Turns out it was much more about equality and tolerance than anything else, but for a musical it was a pretty good one. I think they tried to push certain things on the audience, but all in all it had some good messages intertwined and both the singing and acting were really great. I didn't know Taye Diggs and Rosario Dawson could sing like that either! And I'm not normally a huge fan of Dawson, but she was superb in this role. So kudos to her.
Friday Night Lights is a favorite show of mine at the moment, which is strange because I've never been into football. For some reason I just really like the drama of this series, and here in it's second season the show is still hitting on all cylinders for me.
I caught a little bit of Miami Vice the movie as well, and that was really enough for me. In the first few minutes it looked a lot like a million other movies out there. I may finish it, I may not, but I can see why it didn't do great.
Let's see... oh yeah, I finally saw Silent Hill. That was a strange and violent movie. I've never played the game, but the movie was not nearly as bad as I thought it would be. A little more violent than I cared for, and some of the acting and direction was just bad, but I've seen worse.
Smallville is getting dogged by a lot of online fans, but I still like the show. It's winding down, and certain relationships are finally showing signs of coming to a close, and I'm ready for Clark to embrace his legacy personally. But while Lana now irritates even me, I'm glad they stretched out the on again/off again romance with her and Clark. This was the first love of his life, the only woman he imagined ever being with long term, and it should have taken this long for him to get past her. With what they have done with her character, too, it not only has made the fans hate her, but it has also made Clark realize this isn't the woman he fell in love with so many years ago. And while he has yet to abandon this failed love, you can see it coming, and it will be that much more glorious when it does happen. If it had ended in season one or two we would have felt terrible for Lana and wondered why, even though we knew it had to happen. But now it just makes much more sense why he would go for Lois.
There are other shows and movies I'm leaving out, but I gotta have something to talk about next time, right?


I am working with a newly-hired junior copywriter on some radio spots for a CPG company. She just showed me her first shot at the scripts and they are good, though they are about :60 too long.
I spend most of today at an editing house, recutting a 60 second spot to hold an unfortunate 75 seconds of copy. It’s like trying to cram Rosie O’Donnell into Mary Kate Olsen’s jeans. The original copy is 167 words; the revised is 226. Why the extra 49 words? Because the client didn’t run the storyboard by DDMAC before it was shot.
Love the “cram Rosie into Mary Kate’s jeans” line, though the visual makes me a little ill.


I have been watching the CW’s The Vampire Diaries (TVD) since it first started to air in the fall of 2009. The show is based on L.J. Smith’s book series, but the writers, namely Julie Plec and Caroline Dries, began to take their own direction as the show became more popular after the first season. While the plotlines are not necessarily always strong, the character development remained pretty consistent throughout, especially during the first few seasons. The show had value and was always entertaining, I found. Whether it was the handsome, leather-clad Salvatore boys that kept you watching, Damon Salvatore’s incredible ability to make you laugh with his snarky attitude and sometimes dark humour, or the supporting characters, one thing remained constant: Elena Gilbert (played by Nina Dobrev). The Vampire Diaries is a love story between Elena Gilbert and Damon Salvatore (Ian Somerhalder), and while fans will have their ‘ship wars’ and argue that a triangle including Stefan Salvatore (Paul Wesley) still exists, the show had established itself as a romance with Elena at the centre from day one.
So what went wrong? The end of season 6 had me in tears. It had fans all over the world up in arms. It had ‘Delena’ (Damon and Elena) fans crying their eyes out. Why? Because Elena ended up in a witchy coma that would only let up when her best friend dies. Horrible, I know. Julie Plec had announced in early May 2015 that Nina Dobrev would be leaving the show after season 6, so imagine what fans would be feeling. They’d be speculating between the tears – will Elena die? Will she leave Mystic Falls, her hometown? How could the writers tell us this? The show is ruined! I know that’s how I felt. Still, I am incredibly happy for Nina for accomplishing so much in her acting career so young. But here’s the thing – the show should have ended with Dobrev’s departure.
You have a show that is built on a love story between two characters. Take one of those characters away, and now, depending on how long you intend to keep the show running, eventually you will have to change up the show. I don’t think it’s realistic to break down a foundation that quickly. The catch is that Dobrev said she would come back for the series finale if needed, which frankly, changes everything. See, if the TVD writers decide to end with season 7, this storyline could actually work. Nina Dobrev not being in any episode other than the finale could actually work. The only problem I have then is that I was rooting for Elena Gilbert since day one. The fans wanted her to have a happy ending, and if that ending is going to be prolonged in order to keep the show running (when it had the chance to end on a great note), then I’m not sure I want to remain the dedicated viewer that I have been for the past six years. Fans such as myself begin asking whether profits have become the priority, rather than good storytelling. I understand that it is a business – that other very talented actors including Ian Somerhalder, Paul Wesley, Kat Graham, Candice Accola, Matt Davis, etc. rely on this show. Nevertheless, at the end of the day, you are providing entertainment for viewers, and if fans are not happy then the show will not last. I have supported the cast and crew of The Vampire Diaries since the first season, and I am extremely disappointed that they did not end the story with Nina’s departure. It would have made sense. It would have been a good way to close the TVD chapter for everyone.
Don’t take me wrong – I’m not saying that season 7 will definitely flop. There’s hope for it, especially if they are still making Elena Gilbert the centre (despite her not being there). But if the writers are trying to turn the show into Supernatural 2.0, I can guarantee a flop. A show that has been built around a young teenage girl falling in love with vampires will be difficult to turn into a show that is built around two supernatural brothers and their adventures. It’s not impossible, but it will bring in a new audience, and it will leave the original hard-core fans bitter. This is a personal opinion, and I’d like to take the time to say congratulations to Nina Dobrev for her great work and the fact that her latest movie The Final Girls has been selected to air at the Toronto International Film Festival (TIFF). Giving my best to the TVD cast, and I truly hope they can make it work without Nina, but I can’t fully commit to a show that is continuing without most of the fans’ (including mine) favourite lead character, Elena Gilbert. Here’s to a phenomenal six seasons!
Please leave your comments below – would love to know if there are any TVD fans/shippers around here and how you feel about what’s happened. Are you optimistic, or not so much? Let us know! We’d love to see a friendly debate take place in the comments! 😛


Unexpected Places presents 'All Theatre Should Be Physical', a two-day performance boot camp on 12th and 13th August at Cobbett Hub & Library, Bitterne Park.
On day one the group will explore different techniques to lift scripts off the page, and create new scenes that focus on visual aspects of theatre and performance. On day two, group members will bring in an item with which to create a short play. Both days run from 10-4pm with a performance to friends and family at 4pm on the second day. The days can be booked individually for £30 or together as a two-day workshop (£55).
For more information and to book your place, email email@example.com.


rebel wilsonNew details in the memoir continue the promise of not being silenced or intimidated while shedding light on the misconduct she encountered in the film industry. Rise of rebels. Earlier this week, the actress revealed her grimsby brothers supporting role sacha baron cohen as “Big bastard” She discusses this claim in her book “It’s obviously fake.” A new excerpt from the upcoming film claims the actor pressured Wilson to film inappropriate scenes during the 2016 filming of the film.
“It feels like every time I talk to SBC, he mentions that he wants me to be naked in a future scene. I’m like, ‘Huh, I don’t do nudity, Sasha,'” Wilson wrote, according to peopleShe went on to recall a day on the set of a football stadium in Cape Town. “SBC called me through a production assistant and said they needed me to shoot an extra scene. ‘Okay, okay, we’re going to shoot this extra scene,'” SBC said, she began. “And he took it off. pants…SBC said very matter-of-factly, “Okay, now I want you to stick your fingers up my ass.” I was like, ‘What? ? ……No! ! ‘”
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Wilson previously credited Cohen with being the catalyst for her adopting a strict “no asshole” policy at work. Of this particular scene, she wrote, “I was scared now. I wanted to get out of there, so I finally gave in: I slapped him and improvised a few lines for the character.”
She added that when it came time to complete reshoots for the film, she asked for the sex scenes to be rewritten, but they still had to be completed. “I still had to simulate having sex with this guy. I still had to kiss him over and over again,” she said, adding that at the time, she was encouraged to “be professional and finish the movie” by laughing it off — or trying to do so. I relayed to the producer that I would not be doing any promotion for the film. “
Wilson now believes the film’s failure was a result of Cohen’s alleged actions. “The movie bombed, which to me is karma,” she wrote of the film, which made back $28 million of its $35 million budget. “Anyone, that’s not my motivation for sharing this story. I’m sharing my story now because the more women talk about things like this, the less likely it will happen.”
in a statement rolling stones, a representative for Cohen denied Wilson’s account of the interaction. “While we recognize the importance of speaking out, these patently false claims are directly contradicted by a wealth of detailed evidence, including contemporary documents, film footage and eyewitness accounts from those who were present before, during and after the Grimsby brothers’ production,” the statement read.
The Cohen team also provides people Some people’s anonymous statements seem to haunt these scenes and recall them in different ways. A producer added: “According to the script that Rebel read and approved in advance, her character tried to put a finger up Sasha’s character’s ass. At no point did Sasha actually ask her to put a finger Put on his ass? Throughout this entire period, she was treated with the utmost respect and empowerment and welcomed as a collaborator in all creative fields.”
However, separate statements from Wilson’s sister and close friend recalled the actress contacting them shortly after the incident on set, despite a writer-producer insisting it was “a predetermined, scripted scene.”
Earlier this week, Wilson hinted that Cohen was pursuing legal options to block the release of her book, which she reiterated only discussed him in one chapter. “Don’t worry, I’m not going to be bullied or threatened by this guy,” she shared on Instagram Stories. “I’m working hard behind the scenes to make sure my book comes out! Plus, my book is not about this guy — it’s Just one chapter!”
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CHANNEL A TV Presentation: As Seen On TV Interviews.
INTERVIEW/ VIDEO DIRECTED BY: Davies Chirwa.
SPECIAL GUEST: Dustin Kaspar (Educational Programs Manager / Programmer) and Justine Barda (Programmer).
VENUE: SIFF Theater.
TV PROGRAM: Community Development Programs.
LOCATION: Seattle, Washington.(U.S.A).
PRODUCERS: DC Productions International.
EXECUTIVE SPONSORS: SIFF Executives & DC Productions LLC.
SPECIAL THANKS: SEATTLE INTERNATIONAL FILM FESTIVAL.
CONTACTS: www.siff.net and www.channelatv.org
DC PRODUCTION FILMS for CHANNEL A TV. 2013 (c) All Rights Reserved.
Film is a powerful art form, and it is the experiences we have with film that can transform our lives. SIFF does just that: their mission is to create experiences that bring people together to discover extraordinary films from around the world. It is through the art of cinema that they foster a community that is more informed, aware, and alive.
SIFF provides an outstanding film-centered experience while expanding the model of passionate film presentation.Innovation. We infuse our programs with original ideas that connect our audience to new means of experiencing film.
Respect. SIFF has unconditional appreciation for our stakeholders as well as the extended communities we serve.
Sustainability. SIFF recognize that sound financial accounting and management are vital to their vision of long-term organizational health.
Membership. SIFF Membership offers film lovers discounted ticket prices to our regular SIFF Cinema programming, as well as deep discounts to Seattle International Film Festival. Learn more about becoming a Member.
Volunteers. Volunteers are an essential part of the SIFF community. SIFF engages more than 1,000 year-round volunteers, who have contributed over 16,000 hours of work during our 2011-2012 fiscal year.


Rakht Charitra 2: A Gripping Crime Thriller Based on True Events
If you are looking for a Bollywood movie that is full of action, drama, and suspense, then you should watch Rakht Charitra 2. This movie is the second part of a two-part series that depicts the violent feud between two political rivals in Andhra Pradesh, India. The movie is based on the real-life story of Paritala Ravindra and Maddelacheruvu Suri, who were involved in a series of assassinations and counter-assassinations in the 1990s and 2000s.
Rakht Charitra 2 was released in 2010 and directed by Ram Gopal Varma, who is known for his realistic and gritty filmmaking style. The movie stars Vivek Oberoi as Pratap Ravi, the leader of a powerful political party and the son of a slain rebel leader. Suriya plays Surya, a former Naxalite who seeks revenge for the death of his family members at the hands of Pratap Ravi. The movie also features Shatrughan Sinha, Sudeep, Priyamani, Radhika Apte, and others in supporting roles.
The movie begins with a recap of the events of the first part, Rakht Charitra, which shows how Pratap Ravi avenges the murder of his father and brother by killing their killers. He then becomes a popular and influential politician with the help of his mentor Shivaji Rao (Shatrughan Sinha). However, he also makes many enemies along the way, including Surya, who blames him for the death of his father and wife.
Surya attempts to kill Pratap Ravi by planting a bomb in his convoy, but fails to do so. He then surrenders to the police and is taken to court for trial. Pratap Ravi sends his men to kill Surya in the court premises, but Surya fights back and kills them in front of the judge. He is then sent to jail, where he narrates his life story to a fellow inmate named Muddu Krishna (Sushant Singh).
Muddu Krishna decides to help Surya escape from prison and kill Pratap Ravi. He contacts Krishnaswamy (Kota Srinivasa Rao), the leader of the opposition party, who offers to support Surya if he can assassinate Pratap Ravi. Surya agrees and plans to kill Pratap Ravi during a public meeting. However, he faces many obstacles and challenges along the way, as Pratap Ravi is well-guarded and alert. The movie ends with a climactic showdown between the two rivals.
Rakht Charitra 2 is a thrilling and engaging movie that keeps the viewers hooked till the end. The movie has a fast-paced and gripping narrative that does not let go of the tension and suspense. The movie also has some powerful and intense performances by the lead actors, especially Vivek Oberoi and Suriya, who portray their characters with conviction and charisma. The movie also has some impressive action sequences and realistic violence that add to the impact of the story.
The movie also has some drawbacks, such as the excessive use of blood and gore, which may not appeal to everyone. The movie also has some factual inaccuracies and dramatizations that deviate from the actual events. The movie also has some weak dialogues and songs that do not match the tone and mood of the movie.
How to Watch Rakht Charitra 2 Online
If you want to watch Rakht Charitra 2 online, you have several options to choose from. You can watch it on ZEE5, which is an OTT platform that offers a wide range of movies and shows in various languages. You can also watch it on YouTube , where you can find the full movie uploaded by Rajshri, a popular entertainment channel. However, you may have to deal with some ads and low-quality videos on YouTube.
Alternatively, you can download Rakht Charitra 2 from various websites that offer free or paid downloads of movies. However, you should be careful about the legality and safety of these websites, as they may contain viruses or malware that can harm your device. You should also respect the intellectual property rights of the filmmakers and avoid piracy.
Rakht Charitra 2 is a movie that will appeal to the fans of crime thrillers and action movies. It is a movie that showcases the dark and violent side of politics and revenge. It is a movie that has some stellar performances and gripping direction. It is a movie that you should watch if you are looking for a thrilling and engaging experience.
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A secret her life depends on. A young man out for revenge. To save her family, she’ll have to practice black magic.
Eva’s finally found the love she’s been longing for and her family is finally safe from the tyrant mayor. But a secret she’s desperate to keep hidden has the potential to cost her everything.
As her eighteenth birthday approaches, Eva is dealing with the prospect of being forced into marriage. But with a tyrant mayor on the hunt for her kind, keeping her secret has become a matter of life and death. But there’s a young man ready to expose her, and nothing can prepare for her a deceitful turn of events that leaves her devastated.
With the forces of evil threatening to destroy her family, Eva may have no choice but to turn to black magic, but at what cost?


Picture life in a remote and idyllic coastal village, lush with greenery and poetic in the lazy back and forth of its bordering sea. Here, the drag of time complements the ponderous quiet. The sweet songs of the birds, and not the din of the traffic, adorn the crisp air. In such an environment, it is easy to fall prey to romantic entrapments, or just plain lust – in most cases one can’t tell the difference. Every addition to the sparse population is an object of open and unabashed interest, a promise of a break from the norm, an escape door. The irony intertwines in a strange dance: the incoming look to escape to the serenity, and the locals look to escape a life that has become banal to them. Add personal tragedy and trauma to the mix, and you have a compelling story of how situations, circumstances, and environments shape man’s actions.
Sleeper’s Wake, based on a novel with a similar title by Alistair Morgan, is a South African movie with pretty much this setting. John Wraith is in his mid-forties and has just lost his wife and daughter in a terrible car accident. His trauma feels worse as he fell asleep on the wheel, causing the accident. He retreats to the remote coastal village, where he gets involved with a family mourning its own loss: Roelf, his teenage daughter Jackie and her younger brother Simon. They are reeling from the loss of their wife and mother in a horrific home robbery. A shared trauma, an idyllic environment, and various forms of escapism lead John to fall for Jackie’s audacious seductive games, and what unfolds, albeit painstakingly, is a gripping psychological thriller.
You wouldn’t enjoy this movie should you watch it immediately after the latest Fast & Furious, as the plot reveals itself slowly, which is remarkable since the movie runs for just about eighty-eight minutes. A good deal of effort is made to induce a touch of poesy in the screenplay – picturesque scenes are displayed for a tad longer than normally, accompanied by soft piano soundtracks. Perhaps this is necessary as the plot appeals primarily to emotion and psyche. The overall effect is almost literary, almost because the development of the plot is somehow disjointed and doesn’t flow as effortlessly as one would expect.
There’s slight disappointment however in character development. Jackie’s brother Simon only plays a peripheral role and later disappears, presumed to have escaped from their controlling father Roelf. The movie ends without him being found. It is also not clear what role a domestic worker plays after she appears at John’s house seeking employment, and, apart from chancing in on Jackie and John after one of their romps, she virtually fades away.
The acting is above average, particularly by Jay Anstey (Jackie), who has made a notable transition from acting in the SABC TV drama Isidingo to the big screen. Lionel Newton’s portrayal of the troubled John is also profound.
If you have a taste for the slightly morbid and unorthodox, as well as a literary taste, this could be a movie for you. I would recommend it as a fairly good flick.


Big Picture Learning students....do you have a passion for filmmaking? Submit your short student films for consideration for the first ever national Big Picture Learning Film Festival!
If you have an interest or passion for filmmaking, this competition is for you! Lafayette Big Picture senior Caleb Gretsky has launched the first ever National Big Picture Learning Film Festival as part of his Senior Thesis Project.
Contests who are interested in participating should shoot and submit a five to ten minute film following the theme - Where are you From? Your film may not contain any nudity, nor should it contain any copyrighted material (music, images, etc.).
The deadline for any submissions is March 30, 2017.


|Scott Fensterer and Belinda at his "Face Off"season premier party|
It didn't take many store visits and a class or two to realize this guy really knows his stuff! As an added bonus, he doesn't just go through the motions of doing his job, he's really passionate about what he does. Though his passion is not strictly Halloween make-up and special effects (we forgive him), his acquired skills at character make-up recently won him a place on the current SyFy Network season of "Face Off"!
It was our honor to be included in his "Face Off" season 9 premier party and get to see our new friend accomplish one of his major career goals. This last Tuesday night we watched episode four and got to see him win his first challenge! We are so happy to see our friend on this wild ride and wish him the best of luck!


In celebration of William Shakespeare's 450's birthday, Junior teamed up with the director Amelie Niermeyer to do the music for the theater piece The 12th Night or Was Ihr Wollt at the Residenz Theater in Munich.
released November 28, 2014
Lyrics by Shakespeare
Music by Junior
Produced by Fabian Kalker
Mixed & Mastered by Hannes Bieger
Backing Vocals by Rosalie Eberle


Intelligent, Thought-provoking, Resonant, Absorbing, Great acting, Great writing, Funny
It was all about friendship and understanding different points of view. It showed that people can disagree without screaming and walking away from each other; that there are common threads between us.
Playwright David Payne...would like us to remember these men as much for their legendary friendship as their legendary fantasies.
"Where would we be without friends?" opens Tolkien (played by Gordon Tett with mincing British austerity). "Some make a modest impact on one's life and some an impact so profound that you know you would not be the person you are now without that friendship." It's a speech that anticipates a love to rival Glinda and Elphaba...
As the literary giants sit in their adjacent chairs, we hear Tolkien's thoughts on the "True Myth" of Christ (the argument that famously helped solidify Lewis's Christian beliefs); Lewis's summary of his marriage to Joy Davidman and her tragic death, his reflections on which are poignantly captured in his book A Grief Observed; and the inspirations for both The Chronicles of Narnia and The Lord of the Rings, including vows that neither would ever be made into films (wink, wink).
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British acting duo David Payne & Gordon Tett thoroughly impressed at the opening night of “Lewis & Tolkien- Of Wardrobes & Rings” at the Sheen Center on Bleecker Street in Lower Manhattan. Starring as the two legendary writers C.S. Lewis & J.R.R. Tolkien respectively, both actors were so at one with their parts that they literally seemed to be the writers themselves.
Staged in a single set, the Rabbit Room, a sitting room at The Eagle & Child, the legendary pub in Oxford in 1963, the legendary authors mused, sparred, chatted, reviewed, waxed poetically, shared & at times even sat in uncomfortable silence throughout better part of the morning in Act I, followed by an after lunch session in Act II. What emerged was a story far more than the sum of the lines delivered. What the production lacked in traditional theatrical fare like staging, lighting, wardrobe, etc. was more than made up for in quality of material & finesse of delivery.
Payne & Tett both demonstrated incredible command of the script, which was so rich with words that I was left astounded by how actors can possibly remember so many lines & then deliver them with such conversational ease. When, during intermission, it was learned that David Payne also wrote the play, the feat was a bit more clearly understood in his case, but that left Tett to have accomplished his by sheer talent, which both possess ad infinitum.
The story is intriguing, the characters are both enigmatic & approachable, & the message is universal & goes far beyond a simple recitation of historical fact & data.
This play was beyond amazing. I experienced such catharsis from the actors. It made me feel like I was actually there. I experienced laughter, and sadness (tears). The actors and staff were super professional! I plan on attending this play again, but this time with more friends to join.
Superbly written and acted drama...What a fascinating and wide-ranging and enriching relationship...what a privilege to have been able to experience "being in the presence of" these two great men. This three-character cast is superb! The young woman proprietor (Audrey Ney) of the pub - where Tolkien and Lewis have their final meeting - is likable, engaging, and has an obvious knack for the comical. And of Tolkien (Gordon Tett) and Lewis (DAVID PAYNE - who also wrote this drama): it was like being there in the pub with Tolkien and Lewis themselves!


Many years ago I stumbled upon a quirky, creative, and insightful movie. This movie featured several scenes involving fairly prominent actors. The short scenes totaled no more than several minutes each.
Each scene highlighted a different theme ranging from humorous, to scientific, to melancholy, and even ironic.
Each short had different actors. In one, Bill Murray and members of the Wu Tang Clans acted out a scene. Another featured Steve Coogan and Alfred Molina. Anther short in this movie had Jack and Meg White playing with a Tesla coil. Cate Blanchett plays a dual role in one vignette. Even Iggy Pop and Tom Waits have a short scene together.
Though the topics vary, each scene has similarities. Each is shot in black and white, and is centered around a pseudo-casual conversation. Whilst the conversation is underway, at least one person involved is enjoying coffee, and cigarettes. The name of this film is derived from this very activity.
Coffee and Cigarettes.
I have rewatched this film several times over the years, and have found value in all of the short scenes. Again, some are outright silly, and others are quite thought provoking.
One scene, I truly never gave much consideration to in the past. I each viewing, I actually found it rather inane. Each time I saw it it seemed pointless, the discussion just drivel between two people completely out of touch with each other.
But recently I’ve given this snippet a bit more consideration. The movie Coffee and Cigarettes came out in 2003. I purchased it not long after its release, and amazingly, I still have the DVD. But without the proper exposure to human tendencies, this particular interaction had little significance.
Over time, over conversations, and over countless interactions with many human beings, the brilliant insight of this scene has become incredibly apparent.
Think about your life, and your interactions. I encourage careful, patient, and scrutinizing thought in this matter. Think about those who lend an ear. Think about those that are “there for you.” Also, think about what they wish to talk about, and when they are there for you.
Are they interested in hearing about you, and how you are feeling about a particular situation? Or are they interested in the drama surrounding it?
Will they pick up the phone and talk to you, or sit down and have coffee with you? (Cigarettes not necessary) Or will you only get an email or text message?
Are they concerned about your well being before and after a traumatic event? Or were they absent before, ever present during, then invisible after the troubles?
Do they support you when you just want to chat about a fleeting idea in your head? Or are they only interested when your relationship falls apart so that they can say they were there to help you fix your life?
Do they walk with you daily? Weekly? Perhaps they visit you a few times a month? Or do they appear from the brush right at the moment you’ve fallen, to forcibly yank you off the ground, give you a dispassionate thunk on the back, tell you “You’ve got this!” and then run right back into the trees?
Who really knows you? Who truly cares?
And who is only really, truly, interested in the drama?
P.S. I thought viewing the scene from the movie would be valuable. Here it is for your consideration.


Shahab Hosseini, winner of the Best Actor award at Cannes in 2016 for his intricate and layered performance in Oscar-winning Asghar Farhadi’s ‘The Salesman’, is attached to star in Mitra Tabrizian’s ‘The Far Mountains’.
A coming-of-age tale nuanced with an allegorical undertow, “The Far Mountains” marks Tabrizian’s sequel to his critically acclaimed feature debut “Gholam,” also starring Hosseini and selected by Mark Kermode of The Guardian/Observer as Movie of the Week upon release. “Gholam” was released theatrically in the UK and on major VOD platforms internationally.
“Gholam” producer Zadoc Nava of London-based Stray Dog Films will present “The Far Mountains” at Locarno’s Match Me! where it looks like one of its highlights. to the networking initiative.
Written by Tabrizian and Cyrus Massoudi, the co-scribes of “Gholam”, “The Far Mountains” centers on Ali, a 12-year-old boy living in a small town in Iran whose mother disappeared when he was very young. His father is now married.
Troubled, hungry for his father’s attention, he loses the injured bird he was diligently caring for and sets out to get revenge, whatever the consequences.
“The Far Mountains” has already generated considerable industry interest. Dutch production house Rinkel Film’s Reinier Selen (“Nasir” “Rafiki”) co-produced from the Netherlands; BAFTA-winning producer Janine Marmot (“Birdsong,” “Kelly + Victor”) serves as executive producer.
Raphael Berdugo of Cité Films in Paris, an auction house for classic and crossover art films, has acquired the international sales rights.
“It’s a coming-of-age story with a difference – an allegorical tale about the current situation in Iran with little or no future for the younger generation,” Tabrizian commented.
“Ali, the reckless 12-year-old must come to terms with his mother’s disappearance!” she said. “The film differs from the usual family drama – it focuses on the effect of the mother’s absence, rather than the reason behind it. The mother has a significant presence. But you never know why she has faded away.
She added: “In this regard, it departs from a more conventional narrative and departs from the ‘existential problem’ of Michelangelo Antonioni’s ‘L’Avventura’ despite the influence, where the woman also disappears without explanation. In the context of Iran, the film raises a different question: was his disappearance politically motivated?
Hosseini has always received praise for his performances. Owen Gleiberman wrote in his Variety criticize that “The Salesman” was “beautifully performed” by Hosseini and Taraneh Alidootsi, who plays his wife, “Shahab Hosseini mesmerizes as an Iranian exile in London,” Kermode said of “Gholam.”
British-Iranian artist turned writer-director, Tabrizian’s shorts include 2019’s “The Insider”, made in collaboration with Booker Prize winner Ben Okri, and commissioned by London’s Coronet Theater to accompany “The Outsider” by Albert Camus adapted for the stage by Okri. The film was also screened at the British Museum and the Smithsonian Museum in Washington.
As a photographer, Tabrizian’s solo exhibitions at the museum include Tate Britain in 2008. In 2021 she received an Honorary Fellowship from the Royal Photographic Society for Innovation and Contribution to Photographic Art.
A former director of documentaries, commercials and shorts, Zadoc produced Tabrizian’s previous shorts, including “The Insider.” He was included in the Berlin Talent program
in 2017 and 2019 in Film London’s inaugural Lodestar list of London’s 25 most promising filmmakers and creative talents.
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“What I wanted was a dazzling flash piercing through the body, enough that the eyes start spinning, enough to stop breathing, enough to tremble” (translations may vary) ― is the most beautiful line in this movie, for me that is.
Drowning Love or Oboreru Knife (溺れるナイフ), which is its original title in Japanese, is a movie adaption of a manga of the same name by George Asakura. The story is about Natsume Mochizuki , a beautiful fifteen-year old girl who models for teen magazines in Tokyo suddenly has to move to a rural town called Ukigumo. There she meets an infamous boy, Kouichirou of the Hasegawa family, and from then on she begins to feel ‘something’ in her body like a surging wave. However, one unfortunate night changes their fate and sets a ripple of events that will lead them apart.
I had been waiting to see this movie for a long time and finally it’s now available and subbed at kissasian.com.
Truthfully, I had such big expectations for this movie, especially since the trailers looked promising. It seemed that the movie had been faithful to the original story. But of course, a manga with 64 chapters spanning the life of a girl since she was in sixth grade up to high school can only fit so much in an almost two-hour film.
I have already finished reading the manga and I am actually a fan of it. I consider it as my most favorite shoujo manga (as there is nothing to beat it yet) since it has very well fleshed-out characters and a heroine that deviates from the norm. But I digress, this is about the movie not the manga.
Drowning Love is a film that brings audiences the flair of tension, drama, and bittersweet love. If you want a sweet teen romance, this is not what you are looking for.
THE MAIN CAST:
The first time I saw Nana Komatsu in The World of Kanako, I believed that she would be the perfect Natsume because she had that beguiling expression that looked as if she was pulling you in within the depths of her eyes; the expression which captured the acclaimed photographer Hirono Shougo’s attention and an obsessed fan.
Nana Komatsu may have the expression on- point, however, she doesn’t have Natsume’s spunk. She failed to portray Natsume’s confidence, stubbornness, and sometimes haughty demeanor. She appeared like other regular heroines; timid, fragile, and quiet (or maybe that’s just what movie-version Natsume is supposed to be, I don’t know). The character felt flat.
But there are also scenes where I liked Nana Komatsu’s acting, the two scenes wherein she was crying and the ending scene.
She may not have shown a stellar performance in this film but there is still room for improvement for Nana Komatsu’s acting.
Masaki Suda played as Kouichirou or Kou-chan. Unlike Komatsu, Masaki Suda has a longer list of films under his name and has been quite known for his excellent performances in playing a variety of roles and as one of Japan’s best young actors.
Before watching the movie I initially thought that Masaki Suda would be a great Kou-chan. I believed that he would be able to show why Kou-chan was an enchanting special person to the residents of Ukigumo especially to his peers.
Suda can show this fierce and arrogant expression that matched Kou-chan’s really well. Manga-version Kou-chan has this cool-I’m-bored-what-do-you-want-disdainful look in his eyes.
Kou-chan is a character who knows he is special and is not afraid to use his influence. He is rash and seems to be rather cold and unaffected by many things. Suda was able to show how detached and dismissive his character is to other people and his surroundings but he lacked an air of authority that Kou-chan naturally exudes.
Still, Masaki Suda is a very good actor.
On a side note, I wanted Mahiro Takasugi to be casted on this role for three reasons: 1) he looks more like Kou-chan (that’s just my opinion though!), 2) his pretty boy face, and 3) I want to see him together with Nana Komatsu again.
By the way, special mention to the Ootomo in the film. He is equally as adorable as his manga counterpart. He is played by Daiki Shigeoka.
Although I’ve been saying things about how the actors’ expressions look similar to the characters they portray it’s not like actors always get casted because of their faces. What’s important is how well they act.
Throughout the film you will notice shots that shows what is happening from a distance. It might be experimental on the director’s part but those type of shots are not very common in film. It would depend on the viewer’s taste whether they will like it or not. I did not particularly like it or dislike it, for me it was quite distracting. I think those shots may have worked on a different setting or sequence.
The picture below is an example of a sort of far-away shot (forgive me I don’t know any film shot terms). The sea looked as if it’s cgi to me, I’m not quite sure if it’s just because I’m watching it in high definition or maybe it really is cgi.
Another thing is that the cuts were so abrupt and everything feels so awkward.
Just like how I’m suddenly talking about how the scene below could have been done better. (I mean there could have been more impact and this could have been shot more beautifully.)—abrupt like that.
There are shots that I truly liked though.
My favorite and I think the best sequence in this movie is the Fire Festival.
The concept of the festival in the manga was cooler but the shots for this sequence was truly beautiful.
Conclusively, for me this movie is a 6 out of 10.
I may be biased because I have read the manga—and I’m telling you the manga packs much more than this movie. Even so, I have read comments from people who haven’t read the original content source saying that this is a very good movie. So if you’re curious go ahead and watch Drowning Love at http://kissasian.com/Drama/Drowning-Love.
If you are also interested about the manga you can read it here: http://www.mangahere.co/manga/oboreru_knife/. The translation hasn’t been completed yet though.
(Also it’s best to watch the movie before you read the manga, just like with book adaptations.)
So what about you? Have you watched this movie yet?
Have you read the manga too? If you have, did you like it? Was it good?
Or if you haven’t, do you want to watch it?
Do you have any opinions on my review?
Let me know by leaving your comments below.


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The buzz cut is a hairstyle that has the power to transform one’s appearance dramatically. It’s a bold choice that requires confidence and can make a strong statement. Many celebrities have embraced the buzz cut, either for a role in a movie, a personal style change, or simply as a fashion statement. In this article, we’ll introduce you to some famous stars who opted for the buzz cut and discuss how it changed their look.
1. Charlize Theron:
- The stunning South African actress Charlize Theron shocked the world when she shaved her head for her role as Imperator Furiosa in “Mad Max: Fury Road.” The buzz cut not only emphasized her striking facial features but also showed her dedication to her craft.
2. Natalie Portman:
- Natalie Portman went from her signature long locks to a buzz cut for her role in the movie “V for Vendetta.” Her buzz cut showcased her exquisite bone structure and conveyed a sense of strength and independence.
3. Chris Hemsworth:
- Known for his portrayal of Thor in the Marvel Cinematic Universe, Chris Hemsworth decided to go for a buzz cut in real life. This change highlighted his rugged good looks and showcased his versatility beyond his iconic character.
4. Amber Rose:
- Model and actress Amber Rose is famous for her buzz cut, which she has maintained for years. Her shaved head became her signature look and symbol of self-confidence.
5. Jason Statham:
- Action star Jason Statham has been sporting a buzz cut for most of his career. His no-nonsense haircut complements his tough-guy image and suits the action roles he’s known for.
- Singer-songwriter Halsey is known for her ever-changing hairstyles. She rocked a buzz cut and showed that it can be a powerful choice for female artists in the music industry.
7. Millie Bobby Brown:
- The young “Stranger Things” actress Millie Bobby Brown opted for a buzz cut for her role as Eleven in the series. Her buzz cut allowed her to convey the character’s strength and vulnerability convincingly.
8. Zayn Malik:
- Former One Direction member Zayn Malik has experimented with various hairstyles over the years, including a buzz cut. It gave him a more edgy and mature appearance.
9. Danai Gurira:
- Actress Danai Gurira shaved her head for her role as Okoye in “Black Panther.” Her buzz cut beautifully complemented her warrior character and showcased her natural beauty.
10. Kristen Stewart:
– Kristen Stewart has tried out different haircuts throughout her career, including a buzz cut. Her short hair gave her a unique androgynous look.
These celebrities prove that a buzz cut isn’t just a haircut; it’s a bold style choice that can redefine one’s image and make a lasting impression. Whether it’s for a role, a personal statement, or a fashion experiment, the buzz cut remains a powerful and iconic hairstyle in the world of entertainment and beyond.


Before I even think about starting on this blog, I want to fanboy a bit! (Also, so you’ll know what you’re gonna get yourself into in my future posts)
Love Live! School Idol Project is for some reason one of my most beloved anime franchises, and let me tell you, the second season of the anime series put me to tears. I was surprised at the end of the last episode too, because a movie was announced! And here we are now months later with a 30-second teaser for it!
Love Live! features 9 girls that make up the school idol group μ’s (pronounced Muse), which at first formed together to save their all-girls school, Otonokizaka High School, from shutting down due to low enrollment issues by getting famous with their live shows. (Season 1 in a nutshell.)
Eventually, with the school safe from shutting down thanks to them, μ’s decides to participate a second time with the intention of winning in a competition of school idols, which is called Love Live! (That’s sort of the gist of season 2…watch it, guys~)
The upcoming movie picks up where season 2 left off, where the girls receive an email…and GAHHH-I wanna know what happens next already!!! [For more info about the movie, click here]
I would like to be a bit more in depth on that, but maybe in another post.
Anyways, just recently, during the 5th anniversary concert featuring the 9 voice actresses (seiyuu) of the 9 girls (yes, the seiyuus perform a live show almost as though they were the characters themselves, it’s kinda cool!), a teaser was just released on Youtube! The movie is set to show in Japanese theaters June 13, 2015!
Here’s the teaser video:
As a big fan, I kinda teared up a little when I heard the song, and look at those costumes! I want to hear the whole song already! I want to see the movie already! I want to know what happens next in their story! I want to see more of Mak–I mean…I want to see more of μ’s!
Maybe I’ll talk more about Love Live! in future posts…but for now, let me just squee as I re-watch the teaser until I die~
[Don’t worry, guys…I won’t be too fanboy-y in (most of) my future posts.]
Related Articles/Posts for references: (though I only saw it on a Facebook group….)
[They all contain Season 2 SPOILERS]


The Gaiety School of Acting is delighted to be running their most diverse and exciting Summer Programme yet, with 42 Summer Camps for ages 4-19 in their Temple Bar Headquarters. Join us for courses in Musical Theatre, Drama and Movie-Making, covering themes such as Harry Potter, PJ Masks, Frozen and The Greatest Showman. For the first time this year we are also featuring a wide range of technical theatre camps, and for the budding dancers in your midst, Strictly Come Dancing.
For the more advanced teenage actor, there are a variety of courses to challenge and enthrall, including a three week course Triple Threat Intensive, Irish Theatre Course, Acting for Camera and Casting Call, in association with Louise Kiely Casting. Check out the short video below about our camps.
Essex Street West Templebar, Dublin 8
We cannot wait to meet you this Summer and for so many of you, we look forward to welcoming you back.


In “Shortcomings,” director Randall Park explores a multiplicity of Asian American identities in a fresh and groundbreaking way.
By Lucy Spicer
In line with Sundance Institute’s mission and values, this year’s Festival program is brimming with features that amplify historically marginalized voices and raise awareness about timely social issues. While film has become an invaluable medium for education, audiences will also always look to the screen for pure entertainment.
The 2023 Festival lineup doesn’t disappoint, with comedies scattered across multiple categories and laughs deriving from witty dialogue, scathing satire, and absurd scenarios. With this list, discover a selection of comedic films that serve as humorous palate cleansers for when you need a break from the heavy stuff.
Buy your tickets here.
Polite Society (Midnight) – London teenager Ria Khan (Priya Kansara) has it all figured out: She’s going to be a famous stuntwoman, and her sister, Lena (Ritu Arya), will become a successful artist (after she goes back to art school). Ria’s plans are derailed when Lena gets engaged to the son in a rich and influential family only weeks after she begins dating him. Director Nida Manzoor’s genre-bending debut feature follows Ria and her friends as they scheme to save Lena from her impending marital fate. Available in person.
Rye Lane (Premieres) – When Dom (David Jonsson) and Yas (Vivan Oparah) first cross paths, Dom is preparing to suffer a meal with his ex, who cheated on him with his best friend. Having endured a recent breakup herself, Yas comes to the rescue and acts as Dom’s date. Director Raine Allen-Miller’s debut feature is a vibrant romp around Peckham, following two 20-something Londoners as they connect over bitter breakups and glimmering possibility. Available in person.
Scrapper (World Cinema Dramatic) – Georgie (Lola Campbell) is a plucky 12-year-old girl living alone in her flat on the outskirts of London following the death of her mother. She steals bikes for money and dupes social workers into believing she lives with an uncle, all the while creating a magical world for herself in her flat (complete with talking spiders). She’s doing pretty well on her own, until her estranged father shows up to muddle things. Director Charlotte Regan takes inspiration from her native London to craft this colorful and creative father-daughter tale. Available in person and online.
Shortcomings (U.S. Dramatic) – In Randall Park’s feature directorial debut, jaded art house movie theater manager and film school dropout Ben (Justin H. Min) spends much of his time pining after unavailable blond women and eating in diners around Berkeley with his best friend. When his girlfriend departs for a three-month internship in New York City, Ben finds himself having to reconcile what he thinks he wants with the reality unfolding before him. A witty script by Adrian Tomine based on his graphic novel of the same name lifts this story about the foibles of being human. Available in person and online.
Theater Camp (U.S. Dramatic) – Welcome to AdironACTS, a theater camp in upstate New York whose founder, Joan (Amy Sedaris), has recently fallen into a coma. Joan’s wannabe financial influencer son, Troy (Jimmy Tatro), arrives in an attempt to rescue the camp from its money woes, and hilarity ensues as he struggles to find common ground with the campers and their teachers, including best friends and indomitable duo Amos (Ben Platt) and Rebecca-Diane (Molly Gordon). This debut feature by directors Molly Gordon and Nick Lieberman is a love letter to theater camp in the form of a mockumentary, filled with quotable lines and memorable characters. Available in person and online.
You Hurt My Feelings (Premieres) – New Yorker Beth (Julia Louis-Dreyfus) has been working on her sophomore novel for years, steadily encouraged by her supportive husband, Don (Tobias Menzies). When an overheard conversation reveals that Don doesn’t actually like the new book, Beth’s world turns upside down. Meanwhile, Don’s professional life is also faltering: He can’t seem to care about his therapy patients’ issues anymore. Writer-director Nicole Holofcener returns to the Festival with a clever script delivered by an undeniably funny cast. Available in person.


Wednesday, July 09, 2008
Well I found another diversion for myself and Jonah so I'm not sitting home twiddling my thumbs waiting on the arrival of Baby Girl Davis. Regal cinemas are having a Free Family Film Festival, where you can take the family into a movie for free. They play 2 different movies at 10 a.m. for 3 days a week. They will be doing it every week this summer through the end of August. Click here to check participating cinemas in your area. I took Jonah to the Beaver Creek Stadium cinema this morning to see The Bee Movie. He actually sat through the whole 90 minutes. They had a deal for the festival of $1 drinks & $1 popcorn. So I got a Diet Coke for me and a popcorn for him. He pretty much munched on the popcorn the whole time. He was so cute. He barely held the foldup seat down. So in case you were wondering those movie theatre seats are for 29 lbs and up :-)
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I can remember my first movie experience. Mom took me to see
Twin Bears - a disney movie. I couldn't hole the seat down either, I was older and bigger and the seats were harder to hold down. You are making me miss him more and more. With all the good news today, I am really getting excited about coming.
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Theatreplan (HK) Limited
Established in 2014, Theatreplan Hong Kong is part of the Theatreplan group, one of the world’s most experienced theatre consultancy practices. With a head office and design studio in London and a recently opened subsidiary in Sydney we have been designing award-winning performing arts venues and re-imagining existing spaces around the world for more than 30 years.
With Theatreplan you’ll be working with professionals who have developed their craft with cultural organisations such as the UK’s National Theatre, the Royal Opera House Covent Garden, the Royal Shakespeare, Sydney Opera House, and numerous regional theatres and touring companies.
Our team of specialist theatre planners, auditorium designers, stage engineers, and lighting, sound, video and communications consultants has a reputation for innovative design, rigorous attention to detail and a genuinely collaborative approach to the creative process.
With a passion for what we do, we set the stage for a great performance.


CALL FOR SUBMISSION – INTERACTION 2016 / INTERDOC 2016
Independent Film Centre “Filmart” would like to invite you to apply for 11th International Student Film Camp “Interaction 2016” and 6th International Documentary Masterclas “Interdoc 2016”.
11th INTERNATIONAL STUDENT FILM CAMP “INTERACTION 2016“
Serbia, 12th – 29th August, 2016
What is Interaction? For the past ten years “Interaction“ has gathered students of film schools from all over the world who, during their three-week stay in the western part of Serbia, shoot documentary films. During this year’s camp, 15 participants divided into three crews will shoot three documentary films on a given topic.
Who can apply? Your application will be taken into consideration if you study film production, directing, cinematography, sound design or editing, have taken part in production of a documentary film, speak English fluently.
And more … During a ten-year camp realization, there were 189 participants from 47 countries and from 86 film schools. Also, 38 documentaries were shot, 8 of which were awarded with 10 different prizes all over the world.
Application deadline: 15th of April, 2016
6th INTERNATIONAL DOCUMENTARY MASTERCLASS “INTERDOC 2016“
Serbia, 19th – 29th August, 2016
What is Interdoc? This is a unique opportunity for everyone wanting to develop their skills in documentary – scriptwriting and directing in creative documentary. This 10-day intensive workshop takes place in Pozega (Serbia) every summer in August, along with the second stage of the “Interaction“ camp. The Masterclass will be led by eminent documentary directors Dragan Elcic (Serbia) and Mladen Maticevic (Serbia). The participants will have the chance to share the experience with the participants of the “Interaction“ camp through mutual accompanying activities.
Who can apply? Students of film schools, film and TV professionals, as well as anyone who would like to know more about creative documentary film.
And more … During the five-year masterclass realization, there were 59 participants from 26 countries
Application deadline: 10th June 2016


When one talks of a theatrical production they are referring to the show itself, renting the lighting package should never be a production. Altman Rentals works hard to help you keep the focus on the stage. We understand how much hard work and time you have put into your production and will work to support you with a full lighting package or just the smallest effect needed. At Altman Rentals, we are proud to have the opportunity to offer high quality, professional theatrical lighting solutions to every production. Whatever type of theatre you work on; academic, non-professional, professional, or regional we offer the same level of service and support to all our rental clients.
Altman Rentals has an extensive inventory to fulfill the lighting needs your production. We carry a wide array of equipment and proudly stock the leading manufacturers in dimming, control, and fixtures. We also have any number of effects including fog machines, black lights, LED lighting fixtures, flicker generators, to name just a few. Whatever the script calls for we can help you achieve the perfect cue or effect. Feel free to call us with questions about a lighting effect; our knowledgeable staff can help you out with advice and recommendations.
Our experienced staff can help you figure out how to achieve any design you imagine and help you put together the rentals package you need. Altman Rentals also understands that not every theatre budget can accommodate a Broadway lighting package so we are ready to provide you with lighting solutions to give your show that Broadway design at your budget level. Whether you need the full package or just the rental of some supplemental items such as an extra followspot or extra dimmers, you get the same great Altman Rentals service.
Altman Rentals also can supply all your expendable needs from gels to lamps. We also can support your theatre with our service department. Our factory-trained technicians can help you maintain and repair your lighting system and equipment, regardless of where it was originally purchased.
We stand behind every one of our rentals so your production can stand out!


Butterflies!? Have you guys seen The Big Wedding yet? I didn't get to see it opening night like I hoped to but I made sure I went the following weekend and I'm glad I did, this movie was hilarious. This film was directed by Justin Zackham and stars Robert De Niro, Katherine Heigl, Diane Keaton, Robin Williams, Christopher "Topher" Grace from That 70's Show (#random -we have the same birthday) and more. In summary without giving it away, Alejandro (Ben Barnes) is marrying Missy (Amanda Seyfried) and to impress his birth mother (Patricia Rae), his divorced adoptive parents (Robert De Niro and Diane Keaton) fake being married. It's still weird seeing young Eric of That 70's Show all grown up and acting in movies. Robin Williams on the other hand performed just as I expected since seeing his role in License to Wed were he played a marriage counselor who took counseling to the extreme. I have to admit I'm a huge fan of chick flicks or anything wedding related so that of course made this film even more enjoyable for me. This film provided non stop laughter with quite a few "oh wow" moments. Overall I thought it was great! Check out the trailer here!


Bernie Ryan graduated from Mt. St Michael College in 2019 as a College Captain, having successfully completed seven subjects whilst undertaking also an extensive co-curricular program which included College Choir, MSM Singer, Writers Club, Drama Club, Theatre Sports, Debating and Mission of St Vincent’s. She certainly knows how to balance competing interests for her time!
Bernie is now studying a dual Bachelor of Fine Arts (Drama) and a Bachelor of Secondary Education (Mathematics) at QUT. Her subject strengths are English, Drama, Music, and Study of Religion (all to Year 12) and Maths (to Year 10).


Rebecca Marshall Ferris (Director/Producer) began her career with the renowned documentary film company, Pennebaker Hegedus Films, serving as associate producer on their films Down From The Mountain, Startup.com, Only The Strong Survive, andElaine Stritch at Liberty. In 2004, she produced the programFox vs Franken for the Sundance Channel’s series on the First Amendment and in 2005 produced the feature documentary Al Franken: God Spoke.
Born and raised in Scranton, Pennsylvania, Rebecca received a BFA from the School of Visual Arts (SVA) in New York City. Her thesis film, Jonah and the Wail, about jazz trumpeter, Jonah Jones, was awarded an Independent Feature Project Market Award and was broadcast on the Independent Film Channel. In 2011, her first feature documentary,Miller’s Tale (about actor and playwright Jason Miller), aired nationwide on PBS.
Jason Ferris (Director/Cinematographer) grew up on a farm in Mississippi and also has family roots in New Orleans. After studying filmmaking at Davidson College, Jason moved to New York to work for PBS. His credits there include work on documentaries about Sigmund Freud and Robert Capa, along with three seasons at the international documentary series, Wide Angle.
In 2004, Jason entered Union Theological Seminary (NYC), where he earned a Master of Divinity and received the Maxwell Fellowship in recognition of his short films exploring religious topics. In 2009, he added a Master of Social Work from Tulane. Throughout his graduate studies, Jason worked as a freelance camera operator on documentaries. He served as the executive producer and cinematographer on Miller’s Tale. Jason currently serves as the pastor of the Old Pine Street Presbyterian Church in Philadelphia, PA.
Kathleen Ledet (Producer) grew up along the waters of Bayou Lafourche in southeast Louisiana. In 2007, she graduated with a BA in film from the University of New Orleans. Her first film was the award-winning short documentary, Weeding by Example. Other credits include her work with Cote Blanche Productions on the documentaries: Air Racers for the Louisiana State Aviation Museum and Harvest to Restore: America’s Coastal Heartland, which aired on Louisiana Public Broadcasting.
Kathleen was the first assistant director on the independent feature Flood Streets, winner of ‘Best Louisiana Narrative Feature’ at the 2012 New Orleans Film Festival. In 2009, her 37-second short documentary Snowball Season won NOVAC’s 37th Anniversary Short Film Contest. She has worked as a production assistant for the PBS news show Need to Know, and as a location coordinator for the PBS documentary series Earth: The Operators’ Manual. With Cottage Films, she produced Turning the Tide for the City of New Orleans and NOVAC. She also served as associate producer for Miller’s Tale. She is currently earning her masters degree in Arts Administration at the University of New Orleans.
Bryan Gunnar Cole (Editor) is an award winning filmmaker concentrating in social issues, politics, the environment, and entertainment. He holds a BA in Film Studies from Yale University and an MFA in Filmmaking from New York University. He has directed and edited feature documentaries for Showtime, Bravo, IFC, The Sundance Channel, National Geographic, Discovery Channel, and PBS among others. His work has been shown in theatres, in festivals, and on television worldwide.
His feature documentary, Boomtown, has been televised nationally for six straight years on PBS, and his most recent narrative feature, Day Zero, was released in 2008 by First Look Studios. He served as editor of Miller's Tale.
Fiona Otway (Editor) has been making movies for fifteen years, working as a director, cinematographer, editor, producer, and media instructor. Her work is strongly influenced by a background in cultural anthropology, critical social theory, and experimental filmmaking and often explores themes related to globalization, community-based social change, and cultural identity.
Fiona has been involved in several projects featured in top-tier film festivals and television broadcasts in multiple countries. She was awarded the first-ever prize for ‘Best Documentary Editing’ at the Sundance Film Festival for Iraq in Fragments. In addition, one of her most recent editing projects won the Sundance Film Festival ‘Grand Jury Prize’ (Hell and Back Again). Three of her editing projects have been nominated for an Academy Award (Hell and Back Again, Iraq in Fragments, and Sari's Mother). As a filmmaker, Fiona is committed to illuminating perspectives that are often under-represented in mainstream media and loves to craft nuanced, emotionally resonant stories about complex social issues.


Inherited Empire Final
After receiving the feedback from the class and our teacher, on our title sequence we decided to re-arrange the structure of our title sequence and the order of which the clips are shown. To begin with we put the hospital scene at the end of the sequence and it ending in Anton looking into the camera which gave it a dramatic effect. However, we were told that it looked out of place at the end of the sequence as we did not introduce the hospital earlier on in the piece. This lead to the group we deciding to bring it to the front and we now feel it fits in better and it has improved the title sequence.


Muzafar Al Din Shah’s travel to Europe might have left the already fragile country of Iran in an even worst situation, but it also marks the start of cinema in the country. Ibrahim Khan known as Akasbashi (photographer) was among the first group of people that purchased camera and started working with them. Being fully familiar with working with a camera, he then moved to the cinemographs that by that time have been a popular technology in Europe. In 1900, Ibrahim Khan made the first movie of Iran perhaps as a test of his new camera. From this time on attention to movie making increased and 15 years later the first group of students were sent to Europe to study cinema and the art of movie making.
In 1900, Ibrahim Khan made the first movie of Iran perhaps as a test of his new camera.
Abi & Rabbi is the first Iranian feature film directed by the Ovanes Ohanian, the Armenian-Iranian director who graduated from Moscow. Khan Baba Mo’tazedi did the camerawork of the movie. Whimsical and Brother’s Revenge soon followed the first movie but failed drastically in Box Office because of negative view to the whole industry. Thus far, the movies were all silent until the Indian producers and Iranian director and actors produced Lur Girl. Under the influence of Indian movie, Iranian producers were forced to an unwanted inactivity. This influence started what is today known as commercial cinema which includes movies that are not artistically valuable but very popular among people. Up to 1965-66, this forms of movie were sole products of Iran’s film industry until thinkers such as Farokh Ghafari, Ibrahim Golestan, Ali Hatami, Masoud Kimiaei and Darius Mehrjoie came to picture and their movies took the whole industry to a new level.
Under the influence of Indian movie, Iranian producers were forced to an unwanted inactivity. This influence started what is today known as commercial cinema which includes movies that are not artistically valuable but very popular among people.
Although many might believe that the revolution of 1979 imposed limitation on Iran’s cinema, a claim that is true to an extent, but the new limitation made the directors to change their insight and focus on a more serious cinema that involved social and political matters. Iran’s movie industry proceeded like this for more than thirty years that lead to the creation of movies such as Separation and The Seller by Asghar Farhadi that has won many international awards.
Iran is a rich country in the art of performance, many of them might not be referred to as theatre, but they are all forms of gaining people’s attention and putting some concept or ideology across. Kouseh Bar Neshin, Siavash Khani, Mogh Koshi, Ghali Shouyan, Tazieh, Pardeh Khani, and Naghali are the most notable examples of early performance done in Iran. The Satire works of Kouseh Bar Neshin, the Tragedy of Siavash’s death in Siavash Khani, the Epic story of Darius’s victory over his enemies in Mogh Koshi, the mourning of martyrdom of Imam Hossein in Tazieh and the Epic tales of Shahnâme in Naghali and Pardeh Khani make the history of theatre in Iran, and are a proof of Iranians interest in this art. It is a source of great joy that the traditional forms of theatre are still performed in Iran, next to the modern forms of act that are based on texts and dramas.


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Another Gaze is a feminist film journal, founded in January 2016, and established to highlight the gender inequality of the film industry and amplify the voices of great, often overlooked, filmmakers who identify as women. The magazine’s aim is for films by women to last longer in the public mindset, and not just for the amount of time that mainstream websites are trying to appear ‘woke’. It contains reviews, essays and features, both academic and journalistic, that highlight under-appreciated women filmmakers and question the existing canon. This is accompanied by the ‘In Conversation With’ project: an ongoing filmed series of portraits of women filmmakers from around the world.


The horror movie is still a successful film to make curious. The audience is sometimes made very frightened and curious at the same time. However, not a few people are afraid of watch this movie and do not want to watch it. But, did you know that watching a horror movie will give a good effect for women? Now, to watch a horror movie is no longer going to the movies and wasting your time there to get admission. You can watch it at http://www.juaramovie.com. Various horror movie titles you can watch on the website.
Many women are still reluctant to watch movies with the genre. For them, the movie will only make them feel scared and give nightmares. However, there are some benefits that you can get if you watch movies with the genre. Some of the benefits are,
• Burn Many Calories
When watching a horror movie, your adrenaline will be pumped to the body for 90 minutes and the equivalent of burning 113 calories. A heart that beats faster and blood flowing through the body will help burn calories. And the effect is the same as walking for an hour.
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When viewing horror movies and you feel terrible fear and pain, then at the same time you can forget all the problems you have.


A pioneer of hand-drawn animation, Canadian-British animator Richard Edmund Williams (1933 – 2019) reinvigorated the art of animation through deconstructing the traditional form and pushing its boundaries.
To celebrate his legacy, we present 4 films by the legendary animator such as The Thief and the Cobbler, A Christmas Carol, Oscar Academy Awards Winner - Who Framed Roger Rabbit, together with Persistence of Vision, a documentary recounting his filmmaking process.
Date: 2020.11.21 & 2020.12.19 (Sat)
Time: 2:00 – 4:00pm
Venue: K11 Piazza, G/F, K11 ART MALL, 18 Hanoi Rd, Tsim Sha Tsui
1. The Thief and the Cobbler (1993-2013) Duration: 1 hr 40 min
2. Persistence of Vision (2012. Documentary/Animation) Duration: 1h 23m
1. Who Framed Roger Rabbit? (1988) Duration: 1 hr 44 min
2. A Christmas Carol (1971) Duration: 28 min
Curated by THY LAB
The only Cinema in ShamShuiPo, the largest archive of Hong Kong family images.


By BOB THOMAS, Associated Press
Yvonne De Carlo, the beautiful star who played Moses' wife in "The Ten Commandments" but achieved her greatest popularity on TV's "The Munsters," has died. She was 84. De Carlo died of natural causes Monday at the Motion Picture & Television facility in suburban Los Angeles, longtime friend and television producer Kevin Burns said Wednesday.
De Carlo, whose shapely figure helped launch her career in B-movie desert adventures and Westerns, rose to more important roles in the 1950s. Later, she had a key role in a landmark Broadway musical, Stephen Sondheim's "Follies." But for TV viewers, she will always be known as Lily Munster in the 1964-1966 slapstick horror-movie spoof "The Munsters." The series (the name allegedly derived from "fun-monsters") offered a gallery of Universal Pictures grotesques, including Dracula and Frankenstein's monster, in a cobwebbed gothic setting.
Lily, vampire-like in a black gown, presided over the faux scary household and was a rock for her gentle but often bumbling husband, Herman, played by 6-foot-5-inch character actor Fred Gwynne (decked out as the Frankenstein monster). At the series' end, De Carlo commented: "It meant security. It gave me a new, young audience I wouldn't have had otherwise. It made me `hot' again, which I wasn't for a while."
"I think she will best remembered as the definitive Lily Munster. She was the vampire mom to millions of baby boomers. In that sense, she's iconic," Burns said Wednesday. "But it would be a shame if that's the only way she is remembered. She was also one of the biggest beauty queens of the `40s and `50s, one of the most beautiful women in the world. This was one of the great glamour queens of Hollywood, one of the last ones."


Victoria Lynn Schmidt: A Writer's Guide to Characterization: Archetypes, Heroic Journeys, and Other Elements of Dynamic Character Development
Develop compelling character arcs using the power of myth! In the best novels, characters undergo dramatic changes that keep readers turning pages. A Writer's Guide to Characterization shows you how to develop such meaningful character arcs in your own work--stories of transformation that will resonate with readers long after the story ends. In this comprehensive guide, author Victoria Lynn Schmidt examines cross-cultural archetypes to illustrate how they can make your work more powerful and compelling. Plus, you'll learn how to draw from Jungian psychology to add complexity and believability to your characters. Schmidt also provides: 40 lessons on character development (with examples from well-known films and novels) that you can apply to your own work Questionnaires and exercises to help you select male and female archetypes and adapt them to your story 15 classic animal archetypes (including the coyote, snake, tiger, and butterfly) you can use to build convincing character profiles With A Writer's Guide to Characterization, you'll have the information you need to infuse the development of your characters with drama and authenticity.
A little pony sparkling with magic. But his big wish is for a special friend! And so Steph's lonely stable days suddenly become filled with magical fun when she A Writer's Guide to Characterization: Archetypes, Heroic Journeys, and Other Elements of Dynamic Character Development free ebook meets shy little piebald pony, Comet... Theoretically, the actor ought to be more sound in mind and body than other people, since he learns to understand the psychological problems of human beings when putting his own passions, his loves, fears, and rages to work in the service of the characters he plays. He will learn to face himself, to hide nothing from himself -- and to do so takes an insatiable curiosity about the human condition. from the Prologue Uta Hagen, one of the world's most renowned stage actresses, has also taught acting for more than forty years at the HB Studio in New York. Her first book, Respect for Acting, published in 1973, is still in print and has sold more than 150,000 copies. In her new book, A Challenge for the Actor, she greatly expands her thinking about acting in a work that brings the full flowering of her artistry, both as an actor and as a teacher. She raises the issue of the actor's goals and examines the specifics of the actor's techniques. She goes on to consider the actor's relationship to the physical and psychological senses. There is a brilliantly conceived section on the animation of the body and mind, of listening and talking, and the concept of expectation. But perhaps the most useful sections in this book are the exercises that Uta Hagen has created and elaborated to help the actor learn his craft. The exercises deal with developing the actor's physical destination in a role; making changes in the self serviceable in the creation of a character; recreating physical sensations; bringing the outdoors on stage; finding occupation while waiting; talking to oneself and the audience; and employing historical imagination. The scope and range of Uta Hagen here is extraordinary. Her years of acting and teaching have made her as finely seasoned an artist as the theatre has produced.
Author: Victoria Lynn Schmidt
Number of Pages: 224 pages
Published Date: 31 Aug 2012
Publisher: F&W Publications Inc
Publication Country: Ohio, United States
Download Link: Click Here
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1. 13th “is a 2016 American documentary by director Ava DuVernay. Centered on race in the United States criminal justice system, the film is titled after the Thirteenth Amendment to the United States Constitution, which outlawed slavery (unless as punishment for a crime). DuVernay’s documentary argues that slavery is being effectively perpetuated through mass incarceration.” (source)
3. The Fear of 13 “is a 2015 British documentary film. It tells the story of Nick Yarris, who was convicted of murder and spent 21 years on Death Row in Pennsylvania but was released in 2004 when DNA evidence proved he was innocent of the crime.” (source)
3. Poverty, Inc. “is a 2014 feature-length documentary film by Michael Matheson Miller. The film challenges current perceptions of global charity and promotes entrepreneurship as an effective alternative to alleviating world poverty. The film was made by the Acton Institute, a Michigan-based think tank which promotes free enterprise within the framework of Christian theology.” (source)


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Howard Weinerman is sent by Principal Slimovitz for Detention Island because Randy tried to help him get out of trouble. When Howard arrives, he finds that Bucky Hensletter, Bash Johnson, and Morgan have also been sent to the island. Originally, the Disciplinarian was going to give them normal punishments, but upon finding out the Ninja followed them there ostensibly to "help" them, he figures they were a bunch of cheaters and sets the whole island up to be a death trap, making the challenges next to impossible. After the Ninja intervenes in every challenge and nearly kills his classmates, he finally understands the lesson the Nomicon was trying to teach him. The Ninja ends up destroying the Disciplinarian and they all go back to Norrisville High. Principal Slimovitz is ready to give them even more punishment, but Howard explains what happened and that seems to appease Slimovitz enough to let them off the hook.
The title may be a reference to the 1981 film Escape from New York, in which Manhattan Island has been converted into a prison colony, or, more distantly, to the 1973 film I Escaped from Devil's Island, about an escapee from the former prison colony in French Guiana.
This is the first appearance of Detention Island.
Bucky's love of rocks and silt is brought up again.
Randy proves to be really good at math in this episode, shown by his equations to explain what happened to Principal Slimovitz.
Brock Octane is seen again, this time playing a Indiana Jones character that Howard is watching while in the blimp.


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The Tragical History of Doctor Faustus, normally known simply as Doctor Faustus, is a play by Christopher Marlowe, based on the Faust story, in which a man sells his soul to the devil for power and knowledge. Doctor Faustus was first published in 1604, eleven years after Marlowe’s death and at least twelve years after the first performance of the play. (Summary by Wikipedia)
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Good things come in Threes?
Films Chinatown and The Two Jakes have been recently (November 6, 2007) re-released in special collector’s editions. Both are film noir classics, as well as provocative responses to local LA ecology and politics disguised as suspenseful mystery films. And what can be better than watching a film on LA while living in LA?
The plots of both films revolve around private-eye Jake Gittes, played by Jack Nicholson, as he solves cases in mid-century LA’s gritty underbelly. However, the not-so-subtle, underlying theme of each film is a particular element of Los Angeles: Chinatown and water, The Two Jakes and oil. The last film of the unfinished trilogy, Cloverleaf, was never produced, but would have unmistakably alluded to LA freeways. Sad that the re-release does not mean we will ever see the third and final installment, so in this case, we will have to believe two is just as good as three.Tags: Chinatown, Famous films, LA


egan Fox just can’t seem to stop talking about her breasts—even as she complains about how her films have made her fabled mammaries “a point of discussion” for the media and the public at large. The current case in point is her new film, Friends with Kids.
Perhaps someone should explain to Megan Fox the meanings of the terms “vicious cycle” and/or “self-perpetuating prohttps://meganfoxposters.wordpress.com/wp-admin/post-new.phpphecy.” The beauteous brunette actress who bounced—er—shot to fame in the Transformers films, opposite the over-rated and ever obnoxious Shia LaBeouf, recently discussed her chest’s overly inflated importance in Friends with Kids.
“Though my boobs are a point of discussion in the film, the wardrobe was restrained,” the actress opined. “That was a departure as I usually have an outrageous wardrobe.”
Right. Poor Megan Fox. But wait, could it be that perhaps… that just maybe her breasts might cease to be such a hot topic of universal attention if she took the initiative and started a new trend by shutting up about them? It’s worth a try. And even if it doesn’t work, she won’t be any worse off than she was before. Besides, it’s not as if people don’t take her seriously as an actress. Seriously, who would even entertain such a ridiculous idea?
Fox, who was bounced—er—catapulted from the Transformers franchise after an altercation with director Michael Bay, claims she now intends to pursue roles in film projects where she’ll have only “happy experiences.”