The couple who have been dating for more than 8 years, finally tied the knot in Marathi tradition. They are now husband and wife. The wedding took place at the Grand Hyatt in Mumbai. It was a small gathering of only close friends and family. Celebrities also congratulated the couple on Twitter. Some wishes below Shahrukh Khan — What a lovely wedding… Ritesh and genelia looked beautiful… may Allah bless them with happiness. Prateik Babbar — Have a great life together Ritesh — Genelia!!
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Padmaavat box office collection day Deepika Padukone film collects Rs February 5, at 7: February 5, at 6:
Your number one source for Bollywood news & gossip, Bollywood movies, Bollywood fashion and TV news. Check out the hottest photos and videos of your favorite Bollywood and TV stars.
The bitter Babita-Randhir Kapoor marriage The bitter Babita-Randhir Kapoor marriage Tuesday, 14 August Why they were so bitter about each other Randhir and Babita were madly in love but they had contrasting personalities Randhir Kapoor, the eldest son of the legendary Raj Kapoor had everything going for him. He was handsome and successful with a bright future ahead of him. His ladylove Babita, a spunky, beautiful and talented actress was his perfect match.
Their courtship was blissful and marriage was the next step, despite opposition from their families. Unfortunately, they didn’t the find the happiness they hoped for. Their contrasting personalities and differing expectations took a toll on their relationship and they eventually parted ways despite sharing two beautiful daughters, Karisma and Kareena.
What’s with Priyanka Chopra and the age gap in her love life?
After making appearances on various talk shows in the west and even as a judge on Project Runway, PeeCee stunned us yet another time when she appeared on The Gong Show last night. The Quantico star was one of the judges on the show who judged different types of talents competing with each other. With no great detailing in her dress and just the plunging deep neckline taking all the limelight, PeeCee was successful in making heads turn and how!
Monday, January 8, , The ex-couple was the talk of the town throughout their entire dating tenure. They shocked their fans with the news of their break-up and soon after the split, Shahid went into hiding. However, in an interview to Zee, Shahid said a very nasty thing about working with ex-girlfriend Kareena Kapoor. Today I don’t like talking about my personal relationship because I feel that it’s my personal space.
When I was in relationship with Kareena I use to think differently, but now things have changed. I have come from a middle class family and a basic background. I have travelled in buses and trains. But, the fact is that life changes after you become a star and I try my best not to get carried away by my celebrity lifestyle.
But as an actor, I have never let anything come in the way of my work. I have always given my best. I can only speak for myself. And many a times there are things said in a different way and projected in a different way. I really don’t know what to believe.
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He is one of the hot favorites among young Indian women and the most eligible bachelor in the filmy world. The recent surprising news about Shahid Kapoor has left everyone speechless when media began to buzz on Shahid Kapoor wife name and his wife images. Mira Rajput husband Shahid Kapoor fans have learnt a lot about the actor but now they want to know about Mira Rajput profile and look for Mira Rajput images. This biography of Mira Rajput shares some significant details about her wiki, her personal life and her love story with Bollywood actor Shahid Kapoor.
Shahid Kapoor and Mira Rajput daughter name will be decided soon.
Shahid Kapoor on Priyanka Chopra’s engagement to Nick Jonas: Marriage is a beautiful thing, I can say that from my experience. Among the folks who wished the cute couple, even Shahid Kapoor .
According to Kapoor, her first name was derived from the book Anna Karenina. Bebo, as she is fondly called, is also the sister of actress Karisma Kapoor and the niece of actor Rishi Kapoor. Rather, his concerns arose from the purported incompatibility between acting and the maternal duties and responsibility of women in the family. After studying commerce at Mithibai College , Vile Parle for two years, she embarked upon a three-month summer course in microcomputers at Harvard University.
After all, it was a launch for his son. The whole focus was on the boy. Now I am glad I did not do the movie. Set during the Indo-Pakistani conflicts , the film centers on a young man known simply as Refugee played by Bachchan who illegally transports civilians back and forth across the Pakistan border. Kapoor portrayed the role of Naaz, a Bangladeshi girl who falls in love with him while migrating to Pakistan.
Shahid Kapoor Wife, Daughter, Brother, Age, Height, Body Stat
Share this article Share During questioning, Chawla, who owns pubs in Delhi and Chandigarh and runs a steel factory, reportedly told officers he was insecure about her meeting people. But Nitin was crazy about her. He would come to our house every morning with cakes and flowers and ask my mother to let him see Priyanka.
Get latest news from Bollywood, Hollywood, South Cinema, TV Shows & Movie Reviews. Check out latest Celebrity Photos and Videos.
She is also one of the high-profile celebrities so far in India. Now let us all have a look at the Priyanka Chopra wedding news and her love affair details: Priyanka Chopra will not get married for the sake of kids It was said by her she will not at all get married just for the sake of kids and also for the sake of society, she will get married when she will be ready, not before then that! Priyanka Chopra love affair with Aseem Merchant He has been her first boyfriend when she get started with the modelling but we saw that she ditched him when she became the Miss World at the time of Priyanka has also been sending legal notices to Aseem to stop the making of this film but he is going ahead with it.
It is seen that now both of them Akshay and Priyanka just avoid each other at public parties. Priyanka Chopra love affair with Harman Baweja She has been her ladylove for about five years, it was because of their film Love Story flop that just split their relationship. Now they are not any more seeing each other. Priyanka Chopra love affair with SRK It was too seen that Shahrukh Khan was also alleged affair with this beauty, their affair actually became one of the biggest topics in Bollywood.
Priyanka Chopra love affair with Shahid Kapoor: Yes, Shahid Kapoor and Priyanka Chopra also had an affair! Stay tuned with us to have more updates.
9 pictures of Sonam Kapoor with boyfriend Anand Ahuja that make us go Awww!
They smiled for the paparazzi. Neha wore a blue maxi dress with a floral printed long shirt. The couple was accompanied by Neha’s father Pradip Singh and mother Manpinder. Shweta Bachchan Nanda wishes son Agastya on his 18th birthday Shweta Bachchan Nanda wished his adorable son Agastya on his 18th birthday. With an adorable childhood picture, Shweta wished Agasthya. All you wanted was cake, and to sit with your fav girl!
Anupriya is currently dating a guy in real life apart from playing on screen wife to Shahid Kapoor. Vaibhav Raj is an actor as per the details on his Instagram account and hi profile is full of.
Prev Next Play Sonam Kapoor shares funny picture with boyfriend Anand Ahuja Sonam and Anand have been dating for quite some time now but have been secretive about their relationship. The duo posted a stunning and fun picture on their social accounts. Instagram Sonam Kapoor sharing ad poster featuring Anand Ahuja Sonam is too supportive for boyfriend Anand and their relation came in light when the duo reached at a party for Will Smith.
Instagram Sonam Kapoor with Anand Ahuja, sister Rhea Kapoor and uncle Sanjay Kapoor Slowly but surely, Sonam and her family are getting comfortable with acknowledging him in public and in their social media posts Image credit: Facebook Sonam Kapoor and Anand Ahuja partying during a secret date Sonam Kapoor had been single since quite sometime. Her rumored love affair with Ranbir Kapoor during Saawariya made it to the headlines but that was it. After that the actress never got linked to anybody until Anand Ahuja came into the picture.
Facebook Sonam Kapoor and Anand Ahuja driving together Its pleasantly surprising and we are happy that Sonam is finally coming out in open about her relationship.
Priyanka Chopra’s sensual look will drop your jaws, check out fresh photos
By Priyanka Rajpal Last updated on – November 2, , 3: Instagram Anupriya Goenka as Rani Nagmati in Ghoomar song of Padmavati As soon as Ghoomar song was launched, the mysterious eyes halted at this picture and mouths were full of question abouy the lady in this song until her identity was revealed as actor Anupriya Goenka. Instagram Anupriya Goenka with boyfriend Vaibhav Raj Anupriya is currently dating a guy in real life apart from playing on screen wife to Shahid Kapoor.
Vaibhav Raj is an actor as per the details on his Instagram account and hi profile is full of pics with Anupriya.
Kapoor family Pictured with mother Babita left and sister Karisma. In an interview with journalist Vir Sanghvi , Kapoor stated that growing up with the two of them helped her become strong and independent. She is the paternal granddaughter of actor and filmmaker Raj Kapoor , maternal granddaughter of actor Hari Shivdasani , and niece of actor Rishi Kapoor.
According to Kapoor, the name “Kareena” was derived from the book Anna Karenina , which her mother read while she was pregnant with her. Kareena Kapoor filmography Career beginnings, breakthrough and setback —03 While training at the institute, Kapoor was cast as the female lead in Rakesh Roshan ‘s Kaho Naa Pyaar Hai opposite his son, Hrithik Roshan. Dutta ‘s war drama Refugee. Set during the Indo-Pakistani war of , the film centers on a man who illegally transports civilians back and forth across the border.
Kapoor portrayed Naaz, a Bangladeshi girl who falls in love with Bachchan’s character while illegally migrating to Pakistan with her family. Her performance was acclaimed by critics; Taran Adarsh of Bollywood Hungama described her as “a natural performer” and noted “the ease with which she emotes the most difficult of scenes”,  while India Today reported that Kapoor belonged to a new breed of Hindi film actors that breaks away from character stereotypes.
Bollywood Hungama reported that the success of the film proved a breakthrough for her. Featured opposite Shah Rukh Khan , Kapoor found herself challenged playing the complex personality of her character Kaurwaki a Kalingan princess with whom Ashoka falls in love.
Priyanka Chopra Wedding Photos Husband Name Marriage Year Date
Mirror has learnt that the actor, who rose to fame as the lovelorn teen in the Aryans hit song Ankhon Mein Tera Hi Chehra in , is set to feature in another music video. A recreated version of , the chartbuster from the Prabhudheva-Nagma-starrer Tamil romcom Kadhalan, the Bhushan Kumar-produced song also features Kiara Advani. Even the choreography is contemporary.
As a student, he found little interest in academics and would rank low among his peers. I would be sitting on the steps, my head between my knees, till five or six in the morning, waiting for them to stop”. He described the experience: The film tells the story of a tramp , played by him, who falls obsessively in love with a woman awaiting the return of her lover. In an interview with the news and entertainment portal Rediff. In Dharma Productions ‘s Wake Up Sid , a coming of age film from director Ayan Mukerji , Kapoor portrayed Siddharth “Sid” Mehra, a rich, lazy teenager whose life undergoes a series of changes after interacting with an ambitious journalist played by Konkana Sen Sharma.
When Mukerji narrated the then-untitled script of the film to him, Kapoor came up with the title himself. Salesman of the Year , a drama about a sardar who aspires to be a salesman. Kapoor described it as his first complex role and considered it a departure from the “lover boy roles” that he had previously played. The film was a moderate financial success, but garnered little praise from the critics.
Share Tweet Email PeeCee said she will be an achiever as a wife because she wants to do the best in anything that comes her way. From her debut in Bollywood with The Hero in to her big break in Hollywood with Quantico, we have seen this sultry beauty come a long way. Apart from being famous among the critics for her inimitable performances, PeeCee has often sparked controversies of alleged affairs with her Bollywood co-stars. And now once again, she has prompted the gossip mongers by expressing her desires for a committed life.
The ones mocking Priyanka Chopra and Nick Jonas dating rumours because of their age difference wouldn’t give a fuck if she was the younger one in the relationship. — Neha Ramneek Kapoor (@PWNeha) May 30,
Right from Dilip Kumar and Rajesh Khanna to Priyanka Chopra and Farah Khan, celebrities are teaching the world that you can find love anywhere and at any age. The most perfect Bollywood love stories are a result of Bollywood stars who have found love in people who are either a decade older than them or several years younger them. Here’s a look some celebrities who have dated and married people with the huge age gap.
The hot new couple in both Hollywood and Bollywood has got tongues wagging. Priyanka Chopra, who is 35 years old, is said to be dating singer Nick Jonas, who is all of 25 years old. The year-old Sanju actor recently confirmed Alia Bhatt, who celebrated her 25th birthday in March this year. While the previous two stars are still dating, a year-old Shahid Kapoor is married to year-old Mira Rajput.
The couple met when they were 34 and 20 respectively. How can you miss Aamir Khan in a conversation involving the Khans. The PK actor and his second wife Kiran Rao bear an age gap of nine years. Speaking of wives who are older than the husband, our ace choreographer and director Farah Khan is married to a much younger Shirish Kunder eight years younger to be exact and are parents to triplets now. The Race 2 actor features in this list twice because he not only married an actress who was much younger than him, he was also married to a successful star who was way older than him.
Before tying the knot with Kareena, Saif was married to Amrita Singh who is 13 years elder to him. Boney Kapoor has always fallen for women much younger than him.


Year 3 children at Stowford rounded off their Roman topic by treating the Year 5 classes to a trip to the theatre.
As part of their topic they had investigated what the Romans liked to do for entertainment. They then worked in groups to adapt a Roman myth and create a play based on it. From preparing the script and casting to stage directions and props, the children worked on their performances, before presenting a “one off performance” in their specially constructed Roman Theatre.
Year 3 teacher , Brad Farnham, said, “It was a lovely way to end the year and more appropriate than recreating a gladiator fight in the amphitheatre! They prepared their own dramatic performances without any help from the teachers, although they did support each other with advice. Despite some nerves, the final performances were a real success and much enjoyed by their older peers!”


Meet the Father of the Atomic Bomb
In 2015 Grant wrote his first score for the Royal Shakespeare Company. Oppenheimer - a new play by Tom Morton-Smith and directed by Angus Jackson, starred John Heffernan as J. Robert Oppenheimer and on the bare stage of the Swan theatre in Stratford Upon Avon with a blackboard for a floor, told the story of the inventing of the atomic bomb. A tragedy of Shakspearian proportions, the play was a huge critical and audience hit with a mesmeric and towering performance at it's centre.
A live band of five wonderful musicians played Grant's filmic, jazz score. Drawing on influences from the 1930's and 40's coupled with a spare contemporary language that supported the great weight and importance of the story.
Oppenheimer transferred to the Vaudeville Theatre in London's West End that same year where it continued to thrill audiences and garner five star reviews.
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I don’t know I have ever shared this but I am a crime drama binge watcher.
It takes no time for me to get sucked into the list of crime shows streaming on Netflix like a moth to fire. In fact, this would be where I first take a peek if I am in need of a new show to binge on. Over the years of my relationship with Netflix, I have watched a ton of crime shows- Dexter, Broad Church, The Killing, Prison Break, Hannibal, Homeland etc are just a few that I enjoyed binging.
Now we all know, the problem with binging is that we are constantly in need of new shows to fill our streaming list. Being a dedicated binger, I am no different!
Now on Netflix, The Five
So two weeks ago, I was looking. And happened upon Harlan Coben, and it does not disappoint.. The Five is the first crime drama from famed author
The series follows a group of childhood friends, Mark, Danny, Slade, and Pru, who are traumatized after Mark’s five-year-old brother Jesse goes missing while playing in a park with them. Years later, they all harbor immense guilt for what happened, but find themselves in successful careers; Mark is a lawyer, Danny is a detective, Pru is a doctor, and Slade runs a shelter for at-risk youth. The plot sounded interesting so It didn’t take too long for me to start watching the show. And boy, don’t I love a British accent?
But mind you, I am a fan of British Crime dramas, not just because of the accents (Ahem!) but also because of the intricacies of how the story evolves, high stakes and the thrill of morbidity only a brilliantly weaved together crime story can provide. I am not new to British Crime Dramas though, thanks to Netflix’s ever-growing list of British shows on their streaming list- Broadchurch, The Fall, River, Happy Valley…list goes on. Yeah, man, I have seen it all!
[bctt tweet=”Watch The Five on Netflix #TheFive #StreamTeam #Netflix” username=”amomlessmom”]
Anyways, yes The Five.
Long story short, I finished watching all 10 episodes in 2 straight days. It was THAT good!
But being that good is also a double-edged sword if you think about it. The true bane of a binge watcher’s existence- The waiting. I am in that phase of painful wait until I get blessed with a 2nd season. Rumour has it, a second season will be along shortly.
If you enjoy crime shows and is currently looking for new shows to add to your streaming list, give The Five a try. As Coben says, “Whatever you think is going to happen is not going to happen” on The Five.
That’s the true essence of a great mystery thriller, right?
Happy streaming folks!
***This post is written in partnership with Netflix Canada. All opinions are my own***


Who doesn´t remember the image of Scarlett Johansson on the terrace at La Pedrara? Barcelona’s presence is growing internationally thanks to films such as Vicky Cristina Barcelona with international audiences.
If you are a cinephile or simply curious about where Hollywood and other world-famous stars have been seen in the city, gear up and follow this list to see some of the memorable filming locations! Vicky Cristina Barcelona, All About My Mother (Todo sobre mi madre), and Perfume: The Story of Murderer are just a few of the many movies that have shot in this picturesque urban center.
• Monument to Christopher Colombus (Monumento de Colón) – scenes de All About My Mother (Todo sobre mi madre) and L’Auberge Espagnole • Plaça del Duc de Medinaceli – take a seat like Penelope Cruz in All About My Mother •Plaça de la Mercè – where Grenuille was born in in Perfume.
• PlaçaReial – one of the city´s most emblematic plazas and a filming location for Perfume and L’Auberge Spagnole. • CarrerFerran – Grenuille and Grimal walk together inPerfume. • PlaçaSant Jaume – a wedding is celebrated inside the local government building in the short film Instruction Manual for Love (Manuale D’Amore) • SanFelipe Neri Plaza – The scene of the first crime in Perfume. • LaRibera / Plaza de Santa María del Mar – the home of many of the most romantic scenes in Vicky Cristina Barcelona. • Palau de laMúsica – one of the city´s greatest treasures, it is just across the street from the apartment most featured in All About My Mother. • Plaça Rius i Taulets – one of the filming locations for Isabel Coixet´s film Map of the Sounds of Tokyo
And there are many more, but we at Aspasiosleave you with these few for now and hope that you are as excited to us to explore these locations. Grab a map and set out – don´t forget to let us know which ones are your favorites!


As a Conceptual Designer Peter Popken provides visual ideas and aesthetics of a film for directors and film production companies. Here, his paintings influence the overall look, mood and emotions that move a story. The service ranges from environment and set design to character, costume, creature, prop illustrations and picture vehicles. Peter Popken's designs have appeared in many blockbuster films such as PRINCE OF PERSIA: The Sands of Time, MISSION IMPOSSIBLE: Rogue Nation, AVENGERS: Age Of Ultron, BLADE RUNNER 2049, FANTASTIC BEASTS, THE CRIMES OF GRINDELWALD, STAR WARS: Episode IX - The Rise of Skywalker and most recently Denis Villeneuve's DUNE
His work was repeatedly awarded for Excellence in Production Design by the Art Directors Guild. Having contributed to more than 40 feature films Peter Popken established a wide expertise in the fields of conceptual pre-production, graphic design, and storytelling. Clients also benefit from a substantial experience in visual effects, animation and art direction. Frequent collaborations include Warner Brothers, Universal, Paramount, Walt Disney, 20th Century Fox, Sony and Marvel Studios. Among others he also partnered with independent film producers, game developers such as Sony Computer Entertainment Europe and event and advertising agencies.
Born and raised in Germany, Peter Popken studied graphic design in Munich. Already then he was working freelance for Architectural and Industrial Designers on the side. After graduating in 1994 he spent several years in animation studios as a Storyboard- and Visual Development Artist. In 2005 Popken accepted an offer to work at Sony Computer Entertainment in the rapidly growing field of game development. In a career that dates back to 1996, Peter Popken has worked on numerous movies in a variety of genres.
Peter contributed designs and renderings to several projects of the Wachowski siblings and the Marvel franchises Thor and The Avengers. Among his credits are V for Vendetta, Aeon Flux, The Bourne Supremacy, Fantastic Beasts And Where To Find Them, Mission: Impossible, and Martin Scorsese's Hugo. Peter holds a diploma in visual arts and communication and conducts workshops at various events and film schools. His cover art and costume Illustrations have been on exhibition in Germany and the United States.
PETER POPKEN DESIGNTepe Mah.1216 Sok.Ocean View 77400 Alanya phone +90 553 978 54 09email mail[at]peterpopken.com For inquiries about the websiteplease mail towebmaster [at] peterpopken.com


What happens when you pack 10 talented improvisers on to one small stage, blind-fold them then turn out the lights? You get a uniquely visceral improv comedy show performed in the pitch black, duh.
After a successful run in the 2011 Philly Fringe Festival under the title Dark Comedy, the Philly Improv Theater is now reviving the production, now dubbed The Bat, for a three-week run with shows every night Thursday through Sunday, as well as a special second midnight show on Saturday. And having gotten a chance to attend a preview performance, I can assure you it lives up to the intrigue.
With both the audience and performers forced to exercise their imaginations even more so than usual, The Bat unfolds similarly to radio play all starting with a poem passage randomly selected before the show and read out loud on the stage. “It offers the cast and audience a feeling—a shared emotional connection that you really don’t get from just asking for a word,” explains local improv vet Jason Grimley, the show’s director.
From there, just sit back, close your eyes and prepare to have your mind blown as the cast use nothing but their lightening speed wits and uncanny human sound effects to craft a wild series of scenes and characters. While obviously you’d assume not being able to play off one another’s actions and expressions would be severely limiting to the performers, it turns out it can actually have some advantages. For instance, only in the dark could you have a character convincingly tumble down several flights of stairs without them ever having to leave their seat.
7pm. Through May 19. $12-$20. The Shubin Theater, 407 Bainbridge St.


It’s not that I live to have people notice me. I’ve lived through the fickle and fleeting attentions of humans. I just ask myself, from time to to time, what am I doing with my life?
If they were to make a documentary on my life, would it even sell a ticket?
I’ve never gone to see a movie about a guy sitting around playing video games. I’ve never gone to see a movie about a family watching movies. Even the worst movies that I have seen were not completely about someone being entertained, someone disengaged, someone who wasn’t even trying.
We like movies about heroes and villains. We want to see adventure, excitement, tension, things blowing up, romance kindled and rekindled.
But do we live that life? Do I?
And here’s the best part. If we aren’t, it’s an easy fix. Put down the remote. Turn off the TV or computer or game console and walk out your front door, live, talk to your neighbor, serve them, love them.
You’ll be amazed. An adventure is waiting for you. And who knows…
They may make a movie about it.


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Filmmaking is a complex and artistic endeavor that involves a multitude of creative minds working in unison to bring stories to life on the silver screen. “From Script to Screen: The Filmmaker’s Creative Process” is a fascinating exploration into the intricate journey that transforms a mere idea into a cinematic masterpiece. It’s a journey that takes us through the various stages of filmmaking, highlighting the roles of writers, directors, actors, and the countless others who contribute to this mesmerizing art form.
The creative process of filmmaking begins with the spark of an idea. It may originate from the depths of a writer’s imagination, a historical event, a piece of literature, or even a personal experience. This initial idea is the seed from which the entire cinematic tree grows. Writers labor over scripts, crafting dialogues, shaping characters, and meticulously constructing narratives that will captivate and resonate with audiences. Well, on sites like Moviemmk.com you can now even find the best of best movies.
The visionary steps in movie
As the script takes shape, the visionary director steps into the picture. Directors are the architects of the film, responsible for translating the words on the page into a visual and emotional experience. They make crucial decisions about the film’s style, tone, pacing, and overall artistic direction. Their ability to bring the script to life is a testament to their creativity and storytelling prowess.
Actors are the heart and soul of a film. They breathe life into the characters, infusing them with emotions, quirks, and nuances that make them relatable and memorable. The casting process is a meticulous endeavor, as filmmakers seek performers who can embody the essence of the characters and contribute their own unique interpretations. The collaboration between actors and directors is a dance of creativity, where the actor’s craft merges with the director’s vision.
From the director’s vision comes the visual storytelling aspect of filmmaking. Cinematographers, with their expertise in lighting, composition, and camera techniques, capture the visual essence of the story. They use the language of cinema to convey emotions, emphasize themes, and immerse the audience in the world of the film. It is through their lens that the script comes to life, frame by frame.
The production design and art department are responsible for creating the physical world in which the story unfolds. Set designers, costume designers, and makeup artists collaborate to ensure that every detail, from the setting to the wardrobe, aligns with the director’s vision and the narrative’s time and place. Their meticulous work transports audiences to different eras, fantastical realms, and dystopian futures.
Sound design and music add layers of emotion and atmosphere to the cinematic experience. Composers create original scores that complement the narrative, heighten tension, and evoke emotions. Sound engineers capture every sound, from the subtlest whisper to the most thunderous explosion, ensuring that the auditory landscape of the film is immersive and captivating.
Post-production, often an unsung hero of filmmaking, is where the puzzle pieces come together. Editors meticulously arrange shots, sequences, and scenes to create a cohesive narrative. Visual effects artists work their magic, enhancing the storytelling with stunning visuals and digital wizardry. Colorists set the mood and tone through color grading, while sound editors refine the auditory experience.


Welcome to KarenBeyer.com
Karen Beyer is an actress in film, television, voiceovers and stage. She has been a proud member of SAG – AFTRA since 1995 and Equity since 2002.
She also works as a director and choreographer and has been ART Station’s resident choreographer since 2002 and guest director since 2011. Karen currently volunteers as an adjudicator for the GA H.S. Musical Theatre/Shuler Hensley Awards sponsored by ArtsBridge.
Karen Beyer began her stage career as a young ballerina in Nashville, TN, studying and performing with over a dozen dance companies along the East Coast from Florida to New York.
Dance evolved into musical theatre and after moving to Atlanta, Karen branched into film, television and voice overs.
On stage, she is best known for her Southern matriarch roles and has performed with: The Alliance Theatre, ART Station, Theatrical Outfit, Ansley Park Playhouse, Stage Door, Peachtree Playhouse and the McGinn/Cazale Theatre in New York.
Karen has over 30 years of dance experience in ballet, ballroom, contemporary and disco. From the late 70’s to the early 80’s, she and her disco partner won over 50 competitions. Karen has been the resident choreographer for ART Station for 17 years and their guest director for 8 years. Other choreography credits include: Disney, Theatre in the Square, Springer Theatre, Onstage, Stage Door, and Stone Mountain Park.
Film & Television
Karen’s recent credits include the feature film, Poms and TV episodes of Watchmen and Bigger. She currently has two national commercials running for iBotta and Holiday Inn Express. View her demo reel below or click the button to watch individual clips.
Karen Beyer is represented by Atlanta Models & Talent, Inc. (AM&T Agency), a full service talent agency in Atlanta, GA. For booking inquiries, call AM&T at 404.261.9627 or send an email to firstname.lastname@example.org.
Just want to say hi? Use the form below to send a message to Karen.


Tonight is Girls Night Out.....with my daughter, Amy. There aren't many times that just mom and daughter have together, so I treasure the times we do. This time it will be even better. We are going to see a special friend in the production of "The Sound of Music". I remember going to see this movie years ago and loved it. Now I will see Lisa as Maria. I have heard that she is awesome. We had planned to go earlier in the week but didn't get our tickets quickly enough.....many performance have sold out. So this morning at my house "The hills are alive.....with the Sound of Music"......CAN'T WAIT!!
3 hours ago


The 44th annual Germantown Festival promises a weekend of shopping, food, games, music and more. Germantown Creative and Performing Arts Program will make an outstanding Festival weekend even better
This past Thursday, the actors at the Poplar Pike Playhouse changed into their costumes and put on the Mid-South’s premiere of the show in response to a roaring applause from their opening night audience.
Cast Members Share their Dancing Experience
The Poplar Pike Playhouse at Germantown High School presents a full season of theatrical productions in its 300 seat on-campus theatre facility. Since its inception in 1976, the Playhouse has provided more than 100 theatrical shows viewed by over 200,000 people in its nearly 40 year history. The yearly roster of events includes two mainstage shows, several acting festivals, a touring children's theatre companyand additional small ensemble presentations. Students not only perform on the stage, but they also are responsible for every element of the theatre operation, including the technical as well as the business side of the program. The theatre has state-of-the-art lighting and sound equipment and a business office that is computer-assisted and staffed year round by student volunteers.


So as my recuperating seems to need to continue, I spent the afternoon watching one of this year’s Oscar nominated movies, “Three Billboards Outside Ebbing, Missouri.”
If you don’t like movies with foul-language and can’t look past that to an investment in the story and characters, this movie is not for you.
If you can and your focus this Lent is on topics like atonement, love, mercy and forgiveness – done in the quirky, character-driven movies that draw Oscar talents like Frances McDormand and Sam Rockwell – then you might want to give it a look if you haven’t yet seen it.
The premise is a sad one. Mildred, the McDormand character, has lost her daughter to murder in an especially grisly manner. Months have passed and there has been no news from local Ebbing police.
So Mildred, driving toward home on a local road that is little traveled due to the new freeway, notices three dilapidated billboards in a row and inspiration strikes.
She decides she will rent them and put pressure on the local police chief ( Woody Harrelson) by asking why her daughter’s killer has not yet been arrested.
From this act all manner of anger, hatred, bias, grief, stereotyping, revenge, love, mercy, kindness, forgiveness and acceptance ensue in very sad and poignant ways.
It is not a movie with a neat ending. In fact, it is an ending that may be morally questionable depending on what Mildred and Deputy Dixon (Rockwell) decide in future to do.
And maybe you have to be in a Lenten frame of mind to see in it what I saw.
Humanity in all its forms of messiness. And assurance that God is at work in mysterious ways to heal us in its midst.


Shields up! Red alert! Computer discontinue simulation. Beyond the Vortex Sci-Fi Club of Clarksville, TN will be hosting a Star Trek week in honor of Star Trek: The Next Generation’s 25th Anniversary. On July 21st at Beyond the Vortex at 7:00 p.m., we will have a prequel event where the group will watch the Star [...]Continue Reading →
Attention all Whovians! Beyond the Vortex will host a Doctor Who Premiere Party on April 23rd at Freedom Deli! We’ll get started just a few minutes before the show’s premiere at 8:00 p.m.! Come join us as we celebrate the beginning of the 6th series of Doctor Who!
Okay, we know, it’s actually the 32nd [...]Continue Reading →
Our humble little sci-fi/fantasy fan club, Beyond the Vortex will meet on Saturday Nights from now on, giving our members something to look forward to every week! So be sure to join us starting at 8:00 p.m. every Saturday night at Freedom Deli!
Also, make plans to join us for the premiere of [...]Continue Reading →
Science-fiction and fantasy fans in Clarksville, Tennessee now have a home to gather, discuss, and watch! We’re announcing the initial formation of the sci-fi/fantasy fan club, Beyond the Vortex! Every Friday, we’ll gather to watch the latest episodes of our favorite shows, plug in a movie, and discuss the latest developments in genre entertainment.
So [...]Continue Reading →


Los Angeles: Twentieth Century-Fox, 1966. American one-sheet film poster for the 1966 film, “Batman,” the highly entertaining motion picture result of the equally entertaining and successful television in the 1960s, directed by Leslie H. Martinson and starring Adam West and Burt Ward as the caped crusaders, and Cesar Romero, Burgess Meredith, and Frank Gorshin as Joker, Penguin, and Riddler (our favorite), respectively. Near Fine condition, with minor separation at the folds and light surface creases at the corners. Folded, 27 x 41 inches. A truly iconic, brilliantly designed poster, for the connoisseur of 1960s high camp at its best.
April 4, 2011
Royal Books: Batman 1966


NY Times Book Review published a wonderful review of THE KNOWLEDGE, Martha's Grimes 24th Richard Jury mystery, available online and in bookstores as of April 3, 2018.
Best in Shelter, a nonprofit organization created by mystery writer Martha Grimes is pleased to announce its 2015 virtual show.
First screen adaptation of Martha's book will premiere on January 16th in Berlin, Germany. Martha Grimes herself and the actors will be attending! We're giving away 10 free tickets.
The village of Plush has been turned into a film set for a week as the continental crews film an adaptation of a book by American author Martha Grimes.


7 Fun Facts About Gomora Actress Jessica Sithole
Gomora Actress Jessica Sithole Real Age
Actress Jessica Sithelo’s sudden appearance on the scene after landing the role of Nyakallo in “The Big River” has propelled her performance to even greater heights.
The actress who played the role of Nono Makinta enjoyed her journey in the spotlight, and here we are. She went on to win the hearts of many with her amazing acting, keeping Gomora’s audience on the edge of their seats.
Her real age surprised many social media users. According to reports, the actress is only 22 years old, and social media can’t believe it. That’s because her character on TV looks like someone in her 20s or 30s
Here are 7 fun facts about the actress.
View this post on Instagram
1. Jessica is 22 years old and from Bloemfontein, Free State.
2. Winning the title of Miss Free State Glamour in 2017, proving that she is a model. After her mother entered her, she entered the top 10 in the toddler competition to start the beauty pageant.
3. She is a graduate of Free State University, where she earned a degree in Performing and Dramatic Arts.
4. Acting and drama are important to her because she is interested in understanding how actors prepare for roles and create believable characters for films. So that would explain why she played Nono so well and why audiences were so obsessed with her performance.
5. Her favorite actress is Taraji P. Henson, from whom she draws inspiration.
6. Her audition for River was her first acting audition and she competed with 50 other actresses. Although she studied acting and drama, she never thought acting was her forte. However, nearly three weeks after she auditioned, casting director Paddy Mazibuko informed her that she had been selected as a finalist for the role of Nyakallo.
7. As a Christian, she trusts God to continue to guide her and looks back on his faithfulness in her life, how far she has come, how far she has come.
She recently landed a new acting opportunity on the award-winning Gomora show and told South Africa why she loves the role of Slay Queen.”What I love most about the character I will be playing, is that it is a challenge and a challenge for me is an impulse for growth.”
She revealed how she is different from her character. “Nolo is such an adventure for me and I’m enjoying the ride.”
“She is something new and different and this has allowed me to drill deeper within me, to work on my craft, and discover new ways and possibilities in order to deliver in the best way possible,” she said.


Hairspray opened at Storybook Theatre this weekend. It’s a 2002 musical with music by Marc Shaiman, lyrics by Scott Wittman and Shaiman and a book by Mark O’Donnell and Thomas Meehan. It’s based on the 1988 John Waters film Hairspray. It won Tony awards for best musical, book and score and was in turn was the basis for a second film in 2007.
The story is set in 1962 Baltimore. Tracy, a large teenage girl, aspires to get on The Corny Collins Show, a local dance show based on the real life Buddy Deane Show. Originally turned down because of her weight, she gets in by impressing Collins with some “Negro” dance moves she learns from the son of Motormouth Maybelle, who hosts “Negro Day” – the only day of the month when blacks are allowed on the show (segregated, of course). Tracy becomes a local celebrity and with Motormouth’s encouragement, leads the cause to get the show integrated.
Jolene Anderson plays Motormouth Maybelle in Storybook’s production. Earlier this week I had a chat with her to get her take on the show and her role. “I love the character of Maybelle,” says Jolene, “she’s positive and upbeat – very different from the other adults in the show. She teaches Tracy and her mother, who’s also an insecure larger woman, not to put themselves down just because they’re big. She really understands what integration means to her and her family and how big a chance they’re taking by trying to get on The Corny Collins Show, but she won’t back down – or let anyone else back down either.”
Jolene is a Calgary-born business major who’s been involved in acting and theatre for the last decade, since she returned from university in Saskatchewan. She’s done several shows with Storybook Theatre and joined the Storybook Board of Directors this year. “I chose Storybook because I’d heard good things about them before I got involved,” says Jolene. “They provide great opportunities for people who are not professionally trained. It took me a few auditions to get a part, so I spent most of my first few years backstage doing stage management, sets and props, which I think has made me a stronger actor”. Jolene says one of the things she likes about Storybook is the sense of community. “It’s like a family,” she says, “We support each other. There’s always someone there with more experience to give you a helping hand, and we learn to help others in return. Our production team puts so much of themselves into the show, it inspires all of us on stage to want to give everything we’ve got.”
Jolene says that the stage version of Hairspray is “electric from start to finish.” She points out that there are many songs that aren’t in the movie, and things you don’t expect to see even if you’ve seen the movie a hundred times. And with almost forty cast members, it’s a big show. “We’ve got two directors (Jamie Eastgard-Ross and JP Thibodeau), a musical director (Patrice Barnes) and three choreographers (Terra Plum, Katherine Burrowes and Lianne Smith),” she says. “We started by learning the music first, then interspersed it with choreography, then finally added lines and blocking. I’ve really enjoyed watching the characters grow through rehearsal, movement and choreography. And everything is BIG – big sets (designed by JP Thibodeau and built by Bill Brown), big costumes (by Magz Ross and Alex May), big makeup (by Cat Bentley and Kirstie Gallant), big lights (by JP Thibodeau and Gina Power), and of course, BIG HAIR (by Cat Bentley and Athena Guy)!” Jolene says that they’ve maintained the tradition of having Tracy’s mother played by a man, as Divine did in the original movie, and John Travolta did in the second. “Our Jeremy Walker does a fabulous Edna,” she adds.
Jolene thinks there’s something for everyone in Hairspray regardless of their age. “Those who were around then will remember the struggle for racial equality, while younger people may be able to relate to more contemporary struggles around religion or homosexuality,” she says. “And the issues of self-image and looks are still very prevalent in today’s culture. You could fast-forward that element of the story to 2013 and it’s just as relevant as it was when it was written.” Jolene says the key messages of Hairspray are about learning to be yourself and standing up for others, and that it asks the universal question: “why do we cut others out of the picture? She says that even if you’re not in it for the moral, you’ll love the early-60’s era music and dancing. As she says, ”I don’t see how anyone could not love this show.”
Hairspray runs until May 26 at The Community Arts Centre in Beddington. Tickets are $21-$24. For more information go to Storybook Theatre


The Deutsches Filmmuseum in Frankfurt am Main was opened in 1984 and is the oldest film museum in Germany. It emerged from the Kommunale Kino, an arthouse cinema supported by the council which was established in 1971. The Deutsches Filmmuseum has ever since its establishment been dedicated not only to presenting exhibitions concerning film history but also to the preservation of film heritage through its archives and collections. The in-house cinema is an integral part of the institution and specializes in the screening of films by particular directors, actors or nations, topic-oriented retrospectives as well as the presentation of documentaries, short films, experimental films and also silent films accompanied by music. Since the 1st of January 2006 the Deutsches Filmmuseum is no longer administered by the council but by the Deutsches Filminstitut DIF e.V.
Mehr Raum für den Film
We are building the new Filmmuseum
The Deutsches Filmmuseum is closed for construction work and will reopen in summer 2011. Until then we will continue our programme with selected cinema screenings, exhibitions, special events and festivals at other locations.
For more information please visit www.das-neue-filmmuseum.de.
Deutsches Filminstitut - DIF e.V.
D-60596 Frankfurt am Main
Tel: +49-69-96 12 20 302
Fax: +49-69-96 12 20 339


- Skyline Theatre Company is passionate about educating the next generations of theatre professionals.
- We offer customized workshops and master classes in theatre arts, film, and communications to schools and colleges in Bergen County through our Artists In Focus Series.
- We offer hands-on production experience among professional artists for dedicated young people through our Apprentice Program.
- We offer scholarships to outstanding young people who are pursuing their study of theatre, TV/film, and communications in high school and college.
- Please click on the links above to read more about these programs and contact us if you are interested in our edcuational opportunities!
Stage Manager Victoria Sollecito (L) with Board Operator Apprentice Ethan First (R), Proof, 2009
Stage Manager Emma Iacometta (L) with 2016-2017 season Apprentice Angela Woodack (R), This Wonderful Life, 2016


Six months after delivery, Shweta Salve shares her hot bikini body.
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TV actress Shveta Salve, who had recently announced her pregnancy, was seen flaunting her baby bump in a bikini while holidaying.
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I came into all of these Marvel Netflix shows not being a fan of any of the characters. Not that I didn’t like them but just that I didn’t follow them. I knew the most about Daredevil because he’s the most popular and was one of my pop’s favorites. But I could never get into the comic when I was young and have wiped the movie from my memory.
I didn’t know anything about Jessica Jones and was aware of Power Man (Luke Cage) and Iron Fist but never had any interest in reading the comics. So these shows are pretty much my introduction to these characters and their stories. Say all that to say that I wasn’t coming in with any preconceived notions and expectations on how I wanted these shows to go based on the comics or cartoons.
I will admit I was more ready to see them all come together as the Defenders but I was still excited for Iron Fist. But I kind of feel that maybe Marvel was more ready for the Defenders too and just rushed through this one.
Tough Acts to Follow:
Part of the issue is that Iron Fist followed a hard line up of characters with more interesting stories. Daredevil; a blind hero and essentially Iron Fisting (phrasing) better than Iron Fist. Jessica Jones; the narrative of what it’s like for women to deal with an abusive/conniving ex but amplified. Luke Cage; a righteous man wronged and showing heroes how we’ve never gotten it before with a primarily minority cast.
So you follow up these shows, that provided a fresher perspective than superhero movies/shows have thus far, with a story we always get. A billionaire loses his parents and fights crime to avenge them. *cough* Batman, Arrow *cough* Not to mention that it’s also the same image we get time and time again of white man being adopted by a different culture and some how being their chosen savoir. Something I think many of us are tired of these days.
Yet my feelings about this being a super repetitive narrative is actually not why I think this show is so bland. It adds to it, but if the show was done better I wouldn’t have minded.
Weak Fighting and A Lot of Crying:
For starters, my understanding of Iron Fist is that he is a kung fu master. So I was expecting some great fight scenes. Daredevil came straight out the gate whoopin a**! Iron Fist? Not so much. The fighting wasn’t even on the same level as Daredevil when I would have expected it to be slightly better.
It was obvious that the Finn Jones is the worst fighter. All the best scenes and choreography came from the other characters. It even looked like everyone else was dialing it back as not to outshine the lead too much. I understand that we probably wouldn’t get a fully trained Iron Fist and that’s cool, but Danny still trained for 10-15 years prior to gaining the Iron Fist, so I would expect him to be a more capable fighter and better disciplined.
I don’t know how Iron Fist was in the comics but this portrayal of Danny Rand is a major cry baby. Way worse than Oliver on CW’s Arrow. The creators must have been going for the angle that this is a child’s imagination coping with tragedy, and in that case, Finn deserves all the awards. Because when I watched this show, I didn’t see kung fu master Iron Fist, but rather a kid imagining what it would be like to be a kung fu master. This whole show reminds me of what it looked like when I saw kids playing pretend Dragonball Z in 8th grade, embarrassing.
The Pacing Is Off
On the real, the first two episodes could have been one. Too much time was spent on the whole, ‘is this really Danny?’ arc. Just say something that only you would know and move on!! Basic stuff dragged on (speaking of which, no dragon, another demerit) and sped through other parts. It didn’t show the progression of more interesting characters/moments, making them unbelievable.
For instance, take Davos and Joy plotting at the end. Joy spent the entire series being affectionate for Danny, trying to protect him while also searching for her humanity. Granted she went through some stuff in the end, she finally became free of what was holding back her morals and so the logical progression is to kill the man who helped restore her morality? Davos made more sense but I still feel there could have been more done with him.
Colleen was solid enough but I feel she could have been fleshed out better. Like exactly what drove her from being anti cage fighting to becoming this cocky cage fighter? There was no show of internal struggle between her honor and primal rage until afterwards and then it was kind of dismissed. Theses are things the show could have spent more time on as opposed to “is he really Danny” and crying/flashbacks to his parents’ death.
Danny Bland & Friends
There are really no stand out characters. I know some folk feel that the character Luke Cage was just kind of ‘eehh’. And I’ll give you that he wasn’t the best on his show but the rest of the cast was amazing. And at least he didn’t detract from the show the way Danny did. There are no Shades, Cotton Mouths, Misty Knights, Foggys (Foggies?), Purple Mans, etc. to offset Danny Bland.
The likes of Claire, Gao, and Hogarth were good but they’ve been playing those roles. The drunken fighter is fan favorite but he was only in the show for like 5 minutes. Joy was just there to be there most of the time. There’s potential with characters like Colleen and Davos but like I said before, the show didn’t flesh them out enough.
Overall, Iron Fist is like dry, unseasoned chicken. It’s edible, but why bother?
It felt like not as much was put into this series as it predecessors. There were way more interesting aspects the show could have focused on but didn’t. And we need a less childlike Danny and better fight scenes. I’m not calling the show trash, probably because of the Marvel fan boy in me, but it wasn’t good either. Let’s just hope we get an improved Danny come time for the Defenders.


Hervey. ANTHONY ADVERSE.
The adventures of an ambitious young man
in early 19th-century America. A 1936 film starring
Olivia de Havilland and Fredric March.
Maxwell. KEY LARGO.
A returning war veteran fights gangsters
on the Florida keys. A 1948 film starring Humphrey
George. THE SEVEN YEAR ITCH: A ROMANTIC COMEDY.
A married man has daydreams about the girl
upstairs. A 1955 film starring Marilyn Monroe
Philip. THE PHILADELPHIA STORY.
A stuffy heiress about to be married for
the second time finally softens and returns to
husband number one. A 1940 film starring Katharine
Hepburn, Cary Grant, and James Stewart.
Frank. THE WIZARD OF OZ.
Dorothy runs away to adventures in a
fantasy land and learns that happiness can be found
in one's own back yard. A 1939 film starring Judy
Vicki. GRAND HOTEL.
The lives of various hotel guests become
entwined. A 1932 film starring Wallace Beery and
At a lonely motel horrible murders take
place. A 1960 film starring Anthony Perkins.
Pierre. THE BRIDGE ON THE RIVER KWAI.
British POWs in Burma are employed by
their captors to build a bridge. A 1957 film
Max. DESTRY RIDES AGAIN.
A mild-mannered sheriff finally gets upset
and straps on his gun. A 1939 film starring Marlene
Dietrich and James Stewart.
James M. MILDRED PIERCE.
A dowdy housewife breaks free only to
suffer more because of an ungrateful daughter. A
1945 film starring Joan Crawford.
The life of a brawling Texas cattle
rancher through two generations. A 1956 film
starring Elizabeth Taylor, Rock Hudson, and James
Jack. INVASION OF THE BODY SNATCHERS.
Aliens threaten to take over by replacing
people with pod-grown duplicates. A 1956 film
starring Dana Wynter, and a 1978 film starring
Peter. DR. STRANGELOVE.
A mad USAF general launches a nuclear
attack on Russia. 1964 film starring Peter Sellers
in several roles.
Dashiell. THE MALTESE FALCON.
Private eye Sam Spade looks for a
priceless statuette. A 1941 film starring Humphrey
Joseph. DESPERATE HOURS.
Three escaped convicts take over a
suburban house. A 1955 film starring Humphrey
Bogart and Fredric March.
Lillian. THE LITTLE FOXES: A PLAY.
A family of schemers in post-Civil War
days will stop at nothing to outwit each other. A
starring Bette Davis.
Laura Keane Zametkin. GENTLEMAN'S AGREEMENT.
A journalist poses as a Jew in order to
write about anti-semitism. A 1947 film starring
George S. DINNER AT EIGHT: A PLAY.
Guests at a society dinner party
find themselves in dramatic circumstances. A 1933
film starring Wallace Beery and John Barrymore.
Rafael. CAPTAIN BLOOD, HIS ODYSSEY.
A young British surgeon wrongly condemned
escapes and becomes a pirate. A 1935 film starring
Samuel. CAPTAIN FROM CASTILE.
A young 15th-century Spaniard hopes for
fame and fortune in the New World. A 1947 film
starring Tyrone Power.
Robert E. THE PETRIFIED FOREST.
Travelers at an Arizona waystation are
held up by gangsters. A 1936 film starring Humphrey
Eleanor Furneaux, Lady. THE MAN IN GREY.
In Regency times a girl's love for her
less fortunate friend leads to treachery. A 1943
Booth. THE MAGNIFICENT AMBERSONS.
A wealthy family rises and falls. A 1942
film starring Orson Welles.
B. THE TREASURE OF THE SIERRA MADRE.
Three gold prospectors come to grief
through greed. A 1948 film starring Humphrey Bogart
and Walter Huston.
Sloan. THE MAN IN THE GRAY FLANNEL SUIT.
A young Madison Ave. executive must face
his past and his family. A 1956 film starring
Herman. THE CAINE MUTINY: A NOVEL OF WORLD WAR
Jealousies and frustrations on a peacetime
destroyer come to a head when a neurotic
loses his nerve in a typhoon. A 1954 film starring
Percival Christopher. BEAU GESTE.
Three English brothers join the French
foreign legion. A 1939 film starring Gary Cooper,
Robert Preston, and Ray Milland.
by Elisa Birdseye-Clark, General Library Adult


Matt Schatz won the 2012 Kleban Prize in Musical Theatre for Love Trapezoid. Two of Matt's new musicals, An Untitled New Play By Justin Timberlake (2017 O'Neill Finalist), and Where Ever It May Be (EST/Sloan Commission) are being developed this spring at Pittsburgh CLO's 2018 Festival of New Musicals .
Other plays and musicals include: Georama (5 2017 NYMF Awards including "Outstanding Lyrics", book with West Hyler, additional songs by Jack Herrick), The Burdens (2016 O'Neill National Playwrights Conference, Lanford Wilson Award Nominee, Austin Film Festival Playwritng Award Runner-Up), Dunkfest ’88, I Battled Lenny Ross (book by Anna Ziegler ), and The Tallest Building in the World. Matt is currently working on a musical commission from Seattle Rep and BMG Music with director Wendy C. Goldberg.
Matt’s work has been produced by Actors Theatre of Louisville, Ars Nova, Astoria Performing Arts Center, City Theatre, Ensemble Studio Theatre, Great River Shakespeare Festival, Luna Stage, New York Musical Festival, the Repertory Theatre of St. Louis, and others. He has been a finalist for the P73 Playwriting Fellowship, Jonathan Larson Award, Fred Ebb Award, and the O’Neill National Music Theatre Conference.
Matt is a proud member of ASCAP, Dramatists Guild, Ensemble Studio Theatre, The Playwrights Union, and Writers Guild of America, West. He's an alumnus of Youngblood and Interstate 73 writers groups and the BMI Musical Theatre Workshop. MFA: Carnegie Mellon. BFA: University of the Arts.
Also a TV writer, Matt has developed for Fox Television Studios, USA/Universal Cable Productions, TBS/Will Packer Productions, and Fullscreen. He's currently developing a musical mystery series for Entertainment One/Free Association.
Matt was born in Camden, NJ and lives in Los Angeles with his wife Jenna.


Are you a talented filmmaker or screenwriter? We can help you get funded today.
We are accepting applications from around the world (in English). Whether you have a screenplay or a short film that’s already in production, we want to consider your project. In partnership with ScreenCraft, a screenwriting consultancy and competition platform, BondIt is offering between four and ten production grants per year to talented filmmakers for short film and online series that display originality, vision & exceptional potential. Grant amounts will vary from $10,000 to $20,000 depending on the scale and merit of the project. We also offer matching funds for crowd-funding campaigns – see Application Guidelines for specific details.
This program includes creative development from the ScreenCraft team and production guidance and resources from BondIt and Buffalo 8 Productions.
APPLICATION PERIODS ARE ANNUAL AS FOLLOWS: January 1 – March 31, April 1 – July 31, August 1 – December 30 2016.
Winner(s) of this production grant will be announced 4 weeks after each quarterly final deadline.
ScreenCraft is a Los-Angeles based media company dedicated to helping screenwriters and filmmakers succeed through competitions, events and educational content.
BondIt is a film and media fund with recent film credits including “Sharknado“, “Wild Horses” (starring James Franco and Robert Duvall) “31” (directed by Rob Zombie), “By Way of Helena” (starring Woody Harrelson, Liam Hemsworth and William Hurt) & “The Invitation” (SXSW winner).


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A familiar voice presenting on Dubai Eye 103.8, Hayley Doyle is the founder of Hayley’s Comet Theatre Company in Dubai, specialising in acting and musical theatre training for children and teenagers.
Born and raised in Liverpool, she trained at Paul McCartney’s Fame School, LIPA, gaining a BA (hons) in Acting, and has extensive experience as a professional actress in theatre, film and radio all over the UK. Hayley made her West End debut playing Ali in ‘Mamma Mia!’ at the Prince of Wales Theatre, London.
Believing that all actors are storytellers, and with a love of literature, Hayley graduated from Brunel University in London with a Masters Degree in Creative Writing in 2010, winning the Curtis Brown Award for her novel The Day She Met Shirley Temple. She has written two novels, short stories, radio sketches, and plays, especially for children.


UPDATE: Bollywood superstar Shah Rukh Khan’s “Pathaan” has shattered the opening week box office record for Hindi-language films, grossing $77.4 million, per numbers from producer Yash Raj Films. On day seven, the film grossed $3.4 million in India and $1.8 million internationally.
The previous opening week collection record for Hindi films was held by Yash Raj’s “Sultan” (2016), which grossed $48.3 million.
PREVIOUSLY: Bollywood superstar Shah Rukh Khan’s “Pathaan” is proving to be unstoppable at the global box office. The spy action film has grossed $66.5 million after five days of release, per producers Yash Raj Films.
On day five, a Sunday, the film collected $8.5 million in India and $5.1 million internationally.
EARLIER: Shah Rukh Khan’s “Pathaan” has grossed $52.6 million after four days on release. The film collected $7.8 million in India and $6.3 million internationally on its fourth day, per producers Yash Raj Films.
Meanwhile, Vox Cinemas, the cinema arm of the Majid Al Futtaim group, reports that “Pathaan” has become the highest grossing Hindi-language film in Saudi Arabia. The film sold 26,159 tickets on opening day, 67,428 tickets over opening weekend (three days) and a total of 88,840 tickets (including Wednesday), marking the biggest opening weekend in Saudi Arabia so far this year.
ORIGINAL STORY: Shah Rukh Khan’s “Pathaan” has reached blockbuster status in just two days of release.
Produced by Yash Raj Films, the film shattered opening day records for a Hindi-language film, with a worldwide gross of $12.7 million on Jan. 25.
On Jan. 26, a public holiday in India for Republic Day, “Pathaan” did even better, grossing INR829 million ($10.1) million in India and a further INR307 million ($3.7 million) internationally. The film’s two-day gross stands at INR2196 million ($26.9 million).
The film, which is part of producer Aditya Chopra’s spy universe, also stars Deepika Padukone and John Abraham and is directed by Siddharth Anand. Other films in the universe include the Tiger franchise, starring Salman Khan, and “War,” starring Hrithik Roshan and Tiger Shroff, which is also directed by Anand.
“Pathaan” opened at some 5,500 screens across India and 2,500 screens internationally in 100 countries. It ends a box office drought for the Hindi-language Bollywood industry, which had a lean 2022, and marks a comeback for Khan, not seen as a leading man since 2018’s “Zero.”
Recent controversy kept “Pathaan” in the news pre-release. In December 2022, the film sparked inter-religious controversy with the release of a video for a key song. In response, the country’s film censors advised a re-think.
Akshaye Widhani, CEO of Yash Raj Films, said: “As an industry, we are rejoicing today. This is the most important sentiment emerging out of the ‘Pathaan’ success. All of us at Yash Raj Films are grateful for the incredibly humbling support from media, audiences and the industry towards ‘Pathaan.’ It is this unanimous love for the film that has resulted in ‘Pathaan’ shattering all existing records and creating new ones. We are happy that the film has entertained everyone in such an immersive manner.”
“Indians globally are celebrating the film and SRK’s return to the cinemas. It’s really special for us to witness this outpouring of warmth,” Widhani added.


So as you may remember from my over-due post a few hours ago, Iron Man 3 is coming out this weekend, and the nerd-gods have demanded my penance in the form of a post-midnight showing review of the movie. And I'm still going to work in a few hours.
I hope you're happy, Internet.
Oh, and I promise: no spoilers here, webbies. I love you too much for that.
Expectations 'Odor': Going into Iron Man 3, there's a lot of weight. We've got Warmachine as an already established character at the start, so Tony won't be a solo act for sure. And the previews seem to indicate Warmachine upgrades to a patriotic version of his amor reminiscent of Iron Patriot (which is an altogether different character in the comics). This is the first post-Avengers movie, so more than any of the following Marvel movies it has to address the dramatic and character-based aftermath. On top of this, Iron Man 3 is apparently going to feature one of Iron Man's most iconic foes, the Mandarin, and cover one of his biggest transitions as he encounters the Extremis. Extremis, for those of you who don't know the comic books, goes hand-in-hand with the development of a nanite adaptation for Tony's armor that basically makes it appear out of nowhere. It's a convenient way of mitigating Tony's greatest weakness--the hassle of donning his bulky armor.
I'll be blunt: I don't like Extremis. As a kid, I always loved that Tony had to pick between different specialized suits of armor: deep sea armor, space armor, or--when caught away from his base--the weaksauce suitcase armor. I also loved the occasional moments in the comics where Tony Stark would need help from engineers, mechanics, or robots just to doff his suit after a very violent encounter as Iron Man. Extremis limits the drama of catching Tony off-guard, it cheapens the drama of his schtick as being 'just a regular guy beneath that armor'. Because, let's face it, you're not a normal guy if you can think a happy thought and transform into a flying tank.
But I'm super pumped for this movie. It looks like they're dialing in the dramatic fallout of the Battle of New York from The Avengers, the added prominence of Warmachine looks great, and Mandarin as a terrorist mastermind fits really well with the continuity of the movies. All said and done, I'm expecting a drama-packed delve into Tony's tortured alcoholic, with maybe enough action and splendor to make me okay with the introduction of the Extremis armor into the second phase of Marvel's cinematic opus.
Appreciation 'Beef': So as expected, director Shane Black's addition to the Iron Man franchise was tremendously different from Jon Favreau's. There's a lot more plot crammed into Iron Man 3 than the other installments, and it does seem to get in the way of the film's pacing finding its flow. The beginning is slightly disjointed in a way that doesn't seem intense enough to evoke the suspenseful opening to Iron Man, but nor is it smooth enough to give the narrative you get in Iron Man 2. Part and parcel to that, there's a good deal less of Tony's personality in the first thirty minutes or so of the movie--less of Robert Downey Jr.'s facile charm and wit, which makes it that much harder to adjust to the new movie's style. That's also mainly due to the plot-filled pace of the movie though, as Tony is stuck in a reactionary role for much of the first part.
A short way into the movie, however, we get Tony Stark back in his usual spastic charm, and we're reminded of why Tony Stark is Iron Man and RDJ is Tony Stark. He's twitchy, raw, and yet still polished and verbose in an off-handed way that flows well through a rather unique set of trials for our protagonist. Gwyneth Paltrow's Pepper Potts gets a good deal more screen time in this movie, but she gets less opportunity to charm with the awkwardness one sees in the first two movies as the first part of the film brings the ceiling crashing down around everyone's heads. Don Cheadle as James Rhodes is good, but he feels lost in the plot of the movie. Especially since I was looking for Warmachine/Iron Patriot to be a fixture of this movie, I was disappointed that his badass suit got about as much screentime as in Iron Man 2 and he got even less dramatic fuel outside of the suit as he did in the previous movie. At one point near the middle of the movie he even struck me as a bit of a doofus--really, Rhodey? You're wearing tactical tank armor in a room of suspected terrorists and you don't think to mute your externals when sharing login info? How could a guy that obtuse get the rank of Colonel in the Air Force's experimental weapons division?
But Guy Pierce as Aldritch Killian, now there's a fun villain. He's introduced early on in a flashback to 1999, and in that scene his pimpled, scraggly idealism reminded me of Val Kilmer's nerd disguise from The Saint--fun, reckless characterization. The stereotypical dork role might get old quickly, but Aldritch Killian is just as quickly shown in modern times to be handsome, put together, and forcefully cogent in his vision of the future. Ben Kingsley as Mandarin...my, what do I say? I like what they did with his role on a dramatic, storytelling, and thematic level. But as someone who really wanted to be more engaged with Iron Man's nemesis, I found the role lacking. And that's not Kingsley's fault--he enjoyably romps in the confines of the role and works within each moment of a dichotomous character.
"...let's face it, you're not a normal guy if you can think a happy thought and transform into a flying tank."
Iron Man 3 features action that is wholly different from the other Marvel films so far. You get quite a bit more out-of-suit fighting that really makes the super-power mook antagonists seem almost too invulnerable, but then at the same time Tony's own armor suits are a little bit easier to crunch (like almost ridiculously so as the conflict escalates--are his new suits so mobile because they're primarily tin-foil parasols?) and less-tricked out than his previous suits. Part of that is plot-based handicap, but even when the plot opens up to indulge in a variety of bizarre Iron Man gadgets, it doesn't and instead relies on variations of the same actions instead. It's a little frustrating. But the action is kinetic and keeps your head on a swivel, and like other Marvel movies it rarely resorts to slo-mo and hand-holding to let you absorb everything. In the end, the action outside of the suits or in partial armor feel more interesting and exciting, though, partly because much of the full-suit action relies on the same gimmick we get to see about thirty minutes into the movie. In the end, the armored action scenes feel like playing a fighting game with a kid who learned just one cool move for their character and then repeats it at different intervals hoping it will be more effective...
Ah, got me in mid-transformation, huh? Well what if I keep fighting you until it falls apart and then I flip to the side and change into another suit before turning to face you? Oh, destroyed that one, too? How about I throw myself off a catwalk and do it? Weren't expecting that now, were you?
The most lacking part of the movie must have been the score. I say must have because I couldn't really follow it most of the time. As the third part of a series--and quite probably the last Iron Man film with RDJ in the lead--I really wanted more homages to the previous film's excellent scores. Reviewing it now I'm especially confused by this as Brian Tyler, who scored Iron Man 3, did a great job of uplifting Battle Los Angeles with his thrilling heroic themes. Maybe it got lost in the mad visuals of Iron Man 3, but in this genre that's hardly an excuse.
Personal Enjoyment 'Gravy': Oh Extremis, why do you do these things to me? The realization of the Extremis enemies was very well done, with them proving a mid-level threat of being nearly untouchable outside of armor and yet still pretty easy to despatch once fully armored. With the exception of one who survives so much more than the others that, with no plot explaining his hardiness, I was left assuming it's a clumsy plot-protection. The armor improvement, while staying away from the nanite from-nowhere option, feels even more gimmicky and overpowered than the alternative. For the suit to deploy, the pieces now individually fly themselves onto Tony and then expand, latch, and envelop him. It's rather silly when a lone faceplate hovers up and flies to him, and it begs the question how many more toys Tony could fit into his new suit if he just decided not to make every single piece flight capable. It also brings up a WTF of how the disparate pieces are powered, since we're left with several scenes where the pieces fly a good distance to get to Tony. I can't believe it, but I think I'd rather see Tony progress to nanite armor than sticking with autonomous flying pieces that put me in mind of Iron Giant more than Iron Man. Also, there's a part towards the end where Tony says something either flat-out isn't true in light of something that happens in the first act or it's an outright lie and just a random douche moment between him and his sidekick.
"In the end, the armored action scenes feel like playing a fighting game with a kid who learned just one cool move for their character and then repeats it at different intervals hoping it will be more effective."
But I liked the boldness of a lot of the movie's choices. The drama of the plot was well-realized, even if it focused less on Rhodey than I would've liked, and it involved dwelling more on Tony being a temperamental bundle of nerves than a reckless alcoholic. His anxiety attacks could have been made to seem more urgent and frightening, but as it is they strike a powerful middle ground between being used for humor and a genuine threat to his confidence and ability to recover his gear. Making most of the action totally different from the other movies was a good move, too. I think one of my favorite action scenes was one where an unarmored Tony has to fashion much more crude gadgets to infiltrate a complex. I know the scene was too short for how much I enjoyed it, and I hope to get some more deleted scenes of it soon.
Overall, the movie passed the ball along. After Captain America: the First Avenger I suspected that my interest would lean further from Tony and more towards Cap, and it seems that hunch is starting to prove itself. I didn't get the payoff I wanted with Iron Patriot, nor the epic struggle I expected with Mandarin. Killian was capable and played his chaotic principles to the nines, but in the end I think I'm going to keep looking forward to Avengers 2 and be satisfied if Iron Man remains only a trilogy.
On the topic of the 3D experience of this film: I really didn't appreciate it. There were a few moments where it was definitely noticeable, and it created a faintly amusing effect, but for the most part I found it hard to feel like the movie was enhanced by the 3D. And since I always forget to wear contact lenses to midnight showings of movies, I was stuck wearing two pairs of glasses for over two hours wondering if I should just rest my eyes at some point. Not exactly the desired effect for a big budget movie's 3D markup.
General Enjoyment 'Cheese': Iron Man 3 is not going to draw in new fans to the franchise. I think that it may lose a few, but in the end it's going to keep the plots moving and the characters progressing. So that means that the foremost audience for this movie is going to be people who, like me, are looking to the future of Marvel movies. Now, amongst us there will probably be a good number who have better opinions of this movie than I do, but I really doubt any of those stellar opinions will last long as the rest of Phase Two comes out. I find it hard to imagine what might bring in people not already in love with the franchise and/or genre to see this movie: I mean there are regenerating minions with lava hands and fire breath as side effects of their healing factor. Not exactly an easy pill to cram down the throat of that person who scrunches up their nose and says, "Isn't that a comic book movie?"
(And no, it's a movie-movie.)


Miss out on a blockbuster hit all your friends got to see in the theater? Or was a movie so good you just have to see it again? Well, we’ve got something great for you.
Every Friday and Saturday, the UCPC shows a recent blockbuster movie on campus before the it hits the DVD shelves.
Blockbuster Movie (not out on DVD): $0
Freshly popped popcorn: $0
Chance to win giveaways: $0
Attending a UCPC-UCinema Night: Priceless!!!
So bring your friends and enjoy movies, popcorn, and prizes every week. Did we mention it’s FREE?
Check Calendar for dates, times and locations.
*All titles subject to change.*


All in a Night’s Work Lobby Card Starring Dean Martin and Shirely MacLaine – 1960
$19.95 – Movie Lobby Cards – Color Lobby Card (15″ x 12″) from the film, All in a Night’s Work, starring Dean Martin and Shirely MacLaine. Produced by Hall Wallis in 1960. It is over 51 years old.
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Thursday, October 13th there will be a special post-show conversation with RezzaMastrella (Flavia Mastrella and Antonio Rezza) and Frank Hentschker, Executive Director and Director of Programs, Martin E. Segal Theatre Center Theatre, immediatly following the 7:30pm performance of PITECUS.
In PITECUS, Rezza-Mastrella analyze the relationship between man and his perversions in demented portrayals of many different people coming to grips with the Absurd.
Rezza-Mastrella (Antonio Rezza and Flavia Mastrella) are resident artists at Teatro Vascello, They are legendary and award-winning artists in Italy who have been creating theater, film, and installations combining visual arts and performance together since 1987. Mastrella is the one who creates the physical environment in which Rezza, the actor, lets loose his cantankerous spirits with a cockeyed humanity and relentless physicality.
La MaMa presents
by Rezza-Mastrella/Teatro Vascello
October 13 - 16, 2016
Thursday - Saturday at 7:30pm; Sunday at 2pm
The First Floor Theatre
74A East 4th Street
(between Bowery and Second Avenue)
New York, NY 10003
Tickets: $20 Adults/$15 Students/Seniors
For Tickets and Info: CLICK HERE


A new documentary movie called “Bully” is being released. The movie is set to premiere on March 30th in theaters around the country. This powerful film takes an in-depth look at the bullying crisis taking place in this country. This movie looks to be a no holds barred view of the problem taking place in our schools and communities and looks to be a must viewing for our schools and kids.
The only issue looks to be that the MPAA wants to give the film an “R” rating, basically making it a movie that will be unavailable to be viewed by those under 17. This would effectively ban the movie from being viewed in schools. Currently, the filmmaker, which is the The Weinstein Company, is trying to have that changed. You can learn more about the petition to change the rating at the Care2 site.
Again, the movie will be released to theaters on March 30th. Here’s the preview of the movie: