Will Michigan's new film industry help our ailing economy? Will the Michigan Film Incentive have a positive impact on the economy? What are the new jobs in this industry and how do I get one? What movies are being made in Michigan? Join us for a month-long series of events investigating these and other questions.
Wheels to Reels Kick Off Event
Sunday, February 28 | 1:30-4:30pm | McKune | Drop-in | All ages
This afternoon we'll be showing one of the first studio movies made in Michigan, An Anatomy of a Murder (1959). It is a trial court drama film directed by Otto Preminger based on the best-selling novel of the same name written by Michigan Supreme Court Justice John D. Voelker under the pen name Robert Traver. Traver based the novel on a 1952 murder case in which he was the defense attorney. University of Michigan professor Howard Brick will lead a discussion of the movie. Refreshments provided. More information...
From Derby Girl to Whip It
Monday, March 1| 6:00-8:00pm | McKune | Registration Required | Ages 13 +
Read Derby Girl by Shauna Cross, and then watch Whip It, the movie based on the book. Parts of Whip It were filmed in Ypsilanti and Detroit, Michigan. Book quantities are limited, but film screening is open to the public.
The film stars Ellen Page & Drew Barrymore, and is rated PG-13. Call to register...
Great Books @ Chelsea Senior Center
Friday, March 5 | 1:00pm | Chelsea Senior Center | Registration Required
Join in on great book discussions led by Library and Senior Center staff. Reserved copies are available for participants; please sign up to get your copy. March's book will be: Anatomy of a Murder by Robert Traver. We'll be screening the film version starring James Steward Friday, March 19 at 1pm so feel free to drop-in!
Books & Banter
Thursday, March 18 |1:30pm | Women's Club Table | Registration Required
Hosted by Michaelina Brown. Reserved copies of the books are available for participants at the Adult Reference Desk. The book for March is Anatomy of a Murder by Robert Traver.
International Book Club
Thursday, March 4 | 7:00pm | McKune | Registration Required
Join us as we explore cultures around the globe. This month, we will discuss a book that was adapted into an excellent film: The Painted Veil by W. Somerset Maugham.
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Ann Arbor Film Festival Sneak Preview
Saturday, March 6 | 2:00-3:30pm | McKune | Drop-in | Ages 13 +
Curious about art-focused, independent and experimental cinema? Please join us for a free public sneak preview of the 48th Ann Arbor Film Festival (AAFF), featuring short films from the upcoming festival. The AAFF is the longest running showcase of independent, experimental, and artistically-inspired films in North America. Donald Harrison, Executive Director of the AAFF, will present an afternoon of memorable movie watching. More information...
Somewhere in Time
Sunday, March 7 | 2:45-4:00pm | McKune | Drop-in | All ages
Join us for a viewing of this 1980 film. Filmed on Mackinac Island, in and around the Grand Hotel, this time travel romance has earned a large and loyal following and regarded by many to be a cult classic. Christopher Reeve plays Richard Collier, a playwright who becomes smitten by a photograph of a young woman. Through self-hypnosis, he travels back in time to find love. Bring your handkerchiefs! More information...
Escanaba in da Moonlight
Sunday, March 14 | 2:00-4:00pm | McKune | Drop-in | Ages 13 +
The third in our film series is Escanaba in da Moonlight, the 2001 movie starring Jeff Daniels. It is a comedy
about hunting and hunting traditions and is set (and filmed) in the Escanaba, Michigan area. The movie is the film adaptation of the play of the same name, which premiered at the Purple Rose Theatre. Join us for a screening of this uproarious comedy and enjoy our spread of Upper Peninsula-inspired "Yooper" snacks. More information...
Roger & Me
Sunday, March 21 | 2:00-4:00pm | McKune | Drop-in | Ages 13 +
Join us for the documentary that made Michigan's own Michael Moore a household name. Roger & Me tells of the closing of the General Motors (GM) plant in Flint, MI and the huge economic impact it had on the city. Moore shows how GM's decision affected almost every facet of life in Flint, from home foreclosures to tourism. The screening will be followed by a discussion of the film. Light refreshments will be served. More information...
Stranger in the Woods & More!
Monday, March 22 | 6:00-8:00pm | McKune | Registration Required | Ages 6-12
Meet the filmmakers of the award-winning children's film, Stranger in the Woods (filmed in Michigan), based on the book of the same name. Sisbro Studios show us the creative process behind the book and how they turned the book into a movie. This program is very interactive featuring video clips and music from the movie. Sing, dance, make animal noises, edit photographs and hear the authors' inside stories.
6:00pm : movie & popcorn | 6:30pm : making of Stranger in the Woods
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Workshops & Panel Discussions
SRSLY Scary Cinema Film-making Workshop
Fridays, March 5, 12, 19 & 26 | 3:30 - 5:30pm | McKune | Registration Required | Ages 11-17
Make movies and have fun, SRSLY! If you're interested in helping make dramatic public service announcements for SRSLY that will be seen all over Chelsea, sign up now! Teens and tweens will work with film-maker Liam White to create mini-movies for SRSLY, with scripts written by local teens. Teens will do the filming, acting and even help edit the final product. Students who sign up must participate in at least 3 of the four sessions.
An Evening with Guy Sanville & Friends
Tuesday, March 2 | 7:00-8:30pm | McKune | Drop-in | All Ages
Join Purple Rose Theatre Company Artistic Director Guy Sanville and his associates for stories about their experiences filming the Michigan movies Escanaba in da Moonlight and Super Sucker. This is a chance to hear about life on a movie set from a performer's point of view. Join us for an evening of conversation and laughter as Guy & friends share their recollections and behind-the-scenes details. More information...
Film Jobs in Michigan
Wednesday, March 10 | 6:30-8:30pm | McKune | Drop-in | All Ages
Our panel of experts will discuss the career opportunities that exist as a result of the film industry presence in Michigan – specifically about what kinds of jobs there are and how to become trained in those fields. The panel will include representatives from the Michigan Film Office, Washtenaw Community College's Digital Video Film Production program and Eastern Michigan University's Electronic Media and Film Studies program. Join us to learn what opportunities exist behind the scenes in this industry. More information...
Historic Chelsea Interest Group Goes to Hollywood
Thursday, March 11 | 7:00 - 8:00pm | McKune | Registration Required
Join Michigan Film Office location scouts and local volunteer location scout, Susanne Vandenbosch, to learn about the location scouting process and how to submit a possible filming site, including things to keep in mind with regard to historic sites and buildings.
Making Movies in Michigan
Wednesday, March 17 | 6:30 - 8:30pm | McKune | Drop-in | All Ages
Our panel of experts will discuss the film industry presence in Michigan –the establishment of the 42% film incentive and some success stories of films that have been made here. Join us to hear from Michigan filmmakers and learn about the economic pros and cons of the film incentive and its effect on our state. More information...
Crafty Costume Design
Thursday, March 18 | 6:00 - 7:00pm | McKune | Registration Required
Corey O'Sullivan, local Costume Designer/Technician and period clothing specialist will talk about her participation in costuming for local films and teach a costuming activity. Space is limited to 15 participants.
Glamour and Gore
Sunday, March 21 | 1:00-3:00pm | River Gallery | 120 South Main St | Registration Required | Ages 13-17
Join us at The River Gallery for a one-of-a-kind interactive, hands-on workshop for young people ages 13 to 17, focusing on the creation of character for camera and film through the application of makeup and hairstyling. Participants will learn how to achieve the effects of "glamour" and "gore" using makeup and hairstyling techniques.
Jenna Drudi graduated from the David Pressley School of Cosmetology. In the past few years she has shared her passion for hair and makeup with the film industry and has worked on films such as Annabelle and Bear, Trivial Pursuits, and Cedar Rapids. She has also worked with some amazing actors: Isaiah Washington, Ed Helms, John C. Reilly & Anne Heche. Her inspirations include red carpet styles, personality differences and lifestyles.
Alaine Karoleff is a project manager at the Ann Arbor web development firm Inner Circle Media.
"Sewing and costume creation have always been a hobby of mine, as well as expressive make-up and creating Halloween-like characters. "
Writing for the Movies: How to Get Started & Stay Motivated
Tuesday, March 23 | 6:30-8:30pm | Registration Required | Ages 12 and up
Producer and story consultant Harvey Ovshinsky will lead a program open to teens and adults that will help aspiring film writers get their ideas on paper. Harvey Ovshinsky and his production studio HKO Media have been awarded broadcasting's highest honors including four CINE Golden Eagle Awards, a national Emmy, a Peabody, a duPont - Columbia University Award, an Iris Award from the National Association of Television Programming Executives, and the American Film Institute's Robert M. Bennett Award for Excellence.
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Celebrations & Receptions
Somewhere in Time Victorian Tea
Sunday, March 7 | 1:30-2:30pm | Chelsea House Victorian Inn | 118 East Middle St | Registration Required | Ages 10 +
Join us for a special Victorian Tea, held at the Chelsea House Victorian Inn, in celebration of the film Somewhere in Time, being shown at the library at 2:45pm. Filmed on Michigan's Mackinac Island, it ranks as one of the most romantic films of all time and is considered a cult classic. Our host, innkeeper Jim Myles, will be providing us with tea and crepes in the beautiful parlor of the Chelsea House Victorian Inn. All participants are strongly encouraged to come in Victorian costume, even if it's only a hat! Call the library at 475-8732 for costuming suggestions. Limited to 22 participants.
Saturday, March 20 | 4:30-5:30pm | River Gallery | Drop-in | Ages 13+
You're invited for music, "mocktails" and mingling, at the River Gallery (120 S. Main St.), before the red carpet walk at the Chelsea Reads Together Gala Finale at the library later in the evening. Meet Sue Marx, Academy Award-winning filmmaker, up close and personal, before her talk at the library. This is your chance to see new items from the Anatomy of a Murder 50th Anniversary display, have delicious snacks, and listen to some great jazz! Be sure to "glam up" for the red carpet walk at the library! More information...
Saturday, March 20 | 5:30-7:30pm | McKune | Drop-in | All ages
Join us as we celebrate the grand finale of Chelsea Reads Together, Hollywood-style! We'll have lights, red carpet, velvet rope, photographers..and you are the star! Dress for the press; tiaras and "tails" welcome! Special guest, Academy Award winning filmmaker Sue Marx, will show and discuss her film short, Anatomy of an Author, about John D. Voelker, the author of Anatomy of a Murder. Pianist Brian Brill will also be on hand to play some "Duke" from the film and discuss the technique of scoring music for the movies. Don't miss this party! More information...
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MONROE, Mich. – Monroe County Community College has scheduled auditions for its fall play, “A Christmas Carol,” from the novel by Charles Dickens, Angie Lai, director of the play and adjunct instructor of humanities, has announced.
The auditions will take place in the La-Z-Boy Center, Meyer Theater, on September 10 and September 12 from 7-10 p.m. each evening. The La-Z-Boy Center is located at 1555 S. Raisinville Rd. in Monroe.
The play is an adaptation of the classic tale of Ebenezer Scrooge, a coldhearted, lonely miser, and the arrival of three ghostly visitors one Christmas Eve, Lai said.
No experience is necessary; the audition will consist of reading from the script. Script cuttings are on reserve in the MCCC Library through Sept. 12.
Performances will take place Nov. 22-24 in the Little Theater, which is located in the lower level of the Campbell Learning Resources Center.
Please RSVP for an audition by emailing Lai at firstname.lastname@example.org.


Growing up, filmmaker Nagraj Manjule says the world of Amitabh Bachchan films was a huge influence on him and he credits the megastar for making him fall in love with cinema.
Manjule, the director of some of the most acclaimed films of the last decade including Fandry and Sairat, said in his Jeur village in Maharashtra’s Solapur drict, he was the local Bachchan.
“His films have had a huge influence on me, the start of my love for cinema. In my growing up years, till the time I was in tenth standard– before I failed and moved away from cinema — he was my world. I was such a big Bachchan fan that there’s no film of his that I would have missed watching,” the director told PTI.
The megastar’s films like Yaarana, Main Azaad Hoon, Deewaar, Khuda Gawah and Satte Pe Satta had a huge impact on him, he asserted.
The filmmaker said he watched Satte Pe Satta close to 50 times, sneaking in cinema halls to only catch the entry sequence of Amitabh Bachchan as killer Babu .
“I would have watched the film minimum 50 times in those days just for that sequence and return home or sometimes only go to watch that sequence! Such was his influence on me. I would watch three-four film shows of his, in a single day!”
From dressing up like his cinema icon, to mouthing his dialogues, Manjule said he adapted Bachchan’s on screen persona in every way possible.
“Main itna bada deewana tha (I was such a huge fan). I would copy his style, tie my shirt in knots like him from Deewaar and go to school. I would often get punished too, but never stopped. Basically, main apne aapko Bachchan samjhta tha (I thought I was Bachchan) and would roam around like him, mouthing his dialogues,” he added.
The 43-year-old director is now gearing up for his latest Jhund, which is headlined Amitabh Bachchan.
The film features the megastar as Vijay Barse, a Nagpur-based retired sports teacher who pioneers a slum soccer movement.
For Manjule, collaborating with his favourite arte was surreal.
“It was daunting when I would think, how will I possibly be able to work with him. Before Jhund, I had only worked with non actors. So I would think what would be the process, how will I direct him. But credit to him, he really never made me feel any pressure or burden.”
The filmmaker said he knew working with the 79-year-old screen icon was a once in a lifetime opportunity and hence he wanted to make the most of the opportunity.
“I was careful that this was a once in a lifetime opportunity for me. Someone whose work you have seen only on the screen and now you get a chance to collaborate, that was huge. I lived every moment with him, every second of working with Bachchan sir was precious,” he added.
Jhund is produced Bhushan Kumar, Krishan Kumar, Raaj Hiremath, Savita Raj Hiremath, Manjule, Gargee Kulkarni and Meenu Aroraa under the banners of T-Series, Tandav Films Entertainment and Aatpat.
The film is scheduled to release on March 4.


Tuesday, December 13, 2011
She is quiet. A brown haired, green eyed beauty standing off on her own in the corner of the room, anxious to branch out but not quite brave enough to be the life of the party just yet. In her eagerness to be loved she steps out and stumbles, stubbing her toe. Now skittish, she shuffles back into her corner.
A few hours later she is ready again. She carefully steps out, bravely stepping over the errant piece of carpet that caused her such discomfort earlier. While focusing on the carpet, she backs into a dusty chair, bumping her knee against the leg. With a quiet gasp of pain, she lurches back to the corner, completely disregarding other obstacles in her way in her effort to get back to what's comfortable. Now as she stands, watching the brightly lit room across the way she nurses a throbbing toe, an aching knee, and several small scratches. Scars of her past attempts to find her way to the revelry. And failed.
She looks up as a young man enters the room. A few inches taller than she, he has olive tinted skin and midnight black hair. His eyes, hazel with tints of gray, hold promises of adventure, mystery and wonder. There is an colder, crueler current running under the shallow promises, but at the moment she doesn't see them. She watches with bated breath as he slowly stretches out his hand, arm reaching across chairs, broken lamps, torn rugs. All obstacles keeping her from the warmth of the people across the hall. Overflowing with happiness, she reaches, grasps his fingers, and he pulls.
Grabbing her he wraps an arm around her waist and pulls her close. With the other arm he traces her face. Lowering his head, he whispers quietly into her ears. Breath caught deep within her throat, she waits eagerly for the words of love, comfort, and acceptance that she has waited oh so long to hear.
"You are not good enough. You will never be good enough. How can you expect anyone to love you if you can't even walk yourself across the room in one piece? You will never have it together. It is to late to even try." The grey in his eyes begins to gleam as he watches her face fall, tears gathering in the depths of her sea green eyes. Releasing her quickly, he is gone before she even has time to blink.
Looking frantically back and forth she searches for her corner, her safe haven. But she has ventured too far into the center of the room to turn around and find it now. Looking down at the floor she is surrounded by darkness the likes of which she has never seen. Alone, exposed, and completely defenseless she falls to the floor, sobbing as she hugs her knees to her chest. A few feet away she sees a fallen, broken table, and she drags herself too it. Curling beneath it, she puts her head between her knees and cries.
What seems like hours later, a small footstep approaches. Looking up, she stares into the deep pacific blue eyes of a blonde haired, bare footed child. She wipes her nose, smearing snot and dust across her entire right cheek. Ashamed she hiccups and tries to slide away, but stops as a look of delight sweeps across the little boys face. Giggling, he reaches out a bare hand and wipes a streak of mud off her cheek. Grabbing her ankle, he proceeds to drag her out from under the table. He guides her to the door, and she marvels as obstacles fall away out of his path.
As they walk out into the party she again tries to detract into her shell. She feels the weight of people's eyes, judging her appearance. Her dress, once white, is muddy now dirtied by her tears and the dust from her table. Across the room, Devon smirks, his now completely grey eyes glinting at her evilly. Looking down, she sees an innocent scowl mar the face of the little boy before he walks her out the door and shuts it firmly behind her, shutting in all her problems, anxieties, fears, and disappointments.
Looking back, she sees the door slowly creek open, and tan fingers curl menacingly around the edge. Amongst the now somewhat dimmer party lights, she sees too quick, steely flashes of gray. Fearfully catching her breath, she trembles. Turning her head back round, she drowns once again in the deep blue eyes of the blonde haired manifestation of grace that has so buried her fears and insecurities.She faces the new day, her hand held tightly in his own, the love of a child shining through non-judgemental eyes


Cross Sparks is a new website dedicated to the Creative Arts. It aims to become a platform for resources that encourage engagement with the Christian Faith.
It is also the home of the Cross Sparks Film Co-operative; a collection of actors, writers and film makers keen to use this medium for mission and evangelism, education and social inclusion.
The Rule Breaker
This is the first project that Cross Sparks have developed. The film started life as a stage production written by Mandy Carr and performed by the Paddock Wood Deanery Players. The script was then adapted and more local actors were recruited. David Doré, from Silk Purse Films, with the assistance of Chris Tizzard and Derek Goodwin, worked on bringing the screenplay to life. The film was completed in the Autumn of 2013 with a Premiere for cast and crew in December at the Kino Digital Cinema in Hawkhurst.
The Rule Breaker venture is a local, charitable, community project with every one contributing their time and skills free of charge. DVDs are available for order through this website at a price of £7 each + P&P. The profits from these sales will go to the Hospice in the Weald, in Pembury, Kent.
The film is also available to stream from this website. We will not put a pay to view condition on the site but as Cross Sparks Film Co-op have made this film with the intention that the Hospice in the Weald would directly benefit from it, we would strongly encourage those who wish to view it to give a donation through ‘Just Giving’.
The film is particularly suitable for use with year six of primary school, in secondary schools, churches and home groups. Each story can be used separately through the chapter facility of the DVD alongside the study material which is available for download from this website. Resource materials are available on this site, which will be very helpful in providing a teaching and learning tool for ethics, PHSE, Philosophy and R.E.


Vontae Jones is a character on The Blacklist.
Not much is known of Vontae's life, only that he committed a crime serious enough to earn him time in a federal prison. There he met Raymond Reddington, who quickly grew close to him and took young Vontae under his wing. Vontae told Red that nobody, not even his family, had shown any concern for his life.
After Reddington left prison, he took Vontae with him, making sure he got an early parole as part of Red's new immunity agreement, and recruited Vontae to his syndicate.


In the dynamic realm of online entertainment, BFlix takes center stage as a beacon of accessible cinematic bliss. As a free movie streaming site, BFlix doesn’t just provide a platform; it offers a cinematic odyssey where users can dive into a plethora of films without the burden of subscription fees. Let’s unravel the magic behind BFlix and explore the liberating world it opens up for movie enthusiasts.
Empowering Cinematic Access: The Essence of BFlix’s Vision
BFlix is more than a streaming site; it’s a gateway to a democratized cinematic experience. With a vision to make movies accessible to all, BFlix stands out by offering a platform where users can seamlessly navigate through an expansive library of films without the financial constraints often associated with subscription-based services. It embodies the belief that entertainment should be inclusive and readily available to everyone.
Diverse Cinematic Palette: A Cornucopia of Films
Step into the world of BFlix, and you step into a cinematic cornucopia. The platform’s extensive library caters to diverse tastes, spanning classic masterpieces, indie gems, and the latest blockbusters. BFlix ensures that whether you’re a connoisseur of timeless cinema or a fan of cutting-edge releases, there’s a treasure trove of films waiting to be explored, creating an inclusive cinematic palette for all preferences.
User-Friendly Interface: Navigating Cinematic Pleasures
BFlix prides itself on a user-friendly interface designed for seamless exploration. The platform’s intuitive layout invites users to effortlessly peruse its vast movie selection, turning the cinematic journey into a delightful experience. With a few clicks, users can embark on a personalized cinematic adventure, navigating the digital landscape with ease and accessibility.
Breaking Financial Barriers: Free Movie Streaming Liberation
One of BFlix’s defining features is its commitment to breaking financial barriers. In a landscape where subscription fees can hinder access, BFlix stands as a beacon of affordability, allowing users to indulge in free movie streaming without the need for a paid subscription. This commitment aligns with BFlix’s core ethos of making entertainment a liberating and inclusive experience for all.
Community Engagement: A Shared Love for Cinema
BFlix transcends being a mere streaming site; it’s a community hub where cinephiles unite. Movie enthusiasts from various walks of life converge on BFlix to share insights, recommendations, and a collective love for cinema. The platform’s community engagement features enhance the overall experience, transforming the act of watching into a shared adventure where users connect over their shared passion for film.
Legal and Ethical Approach: Upholding Integrity in Streaming
BFlix takes pride in its legal and ethical approach to streaming. By offering free movies through legitimate channels, BFlix ensures that users can enjoy their favorite films without compromising on the legality and integrity of the content. This commitment reflects BFlix’s dedication to creating a responsible and sustainable platform in the ever-evolving landscape of online entertainment.
The Future of Free Movie Streaming: BFlix’s Continuous Evolution
As BFlix continues to carve its niche in the digital entertainment landscape, its ongoing evolution promises exciting developments. From technological enhancements to an ever-expanding library, BFlix remains dedicated to refining and elevating the user experience, solidifying its status as a go-to destination for those seeking the joy of free and accessible movie streaming.
BFlix isn’t just a platform; it’s a cinematic movement. As users immerse themselves in the world of free movie streaming, BFlix stands as a testament to the idea that entertainment should be a liberating experience for all, transcending financial barriers and fostering a shared love for the art of cinema. Welcome to BFlix – where the magic of movies is just a click away, and the cinematic journey knows no bounds.


The Extraordinary Untold Story of John Lennon.
As a boy, all John Lennon needed was love.
The two women who, more than anyone else, were responsible for shaping the psyche of John Lennon are the focuses of Taylor-Johnson's first feature film. Nowhere Boy finishes before the Beatles start and gives us a subtle portrait of Lennon as a young man. Raised by his Aunt Mimi after his mother gave him up at the age of 5, John is torn between the stability provided by Mimi and the passionate nature of his mother Julia, who he reconnects with after more than ten years.
Starring Aaron Taylor-Johnson as John Lennon, Kristin Scott Thomas as Mimi Smith, and Anne-Marie Duff as Julia Lennon.
Screenplay: Matt Greenhalgh
Director: Sam Taylor-Johnson
Director of Photography: Seamus McGarvey
Editor: Lisa Gunning
Executive Producers: Jon Diamond. Tim Haslam, Christopher Moll, Tessa Ross, Rhodri Thomas, Bob Weinstein, Harvey Weinstein, Mark Woolley
Music: Alison Goldfrapp and Will Gregory
Production Design: Alice Normington
Casting: Nina Gold
Costume Design: Julian Day
Nominated for 4 BAFTA Film Awards, 6 British Independent Film Awards, 3 Empire Awards, UK, and another 7 nominations and wins.


Newquay has a modern four screen, digital cinema capable of showing 3D movies with the most up-to-date audio and visual equipment.
With its stadium style tiered seating everyone gets an excellent view of the screen. In addition to showing films they also broadcast shows and theatre productions including performances by the Royal Shakespeare Company. Various film and media events are held throughout the year including competitions and themed filmmaker showpieces. The cinema can be hired for private functions and has a large foyer for stands and displays.
All screens are accessible to wheelchair users, with screens one & two being on the ground floor, and screens three & four on the first floor accessible by a lift. All screens have sound enhancement (Infra-Red Systems) for the hard of hearing plus subtitling systems and Audio Description for the visually impaired. Box Office & all concession points are fitted with hearing loop systems.
The cinema is located on King Street, TR7 1AA and the closest car park is St Georges Road Car Park, TR7 1TD.
To see what films are being shown and the start times please click here


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Go to Disney.com, it’s on the main page.
I’m too excited for words. This looks really good. This looks amazing. Zac’s biceps are huge. Words can’t explain this…I’m just watching it over and over.
‘Camp Rock’ was great. I just finished watching it and I couldn’t be happier. This movie debuted two nights ago but I was on vacation and I couldn’t catch it until tonight, which turned out to be a blessing, otherwise this feeling I have right now would have been gone a long time ago and I still wouldn’t be enjoying the thrill of another Disney knockout. I guess most of my posts are about Disney but if they keep churning out quality pieces of film like this you can’t be angry.
‘Camp Rock’ is the story of high schooler Mitchie Torres (Demi Lovato) who attends the summer camp ‘Camp Rock’ and lies her way to popularity. Also at the camp is bad boy pop star Shane Gray (Joe Jonas) whose band mates Nate and Jason (Nick Jonas and Kevin Jonas) send him back to the camp to be a counselor to get into good graces with the media. Meaghan Jette Martin plays the popular girl with an attitude Tess who shakes things up at the camp. With all that being said…
So Pete and I went to see Indiana Jones and the Kingdom of the Crystal Skull a few hours ago at Mega Movies in East Brunswick. Upon entering the lobby I had the great joy of tapping my friend on the shoulder and being able to point his gaze upwardtowards a beautiful yet gruesome site indeed! We looked up to see a MASSIVE wall-covering banner of Heath Ledger as the Joker from the upcoming film The Dark Knight. It was such a site to be seen that Pete needed to inquire as to what becomes of such things at a movie theater lobby when a film has run its course. The ticket goon told us that when banners or posters of this grand size are used to promote movies, they are collected at some point by the studio that produced it.
You mean to tell me that Warner Bros. sends a representative to East Brunswick Square Mall to collect banners? The same mall where Pete once engaged in a footrace with a 12 year old and put 20 bucks on himself to win, only to crush the child and not allow the lad to pay him the money he owed as a life-lesson? The mall where a younger more foolish Don Hohner had his first date with a certain girl who will be marrying her high school guidance counsellor in about a month?
I find it all too menacing to think that a Warner-stooge is marauding around the vicinity of Ruby Tuesday, stopping off at the place we all rented our prom tuxes from, only to cap off his trip by collecting awesome banners and taking them home to that water tower where Yacko, Wacko, and Dot live, to incinerate them.
Clearly Pete and I would be willing to give these amazing banners and posters a good home. Sure it’s not a smoke free environment but hey, at least it would kill some time trying to figure out how to hang a 12 foot high banner in our bedrooms.
By the way, the 4th Indy was great. Don’t let mediocre reviews taint your dreams of another Indy adventure. If you liked the original trilogy, you’ll like this one too. But don’t go looking for Short Round to make a cameo ’cause he ain’t never gonna be there… I know, I was pretty depressed too.
Read this… Let it sink in. And then think to yourself, “I should send donations to 41 Miles so that the writing staff can go to this event and just have a great time.”
IMAX Theatre | 600 E. Grand Avenue
Cinema/Chicago, the 44th Chicago International Film Festival and Warner Bros. Pictures proudly present the first Chicago showing of THE DARK KNIGHT, the follow-up to the action hit Batman Begins. THE DARK KNIGHT reunites filmmaker Christopher Nolan and star Christian Bale, who reprises the role of Batman/Bruce Wayne in his continuing war on crime. The City of Chicago is prominently showcased in the film, with shots of the old Chicago Post Office, the State of Illinois Center, the IBM Building, Upper and Lower Wacker Drive, and LaSalle Street, among other locations.
The evening will include a tribute to filmmaker Christopher Nolan followed by a screening of THE DARK KNIGHT in IMAX®, which features six sequences shot with IMAX® cameras. “Nolan’s work has captivated both critics and audiences alike. Memento remains one of the great directorial and writing achievements in cinema. He is a modern writer/director who approaches all aspects of his work with a style and sophistication seen only amongst the most elite tier of filmmakers,” remarks Festival Founder and Artistic Director Michael Kutza.
A dinner reception will follow the tribute and screening in the stunning Crystal Gardens at Navy Pier, lit up by a spectacular fireworks display. The Gala will benefit Cinema/Chicago, its year-round educational programs, and the 44th Chicago International Film Festival.
Warner Bros. Pictures presents, in association with Legendary Pictures, a Syncopy Production, a Christopher Nolan film, THE DARK KNIGHT. Nolan directed the film from a screenplay written by Jonathan Nolan and Christopher Nolan, story by Christopher Nolan and David S. Goyer. Charles Roven, Emma Thomas and Christopher Nolan are the producers, with Benjamin Melniker, Michael E.Uslan, Kevin De La Noy and Thomas Tull serving as executive producers. THE DARK KNIGHT is based upon characters appearing in comic books published by DC Comics. Batman was created by Bob Kane.
5:30PM Red Carpet Arrivals
6:30PM Tribute and Award Presentation to filmmaker Christopher Nolan
7:00PM Gala screening of The Dark Knight
9:30PM – 11:30PM Dinner Reception at The Crystal Gardens
Advance ticket price: $150/ticket if purchased by June 1
After June 1: $175/ticket
TICKETS ON SALE AT 9:00AM ON FRIDAY, MAY 16! LIMIT 4 PER PERSON.
PRESALE tickets available to Cinema/Chicago members May 12-15.
Must attend Gala in Chicago. Must see The Dark Knight before everyone else!
As one of the resident comic/superhero experts on the blog I was really looking forward to seeing Iron Man. I can’t say I knew much about Iron Man except for the fact that he was a man named Tony Stark who used his knowledge of technology and weapons as well as his vast fortune to create body armor equipped with more weapons and gadgets you could ever dream of. (Remind you of anyone else?) He is part of the Avengers which is the Marvel equivalent of The Justice League. So I was really looking forward to finding out more about this character from the movie.
It came online yesterday at around noonish and even though I had already seen a bootleg version of it on other sites, the official release has blown me away! The Joker is looking more and more like the best on-screen villain ever, and there are even some very subtle surprises to be found here in this new trailer.
Surprise #1: In the trailer right after Alfred makes a joke, Batman smashes into a van from above. When looking very closely, the occupant in the driver’s seat is noneother than The Scarecrow, a villain from Batman Begins. This confirms the reports that the character would make an appearance in the sequel.
Surprise #2: Harvey Dent can be seen holding a gun next to his head in a car. The left side of his face is hidden pretty well but scars can be seen on his face as well as scuffed up clothing on that side of his body. This is our first look at Two Face ladies and gentlemen!
Surprise #3: The Joker clearly throws Rachel Dawes off a building. If she goes splat on the ground or if the Dark Knight himself swoops in to catch her is still a mystery.
All in all, this is a great trailer with awesome images and even better dialogue. This movie will be amazing when it comes out July 18th! No doubt.
I’m about 20 minutes late to work but I figured I’d post the link for the new trailer to ‘The Dark Knight.’
Update: The video has been removed from that site…you had your chance.
So let’s just get this out in the open. My name is Don and I love Batman. I understand that I have been primarily writing posts on this site regarding the new film The Dark Knight as of late. If anyone out there is getting sick of me writing about it, then I’m sorry but it isn’t just a passing phase. If you hate me, then hate me. But if you want info, then here I am to serve as your self-appointed 41 Miles Bat-News man!
Today was a dark day for online Bat-Fans everywhere. Reports kept coming in that the third trailer would be hitting the web today to coincide with a marketing game that spanned several cities from London to Boston. Online players were in place to relay information to ground players who were actually in the cities that were hosting the game. The game itself was much like a scavenger hunt. The clues as to where the ground crew needed to go were passed on to them via the online players. This type of Bat-game has gone on once before in L.A. last summer at Comic Con to reveal the original trailer. The result of today’s scavenger hunt was clearly to uncover the new trailer online… But we were all deceived!
At a certain point, the online players told the ground players the final clue. Once the ground players discovered the next location in which to travel, they were rewarded with a free screening of the new trailer in a full sized movie theater. They were given Joker cards and one person from each screening even won a raffle of the actual film strip with the trailer on it! All of this is well and good however the online players’ portion of the game abruptly halted. The trail had run cold. Finally some nerd somewhere discovered a sister site to the original viral site with the clues that let you shoot ducks or some shit. If you hit the ducks in a certain order you go to another site. THE NEXT SITE WE FOUND TOLD US THAT THE TRAILER WOULDN’T BE ONLINE UNTIL SUNDAY!
Clearly this marketing strategy is not going very easy on the online fans who couldn’t make it to London to search for clues at 5:30 at night. Many Bat-Fans are very upset and even though the marketing for this film thus far has been top notch, I am finding myself slipping away from it. Sometimes I wish I was just your average Joe who didn’t care one way or the other if he saw The Dark Knight. I feel if that were true that the time would pass faster. However I am not one of those poor saps. I am a Bat-Fan now and forever. But oh God, somtimes I just can’t stand all these waiting games…
As always, I promise to post the new trailer as soon as I can.


"She perverted her path of life arrogantly to the way of carnal lust ... to the notorious peril to her soul."
In a 14th Century Yorkshire convent Sister Joan is blessed with unholy visions. A seductive serpent and sinful saints exalt the earthly pleasures of forbidden sex.
Her visions cause a scandal in the order but Joan’s determined to spread her new carnal creed... even if it means getting a little creative.
An obscene medieval mystery play with live music, based on the miraculous true story of a nun on the run. A new Christmas show by multi award-winning devised theatre makers Breach.
For more information and tickets, click here.
Location: New Diorama Theatre, 15-16 Triton St, London, NW1 3BF
Date: 03rd December - 21st DecemberTime: 19:30 - 00:00


Anuvab Pal, Anvita Dutt, Baar Baar Dekho, bollywood, cinema, cliche, Dharma Productions, drama, Farhan Akhtar, film, Groundhog Day, India, indian society, Katrina Kaif, Media reviews, movie review, new hindi film, Nitya Mehra, popular cinema, Sidharth Malhotra, Sri Rao, The Timetraveler's Wife
Before I went to watch this film, I had already been bombarded with a host of negative reviews. I had no expectations and generally when I go with such a mind set, I end up liking the film. Surprisingly enough, I still felt that Baar Baar Dekho was an utter drag.
When it comes to an acting performance by Katrina Kaif, there are obviously no expectations and we very well know that Siddharth Malhotra is still to mature as an actor but still both the actors manage to disappoint with their performances. The story unoriginally springs from a mundane mash up of films and books like Groundhog Day and The Time Traveller’s wife. The first half of the film is starkly The Time Traveller’s Wife and the second, Groundhog Day. As a whole the film is highly predictable but that’s not all what is disappointing about the film. The story jumps from one emotional high point to another without any transition. This rough, jagged texture makes it difficult for the viewer to understand or empathize with the characters. None of the characters seem to get enough screen time to get established throughout the film and I think that is why the viewers are dryly peeled away from any kind of emotional response.
The film talks about the importance of family and emotions in one’s life which I think is a relevant topic today but what I found disappointing was how the filmmakers portrayed that how easy it is to reach professional peaks in an academic career and how it happens without putting any kind of hard work at all and how unimportant it is – an idea that has massively destroyed our young generation and seen repeatedly in countless Bollywood films.
Baar Baar Dekho does pick up eventually but that happens too close to the end of the film to really appreciate it. Watch the film if you are okay with 2 hours of irritation and 20 minutes of satisfaction. I feel the film might have worked better if the film makers would have worked longer on the writing table. Some sequences seem extremely stale, clichéd and in turn, plain boring to the eyes and mind of an average movie goer.
The film is obviously unoriginal. So if you have that bug in your mind that prohibits you from enjoying unoriginal material, you may want to stay away from this film. But then, to think of it, if we have enjoyed RD Burman’s music for decades, would we really mind this copy paste? I would like to leave that for you to decide.
Under the banner of Dharma Productions, the film is produced by Farhan Akhtar, directed by Nitya Mehra and co-written by Sri Rao (Story and Screenplay), Nitya Mehra (Screenplay), Anuvab Pal (Screenplay) and Anvita Dutt (Dialogue).
P.S. – I went to watch the film only the end credits song – Kala Chashma. (And how could I not? Our college performed on the original during our college fest way back in 2003!)
P.S.S – Yes, I can be that frivolous at times.


The science fiction genre is famous with both viewers and critics. It covers topics ranging from extraterrestrial life to robot invasions, frequently integrating social concerns and philosophical musings into the larger-than-life action and visual effects.
The construction of foreign locations and contemporary technologies appears to be just what the medium of cinema was meant to do. Science fiction has existed in cinema for as far as there have been movies. But, which are the greatest? It’s a near-impossible task to figure out. But we’re going to do it nonetheless.
If you want to push your curiosity and explore undiscovered planets from the comfort of home, go no further than the Top 11 Science Fiction Movies of All Time.
2001: A Space Odyssey
Based on Arthur C. Clarke’s short tale The Sentinel, Stanley Kubrick’s landmark epic bridges the gap between high, intellectual sci-fi and more approachable mainstream entertainment. However, simplifying the account is a challenging endeavor. The entirety of 2001 revolves around a crew traveling across space, only for their artificial command center to become malevolent.
However, we may also perceive the birth of humanity and our growth as something higher in this context. Thanks to its fantastic photography and realistic effects, 2001 remains among the most famous and impactful sci-fi films of all time. We cannot emphasize enough how: do not stream on a mobile phone or laptop. Every shot is an intricately rendered picture. and you should see it on the giant screen available – whether it’s a TV or projector. When you watch Kubrick’s masterwork, you’ll know why we named 2001 the finest sci-fi film of all time.
Another of the finest science fiction films ever produced deals with artificial intelligence, synthetic love, and the destruction of the human environment. It’s also an animated Pixar film. Pixar has a relatively close reputation for making fantastic movies, but Wall-E may be in a league of its own. It’s a film so brilliant that it doesn’t even need language for half of its running length. It is, by far, the finest animation science fiction film creation, and Wall-E will remain one of our beloved sci-fi icons for the rest of our lives. One of the most significant movie relationships of all time is the one between Wall-E and Eve.
The 2014 dystopic space adventure follows ex-NASA pilot-turned-farmer Joseph Cooper and a team of three other astronauts as they are humankind’s final hope in looking for a new homeworld in a faraway galaxy. The film, which also starred Anne Hathaway, Jessica Chastain, and Michael Caine, was nicknamed an “intergalactic extravaganza” for smoothly fusing serious scientific issues and stunning visual effects with stunning visual effects, basic human feelings, and tuneful father-daughter relationship issues brought to life by Hans Zimmer’s score.
The finest movies are those that surprise you by being terrific when you least expect them. So when The Matrix was premiered in 1999, it astonished almost everyone. Its cutting-edge usage of “bullet time” cinematography and “wire-fu” martial arts, coupled with a dystopian atmosphere, was unprecedented.
The notion that Blade Runner is getting a sequel many years is proof enough of the film’s longevity. Ridley Scott’s narrative about a world in which androids nearly identical to humans dwell among us captivated audiences.
Back to the Future
Back to the Future is one of the most definitive time-travel films. The winding, looping, self-aware causality of the film is a brilliant achievement of composition, pace, and wit. However, the lofty idea is simply one aspect of making Back to the Future a masterpiece. Whereas other science-fiction films may risk all on a cosmic invasion or the salvation of entire worlds, the stakes in Back to the Future are never higher than Marty defending his family.
Star Wars, subsequently was renamed A New Hope. It presented us to that fabled galaxy far, far away, and full of endearing animals and funny characters. This picture, a classic tale of good vs. evil, influenced several viewers and creators alike. However, while the effects wowed everyone (and continue to do so), it was the world’s cohesion that genuinely stood out.
Aliens are the perfect embodiment of a superb sequel. Whereas Alien was a fantastic piece of fright cinema, Aliens takes the idea of scary foreign life and turns it into an excellent action film that is both loud and intellectual.
The epic directed by James Cameron smashed all benchmarks to become the second highest-grossing picture of all time. The film follows Jake’s blossoming passion for another Navi, Neytiri (Zoe Saldana), as he strives to gain the trust of the Navi tribe, all of which culminates in an epic struggle for the preservation of the alien planet and its strange population.
The Terminator is a minimal-budget, top-notch film that depicts a love tale set in a world of machinery. Arnold Schwarzenegger played the main character in James Cameron’s 1984 film, a machine sent backward in history to murder Sarah Connor (Linda Hamilton). The resistance sends her a bodyguard, Kyle Reese (Michael Biehn), who will go to any length to keep her alive.
Planet of the Apes (1968)
The last on our Top 11 Science Fiction Movies of All Time is Planet of the Apes. The first Planet of the Apes is a film that is brimming with creativity. Clever monkeys abduct a crew of astronauts after falling upon a distant continent. Planet of the Apes is a film about humankind regressing its primitive beginnings and the terrible knowledge that time is finite. To cap it all off, the film’s finale is among the finest in science fiction history.
There are thousands of graphically stunning and mentally challenging Sci-Fi movies worldwide that affect our lives. Still, we decided to pick the Top 11 Science Fiction Movies of All Time, and I’m pretty confident there will probably be thousands more still to arrive!


Dodge has extended its partnership with Universal for the upcoming Furious 7, the most recent installment in the Fast and Furious franchise of films.
The automaker has been a part of the franchise since the very first film, but this time the arrangement will extend beyond the film into music as well. Atlantic Records will be releasing the movie’s soundtrack and also working on music videos in partnership with Dodge.
The movie is set to hit theaters on April 3rd and will feature the 2015 Dodge Challenger, Dodge Charger R/T, and an armored Jeep Wrangler Unlimited. The soundtrack will be available ahead of the movie’s release on March 17th.
Vin Diesel in his role as Dominic Toretto will be behind the wheel of a Candy Red 2015 Dodge Charger in the film’s chase scenes. A Sublime Green and Black 2015 Dodge Challenger R/T will be driven by Michelle Rodriques as Letty Ortiz and Ludacris will be getting the 2015 Jeep Wrangler Unlimited in his role as Tej Parker.
Those are just the three cars that the stars of the movie will drive, but there are a lot more than that throughout the film. All together there were nearly 30 vehicles provided by FCA (Fiat Chrysler Automobiles) and even more appearing in the videos.
The partnership with Atlantic Records is a unique chance for Dodge to show off both its new offerings and some of its classics. The music videos will feature the Dodge Charger and Challenger SRT Hellcats, and the Dodge Viper GTS right alongside vintage Dodge vehicles.
There will also be a series of television ads to promote the movie, starting with a spot called Flash to the Future. It starts out with a guy walking into a Dodge dealership to check out the cars when he’s suddenly transported right into the movie. Don’t expect that to happen when you walk into the dealership.
Dodge has created a special landing page to promote its cars and the movie where you can learn more about the vehicles seen on-screen.
Release of the movie is a little bittersweet for fans as one of its stars, Paul Walker, was killed in a car accident unrelated to the movie during filming. Although filming was put on hiatus, those involved decided that they wanted to finish the movie which will feature scenes filmed by Walker before his death.
Furious 7 hits theaters on April 3rd.


Malaal Movie SONG DOWNLOAD
|Malaal:Presenting the official trailer of the upcoming movie Malaal. The movie is the story of Shiva and Astha, two very different people from contrasting backgrounds who experience the innocence of love. Does their love find its destination or do they part ways? Stay on this journey to find out.|
Cast: Sharmeen Segal & Measan
Directioned B: Mangesh Hadley
Produced B: Sanjay Leela Bhansali, Bhushan Kumar, Mahavir Jain and Krishna Kumar
- Malaal Official Trailer | Sharmin Segal | Meezaan | 28th June 2019
Malaal Soundtrack Music Album Ringtone Download, Malaal Movie All Video Songs Download, Malaal Movie Ringtones, Malaal Movie All Gane Free Download.


Indian wedding photography has taken me to the most wonderful places in the world, and I’ve been lucky to be a part of dozens of fun, crazy and zany weddings!
With every kind of photography style available from still life to model work, full room set projects and smaller cameo shots, product, creative food and location work, Grafh Agency supplies you with the images you need for selling your clothing, products, furniture or floor covering.
A Documentary film is a nonfictional motion picture intended to document some aspect of reality, primarily for the purposes of instruction or maintaining a historical record. Such films were originally shot on film stock—the only medium available—but now includes video and digital productions that can be either direct-to-video, made into a TV show or released for screening in cinemas.
A Commercial Advertisement (variously called a television commercial, commercial or ad in American English, and known in British English as an advert) is a span of television programming produced and paid for by an organization, which conveys a message, typically to market a product or service.
A Tele film (also known as a TV film; television movie; TV movie; telefilm; telemovie; made-for-television film; direct-to-TV film; movie of the week (MOTW or MOW); feature-length drama; single drama and original movie) is a feature-length motion picture that is produced for, and originally distributed by or to, a television network, in contrast to theatrical films, which are made explicitly for initial showing in movie theaters.
Live production is the process of creating video by capturing moving images (videography), and creating combinations and reductions of parts of this video in live production and post-production (video editing). In most cases the captured video will be recorded on electronic media such as video tape, hard disk, or solid state storage, but it might only be distributed electronically without being recorded.
Indoor/ Outdoor Shoot
A shooting range or firing range is a specialized facility designed for firearms practice. Each facility is typically overseen by one or more supervisory personnel, called variously a range master or “Range Safety Officer” (RSO) in the United States or a range conducting officer (RCO) in the UK. These supervisory personnel are responsible for ensuring that all weapon safety rules are followed at all times.


PEOPLE IN FASHION
LOOK OF THE DAY
72nd Festival de Cannes
Cannes Film Week: From December 2 to 8, Cannes films go to Buenos Aires!
Cannes films' World Tour continues with the Buenos Aires Cannes Film Week from December 2 to 8 2019! The "Semana de Cine"...
Bong Joon-Ho’s Parasite wins Palme D’or at the 72nd Festival de Cannes
For 12 days, the 72nd edition of the Festival de Cannes has celebrated artists and films from different perspectives, making...
Kering and the Festival de Cannes to honor Chinese actress Gong Li
Gong Li, an iconic figure of Chinese cinema, has established a truly global renown during a remarkable, most singular career....
Sylvester Stallone is back in Cannes to promote Rambo V – Last Blood
One last announcement for the Official Selection of the 72nd Festival de Cannes: Sylvester Stallone, who never passes unnoticed...
The Specials by Olivier Nakache and Eric Toledano to close the 72nd Festival de Cannes
There are films screened on the last evening of the Festival that have branded the Cannes legend. With the desire to carry...
Tarantino’s Once Upon a Time in Hollywood to premiere in Cannes
One of the most anticipated movies of the summer, Quentin Tarantino’s Once Upon a Time in Hollywood, will officially premiere...
Cannes 2019: Un Certain Regard jury announced
Chaired by Lebanese director and actress Nadine Labaki, the Jury of 3 women and 2 men will reveal its prizewinners on Friday,...
The Jury of the 72nd Cannes Film Festival announced
This year’s prestigious competition, unveiled on April 18 and championed by the press, with films from high level filmmakers...
Cannes Classics 2019 to screen Kubrick’s The Shining and Hopper’s Easy Rider
The 25 years of La Cité de la peur, a midnight screening of The Shining presented by Alfonso Cuarón, the 50 years of the mythical...
Alain Delon to receive Honorary Palme d’or at the 72nd Cannes International Film Festival
He entirely belongs to cinema and its finest works and legends: in 2019, the Festival de Cannes has decided to award Alain...
The official poster of the 72nd Cannes International Film Festival featuring Agnès Varda
It is August 1954: we are in the Pointe Courte neighborhood of Sète, in the South of France. In the dazzling summer light,...
The Dead Don’t Die by Jim Jarmusch to Open the 72nd Cannes Film Festival
The 72nd International Film Festival will open with the Competition screening of Jim Jarmusch's new film, The Dead Don't...
Cannes 2019: Mira Nair named the Patron of the Fabrique Cinéma by the Institut Français
Mira Nair, director and producer, works on both documentaries and fiction, and feels just as at home in independent cinema...
Nadine Labaki is the new President of the Un Certain Regard Jury at Cannes 2019
After moving hearts and minds at the last Festival de Cannes with her Academy Award- and Golden Globe-nominated Capernaum,...
Alejandro González Iñárritu named President of the Jury of 72nd Festival de Cannes
Alejandro González Iñárritu, one of the most acclaimed and respected filmmakers working today, is to be President of the Jury...
Bvlgari’s new “Mai Troppo” campaign celebrates the flamboyant exuberance of the Eternal City
The new “Mai Troppo” (“Never Too Much”) Bvlgari advertising campaign is an ode to life...
Cannes Classics 2020 will celebrate the 20th Anniversary of In the Mood for Love by Wong Kar-wai
This year, Cannes Classics will celebrate the 20th Anniversary of In the Mood for Love...
Marc Jacobs Fall 2020 collection continues creative celebration of the designer’s love for New York
Marc Jacobs presented his women’s ready-to-wear collection for Fall/Winter 2020...
Marion Cotillard is the new face of Chanel N°5 fragrance
Chanel is delighted to announce that Marion Cotillard will be the face of the new advertising...
Proenza Schouler Fall 2020 collection
For the Fall Winter 2020 collection, Proenza Schouler’s team of creative directors...
Oscars 2020: Editor's take
So, diversity won this time at the Oscars. And it won it big! But when I say “diversity,”...
Accidental Influencer: Gucci Tennis 1977 sneakers campaign
A playful take on trends that create uniformity through coveted pieces, a portfolio...
And the Oscar goes to: The Academy Awards 2020
The 92nd Oscars were held on Sunday, February 9, 2020, at the Dolby Theatre at Hollywood...
PEOPLE IN FASHION
Look of theDay
Copyright 2010. Vesna Filipović


Yesterday, we went to the mall to look around. As we walked by a poster shop, one poster caught my eye. It was Marilyn Monroe. She was wearing this gorgeous black dress and earrings. Then it hit me. I have the same bead earring as Marilyn Monroe. Can you believe it? I was very excited. I felt like a movie star LOL.
Do you want to feel like a movie star? What are you waiting for? Go and check out Carole's beautiful creations. I'm sure you will feel fabulous like me :-)


6 edition of The Theatre of the Holocaust found in the catalog.
June 1982 by Univ of Wisconsin Pr .
Written in English
|Contributions||Robert Skloot (Editor), Shimon Wincelberg (Editor)|
|The Physical Object|
|Number of Pages||116|
Voices of the Holocaust is raising funds for Voices of the Holocaust Theatre in Education on Kickstarter! This funding project will enable Voices to tour schools with their two powerful educational productions and teach this vital subject. The Hardcover of the The Post-traumatic Theatre of Grotowski and Kantor: History and Holocaust in 'Akropolis' and 'Dead Class' by Magda Romanska at Barnes Due to COVID, orders may be delayed. Thank you for your : Magda Romanska. Rovit, Rebecca. Accepted/In Press. “Parsing the Jewish Question: Ethical Witnessing, Tabori’s Legacy, and the Theatrical Representation of the Holocaust.” Book Chapters. In Taboos That Must Be Broken: Holocaust Theatre and the Legacy of George Tabori., edited by David Z. Saltz and Martin Kagel. University of Michigan Press.
TQM implementation in the Army
Treasury bill futures
atomic weights of boron and fluorine
introduction to birds
Planetary plasma waves
Salinity problems in arid lands irrigation
British Pharmacopoeia 1953
Nature studied with a view to preserve and restore health.
Recipe for slimming
Homoeopathic materia medica of the new remedies
Stories of early life along beautiful Indian River
Reflections on contemporary nursing practice
Transfer of appropriate technology : the energy technologies for Tanzania
Sustained attention in human performance
The Theatre of the Holocaust, Volume 1: Four Plays [Skloot, Robert] on *FREE* shipping on The Theatre of the Holocaust book offers. The Theatre of the Holocaust, Volume 1: Four Plays5/5(2). The Theatre of the Holocaust, Volume 1 book. Read reviews from world’s largest community for readers.
This volume contains these four plays:Resort 76 by /5. This second volume of The Theatre of the Holocaust, when combined with the first, represents the most The Theatre of the Holocaust book and comprehensive international collection of plays on the Holocaust.
Since the appearance of Volume 1 intheatre and Holocaust studies have undergone astonishing transformations.5/5(2). The children of murder victims assemble to enact ritually the destruction of their fathers in the presence of two survivors.
As the sons The Theatre of the Holocaust book their fathers, the most profound ethical questions of the Holocaust are raised concerning the limits of. The Theatre of the Holocaust, Volume I Four Plays Edited and with an Introduction by Robert Skloot "This is real theatre in the real sense of the word: eternal and universal."–World Literature Today "Deeply moving, forceful, remarkable."—Detroit Jewish News.
The Theatre of the Holocaust book About The Polish Theatre of the Holocaust. Grzegorz Niziolek's The Polish Theatre of the Holocaust is a pioneering analysis of the impact and legacy of the Holocaust on Polish theatre and society from to the present. It reveals the role of theatre as a crucial medium of collective memory – and collective forgetting – of the trauma of the Holocaust.
Scripts of Holocaust Plays: Theater plays dealing with the Holocaust, dramas for both adults and young people. The Theatre of the Holocaust: Volume 1 and Volume 2 Collections of plays about the Holocaust.
Volume 1 contains four plays, all written by survivors. The best books on The Holocaust recommended by Steven Katz. In the years immediately after World War II, the Holocaust was little studied. That all changed with the publication of Raul Hilberg's book, The Destruction of the European Katz, professor of Jewish Holocaust Studies at Boston University and former Director of the Elie Wiesel Center for.
The building originates from and was used as a theatre for many years during the early 20th century. During German occupation the theatre was used as a deportation centre () – Jews from Amsterdam and surrounding areas were obligated to report there before being taken to Dutch transit camps (Vught or Westerbork) and finally to Germany.
Volume 2: "This second volume of The Theatre of the Holocaust, when combined with the first, represents the most significant and comprehensive international collection of plays on the Holocaust.
Since the appearance of Volume 1 intheatre and Holocaust studies have undergone astonishing transformations. The Theatre of the Holocaust, Volume 2 Six Plays Edited and with an Introduction by Robert Skloot This The Theatre of the Holocaust book volume of The Theatre of the Holocaust, when combined with the first, represents the most significant and comprehensive international collection of plays on the Holocaust.
Since the appearance of The Theatre of the Holocaust book 1 intheatre and Holocaust studies have. Resource: The Theatre of the Holocaust, Edited by Robert Skloot, University of Wisconsin Press, Madison, WI, Abstract: This play depicts the lives of women in a concentration camp.
Hopelessness and death surround the characters in the play, yet the character of Claire maintains that they must not loose hope or their The Theatre of the Holocaust book to live, as. Grzegorz Niziolek's The Polish Theatre of the Holocaust is a pioneering analysis of the impact and legacy of the Holocaust on Polish theatre and society from to the present.
It reveals the role of theatre as a crucial medium of collective memory – and collective forgetting – of the trauma of the Holocaust carried out by the Nazis on Polish : The Theatre of the Holocaust, Volume 1: Four Plays and a great selection of related books, art and collectibles available now at The Polish Theatre of the Holocaust reveals how -- by testifying about society's experience of the Holocaust -- theatre has been the setting for fundamental processes taking place within Polish culture as it confronts suppressed traumatic wartime experiences and a collective identity shaped by the past."-- Provided by publisher.
The Theatre of the Holocaust, Volume 1: Four Plays [Robert Skloot]. This volume contains these four plays: Resort 76 by Shimon Wincelberg Will the relentless oppression of the starving workers in a ghetto factory destroy their faith in God.
Their lAuthor: Robert Skloot. This second volume of The Theatre of the Holocaust, when combined with the first, represents the most significant and comprehensive international collection of plays on the the appearance of Volume 1 intheatre and Holocaust studies have undergone astonishing transformations.
In Volume 2, Skloot presents six plays acknowleding the most recent. Theatre art during the Holocaust years can be grouped into categories of commanded art and self-initiated expression, depending on the setting in which it occurred.
The various settings in which theatre artists sustained their art represented the increasing trend towards the ghettoization – cultural and geographical – of those groups deemed.
Terezin: Children of the Holocaust, the recipient of the Children's Television Drama Award, provides an historical context within which to examine these critically important issues.
Playwright and director Anna Smulowitz, the daughter of Auschwitz survivors, wrote this play in order to sustain the memory of the victims, including her many. Vilna During the Holocaust Daily life in the Vilna Ghetto Theatre and Music in the Ghetto.
Today (17th January ) I received an official invitation to the first concert to be held at the initiative of the artists' group of the ghetto, on Sunday 18th January in the hall of the gymnasium at 6 Strashun Street. Book Description. The Second World War went beyond previous military conflicts. It was not only about specific geographical gains or economic goals, but also about the brutal and lasting reshaping of Europe as a whole.
Theatre in Europe Under German Occupation explores the part that theatre played in the Nazi war effort. Using a case-study. Error: please try again. In German-occupied Poland during World War II, industrialist Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis.
Votes: 1, | Gross: $M. Error: please try again. Sophie is the survivor of Nazi concentration camps, who has found a reason to live. The Holocaust has been the subject of many films, such as Night and Fog (), The Pawnbroker (), The Sorrow and the Pity (), Voyage of the Damned (), Sophie's Choice (), Shoah (), Korczak (), Schindler's List (), Life Is Beautiful (), The Pianist () and The Boy in the Striped Pyjamas ().
A list of hundreds of Holocaust. "The Book of Joseph" opens May 11 (after preview performances May 9 and 10) and runs through June 10 at Everyman Theatre, W. Fayette St. Tickets are. Theatre, and the Holocaust to be part of a virtual Holocaust Theatre On Line Collection (HTC), part of the work of All About Jewish Theatre.
While the enormous digital encyclopedia about theatre and the Holocaust will not be launched untilwe are presenting our own handbook earlier, both as a preview of the larger project and as. Rebecca Rovit is an Assistant Professor in the Theatre department of the University of Kansas where she teaches Script Analysis, Theatre History, Modern German Drama, and special topics related to historiography and Theatre and Genocide.
Her co-edited (with Alvin Goldfarb), Theatrical Performance during the Holocaust: Texts, Documents, Memoirs. 4 Introduction to the Third Edition By Dr. Rochelle G. Saidel Founder and Director, Remember the Women Institute This is the third edition of Remember the Women Institute’s Women, Theatre, and the Holocaust Resource Handbook, created as a service to educators and others who want to know more about dramatizations by women, as well as those.
In partnership with The Ensemble Theatre, Holocaust Museum Houston's Friends of Boniuk Library and young professionals group, NEXTGen, invites you to Acting Empathy: An Evening with The Ensemble Theatre. This special event celebrating Black History Month will feature a scene from The Green Book and a discussion lead by Dr.
Jesse Esparza, Assistant Professor. The book, Performing Captivity, Performing Escape: Cabarets and Plays from the Terezín /Theresienstadt Ghetto speaks to us from the heart of the Holocaust, says Dr Peschel, a lecturer in our Department of Theatre, Film, Television and Interactive Media.
Avoid John Boyne’s Holocaust novel, Auschwitz Museum advises Twitter spat follows author’s criticism of proliferation of books with ‘Auschwitz’ in title Sun, Jan 5,Updated Author: Ronan Mcgreevy. Free 2-day shipping on qualified orders over $ Buy The Theatre of the Holocaust, Volume 1: Four Plays at nd: Robert Skloot.
Painter, auteur, enigma, murderer. The work of the German Jewish artist, killed in the Holocaust, has long been overshadowed by her life and times. In February,eight months before she was. The Holocaust Theater Catalog was created by the National Jewish Theater was developed by staff, scholars, artists and volunteers overseen by Arnold Mittelman, founding NJTF President/Project Director, and by Dr.
Alvin Goldfarb, Supervising Advisory Board usly funded by the John S. and James L. Knight Foundation and private. Teaching the Holocaust Through Theater In partnership with Prime Stage Theater, the Holocaust Center will hold this teacher training at four times during the year in different locations across the county.
The program will culminate in a student matinee of the acclaimed play The Soap Myth, starring Ed Asner, taking place in May Act [ ].
Vali Rácz (25 December – 12 February ) was a successful Hungarian singer and film actress, the darling of the Hungarian public.
She finished the Franz Liszt Music Academy in Budapest Between andshe played at City Theatre and then at Hungarian Theatre. Inshe sang at 'Terézkörúti Színpad' and at City Theatre for three : Rácz Valéria, 25 DecemberGölle, Hungary.
Who read three from the book, It's called The Reach and its the on Monday Warsaw by and on Tuesday next week. so I hope you join me again. Thank Pages Businesses Arts & Entertainment Museum History Museum Community Museum Illinois Holocaust Museum & Education Center Videos Matthewpiece Theatre.
Call Box Office on to book your tickets. Online tickets available from 2pm on Friday 10 January. Every audience member will receive an empty Yizkor Passport typical of the era. They can use the information on the back to discover about individuals and communities affected by the Holocaust and add details to the passport.
New Play. Ensemble Theatre's The Green Book Offers Weighty Subjects With Uplifting Message The play, which is not connected to the Oscar-winning film, makes its regional premiere.
By Holly Beretto. Survivors - A New Play About the Holocaust, Rochester, New York. likes. A cautionary tale on the risks of normalized hate, this play ensures that the voices of Survivors will never be silenced.5/5.
A theatre director in Chicago read the book and asked playwright Karen Hartman to make the book into a play. The play, “The Book of Joseph,” is in rehearsal right now at Everyman Theatre.
Gene Plunka's study pdf add to this chronicle with an examination of the theatre of the Holocaust. Including thorough critical analyses of more than thirty plays, this book explores the seminal twentieth-century Holocaust dramas from the United States, Europe, and Israel.4/5(2).“The Book of Joseph,” playing at Everyman Theatre, tells the touching story of Richard Hollander, and his family’s journey through World War II.
The piece, written by Karen Harman and directed by Noah Himmelstein, is a testament to why stories such as Hollander’s need to be shared. Unlike many Holocaust books, which deal primarily with the concentration camps, this ebook focuses ebook Jewish life before Jews lost their autonomy and fell totally under Nazi power.
These essays concern various aspects of Jewish daily life and governance, such as the Judenrat, the Warsaw Ghetto uprising, religious life, housing, death, smuggling, art, and the struggle for .


Fall Classes Enrolling Now!
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Welcome to BROADWAY WORKSHOP!
Broadway Workshop gives young actors of all skill levels the opportunity to explore their creativity through acting, singing and dance. Our Programs are taught by working professionals, from Broadway stars to Casting Directors and Agents.
Our Students not only learn about and experience all aspects of the theatre through our Workshops, Industry Showcases, private and small group coachings but they also gain skills in the areas of communication, self confidence, and teamwork in a supportive, positive and most of all FUN environment!


Song Weilong lahir pada 1999 dan baru berusia 16 tahun saat dia memasuki industri hiburan. He tried out for and learned wushu for a year in junior high school, and later enrolled in Shaolin Tagou Martial Arts School of Henan Province. Tan Songyun sebenarnya berusia 30 tahun dengan wajah gadis berusia 18 tahun. Tapi Song Weilong, Zhang Xing Chen dan Tan Songyun berhasil membuktikan jika mereka mampu memerankan karakter mereka melewati perubahan cerita yang rumit itu. In December, he participated in Hunan TV’s variety show “Run For Time” and became well known. Saat itu, dia sempat dianggap sebagai pacar pria itu. 27 June 2020: Seven Tan is starring in JIn Xin Si Yu opposite Wallace Chung. Weilong sendiri memiliki dua kakak perempuan dan mereka sangat dekat. Popular idol actor Song Weilong (宋威龙) may be in a new relationship.. Chinese media is reporting that the 20-year-old actor, best known for his work in Yu Zheng (于正) dramas such as Untouchable Lovers < 凤囚凰 > with Guan Xiaotong (关晓彤), could be dating 19-year-old supermodel Zhao Jiali (赵佳丽), as the two were spotted acting intimately with each other inside a car. Tan Song Yun in such a young age is a veteran already in Chinese dramas having started as a child actress in 2005. Tentunya perubahan ini menguji kemampuan akting para pemainnya. Song was born in Dalian, Liaoning, raised in a family with two older sisters.At age 9, Song Weilong developed an interest in classic martial arts after watching the action movie The New Legend of Shaolin starring Jet Li. In October 2015, He became an artist under Huanyu Entertainment. Seven Tan will be starring with Song Weilong and Steven Zhang in Go Ahead. Tahun lalu, kakak Song Weilong juga sempat menjadi trending. Tan started her career as a child actress in 2005, when she filmed the television series Wild Chrysanthemum. Tan Songyun, also known by her English name Seven, is a Chinese actress. Song Weilong(宋威龙), born on March 25, 1999 in Dalian, Liaoning, is a Chinese actor and model. Watch [MV OST] 以家人之名 |Go Ahead| |无畏| |马頔| Starring (谭松韵 Seven Tan Songyun、宋威龙 Song Weilong, 张新成 Steven Zhang Xincheng） - MUSICBANK on Dailymotion She is best known for her roles in television series The Whirlwind Girl (2015), With You (2016) and The Fox's Summer (2017). Early life and education.


Writing the Short Form Play
with Steve Otfinoski
Are you ready to write the Great American Play – the 10-minute version?
The short play form is experiencing a boom in theater festivals and competitions around the country. This format therefore presents a wonderful opportunity for the unknown playwright to break onto the dramatic scene. Writing the short form play also allows the novice playwright to hone his or her craft from the ground up in a tight and challenging form of drama.
Geared to either the novice or experienced writer, this workshop will allow writers of any genre to explore the short form play format. Each week we will read and critique each other’s work, while taking time to examine the tools of the playwright’s trade, including dialogue, characters, setting, plot, and theme. We will even try some in-class writing exercises to sharpen our wits and develop our own dramatic voices.
The final goal will be for each playwright to have a finished short play that is ready to be produced. Writers will be provided with a list of producing companies and contests – both nationally and locally – where they will be encouraged to submit their work in hopes of a staged reading or production.
Instructor: Steven Otfinoski, M.F.A., has more than 30 years of experience as a produced playwright. His plays – both long and short – have been produced throughout , Off and Off-Off Broadway, and in . His theater company, History Alive! has produced his one-person shows at schools and libraries throughout the state for two decades. He is a member of the Dramatists Guild and Squarewrights, a local playwrights’ group that has produced more than a dozen of his short plays.


YouTube claims this was made in 1962, but according to the fine print in the film itself, it was made in 1957. Either way, if you’re a baby boomer who went grocery shopping with Mom back when you were a young whippersnapper, this will bring back memories. If you watch all the way to the end you’ll see how much an average mother paid for a shopping cart full of groceries in 1957 (warning: not for the faint of heart).
This video is ancient — even older than YouTube! — and about as amateurish as a video can be, but it still cracks me up every time I watch it. If you are unfamiliar with the plot of Pride and Prejudice, you should probably give this one a miss, as it will make no sense whatsoever.


I watched ‘Aligarh‘ today, and was quite impressed with the understated passion that Manoj Bajpayee brings to the character of Prof. Siras, hounded and dismissed by Aligarh Muslim University (AMU), because of his affair with a rickshaw driver. Mysterious goons made their entry into Prof. Siras’ apt. and ostensibly filmed him having sex with the rickshaw driver. Other accounts suggest CCTV cameras installed in the apt. bedroom, possibly by university hirelings. Many suspect the collusion and involvement of the AMU admin.
The persecution of Siras became a pivotal LGBT issue in the heady aftermath of the Delhi High Court’s decriminalization of same sex relations in 2009.
Siras later won his case against AMU in the Allahabad High Court, and then died mysteriously at his Aligarh apartment (university housing), a day before the court judgment reached the university–despite a murder charge lodged against a few suspects, the police claimed that nothing could be proven, and the case was quietly dropped. No one knows why Shrinivas Siras died. Murder at the hands of university goons who did not want to re-instate him, in accordance with the court judgment? Or suicide, caused by a sense of shame?
Bajpayee’s character in the film reveals his gentleness, poetic consciousness (‘poetry is not about words and meanings, but about spaces and silences’), and the painful awareness of outsider status. Shrinivas Siras was an outsider not only in terms of his sexuality, but also as a Hindu at AMU (paradox: a majoritarian ‘minority’ at a minority institution), a professor of Marathi in Aligarh which is largely an Urdu and Hindi speaking town.
The film ‘Aligarh’, reveals the subtext of the charges against Siras: the horror and the abjection of the violation of caste and class taboos, as well as the inter-religious sex taboo in sex with a rickshaw driver. I think it’s simplistic to say that Siras was hounded solely because of homophobia.
It is tempting to speculate on what would have happened if Siras had a quietly closeted relationship with a same sex, same economic class and caste friend, say, a colleague from another department of AMU. I certainly don’t think the witch hunt would have been this rabid.
Curiously, the film pulls off the fictionalized relationship between Siras and the journalist Pradeep Sebastian (‘Deepu’), very well. In real life, Sebastian was the journalist who exposed the Siras case and gave it national attention and publicity. Rajkumar Rao plays the young Sebastian with superb elan.
The relationship between the professor and the journalist does not blossom into overt romance–yet, the fictional Siras enjoys a great male bonding comfort in his various tete-a tetes with Deepu, in his greatest hour of crisis.
Paradoxically, in so doing, the film re-inserts the need for caste, class, or at least educational commonality , a need that it challenges at other levels.
For, Irfan the rickshaw driver, is but an extra in the film, and his relationship with the professor appears to be centered on sex and a common love for the Bollywood voice over genius Lata Mangeshkar.
‘Aligarh’ is well worth a watch, and is a minor marvel in the Bollywood context, with all the issues it raises and exposes.


So, we all are fairly familiar with the concept of a movie franchise. It started out to tell a complex and compelling story. Now it seems to be all about milking the box office public for everything they’re worth.
In this post I’m going to discuss comic book based franchises and an attempt by another studio to reinvent themselves. I’ll be upfront; I was NEVER a comic book hero junkie. What i know of any individual franchise is essentially from friends and video media interpretation.
Arguably, DC started the whole comic book movie franchise with Batman and Superman back in the black n white TV days. The draw to their stories seems simple enough but the reinvention of both lines over the years has been chock full of hits and misses due to both direction and acting.
This summer we have the release of Wonder Woman. I paid to see it, it was worth the money and i was surprised at the overall character development and depth they managed in the time allotted. It was gritty and told the story well. It did feel a bit abbreviated and the big reveal seemed to be telegraphed about mid film.
The followup Justice League movie should be interesting as my only memories of that group were Saturday morning cartoons. I wasn’t a fan of Batman vs Superman for various reasons. The acting was likely hobbled due to the script which in turn was limited by the need to cram the whole story into a single movie. It was intended to jump start the path to Justice League and there’s only so many times you can retell origin stories for either title character.
TV series are another bright spot for superheroes. The CW has done an amazing job bringing DCs catalog of characters to life on the small screen.
The only fly in the ointment is Supergirl. Her shows seem to be written with an agenda to beat down stereotypes no matter the effect on the actual story. I had to stop watching the show because the politics were overpowering the suspension of disbelief required to really enjoy a superhero story.
Marvel has a solid franchise history and I’m mostly happy with the films they’ve produced even though they seem to think rebooting is the only way to get it right, or not. Besides the X-Men series Marvel has started building up their own stand alone heroes. Spiderman, Logan, Thor, Captain America, Iron Man, Antman and the Avengers. All decent action movies that tell their tales and feed into the larger Marvel Universe. Soon we’ll travel to Africa to experience Black Panther’s tale. The trailer looks promising but they always do.
Universal Studio’s ‘Dark Universe’
Now comes the re-re-reboot of the classic tales of darkness and horror that have been rehashed so much that there’s really nothing new to tell in the genre. Universal launched their new franchise with The Mummy starring Tom Cruise.
The movie is an attempt to retell the story of ancient evil trying to destroy the world. It’s a definite departure from the adventurous films starring Brenden Frasier being set in modern times with all the associated trappings. I missed the mix of classic adventure and comedy but understood they need to reinvent the story for a new generation.
Overall the back story feels very familiar and if you’re willing to enjoy the ride there’s room for some fun. The shift to a female lead monster is an interesting twist, the creep factor is there in many scenes but the tale feels compressed and hurried to fit the allotted time. The foreshadowing for the planned Dark Universe theme is fairly blatant in one scene but wasn’t enough to jar you out of the story.
Apparently the next installment will be the Bride of Frankenstein. Why the focus on the female leads out of the gate? Is it bowing to the political correct loons who sacrifice a good story for not offending their sensibilities? We shall see.
I enjoy franchises but as I get older it seems like Hollywood is just rehashing the same stories with a slight adjustment of characters or settings.


A.N.A Sequence Fighting :
A.N.A provides choreography in a sequential format of marital art fighting for movies, TV Programs and much more. We prepare a full storyboard that is tailored individually to the type of movie or program that we are choreographing. Our experienced team coordinates the fighting in various ways and arranges the steps one by one, resulting in a full sequence action fighting routine.
Types of fighting we specialize in:
1. Martial Arts
3. Historical fighting
4. Fighting with tools around you
5. Fighting with weapons
Directing Action Scenes
We provide directing for action scenes in full-fledged movies. This is done starting with a brainstorming session with the directors of the movie in which we then devise a storyboard based on the type of fighting. Next, we bring the storyboard to life by video and photographs with samples of our team demonstrating the sequences and scenes.
We specialize in training actors how to fight with or without a martial arts background. We train them on the certain sequences, providing them with physical training and nutritional advice. A.N.A also provides back-up stunt men in those scenes in which the regular actor cannot go through with the stunt or deems it dangerous.
Action Fighting In Movies :
We create special techniques of a wide range of arranged fighting plots/scenes in movies in order to teach actors to become more engaged in the action and in the planning of a complete story board for movies.
Our acting crews are fully capable of conducting martial art techniques for action movies in an order that can be used in any worldwide action movie.
- Directing action fighting in movies.
- Availability of suitable crew for the movies.
- Teaching & training the actors & actresses the correct way in action fighting plots.
- Executing the plots by using double gimmicks.
- Capable of providing action fighting, support and logistics.


Written and Directed by: Tamar Tal
Producer: Barak Heymann
Co-Producer: Tamar Tal
Cinematographers: Daniel Kedem, Tamar Tal
Editor: Tal Shefi
Additional Editing: Eyal Tsarfati
Production manager: Tali Shamir-Werzberger
Tamar Tal, Born in 1980, is a photographer and a documentary filmmaker "Life in Stills" is her first feature film Her short film "The iron lady and the Photo House" was in DocAviv Film Festival 2007 in the student competition Graduated from Camera Obscura, Photography department.
Barak Heymann joined the "Heymann Brothers Films" company in 2003 and has since directed and produced several documentary films and series.“Heymann Brothers Films” is an independent Israeli company dedicated to the release of documentaries on the social aspect of the Israeli/Jewish culture.


On Tuesday. Karan Johar chief Kabhi Khushi Kabhie Gham turned 20. Performer Sidharth Malhotra posted an honor video where he was seen approving Shah Rukh Khan’s renowned scene from the film.
Sidharth Malhotra posted a video wherein he was seen rehashing Shah Rukh Khan’s famous scene from the film, in which he shows up from a helicopter as Jaya Bachchan holds on for him with a thali at the entrance. Sidharth captioned the post: “Love this famous scene from K3G of SRK Sir’s entry, here’s me having my other Ma keep it together for me – CINEMA! Well done @karanjohar and the entire gathering on battling 20years #20YearsOfK3G.”
Karan furthermore shared a 4-fleeting video on Instagram as an acknowledgment. He expressed, “Overwhelmed with the ceaseless worship that has poured in from all sides of the world and the business for adulating this breathtaking accomplishment that #KabhiKhushiKabhieGham hits today. Thankful to you comes up short. A little piece of my heart for you on this day. In this manner it goes…it’s connected to valuing your…family! From us to you, happy #20YearsOfK3G!”
Karan furthermore shared a 4-fleeting video on Instagram as an award. He expressed, “Overwhelmed with the ceaseless friendship that has poured in from all edges of the world and the business for adulating this breathtaking accomplishment that #KabhiKhushiKabhieGham hits today. Much gratitude to you comes up short. A little piece of my heart for you on this day. Along these lines it goes…it’s connected to revering your…family! From us to you, happy #20YearsOfK3G!”
The video starts with behind the scenes shots from the film. Karan’s voice can be heard, “A film, an outing, memories that are fundamental, I a portion of the time feel as I don’t have words to depict my tendency concerning this film.”
A couple of notable scenes from the film play as Karan explained the trial of putting such a renowned cast together. He said: “Music and dance are, for certain, the bed and front of Bollywood anyway perhaps this wasn’t something I was genuinely stressed over. The real test was pushing the images that were projected in the film. Amitabh and Jaya Bachchan, surprising individuals, the never-ending several Shah Rukh Khan and Kajol, who are dearest to my heart since my outright first film, and the pioneers of that time, Hrithik and Kareena, they really continue to be.”
Kabhi Khushi Kabhie Gham was followed through on December 14 out of 2001. The film got 16 assignments at the 47th Filmfare Awards by then and won five distinctions. The film highlighted Amitabh Bachchan, Jaya Bachchan, Shah Rukh Khan, Kajol, Hrithik Roshan, as lead, beside Kareena Kapoor. Performer Rani Mukerji had an appearance in the film.


I am very happy to inform you that university of Calicut has launched School of Drama & Fine Arts at Dr John Matthai Centre, Aranatukkara Thrissur.
The School of Drama and Fine Arts (formerly School of Drama) started in 1977 by Prof. G Sankara Pillai and the classes started form 1978 with only 3 year degree course (BTA). Now offers Bachelor in Theatre Arts (BTA), Master in Theatre Arts (MTA), M Phill / Ph.D Integrated course etc. The courses in Drama is designed as practical oriented and residential. Writing, Acting, Children's theatre, Direction, Technical designs etc are the major departments of play production. Apart form regular classes, varieties of practical workshops are conducted by the experts in the field of Television, Cinema, Traditional acting methods, Yoga, Martial arts etc.. Major plays are presented as the part of practical study. This is the only centre in south India conducting "Foreign students placement programme". Calicut University Little Theater (CULT) is a repertoire company that has been attached to School of Drama.


Tyler Byrnes is a New York City based filmmaker specializing in genre films, often with a queer focus. Born and raised near Buffalo, NY, Byrnes relocated to NYC in 2010 to attend the Macaulay Honors College at Hunter College where he graduated with honors in Film Studies & Production in 2014.
In 2016 his short film BREAKFAST hit the festival circuit and garnered over thirty official selections and six awards, including Best Film, Best Editing, and Best Screenplay.
In addition to bringing his films to festivals, he also serves as a juror and host, screening submissions and hosting Q&As. Byrnes is a special juror for the Mirror Mountain Film Festival 2019, Third Eye Film Festival 2019, and co-hosted the East Village Queer Film Festival 2018.
Meanwhile, he has built a career as a freelance editor for commercial broadcast and web content. Working with studios in NYC like Brand New School, he has contributed to campaigns for Google, Marriott, Gillette, Amazon, Ford, and many more. Skilled in the Adobe Creative Suite, DaVinci Resolve, and other industry standard applications, please contact for booking information.


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