- IMDB: 7.0
- Starring: Johnny Depp, Benedict Cumberbatch, Dakota Johnson
- Rated: R (V, L, DU)
- Genre: Biography / Crime / Drama
- Running Time: 2hr 3min
Black Mass Movie Review (Released 2015)
A well-chosen name can tell a lot about a film, think about- “The Godfather” and “Goodfellas”. It is through this duality that the narrative permeates through and tangles the viewers into a complex web. Black Mass, on the contrary, in its title draws a parallel between the conspiracy of the Mafia, the FBI and serving the devil. Thoughtful audiences immediately could understand what’s coming next.
Best part is you can grab this movie for free with this great Redbox coupon code site I found! Looks like they always have free or discounted movie rental codes for you so definitely grab a code and rent this movie from the box.
There are no limits when it comes to films like Black Mass. Although the narrative is based on a true story, it evokes the crimes committed by one of the leaders of the Irish mafia, and while it probably will fascinate lovers of court cases, the danger of the ‘saturation effect’ is pretty real.
The vision of Scott Cooper is pretty interesting. Black Mass is indeed devoid of the glamor effect. Without using such a raw and stripped approach that Matteo Garrone chose for Gomorrah, director of Crazy Heart chose to film this rather dry. Punctuated by extremely violent episodes, this drama camped in the criminal world does become more realistic. The filmmaker also relies heavily on the complexity of a story whose protagonists have always been known, even if they are not all passed on the same side of the law.
When the story begins in 1975, James J. “Whitey” Bulger (Johnny Depp) is already a notorious criminal. John Connolly (Joel Edgerton), FBI agent manages to convince his childhood friend to work with the agency to eliminate their common enemy: the Italian Mafia. In exchange, the agency condones illegal activities of Whitey Bulger, including his involvement in drug trafficking. This strange alliance soon causes conflicts.
In addition, Billy Bulger (Benedict Cumberbatch), the younger brother of the criminal, makes a political career and wins the chairmanship of the Senate of the State of Massachusetts. The scenario is described skillfully and all the links that are generated by such dangerous situations are well portrayed.
The effectiveness of the film rests largely on the reliable shoulders of Johnny Depp. The actor finally provides a performance that is an accurate measure of his talent, in a role that is sure to freeze your blood. All fans would surely enjoy a particular scene in the movie, which we think is worthy of an inclusion in an anthology – he gets into a room at a dinner, just to intimidate the wife of one of his allies, while investigating his doubts of allegiance.
Unfortunately, the film is not of this caliber from end to end.
Black Mass might probably interest fans of gangster movies, but there is nothing distinctive enough to attract those who are less fond of this genre. While Depp is certainly great here, the villain of “Black Masses” would be a better fit in a bleak Komiksy film rather than in a realistic crime flick. This, however, does not contradict the main task of the movie, as it manages to portray Bulger in a scary manner, so much so that he winds up being down right ridiculous and a misfit.
Black Mass Trailer:


10 edition of The Greek theatre found in the catalog.
Bibliography: p. 16.
|Series||British Museum keys to the past|
|LC Classifications||PA3202 .S9|
|The Physical Object|
|Pagination||16 p. :|
|Number of Pages||16|
|LC Control Number||78313148|
notices, the book forms an invaluable introduction to the study of Greek tragedies and comedies as theatre rather than as literature. Yet the text is relatively brief, and thus at first glance less formidable than, say, Miss Bieber's History of the Greek and Roman Theater (2nd edn. Princeton ). Genre/Form: History: Additional Physical Format: Online version: Swaddling, Judith. Greek theatre. [London: British Museum Publications, ©] (OCoLC)
In this fascinating and accessible book, David Wiles introduces ancient Greek theatre to students and enthusiasts interested in knowing how the plays were performed. Theatre was a ceremony bound up with fundamental activities in ancient Athenian life and Wiles explores those elements which created the theatre of the time. Actors rather than writers are the book's main concern and Wiles. Theatre of Dionysus, prototype of Greek theatres, situated on the south side of the Acropolis in Athens, in which all extant classical Greek plays were first presented. Development on the site began with the creation of the orchestra, a circular floor of earth 60 feet in diameter with an altar at the centre.
The Greek theatre. [Kenneth McLeish] Home. WorldCat Home About WorldCat Help. Search. Search for Library Items Search for Lists Search for Contacts Search for a Library. Create Book: All Authors / Contributors: Kenneth McLeish. Find more information about: ISBN: X OCLC Number: National Theatre of Greece will live stream The Persians by Aeschylus, live from the ancient theatre of Epidaurus. For the first time ever, an ancient Greek drama performance will .
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Located within Los Angeles, Griffith Park, the historic Greek Theatre stands as one of the nation’s most beloved and recognized outdoor entertainment venues. To Play, See And Be Among The Stars. Greek Theatre. Book the Greek for Filming/Streaming History Calendar. The Art of Ancient Greek Theater The Greek theatre book the vibrant imprint that ancient Greek tragedy and comedy left on the visual arts of classical Greece.
Theatrical performance as we know it originated in the mid-sixth century B.C. with choral dances held in honor of Dionysos, the Greek god of wine and patron of the theater.5/5(1). Greek Theatre Hardcover – September 1, by Stewart Ross (Author) › Visit Amazon's Stewart Ross Page. Find all the books, read about the author, and more.
See search results for this author. Are you an author. Learn about Author Central. Stewart Ross (Author) 5/5(1). Books shelved as ancient-greek-theatre: Antigone by Sophocles, The Trojan Women by Euripides, Alcestis and Other Plays by Euripides, Thesmophoriazusae by.
We recommend booking The Greek Theatre tours ahead of time to secure your spot. If you book with Tripadvisor, you can cancel up to 24 hours before your tour starts for a full refund.
See all 6 The Greek Theatre tours on Tripadvisor/5(). The Art of Ancient Greek Theater considers the vibrant imprint that ancient Greek tragedy and comedy left on the visual arts of classical Greece. Theatrical performance as we know it originated in the mid-sixth century B.C.
with choral dances held in honor of Dionysos, the Greek god of wine and patron of the theater. The great tragedies by Aeschylus, Sophocles, and Euripides, as well as the. The actors in ancient Greek theatre wore a very wide variety of costumes, masks, and props depending on the type of play or performance.
They wore many handcrafted masks with individual expressions. They wore robes and togas to seem in character. Peter Arnott discusses Greek drama not as an antiquarian study but as a living art form.
He removes the plays from the library and places them firmly in the theatre that gave them being. Invoking the practical realities of stagecraft, he illuminates the literary patterns of the plays, the performance disciplines, and the audience responses.
Greek Theatre is an amphitheatre located in Griffith Park, Los Angeles, is owned by the city of Los Angeles and is operated by ASM Global.
Designed by architects Samuel Tilden Norton, Frederick Hastings Wallisand, and the Tacoma firm Heath, Gove, & Bell, the theatre stage is modeled after a Greek. The Greek Theatre is available for concert rentals, community events rentals, special events rentals and filming rentals.
Pricing and Rental information can be found in the User Agreement. For more information please fill out the form below. Book your The Greek Theatre tickets online and skip-the-line. Save time and money with our best price guarantee make the most of your visit to Los Angeles!/5().
North Vermont Avenue Los Angeles, California LAGREEK. Theatre and Drama in Ancient Greece: A short and concise summary of the significant role theater played during the reign of the Ancient Greek Empire. Ancient Greek Theatre: An educational web page providing a brief introduction to Ancient Greek theater, including a timeline, its origins, structure, and theater dynamics of each play.
Introduction to Theatre — Ancient Greek Theatre: A module. Hydra, the Greek island for dreamers The author of a new novel inspired by the heady days of Leonard Cohen and his bohemian set longs to return to the island of. The Guide to Greek Theatre and Drama is a meticulously researched and accessible survey into the place and purpose of theatre in Ancient Greece.
It provides a comprehensive authorbyauthor examination of the surviving plays of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, as well as giving an insight into how and where the plays Cited by: 3.
After an extensive survey of Greek theatres throughout the world, the City’s Park Commissioners approved a design for the building, incorporating a number of modernizations to the standard Greek Theatre model.
Inthe Greek’s cornerstone was laid. Syracuse’s Greek Theatre is still home to a tremendous festival of Greek plays in May and June each year. Visit INDA for more information on the Festival. If you are in Syracuse during the Festival of classical plays, these are very spectacular but visiting at other times, when the atmosphere is free of grandstand seating, is equally rewarding.
Greek theatre was one of the glories of the ancient world. It survives not only in cultural traditions, but in plays which can still be read and seen and in artistic images.
This book examines the history of Greek theatre as seen through representations on painted pottery, terracotta figures, sculpture, mosiacs, metalware and gems/5. An Introduction to the Greek Theatre was recommended to me as "very readable", and it does not disappoint.
I'd had some exposure to Greek theatre in the past. We read Oedipus Rex in high school; more recently I'd read Agamemnon as part of a group read (but never got around to the rest of the Oresteia); I've seen a few productions here or there, though not many/5. This book offers a valuable guide to Greek theatre.
It presents a broad selection of key ancient sources, both visual and literary, about all aspects of performance - including actors, masks, stage props and choral dancing - as well as scenes from the plays themselves that offer insights into their staging, plots, and by: 2. Welcome to The Greek Bookstore website, the online store with the most popular Greek books!
On our site you can find the latest Novels (best sellers) from Greece, Educational Material including books for the Greek Certification program (Ελληνομάθεια), Children's Books, Read-Along-Books with CDs, Flashcards, Bilingual Books, Multimedia, Literature Books, the best Cooking Books, many.African theatre, effectively, the theatre of Africa south of the Sahara that emerged in the postcolonial era—that is to say, from the midth century onward.
It is not possible to talk of much African theatre as if it fell into discrete historical or national patterns. Colonial boundaries ignored cultural and linguistic unities, and ancient movements throughout the continent—sometimes.the best book on greek and roman theaters.
Read more. Helpful. Comment Report abuse. See all reviews from the United States. Pages with related products. See and discover other items: history of ancient greece, greek and roman mythology university, greek history, theatre historyCited by:


Light The Blue 2022: Fuse #2
The second of our multi-bill events brings the Lemon Tree to life with an eclectic line-up of theatre, music, comedy and dance. Fun, energetic and exciting, expect a feel-good afternoon from five of the region’s finest youth groups.
Fuse #2 line-up includes:
- APA’s Junior Youth Theatre with At First I Was Afraid… (I Was Petrified!) by Douglas Maxwell
- APA’s Intermediate Youth Theatre with Thanks For Nothing by The Pappy Show
- Castlegate Theatre Company with an extract from Aberdeen Arts Centre’s Got The X Idol: A Mockumentary
- City Moves Dance’s Fusion Young Company with Together they dance
- Aberdeen Youth Music Theatre with extracts from 9 to 5 and The Wizard of Oz
Free but ticketed
APA Junior Youth Theatre
Aberdeen Performing Arts Junior Youth Theatre presents At First I Was Afraid… (I Was Petrified!) by Douglas Maxwell as part of Positive Stories for Negative Times: Season 2 by Wonder Fools in association with Traverse Theatre.
A feel-good comedy drama about a girl who keeps a diary of all her anxieties; but as she moves from Primary School to Secondary, from normal life to Lockdown, all of her worries appear to come true.
APA Intermediate Youth Theatre
Aberdeen Performing Arts Intermediate Youth Theatre presents Thanks For Nothing by The PappyShow with Lewes Hetherington as part of Positive Stories for Negative Times: Season 2 by Wonder Fools in association with Traverse Theatre.
The play is set here, in this room, right now.
The characters are us.
The stories are all ours.
And the audience that will help us make this what it is, is you!
‘Thanks for Nothing’ is a fun piece of devised theatre, focussing on finding fun and being thankful, even when the world around you is driving you mad!
Castlegate Theatre Company
Castlegate Theatre Company (CTC) aged 8-17 are sharing an extract from their latest show Aberdeen Arts Centre’s Got The X Idol Get Me Out of Here Strictly Not on Ice Big Bake Off Throw Down 2022 – a hilarious new mockumentary that featured songs from various musicals including Waitress, Six and Mamma Mia. Everyone has dreams of being a star including those in the crew, make-up and cleaners – the mockumentary heard a little of everyone’s story and you will see a snippet of the show and the finale.
City Moves Dance Fusion
Together They Dance celebrates the joy we feel and friendships we make when we dance together. Fusion is a pre-professional performance company for aspiring talented young dancers, performing locally and nationally. Fusion perform on stages and in unusual spaces in Aberdeen and beyond, they regularly work with guest choreographers. If you are interested in joining Fusion, please email: firstname.lastname@example.org
Aberdeen Youth Music Theatre
Aberdeen Youth Music Theatre celebrates 30 years of high quality youth theatre. During this time, their productions have included “Les Miserables”, “Miss Saigon”, “Phantom of the Opera” and “Beauty and the Beast”. After a 2 year COVID delay, AYMT were delighted to bring “9 to 5” and the “Wizard of Oz” to the stage. They present a medley of songs from both shows as part of Fuse #2.
The cast of AYMT deserved every single decibel that filled the air after lighting up the stage with their all singing, all dancing and laugh a minute musical 9 to 5” – Press and Journal
“This production is brighter than any rainbow I have ever seen” – Wizard of Oz, Press and Journal


Hey there! So I realize the title of this blog, "Blue Valentine" is actually a movie starring Ryan Gosling, which looked incredibly good, but incredibly sad, so I never saw it. Maybe I'll give it a shot eventually. After all, it IS a Ryan Gosling movie. :)
Anyhoo, this post is about a card, not a dreamy actor. I made this for the "Winter Blues" section of the January/February issue of Paper Crafts magazine. It didn't get picked up, but I had so much fun with this challenge. I get so sick of the traditional red/pink/white color scheme of Valentines that blue was a welcome change.
Cardstock: Bazzill Basics Paper
Patterned paper: BasicGrey
Clear stamps: Layers of Color, Making Memories
Scalloped die cut: Spellbinders
Edge punch: Fiskars
It's hard to tell from this photo, but I heat embossed a script stamp from "The Love Chapter" from Layers of Color in clear embossing powder. I like the subtle addition of textures it gives the card.
I hope you have a great weekend and thank you so much for stopping by! Maybe you'll watch a Ryan Gosling movie this weekend - because I'm pretty sure I talked myself into it. :)


Biography life story Information about celebrities - cv from Wikipedia
Shery Adel, Egyptian actress, was born on 19 April 1988 in Cairo, Egypt.
Full report on the life story of Chery Adel, biographical information from Wikipedia and the latest news.
Shery AdelNickname: Chery Adel
Title: Egyptian Cinema Chocolate
Country of Nationality: Egypt
Religion of Islam
Date of birth: 19 April 1988
Place of birth: Cairo, Egypt
Age: 29 years (2017)
Astrological Tower: Aries
Type: Cinema, Television
Years of work: 2001 - present
Marital Status: Single
Father: Adel Hassan Khaled Hamdi
The Brothers: Nevin Adel (Media)
Shery Adel was born on 19 April 1988 in Cairo, the capital of Egypt. Studied at the Faculty of Commerce Ain Shams French Department. She began her career in art as an advertising actress at a young age and then broke off the television screen for a second time in her fifteenth year with her first film role in Hamada Plays, before she became famous after presenting Queen Nariman in King Farouk and continued acting in film and television .
Awards and honors
Best Actress Award.
Egyptian Film Academy Award.
Alexandria International Festival Award.


By Luke Buckler
Unbelievably Bad Contributor
Indie horror film Blood Punch has been making waves on the festival circuit since its inital screenings in 2013 and it’s about to hit Sydney’s cheesiest dive bar Frankies Pizza, this Sunday, July 3.
The film is a total blast, embracing the inclinations and tropes of classic teenage horrors, and injecting just enough Cronenberg-esque what-the-fuckness to make it unique, fresh, and totally enjoyable. It’s not a challenging film by any stretch of the imagination, but stacked with equal parts laughs and blood lust, it’s a perfect romp to round out your weekend.
Milo Cawthorne, who plays fresh-faced meth cook Milton, will be at Sunday’s screening to answer your questions. Milo might be familiar to UB readers for his role in the Kiwi heavy metal horror flick Deathgasm, and for appearing as a backwoods doomsday militia man in the killer TV series Ash vs Evil Dead. He was also a Power Ranger at some point, so you know his blossoming career has cult status written all over it.
UB caught up with Milo for a chat before this Sunday’s screening.
Can you tell us a little about Blood Punch, and how you and [fellow actors] Olivia Tennent and Ari Boyland came to work on it?
Olivia, Ari and I were all on a season of Power Rangers together, called RPM in 2008-2009. It was a great group of people and we got on so well. Eddie [Guzelian, Producer] was the producer and Madellaine [Paxson, Director] was a writer so we got to know them over the course of production, they were super cool and didn’t have that overly-authorative vibe that most producers have. So the season finishes, we all go our separate ways, I’m delivering flowers for a living and I get an email from Eddie saying he’s written this film with us in mind to act in it. Which was like a life-altering email to receive. I often tell Eddie that he single-handedly changed the course of our lives by writing this film. So off we go to LA to make the film. That was early 2011 I think.
You’ve been travelling around in support of the film, and pushing digital formats. Is the model of distribution for indie films (or even the mainstream industry) changing? Is this a positive or negative thing for emerging film makers?
It’s weird, I’ve never had any experience with the distribution of any other films, so this is the only data I have to go off. From the point of view of someone who doesn’t really know much about distribution I’d say yeah, it’s changing. Feels like audiences want a little more from indie films if they’re going to watch them in a cinema, needs to be more of an event-type feel (actors present, Q&A, etc). Let’s go with positive for filmmakers. Someone too lazy to go to the cinema might happily rent a film VOD. So there’s a chance more eyes will see the finished product. Perhaps harder to make your movie stand out from the crowd. But it’s hard to say, is anything truly positive for an aspiring filmmaker? Theirs is a hard struggle of a life, and mostly it just looks like a series of growing disappointments… is that overly negative? Perhaps the only purely positive thing for aspiring filmmakers is tax breaks.
You also starred in the heavy metal horror film Deathgasm and had a part in Ash vs Evil Dead. Are you a big fan of cult film? Could you build a career in them, á la Bruce Campbell or Sid Haig?
Nah, I wouldn’t call my self a cult film fan. I’m slowly changing that, though, Leslie Morris from Bounty Pictures has been introducing me to some Aussie gems of cult cinema, and I’m loving it. Building a career in cult movies would be great! But I find I’ve got to be at least somewhat invested in the idea of the project, or else gathering up the required motivation and energy to perform each day is a struggle. Most roles require a lot of energy and you dig into your emotional capacity as a human, I can’t be bothered doing that if I don’t really like the project.
Which directors would you love to work with?
Michel Gondry, because of Eternal Sunshine of the Spotless Mind. What an awesome, dreamy and self-aware world he manages to create. And Richard Ayoade because of Submarine. I saw that film when I had been out of work for awhile and it re-ignited my love for movies. Again, self-aware comedy that manages to get right into your heart and start plucking those strings!
What’s the weirdest experience you’ve ever had with a Power Rangers fan?
I received a letter, it looked as thought it had been written by a little girl, it was very sweet, stickers on the page, etc. In the letter she mentioned her Bebo page and how she’d love for me to leave a comment, so I go online, find her page and it turns out she’s in her mid thirties, she’s created two pages on Bebo, one is her own personal page and the other is a page that has a picture of me as my character. Then I see that she is having a conversation between herself, and this ‘fictional’ me. That was weird enough, and the conversation between her and this ‘fictional’ version of me only made things weirder. Turns out ‘we’ were already in some kind of relationship on Bebo. So needless to say, after seeing all this, I immediately got in touch and we’ve been happily married for the last four years.
What do you have coming up?
I’ve just finished filming a low-budget feature called Mega Time Squad, which is like a cross between Two Hands and Multiplicity. Set in a small town in NZ, plenty of dank, deadpan Kiwi humour. It looks like I’m about to go into rehearsals for two plays at the same time, they’ll have their respective seasons one after the other, and I expect to die from exhaustion sometime around week two. One is a modern story told completely in iambic-pantameter (or ‘Shakespeare’s language’), and the other is a millenial sex farce – fast talking, lots of interruptive dialogue and hopefully some laughs.


Universal Studios Hollywood, often dubbed the “Entertainment Capital of LA,” is a world-renowned theme park and film studio located in the heart of Los Angeles, California. This article will take you on a thrilling journey through the history, attractions, and experiences that make Universal Studios Hollywood a must-visit destination for movie buffs and thrill-seekers alike.
Unveiling the Origins
Universal Studios Hollywood has a rich history dating back to 1915 when Carl Laemmle founded the Universal Film Manufacturing Company. Initially, the studio offered guided tours to the public, allowing them to witness the magic of movie-making up close. Over the decades, it has evolved into a sprawling entertainment complex, attracting millions of visitors annually.
Lights, Camera, Action: Studio Tour
One of the most iconic experiences at Universal Studios Hollywood is the Studio Tour. Visitors embark on a tram journey that takes them behind the scenes of famous movie sets and soundstages. From the eerie Bates Motel from “Psycho” to the chilling streets of Amity Island from “Jaws,” this tour offers a captivating glimpse into Hollywood’s cinematic history.
Thrills and Chills: The Theme Park
Universal Studios Hollywood isn’t just about movies; it’s also home to an incredible theme park. The park boasts a wide array of thrilling rides and attractions that cater to visitors of all ages. Let’s explore some of the standout attractions:
Jurassic World: The Ride
Experience the prehistoric world of dinosaurs in this heart-pounding water-based adventure. This ride combines cutting-edge technology with animatronic dinosaurs for an unforgettable experience.
Unveiling the History
From Silent Films to Blockbusters
Universal Studios Hollywood has a rich history that dates back to the early days of cinema. Founded in 1912 by Carl Laemmle, it started as a silent movie production studio known as the Universal Film Manufacturing Company. Over the years, it evolved into a powerhouse of the entertainment industry, producing iconic films like “Frankenstein” and “Dracula.”
The Thrill Rides
A Heart-Pounding Adventure
One of the major draws of Universal Studios Hollywood is its thrilling rides. From the adrenaline-pumping “Jurassic World – The Ride” to the spine-tingling “Transformers: The Ride 3D,” there’s no shortage of excitement here. Get ready for an immersive experience that will leave you breathless.
Behind the Scenes
The Studio Tour
For those who want to get a behind-the-scenes look at how movies are made, the Studio Tour is a must-visit. You’ll explore real movie sets, witness special effects in action, and maybe even catch a glimpse of your favorite stars at work.
Shows and Performances
Universal Studios Hollywood isn’t just about rides and tours; it’s also a hub for live entertainment. Be sure to catch one of the captivating shows, such as the mesmerizing “WaterWorld” stunt spectacular or the hilarious “The Simpsons Ride” simulation.
Exploring Universal Studios Hollywood can work up an appetite, and luckily, there are plenty of dining options to choose from. Whether you crave classic theme park snacks or gourmet cuisine, you’ll find it here.
The Wizarding World of Harry Potter
A Magical Experience
Step into the enchanting world of Hogwarts and Hogsmeade at Universal Studios Hollywood. From sipping butterbeer to wand shopping at Ollivanders, this immersive Harry Potter experience is a dream come true for fans of the wizarding world.
Something for Everyone
Universal Studios Hollywood caters to visitors of all ages. The little ones will have a blast at “Despicable Me Minion Mayhem” and “Super Silly Fun Land,” ensuring a day of family-friendly fun.
Universal’s Spectacular Night Show
As the sun sets over Hollywood, the park comes alive with the “Universal’s Spectacular Night Show.” This dazzling display of lights, music, and fireworks is the perfect way to end your day at the park.
The Wizarding World of Harry Potter
Step into the enchanting world created by J.K. Rowling. Explore Hogwarts Castle, sip butterbeer, and take a wild ride on the “Harry Potter and the Forbidden Journey” attraction.
Transformers: The Ride 3D
Join Optimus Prime and the Autobots in an epic battle against the Decepticons. This 3D ride immerses you in the world of Transformers like never before.
The Walking Dead Attraction
For fans of the hit TV series, this attraction offers a spine-tingling experience as you navigate through a post-apocalyptic world filled with walkers.
Dining and Shopping
Universal Studios Hollywood provides an array of dining options, from quick bites to themed restaurants. Don’t forget to check out a CityWalk, an entertainment and shopping district just outside the park, where you can find unique souvenirs and enjoy a diverse range of cuisines.
Studios Hollywood is a more than just a theme park; it’s a cinematic wonderland that immerses visitors in the magic of movies. Whether you’re a film enthusiast, a thrill-seeker, or a family looking for a fun day out, Universal Studios Hollywood has something for everyone.


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This week's guest explores love through the movies of the one and only Harrison Ford.
"Bad Dates, Or What Killed That Monkey In Indiana Jones Only Makes Me Stronger" is BACK for the summer for a limited engagement in Chicago before it heads to the Dallas Solo Festival with Audacity TheatreLab in June!
"Bad Dates..." is a one woman show about one woman's journey through the asteroid field of love, dating, and Harrison Ford movies. A long time ago, in a galaxy far, far away...Eileen Tull fell in love with Han Solo. And then with a professor by day, loud-punching adventurer by night Indiana Jones. And then with the man behind the hat, the whip, and the tight space pants: Harrison Ford himself. But once the movie is over and the credits roll, how are you supposed to navigate romantic relationships in the real world?
May 21st, 2:00PM - Galway Arms (2442 N Clark St, Chicago)
May 22nd, 5:30PM - Uncharted Books (2620 N Milwaukee Ave, Chicago)
May 23rd, 7:30PM - Uncharted Books (2620 N Milwaukee Ave, Chicago)
May 31st, 7:30PM - Galway Arms (2442 N Clark St, Chicago)
June 2nd, 9:00PM - The Margo Jones Theatre (1121 1st Ave, Dallas)
June 3rd, 7:30PM - Margo Jones Theatre (Dallas)
June 4th, 10:30PM - Margo Jones Theatre (Dallas)
$10 suggested donation
no reservations necessary
Uncharted Books is a BYOB venue
$12 tickets available here: http://www.dallassolofest.com/bad-dates-by-eileen-tull.html
Behind on the podcast? You can't be! There's only one episode! But this will be where you can go to get caught up when there are more.
Check out the newest art from the show's cover artist and contributors.
Do you have a story to share, a question to ask, or a topic you'd like to know more about?


Se, por qualquer motivo, o antagonista não pode colocar-se numa luta prolongada, então você pode procurar por outro personagem que o faça.
Othello é o antagonista.
Permitam-me repetir novamente: o antagonista deve ser tão forte como o protagonista. As vontades das personalidades conflitantes devem chocar-se.
Anyone who opposes a pivotal character necessarily becomes the opponent or antagonist. The antagonist is the one who holds back the ruthlessly onrushing protagonist. He is the one against whom the ruthless character exerts all his strength, all his cunning, all the resources of his inventive power.
If for any reason the antagonist cannot put up a protracted fight, you might as well look for another character who will.
The antagonist in any play is necessarily as strong and, in time, as ruthless as the pivotal character. A fight is interesting only if the fighters are evenly matched. Helmer, in Doll’s House, is the antagonist against Krogstad. The protagonist and the antagonist must be dangerous foes to each other. Both of them are ruthless. The mother in The Silver’s Cord finds a worthy opponent in the women her sons brought home. Iago in Othello, is the ruthless, conniving protagonist. Othello is the antagonist. Othello’s authority and power are so great that Iago cannot show his hand openly – but he courts great danger anyway, nay, his very life is in danger. Othello, then, is a worthy antagonist. The same is the case in Hamlet.
Let me now repeat it again: the antagonist must be as strong as the protagonist. The wills of conflicting personalities must clash.
If a big brute brutalize a little man, we’ll turn against him, but this will not mean that we shall wait with bated breath to see the outcome of this uneven encounter. We know it beforehand.
A novel, play, or any type of writing, really is a crisis from beginning to end growing to its necessary conclusion.


The one redeeming success of the vast social failure which his whole existence was doomed to represent, was this very marriage of his with a strolling Columbine. She, poor girl, toiled as hard and as cheerfully to get her own bread after marriage, as before; trudged many a weary mile by his side from town to town, and never uttered a complaint; praised his acting; partook his hopes; patched his clothes; pardoned his ill-humour; paid court for him to his manager; made up his squabbles;--in a word, and in the best and highest sense of that word, loved him. May I be allowed to add, that she only brought him one child--a girl? And, considering the state of his pecuniary resources, am I justified in ranking this circumstance as a strong additional proof of her excellent qualities as a married woman?
After much perseverance and many disappointments, Reuben at last succeeded in attaching himself to a regular provincial company--Tate Wilkinson's at York. He had to descend low enough from his original dramatic pedestal before he succeeded in subduing the manager. From the leading business in Tragedy and Melodrama, he sank at once, in the established provincial company, to a 'minor utility'--words of theatrical slang signifying an actor who is put to the smaller dramatic uses which the necessities of the stage require. Still, in spite of this, he persisted in hoping for the chance that was never to come; and still poor Columbine faithfully hoped with him to the last.
Time passed--years of it; and this chance never arrived; and he and Columbine found themselves one day in London, forlorn and starving. Their life at this period would make a romance of itself, if I had time and space to write it; but I must get on, as fast as may be, to later dates; and the reader must be contented merely to know that, at the last gasp--the last of hope; almost the last of life--Reuben got employment, as an actor of the lower degree, at Drury Lane.
Behold him, then, now--still a young man, but crushed in his young man's ambition for ever--receiving the lowest theatrical wages for the lowest theatrical work; appearing on the stage as soldier, waiter, footman, and so on; with not a line in the play to speak; just showing his poverty-shrunken carcase to the audience, clothed in the frowsiest habiliments of the old Drury Lane wardrobe, for a minute or two at a time, at something like a shilling a night--a miserable being, in a miserable world; the World behind the Scenes!
John Philip Kemble is now acting at the theatre: and his fame is rising to its climax. How the roar of applause follows him almost every time he leaves the scene! How majestically he stalks away into the Green Room, abstractedly inhaling his huge pinches of snuff as he goes! How the poor inferior brethren of the buskin, as they stand at the wing and stare upon him reverently, long for his notice; and how few of them can possibly get it! There is, nevertheless, one among this tribe of unfortunates whom he has really remarked, though he has not yet spoken to him. He has detected this man, shabby and solitary, constantly studying his acting from any vantage-ground the poor wretch could get amid the dust, dirt, draughts, and confusion behind the scenes. Mr Kemble also observes, that whenever a play of Shakespeare's is being acted, this stranger has a tattered old book in his hands; and appears to be following the performance closely from the text, instead of huddling into warm corners over a pint of small beer, with the rest of his supernumerary brethren. Remarking these things, Mr Kemble over and over again intends to speak to the man, and find out who he is; and over and over again utterly forgets it. But, at last, a day comes when the long-deferred personal communication really takes place; and it happens thus:--
A new Tragedy is to be produced--a pre-eminently bad one, by-the-by, even in those days of pre-eminently bad Tragedy-writing. The scene is laid in Scotland; and Mr Kemble is determined to play his part in a Highland dress. The idea of acting a drama in the appropriate costume of the period which that drama illustrates, is considered so dangerous an innovation, that no one else dare follow his example; and he, of all the characters, is actually about to wear the only Highland dress in a Highland play. This does not at all daunt him. He has acted Othello, a night or two before, in the uniform of a British General Officer, and is so conscious of the enormous absurdity of the thing, that he is determined to persevere, and start the reform in stage costume, which he was afterwards destined so thoroughly to carry out.
The night comes; the play begins. Just as the stage waits for Mr Kemble, Mr Kemble discovers that his goatskin purse--one of the most striking peculiarities of the Highland dress--is not on him. There is no time to seek it--all is lost for the cause of costume!--he must go on the stage exposed to public view as only half a Highlander! No! Not yet! While everybody else hurries frantically hither and thither in vain, one man quickly straps something about Mr Kemble's waist, just in the nick of time. It is the lost purse! and Roscius after all steps on the stage, a Highlander complete from top to toe!
On his first exit, Mr Kemble inquires for the man who found the purse. It is that very poor player whom he has already remarked. The great actor had actually been carrying the purse about in his own hands before the performance; and, in a moment of abstraction, had put it down on a chair, in a dark place behind the prompter's box. The humble admirer, noticing everything he did, noticed this; and so found the missing goatskin in time, when nobody else could.
'Sir, I am infinitely obliged to you,' says Mr Kemble, courteously, to the confused, blushing man before him--'You have saved me from appearing incomplete, and therefore ridiculous, before a Drury Lane audience. I have marked you, sir, before; reading, while waiting for your call, our divine Shakespeare--the poetic bond that unites all men, however professional distances may separate them. Accept, sir, this offered pinch--this pinch of snuff.'
When the penniless player went home that night, what wonderful news he had for his wife! And how proud and happy poor Columbine was, when she heard that Reuben Wray had been offered a pinch of snuff out of Mr Kemble's own box!
But the kind-hearted tragedian did not stop merely at a fine speech and a social condescension. Reuben read Shakespeare, when none of his comrades would have cared to look into the book at all; and that of itself was enough to make him interesting to Mr Kemble. Besides, he was a young man; and might have capacities which only wanted encouragement.
'I beg you to recite to me, sir,' said the great John Philip, one night; desirous of seeing what his humble admirer really could do. The result of the recitation was unequivocal: poor Wray could do nothing that hundreds of his brethren could not have equalled. In him, the yearning to become a great actor was only the ambition without the power.
Still, Reuben gained something by the goatskin purse.


BIFF Theatre in Busan Cinema Center
|Address||120, Suyeonggangbyeon-daero, Haeundae-gu, Busan, Republic of Korea|
Biff Theater, an outdoor theater, is one of the main three buildings constituting the Busan Cinema Center which is a complex cultural space specializing in cinema.
With a capacity of 4,000 seats, BIFF Theatre is reminiscent of the Great Lawn of Central Park, New York and the Verona Arena in Italy. The venue holds film screenings as well as performances from various genres that include classical music, opera, musicals, plays, and Korean traditional Gukak.


Hi, Alysers! I am so excited to share with you my review on Spiderman: No Way Home today!
Everyone has been anticipating this movie since last year, and now, it’s time to determine and see if all our excitement has been worth it! Luckily, it was released just as cinemas have opened up worldwide, so many fans were able to watch it on the big screen.
Now, I don’t want to give too many spoilers. After all, if you’re like my brother, it is likely that you’re reading this review on Spiderman: No Way Home because you want to see if it’s worth the hype. And so we will get into these expects without giving too much away.
Without further ado, I give you my review!
The context of the movie
You cannot walk into this movie thinking that you can watch it unprepared. What do I mean by this? You need to understand the setting and set-up of the film, at the very least. Remember: it is not a stand-alone movie.
In Spiderman: No Way Home, we pick up exactly where we left off in Spiderman: Far From Home. Peter Parker’s identity had just been revealed to the entire world, just after Quentin Beck framed him for his own murder. He is now public enemy number one, and everyone’s out to get him.
Now, Peter, MJ, and Ned all applied to MIT together. You would think that with how smart they all are, they’d get in, right?
Their applications got rejected because of all the negative publicity they received. After this, Peter then decided to seek help from Dr. Strange – a decision that basically brings us all the chaos and mayhem that is about to ensue. Peter wants everyone to forget who he is, but does it work out?
Watch the movie and find out for yourself.
The Spiderman Trilogy
You would think I’m talking about the recent Spiderman trilogy, right? After all, we have:
But I’m actually talking about the Spiderman trilogy that everyone has been talking about since the possibility of a multi-verse opened up:
- Tobey Maguire
- Andrew Garfield
- Tom Holland
People have their preferences, and my favorite Spiderman actor may differ from yours. But that’s beyond the point. Everyone wanted to see these three actors share the screen, and with Spiderman: No Way Home, we finally got it.
Yes, all the rumors are true. And it is as exciting and wonderful as you expect it to be.
I really appreciate how they did it because they managed to make all three stories a reality even today. When it comes to remakes, there are times when fans feel as if their time has been wasted after the cancellation of a franchise. However, this is no longer true for Spiderman.
With Spiderman: No Way Home, we are given a way to make all three stories a continuing reality. They all happened — just in different universes. This means that no Spiderman movie franchise was ever truly cancelled. All along, they made it seem as if everything was just a build-up for this. It’s amazing (I hope you get the Spiderman reference).
Also, did you know that Tobey Maguire’s Spiderman is the only one who shoots without web-shooters? Watch out for that scene. It’s hilarious.
I think that one of the best things about this movie is the cast. Obviously, we already have the trifecta of Spidermen — but that’s not all. We also have a great cast of side characters and villains that make this movie one for the books.
For the villains, we notably have:
- Doc Ock
- Green Goblin
This was really fun because most movies only feature one big villain or two. Well, not this movie. This movie had FIVE powerful antagonists, and they certainly spice up the big screen. Because we have two more Spidermen coming to play, it was exciting to see their fights and dynamics.
Also, remember how we were heartbroken when Gwen died at the end of the Amazing Spiderman 2? We get to see a form of redemption for Andrew’s Spiderman here, and it was constructive for his character storyline. In fact, because of it, some fans are already clamoring for a THIRD Amazing Spiderman movie.
That aside, we also have:
- Dr. Strange
- Aunt May
All of them really contributed to the growth of Tom’s Spiderman, and in some way, the movie wouldn’t have moved forward the way it did were it now for them.
I won’t go into acting chops since you’ve already seen them in previous movies, and we all know that casting is perfect. But, I will say this: it was wonderful watching their relationships grow deeper and better through this film.
It also sounds funny to say, but I appreciated the bond between the three Spidermen. They understood each other, and they didn’t know each other until this movie, they were still there for each other.
The chemistry of the entire cast is evident, which makes everything much more enjoyable and believable.
Should you watch Spiderman: No Way Home?
You will get nothing but a resounding YES from me. This movie is the best Spiderman movie yet. And if you’re particularly fond of the character, I know some people who go on to argue that this is the best Marvel movie yet.
I don’t think people can come out of this movie not being amazed. Just so you understand what I’m talking about, here’s a rundown of the audience ratings for all Spiderman movies on Rotten Tomatoes:
- Tobey Maguire Spiderman – 67%
- Spiderman 2 – 82%
- Spiderman 3 – 51%
- The Amazing Spiderman – 77%
- The Amazing Spiderman 2 – 64%
- Spiderman: Homecoming – 87%
- Spiderman: Far From Home – 95%
- No Way Home – 99%
These numbers speak for themselves. It truly lives up to the hype, and nearly everyone will tell you the same thing.
Do you agree with this review on Spiderman: No Way Home? What is your review on Spiderman: No Way Home?
Let us know in the comments section below!
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Selecting Powerful Argumentative Essay Topics On Hamlet: 15 Examples
Hamlet being produced in the Renaissance period was made out of the tragic moments that incurred in the period in History. Shakespeare had been known to create a tragic kind of plays. He focuses on revenge, humanity, social issues and deaths. Hamlet is a story of betrayal, wrong accusation, revenge, and love.
- Hamlet’s Love To Ophelia
The creation of Rosencrantz and Guildenstern's Role.
- In the story of Hamlet, it is argumentative whether Hamlet until the end had loved Ophelia. Did he love him before and lost his love due to his mad desire for revenge? If he did not? Why is he greatly affected by her death? If yes, why does he push her to the extreme side of avoidance to him which is the nunnery?
Revenge in Hamlet.
- In the story about intense plots for revenge, are the character made for comedy purposes? Or they have more unyielding roles? Can they be just omitted?
- Is the Hamlet, plainly pull it the thrust of events in the idea of revenge? Is it good to base revenge in ghost?
- Does the death of many people morally justify the death?
- How many revenge plots existed in the story?
- Ghost in Hamlet
- Does the presence of a ghost in the story pretty convincing? Are ghost real?
- Hamlet's Relationship with the Ghost
- Is the existence of revenge a cue in all of Hamlet’s action?
- The Purpose of the “Murder of Gonzago.”
- The people are exchanging a glance as the play goes, are the lines nothing inadmissible?
- In the play. Did the King really show his guilt?
- But why end in praying?
- Conflict as essential to drama.
- The struggle of his doubts further promoted the drama rather than Hamlet himself
- Is the ambiguous thinking of Hamlet the main cause of all conflict?
- Mistrusted Love: Ophelia and Polonius
- Does Polonius have the rightful moral to paint the admission of Hamlet's love to Ophelia rudely?
- Is the plain ignorance justifies Ophelia’s distrust to Hamlet?
- Is her resort of going to nunnery despite the doubts, good or bad?
- Is Polonius judgment a wrong perception?
- Is this a blundering pursuit?
- A mother To his Child
- Is the instant remarrying of Gertrude a sign of infidelity to the filial connection to his father and to Hamlet?
- Is she involved in Claudius plot of murder to the King?
- How important is the general setting of Denmark to the overall play?
- Is the use of Denmark use to draw more attention to the possible audience?
- Was it used for political purposes?
- Was it used to push more power to England as superiors?
- Hamlet as national hero
- Does he deserve such final pave in his death?
- The Evil Plan of Claudius and Laertes
- Compare and contrast the characters of Claudius and Laertes.
- How alike or dislike are they and why?
- Is the ignorance of the reason of the death of his father & sister the reason for revenge?
- Was it because he long despise Hamlet way before the confession of love to Ophelia
- Insanity of Hamlet
- "His madness is poor Hamlet's enemy."
- Explain Hamlet's motivation behind this comment
- Examine how true his remark is.
- A prince of a Prince
- Is Fortinbras a valuable character in his own right?
- Does he serve only to highlight aspects of Hamlet's personality?
- Is his character be fit to be a remark on Hamlet
- Goethe’s Opinion
- What is Goethe's opinion of Hamlet?
- Do you agree with his famous conclusions?
- Death of Polonius
- What could be Hamlet’s solution?
- Does Hamlet truly weep for Polonius death?
2017 © ArtSyqr.com. Professional look on solving problems with your essay writing.


She could still see him standing there in the doorway, paused. Struggling to keep quiet, the tears escaped, despite her best efforts to contain them. Biting her pillow, she muffled as much of the crying sound as possible. Oh god, more than anything she wanted him to turn around and come to her. To scoop her in his arms and tell her everything would be okay. She wanted to feel safe. She wanted to hear it and believe it.
Yet, there was also this part of her that didn’t even want him to acknowledge she was crying. Who didn’t want his sympathy. Who didn’t need his help. That same part of her who wanted him, but might never be able to admit how much she needed him. To breathe.
Hunched over the pillow cradled in her arms, she sat with her legs crossed, her back against the headboard, watching him through blurry eyes. Needing him, but that other part of her willing him to walk away. To save himself the ache.
“You are my life. My love. Why won’t you let me in?,” he asked as he turned to face her.
But he doesn’t know. He doesn’t know there’s nothing there. It’s a swirling mess of darkness and ugly. It’s cold in there. No one who has ever seen any part of it has wanted to stay. No one.
“I’m trying,” she said, desperately hoping he’d believe her.
As he stood there looking at her, she saw the pain in his eyes. Those eyes that told her he’s all in. Hell, his behavior over the past decade had proven he’s the most trustworthy person she’s ever known. Which makes it all the more risky to really let him in. There’s more to lose.
And she can imagine losing it.
-photo found on Pinterest, source unknown


Wednesday, March 30, 2016
Wednesday, September 16, 2015
Lauren Bacall (Born: September 16, 1924 ), the award-winning star of stage and screen who rose to fame in the film noir dramas of the 1940s was reportedly one of the femme fatales from Hollywood’s golden age who inspired the creative team behind “Who Framed Roger Rabbit” in their design of Jessica Rabbit.
Ms. Bacall visited Disneyland park in the summer of 1963 with her husband, actor Jason Robards, pictured here at Mr. Toad’s Wild Ride.
Twenty-six years later, Ms. Bacall was on-hand for the opening festivities of Disney’s Hollywood Studios (known then as Disney-MGM Studios), where she placed her handprints in cement in the courtyard outside The Great Movie Ride.
Tuesday, April 7, 2015
James Garner (Born: April 7, 1928)
In September 2004 he appeared with the cast of the show '8 Simple Rules' at an event at Disney California Adventure park called ABC Primetime Preview Weekend.
During this event, Disney gave Mr. Garner a copy of a photo they had in their archives of him with his wife, Lois, celebrating their daughter Gigi’s birthday at Disneyland in 1965. It is believed that the photo was taken at the Tahitian Terrace.
When he saw this photo backstage before a media appearance, Mr. Garner said, “Oh my, it’s my Gigi! Oh, I can’t wait to show this to Lois!” He had never seen the photo before, and he thanked Disney warmly before excitedly gathering the cast around him to see the picture.
Tuesday, March 17, 2015
Pictured with his son, Nat Kelly Cole, the legendary voice behind such timeless hits as “Mona Lisa,” “Stardust,” and “Unforgettable” was photographed in front of Sleeping Beauty Castle in June of 1963.
Monday, March 16, 2015
Jerry Lewis (Born: March 16, 1926) made a visit to Disneyland in August 1955, just a few weeks after Disney first opened their gates.
Television star Milton Berle, aka “Uncle Miltie,” joined Jerry outside the Main Entrance, along with future Disney Legend, Tom Nabbe, who was holding a custom edition of The Disneyland News with a headline that read, “Welcome Miltie & Jerry To Disneyland.”
Then it was over to Mr. Toad’s Wild Ride, where Jerry was joined by his son (and future musician), Gary Lewis.
Jerry Lewis: American comedian, actor, singer, film producer, screenwriter and film director. He is known for his slapstick humor in film, television, stage and radio.


Art work and illustrations have been developed by man for centuries through the use of various tools or equipment to narrate and showcase their work. As centuries have gone by, art work and illustrations have been accepted due to their unique nature. Both types of professionally perform similar tasks as they involve the principle art of drawing but are distinguished on the basis of material that the professionals are using . This article focuses on explaining the importance of artists and illustrators in production of art work.
Going further deep, art work involves a various forms of activities such as creation of original work, practice of art as well as demonstrations that depict real aspects possessed by characters. Art mainly portrays characters that are still while illustrations portray characters performing various acts along the storyline.
Illustrations as well as art are significant when producing animated films. First of all, artists provide a platform for the creation of characters that depict the subject matter of a narrative. This involves creating various aspects of a fictional character such as size, gender or specific body features such as shape of nose, mouth or eyes. Meanwhile, illustrators use the drawn characters in sync with a logical story to make it much easier for the audience to comprehend.
Alternatively, production of art not only involves creation of fictional characters, but also the provision of scenery that acts as a setting for the animation film. Illustration then involves use of determine various emotions that the characters are meant to portray when filming the animation. Illustrations will involve portrayal of emotions such as happiness, sadness or anger depending with the plot of the animation film. Portrayal of emotions is vital as they inform the audience of how these characters are feeling during a particular time. This creates a bond within the audience as they empathize with what the character is experiencing.
Furthermore, illustrations provide a basis for the creation of various voices or sounds that are projected by the characters . For instance, certain male characters have deeper voices to emphasize their dominance while female characters have softer voices to reveal their softer side as females. Alternatively, illustrators are responsible for determining the dramatic sounds that accompany various scenes within the film. A jovial scene requires a jovial tune to enhance the jovial mood being experienced. A sad scene requires a sad tune to reveal a sad mood being experienced by a certain character.
The role of an artist goes much further as they are responsible for creation of every detail that accompanies a character, however minute it may be. For instance, if the character wears particular attire, then they should be captured.
During the production phase of an animation film, the illustrator is supposed to notify the director on the movement of the characters as this is directly related to the original illustration. If characters are to walk in sequence, they should do so. If they are to run, they should run.
To wrap it up, it is crystal clear that illustrators and artists play a significant role when producing animation films. Their characters are the foundation on which animation films are produced for viewing. Failure to incorporate their views and output is catastrophic as the animation film ends up being a flop.
We have all the detailed specifics about the most talented artists and illustrators on our related homepage. Simply use this link to reach the main site at http://chuckcilo.com.


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Two young women act out a scene from the 1970’s TV U.S. TV show “Family” which starred Meredith Baxter and the child actor Kristy McNichol who played a tomboy on the show. Both of these actors came out as lesbians much later in life, once they were over fifty years old.
The young women in this film take a psychic and bodily journey back to a time of strikingly different sexuality and gender roles. The actors lip-synch to the original show dialogue.
With Hannah Simms and Meridith Hillbrand


Curtains as pillars and moving in and out of it
Last week, I attended a workshop on Stage lighting, conducted by Andy Purvees at Central School. As I walked into the room, I saw four distinct areas being lit up, using a variety of lights. After a brief warm up and initiation, we were divided into groups and asked to play around with the equipment that was around in the room. Even before we knew it, art was being made.
Having lights at your disposal from day one of your rehearsal can change the way your play takes shape, significantly. The difference being, you are designing a sketch based on the light that is available, as opposed to designing light to a set pattern of moves. This just changes the way you begin to look at the work you are making. In a way, the light becomes a part of the act, a protagonist of some sort and not just a support element.
Sound was also brought into the space and now we were keeping the mood of the music and varying our rhythms of play with the light sources accordingly. This created some interesting possibilities. It's truly a luxury to be able to have your sound and light from day one of your rehearsal, but I think if you did, your work will end up being a lot different, definitely, for the better.
I've also seem to taken a lot of liking towards using other innovative light sources and bringing them on stage. This could be Light bulbs, serial lights or even candles and kerosene lamps. Lighting should be used more than just for lighting up actors and setting the mood. Lights induce new possibilities and gives us room to do more !


“Mr. Peabody & Sherman” @ FLMNH (July 26)
The Florida Museum of Natural History’s “Creative B” summer film series features entertaining fantasy and science fiction films and roundtable discussions by scholars, scientists, writers, and artists.
On July 26, this summer’s series concludes with Rob Minkoff’s 2014 animated time travel comedy Mr. Peabody & Sherman.
Mr. Peabody is the smartest individual in the world, a scientist, Nobel laureate, gourmand, two-time Olympic medalist, and the inventor of the WABAC (“Wayback”), a time machine for traveling to and from the past. He lives in a spacious penthouse in New York City. He wears glasses and a red bow tie. Sherman is his also bespectacled, clumsy, and shy adopted son.
Mr. Peabody is a dog. Sherman is a human boy.
Peabody and Sherman use the WABAC to supplement Sherman’s history lessons at school, which Peabody considers deficient. But Sherman’s familiarity with the errors in conventional versions of the lives of historical figures often gets him into trouble with his classmates, and a cafeteria scuffle with one of them, Penny Peterson, puts Peabody’s custody of Sherman into jeopardy. In an attempt to resolve the crisis and smooth things over with Penny’s parents, Peabody invites the family to dinner. Left alone for a few minutes with the querulous Penny, Sherman decides – against Peabody’s strict instructions – to show her the WABAC…
Based on cartoonist Ted Key’s “Peabody’s Improbable History” episodes for Jay Ward’s 1959–1964 television series The Adventures of Rocky and Bullwinkle and Friends, Mr. Peabody & Sherman adds new characters to their journeys through time, notably Penny, her parents, and Ms. Grunion, a Child Protective Services agent skeptical of Peabody’s parenting. Computer-animated and released in Digital 3D, the film departs significantly from the hand-drawn, two-dimensional style of the original cartoons but remains faithful in its depictions of the dog wonder and his boy, and their slapstick, pun-filled adventures.
Director Rob Minkoff also directed The Lion King (1994), Stuart Little (1999), Stuart Little 2 (2002), and The Haunted Mansion (2003). Mr. Peabody & Sherman’s script is by playwright and television writer Craig Wright, best known for his writing for the television series Six Feet Under and Lost. The score is by acclaimed film and television composer Danny Elfman. The principal characters are voiced by Ty Burrell (as Mr. Peabody), Max Charles (as Sherman), Ariel Winter (as Penny), Stephen Colbert (as Paul Peterson), Leslie Mann (as Patty Peterson), and Allison Janney (as Ms. Grunion).
The evening’s events begin at 7 PM. The screening will be preceded and followed by a roundtable discussion featuring:
- Sarah Agnelli – Adjunct Assistant Professor, One Health Center for Excellence and member of the UF Leo19 Initiative Planning Committee
- Ian Breheny – Museum Operations Specialist at the FLMNH, co-founder of the film series, and moderator
- Tom Hart – Graphic novelist and Executive Director of Sequential Artists Workshop
- Mark Law – Professor of Engineering, Director of the UF Honors Program
- Tim Lawrence – Special effects artist and concept sculptor, ILM Creature Shop supervisor for Ghostbusters 2, concept sculptor for Jurassic Park and character FX crew and puppeteer for Gremlins 2 and Harry & the Hendersons
Mr. Peabody & Sherman is rated PG for mild action and brief rude humor.
All “Creative B” events are free and open to the public.


When most of the products you get the chance to review are education related, the chance to review a movie (that isn't just for kids) is celebrated! When we received Trust Fund from Mapelle Films to watch and review, it was a nice change of pace for my husband and I. We put the kids in bed. We made popcorn. Mr. Butler set the projector up in our bedroom. (Since we don't watch that much television - thank you Netflix and Amazon Prime! - and we just can't decide on the best spot for it, our projector and sound system still isn't set up in our living room.) The movie is a prodigal daughter type story with at least a few actors I had seen before, the producer was homeschooled and the trailer looked intriguing so I was pretty excited about the whole affair!
As soon as it began, I thought Mr. Butler hadn't turned the sound on so I pestered him to fix it. He insisted that it was on and there just must not be any sound yet. Weird. The first scene is a dream sequence about the main character's childhood and he commented that since she was dreaming maybe it made sense there wouldn't be any music. Umm, this music major didn't see the logic in that, but okay.
So, as the plot goes, Reese is a free-spirited writer who is drastically different than her straight-laced responsible older sister, Audrey. Both girls lost their mother when they were teenagers and we see their differing relationships with their father and the publishing company he and their mother built. When Reese struggles in the responsibility department and finds out information her father has been holding back, she starts down a path of youthful passion. Much like the Prodigal Son in the Bible, there is much to be learned from all directions about sin, grace, mercy, forgiveness and patience. So, as the movie goes along I just am struck with shock that there are NO songs. I hear them walk across the floor or clink a coffee cup, but not even montage music during scenes with no dialogue. So weird.
Because life is busy and sleep is very valuable, we watched it over two different nights. On the second night, I began considering all the reasons why a movie might not have music. Did they somehow not have enough money for music? That didn't make sense because everything else was high quality and some notable names in the cast. Was it some artistic statement? I guess maybe, but why risk a financial investment like that on a statement? It was just so bizarre that I almost couldn't take it. Then it occurred to me that if I found it bizarre, surely someone else had too and commented on it somewhere. I googled it and I didn't find any weird explanation, but I did find the soundtrack on Spotify!! And no it was just clinking glasses and footsteps, but real music!! So, wait - did we get a faulty copy or something? Nope. Mr. Butler only set up one speaker, instead of the whole set, and the way it was mixed (or something technical like that) prevented the entire score to be played from only the one speaker! We laughed. so. hard.
Once we finished the movie and continued to laugh at ourselves, we restarted the movie (with the proper speakers) and sure enough there was a beautiful soundtrack to that dream sequence. So many scenes were different and enhanced simply because of the background music. Music matters so much in the evoking of emotion for sure!
Aside from the sound snafu that was completely user error, the movie did a great job highlighting the emotional dynamic that comes into play when someone sins. In the movie, the main character is a writer and her book Love Was Near has actually been published and can be purchased on the film company's website, here. It is all about the character's feelings about putting her bad decisions to rest and what she learns from her experiences. It was certainly clean entertainment and I think it would be a great thing for families with preteens/teenagers to share together. There is even a free downloadable Study Guide that assists in diving deeper into the themes of the story. Both the movie and the book could be great conversation starters!


ashley rose wellman
Ashley Rose Wellman is a Los Angeles writer, currently in her final year of the University of Southern California's School of Dramatic Arts's Dramatic Writing MFA program.
Her plays produced on the USC campus include full-lengths "Gravidity", "Living Creatures", and "That Long Damn Dark". She has also had several one-act plays produced by Brand New Theatre at USC, including "Obsolete Children", "Oral", "Carnivores From Different Shores", "The Bear Stage", and "And Only The Moon Howls".
Her work has also been featured prominently at the Last Frontier Theatre Conference in Valdez, Alaska. Her plays "Gravidity", "Living Creatures", and "That Long Damn Dark" were selected for the 2013/2014/2015 Play Labs, respectively, and the University of Alaska Anchorage production of "Gravidity", was invited to the 2014 conference as a featured evening performance.
Her play "That Long Damn Dark" received a staged reading as part of Pasadena Playhouse’s inaugural Greenhouse at the Playhouse program.
She resides in Downtown Los Angeles and teaches theatre history to undergraduates at USC.


Friday, February 22, 2013
SFJAZZ Center: An Introduction
A short documentary film by Ken Ellis, narrated by acclaimed actor Delroy Lindo, that discusses the making and overall vision of the SFJAZZ Center. The film includes behind-the-scenes footage of the SFJAZZ Center being built, a brief historical look at San Francisco's vibrant jazz scene and a number of fascinating interviews featuring SFJAZZ Co-founder & Artistic Director Randall Kline, legendary jazz singer Mary Stallings, Resident Artistic Director John Santos, SFJAZZ Center architect Mark Cavagnero, Education Director Rebeca Mauleón & more!
This video was first shown in the Robert N. Miner Auditorium during SFJAZZ Center's Grand Opening on January 21, 2013.


Buhay Rep. Lito Atienza on Wednesday urged unbiased Filipino filmmakers to capitalize on the worldwide streaming of flicks over the Internet as a solution to attain a bigger viewers and generate new income streams.
“We cannot fight technological advances, so we might as well take full advantage of Internet TV networks to help promote highly relevant Filipino movies for global viewers, including Filipinos based overseas,” Atienza stated.
“It may now be possible for independent Filipino producers to sell their films to the likes of Netflix for online streaming abroad,” he stated.
California-based Netflix Inc., which already has greater than 100 million subscribers in 190 nations, together with the Philippines, delivers streaming content material by way of Internet-connected screens – from good TVs, private computer systems, laptops to tablets.
A smaller rival of Netflix, Kuala Lumpur, Malaysia-based iFlix Sdn Bhd, or just iflix, additionally provides streaming media to greater than 5 million subscribers in 18 nations in Asia, the Middle East and Northern Africa.
But in contrast to iFlix that merely buys the unique rights to stream films in different nations, Netflix additionally produces, co-produces or commissions unique sequence, documentaries, and have movies.


Last week amid the noise of the Cannes Film Festival, a brave independent film about the atrocities of child sex trafficking, I Am Still Here, took Best Feature at the Nice International Film Festival, one town over on the French Riviera.
Read More on Deadline ⇢
“During my freshman year of college, a brothel housing child sex slaves was busted in a neighborhood close to mine. Hearing this shook me to my core. I was raised to believe I live in our ‘Land of the Free,’ but that day, I discovered slavery, even of children, is still a very real problem,” says Marcus who based I Am Still Here on her exhaustive research of real sex trafficking cases.


I've been reading the series for so long now so I'll try not to let any cloud of infatuation for the book cloud my judgments. First, the main disappointment in the movie is its lack of technical efficiency. The camera angles and movements were poor, snappy and shaky. The flashback scenes were horrible; very "TV quality". The special effects were not so special as well. It was so obviously low-budgeted I almost felt like I'm watching an indie flick.
Since this is just an adaptation, I expected a lot of "should be" moments. I just felt like the movie was too...rushed. Fast paced. I mean, the book was I think fast-paced itself but it appeared much faster when translated into film. Some scenes were not well-emphasized (especially in the earlier parts).
On the plus side, I don't think the movie was that disastrous. There were also scenes that I enjoyed so much, like how the Bella-Edward moments were developed. The modified scenes were not that off as well. I would be a lot harder if they strictly followed what's on the book and I guess the alternative scenes fit better.
Again, like what I've said in the last 2 Harry Potter films, you will fully appreciate the movie unless you read the book first. My friend May, who had not read a single line from the book at all loved the film so I guess it's not that bad for Twilight virgins. Or was she just too mesmerized by Robert Pattinson? LOL
If there's one thing that's redeeming about the film is when they played Leave Out All the Rest during the credits. Seriously love that song. And guess that made it all OK.
My final rating: 3.75 out of 5.


First They Killed My Father
Cambodia's genocide was one of the worst atrocities in human history, and yet somehow it seems to have receded into the annals of Southeast Asian history without much media touching on it other than the 1984 film The Killing Fields. Angelina Jolie seeks to change that by bringing it back into the collective consciousness of a new generation through her latest film on Netflix.
In First They Killed My Father, Jolie's fourth directed film revisits an event that forever wounded a nation and does so through the innocent eyes of a child caught in the midst of it. The film is adapted from the bestselling memoir of Loung Ung and also produced by Oscar nominated documentary filmmaker Rithy Panh, both of whom survived the Khmer Rouge's nightmarish rule of Cambodia from 1975 through 1979. At over two hours in film length, it may seem like a slog to get through such tragic subject matter, but on the contrary the story told here is unlike anything ever produced about the genocide because it does so in a way that captures what it was like to be a Cambodian child during the enslavement and mass executions.
The film begins with a family watching nervously as Khmer Rouge soldiers march into city to the sounds of cheers from locals greeting them as heroes. The film's main character, Ung, doesn't understand why her father orders the family to pack-up and leave, but he knows that as a government employee it marks him as an enemy of the new state being formed. Her father manages to hide his identity but they are still forced to evacuate the city along with everyone else and endure a long march to the countryside to meet their fate at a labor camp. Once they get there, the Khmer Rouge's intentions are revealed when they are told that in the new Cambodia individualism will be abolished and their new purpose in life is to serve Angkar (the state) through working the fields and developing a revolutionary mindset.
Ung and her family eventually deteriorate from starvation and strenuous labor, but as a child she's given different attention from the camp guards. The Khmer Rouge considered older people, monks, doctors, intellectuals, and any other citizen that wasn't a peasant obsolete; so children were thought of as new minds to be molded. Though she's just a young girl, her survival instincts and the realization of the need to adapt to being a prisoner makes her standout to be recruited as a child soldier. Through her training she's indoctrinated into the Khmer Rouge's monstrous philosophies all while desperately trying remember her past life as daughter in a loving family.
The film will draw comparisons to another stellar Netflix one about child soldiers, Beasts of No Nation, but doesn't have the star power of someone like a Idris Elba. Instead, Jolie purposely strides to keep it authentic by filming in Cambodia, using locals to fill roles, and keeping the dialogue in Khmer. Regardless of the minimal dialogue and subtitles, Sareum Srey Moch's performance as Ung is a powerful one that captures what a violent political upheaval looks like from the persepctive of a young girl. There is no explanation of what is happening to the rest of the country or how the world is responding to it, soldiers are vacant and offer little but stern orders & propaganda slogans, and it's not exactly clear how large the scale of death is across the country. Viewers may ask these questions to themselves while watching, but this is a film based on a memoir so a wider view of what's actually going on is only hinted at since Ung was too young to realize it herself.
Of course today we know that the Khmer Rouge were responsible for a death toll estimated to be 2 million and that their atrocities have severely damaged Cambodia's development even today. Land mines planted by Khmer Rouge soldiers still litter jungles and the only real recourse for justice is a United Nations sanctioned tribunal that has taken 11 years and cost over $300 million to find just 4 former Khmer Rouge leaders guilty (The Khmer Rouge's leader, Pol Pot, died before he was ever brought to trial). What might be more unsettling is the fact that many former Khmer Rouge soldiers are now part of local governments, and that former prison guards who tortured innocent women & children freely walk with them as neighbors and live peacefully in retirement.
The tragedy of what happened is so painful for Cambodia that it hasn't even been included in school curriculums until a few years ago. What makes this film important is that it's a big part of a larger effort to ensure younger generations understand what happened in Cambodia and honor the millions of lives that were lost. Even today when genocide is in progress, it doesn't always get the attention it needs until it's too late, so a film like this is just as relevant now as it was back when The Killing Fields was released.
It's important to know the facts of Cambodia's genocide because it's not just a dark chapter of Southeastern Asian history; it's also an impactful lesson on what can happen when unchecked politics emboldens us to dehumanizes our opponents.


Rubi has been working on Jessica Bard's archive since 2012. She manages the physical and digital archive. Rubi works along side Jessica on the website and facilitating Jessica's works in films, print, and exhibitions.
If you would like to showcase Jessica's photography in an exhibition, film, magazine, or book please contact Rubi at: email@example.com
Nathalie began working on Jessica's archive in the fall of 2019. Her skills have helped organize the physical archive further.


Frank Zappa (lead guitar, vocals)
George Duke (keyboards, synthesizer, vocals)
Tom Fowler (bass)
Ruth Underwood (percussion)
Jeff Simmons (rhythm guitar, vocals)
Don Preston (synthesizer)
Bruce Fowler (trombone)
Walt Fowler (trumpet)
Napoleon Murphy Brock (tenor saxophone, flute, lead vocals)
Ralph Humphrey (drums)
Chester Thompson (drums)
Debbie (background vocals)
Lynn (background vocals)
Robert Camarena (background vocals)
Let me tell you something, do you like monster movies?
I love monster movies, I simply adore monster movies, And the cheaper they are, the better they are. And cheepnis in the case of a monster movie has nothing to do with the budget of the film, although it helps. But true cheepnis is exemplified by visible nylon strings attached to the jaw of a giant spider. I`ll tell you, a good one that I saw one time, I think the name of the film was "It conquered the world" (YEAH!) And the... Did you ever see that one? The monster looks sort of like an inverted ice-cream corn with teeth around the bottom. It looks like a, like a teepee or a sort of a rounded off pup-tent affair. And ah, it`s got fangs on the base of it, I don`t know why but it`s a very threatening sight. And then he`s got a frown and, you know, ugly mouth and everything, And there`s this one scene where the ah monster is coming out of a cave. See? There`s always a scene where they come out of a cave, at least once. And the rest of the cast...it musta been made around the 1950`s. The lapels are about like th
at wide, The ties are about that wide and about this short, And they always have a little revolver that they`re gonna shoot the monster with. And there is always a girl who falls down and twists her ankle. Hey hey! Of course there is! You know how they are, the weaker sex and everything, Twisting their ankle on behalf of a little ice-cream corn. Well in this particular scene, In this scene folks, they ah, they didn`t wanna re-take it `cause it musta been so good they wanted to keep it, but they... When the monster came out of the cave, just over on the left hand side of the screen you can see about this much two-by-four attached to the bottom of the Thing as the guy is pushing it out, And then obviously off-camera somebody`s goin`: "No! Get it back!" ...and they drag it back just a little bit as the guy is goin`: "KCH! KCH!" Now that`s cheepnis.
Right. And this is cheepnis here: One two three four...
I ate a hot dog
It tasted real good
Then I watched a movie
Little Miss Muffett on a squat by me
Took a turn around, I said: Can y`all see?
The little strings on the Giant Spider?"
The Zipper From The Black Lagoon?
The vents by the tanks where the bubbles go up?
(And the flaps on the side of the moon)
The jelly & paint on the 40 watt bulb
They use when the slime droozle off
The rumples & the wrinkles in the cardboard rock
And the canvas of the cave is too soft
The suits & the hats & the tie`s too wide
And too short for the scientist man
The chemistry lady with the roll-away mind
And the monster just ate Japan
Ladies and gentlemen,
Which the peasants in this area call FRUNOBULAX
(Apparently a very large poodle dog)
Has just been seen approaching The Power Plant
Bullets can`t stop it
Rockets can`t stop it
We may have to use NUCLEAR FORCE!
HERE COMES THAT POODLE DOG!
BIG AS A BLIMP WITH A RHINESTONE COLLAR
SNAPPIN` OFF THE TREES
LIKE THEY WAS BONSAI`D ORNAMENTS ON A
KEEP IT AWAY! DON`T LET THE POODLE BITE ME!
WE CAN`T LET IT REPRODUCE! OH!
SOMEBODY GET OUT THE PANTS!
The National Guard has formed up at the base
of the mountain
And is attempting to lure the enormous poodle
towards the cave
Where they hope to destroy it with napalm
A thousand of the troopers are now lined up
and are calling to the monster...
GOT A GREAT BIG SLIMEY THING
GOT A GREAT BIG HEAVY THING
GOT A GREAT BIG POODLE THING
GOT A GREAT BIG HAIRY THING
C`mon! Everybody! Let`s go!
Get the distilled water! Get the canned goods!
Get the toilet paper! You know we need it!
GO TO DA SHELTER
MY BABY, MY BABY,
GO TO DA SHELTER
GO TO DA SHELTER
Little Miss Muffett on a squat by me,
Can ya see the little string danglin` down
Makes the legs go wabble an` the mouth flop shut
An` the HORRIBLE EYE, HORRIBLE EYE, HORRIBLE EYE
Go rollin` around
Can y`see it all
Can y`see it from here
Can y`laugh till yer we


Robert Dubac draws on decades of showbiz experience as a writer, actor and stand-up comic to create solo shows that explore social mores, political ideas and the complexity of the human experience. He belongs to a rare breed of humorists who make comedy smart and tragedy funny.
In other words, you get more truth and less dick jokes.
Using humor that is both intelligent and absurd, he dissects culture with a jaundiced and probing eye. His characters boggle our minds with rapid-fire satire while simultaneously crafting a simple story that binds us together. His unmatched ability to combine the boisterous laughter of stand-up with the staggering thrill of live theater fills seats everywhere; as nothing like this can be seen on TV.
The Male Intellect: An Oxymoron? is his original tour-de-force that tackles the babble of the sexes. It has become a worldwide phenomenon, having been translated into dozens of languages and performed in just as many countries. It is hands down the funniest relationship show you will ever see.
His second production, The Book of Moron, has been lauded nationwide as the kind of razor-sharp satire desperately needed to awaken our world from its catastrophic dumbing down. It’s the definitive remedy for truth in a world that runs on hype and spin.
Stand-up Jesus, his most recent solo show, takes an irreverent look at reverence; shining the light of truth on false prophets, duplicitous politicians and immoral sheeple. It is intelligently designed to redeem sinners of all faiths. His ecclesiastical reviews are stellar.
All three have brought Mr. Dubac critical acclaim and respect within the genre.
Working behind the scenes, he has co-written and directed the new avant-garde solo show, H@ppyville, starring Dave Shirley. He directed the Off-Broadway production of Man 1, Bank 0, and produced and directed the premiere performance of ¡Satiristas! at The Actor’s Gang in LA . He also produced and created The Barbarians of Truth for both theatrical houses and foul-smelling comedy clubs.
In addition to his theatrical endeavors, Mr. Dubac found significant success in the mainstream entertainment industry as well. After being chosen to study with a select group of actors under the personal tutelage of the late great Sanford Meisner he appeared in many feature films including Too Hip for the Room, After the Game, Cold Ground, Sketch Artist, Stitches, Innocent Obsession and The Rookie. His TV credits range from comedic turns in sit-coms like Growing Pains and Diff’rent Strokes to drama, with appearances on programs such as Life Goes On and Jack and Mike. He even worked in the melodramatic style of ABC’s soap opera, Loving. Prior to all this he toured as a stand-up comic and opening act to the royalty of rock n roll.
Eschewing drama in the pursuit of humor, Robert Dubac constantly tours with all three of his solo shows as a one-man repertory company. A supremely skilled performer who challenges convention, he brings every audience to new heights; pulling our emotional strings with biting wit, profound insight and humor of the highest caliber.
DVDs of both The Book of Moron and The Male Intellect: An Oxymoron? are available for those who still have DVD players. The Male Intellect can also be purchased on Amazon.com. However, for some reason Amazon calls it "Inside" the Male Intellect. Don’t worry, it’s not any less funny.
Friends call him Bob and Bob is thankful he makes his wife, Lauren, laugh.


It appears AMC’s The Walking Dead is just as difficult to film as it is for some to watch after actress Danai Gurira revealed she struggled to eat while shooting the first half of season seven.
The climax of the show’s sixth season—and the beginning of the seventh—brought about inarguably the goriest sequence of the programme’s history, and Gurira told Entertainment Weekly of the struggle she and fellow cast members had to endure afterward:
“Honestly, I couldn’t eat. But to me, in terms of story, I found that very rich because of course they have to deal with the trauma. You’re watching a severe post-traumatic time period, and it’s going to be a time of struggle and of brokenness and that’s what happens.”
The Walking Dead will make its return for the second half of season seven on February 13.


DileepDileep/FacebookDileep, the Janapriya Nayakan of Mollywood, is now enjoying the success of his latest movie ‘Kodathi Samaksham Balan Vakkeel’. Even after facing a setback after his alleged involvement in the actress abduction case, the actor is still enjoying peak acceptance among family audiences. And the recent success of ‘Kodathi Samaksham Balan Vakkeel’ is an indication of Dileep’s unquestionable star power.At this juncture, we recollect a moment where Thilakan, one of the legendary actors in Mollywood, called Dileep the most cunning personality in the Malayalam film industry. During those times, a cold war was apparently going on between Association of Malayalam Movie Artists (AMMA) and director Vinayan. Despite continuous warnings, Thilakan acted in a movie directed by Vinayan, and this compelled AMMA to impose an unofficial ban on the veteran star.Thilakan who is a drama artist by profession, then claimed that he will lead his life by acting in stages. He also added that no associations have the right to deny the job of an actor. The actor even called Dileep a shrewd personality and made it clear that AMMA is being controlled by a mafia.Later, in interaction with Manorama News, Dileep had said that he respected Thilakan to the core. The ‘CID Moosa’ actor also recollected a moment where he shouted at Thilakan. As per Dileep, Thilakan came to a meeting conducted by AMMA with police protection, and on the same day, he abused Mammootty. Dileep claimed that Mammootty cried a lot after this incident, and seeing this, he shouted at Thilakan.It should be also noted that director Vinayan had earlier revealed that Dileep is such a man who always aims to seek vengeance and revenge on his opponents.When Dileep was involved in the actress abduction case, several social media users had spread Thilakan’s words about Dileep on Facebook and Twitter, and many people claimed that it is the curse of Thilakan’s soul which made Dileep fall in the legal trap.
The Spice GirlsTwitterWith a team that boasts girl power with mostly a female senior staff, Paramount Animation president Mireille Soria has announced that the studio will be bringing back the magic of Spice Girls. The film is in the early stages of development and they are aiming for two releases a year, starting in 2020.The five members of the popular girl band, Melanie Brown (Scary), Emma Bunton (Baby), Melanie Chisholm (Sporty), Geri Halliwell (Ginger) and Victoria Beckham (Posh) have given their approvals to the project. It has been reported by Hollywood Reporter that Simon Fuller will be producing the project while Karen McCullah and Kiwi Smith will write the screenplay. The film will further include some of Spice Girls’ classic songs as well as new ones that they will curate. Apparently, the Spice Girls will turn into superheroes for the film.This is probably the first time since the 90s that all the five Spice Girls will come together for a project, that also includes Victoria Beckham. Currently, except for Beckham, the other Spice Girls have kicked off the Spice World tour for which they all reunited. Sharing a throwback of the girls, Beckham wrote, “Good luck to the girls today as they start their tour!” Victoria is currently focussing on her fashion label due to which, she couldn’t go along with the rest of the Spice Girls. However, with the Paramount animations project, she will join the girls. Victoria Beckham postInstagramApart from the Spice Girls movie, the banner also plans to release The SpongeBob Movie: It’s a Wonderful Sponge, which also stars Awkwafina and Reggie Watts to its voice cast. Cyndi Lauper will be working on the original tracks for the film along with her co-writer Rob Hyman. The film is being directed by Tim Hill and will be produced by Ryan Harris. Background scores by Hans Zimmer will also be included in the film.


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