whoa, you guys are really helping me out! thanks a lot.
keep'em coming if you have any!
the list already has doubled
this is what I (with the help of lots and lots of others) have so far:
- their first meeting in 'children of the gods'
- jack's reaction to the dress sam's wearing in 'emancipation'
- jack's determination to get her back in 'emancipation'
- the the hug in 'into the fire'
- the maybe too forced kiss in 'the broca divide'
- the reason for his fight with daniel in 'the broca divide'
- at the end of 'the broca divide', jack's tank top comment
- the oh so disappointed looks in 'brief candle'
- their hug in 'fire and water'
- the elevator ride in 'singularity'
- the sharing of body heat in 'solitudes'
- the hug in 'there but for the grace of god'
- jack's reaction to the knowledge that he and sam were engaged in another reality in 'politics'
- jack's look when sam is wheeled into the infirmary after the ashrak incident in 'in the line of duty'
- jack's refusal to leave her side when the ashrak tries to escape in 'in the line of duty'
- sam's look when jack's pinned to the wall in 'message in a bottle'
- sam taking jack's hand in 'message in a bottle'
- in 'out of mind' when jack wakes up sam and he stares at all the skin exposed as she gets up
- in 'out of mind' when he pulls her against him while they hide from the jaffa
- in 'out of mind', while they hide from the jaffa, his hand moves from her mouth to her throat
- in 'into the fire' when jack wakes up from hin 'unblending' with the larva and they hug (for a very very very long time)
- sam's promotion and jack's interupted speech in 'fair game'
- UA sam en jack's marriage
- jack and UA sam's kiss
- the look on our sam's face when she sees UA sam kiss jack
- sam confesses she misses him in 'a hundred days'
- the look at the end of 'a hundred days'
- jack's apology at the end of 'shades of grey'
- in 'nemesis' when he asks her to go fishing an she says no, only to run after him when he leaves (and then gets beamed up by thor)
- in 'small victories' when he asks her through the mignifying glass "what'ye doing and and the smile she puts on
- in 'small vicories' when she runs after him again when he leaves
- the look she gives him (like she does want to go with him) in 'small victories' when she tells him to have fun
- their moment in upgrades when she's trapped behind the force shield and he won't leave
- a number of moments in 'devide and conquer'
- the kiss and smirk in 'window of oportunity'
- the remember feeling feelings moment in 'beneath the surface'
- the realisation who they are at the end of 'beneath the surface'
- sam's visit to jack's cabin in '2010'
- when jack shoots her in 'entity'
- when she wakes up in 'entity'
- jack's concerned that sam's working too hard and that she's tense in 'ascension'
- jack offers he could hang out for a while at her house in case her ascended friend comes back in 'ascension'
- he jealous when he finds out she has company for dinner in 'ascension'
- jack's concern that sam went missing in 'desperate measures'
- when the crystals explode in 'failsafe' and Sam goes down, Jack goes to her and helps her stand up when she's still dizzy from the fall
- sam disobeys jack's order to leave the force shield up in order to save his life in 'the sentinel'
- sam and jack go off-base together in 'revelations'
- when she asks him to take the symbiote in 'frozen'
- when she's crying in the lockeroom in 'paradise lost'
- she rests against his shoulder in 'metamorphosis'
- their reaction (jack gets awkward and sam grins) when skaara asks jack and sam if they'll be coming to his wedding together
- when he informs her he's going after daniel in 'evolution'pt1
- at the end of 'evolution' pt2 before they go lunch (together)
- the locker room scene in 'Grace' when jack's upset because sam's missing
- the kiss in 'grace'
- the end of 'grace'
- sam's need to explain to jack her relationship with pete in 'chimera'
- their awkward moment in the elevator in 'chimera'
- she rests against his shoulder at the end of 'death knell'
- the hug in 'heroes'
- when she visits him in 'lost city' pt1
- in 'lost city' pt2 when she wants to explain what she wanted to say at his house and he tells her "I know"
- the end of 'lost city' pt2
- when sam gets promoted in 'new order' pt2 and he calls her to come up the ramp
- in 'zero hour' when jack puts his hands on jack's shoulder, they both realize it at the same time and awkwardly step back
- when she talks to him about pete's ring in 'affinity'
- the look they give each other when jack's leans over her to stare at the screen in 'geminy'
- jack's "if only" when replicator sam tell them thehe are two sam's
- replicator sam's distress when fifth made her shoot jack
- their phone conversation at the beginning of 'citizen joe'
- jack and joe's conversaation when joe mentions "them" in 'citizen joe'
- a number of moments in threads
- the end of 'moebius' pt2
- when agent barret asks if she's now single again and she replies "not exactly" in 'ex deus machina'
just a short despription, so I know what you're talking about and the ep.
I'm planning on doing something with it, but don't know exaclty what yet.


I signed up for the free 30 day offer from Redbox. Christmas vacation is coming and I’m looking forward to a couple good movie nights. With 7+ to have to pay for to go to the movies, I’m not liking the sound of how much that would cost. I’d rather get some treats at the dollar store and get some yummy snacks and watch the movies at home. We make our home movie nights pretty special and fun and getting Redbox for Christmas will add to that fun! What I’m going to do for this is make movie passes and put them in their stockings with glow necklaces, movie candy and a can of soda. It’s a movie night bundle of fun!
This is a 30 day trial and you can cancel anytime, so you may want to try it out too. We have Netflix already, but I’ve heard that a lot of people prefer Redbox, so we shall see with my trial offer. Click HERE to check it out for yourself.


Short Films: Mix
29 June 2016
Gypsy - David Bonneville
Sebastian is a wealthy young man. He finds out he has a flat tyre and ends up accepting help from a Gypsy passer-by. In return Sebastian will have to give him a ride home… but they won’t reach their expected destination.
Counsellor - Venetia Taylor
This woman needs help. A very short comedy about regret.
The Thief - Kristine Rande
A sweet little story about two children as they experience grief and loss in different ways.
Kite - Eiraj Afkar
A young boy flies his kite on the roof when he notices a young girl being hanged in the neighbourhood. He rushes to the house to help her.
Bionic Girl - Stephanie Cabdevila
A scientist has created her own android clone to replace her in the outside world so that it can face it for her.
The Scent of Gentlemen - Alexander Lony
A romantic comedy about the clash of a beautiful lady and a noble gentleman.
Rupee Run - Tarun Lak
Two dirt poor street performers chase after a coin through the streets of India.
Shame and Glasses - Alessandro Riconda
Mirko has to face his worst fear: wearing glasses. That is the only way to do his school test, but what would happen if the young girl he is secretly in love with could see him?
Despedidas (Goodbyes) - Ignacio F. Rodó
A boy and a girl have an emotional goodbye in front of the train station.
The Grandson - Jan van Gorkum
Leo, an old and slightly demented man, gets a surprise visit from his grandson Jacco. When Jacco suddenly reveals that Leo doesn’t actually have a grandson, the seemingly innocent visit changes into something very grim.


The saddest thing about betrayal is that it never comes from your enemies. This is proven in Hany Abu-Assad’s Omar (2013), a thought-provoking yet distressing, depiction of the Israeli-occupied West Bank.
The film centers on what seems like a gentle love story between the assured and determined Omar (Adam Bakri), and the seemingly sweet Nadia (Leem Lubany). However, it is much more than a mere love story in the midst of troubling times. Born and raised in Nazareth, writer-director Hany Abu-Assad moved to the Netherlands in 1981 where he studied aerodynamics and worked as an airplane engineer for several years. After watching a film by the Palestinian Michel Khleifi, he was inspired to pursue career in the world of cinema. His filmmaking career began in the early 1990s, working as a TV producer for BBC. But it wasn’t until his 2002 film Rana’s Wedding, that he started to get noticed internationally.
His most recent film, Omar, tells the story of a Palestinian baker who must climb back and forth over the dizzying security wall simply to see his friends, but in particular his secret girlfriend, Nadia. Omar and Nadja exchange love notes with hopes of one day getting married and going to Paris for their honeymoon. Their secret encounters are bursting with sweetness and love—their affection almost too perfect, fake even. And it’s no accident. One day, after being consistently bullied by the Israeli police, Omar and his two buddies, Tarek (Iyad Hoorani) and Amjad (Samer Bisharat), plan an attack to shoot a random Israeli soldier.[youtube]https://www.youtube.com/watch?v=WJn7vCy9M6Y[/youtube]
Abu-Assad never justifies this act, neither does he try to make it a confrontation between good guys vs bad guys. The incident is a consequence of their boredom and frustration. Omar gets arrested and is forced to betray his political convictions, in order to work as an informant with Agent Rami (Waleed F. Zuaiter). Thus, this creates a hurtful political cycle that triggers endless doubts—is he playing Agent Rami or will he betray his friends?
Adam Bakri delivers a compelling and confident performance. The cast is composed of first-time actors who bring realism to the heartbreaking story. Tarek is the leader, the one with the militant connections. Omar and Amjad have no connections; they’re not religious and have no interest in politics. All they really want to do is impress Tarek because they’re both in love with his sister. The most tragic realization of all is when viewers comprehend that the separation wall is not just a physical obstacle, but it is within the hearts and minds of the characters as well.
Omar is Abu-Assad’s second film to be nominated for an Oscar. The Palestinian filmmaker’s first Oscar nomination is Paradise Now, a suspenseful story about a pair of suicide bombers. The tense and skillfully calculated thriller begins shortly before best friends Said (Kais Nashef) and Khaled (Ali Suliman) are chosen by an unnamed Palestinian organization to carry out a suicide bombing in Tel Aviv. Both men pledge to complete their mission but have second thoughts after spending a final night with friends and family. When the operation does not go according to plan, Said and Khaled’s doubts about morality leave the audience questioning if they will eventually carry out the task, and even sympathizing with their lives. The most compelling parts of the film is how Abu-Assad portrays the distorted logic and deliberate planning that Palestinian terrorists put into each mission to kill Israelis.
Paradise Now challenges the commonly held Western notion of suicide bombers, the belief that they are bleak and robotic, and programmed to kill without remorse.
On the contrary, Said and Khaled are just like any other human being, cornered by emotions, guilt and doubts. The only difference is that they are confined to live in a world of religious extremism.
In both Paradise Now and Omar, Abu-Assad does a great job of keeping to the story of his main characters, and the daily struggles that surround them. He stays away from the big picture, which I applaud. Political questions may be irresistible in films like these, but they’re not really relevant. Even though this is brilliant political cinema, the films should be seen as a story first and foremost. Besides, Abu-Assad doesn’t want to be known as a political filmmaker.[youtube]https://www.youtube.com/watch?v=jhfwBV0ahp0[/youtube]
The films are meant to shed some insight on the situation in the Middle East, through meaningful discussion and awareness. In other words, the political issues in these films remain contextual. And it works wonderfully. People may ask themselves, what is Abu-Assad’s view toward the Palestinian occupation? Or even terrorism? However, these are unwarranted remarks that do more to ban discussion than to enable it.
Overall, Abu-Assad respects the fundamental structure of all good stories, and simultaneously includes his own ingredients of creativity into the world of cinema, creating an utterly absorbing experience for viewers.


PrimoCiak is all about Italian films, it will give you a quick synopsis and a short review, the aim is to keep it short and to the point. There will be warnings of International Film Festivals around the world showing Italian films and also some information OK let’s be honest some gossip about Italian actors too . I am very passionate about everything to do with the Italian film Industry !
I am currently living in Sicily after 30 years in London and spend my time watching Italian movies as they are released, traveling to the National Film Festivals, and enjoying the beautiful Italian landscape, food and wine.
I have always had a great passion for films and over a number of years attended screenwriting and film making seminars in London together with some excellent classes run by the Italian Cultural Institute in London, who as part of their language courses ran a special interest group “Learning Italian through films”, a group that played a major part in my focus on Italian films.
I have been following the Italian film industry, while at the same time studying the language and culture, during that same period I have seen more than 500 Italian films ranging from the much-loved silent black-and-whites to contemporary films currently showing in the Italian cinemas. I see as many of the new films released in Italy as I possibly can, given that I am currently living in a small Sicilian village without a cinema! I would dearly love to see more independently produced films however this is sadly difficult in the current political climate, where little to no funding are available to the independent filmmakers and the process of raising capital can be a very hard and bumpy ride, not to mention the process of getting the film released into the national cinemas.
Italian films have often had to start their journey at a film festival in Europe and the USA before being released in a small art house cinema in Rome or Milan, months before actually being shown nationally – a process that can take years. An excellent example of such a film is the now highly acclaimed The Wind Blows Round ( Il vinto fa is suo giro or as it was originally named E láura fai son vir ) directed by Giorgio Diritti it was released in 2005 , shown in 2006 at the London Film Festival together with a number of other festivals worldwide . It was nominated in 2008 for the prestigious David di Donatello award after which it was released nationally and became a success here in Italy too.
The opinions expressed on my blog are mine and mine alone. Please feel free to comment although I reserve the right to delete comments I find offensive or not relevant.
That is the power of blogging 😉
© Marianne Wi and PrimoCiak, 2010. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Marianne Wi and PrimoCiak with appropriate and specific direction to the original content.


The first “Movie Night” was successfully organized
“Movie Night” initiated by our “Student Council” at Orkhon KhaSu International School successfully premiered its very first movie on 16th of November, 2018 among 20 students from 8th to 12th grade.
Through this Movie Night, we were able to develop our students’ ability to freely exchange ideas and express oneself using English language. In addition, juniors get to know their seniors and became friends.
After watching “Everything Everything”, students exchanged their opinions about the movie.
The Movie Night premiered from 16:00 pm to 18:00 pm. Hence, in order to maintain students’ safety, we sent out “parental consent” to every student and successfully sent students off to their parents. We are planning to hold Movie Night every 21 days. The next Movie Night will be held on 7th of December.
Кембрижийн олон улсын хөтөлбөртэй Орхон ХаСү сургуулийн “Суралцагчдын өөрөө удирдах зөвлөл”-ийн сана


President Petro Poroshenko visited the premiere of the film "Cyborg". The head of state thanked the creative team that created the film, and congratulated those present on the Day of the Armed Forces of Ukraine. Petro Poroshenko also presented the order "For merits" III degree, the Director of the film "Cyborg" Akhtem Seitablaev.
The name "Cyborg" has become synonymous with courage, fortitude and patriotism of the Ukrainian military - Poroshenko during the premiere of the film about the defenders of the DaPa. Photos
This writes the mediaUA , citing the presidential Administration.
Also read: 5 UAH from every sold ticket to the movie "Cyborg" will go to help the families of those killed in Donetsk airport - "Turn alive"
The head of state thanked the creative team for the fact that the premiere was chosen the Day of the Armed Forces of Ukraine. He stressed that thanks to the joint efforts of the Ukrainian people managed to create "one of the most powerful armies on the European continent". "The army, with combat experience, for the training which paid the highest price. 2750 more Ukrainian soldiers, including nearly 2,400 members of Armed Forces of Ukraine gave their lives for Ukraine to be saved. For every scrap of his native land," - said the President.
"It's hard to overestimate the uniqueness of the work that was done. The film is based on a completely accurate documentary material and made in close cooperation with our heroes of the ATO. And a large number of phrases and scenes taken from real life. The name "Cyborg", which our enemies were the aggressors, wanted to hurt us, the opposite has become synonymous with courage, perseverance and patriotism of the Ukrainian soldier", - said Poroshenko. "The word forever go down in the history of the Ukrainian troops, as well as the Donetsk airport, directly connected with what "cyborgs", - he added.
The President also stressed that "the appearance of the film is connected with the revival of the Ukrainian cinema" and noted the importance of the growing popularity of Ukrainian cinema.
See the " mediaUA": In Zaporozhia presented the movie "Cyborg": the signing line, the crowded hall and anthem chorus. Photos
He thanked the Ukrainian artists for the topics that they choose, "Not "yellow", not "tabloid", though they could be more cash. A – Patriotic education."
"I certainly would like to thank you for this Ahtem, and all who have joined," he said.
See also " mediaUA": "Cyborgs" - this story is not about war, but about the modern heroes. Official VIDEO teaser
Petro Poroshenko reminded about a recent meeting with the filmmakers, during which he signed a new Law that provides additional incentives for the production of Ukrainian cinema. "I am convinced that this process will develop," he added.
He also added that today's the premiere of the film about Ukrainian soldiers is one of the best ways to congratulate our Armed Forces. "Today, we already know that the guarantor of the independence, the guarantor of sovereignty, territorial integrity of our country is the Ukrainian Armed Forces, Ukrainian soldier. Ukrainian soldiers, who so clearly demonstrated in the current movie," - said the President.


Spectrum is offering acting classes for all ages during the Fall 2016 on Saturdays. Classes will run from 10:00 a.m. to 11:30 a.m. and are taught by professional acting instructors from the Spectrum Theatre Company. Spectrum also works with other talented professional guest artists from the Austin acting community. The Spectrum curriculum is aligned with Texas Essential Knowledge and Skills and prepares youth students for national high school competitions. Adults who partake are prepared for participation in regional professional and community theatre productions. Each class series culminates with an end of course performance.
Adult classes take place at Texas Preparatory School, 7540 Ed Bluestein Blvd., Austin, Texas 78723. The classes target persons age 19+ and allow aspiring young actors to discover their untapped performance potential. Students also learn about the extensive history of theater in the African American experience. The Fall classes cost $150.00 for 10 classes.
Youth classes take place at Texas Preparatory School, 7540 Ed Bluestein Blvd., Austin, Texas 78723. The series cost is $100.00 for all classes. Youth classes are broken down into age groups as detailed below.
– Elementary Classes: Ages 6-10
– Middle School Classes: Ages 11-14
– High School Classes: Ages 15-18


Monday, November 9, 2009
When I rang, Mater turned from the television and answered the telephone.
"I'm watching a film," she told me. "It's really good."
I wished to know the name of the really good film. Mater tried to oblige, but memory failed her. Fragments of names of other films came to mind, but the title in question was not forthcoming.
"Hold on," Mater said, determined to solve the puzzle.
She called to her cousin across the living room. "What's this film we're watching?"
I caught a muffled reply of hemming and hawing and, eventually, of not-knowing.
"We can't remember," she confessed, shocked. "And you won't believe this, but it's a film about Alzheimer's."
I was forced to believe it; and I left her to savour the remainder of the nameless piece of really good cinema.
Posted by Phyllis Hunt McGowan at 6:07 PM


The Tragic Pigeon
October 30, 2015
This post will be short, but last week I was walking home from class and came upon a rather disturbing sight.
My building is in the 12th arrondissement, next to the beautiful Parc de Bercy and La Cinématèque Française, a film museum, library, and theatre occasionally showing classic American and French films. The Cinémathèque is a beautiful building and has purple lights illuminating the sidewalk around it, giving it an artsy, Hollywood glow.
But the scene I witnessed last week was far more tragic. There, upon the stone sidewalk with its very own violet spotlight was a dead pigeon.
The pigeons even die with tragic, dramatic beauty. What is Paris!


Welcome to viva vancouver productions
viva vancouver productions are an award winning Visual effects / Media production company based in London and run by John Sellings, with over 15 years of experience working in film making on independent feature films, short films and music videos.
View my latest showreel here, including VFX work on 'Project Kronos' and the film 'Metamorphosis'.
I principally use MODO 601/701, Autodesk Maya, and Cinema 4D. I also use Z Brush 4 for initial design and modelling and Photoshop.
I am skilled in implementing Foundry's NUKEX in a VFX pipeline with support from Mocha Pro for planar tracking and roto.


by Douglas Messerli
Joseph Farnham and F. McGrew Willis (screenplay, based on the stage play by Brandon Thomas), Scott Sidney (director) Charley's Aunt / 1925
This work, which over the years became almost a warhorse of both stage and cinema, in its first movie appearance is perhaps the very best. In most respects it is very like the 1930 sound version, as well it should given that the producer of this version, Al Christie, was the director of the talkie.
Despite very similar staging, however, this production’s auntie, Sir Fancourt Babberley, better known as “Babbs” (played by Charlie Chaplin’s brother, Syd Chaplin) is simply a more convincing aunt than is the later Charles Ruggles. And since the story is primarily a work of events, the various comings and goings of its cast, it truly works better in the silent version without all its often cumbersome dialogue that attempts to explain the impossible relationships between characters present and past.
Like all farces it is plot heavy, so instead of recounting the story scene by scene, I will just quickly summarize the basic elements of this 1925 rendition.
University roommates Charlie Wykeham (James Harrison) and Jack Chesney (David James) are in love with Amy Spettigue (Mary Akin) and Kitty Verdun (Priscilla Bonner) who are respectively the daughter and niece, wards of Stephen Spettigue (James E. Page). Unfortunately, although they have reason to believe the young women are attracted to them, they have been unable to get up the nerve to ask them to marry.
Meanwhile, Spettigue learns that once Miss Verdun is married he will no longer be the recipient of a stipend for her support and fearing that loss of income, he refuses to allow either his own daughter or his ward see the young men, planning instead to take them off to a summer vacation spot in Scotland where there are no young men in sight.
Meanwhile, their busybody college chum from another room, “Babbs,” trying to collect on a loan they’ve never paid back, attempts to rob them of the bottles of champagne they’ve set out for the event. He’s about to prepare for a new play in which performs in drag. Catching him in their room, they suggest that he also join them at the luncheon to help keep Charley’s aunt busy so that they might have time with the girls. But when, soon after, they get word that the aunt has missed her connection and has been delayed in her visit, and after seeing “Babbs” in his new female attire, they get the idea to have him replace the aunt so that the girls will have no qualms about a lunch alone with the two bachelor men.
As often happens in such farces, people regularly drop in to add to the complexity of the situation In this instance Jack’s father, Sir Francis (Phillips Smalley, who plays the same role in the later 1930 version) also suddenly shows up to visit his son, reporting that having done a thorough audit of his finances, he finds they are now debtors. Jack suggests he join them also at lunch and woo Charley’s aunt who is notoriously wealthy and a widow. Obviously when he discovers that she will replaced by their friend, it is too late, and he daren’t reveal the truth.
When the girls go missing from his home, the bothersome father and ward, Spettigue decides to butt into the celebrations.
For the rest of the movie we are treated to “Babb’s” ridiculous attempts to imitate a Brazilian heiress, having utterly know knowledge about who she is and only knowing that she comes from Brazil, the land of the nuts. And nutty is the key word of his displeased attempts to keep in character, particularly when beyond all rationality, and with to the shock of his son, both Jack’s father and Spettigue fall head-over-heels in love with the aunt, dueling in their attempts to win her over.
What the 1925 version makes far clearer with its beginning scene is “Babbs’” previous experience with Ela Delahay and her father in France, where he attempts to help out the older man with his gambling obsession—he loses with his favorite number “13” time and again, finally going into bankruptcy—by bribing the croupier to allow her father to win. When a group of nasty American tourists foil that attempt, Babbs arranges that his beloved Ela’s father wins a raffle, thus allowing her enough money so that she can join Charley’s real aunt in her tour of England.
So too do the boys find the courage to ask their girls to marry them and are quickly accepted. Babbs recognizes Ela, although she, like all the others, cannot recognize him, and when he finally reveals himself, she accepts his love only after a great deal of dismay and doubt. Certainly one might wonder about a beau dressed up as a woman at the very edge of marrying an old man, a situation that reminds one most particularly of Jack Lemmon’s Daphne’s last scenes with Joe E. Brown’s Osgood Fielding III in Some Like It Hot.
The only one who winds up without a match is the foolish Spettigue, whose loneliness and poverty, the writer suggests, is his reward for his cross-gender licentiousness and greed.
Not only does the lack of dialogue speed up the pace of this otherwise long and extracted series of mistaken identities and confused love, but the tradition of silent films speeding up the character’s movements rids us of the boring run-arounds that Babbs and Charley’s Aunt offers up to the old fool Spettigue. The accelerated speed not only saves us the slo-mo races in and out rooms but creates a true silliness for Babbs rooftop athletics which I found distracting in the 1930 version.
Even in 1925 when drag was still extremely popular—evidenced in the appearance of Julian Eltridge’s Madame Behave (also directed by Scott Sidney), Stan Laurel in The Sleuth, Frederick Kovert in Chasing the Chaser and Starvation Blues, and the various Zorro-like maskings and drag appearances in Dick Turpin—there was something notably old-fashioned in Charley’s Aunt’s “heterosexualized” vision of cross-dressing. While Eltridge, Kovet, and even to a certain degree Laurel who absolutely convincing in their female attire, Syd Chaplin never attempted to convince his audience that he truly was a woman. More like the early drag appearances of John Bunny, Charlie Chaplin, Wallace Beery, Oliver Hardy, Roscoe Arbuckle, Buster Keaton, Harold Langdon, and others, the point was not to disguise oneself but openly perform as if one pretending to be a woman; the humor existed in the fact that while the audience was totally aware the falsity of the situation, the film’s character’s mistook the male as a female. It was all in fun, not a true fetish or interest in becoming the opposite sex as it was with figures such as Eltridge, Kovert, and Bothwell Browne.
Already in that same year, moreover, works such as second part of Manfred Noa’s Helena, Louis J. Gasnier’s Parisian Love, Adrian Brunel’s Battling Bruisers: Some Boxing Buffonery, Terence Greenidge’s The Scarlet Woman: An Ecclesiastical Melodrama, Alfred Hitchcock’s The Pleasure Garden, Malcolm St. Clair’s A Woman of the World, Dallas M. Fitzgerald’s My Lady of Whims, and Roland West’s The Monster were beginning to explore the gay sensibility, early versions of camp, and even homosexual love in both Helena and Parisian Love.
By the 1930 production, as I note, drag as a comic device had begun to be passé of little deep directorial interest, even though it continues even until today, a fact that perhaps explains the odd lack of mention of this work in almost all of the major studies of gay cinema. Particulary in 1925 version, with its preface about Babb’s early relationship with Ela, Charley’s Aunt is more about willful trickery than it is about the relationship of gay men and the interest by some of them in cross-dressing.
Los Angeles, November 22, 2022
Reprinted from World Cinema Review (November 2022).


utterly abysmal film with absolutely no plot.this films is a baffling 2 and a half hour bore fest.
Steve Evans wrote: :facepalm: utterly abysmal film with absolutely no plot.this films is a baffling 2 and a half hour bore fest.
MickyD wrote: I have seen the film and, with reservations, I loved it.
The reservations were: 1. I'd had a fair bit to drink beforehand, then got through half a bottle or so of wine during the film, and it's the kind of film that demands that one's mentis be more compos*; and 2. Like most of Nolan's films, booze or no booze (Memento even more than those other ones, I think), it's also the kind of film that requires at least a second viewing. Some people might find that unfair, but I'm absolutely fine with it.
* It was my son's birthday - whaddya gonna do?
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Ayushmann Khurrana took to Instagram and shared a picture of himself posing in front of Shah Rukh Khan’s house, Mannat, on November 27 while making a wish. The actor will be seen in An Action Hero next.
Ayushmann Khurrana makes a wish while passing by Mannat.
By Prachi Arya: Ayushmann Khurrana, who is gearing up for the release of his upcoming film, An Action Hero, recently expressed his fan love for Bollywood’s Badshah Shah Rukh Khan. The Vicky Donor star, who happened to be in Bandra on November 27, crossed one of the popular spots, SRK’s house Mannat.
HERE’S WHAT AYUSHMANN KHURRANA WISHED FOR WHILE CROSSING MANNAT
Ayushmann Khurrana who was on cloud nine while passing through Shah Rukh Khan’s house, Mannat, which is one of the iconic landmarks in Mumbai. He shared a picture of the same on Instagram and revealed that he also made a wish while crossing Mannat. In the picture, the actor can be seen coming out from the rooftop of his car and pointing his hands toward SRK’s house.
Clad in a black coat and glasses, Ayushmann was surrounded by a lot of fans who captured the beautiful and surreal moment. While sharing the picture, Ayushmann expressed his joy and wrote, “Mannat se guzar raha tha. Toh ek mannat maang li (was passing by Mannat, so I made a wish). An Action Hero, 2nd December (sic).” He added the song Baazigar O Baazigar from Shah Rukh’s film Baazigar along with the picture, along with the hashtag ‘SRKian’.
MORE ABOUT AN ACTION HERO
Meanwhile, Ayushmann Khurrana is currently on a promotional spree for his upcoming film, An Action Hero. The Anirudh Iyer directorial features him in a never-seen-before-action avatar where he will be at loggerheads with Jaideep Ahlawat. The trailer has already created a buzz among the fans who are quite thrilled to watch the star back on the screen with yet another amazing film. The film will witness a theatrical release on December 2.


calling all film makers
We are looking for films that showcase Tassie adventure at its best. We are calling for films of maximum five minutes in length that feature an adventure in Tasmania. This time, we're giving you a year to make the film. We hope to be able to show all the moods of our little island, with adventures filmed in different conditions throughout the year.
Films need to be entirely shot and edited between March 1 2017 and March 1 2018 and submitted by March 1 2018. The only other conditions are that they are max five minutes long and primarily focused on an adventure in Tasmania.
We encourage both fiction and non-fiction and love to see films that tell a story and feature the dramatic Tassie landscape.
The best submissions will be screened as part of the Cradle Mountain Film Fest. The overall winner will take away $1000 cash and canyoning tours for two from Cradle Mountain Canyons. There will be prizes awarded for other categories.
We are a host of Telluride MountainFilm on Tour and know their people. High quality entries have a chance to be screened at one of the World's coolest adventure film festivals. So this could be your big break!
Prizes + TREAts for entrants
March 1 2017 to March 1 2018: Get out on an adventure and make your short film.
March 1 2018: We need to receive your film by this date.
March 30 2018: Shortlisted films announced.
April 7 2018: Cradle Mountain Film Fest, with finalists in the One Year In Tasmania Competition to be screened as part of the festival.
Films are due for submission by March 1 2018 on USB/SD card/DVD to Cradle Mountain Canyons, 140 Charles Street, Squeaking Point TAS 7307 or by storage transfer link via email to firstname.lastname@example.org (we like dropbox.com or wetransfer.com)
2017 Winner (One Year in Tas)
The Pommish Invasion by Jonathan Doyle


I met a third participant of the Vietnam War documentary Hunting in Wartime this weekend. Royal Hill. I met him garage saling of all things. Once you see this movie, you don’t forget the soldiers or their family members that participated in it. I told him you don’t know me but thank you for participating in the movie. It’s the most important movie of my life. He spoke with me for another 15 or 20 minutes. At first I think he was a little shy that someone recognized him from the movie, but as I spoke about the documentary and it’s effect on me, he warmed up to the conversation. What I remember most is that he said after he returned from Vietnam, voting became his most important civic duty. He said he studies every candidate closely to see which had the moral fortitude to do what was right. He doesn’t care what party they represent. He said war should always be the very last option. He talked about a recent movie on Iraq, Lone Survivor, which of course I haven’t seen. He said he had a similar situation in Vietnam where a local kid saved his life and those in his platoon, and the kid was later killed and he still thinks about it. Although it’s not yet, apparently, a national treasure, the movie is playing here on KTOO TV and, I think, on PBS stations across the country this coming Memorial Day Weekend, so I hope it will continue to draw a following and impact people like it has me. If you happen to see this blog post, see if the movie is playing on your PBS station and try to be there to watch it. It equals the PBS Vietnam series, in my opinion, because it’s as grass roots as it gets.


I am a visual artist and filmmaker, currently working as an Assistant Professor in the Department of Film and Media at Queen’s University. My work spans the areas of installation, performance, animation and video, and my interests as a creative practitioner are around the cultural context for technologies of visual representation. Through a critical feminist engagement with narrative and the moving-image spectacle, my work is intended to open up space for alternative forms of pleasure in encounters with the moving image.
In my single-channel films, I explore the ways in which technical errors, aesthetic gratuitousness, and chance can engage popular presuppositions about mastery and authorship. I enjoy distorting images with optical filters and other forms of image processing.
Most recently, my work interrogates hetero-patriarchal culture through affirmative engagement with collectivity and camp aesthetics. These areas of inquiry have led me to experiment with collaborative structures (bands, art collectives) and extra-institutional exhibition contexts (the DIY venue, the site-specific performance), resulting in interdisciplinary, collaboratively produced bodies of work. I have two ongoing multimedia collaborations, Inflatable Deities (with Jessica Mensch) and The Powers (with Jessica Mensch and Katherine Kline).
The possibilities for critical play as a feminist strategy guide both my practice and my teaching, and I encourage inquisitive, exploratory and analytical attitudes in the classroom. I have taught both film and new media production courses at Concordia University and at Dawson College. I currently teach 2nd-year production and upper-year digital and multi-media courses. I hold a BFA in Film/Animation/Video from the Rhode Island School of Design as well as an MFA from Concordia University.
My work has been shown internationally in galleries, film festivals and music festivals, including Transmediale Berlin, The Ottawa International Animation Festival, MIX New York Queer Experimental Film Festival, Seoul International New Media Festival, L’Alternativa Independent Film Festival Barcelona, NeXT International Film Festival Bucharest, Antimatter Media Art Festival, Ann Arbor Film Festival, Pop Montreal, the PHI Centre, Khyber Centre for the Arts, Galerie La Centrale and FoFA Gallery. My research has also been supported by residencies at the Experimental TV Centre, Studio XX, and SAW Video Association, and I have done visual commissions for musicians including Aids Wolf, AroarA, Julia Holter, Slim Twig, U.S. Girls, and co-directed a Prism Prize-nominated video for Yamantaka // Sonic Titan with Ruby Kato Attwood.


Here’s a still from the season premiere of Community, and it’s a pretty good representation of why I’m worried about a Harmon-less Community. Clearly the episode is a parody of The Hunger Games, judging from the sign that is a direct parody of The Hunger Games, and presumably reads “The Hunger Dales” or something. I can’t help but think that if Dan Harmon were running the show, that sign wouldn’t have the word “Hunger” in it. It wouldn’t be the exact font of The Hunger Games. It would be called something entirely different, but it would be a clear homage and reference to The Hunger Games. The best episodes of Community aren’t direct parodies of movies. They’re homages to pop culture. Dr. Who isn’t Dr. Who, it’s Inspector Spacetime. I don’t think “The Star Wars Episode”. I think “The paintball episode that had homages to Star Wars in it.” In the Space Shuttle Episode, there were clear homages to Apollo 13, but no one literally said “This is like that movie, Apollo 13.” It’s that attention to detail and skewing references to fit the Community reality that is going to be missed from Dan Harmon’s absence. I’m sure it will still be funny and, hell, maybe it will be more accessible and do better in the ratings. The cast is amazing, and I’m sure the new writers are all very talented. But this image presents a clear difference between pre-Harmon and post-Harmon, and I hope as the new season progresses, they learn to leave the direct parodies to Family Guy, and start doing homages right. This paragraph is fucking long.
Yeah Cody but I bet Pelton will say “It’s me, Catniss EverDEAN” so I think the show is in pret-ty good changs.


The Last of Us’ upcoming fan film, Project Spores post a teaser trailer that displays the impressive quality of the film. In the virtual world, there are a plethora of ways where fans express their appreciation and extend the franchise they admire. One such example is the fan-made Cyberpunk 2077 movie. Through fan films, people showcase their love and talent for the franchise. Similarly, The Last of Us has evoked enthusiasm among fans, and the film is being produced in the glory of its favorite moments and characters.
The Last of Us fan film
Fans have collaborated to form a production team for the Last of Us’ fan film. Samuel Triggs is the director and editor of the fan film. Samuel and the rest of the collaborative team are ready to share more developments on the film. Today, the fan film has received a teaser trailer alongside an official release window.
The Last of Us trailer
The fan film showcases an exclusive sneak peek trailer today. The film is titled “Project Spores – All We Lost.” The film is a non-profit collaborative project that brings cosplayers and creatives together. Creatives get an opportunity to work together and share their love and talent for the franchise. The trailer directs that the fan film will be adapting sequences from the game.
Events of the trailer
The trailer features Ellie, Abby, Dina, and other characters on the silver screen. It opens with Ellie in a derelict building as she wipes down a guitar before she prepares to strum it. It shows Abby sitting introspectively in the woods, and then the title card reveals that the film will debut on YouTube in February 2022.
The trailer closes when Ellie and Abby encounter each other for an epic confrontation. It seems that the perspectives of Ellie and Abby will be given generous screentime. The trailer seems wonderful with an excellent budget and some phenomenal cinematography. It is believed that the entire film will likely be around twenty to thirty minutes in length.
The last of Us’ fan film, “Project Spores – All We Lost” is ready to roll out next year in February. You won’t have to wait for long to witness this marvelous piece of the franchise.


Wednesday, January 26, 2011
The playwright Anna Yablonskaya died in the bomb attack on Domodedovo today.
She was travelling to Moscow from her home town Odessa to receive a prize
for her play The Pagans.
Anna Yablonskaya was one of the leading playwrights of her generation. Born
in 1981 in Odessa she has enjoyed acclaim and recognition as one of the new
voices of Russian drama. Her plays have been performed in theatres across
Russia and she has been nominated for a number of writing prizes, including
DEBYUT (2004) and Evrasiya (2006). More recently she has participated in
workshops and an international residency at the Royal Court Theatre. A
public reading of her play The Pagans is due to take place at the Royal
Court on 7 April.
The theatre critic Pavel Rudnev described her as special name in new writing
and one of the most important representatives of women's writing in theatre.
Anna's work was particularly appreciated in Russia. She wrote in Russian,
although she was a Ukrainian, and she had her first successes in Moscow, as
a member of the circle of playwrights and directors who surround the
teatr.doc theatre. Her most recent play The Pagans was widely considered to
be her best, and her award, from Isskustvo Kino magazine was for the
screenplay of The Pagans.
She was a brilliant and compassionate writer. A fellow writer described her
characters as 'absurd, clumsy - like Chaplin's heroes. Pity, laughter,
She leaves behind a husband and a three year old daughter. Her death is a
terrible tragedy for her family, friends, and for the Russian and
international writing community.


Rick Nash organizes a little group therapy for the Rangers with screening of new Entourage movie.
TAMPA — Rick Nash’s entourage was a lot bigger than Vinny Chase’s on Thursday night.
The Rangers left wing set up a screening of the new Entourage movie for the Rangers players to see on their off night after a team meeting and dinner, Nash stepping up in the role of E, aka Eric Murphy, to organize perhaps some group therapy after the team’s tough overtime loss Wednesday in Game 3.
Derick Brassard – maybe Johnny Drama to Henrik Lundqvist’s Vince? – was the first to mention after Friday’s morning skate the team saw Entourage, which doesn’t hit theaters until June 3.
The Entourage crew are back in a new movie set to hit theaters in early June.
“We had some good times as a team yesterday,” Brassard said. “We had a team dinner, a good meeting. We would feel pretty good about ourselves winning this game tonight and going back in our building.”
Alain Vigneault, the Ari Gold keeping the ship on course, revealed it was Nash who set up the screening for after the meeting and dinner. He supported the endeavor. “All good,” Vingeault said.
We wonder how Kevin Connolly (the actor behind E), a lifelong Islanders fan, feels about the arch-rival Rangers using his new movie to get back in the playoff groove?
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Where To Watch The Batman 2022 full movie online for Streaming free on 123movies & Reddit, IMDb TV, Peacock TV, Tubi TV, Popcorn Flix, StreamM4u, Flixtor, VexMovies including where to watch The Batman movie at home.
The Batman’s Release Date The Batman will be released in theaters on March 4, 2022. It was originally intended to be a summer movie (as most Batman movies have traditionally been), but it was pushed back from its June 25, 2021 release date multiple times due to the COVID-19 pandemic.
Tomorrow The Batman is finally out in cinemas the latest movie of One of the recognizable characters from DC Comics. One of the characters that have seen the most film adaptations. Robert Pattinson (The Lighthouse) is the new replacement for Ben Affleck. He was originally set to reprise the role of the Caped Crusader. Dawn of the Planet of the Apes. Directed by Matt Reeves is set to write and direct The Batman, also taking the place of Ben Affleck in both departments.
How to watch The Batman online
DC Movies! Here’s options for downloading or watching The Batman streaming the full movie online for free on 123movies & Reddit, including where to watch the Robert Pattinson movie at home. Is The Batman 2022 available to stream? Is watching The Batman on Disney Plus, HBO Max, Netflix or Amazon Prime? Yes we have found an authentic streaming option/service.
The Batman 2022 Full movie Online Streaming: How to Watch Streaming. The Batman opens on March 4, 2022. Batman was the biggest superhero franchise on the big screen, and even as Warner Bros. However, we do know when The Batman will make its way to HBO Max.
Batman has been played by a slew of actors throughout the almost 80 years he’s been on the big screen. That’s right, Batman made his theatrical debut back in 1943 with the Batman serial. Now, in 2022, Robert Pattinson will put on the cape and cowl for the first time in Matt Reeves’ The Batman.
And after everyone sees Pattinson play the Dark Knight, the first thing everyone will do is wonder where he ranked among the rest of the people who played Batman. Is he better or worse than Michael Keaton? Was he more gravely than Christian Bale? The Batman Streaming Did he get rid of a bomb better than Adam West?
So going back through movie history and looking at all of the actors who played Batman in theatrically-released movies–and a couple serials–to see who is the King of the Batmen. If they appeared in a movie as the real Batman, then they are on this list Read more here https://thebatmans.com/.
Here is every actor who played The Batman 2022 Full movie in a theatrical release, ranked. The Batman releases on March 4.
The Batman will not be available for viewing online for some time to come – with the film set to debut exclusively in cinemas on Friday 4th March 2022, significantly later than the originally planned release date of June 2021. The movie should dominate multiplexes across the country for a few weeks, so you’ll have plenty of opportunities to see it. Watch Now: The Batman 2022 Movie Online Free Several Warner Bros films have recently been released simultaneously in theaters and through HBO Max, but this will not be the case this time, with the studio dropping this strategy for the time being. Wherever you’re based, then, the only opportunity to watch The Batman in the immediate future is to make a trip to the pictures.
Where Will ‘The Batman’ Stream?
Sorry, Netflix subscribers—as The Batman is a Warner Bros. release, it will come to the WarnerMedia streaming service, HBO Max. The film will be available on that service in all the territories where HBO Max is currently available. A full list is on the HBO Max website, but it includes multiple countries in Latin America and Europe including Argentina, Brazil, Chile, Colombia, Denmark, Mexico, Spain, as well as the U.S. Where it streams in other countries will vary. In the U.K. for example, it is expected on Now Cinema due to its existing deal with Warner. In Canada, meanwhile, Crave seems like the most likely streaming destination for the movie.
When Will ‘The Batman’ Stream?
The streaming release date for the movie is less certain, though there is some information that can help us work out a rough release date. In 2021, Warner announced that all of its movies would come to HBO Max at the same time that they went to cinemas, which meant that films like Dune, The Matrix Resurrections and The Suicide Squad went straight to streaming. After many box office watchers cited this to be a reason why several Warner movies underperformed in theaters, the company decided to change its release strategy for 2022. That means that The Batman will not be coming to HBO Max right away. This year, Warner Bros has made a deal with Regal Cinemas owner Cineworld that means that films will play in theaters exclusively for 45 days. What does this mean for the streaming release date of The Batman? It means that it will be at least 45 days before The Batman comes to HBO Max. This means that the earliest that the film will be available to watch online will be April 17, 2021. In October, HBO Max confirmed that Warner Bros films will be streaming on their service after 45 days, at least in Europe. In a statement, HBO Max EMEA (Europe, the Middle East and Africa) general manager Christina Sulebakk said: “I have another amazing piece of news to drop. For the first time, in the Nordics at launch, and next year in Spain, Portugal and central and eastern Europe, HBO Max will make Warner Bros films available on the platform just 45 days after their theatrical release.” HBO Max is currently available in Sweden, Denmark, Norway, Finland, Spain and Andorra, which means those territories (and likely others in North and South America) will get the film in mid-April. The streamer is also set to expand to Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, Hungary, Moldova, Montenegro, North Macedonia, Poland, Portugal, Romania, Serbia, Slovakia and Slovenia in 2022, meaning those territories will also soon be able to watch The Batman online on HBO Max.
When is The Batman digital release date?
Like all major blockbusters, The Batman will eventually be released digitally on a variety of Premium Video On Demand services – including iTunes and Amazon, although there’s as yet no indication when this will be. It seems likely that it would be at least two or three months after theatrical release, but we’ll update this page when more concrete information becomes available. As for other streaming platforms, the film will arrive on HBO Max in the US on Tuesday 19th April 2022, 46 days after the initial release. There’s no confirmation yet as to whether the film will also become available to UK fans on Sky Movies and NOW, as is the case for most Warner Brothers films, but we’d imagine that would be the case – we’ll update this page with more details on that front as they become available.
Will The Batman Stream on HBO Max?
DC fans can be forgiven for assuming The Batman will be released simultaneously in theaters and on the HBO Max streaming service, as all of Warner Bros’ major theatrical releases in 2021 followed that approach. Unfortunately, the studio isn’t continuing that experiment in 2022, especially with Warners facing a lawsuit over its handling of the Matrix Resurrections release. Watch Now: The Batman 2022 Movie Online Free In other words, The Batman won’t be arriving on HBO Max on March 4. But the good news is the film will be headed to the service soon. The Batman will debut on HBO Max on April 19, 2022, 46 days after its theatrical debut. This is part of WarnerMedia’s new strategy of giving tentpole films at least a 45 day theatrical window before they appear on HBO Max. What’s The Batman about? Why mangle words? Here are Warner Bros.’ exact synopsis: “In his second year of fighting crime, Batman uncovers corruption in Gotham City that connects to his own family while facing a serial killer known as the Riddler. Robert Pattinson delivers a raw, intense portrayal of Batman as a disillusioned, desperate vigilante awakened by the realization that the anger consuming him makes him no better than the ruthless serial killer he’s hunting.” Who’s in the cast?
Robert Pattinson as Bruce Wayne / Batman
Zoë Kravitz as Selina Kyle / Catwoman
Paul Dano as Edward Nashton / Riddler
Jeffrey Wright as James Gordon
John Turturro as Carmine Falcone
Peter Sarsgaard as Gil Colson
Andy Serkis as Alfred Pennyworth
Colin Farrell as Oswald “Oz” Cobblepot / Penguin
Disclosure: Written and researched by the plutostreams team. We highlight products and services you might find interesting. If you buy them, we may get a small share of the revenue from the sale from our partners. We may receive products free of charge from manufacturers to test. This does not drive our decision as to whether or not a product is featured or recommended. We operate independently from our advertising team. We welcome your feedback. Email us at [email protected] Watch The Batman (2022) online streaming free at Home It’s one of the most anticipated movies of the year, with millions of people around the world eagerly awaiting Robert Pattinson’s performance. The three-hour epic, co-starring Zoe Kravitz, Paul Dano, and Colin Farrell as Catwoman, The Riddler, and The Penguin, arrives in theaters on Friday, March 3. There have been multiple delays to the movie’s release date, including a COVID scare for Pattinson. After the DC Comics and Warner Bros. movie hits theaters, the countdown begins for its release on streaming services. Read on for everything you need to know about how to watch The Batman.
The Batman’s Release Date
The Batman will be released in theaters on March 4, 2022. It was originally intended to be a summer movie (as most Batman movies have traditionally been), but it was pushed back from its June 25, 2021 release date multiple times due to the COVID-19 pandemic.
The Batman is described as a dark and exciting film, set in the early years of Bruce Wayne’s career. The nighttime vigilante of Gotham was a subject that concerned Warner quite a bit. It’s normal when we consider the budget for production announced to The Batman is around 185-200 million dollars.
The audience that is targeted for a film with large budgets is generally not a good idea for the financial health of any studio. According to Collider, The Batman (2022) Full Movie Matt Reeves has stated that Warner set the requirement for the film to The Batman have a PG 13 (+13) rating.
The director had no issue accepting the terms, as it was was part of his plan from the very beginning. Robert Pattinson is the protagonist of the upcoming documentary about the famous DC Comics hero, directed by Matt Reeves.
A significant portion of the population of cinema-goers in the world waited with great anticipation for the arrival in 2022 of one of the biggest and most powerful films 2022. Naturally, we’re talking about The Batman, the new feature film based upon the famous DC Comics hero, embodied this time by Robert Pattinson. The film was directed by Matt Reeves also has the main role of Zoe Kravitz, Paul Dano, Andy Serkis, Colin Farrell, and Jeffrey Wright.
In the coming week, Spanish theaters will also be showing Asghar Farhadi’s most recent directorial work, A Hero, winner of the Grand Jury Prize at the 2021 Cannes Film Festival.
There’s no more waiting, and next week The Batman arrives in theaters. Matt Reeves has been in the online role of sitting in the director’s chair to create the script he composed in collaboration with Peter Craig. Robert Pattinson dons the dark knight costume in this new tale about the legendary DC Comics hero. Alongside the actor, the cast includes Zoe Kravitz, Paul Dano, Andy Serkis, Colin Farrell, and Jeffrey Right.
At night, Bruce Wayne transforms into Batman to defend Gotham City from those villains intent on taking it over. and seek revenge on the deaths of his parents as a young child. To confront the new foe for him, who is known as Enigma He is drawn toward Commissar James Gordon, one of the few agents that are from the corruption. He must also join forces with Selina Kyle the alter-ego of Catwoman, her methods do not quite impress him.
Another Batman film might not be the kind of movie the world needs at the moment, but perhaps it’s exactly what we need. This time Robert Pattinson will be the first to take on the role of Batman to be in The Batman (2022), which will premiere on the big screen this weekend.
Produced and directed by Matt Reeves, who also co-wrote the script along with Peter Craig, this Batman film is expected to be dark sinister, and serious. Zoe Kravitz stars opposite Pattinson as Catwoman, a thief and nightclub waitress who crosses paths with the reclusive billionaire-turned-vigilante known as Bruce Wayne (Pattinson). The two must team up to defeat the serial killer with a sociopathic personality who is known as The Enigma (played by Paul Dano). Also featuring Jeffrey Wright, John Turturro, Peter Sarsgaard, Andy Serkis along Colin Farrell, this is another Batman film. Find out which channels to watch The Batman and when The Batman will air on HBO Max.
The only location to watch The Batman is in a theater for the film’s opening on the 4th of March on a Friday. It’s possible to see a film in a movie theater near you since it’s one of the most anticipated movies of this year. After just 45 days in the theaters, The Batman could be coming to HBO Max, but first in the US. Check out the following article for more information.
The release of the long-awaited new movie in The Batman is imminent. The film will be released on the screens this Friday, March 4, and will bring the moviegoers together. People who love Bat Man and followers of Robert Pattinson, the actor who brought his DC Comics superhero to life. The principal Gothan cast Gothan is complete by Zoe Kravitz as Catwoman, Colin Farrell in the role of The Penguin, Paul Dano as Enigma, or Andy Serkis in the role of Alfred Pennyworth.
When is The Batman digital release date?


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Amy Gottlieb, MA, LMFT
I don’t know about you, but so often when I see movies where characters have serious psychological challenges, and the films are in the genre of comedy, I end up having a real problem with finding the characters’ suffering very funny.
In “My Name Is Doris”, described as a “rom-com”, and still in theaters, the character Doris is played by the remarkable Sally Fields. Fields does a beautiful job with the character, but it’s the plot I have problems with. While the audience is laughing uproariously over Doris’s funny hoarding, and her funny romantic obsession with a man at least 3 decades younger than she, and her funny other eccentricities that cause her to be the laughing stock of the office where she works, I am cringing.
This is a woman who has sacrificed the better part of her life to care for her sick mother. Doris loses her one and only romantic relationship when she was much younger, because she had to move to her mother’s home in another town to take care of her, thereby ending the engagement. Her unbelievably selfish brother and his unbelievably selfish and nasty sister-in-law sure as hell aren’t going to help. They’re just waiting for their mother to die so they can sell her property and divide the profit from her home. That would be the home Doris has come to think of as her own all these years, where she has given up her own life to take care of her mother. Are you laughing yet?
Doris’s longstanding job as the bookkeeper of a hip and trendy firm is full of co-workers who make fun of her behind her back. And then along comes the newly hired very handsome and charming art-director, John, (played by Max Greenfield), who is decent and humble enough to treat her with sincere kindness. And so Doris, this lonely woman in her 60’s, so unaccustomed to be given the time of day, starts to fantasize this much younger man could become hers.
Funny scenes ensue where she fantasizes about all kinds of sexual situations with him, causing her to freeze in the middle of the coffee-room at work, so engrossed is she in her fantasy. That picture of her frozen and lost in thought with her mouth in a kissing position in the middle of the office is not funny to me. It’s just incredibly sad.
Among other eccentricities, Doris dresses in a way that is so outlandish, she draws snickers and stares from people at work and elsewhere. And we, the audience, laugh with them over how absurd she is. Ha ha ha. So funny. Not!
Doris has a sister in law (played by Wendi McLender) who is so incredibly mean and thoughtless around her, I wanted to put my hand through the screen and strangle her. And her brother (actor Stephen Root) pretty much allows this treatment of his sister by his wife all of the way through the movie. What kind of spouse would allow his spouse to essentially verbally abuse his sibling?
After their mother dies, this brother and his wife can’t wait to sell their mother’s house, and essentially kick Doris out with no concern as to where she could go live. So the years when Doris could have built a family of her own have passed her by because all she did was go to work and take care of her mother, and for all that sacrifice, she isn’t even left with a home.
Every once in a while, the movie forgets it’s a comedy, and we are meant to feel Doris’s real pain, which is pretty incongruous since we have been laughing at her most of the film.
Bottom line, the way Doris’s problems are dealt with in the story can be very sad to watch. The worst of which may be when her therapist comes to the house to help her break her habit of hoarding, and this therapist allows the brother and his awful wife to be present without Doris’s consent — give me a break! Don’t you hate it when therapy is so misrepresented?
Yes, I enjoyed that Doris actually becomes friends with the young man of her dreams; and it’s wonderful to see Doris go from an oddball outcast, to an appreciated human being. But the plot points in this film, especially leading up to and including the end are so cringe worthy, I lost the enjoyment of this important transition in Doris’s life.
(As always, Amy is interested in your reaction to her column. If you have anything you want to share, please feel free to e-mail her at email@example.com)


Redeeming Love by Francine Rivers
Redeeming Love is a story inspired by the book of Hosea found in the Holy Bible. Set in California in the year 1850, the story is about a young girl, Sarah, who was rejected by her father and left alone by her beloved mother. At a tender age, Sarah is sold to a brothel. There she is raised and used as a prostitute. The loving little girl that Sarah was is transformed into an angry young woman, Angel, embittered by a life of constant hurt and betrayal. With every man that enters her room, Angel feeds the hate and bitterness until it threatens to destroy her. Every desperate attempt to change her life is met with utter failure. Despondency sets in and Angel gives up. With nothing to hope for, she is defeated. In obedience to the voice of God, Michael Hosea takes Angel as his wife. He promises to love her till the day he dies. In his dedication, he demonstrates to her the love of Christ his Savior. With tenderness unlike any Angel has ever known Michael begins to break through the walls of her hardened heart. With the help of the Altman family, he tries to show her that there is still some good in the world. But Angel, branded to the core with a tainted background, feels that although there might still be some good in the world, there is none in her. She doesn't know love like his. The only thing Angel knows of love is that it never lasts. Michael continues to try to persuade her otherwise, always encouraging and loving her, despite her resistance. He treats her like no other man ever has. But in response to the alien sensations Michael arouses in her, and in a desperate effort to escape that which she does not understand, Angel flees. In her flight, however, Angel is yet again confronted with the unconditional love of Christ. Will she come to a saving knowledge of what freedom Christ's love brings?


Articulating brand quality for an investment management firm
We designed and developed core digital and film assets to fulfil the brief and reflect the values that underpin Investcorp’s relationship with clients and the businesses in which it invests:
- A corporate website, with a refreshed visual identity, which we manage
- A corporate film, shot on location across Europe, the US and the Gulf, capturing Investcorp’s culture, international strength and unique business model
- A series of films distributed across social channels about key investment strategies as well as individual deals
The film we produced on Investcorp’s real estate business was honoured at the US International Film & Video Festival.
We continue to provide support to Investcorp’s global communications team, producing a range of film content for internal, external and investor audiences across the global business.


Henry Cavill in talks to return as 'Superman' in DC Movie.
Henry Cavill is currently in talks to return to the DC film universe as Superman in a limited capacity.
Leonardo DiCaprio, Martin Scorsese's 'Killers of the Flower Moon' Will Be an Apple Movie. - Apple is coming on board to help finance Martin Scorsese's "Killers of the Flower Moon", which Paramount will distribute theatrically. [Full Story]
'Labyrinth' Sequel Moving Forward With Scott Derrickson Directing - Scott Derrickson has been set to direct a sequel to Jim Henson's "Labyrinth" which is currently in the works at TriStar Pictures. [Full Story]
A young Chinese maiden disguises herself as a male warrior in order to save her father. A live-action feature film based on Disney's 'Mulan.' [Full Feature]
"...exposes the exorbitant emotional and physical price women have paid to be successful in the workplace."
"There are elements of comedy, drama and autobiography, and Gerwig handles everything with style and ease."
Watch I Am Vengeance: Retaliation Trailer staring Stu Bennett, Vinnie Jones, Lee Charles
Two young lovers rob their way across the southland, posting their exploits to social media, and gaining fame and followers as a result. Staring Bella Thorne.
A gang of thieves plan a heist during a hurricane and encounter trouble. Staring Mel Gibson & Kate Bosworth.
"...perfectly directly, beautifully lensed and all set to an immersive soundtrack."
Roundup of some of the most iconic supervillains appearing in cinema.
As a collection of history's worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them.
Watch Inheritance Trailer staring Lily Collins, Simon Pegg and Connie Nielsen
Jumanji: Welcome To The Jungle is out now on blu ray and DVD.
Watch new Wonder Woman 1984 trailer staring Gal Gadot & Kristen Wiig.
Based on Disneyland's theme park ride where a small riverboat takes a group of travelers through a jungle filled with dangerous animals.


Keeping Classic Cinema Alive At The Heritage House
Curator Kris Jones discusses upcoming films at The Heritage House
Since the fall of 2012 (and before the current COVID-19 quarantine, of course), HERITAGE HOUSE ARTS & CIVIC CENTER in East Brainerd has been presenting an assortment of community activities for those with a creative sweet tooth -- from acoustic coffee house concerts to English Country Dance lessons to a monthly mixer for independent filmmakers and a film series featuring classics both Hollywoodian and foreign.
Harsh Shadows, Hard-Boiled Anti-Heroes, and Dangerous Dames
Initially launched as a film noir retrospective in August of 2012, 'The House' (as it is fondly called by its patrons) kicked off one of the latest of its ever-growing artistic offerings with a restored print screening of Edgar Ulmer's dark road movie, Detour (1945).
In what is now considered something of a textbook on masterful low-budget filmmaking, actor Tom Neal plays an out-of-work bar pianist who decides to hoof-it cross-country in order to marry his torch singer girlfriend. She has recently left him for the lights of fame in Hollywood, but unfortunately for Neal, fate has other plans . . ,
In addition to Detour, 'The House' would go on to showcase other classic 'noirs' -- films such as Kansas City Confidential (Phil Karlson, 1952) -- a major influence on Tarantino's Reservoir Dogs, Elia Kazan's Panic in the Streets (1950) -- in which a New Orleans doctor and the policeman have a mere 48 hours to locate a killer (Jack Palance) infected with pneumonic plague, and a Women's History Month double-feature composed of Ida Lupino's thriller The Hitch-Hiker (1953) and social drama The Bigamist (1953).
The Russians Are Coming! The Russians Are Coming!
In September of 2016 Heritage House was approached by Chattanooga's Russian Film Club (aka Russkie Kino Klub), which had recently outgrown the living room of their founder and were looking for a new screening venue. And thus, the International Film Series was born.
The coming years featured a wide variety of monthly offerings ranging from examples of the early days of the Russian silents (Dziga Vertov's 1929 Man With a Movie Camera was but one example) to the post-Soviet Union era -- all enjoyed on the big screen. Each of the screenings was also preceded by a potluck meet & greet where attendees could get to know their fellow film-lovers as well as learn a bit more about Russian film & culture.
Additional highlights of what came to be programmatically known as 'The Slavic Film Series' included a screening of the highly vodka-infused comedy Peculiarities of the National Hunt (something of a national institution in Russia -- it has inspired a whole host of crazy sequels), a showing of Sergei Eisenstein's highly influential Battleship Potemkin synchronized to a contemporary score by pop group the Pet Shop Boys, and a 'BackLot' filmmaker screening of Andrei Tarkovsky's cult science-fiction film, Stalker (1979).
TCM Gives the Heritage House Classic Film Series the 'Thumbs Up'
In August of 2019 the Heritage House gained the ultimate "classic movie endorsement" when Turner Classic Movies of Atlanta made the Heritage House group an authorized local chapter. The group followed suit by crowning themselves 'The Scenic City Cinephiles' as their official moniker.
Field trips to the Regal Cinema, East Ridge AMC, and Tivoli soon followed, with the group assembling to take in such immortal classics as The Shawshank Redemption (Frank Darabont, 1994), Night of the Iguana (John Huston, 1964), Lawrence of Arabia (David Lean, 1962), and Meet Me in St. Louis (Vincente Minnelli, 1944).
Meanwhile, back at Heritage House -- in the interest of keeping the everyday experience of going to the movies fresh and interesting, host Kris Jones is always looking for new themes to program around and ways to spice things up . . .
A Favorite Film Genre Gets Its Day
As the Scenic City Cinephiles are longtime fans of the 1920s/30s gangster genre, Kris came up with the idea of pairing a screening of the original Howard Hawks crime film Scarface: The Shame of a Nation (1932) with a cameo as the host of what came to be known as 'The Vintage Gangster-Speak 101 Game Show'. In the latter, the various audience contestants try to guess the meanings of the curious phrases so common to the genre from flashcard images projected on the screen. The winners of the evening walked away with, appropriately, a deluxe blu-ray of Martin Scorsese's Goodfellas (1990).
Food? Did someone say FOOD?
And truly, there really aren't too many extremes to which Heritage House Director Chris Holley and host/series curator Kris Jones won't go to keep their guests entertained and coming back for more. Light refreshments and popcorn are always provided at each screening free of charge, and during the monthly 'BackLot' screening on the third Monday, a potluck dinner 'meet & greet' at 6 pm precedes the formal screening at 7 pm.
And speaking of "food" -- in many a year November and its traditional holiday highlight has been celebrated at Heritage House as "Cinematic Turkey Month" with the appropriate 'main course.' "Classic" turkey screenings have included big-screen showings of Robot Monster (Phil Tucker, 1953), Ed Wood's notorious Plan 9 From Outer Space (restored in 4K, no less!), Santa Claus Conquers the Martians (Nicholas Webster, 1964), and this past November, Attack of the Cuban Rebel Girls (Barry Mahon, 1959) -- Errol Flynn's sad swansong of an action film paired with Voice of Cuba -- Flynn's pro-Castro documentary which he filmed concurrently.
So, on the night in question, it was only appropriate that Mr. Castro himself oversee the festivities.
'12 Nights of Bela' (October 2020)
Fast-forwarding to October of 2020, Heritage House is featuring the filmography of the screen horror legend BELA LUGOSI with five features from the actor's 25+ year career. Each of the films is preceded by a 20' episode of The Phantom Creeps cliffhanger serial at 7pm. In the 1939 episodic Lugosi plays a mad scientist intent on, well, to use his words, "Destroying the world!"
Each of the main features will be screened on consecutive Thursdays in October at 7:30 pm; with additional Phantom Creeps episodes streamed in the interim (there are 12 in all) during the week at 7 pm on the days between.
You can find the entire '12 Nights of Bela' / October schedule (as well as many additional free and 'streamable' movies you may have missed since March) by visiting the Heritage House Arts & Civic Center - MAIN site on Facebook AT:
Heritage House Director Chris Holley and Film Series Curator Kris Jones are looking very forward to welcoming back their many devoted attendees sometime in the near future, but until then, they recommend that all of their fellow creatives and cineastes simply . . .


This art–nouveau building was built by Rufinus Stejskal in 1921 and served as a cinema and theatre under the name "Grand Bio Universum". (Great Universal Biograph). The building was constructed by the Žilina architect Ludvik Kanturek. In this building, on 3rd January 1922, the national premiere of the first Slovak film "Jánošík" was shown here. The film was made by the American–Slovak corporation TATRA – a film corporation from Chicago.The character of Jánošík was portrayed by a Czech actor Theodor Pištěk (1895 - 1960) and his lover by an amateur actress Mária Fábryová from Dolný Kubín. After nationalisation in 1945 the cinema was renamed the Fatra. It was situated here until the year 1983. In 1983 – 1988 the building was reconstructed for the needs of the State Chamber Orchestra (founded on 1st January 1974). Nowadays, it is known as the House of Arts Fatra and concerts are held here.
Source: TIO Žilina (researched from academic literature).
It can be visited
■ during cultural events.
■ during a guided tour of TIO Žilina.
Position of the monument on the map: B4
Number of the monument on the map: 6


Alex Mustakas Profile
Artistic Director and CEO, Drayton Entertainment
1983, BA (Economics)
2004, DLitt (HC)
After honouring the wishes of his immigrant father by earning an undergraduate degree at Laurier, Alex Mustakas was intent on a stable career in the business world. But fate had a different plan, and Mustakas made the life-changing decision to follow his true passion for a career in the performing arts.
After several years of acting and directing experience, Mustakas’ artistic and business interests merged when he pursued a master’s degree in Arts Administration from City University in London, England. In 1990, he made the fortuitous visit to Drayton, Ontario and discovered a humble theatre with unlimited potential.
Drawing on his artistic, business, and community development skills, Mustakas launched Drayton Entertainment and built a theatrical empire in two decades. This $10 million operation is now one of the largest, and most respected, professional theatre companies in Canada. The company operates seven theatres in Ontario, and is one of the country’s leading employers of professional artists.
Debt-free since its inception, Mustakas’ brilliant business plan earned him top honours at the 2008 Ontario Innovation Excellence Awards. His personal and corporate philanthropy have earned many honours, including an Honorary Doctor of Letters from Laurier in 2004, a Man of the Year award from the United Way of Kitchener-Waterloo in 2004, Legacy of Leaders award from the City of Waterloo in 2007, and a Maggie Basset Award for outstanding contribution to live theatre in Ontario in 2009.
Other degrees: MA, City University, London


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☆ Gender: Female
☆ Birthday: August 13
☆ Location: Oregon
☆ What Clueless character are you most like: Cher, I'd say, only less Clueless
☆ What Clueless character are you least like: De
☆ Favorite quote(s): I haven't seen the movie enough times to have any favorite quotes memorized, but I do like the speech Cher gives in the beginning.
☆ Favorite songs from the soundtrack: I like most of them. I'm partial to 'Kids in America' though
☆ Top three favorite movies: Besides Clueless, Moulin Rouge, The Little Mermaid, and 50 First Dates
☆ Anything else: Well, I've just seen 'Clueless' for the first time and I loooooooooove it. And I'm a total drama kid. Just so you've been warned.