CHARLOTTE ACTING: BLOG
So You're Thinking About Trying L.A. for Casting Season
Get The Tools You Need To Go Out There
They call it “Pilot Season” and it starts in January and wraps in June. Agents get the breakdowns for new shows, some of which will be picked up for series.
In the south, which includes Wilmington, Charlotte, Atlanta, Orlando and Miami, you don't usually need a SAG-AFTRA card (union) and you are sometimes doomed to a life of “acting unemployment” if you do have your SAG-AFTRA card. North Carolina is a “right to work” state. There are so many projects shooting here that aren't union. Once you are union, you can’t accept nonunion work, so wait to join the union.
In Los Angeles, agents will have a very hard time getting you an audition if you are not SAG-AFTRA. An eighteen-year-old actor who is nonunion will have a difficult time getting good representation in L.A. For the actor who is commuting to both coasts, the best is to be SAG-AFTRA eligible. Los Angeles and New York agents will send you for auditions if you are SAG-AFTRA eligible. That means you have worked on union movies, television shows for three days, or more, even as an extra.
DON'T JOIN THE UNION UNTIL YOU HAVE TO
And don't panic about needing money to join when you do get a principal SAG-AFTRA role and you must join. You can get a loan from SAG-AFTRA to join. Again, once you join you will be turning down many nonunion projects in North Carolina, Georgia and Florida.
YOU WILL NEED A REEL
Do low, or no-budget, video productions so you can start collecting scenes (footage) for a reel. You can join Charlotte Film Community and see casting on their message board, you can also ask other actors about casting. Also, join Actor's Access.
YOUR HOMEWORK, IF YOU WANT TO GO TO L.A. FOR PILOT SEASON
Have representation with an agent here in the south. Work on SAG-AFTRA television and movies, as extra to get SAG-AFTRA points. There are so many SAG-AFTRA deferred pay films, which will give eligibility. Talk to your agent, or call SAG-AFTRA in Los Angeles directly to inquire about points when you are cast in a SAG-AFTRA project.
Take acting classes now. It is so important for you to be working on your craft, so you will be ready when nerves are present and you are reading for the director, producer and casting director.
When in L.A. Acting classes I recommend: The Beverly Hills Playhouse, and Lorrie and Dianne Hull in Santa Monica. There are other good classes, ask around.
Attend some casting seminars while in L.A. with the best casting directors—about $35-$40 per session. You should go to 6-8 sessions to meet the working casting directors who are casting projects you are right for.
A Car — you can rent cheap cars for $15-$20 per day in L.A., or you can buy an old car. Don’t forget the expense of gas and insurance. Everyplace is 20 to 30 minutes away, figure $75 gas every week and you need car insurance.
Living — Ramen noodles, always good, but you need to eat well. Get a part-time job now while on the east coast with a company that has locations here and in L.A., so you can have employment as soon as you step off the plane. Or contact L.A. event planners, caterers and employment agencies for part-time employment, which will allow you to make a living and have free time for auditions.
Housing — a great place for month-to-month rent is Oakwood Garden Apartments off of Barham Blvd. in L.A.
A FINAL THOUGHT
You can take a semester off to pursue your dreams, but go to college.
AN AGENT SHOULD GET A COMMISSION WHEN THEY GET YOU WORK.
Sometimes my head spins with dizziness when I hear the logic of my students. It’s a fairy tale logic and sometimes, just sometimes (in a different dimension, on a different earthly plane), I want to go down the path, because it sounds so good. “Pay money and get discovered.” That is the most “bogus” fairy tale there is.
Students have told me they paid $2,500 – $9,000 to showcase their talent in Texas, Florida, New York, etc. I ask the student “why?” If an actor is ready to go to New York, or Los Angeles, send pictures to agents in those locations. Agents who will consider representing the actor, will meet the actor for free.
Many times these actors go to the “bogus” showcase in other states with no intention of moving to Los Angeles or New York, even if they were “discovered,” which, again, is a candy-coated scam.
In California it is illegal for anyone to charge someone for the possibility of work.
It takes hard work to be a working actor. Get an agent in the area you are residing. Put in your dues—work, study and when you are ready, take the leap, go to Los Angeles, or New York and get the agent there.
Believe me, doing that showcase for $2,500 to $9,000 isn’t going to further a career.
An Acting Reel
You have tape of the work you've done, it is time to get your "Reel" in order. A reel should be 2-3 minutes. Your best work first. The time a casting director will watch before making a decision is 12 seconds. If your reel is chronological, or has too much fat, the casting director might never see your best work!
If you need help with your reel, my editor at Corlin Productions has years of experience in editing actor's reels (you may go to www.corlinproductions.com and click Projects, click Theatrical Film, Television Icon button and go to #8 George Chakiris to see sample. Cost $80 per hour (average actor’s reel takes 2 -3 hours to edit.)).
If you don’t have your work on tape, that should be your priority. Look for low, or no budget, projects. The production company will give you a copy of your work in leiu of payment. Be picky, though. Look at the quality of what the director and director of photography (DP) have done before. Or, get a scene partner and split the cost to have your scene videotaped. You can hire Corlin Productions (www.corlinproductions.com) or do it yourself, but make sure you get the microphone off camera.
A great headshot that looks like you makes all the difference when trying to get an audition, agent, or booking an acting job. It can be indoor studio, or outside. A great photographer in the Charlotte area is Mark Hanson Photography (www.markhansonphoto.com/ Mark@markhansonphoto.com).
The order of work on your resume should list Film, Television, Theater, Commercials, Training and Special Talents. If you have many theater credits but no film credits, put theater first and omit film. Make sure you staple or paste your resume to your picture or it could get lost when a casting director is looking through hundreds of submissions.


Priyanka Chopra is an Indian film actress & singer and the winner of the Miss World Pageant of 2000. Priyanka chopra was born on 18 July 1982 in Jamshedpur , Bihar. (now in Jharkhand) Her father was Punjabi while her mother is from Jharkhand. She has a brother Siddhart. Actress Parineeti chopra, Meera chopra & Barbie handa are her cousins. Among the school she attended were La Martiniere Girls' School in Lucknow.
In 2005, Chopra appeared in six films. Three of them - Yaakeen, Blackmail & Karam. After starting 2006 with special appearances in three films,chopra started in Rakesh Roshan's superhero film Krrish. Her next film was Dharmesh Darshan's romantic comedy Aap ki khatir, co-starring Akshay khanna, Dino Morea & Ameesha Patel. In 2008, Chopra starred opposite Harman Baweja in his father's Love Story 2050.
Now she has become one of the most popular bollywood actresses of Indian film industry.
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As some of my Twitter followers may know, I recently went on holiday to Southeast Asia, which involved a horribly long flight.
I decided to make the most of this time by watching all the films I have avoided for the past two years.
Generally I avoid films that people tell me are good. I don’t trust other people’s opinions, ever since they told me Star Wars was sound.
But faced with nothing to do other than worry about the circulation in my left bum cheek, I had to take my mind elsewhere – to Hollywood.
I had to try all these films that the media dahlings, and Joe Bloggs, said were so excellent.
Without further ado, here are some (rather breezy) film reviews.
I rather liked this one, even though I don’t generally enjoy biopics. I always find myself wondering about how realistic everything is; did Churchill really sneeze like that? Did he eat broccoli? The sort of questions that can be better answered in the blessed art form: the documentary.
Thankfully, Darkest Hour has a real sense of authenticity and avoids any sort of revisionism to please Guardian reader audiences (maybe they can have their own GR rating one day. Then we’ll know what films to avoid). Gary Oldman gives a fantastic portrayal, and it is a film that honours the leader and his achievements.
On a side note, I thought there were modern day parallels with Halifax in the movie, as he comes across as a bit of a pain, repeatedly telling Churchill to talk it out with Hitler. Sort of like the way Jeremy is telling us to chat with Russia…
As the film reminds us: “You cannot reason with a tiger when your head is in its mouth”.
Sorry to upset the myriad, but this film is absolutely dreadful, in SO many ways.
It is far too sympathetic with Tonya Harding, for starters, instead of the true victim of the story – Nancy Kerrigan, whose knee was bludgeoned in order to promote Harding’s competitive chances. Imagine being Kerrigan now; having to watch the woman implicated in this crime get her own Hollywood biopic. How does that work?
The trouble is that people – producers, the public, writers – have a very difficult time accepting that women can be bad people, so much they try to explain it through art. This comes across greatly in this film, which tries to justify Harding’s behaviour through the prism of her misfortunate upbringing.
Yes, Harding had a hard life, but directors should still not portray women as devoid of agency in their choices. Nor intellectualise people being bad or stupid.
Moreover, I, Tonya projects modern day sensibilities onto Harding’s life, as part of its apologist narrative. We are made to believe, for instance, that Harding was awarded low scores as an ice-skater because she was working class and couldn’t buy a nice outfit. Having Googled photographs of Kerrigan and Harding, I can confirm that they both looked equally terrible, as it was the 80s. And frankly, no one cares about class in sports. Medals, though…
On the same spectrum of ‘apology films’ is Molly’s Game.
I did like Molly’s Game, not least because it’s written (and directed) by Aaron Sorkin.
Sorkin’s films are always a fantastic mental workout, full of twists and turns, and multi-dimensional characters.
Molly’s Game is no different. It tells the (real life) story of Molly Bloom, a fiercely intelligent high-stakes poker entrepreneur. I would try to explain the plot in detail, but I don’t even know how to play poker, let alone fraudulent poker, and I’m pretty sure I went cross-eyed trying to understand everything. All I do know is that Molly was a bit naughty.
Sorkin’s screenplay has strange parallels with I, Tonya as it tries to provide explanations for Bloom’s behaviour that remove her agency, and render her sympathetic.
I wouldn’t be amazed if Bloom is on the psychopathic scale in real life. Psychopaths aren’t so much fearless, but aroused by fear, which is why they might like get a buzz out of extremely risky poker games.
This is why it is so strange that we are led to believe that Molly was, in some way, a victim of “the system”, and a lovely person.
Frankly, I think Harding and Bloom are both pretty cunning – in different ways – and a more interesting film might have made that statement.
I have to confess, ever since I watched Frances McDormand do that laugh at the Oscars I have been a bit wary. She seems like the sort of person you might move a few rows away from on the bus.
In Three Billboards, I’m pretty sure Frances McDormand is playing Frances McDormand. This is a weird movie that I’m seems to be sending some sort of message about Trump supporters, which the baddies all seem to be based on.
McDormand’s character is Mildred Hayes, whose daughter has been raped and murdered in Missouri. Mildred sets up Three Billboards to draw attention to the crime, attracting controversy that leads to numerous run-ins with the police.
This is a film about willpower, empathy and vigilantism. I confess I most enjoyed the violent bits, though I found the ending slightly disappointing; it was a bit meandering, and some of the characters seemed to change personality too much. Even still, I definitely cannot accuse the director of denying McDormand any feminist agency. There is no other Frances McDormand.
I honestly knew this film would be boring because it’s about two people stuck in a room for 7 years. It’s actually intended as a hard hitting drama about a woman called Joy (Brie Larson) who gets kidnapped, then pregnant, before living with her son, in the room, for the next five years. Room is so boring that none of these bits made me sad. I spent the whole movie wanting the son to get a haircut.
The film is just too obvious. There’s a room, and they want to get out of the room, and everyone’s a bit upset along the way. The media dahlings said this was a brilliant movie, but I think maybe there were no other brilliant movies that year, because it isn’t. Also, I can’t help feeling Larson’s acting style is ‘the girl who got your order wrong in McDonald’s’. Not sure what the fuss is. My brother thinks she’s gorgeous, though.
Finally, I get onto Kingsman 1 and 2. Much to my surprise I actually ADORED these films, which made me laugh a lot. They had all my favourite things – cute dogs, camp humour, political incorrectness and Alfie Allen thrown into a mincer.
Kingsman 2 is written by Jane Goldman. I swear she does not get enough credit. She is brilliant and I can only hope I can write like her one day.
When I got home I forced my dad to watch Kingsmen 2, who told me I was deluded and it was rubbish. But sometimes things don’t have to be perfect to make you smile.
So yes, those are my plane reviews. I thought I’d end on a high note, so you won’t go away thinking I’m overly fussy about films. Which I don’t think I actually am. It’s just Star Wars is really, really crap.


So, last night I watched Episode II again. It has been probably about a year since I’ve seen it. I watched Episode I before going to see Episode III, but my old roommate had my DVD of Episode II so I wasn’t able to watch it ahead of time.
That’s terribly unfortunate. For the sake of Episode III, I mean. For instance, if I had watched Episode II previous to seeing Episode III, my Episode III review would have read thusly:
“Thank fucking god it was better than Episode II.”
Although, Episode II does contain the best scene in the entire prequel trilogy, in my opinion. It’s the only time that Anakin even appears to be turning to the dark side. When he rescues his mother on Tatooine. Say what you will about “scowling Hayden”, but that’s the only time in any of the movies where I thought, “Wow, he’s going to be evil. Very, very evil.”
And I still can’t get over the fact that good actors were reduced to reciting lines in that. George, you’re a horrible director and writer. Great ideas, poorly executed.


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Full House is the 4th Korean drama I watched back 7 years ago after Jumong, Jewel in the Palace, and Green Rose.
I was addicted to watch Korean Drama after watching those previous 3 so I decided to watch Full House even I have busy schedule. Full House became to be one of the most popular Korean Dramas not only in Korean but also in other countries especially in Philippines and South America.
Full House Casts of Characters:
Instead of giving a synopsis, I’ll give my own short summary.
The main character Ji-eun was tricked by her close friends Mee-jin and Dong-wook telling her that she won a free vacation to China. The poor Ji-eun went to China and when she returned, her friends sold her house and everything she left. Her house was sold to Young-jae and the chaos begun.
They decided to live together inside the house because she can’t give-it up, eventually got married, and there were several ups and downs.
What I like about this Drama:
I like Song Hye-kyo not only that she is pretty, her role her being innocent is somewhat funny and appealing. This drama is for people who needs laughter and humor. The flow of the story is good ad well although there are a lot of unnecessary scenes (typical for Korean dramas). The part that I like is when both exchanged their marriage contract. It was never been so funny. Watch video below.
Things I don’t like:
Since this is a Korean drama that stories are always unrealistic and poor, I can’t help it. The only thing I don’t like is that two friends. How in the hell can you forgive someone who sold your property? Doe the writer of this drama did ever think that this plot is meaningless and extremely dumb?
I really hate this type of story line (typical to Korean dramas anyway). There is no way someone can forgive someone by selling his house and everything. Yes, this is a drama but you have to be at least realistic. This is plain stupid and dumb.
Overall, I will give this Full House drama 4 starts out of 5. Although I am not satisfied with some part of it, I recommend this drama to all people who love watching Korean dramas. This is one of the most viewed drama and your time will not be wasted. Just ignore those bad scenes and if you are watching dvd version, you can always hit forward during poor scenes.
Watch Full House Here


A KID LIKE JAKE goes on sale May 26th. Will you join us?
The 2013 Lucille Lortel Awards Nominations have been announced!
Aasif Mandvi (DISGRACED) was nominated for Outstanding Lead Actor. He will also be co-hosting the awards with Maura Tierney.
Eisa Davis and Amanda Quaid (LUCK OF THE IRISH) were nominated for Outstanding Featured Actress.
Leah Gelpe (SLOWGIRL) was nominated for Outstanding Sound Design.
LCT3 presents a workshop production of MR. JOY, a 90-minute one-man show written and performed by Daniel Beaty and directed by Sheryl Kaller.
At the Claire Tow Theater April 8 - 21, 2013.
Learn more: http://www.lct.org/showMain.htm?id=221
Daniel Beaty’s one-man show MR. JOY, an LCT3 special event, begins April 8 at the Claire Tow Theater.
Check out this video to see Daniel performing in Def Poetry Jam.
LCT3 presents a workshop production of MR. JOY, a 90-minute one-man show written and performed by Daniel Beaty and directed by Sheryl Kaller. At the start of the show, something has happened to Mr. Joy, a Chinese-American who has run a shoe-repair shop in Harlem for decades. Through Beaty’s signature style of multi-character storytelling, Mr. Joy’s customers and others discover the nature of the incident, and realize the impact he has had on their lives and their changing community.
April 8 - 21 at the Claire Tow Theater. Tickets are now on sale!
Learn more and get tickets.


The program will include the following daily activities:
Rhythmology – Vocal improvisation – Body percussion
Theatrical play- Improvisation- Expressive speech / text deepening
The aim of the seminars will be to acquaint the participants with the wider techniques of theatre, creative expression, the cultivation of their means of expression and the collective.
The process of the courses will help the personal development of each member of the team separately, but also to create a climate of teamwork and cooperation.
The ultimate goal of the series of seminars will be to jointly create a mini performance of the theater of invention, which will arise with the contribution of all those involved and which will be presented on the last day to the public, completing the cycle of courses and putting their results in ‘ “creative exhibition”.
Vasilis Kanellopoulos – actor, musician
He was born and raised in Lagada, Thessaloniki. He is a graduate of the Department of Music Science & Art of the University of Macedonia and a graduate of the “Uga Clara” Theater Workshop. He also holds a Degree in Trombone and a Degree in Harmony from the Central Conservatory of Thessaloniki, while he completed his Master’s degree in Science and Arts at the Univ. Macedonia
He is a co-founder of the theater production company NOVAN theater group, where he also teaches rhythm education courses to its laboratory groups.
Since 2007 he has appeared in numerous theater and film productions as an actor and musician and has made many appearances as a stand up comedian.
In the theater he has starred in, for example, the shows: “The Coat” by N. Gogol, “The Crazy Little Thing Called Love” by L. Petropoulos, “The Temptation” by Xenopoulos, “Your Death is My Life” by Sakellariou, “Everyone is judged by his works” by Papadiamantis, “Arizona” by Juan Carlos Rubio, “Koutroulis’s marriage” directed by D. Sakatzis, “See the last kiss” by P. Maliara, “Ftystos o Makaritis” by P. Phylaktakis, Backgammon by D. Kehaidis, “Tonight at Stratford” by M. Gavriilidou, “Lebensraum” by Thanasis Triaridis et al.
He has taken part in the films “The Years of Youth” by M. Charalambidis, “The Bricklayer” by Hanna Weg & Matt Johnson, “Shelter 2” by Chr. Nikoleris, “Siege” by V. Tsikaras and in a number of short films. He takes part in the tv series “Psyxokores” on ANT1 channel.
As a musician, he is a member of the “Plus & Minus Collective orchestra” (free jazz) and the “Filippos Nakas Big Band Orchestra”, while he has collaborated with the Symphony Orchestra of the City of Thessaloniki and with many musical groups and philharmonics.


Composition and Sound - Testimonials
David has composed music for almost all our shows to date. A consummate professional, his compositions are unique – he watches rehearsals carefully, works with discipline and imagination, and always finds an elegant way to express a given moment through sound. It is like having extra actors on stage. His music has become an integral part of our work, and we won’t employ anyone else if we can avoid it!
We say things like ‘give us fourteen seconds of purple sadness with a twist of triumph at the end’ and, somehow, he does exactly that.
The man is a whispering genius.
Lodestar (Artistic Director)
We listened to the work of literally hundreds of composers to find the right person to create music for our documentary, "My Big Break". David had just what we were searching for: talent, a willingness to collaborate and an amazing, unique sensibility. We just watched our documentary again recently and were, as always, deeply impressed with the truly beautiful, evocative music that David composed for the film. We would work with him again and again. He has a rare gift.
Elizabeth Yoffe & Tony Zierra
True Studio Media (My Big Break, Filmworker)
David came into the process at quite a late stage yet worked incredibly fast. He produced a beautiful score that met critical acclaim in local and national press. His timing and attention to detail was commented on by the actors, who felt he enhanced their emotional journey. He made his work open and responsive to the team. The eventual product enhanced other production values and became a highlight of the piece for audiences across the UK.
I would highly recommend him as a composer of the highest class.
Sell a Door (Artistic Director)
I can’t tell you how much his music has done to bring this play to life. He’s a bloody genius!
said&done (Artistic Director)


|Artist:||Chen Dongfan, Chen Yufan, Chen Yujun, Fang Wei, Guo Xi, Lu Lei, Ushi Dalgo, Ren Jie, Wu Junyong, Zhao Yang, Zhou Yilun|
|Venue:||Block No. 12,139 Liu He Road, Hangzhou, China|
|Organizer:||Hangzhou Asian Youth Film Fair|
|Organizer:||Inna Art Space|
And back to my original intention for the exhibition. First of all, I share the same sentiment with Film Fair’s staff and ideology, and I want to do an exhibition in order to support the Film Fair through practical means; secondly, I hope that holding an art exhibition at a Film Fair can stimulate discussion between artist and directors through each of their own works; another wish is that I hope the film ‘people’ who are in Hangzhou can discuss city in another angle through exhibition and discussion.


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This movie release in theater on 2014-01-17. Freezer (2014) movie starring by Dylan McDermott as Robert Saunders, Peter Facinelli as , Yulia Snigir as , Markus Parilo as and David McNally as within 82 minutes runtime.
Freezer Movie More Info
Title : Freezer
Year : 2014
Release Date : 2014-01-17
Runtime : 82 minutes
Movie Casts : Dylan McDermott, Peter Facinelli, Yulia Snigir, Markus Parilo
Audience Score :
MPAA Rating :
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YouTube description with the video
"Here is my conversation with drummer and film composer Antonio Sánchez. In 2014, Sánchez composed the film score for Birdman. The soundtrack album was released on October 14, 2014. The score earned him nominations for the Golden Globe Award for Best Original Score, BAFTA Award for Best Film Music, and other nominations; he won the Critics' Choice Movie Award for Best Score and Satellite Award for Best Original Score.
Sánchez's 2017 album, 'Bad Hombre', earned him a Grammy Nomination for Best Contemporary Instrumental Album."
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Erin brokovich runtime: 105 min rating: pg-13 the film: based on the true story of erin brockovich, a desperate out-of-work mother of three who convinces a lawyer to hire her and then stumbles upon a monumental law case against a huge corporation. On tonight's newshour, miles o'brien reports on the decline of hinkley, calif, the town featured in the movie erin brockovich here's the not-so-hollywood version of what really happened in. The costume department found erin's burgundy t-shirt with gold lettering in a thrift store the t-shirt says oakton cougars and so they had to research the name online once they discovered it was a high school in vienna, virginia, they had to contact the school to ask for permission to use the t-shirt in the movie.
The film 'erin brockovich' is the true story of one woman's successful initiative to investigate the deaths and illnesses of dozens of individuals through the leakage of poisons into the water supply by the pacific gas and electrical utility company of california. Introduction: the movie erin brockovich brings a number of ethical issues to light through the perspective of erin brockovich herself this film is based on a true story. Film critique erin brockovich perform a film analysis on erin brockovichusing the format 1-5, the paper has to have an abstract 1) discuss research survey. Erin brockovich is not only the first great movie of the new millennium, it's the movie that hands julia roberts the best role of her career based on a true story, erin follows the title character, a single mom, who has been divorced twice and now has three small children.
Erin brockovich is a modern-day david vs goliath story with a few notable exceptions the villainous behemoth in this version is a faceless corporate conglomerate the hero is a sassy, brassy, less-than-classy female with a prominently featured chassis. A moving, funny, and unconventional drama based on true events, erin brockovich stars academy award® winner julia roberts as the twice-divorced mother of three young children who uncovers an injustice, takes on the bad guy, and wins. Erin brockovich has a screenplay with the depth and insight of a cable-tv docudrama, and that won't do for a 126-minute major production maybe it's not that the necklines are distracting maybe it's just that the movie gives us so little to focus on that they win by default. Synopsis erin brockovich is a single-parent woman with three children on the way home of her job interview, she gets a car accident that makes her get injured because of her financial problem, now she is in debt for her hospital payment.
Erin brockovich-ellis is a woman in a tight spot following a car accident in which erin is not at fault, erin pleads with her attorney ed masry to hire her at his law firm erin stumbles upon some medical records placed in real estate files. The movie entitled erin brokovich depicts a lesson that teaches us on true leadership, persistency against odds motivating people, purpose, passion, corruption and how to deal with people to respond. Fyi, erin and aaron eckhart's george character split after the events of the movie true love is dead) true love is dead) news: erin brockovich issues an apology as her mug shot is released. [tags: ethics movie movie erin borckovich essays] 1531 words (44 pages) strong essays [preview] an analysis of the opening of erin brockovich - an analysis of the opening of erin brockovich erin brockovich is a film based on the true story of a poor single mother who becomes a lawyer.
Is steven soderbergh, and the cast includes julia roberts as erin brockovich, a single mother of three, and albert finney as ed masry, her sympathetic (adj) lawyer and later her boss. Critics are part of the movie landscape, they're necessary and inevitable to this day, i still admire erin brockovich for being a film about a real woman who had such strong convictions, but. On march 17, 2000, julia roberts and steven soderbergh brought erin brockovich to theaters the film went on to claim five oscar nominations at the 73rd academy awards and a best actress win for.
Sense, the allegiance of others this is the perfect definition of an ethical leader julia roberts portrays erin brockovich in the self-titled movie, as a young woman striving for excellence for the common good of the community. Erin brockovich (julia roberts) is a woman in a tight spot following a car accident in which erin is not at fault, erin pleads with her attorney ed masry (albert finney) to hire her at his law firm erin stumbles upon some medical records placed in real estate files. Erin brockovich with julia roberts is a film about a woman who stands her ground against all odds, as the divorced single mother who works as a clerk for ed masry, an attorney played by albert finney and they join forces to champion clients that are wronged by a powerful corporation.
Parents need to know that erin brockovich is a 2000 movie based on a true story in which julia roberts plays a woman who finds her calling after working for a law firm and investigating how a small california town is being poisoned by a large utilities company. Universal studios made a film titled, erin brockovich, which stars julia roberts julia won an academy award® for her portrayal of me people ask me all the time, is the movie true and accurate.
Bill tush, host: coming up on showbiz this weekend, julia roberts takes on big business with a smile in erin brockovich and the smashing pumpkins continue to make an impact with their moody melodies. Erin brockovich (roberts) is a single mother of three who, after losing a personal injury lawsuit, asks her lawyer, ed masry (albert finney), if he can help her find a job. Pretty woman the hours to kill a mockingbird erin brokovich working girl risky business baby boom rain man in the movie about erin brockovich, the idea is that people look down on. Julia roberts in this legal drama based on the true story, is a woman who helps winning the largest settlement ever pays in a direct-action lawsuit 3 erin brockovich is a 2000 movie which dramatized the story of erin brockovich's first.


I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.
Dutch actor, writer and environmentalist, Rutger Oelsen Hauer, has died 19 July 2019, aged 75. Having acted in films, fantasy, science-fiction and contemporary, Hauer is most famously known for rewriting part of his lines, called the C-Beams speech, at the end of Ridley Scott's Blade Runner. He was portraying Roy Batty, the replicant Harrison Ford's character, Rick Deckard, was sent to kill.
Hauer's roles in fantasy films and television have not gone unnoticed however. He was Captain Etienne Navarre in Ladyhawke, Lothos the vampire in Buffy the Vampire Slayer (yes there was a movie), a mystic monk in Nostradamus, William Earle in Batman Begins, King Vortigern in Merlin, Kingsley in Galavant, Niall Brigant in True Blood and many more. One role he's done more recently though was the President of the World State Federation in Valerian and the City of a Thousand Planets. Another one was the Viking Dane Ravn, in The Last Kingdom TV series (see video clip above).
Here is a selection of clips featuring the late Hauer in several fantasy and science fiction roles in film and television series.
1. Hauer as Roy Batty in Blade Runner, as he delivers his improvised 'C-Beams speech' to Rick Deckard (1982)
2. Hauer as Captain Etienne Navarre in Ladyhawke, alongside Michelle Pfeiffer (1985)
3. Hauer as King Vortigern in Merlin (1998)
4. Hauer as William Earle in Batman Begins, alongside Christian Bale, Michael Caine and Morgan Freeman (2005)
5. Hauer as Niall Brigant in HBO's True Blood (2013)
About the Creator
Terry Astrial is an alias I'm using for this website & our social media channels (yep, it's not my real name). I'm born & raised in Asia.


Greater Cleveland Urban Film Festival Back Again!
The Greater Cleveland Urban Film Festival (GCUFF) kicks off this Thursday Sep 20 and continues for 9 days, until Friday Sep 28.
The Greater Cleveland Urban Film Festival was created with the artistic vision to present and expose the work of emerging talents and established artists who are contributing to the cinematic legacy as well as celebrating urban culture. GCUFF showcases minority films, which reinforces positive images and dispels negative stereotypes. The film festival provides a forum for the work of diverse filmmakers to be viewed and discussed. In addition to its cinematic showcases, GCUFF nurtures its attendees in a variety of disciplines, offering panel discussions, workshops and symposiums.
The Official GCUFF Launch Party is happening on Friday Sep 21 at 9:30 p.m. at the Museum of Contemporary Art Cleveland (11400 Euclid Ave Cleveland). Meet and greet actors, directors, and producers whose films will be screened at this year’s festival. Party with other GCUFF supporters and staff to the sounds of Philly-based DJ, Rocdaspot. The Score will be hosted by Mark Mathews, DJ and co-founder of monthly dance party, Sanctuary Cleveland. Tickets are $15 and can be purchased online at http://www.gcuff.org/film-schedule/.
For a full schedule of events, visit http://www.gcuff.org/.
Don’t miss these unique films, panel discussions and industry networking!


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2001: A Space Odyssey of the new millennium
Alfonso Cuaron’s GRAVITY is a space-survival-film about how a medical engineer (masterfully played by Oscar winner Sandra Bullock) and a veteran astronaut (played by the delightfully charming George Clooney) deal with a terrifying situation during their mission. It’s akin to a 90-minutes virtual edge-of-the-seat emotionally electrifying space ride which puts you in the front seat. Unlike Stanley Kubrick’s 2001:A Space Odyssey, which was based on the ideas of ‘Artificial Intelligence’ & ‘Human Evolution’ and Ridley Scott’s ALIEN, which was a creature-based horror extravaganza, Gravity is a science-fiction chronicle which delicately balances science, fiction and entertainment. It does not give us even one chance to expand our suspension of disbelief by making the whole experience ultra-realistic and not resorting to cheap thrills. Here is a rare film (perhaps after AVATAR) which smartly uses 3D-effects and makes it all the more pleasurable to watch the vast expanse of unlimited space microscopically. A scene where a tear drop beautifully floats in space and crash-lands on your glasses is purely breath-taking. The technical aspects of the film including the cinematography, background score and visual effects are nothing short of brilliant. Sandra Bullock scores brownie points for showing her acting prowess once again while George Clooney delivers his usual charismatic act. Gravity is a highly recommended film for all movie-lovers, irrespective of its genre. It has already achieved cult-status among hard-core sci-fi fans like this reviewer. So, do yourself a favour and go watch it. You can thank me later. My verdict: 9/10.
Pranshu Awasthi, IBS Gurgaon, Class of 2007
You can reach him at: firstname.lastname@example.org


Back to the weeks of Taiwan’s Sunflower Movement in March, Hong Kong movie star Chapman To, to show his support, called his Taiwan celebrity friends to “ignore mainland netizens” because “they are barbarous.” He even challenged mainland netizens to have the guts to keep him from performing in mainland China.
Well…mainland netizens cannot really ban him, but they can boycott him. So they did.
“Let Go for Love,” a recent movie that hit the big screen during the last week of April where Chapman To is one of the leading roles, received a rating of 2.2 (out of 5) by mainland viewers on Douban.com, the go-to place in China for movie, book and music reviews. Among the thousands, if not millions, being reviewed by mainland netizens on Douban, no movie has ever been rated below 2.
Out of the 22,390 netizens who left a rating, 97.7% gave the movie just 1 star. Still, many of them commented: “I gave 1 star only because there isn’t an option to give zero or negative stars.”
Another movie “Aberdeen” by popular Hong Kong director Pang Ho-Cheung, which is scheduled to be released in mainland China next week, is also faced with boycott calls by mainland netizens due to Chapman To’s part in it.
“I’m a Chinese. I love my country. I firmly oppose speeches and behaviors that are intended to separate my country. I will never forgive anyone who humiliates and discriminates against my fellow countrymen. I refuse to watch ‘Aberdeen.’” Commented one netizen 烧伤超人阿宝.
Not everybody agrees with the boycott. Those who voiced support for Chapman To thought that 1) his criticism of mainland netizens isn’t entirely wrong; 2) being a Hong Kong native, his attitudes are understandable; 3) he has the freedom to criticize whoever he wants to criticize. For example, one netizen 王小山 commented: “I don’t think he did anything wrong in saying what he said, though not in the best way.”
The majority, however, think that they also have the freedom to boycott an actor whom they don’t like. “I’m not asking actors and actresses to become politicians. But if some of them have said something that annoys me, I have every right to boycott them. They have freedom of speech. I have freedom of choosing which movie to watch.” One netizen Miss糯米小丸子 commented.
Mainland netizens’ voices didn’t go unnoticed. Faced with terrible box office, the production company of “Let Go for Love” openly commented on their official Weibo account: “We made a big mistake by choosing an actor without ethics. We’ve learnt a lesson.”
Pang Ho-Cheung, though expressed on Facebook that he won’t kowtow to pressure from mainland netizens, explained on Weibo that his new movie “Aberdeen” is the fruit of many people’s hard work, including several extremely popular Hong Kong stars – Chapman To is but a guest star.
How this will play out is still unknown. But the lesson of the day is: don’t piss off mainland consumers, the hottest market that every company is going after right now. “You despise us mainland people, and yet craze for our money. It’s my money and I don’t want my money to become your profit.” Comented one pissed mainlander MIC-盈盈.


One of the most re-watchable comedies to ever grace a cinema screen, it’s crazy to think that few people had heard of Will Ferrell or Vince Vaughn when Old School debuted at the American box-office in 2002
Would you ‘adam and eve it’, the Jameson Cult Film Club is coming to Cork on May 24 with an electrifying screening of the gangster classic Snatch and we've got tickets.
Remember our Jameson Cult Film Club's Blues Brothers screening competition? Here's how the night went...Did you enter our recent Jameson Cult Film Club Blues Brothers screening competition and sadly come up short? Here what you from missed a spectular Tuesday evening...
The latest fantastic Jameson Cult Film Club event takes place on Tuesday evening. Is your name on the guest-list?
Want to rewatch 1980 cult classic The Blues Brothers on the big screen? Then enter our competition for the upcoming Jameson Cult Film Club screening. Shades and suit are completely optional.
To celebrate the 10th anniversary of the Jameson Dublin International Film Festival, we have tickets to a seriously special screening of Reservoir Dogs to give away...
If you're one of those people who hates watching the same thing over and over again, then you'll definitely love the cult classic Groundhog Day.
Starship Troopers is a big budget 1997 American military science fiction film from subversive director Paul Verhoeven. Would you like to know more?


This spoiler summary was created by Farsighted so please tell them thanks :)
Also don't forget to check out Pseudo's Spoiler Chart
THE 2012 STEVEN MOFFAT SERIES SPOILER SUMMARY
7.X THE SNOWMEN
Written by: Steven Moffat
Directed by: Saul Metzstein
Produced by: Marcus Wilson
The Coal Exchange, Cardiff (6-7 Aug); Photos
Fields House, Newport (8-9 Aug) ; Photos
Cathays Cemetary, Cardiff (10 Aug); Photos ￼
Treberfydd House, Llangasty, Brecon (11 Aug); Photos
Insole Court, Llandaff, Cardiff (12 Aug) ; Photos
Corn Street, Bristol (20 Aug); Photos￼
Portland Square, Bristol (21 Aug) ; Photos
Llandough House, Llandough (23 Aug) ; Photo
Treowen Manor, Monmouth (27 Aug) ; Photos
Jenna-Louise Coleman (Clara Oswin); Richard E. Grant (Dr. Simeon); Tom Ward (Captain Latimer)￼; Catrin Stewart (Jenny); Dan Starkey (Strax); Liz White; Graham Turner (Amos); Neve McIntosh (Madame Vastra) ; Devon Black (Mother); Annadbelle Dowler; Jim Conway (Uncle Josh); Laurence Sunders (Master Librarian); Sir Ian McKellen (Voice of the Snowmen)
Monster(s): Flesh-eating Snowmen; Memory Worm; Doctor Simeon
BBC Synopsis: Christmas Eve 1892, and the falling snow is the stuff of fairy-tales. When the fairy-tale becomes a nightmare and a chilling menace threatens Earth, an unorthodox young governess, Clara, calls on the Doctor for help. But the Doctor is in mourning, reclusive and determined not to engage in the problems of the universe. As old friends return, will the Doctor really abandon humankind or will he fight to save the world – and Christmas – from the icy clutches of this mysterious menace.
BBC Worldwide Synopsis: This year’s Doctor Who Christmas special, The Snowmen, introduces a new companion, a new look for the Doctor, plus a new monster in this movie-scale episode. Starring Matt Smith as the Doctor and introducing Jenna-Louise Coleman as new companion Clara, The Snowmen follows their adventures as they embark on a mission to save Christmas from the villainous Doctor Simeon (Richard E Grant, The Iron Lady, Dracula) and his army of icy snowmen.
Prequel Mini Episode: http://www.bbc.co.uk/programmes/p0119cfj "The Great Detective".
Trailer 1: http://www.bbc.co.uk/programmes/p0119d8n This trailer gives you an idea of what is going on with the Doctor before the episode starts: The Doctor has retired! And we get to meet the new companion, Clara. (though we've seen her before). And we get a glimpse at the villain, and some snow monsters.
Trailer 2: http://www.bbc.co.uk/programmes/p012httx
BBC America Trailer: http://www.youtube.com/watch?v=1BkEluTXrU8
Prequel Two: http://www.bbc.co.uk/programmes/p012q4yl "Vastra Investigates"
Clip One: http://www.bbc.co.uk/programmes/p012zlym "Don't Talk to Them..."
Clip Two: http://www.bbc.co.uk/programmes/p012zm1k "At Your Service..."
Clip X: Aired on BBC1 Dec. 11th: http://www.youtube.com/watch?v=Evyz9...layer_embedded
BBC America Sneak Peak: http://www.youtube.com/watch?v=jpRUVqCuCLw
Note: There are more "spoilers" coming from the BBC Official Website itself than any of those from the regular sources. If you watch all the videos linked here, you will have a pretty good idea of what the episode is about.
New TARDIS: Photo 1; Photo 2. The IKEA TARDIS, or so says Matt Smith!
New Titles, Revamped Theme Song: http://www.bbc.co.uk/blogs/doctorwho...Title-Sequence
BBC Promo Pictures: photos 1; photos 2
BBC Press Photos: Photos 3
Doctor Who Adventure Calendar: http://www.bbc.co.uk/programmes/p011...-calendar-2012
Songtaran Carols LOL! http://www.bbc.co.uk/programmes/p012ytxy
Further indications seem to be that this may be more of a "Great Intelligence" story (with the snowmen acting more like Yeti's) intertwined with the Doctor, who's retired, and being kind of a Scrooge. See hereand here.
The Doctor has retired from "saving the Universe" (see above clips) and is "misery" mode, according to Steven Moffat.
The episode takes place in the 1890's, during Victorian times.
Apparently the Doctor changes his outfits in this episode a few times. At one point he is wearing a Sherlock Holmes-type outfit, complete with deer-stalker hat!
According to this poster , the Snowmen aren't actually made of regular snow. They're made of alien snow. Living snow with it's own consciousness, and very, very hungry. They're flesh eating snowmen, according to this poster.
Vastra (the Silurian lizard detective lady); her companion and lover Jenny and their Sontaran butler Strax, reprise their role from a previous episode "A Good Man Goes to War" in Series 6. Strax was assumed dead in that episode, so it will be interesting to find out how he survived. Or not. They try hard to get the Doctor out of his "slump;" somewhat unsuccessfully, looks like.
This episode is where the Doctor's new companion, Clara, is introduced. Clara is a governess in Victorian times (and an au-pair in modern times), says this poster. She sleeps in the attic room of the house she works at, says this poster.
The Doctor is quite taken with Clara, according to the Radio Times; at one point in the story, Clara is kissing the Doctor,Radio Times; and later the Doctor gives Clara a key to the TARDIS.
Richard E. Grant plays the bad guy in the story, the sinister Dr. Simeon: http://www.thesun.co.uk/sol/homepage...o-special.html
The Daily Mail mentions a creature called a Memory Worm is in this episode. Keeping in mind that it's the Daily Mail, could this be the creature that Dr. Simeon is speaking to that you see for a second or two in the trailer? Sounds possible.
Clara and Oswin are not the same person, but there probably is some connection between the two characters. There has been a lot of speculating about the connection, which will be revealed in a later episode next year.
Clara seems to have died in this episode; at least that is what this poster says. Is she replacing Rory and the companion who dies?
There is a funeral for Clara at some point; the Doctor goes off in the TARDIS to save her, says this poster.
People watching the filming in Cardiff say this is what happens: don't read this unless you want to be totally spoiled.
The Doctor pilots a plane? This poster thinks so.
The Daily Mail has revealing photos of the Doctor and companions costumes. The Doctor looks dapper in his new outfit for this episode.
Moffat tells The Daily Mail that the Christmas story has some relationship to a never filmed episode of Doctor Who that was originally conceived years ago by the late great Douglas Adams. The BBC bosses decided the story of the Doctor deciding to quit wasn't something they wanted to air. Apparently this story incorporates this idea, along with others. It was originally thought that the episode is also loosely based on a children's story by Raymond Briggs called The Snowman. Moffat steals from the best.
The 2013 Spoiler Summary Thread with the episodes of series 7B, will be up next; coming soon.
Happy Holidays and the Best for 2013!


Bobby G Can't Swim
A film by
A cinéBLAST! PRODUCTION
PRELIMINARY PRODUCTION NOTES
GABRIEL FILM GROUP
TRIBECA FILM CENTER
375 GREENWICH STREET
NEW YORK, NY 10013
Bobby G. Can't Swim
Grand Jury Prize
Florida Film Festival 2000
"Bobby G. Canít Swim is the kind of movie that comes along only occasionally.
One so unconventional, gutsy and perfectly executed it takes your breath
The New Directions Prize and Best New Director Prize
13th Annual AFI Los Angeles International
8th St. Louis International Film Festival
"Superlative writing, direction and acting by John-Luke Montias,
a real triple crown winner in this effort."
BOBBY G. CANT SWIM
Bobby G. Iives life on the edge in this real, raw New York street drama.
Bobby is a small-time coke dealer, always on the hustle but rarely succesful. He lives in Hells Kitchen with his Puerto Rican girlfriend Lucy, who makes ends meet as a prostitute. A typical day finds bobby selling $20 bags to neigbourhood locals and passing cars.
A yuppie kid looking to score a kilo of coke approaches him to broker a deal and Bobby sees the opportunity of a lifetime to make some real money. His rough days may just be over. With the tidy profit he could even leave the business. Playing out of his league, Bobby arranges to get the kilo from Astro, a fearsome, high-level drug dealer. Though Lucy announces that shes decided to go back to Puerto Rico and pleads with him to make a fresh start too, Bobby is sticking to his deal and isnt going anywhere now, convinced hell be " livin large in a matter a days."
On deal day the client gets nervous and the plan goes awry with Bobby turning over the merchandise without being able to hold on to the cash. He now fears for his life unless he can come up with the money, fast, to pay back Astro. Seized with panic Bobby seeks out an acquaintance, Dollar Bill, who puts him in touch with a mobfigure who needs somebody "whacked" and is willing to pay big bucks for it too. Though Bobby has never fired a gun in his life, he carries out the execution. the act plunges him into a state of shock and torment verging on madness.
In the ensuing hours, Bobby, his mind in a daze, will find redemption in a bizarre journey involving a homeless woman, the Hudson River, and a blind street-peddler named Popeet. He will also learn, that what fate may give, she is just as free to take away.
About the Characters
John-Luke Montias plays the part of Bobby G., a lost soul in Hells Kitchen, treading the sidewalks looking for the one big break that will finance his escape from a desperate existence in an unforgiving city. Constantly moving between the roles of hero and villain, Bobby bends the rules and breaks the laws as a means to his own end, but reaches out a helping hand to the lonely and destitute along the way. The question is whether Bobby will "sink or swim" when he gets in over his head in the seedy underworld of drugs and murder.
Lucy, played by Susan Mitchell, is Bobbys hooker girlfriend. Although she once aspired to be an actress, Lucy has fallen prey to drugs and prostitution Frustrated by the lowly life she and Bobby have to suffer through, Lucy forces her wayward boyfriend to choose between her and a new start in Puerto Rico, or his life in New York City and the big break which may never come.
Vincent Vega plays Coco, a small time dealer happy to supply Bobby with insignificant amounts of coke. He is reluctantly drawn into Bobbys plan to sell a Kilo in exchange for a cut of the profits. When Bobbys plan goes awry, Coco has to choose between his loyalty towards his friend or the safety of himself and his family.
Norman Middleton plays Popeet, a blind street vendor who survives by selling objects he finds on the street. Always exuding hope in the face of adversity, Popeet unwittingly inspires Bobby on his journey to redemption.
Mike, Andy and Tim, played by Paul Maged, Andrew Rein and Michael Gnat, are the out of town yuppies who come to Bobby looking to buy a kilo of coke. Bobby believes this will be his big break if he can clinch the deal but the buyers are strangers to the rules of drugs, money and New York City.
Donna Sonkin plays Gina, Lucys sparring partner and a fellow prostitute, who is constantly vying for Bobbys affection.
The Making of Bobby G. Can't Swim
Bobby G. Cant Swim is John-Luke Montias first feature film. Originally from New Haven, CT, Montias moved to New York to study acting at New York University. After graduating, he won roles in various New York Theater productions and also became interested in writing. Like most actors in New York, Montias held down a survival-job to make ends meet while waiting for his break.
Montias was working as a bartender in the Hells Kitchen section of Manhattan when he came up with the idea of writing the screenplay for Bobby G. Cant Swim. "I worked in a place that was chock-full of seedy characters. As I was usually working by myself, I inevitably got to know them. Most of the characters in Bobby G. are based on people I either met, or heard about. Sometimes people who made money doing bad things would try to make up for it by doing something good. The theme of redemption has always fascinated me."
Rather than spend time shopping the script around to various production companies, he decided to get things rolling himself. "I wrote the script so that the movie could be shot for nothing, making the story more dependent on the actors performances than on exploding helicopters or car crashes. I didnt feel like spending years pitching this project to every producer and his brother. I knew I could shoot this movie, and I knew I could do it myself."
He then went about raising money from friends and acquaintances. "I told everybody I approached that its a risky investment, and to not give me money unless they can afford to lose it. Strangely enough, the few people who I know with disposable income didnt invest. Most of the money came from hard-working people who invested because they believed in me, or they believed in the project."
About The Film Makers
John-Luke Montias (Writer/Director/Star)
John-Luke Montias studied acting at NYU's Tisch School of the Arts. As a writer, his plays Happy Birthday Johnny Red, The Roof, Oedy and Jo have been performed at various venues in NYC.
Besides "Bobby G.", Montias' recent acting credits include Home Sweet Hoboken, Shooting Vegetarians, and Mole. On TV he guest-starred on NBC's Law and Order and Law and Order: Special Victims Unit. His film projects in development include Cherry Pie, a story about the Irish-American mob in Hell's Kitchen circa 1981, and Perfect Pitch, a comedy about a car sales-pitch competition.
Michael Pilgram (Producer/Assistant Director/Editor)
Pilgram has been working on Bobby G. from the beginning. He handled everything from hiring the crew, to buying the film stock, to making sure the shoot stayed on schedule. He even jumped in front of the camera when an actor who was supposed to play a small role failed to show up.
Pilgram has been working on independent films for more than a decade. He recently edited the dialogue for Stephen Earnharts Mule Skinner Blues, a documentary that premiered in May at the Doubletake Film Festival. Earlier, he worked as an editor on The Escape Artist, a feature by Michael Lawrence; associate editor, sound editor and post-production producer for Debra Eisenstadts Daydream Believer, the winner of the best dramatic feature award at Slamdance 2001; and associate editor of Tom Zubers Lansdown, which won the best first feature award at the Cinequest Film Festival 2001. Pilgram also edited Kill By Inches, a film by Diane Doniol-Valcroze & Arthur Flam, and served as the assistant editor on Peter Cohens Drunks, a Shooting Gallery feature that starred Richard Lewis.
Pilgram grew up in Leiden, The Netherlands, and later studied photography and filmmaking at the Arts Academy in The Hague. His career as an editor started while he was working as a gaffer, when the editor drafted him to serve as an editing assistant.
Gill Holland (Producer)
Nominated for the Spirit Award for Producer of the Year 1998, Gills producing credits include, in addition to Bobby G Cant Swim Morgan J. Freemans triple Sundance award-winning Hurricane Streets (MGM); his follow-up Desert Blue (Samuel Goldwyn), starring Christina Ricci, Casey Affleck, Brendan Sexton III, Sara Gilbert, and the then-unknown Kate Hudson; Rob Tregenzas Inside/Out (Cannes 1997); Tom Gilroys award-winning Spring Forward (starring Ned Beatty and on many critics top tenlists for 2000); and Tim Kirkmans Spirit Award and Emmy nominated documentary Dear Jesse (Cowboy Booking). Other films include Kirkmans follow-up The Night Larry Kramer Kissed Me, Jamie Yerkes Spin the Bottle, Kipp and Adam Marcuss Let it Snow (AFI winner starring Bernedette Peters), Mikey Jacksons Shooting Vegetarians (with French star Elodie Bouchez), Arthur Flam and Diane Doniol-Valcrozes Kill by Inches and Tim McCanns Revolution #9. He is half-Norwegian, half North Carolinian reformed lawyer and adjunct professor at NYU Graduate Film School. He was on the jury at Sundance in 1999 and was the Executive Producer of IFCs The Greg the Bunny Show (coming to Fox this fall). Gill worked for three years at the French Film Office after a brief stint at October Films (now USA Films).
J.D. Matonti (Executive Producer)
Matonti founded Matonti Films and has served as President since the company was established in New York City at Robert DeNiros Tribeca Film Center in 1995. In 1998 Matonti founded the Gabriel Film Group, a full-service distribution entity. Matonti and the Gabriel Film Group recently acquired North American Distribution rights to The Simian Line (Lynn Redgrave, Harry Connick Jr., William Hurt)
Graduating from Syracuse University, Matonti received a dual degree: a Bachelor of Science in Television, Radio, and Film from the S.I Newhouse School and a Bachelor of Science in Marketing from Crouse-Hinds School of Management.
Chris Matonti (Executive Producer)
While attending graduate studies at New York medical College, Chris worked with J.D. Matonti on various projects. He handled music for Cassians Kids. With the success in film production and foreseeing the rapid growth in independent film in New York, Chris Matonti helped establish Matonti Films in the Tribeca Film Center. He produced Loose Women, where he was responsible for overseeing all aspects of film-making, including raising the necessary financing to bring the project from script to screen. In addition, he produced a 21-song soundtrack, which included such musicians as Hootie and the Blowfish and Luscious Jackson. He also Executive Produced Wedding Band. Matonti helped strategically launch Gabriel Film Group.
Matonti received a B.A. from Bucknell University with a degree in Art History/Studio Art and Biology. He is an active member of the Independent Feature Project. He is a supporter of the Tribeca Partnerships.
Adriana Chiesa (Executive Producer)
The owner and President of Adriana Chiesa Enterprises, Chiesa is among the most established distributors in the world, with over 25 years of experience. Industry peers most recently recognized her expertise when she received the prestigious European Exporter of the Year Award at MIFED 1999. Before forming her own company, Chiesa spent 17 years at Medusa Distribution where she acquired, for European distribution such films as Dead Ringers, Amadeus, Ran and the first two Rambo films. Adrianas offices are located in Rome, where she resides with her husband, Carlo DiPalma; one of the most respected Cinematographers in the world.
Julia Coppola (Executive Producer)
As Chairman of Matonti Films, Julia Coppola served as financing partner and Executive Producer of Wedding Band, starring Deborah Gibson and Dom DeLuise. She also strategized marketing and publicity for Loose Women, with Charlie Sheen and Giancarlo Esposito. Coppola acted as casting Director and the cornerstone of production for Cassians Kids, an urban drama (which was positioned for the 1995 Cannes Film Festival and the Independants Showcase of the 1997 Berlin film festival). Coppola is presently Executive Producing several independent films and is heading up distribution with foreign co-distribution partner Adriana Chiesa Di Palma (Adriana Chiesa Enterprises). Coppola is a member of Women in Film and received a Bachelor of Arts from the College of Notre Dame.Matonti has a multifaceted background in all aspects of filmmaking.Matonti has always taken a cost-effective approach to physical production, successfully directing and producing feature films (Cassians Kids), music videos (Deborah Gibsons Only Words), documentaries (The Rise and fall of the Etruscans) and TV commercials (Dominos Pizza, Lenders Bagels, Burger King). Recent feature films that Matonti has also executive produced Wedding Band (Dom Deluise, Deborah Gibson) and Loose Women (Charlie Sheen).
.. John-Luke Montias
Lucy ... Susan Mitchell
Coco .. Vincent Vega
Popeet Norman Middleton
Mike .. Paul Maged
Andy .. Andrew Rein
Gina ... Donna Sonkin
Tim Michael Gnat
Alex ... Gene Ruffini
Tony Zino .. Anthony Caso
Astro .. Steve Heinze
Dollar Bill .. Rick Poli
Girl at Church Carly Weil
Director .. John-Luke Montias
Screenplay . John-Luke Montias
Executive Producers .. Matonti Bros
Producers Michael Pilgram
Director of Photography George Gibson
Editing. .. Michael Pilgram
Sound .. Andy Rayland
Assistant Camera . Chris Benker
Production Assistants .. Carrie Jones
Script Supervisor . Sally Rowe
Make-Up Artist Irene Power
Gaffer .. Jerome Taylor
Music .. Ed Tomney
Music Supervisor Carol Sue Baker


Happy birthday to Yvonne Craig, perhaps best known for portraying Batgirl/Barbara Gordon on the Batman TV series from the 60s. Being a child of the 60s, I was most definitely a member of the original TV generation, and TV sure was a lot more fun and friendly back then! Batman was probably my favourite live-action show as a kid, and I suspect that Yvonne Craig's Batgirl was my first prepubescent crush. Though quite sexy in her batsuit, Yvonne also played her as very demure and feminine. I thought she was just adorable.
In later years I would take notice of Yvonne in the various guest spots she made on a lot of other series as well, usually small but memorable roles. Now that I'm enjoying so many of these great shows on DVD, I've been able seek out a lot her guest spots on my favourite series like Mannix and Wild, Wild West.
Here's a montage above of shots of Yvonne alongside Robert Vaughn in One of Our Spies is Missing, one of the several Man From U.N.C.L.E movies that was created by cobbling together episodes of the TV series. I used video reference from this appearance as the basis for my caricature of Yvonne, although the yellow turtleneck I grabbed from some other pics I found of her.
She was certainly best known for playing Batgirl, but I'm sure many Star Trek fans hold her in high esteem for her memorable role as the green, dancing, slave girl, Marta in the episode, Whom Gods Destroy:
Though primarily a TV actress in later years, Yvonne did do a few movies earlier in her career. Probably her best known movie is the 1964 Elvis Presley film, Kissin' Cousins, in which she and equally lovely Pamela Austin play a couple of cute backwoods sisters who fall for Air Force officer Elvis. Off screen, Yvonne and Elvis were dating at the time.
Yvonne still does a few personal appearances at fan events in tribute to her Batgirl role. I'm hoping that she'll make it to Toronto's Fan Expo someday so I can meet her! Happy Birthday, Yvonne!


Stranger Things is rated TV-14. The series is rated TV-14 for scenes of violence, profanity, and mature subject matter. For kids over the age of 13, however, it’s a great show for parents to. The video streaming and production company has consistently given "Stranger Things" a rating of TV-14 since Season 1. According to its website, Netflix currently rates the TV shows included in its streaming service from TV-Y to NC-17, and wrote that its TV show maturity ratings indicate the level of mature content for the entire series. The reason season 1 was good was because it was full of new ideas and kids were the main characters with interesting roles. Webthe final season of “stranger things” will have the tone of season 1’s tone and season 4’s scale. The fifth and final season of stranger things will, according to creators. Download Stranger Things Season 1 Is. Sep 09, 2022 · With season 4 bringing her to spring 1986, Stranger Things' Nancy Wheeler was 18 years old during her horrifying encounters with Vecna. While Nancy’s age is 18, Natalia Dyer was 27 during Stranger Things season 4, just about 9 years older than her character. Dustin Henderson. Season: OR Year: Season 4 S4, Ep1 27 May 2022 Chapter One: The Hellfire Club 8.1 (21,367) Rate Still reeling from the events last year, the gang tries to move on with their lives. However, a threat is brewing both on Earth and the Upside Down. S4, Ep2 27 May 2022 Chapter Two: Vecna's Curse 8.1 (18,582) Rate. No drug action until season 4, where characters smoke weed, a drug deal takes place, marijuana is referenced and seen in a bag, cocaine is referenced and a drug called "Special K" is named..
Season 4 of “Stranger Things” took the entertainment world by storm this past month, pulling 1.15 billion hours viewed within its first 28 days of availability, according to. Jun 25, 2022 · Finn Wolfhard is now 19 years old, though his character Mike Wheeler is meant to be around 14. Finn Wolfhard was born on December 23, 2002. Like Eleven, Mike and his friends should all be just about 14 years old. They graduated from middle school between seasons two and three, and are now freshman in high school on "Stranger Things" season four.. May 30, 2022 · RELATED: Each Main Character's Age At The Beginning Of Stranger Things & Their Age In Season 4 Dexmo thinks Eddie "just looks too old" and that he just seems like "a creepy old dude that leans into certain cliches to impress young girls," and Daze_Confuse thinks Jason looks like "the 30-year-old basketball coach.". 4. Stranger Things (2016– ) Episode: Chapter Four: Dear Billy (2022) TV-14 | 78 min | Drama, Fantasy, Horror 9.4 Rate Max is in grave danger - and running out of time. A patient at Pennhurst asylum has visitors. Elsewhere, in Russia, Hopper is hard at work. Director: Shawn Levy | Stars: Winona Ryder, David Harbour, Millie Bobby Brown, Finn Wolfhard. 1. Stranger Things (2016– ) Episode: Chapter One: The Vanishing of Will Byers (2016) TV-14 | 47 min | Drama, Fantasy, Horror. 8.5. Rate. At the U.S. Dept. of Energy an unexplained event occurs. Then when a young Dungeons and Dragons playing boy named Will disappears after a night with his friends, his mother Joyce and the town of Hawkins are. .


- This event has passed.
The New Luther Movie
October 15, 2017 @ 4:00 pm - 6:00 pm
ABOUT THE FILM
500 years ago, Martin Luther triggered a seismic upheaval that rocked the western world—with an impact that continues to reverberate to this day. This entertaining new film follows the great adventure story of Luther’s life, packed with political intrigue, kidnappings, secret hideouts, and life-or-death showdowns. At the same time, it’s a story about the most important questions of life, including “Who am I?” “What is my purpose” and “How do I get right with God?”
It’s a must-see for any lifelong Lutheran, and a chance to share the message of our Lutheran heritage with others. And the only place you can see the film is in (theater name) on the night of our church’s special event (day/date/time). This screening is the perfect outreach opportunity—a chance to invite friends and neighbors to an entertaining event in our community.
This is the first time in more than 60 years that Lutherans have made a feature-length film about Martin Luther and the Reformation. Filmed in historic locations across Europe, this movie brings Luther’s story to life with exquisite attention to detail. It’s a way to strengthen our faith by revisiting the birth of Protestant Reformation, and a chance to share that experience with others.
Reserve your seats by calling 334-730-4300


Kevyn Major Howard, as an actor, has had the pleasure of working with Frank Sinatra, Clint Eastwood, Charles Bronson, Ron Howard, James Caan, Willem Dafoe, Lawrence Fishburne, Robert Blake, George Pepard, Tom Selleck, Don Johnson, Matthew Modine, Vincent D’Onofrio, Adam Baldwin, Ed O’Ross, Arliss Howard, Sondra Locke, Mandy Patinkin, Terrence Stamp, Judge Reinhold, Alan Autry, Stan Shaw, William Sanderson, Jill Ireland, Vincent Gardenia, Mare Wingingham, Keenen Ivory Wayans, Daniel Baldwin, Parnell Roberts, Tyne Daly, Sharon Gless, Robert Stack, Dorian Harewood, James Russo, Rod Steiger, Gary Busey, Richard Dean Anderson, Sally Kellerman, Martin Mull, Pamela Bellwood, Tuesday Weld, and the list goes on.
As a celebrated photographer, Kevyn Major Howard has successfully revolutionized the headshot industry over the last 36 years.
Kevyn believes that the eyes are the window to the soul. His headshots capture a look, a glance, a nuance that brings a 2D image to life. When viewing Kevyn’s work you will experience the deliberate precision, accuracy, and illumination with which Kevyn captures his subject’s eyes. The eyes are absolutely the expression of the actors personality and charisma; they are the key to anyone’s success. A focus on the eyes tells your unique story to the casting director. Whatever you want to communicate, Kevyn can capture it with authenticity- ensuring your professional success.
His philosophies to having a successful journey as a film actor are ‘simple anecdotes’. Be the best you can be – be simple – be authentic – be honest – strive for excellence in professionalism. These are all critical to being successful as an actor.


Free Screening: Lost Child – Sayon’s Journey
Friday, February 7, 2014, 7 - 9:30pm
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Lost Child – Sayon’s Journey, a film exploring the Cambodian genocide and its lasting impact through the eyes of a former Khmer Rouge child soldier, will be shown at the Frederick P. Rose Auditorium, 41 Cooper Square, Third Avenue and 7th Street, at 7 p.m., Friday, February 7. Admission is free and open to the public.
The screening will be followed by a discussion with Sayon Soeun, whose story is told in the film, director/co-producer Janet Gardner of the Gardner Documentary Group, and co-producer Sopheap Theam.
Narrating in his own voice, Soeun confronts his childhood experiences during Cambodia’s darkest hour; revealing for the first time what he witnessed and struggled with as he came of age.
Abducted at the age of six, he was exploited by the Khmer Rouge; his family life and education stolen. His recovery and redemption from unimaginable evil evolved as he transitioned from an orphanage in a refugee camp to the home of a loving American family in Connecticut. The film follows Soeun on a healing journey to Cambodia, where he encounters family members who say they never forgot him, and forgives himself for his complicity as a Khmer Rouge child soldier.
The film builds to a suspenseful conclusion as Soeun receives the results of DNA tests that will confirm or refute his relationship to the people he met in Cambodia, who are certain he is their brother. Now in his 40s, Soeun directs Light of Cambodian Children in Lowell, Mass., where he lives with his wife and child.
Lost Child won a Cine Golden Eagle Award in the independent documentary feature category in 2013, and the Audience Choice award at the Philadelphia Asian American Film Festival in November. It also was selected for the New Jersey Film Festival and the Boston Asian American Film Festival.
The film was co-produced by Gardner and Theam, Soeun’s sister-in-law and a native of Cambodia, whose family fled the country when she was an infant. In the film, she accompanies Soeun on his first trip back to the country.
For further information about the film, visit lostchildthefilm.org.
Located in the Frederick P. Rose Auditorium, at 41 Cooper Square (on Third Avenue between 6th and 7th Streets)


The Bard on the NYU Land Grab
I don’t understand, NYU is such a great learning institution. So why are they so mercilessly expansive at the expense of the neighborhood? Am I missing something?
Madness in great ones must not unwatched go.
- Hamlet, Act 3, Scene 1
But they look so earnest in their massive building plans for our community. What would you say to them?
Ye have angels’ faces, but heaven knows your hearts.
- Henry VIII, Act 3, Scene 1
Are you referring to all the empty promises they make?
Things sweet to the taste often prove in digestion sour.
- Richard II, Act 1, Scene 3
Then what would you say their latest gambit is?
Have patience and endure.
- Much Ado About Nothing, Act 4, Scene 1
Okay, but how do we counter that?
‘Tis true we are in great danger; the greater therefore, should our courage be.
- Henry V, Act 4, Scene 1