Dan is a British director based in Mexico City working in commercials, digital content and film. Born in the seaside bohemia of Brighton, Dan was drawn to film making at an early age due to his father sharing this profession. After cutting his teeth on sets throughout his teenage years, he would go on to graduate from the Arts Institute at Bournemouth with a degree in film direction.
Upon arriving in Mexico, Dan began working for commercials production companies, and before long, had formed one of his own called Frank and Levy Films. Within three years he had produced and directed a number of large projects for brands such as Armani, COTY, LALA, Nescafé, L’Oréal and Bayer.
He has since gained commercial representation at one of Mexico's top production companies Madrefoca and has directed projects for GMC, Chevrolet, Ford, AT&T, Coca Cola, Audi, Despegar, Knorr, Buchanan's, Liverpool, Devlyn Optics, Visit Mexico and Trivago.
Dan has a wide range of experience working in different formats and genres of commercials, be it filming Mustang Shelbys tear through Pueblos Mágicos; or point-of-view travel experiences from yachts to deep jungle; or pulling sincere performances out of non-acting children; or striking visuals for fashion brands; Dan is a keen problem-solver and the juxtaposition in his cultural background brings an unique perspective to his work.
Dan is currently working freelance and also works as a screenwriter for film and television.


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Tickets go on sale March 2.
It’s time to get your laugh on, RVA! Comedian and actor Adam Sandler is coming in April.
Sandler, who has starred in movies such as “Grown Ups,” “Big Daddy,” “The Longest Yard” and “The Waterboy,” will be at Altria Theater at 8 p.m. Friday, April 20 with special guest Rob Schneider.
His Netflix movies – “The Ridiculous 6,” “The Do-Over” and “Sandy Wexler – have been among the most watch films on Netflix ever.
Tickets for Sandler’s show go on sale at 9 a.m. Friday, March 2 and will be available online at www.AltriaTheater.com, by phone at (800) 514-3849 (ETIX) and at Altria Theater and Dominion Energy Center box offices.
Tickets start at $52, plus fees.
Please note: This show contains adult content and is intended for mature audiences only.


Last night, the movie being shown on TV was “Charlie’s Angels: Full Throttle”. I don’t know if you’ve seen this movie or not but if you liked it, you might want to move on to another site because I’m about to trash the hell out of it…
Let me start by saying I didn’t watch it last night because I’d already seen it. I know why I watched it before because I didn’t like the first one. The first one was really bad, but at least you had that one scene where Cameron Diaz dances around in her Spiderman underwear to the tune of Tavarez’ “Heaven (Must be Missing an Angel)”, one of my all time favorite songs. That one scene saved an otherwise dismal movie. But if the first one was bad, the second was embarrassingly bad. It was an affront to the Charlie’s Angels classic TV show that I loved so much as a kid. Farrah Fawcett would be rolling over in her grave (if she were dead that is…) if she saw what a mockery they’ve made of some of her best work. Thank God none of the original Angels did a cheesy cameo. That would have been the coup de grace.
So that got me thinking about 70’s TV shows in general. We didn’t have cable back then, so there were really only a handful of popular shows. I was born in 1971 so I only remember the latter half of the 70’s. And of course, many of the shows I watched were because my mother watched them. Here’s a short list of most of the 70’s shows that I watched frequently growing up:
Dallas – My mom was addicted to this show and since it was on Friday nights, she usually let us stay up late and watch it with her. By the way, Kristen Shepard shot J.R. in case you were wondering.
Alice – Another of mom’s shows. "Kiss my grits!"
Eight is Enough – I loved this one. I had a slight crush on Elizabeth.
Chips – What adolescent boy didn’t watch this show? Ponch and Jon had game.
Happy Days – This one goes without saying. The Fonz was probably the most popular TV character in the 70’s. Fabumundo. Admit it - you once tried to turn on a jukebox by punching it. Aayyyyyyyy…
Laverne and Shirley – Another of mom’s favorites.
The Six Million Dollar Man – “We can rebuild him. We have the technology”.
Mork and Mindy – I remember my dad used to watch this show with us and say how stupid it was. But I also remember that he used to laugh quite a bit at it.
The Love Boat – Another mom favorite. The theme song still makes me happy every time I hear it. “Love…exciting and new…”
The Jeffersons – This and “Good Times” were my first introduction to Black culture.
Little House on the Prairie – Now you just KNOW this was one of mom’s favorites.
Taxi – We would only get to watch this one in the summer because it came on late.
Three’s Company – Same with this one. Summer only. It was pretty racy for the 70’s.
Oddly enough, I never watched one of my all time favorite shows of the 70’s until it came on reruns in the 80’s; “WKRP in Cincinnati”. There sure was some good TV in the 70’s now that I think about it…


Over the years we have created and implemented quite a few April Fool spoofs in and around Edinburgh.
In 1999, we worked with Scottish Television on an April Fool about Brazilian footballer Ronaldo. The challenge was to convince the public Ronaldo had Scottish ancestry and was eligible to play football for Scotland. The idea was conceived by Stuart Reid of Scottish Roots, who enlisted the help of our very own Robin Mitchell, and Tony Higgins from the Scottish Professional Footballers' Association.
Not every wheeze was successful: our attempt to dupe a Scottish newspaper into believing there was a Sasquatch loose in the countryside of Midlothian failed at the last hurdle when the deputy editor said: "That's just a bloke in a gorilla suit!"
Then, shortly after the publication of Robin Mitchell's children's book, Princess Pumpalot: The Farting Princess, another April Fool was hatched. The opening line sums up the story: "A Scottish school, after reading the children's book Princess Pumpalot: The Farting Princess, has come up with the novel idea to use farts to power the school generator".
However, probably the most elaborate April Fool we undertaken to date was in 2001 when, in association with Edinburgh's Dominion Cinema, we arranged the exclusive world première of a new film called Grave Robbers: The Movie. The secret was: the film didn't exist!
Posters were pinned up around the city advertising a preview screening of this fictitious movie at the Dominion on Sunday 1st April at 11am. Local radio lent a helping hand by publicising the event, and free tickets were issued to interested parties in advance.
In the true traditions of an April fool prank, the movie poster was littered with clues. The stars listed included "April Fullerton". The editor was listed as William Burke (Scotland's notorious 19th Century bodysnatcher) and the film was made by a fictional company called Daydream Productions. If that wasn't enough, the poster referred to a best picture nomination at the Paisley International Film Festival and bore a reviewer's quote that: "This movie makes Hannibal look like a vegetarian" (from a newspaper that had been defunct for over a century). Perhaps people don't read posters?
Miles Fielder, the film critic of the movie and music magazine The List, printed a copy of the Grave Robbers: The Movie poster and details of the screening and promised a review of the film in the following edition. Then Grant Stott, of the Scottish radio station Forth FM advertised our event on his show. He said that people should just turn up to the première as tickets were free ... and Ewan MacGregor was going to be there!
Early that chilly morning, fifty people turned out to queue for the eagerly-anticipated screening. The crowd was eventually led into the cinema, introduced to the "up and coming" stars of the new movie (aka some of our off-duty ghosts) before being shown a short film prior to the (fictitious) feature. It was at this point that the audience was informed that the event was actually an elaborate April fool.
Ewan MacGregor lent a helping hand. Perhaps we could have been clearer, however, that it wasn't that Ewan McGregor, but an enthusiastic almost-namesake. (What's one more letter between friends?) In appreciation of the crowd taking part in the event (and to avoid being lynched), everyone received a copy of Robin Mitchell's Grave Robbers novel prior to the screening of the short film Sean Connery's Edinburgh.
On Monday 2nd April, the Daily Mail, Scotsman and Daily Mirror carried the story and Danny Chalmers of Forth FM broadcast the report.
And what about this year? Well, we'll tell you once you tie your shoelace.


Lu sur Yahoo News:
"MANHATTAN, Kan. – Asked his opinion of the movie "Brokeback Mountain," President Bush hemmed and hawed.
"You would love it. You should check it out," a man in the audience told Bush Monday during a question and answer session at Kansas State University.
After some hesitation – and laughter in the audience – Bush said, "I'd be glad to talk about ranching, but I haven't seen the movie." The audience laughed some more, and Bush, who owns a ranch in Texas, allowed that, "I've heard about it."
"Brokeback Mountain" is a cowboy romance about two ranch-hand buddies who conceal a long homosexual affair from their families. The movie has won four Golden Globe prizes, including best picture honors in the drama category."


Written by Steve Norton of Newmarket, Ontario
Warning: The following article contains multiple spoilers for John Wick: Chapter 2.
John Wick: Chapter 2 continues the story of retired hitman John Wick (Keanu Reeves). Set a mere two weeks after the events of the first film, Wick has successfully finished his manic vengeance and settles in at home for his new life…for about 10 minutes. Soon after, he is met by Santino D’Antonio (Riccardo Scamarcio), a former associate who reminds him of an old debt that needs to be repaid.
Despite his protests, Wick is forced back to work to fulfill his obligation – after all, there are rules to be followed – and he finds himself in the middle of a global turf war.
In the most surprising mash-up of the year, John Wick: Chapter 2 opens with a clip of Buster Keaton projected on a nearby wall as the action takes place below. The message is clear: This is a film that will emphasize the visuals and physical performances. Like Keaton, Reeves’s character will show you through the story with his actions, as opposed to his words.
By utilizing a unique style of violence that some have dubbed “gun-fu,” the appeal of the Wick films seems to lie with its almost dance-like action sequences, combining the use of martial arts and firearms.
Whereas the majority of actioners now make use of the infamous shaky-cam style of filmmaking (I blame you, Paul Greengrass), the Wick series follows the violent acts in ways that develops genuine intensity. Although extremely violent, it remains both visceral and stunning visually.
Still, there is far more to the film than choreography and headshots. Whereas the first film follows Wick’s grief-filled heart, Chapter 2 focuses entirely on his soul. As the film builds to its climax, he seems to straddle two different worlds. With the final battle taking place in an art gallery featuring an exhibit entitled “Reflections on the Soul,” John Wick has no time to do so. By literally making his descent into the underworld that he is caught between heaven’s gates and hell’s flames.
Through the director’s ingenious choice to place the final battle in a hall of mirrors, we see that Wick is actually two men – one seeking redemption and the other forever damned. (Admittedly, this reflective setting is hardly new to the action genre, but the subtext keeps the moment fresh.)
What’s more, in John Wick: Chapter 2, justice is swift and vengeful. In an “eye for an eye” world, Wick is reminded that he is “still Old Testament.” We see this evidenced in the penultimate moment of the film where, in a scene reminiscent of Genesis 4, John literally kills his blood brother in the Continental’s dining hall. However, in doing so, he also breaks one of the key rules of his profession and thus, destroys the only place of Edenic shalom that he has enjoyed.
As a result, such an act causes him to be thrown out into the night. Yet, even so, the Continental’s benevolent and ever-present manager Winston (Ian McShane) continues to care for him. In a moment reminiscent of Cain’s exchange with God after the murder of Abel, Winston informs John that the only reason he remains alive is “because he wills it.” What’s more, to deepen the comparison with this moment, Winston even hands John a marker as he departs.
FOR FANS OF THE MATRIX V FOR VENDETTA 300
…the film reveals a man who wishes to take steps into a world of freedom but remains a lost soul, running from his past and leaning into an empty future.
As the film closes, he is cast out into the night with nowhere to wander. Through Winston’s act of grace, he takes on a God-like persona as he watches over Wick, yet because of his actions, there must be consequences.
John is a man who has sinned against Winston and, although there remains the desire to forgive, Winston cannot erase the actions that have already taken place. As a result, he is now the target of everyone yet protected by none.
This is a film that explores the moment where one is forced to decide who they shall be. While on his way to meet underground crime boss, Bowery King (Laurence Fishburne), he is met with a sign that says “Jesus saves,” yet he walks right past it. It is a reminder that the justice of the Old Testament can appear dark without the light inherent to the New Testament.
Wick is a man who needs salvation yet finds no absolution in anything. Near the end of the film, he sits in his burnt down home, clutching his wife’s rosary and reflecting on the events that have just taken place. Although he is clearly repentant, he refuses to – or, more accurately, is unable to – move beyond his past.
What people will most likely remember about John Wick: Chapter 2 is its stylized violence and spectacular battle scenes. Still, the deeper story within the film reveals a man who wishes to take steps into a world of freedom but remains a lost soul, running from his past and leaning into an empty future. (“Am I free?” he asks as he is reminded that he “never will be.”) Though called “the Boogeyman” by those who fear him, Wick is in fact more of a ghost floating through life without any firm spiritual grounding.
One only hopes that, in the inevitable, and likely final Chapter 3, Wick finally finds some shred of light in the darkness that continues to swallow him whole.


Palpatine was there to witness this fight, smirking as Anakin gave into his anger to fight the Sith Lord. The Best Darth Vader Quotes & Sayings from the Star Wars Universe: 30 Classic Darth Vader Lines! That’s why his re-entry into the franchise in Force Awakens was just fantastic. Mdina in Game of Thrones: Locations, Scenes & More! You were right. Disney Plus has arrived in the UK - you can pay £59.99 for the year, or £5.99 a month. This arc starts with “Rookies” in season one before starting up again in season three due to the chopped-up nature of the show’s chronology. How we go about doing it, that’s another idea made by myself. The final season of the acclaimed Star Wars: the Clone Wars series is the best material Star Wars has produced, ever. 15 Cape Breton Photos That Show It’s…. Where was Star Wars: Episode I – The Phantom Menace Filmed? Quick, have the tissues at the ready! It’s not just the moment that the doors open and Vader is there waiting. Check out the best star cards for Anakin in Battlefront 2. It’s a twist that shifts the whole of Star Wars on to its axis and gives Luke some gravitas - something his character was missing until this point. Star Wars: Best Darth Maul Moments from The Clone Wars and Beyond Maul's story didn't end with The Phantom Menace. She now has an even bigger secret and attachment to Anakin — she’s pregnant with his child. The Ultimate Guide to DracoTok, The Best TikTok Trend of 2020, Harry Potter iOS 14 Aesthetic Guide: Apps, Wallpapers, Icons & More. You have entered an incorrect email address! And, as any fan would know, instead of bringing balance to the Force, he disrupts it and alters the lives of many while bringing us (for better or for worse) some truly iconic quotes along the way…. ShortList is now ad free and supported by you, the users. 15 best character introductions; ... where Anakin’s life was changed forever by taking on an unexpected padawan. It wasn't his darkest moment, but of all the moments that aired on TV (not Netflix) that showed his gradual decent into darkness the best without heavy fantasy influences (such as the Mortis arc), I would say it was when Anakin was trying to see Ahsoka in prison. And by the end of the movie? By JJ Broson Jul 19, 2020 Share Share Tweet Email 20 actors considered, Netflix just revealed a huge upgrade for Android users, 30 best movies on Amazon Prime Video, ranked, The 50 best movies on Netflix to stream: including White Tiger, Netflix hidden gems: 10 movies and TV shows you need to watch, 15 best cult movies on Netflix to stream in lockdown, Try Another Day: best alternative Bond themes revealed, Best Bond Gadgets: from fake fingerprints to the first smartwatch. Here are some of our favourite, most memorable Anakin lines: “One day, I will become the greatest Jedi EVER. It seems like every time Anakin fights Dooku, he becomes angrier and angrier, and in each battle, closer to killing him. Here’s a compilation of some of his more laughable sayings: “I don’t like sand. Say goodbye to the villains because 007 comes fully equipped. In anticipation of the final season of The Clone Wars, now is the perfect time to look back at some of Anakin's darkest moments in the series. The love between Padmé and Anakin plays a large role in Star Wars: Attack of the Clones, The Clone Wars, and Star Wars: Revenge of the Sith. Lucasfilms. Great Netflix treasures that have gone under the radar. And now that I’m with you again… I’m in agony. Who should replace Daniel Craig as James Bond? Anakin Skywalker is the most complex character in the Star Wars franchise, flirting between the light and the dark side. So, in honour of Anakin’s understimated power, here are some of our favourite Anakin Skywalker quotes. They live on the moons of Iego, I think. No surprise then, that it's given us some of the most memorable characters and moments ever put to film. One of the best things about The Clone Wars is that while it focuses on Anakin, Obi-Wan, Ahsoka, and the Jedi Order, it also shares the stories of the millions of clones that fans have come to love. Game of Thrones Locations in Northern Ireland: A Full List! Reality Shifting to Hogwarts: Methods, Scripts & Resources! The character arc of Anakin Skywalker (before he becomes Darth Vader) is best explained in Star Wars: The Clone Wars. Clones. What can I do? Anyway, rant over. We’ve just met Lando Calrissian. 21/25. But that didn’t stop you constantly thinking ‘when the hell is he going to appear?’. It doesn’t look good.” Season 1, Episode 11 “Dooku Captured”, “You should be more patient, Master. And perhaps no other character could say, “I know” after a princess declares her love. What’s that?Anakin Skywalker: Ah, well, it’s negations with a lightsaber.” Star Wars: Episode II – Attack of the Clones, “General Grievous… you’re shorter than I expected.” Star Wars: Episode III – Revenge of the Sith, “Obi-Wan Kenobi: Can you fly a cruiser like this?Anakin Skywalker: You mean, do I know how to land what’s left of this thing?” Star Wars: Episode III – Revenge of the Sith. The Clone Wars Actually Begin. After all, the Count is an elderly gentleman and doesn’t move like he used to.” Season 1, Episode 12 “The Gungan General”, “It’s bad enough that we have to be in the same cell, but could you at least spare me the sound of your constant chatter?” Season 1, Episode 12 “The Gungan General”, “Anakin Skywalker: Don’t you think our priority should be escape first, eat second?Count Dooku: [To Obi-Wan] Do control your protege’s insolence so I can concentrate.” Season 1, Episode 12 “The Gungan General”, “There’s a good chance we’re about to destroy all life on this planet, including ours, and the senator’s.


Monument to “After Two Hares” movie characters
If you run after two hares, you will catch neither – so the saying goes.
This proverb has become the main theme of the comedy movie “After Two Hares”, made in Ukraine in 1961 and still very loved by people. Main character of the movie, a young frivolous man, promises simultaneously to two girls to marry them. They all get in various comic situations and speak a very funny language that still amazes spectators.
“After Two Hares” comedy movie characters and actors are so popular that there is even a small monument to them. It is located next to the iron staircase leading to Saint Andrew church – the place where some scenes of the movie were filmed.
Tourists and young just married couples often take pictures staying next to this pretty monument. First of them – to remember better the city tour, second – in order not to have the same fate as movie characters do.


We're very proud of all the clients we've had the pleasure to work with. Here are some of the places where our clients have been featured:
PRESS: Variety, Rolling Stone, The New Yorker, The Hollywood Reporter, NPR, Spin, Pitchfork, New York Times, Los Angeles Times, The Village Voice, San Francisco Chronicle, NME, and others.
TV: PBS, MTV, VH1, Bravo, MSNBC, Discovery, HGTV, and others.
FESTIVALS: Sundance, South by Southwest, Cinequest, San Francisco International Film Festival, Santa Barbara International Film Festival, Silverdocs, Seattle International Film Festival, Docuweeks, and others.


Another global warming scare film is touring US film festivals:
Family upheaval and environmental destruction mirror each other in the film Future Weather, a drama about three generations of women, which premiered at the Tribeca Film Festival and is now screening at other film festivals.
Set in a rural Midwestern community, the film tells the story of 13-year-old Lauduree, a young science student played by Perla Haney-Jardine.
Despite encouragement from her teacher, played by Lili Taylor, and a growing friendship with a classmate, Lauduree’s anxiety about the Earth’s prospects for survival and her own, only grow.
“What do you think the future’s going to look like, tropical paradise?” she yells in one scene.
“You think it’s going to be nice and warm? Hell, there’s not going to be any food! Welcome to my future.”
A New Yorker magazine story about global warming inspired the script, said writer-director Jenny Deller. Environmental issues, she said, “are about home. There was really an intuitive connection between this issue and this kid’s situation being abandoned. Her world was very shaken up. It was the equivalent of having an earthquake or some sort of natural disaster.”
Deller worked on the film for six years, raising funds through family and friends, and with grants for science-themed popular entertainment.
Six wasted years working on a film which, based on the description in the Voice of America article, unintentionally describes what happens to a teenager who has been brainwashed by a warmist science teacher!


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AWARD WINNING PRODUCTION COMPANY
Ricornel Productions is an award winning multimedia company specializing in film, photography, and graphic design. Our film work has been seen on FOX News, PBS, Houston Life, KHOU 11 News, and Great Day Houston and has premiered in film festivals across America, Canada, Africa, and Italy.
Ricornel Productions has had the privilege of working with several companies, including The Ensemble Theater, Main Street Theater, The Alley Theatre, Pastorini Bosby Talent, Frowbiz, Houstonia Magazine, Diverse Works, Jack Morton Worldwide, Prague Shakespeare, Women in Energy Network, SAP and many others.
Along with Headshots and Demo Reels, we have also developed The Indie Film Workshop which has helped many actors further their careers with branding and rebranding for commercials, tv and film roles, along with getting representation.
We have created a production company that is for the people. Contact email@example.com for all your media needs.
“Being able to supply BIPOC actors and directors with professional footage and an IMDB credit is one of the most significant things we have done as a company. Many of the actors we worked with went on to get representation, star in commercials and even landed roles in television and film.” – Amelia Rico, VoyageHouston interview
Meet The Team
We’re a Houston, Texas award-winning production team and we love to tell the stories for the people.
Our film division is operated by our award winning Director, Screenwriter, and Lead Editor, Amelia Rico. Our work has been seen on Houston Life, FOX News, KHOU 11 News, and Great Day Houston. She holds a BA in Theatre from The University of Houston and is a working Director, Actor, and Teacher represented by PB Talent.
Photography and Graphic Design Division
Our photography and graphic design division is operated by Art Ornelas, the Lead Photographer and Cinematographer. His work has been published in American Theatre Magazine, The Wall Street Journal, and the Houston Chronicle. His studies include Architecture and Theatrical Design at San Antonio College and the University of Houston.


1930s Halloween costumes are unique vintage inspired costume choices. Bonnie and Clyde is a classic gangster couple costume while Old Hollywood movie star gowns bring on glamour. Cartoons Popeye with Olive Oyl and Betty Boop are also 30s costume classics for women. The 1930s were also the decade of vintage horror films: Frankenstein, Bride of Frankenstein, Dr. Jekyll and Mr. Hyde, Dracula, The Mummy, and The Black Cat creating a host of timeless Halloween costumes. Indiana Jones is a popular men’s look but it can be a female explorer /adventurer/zoo keeper costume too.
Most of these vintage costumes are ready-made cheap(er) Halloween party costumes. For a more authentic 30s fashion look at 1930s inspired clothing and create a unique costume. For men’s 1930s costumes look here and for kids 30s costumes look here.


DVD Review: St. Francis (2002 – English version distributed by Ignatius Press).
I received this DVD as part of the Tiber River blogger-review program; when I realized that I absolutely could not stand the film, I e-mailed our longsuffering review-program director for guidance. He pointed out that his army of bloggers is hired to post honest reviews, not marketing copy. Well I hate posting bad reviews, but I’ve got my orders, so here goes:
First of all, you should know that the film is really very beautiful. Lovely medieval sets, sweeping vistas of Italian countryside, fun being had in the costuming department. I am not qualified to give you a historical-accuracy rating on those details, but certainly as a lay-viewer I felt happily immersed in turn-of-13th century Assisi. So I really wanted to like this film.
I tracked along with the director’s artistic-license version of St. Francis’s early life until we got to the battle between Assisi and Perugia. Which, in this version of events, is not merely a battle between two cities, with Francis as a would-be knight. Instead, we have a worker’s uprising in Assisi, with Francis as a proto-Marxist, encouraging his father’s employees to abandon the cloth-works and fight for freedom against their noble oppressors.
Mmn, I dunno. The truth is I know very little about 12th and 13th century Italian city-states.
–> In researching some Francis-biographies to fact-check later scenes, I did find instances where a scene that played as melodrama in the film was in fact taken from the historical record. But I was unable to find anything corroborating the early-revolutionary take on the the Assisi-Perugia battle. If someone can point me the appropriate source, I would be most grateful.
But I let that go until Francis showed up in prison. Now again, I could be missing sources in my fact-checking. But the accounts I have read (from contemporary-to-him and contemporary-to-me biographies), tell of Francis being taken prisoner in Perugia, where he spends a year until his father ransoms him. During which time there are some stories of him cheerfully encouraging the other captured knights, and befriending one particularly surly knight. It’s all very . . . Inquisition-Deficient.
So our director’s version was not what I was expecting: A fellow prisoner going to his death for heresy covertly passes Francis his contraband bible. Francis exclaims: “It’s in the vernacular!” Amazed by the possibility of reading the scriptures himself, he becomes a new man – and is eventually tortured and left for dead because he is caught reading the forbidden bible to another prisoner.
Did this happen in real life? Because I’m seeing nothing in any biography I read, including the Ignatius Press study guide that came with the film. Awaiting evidence to support these claims (I’m ready to be corrected!) this is why I’m giving the film a low orthodoxy-rating. There’s a necessary amount of could-have-happened pretending that goes with any dramatization of a historical figure; but these accusations, if fictional as I think they are, cross the line into slander. Not to mention gratuitous sadistic-voyeurism.
(There are not lingering torture scenes. We hear brief sound effects, see the set where the torture is going to take place — and see discarded bodies tossed into a pile. Francis’s father comes and claims his son’s body from that pile.)
From there we get one more set of just plain weird fake-biography. Francis comes home and succumbs to the long illness well-known to history. Now in the written versions of the saint’s life, we see a young man who struggles to work out his vocation for a time after his recovery. He attempts to become a knight again, but is turned away; he gives alms, but continues to live in the world and cavort with his friends, albeit more soberly than before. His charitable fundraising is halting and at times immature. It is a process. (And yes: there are records of temper-tantrums as part of that process.)
In the film, Francis wakes up from his illness, sneaks downstairs, and in one manic episode breaks into his father’s strong-chest and proceeds to throw money and treasures into the streets. It is a violent, mindless rage, made all the worse when the recipients pile-on the tossed-out gold in a melee of their own. Conversion-as-psychosis.
(Later one of his companions will convert with the same money-tossing-tantrum process, fist-fighting beggars inclusive.)
After that, the movie is mostly just sort of dumb. Members of the nobility and the church hierarchy are played obtuse, arrogant, and one-dimensional. Francis preaches a gospel devoid of any real mention of Jesus Christ. And there is almost zero action.
→ Now that last complaint is a question of taste. I like action. The real life of St. Francis is loaded with action. Our director prefers long dramatic scenes of moodiness. Lots of pained looks, the occasional gaze-of-wonder, and characters who eventually get to say “Now I understand!”. The part where Francis travels the world and builds up a religious order is summarized in a minute-long voice-over in between the early-life dramatic angst and the end-of-life dramatic angst.
So that wasn’t for me. But other people might find it beautiful and moving. Seriously. I’ve discovered most of my smart catholic friends prefer this stuff to my Hardy-Boys type taste. I’m under-artsy. So if you like literary drama, really you might find this film just your cup of tea.
And that’s my review. I watched it once with the English voice-over (not recommended) and made an attempt to view it again in the original Italian (strongly preferred), but didn’t have the patience for a second sitting. [Plus I didn’t want the kids seeing that torture scene again.] Given the egregious nature of the apparent historical errors, I was surprised Ignatius Press put their stamp on this film.
→ I made an honest attempt to check on the facts, but plainly admit I’m not an expert. I will happily retract this review and adjust my orthodoxy-rating if it turns out I overlooked some key historical evidence. [So somebody please speak up and correct me! I would really much rather this be a beautiful film that isn’t to my taste, but that I could still recommend to those who do like this style of cinema.]


The horror classic, “The Texas Chain Saw Massacre,” is getting a new release date and technical test. The film will hit theaters on August 18, 2023, and a technical test will take place in May.
“The Texas Chain Saw Massacre” is one of the most iconic horror films of all time. The 1974 film, directed by Tobe Hooper, follows a group of friends who stumble upon a family of cannibals in rural Texas. The film’s gritty realism and intense violence shocked audiences when it was released and helped to define the horror genre for decades to come.
Now, almost 50 years after its initial release, “The Texas Chain Saw Massacre” is getting a new lease on life. The film has been restored and remastered in 4K, bringing its terrifying visuals to a new generation of horror fans.
The technical test in May will give audiences a chance to see the restored version of the film on the big screen and provide valuable feedback for the final release. This kind of testing is crucial for ensuring that the film looks and sounds its best, and that the viewing experience is as immersive as possible.
The August release date is also significant, as it will mark the 49th anniversary of the film’s original release. This timing adds to the nostalgia factor for fans of the original and may draw in new viewers who are curious about the film’s place in horror history.
In addition to the restored version of the film, the release will also include never-before-seen footage and bonus features. This is sure to excite fans of the original and make the release a must-have for horror enthusiasts.
It’s worth noting that “The Texas Chain Saw Massacre” is not for the faint of heart. The film’s violence and gore are intense, and it may not be suitable for all audiences. However, for horror fans who can stomach it, the film is a masterpiece of the genre and a must-see.
The release of “The Texas Chain Saw Massacre” is just the latest example of Hollywood’s love affair with remakes and reboots. While some may view these releases as cash grabs, others see them as a way to introduce classic films to new audiences and preserve their place in cinema history.
Of course, not all remakes and reboots are created equal. Some are poorly received by audiences and critics, while others become instant classics in their own right. Only time will tell where “The Texas Chain Saw Massacre” will fall on this spectrum, but with the film’s reputation as a horror icon, there is reason to be optimistic.
Overall, the release of “The Texas Chain Saw Massacre” in August is sure to be a major event for horror fans. With the film’s restoration and remastering in 4K, never-before-seen footage, and bonus features, this release promises to be the definitive version of the classic film. And with a technical test in May, audiences can rest assured that the viewing experience will be top-notch.
Whether you’re a die-hard fan of the original or a newcomer to the horror genre, “The Texas Chain Saw Massacre” is a film that should not be missed. It’s a chilling and unforgettable experience that has stood the test of time and will continue to terrify audiences for years to come.


1 edition of Théatre 21. found in the catalog.
Written in English
Theater in Chicago: The ultimate guide to musicals, Chicago broadway shows and plays, Chicago playhouses, theater reviews, tickets and listings. Theater definition is - a building or area for dramatic performances. How to use theater in a sentence.
LEO SCHWARTZ (Book, Music & Lyrics) is the Off-Broadway Producer of The Book of Merman as well as its composer/lyricist and co-book writer. A multi-award-winning composer of musical theatre, film, and concert music, his musicals have been recognized by numerous festivals. Theatre is a novel by the British writer W. Somerset Maugham, first published in by William Heinemann (UK) and Doubleday Doran (US).. The novel describes a successful actress and her husband, a theatre manager; her life and career is disturbed by a stormy affair with a young accountant.
Find Theater Textbooks at up to 90% off. Plus get free shipping on qualifying orders $25+. Choose from used and new textbooks or get instant access with eTextbooks and digital materials. Eventful Movies is your source for up-to-date Cinema 21 showtimes, tickets and theater information. View the latest Cinema 21 movie times, box office information, and purchase tickets online. Sign up for Eventful's The Reel Buzz newsletter to get upcoming movie theater information and movie times delivered right to your inbox.
U.S. Geological Survey Karst Interest Group proceedings, St. Petersburg, Florida, February 13-16, 2001
Crime knows no boundaries
The death and afterlife of Mahatma Gandhi
Lets try this again
From topic boundaries to omission
The preparation of sermons.
Service of the Synagogue
Sermons and occasional services
Career development of the effective college teacher
The long-running New York Times bestseller that has become a cultural phenomenon, Bringing Down the House is an action-filled caper carried out by the unlikeliest of cons -- supersmart geeks. Gambling pervaded the M.I.T. campus, and genius kids with money and glittering futures were just as likely to be found in a Paradise Island casino as in the school library/5(69).
Great book. So fun to have these new songs. I'm a voice teacher and always need new musical theater music. I wish there was an accompaniment CD as well. I already had about half the songs in it in other collections, but it is nice to have the gems from the new musicals without having to purchase so many different books.
Théatre 21. book. Find Cinema 21 showtimes and theater information at Fandango. Buy tickets, get box office information, driving directions and on: NW 21st Ave, Portland, Find AMC River East 21 showtimes and theater information at Fandango.
Buy tickets, get box office information, driving directions and more. Theatre is a branch of the performing arts. Any performance may be considered theatre; Théatre 21.
book, as a performing art, theatre focuses almost exclusively on live performers enacting a self-contained drama before an audience. A performance qualifies as dramatic by creating a representational illusion.
Independent art house movie theater in Portland, showing a mixture of independent, foreign, and classic films. 21st Theater Sustainment Command, Kaiserslautern, Germany.
20K likes. This is the Official Facebook page of the 21st Theater Sustainment 21st TSC is based in. The official site for MASTERPIECE on PBS. View the broadcast schedule, watch full episodes, clips and more from the acclaimed drama series. Create an account or log into Facebook.
Connect with friends, family and other people you know. Share photos and videos, send messages and get updates. Considering the rise in unconventional theatre experiences - the walk-through, site-specific installations, the kind of extreme circus antics practised by De La Guarda et al.
Movie times, buy movie tickets online, watch trailers and get directions to AMC Fairlane 21 in Dearborn, MI. Find everything you need for your local movie theater near you. Theatercom: visit the most interesting Theater 21 pages, well-liked by male users from South Africa and India, or check the rest of theatercom data rcom is a web project, safe and generally suitable for all ages.
We found that English is the preferred language on Theater 21 pages. The Guardian - Back to home. Fri 21 Sep EDT First published on Fri 21 Sep EDT. Michael Billington is the Guardian's main theatre critic.
Topics. Culture 21st. Children’s books about the theater. When you aren’t taking your kids to the theater, these picture books will reinforce the magic of the stage. I’m also really pleased I was able to find a number of books with diverse characters.
(Note: all book covers and titles are affiliate links.) Amandina. Age Policy for R-Rated Films Under 17 requires accompanying parent or adult guardian (age 21 or older). Guests 25 years and under must show ID. We restrict children younger than 6 from attending R-Rated films after 6pm to improve the experience for everyone.
Book-It Repertory Theatre is a nonprofit organization dedicated to transforming great literature into great theatre through simple and sensitive production and to inspiring its audiences to read. 'I don't want realism. I want magic!' A Streetcar Named Desire, filmed on stage at the Young Vic by National Theatre Live, is streaming from 7pm UK time on Thursday 21 May, for one week.
Norwich Theatre Royal, Playhouse and Stage Two are part of Norwich Theatre, the operating name of Theatre Royal (Norwich) Trust Limited. Registered Office: Theatre Street, Norwich NR2 1RL. Company Registration No. Registered Charity No. Buy tickets for upcoming arts and theater events, including Broadway shows, musicals, plays, operas and more.
Find your seat location, show and venue details at The Coolidge Corner Theatre is an independent, nonprofit cinema and cultural institution with four screens and the capacity for over audience members.
Sinceaudiences in the greater Boston area have relied on the Coolidge for the best of contemporary independent film, repertory, and educational programming. Become A Member Donate Gift.
Dear Guests, The Mariinsky Theatre will remain closed to the public until 31 May on the basis of a Decree of the President of the Russian Federation “On the determination of the order to continue active measures to ensure the sanitary and epidemiological well-being of the population within subjects of the Russian Federation in connection with the spread of the new coronavirus infection.Susan Bennett's highly successful Theatre Audiences is a unique full-length study of the audience as cultural phenomenon, which looks at both theories of spectatorship and the practice of different theatres and their audiences.
Published here in a brand new updated edition, Theatre Audiences now includes: `nBL a new preface by the author • a stunning extra chapter on intercultural theatre.Datebook is the San Francisco Chronicle’s guide to arts & entertainment in the Bay Area, combining award-winning news with a curated events calendar.


Head of Production
After graduating from Texas A&M, Scott spent several months writing, directing and producing various film projects in north Texas with his brother, Matt. Together they produced the short film Saved by the Belding, which stars Dennis Haskins (Mr. Belding from Saved by the Bell). After premiering at the 2012 LA Comedy Shorts Festival, Saved by the Belding has been featured on Esquire Magazine, Film School Rejects, Cinema-Crazed, and SportsIllustrated.com. Scott and Matt also wrote and co-directed a feature length comedy, Wild in the Streets, which premiered at the 2014 Lone Star Film Festival.


Have I told you yet that I hate it when people hear my music and say: “That would make great movie music”?
It’s not meant as an insult. And probably shouldn’t be taken as one. But the underlying logic I hear is: “Your music is not good enough to listen to on its own.”
That being said, I recently saw a movie that had some wonderful movie-music in it. It was called “I am Love” and featured the music of American post-minimalist John Adams. The music was all composed before the movie was made. It works wonderfully. The music, in fact, is one of the most important characters in the film. And, I hate to say it, it makes really good movie music.
Another “character” in the film is the upper-upper class. There is something very satisfying for me in watching rich people do the things that they want to do as they are want to do them. (I know, I know. The whole point of the movie is picking simple pleasures over the cold and heartless traps that come with being rich.) Regardless, I want to be rich.
One practical way for me to do this would be to have my music used in a major motion picture.
A fanciful way would be to name a piece of music for Karl Lagerfeld and have him become my friend. I don’t want money. I just want to be flown on private jets to Paris for fashion week and get drunk with royalty. Is that so much to ask?
For Karl Lagerfeld


“From casting, to location scouting, to model fabrication, to voice-over choices, to editing and music track, you and your team are complete pros. You showed great taste and great judgment all the way. A wonderful working experience-and a wonderful result.”
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As part of her debut as the face of Balenciaga’s new fragrance ‘Florabotanica’, Kristen Stewart will be answering questions to internet users
in a 30-minute live interview on October 18th.
On January 13th, Coty Inc and Balenciaga’s Creative Director Nicolas Ghesqui introduced Kristen Stewart as the face of the brand’s second fragrance for women, after Balenciaga Paris. It is Kristen Stewart’s first brand endorsement.
Kristen Stewart, who has starred as Bella Swan in the Twilight saga movies, was introduced to worldwide audiences with her outstanding performance alongside Jodie Foster in Panic Room. Stewart most recently starred in Snow White and the Huntsman opposite Charlize Theron and Chris Hemsworth. In May 2012 On the Road (the screen adaptation of the Jack Kerouac novel) premiered at the 2012 Cannes Film Festival.
The live interview is to be filmed in Los Angeles and broadcasted live on the Balenciaga Fragrance website (https://balenciagafragrance.com)
and on the Balenciaga Facebook page (https://www.facebook.com/Balenciaga).
The thirty-minute interview will start at 3pm EST (12pm Pacific Time / 9pm in France). It will be moderated by French Fashion Editor Virginie Mouzat, who will ask Kristen questions covering her roles as brand muse and fragrance endorser.
Registration to submit a question is open at https://balenciagafragrance.com/en/live-interview
and will remain open until the interview closing time.
To take advantage of this opportunity, anyone may register and submit their questions online. There are no restrictions on the number of questions per participant, and registration is free of charge. Twenty questions will be selected. A Florabotanica fragrance will be sent to anyone whose question was selected.
Participation is entirely free of charge. Interview will be broadcasted live online and its access will not require a password.


Celebrities are already lining up for the ‘Cinema Six’ screening on Monday…
I found this poster on eBay a few weeks ago, it claimed to be original but was only $20 (including shipping) which is hundreds of dollars less than any other Buñuel poster I’ve ever come across. The seller was reputable and had lots of other original movie posters, so I bought it. It’s definitely an original, the paper is old and a little yellowed and you can tell the creases have been there for a long time.
The “Academy Award Winner” text seemed really weird to me, at first I thought that maybe they were referring to Buñuel as the “Academy Award Winner” and this poster was released after his (though, technically, France’s) win for The Discreet Charm of the Bourgeoise. However that didn’t happen until 1973 and the GP rating had been turned into PG by that time. (Though it’s possible Cambit wasn’t totally up-to-date on MPAA Policy.)
So I think it most likely refers to the fact that Tristana was nominated for Best Foreign Film, meaning it was selected by Spain to represent the country at the Oscars- which, I guess, is technically a “win” especially if you’re desperately trying to market a Buñuel film to the exploitation market.
But you might be right and the folks at Cambit were just being really optimistic and got a run of posters printed before the ceremony but then never used them? It would explain why almost all the images of this poster I’ve seen online have crease marks on them as if they were all stored in a box for the last 40 years.
US poster for TRISTANA (Luis Buñuel, Spain, 1970)
This has to be an unused poster because Tristana did NOT win an Academy Award. It was nominated for Best Foreign Film in 1971 but lost to Elio Petri’s Investigation of a Citizen Above Suspicion. The poster says that it was released in the USA by sexploitation distributor Cambist Films (1964-1978), but according to IMDb and this alternative US poster it was actually distributed by Maron Films. Does anyone know the story behind this?
Poster source: MovieGoods
Morning Links With Cinema Six, Boogie Board Dog
Here’s the trailer for Cinema Six, an indie premiering at the Dallas International Film Festival. You may note the FilmDrunk shirt worn by one of the characters. |FilmThreat| MORNING LINKS […]
‘Cinema Six’ on FilmDrunk!
“Watch The ‘Cinema Six’ Trailer Or I’ll Cut You” - Screen Junkies
Cinema Six (2012)
Written & Directed by Mark Potts & Cole Selix
Starring: John Merriman, Mark Potts, Brand Rackley, Byron Brown, Lindsey Newell, Heather Wallis, Madi Goff, Barry Corbin
Produced by Don Swaynos, Nick Tankersley, Kelly Williams
Executive Producer: Reilly Smith
More press for the trailer: This time from the Austin Chronicle with the awesomely titled story Don Swaynos, Superhero.
“But if I was a praying man, I would be praying that Don Swaynos’ Pictures of Superheroes and Mark Potts and Cole Selix’s Cinema Six will get accepted into SXSW 2012, because if I have to wait much longer to see either of those films I am going to freakin’ explode!” - Don Simpson, Film School Rejects
The world premiere of Six Hundred and Forty-One Slates will be February 9th at the Berlin International Director’s Lounge:
thurs 9 10:30pm
pictured: Maurizio Von Trapp GB Matador
Nicolas Ramel FR A/V Sketch#5 40s 2011 | World Premiere
Miron Zownir DE Valuev vs Violence 2 min 20s 2006
Don Swaynos US Six Hundred and Forty-One Slates 1 min 46s 2011| World Premiere
Malcolm Sutherland Umbra 5 min 35s…
Six Hundred and Forty-One Slates (2012)
My experimental short film, Six Hundred and Forty-One Slates, is going to have it’s world premiere February 9th at the Berlin International Director’s Lounge and it’s US Premiere a few days later at the Strange Beauty Film Festival on February 16th. You can see the full Strange Beauty line-up over at Bad Lit.


Back to National Theatre home
The 2013 Summer Cinema series begins June 17, with the films of Jimmy Stewart.
Check back soon for the full schedule.
Mondays at 6:30 pm • Free admission • Tickets
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Tickets distributed 1/2 hour prior to screening • One ticket
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“You are now about the witness the strength of street knowledge,” says Eazy-E in the intro of hit single “Straight Outta Compton.”
Airing in theaters nationwide on August 14, “Straight Outta Compton,” details the true account of rap group, NWA and their route to fame. For those of you who aren’t aware, NWA consisted of five members and was considered one of the most dangerous rap groups of the time.
Members Eazy-E, Dr. Dre, Ice Cube, MC Ren and DJ Yella were hell bent on making the world know and remember NWA, otherwise known as Niggas with Attitudes. They shocked the country and eventually the world with their brash, no fucks given, hardcore attitude. They were major contributors and forefathers of the “gangsta rap” era.
“Straight Outta Compton,” released by Universal Pictures, is directed by F. Gary Gray who brought audiences films like Friday, The Italian Job (remake) and Set It Off.
I’m interested to see how this film does upon release. With Ice Cube and Dr. Dre as producers, I have a feeling this film is going to be a success. So far, there hasn’t been a film to accurately portray NWA so this will be worth the watch. I’m interested how the death of Eazy-E will be played out in the film.
Go see this film!


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Favorite Foreign Movies
Foreign films that made an impact that I carry with me. Please post your favorite foreign films as well.
- one of the best French movies of the last few years, highly recommended.
Written Nov 3, 2012
Children of Heaven is a 1997 Iranian family drama film written and directed by Majid Majidi. It deals with a brother and sister and their adventures over a lost pair of shoes.
Great list of Almodovar movies by Quora User
Which films should I screen at a movie night about director Almodovar?
Nice idea, but how many films can you cram in one night :)
I would definitely go chron...
Written Feb 14, 2012


Today we were given the assignment to make a 'sweded' film, based on a chosen film title given to us. My group consisted of Myself, Hannah, Laura and Tom and we were given the film title 'Hairspray'. At first I was reluctant to do this film because I haven't seen the film and I don't think its any good. As since we haven't seen the original film and only the 2007, musical remake we diced to watch clips of the film on youtube, to gather some information on the film.
My team turned out to be rather enthusiastic which gave me a more positive feeling on this project.
As we splitting our roles in who would be playing which character's, we decided that I would play the mother character the in the films the mother is played by a male actor, this will prove to be a funny comedic factor on our behalf. And should prove to be allot of fun.
Hannah would play the main female role and tom would play the main male role, Laura is camera shy and therefore volunteered to be cameraman.
We decided instead of having wigs we would made cardboard wigs so that it would look more 'naff' and therefor more funny.
The Following day was the day of shooting. AS me and Hannah arrived the earliest we decided to get changed into costume whilst we wait for the others. Hannah costume worked successfully as it made her looking bigger then what she really is. As fore my costume wasn't that thought out and it made me look disproportionate, which it turn could have a positive effect on the audience to see how 'naff' i made myself look as a female.
We took it upon ourselves to come up with the key plot points in the film and decided to narrow them down into what we could made funny. since the film has to be two minutes long we thought that you couldn't fit all the diverse story of hairspray into that time slot.
We also encountered the problem of that we needed someone to play the character of Pepper, since we couldn't find any actors we decided to dress a manikin up and have somebody move it along. This proved to be amusing to see a headless manikin as a main character.
Another problem we came across was to make the corny Collins show, which needs allot of people in the shot. For this we decided to film paper dolls dancing around to music, because we didn't have the time or actors to get real people dancing. At the end we decided to get a heart mask transition shot and to so this we cut out of heart shape from paper and put the paper next the to camera lens and slowly move it backwards and the main characters kiss in the end.
When it came to editing we knew we only had 2 minutes in which our film could last to we thought that to try and make it as crazy and funny as possible. That we no one would care if the plot made sense or not. We were all keen to fit our labels paper people into the 'Corny Collins Song' which each member says their name, however this song is over 2 minutes long, so we made the decision that our whole film will have this song playing to it. And thus we based our film around the show since it is one of the biggest plot points in the film.
When it came to showing the film i was very nervous what would people think and of course seeing me dressed as a female, also i was confident because I thought our finished product was funny and enjoyable to watch. Whilst everyone watched it, they laughed most of the way through it with the fact that the T.V button fell off and the people were paper dolls and the audience laughed with me and not at me. Which i felt happy about. When the film finished everyone gave a big round of applause. After showing the film I learnt that i should be proud of my achievements and not to be so nervous about presenting my work. Especially after the past few projects where people have enjoyed seeing my group projects


La noire de . . ., by the Senegalese filmmaker Ousmane Sembene, is the first feature-length film to come out of sub-Saharan Africa. Technically flawed, it is nevertheless a cultural and cinematographic achievement, and it marks an important date in the history of African cinema. Based on a short story of the same title, written by Sembene and published in Voltaïque (1961),La noire de . . .tells the story of a young African woman who goes to France to work for the French couple who have employed her in Dakar. Filled with joy at the prospect of the trip, she soon becomes disillusioned, and finally, feeling imprisoned and isolated from the support of her own community, kills herself.
The Department of Languages, Literatures and Linguistics were awarded a grant, from the French government for this contemporary French cinema festival. Each film will have also have a speaker. Tournees Film Festival is made possible by Centre National du Cinéma et de L’image animée, Franco-American Cultural Fund, French Embassy in the United States: Higher Education Arts French Language and Highbrow. Films subtitled in English. FREE AND OPEN TO THE PUBLIC
9/18/2017 – Dernières nouvelles du Cosmos – Tournées Film Festival (6:00pm – 8pm) in the Library Events Area
Can a person incapable of speaking or writing somehow produce beautiful literature? In Latest News From the Cosmos (Derniere nouvelles du cosmos), director Julie Bertuccelli answers that question in the affirmative, documenting the remarkable story of Helene Nicolas, aka Babouillec, a severely autistic 30-year-old French woman who manages to convey her deepest inner thoughts through a unique form of poetic wordplay. Both inspirational and informative, this touching creative portrait received a small theatrical release in France and should find additional bookings on the fest circuit, with possibilities for screenings at educational and institutional outfits.
[description courtesy from http://www.hollywoodreporter.com/review/latest-news-cosmos-dernieres-nouvelles-du-cosmos-review-945722]
5:30 pm-8:00 pm
Cunningham Memorial Library Events Area – Light refreshments will be served.
“Someone You Love: The HPV Epidemic” this film could save your life or someone you love. This award-winning documentary takes a look into the lives of five brave women affected by HPV. Their stories portray the misconceptions, stigma, shame, heartbreak, pain, and triumph that they experience while battling cervical cancer.
A panel discussion and Q & A follow the screening.
This event is sponsored by the Department of Applied Health Sciences, Cunningham Memorial Library and the Center for Community Engagement.
Contact: Aimee Janssen-Robinson – 812-237-9061 – email@example.com
6pm-9pm in Library Events
Applied Health Sciences students will show the film and discuss safety.


Detective Jack Grimaldi (Gary Oldman) takes us through his shattered life after encountering the most deadly (and deceptive) criminal he has ever had Jeff Warren, a Korean War vet just returning to his railroad engineer's job, boards at the home of co-worker Alec Simmons and is charmed by Alec's bea Bridget Gregory has a lot going for her: she's beautiful, she's intelligent, she's married to a doctor. But all of this isn't enough, as her husband C By day Gerri Dandridge is a sexy professor, but by night she transforms into a real-life vampire with an unquenchable thirst for human blood. So when Wong Kar-Wai's movie about two love-struck cops is filmed in impressionistic splashes of motion and color. The first half deals with Cop 223, who has One night on a lonely highway, a speeding car tosses a satchel of money, meant for somebody else, into Jane and Alan Palmer's back seat. Alan wants to
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A look at the life, career and music of singer Katy Perry as we follow her on the California Dreams World Tour.
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This two-part screendance workshop is structured to guide students through the process of completing a short dance film from conception to exhibition. Part 1 took place in Fall 2018 and Part 2 starts March 2, 2019. Those who complete their film will have the opportunity to have it screened at the San Francisco Public Library April 10, 6:00–7:30pm.
Learn the Art of Editing Dance Films
Building on skills developed in Part 1, Part 2: Editing Techniques, focuses on refining and practising editing techniques. Working with footage created in Part 1 or using their own footage, students will be guided through the process of editing their film, culminating in a special screening at the San Francisco Public Library, April 10, 6:00–7:30pm.
In a hands-on lab environment, students will learn:
The fundamentals of editing in Final Cut Pro X.
Through in-class demonstrations and assignments to be completed outside of class, students will explore different methods for editing dance, from faithful reproduction of the choreography to re-working the dance into a new piece that could only exist on film.
A computer is not required to take the workshop.
Access to Final Cut Pro would be useful but is not essential. An editing workstation will be available for students to use at LINES Dance Center on a first come, first served basis
Students can purchase a $55 membership at BAVC (Bay Area Video Coalition) which will provide 8 hours of access to an editing workstation per month.
Students will need to provide an external hard drive to store their media
A native of the San Francisco Bay Area, Ben Estabrook specializes in capturing dance on camera. He was the director of photography for films that have screened at Cinedans, Dance on Camera, Dance Camera West, Sans Souci, and the San Francisco Dance Film Festival. His work has screened internationally in Poland, Cuba, Belgium, Scotland, Chile, Sweden, Hong Kong, and India.
He is a lecturer at UC Berkeley and has given guest lectures and workshops on screendance at Stanford University, Young Artist Platform of Dance in Beijing, Southwest University in Chongqing, Mills College, and Brigham Young University. He helped to found the San Francisco Dance Film Festival, for which he serves as the technical director. In 2015 he attended the first Symposium for Teachers of Screendance at the American Dance Festival. Additionally, he has participated in dance film workshops with Thierry de Mey and Katrina McPherson.
His interest in screendance led him to the University of Utah, where he studied under Ellen Bromberg and graduated with an MFA in Film & Media Arts and a Graduate Certificate in Screendance in 2014.


The Fallen trailer competition - winners announced!
Thank you to those who entered our unique film-making competition, with the BFI, to make the official trailer for ‘The Fallen.’
The competition launched in May and entries equated to hundreds of hours’ worth of blood, sweat and tears, from budding film-makers around the nation.
Check out the overall wining trailer here:
The winners are a group from the over 25s category who made the film on a budget of £300. It took just over a week and was shot at Kingston University, where one of the group studies. They had two make up artists on the team, which was led by 24 year-old James Lee from London.
He comments, ‘Two of us had worked on a short film a month earlier and were really motivated from that experience. We wanted to work on another film project from the ground up and see what we could do. It was a great experience but quite intense, as we came to the competition quite late. Coming up with the idea and script didn't take too long and I tried to write it in a way that would make it easy to create. After working on the project, I'm excited to get my hands on the books and dive into the world Charlie Higson has created. I would definitely do something like this again!
Charlie Higson judged the competition and announced the winner at an event at BFI Southbank, London, on Saturday 7 September. He said, ‘This was a really professionally made trailer, with particular attention paid to sound and music. It also captures the atmosphere of the series well and has some really powerful shots. It will be a great advertisement for The Fallen.’
The competition was open to all ages, in three different categories - under 16s, 16-24s and 25 year-olds and over.
Under 16 winner
The winning trailer in the under 16s category was made by a group of twelve children who made their trailer during a BFI Future Film DIY film-making workshop in August, won the under 16s category. They include Liam MacGovern, Ava Bogdanovic, Luc Dellaway (10), Joe Walker (11), Jamie Moreland (13), Jack Moreland (10), James Rantell (12), Izabelle Chappell (13), Victor Jack (14), Bill MacKillop (11) and Fred MacKillop (9).
View the winning under 16s trailer here:
Charlie said: ‘The trailer really encapsulates what kids love about zombies and the fun they must have had making these films. It was great to see so many trailers with all members of the family getting involved and I think the kids making them must have had a blast being chased around by zombie adults. This trailer also had the added detail of the two little boys remembering how things used to be. The shots of them are really strong and make this video stand out.
16 - 24 Winner
The winning film in the 16-24s category was created by a group led by Samuel de Ceccatty, a 23 year-old French-American living in London. He worked with animator Caroline Landry (22), composer Gaston Ardisson (17) and producer Manon Ardisson (24).
View the winning 16-24s category trailer here:
Charlie comments, ‘This was a really strong category with a huge number of entries, so it was very hard to pick an overall winner, but I loved how original and spooky this trailer was – so different to all the others. The clever use of animation and the ghostly figures of the children are very effective and this trailer really sticks in the mind.
Don’t forget to order
your copy of The Fallen.


A press conference to promote the release of the music video for director Chen Kaige's biopic 'Mei Lanfang' kicked off in Mei Lanfang Grand Theatre in Beijing on Tuesday afternoon, the sohu.com reports.
The leading duo, popular Chinese mainland actress Zhang Ziyi and Hong Kong actor Leon Lai showed up for the event.
Zhang joined hands with Leon to record the title song 'You Feel My Love' in September.
Zhang expressed thanks to Leon for his help in shooting the video. She said, though not good at singing, she sang with heart and hoped to express her innermost feelings. The actress recalled that when she sang the song, memories of the movie ran through her mind.
Leon Lai, who, a pop singer himself, plays late master of Peking opera Mei Lanfang, directed and produced the video. It is his debut work as a director. He wished that the video would be as refined as the movie itself.
The promotional music video for movie "Mei Lanfang" premiered globally Tuesday afternoon, which also marks the official start of the promo activities for this year's much-anticipated blockbuster.
The film is scheduled to hit theaters in December.


A Couple of years ago, I took part in the wonderful world of amateur dramatics. I was cast in the lead role of Beauty and the Beast as...The Beast! It was a wonderful experience and a very intensive 3 months of rehearsing; learning lines, singing songs and learning how to dance, growling and snarling and acting like a Beast, as well as designing the background sets, as well as holding a full time job. Here are a selection of the backgrounds I drew and coloured. I was very proud of the work and finally want to share these with you!...Enjoy!


Super Star Rajesh Khanna was born on 29 December 1942, Amritsar, Punjab, India.His nick name was Jatin Khanna. He made his film debut in Chetan Anand’s Aakhri Khat in 1966. He was adopted son of his parents. To his family he was always Kaka and to his friends he was Jatin and to his lovers Rajesh Khanna. He fell in love with the actress Anju Mahendru. Later Khanna married Dimple Kapadia in 1973 and has two daughters from the marriage. He and Dimple Kapadia separated in 1984. Rajesh Khanna was a member of Parliament for the Congress Party, from the New Delhi constituency, where he won the 1992. He was a real Super Star he changed the bollywood industries into modern era. Now enjoy the list of Rajesh Khanna movies.
List of Rajesh Khanna Super Hit Movies
Movie Amar Prem was a super hit at the time of its release at the box office. His performance was highly rated by both the audiences and critics. It is the famous movies of Rajas Khanna career.
Movie Amar Prem was a super hit at the time of its release at the box office. His performance was highly rated by both the audiences and critics. It is the famous movies of his career. It was a war of acting between him and amithab, whic Rajesh Khanna won in a great style.
Movie Amar Prem was a super hit at the time of its release at the box office. In this movie he acted in diffrent style and diffrent look of Rajesh Khanna, his acting was rated highly by critics.
Movie Amar Prem was a super hit at the time of its release at the box office. this movie was a real life of his story …it was a triangle love story, movie was blockbusster, and rated highly at that time.
List of Rajesh Khanna Movies
- Kati Patang
- Mehboob Ki Mehndi
- Mere Jeevan Saathi 1972
- Namak Haraam
- Aakhri Khat
- Aan Milo Sajna
- Raaz 1967
- Chhaila Babu
- Agar Tum Na Hote
- Haathi Mere Saathi
- Aashiq Hoon Baharon Ka
- Amar Deep
- Aakhir Kyon
- Chalta Purza
- Awara Baap
- Amar Prem
- Aap Ki Kasam
- Do Raaste
More Movies Coming in the List of Rajesh Khanna Movies.
1974 – Filmfare Best Actor Award for Avishkaar.
1971 – Filmfare Award for Best Actor for Sachaa Jhutha.
1995 – Winner Kala Ratna Award.
1973 – Filmfare Special Guest Actor Award for Anuraag.
1972 – Filmfare Best Actor Award for Anand.
1991 – Filmfare Special Award for completing 25 years in the Indian Film Industry.
2005 – Filmfare Lifetime Achievement Award.
He is a lifetime member of the International Film & Television Research Centre.


Smash-hit musical Hamilton officially opens in London’s West End today.
Hamilton in London: Smash-hit American musical officially opens in the capital today
The long-awaited hip hop show arrives in the capital on the back of sensational success in Broadway, where it bagged 11 Tony Awards and scored creator Lin-Manuel Miranda a Pulitzer Prize - writes standard.co.uk.
The run at the newly refurbished Victoria Palace Theatre will be the first outside the US, after receiving rapturous receptions in Los Angeles, San Francisco and Chicago.
Hamilton uses different musical genres to tell the story of Alexander Hamilton - one of America's founding fathers.
Audiences at preview shows have so far heaped praise upon the musical (Matthew Murphy)
It is opening in London two weeks later than originally planned after renovations to the theatre delayed the start of previews, forcing thousands of ticket-holders to be re-seated.
In the programme notes for the production, co-producer Cameron Mackintosh writes: "In only two years this brilliantly original musical has already become a legendary success in America and, whatever anybody tells you about it, the experience of seeing it is what really matters.
"With a stupendously talented cast, I have no doubt that London audiences are in for a theatrical experience like no other."
The show has been in previews since December 6 and audiences have heaped praise on the performances before critics deliver their own verdicts.
Mr Miranda, who penned the musical and starred as the title character in the original Broadway cast, has previously said he is excited to see how the comedic portrayal of King George III, the British monarch who lost the American colonies, is received in the UK.
He said: "King George III is a crowd favourite with every actor, every rapper.
"When Busta Rhymes saw the show he said 'I need that outfit'.
"There is something about the character, he becomes an audience surrogate.
"It's sort of delightful, as he pokes holes in the American mythology, he's all of us in a way."
It is the first run of Hamilton outside the US (Matthew Murphy)
Mr Miranda added that he does not think the fact the show details another country's history will affect the audience's enjoyment and understanding.
He said: "That was one of the first questions I got when I was in London - 'We don't know your history here'. I would sheepishly add, 'Well most Americans don't know our history either so that's not an impediment to enjoying the musical'.
"But I'm very curious to see how you guys react to King George III in the show, that theatre is in the shadow of Buckingham Palace so I'm very curious to see how that goes over.
Mr Miranda is expected to attend opening night with his wife Vanessa Nadal after the couple offered fans the chance to make a donation to charities to be in with a chance of joining them at the show.
They teamed up with online fundraising platform Prizeo to invite fans to make a donation to the National Resources Defence Council and the UK-based climate change charity 10:10 to be in with a chance of winning the prize.
Read more news of London on our site.


A movie review by moviereviewsetc.com
Ghostbusters is a reboot to the original 1984 horror comedy movie where a group of men have the task of exterminating ghosts in New York City. This time around, the ghost fighters are 4 women, three scientists and a sidekick.
This is a very funny new take on a classic movie; it is not a sequel but a reboot to the original. The story and plot is simple, straight forward and not complicated. Like the original, the lady Ghostbusters were not taken seriously until the city needed their help with ghosts who are being brought from the “other side” by somebody who has an ax to grind with society.
The women Ghostbusters are funny with great chemistry but Kate McKinnon stole the show which I think made the movie enjoyable to watch and Chris Hemsworth seemed to enjoy himself. Melissa McCarthy is also funny minus her trademark brand of crude comedy. There were cameo roles from the original movie with Bill Murray and Sigourney Weaver.
There were references to the original but very subtle and not overwhelming. Overall, the movie is funny, well written and with great chemistry among the cast. Being a comedy, the plot is not complex and the pacing is fast and no dull moment and they kept the movie loyal to the original.
It stars Melissa McCarthy as Abby Yates, Kristen Wiig as Erin Gilbert, Kate McKinnon as Jillian Holtzmann, Leslie Jones as Patty Tolan and Chris Hemsworth as the assistant Kevin. Cameo roles by Bill Murray, Dan Aykroyd and Sigourney Weaver. Written by Paul Feig and Katie Dippold and directed by Paul Feig.
© Copyright 2016 moviereviewsetc


I hope you have all been staying as busy as I have. This past week was crazy busy but a lot of fun. I was swamped with schoolwork, tests, work, and all of my extracurricular activities last week but it all paid off because at the end of the week I got to go to the Timeflies concert! I’m not sure if any of your have heard their music, but you all need to listen to one of their songs… they’re great! They performed in the cities last weekend so my roommates and I decided to go. It’s so nice that Mankato is only about an hour away from the cities because it is so easy to take a weekend trip up there.
This week I am pretty busy with classes but what I’m most nervous about is my Spanish play. This semester I am in an acting Spanish course and we are performing two of the plays we read this semester. I actually have a pretty big part and if memorizing lines in English wasn’t hard enough, you should try doing it in Spanish! Our play is called, “El Retablo de las Maravillas”. It’s a comedy about Chanfalla and Chirinos, two tricksters who come to this town and fool all of the townspeople into believing that they are true magicians.
I hope you all have a great week! I’ll make sure to let you all know how the play went… keep your fingers crossed I don’t forget my lines!
Cristen (top row, third from left) and her friends at the Timeflies concert


The Workshop Leader worked really hard all day with the children. He was enthusiastic and engaging and used the children’s natural ability well to create the play. The way that he brought it all together so that the final performance was quite spectacular was outstanding. The children really excelled themselves in the final performance. The audience were totally engaged and loved the jokes and comedy acting moments. Some of the younger reception-aged children spontaneously gave the cast a standing ovation at the end which showed how amazing the final performance was. The children really enjoyed the whole experience which was linked to our pirate story theme for World Book Day. ‘Treasure Island’ was definitely the highlight of the week. Konflux kept in touch well before the workshops and even called on the day to check that everything was going well. It was a bit of a risk booking with a new company but I would thoroughly recommend the ‘Play in a Day’ as a wonderful experience and good value for money.
Brookfields Primary School
We always find Konflux Theatre provide enjoyable, stimulating and thoughtful drama workshops for our children. The children really appreciate the opportunity to: use their speaking and listening skills, discuss themes and issues, and work collaboratively. They gain so much from these creative experiences.
Miles Coverdale, London
We thoroughly enjoyed the two Shakespeare Days. The children absolutely loved the days and are in the process of producing some excellent writing, linked to the two plays. Our group leader, Mark, was full of energy and engaged with the children extremely well.
We have worked with Konflux Theatre for 2 years. All staff are extremely professional and a pleasure to work with. Our children loved learning and performing the Shakespeare plays and have produced excellent writing linked to this. I would whole-heartedly recommend Konflux, particularly for the Shakespeare experience.