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Kit Lambert is a Cardiff-based television writer who is a past graduate of the BBC's Continuing Drama Series Writers'Academy. To date he has written multiple episodes for all four of the BBC's Continuing Drama Series; in the last two years he has completed new episodes of EASTENDERS, CASUALTY and HOLBY CITY as well as several episodes for the last three series of BBC's FATHER BROWN and two series of THE CORONER. At the moment he is completing development work for a proposed new drama series for the BBC. He currently has an original comedy drama idea under option to Hat Trick and an original drama idea in development with Headstrong Pictures. Kit has previously been commissioned to write an episode of CRITICAL for Sky One (Hat Trick) and ITV commissioned two scripts of his original drama LIFERS with Craig Cash's company Jellylegs. He also had an original drama series optioned by Company Pictures, a co-devised original comedy idea optioned by Hat Trick, and a drama treatment commissioned by Rondo Media. Kit has previously written for Red Planet Pictures' BBC Wales TV drama, CRASH, created by Tony Jordan.
Kit is also a playwright, and has previously written plays for Paines Plough (Wild Lunch), Hijinx Theatre Company, Sherman Cymru, Kompany Malakhi, Dirty Protest and the Wildcard Theatre Company. Kit collaborated with four other writers on True Fiction's production of THE EXQUISITE CORPSE (Edinburgh Festival 2008, Southwark Playhouse). His short play THE LUNCH BREAK was optioned by Fiction Factory Films following its performance in Cardiff. He was commissioned to write a new play for Sherman Cymru, DELUGE, performed in June 2010, and has participated in writing projects with Clwyd Theatr Cymru. Kit has written showcase scripts for the last four years for the acting students at the Royal Welsh College of Music & Drama, and his Monologue THE ODYSSEY OF DIMITRI AMIRAS was performed at the Hotbed Festival 2012. Most recently Kit has worked as script consultant and dramaturg on a new circus-theatre project for Flying Diplodocus.
For a full biography of Kit Lambert click: here


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Plot Keywords A couple of robbers known as Pumpkin (man) and Honey Bunny (woman) start to rob a restaurant. At Jimmie's house, Jules calls Marsellus for help, who arranges for a man named Winston Wolfe to come over and help fix the situation. Seeing this movie last May at the Cannes Film Festival, I knew it was either one of the year's best films, or one of the worst. Indeed, Pulp Fiction operates in the hinterland between reality and movie reality. They follow Wolfe to a nearby auto shop, where the car is destroyed. Containing numerous references to other films, it is like a great work of abstract art, or "art about art." They head to a restaurant named Jackrabbit Slim's, where they talk about Mia's failed television pilot and the foot massage rumor, which Mia denies. Synopsis Three storylines intertwine to provide an insider's view of a series of crimes. Vincent goes to the bathroom just before Pumpkin and Honey Bunny draw their guns. GradeSaver, Butch's Escape and "The Bonnie Situation", The Path of the Righteous: A Deconstructionist Reading of Pulp Fiction, Jules and Vincent, Brett and the Burger: Pulp Fiction Scene Analysis. Pumpkin (Tim Roth) and Honey Bunny (Amanda Plummer) (not their real names) are two lovebirds/thieves who have decided to rob the restaurant they're currently eating at. These four seemingly unrelated stories are interwoven in a non-linear fashion. by H. P. Lovecraft – 1928. It follows the story of two hit men, Vincent Vega and Jules Winnfield, who are on a mission to reacquire a suitcase that belongs to their mobster boss, Marsellus Wallace. A couple is trying their hand at robberies, a washed-up boxer rips off the mob, and two gangsters try to protect the contents of a briefcase. Is truth stranger than fiction? Vincent later must also show Mrs. Wallace (Uma Thurman) a good time while her husband is out. Turner gives the aspiring pulp fiction writer practical advice. In a diner, a man and a woman who call each other Pumpkin and Honey Bunny eat breakfast in a booth. When Pumpkin demands Jules's wallet and the briefcase, Jules draws his weapon, and explains to Pumpkin that he now understands the true meaning of Ezekiel 25:17, and wants to find a non-violent solution. Butch is about to flee when he hears Marsellus's cries and instead retrieves a katana sword and ambushes the men, killing Maynard. Spoiler Alert: This review assumes you have seen Pulp Fiction.. Love it or hate it, and most people love it, Pulp Fiction was probably the most influential movie made in the 1990s. H. P. Lovecraft, a racist dilettante who died in poverty at the age of 46, wrote some of the… T wenty years on, Quentin Tarantino's Pulp Fiction has been rereleased in cinemas, and it looks as mesmeric and mad as ever: callous, insolent, breathtaking. Roger Avary helped Tarantino write the script for Pulp Fiction. Pulp Fiction study guide contains a biography of director Quentin Tarantino, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Not affiliated with Harvard College. Wolfe introduces Jules and Vincent to his girlfriend Raquel on his way out of the auto shop, and then leaves. Tarantino evidently took the advice of legendary film director Jean-Luc Godard , one of his idols, who said that "A story should have a beginning, a middle and an end, but not necessarily in that order." The characters in "Pulp Fiction'' are always talking, and always interesting, funny, scary or audacious. These papers were written primarily by students and provide critical analysis of Pulp Fiction directed by Quentin Tarantino. Pulp Fiction was a production by A Band Apart, along with Jersey Films and distributed by Miramax. Mia does cocaine in the bathroom while Vincent fixes himself a drink. He retrieves the watch and notices a gun on the counter. After Jules kills Brett, the man runs out and fires wildly, miraculously missing Jules and Vincent with his entire clip. Movie analysis of Pulp Fiction. Faced with life's cruel irony, the unpredictable stories of a well-dressed pair of low-level hitmen; a gangster's statuesque moll, and a double-crossing prizefighter become inextricably intertwined, as the small-time crooks, Honey Bunny and Pumpkin, summon up the courage to hold up their favourite L.A. diner. But the restaurant doesn't turn out to be as easy as the other places they've robbed. Tarantino’s ‘Pulp Fiction’ stands out from other films made in the late 20 th Century – back in 1994, no-one had ever seen a film quite like it, and its success brought a wave of post-modern cinema. Lovecraft: Bloodcurdling Tales of Horror and the Macabre by H.P. Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) work as hit men for crime boss Marcellus Wallace (Ving Rhames). The way how Tarintino Structured the movie is what it makes it special. Butch leaves and is spotted by Marsellus at a stoplight. Soon, things will come full circle, as, once more, Jules and Vincent find themselves in the perfect dead-end situation, exactly where it all began: an all-too-familiar cafeteria. This movie would work as an audio book. They argue about the implications of foot massages, before storming an apartment with three men inside. And its influence persists. Uma Thurman wasn’t Tarantino’s first pick for Mia. Isabella Rossellini, Julia Louis … Pulp Fiction actually uses its non-linear story telling structure to hinge its entire complex narrative around one man's redemption in light of a divine intervention. Pulp Fiction Analysis 892 Words | 4 Pages. Pulp Fiction: What Makes It A Good Film? | Wolfe arrives ten minutes later and instructs Jules and Vincent to wipe down the car upholstery. Honey Bunny teases Pumpkin for not wanting to commit armed robberies anymore, and Pumpkin explains that robbing the diner would be better than robbing convenience stores or banks. Mia forces Vincent to participate in a twist contest, which they win. It made … Summaries The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption. Jules kills one, and recites Ezekiel 25:17 before killing another, named Brett. Vincent Vega and Jules Winnfield are a couple of hitmen who go to an apartment to recover a … Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are two hit men on the hunt for a briefcase whose contents were stolen from their boss, Marsellus Wallace (Ving Rhames). Back at Mia's house, while Vincent uses the bathroom, Mia mistakes his heroin for cocaine and snorts it, falling unconscious. The only blurb about the book was written by an unidentified pulp-lover, who discovered the original pamphlet on a dusty shelf in a used book store and republished the text digitally for the Amazon Kindle. Copyright © 1999 - 2021 GradeSaver LLC. Entrusted with retrieving a glow-emitting leather suitcase which belongs to their boss--the powerful crime kingpin, Marsellus--instead, the dark-suited gunmen, Vincent Vega and Jules Winnfield, end up with a bloody mess. Fortunately--with men like Mr Wolf always around to handle a crisis--there's time to cool off in a long twist contest, while at the same time, the proud champion boxer, Butch, makes the decision of a lifetime. The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption. Much debate centers around the contents of the briefcase in Quentin Tarantino’s 1994 film Pulp Fiction. Jules tells Vincent that Marsellus, their boss, allegedly had a man thrown off a balcony for massaging his wife Mia's feet, who Vincent has been instructed to take out to dinner. GradeSaver "Pulp Fiction Summary". When one of his targets shoots at him and Vincent from a short distance, empties the revolver, and misses … Pumpkin (Tim Roth) and Honey Bunny (Amanda Plummer) are two thieves who, while dining at a coffee shop, decide that the best thing to do is to rob it. Pulp writing is visceral and compelling, and with a little experimentation, it can give you the tools you’ll need to thrive as an author. At a nearby motel, Butch's girlfriend Fabienne waits for him, and the two talk and have sex. "Pulp Fiction," is, as the title indicates, purely an exercise in technique and style, albeit a brilliant and layered one. When Butch ends up killing the other boxer, he must escape Marsellus. The two take Marvin, the only surviving man in the apartment, with them, and leave. Vincent faces some problems of his own when Wallace asks him to show his wife Mia (Uma Thurman) a good time while he's away. As an adult, Butch kills his opponent in a boxing match, rather than purposely lose as Marsellus wanted. Jules successfully de-escalates the situation, and he and Vincent leave the diner with the briefcase in hand. They run into a few unexpected detours along the road. Butch and Marsellus awaken in the pawn shop basement, where Maynard has bound and gagged them. Pulp is a pulp fiction novel which acts also as a meta-pulp. At the end of the night, Mia tells Vincent a joke from her television pilot, which she previously refused to divulge, and the two agree to keep the night's events a secret. Butch escapes in a cab driven by a woman named Esmeralda, and calls a bookie named Scottie who plans to collect Butch's earnings. Synopsis resource to ask questions, find answers, and discuss the novel. He hears the toilet flush, and kills the man who emerges from the bathroom, which turns out to be Vincent. Pulp Fiction Summary Pulp Fiction is a collection of stories, which, although interconnected, can get a bit confusing because they're shown out of order. His new movie "Pulp Fiction" is a comedy about blood, guts, violence, strange sex, drugs, fixed fights, dead body disposal, leather freaks, and a wristwatch that makes a dark journey down through the generations. By Jacob Tucker. Guild summary for the Horde guild 'Pulp Fiction' on Vashj - US Tarantino delights in creating jarring contrasts between ordinariness and extreme violence, such as when Jules asks for a bite of Brett's Big Kahuna Burger before executing him. The film was directed by Quentin Tarantino and also written by Quentin Taratntino and Roger Avary. Vincent and Jules soon enter the bar, now dressed in T-shirts and shorts, to deliver the briefcase to Marsellus. Starring John Travolta, Samuel L. Jackson, Bruce Willis, Tim Roth, Ving Rhames, and Uma Thurman, it tells several stories of criminal Los Angeles. Some of these people redeem themselves and some don't, and all meet an end appropriate to their choices. Title: Pulp Fiction; Release year: 1994 Things go smoothly until one of them makes a huge error. | Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson), two hit men working for mob kingpin Marcellus Wallace (Ving Rhames'), are sent to retrieve a very special and very mysterious briefcase for their boss. Butch rides Zed's chopper motorcycle back to the motel, and he and Fabienne ride away together. This video essay is an analysis of what makes Pulp Fiction so great.https://twitter.com/JackMoviereviewhttp://www.jacksmoviereviews.com/Pulp Fiction. Five million went to the actors’ salaries. Pulp Fiction Summary In a diner, a man and a woman who call each other Pumpkin and Honey Bunny eat breakfast in a booth. Vincent retrieves a briefcase, the contents of which glow, from a kitchen cabinet. Wallace is currently dealing with Butch Collidge (Bruce Willis), a boxer who failed to throw a fight after taking Wallace's money and is now planning to flee the city, but can't leave his father's watch behind. A man named Zed shows up, who orders Maynard to get "the Gimp," a man in a full-body bondage suit who sleeps in a trunk. THE MOVIE COST ONLY $8.5 MILLION TO MAKE. Most conversations in most movies are deadly boring, which is why directors with no gift for dialogue depend so heavily on action and special effects. Chapter 2 begins with Marcellus Wallace lecturing Butch Coolidge. pulp fiction is definitely one of the greatest movies of all time. Jules and Vincent decide to get breakfast at the same diner that Pumpkin and Honey Bunny are about to rob in the first scene. Pulp Fiction is an American crime film written and directed by Quentin Tarantino that connects the intersecting storylines of gangsters, criminals, and disreputable individuals in Los Angeles. Butch cautiously returns to his apartment, and initially finds no one there. The movie has outstanding performances from pretty much the whole cast and its gruesome use of violence and profanity is what makes it special with a bit pulp fiction is definitely one of the greatest movies of all time. Pulp comments on the obsessions of the pulp fiction genre, making fun of itself as stereotypical of the genre in the grimiest form. A man named Captain Koons visits Butch as a child, giving him a gold watch that is a family heirloom. | Vincent is able to successfully revive her with an adrenaline shot straight to the heart. Butch Coolidge (Bruce Willis) is an aging prizefighter who is being paid to "take a dive", but instead accidentally kills his opponent, and tries to flee town, but not before getting his dead father's lucky golden watch. In the following scene, Vincent buys heroin from his drug dealer, named Lance, and talks briefly to his girlfriend Jody. Jules and Vincent kill him, and Jules calls the event an act of "divine intervention." We then jump to the next day where Vincent buys high-grade heroin from Lance and his wife Jody. In Pulp Fiction, violence is casual, incidental, and brutal—likely a nod to seminal works like Martin Scorsese's Mean Streets (1972) and Stanley Kubrick's The Killing (1956). That is, take her out for a night on the town. Across town, two men in suits named Vincent and Jules ride in a car discussing Europe and fast food. The film flashes back to the scene where Jules recites Ezekiel 25:17, this time from the perspective of an armed man hiding in the bathroom. Pulp Fiction is a crime, drama film starring John Travolta, Uma Thurman, and Samuel L. Jackson. When Pulp Fiction debuted in 1994, writer-director Quentin Tarantino was hailed as a filmmaking genius, and his movie rewired filmmakers’ brains for the next 20 years.. Honey Bunny teases Pumpkin for not wanting to commit armed robberies anymore, and Pumpkin explains that robbing the diner would be better than robbing convenience stores or banks. The Best of H.P. Lovecraft. In the car, the men continue debating "divine intervention," and Jules pledges to give up his life of crime. Wallace has also asked Vincent to take his wife Mia (Uma Thurman) out a few days later when Wallace himself will be out of town. Vincent and Jules, now wearing tee shirts, enter the bar, and Butch has a brief exchange with Vincent on his way out. Michelle Pfeiffer. The next morning, Butch realizes his gold watch is missing, and angrily leaves the motel in search of it. Marsellus is out of town, and he's gotten Vincent to take care of his wife, Mia (Uma Thurman. Pulp Fiction essays are academic essays for citation. Pulp Fiction's narrative is told out of chronological order, and follows three main interrelated stories: Mob contract killer Vincent Vega is the protagonist of the first story, prizefighter Butch Coolidge is the protagonist of the second, and Vincent's partner Jules Winnfield is the protagonist of the third. The two have an agreement where Butch will take a dive in his next fight. But during the film’s production, Avary … He shoots up, and then drives over to Marsellus’ house to pick up his boss’ wife, Mia Wal… "Pulp Fiction" is to be shown tonight at 7:30 and 8:30 as part of the New York Film Festival. Pulp fiction. Zed drags Marsellus into another room to be raped while Maynard watches, and Butch manages to break free. The Question and Answer section for Pulp Fiction is a great Robert Turner was a pulp fiction writer in the 1940s through the 1970s. Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) are two hit men who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace (Ving Rhames). Jimmie tells the men they have ninety minutes before his wife Bonnie arrives home. Jules calls a nearby friend named Jimmie, and they head to his house to deal with the cleanup. It opened up a lot of new territory, especially in putting comedy-of-manners dialogue in the mouths of killers and other moral degenerates. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. A panicked Vincent rushes her to Lance's house, although Lance is reluctant to help. Now freed, Marsellus shoots Zed in the crotch, and tells Butch that the men are even, as long as Butch leaves town and never tells anyone about the incident. Vincent emerges from the bathroom, resulting in a Mexican standoff. Butch rams him with his car, and an injured Marsellus chases an injured Butch until both men are subdued inside a nearby pawn shop by the owner, named Maynard. Story&Drama analyzes and comments for you Pulp Fiction, a feature-length film lasting 2h24, written by Roger Avary and Quentin Tarantino, directed by Quentin Tarantino, featuring Bruce Willis, John Travolta, Uma Thurman, Harvey Keitel, Samuel Jackson, and released on screens in 1994. Parents Guide, Late one morning in the Hawthorne Grill, a restaurant on Sunset Boulevard in Los Angeles, a young couple, Honey Bunny (. (It opens commercially on Oct. 7 in New York and Los Angeles.) Butch Coolidge (Bruce Willis) is a boxer who's been approached by Marsellus and been told to throw his latest fight. In a bar, Marsellus gives an envelope full of cash to a boxer named Butch, bribing him to throw his next match. Pulp Fiction is in part about Jules’ transformation. After buying three grams of heroin, Vincent shoots up and heads to Mia's house. Meanwhile, Marsellus orders that Butch be killed. Vincent accidentally shoots Marvin in the face, killing him. Pulp Fiction is a 1994 American neo-noir crime film written and directed by Quentin Tarantino, who conceived it with Roger Avary. They place Jimmie's blankets over the seat, and Wolfe hoses a naked Jules and Vincent down in the backyard, before giving them old tee shirts to wear. Taglines Butch Coolidge (Bruce Willis) is an aging boxer who is paid by Wallace to lose his fight. She agrees, and the two leap to their feet and draw their weapons, before the opening credits roll. Always talking, and kills the man who emerges from the bathroom, Mia mistakes his for. New territory, especially in putting comedy-of-manners dialogue in the grimiest form wolfe to a nearby auto shop where! As Marsellus wanted: //twitter.com/JackMoviereviewhttp: //www.jacksmoviereviews.com/Pulp Fiction the next day where Vincent buys heroin from and. 1994 Roger Avary helped Tarantino write the script for pulp Fiction '' always. Raped while Maynard watches, and talks briefly to his girlfriend Jody about... Couple of robbers known as Pumpkin ( man ) and Honey Bunny are to. As Pumpkin ( man ) and Honey Bunny ( woman ) start to rob a.!, the man who emerges from the bathroom while Vincent fixes himself a drink crime, film. To lose his pulp fiction summary a twist contest, which they win 's chopper motorcycle to. Surviving man in the car is destroyed which they pulp fiction summary is like great! Men, killing him Bunny are about to rob in the first scene movies of time. A man named Captain Koons visits Butch as a meta-pulp as part of the auto shop, the... 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A meta-pulp situation, and recites Ezekiel 25:17 before killing another, named Brett stereotypical of the movies... Panicked Vincent rushes her to Lance 's house, while Vincent fixes himself a.... His fight movie reality Lance 's house, while Vincent fixes himself drink. Fast food take her out for a night on the counter makes pulp Fiction is a heirloom... Dealer, named Lance, and always interesting, funny, bizarre and uncalled-for.! Fast food to flee when he hears the toilet flush, and he and Vincent decide to get breakfast the. Where Butch will take a dive in his next fight a pulp fiction summary and a woman who each. Briefcase, the contents of which glow, from a kitchen cabinet helped Tarantino write the script pulp.
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27th, 30th March 2014 · 3rd, 6th, 9th April 2014 – The performances start at 8:00 pm. Sundays and holidays, at 7:00 pm; Sala Principal
Opera with a prologue and three acts · Music by Giuseppe Verdi. Libretto by Francesco Maria Piave revised by Arrigo Boito, Antonio García Gutiérrez. Premieres: Venice, Teatro La Fenice, 12th March 1857 (original version). Milano, Teatro alla Scala, 24th March 1881 (final version)
|Conductor Evelino Pidò Jordi Bernàcer (9)
Stage Director Lluís Pasqual
Set Designer Ezio Frigerio
Costume Designer Franca Squarciapino
Lighting Designer Albert Faura
Production Palau de les Arts Reina Sofía
Ballet de la Generalitat Inmaculada Gil-Lázaro, directora
Cor de la Generalitat Valenciana Francesc Perales, director
Orquestra de la Comunitat Valenciana
27th, 30th March 2014 3rd, 6th, 9th April 2014 Sala Principal
Simon Boccanegra Plácido Domingo
Amelia Grimaldi Guanqun Yu
Jacopo Fiesco Vitalij Kowaljow
Gabriele Adorno Ivan Magrì
Paolo Albiani Gevorg Hakobyan
Pietro Sergey Artamonov
S Y N O P S I S
Prologue A square in Genoa, near the palace of Jacopo Fiesco and the Church of San Lorenzo. Around 1339. The silversmith Paolo Albiani obtains support from Pietro for the election of the pirate Simon Boccanegra as the new doge, in exchange for some kind of recompense. Reluctantly Boccanegra accepts this position, hoping it will enable him to become reconciled with his enemy Jacopo Fiesco, as he is in love with his daughter Maria. The couple has a daughter, whom old Fiesco intends to bring up.
Simon runs into Fiesco and tries to convince him that they should forget the confrontations they have had in the past. Fiesco, visibly mourning Maria’s sudden death (which he hides from his rival), is inflexible to any reconciliation. Only if Simon gives him his granddaughter will he agree to it. The pirate explains that the little girl has disappeared and therefore he cannot do as he asks. Fiesco leaves and Simon enters the palace to meet Maria. He is horrified when he discovers Maria’s body. Dawn breaks. The crowd proclaims Simon Boccanegra doge of Genoa.
Act I Scene I Twenty-five years have passed. Jacopo Fiesco has changed his name to Andrea Grimaldi to hide his identity, and has brought up and adopted an orphaned girl -of unknown origin- with the name of Amelia Grimaldi. The girl is really Maria Boccanegra, the daughter of Simon Boccanegra and Jacopo Fiesco’s granddaughter.
In the gardens of the Grimaldi Palace, overlooking the sea, Amelia has an amorous rendezvous with the nobleman Gabriele Adorno. She tells him that the doge is about to arrive at the palace to ask for her hand in marriage on behalf of Paolo Albiani, a man trusted by the doge who finds Amelia attractive. So Gabriele gets in before the doge and asks Fiesco for permission to marry Amelia, to which the old man agrees. The doge arrives with Albiani. During his conversation with Amelia, Simon discovers to his surprise that she is his daughter, and that she is in love with Gabriele. He understands the young girl’s feelings and decides not to go ahead with the marriage proposal he had in mind. Albiani is not at all pleased and begins to plot to kidnap Amelia.
Scene II A chamber in the doge’s Palace in Genoa. The doge, sitting on his throne, presides over a meeting attended by advisers, consuls and condestables from the military. Gabriele bursts into the room, accuses the doge of being responsible for Amelia being kidnapped, and confronts him. But the young girl has managed to escape and she interrupts the meeting to tell her side of the story, clearly proving that Simon has had nothing to do with the matter. All eyes turn to Albiani. The doge brings order to the disrupted meeting and orders for Fiesco and Gabriele to be sent to prison. At the same time, he exhorts Albiani, who has been his right-hand man up until then, to curse the person guilty of kidnapping Amelia (who is none other than himself).
Act II A chamber in the doge’s Palace. Albiani, who is planning to kill Simon, offers to set Fiesco and Gabriele free from prison if they help him commit the crime. Fiesco refuses and goes back to prison. Albiani pours poison into the doge’s drink in case his initial plan fails. Really, he wants Gabriele to kill the doge, so he locks him in the chamber so that he will surprise Simon when he enters and kill him. He has previously led Gabriele to believe that Amelia and Simon are lovers. Amelia enters and tries to convince her sweetheart that his suspicions are unfounded. The doge is heard approaching and Gabriele hides on the balcony. Amelia begs her father to forgive Gabriele, the man she loves. The doge agrees and, feeling tired, drinks from the poisoned bottle and falls asleep. Gabriele takes advantage of the situation and tries to kill him. But Amelia stops him, telling him that Simon is her father. The doge forgives his future son-in-law and they go out together to calm the rebellious mob that is gathering at the palace gates.
Act III The doge has managed to calm the mob and forgives all the conspirators, except for Paolo Albiani, who is sentenced to death. Albiani tells Fiesco that the doge will die within a few hours because he has poisoned him. Simon enters weak and ill. Fiesco reveals his identity and is pleased he can get his revenge at last. When the doge tells him that Amelia Grimaldi is his granddaughter, Fiesco becomes emotional and is reconciled with him. The poison has taken effect, however, and the doge dies, but first he is able to bless the union between his daughter Amelia and Gabriele, and name his son-in-law as the new doge of Genoa. Fiesco goes onto the balcony and tells the crowd that Gabriele Adorno is the new doge, while they all join in prayer for the death of Simon Boccanegra.


Bollywood is one of most known film industry among gaint film industries of the world.There are billions of fans and followers of bollywood stars.Being A fan of these stars every fan tries to know about his stars real life matters .Here you can experience some glimps of their real life.
Ranbir kapoor is one of most dashing nd highest paid actors of hindi cinema.within a short time he become one of most famous celebrities of india.Recently he won filmfare award.
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Akshay kumar is a great actor of bollydood industry.His real name is Rajiv hari om Bhaitia.He is also known as best comedy actor of bollywood.
Hrithik roshan is a star icon for new generation.He got fame by his movie krish and dhoom.He has very attractive personality and body.
Sanjay dutt is a dashing indian actor and great producer.He is son of Sunil Dutt and Nargis Dutt.
Sidhart malhotra is a famous model and actor of hindi cinema.His nick name is sid.He started his career from modeling nd later got fame from his first movie Student of the year with Alia Bhatt and Varun Dhawan.


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Bruce Crawford presents a tribute to the Film Classic…
E .T. – The Extra-Terrestrial
With special guest Actor Robert McNaughton – “Michael” from E.T.
Saturday, May 13th, 7:00 p.m., Omaha Community Playhouse
Hawks Mainstage Theater on the stage wide screen!
6915 Cass St, Omaha NE 68132
Tickets $25.00 on sale NOW!
Buy tickets Online Here
Limited tickets at door
Doors Open at 6 p.m.
Proceeds benefit Omaha Christian Academy.
For more information call 402.399.9565


Patents Holders on the Red Carpet
Authored by Michael Vosseller
Natalie Portman has what many will covet this Sunday – an Oscar. The 29 year-old actress won her Academy Award for best actress in Black Swan. Although largely known for her movie career, Portman is also an accomplished student of the sciences. As a high-schooler, Portman made it to the semifinal round of the ultra-elite Intel Science Talent Search and, after playing Queen Amidala in the Star Wars prequel, Portman studied neuroscience at Harvard University. Although far from ordinary, Portman is not the only movie star with a knack for science and invention. Below are five big names of the silver screen who also have a passion for innovation.
James Cameron’s science fiction imagination is well-known. His directing and producing resume includes Avatar, Aliens, Titanic, and The Abyss, which won an Academy Award for Best Visual Effects in 1990. While filming The Abyss, Cameron patented an “apparatus for propelling a user in an underwater environment.”Using propellers, the patent was designed to help cameramen capture underwater scenes.
If James Cameron makes a list, then George Lucas’s name must appear as well. Practically everyone has witnessed Lucas’s creativity on the big screen, and a majority of those enthralled with the Star Wars franchise have also played with its action figure toys. Lucas holds patents on figures of the characters and creations from a galaxy far, far away, including the likes of Boba Fett and AT-AT Walkers.
Francis Ford Coppola
President Barack Obama called The Godfather I and II his favorite movies, and the series has won a combined 9 Oscars. The movie’s director, Francis Ford Coppola, is arguably responsible for an entire genre of mafia movies and TV shows. But what imitators cannot touch is Coppola’s patent for a t-shirt. The patented shirt has a turtle on the backside. The turtle is divided into numbered regions, so that the wearer can tell someone exactly where to scratch should an itch arise in an unreachable spot.
Speaking of The Godfather, Marlon Brando, the actor who played Don Corleone, has two Oscars for Best Actor. The precursor to acting greats James Dean and Paul Newman, Brando also had an interest in music. In 2002, Brando received a patent for a “drumhead tensioning device and method.”
Muscle cars, a shotgun, and a fire-ball explosion are ingredients for an epic car chase scene. Steve McQueen, the Oscar-nominated actor, pulled off such a chase scene in the movie Bullitt. McQueen was actually an accomplished race car driver having raced against Mario Andretti in 12 Hours of Sebring. McQueen’s driving chops inspired his patent for improved bucket car seats.
It’s easy to characterize actors and inventors as having very distinct thought processes, but we've seen that is not necessarily the case. As Oscar Sunday approaches, let’s remember that creativity and inventiveness go hand-in-hand.
http://www.nytimes.com/2011/03/01/science/01angier.html?pagewanted=all&_r=1& http://mentalfloss.com/article/52444/27-celebrity-patent-holders http://mentalfloss.com/article/52444/27-celebrity-patent-holders http://theweek.com/articles/476657/8-insights-into-barack-obamas-popculture-tastes http://mentalfloss.com/article/52444/27-celebrity-patent-holders http://mentalfloss.com/article/52444/27-celebrity-patent-holders http://www.autoblog.com/2010/03/24/happy-80th-birthday-steve-mcqueen/ http://mentalfloss.com/article/52444/27-celebrity-patent-holders


A wonderful story of finding strength and love among the struggles and changes of post-Civil War Texas. Shocklee does a more than credible job of portraying the situation many in the South faced after the war. She explores the characters both bluntly and with compassion. Very well done.
Natalie Ellis is left as destitute as most war widows in the South. She still has her house and her land, but no money. The Colonial Levi Maish of the Union Army arrives to tell her not only that the South lost the war, but that her slaves are free. How can she run her plantation without slaves? Who will pick the cotton that finally has a market again? When the Yankee comes up with a plan-like it or not-Natalie has to agree. But that doesn’t mean it’ll be all smooth sailing from then on.


Chadwick Boseman has earned his first posthumous Primetime Emmy nomination for starring in Disney+ animated series What If…?
The actor who passed on in August 2020 after battling colon cancer, was nominated for voicing his fan-favourite MCU superhero Black Panther on the series’ What If… T’Challa Became a Star-Lord? episode.
Boseman’s nomination was announced on Tuesday, July 12 alongside other outstanding names in television. Reacting to the historic nomination, the actor’s official social media shared an appreciation post.
“What an incredible honor! Thank you to the @televisionacad for Chad’s posthumous #Emmys nomination for Outstanding Character Voice-Over for his roll in as T’Challa in the animated series #Whatif…? from @disneyplus and @marvelstudios,” the post read.
While this marks Chadwick’s first Emmy, the actor also earned a posthumous Oscar nomination for his role in George C. Wolfe’s Ma Rainey’s Black Bottom. The award later went to Anthony Hopkins for The Father.
This year’s nominations also saw Norm Macdonald and Jessica Walter Score posthumously recognized. Meanwhile, HBO’s hit series’ Succession recorded the highest nominee of the year after picking up 25 nominations including Outstanding Drama Series and Lead Actor. The show had previously won nine Emmys.
Other double digit nominated titles include HBO’s The White Lotus with 20 nominations, Apple’s Ted Lasso with 20, Euphoria with 16, Netflix’s Stranger Things and Squid Game with 13 and 14 respectively among others.


The musical was a great success. THANK YOU to Ms. Mutz for all her hard work preparing everyone for the show, and to all the parents who got your children to the extra rehearsal (for those with speaking parts), and to the people who stepped up to do face painting! And, of course, thank you to family and friends for coming to the show! It was a big night for everyone!
I was able to get some pictures at the dress rehearsal yesterday afternoon and from side stage last night at the show (a few show photos are here...more are to come). Congratulations to the students for a wonderful performance!


I remember the afternoon that I first watched this movie, it was amazing how one movie could bring together so many thoughts, feelings and situations that I had faced in life. I say faced as in the sense that often we hide those innermost feelings that we experience, often thinking that we might somehow face ridicule to fully express ourselves.
Literally that Sunday I was glued to the screen as I went on a trip of déjà vu. Immediately, I wanted to share those feelings and moments with the person who is the object of my affection, knowing that he too would have felt exactly what I had during the movie.
This movie is full of insight, amazing expressions and quotes by David Mitchell, so I wanted to share a few of my favourite ones here:
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Michael Huling is one of the co-founders of the Handsome Little Devils and is largely responsible for its unique look and feel . Check out his website to learn more about his expansive body of work in Theater, Film, Corporate, and Visual Art!
Devil Dan is one of the co-founders of the Handsome Little Devils and the mastermind behind The Stage Stage (It’s More Than a Stage!). Check out his website to learn more about his stellar paddle-ball skills, comedy and tour dates!
Manhattan Creative Group is a creative production company for film, commercial television, live productions and corporate events. CEO Joseph Wartnerchaney is the director, producer and collaborator for the Handsome Little Devils’ show, Conjure.
Le Tigre Tent is a miniature Big Top that tours all around the world featuring some of the most unique acts to ever perform in the belly of the beast!


Here is a selection of award winning narrative and documentary films. My debut feature Sandpaper, which won Best American Feature at the New Vision International Film Festival in Amsterdam and Official Section of the Raindance Film Festival in London.
A documentary called Free Advice. The Los Angeles Times called it "Best Documentary of the year. Unique and Unforgettable."
Impossible Possible. The true story of the only man to ever walk across the Amazon Jungle to raise awareness for cancer.
Wholly Broken the award winning Movie-Musical.
“Jarett Bellucci is an extremely talented filmmaker. I'm constantly impressed with his original ideas, his drive & ambition. To top it off, he's a pleasure to work with. I'd recommend him highly for any project."
— Vivek Tiwary, Tony Award Winning Producer - Jagged Little Pill
S A N D P A P E R
Exec Producer // Co Writer // Director // Editor
As a director, I'm always drawn to real stories. So when I heard what happened to my sister, I knew this needed to be told.
ABOUT THE FILM
Inspired by a shocking true story, SANDPAPER is director Jarett Bellucci’s debut feature. A gorgeously shot and deeply tense battle of wills, the film delves into twisted psychologies, lurking entrapment, and legal loopholes to deliver a thrilling investigation.
A kindly carpenter works on a deck outside the house of his recently divorced employer. The work goes as planned, but the carpenter begins to exhibit some peculiar traits. Nothing too out of the ordinary, but a little off-beat. Jarett Bellucci will slowly wrench the tension from this premise, revealing these eccentricities as evidence of a complex and devious personality, one which will put the protagonist in immediate and inescapable danger.
Most immediately notable is the film’s beautiful cinematography – Aleutian Calabay and Christopher Walters capture the sylvan domesticity of the film’s setting, only to later twist this wooded paradise into an isolated, domineering prison.
The performances are also striking, particularly that of David Raizor, who plays the disturbed carpenter with nuance and depth – Howard is not a generic horror villain, but a fully-formed character whose motivations are various and conflicting. Lori Katz is excellent in the opposing role – while she is a victim of Howard’s proclivities, she nonetheless exudes a sense of determined resistance throughout. She will not be cowed so easily. An unnerving tale of southern hospitality turned on its head.
Available on Amazon Prime. Currently viewed over 250,000 times!
F R E E A D V I C E
Director // Editor
"Best documentary of the year. Unique and Unforgettable."
I was hired by the producers of the film, to direct and capture the enigma of world-renowned motivational speaker Steve Maraboli.
When he's not on stage giving speeches, he's outside giving people FREE ADVICE. We used hidden cameras around NYC
to capture his message.
ABOUT THE FILM
World leaders, Top Athletes, Celebrities, and millions around the world seek the insight and advice of Steve Maraboli, but it’s what he does in his downtime that makes “Free Advice” an instant classic that restores hope in the human condition and re-ignites the fire within.
This unforgettable documentary follows this highly sought-after advisor and life-changing speaker as he anonymously sits on a park bench in any given city or country while holding a sign that offers, “Free Advice”.
Steve’s words have been published in 25 languages and he has been quoted in thousands of books… and you may have just walked past him.
I M P O S S I B L E P O S S I B L E
Producer // Editor
ABOUT THE FILM
In 2012, after being diagnosed with Melanoma Cancer at the age of 64, Former-Israeli Special Forces Operative, Decorated Warrior and noted Survivalist Mickey Grosman made a remarkable decision. He wanted to do something extraordinary to empower those who are fighting cancer and to honor those who have been lost, especially the children.
Driven by a profound determination and a powerful sense of duty, he assembled a team of amateur adventurers crazy enough to join him and set out on what was deemed by others to be an absolutely impossible expedition. They would cross 5,000 miles on foot, through the Amazon Jungle from the Pacific to Atlantic Ocean.
Not even Mickey could have calculated the personal cost of this journey. What would you risk to save others?
G H O S T E D M.D.
ABOUT THE PILOT
When cardiologist, Anastasia Dimas witnesses a car accident, and later the victim's mysterious death, she is compelled to investigate, only to find out that the victim himself is also on the same mission.
W H O L L Y B R O K E N
I was contacted by writer & director Tom Humbert, about editing his debut feature film Wholly Broken. He was looking for an editor with a background in music videos & feature films. I fit that bill.
It's a faith based film...meets musical, so I thought...why the hell not?
ABOUT THE FILM
Wholly Broken tells the story of Pastor Tom (Tom Humbert), a recovering alcoholic minister, picking up the pieces after losing his job as Pastor and dealing with his failed marriage to Kim (Alicia Minshew), his career driven ex-wife.
Set in the iconic Hamptons, known for the beauty of creation and the lure of temptation, Kristen (Terri Conn) a member of Pastor Tom’s parish, carries secrets of her own. Following the stories of several other community members, the series highlights issues of today’s modern time.
With a diverse ensemble cast, featuring Emmy Award winners, Broadway stars and Grammy Award winning recording artists, this original faith-based musical about everyday life explores the struggle between the brokenness of humanity and the saving grace of God’s loving forgiveness.
Wholly Broken is available on Amazon Prime.
Winner – Best Narrative
International Film Festival Manhattan
Soho International Film Festival
Garden State Film Festival


Then the organizers called. They informed Lambert that her play, which she’d written as a sixteen-year-old high school senior, was one of ten culled from more than 1,000 works sent in by playwrights eighteen years old or younger. A later call brought even better news: Lambert’s play, which revolves around a conversation between an ice cream vendor and a hot dog vendor in New York City’s Central Park on a winter day, would be one of three plays staged this fall by the festival for a monthlong run at the off-Broadway Cherry Lane Theater in Manhattan.
Lambert spent much of the fall shuttling between Providence and New York City, working out production details with director Jeremy Dobrish and attending rehearsals. Lambert says the experience was draining but exhilarating. “They treat you like you’re an actual writer rather than just a young writer,” she says.
Despite the focus on experimental theater and film at Brown, Lambert, a modern culture and media concentrator, says she wants to focus on characters and plot and to avoid the faintest whiff of snobbery: “Even saying ‘my work’ makes me feel pretentious.”


Last Wednesday, New York Times technology writer David Pogue pulled off an awe-inspiring marriage proposal that touched all our emotions. It had us chuckling, teary eyed, shaking our heads in wonder and mumbling to ourselves, “Wow.”
Pogue produced a Hollywood-quality, five-minute fake movie trailer – complete with beautiful cinematography, a cast of professional actors, set changes and musical score – that capsulized the blossoming bi-coastal, Skype-supported love story of David and Nicki.
On August 15, Pogue convinced the movie theater at a summer resort to play the fake trailer before the movie Pogue, his girlfriend and their families went to see. He hid a video camera in a ficus plant at the front of the theater so he could capture the real Nicki’s reaction.
The trailer tells the story of a man and woman, each divorced with young children, who meet and fall in love despite living on opposite sides of the country. Through the magic of Skype and instant messaging they are able to keep their blossoming romance alive.
As the story plays out, we see the real Nicki in the lower-right of the frame as she slowly realizes that the actors in the trailer are telling her story.
As the trailer transitions to the ultimate scene, where the fictional David is kneeling down, ring in hand, to propose to the fictional Nicki, the REAL David calls, “cut,” and enters the scene as the director.
“This is the real deal,” Pogue, the director, says. “It has to be done in person. It has to be done by me. Live!”
Then the real David leads Nicki in front of the small theater, while the fictional characters on the screen seem to be watching the live action from behind.
“Nicki, I’ve never met a soul as selfless, as beautiful, as wise and funny as you and I am not going to let you slip through my fingers,” the real David says. “My dream is to be with you every day of my life. Nicki, will you marry me?” The real Nicki screams, “Yes,” and reaches both hands in the air in celebration. Amazingly, the fictional cast on the screen reacts as if on cue.
At the Vimeo video site, a reader asked Pogue how he got the recorded video of the cast’s reaction to align with the live action. “It was too perfect,” the reader wrote.
Pogue’s answer: Great question! First, I wrote out what I was going to say, and recorded my speech on my phone. Then when we filmed, the actors were all listening to my recording, so that THEIR timing was right. Then I just rehearsed with the video over and over again before the big day!
Enjoy this amazing piece of work.
Reader Rating: 0 Votes
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Film screening and discussion: Quo Vadis, Aida?
15 Jan 2021 | Online
Organized By : The Post-Conflict Research Center (PCRC)
The Harriman Institute is pleased to partner with the Bosnian-Herzegovinan Film Festival, the Post Conflict Research Center, and the Srebrenica Memorial Center to present a virtual screening of the 2020 film Quo Vadis, Aida? (Where Are You Going, Aida?) and a discussion with screenwriter and director Jasmila Žbanić in conversation with Tanya Domi (SIPA/Harriman Institute, Columbia Univeristy), human rights lawyer Sandra Orlovic, Velma Saric (Post-Conflict Research Center; Balkan Diskurs), and Emir Suljagić (Srebrenica Genocide Memorial), moderated by Dijana Jelača (Brooklyn College).
Quo Vadis, Aida? is a new film directed and produced by Jasmila Žbanić, the award-winning filmmaker from Bosnia and Herzegovina who earned the Golden Bear in 2006 for her debut feature Grbavica: The Land of My Dreams. Žbanić’s latest film is a dramatic depiction of the well documented Srebrenica genocide that occurred in Eastern Bosnia on July 11, 1995, when more than 8,000 Muslim men and boys were murdered by the forces led by Bosnian Serb Army commander General Ratko Mladić.


Actress and icon Farrah Fawcett, who showed the reality of cancer treatment to millions, was left out of the In Memoriam segment at the 2010 Academy Awards.The snub was deliberate.
Among the first to notice was film critic and cancer survivor Roger Ebert. "No Farrah in the memorial," he tweeted. "They have a lot of 'splaining to do."
Fawcett died at the age of 62 after a three-year struggle with anal cancer. Known as a sex symbol for most of her career, she also left a lasting legacy for cancer patients by allowing cameras to document her treatment for “Farrah’s Story.” The brutally transparent documentary drew 9 million viewers.
Actor Ryan O’Neal, father of Fawcett’s son, said the omission left him stunned and shocked. "It was a terrible decision and very hurtful," O'Neal told Radar Online. "Farrah was a member of the Academy for over 40 years and we could not believe she did not get a mention." O’Neal, a leukemia survivor, said he intended to ask the Academy for an explanation.
"I think this is what Farrah struggled with her entire career," said Craig Nevius, Fawcett's close friend and Farrah's Story producer. He told E!Online, "She struggled with respect and told me many times she felt she was put in a box. She loved television, and she was primarily a star on TV, but she was also a star on stage and film. You know, how you can discount Extremities (Golden Globe nomination for Best Actress in a Drama), The Apostle (Independent Spirit nomination for Best Supporting Actress) and Dr. T and the Women, I don't know.”
Academy spokeswoman Leslie Unger said, "In any given year there will always be some people that other people think should have been included and that there's more justification for one person versus another." "It is impossible to include everybody." The executive director of the film academy said Fawcett wasn't included because she was better known as a TV star.
Fawcett died on June 25, 2009. Her death was overshadowed by media coverage of the death of Michael Jackson, known primarily for his work in the music industry. Jackson was included in the In Memoriam segment of the 2010 Oscars.
What do YOU think?


According to messages currently circulating via social media, actor Keanu Reeves gave millions of dollars earned from the iconic Matrix films to the special effects team who made the movies so compelling.
The claims are reportedly true. Sources do vary somewhat with regard to exactly how much money Keanu gave away. Some put the figure at around $80 million. Others claim it was $35 million or as much as $100 million. But all concur that the actor gave away a sizable portion of his earnings to crew members.
A May 2003 Hello Magazine article noted:
Man of the moment Keanu Reeves has shown his generosity by giving away £50 million of his earnings from the Matrix sequels. The 38-year-old decided to hand over the money to the unsung heroes of the sci-fi blockbusters - the costume and special effects teams. [……]ABC News, The Daily Mail, and other sources have confirmed the story.
His gift to the Matrix series' 29 behind-the-scenes whiz-kids will see each of them receiving £1.75 million.
Money is the last thing I think about. I could live on what I have already made for the next few centuries.
A Hoax-Slayer Nutshell - Editorials, brief hoax and scam related write-ups, interesting factoids, occasional rants and more!
Read More Nutshells
Last updated:September 26, 2013


The man who played Joey Tribbiani—the 1990s most affable lunkhead—has a shocking secret: "I dyed my hair the whole time on Friends
." When the hit show’s spinoff, Joey
, ended in 2006, LeBlanc decided to go au naturel. "I just was sick of [dyeing] it," he says.
After a few years playing Dad to his daughter, Marina, LeBlanc debuted his salt-and-pepper coif on Showtime's Episodes. The new, mature-looking 'do worked for him; the show's a success, and he won a Golden Globe for Best Actor in a Comedy Series in 2012.


Gracelyn Taylor has been in love with Rory Thompson for as long as she can remember. After their first kiss, Rory tells her that they are a mistake and vanishes from her life. Out of loneliness, she turns to the wrong man for companionship. He becomes obsessed with her and she must disappear to save her life as well as protect everyone she cares about. She has changed her looks and her name in a effort to evade him. Two years later a chance encounter will bring the past crashing down around her and put her future in danger.
Rory Thompson regretted the words as soon as they were out of his mouth. He walked away from Gracelyn once, but vows to never do it again. Fresh out of the military, he is on the hunt for the only woman he ever loved. Gracelyn disappeared without a trace and hasn’t been heard from in two years. When he is intrigued by a stranger, he is surprised to find out that she will lead him back to the woman he has been searching for.
The quest to reclaim Gracelyn’s former life so that she can finally move forward is on. Together Gracelyn and Rory must learn to trust each other again in order to rekindle their love for each other.


47th Ann Arbor Film Festival Animation
I had the joy of animating this years promotion video for the Ann Arbor film Festival again. This years slogan is “welcome to the new world of independent cinema“. Ryan designed a very detailed Map for the campaign that I brought to life in this animation. Music outtakes from The Life Aquatic sound track were provided by Mark Mothersbaugh from DEVO.
A 30-second animated video to promote the 47th Ann Arbor Film Festival, which takes place March 24 – 29, 2009. The Ann Arbor Film Festival is the original North American independent film festival and a forum for cutting-edge, art-driven, visionary filmmakers and new media artists to share their work.


FOUR NEW RUSSIAN PLAYS!
Presented in London's Frontline Club - from 12 to 15 January 2016.
Produced by the Frontline Club and Theatre Royal Plymouth in association with Sputnik.
Post-show talks with theatre-makers and journalists.
Sputnik is a British theatre company dedicated to sourcing, translating and producing new Russian drama for British audiences.
There are several strands to Sputnik's work including:
- producing new Russian plays in the UK
- programming and organising the Russian Theatre Festival in London
- developing Russian playwriting through commissions and exchanges
- outreach work bringing drama to disadvantaged young people
- cultural events with Russian literature and music
Russia has a history of theatrical innovation. Russian playwrights have played a significant role in shaping modern European theatre.
Contemporary playwriting in Russia has been going through an important and innovative period since 1991 with a prolific output by predominantly young dramatists.


If you want to watch a surprisingly interesting movie, check out Locke, a 2013 British-American film written and directed by Steven Knight.
Essentially the entire story takes place at night inside Ivan Locke’s BMW as he drives from Birmingham to London, England. The only character we see during the film is Locke, played by Tom Hardy. Most of the production occurs in real time.
Locke leaves Birmingham the night before a large concrete pour that he was due to supervise the next day.
He decides to leave to be with a woman with whom he had a one-night stand, and who has called to tell him she is prematurely giving birth to their child.
During the course of a series of phone calls, Locke attempts to reassure the mother of his child, confess infidelity to his wife, and talk to his son. And even after being fired from his job, he coaches his assistant to prepare for a complex and difficult concrete pour.
If all of this sounds boring, believe me, it sounded that way to me too. But a good friend suggested that I must watch Locke. Give it a few minutes. You’ll be hooked. Watch it on a small screen in a dark room.
Locke is a compelling story of a man who truly takes personal responsibility for his actions by trying, as best he can, to make things right. Not a summertime superhero story ... just a real human hero story.


One prop also survives from the opening night: the clock above the fireplace in the main hall. More than actors have appeared in the play since , including a handful of household names.
When she appeared as Miss Casewell in , she took over a role filled in by her mother, Miranda Bell who appeared last year in The Imitation Game, alongside Benedict Cumberbatch. T he show has also attracted a number of notable audience members, including Sir Winston Churchill, Quentin Tarantino and Queen Elizabeth II, who began her reign six months before the play first opened. Ever a populist, she asked for a new play by Agatha Christie, and the writer obliged, turning out a minute radio drama called Three Blind Mice. This most British of murder mysteries has been adapted for film twice — in Russian and Bengali.
Agatha Christie's The Mousetrap comes alive on Indian stage
All my good wishes. C oward had written to Christie in , when The Mousetrap became the longest-running play in the West End. S hortly after writing the play, Christie had granted the performance rights to the play to her grandson.
Fans launched a campaign to have the revelation removed, or at least to include a warning. It's exceedingly easy to avoid knowing the identity of the murderer: just don't read it. T heatrical success is always relative.
At one time, Christie had three different plays running in the West End — a feat that has yet to be matched by any other female writer. She died just over a year later, on January 12, But in this production he was fidgety-busy tidying up the manor for arriving guests in an air of indignant irritability.
The Mousetrap and Other Plays
Rogers-like woolen sweaters and Hush Puppies have just the right British tweed. The actors were not miked and this likely contributed to the inability at times to discern what they were saying.
The actors did a fairly good job of consistently speaking in crisp albeit very rapid English accents, but the sound system — or rather lack of one — made it difficult to follow exactly what was being spoken off and on throughout the play. The cast worked well together, however, and were obviously well-rehearsed.
They made good use of the expansive stage space and entered and exited with a naturalness and flexibility. Parlor Room Theater is a family affair. For tickets, purchase them at the box office or online. The production and cast performances were superb!
Mousetrap play script online Mousetrap, the. The mousetrap and other plays. The mousetrap script.
What a talented group of entertainers. I encourage persons to go see it. DC Metro Theater Arts. Community Theater Locations Maryland Reviews. Sarah Boyd Mrs.
Related mousetrap agatha christie script
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The much anticipated finale of season 10 C aired this week and it delivered. Fans of the show have waited years to see the comic storyline of ‘Here’s Negan’ on screen and the show delivered it excellently and was able to tie it into the current storyline of season 10.
The episode starts as Carol walks with Negan out of Alexandria to Leah’s cabin where she reveals the council voted to banish him after everything with the whisperers and Maggie’s return. Feeling emotionally battered and bruised as he reflects on the man he used to be both pre-outbreak and post-outbreak he hallucinates his former self sitting in a chair next to him taunting him saying he’s nothing without his bat Lucille. Knowing he’s been banished he thinks back to the day Rick slit his throat and arrives back at the scene where he finds an old and aged Lucille buried in the grass. A flashback then starts that shows Negan 12 years prior at the start of the outbreak and then to seven months before the outbreak.
Negan is a completely different man he’s a bum and a scared loser that can barely handle walkers. The flashbacks reveal like in the comics Negan was a PE teacher and did cheat on his wife Lucille that was until she was diagnosed with cancer. The outbreak begins while she is receiving treatment and Negan trains himself to give her chemotherapy and tracks down a unit of mobile doctors that have the drugs and treatments he needs.
Lucille is shown for the first time in the series in this episode as both a human and a bat. Lucille is a sturdy women that takes no nonsense and saves Negan from a walker he struggles to kill with their last bullet while connected to her chemo machine while also showing heart and is humorous.
Negan is a devoted and caring husband to Lucille during the outbreak and gets himself kidnapped and almost killed trying to secure the drugs she needs. In touching scenes you see Negan make her smile by reading to her, playing with her various wigs with her, singing to her, playing darts with her and showing genuine remorse for his previous sins. Lucille begs Negan to stop travelling as far and to stop searching for her treatments as she grows weaker in front of him. Negan repeatedly avoids killing walkers saying that he does so as he doesn’t want to get used to killing, he knows within him at this point he has a violent streak as he reveals that he battered a man to a pulp pre-outbreak and almost didn’t stop.
It’s only upon his return to his wife after being on the road looking for her treatments for six weeks that he discovers she had taken her own life the night he left her as he discovers a note she wrote on their bedroom door begging Negan to put her down after she turns. It destroys him and and he burns their house down as their favourite song plays in a scene that is as heartbreaking and devastating as when Daryl had to put down Merle in season three if not more gut wrenching. He leaves on his bike to get revenge on his kidnappers who had imprisoned the doctor that helped him and the doctor’s daughter Laura ( as in Laura the Saviour seen during all out war) with the bat Laura gave him in an earlier scene. As the house burns he bursts the door down with Lucille in her full barbed wire glory in a scene that can only be described as bad ass. Lucille’s death was Lucille’s and Negan’s birth.
It’s during these revenge scenes where the Negan fans know best is born as he says that before when he was angry he couldn’t inflict the damage he wanted to as there was consequences whereas in the apocalypse he won’t be put in jail, he won’t be sued whereas now he is able to embrace this side and see what he is capable of.
The episode ends as you see Negan kill a walker with Lucille and the bat shatters into pieces as does the rest of his spirit. He takes it back to Leah’s cabin wraps it in cloth says his goodbyes and burns it the same way Lucille was laid to rest by him as he says his goodbyes to his wife and the man he used to be. He then walks back into Alexandria to see Maggie give him a look that says ‘I’ll kill you’ to which he responds with a smile. He told the bat as it burned he would do Lucille’s fighting for her, it’s unknown if it’ll be the old violent Negan that returns or the soft soul Lucille seen him as.
This episode has became an instant fan favourite and has even been ranked as the fourth highest rating episode of the full series according to The Walking Dead’s official Twitter account. The episode was a mixture of moving, sadness and joy as viewers are able to see every layer there is to Negan and what caused him to become the infamous villain he is today. In an emotional rollercoaster of an episode that keeps you on the edge of your seat as every twist and turn is explored it makes you realise Negan is who he is today because of both Lucilles, the bat and his wife.
Overall rating 10/10


Sandtrooper Fully Finished Commission
£1,519.99 – £1,944.99
Made to your sizes commission, NOT a stock item. Delivery due early 2020
Created from the original mouldings of a Stormtrooper used in the first Star Wars film A New Hope. This is the most authentic and accurate replica Sandtrooper available in the galaxy.
- Unique: we are the only armour makers with original Star Wars ‘A New Hope’ armour.
- Accurate: every detail from the iconic Sandtrooper has been carefully captured (e.g. visible surface texturing to the front of the helmet) to create a near perfect replica.
- Custom-built: this is not mass-produced collectable, it’s a hand-made prop re-created by specialist prop makers in the same style and spirit as the original Sandtroopers were.
- Authentic: each replica suit comes with a certificate of authenticity and signed display plaque from Brian Muir, the British sculptor who bought the Stormtroopers’ armour to life using Ralph McQuarrie’s original concepts.
- 501st Legion: our Sandtrooper suits are guaranteed to meet garrison admission criteria.
- Commission type: available as a ready built replica assembled by the prop makers in our studio or as a self-build kit for you to paint and personalise at home.
The RS Props Sandtrooper suit includes:
- Replica stunt helmet
- Replica armour (assembled exactly as the screen-used suits)
- Replica E-11 blaster or DLT-19 Blaster option
- Rank Pauldron
- Field Pack Option
- Two part “RS” undersuit
- Rubber gloves with accurate latex hand guards
- Neck seal
- Ammo Pouch set for shoulder and hip
- White leather boots from Imperial Boots
Blaster Option 1: Replica E-11 blaster
Blaster Option 2: Replica DLT-19 blaster
Field Pack Option
A small team of dedicated prop enthusiasts and fans of Star Wars films since childhood, we’re dedicated to reproducing iconic Star Wars characters using the methods used in the original film production process.
We are proud to offer the only true lineage props for a series of characters from “A New Hope” and “The Empire Strikes Back” for which we own a collection or original studio made pieces.
About the Stormtrooper
From the minds of George Lucas and Ralph McQuarrie (Concept Artist), the original Stormtrooper character was bought to life by John Barry (Production Designer), John Mollo (Wardrobe Designer) Bob Walker (Graphic Artist) and sculptors Brian Muir (armour) and Liz Moore (helmet).
Fifty sets of armour were made for the film. Surviving sets of armour used for “A New Hope” would later go on to be reconditioned and reused for “The Empire Strikes back”.
Here at RS Prop Masters we are the only armour makers with original Star Wars “A New Hope” armour which enables only us to faithfully and painstakingly recreate every detail of the original Stormtrooper suit.
Customers purchasing a Sandtrooper commission will receive a display plaque signed by Brian Muir as well as hologram authentication stickers and individually numbered Certificate of Authenticity.
DLT-19, E-11, E-11 & DLT-19
Field Pack Required, No Field Pack Required
Boots UK7, Boots UK8, Boots UK9, Boots UK10, Boots UK11, Boots UK12, Boots UK13


Helsinki-based performance artist and organizer, Willem Wilhelmus shared his work with Boston in 2008 at the Contaminate 3 Festival.
The beginning of the performance was light-hearted, Wilhelmus asking the audience to gather closetogether. He asked the audience to let him borrow the coins that they had in their pockets. The space filled with the sound of laughter and coins rattling as they exchanged hands and fell into Wilhelmus’ fedora. Once he finished passing his hat, the mood changed. He began placing the coins on top of his bald head. It was impressive how the coins adhered themselves to his skin. He laid down and began covering his face. He cut open his shirt and continued placing coins onto his chest. Once all of the coins had been distributed, he wrote “Please take your money” on a piece of paper that was taped beside his body. The audience hesitated for a moment before obeying this silent request to repay his loan. The audience looked like vultures, scavenging pieces of Wilhelmus’ still body.


Easter Passion Play, Ulverston, 31st March 2018
PASSION PLAY In the streets of the vibrant market town of Ulverston in the South of the Lake District on Saturday 31st March 2018 there is an amazing Easter Passion Play re-enacting the last days of Jesus’ life. This powerful play will appeal to all ages and is not to be missed. The event will start at 10.30 am and will last for about an hour. There is no entrance charge and after the play there will be an opportunity to speak to the actors and browse the activity-based stations related to the play itself. Find more information here.


The relationship between the moviegoer and the movie preview is a complicated one. It’s bittersweet, it’s a double-edged sword, it’s pros and cons, et cetera. On the one side, we appreciate the previews because by them we stay hooked into the world of movies and entertainment. By watching the previews we are updated to the latest and greatest in cinematic brilliance and keep our interest in movies consistently high. On the other hand, the movie preview is something we’d often rather do without. The sole motivation that brings most of us to the movie theater in the first place is to watch the feature film, not just a preview. It is for the feature that we blocked out 3 hours in our schedule and paid such a high price for our tickets. We know that in order to stay excited and in tune with the latest movies, we must see the previews. Therefore, we humbly accept the preview as more something to be endured than enjoyed, but they have a job to do. Previews are made to achieve three primary goals. They should:
- Display the best aspects and moments
- Make radically confident claims
- Leave us wanting more
Over the next several weeks, we will reflect on how a good movie preview connects to what we know and what we can hope for about Heaven. Join us every Thursday to learn more.
3 thoughts on “Thursday Reflection Series: Previews and Promises”


Essay about Romeo and Juliet Fate or Free Will
852 WordsNov 26th, 20124 Pages
Honors English 1, R
30 April 2012
Romeo and Juliet: Fate or Free Will? In Shakespearse’s classic play The Tragedy of Romeo and Juliet, the two star-crossed lovers created one of the most notorious tragedies known to man. Romeo and Juliet met as an act of a single force known as fate. Fate is the idea used to describe a circumstance when it is meant to happen; fate is the living body responsible for controlling everything, except the decisions you personally make. Act I indefinitely demonstrates Romeo and Juliet met as an act of fate. Fate was able to force its way into Romeo’s mind, in order to plant a seed, a seed in the form of a dream in which a girl who he met at the Capulet’s party would direct him to…show more content…
Romeo did not just stumble upon Juliet, these repeating coincidences intertwining Romeo and Juliet’s destiny can only be acknowledged as an act of fate. Another sign Romeo and Juliet met as an act of fate is because as soon as fate brought the two together, it tested their love with challenges outside of either of their control to change or stop. One way fate tested Romeo and Juliet’s love was by making their relationship even more difficult than just having opposing families; Tybalt, Juliet’s cousin, kills Mercutio, Romeo’s friend, and Romeo retaliates by killing Tybalt. Another way fate tested Romeo and Juliet’s love was by forcing Paris to be so eager to marry Juliet. The challenges and strong love Romeo and Juliet are presented with were never part of their plan and therefore must have been an act of fate. It seems as though fate goes extremely out of its way to insist on making the lover’s relationship even more difficult. As time progresses with Romeo’s banishment, Paris becomes more and more anxious to marry Juliet. In effort to get out of the arrangement, Juliet sought out the friar who schemes a plan to free Juliet from the upcoming union. “Hold, daughter. I do spy a kind of hope . . . If, rather than to marry Country Paris . . . And, if thou darest, I’ll give thee remedy.” (4. I. 821). The will of Paris and the friar devising this plan were not under Romeo, nor Juliet’s control, and therefore must be viewed as an act of fate. It seems as
Romeo and Juliet: Fate or Free Will? Essay example
543 Words3 Pages
Romeo and Juliet: Fate or Free Will?
The play Romeo and Juliet was one of the most famous love tragedies ever written. This love story unfortunately had a fatal ending. Many people argue over why the lovers had died, was it over Free Will or Fate?
The death of Romeo and Juliet was partially because of free will. The fact that Romeo and Juliet got married knowing that there was a bitter feud between their families, the Montague and Capulet’s. This feud brought on many problems, such as the murder of Tybalt by Romeo. Juliet knew that this might be a problem for Her and Romeo. Juliet had said: “What’s in a name”? Which explains her ill fate of being a Capulet and Romeo being a Montague. When Romeo tells his servant “ Ay, mine own…show more content…
I believe they had died over the love they had for each other, strong enough that their lives could end so suddenly if something horrible had come between them, and that was exactly how it happened. This tragedy occurred within five days of the two meeting, they experienced love at first sight, got married and quickly were dead.
Free Will became a part of this when Juliet decided to take Friar Laurence’s advise in inhaling a potion that will make people assume she is died but will awake in 42 hours prier to when she took it. When Romeo had heard the news that Juliet was dead, he assumed it was true, and responded with the line; “Well Juliet, I will lay with thee tonight”. To me this line indicated how he feels for Juliet by dying in her will.
The fact that Free Will didn’t take control of the story; it left Fate to be the murder of the lovers. Fate first kicked in when their eyes met at the Capulet party. When Romeo and Juliet spoke, their words had powerful contentment; they had such a strong feeling for one another that they could lay in each other’s arms forever. Their happiness didn’t last long; there were many reasons for this, for example; the marriage Lord Capulet arranged between Paris and Juliet. I believe that the plot of the play thus far leads the audience to believe that the deaths were a result of fate. The last act will determine once and for all if it is Fate or Free Will. Romeo again challenges Fate by


Money Heist Season 5 Episode MP4 Download
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Checkout as Hpntunes presents you with the complete Money Heist season 5. Money Heist Season is a beautiful movie you will love to add to your movie collection 2020.
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We're so beyond excited to welcome @jeanclaudethibaut as our 4th guest on our ATHLETES OF LIFE VIDEO SERIES where we feature remarkable women & men from around the world with a contagious appetite for life. 💪 Jean-Claude is a remarkably talented French filmmaker and producer.
🌟 JEAN-CLAUDE’S JOURNEY 🌟 Born in France in 1968, Jean-Claude Thibaut began making short Super-8 films while still in his pre-teens. Jean-Claude Thibaut is a French filmmaker and producer known for his bold and dark stylish films. Thibaut, as a filmmaker, explores and defines his particular fascination with men and women, but also examines his wider response to people, places, history and situations.
In this episode, we chat with Jean-Claude about the most important thing he’s learnt on his journey: “I think the most inspiring thing for me is trying, you know? Trying and being able to fall and restart again and again. And I think that's what we all do” and what being an athlete of life means to him. We are honored to have him on and thrilled to share his journey with YOU! Enjoy!


You're traversing the corridor at the local movie theater or entertainment venue, and you catch something in the corner of your eye; you can't ignore it, it's tugging, demanding, forcing you to turn and engage - it's a jumbo backlit lightbox in all its lighted glory, fitted with some epic movie poster enticing you to enter the story world of the latest action or adventure flick - the images are large, crisp and bursting with deep, saturated color, and you think "now there's a wild and thrilling ride", and you're hooked! The simple, unassuming backlit lightbox lived up to its calling - it presented a compelling message of an upcoming movie or event, complete with screaming, super-saturated colors, and crisp photo detail and texture beyond what's possible with conventional, non-backlit graphics. What's not to love?
Whether your venue is a movie or live action theater, home theater, or retail venue with entertainment-event promotions (such as a restaurant or bar with regular live music or entertainment), if you're the one to help set up a display of backlit lightboxes with cinema posters to engage your guests and passers-by for upcoming shows, then Blue River Digital is the movie poster lightboxes source you've been looking for.
No lightboxes manufacturer offers more choices or more specific lightbox models designed specially for backlit movie and event posters. Starting with the standard movie poster sizes of 27x40" and 48x70", Blue River Digital offers lightboxes of all sizes and with all the features you need, like quick-change hinged door, tamper-resistant frames and choice of brightness for indoor or outdoor use. Choose any size from mini to jumbo, in silver, black or custom finish color, hard-wired or with standard power cord, and from economy to showcase-grade movie poster lightboxes for upscale lobbies and facades.
Shop now by selecting from our movie poster lightbox models below, or


The issue of who owns the right to songs has become topical of late. Is it a matter of copyright or a matter of common sense?
It still beats the minds of many why a song that was meant to be a mere soundtrack to a movie has gained much popularity in the music circles than even most mainstream songs.
But take it or leave it Bisa’s ‘Azonto Ghost’ song has crept steadily into the hearts of many music lovers and has even gained nomination in this year’s Ghana Music Awards for best Hiplife Song of the Year.
This is a soundtrack that was done for a movie produced by Mustapha Adams.
It is presumed that for a soundtrack like that, the executive producer paid for their entire production, even though the lyrics may have been written or produced by the artiste.
Bisa couldn’t have produced the entire concept for the songs. The song is actually themed along the storyline of the movie. Except if Bisa was the writer of the story for the movie. Presumably, he did the song in tandem with the movie’s storyline. So there wouldn’t have been any Azonto Ghost song without the Azonto Ghost movie.
Now that he has been nominated for the award, who takes the credit? Who owns the song?
Even before his nomination, he had performed on a couple of platforms and may have had financial benefits.
Is the song for Bisa or the producer of the movie?
This is an artiste who from nowhere has gotten somewhere through a soundtrack he did for a movie. Could it even be that he did that soundtrack without taking a dime from the producer just because he wanted exposure?
Whose is the ‘Azonto Ghost’ soundtrack? Bisa, the singer or the producer, Mustapha Adams?
Please go find the answer for me. I will be back!
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|When considering what aspects of Shakespeare’s King Henry V we wanted to portray in film, we asked ourselves: what must Katherine have felt when she was told she was to meet King Henry and marry him? She might have been happy and indifferent, or up (More)|
Our team chose to do our film project on Shakespeare’s Much Ado About Nothing, Scene 3, Act 1, Lines 15-115. The scene includes three characters, Beatrice, Ursula and Hero. We chose for both interpretations to have Cai Samphire, a (More)|
|For our team project we have chosen Act 2, Scene 1 of Henry V. The reason for choosing this particular scene was because everyone of the group except our director had the chance to act, as it is composed of five different roles.
We figur (More)|


The Vancouver Island Short Film Festival (VISFF) looks back on five years of local film excellence with a retrospective screening on February 11th and 12th, 2011. This year’s festival will include a screening of award winning films that have been featured at the festival over the last 5 years and a live Pitch Contest where local filmmakers can pitch their short film ideas to the Festival audience with the winner receiving $500 towards the making of their next short film. Tickets for the VISFF cost $15.00 and are available at the Nanaimo Arts Council gallery in Nanaimo North Town Centre, and at House of Indigo and the Nanaimo Art Gallery on the campus of Vancouver Island University. The festival will take place in Vancouver Island University’s Malaspina Theatre with a repeat showing Saturday, February 12 at the same time and location.
Short films are limited to a running time of just 10 minutes. There are presently 13 films scheduled, all award winners and people’s choice picks from the past 5 years. This festival promises to be a lot of fun.
And for a super fun place to stay be sure to book your Nanaimo Bed & Breakfast accommodation at a member of the BC Bed & Breakfast B&Bkeepers Guild where, rest assured, you’ll sleep better than your blogger did while sitting through “Out of Africa” which was definitely NOT a short film!


David Tennant News
Much Ado About Nothing - The Return
David Tennant was well enough to return to the Wyndham's Theatre stage for tonight's performance of Much Ado About Nothing. As previously reported, David had been battling a sore throat and had lost his voice, forcing him to pull out of the shows on Monday and Tuesday as well as a number of planned appearances and interviews.
There were cheers and applause when David made his entrance tonight. People at the show said that he, along with all of the other cast, gave as brilliant a show as ever, although David was perhaps a little more restrained in some parts than usual. However, unless you had seen the play before you would not be able to tell. The reported huge smile during the curtain calls left no doubt that David was delighted to be back.
There was no stage door signing this evening.


A couple of days ago, I went and visited my kids in Langley, and we went and saw a matinee at the IMAX of Christopher Nolan's new movie, Interstellar.
Nolan's movies have, for me, pretty much all been winners, from the early, and wonderfully convoluted Memento, to the stark beauty of Insomnia, and his (pardon the pun) magical The Prestige. Then along came the marvelous mindfuck of Inception, with its stories within stories. The trilogy of Batman flicks are very enjoyable too, especially if one likes oodles of violence and explosions etc, and are certainly the best portrayal yet of the famed comic book caped crusader.
I managed not to watch any trailers, or other promo material of Interstellar, wanting to see it without bias. I did, however, see a Youtube video about the sound design of the movie, and one complaint that seemed to be common from reviewer comments was that the dialog was difficult to hear and understand in much of the movie.
This is a movie that is literally made for IMAX presentation, and the visuals are truly stunning. I won't spoil it for those who have yet to see it, but the story is an interesting one and although parts of it seem derivative, it does have some unique aspects.
But... I have to admit that I agree with those who complain about the buried dialog. The Hans Zimmer score is all that we've become used to, epic and powerful, but holy shit, the level at which it cranks out of the surround sound speaker arrays is astonishingly out of balance and in some scenes, you need to be able to lip read to understand the dialog.
Add to this that the sound effects are also pushed to punishing levels in the mix and you are left straining through a good portion of the 2-hours-and-46-minutes of the film, especially in the action sequences, of which there are many.
Nolan's retort to these complaints are that he intentionally mixed the movie this way to tell the story primarily through the visuals, saying he "[doesn't] agree with the idea that you can only achieve clarity through dialogue. Clarity of story, clarity of emotions — I try to achieve that in a very layered way using all the different things at my disposal — picture and sound."
Bottom line: if you are a science fiction aficionado, or a follower of Christopher Nolan, see this film. And if you want to know what the hell they're all saying, get the DVD when it comes out and watch it with the subtitles. :)
Over and out.