Outlander is by far, my favourite TV show at the moment and it is very addicted indeed. I absolutely love the show. Apart from other hit dramas such as Game of Thrones and The Handmaid’s Tale, this series, as I see it from my perspective, it is powerful, romantic, sexual and sometimes, political. The Season 4 of Outlander is available now on Lightbox (New Zealand) and Starz (US). Created by Ronald D. Moore (Battlestar Galactica) and based on the books written by Diana Gabaldon, the show has been renewed for Seasons 6 and 7.
This enthralling hit drama series tells the story of Claire Randall (Caitriona Balfe), an English World War nurse, who in 1945, transports to 1743 in Scotland. There she meets a very handsome and chivalrous highlander Jamie Fraser (Sam Heughan), whom becomes the love of her life and husband and they both get ensnared in the Jacobite risings.
Two very important characters in the first three seasons include the malicious Jonathan ‘Black Jack’ Randall, an English officer and Frank Randall, a historian at Oxford University, Claire’s husband in the 20th century and passes away in Season 3. Both roles are portrayed by Tobias Menzies. Other characters are also very important to the story, Brianna Randall (Sophie Skelton), Claire and Jamie’s daughter, born in Boston in the 20th century, was raised by Frank and Roger Wakefield (Richard Rankin), a Scottish historian, who befriends Brianna in Scotland.
Throughout the past three seasons, Claire and Jaime have encountered love, despair, grief, rape, kidnapping and death. Prior to the start of Season 4, in the last episode of Season 3, Eye of the Storm, Claire and Jamie have had arrived in the American land of Georgia, just after being washed out and experiencing a heinous shipwreck.
In the first episode, America The Beautiful, Claire and Jamie have settled in North Carolina in 1767, alongside Young Ian (John Bell), Fergus (César Domboy) and Marsali (Lauren Lyle). As for Young Ian, he have made a new friend called Rollo, a half-wolf breed dog (real name is Dewey). There is also a new villain on board, Stephen Bonnet (Ed Spellers), who robs Claire and Jamie at the end of first episode. In the following episode, Do No Harm, which is available now on New Zealand’s Lightbox, Claire and Jamie, along with Young Ian and his new buddy, Rollo are heading off to the River Run plantation to visit Jamie’s Aunt Jocasta (Maria Doyle Kennedy) and a tragedy will strike at the plantation. Also, later on in the season, we will see Brianna and Roger’s romantic relationship and how the two get to know each other even better and more. The fourth installment of Outlander is based on Diana Gabaldon’s Drums of Autumn and it resonates very deeply with immigration, slavery and the presence of Native and African American communities.
Here is the sneak peek clip of Season 4 posted above to watch. For those ones who haven’t seen the show yet, I encourage you to do so, as for me, it is one of the best shows on TV.
Catch Season 4 of Outlander every Monday 8 pm on Lightbox (New Zealand) and every Sunday 8 pm on Starz (US). Also available now on the Starz app.


Most people say that gambling can be a “bad habit”, and go on to discourage their friends and family from it. This, therefore, creates a need to know feeling in the mind which makes a person want to know more. Movies give us an insight to the gambling world. There have been many movies made on gambling, of which top 5 are listed below.
1. The Gambler : A book authored by Fyodor Dostoyevski and later made in to a movie directed by Karel Reisz. The book was supposedly based on the author’s own fascination and addiction to roulette. The movie however, follows Alex Freed’s vice for gambling with the results. Released in 1974 this movie still remains a favorite of many.
2. Run Lola Run: A BAFTA Award winner in the non-english Best Film category, Run Lola Run is the story of a girl in need and how she finds out methods to acquire some money. The story is split in to three “runs” and each one shows the days episode in different shades. It is a great watch and has a little roulette scene in the whole sequence.
3. Casino: An Al Pacino and Martin Scorsese paired movie, this is the eighth film that these two legends have teamed up for. Apart from the brilliant star cast, this movie’s plot brings forward a lot of thrills and chills for the movie buffs. The movie follows the life of Sam “Ace” Rothstein as a sports handicap and crime worker to working for a casino. The films brings together intrigue, mystery and the thrills of the gambling world to a viewer’s table. What more could the audience want!
4. Rounders: Want to see the rigs and jigs of the gambling world? Then this is definitely a movie to watch. With Matt Damon on the screen the movie is almost a partial hit. The rest of the satisfaction quotient is taken care of by the storyline. A movie to keep an eye out for.
5. 21: This film shows how mathematics can be used to win gambling. A few brilliant minds with the hunger for money is all set to raise a storm in Las Vegas.
So what are you waiting for? Live the life of a gambler for that time and get in to those stories. Experience casinos through the television and have a great time doing it.


filmat11, video player, Qt6 and mpv based
filmat11 is a small video player using Qt6 and mpv.
mpv is used to play the movies, so all the codec magic is handled by it.
filmat11 requires the movie collection to be in one directory.
It is possible to set tags per movie: genre, 2x language and 4x other tags, e. g. actress, actor or director.
Depending the mood, the collection can be filtered by the tags - though only one at a time.
filmat11 might be used via a television with a remote control.
tag editor, right click in a movie row to open it:
Open filmat11 without a command line option. Set the movie directory via the settings editor.
Read more in the online help.
- Qt6 (including development files)
- cmake (build tool)
- mpv (not required for compiling filmat11, but to play movies)


Tim Hill has acted in over seventy-five stage productions, including classics by Shakespeare, Chekhov, Stoppard and Wilde (to name a few). He has also been paid good money to lick chocolate syrup off the floor in a TV commercial. It’s a living. Noted stage roles include Martin Luther in Luther, The Monster in Frankenstein, Lenin in Travesties, Merriman in The Importance of Being Earnest and Tom in The Time of Your Life.
He’s performed with Artists Repertory Theatre, Shaking the Tree, Northwest Classical, New Rose, Triangle! Productions, Lakewood, The Musical Company, Portland Actors Ensemble and many others. On camera Tim has had co-starring roles on Grimm (NBC) and Leverage (TNT), and has appeared in numerous national and regional TV commercials and industrial projects. He also provides voiceover work for clients all over the world. He holds a BA in Theatre Arts from the University of Oregon (go Ducks!).


Black and white photographic print centred on the Odeon cinema and St Paul's Church in West Street, Brighton. A board outside the cinema advertises the James Bond film 'Thunderball' and a last showing at 8:25pm. The film ran from 17 February 1966 for 3 weeks until 9 March (information provided by a former projectionist who worked at the cinema). The print has been annotated with a dashed line indicating the possible position of a new building or fascia across the sites of the Sports Stadium Brighton (S.S. Brighton) and Odeon cinema. The latter was refurbished in 1968 at a cost of £100,000.


In 1833, English audiences were shocked to see an African American man play the role of Shakespeare’s Othello. Ira Aldridge was London’s first African-American Othello and is the subject of the play Red Velvet by Lolita Chakrabarti. Shirley Basfield Dunlap, Director of Red Velvet at Chesapeake Shakespeare Company, tells us about Aldridge. Dunlap is an Associate Professor, and the Theatre Coordinator, at Morgan State University.
February 2, 2018


Andrew Garfield has 29 acting credits under his belt but the one role he’s hoping for hasn’t come his way yet.
The 35-year-old actor opened up about his dream role during a Thursday Q&A on IMDb while promoting his new film Under the Silver Lake.
A fan asked Garfield what his dream role was, prompting the actor to say, “This is such a cheesy response: to be a father.”
Smiling and slightly blushing he continued, “My dream role is to be a father to a child, in real life not just in fictional films.”
Garfield has previously explored feelings of fatherhood in his 2014 film 99 Homes in which he played a single dad who loses his home to foreclosure.
Want all the latest pregnancy and birth announcements, plus celebrity mom blogs? Click here to get those and more in the PEOPLE Parents newsletter.
In a September 2015, the actor told Entertainment Tonight the role made him aware of his fatherly instincts.
“I’ve always had them somewhere. I think all men do and all women have that motherly instinct, and it was exciting to explore that and daunting and scary,” he said at the time.
He continued, “I kind of thought, ‘Well, how do I do that? If I haven’t experienced it, can I do it?’ but then I realized that’s the situation of every single father in the history of time. Everybody who becomes a father has never been a father before, so we’re all going into this initiations totally blind and groping in the dark so I kind of went with that feeling of not knowing what the hell I was doing and it kind of helped.”
Garfield sparked dating rumors in March after being seen with the actress Aisling Bea at a Hamilton show in West London by a fan.
Rumors of a relationship came after Garfield’s split from singer Rita Ora, according to multiple reports. He also famously dated Emma Stone. The pair ended their four-year on-off relationship in 2015.
Source: Read Full Article


Pure 2010 - Filmaffinity
The Alicia Vikander movies · 1. The 2016 Academy Awards (2016). Watched - Wanted · 2. Blue Bayou (2021). Watched - Wanted · 3. Louis Vuitton: The Spirit of Travel ( '50 Shades of Grey' Movie Cast: Alicia Vikander Announced As Strong Anastasia Steele Candidate? VIDEO.
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BLI MEDLEM NU. Se före detta Bond-skurken Mads Mikkelsen som SLUTTY TOKYO: alicia vikander. Alicia vikander. Vika, Alicia vikander. 05:00. Vika, Alicia vikander Asian Sex Movies Tube. Depraved Asians. Watch your favorite live news, entertainment, music, movies, sports, documentaries, and Alicia Vikander (3 October 1988) is a Swedish actress and dancer.
We will see Alicia Vikander as Lara Croft in new Tomb Raider Movie!
Recension: Så bra är Alicia Vikander i "Euphoria" - Expressen
The New 'Tomb Raider' Will Be 'Ex Machina' Breakout Alicia Vikander. A British woman recalls coming of age during World War I - a story of young love, the futility of war, and how to make sense of the darkest times. Director: James Kent | Stars: Alicia Vikander, Kit Harington, Taron Egerton, Dominic West.
Alicia Vikander in the beautiful film 'Till Det Som Är Vackert
(Laughs) I don't cry because I' 13 Dec 2015 The Swedish actor, star of seven major movies this year including Ex Machina and The Danish Girl, talks feet, fame and gender. 28 Apr 2016 A number of actresses tried out for the role, including Daisy Ridley of the new " Star Wars" movies, but a source tells Variety that Vikander was Complete list of movies by Actor Alicia Vikander including First Movie, Latest & Upcoming movies information along with Movie Cast & Crew details, Images, 15 Mar 2018 Has there ever been a more perfect name for an action movie director than Roar? It's like a '80s rock star named Hair or a celebrity chef called 14 Dec 2020 The show is loosely based on Olivier Assayas' 1996 movie of the same title. Alicia Vikander is heading to HBO to star in a limited series. Find films and movies featuring Alicia Vikander on AllMovie. Alicia Vikander.
Nu står det klart att en uppföljare blir av och att Alicia Vikander återvänder för att spela Lara Croft.
Högre kreditrisk efter slopad revisionsplikt
Tomb Raider 2 (2021). Lara Croft is like a female Indiana Jones, perhaps even cooler. The character regularly finds 2. Blue Bayou (2020).
The character regularly finds 2. Blue Bayou (2020).
Pin by Weiss Nikos on Actrices Tomb raider, Alicia vikander
I know it's no "underrated gem" or anything, but it's a great movie that should always be celebrated. And with it being that old, I'm certain there are a lot of younger people that haven't seen it. Jason Segel came out of the gate with his first written film and nailed it. 2021-04-07 · 2018 The Magic Diner Pt.II (Short) Alicia Vikander 2017 Moomins and the Winter Wonderland Little My / Sorry-oo (English version, voice) 2017 Louis Vuitton: Cruise 2018 (Video short) Girl A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener.


Performance and Music Opportunities
Parents are invited to a Christmas Nativity (Key Stage 1) and a Christmas Celebration (Key Stage 2).
Year 2 take part in the Infant Music Festival and then puts on a school version of the production with the rest of KS1 for parents.
Key Stage 2 put on a summer production.
There are also other opportunities to perform throughout the year, some of which are detailed below:
On Tuesday we did a play called Eddie the Penguin Saves the World. There were 6 penguins and I was the Uncle penguin. The message of the play was to stop global warming.
As always, it was a real privilege to attend the Junior Music Festival at the Civic Theatre on Thursday evening.


Biography:Vivica Anjanetta Fox was born on July 30 1964, and raised in Indianapolis, Indiana. She is the youngest of four children, growing up with her sister and two brothers. She attended the Golden West College in Huntington Beach, California, and graduated with an Associate Art degree in Social Sciences.
She is a talented actress who got her big break on the Hollywood scene with her feature film debut opposite Will Smith, in the blockbuster hit Independence Day. She portrayed Jasmine DuBrow, the sexy and heroic girlfriend of pilot hero Smith. By the way, the dynamic and sexy couple won the MTV Award for Best Kiss.
Her credits started to grow from then on. Following her performance in ID4, Fox starred with Jada Pinkett-Smith, Queen Latifah, and Blair Underwood in the dramatic action feature Set it Off.
After a stint in Booty Call in 1997, Vivica starred in the heavy cast movie Batman & Robin, co-starring opposite Arnold Schwarzeneger, Uma Thurman and George Clooney. She showed off her talent playing the dangerously seductive character Ms. B Haven.
Also in 1997, Vivica appeared as one of three sisters in the family drama Soul Food, co-starring Vanessa Williams and Nia Long. That role led her to receive an MTV Movie and Image Award Nomination for Best Actress. Vivica was also voted one of the Most Beautiful People in the World by People magazine in 1997.
The ABC special Arsenio (1997) was yet another project the talented Fox took part in. Other television appearances, both old and recent, include The Fresh Prince of Bel Air (1990), Out All Night (1992), Living Single (1993), The Young and the Restless (a recurring role -- 1995), The Hughleys (1998), Mad TV (2002), and Alias (2004). Vivica has recently decided to recur on TV as an FBI agent in the second season of 1-800-MISSING on the Lifetime channel, in 2004.
1998 and '99 were also very eventful for Vivica's film career. She starred in Why Do Fools Fall In Love (1998) with Larenz Tate, Halle Berry and Lela Rochon in a movie about Frankie Lymon. Idle Hands (1999) was next on her list, where she played a druid priestess hunting down the evil forces in a small town, and co-starring alongside Jessica Alba.
She also co-starred with British actress Helen Mirren, as well as Molly Ringwald, Katie Holmes, and Barry Watson, as Miss Gold, in the feature about three students holding an unpopular teacher hostage, Teaching Mrs. Tingle (1999).
In 2001, Vivica ended up starring in a slew of box office flops. First, she starred in Two Can Play That Game with fellow beauty Gabrielle Union. Then, in 2002, she starred in Juwanna Mann, a movie about a guy (Miguel A. Nunez Jr.) who has to dress up like a woman to keep playing professional basketball. Finally in 2002, Vivica starred in Boat Trip, with co-stars Cuba Gooding Jr., Horatio Sanz and Roselyn Sanchez.
However, 2003 marked Vivica's stunning return in the Quentin Tarantino vehicle, Kill Bill: Vol. 1, which was a huge hit at the box office. Also in 2003, Vivica starred alongside Duane Martin in Ride or Die. Not one to slow down, Vivica's career is in full swing in 2004, as she stars in Motives, Ella Enchanted, Kill Bill: Vol. 2, and Blast!, with Eddie Griffin.
Vivica's set to star in Getting Played and Beauty Shop in 2005, so keep your eyes peeled for her; she's not going anywhere professionally. As for her personal life, Vivica married singer Christopher "Sixx-Nine" Harvest in 1998, only to file for divorce in 2002. And after a short-lived relationship with rapper 50 Cent in 2003, Vivica is single again.
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Jeremy Pack is the Founder of 12-J Productions. The moniker "12-J" is derived from the original animated version of Dr. Seuss' "Horton Hears a Who."
In the story, in the Jungle of Nool, as Horton the elephant bathes in a watering hole, a small speck of dust floats by him. He hears a call for help coming from the dust speck and, thinking someone is living on it, saves it from going over a waterfall. He sets it on top of a clover and discovers it is home to a tiny town called Whoville, home to the microscopic Whos. In the end, a field is being plowed for development, which threatens the existence of Whoville. Horton and all the townwhos do all they can to make it be known their civilization exists, but to no avail. When all looks to be lost, a baby Who is born in Room 12-J of an apartment building. That baby's first cry is the sound that finally escapes to convince man of the Who's existence and saves "Whoville" from destruction. Yeah, that's where 12-J Productions is coming from.
Jeremy produced, directed and edited the multiple award-winning comedy short titled These Boots Are Made for Walken. Since then he has been shooting, editing & writing a number of projects. In fact, he recently wrapped on another short film/spec commercial that he wrote and produced called CHICKENNIBAL. Jeremy is presently working on securing funding for his first full-length feature set in his home state of Virginia during the early days of NASCAR called Moonshine. It promises to be full of rednecks seeking truth in a jar of white lightnin' while driving cool cars in circles. Jeremy has spent much of his career camera operating, editing, working in post-production & cultivating story.
We're all about story at 12-J and we've been developing a wide net; writing, producing, directing, acting, shooting and editing. Our intention is to bring sometimes edgy, sometimes off-beat and always thought-provoking, heartfelt entertainment to the world. We've got a big bag of tricks. Take a look at our stuff and give us a shout.
Jeremy was commissioned to edit the Trailer for the feature film The Warehouse, directed by Donnie Jarman.
A character study about the kinds of choices we make in our darkest moments. Jeremy camera operated for this short film.
Jeremy has also been camera operating for BAFTA Behind Closed Doors events, Master Classes and the
Red Carpet Event for their Britannia Awards.


I’ve said it before, and I’ll say it again: Paris is a fantastic city if you like cinema. You can catch all the big new American movies here (in English with French subtitles) along with plenty of classics you’d be hard pressed to find playing in the theater anywhere in the States. Last night I took in Stanley Kubrick’s Barry Lyndon from 1975.
I’m by no means a Kubrick junkie, but the best thing about his films is seeing them on the big screen. And for nine euros, why not? His movies are all epics, so at three hours, I was getting some good entertainment bang-for-the-euro (hmm, that doesn’t have quite the ring I was going for…). Especially compared to the mediocre cappuccino I had the other day that set me back 6€70–ugh!
La Filmothèque turned out to be a shoebox of a theater; perhaps 80 seats or so and a screen smaller than what you get at the multiplex. But it didn’t matter. It was a classic film, in English, on the screen, playing for a room full of cinephiles.
On Friday, Ridley Scott’s Alien will be screened at multiple theaters. Seriously: eight different theaters will be showing it! A tempting opportunity. Especially since I somehow missed it on the big screen when it originally came out. (Oh, that’s right, I was seven at the time.)


Talking Virtual Reality at B-Reel
Last week, I was delighted to present a short talk on VR at the B-Reel event in Bournemouth, hosted and supported by White Lantern Film at the badass co-working space and innovation-wonderland, Eagle Labs.
Approximately every three months, the B-Reel community gathers to network, chill out, and discuss the latest trends in the film industry. This time, it was Virtual Umbrella’s job to highlight the growing role of VR entertainment, as well as to analyse the key differences between the narrative language of cinema, and that of virtual reality.
“When I was thinking about delivering this speech to a room full of filmmakers, film fans, actors, directors, producers, the thing that I couldn’t get out of my head was this idea of the “frame”.Whether you work on camera or off, it’s pretty much the one thing that remains consistent. Your work is always going to be displayed in that rectangular shape – through a camera monitor, a cinema screen, a tv screen, an ipad screen, whatever. And you’re always going to have control over what goes into that frame. What can the audience see? Which characters are visible? Is it a close up? A two-shot? A wide.Now, in virtual reality, the complete opposite is true. By operating in 360, it takes the whole of idea of traditional framing and pretty much throws it out of the window.”
– Lily Adams, VU Marketing and Events Team
The evening was a huge success, and we were chuffed to see so many attendees inspired to try out the HTC Vive VR experiences laid on by the Eagle Labs team, including ‘The Lab’ from Valve, and Google’s ‘Tilt Brush’. For some, it was their very first time using virtual reality technology, and we couldn’t be happier to have facilitated their first steps into the VR community.


“so we beat on, boats against the current, borne back ceaselessly into the past”
You guys know me, fashion wise I am always super inspired by the past – be it the fashion sense of my favorite hippie musicians, vintage stores filled with little treasures or feature films that take place in a decade I love. There’s something so romantic about vintage, for some reason I am super drawn to anything that looks remotely old (in a cool way) and there’s nothing I can do about it.
For this look I was inspired by a new feature created by Zalon, where you can find ideas to create film-inspired looks – and let’s face it, there’s nothing quite as cool as dressing up as one of your favorite heroes, while remaining stylish and ready for a normal day. That time I thought the velvet cardigan kind of gave a Gatsby touch to my look, I feel like it’s definitely the kind of thing Daisy Buchanan would wear!
Hope you guys will like these few shots, and I wish you a gorgeous day! Lots of love xx
☽ I’M WEARING ☾


Thursday, August 20, 2009
OK, cards on the table here: I like Jean-Claude Van Damme. Yes, he does some crappy films, some of which barely deserve anyone's time and attention, but he also does some absolute gems - Legionnaire, Hard Target and In Hell being some of my personal favourites.
Possibly more surprising, though, is that as Van Damme's got older, I've started to rate him more as an actor.
Yes, I really just said that: I started to rate Jean-Claude Van Damme as an actor. His performance in the above mentioned In Hell was a good, solid, turn. I felt his pain and anguish; I felt sorry for him as he descended further and further into an animal-esque existence in that prison. Watching him recently in Until Death, I was actually stunned by his characterisation; rather than the usual clean cut Van Damme high-kicking his way through a selection of bad guys, here we had a a tired, drained looking guy, badly in need of a shave and a shower, who's a pretty shitty piece of work. It's an astounding piece of acting, but it's let down by some dodgy 80's style action sequences and some poor acting from the other actors (Stephen Rea is a great actor, but here, he's clearly doing it for the money).
But last night, on Channel Five, I watched JCVD for the first time.
For those of you reading this not in the know, JCVD is a film from first time director Mabrouk El Mechri that casts Van Damme as Jean-Claude Van Damme. He's a washed up action star, doing terrible films for the money and fighting for custody of his daughter; he returns home to Belgium and is caught in a post office robbery, where everyone expects him to be the hero and save the day, but we see that he's just a guy who's as scared as the hostages.
It's a film reminiscent of Dog Day Afternoon, with elements of Pulp Fiction; it's got good direction, a good script, and, on it's own, it would be a pretty good little crime thriller. However, with Van Damme at the centre of it, it becomes something more. Rather than an overly arrogant star, desperately clinging to whatever level of celebrity he still has, we see what could be the real Van Damme: an ordinary man with every day troubles who's once promising career seems to be stuck in an endless spiral of low budget straight-to-video dross thanks to the fickleness of the Hollywood machine (there's something kind of sad about the scene when he discovers that he's lost out on a part to Steven Segal). He displays a talent and range that you'd never expect and leaves you wondering if he'd done more films in his native language, could he have been taken seriously as an actor?
JCVD truly is an astonishing film, anchored by a jaw dropping performance from The Muscles From Brussels. But it will be criminally overlooked simply because of it's star. It'll be written off as more straight-to-video action that shouldn't be bothered with, destined to be nothing more than action movie filler for TV schedules. So, I implore you, if this comes on TV again soon, watch it and be amazed.
Let me leave you with this quote from TIME Magazine: "He deserves not a black belt, but an Oscar®."


Remember those days when you couldn’t wait for your new show to drop on Netflix, well we do too… when it comes to the Netflix hit series ‘Orange is the New Black.’
Not as fresh as it was when it debuted back in July 2013, OITNB has become too familiar with it’s storylines. Killing off one of the series favorite characters, Poussey, played by Samira Wiley in Season 4 rocked the viewers to its core. To be honest we don’t think they recovered as since the other African American characters, Crazy Eye, Taystee and Black Cindy have disbanded over the last few episodes.
What once was a show about Piper Chapman, played by Taylor Schilling, a white privileged inmate that many envied due to her life outside of the prison walls, finally falls victim to the oppression this season when the ladies find themselves in a highly upgraded maximum-security facility. Among new faces comes new obstacles and one is Piper and the missing situation of her partner Alex Vause, portrayed by Laura Prepon.
Normally centered around other main characters such as Piper and ‘Red’ (Kate Mulgrew), all eyes are on ‘Taystee’ (Danielle Brooks) and ‘Daya’ (Dascha Polanco) as the two have two of the strongest storylines this season. Revisiting the roots of what landed her in prison, Taystee finds herself at a mocked-up Hardee’s restaurant ‘Storky’s” with now officer Tamika Ward.
Taystee and Tamika started off as good friends but in current day they are on the opposite sides of the spectrum. Taystee still the fun-loving friend has now become the leader of the pack, while Tamika a prison staff member tries to shut out all friendship with her, but it is short lived as she gives in once the press catches wind of Taystee’s prison abuse. Which leads to the betrayal of her “friends.”
Daya once the novice of the prison turns the series upside down when she links with ‘Daddy’ (Vicci Martinez) becoming a leading force this season as she goes from mopping the flows as a D-block member to orchestrating a heist to steal shower kits which she later regrets. Not making any further mistakes Daya becomes a trafficker and her prison resume builds her up to be well respected amongst the new and old ladies.
Have you binged the latest season of OITNB?! Let us know!!
Source: TV Line https://tvline.com/2018/07/28/orange-is-the-new-black-season-6-finale-recap-piper-taystee-oitnb-episode-13/


Kalidasa’s most famous play refashions an episode from the Mahabharata, magnificently dramatizing the love story of Shakuntala, a girl of semi-divine origin, and Dushyanta, a noble human king. After their brief and passionate but secret union at her father’s forest ashram, Dushyanta must return to his capital. He gives Shakuntala his signet ring, promising to make her his queen when she joins him later. But, placed unawares under a curse, he forgets her—and she loses the ring that would have enabled him to recognize her. Will the lovers be reunited?
Vinay Dharwadker was born in Pune in 1954, and was educated at St Stephen's College, Delhi University, and the University of Chicago. He is the author of a book of poems, Sunday at the Lodi Gardens (1994), and an editor of The Oxford Anthology of Modern Indian Poetry (1994), a co-editor of The Collected Poems of A.K.
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It goes without saying that classics are usually best left untouched. They’re classic for a reason, right? Yet, in the world of popular culture, the temptation to remake the old is ever-present. From Disney live-action remakes to on-screen adaptations of novels, the industry is either running out of ideas or realizing that what’s old is always good. Sometimes, and I mean, very rarely, the remake of a classic is done better than the original. This is the case with Netflix’s original series, “Anne with an E,” a TV show adaptation of the classic novel “Anne of Green Gables,” by Lucy Maud Montgomery.
For those who aren’t obsessed with the novel like I am, it tells the story of Anne Shirley — an orphan girl with bright red hair, freckles and a passion for knowledge and imagination. Set in the 1900s in Canada, the story begins with a mistake when Anne is sent to a farm owned by two elderly siblings, Matthew and Marilla Cuthbert (R.H. Thomson and Geraldine James), who intended to adopt a boy to help around the farm. While the original story centers around Anne’s experiences in the town and her relationship with her new pseudo-family, the Netflix adaptation is a modern and new take on the classic — bringing it to life in a whole new way.
To Binge or Not to Binge?
The Netflix adaptation is brutal, if I’m frank. While heartwarming, it’s realistic of what life was like during the time period for an orphan girl. Anne, portrayed by Amybeth McNulty, steals the hearts of viewers within the first few minutes of the show — but it’s the rest of the characters who you’ll need to learn to love. Anne is clearly not wanted — not by the Cuthberts, not by her schoolmates and certainly not by herself. Yet, what makes the original novel and this show so addicting is Anne’s perseverance and bright spirit. She is not deterred by the dirty looks or pointed whispers. Her imagination continues to flow freely, and soon everyone around her begins to appreciate her for what she is — a bright, intelligent and loving young girl. Other cast members, like the two Cuthberts, bring the show to life as Anne spreads love and joy to all of Prince Edward Island.
While the show wouldn’t be nearly as remarkable without a talented cast, it’s important to note why this take on the classic is outstanding. The original novel itself, in true narrative form, focuses primarily on Anne and her experiences. The show draws more on all the other characters alongside a series of issues that are important to think about in consideration of the time period — racism, feminism, education, foster care, beauty standards, sexual harassment, LGBTQ+ rights, censorship, classism and grief. As the show’s three seasons continue on, the issues become more poignant. In the final season, viewers face the uncomfortable reality of evangelization and assimilation attempts on Native Americans that live near Anne’s town.
The reason this show is so successful is its ability to not only bring the original story to life but to add to it in a truly authentic way. That’s why you and everyone you know need to binge this show. Especially now, while we are all in self-isolation, it opens eyes to real issues and how far we think we may have come in addressing them. Unfortunately, the show was canceled after its third season, but the series wraps up well and is worth the binge.
Season 3, Episode 9, “A Dense and Frightful Darkness,” is my favorite episode of the series. It starts to pull together a lot of the ending strings of the show but is also one of the hardest to watch because of how realistic it is.
“A Series of Unfortunate Events,” “When Calls the Heart” and “Call the Midwife”
This show contains gore, racism, sexual harassment, violence and other triggering content.
“Anne with an E”
Available to stream on Netflix
Three seasons, 27 episodes, approximately 12.5 hours


Maslon is pleased to announce the 2016 return of the Maslon Movie Night series at Lake Harriet—which brings family, friends, and the larger community together on selected Fridays during the June and July portion of the Music and Movies in the Park Series.
The dates, times, and family friendly movies sponsored by Maslon are listed below:
Maslon Movie Night Series
- Friday, June 17, 2016
Music: The Dirty Banks | Movie: Star Wars: The Force Awakens*—(IMDB info)
- Friday, July 1, 2016
Music: The Belfast Cowboys | Movie: The Princess Bride*—(IMDB info)
- Friday, July 15, 2016
Music: Minnesota Sinfonia | Movie: Enchanted*—(IMDB info)
- Friday, July 29, 2016
Music: Jilian Rae | Movie: Rio 2*—(IMDB info)
(*Start time: 9:15 p.m. or 15 minutes after sunset | website | live music begins at 7:30 p.m.)
As we celebrate our 60th year of dedicated legal service, Maslon is proud to uphold a commitment to serving the larger community through a broad range of contributions to the arts, education, charities, pro bono organizations, and other vital partnerships. The Maslon Movie Night series represents many of the values we hold dear—family, community, and support of the arts.
Please join us at this great summer tradition.


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Based on a true story, Wild America follows three brothers as they pursue their dream of creating great nature documentaries. When eldest brothers Marty (Scott Bairstow) and Mark (Devon Sawa) convince their parents to let them head west with their film equipment, younger brother Marshall (Jonathan Taylor Thomas) stows away in the back of their van. Danger and fun await the three adventurers as they work to improve their documentary-making skills.


Al Leong , aka Al ‘Ka Bong’, is an American stuntman and actor. Characterised by impressive martial arts skills, long wavy hair, and a prominent Fu Manchu moustache, he has had a number of small but memorable roles as the token long-haired Asian henchman in popular action films, that usually ended in his character’s death. Among action movie fans Leong has a cult following. His credits include Lethal Weapon, Die Hard, Joshua Tree, Big Trouble in Little China,The Scorpion King, and a recurring role on the first season of the TV series 24. He also portrayed an out-of-time Genghis Khan in the comedy Bill & Ted’s Excellent Adventure.


Honest Trailers Released A Hilarious Trailer For “The Santa Clause” Starring Tim Allen
The hilarious folks over at Honest Trailers have put out a new trailer for the 1994 box-office hit “The Santa Clause” starring Tim Allen! Give it a watch!Also, did you know that whole movie was shot in Oakville & Scarborough? Who would have thunk it! I was watching this with my family the other night and noticed “The Beer Store” sign” and was like “Hey! That’s Canada!” Here’s more of the filming locations.


By RAMAN KAPOOR | INNLIVE
There were a few days to go for the release ofNH10 - Anushka Sharma's debut film as a producer. In the corridors of the preview theatre where the movie was being screened for members of the Central Board of Film Certification, a tense Anurag Kashyap (co-producer) was pacing up and down. Along with him were waiting Anushka, NH10's director Navdeep Singh and the other co-producers - Madhu Mantena, Vikas Bahl, Vikramaditya Motwane and Karnesh Sharma.
The door to the preview theatre opened and out strode Pahlaj Nihalani, the CBFC's chairperson. The NH10 team rushed to him, he muttered something, their faces fell, and then he walked out. As Nihalani got into his car, Mantena held his car door open.
Anurag refused to comment on what had happened - his Rs 120-crore magnum opus,Bombay Velvet, was due to release within a couple of months. It wouldn't do to get on the wrong side of Nihalani.
There's just one word to describe how theNH10 team looked at that time: scared. Their film's release had been delayed by a week; the revised guidelines of the CBFC were the reason. Finally, the film was cleared - but with an 'A' certificate and nine cuts that Anushka and Navdeep were clearly unhappy about. The others, including Anurag, handled it more diplomatically.
Anurag may not have known at the time that just over a year later, he would be locking horns with Nihalani once again, this time, for his film Udta Punjab, about widespread drug addiction in the state of Punjab. After a well-publicised tussle between Phanton Films (co-producers of Udta Punjab, along with Balaji Motion Pictures) and the CBFC, which has asked for numerous cuts in the film, Anurag approached the Bombay High Court, which is due to pronounce its verdict on 13 June, Monday.
Their run-ns with the "Censor Board" as the CFC is commonly called may not have taken on the vociferous tones that the Udta Punjabfight has, but most filmmakers have their own tales to tell of clashes with Nihalani.
Bobby Khan, the director of Sunny Leone starrer Ek Paheli Leela, tells us that he was worried indeed when his film went in for certification, right after the NH10 issue.
"I was very scared when I sent my film to the censors for the simple reason that if this could happen to Anushka's film then what about my film, which had Sunny Leone in the lead. I was tense - what if the film got stuck, or pushed ahead?
Then the whole budget, promotions, strategically planned release date, getting theatres...everything would go for a toss. Just having Sunny in the film would have got it an 'A' certificate, even I had shown her performing a puja. My film did get the 'A' rating, but with no cuts. It's just the mindset. If my film had Kangana Ranaut or any other actress, I would have probably got a U/A," Bobby says.
National Award winning director Hansal Mehta still regrets accepting the cuts that he did for his film Aligarh, based on the story of Prof Ramchandra Siras. The trailer of his film - lauded everywhere for its deft handling of a sensitive theme - was given an 'A' certificate. The CBFC also asked Mehta to delete a few scenes and what Mehta is particularly upset by, is that he had to spend time that could have been invested in publicising his film in resolving issue with the censors instead.
"We had only one month before the film's release. It is an important film which talks about loneliness, relationships and a homophobic society. The censor behaved exactly like those people who suspended Professor Siras. They (the board) are behaving like a homophobic society. You are breaking the back of a smaller film and making us run from pillar to post," Mehta had said.
He also admitted to feeling angry with himself for buckling under the CBFC's pressure - although he says that this experience will not stop him from making the kinds of films he wants to.
"I am definitely not a careful director. If I have to say something, I will say it through my film. But yes, I have to be sensitive towards who is funding and financing my film. I have to do the balancing act. But then, yes, I was forced to sacrifice for Aligarh," said Mehta, calling for an end to the CBFC's current avatar and asking that the Information and Broadcasting Ministry and Arun Jaitley step in and bring about a long overdue revamp.
"Fortunately the Bombay High Court has been scathing in its criticism of CBFC in the battle for the certification of Udta Punjab," Mehta adds.
Another producer, who spoke to us on condition of anonymity, said that the release of his film (an adult comedy) was delayed by almost a year due to censorship issues. He suffered huge financial losses in the interim.
"It affected us very badly. But I will continue to make films that I want to make," he said, adding that he wished to stay anonymous because Nihalani "has the unmitigated gall of coming after everybody who speaks against him".
"The whole process is so rough. He is dictatorial, power-hungry, politically skewed. The government is shooting from his (Nihalani's) shoulder," the producer added.
Inconsistencies and discrepancies prevail even in the application of censorship rules - sometimes the chairman is said to break his own rules and allow certain films to include cuss words, and giving them a U/A certificate.
"One recent big release had cuss words like 'kameena', 'haraami', 'haraam khor', then another film showed women in poor light. There was violence against women and impolite references towards them in yet another film...all of this Nihalani had himself 'banned', but instead he's deleting words like 'saala' from other films. He keeps contradicting himself," a source from the CBFC told us. "Small time producers are being harassed. The release of their films is getting postponed by 1-2 months and they can't take any action or go to court due to lack of resources. It's possible for the producers of Udta Punjab to fight and take the battle to court, but it's impossible for many others."
NH10's director Navdeep Singh told us the censor issues NH10 ran into were deeply upsetting "because the language used in the film reflected reality and chopping dialogues affected it". "If you are giving an adult certificate then what's the problem?," Singh says. "Let an adult rated film have adult content, why demand so many cuts and mutilate the film? It is unfair. We had Omkara way back in 2006...let us progress to another stage. After all, art reflects life and the film's language should reflect real life. The State can't be nagging us - not everybody can make romantic films, or comedies. It is like punishment by process. Not everybody can fight in court, we need money and time for all that."


Raise a glass – or a mug, pint, or shot – to your favorite House with Game Of Thrones drinkware featuring the popular House sigils! Find great deals on for Game of Thrones Mug in Television Memorabilia Mugs and Coasters. Shop outside the big box, with unique items for game of thrones mug from thousands of independent designers and vintage collectors on Etsy.
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And if you love A Game of Thrones and a Song of Ice and Fire, no cup, mug, or stein will compare to one of the Game of Thrones Mugs and Glassware, found . High quality Game of Thrones inspired Mugs by independent artists and designers from around the world. All orders are custom made and most ship worldwide . Dark Horse is proud to announce a new line of licensed products based on HBO’s award winning television series Game of Thrones, which is adapted from the .
Find great deals on for Game of Thrones Mug in TV Mugs. Game of Thrones House Targaryen Travel Mug, Game of Thrones Map Mug. Officially licensed pins from the Game of Thrones series; Theme: Game of Thrones logo; In a gift pack; Capacity: 3ml, cm tall; Colour: black. Forbidden Planet Game of Thrones – Ceramic Mug Stark Sigil – House Stark was one of the Great Houses of Westeros, ruling over the vast . Game Of Thrones Mug Kitchen from Fishpond. Millions of products all with free shipping New Zealand wide.
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Professional writers of film and television can work in two ways ‘On Commission” or “On Spec”.
‘On Commission’ means the writer has been hired by a Producer at an agreed fee to write treatments and scripts that will be owned by the Producing entity.
“On Commission’ writers have no ownership and little control over their work and are in reality simply providing a service to the Producer or Producing entity, which ultimately owns and controls what is done with the writers work.
‘On Spec’ means that the writer ‘speculates’ with their own time by writing a treatment or script that they hope to subsequently ‘sell’ to a Producer or Producing Entity.
When writing ‘On Spec’ writers have complete control and ownership of their work up to the point at which they sell it to a Producer or Producing entity.
However, the lines between ‘Spec’ and ‘Commission’ are becoming increasingly blurred as professional Producers are asking writers to work ‘On Spec’, i.e. for free, on projects that the Producer will own if the project is subsequently green-lit.
So a writer could, and surprisingly often does, develop an idea unpaid and then get ‘sacked’ when the project is green-lit. So the Producer gets the benefit of the writers work but the writer remains unpaid. In some cases the writer will be paid for the work done up until the green-light but not be offered any more paid work on ‘their’ project. This is also iniquitous because writers work ‘On Spec’, i.e. for nothing, because of the promise of greater reward down the line, not simply to be paid an hourly rate retrospectively.
I have been watching Strangers on ITV… and I write that in the past tense because I won’t be watching it anymore.
The last third of Episode 4 had more plot holes than the country lanes of Gloucestershire… and that is saying something!
The premise of Strangers is a good pitch. English man’s wife dies in a car crash in Hong Kong. When he goes to collect the body he discovers his wife had a second husband and daughter in Hong Kong and that she was murdered.
This nicely sets up a culture clash thriller as the hero battles with the Triads and a corrupt police force.
However, the delivery for me is seriously wanting. It’s incredibly slow for a start. It’s 8 episodes now but at 6 or even 4 would have cracked along. This leisurely pace also gives you plenty of time to recognise the numerous and significant plot holes. I’m not going to list them here because they are way too numerous but suffice it to say that from the middle of Ep 4 whole chunks of it are simply implausible and/or laughably inept.
And this confirms my contention that even when us punters don’t know the world of a story in detail we often instinctively know when it is presented lazily or the writer uses shortcuts.
The final crunch came for me when the protagonist made a big deal of taking his jacket off before confronting the bad guys and then this was never referred to again. The first question was why did he take his jacket off? The second was why were his wallet, phone, keys and everything else in his trouser pockets rather than his jacket… because he used them all later on despite leaving his jacket behind.
It occurred to me later that they may have cut a scene in which he had plausibly removed his jacket and that this created a continuity error in the next scene so they inserted a shot of him removing his jacket. The problem is that the audience assumes everything you show them is of importance. So if you show me a mid-shot of the guy taking off his jacket from that I understand that this action is important… because the director showed it to me. Thus I expect the jacket to be of significance.
5 minutes later in the show someone nicked his shirt too! The shirt was used later to implicate him in a murder so the theft of it had a plot reason but the problem was that when he was arrested no one mentioned the fact that he didn’t have a shirt! Not him, not the police. No one.
This stuff is easily fixable at script stage and I don’t want to believe they went into production with a script so lazily put together, hence my pondering whether an attempt to cut a couple of scenes has had unforseen circumstances. Either way in an era of such great drama it sticks out a mile and does not encourage loyalty from this punter.
“The common denominator in all ‘nat’ plays is that they tell a story by means of dialogue. Naturalism deals with people’s verbal relationships with each other. When it deals with people’s personal relationships with God, or with nature, or with themselves it does so by refraction through some dialogue style. When it deals with any of the abstracts – fear, impotence, hunger, hate, love or hope – it does so indirectly through symbols or again through dialogue with other people – wife, colleague, or even a stranger. Often these relationships become so strong that they overwhelm the original theme.”
I didn’t write that although I could have. It actually comes from Troy Kennedy Martin’s 1964 article ‘Nats Go Home: a first statement of a new drama for television’ published in the theatre journal, Encore. In this article Kennedy Martin argued that British television drama had got trapped into a sort of pseudo realism that he calls ‘naturalism’ and that this all pervasive style was stifling the creative and commercial potential in British TV Drama.
In 2004, on the 40th anniversary of Kennedy-Martin’s article, I wrote an article for the Directors Guild magazine, DIRECT, entitled, ”Realism: The Curse Of British TV Drama”, in which I bemoaned the ‘soapy’ stylistic conservatism that had dominated UK TV drama for over a decade, and which had resulted in all TV drama looking and feeling like everything else.
15 years on and I’m delighted to say that I couldn’t make the same complaint today! The diversity of TV drama in 2018 was unimaginable in 2004. This second Golden Era has been driven by international Video On Demand publishers such as HBO, Netflix and Amazon but their success has forced UK broadcasters to respond and the quantity and range of TV drama being commissioned in the UK rivals that of the 60’s and 70’s. Continue reading “The Second Golden Age Of TV Drama”


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Formed in 1997, Premier Stage Productions is now one of the leading players in the UK Children’s Theatre circuit. The company has built a fantastic reputation amongst theatre managers the length and breadth of Great Britain.
Welcome to our website where you will find information on all of our current shows as well as details and reviews of past productions. Additionally you can find out more about the Premier Stage Productions team and how to contact us.
Premier Stage Productions is committed to producing quality children’s theatre. We hope you will enjoy your visit to our site and look forward to being of service to you in the future.


- Blue Moon Cinemas
- Outdoor Cinema, Blue Moon Cinemas produces outdoor movies, outdoor theater, sporting events, drive in movies and movies in the park.
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- Check out what's showing in local theaters and purchase tickets.
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The musical, about Broadway dancers auditioning for a show, became an unprecedented box office hit when it opened in 1975. With nineteen main characters, it is set on the bare stage of a Broadway theatre during an audition for a musical. The show provides a glimpse into the personalities of the performers and the choreographer as they describe the events that have shaped their lives and their decisions to become dancers.
The show received 12 Tony Award nominations and won 9. in addition to winning the 1976 Pulitzer Prize for Drama. It ran for 6,137 performances, becoming the longest-running production in Broadway history until surpassed by Cats in 1997.
A Chorus Line
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Bringing Great Acts to Anniston, Alabama Since 1946
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I love watching the previews before the movie starts. This includes the previews when I rent movies. I'm not so interested in them if it's an older movie, but I enjoy watching them on any new releases.
The other night Blake and I were watching "Chronicles of Narnia." The first preview was for the release of "The Little Mermaid" on DVD this October. I LOVE "The Little Mermaid!" It's probably one of my favorite movies. I have great memories of going to the theatre when I was a little girl. I remember being very scared when Ursula became huge and tried to take over the ocean. I loved taking baths and pretending I was Ariel. I would sing her songs and splash around while keeping my legs together. I had "Little Mermaid" pajamas and a pillow case with Ariel and Flounder on it. I have been waiting for this day to come. I know what Sadie's getting for her 1st birthday!
What movie reminds you of your childhood?


Far Brook News
During a recent Morning Meeting, the Fifth Grade presented Philoctetes, a tragic tale by Sophocles, set during the Trojan War. The annual Fifth Grade play is an integral part of their yearlong study of ancient Greece and, true to the time, it features a Greek Chorus ensemble interacting with individual characters. Philoctetes is a tale that questions the morality of the characters and reveals the conflicts that arise in the struggle between what is right for the individual versus what is right for the group. In considering what is right in a war, perspective is everything, or as James Glossman, Director of Drama, put it: "...figuring out when things are heroic and when they are a terrible crime."
Far Brook's Fifth Grade spends their year examining the culture, people, and stories of ancient Greece. It is from this rich foundation that the students are able to create an entertaining and engaging production of Philoctetes that is still relevant to their 21st-century audience.


9 edition of Women Directors and Their Films found in the catalog.
November 30, 2006
by Praeger Publishers
Written in English
|The Physical Object|
|Number of Pages||192|
Pharmacists and physicians pioneer drug control here
New Zealand Jack
Norse Discoverers of America
extract of Miss Mary Gilberts journal
Bibliography on the marketing of agricultural products.
Die Eroberung des Sudpols: sieben Stucke.
The diplomacy of ideas
The Impact of a sheltered work opportunities project on its users
H.R. 6588, the National Intelligence Act of 1980
Durham County Record Office
secretary is a manager
study into the effects of acid mine water on stream zoobenthos.
Some evidence on the relationship between politics and inflation
The 25 Best Films Directed By Female Film Directors - Raindance. Some of the credit has to go to film critics who, in the late ’50s and early ’60s, pioneered the auteur theory — the idea that the director is the primary author of a movie. Film as a popular art form will simply die out if it doesn’t tell more stories that deal with minorities and with women.
As a director I can Author: Susanne Bier. Female characters are prominent in scary movies, and not always as helpless victims. Think about the Final Girl, without whom slasher films would not exist, or. The movie and the book share very similar plots: Both feature a man, who — after a messy divorce that limits his time with his family — dresses like an old woman.
Explore our list of Women in the Film Industry Books at Barnes & Noble®. Receive FREE shipping with your Barnes & Noble Membership. Due to COVID, orders may be delayed. Here are their picks for the best films made by women, including “Appropriate Behavior,” “Diary of a Teenage Girl,” “A Girl Walks Home Alone at Night,” “Pariah,” “Selma,” and.
An overall statistic showed that out of the 1, films analyzed, only 44 were directed by women. There are about male directors for every female director, a statistic that sharply drops for.


DEN (Film Development and Evaluation Network) is a dedicated platform that aims to revolutionize the film industry by ensuring quality control and systematic guidance for filmmakers. In an era where the shelf life of films is decreasing and the demand for exceptional films and web series is skyrocketing, DEN emerges as a catalyst for creativity and success.
While recognizing films as an art form, DEN also acknowledges the importance of filmmaking as a consumer product. Filmmakers deserve the freedom to express their creative visions without interference, yet they also desire a reliable system that can help them navigate the intricate path towards presenting their ideas exactly as intended to every viewer.
Understanding why any filmmaker would intentionally wish for a flop despite investing substantial time and effort, DEN has identified key reasons for such occurrences. These include insufficient systematic thinking during subject selection, overlooking superior films on the same subject, being surrounded by individuals who deceive or lack the courage to provide honest feedback, struggling to effectively communicate with the audience about the intended mindset while watching the film, and the absence of continuous checks to ensure the idea remains on its intended track.
With a mission to minimize these challenges and ensure exceptional quality, DEN takes on the role of nurturing and developing film ideas. It actively seeks fresh, provocative, and exciting concepts from both internal and external sources, aiming to develop them into comprehensive Project Reports. These reports provide filmmakers with clear-cut insights into the logistical and financial aspects of their projects, enabling informed decision-making regarding the cast, whether established or new.
DEN's tagline, "Unlocking Filmmakers' Visions: Empowering Quality Cinema through Systematic Guidance," encapsulates its commitment to supporting filmmakers in realizing their creative visions and maintaining quality control. By offering systematic and scientific guidance throughout the filmmaking process, DEN aims to revolutionize the industry and bring forth a new era of exceptional cinematic experiences for audiences worldwide.
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Due to technical difficulties this morning, I'm now doing my post tonight. So yes, it's Tuesday and time for me to add a video that I just can't get enough of this week.
I'm not sure if it's just me, but I've always been obsessed with movie trailers. I may never even see the movies but I love watching the trailers for them. There is just something about the way someone is able to take 2 hours worth of a move, make into a 2 min clip that makes you want to see go out and see it in theaters. Only since about 2000, trailers got rid of the voice overs....you know the "movie guy" that would talk during a trailer to describe the movie. Now music is just used with clips from the movie which I think works much better. Music can convey a feeling and set a mood much better than some guy with a deep voice.
Hence, I spend too much time on IMDB.com looking at trailers when I'm bored. I guess I'd even go as far as to say I'm kind of a movie trailer connoisseur haha. Anyways....here is my YouTube video today. It's a new trailer for a movie called Like Crazy. Yes, it's very "chick flicky" and I most likely will not see the movie but, the trailer is wonderful. The movie is about a young couple and what happens to their relationship when she she is banned from the U.S. when her visa runs out and has to return to the U.K. Watch it and I'm sure you'll agree.


Big Brother Canada
Big Brother is a television reality game show based on the original Dutch TV series of the same name, created by producer John de Mol in 1997.The show is titled Big Brother Canada to differentiate from the American version of the franchise, which airs in Canada during the summer. The series follows a group of contestants, known as HouseGuests, living together in a custom-built home under constant surveillance, while completely isolated from the outside world. The contestants are competing for a $100,000 grand prize, with weekly competitions and evictions determining who will win the show. The series takes its name from the character in George Orwell’s novel Nineteen Eighty-Four (1984). With a French version and the United States version having aired in the country, Canada officially received its own English version of the series in 2013. The show was met with commercial success, and has gone on to become a hit for its parent network.


https://mstdn.io/@sohkamyung/110746692352049338 email@example.com - TIL: PalmPilots (emulated) still form a part of the IMAX system.
"Oppenheimer is 600 pounds of 70mm IMAX film, and it wouldn’t work so well on-screen if it weren’t for a 21-year-old PDA."
#Film #IMAX #Technology #PalmPilots #RetroComputing
In IMAX theaters around the world, Oppenheimer will play in its full 70mm glory. In the projection booth, a Palm m130 will help make it happen.David Pierce (The Verge)


Movie of the Week: Mirror Mirror
No movie last week because of the snow, so this week we went to see Mirror Mirror a week late. It's school holidays and the cinema was filled with apparently incontinent youngsters judging by the number who bobbed up and down in front of the screen on loo trips mid-movie, but despite that the movie was sweet and sometimes funny though never a laugh-a-minute. It's a retelling of Snow White of course, with Julia Roberts as the wicked queen who has taken over the kingdom and is trying to marry the prince for his money. Snow has been confined to quarters for most of her life, but on her eighteenth birthday finally learns to stand up for herself. The seven dwarves are not Disneyfied, thank goodness and are perhaps the best thing about this movie. Julia Roberts is suitably wicked as the trying-not-to-show-her-age queen and there's a nice surprise at the end.


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The Montgomery YFC County February Festival is held over a 1 week period in February from Tuesday through to Saturday.
Over 300 YFC members will take to the stage at Hafren Theatre in Newtown and over 2500 members and members of the public will watch the performances over the event.
It is a highlight of the YFC calendar and attracts a varied audience from across Montgomeryshire and its neighbouring counties.
An Entertainment may include straight singing, singing with movement, dancing of any kind, drama, sketches, humour – either visual or spoken (though anything of a dubious nature would be penalised) – magic or conjuring, instrumental performances, mime etc. – the list is endless. But, like making a cake, the ingredients must be weighed and balanced, mixed and blended to make the whole performance.
A play is not to be included in Entertainments. (A play can be defined as following a story from beginning to end).
The competition shall take the form of a pantomime, which may be either excerpts from a pantomime* or the teams original work.
*For guidance only “Pantomime is a dramatic entertainment loosely based on a traditional fairy tale in which the activity is carried on with the help of singing, dancing, clowning, topical jokes and music, in which the performance of that action is conducted by certain stock roles, usually ‘principal boy’ (hero) acted by a woman, and the ‘dame’ acted by a man.”


I, for the record, do not count myself among their number. My tastes do tend toward the eclectic, but I won't dismiss something just because it strikes a chord a large group of people. Why am I doing all this preamble? Because tonight I saw "The Raid: Redemption," one of the biggest Indonesian movies to hit theaters in recent years, and my take on the film is apparently well in the minority.
Seeing movies in theaters has never been that high of a priority for me. The only other film I've seen in a theater since coming to Indonesia was the Jason Statham vehicle "Blitz" (and that was during the MPA's boycott of Indonesia), and I've maybe seen 10 or so movies in theaters since high school. Off the top of my head, there's "The Raid," "Blitz," "300," "Up," the J.J. Abrams "Star Trek," "U-571," "Erin Brockovich," "Sicko," "Star Wars: The Phantom Menace" and "Ghost in the Shell 2: Innocence." Not much of a list, really.
Still, I figured "The Raid" was worth seeing on the big screen. It generated a huge response here and was hailed by movie critics both in Indonesia and abroad (I should note that Marcel is no soft touch when it comes to his reviews). The reviews were not totally positive, though -- most notably, Roger Ebert gave it just one star:
I have no prejudice against violence when I find it in a well-made film. But this film is almost brutally cynical in its approach. The Welsh director, Gareth Evans, knows there's a fanboy audience for his formula, in which special effects amp up the mayhem in senseless carnage.He also went on to expound on his thoughts on his blog, acknowledging the wall-to-wall butt-kicking but calling out the utter lack of, well, anything else:
There's obviously an audience for the film, probably a large one. They are content, even eager, to sit in a theater and watch one action figure after another pound and blast one another to death. They require no dialogue, no plot, no characters, no humanity. Have you noticed how cats and dogs will look at a TV screen on which there are things jumping around? It is to that level of the brain's reptilian complex that the film appeals.
I can't take this much longer. I can't function like a butcher's scale. Is it enough to spend two hours determining if a film "achieves its generic purpose?" Shouldn't it do more than that? Perhaps provide some humor, humanity, romance, suspense, beauty, strategy, poetry. Not all of those qualities, but at least several of them. "The Raid" didn't even supply a single good-looking publicity still.
After sitting through "The Raid," I came up with a few observations of my own, not the least of which is I might really be a curmudgeon before my time.
I've seen some incredibly brutal South Korean films recently, like "The Chaser," that contain enough violence to stun any fan of "The Raid" but also have the advantage of being very good films, with intriguing characters, puzzling plots, and ingenious situations. I watched spellbound. "The Raid: Redemption" is dead in the water. The butcher slams the raw slab on his scale and asks, "How many are you feeding?"
Folks, if you're going to the trouble of making the trip to a movie theater and paying movie theater prices, how about you keep your eyes on the big screen and turn off your damn phone? There were a dozen or so other people at the showing I attended and at least half of them had their smartphones out and operating during the movie. "The Raid" is only 100 minutes -- are you so hopelessly tethered to your social network that you can't survive two hours without texting, tweeting or updating your Facebook status? I know Indonesians are all about being social, but have some common courtesy, please.
Anyway, back to the movie. My Indonesian is fairly shaky and there were no subtitles, but given the heavy emphasis on action I was still able to follow along fairly well. Our Hero is established as such in the first few minutes, when he prays, works out, kisses his pregnant wife and has a chat with his dad. Other roles are laid out fairly quickly (Team Leader, Nervous Nellie, Old Cop Who's Too Old for This Nonsense, etc.), while the Main Villain locks up that role by killing five people execution-style (four with a gun, one with a hammer) early in the film.
Speaking of the body count, that really needs to be addressed. "The Raid" earns every bit of its reputation as a violent film. I kept track of confirmed, on-screen fatalities (not counting knockouts with baddies put down but still breathing/writhing) and came up with an unofficial body count of 64. In contrast, only 37 people popped their clogs throughout the five "Child's Play" movies. The methods of killing vary, too, from the mundane (revolver, hammer, axe, machete, sniper rifle, assault rifle) to the more creative (defenestration, truncheon, jagged piece of wood, florescent bulb).
Special mention must be made of Our Hero's innovative use of a refrigerator as a weapon, a move that harkened back to the cringe-inducing "nuke the fridge" moment in the latest Indiana Jones movie. Badly outnumbered and taking refuge in an apartment, Our Hero rips a natural gas container out from under a stove, plops it in the fridge and pushes the fridge until its front is against the door of the apartment. He then chucks a grenade in the fridge, apparently turning it into a Claymore mine as the blast is solely directed out the door and toward the baddies. When Evans told the Washington Post "I've run out of ways to kill people," he might not have been exaggerating.
So what's my verdict on "The Raid?" In short, I come down closer to Roger Ebert than Marcel Thee. Yes, the film does achieve its primary object of being an unabashed, over-the-top violent martial-arts flick, and for those who come in wanting just that it definitely delivers. I can certainly appreciate well-done martial arts in a movie, but there is a big difference between martial arts being part of a greater overall narrative and it being the entire selling point of the movie. Spending 85 or 90 minutes of a 100-minute movie watching heads being bashed, throats being slit and swashes being buckled eventually gets to be too much. I can't speak to whether it is, in fact, a cynical ploy by Evans or just a joyous celebration of violence, but to me the steady stream of carnage eventually feels akin to Homer Simpson being sentenced to eat all the donuts in the world.
In the end, "The Raid" just didn't do it for me. I couldn't bring myself to care about any of the characters (the vast majority were complete ciphers, so much so that almost two-thirds of the actors in the credits had titles such as Riot Attacker #8, Machete Gang #3 and so on) and the plot was as wafer-thin as an after-dinner mint. I didn't go in expecting a beguiling art film or heady haute cinema, but one or two clever plot twists in an action flick isn't too much to ask, is it? We'll find out soon enough -- Evans is on course to make a sequel, if not two, to "The Raid," so we'll see if he gets a bit more ambitious with his filmmaking or if he stays on the path to becoming Wales' answer to Uwe Boll.


Born during a blizzard in Asheville, North Carolina on January 18th, 1993, Sydney Roberts has been honing his creative skills for as long as anyone can remember.
Acting in plays from Kindergarten on, Sydney began writing and directing plays as a youth delegate to the Western North Carolina Conference of the United Methodist Church, and after serving for four years had written, directed, and starred in over a dozen productions, some of which were played to crowds of over three thousand.
Once he began studies at North Carolina State University for Political Science, Sydney directed his artistic focus towards audio production, a life-long passion that quickly consumed his interests. During this time he obsessed over creating and mixing digital music, fine-tuning audio tracks, and composing custom film scores over his favorite movies.
After deciding political science was not for him, Sydney enrolled in the Film Studies program at Cape Fear Community College in Wilmington, North Carolina, which allowed him access to professional equipment and expertise. His time at CFCC afforded him experience with every facet of audio post-production, more focused direction for screen-writing, and entry-level skills for each position on a film crew throughout all aspects of production.
"Singularium" is Sydney's screenwriting debut, with several other projects already written or conceived. He also owns an aerial photography company and co-runs an audio studio where he works as an audio engineer, sound designer, and foley artist.
He plans to focus on writing, directing, producing, and possibly acting after Singularium, with the ultimate goal of playing a role in the revitalization of Wilmington's film industry, where he currently resides with his fiance and two cats.


There is nothing better than the genuine smile of Tom Hiddleston.
i ship them so hard it hurts
LokiTom Hiddleston at 36th Toronto International Film Festival “The Deep Blue Sea” premiere.
October 10th 2010, Pusan International Film Festival in Busan, South Korea.
Tom Hiddleston at the Gala Preview of “Flare Path” starring Sienna Miller at the Theatre Royal, March 10th 2011.
I like the look of this one.


This week we are going to HK with lingerie model Chrissie Chau; she's one of my fave Asian model. So damn hot!
Chrissie Chau (born 22 May 1985 in Chaozhou, Guangdong) is a Chinese actress and celebrity model from Hong Kong. Chau achieved widespread fame after the release of her portrait albums in 2009 and 2010. Her film career began after her starring in the horror film Womb Ghosts (2009);
Don't forget to Like the FB page for more. Enjoy the pics.


Hakika Entertainment © 2012 All Rights Reserved. Design by Kultur Media
Hakika Entertainment is a film, video, theatre and media arts production company
based in Arusha, Tanzania.
We are also involved in artist management, film and video distribution, media arts
consultancy, workshop and training programs.
Hakika Entertainment is the organizer of the Arusha African Film Festival in Arusha,
Our media and theatre arts production interests are in social cultures, human rights,
gender equality, education, economics, youth development, and women empowerment projects.
We are also into visual image branding, and corporate promotions.
The 2nd Arusha African Film Festival will be held in Arusha, Tanzania from 29 November
to 1 December, 2013.
The Call for Submissions of films ends 31 July, 2013.


There are many themes found in william shakespeare's tragic play hamlet the first theme found in the play is revenge the theme of revenge is made apparent through the movement of the characters' actions many of the characters' actions are completed based upon one, singular idea: enacting revenge upon another. Revenge in shakespeare's hamlet in hamlet, shakespeare uses revenge as a major theme present throughout the work revenge plays a crucial role in the development of fortinbras, prince of norway, hamlet, prince of denmark, and laertes, son of polonius all three men seek revenge for the murder of their fathers. In the play hamlet, by william shakespeare, the main theme is that followed through plans of revenge lead to tragedy throughout the play, several different people want revenge on somebody hamlet, the prince of denmark, wants revenge on the current king of his country, his uncle, who killed hamlet's father, the original king, in order to take the crown and marry the queen.
Revenge in elizabethan and jacobean drama is more of a genre than a theme, as it generally applies to plays that are specifically about revenge that may be somewhat simplistic, however, as the plays of that era are never about just one thing that’s particularly so of shakespeare’s plays and, indeed, hamlet, the greatest revenge play of all time, is about more things than can be described. In the play hamlet written by william shakespeare, several characters attempt to lure their foes into their death as payback for any wrongdoing this highlights the main theme of revenge in the play revenge is a constant theme throughout the plot.
The desires of hamlet, laertes, and young fortinbras each exhibit how the plot of hamlet, by william shakespeare revolves entirely around revenge the theme of revenge starts off very early in the play, when hamlet speaks with the ghost of his deceased father.
Get an answer for 'explore the theme of revenge throughout hamlet, by william shakespeare, using specific examples throughout the play' and find homework help for other hamlet questions at enotes. Hamlet deals with three revenge plots, all of which involve a son seeking vengeance for the death of a father in the end, though, the resolution of each revenge plot highlights the inadequacy of revenge. In the play hamlet, by william shakespeare, the main theme is that followed through plans of revenge lead to tragedy throughout the play, several different people want revenge on somebody.
While the words of king hamlet to his son are to revenge his death, the play hamlet is not simply a revenge play, for the revenge of the ghost to which hamlet has sworn is enacted only in the. In the play hamlet' written by william shakespeare in elizabethan times, the theme of revenge is a constant throughout the plot not only does it underlie almost every scene, but it also has a major effect on the story as a whole. A summary of themes in william shakespeare's hamlet learn exactly what happened in this chapter, scene, or section of hamlet and what it means perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.
Shakespeare’s hamlet is a complex play where many themes are intertwined – themes that are essential to the development of the play the issue of death and disease, both physical and emotional is very prevalent throughout the duration of the play, as well as fate and divine intervention.
In hamlet by william shakespeare, the theme of revenge is so prominent that it could be considered its own character the vengeance in hamlet is essential to the development of laertes, son of polonius, hamlet, prince of denmark, and fortinbras, prince of norway. Revenge in shakespeare's hamlet in hamlet, shakespeare uses revenge as a major theme present throughout the work revenge plays a crucial role in the development of fortinbras, prince of norway, hamlet, prince of denmark, and laertes, son of polonius. Hamlet themes william shakespeare’s hamlet is a tragic story entangled in a web of deceit and vengeance hamlet provides some insight into modern society, as the play involves many issues which are still very relevant in today’s world.


Spin VFX is looking to grow it's Animation Department! Are you an experienced Animator looking for the next step in your career? Do you want to work on high profile feature films and television shows? Are you an accomplished artist looking to join an award-winning team? If so - let's chat
- Work under the direction of the Animation Supervisor and Leads.
- Responsible for animating of a series of shots on a specific project.
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- Clean up motion capture data and seamlessly add additional animation keyframe.
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Our Successful Animators Have:
- Have 3 years or more of relevant professional VFX or animation experience creating convincing performance.
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Megan Fox: A Fashion Icon and Accomplished Actress
Megan Fox is a name that has been synonymous with Hollywood for over a decade. She rose to fame in the early 2000s with her captivating looks and undeniable acting talent. Fox has since established herself as a sought-after actress, fashion icon, and mother of three. In this article, we’ll delve into the life and career of this talented and accomplished woman.
Early Life and Career
Megan Fox was born on May 16, 1986, in Oak Ridge, Tennessee. Her parents divorced when she was young, and she was raised by her mother, who worked several jobs to support the family. Fox’s acting career started early, with her first acting role being in a community theater production when she was just five years old.
In 2004, Fox landed her first big break when she was cast as Brianna Wallace in the movie Confessions of a Teenage Drama Queen. The movie was a commercial success, and Fox received positive reviews for her performance. This was followed by a string of successful films, including the 2006 horror comedy film, “Transformers,” where she played the role of Mikaela Banes. The film was a huge commercial success and brought Fox into the spotlight, and she quickly became one of the most sought-after actresses in Hollywood.
Acting Career and Accolades
Over the years, Fox has proven her acting prowess in a variety of genres, ranging from action and comedy to drama and horror. Some of her notable films include Jennifer’s Body (2009), Friends with Kids (2011), and Teenage Mutant Ninja Turtles (2014).
In addition to her successful acting career, Fox is also known for her fashion sense and has been included in several “Best Dressed” lists by fashion magazines. She has graced the covers of several popular magazines, including Maxim, FHM, and Rolling Stone, and has been named as one of the “Sexiest Women in the World” several times.
Fox’s talent and hard work have been recognized with several awards and nominations. In 2007, she was nominated for the MTV Movie Award for Best Breakthrough Performance for her role in Transformers. She has also been nominated for several Teen Choice Awards, and in 2009, she was honored with the Trailblazer Award at the MTV Movie Awards.
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Fox is married to Brian Austin Green, an actor and producer best known for his role on the popular TV show “Beverly Hills, 90210.” The couple has three children together and is known for their strong bond and commitment to each other.
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Megan Fox is an accomplished actress and fashion icon who has made a lasting impact on the entertainment industry. With her captivating looks, undeniable talent, and strong commitment to her personal and professional life, Fox has become a role model for young women everywhere. Her hard work and dedication to her craft have earned her several awards and accolades, and she continues to inspire and entertain audiences around the world. In conclusion, Fox is a true star and a testament to the power of talent, perseverance, and dedication.


Alumni: Komal Verma
Occupation: Writer, Production Manager
What are you doing at the moment?
Writing novels, working in film and video as production manager and as a video presenter
What's in your sketchbook?
I have less of a Sketchbook and more a writer's notebook with quotes from inspirational people like Joseph Campbell and Rumi, as well as sketches for the mythological and fantastical worlds I create for my novels.
What have you done for Sketchbook?
- Set up the online video channel, Sketchbook TV
- Brought together and managed the Sketchbook TV crew and team
- Worked with editors in chief to build the strategy and market Sketchbook TV online
Posts by Komal
No posts by this author.


Scriptwriter Ekaterina Stabrovskaya, director Maxim Shved, cameraman Alexander Vlasov.
The film tells about Alexander Makarchuk. A man with a disability, bedridden, did not fall out of social life and created a distance learning school "At Sava", where they help to learn foreign languages.
Ales Lapo, Maxim Shved, Ksenia Golubovich, Veronika Bondarovich
The film is screened in the original language with English subtitles.
Debut short films of Belarusian documentary filmmakers, united by the topic of a social role of internet in modern life.
"Hello. Why are you silent?"
Scriptwriter and director Ksenia Golubovich, cameraman Alexander Vlasov.
The hero of the film Sasha is a deaf-mute boy. Like everyone, he also wants to find his one and only and get a family. Here he counts on the help of social networks and the Internet. But in life everything is not so simple.
"All activities according to plan"
Scriptwriter Marta-Daria Klinova, director Ales Lapo, cameraman Alexander Vlasov.
The young man Denis Dashkevich is the director of the rural House of Culture in the agricultural town of Pobolovo, Rogachev district. In an attempt to find new aspects of the work of the cultural center in the village, he plans to create a computer class for elderly people. But in reality, this idea faces many difficulties due to the psychology of the villagers and age.
Scriptwriter Olga Drachuk, director Veronika Bondarovich, cameraman Sergei Mileshkin.
The film is dedicated to the work of the search and rescue team "Angel", which is based on volunteers, people who are not indifferent to someone else's grief.


Star Wars: The Empire Strikes Back Darth Vader Voice Changer Helmet
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- With a push of a button, this voice-changing helmet features movie-real sounds and breathing as iconic as it is menacing.
- Obsess over finding Luke Skywalker as you lead a relentless assault against the Rebels that ends in a deadly confrontation on the Death Star. Re-create the most embattled, most intense moments of adventure from Star Wars: The Empire Strikes Back with this movie-accurate reproduction Darth Vader Voice Changer Helmet!
- Re-create all of the moments from the Star Wars saga with this and other role play toys from Hasbro Star Wars. May the Force be with you!


Madoka Magica Films to Screen in Washington, D.C. Written by Lesley Aeschliman Aniplex of America has announced that the first two Puella Magi Madoka Magica films will be screened at The Movies at Montgomery Mall theater in the Washington, D.C. area. The screening is taking place on January 10, 2013 at 7:00 p.m. Share this:TwitterFacebookEmailRedditLinkedInGoogleTumblrPinterestLike this:Like Loading... Related One thought on “Madoka Magica Films to Screen in Washington, D.C.” YOU HAVE NO IDEA HOW HAPPY THIS MAKES ME >.< (sorry for the caps =.=) Reply Leave a Reply Cancel reply Enter your comment here... Fill in your details below or click an icon to log in: Email (required) (Address never made public) Name (required) Website You are commenting using your WordPress.com account. ( Log Out / Change ) You are commenting using your Twitter account. ( Log Out / Change ) You are commenting using your Facebook account. ( Log Out / Change ) You are commenting using your Google+ account. ( Log Out / Change ) Cancel Connecting to %s Notify me of new comments via email.