The opening session of the festival of cinema of the parish of Arroios featured the performance of the singer and guitarist Mazgani, on September 9, in the auditorium of the Escola Secundária de Camões. The session was attended by the president of the Junta de Freguesia de Arroios, Margarida Martins; João Afonso, Councilor for Social Rights of the Lisbon City Council; of the jury members of this 2nd edition of Arroios Film Festival – the actress Custódia Gallego; the journalist, film critic and programmer José Vieira Mendes; the critic, writer and film teacher João Antunes; the actress Patrícia Bull; and the vice president of Iberia Universal, Paulo Zhan – among many other guests.
The Camões Auditorium – located at Rua Almirante Barroso 25A – is once again hosting this film festival, which runs until September 16 – when the closing session of the festival is held. In addition to the screening of short films under the theme of inclusion, during the festival’s days, several places of the parish host side program initiatives.
The Arroios Film Festival is organized by the Arroios Parish Council, with the support of the Social Rights Board of the Lisbon City Council, Arroios TV and other public and private partners.
Learn all about the Arroios Film Festival here.


Out on DVD and digital download now, Josh (Against the Grain) is a film that sheds light on Pakistan and its people’s push for equality. Josh explores the education system, class separation, women’s rights, feudalism and the youth movement happening within the country today.
After a heavily sold out theatrical debut, Josh has been released on DVD and video on demand through Amazon, iTunes and Netflix. It is a recent winner of the Best Independent Film at the ARY Film awards and the 2012 Women in Film fund, among other awards.
“…JOSH needs to be seen by Western audiences so they will understand that Pakistani citizens are demanding justice and equality for all her people.” – Mitchell Block, Indiewire
To learn more about the film, go to www.thefilmjosh.com.


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James Bond movie preview: Kate Middleton and other stars walk the red carpet
It may have been a long time coming, but the world premiere of the new James Bond film on Tuesday did not disappoint.
Screen and stage stars showed up alongside British royalty for the brilliant ‘No Time to Die’ red carpet event at the Royal Albert Hall in London.
Britain’s Kate, the Duchess of Cambridge, left, chats with British actor Daniel Craig as he arrives for the world premiere of the new James Bond film ‘No Time To Die’ in London on Tuesday September 28 2021. (Chris Jackson / Pool photo via AP) Credit: Chris Jackson / Pool Photo via AP
Ana de Armas wore a bespoke Louis Vuitton velvet dress with a plunging neckline and a thigh slit. Credit: Samir Hussein / WireImage / Getty Images
The long-delayed film, which is Daniel Craig’s fifth and final performance as an iconic British agent, was originally due for release in April 2020, but has been repeatedly delayed due to the global pandemic.
Kate, the Duchess of Cambridge, who was present alongside her husband, Prince William, and her in-laws, the Prince of Wales and the Duchess of Cornwall, dazzled onlookers in a long golden Jenny Packham gown.
Naomie Harris, who plays Eve Moneypenny, arrived in a white sequined Michael Kors Collection dress. Credit: Karwai Tang / WireImage / Getty Images
Former Bond girl Michelle Yeoh donned a hazy-hued Elie Saab dress. Credit: Karwai Tang / WireImage / Getty Images
Kate was pictured chatting with Craig, who looked dapper than ever in an Anderson and Shepherd double-breasted cherry-velvet tuxedo jacket over a white shirt and black bow tie.
Siblings Finneas O’Connell and Billie Eilish, who co-wrote the film’s theme song, attended the premiere. Credit: P. Lehman / Barcroft Media / Getty Images
Writer Phoebe Waller-Bridge, famous for “Fleabag”, paired a black jumpsuit by Olivier Theyskens with a cream Azzaro overcoat. Credit: Karwai Tang / WireImage / Getty Images
The 53-year-old actor, who first took on the role of Bond in the 2006 blockbuster “Casino Royale”, told the PA news agency that his plans to withdraw from the franchise had not changed. , but that he was delighted to be present at the event. .
“It’s been a bittersweet few years so you have to keep things in perspective. The decision to leave is still there, I’m just happy that we have the chance to celebrate tonight and have a first. for a while, ”Craig said.
Directed by Cary Joji Fukunaga, whose previous credits include “Jane Eyre” and “True Detective”, and written in part by Phoebe Waller-Bridge, “No Time to Die” is the 25th film in the James Bond series.
Craig’s co-stars Naomie Harris, Lashana Lynch, Ana de Armas and Léa Seydoux were also dazzling.
Tennis ace Emma Raducanu walked the red carpet in a Hellenic Silver Dior dress. Credit: Samir Hussein / WireImage / Getty Images
Rami Malek, who immortalized Freddie Mercury in “Bohemian Rhapsody”, plays a villain in the new Bond film. Credit: P. Lehman / Barcroft Media / Getty Images
Rami Malek, who played villainous Safin, and actor M Dame Judi Dench, also graced the soggy red carpet.
Many are hopeful that the long-awaited film will trigger a welcome return to theaters after its UK release on Thursday.
Despite much speculation about who will take over from Craig, the producers of the James Bond franchise confirmed on Tuesday that they will not begin their search for the new lead actor until 2022.


February 7, 2020
Presented by Anedra Edwards ’10, CW Network.
Join us for the opening reception of the Africana Studies Department's exhibit: Black Comic Con featuring a Skype presentation with Anedra Edwards ’10, Visual Effect Editor for the CW Network. Former Rose Scholar, international business & management major and film studies minor Anedra Edwards ’10 uses her bent toward creativity as a visual effects editor for the CW Network. As part of the post-production crew, she manages over 1,800 visual effects shots for the network’s television drama Black Lightning. Anedra Edwards will kick off the Africana Studies Comic-Con on February 7 at 4:30 p.m.


By Adam Hetrick
The Belarus Free Theatre will return to New York in April with its acclaimed production of Being Harold Pinter, in repertory with Zone of Silence and the New York premiere of Discover Love.
The troupe arrived in New York in early January after fleeing their homeland due to the political unrest following the contested re-election of President Alexander Lukashenko. The Public Theater hosted the U.S. premiere of Being Harold Pinter, which sold-out its New York run, and went on to play Chicago's Goodman Theatre in recent weeks.
The productions will run in repertory from April 13-May 15 at La MaMa. An official opening has been set for April 18.
"The Belarus Free Theatre proves the power of art. Theatre is not created in a vacuum and todayís headlines remind us of the importance of collective voices and how they can shape our lives," said La MaMa artistic director Mia Yoo. "It's a privilege to be part of the world theatre community helping this daring company tell their story. La MaMa is proud to be partnering with The Public to provide an artistic residency for the Belarus Free Theatre in New York City."
"The Belarus Free Theatre is an extraordinary company, both for the exemplary moral position they are taking for the freedom of the country and for the beauty and power of their art," Public Theater artistic director Oskar Eustis added. "In supporting them, we are honoring the greatest traditions of The Public Theater."
Here's how the works are billed:
Being Harold Pinter, adapted and directed by Vladimir Shcherban. Being Harold Pinter "incorporates transcripts from Belarusian political prisoners with excerpts from Harold Pinterís lifetime of writings. Creating visually striking images with simple means and underscoring the fierceness of Pinterís words with the intense physicality of the actors, Being Harold Pinter blurs the boundaries between art and reality, delivering a poignant contemporary commentary on violence, oppression, freedom and human dignity."
Zone of Silence, directed by Vladimir Shcherban and conceived by Shcherban, Natalia Koliada and Nikolai Khalezin. "Zone of Silence consists of three independent chapters reflecting on various taboos which are not open for wide discussion in Belarusian society. In the first chapter, 'Childhood Legends,' actors tell their own stories from their childhood; in the second chapter, 'Diverse,' actors relay stories collected by extraordinary Belarusians who experience the pressures of unmotivated social aggression; the third and final chapter, 'Numbers,' explores the dry numbers of Belarusian statistics."
Discover Love, written and directed by Nikolai Khalezin. Discover Love, "is a love story based on real events. The show is based on real facts from the life of Irina Krasovskaya, whose husband was kidnapped and murdered for lending assistance to the democratic body of Belarus. The story follows a wifeís reaction to the news of her husbandís murder: the shock, the realization, and most powerfully the loss of a love that continued to blossom."
The cast of Being Harold Pinter includes Pavel Garadnitski, Irene Iarochevitch, Mikalai Khalezin, Yana Rusakevich, Aleh Sidorchyk, Dzianis Tarasenka and Maryna Yurevich.
Single tickets will go on sale March 16. Phone (212) 475-7710 or visit LaMaMa. La MaMa e.t.c. is located at 74A East 4th Street in Manhattan.
The Belarus Free Theatre made headlines in late December 2010 when several of its members were arrested after protesting the Dec. 19 re-election of President Alexander Lukashenko, who has been in power for 16 years. His opponents claimed election fraud. Belarus Free Theatre members went into hiding following the harsh government reaction to the protests, and the Public Theater made arrangements to quietly transport the performers from the Eastern European nation in time to participate in the Under the Radar Festival in early January. Critics praised the bold, political work.


Ext. Theater- Night
The marquee reads: Clark Park Players Present: Murder Mystery
int. auditorium- Night
The lights dim and the curtains go up to reveal ten cast members sitting around a dinner table– all dressed like their professions. A conversation begins and is interrupted by a brief black out.
The CHEF approaches the JUDGE and pulls on the knife.
Chef: (acterly) Is there a doctor in the house?! This man has been stabbed!
The character of the Doctor gets up.
Doctor: (acterly) This man is dead…and one of you did it!
The characters on stage gasp.
Doctor: (out of character) Wait, this man is actually dead… And one of you did it!
The audience gasps. Malone and Frankenstein run up onstage. (Frankenstein is wearing a brown trench coat and a fedora.)
Malone: Nobody move! Detectives Malone and Frankenstein.
They both hold up their badges.
Malone: We’ll get to the bottom of this!
The chef points at the MAILMAN.
Chef: You did this! I heard you two arguing.
Malone: What were you arguing about?
Frankenstein (supportive): Grrr!
Mailman: It was over a football game. He owed my brother, the plumber, a hundred grand. But I didn’t do it. It was the army man! The judge slept with his wife.
Malone points at the ARMY MAN.
Malone: He slept with your wife?
Army Man: Not my wife. I just play an army man. I’m really a banker. The butler played the army man.
Malone points at the BUTLER.
Malone: He slept with your wife?
Butler: Not my wife. The butler’s wife–
Fireman (interrupting): Yeah, I’m actually a butler.
Frankenstein: (frustrated) Grrr.
Malone: Yeah, this is confusing.
Fireman: No, it’s fine. I’m a butler playing a fireman and the journalist who played the judge slept with my wife, the dentist, who plays an accountant. But we saw a counselor and worked through it. I even forgave him. Unlike the accountant!
Malone: You’re wife?
Fireman: No! The accountant. The judge killed his kid in a drunk driving accident.
Accountant: I’ve made my peace! Not that you have, reverend!
Everyone looks at the REVEREND.
Accountant: Oh, don’t act dumb! We all know the judge was blackmailing you cause you slept with one of your students.
Astronaut: No, it was me he was blackmailing.
Everyone looks at the ASTRONAUT.
Astronaut: I slept with one of my professors–one of my male professors. I didn’t want anyone to know. But I didn’t do it. I can’t hold anything in this suit.
Boxer: I can’t hold anything either.
The BOXER holds up his gloves.
Malone: I’m so lost! And, wait, he owes you money?
Malone points at the PLUMBER
Mailman: No, my brother’s not in the play. He just is a plumber.
Plumber: Yeah, I’m a dentist. I killed the judge–
Frankenstein: (like a surprised dog in a movie) Grrr?
Malone: Yeah, did you just confess?
Plumber: (nervous) No! I was confused.
Malone: Tell it to the judge! (beat) One you haven’t killed.
Plumber: (scared) I didn’t kill anyone! It was an accident.
Malone: Oh, so you killed him by accident?!
Plumber: (panicked) No, I mean, I didn’t mean to admit it– to say it.
Malone: Cause you’d go to jail!
Plumber: (terrified) No, cause I didn’t want anyone to know!
Malone: That’s what I said!
Plumber: (defeated) Shit! Yes!
The plumber starts running away. Frankenstein makes a fist with his left hand, rips off his left arm, and nails the plumber in the back of the head, knocking him over. Malone cuffs the plumber.
Malone: A regular whodunit, amma right? (beat) Seriously, I have no idea what just happened.


THE FALCONBRIDGE COLLECTION was founded by Revere La Noue and Elisabeth Haviland James to create international documentary projects in traditional and experimental media that connect cultures and inspire audiences around the world.
Elisabeth Haviland James -Director/Producer (USA) is a film producer, director and editor based in Durham, North Carolina, where her company Thornapple Films is headquartered. Recently, James was named one of two film fellows in the state by the North Carolina Arts Council. She is the Producer and Editor of Althea, (dir Rex Miller), a feature documentary about pioneering tennis icon Althea Gibson, which premiered at DOCNYC, and was PBS’ American Masters season premiere episode in September 2015. She was awarded a WIFT award for her work on the project. Her documentary feature-directing debut, In So Many Words, premiered at the 2013 Full Frame Documentary Film Festival and has screened at festivals, museums and conferences around the country. James was the Producer and Editor of The Loving Story (co-produced with HBO) for which she was short-listed for the Academy Award, winner of a George Foster Peabody Award and an Emmy Award (Best Historic Program) and nominated for two additional Emmy Awards (Best Documentary, Best Editing). The film has screened in festivals around the United States (Full Frame, TriBeCa, Silverdocs, Traverse City, Virginia, Hamptons, among dozens of others), and as a participant in the Sundance Film Forward program, with the US Department of State and with the American Film Showcase. It premiered on Valentine’s Day, 2012 on HBO, and has also been very successful in the VOD and Educational markets. James is a consulting editor to the Farmer Veteran Project and a creative advisor to Sundance darling, Private Violence. She was a consulting producer and pre-production researcher on location in the Dzangha-Sangha National Park in Central African Republic to the narrative feature Oka!. Other recent credits include Producer of The Good Fight and co-Producer of The Lord God Bird (both dir. George Butler). She served as Director of Photography and Editor on the 2003 documentary Brothers in Arms, featuring now Secretary of State, then Senator John Kerry. Her clients and collaborators include Revere La Noue, Rex Pix Films, Augusta Films, Roland Films, HBO, White Mountain Films, National Geographic, the Cornell Lab of Ornithology, Burt’s Bees, and others. James is a graduate of the M.A. Program in Documentary Film and Video at Stanford University, where she produced and directed four award-winning short documentaries, including Precipice, a national finalist for the 2002 Academy Award in the Student Documentary category. In 1999, she earned a BSFS with honors from the Walsh School of Foreign Service at Georgetown University, where she majored in Culture and Politics. She is fluent in French and speaks some Spanish, and has led tours for art museums, botanic gardens and cultural institutions around the world, including to France, Spain, Italy, Russia, Argentina, Mexico, Japan, Korea, Thailand and Vietnam. James has taught documentary filmmaking at Duke University's Center for Documentary Studies and as an artist in residence at the Oklahoma Arts Institute; she has also served as a guest lecturer for the State Department in Central Asia.
Revere La Noue -Director/Producer (USA) is a filmmaker and artist working on a wide array of creative projects all over the world. He is hellbent on pushing the frontier of visual storytelling in documentary through artful innovation and cross-collaboration. As a filmmaker, Mr. La Noue has collaborated with a wide range of organizations including National Geographic, NBC Sports, The New Yorker Magazine, The National Science Foundation, The National Institutes for Child Health and Human Development, The University System of Maryland, and Stanford University Medical School. He is proud that his work has made a strong social impact as an educational tool, a case for conservation, a vessel of inspiration for communities in need of support around the country, and as a medical resource saving lives on five continents around the globe. He worked with George Butler and White Mountain Films as a field producer of The Lord God Bird documenting the controversial search for the Ivory-Billed Woodpecker and as an editor and co-producer of The Good Fight, a verité exploration of the legacy of Bobby Bowden. He was the Art Director and Producer of In So Many Words, a southern gothic hybrid documentary by Elisabeth Haviland James and Thornapple Films. He served for two years as a creative advisor to HBO’s The Loving Story, which was short-listed for an Academy Award, won an Emmy and a Peabody Award in 2013. He is frequently called upon to consult with filmmakers, artists and business leaders to help refine their creative vision and develop alternative models of storytelling. As an artist, he has lived, trained, and worked in Washington, D.C., Palo Alto, NYC, and now operates from a private studio outside of Durham, NC. Shortly after finishing his graduate work at Stanford University, he launched his art business in New York City with a collection of his work featuring icons of American history and folklore. Within the first year, pieces from the series were hung in public and private collections in 42 states. In 2011, he was commissioned to create a four-story, 6500 sqft. fine art print of stampeding broncos that wrapped around the corner of a city block; it is the largest publicly displayed fine art print on record. In 2012, he exhibited his first solo show with paintings, prints, and photographs featuring dance and architecture in Buenos Aires, Argentina. His exhibition of experimental photography depicting the city of Detroit was part of a show at the Gerald R. Ford Presidential Museum that drew a record number 100,000 visitors in two weeks. In the spring of 2014, he unveiled Targyle: series one, a collaboration with renowned fashion designer Alexander Julian featuring five 10 ft tapestries, a 200 sq ft canvas, 15 original paintings as well as several prototypes for a line of men’s ties and women’s scarves. In the summer of 2014, he debuted a new show of paintings called EMOTICON, Feeling Unsimplified, made in collaboration with dancers and choreographers from around the country to explore the human silhouette as a highly nuanced communication device. Recently, in partnership with Duke University, he unveiled a 300 sq ft permanent installation featuring his impressionistic depiction of “Les Diables Bleus” a WWI era French military unit that inspired the University’s Blue Devil nickname. In winter of 2015, he exhibited a series of paintings inspired by his experiences with falconers in the United Arab Emirates at ART BASIL MIAMI. Revere La Noue has a Bachelor’s Degree from the College of Arts and Letters at the University of Notre Dame, where he played Division I Lacrosse. He has a Master’s Degree from the Documentary Film and Video Program at Stanford University.
Christopher Behlau - Executive Producer (USA, UK, Germany) is the founder and principle of Matter Films, LLC, headquartered in Los Angeles. Behlau’s passion for documentaries as fundraiser, cinematographer and producer has taken him across the globe from the blazing jungles of India and Bangladesh, where he worked with legendary documentary director George Butler (Pumping Iron) to film the making of and produce Tiger, Tiger, a feature documentary, previewing at the 2015 Full Frame Documentary Film Festival, which follows world renowned big cat conservationist, Dr. Alan Rabinowitz on perhaps his last adventure, into the Sundarbans - one of the least-known tiger habitats left on earth. Behlau’s latest project saw him produce, alongside editor/producer Elisabeth Haviland James, Althea (dir Rex Miller), a feature documentary about pioneering tennis icon Althea Gibson, which premiered in Fall of 2014 at DOC NYC, and was broadcast on the prestigious American Masters PBS series in September 2105. Behlau has also worked as a fundraising consultant and creative advisor on various projects, including Oscar nominated Cartel Land (dir Matthew Heineman), which won best director and cinematographer at the Sundance Film Festival in 2015, Citizen Koch (dir Tia Lessin/Carl Deal), which was nominated for the grand jury prize at the Sundance Film Festival in 2013, Golham (dir Mitra Tabrizian) and We are Many (dir Amir Amirani). Behlau graduated magna cum laude in International Business from Regent’s University London and aside from film production he is active in various other sectors where his work is largely concerned with the environment and fine art.


Nazriya Nazim is a south Indian actress who mainly acts in Malayalam and Tamil films. She was born on 20th December 1994 at Trivandrum. She made her film debut as a child artist in the film 'Palunku' directed by Blessy in 2006. She worked as a TV anchor before getting serious roles in films. She made her Tamil debut in 2013 through the film 'Neram' directed by Alphonse Putharen.


Kingston filmmakers muse on music videos
In June of 2022, a handful of Kingston recording artists were paired with local filmmakers to create videos for their songs. In this episode, host Johnny San talks to three of those filmmakers—Céline Klein of Jamstone Productions, Brent Nurse of bNice Films, and Jay Middaugh of Happy Kid Productions—about each of their video productions ahead of their premiere screenings during the Slaight Music Video Showcase at the Kingston Canadian Film Festival on March 4, 2023.
Music featured in this episode:
20:25 – Let’s Get It by KaKaow
23:00 – Old Conversations by Luella
Production by Tyton Sound.


In the fourth installment of the Star Wars TFA Resistance X-wing Pilot Costume, I’ll describe how I finished my 3D printed GLIE-44 blaster and provide detailed instructions on how to make a screen accurate holster using EVA foam. The GLIE-44 is a standard resistance blaster used by Poe, Finn, General Leia Organa, and other resistance pilots and troops in The Force Awakens and The Last Jedi. Continue reading “Star Wars TFA Resistance X-Wing Pilot Costume Part 5: GLIE-44 Blaster & Holster”
In this segment of the TFA Resistance X-Wing Pilot Costume tutorial, we suggest some readily available (and inexpensive) gloves and boots that can be easily transformed into screen accurate cosplay versions for your favorite pilot!
In this second part of our Resistance X-Wing Pilot costume tutorial, I show how I altered a readily available pilot flightsuit to create an accurate Star Wars pilot suit, just like Poe Dameron’s in The Force Awakens!
In this series we show how to assemble and complete all the parts for an accurate Resistance X-Wing Pilot Costume. These are the flight suits worn by Poe Dameron, Jess Pava, Snap Wexley, Ello Asty, and others Star Wars Characters in The Force Awakens.


کتاب The Disney Book: A Celebration of the World of Disney
Celebrate movie history and the world of Disney, from the animations and live action movies to the magical Disney parks and attractions, with The Disney Book.
Go behind-the-scenes of Disney's best-loved animated movies and find out how they were made, follow Disney's entire history using the timeline, and marvel at beautiful concept art and story sketches.
Perfect for Disney fans who want to know everything about the magical Disney world, The Disney Book delves into their incredible archives and lets readers explore classic Disney animated and live action movies, wonder at fascinating Disney collectibles and even see original story sketches from Disney films.
The ideal gift for Disney fans and animation and movie buffs, The Disney Book also includes 3 original movie frames from Disney Pixar's Brave.
منابع کتاب کتاب The Disney Book: A Celebration of the World of Disney


CEO and Lead Creative Producer of That Child Got Talent Entertainment
Faculty in the Business of Creative Enterprises Dept at Emerson College
Faculty at Massachusetts College of Art & Design
Faculty at Boston University
Nerissa Williams Scott is a film producer based out of Boston, MA.
She is a graduate of Hampton University, where she received a Bachelor of Arts degree in Fine and Performing Arts. She is also a graduate of Emerson College where she received her Master of Fine Arts degree in Film Production ’15 (emphasis on producing).
Over the past twelve years, she has produced and served as production manager for a variety of Documentaries/series, narrative shorts, Live Media Installation events, theatre productions, fashion films, TV series, and music videos. She has worked her way up to the position of Producer, Creative Producer, Director, UPM, and Line Producer. Her world travels have set her apart in the Creative Producer role.
Currently, Mrs. Williams Scott is the CEO/Lead Creative Producer of That Child Got Talent Entertainment, Boston, MA.
She is also an affiliated faculty member at Emerson College in the Business of Creative Enterprise department, where she teaches on the undergraduate and graduate levels.
She is an adjunct faculty member at Massachusetts College of Art & Design, where she teaches undergraduate & graduate-level courses.
She is affiliated faculty at Boston University where she teaches Creative Producing.
Mrs. Williams Scott was awarded the LEF Foundation Fellowship to attend the Flaherty Seminar in upstate New York in 2018 as well as the LEF Development Grant for the experimental feature documentary, “Paradise” with director Gabby Sumney.
She has made it to the final rounds of the Creative Capital granting process.
She is the Vice President of the Board of Directors for Women in Film and Video New England. She is also the Chair of the Events and Programming Committee for the Board of Directors of Women in Film and Television International.
Her most prized position is serving as the Creative Director of Sarah’s Hope Charitable and Educational Foundation in Lufkin, Texas.
As CEO of That Child Got Talent Entertainment, Nerissa has created a company that serves as a bridge for women who are recent college grads to gain employment while serving the greater community through teaching youth as well as elders.
Her favorite quote, “The ongoing forward momentum of TCGT has provided the avenue that lays poise for the women we provide the opportunity to wow the world with brilliance!”
GET IN TOUCH WITH NERISSA


By Hayden Wright
Jay Z will embark on two creative projects based on Trayvon Martin’s life and death: a film and a documentary TV series.
He’s working with The Weinstein Company, which has acquired rights to the books Suspicion Nation: The Inside Story of the Trayvon Martin Injustice and Why We Continue to Repeat It and Rest in Power: The Enduring Life of Trayvon Martin. The former describes the legal fallout of Martin’s death at the hands of an off-duty police officer (who was acquitted), while the latter explores the man’s life and family.
Last year, Jay-Z signed an exclusive deal with the production company to create and produce projects for film and TV, reports the Hollywood Reporter.
The Trayvon Martin film will likely take shape as a scripted drama (based on Rest in Power) while the docuseries (which has yet to find a network) will delve into the legal situation recounted in Suspicion. Rest in Power was written by Martin’s parents.


One of the best British theatrical traditions is Pantomime, the joyous entertainment for all the family.
Pantomime is the first experience that children have to enter the world of theatre and it is a duty to make sure that they are smitten and become passionate theatre goers for their whole lives.
Stageworks have been producing pantomimes for over 20 years and have worked with some of the top named Artistes, Directors, Choreographers and Writers in the country all with the same passion for pantomime who have produced them all over the UK.
Providing a full production of any subject is no problem for Stageworks, with our costume and technical departments at hand to provide sets, props and lighting, and some of the best pantomime costumes to date.
Sharp cleaver and witty scripts that make you laugh, giggle and even cry but always telling the story.
Strong and creative Choreography and visual Direction to the highest standard.
This all helps make a tailored production to suit each individual theatre.
Stageworks prides itself in only providing the best pantomime for you.
To talk to us about putting on a world class Pantomime at your venue, please fill in the form below.


Life is the moment when the Swedish Director Daniel Espinosa, 40, jumps off from the safe haven of a typical actor-driven genre movie and takes control. In Life, a team of scientists aboard the International Space Station and travel to find existence on Mars only to find that the planet is inhabited by one hostile space octopus. If that sounds too generic (or cheesy?), don’t worry, the film is bigger than the slimy crawler and the simple premise; it’s the directing, acting, editing, filming and, of course, the script that makes this bad boy a winner. You need to login to view the rest of the content. Please Login. Not a Member? Join Us Contribute to the discussion Be the First to Comment! Notify of new follow-up comments new replies to my comments You must be logged in to post a comment. You must be logged in to post a comment.


Filmmaking requires solid planning. A fully realized screenplay, a clear visual strategy, and a well-organized, passionate cast and crew.
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Rose Courtney (Playwright) is a writer and performer whose first play, MET, was produced at Circle Rep LAB under the direction of Peg Denithorne. Her vaudeville comedy, CYCLE, for which she also created original music with composer/multi-instrumentalist Rachel Kaufman, was a finalist in the New Works of Merit Playwriting contest and has been produced at the Cherry Lane Studio Theatre and the New York International Fringe Festival. With Project 400 Theatre Group, Rose has collaborated on the creation of many original works, all directed by Diane Paulus. She has also written stand-up comedy, which has been performed at venues such as Caroline's, The Improv, Stand-Up New York, and The Duplex. Her theatre acting credits include roles in classical and modern plays at George Street Playhouse, Lincoln Center Directors Lab, Ensemble Studio Theatre, Hudson Valley Shakespeare Co. and others. Rose's film credits include Stepford Wives, Gestation (Avignon Film Festival), Artemin Goldberg (Hollywood Film Festival), Love Conquers, Whigmaleerie, and Love Is Real which will be released this year. On television, she has played recurring roles on Guiding Light, As The World Turns, and Ghost Stories. Rose is a graduate of Vassar College and New Actor's Workshop's two-year professional training program. She is currently writing a stage adaptation of the Isak Dinesen story Babette's Feast for production in January 2010.
Rachel Kaufman (Composer/Music Director/Musician): is a multi-instrumentalist who has music directed and/or played for over 200 musicals and cabaret shows all over the world. Credits include: Off-B'way: Schoolhouse Rock Live!, Gifts of the Magi, Ebony Black (Composer), and The Ambition Bird (w/Victoria Clark); Tours: Rent (Japan), Phantom of the Opera (Europe), Ain't Misbehavin', Sophisticated Ladies, Golf: The Musical, and Chicago City Limits (improv); Regional: Tom Jones - The Musical (North Shore Music Theater), The King and I (Westchester B'way), and Hallelujah Baby! (directed by Arthur Laurents). She can also be seen playing for auditions, classes, at restaurants and piano bars, and in the orchestra on cruise ships during the summertime. Rachel holds a B.A. in Music (and Russian) from the University of Chicago.
Craig Carlisle (Director): New York directing credits include: Liz Tuccillo's Joe Fearless at the Atlantic, Rose Courtney's Cycle at the Cherry Lane Studio, Sam Catlin's Sea of Terror at Ars Nova, Jessie McCormack's Spine at The Bosakowski at Primary Stages; Spring Awakening at New York Performance Works; Oren Safdie's Private Jokes, Public Spaces at La MaMa and Charles Evered's Adopt A Sailor for the Brave New World 9-11 Tribute at Town Hall, as well as dozens of workshops and readings at various venues including Naked Angels, EST and the Westbeth Theater Center. He has also directed over two dozen productions in Los Angeles, most recently Strindberg's Miss Julie at The Lillian. Craig has written projects for Edward Burns' Marlboro Road Gang, Oxygen Television, Film Roman, BBC/National Geographic, Calista Flockhart's CalWeb Productions and the HBO/Aspen Comedy Festival and his plays have been staged in New York, LA, Chicago, Seattle and Miami. He most recently wrote and directed his first feature film, "Bob Funk", with a cast including Rachael Leigh Cook, Stephen Root, Eddie Jemison, Grace Zabriskie and Amy Ryan, and is currently developing a film project for Hi-Def Entertainment and writing for the new Disney children's show "Jungle Junction."
For six seasons, Craig served as curator and host of the popular Naked Angels Tuesdays@9 Reading Series in New York. He is Artistic Director of the Steel Town Coalition in Los Angeles and a member of The Writers Group in New York.
Craig holds a Master of Fine Arts degree from The Dramatic Writing Program at New York University, and a Bachelor's Degree in Acting from Indiana State University.
Laura Sheehy (Choreographer) is currently choreographing a show in the Live Nude Play series at The Public Theater and another new work, Call Me Ann, at the Access Theater. Prior to that she choreographed In Search of Cleo for Gina Gershon at The Box, NYC. Theater: Hair (East Village Fragments at The Public Theater), The Baby Janes (La Mama), Cycle (The Cherry Lane), Joe Fearless: A Fan Dance (Atlantic Theater Company), The Kit Kat Girl Revue (The Zipper Theater), The Philosopher's Joke (Workshop Theater); TV: Saturday Night Live, NBA All Star Game, NBC fall promo campaign, MTV Road Rules; Film: Glow Ropes: The Rise and Fall of a Bar Mitzvah Emcee. She just performed in Terry Beeman's Mental Head Circus in Hollywood and has worked on Broadway, off Broadway and in film and TV. She is a graduate of New York University.
Karen Flood (Costume Designer): has been designing costumes for theatre, film, advertising and television since 1996. Her clothes have appeared on Sex and the City, the original production of Urinetown, the History Channel, commercials and many independent films. She is the costume designer for playwright Kirk Wood Bromley and a company member of Inverse Theater. She is the recipient of a 2002 ACE award for Best Costumes.


Samurai is a 2002 Tamil language film directed by Balaji Sakthivel and produced by S. Sriram. The film featured Vikram in the title role, while Anita Hassanandani, Jaya Seal and Nassar played supporting roles. Harris Jayaraj scored the film’s music, while Sethu Sriram handled cinematography. Originally launched in 2000, the film went through production delays ..
Thaanaa Serndha Koottam (English: A gang formed by itself), is a 2018 Tamil-language heist film written and directed by Vignesh Shivan and produced by K. E. Gnanavel Raja. The film is an adaptation of the 2013 Hindi film Special 26, which was inspired by the 1987 Opera House heist in Mumbai. The film stars Suriya ..
When few members from the medical profession are being murdered or kidnapped, it all gets traced backed to Dr. Maaran who explains the motive behind the mysterious deaths, and his life-long mission to abolish corruption in the medical industry. Maaran encounters his long lost brother Vetri who reveals that he is being targeted by a ..
Nenjil Thunivirundhal (English: If You Dare), titled as C/o Surya in Telugu, is an upcoming Indian bilingual action drama film written and directed by Suseenthiran. Shot in Tamil and Telugu, the film features Sundeep Kishan, Mehreen Pirzada and Vikranth in the lead roles, with Soori and Harish Uthaman also in a pivotal role. Featuring ..
Aval is a trilingual Indian horror film co-written and directed by Milind Rau. The film stars Siddharth and Andrea Jeremiah in lead roles, with Siddharth also working on the film as a co-producer and a co-writer. [Note–Image Has been Re-sized But the actual size is mentioned in MediaInfo] DOWNLOAD Kaarigai Kanne
Ippadai Vellum is an upcoming Tamil action comedy film written and directed by Gaurav, starring Udhayanidhi Stalin and Manjima Mohan in the leading roles, with Daniel Balaji, R. K. Suresh and Soori in supporting roles. [Note–Image Has been Re-sized But the actual size is mentioned in MediaInfo] DOWNLOAD Kulebaa Vaa
Katha Nayagan (English: Lead Hero) is a 2017 Indian Tamil romantic action comedy film written and directed by Tha. Muruganantham. Produced by Vishnu, the film also features him in the lead role alongside Catherine Tresa. There is a guest appearance of Vijay Sethupathi in the film that makes it even more special for the audience. ..
Meyatha Maan (English: Deer which doesn’t graze) is Indian Tamil language romantic comedy film directed by Rathna Kumar. It stars Vaibhav Reddy and Priya Bhavani Shankar in the lead roles. The film is believed to be inspired from the short film ‘Madhu’ [Note–Image Has been Re-sized But the actual size is mentioned in MediaInfo] DOWNLOAD ..
Podhuvaga Em Manasu Thangam (English: Generally my heart is gold) is an Indian Tamil language action romantic comedy thriller drama film written and directed by Thalapathy Prabhu, starring Udhayanidhi Stalin and Nivetha Pethuraj in the leading roles, with Parthiepan and Soori in supporting roles. The film began production during September 2016 and was released on ..
Karuppan is a 2017 action thriller film written and directed by R. Panneerselvam, starring Vijay Sethupathi, Bobby Simha and Tanya in the leading roles. The film began production during January 2017 and released on September 29,2017. [Note–Image Has been Re-sized But the actual size is mentioned in MediaInfo] Karuva Karuva Payale Murukkumeesa Maama
Spyder is a 2017 Indian bilingual spy thriller film written and directed by AR Murugadoss simultaneously shot in Telugu and Tamil languages. Produced by N. V. Prasad, and Tagore Madhu, the film features Mahesh Babu and Rakul Preet Singh in the lead roles. Harris Jayaraj is the music director and Santosh Sivan is the cinematographer ..
Ivan Thanthiran (English: He is a Strategist) is a 2017 Indian Tamil action comedy film written and directed by R. Kannan. The film features Gautham Karthik and Shraddha Srinath in the lead roles, while S. Thaman composes the film’s music. [Note–Image Has been Re-sized But the actual size is mentioned in MediaInfo] DOWNLOAD Dagalty Ivan ..


Rolf Barth, born in Bad Kreuznach, is a theater scholar, theater artist, teaching assistant and the author of film scripts and children’s books. He trained as a bank clerk and studied theater studies, German studies and political sciences at the Freie Universität Berlin. Afterwards, he spent many years as a teaching assistant at various universities. Barth also worked as an author for broadcasting companies as well as independent theaters. Since 1995 he has worked as a script and concept writer for various clients, focusing on series development, historical subjects and projects for children.


RYE, N.Y. -- Happy Birthday to Rye’s Sean Young!
Sean Young, who owns a house in Rye, turns 54 Wednesday.
Young, an actress, best known for her performance in films from the 1980s, such as "Blade Runner," "Dune," "No Way Out" and "Ace Ventura: Pet Detective," was born Nov. 20, 1959, in Louisville, Ken.
Young began her film career in 1980 in the film "Jane Austen in Manhattan," followed by a small role in the 1981 film "Stripes." She played the female lead opposite Harrison Ford in the futuristic classic "Blade Runner" (1982). She also had a small role in the film "Wall Street" as the wife of Michael Douglas' character. Her role originally was intended to be larger, but allegedly was significantly reduced due to clashes with Oliver Stone.
One of her most prominent roles was as the lover of a ruthless Washington politician in 1987's "No Way Out," playing opposite Kevin Costner. Other notable credits include "Fatal Instinct," and "Baby: Secret of the Lost Legend."
She was cast as Vicki Vale in Tim Burton's successful 1989 film "Batman," but during rehearsals, however, she broke her arm after falling off a horse and was replaced by Kim Basinger.
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Its that time of year when film royalty and society’s whose who descends on the tiny French city of Cannes for the Famed Festival. Started in 1946, the festival previews films from around the world in many different genres. Although the films take centre stage, the red carpet is eagerly anticipated as one of the hottest of the year. Film stars rub shoulders with models and musicians, all in the latest couture looks from the world’s best designers.
Here we take a look at some of our favourite looks from the festival and our red carpet ready looks on offer at The Volte. Sequins were huge as well as layers of frothy tulle. Leather made an appearance in metallics and blacks, as did statement shoulders.
Take a look at our Cannes Red Carpet Inspired looks!


“Angela’s Christmas” is a heartwarming and delightful short animated film released in 2017, set in Limerick, Ireland, in the early 1900s. The film is based on a children’s story written by Frank McCourt, who is best known for his Pulitzer Prize-winning memoir “Angela’s Ashes.” While “Angela’s Ashes” delved into the harrowing experiences of the author’s childhood, “Angela’s Christmas” offers a lighter and more endearing look at a brief moment from that period.
Here’s a review of the film:
Plot and Storyline: “Angela’s Christmas” centers on a young girl named Angela, who, after attending a Christmas Eve church service with her family, is moved by the sight of the baby Jesus in the nativity scene. She believes that the baby Jesus is cold, and her ensuing actions to ensure He stays warm lead to a series of touching and sometimes comedic events.
The film is relatively brief, but it brilliantly captures the essence of childhood innocence, the spirit of Christmas, and the idea of kindness without expecting anything in return. It’s a simple story, but one that’s told with a lot of heart.
Animation and Artistry: The animation is beautifully done. The character designs are charming, reflecting the time period accurately while retaining a certain whimsy. Limerick’s streets and houses are recreated in a manner that’s both atmospheric and nostalgic. The palette used in the animation is warm, complementing the sentimentality of the narrative.
Voice Acting: Lucy O’Connell, who voices Angela, brings an authentic innocence to the character, capturing the wide-eyed wonder of childhood. The supporting cast also delivers commendable performances, ensuring the characters feel genuine.
Music and Soundtrack: The musical score for “Angela’s Christmas” is evocative and complements the film’s themes perfectly. It’s neither overbearing nor understated, striking just the right balance to tug at the heartstrings.
Overall: “Angela’s Christmas” is a gem of a film that serves as a poignant reminder of the simple joys and innocence of childhood, as well as the true spirit of the holiday season. It’s a short watch, but it leaves a lasting impression, making it a wonderful addition to anyone’s Christmas movie lineup. Suitable for all ages, this is a film that will resonate with both children and adults alike.


In this episode my guest is author and investigative journalist David Icke. David has written over 20 books, made numerous DVDs and lectured in over 25 countries. He is most known for his conspiracy theories, but as far as I am concerned his greatest message is his wish for people to wake up and fill their hearts with love.
Renegade is the first ever feature film about the life and work of David Icke and it’s coming out later this month. See trailer below and or go to his website: www.davidicke.com
Music featured in this episode:


2011 Award Winners!
The winners of the 2011 Aphrodite Cinefest International Film Festival have been announced. The Grover Complex won Best in Festival for a feature film and The Rules won Best in Festival for a short film. A complete list of winners in all categories is now available. Congratulations to all the award winners!
View photos from the 2011 Aphrodite Cinefest International.
World Premiere Event!The 1st annual Aphrodite Cinefest will host the World Premiere of Twitchy Dolphin's feature film Snatch 'N' Grab.
Visit the Word Premiere page for more information and to view Snatch 'N' Grab trailer.
This year's official selections include Trasharella, starring and directed by the talented Rena Riffel. Rena Riffel has stared in feature productions such as Mulholland Dr., Showgirls, and Striptease.
Our Official Selections page has other films and videos that have already been selected to show at Aphrodite Cinefest International. Between now and February 4th, other Official Selections will be annouced daily, so check back often!
Film Distribution Agreement
In an agreement with UBFilm, feature films and short films offically selected for Aphrodite Cinefest International will be offered the opportunity to distribute their film through upcoming UBFilm's digital download portal. Launching this spring, UBFilms will give independent filmmakers access to a wide range of services including digital distribution, marketing services and refunding resources.


All Night Long I Remember You
They fell in love when their past wouldn't have allowed them to. Two friends crossed the boundaries of a horizon where only a few had gone. Those who survived vowed never to return again. Will the future be kinder?
A wedding proposal, an upcoming promotion, a lifestyle to die for—a woman’s dream come true. But not for Ella. Somehow, somewhere she knows she is missing out on something. That something which the picture-perfect of what the moment has to offer cannot quench the thirst for what she calls life. Loving life amidst the imperfections for being real…
Me Without You
Who wants to live forever? And yet who wants to die young? When Jonah Blood discovers she has the power to heal, she seals her fate by healing Xavier, the boy she fell in love with even if she will have to live forever as a consequence. For Xavier, he would rather want to die young and be with Jonah in the after-life than live longer and lose her forever.
NOT QUITE GODLY
She hails from hell even if she longs for heaven. Half of the earth needs her. When Michaela discovers she has an evil nature, she trains to vanquish her evil self along with the other half of the earth who wants her dead. As Michaela trains from being a supernumerary character to the prototype of a villain, will she end up saving the day and finding love?


Fran is a writer, filmmaker and voice actor from Leicester, UK. After completing their MPhil in Sociology at the University of Cambridge in 2018, they relocated to Berlin to focus on finishing their first collection of horror stories. Fran has written for journals, worked on poetry, short stories, essays, and letters. Fran has since co-founded OVERLOOK Pictures, where they wrote and directed their first film, THE LINE, currently in post-production. Alongside film making, Fran is a sex education activist and campaigns for the protection of sex workers’ rights.


The New Art Gallery in Walsall has teamed up with the Birmingham Rep and are looking for budding young actors to take part in a theatre performance inspired by art.
A 10-week programme will enable youngsters aged between 11-14 to work alongside a professional theatre director, learning script writing, physical theatre and scenography, before bringing it all together for a grand finale performance.
The programme takes place between 22 February- 21 March 2024 after school each Thursday and costs £50 per person with full and part bursaries available to those eligible for free school meals.
“This is a fantastic opportunity offering an invaluable experience for the next generation of actors and theatre makers, as well as a chance for young people to express the things they are passionate about,” said Councillor Gary Flint, Portfolio Holder for Wellbeing, Leisure and Public Spaces at Walsall Council.
To express an interest, please email Trixie Suen, Community & Young People Engagement Coordinator, The New Art Gallery Walsall at Trixiebella.email@example.com.


br>THIS IS FAN MADE by me and my production team. Synopsis: When Drew's daughter begins suffering from.
THIS IS FAN MADE by me and my production team. Synopsis: When Drew's daughter begins suffering from.
This page is a candidate for speedy deletion. The reason given is: Not a real horror movie.. If...
NIGHTMARE: RETURN TO ELM STREET Official Trailer (2018) Freddy Krueger Horror Movie HDbr>The million dollar question still stands for anxious FredHeads everywhere; Will we see a Nightmare on Elm Street reboot in 2018? Let's talk.
A Nightmare on Elm Street Reboot #2: A second remake of the original Wes Craven horror classic is being planned at New Line.
Nightmare: Return to Elm Street. 4713 likes · 97 talking about this. This project is set into place to release three fan trailers to help build interest...
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A Nightmare on Elm Street Part 4 | SCREAMFEST
Domonic Smith. Published on 7 Ara 2017. THIS IS FAN MADE by me and my production team.
Nightmare: Return To Elm Street Is The Fan Film Studios Need To Watch. This fan film is in 3 trailers and shows what Nightmare On Elm Street fans want to see in the future from Freddy Krueger.
Nightmare: Return to Elm Street (2018) - IMDb
Update: Robert Englund wants to return to Elm Street as Freddy Krueger | Consequence of SoundAs sure as the sun will set and teenagers will make bad decisions when being pursued by a maniac, another famous horror franchise is undergoing a reboot. Last week, it was revealed that New Line Cinema wants to start over with the Nightmare on Elm Street series. New Line, which found such success ...
Multiple attempts to get a new Friday the 13th made have stalled, and 2010's Nightmare on Elm Street remake was so poorly received that it seemingly killed the franchise dead. While a new Halloween is coming in 2018 – and a new Chucky flick hits Blu-Ray in October – those are the exceptions that prove.
Nightmare in elm street 2018With Halloween just around the corner, it seems like a perfect opportunity to toss around some casting ideas for a horror movie favorite.
Sooner or later we'll be getting new versions of durable killers Jason Voorhees and Michael Myers in reboots of FRIDAY THE 13TH and HALLOWEEN, but those malicious figures nightmare in elm street 2018 much more of an imposing presence than personality.
An update of Universal's WOLF MAN has been in the works, but the performance of 's THE MUMMY may have put the hairy howler on the shelf for a link longer.
But there's also the guy who is arguably the most charismatic horror movie murderer of them all, and : the wisecracking razor-fingered slasher Freddy Krueger.
Frederick Charles Krueger or "Freddy" to his victims was first introduced in filmmaker 's creepy 1984 classic A NIGHTMARE ON ELM STREET as a crispy-skinned, fedora-topped serial killer who stalked his prey in their dreams, resulting in their vividly gruesome deaths in reality.
Played with zealous malevolence bythe disfigured Freddy carved his way through eight feature continue reading and hosted the TV anthology "Freddy's Nightmares" over nearly two decades, cutting up various teenagers and other casualties before emerging into the "real" world in 1994's meta Hollywood NEW Nightmare in elm street 2018 and ultimately facing the infamous hockey-masked butcher in 2003's FREDDY VS.
The scorched "bastard son of a hundred maniacs" was resuscitated in a 2010 remake of A NIGHTMARE ON ELM STREET, with Jackie Earle Haley nightmare in elm street 2018 on the red-and-green striped sweater as the burned murderer.
The reboot jettisoned the witty quips of Englund's portrayal to engage in more straightforward slaughter and terror, but it wasn't exactly embraced by critics or horror fans.
Although profitable, that humorless version produced by 's Platinum Dunes production company didn't prompt a direct sequel.
Instead, it looks like we'll get with a new story from screenwriter David Leslie Johnson ORPHAN and upcoming THE CONJURING 3.
So who should swing the bladed glove as the iconic mangler with the penchant for post-carnage zingers?
Many fans would surely love to see return to the role he personified, but the 70-year-old actor may not be spry enough to rejuvenate the franchise read article another tenure.
For some other suggestions, would also be perfect for a menacing mass murderer who can drop bodies and wry one-liners with equal ease.
His "Justified" rival knows his way around horror and also exudes a wicked charm for such an alternately amusing and frightening role.
Let us know below who you think would kill it as a new Freddy Krueger!
As for the previous column, many were reluctant to see anyone other than in the role ofwhile others preferred to see X-23 from take over the mantle someday.
But there were some interesting suggestions for actors to take over as the famous adamantium-clawed mutant: 1.
Zach McGowan "Black Sails" © 1998 - present Joblo Media Inc.
All movie titles, pictures, etc.
Nightmare: Return to Elm Street (2018)
New Nightmare on Elm Street Reboot Reportedly Still in Development - Horror Movies
NIGHTMARE ON ELM STREET 2018 TEASER : nightmareonelmA Nightmare on Elm Street is an American horror franchise that consists of nine slasher films, a television series, novels, and comic books. The franchise began with the film A Nightmare on Elm Street (1984) created by Wes Craven. The franchise revolves around the fictional character Freddy Krueger, a former child killer ...
Watch A Nightmare On Elm Street movie trailers, exclusive videos, interviews from the cast, movie clips and more at TVGuide.com.
'FredHeads' Documentary Shines Light on 'Nightmare on Elm Street' Fandom. FredHeads The Documentary | Long Teaser 2018. In a time where slashers reigned supreme at the box office, Nightmare on Elm Street involved more fantastical elements, as well as featured a career-making performance ...
Robert Englund has confirmed that he won't play A Nightmare on Elm Street's Freddy Krueger ever again.


Directed by Vanessa Morosco
Adapted by Vanessa Morosco & Peter Simon Hilton
The workplace of producing Hamlet presents challenges for gender equity: less than 10% of the words are spoken by a female character and we committed to increasing that statistic. But Equity is not the same as equality, and HAMLET 50/50 is more than an equal division of lines, it responsibly adjusts the gender identification of certain characters always adhering to the structure of Elizabethan England and rebalances the power of the play by placing a woman at the helm of Denmark, inspired by Queen Elizabeth I and her court. As always, we consulted with leading academics in early modern English drama to ensure HAMLET 50/50 was authentically in the spirit of Shakespeare's work.
HAMLET 50/50 retains all Shakespeare's most famous lines - but perhaps spoken by someone new:
HAMLET: "O that this too too solid flesh..."
OPHELIA: "To thine own self be true..."
HAMLET: "Words, words, words..."
LADY HORATIO: "What a piece of work is a man..."
GERTRUDE: "How all occasions do inform..."
LADY HORATIO: "Speak the speech, I pray you..."
HAMLET: "I must be cruel only to be kind..."
LADY HORATIO: "Alas, poor Yorick..."
HAMLET: "The readiness is all."
OPHELIA: "To be or not to be..."


When I was younger, waking up and getting ready for school consisted of a bowl of cereal, getting dressed, and watching an episode of Power Rangers. Power Rangers was a show that my generation defines as one of the most spectacular shows of our youth. So, needless to say, I was over the moon when the announcement of Saban’s Power Rangers was hitting the big screen. This past Friday, I had the opportunity to sit in the wonderful Gem Theater and watch the film.
Power Rangers is a movie about a group of misfit high-school students, who discover alien coins that infuse them unique superpowers. With their newfound powers, they learn they were destined to save the world from an ancient alien named Rita Repulsa.
The film’s plot was generic but unique at the same time. The movie felt like a modern day The Breakfast Club collided with Marvel’s Avengers and Transformers. Meaning the film dealt with issues teens struggle with in today’s society such as bullying, social media, amongst others on top of having a superhero team up and over the top explosions with giant robots.
One of the great things about the story was the new approach the storytellers took on the origins of the characters. In the original television series, there weren’t too many origins to the teenager heroes or the villains involved. It was mainly just the kids get the powers and fight monsters, but in this new incarnation, they tackle some major back-story and why they were picked to defend the earth. The only problem with the film’s story was it’s pacing. The film started off very strong, but as it progressed, it began to rush key elements of the story making the character development cheesy and leaving minor plot holes.
The performances were strong, but some parts were rushed making the dialogue corny and not genuine.
I had read previously that Elizabeth Bank’s take on Rita Repulsa was too extreme, but I disagree. I felt like she did a fantastic job. Her take blended elements of what I would expect an alien witch would be like. Plus, she added elements of how Rita acted in the original series. It was the perfect blend.
Though, I felt the movie started off strong and with it’s serious tones, but then began to get campy and cheesy toward the end of the film, all in all it was a good movie. I do hope for more sequels. I give Saban’s Power Rangers a 3 ½ out of 5 stars.


The Importance of Being Earnest is a play that I have loved since I first read it years ago. I most recently reread it through a read-a-long at Unputdownables and, I am happy to report, it is every bit as witty and charming as it was then. But, thanks to the discussion, I got a lot more out of it this time around.
The satire that Wilde presents is funny yet cutting. While I of course noticed the obvious social satire upon my first reading, this time I picked up on many other points that Wilde is making (this is exactly why I love Wallace’s read-a-longs; intelligent, articulate participants shed light on new ideas each week). He points out the arbitrariness of religion, the changing whims of women in society, and the interactions between generations. But all the while, he maintains the lighthearted tone of the play, keeping the humor going and using what would normally be tense situations as comedic episodes (case in point: when Cecily and Gwendolyn think they are engaged to the same man).
Another realization hit me while reading this play: All of the commentary that Wilde is making about society, religion, and relationships is put forth entirely through dialogue. Now, I know what you are thinking. No shit, Sherlock, it’s a play. Right? Yes, it’s a play, I understand that. But it’s also a play with no narrator, no third person explaining the actions of the characters or their back story. In fact, the stage notes are even fairly limited. The great impact that Wilde has is created almost entirely through dialogue.
I’ve read countless plays and novels, and, although I have also known that these are very different mediums, the extent to which they differ never really hit me until this particular reading. Wilde’s ability to create engaging, sharp conversation is amazing. The dialogue and the ideas that he presents fit together like a puzzle, building until the whole picture, to continue the simile, is revealed at the end of the play.
For anyone who hasn’t read The Importance of Being Earnest, I highly recommend it. This play is hilarious, it’s accessible, and it’s a great choice for readers who enjoy a variety of genres.


William Shakespeare (1564-1616) Likewise when Ophelia actually goes mad, she too speaks in prose (when she’s not singing). Forget Snapchat as a romantic gesture. Shakespeare preferred to use verse when he was tackling serious themes, and prose when he was writing comedy, so in Hamlet he switches often, sometimes in the middle of a scene. First performed around 1600, Hamlet tells the story of a prince whose duty to revenge his father’s death entangles him in philosophical problems he can’t solve.Shakespeare’s best-known play is widely regarded as the most influential literary work ever written. One reason Hamlet has more prose than most of Shakespeare’s tragedies is that Hamlet spends a large part of the play pretending to be mad. The Winter's Tale. William Shakespeare’s work transcends cross-cultural boundaries and builds bridges of literacy between people all over the world. Shakespeare’s father, John, dabbled in farming, wood trading, tanning, leatherwork, money lending and other occupations; he also held a series of municipal positions before falling into debt in the late 1580s… Often considered the greatest drama of all time, the play tells the story of the troubled titular prince of Denmark. Hamlet begins the third sentence with a thought about his mother, but interrupts himself after two words to compare her unfavorably to “a beast” who “would have mourned longer.” Then, instead of returning to his original thought about his mother, Hamlet concludes by reflecting on the vast dissimilarity between his father and Claudius. Handwritten notes are where it’s at. In shakespeares case it is Elizabethan language which was used in Denmark which is the setting of the book. This means that his speech has less philosophical gravitas, but remains fluent, full of rhetorical flourish, and characterized by interruptions of thought. However, Shakespeare was very innovative, adapting the existing writing style to suit his own purposes and ways of writing. Hamlet adopts yet another style when he’s in the company of others. He even inserted comic relief into his darkest tragedies, like Macbeth and Hamlet. At least one play, now lost, about the Danish prince who avenges his father’s murder had already been performed on the English stage, successfully enough to be casually alluded to by contemporary writers, as if everyone had seen it or at least knew about it. Shakespeare updated the simplistic, two-dimensional writing style of pre-Renaissance drama. Second, he includes dashes to indicate quick interruptions of thought. This monologue continues for nearly 35 lines, in which Hamlet pontificates on the suffering inherent in existence and considers the pros and cons of committing suicide. Shakespeares genre was historical fiction. When Claudius refers to him as “my son,” Hamlet replies somewhat aggressively: “A little more than kin, and less than kind” (I.ii.65). In other moments of solitude Hamlet’s style proves less blatantly philosophical but equally discursive. His switch to prose shows us that Hamlet is no longer thinking clearly, and we understand that Ophelia has surprised and upset him. Although he still demonstrates his wit through his command of language, Hamlet’s interactions with others often feature a kind of double-speak in which he conceals his own meaning. From any act is fine. He frequently does this in Polonius's presence by feigning madness. It is because the Bard made them seem real and human, but flawed that he was able to do this. The cunning writing style Shakespeare employs particularly for the play's lower-class characters retains balanced syntax in that simplest of archetypal character: the fool, or in "Macbeth's" case, the porter. In Act III, Scene 1, Hamlet begins by speaking in verse. But more than that, the play showed that Shakespeare had some serious intellectual prowess as well. Style--the way the author expresses his ideas in a story or play. Shakespeare updated the simplistic, two-dimensional writing style of pre-Renaissance drama. Hamlet's use of the word “kind” has a double significance here. Order our Hamlet Study Guide. Shakespeare was a profound writer, and Hamlet is considered to be his most prolific writing, and is a favorite among the readers. In addition to meaning “considerate,” it also means “natural.” Hamlet therefore indicates that Claudius’ behavior has been inconsiderate and unnatural, which makes him not a true member of Hamlet’s family. Shakespeare is most commonly known for his writing style. Quizlet flashcards, … Its appeal has not lessened over time. His birthday is traditionally celebrated on April 23, which was the date of his death in 1616 and is the feast day of St. George, the patron saint of England. Sometimes he worked from the stories of comparatively recent Italian writers, such as Giovanni Boccaccio—using both well-known stories (Romeo and Juliet, Much Ado About Nothing) and little … Designed by GonThemes. Get an answer for 'I need an example of style in Shakespeare's play Hamlet. In Shakespeare’s writing, metaphors and similes may make some passages more difficult to understand. Hamlet Hamlet Critique Hamlet, a play by William Shakespeare, was written in approximately the middle to late 1590's, while Shakespeare's work was flourishing, and his company was putting up the Globe Theater. Shakespeare preferred to use verse when he was tackling serious themes, and prose when he was writing comedy, so in Hamlet he switches often, sometimes in the middle of a scene. Shakespeare also heavily used puns, double meanings, and malapropisms for comedic effect. Rosencrantz and Guildenstern, the gravedigger and often Hamlet himself all make jokes, while Polonius has jokes made at his expense in almost every one of his scenes. Hamlet is perhaps the most famous example of this. We look at three instances of love letters in Shakespeare’s plays: Orlando’s love poems to Rosalind in As You Like It, Hamlet’s passionate missive to Ophelia in Hamlet, and Proteus’s romantic letter to Julia in The Two Gentlemen of Verona.. As You Like It Shakespeare wrote about people who seemed real instead of using stock characters as was common in the theater during his days and in the generations that came before it. In terms of production, Hamlet has three major movements: Movement One (I.i-I.v). For example, whenever he’s alone, or thinks he’s alone, Hamlet speaks patiently and at length, and his words frequently take on a philosophical quality. After Hamlet, Shakespeare varied his poetic style further, particularly in the more emotional passages of the late tragedies.The literary critic A. C. Bradley described this style as "more concentrated, rapid, varied, and, in construction, less regular, not seldom twisted or elliptical". William Shakespeare altered his writing style significantly between his first play (1590-92) and his last (1613). Shakespeare’s works are broken up into four periods that span from 1595-1613, and each contains a new writing style. The Winter's Tale. Hamlet, tragedy in five acts by William Shakespeare, written about 1599–1601 and published in a quarto edition in 1603 from an unauthorized text. In Hamlet—like in most of Shakespeare's plays—the nobles typically speak in unrhymed "iambic pentameter" (also called "blank verse"). The gravity of his subject matter and the philosophical weight of his diction reveal the heavy burden of sadness he carries from the very beginning of the play. During the first period, up to 1595, Shakespeare wrote extravagant plays such as Romeo and Juliet and used older plays as a basis for his work. But perhaps the best example of Hamlet’s double-speak is his first line in the play. Handwritten notes are where it’s at. HAMLET’S STRUCTURE: Like most of Shakespeare's plays, the act divisions of later editions of Hamlet have little relation to the play's structure, and there is no break between some scenes. These each depict different events that were happening at the time. William Shakespeare. But then he cleverly reverses this claim. William Shakespeare Writing Styles in Hamlet. "Gertrude" "Marcellus" "Horatio" "Claudius" What sources might Shakespeare have drawn on to write Hamlet? Style Quotes Topics for Discussion. Besides following the popular forms of his day, Shakespeare's general style is comparable to several of his contemporaries. Hamlet’s facility with both prose and verse, and tendency to alternate between the two styles, also underscores the sense of him as a character who is of two minds, or who is not quite sure who he is, so adopts different speaking manners trying to figure out how to really sound like himself. Shakespeare used a metrical pattern consisting of lines of unrhymed iambic pentameter, called blank verse. An example of a Shakespearean metaphor compares life to the theatre stage: "All the world's a stage, and all the men and women merely players. Millions of books are just a click away on BN.com and through our FREE NOOK reading apps. His phrase “A little more than kin” implies that, through his uncle’s marriage to his mother, he and Claudius have become more closely related than they were before. Quizlet flashcards, … This speech expresses a complex thought and Hamlet seems to be serious about it, but it’s in prose. First, he has Hamlet move quickly between low and high registers, such that he delivers cutting insults and alludes to Greek mythology in the same breath. William Shakespeare was born in Stratford-upon-Avon, a bustling market town 100 miles northwest of London, and baptized there on April 26, 1564. Shakespeare’s dramatic writing style: blank verse and prose: blank verse: poetry that has a regular meter but no rhymewritten in iambic pentameter: prose: writing with no … William Shakespeare Writing Styles in Hamlet. William Shakespeare. Verse. This section sets the action in motion in three main rhythms: 1. the Ghost (I.i.) In the last phase of his career, Shakespeare adopted many techniques to achieve these effects. ), expresses a complex, ordered thought which Hamlet seems to have been mulling for some time. First performed around 1600, Hamlet tells the story of a prince whose duty to revenge his father’s death entangles him in philosophical problems he can’t solve.Shakespeare’s best-known play is widely regarded as the most influential literary work ever written. he also includes "authentic language" which is an accent or certain type of speech in his stories. William Shakespeare. Shakespeares genre was historical fiction. The study indicates that the language functions Shakespeare utilizes in Hamlet are numerous. Shakespeare wanted the audience to make it aware that these issues are also in the lives of royalty. William Shakespeare altered his writing style significantly between his first play (1590-92) and his last (1613). One exception is the monologue which begins “I will tell you why…” (II.ii.). Related Topics. he also includes "authentic language" which is an accent or certain type of speech in his stories. In a letter to Benjamin Robert Haydon, dated 10 May 1817, Keats writes: Style in Hamlet frequently functions as an extension of character: the way characters speak gives us insight into how they think. Even thou Claudius has killed Hamlet’s father, “Finding Claudius apparently at prayer, Hamlet shows he has not the will to revenge in cold blood” (Black 86), Hamlet shows … Hamlet’s first monologue, where he rages against his mother’s marriage to Claudius, provides a touchstone example: Here an angry Hamlet attempts to make sense of his mother’s decision to remarry after such a short period of mourning. Related Topics. The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet (/ ˈ h æ m l ɪ t /), is a tragedy written by William Shakespeare sometime between 1599 and 1601. Hamlet Hamlet Critique Hamlet, a play by William Shakespeare, was written in approximately the middle to late 1590's, while Shakespeare's work was flourishing, and his company was putting up the Globe Theater. Though a fiercely intelligent man, Hamlet’s speech sometimes indicates a lack of focus in his thinking. He is happy to exchange jokes with Rosencrantz and Guildenstern, but he does not trust or respect them enough to express himself seriously, using verse. Style--the way the author expresses his ideas in a story or play. From any act is fine. Shakespeare's Writing Style and Hamlet Information study guide by sarahhh50 includes 34 questions covering vocabulary, terms and more. The play is set in Denmark and follows the prince Hamlet, who seeks revenge upon his uncle Claudius. For example; The nobility tend to speak in "blank verse," which is essentially unrhymed poetry.The commoners tend to speak just like we do, in regular old prose. In fact, you could say that Shakespeare invented both the stage musical and the romantic comedy. The effect of a character speaking prose when mad is also evident in Macbeth, where Lady Macbeth speaks in nonsense prose as she loses her grip on reality at the end of the play, and also in King Lear, where Lear speaks a disordered, unintelligible prose as he wanders on the heath in a deranged state. He writes very "flowery" or detailed sentences. Shakespeare makes the rapid twists and turns in Hamlet’s thought evident in a couple of ways. Often considered the greatest drama of all time, the play tells the story of the troubled titular prince of Denmark. Keats's poems duplicate Shakespeare's style and are full of Shakespearean imagery. Shakespeare’s Writing Style. The Form of Shakespeare's Hamlet Hamlet a great tragic play has a definite form. William Shakespeare's early plays were written in the conventional writing style of the Elizabethan era, with elaborate metaphors and rhetorical phrases. Like all of Shakespeare’s tragedies, Hamlet is written mostly in verse, but over 30% of the lines are in prose, which is the highest percentage of any of the tragedies. His works have many similarities to the writing of Christopher Marlowe, and seem to reveal strong influences from the Queen's Men's performances, especially in his history plays. Style Quotes Topics for Discussion. Hamlet was most likely performed in 1600, almost exactly at the midpoint of his writing career, which had begun as early as 1588 with The Comedy of Errors, and ended as late as 1613 with Henry VIII. Inspiration Behind the Writing of Hamlet. Use up and down arrows to review and enter to select. Another function of prose is to mark the speech of lower-status characters. Hamlet, like Romeo & Juliet, also carries a tragic tonality with it.And for those of you who did not know this before, Hamlet is also referred to as “The Tragedy of Hamlet; Prince of Denmark”. William Shakespeare - William Shakespeare - Shakespeare’s sources: With a few exceptions, Shakespeare did not invent the plots of his plays. Read a character analysis of Hamlet, plot summary, and important quotes. Forget Snapchat as a romantic gesture. The study indicates that the language functions Shakespeare utilizes in Hamlet are numerous. It is Shakespeare's longest play with 30,557 words. For example, the Shakespeare style of 1590 was somewhat rigid in its adherence to established rules, though it did contain flashes of brilliance that astounded and delighted audiences. "Guildenstern" "Rosencrantz" Connecting it all From our research, Shakespeare may have drawn on world events, literary influences, and personal life experiences to write Hamlet’s words play off a common English proverb that states, “The nearer in kin the less in kindness.” The original proverb indicates a close link between kinship and cruelty, but Hamlet complicates it. Shakespeare has a very unique style of writing. William Shakespeare. Shakespeare's Writing Style and Hamlet Information study guide by sarahhh50 includes 34 questions covering vocabulary, terms and more. Shakespeare has a very unique style of writing. Sometimes he used old stories (Hamlet, Pericles). Get an answer for 'I need an example of style in Shakespeare's play Hamlet. He focused on creating human characters with psychological complexity. Members of the nobility, like Claudius, almost always speak in verse, but commoners like the gravedigger use prose. In shakespeares case it is Elizabethan language which was used in Denmark which is the setting of the book. In those scenes Hamlet is deliberately speaking in a disordered way, so he speaks in prose. Read a character analysis of Hamlet, plot summary, and important quotes. Another reason why Shakespeare switches between verse and prose is to mark the difference between careful speech and disordered speech. When Hamlet speaks in prose to Rosencrantz and Guildenstern—who are high-status enough to speak verse with the King—it suggests he is talking down to them. Powered by WordPress. Shakespeare's Writing Style. This observation is especially true for Hamlet himself, who speaks more than one-third of the play’s total lines, and whose linguistic style changes—often rapidly—depending on context. For example, the Shakespeare style of 1590 was somewhat rigid in its adherence to established rules, though it did contain flashes of brilliance that astounded and delighted audiences. SparkNotes is brought to you by Barnes & Noble. Verse and Prose. When Ophelia enters and tries to return the presents Hamlet has given her, he switches abruptly to prose. Hamlet is perhaps the most famous example of this. “But I’m no comedian,” you might say. It may be that Hamlet is speaking in prose because his speech, in which he seems to be describing himself as seriously depressed, is evidence of Hamlet’s real mental disorder. Set in Denmark, the play depicts Prince Hamlet and his revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. Writing a play about Hamlet, in or around 1600, may not have been Shakespeare’s own idea. He used humor everywhere in his plays. Hamlet’s frequent switching between verse and prose is part of what makes the style of the play feel evasive. He focused on creating human characters with psychological complexity. We look at three instances of love letters in Shakespeare’s plays: Orlando’s love poems to Rosalind in As You Like It, Hamlet’s passionate missive to Ophelia in Hamlet, and Proteus’s romantic letter to Julia in The Two Gentlemen of Verona.. As You Like It He wrote scenes for specific company “clowns,” writing to their particular talents. Shakespeare was a profound writer, and Hamlet is considered to be his most prolific writing, and is a favorite among the readers. Order our Hamlet Study Guide. His plays were composed using blank verse, although there are passages in all the plays that deviate from the norm and are composed … Hamlet, like Shakespeare's other plays, is written in a combination of verse (poetry) and prose (how we talk every day).But, as Polonius would say, there's method in the madness. single unit of stressed and unstressed syllables, a line of an iambic pentameter with an eleventh unstressed syllable, poetry that has a regular meter but no rhymewritten in iambic pentameter, heightened emotional statemurderersschemingmadlower social or educational statusdrunktalking with one of the abovepretending to be one of the above, a causally related series of events in the life of a person of significanceusually ends in a catastrophe, arouse pity and fear in audience then produce catharsis (purging of emotions), tying and untying of a knot, Act 2, complicates the central conflict, called the complication, middle of Act 3, leads to catastrophe, called epistasis, event that sets falling action into motion, closely tied to climax, called catastasis, Act 4, leads story from climax to catastrophe, provides relief scenes, includes final moment of suspense, Act 5, presents catastrophe, protagonist usually dies, serves as a logical conformity to the direction of the plot serves as a final presentation of the nobility of the protagonist, ghost tells hero to seek vengeancehero becomes disguisedfemale character goes mad from griefbad guy that does stuff for powerdelay in hero’s revengedeath of hero, relationship between appearance and realityrelationship between grief and tragedyexistence and influence of the supernatural, former king of Denmarkdeadappears in play as ghostfather of Hamlet, husband of Gertrude, current king of Denmarkbrother of late King Hamletmarried Gertrude shortly after death of King Hamlet, was married to King Hamletmarried Claudius after death of King Hamletmother of Hamlet, prince of Denmarkson of King Hamlet and Gertrude, former king of Norwaydeaddefeated by King Hamlet of Denmark in battle, lost land, current king of Norwaybrother of late King Fortinbrassick in bed, not aware of what is happening in his kingdom, prince of Norwayson of King Fortinbrasraising an army to attack and get back land. It was in Shakespeare's later period, after 1600, that he wrote the tragedies Hamlet, Othello, King Lear and Macbeth. The whole play falls into three movements and abides by the rules and regulation of dramatic form with a beginning, a middle and an end. Hamlet is at his most philosophical when he delivers the monologue that begins with his famous question, “To be, or not to be?” (III.i.55). His style is also comparable to Francis Beaumont's and John Fletcher's, other playwrights of the time. Hamlet’s frequent switching between verse and prose is part of what makes the style of the play feel evasive. This literary device allowed him to make characters like MacBeth or Hamlet sympathetic even though they did some terrible things throughout the course of the play. His famous soliloquy, “To be or not to be” (III.i. He writes very "flowery" or detailed sentences. The speech may also mark the beginning of Hamlet’s loss of control over himself, and his speech, as he loses the ability to manipulate others with complex, misleading phrases. Even in Shakespeare's own lifetime, Hamlet would have been performed multiple times and considered remarkably influential. Hamlet was a bold move and it certainly showed that Shakespeare had some philosophical prowess. Hamlet, tragedy in five acts by William Shakespeare, written about 1599–1601 and published in a quarto edition in 1603 from an unauthorized text. One reason for the high amount of prose is that Hamlet has more comic scenes than any of Shakespeare’s other tragedies. The Romantic poet John Keats (1795-1821) was so influenced by Shakespeare that he kept a bust of the Bard beside him while he wrote, hoping that Shakespeare would spark his creativity. Shakespeare used different writing styles for the social status of the character.


Secretariat - The life story of Penny Chenery, owner of the racehorse Secretariat, who won the Triple Crown in 1973.
Conviction - A working mother puts herself through law school in an effort to represent her brother, who has been wrongfully convicted of murder and has exhausted his chances to appeal his conviction through public defenders.
Fair Game - Plame’s status as a CIA agent was revealed by White House officials allegedly out to discredit her husband after he wrote a 2003 New York Times op-ed piece saying that the Bush administration had manipulated intelligence about weapons of mass destruction to justify the invasion of Iraq.
For Colored Girls - Each of the women portray one of the characters represented in the collection of twenty poems, revealing different issues that impact women in general and women of color in particular.
Tiny Furniture - About a recent college grad who returns home while she tries to figure out what to do with her life. written, directed and starring Lena Dunham.
Made in Dagenham - A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.
Miral - A drama centered on an orphaned Palestinian girl growing up in the wake of the first Arab-Israeli war who finds herself drawn into the conflict.
The Tempest - In Julie Taymor’s version of ‘The Tempest,’ the gender of Prospero has been switched to Prospera. Going back to the 16th or 17th century, women practicing the magical arts of alchemy were often convicted of witchcraft. In Taymor’s version, Prospera is usurped by her brother and sent off with her four-year daughter on a ship. She ends up on an island; it’s a tabula rasa: no society, so the mother figure becomes a father figure to Miranda. This leads to the power struggle and balance between Caliban and Prospera; a struggle not about brawn, but about intellect. Directed by Julie Taymor.
You Won’t Miss Me - A kaleidoscopic film portrait of Shelly Brown, a twenty-three year-old alienated urban misfit recently released from a psychiatric hospital. Co-written and directed by Ry-Russo Young.
The Bechdel Test for Women in MoviesDykes to Watch Out For.
It is astonishing the number of popular movies that can’t pass this simple test. It demonstrates how women’s complex and interesting lives are underrepresented or non-existent in the film industry. Women have jobs, creative projects, friendships and struggles among many other things that are actually interesting in our lives… and yet Hollywood simply skips over those topics in favour of stories about male characters who are made more interesting.
This topic is also covered on numerous other websites, including:
The Bechdel Test Movie List: A very long list of movies and where they rate on the Bechdel Test.
Why Film Schools Teach Screenwriters Not to Pass the Bechdel Test, an essay by Jennifer Kesler.


Guilty /Published by : G.P. Putnam's Sons, (New York :) Physical details: 408 p. ; 24 cm. ISBN:9780399154614; 0399154612.
|Item type||Current library||Call number||Status||Notes||Date due||Barcode|
|Book||Pwani University Library, Kilifi||PS3568.O196 G85 2008 c2 (Browse shelf (Opens below))||Available||MS||KLF11111908|
|Book||Pwani University Library, Kilifi||PS3568.O196 G85 2008 (Browse shelf (Opens below))||Available||JA||klf11090019|
Kate White, single mother and assistant Philadelphia DA, must fight for her life and the life of her son as the terrible events of her past return with a vengeance and the only hope she seems to have lies with homicide detective Tom Braga--a man she has no reason to trust.