Christmas films always guarantee to get you in the holiday spirit and there are lots of classics to choose from. Here at Birchall we like nothing more at this time of year than cosy-ing up with a nice cup of Great Rift with our families and sitting down to one. We’ve featured a selection of traditional Christmas films through the lens of Birchall Britain. So why don’t you stop struggling with the ball-ball decorations and sit back and relax to one of these greats.
It’s a Wonderful Life (1947)
Frank Capra’s snowy festive classic is a true delight, as entertaining as it is message-driven. James Stewart puts in the performance of a lifetime as George Bailey who spends his entire life giving up his big dreams for the good of his town, Bedford Falls, as we see in flashback. But in the present, on Christmas Eve, he is broken and suicidal. His guardian angel, Clarence, falls to Earth, literally, and shows him how his town, family, and friends would turn out if he had never been born. George meant so much to so many people; should he really throw it all away?
Miracle on 34th Street (1947)
The ultimate in cuddly Christmas afternoon movies, this original stars Edmund Gwenn as Kris Kringle or as he would belive it Santa. Doris Walker a no-nonsense Macy’s executive, desperately searches for a new store Santa. She hires Kris who proves to be a sensation but while he is successful, she learns that he claims to be the actual Santa Claus. Doris has misgivings, especially when she has cynically trained herself, and especially her daughter, Susan, to reject all notions of belief and fantasy. And yet, people, especially Susan, begin to notice there is something special about Kris. Kris has to go court to try and prove it. Is he the real Santa Claus?
A Christmas Carol (1938)
This early version of Charles Dickens’s much-told story remains one of the finest, with Reginald Owen as Ebenezer Scrooge and Gene Lockhart as Bob Cratchit. Set in the Nineteenth Century, in London, the bitter, greedy and cranky Ebenezer Scrooge hates Christmas and people. On Christmas eve he is visited by the spirit of his former partner, Jacob Marley where he is warned that he must change his miserable ways or face damnation. There’s something oddly comforting about watching snow fall in black and white isn’t there?
The Snowman (1982)
Raymond Briggs’s book came to life once a year throughout many childhoods, as the animated film was shown on British TV with as regularity as Santa coming down the chimney. Nominated for an Oscar, the short animated film tells of a boy whose snowman magically comes to life one Christmas eve and takes him on a magical adventure to the North Pole to meet Santa Claus. Add the haunting song ‘Walking In The Air’ and you have a true Christmas classic.
Love Actually (2003)
Love is certainly all around in this ensemble comedy-drama set in the holiday season. The film follows the lives of eight very different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London. Even a school nativity play is an opportunity for romance. Comic standouts include Bill Nighy as an ageing rock legend who’s reduced to competing in the race to land a Christmas Number One.
The Muppet Christmas Carol (1992)
A retelling of the classic Dickens tale of Ebenezer Scrooge, miser extraordinaire. He is held accountable for his dastardly ways during night-time visitations by the Ghosts of Christmas Past, Present, and future. Michael Caine as Scrooge, Gonzo the Great as Charles Dickens, Kermit the Frog as Bob Cratchit – just three of many reasons to love this witty, warm-hearted take on the classic story. Despite the presence of Muppets, it is – believe it or not – one of the more faithful versions of the book.
The Nightmare Before Christmas (1993)
This animated fantasy about what happens when Halloween usurps Christmas is a delightfully spooky treat. Leave it to Tim Burton to give Christmas a dark edge, although this stop-motion animation still has plenty of heart, too. Jack Skellington, the Pumpkin King, is bored with his annual Halloween triumph. A chance visit to nearby Christmas town gives him an idea: he and his spooky friends will stand in for Santa this Christmas! This beautifully realised confection will delight grown-ups of all ages.
It’s unlikely that Bill Murray could ever have got through his career without playing a version of Scrooge. His deadpan delivery was made for this comic take on Dickens’ festive moral tale. Frank Cross runs a US TV station, which is planning a live adaptation of Dickens’ Christmas Carol. Frank’s childhood wasn’t a particularly pleasant one, and so he doesn’t really appreciate the Christmas spirit. With the help of the ghosts of Christmas past, present and future, Frank realises he must change.
This festive comedy makes full use of Will Ferrell’s man-child charm by casting him as a naive human called Buddy, a baby in an orphanage who stowed away in Santa’s sack and ended up at the North Pole. Later, as an adult human who happened to be raised by elves, Santa allows him to go to New York City to find his birth father, Walter Hobbs. Hobbs, on Santa’s naughty list for being a heartless jerk, had no idea that Buddy was even born. Buddy, meanwhile, experiences the delights of New York City (and human culture) as only an elf can.
Bridget Jones’s Diary (2001)
Bridget Jones (adorably played by Renee Zellweger) is an unattached 30-something who realises she’s got to change her life. But can a single woman over 30, who smokes too much, drinks too much, and has a tendency to say whatever comes into her mind, find her place in the world… and a man? Bridget thinks she might have met the man of her life (Colin Firth) – but spots him sporting a hideous Christmas jumper. This seasonal wardrobe error plays a pivotal part in the sharp romantic comedy-drama, which also features fellow festive favourite Hugh Grant.
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An old friend of mine from school has her own creative business and has recently started branching out in to videography. In order to develop her already amazing skills in the area she signed up to video school. As part of the course she was required to create a short film.
I am delighted to say that she approached me about making the short film about Eva !
I am over the moon with how it turned out ! It was fantastic working with her although Eva did have quite a lot to say about the tri-pod in particular ! But that did give us fantastic shots of Eva throwing some shapes in the field.
Without further ado here is the video.
Here is further links to her work, go check it out!
Instagram : @keilidhewanwildlife
Website : http://www.keilidhewan.com/
One thought on “A video shoot …”


Thoughtfully designed Camerawork and Lighting turn your productions into incredible cinematic visual experiences, and I love being part of that process.
As Indies we know our ressources are extremely limited and camera and lighting are often a budget item that suffers a lot because of that. On the other hand what we really always want is to realise our vision in a way that looks both visually appealing and professional. I am here to bring affordable visuals to independent productions, adding to their production value and helping directors and producers to realize their vision.
I want to exchange knowledge, experiences and opportunities with you and your crew.
Not all of us have the good fortune to go to prestigious film schools. As independents we thrive by building relationships and sharing contacts by working together. There is so much to learn from and so much information accessible within a community of filmmakers, which is great for all our future careers.
Let's stick together!
That's why I gladly provide affordable services for indie filmmakers at the start of their careers.
So, you don't have the Hollywood budgets... yet.
There are a ton of other creative ways we can polish the look of your production, so the visuals punch far above their weight. This way the final material looks way better and you get the chance to experiment and learn in the process.


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A.Word.A.Daywith Anu Garg
noun: An event, entertainment, etc., of a sensational or horrific nature.
adjective: Gruesome, grotesque, or horrifying.
From Le Grand Guignol (literally, The Great Puppet), a theater in Paris that specialized in such entertainment. Earliest documented use: 1905.
Le Théâtre du Grand-Guignol started in 1897 in a former chapel in Paris. Its specialty was gruesome and gore. A typical evening featured a series of short plays. It’s said that the theater measured the success of a play by how many in the audience fainted. As a marketing gimmick, the theater management hired doctors to be in attendance. The theater closed its doors in 1962. Charles Nonon, its director at the time, said: “We could never compete with Buchenwald. Before the war, everyone believed that what happened on stage was purely imaginary; now we know that these things -- and worse -- are possible.”
“The contemplation of suicide, blatant racism, and a family of ‘trapped’, emotionally stunted snobs: nobody expected Meghan Markle and Prince Harry’s interview with Oprah Winfrey to be as dramatic as it was, or as grim. ... One bombshell and within-palace-walls horror story followed another, one numbing thud after another. ... This Grand Guignol was just getting started.”
Tim Teeman; Meghan Markle and Prince Harry’s Oprah Interview Was a Royal Family Depth Charge; The Daily Beast (New York); Mar 8, 2021.
See more usage examples of Grand Guignol in Vocabulary.com’s dictionary.
A THOUGHT FOR TODAY:If life had a second edition, how I would correct the proofs. -John Clare, poet (13 Jul 1793-1864)


Date/Time: 14 May(21:00) 15 May(21:00) 16 May(21:00) 17 May(21:00) 18 May(21:00) 19 May(14:30,21:00)
Venue: PLAYERS THEATRE @ TRINITY COLLEGE Category: Adult Drama
The award winning Theatre Outré return to Dublin with a celebration of all that was taboo in the 1970’s. Tab and Landon graphically explores the complicated relationship between twin brothers. From their shared bedroom in the family home, they turn the world of pornography both on and off the screen into their own reality. It is a salacious tale of family, lust and revenge of biblical proportions.
Nudity. Over 18’s.
Written & Directed by Jay Whitehead


Josh worked closely with writers, producers, and executives in the entertainment industry for almost a decade. Juliana also worked in the entertainment industry for six years.
Here are just a few examples of our writing on entertainment topics. If you’d like to see more examples, please drop us a line through our contact form.
- Why I Hope Dr. Horrible Stays on the Internet on PinkRaygun.com (Featured on the IMDb Hit List)
- Why You Should Be Watching the Vampire Diaries – Tor.com
- Atom’s ‘Quitters’ at 100,000 Views and Still Smoking on Tubefilter.com


Watch The Giver Full Movie StreamingGenre : Drama, Science Fiction - Video Length 1 Hour 34 minutes - Quality: HD 1080p
Production : The Weinstein Company
Release : Friday, 15th August 2014
Countries : United States of America
Languages : English
The Giver tell story about "In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the "real" world."


June is Miami Film Month for Movie Lovers
Celebrate Magic City’s unique movie culture during Miami Film Month this June. Plug into the local film community on your SoBe getaway and enjoy screenings for free or at a discounted rate at Miami’s independent art cinemas. Whether you’re a Miami Film Month novice or veteran, here’s everything you need to navigate tickets and the local cinemas like a pro.
Immerse yourself in Miami’s world of film with behind-the-scenes movie bus tours, special screenings of popular and lesser-known works, and discounted movie tickets. Miami Film Month is designed to support local businesses, spread the word about what the city has to offer, and delight visitors on their visit to this sunny paradise. From indie films to internationally renowned blockbusters, make sure to check out the cinema’s online calendars for flicks to catch during Miami Film Month.
Participating independent theatres
Cosford Cinema. The University of Miami's School of Communication theater showcases indie and foreign films. Visit in June for showings of The White Crow, Non-Fiction, Hampstead starring Diane Keaton and Brendan Gleeson, and more. 5030 Brunson Dr, Coral Gables
Coral Gables Art Cinema. South Florida’s leading art house theater will be playing screenings of Werner Herzog’s Meeting Gorbachev and The Tomorrowman through the month of June. 260 Aragon Ave, Coral Gables
Miami Beach Cinematheque. Visit the Cinematheque on SoBe’s busy Washington Avenue for a chance to catch Terry Gilliam’s adventure-comedy, The Man Who Killed Don Quixote, during the month of June. 1130 Washington Ave, Miami Beach
O Cinema Miami Beach. Discover one of the most anticipated documentaries of 2019 at O Cinema in Miami Beach this June. Frédéric Tcheng’s Halston takes a look at the influential fashion designer’s rise to fame. 500 71st St, Miami Beach
O Cinema Wynwood. Visit Wynwood’s indie cinema as it presents diverse genres of foreign, art, classic, and family films through the month of June. 90 NW 29th St, Miami
Tower Theater. Named “one of the 10 great places to see a movie in splendor" by USA Today, Tower Theater is one of Miami’s oldest cultural landmarks. 1508 SW 8th St, Miami
Organized by the Miami Convention and Visitors Bureau, simply visit a participating venue’s website to sign up for ticket deals. Check MiamiFilmMonth.com for updated information on bus tours and event details. Miami Film Month takes place June 1-30.
Coinciding with Miami Film Month, join Sagamore, BelAir Fine Art, and Markowicz Fine Art galleries as we present Music is Life, an exhibit featuring over 100 artworks entirely dedicated to music by international and local artists. On display now through June 30, 2019.
Choose from our best rates and special offers when you book direct with The Sagamore Hotel South Beach, an iconic Miami Beach destination known for its unique collection of contemporary art, spacious suites, and prime location only steps from the white sands of South Beach.


Please join us on Friday at 3 PM via zoom to hear Michael Dorff speak on:
How mathematics is making Hollywood movies better
Abstract: What’s your favorite movie? Star Wars? Avatar? The Avengers? Frozen? What do these and all the highest-earning Hollywood movies have in common? Mathematics! You probably didn’t think about it while watching these movies, but math was used to help make them. In this presentation, we will discuss how math is being used to create better and more realistic movies. Along the way, we will discuss some specific movies and the mathematics behind them. We will include examples from Disney’s 2013 movie Frozen (how to use math to create realistic looking snow) to Pixar’s 2004 movie The Incredibles (how to use math to make an animated character move faster). Come and join us and get a better appreciation of mathematics and movies.
About the Speaker: Dr. Michael Dorff is a Professor of Mathematics at Brigham Young University. He was the president of the Mathematical Association of America from 2019-2020, and the chair of the Mathematics Department at BYU from 2015-2019.
If you wish to join via zoom, please request the link from Kristen Rowland (rowlandke) or Nadun Dissanayake (nadunkul).


A troll princess and her companion, the one unhappy troll try to rescue her friends from being eaten by their nemeses.
Watch full online Trolls (2016)
Trolls is a 2016 American 3D computer-animated musical buddy comedy film based on the dolls of the same name by Thomas Dam. Directed by Mike Mitchell, and co-directed by Walt Dohrn at his feature debut, the film is produced by Gina Shay, and written by Jonathan Aibel, Glenn Berger, and Erica Rivinoja.
The film stars the voices of Anna Kendrick, Justin Timberlake, Zooey Deschanel, Russell Brand, James Corden, and Gwen Stefani. It revolves around two trolls on a quest to save their village from destruction by the Bergens, creatures who devour trolls. Produced as the 33rd animated feature by DreamWorks Animation, the film premiered on October 8, 2016, at the BFI London Film Festival, and is scheduled to be released on November 4, 2016, by 20th Century Fox
From the creators of Shrek comes the most smart, funny, irreverent animated comedy of the year, DreamWorks' Trolls. This holiday season, enter a colorful, wondrous world populated by hilariously unforgettable characters and discover the story of the overly optimistic Trolls, with a constant song on their lips, and the comically pessimistic Bergens, who are only happy when they have trolls in their stomach. Featuring original music from Justin Timberlake, and soon-to-be classic mash-ups of songs from other popular artists, the film stars the voice talents of Anna Kendrick, Justin Timberlake, Russell Brand, James Corden, Kunal Nayyar, Ron Funches, Icona Pop, Gwen Stefani, and many more. DreamWorks' TROLLS is a fresh, broad comedy filled with music, heart and hair-raising adventures. In November of 2016, nothing can prepare you for our new Troll world.


Let’s warmly welcome another Terminator film to scorch the film world with endless action waves. The Terminator franchise is adding the sixth installment entitled as Terminator: Dark Fate.
Terminator: Dark Fate
Release: 1 November 2019
Story of Terminator Film Series
Terminator film series, no doubt, owns a huge fan base for 3 decades. The Terminator films are based on a sci-fi story marked by endless action and adventure in which we first saw Sarah Connor and Carl as the lead. Consequently, with the progression of the film series, we get another leading character, John Connor, the son of Sarah Connor. However, chronologically, the film installments don’t fit into an order. Likewise, Terminator: Dark Fate, chronologically will be the third in the series as it will follow the story of Sarah, Carl, and John, 27 years after the events of Terminator 2.
Let me remind you, Sarah Connor is the one who can see the disastrous future of humans being destroyed by machines that will try to overrule the world. Anyhow, Sarah’s son John can alter this reality and will be the only one to fight against the machine. Moreover, John will become the leader of the resistance movement set against the machines that are far more advanced and auto-programmed to destroy humanity. Meanwhile, Carl is another leading character, an aging terminator sent back from the future, who stay side by side with John to protect him from the rival terminator. However, in another part entitled Terminator: Genesis, we witnessed an altered storyline with a changing cast and altered role of characters.
What Will Happen in Terminator: Dark Fate?
In short, if we continue the chain of events from Terminator 1, and 2, the Terminator: Dark Fate will follow a story in which Sarah will become capable of fighting with terminators, and avert the machine threats. Moreover, we will see a grown-up John Connor, and Carl staying by their side to protect the work against the terminators sent back from the future.
Well, there will be a twist in the upcoming Terminator film. There will be a new character named Dani Ramus, who will be the new target of the machines and an advanced terminator will be sent back from the future to terminate her. Anyhow, Sarah along with her partners will head on a mission to protect Dani from the terminator.
It is yet to reveal why the machines will target Dani, and why and how Sarah along with Carl, and John be able to save her.
Another twist lies in Terminator: Dark Fate that this film will be a female lead film. Sarah Connor will be seen in a breath-taking action avatar and will lead the film.
Who will be in the Cast of Terminator: Dark Fate?
Let me tell you another interesting fact about Terminator: Dark Fate. Do you remember that little John Connor from the film Terminator 2? Edward Furlong who portrayed the character of teenager John Connor in Terminator 2 (1991), will now reprise his role as a grown-up John Connor.
Moreover, Hinda Hamilton will also reprise her role of Sarah Connor, and Arnold will once again appear as Carl.


We are very lucky to have Magali Rigaudias who is currently a lead animator at Animal Logic.
She has been working as a character animator for over 20 years. After working in Paris for a few years, she joined Industrial Light and Magic, where she focused on effects and animation in live action feature films including Dragon Heart, E.T. The Extra Terrestrial (re-release), Star Wars Episode I - The Phantom Menace, Star Wars: Episode II - Attack of the Clones, Harry Potter: The Chamber of Secret, The Hulk, Pirates of the Caribbean: The Curse of the Black Pearl.
After almost a decade at the studio in San Francisco, she decided to broaden her experience to work on animated films. She then moved to Australia and joined Animal Logic to work on Happy Feet and The Legend of the Guardians. Working as a lead animator for the past 7 years, Magali was also a lead animator in Happy Feet 2.
The most rewarding part of her work is to bring life to a character, giving personality to any character she works on, and injecting a whole range of emotions that bring out that personality. When she succeeds, the audience will see it as a living, breathing character rather than a computer generated puppet. Often, her job is not about making things look real but to make them look believable.
Besides Magali, we also have Myrna Gawryn who shares her exprience and skills to the class. Myrna comes from a background in dance, choreography, theatre, film, TV, human behavior/anthropology, anatomy, kinesiology and motion capture. She has worked with animators and directors to develop character, physical behavior, relationship to other characters, context and anatomical detail, all the components that make animation truly alive and specific.
Myrna has taught and consulted in the area of character development / behavior, storytelling and movement for animation at DreamWorks and Disney in Los Angeles, Gobelins and Annecy in France, LucasFilms Singapore, Griffith University in Australia and The One University in Kuala Lumpur.
Last but not least, we have Yoshimichi Tamura. He is a 2D-3D character animator, character designer, and story boarder. After graduating from GOBELINS in 1991, Yoshi worked on a number of major animation feature films for both Disney and DreamWorks, including: A GOOFY MOVIE(1995), HERCULES (1997), TARZAN (1999), ATLANTIS:THE LOST EMPIRE (2001), THE JUNGLE BOOK 2 (2003), ) SINBAD: LEGEND OF THE SEVEN SEAS (2003), A SHARK TALE (2004), OVER THE HEDGE (2006), FLUSHED AWAY (2006), and THE PRINCESS AND THE FROG (2009.
Yoshi has also participated in other international productions, such as the Spanish-French feature film NOCTURNA (2006) and the French-American production IGOR (2008). Now based in France, Yoshi was recently director of animation on the 2D French animation feature film Zarafa to be released this year. Yoshi will focus on the theme “Motion and Emotion” but also evaluate and mentor students working on the exercises begun in the master class of Magali Rigaudias during week one.
We also want to take this opportunity to CONGRATULATE Yoshimichi. He has just won the Best in Show Award at the upcoming SigGraph 2012. That is amazing. We all feel very honoured to be able to work with him.


Watched Kung Fury on Netflix over the weekend and I have to say, this is a must watch! If you’ve ever watched an 80’s movie or played an 80’s video game this is for you. The movie is only 30 minutes long, but every minute is packed with delicious 80’s awesomeness. I would recommend a two cocktail minimum before viewing, three to four would make this even better! Watch it, love it and watch it again! Kung Fury Hoooooe!


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With a background of 10 years in the film industry at Autumn Leave Films, and with over 30 short films produced to this date, we are a group of animators who love to share everything we know about animation, from pre-production, animation, to post production.
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We have helped more than 34,000+ students to discover techniques and all the knowledge they need to start animating their projects.


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Karthik Aryan was busy shooting for ‘Bhula Bhulaiya To’. While shooting that photo, a disaster happened. The Bollywood actor lost his voice.
According to Indian media reports, Karthik Aryan was shooting the climax of ‘Bhul Bhulaiya To’. Was shooting a screaming scene. And when he went to shoot, Karthik suddenly saw that no sound was coming out of his throat.
Seeing Karthik’s condition, the director immediately stopped shooting. The doctor was brought to the shooting floor. According to the doctor, Karthik has been diagnosed with Aryan Laryngitis. So suddenly he lost his voice.
According to the doctor, there is no reason to worry. Once the throat is rested, it will be fine.
It is learned that actress Tabu was with Karthik in this shooting.
The director of the film, Aneez Bajmi, said that in the climax scene, Karthik goes into the character perfectly to portray the character properly. And as a result, he suddenly fell ill in this scene.


(Piano/Vocal/Guitar Songbook). A musical drama biopic chronicling P.T. Barnum (played by Hugh Jackman) and his founding of the Barnum & Bailey Circus, this December 2017 film features a stunning soundtrack by Benj Pasek and Justin Paul of La La Land and Dear Evan Hansen fame. Our songbook features piano/vocal/guitar arrangements of 9 songs including the Golden Globe-winning “This Is Me” and: Come Alive * From Now On * The Greatest Show * A Million Dreams * Never Enough * The Other Side * Rewrite the Stars * Tightrope. Also includes full-color scenes from the movie.
(Ukulele). Ten songs from the Disney live action feature film in arrangements of melody, lyrics and chord diagrams in standard G-C-E-A tuning for ukulele. Includes: Aria * Be Our Guest * Beauty and the Beast * Belle * Days in the Sun * Evermore * Gaston * How Does a Moment Last Forever * The Mob Song * Something There.
(Piano/Vocal/Guitar Songbook). 16 songs from the original motion picture soundtrack to this 2016 Illumination animated film featuring familiar classic songs, plus the original song “Faith” performed by Stevie Wonder and Ariana Grande, are included in this collection for piano, voice and guitar. Other songs include: Don’t You Worry ‘Bout a Thing * Gimme Some Lovin’ * Hallelujah * I’m Still Standing * Let’s Face the Music and Dance * My Way * Shake It Off * Under Pressure * Venus * and more. Includes 8 pages of color photos from the film.
(Easy Piano Songbook). 12 piano pieces arranged for easy piano from the 2006 Oscar-nominated film, including: Another Dance * Darcy’s Letter * Dawn * Georgiana * Leaving Netherfield * Liz on Top of the World * Meryton Townhall * The Secret Life of Daydreams * Stars and Butterflies * and more.
- 56 pages Size: 12″ x 9″ Composer: Dario Marianelli ISBN: 142341635X
(Piano Solo Songbook). 12 piano pieces from the 2006 Oscar-nominated film, including: Another Dance * Darcy’s Letter * Georgiana * Leaving Netherfield * Liz on Top of the World * Meryton Townhall * The Secret Life of Daydreams * Stars and Butterflies * and more.
- Used Book in Good Condition
(Piano/Vocal/Guitar Songbook). This 2017 live action film was inspired by the 1991 Disney animated classic and its successful score penned by Alan Menken and Howard Ashman. Its soundtrack features songs from the original film as well as new material written by Menken and Alan Rice. Our piano/vocal/guitar folio includes a new version of the title track “Beauty and the Beast” as sung by Ariana Grande and John Legend, as well as a new original performed by Celine Dion, “How Does a Moment Last Forever” plus: Aria * Be Our Guest * Belle * Days in the Sun * Evermore * Gaston * The Mob Song * Something There.
(Piano/Vocal/Guitar Songbook). Written and directed by Academy Award nominee Damien Chazelle, La La Land tells the story of Mia Emma Stone , an aspiring actress, and Sebastian Ryan Gosling , a dedicated jazz musician, who are struggling to make ends meet in a city known for crushing hopes and breaking hearts. Set in modern day Los Angeles, this original musical about everyday life explores the joy and pain of pursuing your dreams. Our matching folio features piano/vocal/guitar arrangements from the soundtrack featuring original songs by Justin Hurwitz with lyrics by Benj Pasec and Justin Paul.
(Piano/Vocal/Guitar Songbook). This sweeping, CG-animated feature film about an adventurous teenager who is inspired to leave the safety and security of her island on a daring journey to save her people with a little help from a demigod features original songs by Hamilton ‘s Lin-Manuel Miranda. This folio features nine songs from the soundtrack including: How Far I’ll Go * I Am Moana (Song of the Ancestors) * Know Who You Are * Shiny * We Know the Way * Where You Are * You’re Welcome. This souvenir folio also includes beautiful full-color scenes from the film.


NUN ☥ THE AWAKENING tells the epic stories of the Egyptian pantheon of gods and goddesses, and their roles in the development of the Universe and the growth of mankind. Discover the mysteries of NUN by downloading your FREE digital comic and ordering Book 1 of NUN The Awakening.
Khalil McMillan was West Philadelphia born/Bensalem raised. After studying and performing Theatre at West Chester University of Pennsylvania, he moved back to Philly and has since done a variety of commercial, stage, film, voiceover, and model work. His most recent and upcoming credits include short film Aluminum Heart and Neil Labute’s The Shape of Things next year at The Eagle Theatre. He is extremely excited and thankful for the opportunity to be a part of The Kidney’s tremendously talented cast and would like to thank his Aunt for her unconditional love and support.
Shaira Barton has been performing since she got her first lead role at the age of five. She has been an Actor, Model, TV Host and Voiceover talent in the English and Spanish markets, working alongside known names and Academy Award winners. She has landed versatile roles which can be seen internationally on Netflix’s House of Cards as well as HBO, Warner Brothers Pictures, Disney, FOX, NBC, UPN, CW, FPA; in Latin America’s Univision and Telemundo, along with screenings around the nation, and in Canada. In addition, she has performed in national commercials, and Public Service Announcements; and collaborated with known brands like Black & Decker, Strayer University, City Center, Kutra Spa and BG&E. Being bilingual and having an ethnically ambiguous look, she adds international appeal to any project.
Alexandra Tydings was born on December 15, 1972 in Washington, District of Columbia, USA. She is an actress, known for The Sunchaser (1996), Hercules and Xena – The Animated Movie: The Battle for Mount Olympus (1998) and Hercules: The Legendary Journeys (1995). She is married to Ben Luzzatto. They have two children.
Kelly Dowdle is a proud 80’s baby born in Oklahoma City, OK. Quickly transplanting to Texas – where she was a native for next 20 years – Kelly developed her southern charm and bohemian vibe, which lead to several national commercial bookings that sparked her career and love for the big screen. Following this artistic journey, Kelly began acting training at The University of Texas at Austin – finding her way through TV, film and sorority life. Graduating with honors from UT, Kelly also explored her love for music and began singing regularly in Downtown Austin. Gaining an unstoppable momentum in the film world, Kelly headed out west to LA – where she is happy to now call home.
Kelly has several features under her belt and is a triple threat – looks, brains and voice! From her start in BIG MOMMA’S HOUSE PART II to her most recent recurring role as Nicole Brown Simpson in Ryan Murphy’s AMERICAN CRIME STORY: THE PEOPLE VS OJ SIMPSON opposite Cuba Gooding Jr., Kelly has found her stride. She has her film she stars in TO HAVE AND TO KILL coming out this Fall and since then has wrapped two films set to come out early 2017. Rest assured, there is plenty more to come from this curly haired, sultry voiced vixen with the million dollar smile…much more to come!
After graduating from N.Y.U. and the Actor’s Studio, Johnny Alonso has worked on countless projects that all started with a one year recurring on the soap opera All My Children as Seth. From there many gigs followed: a guest starring role on Homicide as David Scholtz, a contract speaking role on Rules of Engagement as Kurt who gets into it with Samuel L. Jackson. Johnny also booked a core guest starring lead on ABC’s Growing Pains Reunion II as Mickey, and played Axe the bass playing/careless boyfriend next to Rachel Leigh Cooke in the movie Stateside. Johnny also played the core lead character Johnny Kowolski on the award winning 12 part educational PBS series Number’s Alive! Alonso’s was a WB/CW Network actor for 3 seasons with his 8 episode recurring role on Dawson’s Creek as the snide junior stock broker Jimmy Franco, and his 6 episode guest core recurring on One Tree Hill as the fast talking band manager Joey D. Johnny was featured as a guest starring role on A Haunting as the estranged Mike Esperanza and starred in the Los Angeles film Coffin, which spotlights his skills as the dark character Trick next to actors Kevin Sorbo and Bruce Davison. In the western picture Day of the Gun Johnny plays the horse riding/off centered Charlie Chaplin type Town Mortician. Johnny just guest starred on the ID television series House of Horrors as William, one of the main kidnappers in this dark story. Currently Johnny is working on the hit FOX show Gotham as the recurring role Kazz, bass player in Penguin’s house band at Oswald’s Nightclub. A featured role which has planted him in seasons I and II. He has worked with director Martin Scorcese on the new HBO series The Untitled Rock and Roll Project as Gibby, bass player in a New York City rock band that transitions into punk rock 1976. Johnny’s love for languages booked him as Corporal Fiato the Italian speaking soldier that translates for the American Army in the upcoming WWII History Channel documentary Disaster on Hill 772 March 28, 1943. Johnny plays Jack Pappas the pool shark hustler in the new feature Masse. You can also hear Johnny’s voice over work as he guides you thru the exhibit Remember The Children as the voice of Daniel at the Smithsonian Holocaust Museum in Washington D.C. His voice has guided millions of visitors thru this Smithsonian exhibit since the museum’s opening day. Alonso was also involved with the Emmy award winning show NASA 360 as one of the main hosts shooting over 30 episodes in the span of 3 seasons. This series shot all over the world. One of the coolest gigs to date.
Hitting his stride this actor has worked non-stop on many other series and projects including Forbidden, the F.B.I. Files, The Passing, True Crime with Aphrodite Jones, Nightmare Next Door, Sky Mall (Fall 2014), Good People, Click on This, City of Lost Souls, Walk of Shame and the new horror picture Terrortory. Alonso is also one of the main hosts of the Emmy award winning series NASA 360.
Erin O’Brien is originally from New Jersey. She began studying at the William Esper Studio in New York. After working on a number of independent films on the east coast she made the move to LA in 2011. Since making the move to LA she has worked on a number of films, most recently she can be seen in the internationally released movie Fight Valley along side UFC champions Holly Holm & Miesha Tate. She is thrilled to be a part of such an amazing cast in the upcoming film The Kidney.
Vincent Young, an American actor, was born and raised in Philadelphia and South Jersey. He is known by millions for portraying colorful characters, most notably his breakthrough role, as the troubled Noah Hunter from the original TV series Beverly Hills, 90210 (1990) (1997-2000). Vincent went on to other intriguing character roles on CSI: NY (2004), JAG (1995) and NCIS (2003) in which he played Mikel Mawher, the crazy and eccentric ex-boyfriend of Abby Sciuto (Pauley Perrette).
Vincent started his career in NYC studying theater and performing on stage, yet found his way as an artist while residing in Paris. He lived in LA for 16 years and has since moved back to the east coast to continue his love of acting, with his recent character portrayal of memorable Bud Lunger in the award-winning independent film, Eagles in the Chicken Coop (2010). As a multi-faceted artist, Vincent is a painter and an accomplished wrestler and baseball player in which he regards as a differing form of artistic expression. He also keeps himself available for various charities.
CHRISTOPHER MANN is best known for his role as Councilman Tony Gray on the classic HBO drama series The Wire.
He made his television debut on an episode of Homicide: Life on the Street. His many guest appearances since have included ones on Law & Order: SVU, Law & Order: Criminal Intent, Heroes, Blue Bloods and Those Who Kill to name a few. He produced and starred in the series The Underground Kings; and recurs on House of Cards as the Secretary of Energy.
Mr. Mann’s feature credits include three films for writer/director Tony Gilroy: Michael Clayton, Duplicity, and The Bourne Legacy. He associate produced and co-starred in the film, But Deliver Us From Evil. The film will be released in January 2017. Another film he co-stars in, Voiceless (a faith based drama) is scheduled to be released in October of this year. Mr. Mann also has a supporting lead in the much anticipated release of the feature film, Loving. This film opened recently to rave reviews at the 2016 Cannes Film Festival. Focus Features will release “Loving” in theaters on November 4th, 2016.


Kirsten Dunst Sky Blue Chiffon V-neck Prom Dress 2017 Cannes Film Festival
Kirsten Dunst attend the 70th annual Cannes Film Festival in the Sky Blue Chiffon V-neck Prom Dress. Even though the actress was overwhelmed with emotion and broken down in tears, Dunst still look beautiful in this fairytale plunging gown. This Sky Blue Chiffon V-neck Prom Dress is in A-line silhouette,floor-length, featuring V-neck neckline with pleating, embellished with crystal-encrusted strap and belt.
|Dress Color||Sky Blue|
|Awards||Cannes Film Festival Dresses|


Nature & Grace
Tonight, I may have skipped Life Group to see a movie.
It sounds terrible, yes, but I had good reason: the family was going to see The Tree of Life.
While there is much to be said about this film, in my mind, some of the most poignant portions of the movie appeared early.
Amid visuals of the creation of the world and the dramatic interplay among a family, whispers from the family members knit the film’s themes together.
Beginning with text from Job 38, the films asks, “Where were you when I laid the earth’s foundation? Tell me, if you understand.”
Terrence Malick’s film is about not only creation, but Grace and Nature as well.
The mother, Mrs. O’Brian, says, “The nuns taught us there were two ways to life – the way of Nature and the way of Grace.”
Adopting the way of Nature leads to a selfish life, which makes demands on those around you. The one who lives by Nature will continually “find reasons to be unhappy when life is shining all around it.”
The way of Grace, though – well, Grace is another thing. Despite Nature’s opposition, Grace forgives. Grace refuses to respond to insults.
Grace loves. And the one who walks in Grace will love, too.
Mrs. O’Brian reminds us that, “No one who loves the way of Grace ever comes to a bad end.” After as pause, she says, “I will be true to you, whatever comes.”
While Mr. O’Brian struggled under the burden of Nature, which he in turn placed on his eldest son Jack, Mrs. O’Brian and R.L. find joy in the light of Grace.
Later in the film, a voice, which I assume to be Jack, asks, “Lord, why? And where were you?” Grappling with his brother’s premature death, Jack’s question leads back to the passage from Job. God asks Job, “Where were you?,” begging him to consider that while he was not present when the earth was created, God was.
If God can create the wonders that He did in heaven and on earth, is He not still involved in our lives, too? Through our past, present, and future, He is there.
And despite the brokenness of this world, it is the Grace of God that will sustain us, through our sorrow, hurt, pain and despair.
While the film certainly had other merits, including a stunning screenplay, The Tree of Life reminded me of this:
Walk in Love. Walk in Grace.


A talented gambler gathers a team of people with superpowers to win big at a casino. But at the game he finds himself up against a much stronger mystical rival and ends up in a deadlock putting in danger himself and his team that he has grown to love. To save his friends and his girlfriend the lead character will have to go above and beyond.
Playtime: 111 minutes
Production country / language: Russia/ English
Production year: 2018
Director(s): Aleksandr Boguslavskiy, Francesco Cinquemani
Producer(s): Monika Bacardi, Viktor Denisyuk
Genre: Action, Adventure, Fantasy
Cast: Antonio Banderas, Maksim Al-Names, Anastasiya Anikhovskaya


Sanford Jenkins is a writer and filmmaker from Germantown, Philadelphia. He is a graduate of Morehouse College and USC Cinema, with moments in New York’s financial and film industries.
Sanford’s filmwork has screened at Blackstar, Camerimage, and Palm Springs film festivals, and has been supported by American Cinematheque, Bureau of Creative Works, Directors Guild of America, Issa Rae Presents, NoBudge, and Vimeo, among others. His writing has been published by New Life Quarterly (E.M. Wolfman), Indieplex and Violet Summer Zine.
Sanford is a recipient of a 2017 DGA Student Film Award, a 2018 Small But Mighty Arts micro-grant, and is a member of CASSIUS’ inaugural Creative Class. He is currently a 2019 mentee in the Half Initiative Television Directing Program, and a Fall 2019 SFFILM Westridge Screenwriting Grant finalist for the narrative feature Joy and Pain.
For all inquiries, please contact: firstname.lastname@example.org


Despicable Me 3 (2017)
Gru and his wife Lucy must stop former '80s child star Balthazar Bratt from achieving world domination.
Boyka: Undisputed IV (2017)
In the fourth installment of the fighting franchise, Boyka is shooting for the big leagues when an accidental death in the ring makes him question everything he stands for. When he finds out the wife of the man he accidentally killed is in trouble, Boyka offers to fight in a series of impossible battles to free her from a life of servitude
All Eyez on Me (2017)
All Eyez on Me chronicles the life and legacy of Tupac Shakur, including his rise to superstardom as a hip-hop artist, actor, poet and activist, as well as his imprisonment and prolific, controversial time at Death Row Records. Against insurmountable odds, Tupac rose to become a cultural icon whose career and persona both continue to grow long after his passing.
A woman discovers that severe catastrophic events are somehow connected to the mental breakdown from which she's suffering.


A Star Is Born is a musical drama film. It was released in 2018. The director of this film is Bradley Cooper and he has made his debut in the field of the film direction. The story of this film is written by Eric Roth. It is a remake of a famous film under the same name which was released in 1937. It is the fourth remake of the film which was released in 1937. The net gross of this film was four million dollars. If you are not able to write a review of this movie, then you can get help from experts in cheap dissertation writing services. A brief overview of the cast and production of this movie is given below;
The cast of “A Star Is Born”
- Bradley Copper
He played the central role of this movie. In the movie, his name is Jackson and his nickname is Jack. In the movie, he is an established singer and also an established songwriter. He is not only the mentor of Ally but he is also an interest of love for the Ally.
- Lady Gaga
The Lady Gaga has also played a central role in this movie. In the movie, her name is Ally Maine. She is a night-club singer and also a songwriter. In the movie, she was discovered by Jack.
- Sam Elliot
His character name in the movie is Bobby Maine and he has played a role of Jack’s manager in the movie.
- Dave Chappell
He is playing the character of George in the movie. He has played a role of a friend of the Jack. He is also a retired musician.
- Andrew Dice Clay
His name in the movie is Lorenzo Campania and he has played a role of Ally’s father in the movie.
- Anthony Ramos
His name in the movie is Ramon and he has played a role of Ally’s friend in the movie.
- Michael Harney
His name in the movie is Wolfe and he has played a role of Lorenzo’s friend in the movie.
- Rafi Gavron
His name in the movie is Rez Gavron and he has played a role of a music producer in the movie. Moreover, he is also a manager of Ally.
In the production of a movie, there come a lot of things. We will discuss these things one by one. These things are given below;
The actual development of this movie was started in 2011 and due to some reasons, it was delayed. In 2015, the Cooper decided to make his debut with the help of this remake film. After deciding the cast of this movie, the actual process of making this film was started in 2017 and it was released in 2018.
Lukas Nelson showed impressive performance in the Desert Trip and Cooper approached him and signed him for the music of his movie.
This film was released in some cinemas on August 2018 and on October 2018, it was released in the US.
- Home media
The distribution rights of this movie were given to Warner Bros and they announced that this movie will be available for the digital downloads in January 2019.


On IV Innovative International Film Festival in Bangalore
On October 14-17, the IV Innovative International Film Festival took place in Bangalore (Karnataka). Russia was among thirty countries that participated in the event organized by the Innovative Film Academy, which has been functioning since 2015 with the aim to exchange the experience and content among filmmakers across India as well as the establishment of international cooperation.
The program included the screening of 76 movies in more than forty languages. Russia presented the film “Dostoevsky Intercontinental” by I.Zakharenko, which was shot ahead of the 200th birth anniversary of the renowned writer with the support of International Media Network “TV BRICS”. The motion picture has received an award in the nomination “The Best Documentary Film”.
The authors showed how nowadays Fyodor Mikhailovich’s ideas are interpreted by experts from various fields of studies in Brazil, Russia, India, China and South Africa.
During the festival fourteen plenary sessions on tourism were also held. A great number of representatives of international community, including heads of Embassies, Consulates-General and Cultural Centers introduced the most popular tourist destinations and described nuances of international interaction in this sphere in the context of a new post-pandemic reality.


As a kid, I believed in the ways of the Force by opening doors for strangers at the mall (which turned out to be automatic), telling my dogs to sit (which turned out to be trained), and trying to sway my hand at my mom’s face to give me extra money (which made me realize that there’s no such thing as the Force).
Let me be clear though that I’m not a die-hard nerd when it comes to Star Wars. I don’t speak “Hutteese.” I don’t know the droid that Luke was originally going to buy at the start of Episode IV. And I have no idea who Owen Lars’ mother’s uncle’s father’s driver’s pilot’s boyfriend is if ever that guy exists, because I have a life outside of Star Wars. But I do know that Rogue One is not Episode VIII, which means I know my stuff.
Over the years, one of the hotly contested debates in fanboy world has always been identifying the perfect order of watching Star Wars. Some prefer the release order (IV, V, VI, I, II, III), while others stick with the chronological order (I, II, III. IV, V, VI). Don’t get me wrong, both orders have their own pros and cons.
By watching Star Wars in release order, we witness a young moisture farmer Luke Skywalker and his journey of becoming a Jedi Master before witnessing the fall of Anakin (and George Lucas’ man crush on using CGI extensively) to the dark side. The problem with this order is that it magnifies the fact that the prequels were unnecessary additions to the series. From the original trilogy (IV-V-VI) alone, we get the idea of the whole Star Wars story (the Force, Dark Side, Jedi) and end on a high note as the Rebel Alliance celebrate their victory against the Empire. The prequel trilogy only adds a backstory that no one really asked for the film’s greatest villain — Darth Vader.
By watching Star Wars in chronological order, we come to understand that Jedis have long been aware of a prophecy — the one who will bring balance to the Force (spoiler alert: it’s not Donald Trump). Anakin goes through his journey as a hero turned villain while Luke becomes his redemption as he helped his father fulfill the prophecy. If only we could disregard the tax disputes between Naboo and the Trade Federation, the existence of Jar-Jar Binks, and the cringe-worthy acting of Hayden Christensen, this order would be the better choice of watching Star Wars. It has always been the way that George Lucas intended us to watch his films as he changed the Star Wars narrative and made Anakin Skywalker the hero.
One itsy bitsy problem, though — it spoils the fact that Darth Vader is actually Luke Skywalker’s father!
(Now, if you don’t think that’s not a very important plot twist, think again)
Despite their own pros and cons, both viewing orders ultimately failed to show the proper storytelling that Star Wars deserved.
That is until I found out about the Machete Order.
Written way back in 2011, the author of the Machete Order says that we should watch Star Wars in this particular order — IV, V, II, III, VI, removing Episode I in the process. In his post, the author argues 2 solid points:
- Luke Skywalker is the real hero.
- Episode I is the only unnecessary addition to the Star Wars film as it leaves a lot of unanswered questions such as: what are midi-chlorians? Who is Anakin’s father? Why was Jar-Jar Binks ever created?
Through this order, we see Luke training to become a Jedi like his dad until Darth Vader dropped the “I’m your father” bomb on him. We get an extended flashback on how Vader became Vader, and still end the series with everyone celebrating. In a nutshell, the author writes that with his Machete Order, “the Star Wars watching experience gets to start with the film that does the best job of establishing the Star Wars universe, Episode IV, and it ends with the most satisfying ending, Episode VI.”
Fair to say that of all the 3 known viewing orders, this is by far my most favorite and recommended one. Now that Disney has bought the entire franchise (RIP Expanded Universe) from Lucas for a cool $4 billion and plans to continue expanding the story, the question now is — where do the new movies fit in the Machete Order?
Simple. How about watching everything in this order:
ROGUE ONE — IV — V — I — II — III — VI — VII
(I’ve dubbed this the Gamboa Order on the off chance it catches on because, like the author of the Machete Order, I’m also a vain asshole)
I know you have so many questions.
“WTF, Rogue One is there?!”
“WTF, Episode I is also there?!”
“WTF, what the fucking order this is?!”
Hold your horses and let me explain.
By now, you have seen Rogue One: A Star Wars Story at least once, twice, or have tried all movie formats (4DX, IMAX, 3D — in which case, I’m happy for you). In the movie, we see the entire galaxy under Galactic Empire rule and all worlds being guarded by Imperial fleet and Stormtroopers. The story revolves around the plan of the Empire in using kyber crystals (same crystals that emit lightsabers) as a weapon capable of mass destruction. The Rebel Alliance tags the help of Jyn Erso in leading a bunch of misfits to steal the plans and destroy the Death Star.
Even with the absence of Jedi and the Force, Rogue One still establishes a lot of important things to kick off the Star Wars story:
- The immense power of the Galactic Empire
2. The lack of unity from the Rebel Alliance
3. THIS SCENE
4. The casualties of war (which wasn’t given enough focus by succeeding films)
Rogue One basically kicks off your Star Wars viewing experience by understanding first what kind of enemy everyone is facing against. The movie provides gloom and uncertainty all throughout as the Rebels try to fight off the dictatorial rule of the Emperor. When you realize who had to die to provide hope in this war, it adds a whole lot of emotional depth not just for Episode IV (in which Rogue One is a prequel to) but for the rest of the Star Wars movies. With this, we root for our heroes Luke, Leia, Han, and the rest of the gang even more in their journey to bring peace to the galaxy.
After Rogue One, we continue with A New Hope and The Empire Strikes Back before going to the prequel trilogy as extended flashbacks to explain what happened with Darth Vader.
With the numerous complaints I have for Episode I, why did I still include it in the Gamboa Order?
Before we witness his emo stage in Episodes II and III, The Phantom Menace showed Anakin, like his son Luke, was only just a kid trying to survive in Tatooine. We find out that because of fate, Obi-Wan and his master, Qui-Gon, were led to the young boy. And that same young boy would turn out to be the one who will bring balance to the Force (which he fulfilled in Episode VI). The film also shows that Yoda has already foreseen the dark path that lies upon Anakin’s journey, which is cheeky beautiful because this was as close as we’ll get to see Yoda facing Darth Vader in the movies.
Episode I also provides several important subplots:
- A backstory for both C-3PO (built by Anakin) and R2-D2 (saved Amidala’s Naboo Starship from the blockade), revealing that both droids had important roles in the lives of Luke and Leia’s parents.
- How Obi-Wan became a Jedi Master and Anakin became his apprentice (a vow he made to a dying Qui-Gonn)
- The Dark Side of the Force’s rule of two (there can only be a master and an apprentice)
- Darth Sidious’ master plan on ascending the ranks from being a Galactic Senator to Supreme Chancellor.
- Jar-Jar Binks’ role from an exiled Gungan to being the Senator that gave Chancellor Palpatine emergency powers to build the Grand Army of the Republic (another reason to punch Jar-Jar).
Whether we like it or not, Episode I is still a must-watch. But once you get past the 2-hour snoozefest of a movie, everything will turn out to be fine and all will be worth it. Trust me. For what it’s worth though, The Phantom Menace has one of the best lightsaber duel scenes (with matching soundtrack) in the series when Darth Maul faces Obi-Wan and Qui-Gonn.
Now that we’re all settled with Luke and Darth Vader’s journey, where does the next batch of trilogy fit in the Gamboa Order?
In 2015, Disney finally released the first Star Wars: Episode VII as the sequel to everything (way to fix the timeline, Disney!). The Force Awakens introduces us to a new heroine, Rey, as she faces off against Supreme Leader Snoke, Kylo Ren, and the First Order (a military junta that followed the Galactic Empire) with the help of General Organa (we miss you, Carrie Fisher) and the Rebel Alliance. And since it’s not a prequel to the prequels to the originals, we can watch Episode VII right after Episode VI. And we can watch Episode VIII right after Episode VII! With the new trilogy, we can all safely watch it in chronological order, and it wouldn’t affect the viewing experience we had during the first 6 episodes.
Unless George Lucas comes back and decides to make prequels again, wherein we have to create a new viewing order. Please God, I hope not.
Try the Gamboa Order for a change when introducing Star Wars to your friends who will watch it for the first time and comment your violent reactions below.
– David Gamboa


‘Demon’ is a movie genre Drama, was released in July 13, 2017. Yegor Troyanovsky was directed this movie This movie tell story about The film investigates the kidnapping and alleged murder of a soldier in Donbas, in 2014. Together with his father, an elderly fisherman from the Southern Ukraine, we follow the trail of his captors. Traveling from the calm Azov coastline to industrial conglomerates, from the furious mining region to the sleepless capital, we try to find the witnesses of the young soldier’s final hours, as well as those who could have seen his body. The film uses a wide range of video and audio material including news, voice recordings and interviews. Its complex narrative construction shows the long and winding path of a father who seeks justice for his son’s murderers.
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Friday 27 October 2017
IMAX Theatre, 19.30–22.30 (Doors open 19.00)
Suitable for ages 15+
Oscar-winners Danny Boyle and Simon Beaufoy in conversation with Sanjeev Bhaskar
The Illuminating India events programme explores not only Indian science, technology and innovation, but also celebrates Indian art and culture. We kick off the season with a very special screening of a film whose production was a shining example of UK-India collaboration.
Winner of eight Academy Awards and based on the novel by Vikas Swarup, Slumdog Millionaire tells the story of Jamal (Dev Patel), a penniless 18-year-old orphan from the slums of Mumbai just one question away from winning 20 million rupees on India’s Who Wants to be a Millionaire? But when the show breaks for the night, suddenly, he is arrested on suspicion of cheating. After all, how could an uneducated street kid possibly know so much?
Determined to get to the bottom of Jamal’s story, the jaded police inspector (played by Irrfan Khan) spends the night probing Jamal’s incredible past, from his riveting tales of the slums where he and his brother Salim survived by their wits to his hair-raising encounters with local gangs and his heartbreak over Latika (Freida Pinto), the unforgettable girl he loved and lost.
We are delighted to be joined on the night by Oscar-winning director Danny Boyle (Trainspotting, 28 Days Later, Steve Jobs) and fellow Academy Award-winner, screenwriter Simon Beaufoy (The Full Monty, Salmon Fishing in the Yemen) for a Q&A hosted by Sanjeev Bhaskar (Goodness Gracious Me, The Kumars at No. 42) about the making of the film.
Slumdog Millionaire, dir. Danny Boyle, 2008, 120 mins, 15
Watch the trailer
£20 Standard, £18 Concessions/Senior, £25 Premium


Tom Strnad is a graduate of York University’s Film & Video program. In 2001 he produced his first feature film THREE & A HALF, with financing provided by Telefilm Canada. His films have participated in numerous international film festivals including TIFF, SXSW, Vancouver International Film Festival, FIPA, Montreal World Film Festival and Fair International Film Festival and can be seen worldwide. Tom’s knowledge in 35mm and 16mm film formats was key in his early adoption of digital cinema formats and current 360 VR video. Mountain Goat Film Company Inc. was founded by Tom in 2011 and focuses on strong unique and untold stories.


Nestled in the heart of Walt Disney World Resort, Disney Hollywood Studios stands as a beacon of the entertainment world, blending the nostalgia of Hollywood’s golden era with Disney’s timeless charm. Accurate knowledge of the park’s operating hours is essential for visitors planning their magical journey. This article aims to provide the most up-to-date and precise information on Disney Hollywood Studios’ hours of operation.
Standard Disney Hollywood Studios Hours
Disney Hollywood Studios welcomes guests with a consistent and reliable schedule. The park opens its gates at 9:00 AM, inviting visitors into a world where fantasy blends with reality. As the sun sets, the park’s vibrant energy continues until its closing at 9:00 PM. This schedule is consistent throughout the week, ensuring that every day is an opportunity for adventure and excitement.
Holiday Disney Hollywood Studios Hours
The magic of Disney Hollywood Studios amplifies during the holiday season. The park extends its hours to accommodate the festive spirit, typically opening earlier at 8:00 AM and closing later at 10:00 PM. These extended hours apply to major holidays like Christmas and New Year’s Eve, offering guests more time to immerse themselves in the holiday-themed shows, parades, and decorations that transform the park into a winter wonderland.
Finding Disney Hollywood Studios: Location Details
Disney Hollywood Studios is located in the Walt Disney World Resort in Bay Lake, Florida, near Orlando. For easy navigation, use this Google Maps link.
Disney Hollywood Studios Contact Information
For inquiries or further information, visitors can contact Disney Hollywood Studios through the following channels:
- Phone Number: (407) 939-5277
- Website: Disney Hollywood Studios Official Website
- Online reservation for dining
About Disney Hollywood Studios
Opened in 1989, Disney Hollywood Studios is a tribute to the entertainment industry, offering a blend of classic cinema, television, music, and theater. The park is divided into several areas, each themed to different aspects of Hollywood and entertainment, including Echo Lake, Grand Avenue, and Hollywood Boulevard. It’s a place where guests can step into the stories of their favorite films and TV shows, making it a unique and must-visit destination.
What Disney Hollywood Studios Offers
Disney Hollywood Studios is home to some of the most iconic attractions in the world. The park features thrilling rides like the Rock ‘n’ Roller Coaster Starring Aerosmith and the Twilight Zone Tower of Terror. Guests can also explore the immersive worlds of Toy Story Land and Star Wars: Galaxy’s Edge. With live shows, character experiences, and spectacular fireworks, the park offers endless entertainment for visitors of all ages.
Attractions and Experiences at Disney Hollywood Studios
Star Wars: Galaxy’s Edge: This immersive land transports guests to the planet Batuu, a remote outpost on the galaxy’s edge. Here, visitors can pilot the Millennium Falcon on a thrilling interactive smuggling mission, join the Resistance in a climactic battle against the First Order, and explore a bustling marketplace filled with unique merchandise and galactic cuisine.
Toy Story Land: Step into Andy’s backyard and experience the world from a toy’s perspective. This area features the Slinky Dog Dash, a family-friendly roller coaster, and Alien Swirling Saucers, a spin-ride that offers fun for all ages. Guests can also enjoy interactive experiences and meet their favorite Toy Story characters.
Fantasmic!: An unforgettable nighttime spectacular, Fantasmic! combines water, fire, lights, and music with beloved Disney characters. This show takes guests on a journey through Mickey Mouse’s imagination, featuring stunning effects and appearances by classic Disney heroes and villains.
The Twilight Zone Tower of Terror™: A must-visit for thrill-seekers, this iconic attraction offers a heart-pounding experience as guests drop down the haunted elevator shaft of the once-glamorous Hollywood Tower Hotel.
Rock ‘n’ Roller Coaster Starring Aerosmith: This high-speed indoor roller coaster accelerates from 0 to 57 miles per hour in just 2.8 seconds. Guests race through the darkened freeways of Los Angeles to the rockin’ tunes of Aerosmith.
Disney Hollywood Studios also offers a variety of dining options to suit all tastes. From quick-service eateries to immersive dining experiences, the park caters to a wide range of culinary preferences.
- Sci-Fi Dine-In Theater Restaurant: Enjoy American cuisine in a unique setting that replicates a 1950s drive-in theater, complete with classic car booths and sci-fi movie clips.
- 50’s Prime Time Café: This restaurant takes guests back to the 1950s, serving comfort food in a nostalgic setting reminiscent of a cozy family kitchen.
- Oga’s Cantina: Located in Star Wars: Galaxy’s Edge, this exotic spaceport cantina offers otherworldly drinks and a lively atmosphere.
Special Events and Seasonal Features
Disney Hollywood Studios hosts various special events and seasonal offerings throughout the year, enhancing the guest experience with unique themes and celebrations.
- Mickey’s Not-So-Scary Halloween Party: A special ticketed event featuring Halloween-themed shows, parades, and fireworks.
- Sunset Seasons Greetings: A holiday event where Sunset Boulevard comes alive with festive projections, snow, and stories from beloved Disney characters.
- Star Wars Weekends: A celebration of the Star Wars saga with special shows, character meet-and-greets, and themed merchandise.
Disney Hollywood Studios FAQ
- What are the exact operating hours?
The park typically opens at 9:00 AM and closes at 9:00 PM, with extended hours during holidays.
- How do holiday hours differ?
On major holidays, the park may operate from 8:00 AM to 10:00 PM.
- Are there special events during holidays?
Yes, the park hosts special events, shows, and decorations during major holidays.
- Is advance ticket booking required?
Advance ticket booking is recommended, especially during peak seasons and holidays.
Disney Hollywood Studios offers a consistent and enchanting experience for all its visitors. With extended hours during holidays and a plethora of attractions, it’s a destination that promises unforgettable memories.


2005 DVD containing 4 Short Films by People Like Us
Made using footage from the Prelinger Archives and A/V Geeks, this film explores how technology enables us to communicate faster. Despite advances in communication technology the film shows that the story of progress will never end; and that it leads to both connection and disconnection. The narrative is from a public domain film of the same name made in 1950 about the development of microwave radio transmission and the transistor.
Sonic Arts Network proudly presents a collection of short films by leading British A/V artist People Like Us, a true champion of a particularly English sense of humour. The DVD shows a journey though a multi-layered 20th Century, represented by bright eyed and enthusiastic images of the modern world, concluding with the new Sonic Arts Network commission 'Story Without End'.
We Edit Life
The Remote Controller
Story Without End
Design by Joerg Hartmannsgruber & People Like Us
Released by Sonic Arts Network in 2005


Stanley wells is honorary president of the shakespeare birthplace trust professor emeritus at the university of birmingham and the author of a number of books about shakespeare including shakespeare sex and love oup 2010 shakespeare and co penguin 2007 and william shakespeare a very short introduction oup 2015 he is general editor of the oxford shakespeare and penguin . Shakespeares tragedies a very short introduction considers what is meant by the word tragedy offering a critical analysis of nine of shakespeares iconic tragic plays it concludes by discussing why tragedy is regarded as a fit subject for entertainment and why audiences find tragic plays so enjoyable. Shakespeares tragedies a very short introduction stanley wells very short introductions analyses nine of shakespeares most famous tragedies including othello hamlet macbeth king lear and antony and cleopatra considers shakespeares tragedies in the context of their own time exploring the influence of contemporary literary and . In this very short introduction stanley wells considers what is meant by the word tragedy and discusses nine of shakespeares iconic tragic plays he explores how the early definitions and theoretical discussions of the concept of tragedy in shakespeares time would have influenced these plays along with the literary influence of seneca. Get this from a library shakespeares tragedies a very short introduction stanley wells tragedy including grief pain and suffering is a common theme in shakespeares plays often leading to the death of at least one character if not several yet such themes can also be found in
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It is said that beauty is found within. But there will be no one more beautiful than you in these Beauty and the Beast costumes.
One of the your favourite classic tales will come alive in the next party. Suit up as a Belle the Disney Princess or the main character of the popular tale from Villeneuve.
Who wouldn't like to wear Belle's yellow dress in the Disney film The Beauty and the Beast while dancing to the rythm of a nice song with your lover? And what about wearing the Beast costume and turning into an attractive prince at the end of the party?
You'll love Disney Beauty and the Beast costumes. On our site, you'll find kids Beauty and the Beast costumes but women Belle dress and Beast costume for adults too so you can get dressed as a beautiful family.
¡Be our guest!
49,99 € Before


INGRID GOES WEST
AUGUST 25-31, 2017
FRIDAY, MONDAY, WEDNESDAY, THURSDAY AT 2:15-4:15-6:20-8:20
SATURDAY & SUNDAY AT 4:15-6:20-8:20
TUESDAY AT AT 2:15-4:15-6:20
A Sundance Film Festival winner, this pitch black comedy starring two of the media's smartest comediennes, Aubrey Plaza and Elizabeth Olson. Ms. Plaza pursues her object of internet adoration (ms. Olson) via instagram and any other piece of social media that she can lay her crazy hands on. An insightful, witty and ultimately touching take on the current state of celebrity madness.
Directed by Matt Spicer
1 Hour, 37 Minutes
AUGUST 25-27, 2017
FRIDAY & SATURDAY EVENINGS AT 10:20
SATURDAY & SUNDAY MATINEES AT 2:00
OSCAR WINNER: BEST PICTURE
MOONLIGHT is the tender, heartbreaking story of a young man’s struggle to find himself, told across three defining chapters in his life as he experiences the ecstasy, pain, and beauty of falling in love, while grappling with his own sexuality. Anchored by astonishing performances and the singular vision of filmmaker Barry Jenkins, MOONLIGHT is a groundbreaking exploration of male masculinity—a sensual, intoxicating piece of cinema that uncovers deep truths about the moments that define us, the people who shape us most, and the ache of love that can last a lifetime.
Directed by Barry Jenkins
1 Hour, 51 Minutes
ONLY LIVING BOY IN NEW YORK
After graduating from college and moving to an apartment, young Thomas Webb befriends an alcoholic neighbor who dispenses worldly wisdom alongside shots of whiskey. Webb's world soon comes crashing down when he learns that his father is having an affair with a beautiful and seductive woman. Determined to break up the relationship, Thomas winds up sleeping with her, launching a chain of events that will change everything that he thinks he knows about his family and himself.
Directed by Marc Webb
1 Hour, 28 Minutes


This year, join ICPJ’s Latin American Task Force to watch and discuss a series of eye-opening and galvanizing films about social justice issues in Latin America, accompanied by dinner from Pilar’s Tamales.
All films take place at St Mary’s Student Parish on 331 Thompson Street, Ann Arbor. RSVP for an $8 dinner option.
For more information, contact us at firstname.lastname@example.org or 734-663-1870.
La Voz del Pueblo
American Films presents La Voz del Pueblo, a documentary that explores violence an oppression in Honduras through the eyes of journalists at the Jesuit-run radio station, Radio Progreso, which has been under threat since the 2009 military coup.
When: Tues, Feb 14. Dinner @ 6:30 pm, film @ 7:00 pm
We Women Warriors
We Women Warriors follows three native women caught in the crossfire of Colombia’s warfare who use nonviolent resistance to defend their peoples’ survival. Columbia has 102 aboriginal groups, one third of which face extinction because of the civil war and its consequences. Despite being trapped in a protracted predicament financed by the drug trade, indigenous women are resourcefully leading and creating transformation imbued with hope.
When: Tues, March 14. Dinner @ 6:30 pm, film @ 7:00 pm
This documentary made by Mexican journalist, activists, and researchers focuses on the role of the Mexican military in the forced disappearance of 43 students from the Mexican town of Ayotzinapa, Iguala in September 2014. The film puts into question the government investigation and legal inconsistencies. The documentary investigates the events of that night, the collusion of police and army with organized crime and the Mexican government’s cover-up.
When: Tues, April 11. Dinner @ 6:30 pm, film @ 7:00 pm
Harvest of Empire
This powerful documentary explores the political events, social conditions and U.S. government actions that led millions of Latinos to leave their homelands and move to America. From the territorial expansionist policies that decimated the young economies of Mexico, Puerto Rico and Cuba, to the covert operations that imposed oppressive military regimes in the Dominican Republic, Guatemala, Nicaragua and El Salvador. Harvest of Empire provides an unflinching look at the origins of the growing Latino presence in the U.S.
When: Tues, May 9. Dinner @ 6:30 pm, film @ 7:00 pm


Release: 25 May 1977
IMDB Rating: http://www.imdb.com/title/tt0076759/
Cast: Mark Hamill, Harrison Ford, Carrie Fisher
Synopsis: Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookie and two droids to save the universe from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
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On the 17th March 2020, the Triptych at the Old Red Lion was the final performance given on the London stage.
Simon Stephens moved his Q&A forward by a night to leave us with a message of “Never despair. Never despair. Never despair.”
And in the weeks, and many months that followed, the mood in our circle veered wildly – this began as a much needed rest for creatives who, more or less without exception, worked multiple jobs to sustain their vocation. Who served pizza and flipped burgers and served coffee in order to rehearse a few hours a week and perform for a handful of nights a year.
From actors in the West End to theatre-makers who were about to do their first or second show, the mood was one of first, they deserve a moment to catch a breath in an industry and society that demands total, all consuming dedication. And that’s massively draining. And so many people reported that they were enjoying a beat of rest, although almost all were trepadacious about what the theatre might hold.
And then came the exodus of artists who couldn’t afford rent with no work to go to, and no particular hope of any to come. Talented creatives who left London to go back to family homes, or somewhere less expensive.
So the mood shifted from hope, defiance, to an acceptance and perhaps a downward spiral seem to set in.
So when the Barn said they were interested in Private Peaceful, it seemed a little easier to never despair.
We are unimaginably lucky to be staging a play in these ridiculous times. It has been little short of a joy. And Emily Costello and James Demaine are immensely generous actors with huge reserves of passion, and BoxLess are massively grateful to them. It has been, in all senses, a privilege.
Creating a play where the actors can never touch, and are at least a meter apart at all times was an interesting one. But if anything it was a question of dialling up the style, and the symbolism, and hopefully it won’t occur to the audience that the Peaceful brothers, who share a bond that cannot be broken by war, have never touched.
The final performance in London, the last night of our Triptych with Bag of Beard and Grindstone, as part of the Old Red Lion’s ‘Where Are We Now?’ Season, were three stories of hope, defiance of the odds, how human beings survive in impossible circumstances.
This was part of a season with stories of what family means to us now, a journey of nationhood and self discovery, female friendship in a society overly defined by the masculine, and a play about a virus that wipes out half of humanity – that went unperformed due to a real deadly virus.
So we endeavoured to take stock of society in ‘Where Are We Now?’ and were forced to close, ending with one last performance of a Triptych that said that while things may feel impossible, there might be a glimmer of hope to hold on to, and a way to move on.
And so we resume live theatre with a warm, human tragedy because, without spoilers, this is what Private Peaceful is. It’s charming. It’s for all the family. It has live music and in our staging it has moments of humour. But it is a tragedy and more than that, it is about how a government fails its citizens, and fails its young people.
So without planning, we ended with a story of hope, and we begin again with an indictment of an uncaring, faceless, hypocritical government. You will only engage with them through characters that, we hope, will charm you. But by the end, it is the faceless rulers who are to blame for it the horrors they will have to endure.
Even as indoor theatre takes its first tentative steps towards reopening, even in the smallest way, although for many it still isn’t viable, financially or artistically, but I feel that the restrictions, the zeitgeist, are going to push theatre in a more experimental direction. We’re going to be forced to consider new horizons and that opens up huge new avenues for storytelling.
Private Peaceful came about as an idea to promenade in a London park, and has ended up as a new, non contact, outdoor staging. Blindness (adapted by Simon Stephens) at the Donmar Warehouse, takes the audience on a stunning aural journey, and makes the revelation of what lies outside the walls of the theatre the central dramatic moment. And then the audience stumbles through the streets of a pandemic stricken London, with face masks, and closed streets and cautious glances.
It is truly immersive theatre. You carry the world of the play home with you. Your life is the continued story of the play you heard.
Live experiences are beginning to return, telling stories in a new way. And that makes it easier to never despair.


When Liam Neeon’s character, The Boy Who Lived, was killed off in the film, he became a hero in his own right.
Now, he’s making the film’s second sequel, titled The Girl on a Train.
The new film is based on the novel by The Girl Who Loved Me, which follows a young girl who is drawn into a mystery surrounding her father.
Neesons role in the upcoming film will be played by Michael B. Jordan, and the story is being written by Sam Taylor-Johnson, who wrote the novel with his wife, Joanne Froggatt.
As the title suggests, the movie is based off the book, which is based in the real life story of an eight-year-old girl who was abducted by her family’s abusive uncle and placed in a home.
She became a runaway and was found by a group of young men, who later murdered her and set her on fire.
Neeons character was also killed off after the film was made.
The Girl On a Train: The Girl In the Train is a true-life story of how the life of a runaway girl has changed her and her family, who now live a happy life.
According to Entertainment Weekly, The Girl in the Train, based on a true story, is set to begin shooting in New Zealand this summer, with a planned theatrical release on October 14.


A Londoner born and bred, Steve started out in news and current affairs with Reuters and ITN before gaining experience as a film camera assistant on dramas and shorts. Steve worked his way up through the ranks, which led him to shooting a number of pop promos for artists including Alison Moyet and Bruce Dickinson.
Steve has worked as a cinematographer on a number of independent features as well as shooting documentaries on Kiss, The Beatles, David Essex and US comedian George Carlin.
More recently Steve won the Best Cinematography award at a Florida film festival for his work on the short film 'Stealing'.
When not attached to his eyepiece, Steve is always on the look-out for inspiration and likes nothing more than hunting down rare cult film classics.
Link to IMDb credits:
Copyright @ All Rights Reserved


‘Tis the season to be jolly and as families plan their Christmas television viewing, A CHARLIE BROWN CHRISTMAS is more than likely to be a part of their Christmas cheer!
Guess what? There is another great option to watch this holiday classic and you get to do it live! Yes, you can watch The Peanuts Gang live, and walk away feeling just as joyful as you do when you watch the television special.
The Dallas Children’s Theater (DCT) has brought to life Charlie Brown and his friends with the stage production of A CHARLIE BROWN CHRISTMAS!
As we walked into the theater, it was a soft sea of blue as the floor resembled a skating rink. I wondered, “Are they going to skate in here?” Yes! They sure did! Is there anything this cast can’t do?
During the opening scene, I felt like we stepped inside the television screen as the actors gleefully skated and sang “Christmas Time Is Here” as snow fell. Hey… I’ll take snow in Dallas anyway I can get it!
Something was slightly different and special about this performance. There was a live three- piece combo band! The band played throughout the production to help maintain an authentic touch. Kuddos!
I was impressed that DCT brought to life each scene from the television special. You won’t miss the hilarious dance scenes, Lucy singing Jingle Bells (and a Ho! Ho! Ho!), Linus explaining the true meaning of Christmas or any of the scenes that have made this holiday classic a family favorite for over 50 years!
Oh, but let’s not forget about that one special, cool friend,Snoopy, who is just as much of a scene stealer on stage as he (or she) is in the television special!
What you’ll witness with this live production is the infectious exuberance and fun that the cast brings and uses to draw you into the performance.
A CHARLIE BROWN CHRISTMAS has delighted our hearts year after year as we are reminded about the true meaning of Christmas. Maybe you don’t celebrate Christmas. That’s okay because the true meaning of the season is love and kindness! May we all celebrate those two things!
Just like the flimsy tree that Charlie Brown found for the play (you know the story) just remember, it’s not all bad. What we all need is a little love and when it’s found, our hearts light up and our spirits shine!
A CHARLIE BROWN CHRISTMAS runs through December 21, 2016, and is recommended for ages 5 and up.
Reserve tickets by calling the box office at 214-740-0051 or visiting www.dct.org
Follow Momcapade on Instagram and Twitter @momcapade


Alchemy Film And Moving Image Festival
Thursday, February 2nd, 2017
The Alchemy Film and Moving Image Festival takes place in Hawick each year. This year the festival will run from Thursday 2nd to Monday 6th March. This event attracts independent film makers, artists, designers and directors from all around the world to Hawick.
The films and art installations are shown in a variety of venues around the town. This year Alchemy have offered to provide a guided tour of the art installations and to organise a joint seminar, with pupils from Hawick High and Earlston High School, to discuss film-making. The tour will take place on Friday 3rd March, from 9am to 1pm. If any S5 or S6 pupils are interested in a career in the media, film and television or would just like to visit the exhibits and find out more about the festival, please give your name to Mr Frankland by Wednesday 15th February.


Watch “Rocky Horror Picture Show” at Sycuan Casino
Get ready to do the Time Warp at Sycuan Casino’s screening of “Rocky Horror Picture Show” on Saturday, October 28th at 8p in their plush Live Up & Close Theatre. It’s going to be a fun night! Kick off your Halloween weekend at Sycuan and watch the cult classic in your costume and sing and dance along all night. The costume contest begins at 7:30p. Admission is FREE if you win with KyXy. Sign up for a chance to win free tickets at KyXy.com.


Saturday, January 12, 2013
Netflix's Most Forgettable
I think I speak for virtually all of us when I say: I love Netflix instant play (ooh! ooh! it rhymes too)(AHH! rhyme inception!)). I mean, I watch all of my TV shows via Netflix, and most of the movies I like too. But, unfortunately, the harvesting ground of Netflix watch instantly is riddled with rocks, potholes, the occasional cow, and a whole lot of low-to-no-budget horror movies that look like they were made in the producer's backyard with their new-in-the-80's camcorder that they dug out of the attic for the occasion.
First off, there are the movies that should've never even had a movie #1 that now have magically adopted a number 3 at the end of the title. You can immediately spot these by their title, something like: The Ballerina Princess in Disguise 3, or Robots in Decidedly Non-Robot Situations 3, or the ever-popular Ninja Robots vs. Alien Cowboys: The Extended Edition.
Then, you get the movies that try to pass themselves off as the real thing, like: The Oppressed Princess and her Authority Figure, or Supernatural Activity, Air Buddies 3, Titanic II (an actual movie on Netflix... but I thought it sank in the first movie?) , Legally Blondes, or anything like that.
Now we come to the deluge of holiday movies that, come Christmastide, infest the movie queue like a horde of ill-fed, giant, diseased rats. These too, you can recognize by the title. Things like: A Christmas Rabbit 3, and Holiday Dogs, A Christmas Song, How the Snowmen Saved Christmas, or the deadly Santa Claws 4. I have come to the conclusion that most holiday movies are, in fact, rubbish, so I simply stick with the Doctor Who Christmas specials.
Then there are the low-to-no-budget horror movies. These you can tell because they try very, very hard to take themselves seriously and fail miserably. These have titles like: The Zombie-Vampire invasion, or the Undead Tarantula, or the Two Headed Shark. Another way to tell if a horror or action movie is rubbish is if they don't put any of the actors names on the front. Or if the ratings and quotes are from utterly obscure companies that have no business reviewing movies and probably couldn't tell a good movie if it danced the tango wearing a kilt in front of them. Oh, and if there is a scantily-clad woman on the front, especially if she is the only thing on the front, she was probably the highest-paid actor in the film. So don't watch it. It probably sucks.
I have also learned how to tell a romantic drama from a romantic comedy (and the basic plot line) from the cover of said movie. Assuming there are a man and a woman on the cover, the plot is as follows:
#1. If they are looking at each other, you can safely assume that it's a romantic drama. And it's something sweet and sentimental about after everything tries to tear them apart, they don't give in, blah blah blah, they fall in love, blah blah, the end.
#2. If the guy is looking at the girl and the girl is looking at you, It's a romantic comedy, and the plot is something like she kinda likes him, but he's not really into her or anything, so after an hour and a half of some clichéd retorts and questionable acting, he finally stops being such an idiot and they fall in love.
#3. If the guy is looking at you and the girl is looking at him, it probably means that there was another woman involved.
#4 For some reason, if they're both looking at you, it's probably a good movie. I haven't figured out why yet, but that seems to be usually true.
#5 And finally, if they're back to back, holding machine guns, have a ridiculous expression on their face, or doing some cool-looking but wholly impractical martial arts moves, the movie is rubbish. Don't watch it.
So, I hope that I have perhaps slightly lessened the grief and pain of the Netflix Instant Queue for you, and 'til then, have, um, some cake or something like that. Not all cake is a lie. [<-- sorry, computer game reference. Yeah, I'm kind of a nerd. Deal with it.]
Posted by Unknown at 5:53 PM


October 3, 2011 by Dan Swinhoe
Jurassic Park blew my mind as a kid. I was just a tad too young to see it at the cinema when it came out in 1993, but saw it soon on video and fell in love.
So did a lot of people. The film grossed $900 Million worldwide and toppled E.T. to become the best-selling film of all time, until Titanic came along and sank it. It would a list of awards longer than a Diplodocus’ neck, revolutionised CG and paved the way for pretty much every epic special effects film released since.
Rant over. But last week it was being shown in screens across the country to promote the blue-ray trilogy coming out soon. Many films declared great at the time don’t age well, especially dino-themed ones (See The Land That Time Forgot for proof). So after nearly 20 years on, does Spielberg’s ultimate dinosaur film still stand tall?
For those somehow unfamiliar with the concept, a rich businessman, played by Richard Attenborough, has created an island park populated by dinosaurs. A groups of archeologists, mathematicians, lawyers and Attenborough’s grandchildren all take a tour of the park, and due to some corporate espionage by a disgruntled technician everything goes tits up fairly quickly.
In terms of story and science, it holds up well. Though in reality it’s impossible, using dinosaur blood found in fossilised mosquitos to create clones still sounds plausible, indeed every time any bit of ancient tissue is found, promise of Jurassic Park-esque cloning is suggested in the news. After the frozen baby woolly mammoth was found a few years ago some news stations were promising fields of the cloned beasts or crossbreeds in a few years (Pleistocene park doesn’t quite have the same ring does it?). Likewise the idea of a disgruntled computer nerd, played excellently by Joseph Mazzello (who could easily be the prototype for all slobbish bloggers of today), trying to give the park’s secrets to another company is a great catalyst for the events in the story.
In fact the only thing that lets the plot down are the computers. The simplistic nature of how the park is run looks almost laughably backwards by today’s standards, chances are that the nearest iPhone or Blackberry have more processing power than the whole of Jurassic Park did. But it’s all a small niggle and adds a bit knowing humour as the answer to all their technology problems is the tried and tested “Turn it off and on again.”
Even though chances are you know the outcome, the action still draws you in, the quick turns and surprises can still make you jump. The fear of being face to face with giant reptiles bent on eating everything that moves still has the power to make you root for everyone to make it out.
In terms of special effects, it’s aged incredibly well. Spielberg’s use of animatronics means most of the scenes look as real and classy as the first time. The few scenes where the film shows it’s age are forgiven, the drama or excitement (The T-Rex chasing a 4×4, velociraptor trying to eat children) sucking you in far too much to notice. The Sound deserves a mention, the dinosaur calls stick scare you crap out of you, and when you find out how they made them it’s really rather clever (The T-Rex was a mix of baby elephant, tiger and alligator, while the velociraptor were a mix of walrus, goose, african crane and human rasping).
Of course John Williams’ epic soundtrack is up their with Star Wars and Indiana Jones in terms of instant recognition and hum-ability. His score adds the drama and tension at all the right points and rounds off a classic film.
The themes and questions that are raised in between exist the action and adventure still ring true today; Is it ethical to bring back Dinosaurs if we could? How would Dinosaurs react to humans? Could we coexist? Why isn’t Jeff Goldblum in more films? How come we don’t all own islands off Costa Rica?
Dinosaur films since Jurassic Park and it’s sequels are few and far between, and with good reason. It’s a damn near perfect example, and any attempt to outdo it would be futile. But what did happen was people started to realise that grand things were possible with computers. It was possible to create whole worlds and fill films with special effects without it looking naff.
(As a side note, Wiki claims that Tim Burton was interested in buying the film rights from the Michael Crichton book before Spielberg got to it. Can you imagine how dark, weird and disturbing that would have been?)
There have been plenty of films that I loved as a kid are nigh on unwatchable now. Jurassic Park is not one of them.