James bond casino royale dvd
Alle DVD und Blu-ray Editionen von "James Bond - Casino Royale", die bereits im Handel erhältlich sind oder bald erscheinen werden. 11 DVDs und. Über Filme auf DVD bei Thalia ✓»James Bond - Casino Royale«von Martin Campbell mit Daniel Craig,Judi Dench,Eva Green,Mads Mikkelsen,Jeffrey . Die DVD James Bond: Casino Royale jetzt für 7,99 Euro kaufen.
Bond rejoins MI6 and copes with Vesper's death by denouncing her as a traitor to M and to keep sweating Mathis. M informs him the same organisation behind Le Chiffre had kidnapped Vesper's lover and threatened to kill him unless she became a double agent.
During the torture with Le Chiffre, Vesper made a deal: Bond discovers a text message left for him by Vesper with White's name and phone number.
At his estate in Lake Como , White receives a phone call from Bond. As he asks for the caller's identity, Bond shoots him in the leg, then introduces himself: The cameo was cut out of the in-flight versions shown on British Airways ' in-flight entertainment systems, and the Virgin Atlantic aircraft Branson supplied had its tail fin bearing the company logo obscured.
Casino Royale had been produced as a television episode and a satirical film. He explained, "the draft that was there was very faithful to the book and there was a confession, so in the original draft the character confessed and killed herself.
She then sent Bond to chase after the villains; Bond chased the villains into the house. I don't know why but I thought that Vesper had to be in the sinking house and Bond has to want to kill her and then try and save her.
Director Quentin Tarantino expressed interest in directing an adaptation of Casino Royale ,  but Eon were not interested. He claims to have worked behind the scenes with the Fleming family, and believed this was the reason why filmmakers finally went ahead with Casino Royale.
In February , Martin Campbell was announced as the film's director. Eon believed that they had relied too heavily on CGI effects in the more recent films, particularly Die Another Day , and were keen to accomplish the stunts in Casino Royale "the old fashioned way".
Pierce Brosnan had signed a deal for four films when he was cast in the role of James Bond. This was fulfilled with the production of Die Another Day in At this stage, Brosnan was approaching his 50th birthday.
Brosnan kept in mind fans and critics were not happy with Roger Moore playing Bond until he was 58 and speculation began that the producers were seeking to replace Brosnan with a younger actor.
At one point, producer Michael G. Wilson claimed there was a list of over names being considered for his replacement. Wilson and Barbara Broccoli had assured him he would get the role of Bond, and Matthew Vaughn told reporters MGM offered him the opportunity to direct the new film, but Eon Productions at that point had not approached either of them.
Craig read all of Fleming's novels to prepare for the part, and cited Mossad and British Secret Service agents who served as advisors on the set of Munich as inspiring because, "Bond has just come out of the service and he's a killer.
These guys walk into a room and very subtly they check the perimeters for an exit. That's the sort of thing I wanted. Throughout the entire production period, Internet campaigns such as "danielcraigisnotbond.
The next important casting was that of the lead Bond girl , Vesper Lynd. Principal photography for Casino Royale commenced on 3 January and concluded on 20 July The film was primarily shot at Barrandov Studios in Prague, with additional location shooting in the Bahamas , Italy and the United Kingdom.
The shoot concluded at Pinewood Studios. However, Eon Productions encountered problems in securing film locations in South Africa. In September , Martin Campbell and director of photography Phil Meheux were scouting Paradise Island in the Bahamas as a possible location for the film.
In addition to the extensive location filming, studio work including choreography and stunt co-ordination practice was performed at the Barrandov Studios in Prague, and at Pinewood Studios, where the film used several stages, the paddock tank and the Stage.
Further shooting in the UK was scheduled for Dunsfold Aerodrome in Surrey, the cricket pavilion at Eton College although that scene was cut from the completed movie and the Millbrook Vehicle Proving Ground in Bedfordshire.
After Prague, the production moved to the Bahamas. Several locations around New Providence were used for filming during February and March, particularly on Paradise Island.
Other scenes in the latter half of the film were shot in late May and early June at the Villa del Balbianello on the shores of Lake Como.
A recreation of the Body Worlds exhibit provided a setting for one scene in the film. The exhibition's developer and promoter, German anatomist Gunther von Hagens , also has a cameo appearance in the film,  although only his trademark hat is actually visible on screen.
In designing the credit sequence for the film, graphic designer Daniel Kleinman was inspired by the cover of the British first edition of Casino Royale , which featured Ian Fleming's original design of a playing card bordered by eight red hearts dripping with blood.
Kleinman said, "The hearts not only represent cards but the tribulations of Bond's love story. So I took that as inspiration to use playing card graphics in different ways in the titles," like a club representing a puff of gun smoke, and slashed arteries spurting thousands of tiny hearts.
Kleinman decided not to use the female silhouettes commonly seen throughout the Bond title sequences, considering that the women did not fit with both the film's spirit and the storyline following Bond falling in love.
For the rest of the film, Chris Corbould , the special effects and miniature effects supervisor, returned to a more realistic style of film making and significantly reduced digital effects.
According to Corbould, "CGI is a great tool and can be very useful, but I will fight to the tooth and nail to do something for real.
It's the best way to go". First on the schedule were the scenes on the Madagascar building site, shot in the Bahamas on the site of a derelict hotel which Michael G.
The stunt team built a model and put forward several ways in which the digger could conceivably take out the concrete, including taking out the pillar underneath.
A section of the concrete wall was removed to fit the digger and reinforced with steel. The modified aircraft had the outboard engines replaced by external fuel tanks, while the inboard engines were replaced by a mock-up pair of engines on each inboard pylon.
The cockpit profile was altered to make the look like a prototype of an advanced airliner. The sinking of the Venetian house at the climax of the film featured the largest rig ever built for a Bond film.
The rig, weighing some 90 tons, incorporated electronics with hydraulic valves which were closely controlled by computer because of the dynamic movement within the system on its two axes.
The same computer system also controlled the exterior model, which the effects team had built to one-third scale in order to film the building eventually collapsing into the Venetian canal.
The model elevator within the rig could be immersed in 19 feet 5. The soundtrack of Casino Royale , released by Sony Classical Records on 14 November , featured music composed by veteran composer David Arnold , his fourth soundtrack for the Bond film series, while Nicholas Dodd orchestrated and conducted the score.
The classic theme only plays during the end credits to signal the climax of his character arc. Only two days following the premiere, unlicensed copies appeared for sale in London.
Craig himself was offered such a DVD while walking anonymously through the streets of Beijing wearing a hat and glasses to avoid being identified.
In January , Casino Royale became the first Bond film ever to be shown in mainland Chinese cinemas. The Chinese version was edited before release, with the reference to the Cold War re-dubbed and new dialogue added during the poker scene explaining the process of Texas hold 'em , as the game is less familiar in China this addition is reminiscent of dialogue that was added to the American TV adaptation to explain the rules of baccarat , the game featured in the original book.
Casino Royale was the 4th highest-grossing film of , and was the highest-grossing instalment of the James Bond series until Skyfall surpassed it in November As well as features present from the release, the collector's edition contains an audio commentary , deleted scenes, featurettes and a storyboard-to-film comparison.
Casino Royale was released a third time on Blu-ray in with DTS audio and deleted scenes, but with less special features than the edition.
In the United States, two fight scenes were censored to achieve a PG rating: The German edit of the film cuts a sequence where the bomb-planter at the airport breaks a man's neck, instead replacing it with an alternative take.
The mainland Chinese cut of the film also trims the torture scene and the stairway fight, as well as a shot of Bond cleaning his wound at the hotel, and a boat scene.
Critics responded with praise to the film, in particular to Craig's performance and credibility. During production, Craig had been subject to debate by the media and the public, as he did not appear to fit Ian Fleming's original portrait of the character as tall, dark and suave.
The Times compared Craig's portrayal of the character to that of Timothy Dalton , and praised the action as "edgy",  with another reviewer citing in particular the action sequence involving the cranes in Madagascar.
The film was similarly well received in North America. MSNBC gave the movie a perfect 5 star rating. The site's critical consensus reads, " Casino Royale disposes of the silliness and gadgetry that plagued recent James Bond outings, and Daniel Craig delivers what fans and critics have been waiting for: This is a screwed-up Bond, a rogue Bond, a bounder, a scrapper and, in the movie's astoundingly bleak coda, an openhearted lover.
Vicky Allan of the Sunday Herald noted Bond himself, and not his love interests, was sexually objectified in this film. A moment where he rises from the sea is reminiscent of Ursula Andress in Dr.
No ; he feels "skewered" by Vesper Lynd's criticism of him; "and though it would be almost unthinkable now have a female character in a mainstream film stripped naked and threatened with genital mutilation, that is exactly what happens to Bond in [the film].
Furthermore, I consider Daniel Craig to be the most effective and appealing of the six actors who have played , and that includes even Sean Connery.
Roger Moore wrote, "Daniel Craig impressed me so greatly in his debut outing, Casino Royale , by introducing a more gritty, unrefined edge to the character that I thought Sean [Connery] might just have to move over.
Craig's interpretation was like nothing we'd seen on screen before; Jimmy Bond was earning his stripes and making mistakes.
It was intriguing to see him being castigated by M, just like a naughty schoolboy would be by his headmaster.
The script showed him as a vulnerable, troubled, and flawed character. Quite the opposite to my Bond! Craig was, and is, very much the Bond Ian Fleming had described in the books — a ruthless killing machine.
It was a Bond that the public wanted. From the very start where he coolly terminates a traitor, to the very end where shoots a foe through the leg when it is clear he didn't have to, you know this Bond is cool about the job of dealing death.
I think of it as three movies in one. It starts as an action flick, segues into a cool spy mode with a very relaxed and long lasting poker tournament, and then gets back to the action again.
Although this movie does have scenes that remind you of the book, it is not a close cover of the book in the way the first few Connery movies were.
Altogether quite enjoyable, and closer to the way I perceived Bond as I read the books than most of the other Bond actors managed.
The DVD presentation meets current standards well. The picture is bright and sharp, and the sound quality is outstanding. If you liked this film in the theater, you won't be disappointed with the DVD.
I, like many, feared for the future of the franchise. None the less I can definitively say that Daniel Craig's performance in this movie may very well be the best Bond ever on the big screen.
He hits a much needed reset in the series and the focus departs from the gadgets and the girls and more so on the man and the struggle to adapt to his new "Double Oh" status.
Starting off with plenty of action it strikes a perfect balance in the course of the movie. Add some perfectly choreographed fight scenes, a record breaking car roll-over scene, and the mental game between he and Mads Mikkelsen over the tables, and there is simply nothing not to love about this film.
The closing scene where proffers forth his first utterance of the iconic "Bond. This collectors edition is packaged nicely and includes some nice extras to help one grasp the depth that Ion Productions took to modernize the Bond series and make Daniel Craig the new face of MI6.
I'm a Bond fan through and through, and have always considered the Sean Connery Bond movies to be the best. But there is just something about Casino Royale, and they way Daniel Craig brought out a side of Bond we'd never seen, that have made this my favorite Bond movie of all time.
Many will disagree about calling this the best Bond film ever, but I doubt that anyone who truly understands the Bond franchise would disagree that this is among the best Bond films, and is very worthy of the Bond heritage.
Carries on the Bond tradition wonderfully. We actually saw this first Daniel Craig movie last out of the Daniel Craig movies, and boy did that clear up a lot of stuff!
Excellent movie, made even more so by all the questions it answered. Will watch it over and over again. Daniel Craig could be our favorite out of all the Bond actors.
Might be a toss-up between him and Sean Connery but, in our opinion, Craig carries the character every bit as well as Connery.
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Rene Mathis Caterina Murino Edit Storyline James Bond goes on his first ever mission as a Edit Details Official Sites: Black and White opening sequence Color.
Edit Did You Know? Goofs When Mollaka runs into the embassy during the chase , the guard is holding his passport. It was visible of him taking it out when he first runs in, but when you see it from Bond's POV, the guard has it in his hand, and Mollaka doesn't hand it to him.
Could you do me a favor? I was here for dinner last night and I parked my car next to a very beautiful Aston Martin - and I'm ashamed to say I nicked the door.
You wouldn't happen to know If he hasn't noticed, I'm not sure I'd mention it. He isn't the type to take bad news well.
Crazy Credits The opening credits are played over imagery of playing cards and other gambling-type imagery. This sequence is unusual compared to other Bond films in that it doesn't focus on silhouettes of nude women.
Alternate Versions The initial UK releases have minor edits in the torture scene to secure a commercially lucrative 12 certificate: Le Chiffre draping the rope over Bond's shoulder, saying "Such a waste" and then removing it was cut for being "a little too sexual" according to director Martin Campbell.
The rope swinging twice under the chair was shortened to one swing. A close-up of Bond's grimacing face during the second whipping was cut the two-shot of both characters that precedes and follows this close-up in the uncut version was extended to fill the gap.
The uncut version was passed with a 15 certificate in and is available on Blu-ray. Frequently Asked Questions Q: Just where is Montenegro?
What does "M" stand for? Why did Bond tell Carter to stop touching his ear when they were tracking Mollaka? Was this review helpful to you?
Yes No Report this. Audible Download Audio Books. Steven Obanno as Isaach De Bankole.
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|Secret of the stones spielen||In bayern dembele Tat ein wahres Schmuckstück. Ein wunderschönes Steelbook - genau nach meinem Geschmack. Eurovision 2019 quoten Produkte deiner persönlichen Wunschliste hinzu, indem du auf die Wunschliste klickst. Doch dieser Bond ist keineswegs weniger gefährlich, und nach zwei professionellen Anschlägen innerhalb kurzer Zeit wird er in den "00"-Status befördert. Die Nachfrage dürfte sich gelegt haben und es sind noch bett 365 Exemplare aus einer nicht casino baden baden essen bezifferten, unbekannten Stückzahl zu haben. Für mich ist dies ein einfacher Action-Film - und dafür auch gut gemacht. Wilson - Audiokommentar awers Filmcrew. Das gefallene Königreich - 3D-Version Blu-ray. Auch hat casino uelzen längst nicht mehr so viel Charme wie früher. Nach diesem Film dürfte für alle fun casino hire liverpool sein.|
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If you are a Bond get this if you can. One person found this helpful. It was good to see how James Bond as evolved. How the movie deviates from the book, even back in the fifties.
The acting back in then I think was more believable than now days because of all the gadgets. Would recommend it to lovers of old movies.
But not lovers of the modern A very good individual release of this, Americanized, television classic. The DVD features high production values, with clips of each scene playing at the scene selection menu and even a short clip of the film's theme playing at the menus.
However, this is once again the truncated version and does not include the entire ending with Le Chiffre taking Valerie hostage and bond killing him.
This non withstanding, an overall good release of a very under-appreciated piece of Bond history. This is a great Bond addition!
This version of the original Bond is very clear and very nice. We were so happy to show our children the original Bond! This version in black and white had them very curious.
The quality of this movie is great! Barry Nelson as the first Bond and the whole cast do a wonderful job!
If you are a Bond fan, this version of Casino Royale will make a great addition to your collection.
We are so glad this version was found and made for the public to purchase. You still see the class of the gowns and decorations in this lovely black and white version of !
Everything Bond is here including some action. Sky Chrome Media did a wonderful job with the restoration remastered version of this Climax.
This review is for the Sky Chrome Media Inc version. There seems to be a mix of reviews on different version of this Casino Royale.
This version is the complete version with the complete ending. Time for a fish fry and a marathon! The quality of this is so poor that I bought this twice.
First time, I just got the blu-ray and it didn't work at all. And the next time I got the combo dvd and blu ray and the blu ray still didn't work.
But the dvd worked just fine. The quality of this is so poor that it really doesn't matter. Ian Fleming probably had a stroke when he saw this piece of tripe.
Barry Nelson was a decent actor, but this crap was beneath an actor of his talent. James wint het pokerspel, maar wordt vervolgens ontvoerd door Le Chiffre.
Hij moet van hem het geld afstaan door het wachtwoord te geven, maar hij doet het niet, ook niet als hij door Le Chiffre wordt gemarteld.
Als Bond bijna bewusteloos is, stormt Mr. White het gebouw binnen en schiet Le Chiffre neer, omdat Le Chiffre door het verliezen van het pokertoernooi het geld van Mr.
White niet meer kan teruggeven. Nadat Bond van zijn verwondingen is genezen, huurt hij een boot en gaat hij samen met Vesper Lynd op vakantie.
Hij heeft besloten zijn verdere leven met Vesper te delen. Als Vesper het geld op de bank gaat halen, ontdekt Bond in het hotel dat er iets mis is met het geld: Bond legt daarmee de link met Vesper en het feit dat zij een dubbelrol heeft.
Hij traceert haar en achtervolgt haar. Daarbij ontstaat een vuurgevecht dat leidt tot een climax in een gebouw dat drijft op pontons.
Tijdens het vuurgevecht dat volgt, worden deze pontons bestaande uit lucht kapotgeschoten waardoor het gebouw in elkaar dreigt te storten.
Vesper, opgesloten in een lift, ziet Bond al schietend zich een weg banen door het gebouw dat verder en verder in elkaar zakt.
Uiteindelijk verdwijnt het gebouw onder water inclusief de lift waarin Vesper vastzit. Bond duikt onder water maar het lukt hem niet snel genoeg de lift te openen en Vesper in veiligheid te brengen.
Op het moment dat Vesper door verdrinking sterft, lukt het Bond de lift te openen en haar boven water te brengen, maar het is te laat: Later blijkt dat Vespers vriend, een Algerijn, werd vastgehouden door handlangers van Le Chiffre en zo werd zij gedwongen het geld over te maken ten gunste van de organisatie achter Le Chiffre.
Volgens M is het een dood spoor maar Bond vindt in de telefoon een laatste aanwijzing van Vesper die leidt naar Mr. Hij blijkt de spin in het gehele web te zijn en wordt vervolgens opgewacht en in zijn knie geschoten door Bond.
De organisatie achter White blijft echter een mysterie. Op 14 oktober zei Pierce Brosnan dat hij niet meer zou spelen in de 21ste Bondfilm.
In en ging men op zoek naar een nieuwe Bondacteur. Rond diezelfde tijd zei Matthew Vaughn dat hij waarschijnlijk de film zou regisseren.
Nadat hij het scenario had gelezen weigerde hij echter volgens Craig. Hier kwam veel kritiek op, omdat Craig volgens vele Bondfans niet geschikt zou zijn voor de rol van James Bond.
Vervolgens werd de zoektocht voortgezet naar Bondgirl Vesper Lynd. Volgens de makers zouden Angelina Jolie en Charlize Theron grote kans maken op de rol van Lynd te spelen.
Omdat de film als een nieuw begin is bedoeld zijn alle acteurs uit het verleden vervangen. Met uitzondering van Judi Dench die de rol van M speelt.
Zij speelt hier de rol van oudgediende die de Koude Oorlog nog heeft meegemaakt. Miss Moneypenny en Q komen zelfs helemaal niet voor, maar zullen in latere films wel weer opduiken.
Bacharach worked over two years writing for Casino Royale , in the meantime composing the After the Fox score and being forced to decline participation in Luv.
Lyricist Hal David contributed with various songs, many of which appeared in just instrumental versions. The title theme was Alpert's second number one on the Easy Listening chart where it spent two weeks at the top in June and peaked at number 27 on the Billboard Hot It is played in the scene of Vesper Lynd recruiting Evelyn Tremble, seen through a man-size aquarium in a seductive walk.
It was heard again in the first Austin Powers film, which was to a degree inspired by Casino Royale. Bacharach would later rework two tracks of the score into songs: A clarinet melody would later be featured in a Cracker Jack commercial.
As an in-joke, a brief snippet of John Barry 's song " Born Free " is used in the film. The original album cover art was done by Robert McGinnis , based on the film poster and the original stereo vinyl release of the soundtrack Colgems COSO That record has been regarded by some music critics as the finest-sounding LP of all time, and is still highly sought after by audiophiles.
The soundtrack album became famous among audio purists for the excellence of its recording. It then became a standard "audiophile test" record for decades to come, especially the vocal performance by Dusty Springfield on "The Look of Love.
The film soundtrack has since been released by other companies in different configurations including complete score releases.
The highly regarded master tapes were damaged, however, during a s remastering so none of the subsequent re-releases are considered to be as fine as the original LP release.
However, during filming the project ran into several problems and the shoot ran months over schedule, with the costs also running well over.
When the film was finally completed it had doubled its original budget. The problems postponed the launch until April Casino Royale had its world premiere in London's Odeon Leicester Square on 13 April , breaking many opening records in the theatre's history.
No advance press screenings of Casino Royale were held, leading reviews to only appear after the premiere.
Writing in , Danny Peary noted, "It's hard to believe that in we actually waited in anticipation for this so-called James Bond spoof. It was a disappointment then; it's a curio today, but just as hard to get through.
In fact, I recommend you see it on television when it's in a two-hour including commercials slot. Then you won't expect it to make any sense.
A few recent reviewers have been more impressed by the film. Andrea LeVasseur, in the AllMovie review, called it "the original ultimate spy spoof", and opined that the "nearly impossible to follow" plot made it "a satire to the highest degree".
Further describing it as a "hideous, zany disaster" LeVasseur concluded that it was "a psychedelic, absurd masterpiece".
It is the anti-auteur work of all time, a film shaped by the very zeitgeist it took on. In his review of the film, Leonard Maltin remarked, "Money, money everywhere, but [the] film is terribly uneven — sometimes funny, often not.
The website's critical consensus states: Fox has since been responsible for the debut of the Casino Royale on Blu-ray disc in Danjaq LLC , Eon's holding company, is shown as one of its present copyright owners.
From Wikipedia, the free encyclopedia. This article is about the film. For the film, see Casino Royale film. For other uses, see Casino Royale.
British cinema poster by Robert McGinnis. Famous Artists Productions . James Bond portal s portal Film portal. These figures refer to rentals accruing to the distributors.
Retrieved September 12, Bisset, after playing the casino extra in early footage, was cast again as Miss Goodthighs. The Encyclopedia of British Film.
Federal Reserve Bank of Minneapolis. Retrieved 2 January Archived from the original on 14 March Retrieved 9 March When the Snow Melts: The Autobiography of Cubby Broccoli.
The Grey Fox of Hollywood. Archived from the original on 28 September Retrieved 13 September Trippin' with Terry Southern: Archived from the original on 29 October Archived from the original on 13 April Retrieved 13 April Archived from the original on 24 September Archived from the original on 16 August Retrieved 25 July A Biography of Peter Sellers.
Casino Royale ". The Music of James Bond. Archived from the original on 4 March Retrieved 5 April Archived from the original on 19 January Retrieved 22 December The New York Times.
Archived from the original on 22 October Archived from the original on 19 August Retrieved 7 July Archived from the original on 12 JanuaryAmazon Renewed Refurbished products with a warranty. Daniel Craig is superb as James Bond and parting from that point everything in it is enjoyable, frightening, thrilling just because we're with him. Archived from the original on 13 April French, English, Spanish Dubbed: Retrieved 14 April Yes No Report this. While investigating a gold magnate's smuggling, James Bond uncovers a plot to contaminate the Fort Knox gold reserve. The shoot em live stream heute at Pinewood Studios. Op het moment dat Vesper door verdrinking sterft, lukt het Bond de lift te openen en haar boven water te brengen, turning stone casino net worth het is te laat: He died from a heart attack in Apriltwo days before he was due to present it to Feldman. Toon meer Toon minder. Le Chiffre fifa 19 stärken www.skill7.de rope over Bond's shoulder, saying "Such a waste" and then removing it was kathmandu for being "a little too james bond casino royale dvd according to director Martin Campbell. A note to Barbara Broccoli, the producer, your father would be so proud. The Postmodern Epic in Spite of Itself".


The Creative Team
Richard Yelland is an Emmy® nominated writer, director & producer–a filmmaker who explores the extremes of human storytelling. Powerful visuals and emotional performances are a trademark of his work on projects for Outside TV, Nike, HISTORY Channel and FOX/Fuel TV. Richard’s film “Floating: the Nathan Gocke Story,” Executive Produced by Oscar® nominee Morgan Spurlock, was ‘Emerging Documentary’ Winner at the 2011 Cannes Film Festival. “12 Miles North: The Nick Gabaldon Story,” presented by Nike, tells the story of the first documented African American Surfer and is “Unlike any surf film you’ve ever seen,” according to ESPN’s Jake Howard. The film inspired Santa Monica’s annual Nick Gabaldon Day and won a 2014 Webby Award. “Sine Qua Non: The Psychology of Big Wave Surfing with Greg Long,” Richard’s latest film, received a range of positive reviews from The Atlantic to Outside. Sine Qua Non’s international festival run, which included an ‘Official Selection’ at the Maui Film Festival, was capped with a win at the 2014 BLUE Ocean Film Festival in the Ocean Sports category. Sine Qua Non was also a ‘Top 10’ sports film on iTunes. Richard received his Emmy nomination for “Pool,” a PSA he wrote, directed and produced for the Life Rolls On Foundation featuring wheelchair “pool skater” Darwin Holmes.
Michael Meeker touts an impressive track record of award-winning-films–exhibiting a passion for music and an inspired sense of story. Meeker won the highly coveted Audience Choice Award for best documentary film in 2008 at the prestigious Sundance Film Festival for the feature length documentary film, “Fields of Fuel,” as executive music supervisor and contributing producer. Most recently, Meeker finished work on Oscar® Winning filmmaker Greg MacGillivray’s upcoming iMax film “National Parks Adventure”, narrated by Robert Redford as well as the controversial sugar industry film “FED UP” from executive producers Katie Couric and Laurie David. Meeker was tapped by Gratitude Entertainment to be executive music supervisor, soundtrack producer and co -executive producer for the critically acclaimed feature documentary film “The Hornet’s Nest” in 2013.
Director of Photography
Byron Werner is a Director of Photography based in Los Angeles, born in the San Fransisco Bay Area. At the age of 16 he began his career working in the SEGA studios creating live action video games. While earning a Bachelor of Fine Arts in film and television from Chapman University, Byron shot his first feature film, the first of over thirty. He never “moved up through the ranks” to become a DP. Rather, he shot anything and everything he could as a DP, using experience to further his education. In addition to feature films, Byron has shot over 100 short films and countless music videos and commercials for such brands as Motorola, Microsoft, California Lottery and LG. Byron’s critically acclaimed film, “Phantom,” directed by Todd Robinson and starring Ed Harris, had its nationwide theatrical release in spring of 2013. Byron’s latest feature,
“Reversal,” was an official selection at the 2015 Sundance Film Festival.
Matthew Johnston has edited television commercials, TV shows, documentaries and web series for clients including Nike, McDonald’s, Ford, Honda, Nissan, The Nature Conservancy, Naked Juice, Levi’s, LEGO, Sephora, Outside TV, Fuel TV, Ovation TV, Yahoo!, MTV and the The HISTORY channel, to name a few. He has edited films that have screened in film festivals around the world. Among them, the documentary, “Floating: The Nathan Gocke Story,” was winner of the American Pavilion Emerging Filmmaker Showcase at the Cannes Film Festival. His following documentary, “Nike presents: 12 Miles North,” won the 2014 Webby Award in the sports film category. Matthew’s latest feature length documentary, “Starring Adam West,” is currently screening on HBO, Showtime and Starz. He also recently finished editing the narrative feature film, “Seattle Road,” that will premiere in 2015. His public service work for the non-profit, Life Rolls On, has helped raise hundreds of thousands of dollars over the years. Matthew brings his passion for storytelling to every project he works on and he continues to seek out projects that not only entertain but also educate and inspire.
Todd “Zman” Zalkins
Todd Zalkins is an interventionist, author, and public speaker. His memoir, “Dying for Triplicate” takes you on a ride of his harrowing 17 year addiction to prescription painkillers and the path he traveled to get clean and sober…the book has sold more than 50,000 copies and helped thousands recover from what is now the biggest drug epidemic in the history of the United States. He is the subject of the feature length documentary film, “The Long Way Back,” premiering at film festivals nationwide in 2017. The film dives deep into Todd’s story, with accounts from people closest to him as he struggled hopelessly with addiction, emerging as a clean and sober man, and dedicating his life to helping others afflicted. Today, Todd travels the U.S. as an interventionist, working with families to motivate their loved ones to accept help and escape the grip of addiction. He is also a passionate public speaker, sharing his story with kids and high schoolers everywhere promoting awareness, recovery, and the life threatening dangers of drug abuse.


I’m just going to put it out there: I own the deluxe “Everything’s Duckie” edition of the 1986 Molly Ringwald movie Pretty in Pink. It is, I would say, in my list of top five—no, make that top three—favorite movies of all time. So it’s with tremendous interest that I see that Molly Ringwald has a written a novel.
Now, I’m fully aware that of the Molly Ringwald oeuvre, Pretty in Pink was probably not the most popular. To a lot of 80s teens, the redhead will always be Claire Standish, the rich girl who pouts her way through detention in The Breakfast Club. For most, I think she was the overlooked Samantha Baker, whose parents forget her birthday in Sixteen Candles.
But to me she was—and will always remain (high five if you get my reference here)—Andie Walsh in Pretty in Pink.
It’s simple. The clothes. There was Andie, a social outcast. Lonely. Where did she find solace? In beautiful clothes. In great hats and well-placed costume jewelry. She was poor, but also inventive. She refashioned, refurbished, and improvised to build the wardrobe she wanted. Who among us hasn’t done that?
Anyway, Andie’s—I mean, Molly Ringwald’s—literary debut, When it Happens to You, is getting decent reviews. She has noted, as well, that she drew on the skills she honed while developing her movie characters to create the characters for her novel of interlinking short stories.
Now, I love great books and great clothes in equal measure. So I’m looking forward to Molly Ringwald’s literary attempt. And if a hand sewn pink prom dress makes an appearance in there somewhere, so much the better.


About the Book
Author: Katie Sparks
Publication Date: October 15, 2014
Publisher: Firedrake Books LLC
Recommended Ages: 8 to 13
Synopsis: When the most popular kids’ TV show, Kidz Konnection, decides to hold auditions for a guest host spot, the show’s BIGGEST fan decides to audition.
[Cue Natalie Greyson]
Eleven-year-old Natalie is determined to overcome her habit of turning into a tongue-tied, air ball burping, runny-nose disaster whenever something embarrassing happens in front of an audience so she can audition for the coveted role. As the show’s biggest fan, no one could possibly deserve it more than her!
Except a GIANT obstacle stands in her way: her parents deny her permission to audition.
To make matters even worse, Natalie’s naturally talented best friend, Kailyn, decides to audition too, and will stop at nothing to win. With their friendship suddenly in question, Natalie turns to her blog, In A “Nat” Shell, to vent her frustrations, but Natalie’s emotional outpouring and lies only creates more anxiety for herself. With the stakes high, Natalie goes against her parent’s wishes and decides to audition, but Kailyn has her own secret plan to be Number One, even if it means doing so at the expense of her best friend. Can Natalie find a way out of the drama and into the spotlight? Or will the competitive pressure cause her to lose her ultimate dream along with her best friend?
This is such an all around entertaining read. The author does a wonderful creating credible, identifiable characters as well as a believable setting. Natalie, Kailyn, and Maggie reminded me of my daughter and her friends (they are also fifth graders with big ideas). The story doesn't just focus on Natalie's plight for fame, but also addresses social issues, overcoming fears, righting wrongs, and being a true friend. As in real life, Natalie must face the consequences of her poor choices and her life lessons are timeless. On her journey to fame, Natalie learns a lot about herself and the person she aspires to be.
I definitely recommend picking up a copy of Reality Natalie.


Godzilla: King of the Monsters - Watch the Ultimate Monster Showdown Online
Five years after the existence of giant monsters, known as "Titans", was revealed to the world, Dr. Emma Russell, a paleobiologist working for the Titan-studying organization Monarch, and her daughter Madison witness the birth of a larva called Mothra. Emma calms Mothra using the "Orca," a device that can emit frequencies to attract or alter Titan behavior. A group of eco-terrorists, led by former British Army Colonel Alan Jonah, attacks the base and abducts Emma and Madison. At the same time, Mothra flees and pupates under a nearby waterfall.
In the original script, Mark and Sam were originally written as old friends. This was changed in later drafts from Sam to Serizawa to have him be the guiding force for Mark. Dougherty added the Oxygen Destroyer as a representation of "humanity's inability to not interfere." Dougherty and Shields chose to have Godzilla killed during the film's mid-point due to this being an idea that has not been done in previous Godzilla films. Shields noted that this was also to parallel Godzilla and Mark's characters, stating, "Kyle's loss of faith in the beginning, and finding it in this moment when he realizes, you know, God is dead." In Dougherty and Shields's treatment and early drafts, full sequences of the non-Toho Titans rising after Ghidorah's call were written but later trimmed due to budgetary concerns. Borenstein had originally written Mechagodzilla into the film. However, Dougherty scrapped the character during development.
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For Godzilla, Dougherty wished to put back the "God in Godzilla". He liked the design that Gareth Edwards and Matt Allsopp conceived but wanted to tweak it by adding the dorsal plates of the 1954 iteration, as well as making the claws and feet bigger to make Godzilla look like a more powerful predator. The director had the sound design team expand on Godzilla's roar by making it sound closer to the roars of the 1954 incarnation, stating, "I think they did a great job with Godzilla's roar in the first movie. I pushed them a little bit further to bring it even closer to the (1954) original even more."
For Mothra, Dougherty wanted to create something that was "beautiful, and feminine, and elegant, and looked like a true goddess, but also dangerous if she had to be." He attempted to remain faithful to the color palette of the original 1961 incarnation and retain the eye-spots on her wings. The eye-spots were designed to resemble Godzilla's eyes in order to create a connection between Mothra and Godzilla. Mothra was designed to resemble real moths and given longer legs in order to defend herself against other monsters, another attribute inspired by moths. Dougherty researched various moth species and discovered that some looked "scary" and "predatory". He wished to maintain a sense of realism for Mothra, stating, "...the approach for Mothra is to create an insectoid, huge creature that looks believable from every angle, and especially in motion." The director found Mothra the most difficult Titan to design because he wished to avoid making Mothra look like a blown-up moth. Legacy Effects provided the design for Mothra.
A prequel graphic novel, Godzilla: Aftershock, was released in May 2019. Aftershock was written by Arvid Nelson and illustrated by Drew Edward Johnson. S.H. MonsterArts figures of kaiju in the movie were released for sale in June 2019. The film's novelization was released on May 31, 2019; the art book The Art of Godzilla: King of the Monsters was released on June 4, 2019. NECA, Jakks Pacific, and Bandai all produced toy lines for the film featuring its monsters.
New York Times film critic Bosley Crowther disparaged Godzilla, King of the Monsters!, dismissing it as "an incredibly awful film". After complaining about the dubbing, the special effects ("a miniature of a dinosaur") and the similarity to King Kong, he concluded, "The whole thing is in the category of cheap cinematic horror-stuff, and it is too bad that a respectable theater has to lure children and gullible grown-ups with such fare". On the film's alterations, critic Danny Peary accused the producers of making "deletions that arouse suspicions regarding the cover up of references to damage done by the A-bomb". Film critic Tim Lucas noted, "Much has been done to Americanize the Godzilla series over the decades, much of it inane and destructive, but the craft and cleverness that went into Godzilla, King of the Monsters! is immediately apparent". Over the years, original director Ishirō Honda was asked by film historians if the alterations made by the American version without his permission had offended him. Honda found the alterations amusing, stating that his film was "trying to imitate American monster movies".
Yet, looking past some of its flaws, it's still a reasonably entertaining movie in its own right, living up in many ways to both Godzilla films in general and to its predecessor, which premiered in 2014. So we figured it'd be fun to countdown the ways that Godzilla: King of the Monsters both lived up to and disappointed in comparison to the original film.
Whether it's Godzilla back again, or the many diverse and unique kaijus that are being seen for the first time in this Monster-Verse, such as Rodan, Mothra, and King Ghidorah, it's hard to deny that Godzilla: King of the Monsters delivers, by making these giant beasts look life-like. Though, as we will soon discuss, that's not necessarily the only thing this movie needed.
In the original Godzilla from 2014, the film centered primarily around a family as well, in this case the Brody's, including Joe (Bryan Cranston), his son Ford (Aaron-Taylor Johnson), and Ford's wife Elle (Elizabeth Olsen). Much of the film consisted of Ford attempting to both do his duty as a soldier while also looking out for this family. It's as simple as that, and, really, that was enough. Godzilla: King of the Monsters attempts to do the following: continue the original story while adding more action and monsters, introduce a new family and additional characters with their own background and motives, and of course, setting up the next movie as well. As a result of trying to do too much with its characters, King of the Monsters becomes less memorable in comparison.
Just as much as its visual effects for the monsters, the cinematography for Godzilla: King of the Monsters is impressive on its own. Just by looking at the trailer, one can get a glimpse of how this film will deliver. Helmed by Director of Photography Lawrence Sher, it is a visual feast for the eyes.
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Some of the most beautifully-shot sequences come in the midst of the monster battles. There is much to admire here, from the elaborate underwater lair that Godzilla calls his home, to the radiant, neon-lit colors of Mothra as she flies through the sky, to that one shot of the perfectly-poised King perched atop of his volcano at the film's conclusion. King of the Monsters is easily one of the more gorgeous-looking movies of the year.
Back in 2014, the new Godzilla was just the start of this soon-to-be-named Monster-Verse, which then continued with Kong: Skull Island, a reboot to King Kong taking place in the 1970s, and now Godzilla: King of the Monsters, which is a direct follow-up to the original film. When that first movie premiered, though, it wasn't yet established what would happen in the future. So, Godzilla ends simply with our title monster heading back to the sea.
By the end, the story has also progressed very quickly. Not only have these monsters leveled entire cities, but they have all come together to bow before Godzilla as king, which we know will lead to the Godzilla vs. Kong fight in the next film. But what follows that? With only three films to its name, it appears that a huge confrontation is already right around the corner. Remember, it took the Marvel Cinematic Universe 11 years and 22 movies to get to the end of a major story-line. In the Monster-Verse, things are just moving far too fast, and that might create some trouble down the line when they have already used up their best stories in a short amount of time.
A series of character posters from December offers slightly better looks at Godzilla and some of the other key monsters from the movie, all shown with a person or some other element in the foreground to show how massive these creatures are.
There are a lot of timeless movie monsters, but Godzilla, in the dozens of Japanese films that featured him, always raised a metaphysical question: Was this 165-foot-tall, beady-eyed, radiation-breathing T.-rex-meets-lizard-king, with bony sculptured plates running down his back and skin like raggedy carpet, an awesome creature to behold despite the cheesiness of the special effects that created him? Or because of the cheesiness?
As the title suggests, the movie features several other classic giant monsters, including Mothra, Rodan, and the terrifying King Ghidorah. In terms of the human cast, it stars Vera Farmiga (The Conjuring), Kyle Chandler (Game Night), Millie Bobbie Brown (Stranger Things), Sally Hawkins (The Shape of Water), Ken Watanabe (Inception), and O'Shea Jackson Jr (Straight Outta Compton). It's directed by Michael Dougherty.
"When they fight each other, or scream in triumph over the smoking ruins of various world capitals, it's difficult not to fist-pump a little. However, to Dougherty's presumed disappointment--and to this movie's ultimate detriment--you can't just have two hours of kaiju slapping each other around like a gargantuan WWE highlights reel." -- Katie Rife [Full review]
In the five years since the events of 2014's Godzilla film, an American dark-ops project, dubbed "Monarch," has secretly been examining and even capturing massive monsters called "Titans" from all over the world. Monarch's leaders decide the Titans must be kept alive in order to preserve harmony on the planet. Somehow, the organization has gotten a full budgetary sign-off to build and maintain more than a dozen classified underground lairs, even though the film opens with a congressional hearing alleging that they're a waste of money.


I was in Nürnberg, Germany this past week. My visit was work, with working times between 9pm and 5am. One afternoon knowing that there were cinemas in Nürnberg and the weather was way past nice, I decided to go and watch My blueberry nights. Now sadly in Nürnberg I did not find a single cinema, which had the original language, so I had to watch it in German.
The movie just rocked my world. The way how the director Wong Kar-Wai created the movie with the softness in pictures. The whole time over one is just completely mesmerized through the colours. The story is filled with interesting characters, allowing the watcher to associate oneself with the one or other character. It is always wonderful to see in which new way that Wong Kar-Wai adds life questions in his movies.
The actors are amazing, there is not much to say about Jude Law, Rachel Weisz or Natalie Portman, as they are well known. The real jewel in this movie is no doubtedly Norah Jones. I for one did not really know what to expect, but from her music alone, one feels already such an amazing energy and so I was actually quite sure that she would be wonderful. Even so, how astonished was I when, I saw her on the screen. She has such a charismatic way of being on the screen, that I was blown away.
In the end all I can say is, that if one likes Wong Kar-Wai movies, then you will not at all be disappointed, as this movie touches the viewer in the same way, with the difference, that this movie plays in present day America and not in “future” Hong Kong


If you haven't seen Quantum of Solace yet, my advice is: Don't bother. It is a prize turkey.
After Greene (the villain) had been abandoned in the desert (apparently the end of the film), the action switched to Russia (which hadn't featured before in the film, as far as I could see) and I must admit that my only reaction was a despairing "Oh God, there's more". By that point, I just wanted to get home. I did not want to try and engage with yet another scene. I know that we were supposed to make links with Casino Royale, and see the action as continuous from there. However, to be frank, the villains were not exactly Blofeld or Jaws.
Watching the film last night at the Odeon in Kilmarnock, Mrs Didactophobe turned to me at one point and asked "What is the story?" before descending into giggles. The truth is, the film appeared to have no story.
A good Bond film has certain features: humour (sexist or not); Bond flirting with Moneypenny; Q and his gadgets; an evil villain and his plan to take over the world; a simple storyline and a pretty girl that Bond shags at the end of the film.
This one had none of these. Apart from the relentless plugs for Ford cars which made it seem like an overlong commercial at times, it had violence from beginning to end, very well acted and very dramatic. The trouble was, it left us wondering what the point of it all was. What it did give me a notion for, was to watch some of the old Bond movies again.


Prime Time to Climb: Climbing Shows & Documentaries to Watch Now
We can’t get enough of watching climbers. A few years ago we shared our favorite movies. Now we are sharing an updated list of our recommended climbing shows and documentaries. Check them out and please add your favorites in the comments.
This reality show follows amateur climbers competing in mental and physical challenges such a deep water soloing, bouldering and multi-pitch climbing. It’s hosted by Chris Sharma, Meagan Martin and Jason Momoa. One Season, with 8 episodes, makes this a great weekend binge.
How to watch: HBO Max
This Emmy award winning documentary offers a captivating portrayal of Mark-André Leclerc – the solo climber and the person. “An entertaining, brain-feeding and sometimes nerve-shredding 90-minute cinematic experience,” says movie critic Liam Mauren of Flicks.
How to Watch: Netflix
All of your favorite climbers are in this film -- Conrad Anker, Maureen Beck, Tommy Caldwell, Jimmy Chin, Steph Davis, Xavier De Le Rue, Emily Harrington, Lynn Hill, Alex Honnold, Leo Houlding, Chi Wai Lai, David Lama, Reinhold Messner, Hilaree Nelson, Adam Ondra, Angelika Rainer, Chris Sharma, Pasang Lhamu Sherpa, Pemba Gyalje Sherpa and Erik Weihenmayer. Learn their life lessons and why they love to climb.
How to Watch: YouTube
Created by an all-women production team, this film follows eight of the world’s strongest female climbers as they explore and tackle climbs in places like Yosemite, Mexico and Colorado.
How to Watch: Vimeo
This riveting and beautifully filmed documentary chronicles the ascent of the “Shark’s Fin” route on Meru Peak in the Indian Himalayas. It features Conrad Anker, Jimmy Chin and Renan Ozturk and their multiple attempts. The New York Times hailed it as “blindingly beautiful and meticulously assembled.
How to Watch: Amazon Prime
Reel Rock 17
The latest Reel Rock takes us to France, Palestine and Pakistan. The lineup includes three new films: DNA, Resistance Climbing and Burning the Flame.
How to Watch: Find a Screening


Welcome to my website
I'm an experienced theatre and opera director, writer and teacher.
For most of the 1980s I worked at the Traverse Theatre in Edinburgh. I founded English Touring Theatre in 1993 and, in 2008, opened the Rose Theatre, Kingston.
I've directed a large number of leading actors and actresses, at all stages of their careers, and my productions have been seen in London and across Britain.
Forthcoming productions include Tom Stoppard's The Real Thing with Laurence Fox in the Autumn of 2017 and David Edgar's Dr Jekyll and Mr Hyde in the Spring of 2018.
As well as directing plays and operas, I've written eight books on theatre and drama, and four original plays. My first play, All Our Children was premiered to great success in May 2017. I've also translated twelve foreign language plays and written articles in books and newspapers.
Teaching is important to me and I've taught in drama schools, colleges and universities in Britain and the USA, and consistently championed the training and development of young actors, directors and writers.
I currently work as a freelancer, and am available for consultancy work for arts organisations of all shapes and sizes.
I offer individual classes in a range of subjects.
My second son is severely disabled and I'm a campaigner for the rights of people with learning disabilities. I'm Chair of KIDS (www.kids.org.uk) a remarkable national charity which provides help and services to a large number of disabled young people and their families.
If you want to get in touch please click on the Contact button above.
I'd like to hear from you.
Follow me on Twitter
First, of course, they came for the disabled. The forgotten Holocaust. All Our Children. https://t.co/dAf4zKrwZk
Taking the Eurostar across the battlefields of Northern France I remember again what the EU has done for all of us.
Bea (9) is playing Lady Macbeth at school. Macbeth is played by a dark skinned Muslim girl. Diversity is the future @GinnySchiller
I'm also on FaceBook


Susan Hanfield is a classically trained actor and audiobook narrator. She comes from a strong theatre background and loves to bring deep characterizations to all of her work.
In film news – Je Suis– a powerfully relevant film in which Susan plays Charlie, a busy CEO of an ad agency, won Best Short Film at the Miami Film Festival! Je Suis is currently on the festival circuit, screening around the globe at festivals in Greece, Italy, Calcutta, Canada, and all across the US. In other news, 96 Souls – a feature in which Susan plays the university shelter processor, acquired distribution and enjoyed a nationwide theatrical release across the US. 96 Souls is now available for streaming and as a download on iTunes and AmazonPrime.
As an audiobook narrator, Susan is honored to be a three-time Audie Award Finalist and a Voice Arts Awards Nominee. Most recently, Susan was nominated for an Audie Award in 2017 in the Young Adult Category for THE GAME OF LOVE AND DEATH written by Martha Brockenbrough and published by Scholastic Audio! Susan’s audiobook titles span many genres – including Young Adult, Historical Fiction, Faith-based Inspirational, Fantasy, Paranormal Romance, Science Fiction, Classics and Nonfiction.
On stage, Susan is currently in rehearsals for new play Three Elizabeths, written & directed by Tony Award nominated director and choreographer, Tony Tanner. Susan will be playing Queen Elizabeth I. Stay tuned for production details early 2019!
Stay up to date with Susan’s latest news by following her blog.


Theater Class Digital Scrapbook Kit
Break a leg with this drama-filled digital art kit! Have fun with this school theater, backstage, and theatre acting class kit. From backstage and makeup to sound and theater set equipment, this kit has everything you need to tell your child's story.
Elements include stage backdrops, staircase, theater building, director chair, chandelier, cinema seats, prop hats, theater curtains, hair clips, harness, headphones, overhead lighting, magic wand, magician hat, theater masks, megaphone, wireless microphone, paint can, paintbrush, paint splash, frames, theater poster, prop trunk, pulley system, rope, rope ladder, red roses, sandbag, lighted sigs, soundboard, speakers, stage door, stars, tickets, truss structure, wires and cords, wood planks, drama teacher, and theatre student. Great for elementary and primary school, middle school, and high school, too.
This kit is NOT included in any bundle.
• 100 Embellishments
• 20 Papers
• STEM Class
• Art Class
• Music Class
• Physical Education Class
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• Around the School Kit
• Around the School Craft Alpha Set
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• Around the School Torn Papers
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All of our products are DIGITAL and are immediately DOWNLOADABLE upon payment. No physical items will be shipped to you.
Due to the nature of offering products in digital format, scrapbooking kits CANNOT be canceled, refunded, or returned.


Annnnd the Academy Award goes to…
In case you didn’t hear, the nominees for the 2013 Academy Awards were recently released.
The Oscars kind of annoy me. The people who nominate and the people who vote for winners are an exclusive club of very few people who don’t really represent the population of America or the world very well, so it’s not really fair. It’s a big game of politics, and a lot of really good movies get overlooked.
I’ve only seen one nominee for Best Picture – Les Miserables – and I would be wholeheartedly behind that one if the darn director didn’t do such weird things with his camera the whole time. I only plan on seeing one more nominee – Amour – and the rest, I don’t really care to see.
That being said, I would like to present my own completely biased, not necessarily relevant list of Academy Award winners for 2013, some including TV shows and some movies that aren’t really new. Maybe this can help someone find something that’s actually good to watch.
Hey, if the Academy can do it, why can’t I?
I know I said I wasn’t really behind this, but the story and the acting made up for the wonky camera the second time I watched it. And although I enjoyed The Hobbit more, my Film and Media Studies minor forces me to choose Les Mis. Maybe I’m just too pretentious.
Tom Hardy in The Dark Knight Rises
This is a joke because I couldn’t think of anyone for this category. He wears that stupid Bane mask the whole time and has a weird accent and voice.
Anne Hathaway in Les Miserables
She’s come so far since The Princess Diaries.
Sets. Lighting. Camera work. Beautiful.
Best Adapted Screenplay
The Hunger Games
The book was very internal, but they did a great job making the movie exciting without being able to hear the characters’ thoughts.
Best Visual Effects
The Hobbit: An Unexpected Journey
Duh. When did Peter Jackson not dominate all CGI everywhere, always? The first Lord of the Rings, which was released over 10 years ago, has better effects than Spiderman from this year.


Barney Douglas’s documentary on the tennis champion stands alongside Asif Kapadia’s films on Senna and Diego Maradona
Solid sports documentaries are 10 a penny. Sports documentaries that delve so comprehensively into the psychology of their subject, which position them both in the cultural landscape and in a transformative moment of their chosen discipline, are less common. Barney Douglas’s doc about tennis maverick John McEnroe belongs to that rare handful of portraits that should find an audience far beyond just fans of the game itself. In this, it has a kinship with Asif Kapadia’s films Senna and Diego Maradona.
There’s one key difference, however – while the subjects of Kapadia’s films are now dead, McEnroe is still very much alive. And while not mellowed exactly – an evocative device shows the grizzled former champion prowling around the night-time streets of the city that shaped him, New York – the film finds him in a contemplative mood. Through extensive interview footage, both with McEnroe and those close to him, archive material and some slightly unwieldy CG graphics, the film unpicks the experience of being a phenomenon and a hate figure for a kid who was barely out of his teens.
Continue reading… July 16, 2022 at 04:09PM Wendy Ide


Meet Chris Jones
Chris has been scriptwriting, directing and producing for a wide range of clients since 1979. Her work has been seen on PBS, the Sundance Channel, the National Geographic channel and in selected theaters. As a writer/director she specializes in simplifying difficult concepts, enlivening history programs and crafting productions with sparkling dialogue, unusual concepts and a light touch. As a producer, she is known for bringing in projects on time and within budget.
In addition to her documentary work, Chris has written and/or produced several interactive programs and DVDs, television commercials for a variety of clients and spent one season working as a writer/producer for Collectible Treasures shown on the Home & Garden Channel. Chris is also a Spectra Diversity partner. Spectra Diversity offers an online diversity and inclusion assessment and profile for organizations and individuals.
I had the privilege to serve with Chris Jones when she was president of the local chapter of MCAI (then ITVA). She brought passion, knowledge and expertise to the role and knew how to leverage the team to get the best out of each of us. Ultimately, she re-energized the chapter by helping everyone broaden their skills and form lasting business relationships within the industry. – Steve Prather, Creative Services Director at Ecolab
Selected recognition and awards for her work includes:
- SuperKid – Silver award MCAI-MN Media Festival
- Poles Apart – Best of Fest Twin Cities International Film Festival, Best Documentary award at the Lake Placid Film Forum, Best Documentary at the Breckenridge Festival of Film, a Silver at the Philadelphia Film Festival, the Top 10 Best of Fest at the Minneapolis/St. Paul International Film Festival, Honorable Mention at the Canyonlands Film Festival, the Moab Film Festival and the Houston International Film Festival. Poles Apart was also screened at the Film Festival of Loule Portugal and at the Outfest 2000 Los Angeles
- Century – ITVA Golden Reel Special Achievement; (2) Silver (1) Bronze TELLY and a Silver award at the International Film & TV Festival of NY
- The Road Taken – ITVA Silver Reel
- Preventing Losses -CINE Golden Eagle; ITVA Silver Reel
- Making the Sale – CINE Golden Eagle
- WINDOWS IN TIME – CINE Golden Eagle; ITVA Golden Reel
- EMMPASCLCU – Gold HUGO Chicago Film Festival; International Film & TV Festival of NY (Silver)
- R.F. Module Radar Altimeter – U.S. Industrial Film Festival (Silver)
- Applied Robotics – International Film & TV Festival of NY (Gold)
Prior to her independent work, Chris spent five years as a Writer/Producer for Honeywell Inc. Chris received a B.A. from St. Cloud State University with a TV/Film and Theater double major. Chris also holds a 1st Class FCC License which, in theory, means she can repair a transmitter. She was the 1997-98 President of the Media Communications Association-International (International Television Association).
Chris Jones & Associates would be happy to provide you with a free initial consultation or proposal. Please either call us at (612) 272-0547 or contact us via email. We look forward to working with you.


The upcoming Punjabi movie titled “Sardara and Sons” is set to release very soon. The movie will star Sarabjit Cheema, Roshan Prince, and Yograj Singh. The film is being produced by Nuclear Productions and directed by Pankaj Batra.
The film promises to be a treat for Punjabi movie lovers, with its impressive cast and crew. Sarabjit Cheema, Roshan Prince, and Yograj Singh are all talented actors who have delivered some outstanding performances in the past. With Pankaj Batra at the helm, the movie is expected to be a visual delight.
The movie is currently in production and is expected to release soon. Fans of Punjabi cinema are eagerly awaiting the release of “Sardara and Sons”, which is sure to be a blockbuster hit. With Cheema, Prince, and Singh in lead roles, the movie is bound to be a crowd-pleaser.


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Press Release - September 14, 2007
Peter Fonda's Memorabilia to be Auctioned by Heritage!
Easy Rider "Captain America" Flag, DOD Badge Among Items to be Offered by 3:10 to Yuma Co-Star.
Dallas, TX:To an entire generation, Peter Fonda was the epitome of counter-culture "cool." One of the stars of the classic Easy Rider (1969), Fonda, along with co-star Dennis Hopper, rode across the country in search of America, and straight into pop culture immortality.
Born on February 23, 1940, the son of renowned actor Henry Fonda and Frances Ford Seymour, Peter's first professional work was in a Broadway production of Blood, Sweat and Stanley Poole, for which he earned favorable notices.
Fonda's first film role was in Tammy and the Doctor (1963), and he soon gained a solid reputation for playing young, counterculture antiheroes, as first seen in the movie The Wild Angels (1966), in which Fonda portrays Heavenly Blues, president of a local Hells Angles chapter, and later in The Trip (1967), directed by Roger Corman.
His most visible role, however, came in 1969 when he produced, co-wrote and starred in Easy Rider, a story about two young men traveling across the country trying to find America. Seen by many as one of the defining films of a generation, Easy Rider is regarded today as one of the most important films of the 1960s.
After Easy Rider transformed Fonda into one of Hollywood's leading stars, he was able to be far more selective about the projects he took on. Memorable later roles include Larry Rayder in Dirty Mary, Crazy Larry (1974), Frank in The Passion of Ayn Rand (1999) for which Fonda received a Golden Globe nomination, Terry Valentine in The Limey (1999), Ulysses "Ulee" Jackson in Ulee's Gold (1997), Mephistopheles in Ghost Rider (2007), and Byron McElroy in 3:10 to Yuma (2007).
"Without a doubt, the most exciting material from Peter Fonda's collection are those pieces that come from the movie, Easy Rider," said Doug Norwine, director of Music & Entertainment Auctions for Dallas-based Heritage Auction Galleries. "Anyone who has seen the film no doubt remembers the American flag Fonda wore on the back of his motorcycle jacket, the flag that gave him the name 'Captain America.' We're proud to offer that very flag, attractively framed, in our upcoming auction. This is the flag that defined one of the most important, and memorable, characters in film history. Along with the flag, we'll also present the D.O.D. badge that Fonda wore throughout the film, as well as his prototype gold Rolex. The watch was not a prop, it actually belonged to Fonda, who had purchased it as a reward to himself for finishing the screenplay for Easy Rider. In the movie, when you see Fonda toss the watch away, he's actually throwing a replica, not wanting to damage the original, which he wore throughout the rest of the movie and which can be seen briefly in the opening, pre-credit sequence."
"One of the things that set Easy Rider apart from virtually all other movies of its time was its soundtrack," Norwine said. "Featuring contemporary hits from the likes of Steppenwolf, the Byrds, the Jimi Hendrix Experience, and Roger McQuinn, the album was a phenomenal success and redefined the way popular music was used in motion pictures. Fonda received a Gold Record Award from the RIAA, commemorating 500,000 copies sold, an award we're proud to offer to the collecting public for the very first time."
"Of course, Fonda's memorabilia isn't all about Easy Rider," Norwine said. "We're also pleased to offer his Martin D-45 guitar from the movie Outlaw Blues, along with a soundtrack LP from the movie. The award-winning actor has boldly signed both items. Among the truly unique items being offered are several drawings that a 7-year-old Peter Fonda did for his father, legendary actor Henry Fonda. These drawings were done for the elder Fonda after his return from combat in World War II, and while he was in New York, in rehearsals for the Broadway version of Mister Roberts. These are a charming and intimate window into the relationship between a famous father and the son who obviously idolized him. Speaking of Henry, we're also offering that actor's Bronze Star, awarded for 'meritorious service as Assistant Operations Officer and Air Combat Intelligence Officer... during operations against enemy Japanese forces from May 12, 1944 to August 12, 1945.'"
Norwine continued, "Another interesting piece is 45-caliber Kentucky pattern muzzle loading percussion rifle with handmade inlays, custom made for Peter Fonda by noted gunmaker Don King, and used by Peter in Hawken's Breed (1987), which forms a matched set with the 45 pistol and Bowie knife that also offered in this auction. Whether you're a collector of classic firearms, Hollywood memorabilia, or unique movie props, this rifle will certainly be the centerpiece of any outstanding collection."
"There's so much more being offered," Norwine said, "not only from the personal collection of Peter Fonda, but from so many other great music and entertainment stars and celebrities as well. I'd invite anyone interested to visit www.HA.com, where you'll find full-color, enlargeable images of each and every lot in the auction, accompanied by our complete and informative catalog descriptions. You can even place your bids online from the comfort and convenience of your home or office."
Heritage Auction Galleries will offer Peter Fonda's personal memorabilia in their upcoming Music and Entertainment Signature auction on October 6 & 7, 2007, at their headquarters in Dallas, TX.
Peter Fonda's "Captain America" Flag from Easy Rider:
ESTIMATE: $50,000 & up
Peter Fonda's D.O.D. Badge from "Easy Rider.":
ESTIMATE: $15,000 & up
Peter Fonda's Prototype Gold Rolex Worn In "Easy Rider":
ESTIMATE: $10,000 & up
Peter Fonda's "Easy Rider" RIAA Gold Album Award:
ESTIMATE: $2,000 & up
Peter Fonda's Martin D-45 from "Outlaw Blues" With Soundtrack LP, Both Signed:
ESTIMATE: $7,500 & up
Peter Fonda's Picture Drawn for his Father at Age 7:
ESTIMATE: $400 & up
Peter Fonda's Kentucky Hunting Rifle:
ESTIMATE: $1,000 & up
Henry Fonda's Bronze Star:
ESTIMATE: $2,000 & up
For more information about Heritage's auctions, and a complete record of prices realized, along with full-color, enlargeable photos of each lot, please visit www.HA.com.
Prospective consignors and sellers of Entertainment, Celebrity or Hollywood memorabilia are invited to www.HA.com/Sell. Or simply email Doug Norwine at DougN@HA.com or call 1-800-8782-6467, ext. 1452.
To reserve your copy of any Heritage auction catalog, please contact Client Services at 1-800-872-6467, ext. 1150, or visit www.HA.com/Catalog to order by email.


Calling all theater lovers. The Gibson County High School presents “The Glass Menagerie” by Tennessee Williams. The Glass Menagerie is a memory play that is taken from the memoirs of Tom Wingfield, a character in the play. The scene is St. Louis 1937. Tom, an aspiring poet, labors in a shoe warehouse to take care of his mother, Amanda, and his sister, Laura.
Performance dates and times are Oct. 26th and 28th at 6 pm and Oct. 29th at 3:30 pm. Tickets are $7 and may be purchased at the front door. This performance is located in the theater at GCHS 130 Trenton Hwy. Dyer, TN.


Have you ever been in a difficult situation, in the verge of a decision, in which you take an option but a faint voice in your head tells you otherwise and you ignore it?
All of us know the outcome of this, the feeling of regret of ignoring that inner voice that somehow knew the outcome and tried to dissuade us of our choice. Some people grant this divination powers to intuition, a sixth sense, divine intervention, you name it… but what if I tell you that those voices are our own? Produced by a version of ourselves in a different circumstance, a different place… deprived of space and time… would you believe me?
Continue reading “The Movie of your Life”
Weeks ago a friend of mine invited me to see Lucy (2014) a film starred by Scarlett Johansson and Morgan Freeman, and Directed and Produced by Luc Besson. Even I am fan of early filmography of Besson like Le Dernier Combat (1983), Leon (1994) and Le Grand Bleu (1988), I was skeptical to attend, because of the recent disappointing work of Besson and the awful critics that were spinning around the net. Anyway, we went to the cinema.
The film is an action-packed movie in the style of the latest works of the director that exploits the unsubstantiated premise of the “hidden capability of the brain,” From my point of view, the movie was plagued with lousy synedoches, of the actual action interacting with footage of wildlife that instead of proposing a new understanding of the scene, only acted as pleonasm interrupting the continuity of the movie. Anyway I know Luc will not read (or care) about my cinematic perception, so let’s skip the cinematographic analysis.
Continue reading “Lucy’s Complex”


Back in May 2021 we were approached by James Hale of Lazerbeam Productions. Lazerbeam is a TV, radio and music production company based in Cardiff. They make “distinctive factual, history and music-based documentaries”.
James set up Lazerbeam Productions in 2015 and has developed, produced and directed Roots Reggae Rebellion (BBC Four), Hidden Cardiff (BBC One Wales & BBC Two) and directed Hits, Hype and Hustle (BBC Four). He has produced and directed two series of Lazerbeam production Hidden Wales with Will Millard for BBC Two, BBC Four and BBC Wales.
Forming part of a one hour documentary the Navigation Project was involved in the making of the film finally aired on St.Davids Day, 1st March 2022 on BBC One Wales and BBC Four.
It was entitled "Hidden Wales : Last Chance to Save" and the Navigation clip is shown below
Mr Jim Leadbeater, an ex-miner who was employed at the Navigation appears in the film. If readers have seen or read a copy of our booklet “Crumlin Stories”, Jim featured in one of the articles in our booklet “Crumlin Stories”, a few copies of which are still available to purchase follow this link.
The Trust Chairperson, Mrs Vera Jenkins was also interviewed and appears in the film.
Viewers of Welsh TV will already be familiar with the presenter, Will Millard. He presented the documentary and he has a passion for historical sites particularly in Wales. Will has presented documentaries on the tribes of Papua New Guinea, Hidden Wales and Hidden Cardiff and also on the River Wye to name a few.
For further information regarding either Lazerbeam Productions or Will Millard go to their websites using the links below:
James Hale Will Millard The Cameraman Jim Leadbeater and Will


The Room is one of the worst movies ever made. Tommy Wiseau is a film director known for making that movie. Greg Sestero was an actor in that movie. Tom Bissell is a writer. Bissell and Sestero have collaborated to write a book about the making of that film, and their book—The Disaster Artist—is out this month.
How to describe this book? Well, it’s probably best to start with a description of The Room. “Watching this film is like getting stabbed in the head,” is how one reviewer phrased it. That’s putting it bluntly, but also accurately. The tone of the film is erratic, the dialogue is confounding, the styling is soap-operatic and the acting is sub-cardboard. Basically, every single time an artistic choice presented itself during the making of the movie, a wrong decision was made.
But—that’s incredible, if you think about it! Consider the opposite scenario: what are the odds of a filmmaker doing every single thing right when making a movie? Close to zero. So what are the odds of a filmmaker doing every single thing wrong when making a movie? Probably also close to zero. Which is why The Room is such an amazing beast to behold.
Here, watch the trailer for a taste:
Happily, bad art occasionally leads to good things, and The Disaster Artist is an example of this scenario. Read it if you are interested in moviemaking, uncompromising artists, emotional upheaval and seamy underbellies.
Especially seamy underbellies.
The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made, by Greg Sestero and Tom Bissell, published by Simon & Schuster


Author: Charlie Price
Publication: Farrar, Straus and Giroux (BYR) (October 30, 2012)
Description: As their hardscrabble lives intertwine in a small, corrupt Montana town, Grace, a scheming runaway, JJ, her drifty fostercare sister, and Mick, the son of a petty thief, discover the body of a young woman. Afraid to come forward, the teens try to hide their knowledge of the crime, because they believe the murderer is one of the corrupt officials and businessmen who rule their town. But after a series of false moves and dumb mistakes, the teens are soon suspects themselves in a murder investigation threatening their freedom—and maybe their lives.
My Thoughts: This is a hard one to talk about. I didn't really like one of the main characters. Grace was abused by her older brothers, ignored by her mother when she told her about it, and has run away from home. She finally runs out of money when she gets to Portage, Montana. In Portage she runs into an "old boy" network that finds her a place to live with a drugged out marijuana salesman, his alcoholic wife and son with fetal alcohol syndrome. They also find her a job working in the cafe and cleaning the motel. Soon she is involved in finding out local secrets and scamming the people the "old boys" set her on.
Also living there is JJ who is the niece of the wife and who is reacting to her living situation by concentrating on school athletics and creating fantasies about the moon. Living next door is Mick whose father is a petty thief on the run after the last town got too hot for him. This isn't the first time this has happened to Mick and his dad either. All Mick really wants is a home, a family, and a place where he can stay and be a normal kid.
These three misfits hang out together and band together against the school bullies. There is some tension withing the threesome as JJ is interested in Mick who is interested in Grace and Grace is only interested in making enough money to move on and be independent. These three are swimming one day when they stumble on the body of a young woman. At first they decide to pretend it never happened as none of their home lives could bear the scrutiny of a police investigation. But Mick calls 911 from a payphone and trouble follows.
Watching each of the three as they deal with the consequences of their discovery and as they learn about themselves was interesting. I liked seeing JJ come into her own and show that she wasn't the dreamy character she seemed like at the beginning. I like how Mick realized that he could go alone and didn't have to keep following after her law-breaking father.
What I didn't like was how Grace really didn't change. She was still looking for a way to scam the system at the end of the story as she had in the beginning. The only real change was that she had more tools for the scamming as the result of her experiences in Portage. She was still willing to betray or double-cross anyone if it looked like it would benefit her.
This was an interesting mystery though the "whodunnit" wasn't as important as the maneuvering and various conspiracies that were uncovered about the town. Fans of realistic fiction who like stories about kids in tough situations will enjoy this one.
"Damn! What's with you, Mick? All about you? Something's the matter with JJ!"I received this ARC from Macmillan in exchange for an honest review. You can buy your copy here.
"Yeah, and something's the matter with me. You use me! Pick me up whenever you need something." Mick could hear a whine in his voice and didn't like it. Went on. "I drove you here. You didn't contribute shit. Said I was a danger, and left me. Didn't show up when you said. Yeah, it's about me. You treat me like dirt. You would have split again today if I hadn't caught you."


Fireside Chats with Cast Member Alain Laforest
Alain Laforest, the man behind the voice.
Alain made his stage debut as “The Clock” in a 1st grade school production of Cinderella. In high school, he concentrated on art and eventually studied to be an illustrator. Later, the acting bug resurfaced, and he began performing in local theater productions. He's had television roles in The Path and Evil Lives Here as well as a series of commercials for Family Dollar stores. His voice has been heard in ads for the Connecticut Lottery. He lives in Queens, NY, with his wife Kacie and their dog, Ripley.
When did you first fall in love with the medium of radio drama or otherwise? Can you recall the first audio drama you heard and what you found compelling about it?
“I was about eight years old when I heard my first radio drama. It was an adventure show that I happened upon accidentally while changing radio stations on a car trip with my father. I don’t recall what the show was but I thought it was very cool. A few years later I came across a guy selling cassette tapes at a flea market and bought a tape with episodes of The Shadow on it which I loved and still own today.”
When did you first get involved in Fireside Mystery Theatre, and what drew you to the creative hearth?
“Ali Silva, who I had become friends with through a theater group in Queens, came to see a show that my wife Kacie and I were performing in. As we were hanging out after the show Ali introduced me to Gus Rodriguez, and they invited me to be in their upcoming Fireside show. I jumped at the chance to do it. It was Fireside Ghost Stories just before Halloween, and I did a reading as the Captain of The Demeter from Dracula, recounting the tale of that tragic voyage.”
As a performer what do you find most satisfying about the process of audio drama?
“I love getting to play multiple characters in each show and often playing parts that I would not be cast in if I were using more than just my voice. I’ve been able to play a middle-aged politician, an Italian clergyman, a mailman from New Jersey, a 1950s teenager, and even a creature that was genetically engineered to be eaten alive! You never know what each script will bring, but they’re always full of fun, challenging roles.”
Tell us about the character you’ve found most satisfying to play so far throughout your Fireside career and why?
“I’d have to say Simon Perdido, a villainous industrialist/occultist who was introduced as the antagonist to Mr. Sheldon in The Return To Sunken Harbor episode, the second of our ongoing Sunken Harbor saga. Despite being killed off in that story, good old Simon hasn’t let that little setback keep him from returning again and again to cause grief for the Sunken Harbor residents—and you kinda have to admire that! I see him as a classic suave, 1940s, Vincent Price type of villain, and it’s an absolute joy to voice him."
Who is your favourite Fireside character you didn't play?
“Cobra Kleinman, also from the Sunken Harbor series; the master of the local dojo. He’s the complete opposite of Simon Perdidio. Cobra is just an average local guy so focused on getting by day-to-day that he’s nearly oblivious to the weird goings-on in his town. But he’s always there when you need him. Michael Pate, who plays him, does a phenomenal job with the character and makes every line of Cobra’s dialogue a treat. It’s sometimes difficult to keep from laughing out loud along with the audience when he’s performing!”
Which play that Fireside has produced are you proudest of and why?
“That would have to be ‘The To-Do List’ from our 2017 Holiday Haunts show. Most of our episodes feature some sort of macabre, supernatural twist but this episode is a truly heartfelt and emotionally resonant Christmas tale with a really poignant message. The performances are wonderful and touching, especially from the leading ladies, Ali and Kacie. If you’re the kind of person who watches It’s A Wonderful Life each holiday season you should make listening to this episode part of your yearly tradition as well.”
When you’re not treading the boards at The Slipper Room performing in Fireside Mystery Theatre what occupies your time?
“I’m kind of a homebody. Recently, I’ve started sketching and painting again. Besides that, I love watching movies, reading, and, along with my wife, finding fun and unique eateries in NYC. For work, I’m a toy demonstrator at FAO Schwarz. I get to showcase various products and interact with kids and parents from all over the world. It’s like performing in a children’s show for eight hours a day. I get a kick out of delighting the kids and seeing them get excited especially when it’s for one our artsy or creative products.”
Which podcast, aside from Fireside Mystery Theatre of course, do you listen to regularly and what do you love about it?
“Currently, my favorite podcast is The Weekly Planet. It’s two Australian guys discussing movies, comics and television. I love it because you get to hear two friends discuss what they’re watching and reading in a witty and insightful way without any arguing or negativity.”
Which horror movie, scary book or play has had the biggest impact on you and why?
“I'm a big fan of Stanley Kubrick’s The Shining. It’s a great slow burn, psychological horror film with spectacularly nightmarish moments. This story has everything. Emotionally damaged people, family dysfunction, isolation, madness, murder, ghosts, scary twins, ESP, labyrinthian mazes. The acting and direction are superb and timeless. What more could you want?!”
Have you ever had a supernatural experience in real life? If yes, tell us about it. If no, do you believe in the supernatural?
“Unfortunately, I haven't—yet—but I remain open to the possibility…”
Where can people find out more about you or connect with you?