Is that in the final third of the film, Chris Evans’ character Curtis tells us a story about his past.
It could have easily been shown in flashback. In fact, most movies/scripts would have considered that moment tailor-made for a cutaway to flashback, de-aged their cast and let that moment play out, acted out for the audience.
But instead, it’s just Chris Evans’ face, lit in such a way that it starts to become a face we stop fully recognizing.
It’s just Chris Evans’ performance.
And it’s important that we see/hear him tell this story. Because as he tells this story we see how this story affects him in the now. This character has to be allowed to tell this story, with his face, with his voice.
About the only thing I feel like I can immediately compare it to on-screen is Anne Hathaway singing “I Dreamed a Dream” in Les Mis a few years ago, and it is equally devastating.


The Amoeba Project
This project is a screenshot from a short film I worked on titled “Amoeba”. The short film came about as a component of my studies to complete my Masters in animation at Wits University. I was part of a team of four people who worked on this project two of us being Zimbabwean.
I was primarily in charge of managing the production and guiding the team’s direction. I worked on every aspect of the production pipeline from concept to the final product but took a particular lead in modelling, texturing and technical tests. This short film has proceeded to be entered into various international film festivals. It has so far won a silver medal at the New York Film Festival in the United States. It has also been selected for screening at Stuttgart Animation Festival in Germany, Toronto Film Festival in Canada and Kinematifest in the United States. I am pretty excited by its success in so far as it is also Wits University’s first and only short animated film to do the international festival rounds since they started the program over 10 years ago. My hope is to help continue building the animation industry in Zimbabwe and make a difference.
Amoeba - The story is about a lonely amoeba called Fred who lived in the vast empty expanse of the petri dish. He played on his own everyday until he decided to end his lonely existence leaving this cruel world behind.


A leaked version of the trailer for David Fincher‘s adaptation of The Girl with the Dragon Tattoo materialized on YouTube this week.
It has since been taken down (Mike Cane analyzed it shot by shot), but we’ve embedded the official trailer above–what do you think?
Read speculation about the leaked trailer’s origins here. According to Entertainment Weekly, the leaked trailer featured Trent Reznor and Karen O’s cover of Led Zeppelin’s “Immigrant Song” in the background. We also saw glimpses of Daniel Craig as Mikael Blomkvist and Rooney Mara as Lisbeth Salander.
- Lena Dunham to Pen Archie Comics Story
- Marvel Studios Special to Feature Sneak Peek at 'Avengers: Age of Ultron'
- Public Theater Announces 2014 Shakespeare in the Park Lineup
- 'Divergent' Soundtrack Features Snow Patrol & Ellie Goulding


Basil of Baker Street (from Disney’s The Great Mouse Detective) steepling his fingers and then lightly tapping them together. Reblog if you can admit you’ve done this many times before!
Animation created in CorelDRAW Photo Paint 8, used 8 frames, frame delay at 10/100 sec, converted to 8-bit Palette, cropped and sized down to 400x461 at 72dpi. Saved as a gif file at 694KB.
Basil is © Eve Titus/Disney
I’m going to see this movie for the first time in +/- 10 years!
I don’t remember almost nothing but I used to see this movie a lot.
I remember the beginning was a little scary for me and that at the end there’s a fight in a clock, I guess, maybe I’m confusing it with other movie, but let’s see! :)


All shows begin at 7:30 p.m.
If you have any questions about tickets or other items, call (630) 424-6640.
2017-18 PRODUCTIONS (more info will be forthcoming)
Smoke Fall (student-directed one act play)
This new drama explores the bonds and repeating cycles of family. The play is directed by senior Chris Turner, and cast members include Veronica Koralewski, Lizzy Mazzolini, Connor Kamradt, Graham Wendorff and Anthony Maggio.
All My Sons
January 31- February 3
The Complete History of America. . .Abridged
Like us on Facebook: GBE Theatre
Follow us on Twitter: @gbetheatre


Lecture on Indian independent documentary
The documentary participant is largely a site of anxiety, viewed through the discourse of documentary image ethics and its construction of moral obligations between filmmaker and film participant. My focus on documentary practice rather than mere reception or effects is underpinned by a belief that documentary “publics” are created not only through viewing but also through material contact with the documentary process.
The speaker Shweta Kishore is a documentary practitioner and scholar. Alongside completing her PhD in Film and Television Studies from Monash University in 2016, her independent documentary practice focuses on themes of identity, resource allocation and globalisation.
Read more about the event here


The Main Hall (area 8.0 by 14.0 metres) is carpeted at the entrance whilst the main area consists of a polished wood floor. At the end of the Main Hall is the raised stage (1.0 metre high, area 4.0 by 8.0 metres) with proscenium arch. The hall has a minimum height under ceiling beam, lights and glitter ball of 3.3m.
This hall is suitable for dancing (including ceilidhs), large scale dining functions including wedding receptions, theatrical performances, café theatre, film showing and general social gatherings and lectures.
The hall is licenced by Devon CC as a venue for wedding receptions; the main hall is great for dining and dancing and can be lavishly decorated. Suitable for wedding/party dining for up to 100 and up to 150 evening guests.
Seating capacity for theatre, films and talks is 120 to 130.
Seating capacity at tables is 80 to 110 (depending on the shape of tables selected and whether the portable thrust stage is used in the auditorium). Rectangular trestle tables and round tables are available.
The hall is airconditioned. It has up-to-date theatre lighting, modern sound equipment with connection for smartphone / laptop, a ceiling mounted projector and a full stage electric film screen, all available by arrangement, with help available to prospective hirers for setting up the sound and lighting systems. A flexible modular staging system is also available.
The Main hall is hired in term time weekdays in termtimes during school hours (08:00 – 16:30) to Lympstone [VC] Primary School.
The Main hall can be hired separately or in combination with the Kitchen and/or Bar, with the Function room, or as part of a whole complex hire.
Contact our booking line (07565 856907) to discuss specific needs and layouts.
Hire charges and offers
- Charges from July 2021
- Weddings - e-mail or call to discuss charges for 2022 and 2023.
- Main hall
- Function room
- Committee room
- Kitchen and bar
- Equipment list - furniture, catering, lighting
- Audio and video equipment (.pdf download)
- Layout of rooms
- BOOKING FORM - on-line version - preferred
- Booking form - paper version to print & complete and post back (NEW)


CANCELLED – Travel Restrictions – “Spin Straw into GOLD” with Rumpelstiltskin a Play
A strange little gnome appears from here, there and everywhere. He will spin your straw into gold . . . . . for a PRICE!
If his price is too steep, you must guess his name . . . . . . . RUMPELSTILTSKIN!
Join in the fun of Festival Time and help Clara guess the mischievous little gnome’s name. You will also encounter a Jester, Villagers, Wizards, a Queen, a King, Knights and a band of busy little Bees.
This heart-warming tale of mischief and friendship answers more questions than just “What is the little man’s name?”
Students in grades 1 – 12 are invited to join professional Tour Actor/Directors from Missola Children’s Theatre fro auditions, intensive workshops, and rehearsals for the production of an original musical adaptation of thie classic tale.
Auditions: July 27, 2020 at 10 am
Rehearsals: July 28 – July 31, 2020
Performances: August 1 & 3, 2020
Hampshire High School, 157 Trojan Way, Romney, WV
CONTACT: Joanne Snead: 304.298.3039 or firstname.lastname@example.org
- Rumpelstiltskin - Final Perfomances


Jayam,Tamil Movies Cinema, This page contains Jayam,Tamil Movies Cinema,. Movie: Jayam (Jeyam) Cast: Jeyam Ravi, Sadha, GOpichand Music: RP.Patnaik Director: M.Raja Release Year: 2003 Language: Tamil Part 1 Click here for full screen view Jayam - YouTube jayam; jayam movie; jayam full movie; jayam full length telugu movie; Nitin; Sada; Gopichand; Siva Krishna; Prasad Babu; Delhi Rajeswari; Lakshmipathi and Shakeela Jayam movie song Ranu Raanu - YouTube Uploaded by makewasyour on Dec 12, 2008 telgu song beautibul actrees sada in jayam movie Category: Music Tags: Jayam telgu song sada chinndo sinndo Ranu. Ravi has appeared in films including Jayam, M. Jayam (2003) - IMDb Director: M. Welcome aboard straight form the editor's desk a comprehensive section about films that are released and under production check out the trade facts and. Actors: Jayam Ravi: Ravi Â· Sada: Sujatha Â· Tottempudi Gopichand: Raghu Â· Senthil: Mayilsamy Telugu Cinema - Review - Jayam - Nitin, Sada - RP Patnaik - Teja. All about Jayam, Jayam Reviews, Jayam Story, Cast and Crew, Video Clips and Trailers, Photos and Photo Gallery, News, Trivia & Goofups and Jayam Wallpapers Jayam Telugu Movie Other Movies With Same Name : Jayam Tamil Movie: Cast Jayam Ravi, Sada, Ilavarasu, Mayilsamy: Jayam Photos Jayam - Tamil movie - Jeyam Ravi - Watch online for free ~ Tamil. Raja. Raja that released in 2003. . Jayam Ravi - Wikipedia, the free encyclopedia Jayam Ravi (born 10 September 1980 as Ravi Mohan) is an Indian film actor. It also starred Senthil. It was the debut for Jayam Ravi and Sadha as hero and heroine respectively. Jayam: Jayam Movie Reviews, Jayam Reviews, Jayam Story, Plot, Cast. Kumaran Son Of Mahalakshmi, Unakkum Enakkum. Jayam (2003 film) - Wikipedia, the free encyclopedia Jayam is a Tamil film directed by M. Jayam proves the importance of screenplay and handling over the story in a movie when it comes to entertainment.


Alice Through The Looking Glass
Disney’s “Alice Through the Looking Glass” is an all-new spectacular adventure featuring the unforgettable characters from Lewis Carroll’s beloved stories, where Alice travels back in time to save the Mad Hatter.
Want to know what else? Walt Disney Studios is partnering with three-time GRAMMY®-winning singer/songwriter P!nk on the studio’s upcoming release “Alice Through the Looking Glass.” P!nk will write and record an original song which will appear in the film and on the motion picture soundtrack from Walt Disney Records featuring four-time Academy Award® nominee Danny Elfman’s score. She has also recorded a cover version of the iconic song “White Rabbit” for the film’s marketing campaign which you can view below...
Disney’s “Alice Through the Looking Glass” opens in U.S. theaters on May 27, 2016. It will be Presented in Digital 3D™, Real D 3D and IMAX® 3D.


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Anne Heche. Anne Celeste Heche (/ h eɪ ʃ / HAYSH; born May 25, 1969) is an American actress, director, and screenwriter.Following a dual role in the daytime soap opera Another World (1987–91), she came to mainstream prominence in the late 1990s with the films Donnie Brasco (1997), Volcano (1997), Six Days, Seven Nights (1998), and Return to Paradise (1998). In 1998, Heche portrayed Marion Crane in Gus
Anne Heche. Anne Heche, Actress: Six Days Seven Nights. Anne Heche was born on May 25, 1969 in Aurora, Ohio, USA as Anne Celeste Heche. She is an actress and writer, known for Six Days Seven Nights (1998), Donnie Brasco (1997) and Wag the Dog (1997). She was previously married to Coleman 'Coley' Laffoon.
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Age, Ellen & Psycho. Actress Anne Heche got her start on the soap opera 'Another World.' She is known for her relationship with comedian Ellen DeGeneres and for starring in the series 'Men in Trees.'
Anne Heche. Anne Heche was born on May 25, 1969 in Aurora, Ohio, USA as Anne Celeste Heche. She is an actress and writer, known for Six Days Seven Nights (1998), Donnie Brasco (1997) and Wag the Dog (1997). She was previously married to Coleman 'Coley' Laffoon.
Affair, Married, Husband. Anne Heche Biography - Affair, Married, Husband, Nationality, Salary, Net Worth, Height Who is Anne Heche? Anne Heche is an American actress, director, and screenwriter. Similarly, she is also a writer and known for Donnie Brasco, Wag the Dog and Six Days Seven Nights. Anne Heche's Early Life, Childhood, and Education Anne Heche was born on May 25,
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Simple English Wikipedia, The Free Encyclopedia. Anne Celeste Heche (born May 25, 1969) is an American actress and screenwriter.She starred in the television soap opera Another World.She received a Daytime Emmy Award in 1991. She has starred in many theatrical movies. She is best known for her role in Six Days Seven Nights, where she starred opposite Harrison Ford.. As Heche was beginning to establish herself in movies during the late 1990s


It’s 2019, and there are masses of nice films hitting theaters and streaming providers within the coming months, from Avengers: Endgame and Captain Marvel to Star Wars Episode IX, Jordan Peele’s Us and extra. However earlier than we glance forward, fellow GeekDad movie author Rob Huddleston and I are first wanting again to 2018, an awesome yr for unique, unbiased cinema and big-budget spectacle, to compile our particular person lists of the 10 greatest movies of the yr. Remember that many of our picks are NOT child pleasant, so make sure you do your analysis earlier than watching any of these movies round little ones.
Listed here are our respective lists of the highest 10 movies of 2018…
We’re going to interrupt down our greatest films of 2018 individually. One record for Tony, one listing for Rob.
Be happy so as to add your picks within the feedback!
As you’ll see from not one, however three of my picks, that is the yr Netflix really made a reputation for itself as one of cinema’s most essential producers. From whimsical, nostalgic musicals and genre-defying superheroes to dynamic westerns and a Cheddar Goblin, listed here are my picks for the highest movies of 2018…
- 1 10) Tie: Apostle and Mary Poppins Returns
- 2 9) Sorry to Hassle You
- 3 eight) The Dying of Stalin
- 4 7) The Rider
- 5 6) Mandy
- 6 5) Black Panther
- 7 four) Mission: Unimaginable – Fallout
- 8 three) Roma
- 9 2) The Ballad of Buster Scruggs
- 10 1) Gained’t You Be My Neighbor?
- 11 10) Black Panther
- 12 9) Ralph Breaks the Web
- 13 eight) Annihilation
- 14 7) Prospect
- 15 6) A Quiet Place
- 16 5) Spider-Man: Into the Spider-Verse
- 17 four) Operation Finale
- 18 three) Welcome to Marwen
- 19 2) Three Similar Strangers
- 20 1) Juliet, Bare
10) Tie: Apostle and Mary Poppins Returns
These two films couldn’t be extra totally different. I hate ties like this, however I had a tough time selecting which ought to make my record, so right here we’re. In 2011, Gareth Evans created The Raid, my favourite motion movie since Die Onerous. Since then, he’s a filmmaker I’ve stored on my radar. Apostle was a shock to me when it hit Netflix in October. A brutal movie a few Welsh spiritual cult within the early twentieth century. Apostle supplies a relentless, more and more tense journey to the horrors of spiritual persecutions. Mary Poppins Returns then again supplies a implausible, whimsical and optimistic journey of the creativeness. Really a magical relic of a movie – refreshing to see in 2018. In case you haven’t seen it, skip the subsequent sentence. The two biggest moments on this movie, and two of my favourite moments from any movie in 2018, have been sudden appearances by the legendary Dick Van Dyke and Angela Lansbury.
9) Sorry to Hassle You
What a bizarre movie Boots Riley has created. What a bizarre and excellent tackle the hypocrisy and idiocy of company capitalism and the thought of rising via the ranks by sticking to the scripts you’re given. Sorry to Hassle You was one of probably the most enjoyable and absurdly poignant movies of 2018, and one which sticks with you in probably the most seriocomic of methods. Topping off the greatness of Riley’s imaginative and prescient is a stellar forged led by the persistently wonderful Lakeith Stanfield and Tessa Thompson.
eight) The Dying of Stalin
On the floor, The Dying of Stalin is a satirical tackle the demise of Soviet chief and Communist revolutionary Joseph Stalin in 1953. However it’s exhausting to not see parallels between the at occasions incompetent, all the time pandering and contradictory political wrestle on the middle of the movie and at the moment’s uneven and divisive political local weather. The result’s each hilarious and alarming on the similar time. Political satirist Armando Iannucci (Veep) has created an excellent comedy woven collectively by top-of-their-game performances from Steve Buscemi, Simon Russell Beale, Jeffrey Tambor and others.
7) The Rider
The Rider was my largest shock of 2018. Going into the movie with none background or expectations, I got here out of the viewing with a robust, sudden sense of connection to director Chloé Zhao’s imaginative and prescient. The Rider is a singular hybrid starring Brady Jandreau and his precise household and associates in an element fictional, half documentary narrative. The beautiful badlands vistas captured by cinematographer Joshua James Richards set a contemporary western backdrop to intensify a real story difficult the concepts of masculinity, rising up, and managing ones goals and expectations.
As bizarre as Sorry to Hassle You could be, Panos Cosmatos’ Mandy is 2018’s strangest, most loopy movie of all. Nicolas Cage, in maybe his greatest efficiency since Leaving Las Vegas, guides the viewers alongside this surreal horror revenge thriller with layered lunacy. Mandy is a movie that ought to be skilled, and matches completely into the midnight film, cult cinema canon alongside the works of Jodorowsky and Lynch. Bonus factors for the weird introduction to the Cheddar Goblin!
5) Black Panther
Lastly! In what is probably the most effective Marvel Cinematic Universe movie up to now, Black Panther modifications the superhero recreation, and challenges the established order of Hollywood blockbusters by making race a crucial half of its id. On prime of that, the movie was wildly profitable on the box-office. As socially related and nice a narrative as that could be, Black Panther excels past the headlines as an A+ superhero story that includes one of Marvel’s most dynamic villains – Michael B. Jordan’s Killmonger. Bonus factors for scene stealing performances from Danai Gurira as Okoye and Letitia Wright as Shuri.
four) Mission: Unimaginable – Fallout
I’m going to say it. The Mission: Unattainable movie collection is bigger than the Bond collection. Sure, the Bond collection is iconic, however they don’t age in addition to different icons. The Mission: Inconceivable collection appears to get stronger with every new movie. Fallout is not any exception. With unrelenting motion, mystifying set-pieces, and surprisingly logical plot factors, it’s the greatest motion film of 2018 and the strongest in the whole Mission: Unimaginable collection. Biggest of all is the truth that Tom Cruise does his personal stunt work for these movies, making certain a way of danger and realism absent from most blockbuster spectacles today.
Alfonso Cuarón is a grasp of visible storytelling. Solely Cuarón might take a easy household story a few devoted maid working for a rich household in Mexico Metropolis and switch it into one thing epic, awe inspiring, and in contrast to any movie I’ve ever seen. Roma is cinema pure and easy. Each body of the movie is so full and wealthy with power and life. The whole lot is in good focus, and on the middle of all of it is a efficiency from Yalitza Aparicio that’s maybe the yr’s greatest. Bravo to Netflix for supporting this movie!
2) The Ballad of Buster Scruggs
One other main Netflix manufacturing, the Coen Brothers’ Ballad of Buster Scruggs is probably the most emotionally pillar-to-post movie of 2018. And I imply that in the absolute best approach. A six-part western anthology, every story all through the movie is a totally totally different, unconnected tackle the strains between comically and tragically dying. This can be a movie that solely the Coen’s might make. Solely they will so completely seize the absurd contradictions between ego and survival within the west. One of the most effective elements of this movie are the discussions you’ll have afterwards. Seeing who likes which story one of the best and why is an fascinating litmus check for simply how darkish somebody’s sense of humor may go.
1) Gained’t You Be My Neighbor?
Morgan Neville’s documentary about Mr. (Fred) Rogers is the kindest, most constructive and uplifting movie of 2018. In a yr full of division and rising rifts between humanity, Gained’t You Be My Neighbor? supplies a much-needed reminder of the traits that matter most – all seen via the lens, knowledge, and creativeness of everybody’s favourite tv neighbor. This can be a fascinating take a look at Mr. Rogers’ unrelenting dedication to and understanding of our biggest treasure; our youngsters.
Honorable Point out: Minding the Hole, Recreation Night time, and First Reformed
On account of modifications in my work schedule, I haven’t seen almost as many films this yr as in years previous, and particularly I missed a bunch of early-autumn movies that I think may need made the record, resembling BlacKkKlansman. And as all the time presently of yr, there are extra probably nice movies I simply haven’t had an opportunity to see but, corresponding to Mary, Queen of Scots, The Favorite, and The Mule. However with that stated, right here is my listing of the 10 greatest movies I’ve seen…
10) Black Panther
Sure, it’s more likely to find yourself on most prime film lists this yr, nevertheless it’s properly deserved. It has all of the weather of the opposite movies within the MCU, however with much more coronary heart, and extra secondary characters you may truly care about than most of the others. Add to that the essential, well timed social commentary, and you’ve got the strongest entry within the MCU thus far.
9) Ralph Breaks the Web
The first film was so good, it’s arduous to think about they might have provide you with a sequel that might be nearly as good, and but they did. Sure, the film is loaded with easter eggs concerning the web and it accommodates in all probability the most effective scenes of the Disney princesses thus far, however extra essential, the film is one of probably the most trustworthy and open seems to be at how friendships change as you grow old ever to seem on movie.
One of the stranger, and but most visually beautiful movies of the yr had Natalie Portman and Jennifer Jason Leigh touring into an space being reworked by an alien drive to attempt to uncover its secrets and techniques. Author/director Alex Garland as soon as once more excelled at utilizing sci-fi to do what it does greatest: touch upon the human situation.
First, a disclaimer: GeekDad contributor Will James was one of the prop makers on this sci-fi movie, however given it’s extremely small launch–it solely performed right here in Sacramento in a single theater for one week–his involvement was why I went out of my solution to see the film. And I’m very glad I did. The film is a “space western” within the truest sense of the time period, because the film might have as simply taken place in Yuma in 1890 as on a distant planet sooner or later. However like all nice sci-fi, Prospect is actually about individuals, and right here, younger star Sophie Thatcher exhibits that she has a really brilliant profession in entrance of her. Oh, and the props are fairly darn nice as nicely.
6) A Quiet Place
Oscar-worthy performances by IRL husband and spouse John Krasinski and Emily Blunt are the middle of this film. Krasinski, who additionally directed and co-wrote the film, performs the patriarch in a household making an attempt to outlive after an alien drive that hunts totally by sound has worn out most of the inhabitants. Provided that setup, there’s little or no dialog, forcing the actors to inform the story via physique language and their faces greater than their phrases. It’s a setup that would have as simply gone very fallacious, however as an alternative, just about every thing about this film is nearly good.
5) Spider-Man: Into the Spider-Verse
I’m not a comic book e-book individual, and my publicity to comedian e-book characters is totally by way of TV and films. So I’ll admit that once I noticed the primary preview for this animated tackle Spidey and the multiverse, it seemed fairly dumb. However because of glowing evaluations from principally everybody I do know, I noticed it (mere hours earlier than scripting this record, the truth is), and I wasn’t dissatisfied. For starters, the film does an excellent job of explaining itself, so even these of us who by no means knew there was comparable to factor as Spider-Pig aren’t left in the dead of night. And as superhero origin tales go, this one is nice, seeing as the way it does assume that principally everybody is aware of the broad outlines of the Spider-man story, so relatively than belabor the purpose, it takes a really good, recent strategy to explaining how Miles Morales turns into the brand new Spider-man. Or no less than, a brand new Spider-man.
four) Operation Finale
The story of searching down Nazis who escaped the top of the World Struggle II has been advised many occasions prior to now, however none have dared to do what Operation Finale does and are available shut to creating Adolph Eichmann sympathetic. That trick is pulled off principally because of the phenomenal efficiency by Sir Ben Kingsley, and the film is value anticipating that alone. However everybody else within the film shines as nicely, and the film, which is a component spy thriller, half heist film, and half psychological research, maintains a brisk tempo all through. And lest you are worried, the filmmakers, and Kingsley particularly, knew simply when to tug again to ensure we don’t truly root for the architect of the holocaust.
three) Welcome to Marwen
Equally touching and disturbing, Marwen examines PTSD higher than simply about any movie in current reminiscence. Steve Carell is completely unimaginable in twin roles as real-life Mark Hogancamp and as his imaginary alter-ego, the heroic women man Cap’n Hogie. Mark is helped via his journey in the direction of restoration because of a sort and understanding neighbor performed by Leslie Mann, whereas Hogie, a 12″ doll, fights Nazis with the assistance of a group of lovely dolls voiced by the likes of Gwendoline Christie and Janelle Monáe. The film additionally deserves recognition for its results, effortlessly bringing the dolls to life whereas nonetheless ensuring the viewers by no means will get the actual world and the doll world confused.
2) Three Similar Strangers
I truthfully wasn’t positive what to anticipate once I went into this film. Truthfully, I did so little analysis on it earlier than going to the theater that I didn’t even realize it was a documentary. However the story it tells, of how a psychologist took similar twins and triplets and, thanks to assist from a massively revered adoption company, positioned the youngsters is radically totally different households. He gave some youngsters to wealthy mother and father and others to poor. Some youngsters received put in homes with siblings, others with out. The function was to attempt to empirically check the character vs nurture debate. However nobody outdoors his lab and the company knew that these youngsters have been equivalent units till, by dumb luck, two brothers found one another in school. Because the film unfolds, we study not solely of the scope of the experiment, but in addition see the devastation it wrought on these households.
1) Juliet, Bare
Think about being so obsessive about a decades-old rock star who had vanished into obscurity after which mysteriously receiving a studio album of his remaining recording. However then think about that your girlfriend, who at greatest tolerated your obsession, posted to your fan web site a scathing assessment of the album, which causes her to get in contact with and start a relationship with the rock star. That’s the setup of the splendidly touching Juliet, Bare. Chris O’Dowd is nice as the marginally unhinged fan, Ethan Hawke performs the reclusive star to perfection, however the perennially under-appreciated Rose Byrne is the one who actually units the film aside, first because the oh-so-understanding girlfriend of O’Dowd’s character, after which the bemused, curious lady stumbling into one thing she’s not fairly positive about with Hawke. Perhaps it’s the thought of obsessive fandom taken too far (which I’ll or might not relate to), or simply the gathering of very touching human moments, however that is the film that touched me greater than another this yr, making it simply deserving of the highest spot.
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I’ll always be grateful for my training in theatre arts.
One of the things it taught me is trust. I could always count on my fellow cast and crew members to be there when they were supposed to be there — to speak their next line, move scenery in place, or make a catch. There was such a high level of trust that the cast and crew truly did start to feel like a family by opening night.
Is there enough trust among your team members? If not, do the work to help them gain it. When people feel like their colleagues have their backs, both work satisfaction and productivity increase.
Here’s another post about a good lesson from the theatre that can help you in business.


Director Petra Tejnorová used to have the group Sgt.Tejnorová & The Commando, dancer and choreographer Tereza Ondrová used to have the dance group VerTeDance. Everything is temporary, and so these groups disappeared as well. The interest of both artists in cross-connecting different genres and disciplines culminated in the creation of the new creative platform Temporary Collective, whose core also includes producer manager Daniela Řeháková, who participated in the most recent independent projects of both artists. In addition to projects within the platform, all founding members are also successfully involved in other activities outside it. Currently, Temporary Collective consists of photographer Marek Bartoš, musician and visual artist Dominik Žižka, and Júlia Pecková.
Temporary Collective seeks the opportunities to explore different territories and media.
Temporary Collective is not based on permanency in terms of a permanent space or a certain theatre building but rather it builds its identity on the diverse relations and locations where a theatre and dance can take a place and on what team structures it can be created.
Temporary Collective enjoys changing structures and reacting to experimental forms which – only after that, it develops.
Temporary Collective enjoys various rhythms – some of our projects are long-term and other ones are just a short series of actions. Creation and destruction. Premiere and the last performance.
Temporary Collective is a variable and living creative organism. We like to create, form collectives based on an inner need to work and create together. Not just to persevere. Basically, that is why our name is TEMPORARY COLLECTIVE!
Dominik Žižka completed a master’s degree in the Interactive Media Studio at the Faculty of Art and Design of the Jan Evangelista Purkyně University in Ústí nad Labem. He also studied at Experimental Studio Volta in the field of installation/performance/video/audio in Belgium. He mostly works with video, audio and installation.
He took part in the latest projects of director Petra Tejnorová and dancer and choreographer Tereza Ondrová.
For example, together they created the live cinema projects Innocence and Nick, the dance projects You Are Here, Nothing Sad, Let’s Go to Dance. He also collaborated on productions for the New Scene of the National Theatre and with the 11:55 ensemble – namely The Truth About 17/11 and Address to the Nation. Together they made the documentary Hello? Is Anyone There?
Marek Bartoš graduated from Tomáš Bata University in Zlín at the Department of Advertising Photography and Graphic Design. In the meantime, he went to study in the United States. He worked as an assistant to Czech and foreign photographers, including Albert Watson (USA), Adam Broomberg and Oliver Chanarin (UK), Steffen Jahn (DE), Andreas Hofmann (DE), Mikhail Korolev (RU), Toshiharu Hashimoto (JP) and Michael Penn (UK).
He has worked together with Petra Tejnorová since 2009 – from the graduate production at the DISK Theatre (Titus Andronicus_let mouchy).
Projects on which he has collaborated with Temporary Collective in recent years: the film The Book About the Plan, the documentary film Hello? Is Anyone There? and the live cinema project Nick.
Daniela Řeháková completed a master’s degree in production at the Theatre Faculty of the Academy of Performing Arts in Prague (DAMU). Already during her studies, she founded her own agency, with which she undertook mainly touring performances. At the same time, she worked as the secretary of the Rococo Theatre and then as a producer at the Řeznické Theatre. Since 2003 she has focused on the economic management of cultural institutions (cooperation with many non-profit organizations such as Alt@rt, VerTeDance, Studio Damúza, String of Autumn and mainly with Tanec Praha z.ú). From 2012 – 2015 she was the director of the Ponec Theatre.
She has been collaborating with Tereza Ondrová since 2004.
Tereza Ondrová is a dancer who, after graduating in dance pedagogy at the Music and Dance Faculty of the Academy of Performing Arts in Prague (HAMU), founded the VerTeDance association in 2004, in which over 20 dance productions were created. Over the several years of its existence, this dance group has collaborated with a number of prominent figures from the Czech and international dance scene, and the ensemble has won many awards. For example, Tichomluva (Award for Discovery in Dance 2005), What is the Weight of Your Desire? – in collaboration with Petra Tejnorová (Dance Production of the Year 2012), Correction – in collaboration with Jiří Havelka (Dance Production of the Year 2014, HERALD ANGEL AWARD 2015, AUDIENCE AWARD AT BE FESTIVAL 2015, MESS FESTIVAL AWARD 2015, TOTAL THEATRE AWARD 2015 NOMINATION), The Cases of Dr. Touret – solo Mrs. Vltavská (Dancer of the Year 2010 Tereza Ondrová), etc.
Since 2012 she has collaborated with Petr Šavel, with whom she has created two duets. The first, Boys Who Like to Play with Dolls – Total Theatre Award Nomination, Amnesty International – Freedom of Expression Award 2015, Priority Companies List 2014 Aerowaves network, nomination for Dance Production of the Year 2014, nomination for Dancer of the Year 2014. The second, the duet entitled As Long as Holding Hands premiered at the prestigious Tanec Praha Festival 2015.
Since 2016 she has also collaborated with film director Petra Tejnorová. Together they created the dance projects You Are Here (2016) – Audience Award at the Czech Dance Platform 2017 and nomination for Production of the Year 2017 award, Nothing Sad (2017) and Let’s Go to Dance (2017).
Their collaboration resulted in the non-traditional documentary film Hello, Is Anyone There? (2017), which premiered at Tanec Praha and looked at the world (and not just the dance world) from the perspective of children.
As a dancer and performer, she has collaborated, for example, with Swedish choreographer Charlotta Öfverholm – Found and Lost (2011), French choreographer Karine Ponties – Same Same (2018), Venezuelan choreographer David Zambrano – Ceviche (2015) and Slovak choreographer Anton Ľahký – Heaven is the Place (2006).
In addition to performing and creating her own original choreographies, she is also involved in dance pedagogy.
Petra Tejnorová created several successful productions already during her studies at the Theatre Faculty of the Academy of Performing Arts in Prague (DAMU). In 2008, she was nominated for the Alfred Radok Award in the Talent category. She has long been dedicated to documentary theatre, physical and auteur theatre, and theatre probes into various communities and social strata.
In her latest projects (Innocence, Nick) she focused on the genre of live cinema and the connection of theatre and film.
As an author and director, she has collaborated with important theatres in the Czech Republic, such as the Dejvice Theatre, HaDivadlo, Archa Theatre, PONEC Theatre, Studio ALTA, etc.
She created the productions Edge and TimINg for the New Scene of the National Theatre, and she directed the productions Love and Information (2016) and Address to the Nation (2019) at the National Theatre.
She has long collaborated with the ensembles 11:55 and VerTeDance.
She was part of the European project Identity.Move!
Her international projects have been presented at several prestigious foreign festivals (Zdarzenia – Tczew, Stockholm Fringe Festival, APAP New York, Fira Tárrega in Spain, etc.).
She has made two short films (The Book About the Plan – the winning film in the WAVES category – Ostrava Picture 2013, award for best cinematography – Kamera Oko international cinematography film festival). Her latest documentary film Hello, Is Anyone There? was created as part of Tanec Praha 2017.
She also dances with choreographer Tereza Ondrová in the production by Belgian choreographer Karine Ponties Same Same.
She also teaches at the Department of Alternative and Puppet Theatre at the Theatre Faculty of the Academy of Performing Arts in Prague (KALD DAMU).


Get Your Tickets Early for the Holiday Movie
Event of the Year with Advance Tickets for
Cirque Du Soleil: Worlds Away — On Sale Now!
HOLLYWOOD, CA (November 14, 2012)—Tickets for Paramount’s Pictures’ 3D film “CIRQUE DU SOLEIL: WORLDS AWAY” are on sale now for select showtimes across the U.S. and Canada. The advance tickets can be purchased online or at participating box offices for special showings at 12:00 p.m. and 7:00 p.m. December 21st through December 24th. Beginning December 25th, “CIRQUE DU SOLEIL: WORLDS AWAY” will extend its theatrical engagement with regular showtimes in North America.
The film, which Variety has called “A bona fide high-wire act…delivering towering thrills,” and The Hollywood Reporter has called a "3D spectacular", opened in Japan on November 9th and earned $1.5 million in its opening weekend, making it the #1 U.S. release for the weekend, following the film’s opening of the Tokyo International Film Festival. It makes its North American theatrical debut in Montreal, the home town of Cirque Du Soleil’s world famous productions, on December 7th.
From the big top to the big screen, visionary Academy Award®-winning filmmaker James Cameron and director Andrew Adamson (“Shrek,” “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe”) invite you and your family on an all new 3D adventure: “CIRQUE DU SOLEIL: WORLDS AWAY.” A young couple who is separated must journey through the astonishing and dreamlike worlds of Cirque du Soleil to find each other as audiences experience the immersive 3D technology that will allow them to leap, soar, swim and dance with the performers. Written and directed by Andrew Adamson and executive produced by James Cameron, Jacques Méthé, Cary Granat and Ed Jones. The film was produced by Cirque’s Martin Bolduc, Andrew Adamson and Aron Warner. Vincent Pace oversaw the 3D stereo production aspect of the film.
For additional information about the film, please visit worldsaway3d.com.


Theatre Artist, Voice Actor & Songwriter
Shannon Vogt is an actor and songwriter from Pasadena, MD, currently living and working in Charleston, SC.
Shannon received her BA in Psychology from the College of Charleston in 2015 and since then has been making theatre, writing songs, and using her psychology knowledge to develop complex characters to play. After finding joy in community theatre, she traded her bikini for snow boots to study acting in Chicago. She completed a second BA in Acting in 2019. She is currently working as a voice actor booking with clients such as Bridgestone and Shure Microphones. She has recorded a solo album and appeared on several records as a studio vocalist. When not recording, she is outdoors, listening to bluegrass, skinny dipping, or watching old horror movies. She is passionate about mental health and advocating for the addiction-recovery community.


The late Richard Griffiths is best remembered here as Vernon Dursley in the ‘Harry Potter’ films.
But, Griffiths was most notably a stage actor who excelled in plays written by the best of his generation. I had the great good luck to see him in roles he debuted created by Tom Stoppard and Alan Bennett.
In ‘Heroes’ (2005), three aged poilus of the Great War – Griffiths, John Hurt and Ken Stott – fill the walled garden of a veterans home with their dreams and their affection for one another. Tom Stoppard adapted a French play, ‘The Wind from the Poplars’ into this tragi-comedy.
I thought ‘Heroes’ moving and lovely with Griffiths leading a cast of peers. The play and the three performances have not left my memory.
Not everyone agreed on the play (See it for yourself, if you’re in the vicinity of West Springfield, Mass. where a professional production runs through April 4.) No matter the plot, the stars carried it off.
Of Griffith’s collaboration with Alan Bennett on ‘History Boys’ (2004), we have a film record. It captures something of Griffith’s genius, but film flattens his affect, as it does in the TV series ‘Pie in the Sky’.
Seeing ‘History Boys’ in London, even at a considerable distance from the stage, Griffith’s vibrance, his intense interaction with the other actors and the script left me awestruck.
Bennett and Griffiths were both Yorkshiremen rose from straitened – and worse – circumstances. They shared intellectual curiosities of breathtaking ranges. What gives Griffiths’ role as Hector, the inspired and inspiring teacher, some of its poignancy is that the boys, not the teacher, represented his youth, his life.
A hint of Bennett’s affection for Griffiths comes in entries from his 2013 Diary published in the London Review of Books for Jan. 9, 2014. I have no doubt Griffiths would have played the scene well.
3 May. I am reading Neil MacGregor’s Shakespeare’s Restless World. It’s very good, even overcoming my (A.L. Rowse generated) prejudice against reading about Shakespeare. I hadn’t realised at Richard Griffiths’s funeral in Stratford that Shakespeare’s father had been buried in the churchyard, the whereabouts of the grave now unknown. So when, waiting for the service to start, I went out for a pee under one of the yews in a sheltered corner of the cemetery I may well have been pissing on Shakespeare’s dad’s grave. More decorously, Richard’s massive coffin was resting where presumably Shakespeare’s coffin rested, a notion that would have pleased him though at the service it goes unremarked.


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|GUNS N' ROSES to release 3D concert film: watch clip....and despair|
|Tuesday, 22 January 2013 17:29|
Guns N' Roses are set to release a 3D concert film later this year.
Filmed on November 21st at the Hard Rock Hotel & Casino where the 'band' played a 12 day 'Appetite for Democracy' residency, the film is set for release in theatres, on-demand television and on DVD.
An eight minute clip from the show, featuring the butchering of 'Paradise City', can be seen below.
Sometimes you just have to step back, take a long hard look at yourself and think, "I have enough money, why am I even bothering to piss on the legacy of my once-great band?"
Love films that are so bad that they're good? Then this GN'R video nasty could be for you...


Marveeeeeeeeeeeel! O Marveeeeeeeeeeeeeeel! Wowzers! The suspense is absolutely ridiculous. Who else can’t wait for April 27; when the third installment of the Avengers franchise hits the cinemas. I honestly can’t wait!!! Marvel has simply outdone themselves this time.
From the trailers, I actually lost count of how many superheroes were fused into this one movie. All the Marvel movies for more than a decade all culminate to this; Spiderman, Thor, Captain America, Iron Man, Guardians of the Galaxy, Dr. Strange and Black Panther. This promises to be one hell of a ride with Thanos, the supreme villain; who seems to squash superheroes with the palm of his hand and wants to wipe out half of the entire universe. If there was ever a movie you need to watch, it has got to be this!
Take a look for yourself, if you haven’t seen the trailer. Thank me later!
Image Credits: HypeBeast


MUSIC FOR SCREEN
'MEETING IN NO MAN'S LAND' - 2016
First screened at the British Film Institute (BFI) in June 2016, this documentary film has gone on to festivals all over the uk and Europe. One of the few Lotto Heritage funded WW1 centenary projects to look back at the conflict through both German and British eyes, the film explores the stories of children and grandchildren of those who fought in The Great War and the legacy that was passed down across the generations.
Creating the soundtrack for this moving documentary was a humbling and profoundly moving experience.


Lets start with every fantasy geek's pick of the season. I for one had some pretty big expectations for this one, I mean the LOTR trilogy was so epic. So when the reviews came out for the movie, I was a little taken back. People were saying that the movie was boring, it looked funny, and was just meh.
I'm happy to say that I think the critics were completely wrong. The movie wasn't boring at all. I want to compare it to a fun night at a friend's house, an analogy if you will. The first hour is like a nice dinner where you are treated to stories of the past and tantalizing hints of what is to come. You are enjoying yourself but you really want the dinner to end and the partying to begin. The second and third hour, yes this movie is almost three hours long, is like playing Mario Party and Risk all at the same time with maximum players. This s**t just got real! If goblin slaying, Orc killing, eagle riding insanity isn't enough to wake you up, what more do you want? Can we also mention how amazing the actor for Gollum is?
This is the first movie since Avatar that I watched in 3D and I wasn't able to watch the 48 fps version, but I'm happy to say that the 3D experience was a good one for me. It didn't seem like a gimmick and I feel it helped immerse me more in the world of Middle Earth.
The only quip I have with this movie are the annoying scenes with Frodo and the weird reference to the invention of golf.
All in all a definite recommend, 4 tasty little Hobbitses out of 5 (****)
Now onto something a little more controversial. Lets get something straight right off the bat, this piece of movie cinema is the family night flick you have been waiting for! Django Unchained is an ode to unfailing love, and how one man will stop at nothing for love. He has to win her back from the clutches of a richer man trying to buy her love, if only she would just notice him!!!!
Whoa there! I was thinking of some sissy chick flick for a second. Sorry everyone let me get back on track. Django isn't really a classic Tarantino film but I think that's what makes it the best one I've seen in a while. The first hour has some of the best and funniest dialogue I've heard in a while, and for you action lovers out there, there is no shortage of blood and carnage. Every cliche you can think of for racism, from the Colonel Sanders plantation owner to Samuel L Jackson, just drips blaxploitation. For all you DiCaprio lovers out there, this isn't Titanic. Leo is so good at being bad that Tarantino actually said that he hated his character.
There are some tough scenes to watch like a slave getting mauled by a dog or two guys fighting to the death, but the dialogue, pacing, incredible acting by the leads, and the amazing soundtrack made this movie a real treat. In the end the good guys win and the bad guys dead. I loved this movie, end of the story.
5 perfect bullets out of 5 (*****)
Finally we get to Zero Dark Thirty, the story we all wanted to know more about. Let me first say that the preview is a little misleading. This is NOT an action movie, it is a purposeful and methodical dissection of what it took to stop terrorism and ultimately kill Bin Laden. The first two hours are definitely on the slower side, but in a way I'm glad the director didn't try to "Hollywood" this movie and turn it into an action flick. Don't get me wrong you will get to see in Seals kick some Al Qaeda butt, but the movie is more about the struggles the analyst Maya went through to see Bin Laden dead.
Some people are going to offended by watching this movie because there is a lot of torture in it. This movie is not for the faint of heart, but it manages to tow the line in not condoning torture but also acknowledging the fact that it does exist.
The final 30 mins of the movie are some of the most heart pumping minutes I've seen so far. You really feel like you are right there watching the operation with a front row seat. All I can say is thank you to all the military and intelligence people that work tirelessly for the safety of this country.
3 double taps out of 5 (***)
Finally I wanted to end by say that Ill be doing much more reviews on the regular from now on. Thank you to everyone for praying and helping us in the every way during Grace's stays in the hospital. Here is a pic of her this past Christmas opening her first presents! Daddy loves you Grace!


January has been generous to our eyes, as far as the silver screen goes. A couple of not even decent, but GOOD movies have been released. I’m going to list the ones I think are worth your movie theater prices, because like gas, it’s becoming precious as the minutes go by.
The orphanage is one of those films where, much like Pans Labyrinth, you go in thinking “subtitles, spanish, and little children doing the unspeakable”. Many do not know that the orphanage was a theatrical masterpiece, combining compelling story elements, striking visuals, and intensity that has you gripping your chair throughout the movie. There’s an uneasy feeling of realism, and that can damage anyones psychological grip on ” tell yourself it isn’t real.”
You sit down, looking around at the amount of high school kids and college students around you. The movie comes on, and the weirdest selection of music you have ever heard in your life fills your ears. Then you can’t help but laugh for the entire length of this film as it unfolds. Juno is one of those surprise indie type films that you hope for, but are overshadowed by Rob Zombie remakes. It’s an A+ film, with plenty of comedy, real life, and not to mention Ellen Page’s amazing acting. It all ties in together to make an awesome film that you are sure to love, no matter what your age.
This movie does the Impossible: Survival horror, severe intensity, first person perspective via sony handycam, mini love story, bits of comic relief, and did I mention an overwhelming sense of intensity? In all honesty, Cloverfield has to be the first movie i’ve watched where everyone in the theater was silent the entire time, and shocked until the end. The perspective and realism in itself will scare the pants off of you, making you check CNN.com shortly there after to make sure Manhattan is fine. I can’t give away much, but i’ll tell you this: you will see hundreds of Cloverfield clones in the future. Not to mention the sneak peak of the Starship Enterprise!
To wrap this up, those are the three most stand-out movies for me. There are others like The Bucket List, Teeth, P.S. I love you and others, but I guarantee that you will spend well worth your money with the three aforementioned movies above.


Game Of Thrones official date for final season revealed
After having fans glued since its start in 2011, the producers have announced the date for the premiere of the first episode of the last ever series of Game of Thrones, after months of speculations.
In a new trailer for the hit fantasy show, the network confirmed the long-awaited eighth and final series will air on 15 April in the UK.
Game Of Thrones has made stars of many of its cast members, including Kit Harington, Emilia Clarke, Sophie Turner, Maisie Williams, and Lena Headey,
With six episodes planned, after a near two-year wait, it looks like Game Of Thrones fans will be saying goodbye to Westeros in May
But for now, fans wonder, how will it all end? Who will survive?


Oh my gosh, this show is AMAZINGLY funny, intense, and FULL OF INSIGHT.
I love Jill Scott, and she is a great actress, I already knew she was good, but to pull off a great African accent...thats awesome.
If you check out my Twitter Tweets you'll see, that I was enjoying the show.
If you haven't seen it already, I think you should Hit it up on YOUTUBE, cause it's a really great show. I was watching it and I was seeing all that Natural hair for 2 whole hours going....HELL YES!
Though there were some permies, I didn't pay them any real attention. I loved the naturals I saw...and all the permies were negative-ish characters...I soon observed during the show.
Here is a quick synopsis of the show:
The eponymous agency is located in Gaborone, capital of Botswana. Its founder is a Motswana woman, Mma Precious Ramotswe, who features as the stories' protagonist and main detective. The episodic novels are as much about the adventures and foibles of different characters as they are about solving mysteries.
Jill Scott plays Mma Precious Ramotswe.
Anika Noni Rose, plays Mma Makutsi. And BOY is she funny in this series, I love her character to death. Anika was the skinny girl in Dreamgirls, and no need to worry, she is all natural in this series.
Lucian Msamati, plays Mma Precious's friend and a mechanic named JLB Matekoni
The series is great.
I reccomend it, and i give it 9.9 stars. It is missing that .1 because I must admit, it isn't as addicting as Gossip Girl or anything...however it's still excellent for its first episode.
Im going to go to bed now.
listen to this..
love the song.
I Want You - Erykah Badu


Trevon Jakaar Coleman began his artistic career as a caricaturist, with over a decade in the tourist capital of the world (Orlando, FL).
In 2019 Trevon received dual degrees: Studio Art BFA and Film Production BFA, from the University of Central Florida.
Trevon works in a variety of media: drawing, painting, printmaking, sculpture, and film. When we are able to leave our own understanding, we can engage and connect with others. Trevon blends formal exploration and alienation theory to distance the audience and create space for introspection.
Trevon now attends University of Iowa, as a Film and Video Production MFA candidate.


Work on the Self
In addition to understanding the purpose of the scene and analyzing the text, actors need to present themselves in such a way that producers and directors want to work with them.
Ideally, at an audition an actor will be:
This is a lot to accomplish, considering the high stakes and short time you have at an audition. But if you can have these qualities at an audition, directors and producers figure you’ll have these qualities on the set when it becomes REALLY important.
Work on the self is a continual, ongoing process. Discoveries and progress you make in this area can carry over from one audition to the next.
You can work on specific ways to help you exude the qualities they’re looking for.
By preparing yourself fully and knowing your choices and your lines, you’ll be much more professional and confident at your audition.
By being comfortable with your unique qualities and knowing you’re the best at being who you are, you’ll have that “charisma” they want.


Continuing my recent trend of catch-up posts ...
Last month, I really tried to take advantage of my BAM membership. (It wasn't hard; they always have a ton of great stuff going on that I'm eager to check out). Two events were particularly enjoyable.
The first was a panel discussion and film screening with photographer Annie Leibovitz. The film, "Life Through a Lens," was written and directed by Barbara Liebowitz (Annie's sister) as a part of PBS's "American Masters" biographical series. Ethical implications of nepotism aside, the documentary offered an intimate portrait of Leibovitz, arguably the greatest living photographer. The only downside of the evening? No one - including me, who chickened out - brought up Hannah Montana.
The second night was the kickoff of the Sundance at BAM series, which showcased films that stood out at the Sundance Film Festival. The opening night selection was "American Teen," a documentary that followed five high school students through their senior year in small-town Indiana. I highly recommend it to cinephiles when it opens later this year.


Well one scene in Star Wars: The Force Awakens is probably the most shocking in the entire movie. First we find Han Solo yelling to his son ‘Ben’ while Kylo Ren is walking away. He turns and what happens is something expected but not hoped for.
While the evaluations for The Force Awakens up until now have actually been favorable (it’s difficult to be damaging without offering overwhelming away), we can most likely anticipate a substantial reaction from long-time Star Wars fans, who will rave at the audacity of J.J. Abrams and Disney: How dare they exterminate the series’ most renowned character to sustain the arcs of a brand-new generation?! For years, male Star Wars fans have actually related to Han Solo; his love with Leia has actually been #relationshipgoals for practically everybody.
And it’s not simply that Han Solo passed away. It’s that the most badass character in film history headed out not in a blaze of splendor, however at the hand of his kid, overtook feeling and sentimentality. It was an effective end, however some will call it unneeded, or not worthy. Some will make use of Han’s death as a need to decline the whole brand-new Star Wars legend.
However I’ve lastly accepted (after much gross sobbing) that it could not have actually decreased any other method. If you’re not persuaded, let’s simplify:
- We need to have understood that it would boil down to the child eliminating the daddy. After all, this is exactly what Emperor Palpatine desired Luke to do, to completely welcome his Dark Side. Unless Kylo Ren had not been the real bad guy of the brand-new trilogy (and at that point in the film, it was clear there was no other practical alternative), there was no other way he would not need to eliminate his dad to finish his shift from Light to Dark.
- Unexpectedly, Harrison Ford’s interest about The Force Awakens makes overall sense. Think of it: Ford has actually invested the previous Three Decade preventing responding to concerns about Star Wars. He notoriously desired George Lucas to eliminate him off in Return of the Jedi. However J.J. Abrams provided Ford what Lucas never ever might: A last, smash-bang experience for Han Solo, a fitting end– and, lastly, an end. It’s over for Han Solo, and Harrison Ford can retire from Star Wars at last. He needs to be elated.
- It was the ideal method to signify completion of an age, and the dawning of a brand-new age. Yes, we had Finn and Rey and they’re incredible, however you understood that everybody in every theater in every city in every nation was awaiting Han Solo and Chewbacca to appear on the screen. Han Solo assisted bridge the space in between the initial trilogy and the brand-new, and after that he fell back, enabling the brand-new kids to take the reins. Han Solo is dead. Long live Star Wars.
You may not like this advancement. In truth, J.J. Abrams may simply decrease in history as the male who eliminated Han Solo. However it was a damn gutsy step– and it was essential for the story to advance.
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Документален филм за турското нашествие в Кипър през 1974 г.
Michalis Cacoyiannis' documentary film 'Attila '74: the rape of Cyprus' was made in the immediate aftermath of the Greek junta/EOKA B coup against President Makarios and the barbaric Turkish invasion of Cyprus. Cacoyiannis' film concentrates on the conspiracy to bring down the Republic of Cyprus and the effects of the invasion, the tragedy of the refugees and the missing persons. The film is in English and Greek, with subtitles as appropriate. Attila, for those who don't know, was the codename (appropriately) given to the operation to invade Cyprus by the Turkish armed forces. See also: http://hellenicantidote.blogspot.com/


Sebastião Salgado is a Brazilian social documentary photographer and photojournalist. Together with his wife, Lélia Wanick Salgado, he has worked since the 1990s on the restoration of a part of the Atlantic Forest in Brazil. In 1998, they succeeded in turning 17,000 acres into a nature reserve and created the Instituto Terra. The institute is dedicated to a mission of reforestation, conservation and environmental education. Salgado and his work are the focus of the film The Salt of the Earth (2014) which won a special award at Cannes Film Festival and was nominated for the best Documentary Feature at the 2015 Academy Awards.
Sebastião Salgado (Brazil)
Imagen de: Pixabay


Several months later, Sasuke is pardoned for his crimes based on his service in helping undo the Infinite Tsukuyomi, along with a good word of Naruto and Kakashi’s influence as Hokage. Sasuke intends to leave Konoha to wander the world, curious how different it will appear to him now that his outlook has changed. Sakura offers to come with him, but he declines, explaining that his journey is also one of atonement and that she has no part in that. He then pokes her forehead, promises to her that he will see her when he returns and thanks her. As he leaves the village, he is met by Naruto, who returns to him his forehead protector. Sasuke accepts the headband and credits Naruto for teaching him the true meaning of a shinobi. While on his travels, Sasuke would often help the Five Great Nations whenever something tried to disrupt the peace. Although he often did this without being seen, he often left subtle hints that he was responsible.
The Last: Naruto the Movie
Two years after the war, Sasuke crosses paths with Hiashi Hyūga, who falls unconscious in front of him. He returns Hiashi to Konoha and, while there, discovers a series of meteorites from the Moon bombarding the village. When one particularly large meteor makes it through the village’s defences, Sasuke quickly destroys it. Sasuke vanishes afterwards, lingering only long enough to note to Kakashi that Sasuke himself is the only one who can protect the village when Naruto is away. In the end credits, in correspondence to Naruto and Hinata’s wedding, Sasuke continues his journey through the desert.
Sakura Hiden: Thoughts of Love, Riding Upon a Spring Breeze Modifier
Main article: Sakura Hiden: Thoughts of Love, Riding Upon a Spring BreezeRumours start to spread that someone fitting Sasuke’s description is conspiring to destroy Konoha. Konoha sends repeated messages to Sasuke to try and confirm or deny the rumours, but he doesn’t respond to any; Naruto hypothesises that he finds the rumours too ludicrous to give them any attention. However, when one of the messages mentions Sakura has been captured, he immediately returns to the village. Sakura is able to deal with most of her captors by herself, but Sasuke finishes off the few remaining. He then leaves without even saying hello to his friends. At the end of the novel, it is hinted that Sasuke returns to the village at some point when he states “I’m home”.


- Aug 12 - 13 2022
- 17:00 - 18:00
Theatre Paradok presents: “Brown Nose” written by Izzy Ponsford.
Brown Nose is a verbatim piece of theatre which explores the stories of Anita Hill and Christine Blasey-Ford through a series of testimonies and conversations. This piece tackles themes of sexual violence, racial inequality and sexism through a lens of empowerment. Led by the interviewer the play follows the unique experiences of four different women across five decades. Anita Hill, Christine Blasey-Ford, Kim Taylor-Tompson and Yvonne Ruiz. Four women from completely different times, places and walks of life discussing their experiences.
Anita Hill: Maungo Pelekekae
Christine Blasey Ford: Lucy Melrose
Kim Taylor-Thompson: Maureen Nwabueze
Yvonne Ruiz: Sofia Pricolo
Mary Murphy: Izzy Ponsford
Co-Producer – Lew Forman
Co-Producer – Laura Rose Wood
Writer/Director/Actor – Izzy Ponsford
Lighting Designer – Isla Cameron
Lighting Designer – Caitlin Welsh
Sound Designer – Naqib Fakhrul


The only animation festival that takes place on a cruise between the Ukraine and Russia. It must have been quite a ride; too bad I couldn’t be there.
That also means that it is now eligible to be considered for an Academy Award nomination. It’s the first of many hoops to jump through, but it might be a fun ride.
Upcoming screening at Animator festival in Poland, July 13-19
Upcoming screening at KROK festival, September 1-10, which takes place aboard a river cruiser following the a route from Odesa – Sebastopol – Zaporizhzhya to Kyiv
Feral won a special Jury Prize for Animated Short Film at the Oak Cliff Film Festival
Feral won three distinctions at Annecy: The Junior Jury Award for a short film, the Fipresci Special Distinction, and the Festivals Connexion Award
Feral wins Best Animated Short at the Arizona International Film Festival:
Upcoming Screening: Feral will be playing at the Arizona International Film Festival, April 12-28:
Listen to the interview that took place at the Ottawa Animation Festival in September, in which I spill the beans on everything you may or may not want to know about Feral. Also featuring a great mini interview with the great Steven Subotnick!
Frenzer Foreman Animation Forum
Podcast Ep. 34: Daniel Sousa (feat. Steven Subotnick)


Jack Gerhard is a New York based actor/singer/musician. Jack got his start singing and writing songs in Upstate New York. The music led him to pursue acting, and he followed that passion to Rider University, earning his BFA in Musical Theatre with the class of 2019! He is always working on something; whether it is theatre-based work, music, or other artistic projects, he is incredibly driven to find creative work wherever it can be found. At the moment he is looking forward to playing Guy in the 2019-2020 National Tour of "Once"! Enjoy the website!
Jesus Christ Superstar, 2018
© 2019 by Jack Gerhard. Proudly created with Wix.com


Sixteen-year-old Tsukasa is not your average high school girl. She’s in the middle of a contract romance with her best friend, who has turned into a hot guy! At first, she was determined to break their contract and be with him for real but after getting advice from her friends, she decides to stay true to the terms of their agreement. So what happens when he eventually tells her that they are no longer in love? Find out if Tsukasa will get back together with him or if she’ll find someone else by reading this new chapter!


When Dan O'Bannon was writing the script for Alien, he wrote the character of Ripley to be strong and complex. He also originally imagined Ripley being male. When no actor was found who could portray the character as O'Bannon had imagined, Casting Director Mary Selway brought them a woman who had every quality they were looking for. When Sigourney Weaver filled the role of Ripley, the only script revisions were to change pronouns from "he" to "she". Otherwise, who Ripley was and what Ripley did was immaterial to their gender.


Symons is a theatre director, performer and teacher.
graduated from the Victorian College of the Arts (Theatre Directing)
in 1993. Since then he has directed many contemporary and classic
texts, including Brecht and Weills The Rise and Fall of the
City of Mahagonny, Electra, Agamemnon, Twelfth Night and Heiner
Mullers Quartet. Contemporary plays include micky.com.au
at La Mama, Off the Point at Trades Hall; multimedia pieces
Goodbye Douglas MacArthur, I Loved You and The Great Divide
; and the performance piece, Dress.
1995 he spent six months in Canada working for Catalyst Theatre.
He has worked with the MTC, Kickhouse, Melbourne Writers Theatre,
Jenny Kemp, the Victorian Youth Playwrights Conference, and Playbox
(Raw). He has taught at the Victorian College of the Arts, Monash
University, the National Theatre Drama School, Victoria University
of Technology, and the School of Creative Arts. He also works as
a Clown Doctor for the Humour Foundation at the Royal Childrens
2001 he is directing The Three Interiors of Lola Strong by
Caroline Lee - a piece exploring space - both interior and exterior
- and identity, and will be directing Peter Webbs Public Dancing
as part of the Inside 01 season at Playbox.
2000 he was awarded the George Fairfax Theatre Award which will
enable him to work with Anne Bogart at the Saratoga International
Theatre Institute in New York State in 2002.


Moreton in Marsh Cinema
Come and join us for a Saturday morning film and snack /lunch every Saturday in school holidays with four films - perfect for all the family.
Cinema opens at 9:30am and films start at 10am followed by a snack /lunch. Not only are these fun for the children but it’s a great way to meet people in your community and support a fantastic community initative.
29 July: 10am Incredibles 2
5 August: 10am Encanto
12 August: 10am Finding Dory
19 Aug: 10am Toy Story 3
Redesdale Hall, High Street, Moreton-in-Marsh, Glos, GL56 0AX (stair lift / disabled toilets/ wheelchair access)


The Alberta Rose Theatre – Portland, OR
February 23 @ 7:00 pm - February 24 @ 7:00 pm
Two Nights • Two Different Films!
THE MADS Live Movie-Riffing with MST3K’s Frank Conniff and Trace Beaulieu
Join Mystery Science Theater 3000’s Frank Conniff and Trace Beaulieu as they screen some of the worst movies ever made and “riff”, or add comedic commentary to them, LIVE in the same style as their classic TV series. Ticket price includes meet and greet event, photos, and autographs.
Tickets available now!


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The Victory Theatre Center has worked with emerging playwrights to dramaturge their
work for the past 30 years. The process includes selecting materials based on submissions
from literary agents and referrals - and polishing and refining the scripts with numerous
staged readings and workshops. The theatre's work with playwrights is aimed at supporting
their creative visions and creating an opportunity for their voices to be heard. By creating
original works, the Victory Theatre Center has an opportunity to present audiences with
current, relevant and thought-provoking ideas.
The Victory Theatre Center invites you to submit your original works.
Our play reading process is as follows:
Each script is read by 2 readers, then evaluated and passed on to the Artistic Directors for
a final decision.
Because The VTC is one of only a few venues that produces original material, the volume of
scripts submitted is high. It will take time for your material to be processed. Please be
assured your work will be read.
You may send your script and SASE to:
The Victory Theatre Center
3326 West Victory Blvd, Burbank, CA 91505


by GARY YAMASAKI The blogosphere is swarming with reviews of “The Hobbit,” so what else can be said? Well, this is a blog on perspective criticism, and a look at The Hobbit from the point of view of “Point of View” would stand out from the rest. So, just like earlier posts have examined the point-of-view dynamics in biblical passages, this post will look into the point-of-view crafting of The Hobbit (Warning: spoilers ahead!)
The opening scenes of the movie establish hobbit Bilbo Baggins as a first-person narrator, that is, a narrator who is actually a character in the story world. Therefore, while characters in most movies only interact with each other, a first-person narrator is a character who also interacts with the viewers. So, Bilbo chatters to the viewers, letting them know he wants to write an account of his adventures sixty years earlier for his nephew Frodo.
He begins by presenting to the viewers the backstory to his own adventures–how dwarf Thror became king of Erebor, but Smaug the dragon drove the dwarves from Erebor while elves just stood by watching–and in doing so, establishes his perspective as the governing point of view for the account to follow. So, when the viewers are transported back to a point sixty year earlier to see Bilbo involved in his adventures, they have already been conditioned to see it all through Bilbo’s point of view.
Moving forward, director Peter Jackson does a laudable job of feeding the events of the story line to the viewers through Bilbo’s point of view. Back in a previous post, it was pointed out that having an audience follow a given character for a significant stretch of a narrative contributes toward the audience adopting the point of view of that character, and this is what happens with the viewers and Bilbo. They are with him: as he is alone in his house; as he encounters dwarf after dwarf at his door; as he scurries around trying to keep them from wrecking his place; as he faces, and declines, an invitation to join the dwarves in their efforts to wrest their home from the dragon; and as he changes his mind and heads off to join them. Through nearly twenty-five minutes of screen time, the camera is always in the vicinity of Bilbo, a spatial-plane move contributing toward maintaining his point of view as the governing point of view of the story.
Moves on the informational plane of point of view also contributes toward this end. As outlined in Who Knew What When (and demonstrated in Synching Minds), maintaining a convergence between the information databases of the audience and a character–that is, the audience being provided with exactly the same amount of information possessed by the character–contributes toward the audience viewing the action through the point of view of the character. That is what happens in this segment of the movie. Bilbo meets dwarf after dwarf at his door not knowing who any of them are, and because the viewers aren’t aware of who they are either, there exists a convergence between the information databases of the viewers and Bilbo. Likewise, Bilbo only finds out why these strangers have come to him quite far along in this sequence, and it is only then that the viewers are made privy to this information. . .again, a convergence of databases. This, along with the following of Bilbo, leads the viewers to experience the events of the story line through Bilbo’s point of view.
To this point, Jackson’s point-of-view crafting has been flawless in maintaining Bilbo as the point-of-view character. However, at about the 41:00 mark, he makes a slip. Here, the camera follows Bilbo as he gathers together provisions for the trip and starts out after the band of dwarves. If Jackson were to keep the camera on Bilbo all the way up to the point when he sights the band ahead of him, Bilbo’s point of view would continue to govern. But Jackson doesn’t do that. Rather, he shifts the camera to the band traveling on the road, capturing Bilbo as he comes up behind them. This, of course, depicts Bilbo’s joining the band from the band’s point of view, the first time in the movie a point of view other than Bilbo’s is utilized.
Admittedly, this is only a minor lapse, resulting in the viewers seeing Bilbo’s joining the band from a less-than-ideal camera angle. But going forward, there are more lapses. . .ones having greater impacts on the overall point-of-view crafting of the movie. For example, at about the 50:00 mark, the company stops for the day, and as they are about to set up camp for the night near the edge of a ravine, the camera shifts for several seconds to the other side of the ravine to capture a pack of orcs surveilling the band from a distance. Here, the camera is at a distance from Bilbo, in the vicinity of a totally different group of characters. With this move, the following of Bilbo is definitively broken. In addition, this scene adds to the viewers’ information database a piece of information not a part of Bilbo’s database, namely, there are orcs watching. This divergence between the databases of the viewers and Bilbo further removes Bilbo from his earlier role as the sole point-of-view character of the story.
Moving forward, Jackson continues to follow Bilbo for the most part, but scenes that wrest point of view away from Bilbo gradually become more frequent. . .and more extensive. The most blatant example occurs at around the 1:53:00 mark. Here, the band encounters goblins, and in the ensuing melee, Bilbo becomes separated from the rest of the band, falling into a cave. However, Jackson does not have the camera follow Bilbo into the cave, but rather, has it kept on the melee and the dwarves’ eventual encounter with the Great Goblin. . .four minutes of screen time during which Bilbo is nowhere to be seen.
Recall that Jackson not only establishes Bilbo in the early going as the point-of-view character of this whole tale, but even goes so far as to conceptualize the tale as an account he is writing for his nephew. This being the case, how can Jackson present this four-minute sequence of events as part of Bilbo’s account when Bilbo himself was somewhere else at the time, and thus, not in a position to witness what was happening to his dwarf comrades in his absence? And the same goes for the orc surveillance scene mentioned above, and all the other scenes throughout the movie where Bilbo is not present.
By conceptualizing the tale as Bilbo’s account of what happened, Jackson paints himself into a corner. He places point-of-view limitations upon his crafting of the movie that restrict the types of scenes he can include. And while he is able to pull this off pretty well for the first third of the movie, it proves too difficult–or, perhaps, just too inconvenient–an endeavor to sustain for the whole movie.


Movies, films, videos -- I have collected here my favorite movies, that entertain me most. Once again, my movie taste is wide: comedies, adventures, music, love, and sci-fi, the list is endless. My list contains world famous films, such as Star Wars, Harry Potter, The Naked Gun, and many others.
I am one of those lucky guys having seen the very first Star Wars episodes already back in 70’s when they were first released. The world was living in adventurous sci-fi era and many films were made in "space". George Lucas was shooting Star Wars, not only because he liked sci-fi movies, but also because making such films was popular that time.
Listen also to Star Wars soundtrack and read the novel and guide:
The Lord of The Rings
This trilogy is based on J.R.R. Tolkien’s world famous book The Lord of The Rings. The spectacular adventure is now available on DVD to be enjoyed at home.
Read also the book:
The Naked Gun And Other Comedies
Let Leslie Nielsen and other friends make you laugh! I enjoy The Naked Gun movies because of their humorous plots and gags. Many of these films are based on the popular TV series Police Squad.
I have collected here a great set of music videos. Included you’ll find Alice Cooper’s prime cuts as well as David Bowie’s greatest hits live on a DVD, and many others. See also my music page for related albums.
In addition to the adventurous novels of Harry Potter these fascinating stories are best experienced reading the books first and then viewing the films. J.K. Rowling’s interesting tales entertain both younger and older friends of Harry Potter.
Read Harry Potter’s adventures:
My name is Bond... James Bond! This gentleman needs no introduction, everyone knows this British secret agent and his adventures all over the world. Ian Fleming’s famous 007 has solved the most toughest problems for many decades already. See James Bond in action!
Historical tales, no matter whether they are fictitious or real stories, always inspire me.
Not only music and comedies fill my movie collection, but also adventures, historical films and movies for kids can be found on my shelf.


London Korean Film Night: The Blue in You
Two department store window display decorators find themselves to be perfectly matched professionally but, as they gradually fall in love, it becomes increasingly more difficult for them to work well together.
Famous at the time for being one of the first “feminist” Korean movies, ‘The Blue in You’ provides a splendid showcase for its lead actress, Kang Soo-yeon, here teamed with the industry’s biggest male star, Ahn Sung-ki. Kang plays businesswoman Yu-rim, who has a strong-minded approach to both her career and her love life. When she meets photographer Ho-seok (Ahn), who is an equally uncompromising character, sparks fly; but even though their viewpoints differ on almost every aspect of life, they can’t seem to stay apart from each other. Ho-seok finally goes to Italy to study – but Yu-rim finds she can’t get him out of her mind.
Director: Lee Hyeon-seung
Running Time: 115mins (Cert 18, South Korea)
Screening Date: PM, July 19, 2012
Theatre: Multi-Purpose Hall, KCCUK


Sunday, May 24, 2015
To Be Or Not To Be (and that is the question!)
Shakespeare's Globe to Globe HAMLET
19/05/2015 at the Auditorium, Epsom College Malaysia
Shakespeare's play "Hamlet" came to life on the 19/05/2015 at one of the most prestigious Colleges in Malaysia namely the Epsom College in Bandar Enstek, Negeri Sembilan.
Being an ardent fan of Shakespeare's literary works, I decided to go to the play with a friend of mine and was taken up with the role play of the actors - their talent and dedication to their portrayal of the characters concerned is much to be appreciated and held in awe.
Indeed, acting is not for the meek hearted as clearly evidenced at the play. Each actor performed to their very best bringing out their characters without fear or flaw.They evidently kept their audience who ranged from adults to little children in a captivated trance till the end of the play.
I had a very engaging night watching the play - one of my firsts.
I love the lines by Hamlet - " To Be or Not To Be " and that is the question. A drudgery of emotions well captured with his increased mindless attributes of mindless anger.
To be or Not To Be is a line that I believe is documented and very often used in literary grandeur and speaks of an emotion that is neither concealing nor subjective - a very confused state of emotive well-being.
It was interesting to watch this tragic play meted out in action and I left the auditorium thinking of Shakespeare and his brilliance in his written verses and playwrights. Some of the most exceptional plays were written by this Master Playwright, Poet and Storyteller and his works to-date still capture the attention of audiences worldwide.
All rights reserved. Copyright@shobana2015
- May 24, 2015
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They’d been through so much together. An emotional rollercoaster of deceit and lies that challenged their passion and brought them close to their demise. But through their love and strength, they survived.
Now happily married, Gloria Long and Jaime Zander have it all…two thriving careers, twins on their way, and off the charts sex. The perfect power couple.
But when the unexpected happens, Gloria must face the biggest challenge of her life–a life and death decision that will effect her empire, her babies, and the man she’s vowed never to leave.