Currently I am working on SwiftSweet and her face rig. It’s a rather ambitious spare time project, but worth the hours.
Below: Work from 2014
2014 Rigging TD reel:
2014 Generalist reel:
My areas of expertise are Rigging, fur simulation, Yeti, scripting, modelling, light shading, design, illustration and more.
I have experience with: Nuke, Yeti, Maya, Zbrush, Topogun, Mari, Adobe creative suite, shotgun, Mudbox, Python and more.
Shot breakdown – Rigging Reel:
The Deer quadruped rig was made in my spare time at Qvisten Animation and I put effort into enabling more complex poses enabling sitting and roling.
Roomate wanted short film where I was Technical Art Director and created the character rigs. The Zombie Zack was special because he had to be able to detatch all of his limbs from his body. I scripted the creation of angle readers using maya matrix nodes to calculate the rotation of joints making it easy and reliable to drive correctives. The angle reader didn’t need any plug-ins because it was using only Maya nodes.
This is a quick demo of my rigging UI containing useful tools for speeding up processes including a autorig capable of creating modules of body parts.
The bear was rigged for performing martial arts with high kicks and action, but I only show the face rig in this reel. The facerig has standard poses that the animator can activate, and then tweak if needed. The rig performs well on even slow computers and deforms nicely.
Baiyun the child monk is a project done in 2013, The character has a simple body rig and a more complex face rig with wrinkles and other subtleties showing automatically when animated.
This last shot is a quick demo of a Python script that I wrote for the short film Roommate Wanted. It imports the correct animation cache to the correct lighting scene and automatically assigns shaders and displacement nodes. It also cleans up the outliner and creates renderlayers. This script saved much time during production and we ended up not having crunch. Other scripts were also created to speed up film creation.
Shot breakdown – Generalist Reel
Roomate wanted short film where I was Technical Art Director and created the character rigs. I worked on several shots in the film including this one where I matched scanned geometry of the set up to the image projection used to texture the set and set up lighting. We used photoscan to create the set. In this shot I also modelled the main character Adam so that he would be able to deform in a clay – like way, this was the goal of the art director and the model held up perfectly during animation through to lighting.
Deer model created primarily with the intend of ending up with a solid quadruped rig that could perform difficult tasks. I learned a lot from this project, and although the topology is clean I know what to do even better next time. The rig is being animated and the model holds up to most imaginative animation.
The queen of england is a digidouble project where I modelled the queen Elizabeth II of england from a model from Madame Tussauds. At least the photo reference was good. If it looks like the queen or not is up to a true britannian to decide, but I think it looks like my reference photos.
Blueheart is part of a short film project where two character have to fight. The model have been created with extreme movement and dialogue capability in mind while keeping topology lightweight. As a result the rig performs well on even slow machines.
Mr. Partially Tranquilized Brown Bear is a stylized bear quadruped project from 2012 where my main focus was on integration onto backplate with footprints being left in the snow as well as Yeti fur simulation, shading and grooming.
Esoom was a character made for a paralax image experiment but has since been cast as the second character for a short film project where he is going to fight the Blueheart character mentioned above.
Baiyun the child monk is a project done in 2013.
This last shot is a quick demo of a Python script that I wrote for the short film Roommate Wanted. It imports the correct animation cache to the correct lighting scene and automatically assigns shaders and displacement nodes. It also cleans up the outliner and creates renderlayers. This script saved much time during production and we ended up not having crunch.


The CLIFTEX Theatre can be reserved for private movie showings of the regularly scheduled CLIFTEX movie on Thursdays—Sundays. Reservations must accommodate the CLIFTEX regular weekly movie schedule. The CLIFTEX is equipped with DVD and CD capabilities. The CLIFTEX usually confirms movies 3 weeks in advance. Outside food and drinks are prohibited (exception: birthday cakes.)
Theatre Rental: $250 (Covers building use, utilities, clean up and 2 CLIFTEX staff members to assist with movie projection and concessions.)
Snack pack = $2.50 per person
Medium Drink and Small Popcorn = $2.50
Contact the CLIFTEX for other ticket/concessions options.
The party will be responsible for all damages and is responsible for any special set up of tables and decorations.


Tamil cinema, the Tamil language film industry, is one of the largest film industries in India. It is the world's sixth-largest film industry in terms of revenue. Tamil cinema uses both Tamil and Hindi, and has a strong following in Tamil Nadu and internationally, especially in Sri Lanka, Malaysia, Singapore, Mauritius, and the Middle East.
1. What is Tamil cinema?
Tamil cinema refers to the Indian film industry based in the Tamil language. It is often called Kollywood, the Tamil word for "Cinema City". Tamil cinema is one of the largest film industries in the world in terms of number of films produced in a year. Tamil cinema is known for using a variety of film styles, including musical, romantic, film noir and action-adventure.
2. How Tamil cinema is made
There are two types of Tamil cinema: 1) Tamil cinema is made through a studio system. 2) Tamil cinema is made in a non-studio system. Studio Tamil cinema is made with a set of teams of people who work in a studio. These teams are usually made up of an art director, a producer, a screenwriter, an assistant director, and a director. The art director is responsible for creating the sets, the producer is in charge of all the finances, the screenwriter is in charge of the script, the assistant director is in charge of the actors and the director is in charge of the camera and the editing. Non-studio Tamil cinema does not use the studio system. Instead, the director is in charge of everything. They are responsible for creating the script, the sets and the actors.
3. The history of Tamil cinema
Tamil cinema, or Kollywood, is a film industry in the Indian state of Tamil Nadu. It is one of the largest film industries in South India and is one of the oldest in India. Tamil cinema is a major producer of films in India and has long been renowned for the quality of its art, as well as its commercial success. The first Tamil-language motion picture, Keechakali, was released in 1913. Since then Tamil cinema has had a steady and profitable growth and has given rise to a number of popular actors and actresses.
4. What is the Tamil film industry?
The Tamil film industry is the largest film industry in India. It is also the second largest film industry in the world. The Tamil film industry is the largest in the world in terms of number of films produced annually. It was established in 1932. The Tamil film industry is based in Chennai, the capital of Tamil Nadu. It is one of the largest exporters of films.


I don’t even.
Yeah, she actually asked that on Twitter. Next time I see a fauxminist site peddling her series because “OMG WE NEED MORE WOMEN ON TV”, I’m going to go be the Hulk to their sorry Loki. There is nothing worth defending in her or her products at this stage. And if I am supposed to consume her flavor of shit because it’s about women, well, I’d rather die of starvation.
Lena Dunham said something ignorant? Color me shocked.
170/365 films: Wreck-It Ralph (2012- dir. Rich Moore)
With John C. Reilly, Sarah Silverman, Jack McBrayer & Jane Lynch
169/365 films: Natural Selection (2011- dir. Robbie Pickering)
With Rachael Harris & Matt O’Leary
168/365 films: Once Upon a Time in the West (1968 - dir. Sergio Leone)
With Claudia Cardinale, Henry Fonda, Jason Robards & Charles Bronson
I can get behind any nonsensical theory that combines Arrested Development & Clue.


The Adventure Begins…
Friends reunite after 10 years to continue a role-playing game, and the campaign gets a little too real. Join our party’s quest to find the way home.
Watch the Trailer
Meet the cast of The Campaign
We are fortunate to have a great group of actors to bring the characters to life. Get to know our adventurers.
Interview on NerdLanta Live
Our Creator Matt Metzger got to hang out with the gang at NerdLanta Live and show a pre-screening of The Campaign Pilot.
Our very own Preston, (aka Ryan) makes good on his promise to give a shout out (while dressed in a Spidey suit) to all those who contributed to our crowdfunding campaign.


Shortly after seeing Olivier Assayas’s semi-autobiographical film Something in the Air, one of the people I was with declared that it had been “very French.” While that can mean a lot of things, and not all of them good, one of the “very French” things about the movie that charmed me was its focus on the relationship between aesthetics and politics. Since Something in the Air is about a politically charged young artist coming of age in the early 1970s who is growing disillusioned with the Left, it should be no surprise that the film comes back to this relationship again and again, most pointedly in a scene where some self-proclaimed revolutionary filmmakers have screened their most recent documentary (they don’t use their film equipment for fiction, one of them declares with disdain). Afterward, during a Q & A session, a spectator asks the filmmakers, “Shouldn’t revolutionary cinema employ revolutionary syntax?” They reply that since their intended audience is the proletariat, for whom a “revolutionary syntax” might be off-putting, they employ a traditional cinematic syntax instead. It’s a version of an argument I’ve been hearing in the States for years now, where difficult works of art and a concern for aesthetics are seen as elitist, even reactionary. It’s an argument with which I adamantly disagree. Instead, I agree with Gilles, Assayas’s alter ego, who summed up the filmmakers and their movies concisely: “Boring films, primitive politics.” Transparent, “easy” art usually doesn’t allow for the depth of thinking needed for nuanced political insight. I say: Don’t dumb it down. Make it interesting. Make it thorny. Trust your audience, and shake them up.
Any particular argument aside, though, I simply enjoyed seeing a film that pondered such issues. Granted, brushing aesthetics up against politics is less rare in French than American films. I remember one of my favorite scenes from Jean-Pierre Melville’s gripping film about the French Resistance, Army of Shadows. Right in the middle of that story, when the stakes were life and death, several of the main characters, on an important trip to London, take time out to see Gone with the Wind. Now that’s a commitment to aesthetics! But if aesthetic issues aren’t discussed much in American movies, they still matter here. Sophisticated politics require sophisticated art, not the opposite. Then again, that is an understanding that is so very French.


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What many people don’t know is that James Cameron made his directorial debut with the film Piranha II: The Spawning. This film was a sequel to the moderately successful Jaws rip-off film called Piranha which originally released back in 1978. As crazy as it may sound, the plot this time revolved around mutated piranhas that somehow gained the ability to fly. After being released, the critics were quick to point out all the flaws.
They criticised the laughable plot and ridiculous special effects and eventually labelled the whole thing as a disaster. According to them, the film was bad even by B-Movie standards. Thus, it is quite astonishing to realise the fact that a director as capable as Cameron could create such a disastrous film. This is probably the only negative aspect of his overall career as what followed proved to be even more impressive then what one could imagine.
To be honest, very few directors could ever reach the heights achieved by James Cameron during his cinematic career. He is a renowned filmmaker who has been involved in some of the greatest movies of all time. Over the years, has developed his own technique of directing and has pioneered numerous ground-breaking filmmaking techniques and consequently went on to win an Oscar.
Naturally, everybody gets excited whenever Cameron takes the centre stage to announce a new project. Currently he is working on the Avatar sequel and work on that project is steadily progressing. Cameron has also confirmed that he will be concentrating on Avatar sequels for the foreseeable future.
While it is understandable that people are anxious to watch his next movie on the big screen, one must understand that the pandemic has slowed everything down. But fear not for we are to quench your thirst with an amazing list of the greatest James Cameron movies. Here are some of his best works till date:
James Cameron and Arnold Schwarzenegger are usually recognised for their work on a certain other sci-fi franchise. But both of them decided to take a break from that franchise in order to collaborate on this spy action-comedy. In True Lies, Arnold Schwarzenegger plays the role of an international spy who works to keep the world safe and sound. However, he has kept his world-saving a secret from his wife whose role is played by Jamie Lee Curtis. But soon, he finds himself drowning in a sea of marital problems and the timing could not be worse as new destructive threat arises.
On release, the critics lauded the film for what it has achieved. Yes, the plot is predictable and the critics highlighted it as well. They were quick to point out that the film fell short of other Cameron-Schwarzenegger collaboration. Nevertheless, there is a lot of fun to be had in this film. The chemistry between Schwarzenegger and Curtis is fantastic and both of them were praised for their comedic performances. The sequences were thrilling as well, thus making it a must watch.
Christopher Nolan is a director who is obsessed with the idea of time and this obsession of his is quite apparent in his directorial projects like The Interstellar. Even his latest directorial work, which is Tenet, is another expansion of his perception of time.
In a similar way, James Cameron is also fascinated by the depths of the ocean and thus it is suffice to say that this particular fascination of his is also reflected in his works. Everything has a beginning and critics universally agree that Cameron’s love for the depths of ocean started with film The Abyss.
The Abyss is another fantastic film that that only James Cameron could ever direct. With every single film of his, Cameron ups the ante when it comes to the visual effects and this particular film of his is no exception. The effects may look dated by today’s standard, but at the time of its release, it was revolutionary.
The Abyss stars Ed Harris and Mary Elizabeth Mastrantonio and they appear as the leaders of a diving team that is tasked with escorting certain military operatives to the ocean floor in order to enter a sunken submarine. However, the mission becomes dangerous when they discover an alien life form living down in the depths.
Up on release, the film received widespread recognition. Critics loved the film’s adult oriented nature and praised it for delving into complex and compelling ideas and as usual, the visual effects also enjoyed widespread recognition for being so revolutionary for the time.
Alien is a renowned sci-fi thriller film that helped Ridley Scott establish his directorial career. Often regarded as a product of its time, the film helped Ridley Scott become the director he is today. The film was an incredible hit and became a cultural phenomenon all over the US and as with every critical darling, it spawned a humongous franchise consisted of book, spin-offs (most notably the two AVP films), comics, videogames and sequels. In fact the franchise is still going strong today, even though it has lost a bit of its original flare.
Thus, when it came to following up the hit film with a sequel, the task fell upon Cameron’s shoulders. The Cameron directed sequel saw Ripley, who was played by Sigourney Weaver, wake up years after the events that conspired in the original film. She is then joined by a group of mercenaries and together with them, she visits the original planet where the Xenomorph was first discovered.
The critics in unison embraced the fact that it had a different tonal feel than the original. Critics also lauded the action-oriented take on the story and agreed that it was the natural next step. The film is a tension-filled rollercoaster ride that is filled to the brim with fun and exhilarating action sequences. The cast also displayed a superb chemistry and Weaver’s commanding performance is praiseworthy. Thus, Aliens is a highly entertaining sequel that you need to watch now.
Ghosts of The Abyss
Ghosts of The Abyss is another film that exhibits Cameron’s love for the mysteries that lay submerged in the oceanic depths. He is also deeply interested in the Titanic that still resides at the bottom of the Atlantic Ocean (as you can expect from the individual who directed the Titanic).
Ghosts of The Abyss is a fascinating documentary that sees Cameron and actor Bill Paxton join a group of scientists. The documentary chronicles their journey as they dive into the ocean depths in order to explore the historic site of the Titanic’s shipwreck.
The documentary is often is considered as a home video of one of Cameron’s perilous hobbies. However, the critics do agree that the documentary is an eye-opening and an insightful journey nonetheless. The underwater sequences deserve praise especially as they are extremely beautiful and awe-inspiring.
When Piranha II: The Spawning came out, most people along with the critics arrived at the conclusion the Cameron did not have the ability to succeed in filmmaking. But we all know how wrong that presumption was. With his second feature, The Terminator, he proved everybody wrong. The film was an instant hit and has attained the position of being one of the greatest sci-fi film out their.
The thriller that introduces Arnold Schwarzenegger as a killer cyborg that is named T-800. The cyborg is sent from the future to kill Sarah Conner, who is played by Linda Hamilton, before she is able to give birth to John Connor, the leader of the future human resistance.
The film has been made on a painfully tight budget and only goes to exemplify Cameron’s ability when it comes to guerrilla film making. Cameron was able to successfully make lived-in sci-fi setting and it was supported by superb world building.
There is a rawness in the film and Schwarzenegger’s cold performance as the killer cyborg has attained much praise. The action sequences were jaw dropping and these still hold up today, which is astonishing when taken into consideration the tight budget. Thus, The Terminator is film that you must watch.


The best movie about a dead shark since JAWS.
A dentist helps his best friend go on a state-wide killing spree.
A young man takes his girlfriend on a road trip across America to see some roadside attractions and dreams of one day becoming the world’s greatest Elvis impersonator.
Manic Pixelated Dream Girl
A young woman is sent to assassinate a despotic ruler, armed only with a fabulous pair of pumps.
The WORST dinner party ever held.
Two brothers re-connect over a live-action version of Donkey Kong.
A young woman shows her girlfriend the joy of eating oysters.
An honest, hard-working father attempts to reconcile with his estranged wife and son after he becomes isolated from his family due to a sudden career reassignment.


Vshesh News: Veteran actor Arun Bali, who impressed everyone with his acting in many Bollywood films, has said goodbye to the world. He died in Mumbai at the age of 79. Arun was suffering from neuromuscular disease Myasthenia Gravis and his health was not well for some time.
Earlier this year he was also admitted to Hiranandani Hospital in Mumbai, but finally he lost the battle of life today. Arun Bali has two daughters, who live in America. They will land tomorrow, October 8. The actor’s last rites will be performed after that.
Arun Bali is known for his roles in 3 Idiots, Kedarnath, Panipat, Ready, Zameen, Phool Aur Angaar and Raam Jane among many other films. He has worked in numerous films & television series. He also played the part of King Porus in the 1991 period drama Chanakya, Kunwar Singh in the Doordarshan soap opera Swabhimaan and the CM of undivided Bengal, Huseyn Shaheed Suhrawardy, in the controversial and critically acclaimed 2000 film Hey Ram. Arun Bali is also a National Award-winning producer.


I have just finished this deliciously scary story which I’d highly recommend! The film comes out in the UK on May the 8th and should be fabulous (in all the senses of that word). Neil Gaiman is a illustrator and storyteller extraordinaire who has created the “Sandman” series of graphic novels and New York Times bestsellers “American Gods” and “Anansi Boys” as well as screenplays for films. Coraline was writen in 2002 for children of all ages and draws on the fairy tale traditions of the Brothers Grimm. It has now been produced as “stop animation” film directed by Henry Selick.
Coraline or Caroline?
The brave heroine of the tale is a young girl whose parents love her but are too busy to help alleviate her boredom at the end of the school holidays. Sounds familiar doesn’t it? She has no friends and the neighbours can’t even get her name right! So she sets out to explores the “gothic” house into which they have just moved and discovers a hidden world behind a bricked up doorway. On the far side she meets her “Other Mother” who wants to give her a perfect life. But is having your every wish fulfilled just too sinister? And why does her other mother have black buttons where her eyes should be?
Who am I? Why is Life scary?
Gaiman explores the issues of identity, the risky nature of being alive, the loss of significant others and the power of the imagination to heal in this fantastical novel. The spare, powerful prose is filled with a cornucopia of sardonic cats, souls of dead children hidden in marbles and armless hands that scuttle in dark corners.
Coraline carries a scary warning for adults reading it! Apparently children can cope quite well with the horror but adults find it deeply distressing. I can’t say it gave me nightmares though.
Use in the English and Drama Curriculum
This story could be used by teachers who are studying the fairy story genre or as an example of modern gothic for sixthformers. It also bears comparison with Alice in Wonderland with its references to mirrors.
There are two amazing websites to support the book and the film respectively. At the latter I had the chance to button my own image – results displayed above!


we hold fast and nutritious debates at colleges.
Is it worth getting married ?
Is pornography affecting us ?
What would you do, if you found yourself pregnant unexpectedly ?
These and many other questions are leading students into open debates. Students have a rare capacity to be very direct and honest. These discussions are challenging them to first determine their own views and then confront them with their peers.
positive outcomes from marriage crises.
We are preparing a documentary movie called ‘Marriages from a pressure cooker’ which is a collection of short interviews with people that openly talk about their own personal marriage crises. They were asked how they were able to overcome the problems, and how the crises made them even stronger. The stories have the power to inspire and encourage.
Although the movie is suitable for a wide audience, it is especially being produced for college students. Pressure Cooker holds debates in many colleges and the movie will be used as a helping tool for discussions about partner relationships/marriages.
Help us to film more stories.
Contact us, if you’d like to tell us your story on camera and feature in this project. Or, you can support the production of this movie financially.
The more support we gain, the more stories we can publish and more people can be inspired!


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The Harry Potter films were shot in Leavesden for over a decade. Because the books were still being written when the first films were shot, the production team kept many of the iconic sets, props, and costumes created especially for the occasion, in case they needed them for subsequent films. At the end of the filming of Harry Potter and the Deathly Hallows – Part 2 in 2010, the film crew was left with a treasure trove of thousands of high-quality items, many of which would not have been kept on a typical set.
The team behind the Warner Bros. Studio Tour London – The Making of Harry Potter wanted to preserve and display these iconic props, costumes and sets so that Harry Potter fans could experience the magic of the filming for themselves. Several original cast and crew members came together to collect the sets and share their memories of the filming. On March 31, 2012, The Studio Tour opened its doors. Located next to the movie studios where all eight films in the saga were shot, the Studio Tour offers visitors a chance to see two film sets and outdoor sets filled with original artifacts, animatronics and breathtaking special effects.
Click on the picture to enlarge it and discover its caption.


Anné is a Finnish-born composer, producer and songwriter working across a wide range of media, including film, commercials, theatre and dance.
Her music has been described as “cinematic, atmospheric and emotionally driven, often stylistically characterized by its blending of traditional instrumentation with contemporary electronic elements”.
Anné has scored TV commercials and brand films for a diverse range of global brands, including Nike, Toyota, IKEA, Under Armour, Pfizer and Epson. Her score ‘LIKE THE NIGHT’ for the iconic camera brand Leica won multiple awards in 2020/2021, including Creative Circle, Ciclope and Cresta Awards. Other award-winning work includes ‘THE TWO LIVES OF SARA’ for Roche and most recently her score for Nike’s ‘YOU CAN’T STOP US: VICTORY SWIM’ campaign, which won multiple awards in 2021, including a Wood Pencil at the prestigious D&AD Awards.
In 2020 Anné scored her first feature film, WWI drama ‘THE WAR BELOW’, directed by JP Watts and starring Sam Hazeldine. The film was theatrically released in 2021 and is currently available on most major streaming services, including Netflix, Amazon and Apple TV.
Anné recently finished scoring her second feature film, ‘PARADISE HIGHWAY’ – directed by Anna Gutto and starring Juliette Binoche and Morgan Freeman. Distributed by Lionsgate, the film is set to be released in the summer/autumn 2022.
Anné has also composed scores for multi-award-winning short films, including Ridley Scott Associates’ 3D film ‘THE FOUNDLING’ and ‘NIGHT DANCING’, which premiered at Toronto International Film Festival and screened at the Lincoln Center in NYC.
Comfortable working across a wide range of musical genres, Anné’s diverse musical output ranges from electronica to classical, ambient to jazz and vocal music to sound art. Juxtaposing the musically classic with the sonically unconventional is intrinsic to her voice and perspective. While her musical style has been refined and inspired by the many years spent in the UK, it was born and forged in Finland.


I saw Breakfast with Curtis (2012) last night. It’s delightful, a charming ultra-low-budget film using mostly non-actors and shot in two neighboring houses in Providence. It’s easy to see why it’s become something of an underground hit.
I’d point you toward some footage, but the trailers for the movie make it look like some terrible formulaic indie film, which is exactly what it isn’t. I’m glad I didn’t watch them first; they really don’t do it justice. (They’re like the Shining trailer.)
If I had to say whose work the film reminds me of, I might say Jim Jarmusch, Agnès Varda, David Gordon Green, Richard Linklater, and Hayao Miyazaki—but much more underground and low-key than any of them (yes, even Jarmusch). The whole thing is deftly plotted and structured, with a sweet and gentle tone maintained throughout. Everyone in it is acting, playing what are apparently thinly-veiled versions of their real selves, but the film as a whole feels natural and slack. And yet the movie is also pleasantly stilted and awkward at the same time. It’s not Mumblecore, in that it’s more hippie than hipster, but I can see why some might make that comparison. And it’s similar to Linklater’s Boyhood in some ways, but more offbeat/eccentric—plus its scope is much, much smaller (a single summer).
Particularly worth mentioning is Theo Green’s performance as Syd, the aging hippie bookseller who’s constantly drunk on cheap red wine. Apparently some are now calling him “the Lebowski of Providence.” I hope he appears in more movies. (Lunch with Curtis?) You can see him in a series of YouTube videos he made with costar Jonah Parker (who plays Curtis): Breakfast with Theo, which partly inspired the feature. Snippets of that series appear in Breakfast with Curtis—but the feature is not anything like the shorts.
Breakfast with Curtis is easily one of the best new films I’ve seen this year. Highly recommended! Here’s the film’s official site, where you can view one of the aforementioned trailers, and buy a copy of the entire film if you’re so inclined.
P.S. Thanks to Ben and Kat Sachs for organizing the screening, and the invaluable Nightingale for hosting.
Posted in cinema | Tagged Ben Sachs, Breakfast with Curtis, Jonah Parker, Kat Sachs, Laura Colella, Nightingale, Theo Green | 1 Comment »
When I was in college, Federico Fellini was the first foreign filmmaker I really got into. I watched 8½ repeatedly, and made it my mission to watch every one of his films. I had some trouble finding La voce della luna, but eventually tracked down two VHS bootleg copies: one letterboxed but lacking English subs, the other subtitled, but pan-and-scanned. My pal Elf and I watched them simultaneously, on two TV-VCR setups. We had to keep briefly pausing one of the videos every few minutes, to keep them both in sync. (I don’t know if the movie ever got official US distribution. I see there’s a copy up at YouTube, but it lacks English subs.)
So I’m what you might call a Fellini fanatic. But until the other day, I didn’t know he’d directed TV commercials. I’ll embed them below the jump.
Continue Reading »
Posted in cinema | Tagged Banca di Roma, Barilla, Campari, commercials, Federico Fellini, La voce della luna | Leave a Comment »
Over at PressPlay, I have a new post that surveys the history of the critical film term mise-en-scène, in order to argue past the tendency to oppose that concept with editing. I also push back against the current obsession with long takes, and analyze a clip from the very rapidly cut Scott Pilgrim vs. the World (still my favorite Hollywood film of the past five years). Also discussed: essays by David Bordwell and Brian Henderson. It’s a long post!
In response, Richard Brody kindly alerted me to this New Yorker article of his, which complicates the image of the 1950s Cahiers du Cinéma crowd as being entirely opposed to montage. Key paragraph:
[Henry K.] Miller rightly notes that André Bazin, the editor of Cahiers until his death, in 1958, made a name for himself as an opponent of the then-dominant trend in film theory—as an opponent of montage, of editing, as the essence of cinema. Miller goes on at length about a 1962 essay by Gérard Gozlan in Positif that challenges Bazin’s ideas, but Miller fails to note that the most important French refutations of Bazin came in the pages of Cahiers itself, beginning a decade earlier—from Jean-Luc Godard. […] Godard’s ideas both superseded and encompassed Bazin’s theories and paved the way for his own approach to filmmaking, in which tightly edited sequences and long takes, closeups and deep-focus shots coexist.
It’s well worth reading in its entirety.
Meanwhile, I hope to do more writing soon on short takes. I’ll of course be seeing the fourth Transformers film, and have wanted for some time now to do some analysis of the Bond film Quantum of Solace—in particular the pre-credits sequence, which might be the most rapidly cut sequence in modern Hollywood:
Posted in cinema | Tagged André Bazin, Brian Henderson, Cahiers du Cínema, David Bordwell, Gérard Gozlan, Jean-Luc Godard, long takes, mise-en-scène, PressPlay, Quantum of Solace, Richard Brody, Scott Pilgrim, Transformers | Leave a Comment »
That video is so cribbing from Derek Jarman:
The Jarman video is much better, but I still like the Suede song.
Posted in music | Tagged Derek Jarman, faev snogs, Suede, The Smiths | 1 Comment »
I only just learned about it a few weeks ago:
Related (duh): Faev snogs: Kraftwerk, “Das Model”
Posted in music | Tagged faev snogs, Kraftwerk, Seu Jorge | Leave a Comment »
I feel a little unclean linking to a VH1 Storytellers version, but it’s Waits so OK:
The album version is après le jump.
Continue Reading »
Posted in music | Tagged faev snogs, Rain Dogs, Tom Waits, VH1 Storytellers | Leave a Comment »


She is one of the patrons trapped in the Grocery Store when the Mist appears and engulfs the town outside, and is convinced that the Mist is a punishment from God for mankind's sin and dissolution; particularly after David and Ollie explain their encounter with the Tentacles from Planet X in the storage room.
Mrs. Carmody attempts to convince the other market patrons that the Mist is a divine punishment, but is stopped when she is hit her across the face and threatened by Ollie. However, Mrs. Carmody shows no fear of Ollie's threat, and predicts that the creatures in the Mist will claim another victim at night.
Instead of being weakened by the siege mentality caused by the Mist, Mrs. Carmody is strengthened by it, and by the second day, she successfully gains a small group of followers, driven mad by the trauma of the phenomenon, which quickly grows into a congregation.
On the morning of the third day of the disaster, Mrs. Carmody attempts to sabotage David's group from escaping the market by destroying the supplies they gathered, and then orders her followers to first sacrifice Billy and Amanda, and then to massacre David's entire group. However, she is shot by Ollie and killed.
Mrs. Carmody's death led to the breakup of her congregation, and nearly all of the people who she had brainwashed were snapped back to reality after they realized all that they had done, and the fact that her death showed that she did not have divine protection as she had preached.
Differences Between the Novella and Film
- In the film, while Mrs. Carmody was praying in the store bathroom, she spitefully turned down Amanda's attempts to comfort and befriend her.
- In the novella, an unnamed man hits and silences Mrs. Carmody, whereas in the film, it is Amanda Dumfries.
- In the film, when Private Jessup reveals what he knows about the Arrowhead Project, Mrs. Carmody and her followers insanely sacrifice him by locking him out of the store to be killed by an Arachni-Lobster.
- In the novella, Mrs. Carmody is only shot once, in the abdomen, and with her dying breaths, she warns David and his group they they will die out there. In the film, Ollie shoots Mrs. Carmody once in the stomach, then finishes her off with a shot to the head. In the movie script, Ollie intended to shoot her only one time, but as David and his group were passing her by, she managed to yell out an order to kill David's group again, causing Ollie to immediately shoot her again.
Amanda initially tried to befriend Mrs. Carmody, but Mrs. Carmody spitefully turned her kindness down, saying that if she "wanted a friend like her, she would squat over and [poop] one out". Later, when Amanda hit Mrs. Carmody to shut her up, Mrs. Carmody darkly threatened her in response. She later tried to sacrifice Amanda, but was stopped when Ollie killed her.
In the book Carmody somehow learns of David and Amanda's affair, and refers to her as a "whore" for the remainder of the book. In the film, this subplot is omitted.
Mrs. Carmody appeared to be angered by David's and his group's attempts to find help and maintain sanity among the survivors. She later tried to have David murdered, but her death saved his life.
Irene deeply hated Mrs. Carmody and was not afraid to show it. When Irene stoned Mrs. Carmody in the middle of a preaching with a can of peas, Mrs. Carmody tried to attack Irene in a fit of anger. Mrs. Carmody later tried to have Irene sacrificed, but was killed before it could be done.
Initially, Jim drunkenly mocked Mrs. Carmody for her fanatic beliefs, and was quick to threaten her. However, after Jim became one of her followers, he only became calm when she soothed and spoke to him. Her death made him snap back to reality.
She is shot and killed by Ollie Weeks when she attempts to block his group from leaving the store.


Celebrating January 24 Birthdays: A Look at Famous Women in Entertainment Born on this Day
January 24th is a special day for many famous figures in the entertainment industry, as it marks their birthday. From actors and singers to comedians and writers, this day has seen the birth of many talented individuals.
One of the most well-known celebrities born on January 24th is singer and actress, Barbra Streisand (yes, yes, that’s her picture on the cover of the article). She was born in 1942 and rose to fame in the 1960s with hit songs like “The Way We Were” and “Evergreen.” In addition to her successful music career, Streisand has also appeared in several films, winning an Oscar for her role in “Funny Girl.”
Another notable figure born on January 24th is actress, writer, and comedian, Tina Fey. She was born in 1970 and has had a successful career in television and film, with roles in movies such as “Mean Girls” and “Baby Mama,” as well as TV shows like “Saturday Night Live” and “30 Rock.” Fey has also won several awards for her writing and comedic performances.
In the field of literature, January 24th also marks the birthday of famous American author, Maya Angelou. She was born in 1928 and is best known for her 1969 memoir, “I Know Why the Caged Bird Sings.” Angelou’s works often explore race, gender, and identity, and she was celebrated for her powerful and moving storytelling.
In the music industry, January 24th also marks the birthday of famous American singer, songwriter and actress, Queen Latifah. She was born in 1970 and is best known for her hit songs like “U.N.I.T.Y” and “Just Another Day.” Latifah’s other hit songs include “Ladies First” and “Fly Girl.” She is also known for her acting career, with roles in movies like “Chicago” and “Bringing Down the House.”
Finally, January 24th also marks the birthday of famous American actress, Greta Gerwig. She was born in 1983 and has had a successful career in both film and television, with roles in movies such as “Frances Ha” and “Lady Bird,” as well as TV shows like “How I Met Your Mother” and “Law & Order: Special Victims Unit.” Gerwig is also known for her work as a director, and her film “Lady Bird” was nominated for several Academy Awards.
In conclusion, January 24th has been a significant day in the entertainment industry as it marks the birth of several talented individuals. From Barbra Streisand and Tina Fey to Maya Angelou and Queen Latifah, these celebrities have left a lasting impact on their respective fields and continue to be celebrated for their contributions to the entertainment industry.


Anna Melikian’s "Star" wins best director award at Russia's Kinotavr -
Armenian filmmaker Anna Melikian's "Star" won the best director award at the 25th Open Russian Festival Kinotavr, with the film star Severija Janusauskaite scoring the best actress prize.
The film centers on a girl – a caretaker to an elderly man - who dreams of multiple surgeries to gain a model appearance and start a celebrity career.
Anna Melikian’s work as an Armenian film and TV director/ producer has been recognized with several awards. After her participation at Sundance Film Festival she was listed in the TOP 10 of most perspective film directors by Variety magazine.
Melikian studied at the All-Russian State University of Cinematography film school in Moscow (classes of prof. Sergey Solovyov and Valery Rubinchik), where she was awarded by the university prize of "Saint Anna" for Poste restante (2000).
After the graduation she was granted by GosKino Russian organization, made various documental and TV films. In 2008, Melikian's Rusalka (2007) was awarded by the Berlin International Film Festival Prize.


Read it here
Mann Ke Pankh Success Story
“Mann Ke Pankh” ( Wings of mind ) was our third short film. This film was shot during the final semester break time of graduation period in Bangalore.
It all started when Aanal and Manu were discussing different ideas to be made into a film. We used to talk about concepts while going to the college. So, on one fine day while coming back from college, Manu saw something that immediately got into his mind, “ A kid playing with an old tyre by rolling it over with a stick, suddenly, another person came speeding in a cycle and went off “. This incident took Manu to his childhood days. Then slowly we were thinking about the unending needs of every human, which we related to the incident. And in this particular stage, “Mann Ke Pankh” was born.
After this, proper planning and discussions helped in writing the rough script for the story.
Storyboards were drawn to visualize each scene shot by shot. Then we thought of the
second part for the story and ended up in the “Dream Sequence”. Then, after all the ideas were put together, the final screenplay was written.
The film was shot in a Judicial colony at Bangalore. The location was decided after proper research and frequent scouts to this place. We had built a Dolly/track for the use of 2 shots in the film. We had different experiences during the shoot, a person from no where coming and enquiring about whether we had taken permission for the shoot and so on.
We finished the shooting in a week’s time. Then we started with the post-productions stage where we realized that few shots have to be retaken.
Finally, finished with the post by exporting the file. The film was later sent for various film festivals, out of which the below mentioned are the list of awards this film won.
Awards and Achievements
Recognition at the Goa International Film Festival, 2011 ( IFFI, 2011 )
Winner for the Best Cinematography at KAOLIN Film Fest, 2012
Holding a semi-finalist position at the Adobe Design Achievement Awards, 2012
The film has gone to various regional offices of Adobe for exclusive promotion and exhibition.


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Write something about yourself. No need to be fancy, just an overview.


This update will cover my brief stint as a New York City Police Officer (no Rick Ross, this was only for the movie) in the upcoming film titled: “Righteous Kill” starring none other than: Al Pacino, Robert DeNiro, 50 Cent, John Leguizamo, Donnie Walhberg and more (visit IMDB.COM). The club scene was filmed in my city, Bridgeport, Connecticut.
Righteous Kill – in theaters September 12, 2008
What started as a simple role of an extra in a party scene, actually ended up as a role of a cop which would eventually make the trailer for the film. You should be well aware of “Righteous Kill” by now if you’ve been to theater in the past few months. This is a picture of myself (KWOTE SCRIPTURES), from the scene which is in the trailer (there are more photos in the gallery):
The entire experience was great! I was able to crack jokes with Pacino and 50 Cent at the time. DeNiro was pretty occupied so I didn’t want to disrupt his train of thought. 50 Cent was actually cool, contrary to popular belief, based on reports from the media. He was very personable and even cracked jokes with the rest of the extras on the set, after every take. Jim Jones was also in the scene that was being filmed performing his hit song: “Ballin (We Fly High)”. Make sure you check out the movie next Friday.


Outside of Michael Jordan and Scottie Pippen, one of the most iconic Chicago Bulls players of all time is undoubtedly Dennis Rodman. Known for his crazy hair, off-the-wall antics, and relentless ability to haul in rebounds, Rodman is one of the NBA's greats.
When ESPN aired The Last Dance, a documentary series chronicling the story of Bulls' final championship of the 1990s and the buildup to it, fans got a taste of what Rodman's eccentricities entailed beyond his on-court play. Now, we'll get to know the full story of perhaps the most "Dennis" occurrence that was aired out in The Last Dance.
Lionsgate is set to release 48 Hours in Vegas, a feature film that will dive into Rodman's vacation to Las Vegas during the 1998 playoffs. The movie will be produced by Phil Lord and Chris Miller with Rodman also serving as an executive producer. Lord and Miller have worked on other acclaimed films such as Spider-Man: Into the Spider-Verse, 21 Jump Street, 22 Jump Street, and The Lego Movie.
Rodman is usually in the news for doing something crazy. The last time his name was circulating in the news was when the "Rodman" episode of The Last Dance aired. The whole episode was dedicated to him and (part of) his story. Only part of that episode mentions his infamous Vegas trip, however. The story focused more on Rodman occupying a bigger role for the Bulls while Scottie Pippen was out.
Once Pippen came back, Rodman said he was burnt out and needed a “vacation” in the middle of the Bulls 1997-98 championship run. Phil Jackson and Michael Jordan gave the okay on a 48-hour break to Sin City. But beyond the mention of Rodman hanging out with Carmen Electra, details about his bender were fairly scarce in The Last Dance. Expect that to change with 48 Hours in Vegas.
Regarding the feature film, Lionsgate president Nathan Kahan said, "There’s only one Dennis Rodman. In 1998, there was nobody on Earth who’d be more fun — or maybe more dangerous — to party with. And yet that’s not even half of who he is. This movie takes you on an unforgettable ride with the myth, the legend, and also the man that Dennis is, behind everything you think you know."
Needless to say, the film should be a wild ride that will only further add to the legend of Dennis Rodman. There is no official release date for 48 Hours in Vegas yet, but movieweb.com pegs it for some time in 2023. Let the anticipation begin.


May 20 / 5pm EST / Register in advance for the conversation here.
After registering, you will receive a confirmation email containing information about joining the meeting.
See the films prior to the discussion; available on Vimeo here.
Please join us for a discussion of the short student films students from URB 202. Normally, in this seminar, we hold a lens to Trenton and learn how communities work by examining the lives of Trentonians. This year, from the seclusion of our own homes, we set out to build community by sharing our own stories. Taken together, the films that have emerged these semester – in eight short weeks – suggest that our job as artists and media-makers in this pandemic is to acknowledge the wide range of experiences we’re facing, while also creating what commentator Ezra Klein has called “a collective understanding of what we’re going through individually together.”
You are cordially invited to watch the films ahead of time – available here -- and then join our online discussion with the filmmakers on May 20 at 5pm EST. Sharing these cinematic experiments with you will allow us to continue, albeit very differently, our project of community-engagement.
- Anne Alvergue, filmmaker and editor
- Purcell Carson, The Trenton Project, Princeton University
- Katharine Reed, ’19, Global History Lab
- David Sampliner, filmmaker and cinematographer
- Sadia Shepard, writer and filmmaker, Wesleyan University
- David Stirk, dean of Butler College
- Trisha Thorme, Program in Community-Engaged Scholarship
Lost Spring. Liana Cohen. As Covid-19 ravages New York City, a quarantined former opera singer rediscovers old photographs and materials from throughout her life, sparkling mingled nostalgia and self-reflection.
7,000 Miles. Jimin Kang. Set amidst the uncertainty of the 2020 coronavirus pandemic, this film documents Kang, an international student from South Korea, as she spends her days in isolation at Princeton University, trying to stay connected with her family despite being 7,000 miles away.
Are You Happy? Sanna Lee. Su, an immigrant mother who raised two daughters all by herself, recounts how she’s managed to feed her family on a low paycheck.
Lakeless. Drew Pugliese. A poetic meditation on Packanack Lake—the filmmaker’s childhood home—through a conversation with his mother, as she negotiates her relationship with the community in the context of pandemic.
A First Hand, Reclaimed. Johnatan Reiss. Almost 50 years after her left hand was first tied behind her back to eradicate her left-handedness, Raya decides to draw for the first time in her life. With chalks and pencils, she reclaims her left handedness, and a childhood lived in second hand.
Double Red Flag. Jamie Rodriguez. A film about surfers and lemmings, two misunderstood populations that engage in dangerous behavior. Surfers have continued to gather despite stay-at-home orders. By following Max Edgerton, a North Carolina surfer, we gain perspective as to why surfers have chosen to engage in such deviant behavior.
Sueños del SARS-CoV-2/Dreams of SARS-CoV-2. Jonathan Romero. The testimonial potential of dreams is deployed in this collection of voices from Germany, Mexico, Ecuador and U.S. Filmed and produced from quarantine in Garland, TX amidst the coronavirus pandemic, this short film essay documents the real concerns of a generation in the face of what some have referred to as “the worst crisis since World War II.”
Dinnertime. Cheyenne Zhang. As the global pandemic continues to affect our daily lives, we feel far away from so many people we love and care about. But for some families, ironically, social distancing has brought them closer together.


“A lack of confidence can affect people in different ways and I think that is
one of the good things about Open Arts drama and also Open Arts as a
whole it gets people out and involved in stuff.”
Monday Players is our drama company for adults with disabilities. The group is continually developing new material and building up their acting and theatre skills for performances.
Monday 2.00 to 4.00pm at the Crescent Arts Centre. Limited places. Contact Eileen on 02890 240 765 or Eileen@openartsni.org for more information.


Does anybody remember this show? Where Mickey had a comedy club that all the classic characters would go to. Every episode there would be a different story line that had to do with the club and at the same time they would play the old Mickey Mouse clips that everyone in the club would watch. Yeah, it was a good show.
This was my favorite show.
MINE TOO OMFG BUT NOBODY I KNOW HAS EVER EVEN HEARD OF IT
GOD I LOVE THIS SHOW
I THOUGHT I IMAGINED THIS WHOLE SHOW BUT THANK GOD OT WAS A REAL THING
do you ever just smell an old perfume, or hear an old song, or pass an old hangout spot and kinda break inside for a couple minutes
The only time when it’s probably ok to beat the conductor to the downbeat
Day 10: A movie that makes you cry
Toy Story 3
This movie made me cry at the end because of when Andy gives his toys to the little girl. It makes me think back to the first movie and how he just loved his toys. It also makes me sad because I’ll be going off to college soon and it makes me miss when I was little. Even though this movie makes me cry, I love it (the ending too). Disney has pulled off one of the few times that a sequel can live up to the first.
if you don’t think this scene was the cutest ever then get out of my face
My favourite Disney soundtracks :)
I also love the soundtracks of Tarzan and Oliver & company
well I get this a lot


Public Invited to Celebrate NBPAC Opening
The curtain will soon rise on the New Brunswick Performing Arts Center (NBPAC) and the community is invited to attend the welcome party for this brand new epicenter of arts and culture for our City.
At 4 p.m. Thursday, September 5, the celebration will begin at NBPAC and a ribbon cutting ceremony will be immediately followed by tours of the new building, featuring two state-of-the-art theatre spaces, three rehearsal spaces; an elegant lobby and bar area; two floors of office space to accommodate the Middlesex County Arts Institute; and 207 residential units, 20 percent of which are designated as low and moderate-income housing.
Refreshments will be available and live music will be performed by the New Brunswick District Jazz Band. Admission is free and open to all.
“After careful planning, preparation and building, we’re thrilled to be able to cut the ribbon and welcome our community into their New Brunswick Performing Arts Center, the newest act in the story of arts and culture in our City,” said Mayor Jim Cahill. “This spectacular venue will house live music, dramatic theater, film screenings, community discussions and theatre workshops, offering something for everyone. We’re thrilled to be able to open the doors and welcome in the public to see it for the first time.”
NBPAC features two theaters for live performances, named in honor of benefactors of the arts in New Brunswick. The Elizabeth Ross Johnson Theater is a 463-seat theatre space meant to house larger productions, such as musical theatre or opera. The Arthur Laurents Theater is an intimate space that can seat 252 patrons and was designed to showcase dramatic theatre and dance productions.
Both theatre spaces are outfitted with state-of-the-art lighting and production systems to best showcase the works of our local performing arts entities, including American Repertory Ballet, Crossroads Theatre Company, George Street Playhouse and Mason Gross School of the Arts at Rutgers University.
NBPAC will also house musical performances, lectures and community events throughout the season.
“The arts play a crucial role in the culture, economy and livelihood of New Brunswick and this state-of-the-art facility is on par with some of the finest performing arts houses in the country,” said New Brunswick Development Corporation (DEVCO) President Chris Paladino.
NBPAC is located at 11 Livingston Avenue. For more information about the New Brunswick Performing Arts Center, including a schedule of performances for the coming months, please visit www.nbpac.org.


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MCKENNA QUIGLEY HARRINGTON was born in Washington, D.C. and moved to Mexico City with her family when she was five. Her love of acting began while performing in Spanish for her school plays. She moved back to the U.S. to attend high school in Nashville, TN. She graduated from college in New York City from Fordham University at Lincoln Center. She is a member of the Theatre Performance Class of 2020.
Her Off-Broadway debut was in the Mint Theatre Company's production of The Mountains Look Different which received a NYT Critic's Pick. Her second Off-Broadway show was in William Mastrosimone's new play Rules of Desire. Her most recent was at the Irish Repertory Theatre where she originated the role of Ann Lovett in the world premiere of Ciara Ní Chuirc's Made By God.
McKenna can be seen in Sophie Kargman's new movie Susie Searches, which premiered at Tiff in 2022. Now, catch McKenna as Grace in Tulsa King alongside Sylvester Stallone! Tulsa King season 1 premiered November 13th on Paramount+.
Photos by Jovani Demetrie, David Noles, Darnell Bennett, Amelia Sorenson, Edward Morris.
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The summer is right around the corner, which means that it’s time to start thinking about what movies you want to watch. One of the best anime movies for summer is “Your Name.” It follows two teenagers who stumble across a mysterious body of water and discover they can switch bodies. The two teenage protagonists begin to search for answers while simultaneously trying to manage their own lives. Summer is here, and the season of anime movies has begun. But which are the best anime movies for summer? Check out this list to find out: One of the best anime movies for summer is “Your Name.” The movie features two main characters, Taki and Mitsuha. They switch bodies every time they sleep to be able to see each other’s world. Whether you’re a fan of romance, thrillers, or just want to spend some time on something light-hearted, this movie is perfect for you.
What Makes For a Good Movie?
One thing that makes a movie interesting is whether or not it is based on an original idea. Many times, these are low budget movies and they sometimes fall short of expectations because of this. The best way to make a movie is to use your imagination and then find the most interesting story-line you can. You may be looking for a movie to watch this summer, but you don’t want to spend your time watching something that’s going to give you a headache. There are many films made for people in general, and this is where the difference between a good movie and a bad one comes into play. A good movie will be one that engages you with an interesting story, characters that develop and grow throughout the story, and has an ending that will leave you feeling satisfied. To help make your decision easier, here are some movies worth trying out this summer.
What does the term anime mean?
Anime is a Japanese word that translates to animation. It is a cartoon film, TV series, or manga from Japan. The term typically refers to either television programs made in Japan with a traditional or computer animated style. It can also refer to the animation industry in Japan, especially the companies that create anime. There are over 26,000 studios and 83,000 people in this industry, making it one of the largest sectors in Japan. One of the most popular genres of anime is the shonen genre. This genre is made of a อนิเมะจีน series of one-shots that follow a continuous story. Some popular titles are Bleach and Naruto. Many people claim that anime movies are colorful and bizarre. They come from Japan, so they are typically aimed in a Japanese market. However, you can find anime movies all over the world. There is no formal definition of what makes a movie an anime film or animation. It’s just a description of how animated films are produced. There are many great anime movies that have been dubbed in English and released on DVD. Here are a few of the best to watch this summer.


New Delhi: Congress president Sonia Gandhi today condoled the demise of actress Reema Lagoo, whom she described as a “versatile actor”.
“A household name, Lagoo was a versatile actress who portrayed an array of heart warming characters on screen and had always left a lasting imprint on the hearts and minds of the viewer,” she said in a statement.
Gandhi also expressed her solidarity to the family and friends of the departed actor in this hour of grief.
The actor, best known for playing the modern-day Bollywood mother in films such as “Hum Aapke Hain Koun..!” and “Kal Ho Na Ho”, passed away at a hospital in Mumbai today. She was 59.
Lagoo, who came to represent the antithesis of the mournful white sari-clad mother of Hindi cinema through her roles, died of a cardiac arrest in the early hours of the morning at the Kokilaben Dhirubhai Ambani Hospital.
Her last rites was attended by Aamir Khan, Kiran Rao, Kajol, Rishi Kapoor, Sonali Kurkani and Rakesh Bedi. Reema Lagoo’s son-in-law told news agency PTI, “She was complaining of chest pain so we took her to hospital around 1 am. She passed away due to a heart attack around 3.15 am. She was perfectly fine and had no health issues…so it is really shocking for all us that she is no more with us.” Hospital authorities said they will issue a statement later after consulting Ms Lagoo’s family.
Reema Lagoo is survived by her daughter Mrunmayee, also an actress.
Messages of condolence have been tweeted by actors Amitabh Bachchan, Rishi Kapoor, Madhuri Dixit, Akshay Kumar and Priyanka Chopra.


Welcome to the Official Kung Fu Panda Character Guide!Edit
This wiki has almost every Kung Fu Panda character ever!
Kung Fu PandaEdit
Kung Fu Panda is a movie that came out in 2008. A sequel (Kung Fu Panda 2) came out May 26, 2011. There's been a christmas special, video game, and and a TV series called Legends of Awesomeness which ended in 2014. Explore this wiki to learn more about Kung Fu Panda characters.
Kung Fu Panda 2 Edit
Kung Fu Panda 2 is a movie that came out on May 26th, 2011. It details how Po became the son of Mr. Ping, and also the backstory of the main antagonist at the beginning of the movie, Lord Shen, and why he is attempting to conquer China. The Sequel, Kung Fu Panda 3, Came out January 16th, 2016.
Kung Fu Panda 3 Edit
Kung Fu Panda 3 is a movie that came out on January 16th, 2016. (The Sequel, Kung Fu Panda 4, is in the making.) Po and his friends set out to stop Kai The Collector, a power-hungry bull banished by his former brother in arms, Master Oogway, 500 years ago. He has now escaped, and Kai took almost all the masters' chi in China. Kai met his end eventually, when Po overflowed his body with Chi, destroying him. Now he walks the Spirit Realm, in Spirit Form. Lord Shen appears in a flashback in the 3rd movie, in which Shen Murders Po's mom.
Kung Fu Panda HistoryEdit
There was once a giant panda named Po who worked at a noodle shop with his father, Mr. Ping. Oneday, Po found out that one of the warriors from the Furious Five were going to be picked that day. So then Po showed up late (since he had to carry a heavy noodle cart) and tries several attempts to get over the wall after the gate closed. Then he makes a fire-cracker chair that blew him over the wall. After that, Master Oogway chose him as the Dragon Warrior. Meanwhile, Tai Lung escapes his prison and is now free. After tons of training, Master Shifu finally discovers that Po is the Dragon Warrior (After Po got the Dragon Scroll down). Then Po defeats Tai Lung and is now a hero. Three years later, in 2011, Po and his friends traveled to Gongmen City, to stop his family's murderer, Lord Shen, from conquering China. Po tried to reason with Shen to change, but he attacked Po, and it all ended when Shen was killed by his own cannon. Five years later, in 2016, Po Learns that Kai, was banished for stealing chi of the ancient pandas that healed Oogway, and that he has now escaped. It eventually ended in greatness when Kai was overflowed with Chi and Destroyed by Po.


Sunday, 13 September 2015
Salamanca street theatre: El crimen del Fraile Luis
I had heard a lot about street theatre in Salamanca, which is performed in various locations around the city. So, when my course suggested a group visit, I decided to try it out.
The location for "El crimen del Fraile Luis" was in the old town, outside the Church of San Benito. We sat down and hoped the sun would go down as it was almost impossible to look at the stage! Luckily it had darkened by the time the play began.
The play tells of how Fraile (Brother) Luis de León, an important real-life figure in Spanish history, tries to prevent the execution of a possibly innocent boy. There are four characters: the rambunctious Civil Guard...
the young boy, Martín...
and his sister, Lucia. The last was perhaps the best performer on the night; she really moved me.
The play was shorter than I had anticipated but was enjoyable and inspired me to see more street theatre in the future.
I hope you like my photos.
Thanks for reading,


Avg. Score 3.51/5
Kaede is a normal school girl who was studying for her exams for school when suddenly she is interrupted by Shinobu, a girl who is a ninja-in-training, attempting to complete her exam. The problem is, in order for her to successfully complete her exam, she must steal one of Kaede's panties! In Kaede's attempt to stop Shinobu from stealing her panties, an unexpected friendship is forged between the two. Kaede soon becomes engrossed in Shinobu's world, surrounded by partying ninjas and a yellow pac-man like thing by the name of Onsokumaru, who claims to be the master of all ninjas! [Written by MAL Rewrite]*Estou ciente dos erros ortográficos, textos desconexos, dentre outros. Todas as sinopses são retiradas de sites terceiros, ou seja, não fazemos revisão nesse tipo de serviço, afinal sou só eu para todos os setores. Quando eu virar um robô damos um jeito.


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An internal newsletter article exploring the director’s passion for the play.
Written in a relaxed, humorous style.
“XXX Love Act” and The Seduction Of Chris Nelson
Language is sexy. Honesty, sexy. The complex inner depths of human nature, sexy. These are the elements of Cintra Wilson’s play, “XXX Love Act” that director Chris Nelson claims drew him to the piece. Not that the characters are porn stars, wearing provocative clothing and bed-hopping. No, it’s what they’re saying and how they’re saying it that gets Chris drooling. Their choices are seductive. So he says. But c’mon, the story and writing of a play called “XXX Love Act” with a postcard of a half-naked female devil is what generates his passion? Explain, please.
“I’m telling you, it’s a bad idea…” “So I asked her out…” “What’s up with that?” These are the kinds of words we might hear in the local bar or coffee house, depending on your particular preference. But for Chris, to hear everyday language onstage is, in a word, boring. Theatrical language, however – language that is not tied to a naturalistic way of speech – is not only fun to say and has striking imagery, it actually makes us listen. And hits us in a deeper, more subconscious place. Much like music.
So when Chris first read the script, you could say it sang to him. Even though the pages were in great disarray from failed editing, the language still reeled him in. It was roughly musical and unflinchingly honest. And funny. And theatrical. “He has his fist somewhere up the large intestine of this mammalian idea and he’s saying, Hey! Come on in you guys, there’s room for everybody!” The language rolled around the tongue like a decadent piece of chocolate fudge. Might we even say, sensuously? Which fits, really. If the story stimulates in its exploration of basic human desires, shouldn’t the language tantalize as well?
Okay, so the characters don’t talk like Will and Grace or your mother. I concede that the language, so different from the way we usually speak might get my attention. But so will half-naked actors. Aren’t we just going to watch them, well, romp?
No, says Chris. Anyone familiar with Cintra Wilson’s essays (on Salon.com or her collection “A Massive Swelling” among others) knows that although she’s provocative, she also expertly cuts to the bone of human nature, forcing her audience to look at themselves without painkillers. She isn’t afraid to tell her readers “this is who we are and I have proof.” So it is in “XXX”, one of her few plays, all unpublished. Exploring the issues of love, sexuality, desire, shame and greed, the play raises lots of questions. Here are just a few, according to Chris: “What is the impact of pornography on our culture? How do we as human beings deal with our sexual impulses? How do we connect as human beings? What are our choices and why do we make them? The one real valuable commodity we have is that of human relationships with other people and love with other people. And we screw that up because of the choices we make for other things that our culture tells us are important. ”
Wow. That is a lot to think about. Maybe after the show I can discuss it over a drink with someone I find attractive. But still…uh…dude, like, are there naked people onstage or not? No ma’am, says Chris. In fact, one of the reasons Wilson didn’t want to release the rights to “XXX” was because previous directors (mostly male) focused on the porn aspect, while ignoring the humor and humanity. The story was lost, the characters’ choices and the repercussions of those choices lost and the whole darn point undone. Except for the fact that by exploiting the nudity, the directors themselves personified the very problem of turning sex from a loving act into a commodity. Not that the audience noticed. They were too busy watching the naked people. Wilson was not interested in swirling around that vicious circle again.
Chris to the rescue. With 10 years of New York theatre under his belt (no euphemism intended), including designing, directing, stage managing, and literary analysis, Chris is very familiar with story and playwriting, especially with unpublished and original work. (Prestigious credits include Production Supervisor and Technical Director for The Actor’s Studio. ) First, he re-worked the script (not re-write, he stresses) structurally, moving scenes and changing the placement of the intermission. Then he did a successful workshop production in New York City that sold out almost every evening. When it came time to approach Wilson about securing the rights for a full production at COA, he sold her on language, honesty, humor and story (and his extensive experience in the NY theatre, no doubt, to fill her gap in the medium). Not nudity. The result? The play is sexy without being sexist. Funny without being stupid. The story carries throughout the play, exploring each character’s nature, their choices and the consequences thereof. How could Wilson resist? She agreed to the rights, sight unseen, and also looks forward to having a finished, clean, working script. Finally.
Now those of you starting to feel silly, you are not alone. I, too, made the assumption that a postcard with a half-naked female devil on it was going to be pretty light on the mind. Plenty of flesh, please, hold the brain-work. But that seems to be the brilliance of this show and the marketing of it. Like Wilson, the play and the postcard/website strike immediately to the gut (or a little lower), stimulating our basic human desires and then, once we’re in it’s delectable clutches, sits us down, ties us up and makes us really listen. To a story about love, relationships, core human nature and how we could @&*#! them all up if we’re not careful.
“Go see it,” invites Chris. “It’s funny and it’s sexy and will raise issues that are in fact, fundamental. ” And bring a date. You never know what part of him/her might become aroused. Might even be somewhere above the neck.


34 The score of Gone With The Wind is ranked #2 by AFI as the second greatest American film score of all time. 16 With two exceptions, Steiner was less successful with the film noir genre due to the "modernistic" music those films often require. But the beginning of World War I in 1914 led him to be interned as an enemy alien. A copy of the manuscript resides with the rest of the Max Steiner Collection at Brigham Young University in Provo, Utah. King Kong (1933 Little Women (1933 Jezebel (1938 and, casablanca (1942
though he did not score its love theme, As Time Goes. Upon their return home, the music darkens the scene in preparation for Jim's disclosure that he is already committed to another girl." 2 Another film which exemplifies the synchronizing of character and music is The Fountainhead (1949 The character of Roark, an idealist architect (played. 16 Steiner composed, arranged and conducted another 55 films, including most of Fred Astaire and Ginger Rogers 's dance musicals.
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Max Steiner was born on May 10, 1888, in Austria-Hungary, as the only child in a wealthy business and theatrical family of Jewish heritage. He was named after his paternal grandfather, Maximilian Steiner (18391880 who was credited with first persuading Johann Strauss II to write for the theater, and was the influential manager of Vienna's historic Theater an der Wien. D Tube site van Nederland!
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According to composer and film music writer Christopher Palmer, Steiner's use of Franz Schubert 's Ave Maria at the end of the film was the score's only flaw. After the underscoring of Symphony of Six Million, a third to half of the success of most films was "attributed to the extensive use of music." 20 The score for King Kong (1933) became lekkere massage seksfilm vagina
Steiner's breakthrough and represented a paradigm shift in the scoring. Steiner actually first composed the theme from Since You Went Away while helping counterbalance Franz Waxman 's moody score for Rebecca. This "climax is marked by a grandioso statement of the theme on full orchestra." 2 Realistic and background music edit When adding a music score to a picture, Steiner used a "spotting process" in which he and the director of the film would watch the.


Point is, as much as I'm inspired by the catwalk and seasons and street style, so, too, am I inspired by lots of other elements of culture and pop culture. Especially the shows and manga and books and movies I love.
I began reading comic books when I was around ten. Marvel was my entry-point to this world, something I shared with a particularly close cousin and a few friends in primary school. I loved Spiderman (such a sarcastic bastard, I love it), the X-Men (esp Gambit and Rogue) and Daredevil (I'm a sucker for an underdog) most of all but dabbled in others. As I got older, I maintained my soft spot for superheroes and, in recent years, my inner child has been running around in dizzy joy. Marvel is producing content like no ones's business and, best of all, Joss Whedon and others behind my beloved Buffy amongst other favourite shows and movies, are at the helm.
Which finally brings me to the point of this post, in honour of the soon-to-be-released Avengers: Age of Ultron, I've decided to style three outfits inspired by three of the characters from the movie and talk a bit about the basics of their aesthetics.
Scarlet Witch is one of the coolest characters in the entire Marvel Universe. Not only does she have mutant abilities, but actual supernatural powers as well.
Like, she's legit a witch.
It remains to be seen how her character will be interpreted in the film and which of her mythologies and versions will be used or if she will be entirely reinvented but images from the movie show us how she'll dress.
They're clearly playing up the troubled young woman thing rather than going for her traditional costumes which would be a bit....cough....risqué for the movies. Red hasn't been overly implemented and she's got a punky grungey thing going on. My styling is more dramatic than that of the film, I've gone for lots of her signature red but in a few tones to stop it from becoming flat. The sharp lines and sexy cut-out detail of the crop top give a nod to her costume but the leather pants and boots make it tougher and more believable. I mean, could you really fight in what amounts to a swimsuit?
I couldn't resist the cape, though highly dramatic. It could be easily swapped out for a long, flowy trench but I wanted to have some length and movement to her outfit to emphasise her witchiness.


Come have your main character moment in Central Park. With its iconic locations and picturesque landscapes, it’s no wonder the Park is one of the most filmed locations in the world. Whether you delight in a meet cute fit for When Harry Met Sally, an Enchanted wonderland, an adventure with the Avengers, or a lively Weekend at Bernie’s, you can survey the storied setting to your cinematic favorites on this Central Park Movie Tour.
Join us for this special tour to view Central Park through a director’s lens. We’ll explore its enduring cinematographic appeal and what the Park’s popularity on the silver screen reveals about New York City. Conservancy guides will highlight the sites of beloved summer movies, unveil the behind-the-scenes secrets of filming in Central Park, and share our definitive list of the best summer Central Park movies.


Candice Fields, Criminal
Candice explains her early life.
Candice reunites with her vampire neighbor, Jean-Paul.
Candice and JP are the perfect Evil couple.
Candice learns what it means to be a vampire.
Candice and Glenna meet again.
Candice meets Sunwon Cho.
Candice does time and gets what she wants, finally.
Candice and Glenna are reunited.
Candice puts her new plan into effect.
A dramatic conclusion to all this evil.


music.Posted: January 29, 2012
Wicked. After we experienced an incredible day at Griffith Park; my parents, Annabelle and I went down to Hollywood to watch the new musical “Wicked.” The show was held at the Pantages Theatre off of Hollywood Blvd. If you don’t know, Wicked is a prequel rendition for the “Wicked Witch of the West” and her sister the “Wicked Witch of the East” from the “Wizard of OZ.” This was a great performance and we seriously can’t wait to go back to the Pantages Theatre. Overall, one great Birthday. Thanks Mom, Dad … and my new wife Annabelle.