Staff Writer July 01, 1994 "Blown Away" isn't much to savor -- it's about a Dixie cup's worth of relief -- but it goes down easily. Just like "Speed," the recent flick about a bus wired to explode if it drives less than 50 mph, the film isn't a story .
Movie Reviews Birds of Prey Monitored: Outstanding Bad Boys For Life Monitored: Blown Away is a suspenseful crime drama about James Dove, a member of Watch Blown Away movie trailer and get the latest cast info, photos, movie review and more on TVGuide.com. Official Trailer. Jul 1, 1994 12:00 AM EDT 30 May 1994 The New Yorker, May 30, 1994 P. 47. ONWARD AND UPWARD WITH THE ARTS about movie violence. In the cinema, if not elsewhere, Blown Away (1994 фильм) - Blown Away (1994 film). Из Википедии, свободной энциклопедии. Сгорел Away. Amazon.ca - Buy Blown Away (1994) at a low price; free shipping on qualified Usual Suspects), Blown Away is the action film you don't want to miss… when Blown Away posters for sale online. Buy Blown Away movie posters from Movie Poster Shop. We're your movie poster Blown Away. (1994). Item #: CE8545
1 Jul 1994 At one point, early in "Blown Away," a tearful student at MIT is about to be blown up because her computer has been rigged with a bomb that 1 Nov 2014 Movie, Blown Away Movie,Blown Away Trailer,Blown Away 1994, Stephen Hopkins,Forest Whitaker, Jeff Bridges, Lloyd Bridges, Suzy Amis, 15 May 2001 To me a hidden all star film. This Movie is loaded with Stars, Jeff and Lloyd Bridges a father and son team from Ireland, Jeff is a ex IRA Bomber Blown Away had the misfortune of opening 3 weeks after the best action film an action movie and I think thats why it bombed in the summer of 1994 (no pun 5 Jul 2019 Remembering Blown Away and the worst Irish accents ever put to film the course of the decade but 1994's Blown Away takes some beating. Staff Writer July 01, 1994 "Blown Away" isn't much to savor -- it's about a Dixie cup's worth of relief -- but it goes down easily. Just like "Speed," the recent flick about a bus wired to explode if it drives less than 50 mph, the film isn't a story . Blown Away (1994) is a thriller film starring Jeff Bridges and Tommy Lee Jones. It is about a bomb technician (Bridges) who must stop his former best friend
1994. Add Article. Blown Away Critics Consensus. No consensus yet. [Blown Away] is the kind of movie that people should be sentenced to see if they complain that Speed is implausible. Home » film » 1994 » Blown Away - Follia esplosiva » shop » dvd : Prezzo: 9,99 € DVD - Blown Away. Follia esplosiva. A partire da mercoledì 11 luglio 2001 è disponibile on line e in tutti i negozi il dvd Blown Away. Follia esplosiva. Su internet il titolo è acquistabile on-line » a prezzo speciale su IBS. Blown Away (1994) cast and crew credits, including actors, actresses, directors, writers and more. Blown Away – Follia esplosiva 1994 – Streaming link streaming e download. Blown Away Follia esplosiva 1994 Streaming Wstream Wstream Download AKVideo: Film Correlati. Kings 2017. La piramide 2014. Tristano e Isotta 2006. Senza santi in Paradiso 2013. The Kid 2019. Frank. L ombra del passato 2015. Compra Blown Away  [Edizione: Germania]. SPEDIZIONE GRATUITA su ordini idonei. Passa al contenuto principale. Iscriviti a Prime Ciao, Accedi Account e liste Accedi Account e liste Ordini Iscriviti a Prime Carrello. Film e TV VAI Ricerca Bestseller Idee regalo Novità
01/11/2014 · Blown Away Trailer 1994 Director: Stephen Hopkins Starring: Forest Whitaker, Jeff Bridges, Lloyd Bridges, Suzy Amis, Tommy Lee Jones, Official Content From … 28/11/2016 · Blown Away (film 1994) bande annonce imineo Bandes Annonces. Loading Titre Original : Blown Away Film - Thriller - Etats-Unis - 120 minutes Réalisé par Stephen Hopkins 01/07/1994 · Directed by Stephen Hopkins. With Jeff Bridges, Tommy Lee Jones, Suzy Amis, Lloyd Bridges. An Irish bomber escapes from prison and targets a member of the Boston bomb squad. Compra Blown Away . SPEDIZIONE GRATUITA su ordini idonei. Passa al contenuto principale. Iscriviti a Prime Ciao, Accedi Account e liste Accedi Account e liste Resi e ordini Iscriviti a Prime Carrello. Film e TV. VAI Ricerca Ciao Regarder Blown Away en streaming vf complet 100% gratuit et facile a regarder, film de Jeff Bridges, Tommy Lee Jones, Lloyd Bridges, synopsis : Jimmy Dove, spécialiste du déminage, est un Blown Away is a film directed by Stephen Hopkins with Jeff Bridges, Tommy Lee Jones, Suzy Amis, Lloyd Bridges, . Year: 1994. Original title: Blown Away. Synopsis: Jimmy Dove works for the bomb squad in Boston and he is always the one who is on the tough jobs. One day he decides to quit the force and to become a teacher for the rookies of the squad. 1994. Add Article. Blown Away Critics Consensus. No consensus yet. [Blown Away] is the kind of movie that people should be sentenced to see if they complain that Speed is implausible.
Blown Away. (1994). ·. 2 hr. R. Action. Crime. Drama. Add to Queue. Share. A mad bomber terrorizes Boston, targeting the bomb squad, forcing an eventual


ANOTHER LIFE SEASON 2 RELEASE DATE ! Another Life Season 2: Everything That We Know About the Series and Its Release Date. Another Life season 2. She also stars in the set as the leading role of an astronaut. ANOTHER LIFE SEASON 2: CAST. Another Life Season 2? Another Life wasn’t received well by critics. Another Life Image By- Auto Freak. Katee Sackhoff's Netflix sci-fi series Another Life will see her character Niko Breckinridge engaging with several new faces when Season 2 is released on the streaming platform.. Many actors from the previous season, will be part of the second season too. ! The excellent science fiction series has been a favorite show for the people of different age groups. When will Another Life Season 2 be on Netflix? Another life season one was launched on Netflix on July 25, 2019. This show is amazing. It announced that filming will start in the next few months. The second season seems to be coming on screen in order to complete its story. The series first season dropped on 25 July 2019 on Netflix. La prima stagione, composta da 10 episodi, è stata distribuita da Netflix il 25 luglio 2019, in tutti i territori in cui il servizio è disponibile. the creator behind the series is Aaron Martin. We have covered everything regarding the release date, cast, and plot of Another Life Season 2. A very interesting and considerable content series Another life is coming back with a season 02, confirmed by Netflix. Filming for the first season took place across four months in 2018, August to November respectively. The series stars Katee Sackhoff, Selma Blair, Justin Chatwin, Samuel Anderson, Elizabeth Ludlow, Blu Hunt, A.J. Astronaut Niko Breckenridge and her young crew face unimaginable danger as they go on a high-risk mission to explore the genesis of an alien artifact. This thread is archived. Another Life 2019 TV-MA 1 Season TV Thrillers After a massive alien artifact lands on Earth, Niko Breckinridge leads an interstellar mission to track down its source and make first contact. Another Life Season 2 Renewal. Season 2 will consist of 10 episodes, just like the first season. The series was announced for its second season in October 2019. When Can We See It? Another Life è una serie televisiva statunitense creata e prodotta da Aaron Martin. However, it was a hit on Netflix, and the streaming service recently chose to renew it for another season. After a few months to assess the response, the streaming service has picked it up again, with the cast and creators returning. With Elizabeth Faith Ludlow, JayR Tinaco, Katee Sackhoff, Blu Hunt. Official Netflix Renewal Status: Renewed (Last Updated: 29/10/2019) It took two months, but we got the unlikely confirmation that Another Life has been renewed for a second season! Another Life: Season 2. The production of the series held in British Columbia and Canada. In order to do so, the audience can expect a third season as well if we are to consider Katee Sackhoff’s (Niko) words. About Another life Season 2. Telly’s Take. Another Life is an American science fiction drama streaming television series created by Aaron Martin that premiered on Netflix on July 25, 2019. The Katee Sackhoff-led sci-fi space drama Another Life will be back for another go-round. Here’s all you need to know before watching the second season. It revived for the extra season on October 29, 2019. It is a web thriller of experience, rush, secret, and truth. It had a dismal 6% rating on Rotten Tomatoes. Another Life Season 2 Netflix Release Date. Considering the renewal, we’re calculating that the show is still in its pre-production step. So, Netflix decided the renewal the series on 29 October 2019. Netflix confirmed on October 29, 2019, that the series would be renewed for a second season. The shooting for the initial term took around four months in 2018. According to Deadline, Tongayi Chirisa will be joining the show as series regular Richard Ncube, who is described as an experienced, decorated veteran of numerous Earth campaigns. Another Life is an American Sci-Fi drama web series crafted by Aaron Martin. Netflix announced on April 26, 2018, that the production of the Another Life. 27 comments. Another Life Season 2 Netflix Renewal Status. Netflix announced the next installment of the series within just two months of the release of the first installment. Another Life Season 2 Updates: Another Life is a science fiction drama series that premiered on Netflix. No Tomatometer score yet... 2019, Netflix, ... Another Life lacks the distinctive spark necessary to set it apart from the array of stories it aspires to be. Another Life is a science-fiction drama show headed by Netflix. Another Life Season 2 Updates: Another Life Season 2, is based on science and was Initiated by Aaron Martin and made by Navy Productions alongside Hellfire Entertainment is Netflix’s other epic creation. The story revolves around an extensive search of intelligent life by astronaut Niko Breckinridge, things, however, takes a complicated turn when the team faces an unparalleled danger and might not be about to return back to Earth. I really hope Netflix comes out with a season 2, there’s so much more that can be done with this show. Another Life on Netflix is a sci-fi sensation, and JayR Tinaco is the breakout star from Season 1. What is the release date of Another life Season 2? The series has received positive reviews from the critics and audiences for the special effects, performances of the cast, and direction. Another Life Season 2: Here’s The Latest Info About The Upcoming Season You Should Know Another Life is a Netflix original sci-fi drama series that is created by Aaron Martin. Quantificare il ‘presto’ in question è arduo, ma proviamo a ipotizzare una finestra di debutto per i nuovi episodi. Another Life 2 Netflix rinnova serie tv con Katee Sackhoff Justin Chatwin seconda stagione streaming online 2020 Another Life season 2 Netflix renewal status. Learn how you can watch Another Life Season 2 On Netflix US today from anywhere in the world using this simple solution 1 year ago. It was premiered on using a total of ten episodes. Tinaco plays medical officer Zayn, but did you know Tinaco also appeared in a Netflix … They added that the series would have ten-episode in the first season. Quando esce la stagione 2 di Another Life su Netflix? share. Netflix has picked up a 10-episode second season of the series from Alias Grace producer Halfire Entertainm… Initially, the show has got some negative responses from viewers for the first season. Season one received a great review and critics from the viewers. In the case of Another Life, a committed audience show is likely to have another season. Another Life is an extravagant sci-fi thriller, which was created and directed by Aaron Martin. Il teaser che ha accompagnato l’annuncio del rinnovo si conclude con “Coming Soon on Netflix”.Stando allo streamer, pertanto, Another Life 2 arriva “presto”. Another Life picked a title that proved somewhat prescient, thanks to the news that Netflix has given the series a… well, you know. save hide report. Netflix renewed the show for a second season back in October 2019. The series first season was premiered on 25 July 2019 on Netflix. Of course, this all depends on whether or not the series is renewed by Netflix. We’d be unlikely to see the series drop in July next year unless filming begins in August. These include Katee Sackhoff, Justin Chatwin, Blu Hunt, Jake Abel, Alex Ozerov, Selma Blair, Elizabeth Lulow, Samuel Anderson and many more will come back for the upcoming season.. Another Life Season 2: Katee Sackhoff Further Confirmed The Renewal News. Another Life is a space-traveling epic that first hit Netflix at the end of July. Created by Aaron Martin. Unless they decide to publicize viewership, it is difficult to predict whether Netflix will cancel or renew Another Life for season two. Another Life 2 stagione uscita: prossimamente su Netflix. The first period of this show obtained a combination of reviews that were unique since some enjoyed it, and a few found it to be’dreadful,’ ‘crap,’ and cringed’ on the series. 56% Upvoted. The Katee Sackhoff-led sci-fi space drama Another Life will be back for another go-round. However, unlike most of the other science-fiction series of Netflix, this one does not feature a star-ensemble cast. I will keep my subscription literally just to watch this shows season 2. In ottobre del 2019, la serie è stata rinnovata per la seconda stagione di 10 episodi. Produced by Katee Sackhoff. It took two months, but we didn’t get an unexpected confirmation that another life had been renewed for the second season! Have A Look.
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Saturday, October 4, 2014
Shakespeare Saturday: Romeo and Juliet
I'm a little late on this one but better late than never. A few weeks ago, AJ went back to Connecticut and I stayed behind in Boston for a few more days before joining him. One night while he was gone, I decided to have a date night with myself. I made a big bowl of popcorn, pulled up Netflix, and got ready to watch a movie I'd been wanting to see for almost a year! The newest big-screen adaption of Shakespeare's Romeo and Juliet. It came out in theaters last October and is directed by Carlo Carlei and stars Hailee Steinfeld and Douglas Booth as the titular characters.
Romeo and Juliet is one of my favorite Shakespeare plays and I like to see how different people adapt it in different ways. This film's adaptation was really interesting! It did not get great reviews, they were really bad actually which is why I didn't see it in theaters. But it was still enjoyable and quite different than what I expected.
The first thing that jumped out at me was that they strayed from the original script. That's normal, though, for a film especially because if you include every word, that'll make for one long movie. And I think some directors and screenwriters like to add their own language in to make the wording a bit to make it a bit easier to understand. Of course, the verbiage was still true to the tone and fit in with the original language.
Also, Benvolio was given a much bigger role than usual. He was everywhere! And he seemed younger than he is typically portrayed. Paul Giamatti as Friar Laurence was genius. I'm so used to seeing him in comical or unlikable roles so I thought that maybe the Friar would be humorous in this film, but he was surprisingly perfect for this role. I think he had the best performance out of everyone. Also, the nurse, played by Lesley Manville was a great choice. She did add quite a bit humor and her character was very likable.
My favorite part of the film was the scenery. It was gorgeous! It probably wasn't extremely realistic, but it was quintessential Italian renaissance styling. There was so much detail to each scene, especially during the masked dance and during the balcony scene. I would watch it all over again just to see the scenery.
I didn't think the acting by the main characters was great but what can you do? If you like Shakespeare or Romeo and Juliet, you should watch this anyway. It's fun and, like I said, very pleasing to the eyes.


- RISMedia - http://rismedia.com -
Weekly Video Tip: What Is Eyeline Matching?
Posted By susanne On October 10, 2012 @ 3:37 PM In Best Practices,Business Development,Business Development & Best Practices,Coaching,Coaching & Training,Consumer News and Advice,Real Estate Technology,Real Estate Training | Comments Disabled
Today I want to introduce the first of a few videos that will cover what we call “shooting for the edit.” “But Stephen, aren’t you always shooting for the edit?” I’m glad you asked. Yes, technically if you’re shooting footage with the intention of editing then you could say you’re shooting for the edit. But there’s a difference between shooting then editing, and shooting for the edit. Observe our first concept, eyeline matching.
If you’re watching a movie, and a character is looking off screen at something, your natural expectation is to next see what that character is looking at, right? Well that’s almost always the case, but you can’t just get any old shot of whatever that character is looking at. You’re trying to sell the reality of the film, which means that when you cut to the shot of whatever your character is looking at, the audience needs to believe that they’re looking at it through the eyes of your character.
Here’s an example. Character A, or “Stephen,” we’ll call him. Stephen is deciding which pair of shoes to wear. In the shot, you can see that not only is Stephen looking off camera, he is looking down and off camera. So what should your next shot be? Your audience will expect to see a high angle shot looking down on whatever he is looking at, in this case his shoes, as if from Stephen’s point of view. In shot A you see the angle at which Stephen is looking—his eyeline, and in shot B you see what he is looking at from that same angle.
So eyeline matching isn’t just about seeing what the character is looking at, it’s about the angle at which they’re looking at it. It applies often to other characters, but also applies to anything that can be looked at. Soda cans, sweeping scenery, anything at all. But if you show your character looking at something, you better make sure your audience gets to see it too.
Stephen Schweickart is the co-founder of VScreen. For more information on this topic, visit VScreen’s site at http://www.vscreen.com/video101.html .
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Added by forcefox in TV
ENGLISH SUBTITLES INCLUDED Filmmakers love a good prison. No, scrub that, filmmakers adore a bad prison. You can see why. For writers and directors, the volatile jail is a ready-made theatre, its prisoners and guards with their various conflicts and loyalties all perfect players for a drama that, if it tries hard enough, can reflect life on the outside too. For French director Jacques Audiard (â€˜A Self-Made Heroâ€™, â€˜The Beat That My Heart Skippedâ€™), a master of the old-school French thriller â€“ ie thrilling and meaningful â€“ his fifth film offers the chance to pull off both a state-of-nation primal scream and a terrific crime flick. He gives us Malik (Tahar Rahim), a French-Arab convict who enters a concrete-and-steel hell to serve a sentence of six years (so we know he canâ€™t have done anything too dreadful). He tries to keep his head down, but this isnâ€™t that sort of place. The ruling bully boys are the Corsican inmates, led by ageing but vicious CÃ©sar (Niels Arestrup), who forces Malik to kill another inmate in a very successful scene thatâ€™s one of the most claustrophobic and disturbing episodes Iâ€™ve seen in a long while. From here, Malik is CÃ©sarâ€™s vassal, committed to working for him on the inside and, later, using a series of day-release excursions to represent his criminal interests on the outside. But Malik is a clever individualist â€“ a survivalist even â€“ and at the same time that he learns to read and write, he exploits a friendship with another French-Arab prisoner, now released, to pursue his own drug deals and quietly invest in a power base within the jail. This is a world where partnerships are formed only for a reason, loyalties are fluid, friends barely exist at all. Politically, itâ€™s a cynical film. Hope is absent. Whether, though, it says anything meaningful about France, Iâ€™m not so sure. Malik is an extreme character, so his experience doesnâ€™t reflect the French-Arab dilemma as a whole, even if the point is made about the number of immigrants in French jails and how being sent to prison for a minor offence can snowball into something else entirely. Audiard suggests that being an underdog â€“ socially, racially, economically â€“ in an unfriendly society can lead to desocialisation and anti-social behaviour. But Malikâ€™s story is so wild that it obscures such ideas. That said, itâ€™s testament to Audiardâ€™s skill at plunging us headfirst into a vicious parallel world that we mostly believe the filmâ€™s twisted logic and rituals. Also, his presentation of violence as a profit-and-loss account is effective and mature: while Malikâ€™s initial murder may get him far, we witness nightly visions of his victim coming back to his cell to haunt him. But there are several bite-your-tongue moments. The film is realist in style and mood, but for every five spot-on observations, there is one flight of wild fancy. Iâ€™ve seen the film twice and still find baffling an episode in which Malik predicts that a deer will hit a car, thereby suggesting he is a prophet. But the sheer force of Audiardâ€™s direction can support such enigmas. It forces you, bullies you, persuades you to love his filmmaking style â€“ even if not always to understand his motives.
To share this torrent use the code below and insert it into comments, status messages, forum posts or your signature.Torrent: French Film Collection(Film 16) A PROPHET (2009)


Mon - sun 11.30-01.00 h
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The majestic building on the Ceintuurbaan – designed by architect Jan van Schaik in 1920 – has served as a neighborhood cinema since the opening in 1921. Back then children’s matinees were a weekly event. Since 1982 it serves as a full-fledged movie theater with three screens and a film café. This isn’t the place for Hollywood blockbusters: the program mainly focuses on European and non-western arthouse films.


Frederic Fasano is an accomplished cinematographer with over 20 years of experience working in various genres, settings, and media — from large feature films to experimental art pieces, from studios to the favelas of Rio, from 35 mm to his iPhone — always bringing his distinctive style, innovative solutions, and collaborative attitude.
Frederic started working professionally with images in Milan in 1990 as a still life photographer. In 1996, he added moving images to his portfolio with commercials and fashion shows. In June 1999, while shooting the trailer for the Venice Film Festival, he met Asia Argento with whom he shot his first feature film, the critically–hailed Scarlet Diva. In 2000, he moved to Rome where he started working exclusively as a cinematographer. Over the next eight years, he shot several documentaries, music videos, prime time TV series, and over a dozen features, three of them with internationally–acclaimed maestro, Dario Argento.
Since 2009, Frederic has been based in Brooklyn, NY. His bicultural background (Danish and Italian) and his vast international experience allow him to add unexpected references and unique perspectives to his images.
Frederic meditates daily and recently completed a month–long silent meditation retreat in South Africa.
Frederic is represented by Sara Alexander at Alexander Creatives.


On May 19, 2016 a group of Tribeca Film Institute (TFI) staff members accompanied Vee Bravo our VP, Education Programs, to Otisville Prison for a screening of Gillian Laub’s HBO documentary SOUTHERN RITES. The film documents the repercussions that occur when a white resident of Montgomery County, Ga., a community with longstanding race and equality issues, is charged with the murder of a young black man.
Laub came with us to the prison for a post-screening Q&A with the inmates. It was the first time she had screened a film in such a setting, as is the case for most filmmakers participating in our TFI Community Screening Series. The Community Screening Series is a public initiative of TFI that holds free screenings of independent films across various communities and civic spaces to encourage dialogue, introspection, and social action.
Throughout the entire 87-minute screening at Otisville the inmates focused on the TV screen, quietly absorbing every detail of the film. The only noise came from the guard’s radio and the buzzing fans, turned on by the inmates to keep Laub, who was pregnant, comfortable.
After the film, many of the men participated in a discussion led by three inmate facilitators: Charles "Chas" Ransom, Alejo Rodriguez, and Moses El-Sun White. All three are serving life sentences. During the discussion, they prompted their fellow inmates to put themselves in the shoes of the film’s characters and asked what they would do in those circumstances. They also made diagrams exploring key themes of the film to guide the discussion.
Laub shared a photo of one such diagram with her more than 28,000 Instagram followers, and reflected on how deeply the inmates dove into the subject matter of her film. She wrote:
After screening SOUTHERN RITES for the inmates of Otisville prison there were amazing and insightful group discussions where they wrote down major themes of the film and their responses. The men talked about morality, justice, hope, disappointment, redemption, rehabilitation, choices, and history… “Racism is part of the American family,” one man said.
The film casts a harsh light on institutionalized racism. The white man at the center of the story serves just over a year of jail time for the murder he is charged with. In sharp contrast, most of the 50 inmates who watched the film at Otisville are people of color serving life sentences after being convicted of murder. The difference in sentences is painfully stark, yet it didn’t take the inmates by surprise. During the post-show discussion one inmate said the film shows how “the system is the villain.” Another said, “we know the system is messed up already; the thing to figure out is what are we going to do about it?”
Laub, however, went on to express frustration with the inmates’ situation in her Instagram post.
Most of these men are called ‘lifers’ (they’ve been incarcerated for decades and serving life sentences) and have been denied parole numerous times. What blew my mind is that these same men who talked about rehabilitation and morality had so much wisdom to share and could be assets to society and yet, they most likely will never be able to, outside of the prison walls.
Indeed, having the ability to leave Otisville prison after the screening felt like a privilege. As the TFI staff members were heading out, one inmate shouted out to us ‘get home safe,’ and it required effort to not say the same to him. For most of the inmates, the prison walls have been their home for decades, and will be for decades to come.
Our VP, Artist Programs, Amy Hobby, screened her Oscar-nominated film WHAT HAPPENED, MISS SIMONE at Otisville last month as part of our TFI Community Screening Series. For her, watching the film with the inmates helped her find new meaning in something she had seen many times.
“During the opening Nina Simone is interviewed and says, ‘I’ll tell you what Freedom is to me…’” Hobby said. “Well, the context of her dialogue on freedom really hit me hard this time around.”
- Lillian Isabella
(Originally published on Tribeca Film Institute's Blog)
I am an advocate for gender parity in the entertainment world and write, act, and produce with a mind to facilitate that change.


"How do I take off a mask when it stops being a mask? When it's as much a part of me as I am."
Mr. Robot follows Elliot Alderson, a young, anti-social computer programmer who works as a cybersecurity engineer during the day, but at night he is a vigilante hacker. He is recruited by the mysterious leader of an underground group of hackers to join their organization. Elliot's task? Help bring down corporate America, including the company he is paid to protect, which presents him with a moral dilemma. Although he works for a corporation, his personal beliefs make it hard to resist the urge to take down the heads of multinational companies that he believes are running -- and ruining -- the world.
⚠ Spoilers Ahead! ⚠
Recently, my time has been spent
obsessing over rewatching the USA "techno-thriller" Mr. Robot and it's quite facsinating. Though it replicates aspects of Fight Club it's done in such a way that isn't a loathesome spoof for the sake of appeasing film bros, though the season one finale is quite unoriginal. Despite this, however, they make it work. The references and homages throughout the show are plentifull, as priorly mentioned, Fight Club is included on the list as it shares a partner in criminal activity who is revealed to be the protagonist's alter, among other similarities, this is its most obvious. Other movies include American Psycho, embodied through Tyrell Wellick, a maniacal businessman working for Evil Corp and, later, the Dark Army; the characters of Tyrell Wellick and Patrick Bateman are similar in many ways, mainly, though, in attire and attitude as well as a desire for power and praise. Though, the connection to other media isnot restricted to movies, but other media as well, for example, Angela Moss and Darlene Alderson both operate under pseudonyms after book caracters, Claudia Kincaid and Dolores Haze, respectively. These references aid the series' world-building and character establishment and are not relied upon in order to make the plot interesting, which I can appreciate.
Something I quite liked that many others haven't were the naming conventions in the show, disliked due to their clunky appearance, but I find it an intriguing way to strengthen the theme of computers/hacking within the protagonist's worldview.
“ Do you want to be here, right now? And I don't mean here-here, I mean here in a cosmic sense, bro. Like... existence could be beautiful, or it could be ugly. But that's on you. ”
Leon is a spectacular character whose presence elevates the show. Played by Joey Bada$$, Leon is introduced in the second season as Elliot’s friend during the latter’s prison sentence, advising him at the request of the Dark Army. Leon mainly serves as the show’s comic relief for his initial appearances, discussing the philosophies he finds within 90s sit-coms while dining or watching basketball games with Elliot. Later on, however, Leon is shown to be an effective assassin in the name of protecting his friend. The Dark Army utilizes Leon for transportation, murder, and protection, but his alliances change over time, eventually becoming unaffiliated with the hacker group.


My Copy: 9780867196191 (image from bn.com) Whew--the first volume wanted to knock me down with what I'd read, the way Gen's family was portrayed and how things changed the day the bomb went off. Now, we're in the aftermath, the living death and struggle to survive... if one wants to survive at all. Barefoot Gen … Continue reading Barefoot Gen, Vol. 2: The Day After, by Keiji Nakazawa (trans. by Project Gen)
I was surprised that this one (or two, rather) would take me so long to get through. The History of King Lear is actually the "Quarto" text, and The Tragedy of King Lear is the "Folio" text. The Folio came out about 4 years later, and I wish like crazy I'd read that one first. … Continue reading “The Tragedy (History) of King Lear” (Folio & Quarto Text), from The Oxford Shakespeare: The Complete Works, by W. Shakespeare
There's so little I can say about Hamlet that hasn't been said by writers far more knowledgeable than myself, and there's a good reason for that. This is the most quoted, borrowed-from, acted play of Shakespeare's that I've come across. Hundreds of writers, actors, directors have used this play as a platform for fame or … Continue reading The Tragedy of Prince Hamlet, from The Oxford Shakespeare: The Complete Works, by W. Shakespeare
I wasn't sure what to make of this play. I didn't even know Shakespeare had written a play about King John (Richard the Lionheart's brother) until I picked up this book and the book Shakespeare's English Kings. I'd never heard of the play being performed, or anything. So I was just as surprised to see … Continue reading “The Life and Death of King John,” From The Oxford Shakespeare: The Complete Works, by W. Shakespeare
My Copy: 9780199267170 Well, I'd heard this was one of Shakespeare's "lesser tragedies," and thanks to all the blood and death in the pages, I have to wonder--what was he going through when he wrote the damned thing? Titus Andronicus (long title: The Most Lamentable Roman Tragedy of Titus Andronicus) is about Titus, a general who … Continue reading “Titus Andronicus,” From The Oxford Shakespeare: The Complete Works, by W. Shakespeare
Well, looks like our duo's at it again, though the timeline varies between our gents being relatively young or much older and "retired." I have to say, though, for short stories, I couldn't stop until I'd read them all, and ended up doing so in one day.


Tuesday, November 8: Animatic 1 & design docs
Tuesday, November 22: Animatic 2 - must include sound and beginning and end.
FINAL SHOW: Tuesday, December 6, 10:30. Enter film in AIFF Launch Competition
Your final project will be to create a short film and enter it in both the Launch competition at Ashland Independent Film Festival AND the SOU Student Film Festival. Joie! We'll be scheduling various production check-ins along the way. For Tuesday, November 8, you'll be presenting your animatic and design docs.
Treatment: Your idea expressed in any medium you can get your hands on. It can be any unwieldy, crazy collection of sketches, writing, scrawls, photos, pieces of felt... whatever works for you. The idea is to start cobbling together a story and some art so you can articulate your idea to others and put together a production plan. In my experience, I make several treatments, that, in retrospect, as a whole, form one big, ugly treatment...
Story: As Uri Shulevitz describes it in Writing With Pictures,
- A story... presents a progression of events from beginning to end. That progression of events is the action of the story. At the beginning, an objective is stated or suggested, or a problem is introduced. The action of the story is complete when the objective is attained or the problem resolved... A satisfying children's story always presents a complete action.
Script: Your script is a practical document that builds your story into a guide for making your animation. It describes the story in practical terms, including dialogue, (if any), scene changes, camera moves, fades, descriptions of character actions/reactions etc. It may resemble a traditional movie script... or not! An abstract animation will have a very different-looking script than a dialogue-driven one.
Storyboards: Drawings of key shots of your script/story in visual form. These are working documents meant to aid you in tightening and fine-tuning your film. Re-arrange them. Cut them. Add them.
Eric Goldberg's Donald Duck Storyboard Pitch
Animatic: Your storyboards cut to video. Probably ought to include a scratch audio track.
Animatic for Gorillaz, Clint Eastwood
Animation Design / Production Design: How a piece will be put together as an animation. How will things be made to appear to move? Frame by frame? Hand-drawn? Cut-outs? Jerky? Smooth? How will lip sync be handled? Will some parts of the animation be done by hand? Includes conceptualizing and defining the workflow/pipeline. Will usually involve creating some...
Animation Tests: Taking your film out for a spin... with a test you are trying out your idea to see how it will actually work. You may do several tests that experiment with combinations of animation design and art direction. Depending on where you are in the process, these may become part of your animatic or be based on your storyboards. Sometimes a random test gives rise to a new story or shot idea.
Visual Design / Art Direction : Color palette, visual style, backgrounds, character design. What is this thing going to look like?? The works. Can involve "concept art," but this is usually pretty frigging bad/useless unless the concept artist is a genius or has a solid background in animation.
Research: You'll need lots of this in order to get a good thing going. Research can revolve around art direction (mood boards), animation design, storytelling, editing... anything.
Love and Theft from Studio FILM BILDER on Vimeo.


Cartoons and animated movies are for the entertainment of kids. With Time, the quality and storylines of these movies became so interesting that even adults started watching these movies and now children and adults go together to watch all the newly released animated movies. There are many blockbusters and Oscar-winning animated movies. As a fan of these animated movies, I have watched many of these movies, and here is a list of the top 10 all-time best-animated movies.
1. The Lion King
Let’s agree to the fact that nothing can beat The Lion king. The story, the character, the valuable lessons, the emotional scenes, and the soundtrack everything is on point. The opening is such impactful. After watching the opening, people expect very high from the movie, and the movie doesn’t disappoint the viewer. It delivers such an outstanding story that everyone is happy to watch. The reality of a lion’s life is in this movie, and it teaches valuable lessons, for instance, good times and bad times both are temporary. Nothing is forever and that all problems have solutions if one doesn’t give up. Stand up to take care of your responsibilities, and that is the way you’ll succeed.
2. Toy Story
The story about all the toys humans own are alive and have a secret life and understand very well if their owner loves them. This movie has some adult humor. It shows the friendship of Sheriff Woody and Buzz Lightyear to be very impactful. Friendship can often start on a wrong scale, but that doesn’t mean that they can’t ever be friends. The challenge of facing a greater enemy brings like-minded people together who become partners initially to deal with the problem and later become good friends.
3. Finding Nemo
Story of a fish who lost his mother to a shark when he was just an egg. Who was taken care of by his father for the rest of his life, his father is a very overprotective and strict parent” until one day he gets caught by humans and taken to live in an aquarium and his father taken on an adventure to find his son. The movie has some scenes which would make a grown man cry.
Story of a person, Aladdin, in Egypt who lives alone after his parents passed away, the only family he has is his pet monkey, Abu, and is in love with the princess. On the other side the advisor to Sultan, Jaffar, seeks a lamp present in the cave of wonders. Only a diamond in the rough can enter that cave. Apparently Aladdin found the diamond in the rough, and he gets the lamp from which a genie comes out to grant him 3 wishes, of which he wants to use 2 wishes to marry the princess and the third to free the genie from the lamp.
5. The Incredibles
Among the top 10 all-time best animated movies, this must be on fifth. It is the story of some people possessing superpowers, Mr.Incredible, Elastigirl, Frozone. After the ban on the use of superpowers they start living their normal lives, and Mr. Incredible married Elastigirl, and their kids also possess superpowers. And they together take on a mission to stop a villain Syndrome. This movie shows how a family sticks together in the time, irrespective of how many internal conflicts they may have.
This movie is an awesome blend of psychology and technology. The innocence of a robot named Wall-E leaves people in awe. Wall-e stays at the earth for cleaning. Another robot, Eve has been sent to earth to find signs of life on earth. They both fall in love, and Wall-E travels to space with Eve in the spaceship she came into another larger Axion. Humans live in the axion after earth becomes inhabitable.
Story of a princess cursed with powers of ice, Elsa, spends her whole life in a room to avoid causing any problems until her parents; king and queen leave the kingdom to travel by sea where they get caught in a storm and die. The cursed Princess has to step up to become the queen. Her curse creating problems and scaring people makes her leave the kingdom and live among the mountains where she can learn how to control her powers without harming anyone.
The emotions this movie awakes in people has made it reach the list of top 10 all-time best-animated movies.it has a touching story of a kid who has big dreams of adventures, marries the woman he loves. He shares his dreams with her, and they start saving money for the adventures together, shortly this happy life of their taken sudden turns when his wife falls ill and the treatment costs them savings of their whole life. Still unsuccessful in treatment, his wife passes away leaving him alone in the world. A kid persuaded him to take up his dream of adventure again and gives him hope to live after all his loss.
9. Big Hero 6
This movie is about the companionship of a project robot nurse named Baymax and Hiro Hamada brother of Tadashi Hamada, who created Baymax. It has many emotional scenes that leave people in tears. The death scene of Tadashi Hamada and later scene of his memories makes people feel heartbroken. Hiro Hamada joins with Baymax, and friends of Tadashi Hamada to avenge the death of Tadashi Hamada, who was killed by his professor Robert Callaghan.
10. Kungfu Panda
Story-based in China. The selection of the legendary dragon warrior was about to happen from the candidate’s Tigress, Crane, Monkey, Viper, and Mantis. Apparently the dragon warrior falls out of the sky, being a Panda named Po having no training of Kungfu having an addiction to food. His master finds an interesting way of training.
Finally, There are many awesome movies worth a lot of praise released, but these are the movies. I thought were worth keeping in the list of the top 10 all-time best-animated movies. Some of these movies are having their remakes and sequels released. Aladdin, The Lion King, Frozen being a few of them.


Autumn is my favourite season. Everything gets different colours, and nature is changing. AND I can wear sweaters! I can also see beautiful orange pumpkins everywhere, and I don’t feel guilty when I have a cup of hot chocolate in the evening, because it’s really cold. And when I wake up, I can watch falling leaves right behind my window. But when you talk about autumn, it’s impossible not to mention Halloween. I’m not a fan of parties or wearing costumes at any time of the year; however, I enjoy a good scary or mystical story, especially on Halloween. Honestly, this was supposed to be an article about some spooky books, but I’m too scared to read those. So how about we jump right in and talk about a few good movies which won’t let you sleep at night?
The Shining (1980)
“Here’s Johnny!”The Shining, dir. Stanley Kubrick (1980)
The Shining is one of the movies I don’t watch very often. However, when I make time for it, I enjoy every minute. It also contains one of my most favourite movie scenes ever (guess the quote tells you which one it is). Jack Nicholson is brilliant in the role of a writer Jack Torrance, who arrives at the remote Overlook Hotel in the Rocky Mountains with his family. I haven’t read the Stephen King’s novel the film is based on, so I can’t tell you which one is better. I really admire the work of Stanley Kubrick and his movies always blow my mind. I believe that The Shining is a great movie choice for tonight!
The Silence of the Lambs (1991)
I’m not too keen on horrors, and I hate getting scared. Well, somehow I love The Silence of the Lambs. With Anthony Hopkins and Jodie Foster, this movie is a real treat for Halloween. While the film is described as a psychological horror, I very much enjoy the crime side of the story. This time, I also read the book the movie is based on! Tomas Harris’ novel is a great read, and in my opinion, both the book and the movie version are great works of art. It is not full of jump scares, but it is a pretty spooky film. For me, this is an obvious choice for the Halloween night!
First things first, I hate clowns. Well, I don’t hate them, but I’m terrified of them. But even I, such a scaredy-cat, managed to sit through IT. Yes, I was hiding behind the pillow anytime Pennywise appeared on the screen, but it was so worth it. I love the movie, and when I’m brave enough, I’ll definitely watch it again. Just like with The Shining, I haven’t read the Stephen King’s novel this movie is based on. Anyway, Bill Skarsgård gives a stellar performance and makes the movie as scary as it could be. At least for me. If you’re brave and don’t panic at any sight of a clown, then this is a movie for you. But if you’re scared of them just like me, get ready for a wild ride.
The Haunting of Hill House (2018)
Okay, this is not a movie, but hear me out. The Haunting of Hill House is an original Netflix drama series that took the world by storm in 2018. As I mentioned before, I’m not a fan of the horror genre, but The Haunting of Hill House is so good! I jumped a few times, and I was hiding under the blanket a lot, BUT I loved the cast, the storyline, the camera work, EVERYTHING! It’s also such a great thing to watch on Halloween. This year, The Haunting of Bly Manor came out, but to be honest, I’m still too scared to watch it. Have you seen The Haunting of Bly Manor? Is it as good as The Haunting of Hill House?
The Addams Family (1991)
Finally, I know that this is not a horror movie. And it’s not spooky at all. However, it’s one of my most favourite movies, and I love coming back to it. It’s also one of those Halloween movies the whole family can enjoy, even with kids in the house. This true film classic always puts me into a better mood, and watching it is one of my small Halloween traditions. I believe that most of you saw The Addams Family so I won’t explain the plot at all. Anyway, if you can’t trick or treat with your children tonight, make yourself a hot chocolate and relax with this superb movie on the screen. At least that’s what I’ll do tonight.
Well, that’s the whole list I prepared for you tonight! I hope that even in these crazy times and on the verge of the second lockdown (at least here in the UK), you’ll make yourself a lovely evening and treat yourself this Halloween.
Hope you’re all doing well!


How To Play
- Give one printout to each participant.
- Now, each participant has to figure out the names of movies and lead actor & actress of the movie.
- Time limit is two minutes.
The player who is able to recognize the maximum movie and star names is the winner!!
Right answers are as below :
- Kati patnag,(Rajesh Khanna & Asha Parekh
- Ghar(Rekha & Vinod Mehra)
- Dus(Sanjay Dutt & Esha Deol)
- Ghungroo (Shashi Kapoor & Samita Patil)
- Aag (Ajay Devgan & Sushmita Sen)
- Insaf Ka Tarazu (Raj Babbar & Zeenat Aman)
- Hey Baby(Akshay Kumar & Vidya Balan)
- Acid Factroy (Fardeen Khan & Dia Mirza)
- The Burning Train(Vinod Khanna & Praveen Babi)
- Haryali Aur Raista(Manoj Kumar & Mala Sinha)


Beatriz at Dinner is a 2017 black comedy-drama film directed by Miguel Arteta from a screenplay by Mike White. With Salma Hayek, John Lithgow, Connie Britton, Jay Duplass, Amy Landecker, Chloë Sevigny and David Warshofsky. Beatriz, holistic medicine practitioner is stranded at a client's house after her car breaks down. She becomes a somewhat unwilling guest at a snooty dinner party that evening. A difference of thoughts and opinions causes her to be a thorn in the side of the hosts and their invited guests.
Masato, a young Ramen chef, leaves his hometown in Japan to embark on a culinary journey to Singapore to find the truth about his past. He uncovers a lot more than family secrets and delicious recipes. “The kind of foodie fix that’s a must-have” - Variety Official website: https://strandreleasing.com/films/ramen-shop/


If you know my husband, you know he's a Star Wars fan. Apparently if you were a male born in 1977-1981 you MUST be a Star Wars fan. As any father does, he introduces things he likes to his boys. Liam LOVES Star Wars, but thinks every Star Wars movie is titled "Star Wars: The Clone Wars".
We were discussing Halloween costumes for the boys. Liam thinks he wants to be "GEICO"...the money with the eye balls. It would be a cute (and easy) costume to make. Then I suggested Luke Skywalker to which Dave said, "No, Hans Solo. Nobody wants to be Luke. Besides, Liam's got the hair to be Hans." I said Sean should be a ewok and Liam thought Sean should be Darth Vader...lol. That would be funny!
For Father's Day, the boys got daddy a Star Wars card. Sean is not a fan of the dark side.


By J. Romano
Calling all actors and actresses! Get ready to shine on stage as the Whitley Arts Partnership proudly presents auditions for Whitley County’s upcoming production of “The Music Man!” This beloved classic is set to light up the stage with its toe-tapping tunes and heartwarming story, and YOU are invited to be a part of it!
Auditions will be held on Sunday, April 14 at Columbia City High School. Whether you’re a seasoned performer or brand new to the stage, all ages and levels of experience are welcome to join in bringing the fictional town of River City to life for the performances on August 2 and August 3, 2024.
Do you have what it takes to charm the audiences of Whitley County? Are you ready to march to the beat of the drum and seize the spotlight? Then don’t miss this opportunity to showcase your talent and join this cast of colorful characters!
To secure your audition slot, simply sign up using the link below: Sign Up for Auditions


Judy Westrop (Jane Cussons).
Paul is preparing an all-time Emmerdale cast list for a school project, and has written to ask how long the character Judy Westrop was in the show? He also requests some screen caps.
Judy arrived in Beckindale as a troubled young woman in June 1979, Paul. She was around for a few episodes before the show took a seasonal break in July, and then came the dark days of the ITV Strike.
Because of the strike, Emmerdale Farm was off-screen until January 1980.
Jane Cussons returned to the show after the strike, and Judy Westrop finally left Beckindale in July 1980.


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This collection, all about Magical Mischief, gathers together some of our cheekiest articles, funniest Harry Potter characters and quizzes fit for a trickster. Harry Potter. 71,437,767 likes · 33,390 talking about this. Contact Harry Potter on Messenger. NBCU's Peacock will stream all eight Harry Potter films starting later in 2020, available on Peacock's free, ad-supported tier. NBCU’s Peacock Will Stream All Eight ‘Harry Potter’ Movies for Free Starting Later in 2020.
HBO Max tienta a los fanáticos de Harry Potter con las 8 .
Harry Potter es un niño huérfano criado por su tío Vernon y su tía Petunia que lo odian.
Amazon deja vislumbrar un servicio de libros por suscripción .
Harry is snatched away from his mundane Adventure, family, fantasy. Director: Chris Carreras, Janette Boyle, Libbie Barr and others. Starring: Alan Rickman, Brendan Gleeson, Daniel Radcliffe and others. 10. Rating (1). (1 votes, average: 10.00 out of 5). Loading Big news, Harry Potter movie fans: all eight of the films based on the best-selling books by J.K. Rowling are now available to stream online via HBO NOW, as the channel announced on social media on New Year’s Day. All eight Harry Potter movies are no longer available any any streaming service, following the Wizarding World franchise’s departure from Peacock.
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Rating (1). (1 votes, average: 10.00 out of 5). Loading Big news, Harry Potter movie fans: all eight of the films based on the best-selling books by J.K. Rowling are now available to stream online via HBO NOW, as the channel announced on social media on New Year’s Day. All eight Harry Potter movies are no longer available any any streaming service, following the Wizarding World franchise’s departure from Peacock. You would be hard pressed to find any of the films of Harry Potter streaming on any service — no matter how much in Stream all 8 Harry Potter movies, watch trailers, clips and more on Peacock. When Harry Potter and the Sorcerer's Stone got the big-screen treatment in 2001 with director Chris Columbus, writer Steve Kloves, and stars Daniel Radcliffe, Emma Watson, and Join the Harry Potter Fan Club for free to discover your Hogwarts house. This collection, all about Magical Mischief, gathers together some of our cheekiest articles, funniest Harry Potter characters and quizzes fit for a trickster.
Atención amantes de Harry Potter: HBO GO incluye en su .
The Harry Potter movies will be disappearing from HBO Max on August 25, the platform announced on Monday. The eight movies in the franchise were a last-minute addition to WarnerMedia’s spi Stream in HD Download in HD. Harry Potter and the Sorcerer's Stone. Trailer. Every Harry Potter movie is on Netflix, but only in a few countries. I'll show you how to watch all the Harry Potter movies on Netflix. NordVPN – The Fastest Speeds to Stream Harry Potter in HD. PrivateVPN – Unlimited Data Transfer and Buffer-Free Streaming.
Peacock transmitirá en streaming las ocho películas de Harry .
amazon prime video Harry potter hbo go HBO Max. netflix streaming. Luis Angel H Mora Mi carta de Hogwarts nunca llegó, así que enfoqué mi vida en el cine. Me gusta escribir, Harry Potter Hace 1 día · The boy who lived, Harry Potter, has also come to live on our screens as we binge-watch the film series over again. Find out where you can stream.
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Streaming service Peacock TV is offering all eight Harry Potter movies for free all month – you'll have to watch them with ads, but that's a pretty good deal if you're in the mood for a QUALITY of the stream must be at least reasonable. It doesn't have to be super clean high def or anything like that, just no junk like video camera recordings from inside a theater.
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The first weekend of Outfest, I decided to spend Saturday afternoon at a TV panel where the writers of some of the shows with gay characters (and most of them gay themselves) would talk about how TV comedy writing has changed to embrace gay characters over the past 25 years.
The panel included six writers with some extensive credits (Modern Family, Glee, Will & Grace, Family Guy, Frasier, Nurse Jackie, Roseanne, Gilmore Girls, etc), two women and four men. They actually represented a pretty good cross-section of experience – the women spoke about how most television is written by men, one male panelist spoke about his contract on one show requiring that he and his writing partner stay in the closet, while the others exclaimed that they couldn’t believe that! etc etc. They got into the nuances of writing gay characters and trying to write for the overall show while paying attention to being honest for the gay audience. It was pretty insightful.
There is always an elephant in the room for me, at these events. Where are the butch/less than femme/other queer gals? Why is no one writing them? The panel started with a great montage of queer moments in TV comedy: Billy Crystal on Soap, Roseanne‘s lesbian kiss, and a clip from the upcoming The New Normal (from Glee’s Ryan Murphy), to name just a few. I was excited that in The New Normal, the scene they showed had a lesbian couple cuddling their baby while walking down the street. One of the lesbians was butch (!!! Julie Goldman, of course) and the other was kind of heavy. Both were in plaid shirts. (see them in the trailer here at 50sec) Great, right? I go in search of alternative lesbians, and I find them, right? Sort of.
My problems are several-fold: one, those characters are probably not leads, or even recurring, on the show. The show is about gay men. Sigh. Two, those characters are the butt of a joke – a funny joke, but still. Ellen Barkin’s overbearing mother character sees the lesbians, and says that she appreciates the gays because without them no one would know how to do her hair. When her daughter points out that the couple is actually two women, Ellen Barkin says “Oh no, dear – those are ugly men.”
Why do we always have to be “ugly men?”
I mean, it’s funny. But still. Ali Adler, the writer/co-creator of New Normal went on to talk about writing love scenes and affection for gay characters, and how it follows the same rules as writing those scenes for straight folks – only the attractive actors get the sexy affection. It was pointed out that Cameron and Mitchell don’t get all kissy face on Modern Family any more than Gloria and Jay do, but only because they’re all not “attractive” in the same way that most heartthrob straight characters are.(Gasp! Characters that have to be REAL PEOPLE and can’t just exist to sell sex!) She made her point clear – people only want to see Hollywood sexy people in love. And I couldn’t help but hear the undertone that butches and real looking lesbians are therefore less than. And this from an out lesbian showrunner who knows what it’s like to be the only woman in the writing room.
Stan Zimmerman, the writer from Roseanne, however, shared something that really resonated with me. He wrote on the episode where Roseanne kisses Sharon Stone. At the end of the kiss, Roseanne apparently improv’d the part where she wipes her mouth on Sharon’s sleeve. The producers loved that – thought it was hilarious. Stan thought it was degrading, and it wasn’t in the script. He thought the kiss should just be a kiss… but he was overruled. And at this point in the story again someone else chimed in with the idea of Roseanne’s relative attractiveness as killing the kiss from being real.
I wanted to ask them a question about this directly. Why can’t they write a more butch lesbian? I mean, even soft like Ellen (read: my category)? Is it just generally considered that butches are too unattractive? Do we always have to be brutish and goofy, prison guards and prison inmates and female jocks and all that? And I’ve certainly cashed the checks I get from playing those characters, but I’d love to have, oh, I don’t know, a storyline? And attractive clothing?
Why aren’t we “attractive” enough to play real characters? When will we be?
Who’s going to take that risk? I think the audience would embrace it.
I couldn’t figure out how to ask this question at that panel – I can’t get the wording right, without it being too on the nose. It’s also something to be a butch-identified-actor and to stand up and ask that question, like I don’t want it to just be about me looking for a job. But I am here because I believe we should be seen, all of us. I just want to know when, or if, they think the tide will turn.
I think it will or else I wouldn’t be here. But it would be great to hear it from those who are actually writing it.


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Welcome back to Disney for the Weekend! Last week I shared my top five favorite Disney sequels! This week I'm back with the five sequels I will never touch. Ever. I've already been burned by a few! I watched Pocahontas 2: Journey to the New World and Atlantis: Milo Returns recently and... never again. Some things just shouldn't be tampered with and these are my top 5.
Mulan is one of my favorite Disney movies (I have many, many favorites) and I loved the way it ended! It was one of the many that I didn't feel needed a sequel... although this is the only sequel on my list of movies I'd never watch that has actually been recommended to me by a friend. I'm not sure what's going on with these other girls, but they were in almost every gif I found and they don't make me feel much confidence in this movie... So I have to ask: is this actually good?
The Lion Guard: Return of the Roar
This is one no one will EVER convince me to watch and it makes me so, so sad. If you recall, The Lion King 2: Simba's Pride made my list of favorite Disney sequels last week. The Lion King 1/2 was a wreck, in my opinion, so I was very wary when I heard of this sequel and the subsequent TV series. I've seen all I need to see to confidently conclude that I do NOT want to see this. What happened to the animation?? Why are all the characters so round? And more importantly, what happened to Kovu and Vitani?
The Little Mermaid 2: Return to the Sea
This is yet another sequel that just did NOT need to exist. Ariel's story was awesome. Ursula had a personal problem with Ariel's dad. The conflict made sense (even if the romance didn't). Why do we need a movie about Ariel's and Eric's daughter? Who is the sea witch? Why does she want to get the kid? Why doesn't the kid know her mom is/was a mermaid? No, I'm probably not going to watch the movie to find out.
Cinderella 2: Dreams Come True
Just... what even is this? Why does there need to be a movie about how the mouse felt left out? Cinderella found her prince and she got her happily ever after. If there was going to be a Cindy sequel, why not have it be a story about her and her prince after they were married? Why do we need to see the love story of a wicked stepsister when this is a character we hate? Cinderella is one of THE most beloved Disney princesses of all time. I just literally do not understand what the studio was thinking when they made some of these sequels.
The Hunchback of Notre Dame II
And then there's this one. Just look at the gif. Do I even need to say anything? I'll admit, The Hunchback of Notre Dame actually put me to sleep the first time I saw it (in theaters) but I know that a lot of people adore it and I think I may be able to appreciate it more as an adult. But I don't think anything could convince me to watch part two. And can we please talk again about the change in the animation styles? Why does Disney even bother with some of these if they aren't going to maintain any of the quality of the first movie?
Do you totally disagree with any of these? Which ones would you add to the list?
Let me know in the comments!


Elle Woods is a fictional character who is the protagonist in Legally Blonde. In a Broadway theatre adaptation of the first film, Legally Blonde - The Musical Woods has been portrayed by seven different actresses in different stagings of the show. They were Laura Bell Bundy, Bailey Hanks, Becky Gulsvig, Jessica Jung, Nikki Bohne, Luna Park and in the West End by Two Pints of Lager and a Packet of Crisps star Sheridan Smith (who was later to be replaced by her Legally Blonde co-star Susan McFadden). From 11th July 2011 Carley Stenson will take over the role of Elle Woods with Susan McFadden leaving the show.
She is an attractive blonde sorority girl from California. She obtains admission to and attends Harvard Law School in an effort to rekindle a relationship with a boyfriend (Warner Huntington III) who had ended the relationship before heading there himself. Although superficially nothing more than the stereotypical 'dumb blonde', she demonstrates a surprising intellect even before going to Harvard- albeit mainly focused on fashion-related details-, and also shows genuine concern and care for the less popular rather than disdaining them. She eventually earns her Juris Doctor, gains the respect of her peers, and becomes engaged to a man who is more mature than her initial boyfriend (Emmett Forrest).


Sunday, November 19, 6:00 – 8:00 pm
Join Us for Safer Country’s Tribute to Four Departing VA General Assembly Gun Tragedy Prevention Champions!
Fmr. Speaker/Del. Eileen Filler-Corn
Del. Elizabeth Guzman
Del. Kathleen Murphy
Del. Ken Plum
Rep. Don Beyer
Sen. Barbara Favola
Fmr. Del. Jay Jones
Sen. Jennifer Boysko
Del. Rip Sullivan
Visit our Blog page for details or contact ED Paul Friedman at [email protected].
Saturday, November 11, 11:00 am – 2:00 pm
The Alexandria Film Festival and Safer Country will present “Under the Gun: Crosshairs and Consequences,” a showcase of two films that explore the impact of violence on communities and their response.
Part of the 17th annual Alexandria Film Festival, the showcase takes place Saturday, November 11 from 11:00 a.m. to 1:35 p.m. at The Lyceum in Old Town Alexandria.
The first film is a 23 minute documentary on people arming themselves out of a fear of MAGA. It’s called “Arming The Left” and a discussion led by Paul Friedman, Executive Director of Safer Country, with Will Allen-Dupraw, its creator, will follow.
That will be followed at 11:35 a.m. by the 114 minute feature film, “The Song of Rifles” about the impact of war in Africa on a 12-year-old boy. He is faced with being dragged into the fighting.
Tickets and all-festival passes are on sale now at alexfilmfest.com.
Contact ED Paul Friedman for more information at [email protected].


Madhouse Theater Company
May 27 – June 11, 2011
Written by John Stanton and David Robson
Directed by Seth Reichgott
Starring Amanda Grove and Robert DaPonte
Philadelphia, PAâ€”Madhouse Theater Company is pleased to present its first major Philadelphia engagement, Playing Leni. Playing Leni will run from May 27th thru June 11th at the Adrienne Theatre Skybox, 2030 Sansom Street, 3rd floor. Opening Night will be Wednesday, June 1st at 8pm. Ticket prices range from $15 to $25 and are available at www.madhousetheater.org or by calling (267) 571-9623.
A dark comedy, Playing Leni is a fictionalized account of the capture and arrest of Leni Riefenstahl, filmmaker and propagandist for the Third Reich during World War II. Her captor, an unnamed Allied soldier, must transport Riefenstahl to a detention center. Riefenstahl, however, believes this â€œtrip through the countrysideâ€ is the perfect opportunity to create her cinematic masterwork. Writing and rewriting her story as they travel, Riefenstahl comes face to face with the inescapable truths of war, privation, and death camps. The mystery soldier becomes jailor, confessor, and actor in Riefenstahlâ€™s unending pursuit to produce, direct, and edit each piece of her lifeâ€”blurring the lines between art and reality, ambition and conscience, innocence and culpability.
A project more than 10 years in the making, Playing Leni is the result of a collaboration between playwrights David Robson and John Stanton. Best known for her film Triumph des Willens (Triumph of the Will), trumpeting the indomitable spirit of the Nazi party, Riefenstahlâ€™s personal and political history is much debated. Playwright John Stanton says of their subject, â€œWhat drew me to her story is the idea of how far someone is willing to go for fame and success. Itâ€™s my feeling that Leni worked for the Nazis for the acclaim, the creative power, the prestige. I donâ€™t believe she had any real political motive.â€ David Robson adds, â€œBut as the war progressed, because of her artistic work, she became inextricably linked with this terrible thing from which she could never remove herself. She was an opportunist extraordinaire, and her artistryâ€”her brilliant ability to frame a sequence and create jaw-dropping, majestic imagesâ€”is matched by her later ability to edit out the parts of her own life that she didnâ€™t want people to know about.â€
Stanton and Robson took inspiration from these ongoing themes of filmmaking and constant revision in the structure of the play, and in the creation of the unnamed soldier. Stanton says of this mystery man, â€œHe judges her, condemns her, but at the same time plays along with her in order to get what he wants. He is a â€˜flawed heroâ€™ of sortsâ€”a bit â€˜holier than thou.â€™ But he gives the audience the chance to jump into Leniâ€™s world with whatever judgments they have and still be able to ask, â€˜What would I do in this situation?â€™ â€˜Would I make the same choices Leni did?â€™â€ Robson echoes, â€œThis is something you see on a much smaller scale every day. Television programming is full of people willing to do anything to be seen, to become famous, as one example. Where does the conscience go in all that? And the conceit of Leniâ€™s filmmaking allows us to delve into that ambiguous world from several different angles, telling her story from several points of view, leaving the audience to decide what the truth of the matter is.â€
Playing Leniâ€™s director, Seth Reichgott, believes this kind of unending examination is at the heart of the story. â€œPlaying Leni is really about how we all as individuals rewrite and reedit our own memories and our own experiences so that we can live with ourselves and the decisions we’ve made. One of the challenges that the play takes on is to create some kind of sympathy for Leni, so that we can somehow understand why she did what she did and ask ourselves if we would have acted any differently. That’s one of those amazing things theatre can do, and it’s one of the things about the play that I am most looking forward to exploring. I think Playing Leni is going to make audiences think as much about themselves as about Leni.â€
John Stanton (Playwright): John founded Madhouse Theater Company in 2000. Madhouse has since produced a number of his plays, including Headcase, No Show, 3Sum, and Playing Leni. John was also a contributor and producer of Madhouse’s popular late night shows, Saturday Night Special and Late Night Snack. In addition, John is a musician and songwriter. His band, Tuchus, plays around the Philadelphia area. In his spare time, John teaches comedy writing.
David Robson (Playwright): David is the author of award-winning plays, including American Child, Man Measures Man, and A Few Small Repairs, which was recently published. He is the recipient of two grants and two fellowships from the Delaware Division of the Arts. His work has been performed across the country and abroad. Robsonâ€™s many books for young readers include The Murder of Emmett Till, Auschwitz, and The Black Arts Movement.
Seth Reichgott (Director): Seth is a Philadelphia-based actor, director, and writer. In recent years Seth has acted with the Wilma Theater, InterAct, Lantern Theater, Cape May Stage, Belligerent Muse, Arden Theatre, and Mum Puppettheatre, among others. He has directed for Cape May Stage, Bloomsburg Theatre Ensemble, and the National Theatre of the Performing Arts. Seth has twice been a co-recipient of Philadelphiaâ€™s Barrymore Award for Outstanding Ensemble, and was nominated for a 2010 Helen Hayes award for Outstanding Actor. Each year Seth tours his solo Greek mythology show, Chariot of the Sun, to elementary and middle schools across New Jersey, Pennsylvania, Maryland, and Delaware. He is a graduate of Wesleyan University and the Dellâ€™Arte International School of Physical Theatre.


Last year, I fulfilled a long-standing personal ambition: to play an extra in a Japanese monster movie. My wife and I volunteered for crowd scenes in Takashi Miike's latest film, Yokai Daisenso, a.k.a. The Great Yokai War (you can read the thrilling saga of our two days on set here and here, on Patrick Macias' blog.) Yokai, for those not in the know, are mythological Japanese creatures, something like a cross between a spirit and a monster. If you've ever seen the '60s Japanese horror classic Kwaidan, you're familiar with at least one: Yuki-onna, the maiden who beckons weary travellers to their deaths in snowstorms.
No word as to an American release date yet, but the film got a brief shout-out in a recent Washington Post article on anime conventions. Anyway, the Yokai Daisenso DVD finally came out in Japanese stores last week, so we had the chance to do some screen-grabs. Our combined screen time came to about two and a half seconds... not bad for twenty-four hours of grueling physical labor in the studio. Thank god we aren't trying to make a living at this.
The film was a mixture of (really) low-tech makeup and masks combined with CG; both days were spent on a partial set in front of enormous blue sheets. Displaying her great range as a monster-actor, Hiroko portrayed both a kimono-clad frog and a purple-faced zombie farmer. Meanwhile, pause those crowd scenes and hunt for the bloke in the bug-eyed, pucker-faced mask screaming behind her (upper left in the photo). That'd be me. I've prepared my Oscar acceptance speech and am awaiting my invitation to the ceremony.
My wife's big-screen debut is as a giant frog having a conversation with a woman cradling a dead baby. Long live Japanese cinema.
More shots from behind the scenes:


‘Are romantic movies one big set-up?’
I find the title of this NPR piece about as offensive as some of the comments.
I have to say that I was pretty horrified after listening to a very simple piece on NPR earlier this week, and as much as tried to let it go and stop thinking about the interview between the three commentators, I just couldn’t.
Just to point out the link opens up a conversation between Air Talk’s Larry Mantle, Henry Sheehan, and Variety’s own Lael Lowenstein.
Let me qualify and state simply, that I’m a male viewer and I have a strong preference for romantic films and romantic comedies. I’m not a huge fan of action or horror movies, and I know that might sound foreign to a lot of people. But it’s rather simple actually, having seen enough brutality and violence in real life, I have no desire to sit and watch material like this played out for me on the screen. To note, this was recently a topic discussed on NPR in a different interview back in December of last year. My response is actually pretty text-book for people that have experienced trauma in life or have combat experiences. Unfortunately, I have both.
My wife, who is obsessed with action and horror movies, laughs at me openly because I get so much mileage out of these kinds of films and movies. Dr. Zhivago being the ultimate of time-suck for me some weekends. She put Saw 6 on the other night and I disappeared into my office and shut the door. She doesn’t even flinch or blink when people get mangled or lose a limb. She can do it, but I can’t. Watching Dr. Zhivago she balls up her fist and shakes it at the television. “He’s cheating on her with that tramp again!”
It is my opinion, but I am very critical of the gratuitous use of violence in film and movies these days. I also believe that when it comes to violence, the ante has been upped so much that directors will double-down on violence almost as a mainstay in places where it’s completely unnecessary and also out-of-place and they do so as almost like a new form of exposition.
The argument that I hear from my wife who only watches action and horror films, is that these are the things that the genre calls for, it’s not real and that she’s watching it for fun.
For almost every Sunday for the last decade, we’ve had ‘Casablanca Sundays’ at the house and with as many viewings that we’ve had, the film still has appeal and is a talking point between us all the time, although I’m not aloud to quote it anymore. We used to watch Blade Runner every Monday for almost as long (obviously not a romance), but that gave way to her busy schedule and now, I’m relegated to watching that alone a few times a month whenever I have the two hours plus at night.
The comments that were off-handedly punted towards Lael towards the end of the interview where she starts of with:
“Just to circle back, my husband loves Pretty Woman ...”
Larry and Henry: “Haha … a prostitute in a bathtub is the ideal woman?”
Maybe it was that statement that bugged me the most, because I really did find it not just dismissive towards Lael, but also incredibly insensitive and, well … shortsighted.
In a movie like Pretty Woman, you have to go back and consider what the screenplay looked like or maybe even if you have the chance, give it a read. It’s not hard as you think and very easily downloaded from the internet. But the thing that jumps off the page with Pretty Woman is the ‘themes’ that are layered into the script. The story has a Cat on a Hot Tin Roof kind of appeal to it. You’re discussing the idea of a man who has everything in life, runs in ‘first world’, jet-set circles and yet feels hollow and empty and cannot find a mate that emotionally and personally grabs him. Through the course of the film he finds a woman who has flaws, is not perfect and if taken at definition probably wouldn’t be all that much to look at either. Young girls who operate a ‘career’ on the streets as the film clearly evinces for Julia Roberts, don’t age very well and they do so very quickly. The point is that the theme of the film is actually incredibly noble, and where the woman looks objectified, it may not have ever been the intent of the original screenplay. Gere finds something real in someone real and that’s actually a very profound message, especially in times as these. But you don’t need to read the screenplay to get this, just watch the film, but do so realizing that you have to strip away some of the more offending layers and view it with a critical eye.
When Michael Curtiz was working his flock of craftsmen on the set during the production of Casablanca, no one knew they were making a masterpiece. In fact, Ingrid Bergman was so much in a hurry to get off set and begin working on the next picture, she cut her hair without a second thought. She had no feeling of trying to ‘archive’ her look for whatever press tours she might go on for the film like it is these days, because the simple fact is – no one knew how destiny was going to deal such a hand for the film. If you listen to the commentary on the Casablanca DVD by Roger Ebert, he’ll weave you a story about how the film was a box office failure. It did get good reviews, but it wasn’t singled out as one of the greatest films of all time. That came much later. Strangely, the same can be said of some of the modern romance films that have come our way, much like Notting Hill, The Princess Bride, Pretty Woman or You’ve Got Mail. Rob Reiner stated, regarding The Princess Bride, that the studios had absolutely no idea how to market the film and if people would even bother to go see it.
Meg Ryan’s films are actually a whole other animal as well. Time will probably be better to her than to most films of the same age.
I think the attitude that Hollywood films made in the 1990’s, and many of them seem to unfortunately fall into the pit with critics, are just self-indulgent drivel or sickly-sweet candy is pretty much off the mark and the critics like Henry Sheehan and even Larry Mantle who openly poo-poo’d some of the choices are guilty of doing what they were discussing in the interview, and that is marginalizing a film because of the genre and not on the merits of the film. But don’t get me wrong, there has been a lot of trash generated in the last twenty years that in a few years, people may just start removing from their DVD libraries voluntarily.
In fifty years, some bright spark will decide to remake a film like Pretty Woman or Notting Hill, and let’s just say for the sake of argument that they’ll unknowingly make a ‘Best Picture of the Year’ film, too. For the documentary and press kit, someone will trot off to New Lhasa and interview Julia Roberts, now in her eighties and she’ll talk about how Richard would’ve loved to see this film if he were still alive, because nobody knew back then what we were making. “To us, we were having a really good time and it truly was a golden age.” – and so on and so forth. People are going to look back at some of these films that we think are very forgettable and hold them up as some of the greatest examples in film because that’s what time does to all cinema. When you strip away the perspectives and bias of the present time, you get to see these things as they truly are.
It’s the themes that people talk about years later in films. It’s the depth of the story that students discuss in film class. The reason why Henry Sheehan was so effusive about Frank Borzage was for directly this reason. We can look at those Borzage movies in a very detached manner that we still can’t do with films like Pretty Woman, Notting Hill, The Notebook and so on.
In all honesty, I’m not really looking forward to the septuagenarian version of Hugh Grant tell us about the original version of Notting Hill, and how he returned for a cameo in the 2051 remake set in Japan. He’s the guy that comes into the travel bookshop and asks for ‘the new John Grisham thriller …’
“Sorry, sir. We wouldn’t actually have the new John Grisham thriller, er … because we’re a travel bookshop.”
“Oh, right. Sorry.”
“And besides, John Grisham’s been dead for over thirty years. It would be difficult to get anything new out of him. Wouldn’t it?
“Mmm. I see. Have you got ‘Winnie The Pooh’ then?
“Neville! Your customer!”
I have a lot of male friends that have never seen Notting Hill, and it doesn’t surprise me. I never tell them, ‘Oh, dude, you have to see this film called Notting Hill. It’s a romance and it’s cool.” No. I actually show them a youtube clip of Hugh Grant walking through Notting Hill and the seasons of the year changing around him through the beauty of movie-magic with Bill Withers playing soulfully in the background. It gets them every time. Why? Because most men are caught by simple things like the intelligent use of CGI, a well placed soundtrack and some good ol' male suffering. It’s the trifecta when trying to trigger a response from the male psyche. Ladies, take note.
What makes a film like Notting Hill so good, is not that it equally plays to both sexes, because it doesn’t. It plays to certain truths in life. Most men, in the course of their life will go through a relationship where they’ve placed a woman on a pedestal and made her out to be more than she might be. Julia Roberts plays this well and embodies the archetype of the ‘one that got away’ and the ‘out of reach lover’ by being the famous actress. It works, because when the relationship fails, the man goes away and almost ‘mourns’ the relationship for some time and all men have done this at some point. The ones that deny it, are the ones that never dealt with it or confronted themselves directly. Hugh Grant rejects Julia Roberts in the end because he says that ‘he’ll be buggered because he’ll see her picture everywhere.’ Well, that’s about as true as it gets and also a nice device when they show her movies posters zipping by on the double-decker buses. Talk about going to hell. Most men have gone through that and that is why Notting Hill, pictured on the Air Talk page, is the film that just won’t go away. And let’s be honest and admit that Hugh Grant actually is the white-collar everyman.
“Women are underserved in Hollywood.” Henry says, in a way that makes one think that he, another man, has the answer and how to better serve women and produce films of a higher caliber that aren’t the drivel that can be seen in movies like Under the Tuscan Sun and Sex In The City. Talk about making yourself irrelevant in a quick twenty minutes.
I wrote about the film Pretty Woman in this post, not just because I've used it as a plot point in a book before, but because the writing has some of the same strong plot and story qualities of a Steinbeck piece. Just because the film failed to really bring it out in an obvious nature to the general viewer, doesn't mean that it's absent. I found the movie very interesting on a deeper level, but like I said, 80's/90's films are going to need time to be seen as they truly are.
And yes, there is a difference between a film and a movie, in case you may be wondering because I’ve made the point of making the distinction several times. The Reader is an excellent film while Failure to Launch is a movie, and a very bad one at that.
Lastly, please don’t take offense or think that I was bashing either Larry Mantle or Henry Sheehan as I do respect and enjoy both of their work. I just happen to disagree with them here – immensely.


I love the movie Lala Land and when they announced a limited edition blue LP of its soundtrack, I had to get it. As a sort of thank you to the movie, as-well as to share the joy that is listening to music you can physically hold in your hands, I made this video to give a little back.
If you haven't watched it already, I highly recommend you watch Lala Land. Even if, like myself, you are usually not at all into musicals or musical-like things, it is a fantastic and very well done movie. Give it a try, it's worth it.
This video was originally made and uploaded in February 2017.


10.10.2009 to 02.05.2010
Paul Pfeiffer's ground-breaking video and sculpture works explore the power of image culture and reflect how images are made. His works invite the audience to shift focus. The centerpiece of this exhibition is Pfeiffer's sound and video installation "The Saints", a restaging of the legendary 1966 World Cup final between West Germany and England in London's Wembley Stadium.
Executed in London, "The Saints" was commissioned in 2007 by Artangel. Inaugurated in the fall of that year, it was shown in an empty warehouse very near the legendary Wembley Stadium. In the meantime, thanks to the generous support of Outset Contemporary Art Fund, London, it was acquired for the Nationalgalerie Collection. Based on original film and sound materials, this video and sound installation illuminates and re-stages the most important sports event in European post-war history. Paul Pfeiffer hired approximately 1000 Filipinos who gathered in a movie theater in Manila, the Philippines, where they cheered and chanted in accompaniment to a re-staging of the 1966 match.
The overwhelming sound of masses cheering and chanting accompanies the visitor while watching Pfeiffer's "Empire" (2004, on loan from Julia Stoschek Foundation e.V.) that shows the real time of the creation of a wasps' nest over the course of three months. The mental space evoked by the sound also materializes upon encountering Pfeiffer's sculpture "Vitruvian Figure" (2009, on loan from Sammlung Goetz), a huge model of a sports stadium.
The exhibition takes place in the context of the Asia-Pacific Weeks. The Asia-Pacific Weeks are supported by the Stiftung deutsche Klassenlotterie.


Keeping with the theme of my blog, this post features exclusively film photography. If you are familiar with the film discipline, you may know that there will be some photos that just do not come out right. You might have slightly incorrect camera settings, misread the scene lighting, or there could be errors in developing the film. Still through these challenges, I love the essence of film photography, which is trying to make each and every frame memorable. For this post every frame on this roll will be posted for the viewer to see the hits and misses of shooting film. For the good photos you will see the superior color tone as opposed to shooting digital, without any editing in post production. And for the bad, well, you will see light not being played correctly, camera shake and other issues but they all contribute to the narrative. I apologize in advance if any particular bad photo was your only photo of that moment, regardless the story is still there for you to tell.
On Stage at the Fashion Show.
SUPER FOLDED ON THESE.
“Worldview through a viewfinder.”


At the just concluded 54th Festival of Professional Theaters „Joakim Vujić“ which was held in Novi Pazar, the expert jury awarded the play „Kepler 452-B“ by Bora Stanković from Vranje a special award (for the prelude as a whole), while Jelena Filipović was named the best young actor.
In addition to Jelena Filipović, the roles are played by Radmila Đorđević, Nenad Nedeljković and Bojan Jovanović.
This play was written by Tijana Grumić and directed by Jugo Đorđević .
At this festival, awards are given for the best play as a whole, the best director, scenography, costumes, four equal acting awards, a young actor award (up to 25 years) and a special award (for text, dramatization, language, stage movement, music and the like). if the jury makes such a decision).