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Watch insidious chapter 2 online full moviewatch insidious chapter 2 online full movie. Parents patrick wilson, rose byrne take drastic measures when it seems their new home is haunted and their comatose son ty simpkins is possessed by a malevolent entity. Jan 11, 2018 insidious the last key 2018 hindi dubbed hdts x264 700mb moviemad mkv 10 watch online insidious 1 in hindi 2 online insidious 1 hindi 2 index of insidious 3 2 insidious 4 in hindi 2 insidious 4 full movietorrent 2 download insidious mp4 1 download best wordpress themes free download. Putlockers watch insidious the last key online full. The last key 2018 film to pc or mobile now bluray 720p. Download insidious chapter 3 2015 full movie englishdd5 1 720p bluray with hindi pgs subtitles extramovies mkv torrent in hd quality and all available formats. It stars lin shaye, angus sampson, leigh whannell, spencer.
Insidious chapter 3 in hindi 720p torrent dospfecache. With patrick wilson, rose byrne, ty simpkins, lin shaye. Xbox one hololens pc mobile device xbox 360 trailer. After trying to connect with her dead mother, teenager quinn brenner, asks psychic elise rainier to help her, she refuses due to negotiate events in her childhood. The last key 2018 english full torrent church ren, a parasychologist, made a great and personal passion for his family home.
This is the 3rd part of the insidious full series, click on the download links below to proceed, and the more interesting movie in this insidious series is coming soon. Download insidious 1 2010 dual audio hindienglish 720p. Jan 08, 2018 watch insidious chapter 2 online full moviewatch insidious chapter 2 online full movie. I downloaded a copy of insidious chapter 3 earlier from this site but do not. Exceptionally scary flick is too intense for younger teens. I noticed that quite a few people 1starred this movie because the amazon player.
Insidious the last key telugu dubbed movie insidious the last key. Retired user edited english, british subtitles for insidious. Kurulus osman episode 19 with english subtitles full episodes. Insidious the last when teenager quinn brenner stefanie scott senses that her late mother is trying to contact her, she seeks help. Watch insidious 1 and 2 online streams today guide. It is produced by jason blum, oren peli, and james wan. There is a very clever seen towards the end but i found the flashbacks annoying. Relive the scares and thrills with each terrifying film. Experience a night full of fright with the insidious collection, including the latest chapter in the saga, insidious.
Chapter 1 the josh lambert patrick wilson and his wife rene rose byrne are desperate to find help for their son dalton ty simpkins, who fell into a coma after an unexplainable accident in the attic. Spinetingling horror film directed by james wan, the creative genius behind saw, dead silence, and the conjuring. The third chapter of the microbudgeted insidious film franchise. Its not the house thats haunted a family discovers that dark spirits have invaded their home after their son inexplicably falls into an endless sleep. In the supernatural thriller, which welcomes back franchise standout lin shaye as dr. The film was originally going to be named the further. Prime members enjoy free twoday delivery and exclusive access to music, movies, tv shows, original audio series, and kindle books. In insidious, the lambert family looks to prevent evil spirits from trapping their comatose child in a realm called the further. Insidious 3 full movie download in hindi the last key hd 2018 all size and format available in best quality dual audio hindienglish. Chapter 3 2015 full watch free online on soapgate aka soap2day with english subtitles. Insidious 2010 full horror movie explained in hindi insidious is a 2010 americancanadian supernatural horror film directed by james wan. Canada, united states of america, story by soap2day admin. The acting is to be desired and the story bounces back and forth from insidious to what your watching now.
Experience a night full of fright with the insidious trilogy. Chapter 3 2015 film to pc or mobile now bluray 1080p. Insidious 2015 full movie english subtitles video dailymotion. Released april 1st, 2011, insidious stars patrick wilson, rose byrne, lin shaye, ty simpkins the pg movie has a runtime of about 1 hr 41 min, and received a score of 52 out of 100 on. A prequel set before the haunting of the lambert family that reveals how gifted psychic elise rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity. A family looks to prevent evil spirits from trapping their comatose child in a realm called the further. But when cybergenetically enhanced anarchist brixton idris elba gains control of an insidious biothreat that could alter humanity. English original, english original, spanish, spanish. Chapter 3 2015 full movie hd 1080p video dailymotion. Insidious 2010 21 subtitles downloaded 27984 times. Insidious 1 2010 movie brrip dual audio hindi eng 300mb 480p 800mb 720p.
Chapter 4 is a 2018 american supernatural horror film directed by adam robitel and written by leigh whannell. The quality was as good as a 720p yify but i cant find. Now is the perfect time to rewatch the first two chapters and get ready to be scared out of your mind. Its not full of blood, guts, and deaths which i love. Its available to watch on tv, online, tablets, phone. Insidious the last key english tamil full movie download. Download insidious chapter 3 2015 full movie english dd5 1 720p bluray with hindi pgs subtitles extramovies mkv torrent in hd quality and all available formats. May 14, 2019 movie not so scary, but in some place you will jump out of your chair because of the sound effect, story quite confusing and completely varies from the previous versions, as usual not lengthy movie so acceptable to spend some time for entertainmen. Freewatch 7 kogustaki mucize hd full movie online on. Lin shaye and leigh whannell at an event for insidious 2010 kimberly ables jindra in insidious 2010 rose byrne in.
The last key 2018 full watch free online on soapgate aka soap2day with english subtitles. How to watch 7 kogustaki mucize full movie online free hq reddit dvdenglish 7. Insidious 2010 full horror movie explained in hindi insidious is a 2010 american canadian supernatural horror film directed by james wan. Astralna podmuklost, insidieux, the astral, the further. Maggie s amara staff edited english, british subtitles for insidious. Comedy, horror, scifiwatch moviewatch movie 1080p watch insidious online free insidious free movie with english subtitles. Nonton insidious chapter 3 2015 full movie watch full movie hd. Mungkin banyak yang mengalami kendala karena film ini menggunakan bahasa english, tapi tenang saja di dramamu kami sudah menyediakan subtitle indonesia nya untuk. Insidious 1 2010 movie brrip dual audio hindi eng 300mb. Tamil dubbed english movies 2020 full movie tollywood 1080p. This movie starts as a prequel then as a continuation of insidious.
Nonton full movie insidious netplik download streaming. Insidious chapter 1 2010 full horror movie explained in hindi. Putlockers watch insidious the last key online full movie. Hoping to leave their haunted house behind, a suburban. Mar 28, 2020 this is the latest bluray print with english audio. Please help us to describe the issue so we can fix it asap. The haunted lambert family seeks to uncover the mysterious childhood secret that has left them dangerously connected to the spirit world. Movie not so scary, but in some place you will jump out of your chair because of the sound effect, story quite confusing and completely varies from the previous versions, as usual not lengthy movie so acceptable to spend some time for entertainmen. In insidious chapter 2, the haunted family seeks to uncover the mysterious childhood secret that has left them dangerously connected to the spirit world. Watch insidious putlocker, 123movies and xmovies in hd quality free online, insidious full movie with fast hd streaming,download insidious movie. Tamil dubbed english movies 2020 full movie tollywood.
Rentals include 30 days to start watching this video and 48 hours to finish once started. From the last keys episode 3, the film returns to the beginning of the church, when he sees a completely different place in his life to find a punk game. The movie insidious takes a twist on the old haunted house stories and turns. This movie is not dubbed in hindi so this is not available in dual audio. The last key full movie with english subtitles free download youtube insidious. Elise rainier, the brilliant parapsychologist faces her most fearsome and personal haunting yet.1519 1693 340 1409 1005 1118 568 378 1277 400 703 84 385 1020 932 126 1049 354 838 332 205 396 694 406 219 464 1210 957 310


Young stars show their stuff
Garden Valley Collegiate
By Chris Loewen (Grade 12)
Future Perfect, a comedic play by Peter Griffith, held the stage at Garden Valley Collegiate on the evenings of March 19-21.
Directed by Ms. Val Harder, the play featured six GVC students. Crystal Hiebert appeared as Janie Doramus and Supergirl. Mark Loewen was cast as Shawn, Buck and Digestia. Jodi Falk took the roles of Davina and the Teacher. The characters of Cindy and Mascara were played by Melissa Loewen. Marlen Mussiggang, an exchange student from Germany, appeared as Harriet and Maxine. Scott Graham played Atombomska and the Announcer.
The comical "Future Perfect" took a look at the life of a spunky and stubborn girl named Janie Doramus. Her motto is "do it your way, and become world famous." The play was complete with villians, hunky men, and a happy ending.
The play's intended audience was definitely of a younger persuasion. When Jodie Lee was asked about how she thought the play was received she said, "I think the younger audience enjoyed it more. It was more intended for younger people, but the adults enjoyed it as well."
It seemed that the play's comical theme made it appealing to young and old alike.
One of the problems of this recent production was the low number of people in attendance. Some of this may be due to the lack of publicity for the play. At least one of the actors felt that there could have been more hype and advertising to get people in the seats.
The people who were not in the seats missed some entertaining local acting talent. Asked about the play's strong points, one of the stars stated: "They were the acting -- the talent was good."
The strong acting was nothing short of amazing since the oldest actor was Crystal Toews, a student in Grade 11. The brightest star was Grade 9 acting-sensation Mark Loewen, whose stage antics kept everyone laughing. Jodie Falk also displayed confidence that one rarely sees in a Grade 9 student. For the entire cast, the future does look perfect.


THE Namibia Football Association (NFA)'s interim secretary general Jochen Traut said Fifa and the Confederation of African Football (CAF) do not sponsor national football leagues.
THE local film production company, FilmsIcon, has begun the shooting and screening of season 2 episodes of the local film series titled 'Omunagambo wange'.
'Omunahambo wange' is FilmsIcon's original series, which tells a story about a wealthy man living with his cattle herder.
The series is written, directed, and produced by actor Jackson Nghinamhito, well-known as Jacky Pop, who also plays the lead character.
“We screened episode 1 of the new season at the College of the Arts (Katutura campus) last month and we hope to continue the screening events in other towns since many people are demanding for the new season,” says Jacky Pop.
He says the screening was done by FilmsIcon.
“We are not done with the whole season yet, but we have covered much. We are going to the north to continue the shooting of our production.”
According to the actor, season 2 is a commercial project, and it will not be distributed as the previous season.
“Our vision is to be one of the leading producers and distributors of entertainment and information in Africa,” he says, adding they want to do more than just 'Omunahambo wange'.
“We want to put on more shows. So, we are currently seeking co-production partners and investors to join our production slate.”
In the first episode of season 2, Silver Bantuan, who plays the role of a cattle herder, has gone missing, Jacky Pop his boss is worried, and the search begins.
In the 'Omunahambo wange' episode, Jacky Pop teamed up with other actors and comedians such as Ndjeke yaMalimba, Cassie Jessica, and Thomas Shangula.
The first episode received positive comments and was well-viewed on all their social media platforms.


I watched the 1972 film adaptation of Play It As It Lays the other day; the whole movie is streaming on YouTube for free now. I wanted to reject it outright because its mood was not exactly the same as the novel’s—the quality of the bleakness was different. But, I mean, when you think about it, what would you want a movie of Play It As It Lays to look like?
Joan Didion and John Gregory Dunne cowrote the screenplay, and the film is well cast, with Tuesday Weld as Maria Wyeth Lang and Anthony Perkins as B. Z.; Frank Perry—who had a few years earlier presided over a bizarre adaptation of Cheever’s “The Swimmer”—directed. It’s chic and slick, with high production values and assured photography. It is, in short, a pretty faithful tribute to the novel, and in the line “Existentially, I’m getting a hamburger” it has at least one piece of Grade A dialogue absent from the book. And yet I couldn’t escape the reader’s prejudice that it’s a period piece in a way the book is not. What feels, in Didion’s prose, like a glimpse into a full-fledged world manages to feel painfully dated on celluloid; it simply can’t be as up-to-the-minute as it wants to be. Or maybe, watching the film, you just can’t suspend your disbelief as easily, or give the author(s) certain credit you desperately want to.
Of course, there’s also the possibility that people really were as different in 1972 as Play It As It Lays makes them seem. Maybe they really did go around saying “Christ!” all the time, in spirit if not in fact. Yes, maybe that’s it. It’s good to be reminded that something—or someone—doesn’t really belong to us at all. That we can’t just project onto them, no matter how many tote bags we carry or how many Pinterest boards we make. Well, maybe we can.
Sadie Stein is contributing editor of The Paris Review, and the Daily’s correspondent.
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Holly Bates is a Melbourne-based emerging filmmaker and visual artist.
Bates’s practice aims to dismantle and challenge the toxic film tropes historically used to depict sex workers on screen. Utilising filmic methods that abandon the male gaze, Bates seeks to empower workers; honing in on the complexities and subtleties of interpersonal relationships and the day-to-day of the sex-industry. Artist as well as filmmaker, Bates is driven to create conceptually rich world’s and stories, layered for both sex worker and mainstream audiences. Using humor and intersectional approaches to film-making, the practice explore’s personal narrative’s that are informed by Bates’ position as a queer feminist.
Bates recently completed a Masters of Film and Television at VCA, graduating with first class. Holly had also previously completed her Bachelor of Fine Arts (Honours) degree at QUT in 2015, graduating with first class and two academic prizes.


Monday, March 28, 2011
Film Review: The Room
I finally saw this much talked about film. Every one should see it who enjoys a good bad film. It may surpass Max Magician and the Legend of the Rings as the most stupid movie I've ever seen. What Tommy Wiseau has managed to accomplish here cannot be intentional. There is not a genius alive who could manage to pull off The Room. Wiseau's writing shows clearly how he doesn't have any insight into women, who are all reduced to stereotypes, and neither does he have a general psychological insight into any of his characters. All character reactions are seemingly linked to whatever core archetype Wiseau has assigned them and do not take into account the actual situations they find themselves in. Further, Wiseau seems to lack any knowledge of drug violence (which he still manages to write into the script, despite it being inconsequential to the plot!) or physical confrontation. When Mark nearly throws Peter off the roof of a building, the amends are made in form of a virtual "I'm sorry, brah! Buds again?" Can it get any better than that? Oh, yes it can... and does. Two characters who find their friend lying dead of a gunshot wound to the head, blood everywhere, ask him to "wake up." Has Wiseau ever met any real human beings, experienced any real dramatic situations? Does he understand life? Does he?
Wiseau also directs, and it looks like your typical made-for-cable attempt at a real heart gripping drama, completely with green screened shots of the city skyline. But when it comes to his acting, you seriously can't believe how badly delivered Wiseau's lines are. It sounds like he doesn't know the English language, but has simply memorized his lines based on trying to sound them out (see: Sukiyaki Western Django for more on this). All of the actors are below par, no question. But Wiseau really takes the cake when it comes to just recognizing this simple fact: The guy I see playing a lead role in this movie is NOT AN ACTOR. It's truly amazing.
Don't even get me started with the sex scenes -- I think there are four of them within the first half hour of the film, same girl all four times, same footage two of the times. I wish I could say that a genius concocted such a ludicrous scheme. I wish I was that genius.


The director of Animagrad’s The Stolen Princess discusses the creative process behind the popular animated fantasy.
5 May 2018
“Before that, I had worked in animation for 18 years in French and Ukrainian studios; I also had the experience of creating my small animation studio.”
During the first month, international box office of The Stolen Princess animated strip was replenished with another million dollars
20 April 2018
The Stolen Princess animation strip proceeds to set new records both in the domestic box office and on the international level: the cartoon collected $ 1,086,865 outside Ukraine.
The Stolen Princess Ukrainian animation film released in Vietnam and the Middle East countries
13 April 2018
This week, theatrical distribution of The Stolen Princess (Animagrad, FILM.UA Group) began in Egypt, United Arab Emirates, Kuwait, Lebanon, Jordan, Qatar, Oman and Bahrein, and starting from today the film is shown in Vietnam.
«Ukradena princeza» and «Откраднатата принцеса»: Ukrainian cartoon just released in Croatia, Bosnia and Hertzegovina, and Bulgaria
6 April 2018
On April 5, the film was premiered in Croatia and Bosnia and Herzegovina, and starting from today it is shown in Bulgaria.
Ukrposhta issued postage stamps The Stolen Princess
3 April 2018
On March 30, Ukrposhta in cooperation with the Animagrad studio (FILM.UA Group), put into circulation the series of artistic postage stamps dedicated to the Ukrainian animation The Stolen Princess.
The Stolen Princess will be screened in English in Kyiv and Odessa
28 March 2018
The English-language screenings of Ukrainian animation The Stolen Princess will start on March, 29th and will take place in cinema theaters of Kyiv and Odessa.
Ukrainian animation The Stolen Princess entered the TOP-3 of animation releases in Turkey by box-office during the first weekend
27 March 2018
During the first weekend the debut animation of Animagrad studio (FILM.UA Group) collected $157 530, and 46 398 viewers have watched it.
Kayıp Prenses: Starting from Today, The Stolen Princess Is Released in Turkish Cinemas
23 March 2018
Today Turkey started theatrical release of Ukrainian animated film The Stolen Princess (Animagrad, FILM.UA Group).
In the First Weekend of International Release, The Stolen Princess Collects an Impressive Box Office in Romania
21 March 2018
The first international release of The Stolen Princess produced by Animagrad (FILM.UA Group), which started on March 16 in Romania, turned out to be successful and truly exemplary.
© 2019 The Stolen Princess


A Musical Comedy/Drama about 3 solo-artists who meet at the same crossroads.
The rest is harmony.
WRITTEN & DIRECTED BY GREG NAUGHTON
PRODUCED BY GREG NAUGHTON, JONATHAN BURKHART, & DOROTTYA MATHE
When 3 struggling singer-songwriters meet at the same crossroads, they discover a musical and personal kinship that rekindles each of their fading dreams of making it in the music business... and propels them on a roller-coaster ride across America for one last high-stakes shot at musical glory.
In a somewhat true story inspired by their experiences together discovering harmony-- and struggling to stay in tune.
"The Independents" was filmed in NY, CT & CA, with a supporting cast including Richard Kind, Boyd Gaines, George Wendt, Kelli O'Hara, Chris Sullivan & James Naughton.
"The Independents" is currently in post-production and due for release in 2018. Enter your email below to be notified when the film is released!
In the meantime, you can learn more about THE SWEET REMAINS and the music that inspired the story...
Enter your email to receive notification when "The Independents" is available to watch/ buy/ in theatres!


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We’ve all heard the story before; a man, left for dead, must overcome incredible odds in order to survive.
The difference here is that a man is left on Mars, rather than a deserted island, making it nearly impossible to return to civilization. Left alone, without a spaceship, or functioning communication devices, and with a limited amount of food and oxygen, Mark Watney, played by Matt Damon, is destined for failure.
While this basic premise is one that is commonly utilized, “The Martian”, directed by Ridley Scott, makes this old plot seem original and enthralling. It was originally a fiction novel by Andy Weir, which was put to life by awe-inspiring cinematography, as well as superb acting.
Honestly, I didn’t seek out this movie with particularly high hopes. For one, I’m no science major, and I was wary that all of the facts, figures, and scientific problem solving would lose me right away. I didn’t want to sit through a lecture or feel like an uneducated viewer, I wanted to enjoy a well-executed film.
Also, I really didn’t want to sit through a two-hour monologue. While “Gravity” was an interesting movie, I had no desire to see its copycat.
Lastly, I was rather skeptical about all the good reviews. I mean, come on; we live in a complex world, filled with copious opinions, and I find it rather odd that so many people share the same view. Movies are so widely available, everyone and their mother has something different to say, and feels quite comfortable saying it.
Ultimately, I expected to be let down due to all of the positive pandemonium surrounding its name.
I couldn’t have been more wrong. It wasn’t at all what I expected. I finally understood what everyone else did; I got sucked into the whirlwind of a truly remarkable movie.
The script was extremely well written, allowing even my non-science brain to follow easily despite the numerous technical situations. Everything fit together and flowed seamlessly, taking me along for one crazy ride, never once leaving me confused in my seat.
I was also very pleased to see that while there were monologues, they weren’t awkward or forced, and they didn’t take up the whole movie. It was also very cool that a big budget movie broke the third wall, and addressed its audience much like Ferris did in, “Ferris Bueller’s Day Off.”
Overall, the movie was very smartly compiled and edited. It wasn’t just the acting, or cinematography, or the script, or directing, but more of a combination of all elements as a movie should be. Each aspect pulled its own weight, and was then pieced together with much care, creating a true masterpiece.
While numerous aspects were important, the music made the movie. Reminiscent of “Guardians of the Galaxy,” “The Martian” expertly utilized music to dictate various moods. While the two movies couldn’t be more different from one another, their use of music is absolutely pivotal to their final product.
I walked into this movie expecting a very serious, somber tone, but the creative use of music completely changed the feel of an otherwise stereotypical premise. I certainly didn’t think I would find myself smiling and laughing at a movie like this.
Music helped create humor and joy in situations that were overtly dour and hopeless. Music dominated the story, making the movie more dynamic, more engaging and much more entertaining. It’s the aspect that ultimately sets “The Martian” apart from the label of “Cast Away in Space.”
Dramatic scores were used like any typical movie, using powerful instrumental pieces to tug at the audience’s emotions, but the key piece came in the form of 60’s Pop.
When Mark Watney’s situation became more dire, when you thought hope was lost, the likes of Vicki Sue Robinson exploded out of the speakers, blasting “Turn the Beat Around,” and effectively did just that.
The movie was so powerful because it wasn’t overly goofy, unrealistic, or overdramatic, it was the perfect exemplification of humanity. It was a movie that reignited my love for film, because it portrayed every aspect a good movie should.
If you haven’t gone to the movies in a while because you’re sick of paying for disappointments, if you’re like me and skeptical of hype, if you think science isn’t your thing, or if you aren’t interested in stories of sheer perseverance, I suggest you reevaluate and go to the closest movie theatre.
For many college students, money is tight, but if you find yourself with a few extra dollars in your pocket and a few hours of free time, I highly suggest a trip to the movies. “The Martian” is an oasis in a sea of crummy sequels, bad acting and simply stupid plots. It’s one I know I’ll be watching again and again.
email: [email protected]


After his very public court trial with Amber Heard, actor Johnny Depp gained a lot of popularity and that is why there were many people who were interested to know more about the actor and that is why in this blog, we are going to tell you more about the actor so that you can know more about the actor and his stunning acting performances in different movies.
Here you will get to know everything about the actor like his family, career, movies and Johnny depp net worth. So, read all the important points that we are giving here carefully.
Biography of Actor Johnny Depp
Actor, Producer, and even musician Johnny Depp was born as John Christopher Depp II on June 9, 1963, in Kentucky. The mother and father of the actor were a waitress and a civil engineer respectively and had 3 more kids. The family was on a continuous move for a lot of time until they settled in Florida when the actor was 7 and after that young Johnny shifted his focus to acting.
Before telling you more about actor Johnny depp net worth, you need to know when the actor started his career. He made his first appearance on TV in 1987 with the Television series 21 Jump street however, the actor received world recognition and unlimited fame after he starred in the movie Pirates of Caribbean. After starring in Pirates of Caribbean, the actor starred in a lot of movies that displayed his spectacular acting and gained recognition for every role that he has done.
Net Worth of Actor Johnny Depp in 2023
The net worth of the actor is a lot and the net worth only increased after the trial with his ex-wife Amber heard where he received some money. The actor has a lot of luxury vehicles including cars like Rolls Royce, BMW, Mercedes Benz, Lamborghini, Porsche, Chevrolet and Range Rovers. Along with all these cars, the actor also has a luxury yacht and private jet so, I am sure that you can assume the net worth of the actor. In actual figures, Johnny depp worth is around $150 million which is somewhere around 1163 crore in Indian rupees. The actor has a very luxurious house in Beverly Hills which is the home for many Hollywood actors that has 8 bedrooms and 10 bathrooms. You can also think about the money the actor has considering he just spends more than 15 Crore rupees every year on his bodyguards.
People also considered that the legal battle with his ex-wife Amber Heard will negatively affect the actor however, the results were a lot different as the popularity and the fan following of the actor only increases more and more after the case where people sympathized with the actor and he received a hefty amount of compensation from Amber Heard.
I am sure that this information is sufficient for you however, if you still want to know more about the actor then, you can simply use the website Thewebsaga as the website will give you all the information that you need in detail.


Fran Bushe is an award-winning comedian, writer and performer. She has had sold-out runs at Soho Theatre, The Roundhouse and she has been a resident artist at Pleasance Theatre, Arts Depot and Theatre Deli. The Diary of My Broken Vagina has just been released by Channel 4 as a Comedy Blap - watch here.
Fran’s multi-award winning play AD LIBIDO had a highly successful run at VAULT Festival (‘Highly Commended’ award winner, ★★★★ The Stage), Pleasance Theatre Edinburgh (Sold Out run, ★★★★ The Guardian, one of the Guardian’s top shows to see at the Edinburgh Fringe) and Soho Theatre, London in 2019. It will be touring soon - more info here.
Fran is a writer for Comedy Central’s sketch comedy show Laughing at Salad and her play Alive Day is published in 20 Short Plays with Big Roles for Women (Routledge Books). She has written features for The Guardian, Cosmopolitan, Metro and been a guest on BBC Radio 4’s Woman’s Hour.


I’m so glad you stumbled upon my Martin’s Day tribute site. I don’t work for the film company, nor did I have anything to do with the making of the movie. I am simply the biggest Martin’s Day fan on the planet…as evidenced by this here website!
Poke around for a bit and I’m sure there can be no debate that there’s not another soul on the face of this earth that adores this movie more than me…I even went to Ontario to see some of the filming locations in person!
So please, have a look around! Sign the guestbook, and feel free to reach out to me if you have any interesting info about the movie, or just want to tell me your favorite scene.
Things are still under construction, but you’ll enjoy this website. And that’s a deal…
A hard, fast deal.


The Graddies 2023
The 2023 Graddies was the third year of the festival, and we had entries from universities across the UK. We received entries across a number of formats including animation, live action and documentary films.
These films were then watched and judged by 3 industry professional judges.
Nigerian media expert who currently serves as Vice President Distribution Africa for Sony Pictures Television.
Development Executive of Searchlight Pictures whose credits include working as a development executive on Edgar Wright’s ‘Baby Driver’.
RTS and BAFTA award winning producer described as "a pivotal force in developing a Black British cinema".
The 2023 winners were a group of students from The Royal Holloway University of London with their short film 'Dressed As Family'.
A dramedy short that follows a strange episode in the life of a dictatorial patriarch who runs a familv of five in a small apartment
The award ceremony was presented by actor and director Elliot Barnes-Worrell, with Trix Worrell handing the prize to the Winning entry.
2023 saw 10 finalist films from various universities.


Written in EnglishRead online
|The Physical Object|
|Pagination||96 p. :|
|Number of Pages||96|
Download The business of filmmaking
"The Business of Film by Paula Landry and Stephen Greenwald is the only book I have found that details not only how to work within the studio system to develop, finance, produce, market and distribute a film, but also how to go the independent route.
It is the most comprehensive, step-by-step resource for anyone interested in the film business /5(26). STEPHEN R. GREENWALD has served as an executive, financier, consultant, and lawyer within the motion-picture industry.
He is currently president of Aurelius Capital PLC and has worked in almost every capacity imaginable in the movie business at: Presto Productions, a film-and-television development and production company; G&H Media, a business-and financial-consulting firm for the film-and 5/5(4).
"The Movie Business Book provides a very comprehensive look at the film industry, not from the perspective of scholars, but from that of practitioners. This will be a very valuable book for students interested simply in how the industry works, and for those interested in a career within that industry/5(23).
Writers in the movie business need inspiration and advice just like any other writer. Whether the need is to make a movie business plan, find director tricks and tips, or learn how to sell a screenplay and maximize profitability when movie making, consulting the expert advice within a movie business book is essential in the business of filmmaking.
Browse the Writers Store's inventory of. Get this from a library. The Business of filmmaking. COVID Resources. Reliable information about the The business of filmmaking book (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this ’s WebJunction has pulled together information and resources to assist.
Drawing from a variety of experts in an industry that has seen major technological advances since the second edition, The Movie Business Book, Third Edition, offers the most comprehensive, authoritative overview of this fascinating, global business.
A must-read for industry newcomers, film students and movie buffs, this new edition features key movers and shakers, such 4/4(25). 9 Best Books on Filmmaking and Directing.
The following is a summary of the best filmmaking books written by filmmakers, for filmmakers. Naturally, any list of this kind features a certain level of subjectivity, but all of the below are industry renowned titles and come highly recommended.
Louise Levison () has a year track record creating business plans for films (both single and slates) and other entertainment teaches in the Extension Program at UCLA and is publisher and editor of The Film Entrepreneur: A Newsletter for the Independent Filmmaker and clients have raised money for individual films with budgets from $, to $30 Reviews: FILM PRODUCTION BOOKS 5.
The business of filmmaking book Without A Crew. Author(s): Robert Rodriguez. This book takes you into one director’s journey to make a low budget, debut film. It is the perfect tool for someone looking to break into the filmmaking business.
And in my opinion, it provides more practical guidance for beginning filmmakers than any other book on. The film industry is one of the hardest to break into and it's important to anticipate the major setbacks that can manifest.
The book offers ways to cope with creative and financial difficulties as well as how to adequately put your work out there."-International Business Times/5(17). This was a great intro book on the film industry. My greatest interest is in how to fund independent films, and this book helped me get a strong handle on what that entails.
It also helped me understand how the whole industry works together, including what one can expect from different entities within the industry, including investors /5(2).
The Forty Year Series consists of selected global Profiles on Executives, Distributors, Producers, Sales Agents, and Talent. COVID has established a new and uncharted landscape for the Film & Television Independent companies worldwide and our worldwide business and TBOF are adapting accordingly.
Deborah Patz’ Film Production Management and her previous book Surviving Production were adopted as “the essential road map to the business and logistics of on-the-job film and television production.
These books where originally developed from practical tools that Patz created for film and television career. The book includes everything. SELECTED AS A BEST BUSINESS BOOK OF THE YEAR BY THE ECONOMISTONE OF THE SMARTEST INVESTORS ON THE PLANET.—MONEY MAGAZINE “This book is an essential read for those who wish to understand the modern world of investing.” —Alan Greenspan.
Get this from a library. The business of film: a practical introduction. [Paula Landry; Stephen R Greenwald] -- This book introduces readers to the business of film at every stage of the filmmaking lifecycle, from planning and production to distribution.
Authors. These must-read books for filmmakers and videographers can give you an edge in our competitive industry. Maybe you’ve decided to make the jump into the competitive business of film and video production or perhaps you’re looking to bump up your skills and optimize your business acumen.
If so, add the following books to your reading list. 7. No Film School: The DSLR Cinematography Guide Whether or not you’ve been to (or are currently attending) a film school, No Film School’s DSLR Cinematography Guide is an ultimate resource of beginner’s filmmaking a focus on DSLR cameras and digital filmmaking tips and techniques, the book is a hodgepodge of tutorials, interviews, gear news and all types of.
The Hitchcock interview book has probably inspired more film books than any other, including, I assume, the entire Faber ‘Directors on Directors’ series. This is Orson Welles Orson Welles and Peter Bogdanovich, edited by Jonathan Rosenbaum, HarperPerennial, This is probably my favourite of the many books on Welles.
Grab this filmmaking book if you want to understand how to leverage crowdfunding to raise money and find an audience. Grab this filmmaking book if you want to find out about new methods in marketing and film distribution.
Grab this filmmaking book if you want to. Known to be one of the best ever filmmaking books, ‘On Film-Making’ is a priceless examination of the filmmaker’s craft. Edited by Paul Cronin, the book is a collection of notes from the reputable and renown filmmaker Alexander Mackendrick who’s more than 20 years in the industry as a screenwriter, storyboard editor and director brought such memorable films such as The Ladykillers and.
Whether a director, producer, or screenwriter, reading some of the best filmmaking books can help with finding new inspiration and advice. Covering everything from Hollywood to YouTube, the following books on filmmaking can open new ways of thinking.
This book is just the best way of reading about the film industry – it’s like reading about it in a mirror.
It’s about this massive project that took a humungous amount of money, which had been prised out of people with hype and with lies and with bribery and, above all, with spectacle. The book was edited together, post mortem, from Mackendrick's notes on the craft of filmmaking, and the seams show.
The content is good but fragmentary. The book is somewhat like reading the pre-socratic philosophers--a great deal of wisdom but not much c This book got stellar reviews and Martin Scorsese writes a glowing preface/5(38). The book takes you through every stage of making a movie, from writing to filming to editing and beyond.
The book is based on a series of lectures. Similar to the above title, this comprehensive book chronicles every stage of filmmaking, from development through post-production. It’s a little dated and can be adapted to technologies of the past ten years, but is essentially film school in a book.
Rebel without a Crew: Rarely does a. As for filmmaking books, I haven't read any for a while, but my first book on the subject, was brought back from America by my Dad and was called The Filmmakers Handbook by Edward Pincus and Steven Asher. I read it over and over again before making my first 16mm short with a crew I trained purely from theoretical knowledge gained from the book.
Filmmaking Organizing the Business of the Film Company. April By Jon M. Garon*. This is part of a series of book excerpts from The Independent Filmmaker's Law and Business Guide: Financing, Shooting, and Distributing Independent and Digital Films designed to introduce filmmakers and others interested in creating content on the legal issues involved in the filmmaking process.
The practical and legal aspects of writing a business plan for a film venture can be daunting to navigate without a firm grasp of know-how.
With this in mind, John W. Cones's Business Plans for Filmmakers arms independent movie-makers and students with everything they need to successfully tackle the confusing intersection of law.
Biography Business Current Affairs & Politics Diet, Health & Fitness Fiction History Kids' Books Mystery & Crime Religion Romance Sci-Fi & Fantasy Teen Books See All > Discover B&N Readouts Indie eBooks Free NOOK Mobile Apps Self-publish with B&N Press.
Filmmaking (or, in an academic context, film production) is the process of making a film, generally in the sense of films intended for extensive theatrical king involves a number of complex and discrete stages including an initial story, idea, or commission, through screenwriting, casting, shooting, sound recording and pre-production, editing, and screening the finished.
In Filmmaking by the Book, Millicent Marcus considers the adaptive process as the sum total of a series of encounters: the institutional encounter between literary and film cultures, the semiotic encounter between two very different signifying systems, and the personal encounter between author and filmmaker—sometimes involving an overt.
Written by the insider who headed sales for Lucasfilm across distribution markets and managed the release of Star Wars Episode III, this is the first book to show how all related media distribution markets, including television, video and online, work together and independently to 4/5(8).
Qualifying Film (Film ) are exercise oriented, i.e., the production of finished sync sound films is not expected in FilmFilmFilmFilm and Film Those classes, and the craft classes of Location Sound (Film ) and Editing (Film ) have equipment allotments that are available to the students on the class.
Here is a collection of fantastic filmmaking books that can help you improve your filmmaking skills. The blurbs for these books are taken directly from the publishers and are not reviews of the books.
Students at East Doncaster Secondary College are strongly encouraged to borrow these books from Media. Speak to your teacher for more information. Inappropriate The list (including its title or description) facilitates illegal activity, or contains hate speech or ad hominem attacks on a fellow Goodreads member or author.
Spam or Self-Promotional The list is spam or self-promotional. Incorrect Book The list contains an incorrect book (please specify the title of the book). Details *. Thats what people in creative fields like filmmaking are told all the time. But fortunately that does not have to be true for you.
I'm here to teach you what I've learned about building a solid consistent income making films. This course is designed to give you insights into the money or business.
And without mentioning the business, it sure seems like the owner of the shop is passionate about Yogurt, just like you and I are passionate about filmmaking. What if you choose filmmaking as your small business. Filmmaking As Your Small Business. Here’s the deal. Most filmmakers know about the movie business.
Publishers Weekly is the international news website of book publishing and bookselling including business news, reviews, bestseller lists, commentaries and more. This book was recommended to me by someone else on here and it's really great.
I've read it a few times and it's got everything in there for the traditional old school (panel of VP's) approach to development but having a degree in business and law especially will be very valuable when it comes to preparing and executing a plan for a production company.
By Bryan Michael Stoller, Jerry Lewis. Part of Filmmaking For Dummies Cheat Sheet. Making a film requires the talents and abilities of a production team.
To understand the roles of a film production team, you can compare the positions of each crew member to the people needed to prepare a fine meal.


A story of gender, friendship, sex, and scones
THE WHY GENE
nICOLA JANE CHASE
Nicola Jane Chase talks about The Why Gene and her vision for it.
How do you envisage the film?
Funny, poignant, and with a rocking soundtrack! The main character is transgender, and so - like any trans person - she has to deal with the misconceptions of others in day to day life. The film explores and confronts these but in ways that anyone can relate to, even though few non-trans people ever have to. Like me, she only realized she is trans later in life and so she sees the duality of gender in a quite singular way. But this is as much about friendship, and living, and dating in New York City, as it is about being trans. It is definitely not a sequel to The Danish Girl - great film that it was.
Funny? So is it a comedy?
No, it's not a comedy per se, but I find the best way to explain many complicated situations is through humor - as anyone who has read "Tea and Transition" can attest. There were a lot of unexpectedly funny times during my own transition, and I’ve included many of those here. Mine was not the 'woe is me, I'm in the wrong body' perception that people often associate with being trans. Of course, there were moments of depression and rejection for me, but I've intertwined those experiences with deeper threads of humor within "The Why Gene".
Yes, I would like movie-goers to leave the theater with a greater understanding of what it means to be trans, but equally I want them to leave with a big smile too.
What other films would you compare it to?
I’d rather not compare it to anything else! But I could imagine some parallels to (500) Days Of Summer, which I adored, but also hints of a Nora Ephron rom-com, or the depth of musical reverence within Nick Hornby's High Fidelity. But toss in a bit of Bridesmaids or Sex and the City for good measure. I see it being unique with its own character yet somehow familiar.
Those are pretty mainstream films. Is that your intent for "The Why Gene"?
Of course I’d like it to reach the widest audience but not at the expense of what the film is all about. It is very much my ‘baby’ and I do want to maintain creative control, yet I appreciate the commercial practicalities of making films. I am optimistic that the right balance can be found.
How important is music in the film?
Absolutely crucial! Like me, the main character in "The Why Gene" is a former DJ, and so music is inherently important in telling her story. But beyond that, the right music within a film makes a huge difference to the strength of the imagery and the whole cinematic experience. For instance, I can’t think of Trainspotting without hearing Underworld’s “Born Slippy” in my head. That track powered the scene it was in, as did countless other tracks in the same film. I already hear The Cure, New Radicals, Richard Hawley and Kirsty MacColl in my head for scenes that I have written.
How autobiographical is "The Why Gene"?
There are scenes that most definitely happened to me, yes, but others that didn't. Even so, using my own experiences, I know that every event that happens to Nicky in the film is based on realism.
I initially thought this project would be a film adaptation of “Tea and Transition” however I soon appreciated that by developing further the characters I know from real life, and inserting additional situations and players into the narrative arc, I could tell the story more effectively.
Do you have a specific director or film maker in mind?
Several, yes, but ultimately it's more about finding a film maker or studio who shares my vision.
What about actors? Who do you see filling the key roles?
I would love to have Julie Walters playing the main character's mother. When I was writing those scenes, I could hear Julie saying every word. As for the main character, I want to play her myself, though I know that will be a tough concept to sell to producers. But in fact, the best lines are not from the main character, but from those around her - that is where the real acting has to be done.
Do you have acting experience?
I was in a school play when I was 17. I think I played a tree.
No, seriously, I am extremely keen to portray the main character. Let’s say I have hidden depths.
Will you prioritize other transgender actors or crew?
I want the best team possible, and if I can support other trans people along the way, even better.
Are you looking for financing?
Yes, for sure, but the first step is to find an experienced film maker who shares my vision. However if you would like to be a backer in some form, then of course I'd be delighted too hear from you, too!
Can I read the script?
Although it is protected and registered, my screenplay is still intellectual property, and so at this stage, I have to be very wary about where I send it out and to whom. Sorry. But once I have validated your credentials then of course yes.
How should those interested find you?
The Contact Me link below is the best first step, and then we can take it from there. At this stage, I am handling all correspondence myself.
Any final thoughts?
I am truly excited about "The Why Gene". I can visualize everything I have written on the big screen. Yes, making that happen is going to take a lot of connections, willpower, talent, money - and luck. I'm eager to work with those who have done this before and who appreciate the reality of the industry, while never forgetting the buzz of creativity.


Tom Castricum is a Cameraman / DoP, Director & Filmmaker from Amsterdam, The Netherlands.
With over ten years of experience, he has worked on a wide variety of both Online, TV and TVC productions for video production companies, advertising agencies & brands. He has worked on many short films, and has received awards for Best Cinematography, Best Directing & Best Film.
He has worked on productions for many brands, including:
Renault, Microsoft, Lenovo, Heineken, Transavia, Rituals, Walibi Holland, Knab, Anderzorg, Rabobank, ING, Lidl, Action, Dremel, Yahoo, Engadget, Schweppes, BasicFit, Rimmel London, Suit Supply, Holland Casino, MTV & many others.
Tom is a real tech-junkie who loves to experiment with new technologies and finding technical solutions for creative challenges. His experience includes automotive, drones, time-lapses and live streams.
When he is not filming or directing, he provides workshops or is busy drinking beer on his boat – or rigging a camera on it!


Sally and I were sitting in the theatre watching a new film when the very spot where we met came onto the screen, the top of the stairwell just outside the refectory at Union Theological Seminary in New York City. We noisily exclaimed to the people around us, “That’s where we met!” Since that day watching a movie, we have had many other experiences of seeing scenes in movies and TV shows that feature Union in New York. I will get around to sharing the movie that has the scene of the spot where we were introduced to one another. Also in a later post, I’ll share the story of how we met.
But for now, here is a film from 2001, A Beautiful Mind starring Russell Crowe and Jennifer Connelly. It is the story of Nobel Laureate in Economics, John Nash, who is a brilliant mathematician but also suffers from paranoid schizophrenia. One of the outdoor scenes where he is trying to confront his demons is supposedly at Princeton University but in reality is shot at Union. In the film there are a few other scenes that are also shot at Union, like the one where John is invited into a classroom and he quips that it is the first time he has attended a class.
UTS on the Screen ~ #1


Focused On Urban Issues, Nightlife, & Kenny Smoov
Time: February 24, 2010 from 8pm to 11pm
Location: MUNICIPAL AUDITORIUM
Street: 417 Fourth Avenue North
City/Town: Nashville, TN 37201
Website or Map: http://www.nashvilleauditoriu…
Phone: (615) 862-6390
Event Type: play, comedy, entertainment
Organized By: The Digital Diva
Latest Activity: Feb 24, 2010
Tyler Perry is bringing his Madea character back to town for his latest stage presentation, "Madea’s Big Happy Family,” taking place February 24, 2010, at The Municipal Auditorium for a live performance.
The shows is at 8 p.m. February 24, 2010.
Tickets are $57-$67, on sale at 10 a.m. Friday at the NMA box office outlets, www.ticketmaster.com, 800-745-3000.
Of the show, Perry says "There is nothing like a live performance and if you’ve never seen a Madea play, then you haven’t seen Madea at all. It’s been five years sicne I’ve been on the road and the timing just happened to fall right into place. I needed to get away from Hollywood for a second…clear my head. There is no better way to do that than to come out and see your faces and be reminded of where this all started.”
Perry based his popular Madea character on his mother, who died at the age of 64.


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2013 Grand Prix: The Mass of Men, directed by Gabriel Gauchet
Film Festivals in 2015
Find the best film festivals of 2015 on › www.filmfestival2015.com
Tampere Film Festival
Tampere Film Festival is one of the most important short film festivals in Europe. The programme consists of International and National Competitions and a diverse special programme, showcasing both new short and documentary films around the world and older archive gems of filmic art. Five days and nights of short films, seminars, discussions, exhibitions and clubs in Tampere, Finland.
Hotels near the film festival
Looking for a comfortable place to enjoy your stay during the film festival?
Check the › list of hotels near the film festival.
2013 Tampere Film Festival Award Winners
Grand Prix - The Mass of Men, directed by Gabriel Gauchet
Best Fiction - Asesinato en Junìn (Murder in Junín) by Andrew Sala
Best Documentary - Häivähdys elämää (Gates of Life) by Hannes Vartiainen and Pekka Veikkolainen
Best Animation - Sonntag 3 (Sunday 3, 2012), directed by Jochen Kuhn
Diploma Of Merit - Anar miveh behesht as (Pomegranate Fruit Paradise), an Iranian fiction by Teymour Ghader
The audience award for Best International - Matka (Mother) by Polish Lukasz Ostalski.
National Competition Under 30 Minutes - Hänen tilanne (When One Stops, 2012) by Jenni Rahkonen
Special Prize for Film Under 30 Minutes - Hiljaisen talven lapsi (The Child of Silent Winter, a documentary by Iiris Härmä
Prize in the Over 30 Minutes Category - Häätanssi (Dance of Outlaws) by Mohamed El Aboudi
The Risto Jarva Award - 6954 kilometriä kotiin (6954 Kilometres Home) by Juan Reina, and Laulu koti-ikävästä (Finnish Blood Swedish Heart) by Mika Ronkainen.
The Youth Jury Award - Ajatuksia kuolevaisuudesta (Thoughts About Dying) by Jani Ilomäki.
Diploma of Merit - Vesa Kuosmanen's documentary Somma Sommarum
Student prize - Aamulla viemme lapset metsään (Out into the Woods) by Jussi Lehtomäki
Have you visited this film festival?
Please share your experiences at this film festival, the films, award ceremony, theatre, accommodation, people, travel etc.comments powered by Disqus


While I was researching different movies filmed in Kankakee County, I also found quite a few actors and actresses that have connections to Kankakee. This post includes actors/actresses who visited, lived, or was born here, and also famous shows that have been performed in Kankakee County.
(In Alphabetical Order by Last Name)
Buffalo Bill brought his show for two performances in Kankakee on July 29, 1909. Although he did not bring Annie Oakley or Sitting Bull, Buffalo Bill brought more than 100 Indians and with other characters. They re-enacted a stagecoach attack as their main act.
Michael Clarke Duncan
Duncan, famous for movies such as The Green Mile and nominated for an Academy Award, played basketball on the Kankakee Community College team. After his death, CBS wrote an article featuring Denny Lehnus, the KCC basketball coach, about Michael Clarke Duncan and his impact on the team. According to the interview, Duncan kept in touch with the coach and wanted to come back to Kankakee to start a mentoring program for students.
C.O. “Doc” Erickson
This executive producer was born in Kankakee in 1923 and grew up in Manteno. Erickson joined Paramount Studios in 1944 and worked his way up to be executive producer. Some notable achievements include working with Alfred Hitchcock on Rear Window, Vertigo, To Catch a Thief, and others Hitchcock films. Erickson also worked on Blade Runner, Urban Cowboy, Chinatown, and Groundhog Day, as well as others.
Janet Hubert graduated from Momence High School in 1974. She is probably most famously known for playing Vivian Banks on The Fresh Prince of Bel-Air, at least from 1990-1993 (Seasons 1-3). She also has starred in small television roles.
Phylis Isley/Jennifer Jones
Although Phylis Isley, who later changed her name to Jennifer Jones, did not grow up in Kankakee. However, she lived here for awhile and worked as a waitress at McBroom’s Restaurant. She met one of the McBroom family members at Northwestern (probably Andrew McBroom), where she studied theater. She later would win a Best Actress Academy Award for The Song of Bernadette and obtain 5 more Oscar nominations. Besides The Song of Bernadette, she is known for the movie A Farewell to Arms with Rock Hudson and Mercedes McCambridge (keep reading to find out more about her!)
MacMurray was born in Kankakee on August 30, 1908. He and his family moved to Wisconsin when MacMurray was 5 years old. He is best known for playing Steve Douglas in My Three Sons. He also starred in Double Indemnity and The Apartment with Shirley MacLaine and Jack Lemmon.
Andrew McBroom/David Bruce
Andrew McBroom, who later changed his name to David Bruce, was born in Kankakee in 1916. He attended Northwestern, as did Phylis Isley/Jennifer Jones. He is known for starring in Sergeant York, The Sea Hawk, The Mad Ghoul, and more.
McCambridge did not live in Kankakee, but she would come with her parents to visit. Her parents really loved to visit the town and visited quite often. She became famous for being a regular on the radio show I Love a Mystery. McCambridge won an Academy Award for Best Supporting Actress and Golden Globe for All the Kings Men and nominated for an Academy Award for Giant, starring James Dean. She also had small roles on television shows including Bonanza, Charlie’s Angels, and Cagney and Lacey. Mercedes McCambridge is also known for A Farewell to Arms and playing the voice of a demon in The Exorcist.
The Marx Brothers
The Marx Brothers, Gummo, Groucho, Zeppo, Harpo, and Chico, all played at the Majestic Theater. It was the main theater at the time. On April 16-19, 1916, the brothers promised “A bombardment of beauty, a howitzer fire of fun” and “A cyclone of dances”. The city of Kankakee must have made some kind of an impact. In their 1939 film At the Circus, Groucho Marx sang, “For a dime you can see Kankakee or Paree, Or Washington crossing the Delaware” from the song “Lydia, The Tattooed Lady”
Extra fact: This same song/lyric is also sung by Kermit the Frog on an episode of The Muppet Show.
Kankakee may not become the next Hollywood anytime soon, but it does have some Academy Award winners and other famous actors that have come from here.
You Learn Something Every Day:
Kankakee first got its name from a Native American word “teeyaahkiki”, meaning open country or exposed land. The Potawatami lived in the area until 1833, then they signed a treaty with the government to move west.
Feel free to leave comments and/or questions! I’d love to know what you think of the posts, the blog, or anything you would like to see in future posts! 🙂


I confess I’ve never read Alexandre Dumas’s beloved series of Musketeer books. I’ve known of them, of course, from when I was kid, having watched--numerous times--the 1973 movie version of The Three Musketeers featuring Michael York (D’Artagnan), Raquel Welch (Constance), and Charlton Heston (Cardinal Richelieu). The movie--as I remember it--was fun, a bit racy, full of adventure, romance, floppy hats, silly facial hair, and, of course, sword fights. Lots of sword fights. So I’m familiar with the general idea of the franchise, though I’m certainly no Musketeers nerd. At least I wasn’t until a few months ago.


Brilliant and highly acclaimed comeback for Jeanne Herry. Four years after the premiere of studentthat touched the hearts of the audience in 2018, the director returns to cinema with I will always see your faces. In this drama, starring a masterful Adèle Exarchopoulos, the filmmaker is interested this time in the associations that work around restorative justice by organizing meetings between victims and perpetrators of crimes.
My mother is an emotional actress
With this third feature film released on March 28, 2023, Jeanne Herry has definitely made a name for herself in the world of French seventh art. It is also making a name for itself. We would almost forget it, but the director is the daughter of two very popular celebrities in our country: Julien Clerc and Miou-Miou, who had a relationship between 1975 and 1981. The latter also acts in two of Jeanne’s films. as in one of his short films. “I was very pleased to find her in a denser character, where her game could develop, she explains in the columns of Miss Figaro She is an emotional actress who I also love to see play as a viewer.“
Evolving in the shadows gives me exactly the notoriety I need
She inherited the talent. But not only. From her father Julien Clerc, Jeanne Herry inherited a certain sensitivity for music and the voices of the actresses and actors who perform for her. His mother Meow-Meow – Real name of Sylvette Herry – passed on to him a love of cinema, as well as a host of lovely founding values, such as “listen, a form of moral rectitude, but also infallible humor“, he admits. On the other hand, he never wanted to go to the other side of the camera, where the spotlight shines a little too much.”Being a director and moving in the shadows, right next to the light, gives me exactly the notoriety I need, she assures It would be hard to live with more, but with less it might taint my pride a little…“
Find Jeanne Herry on April 1, 2023 on France 2’s “Quelle époque!” program.
Source : Pure People


CMD is a new theatre company which aims to push creativity and create work which allows the audience to leave each show with something to take home with them
Contents May Differ is a brand new theatre company. We treat every project as a fresh start, where roles and actors are cast and assigned according to what serves the play. We strive for originality, topics that will stimulate your cortex and of course be a brilliant night out.
No two plays of Contents May Differ are in any way the same. We also celebrate diversity of backgrounds and experiences. Every ensemble member is the protagonist. Creativity, authenticity, and stage-craft is at the heart of what we do.
Our first play, Tethered, has seen it's transformation from a scratch of initial ideas, to a formed play performed in the Blue Elephant Theatre, and now a developed version for the Cockpit Theatre.
Based in Milan, Marianna is a true creative at heart. You will often find her scribbling down notes and designs, or pulling different props together. She loves searching alternative ways for working with metaphor and the use of emotion to create atmosphere. Her expertise allows her to capture the text concept in a visual language.
Originally from Wales, James Gillard moved to London to study Actor Musicianship at Mountview Academy of Theatre Arts. Here he first started to explore the crossover between music and acting. As a multi-instrumentalist, James is particularly interested in how music can help govern, enhance or support the thematic concepts present on stage.
Tethered was originally an idea from Michael. But ever since, it grew into the project it is now. As a devised piece, Michael's role is both Director and Facilitator, allowing the play to develop under his vision.
Half English and half French he loves to bring original ideas to life. He has a healthy addiction to coffee as everyone should
About the search for oneself.
When she becomes bedbound, Alice is faced with the realisation of how much of her identity is made up from her love of dance. By chance a virtual reality headset finds its way into her hands, and she is presented with a unique opportunity to reconnect with what she holds most true to herself.
TETHER – [TETH -ER] – VERB
To fasten or confine (an animal) with a rope or chain so as to restrict its movement.
Digital Technology to use (an electronic device), to enable a wireless Internetconnection on another nearby device.
How much of your identity is determined by your physical body, the way you express yourself through movement and gestures? What if that body, which you inhabit, no longer obeys your wants and needs?
Virtual reality is being developed at an astonishing rate and companies are racing against each other to create the most advanced and immersive experience. When we are presented with new technology, our culture and way of life is often left behind and struggles to catch up. What everyone can agree on is that VR is ground-breaking; they’re just not sure how.
Combining live music, physical theatre and realism, Tethered crosses between the virtual and real to question how technology can shape and transform your sense of self.
This is the debut play of Contents May Differ which skillfully combines live music, physical theatre and moments of powerful realism.
august 2019 team
Bobby is a composer and orchestrator, primarily working in theatre. Working closely with the Lazarus Theatre Company, Bobby works on adapting Classic texts to give them new life. Productions include ‘The Caucasian Chalk Circle’, ‘The Tempest’, ‘A Midsummer Night’s Dream’, and a new musical adapatation of ‘The Beggar’s Opera’, for which he wrote music and lyrics.
Bobby has also composed the scores for short films, two of which have been selected by film festivals such as the Newport Beach Film Festival and the LA Cinefest.
Lilac is a theatre director, writer and movement director. Writing credits include Home Sweet Home (Stratford Circus, Jackson’s Lane and ARC Stockton), Jericho’s Rose (Hope Theatre and Theatre Deli, Sheffield, originally commissioned by The Northern Stage), One Last Thing (For Now) (Old Red Lion Theatre, nominated for an Off-West-End Award for Best Ensemble), There's No Place Like (awarded Outstanding Site Specific following a sold out run in San Diego Fringe 2017), and Faux Amis (Memoire de l’Avenir, Paris). Her short play Asylum won the SES Award in LA and had a rehearsed reading at the Odyssey Theatre.
Emily is a British/Ukrainian actor, model and producer. She recently graduated from the RADA Foundation course in Acting and is part of the National Youth Theatre.
Recent acting credits include Volumnia in Coriolanus (RADA), Isobel in Insomniac (Quarry Theatre), Magdalena in US (Camden People’s Theatre), Cassie in IC3 (Arcola, Stop and Search Response Piece).
Amelie trained at Drama Studio London and is also an experienced physiotherapist.
One of her highlights so far has been to tour internationally with the first stage adaptation of Hayao Miyazaki's 'Princess Mononoke'. Further theatre credits include; Antony and Cleopatra (Rose Theatre Kingston), Surface of a Bubble (Derby Theatre / Blue Elephant Theatre / Edinburgh Festival Fringe), Doctor Faustus (Seven Arts Leeds), Double Dealers (Carriageworks Theatre) and After Columbus (New Diorama Theatre).
Elizabeth graduated from Fourth Monkey at the end of August after a sell out show at the Edinburgh and Camden Fringes, performing ‘The Woman and the Canvas’ in association with Theatre RE. Since graduating Elizabeth has filmed several short films and has been working with Nuu Theatre company on ‘Set in Stains’ which will be performed at the end of April at The Drayton Arms. Elizabeth also has an enthusiasm for physical theatre, feminism and environmentalism.
Mitch is an actor and voiceover artist, who has worked extensively in theatre and audio productions, as well as in motion capture performance, puppetry and physical theatre
More recently he portrayed Cassius in Spada Productions interpretation of Julius Caesar at The Courtyard Theatre, and performed in Putnockee Players' one man show Secondhand Stories (2018) which was written for him for the Camden Fringe Festival.
Daniel recently completed an immersive theatre production, The Swell Mob, transferred from Edinburgh to London this May alongside the award winning Flabbergast Theatre Company, Daniel has experience in many areas of work ranging from site specific theatre to motion and performance capture for screen.
Daniel was also nominated for Best Actor at the Off West End Awards for his portrayal of Joseph Merrick in Elephant Man (Fourth Monkey).
We believe Tethered is a piece that will speak to everyone who sometimes struggles with knowing who they are.
april 2019 cast


No billboards. No TV commericals. Just passionate lovers of film and Black cinema spreading the word. We are the African-American Film Festival Releasing Movement (AFFRM). And together, we are strong.
Hey Denver: RESTLESS CITY will be playing on your turf beginning this Friday, June 1. Come see us at Denver Film Center.
'RESTLESS CITY' opening day in LA
Experience the lavish beauty of RESTLESS CITY. Opening today in CHI, DC, PHILLY, Detroit + Seattle. Showtimes + tix at www.affrm.com
Have you seen RESTLESS CITY posters in NYC? Still showing there, LA and ATL + opens in CHI, DC, PHILLY, DETROIT and SEATTLE this Friday, May 4. WWW.AFFRM.COM
Award-Winning Cinematographer BRADFORD YOUNG (Pariah, Mississippi Damned, Middle of Nowhere) discusses the improvisational approach taken in the making of RESTLESS CITY, the new feature film IN THEATERS NOW. Watch the 15 min version at AFFRM.com.
RESTLESS CITY opens Friday, April 27 in NY, LA + ATL. Support black indie film! Showtimes & tix at www.affrm.com.
RESTLESS CITY behind the scenes: Cinematographer Bradford Young (Pariah, Middle of Nowhere, Mississippi Damned) makes the lighting beautiful.


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Financial troubles force a recent divorcée and her teenage sons Mike and Sam to settle down with her father in the California town of Santa Carla. The town is plagued by bikers and some mysterious deaths. At first, Sam laughs off rumors he hears about vampires who inhabit the small town, until he makes friends with two other boys who claim to be vampire hunters. But after Mike meets a beautiful girl at the local amusement park, he begins to exhibit the classic signs of vampirism, sleeping days and staying out all night, and is drawn into the gang of bikers by the beautiful girl. The younger boy starts getting into trouble because of his friends' obsession. Fearing for his own safety, Sam recruits the two young vampire hunters to save his brother by finding and destroying the head vampire
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How many of us when we were teens felt alienated from the rest of the world? I’ll bet all of us and this film gives the perfect set-up for Michael’s vulnerability- the breakup of his parents’ marriage forcing his mother,brother and himself to move in with his grandfather! Understandably depressed and down he soon ditches his younger brother to be enticed by this mysterious girl called Star. Before he knows it,he’s suddenly part of the ‘in’crowd and is so thrilled that he never thinks to question their nocturnal habits! Well, before too long, he’s sleeping in all day and partying all night (and not remembering too well what happened)and his distraught mother is having no luck getting him to tell her what’s bothering him and his grandfather is too wrapped up in his own world of taxidermy to be of any help ( it seems) It’s up to his younger brother(and his friends the Frog Brothers ( a great sequel could have been made with them as the focus) to see if he can save him from this mess he’s gotten himself into thanks to his own lack of ‘bat-sense’ Still, its indecisive tone (about whether to be a straight horror movie/comedy/social commentary) is a stumbling block. Apart from Michael, Star and an ‘Eddie Munster’ wanna-be we are given no insight as to what led the vamp pack to join up with the head vamp(whose ID isn’t as surprising as the movie would want us to believe. Worst of all, an unnecessarily gruesome (and gross) conclusion REALLY weighs it down at the end.
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Joel Shumacher’s vampire-comedy-horror, released two months before Kathryn Bigelow’s Near Dark, shares the latter’s erotic tone and storyline of an unsuspecting, manly protagonist being drawn by the allure of a sexy vampire vixen into a rugged gang of outlaw vampires, to which he’s expected to prove his mettle and integrate into the fold
unlike the vampires in Near Dark though, The Lost Boys don’t have much in the way of personality. The young Kiefer Sutherland does give a good performance, but the rest of the tribe are essentially props, present to look cool and menacing, and barely have any speaking lines. That’s not a complaint though, because the focus of this film is more on the protagonist Michael and his family, in tandem with its stylized cinematography and rock ‘n’ roll/goth visual aesthetic and musical accompaniment
ultimately it’s a well-made, Hollywood production with plenty of memorable scenes, on par with Near Dark and Shumacher’s Flatliners, and immeasurably better than the Taxi-Driver-inspired fascist propaganda film he would go on to direct in 1993.
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Euphoria centers on CDC researcher Abby Arcane. When she returns to her childhood home of Houma, Louisiana, in order to investigate a deadly swamp-borne virus, she develops a surprising bond with scientist Alec Holland — only to have him tragically taken from her. But as powerful forces descend on Houma, intent on exploiting the swamp’s mysterious properties for their own purposes, Abby will discover that the swamp holds mystical secrets, both horrifying and wondrous — and the potential love of her life may not be after all.
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So we get more space adventures, more original story material and more about what will make this 21st MCU movie different from the previous 20 MCU films.
Watch The Lost Boys, viewers don’t consider the quality of movies to differ significantly between DVDs and online streaming. Problems that according to respondents need to be improved by streaming movies including fast forwarding or rewinding functions, and search functions. This article highlights that streaming quality movies as an industry will only increase in time, because advertising revenues continue to soar on an annual basis across industries, providing incentives for the production of quality content.
He is someone we don’t see happening. Still, Brie Larson’s resume is impressive. The actress has been playing on TV and film sets since she was 11 years old. One of those confused with Swedish player Alicia Vikander (Tomb Raider) won an Oscar in 2016. She was the first Marvel movie star with a female leader. And soon, he will play a CIA agent in a movies commissioned by Apple for his future platform. The movies he produced together.
Unknown to the general public in 2016, this “neighbor girl” won an Academy Award for best actress for her poignant appearance in the “Room”, the true story of a woman who was exiled with her child by predators. He had overtaken Cate Blanchett and Jennifer Lawrence, both of them had run out of statues, but also Charlotte Rampling and Saoirse Ronan.
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Casinos have always been a classic element in movies, and this list will take you through some of its most iconic scenes. From James Bond playing high stakes poker to Clive Owen delivering one-liners with ease – we’ve got it all here!
If you’re a fan of the genre, be sure to add these movies to your watch list. They promise to keep you on the edge of your seat!
Steven Soderbergh’s Ocean’s Eleven is undoubtedly one of the most iconic casino scenes ever filmed. This superb crime thriller helped define a knowing, arrogant tone for its genre.
The movie begins with Danny Ocean (George Clooney) approaching his buddy Rusty with the idea of pulling off an epic heist. To complete this massive job, which requires them to rob three casinos simultaneously, they enlist the aid of eleven expert thieves for assistance.
The heist proceeds as planned until Terry Benedict (Bruce Willis) arrives with an unsavoury partner. This devious, conniving individual betrayed Ocean’s mentor Reuben Tishkoff in a deal that saw Bank’s new hotel cast its long shadow over Benedict’s pool.
Ryan Coogler’s record-breaking Marvel movie Black Panther features many thrilling action scenes, but one of the most captivating is undoubtedly the casino fight. Not only is this scene a sleek homage to James Bond movies (an inspiration for the film), but it also pays sly homage to its pan-African roots.
Director Coogler recently spoke to Vanity Fair about the iconic one-take scene that takes place on two levels of an illicit casino in South Korea, featuring choreography and camera work that elevates it beyond incredible. In his video interview with Vanity Fair, Coogler delves into the details behind this remarkable one-take, showcasing why it’s such a remarkable moment.
Technical mastery is no surprise given Coogler’s level of humanistic storytelling in his works. He prefers one-take action scenes to achieve a certain distance between characters and create intensity that would be undone by cuts.
Rain Man, released in 1988, proved popular with both critics and audiences alike. It earned four Academy Award nominations – Best Picture, Director and Actor for Dustin Hoffman.
It was inspired by real-life events and people, such as screenwriter Barry Morrow’s close friendship with intellectually disabled man Bill Sackter.
He had also collaborated with Kim Peek, who suffered from autism and the rare condition known as savant syndrome.
Peek was endowed with remarkable memory powers, enabling him to read books in an hour and remember everything he had read.
This made him the ideal inspiration for Raymond Babbitt in Rain Man. Not only would this give him a platform to showcase his abilities on-screen, but it would also enable him to raise awareness about autism and savant syndrome among the public.
The Hangover is an R-rated comedy that has become a global success at the box office. Directed by Todd Phillips, it stars Bradley Cooper, Ed Helms and Zach Galifianakis.
In 2009, this film became the highest-grosing R-rated comedy ever and set a new budget record at $35 million: making it both one of the first movies to make such an investment.
However, despite being a hit at the box office, it wasn’t well-received by critics. It received an average rating on Rotten Tomatoes and earned a total worldwide revenue of $362 million.
The movie is based on a true story and includes an iconic casino scene – though unfortunately it is not set in Las Vegas.


FREEMAN: OK A-ni-ni, I’m going to...
ANENI: Sorry… It’s Aneni.
FREEMAN: OK. A-ni-nie.
- Extract from 'The Immigrant'
Eliot Moleba is a Johannesburg based playwright, theatre-maker and director. He studied his Dramatic Arts degree at the University of the Witwatersrand. Moleba uses theatre to address relevant social issues affecting young people, especially the relationship between the ‘old’ and ‘new’ South Africa and how the transition affects youth identity. He was recently one of the playwrights in residence for ASSITEJ SA’s Inspiring A Generation programme, currently one of the playwrights in residence with The Royal Court Theatre, London, and an alumni of the Theatre Project with the DO School, Hamburg, Germany.