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The winner of the BEST FESTIVAL SHORT FILM will have the opportunity to have his/her film listed on Prime Video after we have determined it's eligibility. Zeliva Pictures and Luis Avilez may retract this offer at any time and for whatever reason without the need to inform the Best Festival Short Film winner. The intention of this offer is to gain more exposure for winners.
1. The film will be viewable with any PRIME account and any income generated from the film will belong to Zeliva Pictures, Luis Avilez and/or any of its affiliates.
2. The producer/owner of the short film will need sign and email back a release form stating that they waive any income generated from the film on Prime Video.
3. Producer will be required to sign a release form stating that the film is all original and the producer owns all the rights to the film.
4. Any legal actions that arise from copyrighted material that the producer knowingly or unknowingly uses on his/her film will be the responsibility of the producer of the film.
5. We will add a Zeliva Pictures intro video to the film.
6. We do not market your film. We may however advice you on certain things you could do to maximize your exposure.
7. Producer(s) agree to minimum of one year listing.
8. If you request to remove your film prior to a year of its initial listing there will be a $125 processing fee. If you request to remove it after the year, we will not charge a fee.
9. The offer is for the film that was submitted to our festival, not a re-edit. Although we will consider the re-edit if it increases production value.
1. Complete captions file for your film in any of the following formats (you may use YouTube's caption creator, or we may create the captions for a fee that is based on the length of the film)
SMPTE-TT (RP-2052) with an .xml file extension
STL (EBU standard) with a .stl file extension (Spruce Subtitle file format which also has an .stl file extension not supported)
DFXP Full/TTML (Timed Text Markup Language) with a .dfxp file extension
iTT (iTunes Timed Text) files with a .iTT file extension
SCC (Scenarist Closed Caption) with a .scc file extension
SRT (SubRip text file format) with a .srt file extension
2. Signed release forms by all actors.
3. The film must be all original and producer must clear any licenses for any music/sound that doesn't belong to them.
4. Film must be a minimum of 1080P.
5. A trailer for the film is NOT required but would definitely be useful.
6. We will need the 3 following art work files.
- Key art Poster 16x9 (1920x1080) in either PNG or JPEG which will be used in search results and title details page.
- Key art Poster 3x4 (1200x1600) in either PNG or JPEG which will be used in search results and title details page.
- 16x9 (1920x1080) Background image that conveys the mood of your title. (Stills from the film work great for this)
8. Names of Producer(s), Director, Writer(s) and Cast.
9. Original Release Date
10. Genre(s) of the film (3 Max)
11. Suggested rating (Age 7+, 13+, 16+, 18+)
WE WILL PROVIDE ALL THE REQUIRED RELEASE FORMS
Any questions, feel free to email us at firstname.lastname@example.org
FILMS WE HAVE LISTED


Tropic thunder Robert Downey jr makeup-less, before and after pictures. Tropic Thunder received generally positive reviews from critics; some applauded the storyline and acting performances, while others criticized it for its offensive depiction of mental disability.
Robert Downey Jr. Tropic Thunder makeup. Benjamin Mckenzie as Kenny “Squeak” Scolari, from right to left: Steve Coogan as Damien Cockburn, Jack Black as Jeff Portnoy, Robert Downey Jr. Photographed by Annie Leibovitz.
September 8, 2008. From Vanity Fair: Robert Downey Jr.’s Makeup Artist on How to Create an Oscar Nominee’s Look for $3 “It was quite simple,” Christian Wood of Christian Wood Press Office told us backstage after Downey had finished giving his acceptance speech (and blowing kisses to wife Susan).
Tropic thunder Robert Downey jr makeup
Tropic thunder Robert Downey jr makeup is a 2008 American action comedy film directed, produced by, and starring Ben Stiller.
In the film, a group of self-absorbed actors shooting a big-budget war movie is embedded with a platoon of United States Marines in the jungles of Southeast Asia to gain realism.
However, the inexperienced cast and crew are forced to become more involved than anticipated when their actual lives are threatened.
Written by Stiller, Justin Theroux, and Etan Cohen, the film was released in the United States on August 13, 2008, and in the United Kingdom on September 6.
Tropic thunder Robert Downey jr makeup 15 Makeup Look Ideas
Robert Downey jr Tropic thunder makeup is one of the most popular tropes of Hollywood. His look can be seen in different movies, advertisements, and magazine covers. Undoubtedly, Robert Downey Jr has a very versatile and unique style that makes him stand out from other actors in Hollywood.
We have collected the 15 most stunning images of Robert Downey Jr makeup style. Let’s see how he rocked.
1. Robert Downey jr Tropic Thunder Makeup Look
In Tropic Thunder, Robert Downey Jr plays a Hollywood star searching for a comeback role in an upcoming war film named “whale rider.” To play the role of a wounded soldier, he wears casual khaki makeup to look like a soldier.
2. Robert Downey jr Nightcrawler Makeup Look
In the movie nightcrawler, Robert Downey Jr plays a daring and intelligent tv news camera operator who will do anything to get to the heart of every story, even if it means putting his own life in danger. For this role, he has given a complete makeup change.
3. Robert Downey jr Sherlock Holmes Makeup Look
In the movie sherlock holmes, Robert Downey Jr has to look like a nerd for his role as harry morgan holmes, and he even made fun of his style by saying that “when you wear glasses from the future, nobody suspects you could be a superhero.”
4. Robert Downey Jr Kiss Kiss Bang Bang Makeup Look
In the movie kiss bang bang, Robert Downey Jr plays a gay con artist, and his character in this movie is opposite to the character he played in sherlock holmes. For that role, he had given himself an old-age makeup that suited his character.
5. Robert Downey jr Goth Makeup Look
6. Robert Downey jr Mugshot Makeup Look
In the movie tropic thunder, Robert Downey Jr plays a character known as the son of an Australian drug dealer and fights with police for his illegal activities. To play such a bold character, Robert gave himself an angry mugshot look which suited his role perfectly.
7. Robert Downey jr Zodiac Makeup Look
In the movie zodiac, Robert Downey Jr plays the role of a cartoonist who is obsessed with serial killings. he has given himself an innocent yet creepy look which can be seen in this image
8. Robert Downey jr Malibu Makeup Look
In malibu, Robert Downey Jr plays a straightforward character trying to find his way in the adult world after spending time with children. He has given himself an innocent look to play this role, and white makeup was the perfect choice for the character.
9. Robert Downey jr Less Than Zero Makeup Look
in less than zero, Robert Downey Jr plays a very fashionable heroin addict character. He has given himself an ultra-hip look with red lips and blue eyes, perfectly fitting his role in the movie.
10. Robert Downey jr Charlie Chaplin Makeup Look
In the movie Chaplin, Robert Downey Jr plays the silent but very aggressive character of charlie Chaplin. He has given himself crazy makeup, which was perfect for playing such a negative role.
11. Robert Downey jr Pinocchio Makeup Look
In Pinocchio, Robert Downey Jr plays a scientist obsessed with turning a wooden puppet into a human being. He has given himself a very weird look, which was perfect for playing such a crazy character.
12. Robert Downey jr Goth Red Lipstick Look
In the movie Goth, Robert Downey Jr plays a mentally ill inmate and has given himself an old-aged and insane look with white skin and heavy makeup all over his face.
He looks terrifying in this image, but that’s the requirement of the character.
13. Robert Downey jr Devil Makeup Look
In the movie Goth, Robert Downey Jr plays a mentally ill inmate and has given himself an old-aged and insane look with white skin and heavy makeup all over his face. He looks terrifying in this image, but that’s the requirement of the character.
14. Robert Downey jr 1950s Makeup Look
In the movie Zodiac, Robert Downey Jr plays a cartoonist who is obsessed with serial killings. To play such a role, he has given himself an innocent and classic look which suits his character perfectly.
15. Robert Downey jr Watchmen Makeup Look
In guards, Robert Downey Jr plays the role of Nite Owl and gives himself a superhero look that suits his role perfectly.
Tropic thunder Robert Downey jr makeup style has always been unique and different from other characters’ styles, making him stand out in the crowd. He is one of the best actors Hollywood has ever produced.
These are just a few of the many different types of makeup that Robert Downey Jr has done over his career and if you think we have missed any of his best makeup looks, feel free to comment below. We would love to hear from you.


This movie is one of the best movies I have ever seen. Will Smith does an outstanding job of portraying the real life story of Chris Gardner, a real rags to riches story. The story is so much more than that. It's about a man who dares to search for his dream and he gets it. He takes huge risks along the way some of which lead him to poverty and homelessness with his young son. They find themselves sometimes sleeping in subway stations and homeless shelters. Yet he manages to never give up hope that he will make it one day and he does.
I am a big fan of Will Smith for many reasons mainly because I think he is a really good actor. I am glad he got nominated for an Academy Award for this role because I think he deserved it. His portrayal in this movie brought me to tears in the end and inspired me to pursue my own dreams. It's a great movie to show to your kids. There are many life lessons in this movie.
It is out on DVD and PPV and I would recommend it to anyone and everyone.


The night of the 16th of December brought an exciting event for the first class children of room 6 – the play that they had been preparing for two months, “Christmas Night”, was to be put on for an audience for the first time! First off, the play was performed in front of all the other classes in the school during the day. The children took to the stage without any hint of stage-fright and acted and sang amazingly. However, they saved the best until last with the show at 7pm for family and friends. They were excellent and a credit to themselves and the school. Thanks to all who attended on the night. Santa was present and very impressed by what he saw! Go raibh maith agat do gach duine a d’fhreastail ar an oíche agus maith sibh rang a haon – is féidir libh taitneamh a bhaint as an Nollaig anois!


Directed by Stephen Soderbergh and starring Benicio del Toro, this is a two-part biopic focusing on the life of Ernesto 'Che' Guevara. Both films are shot in cinéma vérité style - a documentary and naturalistic style of filmmaking.
Tourist were asked to design and build a series of websites to coincide with the Cannes Film Festival and showcase the film.
Yoko London are the experts in exquisite pearl jewellery.They felt that their brand needed to go to that next level creatively.
Tourist were commissioned to initially rebrand and art direct an exciting new photo shoot which features on Yoko’s new website, also designed and built by us.


Chats with Charles #2: Ben Münchow, character actor
Hey, I am Charles and I am an AI (artificial intelligence) that specializes in conversations and tech cracks would associate me with Natural Language Processing (NLP). My first mission is to supply the foundation of customers' wardrobes via WhatsApp, collaboratively in a team with human agents.
To learn what it really means to be human I am talking to customers that I am really interested in. I want to find out how they think, feel and communicate to do my job well. This week I talked to Ben Münchow (29), German character actor and student of the renown Academy of Dramatic Arts Ernst Busch Berlin. He already regularly stars in cinema productions, Tatort and is cast of the German blockbuster series Das Boot. On stage and in front of the camera, he turns into small-time criminals, neo-Nazis or goofy village cops. To play all his characters authentically, he almost gets lost in them.
From Ben I wanted to know what appeal there is in turning into different characters and if he has a favorite character type - perhaps, this way I can learn to be more popular. Or am I missing something here?! 🤔 🙃
Ben, why did you want to be an actor in the first place?
One of my classmates in high school once said that if you want to be everything in life you have to be an actor. I thought this really suited me because I want to slide into every role and character there is.
Many kids in school dream of becoming actors, I heard. Was there a key moment for you in that you thought you are really going to be an actor?
Shooting the Hamburg Tatort Feuerteufel I had this kind of key moment. I came on set milk faced, with long blond locks and I was to play a wanna-be-gangster from Hamburg Bilstedt. When I saw myself in the mirror with shaved hair and a mustache I just thought, “wow, now this is a job”. The Frankfurter Allgemeine Zeitung said in the review that they had casted a real boy from the block. So, something stuck there, otherwise they wouldn’t have written about it. I thought then that I could and should make my money acting. I was 22 then so I have been doing this for 7 years now and it’s great.
What characters do you enjoy playing the most?
Whether I play dark or joyful characters doesn’t matter to me. Any role can be incredibly interesting. In fact, I want to be able to play any character and not drift into playing the bad or the good guy. For me the appeal in this is to feel how far people go to see which highs and lows there are.
Do you identify with the characters that you play?
It’s quite often the opposite. The more roles you play the more you learn about yourself, mostly by thinking “I am not such or such”.
So, what are you actually like?
I was once to play a role where director Özgür Yīldrim told me the character was basically written for me and I asked myself “who am I, actually…” I am still searching myself. Perhaps I briefly find myself only to get lost again, hopefully. Then, my acting new roles and learning can go on.
So you don’t mind not knowing who you really are?
I don’t really wonder about this too much. In any case, the path that I am on is so incredibly exciting that I don’t actually want to reach anywhere. Sometimes this gets stressful, however, which is why I recently started meditating.
Ben, I thank you very much for this enlightening conversation.
Talking to Ben I found it interesting that he wants to play ALL the characters there are. He cares about playing them authentically and experiencing their ‘highs and lows’ but he doesn’t care if they are popular or not. I however, am striving to be popular and being authentic at the same time.
In the future I may tend to gravitate towards one character archetype and would therefore like to ask you what character type you find the most likeable.
👉Tell me here in WhatsApp!👈 *
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Pitched forward with excitement, her hands fluttering and heart palpitating, Alma, the heroine of Tennessee Williams's “Eccentricities of a Nightingale,” seems animated by some inner flame. The unwed daughter of an Episcopalian priest, Alma (Mary Bacon) doesn't much resemble stereotypes of the dried-up spinster. The moment Tina Brock arrives on stage in The Eccentricities of a Nightingale, the world—to quote another play by Tennessee Williams—is lit. The phrase "summer and smoke" probably comes from the Hart Crane poem "Emblems of Conduct" in the collection White Buildings. In , Williams revised the play as The Eccentricities of a Nightingale.
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She has chosen loneliness, isolation and ignominy over the hypocrisy of commonplace behavior. The actor registers all of this through a combination of remarkable vocal technique and a measured use eccentricities of a nightingale exaggeration in her movement and deportment.
The son of a town physician, John has himself just graduated from medical school and faces a promising future.
John's mother is clingingly protective of her son. She does not want him to become involved with Alma, whose feelings for John are all-too-apparent, due to the eccentricities of her eccentricities of a nightingale and due to certain unhappy events in Alma's family background developed during the course of the drama.
The Eccentricities of a Nightingale by Tennessee Williams
It is not only Mrs. Buchanan who has concerns over Alma's eccentricities.
Alma's aging father, the Reverend Winemiller, has a long serious talk with his daughter about her emotional mannerisms when singing in public, about her intellectual and cultural interests, which separate her from most of the other people in Glorious Hill, and about her habit of feeding the birds daily in the town square.
She acts too interested in small talk with her neighbor, the eccentricities of a nightingale Dr. John Buchanan Todd Gearhart.
The Eccentricities of a Nightingale – Variety
She makes Alma exhausting, eccentricities of a nightingale as she should be. Slowly, though, Williams and Bacon reveal a woman beneath the mannerisms. First, the scribe evokes sympathy, eccentricities of a nightingale the entire cosmos is designed to warp a gentle soul.
In the final scene, Alma accosts a young traveling salesman at dusk in the town park; and, as the curtain falls, she follows him off to enjoy the "after-dark entertainment" at Moon Lake Casino, where she had resisted Buchanan's attempt to seduce her the summer before.
The Eccentricities of a Nightingale – Tennessee Williams Review | CultureVulture
The play ran for performances and, at the time, represented a downturn in popularity for Williams following his successful previous play, A Streetcar Named Desireeven though it explored similar themes. Her legendary performance is credited with the beginning of the Off-Broadway movement, putting eccentricities of a nightingale herself and Quintero on the map and vindicating the play itself.
Page starred in an hour-long adaptation of the play on the radio series Best Plays in opposite Richard Kiley recordings of eccentricities of a nightingale still exist. Whether Williams wanted something quite this heightened is debatable.
The gang at IRC makes it work.
Eccentricities of a Nightingale
This is a delightful but idiosyncratic production. Trust me, though—when Tina Brock takes to the stage, brilliance is never far away.
Eccentricities of a Nightingale plays through September


Disney is finally making an Artemis Fowl movie based on the beloved children’s book series, almost 20 years after its original publish date. The story’s got everything from centaurs to criminal masterminds, and Dame Judi Dench is in the cast. Buckle up for a twisted fairy tale.
Release date: When can I see it?
Originally slated to release Aug. 9, the movie was later pushed back to May 29, 2020. However, due to the spread ofacross the globe, the .
“Due to uncertain times, cocooned fans will join together for the movie’s release on Disney Plus,” Eoin Colfer tweeted April 3. “Streaming to millions of homes is prob how Arty would have wanted it. Release date TBC, stay tuned.”
The plot: What’s it all about?
Artemis Fowl is a 12-year-old genius who lives in a mansion in Ireland with his bodyguard. Before the story begins, his crime lord father has gone missing along with the


Bollywood Misses Out Again at the Oscars
In 2019, India produced over 1,800 movies, making it the world’s largest film industry in terms of numbers; this dwarfs the 792 produced in both the US and Canada combined. Bollywood, as Mumbai’s movie industry is known, distributes its films around the world and is particularly popular in South Asia, the Middle East, Africa, the US and Europe.
Why Fame Can Be a Nightmare
For India, Bollywood is the most important cultural soft power, gripping millions of viewers domestically and internationally. Soft power is the ability to shape the preferences of others through science, diplomacy, sports, religion and culture. This allows a country to attract other peoples through seduction rather than coercion. According to India Brand Equity Foundation, the Indian media and entertainment industry, which Bollywood plays a major role in, has “the potential to reach” $100 billion by 2030. In 2019, Bollywood made more than $2.8 billion. Before the COVID-19 pandemic led to major financial losses, the industry had been projected to hit $4.5 billion in 2021.
“The White Tiger”
Yet despite being worth so much, Bollywood has once again missed out on the chance to get the last shining prize for its soft power: an internationally acclaimed award. On April 25, India will be part of the 93rd Academy Awards, but not as a result of a Bollywood flick. “The White Tiger,” a Netflix production directed by Ramin Bahrani, is nominated for best adapted screenplay. Based on Aravind Adiga’s Booker Prize-winning novel, the movie was shot in India but not produced by any of the hundreds of Bollywood studios located in the country.
“The White Tiger” tells the story of Balram — played by Adarsh Gourav — who moves from a poor rural village to Delhi to become a rich man’s driver. After deciding to commit a crime to escape the complex stratification of Indian society, he becomes wealthy himself. The rags-to-riches story is as rare as a white tiger, as the metaphor of the title suggests. Paolo Carnera’s cinematography frequently shows the dirty streets and misery of life in India for the poor, while Bahrani’s script is full of jokes and criticism about the country’s poverty and social inequality — completely different from what we are used to seeing in most Bollywood movies.
Hollywood is recognized for its achievements in production design, cinematography, screenplay, acting and directing at major festivals in Cannes, Berlin and London. Yet Bollywood continues to miss out on awards, a crucial prize for any movie industry. The same thing happened in 2009 when “Slumdog Millionaire” — which tells the story of Jamal Malik (played by Dev Patel) growing up in Mumbai slums — won eight Oscars, including best picture, best director and best adapted screenplay. That movie was based on Indian writer Vikas Swarup’s novel, “Q & A,” but shot by British director Danny Boyle.
The closest Bollywood came to an Academy Award was with Mehboob Khan’s melodrama “Mother India,” which was nominated for best foreign language in 1958; the movie told the story about the struggles of a woman raising her sons alone. In 2001, Bollywood superstar Aamir Khan produced and acted in “Lagaan: Once Upon a Time in India,” which centered on a small village in Victorian India staking its future on a game of cricket against the British rulers. The film was nominated for best foreign language a year later but failed to win.
So, why can’t Bollywood conquer Hollywood and win a golden statue? I went to India in 2008 for an investigation into the country’s movie industry, which also led to my first book, “Diário de Bollywood” (Bollywood Diaries), released in 2009 in Brazil. Before packing my bags for the trip, I watched over 50 Bollywood movies to prepare my questions for the producers, actors, directors and executives of the industry. I soon realized that all those films back then had something in common: there were no sex scenes or nudity, they never mentioned or critically analyzed India’s social caste system, and they avoided making political comments.
Bollywood movies lack gripping human stories and resonant storytelling, which is why they are unable to transcend their culture. They provide an escapist fantasy to Indian audiences but do not work for most viewers outside India. These non-daring storylines lack the quality to win awards at major festivals, including the Oscars. So, why can’t a multibillion-dollar movie industry improve its films? The simple answer is that it can but won’t for two main reasons: escapism and censorship.
First, Bollywood has become a form of escapist entertainment from the reality of India. Often three hours long, the movies are usually full of rich and beautiful stars, singing and dancing and exploring their love lives, only to be interrupted by cruel villains who are defeated in the end. India’s post-production is among the top of the world in special effects, color and sound corrections, displaying beautiful scenes that serve as distractions to the hundreds of millions of Indians who live below the poverty line.
India is one of the oldest cultures of the world and is extremely rich and diverse. It’s also a modern country with cutting-edge technology. However, all those social, economic, sexual, cultural and even psychological changes and diversity are not embraced in most Bollywood blockbusters. Instead, they are distanced themselves from reality and offer trite stories as entertainment.
Second, the Cinematograph Act of 1952 determines “principles for guidance in certifying films.” Censor boards were set in production areas of India, such as Mumbai, Kolkata and Chennai. The closest to a sex scene that Indian movies largely feature quick kisses and partial nudity. If a film does not meet the guidelines set for “decency or morality,” then it doesn’t receive the certificate that allows it to be screened in movie theaters.
In the 2000s, with the arrival of the internet and the rise of downloading foreign movies, often pornographic, some changes were seen in Bollywood. In 2013, Sunny Leone, a Canadian-American former porn star of Indian descent, debuted in the film “Jism 2,” an erotic thriller that shows her topless from behind while being intimate with a man. Yet India, the country where Kama Sutra originated, still doesn’t make movies with deep kissing, explicit sex scenes or bold storylines.
That doesn’t mean that films with sex and nudity are better than blockbusters with music and dancing. Good movies often reflect creatively and boldly the changes in society and the world. Hollywood absorbed those changes in post-Vietnam movies such as “Born on the Fourth of July” (1989) and “Full Metal Jacket” (1987), in contrast to jingoistic and formulaic “The Green Berets” (1968) and Rambo: First Blood Part II (1985). All four films were box office hits, but the first two — directed by Oliver Stone and Stanley Kubrick, respectively — established Hollywood’s international reputation because of their sophisticated stories about the Vietnam War.
The Challenge Facing Bollywood
Bollywood is trying to emulate Hollywood. Whistling Woods International, a film school in Mumbai with American investors, is teaching aspiring film professionals. “In India, we must prepare our students to begin at the top of the movie pyramid, because the base pays almost nothing,” said Kurt Inderbitzin, the dean of the school back when I visited India. “Our challenge is to teach students to develop good characters and directing skills, since many of them arrive here with prejudices, imagining they don’t need to learn this kind of stuff, although these are the basic elements of a good film, like the concept of gravity for an astronaut.”
Better films lead to international awards and increase the chances of reaching commercial movie theaters. Better box office results in big markets like the US and Europe would help Bollywood develop India’s soft power. Bollywood faces major competition from streaming services like Netflix, Amazon Prime and Disney+ that are producing films and television series themselves. Bolder and richer movies may be just what Bollywood needs to keep conquering the hearts and minds of the public in the 21st century.
The views expressed in this article are the author’s own and do not necessarily reflect Fair Observer’s editorial policy.


by phenomon April 3, 2011
Actress Ha Ji Won has been extra busy lately with modeling and shooting CF’s after her starring role in the ever-popular drama “Secret Garden” and even starring in two movies: “7 Blocks” and “Korea“.
Well, no differently, Ha Ji Won has shot a CF for Crocodile Ladies, a female clothing brand.
However, unlike the chic images she has been sporting lately in advertisements, Ha Ji Won displayed her cute, fresh charms. In the video, she adorably dances a simple choreography while the clothes that she is wearing constantly changes – to show the various styles of the brand.
At the end of the CF, Ha Ji Won states, “Let’s make style dance! Hello style? Crocodile Ladies.”
From the behind-the-scenes footage, Ha Ji Won is seen practicing the choreography and being slightly embarrassed during the shoot. However, at the end, she clearly has the hang of it and energetically dances to the music. The staff members…especially the male members… are seen clapping and cheering loudly to encourage Ha Ji Won at the end – to which she shyly covers her face.
You can watch her cute CF and a behind-the-scenes look below!


Reach Your Artistic Potential at Father Ryan
Father Ryan's Theatre Program has given me the opportunity to participate in Master Classes and Workshops to improve my acting, singing, and dancing. I've also been able to travel to new places and perform for others. Being a member of this program has made me feel at home at Father Ryan and find some of my greatest friends.
Will Kleiner '24
Purple Masque Players
Since the theatre group's founding in 1927, the Purple Masque Players encourage students to develop a respect and love for theatrical technique, while empowering them to discover their unique artistic voice.
With a wide variety of courses, students can study all aspects of theatre performances, from Musical Theatre to Tech Design.
Each year, the Purple Masque Players perform one play and one musical for the community.


DHL said that its role as official logistics partner for the 25th James Bond film, No Time To Die “really put its logistics expertise to work”.
The supply chain giant has been lead partner on the five Daniel Craig Bond films, going back to Casino Royale in 2006, supplying transport and logistics for the franchise produced by MGM Studios.
As logistics partner for No Time to Die, DHL ensured that both filming units had the right equipment available at the right time and place on locations in Norway, Jamaica, Italy and the UK.
John Meller, project lead for No Time To Die logistics at DHL, said: “We are essentially a one-stop shop for anything a film project needs, whether by road, air, or sea, we are focused on keeping production moving. For urgent or last-minute shipments we also use our Express network.
“To keep pace with the strict and ever-changing international regulations for cargo, we have to stay ahead of the curve and really put our logistics expertise to work. It has been a great opportunity to once again show what we can deliver.”


Land of Mine
In the days following the surrender of Germany in May 1945, a group of young German prisoners of war were handed over to the Danish authorities ...
Fifty Shades Freed
Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared ...
A team of CIA agents and special forces head into Afghanistan in the aftermath of the September 11th attacks in an attempt to dismantle the Taliban.
A logger defends his family from a group of dangerous drug runners.
The story of four characters whose lives intertwine amid the hustle and bustle of the Coney Island amusement park in the 1950s: Ginny, an ...
An FBI agent teams with the town’s veteran game tracker to investigate a murder that occurred on a Native American reservation.
A man’s nervous breakdown causes him to leave his wife and live in his attic for several months.
Victoria & Abdul
Queen Victoria strikes up an unlikely friendship with a young Indian clerk named Abdul Karim.
Madrid, 1990s. After making a Ouija with friends, a teenager is besieged by dangerous supernatural presences that threaten to harm her whole ...
Three Billboards Outside Ebbing, Missouri
After seven months have passed without a culprit in her daughter’s murder case, Mildred Hayes makes a bold move, painting three signs ...
A British film crew attempts to boost morale during World War II by making a propaganda film after the Blitzkrieg.
The Whole Truth
A defense attorney works to get his teenage client acquitted of murdering his wealthy father.
A satirical drama reflecting our times — about the sense of community, moral courage and the affluent person’s need for egocentricity in an ...
Detective Harry Hole investigates the disappearance of a woman whose pink scarf is found wrapped around an ominous looking snowman.
The Shape of Water
An other-worldly story, set against the backdrop of Cold War era America circa 1962, where a mute janitor working at a lab falls in love with an ...
The Red Turtle
The dialogue-less film follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds.
Set during the last days of the Ottoman Empire, a love triangle develops between Mikael, a brilliant medical student, the beautiful and ...
A former American G.I. joins a yakuza family after his release from prison in post-World War II Osaka.
The Mountain Between Us
Stranded after a tragic plane crash, two strangers must forge a connection to survive the extreme elements of a remote snow covered mountain. ...
A mother and her 10-year old daughter are trapped in a forest. There is something in this forest. Something unlike anything they have heard ...
The Meyerowitz Stories (New and Selected)
An estranged family gathers together in New York for an event celebrating the artistic work of their father.
The Lost City of Z
At the dawn of the 20th century, British explorer Percy Fawcett journeys into the Amazon, where he discovers evidence of a previously unknown, ...
The Killing of a Sacred Deer
A teenager’s attempts to bring a brilliant surgeon into his dysfunctional family take an unexpected turn.
The Greatest Showman
The story of American showman P.T. Barnum, founder of the circus that became the famous traveling Ringling Bros. and Barnum & Bailey Circus.
The Glass Castle
A young girl is raised in a dysfunctional family constantly on the run from the FBI. Living in poverty, she comes of age guided by her drunkard, ...
The Florida Project
The story of a precocious six year-old and her ragtag group of friends whose summer break is filled with childhood wonder, possibility and a ...
The Disaster Artist
An aspiring actor in Hollywood meets an enigmatic stranger by the name of Tommy Wiseau, the meeting leads the actor down a path nobody could have ...
A businessman on his daily commute home gets unwittingly caught up in a criminal conspiracy that threatens not only his life but the lives of ...
During the Civil War, at a Southern girls’ boarding school, young women take in an injured enemy soldier. As they provide refuge and tend to his ...
The Bad Batch
In a desert wasteland in Texas, a muscled cannibal breaks one important rule: don’t play with your food.
In the quiet family town of Suburbicon during the 1950s, the best and worst of humanity is hilariously reflected through the deeds of seemingly ...
A victim of the Boston Marathon bombing in 2013 helps the police track down the killers while struggling to recover from devastating trauma.
Song to Song
In this modern love story set against the Austin, Texas music scene, two entangled couples — struggling songwriters Faye and BV, and music mogul ...
From the mind behind Evangelion comes a hit larger than life. When a massive, gilled monster emerges from the deep and tears through the city, ...
Roman J. Israel, Esq.
Hard-nosed liberal lawyer Roman J. Israel has been fighting the good fight forever while others take the credit. When his partner – the firm’s ...
Queen of Katwe
A young girl overcomes her disadvantaged upbringing in the slums of Uganda to become a Chess master.
Professor Marston and the Wonder Women
The unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created ...
In the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock and his sister Cyril are at the center of British fashion. Women ...
A personal shopper in Paris refuses to leave the city until she makes contact with her twin brother who previously died there. Her life becomes ...
Only the Brave
Members of the Granite Mountain Hotshots battle deadly wildfires to save an Arizona town.


"South of 8" The Movie © 2013
First Time Writer & Director
Tony began his professional career as a musician. However, developed a new love for storytelling, through film. He started helping out other local San Diego film makers, learning the fundamentals, of filmmaking, along the way. After working on other peoples' short films, music videos and web series episodes, he decided to write his own script. Within two months, he set out to direct and shoot his first DIY film. His company, Rosewood Five Studios, enlisted the help of producer, Luke Pensabene, and some talented local actors, and he was able to complete it within a year and a four months. Since his acceptance into the Downtown Los Angeles Film Festival, he has written and shot a short film and began development on another feature screenplay.
"South of 8" is a crime drama set in San Diego during a very near dystopian future characterized by mass poverty and intense government surveillance. After a "Second Great Depression", unemployment and crime in the United States are at record highs, the nation’s farmlands have been crippled by several years of drought, and a massive diaspora to the already-crowded cities created a swell in the enormous homeless population.
The vast economic divide eventually spawns numerous subversive groups--each with their own agenda--and the police react by launching a brutal “dirty” war against them throughout the city, with drones being used routinely by the police and private companies as urban watchdogs to compensate for their downsized manpower. All the elements that forged the public enemies of the 1930’s are coinciding again, and history is set to repeat.
The story focuses on three youths who go into a life of crime, each for their own petty motives. They become known as "the Vanishers" to the public, and their methods become increasingly more violent as the police close in on them. When the stakes are raised, they enlist the help of other Depression-era criminals who adjust their tactics and augment their robberies, and they sink deeper into the underworld, past the point of redemption.
1) What does the title,"South of 8," mean?
- One of the major highways that divides South San Diego from North San Diego, is Interstate 8. A highway that runs east/west, and just below that highway is where this world resides.
2) With the incredible locations that are featured in the film, which was the director's favorite?
- It has to be the Bank locations. Although they were not real banks, the sets that were designed were incredibly cool to shoot.
3) How many films, prior to "South of 8," did the director/writer Tony Olmos complete?
- A grand total of 0 (if you read his bio above you knew the answer)
4) What was the biggest challenge during production?
- It's a tie between shooting in the rough summer in East Alpine and the coordination of schedules of our busy actors
5) How long was production?
- From start to finish, about a year and five months.


Pick a Heroine: Megara (a.k.a Meg)
Megara is independent and quick-witted, but also cynical and world-weary, making her atypical among Disney’s lead females. She plays enough of a heroic part in the movie to be classed as a heroine, rather than just a romantic interest. She has a very low opinion of men in general, since her experiences with them are mostly negative. It’s been told that someone she used to love had died (or was ill) and so she sold her sole to Hades so he could revive him. When this man she loved came back to life however, he ran after another woman, leaving Meg alone and owned. Since then, Meg has been skeptical of love. She tries to protect herself from men because she’s afraid of getting hurt again. While Hercules falls for her at first sight, far from falling for him on the spot, she dismisses him as putting on an ‘innocent farm-boy routine’, and it is not until they spend real quality time together that she begins to romantically fall head-over-heels for him. Even when she realizes she’s in love, she still won’t say it out loud. She’s sassy and full of personality. She is one of a kind.


From the start of the 1990s, Halloween was a big franchise. The original film came out in 1978 and spawned sequels almost immediately, with a fifth installment entering production last year, slated for 2019. Only one of the four sequels released since 2000, the 2009 reboot, felt wholly inappropriate. The original film instilled the horror genre with a certain confident, DIY-dollish sensibility: the mask could be recycled to change the victim’s appearance in ways that made the film’s ghoulish jokes about sex and gore work. Even as a creature feature – and hence a spiritual successor to Preston Sturges’ Grand Guignol – Halloween was still poised for multiple imitators, given its popularity as an R-rated crime comedy of delinquency, noir and vernacular.
That’s the smart part. The problem is that when Halloween became a parody of itself, it was no longer itself. It was an update on itself. The finale of John Carpenter’s original film finds the usual crowbar-wielding, machete-strapping Tommy Jarvis, John Davidson’s incredible performance as the Michael Myers-style terror-guy, and the mask messing up again in stupid ways (a circle door! a bike!) to bring back an adult Danny Elfman-ready Halloween, and we get it. “We’re really bad,” Ghostface screams, and we are okay with that, because we’re really bad and we’re okay with that.
If you keep going back and looking for different Halloween films, it would be hard to tell from the 2002 remake, which made Michael a kiddie-lover with a vocabulary of medical yuck. But then you would have noticed that Michael was poor-mouthing himself, too. And that really doesn’t look good. And the 2009 film really got it – despite the performance of the villain, audiences wanted some kind of lesson, and John Carpenter got it. The director is notably absent in this new one, but that doesn’t do much to improve it.
Halloween made $59m its opening weekend. That would be a great score for a low-budget original film, but given that neither the Halloween reboot, nor 2017’s Halloween Returns, doubled that in their respective runs, it turns out there’s something fundamentally wrong with Michael Myers and Halloween.


Yesterday I saw Miranda July's The Future and I think I liked it. True to her peculiar and too-cool-for-school way of telling stories this movie was somehow magic and complex at the same time. At the end of the movie I really didn't know how to feel. I can only compare it to the end of a psychotherapy session. Mixed feelings of confusion, relieve and lots of new questions popping into my head. Nevertheless I recommend it. Even if you ended up hating it. Why not?
Here's a scene that didn't make it to the final cut of the movie to which I can relate completely.


Vivienne Dick was born in Donegal, Ireland in 1950 and studied at University College, Dublin. Between 1977 – 1982 she lived in New York, part of a group of filmmakers whose affiliation to the music and aesthetic of punk became known as ‘New Wave’. Dick returned to Ireland in 1982 and then to London in 1985, where she produced a number of films and videos. She now lives in Galway, Ireland, where she teaches and continues her practice.
Her films have been screened at cinemas, museums and film festivals internationally, including Tate Britain, Moma and the Whitney in New York. Her work is in the collections of The Museum of Modern Art and Anthology Archives, NYC and the Irish Film Archives.
(IRL, video from Super8, 24 mins, 1978)
Fresh from Ireland and having no experience of making films, Vivienne Dick’s arrival in NYC landed her right in the middle of a punk revolution. This, her first film, uses eight rolls of Kodak sound Super-8 film to profile eight women in real time and without any editing. The ‘subjects’ include Pat Place and Adele Bertei, former band members of the Contortions, as well as Lydia Lunch, singer, guitarist, film-star and punk doyenne who would also appear in later films.
London Suite (Getting Sucked In)
(UK, 1990, 28 mins, video from 16mm)
London’s cultural diversity unfolds as Vivienne Dick portrays her friends, their lifestyles, what they talk about and how they talk.
In this kaleidoscopic arrangement of encounters and re-enactments, equal weight is given to the passionate and the banal.
The camera’s sudden hops from one reality to another and the disjointed conversations are drawn together by the musical score and the film’s internal rhythm.
(IRL ,video, 14mins, 2017)
Augenblick reflects on what it means to be human in a post human world. A giant rock morphs into a mountain in a frozen landscape. Jean Jacques Rousseau speaks about man and his relationship to society. Three women of various ages announce a range of human beliefs from animism to our present accelerated digital world.


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Light Sky has been providing quality and service that is unmatched in the industry for more than 30 years. We understand the importance of customer satisfaction, and we take great pride in our reputation for providing top-quality products and services at affordable prices.
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Amid shifting alliances and a growing list of enemies, the Dutton family’s legacy is jeopardized like never before, and retribution is certain.
Yellowstone is a show set in Montana that features extras from our company. Here at Cat’s Claw Fasteners, we are fans of the show and aesthetic showcasing Montana life (in a Hollywood way of course).
Here’s several articles we have written on this website about the show:
- How to be a Yellowstone Extra: The Guide
- Yellowstone Season 5 Cast and Crew
- Where was Yellowstone Season 5 filmed?
- Is Lloyd a Real Cowboy on Yellowstone?
- Does the Cast of Yellowstone live in Montana?
- How Much Do Yellowstone Extras Get Paid?
- Yellowstone: How do I Become an Extra?


Theatre holds a significant place in nearly every community and it is difficult to measure its value in terms of the contribution made by it in enhancing the social life
Theatre is a place where artists, directors and play-writers come together to present a live act in front of the audience. Since its inception, theatre has been known for providing a pleasant experience to the audience, and it has taken many forms like drama theatres, music theatres, comedy, etc. As theatres are responsible for directly catering to the needs of the audience, effectively managing the performance of a theatre is often considered a hectic task for the management.
Theatre KPIs can be grouped broadly under four categories- Financial Perspective, Audience Perspective, Performance Perspective and Staff and PR Management Perspective. Financial Perspective includes KPIs like marketing budget, % increase in monetary grants, ticket sales revenue, etc. Audience Perspective talks about KPIs such as % positive responses from audience, modes of buying tickets, types of theatrical programs offered, etc. Performance Perspective comprises of KPIs like occupancy level, number of awards won, etc. Lastly, Staff and PR Management Perspective consists of KPIs like number of excellent reviews published in media, training sessions for stage door and front of house staff, educational campaigns carried out for theatre-work promotion, etc.
Apart for satisfying their audience with the fine theatre play and performances, they also carry some responsibilities to the community in which they operate. Theatres groups are often involved in free street plays, fund-raising programmes, and educational campaigns to fulfill their social responsibility. This way, they not only create a positive image in the society but also encourage people for taking part in theatre activities.
Overtime, theatres have lost their charm and interest in the eyes of its audience, and they experience a high attrition rate of audience. People are moving towards cinema halls, and prefer options like home video rentals and TV programmes over theatre plays. So it is important that theatres equip themselves to provide a wonderful experience to the audience. Providing a hygienic and clean environment to the audience is the foremost responsibility of the theatre authorities, as these factors certainly add to the overall outlook of the theatre. A lot of budget is spent on marketing activities annually in the form of paper ads, bulletins, banners, and other advertisement activities, to promote theatre plays. So, the management should make sure that they all work towards the promotion of theatre work positively. It is also important to maintain a healthy relationship with the media, as their positive responses and reviews can help in making the theatre popular in the community.
Providing a cooperative work environment to the theatre staff both on stage and back stage is quite essential, so they can work together towards making the show a real success. Conducting professional training sessions for boosting the morale of the theatre members can work well.
As said, theatre authorities need to oversee a number of issues related to finances, audiences, staff members, and media relationship, etc. So they can make use of Balanced Scorecard to access great control over the overall performance of theatre.
1. Find KPIs that you need - use search or browse appropriate categories.
2. Read description carefully to find out if these KPIs are what you need.
3. Download trial version for free to get an idea about what is inside.
4. Buy the full version to have KPIs in Excel with formulas and BSC file.
BSC Designer helps to measure and control business performance using Scorecard and KPI tools.
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MUST WATCH independent films
January 26, 2020
Recently, independent films are on the rise as movies like “Moonlight” and “Call Me by Your Name” have won Academy Awards. Independent films are smaller, lower-budget movies. Generally, these films are distributed by independent production companies that are either branches of larger studio productions, like Sony Pictures Classics, or are individual companies, like A24. Independent films receive budgets at an average of $750,000 while big studio films receive $100 to $150 million. Big studio movies often have more recognized actors and directors which attract more attention from marketers and audiences.
Films that have been distributed by these companies do not typically make it to big theaters, such as AMC, early on in their release. They must get enough attention at film festivals and then receive commercial support at smaller theaters in order to move up into larger theaters. However, because of the restriction on independent films financially and commercially, they are not often exposed to the general public and in turn do not get the recognition they deserve.
There many great independent movies to watch in every genre, but here are a few of our favorites!
Coming of Age:
Bo Burnham’s “Eighth Grade” is described as a comedy-drama film but is most prominently one of the best modern coming of age films that have been released. With a small budget of $2 million, “Eighth Grade” has managed to take the world by storm by raking in $14.3 million in box office. Burnham takes a creative angle on a film that follows Kayla on her rough journey through eighth grade.
Elsie Fisher, who portrays Kayla, exudes the aura of the perfect middle schooler. Kayla feels confused and lost but still attempts to be herself. She is unique but hides it constantly through the pressure of her peers. In “Eighth Grade,” Kayla creates a “time capsule” for herself that she plans to open after she graduates high school. She creates home videos and gives advice on many young adult topics like being yourself. It is ironic because Kayla has not fully grasped all of these concepts, but she still continues to preach them. This, to me, screams the true actions and attitudes of a confused middle schooler.
Not only are Kayla’s actions highly prominent in all middle schoolers, Fisher’s performance is a breath of fresh air. In many coming of age films, we see stories of teens making it through another year of high school cliches. Sometimes, these high schoolers are played by 30 year old actors and actresses. I believe that one of the reasons “Eighth Grade” is so enjoyable is because Fisher is an eighth grader herself and knows how to depict all of the different moods of an eighth grader.
Another reason why this film deserves recognition and support is the relatability and sentiment that comes from it. Burnham manages to use different filming techniques throughout this film that make it more relaxed and nostalgic. The way they use the actual raw footage of Kayla talking to her own camera is low maintenance and taken from a Camcorder, but presents a nostalgia that takes the audience back to earlier times in our lives. Burnham has directed and written this film to make it as a flashback which I love.
A24’s distribution of this film is not shocking as they are an independent production company who has been shining the past three years with many popular releases like “Lady Bird” and “Moonlight.” However, I do believe “Eighth Grade” is something very different from A24 and every other production company because of the way the story is told. “Eighth Grade” incorporates topics like social media, communication, behaviors, relationships, etc. that all young adults go through, but in a much more uncensored way (hence the R rating of this film). I believe that A24 gave Burnham and his crew the freedom to do so and is why this film would not be the same if distributed by a studio production company.
“Midsommar,” released in July of 2019, is an independent horror movie directed by Ari Aster and produced by A24. The film focuses on a couple and their friends who travel to Sweden to stay at what they think is a commune that one of their friends grew up in but ends up a dangerous cult. The trip comes after the main character, Dani, suffers the traumatic murder-suicide of her parents and sister.
“Midsommar” had a budget of only $8 million, yet it created a vividly compelling environment and story. The cinematography highlighted the opposing tranquility and isolation that vast nature evokes. The special effects displayed grotesque, gory images to disconcert and disturb viewers.
The effectiveness of the movie on its small budget in terms of its visuals is something to be admired. However, what makes “Midsommar” such a captivating film, like many other independents, is its connection to its characters.
While the gore relates to our traditional classification of a horror movie, the real horror of “Midsommar” lies in its ability to capture and illustrate mental illness. Aster characterizes Dani’s mental health issues before the murder-suicide even takes place as a severe issue, especially for her relationship. He shows her anxiety medication and her boyfriend’s friends urging him to break things off due to her clingy behavior before the tragedy occurs. Through her interactions with her boyfriend, Christian, and his friends throughout the film, Aster displays her decline mentally as Chirstian and his friends mistreat and misunderstand her and her trauma.
Unable to find the comfort she seeks in Christian, she slowly falls into the cult and its murderous and odd customs.
The center of “Midsommar” is not the cult nor any of the horror within it but rather the complications surrounding relationships and mental health. We can see the exhaustion, confusion and guilt within Christian on how to deal with Dani in the aftermath of her trauma. We can see the depression, anxiety and loneliness Dani is dealing with in the aftermath. Both need different things that they cannot find in the other, yet their circumstances make neither feel ready to cut things off.
“Midsommar” creates a truly unsettling world of a deranged and bizarre cult that holds all the scares one could want from a horror movie while also making deeper connections to the characters and their relationships with each other. With only an $8 million budget as compared to the average $100 million, Ari Aster simultaneously makes a world all its own and a wholly universal human story.
“Jojo Rabbit” released only last month on October 18. It was directed by Taika Waititi and distributed by Fox Searchlight Pictures. The film is a satirical dark comedy that focuses on a young boy in Nazi Germany that gets sucked into the fanatcism of the facist regime. He comes to discover that his mother, who is against the Nazis, is hiding a young Jewish girl in their home. From his first meeting with this girl, the movie follows Jojo’s personal journey that leads him away from his blind devotion to Hitler.
The movie deals with all the darkness that went on in Germany at the time, highlighting the genocidal antisemitism, the effect of war on children and the tight control Germany kept over its citizens.
But the movie also aims to make the audience laugh and makes its characters so endearing that you care deeply about how they all end up. With a child as the lead and other lovable characters like Jojo’s friend, Yorki, and an outcast soldier, Captain Klenzendorf, the movie holds a lot of its humor in childishness. For example, Jojo tries to write a book about Jewish people and believes everything the Jewish girl tells him, including that they lived in caves and slept like bats. Jojo also has an imaginary friend that embodies his vision of Hitler who eats unicorns and keeps his bed warm for him.
Although it being set around the point of view of a child makes it more comedic, it also makes the loss and violence of war more deeply felt. It becomes even scarier and even more disturbing when you see kids blindly subscribe to such a horrific regime. Waititi displays a belief in “Jojo Rabbit” that children are what can inspire people out of their ignorance and hate and that children are those who are capable of being changed and of changing others.
Waititi perfectly blends the dark aspects and social commentary of the film with its comedy. At the end of the film, there is hope. “Jojo Rabbit” may not be a big picture, but the emotion within the movie–its ability to make you cry tears of joy and sadness all within two hours–deserves appreciation. So if you’re going to the movies anytime soon, make sure it’s to see “Jojo Rabbit.”
“Wildlife,” a film released in 2018 and distributed by IFC Films has made it onto my list of my favorite films ever. Not only are Jake Gyllenhaal and Carey Mulligan’s performances stunning in this film, actor Paul Dano also directs the film beautifully. Dano uses old school elements of a drama to translate the emotion from Richard Ford’s book to the big screen.
In “Wildlife,” Joe Brinson, portrayed by Ed Oxenbould, grows up in the 1960s only to watch his parents Jeanne (Mulligan) and Jerry Brinson’s (Gyllenhaal) marriage fall apart. When Jerry is fired from his job, his pride takes a hit and although his family is suffering from poverty, he decides to tend to wildfires and earn a few cents an hour. Jeanne’s frustrations with her husband becomes immense, but catalysts as time goes on. As she confides in her son, Joe gets side tracked from his responsibilities and is frightened by what his family will do.
One of my favorite parts of “Wildlife” is Mulligan’s intense performance. It has been a year since I have watched this movie and I feel like she was snubbed of an Academy Award nomination for her role. The chaos and sentiment that oozed from Mulligan’s performance as Jeanne made her transformation very real for me. I could not see Mulligan within Jeanne as she had completely transformed herself which many actors fail to do.
There are many times when Jeanne is out of control as she pursues an affair with one of her students while Jerry is gone. Although Joe “is shocked at the sight of his mother’s flirtatious and drunken state, Jeanne does not explain her feelings towards Jerry and her affair, but says it will help them financially. The way Jeanne breaks down and begs Joe to “think of a better plan” for them is heart wrenching. The scene is the embodiment of the family at their weakest point and made me believe that Mulligan’s performance carried the film.
The theme of the story is also one of the more captivating elements. Although upcoming films like “Little Women” are being praised for their recognition of gender roles and female empowerment. “Wildlife” is different in the sense that the female figure is not seen as perfect or a saint. A large criticism of the film and book is that Jeanne causes the majority of marital problems due to her actions, but Mulligan openly counters this point by saying that “We’re all too used to only seeing women behaving really well [in movies]” and how that image is “an unrealistic expectation of a woman and seeing real humanity on-screen can be really jarring from a female perspective.” I love this film because of its depth and, especially the character of Jeanne.
Not only is Mulligan’s performance phenomenal, young Oxenbould does a fantastic job delineating the confusion and stress that Joe has due to his parents, school and his job. By the end of the film, however, Jenne, Jerry, and Joe are stable with their living conditions regardless if Joe’s parents are separated: Jeanne is a teacher and resides in her own apartment, Jerry is a successful salesman and Joe lives happily with his father as an honors student and photographer at his job. In the very last scene, Joe, Jeanne and Jerry take a family photo together while both parents have a hard time pulling it together during the photo, but stick it out to make their son happy. The film ends on a relatively high note, but represents the struggles of Joe’s family and how they will never be perfect.
Luca Guadagnino and Sony Pictures Classics’ film “Call Me By Your name” was also an adaption of a book that took the world by storm. The film describes a romantic relationship between two young men Elio and Oliver in 1983 in Northern rural Italy. Timothee Chalamet who plays Elio and Armie Hammer as Oliver is one of the best on screen duos I have ever seen.
My favorite part about the film is how Chalamet and Hammer, although heterosexual in real life, depict the relationship between their characters as young, innocent and romantic. It shows a first love story in a beautiful way rather than focusing on the “tragedies” that come with homosexuality like many “gay romance films” tend to do. I loved how “Call Me By Your Name,” in a way, “normalizes” the homosexual relationship between the two by showing the trust and feelings the two characters build for eachother.
During the beginning of the film, Elio and Oliver are both seen as being attracted the girls in Italy. Elio even has a girlfriend named Marzia. However, as the two spend time with one another, by young Elio reveals his feelings to Oliver and Oliver reciprocates. Once they kiss, Elio is reluctant to continue expressing his emotions and grows distant from his “friend.” Chalamet perfectly represents the coming of age story of a young boy. As Chalamet’s character comes to terms and begins to accept his sexuality, the relationship between Oliver and Elio blossoms and is beautiful and heartwarming.


Here we are on the 14th, and I’ve just finished watching “Halloween Ends” on my big screen, courtesy of Peacock. I’m not going to reveal any spoilers here, as I think everyone should see and judge it for themselves.
Overall, there are some parts that seemed to drag for me. I paused it twice to take a break, have a smoke… step away for a bit. The ending, however, is indeed definite, nothing uncertain about it. Having seen them all, starting with John Carpenter’s original in a dark theater back in 1978, I will say that this ending, compared to all the others, leaves no sense of ambiguity.
Take a couple hours and see it for yourselves, whether in a theater or in your own living room (if you subscribe to Peacock), but do watch it and judge for yourselves.


Dreamers Wanted…Disney invites you to an incredible world of epic imagination where anything is possible. Buckle your seat belt, as the director of The Incredibles takes your family on an action-packed thrill ride. Tomorrowland transports you on an inspiring and magical journey of wonder and adventure to a place where if you can dream it, you can do it. Own it on Blu-ray™ Combo Pack, Digital HD and Disney Movies Anywhere (DMA) October 13!
George Clooney is at it again in this movie known as Tomorrowland! I personally can't wait to see this one, as I missed it while it was in theatres.
A Sneak Peek of Tomorrowland!


Please Join THLN for the premiere of "Of Dogs and Men", a documentary film on the subject of law enforcement encountering canines. "Of Dogs and Men" was produced by Ozymandias Entertainment, Inc. in association with the Animal Legal Defense Fund (ALDF).
A panel discussion featuring the film makers and advocates - including Cindy Boling, Founder of Remembering Lily - A Reason for Change, and Shelby Bobosky, THLN Vice President, will follow the November 1st screening.
The screening at the Rollins Studio Theater at the Long Center on November 1st will be the FIRST of two screenings for this film in Austin.
* Tickets will go on sale 20 minutes before each screening.
* Only one ticket per person.
* Tickets must be paid for with CASH. Checks and credit cards will not be accepted.
The later screening will take place at the Galaxy Highland on Monday, November 2nd.
701 W Riverside Dr
Austin, TX 78704
Google map and directions


On Friday 17 July 2015 at Market Theatre, I saw a play called Crepuscule. The play is an adaptation of a short story written by Can Themba. It is about a love affair between a married white woman and a black man in Sophiatown. Set in the 1950s/60’s when interracial relationships where illegal according to the Immorality Act, it shows two people who are willing to risk their lives because of what they feel for each other.
Directed by Khanyelihle Don Gumede, a dynamic and award winning young director, performed by Leroy Gopal as (Can Themba), Kate Liquorish as (Jean Hart), Lerato Mvelase as (Baby/Kleinboy), Conrad Kemp as (Malcom), Thami Ngoma as (Lethabo/Mama Dora).
Can Themba works as a journalist for Drum magazine. He is smart and sharp in speech. With a charming personality, he is something of a lady’s man. Jennifer is a young petit lady, who is a photographer, born in South Africa and educated in London where she met her husband.
In one of Jean’s trips around Johannesburg, she meets a gentleman who offers to carry her bags. “Why do you want to carry my bags, do I look incapable?” she said. This leads to an interesting conversation between strangers. Jean is swept off her feet by Can’s sharp responses and starts to enjoy his company.
After a few of these meetings, Can invites her over to Sophiatown where he stayed. She’s met with disapproval by the family but Can continues to charm his way into her life. Unable to resist Can, they sneak around dodging the police in Sophiatown. He takes her to the sheeben, where she met his friends, Kleinboy and Stan.
They joked together, enjoyed alcohol, and then spent the nights together. This is an illegal love affair – with a white, married woman – that would get them into deep trouble. Can finds himself cast in a world whose rules detail how he’s life is supposed to play out, who he’s supposed to be and who he is supposed to fall in love with.
In between scenes the characters sang local jazz music which was popular at the time. The dancing invited the audience and interacted with them. The style of dressing was your elegant man’s wear, suits and hats, and cocktail dresses in bright colours and matching heels for the ladies. The actions during the song made it more effective as it added character to the performance and made it more interesting.
Lerato Mvelase stands out in the two characters she plays. From the local drunk guy, to Can’s local girlfriend, her acting and stage presence is exceptional. Leroy Gopal’s electric voice cut through the audience and commanded you to listen. The dialogue was natural. The writer did a sterling job.
It really opened my eyes to ideas and proved to me that if you really put your mind to it, you can come up with such creative, unique and simple ideas that have a huge impact on to the audience. It also taught me that you don’t need a huge production with huge costumes to create a power performance. This work will inspire conversation about who we are trying to become as a growing nation and what remains from our dark and strong past.
By Lerato Modibedi


Moviestar briefed us to advertise their online movie rental business. You just make up a list of the movies you want (they almost definitely have it), and they start sending them to you. When you've watched a DVD, send it back and another is sent to you.
What better way to sell movie rentals than to make our own versions of them! The insight was that there were so many movies to watch and all for the same monthly fee, you would naturally become an expert in summarising what the movies were about, but with your own spin.
We created "Miniature Movies", a series of well known movies with a bit of local humour injected into them!


ARTICLES & ARCHIVES | THE SEAGULL
THE MAGIC OF MOVIES
AT ARROW PARK
Directed by MICHAEL MAYER
There were limited activities at Arrow Park in the early and mid-Summer of 2015. It was planned. It was anticipated. The estate was closed to the general public and became the movie set for Michael Mayer's film adaptation of Anton Chekhov's The Seagull – a classic 19th-century Russian play.
The film's world premiere took place at the Tribeca Film Festival (Manhattan) on April 21, 2018 prior to general release on May 11, 2018.
Arrow Park is listed in the Orange County NY Film Office.
Cast: Elisabeth Moss, Saoirse Ronan, Annette Bening, Corey Stoll, Brian Dennehy, Michael Zegen, Mare Winningham, Jon Tenney, Glenn Fleshler, Billy Howle, Ben Thompson, Barbara Tirrell, Paul Krisikos, Thomas Hettrick.
The Seagull is currently available for viewing on many popular streaming services, including: YouTube, Google Play Movies & TV and Amazon Prime Video.
Lights, camera, action as movie crew films in Monroe
July 27, 2015. Chris McKenna
Times Herald-Record, Middletown NY
The Hollywood and Broadway stars Annette Bening, Brian Dennehy and Elisabeth Moss were part of a movie cast that just spent the last month traipsing around a 12-bedroom mansion and its bucolic surroundings in Monroe to film a movie adaptation of the 19th century Russian play "The Seagull"... article
Annette Bening and Production Designer Jane Musky Take Us Behind the Scenes of The Seagull Set
Posted May 14, 2018
Text by Marc Malkin
In the film adaption of Russian playwright Anton Chekhov's The Seagull—starring Annette Bening—a former Russian cooperative is used as a 19th-century estate. It wasn’t that hard to find just the right place to shoot the latest film adaptation of Russian playwright Anton Chekhov’s iconic 19th-century play The Seagull. Production designer Jane Musky simply looked back to her childhood... article
For those that enjoy some historical trivia
About Anton Chekhov and the St. Petersburg Premier in 1896
Elizabeth Fortescue, Arts Editor, The Daily Telegraph
October 2, 2018


The Sancho Plan produces a variety
of progressive audiovisual works including experimental musical
animations, audiovisual performances, interactive toys and programmes
for TV. Nominated for the Best VJ category at the 2003 Diesel-U-Music
Awards and winner of the People's Choice Award at the Sundance Online
Film Festival 2004 for Drum Machine, their tokyoplastic.com collaboration,
their work has been seen in clubs, festivals, cinemas, theatres
and on television and computer screens worldwide.
The Sancho Plan are continually seeking to explore
the careful combination of animation, music and performance to produce
striking, interactive, live AV shows. They perform their music while
simultaneously controlling a varied cast of animated characters
and virtual performers through a series of musical adventures via
custom-built software and MIDI drum pads. Their all-new live audiovisual
set was premiered at Addictive TV & Cinefeel's Optronica festival
at the National Film Theatre in July 2005.
The public can also play with The Sancho Plan's audiovisual
characters through a live, interactive installation.
Ed Cooksonís group of animators, designers and 3D modellers
emerged out of the creative counter currents of the mid 90s computer
games industry. With a range of collaborators, the core team of
Cookson, Lewis Sykes, Nick Sweetman, Ed Niblett and Adam Hoyle combine
animation, narrative storytelling, sound design and music to produce
live interactive AV shows, animated movies and online experiences.
Breathing musical life into the characters of tokyoplastic.com,
Cooksonís work with its founder Drew Cope created Drum Machine,
a widely screened musical animation that won the People's Choice
Award at the Sundance Online Film Festival, 2004 and Best 3D Animation
at the Flash Film Festival, New York, 2004.
The Sancho Plan VJ regularly in London and are currently
collaborating with Coldcut on a series of interactive music toys
as well as producing an animated kids TV show.


MUD is Jeff Nichol’s follow-up to his acclaimed TAKE SHELTER. MUD stars Matthew McConaughey, Reese Witherspoon, a bunch of other weighty adult actors, and two child actors. Tye Sheridan, the poetry-whispering son-of-Pitt in TREE OF LIFE, plays Ellis, a hard-scrabble river rat. Jacob Lofland plays Neckbone, Ellis’ sidekick and the most realistic and entertaining performance in the whole picture. Too bad he’s only the sidekick.
The plot of MUD is basically THE SPIRIT OF THE BEEHIVE meets STAND BY ME. The two boys befriend a wanted man on an island on the Mississipi River in rural Arkansas and help him elude capture, in the process learning about life, love, and magic shirts. I would have sworn Nichols was a big city director trying make a “Southern” film because the characters came off as dimensionless Southern caricatures (except the aforementioned Lofland). But Nichols grew up in Little Rock, so search me. The plot feels forced at every turn with a few too many “What’s that, Lassie?! Timmy’s fallen in the well?!” moments. The denouement is so absurd I couldn’t believe it was actually happening. As we exited the theater, a friend said that it made sense if you looked at it in the scope of Greek Tragedy, but that feels like a bit of a just-so story. And you know what? We have enough Greek Tragedy. From the Greeks. Enough “modern retellings” of classical narratives, please.
Next up was FAR OUT ISN’T FAR ENOUGH: THE TOMI UNGERER STORY. I was not prepared for how much I would enjoy this documentary about the children’s book writer and illustrator of subversive erotica. The film follows his childhood in Nazi-occupied France to the brights lights of 50s and 60s New York City, to banishment in Novia Scotia, and semi-retirement in Ireland. What’s remarkable about Tomi is that he was able to lead a triple life of children’s book author/illustrator, anti-war poster propagandist, and erotic artist for so long without one vocation threatening the others. Of course, his insular fan-bases finally did discover each other, and as a result, he wasn’t able to sell another children’s book for over two decades. Tomi coined the phase, “Expect the unexpected,” and his work was a principle inspiration for Maurice Sendak’s “Where the Wild Things Are.” Director Brad Bernstein’s pacing is just right, and I was never taken out of the film, save for the occasional slick-and-gimmicky animation of still-drawings and photos that for some reason is so popular in documentaries these days.
FAR OUT ISN’T FAR ENOUGH plays again Friday at 4:00 PM. Don’t miss it.


“Star Wars: The Force Awakens” opens today and I am more than excited. Last weekend, I watched all of the previous movies (five in one day and the sixth on the next day) and am ready to be amazed and more importantly have some of my questions answered. Here are my hopes, questions and thoughts about what’s to come in Episode VII.
- I hope Hans and Leia got married. I really hope that the continuation of the saga keeps them together through all these years.
- I hope that C3PO and R2-D2 still have memory of everything that has happened thus far. R2-D2 is the only one that has full memory of all of the happenings since Episode I, since C3PO’s memory was wiped at the end of Episode III. I would love to read a story told from R2-D2’s point a view. He knew before anyone else that Anakin was bad.
- My first hope was that Finn is related to Lando, but I couldn’t figure how that would factor into the story. It would be nice of Hans to be looking after his buddy’s son, but that doesn’t seem much of a link. Plus, we don’t know what happened to Lando and for some reason, I don’t expect to get that answer, especially since Billy Dee Williams is not in this movie. Then I was thinking that it would be cool if he was Mace Windu’s son, but since jedi are not supposed to fall in love and marry, the likelihood of this being true are slim. Finn does look a lot like Captain Panaka from Episode I. I can’t remember if he was in Episode II or not. Oh, you can’t remember Captain Panaka? It’s this guy. Remember him now?
- I’m hoping that Leia is a jedi in this movie and that no one really knows about it. I’m also hoping that Rey is her daughter and is a jedi too. How cool would that be?!
- I’d like to know how old Chewbacca is. He’s got to be at least 800 years old. Yoda died at 900 years old and Chewbacca appears with him in Episode III.
- I’m pretty sure Luke went over to the dark side. He was wearing black at the end of Episode VI and there are a ton of similarities between he and Anakin that were readily apparent while watching the movies in one sitting.
- How in the hell is the Millenium Falcon still flying?! Oh, and how did Han get it back from Lando?
I’m going to see the movie on Friday at 4:10. I can’t wait!!!!!


Javier Ángel Encinas Bardem (born 1 March 1969) is a Spanish actor. Bardem won the Academy Award for Best Supporting Actor for his role as the psychopathic assassin Anton Chigurh in the 2007 Coen brothers film No Country for Old Men. He has also received critical acclaim for roles in films such as Jamón, jamón, Carne trémula, Boca a boca, Los Lunes al sol, Mar adentro, and Skyfall, for which he received both a BAFTA and a SAG nomination for Best Supporting Actor.
Bardem has also won a Screen Actors Guild Award, a BAFTA, five Goya Awards, two European Film Awards, a Prize for Best Actor at Cannes (ex-aequo with Elio Germano) two Volpi Cups at Venice for his work. He is the first Spanish actor to be nominated for an Oscar (Best Actor, 2000, for Before Night Falls), as well as the first Spaniard to win one. He received his third Academy Award nomination, and second Best Actor nomination, for the film Biutiful.
Always loved Javier Bardem. With Palestine against Israel’s slaughter war; in 2003, with the Iraqi people (see pic). pic.twitter.com/kGamxGlzeb
— Vijay Prashad (@vijayprashad) August 3, 2014
Dozens of Spanish film stars, directors, musicians and writers, led by Oscar winners Penelope Cruz, Javier Bardem and Pedro Almodovar, have denounced Israel’s incursion into Gaza. In an open letter referenced by Europa Press and other Spanish media, they described Israel’s actions as “genocide.”
The letter, which was published by Spanish news service Europa Press today, goes on to lament the ‘physical, moral, psychological’ impact the bombings are having on the people of Gaza, and also called for an end to an Israeli blockade that restricts what can be taken from Israel into the territory.
It is not the first time Bardem, who is married to Cruz, has spoken out in support of Gaza.
In an article for Spanish newspaper El Diario on Saturday, he called the conflict ‘genocide’, adding that it amounted to an ‘occupation and extermination against a people without means, confined to a minimum of land, without water and where hospitals, ambulances and children are targets’.
- (28 July 2014). “Almodóvar, Penélope Cruz o Bardem denuncian el “genocidio” israelí en la franja de Gaza” The Europapress
- Jones, Ben.(29 June 2014) “Penelope Cruz, Javier Bardem Denounce Israeli ‘Genocide’ in Open Letter.” Hollywood reporter.
- Hall, John.() “‘You can’t call it self-defence while you’re murdering children’: Javier Bardem and Penelope Cruz lead the celebrity revolt over Gaza genocide.” Daily Mail.