Finally, the most awaited movie is released and the Baaghi 3 Full Movie Download Hd is available in your nearest theatres. But we want to tell you that your favorite movie is recently got leaked by a famous movie downloading website Filmywap.
As we all know that Filmywap is a very popular movie downloading website and it leaks many movies every week. and last night they target the Baaghi 3 Full Movie to leak and Today they just leaked this movie on their website.
You guys already know that piracy of any original content like movies or songs is illegal. Filmywap is an Illegal pirated website. if you guys are looking for Baaghi 3 2020 new movie then Read the full post to know all.
Before we talk about the Leak story of the Baaghi 3 movie first we will tell you about this movie and all cast. Then you will know how to search for a Posti Movie and Get it.
Baaghi 3 Movie Full Download 720p
Baaghi 3 is a newly released Indian Hindi language movie. the movie is full of Thriller, Love, Romance, and action. Talking about the director the Baaghi 3 Movie is directed by Ahmed Khan and Produced by Nadiadwala Grandson Entertainment, Fox Star Studios.
In this movie Tiger Shroff, Ritesh Deshmukh, Shraddha Kapoor, Leading the main roles. The movie began shooting on November 1, 20219. the movie is written by Farhad Samji and still, only the poster of this movie is released.
Baaghi 3 full movie cast and reviews
|Producer||Nadiadwala Grandson Entertainment|
Fox Star Studios
|Written By||Farhad Samji|
|Nadiadwala Grandson Entertainment|
Fox Star Studios
|Screenplay by||Farhad Samji|
|Distributed by||Fox Star Studios|
|Edited by||Kuldip Mehan|
|Release Date||6 March 2020|
Baaghi 3 Full Movie IMDB Filmywap
- Baaghi 3 (2020) Action | 6 March 2020 (India)
See all photos >>
See all videos >>
Cast......Ronny......Abu Jalal Gaza.........Tripathi
See full cast >>
Countries: IndiaLanguages: HindiBudget: INR550,000,000 (estimated)
Baaghi 3 Full Movie Cast Filmywap
- Tiger Shroff as Ranveer “Ronnie” Pratap Singh, Vikram’s brother
- Riteish Deshmukh as Vikram Pratap Singh, Ranveer’s brother
- Shraddha Kapoor as Siya, Ranveer’s love interest
- Ankita Lokhande as Seema Nandan
- Jameel Khoury as Abu Jalal, the chief of ISIS
- Jaideep Ahlawat as Abu’s Henchman
- Vijay Varma
- Nora Fatehi Item Number
- Annu Kapoor
The full star cast of the Baaghi 3 movie is given above. Tiger Shroff and Shraddha Kapoor fans are waiting for this movie. The estimated budget for this movie is 4 crore.
Baaghi 3 full movie download 480p bolly4u
It’s very bad if any movie website leaks the movie online and movie director all got a huge loss. Always watch the latest or old movies only in Theatres so Movie stars and the team can earn money.
The Baaghi 3 movie is also available to download in 480p Bolly4u. You can google it and get your results. To download the latest Bollywood movies for free you can try the Bolly4u website.
The movie songs were recorded in 2019 and Baaghi 3 and Soundtrack album is given by Vishal–Shekhar, Bappi Lahiri, Tanishk Bagchi, Sachet–Parampara, Rochak Kohli, Pranaay.
Baaghi 3 Full Movie Download Hd Trailer Filmywap
You can watch the above-given trailer. The movie trailer is very fantastic and this trailer got millions of viewers of its first-day release. we hope this movie will blockbuster and Collect nice box office collections.
Baaghi 3 Full Movie Download All Full Songs
This movie has some very romantic and some fantastic songs which will you love to hear. The full list of all the songs is given below
- Baaghi 3 Title Track
These songs are recorded under the T-Series label and the movie was officially released in the Hindi language.
Baaghi 3 Movie Watch Online Filmywap
The best, easy and fast way is watching an online movie and it saves you more time. if you want to watch Baaghi 3 movie then the live stream option is available on the Filmywap website.
Baaghi 3 Movie Download Hd or watch online is the best way for you guys. there are more movies available to watch on the Filmywap website. The movies which are available to download on Filmywap give below.
- Bhoot Part One: The Haunted Ship
- Baaghi 3
- Gunjan Saxena
- Street Dancer 3D
- Guns of Banaras
The Baaghi 3 movie is value for money movie. we recommend you to watch this movie in cinemas with your family or friends. The movie is still available on the Filmywap website but it’s illegal to download movies.
We want to tell you that piracy of any type of Original content is prohibited and Illegal. As per the Indian government, it caused Jail and you have to pay for it.
All these Movie downloading websites are Pirated website and Illegal to use. we recommended you guys to also stay away from these websites. we never promote these kinds of movie downloading websites.
Always choose the right way and don’t put your life at risk. Filmywap is the pirated website the same as Filmywap. The Indian governments block their domains daily so no one can access these sites but these sites change their domains to pretend from blocking.


Dorchester Center for the Arts is pleased to announce
a new partnership with the Chesapeake Film Festival for the 2018 event.
Saturday, October 13
2 p.m. til 8pm in the George B. Todd Performance Hall.
A full lineup of films to engage, enlighten, and entertain.
Four short films that tackle social justice issues:
Othello-San – Director: Theodore A. Adams III……Celebrated young African American actor is challenged by his instructor who questions his motive for enrolling in a prestigious theater school in Japan.
The Fabric of America – Directors: Students in Montgomery County, Maryland…..Immigration in America under present immigration system.
Jabari Keating – Director: Stacey Larkins…..African American in present day America, candid first-person narrative film.
Count It All- Director: Alexia Acebo….Real people going from despair and darkness into a joyous place by means of relationships.
The Sentence – Director: Rudy Valdez….Mother of three sentenced to 15 years in federal prison for her tangential involvement with a drug ring years earlier.
Moving Stories – Director: Rob Fruchtman…..Six dancers from a NY dance company travel the world working with youth who’ve experienced war, poverty, prejudice, and severe trauma as refugees.
The Gardner – Sebastien Chabot….The meaning of gardening and its impact on our lives. Through the words of Frank Cabot and his family, gardening experts, and writers, the film looks back at this remarkable man’s artistic philosophy that gave birth to one of the greatest gardens in the world, Les Quatre Vents.
Included will be discussions and Q & A with filmmakers and panelists. Chesapeake Film Festival “is a celebration of storytelling and filmmaking
including workshops, guest speakers, director Q & A’s and jam-packed cinematic discovery.” It is the only film festival on the Eastern Shore to bring together filmmakers and diverse audiences of film enthusiasts for an annual weekend event.


Romeo & Juliet, Caesar & Cleopatra, Tristan & Yseult, King Arthur and Genevieve – can we say one name without the other? These are the classic stories of love, passion and romance, their love the stuff of legends . . . but what of real famous couples who had a love that would light the ages?. . . love that was scandalous, tragic, forbidden, loyal . . . and oft-times entirely unexpected.
Drawing on tradition, eye-witness accounts, contemporary writings and actual letters, presenter Lianne Harris takes a peek inside the intimate, daring, wrenching, even tempestuous private lives of some of history’s real great couples.


The Screenplay: Gaskell Revisited
Based on Elizabeth Gaskell’s 1851 Cranford, but also on other of her writings (mainly My Lady Ludlow and Mr. Harrison’s Confessions), the screenplay of the 2007 BBC TV series (signed by Heidi Thomas) manages to recreate most successfully the atmosphere of the fictional provincial town which was, according to Gaskell, “in possession of the Amazons”. Despite combining several writings, the plot is most convincing and the characters’ interaction plausible, so the intertwined stories only contribute to constructing a more complex and dynamic story than that initially contained in the 1851 Cranford. Not only does the screenplay – which brought Thomas several nominations and awards – add dynamism and depth to the original storyline (which is not so common in the adaptations of classics) but it also successfully combines comedy and drama, both through the situations (and the topics it tackled) and through the characters.
Following the spirit of Gaskell’s Cranford – which was, as mentioned above, explicitly led by “Amazons” (“all the holders of houses above a certain rent are women”) –, the TV series is from the first scenes dominated by a group of female characters of different ages and positions, the most remarkable being the Jenkyns sisters, Mathilda (Matty) and Deborah, both spinsters. This group of Amazons or Cranford “sorority” proves more than once its influence in preserving an unwritten code of behaviour rules, in accepting or rejecting a member (or even progress itself), and most of all, proving, when needed by the community, their unconditional support and solidarity. The latter is exemplary and makes the essence of the TV series: in any difficult situation the Victorian “delicate and reserved” ladies (re)act promptly and combine efforts. Amazed by such a collective initiative, the newly arrived doctor says: “Nothing like this is ever done in London”, to which the “uncrowned” monarch of the sorority, Deborah, answers calmly: “You’re not in London, Doctor Harrison, you are in Cranford now” (Cranford, Episode 1).
Atmosphere and Historical Accuracy
For a period drama which is also a literary adaptation, the accuracy in reproducing the historical details, costumes and set designs is extremely important. In this case, as in many others, the BBC professionals worked brilliantly; Sue Birtwistle, the producer, in particular, proved once more her talent, following other award winning productions (such as the iconic 1995 Pride and Prejudice).
The cast is a very important argument in favour of seeing this BBC series, the choice of actresses, in particular, being most fortunate. They are most convincing and agreeable both as a community and as individuals, each with her “one weakness” (as another BBC “Amazon” worth watching – Dorcas Lane from Lark Rise to Candleford – puts it). The uncrowned queen of the group, Deborah, played by Eileen Atkins, is one of the most remarkable characters and symbolises the undisturbed order and unchanged habits of the place. However, when necessary, Deborah is wise enough to accept change or unconventional behaviour (such as women attending a funeral) and she and her group end up by accepting technological progress, most significantly marked by the railway.
Although timid and childish in appearance, Matty (played by Dench) is a very important figure in the community, which shows her love and great support, while they respect her sister, the community “matriarch”, Deborah. At the beginning, Matty’s mature life seems to pass undisturbed, however, she must face unexpected situations such as the return of a former fiancé, financial difficulties (which force her to change her lifestyle) and the loss of the utmost authority of her world, her sister. All these mark difficult transitions, taking her out of her comfort zone and forcing her to make decisions. Dench is brilliant in this shy and lovable character, perfectly matching the authoritarian character played by Atkins and the group of memorable characters played by Imelda Staunton, Francesca Annis, Lisa Dillon and others. A period TV series worth seeing.


In the story of Signs Preceding the End of the World by Yuri Herrera we are introduced to Makina, who is the opposite of the archetypical Latina woman, who is being sent to the other side of the border in order to search & bring home her brother, a young and ambitious man who journeyed to the anglo cities across the border.
Through this journey to the other side, we are shown this idea of what the other side of the border is for people like Makina’s brother and other ambitious people who want more than their current life can provide.
First, let me direct your attention to Makina. She starts this journey by gathering favors among the underworld. Before she heads out of the Casino of Mr. Q, one of the local crime lords, we see her turn towards a mirror in which,” … in front of her was her back: she looked behind but found only the neverending front, curving forward, as if inviting her to step through its thresholds. If she crossed them all… she’d reach the right place, but it was a place she didn’t trust.” (22) which to me shows that Makina, even though she has a chance to go to the Anglo cities with all those opportunities, only wants to return home and while she might see the opportunities, she sees them as less important and wouldn’t trust whenever she ended up in the Anglo’s.
Meanwhile, with Makina’s brother, he went there because he was told there was land there (supposedly) from his late father. In fact, after getting drunk and being encouraged by one of Mr. Aitch’s (another of the crime lord’s) henchman he said, ” Someone’s got to fight for what’s ours and I got the balls if you don’t” (29) which shows that despite being uncertain and somewhat manipulated, he decided to journey to the Anglo cities. Not because, as I interpret it, he wanted to but because he saw an opportunity for himself on the other side and he took it because no one else wanted to.
By the end of the story, we see the result of Makina’s journey and the result of her brother’s. We see that through her experience she deals with a harsher environment, a world that confuses (the attempts at finding her brothers location) and discriminates against her (cops profiling her from afar, an officer almost arresting her). She does seem to enjoy some aspects of the life there such as the homegrown-Anglo people and the same-sex wedding ceremony she witnessed (mostly the emotions she felt witnessing the onlookers being happy). Her end result’s with being given the opportunity to become a citizen of the Anglos with a fake identity.
On the other hand, the result of her brothers journey is that he is matured, by taking on the identity of a family’s Anglo son who joined the Army recklessly. He agreed to go in his place because of his early struggles there and, through his experience, has matured and wants to stay because, while he’s not an Anglo citizen, he wants to understand why they fight for their country, why it matters to them.
Before I end, the concept of the journey is meant to convey the growth of a character through experiences that challenge or inspire them. With Makina, we see her experiences in her travels to find her brother, while also being inspired a bit by the Anglo livelihood; her brother faced poverty and warfare and matured because of it and also stays there to understand why they fight for their country. Both characters were challenged in their journeys and inspired by the Anglo homeland that has given the both of them an opportunity to do more for themselves here.


Rebel Moon Review 2023
As the galaxies align on Netflix’s celestial stage, Zack Snyder’s emerges as a space odyssey that transcends expectations. Rebel Moon review 2023 Released on December 21, a day earlier than anticipated, the film has captivated audiences with its visually stunning narrative, exceptional cast, and unexpected twists. Let’s embark on a cosmic journey through the highs and lows of this cinematic experience.
Rebel Moon Review 2023 : Snyder’s Signature Flourish
True to Zack Snyder’s distinctive style, Rebel Moon delivers a visual spectacle that mesmerizes from start to finish. The grandeur of intergalactic landscapes and meticulously crafted set pieces immerses viewers in a world where every frame feels like a work of art. Snyder’s commitment to visual excellence elevates the film, setting a new standard for space epics. Rebel Moon review 2023
Compelling Storyline: A Child of Fire’s Destiny
The heart of Rebel Moon lies in its compelling storyline—a blend of fire, rebellion, and destiny. The narrative unfolds with a cosmic rhythm, introducing audiences to a distant world teeming with intrigue. The central theme of a child’s destiny becomes a powerful thread, weaving through the storyline and adding depth to the characters’ motivations.
Star-Studded Cast Celestial Performances
The ensemble cast of Rebel Moon proves to be the gravitational force that holds the film together. From the charismatic lead to the enigmatic antagonists, each actor delivers a celestial performance. The chemistry among the cast members enhances the emotional resonance of the story, making it a truly immersive experience for the audience.
Netflix Exclusive: Streaming Brilliance
As a Netflix exclusive, Rebel Moon solidifies the streaming giant’s reputation for delivering blockbuster experiences to the comfort of viewers’ homes. The decision to release a day earlier than announced creates an unexpected thrill, ensuring a global celebration as audiences unite to explore the cosmos. Netflix continues to redefine the landscape of cinematic experiences.
Drama and Intrigue :Release Date Twist
The drama surrounding the release date adds an intriguing layer to the Rebel Moon experience. Originally set for December 22, the film’s early arrival on December 21 sparked debates and discussions, amplifying the already intense anticipation. This twist in the release schedule serves as a testament to the film’s ability to keep audiences on the edge of their seats both on and off-screen.
Sequel Speculations: A Galaxy of Possibilities
Teasers and hints within Rebel Moon have ignited fervent speculations about a potential sequel. The film’s conclusion leaves the door open for further exploration of the cosmic universe Snyder has crafted. Fan theories are spreading like wildfire, fueling discussions about the direction the Rebel Moon saga might take in the future.
Critical Acclaim: Praise from All Quarters
Early reviews of Rebel Moon unanimously praise its visual effects, storytelling, and the performances of the cast. Critics and fans alike have taken to social media to express their admiration for Zack Snyder’s latest creation. The film’s positive reception positions it as a standout addition to the director’s impressive body of work.
Impact on the Sci-Fi Genre: Redefining Boundaries Rebel Moon Review 2023
Rebel Moon not only cements its place in cinematic history but also leaves an indelible mark on the sci-fi genre. The film’s success paves the way for a new era of space epics, pushing boundaries and challenging conventions. Zack Snyder’s vision resonates beyond the screen, influencing the future trajectory of the genre.
In conclusion, Rebel Moon is a cinematic triumph that transports audiences to the far reaches of the cosmos. With its breathtaking visuals, stellar cast, and unexpected twists, the film stands as a testament to Zack Snyder’s directorial prowess. As the Rebel Moon saga unfolds, it leaves us eagerly anticipating the next chapter in this cosmic odyssey.
- Is Rebel Moon part of a trilogy?
- While there are no official announcements, hints within the film suggest the potential for a sequel, fueling speculation about a trilogy.
- How does Rebel Moon compare to Zack Snyder’s previous works?
- Rebel Moon showcases Snyder’s signature style but ventures into uncharted cosmic territory, offering a fresh and captivating experience.
- Are there plans for a Rebel Moon video game?
- No official confirmation, but the film’s expansive universe makes it ripe for cross-media adaptations, sparking interest in a potential video game.
- What’s the significance of the “Child of Fire” theme in the movie?
- The “Child of Fire” theme symbolizes the central character’s destiny and plays a crucial role in shaping the film’s narrative.
- Where can I get exclusive Rebel Moon merchandise?
- Keep an eye on official channels and online platforms for announcements regarding limited edition Rebel Moon merchandise.
Get Access Now: https://bit.ly/J_Umma
Last modified: December 23, 2023


Sandra, a small town country girl, returns home after college to take over the family business, her father's beloved bed and breakfast. Facing an unfaithful husband and dysfunctional relationship with her mother, she finds herself at a difficult crossroads. Everything changes, however, when Terrance, a young, handsome lawyer checks in and opens her eyes to an entirely different life filled with happiness.
Release Date: 27 May 2014 USA
Director: Cardinal Lamberto
Starring: Drew Sidora, Tommy Ford


"Unity Based on Actor Appearance Deception" (or "UBAAD"), is the false presumption that two characters are connected because they are played by the same actor.
It is impossible that the characters in-universe share the same perspective as we the viewers. We as the audience see the actress playing both Sister Jude and Elsa. In the context of the show, the characters simply see two different people who are not related. It requires a lot more suspension of disbelief. The two women have COMPLETELY irreconcilable back-stories, and no amount of playing with the timeline can have Elsa growing back her legs to become Sister Jude.
There are lots of television universes where the same actor plays completely unrelated characters and the in-universe characters don't notice. In addition, we have multiple actors playing two nearly identical characters that are probably one and the same, and two actors (Frances Conroy and Alexandra Breckenridge) who are absolutely playing the same character but from different perspectives.
So, when crafting your theories: be aware of this deception, lest you fall into the UBAAD trap.
- Cases in point from other series
- Mark Lenard played Sarek (an iconic Vulcan), a Romulan, and a Klingon in Star Trek. Jeffrey Combs has played nine different onscreen roles in the Star Trek universe. Garret Dillahunt played Jack McCall and Francis Wolcott, who were completely unrelated. The Twilight Zone recycled them all the time, as do all of the Law & Order series.


Her mother executed for witchcraft, her father dead at the hand of a noble, Victoire Charpentier vows to rise above her poor peasant roots.
Forced to leave her village of Lucie-sur-Vionne for domestic work in Paris, Victoire suffers gruesome abuse under the ancien régime. Can she muster the bravery and skill to join the revolutionary force gripping France, and overthrow the corrupt, diabolical aristocracy?
Spirit of Lost Angels traces the journey of an angel talisman passed down through generations. Amidst the tumult of revolutionary France, this is a story of courage, hope and love.
Seven decades after German troops march into her village, Céleste Roussel is still unable to assuage her guilt.
1943. German soldiers occupy provincial Lucie-sur-Vionne, and as the villagers pursue treacherous schemes to deceive and swindle the enemy, Céleste embarks on her own perilous mission as her passion for a Reich officer flourishes.
When her loved ones are deported to concentration camps, Céleste is drawn into the vortex of this monumental conflict, and the adventure and danger of French Resistance collaboration.
As she confronts the harrowing truths of the Second World War’s darkest years, Céleste is forced to choose: pursue her love for the German officer, or answer General de Gaulle’s call to fight for France.
Her fate suspended on the fraying thread of her will, Celeste gains strength from the angel talisman bequeathed to her through her lineage of healer kinswomen. But the decision she makes will shadow the remainder of her days.
A woman’s unforgettable journey to help liberate Occupied France, Wolfsangel is a stirring portrayal of the courage and resilience of the human mind, body and spirit.
1348. A bone-sculpted angel and the woman who wears it––heretic, Devil’s servant, saint.
Midwife Héloïse has always known that her bastard status threatens her standing in the French village of Lucie-sur-Vionne. Yet her midwifery and healing skills have gained the people’s respect, and she has won the heart of the handsome Raoul Stonemason. The future looks hopeful. Until the Black Death sweeps into France.
Fearful that Héloïse will bring the pestilence into their cottage, Raoul forbids her to treat its victims. Amidst the grief and hysteria, the villagers searching for a scapegoat, Héloïse must choose: preserve her marriage, or honour the oath she swore on her dead mother’s soul? And even as she places her faith in the protective powers of her angel talisman, she must prove she’s no Devil’s servant, her talisman no evil charm.
All eleven-year-old Tanya Randall wants is a happy family. But Mum does nothing besides housework, Dad’s always down the pub and Nanna Purvis moans at everyone except her dog. Then Shelley arrives –– the miracle baby who fuses the Randall family in love for their little gumnut blossom.
Tanya’s life gets even better when she meets an uncle she didn’t know she had. He tells her she’s beautiful and could be a model. Her family refuses to talk about him. But that’s okay, it’s their little secret.
Then one blistering summer day tragedy strikes, and the surrounding mystery and suspicion tear apart this fragile family web.
Embracing the social changes of 1970s Australia, against a backdrop of native fauna and flora, The Silent Kookaburra is a haunting exploration of the blessings, curses and tyranny of memory.
Unsettling psychological suspense blending the intensity of Wally Lamb with the atmosphere of Peter James, this story will get under your skin.
Latest Release ... The Silent Kookaburra
1970s Australian psychological suspense


A little background for those who are interested... I started doing movie reviews for a local
newspaper in 1985, then moved to a local magazine in 1993 where I continued to review movies for several years until they ceased publication. Since then, my reviews have been available on the internet. I love most genres of film, but to
answer the frequently asked question... my favorite film is 1972's "Sleuth" with Michael Caine
and Laurence Olivier. My favorite decade of filmmaking is the 1930's. And my favorite directors are Mike Figgis, Hal Hartley, Ridley Scott, Luc Besson, and Peter Weir.
A list of the films I have given four stars to can be found here.
For those who are interested in knowing a little about how many movies film critics watch,
the average full-time critic views around 500 different films each year. Some view a little more, some a little less. Usually, those who view less, view several films more than once as they tend to write more in-depth and comparative articles rather than focusing on reviews.
I'm still in the process of adding my reviews to this site, it will take awhile to get everything on, but you can check out what's there by clicking on the link below this section. Statistics on my much of my movie
In theaters 1980-2017 - 3856
On TV 1984-2017 - 2113
On video 1984-2017 - 15644
Repeat viewings 1984-2017 - 182
Total # of movies seen 1984-2017 - 21402 (1.72 per day)
Total # of movies seen in life - 22625 (1.07 per day)
Send E-Mail to the Nightcoaster


ALL PRODUCTIONS - ACTORS AND TECH - Please pay your show fee by October 1st. At this time all cast and crew pay the $150 show fee. Meals for the students during show week and the show t-shirt are included in this show fee.
Stage Door Show Fees $150
Stage Door Shout Outs
We will be offering Show Program Shout-Out messages for all Cast and Crew of Stage Door. All Shout-Outs will be $25 each and you can purchase as many as you like for your student! This is a great way for us to show our support in 140 Characters or less!! Deadline for Shout-Outs October 1st.


Hey there Thespians and Theater Lovers, get ready for drama! Our very own Eva Wendel (Coach Hilary’s youngest child) has a BIG role in The Secret Garden. Produced by our very own Lucky Penny Productions right here in Napa.
We hope you can come for at least one performance of The Secret Garden, with Eva in the lead role of Mary Lennox. Coach Hilary has been watching the rehearsals and the talent in this production is amazing- it is a tear jerker, so bring Kleenex.
This production is actually written for an adult audience (the cast is all adults except for the roles of Mary and Colon)- but the show will be well understood and enjoyed by kids. Younger kids may not understand the complex themes, but they will certainly enjoy it as well! The musical is based on the 1911 classic, but the show version is more complex, with haunting themes and an incredible musical score. You will be moved- I guarantee it!
Eva shares the role with another talented little girl, and they alternate between being the lead and being in the ensemble. Below are the dates that Eva and her counterpart, Charlotte, will be taking the lead. We hope you can come see Eva as Mary – and bring the entire family, visitors, friends and spouses (that remark is specifically aimed at reluctant husbands!) We’d love to have many friends in the audience for Eva. 🙂 You won’t regret the time spent on this amazing show, and the money spent on supporting our local theater production company!
Tickets are on sale now here:
Pimp Your Pulls:
Founder with Arms behind torso. 2 minute hold
15 min AMRAP
3 Push Press (20% lower than press weight)
5 Wall Walks
8 Jumping Lunges


Network signs Rutina Wesley to star in original dramatic series, 'Queen
19, 2016) Rutina Wesley ("True Blood") has been tapped for a series
regular role in the new original series "Queen Sugar," from
award-winning filmmaker Ava DuVernay ("Selma") for OWN: Oprah Winfrey
Network and produced by Warner Horizon Television.
In the series, Wesley will star as Nova Bordelon, a formidable
journalist and activist based in New Orleans. Her life, and that of her
brother and their extended family, undergoes significant change when her
sister, Charley, returns to Louisiana from Los Angeles to help run the
family sugarcane farm.
Executive produced by Oprah Winfrey and DuVernay, the series is based on
Natalie Baszile's acclaimed novel Queen Sugar. DuVernay developed "Queen
Sugar" for television, wrote its pilot episode and will direct multiple
episodes of the show's first season.
The classically trained Wesley is perhaps best known for co-starring as
Tara Thornton in the critically acclaimed drama series "True Blood,"
which ran for seven seasons on HBO. She had a prominent recurring role
on the acclaimed NBC drama "Hannibal" and recently guest starred in
multiple episodes of The CW/Warner Bros. Television hit action-drama
Wesley co-starred in the hit 2015 Screen Gems film "The Perfect Guy" and
previously appeared on Broadway in David Hare's "The Vertical Hour,"
opposite Julianne Moore. She began her career with a starring role in
the independent feature film "How She Move," which debuted at the 2007
Sundance Film Festival. Wesley is a graduate of the drama division of
the renowned Juilliard School.
RECENT NEWS STORIES
Fifth Third Bank to pay $21.5 mil in Federal auto
lending and credit card discrimination case
True Star Foundation founders launch True Access, a
youth-oriented marketing firm
UniWorld Group releases new insights on the mindsets
on multicultural consumers
Black Cable TV Ratings for Week of September 21 - 27
OWN has record-breaking week to cap off the best quarter in the network's
Chevrolet, Rainbow PUSH team up on national campaign
providing financial literacy
Black TV Ratings for Week of September 21 - 27
'Empire,' 'Rosewood,' 'Scandal, and 'Murder' push Sunday Night Football to
Hyundai, radio's Cafe Mocha partner on 'Salute Her'
campaign saluting women of color
BMW to pay $1.6 Mil and offer jobs to settle Federal
race discrimination lawsuit
Report from Nielsen highlights growth and affluence
of African-American households
Kizart Media Partners wins bid for 50,000 Watt FM
station license in Cleveland, Miss.
RLJ Entertainment acquires rights to Nina Simone
film set for December release
Black Cable TV Ratings for Week of Aug. 31 - Sept. 6
OWN's 'Haves & Have Nots' beats VH1's 'Love & Hip Hop' to regain week's
Black TV Ratings for Week of Aug. 31 - Sept. 6 'The
Carmichael Show,' NBC's summer winner, reaches No.1 with black viewers in
The Power of Urban Radio Forum and NABOB again
partner for annual conference
Production begins on BET scripted series, 'Zo Ever
After' for premiere January 2016
Study: CEOs and CMOs differ on need to focus on
multicultural marketing strategies
Toyota partners with Rainbow PUSH Excel to invest in
Jesse Jackson Fellow Scholars
Click here for
more recent news stories and our news archive
ON SALE NOW!
The 18th Annual
Buying Power of
A dollar-by-dollar breakdown
of the Trillion-Dollar Black Economy
Target Market News
Click here to learn more and order a print or digital copy today!


Code Black is no more at CBS. The medical drama has been canceled after three seasons. Showrunner Michael Seitzman broke the news Thursday on Twitter with a heartfelt message thanking fans for their support. The new medical drama is emotionally affecting, but have we seen it all before? What's their history? When will we find out Lila's murderer?
Marcia Gay Harden on the challenge of bloody "Code Black"
Marcia Gay Harden - IMDb
By Nellie Andreeva. Marcia Gay Harden , originally cast in the co-starring role of Christa, will now play the lead, Leanne. While that was going on, they also started thinking of Harden in the role. It is not a conventional choice as Harden is 24 years older than Grace. But I hear that the executives felt the Oscar winner had the gravitas they felt the role needed.
Marcia Gay Harden: Why She Said Yes to 'Code Black' After Initially Saying 'I Don’t Think So' [INTERVIEW]
But Not Without Controversy. The year-old actress, who portrays Dr. Leanne Rorish, took to Instagram on Thursday May 24 to share her thoughts.
Sign in. After starring in some of the best TV shows ever, Lance Reddick reveals what he is watching now. Watch now. Visit Prime Video to explore more titles.


We are searching data for your request:
Upon completion, a link will appear to access the found materials.
Getting Schmedieval: Of Manuscript and Film Prologues, Paratexts, and Parodies
Richard Burt (Guest Co-Editor, University of Florida)
EXEMPLARIA: VOL. 2, SUMMER 2007, 217 – 242
This introduction examines how historical effects in cinematic medievalism are produced through analogies between their shared marginal paratexts, including historiated letters, prefaces, opening title sequences, film prologues, and intertitles. Close attention to the cinematic paratext of medieval films such as The Adventures of Robin Hood, Richard III, Prince Valiant, El Cid, and Monty Python and the Holy Grail offers us insights not only into connections between medieval manuscript culture and film but into the way analogies drawn within medieval films between old and new media blur if not fully deconstruct distinctions between the shock of movie medievalism and the schlock of movie schmedievalism, between serious historical film and the historical film parody.
Film critics and historians have by and large rejected what has come to be known as the fidelity model of criticism when discussing films about history or set in an historical period, arguing that it is better to treat these films as films than to evaluate them in terms of how faithfully and how accurately they portray history (Stam, “Beyond Fidelity,” “Introduction”; Mazdon, Encore Hollywood). Instead of examining what a given film says about the medieval past, for example, critics examine cinema as an instance of medievalism, explore how a film and its audience use the medieval imaginary to make sense of the present; similarly, rather than being regarded as documenting history “as it really was,” historical films are analyzed in terms of their narrative structure and to see how they produce history effects, how the film makes the past seem historically authentic and socially relevant.


The two texts are set in completely contrasting social and historical contexts of Elizabethan England to Southern California in Verona Beach. Despite the contrast of the two settings, both texts explore the external conflict which stemmed from the family feud between the Capulets and the Montagues. Shakespeare utilises a variety of literary techniques to shape the ideas of conflict, through major fights which result in significant deaths, minor conflict which reiterates the ever-present feud and the dispute between the two families.
Sir Philip Sidney states in his Apology for Poetry that poetry should both delight and teach, and both the text and the film serve this purpose well—each suited to the time in which they were presented. Shakespeare incorporated jokes of the time, mentions of royalty, and allusions to historical events in his plays.
Luhrmann does this as well, pulling in numerous references to recent pop culture. Both Shakespeare and Luhrmann endeavored to delight their audiences with beautiful costumes and familiar music, and to teach them with the basic moral precepts inherent in the story. A mere glance at the film will show anyone with even the slightest knowledge of the play that the two are ferociously different in terms of setting, costume, casting, music, and props.
A closer reading, however, will also illuminate significant deviations in verse. The differences between these two works are distinctly illustrated in Act One, Scene One of the text and its matching film scene.
I strike quickly, being moved. But thou art not quickly moved to strike. A dog of the house of Montague moves me 1. They continue their repartee until Abraham and another servingman of the Montagues arrive.
Gregory suggests that frowning in their general direction will suffice initially. Nay, as they dare. Do you bite your thumb at us, sir?
I do bite my thumb, sir. No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir 1. They proceed to argue about whose master is better, and fight until Benvolio arrives and tells them to put up their swords.
Tybalt shows up and further provokes the fight. Tybalt goes inside, but Abra remains next to the car, sees the Montague boys, and faces them with an intimidating glare.
The ensuing fight scene provides an excellent example of the difference in choreography and props. In the text, the characters all fight with swords, on a stage empty of all but citizens of the watch. In the ultra-modernized film, the characters are all possessed of pistols bearing the name of their respective houses, and they make use of the surrounding cars, film extras, and various architectural trappings of the gas station where the fight is staged.
Interestingly enough, though, when Benvolio entreats the Capulets and his fellow Montagues to lower their weapons, the wording does not exchange swords for guns, but remains as it reads in the original text 1.
Verona Beach is a modern-day city, with cars, high-rise buildings, gas stations, and hot dogs stands, none of which were even conceived or much less, available during the time that Romeo and Juliet was written or performed.
This opening scene finds the Montague boys parading around in Hawaiian shirts and sporting unnaturally colored hair, while the Capulet boys favor leather and metal-heeled boots.
These are some drastic changes from the traditional Elizabethan wear of the time. In addition, the film makes no pretense at any English or Italian to fit the original setting accent from its characters.
Luhrmann explains that this is because he considers the American language as better attuned to Shakespearian text: Luhrmann echoes this in his version of the drama. A Critical Edition of the Major Works. Leonardo DiCaprio and Claire Danes.
Cite References Print Ansen, David. More By This Author:Thank you so much, Pope Andrew, WTG! You could have responded to Andrew's points: 1Cor is an interpolation and 1Tim is a late forgery (as are the other Pastorals), though I doubt that the Catholic church pays much attention to such inconveniences.
Loss of autonomy over one’s own life and choices matters to all of us, of all races, but it may matter more when state coercion is applied to people from groups that have historically been subject to horribly unjust and destructive state coercion.
Critical Analysis of the Opening Extract of Baz Luhrmann's Romeo and Juliet Words | 5 Pages. Critical Analysis of the Opening Extract of Baz Luhrmann's Romeo and Juliet Baz Luhrmann has used the three presentational devices in a specific way in his film 'Romeo and Juliet'.
I believe that Baz Luhrmann has created a very effective prologue and version of Act 1 Scene 1 of Shakespeare's Romeo and Juliet, using visual images and landmarks along with the language to aid the audience in understanding the story.
Using the media throughout, Luhrmann makes the situations easier for the audience to grasp, and in turn, relate to. The scene ends with a close-up of a dead soldier’s pack which contains the words Pvt S.
Ryan and the scene cuts. Throughout the entire scene there was a tremendous amount . AFAM Intro to African American Studies This course provides an overview of African American history and culture.
Topics include major events, persons, and issues spanning the period from the African heritage to contemporary times.


Stage lighting company is a professional stage lighting company integrating R&D, production, sales and service. Founded in 2008, it mainly produces computer moving head lights, beam lights, LED lights, and computer lights. Products are widely used in various types of stage performances, stage venues, professional theaters, entertainment centers, bars, clubs and multi-functional conference halls of various enterprises and institutions. With stable quality, outstanding effects, novel styles and in line with international standards, they have won The trust of domestic and foreign customers.
As one of the common lamps of stage lighting, LED par light has a very wide range of use. However, L
As a relatively common type of lighting, stage spotlights can also be said to be spotlights regardle
We all know that in order to meet the needs of actors performances, the application rate of scenery
The stage soft light is made of reflector orange peel mirror aluminum plate, and the surface is sand


TV & RADIO
search Entire Web FOR:
• Submit a Business
Open Web Directory
Kids and Teens
Web Directory - Kids and Teens: Arts: Filmmaking
Kids and Teens: Entertainment: Movies
This category in other languages:
[ ] - A workshop series that teaches students how to use animation as a tool to change the world.
[ ] - Encourages 13-19 year olds throughout the UK to get into filmmaking.
[ ] - Dedicated to inspiring the making of films by young people. Features information about productions, film process, distribution, and funding. Videos available online.
[ ] - Introduces kids to acting, animation, costuming, directing, editing, film critiquing, film scoring, lighting and sound, makeup, producing, and screenwriting.
Listen Up: Youth Media Network
[ ] - Involves young people in the culture of free speech and social responsibility by teaching them to use various media.
[ ] - Provides a creative forum for teens to explore, express themselves, and make healthy decisions about their lives. View student written and produced films dealing with social issues.
So You Wanna Make a Low-Budget Movie?
[ ] - Article explains how to make a movie on a small budget, from pre-production to production and post-production.
[ ] - Seeks to cultivate the visions and voices of an emerging generation using the big screen, the airwaves, and the world-wide-web.
[ ] - Resources for aspiring student film makers.
The Young Filmmakers Club
[ ] - Targeted at boys and girls wanting to learn or expand their video camera skills.
Tower of Youth
[ ] - Young people explore new careers through creative non profit and commercial projects in telecommunications, entertainment, arts and media.
[ ] - View one-minute movies made by youth, or submit your own.
Suggest a Business
Business Directory (Yellow pages)
Iranian TV & Radio
Advertise With Us
Copyright © 1999-2013 persiancity.com. All rights reserved.
Terms of Service


There's nothing like the big screen to capture big buildings. Here are our favorite flicks that take place in or around skyscrapers and famous buildings. Some of these movies are cinematic masterpieces and others are just for fun, but they all combine architecture with edge-of-your-seat adventure. Want more? For serious viewing, see our roundup of award-winning documentary movies about architecture and movies about architects.
1. Blade Runner
Directed by Ridley Scott, the 1992 edition of Blade Runner has enhanced the original. In a futuristic Los Angeles, a retired cop (Harrison Ford) pursues a murderous android. Some scenes were filmed inside the Ennis-Brown house by Frank Lloyd Wright. 1982
An aging thief (Sean Connery) becomes enmeshed with a beautiful insurance agent (Catherine Zeta-Jones). The real stars of this film are the Petronas Twin Towers in Kuala Lumpur, Malaysia. 1999
world's tallest building." 1974
5. King Kong
Who could forget the sight of the giant gorilla clinging to the top of the Empire State Building, his furry hand grasping the terrified Fay Wray? America's favorite skyscraper heightens the drama and brings a sense of scale to the monster movie classic. Forget the remakes; get the original, made in 1933.
6. Die HardWhen a dozen international terrorists take over a Los Angeles highrise, a tough New York cop (Bruce Willis) saves the day. 1988.
7. MetropolisDirected by Fritz Lang, this silent film classic interprets Le Corbusier's plans for the future, imagining a mile-high city built by slaves. For this DVD version, producer Giorgio Moroder speeded up the pacing, restored the tints, and added a rock and disco soundtrack. 1926
8. Jungle FeverA rising black architect (Wesley Snipes) has an adulterous affair with a working class Italian American (Annabella Sciorra) in present day New York. Directed by Spike Lee. 1991
10. SkyscraperFormer Playboy Playmate Anna Nicole Smith is a helicopter pilot who becomes a hostage after flying a terrorist to the top of a skyscraper. Sex and skyscrapers -- what more could you want? 1996
A movie doesn't have to have car races and shoot-outs to be thrilling. For real life architectural adventures, check out these award-winning documentary films. Movies About Architecture >


Pointed here from Mark Gibson at Abject Conjecture, our record is now sullied...please direct any complaints there.
Like Mark, I've done this off the cuff, so don't expect any cool stuff. Cool stuff takes hours and hours of work. I love you guys. But not that much. Also, for fun, you should do your list before looking at mine (or anyone else's). No copying. Or else.
1. Pick one film to represent each letter of the alphabet.
2. The letter "A" and the word "The" do not count as the beginning of a film's title, unless the film is simply titled A or The, and I don't know of any films with those titles.
3. Return of the Jedi belongs under "R," not "S" as in Star Wars Episode IV: Return of the Jedi. This rule applies to all films in the original Star Wars trilogy; all that followed start with "S." Similarly, Raiders of the Lost Ark belongs under "R," not "I" as in Indiana Jones and the Raiders of the Lost Ark. Conversely, all films in the LOTR series belong under "L" and all films in the Chronicles of Narnia series belong under "C," as that's what those filmmakers called their films from the start. In other words, movies are stuck with the titles their owners gave them at the time of their theatrical release. Use your better judgment to apply the above rule to any series/films not mentioned.
4. Films that start with a number are filed under the first letter of their number's word. 12 Monkeys would be filed under "T."
5. Link back to Blog Cabins in your post so that I can eventually type "alphabet meme" into Google and come up #1, then make a post where I declare that I am the King...er...Queen of Google.
6. If you're selected, you have to then select 5 more people.
And Justice For All
It’s a Wonderful Life
Monty Python and the Holy Grail
Play Misty for Me
Thank You for Smoking
Walk the Line
I notice (after the fact), that Mark and I have just (3) duplications. Not bad!
As for my five tagged, I'm looking to...
Fortyish is Fab
Crayons in the Sun (if she ever checks in there anymore...)


A tribute to the most iconic Ghostbusters® ghost.
Slimer¦ No one even said his name in the original Ghostbusters® film. The film crew called him, The Onionhead Ghost and he was only described in early drafts of the script as incredibly foul-smelling amorphous vapor.
Dan Aykroyd, who co-wrote and starred in the original film, intended fellow Saturday Night Live member John Belushi to co-star in the film, but after Belushi passed, director and producer Ivan Reitman pointed out that Slimer resembled Belushi’s character in Animal House, so Aykroyd took to referring to Slimer in interviews as The Ghost of John Belushi. Easily the coolest ghost to haunt “ in chenille “ the back of a blackout Japanese selvedge denim jacket.
An oversized embroidered chenille patch shows Slimer from ˜The Real Ghostbusters™ having just raided a hot dog stand, green relish dripping from the dog, his tongue hanging out, his four teeth grinning. Varying embroidery methods render Slimer in plush 3-D. The glow-in-the-dark proprietary Slimer leather patch is sewn on the inside at the neck. The jacket itself is made from 13oz solid black selvedge Japanese denim with a red line selvedge ID.
Raw Japanese selvedge denim with a taste for dirty water hot dogs.
The Denim Jacket is a classic denim jacket cut to fit comfortably in the chest and arms with two chest flap pockets and two front slash pockets.
© 2019 Columbia Pictures Industries, Inc. All rights reserved.
- 13oz Japanese Selvedge Denim
- 100% Cotton
- Made in Canada
- SKU: GB373764PS


Oct 16, 2012
Paris Jackson, 14, took to the red carpet with Auntie LaToya in Beverly Hills recently, generating massive buzz about the teenager's stunning beauty and her ambitious dream of winning a Best Actress Oscar.
"You can be a totally different person on camera. It's fun! You can take on another character," said Jackson. "My dad was in the movie Moonwalker. I saw that and thought, 'Wow! I want to be just like him'."
Paris Jackson stars in the new movie Lundon's Bridge and the Three Keys, which will hit theaters in 2013.
"I love my dad and I'm proud to be his daughter," said Jackson. "A lot of people think he's the only reason I'm making it, but I want to show that I do have talent and that I can make it if I try. I want to be my own person."
Paris will also be making cameo appearances on her aunt LaToya Jackson's new TV reality show, "Life With LaToya," airing on the Oprah Winfrey Network (OWN).
As a native Californian with independent views, Paris Jackson is outspoken about politics. The teen Obama supporter recently tweeted that she would move to Africa if Mitt Romney wins the presidential election.
"Spoke my mind. Said my opinions. Don't really care if you disagree with me," added the famous Calabasas resident, who has stated that she just might run for public office in the future.
For now, Paris Katherine Jackson is a young woman experiencing what Hollywood has to offer, with a schedule of simultaneous debuts in films, on television and in fashion.
2013 promises to be quite a year for the only daughter of Michael Jackson, the King of Pop.


top of page
Our film-making process runs from initial conceptual stages through final cut. We focus on creating a viewer experience and portraying lifestyle. Our expertise includes green-screen production, integrating real people into virtual environments, sound and visual FX, audio and video editing and 2D/3D motion graphics.
Real Estate Films
THE GREEN SCREEN PROCESS
ArX Solutions provides a turnkey solutions for Real Estate. With the cutting edge technologhy, ArX Solutions brings to the real estate industry, blockbuster quality, fast production and cost efficent products.
THE REAL ESTATE FILM
ArX Solutions can manage the whole film process. From the conceptual idea or storyboard creation to original soundtack. From pre-production, production to post production. From small projects to big projects. ArX Solutions is a turn key solution.
ArX Solutions has extensive experience working in partnerships. Our goal is to always provide the best product.
THE 3D ANIMATION
Sometimes clients can´t see the difference between a film and 3D animation. That is why we are showing here both the film and 3D animation done for the same project. The purposes are quite different. While films are more oriented to lifestyle and story telling, animations best showcase the product itself.
bottom of page


Dan Olson forged his identity in the isolation of the Midwestern hinterlands. Raised near the uniquely artistic community of Darlington, he began his training inauspiciously onstage in high school. From that initial production would grow a career that has spanned three continents, scores of productions on stage and screen, and hundreds of characters.
Having built a sturdy repertoire during four years of production at Huntington University, Dan continues to build on his native love of the stage while adapting the work to the intimate frame of the film lens.
Now based in New York City, Dan continues to develop his body of work through his partnership with Josselyne Herman and Associates and Andreadis Talent Agency.
The Blacklist - Season Four, Episode Seven
Gold Man - Commercial
Braman - Promotional
Jericho - FringeNYC
American Genius - Space Race
Charlie - Short Film
Speakeasy Dollhouse: Booth - Interactive Theatre
Speakeasy Dollhouse: Beginnings
The Addams Family International Tour
Death and the Maiden - Short Film
Mulligan - Pilot
Someone To Belong To - Musical
The Wolf of Wall Street - Film
Mad as Hell - Short Film
Dan is a born mimic and capable of replicating very nearly any accent, including ones with no perceived benefit for having acquired. He has a personal history of audio recording, video production and writing, and he's produced multiple web series in two different countries. He studied acting styles under David Shamburger, Kristi Brannon and Mike Peng while at Huntington University. He's studied improv under Steve Soroka at The People's Improv Theatre (The PIT) in New York City. While living in New York, he's studied film audition technique with Steve Vincent, Harley Kaplan, and Adrienne Stern, commercial audition technique with Barry Shapiro, and television audition technique with C.J. Molidor. A longtime resident of Wisconsin, he also works locally across the Midwest in Illinois, Iowa, Indiana, Ohio, Michigan and Minnesota. His first love will always be the stage, but film and television have opened his eyes to a world of influence and possibilities that can only be found onscreen.


Texas is big, of course, and it’s no shocker that it’s big in movies. We put the question – What’s the best movie about Texas? – to readers and experts, and the candidates for best picture are all over the place. Spoiler alert: Because of all the great Texas movies, there’s no Bonnie & Clyde, no North Dallas Forty, no Texas Chainsaw Massacre. Here are the movies that made the cut:
5 – Giant. Starring James Dean (in his final role before his fatal car wreck), Elizabeth Taylor, Rock Hudson and a bunch of others (including a young Dennis Hopper), the movie mixes ranching, oil, and more for a true Lone Star saga.
4 – The Richard Linklater Division. The epic Boyhood, Dazed and Confused, Bernie, and Slacker head the list of Texas-focused movies from the acclaimed filmmaker.
3 – The Larry McMurtry Division. Movies based on his books include The Last Picture Show, Terms of Endearment, and Hud – 10 Academy Awards among them. And that’s not including Lonesome Dove – perhaps the greatest TV mini-series of all time and winner of seven Emmy Awards.
2 – Friday Night Lights. What’s more Texas than high school football? Did it win a bunch of awards? No. But it stars the great Billy Bob Thornton (who’s from Arkansas but ought to be from Texas) and spawned a critically acclaimed TV show as well.
And the No. 1 movie about Texas … No Country for Old Men. A Coen Brothers classic about a hunter who stumbles across the aftermath of a drug deal and becomes the hunted. Starring Texan Tommy Lee Jones and winner of a Best Picture Oscar.
Next week’s #TexasCool reader question: What are the best breweries in Texas? Give us your answers in any of the following ways: on Twitter (@chooseenergy) and Instagram (@choosetexascool), on our Facebook page (in a comment on any of our #TexasCool posts), or by email.
Plus, enter our weekly contest to win help toward summer electricity bills. See the full rules on #TexasCool.


K-DRAMA MY COUNTRY: THE NEW AGE 2019.09.16 NETFLIX media center
SEOUL, Sept 17, 2019 - Netflix Inc., the world’s leading Internet entertainment service, announced that a new historical Korean drama My Country: The New Age will launch globally on October 4, 2019.
My Country: The New Age is a story about people who desire power while protecting their faith, set during the transitional period between the late Goryeo dynasty and the early Joseon dynasty in the late 14th century.
Seo Hwi, played by Yang Se-jong (Dr. Romantic, Temperature of Love, Still 17), is a warrior who does not compromise when it comes to injustice. Seo Hwi’s friend Nam Seon-ho is played by Woo Do-hwan (Save Me, Mad Dog). Seon-ho works hard to pass the military examination, overcoming his social rank, but encounters conflict with Hwi over a misunderstanding.
Also starring in the series is Kim Seol-hyun (Gangnam Blues, The Great Battle), better known by the mononym Seolhyun, who plays Han Hui-jae, a woman with impressive martial art skills. Strong confrontation over the throne between father Yi Seong-gye and son Yi Bang-won, is portrayed by veteran actors Kim Yeong-cheol (Taejo Wang Geon, Iris) and Jang Hyuk (The Slave Hunters, Deep Rooted Tree), respectively.
My Country: The New Age is directed by Kim Jin-won (Wonderful Days, The Innocent Man) and written by Chae Seung-dae (The Master of Revenge, Inspiring Generation).
The series will be available exclusively on Netflix outside Korea with two episodes launching weekly from October 4 for most APAC and English-speaking countries, while the rest of the world will see the weekly launch from October 14. ↓ ↓ ↓ このシリーズは韓国以外のNetflixでのみ利用でき、 エイペックのほとんどの国、および英語圏の国々で10月4日から毎週2話づつ公開されます。 その他の国では10月14日から毎週公開されます。
FC2移転後のアクセスカウント Total count＆日計＆週計 スマホでは 日計と週計は表示されません


I'm excited, and a bit annoyed, that the closing film on Friday is going to be the world premiere of Evangelion 1.0 You Are (Not) Alone.
Evangelion 1.0: You Are (Not) Alone is a new theatrical version of Neon Genesis Evangelion, which started as a TV animation series in 1995 and remains immensely popular over a decade later with a huge following of fans. The previous theatrical animation was a tremendous hit in 1997 yet its obscure ending roused controversy. Ten years later, in 2007, Hideaki Anno planned a new theatrical series in 4 parts, and the Evangelion 1.0: You Are (Not) Alone is the first of his tetralogy. After the tragedy of the “Second Impact” that killed half of mankind, a 14-year old boy, Shinji, gets mixed up in the war between the UN army and Angel. He pilots the Evangelion, a human figure weapon secretly developed by the NERV special agency to defend the earth from its enemy, Angel. Following its domestic release on Sep. 1, 2007 in Japan, Evangelion 1.0: You Are (Not) Alone will have its international premiere at the 2007 PIFF.It would be a little insane, but I'd love to go down again just to see this.


Graduated at Film and Television Production Organization, National Film School in Łódź and IT, Łodź University of Technology. Professional experience includes working as a production manager of features and documentaries, and later as a producer, mainly of animated films. Co-founder and board member of the Polish Animation Producers Association, and board member of Polish Audiovisual Producers Chamber of Commerce. Co-owner and producer in WJTeam and Likaon Ltd. Animated films clearly dominates the company’s profile.
Born in 1984. Since 2009 associated with the SE-MA-FOR animation studio in Lodz, where she gained experience as a producer's assistant, production assistant, production manager and then producer. For 10 years, together with two friends, she has been gradually developing two production companies: WJTeam and Likaon. She focuses her activities on the production of animated films, operating both within proprietary and commercial cinema. Anna is an active participant in festivals, international fairs and pitchings. She is one of the founders of the Polish Animation Producers Association, of which she remains a member to this day, and also serves as a member of the Supervisory Board of the Association. Since 2022 she’s been a board member of Polish Animation Producers Association and since 2018 she has been the chairman of the Lodz branch. Many-time Polish Film Institute expert, CEE Animation Forum selector, animation lecturer at the Technical University of Lodz.
A graduate of film studies and English studies at the University of Lodz. Since 2016 she has been teaching animated film at the Technical University of Lodz. She’s a producer and production manager. Member of Polish Filmmakers Association, Polish Animation Producers Association, Polish Producer Alliance, Association Internationale du Film d'Animation. Co-founder and producer at WJTeam and Likaon.
The man for special tasks. He combines technical skills with production style. Irreplaceable both during development works and production stage, responsible for infrastructure, equipment and DIT. He nimbly jumps between cells in spreadsheets and paragraphs of incomprehensible regulations. Master of insurance, health and safety protection and adaptation of any space.
One man band, student of the Lodz Film School in the field of Film and Tv Production, composer and producer of film music. His best friend at work is called Excel. He can find a technological and IT solution for unsolvable problems. He’s fluent in English, goes smoothly through databases, network drives and clouds. He thoroughly analyzes laws and legal norms.
She graduated from the Faculty of Graphics and Painting at the Academy of Arts in Lodz. She's a specialist in creating scenography, sculpture, painting, various artistic activities, as well as the conservation of monuments. She began her adventure with scenography for puppet films at Breakthru Film, then collaborating with the SE-MA-FOR studio in Lodz. She co-created the set design for such productions as "Parauszek i przyjaciele", "The Flying Machine" or "Bridge".
He graduated from the Academy of Arts in Lodz at the Faculty of Workshop Graphics. Painter, graphic artist, set designer. Over the years he collaborated with Feature Film Company in Lodz. He’s known for the set design for such films as "Your own bullshit", "Cosmos", "Locus", as well as decorations for the animated series "Parauszek i przyjaciele".
A graduate of the Lodz Film School at the Faculty of Animation. Director and animator. Animated film lecturer at the Lodz Film School. She gained her experience as a second director, artistic director, set designer and animator (including the award-winning production "Kill it and leave this town"). He has collaborated with SE-MA-FOR, Breakthru Films, Animoon, Animapol, Trefl as well as WJTeam and Likaon studios. As a director of an animated film, she made her debut in 2011 with the film "Nurek".
A graduate of the Lodz Film School in the field of Television Film Image Production and Photography with a specialization in Animated Film and Special Effects. Currently, she is also working on her doctorate there and lectures on the basics of animated film at the Academy of Arts in Lodz. In 2002 she started working as a translator, making her debut with the translation of the manga "Love Hina" at the WANEKO publishing house. In 2019, she was an expert of the Polish Film Institute in the field of animation. Youtuber, co-hosts the channel devoted to animatronics and 3D printing "MI STUDIO" and the channel "YOSHIDA ORIGAMI" with films devoted to the Japanese art of paper folding. In 2015, she made her debut as a director of an animated film, the award-winning film "Kinks". s
A graduate of African studies at the University of Warsaw and economics at the University of Lodz, where he is currently doing his PhD. He has carried out several scienti-fic and cultural projects in the countries of the Global South. His research interests revolve around the correlation between income and life satisfaction. In 2012 he conducted stop-motion animation workshops for children and teenagers in Nairobi and later also in the suburbs of Bogota, Colombia. For many years he has been cooperating with the African film festival - Afrykamera. Since 2012 he has been working as an independent creator of stop-motion animations for non-governmental organizations in Poland and Europe. In 2018 he was a scholarship holder of the Animation Sans Frontiers program.
A graduate of the Lodz Film School in the field of Television Film Image Production and Photography with a specialization in Animated Film and Special Effects.Lecturer at the Warsaw School of Advertising. Animator of the movie "Your own bullshit". In 2020, she made her debut as a director with the short animated film "The flood" under the artistic supervision of Mariusz Wilczyński and Joanna Jasińska-Koronkiewicz.


Da'Vine Joy Randolph wins best supporting actress for 'The Holdovers'
Just a few years after her breakout, scene-stealing role in Dolemite Is My Name – and following more recent excellent turns, including High Fidelity and Only Murders in the Building – Da'Vine Joy Randolph can now call herself an Oscar winner. On Sunday, she took home best supporting actress for her stirring performance in The Holdovers. Co-star Paul Giamatti escorted her to the stage.
"For so long, I've always wanted to be different. And now I realize I just need to be myself. And I thank you for seeing me," she said while accepting the award at Sunday's ceremony.
Her thank-you's included a special (and, these days, unorthodox) shoutout to her publicist.
Randolph has been on a hot streak this awards season, garnering accolades from BAFTA, the Screen Actors Guild, the National Board of Review, and many critics' circles.
In director Alexander Payne's period dramedy, she plays Mary Lamb, a cafeteria manager at a New England boarding school mourning the loss of her son, who has died fighting in Vietnam. Over the winter break, she forms a bond with the other "holdovers" who have stayed behind on campus, crotchety classics professor Paul Hunham (Giamatti) and troubled student Angus Tully (Dominic Sessa).
The film manages to balance sentimentality with sharp wit, and Mary arguably functions as the movie's heart—a multifaceted figure who's more than just a grieving mother.
Copyright 2024 NPR. To see more, visit https://www.npr.org.


The Hunger Games by Suzanne Collins - Student Page
Georgia from Rotorua, New Zealand, says:
"This book is very dramatic in some places and in others very bloody. Rue was cuter in the movie than I thought."
*Part of this comment was edited to avoid giving away plot surprises
Troy from Bogalusa, Louisiana says:
"It was okay. It lacked what the movie had. The plot jumped back and forth and never really gave me what I was looking for. It could have been written a lot better."


Let’s see the rest of the quote:
Let your boat of life be light, packed with only what you need—a homely home and simple pleasures, one or two friends worth the name, someone to love and someone to love you, a cat, a dog, and a pipe, or two, enough to eat and enough to wear, and a little more than enough to drink; for thirst is a dangerous thing.”
It’s from Three Men In A Boat (To Say Nothing Of The Dog) Jerome K. Jerome.
This 19th century classic is gut-bustingly funny. But I love its words to live by (except I’d probably leave out the pipe). How about you?
You can download Three Men In A Boat for your e-reader for free at Project Gutenberg. You’ll find the film adaptation starring Tim Curry and Michael Palin on YouTube.


Jul 3, 2020 amazing as going out to the theater — while costing you nothing! 1. /. 7. 5 best free streaming sites for movies and TV shows | Komando DIY. Dec 7, 2017 Watch Putlocker movies Put locker Online Free and tv show, movies online free putlocker9 on putlockers Tv. Jun 12, 2019 movie; putlockers.net; putlockers.tf; putlockers.id; putlockers.tv; putlockertv.ac; putlockerstv.se; putlockertv.ist; putlockertv.to; rainierland.is; scr.cr; Howard High School is on the verge of closing down because it has become the lowest-ranked school in the state. Needing someone to take the fall for the
Putlockers. 119 likes · 14 talking about this. Here's The absolutely best Place to watch free movies online at Putlockers. Watch Putlocker Movies online in HD on any device. We offers streaming
Watch Movies Online and Watch Tv-Series online On Solarmovie without Registration. Director: David Gordon Green Actors: Jamie Lee Curtis, Judy Greer, Andi Matichak, James Jude Courtney Genres: Horror, Thriller Country: USA Release Year: 2018 Duration: 109 min Synopsis: Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. 18/02/2020 Just like Putlocker, Movie4U is a 100% free online movie streaming site where you can stream TV shows, documentaries, series, and movies from different periods and genres. Movie4U’s website has a simple, clean, easy to use, and straightforward user interface to …
Episode 1 Preview. Forests of the Maya. Aired: 2018-08-01 0:30 Rating: TV-G. The forests of the Maya are rich in tropical wildlife and hide a secret underworld.
Feb 14, 2017 You've got your shiny new Apple TV hooked up to a big display so how do you get all the videos you own up there on screen? Easy enough Oct 27, 2004 Keep Viacom · TV Ratings. © 2020 Comedy Partners. All Rights Reserved. Comedy Central and all related titles, logos and characters are Putlocker - Watch Full Movies Online For Free & TV Series 123putlocker.pro


IN THE EYE OF THE BEHOLDER by Lena Mattsson
Uppdaterat: 12 dec. 2019
Video installations view from Lena Mattsson solo exhibition at Moderna Museet Malmö 2014. Bo Cavefors talks about the Red Army Fraction "RAF" and his life and way of living.
(A short documentary film from the synchronized video triptych) "In the Eye of the Beholder" by Lena Mattsson, Actors: Bo Cavefors and Ola Åstrand, Music: by Conny C-A Malmqvist.
Copyright: Lena Mattsson
Moderna Museet Malmö. 2015


Despite his youth, Anthony is launching his dream start-up tech company that is going to go better than anyone else. Anthony creates holographic technology that builds his company's platform into gaining more fans than other tech manufacture companies. But while he's getting himself into potential fame, his archrival, Spencer, doesn't want to see him succeed. While running his company and hanging out with a friend, he learns that friends aren't always a good thing to have. Throughout the story, Anthony runs into shocking hurdles and painful moments that he never expected.


Now I love Sandra Bullock. Ever since SPEED, she's been my go-to girl for sweet drama and adorable laughs. But after hearing the premise for this movie, I was kinda like, eh, I don't know. But my husband brought it home from Redbox and we watched it together. Well, I watched it, he fell asleep halfway through. Not from boredom but that's just what happens when we watch movies together.
I was pretty impressed with her performance, as usual. She's an astronaut named Ryan on her first trip into space. An accident happens and she and George Clooney's character, Matt, are stuck with little oxygen and a long way to go to get back to Earth. She's flipping out and soon reveals that she'd lost her four year old daughter. "Now, I just drive. I get in the car and drive."
Throughout the movie we watch as she struggles to survive, even as Matt is lost to her. As he drifts away from her with no way to get back, Matt says "You have to learn to let go." What? Are you kidding? I'd be freaking out too if I knew someone was going to die and could still hear their voice as they slowly become a dot in the black. And there's nothing anyone can do about it. Yes, this is the perfect time to freak out!
Eventually, you have this scene that takes place after she decides to just give up.
Yep, it's time to go home, alright. Time to let go and move on. It took almost dying in space for Ryan to start living, really living, again. Best line of the movie: "No more just driving. Let's go home."
WOLF OF WALL STREET was a fun movie to watch. Long, really long but still entertaining as hell. The story follows the humble beginnings of stock broker Jordan Belfort as he lies and swindles his way up the Wall Street food chain to become a millionaire. Sex and drugs and money, money, money are all he needs.
And then things start to go bad. The government starts to take notice and investigate. You can smooth talk thousands of dollars out of people's wallets and into your hand but you can't make the FBI turn a blind eye. And drugs are a serious problem with this guy. This scene had me laughing for five minutes straight.
As hilarious as this is, it's also messed up because he makes the stupidest decisions and later endangers the life of his kid while high. Not cool.
Of course it all comes crashing down around him and he has to do some jail time but he did come to realize what his real strengths were and eventually used them to help people other than himself. Because you can't be a selfish prick forever, right? Right?


MullenLowe Swing is behind the visual identity and digital campaign of the latest Bulgarian feature film “Bubble Gum” – a comedy-drama about the children of the 80’s.
Kalin (Ivan Yurukov) is a talented advertising specialist, weary of life. Bilyana (Teodora Duhovnikova) is a free spirit, still uncertain of what she wants. They grew up in Socialist Bulgaria, where they were part of a mad group of friends, for whom every day was a different adventure. Childlike, they had a pact to get married. The two of them meet 25 years later.
Watch “Bubblegum” in cinemas on December 8.
Producer: Stanislav Donchev & Teodora Doncheva
Screenplay: Teodora Markova, Georgi Ivanov, Nevena Kertova, Teo Chepilov
Directed by: Stanislav Todorov – Roggy
Stars: Ivan Yurukov and Teodora Duhovnikova


Are you ready to stalk the night, fight crime, defeat your greatest enemy, and find a crime fighting partner who is almost as awesome as you are? Are you ready to do something cool? If you answered "yes," then this is the guide for you! Discover your inner cool with help from Batman(TM), the coolest Sup ...Show more
An activity book based on the animated film. Includes exclusive buildable minifigure! The LEGO Movie hit screens in February 2013 and went on to gross more than $450 million at the box office worldwide! That stunning success has spawned three follow-ups: The LEGO Batman Movie (Spring 2017), The LEGO Nin ...Show more
An 8x8 storybook based on the animated film, starring the Joker(TM)! Find out what happens when the Clown Prince of Crime takes on Batman. Featuring full?-color images from the film. Plus, includes one page of stickers!
The official junior novelization based on the animated film! Includes 8 pages of color photos from the movie. When the Joker(TM) hatches a new plan to take over Gotham City, Batman(TM) will have to learn how to make new friends and work as a team, or risk the city descending into chaos!
Go behind the scenes and discover everything there is to know about The LEGO(R) Batman(TM) Movie with this ultimate guide. Featuring the latest LEGO(R) Batman(TM) set and minifigures, The LEGO(R) Batman(TM) Movie: The Essential Guide is the perfect companion to LEGO(R) Batman's first solo movie. From Ro ...Show more
Open this fascinating LEGO Batman book and discover how the movie was made. Beautifully illustrated and packed with information on how your favourite LEGO Batman heroes, villains, vehicles and locations were created for the movie. Explore each development stage of the movie from the initial idea and sto ...Show more


Rave Reviews For Show Sponsored by DirectAsia.com
Release date: 13 May 2013
DirectAsia.com’s latest sponsored theatre production, Rabbit Hole, has opened to critical acclaim.
Produced by Pangdemonium Productions, the play is a former Pullizer Prize winner that deals with a bittersweet story of loss, survival and the life-affirming power of the family.
This is yet another production from the talents of Adrian Pang and his wife Tracie that is being supported by award-winning insurer DirectAsia.com.
Simon Birch, CEO of DirectAsia.com, said:
"We are delighted that the show has been a huge success. And we are very proud to play a major role in promoting such talent within the arts arena in Singapore."
Actor and producer Adrian Pang, added: “We are so proud and privileged that DirectAsia.com has chosen to support Pangdemonium's production of RABBIT HOLE.”
Read what the reviewers said about Rabbit Hole:
"…one of the best pieces of local theatre this year, and it’s only May...Go see it." - Adeline Chia, ARTInfo
"Here's a production that could well emerge as one of the best of the year." - Helmi Yusof, Business Times
"…as perfect a piece of theatre as you could hope to see...one of the best ensembles of recent years" - Matthew Lyon, The Flying Inkpot
"Absolutely stunning." - Justwatchlah.com "Touching, raw, real... a life-affirming play" - Corrie Tan, Straits Times Life!


Globalstage Productions, Inc.
465 California, Suite 525, San Francisco, California 94104 USA
tel: 415.217.5800 fax: 415.217.5819
http://www.globalstage.net, email: email@example.com
|FOR RELEASE ON
April 20, 2000
Contact: Becca Britton
tel: 415.217.5800; fax: 415.217.5819
GLOBALSTAGE RELEASES THE THREE MUSKETEERS BASED ON ALEXANDRE DUMAS' ROMANTIC ADVENTURE
Globalstage Productions announces the release of its most recent video of live theatre for families: The Three Musketeers. Adapted from the French classic by Alexandre Dumas, the production is performed by the acclaimed The Northwest Children's Theatre (NWCT) in Portland, Oregon. The video also includes pre and post curtain discussions between renowned professor Elizabeth McNamer and 13 year old Preston Blakeley of San Francisco and a booklet of related ideas and things to do.
Filmed on location in Portland, Oregon, this seventh video in the award winning series of Globalstage Theatre Adventures is set in seventeenth century France. It follows the adventures of young d'Artagnan who makes his way to Paris in order to join the famed king's guards, the Musketeers. Upon his arrival in the city, the fearless youth teams up with Porthos, Athos, and Aramis, three of the most famous Musketeers. The four soon find that they are embroiled in a sinister plot by Cardinal Richelieu to disgrace the Queen of France. Twenty-three actors bring the exciting story to life with lush costuming and precisely choreographed stage fighting.
The mission of Globalstage is to provide challenging, fun, quality entertainment for families. Lizbeth Pratt, President and CEO of Globalstage, is a theatre lover, and founded the company because of the dearth of quality videos appropriate for her to watch with her then twelve year old son. To select plays for the series, she scours the globe looking for the best live theatre currently in production. The Three Musketeers captured her interest because of how it accurately reflects seventeenth century France, and because of the exciting pace of the action.
Globalstage is known for its innovative camerawork and editing, for recreating the theatre on video. The family theatre series, which also includes Island of Dr. Moreau, Playing from the Heart, Cyrano, Far from the Madding Crowd, Pinocchio, and Frankenstein, has won numerous awards. Recently, Playing from the Heart was named one of the best videos of 1999 by American Library Association's Booklist.
To order, call Globalstage at 1 888 324 5623, or go to the web site www.globalstage.net. Videos are $27 each, plus shipping, or $22.50 each if you purchase six.
For more information or to schedule interviews, contact Becca Britton at Globalstage.


A snowy winter's tale
A white bear comes knocking at the cottage door. The daughter of the house agrees to join him in his icy palace. There she has all the riches that she could ask for but she is curious as to why the white bear won't let her light any candles at night.
Eventually, encouraged by her mother, she does so and discovers that the bear is in fact a handsome Prince. But she has broken a spell and the Prince is whisked away from her to the Troll Castle, which lies East o'the Sun and West o'the Moon.
The girl is heart-broken and sets out to find him. Aided by three mysterious women and abetted by the four Winds she finally reaches the Troll Castle where she has to use all her powers to save the Prince from marriage to the Troll Princess.
Gill and Bill animate a whole host of characters - humans, animals, trolls and winds - using their physical and vocal skills along with simple costumes, masks and some very effective shadow-play.
"Full of the humour, movement and music that have become the hallmarks of a multi story production."
"The children were intrigued by the screen and loved the costumes. We like to provide our children with experiences beyond their own lives. The performance was perfect for this."
The production is for anyone who likes a story aged 5 - 95+.
It’s cold in the cottage. The snow is piled up against the door. Suddenly there’s a knocking and Mother and Father are confronted by a big white bear. He wants their daughter to join him in his ice palace. And he gives them till Thursday to make up their minds. Mother and Father decide it will be in everyone’s best interest if their daughter goes with him – after all he has promised that they will be rich. So Father breaks the news to his daughter.
Next Thursday the bear returns and whisks the girl away. He installs her in his Palace of Ice. She is comfortable but lonely – there’s no-one to talk to and the bear is always away about his business. The bear sleeps in her room to protect her but she hears a different pattern of breathing and is sure that someone else is there.
She persuades the bear to let her visit her parents. He agrees as long as she doesn’t talk to her mother alone. She does speak to her mother alone and her mother gives her a candle-end to light so that she can see who is in her room.
Back at the Palace of Ice the girls lights the candle-end and discovers a beautiful Prince asleep in her room. She is so taken with him that she leans over to kiss him. But three drops of burning candle-wax spill onto his shirt, which wakes him. He is distraught. Now they will never see each other again. He has been under a spell – a bear by day, a prince by night – and because she has seen him as a prince the Trolls will carry him away to marry the hideous Troll-Princess. The girl instantly falls into a deep sleep.
When the girl awakes she finds that not only has the prince disappeared: so too has the Palace of Ice. She sets off to find the prince, knowing only that the Castle of the Trolls lies somewhere east of the sun and west of the moon.
A young girl gives her a golden flask that will never run dry and a horse. The young girl’s mother gives her a golden pot that will never empty. And the young girl’s grandmother gives her a golden shawl to protect her against the extremes of temperature. The grandmother also summons the Wind of the East to help her on her journey.
The Wind of the East runs out of puff and hands her over to his brother, the Wind of the West. The Wind of the West hands her on to the Wind of the South. And the Wind of the South finally hands her on to the Wind of the North. The Wind of the North delivers her to the crack in the cliff that leads to the Castle of the Trolls – which is buried deep beneath the earth.
In the Castle the girl meets the Troll Princess – who speaks a very strange language. She uses the golden gifts to persuade the Troll Princess to let her see the prince. The Troll Princess takes the gifts but then drugs the prince so that he is always asleep. Finally the girl barges into his room and they hatch a plot.
The prince interrupts his own wedding with the Troll Princess to announce that he will only marry the girl who can wash the three drops of wax out of his shirt. The Troll Princess tries but fails. The girl tries and succeeds. And the Trolls are so angry that they explode – propelling the girl and her Prince back to the little cottage where father and mother are delighted to see them. And where, we hope, they will all live happily ever after.
photos by Morgan Lowndes


LOS ANGELES, CA -
The 2015 prison break at the Clinton Correctional Facility in Dannemora, which Joyce Mitchell, will now be the focus of a Lifetime movie in April.
According to a media release, "NY Prison Break: The Seduction of Joyce Mitchell" will premiere on Lifetime on April 23 at 8 p.m.
A media release says Actress Penelope Ann Miller plays Joyce Mitchell.
Joyce Mitchell worked at the Clinton Correctional Facility as a tailor instructor. She helped Richard Matt and David Sweat break out of the facility.
The convicted murderers spent more than 3 weeks on the loose. Matt was shot and killed by law enforcement. Sweat was taken into custody and is now at Five Points Correctional Facility.
In September 2015, Mitchell pleaded guilty to first-degree promoting prison contraband, and fourth-degree criminal facilitation.
A media release says the movie follows the actual events of the prison break.
The media release sent the following synopsis about the movie:
Joyce Mitchell (Miller), a married mother of three, meets convicted murderers Richard Matt (Myk Watford, Law & Order: Special Victims Unit) and David Sweat (Joe Anderson, Across the Universe) while running the tailor shop at the Clinton Correctional Facility in upstate New York. Richard and David immediately set their sights on Joyce as the perfect pawn for their escape plan. Flattered by their attention, Joyce is easily manipulated and seduced by the two prisoners, and soon agrees to help them break out.Wrapped up in a fantasy that men were in love with her, Joyce goes along with them when they suggest killing her husband so they can all run away together to Mexico. At the last second, Joyce decides she can't go through with the plot and doesn't show up at their pick-up point. Soon after, a massive statewide manhunt for Richard and David ensues culminating in a deadly takedown and her own conviction.
Young Vermont female athletes are making a difference around the…
Add some prosciutto to make Italian-style beans and ham.
Sunny and warm to start with storms bubbling up after lunch. It's…


In Mark Kermode’s review of Toy Story 3 (available as a podcast and here), which he liked a great deal, he contemplated that Toy Story might be the best film trilogy of all time. This is mainly because the last film is extremely good, and that’s not the normal pattern with sequels. The other main contenders he considered were The Godfather (let down by number 3) and the less-well-known Trois Couleurs trilogy.
I saw it the other day and felt inclined to agree – it is really excellent. After mentioning this on Facebook and getting some good counter-suggestions from friends (Bourne, Indiana Jones, Back to the Future), I thought I’d find out if he’s right with some hard-core analysis…
I used two main sources:
- IMDB, which has average scores (on a 1-10 scale) from tens of thousands of punters.
This is not ideal in some ways because the viewers of films are self-selecting – people can only rate the things they’ve seen, and they’ll only watch the things they like the sound of. On the other hand, you could argue that that’s fair enough anyway, especially of genre films. The other problem with IMDB is that it will be biased towards the kind of people that can be bothered to record their opinion about films on an internet site, so is likely to be nerdier and more male in its profile than the viewing public.
I’ve used two measures:
- Weighted Average Score: where IMDB try to adjust weightings of reviews to make it as representative and fair as possible.
- Top 1000 Average Score: the scores from the 1000 individuals who have reviewed the most films – these guys have seen a lot of films so should be less susceptible to the ‘viewing only films I like the sound of’ factor.
- Rotten Tomatoes, which collates results from hundreds of movie reviews in reputable publications.
Being professional reviewers these people shouldn’t suffer so much from self-selection bias, but probably tend to be more considered and more impressed by artistry rather than simple entertainment. The main problem with film reviews is that they are not rated on a consistent numerical scale (many use a 5-star scale, but some use percentages, or letters), so combining them together to give a consistent rating is not trivial. Again, there are two measures I used:
- ‘Fresh’ score: the percentage of reviewers who, on balance, liked it. (The simplicity of this is a good way of dealing with the problem of putting the reviews on a consistent scale.) This is a good indicator of whether you’re likely to enjoy a film.
- Average score on 1-10 scale: this is done by each review being re-coded by Rotten Tomatoes onto a 10-point scale then averaging them together. This is arguably a better indicator of ‘greatness’.
So I collected these scores on all the films in 34 movie trilogies/series, including the 30 most popular movie series of all time (according to Box Office Mojo), but also a couple of others that the critics often talk about (including Godfather and 3 Colours). I also included Police Academy, which is the perfect example of what normally happens with movie sequels.
The results – the punters
First of all, here are all the results from IMDB. In each case they are sorted by the average across the trilogy. (In other words, when there are more than three films only the first 3 are used to calculate the ‘overall’ score, although all films in the series are shown)
Clearly, the punters like a bit of sci-fi / fantasy, with either Lord of the Rings or Star Wars taking the top slot. The Godfather is pretty close (let down by film number 3), and Toy Story does pretty well with the best 3rd film of all time according to the masses. Indiana Jones does well too.
It’s amusing to see how many film series start out with one good first film (all those red dots at the top of the charts), then produce an endless succession of ever-worse ones. Think Rocky, The Matrix, Lethal Weapon, Batman, Superman, Jaws, etc. Notable exceptions are Star Trek (with the famously good even-numbered ones), Harry Potter (they’re all good), and Bourne (the final one was a corker).
I thought Police Academy would be the worst film series of all time. But numbers 4 to 7 were truly appalling, and if you base it just on the first 3 then the (highly popular) Twilight series comes bottom. This feels overly harsh. I hate them, but a lot of people really like them. This is probably partly because they are very clearly aimed at young girls, and this group is probably least likely to bother telling IMDB what they thought of a film!
The results – the critics
So what about the critics? Remember, ‘Percent Fresh’ is how many recommended the film, and ‘Average Score’ is their rating of how good it is.
Well, that’s pretty conclusive – not only has Toy Story 3 got the best 3rd film ever, but it’s actually the best trilogy of all time too according to the critics. It’s that amazingly rare thing – a trilogy where all of the films were universally seen as excellent.
And it looks like Mark Kermode was pretty representative of other critics in considering Trois Couleurs a contender for crown of ‘best trilogy’. I’ve never seen any of them, but I now think maybe I should!
UPDATE: 28th July 2010
Thanks to the various commenters and other suggestions I’ve received, I’ve realised that there are plenty of other trilogies that I really ought to have included. Among them are some little-known foreign-language trilogies that some people rate very highly (Ozu, Apu, Vengeance), some real classics (The Man With No Name, Frankenstein, Evil Dead) but also some other popular ones that I missed (in order of increasing rubbishness: Hannibal Lecter, X-Men, Mad Max, the Star Wars prequels, Scream, Mission Impossible, Blade, Rush Hour, Poltergeist, Robocop, Underworld, High School Musical).
I’ve also adjusted the ‘trilogy’ rating of Star Trek so it’s based on films II to IV, which all thread together. I’ve also decided to completely ignore the Next Generation Star Trek films because I can’t decide which set to put Generations into!
To keep things simple, I’ve tried to settle on a single definitive result, and have used the combination of the IMDB weighted score and the Rotten Tomatoes average rating score.
The final result is that Toy Story is actually the 3rd-best trilogy of all time, behind Star Wars and the (little-known, Japanese, 1950s) Noriko trilogy by Yasujirō Ozu. Another 1950s trilogy I’d never heard of comes fourth, the Indian Apu trilogy, and then the usual suspects of Lord of the Rings and The Godfather come in 5th and 6th.
Click on the picture to view it at full size.


‘Batgirl’ movie ‘shelved’ by Warner Bros despite $90m price tag: report
The death of bat girl Tuesday sent immediate shockwaves through Hollywood.
The film, with a budget of $90 million, wrapped filming months ago and was in test screening, preparing for release in late 2022.
bat girlwhich stars Leslie Grace in the title role, alongside JK Simmons, Michael Keaton and Brendan Fraser, was originally slated for release on HBO Max.
However, the DC Comics movie will be completely “shelved” by Warner Bros., meaning it won’t be released in theaters or on the HBO streaming service.
According Varietythe film was already in post-production, the source said “The decision to scrap Batgirl was not driven by the quality of the film or the commitment of the filmmakers, but by the desire that the studio’s slate of DC features or at a level the scale of the blockbuster.”
Warner Bros released a statement, saying via a spokesperson, “The decision not to release Batgirl reflects the strategic shift in our leadership as it relates to the DC Universe and HBO Max. Leslie Grace is an incredibly talented actor and this decision is not a reflection of his performance.”
The film’s makers, Adil El Arbi and Bilall Fallah, also released a statement which read, “We are saddened and shocked by the news. We still can’t believe it.”
“As directors, it is essential that our work is shown to the public, and although the film is far from finished, we want fans around the world to have had the opportunity to see and embrace them- even the final film.”


Our Hitler, a Film from Germany
GER/FR/GB 1977, 442 min
Syberberg’s controversial film essay on Hitler as possible projection of the secret wishes of the German.
Not porno, not underground film, not a good entertainment film, not documentary, not social criticism nor Hollywood boulevard film or horror show: rather a journey into the midst of night, a hell ride to paradise lost, into our inner self. The mystery play of a historical dance of death in the black studio of our phantasy, the ascetic “Trauerarbeit” (toils of mourning) on the end of an epoch, millions of dead. In old times one would have called it an epos, a poem, requiem, oratorio; an attempt to find a new German identity through film. And also about the heritage of Hitler in our present world, something about the infernal victory of quantitative democracy; about the calmness of melancholy and the thesis that Hitler can only be defeated with Richard Wagner.
OUR HITLER, A FILM FROM GERMANY is the third part of Syberberg’s GERMAN TRILOGIE, which also includes LUDWIG – REQUIEM FOR A VIRGIN KING (1972) and KARL MAY (1974). The film was released in four parts: THE GRAIL (Part 1), A GERMAN DREAM (Part 2), THE END OF A WINTER'S TALE (Part 3), WE CHILDREN OF HELL (Part 4).
Rent or buy the movie on our Vimeo channel. For other providers, see “Watch Movie”.
Language: German OV, English version, Subtitles: English (only available in the English version)
Awards and Festivals
- Bundesfilmpreis 1978 (Filmband in Gold, Darstellerische Leistung)
Director and Screenplay
Hans Jürgen Syberberg
André Heller, Harry Baer, Heinz Schubert, Peter Kern, Alfred Edel, Hellmut Lange, Rainer von Artenfels, Martin Sperr, Peter Moland, Johannes Buzalski, Peter Lühr, Amelie Syberberg
Director of Photography
Helga Beyer, Lydia Pieger
Barbara Buchwald, Hans M. Stummer
Barbara Gailling, Brigitte Kuehlenthal
Gerhard von Halem, Michael Sedevy
Hans Jürgen Syberberg
Solaris Film- und Fernsehproduktion Bernd Eichinger, TMS Film
HITLER-Premiere in New York (30min)
German OV, English version
English (only available in the English version)
NTSC / PAL compatible
442 Minuten in 4 Parts + 30 min Extras
Softbox (Set Content: 2), Booklet with Chapters and Texts
Ab 16 Jahren
All three films of Syberberg’s GERMAN TRILOGY available in one box (6 Discs, 13 hours). The box includes an exclusive booklet with texts by Syberberg, Susan Sontag, Boris Groys and Rochell Fack (all texts in German). Limited edition!