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Best 10 Comedy Movies of 2010
Comedy movies can really make us relaxing. The theme, the actors, and direction all together to give use good recipe. You can go through this compiled list of top comedy movies of 2010.
The Other Guys: This movie is worth watching. The stars are Samuel L. Jackson and Dwayne, ‘The Rock’ Johnson. They are unacknowledged cops for doing all the ‘dirty’ works. The design of the movie is elegant and hilarious, and satire. Knight and Day: Tom Cruise and Cameron Duaz work together in this movie and it is an action comedy of 2010. The film was directed by James Mangold. This is Cruise and Diaz’s second on-screen teamwork after 2001Shrek 4: Forever After: This is a popular animated movie and 4th in the outcome of the complete series. A number of people disagrees Shrek being the best in the comedy movies countdown. But this movie certainly makes a heck of a watch.Despicable Me: This movie is an American animated 3D comedy film from Illumination Entertainment. It was first released in the United States. This is the first computer generated imaginary application shaped by Universal. It was completely animated in the French Studio in Paris.Date Night: Date Night stars Steve Carell as a genius comedian and he is quite excellent to watch. Tina Fey who costars with Steve Crell makes the movie interesting. Their hilarious and awesome performance makes Date Night the best movie.Toy Story 3: It is a story about Andy, who is 17 and now going to college. He is not playing with his old toys now and they are getting decayed in his toy trunk. This is an American animated movie released by Walt Disney pictures.Dinner for Schmucks: Steve Carell and Paul Rudd bring good laughs with their remarkable acting in this movie. All the actors in Dinner for Schmucks gives a good comedy feast.Valentine’s Day: This is a passionate comedy movie with a huge star casts, but remarkable as well. The stars are Kathy Bates, Jamie Foxx, Bradley Cooper, Patrick Dempsey, and many more. The cast has many detail work which takes the audience on the rim of their seating.Going the Distance: Drew Barrymore and elegant, deep-voiced Justin Long act together like a real couple in the movie. Leap Year: The main characters are Amy Adams and Adam Scott. The story is about true love with someone whom you knew. It’s all about a mixture of romance and comedy.
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Are Three Hundred And Sixty 5 Days Stars Anna-maria Sieklucka And Michele Morrone Courting In Real Life?
So, let’s have a deep dive into their present relationship statuses. Here is strictly who the cast of the 365 Days movies on Netflix are courting in actual life, and who you can slide into the DMs of. When you watch 365 Days on Netflix, you get to know the cast members so much. The movie is all about relationships, intercourse and love lives – so you may I loved this be questioning who the cast of 365 Days are all dating in actual life.
Michele denied the allegations in an Instagram story which have since been deleted. On October three, 1990, in Italy, Morrone entered the world. They could be the youngest 4 sisters, however they’re nonetheless sisters. Morrone’s father died abruptly in 2003 when Morrone was only 12 years outdated. After graduating, he entered the development business.
Are anna maria sieklucka and michele morrone dating?
His Instagram doesn’t show a significant other and he hasn’t revealed a lot about his love life in interview this yr. That means they’ve been collectively for a minimum of three years, however the actress rarely posts him on social media and they maintain their relationships very private. She first posted a photograph of him on Instagram in April 2020 and then confirmed in an interview she had been relationship him for a year, Republic World reports.
Luckily, the star rebounded and now encourages his followers to at all times keep the religion. Despite adverse evaluations from film critics, Netflix has made it a broadly watched flick—due largely to its star’s smoldering attractiveness and ideal physique. “I was in a severe state of melancholy after divorcing my spouse,” he continued. Lukasz Witt Michalowski has acted in plays like Desert, Stones in pockets and and so on.
Michele morrone’s ex and kids
She falls victim to a dominant mafia boss played by Michele Morrone. The mafia boss imprisons her and provides her one year to fall in love with him. 365 DNI is being appreciated by fans all around social media. Anna Maria Seiklucka’s Instagram, the actor has posted a picture with the caption “Jedno. Peace and love.” Although Anna is not implying something directly, however the caption raises some speculations.
Days love lives: this is who the solid members are relationship in real life
He is a extensively known determine in the Polish theatre trade. After graduating from Wroclaw, Anna Maria Sieklucka’s boyfriend went to review theatre in Frankfurt, Germany. Michalowski is active on his Facebook page, the place he posts footage from his performs and onstage appearances. The erotic romance movie The Next 365 Days is at present obtainable on Netflix. It is the third edition of the 365 Days film collection and is based on the book of the same title written by Polish novelist and cosmetologist Blanka Lipiska.
The couple had a civil marriage in Italy and Lebanon. They separated in 2018 however remain legally married.  They had two sons collectively, one born in 2014, and the opposite born in 2017. When it got here to filming the movie’s extra X-rated scenes, that pushed the actress out of her comfort zone. “One of the most tough experiences was to overcome shyness and to point out the nudity we’ll see on the display,” mentioned Sieklucka on that very same press tour.
However, they by no means addressed the rumours which appeared to be false as Anna is dating her long-term boyfriend Łukasz. He is behind many Polish theatre productions including Knut Hamsun’s Hunger and Pogrom next Tuesday. Actress Anna-Maria Sieklucka and actor Michele Morrone have each reprised their leading roles, and as always, all of us need to know more about their private lives. The content material on this web site is for entertainment and educational purposes only. All betting content material is intended for an viewers ages 21+.
Many of you are surely going to be upset understanding that the 365 Days stars, Michele Morrone and Anna Maria Sieklucka, aren’t courting one another in real life. It’s simply their unbelievable acting skills which we have witnessed within the film. In the movie, they shared a very intense and complicated love story. However, outdoors the set, they are just good pals and colleagues for certain.


The latest Star Wars movie offers us quite an interesting (but simple) story with the usual (improved?) special effects. It’s the story of someone who gets out of the slums, with audacity and a bit of courage, doing what’s need to be done. A story of love and betrayal. It has a moral (hey, it’s Disney after all), lots of action and great humour. It also has a bunch of very interesting characters (and excellent acting to go with it). It’s sort of a growing-up story, about how a slum kid become… well… a kind of accidental hero. For the Star Wars fans it also offers lots of back story: how Han got his name, how he met Chewbacca and, later, Lando, how he got the Millenium Falcon and what makes it such a special ship, and, finally, how the rebellion started.
It might not have the depth of the original movies (although that fame might be due in part to the legend, greater music and fantasized childhood memory) but it is, in itself, a good movie. It might not be THE Star Wars movie but, as the title says, it is A Star Wars movie. However, it is a fact that it didn’t performed well at the box-office, barely breaking-even, and was less appreciated by the fans than the critics with an audience score of 64% versus a critical rating of 70% on Rotten Tomatoes. It’s a little blend, yes, but it’s still quite entertaining and well worth watching.
To learn more about this title you can consult the following web sites:
[ Traduire ]


THE SHOCKING FILM BIRTHRIGHT: A WAR STORY
NCJW Bergen County Section and Senator Loretta Weinberg, NJ State Senator Majority leader, were the sponsors of the film Birthright: A War Story at the Teaneck International Film Festival on Sunday, November 5. This film is a shocking and chilling exposé of the many ways that women’s rights are violated daily and the lives of women put in danger because of the aggressive campaign of the far right to limit women’s autonomy over their own bodies. We learned that not only is the Right to Life movement trying to control reproductive choice, but they are attempting and often succeeding in limiting the rights of pregnant women, jailing them, turning them into criminals and challenging their constitutional protections to control their health care decisions.
Following the film there was an engrossing talk back with Civia Tamarkin, award winning journalist and director/writer / producer of the film, and Senator Weinberg. Radio commentator Sandi Klein led the discussion. Ms. Tamarkin told us that she made this movie because she is appalled by the diminishing of the rights that women thought that they had secured. She is hoping that the film will be a wake-up call and help make the younger generation aware of the need to take action. She wished to make a film that not only discussed abortion rights but also made the viewer aware of how the fight has expanded to contraception rights, pregnancy, bodily autonomy and the right of women to make their own medical decisions.
Senator Weinberg went on to discuss the state of women’s rights in NJ. She pointed out that NJ has lost $7M in funding each year since Governor Christie took office. She believes that women must show their concern by once again participating in rallies and marches, by voting, by economic boycotts and by becoming involved in the political process. Giving a shout-out to NCJW, Senator Weinberg told the audience that we are an organization her colleagues respect.
Pictured L-R: Sandi Klein, Discussion Moderator and radio talk show host; Jeremy Lentz, Executive Director of the TIFF; CiviaTamarkin, director, producer and writer of the film; Shelly Winner, NCJWBCS event chair; Loretta Weinberg, State Senator and Co-Sponsor of the film and Jane Abraham, NCJW BCS Co-President.


In MACHETE KILLS, Danny Trejo returns as ex-Federale agent MACHETE, who is recruited by the President of the United States for a mission which would be impossible for any mortal man - he must take down a madman revolutionary and an eccentric billionaire arms dealer who has hatched a plan to spread war and anarchy across the planet.
It has not been the best of times for filmmaker Robert Rodriguez. Sin City: A Dame to Kill For turned out to be a huge critical and commercial disappointment, and now it appears that he is a few...Read More
The general public sees movie stars as distant, almost non-human beings with amazing looks, great style and an imposing presence. However, fans would likely be shocked to find out just how short many...Read More
The Biggest Flops from a Rocky October at the Box Office
October came with the promise of jaw-dropping cinematic achievements with the release of "Gravity," which stars Sandra Bullock and George...Read More
MRR Review: "Machete Kills"
Rating: R (strong bloody violence throughout, language, and some sexual content)
Length: 107 minutes
Release Date: October 11, 2013
Directed by: Robert Rodriguez


I watched an episode on TV Ontario’s ‘The Agenda’ about racial issues in Thunder Bay. The program featured Principal Jonathon Kagagemic of Dennis Franklin Cromarty High School in Thunder Bay. This school serves students from remote First Nations communities in northwestern Ontario. Sadly, the school has also had to deal with its fair share of traumatic experiences.
The episode made me think of a documentary I watched a few years ago about the struggles at DFC. CBC’s ‘Fifth Estate’ produced an episode, ‘Stories From the River’s Edge’, a few years ago, that focused on the sad issue of multiple student deaths. We screened the episode in class today and it was very sombre. Here’s the episode:


Cinematic Treasures – 3 Tamil Films That Define Excellence
This is the gateway to aha, a universe of unique broadcasting platforms. The platform advertises selected Tamil movies and web series collections to satisfy everyone’s cinematic tastes. aha is more than just a streaming service; it’s a cinematic sanctuary where you can immerse yourself in a vast selection of content from every genre.
Let’s explore into the fascinating stories of three excellent Tamil new movies accessible on aha.
Paramporul is a Tamil crime thriller directed by C Aravind Raj, revolving around individuals smuggling antique sculptures. The film follows the story of Aadhi, a youngster from a lower middle-income group. He plans to rob a house to meet his family’s expenses.
Unfortunately, the house belongs to Maithreyan, an evil police inspector who catches Aadhi in the act and uses him as a scapegoat for unsolved cases in his station. Aadhi pleads with Maithreyan to let him go, promising to do anything the cop asks in return. The film’s plot is fresh and engaging, keeping the audience hooked.
The performances of Sarathkumar, Amithash, Kashmira Pardeshi, and Balaji Sakthivel are impressive, especially considering their roles and chemistry. The film’s music and cinematography are also notable strengths. Tamil new movies on aha provide an amazing experience.
“Yaaro” is a 2022 Tamil thriller film written and directed by Sandeep Sai and produced by Venkat Reddy. The lead roles are done by Venkat Reddy and Upasana RC, with supporting roles played by CM Bala, Durairaj, and Kishore Dev.
The film was released on February 4, 2022. The plot revolves around John, an architect-designer who lives alone in a posh villa in ECR. Trouble begins when a spooky stranger enters his life, causing John to feel followed and leading to recurring dreams of a tragic incident.
As John investigates, he discovers a hidden camera in his house with a clip of two men and a murder being committed, realizing his life is in danger. To watch this movie, you can buy an aha subscription and watch many other movies like this.
Raid is a 2023 Tamil action thriller directed by Karthi in his directorial debut. This is a remake of the 2018 Kannada film Tagaru starring Shiva Rajkumar. The film stars Vikram Prabhu, Sri Divya, AnanthikaSanilkumar, and Rishi Rithvik. Sam C. S. composed the music, while Kathiravan and Manimaran handled the cinematography and editing.
The plot follows Inspector Prabhakaran, who sets on a crusade to finish all gangsters in Chennai, where he locks horns with Daali and Chitte, who are ruthless gangsters controlling the city’s market with the influence of their boss, Uncle.
Watch Tamil movies on aha
aha offers a great selection of suspenseful and romantic dramas. It also caters to fans of Tamil action films. Experience sensational stories while quickly accessing the most recent Tamil movie downloads. aha provides you with the most outstanding cuts of Tamil cinema at your fingertips, ensuring that entertainment is just a click away.
So, buy an ahatoday and enter a world of suspense and action. Use the new full movie download function to enhance your cinematic experience and explore aha’s mesmerizing storytelling. No Tamil cinema was this exciting and accessible!


Barbie might have won the battle of the box office, but Oppenheimer leads the BAFTAs race – picking up 13 nods for this year’s awards.
British filmmaker Christopher Nolan’s epic, which explores the true story of the first atomic bomb, is shortlisted for gongs including best film and best director, as well as acting awards for stars Cillian Murphy, Emily Blunt and Robert Downey Jr.
It is followed by the critically acclaimed Poor Things, which has 11 BAFTA nominations. Star Emma Stone, who plays a young woman resurrected from the dead with the mind of an infant, is nominated for best actress – like Murphy, she is fresh from a Golden Globe win – while the film is also in the running for best film and outstanding British film.
Nominations in full:
The films and stars in the running this year
Barbie, the biggest film of 2023, has five nominations, including best actress for Margot Robbie and supporting actor for Ryan Gosling, but is notably missing from the best film and director categories for filmmaker Greta Gerwig, who surprised the world with her feminist take on the world’s most famous doll when the film was released in the summer.
She receives a nod instead for best original screenplay, while the film is also shortlisted for best costume design and best production design.
Anatomy Of A Fall (seven nods), The Holdovers (seven nods) and Killers Of The Flower Moon (nine nods) make up the rest of the nominees in the best film category, while acting nominees also include Bradley Cooper and Carey Mulligan, for Maestro, and Robert De Niro for Killers Of The Flower Moon.
British films, including All Of Us Strangers and Saltburn, have fared well, with six and five nods respectively. Saltburn has acting nods for Irish star Barry Keoghan and British actress Rosamund Pike, while Paul Mescal and Claire Foy are in the running for their performances in All Of Us Strangers.
Films shortlisted alongside Poor Things for outstanding British film include How To Have Sex, Napoleon, Wonka and Rye Lane.
First and second ever nominations for one actress
In the acting categories, German actress Sandra Huller receives both her first and second ever nods – for best actress for Anatomy Of A Fall and best supporting actress for Zone Of Interest. She is one of 11 nominees, from 23 in total, to be shortlisted for the first time – along with Murphy for Oppenheimer.
Fantasia Barrino and Danielle Brooks (The Color Purple), Colman Domingo (Rustin), Paul Giamatti, Da’Vine Joy Randolph and Dominic Sessa (The Holdovers), Jacob Elordi (Saltburn), Vivian Oparah (Rye Lane) and Teo Yoo (Past Lives) are also first-time nominees.
In the directing category, four of the six are first-time director nominees: Jonathan Glazer (The Zone Of Interest), Andrew Haigh (All Of Us Strangers), Alexander Payne (The Holdovers), and Justine Triet (Anatomy Of A Fall). They are up against Nolan and Cooper, who directed and starred in Maestro – meaning five of the six nominees are male.
‘The most talked about films of the year’
The nominations for the Rising Star Award, which recognises up-and-coming talent and is voted for by the public, were announced ahead of the full shortlist – and feature Bridgerton star Phoebe Dynevor, Saltburn’s Elordi, The Bear actress Ayo Edebiri, and Mia McKenna-Bruce and Sophie Wilde – stars of the films How To Have Sex and Talk To Me respectively.
BAFTA chief executive Jane Millichip said the 38 films nominated span an “extraordinary” range of genres and stories across an “incredibly strong” field.
“More films were entered, making the selection process particularly tough for our voting members,” she said. “The films and talented people nominated represent some of the most talked about films of the year, the most critically acclaimed, and films yet to be released and discovered by audiences.”
Anna Higgs, chair of the BAFTA Film Committee, added: “They showcase ambitious, creative and hugely impressive voices from independent British debuts to global blockbusters. From complex moral issues through to joyful journeys of self-discovery, they all ultimately explore human connection.”
The winners will be announced at the BAFTAs ceremony on 18 February, with David Tennant hosting this year.


The Twilight Saga, The Mortal Instruments, The Hunger Games Trilogy, The Walking Dead, American Horror Story, Revolution, The Vampire Diaries, True Blood, Teen Wolf, Game of Thrones, Once Upon A Time, Arrow, How I Met Your Mother.
Slightly obsessed with Robert Pattinson, Kristen Stewart, Emma Watson, Megan Fox, Emma Stone, Taylor Lautner, Ashley Greene, Charlize Theron, Sam Claflin, Chris Hemsworth, Amanda Seyfried, Paul Wesley, Ian Somerhalder and Nina Dobrev.
Loving. Music addict. Book lover.
«I think pretty much all people who love each other
had some kind of thing at first sight. I mean, there has to be some kind of moment where you, like, feel a different energy around someone.»Robert Pattinson


Wednesday 25th October for evening performance of As You Like it, Theatre By the Lake, Keswick
Coach departs 5.30 pm, returns 11.30 pm
306 Shakespeare students will be studying As You Like It this week.
Coach will pick up at University underpass at 5.30.
Tickets will be distributed on the coach.
On the return trip, the coach will drop people off at Dalton Square in Lancaster and back at the University underpass at approx. 11.30


Is there a Casper 2 movie?
Casper 2 is a cancelled sequel movie to the first Casper that would have been Produced by Amblin Entertainment and The Harvey company Entertainment and Released by Universal Pictures. The movie would have Directed By Simon Wells.
Why was Casper 2 Cancelled?
Following the release of Casper, Simon Wells co-wrote a screenplay for Casper 2, in which he was set to direct. However, in July 2000, it was reported that Universal Pictures had cancelled the sequel due to the disappointing sales from the direct-to-video Casper films and the hesitation of Christina Ricci.
How many Casper movies did they make?


5 Sequels that Changed Everything and Worked - Mostly
Jack 'The Cynic' Atkinson and Seth 'The Pragmatist' Godwynn
When a movie does well, in terms of making shit-loads of money, a sequel is practically guaranteed. In fact, these days, movies are generally made with the prerequisite of developing at least one sequel, possibly a franchise, and if they’re very lucky, an entire shared cinematic universe where they can just continue to print money until politics takes over and the end result is unwatchable garbage.
We’re looking at you, Disney!
But sometimes the sequel has very little in common with the original movie it’s looking to cash in on. Often that’s because the second film is generally made on a lower budget, or with a tighter strangle-hold on creativity. The mentality behind that ‘thinking’ being that the reputation and goodwill developed by the first is enough to guarantee some degree of success.
Other times, the sequel is made by somebody who had no idea what made the original movie great. Movies like City Slickers had a surface narrative of three guys herding cattle poorly with hilarious results, but there was a much deeper subtext about dealing with a midlife crisis, the feeling of ‘I’m getting old’ that middle-aged audiences could relate to. They risked their life to save a calf that was being washed away, and we understood why it was important, even if we couldn’t explain why. The sequel threw all that feely stuff in the bin and amped up the cattle related hijinks 150% because that’s what audiences really want in some bizarro world reality that is inhabited entirely by Hollywood executives.
But, most often, it’s because of the idiocy of focus groups and cocaine-riddled executive minds who see something perfect and figure they can just make it a little better.
This usually ends up going about as well as a bar mitzvah held in a sausage factory. But sometimes, just sometimes, it turns out that you can change everything that made something great and still not completely ruin it.
Here are 5 times where significant changes didn’t completely derail a franchise.
The first Lethal Weapon was a great movie, blending 80s tongue-in-cheek action with an earnest sense of danger. Riggs was portrayed as a man with a gun to his own temple and Murtaugh as a man driven by his own, often regrettable, sense of loyalty. There was a certain sincerity about it all as they fought their way through the symbols of their own darkest fears.
Riggs eventually pushes his way past the ghosts of his past, coming out the other side as being slightly more reluctant to ‘blow the back of his head clean off,’ while Murtaugh learns to accept that his job is a significant part of who he is.
The tone was dark, even with the saccharine glare of the era, colours so bright that you strongly suspected you might be having a stroke.
But then came the sequel. Suddenly Riggs had given up smoking, he was essentially living in his partner’s house—a bit like a puppy, and was learning to wear big-boy pants without making a mess. He had been thoroughly sanitised, a new comedic edge had been added, and the tone had been softened down to appear much more audience friendly.
And this was how things progressed: the adult themes were toned-down and they substituted unapologetic violence for cheap laughs. This established the format of all future films.
Lethal Weapon 3 followed along with the corresponding decline in terms of quality and tone, but, the series successfully abandoned everything about the first movie that made it a little bit different and just tried really hard to be a lower budget version of Die Hard, while Die Hard tried to be an even lower budget version of itself. By Lethal Weapon 4, it wasn’t even pretending to be worth watching.
Raiders of the Lost Ark
The first Indiana Jones movie established itself as an adult film, where punches to the face would actually hurt and gunshots had lethal consequences. It’s a darkly-toned yet fun, thinking-man’s action film, but the sequels effectively stripped all that way.
The sequel (though chronologically, technically a prequel), ‘Indiana Jones and the Temple of Doom’ ramped up the comedy, softened the main character and made the whole thing more suitable for a family audience.
This was followed up with ‘Indiana Jones and the Last Crusade’ where the budget seemed to slip, the tone began to further degrade and the end product just looked awkward enough to end the franchise—at least temporarily.
Then a fourth film came out, made when Harrison Ford was old enough that the only way to tell the story was to pass on the torch to a younger man. So much time had slipped by that the film didn’t know what it was trying to be, but the tone took the slapstick comedy of the sequels and ramped it up even further.
Indiana Jones went from being a tough, no-nonsense character driven by a burning need to find the truth, to a somewhat awkward one, driven by a ferocious ambition to fill cinema seats.
You could argue that this didn’t work, since by the end of the third film, the franchise was hopelessly out of steam and I wouldn’t try to debate you.
This is going to be a ‘hot-take’ but Star Trek was a strong and successful franchise, until it got the J.J. treatment. But, in any case, the first movie established a very different look and tone, which was quickly shrugged off, leading the films to move on to bigger and better things.
The Motion Picture is a firm favourite of almost nobody. Most people maintain that it was the second film, ‘The Wrath of Khan’ that established the eventually successful Trek cinematic formula.
But, the original film has a lot going for it and has aged surprisingly well. It had a slow, philosophical tone with little action and a long, drawn-out plot that quietly built tension throughout. The style of the ship, uniforms and behaviour of the crew were a radical departure from anything we’d seen before on the original series, and we didn’t see that staid, serious tone again until ‘The Next Generation’ arrived on television.
The show had a more grounded, militaristic ambience with the crew painted more as a regimented team, regulated by a more rigid set of rules than before. They had previously felt like explorers and very much a product of their time; now they felt like someone was taking it all far more seriously.
Even if you disliked the original movie, there’s no arguing that it was enough of a critical and commercial success to build the cinematic franchise on. It also set a lot of the tone for the development of all future television shows.
The Wrath of Khan was a very different movie, which indisputably felt like a more in-keeping continuation of the original series. Many people liked the style of the Motion Picture, and many people agree that as they mature, they come to appreciate it more. It was more inspired by Kubrick’s 2001 than by Star Wars, and most definitely established a unique identity against everything else that was trying to cash in on the new craze.
Later movies absolutely did a better job of continuing the legacy of the original Trek television show, while The Motion Picture, somewhat ironically, did a better job of bridging the 1960s show to the later incarnations.
If the films had continued in this tone, I would have been OK with it.
When Rambo arrived on the cinema screen, it was in the movie, First Blood. The title of the film was later dropped, and the series continued simply with the name, ‘Rambo.’
His first outing was a serious and reasonably intelligent film about a Vietnam Vet being treated horrendously until he finally snapped. It was a film made for people who don’t have to ask permission to use scissors, with a strong adult tone throughout.
Later incarnations shrugged all that off and turned Rambo into a muscle-bound superhero with the same level of realism as just about any political promise made in the last two centuries.
The films were certainly not made more family-friendly to draw in a wider slice of the audience. In fact the later movies were essentially cheap bloodfests of ridiculous over-the-top violence. They were designed for a completely different audience, inviting the question of why they even bothered using the character’s name.
This was a different take on getting ‘bums in seats,’ where the serious and sensible movie was sacrificed on the altar of corporate greed and rose again, like the phoenix of legend, as a complete piece of crap… that made money.
The first Star Wars movie—and I’m old enough to remember it just being called that, and not ‘Episode IV: A New Hope,’ was a film that changed cinema forever. But, it came as a surprise to everyone, as nobody working on it believed they were doing something that would so completely capture the imagination of the audience. Cast and crew have stated quite explicitly that they thought it was a load of old crap, and Lucas had a job getting them to take it seriously.
By the time ‘The Empire Strikes Back’ was in production, there was a new confidence in what they were doing, and this added polish to the script, more competent direction and a subtle, but not insignificant shift in tone.
While Star Wars opened the door to a galaxy far, far away, it was The Empire Strikes Back that ushered us inside the story.
Luke shifts from a lost farmboy to a strong young man, discovering his path forwards, and the truth about where it leads from. George Lucas even went so far as naming this character after himself, and projects his ideals on him a great deal. The change from an idealistic but confused young man to a serious player in galactic affairs with growing belief in his powers is not accidental.
Han starts out with the same selfless heroism he ends up with in the previous movie, reminding us he’s really a good guy under all that bluff and bravado. We get a deeper look under the hood, fleshing him out from a two dimensional stock character brought to life only by the competence and charisma of the actor, to become a fully realised person in the minds of the audience. The Princess is now a military leader, a person of importance where she seemed more like just a figurehead before.
Vader is no longer just an icon of evil: we now see depths and nuance as his backstory begins to intertwine with the lives of our heroes.
We discover plot-lines that were never hinted at before, and the tone accordingly darkens from a fairy-story in space to a desperate struggle to keep alive the morality and beliefs of a few good people.
The tone established in ‘Empire’ is carried on forwards, setting the standard for the final film in the iconic trilogy.
Reading through the expanded material such as novelisations of the movie, it’s clear that Vader was not yet established as anything more than a dark villain and the first movie was designed to stand alone —nobody expected a better fate for it.
Where other movies suffer from a shift in tone towards the light-hearted, to attract a wider audience, Star Wars allowed its success to take it in a stronger narrative direction, confounding the usual formula. A flicker of unexpected success generally leaves studios demanding a sequel, but on terms that cripple the creative process. Star Wars was fortunate enough to see the opposite of that, with the success of the first inspiring the filmmakers to push the boundaries further in the direction the creativity demanded.
It’s a rare thing!
All too often we see creativity give way to greed. We see people who are only looking for more money in control of our entertainment, and the quality almost always suffers. Adult storytelling is usually peeled away to be replaced with something more easy to sell.
Art is not, and never should be just a product. Creativity drives innovation, stories and films are meant to inspire the best in us and it’s for that reason that a measure of the health of a society is the way it treats its art.
There are rare examples of when movies have managed to become better, more adult and smarter as sequels progress, but generally the law of diminishing returns applies. For every Star Wars, there is a Terminator, a Robocop, a Halloween, Jaws, Nightmare on Elm Street, Die Hard, Batman and Fast and Furious.
It will continue for as long as we let it.
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Cover Design: Kari March
Release Day: March 14, 2016
Synopsis"That girl isn't just trouble of the not-a-team-player, not-a-reliable-runner variety. She's trouble of the devious, manipulative, too-f***ing-hot-for-her-own good variety. She's the kind of girl who causes trouble merely by existing, and then makes sure to cause more. And the last thing I need right now is more trouble." A failing farm. His father’s debt. And a struggling college track team. Will Langstrom has too many responsibilities, and the last thing he needs is Olivia Finnegan, a beautiful but troubled new transfer student. A smart mouth. A strong right hook. And a secret that could destroy her. Olivia is her own worst enemy, with a past she can’t seem to escape, and the last person she wants help from is a cocky track coach she can never seem to please. Refusing to be pushed away, Will is determined to save her. And determined to resist an attraction that could destroy them both.
"I run my fingers over my mouth in winder. He kissed me. And it was so unbelievably good, so perfect, that I don't see how I'm going to go through my whole life without feeling it again."
There's always intrigue in a story of forbidden love. The story was different and it kept me turning the page. Elizabeth O'Roark is a new author for me but the synopsis drew me in. The story is well written in dual POV which I enjoy.
I was immediately drawn to Olivia, a troubled transfer track star with a huge chip on her shoulder and a very dark and traumatic past that she's "running" from.
Will's character also sucked me in. Of course we've seen it before, the son who's a major disappointment to his father, forced to leave a life he loves to save the failing family business after his father's sudden death, it wasn't a new story line but it's one that works. Will is pulled in every direction, he wants his old life back but he's loyal to his family, he wants the track team he coaches to be successful and he wants Olivia to overcome her past and be the star athlete he knows she can be.
There's lust, angst and heartbreak...what more could you ask for?
$50 Amazon Gift Card & Signed paperback of Waking Olivia


Park Chan-kyong (b. 1965) is an artist and a filmmaker based in Seoul. His subjects have extended from the Cold War to traditional Korean religious culture, from ‘media -oriented memory’ to ‘regional utopian imaginations.’ He is currently working as an artistic director of ‘MediaCity Seoul 2014’(International Media Art Biennale).
He has produced media based works such as Sets(2000), Power Passage(2004), Flying(2005), Sindoan(2008), Radiance(2010), Anyang Paradise City(2011), Night Fishing(2011, co-directed with Park Chan-wook) and Manshin(2013).His works have been exhibited in international venues, such as Gwangju Biennale in Korea, De Appel in Amsterdam, RedCat Gallery in Los Angeles, Kunstverein in Frankfurt and many others. He has won various prizes including Hermès Korea Misulsang(2004), Golden Bear Prize for short films of the Berlin International Film Festival(2011) and Best Korean Film of the Jeonju Internation Film Festival(2011).


Oscar nominee – Best Foreign Language Film
An official selection of the Toronto International Film Festival and multi-film festival award winner, LAND OF MINE follows a group of German POWs, boys rather than men, who are captured by the Danish army at the close of the Second World War and forced to engage in a deadly task – to defuse and clear land mines from the Danish coastline. With little or no training, the boys soon discover that the war is far from over. Inspired by true events, Martin Zandvliet's film exposes the untold story of one tragic moment in post-war history.
Roland Møller, Louis Hofmann, Joel Basman
English, Danish and German with English subtitles


Disney's Hollywood Studios™, Walt Disney World® Resort, Lake Buena Vista, Florida
Select dates in May & June 2014
Journey to a galaxy far, far away for a unique celebration of the smash-hit Star Wars series of films that includes a variety of Star Wars activities and celebrations throughout Disney's Hollywood Studios™, dozens of your favorite characters from R2D2 to Darth Maul, Star Wars celebrities, Galactic Game Show, Jedi Training Academy, trivia contests, collectibles and pin trading, and, of course, Star Tours - The Adventures Continue thrill ride. Don't miss the Hyperspace Hoopla dance party!
Epcot to Host 2014 Sounds Like Summer Concert Series Another great lineup of tribute bands will take the stage at the 2014 Sounds Like Summer Concert Series, which takes place at the America Gardens Theatre in Epcot’s World Showcase: June 8-14, 2014 – Hotel California – A Salute to the Eagles June 15-21, 2014 – Don’t Stop Believin’ – Journey Tribute Band June 22-28, […]
Embark on a Wild Africa Trek at Disney’s Animal Kingdom! Take an offbeat adventure at the new, immersive, add-on experience, Wild Africa Trek at Disney’s Animal Kingdom Theme Park! Wild Africa Trek provides a small group of adventurers the opportunity to take personalized, guided excursions that include a bushwalk through unexplored areas of the forest along with over-landing in customized vehicles across an animal-filled savanna. On these […]


30 for 30 is the umbrella title for our ESPN film documentary series. What started as a celebration of ESPN’s 30th anniversary, has come to life as an eclectic and fascinating collection of passionate films about sports and culture. This unprecedented films series feature’s today’s finest storytellers from inside and outside of the sports world.
Each filmmaker brings their passion and personal point of view to each film, detailing the issues, trends, athletes, teams, rivalries, games and events that transformed the sports landscape in the time in which ESPN has existed. The informative films cover a range of sports including American Football, Basketball, Baseball and Soccer, amongst many others.
Under the 30 for 30 title there are 3 volumes of films, as well as other segmented categories including:
The Nine for IX series which exclusively covers female athlete stories.
The “SEC Storied” documentary series featuring films from the Southeastern Conference’s past and present.
Soccer stories, casting the net far and wide over some the games’ most famous and infamous events.
The Oscar winning documentary series; OJ: Made in America.
As well as Snoop & Son: A Dad’s Dream; a five-part documentary style series.
Multiple films have received official selections from the Sundance, Toronto, Tribeca and South by Southwest film festivals. This collection of remarkable films is therefore a must-have for any film fan.


Two weeks has flown by and 16 shows of Pondlife have come and gone. After the slightly flying by the seat of your pants nature of Kappa, where you never knew quite how the classroom would be set up, it was nice to be in the controlled conditions of the New Victory Theatre. Indeed, the show took place right on stage, something that I think the audience for Pondlife found really exciting and once the air conditioning had been cranked up a few notches was also quite fun for Andy and Craig. The audiences have been great. I suppose it’s unusual to have a show quite as bare as Pondlife is when the intended audience is families and young people. Just a few rolls of carpet, 4 boxes and minimal sound and lights is all the theatre provides, the rest is done by Andy and his storytelling skills. It’s always a pleasure to see an audience slowly settle down, stop waiting for the other actors to come on and get lost in the world of the story. It was particularly nice to see New Yorkers enjoy this tale set in a distant Scottish primary school and only one girl asked Andy afterwards why he was speaking British.
This week I also led a workshop for New York artists interested in making work for young people. It was a blast. Workshop leading is often a case of making people feel comfortable enough to try out new ideas and not worry if they fail. They have to fail for it to be any good, but often participants understandably find it hard to dive in. Not these guys. They weren’t afraid to fail and fail and fail some more and as a result they were completely and wholeheartedly successful. All the participants had to make installations based around Little Red Riding Hood and as we were about to share the work I realised I couldn’t wait to see them all. They were thrilling. It was like our own tiny little show. I hope everyone involved goes on to make more work. I felt they had the skill and imagination to make some beautiful things.
So, now we fly back to the UK with copies of the New York Times under our arms. “acutely perceptive and quietly devestating”. Not a bad note to be leaving on. We’ve been to schools in the Bronx and Harlem, seen Penny Arcade screaming at her audience, walked the High-Line and performed on 42nd St, but most of all we finally had the 4 cheese gnocchi that Andy wouldn’t stop going on about. And it was DELICIOUS! MMMMMMMMMMM!
Artists Workshop at the New Victory


The Art of Theater Design
Ages 9-14: Monday-Friday, June 2-6; 9 am-4 pm
Spend mornings at The Rose and walk to Joslyn for afternoons of exploring the exciting world of theatrical design! Discover what it takes to make scenery, costumes, props, lighting, and sound for productions. Meet professional designers and technicians and create lots of hands-on theatrical scenery and props to be used in an upcoming Rose production!
Instructors: Michael Miller & Therese Straseski
Joslyn Member Price: $185
Click here to Join Joslyn and receive an
instant discount on your on-line purchases.


TOTAL RUNNING TIME: 6:28
SYNOPSIS: Ten year old Lee is victimized by bullies and learns in turn how to victimize others.
Shooting days: 4 days in Harlem and Morningside Heights, in New York City.
Format: HD with 35mm lens adapter.
Cast: Bharata Selassie, Raymond Johnson, and Haarlem Nocturne.
Crew: Directed by Mauro Mueller, Written by Ben Feuer & Mauro Mueller, Produced by Rocio Lopez & Mauro Mueller, Executive Produced by Joanne Cassidy & Chris Canter, Cinematography by Owen Donovan, Original Music by Ippei Inoue, Production Design by Raymond Yeung.
Festival: D.C. Independent Film Festival 2011.
FILM AND PRODUCTION STILLS >


The Lion King is touching but never schmaltzy, pulled along with energy by the buoyant choreography and humorous moments.BroadwayShows-Nyc.com – Guide to Most Popular & Upcoming Broadway Shows.Compare Prices & Buy Tickets to Broadway Show The Lion King – hit musical in New York... Disney's The Lion King - Buy Tickets Directly From The… Official The Lion King tickets from just £25 - Book from the box office now!At its heart is the powerful and moving story of Simba – the epic adventure of his journey from wide-eyed cub to his destined role as the King of the Pridelands. Crown Perth Casino Review 2019 - Enjoy Top Gaming in WA Crown Perth Casino Review. [Image Source: dyxum.com]Formerly the Burswood Casino, Western Australia's only licensed casino opened in 1985 to great fanfare. The new casino was so popular that in its first two months it grossed $1 million AUD per day and people waited in queue for hours just to...
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Crown Theatre - Crown Casino - Perth, Western Australia ... Crown Theatre - Crown Casino, Perth, Western Australia. 11 likes · 959 were here. Casino. Jump to. Sections of this page. ... Tickets ready for Keith Sweat's Live Concert tomorrow night starts @8:30pm ... The Lion King- the Musical. media.ticketmaster.com Crown Theatre Crown Perth Great Eastern Highway Burswood, WA 6100 Ticket & Show Information: 136 100 Wheelchair & Disability Bookings: 136 1 00 DURATION THE LION KING runs approximately hours and forty minutes, inclusive of a twenty minute interval. BOX OFFICE The Box Office at Crown Theatre is located in the Theatre
Lion King… We got tickets although, its a work night for us. Anyway when we got there every seat was sold out and theatre was packed.
Crown Perth: Lion King - See 699 traveler reviews, 159 candid photos, and great deals for Burswood, Australia, ... Crown Casino really is nothing special. For me there are not enough value places to eat and drink at the venue. It pales when compared to Crown in Melbourne. It is over priced and undervalued. Crown Theatre Perth - Burswood | Tickets, Schedule ... Buy Crown Theatre Perth tickets at Ticketmaster.com. Find Crown Theatre Perth venue concert and event schedules, venue information, directions, and seating charts. Crown Theatre Perth - premier.ticketek.com.au
Crown Perth (formerly Burswood Island Casino, Burswood Island Complex and Burswood Entertainment Complex) is a resort and casino located in Burswood, Western Australia, near the Swan River. The resort consists of a casino, a convention centre with meeting rooms, theatre and two ballrooms along with 32 restaurants and bars, a nightclub and ...
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Lion King tickets 2019 - Search Cheap 2019 Lion King… Lion King theatre tickets- Enjoy Yourself!Explore listings of Lion King and compare prices for free; moreover, if you hesitate what events to go to, we propose those taking place in Victory Theatre, The Grand Theater at Foxwoods Resort Casino or ARIE CROWN THEATRE or any other Broadway events.
TRAIN The closest train station is the Burswood Station on the Armadale & Thornlie train lines. A courtesy bus leaves from the station to the Crown Perth every 15 minutes. The bus is not suitable for wheelchairs. Transperth Infoline: 13 62 13. TAXI RANK There is a taxi rank at Crown outside the main casino Entrance and also at the Riverside ... Live Musicals, Shows & Events at Crown Theatre - Crown Perth Find out more about the best musicals & theatre shows happening at Crown Perth. Check out the schedule for all upcoming shows on right now. Menu ... Tickets available now. From 3 September 2019. Explore more. Check Availability. Upcoming Theatre. Check out the schedule for all upcoming shows at Crown Theatre ... Casino Games Crown Poker ... Crown Theatre - Crown Casino - Perth, Western Australia ... Crown Theatre - Crown Casino, Perth, Western Australia. 11 likes · 959 were here. Casino. Jump to. Sections of this page. ... Tickets ready for Keith Sweat's Live Concert tomorrow night starts @8:30pm ... The Lion King- the Musical.


by Carl Kozlowski
But as he grew out of his teens and drifted through his 20s, with only rage and fellow gang members to guide him, Widner became disenchanted with the hate that surrounded him. By the time he decided to make a real break out of the white supremacist underground culture at age 30, he’d wasted 16 years of his life on a cause he now despised.
With his arms, legs, chest and face covered in swastikas and other flashy symbols of hate — including the actual word “hate” tattooed across one set of knuckles in capital letters, and a giant arrow splashed across his face as a symbol that he would be ready to kill or die for white supremacy — it was impossible to find work. So when the Southern Poverty Law Center offered to help Widner remove his most visible tattoos, he jumped at what he saw as a chance to start his life over.
The journey he underwent as he removed dozens of tattoos and escaped the white supremacy movement along with his wife and kids has been depicted in a new documentary, “Erasing Hate,” by Burbank filmmaker Bill Brummel. While the hour-long version is airing on MSNBC, the feature-length version — currently making the rounds of film festivals in search of a theatrical distribution deal — will be released on DVD this fall.
The film will also be screened at 5 p.m. Saturday at All Saints Church in Pasadena, with a post-screening discussion led by Brummel. The local screening will give the film a chance to resonate with area residents eager to prevent similar groups from spreading into Pasadena and the San Gabriel Valley.
Read the rest here. And do plan to join us on Saturday for the screening of this important and moving film. 5pm in the Forum. $5 donation requested. For more information call 626.796.1172


A Vermont Romance
A Vermont Romance - A Centennial tour!
Produced by the Vermont Progressive Party
USA | 1916 | 35 min
Followed by panel discussion and Q&A with Paul Carnahan, Vermont Historical Society; Nora Jacobson, filmmaker.
We're delighted to present the results of this restored and digitally remastered 2K version of the film. The screening, a fundraiser for VAMP, is a special celebration of the film's centenary and is part of a statewide tour - traveling Vermont throughout the spring of 2016; it will be followed by a panel discussion and a food reception with cash bar.
The 1916 film, A Vermont Romance, is the first feature film ever made in Vermont. The Vermont Movie Archive Project (VAMP) digitally remastered the film to high definition 2K. This screening is part of a statewide tour presenting the the film with live piano accompaniment and a panel of experts, in six large venues and 12 small ones throughout Vermont in the spring of 2016 to celebrate the film's 100th birthday.
This movie is an extraordinary piece of Vermont folklore. It was commissioned by the Vermont Progressive Party (affiliated with Theodore Roosevelt's national Bull Moose party) and its newspaper, The Vermont Advance. Scenes were filmed in Burlington, Grand Isle, Newport, St. Johnsbury, White River Junction, Rutland, Chester, and Bellows Falls. This fueled interest from theater owners from all corners of the state to host screenings. The plot is a fairly standard silent melodrama with no apparent political bent. The film is both a romance and a scenic tour of Vermont. It tells the tale of Dorothy, a country girl who befriends a rich girl and two city gents who are out for a drive in the country. Upon the death of her father she loses the farm where she lives and works. Almost penniless, she moves to Burlington to find work, and her adventures begin.
The original music score for A Vermont Romance is lost. As part of the project VAMP has commissioned Bob Merrill, a veteran silent film composer and pianist to create a new score and the screening will be accompanied, as were most silent films of that time, by live piano.
A Vermont Romance Movie is a window through which the public can view the people and landscape of Vermont one hundred years ago. Its tour will help VAMP build a statewide appreciation of Vermont films and filmmakers and increase awareness of VAMP's growing digital archive of films.
Latchis Theater (View)
50 Main St.
Brattleboro, VT 05301
|Kid Friendly: Yes!|
|Dog Friendly: No|
|Wheelchair Accessible: Yes!|


There are many ways on how to make captivating short films. But I only am going to share you what I think is effective. A short has a qualifying length. The best length for a short film is at most 10 to 15 minutes. Try your best not to go over 15 minutes. Meanwhile, less than 10 minutes is very optimal so avoid these things. Too much exposition is not good. Make your exposition efficient by making it simple. Explain the important details quick.
In fact, this is the tricky part in doing short films. It is the part that takes time explaining the backstory or any detail that is needed to fully understand what you are watching. Overawed exposition is something a film maker wants to avoid more than anything. However, a lot of inexperienced film makers make this mistake by throwing in too much expositional dialogue, not knowing that they had already spend much time without even getting into the highlight of the short film.
Also, short films are better medium for experimenting. It is a way to practice the techniques that you did not mater yet. As an advantage, short film contest can make you money and can lead you to be an Oscar nominee. Short films can be used to start a feature. It can be used to enticed investors and viewers. Doing this, take a scene from the feature that can work on its own. A scene that gives a good idea about the project, and shoot that scene as a short film.


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Fiction fans & fan fiction writers take note!
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Sept 3: Join us for a half-day event commemorating the work of Algerian feminist novelist, translator, and film producer Assia Djebar (1936-2015)
Sept 15: Join scholars and advocates in a discussion of the American with Disabilities Act and the field of Universal Design
Sept 17: A workshop on finding and developing research opportunities - Duke humanities faculty welcome!


About Edward Guthmann
Edward Guthmann is a journalist and author of the memoir Wild Seed: Searching for My Brother Dan. He was a staff writer and film critic at the San Francisco Chronicle for 25 years, where his writing won accolades from the California Newspaper Publishers Assn. and the American Society of Feature and Sunday Editors.
His 2009-2013 series, What I Do, captured the breadth and vitality of the Bay Area experience with first-person accounts of men and women describing their work. His writing has been published in several publications and anthologies, and he continues to work as a freelance writer and editor.
Also a filmmaker, Guthmann directed Return to Cameroun, a 1993 documentary tracing his grandparents’ lives as Presbyterian missionaries in West Africa in the early 20th century. The film features the voices of actors Gena Rowlands and Pat Hingle, original music by Mark Adler and cinematography by Fawn Yacker.


The game begins in Little Italy in 1936. Johnny Trapani (voiced by Adam Harrington), a modest ranking member of the Corleone family, is meeting his wife, Sarafina (Sirenetta Leoni), when their bakery explodes. Trapani is then beaten up and killed by members of the Barzini family, with Emilio Barzini (Michael Kopsa) telling him “sorry Johnny, it’s just business.” Moments later, Trapani’s son Aldo (Andrew Pifko) arrives, and is consoled by Vito Corleone (Marlon Brando/Doug Abrahams), who tells him that when he is old enough and the time is right, he will have his revenge.
The game then moves to 1945. Sarafina comes to see Vito, telling him that Aldo has fallen in with a bad crowd. Vito sends Luca Brasi (Garry Chalk) to find Aldo and recruit him into the family. After teaching Aldo how to fight and get protection money, Brasi sends him to meet Paulie Gatto (Tony Alcantar), who introduces him to, Marty “Monk” Malone (Jason Schombing). Gatto has been assigned to take revenge on a group of men who attacked the daughter of an undertaker, Bonasera, a friend of Vito’s. Gatto, Monk and Aldo beat up the gang, and Aldo then joins Brasi on a mission to meet with Bruno Tattaglia (Joe Paulino) and Virgil Sollozzo (Richard Newman). Several days previously, Vito refused to enter the cocaine trade with Sollozzo. Knowing that Sollozzo feels insulted by this refusal, Vito is concerned about retribution, and has sent Brasi to pretend he is discontented working for the Corleones, and wishes to join the Tattaglia family, who are supporting Sollozzo. However, Bruno and Sollozzo kill Brasi, witnessed by Aldo through a window. He flees, meeting Monk and his sister, Frankie (Jennifer Copping). As Aldo explains what happened, there is an attempted hit on Vito nearby. Aldo ensures Frankie is safe, before helping Fredo (Andrew Moxham) get Vito to the hospital.
Aldo then heads to the Corleone compound, where he meets caporegimes Peter Clemenza (Doug Abrahams) and Salvatore Tessio (Abe Vigoda), acting Don Sonny Corleone (James Caan), and consigliere Tom Hagen (Robert Duvall). Impressed with Aldo’s contributions, Tom makes him an Enforcer, and Clemenza sends him to help guard Vito in the hospital. Whilst there, Aldo meets Frankie, and the two make a date. Meanwhile, Michael Corleone (Joseph May) arrives, and finds all the Corleone guards gone, except Aldo. As a Tattaglia hit squad arrives, Aldo gets Frankie out of the building whilst Michael has a nurse move Vito’s bed. Aldo then kills the hit squad. Police led by Captain McCluskey (Doug Abrahams), who is being paid by Sollozzo, arrive, ordering Michael and Aldo to leave. However, Tom arrives with a group of private detectives to guard Vito, and the police reluctantly allow them to enter.
At the compound, Tom promotes Aldo to Associate. Realizing it was Paulie who sold Vito out to Sollozzo, Sonny orders Clemenza to have him killed. Clemenza assigns the hit to Aldo. After Gatto is dead, Tom sends Aldo to accompany Rocco Lampone (Michael Dobson) to Hollywood to intimidate a studio executive named Jack Woltz (Doug Abrahams) into giving Vito’s godson, Johnny Fontane, the starring role in a new film. Rocco and Aldo decapitate Woltz’ prized stallion, and place the head in his bed as he sleeps, terrifying him into casting Fontane. Back in New York, the Corleones purchase an apartment in Midtown for Aldo and Frankie. Sollozzo and McClusky arrange a meeting with Michael to try to come to bring the conflict to a peaceful resolution. However, Michael plans to assassinate them. Clemenza has Aldo hide a gun in the toilet of the restaurant where the meeting is taking place, and Michael kills them both. Aldo then drives him to the docks, where he leaves for Sicily. Meanwhile, Vito is released from hospital and promotes Aldo to Soldier, officially making him a made man of the Corleone family.
||Pentium 4/Athlon or better
||64 MB DirectX 9.0c compatible video card T&L capable (NVIDIA GeForce3+ [not GeForce4 MX] / ATI Radeon 8500+ / Intel 900 series or better)
||DirectX 9.0c (included with product)
||2X Speed DVD-ROM or faster (This game contains technology intended to prevent copying that may conflict with some CD/DVD-ROM, CD/DVD-RW and virtual drives.)


My Neighbor Totoro (となりのトトロ Tonari no Totoro?) is a 1988 Japanese animated fantasy film written and directed by Hayao Miyazaki and produced by Studio Ghibli. The film – which stars the voice actors Noriko Hidaka, Chika Sakamoto, and Hitoshi Takagi – tells the story of the two young daughters (Satsuko and Mei) of a professor and their interactions with friendly wood spirits in postwar rural Japan. The film won the Animage Anime Grand Prix prize and the Mainichi Film Award for Best Film in 1988.
Totoro has made cameo appearances in multiple Studio Ghibli films, including Pom Poko, Kiki’s Delivery Service, and Whisper of the Heart. Additionally, various other anime series and films have featured cameos, including one episode of the Gainax TV series His and Her Circumstances. Totoro has also had cameo appearances in various non-Japanese works, including on Comedy Central’s Drawn Together and in the “Imaginationland” episodes of South Park as a background character, in Neil Gaiman’s The Sandman: Brief Lives in which Delirium blows bubbles into a number of impossible shapes, including a Totoro holding an umbrella. My Neighbor Totoro is also parodied in the South Park episode “Mysterion Rises” in a couple of scenes where Cartman plays on the belly of the dark lord Cthulhu and later flies on the inderdimensional monster to the tune of the iconic end credits song from the film’s soundtrack. Miyazaki also uses Totoro as a part of his Studio Ghibli company logo. Volume 9 of the Gin Tama manga has a spoof of the film entitled “My Neighbor Pedro”. Also, the Samurai Jack episode “Jack and the Creature”, and the Bob’s Burgers episode “An Indecent Thanksgiving Proposal” pay homage to this film. A Totoro plush makes an appearance in Pixar’s Toy Story 3.
A Birthday gift for Totoro lover
in white and colored paper cutting and dark grey paper for background
35 x 35 cm frame size (price list)


Cyborgs are human beings with electronic devices implanted in their bodies to extend their senses and/or enhance their physical and cognitive capabilities. Technology with the potential for human enhancement is already available, but its use is strictly restricted to remedial (medical) applications. However, the first cyborgs are already crossing the boundaries of their human limits just for the sake of it — at home, in basement workshops and tattoo parlors, using low-tech equipment and with a do-it- yourself attitude. They are a tiny minority, seen by many as weird or crazy experimenters, but in the near future we may be calling them pioneers. In this film we will explore life as a cyborg through the stories of a few current ones; we will discover how close scientists are to taking the leap; and we will consider the philosophical, ethical and legal implications of going beyond human by letting machines become part of us.
Produced by: Mediapro (Spain) and Yuzu Productions (France) Coproducers: TELEVISIÓN ESPAÑOLA – TELEVISIÓ DE CATALUNYA
With the collaboration of Science et Vie TV (France), SVT (Sweden), NRK (Norway), DR (Denmark).
With the support of the Creative Europe Program – MEDIA of the European Union, PROCIREP-Société des producteurs, ANGOA, Departament de Cultura de la Generalitat de Catalunya. With the participation of CNC.
Winner of the Anthem Film Festival (USA, 2018)
CPH:DOX (Denmark, 2018)
Docville International Documentary Film Festival (Belgium, 2018)
Thessaloniki International Film Festival (Greece, 2018)
InScience Dutch International Science Film festival (Netherlands, 2017)
Life Sciences Film Festival (Czech republic, 2017)
Festival Imagésanté (Belgium, 2018)
Tech Doc Film Festival (USA, 2018)
The Philip K. Dick Science Fiction Film Festival (USA, 2018)
Atlanta International Documentary Film Festival (USA, 2018)
Tech Doc Fest (USA, 2018)
Silbersalz Future Science Media Festival (Germany, 2018)
Future.Doc Science Film Festival (Russia, 2018)
Polytech360 Film Festival (Russia, 2018)
Finalist of the Japan Prize 2018


With Captain Marvel opening in theaters in just a few days, the reviews for the Marvel Studios film have arrived and with them, the film’s official Rotten Tomatoes score — and the review aggregate site is declaring Captain Marvel as Certified Fresh.
As shared to Twitter Tuesday afternoon, Captain Marvel is sitting at 87 percent on their Tomatometer. Now, since that tweet was published, a few more reviews have rolled in causing a slight shift down to 83 percent at the time of this article’s writing, but it’s still enough to keep the film Fresh. Out of 114 critical reviews on the site, 95 of them give the film a positive review.
Per Rotten Tomatoes, Captain Marvel has been well-received by critics thus far. The Washington Post’s Ann Hornaday emphasized Larson’s lead performance, stating “As shaky and unfocused as “Captain Marvel” often seems, it manages to reach its destination with confidence. In the end, Larson sticks the landing, albeit with something more muted than absolute triumph.”Meanwhile, The Arizona Republic’s Barbara VanDenburgh found value in Captain Marvel’s overall aesthetic: “Its mid-’90s setting gives the film retro flair, and its girl-power soundtrack, blasting Garbage and Hole, will win over any ’90s girl’s heart.” By contrast, IndieWire’s David Ehrlich wasn’t impressed: “Neither a blast from the past, nor an inspiring glimpse into the future, at the end of the day it’s just another Marvel movie. And not a particularly good one, at that.”
Now, with genuine reviews from people who have actually seen the film arriving, it seems that the trolls were just that: trolls. Captain Marvel‘s current Rotten Tomatoes score puts it on par with Guardians of the Galaxy Vol. 2 which has an 84-percent rating and ahead of Captain America: The First Avenger‘s 80-percent rating. It also gets close to Avengers: Infinity War‘s 85-percent meaning that the first female-led Marvel Studios film appears to be holding its own.


Interviews and conversations with filmmakers worldwide.
Interview by Michèle Collery, Mina Blumenfield and Mónica Delgado
Only rockers love poetry and literature – sometimes you wonder! We speak about rock and roll, I told him that I want to make a film of the classic punk age, haunted by Arthur Craven, the boxer, who traumatized Breton, who also was Oscar Wilde’s nephews . And it all melt between The Clash, the Sex Pistols, Vince Taylor, Arthur Cravan: it all enchanted Strummer. We had drank champagne in a pizzeria and I don’t know what and then he said “Now, we go to the pub.” So here we are, ordered in speed, the producer drank vodka on the rocks, I was gin and tonic, 3 or 4, I don’t remember what he took -we had to ordered fast because they didn’t served after that – thus, we each had our 3 or 4 glasses, we play darts and he says “Ok Ossang, I’ll do your movie!”
By Mónica Delgado
Davide Manuli (Milan, 1967) might be best known for his last escapade into Rotterdam with “La Leggenda di Gaspar Hauser”, a very particular retake on the classic myth carried to the big screen by Werner Herzog, but this Italian filmmaker has been around since the late eighties’ struggling to find (and finally succeeding) a new narrative in cinema, which responds to the absurd and the warm embrace of dance music as means of communication.
By John A. Riley and Mónica Delgado
“I’d like to shoot a different ending for Sid and Nancy, too. But I’m less fond of that film. Straight to Hell was always one of my favourites and revisiting it, playing around with it, making it more bloodthirsty and giving it a different colour treatment and more skeletons and reinserting the deleted scenes… it was a real treat”.
By José Sarmiento Hinojosa
“Yes, the white disease is eating us everyday. Time is changing everything, everything disappears and fades and it’s ok, that’s life… The question is more to be aware of what we are loosing and what we are getting new. Our spirituality is changing super quickly, even in just one generation. I think cinema has a lot to do with that question of time, because this medium deals mostly with memory”.
By José Sarmiento Hinojosa
“Sibérie is one of the main characters of the film for all the reasons you describe. It’s like a mirror with of the raw and honest meditation of love, it’s a perfect décor for this “triste geographie des sentiments”, and the train helped us to have this kind of lonely feelings, increased by our “huis clos” inside the Trans cabin, in front of the big window, on the exterior as a big travelling shot with the immensity rugged inhabited landscapes”.
By Jan Philippe V. Carpio
It’s a great time for filmmaking again. You can articulate things again through cinematography. Before, with the advent of the Panasonic DVX and the P2, the lens is steady, you can’t change things unless you go for lens adapters. This time it’s free for all. The companies are coming out with great cameras. It’s a revolution. It’s up to you how you use them.
By Max J. Pell
Moniek Toebosch (Breda, 19 august 1948), the famous Frans Zwartjes diva, is the daughter of classical composer Louis Toebosch. A Dutch performance artist and actress, Toebosch has been working as a professor and giving workshops in her foreign country for over 40 years. She was director of Dasarts theatre of the AHK (Amsterdam College of Arts) from 2004 to 2008. Here, Max J. Pell, from Texas, shares pieces of his correspondence with her.
By Mónica Delgado
Thunska Pansittivorakul was born in Bangkok in 1973. His films have been screened at over 100 international film festivals, including Berlinale, International Film Festival Rotterdam and the Hong Kong International Film Festival. His documentary ‘Happy Berry’ won the Grand Prize award at The 4th Taiwan International Documentary Festival 2004. ‘Heartbreak Pavilion’ won the Top Award from Pusan Promotion Plan (PPP) at The 10th Pusan International Film Festival 2005.
By Mónica Delgado, Narda Liotine, José Sarmiento Hinojosa
Bill Morrison (Chicago, 1965) is one of the most important experimental filmmakers today, especially in the found footage vein. His first full-length feature Decasia (2002) became a milestone in this style of experimental cinema, not only for his use of special techniques in the celluloid format, but also for becoming an inspiration for future works. Decasia dwells in exploring film decay, the decomposition of the image medium, a decayed body that has something to show still. Talking about this and other works, Bill Morrison answers some questions from our staff.


Great Motorcycle Movies: ROAD
I was recently sitting at home contemplating life while trying to fight off the flu. It seemed like the perfect opportunity to collapse in bed and watch a movie that had been in my list for a while. My criteria for adding this movie to my list was “Does it have a motorcycle on the cover? It does? OK, add it!” My expectations were that it would be an interesting documentary on road racing overall. What I got instead was so much more than that.
Road is not a documentary about motorcycles. It’s a documentary about Joey and Robert Dunlop and their passion for road racing. In case you haven’t heard of them, the Dunlop brothers are two of the most successful road racers in history, having won a record number of races between them both in the Isle of Man TT and the North West 200.
The film itself, narrated dramatically by Liam Neeson, is well paced and provides the highlights that you’d expect of a movie showcasing the triumphs and tragedies of the two racers. It expertly weaves the images of the older Dunlop brothers with the new generation of Dunlop racers, also brothers, both of whom are seeking to honor their father and uncle while trying to make a name for themselves on the circuits.
Being a film that deals with tragedies on the racecourse, you get your fair share of crash reel. However, in contrast to other movies that gratuitously feature accidents, Road‘s presentation is sparse and respectful when used. It masterfully builds up the tension leading to one of these events and then it’s over as quickly as though it were happening live. No repetitions. No slow-mo. In doing so, it not only saves the film from becoming a morbid spectacle but it also illustrates the true nature of what an accident is actually like.
The documentary also deals heavily with the subject of loss and how people handle it differently. The Dunlop dynasty has had its fair share of tragedy throughout its history, but each generation retains its desire to keep pursuing their passion in spite of everything. This element gives the movie a lot of heart and was something I was not expecting to see. It humanized a movie that I thought was going to be a nonstop engine-fest.
Overall it’s an exceptional film that brilliantly captures the thrill of motorcycle racing on some of the world’s most difficult tracks but it focuses mainly on the personal story of the Dunlops. You’ll cheer for them and weep with them. This is one that will tug at your heartstrings.


Are you looking for a versatile, experienced actress
for your audio drama or radio play?
I’m a naturally RP British female voice actor with a playing age of 30s-70s.
I love playing characters and am suitable for a wide range of roles.
I’ve trained with some of the UK’s top audio drama actors, studied performance at
Brighton’s Academy of Creative Training and absorbed Stanislavski and Meisner with Thinking Actors.
Want to hear my audio drama demo?
I’ve been lucky to perform in two humorous audio dramas created for the Ragged Scratch Podcast.
It’s a programme enabling new writers to hear their work performed by voice actors.
“Katie approached the project with energy and enthusiasm, bringing naturalism and a flair for comedy. Her professionalism and experience shone through and it was a pleasure working with her.”
Bill Thomas, Director of “Gov.UK”
During the 2020 Covid-19 lockdown, Ragged Scratch created The Isolation Sessions, a special series of mini episodes. Monologue writers were paired with voice actors recording from home studios. This resulted in 35 original short audio drama monologues – released over 12 weeks.
I was delighted to be paired with writer Eva Todica once more, performing her lockdown comic creation “I am on a Diet Again”.
It’s a relatable (but exaggerated) account of the inner struggle sometimes experienced when trying to lose weight…
I’ve been fortunate to perform in several romantic comedy audio dramas for the Meet Cute Podcast.
“Tears in My Eyes” tells the story of musician Callum, played by Callum Beattie, and how his life is changed when he meets Sharon, played by me.
Click on the Meet Cute logo to listen to the 15 minute episode in full. Or click on the video to listen to a sample of my performance.
“Katie is a talented actor with a professional audio setup and a Rolodex of other talented VO actors. She is easy to work with and personable, with the ability to both add her own twist and take a note precisely. Highly recommended!”
Vincent Cacchione, Director, Meet Cute Romantic Comedy
Subscribe to download my Audio Drama Demo MP3.
Want a bespoke demo?
I’ll record one for free!
Just fill in this form to get a FREE 20 second sample of me reading your script. I’ll email you an MP3 within 2-18 hours.


YOU TUBE AND CRACKLE FREE MOVIES
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Crackle - Free Movies Online - YouTube Jul 06, 2011 How to watch Crackle Movies Online Free Abroad (Outside US)
May 14, 2020 · Sony Crackle offers free movies and TV shows for free with the decent video quality. You can stream movies on your phone, computer and tablets. Though, while watching movies or TV Shows you will get to encounter some interruption with commercial breaks. However, you have access to an awesome collection of programs and blockbuster movies all for
Jul 18, 2020 · The best free Crackle movies in July 2020 1) Bernie. Richard Linklater’s account of an East Texas murder is a curio, even by his standards. He mixes real interviews with locals of Carthage S2 E25: The Movie Deal Raj is elated when his agent informs him that he may have a movie deal for Raj's latest screenplay -- until it's discovered that it is really Nadine's case study on homeless women that the producer really wants to turn into a blockbuster feature film. YOU TUBE AND CRACKLE FREE MOVIES Jan 31, 2020 · All of Crackle’s movies, TV episodes, and original series are available to watch for free, but with ads and commercials. There is no ad-free viewing. Engadget relays Sony’s announcement that Crackle’s library of TV shows and movies will begin streaming to PS3s, Roku boxes, Sony Bravia TVs and internet-connected Sony Blu-ray players. Why it Crackles Steven Seagal at his Steven Seagal-iest—chasing, punching, kicking and shooting big bad dudes. Description CIA Agent, Jonathan Cold (Steven Seagal) is working as an undercover agent to underrmine arms dealers, who want to sell a nuclear bomb to an eastern European terrorist group. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.


«Just regular sex and lots of kissing.»
Saw this in school in ireland. What a surprise and the teachers were shocked and ran out of the room to have a meeting. I believe she was 18 by the time the movie was released.. Juliet, in the story was around 14 ish. I was even more surprised to hear of this scene which really made it better. For anyone saying she was 18 when the scene was shot, you are wrong.
Yovanna Ventura. Age: 31. I describe myself as a genuine, smart and elegant lady and very positive about life. I borned and grow up in South America, it means I have a happy and open personality. I like to talk,but no worries , I am able to listen too. I only lead with elegant people and respectful, it means a lot to me.
Movie scenes that would not be OK to film today
Olivia Hussey, star of Zeffirelli’s Romeo and Juliet: 'I was wild' | Film | The Guardian
Actress Olivia Hussey, who shot to stardom in the film 'Romeo and Juliet,' spoke to Fox News about filming her controversial nude scene when she was just 16 years-old. And they had come from all over the world. But it was the experience of a lifetime really. The film stirred headlines even before it was released in theaters. At age 16, Hussey stripped down for a love scene depicting her wedding night alongside her co-star Leonard Whiting [Romeo], who was also 16 when he took on the role. In America, it was very taboo. But in Europe a lot of the films had nudity.
Jessica Biel. Age: 29. Friendly and nice girl model appearance. I will meet with a sober adequate man strictly from 25 years. Preference - the dominant men.
Olivia Hussey boobs after sex with Leonard Whiting
I like pretending to be a nun. Maybe if I was an actress, I could pretend to be a nun and still be me. After Romeo and Juliet — which celebrates its 50th anniversary this year — turned her and co-star Leonard Whiting into international idols, she went on to play both the Virgin Mary and Mother Teresa.
In this modern era, it's easy to assume that anything goes in cinema. And in many ways, we've come far since the censorship laws of the past. However, there are certain scenes from bygone films that leave us feeling uneasy.


But I have something fun today! I love this challenge from As You See It:
You may have figured out my movie just from my blog post title :) After all, it is one of the best, and most quotable, movies ever IMHO...The Princess Bride!
And did you know there are Princess Bride STAMPS??? This stamp set is called As You Wish and it's made by The Ink Road. Y'all know I'm 99.5% SUO, but I couldn't resist The Princess Bride. The set has quite a few quotes (though there's a misplaced comma in the Miracle Man quote), but I had to pick what might be the most famous quote for this card, and the response on the inside:
I think a runner-up for most famous quote is "Hello, my name is Inigo Montoya. You killed my father. Prepare to die!"
Anyway, my colors were inspired by the movie too, Real Red for Buttercup's dress, black for Westley as The Man In Black, and So Saffron (with Crushed Curry ink) for Buttercup's blonde hair. I thought the wine glasses during the battle of wits might have been gold, but nope, they're pewter.
All of the images in the stamp set are pretty tiny, which fit well with the Hand Stamped Sentiments sketch:
This is not my first Princess Bride-inspired card, either; check out THIS ONE!
So, I have Princess Bride stamps; I have some Star Wars stamps; I have assorted Disney stamps. What I need now is Ghostbusters stamps! That's the other most-quotable movie in my collection :) Ryan asked to watch it earlier this week, and all the parts that I used to hide behind the couch because I was scared are the parts that he thinks are funny and wants to watch several times. He ain't afraid of no ghosts.
Anyway, I need to get me some breakfast. Cheers, y'all! Maybe I can convince Ryan to give The Princess Bride a shot this weekend...
Stamps: As You Wish from The Ink Road
Ink: Memento Tuxedo Black, Crushed Curry
Paper: Real Red, Basic Black, So Saffron, Thick Whisper White
Accessories: Stitched So Sweetly dies, 1" circle punch, Rectangles Stitched dies


As mentioned earlier in my Hunger Games post, I’m not really a movie person. It’s not like I don’t like movies or anything, it’s just hard for me to find a movie that can catch and keep my attention the way books can. The other day my boyfriend and I decided to watch “The Butterfly Effect”. And now, after seeing it for the first time, I almost feel ashamed that I’ve had a copy for almost 5 years, and just boycotted it because Ashton Kutcher was playing the main character (nothing agains Ashton, really, but he just didn’t seem credible to me, in a “serious” movie).
Now, I can’t really describe how I felt after watching this movie. In a way, I hated it, because it’s so incredibly sad how everything Evan does to make things better, in the end makes everything worse. The story was so well made up, I don’t think there was a second I lost my focus and interest. And that ending… So, so sad and beautiful at the same time, it got both of us crying! Of course, the beautiful Oasis song during the credits wasn’t making things better for us either;
What I also loved about this movie, is that it just got me thinking, you know? It sounds really lame, but after seeing it, and especially the way it ended, I just appreciate everything I have a little bit more.
All in all, I think this one’s going into my top 10! And for all of you who haven’t seen it yet: GO SEE IT NOW! I promise, it’s gonna be 2 hours of your life very well spent.
Have you seen The Butterfly Effect? What did you think?
Thanks for reading!


Don't bully is a message that many young people are receiving these days, but it perhaps may resound a bit stronger when they have a chance to act out some of its consequences.
Members of CAPPA, Community for Progressive Positive Action, put together a short video on anti-bullying that was unveiled to the public at the Williamsport Community Arts Center during the second day of the fourth annual Billtown Film Festival Monday night.
"Enough is Enough" serves as a one-minute public service announcement on anti-bullying.
Lycoming County District Attorney Eric Linhardt honored CAPPA for its production of an anti-bullying video during the Billtown Film Festival at the Community Arts Center Monday. From front left are Keshaun Connor, Shaky’a El, An-Nisa Jones, Keara Trice, Christian Thompson and Wyheem James. Second row, D’Angelo Strachon, Diamierre Evans, Kailyn Frierson and Kenya Fowler. Back row Dewey Dobbs, a teacher with CAPPA, Linhardt, and Ethan Burch, of CAPPA.
Later, the youths were presented awards for their efforts in putting together and serving as actors in the film.
Lycoming County District Attorney Eric Linhardt was on hand to laud them for their efforts in promoting anti-bullying.
Bullying, he said, often happens when adults are not present.
He urged young people to speak up and not be passive when they witness it.
"It's important to be an example to others," he said.
Victims of bullying, he said, often are those who are alienated and without friends.
But that doesn't make bullying right.
Linhardt said everyone has a responsibility to reach out to victims.
CAPPA Executive Director Lonnie Gamble credited the youths for their work, as well as others who helped put together the short film.
Dewey Dobbs, a teacher of CAPPA's after-
school program, helped put the film's script together.
Ethan Burch, of Williamsport, directed "Enough is Enough," which shows the possible tragic consequences of bullying.
Burch said the CAPPA students submitted ideas and helped shape the story.
He said the video was fun to make.
"We filmed half of the film at Penn College and half at CAPPA (located) at Unity Christian Fellowship," he said.
Eileen Harley, CAPPA academic enrichment coordinator, said the students' participation in making the film offered them a wonderful opportunity to share in something important.
"It's being part of a message we are trying to embrace," she said.
CAPPA is a Williamsport-based progressive non-profit youth intervention and development program.
Following the public service announcement, the full-length motion picture, "Bully" by Lee Hirsch was shown.
The movie, following the lives of five students who endure bullying, premiered at the 2011 Tribeca Film Festival.


In a blind rage, Alfredo wants to take revenge for Violetta breaking up with him. Germont tries to stop his son, begging him to return to his family, but Alfredo runs away to meet Violetta at Flora's party.
Germont's cabaletta "No, non udrai rimproveri" is often abridged or omitted entirely. I have therefore made available three different versions: A version without cabaletta, a short version with the abridged cabaletta, and a long version with the full cabaletta. The videos assume that the oppure for "vieni, t'affretta a consolar" is only sung in the first repeat of the full version. In the short version and the second repeat of the full version the regular notes are assumed.


Christopher D’Olier Reeve was born on September 25, 1952 in New York City, to journalist Barbara Johnson (née Barbara Pitney Lamb) and writer/professor F.D. Reeve (Franklin D’Olier Reeve). He comes from an upper-class family; His grandfather was the CEO of Prudential Financial, and one of his great-grandfathers was Deputy Supreme Court Justice Mahlon Pitney.
Christopher Reeve called playing Superman a “calculated risk”
Christopher Reeve knows playing Superman could be a blow to his longstanding stage career, but he’s confident in the gamble – even if his friends aren’t.
The deeply loved and humanitarian actor was born on this day in 1952. His name was trending on social media on Saturday as fans paid tribute to the actor, who has died in 2004 at the age of 52. Google also honored Reeve with a Doodle on its homepage.
Speaking to Dick Cavett in 1981, Reeve said he was given a hard time by friends and colleagues when he agreed to play Superman in the 1978 blockbuster, but he knew one thing they didn’t.
Reeve will play Superman in four films over the course of a decade. He has noted in other interviews that he never feels misled by the role and makes sure to take on multiple projects as he is a serious, Superman Christopher Reeves 43th Anniversary Shirt.
Christopher Reeve’s birthday: Here’s everything you need to know about the ‘superman’ actor
On ‘Superman’ Christopher Reeve’s 69th birthday, read on to learn more about this humanitarian actor’s career and life after his tragic accident.
Christopher Reeve is an American actor, director, and activist, best known for playing the title character and leading role in the 1978 film Superman and its three sequels. On Reeve’s 69th birthday, Google honored the late actor’s legacy and paid tribute to Reeve with a Doodle. As a tribute to the veteran actor, here’s everything you need to know about the Superman actor.
Superman Christopher Reeves 43th Anniversary Shirt began his acting career on Broadway through the play A Matter of Gravity. Veteran actress Katharine Hepburn was impressed by his audition and cast him as her character’s grandson in the play. Reeve’s first Hollywood role was for the 1978 naval submarine disaster film Gray Lady Down, where he played a very small role as a junior officer. He then acted in the play My Life at the Circle Reporting Company.
When it comes to playing Superman (and Clark Kent), a few different actors have stepped into the iconic red cape and tights over the years. But long before Tyler Hoechlin (Teen Wolf) played Krypton’s last son on Superman and Lois on The CW, Tom Welling (Lucifer) spent 10 years playing a Clark Kent before Superman on Smallville.
However, this was long before the Arrowverse even existed. So when announced they will be doing Superman Returns, no one is sure if Welling himself will ever be able to return to his role on the big screen – although long before the TV version of the character will go on to claim the title. there.
But there’s one person who thinks Welling is right for the role: none other than Superman actor Christopher Reeve, who has guest-starred in two different episodes of the series, acting opposite Welling in the series. both of them are Dr. Virgil Swann.
Superman Christopher Reeves 43th Anniversary Shirt
Note: You can directly click on your favorite shirt model to shop directly at Panetory.


So, I hope you are enjoying your extended weekend. Like many, you must have also enjoyed a movie. After all, it was a Clash of the Titans- Hrithik Roshan’s Kaabil and Shah Rukh Khan’s Raees.
Everybody has their opinions for both the movies. If you are someone who has watched Raees, chances are you probably missed these mistakes in the movie. Surprised? If you think it was a flawless movie, well, hate to break it to you, but that is not true.
So here are some mistakes from the movie listed out for you (WARNING- Spoilers ahead!)-
Remember in the movie, before the interval Mahirah tells SRK about her pregnancy? Well, not exactly tells him but more like a melodramatic “apko koi abba bulaye toh?” dialogue. And after the interval, one year later, their child is born? Wait. What?! That is not what my Eighth standard biology textbook taught me.
2. The “RDX”
After the bomb blasts take place, SRK’s aide tells him that the gold with which it was smuggled carried a new kind of RDX called RDX. WHAAAT? An RDX called RDX? Really? Wasn’t RDX a chemical element’s name? Seems like the whole team of Raees flunked Science together.
This problem is not with Raees but probably every Bollywood movie ever. How is it that all your sharp shooters miss their marks while shooting the hero? And on the other hand, the hero can probably get India an Olympic gold in shooting? Whatever happened to the laws of probability? Law of averages? Scientists and mathematicians died for your sins!!
4. The encounter of Raees aka SRK
This is probably the dumbest part of the movie which is sadly also its end. So Nawazuddin Siddique wants to carry out a fake encounter of Raees. He has lost faith in the system and so far and so on. But why did you shoot him in his heart straight away?! Aren’t policemen first meant to shoot on their legs to immobilise the accused on the run? And take them to the hospital and get them to the jail? But no, he just shoots him like 4-5 times on all critical body parts! Dude, you will land in jail instead of Raees!!! So much for being an IPS officer. Meh
Well, that is it I guess. My disappointment with Raees right there- a conceptually good film ruined by poor scripting and execution.


We brought together the award-winning creators from the "Marvel's Spider-Man: MilesMorales" PlayStation video game and "Spider-Man: Into The Spider-Verse" Sony animated movie for an exclusive conversation about their creative journeys bringing this groundbreaking character to life on screen. Saladin Ahmed, the writer of the MilesMorales comic books, joins them.
This three-part conversation is a celebration of MilesMorales as a modern-day hero and of the creators’ craft and passion, as they share their behind-the-scenes perspectives of how they challenged themselves to deliver a relatable and representative Super Hero.
In Part One of their conversation, the award-winning creators discuss bringing the world and relationships of MilesMorales to life through specificity.
As a creative entertainment company, Sony celebrates creators who think differently, push boundaries, and ultimately inspire fans through their work. Content Creators are proud to be a platform for visionaries.


Tuesday, March 13, 2012
Video: Interview w. Suha Barghouti -Women and Resistance #Palestine
Suha Barghouti is the Chair of the Palestinian NGO network, and a long-time human rights activist. In this interview, she discusses the history of Palestinian women's roles in Palestinian popular resistance, what shape that resistance has taken today, and what she sees for the future. The interview was originally featured in the documentary film "For the Resistance," directed by Sheryle Carlson and produced by the Alternative Information Center. For more information, visit http://alternativenews.org.


Super Hit Kannada Movie Songs
The Kannada film, otherwise called Sandalwood, Kannada Film Industry is the part of Indian films focused on the production of motion pictures in the Kannada language by and large spoken in the province of Karnataka. Beneath you can track down the Kannada 2021 Movie Songs.
The Karabuu song from the film Pogaru has received 230+ million views on the Youtube channel. The karabuu song has been picturized between the Dhruva Sarja and Rashmika Mandanna. The film was recently released and had a decent business at the box office. This is the catchy number of the film and has become very popular.
The song Chuttu chuttu from Raambo 2 has received 135+ million views on YouTube. The song has been picturized between Sharan and Ashika Ranganath who play lead roles in the film. The music for the film has been composed by Arjun Janya. In fact, this very song became the first Kannada song to cross 100 million-plus views on YouTube.
The song Belageddu from the film Kirik Party starring Rakshit Shetty and Rashmika Mandanna in the lead roles has received 100+ million views on YouTube. In fact, the Belageddu song became the second Kannada song to cross the mark of 100 million views. The track has composed by B Ajaneesh Loknath and sung by Vijay Prakash.
The Chanda Chanda song from the film Anjani Putra has received 95+ million views on YouTube. The film stars Puneeth Rajkumar and Rashmika Mandanna in the lead roles. Music for the movie has composed by Ravi Basrur of KGF fame. Its a romantic song with lyrics written in Mangalore style Kannada language and sung by Ravi Basrur and Anuradha Bhat.
Also, Read: Kannada 2021 Action Movie Songs
The song Yenammi Yenammi from the film Ayogya starring Sathish Ninasam and Rachita Ram in the lead roles has received 93+ million views on YouTube. The movie has the music direction of Arjun Janya. Its a romantic song shot in the village and sung by Vijay Prakash and Palak Muchchal.
Nee Kotiyali Obbane
Nee Kotiyali Obbane song from the Kotigobba 3 Latest Kannada song sung by Shreya Ghoshal. This brand new song actors are Kichcha Sudeepa, Madonna Sebastian. The song lyrics penned down by Yogaraj Bhat while music given by Arjun Janya and video directed by Shiva Karthik.
Neenaade Naa song for Yuvarathnaa movie in Shreya Ghoshal, Armaan Malik‘s vocals, that is the latest Kannada song. Sayyeshaa, Puneeth Rajkumar are stars in music video for Neenaade Naa has video-direction from director Santhosh Ananddram. Ghouse Peer inked-down the verses, S. Thaman composed Kannada music for Neenaade Naa‘s lyrics.
Maleye Maleye Song Lyrics has a duet romantic Kannada track from Duniya Vijay’s movie Salaga. The duo of vocalists who sang the track are Sanjith Hegde and Aishwarya Rangarajan. Nagarjun Sharma is the songwriter for the Maleye Maleye and the Charan Raj has composed the music for it.
Bhajare Bhajare Bhajarangi
Get the Bhajare Bhajare Song Lyrics that Shankar Mahadevan performed and featured in Bhajarangi 2 movie of Shiva Rajkumar, Bhavana Menon. The lyrics writer V. Nagendra Prasad has wrote-down the Bhajare Bhajare Bhajarangi‘s Kannada lyrics and A. Harsha gave direction to the music video.
Baby Dance Floor Ready
Get the Baby Dance Floor Ready Song Lyrics that Nakash Aziz, Aishwarya Rangarajan performed and featured in Robert (2021) film of Darshan. The song writer by Chethan Kumar wrote-down the Baby Dance Floor Ready‘s Kannada lyrics and Tharun Kishore Sudhir gave direction to the music video


VOCALS AND STAGE ANTICS
ALL ABOUT RYAN
Ryan was born in November 1982 in Halifax Yorkshire but he grew up in Germany and went onto boarding school in York, England. After quitting his Animation degree at the Surrey Art institute he moved home and joined local metal band ‘2 degree field’ as singer and part time guitarist. The band split when all members moved away to university. He went onto study Acting at The Royal Welsh College Of Music and Drama where he met part time singing coach John O’Hara.
After university Ryan pursued his acting career, briefly working with physical theatre and circus before he broke his leg in 2006. This stopped him from work for 9 months where he missed touring the world with theatre company Cheek By Jowl.
After a full recovery Ryan joined the Royal Shakespeare Company in their production of Romeo and Juliet and straight after this landed the Role of Jimmy in the Who’s production of Quadrophenia. Working again with John O’Hara who had arranged the Who musical he went onto pursue his singing career recording a duet with Cat Stevens (Yusef) on his early track “Matthew and Son” which celebrated the 50th anniversary of the BBC Maida Vale Studios.
Ryan now works for Ian as vocals, mime and general stage tomfoolery.


Tickets are available for the Oak Lawn Park District Teen Show Theatre Production of “High School Musical.”
The production will run at the Oak View Center, 4625 W. 110th St., on Friday, February 10 and Friday, February 17 at 8:00pm, Saturday, February 11 and Saturday, February 18 at 8:00pm, and Sunday, February 12 and Sunday, February 19 at 3:00pm.
Tickets are $17.
Disney’s smash hit movie musical comes to life as the star athlete and brainy girl he meets at East High decide to audition for the high school musical. Although many students resent the threat posed to the “status quo”, these two open the door for others to shine as well, in this popular, big song and dance musical for the
High School Musical is a 2006 American teen/romantic comedy musical television film and the first installment in the High School Musical trilogy. It was almost an instant success that became the most successful film that Disney Channel Original Movie ever produced. The television show was followed up with a movie and stage play.
Tickets are available at the Oak View Center, by phone at 708-857-2200, or online at www.olparks.com.