St Kilda Short Film Fest in Bass Coast
The Wonthaggi Union Community Arts Centre will host St Kilda Short Film Festival’s Victorian Tour on Friday 14 July at 7.30pm.
The Tour is making its way around the state, screening some of the most innovative and inspiring short films from one of Australia’s most popular film festivals.
The selection includes both award winners and the director’s choices of films from diverse genres: documentary, animation, fiction and comedy. These are films from the nation’s leading filmmaking talent, and several titles in the tour have received awards in the Top 100 Short Films Competition.
The St Kilda Short Film Festival is Academy Awards accredited, with selected prize-winning films acclaimed at St Kilda eligible for Oscar nomination.
All films fetured in the St Kilda Short Film Festival are unclassified, persons under the age of 15 years will not be admitted to screenings unless accompanied by a parent or guardian.
Screenings include two programs with a short interval in between. Tickets are $15 (no concession), and are available at the Wonthaggi Workmen’s Club at 65-75 Graham Street or by calling (03) 5672 1083. Any remaining tickets can be purchased at the cinema once doors open at 7.00pm.


Majel Barrett is a Trek icon. She made her first appearance in the unaired pilot, “The Cage”, as Number One, then went on to portray the recurring character of Nurse Chapel in the original series. She made a return to the Trek universe as Betazoid Ambassador Lwaxana Troi in a number of episodes of Star Trek: The Next Generation. Majel brought each character to life, imbuing each with her own unique brand of sex appeal.
Majel Barrett passed away on December 18, 2008, leaving behind a decades-long legacy of elegance, charm, and beauty within the world of Star Trek.
I WANT THAT BLUE OUTFIT
also the blonde wig
also that festive ensemble
also her fierceness.


Attention DC Area Residents
The DC Labor Film Festival kicks off on Thursday, September 15 at the American Film Institute in Silver Spring. On Friday, September 16, Barbara Kopple will be receiving the Tony Mazzocchi Labor Arts Award prior to the showing of her classic film, Harlan County USA, one of the greatest labor documentaries ever made. The award will be followed by a short film about Tony's life and times.
In case there is anyone out there who doesn't know, Tony Mazzocchi was the visionary leader of the Oil, Chemical, and Atomic Workers Union and one of the fathers of the workplace health and safety movement in this country and a leader in the struggle for workers rights.
On September 17, Jane Fonda will attend a 25th anniversary screening of her film "Nine to Five". The event is a benefit for Working America and the evening's program will include Fonda and Karen Nussbaum, co-founder of 9 to 5 –– the organization of women office workers.
Other films at the festival include Il Posto, Maids (Domesticas), Office Space, Living to Work, Mardi Gras:Made in China, Off to War, The Phantom of the Operator, and Where Do You Stand?: Stories from an American Mill. The full schedule can be found here.


Compositing an actor or real-world object into a virtual background is a powerful and widely used tool in movie and TV production. To create a natural composite, it is necessary to maintain photometric consistency between the foreground object and the background environment. Various light stage systems have been developed to achieve this goal. Debevec et al.  illuminated the actor by an array of inward-pointing RGB light-emitting diodes, and Mitsumine et al.  surrounded the actor with back-projection screens and projected virtual images onto these screens. One problem with both of these strategies is that the systems involved are very expensive and time-consuming to build. We propose an inexpensive light stage system, Light Shower, which consists of an off-the-shelf projector and a white umbrella. The projector projects an image onto the white umbrella, which creates environment light for a human face or a real object inside the umbrella.
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Review from Ariadne auf Naxos with Pacific Opera Project:
"As good as the cast was overall, however, it was Marina Harris that stole the show, with a vocal and dramatic performance that was superb throughout. Ariadne is a difficult role, requiring stamina, depth and strong comic timing in addition to an exceptional, powerful voice, and Harris’ lyricism was as haunting as her deadpan humor was funny. Her voice has grown even more sure and lovely than when we saw her in POP’s Turn of the Screw last year, with the same tragic urgency. She takes the stage as if she were born to it, and perhaps she was."
Full review here: http://laurislist.net/blog/2015/05/pacific-opera-project-takes-ariadne-outside-the-naxos/


August 17, 2013 by Liberty
Wesley Snipes is an actor that stood up to the IRS’s oppressive, illegal, and downright unethical tactics. He had quite the career that he had to sacrificed for years in prison. I barely remember him going to prison these days (I wasn’t political back then.) Most people still don’t get the ethical implications behind him going.
Wesley Snipes had the courage to stand up to something he thought was wrong. He had the money to pay the government. He chose not to.
He’s just another one of the political prisoners in this country.
I’m glad he’s finally out of the grip of the prison system. There was no reason he should have been their in the first place.
I’m not a fan of the movies (propaganda everywhere) but I’ll definitely be buying tickets for anything he chooses to star in. I have a feeling that’s not going to happen anyway. Normally when someone stands up to the bull their career is over anyway.


According To The Representatives, Amber Heard And Jason Momoa Did Not Have Any Chemistry
In 2018, Amber Heard portrayed Mera in the movie adaptation of Aquaman. It appears that her time in the second film was reduced to approximately ten minutes as a result of the defamation trial that she was involved in with her ex-husband, Johnny Depp. It would appear that agents are now claiming that she did not have any chemistry with Jason Momoa, who plays Aquaman himself.
Recent statements made by Heard’s agent to the press suggest that the lack of chemistry between Heard and Momoa was the primary factor in the decision to scale back her role in the film. The legal proceeding got underway when Depp decided it was necessary to sue Heard for defamation. In 2018, she contributed an opinion piece to the Washington Post in which she discussed her decision to leave an abusive marriage. Even though she never revealed the fact that they were married, everyone was aware of it, and Depp claims that because of her, he has missed out on a lot of opportunities.
After being cast as Mera in the Justice League movie that came out in 2017, Amber went on to star in the Aquaman film. The sequel is supposed to earn her $2 million, but there have only been about ten minutes of the movie completed so far, so that number is still up in the air. Not only did her agent claim that there was no chemistry between the two of them, but she also mentioned that Heard’s career hasn’t exactly taken off in the same way that Momoa’s has.
The representative for Heard was quoted in the press as saying, “In my experience… After an event like that, your career goes in a different direction. The audience responded extremely positively to her performance in the film at the time; everyone was pleased with her performance, and there were no problems. Then, to have a complete turn for the worse after that, and then to have that coincide with constant tweets and negativity put out about her… I don’t have a physical piece of paper of evidence, but it’s the only logical conclusion I draw.
Her agent also mentioned that since the trial, Heard has been dropped from a role in a new film that was produced by Amazon. It would appear that the trial has been quite disruptive to the lives of Mr. Depp and Ms. Heard in a variety of ways.
This court proceeding is being watched by people from all over the world, and it would appear that everyone is taking a position in the case. Who will ultimately prevail in this dispute and come out on top can only be determined by the passage of time. No matter what happens, it seems as though there will be some debts to pay, and no one is certain whether or not these two will get more work after everything has been said and done.


Behind the excitement and the white knuckle ride of Zero Dark Thirty is a narrative which leaves America feeling good about itself. It shouldn’t, writes Chris Bambery
Zero Dark Thirty (ZDT) is the best of Hollywood, and the worst of Hollywood. As an action packed thriller it is gripping, but as a supposedly liberal film it is very questionable in its depiction of the hunt for Osama Bin Laden and his execution by US Navy Seals.
The film has incurred protest from the CIA and right wing US politicians like John McCain because of its graphic and shocking depiction of torture by the CIA in illegal detention centres. Many reviews of the film have focused on torture and whether ZDT condones it, and a question to which I’ll return. What ZDT does take for granted though, is that the extra-judicial murder of Bin Laden, watched by Obama in the White House, was morally correct.
The film starts with the voice of a woman telephoning emergency services from the Twin Towers on 9/11, knowing she’s going to die. This factual reminder of 9/11 starts a film whose premise is that Bin Laden had to be killed and that had to be achieved by any means necessary. Throughout the film the CIA are working under the pressure of further terror attacks like those in London in 2005.
The illegal execution of Bin Laden is something that should not be condoned, whatever his crimes, because it, and the justification for it, are now being used to justify the murderous drone wars being carried out by the US in Pakistan, Somalia and Yemen. Acceptance of that in the West can only stoke the rage against America and its allies across the Muslim world.
ZDT is a film where the heroes are the Americans – in this case, as in Argo, the CIA. We are asked to sympathise and identify with them in their “dirty war” against terror. The film depicts it is a dirty war from the outset, but, its conclusion is that it was necessary to get Bin Laden.
The main character, Maya (played by Jessica Chastain), is shown to combat and then overcome her scruples about the conduct of this war, particularly torture. But she is also known in Washington as a “killer,” as the film reminds us, and does not hesitate to get stuck in, declining to don a disguise when taking part in the first torture scene.
Her colleague is shown to be an educated man, with a sense of humour and a love of animals. In contrast the Muslims in the film are not allowed a voice. There is no explanation of why they may or not have become terrorists. They are either compliant victims or defiant haters of the West.
Indeed it goes further than that. When asked what she thinks of Pakistan, where she’s been stationed, she tells the CIA bureau chief its “fucked up.” Again no explanation of why its “fucked up,” of the extension of the US war in Afghanistan across the border or the long history of US support for military rule.
Maya is woken from her first sleep of her posting by the call to prayer from a mosque next door, grimaces and says “Oh God.” Pakistan and Pakistanis are portrayed as a threatening place and a threatening people. Again there’s no explanation but it contrasts with the way we’re asked to identify with Maya and her colleagues.
This was a film made with help from the CIA and the White House. Bigelow got to talk to some retired Navy Seals about the final kill, not the ones who took part I might add. That operation is shown as heroic.
And that brings me to torture. There is no question that the torture scenes are shocking an upsetting.
The director, Kathyrn Bigelow tells Time Out this week that: 'I find it interesting that you could see ‘Zero Dark Thirty’ and in any way come to the conclusion that it is pro-harsh tactics. It is absolutely inconceivable… I think torture is reprehensible. I’ve said that, and I will continue to say it.'
But there is a problem. The film centres on the claim that it was the confessions from torture victims that got the information which led to Maya identifying Bin Laden’s hide out. She spends hours interrogating prisoners and watching videos of those torture sessions in her determination she can get to the one man who can lead her to Bin Laden.
But that is not true. It was not the confessions forced from prisoners that brought the Americans to Bin Laden. And if we accept that, the moral axis of ZDT collapses. To repeat, ZDT’s premise is that if it takes torture to get America’s 'most wanted,' then so be it.
After watching ZDT I was left with an acknowledgement that this is a great Hollywood action film, but if this is as good as Tinseltown can deliver then it does not deserve an Oscar. Because, as with Argo, it is America which stands on the moral high ground and its enemies, denied a voice, are shown as an enraged crowd of Orientals. Both films remind me of those Reagan era films about Vietnam where the Americans are shown as the victims and even the victors.
So behind the excitement and the white knuckle ride of Zero Dark Thirty there is a narrative which leaves America feeling good about itself. It shouldn’t.
Chris Bambery is an author, political activist and commentator, and a supporter of Rise, the radical left wing coalition in Scotland. His books include A People's History of Scotland and The Second World War: A Marxist Analysis.
More articles from this author
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- Gordon Brown, Scottish Labour and independence
- What's happening in Catalonia is an assault on democracy
- Paris and London: A Tale of Two Radical Cities
- The rise of fascism in Italy?
- Italian elections roundup: The centre can hold, but it is weakened
- This St David's Day, let us remember guerrilla leader Owain Glyndŵr


It is unlikely that many people in the theatre are unaware of the controversy that arose in mid-May, when a small Portland, Oregon theatre company proposed a production of Edward Albee’s Who’s Afraid of Virginia Woolf? with a black actor in the role of Nick. Outcry built swiftly after Michael Streeter of the Shoebox Theatre posted the following message to Facebook:
“I am furious and dumbfounded. The Edward Albee Estate needs to join the 21st Century. I cast a black actor in Who’s Afraid of Virginia Woolf? The Albee Estate called and said I need to fire the black actor and replace him with a white one. I refused, of course. They have withheld the rights.”
This touched off a tidal wave of conversation, debate and anger over the actions of the Albee estate, with many decrying the late playwright, who had been well known to exert significant control over all productions of his plays during his lifetime, as racist. That charge was leveled at the representatives of the estate as well, since they were sustaining what were understood to be Albee’s wishes.
So it was rather surprising when, just a couple of weeks ago, the Pulse Theatre Chicago opened their own production of Virginia Woolf, with black actors as George and Martha and white actors as Nick and Honey. This seemed to contradict the prevailing takeaway from the Shoebox controversy.
Upon learning of the production via a review by Kerry Reid in The Chicago Tribune, Arts Integrity contacted Sam Rudy, the spokesman for the Albee estate, to ask about how this production had been allowed to go forward when the Shoebox production had not been able to, unless they had recast with a white actor as Nick.
In response, Rudy shared a statement from Jonathan Lomma of WME, Albee’s agent and now agent for the estate. It read:
“Regarding your inquiry, the Albee Estate gave Chicago’s Pulse Theatre Edward’s own script edits that the playwright thought could be useful when George and Martha are portrayed by actors of color, as they are in the current Chicago production.
Those approved edits by Edward himself were used in an all African-American production of Woolf at Howard University several years ago.
While it has been established that non-Caucasian actors in different combinations have played all the roles in the play at various times with Edward’s approval, he was consistently wary of directors attempting to use his work to provide their own commentary by, for instance, casting only Nick as non-white, which essentially transforms George and Martha into older white racists, which is not what Edward’s play is about.”
The edits suggested by Albee primarily consist of a word or short phrase, 13 in all, mostly adjusting references to hair and eye color. The most significant change is a brief section in the Act 2 “begin and water” monologue.
In conversation, Lomma drew attention to a particular speech of George’s, which Albee felt was completely transformed, in a profoundly negative way, were it to be spoken by an older white man to a younger black man:
“All imbalances will be corrected, sifted out… We will have a race of men…test-tube bred…incubator born…superb and sublime… Everyone will tend to be rather the same… Alike. Everyone…and I’m sure I’m not wrong here…will tend to look like this young man here… I suspect we will not have much music, much painting, but we will have a civilization of men, smooth, blond and right at the light-heavyweight limit… diversity will no longer be the goal. Cultures and races will eventually vanish…the ants will take over the world…. And I am, naturally, rather opposed to all this.”
The Howard University Virginia Woolf
As Lomma noted, there had been productions of Virginia Woolf cast with black actors during Albee’s lifetime. When the Shoebox controversy arose, many people pointed to a production at the Oregon Shakespeare Festival in 2002 in which Andrea Frye, a black actress, played Martha with white actors in the others role. Less noted was a 2003 production at the Zachary Scott Theatre Center in Austin, again with a black actress, Franchelle Stewart Dorn, as Martha in an otherwise white ensemble.
While in May the estate was not able to provide much detail about these productions, a college production at Howard University, while mentioned in passing at the time and cited in Lomma’s statement, is evidence that Albee was not doctrinaire about race in the play.
Vera Katz, the first white theatre professor at the historically black Howard University, planned a production of Virginia Woolf as her final show before retiring in 2001. She reached out to Albee and he visited the show while it was in rehearsals, and offered suggested changes to the text that would make minor changes appropriate for an all-black production.
In June of this year, Michon Boston wrote on her Eclectique 916 site about the Howard University production, which she said was the first time she had seen the play staged. She reached out to Vera Katz to ask about Katz’s experience of producing the play, given the controversy that had just flared.
She received the following response from Katz, which Boston said Katz specifically asked her to share:
“My delay to responding to this debate is because my husband is critically ill.
In 2001, I had the audacity to contact Mr. Albee by writing him a letter in long hand and sending it through his agent. What I asked Mr. Albee in the letter was to adjust two specific changes to his play, “Who’s Afraid of Virginia Woolf” for a performance by an African American student cast at Howard University.
These changes were:
1) The mysterious baby we never see referred to as a “blond blue-eyed child”;
2) The university names in which George has lectured and taught.
My husband said “You’ll never hear from him.”
To my surprise, Edward Albee responded by calling me. He immediately agreed to discuss the changes asking me to get my script and reviewed them with me over the phone. The “blue-eyed” child became “the dark dusky child”, and the university names became HBCUs – Howard, Fisk, Wilberforce, etc.
Mr. Albee expressed his desire to visit Howard and talk with the young actors. When he arrived he insisted on shaking every actor’s hand and gave a brilliant lecture about the play.
He was extremely interested in a tour of the campus. During the tour he was very knowledgeable of persons the dormitories and buildings were named for — Mary McLeod Bethune, Dr. Charles Drew, Frederick Douglass, Harriet Tubman, and Ira Aldridge. For me, he seemed to want to expand his awareness of the Black experience during this visit.
Albee stood for a long time in front of a portrait of Ira Aldridge (actor). He talked about the importance of Ira Aldridge to the theater.
Mr. Albee said he was unable to attend the performance of “Who’s Afraid of Virginia Woolf” because his play “The Goat or Who Is Sylvia?” was in production.
We thanked him by mentioning his visit in the program at Howard and sent him a copy (of the program).
Boston concluded her post by noting that Katz was working on a book in which she would go into more detail about her interactions with Albee and the Howard University Virginia Woolf.
Professional vs. Non-Professional Productions
Following a phone conversation earlier this week with Arts Integrity, Chris Jackson, Producing Artistic Director of the Pulse Theatre Chicago and director of their Virginia Woolf, shared a statement explaining how they secured the rights for the show, having already explained that the company had no difficulty with its plans. He wrote:
“Pulse Theatre Chicago is a 501 (c)(3) non for profit, non-equity professional theatre company. We rent spaces across the city when we decide to mount each production. We do not have an artistic home and we work on a very low budget, mostly out of pocket. All of our artists are paid a small stipend after the run of the show. Because of those factors, Dramatist [Dramatists Play Service] informed us that we only qualify to the non-professional rights to the production, which in regards to casting, only requires that the gender of the characters may not be changed from the intended.
“To my knowledge, the estate only had an issue with the interracial casting of the couple of Nick and Honey, which is understandable because in my opinion that casting choice disrupts the central theme of The American Dream being unachievable. I don’t think the estate is complete restrictive of actors of color being cast in Albee plays. If they were, we wouldn’t be talking! As far as I know, the estate approved our production. The only communication I have received from the estate about this production specifically came from them through Dramatist. They sent, opening night, the revisions that Albee made for the Howard University production of the show.”
In conversation, Jackson noted that he had secured rights to Virginia Woolf more than a year ago, while Albee was still alive.
As it happens, the licensing rights for Virginia Woolf are slightly complicated, compared to many plays. Dramatists Play Service handles the non-professional rights, while Samuel French handles professional rights, resulting in part from the fact the DPS didn’t begin handling professional rights until the early 1980s. Lomma continues to handle “first class rights,” which include Broadway, national tours and the West End.
So while Pulse is a professional non-Equity company, for the definitions that exist between DPS and French, their production was deemed non-professional. While Shoebox is comparably small, they appear to have been defined as professional for the purposes of licensing.
Following a conversation with Arts Integrity, and responding to questions about the process of licensing Albee’s work, Peter Hagan, President of DPS, sent the following e-mail:
“Our Albee nonprofessional licenses essentially mirror our boilerplate licenses for our other plays. The language simply says – as our other licenses do – that the play must be performed as written by the author, with no changes, etc. As you know, Mr. Albee was very specific about how casting changes could affect the authenticity of what he had written. Our license form for the Albee plays is actually quite old – so old, in fact, that it includes Albee’s prohibition against performing the play before a segregated audience!
As I told you, we do not represent the professional rights to some of the Albee plays, including Who’s Afraid of Virginia Woolf? For all of those Albee plays for which we do represent the professional rights, there is a stipulation that the director, actors, set, costumes and rehearsal schedule must be approved by the Estate of Edward Albee before a license is granted, as was the case when Mr. Albee was alive. As you know, he took a very hands-on approach to the professional productions of all of his plays.
As for our distinction between what is considered a professional production and what is considered nonprofessional, when actors are paid $150 per week or more for their work, we consider that a professional production, whether it is Equity or non-Equity. Samuel French has a different policy, so you should check with them about that.”
Asked about how Samuel French handles the stipulations on Albee plays that French represents, the company’s executive director Bruce Lazarus said that, for all shows they license, “On professional productions, if requested by an author, we submit any information that is requested to the author’s agent. We support a playwright’s right to approve casting to be sure it reflects their authorial intent.”
Albee famously denied all requests to allow for productions of Virginia Woolf with entirely male casts.
* * *
In the wave of controversy over the Shoebox production that never was, a debate flourished over the rights of authors, and subsequently their estates, to exert control over the way in which plays are produced, beyond even the specific of Edward Albee’s requirements. It extended to the question of how long copyright protection runs and whether estates, by following the express wishes of an author too slavishly following their death, may be sustaining outdated thinking, be it in how texts are examined or how society has evolved since the play debuted.
Arts Integrity has written many times in the past in support of artists rights and the right of their estates, based in the legal protections afforded to authors in the theatre, which differs from film and television (and cases where a play may be sold for adaptation into those media). Arts Integrity also advocates for inclusive casting, and opening traditionally, and in some cases roles that were explicitly thought of as, white to performers of color.
It bears noting that Edward Albee passed away less than a year ago. While many chafed against the degree to which he controlled his works during his lifetime, and indeed may disagree with his feelings about the casting of Nick in relation to the rest of the company, it is not necessarily realistic to expect the people to whom he entrusted his estate to immediately abandon his wishes within months of his passing. That said, it is not unrealistic to imagine that the estate’s thinking will evolve, especially as current trustees of the estate will eventually give way to successors in future years, given the term of copyright.
For now, the creative elements of Albee’s plays in professional production, including directors and casts, will continue to be reviewed and approved by the agent for the estate, Lomma, and trustees of the estate, as submitted to them by DPS and French. However Lomma indicated that, save specifically for Nick in Virginia Woolf being cast as black with the others characters as white, there is no hard and fast proscription against artists of color taking on roles in the plays. Sophie Okonedo’s role in a recent West End production of The Goat, a role played on Broadway by Mercedes Ruehl and then Sally Field, is evidence that’s the case.
However, all parties represented in this article made the point of saying that the sooner producers engage in conversation about their interest in Albee’s plays, and their plans for them, the less likely it is that issues will arise.
In contrast to the impression left in May, Jonathan Lomma said, on behalf of the estate, “In Edward’s almost 30 plays, virtually all of the roles can and should be done in a diverse, color conscious fashion.”


Newest Pokemon Film Hits Aussie Cinemas November 11
After airing in Japanese cinemas in mid-July, the 20th movie in the Pokemon franchise is coming to Australian cinemas in November.
Airing in Event Cinemas from all Australian states and territories* from November 11 to 19, Pokemon the Movie: I Choose You! is the first Pokemon in the Sun and Moon timeline.
Designed as a reboot of the Indigo League storyline, I Choose You! copped some flak earlier this year due to the exclusion of Brock and Misty, longtime stalwarts of the Pokemon series. The movie also diverted from the original in other areas, with Pikachu speaking lines other than "pika" or "Pikachu".


Rags to riches story of a young orphan who becomes a famous actress. A Roaring Good Read launch title. Daisy is brought up in a foundling's hospital in Victorian times. At ten she is sent into service as a skivvy at the Dobell Academy.There she watches all the pupils learning how to be young ladies, wearing fine clothes and learning how to read, write and... dance. Daisy dreams of being like them one day and painstakingly teaches herself to read with the help of one kind teacher. She is caught dancing in one of the piano rooms and is and reproved for having 'ideas above her station', but undaunted she perseveres with her dream to be a 'beautiful lady on the stage.' Daisy even makes up a stage name - Marguerite Dobell. One night, in her attic bedroom, she sees a ghost - an old lady sitting in a rocking chair looking through a scrapbook of photos and theatre programmes. The woman is strangely familiar . When the young ladies of Dobell Academy put on their end of term dancing display, Daisy risks being caught again and does her own dance in the corridor -spotted by two late-comers who realise that Daisy is the perfect little dancer to play the part of Dolly in their production Little Dolly Daydream. That night, in her attic bedroom, Daisy is revisited by her ghost looking in old theatre programmes - she spots the name of the production, it is Little Dolly Daydream and there in the cast list is the name Marguerite Dobell. Daisy has seen into the future, the ghost is none other than herself as an elderly and once famous actress. Her dream will come true. A wonderful unashamedly sentimental rags- to-riches story which young readers from 7 and upwards will adore, and one which will be timeless and backlist well. My Fair Lady meets The Little Match Girl from a prize-winning author.
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Delusions of Adequacy
A Genuinely Original Comedy For The Free Fringe
"Nihilism, Cynicism, Sarcasm, Orgasm... and the Dole queue"
This upbeat ensemble piece of comedic theatre follows Anthony Bates, a misanthrope with a superiority complex, dealing with affairs of the heart and the dole office.
Anthony is a cynical northern unemployment statistic. Delusions of Adequacy takes us through his depressing actuality while exploring his delusional reality. With less than helpful asides from his vicious Greek chorus.
Audience feedback from "Delusions of Adequacy" at the 2013 Fringe:
"The writing is exceptional and bursting with ideas and the leaflet states that the show is written by Matthew Greenhough and created by the company, and you really get the sense that this is an ensemble piece."
"This is a varied and hugely enjoyable production and all the more extraordinary when you find out that it was written and created by the cast in a very short time; just in case you were in any doubt of the talent involved here"
"Highly recommend @DelusionsPlayUK's performance of #delusionsofadequacy, funny, slick and fast paced! @freefringefest"
"Pretty sure @DelusionsPlayUK is the best thing I've seen at #fringe."
Delusions of Adequacy was Wound Up Theatre's first full legnth play which premiered in Edinburgh as part of the PBH Free Fringe in 2013.
"A genuinely original mix of innovative satire and comedy from Wound Up Theatre, on their debut outing at the Fringe... This production has no worries regarding 'Delusions of Adequacy.' Their talent is obvious. This show deserves to be a sell-out. Don't miss it."
A Unique Stage Comedy: Part Theatre, Part Sitcom, Part Stand-Up, Part Greek Tragedy.


Its summer time in India, but, there have been updates about “winter is coming” everywhere over the social media! All Game of Thrones fans / followers have been waiting for the 6th season of GOT to begin, for several months now. And it has arrived in a dramatic fashion with two Game of Thrones episodes full of twists! With the sixth season of Game of Thrones having premiered on Sunday, April 24, 2016, there have been millions across the globe glued to their TV sets to catch a glimpse of their favorite GOT characters. There have been numerous assumptions about the twists likely to happen in Game of Thrones season 6, but, since the current GOT season has begun, all of them have taken a backseat. Have you kept yourself ready by purchasing your favorite Game of Thrones t-shirt (perhaps the North Glow in Dark t-shirt), or keychain, mug, track pants, shorts, mobile covers, or any other similar GOT merchandise. Have you got the legendary line ‘You win or you die’ personalized on one of your favorite items?
Before we move further, you can catch a glimpse of the 360 opening sequence video for Game of Thrones as shared by Mark Zuckerberg on the below link:
Game Of Thrones 360 Video Opening Sequence
And if you are one of those who still wait to download the latest Game of Thrones 2016 episode from some Torrents website, then, think again! You can easily watch the most recent Game of Thrones episode on HotStar mobile application.
The Google search engine is flooded with requests for where to buy GoT merchandise? And even the eCommerce giant Amazon is being bombarded with GOT fans who are looking for Game of Thrones merchandise. If you are still wondering where can you buy GOT t-shirts, merchandise and gifts online, you have arrived at the right place! This article aims to list all the top websites selling Game of Thrones products, where you can get amazing collection and deals for Game of Thrones collectibles or souvenirs. And we shall discuss about sites where you can buy GOT goodies online in India, as well as abroad.
Which are the Important Websites to Purchase Game of Thrones Merchandise Online in India?
- You can buy Game of Thrones keychains, GOT t-shirts for men and women, and similar Game of Thrones merchandise from Amazon India store at the following link:
Amazon India Game of Thrones Official Web Page
Amazon India Game of Thrones Card Game and Playing Cards
Game of Thrones Collector’s Edition
Winter is Coming Laptop Skin / Cover
- If you are looking for great quality GOT t-shirts for men and women, along with other Game of Thrones merchandise, you can look no further than VoxPop Online clothing store at:
VoxPop Game of Thrones Merchandise
In fact, you can even participate in the GOT contest on VoxPop Facebook page and win some great GOT tees and flash drives as under:
VoxPop Official Facebook Fan Page
- If you are only searching for Game of Thrones apparels, then, you can find a pretty good collection on the Indian site Jabong as listed under:
Jabong GOT Merchandise Official Link
- You can buy exclusive range of GoT mobile covers, posters, t-shirts, shorts, tracks, and so on at “thesouledstore” site (officially licensed GoT products) as highlighted below:
TheSouledStore Official Website
- It is possible to buy different GOT badges (such as the “The North Remembers”, “Crows Before Hoes”, “Kingslayer”, “The Red Viper of Dorne”, and so on), as well as tshirts carrying taglines like “You Know Nothing Jon Snow”, “Talk to the Hand”, “Keep Calm and Demand Trial by Combat”, “I’m not a princess I’m a Khaleesi”, and so on. You can purchase these online from the Red Wolf site as indicated below:
RedWolf GOT Official Merchandise
- On eBay India website, you can buy Game of Thrones pendants or necklaces (for Khaleesi or Targaryen), pint glass set, GoT tournament banner, keychain or keyring, throw blanket, etc. at the below link:
eBay Game of Thrones Merchandise Online
- You can buy Game of Thrones apparel in India on the following Hangout Store:
HangOut Store GoT Apparels
- Another popular GoT apparels selling website in India is the Swagshirts99 site listed below that includes the Hodor men and women t-shirts, Tyrion Lannister tee, Battle of Blackwater t-shirt, I Drink and I Know Things tee, Khaleesi T-shirt, Battle of Bastards T-shirt, Ramsey Bolton t-shirt, etc:
SwagShirts99 Game of Thrones Hoodies and T-shirts
From Where can you Buy Game of Thrones Apparels, Goodies and Souvenirs, for International Websites?
- You can buy Khaleesi necklace or lockets, Game of Thrones coasters, GoT bracelets, Game of Thrones Christmas Sweater, Game of Thrones glasses and inspired art, Jon Snow shirts, ‘Winter is coming’ t-shirts, etc. from the Etsy website at:
Etsy Online Shopping GoT Merchandise
- To purchase high quality GoT posters, mugs, t-shirts, etc. as designed by global artists and designers, you can access the Redbubble site below:
RedBubble Official GoT Merchandise
- For GoT fanatics interested in Game of Thrones stocking, diaries (or journals) or keychains, Jon Snow Hoodie, GoT fleece blankets, Game of Thrones glass set or umbrella or even mobile covers, etc., one need not go anywhere else than ThinkGeek site at the below mentioned link:
ThinkGeek GoT Online Shopping Link
- You can buy official HBO Game of Thrones collectibles, mugs, accessories, apparels,etc. at HBO’s Game of Thrones online store at:
Official HBO Store for GoT Merchandise
Hope you will get hold of your favorite GoT goods and gifts online from any of the above mentioned online store links. The fantasy series has begun with its sixth season and its online collection keeps increasing with its ever-growing success. Stay glued to the GoT TV series and to its vast online collection. Make sure that you win and you buy online!


By Diane Robbins on Apr 29, 2011
We live in a media-driven society where youth, more than any age group, are a visual culture. One of the forms of media that has captured this generation is Japanese animation.
Referred to as animé, Japanese animation has permeated the pop culture of many Western nations. Japan exports billions of dollars of merchandise in the form of manga (comics, graphic novels) and animé (animation), video games, card games and more. Video stores have entire sections dedicated to animé. A groundbreaking new film aims to reach this group using the unique visual language of animé.
My Last Day is the first professionally produced movie about Christ using animé. Seven years in the making, this 9-minute movie frames the story of salvation through animé to capture the attention of a new generation. Adopted from the original JESUS film created by the JESUS Film Project®, a ministry of Campus Crusade for Christ, My Last Day portrays the story of Jesus’ crucifixion through the eyes of the thief who hung next to him.
Animated by Tokyo’s renowned STUDIO4°C, My Last Day unfolds through the eyes of one of the criminals experiencing the same brutal crucifixion as Jesus. The criminal’s guilt causes him to realize more fully Christ’s holiness. My Last Day is a short film of regret, repentance and redemption that frames the story of salvation in a new and refreshing way, with dialogue taken directly from the original JESUS film.
Barry Cook, director of Disney’s Mulan and visual effects supervisor for Disney’s Beauty and the Beast, wrote the story for My Last Day. Since animé appeals to media-heavy cultures, Cook explains, the potential impact of using animé is staggering.
“I believe the type of animation we desire to achieve with this project will appeal strongly to a young generation, a postmodern generation," he said. "It won’t be their grandparents’ JESUS film. It won’t even be their parents’ The Passion of the Christ. It will be the story of Jesus told in their language.”
JESUS Film Harvest Partners has collaborated with Campus Crusade for Christ since 1997 to help share God’s love with the lost using the JESUS film. JESUS, completed in 1979, remains the most translated and viewed movie in history. As of April 2011, JESUS Film Harvest Partners teams have reported 58,476,329 evangelistic contacts since they began in January 1998. (Evangelistic contacts are individual persons who have viewed the JESUS film, or another companion film, such as The Story of Jesus for Children, or Magdalena: Released from Shame.)
Of these contacts, 10,440,302 have indicated decisions for Christ. On average, one person becomes a new believer in Christ every 48 seconds through these efforts.


|Kategori Film||DVD Serial Korea|
|Di lihat||424 kali|
SMS ke 085781616255 Atau BBM : 2B1B3846 dengan format :
NAMA / ALAMAT LENGKAP / LIST FILM
Untuk Mempersingkat Pelayanan Terhadap Customer, tolong di siapkan terlebih dahulu list film yang ingin anda beli , atau di siapkan sekaligus film yang ingin anda tanya, jadi tidak perlu SMS berkali-kali. (NB:Sorry JF bukan Fotografer :D)
Judul: Time Between Dog and Wolf
Genre: Action, Romance
Total: 4 disk
Pemain: Lee Jun Ki, Park Gun Tae, Nam Sang Mi, Jung Min Ah, Jung Kyung Ho
After his mother is brutally murdered in front of him by the Thai criminal syndicate Cheongbang, Lee Soo Hyun (Lee Jun Ki) is adopted into NIS agent Kang Jung Hoâ€™s family. Together with Kang Min Gi (Jung Kyung Ho), Jung Hoâ€™s son, Soo Hyun becomes an NIS agent. When Soo Hyun met Suh Ji Woo (Nam Sang Mi) they were about twelve years old and has another fateful encounter with her 13 years later. Together they had promises for the future.
One day, Soo Hyun leaves for an operation dealing with the Cheongbang, only to return in failure because of the resurfacing terrible childhood memories of when he was in Thailand. The chief of NIS agents, Jeong, proposes to the distraught Soo Hyun to infiltrate the Cheongbang. Through Chief Jeongâ€™s proposition, Soo Hyun becomes an undercover NIS agent after staging his death. Hiding his past, Soo Hyun infiltrates the Cheongbang with revenge in mind, leaving Ji Woo behind. Under the pseudo-name of Kay, he passes through the backstreets of Bangkok. What Soo Hyun didn’t know was Ji Woo is the daughter of the same villain, who killed his mother and father.
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Elijah Wood has been cast in a new Dirk Gently series for BBC America.
Based on Douglas Adams’s comic novels Dirk Gently’s Holistic Detective Agency, Wood will play Gently’s “reluctant assistant” Todd.
The comedic thriller will be written and directed by Max Landis, son of Trading Places director John Landis.
The BBC ran a pilot and three-part adaptation of Dirk Gently starring Stephen Mangan on BBC Four from 2010 – 2012 but was not recommissioned.
The actor tweeted his unhappiness at the time when it was not renewed after a drop in viewing figures, saying: “It gives me no pleasure whatsoever to report that the BBC have decided not to make any more.”
More than a million viewers watched the pilot when it was aired in December 2011, but the subsequent three-part series did not do as well in the ratings with less than 600,000 viewers tuning in for its final episode.
A BBC spokeswoman said at the time: “We’ve loved having Dirk on the channel but the licence fee freeze means less British drama on BBC Four.
“In future we will focus on the best dramas from around the globe, like The Killing and Borgen, whilst BBC One and BBC Two become the main homes of original British drama.”
The new eight-part series will premiere on BBC America – part of the BBC’s commercial wing – in the autumn.
Further casting, including Dirk Gently, has yet to be announced.


Write Movie Scripts That Sell
This is a resource for writers and screenwriters who would like to write movies for the new low budget cinema wave, told from a producer’s perspective.
Indie Guide To Film Finance
In this action guide, you will find out how to network, meet and build relationships with rich and successful people so that you can get movie money.
The Indie Producer’s Guide To Distribution
This guide provides a step-by-step resource for getting your finished feature seen and sold. This site contains resources on how to leverage the ever changing world of digital distribution and internet marketing.
Copyright © 2011 Brubaker Unlimited LLC


Inside Out: Joy • Sadness • Anger • Disgust • Fear • Bing Bong After tracking down Sahara at an oasis in the desert she attempts to tame the horse from the first time and sings the song "I've Got My Eyes on You" in order to soothe him. "If I do marry, I want it to be for love. Jasmine is shielded by Aladdin who blasts a column which is about to fall on them, with his newly found magic. Instead, she discovers the thief is a girl, Ariel, whose true form reverts to that of a mermaid after the vendor takes the girl's necklace. She was also seen at the beginning of "Goofy's Valentine Date" kissing Aladdin. See more ideas about modern disney, disney princess modern, disney. At that moment, Iago (who was with Cassim) returns, telling them that Cassim has been captured by Sa'luk and the remaining Thieves. Just then, Ali arrives and accuses Jafar of attempted murder. Jasmine in Disney Princess Tales: Follow Your Dreams. With Aladdin rowing out to sea, Jasmine urges him to go a little further before she wishes him free and dumps the lamp so it can't hurt anyone ever again. Jasmine later asks if Vanellope has "daddy issues", referencing her complicated relationship with her father, the Sultan. Minions With sand slowly filling the glass, Jafar uses Jasmine's oncoming death to distract Aladdin, who simultaneously tries to retrieve the lamp and save Jasmine. See you in the next video. Cette épingle a été découverte par ⅅℐᎦℕᏋᎩ ℚᏌᏋᏋℕ . Later in the Blanchard Loft, Jasmine rubs the Lamp, only to find a pair of cuffs release themselves rather than the Genie (who was freed). Remake: Dalia • Prince Anders • Hakim, Season Two: "Air Feather Friends" • "Bad Mood Rising" • "Do the Rat Thing" • "The Vapor Chase" • "Garden of Evil" • "Some Enchanted Genie" • "Web of Fear" • "Plunder the Sea" • "Strike Up the Sand" • "Sneeze the Day" • "I Never Mechanism I Didn't Like" • "Forget Me Lots" • "Scare Necessities" • "SandSwitch" • "Lost and Founded" • "Moonlight Madness" • "The Flawed Couple" • "Rain of Terror" • "Dune Quixote" • "That Stinking Feeling" • "The Day the Bird Stood Still" • "Of Ice and Men" • "Opposites Detract" • "Caught by the Tale" • "Elemental, My Dear Jasmine" • "Beast or Famine" • "Smolder and Wiser" • "The Game" • "Poor Iago" • "The Spice is Right" • "The Animal Kingdom" • "Power to the Parrot" • "The Sands of Fate" • "Hero with a Thousand Feathers" • "The Citadel" • "Snowman is an Island" • "The Secret of Dagger Rock" • "In the Heat of the Fright" • "Witch Way Did She Go?" As time runs out, Ariel shows Jasmine a powder she stole from Jafar, which is the same kind the sorcerer earlier to turn a prince into a staff, and encourages her to be brave and use it on Jafar. Brave: Merida Jasmine and the others then happily welcome him into the palace. She initially believes him to be just another arrogant suitor and shows no interest in him. She also alludes to the fact that suitors see her as a mere prize to be won, a man's possession, rather than their equal lover. Fantasia: Sorcerer's Apprentice Mickey • Yen Sid This clashes with the fact that, according to the law, Jasmine must marry before her next birthday, which results in a problem because Jasmine wishes to marry for love r… The Sultan gives the couple his blessings and informs them that they will be married as soon as possible, also revealing that Ali will then become the next Sultan once they are wed. The Jungle Book: Mowgli • Kaa • Baloo • Akela • Raksha • Gray • Shere Khan • Colonel Hathi • King Louie • Bandar-Log Monkey • Flying Squirrel • Crocodile • Peacock • Vulture • Elephant • Bee Hive Once Ali rushes in to protect Jasmine, Jafar sadistically reveals the supposed Prince as a fraud. Parade: Aladdin's Royal Caravan • Celebrate A Dream Come True Parade • Disney's Fantillusion • Disney's Magical Moments Parade • Disney Carnivale Parade • Disney Stars on Parade • Dreaming Up! Aladdin reveals his wish to escape the struggles of being a "street rat", while Jasmine wishes for freedom. Jasmine is loosely based on Princess Badroulbadour (Arabic بدر البدور, Badr al-budūr, "full moon of full moons") featured in the story of "Aladdin and his Wonderful Lamp" from 1001 Arabian Nights. Other Characters: Jiminy Cricket • Ansem the Wise/DiZ • Yen Sid • Master Eraqus • Dilan • Even • Aeleus • Ienzo • Lingering Will • Hayner • Pence • Olette • Kairi's Grandma • Riku Replica • Jiminy's Journal • Foretellers • Master of Masters • Luxu • Ephemer • Skuld • Chirithy Aside from these factors, generally, Jasmine's role in the stage musical remains pretty much the same. Everyone prepares to be wiped out of existence as Regina's magic fails, but suddenly, everything goes still, in part to Emma regaining a small bit of her belief, which leaves the survivors on a small chunk of the palace surrounded by nothingness. The Genie tries to explain that his magic cannot be used to make people fall in love, but the impatient Jafar refuses to listen, confronting his minion. Despite her cunning, Jasmine can sometimes be too fussy and act without thinking things through. Affiliations By law, of the time, Jasmine must be married to a prince by her next birthday, which is in three more days. Jasmine explains that she wasn't kidnapped, but willingly ran away, only to learn that Aladdin cannot be released on account that his sentence has already been carried out: death by beheading. Jasmine is also often praised as the first Disney Princess with feminist characteristics. When she bluntly declares that there will be no engagement, the Sultan sympathizes with her wish to marry for love, however, he tries to persuade her to do her duty because they need a prince with an army to protect their land from Jafar. Disney Princess Jasmine Clipart Disney - Cut files - Mouse Die Cuts - Svg Dxf Eps Pdf Png - Disney files for Silhouette - Cricut HelloDisneyShop. As such, Jasmine and Hook fly back to the palace on the magic carpet, unfortunately, by this time, the bean's magic is gone. At the end, when Sora finally defeats the primary threat, Jasmine and the other princesses return home and are last seen kissing Aladdin in his house. While in Granny's Diner, Jasmine tries to get Aladdin to help save Agrabah, though he was unwilling to listen, now that he is no longer the Savior. While helping Sylphy, Jasmine accidentally falls off the roof and gets captured by the trio's enemy, Valdou. Poupée n° 05 de la Style Series, Jasmine scintille comme les étoiles dans le ciel d'Agrabah ! They converse while venturing through the landscape, and she berates Aladdin for his obsession with gold. Though her role is similar to that of the film, there are a few significant differences to Jasmine's character. Jasmine is a playable character in the series, making her debut appearance in the Toy Box mode of Disney Infinity: 2.0 Edition. Her figure was released on February 3, 2015, both individually, and as part of the "Aladdin Toy Pack", which was a bundle set that contained both the Jasmine figure and the previously released Aladdin figure. Despite Ariel's happy reunion with Eric, the man reveals himself to be Jafar in disguise and presses Jasmine again to accept his offer before sundown. Aladdin and Jasmine also witness Jafar's rage bringing a powerful storm to destroy Agrabah in which during the battle, Jasmine and the remaining survivors in the palace are captured while the Jafar uses his final wish to become a powerful genie. 10K views. Her personality was fleshed out in the song "Call Me A Princess", in which she arrogantly flaunts her royal status. Upon noticing Vanellope, Jasmine, along with the princesses, leaps into action and prepares to attack under the presumption that she is a threat; Jasmine arming herself with Genie's lamp and holding it like a gun. Upon first meeting her, Jasmine asks the player if they can locate and return her lost bracelets (which can be found in the Jungle Cruise mini-game, also the location for the first task from Baloo). Jasmine then trades it with a flower that she received from Aladdin as her token of friendship. DuckTales (2017): Scrooge McDuck • Huey, Dewey, and Louie • Webby Vanderquack Disney has slowly been rolling out brand new costumes for all the princesses in the park, and Jasmine’s one of the last to get a new look. Jasmine has been a ground-breaking character for being the first non-Caucasian Disney Princess. Jasmine insists what they need is a hero such as Aladdin, to which Jafar strolls in, implying that Aladdin has already been broken from too many battles and no prince can ever match up to him. Jasmine is also given a solo, titled "Speechless", which focuses on her refusal to remain silent or be controlled by others. Gargoyles: Goliath • Bronx • Demona, Toy Story: Woody • Buzz Lightyear • Alien • Jessie • Bullseye • Bo Peep • Forky • Rex • Duke Caboom • Hamm • Mrs. Nesbit • Zurg Jasmine Disney Princesses Clipart , Princesses PNG ,,PDF,Dxf,Eps, Jasmine cliparts , clipart full , instant download MichaelPrinting. The Incredibles: Mr. Disney Characters introduced in the manga: Caterpillar • Chi-Fu Other names • "Ghostly Gala" • "The Emerald Key" • "Scrambled Pets" • "The Princess Stays in the Picture" • "Baileywhoops" • "The Curse of Princess Ivy" • "Winter's Gift" • "The Leafsong Festival" • "Substitute Cedric" • "Clover Time" • "In a Tizzy" • "A Tale of Two Teams" • "The Littlest Princess" • "Buttercup Amber" • "Carol of the Arrow" • "Sidekick Clio" Ratatouille: Remy • Linguini A disgusted Jasmine refuses, telling her father that she's chosen Ali, though Jafar claims, "Prince Ali left". She hotly refuses, soaking the tyrant with a glass of wine, and angering him to the point of near physical abuse. Not only that, Iago and Jafar return, though the parrot merely wishes to reform, whilst Jafar seeks revenge. Zootopia: Judy Hopps • Nick Wilde • Flash • Clawhauser • Gazelle • Yax • Bogo • Mayor Lionheart • Bellwether • Doug • Finnick • Mr. Big • Mr. Otterton • Manchas • Gideon • Jerry Jumbeaux Jr. • Nanga • Priscilla • Mr. Hopps • Mrs. Hopps • Business Lemming • Duke Weaselton • Fru Fru • Kozlov • Officer McHorn • Wrangled • Wreck-It Rhino • Pig Hero 6 Jasmine and Aladdin officially get together. She wears a pink long-sleeved tube top with white collared sleeves on each side, pink harem pants with white trim, and brown curled shoes. Jasmine is a rather multi-layered character; incredibly independent, fearless, and strong in many ways. At night while in Granny's Diner, the Evil Queen holds Jasmine hostage and takes control of the lamp in her possession. For instance, along with "A Whole New World", Jasmine performs several additional musical numbers, including "These Palace Walls", "A Million Miles Away" (another duet with Aladdin), and "Babkak, Omar, Aladdin, Kassim". Both series: Storybrooke • Maine • Enchanted Forest • Forbidden Fortress • Wonderland • Wonderland Maze • Agrabah • Sherwood Forest • The Sultan's Palace, Once Upon a Time in Wonderland: Vorpal Blade Jasmine appears alongside Iago, Abu, and Carpet in the Disney Princess Enchanted Tales: Follow Your Dreams, the "More than a Peacock Princess" segment. She also appears alongside Rajah in one of the castle's walls carving displays. She is first approached when the player delivers some dates to her as a gift from Aladdin. Of all the members of the group, Jasmine has made the most daring sacrifices often giving up her freedom to save her loved ones or even complete strangers. She is forced to watch her father be tortured by Iago, but Jafar eventually adheres to her plea to spare him. Snow, in turn, encourages her to be the hero she was meant to be. While Aladdin and Sora have their final showdown with Jafar, Jasmine, waiting for their return as she watched from above, is captured and taken to Hollow Bastion by Maleficent's underling Riku. À quoi peuvent ressembler Elsa, Jasmine ou Mulan à notre époque ? Enchanted Tales: Aneesa • Hakeem • Sahara • Sharma However, Aladdin willingly gives up his humanity and becomes one himself just so he could be with Jasmine forever, proving Aladdin truly loves Jasmine for who she is and not just simply for her beauty. Finding Nemo/Finding Dory: Nemo • Dory • Hank • Crush • Bruce • Baby Dory • Destiny • Bailey • Pearl Quote Constantly, Aladdin feels upset about himself that he should stop pretending to be a prince from another country in order, to tell the truth to Jasmine. Marvel Icons: Daredevil • Doctor Strange • Ghost Rider • Ms. Marvel • Thanos, Books: Once Upon a Time: Shadow of the Queen • Once Upon a Time: Out of the Past • Once Upon a Time: Red's Untold Tale • Once Upon a Time: Regina Rising, Season Two: Killian Jones/Hook/Rogers • Aurora • Prince Phillip • Mulan • Milah • Maid Marian • Quinn • Alphonse Frankenstein • Anita Lucas • Jack • King Xavier • Anton • William Smee • Greg Mendell • Tamara • The Dragon • Queen Eva • Seer • Lancelot • Robin Hood Voir plus d'idées sur le thème Princesse jasmine, Disney, Mère noël. He then uses his new abilities to forcefully have the two former rulers bow to him. She is also the sixth official member of the Disney Princess line-up. Modern Jasmine Chilean artist Fernanda Suarez is behind these stunning modern portraits of Disney princesses . A Bug's Life: Flik • Princess Atta • Heimlich She and Aladdin sing "A Whole New World", as well as its reprise. With this outfit, her hair is worn in a ponytail in two sections with matching teal bands and ending in a small swirl. Pinocchio: Jiminy Cricket • Pinocchio • Blue Fairy • Figaro This concept was scrapped when Jeffrey Katzenberg became worried about sending the wrong message regarding the idea that fifteen year old girls can get married. Square Enix Characters: Leon • Cloud • Moogle • Others, Game Elements: Gameplay in Kingdom Hearts • Magic, Disney Worlds: Wonderland • Deep Jungle • Olympus Coliseum/Underworld/Olympus • Agrabah • Atlantica • Halloween Town/Christmas Town • Neverland • Hundred Acre Wood • The Land of Dragons • Beast's Castle • Port Royal/The Caribbean • Pride Lands • Space Paranoids • Dwarf Woodlands • Castle of Dreams • Deep Space • La Cité des Cloches • The Grid • Prankster's Paradise • Country of the Musketeers • Toy Box • Kingdom of Corona • Monstropolis • Arendelle • San Fransokyo • Game Central Station/Niceland/Cy-Bug Sector/Candy Kingdom, Disney Characters: Snow White • Doc • Grumpy • Happy • Sneezy • Bashful • Sleepy • Dopey • The Evil Queen • Tinker Bell • Cinderella • Prince Charming • Lady Tremaine • Anastasia Tremaine • Drizella Tremaine • Aurora • Maleficent • Ariel • Flounder • Sebastian • Ursula • Belle • Beast • Gaston • Jasmine • Aladdin • Jafar • Iago • Fa Mulan • Mushu, Music: Songs and Story • Sofia the First (soundtrack) • Sofia the First: Songs From Enchancia • Disney Junior DJ Shuffle • Disney Junior DJ Shuffle 2 Martial arts skills Jasmine appears during Genie's segment in Mickey and the Wondrous Book, as well as the castle show Disney in the Stars as the lead character (alongside Aladdin) of the "A Whole New World" segment. Aladdin is prevented from coming with Sora to find her due to needing to protect the world order and not meddle in the affairs of other worlds. The Nightmare Before Christmas: Jack Skellington • Sally • Zero • Lock, Shock, and Barrel • Oogie Boogie • Dr. Finkelstein • Mayor of Halloween Town • Santa Claus They both come to realize they have a lot in common by feeling "trapped" in the life they were born into. Regardless of any actual title(s) possessed, each official Disney Princess is properly addressed (within the franchise) with the title of "Princess" preceding their name. Jasmine appears in the fairy tale drama series' sixth season along with Aladdin and Jafar. Christmas: Mickey's Once Upon a Christmastime Parade. Jasmine finally begins to warm up to Ali upon seeing that he is actually interested in getting to know her but immediately deduces that Ali is the boy from the marketplace when he asks her if she trusts him. In Fantasmic!, Jasmine and Aladdin appear riding Carpet as they sing "A Whole New World". She spots a rowboat and decides to get rid of the lamp. The outfit is completed by purple bands to tie into her ponytail, and the gold earrings she has with her casual outfit. Finally, in the third direct-to-video movie Aladdin and the King of Thieves, she and Aladdin are finally about to be wed, when their wedding is interrupted by the Forty Thieves. The Emperor's New Groove: Kuzco • Kronk • Pacha • Yzma • Yzma Kitty She learns that Ariel is visiting Agrabah to look for the man she loves, Prince Eric, and decides to help her find him, so she herself can possibly gain help from Eric's army to defeat Jafar. Her hair is also tied in a high ponytail, with a golden seemingly metallic band. If you see a way this page can be updated or improved without compromising previous work, please feel free to contribute. She isn't afraid to speak her mind, no matter who she's up against; and won't hesitate to stand up for what's right, mostly for the safety of others as opposed to herself. At the end of Ashman's treatment, Aladdin is offered the princess's hand in marriage, but he ultimately refuses in favor of his true love, Abbi. Character information Cet artiste dessine 50 personnages Disney de façon ultra-réaliste. From shop MichaelPrinting. Jasmine appears in the 2019 live-action adaptation, portrayed by Naomi Scott. John Musker Question Countdown - Number 9, http://d-princesses.livejournal.com/938819.html, https://disney.fandom.com/wiki/Jasmine?oldid=4330111. Onward: Ian Lightfoot • Barley Lightfoot, Ultimate Spider-Man: Spider-Man • Venom • Green Goblin • Miles Morales • Lizard • Rhino • Doctor Octopus • Iron Spider • Spider-Gwen • Kraven the Hunter • Hobgoblin Tout le monde connaît les princesses des films Disney pour leur charme, leur gentillesse et … Including a mini companion, Jasmine is perfect for your little one to carry around and play with. Jasmine continues with the distress that she's never had any friends nor has even been outside the palace walls, believing she should be allowed the chance to experience life before being forced into marriage. The top half of the dress is strapless, and the lower half consists of a belt piece (centered with a sapphire) and a transparent pink veil that flows down, just below her calves. The Little Mermaid: Ariel • Flounder • Sebastian • Eric • Ursula • Triton • Max • Scuttle In the second chapter, It's a Small World After All, it is shown that Jasmine has held the desire to see the world since childhood. She also dons two large golden earrings completely covering her ears and a matching necklace. Jasmine's melee attack consists of punches and kicks that do a fairly minimal amount of damage, while her long-range attack, "Shooting the Breeze", is more powerful, shooting out a magic carpet that creates sandstorms in its path. Jasmine grudgingly agrees to marry him to save Agrabah and gives him the ring, but Jafar admits he never intended to marry her and rule Agrabah (for he is despised), and instead, he wanted the ring to break the protection it holds over Agrabah. Disney Princesses Additionally, during the climax, Jafar's first wish was notably different and related to Jasmine. Later that night, Aladdin informs Jasmine that he was able to obtain the Genie's lamp while breaking into the pawnshop, though he notifies her the Genie himself isn't inside, having been freed, but is still hopeful that whatever is inside will be enough to help them. As the women ride on the magic carpet in search of Eric, Ariel spots her prince's caravan flag through a spyglass. When Donald enters the world of Aladdin, Jasmine and Aladdin are in the middle of singing "A Whole New World". From 1992 to 2016, she was typically dressed in her blue outfit from the movie, with extravagant additions such as gold and jewels. The game follows the plot of the movie. TV Series: Sadira • Merc • Queen Hippsodeth • Scara • King Pector • The Mukhtar • King Mamood • Eden • Sultan Pasta Al-Dente • Dhandi • Hamed • Pharabu • Prince Uncouthma • General Gouda • Brawnhilda • Bud • Runta • Thundra • Queen Kimbla • Sydney • Brisbane • Koala Kid • Machana • Fasir • Riders of Ramond • Samir the "Destroyer" • Squirt • Captain Al Bahtross • Prince Wazoo • Ajed Al-Gebraic • Amal • Abnor Mal • Mechanicles • Scooter • Zarasto the Marauder • Marauders • Zorasto • Mozenrath • Xerxes • Khartoum • Sirocco • Shaman • Mirage • Haroud Hazi Bin • Fashoom • Saleen • Armand • Ayam Aghoul • Evil Aladdin • Caliph Kapok • Sootinai • Daru Tavelevil • Malcho • Dominus Tusk • Al Muddy Sultan • Al Muddy • Aziz • Minos and Fatima • Nefir Hasenuf • Nefir's Imps • Arbutus • Magma • Amuk Moonrah • Chaos • Evil Genie • Scourge of the Desert • Amin Damoola • Frigeed • Anubis • Sahkata, Razili, and Farida • Sand Monster • Sand Shark • Mothias • Ding and Oopo • Queen Deluca • King Zahbar • Queen Deluca's Brothers • The Great Rift • Mamluks • Kileem • The Ethereal • Zin and Zang • Kutato • Unkbuut • Destane Dans nos jeux de princesses Disney, vous allez pouvoir faire connaissance avec Ariel (La petite sirène), Blanche-Neige, Belle (La belle et la bête), Cendrillon, la Belle au bois dormant, Raiponce, Elsa et Anna (La reine des neiges), et bien d'autres encore. She isn't afraid to speak her mind, no matter who she's up against; and won't hesitate to stand up for what's right, mostly for the safety of others as opposed to herself. The two later talk while in the market and Aladdin offers her to journey with him, so they can fight Jafar together and see the world, though she decides against it, choosing to help her kingdom first, and the two-part ways. Jasmine, la princesse adorée de Disney sort des films pour débarquer dans le monde moderne vêtue d'une superbe robe qui marie l'élégance contemporaine à son style emblématique du film Aladdin. These princesses fall into the requirements listed above. For meet-and-greets, Jasmine can usually be found at the Arabian Coast in the same park. Snow and David return, revealing that the depletion of the Enchanted Forest will soon reach the palace as well, so everyone, including Jasmine, rushes to the center of the palace while Regina's reformed evil half holds the storm off with her magic to buy them enough time for Regina to rejuvenate the bean. However, when scorned or threatened, Jasmine can become quite enraged at her offender, including Aladdin. Discover all the beauty in the world with this pocket-sized Disney Princess. She confesses to Snow that she has found a Genie Lamp, but is uncertain on what the price will cost to find Agrabah. Jasmine is the only named female character in, Jasmine has a recurring theme in the movie, which can be found as "Jasmine Runs Away" on the. Jasmine in her wedding dress, as seen in Aladdin and the King of Thieves. Both Aladdin and Jasmine continue to grow significantly with each other by their side, but they often find their love tested and having to face a few obstacles that threaten to keep them apart. Beauty and the Beast: Belle • Beast • Lumiere • Cogsworth • Mrs. Potts • Chip • Maurice • Philippe • Gaston • LeFou Restaurants: Aladdin's Oasis The flying Disney Princess Jasmine is featured on this fairytale present that is available in a choice of denominations. • You Count on Me • Call Me a Princess • Babkak, Omar, Aladdin, Kassim • High Adventure • My Finest Hour • To Be Free • Desert Moon Finding Nemo: Nemo • Dory • Marlin • Crush • Bruce • Destiny • Bailey • Hank • Deb • Squirt • Nigel • Gill • Sheldon • Pearl • Darla • Charlie • Jenny Confident that she can defeat Jafar with three heroes by her side, Jasmine summons out Jafar, but this allows the sorcerer to break his genie curse. Hamed † (ancestor)Kileem † (ancestor)Bobolonius † (great-grandfather)Hamed Bobolonius II (father)Sultana † (mother)Sharma (cousin)Aladdin (husband)Cassim (father-in-law)Zena † (mother-in-law) During a discussion on the class's improved grades, Snow notices Jasmine's distressed behavior.
2020 princesse disney moderne jasmine


Jumanji vs Jumanji
Eric S Brown
The original Jumanji film was released in 1995 featuring Robin Williams, Kristen Dunst, and David Alan Grier in its cast. The movie was well received and reached # 1 at the boxoffice its opening weekend. Jumanji: Welcome to the Jungle was released in 2017 featuring The Rock, Karen Gillian, Kevin Hart, and Jack Black in its cast earning several times what the original did and ranking as one the top grossing films that year.
Jumanji is the tale of a magical board game buried a hundred years before the movie begins and is found on a construction worksite where its been dug up. The board game consumes the child who has taken it home and the story shifts a couple of decades into the future where a family moving into their new home discovers it. The family’s children unintentionally begin a game of Jumanji, letting its power loose into the world.
Jumanji: Welcome to the Jungle reimagines the original movie as four students in detention find an old video game and are sucked into it. The kids take the forms of their avatars inside the game and adventure ensues. All of the magic of this Jumanji happens insides its own self-contained game world instead of spilling into the real world with the challenge being to complete the game to escape it.
Which film is the better of two? That’s a relative choice. The original was a fantastic film for its time but Welcome to the Jungle had a much higher budget, better humor, and a more known cast. The characters being able to access the skills of their avatars is a super cool concept that the original Jumanji lacked. The “Dance Fighting” of Karen Gillan’s character alone is enough to make Welcome to the Jungle the more fun film of the two but truly any modern viewer in our current world of video game addiction is sure to find the original childish and almost laughable in comparison.


I’m relieved that Chief Justice John Roberts (code name: JR) has recovered from his seizure and there are no lingering effects that would interfere with his duties on the Court. The episode happened over the weekend while he was on vacation. Evidently, there is a discrepancy in the cable systems’ channel schedule between his residence and his vacation home, and when he thought he was tuning into The 700 Club, he inadvertently happened upon the Cinemax presentation ‘Desperate Co-Eds.’ This triggered convulsions that racked his body for several minutes and caused him to swallow his tongue.
Unfortunately, the episode was made much worse by the fact that he kept coughing up his tongue and turning the movie back on.
Saying a prayer for his continued recovery and that we get Cinemax,


Starting the season off on September 7 – 9 is the Neil Simon comedy
God’s Favorite, a modern-day version of the story of Job.
Who knew that being tested by God could be so entertaining?
Up next, January 25 – 27, 2018, is the Agatha Christie murder mystery,
And Then There Were None — a thriller that will keep you guessing “whodunnit” until the very end. Ten strangers on a remote island with no
means of escape — what could go wrong?
On May 31 – June 2, 2018 the Brian Clark drama Whose Life Is It Anyway, the story of a young quadriplegic who wants to die, will be presented. This
show is certain to make one ponder his/her position for or against euthanasia.
Rounding out the season will be a Jones, Hope, Wooten (Always a Bridesmaid, The Dixie Swim Club, The Red Velvet Cake War) comedy July 19 – 21, 2018, Mama Won’t Fly. How do you get your feisty mother across the country in four days when she won’t get into an airplane? Hold on for some outrageous road trip fun.
Murder Mystery | Sept 29th & 30th
Back by popular demand, Stageworks Theatre of Holly Springs is proud to present an encore presentation of its sold-out interactive murder mystery and dessert theater show, Holly Springs Got Talent…and Murder!
When someone is murdered during a local televised talent show, the studio audience is asked to help solve the crime. Even if you attended the show last spring, rest assured that a different mystery and murder will occur. This show is recommended for ages 18 and older and come prepared to laugh.
The dates are September 29th and 30th at 7:00 P.M. with a 3:00 P.M. matinee on the 30th. Tickets are $20 for adults and $15 for seniors, students and Premiere Season members.
All performances are at the Holly Springs Cultural Center Theater, 300 West Ballentine Street, Holly Springs NC 27540, on Thursday, Friday and Saturday nights at 7:30 P.M. and at 3:00 P.M. for a Saturday matinee.
Ticket prices are $14 for adults, $12 for seniors and students, and are available at the Cultural Center Box Office or at
But wait! Premiere Season memberships are available for only $40 (a 25% savings off the adult price) and come with early entry seating for all four shows.
About four years ago, New Hampshire transplant Dan
Barth noticed a lack of adult community theater in the Holly Springs and Fuquay-Varina areas. He partnered with the Holly Springs Cultural Center and Stars Theater in Fuquay-Varina to see if community theater would be successful. Without the benefit of a formal theater company to assist him, he chose a show, posted auditions, and waited to see if anyone (actors and audience) would come. Despite having almost sole responsibility for producing and directing the show and a very meager budget, he successfully pulled off A Bad Year for Tomatoes in 2014 followed by All in the Timing in Holly Springs. He then directed Steel Magnolias and The Red Velvet Cake War at Stars Theater in 2015. When that venue was sold to the Town of Fuquay-Varina, Dan brought his production of The Dixie Swim Club back to Holly Springs.
Stageworks Theatre Is Born
It became apparent that the talent pool and the audience were supportive of Dan’s efforts. He recruited seven people to join him and formed a committee (now a Board) to establish a volunteer community theater group. Its mission is to produce a quality, year-round theater season that will appeal to and entertain its patrons, provide creative opportunities for local actors, directors, and technicians to enhance their craft, and increase community interest and involvement in the performing arts. The Board chose the name Stageworks Theatre of Holly Springs because of its close relationship with the Town. Kathleen Hebert, Cultural Center Manager, had been instrumental in securing that affiliation.
In 2017, Stageworks Theatre of Holly Springs combined
with the Holly Springs Reader’s Theater Troupe production of The Further Adventures of Nick Danger and Angie Ottosen Staheli’s original production of Finding Patience to create a four-show season—its Overture Season. Stageworks presented Always a Bridesmaid in January and Holly Springs Got Talent…and Murder! in April. The success of Stageworks’ two shows resulted in the authorization of its first four-show season, the Premier Season.


Frank Gladstone has been working as a professional animator, producer, director, writer and teacher for more than twenty-five years. From 1973 to 1989, he managed his own award-winning studio, Persistence of Vision, Inc., producing commercials and educational films, and has since worked for the feature animation divisions at Disney, Warner Bros. and DreamWorks. Besides his studio credentials, Frank has spoken on animation at schools and institutions around the country, in the Caribbean, Canada, Europe and Asia and has taught various animation and cinematography courses and workshops for the University of Miami, VIFX, Cinesite, UNICEF, Gnomon Digital, Nickelodeon, UCLA, San Jose State, USC and Stanford University. Frank has designed courses and helped train literally hundreds of people who work in the animation industry. Currently, Frank is the Head of Artist Development and Recruitment at DreamWorks SKG Animation.
Additionally, Frank serves on several
school advisory boards, philanthropic and educational organizations, produces
public service television commercials and is a member of the City of Glendale,
California Arts and Culture Commission.


Since the late 90’s Stocktown Films has been in the frontline of highlighting the most interesting talents in the urban culture scene and always looking for new ways to connect with the culture-driven youth audiences across the globe. Their storytelling are widely recognized for the visual narrative style and set out to widen our perspective and transform our understanding of the world .
Stocktown Films is an independent company producing groundbreaking documentaries, music videos and commercials for both local and international clients. Based in Stockholm, operating worldwide. Stocktown Films is collaboratively driven by the directors Teddy Goitom, Benjamin Taft and Senay Berhe.
Visit adress : New York Office
New Inc, 231 bowery 2nd floor
10003 new york
Ph: + 1 646 266 8365
For enquires mail to: email@example.com
131 05 Nacka
Producer & Director
Teddy has an extensive network and experience in research & development of high end digital collaborative projects and production of socially engaged content for film /tv and new media. His range of works spans from clients such as : Swedish Television, MTV, Puma, IKEA and more
contact : firstname.lastname@example.org
Benjamins work as a director has been shown among others, at the Victoria & Albert Museum, London and Cinema Africa Festival, Stockholm. He has also been the cinematographer for several short films – screened at the Gothenburg International Film Festival and most recently Asian Gangs and The Sandwich Nazi were part of the official selection of the the Toronto International Film Festivals and Slamdance. The Sandwich Nazi was the winner of the judge’s choice award 2012 at the Northwestern Filmmakers Festival.
Senay is an award winning director who crosses adeptly between commercials, documentaries, music videos and shorts. He is constantly renewing himself and sees no limits in his work. He recently exhibited his short “Blått Blod” for Meron Mangasha at Liljevalchs (Stockholm, Sweden) and at Tensta konsthall (Stockholm, Sweden). He is currently traveling across the the world with Stocktown Films, capturing the creative generation that are reshaping the image of Africa.


It’s uncommon to find a celebrity today who hasn’t undergone cosmetic procedures, particularly given the immense pressure often faced by women in the spotlight. However, even at the age of 76, Sally Field has defied many of the norms prevalent in Hollywood.
Renowned for her performances in films like “Forrest Gump” and “Steel Magnolias,” Sally Field’s most admirable qualities extend beyond the screen, evident in her steadfast commitment to combating ageism within her industry.
Born in 1946 in Pasadena, California, Field initially gained prominence through television series such as “Gidget” and “The Flying Nun.”
Transitioning seamlessly into film, the versatile actress starred in a range of iconic movies, including “Smokey and the Bandit,” “Norma Rae,” “Mrs. Doubtfire,” and “Forrest Gump.”
In February 2023, Field was honored with the Screen Actors Guild Lifetime Achievement Award, delivering a gracious acceptance speech that encapsulated her illustrious career.
With a plethora of accolades under her belt, including two Academy Awards and multiple Emmy and Golden Globe wins, Field’s impact transcends the boundaries of her craft.
A vocal advocate, Field is often hailed for her timeless talent and unwavering dedication to her craft. Embracing her natural beauty, she has openly discussed her stance against cosmetic enhancements, emphasizing the importance of authenticity and self-acceptance.
In interviews, Field has eloquently expressed her perspective on aging gracefully, asserting her right to embrace her years with dignity and pride. Refusing to succumb to societal pressures, she has remained steadfast in her commitment to authenticity throughout her career.
Sally Field’s refusal to conform to conventional standards of beauty serves as a powerful testament to her integrity and inner strength. By staying true to herself, she embodies a timeless elegance that transcends age, inspiring countless individuals to embrace their authentic selves.


When Animation Courtyard first opened, it was home to the Art of Animation building which housed a working animation studio. I remember seeing Disney animators working on backgrounds for movies like Aladdin and Beauty and the Beast. Others animators would be inking cells for sale in Walt Disney World stores. It was a heady time as Disney Animation was coming out with hit after hit through the 1990’s.
Over the years, computer animation technology became the norm and the Art of Anmation building lost its studio as Disney consolidated operations in their California studio. The building has recently been re-purposed but that is a story for next week.
Archway into the Animation Courtyard with the Art of Animation entrance from 2011.
Nikon D750/28-300VR, 1/60, f/16, ISO 720, EV +0.3, 82mm Focal Length.
Deb will be here tomorrow with her Animation Courtyard photo.


The Researchers' Night special program in AHHAA' 4D Experience Cinema begins on 27 September at 16.00. From 16 to 22, all the tickets will be 50% cheaper.
There will be a free screening of the first Estonian 4D movie every hour. The movie is titled "Wake up!" or "From HIV to AIDS" and it focuses on different behaviour and choices, leading to different consequences.
AHHAA's 4D Experience Cinema
ph: +372 7315 650


If the weather takes a turn for the worse or you just fancy a relaxed evening out, a Poole or Bournemouth cinema is a great choice. We are lucky in this area to have a few places to choose from too, so you can mix things up a bit. Here is our pick of the best cinemas in Poole, Bournemouth and the surrounding area.
Traditional multiplex cinemas:
These are the familiar main-stream cinemas that are found throughout the country. Reliably big with lots of screens and a wide selection of films and show times, you are sure to find something to see. They all have restaurants within the premises, so you can have something to eat before or after the film too.
1. Odeon BH2 Bournemouth Cinema, Town Centre
Recently built next to the Lower Gardens in central Bournemouth, this is a state of the art cinema. It has 10 screens, luxury reclining seats and, for small children, crèche screenings with a soft play at the front. Surrounded by bustling modern restaurants it makes a super all-round destination whatever the occasion.
2. Cineworld Tower Park Cinema, Poole
This cinema is located in an entertainment park with bowling alley and indoor splash park about 15 minutes drive from Poole town centre. It has a whopping 16 screens, and is next to many familiar restaurants too. At popular times it can be difficult to find parking, so is a good idea to factor this into your visit.
3. COMING SOON? Empire Cinema, Poole Town Centre
With plans announced in 2017, this would be a wonderful addition to Poole High Street and we hope it opens soon, although unfortunately planning permission expired in September 2021. Near Falkland Square, this new cinema is projected to have nine screens, four casual dining restaurants and even an open-air screen on the roof. Watch this space and keep fingers crossed.
These are characterful local theatres and art centres that show arthouse films and also screenings of remote live events. Please read our article on great theatres and concert halls in Poole and Bournemouth for more information.
4. Lighthouse Cinema, Poole Town Centre
Recently refurbished, the Lighthouse is an performing arts centre and home of the Bournemouth Symphony Orchestra. It has a 103 intimate cinema which shows a mixture of contemporary, independent and classic films throughout the year. In mid October it takes part in the Purbeck Film Festival.
5. Tivoli Theatre, Wimborne Minster
Built in the 1930s, lovingly restored in 1993 and delightfully faithful to the era. You can see a wide variety of films here and being based in central Wimborne means there is a wonderful selection of dining options at hand too.
6. Regent Centre Theatre, Christchurch
Similar to the Tivoli, The Regent is a restored 1930s Art Deco cinema (and now theatre) showing the very best in film and broadcasts in the centre of the town. Christchurch also has some excellent independent restaurants to try out.
7. Bournemouth Colosseum Theatre, Westbourne, Bournemouth
Billed as the UK’s smallest cinema, this 19-seater cinema is certainly an intimate affair with bags of character. Located in the architectural wonder of the Westbourne Arcade, this cinema shows classic, foreign, arthouse and even has themed weeks and party nights.
8. Shelley Theatre, Boscombe, Bournemouth
A 160-seat Victorian Grade II listed building which is in the process of being renovated. The theatre regularly shows independent, classic and arthouse films and a visit has the bonus of supporting a community project too.
That’s the end of our list, thank you for reading. Do you know of a Poole or Bournemouth cinema we have missed or information we could add? Feel free to get in touch and let us know.


The first time Lucy DeVito acted onstage — an electrifying turn as an ant in a second-grade play about insects — her father, Danny DeVito, watched proudly from the back of the room. (DeVito, who had already starred in the television series “Taxi” and appeared in films like “Terms of Endearment” and “Throw Momma From the Train,” didn’t want to pose a distraction.)
Now, as Lucy makes her Broadway debut, he has the best seat in the house: right onstage with her. Starring together in Theresa Rebeck’s new comedy, “I Need That,” they are playing the roles they know best: father and daughter.
Directed by Moritz von Stuelpnagel, the play, in previews at the American Airlines Theater, centers on the widower Sam, a recluse and hoarder facing eviction. His daughter, Amelia, and his best friend, Foster (played by Ray Anthony Thomas), beg him to give up and give in — give up the stuff; give in to some help — much to his chagrin, over the show’s 90 minutes.
In Midtown Manhattan recently, the DeVitos sat in a rehearsal space, the detritus from a deli breakfast spread out on a table in front of them. The improvised set was a disaster, a small kitchen surrounded by piles of junk: board games, record players, plastic bins, garbage bags, clothing, shoe boxes. At one point in the show, Danny’s character unearths a television set from several layers of trash.
The script was still pliable, and both of them were grasping to achieve the fullness of their characters. Danny was memorizing his lines, looking up toward the heavens every time he drew a blank. (When he focused, he curled into himself, hunched into a hug, his bottom lip out in consternation.) His riffs bejeweled every line: When the script called on him to invite his daughter in for breakfast, he instead laid out a menu. “You want breakfast? Coffee? Cereal? Eggs? Fruit? I got a really ripe plum!”
Lucy, on the other hand, was more studious and probing. During her character’s apex in the show, the plea for her father to change his life, her voice curdled from sadness into a resigned anger. While running those lines, Lucy pulled over to ask for directions from von Stuelpnagel: Where is her character, emotionally, right now? Should she remain hard or retreat back into softness? They talked it through, Lucy smacking a tiny Rubik’s Cube into her palm to punctuate her points. Her father looked on, silent and smiling.
“She works a lot. She’s really, really in there — she’s in there, digging, and that’s part of the whole idea,” Danny said a few weeks later during a break from rehearsals. “She never lays down on it. She’s always on it.”
Danny, 78, began his acting career on the stage. Eager for something to do after graduating from high school in Summit, N.J., he began working at his sister Angie’s beauty shop. She encouraged him to train as a cosmetologist at the American Academy of Dramatic Arts, and once he was immersed in the world of professional theater, he decided to try out acting for himself. After he graduated in 1966, DeVito acted in productions in New York, and in 1971 garnered attention for his role as Martini in the Off Broadway production of “One Flew Over the Cuckoo’s Nest.” He also reprised the part in the 1975 film.
He soon became a bona fide star playing Louie De Palma, the tiny-but-mighty dispatcher on the sitcom “Taxi,” which ran for five seasons from 1978 to 1983. By the time the show ended, he had met and married Rhea Perlman, known for her role as Carla Tortelli on “Cheers.” Lucy, their first child, was born in 1983. (The couple, now amicably separated, have two other children, Jake and Gracie.)
Lucy, 40, performed in school productions throughout her childhood, acting in plays like “For Whom the Southern Belle Tolls,” by Christopher Durang. In college, she said she finally admitted to herself that she wanted to be an actor. She did not expect it to be easy; if anything, she prepared for the opposite. Growing up so close to the industry, she said earlier this month, she was “very much aware of the hardships and how much disappointment there can be, how rough the business is.”
After graduating from Brown University in 2007, Lucy moved to New York City, where she played an autistic girl in an Ensemble Studio Theater production of “Lucy,” by Damien Atkins, and starred in “The Diary of Anne Frank” in Seattle, at the Intiman Theater. In 2009, she co-starred alongside her mother in a run of “Love, Loss, and What I Wore,” the play adapted by Nora and Delia Ephron from Ilene Beckerman’s memoir. (Lucy joined the show’s rotating cast first.)
In Hollywood, nepo babies, or celebrity children who coast off their family connections to get work they may not deserve, rule the screen. In New York, they’re passé. When she first began acting, Lucy fantasized about changing her last name, not wanting her parents’ reputations to precede her. (It doesn’t help that she is a perfect, even split of her parents’ faces, walking proof of the Punnett square.)
She never got far enough to decide on a name, though her father had some suggestions. Why not Nicholson? “De Niro, even,” Danny quipped.
“Lucy has always done the work,” Danny said. “I don’t think there’s ever been a time when either of us ever picked up a phone.”
The Roundabout Theater Company has now given both DeVitos their Broadway debuts. In 2017, Danny starred in a revival of Arthur Miller’s “The Price,” for which he received a Tony nomination. (Danny had to, among other things, wolf down a hard-boiled egg while speaking his lines during every performance.)
Rebeck’s play is not their first time playing father and daughter. In the 2022 animated FX series “Little Demon,” Danny was the voice of Satan and Lucy played his daughter, the Antichrist.
“I Need That,” scheduled to open on Nov. 2, will be the pair’s second production directed by von Stuelpnagel. In 2021, they collaborated on the audio play “I Think It’s Worth Pointing Out That I’ve Been Very Serious Throughout This Entire Discussion or, Julia and Dave Are Stuck in a Tree,” written by Mallory Jane Weiss, for the theater podcast and public radio show “Playing on Air.”
Lucy asked von Stuelpnagel to keep them in mind for future projects, and he connected the family to Rebeck. After a few long consulting meetings on Zoom, Rebeck wrote “I Need That” with the family in mind, even integrating small details from their lives.
Von Stuelpnagel said their interplay in rehearsals, in the same mold as their characters’ relationship, sharpened the production. “Lucy knows her father’s inclinations for certain choices he might make and she nudges him to come at it in a different way, and he listens with great respect,” he said. “That kind of collaboration is a special thing to witness.”
In one scene, Amelia shows up at her father’s house to discover that he has fallen and hit his head. She rushes to grab a bag of frozen peas for his head, checking his pupils, moving with the love of a mother and the brusqueness of a drill sergeant. It felt like both a role reversal of a familiar scene and a preview of the future: Who takes care of whom?
Though their real-life relationship inspired the play, Danny and Lucy see the differences between them and their characters, agreeing that, as a real family, they are less eccentric and less prone to yelling.
“You’re a very capable human being, and Sam doesn’t leave his house,” Lucy said to her father during the interview. “You’re one of the most social people I know. There’s a different kind of fear and exhaustion that comes from that.”
Danny agreed that he had “different problems” than Sam. “I feel blessed that I have kids who care about me enough not to write me off,” he said.
During the rehearsal process, the DeVitos sought to create a homey environment in a few ways, including, most importantly, by bringing in what Lucy called “amazing snacks.” Recent holidays on set have included cannoli Sunday, chocolate Monday and taco Tuesday.
“I’ve been on a diet since I was 10 years old, and I’m trying to figure out how to make everybody a little fatter than I am,” Lucy said. “If you’re around me, usually I’m bringing a sandwich or a nice hunk of provolone with some anchovies and some bread.”
In rehearsals, it’s hard to tell whether Lucy is talking to her father or reading lines. “They have exactly the sort of chemistry you’d expect a father and daughter to have, and that comes with playfulness, love and a history of irritations,” said von Stuelpnagel. “That familiarity breeds a really deep, dynamic relationship.”
Quoted From Many Source


I don’t ordinarily write movie reviews, but I couldn’t resist this one. The movie, To Save a Life, is a must see for anyone with adolescent children or who works with teenagers (I don’t recommend letting children watch it.) This movie does an excellent job of addressing suicide, teen pregnancy, drinking, drugs, cutting, and more.
When someone we love dies by suicide, we often beat ourselves up not over what we did, but what we didn’t do. This movie really helps put that into perspective. We all miss opportunities everyday to encourage the people around us. This movie challenges us to be intentional – to look for opportunities to love others.
This movie can be used as a great discussion with today’s youth about the pressures they experience every day. It isn’t a cheesy “B” movie but is top quality and is true to life. Click here to watch the movie trailer. If you haven’t seen it, I encourage you to do so! Be forewarned: Keep the tissues close by!!!


Especially in times of economic and personal struggle, when you’re tempted to doubt some of the crucial decisions of your life, it may do some good to remind yourself why your passions are what they are. One of the best ways to reaffirm my conviction to be a science fiction writer and continue to be one is to watch one of the most memorable scenes of science fiction fiction cinema (which is well on its way to become the most iconic moment of recent cinematic history), Roy Batty’s famous Tears in Rain monologue at the end of Ridley Scott’s classic Blade Runner of 1982.
What is it that makes this short scene so touching that it moves fans to tears, even when watching it for the hundredth time? I think we have here, condensed and focused within the context of a masterpiece, all that is (or can be) great about science fiction: the sense of wonder in the detailed, atmospheric depiction of another world that, with all its visual attraction, is prophetically rooted in a reality we see unfolding; the political and dystopic aspects of a future when, once again and in new disguise, sentient beings are exploited as slaves; the metaphysical discourse of what is it that defines a human being and whether our creations may one day become more human than ourselves; and finally the realization that science fiction, especially sf cinema, can be in its best moments a stunning blend of multiple art forms, literature, music, visuals, in this case even great acting (it has been told that the film crew, at the end of an exhausting filming, spontaneously applauded Rutger Hauer’s performance after filming this scence; it was Hauer himself who had changed the screenplay’s original lines to the monologue we hear in the movie).
The hope to reach such a peak of expression in your own writing, in your own humble way, and be it just once or a few times, makes all the trouble of being a science fiction writer worthwhile, at least to my mind.


Iron Man 3 and The Incredibles parallels - 1/?
SO GLAD I WASN’T THE ONLY ONE WHO REALIZED THIS
I CAN’T HANDLE THIS
This ended completely different from what I expected
I like this. Don’t try to win someone’s love with gifts and flattery, just try to relate. It’s beautiful.
to all my homies out there who dig the stuff i dig
I wish people wouldn’t just see me as the Asian girl who beats everyone up, or the Asian girl with no emotion. People see Julia Roberts and Sandra Bullock in a romantic comedy, but not me. You add race to it, and it became, ‘Well she’s too Asian’, or ‘She’s too American’. I kind of got pushed out of both categories. It’s a very strange place to be. You’re not Asian enough and then you’re not American enough.
Where do you want to eat?
Where do you want to go?
“I have no idea.”
What do you want to do?
“What do you want to do?”