. A large reason for that popularity i John Laurens , Alexander Hamilton , Hercules Mulligan : Shot! Aaron Burr : Geniuses, lower your voices/You keep out of trouble and you double your choices/I'm with you, but the situation is fraught/You've got to be carefully taught/If you talk, you're gonna get shot
All Hercules Mulligan Solos (Hamilton) - YouTube. All Hercules Mulligan Solos (Hamilton) Watch later. Share. Copy link. Info. Shopping. Tap to unmute. If playback doesn't begin shortly, try. Okieriete Oak Onaodowan (/ oʊˌkɛdiˈɛteɪ oʊˈnaʊdəwɑːn / oh-KED-ee-ET-ay oh-NOW-də-wahn; born August 16, 1987) is an American actor. He is known for his roles as Hercules Mulligan and James Madison in the 2015 musical Hamilton, and the role of Dean Miller in the ABC drama and Grey's Anatomy spin-off series Station 19 Okieriete Onaodowan, second from left, as Hercules Mulligan in Hamilton, with Daveed Diggs as Marquis de Lafayette, left, Anthony Ramos as John Laurens, second from right, and Lin-Manuel Miranda..
In the 2015 hit Broadway musical Hamilton, Mulligan was portrayed by actor Okieriete Onaodowan, who also played James Madison Hercules Mulligan was born in Coleraine, County Antrim in 1740 and came to New York when he was nine years of age. He ran a haberdashery (clothing) store on Queen Street. The Mulligans were devout Episcopalians and attended Trinity on Broadway. Alexander Hamilton was barely 18 years old, while Hercules Mulligan was 32 years of age. The older Mulligan proved to be a brotherly influence, helping. Hercules Mulligan is a musical dramatized version of the real life figure of the same name. He is a supporting character in the Disney+ film, Hamilton taken from the staged theater production. He is usually portrayed by the same actor who plays James Madison. Galler Mulligan's Legacy And Portrayal In Hamilton. In 2015, Hercules Mulligan's covert contributions to America's independence were showcased in the Broadway musical Hamilton, which followed the story of the Irishman's close confidante Alexander Hamilton. Mulligan was portrayed by actor Okieriete Onaodowan in the show's original cast
Hercules Mulligan (222) Angelica Schuyler (214) George Washington (212) Daveed Diggs (196) Include Relationships Alexander Hamilton/John Laurens (229) Alexander Hamilton/Elizabeth Eliza Schuyler (133) Alexander Hamilton/Thomas Jefferson (114) Gilbert du Motier Marquis de Lafayette/Hercules Mulligan (87) Daveed Diggs/Reader (84 Hamilton's Lin-Manuel Miranda Explains Why Some Actors Play Two Roles (aka Double Casting) Lin-Manuel Miranda is opening up about the decision to have some actors in Hamilton play two different. As the opening lines of the blockbuster musical Hamilton are spoken by an actor portraying Aaron In our latest In My Room episode, actor Okieriete Oak Onaodowan — who originated the roles of Hercules Mulligan and James Madison Where Is the OG Cast of 'Hamilton' Now? Here's Everything You Need to Know About the Broadway Stars PureWow via Yahoo News · 8 months ago. We learn more about John Laurens and Hercules Mulligan than any history textbook has ever bothered to impart. Everyone now knows that Eliza Hamilton founded the first orphanage in NYC and spent her later years as a remarkable philanthropist. And don't get me started on Marquis de Lafayette. LAFAYETTE! We effectively and efficiently learn so much information about all these people and more in. Conroe Brooks is an actor, singer, and all around filmmaker. He directs and edits his own music videos as well. (Photography by TrueMoxie Image) Latest News on Conroe Brooks . Conroe is currently on tour in Hamilton playing 3 roles! Hercules Mulligan/ James Madison. George Washington. King George. Conroe's short film The Unknown is on Amazon! Click the banner to watch it. Check out Conroe on.
Hamilton Musical Poster, Hercules Mulligan Lyrics print, Aaron Burr Lyrics print, hamilton broadway gift for actor graduation gift for actor DuellandElle 5 out of 5 stars (37 Nigerian-American actor most well known for his performances as Hercules Mulligan and James Madison in the Broadway musical He shared the stage with Anthony Ramos in the play Hamilton. Okieriete Onaodowan Popularity . Most Popular #10373. Born on August 16 #36. Stage Actor #17. Born in Newark, NJ #12. 33 Year Old Actor #16. Okieriete Onaodowan Is A Member Of . Hamilton. Station 19. Actor, Writer, Director, & Puppeteer. ABOUT ME! Fergie L. Philippe is a New York City-based actor currently running with the Sons of Liberty playing the dual roles of Hercules Mulligan/James Madison in the Broadway production of Hamilton..
Hercules Mulligan's measurements, clothes & shoes size is being updated soon or you can click edit button to update Hercules Mulligan's height and other parameters. Associated with [ edit] He is credited by having saved president George Washington's life twice as a spy for the Sons of Liberty. He was also portrayed by actor Okieriete Onaodowan in the broadway production of Hamilton. Hercules. Hamilton (2020) cast and crew credits, including actors, actresses, directors, writers and more However, the actor made headlines when he originated James Madison and Hercules Mulligan's roles in the musical Hamilton, for which he also won a Grammy. In 2017, the actor had also received Pierre's role in the musical Natasha, Pierre, and the Great Comet of 1812. He also showed his impressive skills on television, appearing in Station 19 in 2019. As of 2021, Okieriete Onaodowan's net. James Madison/Hercules Mulligan. Part - Supporting Gender - Male Character Description - Double cast. In Act I, this actor must play Hercules Mulligan, the enthusiastic and violent solider friend of Alexander Hamilton who spies on the British army in Yorktown. In Act II, he must play James Madison, the best friend of Thomas Jefferson who shares.
Hamilton - Miranda (Broadway Cast) Actor RPF (3) Supernatural (2) American Revolution RPF (2) Avatar: The Last Airbender (1) Historical RPF (1) Heathers (1988) (1) 18th Century CE RPF (1) Merry Gentry - Laurell K Hamilton (1) Include Characters Alexander Hamilton (140) Hercules Mulligan (140) John Laurens (124) Gilbert du Motier Marquis de Lafayette (123) Aaron Burr (70) Thomas Jefferson (59. Hercules Mulligan (September 25, 1740March 4, 1825) was a tailor and spy during the American Revolutionary War. 1 life= 1.1 Involvement in the American Revolution 1.2 After the Revolutionary war 1.3 In pop culture 1.4 See also 1.5 References Born in Ireland to Hugh and Sarah Mulligan, Hercules Mulligan and his family immigrated to North Amer settling in New York City. MuCollege (now Columbia. Meanwhile the real-life camaraderie between Hamilton's revolutionary offsiders, John Laurens (Marty Alix), Hercules Mulligan (Shaka Cook) and Marquis De Lafayette (Victory Ndukwe) shone through Hamilton: Who Hercules Mulligan Is (America's First Spies Explained) Screen Rant - screenrant.comHamilton: Why The Same Actor Plays Hercules Mulligan & James Madison Screen Rant - screenrant.comWhy The Same Actor Plays Hercules Mulligan & James Madison - Screen Rant; Northern Ireland council withdraws plan to honour Hercules Mulligan The Guardian - www.theguardian.comNorthern Ireland.
Okieriete Onaodowan, who plays Hercules Mulligan / James Madison in Hamilton, said he actually thought something was going on stage when she forgot her lines. In an effort to make the actress feel. Dec 20, 2020 - we had a spy on the inside, that's right. See more ideas about hamilton musical, hamilton memes, hamilton funny. hErCuLeS MuLLiGaN. Okieriete Onaodowan, the actor who gained notice as the originator of the role of Hercules Mulligan in Hamilton, will take over for Josh Groban in the Broadway musical Natasha, Pierre and.
Given that Hamilton made an average of $1,500,000 million per week in its first year, this would pay the actors $18,400 per week from New York alone. Soo played the role of Alexander Hamilton's. High quality Hercules Mulligan gifts and merchandise. Inspired designs on t-shirts, posters, stickers, home decor, and more by independent artists and designers from around the world. All orders are custom made and most ship worldwide within 24 hours Understudies: Carleigh Bettiol (Eliza Hamilton), Andrew Chappelle (John Laurens/Philip Hamilton, Marquis de Lafayette/Thomas Jefferson, Hercules Mulligan/James Madison), Sean Green, Jr. (Hercules Mulligan/James Madison, Aaron Burr, George Washington), Sydney James Harcourt (Aaron Burr, George Washington), Sasha Hutchings (Peggy Schuyler/Maria Reynolds), Thayne Jasperson (John Laurens/Philip.
Shaka Cook is a very popular actor who is soon appearing in the theatre series named Hamilton.It has been confirmed that he will be playing the roles of Hercules Mulligan and James Madison in his musical theatre debut. Apart from being a theatre actor, he has been well recognized as both a television actor as well as a film actor too Shop high-quality unique Hercules Mulligan T-Shirts designed and sold by artists. Available in a range of colours and styles for men, women, and everyone 'Hamilton' costume designer on how he streamlined 18th century looks for a 21st century show Hamilton, winner of 11 Tony Awards and the Pulitzer Prize for Drama, had an early reading in. Aug 16, 2018 - Explore elijah 's board theatre hamilton, followed by 532 people on Pinterest. See more ideas about hamilton, hamilton musical, hamilton memes
What's more, Laurens, who died at age 27, is played by Anthony Ramos, the same actor who plays Hamilton's son Phillip in the second half. The double role is no doubt efficient, but it makes. Feb 1, 2017 - Explore Hannah Ferro's board Hamilton on Pinterest. See more ideas about hamilton, hamilton musical, hamilton memes Swing, u/s Marquis de Lafayette/Thomas Jefferson, John Laurens/Philip Hamilton, Hercules Mulligan/James Madison. International tour: Rent 20th Anniversary (Benny), Mamma Mia! Farewell. B.F.A.: University of the Arts. Dedicated to the love of hip-hop, or intelligent movement. Pray Often, Worry Not
Hercules Mulligan was born on September 25, 1740 (age 84) in Ireland He is a celebrity other Reference: Wikipedia, FaceBook, Youtube, Twitter, Spotify, Instagram, Tiktok, IMDb. Last update: 2021-25-01 09:3 Where are the Hamilton cast now? 1) Lin-Manuel Miranda (Alexander Hamilton) 2) Phillipa Soo (Eliza Hamilton) 3) Leslie Odom Jr. (Aaron Burr) 4) Renée Elise Goldsberry (Angelica Schuyler) 5) Daveed Diggs (Lafayette and Thomas Jefferson) 6) Christopher Jackson (George Washington) 7) Okieriete.
. In each company of the show, Man 6's central responsibilities are holding down the baritone vocal line and understudying principal roles. I understudied George Washington, King George III, and Hercules Mulligan/James Madison Hamilton's squad was originally played by, Marquis de Lafayette by Daveed Diggs, Hercules Mulliga by Okieriete Onaodowan, John Laurens by Anthony Ramos. Aaron Bur Hamilton ist ein Musicalfilm von Thomas Kail, der am 3.Juli 2020 in mehreren Ländern bei Disney+ veröffentlicht wurde. Der Film ist eine Aufnahme der Broadway-Inszenierung des gleichnamigen Musicals von Lin-Manuel Miranda um den titelgebenden Alexander Hamilton, einen der Gründerväter der Vereinigten Staaten.Ein besonderes Merkmal des Musicals sind Einflüsse moderner Musik, vor allem Rap.
Oak Onaodowan [who plays Hercules Mulligan and James Madison] used to wear a ski cap in rehearsal. So as an experiment, I put it on him. I said, Can you go out in that? Do the scene in that. Focus upstage left center (that's behind all of the leads, to Daveed Diggs' left) when Okieriete Onaodowan (Hercules Mulligan) enters for the first time to see a single ensemble member. Credit: Wikipedia. Okieriete Oak Onadowan was born on August 16, 1987. Onadowan is a Nigerian-American actor who originated the roles of James Madison and Hercules Mulligan in the 2015 musical 'Hamilton' Tarinn Callender: Hercules Mulligan/James Madison. What a first job this will be for Tarinn, who is right on the cusp of graduating from ArtsEd this summer. Hamilton marks his professional and West End debut. Keep your eyes on this one. He's playing Hercules - a friend of Hamilton and James Madison, another founding father
Hamilton Cast on Disney Plus: See Every Actor and Role Neal Tucker | July 3, 2020 July 3, 2020 | Disney, Movies, Music, Theatre. This website uses affiliate links from various retailers. For example: As an Amazon Associate I earn from qualifying purchases. See more information and disclosures here. Share; Tweet; Pin; The Hamilton cast on Disney Plus is here! The hit musical is now live to. I guess Mulligan was such a good actor that none of the British officers ever suspected a thing. He sent a message to Washington letting him know that the British were planning to capture him, and Washington escaped. He did this another time as well, but it wasn't just Washington that he helped. He was tailor for many of the British officers, and he would ask when someone needed their. Hercules Mulligan, played by Okieriete Onaodowan in the musical, became one of Washington's most famous spies during the American Revolution. Mulligan's slave, a man called Cato, is also celebrated as a crucial figure in the movement as he acted as a courier between Mulligan and Washington's military command units. Cato and Mulligan are currently featured in th A movie version of the Broadway musical 'Hamilton,' recorded with the original cast, hits Disney Plus on July 3. Here are a few things you might not have known about Lin-Manuel Miranda's take on.
In Act I, the two play Marquis de Lafayette and Hercules Mulligan respectively, and they fight alongside Hamilton during the Revolutionary War. In Act II, however, they portray Thomas Jefferson and James Madison, Hamilton's political rivals who fight against him. This is followed by Anthony Ramos's line Me, I died for him. Indeed, the actor. He meets Aaron Burr, John Laurens, Marquis de Lafayette, and Hercules Mulligan when he arrives in New York in 1776 and is accepted in their company for his rhetorical skills. Later on, he is introduced to the Schuyler where he falls in love with Elizabeth and marries her later on. Hamilton is placed as aide-de-camp to George Washington. Burr congratulates him for his new appointment but. Mathenee Treco is the principal actor for Mulligan/Madison on Tour. Hamilton is his first major theater credit. Prior to Hamilton, Mathenee could be seen in Season 12 of American Idol. He is also a musician - his debut album, MATHclass dropped in 2012 and he is releasing a new album later this year Okieriete Onaodowan, actor (Hercules Mulligan and James Madison): Known affectionately as Oke, the actor gave a TEDx Talk on empathy in Palo Alto, Calif., this year. On TV he played a. The cast of Hamilton is comprised of Lin-Manuel Miranda (Alexander Hamilton), Daveed Diggs(Marquis De Lafayette,Thomas Jefferson), Renée Elise Goldsberry (Angelica Schuyler),Christopher Jackson.
[Hercules Mulligan: lock up your daughters and horses of course/it's hard to have intercourse over four sets of corsets . . .] Historically, he definitely does not fuck horses The Hamilton actor, Hercules Mulligan, has been up to (spoiler: he's a spy!) while Hamilton and George Washington are trying to win independence for the colonies. If you've ever watched a. Dec 20, 2020 - we had a spy on the inside, that's right. See more ideas about hamilton musical, hamilton memes, hamilton funny Meet the original Broadway cast of Hamilton Broadway, Hamilton Original Cast List, Original Cast, Current Cas The entire principal cast are from Australia and New Zealand with many BIPOC performers and three First Nations actors including 'Top End Wedding' star Shaka Cook as Hercules Mulligan and.
. Led by Jason Arrow as Alexander Hamilton, this cast has such incredible talent, warmth and power. I know they will thrill and move audiences in Sydney when it's safe to return Philippe is currently playing the roles of Hercules Mulligan and James Madison in the musical Hamilton! on Broadway. He attended Elon University. The workshop is offered for a suggested donation of $25 but a minimum of a $5 donation is required to register. We also recognize that 2020 has been a tough and uncertain year for many families. Jason Arrow has been cast as Alexander Hamilton, with Chloé Zuel as Eliza Hamilton, Lyndon Watts as Aaron Burr, Akina Edmonds as Angelica Schuyler, Matu Ngaropo as George Washington, Victory Ndukwe as Marquis de Lafayette/Thomas Jefferson, Shaka Cook as Hercules Mulligan/James Madison, Marty Alix as John Laurens/Philip Hamilton, Elandrah Eramiha as Peggy Schuyler/Maria Reynolds and Brent Hill as King George III
Hercules Mulligan/James Madison: Alex Darmawaskita John Laurens/Phillip Hamilton: Connor Brigola Summer Farnsworth Alexander Hamilton- Joey J Grado Aaron Burr- Mason Reeves Angelica Schuyler- Sidne Philips (obviously!!!!) Eliza Schuyler Hamilton- Jessie Jo Pauley/ me (bc dream role and I would love to sing with Sid again Presearch is a decentralized search engine, powered by the community. Okieriete Onaodowan, who plays Hercules Mulligan in 'Hamilton,' talks about important historical omissions.
Dec 8, 2020 - Explore I_fail_english's board Lin manuel on Pinterest. See more ideas about lin manuel, anthony ramos, hercules mulligan Burr nodded in agreement with his Actor [Hamilton:] Brrrah brraaah! I am Hercules Mulligan Up in it, lovin' it, yes I heard ya mother said, Come again? Excuse me?! Angelica yelled turning to look at a Laughing Hercules. [Lafayette and Laurens:] Ayyyyy [Mulligan:] Lock up ya daughters and horses, of course It's hard to have intercourse over four sets of corsets Never knew you have. 'Hamilton' actor now plays civil rights icon. Posted on July 7, 2020 by Alyssa Bedrosian. In Broadway's Hamilton, Deon'te Goodman '16 has portrayed some of American's leading historical figures. A member of the ensemble and cover for the roles of George Washington, Aaron Burr, Hercules Mulligan, and James Madison, the UNCG alumnus is in the spotlight yet again. This time he. Hercules Mulligan. Sign up for free access to this entire collection. Sign Up. Learn about Hercules Mulligan, a friend to Alexander Hamilton, and a spy working in favor of the American Revolution. This text is available through Creative Commons. Show More Show Less.
Odom won the Tony Award for best actor in a musical for his turn as Hamilton's perilously ambitious rival. Hercules Mulligan, another revolutionary, and James Madison. His career since then. Hercules Mulligan (1740-1825) Irish-born American patriot, Tailor, Member of the Sons of Liberty, George Washington spy. Hercules Mulligan was born in Co. Antrim, Ireland in 1740 to Hugh and Sarah Mulligan. At that time the Irish people were victims of the Penal Laws that restricted their right to education, to hold office, to vote, to possess arms and to own property of any monetary value. Okieriete Onaodowan, who played James Madison and Hercules Mulligan in Hamilton's original cast, told me it didn't surprise him that the play managed to provoke praise and criticism for the.


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The uptight tormented is whisked away to Hollywood to write a pointless b movie after his plays become a success and he finds himself in. Sadism masochism and sadomasochism are three words that are often confused. Abbreviation S M S and M.
Intelligent satire on writing screenplays pitting inspired work against Hollywood cookie cutter and commercial pressures. For most of us the phrase sadomasochism elicits thoughts of a fringy leather clad. The uptight tormented is whisked away to Hollywood to write a pointless b movie after his plays become a success and he finds himself in a surreal hell that becomes more and more literal. Turn on search history to start remembering your searches.
An intelligent satire on writing screenplays pitting inspired work Hiroshima Sado And Masochism against Hollywood cookie cutter and commercial pressures. Gratification especially sexual gained through inflicting or receiving pain sadism and masochism combined.
Both emotional sadism and masochism were at play.
Explore Dictionary. We will examine the difference between the definitions of sadism masochism. More commonly the association of pain with sexual pleasure takes the form of both masochism and sadism q.
Sadomasochism is a portmanteau of sadism and masochism terms coined by the 1 th century psychiatrist Krafft Ebing.
Masochism as an isolated trait is fairly rare. As a psychosocial dynamic sadomasochism is considerably more subtle and. Himself in.
Becomes more and more literal.


Fai, a compulsive gambler and an irresponsible man, is asked to take care of his ex-girlfriend Chik’s (Anita Yuen) son, Yeung. Chik also reveals to Fai that Yeung is his son, and promises to pay him HK$100,000, so Fai agrees to be a father for one month. Soon, Fai notices his son suffers from autism and gets to understand the difficulties of raising a child with special needs. When Chik fails to show up on the date when they agreed to meet, Fai realises why she brought him his child. He finds his life goal while discovering Yeung’s talent on the racing field, then decides to give up his former dissipated life and to accompany his son as he sets out to achieve his dream.
Original title 別叫我"賭神"


Navua man’s role in Game of Thrones
21 April, 2019, 1:28 pm
GROWING up in rural Navua, Sireli Mcgoon did not enjoy the same comforts as other children.
His home had no power and water, he walked and swam his way to school every day, and his family relied on fishing to make ends meet.
These struggles are a far cry from the sets of the world’s most popular television show, HBO’s Game of Thrones, where he spends most days as a crew member.
The first episode of the popular series’ final season aired on April 14 in the US and broke viewing records with more than 17 million people tuning in to watch.
Since 2011, the show has gained fans worldwide, including Fiji.
Set on the fictional continents of Westeros and Essos, Game of Thrones focuses on powerful families entangled in a web of political corruption, lies and wars to control the Seven Kingdoms part of Westeros amid an apocalyptic threat.
For Sireli, the experience has been surreal.
He started as a driver on the set in 2014, but his journey to rubbing shoulders with Game of Thrones stars began when he was a student at Latter-Day Saints College in Suva.
“I met a girl called Nicole Pratt at school and we eventually married and moved to the United Kingdom and settled in Northern Ireland,” he said.
Northern Ireland, by the way, was one of the few permanent locations for the show during its eight-season tenure.
Sireli worked at a gym called the Kensington Health and Fitness Club and within two years became the proprietor and ran the fitness centre for three years.
He dabbled in other professions for a while, including setting up his own eatery and coffee shop, before returning to the fitness business.
It was at this time he met Steven Herron, who was part of the transport department, on the set of Game of Thrones.
“I knew nothing about it but thought I’d give it a shot.
“I went in as a driver then eventually moved to the stunt section and loved every minute of it. It was filled with long hours and lots of driving but all the stunt guys were amazing.”
Sireli witnessed some of the more spectacular battle sequences featured in the show, including the Stark versus Bolton clash captured for critically acclaimed episode Battle of the Bastards, filmed at Saintfield in Northern Ireland.
He said he was humbled to play a part in such a successful franchise and was conscious of the tremendous efforts by the cast and crew to put the series together.
What remained surreal for him was catching a glimpse of the stars on set, something he wasn’t accustomed to in his earlier days.
“Within a few weeks of starting, I was moved to driving minibuses where I got to transport extras of the show and from there I got to see some of the cast. It was no big deal to me as I knew very little of the show or about the show.”
However, he said many crew and cast members knew about Fiji and they had even been to Fiji before.
“I recall once bumping into Jon Snow (played by actor Kit Harington) and when he saw me he wanted to challenge me to a rugby scrum, which I humbly declined.
“Part of our protocol was that we were never encouraged to ask any questions as this would be seen or interpreted as looking for information on what was to come on the show. I was very aware of this so I didn’t bother as I didn’t want to risk losing my job.”
Sireli said despite the hard work involved, he didn’t consider it a challenge.
“I’m a hard worker and always up for the challenge. I was always moving about, always eager to help whatever department was short in numbers.
“For me, it was gaining valuable experience and making new friends.
“Working on the show has helped me realise how very talented actors are. When you sit, eat and chat with them, they are just normal individuals but when you see them on screen and see them acting, it seems like you are hearing a totally different person speaking through the person you were just sharing a joke with.
“It has changed my life for the better in terms of appreciating a good movie or show or any TV program because there is a lot of hard work involved in producing them.
“We sit in the comfort of our sofas and enjoy 60 minutes of a show without realising that show would take at least a week or two of hard work to get it on the screen.”
While shooting for the highly-anticipated Season Eight, Sireli said they had to film for 55 consecutive nights in the middle of winter which he described as “pretty bleak”.
“We all got through it together and we always reminded each other of our slogan – “One Team, One Dream.”
And while Game of Thrones Season Eight signals the end of the show, it isn’t Sireli’s final moments with the production team.
He has managed to remain a crew in the production of a prequel series being adopted for television by show runner Jane Goldman.
Game of Thrones concludes after the final episode airs on May 19.


On June 6, 2008, the brand new dinner theatre in Johnstown, Colorado, the Candlelight Dinner Playhouse, opened the doors on its inaugural season with a production of The Music Man.
Every aspect of the evening received rave reviews from Stacy Nick of The Coloradoan, from the building (“From the minute they walked in the door, audiences were awestruck by the grand hallway, the tiered seating (guaranteeing all a good view of the stage) and the beautiful (and plentiful) bathrooms) to the actors (only Jordan Leigh as Harold Hill and Gina Schuh-Turner were called out, but Leigh was a “wonderful cad” and Schuh-Turner “was her usual phenomenal voice”) to the food (“Dinner theatre fare is notoriously dicey…but you’re there for the show; the meal is just (lumpy) gravy. Until now. …make sure everyone at your table gets something different and share.”)
Now the Candlelight is embarking on its tenth season by paying homage to its first with another production of The Music Man (Sep 7 – Nov 15, 2017). This will be followed by Disney’s The Beauty and the Beast (Nov 16, 2017 – Feb 14, 2018), Cole Porter’s Kiss Me Kate (Feb 23-Apr 15, 2018), Man of La Mancha (Apr 26 – Jun 17, 2018), and Newsies: The Musical (Jun 28-Aug 26, 2018).
Pat Payne, production manager for the Candlelight Dinner Playhouse, was kind enough to take me on a backstage tour as the Candlelight gears up for its new season (while at the same time continuing with their final production of the ninth season, Cinderella: The Slipper and the Rose).
I wanted to know everything about what went in to creating a musical production, and Pat shared his wealth of knowledge and experience.
One of the things Pat pointed out to me, as we walked around backstage, were all the souvenirs from each of the past productions of the Candlelight. For each production, some particular piece of scenery is chosen as a keepsake, autographed by members of the cast, and then hung on the walls – wherever space can be found after nine years of productions.
We started the tour in the ginormous stage-building wing of the building. The Candlelight builds all its own sets, under the aegis of technical director Dave MacEachen (called Dave Mac to distinguish him from “Dave the owner”).
Dave Mac and his son had just started building the set the day before my tour (on August 9, 2017).
A set designer had been hired months previously. I asked how long it took to design a set.
“He probably designed it in about a month. It’s been a lot of back and forth. We work in a really collaborative environment. He comes up with his design ideas after meeting with the director and getting the director’s concept and idea for the show, and then brings it to us – the staff here (Dave Mac, myself and Shauna Johnson who’s are technical manager) and then we look it over and say, “Well, this makes sense but why don’t you look at this thing, or “our past experience tells us this is something we’re not adept at doing very well, so let’s look at a different alternative. And then we’ll take another round at it and then the designs will start getting finalized to be sent to Dave Mac for the build.”
All the set pieces are on rollers as needed so they can be moved on and off stage, and there are tracks in the floor of the stage so the gigantic scenery pieces can be moved in and out.
The production team strives to give every designer they hire the tools to be successful.
“We have a packet that all of our designers get that gives them the specs on the space, whether it be lighting inventory if it’s a lighting designer, or measurements if it’s the set designer, and so on.”
I asked how far afield the Candlelight went in search of set designers.
“We’ve done out-of-state designers. We mostly try to stay local if we can. The designer for Music Man is down in Denver. It depends on the build and who it is and what we’re looking for. The designer for Beauty and the Beast [coming in November] used to be a professor at the University of Wyoming, and he just took a job at the University of Indianapolis. He’s going to be designing Beauty and the Beast for us from Indianapolis.”
I haven’t seen a stage production of Man of La Mancha, but I’ve seen the movie with Peter O’Toole. I wanted to know about the set for that, so I said, “And for Man of La Mancha?” bringing my hand down in a drawbridge/extendable flight of stairs kind of way. Pat knew what I meant immediately.
“We don’t know that it’s going to have the stairs, but I’m willing to bet it probably will. It takes place in a dungeon and you’ve got to create it somehow. Whether it means it’s going to come in from the ceiling or something…we aren’t sure yet, we haven’t started that process. We’re talking this week about setting up the audition dates for that.”
I knew Man of La Mancha wasn’t scheduled until April 26 of 2018. That’s nine months away. I asked how long it takes to cast a show, and Pat told me that they’ve already cast not only The Music Man, but Beauty and the Beast and Kiss Me Kate as well.
“We have a cadre of actors that we do work with often. We have a history with them. We always cast the best talent there is. So oftentimes its them. Sometimes it’s not. I think we have 6 or 7 new people for Music Man. We had a bunch of new folks for Slipper and the Rose. Beauty and the Beast and Kiss Me Kate have a handful of new people as well.”
Auditions are held in-house. They try to do it on stage but if the schedule doesn’t permit that they have several conference rooms where the auditions can be held. Prospective actors read/sing in front of the director, the choreographer, Dave the owner, and Pat.
After speaking with Dave Mac for a few minutes and looking at the sketches for the set pieces, Pat took me up the stairs to their Wardrobe room. (The door to that room can be seen in the upper left hand of the image entitled “Starting work on building the set.)
I had wondered if the Candlelight rented costumes from a costumier, but this answered that question.
“We have quite a collection of costumes as well as props. We keep everything inventoried. From time to time we get requests from other theatres, high schools, whatever, looking for stuff, and we try to help them out if we can. We go down to Denver, to Wyoming, all over the place.
The car that’s Chitty Chitty Bang Bang [from the musical of the same name] was just out at a high school in Loveland recently. It’s off-site – we have an off-site storage unit that holds the car. It also holds the hair-cutting machine that is part of that show.”
Pat told me that as far as costumes were concerned, a show could be “build” – meaning they’d build the costumes themselves, “pull” – meaning they’d pull costumes from their collection, or “partial rental” – meaning they’d rent them, typically from the costume designer hired for that particular show, or a combination of all three.
The Candelight’s costume designer will be building all new costumes for the upcoming Beauty and the Beast. Pat expects that the Candlelight will keep all these costumes in their inventory and rent them out to other theatres in the region who will doubtless be performing productions of the show in future.
Choosing a Season
I asked Pat what went into choosing a season.
“We look at shows and discuss them. Dave [the owner] is the decision maker but he takes input from myself and other members of the staff. We try to find shows that fit with our mission and what it is that we do – we want to provide great experiences that our good for the entire family. We celebrate the musical theatre – mostly the American musical theatre – good entertainment at a great value is what we’re about.”
“Would you ever do Les Miserables on this stage?” I asked.
“We would kill to do Les Miserables. It’s certainly one on our list. It’s a matter of getting the rights – getting the rights is always the challenge. The royalty companies restrict the title. If a show is on tour it blocks it out. If it’s rumored to be headed to Broadway….if another theatre is doing the production in the area, it’s blocked out.”
I asked about acquiring performance rights.
“This show [Slipper and the Rose] came from a small company in London called the National Operatic and Dramatic Association. Every show is represented by a different company – it just depends on the show. Music Man for example is Musical Theatre International.”
“So you contact them…”
“We contact them, tell them we’re interested in doing the show, give them the dates of the show we want, and they let us know what the availability is and what the price is.
About eight weeks before rehearsals start, they send us the materials to distribute to the cast. After the show’s done, we mail them back.
“So if you mark it up…”
“You have to erase it.”
I asked this question because we were standing by the Orchestra Pit, and I took a look at some of the music which had been marked up – in pencil – by the musicians.
The Candlelight uses anywhere between 7 and 9 musicians depending on the show.
I asked about the conductor.
“In this particular show [Cinderella: Slipper and the Rose], the Piano 1 part is also the conductor. We have two pianos. Victor is our Keyboard 1. He also conducts the orchestra. For Music Man he will be playing keyboards, conducting and music directing the production.”
“How difficult is it to conduct and play at the same time?”
“It certainly its own set of challenges, and requires its own skill set. You’ve got to be able to know what’s important. You [the conductor and musicians/actors] quickly figure out…if you watch him during the show, you’ll see him play and sometime he’ll nod to give cut-offs. That’s something that’s small that the actors can see.
There’s other moments where he needs to use his hands to give everybody a bigger visual cue because they need it. And that’s stuff they figure out in their rehearsals.
The band rehearses three times before doing it with the actors for the first time. Then, when the actors come in for what we call the sitzprobe, it’s usually done where the cast is simply seated on stage. The band plays, the cast sings, and it’s so you can figure out what those cut-offs are.
And then, as you get through your technical rehearsals, your dress rehearsals and your opening, the band and the cast is figuring out what makes the show work best for them. Does Victor need to give a nod, does he need to do a big hand-movement, whatever it might be that gives the cast the tools to be successful as well as his orchestra, because everybody has to be in step.”
“What happens if an actor “goes up” on a line?”
“That’s one of the advantages of having a live orchestra. The conductor can catch that and keep everyone doing whatever it is they need to do until we can “get back on the road. The communication from your cast member on stage to your conductor, or in our case piano player/conductor is so vital, and that’s why the conductor has to be watching his book, doing his job, as well as keeping an eye on what’s happening on stage, so they can keep things moving.”
Rehearsals for Music Man are scheduled to start August 8.
There will be three weeks of rehearsal, plus a “tech” week, where the lighting cues and sound cues are finalized and programmed into the lighting and sound boards. Then, during the production, the lighting director and the sound director, each seated in their own domain (the sound director on the floor, the lighting director from a control booth at the back of the house) simply need to follow along with the script and, when the appropriate cue comes, press an appropriate button on the electronic board for the lights to come up or the actor’s microphones to turn on.
In addition to being the production manager, Pat has directed some of Candlelight’s productions. His latest directorial effort was 42nd Street (the production just before Slipper and the Rose).
I asked, “As a director, do you watch a movie the musical is based on?”
“It all depends on the show. If I’m doing a show like Chitty Chitty Bang Bang, I’m going to watch the movie because the audience is going to come in expecting to see something a little bit akin to what they remember seeing it in the movie theatre. So I think you watch it to find out how you honor it.
In 42nd Street, the movie is from 1933 so not many people know it, but we did actually go back to the movie and in some of the scenic elements we had “nods” to it, if you will. Also, we recreated some of the Gower Champion-choreographed dances from the original Broadway production in 1980.
And that’s how I do it – but every director works differently. Some directors – just like actors – some actors never watch the movie of their piece, others want to watch the movie.”
“As an actor, if you’ve seen someone else in the role, is it hard for you to distance yourself and make your own creation?”
“I don’t think it is for an actor, because an actor’s job is to create, so they’re good at figuring out what it is that makes it special for them. They also have to connect to it, because no matter what character an actor plays, they need to bring themselves. They need to connect themselves to the character, so I think it’s important that an actor finds their own way into the character and so that will automatically distance you from another performer doing that same role. In my opinion.”
Actors Up Close and Personal
At the Candlelight, member of the audience are escorted to their seats by actors in the show. Once seated, their servers – those in charge of drinks, others in charge of food, come out and take their orders. These people are part of the acting company as well.
The audience members may not always realize this, depending on how their server is initially dressed, so they sometimes get a shock when their polite and attentive server shows up on stage as a martinet theatre director, or some other role! Then he or she returns to their table during intermission with dessert!
This practice isn’t unique to the Candlelight, of course.
What the Candlelight does do differently is theme their menu offerings to each show. For example, for The Slipper and the Rose, Kitchen Manager Jeanie Bert penned an introduction to the menu: “Join us for a journey to the far-off, fairy-tale land, Euphrania. Please enjoy our selections based on the late Medieval to early Renaissance time period, including exotic spices introduced through the spice trade, with a modern, magical twist.”
The entrees included Steak and Ale Pie, the desserts – Rose Marzipan Trifle.
Pat then took me back stage and showed me the dressing rooms. The actors are multi-talented. They put on their own makeup before the show and put on and change their own costumes as required, unless it’s a particularly difficult costume change in which case the stage manager will help out.
I asked Pat how Cinderella’s costume change comes about – she’s on stage dressed in rags and suddenly, at the wave of the Fairy Godmother’s magic wand she twirls about and suddenly she’s in a ball gown! That was the one question Pat refused to answer.
Well – I knew the answer – it’s theatre magic!
The Patron Experience
For Cinderella: The Slipper and the Rose, parents can purchase light-up magic wands for their kids. After the show, audience members – not only the kids! – can go on stage and take selfies with the Fairy Godmother and Magic, her dog.
I asked if these were suggestions made by the rights company when sending out materials for the show.
“That was our brainchild. We’re all about the patron experience. It’s a really great way to get the kids engaged in what we’re doing. It’s the same with the photos. Everyone loves Magic and wants to meet him – he’s almost becomes the star. We’ll be doing something similar with Beauty and the Beast.”
The Candlelight Dinner Playhouse has delighted audiences for nine years, and their tenth season promises to uphold that legacy.
Season tickets for Season Ten are now available. But don’t miss out on Cinderella: The Slipper and the Rose, which continues its run until August 27, 2017.
For reviews of Candlelight Dinner Theatre productions, check out:


Broadway in West Michigan Series
The Zhang Financial Broadway in West Michigan Series features some of the best entertainment straight from the Great White Way—right here in Kalamazoo!
For the best seats at the best price, become a Broadway Subscriber today. Single ticket on sales are now underway and members of our Miller e-club will receive presale notices before tickets go on public sale.
Friday, Nov. 9-Sunday, Nov. 11, 2018The Tony Award®- winning Best Musical, MONTY PYTHON’S SPAMALOT, begins its search for the Holy Grail in the fall of 2018. This outrageous musical comedy is lovingly ripped off from the film classic “Monty Python and the Holy Grail”... more
Friday, Dec. 21-Sunday, Dec. 23, 2018Proclaimed by the The New York Daily News as a “delicious confection of charm, sparkle and talent by the sleigh-load and so full of energy it could end our dependence on oil.” CIRQUE DREAMS HOLIDAZE is a new cirque adventure, Broadway musical... more
Wednesday, Feb. 6-Sunday, Feb. 17, 2019Cameron Mackintosh’s spectacular new production of Andrew Lloyd Webber’s THE PHANTOM OF THE OPERA will come to Miller Auditorium as part of a brand new North American Tour. Critics are raving that this breathtaking production is “bigger... more
Tuesday, March 19-Sunday, March 24, 2019BEAUTIFUL — The Carole King Musical tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia... more


When we think about some of the most memorable movies, the cars featured in them often play a significant role in our recollections. From iconic muscle cars to futuristic vehicles, the cars in movies become a part of pop culture and leave a lasting impression on moviegoers. Here, we take a look at some of the most iconic cars in movie history.
DeLorean DMC-12 in “Back to the Future”
Who can forget the DeLorean DMC-12 time machine from the “Back to the Future” trilogy? The stainless steel car with its gull-wing doors and futuristic design made it an instant hit with audiences. While it may not have been the fastest car, it was certainly one of the most memorable, taking us on a wild ride through time.
1961 Ferrari 250 GT California Spyder in “Ferris Bueller’s Day Off”
Ferris Bueller and his friends took a joyride in a classic 1961 Ferrari 250 GT California Spyder in “Ferris Bueller’s Day Off.” This beautiful car, with its sleek lines and luxurious design, was the envy of many viewers. While the car was actually a replica, it still captured the essence of a classic Ferrari and made it one of the most iconic cars in movie history.
Batmobile in “Batman”
The Batmobile has gone through several iterations over the years, but the one featured in Tim Burton’s 1989 “Batman” movie was a true masterpiece. With its sleek design and impressive arsenal of weapons and gadgets, the Batmobile quickly became one of the most iconic movie cars of all time. It was the perfect vehicle for the Dark Knight to fight crime in Gotham City.
1967 Shelby GT500 in “Gone in 60 Seconds”
The 1967 Shelby GT500, also known as “Eleanor,” was the star of the 2000 remake of “Gone in 60 Seconds.” This classic muscle car, with its powerful engine and aggressive styling, was the perfect car for Nicolas Cage’s character to steal in the movie. It was so popular that it inspired many replicas and became one of the most sought-after cars in the world.
Aston Martin DB5 in James Bond films
The Aston Martin DB5 has appeared in several James Bond films, including “Goldfinger” and “Thunderball.” With its sleek design and impressive gadgets, such as the ejector seat and machine guns, the DB5 became synonymous with the James Bond character. It was the ultimate spy car and left a lasting impression on moviegoers.
These are just a few of the most iconic cars in movie history. These cars have become a part of pop culture and will continue to be remembered for generations to come. Whether they are time machines, classic sports cars, or futuristic vehicles, these cars have captured the hearts and imaginations of moviegoers around the world.


Jason Fairbanks – Pastor
Rev. Jason Fairbanks came to First Congregational Church of Lake Worth as pastor in 2007 after spending the previous three years serving First Congregational Church of Fort Pierce as pastor. For the previous nine years, Jason participated in the life and ministry of First Congregational Church of Lake Worth as a member. Jason also serves the community through his full-time job as an interfaith chaplain with VITAS Innovative Hospice Care, Inc.
His mission is to invite as many people as possible into a life-changing relationship with a God of love who accepts them as they are and wants them to become everything they were created to be.
He lives in West Palm Beach with his wife, Trish, and son, Emerson.
Bruce Linser – Director of Music
Bruce Linser has been the Director of Music since 2005. In addition, he is an award-winning actor and director, teaches acting and musical theatre performance at Lynn University, and is the manager of The Dramaworkshop, the new play development wing of Palm Beach Dramaworks.
Theatrically Bruce has performed Off-Broadway in New York City, regionally in California, Minnesota, and Wisconsin, and internationally aboard SilverSea and Crystal cruise lines. Locally he has appeared at Arts Garage, Caldwell Theatre Company, FAU Festival Rep, Florida Stage, GableStage, Island City Stage, Maltz Jupiter Theatre, New Theatre, Palm Beach Dramaworks, Theatre Lab, Take Heed Theater Company, and The Wick Theatre. He is also an accomplished pianist and singer.
See more about Bruce at www.brucelinser.com.


Head of Performing Arts: Mrs Helen Haywood
All students at key stage three have one drama lesson a fortnight. They may then opt to take GCSE drama in years 10 and 11 where there are two groups in each year. A-level Drama and Theatre Studies is a popular A-level subject and the department offers many opportunities for students in all key stages to participate in extra curricular activities.
October 2014 - Phantom of the Opera
December 2014 - Pride and Prejudice
Summer 2015 - A Midsummer Night's Dream
View the gallery below to see how the set for Phantom is progressing! With thanks to Tori and Gareth from DT.


The Usual Suspects 1995
Willst du den Film im Kino sehen? Stimme ab!Vote
Five Criminals. One Line Up. No Coincidence.
- Bryan Singer
- Gabriel Byrne, Stephen Baldwin, Kevin Spacey, Chazz Palminteri, Kevin Pollak, Pete Postlethwaite
- Drama, Krimi, Thriller
Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors. Verbal lures his interrogators with an incredible story of the crime lord's almost supernatural prowess.
Lass deine Freunde wissen, dass es diesen Film bald im Kino zu sehen gibt.


NONFLIX Film Festival SET 2
Film Festival with Short, Experimental Films and More
3-Day Online + Onsite Screenings
Emerged in the time of social isolation, the festival seeks another mode of connecting, exchanging and getting into conversation through a journey of moving images. With 17 films by 11 artists, we take a closer look at Asia as the main focus. The films will be screened online via Website. For more information check our website: https://www.nonberlin.com/nonflix/
NONFLIX 2 = 9 films = 188 minutes / Online for 24 hours
The second part of our festival switches the focus from external to internal colonization and zooms in on domestic complexities, racism, intimacy and gender matters.
Films: „Anna and the Prince“ (2014), „La Double Vie de Maniejan“ (2013), „Red Aninsri; Or, Tiptoeing on the Still Trembling Berlin Wall“ (2020) by Ratchapoom Boonbunchachoke; „Beer! Beer!“ (2019) & „The Drum Tower“ (2018) by Popo Fan; „The Sublime of Rectum“ (2017) by Trương Minh Quý; „How He Met My Mother“ (2020) by Colin Huang; „Shut up white boy“ (2012) by Vũ Thị Thu Hà; „Uterus Man“ (2013) by Lu Yang


About american cinema of the 1950s america in the 1950s was a place of sensational commercial possibility coupled with dark nuclear fears and conformist politics. About american cinema of the 1940s the 1940s was a watershed decade for american cinema and the nation at the start of the decade hollywood shaking off the depression launched an unprecedented wave of production generating some of its most memorable classics including citizen kane rebecca the lady eve sergeant york and how green was my valley. Extra resources for american cinema of the 1960s themes and variations screen decades american culture american cinema sample text dreyfuss jack kruschen wants him to be c is essentially a pimp of his own self more than of the women with whom he has no association whatever such is the degree of his alienation and worthlessness in . American cinema of the 1930s screen american culture american cinema decades each volume in the screen decades american culture american cinema series presents a group of original essays analyzing the impact of cultural issues on the cinema and the impact of the cinema in american society. American cinema of the 1960s themes and variations screen decades american culture american cinema hardcover edition by barry keith grant editor murray pomerance contributor contributor prof anna everett professor joe mcelhaney contributor professor leslie abramson contributor professor david desser contributor professor harry benshoff contributor contributor prof
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The Inbound team recently organised two Movie Days at the MBO Citta Mall, Ara Damansara. They distributed 370 tickets for team members to watch Iron Man 3. Three different sessions, one at 8.30pm on Thursday, 9 May 2013 and the remaining two at 11am & 10:30pm, on Friday, 10 May 2013 were scheduled to accommodate the differing availabilities of staff.
Iron Man 3 was amazing! But let us not talk about the movie too much as we wouldn’t want to spread spoilers of the latest sequel of the trilogy for those who haven’t yet watch it.
The audience enjoyed the action-packed plot, the iron man suits, the die-hard villains and also the typical charming performance by Robert Downey Jr. and his team.
The organisation of such an event was initiated to commemorate the good work of team members. Apart from it being just a leisure event, the movie sessions without a doubt enhanced a better sense of rapport amongst employees and their colleagues.


The Gustine High Drama Club production of the melodrama “Sawmill Daze,” or “Will Sugar Pine?” opens tonight (Thursday) on the GHS auditorium stage.
The classic melodrama format invites the audience to boo the villain and cheer the heroes as the story line unfolds.
The melodrama was written for the school’s drama club in 1991 by Larry Fayler and John Burgess. The production is dedicated in memory of Fayler, according to Burgess, who directs the show.
Student thespians have presented the melodrama several times over the years, he noted, each with modifications to fit the cast.
Cast members include Miguel Barrita, Alex Sanders, Haylee Barragan, Andrew Reis, Andrea Espinoza, Sujey Salazar, Jose L. Cornejo-Sicairos, Coailin Kellum, Imanol Carrillo, Alondra Meza, Yaquelin Martinez, Olivia Rangel, Nia Kellum, Sandy Martisius and Janai Navarro.
Tristen Meyer and Heiress Smith are handling the lights.
Six performances are planned.
Show dates are Thursdays through Saturdays, March 7-9 and March 14-16.
Doors open at 7:30 p.m. The curtain rises at 8 p.m.
Admission is $5 at the door.


This fan fiction trailer that Stephanie directed, produced and starred in, garnered critical acclaim including an article in the New York Times, and culminated with a panel at Comic-Con 2011. She has been a fan of these graphic novels since she was a little girl and is very proud of the success of this production…. Read the Rest »
“Shelf Life” recently launched it’s 4th season and was featured at Comic-Con 2012 and at Social Media Week in LA. The wildly successful series has won several awards at film festivals including Comedy of the Week on Indie Intertube, an Award of Merit at the Indie Film Festival, and it screened last year at Pop Con LA. The series was nominated this year for an IAWTV Award.
Night of the Zombie King is the first in a series of GOLD “companion adventures.” It takes a fan-favorite character from GOLD, Jaz, leader of the Dangerous Gamers, and explores that character, and the world of GOLD, from a different point of view. Jameson “Jaz” Colier, ex-college football star, is less than happy with how… Read the Rest »
The show centers around a group of friends who are foodies. Alan Wallace is a food geek who is awkward with women. His family and friends convince him that cooking is sexy and that he shouldn’t hide it from the women he dates. In essence, the way to woman’s heart is through her stomach. The… Read the Rest »
“A Transmedia Primer” “Fury of Solace” is the story of a supervillain terrorist who targets corrupt corporate moguls for extermination, and the superhero called the Orphan, to whom his fate is inextricably linked. But “Fury of Solace” is much more than that. It’s a serious, serialized, ensemble web series told through narrative live-action video, 8-page… Read the Rest »
Coming soon, stay tuned on http://www.slumbercon.com
Stephanie Thorpe has been a driving force as an actor and producer in numerous web projects including the critically acclaimed After Judgment (6 Streamy nominations), Asylum (NYTVF official selection, LA Web Fest winner, and just picked up by BET), Babelgum’s Hurtling Through Space, and Tyler Mane’s The Mane Show. Stephanie continues to work in TV/film and garnered Best Actress in a Drama at the NYFilmFest. Her web acting credits also include guest appearances in the long-running Elevator and The Temp Life. She most recently starred in the Parsec Award-winning GOLD spin-off Night of the Zombie King (www.goldtheseries.com), for which she was nominated Best Supporting Actress by IndieIntertube & by the New York Television Festival in 2011. The series was also nominated for 5 International Academy of Web Television Awards. Most notably, Stephanie just wrapped the fan fiction trailer ElfQuest (based on the 34yr old comic series) which was recently featured in the New York Times, io9 & Attack of the Show among other publications. This production was also the subject of an interview with CBS. (www.elfquestfantrailer.com). Recent honors for this project include Best Trailer at the 2011 IndieIntertube Awards, the Shorty Award at BaltiCon, and the Silver Prestige Award at the Prestige Film Award Festival. ElfQuest: A Fan Imagining was also an Official Selection at the Renovation Film Festival, the Phoenix Comicon Film Festival, and will be seen at Dragon*Con 2012. Stephanie also stars in and produces series Shelf Life (www.shelflifeseries.com), now in its third season, and the feature of a panel at Comic-Con 2012. She was honored to appear as a Guest Star on The Joan & Melissa Show (WE) alongside comedy icon Joan Rivers. Upcoming projects include starring roles in new series Pairings, indie feature Demon Dreams and the highly anticipated feature Legendary. Stephanie will also star in & produce 2 new series she’s created, The Ladies/The Gents and SlumberCon.
Follow her on Twitter: @TheStephThorpe


The Georgy Awards
George Pullar, in whose memory the awards are named, was involved in all facets of theatre in Shepparton and district in the 1950s and 1960s. He acted, directed, was an expert in make-up and knowledagble in all aspects of theatrical procedure. He was President of the GV Drama Association and assisted in many early productions of the Shepparton Light Music Company.
The Elaine Tonks Award
Elaine Tonks was one of Shepparton’s finest actresses. Memorable roles included Madame Arcarti in Blithe Spirit (for which she won the first Georgy Award for Drama) and the Wicked Witch in Billy Tee and the Witches Brew. She was a member of the Shepparton Players, the Shepparton Dramatic Society, the GVDA, a life member of STAG and was involved in all aspects of production.


In the realm of cinematic brilliance, there exist gems that transcend language barriers, leaving an indelible mark on the hearts of viewers across the globe. One such masterpiece that has captured the essence of human emotions and storytelling is Les 4 Gagnants. In this article, we delve deep into the world of Les 4 Gagnants, uncovering its profound impact on the world of cinema and its enduring legacy.
Origins of Les 4 Gagnants
Les 4 Gagnants, which translates to The 4 Winners, is a cinematic marvel that emerged from the rich tapestry of French cinema. Directed by the visionary filmmaker Antoine Leclerc, this film made its debut on the international stage in 2019 and quickly garnered attention for its unique storytelling and powerful performances.
The Narrative Arc
At its core, Les 4 Gagnantz is a story of four individuals from diverse backgrounds who find themselves drawn together by the enigmatic allure of destiny. The narrative unfolds through a series of interconnected vignettes, each portraying a different character’s perspective and life journey.
The brilliance of this storytelling lies in its ability to showcase the universality of human experiences. Regardless of language or culture, viewers resonate with the struggles, triumphs, and tribulations faced by the characters. It’s a poignant reminder that, beneath the surface, we are all bound by the common thread of humanity.
A Cinematic Masterpiece
What sets Les 4 Gagnants apart is its impeccable cinematography. The film’s visuals are a feast for the eyes, with each frame meticulously composed to convey the emotions and inner turmoil of the characters. The use of color, light, and shadow adds depth and symbolism to the narrative, elevating it to a true work of art.
Furthermore, the film’s score, composed by the renowned Ludovic Desrosiers, seamlessly intertwines with the visuals, creating an immersive experience that tugs at the heartstrings of the audience. The music serves as a silent narrator, guiding viewers through the emotional landscape of the story.
The Enigmatic Cast
A stellar ensemble cast breathes life into the characters of Les 4 Gagnants. Each actor’s portrayal is a testament to their craft, with performances that are both nuanced and captivating.
The character of Claire, played by the talented Juliette Bérubé, is a shining example of this. Bérubé’s portrayal of a young artist grappling with the complexities of life and love is nothing short of mesmerizing. Her ability to convey raw vulnerability on screen resonates with viewers on a profound level.
Likewise, the performances of Félix Dupont, Louise Martin, and Maxime Tremblay add layers of depth to the film. It is through their collective brilliance that the audience becomes emotionally invested in the lives of these characters.
Les 4 Gagnants’ quickly garnered international acclaim, making its mark at renowned film festivals across the globe. It received accolades for its innovative storytelling, captivating visuals, and outstanding performances. The film transcended linguistic boundaries, proving that great cinema can speak to the soul regardless of the language in which it is spoken.
Impact Beyond Borders
The enduring legacy of Les 4 Gagnants extends beyond the silver screen. It serves as a reminder of the power of storytelling to unite humanity. In an increasingly interconnected world, where cultural differences can sometimes create divides, this film bridges those gaps, reminding us of our shared human experiences.
Additionally, Les 4 Gagnants has inspired a new generation of filmmakers to explore innovative storytelling techniques and push the boundaries of cinematic artistry. It has become a touchstone for aspiring directors and writers, showcasing the possibilities of storytelling in the modern era.
The Essence of Human Connection
At its heart, Les 4 Gagnants is a profound exploration of human connection. The film delves deep into the intricacies of relationships, showcasing how four seemingly disparate lives are interwoven by the invisible threads of fate. This theme of interconnectedness resonates deeply with audiences, as it reflects the reality of our own lives.
In a world where digital screens often mediate our interactions, Les 4 Gagnants reminds us of the importance of genuine human connections. It urges us to seek out and cherish those moments of serendipity that bring us closer to others. The film’s message is clear: our lives are richer when we open ourselves to the possibility of meaningful connections.
Cultural Nuances and Universality
Despite being a French language film, Les 4 Gagnants manages to transcend cultural boundaries. This achievement is a testament to the film’s ability to capture universal human experiences. Whether you’re watching it in Paris, New York, Tokyo, or any corner of the world, the emotions, dilemmas, and triumphs depicted in the film feel familiar and relatable.
The film’s exploration of love, loss, hope, and redemption speaks to the shared human condition. It demonstrates that, beneath the diversity of our cultures and languages, we all grapple with similar fundamental questions about life and our place in the world.
A Visual Feast
The visual storytelling in Les 4 Gagnants is nothing short of breathtaking. Each scene is meticulously crafted to evoke emotions and advance the narrative. The cinematography captures the essence of the locations, from the bustling streets of Paris to the serene countryside, with a level of detail that transports the audience to these places.
The film’s use of symbolism through visual cues adds another layer of depth. Subtle motifs and recurring imagery invite viewers to delve deeper into the narrative, uncovering hidden meanings and connections that enrich the overall experience.
A Soundtrack That Speaks Volumes
The music of’Les 4 Gagnants, composed by Ludovic Desrosiers, deserves special mention. The soundtrack is more than just background music; it is a character in itself. The haunting melodies and emotive compositions enhance the film’s emotional impact, drawing viewers into the world of the characters.
Each note of the soundtrack is carefully chosen to complement the narrative, creating an immersive auditory experience. It’s a testament to the power of music in cinema to evoke emotions, convey subtext, and elevate the storytelling to new heights.
In the realm of cinema, where storytelling is both an art and a craft, Les 4 Gagnants stands as a shining example of what is possible when vision, talent, and passion converge. It is a testament to the enduring power of storytelling to transcend linguistic and cultural boundaries, leaving an indelible mark on the hearts and minds of viewers worldwide.
As we celebrate this cinematic masterpiece, let us be reminded of the boundless potential of storytelling to connect us as a global community. Les 4 Gagnants is not just a film; it is a testament to the shared human experience, a masterpiece that continues to inspire and resonate with audiences across the world.


by Shmuel Yoseph Agnon
An adaptation to the famous story by Shmuel Yoseph Agnon, who was awarded the Nobel Prize in Literature “for his profoundly characteristic narrative art with motifs from the life of the Jewish people”, in 1966.
This is a story which tells of a writer who is searching for the meaning in his life. After a prolonged absence he returns to Jerusalem and the reunion with the city and its inhabitants make him restless.
During his walks through the alleyways of the old city, he meets Tehila – an old pious woman who intrigues him and the two engage in conversation. He also meets other people of the city and these encounters raise questions about the relation between the past and the present and the meaning of a simple meetings between people.
When the writer coincidentally meets Tehila once more he begins to wonder whether these meetings are in fact coincidental or maybe a mysterious hand is directing their paths and maybe they have a need for one another.
Tehila’s past is revealed bit by bit and the true essence of their connection becomes clear, the core of which is redemption.
Duration: About 1 hour (without intermission)
Adaptation: Shahar Pinkas
Directing: Shir Goldberg
Set Design: Natasha Tuchman Polyak
Costume Design: Maor Zabar
Music: Daniel Salomon
Tamar Elkan, Yehoyachin Friedlander, Yoav Hyman


Every horror lover knows such characters as Freddy Kruger and Jason Voorhees.
They also know that such horror series as Nightmare on Elm Street and Friday the 13th have had so many spin-offs and recreations that are hard to separate. Even once resulting in a Freddy vs. Jason movie that filled us with both horror and laughter.
However, there have been further plans to make The Friday the 13th franchise into a TV series. There was an original Friday the 13th series made in 1987 which ran for three years, and which has recently got our hopes up with plans for a recreation. However, it has recently come out that the New Friday the 13th TV series is to be axed in a very Jason like fashion.
But why has this happened?
With such a fandom behind the franchise, you would think that directors and production teams would be dying to create a new TV series in the manner of Bates Motel. But it has been claimed that sadly CW had not been too keen on the concept of the idea.
Indeed, it has been argued that there was no concept for the TV series at all after months of brainstorming. This sadly has turned out to be the biggest problem. The real shame is that the series had already created such a good team for itself. With members on board from the original series, Sean S.
Cunningham was to be executive producer for the tv show, while Bill Basso (Predator) was said to be one of the writers.
However despite losing the chance of seeing Jason running around axing people to death once more, is it really that much of shame? There are only so many times you can recreate the same story before people become bored of a franchise being recreated every five years.
Let us know what you think. Would you have liked to have seen a new Jason or do you say it’s been done too many times. Please feel free to let us know.


Create your own movie! 1. Use Crayola® crayons, colored pencils, or markers to decorate the Movie Frame. 2. Cut out the frame. Ask an adult to help you cut a slit along the inside, dotted lines. Don't cut the whole inside square out. 3. Draw a picture in each film strip box. That will be your movie. 4. Cut out the film strip and slide through the frame. 5. Tell the story as you pull the movie through the frame. Tip:Print several copies of the page, and tape more film strips together if your movie is long.
© 2012 Crayola LLC.
Find everything imaginable at Crayola.com
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Come on in and play! Find the coolest collection of fun, creative activities and games online!
Draw fun monkeys with curvy arms, legs, and tails, and then make a large chain of chimps!
Our crayons have been rolling off the assembly line since 1903.


For training that sticks use business actor hire
We specialise in business actor hire for trainers and corporate events. We cannot take all the ‘glory’ for the effectiveness and stickiness of our training. Drum roll…for our highly trained business actors. They’re available for you to hire for your own training and facilitating.
Established and well practiced – to perfection some may say.
Established in 2001, Nelson Training has been hiring professional business actors for corporate role play and staff events and can offer a wide range of talented actors for business actor hire for a whole range of corporate purposes.
We have a team of over 35 actors many of which have worked with us for over 10 years. They are all skilled at corporate role play and have been handpicked for their skill and knowledge.
Top 5 reasons why our clients hire actors from us
1 Business actor hire can assist with training: to carry out interactive drama (known as Forum Theatre) and demonstrate everyday scenarios for training purposes
2 To play the part of staff members in role plays in order that your own staff can \play themselves’ and use the actor to try out different skills and techniques
3 Invisible theatre. This is when the actor is unknown to the delegates and plays the part of an intruder or ordinary staff member at the beginning or during a staff event or conference. No-one knows they are actors and though people may guess, they never really know!
4 To lighten things up .To add a smattering of comedy to the event. Typically this might be an actor dressed as the cleaner or janitor at the beginning of the event asking everyone to leave as the room is being cleaned!
5 To act as singing waiters. Many of our actors are trained opera singers and have played the part of waiters at corporate events delighting delegates with an aria or two during the speeches!
To find out more about business actor hire, what you need to know and how to guarantee success contact us:
If you are thinking of hiring role-play actors you might like to read some of our blog pages on this subject How to Choose Business Actors and Tips For Hiring Business Actors . For a detailed study of using actors in training try our page on Drama in Business Training.


Get Access Stylistic Analysis: Hamlet Soliloquy Stylistic Analysis:
Through the use of figurative language such as allusions and comparisons, Shakespeare presents Hamlet in an emotional state of grief, bitterness, and disgust.
This soliloquy lets the audience know explicitly how Hamlet is struggling with his mind. In Greek mythology, Hyperion is the Titan God of light, whereas a satyr is half man and half goat creature associated with drinking, dancing, and lust.
Through the use of these devices, Shakespeare enables the audience to see that Hamlet has deep affections for his father, and is understandably grief stricken at his loss. Shakespeare again alludes to a Greek mythological character, princess Niobe, who could not stop crying over the death of her childrenand was turned into a stone waterfall.
This shows how unfaithful Queen Gertrude is as opposed to Niobe, who was turned eternally into a crying stone. His sentences are not well constructed, and are often interjected, depicting his extreme, emotional state: This soliloquy belays the reasons for Hamlets deep melancholy, confusion, and state of depression that persists throughout the play.Shakespeare’s Hamlet is full of misdirection and mysterious happenings that are only explained to the audience through various soliloquies and hidden actions.
Hamlet’s soliloquy in act 3, scene 2, is crucial for the audience to understand the mental struggle and inconsistent characteristics of the play’s eponymous protagonist. Hamlet .
Hamlet Analysis Literary Devices in Hamlet. Symbolism, Imagery, Allegory. Setting. The story of Hamlet is set in the late middle ages (14th and 15th centuries, or to ) in and around (mostly) the royal palace in Elsinore, a city . Hamlet's Soliloquy: To be, or not to be: that is the question () Commentary Unlike Hamlet's first two major soliloquies, his third and most famous speech seems to be governed by reason and not frenzied emotion.
One of Hamlet’s passionate concerns throughout this soliloquy is that King Claudius is no match against the dead king, and Shakespeare alludes to Greek mythology to form comparisons between the two kings.
Soliloquy and Revenge in Hamlet The soliloquy is a literary device that is employed to unconsciously reveal an actor's thoughts to the audience.
In William Shakespeare's, Hamlet, Hamlet's soliloquy in Act II, ii, () depicts his arrival at a state of vengeful behaviour through an internal process. Analysis of Hamlet’s First Soliloquy Hamlet’s first soliloquy in Act I, scene ii, lines is a passionate and startling passage that strongly contrasts to the artificial dialogue and actions that he portrays to his uncle Claudius throughout the remainder of the play.


The Dark Knight is the greatest movie EVER MADE? I have difficulty believing that.
According, that is, to the IMDB users who have rated it NUMBER ONE on the Top 250. And IMDB has a formula resembling a rocket science equation to figure out a movie's place on aforementioned list, so I know it has to be somewhat accurate. The formula involves how many movies the user has rated and a slew of other things. The hype for this movie is kind of getting out of hand. Though it's already been released, so perhaps hype stops once something is released. But I have to say that I am one of approximately seven people in the...entire country who has not yet seen The Dark Knight (that's an official estimation, folks). I was on vacation when it came out and I've been really busy.
So who's seen it, is it really worth the 9.3something rating it was given on IMDB?
Oh yeah, I know how lame this post is, but I started it the other day and now I just want to finish it. A better post is coming soon... I hope.


Antigone (ancient greek: ἀντιγόνη) is a tragedy by sophocles written in or before 441 bc it is the third of the three theban plays chronologically, but was the first written the play expands on the theban legend that predated it and picks up where aeschylus' seven against thebes ends. Sophocles' antigone: ancient greek theatre, live from antiquity ancient cultures provide some of our deepest connections to the humanities, drawing life from that distant time when the study of history, philosophy, arts, literature, and language itself began. Sophocles of kolōnos (c 496 - c 406 bce) was one of the most famous and celebrated writers of tragedy plays in ancient greece and his surviving works, written throughout the 5th century bce, include such classics as oedipus the king, antigone, and women of trachis. Antigone quotes (showing 1-30 of 128) all men make mistakes, but a good man yields when he knows his course is wrong, and repairs the evil ― sophocles.
Explain how sophocles uses allusion to affect the mood of the audience the goal of the tragic playwright is to evoke fear and pity in the audience sophocles uses the allusion to hades and acheron to create in the audience fear and pity for antigone. 1 justice in antigone and julius caesar n margo hicks introductioin this unit will develop ways to discuss the concept of justice through the study of the plays antigone by sophocles and julius caesar by shakespeare. Greek drama: three main types comedy - old comedy began as plays that were mainly satirical and mocked men in power new comedy was the evolution of plays to make fun of every day life and ordinary people.
The plot antigone is a tragedyit contains the following elements: a tragic character is of noble birth and endures a mighty fall on account of pride the play's title indicates that antigone is the tragic character the plot of antigone, however, indicates that creon is the tragic character. The theban plays: oedipus the tyrant, oedipus at colonus, antigone although sophocles' oedipus rex, or oedipus the king, has been a fixture in literature classrooms for centuries, it seems teachers and students have been studying the ancient greek play under misleading titles. Oedipus the king (gr: oidipous tyrannos lat: oedipus rex) is a tragedy by the ancient greek playwright sophocles, first performed in about 429 bceit was the second of sophocles' three theban plays to be produced, but it comes first in the internal chronology (followed by oedipus at colonus and then antigone.
Thus, sophocles' in antigone emphasizes the interaction between the will of the gods and will of human beings often putting the truths of men and women against the truth of gods it suggests a high seriousness and religious mission in greek tragedies, individual free will against the unjust laws of tyrannical king. Understand these important quotes from antigone to understand the main themes, and meaning in greek tragedy ace your test, impress your teacher and get the girl (or guy) of your dreams. The antithesis of sophocles' philosophy is the lead character that he created, antigone she is a child born into a cursed family and is a rebel by circumstance and choice. Start studying antigone by sophocles learn vocabulary, terms, and more with flashcards, games, and other study tools. Let's take a look at the conflicts the characters face in the play and see how justice is served, with the reader left to question if it's truly served antigone and polyneices.
Sophocles wrote over 120 plays during the course of his life, but only seven have survived in a complete form: ajax, antigone, women of trachis, oedipus rex, electra, philoctetes and oedipus at colonus. Antigone (/ æ n ˈ t ɪ ɡ ə n i / ann-tig-ə-nee ancient greek: ἀντιγόνη) is a tragedy by sophocles written in or before 441 bc of the three theban plays antigone is the third in order of the events depicted in the plays, but it is the first that was written. Antigone ( greek, ancient (to 1453): ἀντιγόνη) is a tragedy by sophocles written in or before 441 bc it is the third of the three theban plays chronologically, but was the first written [1.
Sophocles' dramatic career, which intersects both aeschylus's and euripides' periods of production, was noted in antiquity for several important theatrical innovations, and his plays have. Oedipus at colonus was the third play of the oedipus trilogy written by the great greek tragedian sophocles (c 496 - c 406 bce) although written in the years prior to his death, it would finally be presented by his son iophon at a dramatic competition in 401 bce.
Antigone picks up in the same (uber-dismal) place that oedipus at colonus leaves off oedipus has just passed away in colonus, and antigone and her sister decide to return to thebes with the intention of helping their brothers, eteocles and polyneices, avoid a prophecy that predicts they will kill each other in a battle for the throne of thebes. Antigone yes, because this was not a law decreed by zeus, nor by zeus' daughter, justice, who rules with the gods of the underworld nor do i believe that your decrees have the power to override those unwritten and immutable laws decreed by the gods. Sophocles antigone the harvard classics but leave his corpse unburied, by the dogs and vultures mangled, foul to look upon 236 such is my purpose ne'er, if. First look at antigone in ferguson at harlem stage the adaptation makes real-life parallels between the greek tragedy and the tragic death of michael brown in 2014 12 photos.


To the delight of lit fans and mothers alike, Disney is releasing a very advanced (think Polar Express, only better) animated version of my favorite Dickens' classic A Christmas Carol on November 6.
Okay, one of my favorite Dickens' classics. There are so many to choose from!
While in Kansas City last month, I happened upon a flyer advertising a train tour to promote the movie. Luckily it hadn't hit Detroit yet and I could take my children. I don't watch much TV and I don't have the attention span for movies that I once had so, until the flyer came along, I didn't even know there was a movie being released. Crazy since I've devoted the last 3 Decembers to forcing A Christmas Carol down my daughter's throat in the form of reading and plays. Now, with a 3D animated movie, I can force it down my son's throat as well! Yay!
Anyhow, here are a few photos from the train tour. If it hasn't already passed through your city, go! It's free!
The first car had stuff from the movie and no photos allowed. The next couple had various pieces from the Charles Dickens museum in London and was AMAZING! I got to see original manuscripts, first editions, letters, and more. Just like heaven.
A few photos from the museum:
A first edition!
The original Pickwick Papers
The next couple of cars had models that were used to create the animation for the movies. I didn't take quite as many pictures there.
Model of Scrooge & Marley's
The last car was cool, the whole family steps into a photo booth and each member gets a photo of their face which is then morphed into the face of a movie character. All of ours kinda sucked but it was fun.
Alex as Tiny Tim
We also got to see an "exclusive" trailer of the film and not only am I super excited, but happy to report that the story doesn't appear to be overshadowed by Jim Carrey's particular brand of overacting as in The Grinch.
Is it November 6th yet?


CAZENOVIA – The Cazenovia Public Library (CPL) invites community members to join more than 100,000 moviegoers from around the world for the 24th Annual Manhattan Short Film Festival on Friday September 24 and Saturday September 25.
CPL will screen the 10 finalists of the competition Friday at 6:30 p.m. and Saturday at 1:00 p.m. in the community hall. Each screening event lasts two hours and 26 minutes.
The Manhattan Short Film Festival aims to recognize the creative talents of on-screen actors and directors behind the camera. The festival debuted in 1998 when 16 shorts were screened on the side of a truck on Mulberry Street in Little Italy, New York. It has since become a global phenomenon.
The competition allows moviegoers to become instant movie critics. The final selections will be screened at over 400 venues across six continents over a one-week period (September 23 to October 3). During the screenings, spectators will receive voting cards and will be invited to vote for best film and best actor. Votes will be counted at each site and sent to Manhattan Short Headquarters. The winner will be announced on ManhattanShort.com and on CPL social media on Monday, October 4.
CPL is one of 13 confirmed locations in New York State this year.
âThe library began broadcasting the film series in 2015 and is credited by festival founder Nick Mason as the first library to host the event,â said Elisha Davies, archivist and library assistant at CPL. âIt was first brought to our attention by a client who appreciated it while on vacation and thought it fit into our program schedule. They were right. It has become a favorite annual event because of its ability to showcase different cultures, tell great stories, and showcase limitless creativity. So often the short film genre is overlooked for action-packed blockbusters, but it’s a really nice, succinct art form.
In 2020, CPL did not participate in the festival due to COVID-19 security protocols.
âAfter a year without it, we’re happy to provide it again – this time with a little more space between the chairs and the air purifiers running,â Davies said.
According to the Manhattan Short website, this year’s competition continues to feature new voices and perspectives.
“Death By Handshake ‘director Hudson Flynn, for example, was only 16 when he created his ironic nod to New York City living during the COVID-19 pandemic,” says the website. âHumor also permeates films like ‘Rough’ from Northern Ireland, ‘Archibald’s syndrome’ in France and ‘Monsieur Cashemire’ from Canada. ‘Out of Time’ and the animated ‘Aurora’ are in-depth studies of a couple of women realizing life at different stages of our existence from the French and American point of view. Some of the big-topic shorts include “The Kicksled Choir” in Norway, which offers a refreshing look at conflict resolution, while “Bad Omen” examines how a woman copes with difficult circumstances in Afghanistan. âClosed To The Lightâ goes back in time to focus on a fascinating moment of WWII in Italy, while âGanefâ in the UK examines the spillover effect of that war on subsequent generations. “
Each of the short films is automatically eligible for an Oscar in 2022.
Sponsored by the Friends of Cazenovia Public Library, the free screening event is presented as part of the CazArts September Autumn Leaves Arts Festival, which includes four weekends of 20 local art events. For event details and the full festival program, visit cazarts.com.
To learn more about the Manhattan Short Film Festival, visit manhattanshort.com or cazenoviapubliclibrary.org, or call 315-655-9322.


Acting is the base skill of all my performing. It is my core! Here is a list of my Acting performances:
- Richard Maynard, Moon Over Buffalo, Mountlake Terrace High School 2016
- Young Ed, And Then They Came For Me, Mountlake Terrace High School 2015
- Merriman, The Importance of Being Earnest, Mountlake Terrace High School 2014
I decided to not include any musical theatre roles in this tab, and just leave them on the other tab.
I got into acting in the most cliche way possible, from taking a High School “Beginning Drama” class! After taking that class it really opened my eyes to Theater, and I remember going to auditions for the first play the next year, and just watching auditions. I decided not to audition, because I was terrified of auditioning in front of everyone. That was an awful idea. After that I decided that my junior year (the NEXT year) I would start theater. Guess what? I did! My Junior year I got cast in The Importance of Being Earnest. I can tell you this; My biggest regret in Theater is NOT starting earlier. I encourage you to do whatever it is you’re wanting to try. Time is the one thing you can never get back, and the earlier you start, the earlier the learning process starts. I like to think about how much further along I’d be as a performer if I started doing Theater a year earlier, it really rubs my peach’s knowing I missed a golden opportunity.
Acting is going to be a huge part of my life. I plan to consistently grow and take workshops, classes, courses, etc to further my growth as a performer. Acting isn’t just going to be a career for me either, it’s going to be a strategy I’ll consistently use in my life. By that, I mean that everything I learn to become a better actor, I’m going to apply to be a better human being.
You know what really makes Movies great? Amazing actors. Here is a list of my favorite actors:
- Johnny Depp. How could you not love Johnny Depp? Every single role he plays is so out of the box and takes a certain unique approach that he just executes beautifully. Also; He played the Wolf in “Into the Woods” and Sweeney Todd in “Sweeney Todd: The Demon Barber of Fleet Street” He’s a legend.
- Leonardo DiCaprio. This guy is insane. He deserved an Oscar before he came out of the womb. He takes so much focus to each role he does and you can feel the soul in all of his work. My favorite role of his was Cobb in “Inception” and I also loved Jordan Belfort in “The Wolf of Wallstreet” That was definitely a role outside of his comfort zone that he absolutely owned with so much commitment to the character.
- Rainn Wilson. Rainn is just a genuinely wonderful human being! He brought the character Dwight Schrute from “The Office” into so many lives and he plays that character with such passion. He also founded an amazing company: “Soulpancake“
- Jonah Hill. How do you judge a hardworking actor? Versatility. Jonah Hill is one of the most versatile actors of all time. He’s starred in the movie “Super Bad”, and he’s also been in dramatic pieces like “Moneyball”


HIGH DRAMA, HIGH FASHION, AND HIGH FRUCTOSE. GENTLE GIANT STUDIOS WORKS WITH AWARD-WINNING COSTUME DESIGNER TO PROMOTE WONDER WOMAN – 1984.
When working on promotional items for an upcoming film there’s no substitute for having real access to filmmakers to assure the promotion is as authentic as possible and true to the spirit and vision of the project.
Gentle Giant was recently tapped to help create a unique item to promote ‘Wonder Woman – 1984’ by working with our friend Lindy Hemming, award winning costume designer who helmed the wardrobe for this exciting film series. We’ve worked with Lindy previously on the Wonder Woman film franchise, as Gentle Giant Digital has been a VFX Scanning partner on the films, and assisted production by scanning talent on-site at GGS.
Lindy’s concept was a couture fashion accessory to package a specially-produced limited edition confection by candy giant Ferrara for their SweeTARTS® brand. Wonder Woman’s famous Lasso of Truth makes an appearance in this promotion, which includes the Gentle Giant produced high-fashion accessory and a silicone tube dispenser for the candy.
The bag itself needed to feature the distinctive repeating geometry made famous by Lindy’s costume designs on the film, and to achieve that effect, high resolution graphics were produced and laser printed on vegan leather, and the bags assembled with a 18k gold plated WW logo plate cast in metal and affixed.
Directed by Patty Jenkins and starring Gal Gadot, this installment of finds us fast-forwarding to the 1980s in Wonder Woman’s latest adventure, and it’s a great pleasure and honor for the Gentle Giant Team to collaborate with the accomplished Lindy Hemming, Warner Brothers, DC, and Golin to bring this promotion to the public.


Senior Project Manager
Mary is a Senior Project Manager.
Mary holds a bachelor’s degree in Theatre with a concentration in Stage Management from Northwestern University in Evanston, IL. Prior to joining the Perrett Laver team, she worked for over a decade as an AEA Stage Manager for live theatrical performances and events at institutions like Steppenwolf Theatre Company, Lookingglass Theatre Company, and Chicago Shakespeare Theater. She also brings administrative and operations experience from her time with the non-profit Thrive Chicago.
t: + 1 312-442-0081