10 MCVTS student films selected for All American High School Film Festival
Ten short films by students at the Middlesex County Vocational and Technical Schools have been accepted at the 2019 All American High School Film Festival, having been selected from more than 2,000 submissions from all 50 states and more than 40 countries.
The seventh annual festival will be held Oct. 11-13 in New York City, with screenings at the AMC Theater in Times Square. Festival winners will receive scholarships and prizes worth more than $400,000.
“This is the biggest high school film festival in the world,” said teacher Louis Libitz, whose digital film program is part of the School of the Arts on the MCVTS East Brunswick Campus. “Being selected is the equivalent to getting into Tribeca or Sundance on the high school level.”
The selected films by MCVTS students are: drama, “After Dark" by Isaiah Gomez, a 2019 graduate from Perth Amboy; documentary, "The Art Coach" by Michael Garlatti, a 2019 graduate from Edison; experimental, "Royal -- Luminosity" by Amanda Clark, a 2019 graduate from North Brunswick, and "Slip From Memory" and "Phosphorescence" by Emily Arce, a 2019 graduate from South River; horror/sci-fi, fantasy, "Questborne" by Frank Gravagna, a 2019 graduate from Sayreville, "Remnant" by Jonny Vorreas of Edison and Noah Perez of South River, both 2019 graduates, and "Iterum" by Melia Velez, a 2019 graduate from Woodbridge; music video, "Feel Like" by Noah Perez, a 2019 graduate from South River, and "Judas" by Aviel Bolesa, a senior from Woodbridge.
In addition, a photo by Melia Velez was selected for Photog Fest, held in conjunction with the All American High School Film Festival at the Chelsea Neighborhood Art Gallery in New York. Her “Ribbit” won third place in the landscape category. It was one of 111 photos to be recognized out of more than 6,000 entries.
More information on the All American High School Film Festival is available at https://www.hsfilmfest.com.


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Josh Bell is a freelance writer and movie/TV critic based in Las Vegas. He’s the former film editor of Las Vegas Weekly and the former TV comedies guide for About.com. He has written about movies and pop culture for Syfy Wire, Polygon, CBR, Film Racket, Uproxx and more. With comedian Jason Harris, he co-hosts the podcast Awesome Movie Year. Read more…
Justin Duino is the Managing Editor at How-To Geek. He has spent the last decade writing about Android, smartphones, and other mobile technology. In addition to his written work, he has also been a regular guest commentator on CBS News and BBC World News and Radio to discuss current events in the technology industry. Read more…
From major new releases to obscure cult classics, Hulu has horror movies for casual viewers and hardcore fans alike. Here are some of the best horror movies to stream on Hulu.
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Dear White People creator Justin Simien comes up with a different kind of satire in Bad Hair, a period piece set in the world of cable TV in 1989. It’s a pitch-perfect recreation of an “urban” music video network, where the pressure to fit in drives young employee Anna (Elle Lorraine) to get hair extensions. Unfortunately, those hair extensions are demonically possessed and hungry for blood (but they look great).
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A hurricane provides the perfect conditions for alligators to swim into town and chomp on people in the animal-attack horror movie Crawl. Director Alexandre Aja generates impressive suspense from his goofy premise, and star Kaya Scodelario keeps the movie grounded as the main character, a college student determined to rescue her trapped father (Barry Pepper) from both the rising waters and the deadly alligators.
The final movie in Hammer Productions’ Frankenstein series, Frankenstein and the Monster From Hell, doesn’t have much to do with Mary Shelley’s original novel. But it features yet another great performance from Peter Cushing as Hammer’s version of Frankenstein, here presented as both an inmate and a doctor at an insane asylum. Frankenstein teams up with another inmate/doctor to once again create life from dead tissue, which, of course, goes terribly awry.
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Swedish vampire drama, Let the Right One In, has a chilly premise to go along with its chilly setting. Lina Leandersson is mesmerizing as a preternaturally assured child who is actually an immortal bloodsucker, and whose friendship with a fellow young outcast hides a more sinister agenda. The story of two misfits finding each other is surprisingly tender, even as it reveals a whole history of horrors.
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Filmmaker Brandon Cronenberg follows in the footsteps of his horror-icon father (David Cronenberg) with the graphic and unsettling Possessor. Andrea Riseborough plays a corporate assassin who can take over the bodies of other people, with Christopher Abbott as her latest victim. The movie explores questions of identity and morality while also providing trippy visuals and lots of stomach-churning violence.
Writer-director Neasa Hardiman draws from sci-fi horror classics like Alien and John Carpenter’s The Thing for her creature feature Sea Fever. The crew of a fishing boat, with a grad student (Hermione Corfield) hitching a ride, encounters a giant monster out in the ocean. The threat becomes even more insidious when the beast leaves tiny infectious larvae behind on the boat (and in the people).
RELATED: The 10 Best Action Movies on Hulu
Horror anthology movies are almost always inconsistent viewing experiences, and many are thrown together from completely unrelated pieces. The filmmakers behind Southbound solve that problem by having the various stories transition seamlessly from one to the next, with some continuing characters and locations, even from different creative teams. The result is a collection of stories that captures the eeriness of the empty desert in a variety of gruesome and suspenseful ways.
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Boiling Point(2021)33 Available Subtitles
Sat, Dec. 3, 8:30 p.m.; Tue, Dec. 6, 8:30 p.m.Filmmaker Rodrigo Sorogoyen (THE REALM) made his Cannes debut with this riveting rural thriller in which issues of class, modernity and masculinity erupt into violence. A well-to-do French couple is happily settled in a quaint Galician village, but long-simmering tensions reach a boiling point when they make enemies of two local brothers. DIR Rodrigo Sorogoyen. Spain/France, 2022, 137 min. In Spanish, French and Galician with English subtitles.
Boiling Point(2021)33 Available subtitles


Anchorman 2 takes over iconic Manuel's Tavern | Arts & Culture
ATLANTA -- Manuel's Tavern shut down to the public Wednesday, yielding to a movie crew shooting Anchorman 2.
The sequel to the 70s-based movie bused in a couple of dozen extras, clad in comically dated clothes and hairstyles. Actor Paul Rudd was spotted entering the tavern's back door early Wednesday afternoon, along with David Koechner. A publicist for the movie said the shoot would conclude Wednesday.
Brian Maloof, general manager of Manuel's, wrote on the tavern's Facebook page "it
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pennants are down and have been replaced with NY teams."
Manuel's was opened in 1956 by Manuel Maloof, who went on to become DeKalb County CEO. The tavern is thick with dark wood and vintage decorations.
needed some additional props from the 70's for the time period shoot and
we had them in storage," Brian Maloof wrote on the Facebook site. "I overheard a guy say 'it is nice we do not
need to change many things for this 70's shot.' I am not sure how to take
Members of the movie's crew say additional shoots are due in Woodruff Park and the lighthouse at St. Simons before it wraps in Georgia.


This is Natalie’s first adult production and she is delighted to be working with everyone at FPAC! Natalie’s most recent musical theatre credits include Ursula in The Little Mermaid and Addaperle in The Wiz, both productions of the Capachione School. She has also danced competitively since she was six for the Paula Coffey Dance Center. Natalie would like to thank everyone at FPAC for teaching her so much about professional theatre, her dance teachers at PCDC, and her musical theatre and voice teachers at CSPA for preparing her to take this next step. Last, she would like to thank her family for all their support, love, and encouragement.


Emerging film-makers and urban researchers Nitin Bathla, Sandra Jasper, and Tino Buchholz speak about their avenues into film-production, why film amounts to a vital medium for urban research, and what it would mean to enhance its role in urban studies. This episode is also full of urban film inspirations and recommendations!
Nitin Bathla is an architect, artist, and educator currently pursuing Doctoral Studies at ETH Zurich. His work focuses on labor, political ecology, and housing in the extended urbanization of Delhi. Aside from academic writing, Nitin works on films, socially engaged art and design projects. www.nitinbathla.com
Nitin's debut film with Klearjos Eduardo Papanicoloau, Not Just Roads (2020) is an ethnographic documentary film that narrates the story of a massive urban transformation underway in India. You can find the trailers, synopsis, posters and stills of the film at - www.notjustroadsfilm.com
Sandra Jasper is Junior Professor for the Geography of Gender in Human-Environment-Systems at the Department of Geography, Humboldt-Universität zu Berlin. In 2015, she received her PhD in Geography from University College London. Before joining HU Berlin in 2020, she was a postdoctoral researcher at the University of Cambridge. She is co-editor of The Botanical City (2020, with Matthew Gandy) and co-author and co-producer of the documentary film Natura Urbana: The Brachen of Berlin (2017, UK/Germany, 72 mins). She is currently completing her first monograph on the experimental spaces of West Berlin for which she received a Graham Foundation grant. Natura Urbana was funded under the European Research Council Advanced Grant entitled Rethinking Urban Nature. Webpage: https://www.rethinkingurbannature.org/
Tino Buchholz holds a Master in Urban Planning from the University of Dortmund (Germany) and a PhD from the University of Groningen (The Netherlands). Focused on the sociology of urban conflict & urban movements he looks at forms of life as forms of housing: with respect to property-led urbanization, political justice, community formation and migration. His publications target the legitimacy of legal housing standards in Western & Eastern Europe; social housing, squatting, property guardianship and critical urban theory. Expanding the scope of urban sociology he works as producer and director at TUNi productions, urban research & documentary film.
UCL Urban film recommendations: https://www.ucl.ac.uk/urban-lab/news/2020/mar/watch-urban-lab-films-available-stream-home
UrbanEye Film Festival in Bucharest: https://urbaneye.ro/en/
The Seven Sisters Indoor Market (2016) by Kleajos Eduardo Papanicolaou and Marios Kleftakis. https://www.sevensistersmarketfilm.com/ Eeb Allay Ooo (2019) Prateek Vats. https://thewire.in/film/eeb-allay-ooo-film-review Behemoth (2015) Zhao Liang. https://grasshopperfilm.com/film/behemoth/ Alpi (2011) Armin Linke. http://www.arminlinke.com/alpi/ Petropolis (2009) Peter Mettler. https://www.petermettler.com/petropolis
Bonus classic recommendation - Reyner Banham Loves Los Angeles (1972). https://vimeo.com/22488225
Terence Davies, Of Time and the City (2008) Slátan Dudow, Kuhle Wampe oder Wem gehört die Welt? (1932) Agnès Varda, The Gleaners and I (2000) Shaunak Sen, Cities of Sleep (2015) Pedro Ruiz, Havana, from on high (2018)
Mark Saunders http://www.spectacle.co.uk/projects.php
Lorenzo Tripodi http://oginoknauss.org/about


Lifeloggers, the documentary commissioned by Memoto last year, is ready!
May 14th from 18.00 to 20.00, Memoto, along with co-hosts Pronto and Ziggy, are happy to present the offline premiere of our documentary on lifelogging. The screening will be followed by a Q & A with the Memoto Team.
If you’re in Stockholm, we’d love to see you!
Reserve your (free) tickets here: http://memoto.eventbrite.com
See the trailer on lifeloggersmovie.com


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gremlins is a 1984 Christmas comedy horror written by Chris Columbus. The film is based around the Mogwi that is given to Billy for Christmas. However there are three rules. Don’t get him wet or he’ll multiply , keep him out of sunlight and most important don’t feed them after midnight. They end up getting Gizmo wet and then Billys clock ends up breaking so he feeds them after midnight and they turn into evil gremlins.
The film is quite comic at first with Billys mum ending up microwaving a gremlin. They kill most of them except for Stripe the leader. Billy ends up chasing him to the leisure center where they multiply into hundreds of Gremlins in the swimming pool. The Gremlins cause chaos killing people around the town. Thankfully they all go to the theater and start watching snow white , Billy grabs this opportunity to set fire to the place and ultimately blow the Gremlins up. Overall it’s a great classic Christmas film that you should watch.
Bomb city is based on the true story of the death of Brian Deneck in 1997. The film shows the conflict and isolation between the more wealthier jocks and the punks of the town and the violence that occurs between the two groups that leads to the murder of Brian Deneck and how no one was sentenced for it.
In todays society we would call these kids punks , goths , underclass because of the music they listen to , clothes they where , wither their on drugs. In the film we see the group violently attacked and violated by the police and the more wealthier part of the town.
The film reveals the prejudice and injustice in the legal system at the time.
There are many clashes between the Jocks and the punks but one night the violence comes to a peak when the two groups are fighting in a local car park leading to the death of Brian Deneck. When taken to court the verdict was not guilty.
The main theme in the film is conflict , put love and friendship play a big part to. Brian is determined to keep his girlfriend safe at one point telling her she shouldn’t go out unarmed , because he doesn’t trust or feel safe in the community where he lives.
At one point the gang are chased by the police for spray-painting. The police storm their flat without a warrant forcing them to the ground and spraying pepper spray in one of their eyes.
Overall this film relates a lot to what we still see today the injustice in the police and just in general the relationship between rich and poor.
I never used to watch films that much , but now I relish the storylines. It’s all I can do most days is sit and watch films or tv or YouTube. I like the escapism of it, perhaps even more than I like books. Watching films is easier for me to digest. So here is a list of the films that made me :
1. Mary Poppins. For some reason this film stands out to me. I remember watching it as a child I must of been around six or seven and just being taken away into a different world with the most haunting music and setting.
2.Titanic. I was obsessed with this film when I was about twelve. I remember making the event one of my personal projects in school. I loved the characters of this heart felt love story. The tragedy of Titanic resonated with me somehow.
3. Les miserables. I discovered this film as a teen and I’ve always believed in revolution and what happens in it. The storyline is also very good and complex and gets your mind working. I also love a good musical.
4. Jane Eyre. I love the film almost as much as I love the book. As you can tell I love a captivating love story. And Janes passionate affair with rochester has your eyes stuck to the television.
1.sometimes people are wrong. Wither its your parents or proffesionals sometimes it better just not to listen.
2.Stay In School No matter how hard it gets. When people say you’l regret it you honestly will. Dont give in to opression. As the quote goes education is our greatest weapon.
3 Avoid psyciatric hospitals at all costs. You know when you hear about writers being depressed its kinda a sterotype.Honestly being admited to hospital will make your health so much worse as no one wants to be degraded and treated like shit the way they do in hospital.
4.Its ok not to be ok- Sometimes you have to give yourself a break. No ones perfect and you probably are doing your best. Minus the breakdown.
5.Remember who the real enemy is – You may have had a bad experience in life that turns you bitter. You may look for someone to blame your family , your friends , yourself. You have to remember that its not these peoples fault. Its just the fascist society we live in. If anything its moneys fault because the world revolves around it.
6.Go easy on the chocolate – As nice as it is. You will gain weight.
7.Smoking isnt always bad – All you see over the packets of ciggerettes are warnings not to do it. Honestly though I think smoking has helped me. It helps mask panic attacks , gets me to go outside more which elievates depression , helps me mentain my weight and can be used as inspiration. Most of my ideas for poems and prose pieces have happend over a fag. To be honest I wish Ide started it sooner.
8.Its hard being a young woman – I know. Its hard being a woman. Its hard being second best. If your poor and a woman its hard being like 10th best. Try and do things that empower you and help convince you your not just scum of the earth. Read books by female authors watch films with female actresses , listen to music sung by females. Go to clubs with other woman. Just know that we all feel the same.
9.ts Natural to worry about the future – Will I ever get a job? Will I be a bad mother? Will my partner leave me ? Its natural
10.Dont let other people bring you down – This kinda ties into my first suggestion. Dont listen to nasty people. Dont listen when your called a bum , dont let it get to you when people at the Job centre look down their snots at you. You are great, you are you!!!
Before I begin this reveiw *cough slaughter* I must point out that I have never watched the original 1996 Trainspotting film which (yes is a classic). However overall I felt it’s predocessor was pretty dire. First thing that struck me about this film was it’s 18 raiting , which I was quite dissapointed about as I was planning on seeing it at the cinema .(Yes my expectations of it were THAT high I was prepared to pay an arm a leg and probably a kidney knowing the price of cinema tickets to go watch it) Now I wouldn’t personally class myself as someone who could be easily taken aback. I curse every second sentence so it would probably make me a hypocrite. Yet even for me . this film is VERY crude. A little bit I can handle and was expected but taken to the point that you have to close your blinds otherwise your neighbours will probably think your watching porn , I felt was too much. This film had a lot of sex scenes (extreme sex scenes) in it as it was about them getting back together to set up a brothel business.
The main theme of this film is the underclass / drug /crime / Violence I couldn’t actually work out the theme as it was so bad it didn’t really have one. The film starts off with the main charcter spud trying to commit sucide. Yet dont worry he gets rescued by his best friend Mark Renton (who is clean from heroine). However spud is not happy with this and tries to baisically hammer Mark for leaving years a go and giving him money to spend on life running drugs. Another main character in the story is simon. Who now in his thrities runs brothels and a failing pub with his partner Veronica and takes cocaine. When Mark meets Simon an intense brawl breaks out over money Mark stole from Simon years ago.
The last character in the film is Franco who is serving time in the jail. At the start of the film he manages to escape Prison by getting someone to stab him. From there he runs home to his wife and son Franco Jnr. Franco Jnr tells his father he has inrolled in college to study Hotel Managment. His father is disgusted at this and more voilence breaks out. In the end Franco Jnr is forced to acompany his father in robbery. Later in the film Mark starts to fall for Veroika Simons girlfriend and they begin an affair.
Les miserables is by far one of my favourite films. Revolution is something I will always believe in as I live in quite a deprived area and believe in people revolting and standing up for themselves. I also love the fact that this film is a musical as it makes the whole story come together and makes it more entertaining.
The main themes in this film are love and redemetion as you have the love between cosette and Marious , you also have the love between John Van John and cosette , and epionees denied love for Marious. Another theme in the film is Justice as you have the scene where the people of France revolt and stand up. A last theme is conflict as you have the conflict between John Van John and Javert , also the conflict between the people of France and The police and army.
The film is set in 19th centuary France and centres around the 1832 revolt. To this day their is still a higher proportion of riots and discontent in France than any other European country. The film starts with John Van John getting freed from Prison on Parol and seeking shelter at a Priests church. There he attempts to steel the priests silver only to be cought. However the Priest tells the police he gifted the Silver to John Van John. This is where the theme of redemption comes in as the priest frees John Van John from sin.
Another theme in the film is Poverty. A lot of the film is set in the slums of Paris. For example near the start of the film fantine looses her job and sinks to the gutters.There she becomes a prostitute out of desperation to earn money to support her daughter. This part of the film is particularly moving as we see a different darker side of society. She ends up dying from catching a fever and exuastion at her situation and leaves her daughter in the care of John Van John.


This week in my top 5 series, I am going to talk to you about my favourite films of all time. I am a huge movie buff and love spending my nights curled up watching a great film. There are so many films I could've chosen for this post but these 5 are the ones that are most watched.
If you know me well enough you'll know that I am a massive Harry Potter nerd. I am absolutely obsessed and it will always take the top spot in terms of films. I couldn't pick just one film out of the whole series that is my favourite as I love them all equally but the two I have probably watched the most are The Goblet of Fire and The Deathly Hallows Part 2. I have grown up with Harry Potter, with my dad reading the first book to me when I was just a child to waiting in the queue at midnight at our local Tesco for the new releases. I cannot put into words how much I truly love this franchise and I'm sure there will be many of you out there who feel the same.
Although I think the stage show is ten times better, the film is SO incredible. Since it's release in 2012 I cannot even begin to imagine how many times I've watched this film - the acting is amazing and the music is of course, breathtaking. It would take me ages to explain the plot but if you have never seen this, I highly recommend you give it a go - especially if you love musical films!
Saving Private Ryan
Now this may seem like a bit of an odd choice when you compare it to the other films in my top 5. This film is in one word - outstanding. It's the sort of film that really makes you think about what it must have been like in the war and it is so moving. It is by far the best film I have ever seen Tom Hanks in. It might not be everybody's cup of tea but I love it so much.
Beauty and The Beast
How could I talk about my favourite films and not mention something from Disney. I have a huge love for all things disney but Beauty and The Beast holds a special place in my heart. I watched this film so much growing up and every time I watch it, it makes me feel so happy! Such a wonderful, classic disney film that I will always love.
The last of my top 5 films is Pitch Perfect. I absolutely adore this! It's hilarious and such a feel good film. Anna Kendrick is especially amazing in it as well as Rebel Wilson who literally makes me cry with laughter. The music in the film is brilliant and is perfect for someone who is into music, like me. I cannot wait for Pitch Perfect 2!
What are your favourite films of all time? Let me know in the comments.


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Topless model Julie (Julie Strain) becomes possessed by a demon and lures other models to a remote island, where she goes after them with a samurai sword. Filmed in 1994 as “Queen of Lost Island,” and screened briefly under that title, this didn’t receive a home video release until 2007 when it popped up on DVD as “Elixir.” Most online sources claim this is the same film as “The Devil’s Pet,” but that is incorrect.
Original title Queen of Lost Island


Auditions: ‘Wolf Hall’ and ‘Bring Up the Bodies’ – New Zealand Premiere
Adapted by Mike Poulton from the novels of Hilary Mantel
Directed by Ewen Coleman (‘Wolf Hall’) and Anthony Hogan (‘Bring Up the Bodies’)
Auditions: 13-15 August, call backs 17 August
- Performances: 3–23 November
- Rehearsals start 26 August but there is likely to be some script work scheduled in the period 19–25 August.
This is a rare opportunity to be part of Stagecraft and Wellington Repertory Theatre’s double bill production of these two exciting adaptations of Hilary Mantel’s epic Man Booker Prize winning novels centred around Thomas Cromwell, a central and intriguing figure in the court of Henry VIII.
The casts features all the best known figures from the period: Thomas Cromwell, Cardinal Wolsey, Henry VIII, Anne and Mary Boleyn, Katherine of Aragon, Princess Mary, Thomas Cranmer, Sir Thomas More, and Jane Seymour, as well as many other political figures, family members and staff.
There are some really substantial and demanding roles for actors to get their teeth into, as well as a wide variety of smaller roles, so there’s plenty of opportunity to be involved.
We anticipate having two complete casts for these epic productions – this will offer a unique opportunity for actors to work together with their counterpart in the other production to create character consistency. The two plays will alternate during the week, with double bill performances on Saturdays and Sundays.
For a detailed list of characters and character descriptions, please contact Production Manager Joy Hellyer – email@example.com
To find out more, or to schedule an audition, please contact Joy – firstname.lastname@example.org


July 2, 2018
It’s that magical time of year again. Hot dogs and hamburgers. Baseball and apple pie. Fireworks and noise ordinance violations.
That’s right…it must be July! Which means that it’s time for our yearly obligation to celebrate all things America — including explosions! After all, what’s more American than seeing a big ball of fire destroy everything in its path?
We at Applied Art & Technology are getting in on the fun with a countdown of our 10 favorite explosions in film history. However, as digital storytellers, we thought we’d do things a little differently and limit our list to examples of explosions that actually served their film’s narrative impact. In other words, we’re only spotlighting great movies with great stories…that so happen to feature equally great explosions.
That means we’ll be leaving off a few iconic film explosions from some decent but admittedly flawed movies (we’re looking at you, Independence Day), as well other films that are, well, just plain bad (*cough* Michael Bay *cough*).
So, what are we waiting for? Let’s get to blowing stuff up! Er, in the name of America, that is.
10. The Birds (1963)
Starting off our countdown is one of the most beloved horror films made by the legendary Master of Suspense.
This 1963 thriller, directed by Alfred Hitchcock, is often seen as Hitch’s last truly iconic film. And it’s easy to see why — from the unnervingly idyllic setting of Bodega Bay to Tippi Hedren’s memorable screen debut. However, it’s Hitchcock’s expert use of practical effects and suspense building that gives The Birds its rightful status as a classic.
Now, our explosion occurs a little more than halfway through the film, after the mysterious birds start to exhibit their first signs of malice against the townspeople of Bodega Bay. It all starts with a single bird flying low and striking a man pumping gas, which then sets off an incendiary chain of events that culminates in a rather frightening inferno.
It’s a pivotal moment in the film that showcases the birds’ malevolence, underscored by the first death at the hands (or, more accurately, claws) of the fiendish fowl.
9. The Bridge on the River Kwai (1957)
This 1957 Best Picture winner is widely regarded as one of the greatest World War II epics ever made, as well as one of the most emotionally affecting.
Benefitting from David Lean’s masterful direction and a talented cast featuring the likes of William Holden and Alec Guinness (the future Obi-Wan Kenobi), The Bridge on the River Kwai also boasts one of the most memorable — and explosive — finales in cinema history.
The film’s climax is, of course, highlighted by a jaw-dropping explosion that sends the titular bridge plummeting to the ground. Add Guinness’ Academy Award-winning performance to the mix, and it’s easy to see why this film explosion has resonated with viewers for decades.
Essentially, the destruction of the bridge serves as an echo for Guinness’ own demise, which is punctuated by the pitch-perfect delivery of the line “What have I done?” moments before the bridge goes tumbling down.
Earned yourself an Oscar, that’s what you did, Alec!
8. Star Wars (1977)
Yes, there have been bigger and, perhaps, flashier explosions in other Star Wars films (the second Death Star in Return of the Jedi and the cataclysmic ending of Rogue One come to mind). But nothing will ever top the original Death Star explosion for its blending of sci-fi spectacle with grounded moments of personal growth.
In 1977’s Star Wars (since re-released with the subtitle Episode IV — A New Hope because, well, George Lucas was never quite good with numbers), our hero Luke Skywalker (Mark Hamill) embarks on a proverbial quest to not only save the galaxy but to undergo a life-altering transformation.
By embracing the mystical powers of the Force, Luke learns to trust in himself and in his connections with others — an idea that is beautifully conveyed immediately following our explosion when Jedi Master Obi-Wan Kenobi (Alec Guinness, that one guy who won that Oscar that one time) speaks to Luke from beyond the grave, telling him, “The Force will be with you. Always.”
In a way, the destruction of the Death Star mirrors the eradication of Luke’s fears and his willingness to trust in himself through the power of the Force (that is, until the introduction of midi-chlorians in The Phantom Menace, which — yeah, let’s not go there).
7. The Hurt Locker (2009)
Kathryn Bigelow’s magnum opus and 2009 Best Picture winner may go down as one of the most harrowing and uncompromising depictions of wartime trauma in film history.
Bigelow does not waste any time diving headfirst into her distressing subject matter, choosing to open her film with Staff Sergeant Matthew Thompson’s (Guy Pearce) tragic death at the hands of an improvised explosive device in Baghdad during the Iraq War.
Now, what makes this explosion so effective is Bigelow’s decision to capture the action in slow motion, resulting in a powerful death scene that forces the viewer to remain in the moment and more completely absorb the full extent of the horror on display.
The fact that Bigelow chose to begin her film with such a gut-wrenching scene — a risky move, to be sure — is also a testament to her unflinching vision as a filmmaker.
Fortunately, the rest of The Hurt Locker is just as powerful as this opening scene, which, in a way, foreshadows the film’s tragic narrative trajectory.
6. Apocalypse Now (1979)
With Francis Ford Coppola’s 1979 Vietnam War-era epic, we could have easily spotlighted the fabled “Ride of the Valkyries” helicopter sequence for featuring some of the film’s most unforgettable explosions. But we decided that the opening sequence is a touch more effective, primarily for the disturbingly hypnotic atmosphere Coppola achieves amidst the haunting backdrop of airborne explosives.
Of course, much of this scene’s psychedelic power comes by way of The Doors’ evocative ode to finality, “The End,” which Coppola ironically uses to signal the beginning of his film.
Could this be a way for Coppola to subtly announce the beginning of the end for Captain Benjamin Willard (Martin Sheen), whose face is superimposed with images of the burning jungles of Vietnam?
Regardless, the multiple explosions on display here make for an immediately arresting opening scene. You can’t help but want to continue watching — and if you do, you won’t regret it, as Apocalypse Now remains just as captivating in all its hallucinatory horror nearly 40 years later.
Did we mention the horror? The horror?
5. White Heat (1949)
Ever wanted to go out in a blaze of glory? James Cagney did just that in the iconic ending of this classic film noir from 1949.
Widely considered to be one of the greatest gangster movies ever made, White Heat follows psychotic gang leader Cody Jarrett (Cagney) as he commits a large assortment of crimes — from robbery to prison break to even murder.
Naturally, the law eventually catches up to Cody, who sees himself surrounded by the coppers by the end of the film. In the big finale to what is a career-best performance, Cagney scales a large, globe-shaped gas storage tank, where he announces these famous last words for all to hear: “Made it, Ma! Top of the world!”
The tank then explodes, producing a massive inferno that presumably takes Jarrett’s life to end the film.
All these decades later, this ending is still as potent as ever — thanks to a scary good James Cagney and an all-time great movie quote.
4. The Dark Knight (2008)
Christopher Nolan’s 2008 sequel to Batman Begins is often praised as not only one of the greatest superhero films of all time but also one of the few sequels to outshine its predecessor.
Without a doubt, much of what makes The Dark Knight so great is the late Heath Ledger’s mesmerizing portrayal of the Joker. As it happens, one of the late actor’s most memorable moments in the film occurs in the infamous hospital explosion sequence.
In the scene, the Joker visits Harvey Dent (Aaron Eckhart) in his hospital room and convinces the future Two-Face to seek revenge for Rachel’s death. Minutes later, the Joker then activates an explosion intended to destroy the hospital.
What makes this scene so brilliant is Ledger’s character work as he pauses to childishly fidget with his detonator once the initial blasts come to an abrupt halt — only to be startled when the larger explosions rock the hospital.
It’s a moment that is impressive for Nolan’s insistence to demolish a real building without the aid of visual effects, as well as for the characterization of Ledger’s Joker as a complex villain who is both oddly endearing and insanely terrifying.
3. Touch of Evil (1958)
This landmark film noir directed by the mythical Orson Welles is commonly revered as one of the darkest and grimiest entries in the classic noir canon. However, that’s not the reason why Touch of Evil makes our list.
The reason? That shot.
Of course, we’re referring to the film’s famous opening sequence, which consists of a single tracking shot that clocks in at over three minutes in length and has been described as one of the greatest long takes in cinema history. You know, that shot.
Oh, and there’s a pretty wicked explosion in there, too.
The shot in question begins with a close-up on a time bomb being planted in a car, after which point a couple unwittingly enters the vehicle and slowly drives through a small town on the U.S. — Mexico border. All the while, we can hear the ominous ticking of the bomb hidden in the trunk of the car.
As the camera weaves into street corners and around buildings to follow the doomed couple, we get introduced to our protagonists Mike Vargas (Charlton Heston) and his wife Susie (Janet Leigh), who both enter the frame towards the end of the sequence and momentarily avert our attention away from the car.
Only once we start to lose sight of our initial point of focus does Welles pull us back in with a wild car explosion that is entirely shocking and yet, somehow, completely expected.
2. Mad Max: Fury Road (2015)
When it was announced that Mad Max mastermind George Miller would be rebooting his beloved franchise after nearly three decades, expectations were reasonably high, if not somewhat tempered. After all, how could this newest Max possibly live up to the high-octane charm of the original three films?
As it turned out, 2015’s Mad Max: Fury Road not only exceeded fan expectations but became the most critically acclaimed film of the franchise, an unlikely Academy Award winner and the greatest fourthquel in movie history (yes, that is now a word).
Really, the entirety of Miller’s post-apocalyptic fever dream of a film could qualify for this spot on our countdown. But we decided to focus in on the tanker explosion at the film’s climax for its seamless blending of practical effects with CGI enhancement.
With real stunt drivers, real explosives and multiple days required to set up the effect, this highly intricate explosion perfectly encapsulates Miller’s skill as a veteran filmmaker.
Plus, let’s face it: there is literally nothing cooler than seeing Tom Hardy balance gingerly on a pole amidst a high-speed chase in the desert, surrounded by exploding vehicles. Nothing.
1. Dr. Strangelove (1964)
Come on. How could this not be number one?
More than 50 years later, and Stanley Kubrick’s biting political satire remains just as sharply funny as it did when it first premiered in 1964.
It’s certainly fitting that Dr. Strangelove (sometimes appearing with the subtitle How I Learned to Stop Worrying and Love the Bomb) takes the top spot on our list because it actually features two all-time great film explosions.
First, there’s the instantly recognizable image of Major “King” Kong (Slim Pickens) riding an H‑bomb down to earth like a bucking bronco before being consumed in a massive mushroom cloud. The scene is just as absurd as it is darkly funny, which is precisely why it works so well. In effect, the absurdity serves as both an exaggeration and a reflection of America’s Cold War paranoia.
And then there’s the ending, in which the titular Dr. Strangelove (played by Peter Sellers with an unmatched comic intensity) outlines his plan to repopulate the earth from underground mines where nuclear radiation can’t penetrate.
This bizarre speech is then followed with a perplexing moment of euphoric terror when the wheelchair-bound Strangelove rises to his feet to proclaim that he can walk again — only for Kubrick to cut to a montage of nuclear explosions set to the haunting lyrics of Vera Lynn’s World War II-era song “We’ll Meet Again.”
An explosive ending, indeed.


Reid Kapple is pastor of high school ministries at Christ Community Church (EFCA) in Leawood, Kansas. Reid enjoys ultimate frisbee, BBQ and pearl snap shirts. But above all, he desires to see students learn, love and live into the gospel of Jesus Christ in every aspect of their lives. Reid lives in Kansas City with his wife, Megan, and his three daughters, Lula, Jane and Pearl.
Rated R for Wrong
I remember the first time my mom caught me watching an R-rated movie as a 12-year old. She was so upset with me, and rightly so. At one point in the heated argument I asked my mom why it was such a big deal to watch an R rated movie. In an attempt to try and end the discussion, my mom blurted out, “because R is for wrong!” To this day, my mom and I laugh about that memory.
Helping students make wise decisions about their entertainment choices is a tricky thing. We want to provide them with options that are edifying, while also seeking to protect them from harmful content. I recently received an email from a mom asking how to set boundaries for her teenage kids regarding the movies they watch. What I suggested to her, and what I am proposing to youth workers and parents alike, is that we help students develop categories, and a framework, for how they think about what movies they watch. We want our students to be wise in WHAT they watch, but also wise in HOW and WHY they watch what they watch. We should couple the boundaries with a helpful framework for our students to use, in order to guide them to think critically and theologically about the things they are hearing, seeing and experiencing.
So here is a suggestion for youth workers and parents. You could all watch a movie (youth workers will need to okay this with parents) and have a conversation together after about the themes of the movie and what was good, what was bad, what was praiseworthy, what was redemptive, etc. You can even pose a couple questions to your students before the movie that can get them thinking critically as they watch it.
Here are a few questions that you could ask them:
- What were some of the values and beliefs of the characters in the movie?
- What was being taught about human nature?
- What were the ethical dilemmas in the movie?
- How did the characters determine right and wrong?
- What was redemptive about the movie?
- What was worth celebrating in this movie?
- What was worth condemning in this movie
- Was there anything in the movie that reminded you of your faith, the bible, the gospel, God, etc.?
- What is the overall message of the movie?
- What did you agree with?
- What did you disagree with?
One final thought: Kevin DeYoung posed a great question regarding gray areas like this that I find helpful in getting students to make wise decisions about entertainment.
“Can I thank God for this movie, book, show, song, etc?”
So, is there anything in this movie that is true, right, good, beautiful, pure? (Philippians 4:8-9) Is there anything in this movie that reminds you of God and the gospel? Is there anything in this movie that increases your hatred for sin? Is there anything in this movie that increases your love for others? If these questions are difficult to answer, or if there is very little to thank God for, then we should seriously consider if this movie is worth our time at all.
What other questions would you add to this list to helps students think critically and theologically about movies?


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Watch List. Subtitles English, Arabic, Bulgarian and 52 more. Subs By The Shh! Team. About Episodes Subtitle … 2020-07-18 Title: 애타는 로맨스 / My Secret RomanceChinese Title: 我秘密的羅曼史Genre: Romance, ComedyEpisodes: 16 (To Be Confirmed)Broadcast network: OCNBroadcast period: 2017-Apri Secret Romance. Recommendation. My absolute recommendation is don’t watch this.
Mar 16, 2021 Suspicious Partner, My Secret Romance & more. When it comes to making romantic office dramas, nothing can beat these selection of shows. Mar 29, 2019 "Make You My Lady" in background on Ep.11 epilogue of 'My Secret Romance' the kiss scene of -I'm the Only One Who Can't Date (나만 안 Jun 4, 2017 "My Secret Romance" became one of the popular series that the said South Korean cable channel released in the first half of 2017. Despite the Mar 3, 2020 The drama between them unfold as Jin-wook thought Yoo-mi's younger brother was a result of their one night stand. My Secret Romance (2017) My Secret Romance (Korean: 애타는 로맨스; RR: Aetaneun Romaenseu) is a 2017 South Korean television series starring Sung Hoon and Song Ji-eun.It aired on My Secret Romance (Korean: 애타는 로맨스; RR: Aetaneun Romaenseu) is a 2017 South Korean television series starring Sung Hoon and Song Ji-eun.It aired My Secret Romance (2017) [Aetaneun Romaenseu] is a South Korean television series directed by Kang Cheol-woo.
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This k-drama revolves around the relationship of a woman in the prime and a much younger man. My Secret Romance Ep 8 EngSub 2017 Korean Drama TrollDrama VIP Cha Jin Wook is a son from a wealthy family who runs a large company He usually only pursues short term Asian Drama, Movies and Shows EngSub Polldrama MY SECRET ROMANCE Ep 1 – I Should Get Going - YouTube.
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2 413 gillar · 1 pratar om detta. Grupp. My Secret Romance Thailand - Korean Drama. 145 568 gillar · 24 pratar om detta. My Secret Romance ออกอากาศทุกวันจันทร์ - อังคาร เวลา 21.00 น. SungHoon&Roiii성훈서포트成勋ソンフン on Instagram: “[ NEW BTS 7/7 ] #OCN #MySecretRomance #SUNGHOON #Songjieun . pls.
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Starring: Sung Hoon, Song Ji-eun, Kim Jae-young Watch all you want. This series is truly a classic romance genre of Korean drama. Love is a bonus book is a series that hooks all sorts of romance enthusiasts and bookworms alike. The male lead Cha Eun Ho is a famous writer and chief editor in a publishing company.
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Lee Yoo-Mi was charmed by Cha Jin-Wook's good looks and personality that always seems to provoke her. Drama: My Secret Romance Instagram: https://instagram.com/kdrama_saragh?igshid=1okjf82oaaj3xJin-wook and Yoo-mi meet at a Gangwon-do resort and get caught up Also read : 20 Best Korean Dramas of All Time (mixed between romance and non romance) The romantic genre is one of the most common genre adopted in Korean Drama Industry, the reason behind this is simple, this genre directly touch the feeling of the viewer. Ang one night stand ba, posibleng maging one true love?-----Subscribe to the GMA Network channel! - http://goo.gl/oYE4DnVisit the GMA Network Portal Title: 애타는 로맨스 / My Secret RomanceChinese Title: 我秘密的羅曼史Genre: Romance, ComedyEpisodes: 16 (To Be Confirmed)Broadcast network: OCNBroadcast period: 2017-Apri Secret Love (Korean: 비밀; RR: Bimil; lit.


BY KELBY CLARK
Dressed in a plain dark suit, donned with a matching tie, the actor approached center stage, gazing out at the 65 audience members crowded into The Frederick Loewe Room, a tiny theater located inside Manhattan, N.Y.’s The Dramatists Guild of America building. The spectators patiently waited on the man’s opening line, some sitting, many standing, but all directing their eyes toward the brightly lit stage where the actor’s only company were small, inanimate objects: two chairs, a music stand, a small table and a prop representative of a house. The actor tightly gripped the script in his hand, cleared his throat and read from the first page with the lack of inflection, projection and authoritative tone of an experienced television broadcaster:
“There are some men who can point to a railroad, to a skyscraper, to a billion-dollar corporation and say, ‘That’s mine. I made that. That’s my life’s work.’ I never made anything. I never built anything. Sometimes I wonder if I ever really changed anything. I simply saw things, and heard things, and felt things. Then I put down words about what I saw and heard and felt and sent those words into the darkness. I don’t know if they changed the world. I can’t really say if they changed the heart of one man.”
The opening line of “Murrow,” a two-act one-man show that focuses on the life of famed broadcast journalist Edward R. Murrow, is only one of several lines that Joseph Vitale, president of the County College of Morris Foundation and executive director for College Advancement and Planning, has written throughout his career as a playwright.
Over the course of more than 20 years, Vitale has authored 10 plays, many of which have been finalists or semi-finalists in festivals held throughout New York and New Jersey from 2011 to 2013.
Although Vitale completed “Murrow” in 1985, the play only recently premiered in a live theater Jan. 24, 2014 at The Dramatists Guild of America in New York, N.Y. Moreover, plans have already been arranged for another dramatic reading of “Murrow” to be held at CCM for students majoring in journalism or broadcasting May 1.
“The play basically sat in my drawer for many years,” Vitale said. “I decided to revive it now because I believe it is timely, not only because of the explosion of new media but because in so many cases, the media has become the story. It’s becoming increasingly more difficult to separate the coverage from the story and that’s one of the things Murrow [agonized over]. He [Murrow] believed in the integrity of news. He was a purist. I just feel that there is a whole generation that doesn’t know about him.”
Vitale was born in New York City and raised in Newark, N.J. where he attended Essex Catholic High School. He describes his younger self as “more of a daydreamer than a diligent student.” He was an avid drawer, and he loved to write. In high school, under the guidance of an influential English instructor, Vitale began to gravitate more toward the theater as both a creative outlet and source of fun.
“The thing that’s so exciting about theater is that you’re working as part of a team,” Vitale said. “It’s collaborative. You and the director sketch out how you want it to flow, then you’re auditioning actors, you’re bringing them in and getting their creative take on it. I love the energy of many people coming together to do a play.”
Upon graduating secondary school, Vitale attended Rutgers University-Newark and while in pursuit of a bachelor’s degree in English literature, he continued to explore his interest in theater by enrolling in several theater courses and frequently attended university-sponsored theater workshops. In 1974 he won the Alpha Psi Omega Award for best play in the Rutgers Theatre Workshop, and following his graduation from the university he studied playwriting from 1974 to 1975 at New York’s HB Studio, an organization that boasts several notable alumni including: Al Pacino, Robert De Niro, Matthew Broderick, Sarah Jessica Parker, Jessica Lange, Jon Stewart and Whoopi Goldberg.
Vitale later attended Columbia University Graduate School of Journalism during the latter half of the 1970s, and it was there that he was first inspired to write a play that revolved around the life of famed television broadcaster Edward R. Murrow.
At Columbia University, Vitale enrolled in a course titled, Media Law and Society, taught by a Fred W. Friendly, a friend of Murrow and co-creator of the CBS documentary broadcast series, “See It Now.” Throughout the course, Friendly would share stories with the class that involved Murrow and Friendly’s time at CBS.
“I found them [the stories] fascinating,” Vitale said. “I thought this should be a play. This should be a one-man show.”
Upon graduating from Columbia’s Graduate School of Journalism in 1982, Vitale began writing “Murrow” with the hope of completing the play by 1985, the year that marked the 20th anniversary of Murrow’s death.
Vitale researched and wrote nonstop for three consecutive years, spending many hours day after day in The Paley Center for Media in New York, N.Y., formerly known as The Museum of Television & Radio and The Museum of Broadcasting.
When he finally completed the play in 1985, Vitale was eager to have it performed and so he sent it to many colleagues, directors and producers.
Eventually, he received a call from David Susskind, famed television producer and talk show host, who had an immediate “wow” upon reading the script.
“He [Susskind] called and said, ‘I love it, I want to produce it,’” Vitale said.
The play continued to be passed around to various professionals in the field and was soon shared with Murrow’s widow, Janet Huntington Brewster who noted seeing a lot of Ed Murrow, in the play. Meanwhile, Susskind was attempting to obtain funding for a performance or reading of the play to be broadcast on PBS. Despite his efforts, Susskind never succeeded, and the play was put to bed until 2013.
In December 2013, Vitale partnered with his cousin Bob Angelini, the artistic director of the ReVision Theater in Asbury Park, N.J. and both an actor and director with more than 30 years of experience acting and directing in the theater. The decision was made to have the play premiere at the Guild as a part of the organization’s NYC Friday Night Footlights, a weekly event that sponsors readings of work written by members of The Dramatists Guild of America annually, from September to May, and auditions were held for the part of Edward R. Murrow.
“Bob Angelini and I have collaborated on a number of projects over the past few years so it was natural for us to work together on this,” Vitale said. “Bob is a very experienced and accomplished director so he brought a lot to the table.”
Ten actors auditioned, but the part of Edward R. Murrow was ultimately given to Stephen Gleason, an actor who has performed in several other stage productions including “Curse of the Starving Class,” “Picking Palin” and “No Diamonds in the Crabgrass.” Gleason has also appeared in USA Network’s “White Collar,” CBS’s “The Good Wife” and the 2014 Oscar-nominated film, “The Wolf of Wall Street.”
“He [Gleason] was great,” Vitale said. “As a playwright you write on paper, but until you have an actor really speaking those words you really don’t get a feel for your work.”
Bev Sheehan, a friend of Vitale and an actress who has appeared in a number of his plays, including “Clear Air Turbulence,” attended the reading of “Murrow” and enjoyed it thoroughly.
“I haven’t read all of Joe’s plays, but I recently saw ‘Murrow’ and thought it was great,” Sheehan said. “Fabulous subject, and even though it was written years ago, it is so perfect in today’s media climate. It was prescient, what Murrow said in the play, and Joe used it to great effect in his story. It’s a great play for discussion.”
Dramatic readings differ from an average play performance, which involves interaction between characters and a more conscious effort to move about stage. In the case of “Murrow,” Gleason was on stage reading from the script and making only slight movements about the platform.
Angelini, director, noted that directing a reading is always a different experience and not easily comparable to directing an average play.
“As a director, you get to drive the ship and lead everyone on the journey,” Angelini said. “Directing one actor has its own challenges, but directing a reading is difficult in itself as there are generally no props, costumes or sets. It’s quite a challenge.”
However, he added that it was the collaborative efforts of the writer, Vitale, the actor, Gleason and others that made the play a success.
“I love Joe’s work,” Angelini said. “His writing is very thought-provoking and he pays great attention to historical information. He researches his subject matter thoroughly and brings out many facets of a character’s personality and relationships
He is definitely the smart one in the family. I am so proud to be able to work with him and to help bring his art to the stage. You will definitely see Joe’s work produced for large audiences in the future.”
In addition to being a member of The Dramatists Guild of America, Vitale is also affiliated with The Theater Project Playwrights Group. When he is not honing his craft, he enjoys being active and engaging in outdoor activities including skiing and golf. He also intends to take up sailing some time in 2014.
Vitale enjoys writing in all various disciplines and has even written a novel titled, “Image,”and is currently working on a second publication. However, the theater is where his true passion lies.
“I love the energy,” Vitale said. “I’m just hooked on theater.”


Elaine Stritch (February 2, 1925 – July 17, 2014) was an American actress and singer, best known for her work on Broadway. She has appeared in numerous stage plays and musicals, feature films, and many television programs. She was inducted into the American Theater Hall of Fame in 1995.
Stritch made her professional stage debut in 1944 and her Broadway debut in the [...]
Zeitgeist is a user-generated arts and entertainment network that acts as a showcase for artists, musicians, photogs, writers, and fashion kiddies who wish to disseminate their content unedited and unchanged in a grassroots format. We provide a platform and a voice for the relevant disenfranchised who might otherwise be overlooked or unheard.


Heropanti Full Movie Shroff
Legacy is quite a thing in Bollywood. The father always expects his son to make proud of him and achieve more than he has. Probably the place where this thing happens more often is Bollywood. Almost every year we see a star son debuting and starting to make his move in Bollywood. Many of them have been pretty successful which include Abhishek Bachhan, Hritik Roshan, Sunny Deol, Sonam Kapoor etc. All these actors have tasted success apparently without the support of their star parents. This year in May, Bollywood will witness another star son’s debut, Tiger Shroff, son of the eighties star Jackie Shroff. He will be seen in the movie Heropanti along with another débutante Kriti Sanon. So here’s an exclusive preview of the movie. Watch Heropanti Movie.
Cast and Crew
Heropanti is already in news for a interesting mark it will make. The movie will be making the debut of as many as 21 actors. However the buzz is around the main lead, Tiger Shroff and Kriti Sanon, both of whom will be making debuts from this movie. Other pivotal actors include Sandeepa Dhar and Vikram Singh. The movie is produced by Sajid Nadiadwala and is dirtected by Sabbir Khan .The music is given by Sajid-Wajid and is produced under the banner of Nadiadwala Grandson Entertainment.
The plot of the movie is quite familiar to the bollywood trend of movies. The movie features a love story which is opposed by a violent clan. The movie is set in the backdrop of conflicting situations and brutal landscapes where a love story between a bold boy and a bratty girl blossoms. The fate has decided something else for both these two and the climax will show what happens to the love story of both the leads. The movie revolves around the youth of India and how it battles through the conflicting situations which prevails in our country. Watch Heropanti Full Movie.
The movie is set for a theatrical release on 23rd of May 2014 and is expected to open on the box office in a big note. The main soundtrack which is inspired by the song of Jackie Shroff’s movie Hero is already made into the top charts which gives an indication that the sound tracks are pretty good. The movie relates the youth so it is a must watch for all the newbie couples of this generation who are madly in love with each other. Watch Online Heropanti Movie.
If you want some thing fresh from the lot of the Bollywood this summers, Heropanti might prove to be your ideal pick. So, head out to theaters and watch Heropanti.


When it comes to production team management, Luis Moro knows producing results.
Luis Moro has produced feature films on location in Los Angeles, New York, New Jersey, Nevada, Georgia, Florida, and Cuba. At Rutgers University, Luis Moro’s summer job was the production manager for the Iconic Hispanic World’s Fair at the New York City Jacob Javits Convention Center. He became the Executive Director of the Hispanic Worlds Fair at the age of 22. During that tenure, Luis produced events at the World Trade Center, Tavern on the Green, NY’s Gracie Mansion, The New York Plaza Hotel, and other A-List locations.
The following are a few venues Luis has produced films and live production projects in: from racehorse tracks and Las Vegas Casinos to street-car races, chases, and explosions. He’s produced comedy shows in LA, NY comedy clubs, and Broadway theater-sized productions.


NEEL CHAUDHURI - india
Neel is a playwright and director based in New Delhi. He is a Founder and Artistic Director of The Tadpole Repertory. Neel studied history and film and spent a year working in Berlin before returning to India to work in the theatre. He was the Artistic Director of The First City Theatre Foundation from 2006 to 2009 where he wrote and directed his first five plays. In 2010, his play Taramandal won the MetroPlus Playwright Award and he also received a 50th Anniversary Grant from the Goethe Institut/Max Mueller Bhavan for the play, Ich bin Fassbinder. His play Still and Still Moving (2011) was developed in collaboration with the Royal Court Theatre in London. Neel is a member of the Lincoln Center Theater's Directors Lab and a recipient of the 2014 Vinod Doshi Fellowship from the Sahitya Rangabhoomi Pratishthan. He also curates and manages Downstairs, a small underground performance venue in South Delhi.


Improvisation in Theater was already being developed in the early years of the 20th century and has continued in regular theatrical technique with increasing interest after the mid-century mark. It has also been used in many ways in cinema production, directors like Altman made major use of Improv. even to the point at times of not furnishing actors with a script. Full stage and film improvisation can bring life to a production in surprisingly interesting ways, and in the last quarter century improvisation has been widely used. Often unrecognized if aptly done, it can fuse invisibly into the fabric of a written stage script or film scenario. There are hundreds of groups worldwide which one way or another feature the idea of improvisational theater in plays and theater workshops.
Improvisation as an important part of Theater, uses a variety of experimental techniques designed to enliven the performance of a dramatic reading or a performed staged play. Without formally realizing it, stage directors have tried to incorporate an actor’s intuitions into performed parts of a play. When confronted with a stiff and unconvincing part, a director will often say to ad-lib it a bit, and if the actor has a good improvisational skill, he will act out the part on his own as if he were the writer laying out the script. Life and liveliness come naturally from Improvisation and in theater and cinema this has been established as a common and worthwhile technique. We often can’t be sure when a part is being improvised or read from memorized script, except by noting that it sounds very agile and good, perhaps better than the surrounding scripted material. Reversing the situation, a skilled actor can perform a part brilliantly by reading it from script as if he were improvising the words, of which there are well known examples in the history of modern cinema.


May 14, 2010
This 2006 novel by American novelist Cormac McCarthy has been adapted into a feature film to be released this year with actor Viggo Mortensen
as the lead. The novel itself is a dark entry into an unnamed post-apocalyptic period in which the bond between a father and son defies their bleak
situation. The father and son, referred to only as the “man” and the “boy,” travel a desolate and wasted terrain with little hope for finding food and
water. Somehow they manage to sustain themselves and avoid many life-threatening situations. The Road is unsettling, yet hopeful, reminding us
of the amazing power of love.
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One of the best streaming websites, Hulu, can bet no other streaming website can offer better services than them. This streaming website features its
Table of Contents
One of the best streaming websites, Hulu, can bet no other streaming website can offer better services than them. This streaming website features its own originals, such as “Fleishman Is in Trouble,” The Handmaid’s Tale,” and so many others.
When several TV show streaming platforms such as HBO Max, Disney Plus, and Netflix tended to get the attention of users at that time, Hulu’s various lineup of TV shows could be in the place of desire, among others.
No matter if you are looking to watch a memorable comedy, horror, or even hard-hitting drama, Hulu is that place. In this article, the best Hulu shows that you can stream in May 2023.
The Best Hulu Shows That You Can Stream In May 2023
Below we are going to discuss the best Hulu shows that you can stream in May 2023
1) Fleishman Is in Trouble
One of the best American drama series created by Taffy Brodesser-Anker is Fleishman Is in Trouble. The story is all about a 41-years old man whose name is Toby Flishman.
He actually dives into the brave new world of an app-based system where he gets the kind of success that he never had before in his youth. Before that, he got married at the medical school.
After his sexual freedom journey, his ex-wife Rachel disappears and leaves him with their two kids.
Later he realizes that he will not be able to figure out what happened to his ex-wife until he can figure out the reason for the dissolvement of their marriage.
2) What We Do in the Shadows
Another best American comedy and horror television series is “What We Do in the Shadow.” This famous TV show was created by Jemaine Clement and premiered on March 27th, 2019.
The story is all about three vampires such as Nandor, Colin Robinson, and Nadja, who struggle to keep their duties and responsibilities of everyday life in an apartment in New York City.
The first episode of this TV show was released in the USA in 2019 on March 27th. Currently, this is one of the best series that has been on Hulu’s online streaming website.
3) Schitt’s Creek
Schitt’s Creek is a Canadian television series which was created by Dan Levy and his father, Eugene Levy. This TV show was aired from 2015 to 2020 on CBC Television. The story is all about a married couple who unexpectedly get bankrupt.
But somehow, they have some remaining assets, which are in an ugly small town named Schitt’s Creek. This TV show falls under the sitcom, comedy drama genre, which was released in 2015 on January 13th.
4) The Bear
If you want to watch American comedy-drama television series, then “The Bear” is one of the best TV shows. The story of this TV show is quite interesting. A young chef comes to his hometown Chicago to guide his family in running a sandwich shop after a heartbreaking death in his family.
Actually, Carmy comes to his hometown to fill the gap of his brother’s death and runs his brother’s own sandwich shop. At the same time, his family is struggling with strained family conditions and strong-willed recalcitrant kitchen staff; Carmy fights with both the shop and himself.
After that, Carmy works at his brother’s sandwich shop and alongside the kitchen, which ultimately reveals itself that this condition has been chosen by his family. The first release date of this TV show is June 23rd in the year 2022.
5) The Handmaid’s Tale
The Handmaid’s Tale is an American TV show created by Bruce Miller. The story of this TV show is based on the 1985 novel by Canadian author Margaret. This TV show falls under the Tragedy and Dystopia genre, which is hugely famous on Gomovies online streaming website.
The story is all about a fertile woman who lives with a secret police officer and his wife as a concubine. She is forced to adhere to their strict rules, regulations, and norms.
Not only that, but she dreams of being free and living with her daughter. The release date of this TV show is April 26th, 2017.
Atlanta is an American TV show which was created by Donald Glover and is also one of the best Hulu TV shows.
The story of this TV show is all about an upcoming rapper who worked before as a manager for his cousin Alfred. But later, he made a name in the music industry. He actually struggles a lot to feed his child and lover.
This TV show falls under the comedy-drama genre, which has been nominated for the Primetime Emmy Award for Outstanding lead actor in this comedy show. This TV show was released on September 6th in the year of 2016.
Another best Hulu show is Fargo which is also an American black comedy TV series. This TV series was created and written by Noah Hawley.
This TV series is inspired by a 1996 American movie. In this show, a set of characters deal with a mammoth of crimes in several time periods. The only thing that is common between them is their connection with the Midwest, USA.
We have discussed the best Hulu shows above in this article. There are several new shows which are coming to Hulu. Hulu offers a linear state of network shows along with content in partnership with several other networks and online streaming services such as FX, Hulu, and so many others. Also one thing hurawatch is a good platform for movies.
No matter if you have a disastrous mood to watch shows but Hulu has a great ton of shows of multiple genres.
Thank you for reading till the end.


Image by jdlasica via Flickr
I finally saw The Social Network last night. I was impressed with screen writer Aaron Sorkin’s presentation, his trademark snappy dialogue (the opening scene is classic Sorkin), but one aspect that struck my wife and me as we were discussing it in the car afterward was the irony that this seemingly anti-social guy created the world’s most successful social network.
It got me wondering though just how much of this film was fact and just how much was fiction and what realistic conclusions we can draw about Zuckerberg based on this movie.
I had read that the book on which this was based, The Accidental Billionaires, was poorly researched and that the author, Ben Merzich didn’t do his homework. Janet Maslin at the New York Times in particular took Merzich to task for his work.
So I took look at this interview with Sorkin, whose brilliant body of work includes The American President and the West Wing TV show. Sorkin pointed out that Zuckerberg refused to be involved in the film and who can blame him. Therefore the research fell into three categories:
- The public record on the internet such as his blogs (which are used in the film).
- Court papers
- First person accounts of what happened.
The third piece is the tricky part and Sorkin admits that many of the people he interviewed (some of whom are portrayed in the film) had an axe to grind with Zuckerberg, but Sorkin points out that the picture they painted of a guy on the outside of Harvard’s social life is an accurate one.
In the end, it’s a movie and Zuckerberg is probably a more complex individual than the one portrayed brilliantly by Jesse Eisenberg in the film, but as Sorkin points out maybe it wasn’t ironic that an anti-social man built such a successful online social network.
Maybe he built a place where he himself could feel comfortable interacting socially and that is something I can believe.
Cross posted on by ron miller.
October 18, 2010: Interesting follow-up to this post. See this video on by Ron Miller.


Invasion of the Not Quite DeadPublished: Tue, 07 Jul 2009 22:36:13 GMT
Filmmaker Antony Lane is attempting to revolutionize the way films are funded here in the UK, by putting some life back into an almost dead film industry. In a quirky new concept Antony has launched an epic film fundraising website called “THE INDYWOOD MOVIE PROJECT“. His goal is to independently raise the £100,000 budget needed to make his debut feature film “INVASION OF THE NOT QUITE DEAD” which is already being tipped as one of 2010’s most anticipated horror movies. In only 60 days of fundraising he has already raised nearly £8,000
When the project originally launched In November 2007 Antony was able to make headline news with his Guinness World Record attempt at a zombie gathering in the city centre of Cardiff, this made national TV news, giving the project a huge level of media attention.
Some of Hollywood’s top film-makers have backed Antony’s enterprising film project including Kevin Pollak, James Gunn, Lloyd Kaufman, Tom Savini, David Hess, Leslie Simpson, Warwick Davis and the infamous Ken Russell who has agreed to take on the role of consulting executive producer.
“Invasion Of The NOT QUITE Dead” has already become a cult sensation across the internet even before entering pre-production, due to a year long marketing campaign which has reached out to the Zombie fans of the world, giving them nothing more than a poster and synopsis, but at the same time whetting their appetite for more. Within less than a year of promoting the movie Antony has managed to get the film advertised on two of Europe’s leading online DVD rental stores as well as being featured on several theatrical blockbuster lists for 2010.
Classed as NOT QUITE a Zombie movie, fans of the genre will not be disappointed with the direction Antony has decided to take with his new Zombie horror franchise.
On the fundraising front, Antony has teamed up with visual arts studio DESTINATION CREATION to give every customer to the project a complete photo Zombie makeover, making it the only place on the net to get yourself transformed into the undead without getting covered in makeup – all for only £20 including a pre-order DVD, or push the boat out and be a VIP Executive Producer for £150 and get a role in the film.
The Project also plans on raising money through business sponsorship, product placement and to sell 1000 limited edition pre-order DVD’s.
“Since my pre-order customers won’t get their movie for a while I want to offer them something in the here and now, which is why I am offering them a chance to appear in the movie and to also receive exclusive merchandise, not bad for the price of a DVD.” Antony Lane
Other filmmakers that have come on board to help Antony include Hollywood Special FX artist RICH KNIGHT (Beowulf), Make up artist CORRINE BOSSU (King Kong), and Emmy award winning composer Misha Segal who will be giving the film a very chilling score.
Antony has began to negotiate with some of the industries biggest names in horror, including: TOM SAVINI (From Dusk Till Dawn), DAVID HESS (Last House On The Left), EZRA BUZZINGTON (The Hills Have Eyes), LESLIE SIMPSON (Dog Soldiers), WARWICK DAVIS (Leprechaun), DAVID BAILIE (Pirates Of The Caribbean), ANTHONY HEAD (Buffy), and SEAN PERTWEE (Dog Soldiers).
Shooting has been scheduled for early 2010 at various locations around Kent, Cardiff, Grimsby and the Isle Of Scilly where the movie will be set. A teaser trailer is scheduled to be filmed in August 2009.
The film will have an official London premiere on Halloween 2010, before being shown at top film festivals worldwide, including Cannes.
One week before launching the project Antony and Ken Russell auditioned a celebrity for a role which was also filmed for a documentary that will air on BBC 2 in August.
“We hope that this unique and quirky idea will catch the heart and minds of people around the world and will help us to independently fund our film and put the Kent film industry on the map.”
David Lesault was the 10th person to pre-order a DVD and receive a zombie make-over. He was delighted with the results and is eager to see the finished movie. This is a fantastic opportunity for you to be involved in one of the most exciting films of recent years – if you , too, want to show your support, please visit www.theindywoodproject.com and get treat yourself to a DVD and a makeover!


SEKALA NISKALA (The Seen and Unseen) – 85min/HD/Colour/Indonesia,Netherland,Qatar,Australia/2017
As the moon dimmed and replaced by the sun, so does Tantra and Tantri – Twins who experience magical journey and emotional relationship through body expressions; between reality and imagination, losing and hope.
One day in a hospital room, Tantri (10 years old) realizes that she will not have a long time along with her twin brother Tantra. Tantra’s brain weakened and he start to lose his senses one by one. Tantra is now spending most of his time lying in the hospital room while Tantri has to accept the reality that she is now has to face life alone. This situation opens up something in Tantri’s mind.
Tantri keeps waking up in the middle of the night from a dream and seeing Tantra. The night becomes their playground. Under the full moon Tantri dances, she dances about her home, about her feelings. As the moon dimmed and replaced by the sun, so does Tantra and Tantri. Together, Tantri experiences a magical journey and emotional relationship through body expressions; between reality and imagination, losing and hope.
- World Premiere at PLATFORM competition, Toronto International Film Festival 2017
- Hubertbals Fund, Script Development 2011.
- Asia Pacific Screen Awards Children Film Fund, Script Development 2012.
- Wouter Barendrecht Award, Fortissimo Foundation, Hong Kong Asia Film Financing Forum, Co-production market 2012.
- Ties That Bind, Asian European Co-production workshop 2012
- Cinefondation, The Residence du Festival de Cannes 2012 – 2013.
- Doha Film Institute, Post Production Grant 2017
- Best Youth Feature Film, Asia Pacific Screen Awards 2017
- Grand Prize winner, Best Feature Tokyo Fimex 2017
- Hanoman Award, Best Feature Jogja Asia Netpac Film Festival 2017
- International Jury Grand Prix, Best feature Berlinale Generation Kplus 2018
- Best Cinematography, For Anggi Frisca, Malaysian Golden Global Awards 2018
- Critics Choice Award, Fribourg International Film Festival 2018
- Special Award of Premio SIGNIS, Festival cinema Africano d’Asia e America Latina 2018
- Best Feature Film, Avant-garde and genre competition, Buenos Aires International Film Festival 2018
- Media Choice Award for Filmmaker, For Kamila Andini, Shanghai International Film Festival 2018
- Best children Actor award, For Thaly Titi Kasih, Indonesian Movie Actor Award 2018
- Best Film, Bangkok Asean Film Festival 2018
MEMORIA – 35min/HD/Colour/Indonesia/2016
- Wide Angle competition, Busan International Film Festival 2016
- Best Short Film, Blencong Award, Jogja-Netpac Asian Film Festival 2016
- Jogja Film Student Award, Jogja-Netpac Asian Film Festival 2016
- Nominee for Best Short Film, Festival Film Indonesia 2016
- Nominee for Best Short Film, Piala Maya 2016
Sendiri Diana Sendiri (Following Diana) – 40min/HD/Colour/Indonesia/2015
- Compete for best film at Shortcuts Program, Toronto International Film Festival, 2015.
The Mirror Never Lies – 100min/HD/Colour/Indonesia/2011
A mirror and the sea sustains the life of 12-year old Pakis, who lives on the small Indonesian island of KampungBajo. The mirror is a gift left by her father who was lost at sea, and the sea is where she and her mother make their living. With a Bajo ritual using mirror and water, she keeps on waiting to see her father’s reflection, which never appears. One day, Tudo, a dolphin project researcher, came into their lives. When her mother breaks the mirror and falls for young Tudo, Pakis steals the island mirror and despairs. However, she must learn to overcome her sadness on her own.
- Honorable Mention Awards, Global Film Initiative, 2010.
- Selected in ‘New Currents’ Competition, Busan International Film Festival, 2011.
- ‘Bright Young Talent’ from Young Critics Award, International Competition, Mumbai International Film Festival, 2011.
- ‘Earth Grand Prix’ Award for Best Environmental Film, Nature TIFF Competition, Tokyo International Film Festival, 2011.
- Special Mention Award, Wind of Asia – Middle East Competition, Tokyo International Film Festival, 2011.
- Special Mention Award, Main Competition, Cinemanila International Film Festival, 2011.
- Piala Citra, Festival Film Indonesia, 2011:
- Best Original Story (Kamila Andini)
- Best Music Direction (Thoersi Argeswara)
- Special Jury Prize: Best Upcoming Director (Kamila Andini)
- Special Jury Prize: Best Talent (Gita Novalista)
- Selected in ‘Generation K-Plus’ Competition, Berlinale International Film Festival 2012.
- Asian Film Awards Nominations 2012:
- Gita Novalista for Best Newcomer
- Rachmat Syaiful for Best Cinematography
- FIPRESCI award from The International Federation Film Critics, Hong Kong International Film Festival, 2012.
- Best Children Film, Asia Pacific Screen Awards 2012.
- Film Terpuji Festival Film Bandung 2012:
- Best Film
- Best Director (Kamila Andini)
- Best Art Direction (Tony Trimarsanto and Motty D Setyanto)
- Best Cinematography (Rachmat Syaiful)
- Best Poster Design (Tri Wahyu Jatmiko)
- Selected as Opening Film for Cines Del Sur Film Festival, Granada, Spain 2012.
- Special Mention Award, International Competition, Festival Femme de Creteil, France, 2013.
- Best Directing, International Competition, China International Children’s Film Festival 2013.
surely this was a recommended film, all about environment movies which describe of nature beauty and it’s wisdom always make me falling love to the film. Great success
kak, film The Mirror Never Lies kalo mau nonton lagi kita bisa download dimana yah kak 🙂
Mohon infonya kak. makasih sebelumnya 🙂
Tahun ini akan dikeluarkan DVD+Buku produksinya. Bisa di pre-order ke firstname.lastname@example.org. kalau untuk online belum ada sayangnya..


Charlyne yi dating michael
She gained some notoriety when she wrote and starred in the fictionalized indie documentary Paper Hearts with then-boyfriend Michael Cera.You might also recognized Charlyne Yi from the Will Ferrell movie Semi-Pro, in which she played Wheelchair Jody.
She recently appeared in the 2007 Knocked Up alongside Seth Rogen and Katherine Heigl. Playing themselves, Yi and Cera embark on a scripted version of their own story.In the movie, Yi has agreed to be the subject of a documentary about her quest to discover if love really exists, since she's never experienced it.Yi volunteered at an orphanage in Sri Lanka, and while there she collaborated with a group of orphans on a short album called "Mr.Charlyne Yi, born January 4, 1986, is a writer, stand-up comedian and performance artist.
Melding truth and fantasy, Paper Heart uses equal parts comedy and realism to resolve the ultimate question of whether love is fact or fiction.


Are you a movie person? This group may be for you! Each month we’ll meet for a movie and then head to a nearby establishment for a lively discussion and honest discernment of how what we have seen may impact our lives as Christ followers.
DATES: Stay tuned for Fall 2019 group dates
TIME: Evening [the leader will send details 48 hours prior]
LOCATION: Celebration Cinema – Woodland
COST: Just the cost of the movie and refreshments
LEADER: Greg Warsen
Registration is closed. Stay tuned for Fall 2019 group dates
Questions? Email firstname.lastname@example.org


Hello and welcome
If you belong to u3a and love films, this page is for you.
Spring into Summer
The year is progressing, and every day brings reviews of new films just released.
The return of cinemas has made a fantastic difference for many of us. I am a fervent supporter of independent cinemas, and I hope you are lucky enough to have one where you live. That’s, of course, if you feel ready to return to the cinema – some do and some do not. Many new films are being released on streaming too. And then there is always the trusty DVD.
As you’ll know, there are many different kinds of u3a film group. Some meet up to talk about what they’ve been watching; some watch films in members’ homes; some have trips to cinemas; some screen films in a community hall. I have been really pleased to hear from quite a few members, and I reckon that’s just the tip of the iceberg of all your activities! Thank you to all those who have been in contact. Do keep the messages coming. And if you feel inspired to send in a mini-review of a film you’ve seen, that would be great too.
Some words from Falkirk u3a Film Group
John from Falkirk u3a Film Group writes: “I am in the fourth year as group leader, and am thoroughly enjoying the experience of watching a whole variety of films, then having a right good discussion with enthusiastic film lovers.
“I know there are different ways of operating a film group, but I decided that I would screen a film, mostly from my own DVD collection, via a projector. This proved very successful as I was able to use a community room for free at a local supermarket. I showed around 15 films up until lockdown, ranging from classics like Sunset Boulevard to the thought-provoking and prophetic film The Truman Show.
“Like all other groups I had to think up a new way of continuing to run the film group, and we now meet monthly via Zoom. Prior to the meeting I suggest three or four films to be shown on TV, and then we discuss as a group at our Zoom session. We have discussed around 60 films ... I have also started showing a short film during the Zoom session and so far I have shown around a dozen, lasting from six to fifteen minutes. This is maybe something that other film groups would like to try out, and for anyone who is interested, they could email me for the links.”
Thank you John, it was good to hear from you.
NB If any groups are interested in the short films that John mentions, let me know and I will forward your details on.
How does your u3a group enjoy film?
How do you watch movies, how do you decide on them, are there any challenges to running your sessions? How do you see 2022 rolling out? Are there things you think should be covered on this page? I look forward to hearing from you!
A gentle reminder about film licensing
If you screen films to your group outside the home, for instance in a community hall, all your film screenings must be licensed. The good news is that national u3a buys every year an ‘Umbrella Film Licence’ from the film licensing company MPLC. This means that all local u3a branches are licensed to show any film that is covered by MPLC. This company licenses a huge number of films, but it does not cover every film. In some cases a group would need to buy an additional licence. For more information and advice, please contact me.
In praise of streaming
I would like to put in a good word for catch-up TV, especially BBC iPlayer and All4, and also for Netflix. These are free or low cost, and provide us with an impressive array of films. When the choice seems too great, I often find that recommendations from friends … and from u3a fellow film fans … help me select what to watch.
As you’ll know, there are a lot of other film streaming services now … too many to mention.
Films from these kinds of sources can be great material for a film discussion group. Each member watches one or two pre-agreed films at home, and then all discuss the films at the meeting. You could of course hold your meetings on Zoom if preferred.
Something for everyone
From classic films on iPlayer, to any number of new releases and classics on Netflix, not to mention selections from your DVD libraries and new movies in cinemas … Films have something for everyone. Why not let me know about a film you or your group have especially enjoyed recently?


Our Film Packages
Your wedding day is once in a lifetime and with these film packages, you’ll be put in the Spotlight! These packages are for the bride & groom who wants every special moment of their day beautifully captured and documented! By the end, you will have a full feature film to remember your day in every perfect detail.
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