The Italian Bernardo Bertolucci producer, who won Oscars for The Last Emperor and his erotic play Last Tango in & # 39; Paris and told him xokkat the world, died Monday. He was 77.
The press office & # 39; Bertolucci, Punto e comma, confirmed the death in & # 39; email to The Associated Press. RAI state of Italy Bertolucci said he died at his home in & # 39; Rome, surrounded by family.
"He will be remembered among the largest in Italian film and the world," the Film Festival & # 39; Venice, which gave Bertolucci award & # 39; success in 2007, said in a statement.
The movies & # 39; Bertolucci often explore sexual relationships among the characters stuck in a psychological crisis, as in the case Last Tango.
The Marxist who was also working for itself fallax himself from politics and ideology, as in the case The conformist, Which some critics consider the masterpiece & # 39; Bertolucci.
Although he was working with & # 39; American stars and international list A, Bertolucci has always defended the style of his own films against what he said was the pressure of the US film industry.
He kept a critical success for most of his career, goes the controversy that his sexual provocative mix work and some commercial flops.
"When it comes to commercial cinema, I have the strange enjoyment I feel I'm from another tribe, infiltratur" told Italian daily Corriere della Sera in 1990.
RELATED: Last Tango In & # 39; Paris director slams "ridiculous" backlash over rape scene
RELATTA: Horror & # 39; Hollywood finally Tango in & # 39; & # 39 Paris allegation; rape
He was honored for life achievement in film festival & # 39; Cannes in 2011.
The movies & # 39; Bertolucci also had pictures & # 39; experiences of the director himself in psikoanalisi. He always said that film production was the way & # 39; communication & # 39; the audience. It was his personal language.
"Maybe I'm idealistic, but I still think of the movie theater as a cathedral where we all go together to feel the dream together," he said after receiving an award from the Director of America Corporation for its film of 1987 The Last Emperor.
That film gave Bertolucci his greatest success. In 1988 win nine & # 39; the Academy Awards has been nominated for – including best film and best director.
The film – the first Western film to win permission to shoot in the Forbidden City of & # 39; Beijing – follows the life of the last emperor of China, the child king finally the Qing Dynasty for war criminals and finally an ordinary citizen in the People's Republic.
It was filmed in lush and vivid style was one of the trademarks of & # 39; Bertolucci. It seemed grandiose scenes and intimate moments, and flashback structure that is typical & # 39; biopic.
The cinema Vittorio Storaro, who often worked with & # 39; Bertolucci and won one of his three Oscar The Last Emperor, Comparing the director to William Faulkner.
"His style is no different than & # 39; Faulkner will go to 30 pages without a period. Bernardo does not only use the camera to deliver a single judgment. Everything comes to anything other", said Storaro.
Bertolucci was born in the northern city & # 39; Parma 16 & # 39; March, 1941, son of the poet Attilio Bertolucci and his wife Ninetta. The family moved to Rome when Bertolucci was 13.
He originally wanted to be a poet like his father, but later turned to films.
He began his career while he was still a student at the University & # 39; Rome as an assistant director in the film & # 39; Pier Paolo Pasolini Accattone. A year later, in 1962, he made his first film The Grim Reaper, On the killing of & # 39; prostitute.
Soon established himself as one of the top young stars & # 39; international cinema. By & # 39; his early 30s, has already directed many acclaimed films: Before the Revolution in 1964, a reflection on the policy and the middle class settled in the locality director; Stratagem & # 39; Spider in 1970, history & # 39; man who returns to the scene of the murder & # 39; father, hero anti-fascists, to discover web & # 39; location; and The conformist, Which is based on Alberto Moravia novel and shows the struggle of & # 39; man, Jean-Louis Trintignant, to comply with societal expectations and in Italy Fascista.
But was it Last Tango which Bertolucci shot to stardom, and reputation. The film, starring Marlon Brando and Maria Schneider as a man & # 39; mean age and younger woman to engage in & # 39; brutal sexual relationship in apartment & # 39; Paris blank, shocked the world and suffered censorship in his native country.
But the raw style and his improvisation also earned nominations of & # 39; Brando and Bertolucci Oscar and was compared by critic Pauline Kael New Yorker film with & # 39; Stravinsky & # 39; s The Rite of Spring as revolutionary work & # 39; art. The film was banned in Italy just after his release in 1972, and was re-released until 1987.
The case went to the courts and back until the high criminal court banned the film in 1976 and ordered all copies confiscated and destroyed. Bertolucci, Brando and Schneider, as well as producer Alberto Grimaldi, were sentenced to two months in prison and a fine of & # 39; $ 40 each – although prison terms were suspended.
Schneider itself say that was traumatized by the movie. The actress, who died in 2011, was only 19 at the filmazzjoni and told Mail & # 39; day in 2007 that & # 39; rape scene involving a stick & # 39; butter was included without warning. "I was called my agent or my lawyer could & # 39; enter into the set because it can not solve anyone to do something that is not in the script, but in & # 39; then, I did not know "she said.
"Marlon told me:" Maria, do not worry, it's just a film, "but during the scene, even though what he was doing Marlon was real, I was crying real tears. I felt humiliated and be honest, I felt a little stupid, both Marlon and and by Bertolucci. After the scene, Marlon did not console me or apologize. B & # 39; good fortune, there was only one decision, "she said.
Bertolucci then began its most ambitious project, epic stories & # 39; four & # 39; hours on life & # 39; two sons – Gerard Depardieu and Robert De Niro – through the political turmoil of the last century in Italy. The film – 1900 – won some critical praise, but ended spectacular commercial flop.
The posterior films & # 39; Bertolucci included The Sky & # 39; Shelter, Characterized by Debra Winger and John Malkovich as an American couple who try to inject new life into their relationship during a trip to Africa. Work & # 39; 1990 Bertolucci won a nomination at the Golden Globes.
He also addressed Little Buddha in 1993 with & # 39; Keanu Reeves as Siddharta; Stealing Beauty in 1996 starring Liv Tyler as a teenager discovering sex during a trip to Italy; The Dreamers, Again & # 39; Other erotic drama set against a political background – f & # 39; in this case the 1968 riots & # 39; students at & # 39; Paris – starring Eva Green and Louis Garrel as brothers cinema lovers who find friendship with & # 39; the American student Michael Pitt. The film became the male nudity & # 39; full forward but was released uncut in the United States.
Bertolucci was married to writer and director Clare Peploe English. They had no children. Peploe is the sister of & # 39; Mark Peploe, script and a friend & # 39; Bertolucci worked with the director on a number of & # 39; projects. Punto e comma, the press office, said details of the funeral plans are not yet finalized but expects ceremony in the coming days.


Franklin & Marshall’s weekly online newsletter
Mira Nair Visits F&M as Mueller Fellow
Filmmaker Mira Nair, left, with her nephew, Sahil Nair ’10 during her visit to campus as the 2010 Mueller Fellow.
Acclaimed film director Mira Nair visited Franklin & Marshall this week as the 2010 Mueller Fellow, giving members of the campus community a glimpse into the world of filmmaking through the eyes of one of its most distinguished figures. Her three-day visit to the College included the Mueller Fellowship Lecture, meetings with students and today’s campus-wide Common Hour discussion.
However, one person on campus was excited for a different reason—his aunt was coming to town. Nair’s nephew, Sahil Nair ’10, is a business, organizations & society major and Italian minor at the College, and this week marked his aunt’s first trip to Lancaster.
Mira Nair has experienced success as a director, writer and producer over the past two-plus decades. Her debut feature, Salaam Bombay!, won 27 international awards and was nominated for an Academy Award, Golden Globe and BAFTA Award for best foreign language film in 1988. She never anticipated the high praise her work would receive, nor did she have time to think about the possibility. “During filming, there was never a question of thinking beyond the next day,” she says.
More than a dozen films later, Nair continues to direct and produce critically acclaimed work, including Monsoon Wedding, The Namesake and Amelia. “Each film requires that you think of what the story demands,” she says. “Monsoon Wedding was always conceived as a hand-held camera, as if you were there, like a fly on the wall. The Namesake was conceived as a series of still photographs, and the camera was hardly ever hand-held.”
On the set, Nair and her team practice yoga on a regular basis to strengthen their bodies and cope with the stresses of the job. The director has practiced the art seriously since 1996, and says it has been an anchor in her life.
“We’ve practiced yoga in churches, bars, delis, conference rooms and rooftops,” she says. “It’s an egoless way to work—people have to leave their tantrums at the door. It’s a strong part of my work.”
Nair’s current work includes the development of Monsoon Wedding as a musical, which is planned for an opening on Broadway next year. She is also working on her next film, an adaptation of Mohsin Hamid’s novel, The Reluctant Fundamentalist.
But this week, Nair gets to spend time with her nephew, Sahil, who has enjoyed his four years at F&M. He says the liberal arts environment was the perfect fit for a student coming from India.
“In India, much of college is about memorizing for an exam,” says Sahil, who first discussed a possible visit by his aunt with Dirk Eitzen, associate professor of film and media studies. “At F&M, there is more application of what you’ve learned. You learn things in new ways, and approach problems differently.”
As for approaching a career in directing, Mira Nair provides advice for film students from the top of the profession.
“Arm yourself with craft, discipline and rigor, never take no for an answer and make films about what turns you on.”


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If you’re a fan of South Indian cinema and wish to stream the recent Telugu movies online at no cost with no buffering issues, we have some fantastic platforms for you to check out.
It is evident that Bollywood and the South Indian cinema industry are two different things, and they operate differently.
You will see plenty of action, and a completely different plot line within Telugu as well as Tamil cinema. Also, you can find sites that offer Telugu movies for free, to stream your favorite content.
Here are the top websites that allow you to watch Telugu films online in 2022:
Bolly2Tolly is an incredible streaming service that allows you to stream Telugu films online. It’s hard to believe that despite being a US-based website, this platform provides amazing Telugu films for movie buffs in India and all over the world.
In addition to the movie area, Bolly2Tolly is efficiently working in providing the most recent and forthcoming trailers for movies as well as TV series. In terms of movie trailers, Bolly2Tolly has an abundant database for that as well. It is an excellent alternative for movierulz plz Telugu and similar popular websites.
It has a collection of movies in Hindi, Telugu, Tamil, Malayalam, Punjabi, Bengali, Marathi, Kannada, etc. Bolly2Tolly is so reliable that, in addition to streaming online for free you can download the movies from here as well.
For Gujrati movies visit Gujarati Movies Download
JioCinema is only available to only Jio SIM customers in India. You can stream a vast selection of films in HD quality with the JioCinema application. Blockbuster films, Web series, originals, and over 70,000 music videos are streamed on JioCinema.
There’s a wide selection of Telugu films that are available through the JioCinemas application. All you have to do is choose Telugu as the language you prefer to see the massive Telugu film collection.
It is recommended to have Jio SIM to watch Telugu Movies Online via JioCinema app for a better experience. Jio has launched a web version to also stream online films. Sign in to the website using your Jio SIM account to access the content.
- Telugu Palaka
Telugupalaka is the most reliable site to stream Telugu films online. You can also view your preferred movie to enjoy with your family.
It is among the sites where you can not only discover Telugu films but other regional films that are of top quality. From old classics to the latest ones, there are a lot of options to pick and view.
Thus, the site is beneficial for those looking to go to a movie when they require it. It’s a free website that you don’t have to spend any money on for watching movies online.
On this website, daily updates are available within the library. This means that you can watch the most recent movies every day. Whatever kind of genre you’re looking for, romance or action, drama, or comedy, you’ll find the movies you want here on this website.
The interface for users of this Telugu online movie-watching site is user-friendly. You can type the name of Telugu films in the search bar, and you’ll be presented with a list of movies on the screen.
Pycker is totally free to sign up. If you’re a fan of South Indian cinema and wish to stream the recent Telugu movies online at no cost, then you should check out this website.
Offering more than 15000 films and TV shows, Tubi TV is a free site for the latest Telugu films to stream on the internet. Since April the site has a variety of genres you can choose from and view. You can visit WPEPRO to learn more about the South Indian movie industry.
From action to comedy and other genres you can view your most loved Telugu films on the website. You can also watch movies from the Top Rated and Newly Added category. You can also view some Telugu web series you like.
Because the movie industry is getting more interesting every year, a greater number of people across the world are enjoying Telugu films. If you’re among the people who love Telugu films and movies, then watching Telugu Movies online for free is now possible with these websites.
South Indian movies are now a popular choice for cinephiles. Therefore, take a look at the Telugu film websites we’ve mentioned here and tell us about your thoughts on them.
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2013, 98 minutes
Rated R for disturbing violent and sexual content
Stoker marks the American film debut of acclaimed South Korean director Park Chan-wook, best known for his violent, stylized films, many of which are centered around revenge (Oldboy is his most famous). Stoker was written by Wentworth Miller, of the TV show Prison Break and follows India Stoker (Mia Wasikowska), a young woman whose creepy uncle, Charlie (Matthew Goode), comes to live with her and her mother, Evie (Nicole Kidman), after her father dies in an accident.
This film's greatest strengths are in the acting and technical departments. Matthew Goode gives a wonderfully eerie performance as Charlie. His chemistry with Wasikowska is spot-on. Wasikowska, at 23, is already one of the most versatile actresses working now with leading parts in Tim Burton's 2010 film adaptation of Alice in Wonderland and Cary Fukunaga's brilliant 2011 adaptation of Jane Eyre. In Stoker, she plays a reserved teen who is awakened in many ways by Charlie. With very little dialogue to work with, Wasikowska internalizes her feelings and shows them on her face, creating a supreme intensity. Nicole Kidman is solid, as usual, as Evie.
Park Chan-wook directs this movie with serious style working perfectly in sync with frequent-cinematographer Chung-hoon Chung and master composer Clint Mansell. Park has complete control over the film and Chung's cinematography and Mansell's beautiful score move together. Chung's cinematography is dreamy and lyrical, emphasizing the sinister undertones of the film and creating a frightening atmosphere. Production designer Thérèse DePrez's magnificent production design adds to the atmosphere. The Southern Gothic feel of the film makes it feel as if Stoker was set in the 1950s, but modern touches make the film's time period harder to determine, an intentional choice by the filmmakers.
The screenplay of Stoker is what brings it down substantially. The basic story is like a kinkier, more demented, but far less effective version of the brilliant 1943 Hitchcock film Shadow of a Doubt. It also has a very weird flow, is utterly predictable, and almost devoid of surprises. In addition, the dialogue isn't great either. Mr. Miller was very lucky to have such an amazing cast and crew working on this film because without them, Stoker would have become just another genre exercise that would have been made as an average thriller.
Overall, while relying on its style over its substance, Stoker is nonetheless a very entertaining, disturbing exercise in gothic horror by one of the greatest filmmakers working today. Many filmmakers fail upon their English-language film debut, but Park succeeds in making a good film that will be accessible to American audiences, while putting his own distinctive mark on the film.


> jaMIE HUTCHINS
Jamie’s interest in comedy started in 2004 when he set about writing a sketch show called “A Man and his Box”. It was performed in Brentwood theatre in Essex before being taken to the Edinburgh Fringe Festival of the same year. His real passion in life is acting and has been treading the boards since he was seven. Affter his show in Edinburgh he was accepted at The London Academy of Music and Dramatic Art (LAMDA) to train to become a professional actor. His acting work has ranged from film and theatre and he has been in productions in both Italy and London. In between acting work he began to write sitcoms, one of which is currently being developed as a short miniseries.
Past projects: FOURSOME


Have fun raising funds for SIFF with Jeff “The Dude” Dowd in person! This one-night-only celebration on Wednesday, March 28 at The Garage is everything Dude-ly… including a pair of drinks, hors d’oeuvres, bowling, prizes and yes — even the shoes. Don’t miss your chance to party like Lebowski.
Tickets are $50/person. All proceeds benefit the Seattle Independent Film Festival (SIFF). Ticket price includes food, drinks, bowling, and a chance to hang out intimately with The Dude! 21+ only. Wednesday, March 28 at 5:30pm. Click HERE for tickets.READ MORE: Stimulus Check Latest: Who Is Getting A Plus-Up Payment?
Then, head over to SIFF Cinema at The Uptown where the Dude abides in this special karaoke-style subtitled edition of the single most quotable movie of all time. The Coen Brothers’ 1998 comedy is a film whose dedicated fans have inspired countless bowling parties, drinking games, conventions, and even a book dedicated purely to its unstoppable cult following (“I’m A Lebowski, You’re A Lebowski”).READ MORE: Stimulus Check Update: Will You Get A Fourth Relief Payment?
Costumes are encouraged: come as a character in the film, or even as your favorite moment from the film, for a special costume parade and contest. Winners get special Lebowski prizes and a chance to show off their bowling shirts to an adoring crowd.
Garage is located at:
Seattle, WA 98122
SIFF Cinema at The Uptown is located at:
511 Queen Anne Avenue North
Seattle, WA 98109


Few images captured during International Film Festival of India which was held in Goa. The film festival was spread over 10 days between 20th November to 30th November 2013. Mr. Narendra Gaonkar witnessed Film Bazaar which was also organized during Film Festival at Goa Marriott Resort & Spa. Film Bazaar is a place were filmmakers come together to purchase, to sell documentary films or feature films produced by them. There are also other people like the producers, directors, cinematographers, actors, sales agents and more people related to film industry. Basically there is interaction between film industry professionals.
A teaser video of International Film Festival of India held in Goa. IFFI video-click here


Join the Wharton Club of Boston and the Penn Club of Boston to see Finding Neverland. Our seats are in the Orchestra Center and offer a great view! Members save $20 off of box office price! Ticket sales end on Sunday, August 6th!
FINDING NEVERLAND is the Broadway musical that tells the fascinating story of how Peter became Pan. Based on the Academy Award®-winning film of the same name, it has been brought to extraordinary life by the team behind Shakespeare in Love, Chicago and Pippin.


This piece of cinematic dynamite from Enzo G. Castellari is often credited, along with Stefano Vanzina’s La polizia ringrazia / Execution Squad (1972), with kick-starting the poliziotteschi cycle. It's also one of the best. Franco Nero is Vice-Commissioner Belli, a frustrated straighter-than-straight cop trying to rid the city of Genoa of organised crime once and for all.
After narrowly avoiding being killed in a car bombing, Belli heads straight to old-time mafia boss Cafiero (Fernando Rey of both French Connection films – utterly perfect in this role) who reveals that there’s a new, nastier criminal element in town, with connections that go right to the top. Belli’s every attempt to get to the truth is scuppered by one brutal gangland murder after another, culminating in the death of his superior, Commissioner Scavino (U.S. character actor James Whitmore – also brilliant here), on his way to deliver a dossier of evidence to the D.A., and finally of Belli’s estranged daughter (played by Castellari’s daughter Stefania Girolami).
Nero’s future as an action star was secured with this film – and quite rightly so. Although he could be (and has been) easily accused of over-acting here, it can’t be denied that that his supremely stressed-out performance supplies much of the driving force of the movie. And even in this near-apoplectic state he still remains one of the coolest actors who ever lived. Period.
An excellent supporting cast includes Sylvano Tranquilli as a corrupt captain of industry, Duilio Del Prete as his degenerate brother and Baba Yaga’s Ely Galleani as the latter’s shrewd moll. Also memorable in a non-speaking role as a particularly despicable hitman, is one (uncredited) Walter Patriarca – actually a busy art director, costume designer and production designer by trade, but also a familiar face to gorehounds as ‘Dr Dreylock’ from the opening scenes of Zombi Holocaust (1980). Also familiar to zombie-lovers will be the name of long-time Fulci collaborator Vincenzo Tomassi, whose snappy editing, along with a career-best soundtrack from Guido & Maurizio De Angelis, elevates La polizia incrimina… to another level entirely.
The film successfully tapped into the anger, fear and confusion of the Italian public at a time when car bombings, kidnappings, shootings and all manner of atrocities (some of which, it transpired, being actually state-sponsored) filled the national newspaper headlines – and was a huge success prompting a slew of imitations as a result. Nero's next film with Castellari would be the equally high quality Il cittadino si ribella / Street Law in the following year.


AMSA Theater Department 15th Anniversary Sweatshirt Fundraiser!
In celebration of our 15th season, we are having a theater sweatshirt fundraiser. All proceeds will go directly to the theater program at Anoka Middle School for the Arts. The sweatshirt price is $45. Embroidery is included in the price. The fundraiser will run from Monday January 27th, 2020-Friday February 28th, 2020. The sweatshirts will available for pick up after March 23rd, 2020.


Melton & More
Mondays, 7:00-8:30pm (EST), February 1 - March 8
This course will explore the shifting portrayal of Jews in mainstream American movies and how these changes
reflected the dramatically-changing attitudes in society.
Course Description :
While Jews have had a substantial role in the development of the American movie industry, the actual portrayal of Jewish people in movies has been far more complex. Many of the major studio moguls in the 1920’s, 30’s and 40’s were Jewish; however, they were intent on creating entertainment products that were designed for mass consumption. Therefore, the characters presented in the movies, as well as the performers, were people to whom audiences could both relate and aspire. Since the majority of the audiences were mostly white and Christian, studio heads believed that the characters their audiences preferred to see would be white and Christian as well. As a result, there didn't seem to be much of a place in the movies for Jewish stories, Jewish characters or even Jewish performers, despite some notable exceptions. Post-World War II, however, was a period of rapid societal change and the portrayal of Jews in movies mirrored the changes and transformation happening elsewhere in American society. This course will deal with the shifting portrayal of Jews in mainstream American movies and how these changes reflected the dramatically-changing attitudes in society. We will examine this history from the early years of the American film industry till today. Clips from movies will be shown to students, so the course will be both visual as well as auditory.
Dates: Feb. 1, 8, 15, 22; Mar. 1, 8
Mondays, 7:00-8:30pm (EST)


In my correspondence with devoted viewer mc213mc, conversation briefly turned to the recently-released trailer for "Source Code", the upcoming film starring Jake Gyllenhaal. I was uncertain of whether to post this, but here, for your viewing pleasure, is the quick analysis I gave:
First, the choice of title is silly. Source code is the human-readable text of a computer program, and nothing else. It's jargon for jargon's sake, like how the Matrix in its eponymous films has little to do with any of the actual meanings of the word "matrix". Second, while Jake Gyllenhaal is a great actor (and it's interesting to see him in an action role), the choice to have him in the roles of both in-"Source Code" and IRL Capt. Stevens is simply lazy. The fact that he's not told in advance of his participation in the obviously experimental and top-secret procedure makes no sense, and I guarantee it won't make much more in the full film.
The trailer is poorly edited, not even attempting to disguise the splicing of unrelated audio and video, and while it may pretend to be deep and existential, at its heart it's unabashedly an action movie, with only enough plot to hold it together between the fun action scenes. What else would you expect from Ben Ripley, the writer of Species III, Species: The Awakening, and The Watch?
Of course, with direction by the experimentalist Duncan Jones (son of David Bowie) and cinematography by Don Burgess (The Book of Eli, Enchanted, Radio, Terminator, Spider-Man, Cast Away, and Forrest Gump), it's guaranteed to be tolerably good in the visuals department—or even great, if you happen to like the style of those movies. It was almost certainly shot digitally, and probably using RED cameras and lenses, which means every zoom shot is going to look awful. The original composer, the ace Clint Mansell (Requiem for a Dream), bailed out due to time constraints, leaving deuce Chris P. Bacon in his place, and on a $35 million budget, the sound design may not even do his work justice.
tl;dr: Recipe for a B movie, straight up. Big box-office draw, bigger critical flop.


Deaudonné Markhophen is a young women haunted by her own fears and childhood memories.
Deaudonné is a fair skinned, dark haired girl of about 19. She wears her black hair in a braid to keep it out of her face; though her squarely cut bangs are usually in the way. She also has vibrantly blue eyes, and a scar on her left temple, just next to her eye. She wears a pair of round glasses- they are quite large and occupy most of her face.
She generally wears a dull, greyish red jacket over a black tanktop, and dark grey jeans.
Deaudonné's place in the story is of both the antagonist and protagonist; she created a world in her mind, full of monsters that are symbolic of her fears and bad memories. She runs or fights any she comes across monsters; this can turn wholespecies of them against her, whereas they would have been passive. Some of them she is utterly striken by; other she has a wary tolerance for.
Deaudonné relies on the weapons she can find in her world- these are the forms of everything she did to combat her fears as a child; kicking and screaming comes to her as a a bat with railway spikes in it; cold shoulder as a double edged sword (pun intended); and more along these lines.
Deaudonné is, ironically, also a monster; she doesn't know it, until the monster Adisa gets close enough to her to show her a mirror, where she sees her real form as a monster just like everything else. This realization broke her out of her mental world, and brought her back to reality.
- Her name is a corruption of Dedan, a reference to the Indie game OFF, by Mortis Ghost. It is also a corruption of the French words for 'God gave. '
- The only reason her dream world didn't destroy her is because she wasn't a pure, perfect human; she is just as low down as everyone, and realizing this is what really brought her back.
- After she returns, every night she dreams, and she's back in her world; she spends this time making ammends with her fears.
- She is the sole God-level monster.


Mo Faya and Lwanda, Man of Stone
The GoDown was the scene for the premier of a 21-song musical theatre piece, Lwanda, Man of Stone, in December 2006. The production was based on a local folk story and married traditional instruments and styles of the Luo people of Western Kenya with contemporary urban Kenyan sound. The production was then taken on a national tour in 2007 and 2008 playing a total of 52 shows. Under the name Mo Faya it played at the New York Musical Theatre Festival in 2009. Both these productions were projects of Rainmaker Productions run by singer-songwriter Eric Wainaina and his wife, cultural manager and Theatre, Film and Music Producer Sheba Hirst.
Eric is an alumnus of the Sundance Institute Theatre Program East Africa Initiative. Eric and Sheba currently run Rainmaker and are co-directors of the Nairobi Musical Theatre Initiative. Eric recently facilitated a music workshop for musicians from the Mukuru Youth Initiative as part of the ArtXchange program delivered by The GoDown.


*(Continuation of episode 26 darkness)
(Continuation of Episode 25 why)
(Continuation of episode 24)
(The continuation of Episode 23)
Seth: *Looks down*
Nicky: *Slowly grabs his gear and a water bottle* You guys planning on following her or going back to the ship with me?
Jake: HOW CAN YOU EVEN THINK ABOUT GOING HOME?! SHE'S GOING TO DIE IF WE DON'T-
Jack:...No, she'll be fine...She's been on her own for years she can handle herself we need to go back to the ship and head to the main ship, get some heavy gears and come back for her with a doctor just in case she's hurt.
Seth: You're better, much better since she came.. *Sighs* You're plan is good...I'm not fit to be a captain so when we get on broad you have my place.
Nicky: What!? That idiot-
Jake: *Points a gun at them* WE GO TO MELTA NOW!
Jack: *Sighs and quickly stuns him with a knock out gun*
Jake: *Knocked out*
Nicky: Come on, let's go.
(To be continued)
(The continuation of Episode 22)
(This is a continuation of episode 21)
(This is a continuation of episode 20)
Jake: Melta please calm down!
Melta: NO! *Looking down, gasping* T-This is my fault.....If I had of just shot her father would be alive but I-
Nicky: *Walks up to her, looking down* No, it isn't your fault...You listened to me and father which led to his death, if me and father believed you our actual flash and blood he would be alive she would be dead and we would be fighting or almost about to fight that bloody beast! Don't go and blame yourself if anyone is to blame it's me and father!
Seth: No, if anyone is to blame it's Malone....You didn't know Malone, your step-mother was an enemy so therefore you had to defend and protect her , your father thought the same and Melta is what? The baby of the family. Queen or not she has to listen to her older brother and father.
Jack: Okay so yeahhhh It's no ones fault but Malone, can we get going? I mean, his death can't be worthless we must continue to stay together,strong and fight the beast!
Jake: When did you become so brave?
Jack: No questions! Now are we gonna get going or not?
Seth,Jake,Melta and Nicky: Yes!
Melta: Just so you know your not in charge Jack *Grabs her gun and helmet, wipes away the tears she tried to hide* Now, lets go.
*They all grab their gear and head toward the beast*
(to be continued)
(This is a continuation of episode 19)
Nicky: F-Father?... *Falls to his knees as he sees Rodger and Malone on the ground dead* NOOOOO!!!!!!!!!!!!! *Cries*
Jack: *Walks up to Nicky* ........Nick...
Nicky: DON'T SAY ANYTHING!
Jack: ....... *Gets a blanket that was by Rodger's backpack* ..... *Lifts Rodger and Malone and places them on the blanket* ..... *Puts another blanket on top of them* ...Comon' we need to catch up with the oth-
Nicky: NO! *Grabs his gun and points it at Jack while his hands are shaky* I will not go back!...If she known Melone was an enemy why didn't she just kill her?! She knew the risks now my father is dead!
Jack: ...You didn't believe her you and your father told her to stop, what if she did kill her? Would you had of just dismissed it? No Rodger would've went into shock and harmed her...You would've ran off like you always do!....She was looking out for your and your fathers' safety by simply putting down her gun..
Nicky: ...... *Lowers his gun and looks down wiping the tears off his face he mumbles* I'm sorry.. *He stands up and looks at Jack* Let's catch up with the others..
Jack: Yeah *Mumbles* Before they die too..
*They head back to the others*
(To be continued)
(Continuation of episode 18)
Rodger: *Falls and starts gasping for air*
Malone: *Laughs and kneels down next to him* See? You should've listened to your child now your dying and she's about to suffer *Smirks* Maybe this will be a lesson, never trust anyone not even your "number one love" because they will end up breaking your heart *Laughs* literary.
Rodger: *Gasping for air, too weak to speak* y-y..
Malone: *Smirks and stands up then turns around* "Cya"
Rodger: *Slowly reaches for his gun and shoots her in the back of her head* S-See you in-... *He dies*
Malone: *Is dead*
*The others hear a gunshot and turns around*
Jack: Where was that?!
Melta: *Screams in pain and falls to the ground* AHHH!!!..
Jake: Melta?! *Kneels down next to her* Are you okay?! Are you shot?!
Melta: *Tears up* N-No it's father.....He's..dead...
Nicky: W-What?.......N-No he's not.......He's not!!!! *Rushes off going back to Rodger and Malone*
Melta: J-Jack please go with him he doesn't need to be there alone..
Jack: *Mumbles* You asked? N-No one's ... *Smiles a little and bows then rushes to Nicky, he thinks "everyone just orders me around but she asked me.."*
(To be considered)
(Continuation of episode 17)
Rodger: *Takes the gun from Melta* You shouldn't have this now..
Melta: Give it back..
Rodger: No! I'm putting my foot down!! You will not get this until-..
Melta: Until what!? Malone tries to kill me again!?
Malone: I wouldn't try to kill you!!!
Jake: *Stands by Melta* Okay, Malone if you wouldn't try to kill her stop saying that because it's just making you sound guilty and I'm sorry captain but I listen to my queen and girlfriend Melta so that means if I have to with force I'll give her gun back.
Nicky: Watch it Jake!!
Seth: ............Aren't we supposed to be fighting the beast and not each other? *Mumbling*
Jack: I was thinking the same thing.. *Mumbles back to Seth*
Melta: No...... *Looks down and grabs her helmet* Cya....I'm going to do what I'm supposed.. *Walks off*
Jake: WAIT!!! *Mad* now she's gonna go get herself killed great job captain!....Seth, Jack, Nick come on
Jack: "Anything for the queen" *Sighs at Rodger and Malone*
Seth: *Sighs* Cya captain.
Jack,Seth,Nicky and Jake: *Gets their stuff and goes in the direction Melta went*
Malone: ........ *Fakly cries*
Rodger: Come here *Hugs her* Your tough okay? Don't break now.
Malone: *Smirks and mumbles* I'm not *Pulls out a small pocket knife and stabs him in the heart*
(To be continued)


Actress Kim Novak has finally decided to address the whole situation regarding the Oscars and the general mockery she received for showing up to present with Matthew McConaughey in a Facebook post. The 81-year-old veteran decided she was going to stop holding in her frustration and just let these bullies have it:
In the last couple of weeks, many women in the U.K. have been posting "no-makeup selfies." It's raised a boatload of money for charity, but is it anything more than slacktivism? Oh, and thousands of people accidentally donated to the wrong charity/asked about adopting a polar bear.
Actress Kim Novak once made a name for herself freaking out onscreen in Alfred Hitchcock's Vertigo. These days, she's making a name for herself freaking out in the pages of Variety and claiming that a recent movie that used part of the score from the classic thriller has literally raped her. A movie. Literally. Raped.…


Shibani Dandekar and Farhan Akhtar are legit couple goals. The star couple shared mushy set of pictures from their Diwali festivities on their respective Instagram handles on Friday. Shibani Dandekar captioned the post: “Dreamy nights with my guy.” Meanwhile, Farhan Akhtar wrote this while sharing pictures with Shibani. “No celebration is complete without you.” He added the hashtags #diwali and #aboutlastnight. The pictures are the definition of adorable. Shibani Dandekar married Farhan Akhtar in February this year. Their wedding was attended by family members and close friends.
See the photos shared by the star couple here:
Here’s what Farhan Akhtar posted:
Shibani, sharing a glimpse of her OOTD, designed by Anamika Khanna and she wrote: “Starry Diwali nights.”
Farhan Akhtar too shared pictures of his festive outfit and wrote: “Diwali celebrations are a go. #aboutlastnight.”
Farhan Akhtar, who stepped into Bollywood as a filmmaker, is best-known for directing movies like Dil Chahta Hai, the Don series, starring Shah Rukh Khan and Lakshya. He made his acting debut with Rock On!!. He is best-known for his performances in films like Bhaag Milkha Bhaag, Zindagi Na Milegi Dobara, Dil Dhadakne Do and The Sky Is Pink.
Shibani Dandekar, a popular name in the Indian television industry, became a household name after she started hosting Indian Premiere League. She has participated in reality shows such as Khatron Ke Khiladi and Jhalak Dikhla Jaa. Shibani was also seen in the second season of Amazon Prime Video’s web-series Four More Shots Please! .


Film director Alexander Payne comes as close as anyone to capturing the nuances of modern life in Hawaii in his film The Descendants starring George Clooney. He found extras for the film by shooting in downtown Honolulu and hiring local people to stand in, according to one extra who appears briefly in a busy street scene wearing the standard Hawaii work attire of khaki pants and an aloha shirt. Payne also captures utterly gorgeous footage of O’ahu’s Windward side and Kauai’s Hanalei Bay, where the light is ethereal and the beaches golden. It’s enough to make this island girl deeply homesick.
The Descendants is available on DVD through Amazon and other online sellers, or you can watch The Descendants on instant view through Amazon. There is also a The Descendants: A Novel (Random House Movie Tie-In Books) by Kaui Hart Hemmings, who appears briefly in the film as Clooney’s character’s legal secretary.
The film traces the struggles of a wealthy haole family (with Clooney at the head), who in the midst of personal tragedy must decide whether to sell to developers or preserve 25,000 acres of pristine land on Kauai. In the process, the family heals old wounds and becomes closer. Overall, the acting is good, and George Clooney’s performance is one of his best. He is also very easy on the eyes. Much of the writing is great. The film is moving and enjoyable.
The best part of the film is the music. The Descendants soundtrack is a remarkable collection of songs, mostly sung in Hawaiian or strummed slack-key, by some of Hawaii’s most beloved artists–such as The Gabby Pahinui Hawaiian Band, Vol. 1, John Kalapana, the Beemers, Slack Key Guitar: The Artistry of Jeff Peterson, and Makana.
My main critique is that the film shows us little to nothing meaningful about the people who lost everything so this white family could own the land. But this is typical of narratives about Hawaii. Storytellers minimize the devastation wrought by colonial outsiders, including those who married natives, and downplay a horrific chapter in U.S. history in order to make their audiences feel better about watching. Payne is no different, but at least his story is a more nuanced version. Clooney’s character acknowledges at the end of the film that, “we are mostly haole…who own this land for some bullshit reason.”
The film was nominated in 2012 for Academy Awards in four categories:
|Best Motion Picture of the Year|
|Best Performance by an Actor in a Leading Role|
|Best Achievement in Directing|
|Best Achievement in Film Editing|
The film won the oscar in one category:


Movie enthuses, Caribbean Diaspora, Trinidadians and Tobagonians residents in New York recently had the opportunity to view Positive and Pregnant, a film produced in Trinidad and Tobago, which had its premiere international screening at the New York International Film Festival on May 1st. The film has received rave reviews since it was first screened in Trinidad and Tobago to coincide with the international observance of World Aids Day in December 2010.
Positive and Pregnant is a short film produced in Trinidad and Tobago by the Walker-Lela Foundation, a charitable organization, with one of its objectives to assist in the Prevention of Mother to Child Transmission (PMTCT) of HIV/AIDS. It also seeks to make its audiences more aware of the treatment opportunities available to HIV positive expectant mothers and to encourage persons to be tested for HIV. The Executive Producer for the piece is the Embassy of the United States of America’s President’s Emergency Plan for AIDS Relief (PEPFAR). The Docudrama was produced by a team of emerging filmmakers. They are the founders of the Walker-Lela Foundation for Women’s Empowerment; Candice Lela-Rolingson and Film Director Stacy Lela. The screenplay was written by Nyron Rolingson, video production was done by FORCEFED Productions. The film features an all-local (Trinidad and Tobago) cast of burgeoning and experienced actors. Jeanine Lee Kim is the lead actress, with Duane Dario “3D” Dixon, Naomi Abiola, Pauline Mark, Lylah Persad in supporting roles. HIV+ activist Lorna Henry appears as herself.
The film first premiered in Trinidad and Tobago at the National Academy of Performing Arts on November 29, 2010, commemorating World AIDS Day. The event was hosted by the HIV/AIDS Unit of The Ministry of The People and Social Development and supported by
The Trinidad and Tobago Film Company. On May 1st, in New York, NY, Positive and Pregnant premiered internationally at the New York International Film Festival.
The New York International Independent Film Festival was founded in 1993 and is one of the largest independent film festivals in the world. The New York International Independent Film and Video Festival have been recognized by the film and entertainment industry as one of the leading film events on the independent festival circuit. The festival hosts film, music and art events in the two entertainment capitals of the United States: New York and Los Angeles. The scope of the festival ranges from high profile to novice, so one experiences an array of films and individuals driven by independent movie making.
The twenty four minute docudrama has been making impact globally, being screened at CaribbeanTales Film Festival, in March 2011 at the George Washington House Barbados to a full house receiving rave reviews. The film will be used in Women’s Panorama and outreach to the Dhow Region of Tanzania in Africa to educate women and families on the Prevention of Mother/Parent to Child Transmission of HIV (PMTCT) with hosted by Zanzibar International Film Festival (ZIFF) in Tanzania Africa from 18th – 26th June 2011.
The production has also been invited to Portobello Film Festival / Caribbean Film Corner, The Trinidad and Tobago Film Festival and many more.
Over the past few months, hundreds in Trinidad & Tobago have taken part in an interactive outreach, with an ultimate goal of eradicating the transmission of HIV/AIDS from mothers or parents to children in Trinidad and Tobago, the Caribbean and Africa by the year 2015. This is only a small step, but there is optimism that it will inspire people to become part of the larger mission.


(USA) - "Freeheld: The Laurel Hester Story," Cynthia Wade's 38-minute film that chronicled the battle of a 25-year veteran of the Ocean County, New Jersey police, as she was dying of cancer, to transfer her earned pension to her lesbian partner, won the Oscar for Best Short Documentary in Hollywood on February 24. Ocean County freeholders had the legal option to extend those benefits under New Jersey's 2004 domestic partner law, but did not do so until Lieutenant Hester waged her successful struggle on partner Stacie Andree's behalf against their initially adamant refusal. Garden State Equality, the New Jersey LGBT civil rights lobby, celebrated the film's nomination (and victory) at the South Orange Performing Arts Center while the Oscar broadcast was being aired.
Note: Read more on Gay City News
(Germany) - This year's Berlinale also offered a clutch of films dealing with aspects of sexuality and Islam that have long been considered taboo. Indian director Parvez Sharma's "A Jihad for Love," a documentary about gay and lesbian Muslims, includes interviews with Muslim homosexuals from 12 countries, while Tanaz Eshaghian's "Be Like Others" examines the ramifications of undergoing a sex change in Iran. Another documentary "The Other Side of Istanbul," by Dondu Kilic, explores discrimination in Turkey's capital from the perspective of a gay man whose family has accepted his homosexuality.
Note: Read more on AFP
(Russia) - The EAST/WEST - Sex & Politics documentary by German director Jochen Hick will be shown at the Annual International Film Festival Berlinale on February 11. The film is about Russian Gays attempts to hold a Gay Pride parade in Moscow, parade organizer Nikolay Alexeyev told Interfax on Monday. Hick and his colleagues visited Russia for two years. The director filmed the two unauthorized Moscow Gay Pride parades of May 2006 and May 2007, the protest against Moscow Mayor Yury Luzhkov during his meeting with other mayors in London, and a visit of Russian Gay activists to the European Parliament.
Note: Read more on Interfax
(USA) - Hollywood actor Heath Ledger has been found dead at his home in Manhattan. "He was found unconscious at the apartment and pronounced dead," the New York Police Department said, adding that pills were found near the body. Police are reportedly investigating if the Australian actor - nominated for an Oscar for Brokeback Mountain - died of an overdose of prescription pills. Father Kim Ledger said that the death of his 28-year-old "dearly loved son" had been "tragic" and "accidental". Speaking in the actor's home town of Perth, in Western Australia, Mr Ledger said that his son had been a "down to earth, generous, kind hearted, life-loving, unselfish individual".
Note: Read more on BBC
(USA) - A dying wish of Lt. Laurel Hester was that the documentary film made of her last days as she battled against cancer – and the ‘freeholders’ of Ocean County in New Jersey – would be able to compete for an ‘Oscar’. Today, in Los Angeles, members of the Academy of Motion Picture Arts and Sciences granted that wish when FREEHELD made it to the final four titles in the “Best Documentary Short Subject”. The film won the Special Jury Prize at last year’s Sundance Film Festival and awards at 11 other festivals. The 38-minute film, made by Cynthia Wade, tells the story of Lt. Hester, who for almost 25 years served her community as a police officer, and her fight with local officials to be able to leave her police pension to her long-term and committed partner Stacie Andre.
Note: Read more on UK Gay News
(Egypt) - Religious scholars in Egypt are outraged by a lesbian scene in a new movie, telling audiences to stay away from the sinful flick and calling for the director and actresses to be prosecuted. Preacher and Islamic Studies professor at Cairo University, Dr. Abdel-Sabour Shahin accused the new movie, Hina Maysara (Until Further Notice), of 'spreading homosexuality' and promoting debauchery. Director Khaled Youssef said he was offended by criticism leveled at the movie and asked people to watch it before they passed judgment. "I will not respond to those who criticize without even watching the movie. Lots of people accuse me of apostasy and immorality based on seeing the film poster."
Note: Read more on Al Arabiya
(USA) - It's hardly a secret in Hollywood that Jodie Foster is Gay. Everybody with an interest in her private life – whether prurient or more personal – has known it for at least as long as she has been an Oscar-winning actress, which is pushing 20 years by now. (She won an Academy Award for her role as a rape victim in 1988's The Accused, and again three years later for her indelible performance as Clarice Starling in Silence of the Lambs.) An equally open secret is that she is one of the Hollywood few who is actually in a stable long-term relationship. Scour the internet and it doesn't take long to find out that her partner's name is Cydney Bernard, that they have been together since 1993, and that they are bringing up two children conceived and delivered by Foster – Charles, who is nine, and Kit, six.
Note: Read more on Independent
(Israel) - In a ceremony held Sunday in Jerusalem, the film V'ahavta was declared the best feature film produced by a Ma'ale film school graduate. The movie, directed by Chaim album, depicts the struggle endured by an ultra-Orthodox yeshiva student forced to sublimate his homosexual tendencies in a largely intolerant society. Ultimately the film's protagonist comes to the realization that his struggle is futile, and comes to accept himself as a religious Gay man. He makes peace with himself and with his creator, in a haunting story line that largely parallels Album's own life story.
Note: Read more on Ynet
(USA) - The Seattle Lesbian & Gay Film Festival turns 12 this year and, after viewing some of the 75 programs and 150 narrative features, documentaries and short films, one feels like the fest has undergone a rite of passage that's pushed it to a higher plateau of sophistication. The low-budget outlaw days of "queer cinema" may seem to have ebbed since AIDS turned 25 and once-radical activists are now middle-age boomers. Many of the great rebel filmmakers who revolutionized gay movies -- Derek Jarman for one -- are gone. At least the spirit of those times still underscores the scene.
Note: Read more on SeattlePi
(UK) - A coming-of-age drama about a Lesbian teenager has won the £25,000 Iris Prize - thought to be the largest ever award for a Gay and Lesbian short film. Its director Dee Rees, from the United States, will now use the money to make another short film in the UK. Her film Pariah was chosen by judges as the best entry of the 30 shortlisted at the end of a three day film festival in Cardiff. It also won the NewFest festival award in New York earlier this year. Ms Rees' 27-minute film follows the teenage girl as she unsuccessful tries to juggle multiple identities to avoid rejection from her friends and family.
Note: Read more on BBC
As the singer for Queen, one of the most successful British bands of the '70s and '80s, Freddie Mercury was one of the most distinctive and instantly recognizable personalities rock has ever produced -- a flamboyant icon millions of fans around the world thought they knew, despite his many chameleon-like glam-rock guises. In sharp contrast, very few people knew Farrokh Bulsara, the kind, shy but intensely ambitious child born on the African island of Zanzibar and raised by parents who were Parsis, hailing from the Indian province of Gujarat and practicing the ancient religion of Zoroastrianism. Mercury and Bulsara were nevertheless one and the same, and this is part of the fascinating story told in director Rudi Dolezal's documentary, "Freddie Mercury: The Untold Story."
Note: Read more on Sun Times
(UK) - A film festival featuring what the organisers claim is largest ever prize for a gay and lesbian short film is opening in Cardiff. The inaugural Iris Prize Festival will screen the 30 films shortlisted for the prize, worth £25,000, and host premieres for feature-length films. Talks, debates, workshops and parties will also be held at Chapter Arts Centre and Cineworld. The prize winner will be announced on the festival's last day, on Saturday. The prize will allow the winner to make their next short film in the UK.
Note: Read more on BBC
Now Hollywood has also gone playgay. This week sees the UK release of I Now Pronounce You Chuck and Larry in which two New York firefighters (played by Adam Sandler and Kevin James) pretend to be Gay lovers in a domestic partnership for financial reasons (sound familiar?). So why the current crush of straights on playing Gay? Probably the main reason for the popularity of playgay is that it's reassuringly straight. In a world that is getting gayer by the day the only way to be sure of straightness is by having straight men pretend to be Gay. Because, in the end, despite being made to wear designer
underwear, use moisturiser and treat women with some respect they are still straight and still untouched. Gayness turns out to be sexless.
Note: Read more on Guardian
(Italy) - Ed Radtke's film Speed of Life won the Queer Lion award at the Venice Film Festival, a new prize for the best film that accurately portrays Gay themes or characters. Lyrical and raw, The Speed Of Life tells the story of Sammer (Jeremy Allen White), a 13 year old Gay boy who escapes the streets of New York City by stealing video cameras from tourists. The kid and his friends retreat to their working class neighborhood to quickly change the cameras for cash, but Sammer always keeps the tapes. Read more...
(USA) - Sean Penn will play Gay politician Harvey Milk in director Gus Van Sant's biopic of the popular public official. The movie will start production in San Francisco in December this year. A story in the Hollywood Reporter also claims that Matt Damon will play Dan White, who shot the San Francisco city supervisor and Mayor George Moscone in 1978. The assassin, Dan White, was sentenced to seven years in prison. Outrage over the mild verdict led to the White Night Riots in San Francisco. White committed suicide in 1985 after serving five years of his seven-year sentence. Read more...
Cruising is William Friedkin's notorious thriller starring Al Pacino as a NYPD cop deranged - sexually and otherwise - by his contact with the "hardcore Gay underground." Cruising's seedy ambience and dubious sexual politics inflamed the Gay community, leading to protests throughout its filming in the summer of 1979, and continuing outside movie theaters when it opened in February of 1980. Gay folks took to Village rooftops, pointing mirrors at the shoot to interfere with the lighting, and surrounded the set blasting whistles and air horns. The most resourceful found out which apartments Friedkin would be using and set up in adjacent units to blast stereos.
Note: Read more on Village Voice
(Canada) - With 9/11-themed films dominating the Toronto International Film Festival this week, Indian filmmaker Parvez Sharma is grabbing attention with "A Jihad For Love," a documentary six years in the making about Islam and homosexuality. The filmmaker insists his documentary illuminates more of an "inner struggle" on the part of Muslim gays and lesbians for recognition of themselves and their faith, rather than the cultural wars and religious battlegrounds often depicted in contemporary media accounts. Sharma filmed gay Muslims in 12 countries and nine languages, including India, Pakistan, Iran, Turkey, Egypt, South Africa and France, and always shot footage in secret to escape the attention of local authorities.
Note: Read full article on Hollywood Reporter
(New Zealand) - Triangle Television Chief Executive Officer Jim Blackman says despite the popularity of YouTube and other easy-access internet forums, filmmakers still see television as an important vehicle for their works. However, Blackman does admit that the YouTube generation may have impacted the length of the films submitted this year. All are less than an hour long, many just minutes in length, and the German security camera offering lasts just 50 seconds. This is the fourth year Triangle Television has organised Sproquets, inviting film and documentary makers from around the world to contribute their works.
Note: Read more on Gay NZ
(Indonesia) - Indonesia's gay film festival faced violent opposition in its early years. Members of a hardline Islamic group tried to storm theatres to stop screenings, but as the festival enters its sixth year, organizer John Badalu has no such fears. The opening of the week-long Q! Film Festival (QFF) on Friday drew a flamboyant crowd in Jakarta, with members of the audience dressed in colorful wigs, fish-net stockings and cupid wings. Homosexuality is not banned under Indonesian law, but remains taboo in a country where 85 percent of the 220 million people are Muslim. "The festival has provided some sort of impetus for the gay rights movement in Indonesia, and has enabled many issues to surface," Badalu said.
Note: Read full article on stuff.co.nz
(Rome, Italy) - The Queer Lion award is finally coming to the Venice Film Festival after four years of negotiations. The prize will be awarded to the best full-length film in competition or in any of the festival's sidebars that features a gay theme or character, even if the character does not play a central role. The name Queer Lion is a take on Venice's main prize, the Golden Lion. With 22 films in competition at the 64th annual event - which runs August 29 to September 8 -- and about three dozen others screening in sidebars, Casagrande said he expects "around 10 or 12" films to be candidates for the prize. The plaudit is a gold plaque with the Venice Lion winged logo in black with the rainbow colors of the gay pride flag on the wings. A small international jury will select the winner.
Note: Read full article on Reuters


I want you to think about the movies that you OWN. Not movies you've seen, but the ones you felt strongly enough to go out and buy. You will be your very own awards committee, awarding your movies an Oscar in the following categories:
BEST PICTURE, BEST ACTOR, BEST ACTRESS, BEST SUPPORTING ACTOR, BEST SUPPORTING ACTRESS, BEST ANIMATED PICTURE, BEST SCORE and
BEST GROUP (Some movies come out with several parts or sequels. Most everyone's got at least one set of something on their shelves - why that one?)
You can include your nominations if you wish, but I'd also like to know why you think your winner in each category deserves to win.
I thought this would be fun! I own (usually bought used) quite a few movies - very diverse in character. And the other day, as I sat down to watch 5 movies (it was a very lazy day), I wondered why I picked the ones I did - which is what gave birth to this idea. So without further ado.... the envelopes, please!
BEST PICTURE goes to:
I'm sure there would be people who would argue with me about this, but I think this is a very thoughtful, funny, and well-done movie. Yes, there's bad language. Lots of it. But the ideas behind the whole story are worth exploring. Damen and Affleck put together a very entertaining and thought-provoking movie which I have seen over and over and will continue to see over and over.
BEST ACTOR is:
TOM HANKS as Forrest Gump
Not many people would argue with me on this one. Over the years, Tom Hanks has developed into one of those actors that can do almost anything. One of my big criteria in choosing good actors and actresses is that you forget you're watching whoever it is on the screen. They become the character. Forrest Gump told me that Tom Hanks was one of those!
KATHLEEN TURNER in Peggy Sue Got Married
It's hard to forget that you're watching Kathleen Turner on the screen. Maybe it's her voice. But this movie did make me forget - and even though Ms. Turner had to be in her late 30s or early 40s when she did this, I totally believed that she was a high school teeny-bopper when she was sent back in time. I also believed her as a harried, about-to-be-divorced, middle aged woman who'd had enough. To get both in the same film? Priceless.
BEST SUPPORTING ACTOR - the envelope, please!
ALAN RICKMAN in Galaxy Quest
Oh, how I love Alan Rickman! I came close to naming him to this same award in Dogma where he played the Voice of God. But I'm also a sucker for a good spoof movie, and being a huge Star Trek and Star Wars fan, I'd have to say that Galaxy Quest is one of the best. And so is Alan Rickman. He does a marvelous put-upon alien science officer!
BEST SUPPORTING ACTRESS...
JENNIFER COOLIDGE in Legally Blonde
How can you not love Jennifer? She's big and awkward and has a heart of gold. She reminds me of me and any number of women I know - especially the ones who are afraid to go after what they really want or can't even figure out exactly what it is that they do want. Even though this character was slightly over the top, she was also absolutely believable.
BEST ANIMATED PICTURE
I had a hard time with this one. I love animated films. I just bought UP for my boy this past Christmas and I think it might be one of the best ever, but I still love me some Shrek. Another movie about misfits making it work - my favorite kind of flick. I loved the first one and the second one (Antonio Banderas as a cat? Meee-owww!), but the third one wasn't nearly as good.
THE BIG CHILL
Yes. The music is old. Like me. But it makes this movie resonate with me on many levels. Classic Aretha Franklin. Smokey Robinson. A soundtrack to set your life to. I love it.
BEST MOVIE GROUP (Original and sequels)
Are you kidding? In my house, Star Wars rules! George Lucas is an absolutely genius storyteller, weaving in mythology and Christian motifs into a story that is absolutely stunning. Yeah... he can get a little long-winded and sometimes the action slows, but from cutting-edge technology to costumes, every single one of these films has a lot to offer.
And there you have it... the Oscars, straight from my video shelf!
Now go visit the other participants in Fun Monday and see who their winners are!


Rebecca is a beautiful ATF agent, sent undercover to bring down an outlaw biker gang. Unfortunately for her, Gavin makes it almost impossible to think about anything but his dreamy body. Rebecca solves the case, and accidentally falls in love with the Outlaw biker president of the Sinister Sons Syndicate, and goes on another scary adventure. Will Rebecca survive the new mission, or will this be her last?
Rebecca takes another dangerous mission, this time in California. Rebecca becomes reckless and the outcome won't leave her unscathed. Will Rebecca's bad boy biker Gavin be reunited, or will she be alone forever?
Rebecca is still mending from the brutal kidnapping. But one thing keeps coming to light as she tries to heal. There must be a double agent in the ATF. Gavin helps Rebecca figure out who it was that almost got her killed. Will they find the double agent or will Rebecca and Gavin make more enemies? Can their love survive the hunt?
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Aden stands outside grumbling under his breath, "I finally found you, you asswholes!" He shifts around in his cloak looking for the tools he needed. A dark smirk draws over his face as he goes about trying to pick the lock to a door. "You thought you could ditch me?!" he whispers as he succeeds at the lock and quietly begins his trek through the house, looking for his target.
Ignore the first post! Aden stands outside of town grumbling under his breath, "I finally found you, you asswholes!" Ever so quietly he sneaks up on the unsuspecting Val and Susan but as he watches them, he struggles to fight the urge to gag. Spying fish stall a devilish grin grows on his face. Grabbing a box of ice he throws it at the unsuspecting couple. And laughs at their reactions.


Nana is a novel by the French naturalist author Emile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series. Nana tells the story of Nana Coupeau's rise from streetwalker to high-class cocotte during the last three years of the French Second Empire. The novel opens with a night at the Theatre des Varietes. Nana is 15 years old. Zola describes in detail the performance of La blonde Venus, a fictional operetta modelled after Offenbach's La belle Helene, in which Nana is cast as the lead. She has never been seen on a stage, but tout Paris is talking about her. When asked to say something about her talents, Bordenave, the manager of the theatre, explains that a star doesn't have to know how to sing or act. Just as the crowd is about to dismiss her performance as terrible, young Georges Hugon shouts: "Tres chic!" From then on, she owns the audience. The novel then goes on to show how Nana destroys every man who pursues her.


7PM - "Justice for Pol Pot Victims?" (Presentation/Q&A): Long after the destruction and mass atrocities committed during the Khmer Rouge era, the scars of its violence still mark the victims who have survived this ordeal. A research team led by Timothy Williams, Julie Bernath, Kum Somaly and Tann Boravinn aim to understand victims’ perceptions of justice and reconciliation in post-conflict Cambodia and how their inclusion in the transitional justice process has influenced this. We invite you for a presentation (in English), followed by a Q&A.
8:30PM - "First they killed my father" (Screening, Q&A): Angelina Jolie directs the biopic FIRST THEY KILLED MY FATHER about human rights activist Loung Ung and her attempts to survive during the oppressive Khmer Rouge era of rule in Cambodia. The NETFLIX film takes its place alongside “The Killing Fields” as one of the most important cinematic perspectives on the genocide to be made for international audiences. One of the Cambodian lead actors, Kompheak Phoeung, will attend the screening and hold a Q&A.
NEW ADDRESS - #47, STREET 178, OPP. NATIONAL MUSEUM


It was an unusually warm evening in Oakland for the showing of the movie which I haven’t seen on the large screen since the early ’60s. The Paramount was the perfect place to celebrate the 50th Anniversary of the release of 20,000 Leagues under the Sea.
The Paramount is a movie palace from the ’30s that has been restored and used for a variety of shows and movies. In addition there is a large pipe organ and a full working stage. Jim Riggs plays the organ before the movies. His console rises out of the stage floor.
After the cartoon it is Dec-O-Win time. Once again out of the stage floor rises the Organ along with the host and hostess for Dec-O-Win. Several prizes from local businesses are given away each night. Then it was time for the movie. This was the first Disney movie shown on the Friday night movie series and it was a copy that had only been used 3 times prior to us!
The outside of the theater can be as entertaining as the movie. The lights cycle through several colors and patterns.


Harriet Bloch was the first professional woman scriptwriter in Denmark, a career she began after seeing The Abyss/Afgrunden (Urban Gad, 1910) at the cinema. The film inspired her to write her first screenplay, as she thought she could do just as well herself. She sent her first script to Constantin Philipsen, who rejected it. Bloch then sent it to Nordisk Film, who accepted it and made the movie Hendes ære (August Blom, 1911). In the subsequent 10 years Bloch wrote more than 100 screenplays for Nordisk Film, but was never employed by the company. Not all the scripts were made into films, and for many of her works she was uncredited, as was custom at the time. At the start of her career she was paid 50 crowns for a screenplay, but her reputation grew and by the mid-1920s she could get 3,300 crowns for two scripts.
Harriet Bloch started out with no previous experience of writing. Her knowledge of movies came exclusively from the cinema, where she would watch up to three films a day before her husband came home from work and she had to have dinner ready for him and their six children. She did not consider scriptwriting to be that special, but more of a fun hobby – one that later proved to be a lucrative source of income.
In 1914 Bloch was commissioned for six screenplays by Swedish production company AB Svenska Biografteatern. The first of the titles, Love and the Journalist/Kärlek och journalistik was directed by Mauritz Stiller in 1914. Later in her career Bloch sold several scripts to Germany, with F W Murnau directing one of them, Journey into the Night/Der Gang in die Nacht, in 1921, with Dane Olaf Fønss in the lead role. Danish director Robert Dinesen also worked in Berlin at that time, and he shot her screenplay The Inheritance of Tordis/Die Erbin von Tordis (1921), about Danish King Christian VII’s lover, the courtesan Støvlet-Cathrine.
Most of the screenplays Bloch wrote for Nordisk Film were comedies. The company requested works about counts and barons and other people of society, ideally with no depictions of the proletariat. Most of her screenplays were original manuscripts, as she was full of ideas. Ole Olsen, the head of Nordisk Film, praised Bloch for her professionalism, and she was known as his favourite writer – despite never meeting him.
When Harriet Bloch sold a script, she had no say in how the film eventually turned out. She was often unable to recognize her original story in the film once the title, role list, intertitles and plot had been altered. She was at her happiest when writing scripts for Valdemar Psilander, an actor she liked a lot. At one point he wanted to play a cowboy, after which she wrote The Man Without a Future/Manden uden fremtid (Holger-Madsen, 1916) for him. When talking films came along, Harriet Bloch ended her career as a scriptwriter. Instead she wrote a few plays, although these were never performed on stage, as well as several radio plays, such as En desertør from 1938. In 1930 she bought an orchard in Ramløse, North Zealand, which she ran with her sons.
(translated by Matt Bibby)
Main profession: Screenwriter
Filmography at the Danish Film Institute.
Den lille chauffør (1915)
Kärlek och journalistik (1916)
Ålderdom och dårskap (1916)
En hustru till låns (1920)


I'm a director with over 15 years of experience on 5 continents.
I love the adventure of filmmaking. I love the people, places, stories, collaboration, inspiration, technology, and the magic of it.
Born and raised in Rochester, NY. Studied cinema and philosophy at the University of Toronto.
Select awards and press below.
2023 - Beyond The Short - Jimmy Coco
2022 - Miami Short Film Festival - Semi-Finalist - Jimmy Coco
2021 Garoa Awards Sao Paulo - Winner - The Scroll of The Prophet Isaiah - Best Documentary & Best Cinematography
2021 Only The Best Film Awards - Winner - The Scroll of The Prophet Isaiah
2019 Vimeo Staff Pick - The Scroll of The Prophet Isaiah
2017 ADCC Awards - Innovation of Tech - Leon’s Smart Furniture
2017 Rochester Intl Film Festival - Shoestring Award - On Days Like These We Must Surf
2016 Vimeo Staff Pick - On Days Like These We Must Surf
2016 RideOn Film Festival - Golden Ride On Award - On Days Like These We Must Surf
2016 Atomic Awards - Bronze Cause & Action - Ronald McDonald House #RMHCthankyou
2015 Strategy Awards - Bronze CSR - SickKids Superhero Trailer
2015 Atomic Awards - Bronze AToMiC Collaboration - Ronald McDonald House Father’s Day
2015 Marketing Awards - Gold - Public Service Branded Content - RMH Father's Day
2014 One Show Awards - Merit Award - SickKids Superhero Trailer
2010 YouTube / Sundance Film Festival Project:Direct - Finalist - Monday Morning


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5th NITK Film Festival 2019 – 25th to 27th Oct 2019
October 25, 2019 - October 27, 2019
5th NITK Film Festival 2019
From 25th to 27th Oct 2019
NITK Films’ Club centered at National Institute of Technology- Karnataka, Surathkal has been screening the best of Indian and International Cinema and is known for the famed NITK Film Festival, conducted to celebrate the best of cinema and encourage young filmmakers to bring out the storytellers in them.
This year, NITK Films’ Club is proud to present the Fifth edition of the NITK Film Festival which promises to bring to you 3 days filled with excitement, fun and amazing experiences you won’t forget!
Entry is allowed for college students only.
College ID is mandatory.
Register at https://filmfest.nitk.ac.in/get_tickets
to avail free tickets.
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Accolades drama group is an informal session for anyone interested in drama which runs throughout the year, excluding holidays and takes place on Tuesdays 10.30 - 12.30.
Do join us on Tuesdays, 10.30-12.30, in the Theatre. Cost £6 a session, £30 the first half-term. Contact Gill on 01736 360079 or firstname.lastname@example.org for further details. No previous experience necessary, just an interest!


Game of Thrones is a site for the HBO-series based on George R.R. Martin's A Song of Ice and Fire.
New to the series? Read our spoiler-free review of A Game of Thrones.
Like the title says, EW has the exclusive revealing that Ian McShane—best known for his role as Al Swearengen in Deadwood (one of the finest TV shows ever made, by the by)—will be joining the cast for season 6 in a role described by EW as having a “relatively small amount of screen-time during the season” but that the ” character is of key importance.”
Let the speculation begin.
As Variety reports, the venerable Swedish actor Max von Sydow—the list of credits for the actor is very long indeed—is taking over the “three-eyed raven” role originated in the fourth season by Struan Rodger. As Variety notes, much like the Ian McShane casting, this role is relatively brief in...
The fourth entry in the Game of Thrones series, “Sons of Winter”, provides a terrific jolt of energy to the proceedings after the third episode’s flagging pace and lack of depth. That episode, which we didn’t review largely because of a lack of time, felt quite flat and left us concerned that the...
The Westeros network consists of several different sites, including a forum and a wiki, for all your A Song of Ice and Fire needs.


The gay man who outed a fellow Survivor contestant as transgender to ostensibly avoid elimination on this week’s episode has now been fired from his job as a real estate agent, according to the Greensboro News & Record. Since Wednesday’s episode of Survivor when Jeff Varner callously outed his opponent Zeke Smith, who was also up for elimination, the Internet has erupted in outrage at Varner, whose appearance this season marks the third time he’s been on the long-running reality show contest. Varner tearfully apologized to Smith following his actions, but there was no erasing the damage done.
A former news anchor for Fox and CBS news affiliates, Varner, 50, was fired amidst the uproar over his outing Smith during the episode that was shot 10 months ago in the Mamanuca Islands of Fiji. Not only was Varner sent packing by his fellow castmates that night, but he explained during interviews on Thursday that his employer let him go saying that he is “in the middle of a news story that we don’t want anything to do with.”
Read the full article here.
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It’s the second day of Rosie’s 12 Days of Blogmas! The prompt for today is ‘christmas films’, so I’m going to be listing my five favourite Christmas movies of all time. These are in no particular order, as I’m kind of terrible at choosing favourites! Here we go:
- Love Actually. I only watched Love Actually for the first time a week ago – partially because I was trying to get into a Christmas-y mood, partially because I’ve heard people talk about this movie all the time, and I just had to find out what everyone was going on about. I was actually really surprised that I enjoyed watching it so much – it didn’t sound like it would be my kind of thing. The stories were really cute, and I actually felt an emotion or two by the end of it. As kind of cheesy as it was, I really liked Love Actually, and I imagine I’ll watch it again. Perhaps it’ll become a new Christmas tradition of mine.
- The Nightmare Before Christmas. Yet another film I only saw for the first time this year. The great thing about The Nightmare Before Christmas is that it passes as a Christmas movie AND a Halloween movie. Basically, you should watch this movie whenever you get the chance, and Christmas serves as an excuse for you to see it. Jack Skellington is one of my favourite movie characters ever – he’s so funny, his outfit is awesome and he literally tried to steal a holiday just because he was bored.
- The Santa Clause. I kind of have to include this one. See, The Santa Clause (and its sequels) are shown on TV every single December. Ever since I can remember, my two sisters and I have watched these movies as our own Christmas tradition. While these movies are the very height of cheesy and are completely cringeworthy, you’ve got to love them anyway. I mean…the protagonist literally kills Santa Claus. That actually happens.
- Elf. Yes.
- How the Grinch Stole Christmas (2000). First of all, how does she do that with her hair? Because I need to learn this. Second of all, I know this isn’t the original Grinch film, but I love it anyway. Third, oh look it’s me, the Grinch. Fourth, this is a really cute movie, and original or not, it’s a classic. Watch the thing.
Seems to me that the real magic in Christmas movies is that no matter how bad they are, the fun is in watching them religiously and without fail every single December. This day of Blogmas has also opened my eyes to the fact that I haven’t actually seen that many Christmas movies. Anyone have any good Christmas movie recommendations for me?
— rosie xxx


Every Friday this summer we will recommend different available movies you may enjoy, late summer nights. We introduce 4 films every week and promise several great film moments!
This week we’ve lined up two action films but balance it out with a documentary about a spectacular artist and a visit to a magical chocolate factory.
R is the brutal story about Rune who’s put in one of Denmark’s most dangerous prisons. Through Rune’s first days we’re given an insight into the hopelessness and the game that takes place behind the walls of a maximum security prison where most of the inmates are serving long sentences and where you have to choose sides in order to survive.
Roland Møller who plays “Mureren” visited Kosmorama in 2015 with the film Land of Mine but it was during the production of R, where he was brought in as an advisor, that his talent as an actor was discovered. Møller is today a public critic of the politics of criminal justice in Denmark. He’s also starred in multiple movies and won several awards.
R is available on Netflix og TV2 Sumo.
Original Title: R
Running time: 99 min
Original Title: The Drop
Running time: 106 min
Bob Saginowski (Tom Hardy) is a bartender at Cousin Marv’s bar, formerly owned by his cousin Marv (James Gandolfini) but now owned by local mobsters and used for money laundering. When the bar is held up and the mobsters’ money stolen, the problems escalates for Tom who’s just started caring for an injured puppy – and the beautiful Nadia (Noomi Rapace).
Director Michaël R. Roskam was nominated for Kosmorama’s New Directors Award in 2012 for Bullhead and again in 2015 for The Drop, James Gandolfini’s last film. The Drop is available on Viaplay.
Original Title: Sky Ladder: The Art of Cai Guo-Qiang
Running time: 76 min
Cai Gou-Qiang is not like other artists. His paint brush is gunpowder and fireworks and the sky is his canvas. In Sky Ladder we get to know this extraordinary artist, the designer of the fireworks display during the Beijing olympics’ opening ceremony in 2008, and follow him and his team as they work on his most ambitious art project yet: the Sky Ladder.
Sky Ladder is available on Netflix.
Original Title: Charlie and the Chocolate Factory
Running time: 115 min
Charlie and the Chocolate Factory is Roald Dahl’s amazing story about Charlie who wins a golden ticket to visit Willy Wonka’s magical chocolate factory. Willy Wonka is not like everybody else and who wins the biggest prize in the end, only the movie can tell.
Charlie and the Chocolate Factory is available on Netflix.


Hollywood actor Christian Oliver and his Daughters Die in Plane Crash
We announce some tragic news as Hollywood actor Christian Oliver, known for his roles in films such as Speed Racer and Valkyrie, tragically lost his life in a plane crash in the Caribbean, alongside his two young daughters, aged 10 and 12, and the pilot. The crash, which occurred off the coast of Bequia in St. Vincent, has left the entertainment industry and fans in shock.
Tributes have poured in for Oliver, including heartfelt messages from his co-star Bai Ling. While the official investigation is still ongoing, there have been reports suggesting engine trouble before the fatal crash.
Local fishermen and divers joined forces in the immediate search and recovery efforts, while the Coast Guard’s response has come under scrutiny from witnesses. This devastating incident has sent shockwaves through the world of cinema, leaving many mourning the loss of a talented actor and his two young daughters.
Hollywood actor Christian Oliver and his Daughters Die in Plane Crash
In a tragic incident that has shaken the entertainment industry, Hollywood actor Christian Oliver and his two daughters lost their lives in a devastating plane crash. The 51-year-old actor, known for his successful acting career and appearances in blockbuster movies, was beloved by fans and colleagues alike. This article explores the background of Christian Oliver, the details surrounding the crash, the recovery efforts, the ongoing investigation, and the outpouring of tributes and condolences for the talented actor and his daughters.
Christian Oliver’s successful acting career
Christian Oliver, a renowned Hollywood actor, captivated audiences with his exceptional talent and on-screen presence. Over the years, he graced both the big screen and television with his performances, leaving an indelible mark on the industry. Oliver’s dedication to his craft and his ability to seamlessly portray a wide range of characters earned him a loyal fan base.
Movies Oliver appeared in
Oliver’s filmography includes several notable movies that showcased his versatility as an actor. He showcased his skills in high-octane action films like “Speed Racer” and “Valkyrie,” where he shared the screen with A-list actors, leaving a lasting impression on viewers. Additionally, Oliver added his talent to the iconic Indiana Jones franchise, immersing himself in the thrilling world that captivated audiences for decades.
Oliver’s co-star Bai Ling
Throughout his career, Christian Oliver had the privilege of collaborating with numerous talented individuals. One notable co-star who had the pleasure of working alongside Oliver was Bai Ling, a respected actress in her own right. Her heartfelt tribute to Oliver further highlights the bond they shared and the impact he had on those around him.
The tragic crash occurred off the coast of Bequia, part of the stunning island of St. Vincent in the Caribbean. The serene and picturesque surroundings starkly contrasted with the devastation that unfolded on that fateful day. The scenic location became an unexpected site for such a heartbreaking incident, leaving the world in shock and mourning.
The Tragic Incident
Details of the plane crash
On the ill-fated day, a small plane carrying Christian Oliver, his two young daughters aged 10 and 12, and the pilot met with a catastrophic accident. The details of the crash are yet to be fully examined, but witnesses reported witnessing the plane encountering problems shortly before going down. The suddenness of the tragedy and the loss of life have left friends, family, and fans reeling in sorrow.
Fatalities in the crash
Regrettably, the plane crash claimed the lives of Christian Oliver, a beloved Hollywood actor, and his two young daughters. The heartbreaking loss of life, particularly the young lives cut short, has devastated not only those closest to Oliver but also his legions of admirers worldwide. The tragedy serves as a stark reminder of the fragility of life and the pain and sorrow that unexpected accidents can bring.
Reports of engine trouble
While the investigation into the crash is still ongoing, reports have emerged suggesting engine trouble as a potential cause of the tragic incident. Witnesses recall hearing abnormal sounds emanating from the aircraft shortly before it plummeted into the Caribbean waters. These reports have fueled speculation and intensified the need for a thorough investigation into what led to the fatal crash.
Involvement of local fishermen and divers
In the immediate aftermath of the crash, the local community rallied together to assist in search and recovery efforts. Local fishermen and divers bravely joined forces with authorities, braving treacherous conditions, to scour the waters for any survivors and retrieve the victims.
Their selflessness and unwavering dedication to aiding those in need during such a distressing time deserve recognition and gratitude.
Immediate response to the crash
Authorities in St. Vincent promptly responded to the crash, coordinating rescue operations and providing support to those affected by the tragedy. Emergency teams and agencies worked tirelessly to deploy resources and ensure a swift and effective response. Nonetheless, the somber reality of the situation remained, as the loss of life left a void in the hearts of those impacted by Christian Oliver’s untimely passing.
Criticism towards the Coast Guard
However, witnesses have expressed criticism regarding the response of the Coast Guard to the crash. Some witnesses allege that the assistance provided fell short of expectations, and delays in their response may have affected the outcome. These concerns will undoubtedly be addressed as part of the ongoing investigation, with the hope of preventing similar mishaps and improving future emergency responses.
Ongoing investigation into the crash
In the wake of this tragedy, a rigorous investigation is underway to uncover the cause of the plane crash. Officials will carefully examine every aspect, including the plane’s maintenance records, the pilot’s experience and training, and any potential mechanical faults. The purpose of this investigation is not only to bring clarity and closure to the grieving families but also to prevent similar incidents in the future.
Determining the cause of the crash
Establishing the cause of the crash is of utmost importance to prevent such heartbreaking events from occurring again. Investigators will meticulously analyze all available evidence, consulting experts in a variety of fields such as aviation, engineering, and meteorology. Their collective efforts will contribute to a thorough understanding of what transpired, offering invaluable insights regarding safety protocols and regulations within the aviation industry.
Tributes and Condolences
Outpouring of tributes for Christian Oliver
Following the news of Christian Oliver’s tragic passing, an outpouring of tributes and condolences flooded social media, online platforms, and public spaces. Fans, fellow actors, and industry professionals expressed their grief and paid heartfelt respects to the talented actor and his two young daughters. The overwhelming response stands as a testament to the impact and legacy Oliver leaves behind.
Message from co-star Bai Ling
Among those who mourn the loss of Christian Oliver is his co-star, Bai Ling. Ling, who shared the screen with Oliver, conveyed her deep sorrow and heartfelt condolences. She expressed her admiration for Oliver’s talent, describing him as an extraordinary actor and a loving father.
Ling’s message serves as a poignant reminder of the bond formed between actors on set and the lasting impact their collaborations can have.
As the investigation into the plane crash continues, the world mourns the tragic loss of Christian Oliver and his daughters.
Their untimely passing reminds us of the fleeting nature of life and the importance of cherishing our loved ones. In this difficult time, the empathic support and tributes offered by friends, fans, and colleagues provide solace. The legacy of Christian Oliver’s remarkable career and the memories he created will forever remain in the hearts of those who knew and admired him.


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Over 9 million descendants of Polish Jews live around the world. The POLIN Museum is looking for proposals for short films which should explore in innovative and creative ways their links to the country of their ancestors.
The short films can have a length of up to five minutes. They should tell stories of contemporary Jewish communities from all over the world through individuals, families, organizations, communities, events, and objects of special meaning and how they relate to the legacy of Polish Jews and the places their families come from. Filmmakers who are members of the communities whose stories they tell are especially encouraged to apply.
In the order to take part in the competition applicants need to hand in a film concept, including treatment, synopsis, and logline, as well as a preliminary budget. The short film can take various forms and genres like interviews, documentary footage, archival materials, home movies, animation, and video art, among others. Applicants should have made at least one film of any length that is or was available to the public (internet, in cinemas, at film festivals, on TV or through any other channel that makes it available to wide audiences).
The jury will select fourteen finalists. Each of them will receive up to 15,000 USD to realize a short film based on their successful proposal. Also, the POLIN Museum features a multimedia narrative exhibition telling the thousand-year history of Polish Jews. The fourteen short films will become part of the epilogue of this multimedia narrative exhibition.
The POLIN Museum is one of the most renowned Polish museums, attracting 3 million visitors since it opened in 2013. In 2016, POLIN Museum won the European Museum of the Year Award and the European Museum Academy Prize.
"Culture includes not only culture and arts, but also the way of life and system of values. In this sense culture becomes the major power for intellectual renewal and human perfection." (European Council Report on European Cultural Policy)


Editing by Alexis McCrimmon and TradeMark Gunderson
Artist/Director Mary Jo Bole mines an eccentric inherited archive in order to trace her family tree, which includes both Cleveland industrialist magnates and immigrant factory workers. Images of Bole’s relating artwork, made throughout her career and interspersed throughout this personal documentary, show the unexpected ways in which these relatives and their memento mori endure.
This film was made possible with the financial and in-kind support of:
Film/Video Studio at the Wexner Center for the Arts
Ohio Humanities Film Fellowship
a partnership of Ohio Humanities and Wexner Center for the Arts
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