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With awards season in full swing, now is the perfect time to plan a trip to the cinema. Whether you enjoy major blockbusters, laugh-out-loud romps, family-friendly features, or independent movies, you can enjoy a night out at the movie theaters in Branson. You won’t have any trouble finding the biggest movies of the year at one of Branson’s exceptional movie theaters. Plus, you can always drive to nearby Springfield if you’re seeking out a particular film that isn’t playing in town. Grab your popcorn, rock those 3D glasses, and let’s discuss the best movie theaters in Branson.
Excellent Movie Theaters in Branson
NOTE: If you click on the links below, you can find up-to-date theater information. This includes showtimes, upcoming movies, available viewing formats, directions, and ticket prices. Most theaters allow you to purchase tickets in advance, so that you don’t have to wait in long lines or worry about the tickets selling out.
As the largest movie theater in Branson, you can count on Branson Meadows Cinema to screen all of the best first-run movies on its 11 enormous screens. Conveniently located inside the shopping center at Branson Meadows, this theater is also known for its screens’ stunning brightness and clarity. Each movie fully comes to life thanks to Sony 4K digital projectors. Local movie buffs who want to enjoy great movies all year long may want to take advantage of the free popcorn offer, which allows you to buy a big bucket of popcorn for $15 and receive free refills every Tuesday and $5 refills every other day of the week for the entire year.
This complex houses two of the best movie theaters in Branson: the IMAX theatre and Elite Cinema III. If you really want to feel like you’re a part of the movie, check out the giant IMAX screen. Thanks to the addition of 3-D laser effects and new sound technology, you can expect an incredible IMAX experience that is like nothing you’ve ever seen or heard before. Elite Cinema III, on the other hand, screens Hollywood’s newest hit movies. It features three state-of-the-art theaters with huge screens, amazing sound systems, stadium seating, and reclining chairs for the ultimate in comfort.
If you’re planning to see a movie at this enormous complex, you may want to spend your entire day enjoying the facility’s many offerings. In addition to the cinemas, you can choose between several excellent restaurants for lunch or dinner. The indoor mall includes 17 specialty shops, perfect for browsing before your movie starts. Plus, another theater on the premises, the Little Opry Theatre, features seven different live shows performed daily.
Cinemas in Nearby Springfield
Although the movie theaters in Branson play a great variety of films, they do not always carry smaller, independent films. In addition, you may occasionally find that the theaters’ showtimes don’t line up with your schedule. If this happens to you, consider driving to Springfield, which is less than an hour away from Branson. The following are just two of the city’s top-notch cinemas:
An independent, non-profit cinema devoted to screening lesser-known, independent films, the Moxie is a beloved little theater that enriches the downtown community. It is open 365 days a year, and 92% of the movies it features are not screened anywhere else in the Ozarks. Plus, the theater offers unique concessions, including refreshments from local establishments like Mother’s Brewing Company and Askinosie Chocolate. If you have children, be sure to stop by during a free “Moxie Morning” screening. This hour-long, kid-friendly event typically occurs on Saturdays at 10am and combines innovative short films with hands-on art projects.
Finally, if your chosen movie is sold out in Branson or screening at an odd time, consider driving to Regal College Station in downtown Springfield. Its 14 auditoriums offer Sony 4K digital projection, huge wall-to-wall screens, Dolby digital sound, 3-D movies, and stadium seating for perfect viewing from every seat. The high-back, reclining seats provide a comfortable viewing experience. Plus, you’ll find ample free parking in the two covered parking garages directly across the street.
When it’s raining or snowing, the movie theater always makes a perfect sanctuary. Although most people celebrate Branson for its live entertainment, we wouldn’t blame you in the slightest if you decided to bypass the music acts and musicians for a classic night out at the theater. Grab your friends and family, indulge in a jumbo popcorn, and enjoy the excitement of a new movie.
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I pray, weep not:
If you have poison for me, I will drink it.
I know you do not love me, for your sisters
Have, as I do remember, done me wrong:
You have some cause, they have not.
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Warning: This review will be spoiler heavy and I'm not using the spoiler cut tags. If you haven't seen, read or even heard about King Lear, read my review at your own risk.
King Lear is about a king who decides that he's done with the performative side of being a king and chooses to split up his kingdom for his three daughters to inherit. Unfortunately, the one he loves best (Cordelia) is unable to say what he wants to hear and so she is ousted from the kingdom and disowned. The other two sisters seek to gain more power and end up terrorizing the king and reducing him to madness.
This is quite possibly Shakespeare's most tragic play because of the injustices that happen to a bunch of different characters. However, I also think it's one of his hardest to read, analyze and even understand. The plot is quite convoluted and is a bit draining when trying to read because so many things are referred to in passing or in one line, so it's kind of hard to pay attention. The reasoning behind Lear's mental break is never fully revealed (that I saw), in comparison with Edmund's diabolical plot. Goneril and Regan are very unlikeable characters in their conniving ways, but their true purpose is still unclear to me. What is the point in tormenting an old man, especially one that is their father, when they (well, technically their husbands) have all the power?
The true tragedy of the play is in the separation of Lear and Cordelia, and Cordelia's subsequent death. From the beginning, it's fairly evident that Lear's favourite daughter is Cordelia; no one, not even he, denies this. But the fact that she can't tell him in front of the court how much she loves him is such a sticking point that I can't believe he really knows his daughter at all. Despite her being his favourite, he doesn't seem to know how she really feels: it's obvious she loves him, she's just not great at flashy speeches with no substance like her sisters are. That Lear could be so unnerved by her refusal to vocalize her love for him is really his own fault, especially when he's so quick to believe Goneril and Regan who don't really say much other than "I love you so much, you're the best, I love you a lot" and "I love you more than her," respectively.
I think Cordelia's death hits home a lot harder than the others because of Lear's reaction: his favourite daughter just died in front of his eyes after he'd recently reconciled with her. Then, he dies from heartache. Can you say my tear-ducts are working overtime? I like Shakespeare's focus on familial love here; it's more effective than a romantic love like we see in Romeo and Juliet. The reason is because familial love is more at the core of a human being in my opinion (though, for some families, it's just not possible) and I'm sure many people want that sense of security, warmth and community that is associated with it. That's why I think King Lear is so tragic.
What I can't get behind is the lack of true motive coming from Goneril and Regan, and even Edmund (yeah, Gloucester is an asshole to him, but Edgar doesn't seem to have done anything wrong). There's also the difficulty with following Lear's mental breakdown and the force of his anger. It's so hard to read when the poetry is so flowery. True, Lear rips new ones into Cordelia, Goneril and Regan, but the speeches are so well thought-out that it doesn't even look like it's out of irrepressible rage.
Shakespeare follows decorum too well for this tragedy to really be more than just a ball of sadness (but Ben Johnson would be happy!). It's court plots and evil plans feel like they're thrown to the wayside in favour of the tear-jerking moments and so it's hard to understand because they're not developing enough.
Perhaps this is one of those plays that is most certainly much better suited to the stage.


|Overview||:|| Stage of Love The Series tells the story of two university students on the journey to discovering their passion and understanding themselves.
The first: Nguyen - a ‘model senior' with a cold and tough demeanour, but behind the limelight is someone who carries an intense love for theatre and the stage.
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Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings
Lynn, a genius high school student who makes money by cheating tests, receives a new task that leads her to set foot on Sydney, Australia. In order to complete the millions-Baht task, Lynn and her classmates have to finish the international STIC(SAT) exam and deliver the answers back to her friends in Thailand before the exam takes place once again in her home country.
A chance encounter between a disgraced music-business executive and a young singer-songwriter, new to Manhattan, turns into a promising collaboration between the two talen
An alien touring the galaxy breaks away from her group and meets two young inhabitants of the most dangerous place in the universe: the London suburb of Croydon
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So, who’s seen INTO THE WOODS? When it first came out, I wasn’t exactly excited to see it. And had I known it was a musical…for SURE I wouldn’t have seen it. But a few friends mentioned they wanted to see it, so I figured I’d risk it to hang out with some friends. The company was WAY better than the movie, put it that way. Overall, I think I didn’t like it because I don’t like musicals. So that was a big part of it. The acting was fine, singing fine, special effects fine…. But I didn’t like the[…]
Over New Years, I watched the first Captain America again. I just loved the second one, but needed a refresher. Boy, did I forget how AWESOME Captain America was. Mostly what stuck out to me is the romance with him and Agent Carter (and yes, I’m stoked to watch that show on TV–she kicks BUTT!) It was so intense, yet in the movie, they only shared one very innocent kiss. Yet, I felt the love. The devotion. The respect. Amazing how that can happen with just one kiss, a few intense looks. Now that’s romance, in my book! 🙂 What[…]
Any PITCH PERFECT fans out there?? Surprisingly, I’m one. Yeah, I was a little surprised myself. And now… PITCH PERFECT 2? ***sweet*** What are you guys thinking? Yay or Nay?
Okay, guys. What do you think of this new Terminator installment?? While I’m a HUGE fan of the Terminator movies (mostly #2) I’m a little nervous about this one. Action looks good. Lots of adventure. But…they’re messing with a classic by redoing it, I’m worried… What do you guys think?
Maze Runner…Hmmm. When it first came out, I was like, “Maybe.” Had it not been for my good friend, Courtney, I wouldn’t have gone. Having said that…I’m kinda glad I went. First. Here’s the synopsis from IMDB: Thomas is deposited in a community of boys after his memory is erased, soon learning they’re all trapped in a maze that will require him to join forces with fellow “runners” for a shot at escape. Okay, I have to say, THOMAS rocked this character. The whole concept was really awesome. I haven’t read the book or anything, and I hear that the[…]
The blurb from IMBD: With his wife’s disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it’s suspected that he may not be innocent. ~~My Take~~ **whew** Where to start… First…did you guys like it? What’d you like about it? Okay, so, I might get nailed here, but that’s okay. Movies, like books, are very subjective. Heck, I absolutely loved Dracula Untold and it’s got some seriously low ratings over at IMDB. But, differing opinions is what makes the world go ’round, isn’t it? So…here goes: I didn’t like Gone Girl. **ducks,[…]


In this new episode of “Take Time Out with Tre Mosley,” we sit down with the incredibly talented Mara Junot, a voice who has brought to life countless characters in video games, animation and more. Mara shares with us her journey from radio to acting, talks about her creative process, the importance of diversity in media and the power of voice to influence and inspire. Join our conversation to discover the ups and downs of her career, her vision for the future of voice acting and the impact of representation in the industry.
- Mara Junot’s evolution from radio to becoming a voice actor icon in video games and animation.
- Insights into the voiceover process and character development.
- The importance of diversity and representation in the media industry.
- Mara’s impact on fans and the importance of connecting with audiences.
- Future aspirations and the broader impact of her work on the voiceover community.


I spent a few weeks in Wisconsin, in the lovely Door County, which is a vacation spot for locals. You know what I mean: lots of water frontage, kayak rentals, fudge shops. Very low key. Green. Restful.
While we were there, we went to the outdoor theater to see a double feature of Dark Shadows and The Avengers. The theater was a blast–kids played soccer in the open field in front of the screen before the shows, and watching the obsessive SUV drive into spot after spot looking for the perfect parking place was almost entertaining enough on its own.
Both movies were extremely fun, and much popcorn was consumed. But is it just me? Watching Dark Shadows, I recalled what many writers have said about prologues: Kill them. I just thought that opening sequence went on forever and I waited… and waited… and waited for the movie to start. I love Tim Burton and I’d watch a movie of Johnny Depp doing his laundry. But he wasn’t in the prologue except as a voiceover. Maybe that was the problem.


Yesterday I sat in on a dress rehearsal of the comic opera, Ruddigore, also known as The Witch’s Curse, by Gilbert and Sullivan. This, being performed by The Lakeshore Light Opera, who donates proceeds from their performances to charity. They placed a call out to sketchers on the Urban Sketchers Montreal facebook page, an invitation to come sketch, and I couldn’t resist.
I did drama all through highschool, and some extracurricular theatre, but didn’t pursue it beyond that. When I stepped into the behind the scenes bustle of sound, lighting and costume checks yesterday, I felt an almost painful nostalgia for something I once really thought I loved – young love, that it was. Here I am, a couple decades later and I haven’t done much to nurture that love. I’d all but let it die in the neglected corners of my life. Over the years, I had it in the back of my mind that when I became more organized with my time (at some undetermined juncture), I’d maybe look into getting involved in it again. But it always seems so far off when I think about it in that capacity. In many ways, though, I’m there, at the theatre, performing, when I’m writing fiction, which I’ve been doing more and more of. So, I take hope – it’s still in me.
It was so much fun for me to sketch snippets of the characters as they move through the rehearsal practicing their staging and exercising their crystalline operatic voices. It was fairly dark, so I sketched by the low light of my cell phone, and came home with a well earned headache.
All the lines were done on site, and some colour, but given the lighting situation, I waited until I was home to finish up.
platinum carbon pen, and watercolour (Windsor&Newton), on Fabriano cold press paper.


My $100,000 Student Film
How did I end up with a career on the internet? The answer is I went to film school, spent $100,000 and made a student film.
I attended the School of Cinematic Arts at the University of Southern California. It's the same school that George Lucas attended along with Ron Howard and just about every other famous person in Hollywood. It's also the school that rejected Steven Spielberg. (He still gives the school money though.)
So we were all pretty proud of ourselves in my graduating class. USC is a hard film school to get into. Harder, statistically, than getting accepted into Harvard. The halls of the Lucas building are covered with movie posters signed by famous alumni. We all believed in our hearts that someday our own signed posters would drape from the same concrete walls.
And we had fun. We made movies, right? We watched movies, shot movies, edited movies, made sound for movies and talked about movies all the time. And we did it without the abstract theory you might find at some Midwestern liberal arts college. Stuff like "the role of suppressed feminism in post-war 1950's Polish cinema." No way. This was Hollywood baby! USC was about doing, not talking. We liked action and special effects. We got to cast real Hollywood actors for our student films. (Not always the best actors, mind you, but real actors.)
Then I graduated.
Instead of becoming famous, I quickly became un-famous. I became as un-famous as an un-famous person could be. I got my first Hollywood job working for a producer named Steve Tisch. My job was to drive scripts around town. If the script was really bad, I got to read it and write up a report. And yes, I made coffee every morning.
After reading enough scripts, I left my job to pursue screenwriting. The problem was I couldn't write. That didn't stop me from trying. I put everything I had into writing screenplays. It took me a year to write an entire script. After about eight screenplays I started to do well in some big Hollywood contests, but I was burnt out.
Did anyone in my class succeed? Most didn't. My friend Erik Aadahl works as a sound editor for big films such as Monsters vs. Aliens and Transformers. He should win an Oscar someday. (He also acted in my film.)
Film school was fun, and only cost me a cool $100,000. I don't have much to show for it, except for this short film made my junior year. Was it worth $100,000?
A five minute movie at $100,000 works out to about $20,000 per minute. If my
student film ran a feature-length two hours, it would cost only 2.4 million dollars, a bargain by Hollywood standards! Looks like I did learn something at USC. Spielberg, if you're reading this, I'm still available.


Interview by Tiziano Thomas Dossena
L’Idea Magazine: Hello Giovanni. Your father is Italian and your mother is German. How did their different ethnicity influence you while growing up? How much did the “Italianità” influence your life and career choices?
Giovanni Morassutti: My parents divorced when I was 4 years old. I grew up in the small city of Padua, near Venice, with my mother and my sister. I have observed my mother’s perspective of being a foreigner. I have always felt like a stranger. For sure, growing up in Italy made me develop more of an Italian mentality, which can be summarized into spontaneity, friendship, beauty, fun, pleasure, style, and irony. It differs from the German mentality, which is more focused on perfection, soundness, quality, reliability, and efficiency.
When I was in New York I got cast in several projects where I have played “Italian,” including a play directed by Katrine Marie Wilce at the New York Comedy Club where I was playing the Latin lover. The “Italianità” has always influenced my career. I would say that I have inherited some sort of charisma from my father. I have also absorbed the German introspectiveness, which is a big plus when it comes down to Method acting. I have always felt like a citizen of the world.
L’Idea Magazine: So, you had an interest in acting since you were young…
Giovanni Morassutti: Yes, as a child, I always loved to exhibit myself and be the center of attention. It made me feel loved and recognized. I was a big fan of Michal Jackson and danced like him, exercising for hours in my bedroom. I was also a boy scout and played a woman at a very young age. It was just wonderful being on stage. I also did some commercials as a kid. When I became an adolescent, a friend gave me the book “Rebel”, a biography of James Dean; that opened up a new world. I was also lucky to meet my cousin Stefano Vitale, an artist and illustrator living in New York at that time. At the age of 16, I had a chance to visit.
New York was love at first sight. At 18, while most of my friends went to the seaside near my hometown, I decided to go to New York for three months. It was great. I was almost about not coming back to finish high school. I have gained lots of confidence in myself. Also opened up to diversity and questioned my identity. For me, New York has been a school both as an actor and as a human being. Also, observing the sessions at the Actors Studio at such a young age has been very inspiring.
L’Idea Magazine: While in High School in Italy, you studied acting and directing at a workshop with Hollywood star Susan Strasberg. How much effect did that have on you? By the time you completed the workshop, were you certain that you had found your calling?
Giovanni Morassutti: In high school, I was doing theater with my English teacher. He loved the theater. The encounter with Susan Strasberg has been a blast. I will always thank my mother for having given me the possibility to study with her. Susan said that I had talent. I remember working on a scene from The Outsiders. I recall a moment in which I was lying on the stage and pretending I was sleeping. It felt so natural. She showed me the possibility of becoming an actor and felt that being a professional actor was what I wanted to be.
L’Idea Magazine: At 18, you moved to New York, were an auditor at the Actors Studio on 44th Street, a student of Salem Ludwig and William Packard among others at the HB Studio in Greenwich Village, and then you began studying privately with John Strasberg who became your mentor. It sounds like a lot of valid acting ‘internships’. Could you talk a bit about these years of training?
Giovanni Morassutti: The training in New York was emotionally deep. I have started by observing humbly the work of actors and Studio members. After one year of auditing the sessions at the Actors Studio, I stood on my feet and tried it out by myself. That was when I enrolled for two semesters at the HB Studio. Ludwig gave me the structure and awareness of myself. Packard introduced me to poetry in the theater. He said to me: “You can play Shakespeare and be a good Romeo.” It has been a period of exploration, starting to know who I am. New York gave me the possibility to question myself and allow me to open my mind. The encounter with John Strasberg was life-changing.
His sister Susan gave me his number that I had written in a small notebook. It was only after a year and a half that I contacted him. I remember asking Salem if he knew him. He said: “Of course I know him. He has suffered a lot”. Salem was not very talkative. I felt that I wanted to learn from someone who could share more information about the acting process. John was what I wanted from a teacher. It is one of the reasons I believe he was the right teacher for me.
L’Idea Magazine: In what years were you collaborating as a coordinator for Strasberg workshops in Italy? What did that entail?
Giovanni Morassutti: Susan was coming to teach in Italy, also in Padua. After she died, I invited his brother John to teach. He came because of her. He wanted to honor her by teaching there. He came six times. Besides managing the organization, I was translating his work. It felt like being inside his head. I have learned a lot by doing that. I also invited him to teach in Rome and Umbria at La Mama Umbria International. Finally, I brought him to my art residency in Friuli, where I have shot the documentary Personal Dream Space to capture the essence of his teaching within the natural setting of the Italian countryside. Strasberg said about Art Aia – Creatives / In / Residence: “The fact that people come to a place where everyone makes that commitment and they are in the country just changes the atmosphere of work, so there is a kind of relaxation and comradery that is very special. It is a special place.”
Once I moved to Berlin, I have also invited him there. It was great to hang around town and hear his stories when visiting East Berlin, where he was with his family when the wall was still up.
L’Idea Magazine: Was Gus Van Sant’s “Last Days” (2005) your first movie? How relevant was it to your career as an actor to have such an experience?
Giovanni Morassutti: Being cast in the Last Days was a dream come through.
I will always remember the casting process and the phone call by Mali Finn’s assistant telling me that I had been selected for the movie. I was working at La Mama at that time and remember Ellen Stewart encouraging me to go shooting even if I was in several of her plays during the festival Seven. Mama said: “Go! Do it ! We will find an understudy for one or two days”. She was so open-minded. Last Days was my third movie. The first was The Fugitive, shot in Italy when I was 18, and then in New York; I also took part in the experimental film Three Stories of Love and Angst directed by Jordan Mattos, who later became one of my best friends. I remember shooting downtown Manhattan with interesting people, including Benjamin Liu, Andy Warhol’s assistant. Being in the underground art and film scene of New York has influenced my career and also opened up my interest in visual arts and experimental theatre.
L’Idea Magazine: You graduated in 2008 from the National Film School in Rome directed by actor Giancarlo Giannini. Would you say that school gave you the proficiency necessary to direct a movie?
Giovanni Morassutti: I have graduated in film acting. During the course, we did some exercises as directors too.
It had been a good program but, in my opinion, it lacked some practical film work. Centro Sperimentale di Cinematografia offers one of the few programs focusing on film acting. In Italy, there is a difference between film and stage acting. There is a tradition of theater acting based on reciting, which very often differs from what is finally called realistic acting. “Being real” is fundamental in film work. In England, which probably has the best acting tradition, there is not a separation. Acting is acting, and drama is drama regardless of the medium, be it a film, a theater play, a television series, or even a voice acting project. The work on the character is the same. In films, you don’t have enough time to discover the character. The art form can only be learned while rehearsing in a theater. To answer your question, I would say that the National Film School taught me how to deal with other actors, but I would not say that it gave me the proficiency to direct a movie.
I am also a director, but mainly in the theater. I would say that my expertise is directing fellow actors.
L’Idea Magazine: Last year, you won “The Empty Space Film Festival award” for Best Supporting Actor for your performance in the Short film “Lola.” Congratulations. Was this a difficult part to play?
Giovanni Morassutti: Thanks. Damian is a gay man living in Berlin. It has been an intriguing experience to explore the world of the character. While preparing for the role, I was making eye contact with gay men in the subway, imagining possible circumstances of the character’s life. I also went out to bars, discovering the club scene of the German capital, which is very unique. It was not easy to get involved in the character because the risk was to play a caricature. The director wanted me to play flamboyant. I trusted her direction and did my best to fulfill her vision. I have also worked on establishing a relationship of friendship with the lead actress Cristina Rosamilia since, in the story, my character is the best friend of the main character, Lola. It has been a great experience to work on this film. I am pleased that The Empty Space Film Festival gave me a prize. It is always good to get recognized for your work.
L’Idea Magazine: You are also competing for the “David di Donatello Award” (2021) for your role in “Affittasi Vita,” directed by Stefano Usardi. How excited are you about this opportunity? How interesting was performing in this movie?
Giovanni Morassutti: The David di Donatello ceremony happened in February 2021 and unfortunately I have not been nominated but it is life and life is hard. The acting profession is very competitive and it can be brutal. That being said, it was actually very exciting to compete also because Affittasi vita is the 4rth film that I did with Italian director Stefano Usardi. We kind of grew up artistically together. It is a real partnership. Stefano is a very good director, very intuitive. I am very pleased that Usardi was able to have his film competing for the David di Donatello award. Playing in his movies is always an adventure. Affitasi Vita was a challenge. Salvo, the character I have played, was speaking in verses. It was not easy to maintain the truth and simplicity.
L’Idea Magazine: In the movie “Ventisette” you were the protagonist. What was the movie’s subject? Did you find the part difficult?
Giovanni Morassutti: Ventisette was also directed by Usardi. It was about this guy, a very introverted person who liked to watch other people’s lives. It was a romance. The encounter with this young girl, Laura, made him become involved in his own life. The part was difficult because I had to work on being more introverted than I usually am. It was a very interesting process and I have tried to be as simple as possible. I believe that when you are really involved you almost forget that you are acting and that happened several times during the shooting.
L’Idea Magazine: You were also in the TV mini-series “Il Maresciallo Rocca e l’amico d’infanzia” with Giancarlo Giannini and Gigi Proietti. How did it feel to be in a production with such big names?
Giovanni Morassutti: It was great! I was very nervous on set. I have learned so much by observing the work of Giannini, who is one of my favorite actors. Also, playing the same character, only younger, was special. I remember auditing with mustaches to look similar. The TV mini-series was the last episode of the series. I am grateful to have been part of that project. I also keep a good memory of Gigi Proietti. He seemed to be a very humble, generous, and kind-hearted soul.
L’Idea Magazine: You have another movie coming to the theaters soon…
Giovanni Morassutti: Yes, Fra due battiti is a feature film directed by Stefano Usardi starring Remo Girone and other good actors. It premiered on October 22. We shot it during the pandemic of Covid19. It was not so easy but we could make it work. For me, it was pleasurable to be back in Italy for the shooting. The crew and cast were nice. I have worked with Usardi for over 10 years. There is a certain feeling now. I feel very lucky to have been hired for so many of his movies. It is an artistic collaboration based on professional trust as well as friendship. I hope Stefano will soon get the recognition he deserves.
L’Idea Magazine: I know you were in more than 20 movies, but you are not only an actor, you are a cultural entrepreneur, a movie director, and an artist. Let’s talk about these other activities of yours. Let’s start with Art Aia-Creatives/In/ Residence, of which you are the founder and Artistic Director…
Giovanni Morassutti: Art Aia was a project conceived by my father, who is also a sculptor and photographer. He came up with the idea of creating a retreat in the countryside to develop creativity. Aia is the area in the old farms where people were meeting and sharing the harvest. The old barnyard was also the center of activities among the farming community of the area. People also gathered to spend time together. The name Art Aia comes from this concept translated to the arts considered as a vehicle to create a sense of community. Art Aia is a place where art practices, ideas, and collaborations can be developed.
I have added the name Creatives In Residence to express that people live in the guest house of the art center while developing their art projects.
My long-term goal is to create a sort of artist colony. Recently I have been focusing the programs on sustainability in the arts and environmental issues. My last project is Climate Change Theatre Action sul Tagliamento where I have collaborated with the local community to create a sense of community.
I am also working on a collective exhibition of local artists that will soon be available on Google Arts & Culture. I would also love to create a live event gathering all these multidisciplinary artists from the region.
L’Idea Magazine: You are sponsoring an event with the collaboration of Legambiente. What is that about?
Giovanni Morassutti: Climate Change Theatre Action is a worldwide series of readings and performances of short climate change plays presented biennially to coincide with the United Nations COP meetings. I have created a “cross-disciplinary” event on the river Tagliamento, engaging multiple public and private partners to spark possible collaborative developments.
I have integrated science, art, food, and technology to foster cross cohesion in Friuli Venezia Giulia.
I am glad that Legambiente, the most prominent and widespread environmental Italian association, has joined the project. I am looking forward to collaborating with them again soon. Their mission resonates with my sensitivity towards the environment. I am concerned about global warming and all related threats to biodiversity, so I want to sensitize people about this issue. The project Art Aia — Creatives / In / Residence represents my contribution to an environmental cause.
L’Idea Magazine: You also have a different organization that you founded, or should I say co-founded, Art Aia-La Dolce Berlin…
Giovanni Morassutti: As a cultural entrepreneur, I have also co-founded a subsidiary space in Berlin, by the name of Art Aia La Dolce Berlin, where I developed art projects and art residencies with many international artists. In 2015, I moved to Berlin to expand my horizons and founded along with my ex-significant, actress, director, and screenwriter Francesca Tasini, a project space where to gather artists from around the world. It has been a great experience to meet these people and offer them a space to realize and present their exhibitions to the Berlin audience. The venue was in a former Spätkauf, a type of convenience shop part of neighborhood culture, where you can meet with neighbors. We have translated this concept to arts and culture.
L’Idea Magazine: As a movie or stage director, what is your experience?
Giovanni Morassutti: While studying at the Centro Sperimentale di Cinematografia, I have directed a couple of short films. As a professional, I have directed one project: Personal Dream Space. I have more experience as a theater director. I have staged three plays, including Sola in casa, by Dino Buzzati, presented at the Cherry Lane Theatre in New York. I love directing. As a kid, I guided my friends in staging jokes while on vacation up in the mountains. My work in the theater is connected to Lydia Biondi, a wonderful actress and generous human being that I had the honor to direct in two productions, both in New York and Italy.
L’Idea Magazine: You define yourself as a Neo-Expressionist visual artist. Could you clarify what that means? What mediums do you use? Any specific subjects you love to interpret or create the most?
Giovanni Morassutti: Growing up in the eighties and nineties, I was influenced by the work of Jean Michel Basquiat, among others. I have always wanted to paint, but I started experimenting regularly only a few years ago. Berlin triggered my desire. I love it as a medium, even if I don’t have, yet, the skills to draw as I would like to. So far, I paint in a rough and violently emotional way. My themes are quite dark, such as mental issues, dysfunctional behavior, and loneliness. I have also created a series of works based on my family of origin. It liberates me from some bad influences rooted in my childhood. I do action painting as well and love to experiment with vivid colors. I use watercolor paint and textile as well as random materials. I also use collage. Some of my paintings have plastic fake eyes installed on the canvas. I haven’t used oil paint yet. I am very excited about trying that out. Painting, for me, is a form of self-expression and also a therapeutic practice. I believe that my style could be defined as Neo-Expressionist due to the charge of subjectivity and the rough way I handle materials. My work Fairy Tale, which is part of my series Eyes, has been described by artist and curator Ali Labgaa as a “mixed media piece on canvas picturing four different groups of characters using watercolor and collage capturing different scenarios, like scenes from a dreamy tale, portraying stories that can be read from a different perspective. All the characters are watching the spectator with a sense of suspicion. The artwork narrates one story with irony and humor. The images and the composition of the piece also bring an element of poetry to the artwork.”
L’Idea Magazine: You wrote “Strasberg Legacy. The history and peculiarities of the discussed “Method” and the “Organic Creative Process”.” Could you elaborate on the title, that is, what is this book about? Was being mentored by Strasberg’s son the trigger to write this book?
Giovanni Morassutti: Throughout my studies, I have always taken notes about Method acting. It is such an interesting and elaborated way of work that triggered my interest.“Strasberg Legacy. The history and peculiarities of the discussed “Method” and the “Organic Creative Process” is more of an essay than a book that I intend to integrate with more information coming from my experience, first with Susan Strasberg, then at the Actors Studio and at the HB Studio, and then with my long time collaboration with John Strasberg. John teaches the Organic Creative Process which is an evolution of the Method created by his father Lee. The origin of this particular way of working is rooted in the work of Stanislavsky, which I have also briefly described in the book. I have also created, through my art residency in Italy, which is partnering since 2020 with the online platform Google Arts & Culture, an online exhibition available to a global audience by the same name.
L’Idea Magazine: You also wrote a preface to the Italian version of John Strasberg’s book “Accidentally on Purpose: Reflections on Life, Acting and the Nine Natural Laws of Creativity”…
Giovanni Morassutti: Yes, I had the honor of writing the preface of the Italian version of Strasberg’s book. Accidentally on Purpose has been translated into Italian and published by Dino Audino, a well-known Italian publisher founded in 1987. The best part of writing the preface has been collaborating with the author, recalling all the memories of my relationship with Mr. Strasberg for almost 20 years. John Strasberg is not only my mentor but also a good friend.
L’Idea Magazine: If you could define yourself with three adjectives, what would they be?
Giovanni Morassutti: Sensitive, Pure and Egocentric.
L’Idea Magazine: Any dreams you wanted to share with our readers?
Giovanni Morassutti: I dream about an equal and just world where everyone can experience the feeling of drinking water and not have to worry about food.
L’Idea Magazine: If you could meet an individual from the past or the present, anyone of your choice, who would that person be, and what would you like to ask?
Giovanni Morassutti: I guess Jesus Christ. I would like to ask him for advice on how to live my life the best I could.;
L’Idea Magazine: A message for our readers?
Giovanni Morassutti: Life is short, try to follow your dreams and do what you really want to do.


For 11 months, the producers of ‘I’m Not Ashamed,’ a movie about the Columbine massacre, tried to convince the Google-owned company to reinstate their video and explain why it was offensive.
Filmmakers behind an upcoming Christian-themed movie that recreates a portion of the Columbine High School shooting are going to war with YouTube, which for months took down the film’s trailer and suspended the entire channel for reasons the company has so far refused to disclose.
The movie, I’m Not Ashamed, is the true story of Rachel Joy Scott, the first victim killed by Dylan Klebold and Eric Harris when they attacked their fellow students in Columbine, Colo. in 1999.
The filmmakers are accusing YouTube of anti-Christian bias and say that YouTube ignored not only their requests to reinstate their channel, but also their numerous requests to explain why their trailer was problematic.
Photo: Masey McLain, who plays Rachel Joy Scott in “I’m Not Ashamed,” is interviewed via Skype by Pastor Dave Manny during advanced screening at Calvary Chapel Costa Mesa. The film opens October 21.


- Directed by Martin Scorsese. With Robert De Niro, Sharon Stone, Joe Pesci, James Woods. A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive compete against each other over a gambling empire, and over a fast-living and fast-loving socialite.
- Martin Scorsese's fascinating new film 'Casino' knows a lot about the Mafia's relationship with Las Vegas. It's based on a book by Nicholas Pileggi, who had full access to a man who once ran four casinos for the mob, and whose true story inspires the movie's plot. Like 'The Godfather,' it makes us feel like eavesdroppers in a secret place.The movie opens with a car bombing, and the figure of.
Shaken, stirred, streaming on your phone, laptop, or TV.
Looking for James Bond movies streaming? They’ve moved again! The next big James Bond film, No Time To Die has been delayed AGAIN until October 8, 2021. Will we ever see him again? So, with Daniel Craig’s swan song as 007 a long way off, — and the future of new streaming Bond movies in flux — it’s never a bad time to binge Bond if you can find him! Here’s your guide to where every James Bond movie is streaming online right now, as of January 2021.
Casino (1995) Movies Preview. Casino (1995) Addeddate 2018-12-03 03:15:37 Identifier Casino1995201812 Scanner Internet Archive HTML5 Uploader 1.6.3. A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
Casino Full Movie 1995 Free
We all know that although James Bond has a license to kill, his best super-power is actually the ability to tell terrible dad jokes. Hopefully, if we ever get to see Daniel Craig’s forthcoming final James Bond movie — No Time To Die — we’ll get a whole new clip full of bad puns we can load-up and fire off. In the meantime, 007 movies have a tendency to hop from streaming platform to streaming platform, kind of like the way Bond jumped over those rooftops in Spectre.
Casino Full Movie Stream
You may have read all the Bonds were streaming on Hulu and Amazon Prime or Netflix, but the truth is, where the Bond movies are streaming changes all the time. So, where is all of Bond streaming right now? Here’s the update as of January 2021! (Hint: Everything is different!)
Classic Bond: Sean Connery, George Lazenby, Roger Moore, and Timothy Dalton
As of January 2021, all the pre-1995 “the classic” James Bond movies have left both Amazon Prime and Hulu. These are all now available to rent on Prime and other outlets at $3.99 a pop. To be clear right now zero classic Bonds are streaming “for free.”
Classic Bonds For Rent on Amazon Prime (and YouTube and iTunes, Amazon links follow)
Daniel Craig Bond Movies
As of right now, the Daniel Craig movies are available to rent on streaming in several places, and specifically Amazon Prime, iTunes, and YouTube. As of January 2021, the only Daniel Craig Bonds that are streaming “for free” or the first two, Casino Royale and Quantum of Solace. Here’s how that shakes out.
- Casino Royale on Netflix.
- Quantum of Solace is still on Netflix.
Pierce Brosnan Bonds
What about Brosnan, Pierce Brosnan? At the moment, none of the Pierce Brosnan Bonds are streaming “for free,” anywhere. Here’s where you can rent those movies or watch them with a cable “add on.”
Like the pre-1995 Bonds, you can rent the Brosnan films from YouTube and iTunes, too. But, unlike the “classic” Bonds, the Brosnan films have a tendency to jump back to Netflix from time to time. So, maybe expect that in February 2021?
Never Say Never Again + Free Bond?
In 1983, Sean Connery returned to play a semi-retired James Bond in a movie called Never Say Never Again. This movie is not considered an “official” James Bond movie and only existed through a legal loophole. Basically, the guy who co-wrote Thunderball, Kevin McClory, was able to retain partial rights to Bond, and thus, Never Say Never Again is a weird Thunderball remake, only this time Bond is older, and Kim Basinger is also around. This movie is was streaming free, with ads on Pluto TV, but as of January 2021, it’s not. This means you’ll have to do Never Say Never Again just like all the other films, find a spot to rent it. For now. Here it is on Amazon for $3.99.
Notably, virtually all the other “real” James Bond movies were streaming for free on Pluto, too. (Excluding any of the Daniel Craig movies. But now, the 007 Pluto channel has seemingly been pulled.
We’re gonna leave this link here though, just in case it suddenly gets reactivated in February 2021. Here’s where that link used to live, right here.
At the moment, Hulu still has the docu-drama “Becoming Bond” streaming for subscribers. This movie is all about how George Lazenby become Bond for his one and only movie, On Her Majesty’s Secret Service. Check it out here.
Stream Casino Movie
What happens when James Bond isn’t streaming? Maybe it’s time for the physical Blu-rays. Check out this complete set here.
Martin Scorsese's fascinating new film 'Casino' knows a lot about the Mafia's relationship with Las Vegas. It's based on a book by Nicholas Pileggi, who had full access to a man who once ran four casinos for the mob, and whose true story inspires the movie's plot.
Like 'The Godfather,' it makes us feel like eavesdroppers in a secret place.
The movie opens with a car bombing, and the figure of Sam 'Ace' Rothstein floating through the air. The movie explains how such a thing came to happen to him. The first hour plays like a documentary; there's a narration, by Rothstein (Robert De Niro) and others, explaining how the mob skimmed millions out of the casinos.
It's an interesting process. Assuming you could steal 25 percent of the slot-machine take - what would you do with tons of coins? How would you convert them into bills that could be stuffed into the weekly suitcase for delivery to the mob in Kansas City? 'Casino' knows. It also knows how to skim from the other games, and from food service and the gift shops. And it knows about how casinos don't like to be stolen from.
There's an incident where a man is cheating at blackjack, and a couple of security guys sidle up to him and jab him with a stun gun. Casino musician jobs.
He collapses, the security guys call for medical attention, and hurry him away to a little room where they pound on his fingers with a mallet and he agrees that he made a very bad mistake.
Casino 1995 Free
Rothstein, based on the real-life figure of Frank (Lefty) Rosenthal, starts life as a sports oddsmaker in Chicago, attracts the attention of the mob because of his genius with numbers and is assigned to run casinos because he looks like an efficient businessman who will encourage the Vegas goose to continue laying its golden eggs. He is a man who detests unnecessary trouble. One day, however, trouble finds him, in the person of Ginger McKenna (Sharon Stone), a high-priced call girl.


The performances were the very best part, and this is saying something, because the costumes and makeup alone are almost worth the price of admission. The editing was crisp (although it could have been a bit more aggressive), the story was engaging, the characters were interesting and complex. The 70's era music was used to great effect.
True Romance is not bad - Tarantino wrote it, after all. But it's not great - Tarantino didn't make the film.
On the good side: clever, snappy dialog. Christian Slater is appealing as the hero. Patricia Arquette's scene with the always likeable yet chilling James Gandolfini was memorable. Christopher Walken and Dennis Hopper deliver the best performances of the movie. Brad Pitt was funny, which is not something you see enough of. The soundtrack was also good.
The Handmaid's Tale is a very good dystopian novel by Margaret Atwood, and as is usual for movies based on books, this movie is not as good as the original material. However, I do try to judge each on their own merits, because the two forms are so different and the comparison is basically inherently unfair.


Clint Eastwood Separates From Wife After 17 Years
Clint Eastwood and his wife Dina have separated after 17 years of marriage. Initially Dina wanted to set Eastwood up with her mother, but after a second encounter the two shared, they were smitten with one another. In their 17 years they had one child, a daughter who is now 16. The two remain friends, which is a breath of fresh air from the overly dramatic celebrity divorces we constantly hear about. To read more about the story the original link is included here.


Bang Bang Woof Films is a partnership run by Steve Harrison (writer/producer) and John Osmond (director/writer/producer) and together they have made three short films:
WE MEN DO (drama 11 mins)
A man, overcome by the pressures and responsibilities of life, descends into a spiral of anger and depression to the brink of destruction. But perhaps there is hope of redemption…
Featuring a superb performance by Martin Dingle Wall, the film debuted at the Dungog Film Festival. It has also featured at many other festivals and is used by mental health professionals and organisations around the world.
2014 Cause Film Festival – Best Actor Award: Martin Dingle Wall, We Men Do http://www.martindinglewall.com/
2014 Cause Film Festival – Runner-up Short Film Award: We Men Do http://www.causefilmfestival.com/
Child’s Play @ Vimeo (drama 9mins)
A small time crook finds himself out of his depth after hooking up with hardened criminals. When a foolish decision places his family in danger, he must quickly come to terms with his terrible choices in order to save them.
Product Pain @ Vimeo (comedy 15mins)
A simple pack shot advertising shoot of a beer bottle goes horribly wrong when the artistic director decides to take over.
Official Selection: Long Island Film Expo, USA; Orlando Film Festival, USA; London City Film Festival, UK; Marbella International Film Festival, Spain.
Steve Harrison @ iMDb
John Osmond @ iMDb
Like We Men Do. Also like the story of the ship. I just did a series of plays called TimePlays at Hampton Court Palace for 5 months. I have read one of Kathryn Pym’s novels… That’s how I saw your link. Have you considered approaching the BBC about making a film of the novel?


Imagine a World Without Beverly Hills
You might shrug and think: What difference would it have made if Beverly Hills had been annexed to Los Angeles in 1923? In terms of popular culture, actually, quite a lot.
Beverly Hills is shorthand for a general over-the-top-ness that is a mash-up of movie stars, celebrities, wealth, fame, fashion, and beauty—both natural and surgically enhanced. And in terms of entertainment content, Beverly Hills looms large in the imaginations of everyone who has ever seen a movie or TV show whose titular location has included the name of the storied city. No Beverly Hills, No Beverly Hillbillies; Beverly Hills Cop, Down and Out in Beverly Hills, Troop Beverly Hills, Beverly Hills 90210 and its spin-off, 90210, Clueless, Pretty Woman, Beverly Hills Chihuahua (1, 2, and 3), and The Real Housewives of Beverly Hills.
Who would have watched, for example, The Woodland Hillbillies, Irwindale Cop, Down and Out in Vernon, Troop Lawndale, El Segundo Chihuahua or The Real Housewives of Signal Hill? Didn’t think so.


The Duck Creek Center for the Arts continues its 2023 season with an adaptation of CS Lewis’ The Lion, the Witch, and the Wardrobe. The play performs this Thursday, Friday, and Saturday, September 14-16, at the Historic Elwood Opera House. This youth production will not only have a cast of 8-18 year olds, but many of its crew positions have been filled ably by young people as well.
The Lion, the Witch, and the Wardrobe follows the adventures of the four Pevensie children: Peter (played by Simon Wood), Susan (Lydia Doss), Edmund (Lukas Carmack), and Lucy (Violet Vehikite) as they experience the wonder and danger of a magical world called Narnia. The four children are quickly swept up into a classic battle between good and evil, represented by the mysterious Aslan (Melea Mendoza) and the chilling White Witch (Ellie Henagar).
Jessica Doss is the plays’ director, and Bill Smith is the executive director of the Duck Creek Center for the Arts. This production is made possible in part by the Community Foundation of Randolph County, and the Indiana Arts Commission, which receives support from the State of Indiana and the National Endowment for the Arts.
Tickets are available online at duckcreekcenter.com.


Absolute Machinery plays a role in popular movie “Joy”
Canadian PlasticsPlastics Processes
Used plastics processing equipment supplier Absolute Machinery Corporation played a role in the making of the recently released Hollywood blockbuster “Joy”.
For scenes filmed in April 2015 in the Massachusetts area, the “Joy” production crew needed to reproduce an injection molding facility for actor Jennifer Lawrence and turned to Worcester, Mass.-based Absolute Machinery for help.
“To create the movie set, sales manager Steve Murdoch and the Absolute team provided the production staff with everything they needed including transportation and rigging on the set to reproduce a working injection molding manufacturing facility, complete with operating machines, auxiliaries, typical office equipment, shelving, cabinets, and everything else one would see in a molding environment – including two team members from Absolute Machinery,” the company said. “Technician Joe Hopper and technical manager Stuart McCarthy worked on the set as extras for five days to make sure everything ran smoothly.”
“Joy” is loosely based on the story of Joy Mangano, a self-made millionaire in the U.S. who created her own business empire in the early 1990s when she invented and marketed the self-wringing Miracle Mop.
An affiliate of injection molding machine maker Absolute Haitian, Absolute Machinery offers a wide range of used I/M machines and auxiliary equipment.


Fray Forde has been seen in Little America (Apple TV+), Dollface (Hulu), Messiah (Netflix), The Unicorn (CBS), Dynasty (CW), Legacies (CW), Daphne & Velma (Hulu), Cake (FX), and Brockmire (IFC). He’s also been seen in commercials for the NFL, Taco Bell, Hardee’s, Bud Light, Natural Light, Norton Security, and more.
As a comedian, Fray has shared the stage with Chris Tucker, Hannibal Buress, Katt Williams, Rory Scovel, and Ron White, to name a few. In addition, he’s performed at the Upright Citizens Brigade and was a part of the cast for the CBS Diversity Sketch Comedy Showcase 2019.
Kat has been seen professional theatre stages across the country and studied at The American Academy of Dramatic Arts in New York City. She has been seen in This Is Us (NBC), NCIS: New Orleans (CBS), and Cannes acclaimed films Heartbreak Happy and Tragiometry.
As an acting and dialect coach, Kat is renowned for her work with professional actors. Her clients have appeared on networks such as Netflix, FX, CBS, NBC, Hulu, HBO, & more. Kat is also a trauma-informed, social-emotional learning specialist and continues to teach theatre, acting, and storytelling to professional actors, neurodivergent, and incarcerated youth.
Founded by Fray and Kat, Coki Productions is the team behind Good Hair which Kevin Hart selected to screen at Just For Laughs 2017. Coki Productions' second film, Pop-Pop Is Dead, premiered at LiveNation's Buckhead Theatre in Atlanta, GA, in 2018. Coki Productions' goal is to prioritize inclusion and diversity. Coki is dedicated to working with neurodiverse, differently-abled, BIPOC, and LGBTQIA cast and crew.
Fray and Kat are both proudly represented by 3 Arts Entertainment, CESD, & People Store.
A conditioner bottle spawns what appears to be argument of the day for couple Frankie and Khi. Good Hair explores a millennial long-term relationship and the split ends along the way. Good Hair which was selected by Kevin Hart to screen at Just For Laughs 2017 as well as a dozen other festivals.
Layla Bailey (Catherine Dee Holly) and Desi West (Fray Forde) are a millennial couple who live a nice, comfortable life in LA. When Layla's Pop-Pop passes, the two head to Layla's hometown, Gaffney, SC, to spend three days with her family and try to make it out alive. Pop-Pop Is Dead premiered at LiveNation’s Buckhead Theatre on August 29th to a sold out crowd of 600 attendees.


This year "Cinema under the stars" which for a decade has been organizing the outdoor films together with the Lithuanian film center presents a special initiative - screening of a Lithuanian classic film to unite world Lithuanians.
On August 5, the “Lithuanian Film Night” will screen one of the most beautiful Lithuanian films, the restored version of Walnut Bread by Arūnas Žebriūnas (1978) in Lithuania and abroad. The Cathedral Square in Vilnius was chosen for the event, but this classic movie will be simultaneously played in Kaunas, Panevėžys, Alytus, Druskininkai, Nida, and many other places. “Last year, we organized a free screening of Raimundas Banionis’ Children from the Hotel America in the Cathedral Square in Vilnius, and we saw that people have been longing for Lithuanian classic movies. We started discussing how to bring this experience to an even larger group of people. This is how the idea of bringing everybody together to watch a Lithuanian movie was born,” Andrė Balžekienė, director of “Cinema Under the Stars,” says.
Read more: https://en.delfi.lt/culture/special-initiative-to-unite-world-lithuanians-through-cinema.d?id=81905829&fbclid=IwAR28IYr5BrXcRJ6zexg811yvQgYiWCsse8H33Vpax9UvKG--wOwRA_aJ3Sw


Holland Roden is an American actress. She is known for her roles as Lydia Martin in MTV's teen drama series Teen Wolf, Zoe Woods in Syfy's horror anthology series Channel Zero: Butcher's Block, Bridget Cleary in Amazon Prime Video's horror anthology documentary series Lore and as Erin Isaacs in the 2020 horror film No Escape.
Born: Oct 07, 1986 (age 35) · Dallas, TX
Height: 5 feet 3 inches (1.60 m)
Siblings: Scott Roden (Brother) · Taylor Roden (Sister) · Ryan Roden (Brother)


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At eight years, her mother enrolled her in a dance class. She learnt piano and music theory, while pursuing her studies, and participates in charity galas. Between numbers danced, she sang the hits of the moment. Very soon, everything follows: Immediately noticed by the artistic director of Le Lido who manages to convince her to leave Brussels , her hometown, Annie Cordy arrives in Paris on 1 May , hired as a lead dancer. This lasted until Then she made her film debut in when she appeared as herself in Boum sur Paris , next to Jacques Pills , Armand Bernard. The film was a big success with almost 3 million entries.
The film was a huge success and was the 1 in France in In her song "Fleur de Papillon" become a hit. She also star in two motion picture. And then, an Italian comedy Beautiful but Dangerous in which she just appeared. The film was again a big success, with almost 5,, entries, and it was 5 at the 's box office  and of all time in France. In she made other musical hits, such as "Hello le soleil brille" from the movie The Bridge on the River Kwai or "Docteur miracle".
Se returned to Tabarin , where she played Mimi under the direction of Richard Pottier for the second time.
eywaapps.dk: Gérard Mordillat: Books, Biography, Blogs, Audiobooks, Kindle
She's next to Jean Richard. From to she starred in her third musical, alongside Luis Mariano , named "Visa pour l'amour". This musical features the hit "Visa pour l'amour". From to , she had the leading female part in "Ouah! This musical features the hit "Le p'tit coup de chance". In she starred in "Pic et Pioche", a musical with her friend Darry Cowl.
In she play Mme Marthe in "Le bourgeois gentil mec". The movie knows a big success, it was the 3 movie at the box-office in , in France. Pinelli in The Breach. After all this success in cinema, she also had a musical hit this year: The film starred also Jean Gabin and Simone Signoret. The film was good received with more than one million entries. In she starred in the leading role of Hello, Dolly! The movie is directed by Sergio Gobbi and starred Virna Lisi. The film was a success with more than a million and a half entries. This song will become a classic and is one of her greatest success with over one million singles sold in France and more than two million worldwide.
In , she starred in the leading role of Souvenir of Gibraltar , directed by Henri Xhonneux and starring also Eddie Constantine. This same year, she also had several musical hit: In , she's back in a musical named "Nini la chance", in which she had the leading part and who was a huge success. There is an other musical hit from this musical: The director and writer Michel Audiard said about Annie that he was sorry she sings bullshit songs, because she made impressive duet with Bourvil , he think she's a wonderful blues singer and a great actress and she deserved to sing a way better song.
In , she released an other musical hit who became a classic, "Qui qu'en veut". This same year, she made her first television movie. In , she's back with her last musical "Envoyez la musique", in which she had the leading part. She had also an other musical success with "Nini Pompon". In , after six years of absence in cinema, she is back with "Le braconnier de Dieu", directed by Jean-Pierre Darras , in which she play the leading female part. In , she had an other musical hit who became a cult hit: Cho Ka Ka O.
In , she appeared principally in Theater, with three play in one year.
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And finally, she play in "Merci Apolline", an original play. She also starred in the play "Mademoiselle Plume", in the leading role. In , she's back in cinema after seven years of break with the movie " Impasse de la vignette ". Her performance was praised by the critics and she won the Best Actress Award at the "Festivals de Digne". Even if she continued to give concerts and musical compilations were released with her past albums, she was more present on television as an actress. It was a big success with more than two million entries at the Box Office. This same year, she appeared in two play.
In both play, she played the leading character. She also had the leading role in the TV Movie "Fanny se fait un sang d'encre". She also sang for the French soundtrack of Pocahontas , named "Ecoute ton coeur". In , she played in three TV Movie. In , to mark her year career, she gave a concert at the Olympia. In , she appeared in a second episode of the TV Series "Baldi", in which she'd already played in , still next to her friend Charles Aznavour.
In , she played in the Short film "Zartmo". In , she appeared in an episode of "Le tuteur", with Tony D'Amario. In , Annie played Rose, the leading female character in the movie " Le Dernier des fous ". She is on the movie with Dominique Reymond. The film was a big success with more than two million entries in France. This was also a success with more than a million of entries in France. This same year, she started a new play, "Laissez-moi sortir", in which she was alone on the stage, playing the part of a great star who is locked out on her balcony and so talks and reminisces on her entire career.
After the huge success of the play in she started a tour in the whole of France in The same year she was back in a studio with an original album: The movie was a great success with over a million entries. She is involved in the album "Joyeux anniversaire M'sieur Dutronc" which paid tribute to Jacques Dutronc. This year, she also walked up the stairs to the Cannes Film Festival. In , she walked up the stairs to the Cannes Film Festival to see the movie The Unknown Girl before to present the movie Le Cancre with the rest of the cast.
In July , for her 90th birthday, she is the guest of honour of the Ommegang of Brussels. Couple days after this event, her name is given to a Park in Laeken , city where she is born. She has staged many memorable appearances at Bruno Coquatrix' famous Paris Olympia. She was born in Laeken, Belgium, where in , King Albert II of Belgium bestowed upon her the title of Baroness in recognition for her life's achievements.
Immediately noticed by the artistic director of Le Lido who manages to convince her to leave Soon it was covered by Belgian actress and singer Annie Cordy.
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She also released her version on an EP. In Wallonia French Belgium the song reached no.
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Chefs is a French drama television series. It has been distributed since on France 2 France. Romain, just released from prison, arrives in this new world where gastronomy and excellence mix. After a difficult integration, he shows a real talent for cooking and climbs the ranks. Le Chef Hugo Becker: Monsieur Edouard Anne Charrier: The notary 1 episode Agustin Galiana: Esteban 1 Episode Kait Tenison: Cordy is a surname, masculine given name and feminine nickname short for Cordelia which may refer to: Romain's father Michel doesn't like his new life and neither does his wife Nathalie like to have him around moping all the time.
When Romain's 85 years old grandmother Madeleine runs away from a retirement home, the family friction is rocketing. One of counterfeiters thinks he recognizes Jeff as a mobster who wants to take revenge on them The main subject of this movie is the rebirth of disco music at the mids in a town of France. In fact, all the people involved in this film are fans of disco, dance and funk music. The soundtrack to the film contains a cover version of the Bee Gees' "Night Fever" performed by Australian singer and songwriter Tina Arena.
Cast Franck Dubosc as Didier Graindorge a. Plot In Brussels, one discovers the bodies of young women buried behind the tombs of famous painters In each of them, it lacks the right forearm. Yarn needles, Commissioner Leon, whose secret passion is knitting, unravels the intrigue of this dark history, with the heart of this case Mrs. Edward Island, transvestite housekeeper bistro "In Sudden Death," where one encounters a high wildlife colors. Tabarin is a French-Italian drama film, directed by Richard Pottier.
He committed his former mistress, Florence, as "star" of the show, but she turns out all the maneuvers ready to become owner of Tabarin. They hardly talk to each other in their small house, soon to be demolished. Their only form of communication being occasional notes on scraps of paper. Greffier's cat being the only one he still gives affection to, the cat becomes the object of Clemence's anger.
Falsches Spiel: Roman (German Edition)
However, they are soon to understand that they cannot live without each other. The storyline of The Cat is speculated to have originated from the author's, Georges Simenon, difficult relationship with his mother. Funny Zebras is a French comedy film.
viesledtiffbarag.gq Two unemployed men, heavily in debt due to losses at the racetrack, are hired by a criminal mastermind to harass the guests of a hotel he hopes to purchase at a below-market price in order to access a tunnel below the building that leads directly to a nearby bank. The Prime Minister would like to see her smile, which would promote his advances to her and allow him to consider the crown.
Despite all the subterfuges, Aline is not brightens. Plot Berthe who live a too peaceful life is fascinated by the film Brando loves in Last Tango in Paris.


Home Tags Film
Accepting the award for best British film at the Bafta awards in London, the veteran director says politicians speak for corporations – and film-makers must stand with the poor and vulnerable.
Award winning benefits drama I, Daniel Blake by British filmmaker Ken Loach will be in cinemas from October 21. Watch the official trailer here.
Film-maker says it would be pointless to show his Palme d’Or-winner I, Daniel Blake to Conservative government.
The 79-year-old Briton has triumphed at the Cannes film festival for the second time with his welfare state drama.
‘Hunger is being used as a weapon,’ says veteran director, calling for public rage over situation he says is worse than when he made Cathy Come Home in 1966.


"All I have to say is three words: Win Rocky Win!"
I'm not sure where Andy got his Rocky obsession. The first Rocky was made before he was born, and he was too little to have seen Rocky 2 or 3 in the theatre. Maybe it was passed down to him by Bill Simmons, a sports writer on ESPN.com (his link is on my dashboard) who is a rabid Rocky fan, or maybe he watched the movies with me.... I'm not really sure. But Andy was one of the first Toledo-ins in line today for tickets to "Rocky Balboa", and he called me as he walking in the theatre. By the time I called him back, the movie was over.
"How was it?"
"I suspended all my disbelief, and was just immersed in the movie. I thought it was great."
Well, since our tastes in flicks run similar, and since this one movie on my "holiday flicks list" that I want to see, also including
- We Are Marshall: You couldn't be a little kid growing up in West Virginia (we moved there in 1972 after Dad graduated from OSU) and not have heard about the plane crash that killed so many members of the Thundering Herd's football team in 1970. Outside of an explanation by my childhood best friend, Jason Reeves, in a crowded downtown Huntington bar during a road trip years ago in college, I haven't known much about it, so this movie is on top of the list.
- The Nativity Story: Partially because I want to see it before I preach on Christmas Eve, and partially because the woman who directed it also wrote and directed "Thirteen", which is one of the most disturbing movies I have ever seen in my life. Quite frankly, anyone who works with teens should see "Thirteen". It is disturbing because 20 years ago that movie would have been called "Nineteen", and I'm afraid that 20 years from now the movie might be called "Ten". A testament to what making kids grow up so fast now in the culture is doing to them. It will make you sick to your stomach, and remind you of why working with teens is so important.
- Apocalypto: Dad really wants to see this one more than I do, but he went to see Rocky with me tonight, so I owe him one. Get the feeling this one is going to be a real bloodbath.
I shanghai-ed Dad into going with me to the late show tonight (amid much grumbling that we weren't going to see Apocalypto, and that we were suckers who were just putting more dollars in Sly Stallone's pocket) at the beautiful new Regal Cinema 12 out at the Lima Mall (a triumph for the City of Lima). After 8 million previews (including one for what looks to be a bad movie about werewolves named, and I am not making this up, "Blood and Chocolate".... literally, the entire theatre broke up laughing when they showed the title. We could be entering "Ishtar" territory here), Stallone's farewell to the character that made him famous began.
Now, you need to know that the final bell for the series was supposed to be Rocky V, which was made long after Stallone's "crap detector" got lost while he filmed "Stop, Or My Mom Will Shoot". But whole premise to the movie, that now Rocky was training and managing a young protege who ends up turning on him, was geared to a) pass the genre on to a new fighter and new generation b) didn't do it because the "actor" in question was Tommy "Gun" Morrison, a real boxer who moonlighted as an actor c) was incredibly not well thought through.
I read in interviews with Stallone that he realized the movie didn't work, and in his heart of hearts, he wanted to end the series differently. Of course, to do this, you have suspend disbelief in "Rocky Balboa" to accept a) that at 50+ (or 60?) years of age Balboa would be capable of one more great fight, b) that the fight would be an "exhibition" with the world champ, and c) that fairies from the planet Xarlon who can turn themselves in purple snakes actually exist. It's that believable.
But, like my brother, I suspended my disbelief factor, and you know what... the movie wasn't all that bad. You still get a chill during the training scenes while "Gotta Fly Now" plays in the background. The fight scenes are well-shot. And, for all bad roles Stallone chose during his career, in the character of "Rocky" he managed to connect with something that resonates with the common American:
Life isn't about how hard you can hit. It's about how many punches you can take, and still keep moving forward.
Suffice to say the movie does a great job of hammering this home. And just like the Philadelphia it is filmed in, and pretty much for any Midwestern city that's taken its lumps as industry moved south, then west, then really far south and west, the great decay and decline that has been experienced in this part of the country over the last thirty years, which spans the Rocky story, may have eroded much of what we once held near and dear but it's never touched the love we have for those who have shaped us, and those who live here now who we try to help shape.
That's really the story of the movie, and it's Stallone's one last gift for all of us who took a little a joy from a mythical, undersized, boxer who took far more punishment than he ever dolled out. A message to not be afraid of what is coming as the balance of power in the world, or the political or economic landscape changes... just hang onto the kind of work-ethic, never-say-die attitude that have sustained those who came before you. That's the kind of spirit that can coax one last great fight out of an old man, and birth new dreams in a young one. You might find that corny, and maybe it is.....
but the whole theatre was filled with people cheering the old man on. People who have taken plenty of punches, but keep fighting on.


So I’m taking a Context in Writing and a Shakespeare class this term. The Context in Writing class I think is going to be amazing.
I go check the syllabus for the Shakespeare class and there’s no reading of Romeo and Juliet. What the crap? How in the crap do you teach Shakespeare and not talk about Romeo and Juliet? How is this even a thing?
After talking to my advisor about it, he says, “My guess is because you learned that in high school.” I learned Hamlet, Macbeth, A Midsummer Nights Dream, Twelfth Night, etc in high school too. Or maybe that was just me? I love Shakespeare, so maybe that was me on my own?


Bottle found March 24, 2012
Is anyone else as amazed by the Six Degrees theory as me?
Totally. I know a guy that can take any two celebrities or famous peeps and connect then in under a min. Crazy.
We play the Kevin Bacon game ALL the time!! It is Awesome! You take one celebrity and link them back to Kevin Bacon. For Example-
Nicholas Cage- plays in a movie w/ John Travolia
John Travolta plays with Queen Latifa- who plays in Beauty Shop with Kevin Bacon!! Woohoo!
The point is to get to Kevin Bacon with any actor and in as less amount of degrees as possible! Good luck!
OK I'll play along. I'll pick the actor/actress and you see if you can connect them to Kevin Bacon in six moves or less.
Kevin Bacon and Anna Paquin
Off you go!
Anna Paquin was in The Piano with Harvey Keitel
Harvey Keitel was in Pulp Fiction with Ving Rames
Ving Rames was in Mission Impossible with Tom Cruise
Tom Cruise was in A Few Good Men with Kevin Bacon
New challenge: Keira Knightley and Kevin Bacon