Everything you need to know about Halloween Kills.
Halloween Kills (2021) | All Michael Myers Scenes Part 1
I don’t own any of this it all goes to its rightful owners: Universal pictures and I claim NO ownership of the footage shown.
Michael Myers goes John Wick on Haddonfield.
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Michael’s Park Rampage | Halloween Kills (2021) | Fear
Michael continues his bloody rampage across Haddonfield as he comes up against legacy characters Nurse Marion & Lindsey Wallace.
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From Halloween Kills (2021): The nightmare isn’t over as unstoppable killer Michael Myers escapes from Laurie Strode’s trap to continue his ritual bloodbath. Injured and taken to the hospital, Laurie reunites with Tommy Doyle, the boy she was babysitting on the night Michael began his reign of terror. As Laurie continues to fight through the pain, Tommy leads an angry mob of vigilantes to rise up against Myers and destroy the evil once and for all.
Whether you’re looking for a quick jump scare, a collection of the most gruesome kill-counts or for iconic scenes throughout Horror history, Fear will be your final (channel) destination. Subscribe here: https://www.youtube.com/c/FearTheHomeOfHorror
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Halloween Kills (2021) – Stealing Michael’s Mask Scene (8/10) | Movieclips
Halloween Kills – Stealing Michael’s Mask: Karen (Judy Greer) steals Michael’s (James Jude Courtney) mask.
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Watch the best Halloween Kills scenes & clips:
Minutes after Laurie Strode (Jamie Lee Curtis), her daughter Karen (Judy Greer) and granddaughter Allyson (Andi Matichak) left masked monster Michael Myers caged and burning in Laurie’s basement, Laurie is rushed to the hospital with life-threatening injuries, believing she finally killed her lifelong tormentor. But when Michael manages to free himself from Laurie’s trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. The Strode women join a group of other survivors of Michael’s first rampage who decide to take matters into their own hands, forming a vigilante mob that sets out to hunt Michael down, once and for all. Evil dies tonight. FNaF fans, the wait is over! Feast your eyes on the first look of the Five Nights at Freddy's movie in this thrilling trailer: https://fnaf.video.
TM & © Universal Pictures (2021)
Cast: Andi Matichak, James Jude Courtney, Judy Greer, Nick Castle
Screenwriter: Danny McBride, David Gordon Green, Scott Teems
Director: David Gordon Green
Producer: Jason Blum
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Park Rampage | Halloween Kills (2021) | Screen Bites
Michael Myers continues his bloody rampage across the park.
Halloween Kills: Minutes after Laurie Strode, her daughter Karen and granddaughter Allyson left masked monster Michael Myers caged and burning in Laurie’s basement, Laurie is rushed to the hospital with life-threatening injuries, believing she finally killed her lifelong tormentor. But when Michael manages to free himself from Laurie’s trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. The Strode women join a group of other survivors of Michael’s first rampage who decide to take matters into their own hands, forming a vigilante mob that sets out to hunt Michael down, once and for all.
Watch the full movie here: https://www.uphe.com/movies/halloween-kills
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Jacob’s Ladder (1990) – directed by Adrian Lyne and written by Bruce Joel Rubin – is, in my opinion, one of the greatest psychological horror films ever made. It is a multilayered film that draws on many spiritual and religious influences and themes. Rubin, the screenwriter, is also a meditation teacher and has a long-standing interest in spiritual traditions – he hitchhiked through Turkey, Iran, Afghanistan, and Pakistan en route to the east and then spent time in ashrams in India, a Tibetan monastery in Kathmandu, a Buddhist temple in Bangkok, and a Sikh temple in Singapore. Before this journey, he had a life-changing LSD experience that acted as inspiration for Jacob’s Ladder. He told Jack Beresford at Den of Geek:
I guess the seed formed for most of my writing during an LSD trip in 1965. My roommate at the time was a very good friend of Timothy Leary [an American psychologist and writer known for his strong advocacy of psychedelic drugs] and he gave me a tablet of LSD. He said it was strong and that I should take it whenever I felt it was right. So I kept it in my wallet for about six months.
The day I decided to take it, a man arrived at our apartment. He was bringing a jar of lysergic acid (pure liquid LSD) with him from some laboratories in Switzerland. He asked if he could leave it in our refrigerator before going up to Millbrook, New York, which is where Leary and his guys were all devoting their time to ‘experimentation’.
That night I took the tablet that had been sitting in my wallet and nothing happened. My roommate said, ‘well, we have this pure lysergic acid sitting in the refrigerator, why don’t I get an eyedropper and I’ll give you a drop?’ I said ‘OK’. So he went to give me a drop from the eyedropper and by mistake squeezed thousands of micrograms of LSD down my throat.
What came out of that was a mystical experience so profound, but I could find nothing in Western teaching that talked about it. But I did find teachings in Eastern religions like Tibetan Buddhism. I decided that I needed to go to places like India and Nepal and meet with teachers to get an understanding of what it was that happened because I entered a world so much bigger than the world we know experientially, so much more vast and internal, if you will, that I needed some direction.
This accidental overdose of LSD led to an experience that Rubin describes as lasting between three and four billion years. He said, “I was completely taken apart. Imagine yourself hanging over the edge of a skyscraper, looking at the ground below and at the moment you leap you are frozen in that space and that terror. That’s where I was for a very long time.” This experience radically changed his views on life, death, and spirituality. Further inspiration for Jacob’s Ladder came from a nightmare where Rubin found himself on a near-deserted New York subway train late at night:
I had a dream where I get off the train and end up trapped in a subway station with no exits. I realize the only way out is down through the dark tunnel of the subway into some kind of awful hell. But I have to make that journey, because ultimately it’s the journey to my own liberation.
This idea underlies much of the meaning of Jacob’s Ladder. The opening sequence shows the protagonist Jacob Singer (played by Tim Robbins) as a US soldier in the Vietnam War who, along with his fellow combatants, enters a state of aggressive, frenzied delirium. We later learn that the US government non-consensually experimented on these soldiers with a psychoactive drug called ‘the ladder’, intended to maximise the aggression of soldiers to make them more effective fighters. However, this backfired when the soldiers began turning on each other, brutally murdering their own men. This was inspired by real-life experiments the US government conducted on soldiers under its secretive MK-ULTRA programme, in which ‘volunteers’ were unwittingly dosed with psychoactive drugs like LSD. The drug 3-quinuclidinyl benzilate (code-named BZ) is referenced at the end of the film. The US Army, in fact, tested this drug on soldiers to discover its effectiveness as an incapacitating agent. The Army concluded it could disable enemy troops.
During the state of homicidal frenzy, we see Jacob stabbed with a bayonet by an unseen assailant. The film then cuts to his life with his partner Jezzie (played by Elizabeth Peña) in New York (so we assume he survived the incident). We later learn he was stabbed by one of his fellow combatants, and in the final scene, we see him in a triage tent, where military doctors declare him dead. We are left with the impression, then, that the life and tribulations that Jacob faces in his life in New York are imaginative and hallucinatory. In New York, before we discover the Army’s experimentation on soldiers with ‘the ladder’, one might imagine that Jacob’s terrifying visions of demons are related to post-traumatic stress disorder (PTSD).
Once the news of the drug experimentation is revealed to Jacob by the mysterious chemist Michael (played by Matt Craven), we are told that these persistent hallucinations are due to the effects of the drug. After all, others in Jacob’s battalion connect with him in New York and report the same hallucinations of creatures. As fellow veteran Paul (played by Pruitt Taylor Vince) confesses to Jacob, “They’ve been following me. They’re coming out of the walls.”
Lyne, the director, portrayed the ‘demons’ in the film in a non-religious, non-conventional sense: we see them as human-like but misshapen and disfigured, and we get brief glimpses and flashes of them, so their appearance is ambiguous. All of this helps to make the monsters in the film especially creepy and disturbing. Jacob’s Ladder represents other religious themes, also in a modern, non-traditional way. The film’s title refers to the Biblical story of Jacob’s Ladder, found in Genesis 28:12, in which the Biblical patriarch Jacob dreams of a ladder on Earth, the top of which reaches to Heaven. Angels are seen ascending and descending the ladder. The film draws on the theme of this ladder, this link or realm between Heaven and Earth, casting it as a kind of purgatory for Jacob in the film. His soul is on the ladder, struggling, not having made it yet to Heaven.
The alternative title for the film was Dante’s Inferno, referencing the 14th-century epic poem Inferno by Dante Alighieri, which describes Dante’s journey through Hell, guided by the ancient Roman poet Virgil. Hell is depicted as nine concentric circles of torment situated within the Earth. Jacob in the film likewise finds himself in hellish spaces, with a particularly Dante-esque sequence occurring in a hospital setting, where he is carted on a stretcher through horrifying rooms that increase in their gruesomeness (this iconic scene, as well as others, would serve as inspiration for the Silent Hill games). Rubin perceived the film as a modern interpretation of Bardo Thodol, or Liberation Through Hearing During the Intermediate Stage, better known as the Tibetan Book of the Dead. This Tibetan Buddhist text describes – and is intended to guide one through – the experiences one has after death, in the bardo (the intermediate state between death and the next rebirth).
Rubin interwove this Tibetan Buddhist concept with the idea of an after-death experience that offers an individual the chance to achieve peace and closure with the life they are leaving behind. This is essentially what Jacob’s Ladder is about: Jacob’s spiritual struggle – his attempt to die peacefully. His life in New York has religious overtones, given that his partner’s name Jezzie is short for Jezebel, the name of a Phoenician royal in the Bible whose identity and name have come to signify a power-hungry, deceptive, violent, and promiscuous woman. Jezzie in the film takes on these traits. Jacob grapples with this archetype as well as demonic characters who pursue and persecute him. He is haunted too by images and scenes of his previous life, including his former wife and his son Gabe (played by Macauley Culkin). We see Jacob troubled by the death of his son. Rubin summarised his vision for the film as follows:
It’s the idea of what happens inside the mind of a man as he dies. Working out all the things they never addressed when they were alive. It is a confusing, complicated state of consciousness. Time is subjective, so that years could be experienced in a matter of milliseconds. Rather than running away from the problem, it’s about embracing it. For Jacob, that moment comes with his son. He learns that it’s only though the biggest losses and the greatest pain and the most broken heart, that you discover your way to liberation.
Confusion in the viewer is created with ingenuity. Anita Ashiq writes in a piece for the Pamphlet:
Throughout the film, Jacob’s apparent paranoid-schizophrenia worsens. First, he dreams of combat in Vietnam. Before long, he starts seeing hellish creatures, appearing in cars and trains or in the middle of the crowd. Increasingly often, he finds himself living his pre-Vietnam life. While avoiding murder attempts clearly directed at him, he becomes more and more absorbed into a nightmarish limbo, where demons play with memories taken from different stages of his life. He never knows which temporal layer he is in, and neither do we…
The scholar Anna Powell argues that the film purposefully confounds the watcher by overlapping three temporal dimensions (past, present, and future). Just like Jacob, we cannot tell which dimension is hallucinatory in nature, and which is real. His bad trip – or hallucinations – represent the purgatory he finds himself in. But he eventually finds the path to liberation. Louis, his chiropractor in New York (played by Danny Aiello), quotes the 14th-century Christian mystic Meister Eckhart:
Eckhart saw Hell too. He said: “The only thing that burns in Hell is the part of you that won’t let go of life, your memories, your attachments. They burn them all away. But they’re not punishing you”, he said. “They’re freeing your soul. So, if you’re frightened of dying and … you’re holding on, you’ll see devils tearing your life away. But if you’ve made your peace, then the devils are really angels, freeing you from the earth.”
Under this view, the agony of dying lies in this resistance to let go of one’s life. Being unable to let go and make peace with one’s life before its cessation, we exist in Hell (or a hellish state of purgatory), where we are tortured by demons. But by making our peace with death, those demons transform into angels. One does not have to view this in necessarily supernatural terms: we can see these visions of good and evil entities as representations of the individual’s psyche and the attitude they take towards dying and death. At the end of the film, Jacob returns to his family home, where he finds Gabe, who takes him by the hand and leads him up the staircase into a bright light. In the triage tent, a doctor notes that Jacob put up a fight to stay alive, but looked peaceful in death.
This film acts as a unique and compelling meditation on dying and death, and how we come to terms with these existentially and spiritually challenging realities that we all have to face. While the film is a psychological horror, which confounds and disturbs us through its narrative and imagery, we nonetheless reach a state of resolution, which is Jacob’s resolution – the ability to pass away peacefully. The film should serve as a lesson, therefore, on the importance of adopting a wise attitude towards dying and death, allowing us to transfigure horror into liberation.


Viewing order: Episode I: The Phantom Menace, Episode II: Attack of the You Can’t Scare Me I Have Two Daughters shirt Besides,I will do this Clones, Episode III: Revenge of the Sith, Episode IV: A New Hope, Episode V: The Empire Strikes Back, Episode VI: Return of the Jedi, Episode VII: The Force Awakens, Episode VIII: The Last Jedi, and Episode IX: The Rise of Skywalker.
You Can’t Scare Me I Have Two Daughters shirt, hoodie, tank top, sweater and long sleeve t-shirt
Most people didn’t really appreciate the You Can’t Scare Me I Have Two Daughters shirt Besides,I will do this prequel saga, which is why loyal Star Wars fans suggest watching the series in the order they originally came out in movie theaters. They reason that the plots of the original three are vastly superior to the origin story of Anakin Skywalker in the prequel series. Plus, watching the advanced special effects of the prequel movies first might make the SFX in the late-’70s, early-’80s films seem more jarring than they should. Don’t be tempted to jump to the most recent triptych. Sure, it might be tough to put off meeting Adam Driver’s Kylo Ren, but he’s worth the wait.


Macbeth Act 2, scene 2
Remember that you must make reference to specific examples from the text. You must have as much experience as possible of picking techniques from the text. Remember, the techniques you are concentrating on are characterisation, dialogue, stage direction, word choice, tone and imagery. Everything must be linked to ONE theme.
1. What is morally wrong with the way in which Macbeth slaughters Duncan? Why is it evil and unnatural?
2. It could be argued that Lady Macbeth is taking pleasure in the act her husband is committing. Show how through structure and word choice, this tone of enjoyment is created.
3. “Hark! I laid their daggers ready;/ He could not miss ‘em. Had he not resembled/ My father as he slept, I had done ’t.” These lines illustrate two things about Lady Macbeth. Analysing and identifying the techniques used, show what aspects they illustrate.
4. Look at the stage direction which follows this. What motif is metioned for a second time here? Why is this a literal representation of the deed and a metaphorical representation?
5. Macbeth comes in from the murder startled. How do his answers, when questioned by his wife, reflect this?
6. “(looking at his hands) This is a sorry sight.” Show how the word choice, structure and stage direction used here illustrate Macbeth’s horror at what he has just done.
7. “A foolish thought, to say a sorry sight.” What does this tell us about how Lady Macbeth feels towards what her husband has done? Is she concerned about how he is coping?
8. One cried, “God bless us!” and “Amen” the other,
As they had seen me with these hangman’s hands.
List’ning their fear I could not say “Amen,”
When they did say “God bless us!”
This illustrates how horrified Macbeth is. What is unnatural about this event and how does it show his departure from what is good and natural? He compares himself to the hangman, what are the connotations of this comparison?
9. Lady Macbeth continually dismisses her husband’s concerns. Find one example of this and show how it differs from Macbeth’s feelings?


WHY study speech and theatre education at Missouri State?
- Our speech and theatre education program blends courses from three different departments to provide you with up-to-date skills in education, debate, public speaking and theatre.
- You will gain technical training through course work, departmental productions and touring groups, which promote education in the community.
- Our program develops skills necessary for success as a teacher, including how to organize and run speech and debate tournaments, school productions and community theatre education programs.
- The program is the largest in the state and is accredited by both educational and theatrical agencies.
- Through practicum and student teaching, you will gain practical teaching experience while learning to develop curriculum and work with other teachers.
Sharing your passion for theatre
The theatre emphasis within the speech and theatre education program fine tunes your skills by focusing on:
- Costume design and construction
- Lighting design
- Theatre history
- Theatre education
Successful completion of the speech and theatre education qualifies you to pursue teacher certification for grades 9-12.


Daryl Sabara is an American comedian, voice actor, film star, and former child star. Christopher Sabara is also known by his stage name Daryl Sabara. In addition, he is well-known for his standout performance as Juni Cortez in the movie Spy Kids. Daryl Sabara net worth in 2023 is $5 million.
He is famous for his role in The Polar Express. Moreover, he starred in Wizards of Waverly Place, Father of the Pride, Keeping Up with the Steins, Halloween, Green Inferno, Grimm, America’s Most Talented Kids (as a judge), and Weeds, among other movies. He made an appearance on America’s Most Talented Kids as a judge.
Thirty-year-old Daryl Sabara was born in Los Angeles County, California, on June 14, 1992. He is an American citizen. Sandy Sabara, a woman of Russian and Jewish descent, is Daryl’s mother.
He has a younger sister and a brother named Evan Sabara. Evan, his sibling, works as a voice actor. Daryl Sabara net worth has a long history of working on television shows and movies, but he is most renowned for his role as Juni Cortez in the Spy Kids film series.
Shawn Sabara came to study at West Torrance High School. Because he was interested in acting, he decided not to continue with his education. He made a movie appearance when he was young.
Private Life: Wife, Girlfriend, Divorce, Dating, and Children
Daryl Sabara and Meghan Trainor had a meeting in 2016. Later, they eventually fell in love. Meghan sings and writes music professionally. They dated for a year before falling in love.
They got engaged in 2017. Finally, the couple tied the knot on December 21, 2018. Meghan celebrated her 25th birthday on the same day as the marriage ceremony. Daryl Sabara net worth is around 5 Million Dollars.
Weight, Height, and Age
Besides Daryl Sabara net worth, Daryl Sabara will be thirty years old in 2022. The height of Daryl Sabara is five feet six inches. He is 62 kg in weight.
Daryl Sabara began performing when he was a little child. The first time he showed up on a Murphy Brown episode. With this appearance, he became quite well-liked. He had a gifted personality and was a very hard worker.
Daryl provided the voice of Generator Rex in the 2004 animated film The Polar Express, as well as Ben 10, Saints Row: The Third, and Cartoon Network Universe: FusionFall video games.
A few episodes of TV shows, including Dr. Vegas, Weeds, and House, featured Daryl Sabara. Daryl served as a judge on the television program America’s Most Talented Kids.
Additionally, Daryl starred in a number of movies, including Choose Your Adventure, Rod Zombie’s Halloween, Her Best Movie, and The Last Chance Detectives. He also had a co-starring role in April Showers in 2009. One of the survivors of the 1999 Columbine High School Massacre wrote and directed it.


Hi there, my name is David and I am creative. How can I help you?
I have been professionally producing films, commercials, image clips, tutorials and music videos since 2007. I am located in Regensburg, Germany, it’s a pretty nice place.
If you have an idea for a film project, feel free to contact me. I can help.
I work as a film producer since 2007. I do camera operating, post production, motion design and 3D works. I also passionately produce electronic music.
Reach out to me via phone or email, I promise you will get an answer!


Several months ago, before reading any reviews, I picked up the book Julie and Julia. Eighty pages later, I put it right back down again because I found the voice brought to life by Julie Powell's words to be annoying beyond mere snarkiness. I could care less about the vulgarities with which she peppers her prose. It was her attitude toward her job (talking to the families of 9/11 victims) and everything else that eventually turned me off before I could finish the book.
I finally got around to watching the movie Julie and Julia this week. Even though the commercials were charming, the memory of how much I dislike Powell's writing made it difficult for me to rent the film. Eventually, the reviews of Meryl Streep's and Amy Adams' performances won me over and I watched it when it showed up on the Netflix Instant Streaming service.
In a nutshell, I should have watched the film sooner. In the time since the film was first released, I have since read scathing reviews of the book and Powell's subsequent book, Cleaving. I've also read comments left on book blogs by people who had been readers of Powell's original blog until they actually corresponded with her and found her rude. All of this was swimming around in my head as I watched the movie. Amy Adams -- an actress that I found charming in this and her previous film Enchanted -- could not wash away the bad taste I get in my mouth every time I think of Julie Powell now. At the end of the film, I found myself wishing that Meryl Streep had done a movie about Julia Child without all the "Julie" bits.
This is the first time that having read the book has ruined a film for me. There are rare occasions where the movie has included everything I remember, like The Color Purple. There are even times where I can appreciate the screen adaptation as a separate entity that I enjoy equally, as with the TV series True Blood. This is the first time that I wish I could un-read everything by and about Julie Powell and enjoy the film on its own merits.


Films can tell the story of your brand in a way that still imagery cannot. They connect your clients directly to the heart of your business. They allow your audience to relate to you on an emotional level, before you ever meet in person.
From promotional brand films to web series to feature length documentaries, Images by Papillon is poised to deliver your message and achieve the outcomes you desire. Beside you every step of the way, we offer guidance on each aspect of your film. Need help with script development and voiceovers? No problem. Ensuring your story is told beautifully and effectively is always top priority.
Creating a film with Images by Papillon includes:
- Consultation & Concept Planning Session
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My first step is to listen carefully to your vision, to hear the message you would like to convey and to work closely with you to craft a film that captures your audience and distinguishes you from the crowd.
© Keda Sharber | Images by Papillon
Images by Papillon is a Houston, Texas based film & photo boutique owned & operated by Keda Sharber.
Since 2009 we have worked with creatives, entrepreneurs, brands, non-profit organizations, and
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7th December 2017
It’s Christmas at the theatre, we’ll have a pantomime!
With song and dance and comedy – it’s such a brilliant time.
There’s Jack upon his beanstalk and Cinders by the fire,
With a lovestruck girl and a handsome Prince for ladies to admire.
A little boo, a little hiss – the action will be thrilling,
With a wicked old step mother and a cruel Uncle villain.
The champion will save the day with a wink and a cheeky swagger.
There’ll be lots of smoke and mirrors, and a little cloak and dagger.
The grand finale will end it all with all the happy dancing cast.
The baddies, heroes, and chorus line all making friends at last.
And the moral of the story is that beauty is within.
Don’t be ugly in your heart and a love you’re bound to win.
Our characters will fall in love and we’ll leave them gladly here.
And to you we wish a very good night, merry Christmas and happy New Year!
Sam’s panto homework project


The 10 Most Unanswered Questions about
The Benefits of Music in Film
In this case where you would be looking to learn as to what the importance of music in film, you should take note that where music is utilized in a film scene, it would help set the tone. Through the use of music in a film specifically through the help of underscore which is played before you see the character, this music would help to show you what to expect next. The other importance of music in film that you should note is that this helps to bring about feelings in the scene to a film at the same time helping drive the expressions on a character in the different scenes of a film.
While music would be great in the shaping of emotional responses, it would go along the lane of creating rhythm at the same time setting the pace of the segment in the film. The other benefit of having music in a film and which you should look to know is that this helps creator to ensure that the film they would have developed would be one that would have an impact to its audience and which would be long-lasting. With regard to this, you should note that this ability that music would have in a film to connect with those that would be watching it would be a transcending experience.
In this case where you would be looking to know as to what this importance of music in film would be, you should take note that as a filmmaker, this music would help them reinforce the story that they would be looking to tell while at the same time validifying the feelings regarding the impact that you would be hoping to make. The other thing that you should know about music in a film is that it would not just bring about the emotional impact aspect but also help drive the action and the story that would be in the film. As to what would be of need and which you would need to take to consider is that by utilizing music in a film, this would become one with the experience of the segments and scenes in the film.
It would be recommended that you should look to note this as well in this case whereas to what you would be looking to do is learn the importance of music in film and this would be that music, when utilized in a film, would also persuade potential audience to watch it. For this, it would be advisable that you should look to go for music that would have the imagery regarding the film importance of music in film.


I’m Jim Elson, I’m a freelance director and cinematographer.
I’m interested in short-form storytelling, and creating films that have a social impact. My work lives between the worlds of journalism and cinema, and I believe in the expanded potential of video online. My films have been featured in VICE, The Guardian, ESPN, and The Fader (among others).
I mainly focus on non-fiction, but I’ve been known to make the odd music video.
I'm from Melbourne, and now call Berlin home.
DE: +49 176 2135 1173
AU: +61 473 344 334


Watching Bill and Ted’s Excellent Adventure. It’s more fun watching Tate watch the movie than it is to watch the movie myself.
Tag Archives: memories
We had done most of the packing last night, so we made it out of the room in plenty of time. Megan wanted to make a quick dash over to the Animal Kingdom park to get a t-shirt for Molly, … Continue reading
Friday was our wildcard day. Several of us wanted to go to Universal Studios to see The Wizarding World of Harry Potter (among other things) and and other folks wanted to go to Seaworld. Joe, Deanne, Birdie, Doug, Tina, Tate, … Continue reading


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It all starts with THE WRITER! It all begins with the WORDS ON THE PAGE! If you're not serious about making sure the script is tight, the dialogue sings, and your characters are layered, flawed, and alive on the page, then you're NOT really a writer, you're just someone with a story idea! - Leah "LQ" Queen
Sit forward in your seat, pay close attention, and take notes as professional television and film writer, Leah "LQ" Queen answers burning questions, debunks popular myths, breaks down writer's room politics, and drops nothing but golden nuggets and sparkling gems all for the benefit of ascending ROYAL WRITERS! These QUEEN TIPS will prove to be be the best Q-TIPS you've ever had in your ears!
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A former lecture hall in the Pennsylvania Convention Center has been transformed into a multipurpose theater with state-of-the-art features.
The 600-seat room was upgraded over the course of seven months and made its grand debut at a ceremony dedicating the theater to former Philadelphia Mayor Michael A. Nutter. Nutter served as chairman of the Center’s board of directors from 2003 to 2007 and was instrumental in helping to attract several major conventions to the city including the World Meeting of Families Congress which took place at the Center.
The room boasts a built-in stage, ADA seating locations, advance technology offerings, including a digital 4K cinema projects, 26’ Stewart Firehawk G4 film screen and more. In addition to the theater being available for visiting conventions and corporate meetings, it will also be made available to local community groups for film festivals, movie screenings, musical performances and more.


Musical Theatre & Drama Repertory Company
Dec 12 2019 to Dec 13 2019 Share by email Share on Facebook Share on Twitter
How is creative drama born, nurtured and expressed? Find out! Join us for an unforgettable evening of entertainment written, produced and performed by the CoSA Musical Theatre & Drama Repertory Company. These student-crafted vignettes range from the harrowing to the hilarious.
December 12 & 13 at 6:00 pm in the Black Box theater, 650 D Avenue, Coronado, CA.
Tickets $5 for adults, $3 for CUSD students/staff available at the door 30 minutes prior to show.


✅ Download Fast And Furious 9 in English with Subtitles Movie (2021) available in 480p, 720p, 1080p qualities. The 480p print available in 400MB, 720p in 800MB,1080p in 1.5GB MKV Format. This Hollywood movie based on Action, Adventure, Crime, Thriller genre. It features Michael Rooker, Amber Sienna, Martyn Ford, Charlize Theron as the main stars of the movie. Fast And Furious 9 movie is one of the precious movie of Year 2021 which is available with English Audio with Subtitles now.
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Cypher enlists the help of Jakob, Dom’s younger brother to take revenge on Dom and his team.
Director: Justin Lin
Creator: Daniel Casey (screenplay), Gary Scott Thompson (characters)
Actors: Michael Rooker, Amber Sienna, Martyn Ford, Charlize Theron
Download Fast And Furious 9 Movie (English with Subtitles) BluRay 480p | 720p | 1080p – Moviesflixpro
Name: Fast And Furious 9
Release Year: 2021
Language: English with Subtitles
Resolution: 480p | 720p
Size: 400MB | 800MB
Story Line Plot
The gist is that Kurt Russell’s Mr. Nobody disappeared in a plane crash along with Charlize Theron’s evil Cipher, meaning that two of the franchise’s flimsiest characters have potentially been wiped off the map (the other, played by Scott Eastwood, must have died on the way back to his home planet). For some reason, Dom and the gang see this as a bad thing and decide to investigate, which kicks off a chase that feels like the “FaF” equivalent of Mutt Williams swinging along jungle vines. It ends with the adult Jakob taunting Dom and stealing half of a MacGuffin that unlocks every computer in the world or something (“or something” does a lot of heavy lifting in this movie) before driving off a cliff and being caught mid-air by Cipher’s magnetized stealth fighter jet. That’s all in the first 20 minutes old and Lin is just warming up.
Scenes (Must See Before Downloading)
Fast And Furious 9 English Audio [Subtitles Added] Download Links 📁


Are you looking for a great movie-going experience in Austin? Look no further than the city's best movie theaters.
From classic venues with rich histories to modern theaters with state-of-the-art technology, Austin has a diverse range of options for movie lovers.
The best movie theaters in Austin offer more than just a place to watch a film. They provide an immersive experience that transports you to another world.
From the moment you enter the theater, you are transported to a different time and place, whether it's a classic movie palace or a modern multiplex.
Austin's movie theaters offer a variety of amenities that cater to movie-goers of all kinds. Some theaters offer luxury seating with comfortable recliners, while others provide food and drink options to enjoy during the movie.
The city's theaters also feature a variety of films, from the latest Hollywood blockbusters to independent and foreign films that you won't find anywhere else.
Whether you're a film buff or just looking for a fun night out, Austin's movie theaters have something for everyone.
So, grab some popcorn and settle in for a great movie at one of the city's best theaters.
1. Alamo Drafthouse Cinema Mueller
Alamo Drafthouse Cinema Mueller is a stylish and modern movie theater that offers a unique dining experience.
Customers can enjoy delicious food and drinks while watching new and classic films. The theater has comfortable reclining seating and a spacious 140-capacity room.
Each seat has a small table for eating, which is especially convenient for sharing meals with friends and family. The staff is friendly and professional, and the amenities are well-maintained.
The parking situation can be challenging, but the theater offers parking validation. Alamo Drafthouse Cinema Mueller is a great place to visit for a fun night out at the movies.
2. Bullock Museum IMAX Theatre
The Bullock Museum IMAX Theatre is the top movie theater in its area. Offering a one-of-a-kind experience, the theater boasts a massive screen with impeccable sound and visuals.
The theater is always clean and the chairs are comfortable. Although there is no assigned seating, the lines are short and move quickly.
The staff is perky and pleasant, making the experience even better. The theater specializes in presenting 3D films on a giant screen, including blockbusters.
If you are a movie enthusiast, the Bullock Museum IMAX Theatre is definitely worth checking out.
3. AFS Cinema
AFS Cinema is a modern and stylish movie theater that offers a unique cinema experience.
With a focus on independent and foreign films, this two-screen venue is perfect for movie lovers who want to see something different.
The theater also features a full bar and concessions, making it a great spot to enjoy a drink or snack before or after the show.
Whether you're a film buff or just looking for a fun night out, AFS Cinema is definitely worth a visit.
4. Moviehouse & Eatery by Cinepolis NW Austin
Moviehouse & Eatery by Cinepolis NW Austin is an exceptional movie theater. With plush chairs and tables, it's an ideal place to relax and watch a movie.
The service is quick, and the sound quality is top-notch. You can enjoy classic and current movies with ease.
The food is consistently good, and the staff is always helpful. The theater is always clean, and the seating is comfortable.
Moviehouse & Eatery by Cinepolis NW Austin is a must-visit for movie lovers who want a great movie experience.
5. Southwest Theaters Lake Creek 7
Southwest Theaters Lake Creek 7 is a first-run movie theater that offers recliners in all auditoriums. The theater has excellent audio and a great screen quality.
Customers can reserve their seats online in advance. The theater serves beer and wine, making it a perfect place to relax and enjoy a movie.
The best part is that the prices are affordable, making it a great value for money.
If you're looking for a comfortable and enjoyable movie experience, Southwest Theaters Lake Creek 7 is definitely worth checking out.
6. Violet Crown Cinema
Violet Crown Cinema is a locally owned movie theater that shows indie, documentary, and foreign films.
The cinema has small, comfortable theaters with high-quality picture and sound. The cafe and bar offer a diverse selection of food and drinks.
The seating is comfortable and clean, and there is no stale soda or popcorn smell. The cinema has reserved seating and an attached garage for free parking.
The employees are friendly and helpful. Violet Crown Cinema is a great place to watch unique films and enjoy good food and drinks.
7. Blue Starlite Mini Urban Drive-in – Austin Downtown ATX
If you're looking for a unique movie-going experience in the heart of the city, Blue Starlite Mini Urban Drive-in is worth checking out.
With a focus on privacy, you can enjoy a movie night with your own snacks and blankets from the comfort of your car.
The friendly staff is always prepared to help with any technical difficulties and the view of downtown Austin is a great backdrop for your movie.
While parking can be a bit tricky, it's worth arriving early to snag a good spot. Prices may be higher than a traditional theater, but the experience is worth it for a memorable night out.
8. EVO Cinemas Belterra
EVO Cinemas Belterra offers a comfortable and modern movie theater experience. With fully reclining lounge chairs and great viewing and sound quality, moviegoers can enjoy their favorite films in style.
The theater is typically not crowded, making it easy to find a good seat and enjoy the show.
The staff is friendly and helpful, and the food and drink selections are good.
The theater is also conveniently located near several restaurants, making it easy to grab a bite to eat before or after the movie. For a great cinema experience, EVO Cinemas Belterra is a top choice.
9. Galaxy Theatres Austin
Galaxy Theatres Austin is a top-notch movie theater that offers an exceptional viewing experience.
The upgraded theaters feature comfortable seating, awesome sound effects, and a good selection of craft beers. The concession stand offers elevated snacks, and the popcorn is delicious.
While the room temperature may be a bit warm and stuffy, the theater is clean, and the staff is friendly.
The seating is well spaced, providing a safe and enjoyable movie-going experience. Galaxy Theatres Austin is definitely worth a visit for anyone looking for a great place to watch a movie.
10. IPIC Theaters
IPIC Theaters is a luxury movie theater chain that offers a high-end cinematic experience.
The plush seating is incredibly comfortable, and each theater has a small number of seats, providing an intimate setting. The food and drink options are top-notch, with a full wine menu and gourmet light bites.
In-theater dining service is available, adding an element of convenience and luxury to the movie-watching experience.
The interior design is beautiful, and the staff is friendly and prompt. IPIC Theaters is a great choice for those looking for a more upscale movie experience.
11. Regal Metropolitan
Regal Metropolitan is a great movie theater option with a unique aesthetic. The lobby is spacious and the staff is customer-friendly.
The theater is clean and comfortable, with standard seating and no assigned seats. The sound and projection quality are good, and the temperature is usually just right.
The theater offers a variety of refreshments, including beer and wine. There are multiple screens featuring new release films.
Parking is ample and the theater is easily accessible. If you're looking for a solid movie-going experience, Regal Metropolitan is a great choice.
12. AMC DINE-IN Tech Ridge 10
AMC DINE-IN Tech Ridge 10 is a top-notch movie theater with comfortable seats that recline and leg rests. The sound and picture quality are excellent, making for an immersive movie-going experience.
The staff is friendly and attentive to customers' needs, and the theater is always clean and well-maintained.
The food and drink options are plentiful, including alcohol that can be consumed during the movie. The Dolby theater is a must-visit for movie buffs looking for the ultimate cinematic experience.
All in all, AMC DINE-IN Tech Ridge 10 is a great place to catch the latest blockbuster or enjoy a night out with friends and family.


Celebrated playwright and author Carmen Aguirre is coming to York to share work from two new plays (Anywhere But Here and The Trial of Tina Modotti) and her upcoming memoir, Mexican Hooker #1.
Event: A Reading and Conversation with Carmen Aguirre
Time: Thursday, November 5, 10:00-11:20 a.m.
Location: Joseph G. Green Studio Theatre, Centre for Film and Theatre (across from Starbucks)
The reading is free and open to the public.
Carmen's reading is the second event in this year’s Performance Studies (Canada) Speaker Series, a collaboration between York's MA/PhD in Theatre & Performance Studies, the Department of Theatre, and the Centre for Research on Latin America and the Caribbean (CERLAC). In 2015-16, all events are being organized around the theme of “Decolonizing Panamerica: Performance, Activism, Indigeneity.”
Carmen Aguirre is a multiple-award-winning theatre artist and author who has written and co-written twenty-five plays, including The Trigger, The Refugee Hotel, and Blue Box. She is currently working on three new plays: Anywhere But Here, The Trial of Tina Modotti, and Broken Tailbone. Her first book, the critically acclaimed Something Fierce: Memoirs of a Revolutionary Daughter, won CBC Canada Reads in 2012 and is a #1 national bestseller. Her second book, Mexican Hooker #1, is coming out in April, 2016. Carmen has eighty film, tv, and stage acting credits, and is a Theatre of the Oppressed workshop facilitator. She is a graduate of Studio 58.
Special thanks to our sponsors:
York’s Department of Theatre, Graduate Program in Theatre and Performance Studies, Performance Studies (Canada) Project, Centre for Research on Latin America and the Caribbean, Canadian Consortium on Performance and Politics in the Americas, Office of the Vice-Provost Academic, Pan Am/Parapan Am Games @ York, Dean Shawn Brixey and the School of the Arts, Media, Performance & Design, and Dean Barbara Crow and the Faculty of Graduate Studies. Thanks as well to Trevor Schwellnus and Aluna Theatre.
Michael Greyeyes, Laura Levin, Carlota McAllister, Marlis Schweitzer (co-curators, 2015-16 speaker series)


Power stations are often used as filming locations for films and television series. Science fiction films are the most common genre to use power stations as a location due to the futuristic environment and feel of the stations.
In this article we will look at how Dungeness’s nuclear plant and three other power stations have been used as a backdrop for film scenes ranging from sci-fi to comedy.
Dungeness’s Nuclear Power Station, Kent
Missing Image – dungie_1-2.jpg
The Dungeness Nuclear Power Station was used in an episode of Doctor Who. The Kent Film Office state that the station was featured in the 1971 episode, The Claws of Axons starring Jon Pertwee as the Third Doctor. The Kent Film Office writes on their site that the power station doubled as a “Nuton power complex”. Cole Moreton a Doctor Who fan wrote in The Telegraph that the Dungeness beach was also used in the episode and featured in a key scene where an alien craft landed.
Cherokee Nuclear Plant, South Carolina
The abandoned nuclear power plant is famous for its connection with James Cameron’s 1987 film The Abyss. Cameron chose the power station after deciding against filming underwater scenes in the ocean. According to film review and news site io9 the film crew constructed one of the largest underwater sets ever built. The site also reports how the set was abandoned to nature, as the cost to disassemble it was too high. The set was eventually demolished in 2007.
Battersea Power Station, London
The iconic power station has been used as a film location for many famous films. The Guardian produced an online gallery that showed some of the films that had used the station ranging from blockbusters to science fiction films. Also included in the article was the British comedy Monty Python’s Meaning of Life. In the Monty Python film the station was used as the backdrop to the naked chase scene. Monty Python is famous for using unusual locations in its productions, to create a mixture of comedy and satire. Online gaming site Betfair Casino used this Monty Python principle of strange combinations in their Monty Python slot game Spamalot. The game combines comedy and gaming, creating an unusual juxtaposition that brings the core principles of Python’s work together for players. It also represents how popular Monty Python still is among the masses even today.
Satsop Nuclear Power Plant, Washington
The Satsop power plant is a great example of how a disaster can turn into something productive. News Grio informs that the nuclear power plant is considered one of the biggest project blunders in US history as the $2 billion power plant was never completed due to budget issues in 1983. The site has found a second life as a dystopian film set and was recently used in the 2014 science fiction film Transformers: Age of Extinction.


A Road Trip Themed Quiz
Do you enjoy road trip movies? Are you a fan of 1980s music? If you answered ‘yes’ to both of those questions then this quiz is definitely for you. It’s a fun film and music trivia quiz with a ‘On the Road’ theme. Even if you’re not a particular fan of either genre, we at Five Minutes Spare feel sure you’ll you still enjoy our quiz so why not give it a go?
If you’ve enjoyed our ‘On the Road’ Quiz, why not try more of the entertainment quizzes at Five Minutes Spare.Published in Recommend0 recommendations


A few weeks ago, I stumbled across a promo for the 2011 sci-fi movie, Another Earth. It immediately intrigued me because it promised to be a deeply moving, emotional sci-fi film about two earths, employing none of the usual sci-fi garb such as aliens and UFOs… interesting! I searched and found it on VUDU, placed it in my wish-list, and finally found time to watch it late last night with my wife, whom I had successfully convinced to join me for the sake of “research.” Convincing her wasn’t a chore; she was intrigued too.
Even though the movie has been out for four years, I want to be careful not to give away an spoilers, so I’ll be brief with the synopsis. The storyline centers on a young lady whose life is filled with promise and possibility until something tragic happens, drastically altering the course of her life. At the moment of this tragedy a second earth (Earth Two) appears in the sky and she, along with all the residents of Earth One, are captivated by this new reality. Furthermore, they are challenged with the suspicion that there might be “another me” out there living a similar life but differently due to opposite actions, choices, and events.
This movie was made on an extremely low-budget. The actors even did their own makeup, and the director created the Earth Two scenes on his personal computer. However, you’d never know it. The cinematography is great, and the depth of characters and storyline are superb. Brit Marling did an excellent job playing the leading role of Rhoda. She also was the co-writer of the movie script. I’m sure you’ll recognize her from her many screen roles, namely in I Origins, and her role as Liz Garvey in the TV series Babylon.
I was immediately drawn into Rhoda’s internal struggles and the new choices she labored to make in the light of Earth Two just over head. The director Mike Cahill explains that Earth Two is “kind of this externalization of the interior world of Rhoda. She could have dealt with those ideas of the confrontation of the self just by looking in the mirror, but I felt like there was something [more] powerful about really externalizing it,” by creating a situation where there really is another version of us all. Co-writer Marling elaborated further by saying the image of another Earth provokes a primal reaction, “we all feel something [deeply] about looking back at the Earth.” Definitely, this movie is a “feeling” movie, very personal, introspective, and surprising… especially the ending!
Ultimately, the movie is successful with taking a very high, external concept and internalizing it in order to explore the inner world of who we are, and what it means to be a human. Rhoda has a strong desire to become an astronaut and explore this other Earth, but ultimately her greatest desire is realized—the exploration and discovery of herself. For me, what makes this movie so deeply emotional is the use of the doppelgänger.
A doppelgänger is a look-alike or double of a living person, sometimes portrayed as a paranormal phenomenon, and in some traditions as a harbinger of bad luck.
In pop culture, when you meet your doppelgänger, “you see each other, and then one of them has to die, and so it turns into an action adventure movie in which one of them has to kill the other,” says Marling. Another Earth “was never going to be a movie about an Invasion of the Body Snatchers style” confrontation, she adds.
Another Earth deliberately turns the usual idea of doppelgänger on its head. Says Cahill: “For me, I pushed completely the opposite [idea]. I think we, as humans, have this desperate yearning to connect, and we are so alone, no matter how many people we know, our close friends or whatever, we are ultimately alone. And I think there’s a yearning to not be alone. So, to confront someone who has your shared history and all your secrets… I think there would be the greatest amount of empathy.”
Don’t Watch It Alone
In short, this movie highlights forgiveness, hope, and our common need for redemption. I love high concepts, and I especially love when they are employed in a pop culture medium that captures our imaginations while invoking a deep sense of wonderment and awareness. This movie certainly did all of this and more for me. If you’re in the mood to be entertained and challenged, watch Another Earth. And I would advise not watching it alone. Watch it with someone you love, someone you’ve dreamed with, and been forgiven by. The impact will be greater.


Fifth Avenue, 57th Street
I just finished Fifth Avenue, 5 A.M., Sam Wasson's splendidly-entertaining chronicle of the making of the movie Breakfast at Tiffany's. (The book doesn't mention the Tailored Woman store, located on the opposite corner from Tiffany, but this post does.)
The original Truman Capote tale involved an unrepentant golddigger and an unnamed narrator who befriends her. In the cleaned-up (though still racy, for 1961) movie version Peppard's character gradually falls in love with Holly, leading to a romantic ending. I re-read the novella this weekend and it left me with a case of the blues, or the mean reds, as Holly Golightly would say. It's a tawdry story, though beautifully written. In the book Holly never does have breakfast at Tiffany's. That's why I'll always stay true to the movie version instead, with its sweeping opening shot of 5th Avenue at 5 AM. Holly's true love affair is with New York itself, and this wonderful corner in particular.


Why the radio silence?
Why the Radio Silence?
It's been super quiet over here at Emily Weiss Photography. I've been on a bit of a hiatus. At the beginning of 2018, I enrolled in a documentary filmmaking class at GWU. The program crammed 3 years of film school into 6 months - and the answer is YES, it was super intense. So intense that I needed another few months to reconnect with family and figure what is next. I learned a lot about storytelling and the process and dedication it takes to bring even the simplest of stories to life. The grande finale of the program is that your team create a documentary short film. So far we have had a few showings at local film festivals. As the co-producer on the project, and as a photographer I took on making production stills for our film.
Below are some images I made to help promote our project.
And if you are so inclined you can view the website for our film Bow With Me.


Watching The Matrix of the Resurrection it’s like eating great holiday foodl. You love it, but you need a few minutes to digest it. Well, that time has passed. Last week we posted about how co-writers David Mitchell and Alexander Hemon got involved in the project with friend and collaborator Lana Wachowski, and what they had to say about some of the biggest spoilers and issues.
What did Lana Wachowski know about making the film?
Warner Bros. asked the Wachowks to make a new one Matrix a film from the third film Revolutions was released. When Lana Wachowski finally decided to tackle this, she came up with a few general ideas to get started.
“She had an idea for the introductory scene,” Hemon told io9. “She said she saw that opening scene in her mind in the middle of the night, one night in Chicago, and she described it to me and us. This modal little world that Thomas Anderson, Neo, constructed for himself to remind himself of what he could have lost and what he was. In the end, Morpheus comes from that world. ”
What are some of the scenes that were the hardest to discover?
Resurrection it has a bunch of moving parts, from the new Matrix and the real world, to shots from old movies, new characters, old characters, story sequels, new stories, etc. So we wondered, from all of that, what was the hardest to correct.
“There was a lot of talk about the modal, about the opening,” Mitchell said. “Introductory scenes, where we obviously went back to the late 1990s, and we went back to the beginning of the first film, where we could cut a cake and eat it creating those allusions. But then when we zoom in on the present, let it be crystal clear what just happened. So I guess how to make clarity out of complexity. ”
“It was a challenging thing and it was a transition from that modal world, the modal universe to the world outside of it, which is also a kind of modal universe in itself,” Hemon added. “We were worried that it could be confusing if we were not careful. And that’s how we worked on that transition and there was a lot of discussion about the logic of that. “
Has the new Morpheus always been part of the plan?
From Resurrection takes place 60 years after the events of the previous one Matrix, that the character of Laurence Fishburne Morphues is gone makes sense. But if the actor for some reason did not want to return, it would also be an elegant solution. So we asked if the idea of changing that role, like Agent Smith (formerly starring Hugo Weaving and now Jonathan Groff) has always been a part of it.
“The new Morpheus has been there from the beginning,” Hemon said. “We knew Keanu Reeves and Carrie-Anne Moss would be involved. Without them, this would not have been possible. But another thing, during my short film career, I learned that filmmaking is a world of unforeseen circumstances. And so people may or may not, you know, sign up — or if they do, some things can change. So we wrote some roles, I won’t give it away, but we wrote a character for someone we thought would play [it] and then that was not possible. And so, we didn’t change anything radically, we just imagined this actor in the role. And then it turned out that wasn’t possible, but we didn’t change a single line with that. So that actor is still enrolled in the role. ”
Wait, are you talking about Agent Smith?
We proceeded with the previous answer.
“There were preliminary talks [presumably with Hugo Weaving] and so we weren’t involved in them with people, but that wasn’t completely resolved, ”Hemon said. “Because the premise of Matrix and [this] the film is somewhat different, Agent Smith would be different in some way, no matter who played it. And Jonathan Groff is amazing in that role. He added a dimension I couldn’t have foreseen as we wrote. But there is an increased emotionality in the film and then it fits into that pattern.
Was there any rejection at the target opening, where Warner Bros.
The Matrix of the Resurrection it begins with the discovery that Thomas Anderson runs a large gaming company that produced games, not movies Matrix. And now his parent company, Warner Bros., wants a fourth game … which he doesn’t want. The whole thing seems to be a very obvious comment on Wachowski’s personal feelings about making this film, so we asked if it specifically referred to any anxiety or if Warner Bros. had ever given up on making fun of it.
“Fear. I think it’s an honest word,” Mitchell said. “I think anxiety sublimates into Thomas Anderson’s general existential anxiety. [As for] any shit [on Warner Bros.], this is done, of course, with respect and love. In the most legal sense possible with respect and affection. But yes, I think anxiety is an honest word. It was a big step. “
“It was,” Hemon added. “Also, David and I are just writers, so I never met anyone from Warner Bros. until these interviews were arranged.” (“Same here,” Mitchell interjected.) So, even if there was a comeback, we never heard of it. Lana protected us. But I also think they were so excited that Lana was going to make a movie that why would they retire? At the time, of course. Maybe later. But anything, just make that movie. ”
Which means the end The Matrix of the Resurrection naughty towards co-writers?
In the end Resurrection, newborns Neo and Trinity, now completely powerful in the Matrix, say they’ve got another chance. We asked the writers if this second chance relates to their love and life together or to freeing all of humanity from the machines and the Matrix, which they failed to do last time.
“Well, love will liberate the real world, so it’s both,” Hemon said.
“But yes, you identify the two options very well, and that’s not necessarily either / or,” Mitchell added.
Will there be more Matrix movies?
Whether or not you interpret the end so that Neo and Trinity live happily ever after, or Neo and Trinity continue to fight to keep all of humanity free, the story is open to more chapters. So we wondered, was there any talk about where the story might go after this?
“Well, we didn’t talk about it,” Hemon said. “It is too early for us to take part in that. There are so many things that have to happen. So for now, that’s it. “
“It’s a situation, as far as I know,” Mitchell added. “But of course, who knows what will happen in the future, point point questionnaire. But to our knowledge, there are no plans. ” (It is worth noting that Lana Wachowski herself gave an unequivocal “No” at the premiere when asked if there would be a sequel.)
The Matrix of the Resurrection it’s now in theaters and on HBO Max.
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DH and I "got rid of" both Sons earlier today as they are spending time with grandparents for the last couple of days of Half Term.
As we drove away, having dropped them off, DH decided to be spontaneous - it does happen occasionally - and asked if I wanted to go and see the latest Bond movie.
As I've never seen a Bond movie for the first time in the Cinema, I decided to throw caution to the wind and agree to this activity, which these days involves taking out a second mortgage. Well, You Only Live......?
So having just got home, what did I think of the film?
It was alright, ................ hence my title, ............ but should a Bond Movie be just alright?
I'll try not to give too much away because that wouldn't be fair, but if you really don't want any spoilers then look away now.
The lack of any gadgets is a loss for the boys and the lack of any real romantic interest and one extremely brief scene of Daniel Craig with his shirt off, is surely a loss for the girls. Both of these reduce this down to just any other action movie as far as I'm concerned.
Don't get me wrong some great cinematography, some good car chases, although none in which Bond is actually at the wheel, and some interesting fighting styles, but what makes it any different from a Die Hard or a Mission Impossible?
I know the idea is to convey more realism these days, but for me Bond, James Bond, is meant to be a larger than life character. That should be able to push the limits of believability a tad. When you think Ethan Hunt could beat Bond in a fight, you've dumbed it down too much, for my liking.
The other thing very sadly lacking, as far as I'm concerned, is Bond's sense of humour. I think I could count the funnys on one hand and most of those from other characters. Roger Moore went too far with the silly innuendos and smarmy quips, but there have to be some, don't there?
Poor old George Lazenby, it wasn't his fault he couldn't act, he was a model. Roger Moore, a bit too smarmy. Timothy Dalton, let's not even discuss it, waste of space. Piers Brosnan, not bad close to the right mix of authority and invincibility, with humour thorwn in. Daniel Craig, too dark, needs to lighten up and at the start of this film is out of shape and incompetent, something Bond would NEVER be.
So an Ok film, but my best Bond still remains Sean Connery. How about you?
Lots of Love Arwedd xx


American actor Christopher Briney is best known for his role in Amazon Prime’s series ‘The Summer I Turned Pretty’, which released its second season on 14th July. Next up, he’ll be starring in Paramount+’s ‘Mean Girls: The Musical’.
Will Harrison is having an incredible breakout year with three projects releasing both on screen and on stage. This March, we’ve been able to watch him in Amazon Prime’s ‘Daisy Jones & The Six’. Simultaneously, he made his New York stage debut as the lead in Lincoln Center Theatre’s off-Broadway production of ‘The Coast Starlight’. And then later this year, Will will be seen in Apple TV+ limited series ‘Manhunt’, a true crime, historical conspiracy thriller based on James Swanson’s thrilling novel ‘Manhunt: The 12-Day Chase for Lincoln’s Killer’.
Actress and producer Ella Balinska made her feature film debut in 2019 as Jane Kano in SONY Picture’s ‘Charlie’s Angels’. Next, she will star in Netflix’s highly anticipated live-action series ‘Resident Evil’, which premiered worldwide on July 14 and the Blumhouse-produced feature film ‘Run Swetheart Run’, which premiered at the Sundance Film Festival. The film is slated for global release on Amazon Prime in 2022.
Andy Allo is a singer and actress that stars as ‘Nora’, the female lead in Amazon’s hit series ‘Upload’ that just returned with Season 2 on March 11. You can watch her as well on NBC’s ‘Chicago Fire’ as a recurring star. Andy is also known for working with Prince’s New Power Generation as a singer and guitarist. She recently completed a short run on tour with Enrique Iglesias and a solo residency in Los Angeles.


A few months back Gary Faustman (remember Promiscuous Pete from Euphoria Emporium?) and I had an inspired meeting where we decided “why not make a short film?” And so, being driven as all creators are, we wrote the entire story and filmed it all in one day! Film is such an enjoyable process, especially when you get the chance to wear the hats of actor, director, cameraman and writer. The resulting short film is called “Osmosis Unbeknownst” and we entered it into the 2016 Kamloops Interior Short Short Film Fest (as mentioned in a recent post). There were a lot of great entries in this year’s festival, as usual. If you haven’t seen it yet, follow this YouTube link to watch “Osmosis Unbeknownst,” a Salted Slug Films production. It’s a story of music, poetry, and synchronicity.
As a side note, I’ve watched “Star Wars: The Force Awakens” 4 times since last week.
End of report.


About a week ago Ilya and I went to see Rogue One together since our wives weren’t into it at all. And seeing movie alone isn’t exactly fun either. So we went to see it together. Turns out that we were still alone. The whole theater was completely empty and there were only us two.
Because of the fact that there was no audience we missed out on people’s reactions of seeing a funny or an epic scene. So I guess half of the experience of actually going to a movie theater was lost on us. Too bad. Shouldn’t have waited this long.
As for the movie — it was fairly decent. Wasn’t hard to get into it and it explained and essentially covered one of the bigger plot holes of the original series. However towards the end of the movie we were gratified with one of the most epic Star Wars scenes ever which made it totally worth it. (0)


Roger Waters will be joining the cast of The Exonerated to act out the role of Gary Gauger in New York’s Bleeker Street theatre. He will be joining the crew between November 27th 2012 and December 2nd 2012.
Although Roger has a striking resemblance to Richard Gere it remains to be seen if he can pull off the role of Gary Gauger in his acting debut.
The Exonerated is a documentary play about 6 death row inmates who were convicted on very thin evidence and later released amidst overwhelming evidence of their innocence. It has been running for over ten years and getting excellent reviews from the likes of the New York Times.
You can visit the website of the Culture Project to find tickets and further information.


Janhvi Kapoor bought a triplex in Juhu for a whopping Rs 39 crore. Janhvi’s new house is spread across three floors in a Juhu building. The deal was finalised late last year, on December 107. Documents accessed by the portal put the square footage at 3,456. A stamp duty of Rs 78 lakhs was paid by the actor, the report said. It’s a triplex spread on the 14th, 15th, and 16th floor of the building that comes under the JVPD scheme which is very popular among celebrities. Along with the three apartments, Janhvi has also been allotted six car-parking in the building which is home to many celebrities already.
Earlier, it was reported that the actress owns Mercedes-Maybach luxury sedan car in black colour which costs Rs 1.93 crores. The actor is currently holidaying in Goa with her co-star and rumoured beau Kartik Aaryan. The duo was recently clicked by a fan on the streets of Goa.
Other big celebrities like Amitabh Bachchan, Anil Kapoor, Ajay Devgn, Ekta Kapoor and more own properties in Juhu Vile Parle Scheme. Currently, the Dhadak actress is living with her father Boney Kapoor and sister Khushi Kapoor at her family home in Lokhandwala. On the work front, Janhvi will next be seen in Dostana 2 opposite Kartik Aaryan. She will also be playing a lead role in Roohi Afzana, along with Rajkummar Rao. Janhvi made her Bollywood debut with the 2018 film Dhadak. The film also starred Ishaan Khattar. She them went on to feature in Netflix film Ghost Stories. She played the lead role in Gunjan Saxena: The Kargil Girl, produced by Karan Johar.


Quote of the week
Today is International Talk Like A Pirate Day, click the link if you want to know more about it.
This is the perfect occasion for a quote from one of my favorite movies, Pirates of the Caribbean - The Curse of the Black Pearl.
I have been a Johnny Depp fan before it, but oooh ... I won't say more.
There are a lot of good quotes in the movie, but the one I actually use most is by Pintel when the pirates are looking for Elizabeth in the beginning. She is hiding in the wardrobe, Pintel comes nearer and says: "'Ello, Poppet."
Funny, I never get the answer "Parlay", though ...
Pirates of the Caribbean - The Curse of the Black Pearl, USA, 2003


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WildRice, founded in 2000, is one of Singapore’s leading professional theatre companies. They are committed to telling Singapore stories to present the best of Singapore theatre, nurture young people, and leave a legacy of artistic excellence for the generations to come in the history of all rights. The film tells the story of how WildRice survived during the pandemic with the support of its angels, who share the same passion and vision.
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Koka Ramishvili uses various media and topics to react to the changes in values he observes. Post-Soviet Georgia doesn’t escape Ramishvili's continuous visual analysis. Change, the black and white video from 2005, is one of Ramishvili's most important works. Change was shown at the 2009 Venice Biennial.
The work shows slowed down documentary images of a coup in the Georgian parliament. This 'male ballet' flows into scenes from R.W. Fassbinder’s film Die Sehnsucht der Veronika Voss (The Desire of Veronika Voss). The work shows an ironic contradiction between the male choreography of the coup – the struggle for power plays an important role here – and Fassbinder's feminine, melodramatic scene of declining vitality and death.


The Silent Twins is a strange but true story about two inseparable twins. Even though it’s not an easy watch, it’s worth seeing. It will make you think about what it means to be close to someone. Also, how far you would go to protect the people you love.
The movie tells the tale of June and Jennifer Gibbons, identical twins raised in Wales. They did everything together and refused to speak with anyone else other than each other. The sisters even went so far as to pretend they were deaf when they weren’t around each other so no one could break them apart. They lived this way until they were 21 when a psychiatrist convinced them they needed help.
It’s A True Story
The Silent Twins is a documentary that tells the story of twins June and Jennifer Gibbons. The twins were inseparable, but they weren’t always this close.
The Films chronicles their childhood to adulthood, starting with their birth in 1961. The twins were adopted by a couple with three children and couldn’t have any biological offspring. The family lived together until they moved when the girls were five.
The first time the girls spoke publicly was when they were six years old at a school talent show. They were described as beautiful and talented by all who saw them perform that day. This made their parents proud of them and themselves for raising such talented young girls.
Unfortunately for June and Jennifer, their parents weren’t always supportive of them or their talents. Some would say that they did everything possible to discourage them from pursuing music because they thought it would be too difficult for them as women to make it in an industry dominated by men at the time (and still today).
The cast of the silent twins is an interesting one. Letitia Wright, who plays June Gibbons, was born in London and grew up in Guyana and Barbados. She has appeared in Black Panther, Black Mirror, and How to Get Away with Murder.
Tamara Lawrence, who plays Jennifer Gibbons, was born in South London and grew up there. She’s appeared on Law & Order: SVU.
Nadine Marshall, who plays Gloria Gibbons, was born in Jamaica but grew up in London, where she studied drama at school before pursuing a career as an actor. She has also appeared on The Crown as Queen Elizabeth II’s lady-in-waiting Lady Jane Kennedy-Lemmon alongside Olivia Colman as Queen Elizabeth II herself.
Treva Etienne played Aubrey Gibbons—a role she reprised from the 1987 film based on their story—and Michael Smiley played Tim Thomas—who just so happens to be the man who reunited them after years apart!
Finally, King Preis appeared as George Kennedy, and Declan Joyce played his son Wayne Kennedy.
I think it’s safe to say that most people have never heard of “The Silent Twins.” It’s a true story about two sisters and were inseparable from birth. Their parents were very strict and had no contact with anyone outside their family until they were 18.
The girls developed their language and kept it secret from everyone else. They would also use their language to communicate with each other when they were apart and write code on walls or mirrors. The girls also became obsessed with dressing alike, even though their parents forbid it.
In 1993, June committed suicide after being arrested for shoplifting food at a local supermarket. June was devastated and couldn’t understand why her sister would take her own life, so she stopped eating and died three days later from starvation.
This movie is powerful because it shows how children can develop their language, even if they don’t have friends or the freedom to go outside and play with other kids like some siblings might do when they grow up together!
It’s a strange but true story of sibling relationships in ‘The Silent Twins’ In the movie The Silent Twins, and two sisters are separated after one of them is diagnosed with schizophrenia.
This film is based on a true story and examines what happens when siblings are separated by something as simple as illness. It’s an interesting exploration of how people can be connected even when they don’t see eye to eye and how difficult it can be to overcome conflict when you’re so used to being in sync with someone else.


Locus Corporation was founded with the aim of becoming a world-class Creative CGI Studio, bringing together professional managers and artists with exceptional CGI capabilities from home and abroad.
At Locus, our businesses fall into three categories: First, the production of TV commercials, VFX for live action films, and CGI animation are our key business, along with the planning and production of special visual effects, such as for game cinematics, exhibition, PR and architecture. Second, we create and produce CGI animated feature films targeting cinema audiences all around the world leveraging our reliable technology and unlimited creativity. Creating and producing CGI animation is our core business and our aspiration for future success. Third is the licensing and merchandising of characters and toys. At Locus, we develop characters in-house for commercialization with a track record of market success.