Famous Dexter New Blood Netflix Ideas
Famous Dexter New Blood Netflix Ideas. Harrison finds himself torn between two father figures who can lead him down two different. New blood is the sequel to the cult series dexter and was released in 2021.
Generally, new episodes of showtime shows are added to the service at the same time they. The new series premiered on november 7th in the us and one new episode is expected each week until january 9th. Dexter fights for his life in the woods, leading to a confrontation in an abandoned summer camp;
Generally, New Episodes Of Showtime Shows Are Added To The Service At The Same Time They.
Start your free trial to watch dexter: New blood on the showtime app. New blood is available for.
The Show Isn't Available On Netflix Or Amazon Prime, Although Episodes Can Be Accessed Via Amazon For The Individual Price Of £2.49 (Entire Seasons Are Available For £24.99).
Harrison finds himself torn between two father figures who can lead him down two different. New blood is streaming there currently. New blood, has a confirmed release date:
Dexter Fights For His Life In The Woods, Leading To A Confrontation In An Abandoned Summer Camp;
If you want to see it whenever you want, it is sufficient to be subscribed to paramount plus. People with a subscription can head here to watch. New blood can be streamed through.
New Blood's Shocking Season 1 Finale, Here's Everything We Know About The Future Of The Series, And What Star Jack Alcott Said About A Potential Season 2.
Rattled, dexter yields to his homicidal urges. We affirm with absolute certainty that we only provide highly secure websites and apps where you can watch series and films smoothly. New blood will consist of 10 episodes in total.
Fans Who Prefer Streaming Can Watch Dexter:
New blood is available to view on paramount plus, where there is 1 season. You can find out here whether you can watch the. Set 10 years after dexter went missing in the eye of hurricane laura, the series finds him living under an assumed name in the small town of iron lake, new york.


Iris Ng is recognized as a versatile cinematographer, who lends her patience, creativity, intuition, and skill to bring a director’s vision to the screen. For over a decade, Iris has collaborated with award-winning directors Sarah Polley, Min Sook Lee, Fredrik Gertten, Vikram Jayanti, Michelle Latimer, and Martha Burns on a variety of documentaries while shooting a wide variety of films for artists such as Chris Curreri, Oliver Husain, Bambitchell, and Richard Fung.
Iris was intrigued at an early age by the photos and Super 8 movies that were created and preserved by the image-makers in her family. That discovery – that it is possible to capture the essence of a moment – has become a lifelong influence in her creative work.
After obtaining her BFA in Film Production from York University, she has honed her craft shooting over sixty projects in many facets of the industry, from narrative, art and documentary films to commercials, music videos and episodic television. In the process, she has had the opportunity to work in Asia, Africa, Europe, and across North America.
Iris brings a visual arts background to the projects she works on – which allows her to approach the work abstractly and conceptually, before tapping into the technical skills required to bring a director’s vision to screen. Iris is known for her intuition and patience balanced by strong technique.
She is equally comfortable working in the latest digital formats as well as 35mm, 16mm and Super 8 film, according to the needs of the story or concept. While her work has been screened in festivals and installations around the world, Iris’ goal continues to be to capture the essence of the moment in the medium, regardless of the size of the project.


Theron Kay is a Japanese-American composer for film, television and video games. Theron began his career in television, writing the original scores for ESPN’s Snoop & Son: A Dad’s Dream and The Evolution of Punk while studying at Baylor University. Following his move to Los Angeles, Theron continued his education at Cal State University, Northridge, where he earned the Paltsev Scholarship Award, an award that honors and identifies promising up and coming composers. While at Northridge, Theron also pitched for the CSUN division I collegiate baseball team and obtained his Bachelor’s degree in Music Composition for film & media. In 2019, Theron was accepted into the prestigious USC Screen Scoring program where he studied under a plethora of industry veterans including Pete Anthony and Garry Schyman. On the big screen, Theron has contributed music to projects alongside composers Michael Kramer, Scott Glasgow and Patrick Kirst. Theron also has experience in the advertising world working as an in-house composer at Eternal Music Group, where he had placements on trailers that include Marvel's Wandavision, Amazon's Being The Ricardos & Nightmare Alley. Theron was recently selected into the 2021 SCL mentorship program, and currently works as an assistant to Tom Holkenborg (Mad Max: Fury Road, Godzilla vs. Kong, Justice League: The Snyder Cut).


"The way that I coped . . . was by not thinking about myself as an artist, at all."
Client Ba Da Bing! Records
Directed by Jonah Lorsung
Production Assistance Emma Bowers
Title Design Hannah Jonasson
Original Music by Aly Spaltro
Additional Footage Brian Wong
Additional Photos Matthew Marino
Even In The Tremor is a short-form music documentary that follows the journey of musician Lady Lamb as she grapples with the challenges and triumphs of being an emerging artist. The film delves into Lady Lamb's musical evolution and the personal and professional struggles she has faced, including the impact of the COVID-19 pandemic on her touring and career. With intimate interviews and behind-the-scenes footage, this film provides a unique and personal look into the life of an artist trying to make her way in the world.
Even In The Tremor has been recognized as a finalist at the Independent Shorts Awards, Oregon Short Film Festival, and London International Short Film Festival.


Watch Mama 2013 Online Free Full | Watch Mama Full Movie. “MAMA Full Movie 2013″ In the prologue to “Mama,” we learn of a shooting at a financial firm after an economic crash. A distraught executive named Lucas (Nikolaj Coaster-Waldau) arrives home, quickly collects his two young daughters, Victoria and Lilly, and speeds off. They end up in an abandoned house deep in the forest, where Lucas apparently intends to shoot his daughters before he can kill himself. But that’s not quite how it works out.
Watch Mama Online for Free Full Movie 2013 ”Mama” succeeds in generating some genuine scares and leaving some lingering, creepy images, despite indulging into numerous clichés. It’s a well-made horror film that actually contains a story, and delivers the chills and thrills with a solid cast to gloss over the expected bag of tricks. It also tremendously helps to have Guillermo del Toro as an Executive Producer.
Watch Mama Putlocker Online Free Five years later, Lucas’ brother Jeffrey (also played by Coaster-Waldau) has never given up hope. His team of searchers finally come across the abandoned house we saw a century ago in the nightmare. Dad’s long gone, but the girls are still there – crawling around on all fours and making noises like wild animals. How could they have survived on their own? watch32 They are taken into the care of their dead father’s brother and his rocker girlfriend away from the cabin they’ve called home all this time. Mama is none too pleased about this development, as I’m sure you can imagine.
Watch Mama Online Streaming Full Movie Given that Victoria keeps making cryptic references to an unseen Mama. Lilly sleeps under the bed, still occasionally eats bugs, and screams whenever anyone tries to touch her. The girls hardly seem ready for ice cream and bedtime stories, but Jeffrey is determined to give them a normal life.
Watch Mama Online The real mother in the story is Annabel (Jessica Chastain), who slowly sheds her tough-talking exterior from “Zero Dark Thirty”, as her nurturing instincts take over displaying her incredible range as one of the finest at her craft. There are ideas and themes present in “Mama”, watch movies free but they are not quite fully-flushed out and developed, as the film does confuse at times when it seems to suggest that the idea of settling into a normal family unit could in fact be the real horror.
Watch Mama Online Full Movie 2013 The second act is when the fun begins for fans of horror films to be entertained with the a roller coaster ride of scares. Muschietti and his story collaborators Neil Cross and Barbara Muschietti, managed to keep an entire back story up their sleeves to reveal them in teasing fashion, which worked to keep you engaged throughout. In addition, there are creatively chilling nightmare sequences, a highly stylized dream set in which we see a crazed young woman screaming bloody terror before leaping off a cliff with her newborn. Watch Mama Online Free Full Movie 2013


Okay, I am again using company time to write down my entry… critics, kill me! :P
Another run through of emotions are coming over me. Where do I begin? Hmmm… (thoughts are now punishing me with: if only I update my blog regularly, things would be easier. But, as it is, I don’t so, I am forced to summon a flash back
let’s go back to where it sparked anew..
It was May of this year when I received an sms from my friend’s sister, whom I shall call Baby girl in this blog. She usually sends me an invitation to do catering jobs for her projects which is why it came as a surprise when her message came as a casting call for a film that she was producing. It took me a minute to get my thoughts together while butterflies began swirling in my tummy (as hard as it is to believe, I have attacks of stage fright). I replied with the inquiry on the audition details. Her next message was a shocker… there wasn’t going to be any auditions for the part because it was already mine! She called me up and explained that it was going to be an indie film and her only concern is that if I was okay to do a sex-comedy. I only needed one clearance, from my husband of course, when he gave me the go signal everything came in so fast that the next thing I saw myself in was the initial meeting and reading with the director.
That first meeting sealed my position for the role. Being a novice in the film industry, I had to carefully observe everybody around me, from my director to my co-actors to the staff and production crew. As told by Baby girl, who was as I mentioned, the producer of the film, even if this was an indie film, her approach was that of a full production. She got professionals to work for this film and it was indeed fortunate that I had the chance to work with them for my initial film experience.
Yes, it was different from theater. Heck, it was a turn around from the usual theater musical ala wonderland that I was so used to. But I took in 101% of that experience and stored it in my FILMING box where all that I’ve placed in seemed to be jiggling still because of the abundance of space. There were hitches I’m sure, no production (theater or film… or tv) is without them but they were too “in detail” for me to notice. I was savoring each moment, even my own boo-boos, for reality is, this was my first but it could also be my last.
To be continued…


Young Boba Fett Actor Posts Sweet Tribute After Jeremy Bulloch’s Death
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Star Wars is one of the biggest film franchises of all time. And given its decades in theaters, George Lucas' characters and iconography mean a great deal to moviegoers who were brought up on the galaxy far, far away. The generations of fans were saddened to hear that original Boba Fett actor Jeremy Bulloch died at the age of 75, and now the young Boba actor from the prequels has penned a sweet tribute to the late actor


Polly Bennett is a British movement director, choreographer and practitioner working across theatre, television and film. She achieved critical acclaim for her work coaching Rami Malek's performance as Freddie Mercury in Bohemian Rhapsody and her work on The Crown Series 3 and 4, as well as gaining regard for her theatre work including People Places and Things at National Theatre, West End and off-Broadway and Pomona at National Theatre.
Film includes: Movement Coach and Head of Choreography on ELVIS, directed by Baz Luhrman; Movement Coach and Choreographer on I WANNA DANCE WITH SOMEBODY (Whitney Houston biopic, yet to be released); Movement Coach on CHEVALIER; Movement Coach to Rami Malek on NO TIME TO DIE; Movement Coach to Riz Ahmed on MUGHUL MOWGLI (Pulse Films) directed by Bassam Tariq; Movement Coach to Rami Malek (Freddie Mercury) in BOHEMIAN RHAPSODY (Fox); Choreographer for THE LITTLE STRANGER starring Domnhall Gleeson and Ruth Wilson, directed by Lenny Abrahamson; Assistant Choreographer to Toby Sedgwick on STAN & OLLIE, a feature film about Laurel and Hardy starring John C. Reilly and Steve Coogan.
Television includes: NOLLY (ITV Studios), WOLF (Hartwood Films and BBC), HISTORY OF A PLEASURE SEEKER (ABC Pilot), THE GREAT Series 1 & 2 (Hulu), THE CROWN Series 3, 4 & 5 (Netflix), ONE NORMAL NIGHT (Sky Arts), KILLING EVE (BBC America).
Theatre includes: House Of Shades (The Almeida), Cyrano de Bergerac (Playhouse Theatre), Botticelli in the Fire (Hampstead Theatre), Peter Gynt (National Theatre and EIF), Rutherford and Son (National Theatre), Venice Preserved (RSC), Sweat (Donmar Warehouse and West End), The Village (Stratford East), Maydays (RSC), White Teeth (The Kiln), The Lehman Trilogy (National Theatre, West End & Park Avenue Armoury), As You Like It (Regents Park Open Air Theatre), The Great Wave (National Theatre), Circle Mirror Transformation (HOME), Tell Me the Truth About Love (Sage Theatre, Newcastle for Streetwise Opera), People, Places and Things (St Anne's Warehouse, off-Broadway), Salome (RSC), Touch (Soho), Tribes (Sheffield Crucible), Woyzeck (Old Vic Theatre), Junkyard (Headlong), Travesties (Apollo), Don Juan in Soho (Wyndhams), Henry V (RSC in Shanghai Arts Centre), A Streetcar Named Desire (Royal Exchange), Travesties (Menier Chocolate Factory), The Deep Blue Sea (National Theatre), Doctor Faustus (Duke of York's), People, Places and Things (West End and National Theatre), The Maids (Trafalgar Studios), A Midsummer Night's Dream (RSC, as Deputy), Yen (Royal Court/Royal Exchange), The Lion, the Witch and the Wardrobe (Birmingham Rep), Plaques and Tangles (Royal Court), Pomona (National Theatre, Royal Exchange, Orange Tree), Three Days in the Country (National Theatre), Hang (Royal Court), The Famous Victories of Henry V (RSC), Songs for a New World (St James Theatre), The Rise and Fall of Little Voice (West Yorkshire Playhouse/Birmingham Repertory Theatre), The Angry Brigade (UK Tour, Bush), When the World Was Small (Theatre Genedlaethol Cymru), The Kingmaker (St James Theatre), A Mad World My Masters (RSC/ETT), Dunsinane (National Theatre Scotland, UK, Asian and US Tour), The King's Speech (Chichester Festival Theatre/Birmingham Repertory Theatre), Come Fly With Me (Salisbury Playhouse), Hopelessly Devoted (Paines Plough, UK Tour), Helver's Night (York Theatre Royal), To Kill a Mockingbird (Regents Park Open Air Theatre, UK Tour), Ragnarok (Eastern Angles), Mock Tudor (Pleasance, Theatre 503), Anna (Aix-en-Provence International Festival), Nut (National Theatre), Hysteria (Hampstead Theatre), Acis and Galatea (Iford Opera), Mudlarks (Bush Theatre), The Lights (The Spring) and Celebrity Night at Café Red (Trafalgar Studios).
Normal Night (Sky Arts)


Warwick Latin American Film Society
Will definitely be getting down to these showings in the coming weeks.
Rio Breaks – 20th October (week 2)
Described as ‘A story of surf and survival’ in this documentary, Justin Mitchell and Vince Medeiros explore a surf school set up in the Rio de Janiero. The non-governmental organization’s aim is to offer a better alternative to the gang warfare of the favelas.
The story follows two young boys, their friendship and their involvement in the surf school. ‘Rio Breaks’ is one of must important Brazilian documentaries to date, with a fresh approach to solving the problems of drugs, poverty and gangs in Rio de Janiero.
Chico and Rita – 27th October (week 3)
This animation is the story of two young lovers, Chico the piano player and Rita the singer. It follows their struggle of becoming musicians in Cuba before, during and after the revolution. It follows the ups and downs of the international music industry for Cubans, immigration to the US and young love. Written to a soundtrack of passionate Latin jazz, this film tells the couple’s story and their attempts at reuniting against the odds.


TIM HIGHAM FILMMAKER
firstname.lastname@example.org +44 (0) 7814 604724
Tim Higham is a freelance filmmaker, producer and director with over 15 years experience in shooting high quality promotional films, short-form branded content, music videos and feature length documentaries.
Tim's recent clients include Peugeot, Suzuki, The Seafarers' Charity, PepsiCo, Royal Mail, McArthurGlen, eCourier, Yamaha Music, The Creative Consultancy, Vineta Sayer, Coutts, Hachette and the British Truck Racing Association.
Please feel free to get in touch anytime for filming enquiries, or just a chat...
EXCERPT FROM A 4K 32:9 PROMO FILMED EARLIER THIS YEAR FOR A LIVE EVENT
DIRECTED, FILMED & EDITED BY TIM HIGHAM FOR VINETA SAYER
24 PEAKS CHALLENGE FILMED & EDITED BY TIM HIGHAM FOR THE SEAFARERS' CHARITY


Shekhar Kapur is an award-winning director, producer and entrepreneur. He has not only become a prominent figure in Indian cinema, with films such as Mr India (1987) and Bandit Queen (1994) but also in western cinema, with films such as the Oscar-winning Elizabeth (1998) and Elizabeth: The Golden Age (2007). In addition to his prolific contributions to cinema, Kapur has been an Honorary Scholar at MIT, and more recently, has become President of the Film and Television Institute of India. Questioning the structured existence of his early years spent as a professional Accountant, Management Consultant and Economist in the UK, he set off in search of a life of adventure. Since then he has been a Chat Show Host in the UK and India, an Actor in India, a Writer, Futurist and speaker at forums all over the world on the future of technology. He has also created popular comic books, animation films and characters.
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The Cyprus Theatre Museum is located in the Limassol district. In 1987 Mr. Nikos Nikolaides, an amateur actor donates his rare theatrical file to the Municipality of Limassol. With this action he places the first stone for the creation of the Cyprus Theatre Museum.
Nikos S. Nikolaides (1909-1989), systematically chose any material relevant with the theatre and theatrical activity in Cyprus. His decision to pass this great collection on to the Limassol Municipality was the beginning of long-term research by the Limassol Municipality as well as the Cyprus Theatrical Organisation, and the attempt to create a Theatre Museum, after seeing the need to protect the theatrical history of Cyprus.
The Cyprus Theatre Museum presents the history of the theatrical activity in Cyprus, from antiquity until today. In particular the historical retrospective begins from the ancient theatres of the Hellenistic and roman period until it reaches 2010. Through this historical reflection, the different aspects of the art of theatre emerge, as well as the people who serve it.
Cyprus Theatre Museum - Limassol photos:
Cyprus Theatre Museum - Limassol location map:


If you love your Star Wars heroines to be strong and feisty, then they don’t come much smarter and brave than our Rey Costume. Used to having her toes in the sand, she’s quick when it comes to making a getaway or getting about on her landspeeder!
Rey Costume Contains:
- A cream and beige tunic.
- A pair of matching three quarter lenght trousers.
- A pair of gauntlets.
Large - Age 7 to 8 Years Old.
Medium - Age 5 to 6 Years Old.
If you are looking for great Star Wars Costumes then we have got you covered both online and in our stores. Here you will find the most popular Star Wars Halloween Costumes and Fancy Dress Costumes in sizes and styles you want. Rey is portrayed by Daisy Ridley in Star Wars: Episode VII The Force Awakens. Ridley's casting in the film was first announced on April 29, 2014 and her character was first seen in the first teaser trailer for the film on November 28, 2014.


Maryvale Theatre and Technical Theatre teacher
B.A. in Theatre and Communications Education from the University of Northern Iowa
M.A. in Educational Leadership from Northern Arizona University
Welcome to the Maryvale high school Theatre page. Maryvale offers four levels of classes in Theatre that focus on acting and three levels of Career and Technology Technical Theatre which focus on backstage and design elements of Theatre. My name is Patrick Shanahan and I have been teaching Theatre at Maryvale since 2005. I am also the Drama Club co-sponsor as well as the sponsor of Maryvale high school's International Thespian Troupe 480.
Intermediate, Advanced, and Production Plan for SuccessIntro to Theatre Plan for Success


twd_carol_negan_1014 (Photo: Jace Downs / AMC)
The episode begins in the past, when Carol entered Negan’s cell. He thinks he’ll be executed with a three-bone steak and a Rocky Road ice cream cone. She’s offering him another way out. He is curious what happens when he misses the chance to kill Alpha and doesn’t want Alexandria to suffer. Carol thinks it should be done to help everyone. She promises him it’s a chance to make him forget what he’s done. He must take Alpha’s head, and people will remember him for it. She gives him her word.
She now puts the resuscitated Alpha’s head on a skewer, a moment after Negan handed it to her. He can’t wait to talk about it, but she’s furious that he’s waited so long. He explains that he has to find a way to survive. She hasn’t come home yet and says he has to wait for her. You’re free now, Negan, she said. You do what you want. Wait, wait a minute.
Play the opening credits of Walking Dead.
The survivors of the battle gather at the top of the hill. Jerry’s happy for Magna’s survival. Rosita is susceptible to bruising from a struggle with Beta, supported by Eugene. She encourages him to move and find Stephanie. Encouraged by her, he stands in front of everyone and confesses on the radio that he has found a friend. He’s ready to meet her, and the idea has been put forward. On Magna and Yumiko street the trip is discussed, but Magna is finally ready for the routine. She’s really letting Yumiko take a trip.
Jerry spends time with his kids before he talks to Ezekiel. Jerry’s going on a trip.
Meanwhile, Beta finds Alpha’s head on the spit. Whisperer is now running Alpha after he suspected Negan of being the perpetrator. Beta insists that Whisper take off his mask. He demands that he listen to Alpha and asks her what she says. He leans his face against her and lets her bite him. He’ll take charge and hold him.
Elsewhere, Negan goes to the cabin where he jailed Lydia. She’s gone, and Darryl greets her with a crossbow in her face. Negan pulls it out of his pocket and shows him the alpha mask. He explains that he killed Alpha, so your friend let me out of her cell.
In the woods Carol hears a terrible murmur when she leaves alone. She sees an Alpha who tells her she’s still watching.
In a small town Beta walks with a man whose face has been bitten by Alpha. If he tries to kill a Walker, Beta opens it and eats it. He takes Alpha’s head in a bag and goes to the building like he’s been ordered to. Inside he finds a note saying that these two eyes see the same truth and a rifle. Since his music he saw a poster about him on the wall. He hits and breaks the guitar.
In the forest Carol continues to follow the Alpha. She blames Carol for being lost, just like her boy who died alone and scared, just like Sophia. Alpha says the only way to get his head back is for Carol to get hers. Alpha accuses Carol of feeling guilty and says she can be forgiven if she apologizes. Alpha wants Carol to say what she really wants, and Carol ends up killing the walker. She says I want to be alone, but Alpha insists. That’s not the point.
On the way Eugene, Yumiko and Ezekiel travel to West Virginia to meet Stephanie. They come across walkers trapped in cages. Together they kill. A few walkers in the street, but Ezekiel starts struggling with his cough.
Neghan and Daryl walk together in the woods. Negan won’t shut up and Daryl explains that he put Hilltop in danger.
At night Beta sees the cover of their album, just like in the movie Fear of the Walking Dead. He puts it in the player and listens to his music at full volume to attract a herd of nearby walkers.
Elsewhere Carol only enters the cabin. Alpha torments her again and again, has Carol take the roof down and keep her trapped. Meanwhile, Negan and Daryl go to the thorn where he left Alpha’s head. Suddenly they are surrounded by a few whisperers kneeling in front of the new Alpha. Negan doesn’t care about Daryl.
In a small town Beta observes a herd of vagabonds gathering. He slowly opens his face and puts a leather mask on the album cover.
Meanwhile, Negan tells Daryl he’s in no hurry. They have Daryl in custody. He’s taking the shotgun out of his new trailer. He’s joking about how. He feels like he has a shotgun in his hand and orders Daryl to kneel. Daryl told him to shoot him, but he shoots Shepchun, who originally had a gun. Together they form a trio, and Daryl says: Untie him. Я… Gross!
On their journey Ezekiel listens to his horse, which has fallen and is in trouble. The horse was injured during his journey. His inner zoo is revealed when he realizes that the horse is dying. He has no choice but to put the horse down. He asks Yumiko and Eugene to leave it in case it falls, putting them in danger. Yumiko tells him that they need the man who built the kingdom in the apocalypse.
Carol wakes up during the day with Alpha and puts on a pedestrian to bite her. Whatever you do, you lose people, Alpha says. Sophia, Lizzie, Myka, Henry, Ezekiel, and when you get back, Daryl could be next. Carol’s trying to get out, but Alpha says to look at the flowers. Carol finally finds the strength to come out of the pile, disrupting a hand, but killing the walker. She fell apart, she made it, and… The Alpha is disappearing.
On the way, Eugene, Yumiko and Ezekiel cross the skyline of the new city.
Later, Negan and Daryl will sit down together. Negan admits he likes to be among whisperers. When your people locked me up, I lost everything, he said. For seven years, I looked out that little window, man, it sucked. It got so bad that even in my memory rods were still being drawn. So when Alpha picked me up, it was good. I enjoyed it. It felt good to be important again, as I was respected. But she’s gone too far. We don’t kill people who don’t deserve it, and we never kill children.
Daryl still doesn’t like Negan. He’s leaving.
In Alexandria, Daryl opens the door like Carol.
Meanwhile Ezekiel, Yumiko and Eugene drive through the city. They met a couple of walkers tied to chairs, and… Others, who were inside, held on to the table as if they were eating. For all this there is an extravagant purple color and equipment. They find other walkers, like the one with a coloured hat and a policeman chained to the car. Ezekiel comes out laughing.
They come across a woman with a gun and a purple feather duster screaming: My God, hello!
Meanwhile, Beta goes to the bar to box for herself. He’s taking Alpha’s head out of the bag. Thanks, he says. I understand now. Thank you very much. He kills the head with a knife. He comes out with a new mask that covers his face and forces the vagrants to follow him on his new mission.


“Found In The Attic – Star Wars Action Figures (Part 3)”
Part 3 of the Star Wars action figure brochure features two popular toys from the late 70s, the X-Wing Fighter and the Death Star.
I had an X-Wing Fighter and believe me, it was great. I always thought that the Death Star in the movie would have been an excellent playset too (even though it’s a kids toy with the word “Death” in its name), but this playset looks nothing like the Death Star in the movie. I realize that replicating the movie’s Death Star would have meant creating a massive toy, but come on, the toy in the brochure is disappointing. It’s got an elevator, a canon, and the trash compactor with “Trash Monster”. Looking at the picture, I think any kid would get bored of the Death Star much sooner than they would with the X-Wing Fighter.
Anyway, no kids are being teased on this page of the brochure — but there will be in the final installment from the brochure (part 4). More 2 come…


the angry birds movie 2 vr: under pressure
The Angry Birds Movie 2 is all about two opposing sides coming together to work as a team, and in the newest game in the Angry Birds world, things are no different. However, when it comes to teaming up with the pigs, things can get chaotic very quickly. It’s up to players to ride that chaos to victory when they gain control of the pigs’ mighty yellow submarine in The Angry Birds Movie 2 VR: Under Pressure – coming soon to PlayStation VR.
The Angry Birds Movie 2 VR: Under Pressure takes players inside the story of the new movie as the birds and pigs struggle to set aside their differences to overcome a common foe who is dead set on destroying their respective islands. Players must help the crew make the journey to Eagle Island using the pigs’ giant yellow submarine, and if they can snatch some sunken treasure for piggy leader Leonard – bonus!
So how do the co-op shenanigans play out in Under Pressure? Here’s the low-down: one player takes the role of captain, navigating the pigs’ yellow submarine through a treasure-filled undersea obstacle course, while up to three additional players work onboard the sub to keep the ship in motion and provide whatever the vessel needs to stay on course. It starts out simple enough, but as players progress, they will be faced with some seriously high-pressure situations.
Under Pressure takes advantage of PlayStation VR’s exclusive Social Screen platform to allow all four players to play in the same room for a fun, party-style couch co-op experience. It’s a blast to pick up and play with a few friends, but there is plenty of depth on hand as well.
The Angry Birds Movie 2: Under Pressure, developed by XR Games in collaboration with Rovio and Sony Pictures Virtual Reality, surfaces in Summer 2019, coinciding with the release of The Angry Birds Movie 2. More information will follow!
Date August 2019
Type Couch Co-Op


John Di Domenico started his professional acting career in Philadelphia, while maintaining copy writing positions with Philadelphia advertising agencies. John's gift for comedy got him noticed by the SKITZOID Comedy Troupe. Di Domenico was soon performing and touring nationally with the company, eventually becoming the head writer and artistic director. John performed for a year at Atlantic City’s Tropicana Hotel Casino where he had the opportunity to develop his stable of celebrity and original characters.
John has pursued acting in both New York City and Philadelphia. While working in New York City, Di Domenico became a member of "Some Assembly Required (S.A.R.)," one of the city’s finest improvisation companies. S.A.R. gave John the opportunity to hone his improvisational skills. Stand-up comedy was the perfect format for John's love of writing and performing. Di Domenico's semi-autobiographical act incorporated his parents, growing up Catholic, and many of John's impressions. John performed his stand-up comedy act at comedy clubs all over the East Coast, including Caroline’s and Catch A Rising Star. Di Domenico is very proud to have worked his way up from opening act to featured comedian and even headlining entertainer, on occasion.
John may look familiar to you; that’s because he's appeared in numerous commercials for VISA, Miller Beer, Olive Garden, Bud Light, Bradlees, Value-Rent-a-Car, and Comcast, to name a few. Di Domenico has also appeared on ABC's The Next Best Thing and can be seen as Donald Trump in the box-office hit Meet the Spartans (the #1 film for the week of January 25th 2008). John's hilarious Austin Powers impression has been recognized as the best by People Magazine (9/17/07). John's viral comedy videos have been seen by millions of people, and have garnered outstanding reviews and comments on YouTube.
Di Domenico’s focus over the last decade has been entertaining corporate audiences worldwide. John has had great success driving content and key messages while seamlessly integrating his celebrity and original characters, and unique brand of comedy into meetings, trade shows, events, and custom videos for corporations, organizations, and brands around the world.
John is constantly growing his roster of live fully costumed characters and voice impressions which keeps him in high demand by leading production companies and event producers. Di Domenico also spends a great deal of time researching and reading about business across a wide range of sectors so that he is constantly prepared for meetings centered around industries as diverse as pharmaceutical, automotive, coffee, computer, and telecom, just to name a few.
John Di Domenico loves creating, writing, and performing his customized content driven material for corporate audiences all over the world.


Stephanie Wang-Breal, Director
Stephanie is an award-winning filmmaker and commercial director. Blowin' Up is her third feature length film. Her first film, Wo Ai Ni Mommy (I Love You, Mommy), was nominated for an Emmy®, and was the recipient of three Grand Jury Best Documentary Awards at the AFI/ Discovery Silverdocs Film Festival, the Asian American International Film Festival and the San Francisco International Asian American Film Festival, as well as a 2011 CINE special Jury Award. The film had its national television broadcast in 2010 on the award-winning PBS series POV. Stephanie’s second film, Tough Love, premiered at the Full Frame Documentary Film Festival in April 2014. The film premiered on PBS’ POV in July 2015. Stephanie has also directed and produced pieces for Facebook, Minwax, ESPN, Vocativ, Verifone, Tiffany & Co., Apple, Nickelodeon, Goldman Sachs, UNICEF, CNN, A&E Television and MTV Networks. Stephanie sits on the Board of the New York Women's Foundation and resides in Brooklyn, New York with her son & daughter.
Carrie Weprin, Producer
Carrie is a film, television and digital video producer. Carrie has produced content for A&E Television Network, MTV Networks, The Travel Channel, EPIX, Google, Facebook, The New York Times and PBS. Blowin' Up is the second feature-length film Carrie has produced. Her first feature-length documentary film, Tough Love, premiered at the Full Frame Documentary Film Festival in April 2014 and premiered on PBS POV in July 2015. Tough Love is the recipient of the 2016 American Bar Association’s Silver Gavel Award. Carrie lives in Brooklyn with her husband and son.
JOnathan oppenheim, editor
Jonathan’s editing credits include Paris Is Burning, Streetwise, Sister Helen and Oscar nominee, Children Underground. He edited and co-produced the second film in Laura Poitras’ post 9/11 trilogy, The Oath. He was co-editor of William and the Windmill, winner of the 2013 Grand Jury Prize at SXSW, and he was the editor and co-producer of Before and After Dinner. He edited the critically acclaimed feature documentary, Arguing The World, which received a Peabody Award. He has been a story consultant on many films which include How to Survive a Plague, Ai Weiwei: Never Sorry, (T)error, These Birds Walk, Song of Lahore, American Promise and the Cinema Travelers, which is having its premiere at Cannes this year. He has been both an Advisor and a Fellow at the Sundance Institute Documentary Edit and Story Lab and has made presentations to film students at NYU, Yale, Columbia and The New School.
ERIK SHIRAI, DIRECTOR OF PHOTOGRAPHY
Erik is a NYC based Director and Cinematographer working around the world on renowned documentaries, TV shows, and fiction narratives. Erik’s work can be seen on the Emmy award winning TV show No Reservation with Anthony Bourdain and his ‘Eye What You Eat’ series was featured at the 2012 Ted Conference. More recently his film, The Birth of Saké, was awarded Best Documentary Director Special Jury mention at Tribeca Film Festival in 2015. The Birth of Sake also premiered at the prestigious 63rd San Sebastian Film Festival and at the 51st Chicago Film Festival.
Dan Michaelson, Composer
Dan Michaelson is a London based musician and multi-instrumentalist. Acclaimed for his unique take on sparse beauty and emotional weight, ("Michaelson is a master of bleak atmosphere” Q Magazine) his Epic Minimalism spans film, television and recorded album projects.
As a composer for film and television, some of his recent credits include the 3 BAFTA Award winning series of Detectorists (Mackenzie Crook/Toby Jones) and soundtracking the Emmy Primetime Award winning show Shameless (William. H. Macey/ Emmy Rossum). Dan has created scores for the British Film Institute sponsored feature Side By Side (Co written with Lorne Balfe), the feature documentary Blowin'Up (Official selection, Tribeca Film Festival 2018) as well as an ever growing collection of high profile fashion films.


Is a Lebanese performer, director, and facilitator. Her career trajectory has combined a classical training in theater with contemporary art and community engagement. Coming of age in the aftermath of the Lebanese Civil War (1975-1992) she came to see the role of theater as a tool for social change insofar as it could disarm situations of conflict while continuing to address them. During her early career, she participated in major productions, working with leading theater and cinema directors in Lebanon, such as Roger Assaf, Nidal Al-Achkar, and Danielle Arbid. She also worked with numerous local artists on experimental theater projects and art performances. Later she worked for six years as a theater instructor at a local public school in Beirut, where she used her class as a safe space for the children to experiment, imagine and develop life skills. These experiences have allowed her to sharpen her methodological tools and develop a myriad of exercises that she uses in her work with both children and adults. Her interest in democratizing the tools of theater to better enable social change led her to work as a facilitator for numerous community theater workshops organized by local and international NGOs. She also co-founded the interactive theater group Kawalees, where she has been using interactive theater with different marginalized communities across Lebanon. Currently, she has begun to develop an interest in the concept and practice of play. She has also been actively developing this practice in her ongoing art projects, working with other artists, researchers, and technicians to convert their initiatives into an active playground of creativity.
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I feel that from the beginning to end I have learnt a lot about how to produce a film effectively and efficiently. Most of what I have learned I feel i have learned from making mistakes, much of the filming process was shot twice because of simple mistakes we made the first time round.
Filming; we made many mistakes whilst filming, many of which just didn’t cross our mind till it came to editing. Examples of our mistakes include, filming many of shots without planning on how they would flow smoothly into the next one, we completely forgot to do this in some cases because we were so caught up in getting our main, vital shots not taking into account the linking shots that actually make the production work. This mistake highlighted other issues, like for example we did not get all the filming done on the same day and because of this we found we could not get the actors again when we needed to film again and nor could we ensure the weather was correct. My final problem with filming was maybe expecting to highly of shots before filming without taking into consideration of the props and equipment that we would need to actually pull these shots off, I think next time I will be thinking a lot more realistically of what’s possible and what is not. So I feel next time I will make sure that I address these problems properly to ensure that my project goes a lot more smoothly.
Editing; in the process from my preliminary task to my film opening I have learnt a lot about how to use the editing software. I learnt a lot through Mr. Wallis and also trial and error.
With editing for our film opening we found that we came faced with lots of continuity problems that we firstly did not notice during filming. Apart from this editing went fairly well, and I found I learnt many new tricks with premier pro for the opening that I did not pick up from the preliminary task. This was because the editing involved in the opening sequence was slightly more complex and so demanded a more advance knowledge of the editing software. For example color grading and proper sound editing.
To conclude I feel that I have learnt a lot since the original preliminary task, I feel i have learnt a better way to approach my tasks, through more through planning and being realistic I will be able to achieve a better finished product with fewer difficulties along the way.


Yeah, I'm one of THOSE people. (ie I collect all my movie ticket stubs)
Recently, I've been going to the movies much more often (probably because I got a membership to the local cinema, and dayum super cheap tickets), so I thought I'd do a bit of a round-up of the best movies I went and saw in cinemas this year. Let's get started!
How To Train Your Dragon 2
My god, what a masterpiece. I have to admit, I am slightly biased with this movie because HTTYD1 is my favourite movie of all time (legitimately. Not even kidding). I went and watched this one three times in cinemas, and it just got better and better! Also, the animation in 3D. INCREDIBLE. And the soundtrack, my god, the soundtrack <3
The Fault in Our Stars
Possibly the best YA book to movie adaptation I have ever seen. This film managed to capture the entire essence of the novel- the humour, the feels, the swoons, just everything. It was brilliant. Here's a review for it I did with Chantelle.
22 Jump Street
This film is just hilarious. Honestly, it might even have been better than 21 Jump Street. Or they're at least equal. Love the bromance between Jenko and Schmidt haha. Also, Mexican Wolverine, Eric's bitch, the daughter, the awkward fight scene, the "taking a bullet"- SO MUCH HILARITY.
Edge of Tomorrow
This was actually quite a surprise. On the day I went to watch this with a group of friends, we'd actually planned to go watch Maleficent, but the cinema was full. So we decided to watch this movie instead, and damn, it was fantastic. The action and the storyline- even that touch of humour- it was honestly not portrayed well in the trailer compared to in the movie itself (did anyone else think the trailer was super confusing? Because if so, don't worry, the actual movie explains things really well).
For reference, here are the movies I went and saw in cinemas in 2014 (up to 4th August). I'll add in some star ratings if you'd like to know whether I enjoyed them:
American Hustle- 3 Stars
The Hobbit: The Desolation of Smaug- 4 Stars
Frozen- 5 Stars
12 Years a Slave- 4 Stars
Vampire Academy- 2 Stars
Divergent- 3 Stars
Captain America: The Winter Soldier- 4 Stars
The Amazing Spider-man 2- 4 Stars
Transcendence- 2 Stars
X-Men: Days of Future Past- 4 Stars
Godzilla- 3 Stars
The Edge of Tomorrow- 5 Stars
The Fault in Our Stars (twice)- 5 Stars
Maleficent- 3 Stars
22 Jump Street- 5 Stars
How to Train Your Dragon (three times lol)- 5 Stars
Lucy- 2 Stars
Holy crap I've seen a lot of movies haha. A lot of them I did get discounted/free tickets, in my defence :P
What are your favourite movies of 2014 so far?


In 1970’ he was one of the stars of theater group in Liberec called Ypsilonka. He starred in plays Michelangelo Buonarroti, Ubu the Kind, Blacksmith Stelzig. He has been a longtime member of Liberec theater Divadlo F. X. Šaldy which he left only for two years in 1987 to join the National Theater. He has appeared in numerous films, TV films as well as TV series, including feature films A Girl Fit to Be Killed (1975), Panelstory (1979), Canary (1999), The Indian and the Nurse (2005), and TV series Life at the Palace (1996). His newest film Josef’s Journey (directed by Ivo Trajkov) will appear in local movie theaters soon.


INTERSCIENCE FILM is a film production company with offices in Heidelberg, Berlin and Paris. It was founded in 1978. Managing directors are the author and director Gero von Boehm and his wife Christiane von Boehm.
Since then INTERSCIENCE FILM has been producing documentaries, docu-dramas, talk shows and magazines on topics from the fields of art, culture, science, history and current affairs. Another focus lies on film portraits of eminent personalities of contemporary history. Between 2002 and 2010 INTERSCIENCE FILM monthly produced the series “Gero von Boehm meets…” for the cultural channel 3Sat. From January 2008 until the end of 2009 INTERSCIENCE FILM produced the cultural talk “Paris-Berlin, the debate” for ARTE in which, presented by Thea Dorn, current issues of politics and culture were discussed.
INTERSCIENCE FILM works regularly for ZDF, ARTE, 3Sat, SWR, WDR, NDR, Deutsche Welle, Servus TV, FRANCE 2 and RAI.
Gero von Boehm
Author / Director / Producer / Manager
Born in 1954 in Hannover, Germany, he is an author, director and producer of more than 100 documentary and re-enactment films. Gero von Boehm has written and directed several award-winning portraits of artists and writers and he hosted his own talkshow and several interview programs. He is “Chevalier des Arts et des lettres” and a member of the Academy of Television Arts and Sciences in New York. He lives in Berlin and France.
Editorial Department / Office Manager Heidelberg
Sabrina Hartmann (on maternity leave)
Production Department / Office Heidelberg


Vettai, which translates to “The Hunt”, was first created in 2010 and immediately garnered huge support with audiences spread across Singapore and Malaysia. At the Pradhana Vizha Awards, the show won four awards (including Best Actor for Shabir’s performance as Nantha). Since debuting on Netflix last year, the series has seen a resurgence in popularity with a wider regional audience.
The show’s theme song pushed him over the edge. Rather than acting as filler for the show’s intro, the track shook up the local soundtrack industry as well as the Tamil television industry. Fans can’t get enough of it! It became so successful that it was pirated and sold in Johor Bahru.
Alongside Shabir, two artists lend their voices to the song; Eugenia Yip of Singaporean jazz-funk band ‘The Steve McQueens’ and Tamil rap artist Yogi B arrive with his explosive lyrics.
25-year-old producer Buvan was just 10 when he heard the first soundtrack when it was released and has now fulfilled his dream of giving his best for the theme song.
Shabir is a multi-award winning singer-songwriter and composer in the Tamil film industry with seven films in his repertoire. He was one of the first musical artists to lead the international Tamil independent music movement and has released numerous albums which have won him a loyal following in Singapore, India and Malaysia.
Buvan has been producing songs and film scores in the Singaporean and Indian film industry since 2016. He is known for his songwriting and score work for various Mediacorp TV series including Thilaanaa (2019) and Tekan Minyak 2 ( 2020), with its theme song nominated for the Pesta Perdana Award for Best Theme Song in 2021.


Last week I saw an announcement that the film “Shoplifters” was going to show at the Film Center downtown. I had mentally noted that it was a film I wanted to see, but could not recall exactly why. The schedule was very odd – three showings each at 6:00 PM on Monday, Tuesday and Wednesday. Dinner time on the least popular movie nights, intriguing…
On last Monday I saw Shoplifters, a Japanese film with English subtitles about a family; a Grandma, two parents, and two, then three children living in a very small space.
The film has stayed with me and bits of action pop into my head without warning. It is about relationships and about secrets, it is joyful and appalling, delightful and wretched. The photo shows a happy group, and that is part of the story.
Since I don’t want to be spoiler I can only hope that you see the film. It could only be a Japanese film and no way an American film, nor could it have been a book. Well worth your precious time.


With the feedback student director Kylee Broomfield received after directing Thornton’s production of “ Dreamgirls ” last year, she knew she had to think big for this year’s spring show.
“First, I was looking at Tyler Perry and Madea plays for a comedic aspect, but I knew I had actors and [audiences] that would be more intrigued with singing and dancing,” Broomfield said. “I thought of other [productions] such as Hairspray, but I knew Thornton’s diversity wasn’t as in-depth as other schools.”
Ultimately, Broomfield decided on the 1975 Broadway musical hit, “The Wiz,” a reimagined take on L. Frank Baum’s 1900 novel “The Wonderful Wizard of Oz” that echoes the classic tale from the lens of the Black experience. Following its Broadway debut, it was adopted into a 1978 featuring iconic names such as Diana Ross (Dorothy Gale), Michael Jackson (Scarecrow) and Richard Pryor (The Wiz).
Thornton drama directors have given agency to students to write, direct, and produce stage plays. Here, young performers can see themselves as authors of their own stories.
Broomfield considered how big of a production “The Wiz” is and potential casting choices when deciding the spring show. The musical holds a special childhood memory between her and her late grandfather.
Production commenced when Broomfield began writing the script in January. She completed the script towards the end of February and held auditions early on to observe her casting options.
“With casting, I really looked at who I had from [Dreamgirls] and who I had new coming in,” Broomfield said. “The turnout [for auditions] was astronomical versus the turnout for Dreamgirls.”
Casting turned out to be a “no-brainer” for Broomfield. Among the main cast were students Treazure Jackson (Dorothy), Immanuel Boyce (Tin Man), Caleb Steele (Scarecrow) and Izaiah Garner (Cowardly Lion). Broomfield noted distinct strengths of the young performers: Jackson’s “out-of-this world” singing and acting skills (even referring to her as “a little Whitney Houston reincarnated”), Boyce’s open-mindedness and commitment to his character, Steele’s “amazing” dancing skills and artistic abilities and Garner’s “big, amazing” vocals.
“With the whole cast, everybody intertwined or had chemistry in a way where there were no shortcomings in anyone,” Broomfield said. “Everybody had very creative structures and different things about themselves that made them unique as individuals.”
Steele, who previously performed in Thornton’s productions of “Jack and the Beanstalk” and “Dreamgirls” as Jack and C.C. White respectively, felt “a bit of pressure” taking on the role made famous by Michael Jackson. “A lot of people who have seen ‘The Wiz,’… Michael Jackson is their favorite part of that whole movie, so I was kind of under a specific type of spotlight,” Steele said.
After production, Steele created a documentary featuring behind-the-scenes footage of the cast and crew including pre-show warmups, post-show outings and playful, backstage antics. Steele felt the need to document the experience because he felt like the show would be a big deal, and to him, it was.
“I really grew to love the Scarecrow,” Steele said. “I felt like I needed to show that to the world and show that these characters aren’t just characters. They’re a part of us.”
A special element in this production featured sixth grade drama students from Brooks Middle School playing the Munchkins.
According to Brooks’ theatre director Keesha Buchanan, the idea to collaborate stemmed from Broomfield volunteering with Brooks’ drama club. After seeing “Dreamgirls” last year, Buchanan invited Broomfield to help her out with her theatre students to earn points towards her senior portfolio.
Soon after, Buchanan was asked if her students could visit Thornton to play the Munchkins. “[My students] loved the whole experience,” Buchanan said. “They were able to get a little taste of high school, [perform on a] much bigger stage, much bigger production … They just like being the center of attention.” Broomfield’s older sister helped develop their choreography.
The students powered through three-hour rehearsals after school Monday through Friday and five-hour rehearsals on Saturdays. According to director Monique Williams, the young thespians were under a major time crunch.
“We literally had six weeks, maybe a little under, to put this whole production together,” Williams said. “Usually with a musical, you’re able to have more time than that.”
Despite the short time frame, the students were able to push through. Williams said her favorite part about directing is the empowerment of the students and seeing them come together to accomplish a common goal.
“I decided to allow the youth to lead it and to have active voices in decision making,” Williams said.
Broomfield’s directing days at Thornton are over, but her theatre career will continue at Louisiana State University, where she received a full-ride scholarship. Her ultimate goal is to provide more performing arts opportunities to her community.
“What was so rewarding for me—it wasn’t the end of the show, it wasn’t the claps or the finale, it was when we all went to dinner after the last show, and I heard people in the grades under me talk about what to do for next year,” Broomfield said.
“I want to pour back into my community. [By] giving the kids the proper tools, the sky would be the limit for them.”


Who is tristan wilds dating all dating site in djibouti
He is of African American (father) and Irish, and Dominican (mother) descent. CAREER In 2005 Wilds made his acting debut in The N Drama Mini-Series Miracle's Boys.
The following year Wilds made his film debut in a bit-role in the Independent Drama film Half Nelson.
He played Michael Lee from 2006 to 2008 and was nominated for a 2009 NAMIC Vision for Best Performance - Drama for his effort.
Who is tristan wilds dating
held at Milk Studios on Saturday evening (June 28) in Los Angeles.
The 20-year-old actress was joined by actor and rapper Tristan Wilds for the event.
He later portrayed the role of Brice in a workshop of Stockholm Brooklyn for the Cherry Lane Theatre.
Wilds did not return to series TV as a regular until September 2008 when he began his role of Dixon Wilson on the teen drama “90210,” a spin-off from “Beverly Hills, 90210.” The role brought him a nomination for Choice TV: Breakout Star Male at the 2009 Teen Choice Awards.
Turning 25 was a turning point for me, slap bang in the middle of my twenties. Adele braced herself for the event as she made her way out of her car 'It's not just about relationships with my exes, it's friendships as well.
He is of African American father and Irish, and Dominican mother descent.
Tristan Paul Mack Wilds is an American actor and singer. BIRTH AND CHILDHOOD He was born on July 15 in the year 1989 AD.
He was born in Staten Island of New York City of New York, United States. He started his acting career at the age of seven in the year 2005, following in the footsteps of his older brother.
Background: Actor Tristan Wilds is perhaps best recognized by TV audiences as Michael Lee on the HBO original series “The Wire” (2006-2008) and as the adopted son, Dixon Wilson, on the “Beverly Hills, 90210” spin off “90210” (2008-2009).
He earned a NAMIC Vision nomination for “The Wire” and was nominated for a Teen Choice Award for “90210.” On the movie front, Wilds, who made his film debut in the Academy Award nominee “Half Nelson” (2006), took home two Black Reel nominations for his portrayal of Zach Taylor in “The Secret Life of Bees” (2008).
In addition, he is set to work with Terrence Howard, Cuba Gooding Jr., Bryan Cranston, Lee Tergesen and Method Man in the adventure film “Red Tails” (2009) for director Anthony Hemingway and screenwriter John Ridley.Tags: Adult Dating, affair dating, sex dating


Midsummer Scene, English Theatre Festival, Dubrovnik Old Town
According Dubrovnik travel, 15th June, 2018
Midsummer Scene ( 21st June – 5th July 2018 ) is celebrating its fifth year as the only English theatre festival in Southeastern Europe.
In this relatively short period of time it has established itself as a major cultural event and as a platform for international collaborations and concepts.
The Festival always coincides with the beginning of summer, and it its very first year, opened on the 450th Anniversary of Shakespeare’s birth. Dubrovnik joined the world celebrations of this important year by staging one of the Bard’s most beloved comedies: A Midsummer Night’s Dream in Fort Lovrjenac, one of the world’s most evocative and atmospheric venues.
The 2015 season brought Shakespeare’s Twelfth Nigth which then transferred to Vienna’s English Theatre at Christmas 2016 for a sold-out, critically acclaimed run and then travelled to Bermuda Festival in January 2017.
In 2016 we celebrated another important anniversary – 400 years since Shakespeare’s death. Therefore, we chose his most famous play that holds a special significance for Dubrovnik: Hamlet. It was also the first time that the titular role was played by a woman on a major Croatian stage.
Season 2017 saw the return to A Midsummer Night’s Dream with a brand new version directed by Helen Tennison, who has directed the festival’s headline productions in the previous two seasons. Following the great success of our last season and responding to the audience demand, Helen is returning this year with the same production.


Pre-production is an essential stage of any project.
We will SIMPLIFY the things for you, just get in touch with us.
Thanks to the many favorable locations and professional creative and technical crews, the film and production infrastructure of the city is expanding every year.
Sofia has become a focal point for the Bulgarian film sector. The city became an internationally sought-after production and filming location with a cinema history that stretches back to the beginning of the 20th century. Sofia is home to Bulgaria’s most prominent film school, the NATFA, the Sofia Film Festival, and the National Film Archive.
Bulgaria is well connected by International flights to all other Europe key cities. Shooting permits are usually straightforward to obtain, but the high cost can be a problem. Hiring a local production service company is highly recommended. If you need someone who understands the Bulgarian tax system and employment laws, we can do the right connection for you. Crews are very experienced here and speak fluent English.
We are extremely film / advertisement/ photo shoot friendly and are willing to do whatever it takes to accommodate your needs during your time working here.
There are several things to think about when deciding where to shoot your next project.
Aesthetics and lighting
Logistics of filming
Access to electricity
Filming permits, regulations, and restrictions
WE HAVE IT ALL!
Here are some of the most popular movies that were shot in Bulgaria: 300: Rise of an Empire, Wrong Turn, The Expendables, Hitman, Conan the Barbarian and many more.
Some of the Film and Photo companies who have used our spaces are Ivan Radev Studio, Lilly Drogerie Bulgaria (see the commercial in link bellow) and many more.


There is something very unique about Monica Percich (Purr-sitch), she is an actor living in Los Angeles.
Her unconventional approach to comedy & fearless commitment to character make her a truly rare talent. Monica was born and raised on Grosse Ile, MI, an island in the Detroit River. As an actor, comedian, creator, producer, singer and writer in Los Angeles, Monica's unique blend of model looks and endearing oddity has separated her from her peers. She isn't afraid to fully transform into her roles and is a very physical comedian. She often gets dirty, ugly, scratched and bruised & wouldn't have it any other way.
She was trained in Theatre and graduated from Michigan State University. In Los Angeles she has trained at UCB, The Groundlings, iO West, with Robert D'Avanzo & Gregory Berger-Sobek among others. Her YouTube channel "Monica Vision" is where a few of her unusual expressions & original characters live. The channel "Mickey & Violet" is a collaboration with Holly Atkins and they are currently pitching a series. She performs live sketch comedy, character bits, improv and stand-up, & daily for the general public as an extra tall human. She co-wrote, produced, and starred in a comedic/musical short film called "The Dazzling Darling Sisters" set in the 1940's that was an Official Selection at the 2016 LA Shorts Fest. Monica was also a segment producer for NuvoTV & Vevo's show "The Collective", where she worked with comedic and musical talent.
You can find her anywhere karaoke is available, arm wrestling for charity, caring for animals, teaching yoga, feeling all the feels & dancing with reckless abandon.


|Directed by||Rupert Wainwright|
|Produced by||John Carpenter|
|Screenplay by||Cooper Layne|
|Based on||The Fog|
|Music by||Graeme Revell|
|Editing by||Dennis Virkler|
|Distributed by||Columbia Pictures|
|Release date||October 14, 2005|
|Running time||100 minutes|
The Fog is a 2005 horror film directed by Rupert Wainwright and starring Tom Welling, Selma Blair and Maggie Grace. It is a remake of John Carpenter's 1980 film of the same name, but this time made more in the vein of a "teen horror film" (it was rated PG-13 whereas the original film was rated R).
Both Carpenter and Debra Hill, who co-wrote the original film with Carpenter and produced it, were producers of this version.
In 1871, the residents from the island Antonio Bay, off the coast of Oregon are planning to meet with the leader of a colony of lepers named William Blake. The reason for the meeting is that William Blake bought half of Antonio Bay for his people. However, the residents of Antonio Bay, Malone, Castle, Wayne and Williams, double cross them and take all their belongings including their money, and set the lepper ship the Elizabeth Dane on fire, thus killing all aboard the clipper ship.
134 years after the incident, in 2005, the residents of Antonio Bay honor the founding fathers for their act of "defense" of the island. Meanwhile Nick Castle, Spooner and two other fisherman are fishing off the coast of Antonio Bay. They disturb a bag full of valuables such as a pocket watch and a hairbrush. These items were once on the Elizabeth Dane. Nick Castle then has to buy new parts for his fishing boat. On the way he runs into Elizabeth Williams, his girlfriend who had moved away. She gets in his truck and they drive to get new parts while listening to Stevie Wayne, the island's "radio master". On the way to the store something shatters all the windows on Nick,s truck. By then Father Malone arrives and shouts "Conspiracy and Murder!" But Nick and Elizabeth don't know what he's;s talking about. They go to get the part and a homeless man who recovered the pocket watch. She takes a lighter and shows a symbol on the back. One of the three symbols was a set of scales. Meanwhile at the lighthouse Stevie Wayne gets a call from Dan saying he spotted a giant fog bank off the coast. Spooner, Nick's cousin and two young women are partying on Nick's boat. When the fog envelops them the women put their tops back on. Then the ship's engine stops and the gauges break. With the men outside investigating the fog, the women stay inside, frightened of what's happening. The fog creeps inside, and one of the women draws a set of scales on the window. Violence suddenly erupts on the boat, and the young women are both murdered by unknown attackers, and their bodies then come smashing through the windows. Nick's cousin gets stabbed in the eye. Spooner then sees a Clipper Ship in the fog. He hides in the freezer where the fog can't reach. Elizabeth and Nick have sex at Nick's house. Afterwards Elizabeth has a dream about the incident on the Elizabeth Dane. Concerned about the dream, she looks up hallmarks on the internet, but her computer blacks out and the words "DANE" appear on the screen. She then hears a loud knocking at the door. She walks outside and finds nothing, but as she walks down to the beach, she finds the fog. Nick comes after her and takes her back to the house.
The next day, news spreads about the disappearance of the Seagrass, Nick's ship. Nick and Elizabeth take a boat onto the sea and find the abandoned Seagrass. Nick finds his cousin's dead body with his eyes stitched shut. He runs back and sees Elizabeth screaming as she raises the anchor and finds the two young women's bodies in a fishing net. They begin to explore the ship and discover that there is half a tank of gas and the engine works fine. Elizabeth goes into the hold and opens the freezer, where she finds Spooner still alive. Once they arrive back at the island, the town mayor, John Malone, the father of Father Malone, suspects Spooner of the murders and tells them that once he thaws out, he better have a convincing story. Elizabeth goes to the library and finds a book full of hallmarks. Inside this book she finds a symbol that has been mysteriously appearing all over, scales. Elizabeth soon finds out that the hallmark that she has been finding is a symbol that represented a trading colony north of Antonio Bay. The residents of the island were infected by an outbreak of Leprosy, and left to burn to death on the ship after being betrayed. Elizabeth also discovers that she is the reincarnation of the woman the leader, Blake, had loved, and upon realizing this, she transforms into her ancestor and disappears with Blake's spirit, much to Nick's horror.
|Character Name||Character Portrait||Description||Portrayer|
|Elizabeth Williams||Nick's girlfriend who is as reincarnation of Blake's wife.||Maggie Grace|
|Nick Castle||A resident on Antonio Bay and Elizabeth's boyfriend.||Tom Welling|
|Stevie Wayne||The radio DJ at the lighthouse on Antonio Bay.||Selma blair|
|Andy Wayne||Stevie's only child who likes to hang out to the beach.||Cole Heppell|
|Father Malone||A priest on Antonio Bay who is related to the founding father Patrick Malone.||Adrian Hough|
|Spooner||A friend of Nick.||DeRay Davis|
|Tom Malone||The mayor on Antonio Bay and Father Malone's brother.||Kenneth Welsh|
|Kathy Williams||Elizabeth's mother.||Sara Botsford|
|Captain William Blake||The captain of the "Elizabeth Dane".||Rade Sherbedgia|
|Machen||An old man who spends his days using his metal detector on the beach.||R. Nelson Brown|
|Sean Castle||Nick's cousin.||Matthew Currie Holmes|
|Uncle Hank||Alex Bruhanski|
|Mr. Latham||Robert Harper|
|Patrick Malone||One of the founding fathers of Antonio Bay.||Christian Bocher|
|David Williams||One of the founding fathers of Antonio Bay.||Douglas Arthurs|
|Richard Wayne||One of the founding fathers of Antonio Bay.||Yves Cameron|
|Norman Castle||One of the founding fathers of Antonio Bay.||Charles Andre|
|Blake's wife||Maggie Grace|
|Jennifer||Jennifer is a friend of Mandi, Sean and Spooner.||Meghan Heffern|
|Mandi||Mandi is a friend of Jennifer, Sean and Spooner.||Sonja Bennett|
The film was green lit by Revolution Studios before the script was completed. Tom Welling still had three weeks filming left on the fourth season of his TV series Smallville when he commenced work on The Fog. His co-star Selma Blair joked that they kept two cameras running during Welling's scenes, one for The Fog and one for Smallville.
Selma Blair did almost all of her own stunt work for the film, and spent 12 hours in a water tank (with only short surface breaks) for two straight days to shoot her underwater scenes.
Although set on an island off the coast of Oregon, location work for the film was shot further up the coast in Canada. It was partially shot in and around Cowichan Bay, British Columbia, and the majority of the beach scenes were filmed in Tofino, British Columbia. The scenes of the town of Antonio Bay were filmed in Fort Langley, British Columbia.
StudioCanal, which owns the rights to the original film, assisted in the film's production in exchange for French distribution rights.
The original film's makers, John Carpenter and Debra Hill, expressed an interest in remaking the original film on the film's DVD commentary. They are both credited as producers for the remake. It was one of Hill's final projects before her death from cancer in 2005.
The film was not screened for critics before its release. Upon its release, it was very poorly received. To date, the film has a Rotten Tomatoes rating of 5% and is the 66th worst reviewed film on the website; the site's critical consensus states that "The Fog is a so-so remake of a so-so movie, lacking scares, suspense or originality." Metacritic reported the film had an average score of 27 out of 100, based on 16 reviews. The Fog was widely considered an unsuccessful remake of the original movie made in 1980, with the Hollywood Reporter stating that the movie "lacked the scares necessary to satisfy its target audience", and Variety commented that "interest lags between the grisly deaths, and, worse, none of the characters generates rooting interest." The film was rated D- by Owen Gleiberman of Entertainment Weekly.
In the US, the film grossed a modest $11,752,917 on its opening weekend, but still managed to secure the #1 spot for that weekend due to a general decline in box office revenues at that time (had the film opened with the same amount a year earlier, it would have only made fifth place). It had a final domestic gross of $29,550,869, and a total worldwide gross of $46,201,432.


By LARRY ROHTER
Over the years, the Brazilian experimental silent film “Limite,” made in 1930 by the director Mario Peixoto, has become something of a legend among film enthusiasts, a movie more talked about than seen.
But a newly restored two-hour version now exists, and its showing is one of the highlights of the World Cinema Foundation festival at the Brooklyn Academy of Music this month. “ ‘Limite’ is a great work in world cinema in the sense that it is a completely independent film that has a unique place in Brazilian and film history,” said Kent Jones, executive director of the foundation.
The retrospective will show a dozen films that the foundation has helped restore since the director Martin Scorsese founded the nonprofit organization in 2007.
director who made
only one film.
Besides “Limite,” the festival will feature films from Egypt, Turkey, India, Senegal, South Korea, Hungary, Morocco, Taiwan, Mexico and Kazakhstan. It is the visually poetic, somewhat abstract “Limite” that has probably the longest and most complicated and improbable history.
Peixoto was barely 20 and recently returned from Europe when he shot the film, essentially as a home movie, indulging his taste for the avant-garde and encountering rejection when he sought a commercial release.
“The exhibitors were afraid that what happened with Stravinsky’s ‘Rite of Spring’ would happen with this,” said Saulo Pereira de Mello, director of the Mario Peixoto Archive in Rio de Janeiro, referring to the riot that occurred in Paris in 1913 when the ballet of that name, with music by the Russian composer, had its premiere. “This was a film meant to be very much in the vanguard.
The cultural right wing that dominated at that time simply detested it, while distributors considered it too difficult for audiences.” Peixoto, a member of what was then one of the most affluent families in Brazil, never made another film (he died in 1992), preferring instead to dabble in literature and theater.
But “Limite” eventually became a cult favorite. By the end of the 1950s, though, prints of “Limite” had vanished or were so degraded that the film was in danger of being lost. Restoration based on what was thought to be the last remaining copy began in 1959 and has continued , most recently under the aegis of the Cinemateca Brasileira, which in 1988 designated “Limite” as the greatest Brazilian film ever made.
A new generation of critics and filmmakers made pilgrimages to talk to Peixoto, among them the Brazilian Walter Salles, whose credits include “Central Station” and “The Motorcycle Diaries.” He has described “Limite’’ as “a film of transcendent poetry and boundless imagination.” He established the Mario Peixoto Archive in 1994 to safeguard documents related to Peixoto, whom he had helped support financially .
“ ‘Limite’ is a film with a history that is wrapped in mythology, with an aura of mystery about it,” Mr. Pereira de Mello said. “Now, having it cleaned and restored like this, it’s almost like it’s a new film, and you can truly appreciate its greatness. ”


lines and colors :: a blog about drawing, painting, illustration, comics, concept art and other visual arts
Friday, June 19, 2009
Manalive, the audio book
A while back I designed the poster for an upcoming film adaptation of G.K. Chesterton's novel, Manalive. One of the stars of the movie, Kevin O'Brien, did a dramatic reading of the text which will be coming out soon. Here's the mockup (note that I had the name wrong--Dale Ahlquist.) A pivotal scene in the book involves a revolver, and it opens with a large man scrambling after his white panama hat through London.
The London houses here were inspired by a book on early 20th century London that I picked up at a used bookstore a few years ago.
Pen and ink, colored in Photoshop.


The first newly constructed West End theatre in 50 years, Soho Place, will open in Autumn 2022 with the first production to be announced soon.
Owned by producer and theatre owner Nica Burns and operated by Nimax, the theatre features a 602-seat auditorium configured in-the-roun and is adjacent to the site of the old Astoria theatre which was demolished to build Crossrail. The theatre is part of a £300m regeneration project in the area which will see offices, retail space and a new piazza built.
"I wanted to create a theatre which could add a different dimension to our vibrant West End landscape," said Burns.
"I asked our greatest theatre creatives two questions: If we could build a new theatre in the heart of the West End, what would you like it to be? What additional facilities would be on your wish list? The incredible team of engineers pulled off the greatest of structural feats, building over a major underground transport hub - a challenging place to build a theatre - achieving perfect acoustics and no vibrations."
The theatre industry struggled during the pandemic with shows cancelled due to lockdown restrictions and staff illness but Ms Burns has hope for the future.
"The pandemic years have been terrible, so let's look forward to something and just enjoy it."


Children's author, Poet, Scriptwriter
You are welcome to contact me through my website.Awards:
Using my plays, monologues and duologues, children have won a range of awards and prizes and I have entered creative writers in public competitions, resulting in publication of poetry and stories in national anthologies.Audiences:
Adults, 5-7 (Key stage 1), 8-11 (Key stage 2), 5-11 (Key stages 1 and 2)
I'm a fully-qualified teacher as well as an author. I can offer schools inspiring sessions to develop the children's writing. I use lots of drama and role play in my lively interactive workshops. I design festivals to encourage speaking confidence and use my own drama scripts and stories to help children explore character and motivation.
"It makes us feel great. It gives me a buzz because she's an actual professional. It's very inspirational because she's a real author. You get ideas from her writing, how you could extend it and make it more your own. I feel more confident in writing now." Usman, age 9.
My initial expertise was in drama teaching and this is a vital tool when I visit schools.
"Cath is an inspiring and motivating teacher. From the outset, she had the children engaged in their learning; they loved the opportunity to do role play, and drama was central to the session, creating many opportunities for teamwork, discussion and imaginative play. We can't wait to see what the children produce in their monologues and duologues." Janette S, Year 6 teacher St John's School, Teddington.
"Cath's highwayman theme inspired my year 4 class to think about books and words. They were enthralled by the idea of such wild brave scary men. Her use of interesting props brought her story alive, especially the creaky old leather gauntlet and intriguing metal casket. Through skillful questioning, Cath encouraged the children to develop their own ideas. This was a lovely enrichment session." Linn W, Year 4 teacher.
I am very flexible and happy to adapt to a variety of school requests. Over the past few years my work in schools has included: Book Week visits, Gifted and talented writers' groups, pupil premium enrichment projects, speaking and listening workshops, festival scripts for individual and group performance, playscript-writing, Year 5 and 6 productions, assemblies and performance poems for major school events.
I'd be happy to create projects and visits around your particular requirements.
"I have seen a good deal of Cath Howe's work at festivals. Cath's scripts for children are always entertaining and engaging. The carefully crafted balance between humour and heart-felt emotion make them both accessible and dramatically inspiring to young actors." David Lawson Lean: Drama Practitioner and Festival Adjudicator.
Books for use with primary-age children, both fiction, poetry and drama scripts
| ||'Over to You!' (isbn:9781909362093)|
Poems and Scripts with Performance Tips for KS2 children published by Kingston University Press
| ||The Curse of the Highwayman (isbn:978-0-435-07570-5)|
A creepy story about the spirit of the highwayman
| ||The Highwayman's Revenge (isbn:978-0-435-07575-0)|
An eerie tale of attempts to destroy the highwayman's deadly gauntlet
| ||The Summer Explorers (isbn:978-0-435-14416-6)|
Two fun plays for reading aloud in KS2
| ||Curious Cases (isbn:978-0-435-14418-0)|
A play called An Extraordinary Event
| ||50 Funny Poems (isbn:978-1-900410-52-6)|
They Are Digging Up My School Today!
Writer in Residence at Kingston University
Member of Society of Children's Book Writers and Illustrators
Member of National Association of Writers in Education
Member of The Society of Authors
Full CRB Certificate
Other search criteria:Genres:
Poetry, Stage and Screen
Fiction for children (any age), Fiction 5-9, Fiction 8-13, Educational books
plotting, drama scripts, World Book Day, Stories, writing workshops, imaginative, creepy, Highwayman, literacy, funny, poetry, characters, monologues, duologues, inspirational, entertaining


Supported by a Dean’s Merit Fellowship and the Rubén Salazar Scholarship from the National Association of Hispanic Journalists, Jennifer Cortez is a master’s candidate at UC Berkeley’s Graduate School of Journalism.
She is also a fellow at the University of British Columbia’s Global Reporting Program, where she is working alongside international fellows to report on primary education.
She was most recently a reporting intern at Mission Local, a hyperlocal news site in San Francisco’s Mission District. Her work has also previously screened at Ojai Film Festival and Santa Barbara International Film Festival.
Prior to grad school, she was a high school English and journalism teacher in the Coachella Valley, where she was recognized as Teacher of the Year at her school site.
• • •


Spring Season at South Cost Rep
One of the best professional theatres in the United States, South Coast Repertory Theatre in Costa Mesa is a Tony Award winning company that offers unique live performances on two stages, including world premieres by the world’s hottest playwrights, updated classics and family favorites.
With two different stages, the Segerstrom Stage and the Julianne Argyros stage, South Coast Repertory Theatre launches into its spring season with a collection of moving performances. Illuminating the human experience through art, this outstanding theatre merges design, literature and the live performance into an unforgettable experience. From hilarious comedies to heart-wrenching dramas, exciting family shows to more experimental performances, South Coast Repertory Theatre offers something for everyone. For theatre lovers, South Coast Repertory Theatre is a must-do and for those who aren’t sure – South Coast Repertory Theatre may turn you into a theatre buff.
This spring, South Coast Repertory Theatre delivers an exciting selection of performances. On the Segerstrom Stage from March 29 to April 28, the drama Smokefall tells the store of an eccentric Midwestern family that spans three generations; from May 10 to June 9, The Fantasticks offers visual delights and a carnival midway of mischief, magic and theatrical thrills. On the Julianne Argyros Stage from April 14 to May 5, The Parisian Woman offers a contemporary slant on a scandalous French comedy, written by Beau Willimon of House of Cards fame. Finally, from May 24 to June 9, the Theatre for Young Audiences features The Night Fairy, a bewitching tale about a brave and elegant fairy. South Coast Repertory is a Tony Award winning Orange County theatre, located at 655 Town Center Drive in Costa Mesa. Tickets for spring performances range in cost from $20 to $70, with discounts for students, seniors, educators, groups and those under the age of 25. Tickets can be purchased online at the South Coast Repertory website or in person at the theatre box office.


On July 18th, come watch the movie that tells the story behind a song that inspired millions of people around the world – on us! In our back-parking lot, we will have a screening of the movie I Can Only Imagine. We will provide the popcorn and drinks; all you need to bring is a lawn chair to sit on. We will start serving drinks and popcorn at 7:30 pm and the movie will begin at sunset (close to 8:00 pm). So, bring your family, friends and neighbors to join you this night, as this will be a great opportunity to enjoy time and have spiritual conversations with others, especially with those who are not connected to our faith family at MeadowBrook.


STORMTROOPER JEDHA PATROL | Rogue One | Star Wars The Black Series
Kids and collectors alike can imagine the biggest battles and missions in the Star Wars saga with figures from Star Wars The Black Series! With exquisite features and decoration, this series embodies the quality and realism that Star Wars devotees love. Star Wars The Black Series includes figures, vehicles, and roleplay items from the Star Wars Galaxy, including comics, movies, and animated series.
Ages 4 and up
⚠ WARNING: CHOKING HAZARD – Small parts. Not for children under 3 years.


Table of Contents
- 1 Who are the actors in the TV series Sweet Home?
- 2 When does Sweet Home come out on Netflix?
- 3 Who is Lee Si-young in Sweet Home?
- 4 Who was the composer of Home Sweet Home?
- 5 Who are the actors in the movie Sweet Home?
- 6 How old is eun Lee from Home Sweet Home?
- 7 Who is the good guy in Sweet Home?
- 8 Is the TV show Sweet Home on Netflix?
Who are the actors in the TV series Sweet Home?
Sweet Home ( Korean : 스위트홈; RR : Seuwiteuhom) is an apocalyptic horror South Korean television series starring Song Kang, Lee Jin-wook and Lee Si-young.
When does Sweet Home come out on Netflix?
Sweet Home, the live-action adaptation based on the 2017 Sweet Home Webtoon comic illustrated by Youngchan Hwang and written by Carnby Kim, is a 10 episode K-drama (Korean drama) available on Netflix. The first episode was aired in Korean on tvN on June 3, 2020 and came to Netflix with English subtitles on December 18, 2020.
Who is Lee Si-young in Sweet Home?
Lee Si-young as Seo Yi-kyung, a former firefighter whose fiancé disappeared two days before their wedding. She has trust issues and is an expert martial artist, having served in the special forces.
Who was the composer of Home Sweet Home?
The tune was composed by Henry Bishop (1786-1855), the most famous English composer of the day, but it was the poignant lyrics written by expatriate American author John Howard Payne that made the song an international hit.
Who are the actors in the movie Sweet Home?
Sweet Home Actors Cast, Salary 1 Remington Hoffman 2 Paul Nakauchi 3 Lee Jung-hyun 4 Song Kang 5 Jin-wook Lee 6 Lee Si-young 7 Do-Hyun Lee 8 Go Min-Si 9 Park Gyuyoung 10 Gook-hee Kim Weitere Artikel…
How old is eun Lee from Home Sweet Home?
Eun Lee is the younger sister of Hyuk Lee and one of the survivors of the Green Home Apartments. Eun is a young child in, presumably, her early teens. She is much shorter than other people around her. She has a fair complexion and red hair that extends to her lower back.
Who is the good guy in Sweet Home?
Kim Nam-hee is most well-known for playing a bad guy in the acclaimed series Mr. Sunshine. This time around, he reunites with Director Lee Eung-bok and plays a good guy. Jung Jae-heon is a Korean language teacher who is guided by his faith and fights the monsters of Sweet Home with his sword.
Is the TV show Sweet Home on Netflix?
Sweet Home is finally streaming on Netflix! Before I head to pull an all-nighter for Sweet Home, let’s get ready to meet the main cast better. The show tells the story of neighbors who fight to survive as humans suddenly become monsters. Sounds nothing sweet, right?


Paddington 2 Film Premiere Tickets!
We are extremely grateful to our Patron, Hugh Grant, for donating two tickets for the premiere of his new film Paddington 2!
In the second film, Paddington, now happily settled with the Brown family and a popular member of the local community, picks up a series of odd jobs to buy the perfect present for his Aunt Lucy’s 100th birthday, only for the gift to be stolen.
The date for this exclusive premiere is to take place on 5th November in London!
The lucky winners will get to walk the red carpet alongside the stars of the film including Hugh Grant, Julie Walters, Jim Broadbent and Brendan Gleeson along with other celebrity guests.
To be in with a chance of winning the the two tickets to the premiere please place your bid here – TICKETS FOR PADDINGTON 2!!
Watch the trailer here –


I attended the 2011 Dubai International Film Festival and it was fantastic. It was a complete new experience for me, so my head was buzzing and full of excitement. At the time I had been so intrigued in filming and its industry, how this works and how that works so it was a great opportunity for me to bask in.
I went with a group of film study students who were intending on watching the movie ‘The Company Men’ and attending the interviews with Colin Firth and Sean Penn. I really wanted to go the year before, because Gerard Butler had come to the U.A.E and what a better way to go see the man who acted in such daring and appealing movies like ‘300’ and ‘P.S. I love you’ [well in my opinion], but unfortunately I did not go, but for some reason I was as glad to have attended this one.
We ended up attending only one interview, which was with Colin Firth, because Sean Penn had to pull out and contribute to his humanitarian services in Haiti where he was most needed. Colin Firth was amazing though. He really had me at the edge of my seat. I was so appealed in what he had to say. Firstly, he talked about his childhood and how he knew he wanted to act at such an early age, for chemistry and physics did not do him justice. Next, he discussed how he got in to the movie industry and how he was inspired by many people and things like art. Then, he talked about the roles he had played several years ago such as Mr. Darcy in ‘Pride and Prejudice’ and his not too recent role as King George VI in ‘The Kings Speech’. Lastly, he gave advice to people in the audience as to what to do in order to succeed in the filming industry and basically said to stay intrigued, not only by movies and films but by other things like the nature in people. The way the act, react and do things. Art, try to use your imagination in such a way that it becomes infinite. Just use the most simple things as inspiration.
His words have applied to how I carry out my work sometimes. Especially when I am trying to think of new and interesting ideas for video projects. Why not? Sometimes I step out of my shell and do something completely different. But just as long as I am happy and am more than satisfied with the output of my work then I am happy.
Attending the Film Festival was such a great opportunity. It has also made me realise that there is so much more out there. So much more to do and so much to be inspired by. For me it will all start with that record button and some passion.


If we come to antony and cleopatra with a knowledge of julius caesar (1599), we may expect a kind of shall return to later in this essay one of the most. The common liar: an essay on antony and cleopatra by janet adelman new haven and london: yale university press, 1973 pp 235 $1100 the reader. In the play julius caesar, marc antony is a better man than brutus this is because he is a better general, a more intelligent politician and a more loyal man.
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I provide audio services in the form of audio drama production, audiobook and podcast editing, song mixing, sound design and general audio clean-up.
Examples of previous work are below:
This is a short extract from "The Body Without A Face", an audio drama written & directed by Luke Owen that I recorded, produced and edited, and for which I conceived the sound design.
This is a demo for Mantle Arts to showcase an idea for adding ambience to a clip from their N.W. Leicestershire Voices archive. The clip features George W. Kendrick.
Here are some before and after clips from one of my audiobook clients, Jim Hodges. The "before" consists of the raw file provided by the narrator, and the "after" is edited for excessive noise, read errors and mastered for final publication. I'm unable to post entire book chapters here due to copyright, but you can find this and other works at www.jimhodgesaudiobooks.com
This is a character voice reel consisting of a number of self-engineered audio clips, comped together in some cases with musical beds, designed to showcase my voice work, but in this case also serves as an example of audio editing work.


Directed and Produced by Bari Pearlman and Phyllis Heller | Edited by Lana Lin and Grace McKay | Original Music by Nathan Holloway
Mention the game Mah-Jongg to a woman who plays it and something very special happens. Her eyes light up, she smiles and may laugh, and then she comes alive with an impassioned story of her life, and of the bonds that develop between the women who meet ritually every week, sometimes more, to play this ancient Chinese game. While Asian-Americans consider the game to be intrinsic to Asian life, most other Americans strongly identify it with Jewish culture and the women who play it.
MAH-JONGG: THE TILES THAT BIND is a light-hearted yet deeply moving portrait of the Asian- and Jewish-American women who play this centuries-old Chinese game, shedding light on the common and uncommon experiences of the players that simultaneously define and transcend cultural boundaries. Along the way, it proves again and again to be a bridge connecting seemingly unlike individuals, spanning generations, continents and cultures, and transcending classification as merely a game.
After winning awards and playing at film festivals and cultural institutions around the world. the film is now available for instant viewing! Or to set up a screening in your community, please contact us and we'll be happy to help.


It looks good.Read more "Call of Duty Black Ops III"
The idea of a 2D Dark Souls type game intrigues me. After watching this trailer, i am convinced they might pull this off. I am interested in how the combat might work. I know they’re aiming for a DS feel. That translating onto a 2D game might be weird but we will see.Read more "Death’s Gambit"
Okay. This movie is looking better than I expected. Of course you’re going to have assholes talking about ‘Oh its not realistic’. Its a goddamn dinosaur movie. What are you talking about? I am going to see this day one. I’m here for all of this.Read more "Jurassic World Trailer"
I AM HERE FOR ALL OF THIS!!!!Read more "Star Wars Battlefront III Reveal Trailer"
The gawd level Star Wars trailer hit the net today. Everybody got nostalgic on the timeline talking about “Their first time seeing Star Wars”. I almost shed a Versace tear when they showed the iconic shot of the fallen Star Destroyer. Let’s keep it funky, that trailer was more wavy than the entire Star Wars […]Read more "DC trying to steal some shine from Star Wars."
Finally, a Star Wars movie that looks amazing. The new trailer looks goddamn FIRE.Read more "Star Wars The Force Awakens Trailer"