I was recently made aware of the enthralling feminist theatre production, ‘Case Number'. It tackles the preconceptions, and ultimately, the misconceptions surrounding rape. It is a play with a new perspective; ‘Case Number’ gives victims a voice to address the thinly-veiled patriarchy ever-present in the legal system today. Protagonist, Jenna Russell, is a mere case number who is forced to relive through the trauma of her assault and face the reality that only 3% of rapists get convicted. Human rights theatre at its best, ‘Case Number’ mirrors the real-life processions of court, interspersed by stylised physical montages, in order to demonstrate on-stage the horrifying brutality of rape both physically and psychologically.
‘Case Number’ is the pride of the student-led production company ‘Tea & Toast Productions’. The cast include: Karol Cybulski, Ingrid Amanda, Topaz Peretz and Kirsten Jones (all 18 years old) – all of whom earned drama scholarships at the acclaimed ‘Ashbourne College’ – Kensington, London.
Their aim is to raise awareness; to bring the unspeakable reality of the injustice of the court to stage, and to shatter the pervasive shame culture surrounding sexual violence against women. If you wish to support them bring awareness to such a commendable cause please donate (every little helps).
I find it extremely commendable that a group of 18 year old young women have put their heart and soul into bringing an issue that is so close to a lot women's hearts to the world stage. I am extremely excited, fascinated and amazed by the talent of Tea & Toast Productions and how they have managed to pull off such a big project so effortlessly. Rape is often ignored and silenced in our society and Case Number is breaking that silence and being a voice for those who have previously unable to speak.
Case Number will be showing at the Fringe Edinburgh Festival, the world's largest arts festival and if you are attending this year, please make sure you get tickets and watch.


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Performing arts theater – UAE : Enjoy the Best of International and Local Talent
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Rishi Kapoor, the outspoken personality of Bollywood often make shocking revelations about his personal life and others that mired controversies. He is very opinionative. He targeted Amitabh Bachchan and said,
I must confess there is still a lingering issue I have with Amitabh Bachchan.
He said the demerit of doing a multi-starrerÂ film these days is that everybody wanted to make films full of action sequences this automatically meant that the star who could carry off the action with the most flair would get the meatiest part. He made a statement that,
“Thatâ€™s how, with the exception of Kabhi Kabhie, which was a romantic film, none of the multi-starrers I featured in had an author-backed role for me. Directors and writers unfailingly reserved their strongest, pivotal roles for Amitabh Bachchan. And it wasnâ€™t just me. Shashi Kapoor, Shatrughan Sinha, Dharmendra, Vinod Khanna faced it too.”
source:Â Khullam Khulla
Rishi Kapoor said, Amitabh has a personality of action hero and has called angry young man. He is an uber hero, the legend, so in his movies, he is the center of attraction, not we. It doesn’t matter that we are smaller stars but the truth is we are equally talented. It is not about comparing it’s about crediting supporting actors also.
However, Amitabh Bachchan has never ever admitted to, in any interview or book. He has never given due credit to the actors who have worked with him. He has always credited his writers and directors, Salim-Javed, Manmohan Desai, Prakash Mehra, Yash Chopra and Ramesh Sippy.
source: Khullam Khulla
A supporting actor played an important role in the success of a film.
“Shashi Kapoor in Deewaar (1975), Rishi Kapoor and Vinod Khanna in Amar Akbar Anthony and Coolie, Shatrughan Sinha and Dharmendra all had contributed equally to the success of his films. So they deserve a credit too even in the secondary roles. But this is something no one has realized or acknowledged.”
Well! we agree this is somehow a true story!
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Saturday, July 27: 1:00pm and 7:00pm
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The story you know and love has been given the royal treatment! Aladdin and his three friends, Babkak, Omar, and Kassim, are down on their luck until Aladdin discovers a magic lamp and the Genie who has the power to grant three wishes. Wanting to earn the respect of the princess, Jasmine, Aladdin embarks on an adventure that will test his will and his moral character. With expanded characters, new songs, and more thrills, this new adaptation of the beloved story will open up “a whole new world” for our young performers!
Music by Alan Menken. Lyrics by Howard Ashman, Tim Rice, Chad Beguelin. Book by Chad Beguelin. Based on the Disney film written by Ron Clements, John Musker, Ted Elliott & Terry Rossio and directed & produced by Ron Clements & John Musker.


The ramblings of a wife, mom, Christian, and true Jersey Girl trying to make it as a Southern Girl.
My husband always falls asleep as well. Then there is the dilemma of continuing to watch or pause for his awakening.Usually (if the movie is good) I will continue watching and then just tell him I paused it and try to remember to act surprised.
I'm with you on the scary movies...I do not like them!
M. Night....yes...I love those movies. I am not a horror fan..not anymore. Man, I still can't sit with my back to a closed closet door from the movies I saw as a kid. Stays with you..ya know? lol.
I can't say "Electric Slide" without getting that song stuck in my head!! Boogie Woogie woogie!!!
I'm with you on getting a maid!! :)
I like M Night Shyamalan's movies too. Have you seen Unbreakable? It's a good one when you have time.
I like M Night Shyamalan's movies too.Have you seen Unbreakable? It's a good one and maybe your hubby won't fall asleep during it.
sorry i am sooo dumb at posting things twice lately, ha I will get better. sorry.
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June 13, 2003
Allison Lange Mini Site
Allison Lange Mini Site is a first web site dedicated to Allison Lange, young actress who lives and works in Hollywood, California. She has become famous by playing lead rode in "Christina's House," and playing no so much leading role in TV-series "Roswell." Her latest role is 2003 movie "Gacy."
This site brings a surfer up-to-date on what's going on in Allison's life, it provides news, filography, photographs, media downloads, and much more.


Last week I was invited to the preview of the movie Haute Cuisine by the lovely Samantha of Trigger Marketing. Being a slight Francophile myself I was in heaven, a movie about a French Chef, set in my favourite two places in France, Paris and Périgord. It’s a wonderful movie in a beautiful setting but be warned, don’t watch it like I did on an empty stomach, we had to straight out for dinner afterward. It’s a humorous and engaging tale with mouth watering visuals in which recipes are discuss and prepared lovingly. I heartily recommend the movie if you, like me, love anything French and are a big foodie movie fan.
The good news is I have two double passes curtesy of Trigger Marketing to give away to the movie. All you have to do is leave a comment on this post before 26th April and I will take a luck dip from those names and the two names that are picked will win the passes. I will contact the winners for their mailing address.
The passes are valid at any movie box office showing Haute Cuisine. The tickets are valid from May 2nd to June 10th.
About the film: Hortense Laborie, a renowned chef from the Périgord, is astonished when the President of the Republic appoints her his personal cook, responsible for creating all his meals at the Élysée Palace. Despite jealous resentment from the other kitchen staff, Hortense quickly establishes herself, thanks to her indomitable spirit. The authenticity of her cooking soon seduces the President, but the corridors of power are littered with traps. Based on the extraordinary true story of President Francois Mitterand’s private cook.
Written & Directed by Christian Vincent
Starring Catherine Frot, Arthur Dupont, Jean d’Ormesson & Hippolyte Girardot


Romance Anime Movies To Watch On Netflix. 5 centimeters per second tells the story of two friends who got separated by chance and got reunited through sheer determination. Again, here’s the list of some really good romance anime on netflix.
Although spirited away isn’t in the catalog, there are some great options for everyone out there, from hayao miyazaki diehards to people looking to dip their toes in the genre. Anime films and series are diverse with their themes and styles.
10 Best Netflix War Movies You Should Add To Your
Anime films and series are diverse with their themes and styles. Anime has become the most favourite genre for tv shows and movies for many people.
Romance Anime Movies To Watch On Netflix
Anime romance movie is one of the favorite shows of japanese film lovers.As young schoolmates, akari and takaki were seemingly inseparable.At about 75 minutes, this netflix original anime film is beautifully animated and touchingly melancholy, ending on an overall positive note.At an eerie movie palace in bustling 1930s shanghai, a young filmmaker encounters the vengeful, nightmarish spirits of acrobats who burned alive.
Currently, you can watch titles like crazy stupid love, two weeks notice, legally blonde, holidate, always be my maybe and my best friends wedding.Eternity and the auto memory doll.Generally, the movies end on a.Given all that, here are the best romance anime on netflix that you can watch dubbed.
Here are the top 50 anime movies and tv series on netflix:However, aside from the entirety of its activity, the anime is additionally known for its profound characters and their connections.If you want to start off with the best anime to watch on netflix, here is a list of the most highly rated anime on the streaming giant’s content library.In 2020, there are many movies that people should enjoy.
In 2020, there are many movies that people should enjoy.In this corner of the world.It is one of the best anime to watch on netflix.It tells the story of a young and sad anime girl named violet.
Kimi no na wa (2016) ‘kimi no na wa’ is an anime movie which was released on august 2016.Let’s just jump right into the list of top romance anime ever.Most of the anime on this list are not.Netflix found its big christmas franchise with the romantic comedy a christmas prince.
Netflix is one of the best source of anime movies and they grow their library every single month, here’s the list of some anime movies that are worth watching.Please note that the list below has been taken from the us library.She was once caught up in a great war.So, let’s begin with the list of top 10 romance anime on netflix.
So, will he be able to do it?Some of the anime series and movies below may not be available to stream in your region.The anime is about finding out what love truly means.The best anime on netflix:
The film depicts the story of mia sasaki, an unhappy middle school girl who receives a magic noh mask from a mysterious salesman, giving her the miraculous ability to transform into a cat.The following movie list are for u.s.The holiday movie a christmas prince.The list includes some of the really great romantic anime films.
The movie stars rose mciver (izombie) and ben lamb.The romance genre is the show that gets the most public attention because it.The second one in our list of romantic anime on netflix is ‘the seven deadly sins’, generally of it, is a dream shounen that spins around a gathering of legends known as “the transgressions”.There is an artistry to the costumes and set designs that.
This gothic paranormal romance stands out because it’s both period drama and paranormal romance.This is one of the most incredible drama romance anime movies of all time.This is one of the most recent anime movies on the netflix platform;Though netflix doesn’t have many series about romance, the ones present are enough to make you experience those raw emotions.
Violet evergarden (2018) look, ‘ violet evergarden ‘ is not your conventional romance anime.Violet evergarden is produced by kyoto animation.Watch this sad anime movie on netflix to find out.We could all use some love in these trying times, so without further ado, here’s a list of anime titles you can watch on netflix guaranteed to give you butterflies in your stomach.
When it comes to anime, netflix has over a hundred titles from the anime genre, including some of the most popular tv shows and anime movies.With anime becoming more mainstream than ever, netflix’s rise in sphere of anime has been very apparent, especially when it offers dubs of many of our favorite series.With that in mind, we compiled a list of the best anime movies on netflix for you to watch right now.You can some of these best romance anime on hulu, netflix, crunchyroll, youtube or amazon prime.


Hirono Hiro is a high-school student, and secretly a shoujo mangaka, to all but his childhood friend and ko
uhai, Kei Shindo.
One cold Christmas after meeting a mysterious woman in church, a strange girl steals his bike..
Running after her, he finds her collapsed on the street.
Learning her name is Miyamura Miyako, and that her bag was stolen by a man on a motorbike, Hirono finds himself spending time with Miyako, much to the dismay of Kei...
Genres: Comedy, Drama, Mature, Psychological, Romance, School Life, Supernatural
ef - a fairy tale of the two. (2006) / 9 Volumes (Hiatus) by KAGAMI Yu, Mikage & MIYABI Juri
(07.10.2007 till 23.12.2007) / TV Series, 12 episodes
ef - a tale of melodies. (07.10.2008 till 23.12.2008) / TV Series, 12 episodes
Kuze Shuuichi / 久瀬修一 - February 15
* Wiki (en) * Wiki (jp) * aniDB * MAL (Anime) * MangaUpdates * MAL (Manga) * VNDB *


The Future is a live immersive theater event in which an ensemble of curious beings encounter an audience of humans in real space and time. With the audience in headsets and microphones, every performance unfolds as a multimedia, music-filled, interactive event that is unique to each audience member. The Future invites the audience to share and explore their own beliefs about self, society, the environment, and the future of humankind. For updated information about performances, please see the Facebook event for The Future.
About Anonymous Ensemble
Founded in Brooklyn in 2001, Anonymous Ensemble develops and performs new work led by core members Lucrecia Briceño, Eamonn Farrell, Jessica Weinstein, and Liz Davito. They have created more than 16 original shows, and performed all over NYC, as well as nationally and internationally. Anonymous Ensemble creates live performance, new media, and unique theatrical events. They value creating community wherever we are and giving voice and agency to our audiences and collaborators in our explorations of the human condition, our collective storytelling, and the limitless possibilities of imagination.


So I realised that I haven't actually blogged about any of the films so far so I'll just crack on with that then!
Rollerball (1975) directed by Norman Jewison
I have to say that I think my opinion of this film was highly influenced by the fact that I felt ridiculously ill while I was watching it so I didn't think too highly of it immediately after it had finished. However after some time to reflect I realised that the film was actually very good but not the kind of film that I would choose to watch on my own: I find the futuristic, dystopian setting very depressing. I found the extent of control that the corporations had over people quite chilling, especially during the actual rollerball games. The game was used as a distraction and the way that the fans and the players were so brutal towards each other in comparison to the still and calculating character of Bartholomew watching over them was really unsettling to watch. The film was interesting in it's approach to the theme of control and mediation and I could see links with some of the documentaries by Adam Curtis and the film 'The Corporation' itself which explore the idea of the dominance of corporations in society today.
If...(1968) directed by Lindsay Anderson
I really enjoyed this film, I think the public school setting really drew me in as this is something that I have always found interesting; the language and the rituals of public school boys is always something I've found quite fascinating. Again there were themes of control and rebellion similar to 'Rollerball' but I found it much easier to watch than 'Rollerball' I think the element of camaraderie in 'If' made it seem a lot warmer in a sense than 'Rollerball' where Jonathan was pretty much fighting his battle alone. I liked the structure of the film, it was set out in sort of chapters which all seemed to build up to the crucial point at the end where Mick Travis and his friends carried out their brutal attack on the school. This film addressed a lot of issues about the reactions that people have to power, command and restriction; it was possible to understand the reason why Mick takes action against the school authority maybe not in such a violent way but you can see him being pushed throughout the film. This was definitely a thought-provoking watch.
Let The Right One In (Låt den rätte komma in)
(2008) directed by Tomas Alfredson
This was surprisingly a very beautiful film, both in story and setting. The whole film was completely different to what I had expected after hearing that it was a film about vampires but the subject is approached in quite a moving and tender way. The film is set in Stockholm, the main characters Oskar and Eli are both 12 years old but Eli is a vampire. There is a real feeling of sorrow that comes from Eli and you can see how hard it is for her to cope with the murders that she commits. The film begins with her father brutally murdering someone and draining their blood; however when you realise that he commits these crimes only out of love for his daughter they become less sinister. It brings up a conflict of morals as you want the little girl to live. Although the vampire theme is dominant throughout it never becomes ridiculous as in most horror films, the violent acts are all out of necessity rather than just for shock value.
I found it quite horrific to watch the scenes of Oskar being bullied, especially towards the end of the film but it was quite uplifting in a way to see the courage that he gained from spending time with Eli and later in the film to see how she protects him. The feelings between the 2 characters is really believable considering they are so young and you can see how much they rely on each other for support.
I thought this film was stunning to watch, the snowy setting and the dark wintery days created the perfect atmosphere for such a chilling yet moving story.


The Ukrainian national anthem, arranged by a Korean composer, will be performed at the Concert for War and Peace hosted by the Film Music Festival (FMF) in Krakow, Poland.
Famous Hollywood artists such as Don Davis (composer for the film The Matrix), Trevor Morris (composer for the film 'The Vikings'), Laura Kaufman (composer for the Marvel series 'The Marvel'), and Alexander Desplat (composer for the film 'The Curious Case of Benjamin Button'). Film music composers are invited to perform, and Korean composer Yoo Ye-geun is invited to perform the Ukrainian national anthem he arranged with a 100-member orchestra.
Composer Yoo Ye-geun, who graduated summa cum laude from Seoul National University's Department of Composition and earned a master's degree in film music from USC Graduate School, is a talented composer who became the first Asian to win the 2021 Poland FMF International Film Music Competition. As the 2021 movie music mission song, he composed a scene from the famous Netflix series 'The Witcher' and was proudly selected as the 2021 winner, beating out many competitors. The Ukrainian national anthem he arranged was originally a courageous song that raised the proud spirit of Ukrainians, but composer Yoo Ye-geun added film music elements and reborn it as a more beautiful, delicate, and lyrical song that reflects the pain and sadness of the Ukrainian people. . Here, 70 members of the Polish National Choir will join in to sing the beautiful Ukrainian national anthem, reborn as film music. The Ukrainian national anthem, arranged by composer Yoo Ye-geun, currently has over 20,000 views on YouTube, providing warm support to many people suffering from war. This song, featuring a beautiful piano melody and sweet string instrument line, will be performed at the Penderecki Hall of the ICE Krakow Congress Center in Poland on the 26th.
Copyright YK MUSIC PRODUCTIONS 2022


Actor. Singer. Sometime Dramaturg.
About the Artist
Madison Claus is a warm and spirited theater artist. Her inquisitive nature helps create a focused yet adventurous rehearsal process, and she invites everyone to dig into material with hunger and passion. She loves when the hearts and minds of the audience hang on the edge of their seats. She firmly believes the theater is a sacred place where we can all ask what it means to be human.
Born in north Texas, Madison grew up doing community theater. She continued to participate in theater and choir programs throughout high school in North Carolina. She recently earned her BFA in Musical Theater from University of the Arts and currently calls Philadelphia her home!


I was in Delhi in June 2005, interning with the Businessworld Magazine for a short period, when I heard about the Francois Truffaut festival on at Alliance de Francaise. The good thing about doing a non-law placement is that hours are chill and you can cut from office whenever you want to. The place was full; it was quite surprising to know that there were about 80 other losers in Delhi who wanted to watch an old, foreign, black and white movie with subtitles. 400 Blows turned out to be a very enjoyable experience. The film tells the story of Antoine Dionel, a 13-yr old kid coming to terms with the world around him; he bunks school to go for movies, lies to his teacher that he couldn’t come to school because his mother died!!; steals a typewriter from his father’s office and gets caught when he is trying to place it back etc.
The film is supposedly largely autobiographical, with Antoine’s character based on Truffaut’s early deviant childhood, before Andre Bazin took him into the fold. Antoine even worships Andre Bazin’s photograph and lights a candle in front of it everyday (in one of the scenes, the whole set up catches fire due to his carelessness). The real life story of Truffaut is quite fascinating and makes for good reading. He was one the few who made that impossible transition between the critic to the director. He made his name as one of the early, regular contributors to the Cahier du Cinema, the French magazine started by Bazin, responsible for fostering the theory of the auteur-director (i.e. director is the author of the film).
400 Blows is considered one of his best works and forms the first part of a five film series (I’ve seen Bed and Board and Love on the Run. Made ten years apart, the two follow Antoine through his adult married life, living in a small French house, having a kid, splitting with his wife, having an affair with a Japanese woman, apart from other random things. In fact, Love on the Run seems to be mostly a collage of the beautiful scenes from the four previous movies). The last scene alone in 400 Blows is enough to know the genius of the man. In one of the longest tracking shots that I’ve seen (and certainly one of the best along with the opening shot in the The Touch of Evil and the ones in The Shining), we see Antoine run away from the juvenile home; the camera follows him as he runs off the road, and towards the sea and the film ends with him standing on the shore looking somewhere far off. It is one the most moving films I’ve seen.
The very average The Woman Next Door followed 400 Blows. I don’t remember much of it now; it was about an adulterous affair; a happy family is destroyed from the husband’s long forgotten ex-girlfriend moves into the next house with her husband; old flames are rekindled and the regular stuff happens. Not a shade on 400 Blows.
4 thoughts on “400 Blows to the Woman Next Door”
400 Blows happens to be one of my all time favorites, and probably one of the best examples of the neo-realistic French cinema. Learnt so much about Cinema from films like these and “The Bicycle Thief”, “The Year My Parents went on Vacation” and the more recent “Udaan”.
Watch these films if you haven’t. Really nice review btw.
Yeah 400 Blows is amazing. Have seen Bicycle Thief and Udaan – loved the former; Udaan had potential but nowhere near the classics. Haven’t seen the “Year my parents…”.
Good to know that you love movies too.
Nice! Well, IMO UDAAN is a landmark film of our age. 2o years down the line people will remember it as THE film of yesteryears.
Do watch the “Year my parents..”, a beautiful film from the underrated world of Brazilian cinema.
and I love cinema 🙂
Will try to watch it.
Hmm…maybe you are right about Udaan. I love the film for the line “sab chota shahar ka baap ek jaisa hota hai..family business very good very good dream business very bad very bad” 🙂


Graphic Design: Hiding in the Shadows of Film and Television – Horror Edition
by Elizabeth Brill, graphic designer
The “Spooky Season” is here and along with it comes some of my favorite things: candy corn, pumpkin carving, corn mazes, and fall weather. But the one thing I look forward to the most this season is SCARY MOVIES. I love the adrenaline rush that comes with a good horror film or the feeling of nostalgia that rises when I hear the intro song for Nightmare Before Christmas. I bet most people have a favorite film or show they like to watch this time of year. They know when the jump scares will happen or who is the crazed killer on the loose. But someone you might not realize is a small part behind the mask of film and television is a graphic designer. That’s right! The newspaper your detective character is reading? Designed. The sign in front of the creepy abandoned library? Designed. The logo of the local police department in the sleepy town where nothing bad ever happens? Odds are, it was designed. Every art department in film and television has a graphic designer on hand to create the little details that make your creepy movie or show that much more believable.
Here are some examples of design in a few of my favorite spooky movies and shows:
The Sixth Sense directed by M. Night Shyamalan
This story is about a boy named Cole (played by Haley Joel Osment) who is tormented by ghoulish visitors and confides in his therapist (Bruce Willis) for help. There is a scene in this movie where Cole’s mother, Lynn (played by Toni Colette), is staring at a wall of family photos when she notices a strange glare on a photo of her son, Cole. Suddenly, she realizes this glare is appearing in all photos of Cole. Now, since we have no evidence that M. Night Shyamalan had a real specter pose in these photos, how were the flashes of light produced? Most likely, a designer made them.
Ghostbusters (1984) directed by Ivan Reitman
Ghostbusters is a wonderful, frightening film about a team of scientists who begin a ghost exterminating business in New York City. I’m guessing if you’ve seen this film a few things come to mind when you think of it: the theme song (of course), the giant “Stay Puft” marshmallow man, and Bill Murray’s witty sarcasm. And of course, the first image that comes to mind is the Ghostbusters logo, created by graphic designer Michael C. Gross. Not only did the logo serve as a main advertising piece for the film, but it was also used throughout the film as the signage outside of the Ghostbusters office, on the side of the Ghostbusters vehicle, and on their uniforms to name a few. It just goes to show how far branding can take any business and how much of a mark impactful branding can leave on your customers.
Hocus Pocus directed by Kenny Ortega
Hocus Pocus is a Disney film that tells the story of the Sanderson sisters – three evil witches (played by Bette Midler, Sarah Jessica Parker, and Kathy Najimy) who were executed during the Salem Witch Trials and came back to life on Halloween night in 1993 to enact their revenge upon the town. Many details in this film were carefully designed to make the props look accurate to the time and feel of the film. The calligraphy in the spell book used by the witches certainly looks like something that would be written in the 1600’s, and the eerie cemetery gate and graveyard props fit right in with the classic spooky feel of the movie.
Stranger Things directed by Ross and Matt Duffer
Stranger Things begins with the disappearance of Will Byers (played by Noah Schnapp) and the subsequent search for him by his mother, Joyce (Winona Ryder), police, and friends. The search soon unveils monsters, government secrets, and a girl with telekinetic powers. While this isn’t a classic Halloween choice, I still love this popular show for its science fiction scares and amazing story line. The series takes place in 1983 in a small Indiana town. Since the show first aired in 2016 (and was filmed in Georgia), the art department undertook no small feat to create props and designs that were accurate to the period and location. From the signs of Hawkins High School, to the police cruisers and the numerous boxes of Eggo waffles, everything had to be designed to transport the viewer back to the 80’s and into Hawkins.
As a graphic designer myself, I have so much respect for the people working in film and television doing design. The knowledge that it takes to create a whole world that is believable to the eye and tricks the viewer into thinking these characters and places are real astounds me. The magic of graphic design is that it often stays in the shadows. I’m reminded of this quote by Joe Sparano: “Good design is obvious. Great design is transparent.”
It takes a lot of effort to create a great design, but once you achieve it there are no limits to where it can take you. Whether that’s a new brand for your company, a marketing campaign, or even just a business card – great design will keep you moving forward and leave an impact on your viewers. And maybe, just maybe, it’ll keep the monsters at bay, too!Back


D I R E C T I N G
This is a selection of some of the projects I have directed over the past eleven years. If you are interested in my work in fiction, take a look at 12 Points. For documentaries, try the award-winning The Conductor. If you are into music videos, check out Lovex or Sophie.
W R I T I N G
I write screenplays for many of my own projects (see Directing) and am frequently hired as a (co-)writer for others. Further information available upon request.
Film & Art Criticism and Analysis
I have extensive experience in film & art critique and analysis, both academic and journalistic. Here are some sample texts.
Project Conception for TV, Stage and other Entertainment
I develop entertainment concepts for television and stage, some of which have been optioned for further development. Further information available upon request.
Script / Project Consultant
I work as a script consultant for production companies and directors, both in early development stages, as well as for dialogue revision. Further information available upon request.
I also write fiction - mainly short stories. Further information available upon request.
Whenever I am not busy writing or directing, I am happy to assist others, especially in the position of Assistant Director. Overcoming organisational hurdles while keeping an eye on the creative side of things (and providing input wherever necessary) is one of my special talents. Occasionally, I also do Script & Continuity jobs.
Some of the projects I have worked on include:
Gravity, Dir.: Benno Hanke, 2017 [music video for Ferdinand Hübl]
Nicest Things, Dir.: Benno Hanke, 2018 [music video for Swankster]
The Blind Spot, Dir.: Sarah Fürstenberg, 2019
No, Nothing, Dir.: Sarah Sidi, 2019
Benny, Dir.: Vasco Viana, 2019
New Years, Dir.: Leila Basma, 2019
Split Leap, Dir.: Vasco Viana, 2019
Earthling, Dir.: Benno Hanke, 2019
Vom Ende Und Anfang, Dir.: Simon Maria Kubiena, 2019
Hush, Dir.: Xueni Yang, 2020
Samson, Dir.: Vasco Viana, 2021
O T H E R
Production of Corporate Films, Event Films and Making-ofs
For examples of my work in making-of and corporate film production, click here.
I edit some of my own projects (see Directing) and am also hired as a film editor from time to time. In addition to digital editing, I also have experience in editing 16mm film.
Live Event Staging & Assistant Directing in Theatre
I occasionally stage concerts, corporate events or art performances and I have worked as an assistant director in theatre productions.
Having worked as an assistant in news broadcasting ("Zeit im Bild") at ORF (Austrian Broadcasting Corporation), I have substantial experience when it comes to working in live broadcasting in the control room.
Host / Presenter
I was trained in hosting and presenting on stage and in front of the camera and I sporadically do presenting jobs.
I have substantial experience both with managing film productions from pre- to postproduction (and beyond) as well as with assisting in production departments.
Since you have come this far, you probably have a vague idea of who I am
and what I do already, but manners are important and a proper
introduction never hurts:
I am René. I'm an internationally working filmmaker (director, writer,
assistant director and occasional production assistant) from Vienna, Austria.
I hold a Bachelor's degree in Film-, Theatre- and Media Studies and I was
educated in filmmaking at FAMU, the National Film School of the Czech
Republic and one of the oldest and most prestigious film schools in the world.
More importantly though, I have been making films since the age of 12 ...
no, wait ... actually, if you count documentaries, I have stalked people with
cameras ever since my father gave me a VHS camcorder for Christmas in 2000, when I was six years old.
A B O U T
When it comes to writing - or, more generally speaking, storytelling - you could go even further back: I have immersed myself in my own made-up stories ever since I can remember. The picture on the left, for instance, shows little me acting out my own, alternative version of Shakespeare's Julius Caesar.
Not only through the example of Shakespeare have I come to realise
and appreciate early on that a good story, as opposed to the storyteller, never dies. - It lives on through its telling. I consider myself a person who, through all the areas of filmmaking I have listed on this website, keeps stories alive and shares universally true human emotions and experiences.
And when I die, the stories will not. Why? Because someone else will wrap a tablecloth around their shoulders and put leaves on their head to tell them...
If you would like to collaborate or have other enquiries, do not hesitate to get in touch:
C O N T A C T
"Home" and "About": Ajda Zupan
"Assistant Directing": Ajda Zupan, Jitka Hejtmanova, Jonathan Weidenbruch, Tomas Bazika, Zuzana Lazarova, Anička Burianová, Greta Bertauskytė
"Contact": Sarah Fürstenberg


After your wedding day is over, I then set about editing your wedding film which takes time to complete. I ask that you be patient as there is a lot involved in this, and other films shot around your big day. Right now it is around 10 weeks for the film to be finished, as it is just myself completing the work in post production. I like to have a personal touch on every wedding I film, and I'm sure that's why so many clients are happy with the end result. Your wedding is a major event so why not treat it like such, taking the time to get things right in the editing.
Our new inclusion for wedding films shot in 2015 and beyond is the "Sneaky Peeks". These are short 20-30 second teasers, with a few moments from the day edited together. Giving couples a glimpse of their big day again, and how the film is looking. You will receive this 2 weeks after the wedding or sooner.
So far there have been lovely reactions, so I will be doing this from now on for every couple.


A two night screening of BHONER
Created by duo and/or
Colin Shields and Frank Anderson
June 16–17, 2014; 7pm
In a quiet, upper-middle class suburban village, something BHONER this way comes. They said her father committed suicide, but Kisses Landica would not be fooled. And now, his killer has returned It is up to Kisses and a group of wily, but chaste, teenagers to put a stop to his bloody revelry. Will the killer be revealed? Will Kisses subdue his ungodly frenzy? Will her fathers life be avenged? Whatever happens, say no to drugs, for no one is safe in... BHONER.
For only two nights this pinnacle of cinema will be screened with a special sneak preview of and/or’s new film Millennial -an ultra camp retelling of the new millenium, where a boy named Zip hacks into the internet to save the world from the Y2K bug before it can drain all of the cool and make everything permanently boring.
On Monday, June 16th, the screening will be followed by a Q&A with the directors and select cast members. On Tuesday, June 17th, the screening will be followed by a reception for the artists. There will also be an exhibition of artifacts from the film, as well as a pop up shop, in conjunction with the screenings.
and/or is the collective work of Colin Shields and Frank Anderson. Shields has a BFA in Photography from Parsons School of Design and Anderson has a BFA in Literature and Creative Writing from Rutgers University. Filmmaking was a natural medium between their separate interests. and/or has received considerable recognition for their work, including winning Best Director at the Atlanta Underground Film Festival.
Photographs courtesy of the artists, and Vanessa Turi


The Most Underrated Avenger.
I love me a good comic book movie. I thought the first two Thor movies were solid...but this one was made so much better with the addition of The Hulk.
You don’t even necessarily have to see the first 2 Thor Movies to get this one...as long as you’ve seen the Avengers 1 and 2.
I also liked how they didn’t feel the need to tack on Iron Man to carry this movie. And at Marvel's 17th straight No. 1 opening...Thor is legit.
Watch my full review for Thor: Ragnarok
Follow me on Instagram and Snapchat for more movie reviews! Username: mikedeestro


Another True/False has come and gone – too soon, it seems to me. Each of the four years I have been here have been special in their own ways, with plenty of incredible films to watch and digest. As I hinted at in my preview piece, this year’s festival, for me at any rate, ended up having a very deep bench of films, making it hard to provide an exact ranking. There were two films that stood out above the rest for me (we’ll get to those in a minute), but then such a strong contingent of others that it became hard to order favorites. I went to 11 screenings and saw 9 films I would consider eligible for “awards” (one screening was a series of shorts, and one was for a film made in the 90’s airing as part of a retrospective). Rather than offer a ranked list, I thought I’d hand out some individual honors as a way of highlighting some of the films that made the festival so special.
This isn’t a category I’d normally think to include, but I wanted to highlight a great individual shot, one from the beginning of the film Railway Sleepers. Tracking shots have been making a comeback of late, with flashy long takes showing up in films like Birdman and La La Land. The excessive nature of some of these has led to justified pushback. Railway Sleepers opens with a bravura tracking shot, but this one is different – it’s track is quite permanent, being the rails on which the Thai railway system runs. As the train pulls away from the station, director Sompot Chidgasornpongse captures the departure from the back of the train, watching what the vehicle leaves behind as it heads out on its journey. He’s certainly not the first director to do this style of shot, but he remains committed to it for an excruciatingly long time, which builds the beauty and wonder of the train system from the beginning. This is a tracking shot that’s totally merited, and acts as an appropriate gateway to the wonder of the film that follows.
I’m going to cheat a little here, because my actual favorite scene comes in my favorite film of the fest (more on that later). But here’s an alternate choice, equally worthy, from the excellent Turkish documentary Distant Constellation. In a rare break from a fairly detached filming style, director Shevaun Mizrahi interacts with one of the residents of the retirement home whom she has been following over the course of the film. This man, a former lothario who fondly recalls his wild days, and even reads some of his erotic fiction to the camera at one point, has an air of easy charm throughout the film. About 2/3 of the way through, though, that façade cracks just a bit, and he confesses the loneliness he feels. That he does this through a joking marriage proposal to Mizrahi, then proceeds to justify the proposal, makes the sentiment all the more touching. He’s kidding, but not entirely, and the looks that pass over his face in rapid succession say it all. It’s a common trope for documentarians to interact with their subjects on film, but this is one of the best instances I’ve seen in a while.
Best Classic Film
Every year True/False honors a documentarian with their True Vision Award. Usually the director will have a new film playing at the festival, but True/False also holds a retrospective of their past work. After seeing the new film from this year’s True Vision winner, Claire Simon, the acerbic The Graduation (about the rigorous entrance exam for a prestigious French film school), I knew I wanted to see more of her work, so I carved out time to watch her 1992 film Récréations, which follows French schoolchildren on their playground over several days. The many scuffles that ensue make it easy to categorize the film as a mini Lord of the Flies, but there’s actually something much more complex going on. Patiently and astutely (often filming from the eye level of the children), Simon captures the interwoven nuances of child society. Yes, there are squabbles, and bullies, and many tears, but the kids also cooperate and encourage each other, and work together to imagine scenarios that would not be possible with individual play. The film testifies to the resiliency of children, and it’s one of the most fascinating ethnographic film projects I’ve ever watched.
Best Debut Film
I wanted to find a way to honor Theo Anthony’s Rat Film, my second favorite film of the festival. Given that Anthony is younger than I am, and Rat Film has the feel of a film made by a completely original, assured director, I thought it made sense to honor the film as the debut work of a filmmaker whose career prospects seem blindingly bright. Rat Film surprises at every turn, its brash narrative choices and pounding aestheticism rubbing up against its serious subject – race relations in Baltimore. By mapping out the ecosystems of rats in the city, Anthony presents a damning case that African Americans have been systematically discriminated against and even experimented on over the dark history of the town. Despite its heavy subject matter, Rat Film never feels weighed down by self importance or dourness; rather, Anthony channels righteous anger into a pounding, often funny take on systemic imbalance. Rat Film is exhilarating, a shot across the bow to typical issue documentaries.
Best of the Fest
With his film Safari, Ulrich Seidl has crafted a haunting, unforgettable look at big game hunting. I think Safari will prove very divisive among audiences, given both its unflinching presentation of the butchering of savannah animals and its dry, cynical take on the bizarre Austrian family who kill them for sport. This is a difficult film, in more ways than one, but a film that will richly reward a patient audience. Largely a process documentary, Safari follows the family out on multiple hunts, watching the set up, kill shot, and aftermath of their quest for big game. Seidl establishes rhythms patiently, only to undermine them in chilling ways in the film’s second half. The bravura filmmaking includes my absolute favorite scene of True/False 2017, as the hunters swarm around a giraffe that is almost – but not quite – dead. Questions of environmental responsibility and the legacy of colonialism hover around the edges of the film, but Seidl never shows his hand, instead letting the images do the work. The result is what Rebecca West would call a documentary burned to the bone, in more ways than one, and the best film that I saw at another excellent iteration of True/False.


Overall I feel considering time and my abilities I have produced the best I can. There are some scenes I wish I could redo but simply do not have the time. I feel I have developed my animation skills further and although have had not had as much time as needed to go back and change some mistakes or improve some animations, either it be technical or acting wise, I am pleased with the progress I have made. As even though this is my final film, I am still young to the industry and still have much to learn. I have a much better understanding of colour theory and environment tones and depth use. If I get a chance to work on another personal project I will take into consideration all the aspects needed, not just the character design and performance. I recognise in a way my film’s ending is very cliché but also learnt is extremely hard to stay away from the film clichés and get your point across. I also realised that I probably bit off a little bit more than I could chew for the sheer amount of work this film took. But I wanted a challenge and although I would like to go back and change some animated shots or improve the movement in some parts I just wanted to make a good film I would be proud of, which considering this is my first film I am.


Marvel initially wanted the film to be aimed at an older audience, which Disney refused. Marvel threatened not to publish the comics, with Disney responding that they would publish their own American comics, but they eventually came to an agreement.
|Baymax art by Papillon studio|
Conversely, Lasseter dismissed the idea of a rift between the two companies, and producer Roy Conli stated that Marvel allowed Disney "complete freedom in structuring the story." Regarding the film's story, Quesada stated, "The relationship between Hiro and his robot has a very Disney flavor to it...but it’s combined with these Marvel heroic arcs."
The production team decided early on not to connect the film to the Marvel Cinematic Universe and set it in a stand-alone universe instead.
Big Hero 6 premiered on October 23, 2014 as the opening film at the Tokyo International Film Festival.
The world premiere of Big Hero 6 in 3D took place at the Abu Dhabi Film Festival on October 31, 2014.It was theatrically released in the
on November 7, 2014 with limited IMAX international showings.Theatrically, the
film was accompanied by the Walt Disney Animation Studios short, Feast.
Toys released by Funko and Bandai America Incorperated.


Discover the remarkable achievements of several Black Film titans in our latest blog post. Learn about brands such as Overbrook Entertainment, co-founded by the dynamic Will Smith and James Lassiter; this studio stands out as the top-grossing Black-owned film production company. Discover the impactful stories and successes of other leading studios such as Alcon Entertainment, Eddie Murphy Productions, and Tyler Perry Studios, each contributing uniquely to the rich tapestry of Black cinema. From blockbuster hits to poignant narratives, these production companies exemplify the diverse talent and innovation driving the film industry forward. Perfect for cinema enthusiasts and professionals, this post offers valuable insights into the studios shaping today's film landscape.


So it occurred to me to look on YouTube for the clip that inspired the title of my blog. I absolutely love this movie. If it were even possible for me to make a short list of favorite films, this would be on it.
I just wish the clip started a bit sooner. I guess you'll have to watch the movie if you haven't already.
whoa. This is my 502nd post. I'm a little tripped out by that. I should have been more attentive and celebrated my 500th. Oh well. I'm not very ceremonial anyways.


Gasway joins Norwich Film Festival 2021 sponsors
Gasway joins the line-up of sponsors for Norwich Film Festival 2021
Gasway are delighted to be sponsoring Norwich Film Festival 2021.
Gasway’s Managing Director, Nick Bartram said: ‘As part of Flagship Group, we have a strong social purpose and have always supported the communities we serve. Our adverts and short films focus on the warmth that our communities give and their importance in our daily lives, which this year feels even more important than ever. I am really looking forward to seeing this year’s warm stories on the big screen too.’
Gasway’s sponsorship of the event will help to allow the festival to continue nurturing filmmaking talent and to provide a vast array of screenings, panels, and workshops for visitors during the event.
Gasway’s Marketing Manager, David Metcalf said: ‘We’re delighted to be a headline sponsor for Norwich Film Festival and to have our 2021 “Warm Stories” advert premier at the launch event before it hits Sky TV. We have worked closely with Trett Films to produce our ‘Warm Stories’ advert each year and we’re very excited to be part of this year’s film festival. It is important to us that we support local events in our communities and the filmmakers of Norwich who have helped us visualise that warmth really matters.’
Gasway also plans to premier it's latest TV advert at the festival.
For the full press release, click here.


This summer, Briya’s Advanced English and Digital Literacy classes participated in a video project designed to help students improve their English and technology skills through videos that teach fellow students how to act in real-world situations. The completed videos can be found here.
In their English classes, the students learned about character development, story arc and writing scripts. Then they selected topics—such as how to interview for a job, how to open a bank account and how to be safe in the street—relevant to other students. They wrote their scripts using Google Docs, filmed their videos on iPads and edited their videos using YouTube editor.
“Editing our movie was my favorite part,” said student Aleykutty Holley. “My teammates and I felt very creative being able to design the look of our movie with YouTube Editor. It was a good experience, and I will definitely use this program in the future!”
On the final day of class, students and their children participated in a film festival where they enjoyed snacks, viewed their class’s films and voted for awards including Best Acting, Best Costumes and Props, Best Story and Best Editing.
Teachers found the project to be a worthwhile experience for their students. “I enjoyed helping the students build their confidence in skills and tasks they’d never encountered before,” said Brittany Pope, a Digital Literacy instructor. “It was a tall order for them to write, film and produce their own movies, but their persistence and teamwork was inspiring.”
The project was inspired by the We Are New York television series, which aims to help viewers learn English through episodes about practical issues.


Listen and download the "behind-the-scenes" audio features.
The clean cuts contain celebrity sound bites followed by audio clips from the film.
Audiences and critics across the country are calling this compelling story "One of the Best Films of the Year." Jack Nicholson received a Golden Globe for "Best Actor," in this comedy/drama which also won a Golden Globe for "Best Screenplay." Nicholson stars as Warren Schmidt - who after a lifetime of service as an insurance actuary in Omaha takes to the road in his 35 foot motor home. His destination is Denver, where he hopes to bridge the gulf between himself and daughter 'Genie'- played by Hope Davis, who's about to marry 'Randall,' an underachieving waterbed salesman played by Dermot Mulroney whose mother, portrayed by Kathy Bates, is the recipient of the National Board of Review Award for "Best Supporting Actress."
All audio sound-bites and clips, images, and text on this website, retain their original copyright as owned by their respective movie production companies.
All of the above is for promotional purposes only and Radio Links Hollywood and www.radiolinkshollywood.com holds no liability from their misuse.
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Friday, October 5, 2012
Dark Shadows - Giveaway
Have you seen the movie Dark Shadows with Johnny Depp? To celebrate the release of Dark Shadows on DVD and Blu-Ray Warner Bros is offering a Blu-Ray combo pack to one lucky Grammy2Kaiden Reader.
Hurry the giveaway ends 10/14/2012!
a Rafflecopter giveaway
*Disclosure: Warner Bros has provided some of the materials within this post and they are providing the prize to the winner of this contest. I was not compensated in any way for writing this post.


Have you been to the theater to check out the new movie, The Secret Life of Walter Mitty yet?? If not, I highly recommend doing so! I loved the film for a variety of reasons and thought it was well worth the fortune it costs to get into the theater.
My original reason for going was because Walter Mitty features an excellent shot of this Rosie's Vintage Wallpaper pattern:
It's a brief view, but you can clearly see it on the kitchen wall of Walter's mother's apartment. I love this 1960s retro pattern and was very happy it was selected!
In addition to the wallpaper, I thought the scenery in Walter Mitty was absolutely stunning. It really made me want to visit both Greenland and Iceland someday! My favorite part of the movie, however, was toward the end when Sean Penn states, "Beautiful things don't ask for attention." I find this quote to be very true and definitely inspriring. The most beautiful things in this world are not big, loud and flashy, but rather quiet, original, and unique. And for me, I feel that the greatest compliment to beauty is simply genuine appreciation.


Why do we buy into the hype around superheroes?
There are plenty of superhero movie released every single year. The cinema fills up with people from all walks of life, all of them queuing up to get a hit of the superhero phenomenon. But there needs to be an explanation – an explanation as to why the comic book and film industries make billions of dollars each and every year on characters that are purely fictional. The bigger question is: why do we buy into it?
There is a sense of hope: a belief that something bigger than what you are capable of is taking care of the world’s problems. A lot of the superhero movies that are out there, including the new box office hit Black Panther, have been adapted from either DC or Marvel comics.
Black Panther broke dozens of records within the film industry. One, for the first ever superhero movie containing a large number of black actors. It was long overdue, and was really a symbol of racial barriers being broken within Hollywood.
When you look at the movie itself, does it differ from any other superhero movie out there? No. There is the villain who is out to destroy the balance of the world and add further destruction and conflict to society. There is the superhero who rises and wants to protect the world and contains a certain skillset or power in order to do this.
Spiderman, Iron Man, and even Captain America are few among the many whose powers have risen out of an incident which changed their lives forever. This is the fantasy element, which is an explanation of why we have an obsession over superheroes.
Peter Parker is an average college student who happens to get bitten by a spider on a school trip. He then develops powers which resemble a spider’s, such as the ability to cling to any surface.
I don’t know about you, but after seeing this movie for the first time, I was convinced that something out of the ordinary could happen to me and in turn make me an extraordinary being. It’s not only that, but I also believe that the good guy can defeat the bad guy – and watching superhero movies provides me with an innate feeling of satisfaction when my belief and fantasy is brought to life.
So, what it boils down to is that our obsession is based on our fantasies and expectations of a being which is better than us.
But this is what makes the superhero phenomenon a billion dollar industry: we all want to be the superhero fighting the bad guys.


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Pal Lyrics from Jalebi: A soulful melody beautifully sung by Arijit Singh and Shreya Ghoshal. The song is composed by Javed-Mohsin with lyrics written by Kunaal Vermaa & Prashant Ingole. This beautiful song of love, is from Vishesh Films’ produced Bollywood romantic drama film “Jalebi” starring Varun Mitra & Rhea Chakraborty. PAL LYRICS – Jalebi Song | Arijit Singh, Shreya Ghoshal
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Pal Jalebi Full Mp3 Song Download in 190Kbps & 320Kbps From the New Bollywood Album Jalebi.Download in HD High Quality Audio Only on Pagalworld Download the year’s most romantic and soulful track – Pal , voiced by none other than Arijit Singh & Shreya Ghoshal. 02 Pal - Jalebi - Arijit Singh mp3 song Download ...
Listen to Arijit Singh Pal MP3 song. Pal song from the album Jalebi (Original Motion Picture Soundtrack) is released on Sep 2018 . The duration of song is 04:06. Pal MP3 Song Download- Jalebi Pal Song by Arijit Singh on ...
Pal Lyrics : Pal Song from Jalebi is sung by Arijit Singh & Shreya Ghoshal and composed by Javed – Mohsin, featuring Varun Mitra, Rhea Chakraborty. Pal Song Lyrics - Jalebi | Arijit Singh, Shreya Ghoshal
PAL SONG LYRICS WITH TRANSLATION – The most lovable romantic song from Jalebi film with legendary vocals of duo of Arijit Singh and Shreya Ghoshal is right here with meaning of its verses in English. Sony Music India has released the song “Pal Ek Pal” from Jalebi movie and it features Varun Mitra with Rhea Chakraborty. PAL SONG LYRICS TRANSLATION - JALEBI MOVIE [Arijit Singh]
Pal Lyrics from Jalebi is sung by Arijit Singh & Shreya Ghosal. Its music is composed by Javed-Mohsin and lyrics are written by Prashant Ingole and Kunal Verma. Get full lyrics of this romantic song here. PAL LYRICS - Jalebi | Arijit Singh - LyricsBELL
Presenting the romantic anthem song Pal from the film Jalebi. Pal song sung by Arijit Singh and composed by JavedKhan and Mohsin Khan. Listen and Enjoy Pal Full Single Mp3 Song From Jalebi 2018 Hinid Movie Audio, Jalebi Movie Song Pal by Arijit Singh Download Free, Jalebi 2018 Bollywood Single Pal Download Free Pal Full Mp3 Song Single Download From Jalebi 2018


McQueen The Stage Show
What can I say – if you’re an avid admirer of McQueen’s genius creative artistry, fascinated by his idiosyncratic, charismatic manor and intrigued by his one-of-a-kind vision, all amalgamated among a world of fantasy, this stage show adopts a rainbow of emotions that will leave you believing you’ve actually stepped into a single night of McQueen’s real life.
The play transports you on an intimate and provocative journey that explores an insight into Alexander McQueen’s tremendous yet terribly tragic world, that in the end he is unable to control. It introduces you to deeply meaningful places and extraordinary characters who surrounded his life and made him who is was – an iconic, painstakingly passionate human being who was enveloped with demons.
The performance is ultimately inspired by McQueen’s Autumn/Winter 2008 collection, The Girl Who Lived in the Tree. The tale begins with Lee (played by Stephen Wight) in his Mayfair house desperately seeking artistic revelation for his next collection, when suddenly, a mysterious girl named Dahlia (portrayed by Dianna Agron) brakes in, who has been living in a tree in his garden for the past eleven nights, and demands the designer to fashion her a dress (as you do). After recovering from the initial shock of her sudden presence, Lee and Dahlia, who in fact is his troubled alter ego, embark on a one-night fairytale journey through London in which they visit a number of people and places along the way.
The duo revisits the cutting room in an Old Burlington Street tailor (where McQueen originally trained) and in the play this was where Lee crafts Dahlia a dress, and meets his original, authoritative tailor, Mr Hitchcock (played by David Shaw-Parker). They also encounter a pretentious reporter, Arabella (played by Laura Rees), and of course, close friend and fashion stylist, Isabella Blow (played by Tracy-Ann Oberman), who displays a luxurious point of visual and verbal indulgence, exceeding as one of the show’s real highlights.
Throughout the stunningly haunting voyage into the visionary and dark fantasy land of McQueen, beautifully theatrical mobile mannequins orbit around Lee, whereby they showcase wonderful artistic transitions in between scenes, in which they superbly capture the pop video aesthetic of the designer’s fashion shows.
We’re also treated and find ourselves immersed into amazing versions of some of McQueen’s most famous and iconic creations, including the golden painted duck feathered coat from his Autumn/Winter 2010/11 Angels & Demons collection, and the red and black ostrich feathers and glass medical slides dress from his Spring/Summer 2001 Voss collection. It is a tremendous sight to behold.
McQueen, Written by James Phillips and Directed by John Caird
St. James Theatre 12 Palace Street, London SW1E 5JA
Until 27th June 2015
Review by Katie Farley


Capturing South Molton in Your Words and Images:
A community poetry film project
As part of the Deep Roots Festival 2021, film-maker Gordon McKerrow was commissioned by Arts Destination South Molton (ADSM) to make a film about living in South Molton and the surrounding area.
This film, which celebrates South Molton and how it is today, was created by renowned filmmaker, Gordon McKerrow with contributions coming from all generations of our community. These included photos, drawings, paintings, words, poetry, interviews, recordings and music.
The film has had several viewings now, all to much acclaim, with lovely comments from our audiences.
You can watch the film here:
[Copyright of the words and images remain with the individual contributors and everyone who took part has been named and acknowledged in the film.]
ADSM is very grateful to Home Instead North Devon and Exmoor for sponsoring this legacy project for our town.


Sat, Apr 29|
Kehrein Center for the Arts
He Was There All The Time
A stage play by Trarina Washington Paige LLC & P2L Stage Productions
When & Where
Apr 29, 2023, 2:00 PM
Kehrein Center for the Arts , 5628 W Washington Blvd, Chicago, IL 60644, USA
About the Event
A stage play by Trarina Washington Paige LLC & P2L Stage Productions with shows at 2pm & 8pm
Hebrew 13:2 Be not forgetful to entertain strangers: for thereby some have entertained angels unaware.
Mary claims to have heard a voice from Jesus telling her to prepare her heart and home to receive him.
However, whenever Jesus sends himself in a human form, she rejects them all. As Mary continues to reject those Jesus sends to her, she begins to question the authenticity of the voice she heard and ultimately must confront her own biases and prejudices.
The play will ultimately ask you to consider your willingness to embrace those who may be different.


Social media can be very interesting. This has happened to me personally, but I also see it with others as well. Someone can post a Bible verse, or even an amazing nugget of spiritual truth, and maybe get a couple likes, possibly a comment and a share. The same person can upload a picture of a pork sandwich the next day, and people go bonkers. Tons of likes, comments that you have to keep scrolling down to read, and everyone and their brother will share the picture. I just don’t understand why we are so consumed with stuff that honestly doesn’t matter very much in the overall big picture.
Another trend I’ve been noticing recently is Christians getting upset over movies. It’s kind of funny, because my reactions to these “Christian” movies over the last year or two have been completely different from that of my brothers and sisters. Let me give you some examples.
God’s Not Dead. The Christian community went bananas over this movie. It was as if we won some kind of battle against atheists. Why do we so easily forget that our war isn’t against flesh and blood? Ephesians 6:12. I actually did a post on this earlier in the year. You can read it HERE. Overall, I enjoyed the movie, but didn’t like the main theme. I don’t believe we have to prove that God exists. Arguing and fighting with people over our beliefs doesn’t accomplish anything but more animosity. We prove God exists by walking in love and using our life as the unspoken argument.
Son of God. Again, Christians went all out fruity over this movie playing in the theaters. I actually felt as if I had been bamboozled a little bit. If you watched The Bible miniseries on TV, then you had pretty much already seen this movie. It might have been promoted that way, but I don’t know for sure. I was sorely disappointed. However, if putting Son of God on the big screen resulted in people realizing their need for a Savior, then it served its purpose.
Noah. There was such an uproar about this movie when it was released. Everything from it was directed by an atheist to it doesn’t follow the Biblical story. Well, I waited and waited for this to come out, because I wanted to see it. Russell Crowe as Noah? Are you serious? We were about to get Gladiator meets Genesis. Unfortunately, the movie was a big snooze fest for me. I believe I actually fell asleep a couple of times. Aside from a couple places with great special effects, it was horrible. I honestly didn’t care whether it completely aligned with the Biblical version or not, which is quite opposite of what most people were looking for.
Exodus. Facebook posts about this movie are what led me to write this blog today. I haven’t seen it yet, so I can’t give my personal opinion on it’s quality. I’m taking my kids to see the new Hobbit movie next week, so Exodus will be a DVD rental. Christians, again, are getting riled up because of what they are seeing on the screen. Or, to put it more accurately, what they are NOT seeing on the screen. I think even Glen Beck said something about it was making Moses out to be a terrorist. I don’t know. I can’t wait to see it, though. It looks amazing.
We are expecting Hollywood to teach the Bible, and I don’t understand why.
I also don’t understand why we only get upset over the “Christian” movies we see emerge. Why don’t we rant and rave on Facebook over the movies saturated with vulgarity, sex, and gory violence? Are we so desensitized to this world, that those movies are just normal? It’s only when something “good” comes out, it strikes a nerve? TV shows are the same. We are up in arms over the inaccuracies of Exodus, but remain glued to the television when The Walking Dead or Sons of Anarchy come on. They are cursing God’s name, but yet that’s okay? C’mon, Church.
If you want a Bible lesson about the flood or Moses, go to church, or better yet, just read your Bible.
My wife and I decided years ago to stop watching rated R movies, with the one exception being Passion of the Christ. I’ve been called legalistic before when I posted about this, but that’s okay. I honestly don’t care if you think it’s legalistic or not. I don’t want to fill my mind with that garbage. I want to chase after righteousness and His kingdom. I’m not saying you shouldn’t watch rated R movies. It’s none of my business. I’m telling you what’s right for me and my family.
Time is short. People are lost. If we are truly born again, we have Christ in us, the hope of glory. We have the hope people need, whether they know what they are searching for or not.
Let’s stop being offended when Hollywood doesn’t get it right, and start loving people every day.
They need what we say we have.


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the agency’s actors are currently employed countrywide in a
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The agency was established and is managed by Sharon Foster. Sharon’s
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Whatever role you need to cast, Sharon Foster Management’s
professionalism and diverse portfolio of clients and contacts will
help you to find exactly the right person.
Call 0121 443 4865 or e-mail with
your casting brief for a rapid response.


If there’s too much high drama between your wallet and local movie theater prices,
then check out the affordable Colonial Theater at 95 Main St. in Keene N.H. This historic movie house shows first-run movies and has matinees coming in at $6 and for regular time movies, $8 adults and $6 seniors/students. Additionally, live shows cost less than in a larger metropolitan area. Keene is essentially a small New England town with a fabulous downtown, and the Colonial Theater is certainly one of its grand anchors, dating back to 1924!
Also, don’t forget to go next door for a cup of locally roasted coffee, sandwich, salad, homemade soup or baked goods (or all of the above) at Brewbakers at 97 Main St. The coffeehouse setting is cozy yet bustling and filled with locals as well as college students from Keene State College.
For the latest film and live show listings, log onto theColonial Theater web site.


The Martian is an adaptation of a best-selling novel about astronaut Mark Watney who left on Mars and presumed dead by his colleagues in order to escape a fierce Martian storm. Stranded alone with meager supplies on the hostile red planet, he needs to figure out how survive. While it is impossible for plant to survive in the Martial environment, he was able to figure out how plant potatoes and also figure out how to contact Earth and inform NASA that he is alive.
NASA and some international scientist had to figure out how to bring home “The Martian”. They had to use Mark Watney’s colleagues who are still in space and are traveling towards Earth.
The movie has a great plot and is easy to follow and also hilarious. Some of the shots, especially scenes of the red planet environment are stunning with the red sand dunes and mountains of rock outcroppings. Disco music from the 70’s was also properly utilized and blended very well to make the movie a wholesome hit.
The Martian is so far the best film directed by Ridley Scott, he can make wonders with the right script. Matt Damon and Jessica Chastain did a convincing job so with the rest of the supporting cast. While they did all a great job, Matt Damon and Jessica Chastain have done this before in Interstellar their previous movie together with almost the similar plot; it looks like they are being typecast together.
This is a great summer movie, big production design, great story with great cast; this is not one of those summer popcorn movies. While there is a few holes here and there especially the science part, it is a great movie and very entertaining. Using an iptv can give you access to many more interesting movies like the Martian.
It stars Matt Damon as Mark Watney, Jessica Chastain as Melissa Lewis, Kristen Wiig as Melissa Lewis, Jeff Daniels as Teddy Sanders, Michael Pena as Rick Martinez, Chiwetel Ejiofor as Venkat Kapoor and Kate Mara as Kate Johansson. Directed by Ridley Scott and written by Drew Goddard.


Filmic Hong Kong
Create Hong Kong -
Film Services Office
Key Visual Design, Print Collateral, Art Direction
The Film Services Office (FSO) was established to promote the development of the Hong Kong film industry. Since its inception in April 1998, the FSO has helped the film industry to overcome some of the fundamental difficulties in film productions, and will continue its best endeavours to render assistance and support for film productions in Hong Kong. Aim to maintain Hong Kong as a major film-producing centre and enhancing Hong Kong's position as a film trading and service hub in the Asia-Pacific Region.
This promotional material is designed to showcase Hong Kong's diverse development and the government's support for the film industry. Hong Kong offers limitless creative opportunities for film production.
Drawing inspiration from the dynamic process of film production and pixels, a design has been created that embodies a balance between stillness and motion. Using a palette of black, white, purple, and silver, along with folding and die-cutting in the single sheet, the promotional brochure exudes dynamism and reflects the vibrant and unexpectedly delightful aspects of Hong Kong.


The annual FREE FAMILY FILM SERIES continues on May 15 at 2 P.M. with the movie PETER PAN (rated PG)! Doors open at 1 P.M.
PETER PAN is a 2003 American fantasy film released by Universal Pictures, Columbia Pictures and Revolution Studios. It was the first authorized and faithful film or TV adaptation of J.M. Barrie's play in half a century, after Disney's version in 1953. P. J. Hogan directed a screenplay co-written with Michael Goldenberg which is based on the classic play and novel by J. M. Barrie. Jason Isaacs plays the roles of Captain Hook and George Darling, Olivia Williams plays Mrs. Darling, while Jeremy Sumpter plays Peter Pan, Rachel Hurd-Wood portrays Wendy Darling, and Ludivine Sagnier plays Tinker Bell. Lynn Redgrave plays a supporting role as Aunt Millicent, a new character created for the film.
Prepare for next season's '16-17 Broadway Series opener FINDING NEVERLAND by coming to see J. M. Barrie's iconic story!
Free movie tickets are available approximately one week prior to screening at Wegmans’ Customer Service Desks (Erie/Niagara county locations), and at Shea’s Box Office (650 Main Street, open M-F 10 A.M.-5 P.M.; Sat. 10 A.M. –2 P.M. and during shows through intermission).
Tickets do not guarantee seating. Seats are limited and available on a first-come, first-served basis. Please arrive early. Doors open at 1 P.M.


Just saw that news that Hollywood actor Dennis Hopper has been diagnosed with prostate cancer.
He was one of the "outlaws" in the movie Easy Rider and went on to become a director and actor in scores of movies.
His manager said 73-year-old Hopper was being treated through a "special program" at the University of Southern California. I'm sure we'd like to know what that "special program" is.
Meanwhile, it was announced in the past couple of weeks that composer Andrew Lloyd Webber, 61, has been diagnosed with prostate cancer as well.
The composer of Phantom of the Opera and other musicals also is currently undergoing treatment, although there's been no word on what treatment he chose either.
I'm sorry to hear about these men falling victim to cancer, but maybe it will help raise awareness of the disease among men.


Toy story 4
Liked it a lot but did not love it. The girl doll without a voice box was easily the weakest villain of the four movies. I did welt up at the end when she found herself a forever home. These movies always hit you in the feels. Yale Reardon gives this 3 stars.
Lion king 2019
I wanted to like this movie but man it did not have the magic as the original Disney. It was aesthetically maybe the best looking movie I can recall. It basically functions as planet earth 3.0. The issue was the animals talking and singing comes out weird. And the celebrity voices were almost too prevalent. Yale Reardon gives this 2 stars.
Wow. This was more of a horror movie than a super hero flick. It was dark and gritty. Joaquin may not win an award for it but he should at least be nominated. This movie stays with you a long time after you leave the theatre. Yale Reardon gives this one 4 thumbs up.
-Yale Reardon movie thoughts.


Penelope cruz and javier bardem still dating
The lovebirds were pictured laughing and smiling together at the ceremony – the first time they've been out together at a major event on home turf at the Cannes Film Festival that same year.
Mindful of not stealing the limelight from her love, Penelope let him walk the red carpet alone, though she was later pictured leaving the screening by his side.
His mother, Pilar Bardem (born María del Pilar Bardem Muñoz), is an actress, and his father, José Carlos Encinas Doussinague (1931–1995), was a businessman involved in environmental work. Bardem comes from a long line of filmmakers and actors dating back to the earliest days of Spanish cinema; he is a grandson of actors Rafael Bardem and Matilde Muñoz Sampedro, and a nephew of screenwriter and director Juan Antonio Bardem.
Bardem came to notice in a small role in his first major motion picture, The Ages of Lulu, when he was 20, in which he appeared along with his mother, Pilar Bardem.
Immediately after, he turned down the role of Danny Witwer in Minority Report which eventually went to Colin Farrell.
Instead, in 2002, Bardem starred in Malkovich's directorial debut, The Dancer Upstairs.
They are the Brad and Angelina of Spain – the country's most heavyweight acting couple.
in October later that year By the time they were promoting the movie with Woody Allen the news of their pairing was out.Bardem has also won a Screen Actors Guild Award, a BAFTA, five Goya Awards, two European Film Awards, a Prize for Best Actor at Cannes (ex-aequo with Elio Germano) and two Volpi Cups at Venice for his work.He is the first Spanish actor to be nominated for an Oscar (Best Actor, 2000, for Before Night Falls), as well as the first Spaniard to win one.The brunette beauty looked as surprised as the rest of the audience – giving her boyfriend a tender smile while her eyes filled up with tears.It was a surprising gesture for the actor, who like Penelope – has never spoken about their romance Then came their Hollywood debut as a couple, at the 2010 Oscars.


Today, you'll get the alpha to go with this kit. The blog train will be posted shortly after June 2nd.
I went to see Mary Poppins on Broadway in New York City last night. It was spectacular. Some scenes are the same from the movie and some were different. The children actors were fantastic. I've never been to a Broadway show before and loved it immensely. It was an expensive evening but well worth it even though we got the tickets at group rates. Train ride, lunch, dinner, cab, show, sitter and our visit to the Disney store brought our trip expenses to over $450. WOW!
On a scrapping note, I've finally figured out how to load Atomic Cupcake actions into my program. Look for some of those actions in my kits. I'm playing with them in the Boys Times kit. Who knows what I'll come up with. lol.


Online Courses at UConn
Click on a course to view additional information and available syllabi in the Notes field.
Contact the instructor for courses without a syllabus link.
To register, go to Student Admin.
Are you interested in becoming a Non-degree or Visiting Student? See the Non-degree page.
Prerequisites: Open only to Dramatic Arts graduate students holding a dramatic arts graduate assistantship.
Grading Basis: Registered
Internships in acting, costuming, lighting, management, media, puppetry, pedagogy and technical theatre.
No classes found.


Freitag, August 18, 2006
Neil Hefti - Hefti in Gotham City (1966)
This is like a soundtrack to the '60s television series Batman, since all of the tracks were written and performed by Neal Hefti for use on the TV show. There's the familiar "Batman Theme", of course, as well as a number of rousing adventure and comical villainous themes. Here comes this little gem directly from Gotham City. Batman à Gogo! Here we gooooooooo!


For Free Download of the Guide, available only in Portuguese, please, click here!
Published by the Latin American Training Center-LATC (Centro Latino-americano de Treinamento e Assessoria Audiovisual), with support by the Cesnik, Quintino e Salinas law firm, the new Guide for Brazilian Film Commissions offers, for the first time in Portuguese and specifically for Brasil, basic information and recommendations to effectively establish and operate a film commission at the municipal or state level anywhere in Brazil.
Prepared for multiple audiences, including government officials, film producers, politicians, and managers, the Guide is appropriate for the design and planning for creation of a new film commission, as well as to administer and improve existing film commissions in Brazil.
Divided into two sections, the Guide consists of 10 chapters and 6 articles prepared by well-known authorities on the subject. The first section provides detailed orientation on the creation, structure, administration and operation of a film commission in Brazil. The second section is a collection of articles by some of the most important and relevant national and international personalities on the subject of film commissions, including Jean Prewitt, President of the Independent Film and Television Alliance-IFTA, the most important association of independent film producers in the US.; Kevin Clark, Executive Director of the Association of Film Commissioners International-AFCI, the global film commission association based in Los Angeles; Stefania Ippoliti, President of the Italian Film Commission Association; and Leonardo Monteiro de Barros, partner of Conspiração Filmes in Rio de Janeiro.
Support provided by:
Cesnik, Quintino & Salinas Advogados – CQS: Brazilian Law firm specialzed in the entertainment industry, with offices in Rio de Janeiro, São Paulo and Brasília. www.cqs.adv.br.
Latin American Training Center-LATC: A regional audiovisual training and consulting firm based in Rio de Janeiro, focused on the new generation of audivisual content producers in Latin America.
Fernanda Lima, LATC Project Coordinator: firstname.lastname@example.org


Nội dung phim Obsessed
In the summer of 1969, Colonel Kim Jin Pyeong returns to South Korea after serving in Vietnam. He is suffering from post-traumatic disorder and trapped in a loveless marriage with Soo Jin, who is desperate for a child. One night, he meets new neighbor Jong Ga Heun, the Chinese-Korean wife of Captain Kyung Woo Jin who recently transfered to the army camp. In the stifling atmosphere of the army camp, the two fall into a secret and passionate affair.


- This event has passed.
An Evening of Film – A Very Long Engagement
November 13, 2018 @ 7:00 pm - 9:00 pm£3.50
A Very Long Engagement
21 November 2018 | 7pm
Tells the story of a young woman’s relentless search for her fiancé, who has disappeared from the trenches of the Somme during World War One.
The film will be followed by a discussion with Culture Perth & Kinross Libraries staff comparing the film & book. Tickets are available from Strathearn Community Campus reception.