best acting schools in the world
Established in 1961 in Valencia, Los Angeles County, CalArts is responsible for bringing a good amount of talented actors in the US market. Other degree programs include music, art, dance, film and video, theater, puppetry, and writing. The college teaches students in a number of verticals, including dance, acting, and, of course, music, which it is perhaps best known for. As you might expect from the founder, CalArts is one of the best film schools in the world for animation. Acting headshots are one of the key marketing …, Actors who researched drama schools and classes …, Acting training is the first step towards …. For additional details and which acting program might be more suitable for you personally, or which best drama schools in the world will open more doors for you, we advise you to visit their website and do some of your own research, too. Graduates: Forest Whitaker, Kelly Preston, Lisa Ling, John Wayne, Michael Landon, John Ritter, LeVar Burton, Rob Estes, Kyra Sedgwick, Tom Selleck, Ally Sheedy, Cybill Shepherd, Sophia Bush, Robert Stack, Robert Zemeckis Website: http://theactorsstudio.org/. Straight up next on the best acting schools in the world list comes another Los Angeles based research University with extremely strong resume of successful actors on their hands. Zachary Quinto was quoted saying about the joy of studying at CMU: “It was a four-year playground.” Holly Hunter added: “I loved to be able to take a script apart in purely technical terms to learn about a character using this very pragmatic tool. The college of Carnegie was founded in the 1900s and has been serving the nation for a long period since then, imparting quality education. Admission into this best school for acting is highly competitive hence only highly talented people make it into this school at the end of the day. 1. Top 10 Schools Of Acting In The World (Latest Ranking List), Check out Best Drama Schools In the World Below | In acting, talent is important but training is beneficial to improve acting skills.Hence, going to an acting school is necessary for your career. The Actor’s Studio was developed at the city of New York, USA and is considered to be the 8th best affordable acting schools in the world. While it has been around for only about 26 years, it has already produced a respectable amount of talented and famous performers. Before you are the lists of top 12 best acting schools/universities in the world in 2020 National Institute of Dramatic Art, Kensington Mount View Academy of Theatre Arts, London The Actor’s Studio, New York City Considered to be the best drama school in the world, Juilliard comes up first on our list of best acting schools in the world in no particular order. If you choose it, and get in, then forget about auditioning for 4 years — you won’t have the time or the energy. Website: http://www.act-sf.org, It’s great to be able to include GSMD once again, and it’s all the way up there with other best acting schools in the world, no doubt. The following is a list of notable film schools grouped by country. Graduates: Robert Carlyle, John Hannah, Billy Boyd, Angela Lonsdale Your email address will not be published. California Institute of the Arts | Valencia. Founded by Andrew Carnegie, the institution has been alive since 1900. You can join a local community or amateur theatre without any preparation whatsoever. As a known school in the field of acting, it has provided many of the noble names to reckon with in the society. Just like USC, UCLA’s actor training emphasizes screen work and understanding the business; there’s no way around it for an actor who wants to make it in Hollywood. The Cours Florent is a private French Drama school in Paris created in 1967 by François Florent. This drama school has always provided a modern approach to actor’s training based on the core of traditional skills, which means a strong emphasis on screen acting. The Juilliard School, or simply Juilliard as most people call it, is known as the most prestigious performing arts educational institution in the world, according to a number of rankings doled out every year. They offer short programs from 6-week summer intensives to weekend workshops! It was established in 1882 and since then grew to be a very important part of the state of California. It was established in 1882 and since then grew to be a very important part of the state of California. Graduates of this drama school has already taken 19 BAFTAs, 4 Academy Awards, 16 Golden Globes, 36 Olivier Awards and 12 Tonys. Director of the drama give them the direction of the situation, and they have to This is one of the most unique centers for aspiring actors in London that always there to offer a new form of training in theater and film acting. I have skipped this school on every other list of mine, but I’m glad to finally get an opportunity to include The Actors Studio in the list of best acting schools in the world. Another one of research Universities on our best acting schools in the world list due to its extremely strong theatrical department worth to be put up against any other drama school in the world. He is known for his love and passion for helping others achieve their goals and dreams. Apart from great undergraduate and post-graduate courses, RCS also has Junior Academy of Drama for under 18 year old youngsters looking to get a head start in their acting career. A lot of actors call Actors Studio a “sacred place”, and you can understand why after looking at the graduates list that I couldn’t finish completely. Drop a comment below if you have an experience with any of these schools to share. Co-artistic directors are Mark Rydell and Martin Landau. Temporary is how to pose in a situation. Graduates: Donald Sutherland, John Lithgow, Jim Broadbent, Swoosie Kurtz, Brian Cox Website: http://www.rada.ac.uk. Who better would know this that people from Los Angeles. This institute offers students a fair amount of ideas and quality education. So if that is something you are looking into (connections for years to come, why not? Website: http://www.italiaconti.com. Julliard School is regarded as the best among all the institutes to be discussed in this acting. Note: There is a separate, similar, program for international students. These are the amenities making it one of the best schools in the world. Here are some of our recommended posts you can check out alongside these best film acting schools in the World 2020. Established in 1961 in Valencia, Los Angeles County, CalArts is responsible for bringing a good amount of talented actors in the US market. Royal Academy of Dramatic Arts, London 3.2 BEST INTERNATIONAL FILM SCHOOLS Tel Aviv University (TAU) This is the largest university in Israel and one of the best film programs in the world of cinema education. Also associated with CalArts are schools of music, theater, and dance. I would like to remind to those people that just like I did with my lists of Best Acting Schools in the UK, Best Drama Schools in London, Best Drama Schools in UK and Drama Clubs in London, I have done my research and based the choices on a lot of criteria. Your email address will not be published. Community. Graduates: Noel Coward, Russell Brand, Leslie Phillips Another drama school from best acting schools in the world list that’s very close to Hollywood is a well-known CalArts. Graduates: Kevin Spacey, Robin Williams, Val Kilmer, Christopher Reeve, Ving Rhames, Kelsey Grammer, Eriq La Salle, Kevin Kline, William Hurt It has trained Chris O'Dowd, John Lithgow, Jim Broadbent and Donald Sutherland. USC is most noted for its film school, which was No. In the course of our research, we found that acting agencies may cater to varying levels of acting experience as well as different entertainment mediums, which is why we highlighted various agencies for certain categories. Their world class drama department is one of the greatest study opportunities an actor can ever get. As a field of study, acting looks at the physical and mental components of this unique artform. Website: http://www.mountview.org.uk. Many of the institutes for acting have been developed for the purpose of teaching people the knowledge of this art. If you’re able to get in, after graduation you’ll be definitely on agents’ and casting directors’ radar. It's ranked among the top 10 arts schools by U.S. News & World Report and its location 30 miles from downtown Los Angeles, its top-notch faculty and its performance spaces and facilities make it a must-see. Graduates: Sir Laurence Olivier, Dame Judi Dench, Peggy Ashcroft, Harold Pinter, Vanessa Redgrave You must not go to acting schools before becoming an actor. Top Acting Schools in France and Spain Cours Florent, Paris. It is actually harder to get into Juilliard than it is to get accepted into Harvard. DePaul University, Chicago draws many of the people from different areas of the world to get their education from this famous institute. However, I believe some readers are here just out of curiosity because they want to see what schools I have picked for my best acting schools in the world list and most likely criticize those choices. This school for acting has accepted many of the students from different areas of the world come to get educated and it still has offers available for students who are interested in acting. ACT, as it’s also known, was first founded in 1965 in Pittsburgh. How We Chose the Best Acting Agencies . I’ve also tried to mix up all schools compared to other lists so that you could see one drama school in the top position while it was at the bottom on another list. This is the reason behind this school’s name in the ranking of the best schools for acting in the world. Website: http://oxforddrama.ac.uk. People start their professional career with a small work like add or drama. National School of Dramatic Art was started in Sydney. Gospel being the CEO and founder of Academic Related will continue his good work on helping students with the right information that will lead to achieving their dreams and goals. Of course, it had to be also on the list of best acting schools in the world, and I know you were waiting for it. Animation is taught is film, TV, and computer media. The huge amount of students is explain by school having multiple artistic departments. Here is our list of best drama schools in London and the UK. In these acting schools, people are trained on how to handle a particular role assigned to one, and they act on the different roles they are made aware of the different fashions because mostly people copy the fashion of the actors. For more specific choices than just best acting schools in the world, you can take a loot at my lists of Best Acting Schools in the UK, Best Drama Schools in London, Best Drama Schools in UK and Drama Clubs in London. Since we last put out our recommendations for the best film schools, the world has changed quite a bit. It is only worth taking a standard acting course of three years, everything else is a waste of time. Although THR has since excluded international schools from its charts, in many respects, BFA remains the best international film program in the world. The ranking compares … This drama school is one of the most prestigious in the United Kingdom, rubbing shoulders not only with great musicians like Jacqueline du Pre and James Galway, but also actors that made a name for themselves both in UK and US markets. What have their done? Graduates: Elizabeth Perkins, John C. Reilly, Gillian Anderson, Kevin Anderson, Judy Greer, Karl Malden, Joe Mantegna Address: Chateau du Rosey, 1180 Rolle, Switzerland. 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My friend Nicole Hertvik took over DC Metro Theater Arts and, occasionally, I’ll review a show or interview a musician for the site. Helps me keep in touch with DC/MD/VA theater and it’s a good flex of the reviewing muscle.
A mixed-genre performance (dance and drama) of the 1970s debate between James Baldwin and Margaret Mead. Nicely done, but there’s no rapping. FYI.
This was potentially celebrated South African playwright Athol Fugard’s last play, and it’s amazing.
I reviewed Fairfax City’s production of Footloose: The Musical for DCMTA. Pretty good! My review’s a bit longer than that.
I had the chance to review Elaine May’s “Adult Entertainment.” Features nudity and frequent mentions of Yale University.
Anyone who knows me knows my deep hardcore love for Bille Holiday, so I jumped at the chance to review “Lady Day at Emerson’s Bar and Grill.”
I love Sara Jones’s voice, so I jumped at the chance to interview her for D.C. Metro Theater Arts. We talked about her career, some of her favorite singers and, of course, Susan Lucci.
I reviewed another kids’ performance for DCMTA. Fun one for the holidays! This is what you do when you write and have a kid.
I don’t just write violent crime fiction. Well, I pretty much do, but I also reviewed this children’s show for DC Metro Theater Arts. I’m layered.
I had the chance to interview one of today’s best (and my favorites) singer/songwriters, Nicole Atkins! I definitely recommend checking out her music. You know, if you like things that are awesome.
I reviewed a show for D.C.’s Fringe Festival that warned of nudity. There was no nudity. Here’s my SFW review.


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|Voice Actor||Clifford Chapin|
Tasuku is a young man of average height with brown hair and is well-known for his looks among the popular boys.
In middle school, he wore glasses and his hair was in a different style. He was a considered a nerd before he decided to alter his appearance for high school.
At first glance and in his introduction, Tasuku came across as highly arrogant and a bit egotistical as shown when he internally congratulated himself for winning a stuffed animal for his attractive girlfriend and his popularity. He was this way after he saw Keita in the park after assuming he was by himself and deemed him a loser, though he was shocked to see him talking to Karen the most popular girl at school the day after.
However, his previous behavior was merely an act to mask his past pain at being a nerd who was picked on himself as shown when he lashed out at Keita for assuming he was like the other popular boys. Tasuku even insulted the game club, which caused Keita to get mad and angrily threatened Tasuku who saw Keita was nothing like his past self. He reached an understanding with him and they became friends.
Tasuku is shown to be a good friend as shown when he decided to set Keita up with Karen due to seeing her behavior towards him. He even introduced Keita to Chiaki Hoshinomori for Keita to practice talking to though his actions were a bit too involved as it prevented him from being with his own girlfriend.
Unlike Keita, he can see the obvious in relationships as shown he realized that Karen liked Keita after he stood up to him or that Keita had much in common with Chiaki who he learned was the latter's online gaming friend. He also saw Chiaki develop feelings for Keita after she discovered he was her online friend and was exasperated that it took so long for Chiaki to realize it.
After he learned his own girlfriend had liked him ever since junior high, he became amazed that there was actually someone who liked him in his tragic past and became flustered as he realized that he truly fell in love with her for standing by his side. With this, Tasuku takes a more assertive stance in his relationship as he held Aguri's hand twice with both times surprising her, as she noted on his change.
In the past, he was a gamer similar to Keita and was mocked because of his nerdy behaviour. To vent his frustrations, he'd go the arcade and play games while there he gave a stuffed kitty to a girl who had been watching him play.
Reaching a breaking point with his nerdy self, he decided to reinvent himself before high school. He changed his hairstyle and appearance becoming a popular boy in his new school and even getting a girlfriend named Aguri. He reveled in his new life as he finally what he always hoped for and enjoyed himself as much as he could.
He became an occasional gamer and would give stuffed animals he won at the arcade to her.
Tasuku was first seen winning a stuffed animal for his girlfriend, as he internally complimented himself for both his act and his attractive girlfriend. The two would through the park where he caught a glimpse of Keita Amano after assuming he was by himself and deemed him a loser. The next day, he was shocked to see Amano talking and leaving with Karen Tendō, the school's idol and realized he misjudged him. He is soon surprised to watch Amano reject Tendō's offer to join her club and watch her leave crying.
A day later, Tasuku goes to the arcade where he meets and hangs out with Keita Amano. They play games for a while and Tasuku notices Karen watching Keita but Karen quickly runs off after she notices his gaze. He tries to tell Keita but the latter notices Tasuku's friends and believed he'd get insulted for being with him quickly leaves. Annoyed, Tasuku gives Aguri his bag and follows after Keita.
Tasuku catches up and asks Keita why he left and Keita tells him that he has a life whereas Keita doesn't have much. Tasuku got angry and stated he puts an act when with the other popular students. He further goes on by insulting Karen and her club as Keita grows angry and pins him to the edge of the bridge they are standing above the busy road, threatening him as he demands for him to take back what he said. Tasuku is scared as he looks down while Keita lists all the good things he thinks about Karen and tells the scared Tasuku has no right to badmouth her. Once Tasuku apologizes, Keita realizes what he's doing and releases Tasuku and they reach an understanding and part ways with Tasuku noting Keita was nothing like his past self.
Tasuku soon spots a love struck Karen and realizes that she overheard and was touched by Keita's words, falling madly in love with Keita. After Tasuku catches her attention, she is surprised and tries to come up with an excuse as he states he understands and wishes her luck as he tries to leave but she stops him by grabbing him. She frantically interrogates what he means by that as he states he believes she and Keita will make a cute couple, to her embarrassment as he leaves. Tasuku notes on the fun he will have trying to pair them up before he bumps into his own annoyed girlfriend.
While playing, he asked her why she liked him as she reveals that she had liked him because he won her a prize when they were in junior high. Tasuku recalled meeting a girl and giving her a prize but was surprised that Aguri was the same girl before he listened to how she changed her appearance to be appealing to him. Shocked to learn his own girlfriend had liked him ever since junior high, he ran off in embarrassment. While running he became amazed that there was actually someone who liked him in his tragic past and became flustered as he realized that he truly fell in love with her for standing by his side.
Sometime later, he talks with Keita about a game that he suggested which was awful and Tasuku changes the subject to girls. He then decides to help him talk to Karen but Keita isn't so keen on it though Tasuku forces him to go to Karen's class and talk with a girl who likes gaming like him. He wanted to help him but Aguri shows up and forces him to leave with her as he wishes Keita luck on his endeavor.


Did you know that the human brain is 73% water? Anyone who’s seen the 1996 Hollywood classic, Jerry Mcguire, starring Tom Cruise, Renée Zellweger and Cuba Gooding Jr. knows that the human head weighs 8lbs. But did you know that 8lb head is full of water weight? 73% of the human brain is water, and that’s not even the wettest of our organs. Our lungs contain 83% water.
70-80% in fluids consumed
20-30% in foods


As a programmer, it's important to stay up-to-date on the latest trends and technologies in the field. But when you're not working, you still want to relax and enjoy some quality entertainment. Luckily, there are plenty of TV shows that cater to the tech-savvy crowd. Here are 7 TV shows you should watch as a programmer:
1. "Silicon Valley" (2014-2019)
Seasons: 6 (53 episodes)
This comedy series follows a group of young tech entrepreneurs as they navigate the competitive world of Silicon Valley. It's a great show for programmers to watch because it provides a realistic portrayal of the tech industry and the challenges that come with building a startup.
2. "Mr. Robot" (2015-2019)
Seasons: 4 (45 episodes)
This psychological thriller follows a hacker who is recruited by an underground group to bring down a large corporation. It's a great show for programmers to watch because it highlights the importance of cybersecurity and the potential consequences of technological advancements.
3. "The IT Crowd" (2006-2013)
Seasons: 4 (25 episodes)
This British sitcom follows the IT department of a fictional company and the humorous situations they find themselves in. It's a great show for programmers to watch because it provides a lighthearted and relatable portrayal of the tech industry.
4. "Halt and Catch Fire" (2014-2017)
Seasons: 4 (40 episodes)
This drama series follows a group of tech professionals as they attempt to revolutionize the tech industry in the 1980s. It's a great show for programmers to watch because it showcases the early days of the tech industry and the struggles and triumphs that come with innovation.
5. "Black Mirror" (2011-present)
Genre: Dystopia, Science fiction, Thriller, Drama, Anthology series, Satire, Speculative fiction, Fantasy
Seasons: 4 (22 episodes)
This anthology series explores the dark side of technology and its impact on society. It's a great show for programmers to watch because it encourages critical thinking about the role of technology in our lives and the potential consequences of its advancements.
6. "The Big Bang Theory" (2007-2019)
Seasons: 12 (279 episodes)
This long-running sitcom follows a group of brilliant but socially awkward scientists and engineers as they navigate their personal and professional lives. It offers a humorous and relatable portrayal of the world of science and technology.
7. "Westworld" (2-16 - Present)
Seasons: 4 (36 episodes)
"Westworld" is a science fiction TV show that follows the lives of artificial beings in a Western-themed amusement park. The show explores themes of consciousness, free will, and the ethical implications of artificial intelligence. It features a large ensemble cast and has received critical acclaim for its complex plot and thought-provoking themes.
Overall, there are plenty of TV shows out there that cater to the interests of programmers. Whether you're looking for a comedic escape or a more intense drama, there's something for everyone in the tech-savvy crowd.
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A Tennessee Williams directed memory play; The Glass menagerie was premiered in 1994. The characters in the play are based on the author’s autobiographical life, showcasing his histrionic mother, and mentally fragile sister Laura. Before performing the play, Williams wrote a short story and a screenplay under the name The Gentleman Caller.
The Broadway play was first premiered in Chicago in 1994, which was later espoused by Ashton Stevens and Claudia Cassidy. They were famous Chicago artists who uplifted the spirits and enthusiasm of the play and the audiences. Due to the widespread popularity, the play also won the New York Drama Critics’ Circle Award in 1945. The Glass Menagerie was Williams’ first play that gained immense success, following which he was recognized as Americas’ highly regarded playwrights.
At the beginning of the play, the audience is introduced to Tom, who is the narrator, recollecting his mother, Amanda and his sister Laura. Amanda, Tom and Laura stayed in an apartment together, and the worry for Laura’s future grew day-by-day. Tom worked in a shoe warehouse, supporting the family during the day and spending his time watching the movies all night. Laura, due to her extreme shyness, drops out of high school and her mother is on a constant fetch for a suitable man. Pressurized by his mother, Tom invites Jim, a co-worker for dinner.
At the dinner, Laura realizes Jim to be her high-school crush and due to her shy nature regarded as “most likely to succeed“. Laura, filled with extreme shyness, claims to be ill and fails to join the family for dinner. Later at the dinner, Jim and Laura share a quiet dance. In the course of action, Jim knocks one of Laura’s Glass Menagerie (collection of glass animals). Later, Laura learns that Jim is engaged to be married; he leaves the room with the horn of the broken unicorn. Tom, surprised by the incident, learns that Jim made up the story of engagement as he had no romantic interest in Laura.
The play ends by Tom bidding farewell to his mother and sister and asks them to blow out the candles.
Words and Images on Screen
One of the unique details of the play is the use of an onstage screen. The words and images were projected on this screen, which was used to emphasize the effects depicted by the characters. The Blue roses appeared on screen 2 when there was a portray of the character’s past or fantasy. The device was however regarded at best ironic or worst, pretentious or condescending. Despite its uniqueness, directors were always contradictory of the screen and always wanted to get rid of them. However, displaying drama on the screen was an epitome of Tennessee William’s work. The music also played an equal role in depicting the characters’ emotions. Part of the music was from inside the play, and part of it was external.
Throughout the plays’ performance in various countries, the play won many awards from 1945 till 2014, which included Tony Awards, Theater World Award and many more.


"an outstanding performance by Andy Cresswell"
"Andy Cresswell is an actor who has a full control of his physicality which is illustrated in his huge stage presence"
"...a darkly menacing aspect, while at the same time maintaining a lightness of touch"
"...perfect comic timing"
Andy Cresswell is a dynamic, talented actor and director with vast amounts of experience on stage and screen. His voiceover work is extensive ranging from childrens animations to Shakespeare.
Andy is represented by Pemberton Associates which has offices in both Manchester and London.
Andy is currently very busy recording various voiceovers, and is very excited to be starting rehearsals soon, directing a new production of Beowulf in the Brighton Fringe Festival.


Me and Chad chew through a couple lists they found while browsing the internet. One is the top ten worst movies that should be remade, the correct reason for doing a remake.
The second list is the top 11 anime that should have a live action adaptation. My thoughts on adaptions and remakes are pretty similar. They should be done to add something that wasn’t there before. Or to give a take that’s different enough from the source material that it’s okay being remade. That or it’s gotta be something incredibly shitty that someone wants to take another crack at.
The Evil Dead remake is a good example of the former. Evil Dead was a budget horror film that had some great stuff added to its 2010s counterpoint. The Total Recall remake is the opposite of that. The original is a cult classic and remake was made kind of just to do it. It blows.
Suervelo, the dude who made the new theme song, has a new track and it slaps! Check it out!!! https://soundcloud.com/satellite-99/drop
The Fan Remake of Robocop
Top 10 Worst Movies That Deserve a Remake
11 Great Anime That Deserve Live Action Movie Adaptations
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I don’t think people necessarily go into watching these films or TV shows, with the goal of learning survival tactics for the future in mind. A significant message about the dangers of our future may strike some people close to their heart, but I know that seeing an apocalyptic situation in a movie is very interesting because it is a very thrilling topic. You can usually easily self insert yourself as the main protagonist of the film. You’re not only cheering for the main character to succeed, but you’re finding yourself, rooting for yourself to succeed. A lot of us may just have morbid curiosity as well. Seeing a movie poster we may think “How the hell are they gonna get out of this one?” and analyze our own probability of surviving the events of the movie.
Finding Peace with Casual Life Through Action
I feel like people enjoy watching media that shows their downfall because of its ability to feel real. This need for adventure and action in one’s life is embedded in every one of us, no matter how disinterested one might outwardly project. I feel like sci-fi shows and movies about the end of the world give us first, a good starting point for an imaginative dream of what we would do in those situations and secondly, something to fear, or more like something to be able to react to and then say “well I’m glad that’s not my reality”.
It’s almost like we watch these “scary” shows about our possible demise to show our minds that we are NOT dying, we are NOT being invaded by aliens right now or we are NOT in the middle of a zombie apocalypse fighting for our lives. Watching these films almost gives you an appreciation for the little things, which humans, typically, desperately need.


10 Cool Things About Raiders Of The Lost Ark
Raiders of the Lost Ark, created by Steven Spielberg and George Lucas, is undeniably one of the defining movies of the 80’s. As a tribute to this thrilling cinematic moment, here are 10 cool things about Raiders of the Lost Ark.
1. R2-D2 and C-3PO Easter Eggs
If you look carefully, in a scene in the Well of Souls, you’ll find a small pillar with an engraving of R2-D2 and C-3PO. This easter egg is amusing but not surprising at all since we all know that George Lucas is practically synonymous to Star Wars. And while Spielberg directed the film, Indiana Jones was also dear to its producer Lucas, hence the signature that he left in it.
2. The goal was to make a good budget film, not a masterpiece
Spielberg really just wanted to make a good B+ film. Since the goal was to stay on a rather cheap budget, Spielberg finished the movie as quickly as possible, affording each scene only a limited number of takes. This aim was brought about by Spielberg’s commercial flop – the movie 1941. He wanted to prove his brilliance despite being under budget and he obviously succeeded.
3. Harrison Ford had actually been run over by an airplane
The scene where Indy fights the Nazi mechanic around the plane was dangerous, not only for the character but also for Ford himself. In one instance while filming the scene, the plane’s landing gear ran over Ford’s knee, which injured a major ligament. However, true to his daredevil on-screen character, Ford just opted for an ice wrap around his leg, instead of accepting actual treatment.
4. How the movie came to be
When George Lucas released Star Wars, he doubted that it would be a box office hit. So, he immediately invited Spielberg to go on a trip with him to Hawaii, where they could plan for a new project. Spielberg wanted to direct a James Bond movie, but had been rejected. So when Lucas introduced the idea of an adventure story inspired by classic serials, Spielberg saw this as an opportunity to make a character that would be as awesome as James Bond, but with his own unique take.
5. Ford had to really outrun the boulder
In the scene where Indy steals the Golden Idol and sets off the temple’s booby-traps, we see him just barely escaping a giant boulder. As part of the audience, we would logically think that a stunt-double probably did the running part, but really, it was Ford who had to outrun that boulder. What made it crazier was that he had to do the stunt ten times.
6. More than just a hat
It’s hard to imagine Indy without his hat. He always wore it and it never fell off despite all the action that went on. But this hat is more than just a part of an outfit. In reality, it was an important aspect in the production of the movie itself because it helped obscure the character’s face, which would then make it difficult to tell whether or not Ford’s stunt double was doing the riskier scenes.
7. It could’ve been Indiana Smith
In the initial stages, the lead character was named Indiana Smith. There were other name suggestions, but Lucas really wanted to call the character Indiana because it was the name of his Alaskan Malamute. While Spielberg agreed to using Indiana, he didn’t want to use Smith because he was worried that their protagonist would be compared to Nevada Smith, a 1966 movie character. However, both directors decided that a common name would work well, so they chose Jones instead.
8. How the monkey learned the Nazi salute
When you cast an animal in a movie, you’re pretty much always setting yourself up for difficult takes down the line. This proved more than true when the movie’s villainous but adorable capuchin monkey took 50 takes to master a scene. But how did the team teach this monkey how to do a Nazi salute? It was actually pretty simple. They just hung a grape from a fishing pole and dangled it in front of the monkey off-camera until he reached for it, which appeared as if he was saluting.
9. The filming was sped up using miniature models
Since CGI was not yet fully developed in the 80s, the use of miniature models in filming was pretty common. Lucas used this technique in the Star Wars trilogy and it was also done in the Raiders of the Lost Ark. The miniature models helped the crew film the scenes as efficiently as possible.
10. Indy wasn’t supposed to just shoot the swordsman
In one scene, as the swordsman boasted his skills, Indy casually pulls his gun out and shoots him dead. However, in the original script, Indy was supposed to use his whip to fight the swordsman. Unfortunately, Ford was struggling with dysentary and a long drawn out fight would’be been a major strain on his body. They were shooting in Tunisia at that time and were also struggling with the heat. Spielberg wanted to finish the scene as soon as possible and Ford suggested that it would make sense to simply shoot the swordsman. And in so doing, an iconic Indy moment was born.
Raiders of the Lost Ark Gift Ideas
There is a lot of memorabilia out there, especially on Amazon, Etsy and Ebay. Amazon is usually cheaper with more selection and so I’ve chosen them. And if you’re not super satisfied with what you’ve bought, their returns policy is really good.
With so much to choose from, where do you start? My focus has been on cool, fun and quirky items, all garnering decent ratings from well-priced sellers.
Please note that I am an Amazon Affiliate and receive a small compensation if you use my links, but it will not increase your purchase price. If you use my links, I truly appreciate it 😉


Out of other options to reach D.C.’s Uptown Theater to see the original “Star Wars,” we rode our bikes from Arlington to the subway that let us out right next door. If we had been in Europe, riding our bikes would have been normal, but this was during the 1977 Oil Crisis and the yellow Karmann Ghia’s fuel gauge registered empty. We really wanted to see the movie that we had heard so much about and it did not disappoint.
The strong characters—Luke Skywalker, Darth Vader, Obi-Wan Kenobi, Princess Lia, Yoda, Han Solo, Chewbacca (golden retriever Rowdy’s Halloween character)—endeared themselves to us, at least through the first four—1977, 1980, 1983, 1999—through Phantom Menace. Since then it has become a merchandizing extravaganza that continues unabated as the ninth segment pushed out earlier this year.
Studios caught up in the Pandemic have much more to contend with than ticketholders forced to hop on bikes during an international oil shortage fifty years ago. Although they seem to have difficulty understanding that eventually a good idea runs dry after a decade or so. Some movie buffs are looking for more than wall-to-wall spandex, black capes and masks (before public masking became a health v. personal rights issue), which had previously guaranteed a healthy payday not just here, but in theaters around the world. The willingness to spend mightily to create a seemingly endless array of look-alike, sound-alike, named-alike movies seemed to start with the oceanic monster “Jaws.” Those scary shark teeth brought in $100 million at the box office and kept some bathers on the beach in fear of the Great White in 1975, beginning the perpetual cash register ring-up of merchandize with the slightest connection to the beast from the deep. “Jaws” returned in 1978 and emerged again in 1983, before diving into streaming summer rotation.
Even before the Pandemic, studios began to question throwing millions after a movie, when there was no guarantee that the box office would return in kind. As ticket prices rose and the quality of movies streamed from home increased, consumers began to choose to relax on their own couches and pop their own popcorn at a small fraction of the cost charged at the theatres. Once the Pandemic hit, theaters were struggling to find ways to establish a six-foot safety distance, but now are struggling mightily to adjust opening dates for theaters and release dates for anticipated movies. The lure of Marvel Comic-based stories has continued until now, when closed theaters around the country have pushed the opening dates for already completed movies from May-June to October, now into 2021, guaranteeing some studios will struggle along with the theaters as their coffers are drained.
Normally studios are willing to invest millions in their “tentpole” movies, planned to bring folks in to see the coming attractions in hopes they will select what they’d like to see next. Theaters have worked to enhance the movie experience as a one-stop night out—no need for dinner reservations. Inside upgraded theaters: gourmet ranging from pizza to steak dinner, wine, cocktails augment a movie viewed from plush seats as comfortable as the couch at home with no day-old peanut butter sandwiches tucked in the cushions.
“Tenet” Up in the Air
Before the madness began, Warner Brothers with Syncopy willingly ponied up $225 million in a potential tentpole movie by someone who has an excellent record for bringing in an audience for just those blockbusters. Sir Christopher Nolan delivered box office bounty with “Batman,” “Dark Knight,” “Inception,” and “Dunkirk,” the massive World War II pic for which Sir Christopher Nolan received a 2019 Best Picture nomination. He showed his versatility in directing “Dunkirk” in 2017, while completing the closely held script for the previously expected 2020 tentpole: “Tenet.” Nolan ruminated on the scenarios for a decade, this twist and that. Once he was done, he took the cast and crew to seven countries to shoot film segments, some with IMAX cameras: Denmark, Estonia, India, Italy, Norway, UK, and US, which indicates the scope of the movie. Film being more difficult to shoot and edit than video, but that’s how Nolan delivers exceptional work audiences have come to expect.
Initially “Tenet” was scheduled to open this month, as he likes to slate his films in July. With the theaters closed for the Pandemic, “Tenet” was initially moved back into August, but now this international thriller sits in limbo, awaiting a thaw in the Pandemic that will allow movie theaters to reopen and provide the marketing worthy of leading men John David Washington and Robert Pittman and newcomer Elizabeth Debicki, a 29-year-old actress from Australia, who appeared as a golden-clad alien in a Marvel movie, but has proven herself in the Great Gatsby and “The Night Manager” opposite Hugh Lorrie.
While we wait for that to appear, some are lamenting the lack of women directors, though the numbers are slowly rising, and that men still seem to dominate the screen. You might thing it was always like that, but Ann Hornaday (below) reminds us the ‘70s were a strong decade for female-centered movies—think Jane Fonda in “Klute,” “Coming Home,” and “The China Syndrome,” Diane Keaton in “Annie Hall,” Shirley MacLaine in “The Turning Point,” and Jill Clayburgh in “An Unmarried Woman.” But the performance that many forget is Diahann Carroll in “Claudine,” opposite James Earl Jones in a comedy-drama from 1974 with humor, tough love and something not usually seen on the big screen—middle-aged romance. This warm-hearted tale got lost under the tsunami initiated by “Shaft.” Just like the blockbusters, the blaxploitation films could be counted on financially and they were much cheaper to make.
In any event the movies of the ‘70s did not resemble each other, rather they were standalone, offered different flavors, different ideas to mull over after leaving the theater. Studios, not wanting to alienate their audiences in the midst of the nation’s political divisions, boil it down to a pablum. That formula might not satisfy an audience that’s been home for months watching Hulu and Netflick. The current lineup through 2020: “Wonder Woman 1984” with Gal Gadot on October 2, provided the date is not extended further. Followed by “Candyman” (a remake from 1992) by Jordan Peele on Oct. 16 with Watchman Yahya Abdul-Mateen II and “Black Widow” with Scarlet Johansson Nov. 6. Jamie Foxx and Pixar partnered on the animated “Soul” with Angela Bassett. The final movie scheduled for 2020 release, perennial favorite Daniel Craig on Nov. 20, in what is rumored to be his final Bond, “No Time to Die.” What is playing well this summer in open theaters in Europe and Japan? Greta Gerwig’s “Little Women.”
In closing, an appreciation for the diminutive lady who seemed most vulnerable in 1939’s “Gone With the Wind,” Olivia de Havilland. At 104, she outlived the entire cast. Maybe Paris agreed with her—she lived there for 60 years, avoiding Hollywood hassles. Actors and creatives there still appreciate her work to improve their opportunities in negotiations with the studios. In 1943 she sued Warner Brothers for illegal contracting practices. Previously actors were suspended without pay if they were under contract and turned down a role. Their contracts were automatically extended after a seven-year agreement, without opportunity to amend them. She won and was able to pull down roles in “To Each His Own,” and “The Dark Mirror.” Olivia won Oscars for both roles.
Washington Post Movie Critic Ann Hornaday wrote about the current crisis in the film industry that stimulated my thoughts about movies. https://www.washingtonpost.com/arts-entertainment/2020/07/23/film-industry-is-crisis-it-can-learn-lot-1970s/?arc404=true


- 100 M2
- 2 PEOPLE
- 1 DOUBLE OR 2 SINGLE BEDS
- Bi-level suite with high ceilings and two entrances
- CONNECTING WITH OUR IMPERIAL SUITE & PENTHOUSE
- View the suite plan
The British-American actress with amethyst-coloured eyes and seven husbands, began her career when she was just 10 and was immediately successful and would later be recognised as a film icon. She received two Oscars for her roles in Butterfield 8 and Who’s afraid of Virginia Woolf? She was also the unforgettable Cleopatra in J L Makiewycz’s film. In 1999, the American Film Institute awarded her with the distinction as the 7th greatest actress of all time.


Telling stories that deal with the marginalized society is a tricky business and Ritwick Chakraborty says his next film ‘Mayar Jonjal’ stays true to the art holding a mirror to society and speak for the marginalized people who often gets unnoticed.
Speaking about the film and the seriousness of the subject, Ritwick shared with ETImes, “Mayar Jonjal is an interesting film which holds a mirror to society. We are all well aware of these people. For instance, my character in the film struggles for existence. He is not only unstable in his professional life but also he doesn’t want his wife to go out and work. So it creates a crisis and the film reflects the harsh reality. I think films like these needs to be made more and more. This film is like a contemporary imagination of Manik Bandyopadhyay’s two stories from which it has been adapted. The internal world of the marginalized people and their hopes, desires and fears form the pillar of the narrative.”
This is Ritwick’s third film with Indranil Roychowdhury and the seasoned actor says there’s always something unique with each of his films, “Indranil da is different from others. His approach or subjects are distinct from each another every time. Also, his filmmaking style and storytelling is diiferent and way more relatable.”
Speaking about the ongoing debate over film distribution and exhibition strategy the actor says this can’t be discussed in one dimension. “It is true that Bengali cinema needs some space. But since this is not a social media discussion you can’t just say what you think bluntly. We are talking about ‘Pathaan’s impact at the box office but the interesting thing is on several occasions big banner Bengali films managed to corner smaller films in the halls. It is like every other industry – flexing your muscles and power. With all these years of experience I have seen how big films take a toll on the business of small films,” added Ritwick.
When asked one thing he wants to see changed in Tollywood the ‘Macher Jhol’ actor insists this is a much bigger debate and can’t be sum up in one comment, “There are so many things to discuss. It’s a tricky question. But the first thing that comes to my mind is that we seem to be in a hurry and more focused on quantity, in terms of the number of films are being made every year. I think we should invest more time in making a film instead of shooting an entire project in 10-15 days.”
Meanwhile, Riwick’s film ‘Mayar Jonjal’ also features Paran Bandyopadhyay, Bratya Basu, Kamalika Banerjee, Chandrayee Ghosh, Bangladeshi actor Aupee Karim among others in key roles and is set to release in theatres on February 24.


Al Gore’s movie “An Inconvenient Truth” is reportedly drawing steady crowds at theatres in many parts of the U.S. But the film about global warming is bringing out both believers and skeptics. The GLRC’s Chuck Quirmbach reports:
Al Gore’s movie, An Inconvenient Truth, is reportedly drawing steady
crowds at theaters in many parts of the US. But the film about
global warming is bringing out both believers and skeptics.
The GLRC’s Chuck Quirmbach reports:
An Inconvenient Truth is the kind of movie that seems to provoke
discussion and debate. Liberal and conservative talk shows, bloggers
and pundits are duking it out. Sometimes the debate is within the
same household. Chun Yuan says after seeing the
movie and learning about all the carbon emissions, he’ll keep a closer
eye on his home’s thermostat.
“…Try to be more aware of like adjusting the heater….(laughs) ”
But Yuan’s wife, Yaphen Chen says An Inconvenient Truth
sometimes seems more like a lecture than entertainment. She says the
movie might help Al Gore as much as the environment.
“I think American people adore movie stars, so maybe this will help Al
Gore get elected. (laughs)”
Gore denies he’s trying to use An Inconvenient Truth to revive his
For the GLRC, I’m Chuck Quirmbach.


PHOTOS & SPANISH VERSION BELOW
The career of Franco Zeffirelli as cinema director, designer and producer of operas, theatre, cinema and Italian television has been honoured since October 2017 with a museum in the city centre, where the old Court of Florence used to seat. «The venue houses seventy years of treasures collected and made alive,» says the director’s son, Pippo Zeffirelli, executive vice president of the foundation managing the artist’s legacy. The museum houses more than 250 masterpieces by Zeffirelli among sketches, drawings, paintings, costumes and even the planning of a great project that never took place: the film adaptation of The Divine Comedy. The exhibition, divided chronologically into prose narrative, theatre, opera and cinema, reflects upon the development of theatrical installations and film productions, through themes and authors, together with fixed images, exemplifying all the main stages of the artistic career of Zeffirelli.
Franco Zeffirelli died on June 15, 2019, at the age of 96.


POST-PRODUCTION . CASTING DIRECTOR . FILMMAKER
An Atlanta native, Skyler's love of all things film and television, and her interest in creating complex, layered characters, started at an early age. After being accepted into Columbia College Hollywood in 2007, she made the move to Los Angeles. Many opportunities followed, including internships in Casting and Production at CBS Studios ("The Young and the Restless"), ABC Studios ("Grey's Anatomy, "Scandal", "Prime Suspect"), Colbert Mento Casting ("Step Up 3D, "Warm Bodies", "Destination Wedding"), and casting several student films for Columbia College Hollywood.
After graduating with a BFA in Film/TV Editing, she went on to cast commercials and book extras at Prime Casting, write and direct her own short films, edit other filmmakers' projects on a freelance basis, and created the award-winning dramedy web series, Reckless Juliets, now streaming on Amazon Prime. The series presented an interesting challenge for the Director due to the complexity of the characters. The episodes range from devastating drama dealing with suicide and mental illness to dark comedy dealing with body issues and drug habits among foul mouthed, sarcastic teenage girls. The series went on to screen at several festivals including Hollyweb, NYC Web Fest, Vancouver Web Fest, Female Filmmakers Fuse Film Festival, Mammoth Film Festival, Hollywood Comedy Shorts, Playhouse West Film Festival, and many more.
Currently, she is working on writing a full length Pilot for Reckless Juliets to pitch to streaming services, is an on set DIT for two popular Kin Community YouTube series, and continues to work as a freelance Director, Editor, Colorist, and Casting Director.


SB Guitar Collective is excited to announce we will be doing a street performance this Thursday, February 4th, 12:00-3:00 PM near the corner of State and Carrillo Streets, on behalf of the Santa Barbara Downtown Organization. We will bring even more auditory excitement to the already bustling, and one of the most credible cultural film arts festivals on the West Coast, the Santa Barbara International Film Festival (SBIFF), happening February 3-13 in many downtown Santa Barbara locations. Perhaps Johnny Depp or Elizabeth Banks will sit in with us? Love & Mercy was a very inspiring flick... Although we don't specialize in vocals, we plan to achieve a level of guitar genius much like Brian Wilson. Keep your eyes and ears open! For more info about the film festival, visit www.sbiff.org. For more info about the SB Guitar Collective visit our website.


Balkans Beyond Borders from Greece and Ficus cultural organization from Montenegro will host on 5 & 6 of June an intensive weekend full of web-discussions about short film making addressing young filmmakers from Greece and Montenegro as a bilateral exchange of best practices in the industry.
“Bridging Short Talks” will include a series of interactive webinars with invited field experts from Greece and Montenegro giving the opportunity to young upcoming or in their first steps filmmakers gain from experienced filmmakers and distributors from both countries.
The program will consist of the following webinars:
-Saturday, 5/6 11:30-13:30: Co-productions building: the working team and opportunities. Danijela Radulović, film producer (Montenegro) and Thanassis Neofotistos, Film Director (Greece);
-Saturday, 5/6 17:00-19:00: From idea to script. Ismene Daskarolis, Film Director (Greece);
-Sunday, 6/6 11:30-13:30: From short to feature: production challenges. Jelena Šoškić, Film Producer (Montenegro);
-Sunday, 6/6 17:00-19:00: Online distribution in post-covid era. Benn Wiebe is Executive Producer of FILMPIXS, a worldwide distribution streaming service
Eligible to participate are students who currently are in filmmaking studies. To participate in the program, you can apply by the 3rd of June. The final choice will be the result of the evaluation of applications with the final number up to 20 participants (10 from Montenegro & 10 from Greece) in each webinar. The program will be held on 5th and 6th June via ZOOM platform.
Online Application form: https://forms.gle/rybqQp2M8fu5zfgTA
Learn more about our speakers:
Ismene Daskarolis is a writer, director and sales agent currently living in Berlin. She is currently working for Berlin – based world sales distribution Pluto Film. Her artistic work has been shown in foundations such as the Macedonian Museum of Contemporary Art, along with other personal and group exhibitions. Her film studies began with Film and Television at the New York College in Athens and more recently developed through special short courses at the Stockholm Academy of Dramatic Arts and the Filmuniversität Babelsberg Konrad Wolf. Her films have been screened in international film festivals across the globe, such as PÖFF Tallinn Black Nights FF and Athens International FF. She has recently participated in special programs such as the Script2Film workshop of the Mediterranean Film Institute. She is an alumni of the Reykjavik Talent Lab of RIFF and the Baltic Short Pitching Forum. Ismene has also worked as a film critic and cultural journalist for more than six years, acting as Chief Editor of the film department at Exostis Press and being the site’s main correspondent for festivals like the Berlinale, the European Academy Awards and the Thessaloniki International FF. Her english articles have also been published in publications such as Nisimazine and Cineuropa, among others.
Thanasis Neofotistos is a Film Director, Writer & Architect from Greece. Member of European Film Academy (EFA), Berlinale & Sarajevo Talents alumnus and Head Programmer of Student Int’l Competition of Drama Int. Short Film Festival. His short film, PATISION AVENUE (13’-2018), premiered at 75th Venice Film Festival, won 3 awards at 41st Clermont-Ferrand 2019 (Jury, Canal+, EFA) and was a 2019 Festival-Hit with more than 100 film festival selections. ROUTE-3, his latest film, world-premiered at 44th TIFF Toronto 2019 and then again in 42nd Clermont-Ferrand 2020. GREEK SCHOOL PRAYER (20’-2014) was his successful thesis (best Greek short film of 2014, over 50 IFF), and SPARKLING CANDLES (9’-2019) is his LGBTQI+ super cute queer short film that premiered at the legendary 43rd Frameline IFF. He is now in the financing stage of his debut feature film, which he envisions as his personal coming-of-age Greek tragedy; THE BOY WITH THE LIGHT-BLUE EYES (aka PETER AND THE WOLF), the film got the main GFC, ERT & Media funding and has been developed, amongst others, at First-Films-First, MFI, Sarajevo. His next feature film project, WILD BOARS, is developing through Torino Film Lab 2019 & MFI
Danijela Radulović is born in Nikšić, Montenegro. Graduated at the Faculty of Dramatic Arts in Cetinje and specialized in Film Production. Producer of several short films and participant of various manifestations and projects in the field of film, performing arts and management in culture. Participant of different programs and workshops (Sarajevo Talent Campus (Sarajevo Film Festival, Bosnia and Herzegovina), Cinema City Campus (The Cinema City International Film Festival, Serbia), Balkan Film Connection (Auteur Film Festival, Serbia), CEE Animation Workshop). Associate on the platform for the promotion of Balkan cinema – AltCine, associate on the project of presentation of Montenegrin cinema at the International Film Festival in Cannes, ambassador of Balkan Beyond Borders for Montenegro. She is a member of the Association of Film Producers and Directors of Montenegro. Worked at Royal Theater “Zetski dom” in Cetinje as a producer and PR and currently working at Film Centre of Montenegro as film production advisor.
Jelena Šoškić is film producer. She graduated BA from the Faculty of Dramatic Arts in Cetinje. During her studies, she worked as a producer on a couple of short student movies such “Plan” (2018) “ Waiting” (2018) and “Time capsule” (2017) directed by Tamara Kadović, “As I went forth” (2016) directed by Sara Stijovic, and short movie “Agoraphobia” (2016) directed by Milatović Milorad. She was organizator at TV series “Grudi” (2018) directed by Marija Perovic. She is signed as a creative producer of the short film “Man is a particle” (2018), that is a project created as part of the Art@CMS program. Jelena worked as a producer and organizer of many festivals and events. For three years she worked as coordinator of the Student film selection at Herceg Novi Film Festival (2017, 2018, 2019). She worked as a program assistant of CIRCLE 2019 in Podgorica, Montenegro. During 2019 she worked at the Film centre of Montenegro. The last movie that she produced is a short movie “Ella” (post-production), directed by Esma Saric. She is currently based in Belgrade, working in a production company on TV series and developing her first feature film as a producer.
Benn Wiebe is Executive Producer of HF Productions where he oversees global film festivals, and of FILMPIXS the global distribution streaming service. Benn and his team have established an international slate of projects that center on creating educational value and opportunities for independent filmmakers. In a partnership with the United Nations, Benn and the HF team are organizers and sit on the jury for the UN SDG’s in Action Film Festival, and of the SONY Picture This Festival for the Planet with Sony Pictures Television. He has been a lecturer and moderator at film schools, SDG workshops, and festivals including Festival de Cannes, European Festival Academy, Arctic Film Festival, Oslo Film Festival, and Docs Barcelona. As of 2021 Benn also just had the feature documentary “Beautiful Something Left Behind” on child bereavement produced by Good Company Pictures win the Grand Jury Prize for Best Documentary at SXSW and was Oscar qualified for the 2021 Academy Awards. Before that, Benn served as an Executive Producer of “Women of the Gulag” which was shortlisted for an Oscar at the Academy Awards in 2019. As a member of the Producers Guild of America international committee, the Academy of Television Arts & Sciences, and Danmarks Film Akademi, Benn has made international projects a focus of his career. He produced the first ever live-stream into China at the 2014 Billboard Music Awards and has produced multiple digital projects for SE Asian outlets, alongside distributing films from all over the world. Benn’s latest work with HF Productions and FILMPIXS is in building the live broadcast studio for COP26, launching an entertainment accord with UNFCCC for the film & tv industry, and serving on the boards of Think-Film, Yea! Impact, Climate Crisis Hub UK, SIE Society, and Global Environment Media (GEM TV).
FILMPIXS is a worldwide distribution streaming service that spotlights short films and documentaries. What makes FILMPIXS unique is our commitment to championing not only short films, but narratives that are truly global. Short films have long been an under-appreciated medium across our industry, which is why we prioritize their trajectories for success. We believe cultures can unite through story, and with our teams proven ability to curate compelling content, FILMPIXS is able to showcase impacting stories from all corners of the world. FILMPIXS curates from several directions. From procuring prestige festival premiered pieces at Cannes & Sundance, to best short festival winners from dozens of events and in many languages, working with NGO’s to showcase films made by refugees, or United Nations events for social impact narratives. FILMPIXS will also be a platform for festivals showcasing virtual screenings. FILMPIXS debuted with its first virtual screening with the Dublin Independent Film Festival (an HF Productions-run festival), and have since partnered with festivals including Docs Barcelona, Melbourne Short Film Festival, San Francisco Short Film Festival, and more.
Learn more about the hosting organizations:
Balkans Beyond Borders (BBB) with its headquarters in Athens, Greece acts for the last ten years as a stage of cultural diplomacy and regional cooperation in the Balkans introducing innovative mechanisms of collaborations in order to promote Balkan culture and young Balkan filmmakers’ work. For our activities, we have been awarded in 2011 by the European Parliament with the Charlemagne Youth Prize for our innovative Festival, the youth mobility initiatives and its focus on building the European idea and in 2018 with the Civil Society Prize of the EESC – European Economic and Social Committee. Our flagship activity, “Balkans Beyond Borders Short Film Festival” is the only Festival that travels every year in a different city maximizing its impact for the promotion of Balkan culture and identity. It is one of the very few short film festivals focused on the Balkan countries, providing the ground for building bridges between various actors and supporting the interaction of the new generation of artists and various institutions that the Balkan cultural industry can be promoted at European level. It is also a unique festival because every year it has a different theme inspiring and motivating young people through modern issues and trends of the time in order to strengthen the dialogue and the knowledge about the region. In our 11 years journey we have been in Belgrade, Tirana, Athens, Bucharest, Sarajevo, Thessaloniki, Sofia, Brussels, Novi Sad, again Athens and online (although the Festivals was supposed to take place in Izmir). Throughout the year a set of cultural, networking and life learning activities take place in the Balkan region.
FICUS cultural organization is a non-governmental association from Nikšić (Montenegro), made up of young professionals from the field of culture and arts, founded with the aim of improving capacity in the implementation of cultural policy, development of cultural and artistic creativity, creating conditions for the development of creative industries and cultural development for children and youth, international cultural cooperation, strategic research and cultural planning, and implementation of new forms of social and cultural practice.


On the 23rd of December 2019, the students of English Communication (LAN 1103) has successfully executed their first ever theatre play here in Smart College. The play titled Beauty and the Beast, based on the classic Disney’s movie was successfully conducted with impressive flow and professionalism.
The flow of everything prior the play was smooth enough thanks to the committees that were involved as well as the directors who were always on the lookout in preparing things both on and off stage. The admission process as well as the seating could be better but for their first time managing such an event, it is adequate.
The casts were overflowing with talent, few actors and actresses really popped out and showcased their acting ability and their amazing way of embracing the stage. Of course the main star for the night was the main character, Belle played by Angel binti Jusilin. She delivered her lines well, immersed in her character and in playing out the musical part. We can see her professionalism in reacting to incidents like no visuals, no lights and timing problems. She managed to stay in character and stay still until the team in charge of those matters fixed it.
All of the casts did well in term of portraying their characters with their body language, postures and speech like accents and intonations. Like the casts playing Gaston, Beast, Lumiere, Cogsworth and Chip. Some do need to work on their pronunciation and the way of delivering their lines however they did such a good job for an amateur play.
Plot wise, they adjusted the plot to fit the time limit as well as changing the scenes to fit the audience. Only criticism here is the musical part. It could have been elevated more by having the casts to actually sing but it is understandable as the students are not familiar with performing musicals. However, since they decided to do dubbing, it is best if they fully commit to having all the cast to lip-sync, as in the end, some did and some did not. With the mix up of the original audio and faintly heard singing from the casts, it did cause a bit of a distraction to the audiences.
On the other hand, the props and costumes department really did a great job. The costumes and prop are smart and creative and they made good use of what they can get within their budget. They played well with assimilating the colors associated with the characters into their costumes, thus not needing actual replica of the costumes. On the other hand, the prop management of the entire play was truly A1. The way how all casts were well aware of their props and their placement of the props were top notch. They were very responsible on their own props and managed to execute it so well in between scenes and that helped in making the transition smooth.
Overall the play was amazing. From the casts, the props, the costume as well as the stage management, the students of English Communication did a very good job considering it is their first time and with such limited time and space. A huge congratulation to all of the students and the lecturer in charge, Miss Amirah. Hopefully more theatre plays can be executed in the future for the betterment of our students’ English language skills as well as enriching performing arts among our students and institution here in Smart College. “Movies will make you famous; Television will make you rich; But theatre will make you good.” – Terrence Mann


Director, Executive Producer, Editor, DP
Patrick Norman always wanted to be Maverick from Top Gun. He figured that wearing aviators and flying a jet would be a pretty nice way to make a buck. But then, as a third-grader, he saw Spielberg direct a t-rex in Jurassic Park and knew what he was put on this Earth to do. Since that epiphany, Patrick spent the rest of his childhood dreaming up and shooting his own films. He pursued his craft at Ohio University where, in the midst of the digital video revolution, he majored in Video Production. Quickly establishing a reputation for thinking big, he produced films of a scale, production value, and budget rarely seen on a college campus.
While Patrick's passion is writing and directing, his work doesn't stop there. In addition to producing, he has edited many of his films, including Pinned. He currently lives in Los Angeles, where he runs his production company, Lakewood Films, Ltd.
He still wears aviators.
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Stuck in a sort of purgatory between Thanksgiving and Christmas, and with a mere seventeen days left until the latter, it’s a good thing that the national tour of Elf, The Broadway Musical, opened tonight at the Dallas Summer Musicals. Elf, based on the beloved 2003 movie by the same title, tells the story of Buddy, a human who was adopted by elves and raised in the North Pole who ventures into New York City to find his birth father. It is a classic Christmas tale, complete with a transformation (reminiscent of A Christmas Carol) of a stingy old workaholic to a man who believes in the goodness of Christmas.
The production, directed by Sam Scalamoni, is charming. Despite premiering on Broadway in 2010, Elf has many aspects of the old-school musicals: jazz hands, dramatic character actors, shiny costumes, and, best of all, big ensemble numbers choreographed by Connor Gallagher. Gallagher’s choreography is the highlight of the show, fusing the quaint, jazzy style of classic Broadway with highlights of more contemporary work. Daniel Patrick Smith is adorably goofy as Buddy, providing an engaging protagonist. Other standout performances include comedic geniuses Ken Clement (Santa) and Audra Qualley (Deb).This show is a must-see for anyone who is full of Christmas spirit and also for anyone who feels like they are missing some. Come to the Music Hall at Fair Park by December 20th to catch Elf!


South Korean film, Parasite directed by Bong Joon Ho gained significant at the 92nd Academy Awards held at Dolby Theatre in Los Angeles on Monday.
Even though Bong Joon Ho gained the Oscars for most effective director, the South Korean black comedy film about haves and have-nots in modern day Seoul also gained the award for most effective film, most effective worldwide film and most effective authentic screenplay. 1917 lifted the Oscars for most effective seem mixing and cinematography.
Bong Joon also gained the Academy Award for most effective authentic screenplay, while filmmaker Taika Waititi bagged the Oscar in the adapted screenplay family law classification. A visibly content Bong went up on the phase and initially managed to say “Thank you, terrific honour,” as the viewers cheered.
Joaquin Phoenix lifted the Oscars for his defining functionality in Joker, which has gained appreciation from equally admirers and critics throughout the world. Phoenix, 45, gained the most effective actor Oscar after 3 preceding nominations, crowning an awards season that has viewed him sweep each and every key prize for his position in the standalone origin story of Batman’s arch-nemesis.
Brad Pitt retains the Oscar for Most effective Supporting Actor in “At the time On a Time in Hollywood” at the 92nd Academy Awards in Hollywood. Reuters
Renee Zellweger gained the academy for actress in a leading position for the biographical drama film about American singer and actress Judy Garland in “Judy”.
Brad Pitt gained the Oscar for most effective-supporting actor for his functionality as a charming stuntman in “At the time On a Time in Hollywood,” director Quentin Tarantino’s enjoy letter to 1960s Tinseltown. It was the first acting Oscar for Pitt, who experienced beforehand gained an Academy Award as a producer in 2014 for most effective photo “12 Yrs a Slave.” “I am a little bit gobsmacked,” Pitt mentioned on phase as he approved the award.
Hollywood star Laura Dern gained her maiden Academy Award in the most effective-supporting actress classification for her position in “Marriage Story”. The actor, who turns 53 on Monday, gained the Oscar for actively playing Nora Fanshaw, a firebrand divorce counsel to Scarlett Johansson’s character going through separation from her spouse. “This is the most effective birthday present at any time,” mentioned Dern.


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If you are looking for a film history lesson, you have come to the right place. The 1930s is the period that shaped the world of film, and the industry in that era was the most influential for decades to come. The decade saw many great movies, such as The Thin Man, but it also brought about a number of changes. The introduction of synchronized sound and the rise of stardom in the industry brought about a change that revolutionized filmmaking.
The introduction of colour technology to the film industry was difficult, and was hampered by financial problems. Most studios considered colour as defaulting and were unwilling to change their processes. However, the invention of Technicolor in 1915, led to the first use of two-colour subtractive process. Warner Bros. began using this technique for On With the Show! in 1929, and other studios followed, but were ultimately held back by costs and lack of quality in release-printing.
A significant factor in the success of 1930s films was the sound revolution. With more people able to hear the dialogue, sound became more realistic. More film studios were built, and the film industry was able to expand. More movies meant more money, more productions, and a larger audience. Hollywood had more room to expand than ever before, and more people to watch them. That’s why the 1930s was so important for the world of film history.


Are you a movie enthusiast and have thoughts on becoming a movie reviewer? There are well-visited blog sites online that earn good money because of their movie reviews. Movie reviewers give us the insight if it is worth watching the current movies. They also give movie watchers further understanding about the details of the film like the interpretation of the film, production direction and changes and acting styles. Frequent theatergoers and naturally born movie enthusiasts are the perfect candidates for writing movie reviews.
How To Become An Online Movie Reviewer
Aspiring movie reviewers should either create your own blog site or join an established movie reviewing community. And you need to watch a lot of movies. You can catch the latest movies by going to the theaters. But this can be costly and time-consuming unless you have an unlimited free movie pass. Buying CDs and DVDs can be costly and you would have to wait until they are available in your local stores. The most recommended way of getting access to movies is by streaming online through 123moviesfree.
Free access to movies online.
You no longer need to be concerned about your own movie-watching budget because you can watch movies online for free. You must be aware however that not all movie streaming websites will allow you to access their collection for free. But there are still websites that grant unlimited access to movie streaming, like the one mentioned above.
Hate it when you are stuck too far or too near the movie screen? That is no longer the problem because online streaming gives your prime seats by granting you access to high-quality movies. As long as you have a good source, there is no need to settle for bad audio or awful visual qualities of the films that you will review.
Good movie reviews are not simply published opinion without basis. The good movie review articles or videos need details from the movies you are watching. Movie reviewers can easily get the details of the movies since they have unlimited replays when watching online. You can critically re-watch specific scenes or dialogues when you are streaming movies.


Have you ever wanted to escape into a book? What if it became real?
BASED ON THE BOOK BY Jodi Picoult & Samantha van Leer
MUSIC & LYRICS BY
Elyssa Samsel & Kate Anderson
Timothy Allen McDonald
Coming to theTony Kiser TheaterAt Second Stage This Spring
Based on the novel by New York Times bestselling author Jodi Picoult and her daughter Samantha van Leer, Between the Lines is an empowering and enchanting new musical for anyone who has ever sought to find their place in the world. An outsider in a new town and a new school, Delilah seeks comfort in the pages of her favorite book, where she feels heard and understood. But as the lines between fantasy and reality begin to blur in both extraordinary and astonishing ways, Delilah has to confront whether she has the power to rewrite her story.


The Haunting in Connecticut was recently released on DVD and Blu-Ray. "Based on true events," it stars Virginia Madsen, Kyle Gallner, Amanda Crew and Elias Koteas. According to the film's promotional site:
Based on a chilling true story, Lionsgate's THE HAUNTING IN CONNECTICUT charts one family's terrifying, real-life encounter with the dark forces of the supernatural. When the Campbell family moves to upstate Connecticut, they soon learn that their charming Victorian home has a disturbing history: not only was the house a transformed funeral parlor where inconceivable acts occurred, but the owner's clairvoyant son Jonah served as a demonic messenger, providing a gateway for spiritual entities to crossover. Now, unspeakable terror awaits when Jonah, the boy who communicated with the dead, returns to unleash a new kind of horror on the innocent and unsuspecting family.In addition to an unrated version of the film itself, the two-disc special edition DVD also features commentary tracks by the director, producers, writers and cast, deleted scenes and a few pretty cool extras, including:
- "The Fear is Real," a two-part documentary about the events surrounding the haunting featuring interviews with the real-life mother from the film, Carmen Snedeker Reed, two of her sons (conspicuously not the one who the film and case revolves around) and two of her nieces who stayed at the house, as well as real-life demonologists Lorraine Warren and John Zaffis. A few neighbors, friends and other people involved with the case are also interviewed.
- "Two Dead Boys," a behind-the-scenes featurette with the cast and crew looking at the making of the film. Kind of standard interview and inside stuff, including interviews with the director, producers and actors.
- "Memento Mori," a fascinating look at the creepy history of post-mortem photography, which was quite popular around the turn of the 20th century. Families would regularly pose for photos with the corpses of departed parents, children, friends and other relatives.
- Our exclusive interview with Ray Garton, author of In A Dark Place, which is billed as the "true" story behind the motion picture The Haunting in Connecticut, and who has been very vocal in his skepticism about the Snedekers' and Warrens' claims.
- Our interview with Daniel Farrands, the producer of The Haunting in Connecticut, who talks about the film, the documentary and his career in Hollywood.
- Our interview with Nancy Boucher, the sister of Allen Snedeker, who contacted us to provide her side of the story.


MEET THE FOUNDERS
Co-Founder / Producer
Heather brings to bear her formidable creative and managerial talents in order to ensure every project is delivered quickly, efficiently and to the highest possible standard.
An alumni of The University of Edinburgh and Vancouver Film School as well as being an award-winning Director in her own right, Heather understands the importance of maintaining a productive balance between creative considerations and logistical limitations so as to provide clients with a positive experience and a high quality product.
Heather’s skillset and experience find her ideally suited to helm Rogue Star Media and create meaningful and lasting connections with our clients.
Co-Founder / Creative Director
A graduate in Digital Film & Television from the prestigious Royal Conservatoire of Scotland, Ross has a decade of experience in the Video and Film production behind him.
He is the recipient of a Royal Television Society award and various other industry accolades for his work as both Cinematographer & Director. He was also profiled in Digital Filmmaker Magazine (UK). Throughout his career Ross has worked both as an independent cinematographer as well as for the BBC.
This extensive experience has furnished him with an intricate understanding of Cinematography, editing and story structure -which he uses to help to bring our clients creative visions to life


Screening of the documentary film by Anaïs Beji and Félix Cardoso: ” Sous le Pavé, la plage ” (Under the pavement, the beach) in partnership with Géographie-cités laboratory
Wednesday, March 22nd
from 5 pm
Auditorium of the Humathèque
Filmed in the new town of Marne-la-Vallée, more precisely in the Pavé Neuf district, this film examines mobility and immobility in the public spaces of urban renewal.
The screening will be followed by a discussion.
Contacts Géographie-cités : afleury ( at ) parisgeo.cnrs.fre juliette.maulat ( at ) univ-paris1.fr


Priyanka who was in affair with Amar, He offered her that she need to have sex with him, if she really loves him. She was not allowing him for sex, as he asked to have all this after marriage. But in order to make him happy, she agrees to it. After Amar having sex with priyanka, he left her. She was broken and changed her looks, come back with new look to get the truth of Amar. She calls her near a pool side and took him under water for seducing. Then she comes up and takes the RED WINE to let him drink (poison was mixed). After consuming the drink, she revealed herself and threw him in the pool with the RED WINE glass. She went away and didn’t look back.


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The media and entertainment industry draws in a wide array of characters and backgrounds. It's a considered that
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Set in small-town America, the play offers us a glimpse of community theatre during the early 1920s. Mrs. Pampinelli, the narcissistic and grandiose directress, leads an awkward troupe of amateur actors as they attempt to stage a small play. After a disastrous rehearsal, the show goes on with hysterical results, including missed cues, forgotten lines, jammed doorknobs and collapsed sets.
The brilliantly animated performances hold the audience captive. The physical comedy is exquisitely choreographed to carry off the tumbles, stumbles and near misses. We watch in awe; in turn holding our breath for the moments of potential injury or laughing out loud in relief when they are avoided. Through our own amusement, it is plain to see that the performers are having great fun as well.
Here are images of the show, courtesy of Jon Vermilye and the SUNY Oswego Theatre Department:
The SUNY Oswego Theatre Department provides cultural programming on the campus for students and community residents alike. Theatrical productions include both classic and contemporary works as well as innovative and original shows. For more information about the department or for a list of upcoming shows, visit www.oswego.edu/theatre.
“The Torch Bearers” will continue this week-end with shows at 8 p.m. on Friday and Saturday and a 2:30 p.m. matinee on Sunday. Tickets are $12 for adults and $10 for seniors and students. The play is suggested for ages 12 and older. For more information or to reserve your tickets, call the Tyler Box Office at 315/312-2141 or email firstname.lastname@example.org.


Nickerbacher's award-winning author Terry John Barto is a director and choreographer of 200+ regional theater productions, industrials, television, and cruise ship shows throughout the United States and abroad.
As creative director for Wings of Dreams Productions, he developed diverse ideas into compelling family stories, wrote screenplays slated for animation films, and inspired a team of artists to fabricate dolls and action figures.
Terry John Barto is also the author of the bestseller Gollywood, Here I Come! He lives in Los Angeles, California, and enjoys Pilates, Yoga, and hiking with his dachshunds, Hunter and Mazie.
Copyright © 2023 NIckerbacher - All Rights Reserved.


The new year has begun with a bang for Indian actor Hrithik Roshan as he bags the title of 'The most handsome actor in the World 2018.'
Every time Shah Rukh Khan and Kajol have shared screen space it has been nothing short of magic.
We are all mesmerised by the beauty of star kids like Sara Ali Khan, Janhvi Kapoor, Suhana Khan, but there is one more name to add to the list who has left everyone drooling over her hot pictures.
The year 2017 offered a wide range of Bollywood songs. The year of retro mashups, remixes, reprises and each of these songs ruled the charts.


Casting for a horror film can be a challenging and demanding process, particularly when it comes to finding an actress with the skill to convincingly portray fear and terror on screen.
The casting director must sift through countless audition tapes, searching for an actress who can authentically convey a wide range of emotions – from apprehension and unease to outright terror and panic. The actress must have the ability to connect with the character, to understand their motivations and fears, and to embody them fully on screen.
The director may ask actresses to improvise scenes of fear, putting them in high-pressure situations where they must react authentically to imagined horrors. They may be asked to scream, cry, or hyperventilate, all while maintaining the integrity of the character and the story.
The actress must also be able to work collaboratively with the director, cinematographer, and other crew members to create a cohesive and terrifying vision. She must be willing to push herself to the limits, to explore the darkest corners of her psyche and tap into her deepest fears to create a truly visceral and unforgettable performance.
Ultimately, the success of a horror film rests on the ability of the actress to convince the audience that what they are seeing is real, that the danger is imminent and the fear is palpable. It is a challenging and demanding role, but when the right actress is found, the result can be a truly terrifying and unforgettable cinematic experience.