Hitchcock was very impressive in his dramatic techniques because the tension is built in various scenes which also makes this film accomplish the horror genre in addition to suspense. Initially the audience believe the film is a comedy because it is incredibly ordinary in addition to the use of bright lights and warm colours. Hitchcock makes us as the viewer get an understanding of the characters back story before unleashing the terror in the rest of the film. The movie was very modern for its era, as a result of the use of new technology to the 60’s hence the scenes are realistic which adds to its unrevealing storyline. The use of Technicolor added to the horror during the film because it was very new. Through pathetic fallacy the atmosphere is set in most scenes, for example when Melanie Daniels and Mitch Brenner are in the bird shop it is very bright and colourful which is reflected in the characters behavior in the scene. Also towards the end the lighting and colour create a dark and eerie atmosphere.
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The killers in ‘The Birds’ and ‘Psycho’ were believable however the characters remained odd and innocent characters. The introduction of the film with the character is familiar shows her sense of security however when she moves to a rural area we see a vulnerable character with unfamiliar surroundings. Hitchcock may have chosen a small town because it is seen to be more dangerous but in this setting it is more dangerous as it is isolated.
The film features a mass use of the colour green for example in the scenery whilst Melanie is driving the boat the landscape is green and blue to Hitchcock’s liking and also Melanie wears the same green coat throughout the film. This makes the colour green significant to Hitchcock’s films. Green is not usually associated with terror and fear but Hitchcock used this to make the audience feel uncertainty in the film. When Melanie is taking the birdcage to Mitch she is viewed from the waist down showing her in a green dress. This is a reference to birds being women because Melanie is blonde haired and is wearing green, the love birds are yellow headed with green bodies. This suggestion is also made in the beginning when Melanie is walking down a busy street and hears a wolf whistle towards her. This sound is similar to a birds sound. Hitchcock also used the colour green in ‘Vertigo’ the Female lead wears green. Hitchcock also uses sharp objects in many ways for example the beaks in ‘The Birds’ and the weapon in ‘Psycho’.
Most of the film is set during the day which makes the viewer unsuspecting of the birds. Hitchcock does this to show the calm and peaceful atmosphere which is maintained throughout the film until the ending. Vibrant colours take over the screen predominantly, during the relaxed scenes whereas before and for the duration of the bird attacks dim, shady colours are used. For instance in the Tides Restaurant when the birds attack the atmosphere is dark which is reflected on the clothes worn, the weather and the colour of the birds (see image 1). The colour plays a key part in why ‘The Birds’ is a successful suspense film. Through its use of high key lighting contrasted with low key lighting which creates a mysterious impression to the audience.
An example of lighting is offered proficiently in the dead famer scene. In this scene we see the lighting symbolising the mood in the scene. It begins with Lydia walking down with very bright sunlight, as she walks towards the door the lighting begins to dim down. Entering the house we see a window with natural light but no false light in the house. This absence of light begins to suggest something bad has happened. The director has used this superbly in many of his films to create unease with the observer. Hitchcock was superior when it came to using mise-en-scene to alter the appearance of things. The room where the famer is found is bright but as the camera begins to reveal his body the lighting is darker. The shadows cover the body only exposing his face with his pitch-black eye sockets. As Lydia runs out the weather has changed to a dark stormy sky. The audience feels that this symbolises the man has died and the birds will attack again. Hitchcock creates a parallel to the book because the main character finds his neighbours killed because of the birds. The director does this because he is trying to use visual techniques such as camera angles and lighting to create a horror film atmosphere which also creates a more effective suspense film. This scene is effective because of the drama portrayed by Lydia it is also good because we begin to see different aspects to Lydia’s character.
During the scene where the old woman talks about the scientific facts concerning the birds we see bright colours and vivid lighting but as the birds begin to attack it seems to get darker. When the man is set alight the fire signifies death and evil, as well as a warning that more birds are coming to attack. This is another scene where lighting causes suspense. The use of Chiaroscuro is very effective in scaring the audience. Also the use of long dialogue to create suspense is extremely effective because the audience is eager to find out the cause of the attacks and when they will attack again but this ‘explanation’ creates the anticipating effect on the audience.
The MacGuffin changes throughout the film. At the beginning the audience feels the film is a cheerful film about love but when the storyline develops the viewer thinks: Why are the birds attacking? When are they going to attack next? These questions cannot be answered because they were even analysed by the characters in the Tides Restaurant scene after the birds attacked the school but there was no rational reason.
Hitchcock used the MacGuffin in many of his films for example in ‘Psycho’ the characters wonder Where Is Marion Crane with the money? MacGuffin is one of Hitchcock’s strong points because he uses it to make the audience have a different attitude to every scene wondering what is going to happen and why is it happening. This works well because the audience does feel the urge to find out what will happen and a number of other questions.
The performance portrayed by the actors in this film is very effective as the actors and actresses are very realistic and can relate to the audience through this. Also the use of something as ordinary and everyday as birds instead of monsters and aliens used in modern films makes the film relate to the audiences life. This is a film that can affect a wide range of audiences because it would have frightened people in the 60’s because of the fear of bombs attacking. Nowadays it could be a relation to global warming attacking us.
Due to the death of the farmer Lydia was in more need of Mitch’s protection but felt she had to compete with Melanie because both were women in Mitch’s life and they felt helpless. The very moving portrayal of a needy mother by Jessica Tandy is amazing and still makes an impact to people today because this emphasises Oedipus’ complex. Mitch is the central character and the women seem to revolve around him which could be another cause for the bird attacks. The protagonist in the novella by Du Maurier is a farmer and Mitch lives in a barn. This is one of many similarities between the film and the book.
Hitchcock developed the characters relationships in different ways to create an unsuspecting atmosphere. Melanie is the centre of this as she is a problem to Lydia Brenner and Annie Hayworth (the school teacher) as they are both women who are dependent of Mitch’s love. Kathy Brenner (Mitch’s sister) likes Melanie because of the love birds she received from her for her birthday and is not one of the main focuses of the film. The handing of the love bird’s guides to a very misleading storyline making us think it is about the love birds only because Hitchcock spent a lot of time building the characters feelings and behaviours to create an intense atmosphere for the audience thus creating suspense.
In the opening credits the title “The Birds” was slowly pecked away by the passing crows. This use of bright light and medium shots for an introduction creates a mysterious tone for the audience. For modern audiences this could be seen as a very emotive film but long however this makes the audience even more eager to watch the film because it does not give away much information in many scenes.
The power of the movie is through the use of camera angles due to the absence of a music soundtrack. Hitchcock uses a variety of methods which are incredibly effective to produce the vast suspense in the film. In many scenes tension is built to create fear and uncertainty in when the birds attack. The film is not extremely graphical in the scenes where the birds attack yet the terror is shown through his use of camera angles. For example Melanie’s phone booth scene, the camera moves around in the point of view of the birds then switches to Melanie’s view however when she is getting more and more vulnerable low angle shots are used to make her look defenceless (see image 2). As Melanie enters the phone booth a medium long shot is used. Birds-eye view is used to show her alone with the birds attacking the booth. Extreme close ups show her emotion as scared. The attack from the birds is shown with fast paced point of view shots from Melanie and the birds.
Extreme close ups are used to show the characters emotions during bird attacks. At the start of the film this is used showing the characters behaviour. Predominantly when we see Melanie she looks like an upper class woman with no worries in the world through extreme close ups. She is very sophisticated which makes her weak and in danger of attack. Hitchcock uses a female protagonists in many of his films such as ‘Psycho’, Marion is alone and vulnerable and ‘Vertigo’, the female is calm and alone. Through camera angles we can see the similarities in the characters feelings.
Point of view shots are used a great number of times during the film to give you an idea about what they can see and how they see things. For instance when Lydia sees the farmer we walk with her because a point of view shot is used. The body of the farmer zooms in three times to show his eyes. This triple close up shot works well with point of view shot to create a tense atmosphere. Lydia is a frightened old woman who walks in a certain way through Camera angles we find out about her need to be a woman in authority.
In the playground scene of ‘The Birds’ the camera shots are used to develop the still surrounding before the assembly of the birds. The long shot of Melanie Daniels walking to the bench illustrates she is alone and the empty climbing frame in the playground. She is unaware of what is going on and has her back to the birds in the climbing frame (see image 3). By doing this suggests she is exposed and vulnerable and open to attack as she is unaware of the further gathering of the birds but the audience can see this through the medium long shot. She is lower down under the birds showing she is in danger of attack by the birds. Hitchcock is trying to explore the audience’s reaction to this calm place being the home of the ‘villains’ of the film because the playground seems like a place of purity so the audience believes it is a cheerful place. Usually in suspense films something begins calm but changes unsuspectingly. Hitchcock used suspense to its extent because the wait in many of his scenes for the birds to come are long. This change is when the first bird lands on the climbing frame creates a sinister atmosphere. The camera cuts from mid shots of Melanie smoking and the birds building up number on the climbing frame. Mise-en-scene is used because Hitchcock makes the landscape reflect onto Melanie’s loneliness. The school playground and the hills in the background make the atmosphere normal and make her appear defenceless and alone. Hitchcock is trying to explore how colours and bright scenery creates a cold scary atmosphere without the use of non-diagetic sounds or speech of Melanie. The argument that the bird attacks are drawn by Mitch could be proved wrong as it has three female characters: Kathy, Melanie, Annie. The sounds are very loud and show tension such as in ‘psycho’ the only sound in the shower scene is the water touching the basin. Melanie is a very vulnerable character because she is an outsider to the community and Hitchcock emphasises this in many scenes. Annie seems to be dominant and have power over Melanie because she is accepted by the community. Also Annie feels threatened by Melanie because we see her ordering Melanie to sit outside instead of staying with her in the classroom.
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Tilted angle shots are used in the end scene when we hear the birds approaching. The characters look up towards the ceiling where the bird sounds are coming from. The squawks could be a diegetic or non diegetic sound because they set the mood and as the volume increases the characters are more frightened and the mood is intense. Afterwards a low angle shot is used to show the defencelessness of the characters.
Wide shots (Extreme long shots) are used to show the landscape and the characters surroundings and usually it is not visibly detailed. This is incredibly thrilling and terrifying and is shown in many scenes to show the birds plotting and attacking.
A bird’s eye view camera angle is a very strange and unnatural shot but is used frequently in the film, not only in the phone booth scene (see image 4). Hitchcock could have used this as a literal bird’s-eye view however the shot puts the audience in a god like position because we see it from above. This could be a direct link to the judgement day explanation of the film as this shot is used when the birds begin attacking at the gas station.
The first attack is referenced in the Tides Restaurant scene when the woman accuses Melanie of the bird attacks because she is the first person to be attacked in the boat. Long shots are used to show the landscape. The warm, calm atmosphere in the scene is shown by the landscape and Melanie’s clothing. The long shot doubles as a point of view shot for Mitch. We see what Mitch sees as she is attacked by a seagull. The bird attack could be interpreted as Melanie’s need be noticed by Mitch because Melanie would have gone home straight afterwards if it wasn’t for the bird attacking her. Hitchcock uses a range of dramatic techniques to introduce the characters and their relation with each other. He does this to create a sense of unease and make the film have a deeper meaning than just bird attacks. This film could be about a number of other things because this scene shows the emotions between the two characters which seems to cause the first bird attack. If Hitchcock really wanted to make the film only about birds he would have based it more around the book because the novella has a conclusion and an explanation. Also it focuses more on the bird attacks and the science than the relationship between the characters.
The mother and son relationship is shown in many of Hitchcock’s film for example the dominant mother in ‘Psycho’. Throughout the film Mitch refers to his mother as “darling” and kisses her frequently. This is a suggestion of Oedipus’ Complex. Mitch is in love with his mother and the absence of his father makes the mother needy. In addition to that Lydia and Melanie look extremely alike which tells us that Mitch wants his wife to be his jus like his mother.
One of the most successful scenes in the film is Kathy’s birthday scene. It has a sense of being a very unsuspecting scene because it uses very vivid colours and has an absence of birds altogether in the landscape. This use of bright lights and bright colours make the scene seem innocent which makes the audience anticipating a bird attack or wondering why they aren’t attacking. This gives an idea of innocence because we see Mitch and Melanie’s relationship develop before the bird attack and we see their characters revealed which also adds to a build up to the climax of the birds attacking. We see Lydia is helpless by the uses of camera angles such as point-of-view shots and extreme close ups. She is scared when the birds begin to attack and is needy of Mitch’s attention but he is focused on the other two women in his life Melanie and Annie. When the birds pop the balloons we hear sounds like bombs which could be a link to the Daphne Du Maurier novella because her book was based in England to show the fear of bomb attacks in post war Britain. Hitchcock was trying to explore what humans are afraid of which is nature attacking the human race. Hitchcock played on the idea of being afraid of the sky and used birds instead of bombs. This scene shows how the director makes a calm peaceful scene make us think about the world and nature. Modern movies have followed this example by the master of suspense such as ‘2012’ which shows nature attacking humans and ending the world.
Towards the end when the birds attack the house the feeling of being paranoid is conveyed through the actor which implies the feeling of things coming out of the sky. This is a reference to the cold war. This also makes us as humans feel that anything can happen to us and nature can make us vulnerable. The book comes to a conclusion that the birds are influenced by the tide levels. In the beginning the humans are in control of the birds as they are caged. The tables turn when the humans are locked in their homes with the birds intimidating them.
‘The Birds’ is arguably a film about the tension between families because the birds attack when different things happen to each character. The bird attacks when Melanie starts to get feelings for Mitch and when there is tension between Lydia and Melanie. Lydia is the overprotective mother and Melanie is a woman without a mother. Melanie is wealthy and has everything she wants apart from a mother. At the end we see Melanie powerless she can barely look up to Lydia but still does in a way saying that she has found her mother figure and is need of help.
Also another interpretation of the bird attacks is that because the birds will never stop until humans change. The birds almost fight back after the humans treat them with cruelty trapped in zoos and cages. The phone booth scene also emphasises that because Melanie is surrounding by birds mocking her in a phone booth which looks like a bird helpless in a cage. This tells us there could be a biblical message to the film, Judgement day as discussed in the Tides restaurant. In ‘Psycho’, there is a psychologist who concludes the film by explaining why Norman Bates chose those actions, similarly ‘The Birds’ an ornithologist explains the facts about birds and possible answers to their behaviour in the Tides Restaurant. The birds could be a warning from something greater than humans due to the fact that birds are traditionally a symbol of peace but in the film they connote death and evil. Hitchcock reinforces the idea that humans are in constant fear that nature will turn against them. Humans are usually the predators of birds but in the book they are shown as eating the humans because of the weather. However in the book they kill the humans but no mention of eating. The humans are left helpless to die. Hitchcock could have also based this on the bird attacks in San Francisco because the birds attacked without an explanation. Also ‘Psycho’, Norman’s hobby is stuffing dead birds which could be a reference to the cruelty of humans to birds.
In the beginning the lack of any non-diegetic sounds in the film makes us believe there is no music score. However Hitchcock uses the sounds of the school children and birds during the film. The squawking of the birds is very intense. When it is calm the sounds are quiet and high pitched. Before and during attacks the bird sounds range in pitch and volume terrifying the viewer. Hitchcock refers to Bernard Herrmann, a composer as a music consultant. Herrmann has worked with Hitchcock on many films such as ‘Vertigo’. Hitchcock seemed to not use non-diegetic sounds to create a nervous atmosphere which is preserved throughout the film but the bird noises seems to be internal but is a non-diagetic sound with different pitched squawks. When we are introduced to Mitch’s family home Melanie on the piano is another sound which creates and atmosphere. Whist Kathy is pleading for Melanie to stay. The piano sets the mood and slows down in pace as Kathy is turned down.
In the Playground Scene the children’s nursery rhyme is the only sound which gives the same effect as a non-diegetic sound. This sound is well used to create tension in the atmosphere. The children sing repeatedly to make the scene feel innocent and to show Melanie is still naive to the birds gathering behind her. Although the sound is internal it still builds up tension and fear in the film.
To conclude the film was incredibly triumphant in creating suspense for the audience. The whole film has a mixture of horror and suspense. This made me feel Hitchcock deserved to be called the master of suspense. Although others may feel this is not one of Hitchcock’s best films because of bad visual effects I think it is worthy of being in the top five of Hitchcock’s films. Through camera angles, colour and lighting and the drama portrayed by the actors and actresses the birds continues to be a success due to it being able to frighten audiences from different time periods. The absence of a musical soundtrack is very efficient in creating suspense. The film also produces an amazingly compelling storyline and for those reasons Hitchcock will never be forgotten for his amazing works.
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My sims stuff at http://pipsims.tumblr.com
Sigh, there’s a great post going around of Desi actors who could have played Khan, but it looks like it got derailed multiple times by people going, ‘But Ricardo Montalban was Mexican, so this should be a list of Mexican actors instead!’
Here’s the problem though — really, Montalban shouldn’t have been playing the role either when the character is Indian and he’s not, but that was what they could get away with during the 1960s. But like, why are still clinging to that NOW when we should be doing better than that?
Ugh, just, I know people have good intentions, but this is just reinforcing the other problem of ‘All POC are interchangeable’ and acting like the 1960s are the height of progressiveness.
Bollywood superstar Shah Rukh Khan on being detained at the U.S. Airport—twice. (Once, he was detained while promoting a film called “My Name is Khan” which was ironically about a person with the last name Khan suffering from repeated racial profiling.)
Multiple actors and other prominent individuals in the film industry with the last name “Khan” have been detained when entering the country. Irrfan Khan (The Life of Pi, Slumdog Millionaire, Spider-man) described the three times he was stopped—while on the way to receive honors for his roles in films such as The Namesake—as “humiliating.” Actor Aamir Khan was stopped and stripped searched in 2002. Director Kabir Khan, was reportedly detained at least three times in 2008 while filming in the United States. The New York Times ended up remarking on The Dangers of Fying While Khan
This much is clear:
If you’re an award winning actor named Khan, you will still get stopped and humiliated at the airport. When that rare character in American media finally shows up sharing your name, he will be played by a white British man. That actor will wear your name for one movie and sneer and strut to great critical acclaim. You will wear your racialized name, your skin color, and hope you don’t get detained another time.
In a piece for the New York Times, Angelina Jolie revealed she underwent a preventative double mastectomy. I’m not going to summarize it here because you should hear it coming from her. If you haven’t yet read it, you really should read it right now here.
Angelina Jolie shared a personal…


Friday, January 13, 2012
P.S. Film Fest Actor of the Day--Day 9
After spending his childhood among Columbian drug cartels, Juan David Restrepo dreamed of becoming a movie star.
When he was acting in a school play, a talent agent discovered him and the rest was Columbian acting history.
Restrepo's action role in The Squad resembles what he experienced in his childhood. Add witchcraft to that and you've got a film filled with intrigue and suspense.
Before acting, Restrepo modeled for Diesel, a young adult clothing line.
In 2000, he had his first lead role in Our Lady of the Assassins in which he plays an older man's younger romantic interest in the drug chaos of Medellín, Columbia.


I thought I have had a fairly good run in judging a movie by it’s cover but last night it went horribly wrong. A movie with a cast of mostly unknowns didn’t help improve the movie’s lack of quality and 93 minutes of my life was wasted. Most of the casts were white kids with a token Indian and an African-American thrown in but no Asians, weird huh? I can only describe my emotions for 93 minutes as numb, annoyed and a bit of laughter out of sheer pity at how crap this movie was. The “revenge of the nerds” (outcasts) has been done before and done much better I might add, the plot had some substance but it was poorly interpreted. By the final third of the movie it was apparent that this was a mish-mash of Saw, Hostel and a tribute to the Columbine massacre. Even two of the characters resembled Eric Harris and Dylan Klebold. What I found more amusing was that this movie was actually rated 5.4 out of 10 on IMDB with just under two thousand votes. That was enough to mislead me into thinking this movie was worth watching.
Some scenes were just too painful to watch and Justin Arnold who plays one of the main bullies (Bradley) I suspect will remain in the minor leagues throughout his acting career. There were a lot of parts of this movie I remember 12 hours after watching it, not because it was good, it’s because it didn’t make sense. I remember the Indian kid having three lines during the entire movie and the director must have realised how useless his character was because he was the first one to die.
For me this movie doesn’t deserve more than two paragraphs to describe how awful it is. It is however well titled “The Final’ because I can guarantee you, it will be the last time you’ll watch it. Give the copy of the movie away to someone you don’t like or just delete it from your hard drive. That’s what I did.


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For eyes only (Streng geheim). DDR , s/w, Min. Regie: Janos Veiczi Buch: Harry Thürk, Janos Veiczi Darsteller: Alfred Müller, Helmut Schreiber, Martin. pegasus-dpr.eu - Kaufen Sie For Eyes Only - Streng geheim günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. Die Arbeit der „Kundschafter des Friedens“ im DDR-Spielfilm. Film: For Eyes Only(Streng geheim), DEFA, , Minuten. Die Arbeit der DDR-Spionage war.
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For Eyes Only, Langtitel For Eyes Only, ist ein deutscher Spionagefilm der DEFA von János Veiczi aus dem Jahr For Eyes Only, Langtitel For Eyes Only (Streng geheim), ist ein deutscher Spionagefilm der DEFA von János Veiczi aus dem Jahr "For eyes only - (Streng geheim)": Der DEFA-Thriller wurde / gedreht. Er erzählt die Geschichte des Agenten Hansen, der. pegasus-dpr.eu - Kaufen Sie For Eyes Only - Streng geheim günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. For eyes only. Streng geheim. Regie: János Veiczi, Min., Schwarz-Weiß, Spielfilm Deutsche Demokratische Republik (DDR) DEFA-Studio. Materialsammlung zum Film "For Eyes Only – Streng geheim". Der als Mitarbeiter des US-amerikanischen Geheimdienstes getarnte Stasi-Spion Hansen soll. For Eyes Only (Streng geheim). DDR / Spielfilm. "For Eyes Only (Streng geheim)", Quelle: DIF. Quelle: DIF. Alfred Müller (vorne) in "For Eyes Only.
Gunther Scholz' Dokumentarfilm kommentiert das Verhältnis zwischen "For eyes only" und der realen Geschichte von Horst Hesse. Der angeblich erbeutete. For eyes only (Streng geheim). DDR , s/w, Min. Regie: Janos Veiczi Buch: Harry Thürk, Janos Veiczi Darsteller: Alfred Müller, Helmut Schreiber, Martin. pegasus-dpr.eu - Kaufen Sie For Eyes Only - Streng geheim günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details.
For Eyes Only Navigation menu VideoSheena Easton - For Your Eyes Only Director: John Glen. Clear your history. Stuntman Martin Grace stood as Bond when the agent is dangling outside the flying helicopter, while Roger Moore himself was used in the scenes inside the model. Bond also encounters Aristotle Kristatos and Milos Colombo. In October filming moved to other Greek locations, including Meteora and the Achilleion. Bond 12 and is Gaya Verneuil to locate the whereabouts of the ATAC, a secret device that transmits orders to Polaris carrying Buffy Staffel 1. A combination of lighting effects, slow-motion photography, wind, and bubbles added in post-production, gave the illusion of the actors being underwater. Namespaces Article Talk. As Columbo confronts Kristatos, Bond kills Kriegler. He must do so quickly because the Soviets are Weiskirchen in pursuit, and they appear to be aided by a wealthy shipping magnate. Die Arbeit der „Kundschafter des Friedens“ im DDR-Spielfilm. Film: For Eyes Only(Streng geheim), DEFA, , Minuten. Die Arbeit der DDR-Spionage war. Gunther Scholz' Dokumentarfilm kommentiert das Verhältnis zwischen "For eyes only" und der realen Geschichte von Horst Hesse. Der angeblich erbeutete. For eyes only (Streng geheim). DDR , s/w, Min. Regie: Janos Veiczi Buch: Harry Thürk, Janos Veiczi Darsteller: Alfred Müller, Helmut Schreiber, Martin. Bond and Melina later spend a romantic evening aboard her yacht when he receives a call from the Prime Minister, leaving Max to flirt with the Prime Minister, much to the annoyance of Q, Grey, and Tanner. Overlord Wiki from the original on 16 March Alle Serien Stream Deutsch two then spend the night together. Wikimedia Commons Wikiquote. Whereas a classified document is normally intended to be available to anyone with the appropriate security clearance, an "eyes only" designation, whether official or informal, indicates that the document is intended only for a specific set of readers. User Reviews.
For Eyes Only VideoFor Your Eyes Only 1981 720p HDTV 03 Die Geheimdienste der einstigen sozialistischen Länder sind nach wie vor Symbole der Angst- und Terrorregime, eingesetzt gegen die Winnetou Film Bevölkerung. Fotogalerie Alle Fotos 3. DE Brügge Film. Länge: m, min. Fred Ludwig. Die zweite Sektion fragte nach Methoden, filmische Techniken zu behandeln. Auf Initiative der Bundeszentrale für politische Bildung wurden 35 bedeutende Werke der Filmgeschichte zusammengestellt. Stab Eleonore Dressel. Anmelden Registrieren. Hans-Dieter Schlegel. Horst Schönemann. Kostüme Gerhard Kaddatz. Ingrid Ohlenschläger. Als er bei einem Kleinkriminellen eine Kopie des Safe-Schlüssels anfertigen lassen will, erfährt er, dass er nicht der erste mit diesem Ansinnen ist. Daraufhin wurde Hesse als Doppelagent tätig Kino Oeynhausen dem amerikanischen Geheimdienst lieferte er von der Stasi gestelltes Material über die Rote Armee in Magdeburg zu. Jochen Diestelmann.
However, Kristatos is already on location and is waiting for them when they surface and he takes the ATAC. After the two escape an assassination attempt through shark -infested waters, they discover Kristatos' meeting point with the KGB with the help of Melina's parrot , Max.
With the help of Columbo and four of his men, Bond and Melina break into St Cyril's , an abandoned mountaintop monastery. As Columbo confronts Kristatos, Bond kills Kriegler.
Bond and Melina later spend a romantic evening aboard her yacht when he receives a call from the Prime Minister, leaving Max to flirt with the Prime Minister, much to the annoyance of Q, Grey, and Tanner.
We had gone as far as we could into space. We needed a change of some sort, back to the grass roots of Bond.
We wanted to make the new film more of a thriller than a romp, without losing sight of what made Bond famous — its humour.
However, after the success of Star Wars in the producers decided to produce Moonraker instead. The film was also a deliberate effort to bring the series more back to reality, following the success of Moonraker in Wilson pointed out, "If we went through the path of Moonraker things would just get more outlandish, so we needed to get back to basics".
Following a suggestion of Glen, Lamont created realistic scenery, instead of the elaborate set pieces for which the series had been known.
Richard Maibaum was once again the scriptwriter for the story, assisted by Michael G. Hardy's treatment included the involvement of a character named Julia Havelock whose parents were assassinated by a man named Gonzales.
For Your Eyes Only is noted for its pre-title sequence, described variously as either "out-of place and disappointing"  or "roaringly enjoyable".
The sequence begins with Bond laying flowers at the grave of his wife Tracy Bond , before a Universal Exports helicopter picks him up for an emergency.
Control of the helicopter is taken over by remote control by a bald man in a grey Nehru jacket with a white cat.
This character is unnamed in either the film or the credits, although he looks and sounds like Ernst Stavro Blofeld as played by Donald Pleasence or Telly Savalas.
It's a legal thing". Maibaum later said "We tried to return to the earlier films with For Your Eyes Only but we didn't have Sean to make it real.
And I was very disappointed with the way the love story was handled. The whole idea was that the great lover James Bond can't get to first base with this woman because she was so obsessed with avenging her parents' death.
Nothing was ever done with it. It was as if the director didn't feel there was a love story there at all.
Subsequent to this, the actor negotiated contracts on a film-by-film basis. Bernard Lee died of cancer on 16 January , after filming began on For Your Eyes Only , but before he could film his scenes as M , the head of MI6, as he had done in the previous eleven films of the series.
Out of respect, no new actor was hired to assume the role as Broccoli refused to have the character recast and, instead, the script was re-written so that the character is said to be on leave, letting Chief of Staff Bill Tanner take over the role as acting head of MI6 and briefing Bond alongside the Minister of Defence.
Chaim Topol was cast following a suggestion by Broccoli's wife Dana, while Julian Glover joined the cast as the producers felt he was stylish — Glover was even considered to play Bond at some point, but Michael G.
Wilson stated that "when we first thought of him he was too young, and by the time of For Your Eyes Only he was too old". Many of the local houses were painted white for scenographic reasons.
In October filming moved to other Greek locations, including Meteora and the Achilleion. On 1 January , production moved to Cortina d'Ampezzo in Italy, where filming wrapped in February.
Many of the underwater scenes, especially involving close-ups of Bond and Melina, were faked on a dry soundstage.
A combination of lighting effects, slow-motion photography, wind, and bubbles added in post-production, gave the illusion of the actors being underwater.
Production designer Peter Lamont and his team developed two working props for the submarine Neptune, as well as a mock-up with a fake bottom. Roger Moore was reluctant to film the scene of Bond kicking a car, with Locque inside, over the edge of a cliff, saying that it "was Bond-like, but not Roger Moore Bond-like.
Wilson later said that Moore had to be persuaded to be more ruthless than he felt comfortable. For the Meteora shoots, a Greek bishop was paid to allow filming in the monasteries, but the uninformed Eastern Orthodox monks were mostly critical of production rolling in their installations.
After a trial in the Greek Supreme Court, it was decided that the monks' only property were the interiors — the exteriors and surrounding landscapes were from the local government.
In protest, the monks remained shut inside the monasteries during the shooting,   and tried to sabotage production as much as possible, hanging their washing out of their windows  and covering the principal monastery with plastic bunting and flags to spoil the shots, and placing oil drums to prevent the film crew from landing helicopters.
The production team solved the problem with back lighting, matte paintings , and building both a similar scenographic monastery on a nearby unoccupied rock, and a monastery set in Pinewood.
Roger Moore said he had a great fear of heights, and to do the climbing in Greece, he resorted to moderate drinking to calm his nerves. Special effects supervisor Derek Meddings developed a system that would dampen the stop, but Sylvester recalled that his nerves nearly got the better of him: "From where we were [shooting], you could see the local cemetery; and the box [to stop my fall] looked like a casket.
You didn't need to be an English major to connect the dots. Bond veteran cameraman and professional skier Willy Bogner, Jr.
The pre-credits sequence used a church in Stoke Poges as a cemetery, while the helicopter scenes were filmed at the abandoned Beckton Gas Works in London.
A smaller mock-up was built by Derek Meddings ' team closer to the camera that the stunt pilot Marc Wolff flew behind and this made it seem as if the helicopter was entering the warehouse.
The footage inside the building was shot on location, though with a life-sized helicopter model which stood over a rail. Stuntman Martin Grace stood as Bond when the agent is dangling outside the flying helicopter, while Roger Moore himself was used in the scenes inside the model.
The score of For Your Eyes Only was written by Bill Conti , who retained a number of John Barry -influenced brass elements in the score, but also added elements of dance and funk music.
The title song , written by Conti and Michael Leeson, was sung by Sheena Easton , who holds the distinction of being the first title song artist to appear on screen in a Bond film,  as designer Maurice Binder liked Easton's appearance and decided to add her to the opening credits.
The promotional cinema poster for the film featured a woman holding a crossbow ; she was photographed from behind, and her outfit left the bottom half of her buttocks exposed.
The effect was achieved by having the model wear a pair of bikini bottoms backwards, so that the part seen on her backside is the front of the suit.
Derek Malcolm in The Guardian disliked the film, saying it was "too long Ian Christie , writing in the Daily Express , said that it was not "much of a plot, but it has a touch of credibility which is a welcome change from some of its predecessors.
Barkley describes Moore's Bond as having an "accustomed debonair calm and quiet authority". All told, Barkley thought "this Bond movie is smashing entertainment.
David Robinson , writing in The Times bemoaned the fact that the "dramatic bits between the set pieces don't count for much.
For the US press, Gary Arnold in The Washington Post thought the film was "undeniably easy on the eyes", and further added "maybe too easy to prevent the mind from wandering and the lids from drooping.
Jack Kroll in Newsweek dismissed the film, saying it was "an anthology of action episodes held together by the thinnest of plot lines", although he did concede that these set pieces are "terrific in their exhilaratingly absurd energy.
French filmmaker Robert Bresson admired the film. James Berardinelli wrote that the film was "a solid adventure, although it could have been better",  while Danny Peary thought "There are exciting moments, but most of it is standard Bond fare," going on to describe For Your Eyes Only as "an attempt to mix spectacle with [the] tough, believable storylines of early Bond films Afterward, it's one of the most forgettable of the Bond series.
Although Chris Nashawaty of Entertainment Weekly ranks Carole Bouquet playing Melina as the "worst babe" of the seven Roger Moore James Bond films,  his colleague, Joshua Rich disagreed, putting her tenth in the overall 10 Best Bond Girls listing from the 21 films released up to that point.
Thalberg Memorial Award to producer Albert R. As part of the merchandising of For Your Eyes Only , Marvel Comics published an adaptation of the movie as issue 19 of Marvel Comics Super Special ; this was also repackaged as a two-issue comic book adaptation of the film.
It was the second film in the series to have a comic book tie-in, following a Dr. Company Credits. Technical Specs.
Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews.
Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. James Bond is assigned to find a missing British vessel, equipped with a weapons encryption device and prevent it from falling into enemy hands.
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Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version.Marvin Marvin 35mm, Totalvision. Egon Günther. Was uns betrifft Defying Netzdebatte werkstatt. Maximilian Larsen. Ziel war es, für Orf Fernsehen Medium Film zu sensibilisieren und der filmschulischen Bildung in Deutschland Auftrieb zu geben.


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Sunday 13 May 2012
A ROTARYACT audience with Patricia Routledge
PATRICIA ROUTLEDGE - FACING THE MUSIC
Patricia Routledge in conversation with Edward Seckerson - Presented by ROTARYACT in support of Polio Plus, ShelterBox and Soho Theatre Writers' Centre.
Sunday 13th May & Sunday 17th June at 7.30pm
Ticket :£25.00 & £17.50 (Ticket prices include drinks and canapé reception)
100% of ticket proceeds benefit Polio Plus, Shelter Box and Soho Theatre Writers Centre equally.
Although best known for her many television roles in such shows as Keeping Up Appearances, Hetty Wainthrop Investigates and Victoria Wood as seen on TV, it is still one of the best kept secrets in show business that Patricia Routledge trained not only as an actress but also as a singer and had considerable experience and success in musical theatre, both in this country and in the United States of America.
Her many awards include a Tony for her Broadway performance in the Styne-Harburg musical Darling of the Day (1967) and a Laurence Olivier Award for her performance in Leonard Bernstein's Candide (Old Vic 1989). Her one woman show Come For The Ride toured the UK in 1988 and in 1992 she played Nettie Fowler in the highly acclaimed production of Carousel at the National Theatre. In 1998 she was honoured with the Gold Badge of Merit by the Academy of Songwriters, Composers and Authors.
Edward Seckerson's diligent discovery of her 'musical life' makes for a fascinating evening.
This ROTARYACT fundraising theatre event is organised by Rotary Club of Westminster East & Rotaract Club of Westminster and sponsored by Charing Cross Theatre.
Tickets are now available online at www.rotaryact.org and through the Box Office: 08444 930 650
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From the jump Skyscraper hits the ground running and never stops. Initially I was worried that it would take time for the s**t to hit the fan but luckily it was not the case here and the movie is relentless in keeping the viewer engaged throughout. Skyscraper was not a perfect movie and it definitely had its cringe moments but the intense action and excellent performance from Dwayne “The Rock” Johnson makes this one of the best original action movies of the year.
The story of Skyscraper is simple, When Will Sawyer’s (The Rock) family gets trapped in an enormous skyscraper while terrorist attack he stops at nothing to rescue them. Its in the simplicity of the plot where Skyscraper shines. This is not saying its all nonsense but the simplicity helps keep the focus on what matters, Will’s mission to save his family.
Will Sawyer is an extremely believable protagonist who despite being built like a wall is vulnerable, empathetic, and human. In many movies staring The Rock he is depicted as some unstoppable machine but in Skyscraper he bleeds, he gets beat up, he gets winded and loses breath, and gets roughed up a whole lot. This really helps ground this crazy story in reality, yes this ginormous skyscraper is filled with science fiction goodness but its Will Sawyers bumps and bruises that keeps things grounded.
I also have to give a shout out Neve Campbell’s Sarah Sawyer. The movie does a great job giving her what to work with so she is not just a throw away character, she holds her own and represents a strong mother very well. Its in the rest of the supporting cast that the movie falls apart a little. The villains are thinner than paper thin. For a movie that is inspired so much from films like Die Hard the villain is so throw away. Another slight hitch in Skyscraper is that for the most part the writing is pretty good but there are some really cringey moments especially from Will and Sarah’s children. They would say such ridiculous things sometimes that made me face palm, but maybe its just my nitpickiness when it comes to children actors.
Love or hate the story, most of us came for the action and oh boy does Skyscraper deliver. This movie doesn’t stop, it constantly keeps you on the edge of a seat and makes almost every moment exciting. The scope of this skyscraper is breathtaking and I constantly felt like I was looking over the edge. I was a little surprised to see that the movie had very few fight scenes but instead of traditional hand to hand combat, the movie focused on the actual building being the true adversary and obstacle for Will to conquer. It kept the stakes high resulting in some amazing heart stopping moments.
I love movies with The Rock just as much as the next guy nut I was honestly surprised by Skyscraper; I didn’t expect to love it as much as I did. It definitely has some weak elements but they are ultimately over shadowed by everything that the film does right. The Rocks grounded and excellent performance and the relentless, nail bighting action make this a true summer blockbuster


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Hello Anna! This gif is really funny and the name of the movie is The Little Rascals (from 1994). It’s a funny movie and I think you’ll like it!
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At the Octagon, we are always striving to push the boundaries of theatre and to hear from perspectives that we don't often hear from. In To Kill a Mockingbird, Tom Robinson is at the centre of the story but we never truly see things from his point of view. That's why we commissioned three writers to write one full scene each, telling the story through Tom's eyes.
To create Maycomb here at the Octagon is not without its challenges, especially when the auditorium is in-the-round. We spoke to award-winning designer Amanda Stoodley, who has captured Scout Finch's world with a beautiful set and carefully crafted costumes.
Test your knowledge of Harper Lee's poignant story and Christopher Sergel's adaptation by answering these questions, set by our young company. Catch the production at the Octagon until 15 October 2016!
Since it opened on Thursday 4 June 2015, we’ve had as many positive audience comments about the Noises Off set and the theatre’s (real) backstage goings-on as we have had about the production itself. Due to popular demand, we cornered our Head of Production, Olly Seviour, who gave us a few bullet points about the complicated set and how his team constructed and conquered it…


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Originally published on Playhouse Square
Do you preface every decision with “I am not throwing away my shot?” Is your lunch box packed with a Hamilton and cheese sandwich? If you’re the kind of Lin-Manuel Miranda fan that is constantly seeking new shots to act as background screens or your phone, then there’s some exciting news you need to know. On June 18, 2021, In the Heights, a musical adapted by Miranda and Quiara Alegría Hudes from the book written by Hudes, is scheduled to be released as a film simultaneously in theater and on HBO Max.
If you haven’t heard of In the Heights, first of all–What?! And second, here’s all you need to know to slide into the fast lane of the next Miranda sensation. In the Heights is the story of a bodega owner in the Hispanic-American community of Washington Heights in New York City. The play, which actually predates Hamilton, features Miranda’s typical musical sense and includes salsa, hip-hop, soul, and merengue. The story chronicles the immigrant experience through the love stories of Usnavi and Vanessa and of Nina and Benny as well as through the tribulations of Usnavi’s “Abuela Claudia,” who wins $96,000 in the lottery.
The show initially ran off Broadway in 2007 but was such a quick success that it moved to Broadway for a three-year run from 2008-2011 where it was a 2009 Pulitzer finalist for drama. During its run, some of the accolades it received were Drama Desk Awards for Outstanding Ensemble Performance and for Outstanding Choreography, and Tony nominations for Best Musical and Best Original Score. It has also received Outer Critics Circle, Obie, Lucille Lortel, Clarence Derwent, and Theater World awards.
You can understand, then, the hype concerning this new film adaptation of the musical. One critic celebrates Miranda’s “signature use of rap and stunning melodies that can bring you to tears,” going on to argue that the show is a “more emotionally compelling experience” than Hamilton. He explains his love for the historical scope of Miranda’s founding-father smash, but offers that In the Heights is more emotionally compelling because it is able, in its much more limited time frame, to show the story’s action rather than tell us.
The plot device used in Hamilton where performers essentially had to narrate years of history in a single piece is only used twice in In the Heights (in the opening and ending numbers). We are thus more immersed in the action of the show without the Brechtian asides to the audience. This “allows moments of silence, and the show’s pace to ebb and glow when appropriate” where Hamilton simply had too much material to cover.
The new film version of In the Heights is directed by John M. Chu, known for his direction of Crazy Rich Asians, and features a screenplay written by Hudes. The film version features Anthony Ramos as Usnavi, Melissa Barrera as Vanessa, Arianna Greenblatt as Nina, and Corey Hawkins as Benny. The film also includes appearances by Miranda as Mr. Piraguero who is a local that sells flavored ice from a cart, and by the singer, song-writer Marc Antony (you might recognize him as the father from Man On Fire).
2020 has been a crazy year, and as the new COVID vaccination is distributed around the nation and life slowly returns to normal, we could all use something to look forward to. So start working on your beat-boxing and practicing those dance steps; “It Won’t Be Long Now” before we have a new Lin-Manuel musical on the big screen!
Ivan Young is a writer for American Beauty School, a New York-based cosmetology school.


He’s loved her since she was born.
She’s known him her entire life.
But yet, they’ve never met.
Jack Elliott is a host to three alters that possess superhuman powers. As a Guardian, he integrates other hosts with their alters. Visions of his next assignment mesmerize and taunt him in ways no other has before. And when they finally meet, he realizes he may be her Guardian, but she holds his heart.
Growing up in the foster care system, Grace Evans is no stranger to adversity. But unexplained blackouts, lapses in time, and now a new, mysterious transfer student has her on edge. There is more to Jack than meets the eye. Something is drawing her to him while something else is destroying her from within.
Determined to protect her, Jack must fight what he is, what he needs, and what he wants. Will guarding Grace be worth it?


One-on-one lesson. Hands-on or incorporating the Technique with your musical instrument, text, or a daily activity. Option to work in studio or on location. 60 minutes. $80. Sliding scale information available upon request.
A course of six-ten lessons for three or more participants. Course tailored specifically towards the interests of the group. Individual hands-on work as well as ensemble driven exercises incorporating the Technique. Pricing varies.
Alexander-centered group workshops for all levels, specifically shaped for your program or organization. Past workshop topics include: Shakespeare for Actors, Meisner and the Alexander Technique, The Alexander Technique for Playwrights and Non-Fiction Writers, Understanding the Alexander Technique for Visual Artists, Introduction to the Technique for LGBTQQI Youth, and Audition Preparation (undergraduate, graduate, high school, and specialty programs). Approximately 2-4 hours. Pricing varies.
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An introduction to Sanford Meisner's method acting through the lens of the Alexander Technique. Please contact for more information.


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Tucky is the creator, writer, and executive producer of Dagger Kiss. She also created and wrote three seasons of the pioneering, award-winning webseries Girl/Girl Scene. Tucky has received multiple honors for her artistic contributions to the LGBT community. Find Tucky on IMDb, Wikipedia and at her website.
Tom is an actor known for his leading role in Shadows Light (in which he co-starred with Tucky Williams), Hitting the Cycle, and Healing the Stupid. He regularly appears as Todd the threrapist on Girl/Girl Scene. He is one of the most prominent and respected actors in Kentucky theater.
Silvio is an actor and singer, native of Leipzig, Germany. He is known for his roles in The Fault in Our Stars, My Christmas Soldier, and 7 Below. Silvio has a background in military tactics, martial arts and a number of extreme sports. He loves physical roles and performs most of his own stunts. Check him out on IMDb.
P.J. is an award-winning choreographer for professional and community theater groups. She has been a featured dance soloist with the American Spiritual Ensemble and has performed with the group on three tours of the United States and six tours of Spain. P.J. appeared as Mimi in Girl/Girl Scene. She has over 200 stage, film, and TV credits in the United States and Canada.
Jessica is a Kentucky actress. She appears in commercials, film, web series, TV and theater throughout the region. Jessica is thrilled to be a part of Dagger Kiss, and hopes to continue working with Tucky Williams Productions and Tello Films. Find her on IMDb and her website.


“Labyrinth” is an adventure film directed by Jim Hessen, starring David Bowie and Jennifer Connery. The film tells the story that Sarah needs to go through the maze and demon city around the castle within the time limit to save her brother.
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Theatre Baddeck Presents - The Ladies Foursome
Theatre Baddeck: professional theatre on Cape Breton Island!
The Ladies Foursome
by Norm Foster
July 6-August 18; varied performances at 7:30pm, 3:30pm, 4pm, and 8pm. See full performance schedule at www.theatrebaddeck.com/calendar
Four ladies gather for a game of golf. Over the course of eighteen holes, secrets and confessions unravel as the women discuss love, sex, children, and everything in between. Friendships tested and friendships found, this is one round of golf that you won’t want to miss. This funny, fast-paced, heartwarming story of friendship by Canada’s most produced playwright is a definite hole in one!
The Morrisburg Leader called The Ladies Foursome "a fun-filled, fast-paced, thoroughly joyful celebration of the special bonds of friendship which link together four utterly unique women."
This production will be directed by Heidi Malazdrewich, best known for directing the Canadian premiere of the hugely popular The Curious Incident of the Dog in the Night-Time at the Royal Manitoba Theatre Centre/Citadel.
Learn more: www.theatrebaddeck.com/ladiesfoursome
- On sale now: www.theatrebaddeck.com | 902-412-7122
- Ticket packages available! See more theatre, save more money. Visit www.theatrebaddeck.com/save to learn more.
- Tickets are available at the door (subject to availability), but you save 15% by purchasing in advance.
24 Queen St, Baddeck, NS. Free parking available. Wheelchair accessible. Learn more: www.theatrebaddeck.com/thetheatre
Location: 24 Queen Street, Baddeck, NS
Date: July 6 - August 18


For the 4th part , click here
Call to Action pt 2: – Giving back to your community
Asian American celebrities have surpassed through the struggling course of auditioning for a role and making it onto the big screen. Due to their success, they have become a role model for Asian Americans and other minorities to pursue a career in the film industry. Considering that they are the role models of Asian Americans, they have a civic duty of giving back to their own cultural community. According to Lori Kido Lopez’s Asian American Media Activism: Fighting for Cultural Citizenship, Lopez shares how Asian American actors give back to their community by stating “For Asian American celebrities, supporting a charity or nonprofit demonstrates one way to mobilize their fans into civic action–by turning their participation (their viewership) into monetary donations for a charity or by encouraging their viewers to donate directly. This mobilization is a commendable use of their social power, but we must also note that charity is not the same as activism.” Lopez continues by stating, “In doing so, Asian American Youtubers are following in the footsteps of the many mainstream celebrities who also deploy their celebrity toward charitable causes.” Examples of celebrities who give back to their community are actors like Randall Park and Ki Hong Lee. Randall Park, who is featured in a sitcom show, Fresh Off The Boat and Ki Hong Lee, who co-stars in the film series, The Maze Runner, have both given back to organizations like Hilarity for Charity and ISATV, which are charities that give back to the community. Before either of them were famous, they were both partnered with Asian youtube stars like Wong Fu Productions; creating short films, and skits that became into a viral video. Now in 2016, Lee and Park are famous in the hollywood industry and are still giving back to youtube and other organizations, even after their stardom.
For the 6th part, click here


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The co-director of indie comedy drama Black Pond on the risk-taking and creative freedom involved in getting his first feature made.
Published on 8 February 2012.
What first inspired you to get into your craft?
I’m not sure exactly. But maybe one factor was that my family didn’t have a TV when I grew up. That made the occasional trip to the cinema even more exciting than it might have been.
How did you first break into the industry?
It doesn’t feel like I’m in the industry yet, but maybe it never does. If I am in it, then it’s sort of by accident in that Will Sharpe [writer and co-director of Black Pond] and I made our first film completely outside the industry. After two years of making the film – and everything else from finding funding to self-distributing – we realised that we had actually ended up making a film! And therefore, once we’d released it, we ended up in the industry whether the industry liked it or not. That seems to be quite a nice way of breaking in, but we were very lucky that the gamble paid off. I suppose the downside was that we didn’t have any support, but the huge upside was that we had total creative control.
Another moment that was almost as important was when I got my first paid job in the world of filmmaking. Instead of going to film school, I worked as a runner on shoots for music videos and commercials. I got that job by making some short animations, and sending them to several production companies in London. Bart Yates at Blinkink watched them, and got me my first job. While working there, I learnt nearly all the technical stuff that I know about filmmaking. The rest I got from Google.
Which professional figure in your field do you find the most inspiring?
I admire Steven Soderbergh’s hands-on approach to filmmaking. He writes, shoots and edits most of his films, which gives him the freedom to make some very personal films amongst his more commercial work. In such a bloated and slow-moving industry, his way of working is really inspiring. I think that’s the future.
If you hadn’t managed to break into your field, what was your plan B?
In a way, filmmaking is my plan B, because after leaving university I thought it would be safer and more respectable to be a journalist. I was wrong. It wasn’t for me. So then I thought I might as well go for it and do all I could to get into film.
Which film/TV programme do you wish you could have worked on?
Maybe Brazil. That’s my favourite film.
What single piece of advice would you give to a young person trying to break into your discipline and get noticed? How do you stand out from the crowd?
Don’t wait for anyone to give you permission to make a film. Just learn to be as independent as you can, and make lots of stuff by yourself on the cheap. Filmmaking is a very practical medium – most of it is about problem-solving in a tasteful way. You can only learn how to make films by making films. And once you have access to a camera and a laptop, you don’t need to spend any more money to practice. Make short films, learn from your mistakes and get better. Don’t worry about getting funding, or getting into a short film festival. Once you’ve made a few short films completely independently, you’ll have encountered most of the problems that will come up when you come to make a feature.
Were there any people who supported/mentored/championed you in the early stages of your career? How important are these kinds of relationships?
I reckon the best advice comes from your friends who are trying to do similar things to you. The film industry is changing very quickly, and the people most alert to that change are likely to be the people at the bottom, trying to fight their way in. My most important working relationship is with Will because we spur each other on to do better things than we would on our own. And when we’d be editing our film late at night for weeks on end, and our friends would ask where we’ve been all this time, I’d know that at least if I was mad for trying to make this film, then Will was mad as well.
How do you think the UK film/TV industry will change in the next few years?
I think it will change a lot. It’s cheaper than ever to make films and distribute them. And so the big companies that hand out large sums of money to a few lucky filmmakers seem to be a throwback to another era of filmmaking. I reckon that the new wave of young and inventive filmmakers will be able to have much more power within the industry – meaning we’ll end up with more interesting and personal films. It feels like filmmaking is becoming more democratic.
Find out more about the Outstanding Debut Award presented in honour of Carl Foreman.


Nandamuri Balakrishna (born 10 June 1960) is an Indian actor, producer and politician. We also know Nandamuri by different names like Balakrishna and Balaiya and Mbak. He has acted in more than 100 Telugu films at the age of 40 and has played a good role. Three Nandi Awards and a South Indian International Movie Award were given to him. Since 2014, he has represented the Hindupuram constituency in the Andhra Pradesh Legislative Assembly by election.
At the age of 14, Balakrishna made his film debut as a child artist in Tatamma Kala (1974), and he has since appeared in more than a hundred feature films in a variety of roles. Since the 1980s, he has enjoyed commercial success with movies like Sahasame Jeevitham in 1984, Janani Janmabhoomi in 1984, Mangammagari Manavadu in 1984, Apoorva Sahodarulu in 1986, Muvva Gopaludu in 1987, Muddula Mavayya in 1989, and Nari Nari Naduma Murari in 1990. A few of these movies also brought him awards.
Nandamuri Balakrishna was born on 10 June 1960 in Madras, which is now known as Chennai. Nandamuri who has been the Chief Minister of Andhra Pradesh for 3 times. Balakrishna married Vasundhara Devi in 1982 when he was 22 years old, and the couple had three kids together. He spent his entire childhood in Madras because the Telugu film business was then centred there. And relocated to Hyderabad during his teens as a result of the Telugu film industry moving there. He graduated from Hyderabad’s Nizam College with a commerce bachelor’s degree.
|10 June 1960 in Madras
|Actor, Producer, politician, Businessman
|5 feet 8 inch
|Telugu Desam Party
|Nizam College, Hyderabad
|1974 in Films
Career in Acting & Political
Balakrishna started his acting career from 1974 itself. And as you have read earlier that he started acting at the age of 14. Balakrishna made his acting debut as a young actor in the N. T. Rama Rao-directed film Tatamma Kala. His father directed several of the movies he appeared in as an actor, including Daana Veera Soora Karna in 1977, Sri Madvirata Parvam in 1979, Akbar Salim Anarkali in 1979 and Sri Tirupati Venkateswara Kalyanam in 1979. At the age of 16, he acted in a movie titled Annadammula Anubandham in 1975, and more then.
Balakrishna has supported the Telugu Desam Party (TDP) since its inception, but he didn’t participate in the election until 2014. He conducted a political campaign for the TDP while on holiday at his father-in-home law’s in the East Godavari area. He ran for the TDP in the 2014 Andhra Pradesh Legislative Assembly elections and won with a big margin in the Hindupur Assembly Constituency.  Since 1983, Hindupur in the Anantapur district has been a TDP stronghold. His father once served as its representative, while his brother Nandamuri Harikrishna afterwards took it for a while. Balakrishna is the third member of the family to serve as their State Assembly representative.


This weekend, my family and I sat down to watch a film I remember loving when I first saw it in my late teens: You’ve Got Mail starring Meg Ryan and Tom Hanks circa 1998. We have three children, all in their early to mid-teens, and were searching for an upbeat family movie that everyone could enjoy.
I settled into the couch with hubby and kids expecting what I remembered from my youth: A lively romantic comedy with pithy conversation and beautiful shots of NYC life. What I saw, now that my mind is one of a mother (i.e., with a ticker tape running through my brain trying to determine if I’m raising my children to be good citizens of the world), was a very different movie. One that I wasn’t sure I was OK having my kids watch, when it came right down to it.
First off, just to give you some context: Tom Hanks and Meg Ryan play competing booksellers (his is the huge corporate book store and hers the struggling independent) who have unknowingly started a friendship online via AOL email while dating other people. Much hi jinks and arguing ensue until they, not surprisingly, happily end up together.
Here are my issues, as a mother regretting she suggested this as viewing enjoyment to her children, in somewhat order of annoyance and/or disappointment.
- Both of the main characters are already in relationships with people who they show no real affection or consideration for. In fact, they appear to actively dislike their chosen romantic partners, despite living together (or, as Meg puts it in the film, practically living together). Why be in a relationship with someone you can’t stand to be around and, as a result, go off seeking connection elsewhere instead of just leaving the dissatisfying relationship to begin with?
- Meg asks for (and receives) lots of advice from Tom, via both e-mail and in-person discussions (they become friends in a backwards sort of way towards the end before Tom’s big reveal). Tom offers this willingly and with great panache.
But, throughout the entire movie, Tom never once asks for advice from Meg (despite the fact that his character is the one who has some growing and maturing to do, according to every romantic comedy cliche ever written). Which brings me to. . .
3. Tom’s character never changes his ways. One of the main conflicts in the film is that Meg loves the process of owning a bookstore and connecting with the community, while Tom is just in it for the money. At the end of the movie, Meg’s store has closed and Tom’s store is thriving. But, more importantly, his store and business model remain the same, without any personal connection to its customers or the neighborhood it serves. Oh, and he gets the girl, too.
So that’s Zilch for the struggling independent female business owner and, what, Infinity+ for the corporate male stereotype? Not a model I’d want my kids to follow.
4. Lastly, one of the aspects of the movie I loved (and still love) was the circle of friends Meg is surrounded by at her bookstore. She has loyal employees who are also her trusted friends and many delightful scenes grow from their daily interactions at the shop. Once the store closes, and Tom swoops in to start building a friendship with Meg, her friends are rarely if ever seen again. Her life seemingly becomes full only of one relationship. No more humorous banter with other women or contemplative discussions about her late mother’s memory. Instead, we just get Meg talking over her romantic life with Tom until he reveals himself to be her online friend/lover and they kiss.
That is, by the end of the movie Meg has lost her shop, and in that a significant physical connection to her mother, and seemingly her circle of friends, all to be replaced by Tom’s presence in her life as all that she really needed.
Yeah, this time around I saw that final scene in the garden where Meg is crying and saying “I wanted it to be you so badly” in an entirely different light.
As the credits rolled up on the screen, all I could think was:
After this experience, I’m left to wonder how many other films from my teen years will appear radically different to me after decades of living and with three human beings under my care. It’s true what they say:
Parenthood changes how you see the world,
Romantic Comedies included . . .


Tickets now on sale for the play, The Lost Pages of Cinderella.
In collaboration with Encore! Theatre Arts, The Lost Pages of Cinderella: 24-Hour Assassination Operation comes to the Tulsa stage May 2-4. This hilarious and action-packed play is fun for all ages. Purchase your tickets today!
Which Lost Pages Character Are You?
You've read the book and you'll love the play, but which character are YOU? Take the quiz to find out! Click here to begin, then share the results with your friends!
Now available in paperback and ebook
Visit the Buy the Book page to purchase The Lost Pages of Cinderella: 24-Hour Assassination Operation in paperback or ebook.The book is available through Amazon and Barnes & Noble, where you can also write a review when you finish reading.


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Two graduate students in a university paranormal research lab become accidental detectives as they go searching for a woman who fails to return from her Caribbean vacation. They get help from a group of psychics known as the “Gang of Four” and a modern, hi-tech witch. The psychics reveal that a karmic debt from two hundred years ago has put the woman on a path to danger. After some brilliant deductions and twists and turns, the two detectives come face to face with a deranged killer and his intended latest victim. Just as karma set off the chain of events in the beginning, it also determines the dramatic outcome.


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Wide Awake Films is a creative media group focused on innovative, efficient execution of historical, commercial, and corporate video and film production. We excel in producing compelling and powerful corporate messages, as well as Emmy® award-winning historical content for museums, documentaries and television programming. Wide Awake Films’ eight feature-length historical documentaries are available for sale at www.civilwargoods.com.
Wide Awake Films produced the video on the Community and Conflict home page. The video represents the various themes covered by the collections in project, and sets the tone for understanding the events that transpired in the region.


A young boy named PI takes us on a magical adventure of courage and hope. Losing everything, PI shows us how triumphant the human spirit is. This movie is breathtaking to watch, the visual graphics and special effects are mesmerizing. From beginning to end I was captivated by the beauty and magnificence of this mystical story. This adventure is sure to be a family favorite, it's definitely on our faves list. I would recommend this for ages 10 & up, as there are some graphic scenes that might frighten younger viewers. Having said that, it's my 4 year old Daughter's favorite movie!