The Valentine Theatre (Toledo) - 2019 All You Need to KnowAlthough updated daily, all theaters, movie show times, and movie listings should be independently verified with the movie theater.This restored Art Deco historical gem, located in Uptown Maumee, has state-of-the-art amenities including Digital Cinema and 3D projection.
See reviews, photos, directions, phone numbers and more for the best Movie Theaters in Toledo, OH.
Valentine Theatre - Toledo, OH - Live Stage Theaters on
How to cancel a movie ticket from Paytm - QuoraThe Toledo Cultural Arts Center, a non profit organization, produces and provides cultural and performing arts experiences for diverse audiences of all ages, to enhance the quality of the cultural and economic life of the City of Toledo, Lucas County, Northwestern Ohio and Southeast Michigan.
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Movie Times – Skye CinemaToledo Repertoire Theatre, Toledo, OH. 4.2K likes. The mission of the Toledo Repertoire Theatre, founded in 1933, is to educate, entertain and serve.
Valentine Theatre | EventsLocal business Matinee Discounts motion picture motion picture theaters movie theater Movie Theaters movie ticket Other Nightlife Special Events Theater Rental Theatres-movie Visa Fox Theatres At 0 0.When you use Movie Ticket Template you can create movie tickets that are customized and personalized to fit your needs.The Toledo Mud Hens are a professional Minor League Baseball team based in Toledo, Ohio.Fantastic Beasts: The Crimes of Grindelwald. Glass. Second Act. The Upside. prev next.
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Dollar Movie Theatres in Toledo on YP.com. See reviews, photos, directions, phone numbers and more for the best Movie Theaters in Toledo, OH.
Franklin Park 16 and XD - Toledo, OH - Cinemark Theatres
Train Madrid Toledo from $13 - Timetable & TicketsTHE HAPPYTIME MURDERS is a filthy comedy set in the underbelly of Los Angeles where puppets and humans coexist.We compare the prices, film times, cinema features and overall summary of each theater in Toledo.We have a wide selection of Stranaham Theater tickets to choose from, including all Stranaham Theatre plays, musicals and performances.
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From outside the UK
our Country Code is 44,
then leave out the first '0'.
Iris Prize - LGBT Film FestivalCineworld and Chapter Arts Centre, Cardiff, South Wales
Tel: 029 2023 2744
Festivals/Events - Community - Cardiff
The Iris Prize - Cardiff’s International gay and lesbian short film prize - is open to any short film which is by, for, about or of interest to gay, lesbian, bisexual, transgender or intersex audiences and which must have been completed within 2 years prior to the submission deadline.
The winner of the Iris Prize will receive the largest prize for a gay and lesbian short film in the world - valued at £25,000.
Recognised worldwide as the film-makers preferred destination the Iris Prize winner will benefit from the very best filming equipment and editing facilities available in the UK.
Opening Times: 8-12 October 2014
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I am a cinematographer, shooting director and editor. I create films for a diverse range of clients, from multinationals to small independent brands, delivering corporate identity, B2B, promotional and marketing films since 2010.
Story telling is what I do. Stories are at the heart of every film, no matter how short or long, subject matter or sector. It is my job to find that tale and interpret it in the most beautiful and coherent manner possible; creating compelling, emotive and stylish for films for brands and their audiences.
It is a privilege to be trusted with that responsibility, and I hope that I can tell your tale, whatever that may be.


Drama and Theatre Studies
1 - Why study Drama and Theatre studies?
Drama and Theatre is an exciting and inspiring course which prepares learners for further study in Higher Education. It gives students the opportunity to work as performers and/or designers on three different performances, reinterpreting, and creating texts. Drama and Theatre students become excellent communicators and creative thinkers with the skills to plan and work independently and as part of a team.
Live theatre is an integral part of the course. Students are offered regular opportunities to see live theatre. For Component 3 students must refer to at least 3 performances they have seen and discuss how these experiences have informed their own stage and technical designs and acting, directing choices.
2 - What will you study?
Key practitioners including Katie Mitchell, Emma Rice and Polly Teale - exploring their theories, looking at their practise and applying their theories and techniques to our own performance pieces.
Key texts that cover a range of time period and style of theatre. You will be exploring these plays within their cultural context and exploring their relevance to a contemporary audience.
Component 1: Theatre Workshop
Learners participate in the creation, development and performance of a piece of theatre based on a reinterpretation of an extract from a text chosen from a list supplied by WJEC. The piece must be developed using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company.
Component 2: text in action
Learners will be assessed on either acting or design.
Learners participate in the creation, development and performance of two pieces of theatre based on a stimulus supplied by WJEC:
- a devised piece using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company (a different practitioner or company to that chosen for Component
- an extract from a text in a different style chosen by the learner.
âLearners must realise their performance live for the visiting examiner. Learners choosing design must also give a 5-10 minute presentation of their design to the examiner.
Study of Set texts
Practical exploration of the three set texts in preparation for component 3.
Component 3: Text in performance
Learners answer a series of questions relating to their study of three set texts. Questions will cover the following areas:
- Set design
- Lighting and sound design
- Costume design
3 - How will you be assessed?
Component 1: Theatre Workshop - Non-exam assessment: internally assessed, externally moderated: 20% of qualification
Component 2: Text in Action
Non-exam assessment: externally assessed by a visiting examiner
40% of qualification
Component 3: Text in Performance Written examination: 2 hours 30 minutes 40% of qualification
4 - What skills will you develop?
- develop and apply an informed, analytical framework for making, performing, interpreting and understanding drama and theatre
- understand the place of relevant theoretical research in informing the processes and practices involved in creating theatre and the place of practical exploration in informing theoretical knowledge of drama and theatre
- develop an understanding and appreciation of how the social, cultural and historical contexts of performance texts have influenced the development of drama and theatre
- understand the practices used in twenty-first century theatre making
- experience a range of opportunities to create theatre, both published text-based and devised work
- participate as a theatre maker and as an audience member in live theatre
- understand and experience the collaborative relationship between various roles within theatre
- develop and demonstrate a range of theatre making skills
- develop the creativity and independence to become effective theatre makers
- adopt safe working practices as a theatre maker
- analyse and evaluate their own work and the work of others.
5 - What makes a good Drama and Theatre studies student?
- Ability to work as part of a team
- Ability to work independently and organise your own time
- Ability to develop creative ideas
- Ability to have autonomy over your own learning
- Ability to encourage and support others
- Good communication skills
6 - Where can Drama and theatre studies lead?
Our Drama students have gone on to a range of Universities including Oxbridge and Russell group universities. Whilst some are studying drama or acting most have gone on to study a wide range of subjects, including science-based degrees. Students now work in a very wide range of professions including medicine, law, finance and the performing arts industries.
7 - Reading list and preparation
Seeing any live performance is going to help prepare you for studying drama and theatre. Many theatres run programmes for young people, especially over summer.


Shameless breaks new ground allowing us to meet a very normal transgender character played by a transgender actor.
In 2011 Shameless introduced viewers to Ian Gallagher, a non-stereotypical gay teen. Ian is grown up now and he works as an EMT. Often Ian is the grownup in the Gallagher family and he has a new boyfriend (Trevor) who is a transgender man played by Elliot Fletcher.
Trevor is not presented as an oddity. He is not affected, neurotic or conflicted. Trevor seems perfectly stable and he is quite affable. He is also smart, articulate and comfortable in his own skin. Trevor is a guy who just happens to be trans. This may be due, in part, to the fact that Elliot Fletcher is a fine actor who just happens to be transgender.
Over three episodes now we have seen the Gallagher family awkwardly deal with pronouns, roles and genitalia. Trevor, we are informed, has not had gender affirming surgery. Last week we learned that Ian and Trevor are both tops. Moreover, we saw Trevor's (Elliot's) mastectomy scars in a shirtless scene. They require no more explanation than a scar from and appendectomy. Viewers, at least this viewer, is happy for Ian who is on the rebound from a bisexual fireman.
Now in its seventh season I do not know how much gas is left in the Shameless tank. Whatever there is left of the show, I hope that Trevor remains a part of it.
As for Fletcher, I realized last night that he is a skilled actor. A milestone will be reached when Elliot Fletcher is cast in a cisgender role. He should be.


Yeh Ek Zindagi Lyrics is hindi song from Netflix movie “Monica, Oh My Darling” staring Rajkummar Rao, Huma Qureshi and Radhika Apte. This Yeh Ek Zindagi lyrics written by Varun Grover and sung by Anupama Chakraborti Shrivastava while music composed by Achint Thakkar & Mikey McCleary.
Yeh Ek Zindagi song credits:
|Song:||Yeh Ek Zindagi|
|Movie:||Monica, Oh My Darling|
|Singer:||Anupama Chakraborti Shrivastava|
|Music:||Achint Thakkar and Mikey McCleary|
|Starring:||Huma Qureshi, Rajkummar Rao and Radhika Apte|
|Label:||©Sony Music India|
Yeh Ek Zindagi Lyrics
Lyrics will be updated soon
Yeh Ek Zindagi Music Video
FAQs & Trivia
Who is the singer of “Yeh Ek Zindagi” song?
Ans: Yeh Ek Zindagi song is sung by Anupama Chakraborti Shrivastava.
Who wrote the “Yeh Ek Zindagi” song?
Ans: Yeh Ek Zindagi song lyrics written by Varun Grover.
What movie the “Yeh Ek Zindagi” song is from?
Ans: Yeh Ek Zindagi song is from the movie Monica, Oh My Darling.


For all my raving about how much a movie can improve the visual aspect of a novel's story better than mere words penned by a single author (rather than characters shaped by actors interacting with one another)—really, when it gets down to it, the movie adaptation cannot exist without the book. In this "Which came first?" We don't have to wonder which is the chicken and which is the egg—the book necessarily came first.
Also, the thing we can realize most about books is that because books are not regulated in length the way movies are (could you imagine the horror?), one can absolutely pack as much extra detail as possible into the narrative, since one is relying totally on the reader's imagination to conjure ideas of what things look like, instead of giving them something to watch.
That being said, here is a list of my Top 10 Books That Were So Full Of Awesome Their Adaptations Cannot Compare.
1. The Princess Bride--William Goldman
The first example that came to mind is, of course, Princess Bride. This fandom is divided into several camps: 1) Those, like me, who realize that the story is not all about Buttercup and Westley—it's actually about a grandfather telling his grandson the Greatest Fantasy Tale Of Them All; 2) Those who had no idea a book even existed, but they grew up watching the movie; 3) Those who saw the movie, knew about the book, but were unamused with the edits and the running commentary in the "Good Parts Version" and would please like to know where they can find the original, unabridged work by S. Morgenstern—and then there's everybody else.
To Group 2, I would say: The book exists, and it's by the same guy who wrote the screenplay for the movie. And it is brilliant. You know the parts in the movie where Fred Savage interrupts Peter Falk and is all like, "What even IS this story??" Or like when reading the boring, stuffy "classics," how sometimes you wish that they had commentary and summaries like a CliffsNotes version, but snarkier... Well, this is kind of that. It's patterned after a fantasy novel pretending to be a historical adventure... But Goldman adds snarky comments and informs us when he's "removed" whole sections (Chapter 4 is my favorite... News flash for Group 3: THERE IS NO UNABRIDGED VERSION; S. Morgenstern doesn't exist; the book in its entirety is solely the work of William Goldman; so stop asking) and some people might not like it, but I absolutely loved it. It's essentially the same story as the film... But so much more.
2. I Am Number Four--Pittacus Lore
I was intrigued by the movie trailer so I started reading the book. I had only gotten halfway through it when I actually watched the movie—and yet I still knew more about what was going on than the movie let on. With the choppy storytelling and the mediocre acting, one might not think much of the film—but it is a series, and I swear the writing is just fantastic. I am desperately hooked on the series. The movie doesn't explain things very well, and it sort of rides the high points... But not enough so that you actually care about the characters you should care about. The books, however, are intricate and well-developed. If you were even remotely interested in the idea presented by the movie, just skip it and go right for the books. It is totally worth it.
3. Percy Jackson and the Olympians--Rick Riordan
|(nearly) Everything I know about mythology I learned from Rick Riordan...|
This is another one where the concept and the premise were very intriguing—but the execution of the film left much to be desired. I came out of the film significantly less intrigued, but I decided to give the book a go.
Guys, I never looked back. Rick Riordan is a fascinating and highly entertaining writer, I have now read all of his mythological series (except the Egyptian one) and each seems better than the last. The movies do not even compare to the books. Poor casting (not to mention the casting/costuming changes that showed up in the second movie with no explanation—like they were just trying to pretend nobody would notice) had a lot to do with it, plus the fact that Riordan is very skilled at making his writing very clever and entertaining, and a lot of that stuff doesn't really translate to film very well... Apparently...
4. Voyage of the Dawn Treader--C. S. Lewis
After the rousing success of the first film, and the passable treatment of the second (rendered more acceptable just because it's my favorite book in the series, and they got all my favorite parts into it), I really had high hopes for this one. I mean, for crying out loud, they cast Will Poulter as Eustace! What could be more perfect? It does have its challenges, since a) it's at sea, not really a lot on land, and b) all of the strange and wonderful magic effects that happen in pretty much every scene--as I've stated before, the lower-budget BBC series left much to be desired, and I had every confidence that modern technology had really advanced to be able to do the film justice.
Not even close. Out of the three adaptations, the plot of the film deviated the most from its source. The resulting movie is so hopped up on pointless peril and overblown special effects that the story is basically unrecognizable as an adaptation, or even a continuation of the films already in existence. I can understand leaving stuff out because there isn't time to fit it into 100 minutes... but the stuff the filmmakers added to the story in an effort to bulk it out basically guaranteed it's placement on a list like this.
5. Eragon--Christopher Paolini
I was excited (at first!) to discover this book, because a) DRAGONS and b) it was the first fantasy book recommended to me by an adult, who positively raved about this book published by a homeschooler with an affinity for high fantasy--I read the book till I fell asleep, and then I finished it the next morning when I woke up. It was definitely cool, and I could forgive the distinct impression of a Lord of the Rings rip-off (without the whole big quest thing... and basically with the Fellowship reduced to a young dragon rider, his love interest, his mentor, and the Potential Traitor Who May or May Not Be Working Against Him). Unfortunately, the series basically died from there... I have read a sequel and a half of the 4-book series and got both bored of the fact that the protagonist seems fond of isolation and whole chapters of contemplative soliloquy, and angry that so much potential should be so wasted. But that's not what this list is for. The film adaptation of Eragon was only just slightly worse than the quality of the book, for just the reasons you would expect: there was just so much stuff that happened in the book that they couldn't possibly fit it all into film, so they did the best they could with what they had, and ended up with a lackluster adaptation of a mediocre fantasy novel. So the book was better, but only just barely!
6. The Inkheart Trilogy--Cornelia Funke
When I first heard of the movie, I had no idea it was a book, or even a series. All I knew was that it was a story about a guy who could bring book characters to life by reading out loud and I thought that was totally the coolest thing ever. I watched the film and really I did enjoy it--so I went ahead and placed holds on the entire trilogy from the library. Of course, as it so often happens, I got the second book before the first, but I figured that was okay, because I had seen the movie, so I basically knew the story, right?
NOT. EVEN. I started reading Inkspell and got completely lost from page one... and I knew exactly why: they'd changed the ending. There were characters I didn't know, in situations I wasn't aware of ahead of time--because the movie had changed the ending so that it could be a standalone and they were never intending to do the whole trilogy. [Cue sad violin music] Hence the reason I added this one to the list--not because the movie was bad, per se, but because the books were better for the fact that it was a series and really went in-depth in exploring the worlds and the characters. Cornelia Funke is an absolute wizard at crafting a convincing and enchanting world for her novels. I loved it so much I was really disappointed that it would have to all be in my imagination, instead of on a screen. I did have the added comfort of being able to attach the movie characters to the book characters, so that worked out okay.
7. The Alex Rider series--Anthony Horowitz
Picking out a movie for kid's night, we see one called "Alex Rider: Stormbreaker" and it looks like a cutesy kind of "teenage James Bond" type movie, so we pick it up. It was cheesy, and very clear that those involved were clearly expecting more from the film than what they got--
but at least the existence of the film alerted us to this cool new series we didn't know we needed. The movie adaptation wasn't all that great, but the books are just totally awesome. Anthony Horowitz is a very excellent writer (there are a few other books he's written that... not so much; but I can definitely vouch for this series) and the Alex Rider series definitely packs a bigger adrenaline punch than the movie ever did.
8. The Book Thief--Markus Zusak
I asked a friend once for book recommendations, and this was one of the ones she told me about. It has since become one of the "Books-That-Blew-My-Mind." First of all, Death is the narrator; second, the observations and musings of Death are as poignant as they are breathtaking. I seriously loved what this book did to my imagination. So naturally, when I heard they were doing a movie adaptation, I was beyond excited. I had been so taken up with Death's prose that I hadn't really taken the chance to get actually acquainted with the characters--and with Emily Watson and Geoffrey Rush playing the old couple, I knew it was going to be good.
Ladies and gentlemen, it was REALLY GOOD. The emotion, the timing, the colors, the acting--everything was fantastic. In fact, the only thing that was missing... Yep, you guessed it: the full effect of Death's narration. With the visual aspect of the film, there wasn't that much need for narration, so a lot of it was spliced out, truncated, omitted entirely--and there are some "text visuals" in the novel that didn't translate at all onto the film, but I thought they were brilliant to read--so the book is better. Read the book. Then watch the movie. You will die happy.
9. The City of Ember series--Jeanne DuPrau
I discovered the movie because Saoirse Ronan was in it. I toyed with watching it--frankly, I was intrigued with the story: the world's population living underground for so long, they'd forgotten what life on the surface was like, till one day the resources run out, then a young boy and a young girl must work together to escape the underground and find the surface again. I actually think I did read the book first, though, so that way when I got around to watching the movie, I would actually know what was going on. But there, I ran into the same trouble as with "I Am Number Four"--the bits they kept versus the bits they took out ended up not explaining things very well, and jumping around instead of straight-up telling a story. Also, it was the same problem as "Inkheart"--somewhere along the line, somebody decided that they would just take the first book of the series and make it a standalone so they wouldn't have to do the others, so the ending was changed. Frankly, I thought the movie ending of "City of Ember" to be significantly weaker than the movie ending of "Inkheart." There was still the same lack of closure as if the series might continue--while it was obvious that they wouldn't. So in the end, the movie had no closure. *Note: The series is quite good--if one ignores the third book, "Prophet of Yonwood"; it is the only one that first of all tries "retroactive continuity" (or, going back and trying to fill in "prequel details" in the middle of a series) and it just didn't fit as well; the other three books, City of Ember, People of Sparks, and Diamond of Darkhold are all directly continuous, and they are fascinating!
10. Timeline--Michael Crichton
Big disappointment; the scripting was far more campy than the book would have let on. Nobody took themselves or their circumstances very seriously--and I'm pretty sure Butler's character was actually supposed to be Norwegian (or at least Swedish... or something...) The movie came across with none of the intensity of the peril in the book. Rather blah.
How about you? What movies have you seen, that were so interesting/disappointing, it motivated you to read the book to see what the "real" story was?
Is there a movie you've seen based on a book you've read that you can point to and say, "The book was so much better!"
Share in the comments!


List Of Award-Winning Movies
If you met a person that you like, and now you want to get to know that person, then you have to try a bit harder! Showing effort and interest is always a thing that works, therefore, wake up your creative side and get ready for a romantic journey that you will enjoy. You should not hold back, and eventually, all nice things that you do for someone will pay off. Of course, that person should also treat you with respect, so make sure that you choose the right person to give your attention to.
Inviting your crush to a romantic night out is always a good choice, but if you want more privacy, then you should organize a romantic movie night. Here, you can find a list of What Romantic Movies To Watch, and all these movies are award-winning movies worthy of your time. You will laugh, you will cry a bit, and you will most importantly, have the best time of your life. Watching a romantic movie with your crush will give you the opportunity to talk about emotions, feelings, and maybe even talk about the future. However, you do not even have to be in love or with someone in order to watch romantic movies. You can simply watch a movie because you want it, and you can enjoy this time spent with yourself.
Cinematography is also known as the seventh art, which tells you a lot about the way it is made. The entire process of making a movie is breathtaking, and while the viewer enjoys what’s on the screen, the actors, directors, and many other members of staff have to be sure that the movie is immersive. Every movie is worthy of watching!


Living, Learning, and Sharing my best life by becoming thoughtfully engaged with the world around me. An evolving boomer, Grande Dame blogger, photographer, nurse, euchre player, lover of champagne, chocolates, and caviar, feeder of birds, reader of books, mother of a BC eagle, co-founder of the Goddess Gala and Dieting Diva.
Friday, March 27, 2009
Thursday, March 26, 2009
Wednesday, March 25, 2009
Sunday, March 22, 2009
I watched Bill Maher's documentary, Religulous. I must admit I was disappointed. He has an interesting point of view and he did raise some legitimate questions. However, he got confused between comedy and documentary and did not do either well. I suspect that was the plan since he used the same guy that directed the film Borat to direct this film. Certainly we could have expected a more meaningful discussion. Obviously, he had trouble getting legitimate religious scholars to speak to him, which led to the "out there" evolution of the project. Weird is the only word for the Holy Land Theme Park in Orlando and his discussion with the guy who played Jesus. So if Bill Maher was trying to be taken seriously, I think he failed. The link below is to an LA times bloggers review of the movie.


A couple of weekends ago, my son and I had a marathon viewing of The Walking Dead. Now I can't wait for a new episode.
Which is weird because I hate horror movies and I hate guns. I also cannot bear watching people get shot in the head. It makes my chest hurt. I have to be on my guard so I don't accidentally see too much of that sort of thing. I tend to cover my eyes a lot while watching this. I also yell at the screen and shriek quite a bit.
This TV show has turned me into one of those people who yells warnings at the screen in the movie theater.
Just a few notes:
I want Shane to get eaten by a pack of zombies as soon as possible.
I hate Andrea.
And there is no question, if we were in the midst of a zombie apocalypse, I would freaking swallow those abortion pills and I would not throw them back up. Give me a damn break.


JYJ’s Kim Junsu, a singer and a musical actor has been quite busy with his role in the musical ‘December’, which is to be released soon.
While performing the rehearsal at Sejong Center for the Performing Arts on November 29, Kim Junsu told that his role in the musical, ‘Jiwook’ was completely different when compared to his prior roles. The actor’s other previous musicals include Mozart!, Tears of Heaven and Elizabeth. The dynamic roles which he had taken demanded showy and a strong make-up.
In December his role is different, and he will be posing as an young, lively student who is very much in love with poems and music and daydreams about falling in love.
In his prior musicals, his roles were abstract characters that demanded to do unrealistic things such as living in an Austrian palace. However, in this musical he has chosen a character that he could relate. Though he needed some time to adjust and change, but now he feels confident to make the character lively and more realistic than before. He has set huge expectations for his upcoming release and eagerly waiting for its release.
‘December’ that portrays the 20-year long love story of home-stay students in Seoul in 1992, will be shot between December 16 through January 29 of 2014 at Sejong Center for the Performing Arts.


America's Most Offensive Movie
Gone With The Wind is a beloved cinema classic that makes every list rating the all-time best films, so it might have come as a great shock this week when the 1939 movie set in the Civil War and Reconstruction Era South was temporarily pulled by an HBO online platform.
The film won 10 Academy Awards, including one to an African-American for the first time in history, so it was heralded in its day.
But here is the truth. Gone With The Wind is a uniquely offensive piece of propaganda that glorifies racism and marital rape. This movie does not stand the test of time, not even close, and a modern-day audience viewing it for the first time would be shocked and outraged.
The black characters are depicted as dimwits, liars and criminals, while the most vile white character, who happens to be the main character, is portrayed as being valiant in the face of adversity. Hattie McDaniel, the black actress who wins an Oscar, played “Mammy,” a maid who dutifully stands by her master, even after she was freed from slavery.
Blacks are referred to in the film as “darkies,” and when several of the “heroic” white characters go to a “political meeting,” it is a veiled reference to the fact that they are actually the Ku Klux Klan going to take arms against impoverished freedmen living in “shanty towns.” For an historical perspective, it is worth noting that during the Reconstruction Era, the KKK was a particularly violent organization, leading the federal government to pass the Enforcement Act of 1871, also known as the KKK Act, giving President Ulysses S. Grant the right to declare martial law in an effort to protect freed slaves and their suffrage rights.
One of the movie’s heroic political fighters discusses how well his family treated their slaves on his plantation and claims that he would have eventually freed them had the South won the war. During one of the Civil War scenes, the film shows slaves marching to the front to fight for the South, while Atlanta is under siege.
But this movie isn’t just overtly racist. It’s sexist too, in a Harvey Weinstein sort of way.
In perhaps the movie’s most troubling scene by today’s gender-equality standard, the dashing Rhett Butler forces himself on his wife, main character Scarlett O’Hara, in a drunken rage. The next morning, O’Hara wakes up appearing refreshed, glowing and giddy, as if getting raped by her intoxicated husband was the greatest thing that had ever happened to her.
O’Hara also assaults three people during the movie, and attempts to commit battery on a fourth, but she swings and misses and then falls down a flight of stairs, causing her to miscarry. That pregnancy, incidentally, was the result of the aforementioned marital rape.
Gone With The Wind is an example of the false “Lost Cause” narrative, that the Confederacy was a noble pursuit and those who fought for it were noble individuals. It wasn’t, and they weren’t. This movie is propaganda, plain and simple, and it should be viewed by people for what it actually is.
An offensive revisionist lie.


Vera Glagoleva. According to its Rules
Visiting Premiere is the honoured People’s Artist of the Russian Federation, director, screenwriter and producer, Vera Glagoleva. We will talk about the recent London premiere of her film, Vera’s director’s work, women’s directing in general, the personal secret of beauty and plans for the future.
Recently, there was the premiere of the film «Two Women» in London. This is a pretty significant event because Russian films rarely make it into the clip of viewed films abroad. What do you think is the secret of the fact that it came to the attention of distributors?
I believe that, first of all and of course, the merit of the marvellous world-class actor Ralph Fiennes, who played a Russian man in the film. I think if there was not Fiennes in the role of Rakitin, we would never have got to the European rental market.
Was Ralph Fiennes invited into the role of Rakitin as an attempt to attract the attention of the international audience to classical works?
Not at all and, at first, I did not think that this would be possible. Initially, it was a dream. What if we took this actor in the title role? I had watched all of his work and he liked me as an actor, so it worked out and this dream was launched. At first, I could not believe it. Then, I believed when he came to shoot for six weeks early and started to learn the Russian language, or rather, to be engaged, as he began to learn Russian a long time ago. Even during the filming in St. Petersburg, he took a serious approach to the process. The press gave us very good reviews after the premiere and the reception was also very warm in London, so I hope for a successful movie rental market.
You are one of the few female movie directors in our country and abroad. Do you think it is hard to work with you on the set?
I probably do not agree with the statement that, nowadays, there are few women directors. I would say there are too many. Recently, there was a festival of young cinema, where almost all of the directors were young girls. As for directing as a whole, it is now actively becoming more female. On «Kinotavr», by the last show, almost all of the pictures had women directors. Life changes, with changes related to direction and related to cinema as a profession and everything becomes much easier.
Of course, the young filmmakers in movies cannot be compared with those who worked in the mid-20th century. Then, we worked with very talented and very important people and every film became an event. Alexandrov and Eisenstein are two great names, but now everything is different and unique challenges exist to making each new movie. Such an attitude to the cinema as aspiration no longer exists and a movie can be shot by anyone. Therefore, a woman coming to the cinema dictates the rules of the game.
The fate of your life has been quite favourable to you. Do you believe in fate and that everything is predetermined?
Yes, I think that, still, there is someone who guides us through life — something that can be called fate. But, on the other hand, if you are a fatalist and if you believe it is not a coincidence, that everything is predetermined, then you can do nothing at all, but just go with the flow. So, I think that it is still in the fate, but so much depends on you.
Who can you call your idol; the person from whom you have learned the most?
Joseph Heifetz, who once filmed «The Lady with the Dog». Andron Konchalovsky was absolutely wonderful when he made his classic films, such as «Uncle Vanya» and «Noble Nest». All paintings of Leo Kulidzhanov.
You look amazing. Tell us, what is your secret?
Well, firstly, I do not think of the year and, secondly, I do not do anything for this look because when I’m working, I’m all up to whatever I am doing. The work on the set is always very hard and there is not enough time for everything. In the morning, you go to the site and come back at night. You forget about everything, even to eat and almost a month in this mode, well, it may be with one or two days off. I believe if you are doing something, there is no time to think about age. All of life must pass this test.
What do you expect from the future?
If we talk about some global things, I, first of all, want peace because now everything is somehow on the verge. There is always something difficult in our time, so I just want peace. If we talk about myself, I would like new and interesting projects. Honestly, I tell you that I do not live in the past and do not live in the future. I live in the present.
What are your creative plans? What are you working on now?
There is a very interesting project about Pauline Viardot and Turgenev, entitled «Turgenev and Viardot: 40 years of love». It is a history of feeling that he carried throughout his life. He died in her arms. This is an amazing story. We had the presentation in Cannes. It is too early to talk about it because everything is in preparation now.
I wish you good rental of your film «Two Women» in the UK and success with your new project.
Thank you! Let’s hope that the movie will be liked by the viewers.


SALT LAKE CITY — The eighth-grade class at Saint Vincent de Paul School presented the original musical play “Trouble in Friendlyville” on Nov. 17 with a daytime performance for the entire school and an evening performance for families.
“Trouble in Friendlyville” was written and composed by the school’s principal, Gary Green, with musical arrangements by Scott Larrabee, the school’s band and choir teacher.
“Trouble in Friendlyville” is about a small town of pig ranchers in the Old West that has recently lost their mayor in a pig stampede. For the upcoming election, the only two candidates, Phil Flowers (whose name strikes fear in the heart of everyone who hears it) and Maddy Lou Hardplow (who loves to eat and fight) are hardly the people the citizens expect to lead such a kindness-based town. The candidates compete in Friendlyville’s Best Citizen Contest to see who is best qualified to be mayor. When some innocent children get in the path of a big pig stampede, Phil and Maddy show their aptitude for the job.
“I love how the students took on this play as their own,” Green said. “They created the backdrops and signs, thought of what props to use, came up with multiple suggestions for stage direction, and did their own costuming. The eighth grade’s ownership in the play is what made it such a valuable experience – that, and the fact that the playwright is a genius.”
“It was fun being the first class to do a play with it just being our class. If they do another eighth-grade play, that would be great for future classes to get to do something new. It was also very rewarding doing all the set designs and constructing them ourselves,” said eighth-grader Kelsie Kruckenberg.
Classmate Piper Chenoweth added, “We got to put our own spin on it. Mr. Green let us do everything, and we got to do it the way we thought it should be done so it really was our play. It was so much fun; I wish it wasn’t over.”
Courtesy of St. Vincent de Paul School for Intermountain Catholic


The Dovzhenko League is a networking platform and lecture hall where representatives from the Ukrainian and American film industries can exchange experiences and ideas. The project was founded by Vlad Klimchuk, a Ukrainian-born director and writer, and WePlay Studios invited the community to their arena.
Since the full-scale invasion of Ukraine in February 2022, Los Angeles, USA, has become a haven for hundreds of Ukrainians, including those in the film industry. This year, a unique networking platform was created for them to help them adapt to life in Los Angeles and quickly realize their creative potential.
WePlay Studios has supported the creation of the cinematic community, The Dovzhenko League, and invited its participants to hold meetings and lectures at the company's esports arena, WePlay Esports Arena LA.
"WePlay Studios opened its office in Los Angeles in mid-2022, following the start of the full-scale invasion. We understand how difficult it is for young talents to showcase themselves and find like-minded individuals with similar interests and visions. Our team is delighted to be a part of The Dovzhenko League. I am confident that something greater will emerge from this, which will help elevate the Ukrainian content production and film industry to a new level," says Maksym Bilonogov, General Producer of WePlay Studios.
"Ukraine is not only about war but also about talented individuals who are valuable professionals. Members of our community create captivating films and raise the standards of the American film industry with their talent, just like many other international talents in Hollywood," shares Vlad Klimchuk, founder of The Dovzhenko League.
"Recently, I was asked to speak at The Dovzhenko League event, and it was an honor to engage with such an insightful and attractive audience. I had the opportunity to meet inspired Ukrainian actors, directors, and producers. The Dovzhenko League is doing important work in the industry, creating a space and community in Los Angeles where Ukrainian directors and creators can meet and collaborate," comments John Winn, an award-winning producer and director, co-producer of the film "Zakhar Berkut."The Dovzhenko League already includes over 100 representatives of the film industry who regularly gather for educational sessions and meetings. To join the community, individuals can get in touch with Vlad Klimchuk through social media or email at


SBVC - Julie Sommars Scholarship
Julie Sommars is a film, stage and television actress. In 2001, Ms. Sommars was selected as one of SBVC’s 75 People of Distinction. She attended SBVC in 1958-59 and was in the cast of the spring play Brigadoon. In 1969, she won a Golden Globe Award for best actress in the television sitcom The Governor, and in 1990 she received a second Golden Globe nomination for best supporting actress in the television drama Matlock. Recipients must be active in one or more area of the arts.
- San Bernardino Valley College


There are, obviously, spoilers for the film in this post.
I saw The Danish Girl, the film loosely based on the real story of Lili Elbe, at the beginning of the month. But I’m only now writing this blog post, because it took (as usual) a little while to organise what I wanted to say. The film is a strange mixture. I thought it was subtle in the way it told the characters’ stories, moving and engaging. As you might guess if you know Elbe’s history, it is pretty dark, with some appallingly disturbing scenes: notably, the episode in which a doctor emotionlessly diagnoses Elbe as a homosexual and enforces a ‘cure’ involving radiation of the genitals, and the scenes of Elbe’s horrific pain following a surgery that was crude beyond belief. But – disappointingly – it’s also saccharine in places, with some surprisingly false notes.
First the good: the film is beautifully shot, and worth seeing on those grounds alone. It is truly painterly: a breathtaking series of natural images prepares us for the scene in which we see young Einar Wegener hailed as an up-and-coming artist, the painter who captures the spare, structural and natural beauty of the leafless trees we’ve just seen growing. As the film progresses, the imagery becomes richer, with heavy tactile fabrics, swishing kimonos, drapes and silky scarves. This visual vocabulary, in turn, is echoed in the paintings associated with Gerda Wegener, Einar’s ambitious, talented, and bohemian wife.
The film is strongest when it concentrates on the relationship between these two. Lili Elbe isn’t played as a saint: there were times when you definitely sympathised with Gerda Wegener; times when Elbe’s actions and words seemed selfish, thoughtless, or shallow. This was refreshing: one of the things that annoys me about, for example, Sophia in Orange is the New Black is that she’s almost never allowed to be anything but an anodyne cardboard cut-out, tiredly bringing out clichéd remarks about hairstyles or Our Shared Struggles As Women. By contrast, Elbe comes across as a human being, and at the same time there’s a rare sympathetic portrayal of the struggles Wegener faces. And I could appreciate the film makers’ decision to portray Wegener as a heterosexual woman: it was a good change from the irritating and guilt-inducing contemporary assumption that female sexuality must always be ‘fluid’ and accommodating.
But, a bit of me is quite sad that the film makers decided to edit out the historical part of Elbe and Wegener’s lives during which they lived as an out lesbian couple in 1920s Paris. A quick google of Wegener’s art, made during this period, is eye-opening, and very different from the tasteful, Impressionist-lite images the film substituted – and the image below is definitely one of the politer pieces. But, in place of this, there’s a single scene, in which Elbe rocks an androgynously-tailored, lesbian-chic suit and is momentarily (and delightfully) thrilled to hear a couple of men speculating: “lesbienne?”
… And then they beat her up. It’s undeniably moving that the film makers’ decided to follow this moment of Elbe’s delight in ‘passing’ with sudden violence from the men, and it’s sadly ironic that she’s treated to the same violence lesbians did and do face for being too easily confused with men. But the film doesn’t really explore the possibility that Elbe – or anyone else – might associate femininity with anything other than dresses and makeup, and certainly not with lesbianism. Indeed, it’s quite hard to interpret that scene of violence as anything other than the film’s own brutal insistence that there is only one legitimate way in which to be female.
And it was this insistence that began to nag away at me as I watched.
In one pivotal scene in the film, Elbe – whose cheerfully bohemian wife is in need of a model to stand in for the absent female subject of her current painting – draws a filmy silk stocking over a strikingly hairy, masculine-looking leg. It’s a moment that’s been criticised, with some viewers arguing that to reduce Elbe’s desire to transition to a single moment of rather coy cross-dressing (ooh! women’s underwear!) is a bit simplistic. My issue was different. We see Vikander’s naked body at several points during the film, and at no time are her legs anything other than perfectly hairless. This is, of course, a tacit nod to twenty-first-century aesthetics: audiences are deemed unable to imagine the possibility of an attractive woman who doesn’t come pre-packed as hair-free, even though it’s highly unlikely a woman living during this period (and wearing the long-skirted fashions Vikander’s character wears) would have been shaving her legs. Vikander’s femininity is socially constructed, but that social construction is actively obscured, hidden, made as invisible as the hair that surely grows on her legs.
I found this telling. I didn’t expect The Danish Girl to break the mould and go for exact historical verisimilitude. I read trash media; I know that women and men alike are (supposedly) transfixed with horror at the sight of a furry female and would be utterly unable to sustain their interest in a film that portrayed one. But that’s the problem. The film works very hard to make us believe that the main character we see is, and always was, a woman; it works against the fact that Redmayne, who acts Elbe, is a male actor. But, because it also makes invisible the performances we demand from female actors (Vikander) and not from male ones (Redmayne), the film lands itself with a problem of confused categories: why is this one leg hairy, when the other is not?
By contrast, the artifice Redmayne uses is highly visible – even too visible, leading to what’s probably the complaint I’ve heard most frequently about the film as a whole. Redmayne, as Lili, spends much of the film batting, fluttering, lowering and raising, his enhanced feminine lashes.
Critics on all sides have weighed in with acidic questions: is this Redmayne’s poor acting?Is it something the director decided? Does Redmayne imagine that being a woman is a kind of performance, a kind of artifice? Does he think transwomen all look like this? What is it? The questions keep coming, because – at root – we’re aware that there’s some visible artifice here, some mannerism, that obtrudes between us and our sympathy with Lili Elbe, the character. But discussing one kind of artifice has, I’d argue, blinded us to another kind, which is hidden in plain sight.
In the film, Redmayne wears lashings of thick mascara. And unlike Vikander’s shaven legs, this isn’t an anachronism. Like quite a lot of cosmetics, mascara is a bit of an irritant. It’s come on a long way since 1933, when a new product on the market caused the death of one woman and the blindness of sixteen more. But, however hypoallergenic a product may be, the advertising boasts of new, un-clumping formulas, lighter-weight versions and waterproof options remind us that painting something onto the hairs around your eyes is never going to be a totally fuss-free option, especially if you’re not used to it. On balance of probability, I’m going to go out on a limb and suggest Eddie Redmayne probably doesn’t wear mascara as a day-to-day habit, and certainly not heavy, thick, dark lashes like the ones in this film. It doesn’t particularly surprise me, then, that he’s batting his eyelashes a fair bit. It’s a natural reaction. And in an actor supposed to be playing a woman, nature looks like artifice.
These details – hairless legs, mascara’d eyes – may seem tiny. But they’re telling examples of the rigid system of expectations society places upon women, the rigid demands to perform femininity. For decades, feminists have been arguing that these performances – these ‘minor’ artifices – are neither transparently innate to women, nor matters of free and natural choice. This film – which might have taken the time to expose the artifice of what it means to be accepted as a ‘real’ woman – instead chose to essentialize differences rooted not in biology, but in the aesthetics of a misogynistic culture.


Salon: Kirby Dick’s “The Invisible War” is already the darling of the festival circuit, a documentary that won the audience award at Sundance and critical praise for its sharp, skillful storytelling. But as compelling as his film is, the director of “This Film Is Not Yet Rated” and the Catholic Church sex abuse documentary “Twist of Faith” doesn’t merely want to impress you. This is a movie that intends to reform the entire United States military. And it stands a very good chance of succeeding.
Inspired by Helen Benedict’s 2007 Salon story “The Private War of Women Soldiers,” “The Invisible War” is a gut-wrenching condemnation of the way the military has, across the board and in every branch, failed to protect its members from sexual assault – and then failed them again and again afterward. In a series of harrowing personal accounts, victims – mostly women but a sampling of men as well – recount the trauma of their rapes while in uniform and the sickening personal consequences they experienced for reporting them. It’s estimated that over 20 percent of female veterans have been sexually assaulted during their service – and some believe the real figure is even higher. It’s an epidemic.
As the film demonstrates, because the military handles sexual assault internally, a stunning number of victims are simply brushed off by their superiors. But even more outrageously, many of them have faced retribution. The subjects speak of having their careers ruined, of being punished for committing “adultery” with their married rapists, or being denied veterans’ benefits for the long-term consequences of the emotional and physical batterings they received.


We all start watching movies in our childhood and keep watching new movies every year. Having watched so many movies, sometimes we get confused whether we have already watched a movie being shown on TV or not. If you don’t want to watch the same movie multiple times only to realize that you have already watched it before, then you should create a database of movies that you have watched. For this, you can use a specialized software like Coollector.
Coollector is an extremely comprehensive movie database that lets you manage your own collection of movies and TV shows. It comes with a database of over 70,000 movies that you can search and find all the details about them. You can create your own database of the movies that you have watched before or you are planning to watch in the future. You can also find recommendations based on your likes and dislikes.
Coollector lets you manage your own movies, whether on the shelf or on the hard disk. For this, you can search the “movie encyclopedia” which contains movies, TV shows and series. Here you can use a number of filters at your convenience to perform searches. When you find the movie or show that you own on disk, you can add it to the “owned” category. The owned videos category includes CDs, DVDs, VHS tapes, or Blu-rays that you own. Not many people have VHS tapes, but it is nice to see the option for them.
The software can also search your PC for video files and lets you add them in the Coollector database. This way your database always stays up to date. However the software is not completely free – it displays advertisements for 30 seconds when you launch it. After the initial 30 seconds, you can use the program as usual without any problems.
You can download Coollector from https://www.coollector.com/.


Karen Summerton founded Actors Career Studios in 2021 to bring her passion for teaching improvisation and working with actors of all ages to the forefront. Her mission is simple: to inspire and empower actors to book the job of their dreams. With her unique approach, Karen creates a fun and supportive environment where actors can explore their craft and develop the skills they need to succeed. Whether you're just starting out or looking to take your career to the next level, Actors Career Studios is the perfect place to unleash your potential and achieve your goals.
Karen Summerton is a multi-talented artist with over two decades of experience in the entertainment industry as an award-winning actress, comedian, coach, teacher, writer, and director. Her extensive acting career includes working on several hit TV shows such as Saturday Night Live, Inside Amy Schumer, Gossip Girl, USA Network's Partners in Crime, and Mercy, as well as films like Get Him to the Greek, Confessions of a Shopaholic, and Ted 2. Karen has also been in numerous commercials, including a Bud Light commercial where John Mayer pranked her.
In 2016, Karen began coaching creatives at Actors Salon in New York City and has since expanded her teaching expertise to include improvisation and acting for all ages at National Comedy Theater, the Peoples Improv Theater, and MN Acting Studio. With her coaching, many of Karen's clients have booked feature films, regional theater, recurring roles on TV shows, commercials, and more.
Karen's approach to coaching is unique, instilling confidence in actors while creating a safe and nurturing environment for them to shine. She has won several awards and Best Actress nominations for her work in the dramatic short, Good Grief, directed by AJ Lovelace.
In addition to her acting and coaching career, Karen is also a talented writer and director. She starred in and co-wrote "The Karen and Jackie Show," a pilot for ABC, and directed and acted in a pilot for Disney XD called "Not So Super." In 2016, she was a series regular on USA Network's Partners in Crime.
Karen earned her BFA in Broadcasting and Acting from Long Island University/C.W. Post and has also completed an acting intensive at Carnegie Mellon and several summers at the performing arts camp Stagedoor Manor. She has trained at the Groundlings in Los Angeles, the Upright Citizens Brigade, and Peoples Improv Theater in New York City.


Earlier today, the Star Wars gods decided to grace us with a new gift: the latest Force Awakens poster. And, of course, with a new poster comes many, many questions. Created by the universe’s longtime artist, Drew Struzan, the poster features an array of characters, new and old. Check it out below:
Now that you’ve gotten a better look at it, let’s deconstruct this thing.
1. Rey and Kylo Ren
It makes me incredibly happy to see Rey (Daisy Ridley) right in the middle – seeing another woman lead the saga alongside Carrie Fisher’s Leia Organa sends a really powerful message: women have always kicked ass in the galaxy far, far away. One thing that is super interesting about the positioning of Rey’s staff is that it directly aligns with Kylo Ren’s (Adam Driver) lightsaber. In the past few months, there have been many fan theories floating around concerning the possibility of Kylo and Rey being siblings (with Han and Leia being their ~separated~ parents [please, no, no, no, I would rather fall into the Sarlacc Pit than to see them split up]). I, for one, am totally on board with this, and the fact that Rey and Kylo Ren are facing the same exact way, weapons all lined up speaks volumes. Or, it just makes really good, symmetric art.
Okay, where the heck is Luke Skywalker (Mark Hamill)? His character’s role in Episode VII has been a mystery for a long time – we only get a voiceover from Hamill himself (ha, ha, Twitter pun intended) in the film’s teaser trailers, but we’ve never gotten a proper glimpse of him…well, unless this IS him, robot hand and all (I’m pretty sure this is him).
It is pretty jarring to not see Luke on a Star Wars poster, especially on a film where he is featured. He wasn’t even on the last poster that was released – that one heavily featured my main man, Han Solo. Weird, huh? After talking with my good friend Hannah (who is also blogging about this crazy poster), we came up with our own theory that Luke may be on some “damn fool idealistic crusade” (to quote Obi-Wan in A New Hope) to restart and reform the Jedi Order, and that Finn may be a part of that. And on that note, let’s talk about Finn and his lightsaber!
3. Finn’s Lightsaber
I am a fervent believer of the fact that Finn’s (John Boyega) lightsaber might be the one that Luke dropped while fighting Vader on Bespin in The Empire Strikes Back. It definitely has the same make (from what we can see of the hilt…in some angles), and obviously, the same color. But the question is: where did he get it from?
How on earth did young Finn come across this lightsaber? When we first see him, he wakes up in the middle of Jakku in a First Order Stormtrooper uniform. I am trying to connect the dots here: in the second teaser trailer, Leia is given a lightsaber. Is it the one that Luke lost? Or is Luke lost himself? Was this lightsaber given to Finn by Leia after Luke supposedly goes missing? So many questions, and so many names! In the screenshot above, he is also fighting Kylo Ren. Did he have some form of training before this…from Luke? Will Luke be his Obi-Wan (but not die please)? We’ll see when the film is released in December!
NOTE: *We also know that Leia is Force-sensitive from Empire and ROTJ, so the lightsaber given to her might be hers. (Please, I need some extended universe stuff, PLEASE.)
4. That’s No Moon…
That’s (probably) some sort of space station! The giant sphere thing hovering behind Rey and Finn looks strangely like another Death Star. While I love the little nostalgic bits we’ve been given so far, I’m kind of not on board with having another Death Star-like object. However, while scrolling through Twitter during the madness, I saw someone suggest that as the poster is essentially split into the Dark Side/Light Side, as the Death Star Thing is on Rey and Finn’s side, it might be a…good thing? Then again, you can note that Captain Phasma (Gwendoline Christie) is dead center on the poster, supposedly on the “light” side under where Rey and Kylo Ren’s weapons line up. It would be an interesting twist to see it on the Resistance’s side…but also a weird question of morality. If it is a planet-destroying object and is on the “Light” side, is it good? Oooh.
5. That One Character Next to R2 and C3PO
At first, I thought: DOBBY? IS THAT YOU? No, it definitely isn’t Dobby. Come on, Sam, this is the Star Wars world. Some say that this little character might be female pirate, Maz Kanata, who will be played by the beautiful and extremely talented Lupita Nyong’o. Kanata looks very mini but mighty. I mean, she owns her own palace.
6. “I love you.” “I know…maybe.”
Finally, a picture of the galaxy’s favorite couple, Han (Harrison Ford) and Leia (Carrie Fisher). I love Han and Leia a lot.
For some reason, both of them look like they are from two different worlds, despite getting together at the end of Return of the Jedi. Of course, this can be attributed to the fact that Han likes his comfortable clothes and would definitely hate being in some sort of fancy getup. Leia looks very regal and wonderful (THAT HAIR, THOUGH). I’m sort of scared that something definitely happened between ROTJ and The Force Awakens, causing the two to drift apart. Some are saying that Kylo Ren and Rey could be their kids as Rey looks awfully like she could be the granddaughter of Padme Amidala. Maybe something happened that forced them all to split up? Is that why this film brings them back together? When Leia is seen in the SD Comic-Con behind the scenes video, she is wearing stuff one would wear on a mission, kind of close to what Han would wear. I’m assuming they team up and find the Millennium Falcon and are “home” again. (Maybe they find the Falcon at Maz Kanata’s place?)
Those are definitely my biggest questions and theories. I think the poster looks fantastic, despite its little flaw: where in the Galaxy is Luke Skywalker? There are a few things that should be questioned and noted as well, aside from the main stuff above:
- What exactly will Poe Dameron’s (Oscar Isaac) role be?
- Where is Domnhall Gleeson’s General Hux?
- Where is Luke Skywalker?
- Did Kylo Ren make that lightsaber itself? It doesn’t have the proper, fluid energy flow that Finn’s obviously has. It looks like a makeshift one. Could he be some sort of Jedi/Sith fanatic?
- WHERE IS LUKE SKYWALKER?
- Also, Gwendoline Christie as Captain Phasma: yes.
So much is going on in one poster. I guess we’ll get the answers to these questions and more when the film is released in December. If you have any fun theories, sound them off in the comments below! Now, I have to go do homework and laundry. May the Force Be With You!


An at-home movie night has become our favorite go-to “date” nights but we used to be theater junkies. When Brandon and I were first dating we’d go to the movie theater at least once a week, if not more often. We’d see everything, whether it was a favorite genre or not, just because we loved settling in with popcorn and watching movies on the big screen with surround sound. We saw some amazing films and some not-so-great films but I’ll never forget the first one we ever actually walked out of – Conan the Barbarian (2011).
Listen, I love Jason Momoa as much as the next girl but that movie was bad. After about 30 minutes Brandon whispered to me, “This movie is bad.” and I just nodded. Then I whispered back, “It’s terrible. Do you want to leave?” He quickly agreed. We were dating and he didn’t want to upset me by being that guy but we were both ready to check out. We spent the rest of the night at a coffee shop talking about what we’d seen of the movie, how it compared to the original, and similar movies we’d seen and loved. It turned out to be one of the best dates we’d ever had.
That night we also learned that we enjoy talking during movies which doesn’t go over really well in a crowded theater so we started planning at-home movie night dates instead of movie theater dates. We grab some snacks and snuggle up under a blanket on the sofa or in the bed to watch a movie. Our AppleTV makes it simple to watch almost anything we want and it’s way cheaper than going to the movie theater multiple times per week. The cost of movie theater tickets is insane and let’s just not even talk about the costs of snacks. I mean…my God! We can make popcorn at home for at least 1/5th of the price of movie theater popcorn and it tastes better.
Our favorite at-home movie night snack is the Organic Nearly Naked popcorn from Popcornopolis. It’s a white popcorn popped in coconut oil and perfectly salted. It is oh-my-god-off-the-charts delicious and, even better, it’s just 33 calories per cup! You can get it at Costco and from April 19th – May 13th it’s only $3.49 a bag (it’s normally $5.39). Plus, since you guys know how much we love supporting companies that give back you can feel confident shopping Popcornopolis. They are committed to giving back to the community and have raised more than $15 million for non-profit groups by partnering with organizations that support youth and education across America.
When we’re having an at-home movie night, we can talk during the movie all we want and no one can shush us. Plus, did you know that movie therapy is a thing? It is! There’s actually a thing called movie therapy or cinema therapy that uses movies to get couples to talk about situations or issues they may not otherwise discuss. Apparently, we’ve been doing it for years we just didn’t know what it was, haha. I can’t tell you how many times we’ve played out the following conversations:
During Shaun of the Dead:
“Babe, if there was a zombie apocalypse and you were bit, I wouldn’t kill you. I’d find a way to chain you up and keep you with me even if you were the undead.”
“Yeah, I couldn’t kill you either. We’d just have to find a way to make it work. Either that, or I’d let you bite me so we could just wander around together. Undead, but together.”
During Anchorman 2:
“Would you stay with me if I was blind? I mean, I’m sure you’d stay with me if I was blind but like if I was blind and having a hard time adjusting and turned into a major bitch over it, would you still love me?”
“Of course. We’d just have to find a new way to live and it would be a big adjustment but we’d figure it out. We’d probably have to get another dog though, a helper dog because our current dogs would be useless.”
There’s a list of 8 recommended movies right here that therapists actually suggest you watch together along with questions to get you talking. Who knew? An at-home movie night just might save your relationship!
Have you ever heard of movie therapy to help your relationship?


Onam Release Malayalam Movies for 2010
Keralites welcome Onam 2010 without any new movie releases from Malayalee’s favorite Mega Stars, Mammootty and Mohanlal. This is because Onam falls in the Ramzan fasting period, and all big releases are planned for perunnal. Going for a movie after the sumptuous Onasadhya is a cherished nostalgia of almost all Malayalees. This year there are no super star movies or big budget movies during Onam 2010. There are a bunch of low budget movies as well as new comer’s movies releasing during this Onam season. Suresh Gopi has an Onam release movie – Kanyakumari Express.
Malayalam Movies Releasing in Onam season 2010
- Kanyakumari Express – Suresh Gopi teams up with director T.S Suresh Babu.
- Athmakadha – Sreenivasan in the lead role with Sharbani Mukherjee
- Pattinte Palazhi – Meera Jasmine in the lead role with Manoj K Jayan. Directed by Rajeev Anchal
- Orange – Kalabhavan Mani and Biju Menon are in the lead role. Directorial venture of Biju Varky
- Nirakazhcha – Manoj K Jayan and Mamta Mohandas with Italian actor Vinsen. Directed by Anish J Karinad
- Yakshiyum Njanum – Directed by Vinayan and New comers in the lead roles
- Neelambari – Vineeth and Bhama are in the major roles in this movie directed by Hari Narayanan
- Chaverpada – Bala teams up with Manikkuttan in this movie
- Three Char Sau Beas – Scripted and directed by Adoor Govindan Kutty – popular TV anchor
- Plus Two – All new comer’s movie. In the lead role as well as direction
These films are gracing theaters during Onam season 2010 and just after Onam.


When PChad was gone last week, I though it might be fun for the kids & I to watch a movie & have popcorn one evening. So, we popped the corn (in the microwave), got beverages, & settled in to watch one of the various Shrek films.
When it came time for Chancery to go to bed, I left Asher watching the movie, figuring he’d be fine for a few minutes. As I came back downstairs, I kept hearing this strange *tink* *tink* *tink* sound. I turned the corner & was almost hit by a flying popcorn seed.
It was actually probably lucky that I was almost hit by one, because that made me look down to see that the floor was littered with popcorn seeds. Apparently Asher had finished off the popcorn, & decided to see how far he could throw the seeds that were left in the bowl.
Rather than finishing up the movie together, he was given the task of finding all the wayward popcorn seeds, & retrieving them…


The University of Texas Film Institute (UTFI) began filming its first all-student feature film, "Dance with the One," this summer with the help of more than 40 students from six schools across campus. This is the first film being produced through UTFI's Feature Film Lab, a two-year, five-semester non-profit program designed to train University of Texas at Austin students in all phases of professional feature filmmaking.Read more
University of Texas Film Institute Starts Production on First All-Student Feature Film "Dance with the One"
The University of Texas Film Institute (UTFI) will make its first feature-length film "Dance with the One" this summer. Pre-production is set to begin on June 5 and principal photography will begin on July 7.Read more


After taking an extended weekend, the boys are back with a new episode - recorded on "Blue Monday", traditionally regarded as the most depressing day of the year.
Topics of discussion for today's show include;
- Jason's rather in-depth review of the movie "Solo: A Star Wars Story" currently available on Netflix Canada (He describes it as "meh").
- Jason Reitman has been handed the keys to Ecto-1 and released a teaser trailer for Ghostbusters 3, scheduled for a Summer 2020 release. Leslie Jones, who starred in the 2016 reboot of Ghostbusters is not happy about the new movie, calling it a "dick move".
- We're now into day #30 of the US Government shutdown, which means government workers have gone a month without a pay check. Some TSA workers have literally stopped giving a fuck either calling in sick, quitting or playing explicit rap music in airport waiting areas.


The Name’s Bond… or Is It?
There has been a lot of controversy about the latest Bond movie, simply titled: Bond 25. For starters, the last few movies didn’t fare too well at the box office, and there’s been some speculation whether Daniel Craig will reprise his role. But now that Danny Boyle has withdrawn as director, due to creative differences, it seems as if it will be a tight deadline for the November 2019 release date.
If you think that Spectre started filming in December 2014, which was less than eleven months before release, it can certainly be done, but it was such a rushed production that it was tanked by critics. Is the controversy around Bond 25 simply a publicity stunt for marketing purposes? Or is Bond really going nowhere slowly, and, if so, can he still be saved?
The Problem with Bond
The problem with Bond? I didn’t know there was a problem with Bond. Technically speaking, it’s not with Bond himself, but more the direction of the movies. So is the director to blame – or are the actors? There have been many debates about “who the better Bond is”, with many still believing that Sean Connery and Roger Moore portrayed the character the best. Of course, there was Timothy Dalton, who had to fill the shoes, and didn’t do too well – and then came Pierce Brosnan and Daniel Craig.
Taking into consideration the society we live in today, the biggest problem with the recent Bond movies is that, well, they’re just not Bond movies. In a time where women take on leading roles and fight for equality, Skyfall made the ultimate mistake by either killing or demoting every woman. Let’s take Eve (played by Naomie Harris) for example: she begins the film as a field agent – a tough and competent lady – great!
But, by the end of the movie, she becomes Bond’s secretary, Moneypenny, and the sexist element is back. Then, the producers decide to kill off M (played by Judi Dench), who has been at Bond’s side almost since the beginning of time. Yes, it was a great scene and maybe time for Judi Dench to say goodbye to the Bond franchise, but what did they do? The replaced her with a man – not a great idea if you think about where we are today in terms of female empowerment.
The mission, should you choose to accept it, is Agent Jane Blonde, the ultimate secret agent adventure wrapped up in a super cool online slots game. Try it this very moment at Mummys Gold Casino.
How to Save Bond
Is that really the problem with Bond? That the storylines need to stick to what society wants? No, we may think that’s what it comes down to, but it’s not. Bond is Bond and it feels as if, lately, the producers and directors are simply trying too hard. Big explosions, sexy girls and deadly missions – that’s all part of what James Bond represents, and it’s been like that since the very first movie came out – in fact, even before that in the famous novels by Ian Fleming.
The question is: do we really need to overthink every single movie, and does it have to take almost 4 years to make a Bond movie? I agree that the characters are very important, especially the main character – after all, it is James Bond, the suavest man who has ever lived. So what’s the problem then with James Bond in the 2000s and how do we fix it? The answer is simple: all you need to do when it comes to creating a Bond movie is to:
- Pick the mission
- Pick the villain
- Pick the stunts
- Pick the girl
The easiest, and best, way to save and fix James Bond is to simply make a James Bond movie – it really is that easy.


The Best Horror Movies Database App
The Best Horror Movies Database app is the database of ALL the top rated horror movies of all time. You can browse the main horror library for horror movie suggestions or watch horror movie classics from the Classics horror library. Both horror movie libraries can be searched by title, actor, director, writer, year, decade, sub-genre or by keywords such as supernatural, zombies, monster, haunted house, backwoods, home invasion, slasher, mystery, etc. You can watch the trailers, see still photos or get similar movies for each horror movie in the database. The Best Horror Movies Database app is the perfect companion for the hardcore horror fan. Check it out! It's FREE!


Rodrik Greyjoy | Game of Thrones Wiki | Fandom
Game of thrones ascent guide greyjoy, Game of Thrones (TV Series 2011–2019) Alfie Allen as Theon GreyjoyGame of Thrones Summary : Based on the popular book series "A Song of Ice and Fire," by George R.R. Martin, this fantasy series chronicles an epic struggle for power set in a vast and violent Newcomer’s Guide | Game of Thrones Ascent ForumsGame of Thrones season 7 war guide: Cersei vs. Daenerys May 07, 2019Gold Priority Guide | Game of Thrones Ascent ForumsMay 12, 2019This article is about a fan-made Greyjoy character. He is not apart of the original series, just merely a character created by TinyCarlos. Jasper Greyjoy or nicknamed The Black Warden is a major character in the sixth and seventh seasons. He is the youngest brother to Balon Greyjoy. He is the Lord of Saltcliffe. 1 Season 6 1.1 "Oathbreaker" 1.2 "Book of the Stranger" 1.3 "The Door" 1.4 "Blood Game of Thrones Euron is the New Ramsay | Screen RantLord Balon Greyjoy rose in rebellion against his new king, Robert Baratheon I, thinking that Robert did not have great support amongst the nobility and that Balon would be allowed to go his ownJul 23, 2017Aeron Greyjoy Yara is the only daughter of Lord Balon and heir to House Greyjoy. She has been raised as a surrogate son and was encouraged her to become a reaver in her own right, which is unusual for women in the misogynistic culture of the ironborn. A fierce woman, she has paid the Iron Price for her rank as Captain of her own longship.Jul 17, 2017Has Theon Greyjoy revealed the biggest Game of Thrones Game of Thrones Viewers GuideGame Of Thrones: Is Euron Greyjoy A Mary Sue?Game of Thrones Ascent was a point-and-click casual, role-playing / strategy video game. The player takes on the role of the head of a minor house, swearing allegiance to one of the Great Houses of Westeros, building and managing a keep and army of Sworn Swords.Yara and Theon Greyjoy will be major "Game Of Thrones" power players in season 7. Find out how they ended up partnering with Daenerys Targaryen.A Game of Thrones actor Andrew Dunbar died suddenly Game of Thrones is an American medieval fantasy television series created for HBO by David Benioff and D. B. Weiss, featuring a predominantly British and Irish series is based on author George R. R. Martins best-selling A Song of Ice and Fire series of seven planned fantasy novels, the first of which is A Game of Thrones. The series debuted in the U.S. on Sunday evening, April 17, 2011.May 29, 2017game of thrones, season 2 ep 3Balon Greyjoy, Theon Greyjoy and Yara Greyjoywe do not sowLocation Scout Guide: A ‘Game Of Thrones’ Road Trip In Jul 24, 2017On Game of Thrones & Gentleman Jack, Gemma Whelan Is HBO’s Yara and Theon Greyjoy will be major "Game Of Thrones" power players in season 7. Find out how they ended up partnering with Daenerys Targaryen.Game of Thrones Adds Billy Elliots Patrick Malahide The Great Houses in Game of Thrones That Could Go ExtinctMay 08, 2019Game of Thrones (TV Series 2011–2019) - Pilou Asbæk as Game of Thrones - Season 2 - A Wiki of Ice and FireJan 23, 20151 House Greyjoy 2 Lord/King Balon Greyjoy (Patrick Malahide) 2.1 Tropes: 3 Prince Theon Greyjoy (Alfie Allen) 3.1 Tropes: 4 Princess Yara Greyjoy (Gemma Whelan) 4.1 Tropes 5 Lord Dalton Greyjoy 6 Greyjoy household and retainers 7 Dagmer "Cleftjaw" (Ralph Ineson) 7.1 Tropes: 8 "Black" Lorren (Forbes KB) 8.1 Tropes: Lord Balon Greyjoy is lord of the Iron Isles, a harsh and unforgiving May 24, 20190:58 game-of-thrones. An adaptation of author George RR Martins "A Song of Ice and Fire" medieval fantasies about power struggles among the Seven Kingdoms of Westeros.Dec 28, 2019What Will Happen to Theon Greyjoy in Game of Thrones Played by Gemma Whelan Theons older sister, she is the only child of Balon Greyjoy remaining on the Iron Islands.Jul 16, 2017Theon Greyjoy - Wikipedia, den frie encyklopædiDownload the files for the 3D printed Game of Thrones - Greyjoy marker by fabio_rizzo Download and 3D print this file (and many more) from Pinshape today! Log InJul 25, 2017Is Yara Greyjoy dead? Game of Thrones season 7 episode 2 Apr 28, 2019Euron Greyjoy Might Be The Most Evil Game Of Thrones Character Yet. A lot of Game of Thrones watchers probably wondered what was going on with all that stuff about the Iron Islands.Game of Thrones (musim 7) - Wikipedia bahasa Indonesia Theon Greyjoy actor Alfie Allen reveals he asked George R.R. Martin the answer to one of the sagas biggest unsolved mysteries, and his answer certainly drops some potentially massive clues:Game of Thrones Ascent is Now Available on the iPhone Build your noble house, embark on quests and rise in power.Game of Thrones Season 7 Episode 2 Review: Stormborn, When Game of Thrones Ascent - GameSpotMay 04, 2016Jul 14, 2017Game of Thrones Ascent enters open beta - Winter is ComingIf you started playing Game of Thrones Ascent on Facebook, you might be a little confused by know, not knowing exactly what to do in the game – all those options, all those buildings and items and probably no clue what to do with them. Well, worry no more as I am here to share with you some Game of Thrones Ascent cheats: trips, tricks and basically a guide to help you become the most 3D Printed Game of Thrones - Greyjoy marker by fabio_rizzo Aeron Greyjoy Theon Greyjoy is the sole-surviving son and heir apparent of Lord Balon Greyjoy. At the end of the Greyjoy Rebellion, Theon was taken as a hostage and ward by Lord Eddard Stark.Game of Thrones S02E03 - Balon Greyjoys plan to attack Feb 21, 2013Game Of Thrones filmed on the shores of the Antrim side on Lough Road. Lough Neagh is the largest freshwater lake in the British Isles and is great to drive around if you have the time.Game of Thrones Ascent. 336,686 likes · 62 talking about this. Build your noble house, embark on quests and rise in power in the RPG based on the hit HBO series Game of Thrones and George R.R.Game of Thrones has become a bloodbath—especially for the Great Houses, the lordly families who rule the realm.. The show kills off characters left and right, sometimes even faster than the Song Musim ketujuh seri televisi drama fantasi Game of Thrones tayang perdana di HBO pada tanggal 16 Juli 2017 dan dijadwalkan berakhir enam pekan kemudian tanggal 27 Agustus 2017. Tidak seperti musim-musim sebelumnya yang terdiri atas 10 episode, musim ketujuh hanya terdiri atas 7 episode. Seperti musim sebelumnya, musim ini memiliki konten asli yang tidak ditemukan di rangkaian A Song of Ice …Game of Thrones Ascent r/ GameofThronesAscent. Join. Hot. Hot New Top Rising. Hot New Top. Rising. card. card classic compact. 1. Posted by 9 months ago. Archived. Game of Thrones Theon Greyjoy Edit (by me) ?????? "What? Is there going to be a battle in the Godswood? Too easily words of war become acts of war." Hope you have a good dayGame of Thrones season 7 episode 2: Yara Greyjoy kissing Game of Thrones - TV GuideSubscribe to save 10% on your first online purchase and get access to exclusive contests, events, & promotions.Watchmen Pilots Guide Premieres Renewal Scorecard TVs Top 5 Series Regular Greys TWD. August 09, 2017 8:30am PT by Josh Wigler Game of Thrones: Theon Greyjoy Faces an Uncertain Future Euron Greyjoy is the younger brother to Balon Greyjoy, head of House Greyjoy. He was exiled sometime after the Greyjoy rebellion by Balon for raping/seducing his brother Victarions salt wife. He was warned never to return while Balon still lived. Volume I The Saltstone Writings An Audience with the Greyjoys Volume VII Unwelcome Allies A Priceless GiftTime to Strike By Sea Invasion Plans Just ‘Game of Thrones’: Euron Greyjoy in Season 8, Episode 5 Nov 01, 2014Yara Greyjoy played by Gemma Whelan on Game of Thrones Funko Pop Television: Game of Thrones - Yara Greyjoy Game of Thrones: What Is a Kingsmoot? Gemma - TV GuideGame of Thrones - Balon Greyjoy - HBOSalt, steel and stone run in the veins of the Ironborn. Greyjoys live to fight, to sail, and to take what they want by force of arms. They are the line of the Grey King, who slew the sea dragon Nagga and made a hall from her bones. They preserve the ancient traditions, and their raiding is blessed by the Drowned God.Enter the world of Game of Thrones with official maps of the Seven Kingdoms and interactive family trees that capture the rich backgrounds of the characters and locations featured in the HBO series. Explore interactive family trees, the map of #Westeros and more on the @GameofThrones Viewer’s Guide.Game of Thrones (TV Series 2011–2019) Gemma Whelan as Yara GreyjoyTheon Greyjoy is a fictional character in the A Song of Ice and Fire series of fantasy novels by American author George R. R. Martin, and its television adaptation Game of Thrones. Theon is the youngest son and presumptive heir of Balon Greyjoy, taken as a ward by Lord …Game of Thrones Greyjoy Key Chain ($10) | Pop Culture Gift Aug 13, 2014Game of Thrones Page 2 - PyrrhaHouse Greyjoy GIFs - Find & Share on GIPHYDisruptor Beams award-winning FREE GAME game based on George R. R. Martin and HBO’s Game of Thrones series has come to Amazon! Pledge yourself or your Alliance to the Starks, Lannisters or Targaryens, embark on quests with Jon Snow, Tyrion Lannister, or Daenerys Targaryen, and rise to power in the free Strategy RPG based on the hit HBO series Game of Thrones and George R.R. Martin’s Pilou Asbæk as Euron Greyjoy in Game Of Thrones The actor who plays Euron Greyjoy in Game Of Thrones has called the character “such a fucking idiot”. The brother of Balon and Aeron Greyjoy, theJul 25, 2017Dec 09, 2013May 13, 2019Game of Thrones - A Wiki of Ice and FireGame of Thrones Summary : Based on the popular book series "A Song of Ice and Fire," by George R.R. Martin, this fantasy series chronicles an epic struggle for power set in a vast and violent HBOs hit series "Game of Thrones" has literally hundreds of named characters that can be tough to keep up with over the course of seven seasons. INSIDER is here to help with a quick guide to all the people you need to know. Warning: Spoilers ahead for the first couple seasons of "Game of Thrones." Visit for more stories.
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2013 Oscar Predictions
Best Picture: Lincoln
Hollywood's most beloved director, actor and president will be way too much for the academy to pass up. Argo could be the fourth movie in history to win best picture without a director nomination but it's really a race between the two.
Best Adapted Screenplay: Silver Linings Playbook
Most nominations like Life of Pi and Argo are made indefinably better by the directors at the helm. That's not to say David O Russell didn't do a good job with Silver Linings Playbook, to me it's just the best screenplay on paper.
Best Supporting Actress: Anne Hathaway
Anne Hathaway's role in Les Mis is systematically designed to win a best supporting actress Oscar. It probably helps that she was also the stand out of The Dark Knight Rises.
Best Supporting Actor: Tommy Lee Jones
I haven't had a chance to see The Master yet but as of now my money is on Tommy Lee Jones. This is a close race though and none of the nominees winning would be an upset.
Best Animated Feature: Brave
Brave will win because Pixar. In a perfect world it would be ParaNorman, but that's not where we live.
Best Original Screenplay: Amour
All of the controversy probably crushed Zero Dark Thirty's chances. "Oh, the academy endorses torture too"! Django likely has the same problem, which means this award belongs to Amour or Moonrise Kingdom. My bet is on Amour.
Best Director: Steven Spielberg
I would LOVE to see Ang Lee take this one home and he just might. Spielberg is the safe bet though and if The King's Speech taught us anything, you can always count on the academy to play it safe.
Best Actor in a Leading Role: Daniel Day Lewis
You have to ask?
Best Actress in a Leading role: Jessica Chastain
This race is between Jennifer Lawrence and Jessica Chastain. I'm going with the one that wasn't in House at the End of the Street in the same year.
Best Visual Effects: Life of Pi
As great as it would be to say "The Avengers has an Oscar" this is really Pi's award to lose. The movie is so visually striking already and the academy will likely want to honor it in some way, given the amount of categories it will likely lose in.
Best Cinematography: Skyfall
Skyfall SHOULD have this one in the bag but nothing is safe when Lincoln has been nominated in the same category. This one is really anyone game though, but call me optimistic.
Best Costume Design: Les Misèrables
The production values are the one thing that seemed to be universally praised about the movie and the academy seems eager to award it for something, so this will probably be it.
Film Editing: Cloud Atlas
Their is no chance that any movie will beat Cloud Atlas in this department because...oh, what? IT WASN'T NOMINATED? To hell with that then.


While many viewers and actors have praised the film “The Kashmir Files,” many big stars have remained silent on the subject, putting them in the crosshairs of the public. However, Aamir Khan’s comments about the film are making headlines at the moment. Actually, Aamir Khan was a guest on the promotional event for S.S. Rajamouli’s film ‘RRR,’ and during the conversation, he mentioned Vivek Agnihotri’s film ‘The Kashmir Files.’ Kashmir Files is something I’ll definitely watch.
Apart from Jr NTR, Ram Charan, and Alia Bhatt, the cast of the film ‘RRR’ had arrived in Delhi for the film’s promotion. Aamir Khan joined these artists on stage, and the three of them thoroughly entertained the audience. Aamir Khan was also asked about the film ‘Kashmir Files,’ to which he replied, ‘I will definitely watch Kashmir Files, because they are such an important part of our history, which hurts our hearts.’
Anupam Kher’s Mother: After watching The Kashmir Files, Anupam Kher’s mother narrated the storey of her younger brother and became emotional.
‘Every Indian should watch this.’
Many things about this film have been openly stated by him. ‘What happened in Kashmir with the Kashmiri Pandits is unquestionably a source of great sadness,’ he said. Every Indian should see a film like this, and every Indian should remember how it feels when a human being is tortured.
Why did the director of ‘The Kashmir Files,’ Vivek Agnihotri, have to provide Y category security?
‘Everyone’s emotions have been touched by this film.’
“This film has touched the emotions of every person who believes in humanity,” he continued, “and that is its beauty.” Aamir Khan also stated, “I will undoubtedly watch this film, and I am delighted that it has been a success.”
Let us remind you that the incident of 1990 was depicted in Vivek Agnihotri’s film “The Kashmir Files,” in which a large number of Hindus migrated from Kashmir. This film featured many great actors such as Anupam Kher, Darshan Kumar, Mithun Chakraborty, Bhasha Sumbali, and Pallavi Joshi. At the box office, the film is causing a lot of anxiety.


BEING HUMAN:SEASON ONE
"George and Mitchell work in anonymous drudgery as hospital porters in Bristol, England. They lead lives of quiet desperation under the burden of a terrible secret - Mitchell's a vampire and George is a werewolf. Deciding to start life afresh and leave behind the dark side, they move into a house only to find that Annie, the ghost of a woman killed in mysterious circumstances, haunts it. As the threesome deal with the challenges of their new lives together, they're united in their desire to blend in with their human neighbors. But with unwelcome intruders into their world, a threatened revolution from the vampire underworld, constant threats of exposure, and the day-to-day issues faced by young people - the only thing they may be able to rely on is each other."


USA, 2011, 82 min
Ticket info: The following screenings of this film are "At Rush": Thu Apr 26, 9:30, Sun Apr 29 6:30
The power of cinema includes the experience of seeing your own story reflected on the big screen. For filmmaker Aurora Guerrero, this was an experience she thought she’d never have—unless she made it herself. What she’s created is a painterly, earnest and beguiling coming-of-age tale of two Chicana teens in the midst of the delicate adolescent dance of self-discovery and sexual awakening. Set in the predominantly Latino community of Huntington Park—a neighborhood of Los Angeles that goes virtually unnoticed in the shadow of downtown—Guerrero’s subtle exploration of friendship and love between two young women feels both unique and utterly familiar. Yolanda is the straight-A student with the sweet smile and hard-working immigrant parents who hope she will achieve everything they did not. Mari is the rebel with the smoldering looks and adventurous nature who works part-time to help her undocumented mother pay the rent. When circumstances bring them together as neighbors and study partners, their immediate connection surprises them, leading each to think, feel and act in ways she had never contemplated. Infused with the culture of its community and propelled by the stellar performances of its female leads, Guerrero’s debut feature is an assured work that puts the Chicana experience firmly on the cinematic map.
This is a Cinema by the Bay film. New Directors Prize Contender.


How would you like to live in NYC with the COOLest job ever?!
Isaac Littlejohn Eddy is doing just that… he’s a professional Blue Man at the Astor Place Theater in New York City.
I met Isaac at a performance workshop in Southern California in the Spring of 2012 titled, “Adding Color to Your Performance.” Speaking to an audience of mostly percussionists, he taught us priceless theatrical techniques to implement within our percussive performances.
I had a chance to chat with him briefly after the workshop and we connected via email shortly after that. He researched Teen Pulse a bit and said he loved the concept. (Score!)
I asked him if I could interview him for our Teen Pulse Artist Success Story blog series as a young artist who made his dreams come true…
HE SAID YES!
Here is my 30 minute video interview with Isaac where he shares with us exclusive behind the scenes secrets about what it takes to be a Blue Man… ENJOY!
Want to incorporate these Blue Man skills to an epic summer experience??? click here!


Tomorrow never knows book review
The book is always better than the movie. M sure we could make a good argument about certain feature adaptations managing to surpass. M sure we could make a good argument about certain feature adaptations managing to surpass. Stories about Movies. E our gallery of films that earned four or more Academy. FoxTale Book Shoppe is THE venue for Authors, Book Signings, Notice of Special Literary Events and More. There's No Tomorrow is a half hour animated documentary about resource depletion, energy and the impossibility of infinite growth on a finite planet. Check out these political dystopian films insteadI agree with your comment that the training in various runners magazines categorizes older runners as late 40s, 50s, I want to seen some recommendations for. Rld. Start today, not tomorrow. With Albert Finney, Carol Burnett, Ann Reinking, Tim Curry. Tomorrow Never Dies (1997) is the eighteenth spy film in the James Bond series, and the second to star Pierce Brosnan as the fictional MI6 agent James Bond. Me with me, I immediately loved the books entirety many years back and collected some others author by. ACT I PROLOGUE Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil. In Colson Whiteheads novel, humans spared the effects of a plague battle zombies in Lower Manhattan. Ange. T imitates life: Cant bear to watch the Inauguration. Ange. The book is always better than the movie. At's what they say anyway. Visit our Events Page on Facebook, too!Hi Bren, Glad to hear you found that book very interesting. Get exclusive film and movie reviews from THR, the leading source of film reviews online. Rld. E our gallery of films that earned four or more Academy. Take an honest look at the best and worst movies Hollywood has to offer. Start today, not tomorrow. N't wait for the world change. While it's an honor just to be nominated, some movies have hauled away an armload of statues on Oscar night. N't wait for the world change. The depths of the 1930's, Annie is a fiery young orphan girl who must live in a miserable orphanage run. At's what they say anyway. While it's an honor just to be nominated, some movies have hauled away an armload of statues on Oscar night?


Filmmaker Steve McQueen returns to his fine art beginnings with an exhibition and his first new film since “12 Years A Slave”.
Made using reworked Super-8 footage of a young boy in Grenada shot by Dutch cinematographer Robby Miller. The previously unused footage was made during a trip McQueen made to Grenada in 2001. There, McQueen came across the young man we briefly come to know in the film “Ashes”, the name the of film’s protagonist.
Recognizing a quality in him that translated beautifully onto the screen, McQueen had wanted to cast Ashes in the project he was working on there but was unable to do so. Instead, he asked Miller to take footage of the young man.When McQueen returned to the island in 2009, he learned of Ashes’ murder. Shaken by this, McQueen’s latest short film and exhibition are an intimate ode to the effervescence of youth and the tragic death of a young man that embodied this vivacity so well.
it’s halloween: #14 - Scream (1996)Some stupid killer stalking some big-breasted girl who can’t act who is always running up the stairs when she should be running out the front door. It’s insulting.
Tracie Thoms, Robert Rodriguez, Rose McGowan and Quentin Tarantino
this is exactly the sort of content i’m interested in seeing
You took your first pinch like a man and you learn two great things in your life. Look at me, never rat on your friends and always keep your mouth shut.
"I’ll never look like Barbie. Barbie doesn’t have bruises."
Sid and Nancy (1986) dir. Alex Cox
"You can’t find the right answer if you ask the wrong questions." [x]
The Art of David Lynch


Do you have a space in your community that is ripe with history and stories? A historical structure, a green space, a public square, an office building? Theatre has the power to bring the rich dynamics of that space into the light of the present day. We will come to where you are, research, collect stories, write a play and organize actors and artists for a community performance.
If you have any questions or conversation starters
please contact us at: email@example.com
or if you would like to reach us individually,
try Ashley Hanson (Producer, Director) at
or Andrew Gaylord (Playwright, Director) at