|Know What Rights Are Granted with Your License|
Production music and sound effects are provided to you with a non-transferable license for synchronization rights only.
You have the right to synchronize the production music and sound effects with audio and/or visual productions or applications such as:
You may create copies of your production for distribution without significant limitations - check with the production music's publisher to see if any additional paperwork is required.
- film, video, DVD & TV productions
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- corporate videos & educational applications
- on hold messages & advertising
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- musical recordings & live performances
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- Web pages, streaming audio productions & multimedia presentations
- PowerPoint & Flash productions
- interactive programs & computer games
- audio video & computer generated displays
You should also check the terms of your license agreement to find out if you can also synchronize the production music or sound effects on an unlimited basis and/or make your production worldwide without restrictions.
The rights you gain are in effect for the life of your production, and they pass automatically to any end user of your production.
Please note however, that all rights not expressly granted within a production music or sound effects license are reserved.
For example, you will require a separate custom license to use production music or sound effects in an unsynchronized format in applications like these:
If you have a question about your intended use of these products, please contact the publishing company for clarification - they will be happy to help!
- use of production music tracks as samples in software packages
- use of production music tracks or sound effects in retail toys
- use of production music tracks in electronic sampling equipment or program chips
- use of production music tracks or sound effects as telephone ring tones
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“Beyond the American Dream” – A documentary about the life of Millard Fuller
A new documentary tells the story of Millard Fuller, founder of Habitat for Humanity and the Fuller Center for Housing, and the movement he started to end poverty housing. View the official trailer below and learn more about the film on www.millardfullermovie.com.
"Beyond the American Dream", directed and edited by Steve Zukerman, will make its debut at the 2010 Millard Fuller Legacy Build taking place in Indianapolis from Sept. 3-11. A special Sept. 9 event at the Indianapolis Museum of Art at 8 p.m. will feature its premiere as well as the premiere of a book by the same name written by Millard Fuller himself in 1968 and published for the first time this year. The film will be released on DVD at a later date.
"Beyond the American Dream", the documentary, is being made possible by numerous gracious donors. The premiere event in Indianapolis is being sponsored by the Efroymson Family Fund and the Burkhart Network.


Binge-able Shows for Late Night Feeds
No joke - TV shows got me through a lot with our kids.
In the early days it was tough times with zero sleep and a lot of cluster feeding. In the end, I just zoned into a ton of great shows and made it work in my own head as best I could.
These days, the little downtime I have is late at night, and I love watching TV that no one else likes in the quiet late night hours.
Here's our faves for all the late-night-tv-loving caregivers out there!
I missed this on TV the first time round. This show has everything you need for the high and lows of midnight baby life! Laughs! Drama! Shocking twists! Palm trees! Fluffy filler episodes combined with a darker storyline! If you haven't already binged this show - now's the time! If you have - time to re-watch that shit!
Star Wars Rebels
My (probably, horrifically offensive) take is that Rebels and Clone Wars are the best of the Star Wars universe. Rebels is set just a few years before the old Star Wars movies so builds out what was happening just before Luke gets in the picture. Super compelling, amazing writing and characters, and SPACE WHALES! Who doesn't love space whales!
This show deserved so much more popularity. It's so watchable! Admittedly it got a little weird a few seasons in, but focus on 1-3. I wish I could start every day watching the paintball episodes. So much better than yoga!
Surely we shouldn't leave off a good family drama off this list! Those late nights and early mornings sometimes deserve some dramatic feel-good moments. Parenthood totally strikes a nice balance. And Lauren Graham! Mae Whitman! Erika Christensen!
Rick and Morty
I was definitely late to the Rick and Morty party, but I made up for it and zoomed through that show. You might laugh a little too much for late baby-focussed nights, so take it easy to start off with. And if you only watch one episode, it should be Meeseeks and Destroy.
That's it! Let us know what other shows we should put on our list!


Picking up where the 2014 award-winning documentary, The Breach left off – Mark Titus‘ new film, The Wild is an urgent call to action – examining what it means to save what we love.
This event has Limited Seating and is First Come First Serve. Please make sure to arrive on time!
Award-winning filmmaker Mark Titus will be presenting his film “The Wild” a sequel to “The Breach” and will be on hand for a Q&A session afterward!!!
“Salmon shield us from fear of death by showing us how to follow our course without fear, and how to give of ourselves for the sake of things greater than ourselves. -David James Duncan: ”My Story as Told by Water”
You can watch the trailer here:


Earlier this year a movie was brought out depicting several episodes of the life on of the greatest Admiral's of the Dutch Republic: Michiel de Ruyter (see the movie's Wikipedia for further details) who knew how to set fire to English oak.
The marketing of this movie was quite professional, and it was almost impossible not to know about this movie. The movie's cast is a mixture of old-hands in the business (Rutger Hauer and Charles Dancer), the usual soapies (I seem to forget those names) and a very friendly guy from Mierlo, close to Eindhoven (Frank Lammers) who plays de Ruyter. So many known names, and this probably helped the marketing. At the same time, there was the usual bunch of anti-anything-and-we-are-the-moral-compass people, who thought the movie is glorifying nationalism, mercantilism and above all Dutch history, with de Ruyter being the personification of evil. Evil has many faces, since several others depicted in the movie are considered evil as well.
Despite all this cheering and shooting, positive and negative, one can judge a movie only by actually seeing it, I would say.
Though I am probably a bit biased regarding the 17th Century, there are many remarks to be made regarding this movie. Not because there is any glorification, but simply because it is an average movie at best.
1. The script of the movie is as shallow as a dry riverbed in the Sahara, in the summer. Almost only one-liners, supposed to be cheeky, with too much a "doe es ff normaal, jonguh, rare koekwaus die de bent" (impossible to translate) undertone ("it's the 17th century, anything is possible");
2. Charles II, portrayed by Charles Dance and probably one of the best actors in the movie, is depicted as an old, evil, wicked man, who is residing in his dark lair with young mistresses feeling frustrated over the world and the pesky Dutch in particular. In reality, Charles II was born only in 1630, and thus a young man in the prime of his life (hence the mistresses) in the 1660s and 1670s, and known as the "merry monarch"; and over 20 years junior to de Ruyter;
3. The depiction of the capture of Maastricht by the French is simply ridiculous; civilians walking near the walls, in the midst of a siege?
4. People don't grow old ... this is a common mistake in many movies. The first battle in the movie (Ter Heijde) and the death of de Ruyter span more than 20 years.
5. The whole concept of nationality and nationalism/patriotism as displayed in the movie is an anachronism for this period;
6. Mary Stuart had the tender age of fifteen when she married her cousin Willem III van Oranje;
7. After two naval battles one gets to know the two tricks the director had and it becomes boring (men firing cannon, men flying through the air, men looking tough and mean).
Despite all this, the movie is somewhat amusing to watch if you curb your expectations on acting and historical accuracy.


A quick first impression review of The Dark Tower.
In theaters August 4, 2017
The Dark Tower
Directed by: Nikolaj Arcel
Screenplay by: Akiva Goldsman, Jeff Pinkner, Anders Thomas Jensen, Nikolaj Arcel
Based on The Dark Tower by Stephen King
Starring: Idris Elba, Matthew McConaughey, Tom Taylor, Claudia Kim, Fran Kranz, Abbey Lee, Jackie Earle Haley
Running time 95 minutes
Rated PG-13 for thematic material including sequences of gun violence and action.


The Physical Comedy Handbook [Paperback]
Davis Robinson (Author)
Release date: April 26, 1999 | ISBN-10: 0325001146 | ISBN-13: 978-0325001142
Although there are numerous books that examine physical comedy from a historic or aesthetic perspective, few provide guidance in how to do it. So where can actors and teachers go for instruction? To The Physical Comedy Handbook.
The Physical Comedy Handbook is a one-of-a-kind resource for actors, teachers, and directors interested in physical comedy – from slapstick pratfalls to the theater of the absurd. Davis Robinson believes that the basic physical skills of comedy can be taught to anyone. His twenty years of practical experience – including workshops with Jacques LeCoq, Tony Montanaro, Bill Irwin, Avner Eisenberg, Mark Morris, and Ronlin Foreman–have taught him so. Robinson shares what he has learned in this book, providing a thorough explanation of a range of techniques for developing comic timing, writing original material, and working with scripts. The book includes numerous hands-on exercises designed to help anyone, regardless of experience, develop their sense of play.
Acting students will learn how to sharpen their physical skills. Teachers will learn how to structure and guide their students’ work. Actors will explore a range of comic styles. Directors will discover a number of tools for bringing comedy to life.
About the Author
Davis Robinson is Director of Theater at Bowdoin College in Brunswick, Maine. He is also Artistic Director of Beau Jest Moving Theater, an award-winning ensemble that has appeared at numerous festivals and theaters, including Off-Broadway and at the Piccolo Spoleto Festival.
Paperback: 160 pages
Publisher: Heinemann Drama (April 26, 1999)
Product Dimensions: 9 x 6.1 x 0.4 inches


Thesis on Joan
- Broadway Podcast Network
Thesis on Joan is a podcast dedicated to amplifying voices from the LGBTQ+ community in the New York performing arts scene and examining the industry from a queer perspective! Join fanqueers and theatre professionals Harrow (they/them) and Meghan (she/her) as they sit down with groundbreaking theatre folx, from Brooklyn cabaret performers to people backstage and on Broadway. For many queers, theatre has been an escape, this podcast looks to have open conversations on where we’ve come from and where we’re headed as a community, while queering the canon along the way. Part of the Broadway Podcast Network.


Justice Bao is back! The embodiment of justice and wisdom, black-faced magistrate and folk hero Bao Qing Tian has long been a popular figure for adaptation, with actors from Ti Lung to Anthony Wong to Lu Yi sporting the crescent moon in various television dramas and films over the years. The most memorable portrayal of Bao Qing Tian though remains the 1993 Taiwan television serial starring the unbeatable team of Jin Chao Chun, Kenny Ho, and Fan Hung Hsuan. The classic series was a huge hit in Taiwan, Hong Kong, and China, and effectively started a new trend of period investigative dramas. Fifteen years and many adaptations later, the original Kaifeng trio returns for the 2008 installment of Bao Qing Tian.
Jin Chao Chun reprises his signature role as Justice Bao, while Kenny Ho and Fan Hung Hsuan return as heroic constable Zhan Zhao and advisor Gongsun Ce, respectively. The serial consists of five stories that see Justice Bao and company investigating mysteries, cracking cases, and dealing poetic justice in the courtroom. The drama's extended cast includes Hong Kong stars Benny Chan Ho Man, Eric Suen, Kwan Lai Kit, and Michael Tong.
This volume of Bao Qing Tian comes with the series' first three stories: Da Long Pao, Bai Long Ju, and Tong Pan Jie.


Because of her highly athletic background, Tarah entered into the exciting world of stunts. She
enjoys supplementing her theatrical work on film with stunt work and find it a useful skill to have,
being able to often perform her own on-camera action, as well as act. It began with gymnastics
practices, sports acro, & hand-to-hand balancing with friends, but has turned into a significant
part of her career & source of film opportunity as well. Tarah took her natural abilities & began
training. Fight work, rock climbing, trampoline, trapeze, high-wire work, high falls, stair falls, stunt
driving, air rams, mini tramp, & contortion. Some of her film and Television highlights include:
"Alice In Wonderland" (Disney) Garrett Warren (Alice Dbl - Mia Wasikowska) - TAURUS AWARD NOMINATION
"Nightmare on Elm Street" -- Brad Allen -- Stunt double lead (Rooney Mara) -- TAURUS AWARD NOMINATION
"John Cater Of Mars" -- Garrett Warren/Mark Ginther (Stunt Warrior) -- Sword Fighting/Ratchets
"Last Call with Carson Daly" -- NBC -- Profiled on her career as a Stunt Artist.
"The Losers" -- Warner Brothers -- Garrett Warren (Stunt Performer - Stunt Driving)
"Mars Needs Moms" -- Disney -- Garrett Warren (Ki Double - Elisabeth Harnois)
"Make it or Break it" -- Disney / ABC -- (Gymnastics Coordinator and doubling for the leads)
"Californication" -- Showtime -- Phil Colata (ND Stunts, ground hits)
"Four Christmases" -- Newline Cinema -- Charlie Croughwell (Doubled Reese Witherspoon)
"Transformers II" -- DreamWorks -- Kenny Bates (Doubled Isabel Lucas)
"Step Brothers" -- Columbia Pictures -- Gary Davis (Fight scenes)
"Cleaner" -- CBS -- Co-star & stunts -- Ian Quinn -- (Water stunt)
"Benchwarmers"-- Sony Pictures -- Gary Guercio/Greg Barnett (High fall & stair fall stunts)
"Lost" -- Mike Trisler -- Stunt Double for Evangeline Lilly (water stunts and high falls)
"ER" -- Warner Bros.-- Co-star & stunts -- Cort Hessler (high fall thru 4 floors) (Stunt Emmy Nomination).
"ER" -- Warner Bros. -- Dicky Beers (Fire Stunts / Burning Fire on Leg)
"Related" -- WB -- Co-star & stunts -- Wally Crowder (Stunt hits and stair fall).
"Motorola" -- Natl Commercial (Lead) -- (Joe Pitka / Bob Yerkes) -- (40' ft high fall onto firemen's catcher net)
"MasterCard" -- Natl Commercial -- Eliza Coleman -- (Sail Boat Flip / Water scene)
"Dukes of Hazzard II" -- ABC Family -- Diamond Farnsworth -- (Go-cart stunts)
"House"--20th Century FOX -- (Stunts and Recurring) -- Jim Vickers -- (High falls, Rock climbing stunt, etc)
"Malcolm in the Middle" -- CBS -- Bobby Porter -- (Contortion)
"Unfabulous" -- Nickelodeon -- Mike Cassidy -- (Doubled Emma Roberts) (Gymnastics / contortion / high fall)
"The Comebacks"-- Universal -- Supporting role & Stunts -- Allen Graf --(Gymnastics/High level balence beam)
"Heroes"-- NBC -- Scott Wilder -- (Cheerleading and gymnastics stunts)
"Hack"-- Allumination Filmworks -- Peter King (Doubled lead actress) (fire & water stunts)
"Glass House II"-- Destination Films -- Lou Simon (Doubled lead actress) (glass, ground hits, & stair falls)
Tarah currently trains stunt with Bob Yerkes and Danny & Karen Castle.
Special thanks to the following coordinators for maintaining her safety and well being on set:
Ernie Thrash, Chris Doyle, Bobby Porter, J.P. Romano, Cort Hessler, Julie Michaels, Conrad Palmisano, Peter King,
Greg Barnett, Gary Guercio, Mike Cassidy, Mitch Gould, Lou Simon, Keith Campbell, Rene Mousseux, Allen Graf,
Wally Crowder, Gary Morgan, Shane Anderson, Diamond Farnsworth, Steve Hudis, John Epstien, Norbert Phillips,
Gene LeBell, Jim Vickers, Scott Wilder, Steve Hart,
Vladimir Tevlovski, Danny and Karen Castle, Tim Davison, Mike
Ryan, Matt Anderson, Ian Quinn, Brad Bovee, Garrett Warren, Eric Chen, Eliza Coleman, Dicky Beers, Gary Davis,
Charlie Croughwell, Mark Ginther, Kenny Bates, Thom Williams, Karin Silvestri Coye, Phil Tan, Phil colata, Brad Allen,
Mike Trisler, and many more.
For Tarah's Action / Stunt Reel: Click "REEL" in the main menu & Go to "STUNTS"


Jan Preston was born in New Zealand, but lives in Australia today. In the Far East, she is the Queen of the Blues and Boogie pianists, and for several times, she has been elected as "Female Blues Artist of the Year". Jan plays piano powerfully, and sometimes she also sings. Since the 1970s, she composes film music, too, which won her several awards as well. After studying music, she was musical director of a theatre company in her homeland New Zealand. Jan’s most recent, successful project is a show about the life and the music of female pianist Winifred Atwell, whose music Jan has literally absorbed.
Featured @ The Hamburg Boogie Woogie Connection: 2011, 2012 and as a surprise 2013


No stranger to music theatre Naomi is about to take on the role of Killer Queen in We Will Rock You. But far from being just an exceptionally talented musical theatre performer, she’s also writer, teacher, actor, manager and alongside her husband has launched an original electronic side project called Speak Softly. But how did Naomi get to where she is today and what or who helped her get there ?
Podcast: Play in new window | Download (126.3MB) | Embed
Subscribe: Apple Podcasts | Google Podcasts | Spotify | iHeartRadio | Email | RSS


Real life tales of (in)famous royalty accounting
Story #1: Kevin Smith vs. Miramax
This started with me trying to run down a rumor I’d heard that Matt Damon and Ben Affleck weren’t paid any backend royalties for Good Will Hunting. Instead I found this juicy story from Kevin Smith’s recent press tour for a new documentary about his life, featuring the very same villain. As quoted in an interview with Variety…
This much I know. They bought “Clerks” for $227,000. And the movie went out and made $3 million at the box office and stuff. And it took seven years for us to see any profit from that movie. For seven years, they were like: “Nope, the movie is still not in profit.” And we were like “How?” And then there were things.”
“Clerks” was financed with credit cards that Kevin Smith assumed he would never be able to pay back — he just wanted to make his movie. So the $227k was an advance to Smith that (presumably) paid down that debt, and the rest of the costs were just distribution, pr/marketing, and manufacturing (highly profitable) VHS tapes. So what “things” kept the movie from recouping? Well…
We all went to Cannes. There were four movies that Miramax took to the Cannes Film Festival in 1994 — “Fresh,” “The Picture Bride,” “Clerks” and “Pulp Fiction.” Miramax didn’t get “Clerks” in. We were in the International Critics Week section, which we actually won. I get flown over by the festival. I was given a free hotel room from the festival. This is a long way of saying Miramax didn’t have to pay for anything. There was a yacht, the Miramax yacht, it was called. That’s where all the stars were. We hung out on it, hung out with Quentin [Tarantino] after he won his Palme d’Or and stuff. But that yacht wasn’t for us. When the festival was over, we got the financial statement. They had taken the entire Cannes bill, everything they spent in Cannes, and just chopped it up into four and “Clerks” was charged as much as “Pulp Fiction.”So we all paid an equal share.
At least they got a statement! Now, I don’t have much experience equitably chopping up the cost of a yacht in Cannes. And I can understand that figuring out how many drinks Quentin Tarantino had vs. how many Kevin Smith had and billing back their respective films accordingly might be overkill. But given Mirimax didn’t actually pay for anything Clerks-specific or even get them in to the festival, I think it’s safe to say this is some serious bullshit.
Years later auditors agreed, but not before Kevin Smith showed how power dynamics invariably work to keep artists from getting paid properly…
I remember John Sloss, my lawyer, being like, “This is nuts. We have to audit them.” And I said, “No, I can’t audit people I’m in business with. That’s gross.” And we never audited them for years until after “Clerks 2.” And then we audited them years later and got a bunch of money. If I was a better business person, I would have gone for more money. But it felt like — “Oh, there it is. That’s their process. Movie math.” And, to be fair, I worked at studios and they have way more paperwork and you can see where every dime is going. But the nature of this business is everybody wants to keep as much money as they possibly can.
The resistance to “rocking the boat” of a working relationship, especially regarding the financial stuff, is very real. The stigma associated with demanding money, even if it’s rightfully yours, is sadly real. The people who control the purse strings would do well to be open and honest about how the money is breaking down, so they can build positive and productive relationships (and so they don’t get exposed down the line). In other words, be more Jay than Silent Bob.


LA-AFF No Game No Life: Zero
2017 commemorates the 100th anniversary of anime and what better way to celebrate this major occasion than with Los Angeles Anime Film Festival (LA-AFF). This event took place on September 15-17 at the Regal L.A. LIVE: A Barco Innovation Center in downtown Los Angeles and screened a wide array of anime films.
The festival opened with a red carpet where Bryce Papenbrook (Kirito from Sword Art Online), Morgan Berry (Yoshiko Tsushima from Love Live! Sunshine!!), Yuki Matsuzaki (Nozaki from Letters from Iwo Jima), Christine Marie Cabanos (Silica from SAO), Erica Lindbeck (Kaori from Your Lie In April), and other well known industry guests walking the red carpet.
Before the world premiere of No Game No Life: Zero dubbed version started, the festival treated everyone in attendance to a showing of The Dull Sword (Namakura Gatana), one of the first anime films ever made. The film is a 4 minute silent film from 1917 by director Junichi Kouchi and was thought to be lost forever until it was found in an antique shop in Osaka in 2008. Many people have called this film the equivalent to Disney’s Steamboat Willie.
After starting with one of the first anime movies, the latest, No Game No Life: Zero, took center stage. This film takes place six thousand years before the anime series and during the great war that the series touched on. The film follows Riku, who is trying to help humanity survive, and Shuvi, an Ex Machina that is in search to understand the meaning of the human heart. After the film, a Q&A was held with the main voice actors of Riku and Shuvi along with automated dialogue replacement (ADR) director, Kyle Colby Jones, and Japanese producer, Sho Tanaka. The film was also shown in the subbed version but on a different day.
There were more films shown on the following days. One new film that was shown was King of Prism. This was a special screening due to the fact that it was the North American premiere, and it encouraged fans to cheer along for their favorite character with glow sticks. After the screening, there was also a Q&A with the director, Masakazu Hishida.
The festival also had older films such as Ghost in the Shell, Miss Hokusai, and Paprika just to name a few. On the last day, the festival closed with the one of the most iconic films in anime, Akira.
The festival was a nice celebration that brought fans together to celebrate the 100th anniversary of anime. But if you missed the screening of No Game No Life: Zero, don’t worry. Fathom events will be screening the subbed version of the film on Oct 5th and the dubbed version on Oct 8th.
Find the full October schedule of events here.
Photos provided courtesy of Los Angeles Anime Film Festival.


Link #2 Link #3 Roger pretends to be Jeff’s imaginary friend, so he can freely roam naked around the house with no disguise. But when big-mouth Jeff figures out that Roger is an alien, Stan issues an ultimatum: either Roger or Jeff must be killed immediately. Meanwhile, Steve becomes insecure about the shape of his [...]
Link #2 Link #3 Roger announces that “Max Jets,” a character of Roger’s who enjoys showering the Smith family with money, is soon getting out of prison. But a wrench is thrown in the system when Max falls in love with Gina, a gold-digging waitress who threatens the family’s inheritance.
In a tribute to and send-up of the Pulitzer Prize-winning play, August: Osage County, a dark secret is revealed about the Smith family’s past when Francine invites Stan’s incarcerated dad, Jack, to Stan’s birthday party. Also in this spoof, Roger plays Edna, a maid who nurses Bullock and Hayley’s love child. But when Edna falls [...]
Link #2 Francine sets out to teach Roger a lesson in the importance of working hard, but the idea backfires. Meanwhile, Steve’s school project requires interviewing Stan about his past, and he’s soon sorry he asked.
American Dad Season 8 Episode 7 National Treasure 4 Baby Franny Shes Doing Well The Hole Story – A talk show reveals that Francine was the toddler who famously rescued from a well by a fireman; Francine makes a discovery when she falls down the well on the anniversary of her rescue. Meanwhile, Stan and [...]
American Dad Season 8 Episode 6 Adventures in Hayleysitting – The Smith familys regular babysitter, Lindsay (guest voice Alison Brie), breaks her leg in a soccer match, so Stan and Francine are forced to leave Steve with Hayley, despite her track record of being extremely irresponsible.When Hayley teases Steve about being a goody-two-shoes, Steve is [...]
American Dad Season 8 Episode 5 Why Cant We Be Friends – Stan decides that Snot isnt cool enough to be Steves best friend. So he attempts to separate them by staging a shooting at an ice cream parlor, of which Snot is the only witness and is then placed in the CIA Witness Protection [...]
American Dad Season 8 Episode 4 American Stepdad – Stan invites his mother (guest voice Swoosie Kurtz) to come live with the family after Stans stepfather dies, and tensions rise when Roger is forced to share his attic with her. But Roger and Stans mom quickly fall in love and get married, and Stan is [...]
Stan discovers that Francine was unfaithful one night before she and Stan married. With the possibility that Hayley may not be his biological daughter, he travels back in time to find out who the mystery dad might be. But when he inadvertently disrupts the events of the past, he must do everything to avoid changing [...]


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, Arunoday Banerjee - Rahul
, Riya SenIn the present timeline, Rohit Mehta (Jisshu Sengupta), a Gujrati born and brought up in Calcutta, falls in love with Mahamaya (Swastika Mukherjee) and tries to woo her. Since he can just barely utter a few Bengali words (and that too in the wrong places), Mahamaya throws him a hurdle to cross - if he can write a song with correct Bengali lyrics and sing it without any accent or mistake, she would think of a possible relationship. Rohit accepts the challenge and goes to Portugal to study colonial history.
, 2hRéalisé par Srijit MukherjiActeurs Prosenjit Chatterjee
, Nandana Sen
, Indraneil Sengupta
, Pijush Ganguly
, Biswajit Chakraborty
, Sohini PaulNote
73% The film starts with a proposal of remaking Satyajit Ray's famous Nayak by a debutant director and storywriter Shuvobrata (Indraneil Sengupta) to famous Bengali actor Arun Chatterjee (Prosenjit). Arun approves Shuvobrata's proposal and agrees to finance the project. Shuvobrata requests his live-in girlfriend Srinandita or Shrin (Nandana Sen) to act opposite Arun. In the meantime, Arun and Shrin become close friends and Arun tells her about various incident from his past in an emotionally triggered condition. The exchange is videotaped accidentally and Shuvobrata on discovering it leaks it to the press, without Srinandita's consent, as a publicity stunt for the film. Srinandita leaves Shuvobrata on learning of this indiscretion. Arun, furious about the leak, bars the film from being released. Arun later learns that Shrin had no role in the leak and apologizes to her. The movie ends with Shrin leaving a note and a phone number for Arun at a roadside dhaba where they had met earlier.
, 2h20Réalisé par Srijit MukherjiGenres Thriller
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, Abir Chatterjee
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79% Several murders have taken place throughout Kolkata, for which a serial killer is believed responsible. The murderer strikes in accordance with verses of Bengali poetry, which he leaves next to the victims. The police are baffled; chief detective Abhijit Pakrashi (Parambrata Chatterjee) struggles to solve the case, which takes a toll on his relationship with girlfriend Amrita Mukherjee (Raima Sen). Pakrashi's superior brings back an ex-cop, Prabir (Prosenjit Chatterjee), to help solve the case. Prabir, earlier suspended for his violent methods, is notoriously ill-tempered and foul-mouthed. Prabir and Pakrashi work together, while Amrita (a television journalist) and colleague Surya Sinha (Abir Chatterjee) research serial killers for a series whose thirteenth—and final—episode will be about a contemporary murderer. Meanwhile, eccentric poet Nibaron Chakraborty (Gautam Ghosh)—who considers himself part of the Hungry Generation—wanders Kolkata at night reciting poems.
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, Deepankar De
, Roopa Ganguly
, JeetThe movie is a strong insight into psychological dilemma about the primal existence of life. It reiterates the fact that you can 'shock someone by letting her know that death is impending and inescapable.’ It is a dark comedy which successfully evokes an awareness of life. The comic element is used dexterously to bring out the fear of death. The protagonist Meghna (Koel Mallick), misses her mother, hums the songs of her favorite Sidhartha Roy numbers, blames the new lady in her father’s life, shaken by the dejection by her fiancé. Yet, as an escape route from the world of pain and suffering she goes to her father doctor to get prescribed sleeping pills. Ananda Kar (Parambrata) as the name suggests ‘make merry’ refrains her from ending her life. He comes with an unusual proposal of imparting her technical know how about committing suicide. He adds 'the training will save you from embarrassment if suicide becomes a vain attempt'. Ananda Kar is the founder of the Hemlock Society, that teaches aspirants how to successfully commit suicide. The names of the professors are also significant of the tricks they will teach to execute the end. The society is a film studio. Meghna assembles with all other suicide aspirants being addressed by the over-enthusiastic professors, trainlet, jhulan, dhamani, raktim, shikha, all specialists in different suicide methods. Meghna goes with him, leaving a goodbye message for her parents at her apartment door. Dr. Basu comes in search of his daughter, finds the note and shatters in grievance. Dr. Basu and Niharika start their search for Meghna and almost leave no stone unturned. Meanwhile at Hemlock Society, Meghna encounters with miscellaneous experiences related to humans lives and death. The three day workshop at the society makes her understand the importance of life and what difference her loss would mean to her near and dear ones. The metamorphosis of Meghna occurs when she realizes the miseries of other inmates and considers herself lucky. On the final day, Meghna confesses to Ananda that she wants to live and a vital reason which worked behind her changing of mind is that she had fallen in love with Ananda. Ananda informs her that he is suffering from 'Lymphocytopenia' a medical condition for which he would survive only for two more years. Meghna leaves Hemlock Society, sobbing and returns to her father. The very thought that someone near the cradle of death can ‘drink life to the lees’ in spite of complain and regret, surprises her. She learns from Ananda, that Hemlock society is an institute that refrains people from ending their life by making them aware of the importance of life. Six months later, Meghna reconciles with Ananda while he is on a nursing home bed, after having a blood-transfusion. The film ends with a witty note where Meghna’s fiancé (Saheb Chatterjee), now a dejected soul and undoubtedly suicide aspirant, being taken to 'Hemlock Society'.
, 1h29Réalisé par Buddhadev DasguptaActeurs Prosenjit Chatterjee
, Rimi Sen
, Raima Sen
, Rajesh SharmaNote
76% Paresh (Prosenjit Chatterjee), the protagonist in Swapner Din, cannot afford the luxury of reaching out for the unexplored. For him, travelling in an official jeep across the state is a matter of keeping alive, a business he is forced to do. He screens badly put together family planning films in villages that fall along his predetermined route, often meeting with unpleasant responses from his target audience. His faith in life is sustained by his love for his dream girl — a beautiful actress he saw crying away in a film five years ago and has been haunted by. He has never met her. She accompanies him on his daily sojourns through a sticker of her picture pasted on the projector box he carries along.
, 2h45Acteurs Prosenjit Chatterjee
, Swastika Mukherjee
, Tathoi Deb
, Tapas Paul
, Ranjit MallickThe story of this film revolves around the main character Shivaji (Prosenjit) who is a goon. He was hired by the villain Bishal Sarkar to kill the judge Prasanta Mullick (Ranjit Mullick) as he refuses to receive the bribe and announces death sentence for his youngest brother, Vicky Sarkar. Shivaji's wife Durga (Swastika Mukherjee) on the other hand being insulted and humiliated again and again by people tries to commit suicide. Shivaji ultimately saves her life and leaves all criminal activities. Prasanta Mullick and his wife (Mousumi Saha) help him to start a business of a fast-food centre. But one day Bishal Sarkar's brother along with goons attack the restaurant and kills a person. Inspector Satyaprakash (Tapas Paul) arrests innocent Shivaji and he was imprisoned. Prasanta Mullick resigns from the post of a judge, and tries to prove Shivaji innocent. In this mean time the three brothers of Bishal Sarkar attacks Shivaji's house, kills his daughter Tumpa and rapes his wife. Durga commits suicide. To seek revenge Shivaji escapes from the police custody and starts killing Bishal Sarkar's brothers one by one. He also kidnaps Insp. Satyaprakash's daughter Jaya (Tathoi). Jaya was a lonely child as her father and mother (Satabdi Roy) none has time for her. She was brought up by her Appa (Chumki Choudhury). Shivaji starts loving her as his daughter, and Jaya also forgets her loneliness. But police separated them and produces Shivaji in court. Suddenly Bishal Sarkar kidnaps Jaya and Shivaji saves her. But while doing so he gets injured though kill all villains. Doctors declare him dead but Tathoi or Jaya magically saves his life by singing in front of God and after 20 years with the marriage of Jaya the movie ends.


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Johnson has said of writing the script he wanted it to be character based rather than focus on the mechanics of time-travel. He drew inspiration from movies such as The Terminator, 12 Monkeys, and Witness. One of the best screenplays to read if you love mixing sci-fi with ironic humor and time-travel.
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If you thought Dallas Buyers Club, Interstellar, or True Detective was already the pinnacle of what Mathew McConaughey could do, wait until you see this film! Created by writer-director Jeff Nichols and set in the American South, Mud is a beautiful tale of love, loss, and personal growth. Two children, Ellis (Tye Sheridan) and Neckbone (Jacob Lofland), come across the elusive Mud (who is played by McConaughey), a man on the run wanted for murder. Initially scared of his mysterious character, the kids end up wanting to help and protect him from his those pursuing him. Ultimately a story of love, the film deals with a very human crisis seen through the eyes of children, drawing from American adventure tales and the humidity of the South. Mud is exciting, uneasy, sad, and quite beautiful. All at once.
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Official Selection – BFI Flare London LGBTIQ+ Film Festival 2020, Queer Screen Mardi Gras Film Festival 2020
'Crazy Rich Asians" Henry Golding offers a quiet portrayal of a Vietnamese man returning to his birthplace to rediscover his roots. Having lived in the UK since he was eight years old, Kit finds Saigon a strange and yet familiar land. He feels distant from family members but encounters an American man who offers him a sense of comfort. This gorgeous arthouse movie by Cambodian-British director Hong Khaou is loosely based on his own experience as a refugee. The film's observation of an immigrant's sentiment is touching, tender and poignant. Khaou's previous film, 'Lilting' was a festival hit and he brings an equally thoughtful and graceful film to our screens with 'Monsoon'.


Quentin Tarantino’s Once Upon a Time… in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood’s golden age.
Before the film’s world premiere at the Cannes Film Festival, Quentin Tarantino begged of Cannes crowds to avoid spoilers for later audiences in a statement made on social media; “I love cinema, You love cinema. It’s the journey of discovering a story for the first time. I’m thrilled to be here in Cannes to share ‘Once Upon A Time…in Hollywood’ with the festival audience. The cast and crew have worked so hard to create something original, and I only ask that everyone avoids revealing anything that would prevent later audiences from experiencing the film in the same way. Thank you.” See more »
During his fight with Cliff, Bruce Lee is depicted with the longer hairstyle he sported in the early 70’s and not the short haircut he had during his time on The Green Hornet. See more »
The film’s title doesn’t appear until the end of the film. See more »
In October 2019, an extended cut of the film was released in selected theaters with an additional 10 minutes, made up of 4 new scenes which include an extended version of the opening scene, two fake commercials and a new after-credits scene. See more »


When I was a kid– actually, I should say teenager since we didn't have cable before then– when I would get sick, Mom and I would sit on the couch and watch AMC until all hours of the night. Now this was in the days before you could watch Tom Cruise and Julia Roberts on that channel. We're talking Clark Gable and Tyrone Power and the classic leading men. When I had the flu in my Junior year of high school, I got to watch Lucy and Desi movies– not just I Love Lucy, but the pair driving around in a camper! It was where I first saw Bringing Up Baby and Philadelphia Story. Just like all the girls in the 30s and 40s, I fell in love with Cary Grant and Clark Gable, but there was one unlikely hero I fell for.
This weekend, I ran across a run of William Powell and Myrna Loy movies, starting off with the Thin Man. (The dog in the middle is Asta, by the way. Hilarious creature.) I love that movie! And since I am currently trying to write a mystery with a comical twist, I thought it might inspire me. And I was right.
While watching Powell and Loy, I got to thinking of my characters and clarifying them in my head. Not that I ma basing any of my characters directly from either one of them, but I am sure pulling out aspects. And then I got to thinking of another Powell movie I love, My Man Godfrey. Carole Lombard plays Irene Bullock, who is a tad bit scatterbrained and just manic as all get out.
She's perfect for my main character, who is prone to fits of nonsensical rambling which my detective, Rex Isely, has to routinely snap her out of. (Yikes! Talk about rambling and poor sentence structure!)
So after watching my black and white movie night, I sat down yesterday and put down 2,500 words. Which is more than I've written in the last two months put together. So is it the blogging? Is it the old movie obsession? Who knows! But I think tonight I just might have to dig out my William Powell movie collection… for a little inspiration.


23+ Chelsea Islan Background. Последние твиты от chelsea islan (@chelseaislan). Be the change that you wish to see in the world.
Di lain pihak, ia juga sedang menjalin kasih dengan seorang pria asal jepang bernama. 7,450 likes · 286 talking about this. Ini udah masuk ke season 2 nebeng boy!
She made her film debut in the indonesian drama film refrain, she later continued her acting.
Be the change that you wish to see in the world. See more ideas about chelsea islan, chelsea, actresses. Since making her debut in 2013, with the drama movie, refrain, she has been cast in the leading roles in several. Chelsea islan curhat ke boy william tentang masalah ini nebengboy s2 eps 1.


Julie Harris Theatre at Perry Mansfield
At a Glance
Date Built: 1956
Architect: Willard Sage
Restoration Start Date: 2020
Status Phase 1: Roof Stabilization Complete
Status Phase 2: New Roof/upgrades in progress
The Julie Harris Theatre was designed by Willard Sage, an actor who attended camp at Perry-Mansfield. Sage later became an architect who studied under Frank Lloyd Wright, and his influence can be seen in the design of the Julie Harris Theatre. The six-sided theatre building is approximately 5,600 square feet. It is believed to be the first theater in the U.S. with a stage that could be configured as proscenium, thrust, or in-the-round. This theatre’s unique versatility is still a hallmark of the productions which still use varied and innovative set and stage designs to enhance the experience of attending a play in this intimate setting.
Fun Fact: The Julie Harris Theatre building was named for Julie Harris, who attended the camp as a teenager from 1940 to 1942. Harris was one of the first campers to achieve fame and had her 1945 Broadway debut in the comedy “It’s a Gift” when she was only 19. She later played opposite James Dean in the film “East of Eden.” Julie Harris was a five-time Tony Award winner, won three Emmys, and a Grammy, and was nominated for an Academy Award. She is the most honored actor in the history of Broadway’s Tony Awards.
Perry-Mansfield Performing Arts School & Camp and Historic Routt County (HRC) have partnered to preserve and restore the historic Julie Harris Theatre on the Perry-Mansfield campus and make it a year-round facility. The low-sloped roof of the Julie Harris Theatre was in danger of collapse after 60+ years of an average of 200” of snow annually. The renovation/rehabilitation of the theatre will be phased and will include structural reinforcement, upgrades to lighting and electrical systems, exit signage, fire alarms, insulated roof system, heating system, plumbing, ADA access, ADA bathrooms, window/door restoration, brick restoration, and general carpentry needs.
This project is made possible by strong community partnerships and generous donors. The theatre’s stabilization is partly paid for by a History Colorado State Historical Fund grant, a grant from the Routt County Museum & Heritage Fund, and generous gifts from community members.
Phase 1: The project began in 2021 when steel beams ( some of which are 48’ long and 3,00 lbs each) and columns were slipped into the theatre interior to reinforce the roof framing system and stabilize the building. Every effort was made not to damage the existing building fabric.
Phase 2: The roof will be replaced by early 2023, allowing the theatre to be used year-round.


In this multimedia virtual lecture, Bundles Community Scholar Debra Ann Byrd will reflect on the years-long experience and process of creating and starring in BECOMING OTHELLO: A Black Girl’s Journey. Described as a living memoir, BECOMING OTHELLO is a theatrical production with lyrical language, soulful songs and the music that shaped the life of a resilient little girl growing up in Spanish Harlem. The solo show flows from Debra Ann’s recounting of her ancestral lineage to her arrival at a crossroad in life, while taking us through her joy-filled and tumultuous youth; a fateful encounter with a company of Shakespearean actors and her remarkable, gender-flipped journey on the road to becoming Othello.
In July 2021, Wall Street Journal theater critic Terry Teachout described the new show as “riveting” and exclaimed, “Like Hal Holbrook’s ‘Mark Twain Tonight!’ or John Gielgud’s ‘Ages of Man,’ it’s the kind of solo show that an actor so inclined can spend the rest of his or her life playing in every corner of the English-speaking world.”
Debra Ann Byrd is a fifth generation Harlem resident with a background in the performing arts as an actor, producer, arts manager, and business leader. Since beginning her career in the arts in 1990, she has appeared in productions across the country and founded Take Wing and Soar Productions and the Harlem Shakespeare Festival. She has also received many awards, including the NAACP Shirley Farmer Woman of Excellence Award and the 2013 Take Wing And Soar Founder’s Award. Ms. Byrd has a Bachelor of Fine Arts in Acting from Marymount Manhattan College, as well as further training at Shakespeare & Company, the Public Theater’s Shakespeare Lab, and the Arts Leadership Institute at Columbia University and Teachers College.
The A’Lelia Bundles Community Scholars Program, administered by the Office of Government and Community Affairs, the School of Professional Studies, and the Office of the Provost, enables members of the Upper Manhattan community to pursue aspirations and projects through a three-year affiliation with the university.


Improvising for Silent Films
Silent films were never silent! Before the invention of the soundtrack in the late 1920’s, films were accompanied by live music provided by a pianist or organist improvising an accompaniment or by a full orchestra playing a composed score. The epitome of creativity and fun is the blending of improvisation, film and a live audience.
I started accompanying films in the mid-1980’s. My personal Golden Age of silent film was the mid-1990’s to mid 2000’s when I mastered the craft by accompanying all the Cinematheque Ontario retrospectives of film Directors; Ozu (Japan), Dreyer (Denmark), Lubitsch, Murnau, Pabst (Germany), Sjostrom, Stiller (Sweden), Germaine Dulac, Georges Méliès, Louis Feuillade (France), Dovzhenko, Eisenstein (Russia), Hitchcock (England) as well as curated screenings of silent film stars such as Louise Brooks, Anna May Wong, Nell Shipman and many more. Taking over from Cinematheque Ontario, the Toronto International Film Festival (TIFF) at the Bell Lightbox has been screening several silent films each year, most recently the Chinese classic The Goddess and three films by Russian director Mikhail Kalatozov; Nail in the Boot, Twenty-Six Commissars and Salt for Svanetia, all of which I accompanied. Silent Sundays at the Revue Cinema and the Toronto Silent Film Festival also provide accompaniment opportunities for myself and several other talented accompanists.
While the timeless comedies by Chaplin, Keaton and Harold Lloyd find a welcome anytime and anywhere, audiences in Toronto have a sophisticated appreciation for the artistry of silent film drama. Around Toronto and across Canada, I accompany film presentations at music concert series, film festivals and special screenings, mostly on piano but also on pipe organ. One recent screening with pipe organ was in the 2,000 seat concert hall of the new Maison Symphonique de Montréal where I accompanied two sold out screenings of Phantom of the Opera (1925) on the stunning new Casavant pipe organ (6,489 pipes).
My style of accompanying has been shaped by my classical background and my attempt to enhance serious dramatic themes and plots through varied musical languages and techniques. For the big Hollywood blockbusters like Phantom of the Opera or Hunchback of Notre Dame, the musical language I generally utilize is derivative of late 19th and early 20th century orchestral music with a few modern flourishes.
Likewise for film comedies, though these are greatly enhanced by introducing some popular musical styles and dance rhythms of the 1920’s.
Dramas and art films allow for musical styles and techniques from the late 19th and early 20th century through to modern techniques such as bi-tonality, atonality, quartal harmony, minimalism, Messian’s modes of limited transposition, whole-tone and invented scales, all of which can be particularly effective in piano accompaniments. Some silent films eschew narrative (i.e. Man With a Movie Camera, Berlin, Symphony of a City, Douro) offering tremendous opportunities for musical invention so long as the accompanist respects the dictum that the music serves to enhance the film, not to compete with it for attention. Nevertheless, the receptiveness of film audiences to contemporary musical techniques and harmonies, used tastefully and artistically, is thrilling and a spur to ever more creative accompaniments.
The best compliment an audience member can give me after a screening is to say that the music matched perfectly and that they forgot that I was even there.


Kannada Movie Thithi in the third week of June 2016 won two awards - Best Film and Best Script Writers - under the Asia New Talent Awards Category at the 19th Shanghai International Film Festival. Earlier, in August 2015, the film premiered at the 68th Locarno International Film Festivaland won the Golden Leopard honour in the Filmmakers of the Present category and the Swatch First Feature award. The film also won numerous other awards at film festivals held in Mumbai, Palm Springs, Marrakech, etc. Some of the important among them are–
• 63rd National Film Awards: It won the National Film Award for Best Feature Film in Kannada.
• 2016 Karnataka State Film Awards: It bagged the awards, namely, First Best Film, Best Supporting Actress and Best Dialogue award.
• It was invited to the 45th edition of New Directors/New Films in New York, the USA.
Thithi is a drama film consisting of a cast of non-professional actors from villages in the Mandya district of Karnataka. It is a light-hearted story about three generations of men reacting to the death of their 101-year old patriarch.
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I bought my kids tickets to see this show at Toronto’s Sony Centre during March Break. I don’t have too much to say expect that other seeing Disney cartoon characters live, nothing and no-one really truly captures the spirit of a kids’ cartoon character on stage, and Scooby Doo walking about on stage on two in a furry costume didn’t really cut it for me. We have seen a lot of kids’ show stage performances over the years, and I am a huge fan of Sesame Street Live but kids are too old for that now, and I patiently await grandchildren so I can take them.
My expectations for this show were low even before I bought tickets, and I wasn’t disappointed. The actors did well, and I have no complaints about the singing, dancing, or acting. The show, however, was very poorly executed and there were several glaringly obvious on-stage mistakes.
The plot was gossamer thin and since there were only three other character apart from the gang, one of who was a non-verbal stage-hand, and one of who had only several lines of dialogue, it was fairly obvious who the ghost was.
The entire show only lasted an hour and there was a long intermission of about 25 minutes. Overall, we spent more time travelling to the show, than we did watching the show.
My recommendation is that is you have kids 6 and under, who love Scooby Doo and will enjoy just being there, then go for it. If you’re kids are a little older, and like mine, have seen a lot of major stage show and mega musicals, and are complete theatre buffs, save your money for something better. Even if your kids haven’t seen large-scale professional shows, but they have seen well–executed community theatre, think carefully about spending your money on shows like Disney and Scooby Doo.
Children’s Theatre: My kids and I had a blast last summer in Toronto at Cow Over Moon‘s small (roughly) 30 seater theatre for a performance of Pinocchio. We laughed non-stop, and my kids loved the random audience participation moments. The actors all hung around to meet the kids and give away posters which they sat and individually signed, and they posed for photos too. Good theatre is good theatre, and this definitely was. Please try to broaden your kids’ horizons and don’t just buy into the material aspect of furthering the profit of the conglomerates that make kids’ shows.
There are good shows out there. Scooby Doo just isn’t one of them. It was what exactly I expected it to be though – thoughtless, brainless fun and entertainment, and not exactly worth the price of admission. If you have money to spare and you just want mindless fun, then go ahead and see this show.
Scooby Doo Live! tickets and pricing information available here at Ticketmaster.


Zatoichi - The Film, The Movie, The Video
Century Japan... Zatoichi is a blind wanderer who makes a living by gambling and giving massages. But behind his humble facade, Zatoichi is a master swordsman, gifted with a lightning-fast draw and strokes of breathtaking precision. Zatoichi discovers a remote mountain town at
the mercy of the Ginzo gang.
ruthless Ginzo dispose of anyone who gets in their way,
quicker than ever since they recruited Hattori, the mighty samurai
gambling joint, Zatoichi and his trustworthy young friend
Shinkichi meet up with a couple of geishas. As dangerous as they are
beautiful, Okinu and her sister Osei have come to town to avenge their
Zatoichi - The Creator : Takeshi Kitano
This renowned Japanese film director
came into this world on January 18, 1947.
Takeshi has a multi-faceted
arts background including time spent as an actor, singer, comedian,
screenwriter, author, TV show anchorman, film editor, poet video game
developer and painter.
Over the years, Takeshi has
been critically acclaimed in his home country Japan and around the
world as a result of his quirky cinematic video filming work. One
famous critic of Japanese films Nagaharu Yodogawa, even compared
Akira Kurosawa. Even to the extent
that he claimed he was Kurosawa’s
Outside of his film career,
Takeshi is also known as Beat Takeshi and a shortened version of simply
Takeshi arising from his role as an actor in the film Johnny Mnemonic.
Takeshi’s enterprises include
a film company called Office Kitano and an agency for talented artists.
He is also based at Tokyo’s
Arts University where is resides as a professor in the Graduate School
of Visual Arts.
He is most famous in his
native Japan as a comedian and host of a television show called Beat
Takeshi’s TV Tackle which is primarily a discussion programme where
politicians and celebrities consider and discuss current affairs.
Kitano’s earlier film work
featured law enforcement and criminal fraternity known as the Yakuza.
His critics claim that his acting adopts a “deadpan” approach. His
cinematographic style features video camera work with little or no movement
except the live action of actors or objects moving in the background. He employs “long takes” in
which there appears little semblance of activity. In addition, he often
edits footage immediately after taking it.
Whilst his work exudes
affection for characters and much humour, it has also been described as
“bleak” or “rebellious”. The outcome of a lot of his work leaves his
audience with a somewhat convoluted impression at times and at others
take on an extremely controversial stance too!
In 2000 and 2002 Kitano’s
films Dolls and Brother proved to be a disappointment especially from
critics in the United States. In Asia and indeed Europe, the
criticism was somewhat muted and not much praise for these films was
forthcoming when compared to his previous works!
However, in 2003 Kitano
directed and starred in Zatoichi. Takeshi created a new interpretation
of the character made famous in Shintaro Katsu’s well established
popular TV series of the same name.
Zatoichi - The Awards
Zatoichi won numerous awards
including the Silver
Lion award at Venice’s Film Festival and it was a
huge success at the Japanese box office as well as in Manchester UK at their arts festival. Takeshi
Kitano's approach was applauded by a wide range of film industry critics who comment about what video production Manchester culture find so appealing.
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Tom Hiddleston is one of the most popular and in-demand actors in the world. He is known for his roles in a variety of films, including “Thor,” “The Avengers,” and “Kong: Skull Island.” He has also starred in the BBC series “The Night Manager.”
Hiddleston was born in Westminster, London on February 9, 1981. He is the son of Diana Patricia (Hiddleston), an arts administrator and former stage manager, and James Norman Hiddleston, a physical chemist. He was raised in Wimbledon, London.
Hiddleston attended The Dragon School, a prep school in Oxford, and then Eton College, where he was a member of the Eton Society. He then studied at the University of Cambridge, where he earned a double first in Classics.
Hiddleston made his stage debut in a production of “Ivanov” at the Royal National Theatre in London. His first film appearance was in “Unrelated” in 2007.
Hiddleston is a talented singer and has appeared in a number of musical productions. He has sung with the London Symphony Orchestra and the Philharmonia Orchestra.
Hiddleston is a talented dancer and has studied ballet, jazz, and tap dancing.
Hiddleston is a humanitarian and has worked with a number of charities, including the UNICEF UK, the British Red Cross, and the International Rescue Committee.
Hiddleston is a huge fan of the Marvel comics and is a self-proclaimed ” comic book nerd.”
Hiddleston is a huge fan of Taylor Swift and the two were romantically involved from July 2016 to September 2017.
Hiddleston is a huge fan of cricket and played for the Eton College cricket team.
Hiddleston is a huge fan of cars and owns a number of high-end sports cars, including a Mercedes-Benz SLS AMG, a Porsche 911 Carrera, and a Jaguar F-Type.
Hiddleston is a huge fan of animals and has a menagerie of pets, including a dog, two cats, four horses, and a donkey.
Hiddleston is a huge fan of food and has a very eclectic taste in cuisine. He is a big fan of Indian food and has said that his favorite dish is chicken tikka masala.
Hiddleston is a huge fan of Shakespeare and has said that his favorite play is “Macbeth.”
Hiddleston is a huge fan of theater and has said that his favorite theater production is “Angels in America.”
What is Tom Hiddleston’s favorite movie?
Tom Hiddleston, one of the most popular actors in Hollywood, has a wide variety of favorite movies. In a 2012 interview with The Guardian, he listed a number of his favorites, including The Prestige, The Ladykillers, and Swingers. However, one of his all-time favorite movies is Casablanca.
Casablanca was released in 1942 and starred Humphrey Bogart and Ingrid Bergman. The movie tells the story of Rick Blaine, a nightclub owner in Casablanca who is forced to help a group of refugees escape the country. Blaine falls in love with Ilsa Lund, one of the refugees, and the two are forced to part ways.
Hiddleston has cited Casablanca as one of his favorite movies for a number of reasons. First, the movie is a classic and has been praised by critics and audiences for years. Additionally, the movie is well-acted and features a great story. Hiddleston also believes that the movie is relevant today, as it deals with themes such as love, loss, and sacrifice.
Casablanca is available to watch on a number of streaming services, including Netflix and Amazon Prime.
Is Tom Hiddleston in Harry Potter?
Tom Hiddleston is one of the most popular actors in the world right now. He has starred in a number of blockbuster films, and has a large and passionate fan base. So it’s no surprise that one of the most common questions Hiddleston fans ask is whether or not he has appeared in the Harry Potter films.
The answer is no, Tom Hiddleston has not appeared in any of the Harry Potter films. However, he has expressed an interest in appearing in a future Harry Potter film, and he would be a great addition to the cast.
Tom Hiddleston is a very versatile actor, and he would be perfect for a role in the Harry Potter films. He has the ability to play both serious and comedic roles, and he would be perfect for a role in a Harry Potter film.
Tom Hiddleston is one of the most talented actors in the world, and it would be great to see him appear in a Harry Potter film. He would add a lot of depth to the cast, and he would be sure to impress fans of both the Harry Potter films and the Tom Hiddleston films.
What is Tom Hiddleston best known for?
Tom Hiddleston is best known for his work as an actor. He has starred in a number of films and television shows, including Thor, War Horse, and The Night Manager. He is also known for his work on the stage, having starred in several productions in the United Kingdom.
What is Tom Hiddleston’s favorite play?
Tom Hiddleston is a famous British actor who has starred in several successful films and TV series. His favorite play, however, is William Shakespeare’s “Henry V.”
Hiddleston has spoken about his love for the play on a number of occasions. In an interview with The Daily Beast, he said, “I love ‘Henry V.’ It’s my favorite play. I think it’s because it’s about something that’s really important, which is leadership and sacrifice and the nobility of being in service to something greater than yourself.”
He also discussed the play in a 2013 interview with The Telegraph. “I think ‘Henry V’ is about the transition from boy to man,” he said. “It’s about the discovery of your own power and how you can use it for good or for ill. And it’s also about the responsibility that comes with wielding power.”
Hiddleston’s performance in the title role of “Henry V” was praised by critics when the play was staged at the Manchester International Festival in 2013. The Guardian’s Michael Billington wrote, “Hiddleston is a superb Henry, combining the puppy-dog eagerness of the young prince with the self-possession of the king.”
Hiddleston will reprise his role as Henry V in a new production of the play, which is set to open at the Shakespeare’s Globe Theatre in London in September 2017.
What is Tom Hiddleston most famous movies?
Tom Hiddleston is a well-known English actor who has starred in a number of famous movies. One of his earliest roles was in the 2007 film Unrelated, directed by Joanna Hogg. He also had a small role in Woody Allen’s 2011 film Midnight in Paris. However, Hiddleston rose to international fame after playing the Marvel Comics character Loki in the 2011 film Thor. He reprised the role in the 2012 film The Avengers and the 2013 film Thor: The Dark World.
Hiddleston has also starred in a number of other high-profile films. In 2012, he starred in the Ben Wheatley-directed film Kill List, and in 2013 he starred in the Guillermo del Toro-directed film Pacific Rim. He also starred in the BBC miniseries The Night Manager, for which he received a Golden Globe Award nomination.
Hiddleston’s 2016 film credits include the action-thriller Crimson Peak, the Hank Williams biopic I Saw the Light, and the Ben Wheatley-directed horror film High-Rise. He will also reprise his role as Loki in the 2017 film Thor: Ragnarok.
Tom Hiddleston is undoubtedly one of the most successful and well-known actors in the world today. He has starred in a number of high-profile films, and his performance as Loki in the Marvel Cinematic Universe has made him a household name.
What is Tom Hiddleston hair color?
Tom Hiddleston is a British actor who is known for his work in stage and screen. He first came to prominence playing Loki in the Marvel Cinematic Universe, a role he has reprised in Thor: The Dark World, Thor: Ragnarok, and Avengers: Infinity War.
Hiddleston is known for his dark hair, but what is the color of his hair?
Tom Hiddleston’s hair color is dark brown. He has said that he dyes his hair black, but it is actually a dark brown. He has also said that he has a “natural inclination towards dark hair.”
Hiddleston’s hair is often described as black, but it is actually a very dark brown. His hair color is one of the things that makes him stand out from other actors, and it is one of the things that fans love about him.
Which Hogwarts house is Tom Hiddleston?
Tom Hiddleston is a British actor who has starred in several high-profile films, including Thor and The Avengers. Hiddleston is also a noted stage actor, having won a Laurence Olivier Award in 2011.
Hiddleston attended the Dragon School in Oxford and then Eton College. He went on to study at Cambridge University, where he was a member of the Footlights comedy troupe.
Hiddleston is best known for his portrayal of Loki in the Marvel Cinematic Universe. He has also starred in such films as War Horse, Midnight in Paris, and Crimson Peak.
Hiddleston is a proud member of the House of Gryffindor.


When I watched Horrible Bosses a couple of months ago, I had no idea who Charlie Day was, assuming he was from Saturday Night Live, which I don't watch. It wasn't until a couple of weeks ago that I really discovered his comic brilliance when I started watching It's Always Sunny in Philadelphia.
As I so often do (The Big Bang Theory, Weeds, Cougar Town). I had ignored this show because I assumed it was just formulaic say-a-line-and-pause-for-the-canned-laughter crap. In my head I had imagined is as something between Cheers - with a bar for a set and a group of regulars sitting around saying whacky things - and the dire but bafflingly successful British sitcom Two Pints of Lager. However, as Noodle Arms has been away on holiday since mid-December (back tomorrow, yay!), I have been pottering around mostly on my ownsome for the past few weeks, and I had scraped the barrel of every single TV show I had the slightest interest in ever seeing, so I finally came around to this one.
It is nothing like I expected. Four high school losers grow up and buy a seedy bar that rarely has any customers. Okay, so far so Cheers. The humour is so much darker, but still outrageously funny. It's not really cringe dark, like, say, Louie, which despite its brilliance I can barely stand to watch at times. It's probably more like Seinfeld taken up to and beyond Curb Your Enthusiasm levels. Some of the episode titles should clue you in: Charlie Gets Molested, Mac Bangs Dennis' Mom, The Gang Finds A Dumpster Baby, Sweet Dee's Dating A Retarded Person, Dennis Looks Like A Registered Sex Offender, Dennis Reynolds: An Erotic Life. It's not for the faint-hearted. Or my mum.
The main characters are:
- Dennis, a vain, shallow, possibly sociopathic womaniser
- his twin sister "Sweet Dee" (they never explain why she is called that), an aspiring actress/comedienne who is as vain and shallow and possibly sociopathic as Dennis, but is also constantly derided and dismissed by the others
- Mac, a self-serving coward who fancies himself as hard
- Charlie, a borderline illiterate, glue-sniffing weirdo who lives in squalor and happily does all the 'Charlie jobs' in the bar like cleaning toilets and killing rats
In season 2, Dennis and Dee's father Frank - played by Danny DeVito - becomes a regular character. Frank is a wealthy eccentric who decides to move in with Charlie to be more adventurous, and embraces the life of a more-than-slightly unhinged scumbag. He likes to mess about in the sewers naked, hang out 'under the bridge', and entertain 'hoo-ers'. I've never been a particular fan of Danny DeVito, but he is brilliant at making Frank both disgusting and shockingly hilarious. The scene in the Season 6 Christmas episode where he slithers naked out of the lining of a couch is just... I'm still shuddering. And laughing.
My favourite character is Charlie, not least because Charlie Day reminds me a lot of Bobcat Goldthwait, one of my favourite comic actors from the 80s, and the reason I watch Burglar every single time it's on TV. His not-always-suppressed rage and inability to articulate himself makes the character a lovable, but slightly terrifying, lunatic.
There are a number of supporting characters who pop up occasionally to add to the hilarity and whose lives have usually been ruined in some way by the gang.
- Dee's acting class friend Artemis is probably the most similar to the rest of them - she has an on and off relationship with Frank and doesn't seem to care what she gets involved in.
- The waitress Charlie has a crush on (whose name is never revealed) turns up most frequently, and is most often the one who suffers the consequences of their disastrous adventures. She is in AA until Dee's bullying attempts at recreating a Sex and the City-type friendship with the waitress and Artemis results in her going off the wagon and sliding back into alcoholism.
- 'Rickety Cricket' is a guy who had a crush on Dee in high school and grew up to become a priest. In one episode Dee convinces him that she is in love with him (for her own selfish reasons), causing him to leave the priesthood. When she rejects him he becomes a homeless vagrant, turning up in occasional episodes looking more and more down and out.
- My favourite are the McPoyles, a creepy, incestuous pair of brothers who come from a large family that look and act like hillbilly carnies.
The McPoyles and their equally creepy sister, Margaret.
The 7th season just wound up at the end of last year, and the show has been renewed for at least two more seasons. It does start to get patchy from Season 5 on, though there are still enough funny episodes and shocking moments to make it worthwhile.
If you have a strong stomach and you are not easily offended, this is the show for you. Although I'd highly recommend not eating while you watch it.
**As an aside, one thing I always find funny are those fake family portraits as shown above, and in the poster of Step Brothers. They just make me laugh every time I see them.


Silverline Entertainment, Inc. was established to acquire, finance, produce, and distribute commercially driven films on a worldwide basis.
Through the years, Silverline established and solidified its reputation as an independent in the Hollywood entertainment community. Having cultivated relationships with studio executives, managers, and agents, Silverline has the ability to attach star talent to its projects.
Leman Cetiner has been a prominent force in the international motion picture industry as an independent financier, producer, distributor and sales agent for more than thirty-six years. Ms. Cetiner began her career in 1983 as a buyer/distributor of film rights for German-speaking territories in Europe for Courage Film Productions, at the time one of the largest video distributors in Germany. In 1993, Ms. Cetiner founded Silverline Pictures, Inc., and expanded her operation into film financing, production, and worldwide sales. She produced over a dozen motion pictures, financed through pre-sale distribution agreements. As a worldwide sales agent, Ms. Cetiner forged strategic relationships with the major distributors of theatrical and television rights in the North American, European, Asian, and Latin American markets. With an established distribution pipeline in the United States and throughout the world, Ms. Cetiner formed Silverline Entertainment, Inc. in 1998 to finance, produce, and distribute its own productions and to distribute feature films on behalf of other independent producers. Currently, Ms. Cetiner is developing her own original feature film.
Cameron Mitchell Elmore
Head of Development
Cameron Mitchell Elmore is an award-winning director, screenwriter, and director who lives in Los Angeles. He specializes in science fiction and comedy. As head of development at Silverline Entertainment Inc., Elmore collaborates with writers to develop screenplays, suggests story and dialogue script improvements in scripts, and shepherds projects through pre-production. Elmore earned a bachelor of science in film production, with an emphasis in screenwriting and directing, from The Los Angeles Film School. As an actor, Elmore played a principal role in the Paramount feature film Scouts Guide to the Zombie Apocalypse as well as in a Priceline commercial.
Kamran Esmaili is a screenwriter who resides in Los Angeles, California. Esmaili has earned a bachelor of arts in cinema and television with an emphasis in screenwriting from California State University, Northridge. During his time at Silverline Entertainment Inc, Esmaili has collaborated on multiple projects to help create, structure, and develop stories within the creative department as head writer.
Beau Clarke is a writer who lives in Los Angeles. After graduating from the UCLA school of theater film and television, he crewed on feature films and worked as an assistant to the Canal Plus writers lab at the 2018 Cannes Film Festival. He now develops, writes and edits scripts for Silverline Entertainment.


Improv Hamlet: Making Tragedy Fun
Limited Run! Thursday-Saturday May 23-25 @ 8pm | Tickets $10 general, $5 students
The Improv Guild is turning the greatest play ever written on its head. An Improv Hamlet: Making Tragedy Fun will be the first semi-scripted production in the history of the Improv Guild. Using the styles and techniques of improvisation as well as the words and themes of Shakespeare, actors from the Improv Guild will improvise their way through the timeless tale of murder, deception and revenge.
The result will be a part scripted, part improvised, part musical romp that is wholly entertaining and understandable to modern audiences. No two performances will be the same as each night audience suggestions will help determine the outcome.


The Movie Town Online Film Festival (MTOFF) is an international online film festival and our mission is to promote films, and be another step up in the filmmaker's careers.
Awards & Prizes
- Our team will choose, at its discretion, the official selection and the winners of each category;
- Each edition, all entries will be privately screened online to the festival jury. All official selections will be announced each edition and will receive, by email, their respective laurels.
- All monthly winners will be announced one day after the event date and will receive, by email, their respective laurels and a certificate.
- All the award winners are listed on our website.
- Best Super Short Film (60 Second Film)
- Best Short Film
- Best Short Documentary
- Best Feature Film
- Best Indie Feature Film
- Best Feature Documentary
- Best Action Short
- Best Comedy Short
- Best Dark Comedy Short
- Best Romantic Comedy Short
- Best Drama Short
- Best Docu- Drama Shorts
- Best Horror Short
- Best Thriller Short
- Best Sci-Fi Short
- Best Animation
- Best LGBTQ Short
- Best Experimental
- Best Student Film
- Best Web/Tv Series (also pilot)
- Best Music Video
- Best Trailer / Teaser
You can submit to any sub-categories.
- Best Producer
- Best Director Short Film
- Best Director Super Short Film
- Best First Time Director
- Best Director Feature Film
- Best Actor
- Best Actress
- Best Supporting Actor/Actress
- Best Cinematography
- Best Production Design
- Best Editing
- Best Sound Design
- Best VFX
- Best Original Screenplay
- Best Original Story
- Best Original Score
- Best Original Song
- Best Costume Design
- Best Makeup and Hairstyling
Rules & Terms
- We accept films from any country in the world.
- Any Foreign film that is not in English must have English subtitles;
- We do not require premiere status;
- All films are viewed by “Movie Town Online Film Festival (MTOFF)”;
- Multiple applications from the same sender are accepted. For each registration there is an individual registration fee;
- Films can only be sent through our uploading platforms.
- No postage is accepted;
- Registration fees must be paid through our registration platforms at the time of registration;
- Registration fees are non-refundable;
- If you withdraw your film from the festival, we will not be responsible for refunding any registration fees;
- Films can be resent if they have not been selected in the previous months;
- We do not accept pornography, any non-proper content videos;
- We do not accept extremist or propaganda content from religious or political organizations;
- We do not accept Films involving politics/films that promote political agenda;
- Failure to meet the eligibility requirements will lead to disqualification;
- Disqualification will not entitle the sender to a refund of the registration fee;
- Submitting your movie, you authorize “Movie Town Online Film Festival (MTOFF)” to use, distribute and share the film poster, trailer, teaser, synopsis and movie stills in our website and / or social media.
- Movie Town Online Film Festival (MTOFF) DOES NOT publish films on its website or on social media.
- The selected films will be promoted in English on our social networks;
- All selected films will receive the Official Selection laurels by email;
- All winning films will receive the winner's laurels for the category and a certificate by email;
- All winners will be announced one day after the event date.
- The Movie Town Online Film Festival (MTOFF) selection committee and the jury's decision are final;
- Movie Town Online Film Festival (MTOFF) does not provide feedback on the films entered or on the jury's decision.
- The status of submissions will be disclosed through our submitting platforms and it is the submitter’s full responsibility to track the status of their submission;
- By submitting a film, the participant declares and warrants that he or she has all the rights of use necessary to use the film under this agreement and that when using the film in the context of this agreement, no third party rights, including the persons portrayed in the film, will be violated. You agree to indemnify and hold Movie Town Online Film Festival (MTOFF) liable for and against any and all claims, liabilities, losses, damages and expenses (including, but not limited to, attorney fees and court fees) that may be incurred by reason for any claim involving copyright, trademark, credits, publicity, screening and loss or damage to videos submitted for the festival.
- Movie Town Online Film Festival (MTOFF) is not responsible for any copyright infringement or unauthorized use;
- Movie Town Online Film Festival (MTOFF) reserves the right to make any changes in the festival configuration without prior notice, if necessary.


*WARNING: Spoilers for Sex/Life season two below*
Sarah Shahi has opened up about working with real-life boyfriend Adam Demos on season two of Sex/Life, admitting that they couldn’t keep it together during one scene.
The pair met on the set of the steamy Netflix drama in 2020, and became close, and confirmed their romance later that same year.
Although they became inseparable off screen, Sarah – who plays Billie Connolly – insisted that they are able to put their romance ‘aside’ to concentrate on their characters on set.
However, the 43-year-old confessed that they weren’t able to stop giggling while filming the scene where their characters eventually tie the knot in a romantic wedding.
‘It definitely creates a lot of giggles between the two of us having to film that wedding scene’ she recalled.
Adam Demos and Sarah Shahi met while filming Sex/Life season one (Picture: Netflix)
‘But he still is one of my favorite scene partners because everything becomes very easy with him – whether or not it’s a scene about loving one another or hating one another – all I have to do is kind of look at him and my work is done. I’m pretty lucky in that aspect.’
It was a rollercoaster season as Billie ended her marriage to Cooper Connelly (Mike Vogel) but lover Brad Simon (Adam) had already moved on with Gigi (Wallis Day), meaning that she was forced to explore other options.
She eventually fell in love with chef Majid (Darius Homayoun), but they were unable to make it work in the end.
In an emotional finale, Billie made her way back to Brad and they got married in the final moments – where she revealed that she was pregnant with his child.
The couple made sure to keep their relationship off set (Picture: Getty)
Discussing reprising her role for the second series, Sarah admitted that she wanted to star opposite Adam more than the script allowed.
‘We were pretty happy to come back and both of us love our characters so much,’ she added to People Magazine.
‘I would’ve wanted to be with him more, only because I think just because we’re in a relationship together and when you’re working, the hours are pretty grueling, and so you really don’t see each other as much if you’re not there at the same time.’
Adam previously spoke about starring opposite Sarah, describing their working relationship as ‘effortless’.
‘It didn’t influence the way we acted, because the thing is, we met as actors. So, we’re very well-aware that’s our job, and that we have a job to do,’ he told the Hollywood Reporter. ‘What’s home is home, and once on set, you’d be professional and you do your job.
‘The lines don’t get blurred like that. We’re both there to do a job and make sure we do it well. If anything, I find it easy to act with her because there is chemistry there, of course. Sometimes it feels very effortless.
‘In some scenes, it can be easy to feel the heartbreak when I’m looking at her upset, because I know her as a person.
‘But at the end of the day, we met as actors. We care too much about repaying the favor to these people who trusted us with these characters. But it does feel a little easier because there’s that connection that we have already.’
Sex/Life season two is available to stream on Netflix now.
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Do you know, Netflix last time’s profit was 25 billion USD? not only Netflix, amazon prime, Hoichoi, Vudu, and HBO, now all of them making huge profit by streaming on- demand movies. Only Netflix had 207.64 million paid subscribers worldwide as of the first quarter of 2021. it’s a growing assiduity and day by day on- demand movie streaming platforms getting popular. PlayLab, is an online on- demand movie streaming platform that enables a great occasion to produce your Movie streaming website.
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When everyone thinks you’re dead, how do you start your life over again?
Emma Tupper, a young lawyer with a bright future, sets out on a journey after her mother’s death: to Africa, a place her mother always wanted to visit. But her mother’s dying gift has unexpected consequences. Emma falls ill during the trip and is just recovering when a massive earthquake hits, turning her one-month vacation into a six-month ordeal.
When Emma returns home, she’s shocked to find that her friends and colleagues believed she was dead, that her apartment has been rented to a stranger and that her life has gone on without her. Can Emma pick up where she left off? Should she? As Emma struggles to recreate her old life, everyone around her thinks she should change: her job, her relationships, and even herself. But does she really want to sacrifice everything she’s working so hard to gain?


This past summer I had the opportunity to collaborate with the incredibly talented co-founders of Knock Twice, Erika Jacobs and Eugen Sakhnenko, to create a video about Sweet Woodruff and the new shop.
When Erika first approached me to collaborate on this film I was nervous. I hate the way I sound on my answering machine and was petrified of having to hear my own voice! (I have yet to even watch the television interview I did a few months ago!) When we started filming I was still a bit anxious but Erika and Eugene were excellent coaches. Not only did they put me completely at ease while filming, but they managed to capture the shop and my business in a way that is so honest, so beautiful, so genuinely me.
I'm so excited about the final product! The video is a perfect little insight into Sweet Woodruff. They did such a great job and I'm so SO happy to finally get to share it with you here and on my website. Check it out and let us know what you think!


In the film, The Love Guru, the Love Guru is played by Mike Myers as Guru Pitka. A real Love Guru is also a Master Love Linguist. Love Linguist is a trademarked term so only the official Love Linguist" can use the term. What is Love Linguistics? Love Linguistics uses Language Linguistics in Love Relationships to uncover hidden meaning in the Words of Love, with Body Language, and the underlying Social and Emotional Intelligence of the lovers. Love Linguist" is a trademarked term using the TM. The In the film, the Love Guru Pitka emphasizes the TM when he has trademarked a phrase.


Auditons have been set for the next WCT Production, Wife Begins at Forty. Auditions will be held Thursday Dec 8th at 7pm and Saturday Dec. 10th at 11am. Both sessions will be in WCT's theater in Meyer Hall on Baden Sq. (1500 E 8th, Winfield).
Wife Begins at Forty is a small cast comedy and will be directed by Julia Lambert.
WCT is always looking for new cast and crew members. Auditions are a great time to come by and sign up.
This show also will require a dog. If you have a pet you think could handle the job, please e-mail the theatre at firstname.lastname@example.org and we will pass your info to the director.


One way to make your livestreams more appealing? You could try being more like director Alfonso Cuarón. His 2006 film Children of Men featured many of what movie people call a long shot (or long take). In the compilation I’ve shared here, although none of the scenes has any edits, not a single frame gets wasted.
Livestreams often go long, sometimes for many hours in a row, and it can be a challenge to keep them interesting. Sure there’s more to a successful livestream than just the visual composition, but it’s important that it look good. So, I try to be more like Cuarón, go for the long shot and make every frame count.
Yesterday I streamed from Lakeview Elementary school in Oakland, on the fourth day of the sit-in. I was mostly happy with how the video turned out, and I was especially pleased with the part where the cops did a walk-through of the school building, along with the scenes just before and after. More and more I’ve been thinking about a livestream as a single, long shot, and so I hope I was able to express that idea to some extent in yesterday’s stream.
Side note: In Children of Men, Michael Caine plays a political cartoonist! (Sadly, his character gets murdered.)


Zia Mandviwalla creates beautifully observed, insightful films that delve deep into the worlds of her characters.
Stylistically versatile, her commercial work ranges from lyrical visual storytelling to gentle understated comedy. Her approach shows an appetite for colourful life experiences: from spending a week on the open seas on New Zealand’s largest war frigate shooting a campaign for the NZ Navy, to the sensitive lensing of a real birth for Genoa IVF in Sydney, to working alongside a breast cancer survivor to develop an animation for the New Zealand Breast Cancer Society. She has directed commercials for Sky TV, Vodafone, Tower Insurance, KFC and ASB Bank.
Night Shift, Zia’s most recent short film, premiered at the Festival de Cannes in 2012, before screening in competition at Sundance, Melbourne, Sydney and The New York Film Festival. The film has screened extensively around the USA, at Palm Springs, Cinequest, Santa Barbara and the Hawaii International Film Festivals. Night Shift took home several awards at the Show Me Shorts Film Festival in Auckland, the Youth Jury Prize at the Aspen Shortsfest and the Firebird Award for Best Short Film at the Hong Kong International Film Festival. The film also featured as part of Tirohia Mai, a landmark exhibition about the social history of women in New Zealand at the National Library in Wellington in 2013.
Zia’s previous short films also received international acclaim screening at festivals all over the world. She has represented New Zealand at the Berlinale Talent Campus and at Melbourne’s prestigious Accelerator program. She has received a host of awards for her writing and directing, and in 2009 Zia was named The New Zealand Screen Production & Development Association’s New Filmmaker of the Year.