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AMC Theatre is the first among any theatre chain to have taken steps in the direction of on-demand video streaming business.
The company has launched its Video-on-demand service today via the website and AMC mobile app for both App Store and Play Store and will be made available to the members of the AMC Stubs customer loyalty program.
AMC certainly is going to redefine entertainment with its mobile app.
AMC company has achieved this by partnering up with all the Hollywood studios giants such as Disney, Universal, Warner Bros., Lionsgate, Paramount, and Sony. Together, they will create a catalog of almost 2000 movies to be provided in the video-on-demand service to AMC’s members for buying and renting after launch.
Ron Sanders, president of worldwide distribution and home entertainment at Warner said “Most of our other big digital partners are focused on multiple categories — music, books. The great thing about AMC is that movies are the whole focus.”
What is more, the AMC Theatres On-demand service will offer members, who rent or buy a Lionsgate or Paramount film as their first movie, the opportunity to choose three more films from the studio for free. The service is up for grabs via AMC’s website and mobile app as well.
The CEO of AMC Theatres, Adam Aron said “With more than 20 million AMC Stubs households, and with our website and smartphone apps already being visited hundreds of millions of times annually by movie fans, AMC Theatres is in a unique position to promote specific movies with greater personalization than has ever been possible before,”and that “Through the launch of AMC Theatres On Demand, we can reach movie lovers directly and make it easy for them to access films digitally.”
For Adam Aron, this newly launched service is “perfect sense” for AMC for it will not only provide the members with additional service but will also encourage them to go to the movies more in order to make use of the loyalty program.
To make the streaming service an instant hit, the company is also resorting to a cross-platform marketing partnership with, none other than, AMC Networks. The deal comprises of AMC Theatres on-demand service promoting AMC Network’s streaming services like Sundance Now, Acorn TV, etc, while AMC Network will catalog its IFC and RJLE films in the service catalog.
This is what the CEO of AMC Networks Ed Carroll had to say on this partnership: “This is a great opportunity for us to both make our film titles available to movie customers and also increase awareness of our growing streaming services, which are all focused on specific genres and content categories fans are passionate about,”
He also said: “If you are a fan of horror, or British drama, that interest translates to the television screen, the movie theatre, the phone or anywhere anyone can consume content today. We look forward to working with AMC Theatres to make their new in-home movie service even more appealing to fans through access to our film libraries and also raise awareness of our hyper-focused streaming services among their millions of customers.”
The films available on the streaming service will roughly cost between $3 to $5.99 for renting and $9.99 to $19.99 if you wish to buy.
AMC’s on-demand service incorporated with mobile app development has raised many expectations of the users and is assumed to reach the benchmark of 1 million users by the year 2020.


Animation without sound effects
After the ‘go’ on the designs, it was finally our animators’ turn to start working. All of the individual shots were loaded into the animation software and then our magicians, animators, bring the visuals to life! We start with the bigger picture (shot to shot). This is followed by adjusting the rhythm to the text and visuals. Subsequently, this is also the phase in which the details of the animation are added. Such details are the caricatures’ expressions, movements by objects and backgrounds. The result: a first draft of the animation, with voice actors speaking the text but without sound effects.
For anyone who has turned the sound of in a horror movie, you know what a difference music and sound effects can make! Naturally, the animation is only really finished when our sound technician has worked his magic. Not convinced? Watch these videos and draw your own conclusion!


Last week the card I had on file with Netflix expired and when it came time for them to bill me, the charge could not go through. When I got the email saying my account was on hold, I really started to think about whether or not I even want Netflix. I’ve thought about this before, and I always kept coming back to the fact that 7 or 8 bucks or whatever it costs is not a whole lot, and that even if I’d watch on average 2 things per month, I’d be getting my money’s worth.
This time, I decided to think more critically about it before entering my card numbers and reactivating my account, and I think I’m going to leave Netflix. Here are 5 reasons why I think it’s time to quit Netflix.
1. Let’s face it, their selection sucks.
Most times I go in to the Netflix app on my Apple TV, I wind up scrolling around for 20 minutes, adding a few things to my ever-expanding queue that ‘look interesting’ but aren’t something I feel like watching (or ever will, to be honest) and then wind up leaving the app and finding something else.
2. They’re pretty much focused on episodic content
Netflix is heavily geared toward TV series and as a result, their movie collection seems to suffer. If you’re a person who likes to watch entire TV series, I suppose this is great, but I can count the number of TV dramas I’ve watched from beginning to end that have been released in the last decade on exactly 1 finger, and there aren’t a whole lot of comedies I’ve been in love with, either. For those of you who are wondering, the drama is “Breaking Bad.” Ironically, given this article’s viewpoint, I am also a “House of Cards” fan and plan to find a way to watch season 3 when it comes out, which brings us to;
3. Most of the content that’s worth watching can easily be found as a torrent
This is pretty much true. Yeah, some more unknown films or tv documentaries they have will not be easy to locate, but as a fan of nature documentaries, I can attest that you get through everything Netflix has fairly quickly, and they don’t add a ton of stuff all the time. Youtube has a ton of this stuff. You might have to look a bit for good quality, but it’s out there.
4. It Is Creating a Homogenous Movie Viewing Community
This is the big one for me; the one that pushed me over the cliff. I’ve realized that no one is discovering movies anymore. It’s absurd because everyone seems to be watching the same dozen or so films at any given time because those are the films Netflix has added. I’ve been i a few conversations where the other person and I would mention movies we’ve both watched, agreeing they’re good, and then I realize all this shit is just Netflix. Everyone’s just watching Netflix, and that’s all that anyone is seeing, aside from whatever they see in the theater. This can’t be healthy.
5. Every moment spent on Netflix, is a moment not spent somewhere else.
Let’s face it, there is an unlimited supply of media we have instant and easy access to, so leaving one culturally pervasive media delivery corporation’s platform is not going to feel like I’ve sunken into a deep, dark abyss. My life will effectively remain unchanged. I don’t take suggestions from my friends about what to watch on Netflix anyway, so even that will stay the same. It’s really no-brainer. I’m done with Netflix. Netflix sucks.
I’d also like to take the time to notify everyone that I hereby reserve the right to consider myself better than people who have Netflix. They’re a bunch of lemmings, as far as I’m concerned. Cut the cord, folks. This isn’t 20-fucking-14.


Sean Penn is a 57-year-old American actor and director. The actor stands 5’8” tall and has an athletic physique. He used to have a slim build but through workouts and diet, he was able to build lean muscle mass. He favors a diet rich in protein, omega 3, and carbs. He works out 4x a week and he enjoys running and surfing. He has 2 children with ex-wife Robin Wright. He is currently dating.
Contact BCPS. Baltimore County Public Schools 6901 Charles Street Towson, Maryland 21204 443-809-4554.Shortly afterwards, Penn starred in Fair Game, an adaptation of author Valerie Plame’s novel of the same name, and co-starred with Brad Pitt and Jessica Chastain in director Terrence Malick’s critically acclaimed drama The Tree of Life in 2011. In 2013, he had a small role as gangster Mickey Cohen in Gangster Squad and a supporting role in The Secret Life of Walter Mitty.Chadron State College, which was founded in 1911, is the only four-year, regionally-accredited college in the western half of Nebraska. As a public institution of higher education with its roots in teacher education, Chadron State takes pride in its accessibility and affordability. CSC offers bachelor’s degrees and master’s degrees through on-campus and online courses in a variety of.
Sean Justin Penn (born August 17, 1960) is an American actor, director, and filmmaker. He has won two Academy Awards, for his roles in the mystery drama Mystic River (2003) and the biopic Milk (2008). Penn began his acting career in television, with a brief appearance in episode 112 of Little House on the Prairie on December 4, 1974, and directed by his father Leo Penn.
Penn State University Libraries recently recognized five outstanding faculty and staff from among its more than 500 employees, this year representing the Penn State Harrisburg and University Park campuses, and continuing a tradition spanning at least 46 years. Read More. Alumni restaurateurs help international students during tough time. RuYue Mao and Hao Dong, a married couple and the owners.
West Virginia University. WVU announced plans for on-campus classes this fall, with base tuition and fees unchanged. Visit the Return to Campus website for the latest. A Stronger Tomorrow Starts Today. As we work hard to adapt and prep WVU for in-person instruction this fall, one thing will never change — our commitment to providing an incredible education while looking out for the health.
At Kennett High School, we hold our students to the highest of expectations both in and outside of the classroom. Kennett School District The mission of the Kennett Consolidated School District is to provide a quality education that increases the achievement of every student in order for all to become successful and thoughtful contributors to society.
Sean Penn is an American actor and filmmaker. He is as famous for his acting skills as for his controversies. Hollywood has seen many stars, but not many are as controversial as Sean Penn. Starting his film career in the 1980s, Penn was all set to establish a career in Hollywood. However, his life took an interesting turn when he married pop singer Madonna. What followed was a series of.
Fair Game (2010) Sean Penn as Joe Wilson. Joe Wilson: The responsibility of a country is not in the hands of a privileged few. We are strong, and we are free from tyranny as long as each one of us remembers his or her duty as a citizen.
Sean Penn: His 15 Best Films In almost 35 years on screen, Sean Penn has acted in more than 50 films and counting, and directed a further four, with another on the way.
Villanova University is a closely connected academic community with renowned faculty, rich resources and a personalized, supportive learning environment. Villanova provides exceptional opportunities for a wide range of academic experiences, including hands-on research, interdisciplinary collaboration and experiential learning.
The Hunter College Art Galleries have initiated an online project in concert with our postponed spring 2020 exhibition Constance DeJong (now. Jun 19, 2020 through Jul 1, 2020. RACE, EQUALITY, AND LAW ENFORCEMENT - The Best of Roosevelt House. We are pleased to continue encore online presentations of Roosevelt House public programming—to inform and inspire us during these challenging.
Bill Pohlad, the producer-financier behind River Road Entertainment, is boarding to direct the showy drama and is in talks with longtime collaborator Sean Penn to star as Perkins.
All the latest breaking news on Sean Penn. Browse The Independent’s complete collection of articles and commentary on Sean Penn.
About Sean Penn including Sean Penn photos, news, gossip and videos.
Sean Justin Penn (born August 17, 1960) is an American actor, screenwriter, movie director, producer and activist.He was born in Los Angeles, California, the middle son of actor Leo Penn (1921-1998) and actress Eileen Ryan (born 1928).His brothers are musician Michael Penn (born 1958) and actor Chris Penn (1965-2006). Penn has starred in many movies, including: Taps, Fast Times at Ridgemont.
Read the latest politics and government updates on local officials, elected politicians, city council members and more. Find headlines about Kansas and Missouri state lawmakers and the governor.


Encore at the Emery
The Children’s Theatre of Cincinnati, Emery Theater Renovation
To Project Types
Cincinnati, OH | 85,000 SF
The theater is a space of dreams, magic, and imagination. It transports guests to distant pasts and futures, to scenes that are both far-flung and familiar. This makes it fitting that The Children’s Theatre of Cincinnati (TCT) found its new home in the century-old Emery Theater in Downtown Cincinnati.
The Emery was not only TCT’s home from 1949-1969, but its beautifully ornamented historic fabric will be woven together with distinctly modern technology to produce an immersive, ever-changing experience. The aim is to cultivate childlike wonder long before the curtain rises. An expanded lobby will echo features of the historic box office and marble-lined foyer, mingling the building’s antique interiors with neon signs, color-changing walls, and theatrical props.
Designed for symphonic music, the Emery’s stage lacks the wide wings and depth that dramatic theaters typically require. This is part of the reason it had fallen into disuse in recent years. To overcome this challenge, the renovation makes use of technology—notably, an oversized LED screen at the back of the stage and a 16-foot turntable and stage lift that can complete scene changes from beneath the stage in seconds. Projection mapping will wash the walls in front of the stage in light to create a scene that embraces its audience.
A new home that is also its old one, the Emery Theater renovation will not only allow TCT to expand its programming—allowing more experimentation and original works—but it will extend the life of a historically significant theater that was once declared beyond repair.


Revisiting school days
By Abdul Turay
First Published Jun 11, 2008
My spouse’s father is a fisherman. Since she grew up with the sea I once took her to see the first sea clocks in Greenwich. These 18th century inventions made safe sea travel possible for the first time.
First I showed her the drama “Longitude,” which tells the story of how the clocks were created. Inventor John Harrison went through hell making the things. This gave the visit an extra poignancy for my partner because she knew the human story behind the clocks.
This is a good recommendation for any site-seeing tour. If you read the book or see the film first, then you will enjoy the place you go to see more.
Palamuse is a small town in Jogeva County. It has just 2,500 people. It is most famous as the place where Oscars Luts, a 20th century Estonian writer, went to school.
Luts is often compared to Dickens, but with less blood and guts. One of his most famous works, Kevade (Spring), is about his school days. That school is now a museum. Near the school house is the old church where Luts prayed and the river where he played as a child.
Kevade is a coming of age story about a group of friends, each one in his own way an outsider. There is a young, scallywag, Toots: lanky, loser, Kiir, and romantic, dreamer, Arno. The main love interest is the earthy, good-natured, Teele. All three main characters make a play to win her heart at some point in the trilogy.
Luts takes the story forward with “Suvi” and “Toot’s wedding” set in the dying years of the Russian Empire, and “Sugis,” set in the first Estonian republic. The “Kevade” movie was filmed on location 1969 and is widely regarded as one of the best Estonian films ever made.
Two sequels were made, “Suvi” (1976) and “Sugis” (1990), both starring the same actors in early adulthood and mid-life.
It is difficult to stress how important these films are to really understanding Estonia. All Estonians have seen the movies without exception. In fact, all Estonians have seen these films many times. So if you have a genuine interest in country you have to see it.
It is gratifying that the school house looks exactly like it does in the movie, as does the little stream. However, visiting the site does raise some issues – there is a scene in the movie where one of the characters sinks a raft to the bottom of the stream. I wondered how this is possible given that the stream is only knee deep at any given point.
It was also satisfying to discover that the characters that you meet in the book and the film are based on real people. Joseph Toots was based on a prosperous farmer who was a good friend of Luts. Sadly, the real Toots died at a young age just before the outbreak of World War II.
There is always an element of sadness when a building such as this is turned into a museum. The Edwardian photos, school desks and fake inkpots only give you a vague sense of school must have been like at the turn of the century. The school house still stands but all the vitality has been drained out of it. The sensation is like looking at a stuffed animal, killed and filled with sawdust.
The church is still functional, and though it is as unremarkable a church as any in Estonia it means more than most churches because, frankly, it’s in a movie.
Palamuse is for those people who are really interested in Estonian culture, those who want to find out what the “real Teele” and the “real Toots” actually looked like. If you are not interested in Estonian culture, what are you doing here? If you happen to be passing that way have a look, but remember see the film first.
Open every day
10 a.m. -6 p.m.


Mahesh Pailoor is an Indian-American writer/director based in Los Angeles. Raised in a small town in Maine, Mahesh studied film at NYU’s Tisch School of the Arts. His first short film, Little India, premiered at SXSW and screened at festivals around the world. He then furthered his training as a Directing Fellow at the American Film Institute, where he was awarded the Franklin J. Schaffner Fellow Award for the direction of his thesis film, Still Life.
Mahesh’s feature debut was the independent film, Brahmin Bulls, starring Sendhil Ramamurthy, Roshan Seth, and Academy Award Winner Mary Steenburgen. The film won the Audience Award at the San Diego Film Festival, the Jury Prize for Best American Indie at the Sonoma International Film Festival, and was released theatrically in the US and UK.
Along with scripted content, Mahesh has directed award-winning documentaries, commercials and branded content for clients such as Best Buy, Microsoft, Nintendo and Yamaha. He is an alumnus of the Disney/ABC Directing Program, Film Independent’s Screenwriting Lab and Project:Involve.
Recently Mahesh was accepted into the NBC Emerging Director Program and will be directing an episode of The Blacklist this season.
Mahesh is looking forward to more episodic directing and is co-writing a dramatic feature that he is attached to direct.


Xavi Sala was born in Alacant, Spain. He studied Communication Sciences with specialization on Journalism. He has worked as a film and television script writer. He is the author of several long film scripts, with special mention to “Viatge d’estudis” (Finalist to the Pilar Miró long film awards in 2007) and “Bienvenida, María” (Finalist in the SGAE Julio Alejandro contest, 2004 and participant in the Sundance-Oaxaca workshop, 2006).
He has written tv series and program scripts in Spain, such as “Periodistas”, “Vidas Paralelas” and “Padres”. He is currently working on his first long film as director, and imparting international script workshops.
He has directed 9 short films and participated in many national and international Festivals, where he has received more than 80 awards and has become internationally acknowledged. Some of these Festivals are: Tampere, Oberhausen, Dresden, San Sebastian, Berlin, Guadalajara, Sao Paulo, Alcalá de Henares, Huelva, Los Angeles, Chicago, Montreal, Seul, Sidney, Tanger, etc. His short “Hiyab” was nominated to the Goya Awards.
- El Nacimiento (The Birth) (Short/ 2012 / 13′/ DCP 2K)
- El reloj (The watch) (Short/ documentary/ 2011 / 13′/ 35 mm)
- La Autoridad (The Authority) (Short/ 2010 / 10′/ 35 mm)
- La parabólica (The Parabolic Dish) (Short/ 2007 / 12′/ 35 mm)
- En el instituto (In the High School) (Short/ 2006 / 3′/ 35 mm)
- Hiyab (Short/ 2006 / 8′/ 35 mm) (Nominated Spanish Goya Awards)
- Los padres (Parents) (Short/ 2004 / 5′/ 35 mm)
- Maleteros (Trunks) (Short/ 2003/ 9′/ 35 mm)
- 60 años (60 years old) (Short/ 2002 / 13′/ 35 mm)


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Yesterday I got my copies of “Spire City Noir” no. 1 and the coloring book version of the same. The colors came out beautifully, so I’ll put them up for sale on Indyplanet and format them Drivethrucomics and Comixology. I’ll also order some copies for my collaborators, while I’m at it. I’m really proud of this book.
I just watched “Logan” in the theater. I don’t want to give away spoilers, but this is a very powerful movie, beautifully written and acted. It was not only one of the best superhero movies ever made, but simply one of the best movies in many years. Hugh Jackman is going to be a nearly impossible act to follow.
I’ve also watched more than half of Marvel’s Iron Fist on Netflix. While the two seasons of Daredevil were instant classics, Jessica Jone quite good, and Luke Cage flawed but ultimately good to watch, then we get Iron Fist. Some of the episodes are quite good. Colleen Wing, a real non-character in the comics, is outstanding in this version. The guy who plays Danny Rand/Iron Fist is unrelateable, uncomfortably naive, and seems like anything but a great warrior. Plus, his curly mop top hair bugs me. The pace is slow, the villains (Harold Meachum, Ward Meachum, Madame Gau) are much more interesting to me than Danny Rand himself. The special effects on the Iron Fist itself are underwhelming too.


ASU Law CLE is thrilled to support a special screening of The Freedom to Marry—the new, highly acclaimed documentary by Eddie Rosenstein that tells the story of how love won nationwide.
The film has been been won “Best Documentary” at nine film festivals, was hailed by critics from the LA Times and The Boston Globe as “moving” and “inspiring,” and Entertainment Weekly chose it for “The Must List.”
And now’s your chance to see it for yourself in Phoenix on September 14 at 5:30 pm at Beus Center for Law and Society.
The Freedom to Marry is the story of Americans who refused to stand down in the face of injustice — and is an invaluable playbook for how to achieve real change.
Don’t miss this chance to see The Freedom to Marry in Phoenix!
Hour and a half documentary on the Freedom to Marry cases
1 hour CLE after the documentary
Q&A following the movie featuring Evan Wolfson, founder of Freedom to Marry
Food and Drink to be provided with Q&A/CLE
The State Bar of Arizona does not approve or accredit CLE activities for the Mandatory Continuing Legal Education requirement. This activity may qualify for up to 1 hours toward your annual CLE requirement for the State Bar of Arizona, including 0 hour(s) of professional responsibility


The Arts Education Partnership reviewed multiple research studies identified within ArtsEdSearch — a national clearinghouse of rigorous arts education research — to better understand the role theatre education plays in student success. This resource explores how theatre education promotes identity development and growth, builds empathy and relationships, and empowers students to transform their understanding of their place in the world.
This report is part of AEP’s “Arts Counts” series describing the researched benefits of arts education.
To access the webpage version of “Theatre Counts,” please click here.
PUBLISHED: November 16, 2021
RESOURCE TYPE: Policy Report


A Chicago Shakespeare Theater production in two acts of a play by William Shakespeare. Directed by Terry Hands. Set and costumes, Mark Bailey: lighting, Terry Hands; music, Colin Towns; sound, James Savage; fight choreography, Robin H. McFarquhar: production stage manager, Jennifer Matheson Collins. Opened, reviewed Sept. 10, 2006; runs through Nov. 18. Running time: 2 HOURS, 50 MIN.
Captain Bill Bannon
Gravedigger #2 Braden Moran
Horatio Timothy Edward Kane
Gravedigger #1 Roderick Peeples
Claudius, Ghost Bruce A. Young
Gertrude Barbara Robertson
Laertes Andrew Ahrens
Polonius Mike Nussbaum
Ophelia Lindsay Gould
Osric Kevin Rich
Hamlet Ben Carlson
Rosencrantz Matt Schwader
Guildenstern Ben Viccellio
First Player James Harms
Player King Aaron Alpern
Player Queen Wendy Robie
For the opening of its 20th-anniversary season, Chicago Shakespeare Theater imported British director Terry Hands, formerly co-artistic director of the Royal Shakespeare Company, who delivers a spare, polished staging of "Hamlet" that's a bit on the standard-issue side but more than respectable. Spoken at a most unpetty pace--show sprints forward in less than three hours without radical cutting--this brisk "Hamlet" values forcefulness of delivery over nuance, which ultimately means it's consistently involving but rarely moving.
Hands designed the lighting himself, working with set and costume designer Mark Bailey, and they focused on simplicity. It's all black and white, with only the itinerant players allowed shades of gray upon their entrance and a super-charged red during the play-within-a-play.
The sleekness of the design imbues a modern sheen without modern dress, and visual effects are used sparingly: The Ghost of Hamlet's father (Bruce A. Young) appears to be 15 feet tall, shrouded in smoke, and a reflective backdrop employed briefly late in the play intriguingly shows shadows both right side up and upside down.
Despite such contemporary flourishes, there remains something a bit old-fashioned about this production. Its no-nonsense, low-concept approach has a welcome straightforwardness to it, putting the actors front and center and unburdening them of the typical overripe psycho-analyzing of the characters. The acting is more presentational than usual: The soliloquies are targeted not to the audience but mostly to the universe.
There's no Oedipal interpretation here, nor any other single, identifiable "take" in terms of interpretation.
Canadian Ben Carlson plays the Danish prince with a convincing, fierce intelligence and angry moodiness. This isn't a bored or apathetic Hamlet. His problem is not summoning the passion for revenge but sustaining it, and Carlson's soliloquies alternate between a low-key pique and full-on, high-dudgeon histrionics.
Carlson excels at capturing Hamlet's self-loathing, as well as the ambiguity of the character's antic disposition; even when explaining the logic of his feigning madness, he seems a bit possessed.
He also persuades in his conversion from malcontent to a man fully accepting of his mortality; by the time he concludes "Readiness is all," he sounds and, in loose-fitting beige clothing (very noticeable, given the military-oriented design scheme), looks a bit like the proprietor of a wellness spa.
But Carlson is far less effective with the complex sentiments of his scenes with Ophelia (Lindsay Gould) or Gertrude (Barbara Robertson), which come off blunt but frigid. They're played, like much else here, at high volume, high intensity and high speed, but the emotions seem contrived, painted on, a problem in a play that spends quite a lot of time condemning false feeling.
That's the Achilles' heel of this production: its inability to generate full-fledged relationships or character insight, and thus a deep emotional connection. Perhaps that's simply a sacrifice Hands decided to make: to focus first on plotting, then on people; first on pace, then on depth of meaning. But for a show with emotional outbursts aplenty, it still feels cold.
The cast delivers the verse with skillful smoothness (and speed!), but the tonality and tension often seems flattened, particularly whenever Claudius (Young) holds forth.
The only truly memorable perf comes from Mike Nussbaum, a Chicago institution and longtime David Mamet collaborator. It's not unusual for a Polonius to stand out in this dark play: The doddering old man who fancies himself a wordsmith adds much-needed humor. Rarely, though, does he become the heart of the play, as he does here.
He's not a likable character--Nussbaum, in fact, makes the man's callousness toward his daughter especially apparent. But there's something very real about him. When he forgets what he was saying at one point, there's a look of genuine fear in his eyes, a fleeting sense that he might not be fully in control of his faculties.
Like everything else in this production, the moment flies by fast, but it's so filled with humanity that it's more emotionally engaging than all the well-spoken soliloquies combined.
Named Works: Hamlet (Play) Theater reviews
Source Citation:Oxman, Steven. "Hamlet." Daily Variety 292.49 (Sept 12, 2006): 7(2). Academic OneFile. Gale. BROWARD COUNTY LIBRARY. 29 Sept. 2009
Gale Document Number:A152258050
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- The Walking Dead lives on through spin-offs
Chandler Riggs responds to a remixed version of an iconic Walking Dead meme that replaces his character, Carl, with The Boys’ Homelander.
The following contains spoilers for The Walking Dead Season 11 Episode 24, “Rest In Peace.”
Living Dead Star Chandler Riggs recently reacted to Boys villain Homelander replacing his character, Carl Grimes, in a classic meme.
Riggs responded to the remixed meme on Twitter, expressing mock outrage at being “replaced”. The actor added in a follow-up tweet that he found the remake amusing, which sees Rick Grimes (Andrew Lincoln) upset at not being able to copy the homework of a visibly restless Homelander (Antony Starr). The original meme features Rick facing Carl, and is drawn from an emotional scene in The Walking Dead Season 3, Episode 4, “The Killer Within.” It derives its humor from Lincoln’s distinctive pronunciation of Carl’s name, as well as the contrast between the unbridled emotion of his performance versus Riggs’ more restrained mood.
Related: Adele Gives The Walking Dead A Stage Recognition In Las Vegas Debut
Riggs and Lincoln left The Walking Dead in seasons 8 and 9, respectively, however, both recently returned for the latest episode of AMC’s post-apocalyptic horror series. Of the couple’s cameos, Lincoln’s is the most significant, as he reprises the role of Rick, confirming that the one-time sheriff’s deputy was still alive. Riggs makes a much shorter appearance in the season 11 finale, “Rest in Piece”, as an unnamed farmer who is only briefly shown on screen. Riggs playing a different role was a necessity, as the death of Carl Grimes in Season 8, Episode 9, “Honor”, ruled out the possibility of him playing Carl again in any of the show’s current scenes.
The Walking Dead lives on through spin-offs
The Walking Dead coming to an end doesn’t mean Lincoln is done with the role of Rick Grimes. The English actor is set to headline the as-yet-untitled Rick and Michonne spin-off alongside his former co-star Danai Gurira. AMC also announced several other follow-up shows ahead of the final broadcast, a decision Negan actor Jeffrey Dean Morgan is outspokenly opposed to. “I just think the stakes are raised a lot higher. [if you don’t know about the spinoffs]”, he said. “And going into a final episode, I think the audience if they don’t know that four of their main characters or whatever are doing spin-offs, you know, that’s four more people who may not go. from this.”
Despite his misgivings about how AMC handled the timing of the various spinoff announcements, Morgan continues to promote his own spinoff project, dead city. He has even scoffed at the possibility that dead city could include guest appearances by members of the Living Dead cast, as well as crossovers with other franchise spin-offs.


Ten facts about London's West End theatres
By AdFeatures | Wednesday, July 04, 2012, 08:11
Rivalled only by New York's Broadway, London's West End is a global focal point for all manner of top class stage productions.
It seems strange to think that only a few short years ago buying London theatre tickets from Ticket.com was an option that didn't exist but is now the kind of method of purchase we all take for granted. Despite this, there is still much people don’t know about London’s theatres – and here are a few examples:
1. Theatre in London found success when the first permanent public playhouse, called simply 'The Theatre', was built in 1576 by James Burbage in Shoreditch.
2. The first West End theatre was the Theatre Royal in Bridges Street designed by Thomas Killigrew, and stood on the site of the present Christopher Wren designed Theatre Royal Drury Lane. It opened on 7 May 1663 and was destroyed by a fire nine years later.
3. The Savoy Theatre in The Strand was the first theatre to be lit by electric lights which were much cleaner that the previous gas lamps and also had the effect of making the stage area cooler for the performers. The theatre was built by Richard D'Oyly Carte specifically to showcase the comic operas of Gilbert and Sullivan.
4. Musicals tend to be more successful than dramas resulting in longer runs.
5. The longest running musical in West End history is currently 'Les Miserables', which continues its run having taking over from previous longest runner 'Cats' by Andrew Lloyd Webber, which closed in 2002 after running for 8,949 performances spanning 21 years.
6. Other notable long runners are 'The Phantom of the Opera' (also by Lloyd Webber) and Willy Russell's 'Blood Brothers' which have both also subsequently overtaken Cats.
7. Although the general rule is that musical lasts longer, a West End drama is in fact the longest-running show in the world. The play 'The Mousetrap' by Agatha Christie in now in its 60th year, having originally opened on 25th November 1952 at the Ambassadors Theatre, it now continues its world record breaking run at The St Martin's Theatre.
8. Total attendances for West End productions exceeded the 12 million mark in 2002 and by 2007 had risen to over 13 million, setting a new record. Some of this increase can be explained by the influx of the stars of Hollywood films appearing in various stage productions, and also the easy access to bookings and buying tickets online via websites such as Ticket.com.
9. During the 1950s and 1960s the draconian censorship by the Lord Chamberlain's Office meant that many plays were staged in theatre clubs, whereby membership rules could bend the regulations. It wasn't until 1968 that The Theatres Act finally abolished censorship of stage productions in the United Kingdom.
10. Oscar award winner and Hollywood 'A' list celebrity Gwyneth Paltrow appeared in David Auburn's play 'Proof' stage at the Donmar Warehouse in Seven Dials. During her run it was rumoured that she received a weekly wage of just £300 for her appearances.


Margaret Whittum is an actor, director, producer and voiceover artist from the mountains of Colorado. She is currently in the MFA Acting program at the Academy for Classical Acting at the Shakespeare Theatre Company in Washington, D.C. Margaret has directed The Zoo Story, Into the Woods, The 25th Annual Putnam County Spelling Bee, and True West, among others. Favorite roles include Willy Wonka in Charlie and the Chocolate Factory, Toinette in The Imaginary Invalid, the Witch in Into the Woods, and Fruma-Sarah in Fiddler on the Roof. From 2013-2014, she was Associate Artistic Director of Visionbox Studio, under the leadership of Artistic Director Jennifer McCray Rincon.
Margaret has directed in Seoul, Edinburgh, Denver, Colorado Springs, and across Canada. She has written two original shows, Love the Radio Edit, a one-act comedy performed entirely in song lyrics, which ran successfully at the 2006 Edinburgh Fringe Festival, and Teeth, an educational ESL children’s musical, which has run 5 times in Seoul.
She founded the Seoul City Improv comedy group in 2007, and SCI has since toured throughout Korea, and to Taiwan, Tokyo, Hong Kong, Beijing, Colorado, and throughout Canada. Margaret graduated from Colorado College with a degree in Drama, cum laude.
Margaret started classes at the MFA Acting program at the Academy for Classical Acting at the Shakespeare Theatre Company in Washington, D.C. She will perform in repertory shows June 15-28, 2015, and graduate in July 2015!
Margaret returned to the Telluride Playwrights Festival in July. She played Emily in Tonight at Noon by Jeff Tabnick, directed by Eric Nightengale, and she also MC’d and performed in the Improv Night.
She also got to go to the Galapagos Islands!
In June she shot a commercial with Starz/Encore for The Stephen King Collection, a month-long series of all his movies. It was shot as a spoof of Stephen King’s 10th birthday in 1958 – super fun to wear those vintage clothes!
She also performed in Alice, a music theatre piece with Music Director Gary Grundei based on Alice in Wonderland with music by Tom Waits.
Margaret produced the Visionbox 2013 Benefit in December, featuring a speech and song by the First Lady of Denver, Mary Louise Lee. The evening was a great success, and also featured Visionbox Ensemble Members, Visionbox Young Conservatory Members, and the Music Direction of the superb Gary Grundei.
Margaret was just hired back to Visionbox Studio as the Associate Artistic Director. Margaret’s first producing project will be All the World by Visionbox: Solo Shakespeare on Santa Fe Drive, running September 29-October 26. This Festival of 16 original solo pieces will feature Members of the Visionbox Ensemble. Margaret will also perform her solo piece Disguise, Thou Art a Wickedness, based on Viola from Twelfth Night.
Margaret is performing in the Telluride Playwrights Festival (Artistic Director Jennie Franks) in the reading of Sequence by Arun Lakra. Sequence is the winner of 2011 Alberta Playwriting Competition and the Woodward/Newman Drama Award. It is slated to be done at the Bloomington Playwrights Project (Artistic Director Chad Rabinovitz) in October 2013. In addition to performing, Margaret will teach improvisation at the Festival and MC and improvise with Dan Castellaneta, Deb Lucasta, Adam Carpenter and more at the Festival’s Improv Night.
Margaret is producing a second run of Suicide(s) in Vegas by Evan Placey at the Edmonton International Fringe Theatre Festival in Edmonton, Alberta, Canada. The show is co-directed by Whittum and Zoo Story actor & friend Anthony Bianco, and stars Whittum as Lydia and Jessica Coyle as Jane. Performances are in Venue #1, the Westbury Theatre, August 15-15.
After the first performance, Suicide(s) received a GREAT review from Todd James at Global News! “☆☆☆☆ Two wonderful actresses… the script crackles, the rapid-fire dialogue is funny, identifiable and real.” More here!
Margaret is helping produce and coordinate the Sallie B. Goodman Artists’ Retreat at McCarter Theatre Center June 10-19. Retreat Artists this year are George Brant, Jade King Carroll, Samuel D. Hunter, Ken Ludwig, Emily Mann, Lynn Nottage, Nicole Ari Parker, Heather Raffo, David “Tom” Thompson, and Kathleen Tolan. The Retreat will feature readings of Antony & Cleopatra, directed by Emily Mann & starring Nicole Ari-Parker as Cleopatra, and The Gods of Comedy by Ken Ludwig.
Margaret is currently assisting Rebecca Taichman at McCarter Theatre Center on The Winter’s Tale by William Shakespeare. This is a co-production with The Shakespeare Theatre Company in Washington, DC. The show stars Mark Harelik, Brent Carver, Sean Arbuckle, Hannah Yelland, Heather Wood, Todd Bartels, Tom Story, Nancy Robinette and Ted van Griethuysen and runs April 2-21 in Princeton, NJ.
Margaret is also assisting on the February McCarter Lab Festival of new works, including 360° by Steven Dietz, Five Mile Lake by Rachel Bonds, Pure by A. Rey Pamatmat, and Chicago Boys by Kathleen Tolan.
In December, Margaret was honored as the 2012 Charles Evans Fellow at McCarter Theatre Center. (photo)
Margaret is currently assisting McCarter Theatre Center Artistic Director Emily Mann on A Delicate Balance by Edward Albee. The show stars John Glover, Kathleen Chalfant, Penny Fuller, Francesca Faridany, Roberta Maxwell, and James A. Stephens. Show dates are January 18 – February 17.
Margaret also recently finished her first audiobook, Business As Usual by Steve Bederman. It is available on Amazon.
Margaret is assisting the directors and producers at McCarter Theatre Center in Princeton, NJ in their 2012/2013 season. Margaret is currently assisting Elevator Repair Service Artistic Director John Collins on The Select (based on The Sun Also Rises). Show dates are October 26 – November 4. McCarter is also hosting a Lab Festival of new works October 29 – November 4. The Noise by Rachel Bonds, Smart People by Lydia R. Diamond, Pure by A. Rey Pamatmat, and Hoodwinked by Emily Mann.
UPDATE: The Lab Fest was cancelled due to the extensive damage of Hurricane Sandy.
Margaret is now in Princeton, NJ, where she will assist the directors and producers at McCarter Theatre Center in their 2012/2013 season. Margaret finished a great summer in Colorado with Visionbox’s The Othello Project (The Denver Post called it ‘original, ambitious and provocative’) and the Visionbox Summer Acting Intensives. June was Contemporary American Drama, and July was Shakespeare! The Zoo Story finished a great run at the Spark Theater. Margaret made it to the Final Show for Denver’s Next Improv Star! And lastly, Margaret has a new found love, Low Flying-Trapeze, which she studied in the summer at the Denver Center. She is quite adept at it. 🙂
Margaret is currently directing The Zoo Story by Edward Albee for Permanent Transient Productions, running at Spark Theater March 23 – April 8th. Margaret was also invited to be a member of the Visionbox Actors Ensemble. She also directed a staged reading of Get On With It at Curious Theatre, as part of the Curious New Voices program. In April & May, Margaret will assistant direct The Othello Project at Visionbox, under the direction of Jennifer McCray Rincon. Denver’s Next Improv Star continues at the Bovine Metropolis, and Margaret is still in the running!
Margaret just signed with Maximum Talent, one of Denver’s top talent agencies. She also works as an Assistant Director at Visionbox, a new professional actor training program in Denver. In February, Maggie will compete in Denver’s Next Improv Star, a show at the Bovine Metropolis Theater, 1527 Champa St. Check it out every Saturday night at 8pm starting February 18th! Maggie’s promo video for DNIS is on the Video page or on YouTube.
The Canadian Fringe Festival project was a great success!
Congrats to ShLong Form Improv and Suicide(s) in Vegas for 4 glorious months!
ShLong Form Improv will tour back to Colorado through the month of October.
The Canadian Fringe Festival project is about to begin!
Suicide(s) in Vegas and ShLong Form Improv will depart for Montreal on June 6th, and tour continuously through London, Toronto, Hamilton, Saskatoon, Calgary, Edmonton, Victoria and Vancouver til September 18th.
Additionally, Seoul City Improv will perform at the 3rd Annual Colorado Improv Festival in Colorado Springs June 2-5. En route to Canada, ShLong Form Improv will perform in Denver June 5th and Omaha June 6th.
Seoul City Improv will perform extensively in Korea throughout March and April, in Daegu, Seoul, Daejeon, and Cheonan. Additionally, SCI will tour to Beijing for the 3rd Annual Beijing International Interactive Arts Festival April 18-25. And in May, Seoul City Improv will host the 1st Annual Seoul International Improv Festival, with improv in English, Korean, Japanese and Chinese. Members of Seoul City Improv will then tour the Canadian Fringe Festival circuit summer 2011.
Margaret will also premiere an original play by Canadian playwright Evan Placey titled Suicide(s) in Vegas. Suicide(s) will run in Seoul April 28-May 1 at the White Box Theatre, and MW Productions will produce. Suicide will then tour the Canadian Fringe Festival circuit summer 2011.
Margaret directed in November and acted in December for the monthly event Hitching Post Theater, produced by Rock Rose Entertainment at the Nomad Theater in Boulder, CO. She also starred in the short film Beckoned, directed by Ian Kellett, which will be released in Spring 2011. Margaret will direct two short staged readings of original works for the Curious New Voices series at Curious Theatre in February. Margaret will also perform with Seoul City Improv at the 1st Annual Hong Kong Improv Festival March 3-5, hosted by People’s Liberation Improv.
Seoul City Improv has been invited to the Tokyo Impro Festival 2010 in Japan! The Festival is November 24-28, and is hosted by ImproJapan. Seven SCI performers will attend the festival over Thanksgiving weekend. There will be shows and workshops, and over 80 improvisers from Japan and America in attendance, including Improv Boston.
Margaret voiced her first global commercial for the Samsung NX 100 camera. View the commercial!
Margaret directed and produced The 25th Annual Putnam County Spelling Bee (photos) for Seoul Players in May & June. It was Seoul Players first musical, a complete sell-out show, and widely regarded as the best Seoul Players production in its 10 year history. Additionally, Margaret produced and performed in the 3 Year Anniversary Show for Seoul City Improv. Margaret founded the group in July 2007, and the 3 Year Show was a sell-out success at the beautiful new Spazio Luce Theater in Itaewon. Congrats to all Seoul City Improvisers for 3 wonderfully hilarious years!
Margaret had a very productive spring. In April she hosted and produced the 3rd annual Seoul Players 24 Hour Theatre, with over 50 participants, 10 short plays, and over 120 audience members. Also in April she toured Seoul City Improv to Taiwan, for a joint show with Taichung Improv. Seoul City Improv was a giant success with the Taiwanese and expat audience.
Margaret is currently starring in a children’s television show in Seoul. The show is Play with Science, which airs on Kids Talk Talk, a channel on the Skylife Network. The show is an educational program about science, with 15 minutes episodes like ‘Why do we have eyebrows?’ and ‘Why do our tummies grumble?’. The show runs three times a day, Monday to Friday in Seoul at 8:30AM, 2:00PM, and 6:30PM. It will run for 26 weeks, until the middle of November. Margaret plays Brainy, a fairy witch who knows EVERYTHING about science, and helps the other characters, Juju and Joy, understand the concepts. Margaret also provides the voice of the character Tong Tong, and voices characters in the short cartoon segments in every episode. Here is the website (it’s all in Korean!)
Margaret also recently completed a commercial for Sky cell phones. The commercial is playing all over South Korea. It’s even on the sides of buildings and in the ads before movies! View the commercial!


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November 5-7, 2015 showing from 7:30 PM – 10:00 PM
By William Gibson
Directed by Jack Lampert & Jenny Ballard
Immortalized onstage and screen by Anne Bancroft and Patti Duke, this classic tells the story of Annie Sullivan and her student, blind and mute Helen Keller. The Miracle Worker dramatizes the volatile relationship between the lonely teacher and her charge. Trapped in a secret, silent world, unable to communicate, Helen is violent, spoiled, almost sub-human and is treated by her family as such. Only Annie realizes that there is a mind and spirit waiting to be rescued from the dark, tortured silence. With scenes of intense physical and emotional dynamism, Annie’s success with Helen finally comes with the utterance of a single glorious word: “water”. Winner of the 1960 Tony Award for Best Play.
“…one of the most well well crafted and poignant plays ever written…” – Houston Chronicle
“Interesting, absorbing and moving” – New York Post
Contact by Phone: 225 924-6496


The Commonwealth Human Rights Initiative (CHRI) organised its third annual film festival on human rights on December 10th-11th at M.L. Bhartia Auditorium, Alliance Francaise de Delhi.
Our theme this year was - Article 19: Freedom of Expression. We screened widely acclaimed feature films and documentaries like Anand Patwardhan's Jai Bhim Comrade, Nandita Das's Manto, Leena Manimekalai's White Van Stories, Abderrahmane Sissako's Timbuktu, among others
We also screened Frontline Nicaragua made by 2019 Rory Peck Award finalist Rodrigo Vázquez. The film covers the riots and the widespread anti-government movement that gripped Nicaragua in 2018. (https://rorypecktrust.org/).
The two-day film festival was concluded with a panel discussion, which was followed by an engaging QnA session, with Sanjoy Hazarika (International director, CHRI), Pawan K. Shrivastava (filmmaker), Leena Manimekalai (filmmaker, poet) in the panel and Shubhra Gupta (film critic, columnist) as the moderator.


Critics say that the blockchain is a fad and will not last. They argue that it is too slow, expensive, and complex to be used in the real world. However, experts disagree and believe that the blockchain will revolutionize industries like gaming and finance.
The responding to criticism quotes is a blog post that talks about how to respond to negative feedback.
The reviews are in for Marvel’s Shang-Chi and the Legend of the Ten Rings, which will be released exclusively in cinemas on September 3rd. The Asian-led and action-packed Shang-Chi, which stars Simu Liu as Marvel’s newest superhero, debuted to great acclaim last week at the Disney-Marvel film’s Hollywood premiere. The kung fu epic was hailed by critics for delivering “action like we’ve never seen” in the Marvel Cinematic Universe (Brandon Davis, ), driven by a breakout performance by Liu, who “completely embraces the Marvel superhero role” (Brandon Davis, ). (Wendy Lee Szany, The Movie Couple).
Destin, the director An extract from Jamie Jirak’s spoiler-free review for Shang-Chi says, “Daniel Cretton loads Shang-Chi with mythology, action, and excitement that will certainly delight fans who are here to witness Marvel’s first martial arts picture.” “Shang-Chi and the Legend of the Ten Rings is one of the finest origin tales in the Marvel Cinematic Universe to date, with beautifully choreographed action, surprising humor, and a lot of heart.”
Shang-Chi is punching up a so-far “fresh” 86 percent approval from critics on Rotten Tomatoes, with the review embargo ending Monday morning (from 22 reviews at the time of publication). The following is what the reviewers had to say about the Marvel Studios film:
Origins of Master Marvel
According to Brian Lowry of CNN.com, “Shang-Chi is another carefully calibrated expansion of the Marvel stable amid its efforts to become more diverse,” the film “masters the art of the Marvel origin narrative.”
Stardom as a superhero
According to an extract from Brian Truitt’s article for USA Today, Liu is “simply a pleasure to behold” in his debut outing as the Master of Kung Fu. “Since the late Chadwick Boseman [Black Panther], he’s the MCU’s most important and infectious rookie, with the same face-of-the-franchise appeal as Chris Evans [Captain America].”
Actors Who Have Made History
The addition of Tony Leung, a well-known Hong Kong actor, to the MCU “provides an arresting entry point into a hero’s origin story that tries, with some success, to rise above Marvel business-as-usual,” writes critic Justin Chang for The Los Angeles Times, adding, “Shang-Chi and the Legend of the Ten Rings is most enjoyable when it shakes off the tedious franchise imperatives and forges its own path.”
Shang-Chi, in addition to Leung, “”Even the most grounded choreography is clearly assisted by computer effects, and the chopped-up close-ups on the action repeatedly reduce the dueling characters to a blur,” writes Jake Cole of Slant Magazine. The final act, as is customary for the MCU, devolves into loud and chaotic visual nonsense, with the Oedipal reckoning between Shang-Chi and Wenwu [Leung] giving way to an incomprehensible conflagration of magical beasts and large-scale warfare that only serves to emphasize the film’s ostensibly probing human drama.”
Fun despite flaws
“A world of Asian mysticism, with dragons, demons, and creatures—think Asian Wuxia movies like House of Flying Daggers meets Raya The Last Dragon—that feels unique to what we’ve already seen in the MCU’s mystic side,” The Playlist’s Rodrigo Perez writes in a positive review of the “flawed” but fun film.
Generic to the point of annoyance
“Shang-Chi is as boring and crowded as its namesake,” writes Jacob Oller in a poor Paste Magazine review. “Shang-Chi can’t even prevent its battles from being influenced by the MCU’s house style. Its climactic fight suffers from the same clash of ambition and tradition that pulls the story down. While Shang-monsters, Chi’s bugs, armor, and weaponry try for distinctive, expressive, even stunningly horrific design, it’s all muddled in a digital slurry under attack by the same sort of ill-defined flying insects that seem to afflict every MCU film.”
“Not only does this finale make no visual sense, flooding the screen with whirling gibberish that undoubtedly looked fantastic as concept art,” the review adds, “it’s as painfully bland as its trained killer hero.”
The Right Way to Go
In a favorable review for Empire Magazine, Laura Sirikul says that Shang-Chi has “some pacing problems” but “delivers a tremendously entertaining stride in the right direction for Asian representation” with “funny and heartwarming moments among wonderfully choreographed action scenes.” “Shang-Chi shines as a tale of family and how sorrow can turn everything upside down… Simu Liu, Awkwafina, and Tony Leung bring multi-faceted characters to life.”
Marvel’s Shang-Chi and the Legend of the Ten Rings, starring Simu Liu, Tony Leung, Awkwafina, Michelle Yeoh, Fala Chen, Meng’er Zhang, Florian Munteanu, and Ronny Chieng, will be released exclusively in cinemas on September 3.
The avoid criticism quotes is a blog post that discusses the different opinions on whether to avoid criticism or not.
- funny quotes about critics
- critic comments meaning
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Laura Collins REALTOR
Laura Collins epitomizes hard work, dedication and creative service in every detail of your real estate transaction. She grew up in northern Vermont, went to the University of Virginia and was then off to New York City to use her bachelor’s degree in Psychology and Theater. While there, she worked in the costume shop of the Julliard School and was a wardrobe and costume designer for off Broadway shows.
She puts that creative talent to work in her real estate career. Since achieving her North Carolina Broker license in 2002, she has worked in many aspects of the industry including Broker/Realtor®, staging homes, and as a closing coordinator.


- This event has passed.
August 22, 2019 @ 6:00 pm - 8:30 pmFree
When: August 22, 2019, Thursday at 6:00 pm
Where: Transylvania County Library, Rogow Room
Contact: Janet Merrell & Heather Reedy, Circulation, 828-884-3151, x1800
A young king establishes himself and his reign in this Marvel Comics story set in fictional Wakanda, Africa. Nominated for 7 Academy Awards, including “Best Moton Picture,” this winner of “Best Picture – Drama” at the Golden Globes and “Outstanding Performance by a Cast in a Motion Picture” at the Screen Actors Guild Awards is more than a superhero film; it’s groundbreaking. Chadwick Boseman stars as T’Challa and the Black Panther in this film which grossed over a billion dollars at the box office. Guess the movie title or find out for sure at our website.
This FREE program is made possible by the Friends of the Library.
We’ll have the popcorn! Bring dinner if you wish.
RATED: PG-13 Recent Release Connecting Generations
Look for our next showing on Thursday, September 12, 2019 at Noon.


Snow White Dagger and Crown Necklace
$14.50 Now $7.25
This set of two chain necklaces is perfect for a layered look. One chain has a crown pendant and the other has a dagger pendant straight from Snow White and the Huntsman.
- Part of the 'Snow White and the Huntsman' movie collection
- Chain 1: 17 1/2"L
- Crown: 1"L
- Chain 2: 22 1/2"L
- Dagger: 2 1/2"L
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Director: Alejandro Gonzalez Inarritu
Cast: Benicio Del Toro, Sean Penn, Naomi Watts, Clea DuVall, Charlotte Gainsbourg
Box Office: $16+ million of total gross
Trivia: Naomi Watts accepted the role without reading the script first.
Paul Rivers: Did you know that eating alone could cause kidney damage? And that’s BAD.
Cristina Peck: Whoever looks for the truth deserves punishment for finding it.
Cristina Peck: You know what I thought when mom died? I couldn’t understand how you could talk to people again, how you could laugh… again. I couldn’t understand how you could play with us. And no, no that’s a lie, life does not just go on.
Paul Rivers: The earth turn to bring us closer, / it turn on itself and in us, / until it finally brought us together in this dream.
Paul Rivers: How many lives do we live? How many times do we die? They say we all lose 21 grams… at the exact moment of our death. Everyone. And how much fits into 21 grams? How much is lost? When do we lose 21 grams? How much goes with them? How much is gained? How much is gained? Twenty-one grams. The weight of a stack of five nickels. The weight of a hummingbird. A chocolate bar. How much did 21 grams weigh?
This is not your basic drama. The viewer is captivated with the split screen outlook, of the impact a car accident has. The editing is extremely visually stimulating and really pulls the story together beautifully.
“21 grams” is intense, abstract,and thought-provoking. The screenplay is ingenious. The interconnecting storylines of the characters was offbeat enough to remain intriguing yet maintained a realistic feel and in doing so kept me thoroughly engaged in the outcome of these characters. The editing was just slightly cumbersome but honestly I can’t imagine telling this complicated story any other way.
The cast in outstanding especially Del Toro. You can see the expression on his face of his character. When you watch you can see his guilt. Watts lights out the cinematic screen, and Sean Penn has never been so much good!
The style of the film – the increasingly popular non-linear scene structure – adds an intensity and importance to the emotionally draining story. The order of the scenes are all scrambled up, creating a bit of a puzzle that is a lot of fun to piece together. My only complaint is that you can put the puzzle together before the film ends, making it drag in certain parts while you wait for the story to move forward, and ultimately the journey is better than the destination. Expect yourself to be depressed, but impressed. The entire film is shot hand-held, which I liked, but tends to make people with weak constitutions sick to their stomach.


Mr Ya Miss: A Body Swap Movie that will Make You Laugh and Think
Download Mr Ya Miss 1 Full Movie In Hindi: A Guide for Bollywood Fans
If you are looking for a fun and entertaining Bollywood movie to watch, you might want to check out Mr Ya Miss. This is a 2005 comedy film that revolves around a womanizer who dies and reincarnates as a woman. The film is full of hilarious situations, witty dialogues, and social messages. In this article, we will tell you everything you need to know about Mr Ya Miss, including its plot, cast, reviews, and ratings. We will also show you how to download Mr Ya Miss legally and safely from online platforms. So, sit back and enjoy this guide on how to download Mr Ya Miss 1 full movie in Hindi.
Mr Ya Miss is a Hindi-language body swap comedy film written and directed by Antara Mali. The film stars Antara Mali herself, along with Riteish Deshmukh, Aftab Shivdasani, and Divya Dutta. The film is loosely inspired by the 1991 American film Switch.[^1]
Plot summary: How Sanjay becomes Sanjana and learns to respect women
The film follows the story of Sanjay Patel (Aftab Shivdasani), a wealthy Gujarati-speaking Casanova who works as an executive in an advertisement firm. He believes in dating and flirting with a wide assortment of young women, and breaking their hearts. He is very friendly with his co-worker Shekhar (Riteish Deshmukh), who is exactly his opposite when it comes to women.
One day, Sanjay's flirtatious actions land him in trouble with three women, Loveleen (Divya Dutta), Seema (Kainaaz Pervees), and Rita (Anangsha Biswas). He is attacked by them and dies. He appears before Lord Shiva (Bharat Dabholkar) and Goddess Parvati (Ishrat Ali) and pleads with them to let him return. He is asked to mend his ways before the next Shivratri, and is permitted to return.
However, in order to teach Sanjay a lesson, the gods have him come back as a woman, Sanjana (Antara Mali). Sanjay is shocked by his transformation and faces several problems as the things he used to do with other girls like flirting are being done to him. He also has to deal with his boss Arvind (Ishrat Ali), who has a crush on him/her, his friend Shekhar, who b70169992d
Welcome to the group! You can connect with other members, ge...


The minor complements existing programs in SMTD, LSA, Art and Design, and the Residential College by providing students with global and diverse perspectives on performance. For performance majors (Theatre, Music, and Dance), the minor builds upon traditional arts training and enhances job prospects in an increasingly interdependent cultural economy. For non-theatre majors, the minor provides experiences in performance practice, playmaking, and theatre studies.
The minor requires 5 courses or 15 credits of coursework. Courses are a balance of studio practice classes and applied literary analysis. A capstone course immerses students in an international and/or community engagement experience.
222 Introduction to Global Theatre and Ethnic Studies: Surveys performance histories of diverse cultural communities of the United States. Students study transnational origins and cultural contexts for multi-cultural theatre: African American (African, Caribbean, Afro-Latino), Native American, Latin American, Asian American (Southeast Asian, East Asian), Middle Eastern, and others. Students study multi-cultural literatures and practices in the United States. Students learn about performance histories and practices of culturally diverse communities in the United States,study performance aesthetics emerging from Asian American, African American, Latin American and Native American communities, and learn how to read and analyze diverse plays by United States authors in cultural context.
233 Studio: Modern Rituals/Traditional Practices: Trains students in performance techniques grounded in various cultural traditions: choral singing, masking, poetry, vocal call and responses, dance, martial arts, and mimicry. Embodied studio practice emphasizes aesthetics of diverse cultural communities. Guest artists and instructors interact with students in the instructional space. Students learn how practice emerges from culturally specific contexts, how to embody culturally specific aesthetics and practices, and they train in the vocal, physical and theatrical expression skills.
325 Contemporary American Theatre and Drama: Examines works and developments in American theatre and drama from the past twenty years, especially the diverse and multicultural drama of this period. Looks at elements of class and ethnicity, urbanization, family and community, war and technology, commercialism and consumerism, gender, race, and sexuality.
326 Intercultural Drama: Examines how international dramatic literature in translation comments on global lives and lifestyles. Class reads, analyzes and discusses intercultural plays in cultural context. Written assignments and in-class presentations investigate the political, social, ad cultural impact meaning of intercultural dramatic works. Students learn to analyze themes, structures, characters, and language of intercultural/international plays through the lens of cultural studies.
332 Performing Archives and Oral Histories: Students use ethnographic or archival sources to create new performance works. Building on histories introduced in 222, they create individual or small group projects. Interpretative text and character work helps to improve individual student performance skills.
340 Devising Theatre: The course is a laboratory course for play development. The class creates collaborative theatrical works from text, visual art, movement, stories and/or contemporary events. The class develops performances through improvisation, then organizes and evaluates their work using principles of dramatic structure, and play analysis. Dramaturgy and directing skills are introduced through studio practice and critique.
440 Special Topics in Global/Ethnic Theatre: This is an in-depth research and performance course that examines African American Theatre. The class investigates history, biography, international or contemporary aspects of African descendent theatre.
324 Global Community Practicum: Engages students in research and development of performance projects at a local, community organization or at an international site. The class participates in fieldwork experiences and each individual submits a final project report or thesis at the end of their fieldwork. The Capstone course is collaborative and interdisciplinary and multiple faculty members can supervise and approve student work.
Students are required to participate in a supervised experience in engaged theatre practice, THTREMUS 324 Global Community Practicum or its equivalent.
222 Intro to Global Theatre and Ethnic Studies
325 or 326 Literature elective
233 Modern Rituals/Traditional Practices
332 or 340 or 440 Studio elective
OR 325 or 326 Literature elective
332 or 340 or 440 Studio elective
OR 324 Community Practicum
324 Community Practicum
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by MAURIELLE McGARVEY
after GEORG BÜCHNER
directed by MATT HUNE
Buchner's 19th Century play, widely regarded as the first truly "modern" drama, was based on the real-life case of a barber who stabbed his mistress in a fit of jealousy and was sentenced to death. Our version takes place today and is based on a real-life scenario that seems to be stuck in repeat: a mass shooting. This is a radical new production that plunges audiences into America's biggest fear and obsession.
*This production is for mature audiences and might not be suitable for those sensitive to violence.


On March 14, 1931, he made his debut at the Majestic Cinema in Bombay, Alam Ara, or "The Light of the World" the first Indian sound film, in the face of hordes of enthusiastic spectators barely controlled by the police.
In India, Alam Ara was a success, as was his hit, "De de khuda ke naam per" The film was directed by the great Indian film director Aredeshir Irani, who first understood the importance of sound and music in Indian cinema and inaugurated the stage of the Bollywood film industry so popular in India.
Alam Ara is, as you can imagine, a love story with "more singing and less talk" that tells of the rivalry of two Parsi queens, in the kingdom of Kamarpur, who dance and sing intrigues and subterfuges, preparing the happy ending: the marriage of Princess Alam Ara and hereditary prince.
Unfortunately, a fire at the 2003 National Film Archive of India in Pune destroyed Alam Ara's latest surviving prints, so the film is no longer available in its original format. His legacy can be seen, however, in the hundreds of iconic songs and dance novels that have made Bollywood the largest and most popular film industry in the world.


Writing last night about Twitter got me thinking: If Twitter is one of those manifestations of social networking technology that leaves the over-thirty crowd quizically shaking their heads but is native ground for the younger generation, how would it look in the hands of a particularly well-known pair of adolescents?
rmontague: Following the call of true love. . . even if it means trespassing.
rmontague: Do the Capulets have a security system?
juliet15: Nurse is driving me crazy. Gotta get some fresh air.
rmontague: Sitting under a medlar tree. Will she show?
rmontague: Watching, waiting, watching, waiting. . .
juliet15: Standing on my balcony. Moon’s out.
rmontague: Light through yonder window breaks. Juliet is the sun.
juliet15: Sighing. Our families hate each other. Just my luck.
rmontague: She’s on the balcony now. Should I say something?
juliet15: Romeo, wherefore art thou Romeo? What’s in a name? Refuse thy name. Go with Smith instead.
rmontague: Here goes a shoutout. . .
juliet15: There’s a creepy guy down in my orchard!
juliet15: Ohmygod, it’s Romeo. How did he get in here?
rmontague: Talking to Juliet! Can hardly believe it.
juliet15: So sweet and brave, and such a flirt. See how serious he is. . .
rmontague: Juliet rocks. She said we should add each other as friends.
juliet15: Nurse is calling. Gotta go back inside. Parting is such sweet sorrow.
All right, so maybe the balcony scene loses something in the translation. But Twitter’s idiosyncratic brand of direct address does share interesting affinities with time-honored literacy devices like the soliloquy that provide more-or-less direct access to a character’s thoughts. Given the brief, fragmented nature of Twitter posts, a closer analogy may be to the aside, where a character momentarily steps out of the stage action to address the audience directly. The Twitter version of a play would consist of nothing but asides.


We must go to Bethlehem
We Must Go To Bethlehem
From the moment the show begun and the stage filled with the beautiful sounds of Foundation Stage singing ‘Special News’, it was clear this was going to be a performance to remember.
The Foundation Stage Christmas Production is always a magical one with amazing songs and lots of resilience shown by a talented cast. And it was quickly clear this year’s production of ´We Must Go to Bethlehem´ would be no exception.
Dazzling Diana had the audience captivated by her breathtakingly beautiful performance as Mary. She delivered her lines with such confidence she made it look easy, a performing star in the making. I must be sure to get my programme signed! Mark played the doting Father, Joseph, with conviction and confidence. He was the proud Father and caring husband and made sure we all knew his kind and caring role! The Wise Men stood proud and tall when delivering their lines and gifts! They took their job very seriously and made sure everyone knew just how important baby Jesus was to many many people. The Shepherds showed us amazing acting skills when awoken by an angel, they remembered their cues and stage directions perfectly and never once forgot their sheep! The Innkeepers were fantastic with the delivery of their lines! They were clear, confident and strong! Our shining star Carolina, guided the way for the Kings and made sure they safely made their way to Bethlehem.
Our Reception narrators weaved the show together with their confident and strong delivery of lines and, they should be extremely proud of their fantastic efforts in telling the Christmas Story. We were so proud of their efforts in learning and delivering lines like professionals.
Nursery are continuing to grow in confidence when on the stage. They have now had plenty of practise during the last few weeks and step up to the mark every single time. They enthusiastically told the Christmas Story through song, dance and big smiles. We are all proud of their determination when learning the songs for this spectacular production and their engagement during the performance.
And we cannot forget our super dazzling stars! A huge achievement from our youngest children in the school, who came onto the stage to sing by themselves. They were truly fantastic, sung beautifully and looked amazing. I will be singing ´Twinkle, Twinkle Little Star´ all through the festive season. Thank you for your beautiful rendition of this song Pre-Nursery.
A huge thanks and congratulations to all involved in the FS Christmas Production. A charming take on the story of the Nativity that was a real joy to watch and experience.
Miss Nixon, Nursery Teacher


19/02/28 · The plug-ugly monster that jumps out of a city river in “The Host” to scoop up and chomp down on those unlucky enough to cross its path men, women, a whip-smart 13 …
31 Dec 2014 Seoul has installed a sculpture in the Han Riverside of the monster from the 2006 blockbuster Korean movie "The Host." The division of the 8 Oct 2019 GQ interviewed the 'Parasite' director about his new movie, capitalism, and to make this similarly-themed movie in Korean, how he captured the In The Host, you had a character who was a nationally ranked archer, and in 27 Nov 2019 South Korean cinema auteur Bong Joon-ho has been dazzling Joon-ho's next science fiction film after The Host, Snowpiercer stars Chris Released in July 2006, Bong Joon-ho's The Host [Gwoemul] garnered both widespread popularity as the highest grossing South Korean film in history and In this hugely entertaining South Korean monster movie a huge amphibian monster the size of an elephant simply emerges from the Han river in Seoul one day 28 Jul 2016 More than just a monster movie, Bong Joon-ho's landmark film, The Host, monster movie The Host was released in its native South Korea. 31 Jul 2006 The film is scheduled for release on 250 screens in Japan on Sept 2. News ofits successful local debut is reportedly spurring demands for more
19/02/28 · The first 20 minutes of the South Korean film The Host represents one of the most entertaining movie openings in memory. It's the same kind of pop-culture thrill provided by Steven Spielberg's "Jaws," with the same sense of astonishment, fear and pleasure at … The Host subtitles. AKA: The Host (20006), The Host 3D, Gwoemul, Monster. Monsters are real.. Gang-du is a dim-witted man working at his father's tiny snack bar near the Han River. One day, Gang-du's one and only daughter Hyun-seo comes back from school irritated. She is angry at her uncle, Nam-il, who visited her school as her guardian shamelessly drunk. It's why the unnecessary sequel to 'My Sassy Girl' (seriously) tanked hard and the Oldboy remake was (deservedly) shat on since day one. The Host had a mountain of criticism on Naver (South Korean online portal community) since the release of the test footage for the sequel. The South Korean film industry is robust, creatively multifarious, and full of gems for every film fan to inhale. Here are 20 of our favorites. The talk of the 2006 Cannes International Film Festival and the latest film from critically acclaimed visionary director BONG Joon-ho, THE HOST has already garnered a substantial amount of international buzz. Utilizing state-of-the-art special effects, courtesy of a creative partnership between Weta Workshop (King Kong, The Lord of the Rings) and The Orphanage (Harry Potter and the Goblet of In 2006, the domestic market share of South Korean cinema peaked at 63.83% and Gwoemul (The Host, Bong Joon-ho, 2006) was the highest grossing film of the year, selling 13 million tickets . The South Korean blockbuster had come of age and, like the recent economic rise of South Korea itself, cemented the place of its national cinema in the Foreign/International. When a girl is snatched by a monster that emerges to wreak havoc on Seoul, her family sets out to locate the beast and bring her back home. You May Also Like.
Download Citation | Localized Globalization and a Monster National: The Host and the South Korean Film Industry | This essay examines the industrial practices In The Host (Gwoemul), directed by Bong Joon-ho, monstrosity takes on multiple meanings. This genre-bending 'monster' film, South. Korean cinema's most 26 Apr 2020 The film begins with a short scene in which we are shown an American scientist ordering his Korean underling to pour formaldehyde down the 9 Nov 2006 Korean director Bong Joon-ho's uproarious new film about a gigantic sea the raw, crazy showmanship of an old-fashioned monster movie. 14 May 2014 Korea.net's list of must-see films: The Host. 140513_korea_movie_host_1.jpg. The Host (2006) Directed by Bong Joon-ho. Gang-du, played by 15 Oct 2019 This story contains mild spoilers for the film Parasite. For almost 20 years, the South Korean director has been making movies that span every category. The Host (2006), a huge crossover hit, breaks every rule in the 10 Dec 2019 As it happens, the international success of Parasite coincides with the centennial of Korean film, a history that began with the 1919 movie Fight for
Start your free trial to watch The Host and other popular TV shows and movies including new releases, classics, Hulu Originals, and more. It’s all on Hulu. Website title. Movie Beast – Moviebeast.in : Watch Dubbed Movie & TV Series in Hindi Dubbed, dual audio movies, Movies Hindi Dubbed Latest, 300mb movies, 480p Dual Audio, 500mb movies, 700mb movies | All Movies, TV Show , Korean Drama Series, Adult 18+ Flim In … Recent Posts. Never Have I Ever [Season 1] All Episodes Hindi-English Dual Audio WEB-DL 480p 720p x265 ESub mkv; The Last Kingdom [Season 1-2-3-4] Dual Audio Hindi-English x264 480p 720p mkv Parasite is a great introduction to the South Korean aesthetic, as director Bong Joon-ho has been playing with tone since the early 2000s. His spectacular crime thrillers Mother and Memories of Murder and his acclaimed monster movie The Host helped establish him as … The Host (괴물) - Movie - Picture Gallery
26 Feb 2020 Topic | Asian cinema: Korean films Since making history as the first film in any language other than English to win the Oscar for best picture,


AFP reports today that a film about an Australian-Chinese war hero has provoked name calling from Chinese lobby groups.
Billy Sing, a legendary sniper who killed over 200 enemies in Gallipoli, is the inspiration, nay, course material for the upcoming Australian television film “The Legend of Billy Sing”.
In it Sing will be played by a Caucasian actor.
“I’m very sorry to learn that somebody is trying to whitewash a Chinese-Australian face with a white face. It’s a disgrace,” said Tony Pang, president of the Chinese Australian Forum to AFP.
Racism and charges of nepotism (the director has cast his son to play the role) are barbs that have also been thrown
Looking at the photo, it’s hard not to think these labels are a bit overdone. I’ll pay your nepotism BUT Sing is half Chinese. IF! the story neglects to note he is Chinese, by maybe, I don’t know, saying he isn’t half Chinese, then I’ll be the first with whitewash on my hands.
But if they define him as half-Chinese in the movie and have a white actor standing there… well the film won’t be taken seriously anyway.
Relax. The fact this story made it to AFP and China Daily will now almost certainly mean people will want a debate about whitewashing.
Let’s just mention Robert Downey Jnr. and be done with it.


Beware of a new movie set to be released in December. I saw this being advertised when the last Harry Potter came out and it looked so good. The preview stated in was in the same category as Narnia or even The Lord of the Rings. Unfortunately, this is so far from the truth, it is scary.
*** Edited to add, the name of the movie is The Golden Compass. Thank you to my loving daughter, Bean for bringing this error in my post to my attention.***
The movie is based on the books by Phillip Pullman, _His Dark Materials_. In these stories, the Catholic church is the villian. Pullman is an admitted atheist.
You can read more about this here. I plan to read this trilogy myself so that I can speak from my own impression rather than just following the advice of others. For now, I can assure you that my children will not be seeing this movie.


Krishnakumar Kunnath, also known as KK, was a popular Indian playback singer and songwriter. He has lent his voice to many hit Bollywood songs over the years and has become a household name in India.
KK began his singing career in 1991 with the song "Tadap Tadap" from the Bollywood film "Hum Dil De Chuke Sanam." This song was a huge success and established KK as a talented singer. He went on to sing many hit songs in the following years, such as "Tumse Milke" from the film "Main Hoon Na," "Hoshwalon Ko" from the film "Sarfarosh," and "Abhi Mujh Mein Kahin" from the film "Agneepath."
In addition to Bollywood, KK has also lent his voice to Tamil, Telugu, and Malayalam films. He has received many awards and accolades for his work, including the Filmfare Award for Best Male Playback Singer for "Tadap Tadap" and the National Film Award for Best Male Playback Singer for "Humsafar" from the film "Badrinath Ki Dulhania."
KK was also known for his unique voice and versatility as a singer. He had a wide range and could sing in different genres, including romantic ballads, pop songs, and rock numbers. He had also released several albums of his own, including "Pal" and "Humsafar."
In addition to his singing career, KK was also actively involved in social causes and charity work. He was a Goodwill Ambassador for Rotary International and supported various organizations that worked for the welfare of children and the underprivileged.
Overall, Krishnakumar Kunnath, or KK, was a highly talented and versatile singer who made a significant contribution to the Indian music industry. He was a respected and admired artist, and his work continues to be enjoyed by music lovers around the world.


HOPPIT: The Quest For Ambience
Queen of Glory Trailer
The trailer for Nana's upcoming film Queen of Glory
Nana Mensah at TEDxBrooklyn
Supremacy Tonight! Interview
Nana produced and co-wrote this spoof on Entertainment Tonight starring Caitlin FitzGerald (Masters of Sex)
A Scene from "Love or Something Like That"
Nana had the distinct pleasure of working with one of Ghana's most prolific directors, Shirley Frimpong-Manso, on Love or Something Like That. She played opposite Ghana's most famous actress, Joselyn Dumas. Here's a scene from the film.
Queen of Glory Teaser
The teaser for the forthcoming film, Queen of Glory.
A CUSTOMS EMERGENCY - Episode 4 An African City
One of the most talked about scenes in An African City is that of Sade's "Customs Emergency."