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6 edition of The tragœdy of Othello, the Moore of Venice found in the catalog.
The tragœdy of Othello, the Moore of Venice
|Other titles||Tragedy of Othello|
|Statement||written by William Shakespeare.|
|Series||Early English books, 1641-1700 -- 297:33.|
|The Physical Object|
|Pagination||, 93,  p.|
|Number of Pages||93|
Get this from a library! The tragedy of Othello, the Moor of Venice. [William Shakespeare; Barbara A Mowat; Paul Werstine] -- One of Shakespeare's finest works is available in a new edition, based on the best early printed version of the play. This new edition of Othello reflects the latest scholarship and includes. Tragedy of Othello, The Moor of Venice (, starring William Marshall) - Duration: Department of Afro-American Research Arts Culture , views.
"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. . The Tragedy of Othello, the Moor of Venice | William Shakespeare's classic play Othello, featuring valuable tools for educators and readers, from the esteemed Folger Shakespeare Library, home to the world's largest collection of Shakespeare's printed : Simon & Schuster.
Othello asks him at first, "How comes it Michael, that you are thus forgot?" (). It is, of course, the influence of Iago. It is, of course, the influence of Iago. Cassio has no head for drink (" I have very poor and unhappy brains for drinking ") but Iago convinces him with a light-hearted persistence to drink " to the health of black. Othello: The Tragedy of Othello, the Moor of Venice by William Shakespeare. Paperback $ View All Available Formats & Editions. Ship This This book is a reproduction of the original book published in and may have some imperfections such as marks or hand-written notes. Pages:
Reproductions from illuminated manuscripts
Gender and development readings.
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This item: The Tragedy Of Othello, The Moore Of Venice () by William Shakespeare Hardcover $ Hamlet by William Shakespeare Hardcover $ Romeo and Juliet by William Shakespeare Hardcover $ Customers who /5(K).
Othello is a wonderfully brilliant Moorish soldier who will come to doubt all he holds dear due to an equally brilliant, conniving villain named Iago. No Disney references here, Iago makes himself akin to the Devil and works just as craftily in order to succeed/5(K).
The Tragedy of Othello, the Moor of Venice is a tragedy by William Shakespeare, believed to have been written in approximatelyand based on the Italian short story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio 5/5(4). The Tragedy of Othello, the Moor of Venice Mass Market Paperback – January 1, by William Shakespeare (Author) out of 5 stars 1, ratings Book 9 of 30 in the No Fear Shakespeare Series/5(K).
The Tragedy of Othello, The Moor of Venice, William Shakespeare Othello is a tragedy by William Shakespeare, believed to have been written in It is based on the story Un Capitano Moro (A Moorish Captain) by Cinthio, a disciple of Boccaccio, first published in /5.
The Tragedy of Othello, The Moor of Venice by William Shakespeare, Paperback | Barnes & Noble® Othello, The Moor of Venice is a tragedy by William Shakespeare based on the short story Our Stores Are OpenBook AnnexMembershipEducatorsGift CardsStores & /5(3).
Othello, a Moorish general in the service of Venice, has married Desdemona, beautiful daughter of a Venetian Senator. But Iago, Othello's malignant ensign, is. the tragoedy of othello the moor of venice Download the tragoedy of othello the moor of venice or read online books in PDF, EPUB, Tuebl, and Mobi Format.
Click Download or Read Online button to get the tragoedy of othello the moor of venice book now. This site is like a library, Use search box in the widget to get ebook that you want. The play Othello, the Moor of Venice is a tragedy with Othello as the tragic hero.
A tragic hero must be a man of high status and later face downfall. Othello, the Moor fits the definition of Aristotle’s tragic hero. He is highly respected by the senators of Venice State and the citizens. Get this from a library. The tragedy of Othello, the moor of Venice.
[William Shakespeare; Stephen Rippon] -- ""O, beware, my lord, of jealousy; it is the green-ey'd monster which doth mock the meat it feeds on." -Iago. Othello is such a competent man, it's shocking how quickly the good things in his life. The tragedy of Othello, the Moor of Venice: with new and updated critical essays and a revised bibliographyPenguin in English - 2nd Rev.
: Tragedy Of Othello The Moor Of Venice (Folger Library General Reader's Shakespeare) by Shakespeare, William; Sisson, Charles Jasper; Houseman, John and a great selection of related books, art and collectibles available now at Get this from a library. The tragedy of Othello, the Moor of Venice.
[William Shakespeare; Barbara A Mowat; Paul Werstine; Folger Shakespeare Library.] -- A young woman's elopement with a dark-skinned foreigner. An evil manipulator, dead set on bloody revenge. A noble warrior, fatally consumed by jealousy. Shakespeare's play about the Moor who "loved.
Includes bibliographical references (pages ) Folger Shakespeare Library is the world's leading center for Shakespeare studies. Each edition includes: freshly edited text based on the best early printed version of the play; full explanatory notes conveniently placed on pages facing the text of the play; scene-by-scene plot summaries; a key to famous lines and Pages: Act out Othello's tragic story of vengeance and betrayal.
Iago is angry at Othello for not promoting him, so he schemes to ruin Othello's life with his lies, ruining his own in the process.
The. : The Tragedy of Othello, the Moor of Venice (New Kittredge Shakespeare) () by Shakespeare, William and a great selection of similar New, Used and Collectible Books available now at great prices/5(K).
Othello, The Moor Of Venice tragedy wrote by William Shakespeare in The story of this play based on a Moorish captain. Othello (The Tragedy of Othello, the Moor of Venice) play translated into Bangla by Mehedi Hasan.
Othello, the Moorish. Get this from a library. The tragedy of Othello, the moor of Venice. [William Shakespeare; Barbara A Mowat; Paul Werstine] -- In Othello, William Shakespeare creates powerful drama from a marriage between the exotic Moor Othello and the Venetian lady Desdemona that begins with elopement and mutual devotion and ends with.
The Tragedy of Othello, the Moor of Venice is based on the Italian short story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in The Tragedy of Othello, The Moor of Venice In the play “The Tragedy of Othello, The Moor of Venice,” there are several different qualities that are put into perspective through the characters.
We have Roderigo that is a fade character with no real intent and that is perceived by the reader as being not really manly. «The Tragedy of Othello, the Moor of Venice» is a tragedy by William Shakespeare, believed to have been written in approximatelyand based on.
Othello, The Moor of Venice, is a tragedy by William Shakespeare, believed to have been written in Our Stores Are OpenBook AnnexMembershipEducatorsGift CardsStores & EventsHelp AllBooksebooksNOOKTextbooksNewsstandTeensKidsToysGames & CollectiblesGift, Home & OfficeMovies & TVMusicBook AnnexBrand: CreateSpace Publishing.Lieutenant to the warlike Moor Othello, Is come on shore: the Moor himself at sea, And is in full commission here for Cyprus.
MONTANO I am glad on't; 'tis a worthy governor. Third Gentleman But this same Cassio, though he speak of comfort Touching the Turkish loss, yet he looks sadly, And prays the Moor be safe; for they were parted.


No we aren’t going to Africa, at least not yet. But I wanted to share a link to John August’s blog with a movie clip from his trip to Malawi. It’s only thirty seconds but it’s riveting. Maybe that’s because Lucy and I just watched Blood Diamond on DVD this weekend, but it’s also because the kids singing in this clip are just great.
Click on the link above to go see the blog entry and I will feel less guilty for putting up the movie directly.


Southern Railroad Theatre Company's Playwright and Co-Producer Susan Jackson in at the 35th Annual William Inge Festival. Her play HEATHEN appears in the festival's New Play Lab!
In honor of our 35th Anniversary, the William Inge Theater Festival and Conference features its first ever New Play Lab. Thirty plays will be presented for the first time, Wednesday through Friday, April 20-22, from 1:30 to 5:30 p.m., every hour on the hour, simultaneously in three venues: the First Presbyterian Church (lower level), the First United Methodist Church (chapel) and the historic Booth Hotel (lower level) in downtown Independence, Kansas. Panels of nationally-renowned theater professionals, including Master Teachers David Henry Hwang (2012 Inge Honoree), Lee Blessing, and Mac Wellman, and Inge New Voices Honorees Catherine Trieschmann (2012), Catherine Butterfield (1999), and former Inge Playwright in Residence, Obie for Lifetime Achievement Awardee, Caridad Svich, will respond to the new works, immediately following each reading.
The New Play Lab offers playwrights attending the Festival the opportunity to interact with and have their work seen by professional theater artists from around the country, Festival attendees and the public. In addition, all play lab writers will work directly with professionals in hands-on writing workshops.


The Nottingham Emmanuel School took part in The National Theatre Connections Festival 2022 and their play Find a Partner will be performed at Nottingham Playhouse on Monday 4th April at 6pm, sharing a double bill with Carlton Academy in this prestigious annual theatre celebration of young talent.
A cast of 24 students from the school have been working on this production together for 6 months, meeting every week to rehearse, adapt and produce this specially scripted play for young teenage actors and audiences.
Directed by Demi Hughes, one of the school’s drama teachers, Ms Hughes has recognised and brought out the talented personalities and performances of her cast. They have also been mentored by one of the National Theatre’s directors from London and had the opportunity to see other student’s performances in the festival.
Find a Partner written by Miriam Battye especially for the National Theatre festival which aims to support young playwrights and performers. The play is essentially Love Island meets the Hunger Games, asking the audience to be part of the game show, where the aim is either to find love and – if you’re not ‘worthy’ of love – you are eliminated from the game. It deals with the search for the perfect partner – and in the play looks at how people find love, how they stay and survive in the game. All without losing themselves and their values, and their lives.
The performance at the Playhouse was a huge success with several members of the cast being praised for their characterisation by the National Theatre Director of the National Theatre in London. One student Mya Mercer was approached by the Nottingham Playhouse and offered a bursary to join their Youth Theatre!
The audience laughed along and there was a great buzz within the auditorium. It was a real pleasure to be able to view the show! Every single student who took part either on stage or behind the scenes were excellent; really represented the school in a positive light! – Mrs Stapleton
All of the cast involved did Emmanuel so proud!! This is my 5th year running this event and it was by far the most enjoyable, rewarding and by far the best outcome!! Bring on next year! – Miss Hughes


[Grad-postdoc-assn] What to do when a film crew contacts you
paulad at ucar.edu
Wed Nov 11 10:23:56 MST 2015
---------- Forwarded message ----------
From: Liz Marsis <marsis at ucar.edu>
Date: Tue, Nov 10, 2015 at 4:29 PM
Subject: [Admin_net] What to do when a film crew contacts you
To: Admin_Net <admin_net at ucar.edu>
Cc: David Hosansky <hosansky at ucar.edu>, Jeff Smith <jeffs at ucar.edu>
Below is the copy contained in the attachment:
*What to do when a film crew contacts you*
NCAR has received a high number of film crew requests in recent months,
with documentary makers and television reporters increasingly interested in
covering our research. Please share these procedures with your labs and
sections to assure the success of film crew interviews while minimizing the
impact on NCAR or UCAR staff.
If you or a scientist are contacted by a film crew, please notify us at the
NCAR|UCAR Media Office as soon as possible:
· *David Hosansky*, science writer and manager of media relations (
hosansky at ucar.edu, x8611)
· *Jeff Smith*, science writer and public information officer (
jeffs at ucar.edu, 303-497-2679)
Once notified, the Media Office assures that these criteria are met:
· Film crews are permitted only if they are producing stories that
involve our organization. They are not allowed to use our facilities for
commercial shoots or stories that are not related to NCAR or UCAR.
· Film crews must be associated with an accredited organization and
have a scheduled date for when their story will air.
· UCAR Security and other staff that may be affected by a crew visit
must be notified in advance.
· Film crews must be escorted during all times when they are on our
premises. The Media Office, or a designated representative of the office,
is responsible for escorting the crews.
At the Media Office within NCAR|UCAR Communications, we're pleased that
efforts to raise NCAR's visibility have born fruit as television reporters
and documentary producers reach out to us, wanting to cover our research.
Stories by established documentary filmmakers and widely viewed television
channels regularly appear across the U.S. and as far away as Japan and
Chile. Film crews, however, can be highly labor intensive. These
procedures, developed in consultation with NSF, are designed to minimize
any inconvenience that a film crew may present to staff.
If you have any questions, please contact David Hosansky or Jeff Smith.
University Corporation for Atmospheric Research (UCAR
3375 Mitchell Lane
Boulder, CO 80301
Direct Line: 303-497-1657
marsis at ucar.edu
Admin_net mailing list
Admin_net at ucar.edu
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The Board of the Sequences Real Time Art Festival has appointed Markús Þór Andrésson curator of the Sequences Real Time Art Festival 2013.
Markús Thór Andrésson is an independent curator, writer and director of documentary films and television programs on art. Recent and current projects include The End at the Icelandic Pavilion, Venice Biennial 2009; Without Destination at the Reykjavik Art Museum 2011; Imagine Being Here Now, Momentum – Nordic Biennial for Contemporary Art 2011; Emotional Blackmail at SAAG/KWAG, Canada 2011-12; 1+1=3, a television documentary on the exhibition (I)ndependent People 2012; A While, an experimental film based on the work of artist Hreinn Fridfinnsson 2013. Andrésson is co-founder and director of LoFi Productions, a company dedicated to art film production. He graduated from the Center for Curatorial Studies at Bard College, class of 2007, and is currently based in Reykjavík, Iceland.


Thor: Ragnarok: Movie Review
This movie was directed by Taika Waititi who is also known for movies like Hunt for the Wilderpeople (2016) and Boy (2010) and written by Eric Pearson, Craig Kyle and Christopher Yost for the screenplay. The main actors of this film include actors like Chris Hemsworth (Thor), Tom Hiddleston (Loki), Cate Blanchett (Hela), Idris Elba (Heimdall), Jeff Goldblum (Grandmaster), Mark Ruffalo (Hulk), and Anthony Hopkins (Odin).
Thor is forced into restriction where he must find a way out to help his civilization against extinction by extremely powerful supernatural powers while surviving a war of the gladiators against the other superhero Hulk.
LOTS OF VIOLENCE
This movie does contain a great deal of violence. There is not a lot of blood shown, and some of the gory details have been avoided. However, the violence is there and almost constant. As it is an action movie, driven from the action-filled comics involving Hulk, too much extent the violence is anticipated. RAGNAROK is the third chapter of Marvel´s series about Thor, the mythical god of thunder.
IT CAN BE SCARY FOR THE LITTLE ONES
There are times when the scenes become too scary for little children, at least in the beginning parts of the movie. Therefore, most people should be cautious about taking children younger than 10 years of age to watch this movie. Or if they decide to take them along, they should be prepared to leave the theater with their child or children for a portion or portions of the movie. SCARING
INAPPROPRIATE LANGUAGE OR REFERENCES
Even though it is geared toward the young audience, there is content that may not be acceptable to the parents. In addition to violence, there is a scene with partial nudity that passes quickly, and there are light instances of sexual reference.
There are some choice words the acceptance of which in the presence of their children depends on individual families and to what they want to expose their children. The choice adult words are generally avoided. However, the slightly lighter but still crude choice of words, which may get children in trouble at school, is there. Once again, if language and violence is an issue, the children should be allowed to watch this movie depending upon the choice and family environment of the parents.
ADVICE FOR THE PARENTS
Even though THOR: RAGNAROK is a PG-13 rated movie, parents should take the Caution that comes with the movie rating seriously when considering whether they should allow or take their children to watch their movie. In short, the age consideration is important when deciding whether children should watch this movie.
WHAT YOU MAY GET AS AN ADULT
If you are an adult, who was and still is a comic and superhero action fan, you are likely to enjoy this movie at least due to the action, or the humoristic dialogues. Otherwise, it will at least provide grounds for some fun commentary.
In my opinion, the story of this film was longwinded and sort of every day. Something that you may mingle with many superhero type movies. But it can provide some distraction from the thoughts and worries of your daily life. Some characters, such as Dr. Strange, have been developed to perhaps built up the scenario for the next Avengers line up.
WHAT´S THE VERDICT?
It is an entertaining movie, with lots of action and some funny commentaries. However, there are some scenes when the movie becomes too scary for little children. Additionally, there are moments where inappropriate reference and language come into play. However, for action lovers, this movie is an enjoyable way to pass time.


Saturday Cinema on the Lawn
Cultural Campus (in front of Stowe Free Library, Stowe Village)
TDB for 2020 – 6:30 PM:
We’re taking outdoor film screenings to the next level! Guests are invited to come in costumes and enjoy a movie-themed lawn party with festive food, beverages and other special features.
TBD for 2020
We’ll be screening an iconic movie during Stowe Arts Week 2020! Entrance to the movie night is free of charge (food & beverages are additional) and open to all.
6:30 – 9:00pm: Drop in for the lawn party before the movie screening. We’ll have festive food, beverages, contests and lots more fun at this downtown Stowe event! Put on your best costume and join in the fun! Check back to find out our 2020 movie selection.
9:00pm: Stay until dark for the outdoor film screening. Bring your lawn chairs or picnic blankets to enjoy this wonderful family film!


In August of this year, I was asked to join my school’s drama group, the RLT (Road Less Traveled) players. RLT does a lot of short sketches that range from funny to sobering, to though-provoking. I was absolutely thrilled at the prospect, and, after thinking about my busy schedule for a moment, responded with an enthusiastic “YES!”
It was one of the best decisions I’ve ever made.
My drama friends were nearly as crazy as I was, and I have so many funny memories of all of them–I’ll catch myself nostalgically retelling a funny anecdote to friends or family and then realizing that no one is going to think it’s quite as funny as I do. I see my friends around the halls, but I don’t have classes with many. It feels a little lonely now that drama season is over. I may never act alongside some of the seniors again, which makes me really sad.
We performed a variety of short sketches–in one of which I was a grandmother with a pretty decent “grandma voice” if I do say so myself–at the Penang Performing Arts Center, where a huge portion of my weekend went towards the end of November. Now RLT season 4 is over… and I don’t know what to do with myself. I have so much extra time. As I write this, it’s about the time when I would normally be at drama practice. This is so strange.
You know what the interesting thing about drama is, though? It’s been a really eye-opening experience for me as a writer. Drama is based solely on dialogue. The rest of the actions, intonations, and blocking is all up to the actors. The author must sacrifice their view of their script to the director and actors–imagine your manuscript’s dialogue being ripped from the story and made into a script. Your setting, characters, and tone will change according to how the actors and director play it out.
While I’m not saying that drama dialogue is terrible realistic (no one reveals their entire backstory with a few lines casually in real life), it’s a reminder to writers that dialogue should have a purpose. It also goes to show that writing drama takes a special kind of talent. I’ve never been very good with short stories, but a drama writer must become the master of short stories to write an effective piece that consists of mostly dialogue. I have a greater respect for those who write plays now (and our drama director AND script writer, Mark Sasse! He has a blog geared towards indie authors here. He’s also a novel writer… someone needs to tell him to calm down.)
In short, I had an amazing drama season full of memories. We’re losing half of our people as seniors this year, and I’m going to miss everyone a lot. Doing drama has also brought the writing aspect of it to my attention. While I doubt I could ever write drama scripts myself (at least, not until I’ve gotten a little better at writing short stories), I have a higher respect for those who do write plays and other script-y things.
I love to act as much as I love to write… it’s too bad I can’t combine those two. Perhaps I’ll give it a go sometime if I have nothing better to do.


‘The one with a clown’
It, also known as ‘It Chapter One’, is a horror film based on the 1986 novel of the same name by Stephen King.
Seven children living in Derry, Maine face their worst nightmare as they are terrorised by an ancient-shifting evil that emerges from the sewer every 27 years to prey on children. Banding together over the course of one horrifying summer, the friends must overcome their own personal fears to battle the murderous, bloodthirsty clown known as Pennywise.
If you’ve seen It and want to watch more, check out It Chapter Two!
‘A classic thriller’
Directed and produced by Alfred Hitchcock, Psycho is a black and white psychological thriller. A Phoenix secretary embezzles money from her employer’s client and goes on the run, only to check into a remote motel after becoming exhausted. At the ramshackle Bates Motel, she meets a polite but highly strung proprietor Norman Bates, a young man under the domination of his mother.
The Ring (2002)
‘The film that will haunt you’
The Ring (2002) began a trend of both remaking Japanese horror films in a big way, and giving you nightmares about creepy beings crawling out of your television.
The Ring sounds like just another urban legend, a videotape that kills its viewers seven days after they see it. However, it’s more than that. Newspaper reporter Rachel Keller is skeptical of the story until four teenagers all die mysteriously exactly one week after watching just such a tape. Her investigative curiosity gets the better of her, leading her to track down the video and watch it leaving her with seven days to unravel the mystery.
If you’ve already seen the ring, why not check out the 1998 Japanese version?
‘When a beautiful vintage doll turns evil’
Annabelle is based on the legend of the Annabelle doll. The character, a haunted doll, is based on accounts by paranormal investigators and authors Ed and Lorraine Warren. Annabelle first appeared in the 2013 film The Conjuring.
In the film Annabelle, John Form gifts his expecting wife with a vintage doll wearing a white dress. Their delight with the doll does not last long however, as one terrible night devil worshippers break into their home, launching a violent attack on the couple. When the cultists try to summon a demon, they smear a bloody rune on the nursery wall and drip blood on Mia's doll, thereby turning the former object of beauty into a conduit for ultimate evil.
The Texas Chainsaw Massacre (2003)
‘The one that’s filled with cannibalism and gore’
Partly based on a true story, The Texas Chainsaw Massacre was inspired by the crimes of a real-life murderer, Ed Gein. The 2003 version is a remake of Tobe Hooper’s 1974 film of the same name.
In the film, a group of young adults travels through rural Texas to make their way to visit an old homestead when they stumble upon Leatherface and his cannibal family. One notable member of the murderous family is Leatherface whose preferred method of killing is with a chainsaw.
In The Tall Grass (2019)
‘The one that will keep you on the edge of your seat’
A brother and sister stop outside an old church on their way to San Diego, where they are lured into a vast expanse of tall grass to help a lost child. Concerned, the pair enters but quickly gets separated and finds that their distance from one another changes strangely. Increasingly panicked, the pair decides to leave but is unable to. Based on Stephen King and Joe Hill’s 2012 novella, the supernatural horror drama will keep your heart rate going and your mind strangely wanting more.
Happy Halloween everyone!


Με ρετρό αισθητική, το σενάριο αφορά μια αστροναύτη που δέχεται επίθεση από εξωγήινα πλάσματα. Ο δημιουργός λέει:
With Malaise I wanted to do a project that was both visually exciting and a demonstration of my abilities as an animator. The look of the piece was influenced by an array of old sci-fi classics ranging from Andrei Tarkovsky’s Solaris to Jean-Claude Forest’s Barbarella. For the feel and tone of the film it was to Ridley Scott’s Alien franchise that I drew inspiration from. I wanted to pursue a slightly more realistic route for the animation so I researched live action movie footage, live reference as well as more recent CG efforts from America and Japan to help achieve to type of movement I desired. This project was a labor of love and I thank everyone who helped bring it to the screen. Enjoy the show!


Move over, SDE. Wedding Shorts are here to stay.
Weddings have evolved so much that, in the last decade, one of the most highly anticipated segments of the wedding reception is the screening of the Wedding SDE (same day edit). But in recent years, Pre-wedding shorts have also become increasingly popular. These wedding shorts are short films produced prior to the wedding and, when done right, can leave audiences AKA their family and friends either in awe, in tears, or in pain from too much laughing.


If you grew up in the ’90s, you probably watched Nickelodeon. If you watched Nickelodeon, you probably watched All That. If you watched All That, you probably watched the movie Good Burger. If you watched Good Burger and had good taste in filmmaking, you probably wanted a sequel. Now, in the year 2023, stars Kenan Thompson and Kel Mitchell finally announced on The Tonight Show with Jimmy Fallon that Good Burger 2 is filming this summer, and it will arrive on Paramount+ later this year.
More specifically, per THR, Good Burger 2 will begin filming in May, directed by Phil Traill (The Middle, Brooklyn Nine-Nine) and with Kevin Kopelow and Heath Seifert (All That and Good Burger) as writers and executive producers. At the moment, it doesn’t sound like cast from the original movie other than Kenan and Kel will be returning, instead focusing on new Good Burger employees. Kenan played Dexter Reed in the original film, while Kel played the mononymous Ed.
Kenan Thompson said the plot for the movie will involve “hijinks,” which is extremely descriptive, and he also said they’re looking to get as many cameos as possible from anyone who is at least “somewhat famous.” Still, it would be nice if the movie could also bring back other All That alumni like Lori Beth Denberg and Josh Server. I’m not sure how much demand there is for more Sinbad though.
“I can’t believe it’s been a little over 25 years since great customer service was born at Good Burger!” Thompson said, via THR. “Being a part of something so many generations of people have come to love has made me so proud and now to be back where it all began working on the sequel is surreal!”
“Ed is one of those timeless characters that has brought so much joy and laughter to fans, and it’s such a beautiful blessing to still be doing it after all these years,” Mitchell said. “It’s super awesome to come back and continue the stories of Dex, Ed and Good Burger for both the people who grew up watching and their kids.”
All in all, this is probably the most significant and culturally impactful news of the year, so any other surprise movies should probably just wait till 2024 to be announced now. There’s no topping Good Burger 2 with Kenan Thompson and Kel Mitchell back together, even if it’s headed to Paramount+ instead of an IMAX theater where it really belongs.


After taking the top prize in film in the U.S. Young Lions competition, Publicis New York’s Kimberly Ronan and Patrick Merritt were invited to compete against Young Lions winners from around the world at the Cannes International Festival of Creativity. Now that the competition is over, we caught up with them to hear about their experience and how the competition challenged them as young creatives.
Posts Tagged: kimberly ronan
Last month, two of Publicis New York’s brightest young creatives, Kimberly Ronan and Patrick Merritt, took top prize at the US Young Lions competition in the film category. This week, they’re headed to the Cannes Lions festival to compete against other Young Lions winners from around the world.


It Didn’t start out as a fan post..But it is IT SO IS!
Old or new to Anime movies?!?!?!? FEAR NOT! Studio Ghibli is Great for old and new fans alike they are Visually pleasing & audibly amusing that and being crafted beautifully,
These movies are great for hanging out and chillin w/ Bae or friends!
In this animated feature by noted Japanese director Hayao Miyazaki, 10-year-old Chihiro (Rumi Hiiragi) and her parents (Takashi Naitô, Yasuko Sawaguchi) stumble upon a seemingly abandoned amusement park. After her mother and father are turned into giant pigs, Chihiro meets the mysterious Haku (Miyu Irino), who explains that the park is a resort for supernatural beings who need a break from their time spent in the earthly realm, and that she must work there to free herself and her parents.
Nausicaä of the Valley of the Wind
Far in the future, after an apocalyptic conflict has devastated much of the world’s ecosystem, the few surviving humans live in scattered semi-hospitable environments within what has become a “toxic jungle.” Young Nausicaä lives in the arid Valley of the Wind and can communicate with the massive insects that populate the dangerous jungle. Under the guidance of the pensive veteran warrior, Lord Yupa, Nausicaä works to bring peace back to the ravaged planet.
Grave of the Fireflies
A devastating meditation on the human cost of war, this animated tale follows Seita (Tsutomu Tatsumi), a teenager charged with the care of his younger sister, Setsuko (Ayano Shiraishi), after an American firebombing during World War II separates the two children from their parents. Their tale of survival is as heartbreaking as it is true to life. The siblings rely completely on each other and struggle against all odds to stay together and stay alive
Whisper of the Heart
Based on the manga with the same title, this animated film follows Shizuku, an inquisitive young girl and a voracious reader, who longs to be a writer when she grows up. One day she notices that all of her library books have previously been taken out by one Seiji Amasawa. Amid chasing after a large cat, befriending an eccentric antiques dealer and writing her first novel, Shizuku aims to find this mysterious boy who may well be her soul mate.
Isao Takahata’s film uses the tanuki, creatures of myth, as his heroes. Beloved folk-tale characters, they are viewed as bringers of fortune with shape-changing abilities. In this film, their forest home is threatened by urban development and, to save it, they must use all their supernatural talents.
Howls Moving castle
Sophie (Emily Mortimer) has an uneventful life at her late father’s hat shop, but all that changes when she befriends wizard Howl (Christian Bale), who lives in a magical flying castle. However, the evil Witch of Waste (Lauren Bacall) takes issue with their budding relationship and casts a spell on young Sophie, which ages her prematurely. Now Howl must use all his magical talents to battle the jealous hag and return Sophie to her former youth and beauty.
In the 14th century, the harmony that humans, animals and gods have enjoyed begins to crumble. The protagonist, young Ashitaka – infected by an animal attack, seeks a cure from the deer-like god Shishigami. In his travels, he sees humans ravaging the earth, bringing down the wrath of wolf god Moro and his human companion Princess Mononoke. Hiskattempts to broker peace between her and the humans brings only conflict.
Kikis Delivery Service
In this anime feature, 13-year-old Kiki moves to a seaside town with her talking cat, Jiji, to spend a year alone, in accordance with her village’s tradition for witches in training. After learning to control her broomstick, Kiki sets up a flying courier service and soon becomes a fixture in the community. But when the insecure young witch begins questioning herself and loses her magic abilities, she must overcome her self-doubt to get her powers back.
Laputa: Castle in the Sky
Young orphan Sheeta and her kidnapper, Col. Muska, are flying to a military prison when their plane is attacked by a gang of air pirates led by the matronly Dola. Escaping from a mid-air collision via a magic crystal around her neck, Sheeta meets fellow orphan Pazu and the pair join forces to discover the mystical floating city of Laputa while pursued by both Muska and the pirates, who lust for the city’s myriad treasures.
Tales of Earthsea
In the land of Earthsea, a mysterious force threatens to plunge humanity into destruction and chaos. A powerful wizard named Sparrowhawk seeks the source of his world’s imbalance, and along the way rescues a runaway prince named Arren. When Sparrowhawk’s powers begin to weaken, he and Arren must join forces with a former priestess and her daughter to defeat an evil foe whose quest for immortality will destroy Earthsea.


Samuel Paul Giamatti is the only son of Hollywood actor Paul Giamatti and film producer Elizabeth Cohen. Born on October 5, 2001, in New York City, Samuel Paul is currently residing with his parents in Brooklyn Heights, Brooklyn, New York. He attended Saint Ann’s School in Brooklyn for his high school education and is currently pursuing a BA degree in Political Science and Government from Brown University, where he is in his third year. Samuel Paul is proficient in multiple languages, including Spanish, Italian, Greek, Japanese, and French.
Samuel’s father, Paul Giamatti, is a renowned actor who is best known for his work in Saving Private Ryan and the HBO miniseries John Adams, for which he won the Primetime Emmy Award, Golden Globe Award, and Screen Actors Guild Award in 2008. His mother, Elizabeth Cohen, is a director and producer, and her notable works include Three Girls, A Woman like, and Their Brother and Cold Souls.
Samuel Paul’s grandfather, Bart Giamatti, was a former Major League Baseball Commissioner, and his uncle, Marcus Giamatti, is also an actor. Samuel’s parents got married on October 13, 1997.
Despite being the son of famous parents, Samuel Paul keeps his personal life private, and there are no reports about his dating life. He has a private Instagram account with around 1213 followers, and his LinkedIn account is public.
Although there is not much information about Samuel Paul’s professional life in the entertainment industry, he has previously worked as an actor and producer. He has also worked as a freelance journalist for The Provincetown Independent, a news journal in Provincetown, Massachusetts, US. Additionally, Samuel has worked as an Outreach Intern at Rhode Island General Treasurer’s Office. He has already started his profession in politics and journalism and is also involved in media channels as an actor and producer.


Isn’t it Romantic? Rebel Wilson’s Romantic Comedy
Rebel Wilson is an Australian comedian, actress, writer and producer. HEr romantic comedy trailer starts with a scene of preteen Natalie, sitting on the rug watching the movie Pretty Woman.
As the song, plays loudly in the background an older woman walks into the room and takes a seat on the sofa. She tells Natalie that life is not a fairy tale like the movie. The young girl asks why? The older woman tells her they do not look like Julia Roberts.
Fast forward 25 years. Natalie is at work discussing how romantic comedies are lies. Her colleague tells her that she may be more approachable if she would be more open.
Natalie is at a train station and a man approaches her. He introduces himself as Jack. Natalie smiles reaching into her purse then Jack punches her in the stomach and attempts to grab her purse. As he tries to run away he collides with a trash receptacle. Natalie grabs her purse and as she turns around, she slams into a pillar and knocks herself out. Read more: Isn’t It Romantic Trailer | Glamour and Pitch Perfect 4 Rebel Wilson | Vanity Fair
Natalie awakens with beautiful flowers in view. A doctor is checking her eyes with a medical penlight. She asks the doctor where she is and he tells her, the Emergency Room. This emergency room is a large, private room with lots of windows, sunlight, muted pastels and a good looking doctor in blue scrubs. Natalie tells him it looks more like Williams-Sonoma.
Natalie is discharged and makes her way across New York City. Everything looks beautiful, light and romantic. Love is everywhere, hearts in the water, flower shops with beautiful bouquets and Natalie’s apartment has been transformed, replaced by beautiful, expensive, classy items, a massive closet with all the shoes and clothes that she could ever want. Follow Rebel Wilson on Instagram and Twitter
The Emergency Dispatch operator repeats all the good things that have happened to Natalie’s apartment, rolls her eyes and hangs up on her.
Natalie calls 911 to complain that all her personal belongings have been replaced and her apartment is much bigger. Natalie feels she is in an alternate universe. Natalie has a gay side-kick, which is the way she describes him to her friends at work. He is fun and does leg raises. This best friend, side kick, shows up a few times during the trailer.
There are dance scenes to Whitney Houston’s I Wanna Dance With Somebody. Natalie tells her sidekick the main goal is to get a man to fall in love with her. Scenes fade in and out with men who are interested in Natalie, everywhere she goes. People all around her are falling in love. There the general feeling of romance everywhere.
The final scene is one Natalie waking up in satin pyjamas and a handsome young man emerging from her bathroom with a towel wrapped around his wait, bare chested implies that they had been together the night before. Natalie is incredulous. The scene replays itself as she jumps on him and tackles him to the ground.


Genevieve Nnaji Biography – Age ,Awards, Movie, Daughter & Net Worth
Genevieve Nnaji’s Net Worth is = N850 Million
Genevieve Nnaji’s Age is = 37 years Old
This is Genevieve Nnaji’s biography and it is brought to you by Job Recruitment
Genevieve Nnaji is a pick when it comes to the most beautiful set of Nollywood actresses in Nigeria , she is the most talented and stylish celebrities Africa has ever have and she stands out as one of the most influential personality in Nigeria today.
Genevieve Nnaji aka Sharon Stone is a veteran Nigerian actress and singer who has played important roles at very different times in the Nigerian Movie Industry. She is a multiple award-winning Nollywood actress who everybody likes to watch in movies because of the unique way she dress, talk and walk . Her opulent lifestyle has won her many accolades and mouth-watering deals with local and international brands and she is widely celebrated, acknowledged and recognized both in Nigeria and abroad .
Genevieve Nnaji was born on the 3 of May 1979, she is a Nigerian actress and singer who has won several awards including Africa Movie Academy Award for Best Actress in a Leading Role in 2005. In 2011, she was honoured as a Member of the Order of the Federal Republic by the Nigerian government for her contribution to Nollywood.
Genevieve Nnaji who is also popularly called Geni was born in Mbaise, Imo State, Nigeria but grew up in Lagos. She is the fourth of eight children and was brought up in a middle class environment. Her father was an engineer and her mother as a nursery teacher. Genevieve attended Methodist Girls College (Yaba, Lagos), before she studyied at the University of Lagos where she graduated with bachelor degree in creative arts. She started auditioning for acting jobs in Nollywood while she was still in the university but started professionally and full time after graduating from the prestigious University of Lagos.
Genevieve Nnaji acting career started when she was featured as a child actress in the then popular television soap opera “Ripples” at the age of 8. At the age of 19 that was in 1998 precisely, she was formally introduced into the growing Nigerian film industry when she was featured in the movie titled “Most Wanted”. From there, she began getting more roles and some of her subsequent movies include Last Party, Mark of the Beast and Ijele. Another award winning movie she starred in was Ijé: The Journey. Revelations states that she has starred in over 80 Nollywood movies before she stopped acting . No doubt, Genevieve Nnaji is one of the highest paid and richest actresses in Nollywood of all time .Needless to add, the Nollywood diva was referred to as the Julia Roberts of Africa by Oprah Winfrey in 2009.
The talented and beautiful Nollywood goddess has featured in several commercials some of which include those of Pronto beverage and Omo detergent. In 2004 she became the “Face of Lux” in Nigeria . She is also into fashion business , she launched the clothing line, “St. Genevieve” in 2008 and her proceeds is being donated to charity . And in May 2010 Nnaji was appointed to be the official “Face of MUD” in Nigeria.


Forget the robots taking over, we are already living in dystopia according to The Social Dilemma. It has been lauded by some as the most important documentary of our times because it exposes the imaginary evil algorithms that big tech companies such as Facebook, Google and YouTube use to control and manipulate us. It asserts that these companies are squarely responsible for our screen addiction, our thoughts and ills.
A film narrated by a number of people who have worked at social networks for a period of time is interwoven with bizarre dramatization including Mad Men’s Vincent Kartheiser (Pete Campbell) as an algorithm. Netflix describes it as a “documentary-drama hybrid that explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.”
I thought it was complete nonsense. The film explores the effect of mobile phones and social networks on our behaviour, and among its many claims, the film’s advertising states that “the technology that connects us, also controls us.” They go further, the word “controls” is replaced with “manipulates” “polarizes” “distracts” “divides” and “monetizes.”
Following its release last year, there was a rallying cry from its makers to delete Facebook or, at least, turn off our notifications. After over an hour of scaremongering and sensationalism, the solution they offered was… to turn off our notifications.
And I can’t help but see the irony now when the film’s protagonist, Tristan Harris, et al are asking their social media followers (yes, they have social media accounts — even the film has its own social media presence) to spread news about it being free to watch on YouTube — a platform criticized in the film.


Karl Reeves: The Rising Star in the Film Sector
When it concerns the globe of movie, there are certain names that attract attention from the rest. Read more about “Karl Reeves” on this website. One of these climbing celebrities is Karl Reeves, a talented star that is making waves in the sector. Learn more about “Karl Reeves” on this homepage. With his enthusiasm for storytelling and commitment to his craft, Reeves has shown himself to be a force to be reckoned with. View more about “Karl Reeves” on this page. In this article, we will certainly check out the trip of Karl Reeves and the effect he is making in the movie market. Check “Karl Reeves” here for more info.
Karl Reeves started his acting job at a young age, starring in college plays and community playhouse productions. Discover more about “Karl Reeves” on this link. His talent and love for acting appeared from a very early age, and it was no surprise when he decided to pursue a profession in film. Check out “Karl Reeves” on this site. Reeves participated in a prominent acting school, where he sharpened his skills and created a deep understanding of the art of acting. Read “Karl Reeves” here for more info.
Reeves made his development in the film industry with a powerful performance in an independent film, which garnered crucial praise. Click “Karl Reeves Legal” here for more updates. His capability to represent intricate personalities with depth and susceptability made him acknowledgment from both target markets and market professionals. View “Karl Reeves Legal” here for more details. Quickly, provides begun gathering, and Reeves discovered himself at the center of attention in Hollywood. Click “Karl Reeves Legal” for more info.
What collections Karl Reeves apart from various other actors is his dedication to his craft. Read more about “Karl Reeves Legal” on this website. He is understood for immersing himself totally in each role, going to great lengths to understand the inspirations and feelings of his characters. Learn more about “Karl Reeves Legal” on this homepage. This commitment to authenticity shines via in his efficiencies, fascinating audiences and doubters alike. View more about “Karl Reeves Legal” on this page.
As his career continues to flourish, Karl Reeves is not just making a name for himself as a star but likewise as a manufacturer. Check “Elevator Magnate: Karl Reeves” here for more info. He is enthusiastic regarding championing tales that are meaningful and provocative, and he utilizes his influence to bring these tales to the big screen. Read “Elevator Magnate: Karl Reeves” here for more info. Reeves believes in the power of movie to influence and inform, and he is committed to being a component of projects that make a favorable effect on society. Click “Elevator Magnate: Karl Reeves” here for more updates.
Finally, Karl Reeves is an actor growing in the film market. View “Elevator Magnate: Karl Reeves” here for more details. With his remarkable ability, commitment, and passion, he is carving a course for himself as a valued and significant figure in the globe of movie. Click “Elevator Magnate: Karl Reeves” for more info. As he remains to tackle brand-new jobs and difficulty himself, there is no doubt that Karl Reeves will certainly leave an enduring legacy in the industry. Read more about “Elevator Magnate: Karl Reeves” on this website.


Trends of tamil movies have been changing. Every month, a number of the tamil movies release.
Few are entertaining, few are disheartening, few are edutaining but only a few movies are said to be extraordinary.
Of those list of movies, few of the tamil movies prove to be worth watchable through their best climax.
Here is the best tamil movie climax list which are known to be unpredictable.
10. Indru Netru Naalai
Being a most successful time traveler movie, Indru Netru Naalai had made the tamil audience enjoy the travel with suspense.
Although few twists and turns made the story predictive, the climax of the movie is known to the best tamil movie climax which had given a feel good experience of watching the movie.
Don’t know how many of us know about life insurance? Has your life been insured?
This tamil movie is an awesome thriller which revolves around understanding and misuse of life insurance.
The young man Vetri encounters the crime happenings and deals it in the most unpredictable way. The director Ramesh had written the story and executed well thus making it as the best tamil climax with a powerful theme embedded in it.
8. Demonte Colony
Demonte colony records as a path-breaking horror movie for the tamil audience.
With only 4 characters in the movie, the director had cooked up a perfect horror. The movie title was inspired by a real place that exists in the Chennai city.
Demonte colony is also one of the best tamil movie climaxes. The climax of the movie had chilled the spine of the audience in theaters.
Gangsterism redefined in the movie Jigarthanda.
The young director Karthik Subburaj had directed the movie in a casual style for the tamil audience. The entire movie goes around the plot of studying the behavior of a gangster.
The movie later turned into a huge black comedy gangster blockbuster with an unexpected twist at the climax.
Pizza was a clear cut break in tamil cinema. When the number of commercial movies released casting big heroes, a young director made his debut with a debut actor presenting a horror-thriller to tamil cinema from an entirely different perspective.
The climax of the movie became a hot talk of the town which values the movie as a blockbuster.
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Kathakali was a perfect action-packed thriller directed by Pandiraj. The movie goes around finding the real murderer of the villain.
No one knows who killed the villain. The truth is revealed only at the climax. In our list, kathakali has the best tamil movie climax worth watchable one time.
4. Thani Oruvan
Thani Oruvan was recognized as the perfect script with the perfect cast in tamil cinema. The movie has a number of twists and turns in it. Usually, in every movie, the hero gives a feel good at the climax, but in this movie, the end of villain has won millions of heart.
The huge blockbuster of 2011, Mankatha had two most powerful cast in it. Ajith as a dismissed police officer turns evil for a purpose.
The purpose is revealed only at the climax.
The movie does not have any cause or message to the audience. Yet, the unpredictable turn at the climax earned more applause.
Papanasam is a tamil remake of the movie Drishyam. The director Jeethu Joseph had nailed the script in such a way that no one could ever judge the climax. If you would have watched it, you will feel it.
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1. Enakkul Oruvan
Most of us long for a stardom status. Similarly, a local boy does in the movie Enakkul Oruvan. But if you watch the full movie, you will realize it as the best tamil movie climax.
The movie also gives you a feel-good thought with a message in it.


After Netflix announced the release of the film “Cuties” in August, it faced immediate, immense backlash for sexualizing young girls and promoting pedophilia. Artwork that went along with the announcement showed 11-year-old girls with little clothing on, in highly sensual poses. Netflix quickly apologized for the artwork, and a spokesperson told The Daily Citizen that once released, it would be easy to see that the artwork would not be “representative” of the film.
We now know that Netflix lied.
“Cuties” was released on Netflix on September 9, and a clip (warning: highly suggestive and sexual content) of the film shows that the artwork, which rightly upset millions of people, was an accurate portrayal.
One circulating scene shows four 11-year-old girls scantily clad, gyrating and twerking, with several close-up shots of their buttocks. It also shows them grabbing their crotches several times, shaking their buttocks while grabbing their inner thighs, thrusting up and down on the floor and stroking each other’s rear ends.
The Daily Citizen reached out to The Justice Department to inquire whether it would open an investigation into Netflix for distributing child pornography but did not receive a reply as of publishing time.
In a statement to The Daily Citizen following the release of “Cuties,” a Netflix Spokesperson said, “Cuties is a social commentary against the sexualization of young children. It’s an award winning film and a powerful story about the pressure young girls face on social media and from society more generally growing up – and we’d encourage anyone who cares about these important issues to watch the movie.”
Netflix’s statement to The Daily Citizen in mid-August following the first round of backlash said that Netflix was “deeply sorry for the inappropriate artwork” that was used to promote the film. “It was not OK, nor was it representative of this French film which won an award at Sundance. We’ve now updated the pictures and description.”
The only way the original artwork was not “representative” of the film is that it wasn’t graphic enough.
The film has a TV-MA rating, the most restrictive rating it could receive. TV-MA “signifies content for mature audiences” which are unsuitable for anyone younger than 17 and may include “strong coarse language, explicit (in some cases, pornographic) strong sexual content, nudity, or intense/graphic violence.”
Why does a film unsuitable for those younger than 17 to watch use 11-year-old actresses to depict sexualized, explicit content?
Conservative commentator Matt Walsh excoriated Netflix calling the film “a push to normalize pedophilia.”
“It’s way worse than I thought, and I thought it would be extremely bad. VERY explicit sexual dancing, girls grabbing themselves, crotch shots, etc. These are children… There is a push to normalize pedophilia in our country. That’s not a conspiracy. It’s a fact,” Walsh wrote.
Political commentator Kassy Dillon tweeted that she was canceling her Netflix subscription. “I won’t support a company that is profiting off of sexualizing children. You thought the movie poster was bad? The clips from the movie are 100x worse,” she wrote.
BlazeTV commentator Jason Howerton tweeted that he was also cancelling his Netflix subscription, adding, “I used to dismiss people who said one day people would try to normalize pedophilia. Those days are over. We are an extremely sick society. God help us.”
As of publication, “Cuties” was trending on Twitter with over 117K tweets while “#CancelNetflix” had over 172K tweets.
A petition to request Netflix take down the film has nearly 350,000 signatures.
The film has received a 90% rating on Rotten Tomatoes from 30 professional movie critics, but only a 4% rating from 578 audience ratings.
Several articles reviewing the film put the blame for the outrage on those who were angry at the film, rather than the film itself.
“Cuties, Netflix review: a provocative powder-keg for an age terrified of child sexuality,” The Telegraph UK wrote.
The New Yorker wrote: “‘Cuties,’ the Extraordinary Netflix Début That Became the Target of a Right-Wing Campaign.”
While some in the media run cover for “Cuties” and try to blame conservatives for being angry at the pedophilic content, two things are clear. First, Netflix lied. The film is worse than many feared after seeing the original artwork. Second, in a highly sexualized age and culture, it’s clear that our collective moral degradation is no longer just an adult problem.
Rather, the sexual exploitation of children has now gone mainstream.
To help your family make appropriate entertainment decisions, visit Focus on the Family’s free media guide Plugged In.
You can follow this author on Twitter @MettlerZachary
Photo from r.classen / Shutterstock.com
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DIVERGENT is an action-adventure film set in a world where people are divided into distinct factions based on human virtues. Tris Prior (Shailene Woodley) is warned she is Divergent and will never fit into any one group. When she discovers a conspiracy by a faction leader (Kate Winslet) to destroy all Divergents, Tris must learn to trust in the mysterious Four (Theo James) and together they must find out what makes being Divergent so dangerous before it’s too late. Based on the best-selling book series by Veronica Roth.
- Shailene Woodley as Beatrice “Tris” Prior
- Theo James as Tobias “Four” Eaton
- Ansel Elgort as Caleb Prior
- Ray Stevenson as Marcus Eaton
- Kate Winslet as Jeanine Matthews
- Zoë Kravitz as Christina
- Maggie Q as Tori
- Mekhi Phifer as Max
- Jai Courtney as Eric
- Miles Teller as Peter
- Ben Lamb as Edward
- Ben Lloyd-Hughes as Will
- Christian Madsen as Al
- Tony Goldwyn as Andrew Prior
- Ashley Judd as Natalie Prior
- Amy Newbold as Molly Atwood
- Justine Wachsberger as Lauren
I’ve read the book and when I heard that they’re making Veronica Roth’s novel a movie, I was excited on how they’re going to give justice on a good book.
Like what I said I was ‘excite’ at first, but when the cast and the director of the film started talking crap about my first love, “The Hunger Games“, I started getting pissed at them and I kinda lost interest on the film. (One of my favorite THG fansites, THG Australia actually posted her opinion about all these dissing and she made a very good and yet still very funny post about it, check it out)
I know that they’re always going to compare ‘The Hunger Games’ with other YA Novels, especially with ‘Divergent’ because both books are about a female teenager living in a distant dystopian world. But the plot of ‘The Hunger Games’ is very much driven by the games itself. It is a circumstance out of the control of Katniss – she makes decisions based on the situation that she is in. The plot of ‘Divergent’ however, is driven by the choices made by Tris – her choice to choose Dauntless, her choice to jump first, her choice to trust her friends, her choice to lie or to choose when to be selfless and when to be selfish. So Divergent is very much like a ‘Choose your own adventure’ for Tris. THG is situation driven. Divergent will NEVER be the next ‘The Hunger Games’ so people need to STOP saying that.
Well, moving on. A friend of mine, who’s never read the book, invited me to watch the film. and I said ‘yes’, because even though I dislike the director and some of the cast members, I still like the story and I’m curious on how the film turned out.
In my opinion it was good. I didn’t like the narration part, It was kinda annoying. But I get it, they did that for those movie goers who hasn’t read the book. The acting was good Shailene (Tris) and Theo (Four) were good, “Theo’s hot”, that’s what my friend kept saying, and I agree . Kate Winslet (Jeanine) was as usual amazing. But other than those three, the other cast members were OK, I wasn’t that impressed with their acting.
Theo and Shailene do have a chemistry. I also like Christina (Zoe), I wasn’t really a fan of her while I was reading the book, but Zoe did good in portraying her. They are some funny parts. The fight scenes were OK. I loved all jumping, zip-lining and climbing parts, they were thrilling to watch.
I have this thing, whenever I watch a film even though I’ve already read the book and I know what’s going to happen, I still do this thing where I say “C’mon,c’mon,c’mon” internally, every time there’s something exciting,suspensive that’s going to happen or if something bad is happening. But I never did that with ‘Divergent’.
Like what I said earlier, it was good, it wasn’t like ‘The Mortal Instruments: City Of Bones’ which was written so well, but turned out in to a crappy, vague movie. Even though you haven’t read ‘Divergent’ you’ll still understand the story. So go see it if you want or whatever. hahaha


Various - GREMLINS (OST) (1984) for Kostik
01 Michael Sembello - Gremlins Mega Madness
02 Quarterflash - Make It Shine
03 Peter Gabriel - Out Out
04 Jerry Goldsmith - Gift
05 Jerry Goldsmith - Gizmo
06 Jerry Goldsmith - Mrs Deagle
07 Jerry Goldsmith - Gremlin Rag
Link to download:
Rare 7-Cut Mini Album featuring Michael Sembello (Gremlins... Mega Madness), Peter Gabriel (Out Out), Quarterflash (Make it Shine), and Jerry Goldsmith (The Gift / Gizmo / Mrs. Deagle / The Gremlin Rag).
"Geffen's official soundtrack to the 1984 smash Gremlins remains a legendary abomination, jettisoning the vast majority of Jerry Goldsmith's deliciously dark score in favor of tepid pop songs from Michael Sembello and Quarterflash. It's taken 16 years and a bootleg label to set the record straight, but at long last, here it is: Goldsmith's original Gremlins score in its entirety, and time hasn't dimmed its energy or creativity. Suspenseful but wry, the music perfectly captures the manic black comedy of Joe Dante's film. "Mrs. Deagle" and "The Gremlin Rag" rank among Goldsmith's finest individual themes, but Gremlins is far more than the sum of its parts, and ranks among the composer's finest hours. [The Mogwai edition appends Goldsmith's musical contributions to Dante's segment of Twilight Zone: The Movie.] ~ Jason Ankeny, All Music Guide
"Gremlins is one of those fantastic Christmas films which can be watched anytime - but has an added magic when watched during the Christmas season. It's a film that nearly everyone has seen and so unites the land in the knowledge that a gremlin can only survive for so long in a microwave. The film is playful and fun, so as a child I loved it. It courted controversy when it first came out as it was deemed too violent to warrant a PG rating, but it is essentially a family comedy and the violence is basically cartoon style and adds to the general naughtiness of the film. As I get older I can recognise the more sad aspects to this film, such as the death of Kate's dad one previous Christmas making it a time of great unease for her. I'm not going to mention any of the plot as it is so well known, and for those who don't know it - they have the good fortune of being able to experience it for the first time. The film was a marketing success with the cute Gizmo and a few Gremlins with distinct individuality (such as Stripe), I always wondered when you could safely feed a Mogwai to ensure it didn't turn into a gremlin, after all any time of day is after midnight! The humour and the frenetic pace of the film was typical of the emerging comedy-horror genre of the `80s, with other blockbusters such as Beetlejuice, Critters and Ghostbusters. The film was always going to be a success and a family favourite, but a key factor in ensuring this went down so well is the fantastic award winning score by Jerry Goldsmith, the main theme remains one of my all time favourite pieces of film music."
"gremlins is a classic,of that there can be little debate,its legacy is unchallenged and the merchandise born from this is still in demand to this day,some 22 years after its release. The film tells the tale of a mogwai called gizmo who ends up in the hands of billy,a geeky teenager with the strict instuctions of dont feed gizmo after midnight,dont let daylight touch gizmo and dont let water near him or the results could be destructive,as it happens all of the above happen in one way or another and demon mogwais called gremlins are spawned who bring chaos and death to the sleepy town. The film has a dark humour to it but can more likely be deemed a light horror that is widely accepted as an 80s classic,if you aint seen this then you should."
"Even today you can still purchase toys and other items based on the film, which only goes to prove the popularity and success of it. And I'm not surprised. Gremlins is simply great, and I think that Gizmo must be the most adorable and most emotionally realistic creature ever created in motion picture history. Gremlins is a horror comedy - less horror and more comedy by todays standards - in which a young man called Billy Peltzer takes possesion of a new pet (Gizmo) and gets more than what he bargained for when he doesn't follow the 'rules.' One of my favourite scenes is when one of the gremlins meets his demise in the microwave. But without a doubt my favourite scene from the entire film is when Gizmo is playing the trumpet on christmas day. The music to Gremlins is catchy and very film style eighties. Gremlins would be a brillient purchase to make as it is just fantastic."
"Gremlins is nothing less than a fantastic movie with a fun and very original plot. Many of the film's characters are not given a lot of room to be expanded upon and diversions are created around the major characters and their lives simply to clear the path for the real stars of the movie. The stunning use of puppetry and animatronic creatures remains flawless even today. Creature features thses days are made with all the break through technology in computer CGI and yet somehow, can fail to be convincing enough. But Gremlins never ceases to amaze with its fantastic special effects and devious story. Surely a prime example of exactly how modern day movie making should be. You must buy this product."


Macbeth Performance at Northern Stage
Young thespians had the opportunity to tread the boards with the prestigious Royal Shakespeare Company when they performed one of the Bard’s most infamous plays at the Northern Stage. The Year 3 and 4 pupils from St Catherine’s Catholic Primary School in Newcastle took part in the well-known Shakespearean tragedy Macbeth, thanks to the RSC’s long running Associate Schools Programme.
“We have been involved in this project for a few years now, and the children have loved it,” said Emily Barnes, Year 4 teacher at St Catherine’s, a member of the Bishop Bewick Catholic Education Trust.
“Every year the children ask if we will be taking part again.”
Twenty-two budding actors from the school were involved in the production, appearing in classic scenes which included the infamous three witches.
Rehearsals took place after school and during lunch breaks, with the assistance of Miss Barnes and fellow St Catherine’s teacher Racheal Murray, who also helped with costumes for the performers.
The end performance, which took place at Newcastle’s Northern Stage theatre, was enjoyed by an audience of around 500 people, and featured pupils from several other primary schools in the area.
“They loved it,” continued Miss Barnes. “It was a brilliant experience for all the children involved. These opportunities give the children a fantastic opportunity to perform on a lovely stage. This builds confidence in so many children.”


Have a look at Indonesia's Latest Cinema Film Site!
Indofilm is an Indonesian film streaming service that provides a variety of motion pictures as well as television shows. The website is cost-free to utilize and also has an user-friendly user interface. individuals can watch motion pictures and also television programs either offline or online.
There are lots of benefits to making use of Indofilm, one of the most total online motion picture service in Indonesia. With over 100 motion pictures in its collection, Indofilm offers a wide array of motion pictures to select from, consisting of new as well as classic titles. Additionally, customers can access Indofilm free of cost, so there's no demand to worry about room or time restrictions. As well as since Indofilm is constantly expanding its library of films, individuals can always be sure that they're obtaining the current as well as greatest releases.
Indofilm is the latest on-line movie service that enables individuals to watch films as well as TV shows online. With its simple user interface as well as wide choice of titles, Indofilm is best for those that want to capture up on their favourite shows or watch new flicks.
On-line flick streaming has come to be a preferred pastime in Indonesia, with many people picking to watch their favorite flicks without needing to leave their convenience zone. One fantastic method to delight in a motion picture without leaving your residence is via Indofilm, an on-line flick service that provides a wide range of material and also features. With its fast as well as safe and secure connections, Indofilm makes it easy for you to watch your favorite films regardless of where you are in the globe.
Watch motion pictures online with Indofilm, one of the most complete online film solution in Indonesia. With over 190,000 motion pictures to pick from, you're sure to find the excellent film for your viewing demands. Whether you're trying to find amusement or instructional product, Indofilm has something for you. And also, our easy-to-use user interface makes it very easy to watch films online without anticipation or any kind of fuss. So whether you're trying to find an offline film experience or a digital cinema experience bothIndofilm and our individuals have obtained you covered!
On-line movie streaming services are ending INDOFILM up being progressively popular in Indonesia. A few of one of the most popular options consist of Indofilm as well as YouTube.
Indofilm is a leading online movie streaming solution that provides a range of films and also television shows from worldwide. It has an user-friendly interface and also is just one of the most full online movie streaming solutions in Indonesia.
YouTube, on the various other hand, offers a wide range of video clip web content from various countries. It can be utilized to watch films, TV shows, and various other videos online. both services have their very own disadvantages, however they are both worth thinking about if you're seeking a budget friendly means to watch movies as well as television programs online.
A lot of individuals who are searching for their favourite online movie trailers or flick screenings will locate Indofilm to be the best method to do so. The site is efficient as well as gives a comprehensive list of online streaming video clips, making it easy and also convenient for customers to locate what they are trying to find. With its easy to use user interface, Indofilm is a wonderful option for those that wish to watch their preferred movies without having to leave their home.


The biggest fashion show to ever happen in London! This latest collection ‘Fantasy’ focuses on his impeccably cut suits for which he has become famous.
I was over the moon to receive a guest ticket to Joshua Kane’s LFW catwalk show especially at the Palladium as my heart melts when I go into a decadent old London Theatre. The rich red velvets and gold colours around you. There is something special about the glamour of the past in London. When I arrived outside the iconic London Palladium I could feel the buzz in the air, spotting celebrity clients and the flashes of photographers cameras capturing everyone as they made there way inside. Passers by had stopped to watch and were snapping away on their phones. It felt more like a film premier than a fashion show.
The atmosphere inside was electric and everyone was eager to be seated. As the lights went down the audience went silent; the live quite eery but fabulous music began and then up came a short film starring Asa Butterfield who has starred in (Nanny McPhee, Miss Peregrine’s home for Peculiar Children, Hugo.) This was a theatrical treat for all the senses. The show fused together couture tailoring with groundbreaking digital effects. You can watch the short film and view this latest collection on Joshua Kane’s website www.joshuakanestore.com
When the models came out the audience cheered. It was easy to see the quality from a distance as the models walked around the audience for everyone to see. My personal favourite was Look 2 his English woven pink/black houndstooth three piece suit, embellished with laser cut and hand made flowers. Pink shirt & Black silk tie. You might think pink? Not most mens first colour choice but with the black it looks sharp.
Many of the models wore loafers with tassels which we love. It wasn’t just suits. The mens coats that were worn by the models were beautiful in greys, navies, blacks and houndstooth.
There are some fabulous close up shots on fashion photographer Rowben Lantion’s website. www.rowbenlantion.com
Joshua Kane is a genius at combining the traditions of the past with an eccentric new twist. I’m now saving for my first Joshua Kane suit.
Joshua Kane’s store is at 68 Great Portland Street W1.
Special thanks to my friend Rowben Lantion for allowing me to share his stunning photos he took behind the scenes and on the catwalk at the show. Check out his fantastic work on www.rowbenlantion.com


P.C.Ho Theatre is the crowning jewel of the Greater Toronto region. The theatre, built in 2006, is a state-of-the-art 626 seat proscenium theatre.
P.C.Ho Theatre has an active rental service that brings exciting and unusual events. The beautiful facilities are professionally equipped and can accommodate a wide range of performing arts events such as concerts, dance, music, theater and other disciplines, as well as educational seminars, teleconferences and town hall meeting, at competitive market based rental rates. P.C.Ho Theatre has also recently become a popular location source for the Boardcasting industry.
Our performances range from dance to theater to music to film to corporate. We have been host to many City Hall events as well. For more information please contact the rental office. Some of ours performances include:


Release Date: April 1, 2015
Caden Bosch is on a pirate ship headed for the deepest point on Earth. He is also a brilliant high school student with friends who are starting to notice his odd behaviors.
Oscillating between present and past, Challenger Deep tells the story of one young man and his descent into madness. At first, the story felt disjointed, wrong. The pirate ship wasn't quite right, the parrot on the captain's shoulder a little too knowledgeable, the people on the ship a little more odd than one would expect, even on a pirate ship. As we go back to the past though, it soon becomes clear that what Caden is experiencing is some sort of psychotic break. It begins with the walking. Caden walks and walks, absorbed by the many thoughts in his head. Paranoid thoughts in which he thinks that a boy at his school wants to kill him, but of course he doesn't...that can't be right. Can it? His family and friends have no idea what to do and brush it off at first, but soon Caden can't hide his manic state of mind. Soon Caden finds himself in a mental hospital and as he sinks further away from the real world, the pirate ship becomes so so real.
This was not my favorite book, but it had nothing to do with the storytelling. It was because of how uncomfortable the story made me. Having known some people with various mental illnesses, I knew that no matter how this story ended, this kid will never fully escape the effects of his illness. I also knew that although the pirate ship was all in his head, to him it was very real and that too made me sad. I didn't like the book because it was a hard and harsh reality that I know is important, but was so heavy. I equate it to watching the movie Pan's Labyrinth. The movie is exceptionally well-done, but so dark that I have never been able to watch it more than once, even though I own it. If I find someone who hasn't seen it, I tell them that they must, but warn them that the story is dark and there isn't really a happy ending. And so I say the same to you. This is a wonderfully made book, but it is dark and it doesn't really have a happy ending.


Game of Thrones, the world’s much awaited television series will return on April 14 2019, for the last time.
The 8th and final season of the successful movie which has succeeded in drawing the curiosity of millions of fans across the globe to the screen, would definitely come with a lot of surprises.
It seems like the long-anticipated battle between the living and the dead is finally here as the two-minutes trailer appears to highlight.
Jon Snow and his aunt Daenarys Targaryen are finally in Winterfell as Sansa Stark is seen looking amazingly at two full grown dragons which she couldn’t have believed existed.
Arya Stark is apparently telling the story of how she escaped from the House of Black and White in Braavos.
And finally, the great battle is about to begin between Night King’s army of the dead and all willing armies of humans.
We can’t wait to see how it all ends.
— Game of Thrones (@GameOfThrones) March 5, 2019


JON COOKSEY & ALI MARIE MATHESON
CREATORS & EXECUTIVE PRODUCERS
Jon and Ali, a husband-and-wife writing and producing team, created "The Collector" and serve as executive producers, showrunners and head writers on the series. They've worked in all areas of film and television, including comedy, drama, family and animation. In TV, previous projects as showrunners include "So Weird", a half-hour drama in the vein of "The X Files", for The Disney Channel, and they've also written pilots for Comedy Central ("Generation Y") and FX ("5 Bullets"). In film, they've written scripts for MOW's, features and direct-to-video, including "Fever", an adaptation of the Robin Cook novel, for Pax, and "Puff The Magic Dragon", a planned theatrical feature using the characters from the popular children's song, for Nelvana.
Jon and Ali have won Humanitas, Gemini and Cable Ace awards, and been nominated for a prime-time Emmy. For more information, see their website here.
BACK TO PRODUCERS


Pixar is due to release a new dinosaur movie in a couple years! Official synopsis:
What if the cataclysmic asteroid that forever changed life on Earth actually missed the planet completely and giant dinosaurs never became extinct? This hilarious, heartfelt and original tale is directed by Bob Peterson (co-director/writer, “Up;” writer, “Finding Nemo”) and produced by John Walker (“The Incredibles,” “The Iron Giant”).
(Thank you so much feannekitty for the awesome news!)


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FilmMovement.com offers exclusive viewing of independent and foreign films that have not yet been released in theaters or to the general public. As reviewed in the New York Times and Newsweek magazine, the subscription provides you with one award-winning film each month that is yours to keep. Be the critic of this year’s top films. If you’re prone to rushing to midnight screenings and anxiously await next summer’s blockbusters in the spring, act now and join FilmMovement.com.


Who we are:
Always Moving Pictures, Inc. is a full service film and video production company. Specializing in commercial, EPK’s, marketing, PR, industrial and documentary film and video production.
About our leader:
Steve Garrett is a creative writer, producer and film director with over 25 years experience in advertising, marketing, still photography and video production.He founded Always Moving Pictures in 1999 after many years as a freelance copy writer, marketing director and video producer. Since then he has focused on creating and producing wide variety of video projects, including EPK’s, PR events, TV & radio commercials, documentary films and most recently his first feature film WAKE, an edgy urban drama shot on location in Venice, CA.Steve and Always Moving Pictures continue to expand their media reach with reality shows, web-based marketing, webisodes and the development of feature films.Steve, a native of Los Angeles, lives with his two children in North Hollywood.


I like watching Star Trek, but I'm not sure which series I like: Star Trek Original Series or the Next Generation.
One thing is that I've seen more of Star Trek TNG than TOS. The TNG is in syndication now, so I watch at least 5-8 episodes per week. Although there are about 63 episodes in the original series, I've seen only the first season.
Of course, I like Captain Kirk more than captain Picard. Somehow I find Kirk more heroic. Picard sometimes look too much pompous to me, too much diplomatic.
Anyway, the characters I don't like would be Worf and Troy.
By the way, among the movies, definitely I like the ones from the original series (Star Trek 1-6). The newer movies are aweful.
And, I definitely don't like the newer serieses, like Star Trek:Voyager, Star Trek:Deep Space 9, and Star Trek:Enterprise.


Endgame is a movie adapted from the Marvel comics’ superhero group. The Avengers produced by marvel studios based in the United States. It is a sequel to Avengers Infinity War made in 2018.
In this committee you will be participating as the Avengers based on the Avengers Endgame. You will act as superheroes trying to bring back half of humanity after Thanos erased half of all life on earth. You can be Bruce Banner a green giant with unimagimable strenght and wits. You can be Tony Stark with his Iron Man suits and extreme intelligence. You can be Steve Rogers “Captain America” a supersolider with an unbreakable shield. You can be Thor the overweight God of Thunder with stormbreaker a massive axe with the power of lightning. You can be Natasha Romanoff a deadly assasin with killer looks. You can be Clint Barton a sharpshooter with a bow and arrow. You can be many things but the real question is can you defeat Thanos and bring back Humanity. Avengers Assemble!


Utah Film Circuit: MOAB is an initiative of the Utah Film Center and the Grand County Public Library. Each month we offer a free film screening in Moab's historic Star Hall at 159 E Center Street. Join us for the monthly screening series that features the best dramatic and documentary films from around the world.
MOTLEY'S LAW Thursday, January 19 @ 7PM
Thirty-eight year old Kimberly Motley has left her husband and her three kids at home in the USA to work as a defense lawyer in Kabul, Afghanistan. She is the only foreign lawyer, with a license to work in Afghan courts, not to mention, the only woman.
Directed by Nicole Nielsen Horanyi | 2015 | Not Rated | 85 minutes
DO NOT RESIST Thursday, February 23 @ 7PM
Starting on the streets of Ferguson, Missouri, as the community grapples with the death of Michael Brown, this film offers a stunning look at the state of policing in America and a glimpse into the future. Filmed over two years in eleven states.
Winner: Tribeca Film Festival Best Documentary
Directed by Craig Atkinson | 2016 | Not Rated | 73 minutes
Thursday, March 16 @ 7PM An inspirational true story of a group of friends from a working class club who decide to take on the elite 'sport of kings' and breed themselves a racehorse.
Winner: Best Documentary - 2015 British Independent Film Awards
Winner: Audience Award World Cinema - 2015 Sundance Film Festival
Directed by Louise Osmond | 2015 | Rated PG | 85 minutes
THE MUSIC OF STRANGERS Thursday, April 20 @ 7PM Cellist Yo-Yo Ma and other international artists of The Silk Road Project discuss their philosophies on music and culture.
Directed by Morgan Neville | 2015 | PG-13 | 96 minutes


Happy Thursday! Today's outfit was inspired by Once Upon a Time. I am absolutely obsessed with that show and I saw this tee on Sheinside and I had to get it.
You can find by clicking HERE
Girls with bigger chests, however, might have an issue with it though since it is supposed to be a baggy tee, it might make you look a bit bigger, hence why I wore this with a high waisted skirt
Find this high waisted skirt HERE
CRIMSON PEAK MINI REVIEW
SAW THIS MOVIE YESTERDAY AND...
Going into this movie, the only thing I was thinking is man, Tom Hiddleston looks fantastic!
I have been a fan of Guillermo Del Toro movies, but I honestly can say from the scenery, to set design, to costumes, and ect...this is by far my favorite Horror/Suspense movie. This is set in the late 1800's from America to England and every step of the way the movie is beautiful. I would discribe this movie as a Love Story mixed with Horror. The music is beautiful as well and works out perfectly with every scene.
The only thing it really lacked was more of that horror that Del Toro is known for. There were a few scenes that were scary, but the "scary" ghosts were really more beautifully crafted than actually terrifying. The plot also had a few holes. but I won't go into that since this shouldn't really be a spoiler. But other than that I loved it and I will definately buying this in DVD when it comes out because I feel that this is a movie that I can watch over and over again.


Nosferatu: A Symphony of Horror, by Cristina Massaccesi
Reviewed by David Hansen
Illinois State University
Review of Cristina Massaccesi's Nosferatu: A Symphony of Horror, Auteur Publishing (Devil's Advocates), 2016. 120 pp. Paperback (ISBN: 978-0993238451).
Released as part of the Devil’s Advocates series, Cristina Massaccesi’s monograph takes on the sizable task of collecting and analyzing nearly a century’s worth of information into a compact form concerning the oldest surviving film adaptation of Stoker’s immortal work. While some of this information will be instantly recognizable to devotees of vampire or classic cinema, much of what has been compiled here is fresh and new, offering a rare opportunity to reevaluate a classic work in a new light. Having taught Nosferatu several times in various classes, I am struck by how accessible the writing is for a readership unfamiliar with cinema in general and German film history in particular. This approachability in no way impedes more advanced scholars, who will undoubtedly uncover new and striking information about a film they may have thought had been well-dissected.
Massaccesi constructs a “life and times” framework for Nosferatu, adding compelling historical context to the film’s production and genesis. Starting with Chapter 1, "Contexts," Massaccesi guides the readers through the film’s production process and the sociopolitical history surrounding the inception of the film in post WWI Germany: “Nosferatu, along with many other films produced during the Weimar Republic […] can be doubtlessly interpreted as a vehicle to express the inner anxiety and unrest that was at work in Germany" (13).
In addition to the expected historical points, such as discussing general filmmaking in post-WWI Germany and the well-documented legal troubles Prana films had with Florence Stoker concerning copyright issues, we are given unexpected avenues of scholarship to explore. One example is an excerpt of an article written by Nosferatu’s producer and set designer, Albin Grau, for Buhne und Film in 1921. In it, he talks about hearing a soldier’s story concerning an encounter with “an undead or Nosferatu, as the vampires are called over there” while he was in Romania (22). Massaccesi uncovers how Grau likened the devastation of large military conflicts to the unleashing of “a cosmic vampire to drink the blood of millions and millions of men" (22). These excerpts lead into a larger analysis of the occult themes and symbols that influenced the overall look and tone of the film and how they represent the real-life impact of WWI on the German psyche. While the occult connotations have been mentioned before in other media, they are well fleshed out in Massaccesi’s text.
Chapter 2, "Bringing the Undead to Life," covers Nosferatu’s resurrection from apparent destruction at the hands of law enforcement, including Lotte Eisner’s not-widely-discussed efforts to preserve and restore the film: “She managed to obtain the original script of the film from Murnau’s brother, Robert Plumpe. […] In this way, restorators and film scholars such as Enno Patalas and Luciano Berriatua, managed to reconstruct the Ur version of the film" (31). Massaccesi also employs several critical lenses to deconstruct the adaptation process that brought the book to life. In "From the Page to the Screen," readers will find thoughtful analysis of the potential reasons for changes to the script and themes beyond the filmmakers’ attempts to avoid potential lawsuits. Regarding the change in setting and time, Massaccesi writes, “The shift from modernity to the Biedermeier period could also be read as a subtle attempt on the part of Murnau to comment on the stifling state of contemporary German society without raising the question directly and in a way that could result to be too controversial" (34).
Beyond deconstructing the birth and preservation of the film, Massaccesi examines several critical interpretations of Nosferatu as it has proceeded on its immortal path into the twenty-first century. In Chapter 5, "Nosferatu’s Afterlives," we are given an examination of the reinterpretations of the film, including a critical look at Werner Herzog’s 1979 Nosferatu Phantom der Nacht and E. Elias Merhige’s 2000 film, Shadow of the Vampire. A welcome addition is an interview Massaccesi conducted with Merhige himself. When asked if there were significant differences between his concept for the film and the script as penned by Steven Katz, Merhige states, “Yes, yes, yes. The original script was very much in keeping with the genre of the vampire film and I did not want to follow this line of aesthetic in both story telling and content. I mean, if you have an opportunity to turn a genre on its head and break the rules of a genre, then why not go for it” (114). The interview offers a unique insight into the original film from the vantage point of another professional director and artist.
Nosferatu: A Symphony of Horror is a detailed companion piece to the film suitable for classroom instruction as well as for a general readership. While a few sentences are missing a word or two, these occasions are infrequent. The synthesis of decades of information and interpretations surrounding Murnau’s groundbreaking film is robust, comprehensive, and accessible for newcomers to German filmmaking, as well as to lovers of vampire media and lore. As an educator, I am well pleased to find an approachable exploration of this piece of film history. Allow me to close by stealing the Shakespearean reference often used by historian David J. Skal concerning his impressions of Dracula’s longevity. After reading Massaccesi’s book I can equally ask the question, “Yet who would have thought the old man to have had so much blood in him?” Massaccesi's work indicates there is indeed life in the old boy yet.
-2 April 2019


The architectural concept for the design of the theatre is an archetypal scenic street. The design is based on the most direct forms of theatre of the past, such as the Italian Commedia del Arte, and the Elizabethan theatres with galleried courtyards, such as Shakespeare’s Globe Theatre. It gives rise to theatrical activity by encouraging both actors and audience to see and be seen.
The theatre is a spatial progression starting from the pavement of the Mile End Road in the East End of London, through the gateway into an open air scenic space, through the steel curtain wall to the covered scenic street. Large doors lead into a small garden with a pavilion, the Young Peoples' Theatre. This assortment of theatrical spaces constitutes an a small world of theatres.
When the Greater London Council was abolished by the government led by Mrs. Thatcher in the mid 1980's the Theatre company no longer recieved public funding and were forced to sell the building. The Half Moon Theatre has since been converted into a pub.


Kapil Sharma appeared to be having a lengthy conversation with V Vijayendra Prasad in a photo that he shared, while his daughter Anayra posed amusingly for the camera.
On Friday, Kapil Sharma shared his encounter with acclaimed screenwriter V Vijayendra Prasad on social media. The actor-comedian shared a photo in which his daughter Anayra was playing fully posing for the camera while he appeared to be having a lengthy conversation with the veteran writer.
Kapil wrote, “It was an honour spending time with the legend Mr. V. Vijayendra prasad,” in response to the image. Member of the Rajya Sabha and author of numerous classic films, including “Bahubali,” “RRR,” and “makkhi.” such a wonderful, humble, and great human being. Much to learn from you, sir, in my love, respect, and admiration forever.
RRR and Baahubali 2 are two of V Vijayendra Prasad’s most recent popular films, despite his extensive body of work. The conclusion of Baahubali, Bajrangi Bhaijaan: Magadheera, The Beginning, and Rowdy Rathore, among others The filmmaker SS Rajamouli is his son.
V Vijayendra Prasad and SS Rajamouli’s RRR is expanding into international markets after a successful run in India. The film starring Jr. NTR and Ram Charan became the highest-grossing Indian film in Japan on Friday.
The official Twitter handle for the movie said, “Delighted to share that #RRRMovie is now the highest-grossing film with the highest footfall for an Indian film in Japan!” in its announcement. Much obliged to you for all the affection you showered on our stars and chief since the film’s delivery.”
Additionally, RRR has received two nominations for the prestigious 2023 Golden Globe Awards and five nominations for the Critics Choice Awards. This has given the film a major lift in the race paving the way to the Oscars.