Disney Challenge Day 28
Your favorite theme park. Magic Kingdom is awesome but as a nerd to the highest degree, I have an extreme love of EPCOT. You can travel the world, visit the future, AND get the best of the land and sea all in one park. I just love going there ^.^
Disney Challenge Day 27
Your favorite quote. I have no clue….I’d have to go rewatch a bajillion movies to pick a favorite. But I have to say I love just about everything that comes out of Scar’s mouth in The Lion King, and quoting him will never get old. X3
Disney Challenge Day 26
Saddest death. MUFASA! We all know how you feel Simba.
Disney Challenge Day 25
Your favorite scene from your favorite movie. This probably means….Finding Nemo! (Like I can pick my favorite scene >.<) Um…I love the scene where Marlin and Dory follow the mask into the depths! If we are talking princess movies I love the scene after the Beast rescues Belle from the wolves and she has to take care of him. *so cute*
yunyun-minus-funyuns asked: Baka Test! #12!
Put a fandom and a # in my ask and I'll answer
1. The first character I fell in love with: 2. The character I never expected to love as much as I do now: 3. The character everyone else loves that I don’t: 4. The character I love that everyone else hates: 5. The character I would shag anytime: 6. The character I’d want to be like: 7. The character I’d slap: 8. Favorite character: 9. Who are your five favorite characters? 10. Who are...
Disney Challenge Day 24
A movie that makes you cry. Well…most people who know me know it doesn’t take much to make me cry. I cry at the beginning of Up and the end of WALL-E. Mia will never let me live down bawling at the end of WALL-E in the theater.
I gave Claire a double dog dare!
And now I shall accept hers. Fruruba (Fruits Basket) style! 1. The first character I fell in love with: I think it was Momiji….he was just so adorable <3 2. The character I never expected to love as much as I do now: Actually, Akito. 3. The character everyone else loves that I don’t: Hmm…I alternately liked and disliked Shigure (ironically since he is me). I felt the same way...
Disney Challenge Day 23
A movie that makes you laugh. George of the Jungle. Its level of silly is just…wonderful. (It doesn’t help that I have a relative named George who gets teased because of this movie.)
Disney Challenge Day 22
An underrated movie. Definitely Treasure Planet!
You restart the world. It's a merging of the last... →
darlingtonia-californica: piratefaafy: zincfingers: piratefaafy: shit man I want to experience that Anyway Uh, Homestuck, Pokemon and Fallout: New Vegas I really don’t want to do this ◟(´◠`◟) homestuck soul eater yume nikki NOOOOOOOOOO FUCK DUDE YOURS IS WORSE The… This will be fun…Merlin, Final Fantasy 7, and … Kingdom Hearts. So…the world is ruled...
Disney Challenge Day 21
An overrated movie. I feel as though I am a terrible judge of this. Because I usually make a big deal to myself about things I feel are awesome and care fairly little for what other people say about things. So…I can’t really judge what is rated high enough by others. Um…yeah I know a lot of people made a big deal about the newest Alice in Wonderland. I thought it was cute in...
Everything is Merthur, and nothing hurts
Disney Challenge Day 20
Your favorite sequel. As a general rule, sequels are NEVER as good as the first movie. Like…ever. Disney has unfortunately not realized this. However, they have managed to make some good sequels because they are Disney. I love The Lion King 2: Simba’s Pride and Return to Neverland. Both of those are acceptable sequels.
Disney Challenge Day 19
Your least favorite Pixar film. Hmm, I am not really fond of The Incredibles. My sisters watched that too much and it lost anything it had going for it. I also can’t say I like A Bug’s Life all that much. Flik was cool, but it was a movie about bugs.
Disney Challenge Day 18
Your favorite Pixar film. FINDING NEMO! I know almost every single word of this movie. I watch it as often as I can.
Disney Challenge Day 17
Your least favorite classic. I was never very fond of Snow White and the Seven Dwarves. Actually I was never very fond of Sleeping Beauty either. Those two movies had a lot of parts I always found very creepy. I haven’t seen a lot of these movies in a while, though, so I don’t know if i still dislike them as much as I used to.
I love the term 'we're expecting' when talking...
between-rage-and-serenity: because it makes it sound like there’s more than one outcome. Yeah, we’re expecting a baby but it could be a velociraptor. That would be a fucking awful birth if you had a baby coming out like this:
Disney Challenge Day 16
Your favorite classic. 101 Dalmatians holds a special place in my heart. I used to watch it every weekend when I went to my grandmother’s house. But now that I’m older I have a greater appreciation for Peter Pan.
Disney Challenge Day 15
The first movie you saw. Pinocchio was the first Disney movie I ever saw. I was told that when I was very little I was attached to Pinocchio. I have no idea why, as I do not like this movie now. *shrugs*


The greatest US story from the Great War is pretty much the Alvin York story. It sounds like a Hollywood director's idea for a blockbuster action movie. For a movie of course the hero has to be from some underprivileged situation, such as the backwoods of Tennessee. He should have some impressive but undiscovered talent. This is a war movie, so the talent can't be baseball; it has to be shooting. The plot of course includes him singlehandedly killing an unbelievable number of enemy; let's say 100. No, let's say 132 to make it sound real. But wait, that's a bit warlike, isn't it? Action movies aren't about enjoying blood, gore, and explosions, so let's just have him capture them, not kill them. Much more tasteful and civilized.
Now there has to be some complication so the audience will forget this is a movie and think there is some possibility the hero could fail, or even die. How about he is actually an alien life form, hypersensitive to a mineral called Argonne-ite. No, that's probably copyrighted. Or when he gets mad he turns into a green giant. No, people will think of canned vegetables. Or his best friend's father is secretly a nefarious scientist in the pay of the Kaiser. Or, wait, here's one that could help with the politically correct marketing - he could be a conscientious objector!
Hmm. Hmmmm. No, that's just silly. How would he have become a crack shot that way? Why would he be on the front lines? What infantry would tolerate him? That's just completely crazy. Let's make him a time-traveling cousin of Captain America; that will make sense.
As many, including Mark Twain, have observed, of course truth is stranger than fiction; fiction has to make sense. Alvin York is one of those stories that is fun to find out was really true. And of course they did make a movie about him, a movie that stuck to facts better than many "true story" movies. So he didn't really convert because of a bolt of lightning. And he didn't do what he did singlehandedly. But the most exciting part is the true part; he was actually a conscientious objector who led a few other soldiers in capturing 132 German soldiers (killing some others in the process, because real wars do involve distasteful events) and received the Medal of Honor.
After the war comic books were written about the exploits of these actual heroes, and only later were superheroes invented to fill in. (Batman's original backstory was flying in the 185th Aero Squadron; check out their squadron logo.) Young James Parks grew up reading these comic books and discovered there were real men to go along with the stories, and in his case, the real men were frequently coming over for Sunday dinner. And that's how the Vintage Aero Flying Museum got started. But that's another story; see our booklet below.


Here’s my stylized version of “The Dream Warriors” from the movie ‘Nightmare on Elm Street 3’! Figurines and animated series would be great to make :wink:
Enjoyed making these characters :slight_smile:
I hope you’ll like it!
Ask for trainings and mentorship now!
Join us on my live stream on Discord : https://discord.gg/AKPYmmb
TUTO3D.com : http://www.tuto3d.com
Stylized Character Workshop : http://www.stylizedcharacterworkshop.com
Website : http://www.aliengraphic.com
Instagram : http://instagram.com/chris__rena


Before and After
My oldest, Jackson, is slightly obsessed with Star Wars. He's been a fan for a few years. When he was 4 years old, he went through a phase where he told everyone his name was Luke Skywalker. The name calling stopped after a couple of months, but he's always love the movies.
With the new movie out, Jackson's love of Star Wars is back in full force. He insisted on wearing his 2 year old Halloween costume while watching some of the movies this past week. Yes, the costume does not fit him. However, I decided not to make my life difficult and allowed him to squeeze into it again.
While wearing his costume, he asked me to take a picture of him. I will never deny my kids photos. When I took it, he requested I make him look cool. I had no idea what to do, but after thinking and doing a little work, I came up with a cool look.
Here's my before and after of Jackson as Obi-Wan Kenobi.
And on a special note, Andrew and I surprised Jackson and his brother, Cullen, with Star Wars movie tickets for Christmas. We'll be seeing it on Tuesday.


The Family Secret (The Girl on the Beach in the US)
How far would you go to find the truth?
Since Amber lost her child ten years ago, her sole focus has been keeping her small business afloat. Her life seems to be on hold, until the morning she finds a girl on the beach outside her gift shop. A girl who has no shoes, no name, and no idea where she came from.
As a wildlife documentary maker,Gwyneth’s work has taken her all over the world. But when she has a terrible accident in the remote Scottish Highlands, she is saved by the McClusky family and taken into their home. However, there is more to this family than meets the eye, and a long-held secret is threatening to tear them apart… Amber and Gwyneth are at the beginning of a journey that will change each of their lives forever in this twisting, emotional new novel, perfect for fans of Kerry Fisher’s THE SILENT WIFE and Amanda Prowse’s THE GIRL IN THE CORNER.


Previously used unit
Includes 90 day warranty.
Over a decade of color research comes together in the fos/4 Panel. These fixtures were designed specifically for the studio and film industry, and take predictably nuanced color from reality to the camera to the screen. With the fos/4 Panel available in three sizes and two arrays, you’ll never find yourself wishing for anything more. The fos/4 Panels are shockingly bright, but don’t sacrifice color quality. And with the addition of Deep Red LEDs, the Lustr X8 array pushes the boundaries of color rendering possibilities while the tunable Daylight HDR array gives new depth to your white light. The fos/4 series fixtures are made in the USA and backed by a 24/7/365 phone support guarantee – we’ll be there when you need us, regardless of time or day.
APPLICATIONS • Television studios • Location shoots • Film sets PRODUCT FEATURES • Two array choices: - Lustr X8 full color array- Large (24x24 in) • Intuitive UI with color picker • Up to 62,000 lumens • Select CCT between 1900–10450 K • NFC configuration • Multiverse® wireless control


The Bush Theatre and Headlong invite Women in the City to see their upcoming co-production Boys Will Be Boys by Melissa Bubnic.
Directed by Amy Hodge the production runs from 25 June to 30 July at Bush Hall, London W12.
Astrid Wentworth is ruthless. If there is a special hell for women who don’t help each other, Astrid’s got the top table reserved and a martini waiting.
But, when the young and ambitious Priya applies for a junior position on the trading floor, Astrid recognises something in her and decides to give her a go. After all, what’s gender got to do with it?
“What do you say? When someone tells you you’ve sold your soul?”
“I say it’s mine to sell. And the devil knows how to dance.”
The Bush Theatre and Headlong take over the iconic Bush Hall in Shepherd’s Bush for an exhilarating night out featuring cabaret music and performed by an all-female cast.
Bush Hall will be serving 2-4-1 cocktails on their rooftop terrace before & after the show, so make sure you leave enough time to enjoy the sunshine…
25 Jun – 30 July
Performances Mon–Sat 8pm
Sat from 2 Jul 2.30pm
Wed from 6 Jul 2.30pm
Audio described performance 9 Jul 2.30pm
Captioned performance 15 Jul 8pm
Standard £15 – £20
Senior Citizen £12 – £17.50
Bush Connect (Student / Under 26) £10 – £12.50
Concessions (registered unemployed and disabled) £10 – £12.50
Group booking discount: buy ten tickets get the eleventh ticket free
Please see website for full performance schedule and venue opening times.


The students of Olympic Peninsula HomeConnection will be presenting Shakespeare’s “Coriolanus” as their annual theater production. It will be their second year of returning live to …
The students of Olympic Peninsula HomeConnection will be presenting Shakespeare’s “Coriolanus” as their annual theater production. It will be their second year of returning live to stage after COVID-19.
The play in question was one of Shakespeare’s final tragedies; it follows the story of the titular Roman general, who makes a name for himself defending Rome against the Volscian army. The Senate nominates Coriolanus as consul, but he cannot win the people’s vote. He is banished from Rome and allies with his sworn enemy, Volscian general Tulles Aufidius. They intend to attack Rome together, but Coriolanus’s mother persuades him not to. His newfound ally kills him for the betrayal.
“Although not as popular as some of the other classics, I have always found Coriolanus to be a fascinating tale,” director Consuelo Brennan said when asked why this particular play was chosen.
“Aspects that make a powerful warrior don’t always transfer to politics,” Brennan explained. “The characters are written so vividly that I wanted the students to experience the inner workings of politics and perhaps see how dynamic it all is behind our perceptions.”
Seventh-grader Leif Staley, who is playing Aufidius, is looking forward to his second play with Olympic Peninsula HomeConnection.
“I’m most excited for one of the scenes where I get to use a sword,” he said.
Although he is nervous about forgetting his lines and messing up his fellow thespians, Leif has thoroughly enjoyed his experience preparing for the show.
“It’s pretty much all been fun,” he said. His favorite part has been working with all of the “great people,” especially Brennan.
The cast also includes Cloie Ashby, Kael Beil, Zephy Beil, Isabella Bertucci, Massimo Bertucci, Brian Grant, Ruby Groussman, Daniel Hales, Emily Hales, Isaac Hales, Alivia Halverson, Evelyn Halverson, Kaylee Klebanow, Evan MacDonald, Lida MacDonald, Nathan Mavy, Gabriela Palenik, Ariana Stewart, and Tristan Stewart. Nola Bertucci is the show’s musician, and Arriana O’Brien is the sound effects coordinator.
“Coriolanus” previews at 6:30 p.m. Wednesday, May 24. Shows are at 7 p.m. Friday, May 26, Saturday, May 27. Additional performances are planned for June 1 through June 3
All performances take place at San Juan Baptist Church.
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Michael Edwards is an Australian composer, pianist and music producer based in Berlin.
In addition to his own artistic projects, his music has been widely commissioned and synced in Film, Television and Advertising.
Michael is an accomplished pianist with diverse compositional strengths, from orchestral composition through to electronic music production.
His collaboration with Lisa Gerrard includes the Oscar nominated film Whale Rider, Layer Cake the album Silver Tree, and world tours with her and her band Dead Can Dance. His work with Patrick Cassidy includes the award winning film Calvary. He has also written and toured with Skye (Morcheeba) and Darren Hayes (Savage Garden).
Commissions include 13 pieces for the Konzerthaus Orchestra Berlin (#klangberlins), multiple theatre shows for Wort und Herzschlag Berlin, and Ice and Fire Theatre London.
He has written extensively for top Production Music libraries including Universal, EMI, Beatbox and Music Sculptor.
Michael graduated with a B.A Music from QUT in 1994.
Deutsche Film Music Prize Nomination 2016
Cannes Lions 2018 – Nike
Music and Sound Awards 2018
Golden Award of Montreax – 2018 Finalist
Cinefest Los Angeles 2017
Music and Sound Awards 2017 Finalist
Deutsche Preis für Onlinekommunikation 2017
Garden State Film Festival 2018
ADC/Peaks Best Youtube Clip 2017


Q & A with Peggy Hoffman, President, Mariner Management and Marketing
A tribute to the Academy Awards!
Q: If you had to walk the Red Carpet, what would your dress look like?
A: I’m a classic type and my best features are my legs and arms. So my selection would be either a classically sexy black dress, either short or long, with two side slits. Add an interesting off-the-shoulder sweetheart neckline to show off an incredible onyx, ruby and diamond necklace.
Q: The award for the “Best ____ ” goes to Peggy Hoffman.
A: Wow, this one is tough because I’m not generally going for one best thing but a best package. I’d like to shine as a friend, listener, supporter. The best compliment I ever got was my son saying to another, “My mom is strong.”
Q: In your thank you speech, whom would you thank, and why?
A: The list is long – really – because I’ve gained so much from so many different people, largely because people see me in so many different lights. The list would start with two people: my husband, Peter, and my Mom, Louise. It would definitely include my three sons and two dance mentors, two athletic mentors, two awesome friends and two sisters. (Wow! Sounds like I’m filling an ark!)
Q: Now, let’s pretend you were at the awards show in Hollywood. Which actor or actress would you most like to meet that night?
A: There isn’t one who comes immediately to mind and that’s largely because I have this nagging doubt that none would live up to my opinion of them as an artist. But, I’d like to think that Carol Burnett might come close – so let’s say Carol.
Q: Favorite movie (regardless of whether it won on Oscar), and why?
A: So I’m approaching this question based on whether I can watch it over and over again … you know, when you’re on the treadmill and it’s the movie playing on AMC or the free movie channel. The answer then is a tie between “Italian Job” (a 2003 heist film directed by Gary Gray and starring Mark Wahlberg, Charlize Theron, Jason Statham and Edward Norton) and “True Lies” (1994 action film directed by James Cameron starring Arnold Schwarzenegger and Jamie Lee Curtis). For the record, neither are Oscar-worthy, but hey, they make being on the treadmill a delight!


Last year I saw a trailer of a new show starting on BBC America about a girl who takes over the identity of a person who killed herself and looked like her. It kinda made me curious from the very first moment, also expected it to be a thrilling and interesting ride. Right from the first episode I got hooked completely, something that doesn’t happy very often.
In the first scene of the pilot we see two girls standing on a train platform, one of them slowly taking the shoes off, putting down the handbag and then jumping right in front of an oncoming train. A very shocking moment, and Sarah, the other girl immediately reacts and takes the handbag with her. She uses the keys to enter the home of the girl who committed suicide and takes over her identity, not knowing that she was a police officer and more.
Sarah: Something really weird just happened at the train station.
Sarah: I saw a girl kill herself.
Felix: Eeww. A jumper?
Sarah: Yeah, and she looked exactly like me, Felix.
From this moment on everything changes very fast, from the situation that Beth, the police officer was suspended and under interrogation to defend herself because she was accused of having shot a civilian to the story that there are more girls who look similar.
We learn step by step about other ‘clones’, their similarities and their differences and there is a lot of background story. We see the nerdy scientist, the housewife, the burglar, the psychopath and more. The whole time I had the feeling that this is a story we have seen several times before, and yes – it kinda is neither new nor original. But what makes this show extraordinary is the way how the special effects team and the director put the story on the small screen and the amazing talent of Tatiana Maslany who plays each clone character. After watching the Behind-the-scenes documentary I’d say that each prize and honor she receives is well earned. To be fair some of the characters she plays work better than others but still we are talking about quite a number of characters and the fact that they interact with each other so therefore she has to play both parts within a dialogue.
The talent of acting reminds me a lot of Jekyll, a TV show written by Steven Moffat. In this show James Nesbitt played Dr. Jekyll and Mr. Hyde and he managed to play both characters without make-up or special effects. He simply showed what an actor is capable of and Tatiana Maslany is not only on her way to challenge performances like that, she is on the best way to outperform many of those.
Apart from the brilliant performance the writers managed to tell us quite a story in season 1, bringing the main storyline to an end, leaving some mysteries unsolved and by opening some doors for new ones.
Be prepared for season 2, it seems to keep the level. Me, as you may imagine is very curious. Episode 1 of Season 2 will premiere tonight on BBC America.


The visuals in all of these films are intense and evocative. After viewing the film you selected, thoughtfully discuss three scenes in which the director uses a visual technique defined by lighting, setting, camera angle, or color in a numbered format as follows.
1. Address a visual idea that is evocative of a place or setting
2. Address a visual idea that is evocative of what a character is feeling
3. Address a visual idea that is evocative of the content or moral of the story
Remember, this discussion is about visuals, lighting, angles, color (if it applies), composition, atmosphere, all the things words can’t convey. Don’t write a film review,that isn’t your job here. Address the three issues as stated. Be certain to include relevant stills from the film you selected or it will cost you points. Many stills are available online and screen captures are done in 2 clicks. You can easily fold these images into the discussion page.
The video I chose is AGUIRRE, WRATH OF GOD
WATCH THE FILM AND ANSWER THE QUESTIONS


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The series to watch right now: HBO’s Westworld
The new Westworld series is actually the second TV version sprung from the 1973 sci-fi film. The first, Beyond Westworld aired in 1980 and lasted just five episodes. The new one is already a huge deal. When the first episode aired in the States it was HBO’s biggest series debut in three years.
Big names like Sir Anthony Hopkins, Thandie Newton and Ed Harris and a 9.3 rating over at IMDB hints this could be THE series to watch this fall.


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"Mirror Shuangcheng" official kills the blue drama "Mirror Shuangcheng" official starring Chen Qiqi and Li Yifeng, for this news, the fans are very happy, killing, soon, I can see this drama. Broadcast. And "Mirror Shuangcheng" actor lineup is very luxurious, and the light is very expected. The male protagonist is very nice to popularity and strength, starring a lot of works, let people enter the role of "Gu Jian Qi Tan", and Li Yifeng is very exciting in the play. Now starring the costume dramas again, fans are expected. In the stills, the costumes of Li Yifeng are still handsome, and they have to say that the long-term phases are very suitable for costume. Looking forward to Li Yifeng will bring a lot of wonderful in the drama. Chen Qiqi is a small flower of this two-year fire. With the "Jinxiu Dou" by the audience audience, the new version of "Eternal Tu Dragon" is very good, "Zhao Min" played in the drama is really very good. And Chen Qiqi also starred in several costume dramas, the costume goddess said is Chen Yixi, the women's clothing is very gentle and cute, the woman who plays the men's clothing is full, this time the costume in "Mirror Shuangcheng" is still Very like it. In addition to the mainstay of the official Weibo, the official Weibo is still in the official Weibo, and there will be a fire after the show will be fired. Let's take a look at other actor lineups, Wang Lu, everyone is very strange. However, in the still-inductory style, the color is very high, after wearing the costume, the temperament is very high, I believe you will like it after seeing it, so handsome little brother, looking forward to in the play The role will be very good. Tang Mengji entered the entertainment circle with "Shanghai Vicissitudes". In these years, many film and television works have also been shown, as "Meng Hao", "Hello, Old Time", "Just meet you", "Women", etc. . In terms of acting, there is also a profound impression on the audience. Tang Mengjia is very good at "Mirror Shuangcheng" style. It does not lose his heroine. Do you say that? ? Liu Meicong, I believe that the audience who has seen "Balara Little Magic Fairy" will be very familiar. Liu Meizhen is the small black magician. Liu Mei's strength is a sharp point. This time in the play is very cute. . Handsome guys showing the works of Zhao Yu, "I am with your light years", "national husband", etc., the strength of the audience is very recognized, the value is also very small, Zhao Yizhen is very beautiful in the play. Sweet, the role in the play should be very popular. Han Chengyu played "another brilliant life" into the entertainment circle. This two years starred in "under Jinyi", "listening to snow tower", "glazed", the resources of the film and television circle are very good, and Han Chengyu's costumes are Very handsome, the light is to see the shape in the still want to chase. Fan Shuai starred to "the girls in the summer", "there is no problem", "commercial tongue", etc., the strength is a rapid, the shape in the still is very expected, the show must be Will you disappoint you. Yue Yueli is an old apecia, some spectators have seen many works in Yue Yueli when they are young, and the shape in "Mirror Shuangcheng" seems to be very spiritual, and it is very in line with the drama. The people are set up. Yue Yueli's strength audience is in the eyes. If the interpretation of "Mirror Double City" will not let the audience disappointed. Jiang Yu is a powerful actor. The film and television strested by the star is very good. In the past few years, there are also many hot play, which is very good in terms of resources. I look forward to bringing a lot of wonderful in "Mirror Shuangcheng". I have to say that in addition to the main creation, the other actors in this drama is more expecting. I also hope to meet soon and the audience. What is the actor lineup of "Mirror Double City"? Welcome to leave your opinion in the commentation!
"Dear myself" is broadcast "with the name of the family" broadcast in Hunan Satellite TV, although the heat of this TV drama is not "the name of the family", but there are many people in the story of this TV series, one Aspect is similar to the story of this drama and "thirty", on the other hand, because of the story of this drama, it is more unexpected, and the male and female owner can come together and also a mystery, about this drama The ending, in fact, the screenwriter has also given a hint. In this drama, there are four pairs of CPs, but in the final ending, three of the three pairs of CPs have been broken up, and the other three, develop their own career, and choose alone. Chen Yiming and Li Siyu are the official match in the play, but the two people have broken up, but they have a lot of problems between them. The character of the two is not very suitable. Chen Yiming has been moved to Li Siyu And Li Siyu said that he did not want to rely on Chen Yiming, but in fact, Chen Yuming was always allowed, this is also very selfish. Zhang Zhizhi and Liu Yang's marriage, and many middle-age groups in reality, many years ago, two people have been married for many years, life is very flat, although it is not rich, but life has always been very stable. Only Liu Yang finally didn't endure the temptation, and Zhang Zhizhi is not a weak woman. After she takes care of Liu Yang, she chose to divorce. Although they have a daughter, but with Zhang Zhizhi's character, it is impossible to follow Liu Yang. reconcile. Lei Haowen and Gu Xialing, this is not an unexpected end, it will come together, although these two people have just got to meet each other, but after experiencing all things, they also understand each other. Lei Ha Wen This man is tongue, but it can be rely on, and Gu Xiauling will marry him and will be very happy. Two people from Prince Ru and Chen Yiming, although they came together, but many people were not very optimistic about these two people. On the one hand, because the two social status do not match, Prince Ru is a businessman, and her worth is worthy. Chen Yiming is a very strong man. If the prince is close to Chen Yiming, don't have a heart, when Chen Yiming discovered, he must Will break up with princes, the final ending is Wang Ziru, Chen Yiming and Li Siyu are each beautiful. Li Siyu can also comply with Chen Yiming, even if Li Siyu likes Chen Yiming, but Chen Yiming can also choose Li Siyu, because he has put down Li Siyu, otherwise he will not agree with Prince Ru.
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Chen is the most popular character of this TV series. This drama has received a lot of attention after the broadcast, although Chen's most wishing the Clear actor is a newcomer, but gives the audience a wonderful visual experience. This drama is also full of praise. Chen is very sad to the feelings of the feelings in the drama. Many people want to know that Chen is the most, and I wish you all the best? Chen is the most popular performer? So cute our Chen's best I hope that the actors of this actor are very good, two people cooperate with tacit understanding, bringing a lot of relics to the audience. The play in the play is a warm man, compared the female owner's emotional route. Chen's most wishing the feelings of the world is silent. The two people do not have a playful interaction between the male and female protagonists. Some is just silent, silently warm . The male and female protagonist will definitely be together, but the male second girl is not necessarily, I don't know if Chen is in the last last thing? Chen's most wishing the Jincheng actor's play is very sad, a lot of feelings. The audience is worried that the two can't come together, from the still, the possibility of two people is still relatively large. Chen's most player named Li Mingyuan. I wish Li Yingying. Two is a newcomer, and their acting has some young, but it is just in line with the feeling of adolescence. This drama is broadcast. Get a full praise. Li Mingyuan harvested a lot of fans with the performances in the play, and the long-standing handsome, he added roles, and the popularity is getting higher and higher. So cute, we wish the picture Chen's most wishing the Jincheng actor although there are some young, it is believed that the acting will become more harmonious after the work of work. Today, this drama has been completed, but the plot is still in the mind and I can't forget it for a long time. If there is a chance, I still hope that four people will cooperate again and bring a wonderful adolescent work again.
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As we all know, Lin Feng, Miao Qiaowei, Ma Guoming, Huang Zhiwen, etc., the suspense vigilant "Apostle 3" finally launched, the plot suspend the rhythm, the action play, with the advancement of the plot, you will continue to change, Sometimes I think he is undercover, when a scene is, watching him is a black police. The plot continues to reverse, the audience will be touched by the plot, followed by tension. This is the charm of the Act! The starring Lin Feng is also aware of everyone, he is also playing this role again. It has been promoted to the father's forest. For the end of the role, it can be said that his eyes are very killing, he subvert himself In the past, Yu Yu, the role of Gao Fu Shuai, a grumpy, grassroots flavor, bursting gambled personally let the audience refresh! Recently, Lin Feng is also a propaganda for "Apostle 3". In an interview, Lin Feng is also frank: this drama is very good, and even Huang Zhiwen is very excellent, and the plot is very high-capable, so In the end, I will only recognize the audience, even my friend Gu Tianle, recently prepared to join the drama army, but also say what two episodes first, then analyze, then look, very professional! Hahaha! However, Lin Feng is also ridiculous: But now the ancient day music has changed, every time I look for him, when I started planning, I would recommend him several times, but I was refused by him! This is also to let everyone understand, then Lin Feng is also explained: Gu Tianle said that every time I put it with me, I will give me a meal every day, and I still say that I can't afford to hurt! Hahaha, this reason is also a laugh! Of course, now in the formal forest peak is married, when Dad, if you can reappear a shortcomings, that is, the three happiness is. As for this "apostle 3", it can continue the brilliance of the top two, or you can see if the following will be strong. Although there is a challenge, it is still worth looking forward to it!
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This is not a bad film. In fact, I'd say it's kind of a rare gem. You have to watch it in context, though. The context is that its a relatively low quality copy of a low budget film made in 1976. However, the story is actually pretty good and the acting isn't bad either. It stars Bill Smith who never became a roundly recognizable name but his face you'll probably recognize. He's done a ton of work and has a definite action hero look.
According to the person who uploaded the video, Quentin Tarantino included Hollywood Man in the 1997 Quentin Tarantino Film Festival, which means that Tarantino probably thought the movie had some merit story-wise. Here's the whole movie. Looks like the aspect ratio was cropped for TV possibly.
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Clint Eastwood set to helm his final movie, Rami Malek stars in thriller from Slow Horses director, and Venom 3 receives the green light
Juror No. 2 (Warner Bros.)
Clint Eastwood—the legendary screen actor and winner of two Academy Awards for directing—is set to helm his final project. Titled Juror No. 2, the legal drama will be produced by Eastwood’s longtime home Warner Bros. and star Nicholas Hoult (The Great, The Menu) and Toni Collette (Hereditary, Knives Out). Juror No. 2 will take place during a murder trial and follows a juror, to be played by Hoult, who realizes that he may have caused the victim’s death. He must decide whether to manipulate the jury to save himself or reveal the truth and turn himself in. Collette will play the prosecutor. Eastwood is producing the movie with Adam Goodman, the former production president of Paramount turned producer who now runs his own banner, Dichotomy. Filming will begin in mid-June in the Los Angeles area.
The Amateur (20th Century Pictures)
After the success of Slow Horses on Apple TV+, director James Hawes will helm The Amateur for 20th Century Studios with Rami Malek (Bohemian Rhapsody, No Time to Die) in the leading role. The plot follows Charlie Heller, a skilled cryptographer who works for the Company and leads a quiet life in a back office. However, when terrorists brutally murder his fiancée and the Agency chooses not to pursue the culprits, Heller’s life takes a drastic turn. Despite not being a blackmailer or an assassin, Heller decides to take matters into his own hands and force the CIA to act. Filming is set to take place between June 5 and September 8 in London.
Venom 3 (Sony)
After the success of two previous installments, the Tom Hardy-led series will receive a threequel. Kelly Marcel, who previously wrote the first two entries, will step into the chair for her directorial debut in addition to writing the screenplay. Ted Lasso star Juno Temple is set to join the cast, with production duties overseen by Avi Arad, Matt Tolmach, Amy Pascal and Hutch Parker. Filming is set to begin on June 5 in London and Los Angeles.


I bet you thought I was done with these. Well jokes on you, there’s still a few days left in October so there’s going to be a few more horror reviews. Although this wasn’t what I was initially thinking about covering. However, I really should try to get the big 3 into the mix at some point now that I think about it. Anyway, here’s my review of The Mummy (2017).
The Mummy (2017) was SUPPOSED to be the start of Universal’s new monster shared universe. When you consider that they were the first and only movie studio for a long time to have a shared universe, this should be easy right? Oh, you didn’t know that did you? Well, here’s a short film history lesson. Way back in the depths of time Universal Studios produced what is now viewed as the classic monster movies. Dracula with Bela Lugosi, Frankenstein with Boris Karloff, The Wolfman with Lon Chaney Jr., and so on and on. Well, because of the success of those films, and because humankind has forever wondered which fictional being could be up another fictional being, eventually the film The House of Frankenstein was made which brought Dracula, Frankenstein’s Monster, and the Wolfman together and thus became the first shared movie universe. I think, and I may be a bit rusty on my recollections, that there may have been a few other films where monsters fought each other in the classic Universal films. I just don’t remember the names for them. Ok, film history lesson is over. Back to this pile of rags.
So, did you like the 1999 film with Brendan Fraser and Rachel Weisz and figured this may be like that except, you know, in modern times and with Tim Cruise? Well, you’re wrong. You are oh so wrong. The 2017 version of the film has very little in common with the 1999 version. So let’s give a synopsis of the plot, and you’ll see where some of those differences are shall we? Ok, in the 2017 version, you have Nick Morton (played by Tom Cruise) and his trusty sidekick Chris Vail (played by Jake Johnson) who are reconnaissance for the US military while in Iraq. Oh, wait, I should point out by the time you see Nick and Chris, you’ve already been given the backstory for Ahmanet (not Imhotep) (oh, and played by Sofia Boutella), the titular mummy of the film. She was an Egyptian princess and next in line for pharaoh until her father knocked up one of his other wives and that one produced a son. So Ahmenet made a deal with Set (who is portrayed oddly as Anubis in the hieroglyphs) to gain power, and a knife where she could kill her father, his son bearing wife, AND her baby brother. The trade off was to turn some dude into a meat suit for Set but that didn’t happen. She’s caught, mummified alive (while keeping her tongue oddly enough) and buried in Iraq because the Egyptian high priests didn’t want that shit in their backyard. Anyway, now that you know that, onto the rest of the story.
So, Nick and Chris in addition to being reconnaissance for the military also have this rather lucrative habit of stealing antiquities and selling them on the black market. Usually because they will hit a place just before some insurgents come through and trash the joint. This had apparently been working well for them, until Nick decided to go off the beaten trail to steal something and the town happened to be chock full of insurgents. The reason Nick and Chris are there? Well, you see Nick stole a letter that gave the co-ordinates for the chock full of insurgent town, and he figures they were going to go in, steal whatever is there, and sell it back to the author of the letter for big bucks. Instead, there is an action scene that probably should have been used in one of Mr. Cruise’s Mission: Impossible movies with a lot of running and them being shot at. That finishes when an air strike is called, scares off those pesky insurgents , and opens up the hidden tomb to Ahmanet. That’s also when you find out that Nick got the co-ordinates from stealing the letter from Jennifer “Jenny” Halsey (played by Annabelle Wallis). an archaeologist who apparently had a one night stand with Nick. Nick, Jenny, and Chris go in the hole, Nick wakes up Ahmanet, and shit proceeds to hit the fan.
Now, I could go a bit further into the story, but what happens next actually starts to go into one of my major criticisms of the movie. And that is that it feels like it should have had a movie before it to explain stuff. The Mummy 2017 feels like a fragment of a film way more then it should. Now the rest of the movie has Nick interacting with Henry (played by Russell Crowe), who happens to be Jenny’s boss and I’m guessing the head of the S.H.I.E.L.D./Monarch wannabe agency for the “Dark Universe” (their title for it, not mine), Prodigium. It’s not really very clear there. And seriously, Henry is just there to spout exposition in between action scenes and dead chicks trying to get into Nick’s pants. Henry is just, wow. Seriously, they should have lead with a Henry movie for the start of the Dark Universe and not one on the Mummy. And you see how I’m refraining from bringing up what Henry is and such? Well that’s because the movie basically blows that big reveal within 10 minutes of Russell Crowe being on screen. Which goes back to why The Mummy 2017 feels like it’s a partial movie. There’s way to much exposition dumped about the “Dark Universe” way to early in the movie, and that takes away from the Mummy’s story tremendously. After Henry shows up, it’s not Ahmanet or Nick’s story anymore. It’s a watered down prelude to Avengers with 2 of the Avengers, or worse, Batman V. Superman. Since it doesn’t have a larger story to connect it to in place already, the story threads are just kind of hanging there limp. So what you end up with is a weak Mission: Impossible style movie with weak character development, no character growth, a few instances of pretty decent special effects, and a convoluted story that just bogs down the entire concept. No wonder after it came out Universal scrapped the Dark Universe. The way this story was done would fit if there were like 2 or 3 movies out ahead of it to establish characters. But this one. Nope. Doesn’t work.
Now, if you want a sort of light Tom Cruise movie, try this out. Just don’t, you know, expect to see any night scenes very well because it seems really poorly lit. And don’t expect to have a fun sort of action romp where you get hints of classic adventure stories like any of the Indiana Jones movies. Actually, just expect to see Tom Cruise running. A lot. Got to get that cardio in after all, he is in his late 50’s. Me? I’m going to probably re-watch the 1999 one and enjoy that way, way WAY more then this one.


Sacred Evil is India's first Supernatural/Surreal Feature Film directed by Abhigyan Jha and his younger brother Abhiyan Rajhans. It was released in India in June, 2006. Undercover Productions Executive Produced this film for Sahara One Motion Pictures and Percept Picture Company. Sacred Evil is also the first Indian English Film to have an all European lead cast.
Sacred Evil is about duality. It explores the premise that reality always has two sides. Where there is light, there is shadow.
Based on a true story from the case files of real-life Wiccan, Ipsita Roy Chakraverti, Sacred Evil is the Story of three women separated by a twenty year old secret. A nun, a Wiccan & a girl in search of her mother.
The nun is Martha, a 45 year old withering woman who lives in a secluded convent in Calcutta. Even in the sanctuary of the Church, she is haunted by a specter that threatens her sanity.
The Wiccan, Ipsita is called upon by the unconventional Mother Superior to heal Martha's soul.
The task is difficult as Martha is reticent in talking about the events in her past. Using her skills as a healer and her training as a Jungian psychotherapist, Ipsita gradually opens the door to Martha's story. The story of the one who haunts her.
Claudia. A young Anglo Indian girl, growing up with the angst of not knowing her mother Maureen, alienated in her Indian surroundings by her blue eyes and blonde hair.
The story now goes back and forth as events from Claudia's life begin to intersect Martha's and Ipsita tries to sort out the tangled threads of the past and the present.
In her search for the lost Maureen who everyone says looked much like her, a real English lady, Claudia becomes obsessed with her mother's image. She begins to turn into her mother. Like her, she seeks out and falls in love with a foreigner, Pierre, a young Frenchman who is in Calcutta for a doctorate. But Pierre is never sure who is in love with him, Claudia or Maureen.
As she tries to heal Martha with centuries old Egyptian rituals of the Wicca, Ipsita learns of Claudia's struggle to keep her sanity and Martha's attempts to save her soul. How she tried hard to bring her to the Church and let God heal her. Ipsita also learns that somewhere the attempts failed. Something happened. Claudia's burden became Martha's. With her own efforts failing to heal Martha's spirit, Ipsita is led to a starting discovery in the end which makes her wonder if the sacred will ever be as strong in us as the evil is.
Cast & Crew
Ipsita Ray Chakraverti Book
Abhigyan & Mrinal Jha Screenplay
Kaali - Ek Agnipariksha is a Television Drama Series that airs on STAR Plus at 11pm starting from September 13, 2010. It tackles the idea of sexual harrassment of women in India. Kaali - Ek Agnipariksha co-produced by Undercover Productions Ltd has also been created by Mrinal Jha and her husband Abhigyan Jha, Director of the international Feature Film Sacred Evil. A far cry from the soaps currently airing on Television, the ‘Kaali’ is a classic drama about justice as it emerges from the fight between good and evil. Mrinal Jha is also the Scriptwriter of Kaali - Ek Agnipariksha.


Sunday, September 19, 2010
Introduction: The Movie Method
There are plenty of blogs out there devoted to simply critiquing movies, and giving opinions on which are to be the summer's next, "must-see," and which should be tossed into the trash can, or, even worse, put onto the shelf next to movies by the infamous, and equally egotistical, Ed Wood. This is all fine and dandy, of course, for those who see nothing more in a movie than a few good memorable lines, and a happy feel good ending, sure to send you home with that warm fuzzy feeling inside we all know and love. Movies, however, are no more entertainment, than they are works of art. Every movie, whether the suspense thriller of the year, the psychological mind-bender of the century, or the chick flick of last week, all have one thing in common. They were all created by brilliant minds (some more brilliant than others, mind you), and with the intent to lure you away from reality, and into their worlds of wonder and enchantment. Whether it's Francis Ford Coppola's, The Godfather, taking you down into the dark world of the Italian Mafia, along side such memorable characters as Don Corleone, and his Son/Don-to-be, Michael Corleone, or George Lucas', Star Wars, launching you out into outer space with Luke Skywalker, as he is thrust into the conflict between the Republic and the evil Empire, the worlds in which these stories take place take what we know to be reality, and, if only for a couple hours (or more, as with such classics as, The Shawshank Redemption), bend it until we can no longer tell what is real and what is all imagination. This is the true beauty of Cinema, and, it is my opinion that, behind every story, are many remarkable concepts, plots, and ideas, which can spark thought, and change how we perceive everyday events and dilemmas, even after we walk out of the movie theatre. As the title suggests, I have concluded that, even after a movie ends, the lights come back on, and you realize that you have stepped in hundreds of other peoples spent gum, there is a so-called, "Method," behind movies in how the Writer and Director force the mind to think deeper into the film, and, if never come to a complete and true answer, at least spark the curiosity which is still young and thriving in the every man and woman's mind. It is my goal to point out the many small, and maybe even slightly minuscule, points of interest in the movies of today, yesterday, and tomorrow, and give insight into the mysteries which lurk behind the velvet curtain, on that magnificent silver screen, we call the movie theatre.


Big news for the youngest amongst us (and perhaps the young at heart!), Disney Theatrical has announced that the new Broadway musical Frozen will have its premiere Australian season in Sydney in July 2020.
Based on the 2013 film of the same name, Frozen features music and lyrics by the creators of the film score, Kristen Anderson-Lopez and Robert Lopez, and a book by Jennifer Lee, the film’s screenwriter and director (with Chris Buck). Choreography will be by Rob Ashford, who won a Tony Award for Thoroughly Modern Millie.
To join the waitlist for tickets head to www.frozenthemusical.com.au
Pictured top: Patti Murin (Anna) and John Riddle (Hans) in Frozen on Broadway. Photo: Deen van Meer.


National Mom’s Nite Out is May 8, 2014
About National Mom’s Nite
May 8th, 2014! Take your friends, leave the kids home and celebrate National Mom’s Nite Out!
This year #NMNO14 has teamed up with AFFIRM films (division of SONY Pictures) and Provident Films and a new movie will be released in honor of this years National Mom’s Nite Out! Enjoy your evening then take the family to see (the appropriately titled new release movie) Mom’s Night Out!
About the Movie: Mom’s Night Out
Debuts May 9th, 2014 in theaters
A movie directed by Kevin Downes that brings a comical story about 4 Mom’s planning a Night Out when all goes wrong. Of course, in the end all is OK. You will relate to the situations these Mom’s find themselves in.
The cast: Sarah Drew (Grey’s Anatomy), Sean Astin (Lord of the Rings), Patricia Heaton (Everybody Loves Raymond, The Middle), Alex Kendrick (Courageous), Robert Amaya (Courageous), Andrea Logan White (Revelation Road), director Kevin Downes (Courageous) AND Trace Atkins (Yes! THE Trace Atkins-country recording artist).
Want a sneak peak? You got it……
I was not compensated for this post


The Dumpling got into nursery rhymes lately after watching The Mother Goose Club. To make storytelling a bit more interactive and personal, I decided to write my own and narrate it through a homemade cardboard stage. The plot is based on true events, although names and identifying details have been changed to protect the privacy of individuals.
The Bunny Who Refused to Nap
There was once a little bunny who refused to nap.
He ran around the meadow and drove his mother mad.
He hopped with a frog.
He pranced with a deer.
He climbed with a squirrel.
He fished with a bear.
His poor mother chased him all around.
She couldn’t get a break
Because her little bunny wanted to stay awake.
The little bunny was finally tired by nighttime
And hopped straight into bed.
His mother opened a bottle of wine
And poured herself a glass…or three of red!
Behind the scenes:
The Dumpling kept grabbing and putting the props in her mouth, so I ended up ditching the stage altogether and moved the characters around with my hand. She eventually succeeded in gouging the bunny’s eyes out and then kidnapping him altogether. I spent the next few minutes chasing her around the coffee table to rescue my blinded actor.
This play has indeed become a tragedy.


2004: Documentary: Edge Of The City Channel 4
Article Title 06: Anger in Bradford over portrayal of city on TV drama
Article Link: https://www.independent.co.uk/news/uk/home-news/anger-in-bradford-over-portrayal-of-city-on-tv-drama-760488.html
Date-stamped: Monday 26 November 2007
Author: Jerome Taylor
Article Lead In: Two new BBC dramas that highlight racial tensions in Bradford have come under fire from community leaders, who say the media persistently portrays their city in a negative light. BBC 2 has commissioned a series of dramas and documentaries for its winter season under the title “White” , which the corporation says will explore why some white working-class people “feel under siege”. But people in Bradford, which has already featured in dramas depicting racial tension, are incensed that their city will again be a backdrop in two of the dramas. Ian Greenwood, leader of Bradford Council’s Labour group, said: “I’m sick to death of the negative coverage Bradford gets….
Film set for racial drama
* Britz A fictional drama also directed by Peter Kosminsky, it tells the story of a Muslim brother and sister yanked in opposite directions by their feelings over the way Muslims are treated in Britain. While the brother joins MI5 to fight extremism, the sister becomes a suicide bomber. Shot in Leeds, but the story was set in Bradford
* Bradford Riots Drama based on the 2001 riots from the point of view of a group of angry Asian youths and the effects of the riots on their families. More than 100 Asian youths were convicted for involvement and the majority handed themselves in to the police.
* The Last White Kids Channel 4 documentary that followed the story of the teenager Ashleene Gallagher who began attending her local mosque in Manningham, Bradford, and won the approval of the imam there with her ability to memorise passages from the Koran.
* Edge of the City Channel 4 documentary on Bradford’s social services in which one of the stories controversially followed authorities and parents trying to stop groups of predominantly Asian men grooming girls as young as 11 for sex. The BNP based an election broadcast on the film.


It’s Christmas Day on a remote human colony and the Doctor is hiding from Christmas Carols and Comedy Antlers. But when a crashed spaceship calls upon the Doctor for help, he finds himself recruited into River Song’s squad and hurled into a fast and frantic chase across the galaxy. King Hydroflax (Greg Davies) is furious, and his giant Robot bodyguard is out-of-control and coming for them all! Will Nardole (Matt Lucas) survive? And when will River Song work out who the Doctor is?
All will be revealed on a starliner full of galactic super-villains and a destination the Doctor has been avoiding for a very long time.
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Booth's Daughter by Raymond Wemmlinger
Edwina Booth is 18 and lives in the shadow of the assassination of President Lincoln by her uncle John Wilkes Booth, which happened when she was barely old enough to remember. Her father is a famous actor and she struggles to find herself in his world of art.
This has the potential to be a good story, but it often gets bogged down in historical details. Edwina and her father are strong characters, but the others seem to be shadows. Also, the ending happens rather too quickly for my taste and I'm not sure Edwina's character is very believable for the time period.
An interesting take on history, but for Thumbs Up purposes, I'm going to say NAY and wait to see what others think.


Ranveer Singh has worked his way to the top in a very short time. His range as an actor is commendable. In 2015, he bowled us over with back-to-back great performances in Dil Dhadakne Do and Bajirao Mastani. Today marks the fifth anniversary of Dil Dhadakne Do and the actor shared an adorable selfie on social media to commemorate the release.
Ranveer has gone clean-shaven for the film and had a cool boy-next-door look in DDD. The film revolved around a dysfunctional family that comes to terms with what’s wrong with them while on a cruise. The actor shared a selfie which was clicked during the shoot to celebrate five years of the release of the film. Netizens soon recounted various scenes from the movie and expressed their love for this family saga set on a cruise. Director Zoya Akhtar too dropped a comment on his post saying, ‘Take me back.’
The film also starred Priyanka Chopra, Anushka Sharma, Anil Kapoor, Shefali Shah and Farhan Akhtar. Zoya Akhtar won a lot of praise for the way she portrayed a dysfunctional family. Ranveer Singh and Zoya Akhtar teamed up again in 2019 for Gully Boy and that film too proved to be a hit at the box-office. Let’s hope their third film together is a blockbuster as well.


Bài tiếp theo
Nee Kosam Telugu Full Movie - Ravi Teja, Maheswari, Srinu Vaitla
Watch Nee Kosam Telugu Full Movie.
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Starring : Ravi Teja, Maheswari, Brahmaji, Sivaji Raja, Chalapathi Rao, Jayaprakash Reddy, Uttej.
Music : R. P. Patnaik, Devi Sri Prasad (Konte Bapu).
Producer : Ghanta Srinivas
Written And Directed By Srinu Vaitla.
Release Date : December 3, 1999
Sasirekha (Maheswari) is the daughter of a rich father (Jayaprakash Reddy), who is a strict disciplinarian and hates any kind of love affair. Ravi (Ravi Teja), an orphan falls in love with Sasi and she also slowly develops feelings for Ravi. One day Ravi meets Sasi’s father in the outskirts of the city and tells him all about his love. However, he is accidentally killed by Ravi in a scuffle. Sasi soon finds out that the real culprit is Ravi. Infuriated, she breaks-up with him. Ravi, unable to bear the rejection, jumps from a hill. He escapes death, only to be told by the doctors that he is disabled and might cure in future if someone takes care of him. In the climax sasi decides to stay with ravi who is nothing but a vegetable now, stating that what ever he did was just because of his love for her and she still is in love with him.


(Born in 1953. France)
(Born in 1969. Canada)
Interspecies Cinematic Encounters, 2020
This installation explores the myriad ways in which cinema has imagined, represented, and incarnated encounters between beings that are commonly seen as belonging to different realms. Assembling excerpts from films where protagonists of our one plural world, or pluriverse, namely humans, animals, plants, minerals, water, fog, ghosts, and spirits come into contact, mediate, affect, fuse, or transform one another, visitors will be invited to wander and wonder, in a scenography of screens convening around poetic and sensate motifs.
The excerpts, between two and six minutes in length,are shown in a loop
• The Assassin, dir. Hou Hsiao-hsien (Taiwan, 2015).Central Motion Picture Corporation, Taipei.
• The Battle of Tabatô (A batalha de Tabatô), dir. João Viana (Guinea Bissau, 2013). Capricci, Paris
• The Box of Life (Sûndûq al Dunyâ), dir. Ossama Mohammad (Syria, 2002).
• City of Jade, dir. Midi Z (Taiwan, 2016). Seashore Image Productions, New Taipei City
• Comradeship (Kameradschaft), dir. Georg Wilhelm Pabst (Germany, 1931). Praesens-Film AG, Zurich
• The Cow (Gav), dir. Dariush Mehrjui (Iran, 1969). Farabi Foundation, Iran
•The Dead and Other Tales (Chuva É Cantoria Na AldeiaDos Mortos), dir. João Salaviza and Renée Nader Messora (Brazil, 2018). LUXBOX, Paris
• Father (Otac), dir. Srdan Golubovic´ (Serbia, 2020). Film House Bas Celik, Belgrade
• Fire Will Come (O que arde),dir. Oliver Laxe (Spain, 2019). Pyramide, Paris
• Kongo, dir. Hadrien La Vapeur and Corto Vaclav (Congo, 2019). Pyramide, Paris
• Leila Attacks (Leila attaque), dir. Chris Marker (France, 2006). Les Films du Jeudi, Paris
• Leviathan, dir. Lucien Castaing Taylor and Véréna Paravel (USA, 2012).
• Monte, dir. Amir Naderi (Italy, 2016).
• My Joy (Schaste moe), dir. Sergei Loznitsa (Ukraina, 2010). Pluto Film, Berlin
• Paradise (Le Paradis), dir. Alain Cavalier (France, 2014). Pathé Films, Paris
• The River, dir. Tsai Ming-liang (Taiwan, 1997). Central Motion Picture Corporation, Taipei.
• Tropical Malady (Sud pralad), dir. Apichatpong Weerasethakul (Thailand, 2004).
Spatial design: COLLECTIVE


According to TVShowsOnDVD - September 5th
Wednesday, April 26, 2006
Date has been changed to October 3rd
Monday, April 10, 2006
Fans of the Emmy-winning TV show "Lost" have been captivated by the mysterious, ship-wrecked scientist Danielle Rousseau and eagerly watch each week to see if more information is revealed about her story. The actress who plays her, Mira Furlan, has an equally intriguing background. A Croatian Jew who was a star of TV, film and theater in her native Yugoslavia, Furlan fled to the United States 15 years ago
when the increasing violence among ethnic groups endangered so many. Furlan, a classically trained actress, found a new niche in Hollywood by joining the cast of the science-fiction TV series "Babylon 5"as Ambassador Delenn. She has also appeared in dramatic productions in Los Angeles and released an album called "Songs From Movies That Have Never Been Made." Furlan recently spoke with Hillel Campus Report about her Jewish roots, her diverse career and the choices she's made in portraying Rousseau.


As you can see from the only post I left on here, I did this same list a year ago.
The sad part? I only saw THREE of the movies that came out last year. It’s a very sad life I lead when I can’t keep up with the times.
But let’s try this again, shall we? I can’t guarantee that I’ll actually see them, but you bet your bum that I’ll make an effort. If they’re listed here, it means I have a general interest in the movie… and that’s a start, isn’t it? Haha!
Okay, let’s see what we’ve got for 2013…
- Hansel and Gretel: Witch Hunters (I’ll admit, it’s mostly for Jeremy Renner)
- Movie 43
- Warm Bodies
- Side Effects
- Safe Haven (can’t leave Nicholas Sparks off my list! haha)
- Jack the Giant Slayer
- Oz: The Great and Powerful
- The Host (though I should probably read the book first, huh?)
- Iron Man 3
- About Time
- The Great Gatsby (wasn’t this supposed to come out in 2012?)
- Star Trek Into Darkness
- Fast and Furious 6
- Much Ado About Nothing (It’s a Joss Whedon film, so it’s a given)
- Man of Steel (I should see the other Superman movies, to see why it needs another reboot)
- Monsters University
- Despicable Me 2
- The Wolverine
- 300: Rise of an Empire
- Percy Jackson: Sea of Monsters
- The Mortal Instruments: City of Bones
- Sin City: A Dame to Kill For
- Thor: The Dark World
- The Hunger Games: Catching Fire (I just finished the book, so I’m definitely stoked for this one!)
- The Hobbit: The Desolation of Smaug
A lot of prequels, sequels, or other continuations to movies this upcoming year. What I can’t stand, however, are the remakes, of which there are many in 2013 (like, does Carrie or Evil Dead really need to be redone? I think not). I’m not surprised though; it seems Hollywood can’t seem to come up with very many originals these days. I’m a sucker for movies in a series, as you’ve probably seen above. But remakes, especially unnecessary ones, are a bit annoying.
What movies are you looking forward to this year? Any thoughts about the upcoming year of movies?
Each year, I give myself the goal of watching 50 new movies I haven’t seen before, though I’ve extended that to include movies I may have seen part of before and have now seen completely from start to finish. Hopefully I’ll be able to add a few of these, and those I have yet to see from 2012, to my list this upcoming year. I know the pile of movies I’ve recently purchased, and the others I want to get my hands on, will definitely aid in my endeavors.
I’m such a ridiculous cinephile…


|Age||64 (born April 22, 1954)|
|Website|| Official Agency Profile|
Nakata studied at the Toho Gakuen College of Drama and Music. His first roles were for live-action works where his major characters portrayed included Sir Cowler in Choushinsei Flashman and Great Professor Bias in Choujuu Sentai Liveman of the Super Sentai series. He was doing theater work as well as live-action drama and voice dubbing when Michiko Nomura, who had worked on Sazae-san, suggested him to become a voice actor. Nakata said in an interview with Sutoraiku that he compared the pay for the roles and was very astonished by the difference, so he then switched to full-time voice acting.
He narrated Mobile Suit Victory Gundam, which aired in 1993. In 1994, he voiced Murakumo Yagami, the series' main antagonist in Blue Seed. In the 1994 anime film, Street Fighter II: The Animated Movie, he voiced Balrog when the character was named M. Bison. Nakata said that his role in the 1996 anime Escaflowne helped advance his career; there he played Folken. He would continue to voice major antagonists including Gaav in Slayers Next, Stargazer in Lost Universe, and Brian J. Mason in Bubblegum Crisis Tokyo 2040.
In 2001, he voiced the antihero Alucard in the Hellsing TV series. Looking back at his career, Nakata said that Alucard was the one character he most enjoyed voicing and the easiest one to portray. He said that villain characters and ones with distinct personalities were easier than ones with not much personality as they can be shaped and changed up. He later reprised his role as Alucard in the Hellsing Ultimate OVAs.
The year 2004 saw Nakata in some breakout roles. He voiced the title character in Gankutsuou: The Count of Monte Cristo, which was popular among the late-night adult audience, but he also joined Sgt. Frog in voicing Corporal Giroro, which was popular with kids and adults as it aired during prime time. In 2005, he picked up voice roles as villains Megatron in Transformers Cybertron and Amshel Goldsmith in Blood+. He voiced Roy Revant, the protagonist of SoltyRei; the director for SoltyRei would later cast him as the narrator in the Amagami SS visual novel anime adaptation.
He joined the Fate/stay night visual novel franchise, voicing Kirei Kotomine in the 2004 release, its anime adaptation in 2006, its feature film Fate/stay night: Unlimited Blade Works in 2010, and the prequel series Fate/zero. In his interview, Nakata said that co-creator Kinoko Nasu had known him since his Tokusatsu days, and that he had been involved in many of Type-Moon's titles, having voiced Nrvnqsr Chaos in Melty Blood and going on to voice Souken Araya in the anime adaptation of Kara no Kyoukai. In 2014, he reprised his role of Kirei for the Fate/stay night: Unlimited Blade Works television series.
In 2013, he was the narrator for Noucome, voiced lead character Sigmund in Unbreakable Machine-Doll, and voiced Nyanta in Log Horizon.
In video games, he voiced in the Samurai Warriors series as Uesugi Kenshin and Tokugawa Ieyasu. In overseas dubbing, he has voiced various characters in shows and films such as 300, Sex and the City, and The Little Mermaid. Nakata said that because of his live-action background, he felt comfortable with portraying the overseas dubbing roles, although he still enjoyed the creativity coming from the two-dimensional anime characters.
- His blood type is A.
- ↑ "中田 譲治｜日本タレント名鑑". VIP Times Co.
- ↑ 日本タレント名鑑'82. VIP Times Co.
- ↑ 3.0 3.1 3.2 3.3 3.4 3.5 3.6 3.7 3.8 "SUTORAIKUanime Exclusive: Interview with Nakata Jouji" (Wayback Machine). Sutoraiku Anime.
- ↑ 4.0 4.1 4.2 4.3 4.4 4.5 "Search results for "Nakata Jouji" in ALL database". Seiyuu Database
- ↑ "Jouji Nakata Voices Virtual Singer Macne Nana's 'Dad'". Anime News Network.


Angela Little is a screen composer and vocalist originally from Sydney, Australia. Her first big break into screen scoring was on Baz Luhrmann’s film “Australia”, for which she co-composed Additional Music, which led to nominations for several national and international awards. She was also the singer and co-writer of “By The Boab Tree”, which was the first song featured on the end credits of the film. Angela’s music and distinctive vocals continued to appear in a range of film, television, theatre and album projects nationally and internationally. In 2015 she featured as a vocal soloist on Marco Beltrami’s score for Alex Proyas-directed blockbuster “Gods of Egypt”, and she composed the score for feature documentary “Zach’s Ceremony”, a coming-of-age story about an indigenous boy navigating his place in both traditional culture and contemporary society. The film had its world premiere at Hot Docs 2016, and went on to screen at the Sydney Film Festival (where it won the Foxtel Audience Award for Best Documentary), Melbourne International Film Festival (where it won the audience award for Best Documentary), and in Australian cinemas in 2017, before being nominated for a 2017 AACTA Award for Best Feature Documentary.
In 2018, Angela relocated to Los Angeles to complete her Master of Music in Screen Scoring at the University of Southern California, where she was the recipient of the Sandra & Alan Silvestri Scholarship, awarded annually to the program’s top-ranked applicant. During her time at USC, Angela was selected for the Thornton Board of Councillors Mentorship Program, through which she was mentored by renowned screen composer Thomas Newman, and on graduation, she received the faculty’s top honour, the Joe and Alice Harnell Award. Angela has also been the recipient of grants and awards from the Australia Council for the Arts, the PPCA Performers’ Trust, the Ian Potter Cultural Trust, and the Australian American Association’s Dame Joan Sutherland Fund. In 2018, Angela’s achievements were mentioned in NSW State Parliament, and she was recognised as an AMP Tomorrow Maker, being one of 43 individuals awarded funding from a pool of almost 2000 applicants as part of an initiative of the AMP Foundation to recognise and support outstanding Australians across all fields (including scientists, social innovators, educators and technologists, artists and athletes) who are working to create a better tomorrow.
Angela’s recent projects include independent feature film “Chocolate Oyster”, directed by Steve Jaggi, documentary mini-series “How Mad Are You?” produced by Blackfella Films and SBS Australia (on which she collaborated with Sonar Music), and feature film, “Back of the Net”, starring Disney’s Sofia Wylie (Andi Mack, High School Musical:The Series), which was released in Australian cinemas in 2019, before screening on the Disney Channel in the USA.


This is my list of the top ten movies that I think are excellent at this moment in time. I fully expect you to disagree with my list, to hurl abuse at me for not including x,y or z. Good. This is in no way going to represent the movies that I think are the best ever. I may not even give satisfactory reasons for my choices. I am going entirely on instinct and allowing that to guide me. I’ll probably look at this list tomorrow and ask myself what I was drinking.
That is the beauty of movies. One day, a film will be everything you need to see, to hear, to experience. The next day it might seem to be a total piece of crap. Ever seen a film in the cinema and thought it was great, then got it on DVD and realised that it was actually a bag of arse? I certainly have.
So, in no particular order, let’s get started.
Number 1: Fight Club dir. David Fincher (1999)
What can be said about this gem? The Chuck Palahniuk novel was masterfully adapted into this violent, funny and intelligent actioner, with star turns from Edward Norton, Brad Pitt and Helena Bonham Carter (among others). Its simplifying of male relationships and masculine aggression is satisfying without dumbing down, and the ‘twist’ (such as it is) is handled well. The film explores consumer culture without being preachy, using the source material excellently. It is dark and stylish, cool without trying too hard, touching without being saccharine.
If you haven’t seen this film, where have you been for the last thirteen years? If you doubt Brad Pitt’s acting ability, you need to see this film. If you’ve ever shopped at IKEA, you need to watch this film. If you’ve ever wanted to destroy something beautiful…well, you get the picture.
Number 2: High Fidelity dir. Stephen Frears (2000)
A lesser known John Cusack vehicle, with supporting roles and cameos from Jack Black, Todd Louiso, Iben Hjejle, Tim Robbins, Catherine Zeta-Jones, Joan Cusack, Lisa Bonet, Lili Taylor, Sara Gilbert and Bruce Springsteen. Quite a cast, I’m sure you’ll agree, and they are all excellent choices for the roles they have been given. The movie is adapted from a novel by Brit author Nick Hornby, and the story is transplanted from London to Chicago, but the director and cast handle it really well. The novel focuses on the whirlwind of emotions stirred up when Rob (John Cusack) is dumped by his girlfriend Laura (Iben Hjejle). This prompts a bout of navel-gazing and soul-searching as Rob seeks out his Top Five, All Time, Most Memorable Break-Ups in order to discover why he keeps getting dumped.
Most of the story revolves around Rob’s record store and his love (or obsession) with pop music. Everything is described in terms of the emotions in music; the soundtrack supports this with tunes from Dylan, Elton John, Joan Jett & the Blackhearts, Al Green and a marvellous version of Marvin Gaye’s Let’s Get It On performed by Jack Black.
If you like music and feel that it has had a profound effect on you, or if you’ve ever been dumped, or in love, watch this film. It’s one of the few films that actually brings a lump to my throat and a tear to my eye.
Number 3: The Shawshank Redemption dir. Frank Darabont (1994)
So the third film in my list is another adaptation, this time from Stephen King. Tim Robbins plays Andy Dufresne, a banker sentenced to life imprisonment for the murder of his wife and her lover. He is sent to Shawshank, where he suffers the usual prison unpleasantness, but he befriends the prison ‘fixer’, Red Redding, played by Morgan Freeman. Dufresne uses his skills in accountancy to get on the good side of the guards, led by the sadistic Captain Hadley (Clancy Brown), and eventually helps Warden Norton (Bob Gunton) to embezzle funds from an inmate labour scheme.
Despite everything that happens to Dufresne, he never gives up hope, and that is the message of this movie: they cannot take your hope if you don’t let them. The Shawshank Redemption is a beautifully uplifting movie, helped by remarkable performances, stunning direction and excellently crafted story. The film is narrated by Freeman, with his instantly recognisable inflections, and spans several decades, showing the institutionalisation of the characters as they spend the best years of their lives behind the walls of Shawshank.
This is a wonderful film and deserves a place in every film fan’s collection.
Number 4: Raiders of the Lost Ark dir. Stephen Spielberg (1981)
I was born in 1975, so I was probably 8 years old when I saw this film. I challenge any 8 year-old boy to watch Indiana Jones buckle his swash across the Egyptian landscape without immediately wanting a brown leather jacket, dusty fedora and bullwhip. Jones (Harrison Ford in one of his finest roles) is the ultimate action hero: he is as flawed as he is brilliant.
The plot is a glorious blend of pulp action, Nazi bad guys, biblical occultism and rocky romance. It even has a monkey. What more could you ask for? The cat-and-mouse game of chase with the Nazi antagonists is genuinely fun, high praise indeed. Klaus Kinski famously turned down the part of Major Toht, calling the script “moronically shitty”, but the $384 million box office would suggest that the audiences disagreed.
Raiders… is a film that doesn’t take itself too seriously, but wears its enthusiasm proudly on its sleeve. It is a true romp, with actors that really seem to be enjoying themselves. The villains are stereotypical; sneering, perverse Nazi torturers, brilliant and amoral French archeologists. The heroes are equally stereotypical; Jones switches between bookish nerd and stubbly action man with aplomb.
As a film, it is simple and wonderful. I could watch this every day for the rest of my life and I probably would never get bored. It deserves a place in every film fan’s DVD collection and is the only film on this list that I will allow no disagreement. If you don’t like Raiders… you don’t like films. Simple.
Number 5: Blade Runner dir. Ridley Scott (1982)
The first science fiction film on the list and the second Harrison Ford vehicle, Blade Runner tells the story of Rick Deckard, hired to chase down and ‘retire’ four androids (known as replicants) who have returned to Earth to try to extend their short lives. The film has had several incarnations, culminating in the Final Cut in 2007. This version was the only one that Ridley Scott had full creative control over, removing the noir style voice-over, altering the unicorn dream and many other little tweaks.
Personally, I quite liked the voice-over, despite the fact that it was mainly used to highlight the important plot points for the hard of thinking. I felt that it gave the film an old-school noir feeling, reminiscent of the detective films of the 40s.
The changes made to the film go some way towards answering the question of Deckard’s existence: Is he a replicant himself? Scott has made his opinion clear, but ultimately it is down to the individual viewer to decide on their own.
The film is based, albeit loosely, on Philip K Dick’s novel Do Androids Dream Of Electric Sheep? but is far more coherent. Dick was a renowned drug user and his novels often reflect that aspect of his life, questioning ideas of humanity, paranoia, authority and so on. The film entertains some of these notions, but does so in a far more controlled way, showing Deckard as a man haunted by his own life, emotionally involved in the fate of those he is tasked with ‘retiring’.
The most outstanding feature of the film is the look of it. From the smoky, dimly lit interiors to the stark silhouettes of the cityscape, the film looks futuristic, even thirty years after its release. The lack of CGI lends a gritty realism to the world, making it far more believable than modern attempts at the genre.
Overall, Blade Runner is a wonderful film, fantastically acted, brilliantly scripted, beautifully shot.
Number 6: Star Wars Episode IV: A New Hope dir. George Lucas (1977)
Originally released as plain old Star Wars, this is the one that started it all. Spawning two sequels, three prequels, two spin-off movies, Tv series, video games a-plenty and more merchandise than it is possible to recount, Star Wars genuinely changed the world of film forever. The cast were mostly unknowns, with the exceptions of Alec Guinness as Obi-Wan and Peter Cushing as Grand Moff Tarkin, and the story fantastic. Harrison Ford again features, this time as the smuggler Han Solo, with Mark Hamill as Luke Skywalker and Carrie Fisher as Princess Leia. The film also features arguably the most iconic movie villain ever, in the six-foot six form of Darth Vader, Dark Lord of the Sith and Emperor Palpatine’s right hand man.
I will accept that A New Hope is not the best of the films, but it is the one that came first, and it introduced me to an astounding universe of adventure, laser swords, bizarre creatures, beautiful princesses, charming rogues, spaceships, other worlds, epic battles and robots. I will never forget the way I felt as I watched the film for the first time, aged four. It began a lifelong love affair with science fiction (and was ultimately responsible for my feelings of betrayal when Phantom Menace was released), and will always hold a special place in my heart. It is by far the most innocent of the six movies, and although the storylines are not completely worked out (Luke kissing his sister ‘for luck’ is possibly one of the more creepy moments when viewed in retrospect) it is still a wonderful experience to watch.
Number 7: The Big Lebowski dir. Joel and Ethan Coen (1998)
The Big Lebowski stars Jeff Bridges as Jeffrey Lebowski, AKA The Dude, LA’s finest stoner and bowler. The plot centres around a case of mistaken identity and kidnapping, as Bunny Lebowski (Tara Reid), the wife of disabled millionaire Jeffrey Lebowski (David Huddlestone), disappears. Dumb hijinks ensue, but really the plot of the film is not important, despite the many twists and turns that the Coens shoehorn into the two-hour runtime. The real joy of this movie is the way in which the Dude drifts from one disaster to the next, ably assisted by his best friends, the Viet Nam veteran Walter Sobchak (John Goodman) and the put-upon Donny (Steve Buscemi).
The dialogue and character portrayals are excellent, with some scene stealing turns from Lebowski’s aide Brandt (Philip Seymour Hoffman), Jesus Quintana (John Turturro) and the Stranger (Sam Elliott), and really the dialogue is the main reason to watch the film. Bridges and Co. really create the sense of reality despite the bizarre situations, and it is hard to watch without laughing out loud as long as you don’t get caught up trying to follow the plot. It is a film in which very little of importance happens, much like the Dude’s life, which centres around bowling, driving around and the occasional acid flashback. Walter’s ‘Nam inspired rants and inability to accept defeat are endearing rather than annoying, and Donny, despite rarely being noticed by the other characters, is genuinely sympathetic.
I have perhaps been a little harsh on the plot. It isn’t that the plot isn’t important, more that it is merely a vehicle for moving the main characters around and allowing them space to indulge in conversation. This is a truly character driven movie and would be just as enjoyable if the main characters weren’t seeking compensation for the Dude’s soiled rug, or chasing the missing $1 million around LA. One of the Coen brothers best films.
Number 8: Watchmen dir. Zack Snyder (2009)
I know that this is going to annoy fanboys across the internet, but I don’t care. I liked this movie. I am also a huge fan of the graphic novel, and I was really quite worried when I heard that it was being adapted for the big screen, especially when I heard it was being directed by Zack ‘300‘ Snyder. I was pleasantly surprised. Yes, it is different to the graphic novel; of course it is. Alan Moore’s comic is unfilmable. The version that finally made it to the cinemas is a good attempt, and works very well as a stand-alone story.
The plot follows the investigation into the murder of retired hero, The Comedian (played with eerie menace by Jeffrey Dean Morgan). The investigation is led by sociopathic vigilante, Rorschach (a wonderfully unhinged Jackie Earle Haley), complete with voice-over extracts of his stream-of-consciousness journal.
The action is heavily stylised, as one would expect, which fits the tone of the film well, and the lighting, set design and soundtrack all add up to a stunning spectacle. The denouement is well handled, with genuine pathos, unusual for a superhero film. There are some drawbacks, of course, but these are minor compared to the positives. Richard Nixon (Robert Wisden) looks far too much like a caricature, rather than the actual ex-president, and Dr Manhattan (Billy Crudup) spends a disturbing amount of time being all blue and naked, but other than that the whole film is a satisfying watch and a very good example of the superhero genre.
Number 9: X-Men dir. Bryan Singer (2000)
The one that arguably started the craze for comic book adaptions, X-Men stars Hugh Jackman as fanboy favourite Wolverine, as he is inducted into Charles Xavier’s team of superheroes, the X-Men. The humans are discovering that mutants walk among them, capable of incredible feats, and they are rightly scared. Xavier believes that humans and mutant can live together in harmony, but his old friend Magneto (Sir Ian McKellen) is a survivor of the Nazi concentration camps, and he knows what the dark side of human nature can lead to. Therefore, the film has three distinct groups, none of whom are typical bad guys. The humans are largely unrepresented in the film, except by the bigoted Senator Kelly (Bruce Davison), who changes his tune of hate and begs forgiveness from equally bigoted Storm (Halle Berry).
The story is solid, supported by talented actors and assured special effects. The influence on the genre is unarguable too, with this film spawning two sequels, one prequel and a spin-off (so-far), as well as triggering a surge in comic book movies, from Iron Man, Spider Man, Superman, Batman, Hulk, Thor, Green Lantern, Captain America, John Constantine, Kick-Ass, Scott Pilgrim and on and on and on. This popularity shows little sign of slowing down, with big budget movies for The Avengers, Spider Man, Judge Dredd, Batman and Superman all due for release in the next few years. Good news for geeks!
Number 10: The Usual Suspects dir. Bryan Singer (1995)
So, for the last film on my list, I have gone for another Bryan Singer helmed project. The Usual Suspects is a cleverly constructed whodunnit, told by Verbal Kint (Kevin Spacey) to Special Agent Dave Kujan (Chazz Palminteri) in the office of Sgt Jeff Rabin (Dan Hedaya) of the NYPD. Kint was arrested after a boat was destroyed in San Pedro but has FBI protection. Kujan is desperate to get to the truth as he is obsessed with finding and arresting Dean Keaton (Gabriel Byrne).
The film is genuinely incredible, with strong performances from the ensemble cast, and an engrossing, well told story. The shadowy antagonist is alluded to throughout, and served as one of the advertising tricks for the film: ‘Who is Keyser Soze?’ – a question I won’t answer here, on the off-chance that you have not seen it!
The Usual Suspects was not a huge commercial success on its release, but its relatively low budget of $6 million did mean that it began to make its money back reasonably quickly. Since then it has gone on to become a massive cult success and gained a strong mainstream following as well.
This film demands a second viewing, if only to see all the clues that you missed first time round, and the denouement of this film is second to none.
Right, that’s this list of random films completed, and I’m already thinking of films I should have included. So here is a quick list of the top ten films that didn’t make it:
2) It’s a Wonderful Life
3) Lord Of The Rings: The Two Towers
5) Mad Max
6) Reservoir Dogs
7) The Dark Knight
8) Ocean’s Eleven


The Netherlands was the first non-English-speaking country to offer degrees in English. Therefore, various programmes are taught in English and are very internationally oriented. The Netherlands, also known as Holland, stands out for its great inventiveness, its problem-solving attitude and its openness to the world.
Film and theatre studies belong to the group of performing arts studies. The focus of the studies depends individually on the programme and can be interdisciplinary. Whereas theatre studies usually contain subjects such as acting, dramaturgy and directing, film studies can also cover animation and film theory for example.
Find and compare 1 Short Courses in Film and Theatre Studies in Netherlands. Below is a selection of the available study options. If you're interested in studying Film and Theatre Studies in Netherlands you can view all 1 Short Courses. You can also read more about the Film and Theatre Studies discipline in general or about studying in Netherlands.


The Braid Film Theatre & 2013's Ballymena Arts Festival present, 'From Attenborough to Hollywood: An Evening with George Fenton'
As you'll see from the video, this internationally renowned film and television composer has performed all over the world. George Fenton will visit Ballymena for one night only on April 17th. A night of conversation, live music and film projected on a big screen - Don't miss it! Limited tickets available, book NOW at http://www.thebraid.com/whats-on-specific.aspx?s=Arts+Centre&dataid=927196