H6: Diary of a Serial Killer (Diario de un asesino) (2005)
Dir. Martin Garrido Baron, Spain, 92 mins
Ah, Christmas. That time of year when everyone exchanges fabulous gifts to warm the heart and brighten the spirit. Hmm. Well, in the Davis household that may not be 100% true, because Santa decided to bring me a copy of the Spanish horror movie H6: Diary of a Serial Killer. And there was not a lot of joy or goodwill contained in that particular gift, even for someone who absolutely loves Spanish cinema. Maybe I was on the naughty list after all?
Anyway, festive ramblings aside, H6 follows the story of Antonio Frau who, as a young man, in a very voyeuristic opening, kills his girlfriend. It really looks like we are watching the whole thing unfold through a spyhole and it's a pretty uncomfortable first five minutes for sure. However, the main thread of the story takes place 25 years later, when Antonio is released back into the wider world from prison to discover he has inherited a run-down old guesthouse from a distant aunt. It's a pretty valuable piece of real estate, despite its decrepit state, but he has no intention of selling it on – oh no, his plans are entirely different. Inspired by a long-dead French serial killer who made a detailed diary of all his victims, Antonio decides to turn the guesthouse into his own paradise of murder and mayhem.
There's not really much of an explanation of his motive beyond that – something fairly unclear about cleansing the women of the street that inhabit the area around the guesthouse – and if there's a thing that holds this movie it's that real paucity of plot. Antonio is married, but there never seems to be any genuine threat of her finding out about his nefarious activities – he carries out most of his grisly misdeeds while she is working night shifts as a nurse – and it's only in the last half-hour that we even introduce a police character who might actually find him out. For the most part it's a slightly drifty tale of a lunatic loner who brings in the prostitutes of the area with grand promises before tying them down, raping them and then starving them before carving them to pieces with a chainsaw. There are plenty of sinister moments and, although it's not as graphic or as hard to watch as some of the entries we have watched over the last two years of the series, there's plenty of unpleasantness implied alongside what is seen.
What does go a long way towards redeeming the movie is the performances, which all around are very good. Fernando Acaso is brilliantly sinister in the lead role, and even the performances from is victims – of which we only really encounter three in any depth – are also very good, lifting them from the usual cardboard cut-outs we see in horror. The visuals are interesting, and the diary concept is nicely delivered – although was done better in Eric Stanze's hypnotic Scrapbook. The ending is also a little frustrating, which I am knocking off another mark for.
So, H6 is a movie with a somewhat familiar concept, and a somewhat slim plot, but it is certainly lifted up by some good direction and strong central performances. It's very watchable, and will keep you watching keenly for its 90 minute runtime, but it's hard to say it treads new ground or breaks down any cinematic boundaries. Ultimately, what this movie does is provide a good example of this particular subgenre, and is ultimately worth a look for those of you that enjoy serial killer movies.
RATING: 7/10. There was potential for this one to rank a bit higher, particularly if we had a better motive to our killer or a bit more threat of him actually getting caught, but there's certainly that sheen of quality to it in terms of production and acting that Spanish cinema so often has that makes it a worthwhile entry into the pantheon of serial killer movies. All told, it's a very solid 7/10 for this one.
The Corpse of Anna Fritz (El Cadaver de Anna Fritz) (2015) Dir. Hector Hernandez Vicens, Spain, 76 mins
Make no mistakes – Spain is absolutely one of my absolute favourite patches of cinema. Some of my very favourite films – including the likes of The Orphanage and In a Glass Cage – have emerged from the nation. So having just signed up as a member at Shudder I was pretty pleased to see a few new and newish Spanish films, among them The Corpse of Anna Fritz. In my mind I had this a little confused with The Body – another movie well worth a look – but once I had finally established that this was a different film entirely, I thought this one was well worth a look. It had the Film Gutter feel from the title alone – and lived up to that, at least to some extent.
So, we begin our story in the morgue of a hospital with the cadaver of the aforementioned Anna Fritz being rolled in. As a huge international film star, her whereabouts in death are kept secret – but one of the morgue attendants, Pau, simply can't help telling (nay, bragging) to his friends about the body's presence there. So much so that he does down to show his mates – one of whom, Ivan, insists on taking his chance to have sex with the dead body. Pau even goes on to admit that he's done it before – pretty remarkable scenes all round. The third friend, Javi, is horrified by this particular discussion, which leads to a disagreement and his unfortunate death. To further complicate matters, as Pau takes his 'turn' after Ivan, Anna Fritz wakes up – still barely able to move or speak, but umistakably alive all of a sudden.
Now, I would say that, for me, that set-up was kind of a stretch – for two of three men to take the decision to have sex with a dead body, albeit a very famous one, is something you might just have to live with as an idea if you want to enjoy this movie. The necrophilia itself is not shown in the same detail as Aftermath – another Spanish film – but it's pretty clear what's going on. The question that comes after that central conceit is what to do with the body of Javi, and also the slowly awakening Anna Fritz – who could ruin both their lives with her testimonies of the murder and the abuse of her corpse. What follows is a taut and tense thriller, probably aided by its relatively short running time of 76 minutes in keeping things sharp and to the point. The unease between friends Ivan and Pau is very much evident throughout, threatening to explode on many occasions, and the plight of Anna herself – able to move only very barely – looks increasingly desperate as the movie wears on. The ending is simple but clever enough, the performances are generally pretty good and it did keep my attention all the way through. With all that said, the very idea at the heart of the movie requires a certain amount of suspension if disbelief, and it doesn't truly have the disturbingness or real impact of many of its cinematic compatriots.
RATING: 7/10. Probably unfair to expect this one to live up to some of the very best of Spanish cinema – the bar is set pretty damn high – but this was certainly a decent enough thriller that kept me wrapped up and brought some distinctly uncomfortable moment all the way through. If you're a fan of cinema from the area, or just like a slightly unsettling thriller, then The Corpse of Anna Fritz could be worth a look for you. Not unmissable but a worthwhile viewing experience.
Now, regular readers round these parts will know that if there's one patch of horror that affects me more than anything, it's body horror. Thanatomorphose remains one of Film Gutter's hardest watches on a personal level, and movies the likes of Contracted were no picnic either. Which brings us to Bite, a more recent entry in that subgenre that first came to my attention with reports of people fainting in the cinema at first festival screenings. That's not something entirely unheard of – it's no doubt a great marketing ploy, and something the laughable Green Inferno also tried to employ in the lead-up to the movie's release. But even taking that sort of thing with a pinch of salt – I mean, has anyone ever fainted just watching a movie, really? – I was excited if not a little nervous to be checking out Bite.


FS Fix: Bunuel #6 - That Obscure Object of Desire / Bunuel AwardsLuis Bunuel's puckish sensibility did not fail him in his old age. For the director's final film - 1977's THAT OBSCURE OBJECT OF DESIRE (made when he was 80) - Bunuel famously cast two actresses in the same role. The conceit allows him to explore some of his favorite themes - obsession, repression, desire, hypocrisy. It's also one of his funniest films. Adam and Josh have that review and wrap-up the marathon with 'Those Obscure Objects of Desire' - the Bunuel Marathon Awards. It's Catherine Deneuve v Jeanne Moreau! Fernando Rey v The Eyeball!
A special 12th anniversary episode of Filmspotting comes later in the week, with the 2017 Filmspotting Madness Selection Special and Adam and Josh's Top 5 Pantheon Contenders.
Posted on 01 Mar 2017
#623: 2017 Oscar Picks with Michael PhillipsThis year’s Oscar ceremony is bound to get political, but how might Oscar voters send a message with their ballots? Adam and guest host Michael Phillips try to stay above the political fray during their Oscar preview special: who will win, who should win - and who got snubbed. Plus, Massacre Theatre and Michael shares some thoughts on Jordan Peele's GET OUT.
0:00-2:08 - Billboard3:33-29:35 - Oscar PicksGlen Hansard and Markéta Irglová, "Falling Slowly"32:23-47:33 - Notes / Massacre Theatre47:33-50:33 - Michael Recommends: "Get Out"55:45-1:24:58 - Oscar Picks, cont.1:24:58-1:30:46 - Close / Outtake
Posted on 24 Feb 2017
#622: John Wick / John Wick: Chapter 2 / Lego Batman MovieWhen the Keanu Reeves revenge tale JOHN WICK opened back in 2014, it made a modest $80 million at the box office. But in the couple years since it has acquired something almost as valuable as money: cult status. That cult fervor was rewarded with a sequel: JOHN WICK: CHAPTER 2, with Reeves battling some of the world's deadliest killers. We dig into the Wick phenomenon with reviews of both the original and the new entry, plus thoughts on THE LEGO BATMAN MOVIE.
0:00-2:39 - Billboard
2:39-36:29 - Sacred Cow: "John Wick"
38:18-47:20 - Notes / Polls
47:20-57:10 - Review: "The Lego Batman Movie"
58:20-1:02:57 - Donations
1:02:57-1:23:04 - Review: "John Wick: Chapter 2"
1:23:04-1:28:55 - Close / Outtake
Posted on 17 Feb 2017
#621: Top 5 Political Resistance Movies / The Battle of Algiers / Bunuel #5 - TristanaWith the opening weeks of the new administration marked by political protest, Adam and Josh invite critic Michael Sicinski to share his Top 5 Political Resistance Movies. Plus, they cross off a major shared blind spot – the seminal resistance film THE BATTLE OF ALGIERS (1966) – and discuss the next film in their Luis Bunuel Marathon, TRISTANA.
0:00-3:54 - Billboard
3:54-39:29 - Top 5: Political Resistance Movies
Souad Massi, "Bima el'taaloul"
40:30-52:56 - Notes / Massacre Theatre
52:56-1:12:10 - Blindspotting: "The Battle of Algiers"
Souad Massi, "Hadari"
1:13:08-1:20:19 - Donations
1:20:19-1:40:09 - Bunuel #5: "Tristana"
1:40:09-1:52:55 - Close / Hot Mics
Posted on 10 Feb 2017
#620: 2017 Movie Preview / Oscar Talk / Bunuel #4 - Diary of a ChambermaidThe short version of Filmspotting's 2017 Movie Preview is easy: it starts with "Last" and ends with "Jedi." For a longer take, listen to this week's show, as Adam and Josh pose their top 5 questions about the new movie year. Plus, a little Oscar talk and Josh's recap of his time at the Sundance Film Festival.
0:00-1:41 - Billboard
1:41-30:18 - 2017 Movie Preview
Japandroids, "Near To The Wild Heart Of Life"
31:35-44:59 - Notes / Oscars Nominations
44:59-59:24 - Sundance Recap
Japandroids, "No Known Drink Or Drug"
1:00:26-1:03:28 - Donations
1:03:28-1:46:29 - Bunuel #4: "Diary Of A Chambermaid"
1:46:29-1:52:43 - Close / Hot Mics ("Split")
Posted on 03 Feb 2017
Author: Kempenaar & Larsen / Panoply
01 Mar 2017
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For anyone who hasn’t heard about his series or read my previous posts about it, Maoh: Juvenile Remix is a series about a city which is struggling to come to terms with modernity. In the worst possible way. Basically, an American company teamed up with the city’s mayor has forced people from their homes and businesses to shut down so that they can build what they call the ‘New Urban Centre’. The citizens are left feeling the blunt as hundreds are made unemployed as they watch their livelihoods be ripped apart. Feeding off the anger of the people an organisation called ‘the Grasshoppers’ has risen up lead by a young man called Inukai. Inukai aims to destroy the project at any means. Unable to accept the actions of the Grasshoppers, the series’ main character Ando becomes conflicted as he cannot justify the actions of either side.
We kick volume 5 off with members of grasshopper lighting the elderly couple who Anderson has been working for house on fire. A mob gathers to watch Anderson and the couple die, only to see him walk out of the flames carrying the man. Ando and Junya appear on the scene and after some confrontation with the mob they enter the burning house to rescue the woman. Ando uses his ventriloquism power to turn the mob against itself, giving them time to escape.
Meanwhile, Semi’s job of protecting the Mayor becomes more challenging as countless assassins have been sent to kill him. Semi tries his best to protect the mayor, killing his way through his hotel, but in the end it is all for nothing. Another assassin has been waiting for the mayor in his room and using a power of his own convinces the mayor to kill himself by jumping from the top floor of the hotel. Semi comes face to face with this unknown ‘suicider’ and has to fight to resist illusions that have been set onto him by this man.
Following the fire Ando accepts that he can no longer sit back watch as innocent people are put in harm’s way and do nothing. He decrees that he will defeat Inukai using his ability. A short time skip then occurs and he rejoin Ando a month later on the trail of Inukai and planning how he will confront him. Just as he is about to give up Ando discovers that Inukai will be at a Grasshopper rally in six days and decides that this will be when their battle will begin.
I knew this series had some good potential. The first four volumes were really nothing special, but everything is starting to kick off now, and I can’t wait to see how Ando is going to confront Inukai at the rally. The story lines are all starting to be drawn in together with Ando and Semi once crossing paths once again. Junya has finally had an impact on the story, up until now he was just kind of whining and annoying. The illustrations in this volume are amazing, especially the fight scenes between Semi and the other assassins. Also, the character designs of the people in the mob at the fire was very good too. All in all, I was very happy with volume five and I’m looking forward to the next one.


It's Black History Month and we are doing it #ForTheCulture! Join us for a night at the theater for the stage play "Pipeline". There will be a pre-mixer at 7p.m. and show begins promptly at 8p.m.
RSVP is required and tickets are purchased at the American Stage Theater, the day of event, which includes a BOGO drink ticket. Cost $30
RSVP ends February 20th
Nya, a single mother teaching at an inner-city public school, wants what’s best for her teenage son, Omari—even if it means sending him to a private school far from their neighborhood. But when an explosive classroom incident threatens Omari’s future, Nya must reevaluate the choices she’s made as a parent and educator. In this lyrical and timely drama, acclaimed playwright Dominique Morisseau brings an urgent conversation powerfully to the fore, compassionately probing the limits of our education system and a mother’s fight to give her son a future — without turning her back on the community that made him who he is.
Play directed by L. Peter Callendar
Pinellas County Urban League Headquarters333 ~ 31st Street NorthSt. Petersburg, Florida 33713Telephone: 727-327-2081


Yeah. Fireproof is another film from Sherwood Pictures that is also behind of Facing the Giants.
I am not married but still I believe God spoke to me the time I watched this movie. Okay, I am 22 now and who knows 8 years later or less, I will get married. Fireproof explains the struggles a couple may find in marriage and how God repairs it.
To see the plot of the movie, read this Fireproof 2008 film website from Wikipedia.
Never leave your partner behind
Even before, God already created marriage. Genesis 2:18 “It is not good for the man to be all alone. I will make a helper who is just right for him.”
Caleb and Catherine Holt forgets their purpose why they got married. Maybe at first time, they felt that love is basing in their emotions, well as we know, emotions cannot be trusted. They said bad things towards each other which we know is pointless. Until, Catherine said “I want out.” So they thought Divorce was the answer.
Caleb’s parents who feel accountable for his son took a visit and talked with their son. Caleb was irritated to his mother and so he is much comfortable to talk to his father than to his mom. His father had a strong foundation of Jesus and challenged his son to commit the 40 day Love Dare while they were preparing of divorce lawsuit. Caleb expected the Love Dare to be not a religious commitment. While following the half-way point of the Love Dare challenge, Caleb saw that it was not working. He was totally hurt. He was loving a Catherine who in return did not love him back. He talked to his dad again and realized that he needs someone who can make him change. At that point, he has faith to Jesus who loves us all inspite of the rejections we did to Him.
In the movie, we saw how Jesus works when we have him. There is understanding, true love and peace.
I recommend this movie to all of you out there. I hope that through this, God is speaking to you. My prayer is that you’ll learn a new perspective about marriage that can please God.
I want to congratulate the Sherwood Pictures and all other people who contributed a lot to this movie. May we have this kind of movie more. I am so blessed with this movie.


The Donald and The Actress (and The Mouth)
This morning it all came together for me, courtesy of The Donald The Actress and The Mouth. I don’t much care for awards programs. By definition they’re self-congratulatory, don’t much impact my life and aren’t terribly interesting. But I happened to catch a big piece of The Golden Globes last night, saw Meryl Streep take down […]
The post The Donald and The Actress (and The Mouth) appeared first on Grow Your Business.


Inscrit le: 05 Mai 2016
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|Posté le: Sam 1 Juil - 16:34 (2017) Sujet du message: Plays Volume One W Somerset Maugham
In his day, W. Somerset Maugham was most celebrated as a playwright, and the breadth of his ability is manifested in this collection of his most popular plays. Included here is the noirish mystery The Sacred Flame, the hilarious satires The Circle, The Constant Wife, and Our Betters, and the sharp-witted drama Sheppey. Whether suspenseful or acerbically witty, these plays take a sly look at the idiosyncrasies and hypocrisies of their time.
bound: 480 pages
publisher: Vintage Classics (March 29, 2017)
isbn: 1784872121, 978-1784872120,
weight: 14.1 ounces


WB Drama Classes
Sign up with your counselor to take Drama Classes in school for more fun opportunities and involvement!!
Drama 1 (9-12 grade): This course is a semester-long beginning level drama class for students of all grade levels. The content of this class includes ensemble building, improvisation, monologues, and scene work. Students will play fun games, create original characters, write their own scripts, perform in class, build up confidence and speaking skills, and enjoy being part of a creative, supportive group of unique individuals.
Drama 2 (9-12 grade): This course is a semester-long intermediate level drama class for students of all grade levels. Prior experience with drama is highly recommended for this class. Students will build upon previously learned skills to portray compelling, dynamic characters and more complex scenes. A focus on movement, diction, and script analysis will be an additional element of this class. This class culminates in a student driven one act play.
Advanced Drama (10-12 grade): This year-long course is a rigorous, introductory college drama class for sophomores, juniors, and seniors. Students are selected for the class through auditioning, and based on teacher discretion. Students will partake in advanced level training and acting techniques which can be applied to auditions at the amateur and professional level. Students will also be exposed to a variety of different script genres and undertake in-depth script and character analysis. This class culminates in a full-fledged student-led production.


Stalker’s wife walks towards the wall and then sits down, turns to the camera and takes a cigarette from her packet. A dreadful moment, this, for me. By lighting and smoking a cigarette she turns herself, instantly, into something hideous. That sheepskin coat, we realize now, must stink of cigarettes— and her hair. And it’s not just that: I hate all gestures associated with finding, lighting and smoking a cigarette. Geoff Dyer, Zona
Stalker trailer for the 2017 restoration
First time I watched Stalker was on VHS (a double tape feature) in a 14 tube TV. So I guess it was a bit blurry.
Zona by Geoff Dyer
Andrei Tarkovsky's film Stalker, released in the USSR in 1979, radiates an enduring sense of mystery and disquiet. I have seen it five times, though viewing can feel like a penance. // Tarkovsky erupted: it actually needed to be slower and duller at the start so that anyone who had walked into the wrong theatre would have time to leave before the action got under way.
“I believe many of you here haven't watched Stalker? Or at least haven't watched it more than 20 times, like I have”. Dzongsar Jamyang Khyentse Rinpoche - in Moscow, 2009. // Directed by Andrei Tarkovsky. With Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn, Nikolay Grinko. A guide leads two men through an area known as the Zone to find a room that grants wishes.
Some breath-taking visions from the film of Andrei Tarkovsky. I took the music and sounds from the film too.
Geoff Dyer’s ‘Zona’ Examines the Film ‘Stalker’
Geoff Dyer on the Soviet-era cinematic masterpiece.


JANUARY 12, 2016
"JUST FOR LAUGHS GAGS" MATCHES SEASON HIGH RATING
PPI Releasing to Distribute Award-Winning Drama "Blackstone"
Los Angeles – September 12, 2011 PPI Releasing, LLC has acquired worldwide distribution rights to the award-winning drama, Blackstone. The series debuted this past spring in Canada on the Showcase and APTN networks and is currently shooting its second season. “This is an exceptional series, and we’re proud to represent it,” said PPI principal, Josh Raphaelson. “Blackstone is a highly-charged drama in the mold of the most successful series on television, but its unique voice and vision will captivate American viewers."
Intense, compelling and confrontational, the highly-acclaimed Blackstone has been compared to a ‘Sopranos on the reservation’. The series is an unmuted exploration of power, politics and corruption in the fictional Blackstone First Nation community.
PPI’s announcement comes on the heels of last week’s 26th Annual Gemini Awards, where Blackstone won two awards including Best Actress in a Leading Dramatic Role for Michelle Thrush. Co-star Carmen Moore was also nominated in the category.
In addition to the Gemini Awards, Blackstone has won three Rosies and two Leo Awards.
Blackstone is produced by Prairie Dog Film + Television, with Ron E. Scott as executive producer, writer and director, Jesse Szymanski as producer, Damon Vignale as producer and writer, and Gil Cardinal as writer. The series is produced in association with Aboriginal Peoples Television Network.
About PPI Releasing, LLC PPI Releasing, LLC is a television and new media distribution company led by industry veterans Ritch Colbert, Josh Raphaelson and David Hutchinson. PPI Releasing brands feature innovative programming and high production values, developed in partnership with advertisers, broadcasters and online networks. For more info about PPI, visit www.ppi.tv.
ABOUT PRAIRIE DOG FILM + TELEVISION


Vin Diesel landed in India with Deepika Padukone and xXx: the Return of Xander Cage director DJ Caruso. And Deepika Padukone left no stones unturned to give him a grand welcome, that too in a typical Bollywood style.
A dozen girls dressed in traditional sarees with yellow turbans on their heads and the holy thali in their hands welcomed Vin Diesel in a grand desi style as he stepped out holding his xXx co-star Deepika Padukone’s hand. Check out all the pictures below.
The Grand Welcome
Hollywood actor Vin Diesel has reached India with his co-actress and Bollywood diva Deepika Padukone for the promotions of xXx: The Return Of Xander Cage. At the Chatrapati Shivaji Airport, Mumbai, Vin was welcomed in a proper traditional Indian style.
Dj Caruso With Deepika & Vin
Apart from Vin Diesel, the director of the film DJ Caruso has also come along to promote the film in India, where it is releasing 5 days before its scheduled US release.


Go Art Projects invites you to the opening of the solo show “Go Tell The Women” of the artist Barna Nemethi, curator Alina Bucur on Friday, April 24, 2015 , at 7 p.m., 98 Uranus St . The event is part of The White Night of the Galleries 2015.
Barna Nemethi is a successful Bucharest based fashion photographer, film director as well as a contemporary artist. He graduated from the National University of Theatre and Cinematographic Arts of Romania and holds a BA in Film Directing. His work have been shown in different festivals and competitions both locally and internationally such as TIFF, DaKINO, IEFF (Romania), Cottbus International Film Festival (Germany), Early Bird Film Festival (Bulgaria), Indie Lisboa (Portugal), The New York Film Festival (USA).
His most recent project is a series of beautiful composed portraits of people Barna has worked with in the past. The exhibition “Go Tell the Women” is a examination of the idealised perceptions of beauty built around the notions of light and dark in which the artist explores the contrast of the two. The project seen by the artist as a “remix of old photographs” it began as an interest to capture the duality of our personalities.
The images of Barna are weaving ambiguously thus the lighting process of the portraits embodies the angelic and demure characteristics of the subjects while the darkening process gives a sensation of sadness or even perversity of their nature.
Partners/sponsors: deFilm, Curtea Veche Publishing, Eurocom, Triptic Studio.


Movies being filmed in Atlantic City
Lights, camera, ACTION! Atlantic City’s unique destination is home to several infamous productions such as Army of the Dead, Bruised, The Godfather: Part III, and many more. Check out the following productions currently being filmed in Atlantic City and be sure to catch them on the big screen near you!
Producer: Jordan Drake
Director: Ian Barling
Contact: Ian Barling, 609-703-2881
Location: Atlantic City, NJ
Schedule: February 12-15


This Nollywood movie titled lesbian club is somehow interesting but the title is misleading. Most times, movie titles make you curious and want to know what happened in the movie. Although the movie is just like an average Nollywood storyline of grass to grace kinda movie it is nothing near its title. I am wondering what the person who titled this movie was thinking, lol.
Lesbian club Nollywood movie is a story of a village king who was trying to get a suitable wife for his son the prince. The king organized a contest among the village girls in his kingdom and picked the finest of them all. His selection was based on those who were beautiful and also intelligent. The king successfully picked 7 girls from each clan in his kingdom to contest for the heart of the prince. Among the girls chosen were Amara, Tessy, and Abigail.
Abigail is the daughter of one of the chiefs of the Igwe’s cabinet while Amara was an orphan who lived with his stepmother and sister who were bent on destroying her life at every opportunity they get. Despite their frustration against Amara in other to stop her from attending the contest, she went against all odds. The contest was held at the Igwe’s palace and the Igwe forbade anyone (not even the chiefs) from visiting the palace as long as the contest was held.
It was revealed in the movie that no one knows the king’s children because they were taken away when they were little children to Ghana where they lived and schooled all their lives. Because the Igwe did not have absolute trust in his people, he decided to get someone who would genuinely love his son and not solely for wealth, riches, and power.
The contest began just like the Igwe has wanted and told all the girls to be themselves as they would be watched and accessed. All the girls except Amara kept forming posh and treating the guards with so much disdain. All the girls were desperate and did desperate things except Amara because she was used to suffering and didn’t care to impress anyone. She made friends with the head of the palace guard and urged him to help her secure a maid job in the palace because she did not want to go back to her wicked stepmother and sister and would prefer to stay in the king’s court.
Abigail’s father is an extremely diabolical man and he found a way of smuggling in a love charm for her daughter to use to entice the prince. When the prince arrived, Abigail used the love charm brought in by her father and the prince found love in Abigail.
But there was a great twist at the contest’s finale where the winner would be announced. Do you know what happened and who found favor in the eyes of the prince? I know most of you want to know too. I know some Nollywood movies can be predictable but can you predict what happened next?


My movie is done and I have it posted on YouTube. I’ve been working on this for a few months, and I still have some configuration work to do, adding tags and so on, but I’m pretty happy with the movie. This is the story of my eviction after my landlord was foreclosed. As I fought the eviction I realized that my neighborhood was being destroyed by Freddie Mac and Fannie Mae as they took over foreclosed rental homes and evicted the tenants, and then left the houses empty. This appears to be happening throughout the US, and this movie documents my and my neighbors’ struggle to save our homes, and to figure out what they are doing and why. Please watch and then leave a comment to tell me what you think.


Otto the man and his amazing showtimes at Celebration Cinema Rivertown is a story about a man who has been working at a movie theater for over 20 years. Otto is known for his amazing ability to start the movie at exactly the right time, regardless of when the showtime is listed. He has become a local legend, and people come from all over to see him work his magic.
Lundi Gras Celebration in Rivertown 02/20/23
Celebration Cinema Rivertown is home to one of the most amazing showtimes in all of Cincinnati. Otto the Man, a talented magician, performs his show seven days a week at the theater. His show is full of amazing illusions and is sure to leave you wondering how he does it. If you’re looking for a truly unique entertainment experience, look no further than Celebration Cinema Rivertown.
who is otto?
Otto the man and his amazing showtimes at Celebration Cinema Rivertown have everyone talking. From his unique costumes and hilarious antics to his jaw-dropping showtimes, Otto is a must-see performer. Catch him performance today!
what is the celebration cinema?
Celebration Cinema is a special type of movie theater with a unique schedule. Otto the Man, the owner of the theater, puts on amazing shows that are sure to keep you entertained. From laughs to tears, there is something for everyone at Celebration Cinema.
how did otto get his start in the business?
Otto the man and his amazing showtimes at Celebration Cinema Rivertown have been entertaining movie goers for over a decade now. Otto, who goes by the name of “The Wizard of Oz,” has a talent for digital manipulation and is able to create a truly unique show for his audiences. His showtimes are always on point, and he is always able to provide a memorable experience for his fans.
what are some of otto’s unique selling points?
Otto the man and his amazing showtimes at Celebration Cinema Rivertown have made him a favorite among movie enthusiasts and tourists alike.
Here are some of Otto’s unique selling points:
– Otto the man: Otto is a unique character who interacts with his audiences and makes them feel like they are part of the show.
– Amazing showtimes: Otto’s showtimes are always varied and interesting, so there is always something to see.
– Fun atmosphere: Celebration Cinema Rivertown is a fun place to visit, with an atmosphere that is reminiscent of a movie theater.
No matter what you are looking for in a movie theater, Otto the man and his amazing showtimes at Celebration Cinema Rivertown should be at the top of your list.
how has otto’s business grown over the years?
Otto the Man and his Amazing Showtimes at Celebration Cinema Rivertown
Since Otto The Man took over Celebration Cinema Rivertown in 2014, the theater has seen a surge in business. Otto’s showtimes are always different, and he always has something new and exciting to offer his audiences. Whether it’s a new movie release, a classic movie, or a live performance, Otto always has something exciting to offer.
Otto is a man of many talents. Aside from running the theater, he is also a musician and a comedian. He has even performed at the White House. His shows are always entertaining, and his audiences never fail to enjoy themselves.
If you’re in the mood for a movie experience that is unique and exciting, be sure to check out Otto the Man’s showtimes at Celebration Cinema Rivertown. You won’t regret it!
what does the future hold for otto and the celebration cinema?
The future of Otto the man and his amazing showtimes at Celebration Cinema Rivertown are looking bright! Recently, Otto’s owner, Chris, purchased a new projector and screen, making his show even more impressive. In addition to Otto’s current showtimes, Chris is also working on adding new showtimes to the calendar, so make sure to check out Celebration Cinema Rivertown for the latest and greatest movies!
Otto the man is an amazing showman and his showtimes at Celebration Cinema Rivertown are definitely worth checking out! His passion for film and knowledge of the industry is evident in his work and he is truly a master of his craft. If you’re looking for an exciting and educational film experience, be sure to catch one of Otto’s showtimes!


Baseball films are my fave. Mark asks, “Are you ready for a film about a cross-country team?”
When the coach played by Kevin Costner in “McFarland, USA” takes one look at the the situation he’s gotten he and his family into, he’s an unhappy fellow.
But then Jim White learns he shouldn’t just assume stuff, a pretty good lesson for a man who’s a teacher.
And by the time the Disney movie about a group of real-life cross-country runners from a tiny town in California is over, this critic is quite certain it’s best to not to assume that every sports film to come down the pike is going to completely fit a certain stereotype.
You can read my weekly Film Review blog today on the Syracuse New Times site by clicking the link below.
Are you ready for a film about a cross-country team? Do you have a certain predisposition about sports films? What’s your favorite Kevin Costner sports film, and why?


Just to reiterate the rules:
Pick a horror movie, any horror movie.
Write a short piece of flash fiction, 500 words or less, that incorporate the title of your chosen flick. For example, if your movie is “The Bride of Frankenstein” the story must have the words the, bride, of, and Frankenstein each used at least once. So using “Hush Hush, Sweet Charlotte” the word hush would have to appear at least twice. Do not use the words of the movie title in the title of your story (other than the articles a, an, and the). Readers will then try to guess the film you used as the basis of the story.
Stories can be in any genre, horror is not required.
Post your story on your blog as a Friday Flash on October 28th, the Friday before Halloween. Be sure to include the story title, but NOT the movie title. And if you typically use an accompanying graphic please don’t use a photo from the film – it would give too much away.
The entry form is now closed. Please go to this page to vote or to guess at a movie title.
Here are the entries. This information is also located on the voting page.


- FALaholic #
- Aug 11, 2000
There are too many to count in this movie. ~ss
Interesting fact - James Earl Jones is an incurable stutterer. In normal speech and if he were to try to ad lib he stutters. Only when he is in a role and delivering rehearsed lines can he speak without stuttering. I find this amazing for one of the iconic voices of our age.This was voiced over by James Earl Jones who went uncredited until the 3rd film. He thought of himself as a "special effect". Probably the most impactful voice over of all time.
Damn, you beat me to it!A movie that could never be made today...


Music Video Production in North Wales
The cost of a music video will vary depending on how simple or complex you want your video to be.
We can create an effective but simple video by either shooting a live performance or specifically staging a performance for the video with pre-scripted shots and rehearsals to get that extra detail and sound quality. If you want something more elaborate with various locations and special editing effects we can cater for this – to a point. Sorry – we can’t do crane or aerial shots or explosions. I’m afraid that is for the big boys! We are a budget company after all!


‘SKATE THROUGH YOUR PROBLEMS’ (2022) and ‘BLANKETS’ (2022) SKATE THROUGH YOUR PROBLEMS is a video installation created for YouTube by Elise Longden that documents how she founded a rollerskating community in Liverpool during the pandemic. Elise demonstrates the magical power of skates on rebuilding mental health and togetherness in times of social exclusion and isolation.
Tales About Cocktails (2022): “The Old Fashioned and Don Draper in Mad Men (2007)” In this podcast, Sam reveals the origins of cocktails and how they relate to the TV show MAD MEN. By Sam Ging
CHARLOTTE MARLEY A 1950s audio drama with a creepy twist. By Katie Collins


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ART OF SHORT FILM MAKING: CONCEPTUALIZATION, SCREENPLAY, DIRECTION TO DISTRIBUTION
Learn the art and craft of visual storytelling with an insightful session on short filmmaking. The webinar will cover all script-to-screen aspects of telling great, engaging, aesthetically pleasing stories that touch, move and inspire.
In this webinar of a crash course in short filmmaking, you will learn following things:
1. Scripting and Conceptualization
5. Editing, Sound and Grading
6. Distribution and Marketing
The webinar will be conducted by Kabeer Khurana. He is a 5-time international award-winning filmmaker (Religion for Dummies, Strings, Project Oneness and ISM) and the co-founder of India’s youngest publishing venture, Bombaykala Books. Apart from winning awards in Italy, USA and Ukraine, his films have received several festival selections internationally, including the Global University Film Awards (known as the Student Oscars, in Hong Kong), and have been screened at other festivals in Brazil, Prague, Singapore, Indonesia, Morocco, Croatia, etc.
His short film, Karma Cafe, starring Amole Gupte (Taare Zameen Par, Stanley ka Dabba) and produced by Anjum Rizvi (producer of A Wednesday) was named as one of the Top 15 Indian Short Films (by Candid Tech) and Top 87 Shorts (by WebShorts). Apart from direction, he has also assisted on Ghost Stories (2020) for Netflix, directed by Zoya Akhtar, and T for Taj Mahal.
Kabeer has been featured in The Hindu, Scroll, Mid-day, Harper’s Bazaar, TOI, Film Companion, DNA, Firstpost, Bombay Review, Mumbai Mirror, etc. for his work in social entrepreneurship and filmmaking. Kabeer is also a part-time graphic designer, illustrator and writer.
Followed by Q & A session.
Schedule: 25th July, Saturday, 2020
Time: 4 pm Onwards
The webinar is over. Please check the recorded webinar.


Alakada comes in 3 parts so we recommend you watch all three. [PART 1] [PART2]
Synopsis: Yetunde Animashaun has inferiority complex issues. She’s from a very poor family background and she’s not proud of her status. She wants to roll with the big shots on campus and she feels the only way to keep up with them is to fake her personality. If lies were to be a competition, Yetunde Animashaun will have a shelf full of trophies. She can lie for Africa! A block buster comedy from Toyin Aimakhu.
Our review: This is the concluding part of Part 2. Part 2 is even more hilarious than Part 1. You would think she has learned her lesson from lying and getting in deep trouble for it. Well she did not. In the concluding part of 2 we find out why she has turned herself into the laughin stock of the town and why she just cant stop lying. This movie is totally hilarious. We give this movie 4 stars for its comedy content.


Carmen Martinez is back casting!
CCM Casting provides the right talent for your project, whether it is film, television, or commercials on a local or national level. Our combined experience as native New Mexicans has given us the opportunity to provide casting services, background talent, and a wealth of experience. Carmen and Carole make up CCM Casting, and we are in search for the freshest talent in New Mexico.
CCM has worked with legends such as Robert Redford, Billy Dee Williams, Clint Eastwood, Paul Newman, Henry Fonda, Glenn Ford, and the list goes on.
We understand that your work schedule is hectic and we are here to make your casting process as hassle free as possible. Our casting services are top notch and are designed to enhance and simplify your project. We look forward to meeting you and finding you work in the booming New Mexico film industry!


Go See a Play Already, geez.
I was lucky enough to design the set and work with the Homespun players, a truly talented group of creative individuals, on the latest project "The House of Bernarda Alba". The final few shows are this weekend at the San Bernardino Garcia Center for the Arts and if you haven't caught it yet you really should.
I'll pat myself on the back a little and say the set looks great, but I'm really a small piece of the puzzle. Amanda Stevens' keeps the aesthetic of the play together seamlessly integrated from scene to scene with her beautiful costuming as well as prop selection/design. Her Husband Micah runs the lights and sound-FX which are surprisingly high quality for a small theater troupe on a budget. Finally the director, Stevie Taken is really the glue that keeps everything humming along, she is an extremely talented director and most importantly has the ability to convey her vision to her actors. The lead actress, Carol Lynne Damgen, brings her experience and talent to a difficult role, embodying Bernarda Alba as a bitter, controlling, and manipulative matriarch of the family.
Really the whole cast and crew came together to create something unique.
Before getting involved with the Homespun players I have always enjoyed going to see the occasional play but was never all that into live theater. I really didn't know what I was missing and if you haven't gone in some time, you probably don't either. There is something so beautifully tangible about watching live actors tell a story, each performance is unique, never to be seen again.
Published in 1945 and written by Federico García Lorca, the play itself is pretty heavy subject matter. A story about a house full of women bickering at each other over the careless affections of local man (who is never seen). It isn't really about catty women though, it intends to shine light on just how our social structure constricts and oppress women to the point that they willfully oppress themselves and those around them.
It really is a fascinating play and, at $10 (less than a movie ticket) worth your time. You won't forget your night with Bernarda Alba. So head over before the intimate, 60 seat, theater is sold out for the final weekend, order a glass of wine and give yourselves something different to talk about.
And what is playing in my studio these days? Asked no one ever. Springtime Carnivore. #duh


Published on July 20th, 2019 | by Isabelle Karamooz, Founder of FQM0
Interview with actress Sylvy Ferrus live from OFF Festival of Avignon 2019
How and when did you feel the desire to become an actress?
I first felt the desire to be an actress at 11 years old. I remember it because I said to myself “when you will be asked later, remember that I was 11 years old!” An irresistible attraction for acting awoke while watching Isabelle Adjani, Jean-Paul Belmondo, and other star actors of the 80s. I understood them, recognized myself in them. I felt a growing awareness of my emotions, stirring of my imagination and a heightened desire to do what they did.
What were the decisive encounters during your training and your career?
First, all the French and American actors I watched in the cinema. I learned so much by watching them work. I did not see the character, but rather, the actor at work technically, emotionally, psychologically, and personally. I learned the impact of joy with Belmondo, the power of emotions with Adjani, simplicity with Catherine Deneuve, and the tremendous work necessary to embody a character in the most complete way by observing most American actors.
Then, inevitably, there was a master teacher Jean-Laurent Cochet (who taught Gerard Depardieu and Isabelle Huppert, for example). I was 34 when I observed one of his master classes, and I connected with what he said. He has changed the lives of hundreds of actors (if not more). Like mine.
He taught me to understand an author’s intentions (not that I get there every time!). He taught me that the actor must forget himself… to be as objective as possible in order to better serve the character. An author is a rhythm, a universe, a singular world, a state of mind, a desire to convey his vision to the public.
And then he understood the human. He could write a book about any character in the play, whether someone with one line, or the leading role. He understood an actor’s potential with a simple yet difficult assignment: presenting from memory a fable from 17th century French poet Jean de la Fontaine.
Mr. Cochet brought so much to my life. I could talk for hours about him and how he brought essential things to my life. I worked up to 10 roles simultaneously in his course, I worked some for 4 years in order to fully understand them.
In July, you participate in the Festival d’Avignon as a director. How do you live these three weeks of the OFF Festival 2019?
The actors are autonomous now, and they continue to develop on their own. I go to Avignon once a week to see their evolution, and I find it wonderful.
What captivated you about staging John Patrick Shanley’s (New York-based screenwriter, film producer, and American director) “Danny and the Deep Blue Sea” play, which you play during this festival of Avignon, at the Pixel Avignon Bayaf Hall, from July 5 to 28 at 11am?
Vincent Simon proposed that I direct this wonderful play that he discovered with Estelle Georget. So I put them together on stage. This is the second time that I have worked twith Vincent. The last time was for another American play, Lyle Kessler’s “Orphans,” which had never been performed in France until we produced it from 2015 – 2019 in France and Switzerland.
As in Orphans, the characters’ difficult past has a strong influence in their lives, and an event challenges them to transform aspects of themselves in order for them to move forward.
Both plays feature realistic characters that we could encounter in our everyday lives.
In “Danny and the Deep Blue Sea,” the two main characters have an out of the ordinary emotional journey, but their hearts remained pure despite their hardened hearts and Danny’s predisposition for brawling. The love they feel for each other forces them to drop their masks, and above all, to abandon the rejection they have of themselves… big work!
Do you feel attracted to bilingual theater?
Yes, by the American theater especially. I do not know much about other nationalities. It’s the very powerful and very realistic side of American theatre that attracts me. I recognize myself a lot in this.
Through your roles in the theater in general, is there a common denominator?
I cannot really say that there is one common denominator… There are women of character, those who love, those who suffer, those who are funny, those who are gently crazy, those who fight… and sometimes all this is grouped all in one character!
Do you have a phrase, quote, or rule that guides you in your career?
“There is no difficulty that can not be overcome by extra work.” (Jean-Laurent Cochet)
“Faithful to the author, effective for the public.” (Louis Jouvet)
“The stage is the refuge of beings too beautiful.” (Lili Lehmann)
Have other pieces of this Festival impressed you, and why?
“Hugo l’interview” by Yves-Pol Déniélou, directed by Charlotte Herbeau at the Theater of Essaïon.
Yves-Pol speaks as if he were Victor Hugo. Déniélou’s Hugo answers a journalist’s questions about life, and his opinion on various subjects. Intelligence in the text elevates the collective intelligence in the audience.
What are your projects in theater, film or television for the 2019/2020 season?
I have some roles for film and television but as you know, we rarely talk about it before things are really done…
“Orphans” (by Lyle Kessler), the play I directed before “Danny and the deep blue sea” will surely be replayed next year in Paris.
Stay tuned for other exciting projects on the horizon!
Thank you so much!


By: Jamie Penick, MMATorch Editor-in-Chief
Following a starring role in January’s “Haywire,” former Women’s MMA star Gina Carano will be returning to action this year.
According to The Hollywood Reporter, Carano has secured her second starring role in a major motion picture. Staying in the action genre, Carano will star in the film “In the Blood,” an action thriller in the vein of “Taken,” directed by John Stockwell.
The film is described as being “set in motion when a husband disappears while vacationing in the Caribbean with his wife, to be played by Carano. The grieving wife passionately and recklessly pursues the men whom she believes kidnapped and killed him.” Principal photography on the film is set to begin in late spring or early summer in Puerto Rico.
Carano received mostly favorable reviews for her performance in Haywire, leading to a belief that more acting gigs would be in her future. This booking for another film by an established actor/director (Stockwell has helmed films such as Into the Blue, Blue Crush, and Turistas) is another solid statement for Carano in beginning what could be a burgeoning film career.
“This role will showcase not only Gina’s fighting skills, but also her acting abilities as her character struggles to reign in her violent past,” said Stockwell.
Penick’s Analysis: With filming set to begin in the next several months, it’s another sign that we’re unlikely to see Carano enter the cage again. With all the talk in 2011 of her return, it just never panned out because of her to-this-day mysterious removal from the June Strikeforce event. With another film under her belt, she isn’t likely to be slowing down in her movie career. If she does well with “In the Blood,” expect her to get more roles in film and to see more of her outside of the world of MMA.


NEW YORK, NY –GLAMOUR has announced the return of its phenomenally successful short film series,Glamour Reel Moments, premiering this fall in a new and powerful incarnation. The films originate from Glamour readers’ real stories and feature leading Hollywood actresses directing films for the first time. The series includes three short films, presented by Clarisonic, to be released in October 2011.
The films are currently being shot in Los Angeles, with the talent involved at the top of Hollywood’s A-list.
Zoe Saldana,Olivia Wilde and Eva Longoria are directing shorts this year, and the films will star Bradley Cooper, Malin Ackermann, Justin Long, Aziz Azari, Jaclyn Jonet, and others.
Glamour asked readers to submit a personal story where they felt empowered, wiser and beautiful. Glamour narrowed down the thousands of submissions to stories most adaptable to the short film format, and directors ultimately selected the story they wanted to tell on screen. Three winners’ stories were chosen and Glamour partnered with Freestyle and Clarisonic to script, produce and screen the three short films, which will premiere in Los Angeles on October 24 at the Director’s Guild Theater. The films can be seen on glamourreelmoments.com beginning October 25.
“In this age where content is king, Glamour Reel Moments is truly authentic because it originates from the Glamour brand itself—our reader’s real stories—we’re not visitors in other people’s content,” says Leslie Russo,Glamour’s Associate Publisher, Brand Development. “We have Clarisonic to thank for three more female directors in the world.”
The theme of this year’s project is about empowering women to feel beautiful, a celebration of Clarisonic’s commitment to giving women the tools they need to look and feel their best. This year,Glamour is expanding the project to include a skincare symposium delving into the roles that beauty and make-up play in film. The panel will include a director, a film actress, a Hollywood make-up artist, Leslie Russo,Glamour’s Associate Publisher, Brand Development and Executive Producer of the films, and Chris Payne, Vice President of Marketing for Clarisonic.
“As a company, we were instantly drawn to this project as the empowerment theme really resonates with our core brand values,” says Chris Payne, Vice President of Marketing for Clarisonic. “Clarisonic empowers women to take beauty into their own hands. It empowers women to take their skin care routine to the next level, which gives them the confidence to look and feel beautiful.”
Glamour Reel Moments has established a genuine community of women in Hollywood and increased the number of female directors, currently only about 7 percent. Jennifer Aniston, Gwyneth Paltrow, Demi Moore, Kate Hudson, Kirsten Dunst, Eva Mendes, Rachel Weisz and Bryce Dallas Howard have all made directorial debuts for Glamour Reel Moments, which has breached the gates of over 25 film festivals including Sundance, Berlin and Toronto.


were shot at TRW Space and Defense Park under the … MoviePosters.com best resources of original and vintage Movie Posters, Rare movies posters and memorabilia visit our online retail store movieposters.com movie posters, collectibles, memorabilia, movie memorabilia, poster, posters, hollywood memorabilia, movie and memorabilia, original movie posters, reprint posters 577,511 Movie Park Germany feiert stärkstes Halloween Horror Fest aller Zeiten (14. | Related Stories. Starring: William Shatner, Leonard Nimoy, DeForest Kelley. 122 min The ride itself is not too intense, but still provides good fun: The backwards spike is especially in the back row really cool, and thanks to the comfortable blue-fire-style trains and lap bars, there is even some hangtime in the inversions. Captain Picard and his crew discover a serious threat to the Federation once Praetor Shinzon plans to attack Earth. Neeraj Chand Sep 20, 2020. Star stats. | Also the dusty laboratory set is pretty effective.There are a few things that require suspension of disbelief. Star Trek Movie Prop Phaser II in presentation box. On 17 May 2010, Parques Reunidos bought the park from Palamon Capital Partners. Adventure, Mystery, Sci-Fi. Star Trek: Operation Enterprise is a roller coaster operating at Movie Park Germany. Auch die Fahrt selber macht richtig Spaß! Visit elves Cosmo and Wanda in their elf world. | Star Trek IX: Insurrection. Zachary Quinto, View production, box office, & company info. Movie Park Germany is a theme park in Bottrop-Kirchhellen in western Germany, 50 km (30 mi) north of Düsseldorf ... AMC's The Walking Dead and Star Trek by CBS. The U.S.S. Star Trek: Operation Enterprise is an all-encompassing experience. The Enterprise receives an old style SOS signal and finds on arrival a planet that is virtually identical to Earth. 6 years ago | 5.3K views. Hier, bei Star Trek™: Operation Enterprise, wird die Attraktion aber sicher weniger enttäuschen als die Neuheit von 2014 im Nachbargebäude. Sichern Sie sich jetzt 2 Eintrittskarten für den Movie Park Germany und sparen Sie 40,- €! Theme. Jonathan Frakes, Votes: Tarantino Abrams Star Trek Movie Synopsis. Get your tickets now Open now. Leonard Nimoy Action, Adventure, Sci-Fi. The pavilion underwent one major renovation in 2004 which added the Borg Invasion 4-D attraction, which used state-of-the-art amusement technology where guests experienced … Director: "Star Trek: The Original Series" Miri (TV Episode 1966) - IMDb TOS, TNG, DS9 and VOY aired all the time. 56,085 Star Trek Movies in order. William Shatner Immediately after graduating Boston University's BFA Acting program she booked her first movie role in Jurassic Park III alongside Laura Dern and then landed her first series regular role on Star Trek Enterprise shortly after . Your guide to Star Trek generations vhs video. | Movie Park Germany, starting in 2017, will be home to an exciting Star Trek-themed roller coaster called "Star Trek: Operation Enterprise. | Gross: Trek fans may know it as the home of the only Star Trek roller coaster in the world. Movies. William Shatner, Videos. Robert Wise Peter Mark Richman, prolific actor in film and television with roles on Star Trek: The Next Generation and The Twilight Zone, has died at age 93. JOIN NOW. WWE Championship Collection; Wizarding World. Build the U.S.S Enterprise NCC-1701-D; Star Trek Universe; Star Trek Discovery; Star Trek Starships; Star Trek Graphic Novels; Marvel. | Open now. November 2017) Ermäßigter Eintritt zum Auftakt! Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. Sort By: Published Views Rating. Sources said that Tarantino has come up with a great idea for a Star Trek movie at Paramount. On this IMDbrief - presented by Acura - we explain how an online premiere resulted in a multi-million dollar payday and the Sundance 2021 must-see movies to add to your Watchlist. | Star Trek™: Operation Enterprise will be the world’s only Star Trek™ roller coaster with two unique elements and a stunning track layout without break sections after several elements. Interesting news is included in our newsletter. James Doohan, Votes: Also, how the children have been surviving for such as long time and some of their behaviour is a bit silly.I think overall this is a solid entry from the first series. Votes: Mit The Bandit schrieb der Movie Park Germany 1999 Geschichte: Als erste deutsche Holzachterbahn nach amerikanischem Vorbild katapultiert Euch diese Attraktion mitten hinein in ein Wild-West-Setting der Extraklasse. STAR TREK: THE ORIGINAL SERIES SEASON 1 RATINGS, Lista Melhores Episódios de Star Trek - 1ª Temporada, The Outer Limits: The Man Who Was Never Born. 12 hours ago. 78,994 Stars: J.J. Abrams Wizarding World Figurine Collection; Battlestar Galactica. Go figure. Es muss schnell gehen. Action, Adventure, Mystery. Date Listed: 09/05/2020; Last Edited: 09/05/2020; Condition: Used; Similar Ads. Stars: Solvang NCC-12101 was a California-class Federation starship commanded by Captain Dayton.This was the ship she was given after the destruction of the Rubidoux - but then it was destroyed as well, after it was attacked by a mysterious ship. Director: I'm guessing this adult was desperate to get back to a simpler, more innocent and distinctly less diseased period of his life.Miri is a good character and is portrayed well by Kim Darby. Bandit war zu dieser Zeit die einzige Holzachterbahn in Deutschland und wird auch als die erste moderne Holzachterbahn Deutschlands bezeichnet. Stars: The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful Romulan from the future creates black holes to destroy the Federation one planet at a time. 1 of 1 people found this review helpful. $43.25M, PG-13 LeVar Burton, Votes: In fact it's too good, as I felt sympathy not just for her medical condition, but in the way Kirk interacts with her. 228,368 Guests access the coaster from the brand-new Federation Plaza theme area via an entirely Star Trek-themed building that covers an area of more than 1000 m2.The coaster itself features a twisted halfpipe with a 40-metre elevation that is one of a kind in Europe, plus an eight-ton transfer track system. Votes: For now. Stuart Baird This is a pretty big detail that they never even address. Attractions. 103 min Linda Park, Actress: Bosch. Director: The Enterprise is diverted to the Romulan homeworld Romulus, supposedly because they want to negotiate a peace treaty. | Director: | Leonard Nimoy, With Scott Bakula, John Billingsley, Jolene Blalock, Dominic Keating. Watch fullscreen. Leonard Nimoy, Votes: QMx constructed fourteen disparate props, some of which were featured as "hobby" models in Admiral Marcus' office. Star Trek (2009) Star Trek Into Darkness. Brent Spiner is no stranger to playing fictional versions of himself. Jeder Handgriff muss sitzen, denn: Es gibt nur einen Versuch. Star Trek. One can dream. "The new coaster will be the world's first dedicated Trek coaster and, for Movie Park Germany, in Bottrop, it not only will be the second-highest construction in the park, but it will have the rare distinction of having been built in Germany. | Gross: Leonard Nimoy, Director: $257.73M, PG-13 0:08. Star Trek VIII: First Contact. James Doohan, Votes: | garykmcd. Want to share IMDb's rating on your own site? Variety reports that the company's previously announced CBS All Access rebrand will take effect March 4 with the launch of Paramount+, an expanded streaming home for original series like Star Trek: Picard, The Stand, Star Trek: Discovery and The Twilight Zone revival, which will also serve as a hub for the company's massive library of programming. Technische Fakten (2/2) Anzahl der Pers./ Zug: 20 Fahrtdauer: 144 sek, inkl. But Movie Park is still looking to amuse. (11. Patrick Stewart, James Doohan, Votes: Action, Adventure, Sci-Fi. 132 min | Stars: After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction. | 116 min | Gross: Oneida Back. Director: Come and visit the Movie Park Germany in Bottrop (NRW). | $78.91M, PG Leonard Nimoy, Keep track of everything you watch; tell your friends. Area 51 - Top Secret | Summer 2019 ... Surf the perfect wave at Movie Park Germany. Admiral Kirk and his bridge crew risk their careers stealing the decommissioned U.S.S. Jonathan Frakes, Star Trek is a 2009 American science fiction action film directed by J. J. Abrams and written by Roberto Orci and Alex Kurtzman.It is the eleventh film in the Star Trek franchise, and is also a reboot that features the main characters of the original Star Trek television series portrayed by a new cast, as the first in the rebooted film series. This item comes with a certificate of authenticity. The model prop of the USS Vengeance created for the movie. Votes: Simon Pegg, Peter Mark Richman, a prolific character actor who worked in the industry for eight decades and racked up over 150 credits, has died. J.J. Abrams Star Trek V: The Final Frontier . 107 min Jonathan Frakes Leonard Nimoy, G | Star Trek Nemesis. | Sieh dir die Video-Eindrücke der neuen Achterbahn und des Themenbereichs an! Set to open in the early spring 2017, the triple launch coaster features a Star Trek: The Next Generation theme and is called Star Trek: Operation Enterprise.. Here’s how Movie Park Germany describes the ride: Star Trek Beth Toussaint Camel toe. Stars: I'll be kind to him and put it down to the cheesy lines he's given and the old-fashioned Star Trek tendency to have male characters flirt in a rather patronising way. Soon, the landing party contracts the virus and has seven days to find a cure. Star Trek: Operation Enterprise is a steel launched roller coaster at Movie Park Germany in Bottrop, Germany.The ride was manufactured by German company Mack Rides and opened to guests on 24 May 2017; however, its official opening ceremony took place on 14 June 2017. Jeremy Dick Oct 1, 2020 Brent Jay Spiner (/ ˈ s p aɪ n ər /; born February 2, 1949) is an American actor, comedian, musician and singer best known for his portrayal of the android Data in the television series Report. NL. Guests at Movie Park Germany in 2017 can look forward to exploring the galaxy on Europe’s first licensed Star Trek roller coaster. Star Trek V: The Final Frontier is a 1989 American science fiction film directed by William Shatner and based on the television series Star Trek created by Gene Roddenberry.It is the fifth installment in the Star Trek film series, and takes place shortly after the events of Star Trek IV: The Voyage Home (1986). Eine Rettungsmission, die alles andere als einfach wird. The ride however has been open for park guests on a solid and regular basis since May 24th 2017 up until the official opening. | | Gross: With the help of long presumed dead Captain Kirk, Captain Picard must stop a deranged scientist willing to murder on a planetary scale in order to enter a space matrix. | 118 min Made of: 18/8 stainless steel that’s non-toxic & BPA free. August 2017) Movie Park Germany weiht neue Achterbahn mit Stargast Marina Sirtis ein (14. Director: | Gross: All images courtesy Movie Park Germany. DeForest Kelley, Zachary Quinto, Patrick Stewart, Prepare for your mission, cadet! 112,761 The Ultimate Guide to an At-Home Movie Night By SPY.COM. Action, Adventure, Sci-Fi. Star Trek Generations. Kirk befriends one of the older children, Miri, but they soon learn that experiments to prolong life killed all of the adults and that the children will also die when they reach puberty. Voller Erwartungen, nervös und ein bisschen euphorisch betreten wir die Starfleet Academy in Bottrop, eine der wenigen elitären Einrichtungen Ihrer Art auf der Erde. Star Trek I: The Motion Picture. Star Trek Beth Toussaint Camel toe. Das wird die Star Trek-Achterbahn 2017 im Movie Park: Strecken-Layout, Geschwindigkeit und Fahrdetails enthüllt! Star Trek Movie Franchise got tremendous response from the audience by the year 2009. TV Shows. Use the HTML below. The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy. Nach der Übernahme der Warner Bros. Movie World Germany im Jahre 2004 durch StarParks fährt sie seit 2005 unter dem Namen Bandit. $74.89M, PG TRW Space and Defense Park as the Deneva colony. $75.67M, PG-13 LeVar Burton, Votes: Kirk, the crew of the starship Enterprise delves deep into the far reaches of space to explore new worlds and civilizations. Top speed: 90km/h ; Save Save. Bereite Dich auf Deine Mission vor unter www.operation-enterprise.de! Noah Hawley's Star Trek movie will be about the need for humanity to come together. Browse more videos. Star Trek™: Operation Enterprise. | | Gross: Was this review helpful to you? 110 min Star Trek VI: The Undiscovered Country. Stars: 74,863 The Enterprise discovers a planet exactly like Earth, but the only inhabitants are children who contract a fatal disease upon entering puberty. Director: 70,503 Karl Urban, When the crew of the Enterprise learn of a Federation conspiracy against the inhabitants of a unique planet, Captain Picard begins an open rebellion. Star Trek movies series are the contribution of Paramount Picture to the Star Trek Media Franchise. Theme based on the Star Trek: The Next Generation series. 1966 | TV-14 | 3 Seasons | Family Watch Together TV. | | | ‘Star Trek: Lower Decks’ And ‘Star Trek: Picard’ Nominated For NAACP Image Awards trekmovie.com - TrekMovie.com Staff. Zachary Quinto, Not a camel toe, but a camel kiss. Juni 2017) Star Trek™: Operation Enterprise eröffnet im Movie Park (07. Stars: Chris Pine, The water ride for the whole family at the Movie Park. Shop 1/2 Bulwarna, Shailer Park QLD. Star Trek III: The Search for Spock. This Star Trek incarnation, like Voyager, started very slowly, with less than engaging pratagonists and storylines. | Star Trek, Science-Fiction Star Trek: Operation Enterprise (basierend auf dem Star-Trek -Universum) ist eine Stahlachterbahn des Herstellers Mack Rides im Movie Park Germany . | Gross: Director: | | Stars: QMx FX Cinema Arts (the prop and model shop of Quantum Mechanix) was asked to illustrate Star Trek's "history" of space flight by creating a series of physical representations. DeForest Kelley, All-New Star Trek Crew Is Being Introduced in Noah Hawley's Movie Reboot. The Enterprise receives an old style SOS signal and finds on arrival a planet that is virtually identical to Earth. On the ground my favourite image is of a hand wiping some mud off a glass door to reveal Spock in the distance before he approaches and peers through. BILD auf Jungfernfahrt mit der weltweit ersten „Star Trek“-Achterbahn im Movie Park Bottrop. The highlight of Movie Park Germany: first of all, the preshow before boarding is a really cool feature and theming in the queue is nice. Die Brücke der Enterprise verwaist. There is also a good scene with Kirk and Yeoman Rand which works not just for the suspense, but also as character development for her and the young girl Miri.The use of a disease as metaphor for all the negativity associated with adulthood is an interesting concept. They also learn that the children are in fact, very old. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace. One of the unique elements is the transfer-track, which transports the train from the station into the launch section with 1 meter per second and 8 meters in total. Action, Adventure, Fantasy. As it all unfolds we have some classic Kirk, Spock and Bones interaction and this is the best aspect of the episode. DeForest Kelley, Leonard Nimoy and Grace Lee Whitney are all excellent.Visually it is pretty good with the colourful Enterprise interiors as striking as ever. | Gross: Malcolm McDowell, 74,035 Star Trek: The Experience was a themed attraction which opened in January 1998 at the Las Vegas Hilton (now Westgate Las Vegas) in Las Vegas, Nevada, United States, based on the Star Trek entertainment franchise. Euch erwartet eine Geschwindigkeit von über 70 km/h – und das in bis zu 30 Metern Höhe!


Coraline (dir. Henry Selick, Laika, 2009)
I have always been very fond of Coraline by Neil Gaiman. I remember awaiting it eagerly and being totally psyched when my pre-order with Amazon brought it to my door a day or two before the official release. I remember the self-discipline I marshaled to prevent myself from reading it before I went on a roadtrip up the East coast (it was supposed to be my road reading).
I first read it in a hotel room somewhere between Savannah and Charleston. It took me only a couple of hours, and I was completely creeped out. I’ve gone back to it several times, and I’ve never failed to love it or find myself spooked. I even bought the graphic novel adaptation that P. Craig Russell did and, even though I didn’t like some of the ways Mr. Russell did things, I still found much to love.
She has to be led by the nose through the various challenges presented to her and she is saved on more than one occasion by a strange male sidekick completely fabricated for the film. He even saves her from the Other Mother’s right hand. And that? Is just wrong. (Side note: they didn’t have the line “the beldam swore by her good right hand, but she lied” in there. Criminal!)
Coraline is smart and clever. Her neighbors are oddball and there’s a creepy inverted world on the other side of a mysterious door. There are primordial rats who sing a terrifying song (we were here before you fell/ you will be here when we rise) and an Other Mother with shiny black buttons for eyes. There are Lovecraftian horrors lurking in dark spaces between realities.
So, of course, I was totally stoked to discover that Henry Selick of The Nightmare Before Christmas fame would be doing the Coraline film adaptation.
Well, I saw it on Sunday. And it is truly wonderful: the opening scene is one of the most fantastically creepy scenes I’ve seen in a film in quite some time. The opulent settings are absorbing, engaging, and delightful. The story is well-paced and the creepiness of the novel just saturates the films (sans Lovecraftian horrors, though, sadly). The cat? Perfect. The film is edgy and lush and eerie. I can’t wait to own it in Blu-ray.
But. You knew there was a but, didn’t you?
Somehow, my Coraline didn’t make it into the film. She’s there in name and she’s there in sass. But her cleverness has been lobotomized. She has to be led by the nose through the various challenges presented to her and she is saved on more than one occasion by a strange male sidekick completely fabricated for the film. He even saves her from the Other Mother’s right hand. And that? Is just wrong. (Side note: they didn’t have the line “the beldam swore by her good right hand, but she lied” in there. Criminal!)
A second issue I had with the film was that the rats were disguised as kangaroo mice for most of the film. One of my favorite bits of and, I feel, most indispensable to the creepiness of the Other House was that the rats’ true natures were never disguised. They were always evil, they always creeped Coraline out, and they always sang snatches of that terrifying song.
Thirdly, so my but’s are complete, I don’t like how her parents were made so utterly unsympathetic at the start of the film. I suppose they wanted to emphasize why the Other Mother & Co. would be so attractive to Coraline, but c’mon. Subtlety can be effective. Neil proves that in the novel.
Speaking of subtlety, they could have gone without the sudden spiderweb bit in the parlor scene at the end. Subtlety, subtlety, subtlety. Neil depicted the entire house as a web in the novel – that was the point. I think audiences can understand that without you having to throw it in our faces.
As a last note, by the way– “Come into my parlor, said the spider to the fly.” Yes, it took until the film was over for me to think that. Heh.
But I kind of want an Other Coraline doll. Is that wrong?
I really like the film and I’m glad it got made. I hope it is popular so that more people will read the book and come to love the “real” story as much as I do. I can deal with the flaws as long as that’s the case.
This review was originally published at my blog on February 9, 2009, and you can visit the original post for any extant discussion there.


Qandeel Baloch: A Very Short Story
Madonna lent her voice as the narrator to her friend Sharmeen Obaid Chinoy’s latest film about Qandeel Baloch, the Pakistani model, actress, activist and social media celebrity who was murdered by her brother earlier this year in a so-called “honor killing”.
This powerful short film from Sharmeen Obaid-Chinoy, an Academy Award-winning director and Chime for Change Advisory Board member, debuted at the 2016 Global Citizen Festival in a special segment introduced by Global Citizen Founder and CEO Hugh Evans, Gucci CEO Marco Bizzarri, Chime for Change co-founder Salma Hayek Pinault, and actor and advocate Jada Pinkett Smith, who highlighted Chime for Change and Global Citizen’s commitment to campaigning efforts in partnership with Equality Now to end honor killings in Pakistan.
Speaking in front of a crowd of more than 60,000 people, the filmmaker Ms. Obaid-Chinoy said:
All of us need to honor the women who have been killed, whose names we do not know, by calling on all governments to punish all killers of women. The world that we want to leave our girls and our daughters must be much safer than the world we have inherited.
Watch the full film below.


Alexei Fedotov, author of the play. He has autism
Narcissus and Christopher is a play about “a different person”, as they are called here. “Special people” also act in the production: they are diagnosed with “autism”, “Down syndrome”, mental illnesses and mental retardation. The studio they work in integrates both actors with and without these diagnoses. “This was we are able to create a social model where everyone is needed and active”, says director Andrei Afonin, head of Krug-II theatre studio. A play can help “special people” find themselves, and help us understand them.
Last year, Narcissus and Christopher won the Protheatre special theatres competition. The festival is not being held this year, but that is not going to stop the play from going on.
…When I first came to the Krug studio, creative chaos reigned. Heads of rag-tag figures where unlatched from their bodies, boys sat on the floor with an open tool box mending the heads. The girls would rub the soles of their ballet slippers with resin to keep them from sliding, and would get advice from the director on how to tie a white scarf to keep it from being a distraction while dancing but also have it look good. The studio’s participants, congenial and open, came up to meet me, bragged about their stage costumes and asked, “Well, what do you think, don’t I act well? What about me?”
After half an hour, Aleksandr Dovgan, playing the role of Christopher, seems no longer like a disabled person, but rather a talented actor with fantastic movement.
There are two people playing the part of Christopher – a boy and an adult, since the story takes place in the present and past. To tell the truth, there are three Christophers, since the real Christopher is the author of the stories about this little boy, Aleksei Fedotov, and he tells his life story in it. Aleksei has autism. “Well, that is to say he had it”, the director points out. Aleksei used to have trouble reading a text out loud: three other kids would come on stage with him and read the text out loud together. Now he does just fine by himself, while these same guys have switched over to sign language, depicting what he is talking about, creating an emotional, physical lay out of the narration.
…During a rehearsal break while the studio kids make themselves a little lunch in the tiny kitchen at the Strogino Centre for Children’s Art, I asked Aleksei to talk about his stories and how he composed them. He does not look at me in the eyes, as he is shy around strangers. “Christopher doesn’t like to go to school, and his mom didn’t take him there”, he says. “Aleksei can’t tell you that Christopher is really him”, Lera, a fellow studio participant, chimes in. The name of the main character is taken from a novel called The Curious Incident of the Dog in the Night-Time by Mark Haddon about a young child with autism, just as goes for several other characters, such as Mr Shears. There are glances made alluding to Chukovsky’s Doctor Aybolit and Tolstoy’s stories. A large part, however, comes from his very own impressions. “Yes, that’s me”, Aleksei says in confirmation and becomes a little more talkative. “I have a lot of stories. Christopher goes to the conservatorium and meets my music teachers. And at the Russian Institute for the Theatrical Arts he meets the actors Yevstigneyev and Smoktunovsky. And what’s more, no matter where he goes, he always ends up in the police station. His family wants him to get him a job as a guard, while he wanted to exhibit his pictures at the Central House of Artists.”
Aleksei has been telling stories to others for many years, but people just took them for being part of his illness; it was only in the studio where people would actually listen to him.
The second main character in the play – Narcissus – is beautiful and lucky, boys carry him on their hands and girls come running around to dance with him. When Christopher randomly finds himself in a group of dancers, everyone starts booing him: “Get lost!” They grab Christopher by the arms and legs and force him to repeat Narcissus’s dance moves like a puppet. Then Narcissus pushes Christopher on the floor.
Narcissus has people to talk to. When I dance with girls, I talk with them too. Christopher, however, doesn’t have anyone to talk to, and he needs to. That’s how I understand it”, says Pavel Zhuravikhin, who plays Narcissus, in explaining to me what the play is about.
But Narcissus banishes those who are enraptured by him. Narcissus finds happiness when he sees his own reflection in the mirror and remains by himself to fancy over himself. As for Christopher, he finds happiness when he runs away from the huge rag-tag figures of his mom, doctor, policeman, Mr Shears and is finally by himself. “Sonya and Christopher sat on the porch and drank tea, while mom stood there and said, “So that you die!”…When it was raining, Sonya slept with Christopher and covered him with her wing and sang”. Sonya has two prototypes: the sister of one of Aleksei’s friends from his childhood and Sonya from the studio who brought attention to his stories, began to pick his brain about them and the low and behold you have his play. At the beginning she played Sonya in the play.
Christopher is, of course, a typical hero. “Aleksei calls the autistic Christopher”, says Andrei Borisovich. The main character in the play is not necessary autistic, but rather a generalised character of “a different person”. A different person who also feels fear, loneliness and needs affection just like everyone else.
Besides Aleksei’s text “from the author”, there are almost no words. Words in this play are something strange and evil. Words are fragments of phrases: “A child’s crying”, “Yea, he’s pretty strange”, “Just calm down”. Everything in the play is expressed through motion and dance. Dmitry Korshunov, nicknamed Uncle Dima in the studio, choreographed the dancing. “We rehearsed it so much that it’s already in our blood”, says 9th-grader Aleksei Knyazev, a participant in the “dance of the kids”. The play has been in the studio repertoire for two years now. “This is the seventh version”, says Andrei Borisovich. The play became longer because of new scenes and the actors changed. Now, Sonya is played by the red-haired Anya Aleksina. Anya, a high schooler, says that she came to the theatre studio after she saw the play as a member of the audience.
“Is it hard to work with such a group of people?”, I ask Anya. “It’s easier than usual”, she says with a smile. “Here, you don’t let yourself think that you are better or worse than everyone.”
The play’s final scene gives hope. Sonya and Christopher are sitting at the table in a round, warm light while pouring each other tea, and then raise their palms to the air and to the sides, depicting either a growing tree or a blooming flower. The “special person” stops being closed within himself and opens up to the world, because he is no longer alone.
“I am a diverse person”, “I am motivated person”, “I am a normal person”, “I love all dogs”, “I don’t like it when I am sick”, “ I like to go walking in the rain”, “I love my friends at the theatre”, the actors say on stage. Then they ask the audience in gestures, “What do you love?”, and freeze while pointing their fingers out in the hall.
At this point, the audience is crowding by the stage, giving the actors flowers.
— “What’s most important in our studio?”, Andrei Borisovich asks after the rehearsal on the eve of the performance with all the actors gathered together by his chair expecting a pep talk.
— A good attitude? — Someone suggests.
— Do you remember what last line Aleksei says?
— Friends at the theatre! —everyone guesses. And Aleksei Fedotov stands there getting all red and smiles.


The liberation of Izmir, one of the symbol cities of the National Struggle and occupied by the Greeks on May 15, 1919, became a documentary called "Towards Izmir: September 9".
The documentary was shot with the support of İzmir Metropolitan Municipality and sponsored by Folkart, with the director of the documentary Mesut Gengeç, the general coordinator of Bülent Günal and the responsibility of the project by Yılmaz Aydın. The soundtrack of the documentary, in which dramas take place in the important scenes, is signed by Yıldıray Gürgen.
Filming Lasted 1 Year
The documentary, which took 1 year to shoot, will be broadcast with the audience in September with a special screening as part of the liberation of Izmir activities. In the documentary, which tells the historical period after a long archive work, interviews were made with the expert historian, research writer and the families of the heroes who fought for the liberation of Izmir.
The real Colonel Cevdet Gavur was Mümin
Director Mesut Gengeç pointed out that the documentary describes the epic struggle that took place in Izmir during the occupation days. Gengeç said, "In the documentary, the first bullet fired by Hasan Tahsin and what happened after it, the epic written in Ödemiş, the great story of Gavur Mümin (Mumin Aksoy), known to everyone as Colonel Cevdet, in the series Vatanım Sensin. At the same time, intelligence activities and unnamed heroes that went underground since the days of occupation also have an important place in the documentary. May 15, 1919, the black day in the history of Izmir. On that day alone, 2,000 people were martyred in Izmir, according to the report of Admiral Bristol from the United States. Documentary, that black day; He also tells about the liberation of Izmir, which opened like a poppy field on September 9 and was equipped with Turkish flags, with interviews and dramas.


Will Hong is an Assistant Professor in the Department of Digital Media and Journalism at SUNY New Paltz. He began his career in the fine arts with positions at the National Gallery of Art and the National Endowment for the Arts in Washington, D.C. before earning an M.A. in art history at Princeton University, specializing in the history of photography and cinema. He then transitioned to filmmaking and earned an M.F.A. at the Tisch School of the Arts-NYU in the Graduate Film program. He has spent most of the last two decades in the film and television industry in New York City, working as a cameraman and then editor on short and feature-length films, TV spots, music videos, various reality TV shows, as well as corporate and web-based content. He has taught the fundamentals of filmmaking at The Lee Strasberg Theater and Film Institute, the New York Film Academy (NYC), Marist College, and the Dalton School. He lives in the mid-Hudson Valley with his wife and a very sensitive beagle.


July 3, 2020
On July 2nd, Shawn Bausch, Sr. Tax Manager at Sloan Partners LLP, completed a mentorship session for new producers of film and TV. Ten new producers attended this private session, getting personalized advice about running the finances of a production, raising money, and optimizing productions for tax.
Attendees learned about general accounting for their productions, how to access film grants and credits, structuring productions and/or personal businesses to optimize tax outcomes, and about the concerns for non-residents working in Canada as well as Canadians working abroad. Participants were provided with Sloan’s Film and TV Grants summary, as well as follow up advice on how to tailor their processes for better financial results.
The tax and accounting considerations for film and tv producers are extensive, and not necessarily an activity that producers have time in which to be fluent. Film and TV production is time-consuming as is.
Sloan Partners has served clients in the entertainment industry for over 10 years, including household names as well as less well-known clients. In addition to tax matters, Sloan Partners has over a decade of experience conducting audits of entertainment productions. Shawn himself is a California CPA with over 10 years of experience working in Los Angeles with clients in the entertainment industry.
The July 2 mentorship session was hosted by the Toronto International Film Festival’s Industry Talent Development group. Watch out for future sessions to be posted on our website or at TIFF, or reach out to us for news about upcoming events.
For a free consultation with Shawn or to receive any material from this session, please contact Shawn directly via Email or phone (416-665-7735 x335).
Sr. Tax Manager


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I read Rodger Ebert’s “How to read a Movie” and it was interesting how he would stop the scene and look at where the characters were as far as their possession relative to where another person was in that scene. The way that a film critic looks at a movie is much different than I thought they would. He would spend hours with college students and ask questions about if a scene was using french, he would ask the french major to translate.
Kubrick’s One point perspective was profound because every scene had some element of cemetery involved it it, which its visually appealing to the audience. There were a lot of colors, there were a lot of unique visuals in the background. The whole thing from different movies had some similarity to them.
I watched Examples of editing techniques which showed different ways to use the camera. That was useful for our latest project because you don’t want to keep using the same techniques over and over again. I would think that you could lose your audience that way.
I watched the Top 20 cinematic techniques which I did not realize that a lot of great movies came up with their own unique camera technique. Now I hope we can imitate their techniques so that our show is not boring for the audience.
All of these show what to do with a camera and how to use it effectively. I feel like until I do it I wont know what to expect. I just hope the audience does not fall asleep while my show is going on.