Monday, 15 January 2018
Sunday, 14 January 2018
A serial killer returns to his hometown to stalk seven children who share the same birthday as the date he was allegedly put to rest.
Standard slasher horror movie doesn't add anything new to the genre.
Maltin BOMB: "Boring, routine slasher film with unappealing characters; a real comedown for horror vet Craven..."
Saturday, 13 January 2018
A businessman thwarts his wife's bequest of an estate to another woman.
A successful adaptation of E.M. Forster's novel about moral hypocrisy thanks to a wonderful cast and tasteful production.
On renewed viewing: a classic of its own kind; always worth a rewatch.
Halliwell***: "The best of the adaptations of Forster's novels, in which the nostalgia is undercut by an examination of the moral bankruptcy of the ruling class."
Maltin****: "Sumptuous, stimulating adaptation of E.M Forster's novel of class distinction...Extraordinarily good on every level."
Two homicide detectives track a murderous pair known as the "Lonely Hearts Killers" who lured their victims through the personals.
True crime story gets a slight neo-noir treatment in this well-made, but not quite exciting movie, though Salma Hayek surprises in a very unusual role; a far cry from The Honeymoon Killers, which is based on the same story.
Maltin**: "Uninspired treatment of acutely unpleasant material..."


Swimming with Sharks Entertainment has released the official trailer for Shower Sharks, which can be viewed here:
The horror/comedy short film is directed by Noah “Shark” Robertson, drummer for bands like Motograter, The Browning and founder of Zombie Shark Records and Swimming with Sharks Records. The film is slated to hit horror movie festivals in October of 2018. A DVD pre-order has been set up at www.showersharks.com.
“I’ve always wanted to be involved in the entertainment industry in some way, outside of music. Making this short film was my intro into this realm. I’m obsessed with sharks and I’ve always loved the horror genre, especially Jaws and all the amazingly bad shark movies that followed. It’s been my dream to be a part of the Sharksploitation lore for quite some time now. What an honour!”
In addition to getting his feet wet in the film industry, the musician has also stepped into the stand-up comedy arena; recently completing the I Have No Idea What I’m Doing Comedy Tour.
“I’ve been doing music for over 20 years now. I’ve signed record deals, toured all over the world, and have been on the Billboard Charts. The music industry really chewed me up and spit me out though. It’s refreshing to step outside of my comfort zone and try my hand at something else for a change. I love inspiring people and showing that you really can do anything you put your mind to. I’m not quitting music or anything, just sort of hitting the reset button while I search for the right project. I’m currently writing a novel/screenplay for a feature film about sharks, and I’m hoping someday I can see it become a reality. Who knows. I’m massively inspired by independent filmmakers such as Lloyd Kaufman from Troma Entertainment. I’d love to get his attention somehow! A huge part of me making this film came from me reading his book, Make Your Own Damn Movie. I guess we’ll see.”
Shower Sharks synopsis:
Noah, a shark-obsessed, struggling musician, has begun writing a screenplay for a low-budget feature film entitled, Shark Slayer. Scrambling to complete his script, his town of Surf Beach, California is turned upside down when news spreads of a small, unknown species of aggressive shark making its way up shower drains and attacking people while they are bathing. Noah remains skeptical, until he comes face to face with the menacing monsters himself. Will he complete his epic masterpiece, or succumb to the peril of the Shower Sharks?


Saturday, 16 August 2008
Now Showing – A Exhibition of Old School Screen Printed Movie Posters
Now Showing is a new collection being displayed in London’s Cosh Gallery (or on the internet at www.flickr.com/photos/keepsmesane/) that was devised and curated by the designer Darren Firth. Firth set a group of designers the brief to illustrate a movie poster for a cult or obscure film from the past. The resulting posters have a really refreshing feel about them when compared to today’s highly photoshoped film posters. I feel they give a better ‘feel’ for the film than simply a large photo of the leading actor (as many film posters are today). They look like works of art in their own right that someone has carefully designed and created rather than the throw away designs that we are bombarded with today. As a designer looking at these posters I think it would be great if I could work some screen-printed designs into my future projects – I think they would really stand out because they look so different to the designs we are used to seeing.


The Theatre at Ace Hotel, Los Angeles
April 8th, 2022
For its first event of the 2022 season, Wordless Music and The Regent Theater present the U.S. premiere of the Academy Award-winning movie JOKER, with a 45-piece orchestra performing Hildur Guðnadóttir’s unforgettable original score. Working in collaboration with Warner Bros., the orchestra will recreate the music to a screening of the full feature film.
Having premiered live orchestral events for Terrence Malick’s The Tree of Life, Barry Jenkins’ Moonlight, and Paul Thomas Anderson’s There Will Be Blood, Wordless Music Orchestra will perform JOKER in Los Angeles under conductor Ryan McAdams, with cello soloist Mariel Roberts leading the ensemble in the 2019 Oscar winner for Best Original Score.
Tickets on sale this Friday, January 28th.


Hamlet Essays Soliloquies
Each Shakespeare’s play name links to Essays Hamlet Soliloquies a range of resources about each play: Character summaries, plot outlines, example essays and famous quotes, soliloquies and monologues: All’s Well That Ends Well Antony and Cleopatra As You Like Francis Hutchinson An Historical Essay Concerning Witchcraft It The Comedy of Errors Coriolanus Cymbeline Hamlet Henry IV Part 1 Henry IV Part 2 Henry VIII Henry VI Part. The language used in Shakespeare’s day is slightly different to today’s modern English. The Outline Of A Descriptive Essay Is
Barber Essay Job
.This page contains links to waikele outlet coupon book the acts and scenes of the Hamlet full text. Character summaries, plot outlines, example essays and famous quotes, Essays Hamlet Soliloquies soliloquies and monologues: All’s Well That Ends Well Antony and Cleopatra As You Like It The Comedy of.
Essay Compare And Contrast On Movies
Essay Word Limit 10 Per Customer From forth the fatal loins of these two foes A pair of star-crossed lovers take their. 29.08.2019 · This analysis may make writing essays a bit easier as well. Hamlet study guide contains a biography Essays Hamlet Soliloquies of William Shakespeare, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis. The Prologue to Romeo and Juliet. Two households, both Write An Essay On How You Met Your First Love alike in dignity (In fair Verona, where we lay our scene), From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. as he does for instance in his soliloquies on Hecuba and on Fortinbras’ army, but to celebrate it. He says to Horatio, for instance, when his friend seems.


‘London’s 66,000 guns’, a live talk recorded at Ignite London.
‘The Captain and the Enemy’, a short film I directed about retired Capt. Maurice Seddon and his court battles.
‘Miracles for Sale’, an article about the time I went to a televangelist event for fun and found that up close it was quite the opposite.
‘I went to a Get Rich Quick Scheme Disguised as a Nazi‘, an article about the time I went to a get rich quick scheme disguised as a Nazi.


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Documentary Film Premiere
A documentary premiere can be a significant moment in a filmmaker's career, providing an opportunity to share their work with a new audience and potentially launch their film onto the world stage.
There are several different premiere statuses for a documentary film
World Premiere: A world premiere is the first public screening of a documentary film anywhere in the world. This is typically the most prestigious and sought-after premiere status, as it indicates that the film is brand new and has never been seen before.
International Premiere: An international premiere is the first public screening of a documentary film outside of its home country. This premiere status is often sought after by films that have already premiered domestically, as it can help to generate international buzz and exposure.
European Premiere: This is the first public screening of a film in Europe.
A U.K. documentary premiere is the first public screening of a documentary film in the United Kingdom. This is an important premiere status for documentary filmmakers, particularly those based in the U.K. or those whose films have a particular focus on U.K. subjects or issues. This can include a range of premiere types, such as a world premiere, European premiere, or limited-release premiere.
U.K. documentary premieres can be particularly significant for filmmakers, as they can help to generate buzz and exposure in the U.K. market. A successful U.K. premiere can lead to additional festival screenings, distribution deals, and critical acclaim.
The premiere of a documentary film at The Docuworld Film Festival is a unique and exciting experience. The audience is filled with film enthusiasts, critics, and industry professionals, all eager to see the latest and greatest documentaries from around the world. The filmmakers are also in attendance, often participating in Q&A sessions and panel discussions after the screening.


Wednesday, October 1, 2014
Juliet's Nurse Would Make Shakespeare Proud
Publisher: Atria Books
Publication date: September 23, 2014
Source: I received an e-galley of this book from the publisher via NetGalley in exchange for my honest review.
Shakespeare. The name thrills some, makes others cower. English teachers get excited, students groan. Shakespeare has many claims to fame, from the English words he created that we still speak today, to a huge portfolio of works that have survived almost 400 years after his death. Shakespeare is also shrouded in mystery. While there is proof that the man existed, certain camps of thought question his authorship. Some believe it was a group of men working together. The movie Anonymous puts forth the idea that one nobleman, whose high societal rank kept him from full involvement with the theater, wrote everything and used lower standing Shakespeare as his cover for publication. Whatever your belief - or even the truth - there's no doubt that these works have stood the test of time, the proof not only in the fact that we still read them, but that they are copied and added onto repeatedly.
The Shakespeare play that comes to mind first is Romeo and Juliet, mostly because I taught this play for years and will be back to it this year. It is also the play whose themes and plot I see repeated most often in movies and books. In recent years I've noticed authors writing books that are "take-offs" of bigger works, such as Rhett Butler's People, an authorized sequel to Gone With the Wind, and The Wind Done Gone, which is an alternative version of the same, told by Mammy's daughter. Sometimes these add-ons fall flat, but they're worth a try, because the successful ones make the original that much richer.
All of that to say, this is why I requested Juliet's Nurse by Lois Leveen. It is the story of Romeo and Juliet told from the perspective of Juliet's nurse, but more, as the story starts with Juliet's birth, leading up to the events we all know will end the story. In Shakespeare's play, the nurse is an eccentric "old" woman who loves Juliet very much, having mothered her more than anyone else. Her conversation isn't always appropriate and she's a little more supportive of crazy teenage antics than most adults would be. I couldn't wait to read it and see the nurse come to life beyond what her Shakespeare role hinted about her.
And Leveen did not disappoint. As Leveen's story progressed, I started looking for events that would align with what I knew of the Nurse's life from Shakespeare's play. Tidbits only, brought fully to life here in Leveen's work, and turning what we thought we knew about Juliet and her Nurse on its head. I was just as delighted as pieces of Shakespeare's beautiful dialogue began to appear in all the right places, but heard from a different perspective this time. I imagine much of my enjoyment of Juliet's Nurse comes from my intricate knowledge of Shakespeare's original play, so maybe it wouldn't be as exciting for others. Yet, just about everyone is familiar with Romeo and Juliet and could appreciate the fuller background Leveen weaves. For Shakespeare or Romeo and Juliet fans, Juliet's Nurse is a must.
Tell me readers, are you a Shakespeare fan? Have you read any "take-offs" to a bigger work?


... was born in 1970 in Dortmund and absolved a Drama, Theater and Media course in Gießen before beginning to study Film/Television at the Fachhochschule Dortmund University of Applied Sciences in 1998. He spent the winter term of 2002/2003 as an international exchange student at the Film School of Cuba.
- FH-Trailer "moving abscura" (2002) Experimental film, 41 sec., 35mm, Colour; Camera, direction, animation
- Mörderball (2002) Documentary, 35 mm, Prize winner at the Festival "Blicke aus dem Ruhrgebiet"; Camera, direction, editing
- Mumie, (1998) short film, b/w, Film festival Münster; Camera, direction, editing


In my most recent banal QOTD answer, M-dashes and Hotrod gently derided my recent pathetic Vox attendance record of late, challenged me to write an actual blog post on my blog, further suggested that said post be a list, and further suggested that said list be of the 10 Best Star Wars Characters of All Time.
Well never let it be said that I won't rise to a challenge (so long as other people give me a healthy kick-start). Here then are the top 10 best Star Wars characters of all time.
1) Darth Vader -- Duh. Is this even in dispute? Nerdy guys talk about idolizing Han Solo, and post-ironic hipsters claim undying allegiance to Lando Calrissian, but right-thinking people understand that Darth Vader is THE iconic character of the series. From his all-black outfit to his signature wheeze, Vader is the personification of evil. In the hands of any other (voice) actor, he may have come off as pure caricature, but James Earl Jones absolutely sells the Dark Lord. As a foil, Darth Vader completely overshadows the supposed heroes of the story. He is at the center of every meaningful development and nearly every real emotional moment in the first three films. And of course, he has the best theme song of any movie character in the history of film. I am frankly, offended to have had to argue this point. Resistance is futile.
2) Obi-Wan Kenobi -- I don't know why the great Alec Guinness agreed to take a part in Star Wars, but let's all thank god (or Guinness' bookie) that he did. From the moment he steps into frame, Guinness classes up the joint and makes everybody around him -- even the hapless Mark Hamill -- better. Remember how I said Darth Vader was involved in nearly every important emotional moment in the first three films? The ones he missed, Obi-Wan got. It is Obi-Wan who sells us on the concept of the Force, the conceit around which the films are built. Obi-Wan is the ethical center of the films, but he is also flawed, and haunted by his mistakes.
3) (tie) C-3PO and R2-D2 -- C-3PO and R2-D2 are the clown princes of the Star Wars films. The droids are absolutely essential to striking the tone of the story and establishing the balance between dark and light that worked so well in the first three films. Anytime something funny happened in Star Wars, it involved the Droids, and it was those moments -- as much as the space battles and dramatic exchanges -- that ensconced the trilogy in the hearts of a generation.
5) Han Solo -- The ugly truth about Star Wars is that the male lead (Luke) and to a slightly lesser extent the female lead (Leia) are kind of boring. Han Solo, space buccaneer and lovable rogue, is the real hero of the films. Sadly, Solo's iconic moment -- when he kills Greedo in cold blood -- has been sanitized for future generations. I won't blame children who read this list in 20 years and ask why Solo is ranked so high. But for those of us who know the truth, this is where he belongs.
6) Lando Calrissian -- Bringing a little style to a galaxy far, far away, Calrissian was a welcome addition to the second and best film, and played a critical part in that film's plot. And he shilled for Colt 45...so that's cool.
7) Boba Fett -- For a moment try to forget the last three regrettable films and their ludicrous attempt to build a storyline around Mr. Fett. Boba Fett became an international icon speaking a total of less than five
words lines (I was close. - ed), and occupying maybe 10 minutes of screen time. That, my friends, is what we call resonance.
8) Chewbacca -- Chewy is another favorite choice of hipsters who are trying too hard, but just because they like him doesn't mean he's not great. Never has a character conveyed so much with a mixture of meaningful stares and screaming grunts...or maybe grunting screams.
9) Leia -- She's spunkier than Luke, and while Carrie Fisher and her occasional accent was no Meryl Streep, she acted circles around Mark Hamill. Someone get this walking carpet out of my way!
9) Yoda -- Whoop, it's late, and I almost forgot about Kermit's monastic younger brother. Of all the characters screwed over by the new movies, Yoda got the worst of it by far. In Empire Strikes Back, his grammatical ticks and weird voice really worked in the character of a wise, ancient warrior priest. Best moment: when Luke says "I'm not afraid," and Yoda replies "Good. You will be. You will be." I still get chills.
10) Wedge Antilles -- Ok, hear me out on this one. Wedge is in it with Luke from the beginning. He's the only tertiary character to survive throughout the three films. Think of him as Luke's conscience, and a cipher for all of us observing these great galactic events from the outside looking in.


“I wanted to return to being a 14 year old and make the audience remember the passionate young love.”
Kim kibum played the lead role of TVN’s monday/tuesday drama, I Love Lee Taeri. His character wished a weird wish and ended up becoming a 25 year old from a 14 years old. He played as the counter part for ice princess Park Yaejin who didnt trust in love after being betrayed by her first love.
After spending 3 months as Geum Undong, he seems to be still caught in the character.
“After finishing it, i took a break for about 4 days. I had special affection for UnDong character so the after-effect was strong. I’m trying to adjust back to my own life.”
I love Lee Taeri is a special work for him. He finished it well, dispite it being his first time as lead role. He was also able to escape the image he had before.
“As we recorded, i wondered ‘Am i leading the drama well?’ I was pressured from being the lead role. But i had faith in Park Yaejin sunbaenim so i wasnt stressed too much. I depended on her a lot.”
“I’ve been doing ‘Good Boy’ characters before this so i wanted to escape from that. I really wanted to try a comical acting and ruin my image. Guem Undong role came to me in a comfortable way so i was able to act comfortably and the viewers liked that.”
Kibum showed a cute romantic scenes with Park yaejin during the drama. The age difference between the two in real life is 6 years. But their acting was very natural, almost like any Older/Younger couples.
“When i first heard about acting with her, I thought ‘Will we match..?’ but when we acted and saw ourselves on TV, i never thought that it was awkward. We worked well together.”
Another part loved by the viewers was the perfect combination of kim Kibum and Jang SuhWon. The two appeared as a student / teacher relationship and showed great charms.
“Jang SuhWon hyung and I studied our characters together 2 months before recording. There were many scenes with us together so we wanted to practice it earlier to make it funny. Sometimes we conversed only with the lines from the script. (Laugh) I’m glad the scenes were portrayed well.”
I Love Lee Taeri used Time Slip. Many dramas are also using the subject. What does it mean for Kibum?
“I read a manhwa on timeslip about 5 years ago. I kept thinking that it would be funny to see as a drama. The topic was funny. ‘I love Lee Taeri’ came as a refreshing subject like that.”
Kim Kibum wanted to show a message to the people with the character Geum Undong who suddenly becomes an adult.
“I wanted to show them what the current social world looks to innocent childrens eyes. I wanted to portray the uneasyness a 14 year old with an adult body would feel. I wanted to express it a bit different way. And average people have their first love around then. I wanted to bring back that memory for all the viewers with UnDong’s first love.”
Kibum chose a best scene out of the drama. The scene chosen was the scene where Undong transformed to an adult body while swimming. Why did he choose that scene?
“With that scene, the drama’s story starts. After reading the first script, i really anticipated for the story line. I prepared hard for it. I wanted to show a more perfect scene. I worked out hard to look pretty. I think that’s why i’m attatched to that scene.”
“Before recording, i tried to learn what 14 years old’s think like. I watched lots of animations and met many kids. I tried to look for kids who were similar to the character Guem Undong. Since Undong is a swimmer, i studied Park TaeHwan too. (Laugh).”
Kibum was seriously thinking and worrying about his acting. His continuous studying and thinking makes us anticipate for his future works.
“There are many characters i want to try. I want to try a different type of character. I want to show a completely different character the next time. I think it’s really fun acting roles that are different from your real personality.”
Credits: Source:Herald News
Translated by: Naya @Nksubs
Kim Kibum now suits the keyword Actor more than a member of an idol group. It’s not surprising to see him acting now.
Kibum once roamed the stage with Super Junior as a singer but now he’s gaining attention with acting. He finally erased the stereotypes people had in mind with the keyword “Idol Singer”.
Recently, he showed his talent with a cable channel TVN’s popular drama ‘I love Lee Taeri’. He acted a more light and happy character compared to his character from ‘Deep rooted tree’ last year. Because of that, he was able to capture not just younger girls but noona fans hearts
Kim kibum acted as Gum Undong and as Hwang Minsu in ‘I love Lee Taeri’. At the beginning, he shook the hearts of girls with exposing scenes. We thought exposures might have been hard for him but he answered differently.
"Showing the character was harder than the exposing scenes. I worried about the character since end of Feb. The producer and I thought differently. At first, it was hard to record but it became easy and fun. If the scripts came out just a bit earlier, i would have been able to study the character more. That part, i regret."
Last year, he appeared as Park PaengNyun on Deep Rooted Tree. He left a great impression with the first Historical drama he appeared on. He was praised for his witty and charismatic acting. Kibum said he wanted to show a different side on ‘I love Lee Taeri’
"I wasn’t able to show personal side of the character this time. I tried to approach the audience as the character, not as Kibum. I tried to show them the personality and the charm of that character. I took a hiatus for a bit. I rested because i wanted to change myself after hearing that I was acting the characters as Kibum, not as the character."
Kibum acted as the counter role for Park Yaejin in ‘I love Lee Taeri.’ It must have not been easy to work with Park Yaejin.
"There weren’t many NGs. We trusted each other as we acted. We acted to show our characters. It was comfortable to record. Yaejin sunbae’s first impression on me was different than the image from ‘Family Outing’. She was very cool and she talked well. It was easy to record with her."
Kim Kibum chose the Most Memorable episode from I Love Lee Taeri. He chose the episode when he got slapped by Sunny Hill’s Joobi. He mentioned this at the press conference for the drama release. Joobi slapped him to the point where his jaw was dislocated and had to go to the hospital.
"Even if i look back at it now, it was a hard blow. It was her first time acting so I guess she was excited. We got a ‘OK’ sign after the scene but i had to go to the hospital. We couldnt record the next scene. I wasn’t close to her and this happened on the first recording and made our relationship awkward. Hahaha."
He laughed over the incident but hinted that Hunger was hardeat to fight.
"There were exposing scenes in the drama so I exercised. But the scenes appeared in many points so I had to keep up the shape. I kept it up by exercising and eating chicken breast. It was hard to act when I was hungry. When I was hungry and sleepy, i became more sensitive. So it was hard."
Kim kibum is showing his skills as an actor though he was a singer. Fans are sad about not being able to see him sing. He says he wants to act for a bit. Then what more will he show us?
"i want to do many works and roles. If it’s not something that is completely no no for me, i want to try it all. I feel that I have just NOW started to act. There is much more to show. I showed a 14 year old with I Love Lee Taeri’s Undong role. In next work, i want to do a complete opposite role. I want to show myself changing."
Kibum, who has greed in acting, wants to become a real actor with real feelings within his actings.
"I act well while looking into other person’s eyes. Even if the camera isn’t focused on me, i usually say my lines this way. If i look at the other’s eyes, i can express feelings better."
Kibum is taking small steps into acting. He showed a different side of him than from ‘Nap’ theater skit, dramas, and from him in movies. Will he stand on the theater stage again?
"I learned a lot from the theater stage. Huh Jinho producer and actors.. The time spent together was fun. I want to do skits too. It’s hard but I want to do more in the future."
He started acting in 2004. We asked him, “How far do you think you have come as an Actor?”
"The time i decided to act was 2004. I appeared on ‘Ban Olim 2’ after that. But I never thought about where I was as an actor. When I was younger, I knew I liked acting but didnt know why. But during ‘Deep rooted tree’ and ‘I love lee Taeri’ and not being able to sleep because of recordings & memorizing the script made me realize why I wanted to act."
WHEN POSTING THIS TO ANOTHER PAGE, PLEASE CREDIT PROPERLY!!
Credit to NKSubs not to the admin!
@NKSubs @ TWITTER.COM
All of a sudden, Super Junior Kibum updated his twitter and tweeted this,
@ikmubmik: Ah.. What double eyelid surgery.. My eyes are swollen because of atopy, so perhaps you can see it when I put on make-up..ㅋ I don’t really care about others, but to people who know me I really didn’t do it (double eyelid surgery)ㅋㅋ translated by @euodsie for @sjworld
@ikmubmik: 아.. 쌍커풀 수술은 뭔가.. 아토피땜에 눈에 상처나서 화장 진하게한게 그리보인건가..ㅋ 다른사람들은 관심없고, 내 지인분들 저 한거아닙니다ㅋㅋ
T/N: Atopy is like an allergy or allergic reaction. He used 상쳐 which literally means injured, but in terms of his eye, it’s probably swollen. Don’t mind the tone too much..take it with a pinch of salt. Kibum’s snarky like that ㅋㅋ
info from @euodsie for @sjworld
Source: Kibum’s twitter
Written by KYUriShana@dkpopnews.net


Bonjour Tristesse: The Economic and Political Decline of France
François Hollande never intended to become a king, but rather a "normal president," as he put it, and now he has to play one nonetheless. He occasionally seems like an actor who has somehow ended up in the wrong play.The man in charge, on the other hand, seems lonely and small in his palace. He is surrounded by court ushers who make sure that glasses and writing sets are perfectly arranged, and when he enters a conference room, they call out grandly "Monsieur le Président de la République!", to give his attendants time to stand up for him.


Movies can be a great way to cope with a breakup. They can provide an escape from the reality of the situation and help you to forget about your ex for a while. They can also help you to feel better about yourself by providing some much-needed laughter or tears. If you are feeling particularly down after your breakup, watching a feel-good movie can be a great way to pick yourself back up again. There are a lot of great movies to watch after a breakup or bet on Woo Casino Australia. Here are just a few:
1. “The Notebook”
This classic romance movie is the perfect way to remind yourself that love is still out there. The Notebook is a novel written by Nicholas Sparks. The story is about a man named Noah Calhoun and a woman named Allie Nelson. The two meet one summer in North Carolina and fall in love. However, their relationship is put to the test when Allie’s family moves away and the two are forced to part ways. Noah and Allie continue to write to each other and remain in love, but their relationship is tested even further when Allie becomes engaged to another man. Noah is still in love with Allie and is determined to win her back. The Notebook is a story of love, heartbreak, and ultimately, redemption. It is a story that will stay with you long after you have finished reading it.
2. “Bridget Jones’s Diary”
This hilarious movie is the perfect way to take your mind off of your ex and have a good laugh.
3. “The Break-Up”
This movie is a great reminder that breakups can sometimes be for the best. Bridget Jones’s Diary is the perfect movie to watch after a breakup. It’s funny, relatable, and ultimately uplifting. Bridget is a character that everyone can identify with, and her journey from singleton to a happy ending is one that will leave you feeling inspired.
4. “How to Lose a Guy in 10 Days”
This movie is a great way to get over your ex by learning from other peoples’ mistakes. How to Lose a Guy in 10 Days is the perfect post-break-up movie. It is funny, romantic, and will make you feel better about your breakup. Andie Anderson (Kate Hudson) is a journalist for a women’s magazine and is assigned to write an article on “How to Lose a Guy in 10 Days.” She decides to use her boyfriend, Benjamin Barry (Matthew McConaughey), as her guinea pig. She starts to drive him crazy with her demands and crazy behavior, but he starts to fall for her. In the end, they both realize that they are perfect for each other and they get back together.
5. “The Little Mermaid”
This classic Disney movie is the perfect way to remind yourself that there is always hope for a happy ending. The Little Mermaid is the perfect post-break-up movie. It’s a story about a young woman who falls in love with a man she can’t have and makes a drastic decision to be with him. Even though she knows the risks, she still believes that love will find a way. This movie will definitely make you believe in love again.


CAST + CREATIVES
BOOK & LYRICS BY
Winner of the New York Outer Critics Circle Award for Best Off-Broadway Musical, RUTHLESS! is a razor sharp send-up of the entertainment business, full of witty one-liners, bright, brassy show tunes and ingenious plot twists. RUTHLESS! twists housewives into movie stars, grandmothers into grand dames and children into sociopaths, all the while parodying Broadway and Hollywood classics Gypsy, Mame, The Women, The Bad Seed and All About Eve.
The Sydney premiere of this hilarious dark comedy starred an all-female cast featuring musical theatre favourites KATRINA RETALLICK, MEREDITH O’REILLY, MARGI DE FERRANTI and CAITLIN BERRY, with the iconic GERALDINE TURNER as Broadway critic ‘Lita Encore’.
REGINALD SEASON 2014
REGINALD THEATRE, SEYMOUR CENTRE
JUNE 19 - JULY 12 2014
MARGI DE FERRANTI
LOUISE LERMAN / EVE
SET AND COSTUME DESIGNER
MISS BLOCK / MYRNA THORN
DIRECTOR / CO-PRODUCER
ASSISTANT STAGE MANAGER / CHILD CHAPERONE
MUSICAL DIRECTOR / PIANO
SYLVIA ST CROIX
"Can musical theatre get any better? Four and a half stars.” Lloyd Bradford Syke, Daily Review
“Have you ever had one of those moments when everything just comes together? That feeling when … the universe has contrived to bring all the pieces together to make everything just as you want, to make your dreams come true? Well this is what happened with … this production of Ruthless.”
"From a bang-for-the-buck perspective ... RUTHLESS! is a winner. Its formidable line-up of leading ladies blazing away at towering send-ups of Broadway tropes makes this the best value musical ticket in town." Jason Blake, SMH
“With her agile, powerful voice and delicious sense of comedy, Katrina Retallick is sensational.” Jo Litson, Sunday Telegraph
“Disciplined direction by Lisa Freshwater and a powerhouse cast make good with Paley's in-jokes, running gags and frequent nods to classic movies. The screwball pace never lets up and Brad Miller's excellent band makes Laird's score sparkle.” Elissa Blake, The Sun-Herald
“Katrina Retallick … inconceivable talent and flair. It is sublime to witness an elite performer at the top of her game, and this is such an occasion. She glows throughout the show, with supreme grace, a flawless voice and a surprising mastery over the dark humour at hand.”
“This production is a roaring success and so much of that lies in its casting, this cast of powerful women with inimitable talent…let’s hope that The Theatre Division are here to stay: one show in, and they’re already really good at this.” Cassie Tongue, Aussie Theatre
“This is a bold, fresh and uncompromising production of an Off-Broadway cult-hit. It's a musical in the true sense of the word. There are no whizz-bang Andrew Lloyd-Webberesque spectacles …just … wit, timing and talent - performed well, sung well and with just a little twist in the tale!”
“The sets and costumes in this piece of musical theatre are really outstanding thanks to Mason Browne. You can’t help but think you’ve gone back in time to a 1950s lavish MGM musical … overall this is an extravagant and incredibly over the top show that is C-A-M-P!” Same Same
“The deliciously crisp tap beats of über-talented starlet Tina Denmark indicate that only one man can be behind the choreography: Christopher Horsey.” Simon Parris, Man in the Chair
“It’s a good time to be a musical theatre geek in Sydney. Independent musical theatre companies are finally doing it for themselves…hitting it right out of the ballpark.” Polly Simons, TimeOut Sydney
"Outrageous, unashamedly campy fun, larger than life, larger than theatre, you don’t want to miss RUTHLESS! The Musical.”
"The Theatre Division triumphs with its current production, Ruthless! The Musical. Everyone in this ensemble effort is worthy to play what the characters refer to in hushed tones as ‘…the lead!’" Paul Nolan, Sydney Arts Guide
"Geraldine Turner is scathing as theatre critic Lita Encore, but still received cheers and applause when she made her grand entrance. Bravo. Four stars.” Ben Nielsen, Performing Arts Hub
"The camp-o-meter turned up to 15. It’s a fun, bubbly cartoon given a terrific production by…The Theatre Division and best enjoyed with a drink in your hand and a show tune in your heart.” Deborah Jones, deborahjones.me
"The production values are exquisite. The cast – my gods the cast! Not a stinker among them and all having a spectacular time with the roles that they are playing. The audience loved it. I loved! A great time was had by all – this is an entertaining night in the theatre. Go buy a ticket."
“Congratulations to Freshwater and to Producer Alistair Thomson for attracting the resources to stage this first production. If it’s any indication of the standard of their offerings, The Theatre Division will enjoy a long and rosy future." Sydney Chic
"I knew it was going to be good. I didn’t know it was going to be this good!"
"Congrats to you all on a fabulous production; you should be extremely proud of what you have achieved."
"Congratulations to you and all involved in The Theatre Division on an absolute triumph! The rave notices for RUTHLESS! were well-deserved. We both felt the show was amazing. The wonderful cast was on fire!"
"Congratulations to you and all concerned on the show last night. Great entertainment. Loved the mad hats and costumes. I will certainly be going along again with friends before it is completely sold out."
"Very Very Very big congrats on the success of RUTHLESS!...incredibly well done xx."
"What a wonderful show. Congrats to all, creative team and cast alike, it's funny, colourful, entertaining and a superb vehicle for all the magnificent talented women (and child too!)"
"Congratulations to you all. Finally made it last night. LOOOVVVVVVVVVVVVVED it. Such talent on stage and off the stage."
Maria de Marco
"Brilliant show Last night. What an amazing cast of glorious women, not to be missed! Congratulations to all involved!"
"What a fabulous night at the theatre! The cast of RUTHLESS! all give consummate performances in this musical theatre piece that had me enthralled and laughing the whole way through! The production values, set, costumes, the direction and choreography are slick and tight just the way Broadway shows should be. The best musical I've seen in a long time. Give yourself a night at the theatre that is memorable... Don't miss it!!!"
"Hilarious! We laughed the whole way through - congrats it was wonderful!!"
"…saw the matinee yesterday and loved it! What a great first production for you guys… can’t believe I’ve never even heard of this show! Anyway, congrats to you all…. I hope it’s the first of many."
"RUTHLESS! was fabulous. We all split our sides laughing cause we all knew people exactly like the characters. Costuming was stunning. Am telling everyone to get in quick before it closes."
+61 2 9360 7620


Orthodoxy On Film: Movie and Discussion
Sunday, January 14 at 1:00 pm
"Fill the Void" was written and directed by Rama Burshtein who, in the course of its production, became the first Orthodox Jewish woman to direct a film intended to be viewed outside of the Orthodox community. In doing so, she hoped to create a greater understanding of the Orthodox community. After the movie we will hear from Rabbi Joshua Broide and Israel Rotter about growing up and staying in and leaving the Orthodox community and their reflections on the movie.
Light refreshments. No fee/No RSVP necessary.
Senior Circle is geared toward Temple Beth El members in their mid-60s and up.


She looks at her watch again.
She's been waiting for exactly two hours, at her precise count.
She glances at her watch again. Still 10:47.
She sighs and rubs her neck. Reaching over to the cupholder in her car, she takes a sip of her now flat Coke, bought on
campus hours ago. She turns on the radio, and flips to her favorite station, which was on a seemingly long commecial
break. She turns it off. You can only listen to but so many Geico commercials, after all, she thought wryly.
God, but these long trips stretched out endlessly...
She takes out her cellphone-no, she shouldn't call; he'll just ignore it.
Like he always does.
Why do I keep torturing myself? The rhetorical question bounces around in her head until it finally escapes as a low, guttural
growl, echoing in the car. The end result of pain escapes in frigid breaths clearly visible in the cold car.
She is patient, oh so patient, as she continues her vigil in front of his apartment building.
Ahh, she thought as she glanced a final time at her watch, 11:02. He should be on his way home at this very moment.
Jason. Known more affectionately as JW, or Jay as he is more often called.
To her, however, he's hers and hers alone.
She knew his schedule by heart, and well she should; they went out for a whole year and broke up just about as long
She sighed just thinking about their whilwind relationship...
Bright lights in her rearview mirror interrupt her train of thought. A bright blue sedan pulls up, passes by her car.
A tingle of excitement runs through her as the familiar car with the familiar bumper stickers parks a few spaces down from
Click, click. Slam. A groan, some rustling, and footsteps.
She slides down in her seat slowly, so he wouldn't see her. While sliding, she accidentally presses the horn....
"Beeeeeeep.........." The horn resonated in the dark, and he pauses.
She freaks out and ducks her head, just in time as he looked in her direction. He looks closely at her car, but then shrugs
and heads towards his building. She hears the door click when he goes in, and she drives away.
Another steakout gone well, she thought with satisfaction as her car turned the corner.


The Banff Mountain International Film Festival
Around Wallonia: contact the organiser for further details.
Discover one of the largest and most prestigious mountain adventure film festivals in the world. Many venues in Belgium, from 18 to 22/03/14.
Enjoy for an animated evening, audacious exploits and moving adventures. Take advantage of the festival to meet some Belgian adventurers, who have come to enjoy some of the great modern adventures.
Every year, no less than 350 films compete to win one of the hotly disputed "awards".
The Banff Mountain Film Festival World TourAt the end of the festival, the best films go on tour around the world with the Banff Mountain Film Festival World Tour.
In 2014, the world tour will visit 37 countries, bringing together close to 475.000 festival goers over 750 evenings of projections.
The Banff Mountain Film Festival is all about a large dedicated group, which works all year round with passion, devotion and love of the mountain.
In 2014, this festival will celebrate its 38th anniversary and continues to attract some of the most talented directors on the planet, who succeed in capturing the true spirit of adventure.
This international cinematographic competition was created in 1976 and takes place every year, on the first week of November in the village of Banff in Alberta, Canada.
The Banff Mountain Film Festival World Tour will transport you to some of the most hostile regions on the planet and will give you the most spectacular images of adventure.
- 18/03 in Liège,
- 20/03 in Namur,
- and 22/03 in Braine-l'Alleud!
Pre-sale: €13 + €1 of admin costs On the day: €15 (if there are tickets remaining!) The event is also taking place in: Brussels
- website : http://www.sherpa.be/frBE/Festivals/Cin%C3%A9ma/Banff-Mountain-Film-Festival-World-Tour-2014/


Lifehacks is the most popular official website for these days which you can watch movies for free. You know economy goes down these days and people do not pay money for movies a lot. Thus, if you want to do not pay money for movies you can click on the link below then watch it free. You know Disney movies popular for everyone either for children either for adults. You can ask your friend or family or classmates to watch Disney movies together on the weekends. I hope the link below very useful for you to watch old Disney movies.


Everyone loves a good bad guy. So what makes a perfect villain we love to hate? For a deliciously evil villain, I think you need at least three of the following:
We like our villains handsome but in a weird way. They can't be too ugly, or too pretty. The face has to have something a little off about it: too sharp a nose, too prominent cheekbones, a cruel mouth. There has to be something that gives you pause.
Examples: Ricardo Montalban in Wrath of Khan, Benedict Cumberbatch in Wrath of Khan
If the villain has no charisma, why would we want to watch her or read about her? What would draw your attention or the loyalty of the bad guy's minions?
Examples: Glenn Close in Damages, Meryl Streep whenever she's a villain
There's something about an antagonist who knows how to dress. He doesn't necessarily have to follow convention or even good taste, but it's nice when a villain has a look all his own.
Example: Walton Goggins' Boyd Crowder on Justified
Sad back story
A villain is the hero of his own story, after all. The sad back story helps motivate his actions and gain audience sympathy even when he is doing monstrous things.
Examples: Magneto, Loki
If the villain has a voice you'd listen to reading a grocery list, you're halfway there.
Examples: Alan Rickman, Benedict Cumberbatch, James Spader
We love villains who just don't give a good goddamn, who just want to see the world burn.
Example: Heath Ledger’s Joker
What do you think makes a satisfying book or movie villain?


Star Trek JJA: Second (Third & Fourth) Impressions: I've finally seen the Star Trek JJA movie on DVD, three times in fact, once with the commentary. How have my initial impressions changed? I like Ben Cross as Sarek and the Sulu and Chekov actors better, so I'm even more impressed with the acting. They created characters with a lot of heart. I was impressed with director Abrams inventiveness, energy and willingness to take chances in the visual presentation.
And I take note that Abrams' points of reference are primarily the Star Wars cycle, Indiana Jones and movies since, not past Trek films (except for a homage to the first.) So unless he was being disingenuous on the commentary, the many echoes of past Trek movies were accidental or in the screenplay. When they explained some choices, it was as if they were reinventing the wheel--either duplicating what was done in past Trek or considering and rejecting that choice.
On the basis of the commentary and the featurette, Abrams is enthusiastic and very present--the kind of person who inspires some, and exhausts others with his always on, always the center of attention personality. He also apparently doesn't know the meaning of the word "favorite." He has about 100 favorite shots, scenes and moments.
As for the movie's story, I still find it underwhelming. The pace and momentum of the film, plus the generally effective character moments, keep me watching, and on its own terms the story pretty much holds together. But what is at its center? Personal vengeance is the primary motivation of both the villain Nero and the hero Spock. That Nero could sustain that level of emotion for 25 years is mostly incredible. That he retains the loyalty of his crew for 25 years while apparently keeping them in the dark as to his plans and intent, is really incredible. He's a cardboard villain with cookie cutter motivation: a cliche.
As for the hero Kirk, what does he actually do that's heroic in this movie? He spends most of the time getting beat up. He loses most fights, is rescued from others, and wins one. I've revised my count of how many times he is literally hanging onto the "cliff" or slippery surface, from three to five. So I get it that he hangs in (or hangs on) but is that all there is? He has the makings of a leader--he's quick and intuitive, and action-oriented, and he listens to his bridge crew--but his heroism in this movie seems to be limited to enduring getting beat up. Spock certainly seems to come around to Kirk as the captain suddenly, and if that's motivated, it escaped me--four time.
I haven't seen the deleted scenes yet--I'll have to check whether there is a rentable disk that includes them.


Well, I watched it. (And you can too on Hulu — “What Would You Do?”)
On last night’s episode of “What Would You Do?” ABC staged a scene of a breastfeeding mother in a cafe and a rude cafe manager telling her to stop or get out. They staged the scene with a white mother, a black mother, and a teen mother. All three had people come to her defense and support her right to breastfeed in public.
I’m very pleased by the responses, and it gives me hope that if I were in a similar situation, someone would help me. It also made it clear to me that if I see an injustice like this, it is my duty — as a Christian — to stand up and set it right.


Some people may wonder how viewers with visual or hearing disabilities enjoy movies, tv shows, and plays. Accessible media gives viewers access to audio or visual elements of a show, movie, or play, through their other senses. In other words, accessible media means finding different ways to depict the audio or visual aspects of media.
Below we outline how people with hearing and vision disabilities can watch TV shows, movies, and plays through accessible media, including:
- Closed captioning (CC)
- American Sign Language (ASL) interpreters
- Audio description (AD)
- Video transcripts
Hearing Aids and Assistive Listening Systems
Some viewers watch TV, movies, or plays with communication devices, such as hearing aids or assistive listening systems. Theatres may have assistive listening devices for viewers to borrow while watching a performance.
Other viewers watch TV or movies with closed captioning (CC). When people turn on the closed caption feature on their televisions, part of the screen shows the visual elements of the show. The other part of the screen shows text that:
- Displays all dialogue
- Indicates sound effects
- Briefly describes music
Movie theatres provide CC for many movies. Captions are screened at the back of the theatre. Viewers receive a small mirror so they can see the captions. Similarly, live theatres offer some performances with closed captions. Alternatively, live theatres show other performances with open captions. In this format, captions appear on a screen, so that any patron sitting near the screen can see them.
While some shows or movies include captions when the program first airs, other programs add captions later. In addition, many video streaming services provide captions. However, networks do not always include captions when they place shows on demand or on websites. This means that if viewers cannot watch an episode when it first airs, they may never watch it at all.
Sign Language (ASL) Interpretation
In addition, some TV shows include Sign Language interpretation. Likewise, some plays also feature a Sign Language interpreter. When theatres advertise which of their performances will include captions or interpretation, viewers can choose performances that will be most accessible.
Moreover, viewers may sit near the TV screen, at the front of the theatre, or at one side if they have better vision in one eye than the other. Some viewers may use a magnification device such as a monocular.
Viewers who are blind often watch TV or movies with audio description (AD). When viewers turn AD on, an added audio track plays along with the sound of the program, between segments of dialogue. The narrator on the track describes visual elements of the program, such as:
- Which characters are present when a scene starts
- What characters look like, do, or see
- What is happening during montages with visual scenes and music
Audio description provides verbal versions of details that only appear visually. For instance, after a scene with angry dialogue and stomping, there might be the slamming of a door. Audio description explains which character has stormed out and how the other characters react if they say nothing.
Like closed captioning, AD is sometimes available when shows or movies air, and can be added to existing programs. Furthermore, the Canadian Broadcasting Regulatory Policy requires certain programming services to provide AD during prime-time hours. Moreover, the feature is available on many streaming services, but not on demand or on all network websites. In addition, the process to turn the feature on may depend on a viewer’s ability to read and select options from an on-screen menu. As a result, viewers cannot always turn the feature on independently.
Movie theatres offer AD for some movies using headsets programmed to play the descriptive track. However, theatres often train only one worker to know what these devices are and how to program them.
Some viewers who are blind watch shows and movies without AD. However, they have to try to guess visual details based on audible clues like dialogue, sound effects, or the mood of the music. They may also ask friends or loved ones to briefly describe what is happening on-screen.
For the most part, live theatre patrons who are blind rely on limited use of this kind of description during plays. Notably, the Stratford Festival offers live description at select performances using a device similar to the movie theatre headsets. In this case, a trained describer watches the same performance and describes visual details through a microphone.
Video transcripts sometimes include the text of both captions and audio descriptions. In this way, viewers who are deafblind have access to the sound and visuals of movies.
Technology, other senses, and family and friends help people watch their favourite shows and keep up with the latest movies.


Recently, my best friend, Ruthie and I saw Les Miserables in Kalamazoo.
First of all, let me just say, O. M. G.
it was amazing. From the casting to the staging, the choreography, the everything. It felt like a modern take on a story that I saw in theaters for the first time 10 years ago when we saw the 25th anniversary with Nick Jonas and the movie version.
But I think the best part of the whole experience is the fact that two of the actors from the show both liked and commented my post on Instagram.
I completely forgot all the emotion that encompasses this musical.
10/10 would totally go see again and again!


To mark the 30th anniversary of the Brussels-Capital Region and the 150th anniversary of the Brussels tram, Flagey and Cinematek are showing a retrospective entitled "Brussels on screen". This film cycle travels back through time to the very beginning of silent cinema, from amateur short film to fiction, taking in the documentary, with Brussels taking pride of place as film backdrop.
The documentary "Brussels Swings" is being screened as part of the retrospective. Marie-Jo Lafontaine has captured the energy of musicians, audiences and a city on the move. The audience is projected into the space of a thousand and one music, seen as pulsations of the City of Brussels. The music describe the city's diversity, from the appeal of the cello to the Congolese rumba, from punk to electro-acoustic music, from noise to opera, from the strains of the accordion to rap.
Screening with the director
Further information about Brussels on screen here
Flagey (Studio 5)
Place Saint-Croix - 1050 Brussels
Price : 7€


Macbeth is considered to be one of the most unusual and mysterious tragedies of Shakespeare.Macbeth - analytical essays - help for college students writing analytical and argumentative essays.
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I think I'll be spending the evening watching Showboat and Kiss Me Kate. Kathryn Grayson last week joined Howard Keel on the other side. I'm sure it will be a happy reunion and that heaven will be a better place for it.I was very fond of Kathryn Grayson. She was the actress who played Magnolia Hawks in Showboat and Lilli Vanessi in Kiss Me Kate, both times with Howard Keel. Not only was she beautiful, but I liked her. I also liked Howard Keel. Now, if there ever was a movie star I wish I could resemble, it would be the tall and handsome baritone Howard Keel. And if I were he, I would be ecstatic to have had the opportunity to hold Kathryn Grayson in my arms. That's the kind of person she was. There may have been more glamourous stars than Kathryn Grayson, but I could, and have, watched her play the demure Magnolia time and time again without ever tiring of her performance. I especially think of the scene where she tells her father, Joey Brown, that the cad Howard Keel had ran off and left her. Many more times have I watched her play the shrew in Kiss Me Kate even though she wasn't quite convincing as a snarling wild cat when she sang I Hate Men. By the way, if her name hadn't been in the credits I might never have known that both Kate and Magnolia were played by the same actress.
Of course I was never lucky enough to have met this lovely lady but somehow I feel just a little lonelier now that she's gone.


Nollywood actress, Nancy Isime has set tongues wagging on social media after she released photos of her giving another actor Daniel Etim Effiong a ride on her back.
Isime took to her Instagram page on Friday night to upload the photos of her giving a piggyback ride to a fellow male actor, displaying her strength.
The incident appeared to have taken place after a movie set in which Effiong played to role of a DSS officer.
He was wearing DSS bulletproof vest vest when the actress took him to the cleaner and lifted him on her back.
The photos has elicited reactions on social media, with some describing the actress as a strong woman.
It was Effiong who first reacted to the photos, saying, “❤❤❤❤❤❤❤ Nanslayyyyyy!!! #strongblackwoman 💪🏾💪🏾💪🏾💪🏾💪🏾.”
According to Jemima Osunde, “meinssssssssss, you will carry me with…


WHAT WE DO.
Sundown & LaFille is a creative direction and video production company based out of Chestnut Hill, PA (Philadelphia). From conceptual development to final production, we provide cinematic works in every realm from Film, Music Videos, and Commercials, to live events like private parties and weddings. Through adept storytelling and rich visuals we create incredibly moving and visceral video and photography that is as much art as it is documentation…
BRIAN COLEMAN SUNDOWN
Director, Filmmaker, Screenwriter, Sound & Video Engineer
DANIELLE NOWAK LAFILLE CAPTURES
Director of Photography, Producer, Concept, Design & Branding
"Oh... My... god...
I am so wowed. I’m still on a high from the shoot. Just incredible. Your passion and love for what you do made me super comfortable. Wow. You guys caught me in such a good light. Holy crap. They are sick. You guys are masters."
"You are great for my ego. You guys are such professionals and know how to capture great shots. I am so lucky to have found you guys."
CHRISTINA / PHOTO + VIDEO / BOUDOIR
"Dyingggggggg. Omg crying! WOW, YOU GUYS ARE THE SHITTTTTT"
MEL & CHRIS / PHOTO + VIDEO / SAVE THE DATE


Who is Adam Sandler?
Actor and director Adam Sandler is a comedian from the United States. Between 1990 and 1995, he appeared as an actor on Saturday Night Live before going on to star in numerous Hollywood productions.
Adam Sandler Quick Biography
|Celebrity real name
|Adam Richard Sandler
|Celebrity date of birth
|9 September 1966
|Celebrity place of birth
|Brooklyn, New York, United States
|Celebrity Sexual Orientation:
|Celebrity Marital Status:
|Adam Sandler Wealth
Adam Sandler: Is He Married? Relationship, dating, liaison, girlfriend, spouse, and kids
Adam Sandler, a famous comedian, met his wife while working on a movie set. They initially met Jackie Sandler, Sandler’s wife, when they were both cast in the 1999 movie Big Daddy. In 2003, the couple was married. Since then, they have had a wonderful relationship as coworkers and life partners.
Adam Sandler Net Worth, Income & Salary
Adam Sandler’s networth has been estimated at $425 Million as of July 2022. Adam Sandler was the highest-paid entertainer of all time during his career. He still earns between $50-60 millions per year through his various ventures.
Adam Sandler Social Media Accounts: Twitter and Instagram.
Adam Sandler has 13,458,370 Instagram fans and 2.4million followers on his twitter account.


Movies are a major part of our culture as movie stars have brought stories to big screens for more than a century. The film industry is being turned on it’s head by new advancements in technology and methods. If film makers don’t keep up they could be left behind, like a frame from a celluloid movie print, discarded on the cutting room floor.
The tools that exist now allow ANYONE to become a film maker. In this series we discuss a variety of changes impacting the film industry and look towards what the future of the industry. So don’t get stuck on the frame that got left behind, join us as we look one frame forward.Jason Steele
Red Deer filmmaker Jason Steele looks at how movies will be made and watched in the future.


8/18/2015 · Pictures of Dakota Fanning grouped by photoshoot/event/etc.
Dakota Fanning (Actress). Photo thrillers in her provocative new drama "Night Moves" starring Jesse Eisenberg, Dakota Fanning, Fanning began dating British
Hannah Dakota Fanning (born February 23, Dena Brauer, who finances a plan, in a thriller film Night Moves opposite actors Jesse Eisenberg and Peter Sarsgaard.
The new trailer for the movie Night Moves, starring Dakota Fanning and Jesse Eisenberg, has now been released
Video embedded · Dakota Fanning Is Very Grown Up in ‘Very Good Girls’ Trailer When Gerry finds out that Lilly has been dating
Jesse Eisenberg, Actor: The Social Network. Curly haired and with a fast-talking voice, Jesse Eisenberg is a movie actor, known for his Academy Award nominated role
04/23/2017 - Jesse Eisenberg Dating Dakota Fanning; 04/23/2017 - Neue Leute Kennenlernen Hessen; 04/23/2017 - Wesley Stromberg Dating Camila Cabello;
21 September 2017 Jesse Eisenberg news, gossip, photos of Jesse Eisenberg, biography, Jesse Eisenberg girlfriend list 2016. Relationship history. Jesse Eisenberg
Dakota Fanning Sheds ‘Child Actress Dakota Fanning Sheds ‘Child Actress’ Label, Turns Into Fashion Icon Jesse Eisenberg, Dakota Fanning was still able
Watch this video of Jesse Eisenberg at LAX airport with girlfriend Watch Jesse Eisenberg Be Adorable With His Co-Star Girlfriend, Mia Wasikowska
Jesse Eisenberg on Life as a Writer, Teaming With Kristen Stewart and Why ‘Social Network’ Fame Was ‘Disconcerting Jesse Eisenberg and Dakota Fanning Plot
Is Night Moves another one of Dakota Fanning's movies? Or an elaborate ruse to date Jesse Eisenberg secretly?
Is Jesse Eisenberg dating Andrew Garfield? Jesse Eisenberg's birth name is Jesse Adam Eisenberg. Dakota Fanning;
At the movie industry event, Dakota Dakota Fanning Needs To Take A Shower in which she starred alongside Jesse Eisenberg.
4/15/2015 · Video embedded · Every Secret Thing Official Trailer #1 (2015) - Diane Lane, Dakota Fanning, Elizabeth Banks Movie HD From a producer of FOXCATCHER and based on the novel


(Poem #229) To-morrow, and to-morrow, and to-morrow
To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more: it is a tale Told by an idiot, full of sound and fury, Signifying nothing.
From Macbeth, Act V, Scene v. Passages like this have led many critics to conclude that Shakespeare was a profound pessimist. I tend to disagree; why is it that these critics never cite his more lyrical passages as evidence of a gay and cheerful optimism? Nay; I think that the truth of the matter is this: Shakespeare's genius was such that he could plumb the depths and soar the heights of human character with equal ease; his plays are the most exquisite craftsmanship imaginable. (Needless to say, I do not subscribe to the view that Shakespeare's works necessarily mirrored events in his own life, no matter what the perpetrators of a recent Oscar-winning movie would have you believe :-)). Notice the many phrases from the above short speech which have passed into common speech - 'all our yesterdays', 'the way to dusty death', the 'brief candle' of life, a 'tale told by an idiot', 'full of sound and fury'... as I've mentioned many times before, Shakespeare was the greatest of them all when it came to enriching the language (for more on this theme, read my comments to Faust's great speech 'Was this the face that launched a thousand ships', Minstrels poem #75, at poem #75 ) [Context] These words are spoken by Macbeth on hearing of the death of Lady Macbeth. For all her flaws, he loved her deeply, and his immediate response is one of abject despair - once the most honoured of Duncan's generals, he is now a man despised and reviled, under siege in a rotting castle, his servants craven and fearful, his once-proud wife driven to madness and death by her own guilt. No wonder Macbeth sounds so sick of it all; he says a few lines later: "I [be]gin to be aweary of the sun And wish the estate o' the world were now undone." It's a measure of the man's courage, though, that he doesn't stop there; he continues: "Ring the alarum-bell! Blow, wind! come, wrack! At least we'll die with harness on our back." Defiant till the end, and proud in defeat. [Previous Poems] It's no surprise that we've run quite a bit of Shakespeare in the past; it's only to be expected of the greatest poet the English language has ever known . We've covered bits of The Tempest (Poem #16 and Poem #126), Julius Caesar (Poem #48), King Lear (Poem #200) and of course several sonnets (Poem #44, Poem #71 and Poem #219). You can read all these (and much more) at the Minstrels website: http://www.cs.rice.edu/~ssiyer/minstrels/ thomas.  Yes, I _like_ Shakespeare. However did you guess? :-)


James bond casino royal games
With the new James Bond movie Spectre in theatres, this action-packed movie franchise is once again making headlines as fans of the James bond films celebrate the release of the 24 th Bond movie. Like the others that came before it, Spectre is bound to impress, wow, and deliver the unique thrill ride that can only come from a film. James Bond movies rarely get sequels. In truth, they don't really need them with managing to bring most enemies to justice in just one outing. But Casino Royale, in a break from tradition, paves the way for another installment when Bond captures Mr. White at the end of the movie by shooting him in the leg. James Bond Casino Royale. K likes. Movie.
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How did James Bond win poker in Casino Royale? Much like the card game towards the end of Maverick. Home Questions Tags Users Unanswered. Namespaces Page Discussion. The gunbarrel sequence was shown in a completely different way as Bond is seen in it just prior to the opening credits. With the current balance of luck and skill in poker, on any given day anyone can win a tournament, but over time the skilful players will come out on top. Social Media Facebook Forum.
And if you wish to know exactly how improbable Bond's victory was, casino-games-online. So, as there is absolutely nothing within the plot of Casino Royale to suggest that Bond even considered cheating, from either the films content or any subsequent analysis I have read that was Le Chiffre's speciality; like, with the poison and all that I would say that it is fair to insinuate that he won using a combination of skill and luck.
James Bond has lots of skills, training, and education: languages, martial arts, marksmanship, spy tradecraft , etc. However, what is the first lucky number most people think of? He is incredibly lucky. I don't think cheating was his main option at that moment.
I'd say it was just pure luck because as you know: "Hereos always win. Sign up to join this community. The best answers are voted up and rise to the top. Home Questions Tags Users Unanswered. How did James Bond win poker in Casino Royale? Ask Question. Asked 1 year, 9 months ago.
Casino Royale is the 21st entry in the official James Bond film series and marked the debut of Daniel Craig as Agent The film, which rebooted the series, follows Bond recently promoted to "00" status as he is assigned a mission to participate in a high stakes poker game involving a banker who launders money for terrorist organizations. It is seen with and without a suppressor.
Also seen in the opening credits. James Bond Daniel Craig uses a 7. After hitting Fisher on the side of the head with the PPK, it spent the rest of the washroom fight sequence on the floor before being retrieved by Bond to complete his first kill and commence Craig's first prologue in the gunbarrel sequence. It was suggested that Mollaka might be using the. A Taurus PT92 is seen in the opening credits, and can be distinguished from a Beretta 92FS by its frame mounted safety.
A P is also seen in the opening credits. When the ambassador comes down to confront him, Bond engages the safety, then drops it. The terrorist Carlos Claudio Santamaria uses a 2nd Generation Glock 17 as his sidearm that he takes from the Miami airport security office.
He fires it at Bond during the pursuit at Miami Airport. Also used by the Montenegro police. White Jesper Christensen appears to use a suppressed Jericho F pistol during a confrontation. Gettler Richard Sammel uses a two-tone Jericho F stainless frame and black slide during his battle against Bond.
What appear to be Winchester shotguns are used by Miami-Dade Police officers when they arrest Bond after mistaking him for a terrorist. Many of the "freedom fighters" in Uganda in one of the early scenes carry AK rifles and variants.
When we got her tight ass back to the crib, she didn't waste any time showing off the goods. He saw young Jake, as a sheep, ready to be slaughtered. Тем более, они умеют усладить любого мужика, который пожелает раздвинуть их дрожащие ноги.


I saw “Green Book” in a crowd of older white people — the precise audience this film had in mind. Once it was over, they clapped and commented to one another about how good the movie had been. “That was the best film I’ve seen in years!” one woman said as she walked out with a smile on her face.
I could understand why.
Viggo Mortensen and Mahershala Ali are wonderful. As a white driver, Frank Vallelonga, known as Tony Lip, and his black employer, the composer and musician Don Shirley, in the 1962 South, they have genuine chemistry that plays like a Miles Davis solo with a Cannonball Adderley accompaniment. At the end of the film, Frank’s journey from racist to respectful employee is convincing.
There have been plenty of objections to the movie, which is up for five Oscars, including best picture, at the Academy Awards on Feb. 24. There’s the simplistic way it portrays race and its decision to tell the story exclusively through the eyes of a white person, Vallelonga, learning to see the humanity of a black one. I, too, was troubled by these flaws, but what bothered me most was a scene that almost no one is talking about — and everyone should be.
About halfway through the film, Shirley is arrested at a Y.M.C.A. in Memphis. The police have caught him having sex with a man we have never seen before and do not see or hear from again. The scene comes as a shock: Shirley has been largely solo most of the film, and there is no indication until then that he is either gay (indeed, there is mention of a past marriage to a woman) or bisexual. After a few tense moments, the situation is resolved (as many situations are in this movie) with Tony Lip saving the day. He pays off the police officers, but Shirley is hardly grateful and chides his driver: Tony is “rewarding” the officers for treating the men in such an inhumane way … and that’s it. It is never brought up again.
To be sure, for the era, Tony Lip has a rather progressive view of Shirley’s sexuality. Tony indicates he’s accepting of gay people from his time working in New York nightclubs. Still, we hear nothing more of Shirley’s relationship with his sexuality for the remainder of the film. No delving into what it means to be a black man attracted to men in 1960s America. And no wrestling with the enormous stress that Shirley must have felt.
The way this film deals with Shirley’s sexuality is especially problematic in the wake of recent events. A few weeks ago Jussie Smollett, a star of the Fox show “Empire” and a singer-songwriter, was hospitalized after he was attacked in Chicago by two men shouting racial and homophobic slurs at him, according to a police statement. The men hit him in the face, poured an “unknown chemical substance” on him and wrapped a rope around his neck, the statement said, and the police are investigating the attack as a possible hate crime. This is why what “Green Book” is doing to Shirley’s sexuality is, at best, damaging, and, at worst, reprehensible.
It is not safe to be a same-gender-loving person in 2019, more than 50 years after the incidents in “Green Book.” As Smollett and countless others can attest, there are still many spaces in this country that black men who love other men cannot go without concern for their safety. (Indeed other lesbian, gay and trans people of color face similar threats.) In “Green Book,” Don Shirley’s life was in jeopardy because of whom he loved. His livelihood may very well have been taken away if word ever got out about who he lay down with. By merely nodding at the subject, the film fails to treat this complex man with the dignity he deserves. And by not exploring Shirley’s lived experience, the film allows us to move past the threat that he, Smollett and others face.
There aren’t many black and gay characters in popular films and shows today. Smollett’s “Empire” role is one. The central character of “Moonlight” is another. With that drama winning the Academy Award for best picture just two years ago (and with Ali winning best supporting actor for his role as a sympathetic adult in a gay black boy’s life), “Green Book” feels like a miss.
Dr. Shirley’s family has been outspoken about how the film mischaracterizes him and his relationship to them. The screenplay essentially turns Shirley into a black man who thematically shapeshifts into whoever will make the story appealing to white audiences — and that’s inexcusable.B:
生肖号码统计器‘【叮】【咚】！’ ‘【请】【注】【意】：【下】【一】【位】【接】【受】【测】【试】【的】【同】【学】【是】……’ ‘【学】【号】【为】‘80/57/78’【的】【湾】【内】【绢】【保】【同】【学】，【请】【立】【即】【前】【往】【测】【试】【区】【配】【合】【测】【试】【老】【师】【进】【行】【水】【流】【操】【作】【的】【相】【关】【攻】【击】【性】【验】【证】！’ ‘【请】【湾】【内】【绢】【保】【同】【学】【立】【即】【前】【往】【测】【试】【区】……’ ‘！！’ ‘【请】【各】【位】【同】【学】【保】【持】【秩】【序】，【按】【照】【各】【自】【的】【学】【号】【安】【排】【进】【行】【排】【队】【等】【待】，【测】【试】
【江】【浪】【脚】【跟】【轻】【轻】【磕】【了】【一】【下】【马】【腹】。 【五】【花】【马】【这】【时】【才】【如】【同】【大】【梦】【初】【醒】，【迈】【开】【小】【碎】【步】，【向】【白】【衣】【男】【子】【站】【立】【的】【地】【方】【走】【去】。 【白】【衣】【男】【子】【从】【腰】【间】【抽】【出】【一】【柄】【雪】【亮】【的】【佩】【剑】：“【本】【来】【想】【让】【你】【无】【声】【无】【息】【的】【消】【失】，【可】【是】【你】【不】【领】【情】，【只】【好】【多】【受】【些】【痛】【苦】【了】！” 【刚】【才】【创】【建】【的】【圣】【域】，【耗】【尽】【了】【白】【衣】【男】【子】【六】【成】【的】【修】【为】，【所】【以】【他】【暂】【时】【是】【无】【法】【发】【动】【同】【样】【的】【圣】【域】。
【当】【法】【库】【雷】【斯】【特】【公】【爵】【喊】【出】【为】【了】【奥】【特】【兰】【克】，【所】【有】【人】【没】【有】【任】【何】【惊】【讶】【的】【表】【现】，【都】【是】【淡】【淡】【的】【看】【着】【公】【爵】，【放】【佛】【就】【在】【意】【料】【之】【中】。 “【开】……【炮】！！”【坦】【瑞】【德】【一】【声】【令】【下】，【身】【边】【的】【指】【挥】【打】【出】【旗】【语】。 【十】【几】【艘】【早】【已】【一】【字】【排】【开】【的】【战】【舰】【开】【火】，【再】【给】【海】【岸】【线】【来】【了】【一】【场】【硝】【烟】【的】【洗】【礼】，【不】【给】【任】【何】【敌】【人】【侥】【幸】【存】【活】【的】【机】【会】。 【东】【部】【和】【西】【部】【的】【两】【大】【阵】【营】【早】【已】
【听】【到】【王】【副】【局】【长】【这】【么】【说】，【张】【东】【升】【点】【了】【点】【头】，【心】【里】【面】【就】【有】【些】【谱】【了】。 【华】【夏】【第】1【台】GSM【手】【机】【究】【竟】【是】【在】【什】【么】【时】【候】，【张】【东】【升】【也】【说】【不】【准】。 【有】【的】【资】【料】【显】【示】【是】【在】1995【年】，【也】【有】【的】【资】【料】【显】【示】【是】【在】1994【年】。 【据】【说】【是】【诺】【基】【亚】，【当】【然】【也】【有】【人】【说】【是】【摩】【托】【罗】【拉】。 【反】【正】【张】【东】【升】【明】【白】，【无】【论】【是】【什】【么】【都】【好】，【那】【已】【经】【是】【上】【一】【世】【的】【事】【情】【了】
【正】【在】【这】【时】，【半】【空】【中】【的】【小】【黑】【连】【声】【大】【叫】，【与】【四】【只】【秃】【鹫】【搏】【斗】【起】【来】。 【小】【黑】【刚】【从】【黑】【布】**【来】，【心】【中】【一】【口】【闷】【气】【正】【好】【没】【地】【方】【撒】，【此】【时】【见】【到】【这】【四】【只】【秃】【鹫】，【如】【见】【仇】【人】【一】【般】，【恨】【红】【了】【双】【眼】，【势】【必】【要】【将】【这】【四】【只】【可】【恶】【的】【秃】【鹫】【啄】【死】。 【三】【只】【秃】【鹫】【又】【像】【刚】【才】【围】【剿】【小】【黑】【那】【样】【将】【小】【黑】【围】【在】【垓】【心】，【剩】【下】【的】【另】【外】【一】【只】【在】【外】【围】【随】【时】【支】【援】，【只】【是】【这】【次】【昆】【仑】【五】【奇】【没】生肖号码统计器“【那】【么】【是】【我】【们】【公】【司】【的】【人】【服】【务】【不】【到】【位】【吗】？”【林】【宜】【融】【冷】【汗】【下】【来】【了】，【生】【怕】【安】【筱】【若】【是】【来】【找】【麻】【烦】【的】【雇】【主】。 “【不】【是】，【你】【们】【公】【司】【的】【人】【素】【质】【很】【好】，【我】【来】【时】【有】【别】【的】【事】。” 【林】【宜】【融】【这】【才】【稍】【微】【松】【口】【气】，“【那】【就】【好】，【请】【说】【吧】。” “【先】【认】【识】【一】【下】，【我】【姓】【蒋】，【蒋】【耀】【玲】。【是】【华】【泰】【地】【产】【开】【发】【公】【司】【楚】【执】【成】【的】【未】【婚】【妻】。”【将】【楚】【执】【成】【抬】【出】【来】，【是】【为】【了】【让】
【咦】？ 【李】【自】【在】【傻】【眼】。 【他】【竟】【然】【反】【被】【当】【成】【了】【大】【恶】【人】？【这】【可】【真】【有】【点】【好】【笑】。 【江】【湖】【险】【恶】【原】【来】【还】【可】【用】【这】【样】【的】【角】【度】【来】【看】，【不】【是】【他】【遇】【到】【坏】【人】，【而】【是】【在】【人】【家】【眼】【中】，【他】【就】【是】【坏】【人】。 【涨】【了】【见】【识】【啊】。 【这】【时】，【后】【面】【人】【已】【快】【速】【送】【过】【来】【四】【个】【女】【子】，【年】【龄】【都】【在】【十】【七】【八】【岁】，【一】【个】【个】【长】【得】【端】【庄】【秀】【气】，【很】【是】【美】【丽】。 【虽】【然】【比】【不】【上】【木】【悠】【然】【和】【娇】【蝉】
“【嗯】，【给】【你】。” 【囧】【晶】【用】【菜】【卷】【了】【一】【块】【肉】，【伸】【出】【手】【递】【给】【王】【太】【卡】。 【王】【太】【卡】【皱】【眉】：“【敢】【问】【你】【洗】【手】【了】【嘛】？” “【当】【然】！”【囧】【晶】【说】【道】：“【而】【且】【这】【是】【特】【意】【为】【你】【卷】【的】，【超】【大】【份】。【你】【不】【吃】，【我】【也】【吃】【不】【下】【去】。” 【王】【太】【卡】【问】【道】：“【不】【会】【放】【了】【芥】【末】【什】【么】【的】【东】【西】【吧】？” 【囧】【晶】【笑】【道】：“【才】【不】【会】，【我】【没】【有】【那】【么】【幼】【稚】。” “【嗯】……”
【姜】【游】【扶】【着】【浑】【身】【淌】【血】【的】【林】【昱】【上】【了】【楼】。 【姜】【游】【说】：“【你】【先】【冲】【个】【澡】，【换】【身】【衣】【服】【吧】。” 【说】【着】，【他】【走】【进】【房】【间】【里】，【拿】【了】【一】【身】【干】【净】【的】【衣】【服】，【送】【到】【林】【昱】【手】【里】，“【洗】【完】【了】【在】【我】【房】【间】【里】【休】【息】【下】，【安】【心】【睡】【一】【觉】，【吃】【晚】【饭】【的】【时】【候】【我】【叫】【你】【起】【来】。” 【林】【昱】【依】【然】【有】【些】【恍】【惚】，【反】【应】【也】【变】【得】【迟】【钝】【了】，【几】【秒】【后】【他】【才】【回】【答】【说】：“【好】【的】。” 【姜】【游】【看】【着】【林】
【仙】【界】【与】【天】【界】【结】【界】【处】 【天】【帝】【看】【了】【一】【眼】【破】【空】【而】【去】【的】***【紫】【薇】【仙】【子】，【接】【着】【看】【向】【九】【天】【仙】【帝】【的】【分】【身】，【神】【色】【寒】【冷】，【寒】【声】【说】【道】：“【仙】【帝】【刚】【才】【为】【何】【不】【阻】【拦】***【紫】【薇】【仙】【子】？” 【九】【天】【仙】【帝】【分】【身】【的】【面】【上】【是】【一】【阵】【红】、【一】【阵】【白】，【神】【色】【颇】【为】【尴】【尬】。【他】【不】【言】【不】【语】，【似】【乎】【是】【不】【知】【道】【如】【何】【回】【答】【天】【帝】。 【天】【帝】【冷】【哼】【一】【哼】，【冷】【声】【说】【道】：“【哼】，【仙】【帝】【真】【是】
2019版 江 南 号 码 统 计 器 2019-05-13 19:10:24
2017年 生 肖 号 码 统 计 器 2019-03-26 11:08:56
版 权 所 有 ，未 经 书 面 授 权 禁 止 使 用 Copyright BC.杀手 1997-2019 by heimao all rights reserved


Curtains is a cleverly comical experience that does wonderful things by playing on the recursive nature of being a show within a show.
When you sit down to watch the opening of Curtains, what you’re probably not expecting to see is a wild-west set and the actors playing out the final scene of a production that you’ve not seen the start to. You might briefly wonder if you stepped into the wrong room. It’s not until the curtains quickly drop down and rise up again, revealing the rear of the wild west sets and the actors bowing to distant darkness, that it really becomes clear what you’re looking at.
It’s this sort of bait-and-switch, fourth-wall break with-a-wink type of humour where Curtains really excels. It would be easy for a show based on a theatre production to become self-indulgent, but instead, it’s used to great effect. It allows for some varied set and costume design, as well as a subtle but clever distinction to help to manage expectations and show the difference between “in-character” and “out-of-character” scenes.
There’s a slight difference in the style of music used, for example, when the song is being sung by the characters directly. These are typically more intimate and show a more vulnerable and emotional side to characters that are otherwise abrasive and at odds with one another. The character depth of that this allows to shine through is something that you might otherwise not expect from a comedy focused murder mystery.
Big numbers are still in the show, of course, those large songs that involve a stacked cast and large moving pieces around the set, but typically these are used when the song is one that’s part of the production that the characters are putting on. It allows for these more grandiose numbers while still maintaining the general character-focused drama that the production is chiefly about.
The characters in the show are varied and play on their archetypes well, including a director that is equal parts hilarious and cutting, the naive but capable detective with stars in his eyes, and the seemingly air-headed but talented starlet. The show does a good job of delivering the expected characters and revealing a deeper layer underneath, detailing not just who they are but how they came to be.
Given that this show promotes itself as a whodunnit, this is the one area that it does feel lacking, as the mystery is less a mystery and more of a sequence of reveals. There’s a lack of clues given to the audience, which makes it difficult to become engaged in the mystery when you know you just lack the information to solve it. That said, there are some clever twists and red herrings thrown in, that give the show a satisfying conclusion.
Curtains is a very competent show, with stellar performances from the cast and depth to the characters that is understated but well executed. The musical numbers are catchy and varied, with the more intimate fair being where the show really shines. The show is packed with laughs and gags and knows when to use them. If you get the chance to see this one, then you should.


Warning: Possible spoilers ahead for Marvel's Jessica Jones.
Some superheroes would rather blend in and drink at bars in peace. But superpowered, sarcastic New York private detective Jessica Jones never seems to get her wish to be left alone. She's suffered through childhood trauma, sexual assault and murder. And in season 3, debuting on Netflix June 14, we'll see Jones go head-to-head with a new adversary.
This season will also serve as the final batch of Marvel live-action episodes coming to Netflix, following the streaming service canceling both Jessica Jones and The Punisher.
Marvel Entertainment and Netflix released the new trailer for season 3 of Jessica Jones on June 6, revealing more footage of Jones drinking, fighting and having a few choice words with the new villain, named Gregory Salinger (Jeremy Bobb).
In the new trailer, Salinger calls to tells her, "Jessica Jones, you're a cheater. You were given every advantage. Allowed to make mistake after mistake. You can't control yourself. You have no discipline, just brute force. I want you to die."
Marvel Entertainment and Netflix also posted on Twitter and Youtube a teaser trailer for season 3 on May 28, announcing the series release date of June 14. The trailer description said, "Sometimes not even 'heroes' can save themselves."
On May 23, star Krysten Ritter shared a short video on Instagram of herself as Jessica Jones drinking at a bar, and wrote in the caption that season 3 would be "coming soon."
Ritter plays the eponymous Jessica Jones, a hard-drinking private investigator with superhuman strength. She's joined by best friend and adoptive sister Trish Walker (Rachael Taylor), who aspires to be a hero like Jones.
JESSICA JONES 3 - coming soon. ????
A post shared by Krysten Ritter (@therealkrystenritter) on
Then there's powerful attorney Jeri Hogarth (Carrie-Anne Moss), who sometimes hires Jess for her services, for better or worse.
The Jessica Jones TV series is set in the Marvel Cinematic Universe and Jones herself has featured in Marvel's The Defenders crossover series, also on Netflix, featuring Iron Fist, Luke Cage and Daredevil.
Melissa Rosenberg will run the final season as executive producer, and co-heads of Marvel Television Jeph Loeb and Jim Chory will be working alongside her.
Jessica Jones (Krysten Ritter) returns with more drinking and crime fighting.
The director of the season 1 pilot episode, S.J. Clarkson, was recently announced as the first female director of an upcoming Star Trek movie. Season 2 of Jessica Jones was helmed by an all-female roster of talented directors, including Jennifer Lynch and Uta Briesewitz (The Wire).
"I knew I wanted to have at least half our directors be women and people of color, and as we began to book them, it became clear there were so many of them. I wasn't discovering anyone. These were all seasoned pros, and it just kind of grew into this. But I'm glad this really made an impact of normalizing it," Rosenberg, the executive producer, told Variety.
Though season 3 directors have yet to be announced, chances are we'll be seeing more female directors take charge of future episodes.
In season 1, we're introduced to Jones sometime after her experience with Kilgrave, a villain who uses mind control and who raped her as well as forced her against her will to murder. In season 2, we see Jones coming to terms with her childhood trauma and her real mother.
Now in season 3, when Jones crosses paths with a highly intelligent psychopath named Gregory Salinger, she and Walker must repair their fractured friendship to join forces and take him down. But when a tragic loss reveals Jones' and Walker's conflicting ideas of what it means to be a hero, it sets them on a collision course that'll change them both forever.
Rosenberg told the Los Angeles Times that season 3 aspires "to do something different again. We've delved a lot into her past -- maybe this time, we'll focus on ... it's wide open. We can really do anything."
Jessica Jones (Krysten Ritter) returns to Netflix on June 14.
In the comics, Jones went to high school with Peter Parker (Spider-Man), and her father worked for Tony Stark (Iron Man). So while fans already got a glimpse of Jones' horrific childhood car accident in season 2, the series has yet to connect her past with other Marvel characters from the Avengers.
Also in the original comics, Jones and Cage are married with a daughter named Danielle (who's surprisingly named after their fellow Defender, the very annoying Danny Rand aka Iron Fist). It'd be great to see Jones and Cage reconnect in season 3, since Cage is nowhere to be found in season 2.
The couple's nanny in the comics is none other than Doreen Green (Squirrel Girl), who also happens to be a character in the upcoming TV series Marvel's New Warriors. Fingers crossed Marvel sees fit to add the unusual superhero nanny if Cage and Jones do have a child in season three of Jessica Jones.
Now that Walker has superpowers thanks to an incident at the end of season 2, fans might finally get to see her as her superhero alter-ego Hellcat from the original Marvel comics.
This opens up an interesting season 3 plot idea of regular humans trying to find ways to get superpowers like Walker did. Plus, Walker's egomaniacal quest to be the best superhero ever might really rub Jones the wrong way, especially since Walker accused her of being a coward for not using her powers more to save people in trouble.
Trish Walker (Rachael Taylor) trains hard to be a hero on Marvel's Jessica Jones season 3.
"Walker is a character that has a lot of ambition and a lot of appetite," Taylor told Den of Geek. "I think in some way she's quite coveted of the powers that Jones has. Walker really wants to matter. She wants to do more. She wants to be more than what she is."
And then there's the not-so-adoring public when it comes to superheroes. In season 2, we already see both the police force, Jones' building manager and perfect strangers treat Jones like a dangerous freak because she's known to have superpowers.
This powered-people discrimination from normal humans will probably be more of a plot point in season 3, especially now that superheroes have been outed after the very public actions of the Avengers.
All 13 episodes of season 3 debut on Netflix on June 14, 2019.
This piece was originally published on May 27, 2018, and is updated as news rolls in.B:
北京中特时代品牌管理有限公司不发工资【仔】【细】【一】【看】，【兰】【姨】【娘】【人】【长】【得】【很】【甜】，【尤】【其】【是】【笑】【起】【来】，【仿】【佛】【三】【月】【盛】【开】【的】【桃】【花】【一】【般】【明】【艳】，【让】【人】【看】【着】【就】【不】【忍】【心】【拒】【绝】。 【秦】【念】【汐】【很】【想】【拒】【绝】【她】，【因】【为】【她】【知】【道】【在】【这】【王】【府】【里】【没】【有】【能】【让】【她】【省】【心】【的】【人】，【但】【是】【转】【念】【一】【想】，【毕】【竟】【人】【家】【好】【意】【说】【出】【来】【的】，【总】【有】【她】【的】【原】【因】，【且】【看】【看】【她】【想】【干】【什】【么】【岂】【不】【是】【更】【好】。 “【自】【然】【是】【不】【介】【意】【的】，【兰】【妹】【妹】，【那】【请】【吧】。”【秦】
【看】【完】【消】【息】，【陆】【安】【然】【放】【下】【手】【机】。 【她】【靠】【着】【座】【椅】，【抬】【手】【捂】【住】【了】【眼】【睛】。 【夕】【阳】【西】【下】，【她】【眼】【角】【隐】【约】【滑】【下】【一】【抹】【湿】【润】。 【就】【这】【么】【静】【静】【的】【一】【动】【不】【动】，【良】【久】，【陆】【安】【然】【放】【下】【手】，【眼】【中】【已】【无】【半】【点】【泪】【痕】，【有】【的】【只】【是】【无】【尽】【的】【冷】【意】！ 【她】【轻】【点】【油】【门】，【双】【手】【操】【控】【方】【向】【盘】，【驱】【车】【离】【开】。 【泰】【灵】【墓】【园】。 【陆】【安】【然】【看】【着】【眼】【前】【的】【墓】【碑】，【紧】【跟】【着】【蹲】【下】【身】
【的】【确】，【舅】【父】【顾】【亭】【秋】【为】【了】【避】【嫌】，【虽】【然】【允】【许】【了】【司】【慕】【云】【和】【他】【的】【几】【个】【学】【生】【去】【黎】【府】【道】【贺】，【但】【他】【自】【己】，【只】【让】【人】【送】【去】【了】【一】【份】【贺】【礼】，【并】【没】【有】【亲】【自】【到】【场】。 【所】【以】【现】【在】，【他】【也】【还】【在】【家】【里】。 【玉】【公】【公】【轻】【声】【说】【道】：“【贵】【妃】【娘】【娘】，【不】【管】【是】【前】【任】【内】【阁】【首】【辅】，【还】【是】【现】【任】【内】【阁】【首】【辅】——【这】【个】【时】【候】，【这】【么】【一】【个】【人】，【是】【有】【大】【用】【的】。” “……” 【南】【烟】【一】
“【恭】【喜】【县】【佐】！”【常】【圆】【莫】【名】【其】【妙】【的】【来】【了】【这】【么】【一】【句】：“【快】【快】【里】【面】【请】，【我】【家】【主】【人】【已】【经】【等】【候】【多】【时】【了】。” “【哦】？【县】【尊】【知】【道】【我】【要】【来】？” “【不】【不】【不】，【即】【便】【今】【日】【县】【佐】【不】【来】，【我】【也】【会】【亲】【自】【去】【请】。” “【什】【么】【事】【呀】！【竟】【然】【还】【要】【请】【我】？” 【常】【圆】【嘿】【嘿】【的】【笑】：“【定】【然】【是】【好】【事】，【还】【是】【让】【我】【家】【主】【人】【告】【诉】【县】【佐】【比】【较】【妥】【当】，【请】！” 【常】【事】【的】【书】
“【不】【知】【道】【张】【公】【子】【有】【没】【有】【兴】【趣】，【与】【贫】【僧】【一】【起】【化】【解】【这】【地】【火】【煞】【气】？【积】【累】【功】【德】【啊】？”【不】【动】【和】【尚】【道】。 【张】【玄】【笑】【道】：“【在】【下】【只】【是】【进】【来】【看】【看】，【对】【于】【解】【救】【一】【方】【世】【界】，【没】【有】【兴】【趣】，【也】【没】【有】【实】【力】！” 【不】【动】【和】【尚】【听】【了】【脸】【色】【不】【变】，【但】【张】【玄】【又】【道】：“【不】【过】【我】【想】【香】【玉】【夫】【人】【对】【此】【一】【定】【很】【感】【兴】【趣】！” 【话】【音】【刚】【落】，【张】【玄】【就】【是】【一】【道】【亟】【雷】【指】【打】【在】【铜】【柱】【之】【上】
【见】【没】【人】【表】【态】，【苏】【陌】【凉】【便】【很】【快】【拍】【了】【板】【子】，“【恭】【喜】【前】【辈】，【这】【枚】【凝】【心】【玉】【精】【丹】【是】【你】【的】【了】！” **【安】【害】【怕】【别】【人】【跟】【他】【争】，【一】【直】【绷】【着】【神】【经】，【听】【到】【这】【话】，【终】【于】【松】【了】【口】【气】，【立】【马】【大】【步】【上】【前】【快】【速】【完】【成】【交】【易】，【生】【怕】【别】【人】【反】【了】【悔】。 【虽】【然】【那】【两】【位】【药】【材】【是】【他】【付】【出】【不】【小】【代】【价】【才】【弄】【到】【手】【的】，【让】【他】【肉】【痛】【不】【已】，【但】【能】【买】【到】【刻】【了】【七】【重】【神】【纹】【的】【凝】【心】【玉】【精】【丹】【也】【算】
【于】【锦】【锋】【道】：“【我】【得】【和】【她】【对】【戏】【了】。” 【于】【甜】【甜】【没】【理】【会】【他】【们】。 【她】【径】【直】【看】【向】【唐】【静】【姝】【道】：“【你】【敢】【吗】？” 【唐】【静】【姝】【道】：“【敢】【我】【肯】【定】【是】【敢】【的】，【不】【过】【得】【等】【我】【这】【部】【戏】【杀】【青】【以】【后】。” “【听】【说】【你】【和】【我】【爸】【的】【戏】【份】【都】【不】【多】，【所】【以】【我】【等】【你】！”【于】【甜】【甜】【将】【手】【里】【的】【试】【卷】【重】【新】【塞】【进】【包】【里】，“【你】【和】【我】【爸】【爸】【对】【戏】【吧】，【我】【不】【打】【扰】【你】【们】【了】！” 【说】【完】，
【叶】【景】【寒】【心】【情】【不】【好】，【林】【梓】【澜】【能】【看】【的】【出】【来】，【但】【是】【一】【连】【着】【几】【天】，【她】【都】【没】【有】【去】【哄】【叶】【景】【寒】，【甚】【至】【连】【青】【致】【都】【不】【去】【了】。 【周】【五】【晚】【上】，【叶】【家】【一】【大】【家】【子】【都】【坐】【在】【客】【厅】【里】【看】【电】【视】，【除】【了】【加】【班】【没】【回】【来】【的】【叶】【景】【寒】。 “【小】【澜】，【这】【几】【天】【都】【没】【看】【你】【去】【青】【致】，【是】【身】【体】【不】【太】【舒】【服】【吗】？” 【程】【静】【挺】【着】【个】【大】【肚】【子】【坐】【在】【林】【梓】【澜】【身】【边】【问】。 “【没】【有】【不】【舒】【服】，【就】【是】