Once the changes is done, click on the “Save Changes” option to save the changes. An aspiring movie actress and her boyfriend are arrested and charged with Homicide. Stars: Stars: Anupam Kher, 146 min A supernatural horror film in which a woman attempts to help a man named Shanti an abuse victim, who he found chained up in a Lonavala bungalow . They are close to catching hold of Anusha. | To end this game of crime, he decides... See full summary », Stars: | He has always her followed bodyguards.Rudra decides to meet Anusha before kidnapping her But it proves to be a bad idea as he runs for his life. He also gets Madhu's call, but it turns out to be someone else. Director: Wherever he goes, he tries not to arise suspicion. Her destresses herself by spending an evening with her friends. Sayani Gupta, Amit Subhash Dhawan | Only a miracle can protect them and their target from this destruction planned by the terrorist. Crime, Drama, Thriller. Stars: | Jimmy Shergill tried hard but has roughly a screen appearance of 25-30 minutes with no impactful character in the movie. Mahie Gill. She made her debut Punjabi movie titled Hawayein in the year 2003 and she made her debut Bollywood movie is Khoya Khoya Chand in the year 2007. Prem Chopra, Not Rated Comedy, Drama. Drama, Family, The word 'Shareek' may refer to 'sharing' in dictionary but in Punjab it had always been opposite to it. Surbhi Jyoti, Andrea Guasch, Whether or not you're ... See full summary », Stars: Surbhi Jyoti, Mahie Gill, Stars: Nidhi Singh. Biography: Mahi Gill has mesmerised the film industry ever since her fully fledged debut with Anurag Kashyap’s Dev.D. Jimmy Shergill is an Angry Young Man in Shareek Trailer. He warns Saxena of serious consequences, if anything happens to Ranjana. Siddharth Sengupta Karan Butani Mahie Gill, | | Action, Comedy. Stars: | | | 137 min Filled with rage, he confronts her and questions her about the truth. Jisshu Sengupta, Iravati Harshe, 100 min Kapil Sharma, V. Menon Abhishek Mahendru, She is best known for her role of Paro in Anurag Kashyap's critically acclaimed Hindi film Dev.D, a modern take on Sarat Chandra Chattopadhyay's Bengali novella Devdas, for which she also won the 2010 Filmfare Critics Award for Best Actress. The "ROMEOS" are : R-Randy (Babbu Maan), O- Om (Bittu), M-Maana (Sherry... See full summary », Director: Mahie Gill, Saheb, his wife, and a gangster who returns to take revenge. Crime, Thriller, Vikram Pandit (Arunoday Singh) a student of the Indian Institute of Business becomes the blue-eyed boy of Professor Jamshed Batki (Anupam Kher). Harjit Harman, The stranger ... See full summary », Director: When Rudra finds Anusha dead, he doesn't know what to do with the dead body. Anuj Gill, | Chitrangda Singh. Find exactly what you're looking for! Sanjay Dutt, Prince Singh Sumona Chakravarti, | Mahie Gill, Aanchal Dwivedi, | Shivani Raghuvanshi, 20 min Mahi Gill and Jishu Sengupta disappoint. | March 7, 2020, 10:37 pm explore: Movies Inspector Rudra Srivastava was once known as the kidnapping expert. Stars: Monica Chaudhary, Sonu Sood, Stars: Return Policy on this item. Ram Gopal Varma Manu Rishi Chadha, Comedy, Horror, A story about a group of ghosts who have lost their shelter due to urbanization. Arunoday Singh, Mahie Gill. Arshad Warsi, Mahie Gill, Bhumi Pednekar and Karan Kapadia promote their film Durgamati: The Myth (2020) in this episode of The Kapil Sharma Show. Soha Ali Khan, Not Rated Soon he finds himself stuck in a dangerous cycle. | Action, Crime, Drama. Check out Mahie Gill Box office collection till now. 137 min | | Mahie Gill was born on December 19, 1975. Director: | Singh Bhupesh, 60 min 155 min Stars: Mahie Gill, Mahie Gill, | Ayushmann Khurrana, Under Batki's influence Vikram starts public... See full summary », Director: Navaniat Singh Ranjana is abducted and to save her, he makes a desperate call to Govind Tyagi. Dolly Ahluwalia, The venue of Anusha's best friends wedding is closely guarded with more than a dozen security cameras. Roshan Prince, Baba Ki Chowki is a fun and wacky chat show where the biggest stars of B-town get candid with our very own in-house Sanju Baba, otherwise known as Dr. Sanket Bhosale. Stars: Stars: A villager goes to Mumbai to find his judwa brother. Mahie Gill, who has made a name for herself by delivering powerful performances in movies such as Gulaal, Dev D and Sahib Biwi Aur Gangster, says that she does not want to do "sensuous" roles anymore. Saxena's men reach Haridwar. The royal saga of deceit, conspiracy, greed and lust continues in the third installment of the series, as the Saheb and Biwi are pitted against an enemy and everyone involved is scheming ruthlessly for their own personal gain. Download our top-rated app, made just for you! Overall Durgamati is a childish movie and leaves no impact. | Pallavi Joshi, The supporting cast including Karan Kapadia is doing fine. 120 min Mahie Gill New Songs - Download Mahie Gill mp3 songs list and latest albums, Songs Download, all best songs of Mahie Gill to your Hungama account. How To Download Durgamati Movie ? His security lead , Saxena launches an Independent search. | Mahie Gill, Action, Biography, Crime. Sanjay Dutt, Checkout the movie list, birth date, latest news, videos & photos on BookMyShow After being cornered by Saxena, Rudra escapes the police station. Chulbul Pandey invites a fresh trouble when he kills the brother of a notorious politician and the former swears to wreak havoc in his life. Director: He is rescued by a stranger, who is also involved in the game. Also stay updated on Mahie Gill latest videos, photos, movies … She is an Indian film actress, model, working in the Hindi, Punjabi film industries. Mukul Dev, Stars: Filmography & biography of Mahie Gill who started career with Hawayein movie. Rudra is reinstated in the service to solve the kidnapping case of Govind Tyagi's daughter Anusha. | A thrilling game of cat and mouse begins. Don't Want to Do Sensuous Roles Anymore, Says Mahie Gill. Saheb Biwi Aur Gangster 3 Second Day Collection: Fails To Impress Audience! R. Bhakti Klein, Mahie Gill. Mahir overhears Bela talking about how she has been conspiring against his family and how she murdered his brother Yuvraj. Mahi Gill’s real name is Rimpi Kaur Gill and was born in Chandigarh on 19 December 1975. Mahie Gill, But he finds his judwa brother is opposite to him and the whole movie runs around this. Ram Sujan Singh. 120 min Rudra and Anusha leave for Rishikesh. | Mahie Gill, Drama, One mistake - and an ATS officer from Delhi turns a fixer for Mumbai movie mafias and industrialists. Director: Vidyut Jammwal, India's highlands descend into bullet-riddled mayhem as the longtime rivalries and ruthless revenge missions among four men come to a head. The actress shot to fame by portraying the role of 'Paro' in the Bollywood flick Dev.D which also won her the prestigious Filmfare Award.She began her career with the Punjabi film industry and later moved to Bollywood. Latest movies in which Mahie Gill has acted are Jora: The Second Chapter, Doordarshan, Family Of Thakurganj, Phamous and Saheb Biwi Aur Gangster 3. Pankaj Tripathi, Not Rated No Cost EMI: Avail No Cost EMI on select cards for orders above ₹3000 Details. Also find out complete … Horror. 97 min Customers who viewed this item also viewed. Mahie Gill, Krishna Abhishek, 45 min Mahie Gill, Director: Maninder Singh, Do you want to clear all the notifications from your inbox? 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Film Score: Ray Buckley Cinematography: Ray Buckley
Starring: Geoff Stewart, Zach Sanchez, Ronnie Chittim and Shawn O’Brien
The film opens with Zach Sanchez in bed waking up alone because his girlfriend has gone out of town for three days. From there the scene shifts to Geoff Stewart at home, a fire going in his wood stove. He is packing up his fishing tackle, then goes out to his truck and takes off. Back at Sanchez’s apartment he is working on his computer and talking to a colleague, sending some architectural drawings to the office. An interesting juxtaposition begins to take place between the two characters, as Stewart is seen heading off into the woods to fish, while Sanchez works out on an exercise machine as his dog looks longingly out the window. While Stewart is fishing in the river, Sanchez takes his dog for a walk, ignoring nature and phoning his girlfriend about the project he and his partner may be commissioned to design. The next morning, as Stewart meditates on the surroundings at the bank of the river, Sanchez drives out to his hometown and when he finds his mother gone, goes to get a permit to cut down a wild Christmas tree for his apartment. He winds up in the same area where Stewart has been fishing, and drives by his truck. Stewart can’t get his truck started, but when Sanchez comes back he drives right by him without stopping. The intersection of the two characters is made more intriguing, however, when Sanchez does stop and backs up.
They know each other, but Stewart doesn’t want to impose on him and Sanchez is glad of it, driving away yet again. Then he stops again and gives Stewart a ride to the highway, accompanied by brief conversation but mostly awkward silence. The conflict is apparently about music. The night before, Sanchez was playing a song on his guitar and then abruptly stopped. When he is picking up the tree license the next day, childhood friend Shawn O’Brien asks if he’s putting the band back together and then acts as if he spoke out of turn. Finally, when Stewart is alone in Sanchez’s old car, he hears the same song on the CD player and as the vocals begin he removes the disc and flings it off the side of the road. When the two are stranded on the mountain after Sanchez’s battery goes dead, it soon becomes apparent that the female voice on the CD may be the real cause of the contention between them. While in some ways the resolution seems clichéd, it’s done in a way that feels incredibly fresh. The key to the ending is actress Ronnie Chittim, who acts as a sage, imparting wisdom without the demand for action on that wisdom. It is for the two principals to decide how they are going to use her knowledge. Both Zach Sanchez and Geoff Stewart are solid actors, able to bring a profound naturalism to their roles. And while their attempts at raw emotion may be less convincing, it’s certainly not to the detriment of the film as a whole.
What really stands out, however, is the photography. Nearly every aspect of the visual imagery is excellent for such a small production like this, especially in the nature scenes. Swift moving clouds presage a rainstorm that dapples the surface of the river and turns to snow while Stewart is fishing. Birds flying through a forest of spruce and fir, and a beautiful shot of the moon at night through the trees create a real visual feel for the Pacific Northwest wilderness. But it’s the flashback sequences that reveal the true brilliance of the director and his cinematographer Ray Buckley, and they are really the heart of the film. As Sanchez tells Chittim the story of his past, when the two men stay the night in her house in the woods, the scene behind them suddenly transforms to his childhood, but it is kept perfectly out of focus, allowing the impression of what he’s talking about to fuse with the story he’s telling, while keeping the specific images from competing with that story. Stewart does the same thing with Chittim’s story of her husband, and with her philosophy of life that she conveys to Stewart’s character. This style of cinematic impressionism is truly spectacular and is well worth the lengthy journey to get there.
If there’s a weakness in the film--and to be fair, it’s a weak spot in so many independent films that it’s almost expected--it’s in the screenplay. The first two thirds of the script are extremely minimalist, and it works incredibly well, allowing the visuals to do the bulk of the communication. Stewart doesn’t even speak until halfway through, and Sanchez only speaks when he’s on the phone. But when Sanchez is telling the story of their falling out his lines become poetry, which destroys the suspension of disbelief. They’re the kind of lines that one would imagine coming from an omniscient narrator in a novel, and just seem out of place spoken by Sanchez. I can see how Stewart might have been going for a narrative impressionism to go along with the visuals, but it seems to distract rather than add to the overall effect. It’s a minor criticism, however, as the rest of the film is so good. The film score by cameraman Ray Buckley is also very good. Not really new age, it is a guitar and keyboard based wash of sounds that underscore the meditative nature of the film without being obtrusive. I continue to be pleasantly surprised by the overwhelming talent in the Portland film community, and Geoff Stewart’s Reverie is no exception. It is a strong, narrative film, visually stunning, that comes highly recommended.


The highly anticipated film “Oppenheimer” by Christopher Nolan is set to release in four months, and fans are already buzzing with excitement. The latest update on the film reveals that its runtime will be approximately three hours, making it the longest movie in Nolan’s filmography.
Previously, Nolan’s longest feature was “Interstellar,” with a runtime of 169 minutes. “Oppenheimer” will exceed this by at least 11 minutes, while “The Dark Knight Rises” was just four minutes shorter, and “The Dark Knight” clocked in at 152 minutes. However, Nolan’s ability to captivate his audience means that the runtime is of little concern.
“Oppenheimer” is a biographical drama based on the life of J. Robert Oppenheimer, known as the “father of the atomic bomb.” The film stars Cillian Murphy in the lead role, alongside an impressive ensemble cast that includes Emily Blunt, Robert Downey Jr., Matt Damon, Rami Malek, Florence Pugh, Benny Safdie, Michael Angarano, Josh Hartnett, and Kenneth Branagh.


I watched the French film Let It Rain this weekend because I read that the main character is a middle-aged, single feminist with no desire for children. Although the film’s story is slight, it takes on weighty matters, and the flawed characters are all dead-on portrayals, with each having touching moments of sadness and despair:
At the risk of being a tiresome Europhile, let me observe that nobody like Jaoui exists in American film. She’s an attractive, average-size woman, neither beautiful nor plain, with a forceful personality and a sharp tongue. (Outside her film career, she’s also an accomplished classical, folk and pop singer.) In “Let It Rain” she takes on such weighty topics as sexism, racism, adultery and long-buried family secrets, all in the guise of a carefully woven relationship comedy that’s consistently light in tone and never judgmental.
Bossy and free-spirited, Agathe, who resembles a more unguarded Katie Couric, can’t understand why her boyfriend, Antoine (Frédéric Pierrot), objects to her rules about their relationship; she won’t live with him and has no desire for children. As much as Antoine loves her, he feels like an afterthought tagging after her during the campaign. As she discovers upon entering the fray, arguing politics with friends in Paris is no preparation for the rough and tumble of the real thing…
Karim believes he has been looked down upon all his life for his ethnicity, and seethes with ambition and resentment. Michel, who is divorced with a young son, also feels discriminated against because his wife has custody of the boy. While interviewing Agathe, one of his first questions is why women usually get custody in divorce cases. As Michel repeatedly demonstrates his incompetence, Agathe is a surprisingly good sport until she becomes so angry she can barely speak…
“Let It Rain” is of a piece with Ms. Jaoui’s earlier films, “The Taste of Others” and “Look at Me,” whose minutely observed characters tend to be thin-skinned, competitive egotists invested in their status in the world of ideas. The movie captures the tone of urbane discourse with an astonishing awareness of the subtexts of every nervous remark.
If there is an overriding political sensibility in her films, it is an enlightened feminism that recognizes male vulnerability under a facade of braggadocio and forgives men their flaws.


MY FAVORITE AFRICAN AMERICAN SHOWS.
It feels kind of odd to say African American shows because they're not only for African Americans but I think you get the point. :)
So here we go:
The Haves and The Have Nots
This show is so on-the-edge of your toes good. It is drama, it is scandal, it's a hot mess--in the best way possible. It is very much like a soap opera in that there's always something going on with a particular character but it is so good. And Candace, she is a force to be reckoned with.
This is and always will be my absolute favorite show. There is no show I will ever love more. I am a huge fan of comedy that relates to real life, and this show holds nothing back in that area. I literally can quote most if not all episodes word for word.
This one's a newbie but it hasn't gotten me to stop laughing since I started it. The characters are exploring what it means to be black-ish in this crazy world.
My Wife And Kids
I still watch the reruns of this and get so many good laughs. The kids are crazy and Michael Kyle is devious but in a soft fatherly comedic way. A great show to watch even with younger kids--at least most episodes.
The Real Husbands of Hollywood
These men are some joke telling fools. It's like a reality show gone right. It's just down right funny.
How To Get Away with Murder
Talk about drama, murder and sex. This show is filled with it. And there's not a single episode that doesn't leave your jaw hanging.
Bad me I'm not even sure if this is still running because I haven't watched in a while but it was so good. AND, even if it wasn't--why wouldn't you want to watch it just to stare at Morris Chestnut?
The Jamie Foxx Show
Jamie is so silly in this show and man can you really see his singing talents in this one!


Monday, August 15, 2011
Homolestation in Hollywood.
I remember noticing, about 22 years ago, when homosexuality was being promoted in almost every A-movie coming out of Hollywood. Now, my wife will tell me when a movie is, "gay free," if she sees it before me.
Anyhow, it looks like young actors are in danger of the legendary, "casting couch" probably more so than young women.
"...The guy that did this to me was my assistant. He would come in when I was sleeping. I would wake up and I would know what was going on, but I would just try to ignore it and hope that he would go away, which is how kids who aren’t ready to deal with something deal with it. I was still a virgin at the time. I hadn’t even had sex with a girl. So for me it was just kind of bewildering. ..."
Sad story here.


Reut Ish Shalom young women, was adopted at her childhood by the israeli social worker, trying to build her life but the Israeli social workers run after her until her tragic death
A Place Of Her Own :
Director: Sigal Emanuel | Producer: Dikla Barkai
Produced In: 2011 | Story Teller's Country: Israel
Tags: Culture, Gender, Human Rights, Middle East, Relationships, Violence
Synopsis: For four years director Sigal Emanuel documented the life of Reut, a young girl who got moved from one institution to another until she winds up on the street and gets married. The documentation begins when Reut is a mere seventeen-year-old and gives birth to her first son, who is immediately taken away from her by the welfare authorities. During the filming, amidst fighting the state of Israel all on her own in order to regain custody of her son, she meets a Palestinian man, marries him, moves to his village, and gives birth to two additional children. Along the way she meets several people who, on one hand, try to help her, but also take advantage of the lost soul that she is. An impossible relationship takes form between her and her first son's foster family, religious Jews who live in a settlement in the Occupied Territories. Throughout the years, Emanuel gradually reveals Reut's introverted yet touching character. All she really wants is a place she can call home and some peace of mind, but her life is full of surprising and shocking turnabouts, right up until her life comes to a tragic end.


Julia performed “Harlem On My Mind” in the heart of the Theatre District during the 10th Anniversary Season of The United Solo Theatre Festival.
Hudson Park Bandshell in New Rochelle, NY August 2019“
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1.State: your state is their state. You want them to be energised? Then be energised.
2.Space: remove barriers to communication. Get out from behind the podium or your lap-top.
3.Story: stories are memorable. Tell a story which makes the point
4.Structure: start-middle-end. Tell them what you are going to tell them. Tell them. Tell them what you have told them.
5.Spikes: peaks of attention e.g. a question. Plan a selection of spikes.
6.Storyboard: you are a film director. Where’s your car chase? Your sex scene?
7.Slides: finally. Do you need them? Yes, perhaps for a graph. But not for your script.


I feel like this needs its own post because I have so many feelings. I just watched it via Youtube because, you might not know this about me, but I love musicals and I’ve loved Legally Blonde since I was in middle school. I knew that they had made a musical but I waited until tonight to go and search for it. But I did get there, you know, eventually. So let’s talk about the pros and cons. Warning: potential spoilers.
♥ The music was awesome. If there isn’t good music then a musical wouldn’t be worthwhile and there would be no pros. End of.
♥ Enid got a bigger role and some awesome comic relief. Furthermore, she might have provided comic relief but she wasn’t treated like a joke.
♥ I loved the Elle told Vivian that girls needed to stick together and that Vivian echoed that sentiment at the end.
♥ Emmett gets more character development and backstory. This is one really strong improvement over the film since in the movie he’s a bit of a boring nice guy.
♥ The scene from Brooke’s workout video was especially catchy and fun.
♥ The women of Delta Nu were the classic Greek chorus. How clever.
♥ SPOILERS SPOILERS SPOILERS: Elle pops the question to Emmett. I’ve always wanted to see the woman pop the question instead of the other way around.
♥ Maybe some of the scenes weren’t as powerful but it definitely kept the spirit of the film alive.
♥ I didn’t like the fact that Emmett was the one who motivated Elle to take law school seriously. This
was one of the best scenes in the movie. I liked Elle working to reach her potential on her own.
♥ Chutney’s confession scene was nowhere near as awesome and dramatic. And the weird switchover into the bathroom setting was…um, weird. And unneeded. I also kind of felt this way about Elle’s personal essay scene…it was just…a little too out there.
♥ I HATED what they did to the scene with Warner and Elle near the end where she turned him down politely after he acted like a total asshole to her. Her line was much better in the film: “If I’m going to be a partner in a law firm by the time I’m thirty, I need a boyfriend who’s not such a complete bonehead.”
♥ Why’d they have to go and cut out Professor Stromwell? She was one of my favorites.
So all in all I didn’t think it was quite as good as the movie but it’s great in its own respect and the music was awesome. I’m going to buy the soundtrack. There wasn’t a song I didn’t like.
If you want to watch, and you should, start here:
Shouldn’t I be working on my NaNo novel?


If the term “Film and Supper Club” bothers you, let us put your mind at rest.
- The Film and Supper Club is a monthly event held at the Bridge Project premises on Gainsborough Street.
- Check the website regularly to see what film is showing this month.
- Film nights are always the last Wednesday in the month, except August and December when we take a break.
- If you want to come along, telephone or email us with your booking.
- On the evening the café opens from 6.00 pm, when you choose your table, organise drinks and relax.
- A buffet supper is served from 6.30 pm. There is always a main course; dessert; cheese board and coffee or tea. If you have any special dietary requirements you can let us know at the time of your booking.
- Each month we hold a raffle to raise additional funds for The Bridge Project Sudbury.
- Once supper is finished guests make their way to the Film screening.
- The evening usually ends around 10.00 – 10.30 pm, depending on the length of the film.
- Those customers who have provided email addresses are contacted automatically with the monthly film newsletter and diary dates.
Wednesday 27 November 2013.
The Winter Guest
This month we are taking St Andrews Day (30 November) as our theme.
Set in Scotland on one wintry day, the film focuses on eight people; a mother and daughter, Elspeth and Frances; two young boys skipping school; two old women who frequently attend strangers’ funerals; and two teenagers Nita and Alex.
The film is based on Sharman MacDonald‘s play which premiered at The West Yorkshire Playhouse and went on to further success at The Almeida Theatre in London.
The play and the film were directed by the wonderful Alan Rickman. Cast members include Emma Thompson, Phylidda Law and Sheila Reid.
The film won a number of awards including Best Film at the Venice International Film Festival.
£15.00 per head including supper.
Café opens at 6.00 pm for drinks; supper served from 6.30 pm.
To book for this event, or find details of future Film Nights, please contact Jill Mcglashon on email@example.com or telephone 01787 313691


Little Stars! (Ages 2-3/accompanied by a responsible adult) Let your child shine in this theater arts class that does it all! These young minds will explore their creativity and imaginations through music, movement, story time, acting games, and art. Each week students will take home a mini-art project that relates to our theme of the day. Each child should be accompanied by a responsible adult.
Act It Out! (Ages 4-6/pre-k-2nd) Awaken creativity & boost self-confidence through this theater arts class that draws out positive values using storybooks! Each week students will explore their imaginations and artistic talents through theater games and acting out stories using costumes and props. This class provides a fun and dynamic space to build confidence, courage and character. Students in this class will showcase their favorite story to family & friends on the last day!
Dramatic Kids! (Ages 7-11/3rd-5th) Awaken creativity & boost self-confidence in this theater arts class that has it all! Each week students in this class will explore their imaginations and artistic talents by participating in fun, improvisational acting games & theatrical techniques while learning the fundamentals of dramatic storytelling facilitated by one of our talented Teaching Artists. This class provides a fun and dynamic space to build confidence, courage and character. A showcase of students’ original work will be performed for their friends and family on the last day of class!


Bollywood Actress Alia Bhatt Fake Nude Images
Alia Bhatt is a British film actress and singer who works in Bollywood. Born into the Bhatt family, she is the daughter of filmmaker Mahesh Bhatt and actress Soni Razdan.
Born: 15 March 1993 (age 23 years), Mumbai
Height: 1.6 m
Parents: Soni Razdan, Mahesh Bhatt
Siblings: Pooja Bhatt, Rahul Bhatt, Shaheen Bhatt


Well, it’s summer time. A lot of us either have a lot to do or nothing to do. If you are the former, good for you! If you are the latter, like me, why not spend some time catching up on a few really good TV shows? Here are a list of 5 really awesome TV shows you should watch.
1. Orphan Black
Who created it: John Fawcett and Graeme Manson
Who’s in it: Tatiana Maslany, Jordan Gavaris, Évelyne Brochu, Maria Doyle Kennedy, Dylan Bruce, Kevin Hanchard, Michael Mando
What is it about: The story starts out with Sarah Manning, who arrives at a train station and sees someone who looks exactly likes her commit suicide via jumping in front of a train. Wanting a better life, she decides to steal this mysterious woman’s identity, also known as Elizabeth Childs. As she tries to live her life with this new identity, she gets more than she bargained for. (Spoiler Alert: Beth Childs is not her long lost twin sister.)
Why you should watch it: The writing in this show is just superb. The show is pretty fast paced and you never know what is going to happen next. All you know is that you want more. But the best thing about the show is the issues that it addresses. They talk about very important things such as body autonomy, sexuality, identity, and science’s age old question: nature vs. nurture (some serious stuff, yo). You would think that clones will be pretty similar to each other. Nope. This is why the show is so good. The writers understand that people (especially women) are extremely varied – even genetic identicals. So you get a clone who is a soccer mom, a clone who is a science geek and what not. What’s even better is that Tatiana Maslany, who plays the clones, is amazing at what she does. But really, the entire cast are gods, I tell you. GODS! I have so much more (super awesome things) to say, but I will just let you find out yourself. Have fun, guys. You will not regret watching Orphan Black one bit.
2. The Newsroom
Who created it: Aaron Sorkin
Who’s in it: Jeff Daniels, Emily Mortimer, Alison Pill, Olivia Munn, John Gallagher Jr., Dev Patel, Sam Waterson, Thomas Sadoski
What is it about: Watch the behind the scenes of the fictional news network, Atlantic Cable News (ACN), after Mackenzie McHale comes back to produce the show that Will McAvoy, the anchor of News Night, really should be making.
Why you should watch it: Aaron Sorkin, duh! But seriously, this show is really well written. It’s so witty and so smart. The characters are so fun to watch. The actors themselves just fit the roles really well and do a great job in what they do. This show is essentially the “ideal” news show. The characters aim to create the news that will provide important news to people that will actually help them, not news that will help them get the most views. So in order to do that, they aren’t afraid to tell the truth, whether or not people want to hear them. It also uses real life events, such as the BP oil spill in 2010 and the capturing of Osama Bin Ladin in 2011. This is a great show to watch if you want a good laugh.
Who created it: Fabrice Gobert
Who’s in it: Anne Consigny, Frédéric Pierrot, Clotilde Hesme, Samir Guesmi, Yara Pilartz (There are so many more. It’s a huge ass cast.)
What is it about: In a small mountain town in France, dead residents start to return home. However, they are not your typical zombies. They look completely normal and has no idea of their demise. Their families, completely shocked at finding their deceased loved ones, keeps their return a secret and tries to live a normal life. Through various strings of events, the entire town finds out that there are many others who have been brought back from the dead.
Why you should watch it: Okay. Before you scroll pass this because it’s French and you don’t feel like reading subtitles, I just want to tell you that you should totally give this show a chance. This show is based off on the French movie with the same title. So, if you want to, you can totally give the movie a try before you watch the show. But, The Returned is a super good zombie show that has a nice twist to it. Trust me. First of all, the dead don’t look dead. Second of all, they aren’t there to eat your brains. The purpose of their return is totally different. (To be honest, I don’t even know why they returned.) But the show just really have you at the edge of your seats. It’s intense. It’s scary. Even Stephen King loves it.
4. The Bridge
Who created it: Meredith Stiehm, Elwood Reid
Who’s in it: Diane Kruger, Damián Bichir, Annabeth Gish, Thomas M. Wright, Ted Levine
What is it about: A body was found on the border of the U.S. and Mexico, forcing American detective, Sonja Cross, and Mexican detective, Marco Ruiz, to work together to catch a serial killer.
Why you should watch it: Yes, this is a crime drama. But, it’s a really awesome crime drama! I mean, you have detectives from two different cultures coming together to work on this one case. The characters themselves are also super interesting. Sonja Cross, the American detective, has Asperger Syndrome. Marco Ruiz, the Mexican detective, tries to be a good cop amongst all the corruptness in Mexico. The two of them are complete opposites, which seems like the usual cop shows, right? But the two of them just create a very fascinating and fun relationship to watch. Unlike the usual crime dramas though, the detectives aren’t working on a separate case each show. The show works on trying to catch this one serial killer. This show is based on the Danish/Swedish show of the same name. There’s a British/French spinoff of the Danish/Swedish one as well, called The Tunnel. Have your pick.
Who created it: Mindy Kaling
Who’s in it: Mindy Kaling, Chris Messina, Ed Weeks, Zoe Jarman, Ike Barinholtz
What is it about: Mindy Lahiri, a quirky OB/GYN who is in love with romantic comedies, tries to balance her work life and private life in New York City. Watch how she handles life with her funny co workers at their private practice.
Why you should watch it: If you aren’t too into the serious stuff and want something more lighthearted, this is the show for you. The Mindy Project is another hilarious show. There are a lot of pop culture references, because you know, it’s Mindy Kaling. It’s quirky. It’s fun. The characters are very loveable. It’s just an a super nice show to watch when you are feeling down or just need to laugh it out.


The George Telegraph Training Institute is the most trusted name in developing high-quality skilled human resources for 103 years. It started its journey long back in 1920 with a dream to tackle the all-time challenge of unemployment in India by imparting affordable as well quality vocational training to young people with ordinary merit and limited economic resources. We are an ISO 9001: 2015 certified registered trust and a training partner of the National Skill Development The corporation is under the Ministry of Skill Development and Entrepreneurship, Govt. of India. We offer more than 80 technical and vocational courses with an aim to develop quality technical professionals both in urban and rural areas and reach the mission of Skilled India. Our unique quality are-industry oriented curriculum, quality teaching, and hands-on training all at affordable rates. We ensure excellence, in-depth learning, and 100% grooming. GTTI today has more than 70 training centers and 25,000 students across the eastern states of India. Our courses across our demographic presence are recognized by the National Skills Development Corporation (N.S.D.C.) which is under The Ministry of Skill Development and Entrepreneurship,
Govt of India. George Telegraph Film and Television Institute (GTFTI), the latest initiative from The George Telegraph Group, aims at creating artists for the future. The institute offers various courses on modeling, acting, cinematography, editing, and direction. Along with full-time training directly from people working in the film and Tv industry, it will also conduct special seminars by eminent personalities. The students will also get direct exposure to the industry as a part of their hands-on training.
On successful completion of the courses, the students establish themselves as models, actors, editors, or directors in the film, television, and modeling industries.
George Telegraph Training Institute is a foundation that is running with a legacy of 103 years. Their interest in training students in a different arena and establishing careers for thousands of students every year, make this a sought-after Institute. In its centenary year, it has proudly launched a vertical which will give thousands of students a parallel career in George Telegraph Film and Television Institute (GTFTI) provides training on a professional level to students aspiring to be a part of the Film & Television industry. The aspirants are being given specialized training both
theoretical as well as practical knowledge. The curriculum has been set in a constructive and professional manner and involves the best of faculties to impart training and share their experience. George Telegraph Film and Television Institute ( GTFTI) is affiliated with Netaji Subhas Open University (Recognised by U.G.C). This institute offers courses on Acting • Film-Direction • Film-Making • Modelling • Theatre • Cinematography • Dance.
GTFTI is one of the Film Schools in Kolkata with an edge over other players training thousands of budding actors and technicians who are willing to become professionals contributing to the film and television industry with their creative skills and knowledge.


At Cunning Plan Productions we pride ourselves in ensuring the best quality production whilst continuing to work within prescribed parameters.
We currently have a small number of feature films in progress – see Development. For our smaller budget features, we focus on fresh and innovative people, identifying and introducing them, helping to bring them to fruition. Hence we ensure we work with only the best new talent in Cast, Directors, Directors of Photography, and Production Designers. We are currently looking for new investors for some of our projects. Please feel free to contact us for further information.
We aspire to be the best!
We also have easy access to the RED ONE camera and hence can offer great production deals. Please contact us for further information.
Cunning Plan Productions is the production company of Sharon Odams, www.sharonodams.com


26 July 2019 Excited to announce that original feature scripts '4 Miles Per Second' and 'Loosely Based On Real Life' made the cut to the quarter-final round of the 2019 Academy Nicholl Fellowships in Screenwriting competition.
With 7,302 scripts entered, the initial round was particularly competitive. The scripts are evaluated by three judges drawn from a diverse group of film professionals. These judges read the scripts blind, without seeing application forms, loglines, or prior scores and comments, so the scripts are judged purely on the writing.
The Academy Nicholl Fellowships in Screenwriting is an international screenwriting competition established to identify and encourage talented new screenwriters. https://www.oscars.org/nicholl
'4 Miles Per Second ' is a nuclear disaster film, set in London, and plays out in almost real time. It is in development with Anton.
'Loosely Based On Real Life' is a reverse love story, exploring a marriage across one night. It asks how do we fall out of love, when we feel the urge to cling on, even if splitting up is the right thing to do.


Seniors enjoy reading about the news also from the Czech Republic.
This study text is about a new film about villa Tugendhat which is planned for the spring of 2019. Let’s read more about it.
A new film called The Glass Room is now finished1.It is also a book by British author Simon Mawer.
It talks about dramatic events of the 20th century2 and an architectural gem3 – Villa Tugendhat in Brno.The main4 roles in the film have foreign5 and Czech films stars: Carice van Houten, Hanna Alström, Claes Bang, Karel Roden and Karel Dobrý.
Villa Tugendhat is the very first example of modern architecture in Europe.Its builder is Ludwig Mies van der Rohe.The villa comes from 1928 and 1930.
The film talks about people with rather difficult lives.It is about owners Liesel and Viktor Landauer, their close friends, employees and the great architect von Abt.
The premiere of The Glass Room in the Czech-Slovak co-production is planned for the spring of 2019.The City of Brno provided6 money for this film.
Vocabulary: 1hotový | 2století | 3klenot | 4hlavní | 5cizí | 6poskytnout
Language notes: The Glass Room=Skleněný pokoj|dramatic events=dramatické události|very first example=úplně první příklad|close friends=blízcí přátelé


Academic Integrity Advocacy Film Competition 2022
James Cook University Singapore would like to invite students to produce a short film to win 3 prizes!
The content of the film can cover any aspects of academic integrity including but not limited to the following: raising awareness, strengthening understanding, and promoting the culture of academic integrity illustrating its values, characteristics, benefits, principles, examples, good practices, and procedures.
We envision audiences who watch the film to value academic integrity. To learn more about academic integrity, visit Academic Integrity at James Cook University, Singapore
Three top prizes include an iPad, AirPods and Jabra Stereo Headset
Acceptable forms: The short film could take any (or a combination) of the following forms:
- Comical skit
- Animation or gamification
- Journalistic style
- The short film must be produced in English with high quality sound and good lighting.
- The short film must be in Full HD 1080 pixel and in .mp4 format.
- The short film should be no longer than 3 minutes.
- There should be no physical harm to persons or animals portrayed in the film.
- There should be no nudity, no profanity, no copyright infringement of any sorts, and no form of racism. The film should be culturally sensitive and original.
- Please do NOT upload your video to a public platform (e.g., YouTube) because it will potentially become public/permanent.
- Originality: 40%
- Impact and significance: 40%
- Entertainment value: 20%
Registration period runs from 12 May 2022 (Thursday) to 14 July 2022 (Thursday, 10am, SGT)
Submission of entries will be from 15 July (Friday) to 14 August 2022 (Sunday, 11:59pm, SGT). Students who registered in the competition will be notified to submit their entries via email.
Registration for the competition at https://forms.office.com/r/BgvwtQviiz
For inquiries, contact Learning Centre Singapore at email@example.com


Bloomsbury Media Lab
Companies and freelancers with expertise in animation.
Bruna Martini Films
Multilingual video-editor and film-maker with experience in directing and editing short films, documentaries, commercials and promotional videos.
Documentary, promotional videos, corporate videos, product videos, motion graphics, animation, character animation, photography
2014 – 3d place for Abstract and Contemporary category, The Zebra Awards
2013 – Winner of University of London Calendar publication
Trevor Hardy is a multi award winning animator who is the Director of FoolHardy Films - a stop-motion animation studio. Based in the South East of England, FoolHardy Films has been running for over 15 years and produces fantastic, original, eye catching and entertaining animation. FoolHardy Films always keep the energy and creativity in all their work and never lose the amazement of seeing things come to life!


Skydancer Productions is a multi-award winning Independent Film & Life Story Production Company based in Beaverton Oregon. Our documentaries have been shown Internationally as well as Broadcast Nationally on PBS.
Mara LeGrand: Writer, Producer, Director, Creative Lead, Camera, Public Relations, Media, Documentarian. We weave your life into story form and digitize your life story or help you memorialize the life story of a loved one. As a master storyteller I will craft a story about you or someone dear to you into a heritage film. A Digital Life Story features a piece of your life to be remembered and passed on to your descendants.
Would you like a documentary about yourself, a family member or friend? You can contract Mara to craft character and story as a lasting gift for and about a memorable person or pet in your life. Click here to learn more or contact us now.


Why not take a look at our Yourstage Video from the last holiday course to see what we do!
Our teachers are highly trained, enthusiastic acting professionals with a strong ability in building self confidence in their pupils. Our venue at St Augustine’s, Ealing, W5 has fantastic facilities including drama rooms, acres of outdoor space, plus both outdoor and indoor stages. This July, our Saturday Yourstage Drama students will be performing in our first big production of Bugsy Malone.
Full information about our drama classes and holiday camps can be found on our Courses page. Alternatively, please email [email protected] or fill out our Enquiry Form with any questions you have.


See some very good films at Hodges Library for free
This summer, the UT Libraries is screening four of the best Film Movement films that have been shown in the last two years. Film Movement features award-winning independent and international films that are not often shown in regular movie theaters. The UT Libraries began showing Film Movement films in 2005. Each of the four films has a summer theme or setting. This gives you a good chance to catch up on the Film Movement series and see some very good films for free.
All films are shown in the Lindsay Young Auditorium of Hodges Library on the UT campus. Showings begin at 7 p.m. and are free and open to the public.
July 19: The Rage in Placid Lake (Australia) running time: 89 minutes
Australian Singer-Songwriter Ben Lee stars as Placid Lake in this dark, coming-of-age comedy. Lake’s hippy parents have raised him to always challenge people’s perceptions. But after a lifetime of bullying, he decides to rebel by taking a job at an insurance company. The quirky film is full of quotable lines and off-the-wall moments.
July 26: The Man of the Year (Brazil) running time: 106 minutes
In this vibrant and thrilling crime saga, Maiquel (Murilo Benicio) has lost a bet and dyed his hair blond. This little event triggers a head-on collision with destiny in which Maiquel goes from nobody to hero to outlaw…all in 24 hours.
August 2: Wilby Wonderful (Canada) running time: 99 minutes
This bittersweet comedy is about the difference a day makes. Over the course of twenty-four hours, the residents of the tiny island town of Wilby try to maintain business as usual in the face of very unusual business. The film stars Sandra Oh, of Grey’s Anatomy and Sideways.
August 9: Ginger and Cinnamon (Italy) running time: 82 minutes
While vacationing on the Greek “Isle of Love”, a repressed 30 year old Stefania reluctantly plays chaperone to her precocious 14 year old niece, Meggy, who plans to lose her virginity before the summer is over.


Tales from the Hood is a 1995 American film directed by Rusty Cundieff and produced by Spike Lee. The film presents four short urban-themed horror stories based on problem concepts that affect the community in the order of police corruption, domestic abuse, racism, and gang violence.
Armpit to Armpit: 26"
Shoulder to Shoulder: 22.5"
Sleeve Length: 9"
Total Length: 28"
Head to our Sizing Guide to see if this will fit you.
*Please note, all of our items are vintage and used and will naturally have some wear. We think it all just adds to the piece’s charm. We’ll always do our best to properly document any obvious imperfections.
**Colors may vary slightly between photos on screen and actual piece.


4 edition of The Oresteia found in the catalog.
May 1990 by Bolchazy-Carducci Publishers .
Written in English
|The Physical Object|
|Number of Pages||300|
The play begins with a Watchman sitting on the roof of King Agamemnon's palace, complaining about his life. This is the tenth year he has had to spend the night up on the roof, in the cold and the wet, waiting for a sign that the Trojan War is over. Jan 01, · The Oresteia audiobook, by Aeschylus The only complete trilogy to survive from ancient Greek theater is presented here in this sound recording of all three plays: Agamemnon, The Libation Bearers, and The Eumenides. In the Oresteia, Aeschylus dramatizes the myth of the curse on the royal house of Argos. Action begins 3/5. Nov 13, · Buy The Oresteia (Agamemnon, The Libation Bearers, The Eumenides) Classics S. Reprint by Aeschylus, W. Stanford, Robert Fagles (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders/5(18).
The Oresteia (Ancient Greek: The Eumenides is the last book in which the Furies, who are in fact the goddesses of vengeance, seek to take revenge on Orestes for the murder of his mother. It is also in this part of the novel that it is discovered that the god Apollo played a part in the act of vengeance toward Clytemnestra through sunplena.comters: Watchman, Clytemnestra, Herald.
His translations of Sophocles’ Three Theban Plays, Aeschylus’ Oresteia (nominated for a National Book Award) and Homer’s Iliad (winner of the Harold Morton Landon Translation Award by The Academy of American Poets, an award from The Translation Center of Columbia University, and the New Jersey Humanities Book Award) are published in Cited by: 1.
The Oresteia book. The Oresteia book 1, reviews from the world's largest community for readers. Alternate cover edition can be found here, here, here, hereIn the 4/5.
Agamemnon is a play by Aeschylus that was first published around BC. Summary Read a Plot Overview of the entire book or a chapter by chapter Summary and Analysis. Apr 26, · THE ORESTEIA: INTRODUCTION. David Grene.
Perhaps the best way to start is to make a rather simpleminded examination of what is described as the causes of action by different characters, including the Chorus, in the course of the three plays which constitute the Oresteia. These three plays are three acts of a single play.4/5.
The Oresteia, a trilogy of Greek tragedies by Aeschylus, was first presented in Athens at the festival celebrating the God Dionysus in B.C. The trilogy of plays consists of Agamemnon, The Libation Bearers, and The Eumenides. The Oresteia is the only surviving example of the works of.
Feb 09, · The three plays of the Oresteia portray the bloody events that follow the victorious return of King Agamemnon from the Trojan War, at the start of which he had sacrificed his daughter Iphigeneia to secure divine favor/5(89).
The Oresteia of Aeschylus: Agamemnon Page 4 the thousand-strong Argive fleet, martial aid, war cries clanging loud from their heart, a sound as of eagles trackless in grief for their young 50 ones lost, carried high in the thermal whirl by the stroke of their wings, nest empty below, wasted the lingering labour their young ones cost.
The Oresteia Trilogy by Aeschylus is a detailed portrayal of a family's curse and the effect it takes on them.
Aeschylus wrote this trilogy between B.C and B.C. when the great Greek plays were being written and performed by all sunplena.com by: 1. Jun 28, · The Oresteia of Aeschylus Item Preview remove-circle Share or Embed This Item. EMBED. EMBED (for sunplena.com hosted blogs and sunplena.com item tags) Want more.
Advanced embedding details, examples, and help. favorite. share. flag Pages: Feb 07, · the oresteia agamemnon, the libation bearers, the eumenides AESCHYLUS was born of a noble family at Eleusis near Athens in B.C.
He took part in the Persian Wars and his epitaph, said to have The Oresteia book written by himself, represents him as fighting at Marathon/5. About The Oresteia. In the Oresteia Aeschylus addressed the bloody chain of murder and revenge within the royal family of Argos.
As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle. The Oresteia is a trilogy of Greek tragedies written by Aeschylus which concerns the end of the curse on the House of Atreus. When originally performed it was accompanied by Proteus, a satyr play that would have been performed following the trilogy; it has not survived.
stars The opening section of Icke's Oresteia is one of the best to any play I've ever read. It's an adaptation of the oft-forgotten Iphigenia in Aulis, where war general Agamemnon learns that he has to sacrifice his beloved eldest daughter in order to save thousands of Greek sunplena.com classic renderings, Iphigenia is a teenager who eventually bravely decides that her life must be sacrificed/5.
Note: In order to understand the sequence of events that takes place in The Libation Bearers, it is crucial to know something about the plot of the Agamemnon, the first play in the trilogy of the Oresteia. The most famous telling of this myth takes place in Homer's Iliad and Odyssey.
This banner text can have markup. web; books; video; audio; software; images; Toggle navigation. Feb 07, · The only trilogy in Greek drama that survives from antiquity, Aeschylus' The Oresteia is translated by Robert fagles with an introduction, notes and glossary written in collaboration with W.B.
Stanford in Penguin Classics. In the Oresteia Aeschylus addressed the bloody chain of murder and revenge within the royal family of Argos.4/5(34K). Dec 30, · The Oresteia is a trilogy by Aeschylus, one of the foremost playwrights of ancient Greece.
It encompasses three plays: Agamemnon, The Libation Bearers, and The Furies. The most famous series of ancient Greek plays, and the only surviving trilogy, is the Oresteia of Aeschylus, consisting of Agamemnon, Choephoroe, and Eumenides. These three plays recount the murder of Agamemnon by his queen Clytemnestra on his return from Troy with the captive Trojan princess Cassandra; the murder in turn of Clytemnestra by their son Orestes; and Orestes'.
The Oresteia is the only ancient Greek trilogy to survive. (Sophocles’ Theban Trilogy consists of three plays that were actually written many years apart and never performed together during the. An Oresteia Book Summary: A Bold, Iconoclastic New Look at One of the Great Works of Greek Tragedy In this innovative rendition of The Oresteia, the poet, translator, and essayist Anne Carson combines three different visions—Aischylos' Agamemnon, Sophokles' Elektra, and Euripides' Orestes—giving birth to a wholly new experience of the classic Greek triumvirate of vengeance.
Character List Clytaemestra Clytaemestra is the only character to appear in all three plays of the sunplena.com dominates the action of Agamemnon but has smaller roles in the other two sunplena.com critics consider Clytaemestra the most impressive and fascinating woman in Greek tragedy.
The Libation Bearers, also known as The Choephori, is one of four Greek tragedies written by Aeschylus in B.C. collectively known as The Oresteia. This English translation of the original work was performed by E. Morshead, English classicist and teacher, and published in These plays embody Aeschylus' concerns with the destiny and fate of both individuals and the state, all played out under the watchful eye of the sunplena.com "Agamemnon, the warrior who defeated Troy returns to Argos and is murdered by his wife Clytemnestra for sacrificing their daughter Iphigenia before the Trojan sunplena.com "The Libation Bearers" (Choephoroi), Orestes, Agamemnon's som, avenges his /5(5).
The Oresteia is a trilogy by Aeschylus, one of the foremost playwrights of ancient Greece. It encompasses three plays: Agamemnon, The Libation Bearers, and The Furies. It tells the tragic tale of the House of Atreus, whose inhabitants have been cursed and are doomed to play out their bloody, vengeful destinies.
About this Item: Easton Press, Norwalk, CT, NF, moire ep edges slightly faded, corners lightly rubbed, but otherwise a tight solid sound beautiful copy. ; 4to, green genuine leather with gilt dec.
Covers, gilt dec. Spine with gilt lettering, raised bands spine, all page edges gilt, silk moire eps, attached ribbon page marker, color frontis, pp., notes. Brand new Book. The only trilogy in Greek drama that survives from antiquity, Aeschylus' The Oresteia is translated by Robert fagles with an introduction, notes and glossary written in collaboration with W.B.
Stanford in Penguin sunplena.com the Oresteia Aeschylus addressed the bloody chain of murder and revenge within the royal family of Argos.4/5(K).
Oresteia (Hackett Classics series) by Aeschylus. Digital Rights Management (DRM) The publisher has supplied this book in encrypted form, which means that you need to. The Oresteia Summary & Study Guide Description. The Oresteia Summary & Study Guide includes comprehensive information and analysis to help you understand the book.
This study guide contains the following sections. One of the founding documents of Western culture and the only surviving ancient Greek trilogy, the Oresteia of Aeschylus is one of the great tragedies of all time.
The three plays of the Oresteia portray the bloody events that follow the victorious return of King Agamemnon from the Trojan War, at the start of which he had sacrificed his.
Oresteia, trilogy of tragic dramas by the ancient Greek dramatist Aeschylus, first performed in bce. It is his last work and the only complete trilogy of Greek dramas that has survived.
The Oresteia tells the story of the house of Atreus. The first play, Agamemnon, portrays the victorious. Summary and Analysis The Oresteia: Introductory Note At the beginning of the fifth century, it was customary for each of the tragedians who were competing at the festival of Dionysus to present a trilogy of three plays on a related theme, followed by a satyr-play.
WATCHMAN I pray the gods to quit me of my toils, To close the watch I keep, this livelong year; For as a watch-dog lying, not at rest, Propped on one arm, upon the palace-roof.
Note: Citations are based on reference standards. However, formatting rules can vary widely between applications and fields of interest or study. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied. Anne Carson's Oresteia is a watershed translation, a death-dance of vengeance and passion not to be missed.
Carson calls her book An Oresteia--as opposed to the Oresteia. This isn't the trilogy of Aeschylus. Rather, the book consists of plays by three different authors: Aeschylus' Agamemnon, Sophocles' Electra, Euripides' Orestes.
May 19, · Open Library is an initiative of the Internet Archive, a (c)(3) non-profit, building a digital library of Internet sites and other cultural artifacts in digital form. Other projects include the Wayback Machine, sunplena.com and sunplena.com The Oresteia by Aeschylus and Robert Fagles available in Trade Paperback on sunplena.com, also read synopsis and reviews.
In the Oresteia Aeschylus addressed the bloody chain of murder and revenge within the royal family. THE ORESTEIA OF AESCHYLUS Download The Oresteia Of Aeschylus ebook PDF or Read Online books in PDF, EPUB, and Mobi Format.
Click Download or Read Online button to THE ORESTEIA OF AESCHYLUS book pdf for free now. Agamemnon Introduction. Agamemnon is the first play in a trilogy of tragedies by Aeschylus entitled the Oresteia. (The second two parts are called Libation Bearers and Eumenides.)When we say it is part of a trilogy, we don't mean like nowadays, when some blockbuster movie makes a ton of money, prompting studio executives to crank out a couple of sequels.
Nov 25, · The only trilogy in Greek drama that survives from antiquity, Aeschylus’ The Oresteia is translated by Robert Fagles with an introduction, notes and glossary.
In the Oresteia—the only trilogy in Greek drama which survives from. I can only vouch for this Robert Fagles’ translation, but yes, astonishingly gripping after. Oresteia - Ebook written by Aeschylus. Read this book using Google Play Books app on your PC, android, iOS devices.
Download for offline reading, highlight, bookmark or .Book One of Thomas Wolfe's autobiographical novel "Of Time and the River" is entitled "Orestes: Flight Before Fury".
The novel House of Names by Colm Tóibín is a retelling of The Oresteia. Poetry. Poet Robinson Jeffers's The Tower Beyond Tragedy is a modern, verse version of the Oresteia including references to the World Wars.Book: What have reviews said about it?
Publisher. What do you know about the publisher/sponsor? Are they well-respected? Do they take responsibility for the content? Are they selective about what they publish? Take a look at their other content. Do these other articles generally appear credible?


Du bei mir - Teil II
(You with me - part II)
2018-19, 1-channel video, HD, 5:00
Realized with the support of Autonome Provinz Südtirol - Amt für Deutsche Kultur, Italy
Concept and direction: Christian Niccoli
Stop Motion Animation: Hylas Film
Editing advisor: Susanne Krauß
Sound design: Roman Strack
“Du bei mir” (You with me) is a series of film works on faith, on the intimate and trusting relationship a person may develop with a spiritual entity. Each film focuses on one aspect of faith.
Part II focuses on the afterworld, it metaphorically looks at the overcoming of death as a jump into an unknown dimension. The film presents a dark, dirty, and uninviting alley. The camera slowly traverses this alley until the camera pans right into another narrow passage, which turns out to be a dead end. The viewer themselves staring at a wall, there are no doors or windows to escape through. The camera moves closer to the wall, to the end. Suddenly, from far away a sound of fast, running steps, comes closer and becomes louder. Immediately afterwards, a running pole-vaulter spins by the camera and runs towards the dead end. In one move, he jumps with the help of the bending pole over the wall and disappears. The pole falls onto the ground. Then silence returns again.
©2007 christian niccoli. all rights reserved


Students at least 16-years-old are hired to assist directors in classes. They have the opportunity to be an Assistant Director or Student Choreographer in Musical Theater classes and Showstopper classes. Students learn real world job skills while working in a field they love. These are paid positions.
Students at least 12-years-old have the opportunity to apply to be a Tech Intern. As a Tech Intern, the Student learns to operate sound, light, and special effects equipment in a real world capacity. Students in this program attend a weekly class where they work with the directors in facilitating tech equipment during rehearsals. They learn to listen for cues from both the actors and directors. Through this program students learn the importance of teamwork. Volunteer hours are earned in this program.
Students at least 11-years old learn how things work backstage through practical experience. In this program students work with costuming, props, and sets. Being part of the backstage crew our students have the chance to be part of a real life work environment. Each Intern is assigned specific jobs unique to a particular show. Wardrobe Assistants help actors with quick changes and keep costumes ready to go for the next scene. Stagehands move props and set pieces on and off stage and reset them for the next performance. Students also have the opportunity to be promoted to management positions, such as Prop Manager, Wardrobe Manager and even Assistant Stage Manager.
This Scholarship is to assist students entering college pursing a degree in Musical Theater. It is available to any Pinellas County graduating High School Senior who has demonstrated their love of Musical Theater by participating in local community theaters or local theater groups outside their school and who maintain a GPA of at least 3.0. The value of this scholarship is up to $1000.
Copyright © 2018 Tampa Bay Performing Arts Academy - All Rights Reserved.


A movie editor is hired by the producer to cut the film. This is an important job, which can be both rewarding and stressful. An editor works with the director throughout the entire editing process, and they will often need to collaborate with the director on different aspects of the project. They will need to review the various angles used for a particular shot and arrange the best ones together to create the final product. They will also be responsible for arranging the final version, which is referred to as a rough cut.
An editor’s job is dynamic. The editor will need to understand the storyline, the setting, and the storyline, and determine the pacing of the film. The film’s pacing will also be determined by the editing director, who will consider how the scenes flow and create suspense. While a producer may be able to see the finished film from many different angles, an editor will need to look at the film as a whole, and choose which scenes to cut.
Rhythm is another important aspect of movie editing. The editor will be looking at the pacing of the film on a scene-by-scene basis as well as the overall pacing of the film. This can include slow, longer shots to add suspense, while cutting out scenes that don’t add to the story. A good movie will have a rhythm that fits its timeframe, but if the film lacks a certain pace, it can be distracting and confusing to watch.
The director’s work can also make a difference. An editor should understand that film editing is a craft, and should be practiced daily. An editor needs to have excellent interpersonal skills to be a success. They should be able to handle stressful situations while working with producers and actors. Even though producers can’t always see the film from a different perspective, they need to have the ability to look at the film from all angles.
A successful editing director should be able to communicate with the production team and the director. The editing director must be able to understand the director’s vision, and he or she must be able to communicate with the director. The director should also be able to be a good influence on the crew. An editor should have a sense of humor and respect for the actors. After all, the film is his or her masterpiece.
An editor should also be familiar with the film’s rhythm. A director’s film’s rhythm is crucial to the movie’s overall mood. The pace, and tempo of a movie are vital factors in a successful film. A rhythmic film is more visually appealing than a movie with slow motion or choppy action. For example, a rhythmical film is more aesthetically pleasing than a movie with a slow pace.
An editing director must be able to use the most effective techniques for the film. The director must be able to control the pace and tempo of the film. A rhythmic movie has a steady rhythm and can be a major factor in the quality of the movie. Rhythmical editing is essential for an emotional and visually appealing film. A good editor should be able to work with the director in a collaborative way to produce a masterpiece.
The editor’s job is an exciting and important part of the film industry. The editing director plays an integral role in the creation of films. He or she can be the person who makes the movie look stunning or create the mood of the film. The editing director also helps in the production of the film. The movie’s rhythm can affect the viewer’s mood. The music in the movie is important, too. If the music is not in sync with the movie, the music will be incompatible.
The role of an editing director is a vital one in the film industry. The editor must know how to work with producers, and they must understand the goals of the film. They must be able to work with both directors and the studio. This is why it is important to have an understanding of the role of the editing director. It is very important to get a good sense of the story from the audience. A good editor is able to see the film from a different perspective.


Netflix has announced the release date of the TV series based on the Witcher universe
Netflix has announced the release dates for The Witcher series.
This was announced at the Netflix Tudum event.
The Witcher prequel will be released this year, and the third season of The Witcher next year:
- The Witcher prequel will be released on December 25;
- The third season of The Witcher itself will be released in the summer of 2023.
Based on the series "The Witcher: Origins" (which takes place long before the events of books and games) - a prequel to "The Witcher" presented several new excerpts from the series.
For the third season of The Witcher series, only a poster was presented with an estimated premiere date.
Our family is back! The Witcher returns with a third season in the summer of 2023, Netflix said.


Ashes In the Snow by Ruta Sepetys
The movie was really good, the book….even better.
This is a paperback version of this best seller from 2011
For more books like this, check this website, email firstname.lastname@example.org or visit our store at 22 S Main Street, Woodstown NJ
An international bestseller, a #1 New York Times bestseller, and now a major motion picture! Ruta Sepetys’s Between Shades of Gray is now the film Ashes in the Snow!
This special movie tie-in edition features 16 pages of color movie stills starring Bel Powley and Jonah Hauer-King in never-before-seen footage and a behind-the-scenes look at the making of the movie, plus a brand-new letter from the author!


Last night I had the wonderful pleasure of settling into the darkness of a cinema and being transported into the fantastical world of Doctor Parnassus. The early reviews I'd read had lead me to believe I would probably be disappointed by the film - and I'm not going to link to any of them here because they were wrong - it's an imaginative masterpiece!
The story is about Doctor Parnassus, a man who won immortality in a bet with the Devil, and who later, to regain his youth and win the love of a beautiful young woman, made another deal - promising to give the Devil any child he fathered once they reached the age of sixteen. Now he must win another wager with the Devil if he is to save his daughter Valentina.
For me this felt like a truly modern fairy tale; there were many echoes from older tales: the parent who has offered up their first born child as payment for what they want at the time; an unwise bargain with the devil; a character who plays a pipe and has a dubious association with a children's charity (which made me think of the Pied Piper). True to the fairy tale form, the magic of a mirror - which is the entrance to the imaginarium - is never questioned, and once someone has stepped through the mirror the world beyond is furnished by their own imagination. This leads to some wonderful settings, including a dark forest of stage prop trees, and ladders which reach up to the clouds...
But the real world is never far away; Doctor Parnassus' imaginarium is housed on a rickety theatre on wheels (read about what inspired it here) and is pulled through modern London's streets by horses. As well as the familiar tourist sites we are treated to the bleaker side of inner-city life - derelict buildings, the streets at pub chucking out time; a Homebase car park.
The corrupt Tony is clearly a comment on our despicable ex-prime minister - at one point we even see a front page from a tabloid with the character Tony's face where Blair's should be, the headline: 'Tony Liar'. Similarly a song and dance scene by violent policemen, which felt very close to Monty Python in style, had especially powerful resonance when I thought of the documented police violence at the G20 protests in April this year.
The film is flawlessly acted by a great ensemble cast, and it's visually stunning - after watching this film I can finally see the point of cgi; misapplied by so many films trying to create realistic versions of reality - here it is used wonderfully to create impossible worlds.
This is a film made with love, against the odds; as has been well documented both Heath Ledger and one of the film's producers, Bill Vince, died during production and the film struggled to find funding - a case of small-minded money men with no vision always taking the easier routes through life - and as Terry Gilliam has explained this was part of the inspiration behind the story. Most of all though this is a film about storytelling and the power of the imagination - as Parnassus at one point realises - 'the Universe is sustained by story'.
Doctor Parnassus is out at UK cinema's now - here is the official UK site.
The film is set for a Christmas release in the US - here is the US site.
The Doctor Parnassus Support Site has a list of other countries official sites, more information on release dates, and info about how you can help support this wonderful film by getting cinemas to show it.
There is also a not to be missed Doctor Parnassus section on Dreams, the online Terry Gilliam fanzine, which includes brilliant interviews, artwork, stills and clips.
1 hour ago


A few folks have asked me over the years if I would ever host a reviews section. I was initially reticent, as I'm always leery of trusting a reviewer's opinion myself; I'd almost always prefer to make my own decision about a product.
Just before our long hiatus, however, I was sent a review copy of an item, and I promised that, if I ever got the site up and running again, I would post a review. Desiring to honor that promise, and thinking that this could be a place for reviews not just by me, but by others, I decided to begin this new section. If you wish to submit your own review for something, or add a review of something I haven't looked at yet, please email me.
My Disclaimer: I have no intention of being unbiased in my reviews. Reviews, by their nature, are personal, arbitrary, and subjective. If you're not interested in my opinions of things, browse back to another section of the Webpage. ;)
Added January 18, 2009
LoveCracked! the Movie
I received this movie for free from the producers, and I'm very grateful to them. They were very polite and pleasant to deal with, offered me condolences on the passing of my father, and what not. I promised them that, if I ever started bloopWatch.org back up, I would review their movie. So, here goes...
The movie is an anthology piece, surrounded by a framing sequence of a journalist who is investigating Lovecraft's life. It's probably telling that this character is played by the same gentleman who produced and directed these segments. These scenes are meant to be funny, I suspect, but mostly, I found them dry and painful to watch. After the first few, I will confess to fast-forwarding over the rest, so I may have missed some gems. I will never know, as I will never watch this movie again.
The various segments that comprise the rest of the film are extremely uneven. Some are decent, but, true confession time...I watched this movie almost 3 years ago, so I really don't recall which ones are, and which are not. I do recall a softcore porn version of Re-Animator (Re-Penetrator...oy) as being one of thre most egregiously awful. But, hey, what do I know? I'm gay, and watching straight sex bores me. Maybe this segment would be amusing or titilating for other folks...but I find that unlikely.
There's barely a whiff of Lovecraft in this piece...it seems more like a cheap way to ensure they'd have a built-in niche audience. My overall advice? Don't bother. Save your time and money. I got my copy for free, and I still feel like I deserve a refund...of my time, perhaps.
A review of the LoveCracked! film on Amazon.com suggested that this movie would earn a lot of criticism from those who're too deadened by a diet of Hollywood blockbusters to know good indie cinema when they see it. I take the opposite view. Crap is crap, whatever the budget. I've seen many, many amateur (as in not produced by a big budget studio) films, many of them Lovecraftian in nature. It isn't enough to toss the "indie credit" shield in front of your piece and hope to be given some slack. I will give slack for low budget monsters, low-budget sets, and a lot of other things...but bad acting, bad script, and just plain bad project I will not tolerate.
In case you feel I'm being too harsh, and maybe I am, I did warn the film's produce that my review, when and if it did appear, would be overwhelmingly negative. He was okay with that. So there it is. If a film can inspire in me such vehement loathing 3 years after I last glanced at it, then I feel confident in being as negative as I am.
The Call of Cthulhu
Here is a case in point...yes, I'm still trying to get the taste of LoveCracked! out of my mouth...of a good independently produced film. The HPLHS has a lot of experience in theater, writing, and effects producing. This doesn't alter the fact that they're not backed by a big name studio to produce their films. Despite this fact, their version of The Call of Cthulhu may just be the best adaptation of an HPL story ever put on film.
In a move of great cleverness, they made the film silent and in black-and-white, using filters and other devices to really make the film look as though it were made in 1925, around the time Lovecraft's tory was written. This makes it a double triumph...it's not just a great Lovecraft film...it's a love letter to the films of that era. The acting, although silent, is still top notch. The adaptation is dead on. They even surprised me (pleasantly) during the point at which I most expected they'd cut corners...their Cthulhu isn't CG animated...and he does appear. Heck, someone even gets swallowed by an angle! Add to this a soundtrack that's menacing and atmospheric, some cunning cutting in of stick footage from the 20s, and direction and cinematography that really put this film head and shoulders above most almost all amateur Lovecraft films I've seen.
If you haven't seen this film yet, just buy it. If you're a fan of HPL's work (and if you're on this site, I'm guessing you are,) you will not regret the purchase.
Head back to the Main Page
This website was developed and is maintained by Andrew "Aethan" French. Further development was aided and abetted by Mike "Bazil" Nichols of Biovore.com, but the site is still maintained by Andy. Any complaints, compliments, or comments should be sent to him.


Jake Brasch: (Book, Music and Lyrics)
Jake Brasch is a graduate of New York University Tisch–Experimental Theatre Wing and The New Studio on Broadway for Musical Theatre. He is an alumni of the Denver School of the Arts. He is an award-winning playwright, composer, performer and pianist. His plays have been produced in Denver, Chicago, D.C, Edinburgh and New York. He composes music for film, musical theatre and opera. His play “Greenland” was recently produced at Dixon Place in Manhattan. His play “DELIVERANCE: A Play with Fetal Lullabies by Chuck” is currently in workshops and is set to premiere in NYC in the Summer of 2017. He is the Artistic Director of The Red String Ensemble and Donger-in-Chief of The Ding Dong Clambake, a theatre collective and singing telegram enterprise.
Eli Carpenter: (Director):
Eli Carpenter is currently the assistant director at the Denver Center for the Performing Arts Assistant Directing this season’s The Secret Garden directed by Jenn Thompson, The Christians directed by Kent Thompson, and Frankenstein directed by Tony Award nominee Sam Buntrock. Last season he assisted on the Denver Center’s production of Sweeney Todd with new orchestrations by Grammy nominated, DeVotchKa. In 2017, Eli assistant directed a reading of Hanussen by Robert Schenkkan. Other notable credits include assistant directing Ragtime, directed by Erin Ortman and The Secret Garden, directed by Tony Award nominee, Marsha Milgrom Dodge. Additionally, Eli has assistant directed off-broadway on The Wading Pool. Previously, Eli worked for the Broadway, television, and film casting agency, Telsey + Company. Eli is a graduate of New York University where he majored in Directing and minored in Childhood and Adolescent Mental Health Studies. Eli is a member of the 2017 Lincoln Center Director’s Lab.
Shawn Hann: (Director):
Austin Allen: (Technical Director & Production Manager):
Austin Allen is a freelance designer and theatre artist based in Los Angeles. After graduating from DSA in 2011, he attended the University of Southern California where he obtained a BFA in Theatrical Design. His designs have been seen from Los Angeles to New York City, working in everything from lighting, scenic, and projections. Austin is excited and proud to return to DSA and the Fringe to bring these new shows to life.
Jimmy Bruenger: (Choreographer):


The review of acting achievements "Gulini dani" organized by the Cultural and Educational Centre and the Bata Bulić Theater from Petrovac na Mlavi was established in 2010 as a memory of Dragoljub Milosavljević Gula, an actor and one of the most famous citizens of Petrovac. The festival is held every year in the second half of March. The festival brings together the best performances of amateur theaters from the country and abroad. As the name of the Festival itself says, it is organized in honor and glory of the acting vocation. In each play, the best acting achievement is awarded, for which the actor is awarded the Dragoljub Milosavljević Gula Plaque.


Time travel makes even motorcycle movies more awesome.
Time travel is an opiate of mine. And so it came to pass that I watched a movie called Timerider: The Adventure of Lyle Swann on Netflix streaming. It was made in 1982, and the movie itself is a bit of a time machine. Powered by cheese.
I learned from the opening credits that it was co-written and scored by Michael Nezmith. Cool, I thought, I wonder if I’ll see any influence from The Monkees. Then: OW, MY FRAMERATE. This opening motorcycle action sequence was shot in seizure-vision. Wait, now he’s off the bike, why is it still strobing at me??!? Was it just a problem with the video stream? It went on this way for almost the entire movie. Somewhere near the end I noticed it had been fixed, but I didn’t notice when it happened.
There’s some good acting going on behind all the dated production. The opening scenes are a slow start by today’s standards—lots of motorcycle footage, peppered with a bit of cheesy dialogue characterizing the protagonist—but stick with it, it gets much better. The score includes some fun synth rock and also acoustic Western stuff that’s proven more timeless.
Temporal prime directive! Spoilers follow.
I really enjoyed the way that the time travel wasn’t obvious, how he spent most of the movie not knowing it had happened, choosing simpler explanations instead. This freed the story a bit, kept it from getting bogged down with explanations. And it was refreshing to see a protagonist that didn’t feel the need to cower at the threat of causality paradoxes.
Near the end I got a little less forgiving of plot holes. “Here we are on horseback, chasing people. Looks like they’re having some trouble, and will now be pulling the motorcycle with a horse. Let’s all dismount so we can slow down.”
I don’t know if I was supposed to feel clever for seeing the necklace thing coming, but it was really like being hit over the head with a neon road sign. And then of course I have to spend some time in the mindblow quagmire of WHO MADE THE NECKLACE? And then eventually it will be so worn down as to fall apart. Then they’ll have to re-make it, or replace it. That must happen between 1875 and 1982. And if it does, does that mean it has to break and be replaced every time it passes through the loop? Et cetera.
Bottom line: Fun flick, even if you find some of the production deserves the MST3K treatment. Also got me thinking how it might be different if it were rebooted today.


Savoca and Forza d’Agrò are the famous locations chosen by the American director Francis Ford Coppola in 1971 to shoot the scenes of “The Godfather”, (The Godfather), considered a milestone in the history of cinema. The scenes that are set in Corleone in the film were shot in Fiumefreddo di Sicilia, Graniti, Motta Camastra, and precisely Savoca and Forza d’Agrò.
But why did Coppola choose the two centers of the Valle d’Agrò to set the scenes of the film?
In 1971 the production and the troupe of ‘Il Padrino’ stayed in Taormina where they met Baron Gianni Pennisi, an affirmed painter who enjoyed great esteem also in the cinematographic circles. It was precisely the baron who pointed out to Francis Ford Coppola the characteristic villages of Savoca and Forza d’Agrò to shoot some scenes of the film.


In the mid 1980’s I wrote and produced the pilot for a spinoff episode of The Fall Guy called Manhunter that starred Priscilla Presley and Stewart Granger. I didn’t know it at the time, but it was Priscilla’s first TV acting gig.
We got to know each other a bit, and I remember the night I met her daughter, Lisa Marie, at a party in The Valley. She was a shy, quiet, young lady who didn’t speak a word, but the evening was memorable to me for two reasons.
She never smiled.
She gave birth to her first child the next day.
I wish Lisa Marie Presley had had a much longer and happier life.
…One well-worn forty-two-year-old baseball cap worn by the Fall Guy himself, Colt Seavers (AKA Lee Majors), and now precariously balanced on the head of Sir Elvis:
I couldn’t resist wearing it today:
Not so precarious this way!
Here it is on Lee Majors’ head:
What am I bid? Who’ll start the bidding? What? Oh no, I’d never do that.
But, as long as I’m thinking about the show, anyone have any questions about it? A craving for the mechanics of putting it together or behind the scenes gossip? If so, fire away in the Comments section and I’ll write an article answering the best I can.


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Creative minded, honor roll student with an interest in film making/editing and history, seeking an opportunity to utilize proven skills in a film making, editing or visual arts related summer internship or educational program. Seeking educational opportunities to build on creative thinking skills and to gain experience in video/film editing or visual arts related careers.
Georgia Highlands College, Film Production Program, 2021
High School Graduate, May 2020
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