So, yesterday I praised the heck out of Watchmen, Alan Moore and Dave Gibbons' esteemed graphic novel set in an alternate 1985 in which the world is teetering on the brink of nuclear war. Does the much-hyped film version live up to the expectations that accompany any adaptation of such acclaimed source material?
For the most part, yes. Director Zack Snyder captures much of the spirit of the graphic novel, which offered a refreshingly cerebral take on the "superhero genre". Fans of Watchmen will relish seeing the book's unique imagery represented in live action form. Even as someone who only discovered Watchmen less than a week ago, hearing masked vigilante Rorschach's gravelly narration taken word-for-word from the book, or seeing the action scenes painfully reconstructed shot-for-shot from the graphic novel's frames, enlightened my inner geek.
Watchmen opens with the brutal assassination of a vigilante named The Comedian, whose death sparks theories of a plot against masked heroes. This opening scene, coupled with one of the best title sequences in years (a three-minute montage of moments in the lives of the earliest superheroes, accompanied by Bob Dylan's "The Times They Are A-Changin'"), is arguably the highlight of the film. In just a brief, few minutes, the audience is thrown headlong into the history of this bizarre, alternate reality. It's moving, intriguing and beautifully shot and edited.
Snyder's film remains incredibly faithful to its source material, despite lopping a number of my favourite subplots and sequences in order to get the movie's runtime down to a still-pretty-meaty 161 minutes. Snyder plans to release a director's cut on DVD, containing an extra half hour of footage, which I suspect will benefit the film greatly. (Additionally, an animated film based on the brilliantly dark "Tales of the Black Freighter" story-within-a-story from the original comic is due to be released on DVD in the near future.)
Where Snyder does deviate from the graphic novel (as opposed to excising content due to time restrictions), it's often an improvement. In particular, the villain's ultimate plot, or rather the means by which he aims to achieve it (which I criticised yesterday), is altered here, becoming a tighter, tidier scheme with the same end result. It's difficult to elaborate without spoiling the film, but it's a marked improvement on what was, for me, one of the graphic novel's few flaws. Unfortunately, the absence of the sequences missing from this cut of Watchmen mean we don't fully grasp the scope of the final act's devastation; here's hoping this will be rectified with the director's cut of the film.
Watchmen's faithful transfer to the screen is also due in large part to its cast, which doesn't contain a single A-lister (a major plus). Rather, the film is populated by a very capable group of actors who could only individually be described as "that guy/girl from...". For the most part, all embody their roles with a perfect understanding of the original book's appeal: that Watchmen's characters were not "super" heroes, but rather a random patchwork of real people with real flaws. Standouts include Patrick Wilson (that guy from The Phantom of the Opera) as Daniel Dreiberg/Nite Owl, Jackie Earle Haley (that guy from Little Children) as Walter Kovaks/Rorschach and Jeffrey Dean Morgan (that guy from Grey's Anatomy) as Edward Blake/The Comedian. All of Watchmen's characters are mired in a kind of murkiness and ambiguity that more popular superheroes don't even come close to representing.
My only minor niggles with the cast were Matthew Goode (who's almost too young for the part of Adrien Veidt) and Billy Crudup (though that may have more to do with the difficulty of depicting a character who was vaporised in a radiation accident only to regenerate in the form of a bright blue super human who possesses a range of powers, few clothes and an oft-featured bright blue knob, because he is superb in his pre-accident flashbacks). The fact that Watchmen is one of the best-cast comic book adaptations ever is a major boon in light of the story's ensemble nature.
The cinematography, special effects and costumes are all terrific. Special praise goes to Watchmen's superb soundtrack, which features a fantastic assembly of songs, each beautifully fitting and unfitting for the scenes they accompany.
Yet as much as I found to enjoy in Snyder's adaptation, I can't help but appreciate Alan Moore's snobbery that Watchmen could only ever be pulled off within the confines of the comic book medium. The writer told Entertainment Weekly in 2008, "There are things that we did with Watchmen that could only work in a comic, and were indeed designed to show off things that other media can't." I'm inclined to agree.
Even though Snyder's take on Watchmen is probably as faithful as any adaptation could ever get, everything about the story, including its very context, functions so much better in the comic book medium that any transition to film was bound to live in the shadow of its source material. Many of the book's talky sequences, often dealing with heady existential subjects, are much more engaging on the printed page than on the screen. Moreover, the absence of any equivalent to Moore's engaging and articulate written extracts that close each chapter and contextualise much of the story are sorely missed. Meanwhile, the movie's excessive violence, though accurately translated from the book, at times seems like a bone tossed at fans of the so-called "torture porn" genre. In short, the film version failed to leave me with the same sense of awe at the saga unfolding before me as the graphic novel did.
Like its original format, Watchmen probably isn't destined to be crowd-pleasing fare. I suspect it may even divide fans of the graphic novel as much as it will moviegoers (I'm hoping the director's cut will amend most of my bugbears about this adaptation). It also lacks the psychological resonance that made the graphic novel such a landmark in its medium. Nevertheless, it remains a superior addition to the superhero genre, and one that will hopefully point filmgoers towards its phenomenal source material.


Charlotte Easton Gillies is an actress and model. She was born in Los Angeles, California. She grew up with her younger brother, Theodore Vigo Sullivan. Her parents are famous actors. Her father, Daniel Gillies, debuted in A Soldier’s Sweetheart (1998) as the Medic. He later worked in Cleopatra 2525 and Young Hercules. He also played Dirk Mettcalfe in the 2001 film No One Can Hear You.
Rachael Easton Gillies
Charlotte Easton Gillies is the daughter of two famous celebrities, Daniel Gillies and Rachael Leigh Cook. Her mother is an actress and model, while her father is a writer, director and actor. Charlotte Easton Gillies was born on 28 September 2013 in Los Angeles. She has one younger brother, Theodore Vigo Sullivan Gillies.
Charlotte Easton Gillies has a net worth of $5 million. She is an extremely active person in social media and has a large following on Instagram. Her mother manages her account. She has a normal body shape, brown eyes and light brown hair. Her bio does not appear on social networking sites. She will turn eight in 2021. This is quite an early start, but she has the potential to grow up to be a star!
Charlotte Easton Gillies has worked in various television series and movies. She has starred in films such as ‘He’s All That’ and ‘Celebrity Wheel of Fortune’. Her father is also an actor and has appeared in several movies.
Racheal Leigh Cook
Racheal Leigh Cook and Daniel Gillies are the parents of Charlotte Easton Gillies. Their first child was born on September 28, 2013. She has one younger brother named Theodore Vigo Sullivan Gillies. The Gillies family lives in Los Angeles, California. The parents are divorced, but the two still share custody of their children.
Racheal Leigh Cook began her acting career after appearing in the 1996 short film, “26 Summer Street.” The actress moved to Los Angeles to pursue her acting career. She auditioned for a number of films and approached many talent agents. At the age of 10, Cook starred in a commercial for an anti-drug campaign. She later went on to appear in the teen film “The Baby-Sitters Club” and won a Teen Choice Award.
Rachael Leigh Cook and Daniel Gillies married in 2004. The couple dated for three years before marrying. The couple then decided to have a baby. In 2013, they became parents to Charlotte Easton Gillies. Their marriage lasted nine years. However, they separated in June 2019, and have not revealed the reason for their separation.
Charlotte Easton Gillies’s parents
Charlotte Easton Gillies was born in the United States. Her parents are Daniel Gillies and Rachael Leigh Cook. Her mother is a famous actress and model, while her father is a famous actor, director, and producer. Charlotte has a younger brother named Theodore Vigo Sullivan Gillies. You can learn more about Gillies’s parents by reading her biography.
Charlotte Easton Gillies has fair skin and is about five feet and two inches tall. Her weight is 48 kg, and her body type is average. She wears a bra size of 334. She has brown eyes and hair and is not active on social networking sites. She will turn eight years old in 2021.
Charlotte’s parents are very kind and loving. Her parents also raised her in a very loving environment, and she still attends high school in her hometown. Her family is well-known, and her parents are very friendly with each other.
Charlotte Easton Gillies’s net worth
Charlotte Easton Gillies is a well-known child star. She has appeared in several movies and TV series. She has voiced characters in several series and has also performed in music videos. She has an estimated net worth of $2 million. Her parents are actors, and their income comes from their acting careers.
Charlotte Easton Gillies was born in San Diego, America. She has one brother, Theodore Vigo Sullivan Gillies. She was raised in a loving and caring environment by her parents. She is currently attending her hometown high school, and is also attending college. Her father is a multi-millionaire.Charlotte Easton Gillies’s parents married in August 2004. They had been dating for two years. Their wedding took place on August 14, 2004. The couple’s children were born on September 13 and April 2015. The couple divorced on June 13, 2019, citing personal disagreements. The two are on good terms with their children. To know more Visit https://celebsbioz.com/charlotte-easton-gillies/


Take a look at your building abilities and recreate reminiscences of epic Star Wars scenes as you construct the Scout Trooper Helmet (75305). A fancy LEGO Star Wars constructing set providing a enjoyable, artistic approach to unwind, each contour and element of the helmet is fantastically recreated with LEGO bricks. This Star Wars collectible has a show stand with a nameplate to finish an eye catching centerpiece for the house or workplace. And look out for the opposite new LEGO Star Wars build-to-display helmet: Darth Vader Helmet (75304). A part of an thrilling assortment of LEGO Star Wars constructing units for adults, this premium-quality set makes an ideal present for your self, a Star Wars fan, skilled LEGO builder or any grownup who enjoys a hands-on, DIY problem.
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- Title: Badi Bahen
- Release year: 1950
- Movie genres:
- Director: Ram Daryani
- Actors: Geeta Bali, Pran, Rehman, Suraiya, Ram Daryani
- Movie length: 90 min.
Watch free Badi Bahen movie online, Download full length movie. Mp4, Avi, DIVx, Full HD, 4k versions. Subtitles.
This picture is not that awful and it is cute but its just the type of picture you watch when you're tired and don't know what to do. You will for sure like to to have fun with Badi Bahen that is one of the greatest movies of 1950. Well-know actors of the movie: Geeta Bali, Suraiya, Ram Daryani, Pran. They are acting roles of theirs in a great way bringing us so many of enjoyment from seeing how HQ they could play. It is the best of all movies of Geeta Bali. Duration of the movie is: 90 min and these min couldn't leave you disappointed or something like that! If you are so crazy about movies with much of great action then Badi Bahen is one of the best film for you. Still waiting? Go and start watching this film right now. Don't hesitate to bookmark this page.
I am gonna keep this short: Badi Bahen blew me away! If I must add just one thing that really shocked me was the character of Rehman. I absolutely agree with the other reviews here. This movie is such a hottest calamity of 10 years of the best super hero entertainment there is. Thinking about film, I can't really understand how the director released this. A lot of excellent developed characters from different story lines are performing together in a true movie symphony. Driving character of Badi Bahen flick is going to take all your mind while watching it online with your mates :-) or alone. Rehman is acting in this film so good and this is why you will enjoy watching it every second! It is a hottest film and does not give you a headache. The film has so much good moments, you will not regret. I loved the movie from beginning to finish. Badi Bahen film is a very good movie, that filled with lots of good action. :-) We think that you 100% will love Badi Bahen flick. Welcome.


If you were tasked with paving the way past the massive successes of The Avengers, what would that new way be? It’s something that Marvel Studios president Kevin Feige had been thinking about years ago, and found it in director Chloe Zhao and her pitch for the “Eternals.”
Like meeting the Avengers for the first time 10 years ago, we are now having to meet new characters and the worlds they exist in. Unlike the Avengers, however, this next chapter of the MCU begins with us meeting the entire ensemble all at once.
That entire cast of characters are 10 in all, each one inspired in name and superpower by mythology from different cultures, which all tie into the plot of their origins and their stories.
Right from the beginning, though, we find the difficult task of having to acquaint ourselves with all of them. There’s a difficulty in doing that, which is why we had the individual Iron Man, Captain America, and Avenger films before we got to see them work together. They, in many ways, need to use the 2+ hour film to earn our love (hero) or hate (villain).
Meeting all the Eternals in the 2 hour 30 minute film felt rushed because like Marvel’s screen superheroes, they each have their own internal demons that they need to battle as they battle those evils in the world they live in. It’s tough to do that for one character and then relate to them to carry us through the entire picture.
The scope of the film feels very large, as you’ll span civilizations on Earth through space and time. Flashbacks throw to ancient places like Babylon and present-day places like islands in the South Pacific Ocean. Add the cosmic part where Deep Space and demi-gods exist and you have a grand film that will take you places.
The visual effects in the movie are the transport to those places in every sense of the art form. Some of the effects are breathtaking giving way for you to suspend your believability for what may be lacking in story or character.
But taking you places is very much what director Chloe Zhao likes to do in her films, and does so by looking intimately at every aspect of life from the Earth’s moon to a kiss shared between lovers.
In all, while the characters might be difficult to connect with all in one movie, you’ll be moved by their humanity and be in awe of the beauty that is the tension between the cosmic threats and the very human Eternals.
It’ll take another Eternals film, perhaps even one that focuses on them individually, for us to really connect and maybe love them as much as we did The Avengers.
Marvel Studios’ “Eternals” comes to theaters on November 5 and later to Disney+.
Details (from IMDB) –
Runtime: 157 minutes (including one mid-credits scene and one post-credits scene)
Rating: PG-13 for fantasy violence and action, some language, and brief sexuality
All reviews are personal opinions and may not reflect the attitudes of other writers for DisneyExaminer.com unless stated otherwise.
These films have been screened prior to the release date for review purposes and therefore are viewed without charge courtesy of Marvel Studios/The Walt Disney Studios.


On this page, I'll post a few movies from foreign countries that are worth watching.
Follows Aung Sang Suu Kyi's life. This movie does contain some violent scenes, that however probably accurately reflect what Myanmar went through. Definitely worth watching. It was a real eye-opener for me.
Yes this film involves love, but as far as I can tell every romantic instance ends in a funny twist. This is mainly do to the fact that its all staged: A theatre groups uses their talents to stage romantic settings for paying customers wanting to find their love. In this film love follows a strict "script", at least theoretically - in pratisce it might turn out that love cannot be produced so easily. And what if one of the theartre members falls in love with one of the customer's girlfriends? Quite amusing really!
Miracle of giving fool
Ji-ho returns home after a once promising musical career turns out to break her. Upon her return she encounters Sung-ryong, who gives her a warm greeting and is genuinly happy to see her. At first, Ji-ho is surprised at his strange and childish appearance. Soon she recalls that he was one of her classmates and that a faulty oven had killed his father and left his brain permanently impaired. At this time of a personal crises, Ji-ho feels Sung-ryong is the only person she can openly talk to. In fact, Sung-ryong hardly seems to be able to take care of himself at first sight - he always looses his shoes - but as the story progresses, we find out a lot more: In fact, he works at a toast-stand and has even adopted the role of his mother to his sister after she passed away.
Too bad is the choice of the actors. Though he acts surprisingly well, Chae Tae-Yeon isn't the guy for the job.
A movie about a difficult - and impossible - relationship that involves the Korean war. It has historic events in it, it's moving to watch, has interesting parallels between past and present but is no masterpiece.
This is a remake of a Korean movie that has apparently attracted many viewers. The story was modified a bit. A good part of it now takes place in Seattle and the main actress is Chinese. The intention was to attract international audiences. The film was released in China and America in 2011 and 2012 respectively. Tang Wei is a wonderful actress. Without saying much at all, she brings across what is going through her mind in many instances.
A film from Kim Ki-Duk, a Korean film-maker more popular abroad than in his home country. Different!
China and Taiwan
About the Tangshan earthquake. The foreign actor playing the Canadian husband only barely fails to ruin this otherwise great movie.
Blue Cha Cha
This is definitely one of the best movies I have ever seen.
She, a Chinese
Very good movie, that involves everything life has to offer: happiness, grief, losses, births... But its also quite long. You can't really tell whether it is a comedy or a drama.
Hollywood in Bollywood, I really liked this one!


Black Toffee’s Collaboration With Acclaimed Director James Baker
A thought-provoking and innovative new play which highlights the personal stories behind homelessness is to tour the North this autumn.
Anna is stranded. Beth came for a think. C just wants some kip. Three women meet by chance late at night. None of them really want to be there, yet none of them leave. It is a rare moment of stillness in a hectic modern world, bringing both solace and discomfort. With only loose change, some booze and a dodgy carrot at their disposal, will any of them find their way home?
Parallel is a darkly comic drama from Black Toffee, which sees writer and producer Laura Lindsay join forces again with director James Baker. The pair enjoyed recent success and critical acclaim with the musical, Parade, at Hope Mill Theatre in Manchester. Their previous productions together also include The Rise and Fall of Little Voice, which won a Manchester Theatre Award earlier this year.
This creative collaboration will see Parallel tour five venues throughout November, playing Hope Mill Theatre in Manchester from 1 to 5 November. It will then head to ARC in Stockton (9 November); Derby Theatre (11 November); Lincoln Drill Hall (17-19 November); before concluding at Square Chapel in Halifax (24 November).
Parallel explores our understanding of home, purpose and charity. The play has been developed with Crisis, the national charity for single homeless people, and Harrogate Homeless Project. It is co-produced by Harrogate Theatre, where the production enjoyed a successful run in March this year. Writer and producer Laura Lindsay has conducted weeks of research including interviewing charity staff and service users. She has attended participation sessions to gain a real insight and hear stories of those affected first hand by homelessness.
The play features an all-female cast who rotate roles within the production. One of the most innovative aspects of Parallel is the part each actor plays each night is determined by a dice roll by the audience. Laura added: “The dice roll explores the impact of chance on the outcome of our lives and illustrates that homelessness really can happen to anyone. But the point is, we should care that it happens to anyone, not just that it could be us, or someone like us.”
Laura was keen to write a piece of theatre which centred on women, but where the story and themes are not about them being female. Laura explains: “I am keen to address the gender imbalance in theatre and I think one way to do this is to tell stories which feature women but where their gender is not a central theme. The story is about the universality of the human experience. I think anyone who has felt lost in their life will be able to relate to the characters.”
Laura explains her vision behind writing Parallel: “I have always felt whole-heartedly moved, yet utterly powerless about the homeless situation in the UK. I wanted to tell the human stories behind the ubiquitous and anonymous presence on the streets, and the hidden homeless we don’t see.”
Black Toffee also made Hidden, which enjoyed a critically acclaimed sell-out run at the Edinburgh Fringe Festival in 2013, followed by a national tour and London run in 2014. Black Toffee was formed by Laura in 2013, with the aim of producing high quality theatre and film which reflects modern society, resonates with ordinary people and has a dark sense of humour.
Parallel is directed by James Baker, a prolific and well respected director in the Manchester independent theatre scene (Little Shop of Horrors, Spring Awakening and The Last Five Years). James has recently enjoyed sell out success with the Tony Award winning musical, Parade.
1-5 November 2016
Hope Mill Theatre, Manchester
1 November – Previews
2 November – Press Night
9 November 2016
11 November 2016
17-19 November 2016
Lincoln Drill Hall
24 November 2016
Square Chapel, Halifax
For more information, images, interview or review requests, please contact:
Bill Elms at Bill Elms Associates on 0151 245 0136 | email@example.com


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CLCS is pleased to announce that Audrey Atkinson, 10th grader, will be representing Cross Lanes Christian Senior High School at the WV Governor’s School for the Arts this summer! She went through an application, audition, and interview process for the acting portion of the program and she has been accepted! She has been involved in theatre and performing arts since she was 8 years old. She’s done a number of productions with Children’s Theatre of Charleston and The Alban, with her most notable role (thus far) being that of Rafiki in CTOC’s musical production of “The Lion King” last Spring. Congratulations Audrey!


56 One-off movies June 2020; 57 Wrong Turn Series; 58 One-off movies July 2020; 59 REC/Quarantine Series; 60 Rob Zombie's Firefly Trilogy; 61 One-off movies September 2020; 62 One-off movies October 2020; 63 Tales from the Hood Series; 64 Basket Case Series; 65 One-Off movies December 2020; 66 One-Off movies January 2021; 67 One-Off movies. Save on every Movie. We'll make sure you get the best deals on your favorite Disney movies. You'll get big discounts, as much as 50% off, plus gifts all along the way. The Club That Piles On The Perks. Members get exclusive deals, including 50% off with special promotions. Plus, you'll get perks like exclusive gifts and members-only. .
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For every question they get wrong, one of them will die (and not in a very quick way either). As the students panic, the motives of the killer are slowly revealed. While Death Bell isn't a ghost. 8. King Kong Lives (1986) A lot of people will tell you that King Kong Lives sucks, andwell, they're not wrong.King Kong Lives is definitely the worst live-action King Kong movie. Acting as a. .
. . The current top-trending movie rentals and purchases were all released within the last few months with one notable exception: Contagion, the Gwyneth Paltrow-starring film from 2011 about a.
. . Movie Info. Every Breath You Take is a searing psychological thriller about a psychiatrist (Casey Affleck), whose career is thrown into jeopardy when his patient takes her own life.
May 28, 2020 · Two of the Wrong Turn movies which were directed by Declan O'Brien ended up filming in Bulgaria, which is a far cry from Canada. Wrong Turn 3: Left For Dead was filmed on location in Sofia, Bulgaria. The fourth installment - also directed by O'Brien - went back to Canada, but Wrong Turn 5: Bloodlines used Bulgaria as its filming location as well.. . .
If you feel like you're unsure about where you're headed, look out for these 11 subtle, but serious, signs you're on the wrong life path. 1 Your Accomplishments Don't Bring You Satisfaction. Watch Wrong Turn 2021 Movie WEB-DL this is often a file losslessly rip pedfrom a Streaming Watch Wrong Turn 2021 , like Netflix, AMaidenzon Video, Hulu, Crunchyroll,DiscoveryGO, BBC iPlayer, etc. this is often also a Movie or tv show Downloaded viaan onlinedistribution website, such as iTunes. the standard is kind of good sincethey arenot re. .
. I'm often accused of rallying around sexually-deprived husbands (figuratively, mind you) way more than I come to the defense of the wives who are doing the refusing. Guilty as charged. I admit it. The emails of exasperated husbands flood into my in-box, and I find myself wanting to have long heart-to-heart conversations with their wives about the cost of neglected sexual intimacy. Quotes tagged as "wrong" Showing 1-30 of 786. "Love all, trust a few, do wrong to none.". ― William Shakespeare, All's Well That Ends Well. tags: do-wrong , love , trust , wrong. 36516 likes. Like. "Wrong does not cease to be wrong because the majority share in it.". ― Leo Tolstoy, A Confession.
To date, there have been a whopping SEVEN films in the "Wrong Turn" franchise... and almost all of them are terrible. I binged each and every one of them (tw. May 10, 2022 · Like Saw Tooth, One Eye was killed at the end of the original Wrong Turn movie, but came back in Wrong Turn 4, Wrong Turn 5, and Wrong Turn 6 to menace wayward travelers alongside his brothers. Ma, Pa, Brother, Sister & Baby Three Toes. Wrong Turn 2: Dead End was a direct follow-up to the original 2003 movie.. .
. "Turn! Turn! Turn!", or "Turn! Turn! Turn! (To Everything There Is a Season)", is a song written by Pete Seeger in the late 1950s and first recorded in 1959.  The lyrics - except for the title, which is repeated throughout the song, and the final two lines - consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally. .


CRB Tech Reviews came across a report where Quantico star Priyanka Chopra talks about her Baywatch character.
PC who is gearing up for her Hollywood debut Baywatch, says being able to play a negative character is the best part about it all. Priyanka will be seen portraying the villain to Dwayne ‘The Rock’ Johnson’s hero in the film.
The actor, who also featured in American TV show Quantico, feels that being bad is like an addiction as we don’t do that in real life.
Peiyanka said that the best part of working on Baywatch is to be the villain of the movie. I don’t think The Rock aka Dwayne Johnson has ever had anyone who’s been so mean to him. He’s a great guy, but Victoria is a b*tch,” Priyanka told about Victoria Leeds, her Baywatch character,.
Chopra spoke about her maiden Hollywood project in her interview to Flare, a Canadian fashion magazine.
The movie Baywatch is based on the hugely popular 1990s TV series of the same name. And Priyanka enacts the role of the villain, Victoria Leeds in the movie.
Priyanka said Victoria is mean and patronizing and evil just because she can be and Priyanka herself don’t know if Dwayne’s ever had that.
Priyanka said that was the best part of doing Baywatch and getting in her high high heels and on tippy toes and doing mean things and getting away with it. She added that she enjoyed it way more than she should.
The Rock and Priyanka shared a great bond on the sets of the film, as both the actor’s Instagram accounts revealed.
Mastani girl Priyanka’s first major international break came through when she landed onto ABC’s much-praised TV show Quantico. Chopra played the role of Alex Parrish in the series, a name that is almost a household one.
In continuation Quantico, Chopra was signed to play Victoria Leeds in Baywatch, the film which is hitting the screens very soon.
PC said that she’s very excited about the movie because she was a big fan of the show. She thinks Baywatch as a show is very more popular around the world. She added that people just loved the show all over the world and this movie according would be a big summer blockbuster as it’s so funny.CRB Tech WordPress
Stay tunes to this page of CRB Tech Solutions for more Bollywood news and updates.


As of February 2019, there are three videos in the series – one each for The Lego Movie, The Lego Batman Movie, and The Lego Ninjago Movie.
What is the name of the city in the Lego Movie 2?
Synopsis. “The LEGO Movie 2: The Second Part” reunites the heroes of Bricksburg in an all-new action-packed adventure to save their beloved city. Feb 8, 2019
Is the Lego Movie 2 stop motion?
@DrewAtHitFix it was mostly CG with some stop motion & also some real LEGO still sets comped in. But Animal Logic made the CG photoreal. This confirmed most of LEGO Movie was animated via CGI, with the exception of… the awesome credits sequence!. From start to finish the credits animation production took two months.
How long will the Lego Movie 2 be in theaters?
February 8, 2019 (USA)
Does Lego 2 have after credits?
Short answer: No, there’s no post- credits scene after The Lego Movie 2. The Lego Movie 2 credits might not feature a post- credits scene, but it’s one of the most visually appealing parts of the movie. You see, even though these entire movies look pretty awesome, most of it is CGI, not actual Lego bricks. Feb 7, 2019
Was the Lego Movie 2 a flop?
The studio forged ahead with a full slate of LEGO film projects, which included two spinoffs and the direct sequel to the first movie. After The LEGO Batman Movie and The LEGO Ninjago Movie came out in 2017, The LEGO Movie 2 finally debuted earlier this month.
Is Warner Brothers owned by Disney?
Hollywood Is About To Become A 3-Way Battle Between Disney, Universal And Warner Bros. Universal/Comcast Corp. announced on Tuesday that it was the third studio to cross the $5 billion mark in global box office for 2017, coming mere weeks after Walt Disney and Warner Bros. /Time Warner Inc. did likewise.
What songs are in the Lego Movie 2?
The LEGO Movie 2: The Second Part (Original Motion Picture Score)
Which is the best Lego movie?
All the ‘Lego’ movies, ranked from worst to best (including ‘The Lego Movie 2’)
Feb 6, 2019
Who does the voice of Rex in Lego Movie 2?
Lunacy prevails in the new trailer for “The Lego Movie 2: The Second Part,” with Chris Pratt returning to voice Master Builder Emmet Brickowski along with new character Rex Dangervest.
Why is the Lego movie PG?
are hoping he will help them dismantle an evil villain’s diabolical plans. Why is The Lego Movie rated PG ? The MPAA rated The Lego Movie PG for mild action and rude humor.
Is the Lego movie kid friendly?
The movie is therefore not recommended for children under five years, with parental guidance recommended for children aged 5-8 years. The main message from this movie is that everyone is special if they just believe in themselves and their own special abilities.
What age rating is how do you train your dragon hidden world?
PG. – 1. 3. 2. Why is “ How to Train Your Dragon: The Hidden World ” rated PG? The MPAA rating has been assigned for “adventure action and some mild rude humor. ”


Marchetta, Melina. 2004. SAVING FRANCESCA. New York: Knopf. ISBN 0375929827
Attempting to find her way and a make a place for herself, Marchetta's poignant coming-of-age story tells the tale of Francesca,
a teen struggling to come to terms with the many changes in her life. After being forced by her mother to attend a new school,
the formerly all-boys institution, Saint Sebastian's, Francesca believes that her life can't get any worse. Obviously, it
can and does. Relieved one day that she has not been awakened by the stereo, blasting her mother's chosen inspirational songs
and wake-up calls (such as Gloria Gaynor's I Will Survive), she quickly realizes something is amiss. Her outspoken mother,
typically consumed with trying to empower her teen daughter, can't seem to get out of bed, and no one understands why. As
days pass and realization of the severity of her mother’s depression slowly sinks in, she remarks, "God's not
listening. It's been six days. The door is still closed." Trying to come to terms with the severity of her mother's illness,
as she helplessly watches her family crumble, Francesca learns that she must save herself before she can help those she loves
One of the greatest strengths of SAVING FRANCESCA is Marchetta's ability to create characters which are fully realized.
Told in first person, Francesca is a winner narrator, and despite her problems, she offers her story with candor and humor.
The secondary characters are also effectively painted so they are not merely diversions from the story; their growth is recognizable
and important. From her father's unwillingness to accept his wife's illness and the breakdown of his family to the self-destructive
behavior of her friend, Siobhan, those who surround Francesca are also on an honest journey of self-discovery. In addition,
witty dialogue, with an Australian flavor, adds additional spice to the story, allowing this international tale to have universal


Alicia is a Canadian filmmaker and visual artist based in Vancouver, BC.
She began her career as a stop motion animator in Toronto and has since had the pleasure of working at stop motion studios such as STARBURNS, STOOPID BUDDY STOODIOS, CINDERBITER (DISNEY) and more.
Alicia also takes great joy in writing and directing for stop motion. Her first film "Old Man" garnered an honourable mention at the Vancouver International Film Festival for "most promising director of a Canadian short film" in 2016. Since then Alicia has directed two other short films and currently has a stop motion short film in development with The National Film Board of Canada. Alicia also maintains an active illustration practise.
When Alicia isn’t in her studio creating, she can be found in local coffee shops sketching and eavesdropping.
contact - email@example.com


Left – Matthew Moore. Cover – Yalin Ozucelik, Matthew Moore, John Bell, Felix Jozeps, Wendy Strehlow, Terry Bader and Arky Michael. Photos – Lisa Tomasetti
A post-industrial landscape meets a little Brit kitsch in Bell Shakespeare’s latest work to grace the stage of Canberra’s Playhouse. Opening with the dissonance of early Brit Rock and the destruction of a massive Union Jack (a very pleasing sight), Bell’s Henry 4 is young, pithy and full of the muck, mire and joy of life.
Not one of Shakespeare’s better-known plays, Henry IV, which was written in two parts but is here presented by Bell in one, tells the story of King Henry IV’s efforts to restabilise his kingdom and rein in his recalcitrant son and heir. Led astray by the inimitable Falstaff, Prince Hal confides to the audience that he has every intention of turning himself into a fine king, but that he will undertake a transformation so that the light of his leadership may shine the brighter. Stewed in the drunkenness and debauchery of Falstaff’s merry cohort, he jokes his way through life until the threat to his father’s throne seems great enough to warrant his repentance.
The manner in which this production deals with Prince Hal’s persona is admirable, and ever so appropriate for this production, which was chosen as a major contribution to the Canberra Theatre Centre’s Collected Works season. Collected Works does something quite remarkable in this disjointed Commonwealth; it brings works from each of our states and territories into a single curated season. A great concept; subtle, and with a significant symbolism; for a century now, Canberra has been attempting to turn a bunch of rather maladjusted and obnoxious British colonies into a single, confident nation. By drawing these works together, there is a symbolic federation of a national theatre occurring, and what a magnificent choice amongst them is Henry IV. With a story set amongst the turmoil of the unification of the British peoples, and with a marvellously kitsch giant Union Jack pixelated from milk crates for its backdrop, this production sits ever so awkwardly in our charmingly awkward national capital. The heart-warming resolution of this play offers hope; perhaps one day Canberra will, like Prince Hal, succeed in uniting a reluctant Commonwealth.
The cast is just what one expects from Bell Shakespeare; meticulous and measured, and all but one with a long list of previous credits in lieu of a bio for the program. Henry IV is played steadily by David Whitney. I will apologise for the spoiler, though I don’t think spoilers are a great problem for audiences of Shakespeare; his death is understated and elegant, precisely what is called for in the moment. It is the quiet death of a partisan that paves the way for unification.
Falstaff is handled with the dignity this great enigma of English theatre deserves. John Bell’s performance permits the interpretation of him as the oracle that lights up the myth of political power, and yet at the same time he is the rebel, threatening the natural order of the realm. This is a remarkable balance to strike, and it is splendid to see this giant character brought into such focus.
Henry IV stands or falls on the energy of Prince Hal, and Matthew Moore delivers a massive punch of energy in the role. I was not convinced, perhaps, of the integrity of his transformation, but this is a relatively minor quibble that I think had more to do with the text. He otherwise embodies the two sides of the great Henry V.
Despite the achievements of the cast, I think the real star here is Stephen Curtis’s brilliant set. At the start of the play, the audience is greeted with the impressive backdrop of milk crates depicting the Union Jack I keep returning to, which ties the whole play together. A shipping container and a range of other post-industrial detritus complete the post-industrial landscape, and the scene is reminiscent of an abandoned steel mill in a declining Newcastle at either of the antipodes.
In all, this is an excellent production, with some very deep and significant connections to Canberra in her centenary year, certainly many more than I expected to find.
Bell Shakespeare presents
by William Shakespeare
Director John Bell With Damien Ryan
CANBERRA THEATRE CENTRE
Previews: 23 & 24 February
Season: 26 February – 9 March
Bookings: canberratheatrecentre.com.au, 02 6275 2700
ARTS CENTRE MELBOURNE
Preview: 14 March
Season: 15 – 30 March
Bookings: artscentremelbourne.com.au, 1300 182 183
STATE THEATRE CENTRE
HEATH LEDGER THEATRE
Season: 5 – 13 April
Bookings: ticketek.com.au, 1300 795 013
SYDNEY OPERA HOUSE
Previews: 19-21 April
Season: 23 April – 26 May
Bookings: sydneyoperahouse.com, 02 9250 7777


Well, its the start of the Christmas season in theatre as I went to go see ‘The Wizard of Oz’ at The Ipswich Regent Theatre.
Now everyone knows the story of ‘The Wizard of Oz’. But just in case you haven’t. The story is about a young farm girl called Dorothey Gale, who dreams of a better place “under the rainbow”. Once there is befriends a scarecrow, tinman and lion and they all go on a quest in search of The Emerald City!
Directed by Sam Horsfield and music based on the famous Motion Picture comes the famous story live on stage. Starring Charlotte Sheehan as Dorothey, Kelly Flecture as Miss Gulch/The Wicked Witch of the West and Martin Leigh as Professor Marvel/Wizard of Oz.
The show overall was very good, the acting and singing was of a very good standard. There was a very good use of pyrotechnics throughout the show. However, I think the theatre should have said before the show started that bangs and flashes were going to be used. I personally am very sensitive to bright light, so being somewhat close to the stage, plus what seemed that the flashes were getting brighter and brighter. Didn’t give me the best experience I was having to wait for my eyes to to adjust after very time it was used. So if like me your sensitive to light you may want to keep this in mind before seeing the show.
It was nice to see a live orchestra playing all the songs during the show. This is something from experience is something you only get when you go and see a really highly budgeted show or London’s West End. So it was very pleasant to see this at a local theatre. This show is aimed very closely at families and children, although there is a hint of adult humour in there too, as well as one or two Disney references. If your looking to have a family night out, then I would say put this on your radar. Is it the best adaption of ‘Wizard of Oz’ I’ve seen? No, but like I said before, this show is very children focused so to some of the show is going to be very obverse to adults. But the story was written for children, so the show never shied away from that, which wasn’t a bad thing.
The only negative I would have, is throughout the show. The production continued to have microphone problems where they would cut out on a regular basis. So this is something they would need to sort out rather quickly.
The show is running from 23rd to 26th of November at The Regent Theatre in Ipswich. Website for the show can be found below.
Until Next Time!
The VI Critic
Theatre Website: https://apps.ipswich.gov.uk/en-GB/shows/wizard%20of%20oz/events/3
Photo: A picture of a the yellow brick road, whilst in front is the title ‘The Wizard of Oz’.
Coming to you with yet another review. Last night, I went to go see ‘Sister Act’ at The Regent Theatre in Ipswich. I arrived around half an hour before the show was due to start, which is normally plenty of time. But sadly not on this occasion. When I arrived at the box office to collect my ticket, the box office staff originally thought I had already picked up my tickets according to their paper work. I explained that I had not done so, so they spent a little time trying to find them. Whist this was going on the the main entrance to the theatre was already starting to fill.
This was opening night, so it was kind of expected. However, once I got my ticket, the crowd got to the point where you could blearily move. This for me is never good, as I find a get very disorientated. I would have liked the theatre as they knew I was coming to maybe notice I was struggling and take me aside so I was out of the massive crowd of people. Whilst waiting for the doors to open, so that we could go to our seats, it was announced that the show was going to be delayed by twenty minutes due to technical problems. So I began to feel slightly more stressed than I already was somewhat feeling. In the end, overall the show didn’t start until thirty minutes after the original time.
The show ‘Sister Act’ starred Alexandra Burke famous for winning the UK singing contest ‘The X Factor’ in 2008. Deloris Van Cartier (played by Alexandra Burke) a disco diva’s life takes a turn for the worst as she witnesses a murder. She goes to the police, and for her own protection they send her into hiding at a Convent. The last place where anyone will think to look. The first act, I felt was slow, and I struggled to get into it. The second act was more up beat and therefore I enjoyed it more than the first. Alexandra’s singing was brilliant, and you could see why she won the singing contest. However, you could also see that acting for her is somewhat of a new thing. I think after a few performances she would get into her stride within the role.
Overall, it was a good night out. I think more organisation in terms of crowd control at the beginning of the show could have been a lot better. I think for an opening night of a show, could have gone a little better. If you want a good night out and some fun, then go and see this show, but I don’t think it is a must see. I came away from the theatre slightly disappointed if I’m completely honest. But I guess, they can’t go all completely to plan can they.
Until Next Time
The VI Critic
Back again with another review. This time I went to see ‘Sweeney Todd – The Demon Barber of Fleet Street’ at The Mercury Theatre.
The show starred Hugh Maynard as Sweeney Todd, famous for being cast in West End shows such as The Lion King and Miss Saigon and also starring Sophie-Louise Dann. Famous for castings in West End shows such as ‘Bend It Like Beckham’ and ‘Made in Dagenham’.
Set in 19th Century London, the story is of the main character Sweeney Todd on the journey for justice and revenge. He returns after a life time of imprisonment to the dark and deserted streets of London, where he meets a lovely, but somewhat slightly mad pie shop owner Mrs Lovett. Together they plot a plan to help Sweeney with his individual goals, as well as helping Mrs Lovett’s pie shop get off the ground and stop her pies from being “the worst pies in London!”
Photo: Sweeney Todd holding high a razor, with Mrs Lovett in the background.
All of the cast throughout the show were fantastic, however I have to mention this next point. The chemistry between Hugh and Sophie was amazing! Watching them both on stage together, you honestly got a sense of the two characters having a close relationship. The singing from Hugh, Sophie and all of the cast was first class! Acting was second to none, and the use of lighting and steam/smoke made the sets feel so realistic.
The set itself was brilliant and something which I personally have never seen before on any stage. The only way I can best describe it, is a massive 3D cube, with a quarter of the wall removed, a platform forming Sweeney’s barber shop with Mrs Lovett’s Pie Shop underneath. With each side of the cube representing a different part of London.
Even if your totally blind, you will still get a kick out of the show. The Mercury Theatre offer multiple Audio Described Performances on certain Matinee performances depending on how long the show runs for. The package includes a ‘Touch Tour’ before the show, and then audio description headsets during the performance. This is something which I have experienced a few times at The Mercury and I honestly can’t fault it!
Photo: Me and the two main leads Hugh Maynard and Sophie-Louise Dann.
This show is defiantly in the Top Five shows I have seen so far this year, and yes I know there is more to come! Why this show and exact company are not performing this in London’s West End I don’t know, cause I sure would pay the money! If you have time in the next couple of weeks to go see this show, trust me you will not be disappointed!
Until Next Time,
The VI Critic
This week, I got the chance to see Footloose – The Musical starring Gareth Gates, Maureen Nolan and making her professional debut Hannah Price. Footloose is the story of Renn, who years after his father left his mother and him to fend for themselves they decide to leave the American city of Chicago and move to a small town called Bomont. Where there after a tragic death of four young teenagers have made it illegal to dance.
So, Renn along with his friends decide to change the law, so they can have a end of school year dance. The staging, lighting, music and vocals were excellent! You feel like you had a real connection to the story.
The theatre this time, was a lot bigger in terms of space, so was not very difficult to get around. I noticed whilst walking around that they had a few extra spaces for wheelchair users which was a nice thing to see. When I arrived, I was greeted by the manager who organises the press tickets at the theatre, he was really polite and friendly, and it felt like he was happy to have me there which is something I always like to experience when I arrive.
The service at the theatre was of a professional standard and I was sure that if I asked for help from a member of staff they would have been more than happy to. On this particular visit, I didn’t have a need to, but it was nice to know that the option was there. The only downside I would have with this particular theatre, is that there was not a massive choice in terms of food and drink. You had the usual alcoholic drinks, soft drinks, chocolate/sweets and crips (chips if you live over the pond). I felt there was very little choice in terms of options. Maybe the theatre would consider having some type of hot food available?
Overall, it was a very good and enjoyable evening. Would I go and see the show again yes, would I rush to go see it…I’m not sure. I’m not saying the show was at all terrible because it honestly wasn’t, I just feel that maybe certain parts of extra things that come with going to the theatre could have maybe been a little better.
Until Next Time,
The VI Critic
(Please note: Trailer is from 2011 and not the current cast!)
Back again for another review of a local theatre show. This time, it’s going to be a little difficult to cram everything into one review but I’ll certainly give it a go.
This is the second time I’ve been back to this theatre, since last week, when I went to see ‘All or Nothing – The Mod Musical’. If you haven’t seen that review, then trust me it’s worth a read. Anyway, this show is something completely different. Set in 1968, ‘Made in Dagenham’ is about a factory worker and mother Rita O’Grady played by Daniella Bowen. Who along with other fellow women workers including Beryl played by Angela Bain, who is shall we say, not afraid to say what she thinks in a whole manner of ways, decide that enough is enough and want to be paid the same amount as the men, and to have sex equality enforced.
So the women decide to go on strike, and the fight begins to stand up for what they all believe in. Performances by Daniella, Angela and all of cast were exceptional! You felt like you had a real connection with the characters, and even hated some characters on the odd occasion. The singing and musical performances from cast and band were outstanding! I even had the odd tear in my eye whilst watching certain scenes, I felt like you had a real connection with the shows. All the songs were catchy and really enjoyable. I even looked up the shows music on my phone during the interval so I could by the soundtrack at a later date.
Photo (above): Group photo of me with some of the cast!
The use of lighting and sound was good, I really liked the fact that the cast played the songs of the shows themselves. Seeing women, being the main focus of a musical, is something you sadly very rarely see so it was a nice change. The story was very easy to follow, which helped with the right level of humour made it even more enjoyable.
I got the chance to meet some of the cast after the show, and they were all really kind and friendly. A few signed my programme, then one of them ran off with it and got the rest of the cast to sign it for me, which was really nice so if your reading this thank you!! :). Sadly I didn’t get a chance to meet the leading lady, as she had to go home as she wasn’t feeling too well after the show, so if you too are reading this, I hope your get better and recover soon!
To end, I would go so far to say, this is probably the best show I’ve got the privilege to review! This show is a must see for sure! At the end of the show, the cast got a standing ovation and it honestly couldn’t have been more deserving! Absolutely brilliant!
Until next time!
The VI Critic
Trailer to the show:
I will start by being completely honest with you. When I first watched the trailer before going to see the show tonight. I wasn’t one hundred percent sure if I would like it, but after seen the complete show for myself my views on the show have definitely changed.
The show ‘All or Nothing’ is set in the swinging sixties in the East End of London. The show is based on the rise and fall of a well-known and popular band of the time ‘The Small Faces’. ‘The Small Faces’ consisted of four young men: Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston later replaced in 1965 by Ian McLagan.
Steve was not exactly a “goodie too shoes” at school and played up. With a passion to pursue a musical career, he got a job working in a music shop where later he met Ronnie, Kenny and Jimmy. They formed a band called ‘The Small Faces’ and started playing local gigs. As they grew in popularity, they started playing on TV shows like ‘Top of the Pops’ and touring around the world. But sooner or later the fame got to them and the band fell apart in 1969.
Having personally never heard of ‘The Small Faces’ before, watching the show felt like you went back in time and witnessed the musical culture of the sixties. All the music was played live, which was a nice touch. Both acting and vocals were excellent by all the members of the cast. The story was easy to follow, and the music I quickly got into, so at which point become very enjoyable and I couldn’t wait for them to start singing again.
Photo (above): Me and Tim Edwards, main leading man after the show!
It was narrated by Chris Simmons (famous for acting in TV shows, such as The Bill and Eastenders.) The way he performed his lines was outstanding whether he was on stage or in one of the chairs in the audience. He made the story very easy to follow, with the odd bit of humour thrown in here and there to make it more fun. But the acting overall from the whole cast was again brilliant! The use of lighting and staging were truly on par.
Photo (above): Me and Chris Simmons after the show!
The staff at the theatre were great! They even gave me a free t-shirt! Which I honestly wasn’t expecting. As well as free drinks at the interval. The hospitality at the theatre was really good. I couldn’t fault it in anyway. I could tell just by them talking to me that they had some previous experience helping people with a visual impairment, but at the same time you could always tell that they were not completely sure on what to do in certain situations, like helping me find my seat for example. This is something which maybe they could work on a little more. But I’m just nick picking here, so just something I thought I’d mention.
Photo (above): The ‘All or Nothing’ t-shirt they gave me!
I would highly recommend this show, you don’t have to know anything about “The Small Faces’. I didn’t and I was still able to follow the story with no problem. The music was catchy and vibrant, and you could easily sing along to them (unless your like me and didn’t know the words!) So if you have some free time, go and see this show. It is honestly great fun and a really enjoyable night out.
There was only one down side though…we did manage to get the car locked in the car park! Luckily some came out to let us in. Ah the extra experiences of going to the theatre!
Below is the trailer for the show!
Until next time!
The VI Critic
The story of Wind in the Willows, is a story that I’ve heard about but never actually read. So when going to see this show at The Mercury Theatre, I went into the show with a complete open mind.
I got lucky enough to go to a touch tour before the show in the afternoon. For those who don’t know, a touch tour is part of the access element which most shows and theatres offer even if it’s a local theatre or London’s West End. A touch tour is where disabled audience members get to experience a full feel of the show, getting to see/feel the sets on stage and costumes that the actors and actresses wear. In today’s case, The Mercury Theatre did this very well, each actor/actress came up to each person individually and allow them to touch their costume and whilst I was doing so, the actor/actress described the item in question e.g. the item’s colour, texture and where and how it was used in the show.
They did the same with the musical instruments and some were very different and some which I had never seen before e,g, various pots and pans you would use when cooking. After they showed us the instruments, they then played a sample of a song in the show showing how the instruments are used. After that we had a questions and answers section, but no one actually asked any questions so it just ended early.
After the touch tour had ended, I then went to the ticket office to collect the tickets for the show later that afternoon. I was also lucky enough that the also gave me a discount on food and drink. Now I am not sure if that was because they knew I was press or it was part of the disabled access, but either way it was a nice touch so I will never turn that down so other theatres reading this take note! :).
The show was overall very good. The acting was of a good standard, the use of setting and lighting added to the atmosphere of the whole show. I really liked the fact that the cast played most of the songs in the show themselves, which I rather enjoyed. Every song made me smile whenever they start singing so thats always a good sign. Their was a lot of audience participation for example during the chase scene, the cast would run through the audience so to heighten the atmosphere and as a audience member I really wanted the good character to get away. Throughout the show, all the cast would use the auditorium doors as a way of entering and exiting a scene, so it made you feel like you were part of the story.
Photo (above): Photo of the stage and some of the audience before the show started.
I felt that the first half of the story during the first half of the show was a little hard to follow and understand, but the second half of the show, I had a much better understanding of what was going on story wise. The cast increased the audience participation, so in terms of that alone by the end of each scene I felt like I was part of the show, and up there on the stage with them. However, the nicest touch I felt was at the end of the show, where the cast allowed members of the audience to come up and dance with them! As soon as they announced this, most all of the kids in the audience (and I must say some of the parents) ran down the stairs and went on the stage and loved being with the cast! This is something which I believe should be encourage within shows everywhere, not just local theatre.
I would highly recommend going to see this show! If you have young kids I strongly recommend you see this show with them, they will love it! The show is very family focused, both children and parents will find moments of the show hilarious! So if you are finding it difficult to find things to do this Summer, go see this show! If you are interested in seeing the show for yourself, I will leave the website to the theatre below!
Photo (above): Theatre graphic of Wind In The Willows
Until next time!
The VI Critic
Thought I would do a review on a service this time. Sadly this one is not going to be a positive one.
As many blind and visually impaired who travel on trains will know, there is a service avalible that offers assistance to disabled passangers get from A to B. I have used this service for a little under a year and normally I can’t fault them in anyway. But sadly today has been different.
Today I travelled from one side of the country to the other. So I went to booked my usual route when ever I come this way (currently writing this as I am one of my trains) but from some reason, my normal route was not available. So I had to go via London Paddington.
Getting to London Paddington was no problem what so ever. But once I got to London Paddington is where it got interesting. The Underground were brilliant as always, so they said they would get hold of overground assistance to come collect me and take me to my next train. At the this point it was round 11.30am. I sat there they had told me to sit and the overground assistance would collect me from. I sat there until about 12.00 (my next train was at 12.15) so I said to myself if I don’t leave and get some help I’m gonna miss my next train. So I got up and went back to the underground assistance, who were again very helpful!
The underground were more than happy to help and take me to the overground assistance. Once I arrived at overground assistance I stood there carmly and explained the situation, how my train was at 12.15 and that I had be waiting almost half and hour. The woman behind the desk then began to basically tell me that the reason no one was there was because when they got there no one was there. I explained again that I been sitting were I was told to, but after waiting so long, I began to worry I would miss my train.
This woman continued to basically blame me and her whole attitude came across as jobs worthy and I’m higher than you sort of attitude and personally as the customer thats something I will not tolerate at all!
On top of all this, my 12.15 train was actually cancalled so I had to get the next train didn’t help my mood either. At the end of the day, would I recommand Paddington Travel Assistance to other Blind/Visually people? Absolutely not! I would strongly recommand, if you can go via London Euston. They are ten times better then what I experinced today and their customer service is great! Don’t go through what I went through!


Throughout the course of the ’80s and early ’90s, Italy’s Cinema NonnaFascina released a total of 8 John Brames John features starring the legendary Luigi Conté. Here we take a look back at the films that led us to the Makeson Drinxon-fueled John Brames John of today.
“The Sex is Plentiful” (1984)
The first ever John Brames John feature is released by Italian production house Cinema NonnaFascina, under the guidance of owner and suspected mafia event planner “Papa” Testa Cazzo, catapulting then unknown Luigi Conté from the depths of petty thievery and go-go dancing to the B-movie superstardom of Italian Hollywood, or more commonly, “Itallywood.”
Coming off of his two most profitable films to date in “Pugno Bambino se Lui Dice” (Punch Baby if He Tells) and “Una Donna Potrebbe non Essere Una Donna” (A Woman Might Not Be A Woman), Cazzo knew all bets were off after “The Sex is Plentiful” doubled its 200 lira budget in little over 14 weeks, and the legend of John Brames John had begun.


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We started rehearsal this week for our big show! Everyone has their parts and started memorizing their lines and songs. We’ve started to create the show one scene at a time and we are almost halfway through the whole play. Right now we are focusing on creating the scenes through choreography, blocking (where everyone stands in the scene), and the different movements (such as when to stand or go on/off stage).
We start the day with going through as much of the play as we created the previous day. Then, we keep moving forward scene by scene. This is so we can all be on the same page, practice together, and see how much of the play we have gone through. We are making great progress and the students have made lots of progress in learning their lines and executing them throughout practices.
We also had a field trip on Tuesday to the Honolulu Museum of Art. The students learned about different elements of art through a guided tour. They were even able to experiment with three different mediums and create some art of their own with a professional artist.


- Denis Villeneuve stated Marvel makes too many “cut and paste” movies.
- “Perhaps these types of movies have turned us into zombies a bit,” he stated of the MCU.
- Villeneuve praised Christopher Nolan and Alfonso Cuarón for making creative blockbusters.
“Dune” director Denis Villeneuve stated the Marvel Cinematic Universe is responsible of manufacturing too many “cut and paste” jobs in a damning conclusion on the franchise’s creative deserves.
The Canadian filmmaker, who’s greatest identified for making big-budget blockbusters like “Arrival” and “Blade Runner 2049,” was requested concerning the MCU and whether or not he was pessimistic about the way forward for Hollywood blockbusters throughout an interview with the Spanish newspaper El Mundo.
“Perhaps the problem is that we are in front of too many Marvel movies that are nothing more than a ‘cut and paste’ of others,” Villeneuve advised the publication. “Perhaps these types of movies have turned us into zombies a bit… But big and expensive movies of great value there are many today. I don’t feel capable of being pessimistic at all.”
Villeneuve continued to debate his filmmaking course of, and he praised Christopher Nolan and Alfonso Cuarón — administrators who he stated have been capable of proceed the custom of big-budget filmmaking that can also be artistically strong.
He added: “Just think of the golden age of Hollywood to see that commercial films can make a different artistic proposal and, therefore, political. I have never felt like a loss or an impediment to have a generous budget to do what I wanted to do. Upside down.”
Timothée Chalamet and Rebecca Ferguson in “Dune.”
This is not the primary time Villeneuve has spoken critically concerning the MCU. Earlier this yr throughout an interview with the French outlet Premiere, the director mentioned what he described because the “mold” MCU movies are created in and he likened the franchise to a manufacturing unit.
“If we’re talking about Marvel, the thing is, all these films are made from the same mold,” he stated. “Some filmmakers can add a little color to it, but they’re all cast in the same factory. It doesn’t take anything away from the movies, but they are formatted.”
Denis Villeneuve is the newest filmmaker to present the MCU a damaging hold forth because the legendary filmmaker Martin Scorsese first questioned the franchise’s creative deserves and in contrast Marvel movies to theme park rides throughout an interview with Empire magazine in 2019.
Villeneuve can also be at present on the press run for his upcoming remake of the sci-fi basic “Dune.” The movie premiered on the Venice movie competition and stars an A-list forged, together with Timothée Chalamet and Zendaya. In a review of the film, Insider stated Villeneuve’s movie is “pretty much everything you would want in a high-concept big-budget blockbuster.”
“It’s loud, long, and entertaining,” the evaluate learn.
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Hollywood Story MOD APK Download For Android
Have you ever dreamt of stepping into the glamorous world of Hollywood? Do you wish to experience the glitz and glamour, and make your mark in the entertainment industry? Look no further, because Hollywood Story MOD APK is here to fulfil your dreams. In this article, we will explore the exciting features and benefits of Hollywood Story MOD APK, along with providing a step-by-step guide to download and install it on your Android device.
Hollywood has always been a symbol of glitz, glamour, and fame. Many individuals aspire to become part of the entertainment industry and experience the exciting life of Hollywood celebrities. With Hollywood Story MOD APK, you can immerse yourself in a virtual world where you create your own Hollywood story and rise to stardom. This modified version of the game offers enhanced features and benefits that will take your gaming experience to new heights.
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- Hot Toys Series Collection
- DX Series (DX)
- Hot Toys DX18: Solo A Star Wars Story - Darth Maul
Hot Toys DX18: Solo A Star Wars Story - Darth Maul
Surprised many Star Wars fans with his appearance in Solo: A Star Wars Story, audience discovered that the deadly Darth Maul has survived to build an empire of his own as the true leader of Crimson Dawn. Operating from his homeworld of Dathomir, Maul commanded the crime syndicate with the help of refined figurehead and terrifying enforcer Dryden Vos, who traversed the galaxy on his lavish yacht entertaining and brutally imposing the will of his master. After his death, Dryden’s first lieutenant Qi’ra assumed control over the territories, working closely with Maul to continue their rule.
Today, Hot Toys is delighted to introduce the new 1/6th scale Darth Maul collectible figure from Solo: A Star Wars Story to our premium DX Series for Star Wars fans to enjoy!
Skillfully crafted based on the appearance of Darth Maul in the film, the new 1/6th scale collectible figure features a newly developed head sculpt with stunning likeness, finely tailored outfit and robe, highly detailed robotic legs, Maul’s iconic double-bladed lightsaber with LED light-up function and interchangeable lightsaber blades emulating the weapon in motion, a selection of interchangeable hands for posing options, a specialized seat for Maul and a figure base.
This amazing collectible figure inspired by Darth Maul’s latest look in the film will surely be a great addition for Star Wars fans!
The 1/6th scale Darth Maul Collectible Figure specially features:
- Authentic and detailed likeness of Darth Maul in Solo: A Star Wars Story
- A newly developed head sculpts with iconic Sith Lord eyes equipped with separate rolling eyeballs features
- Movie-accurate facial expression with detailed pointed horns, remarkable tattoos and skin texture
- Newly developed body with over 32 points of articulations
- Approximately 29 cm tall
- One (1) pair of articulated robotic legs with metallic painting and weathering effects
- Eight (8) pieces of interchangeable gloved hands including:
- One (1) pair lightsaber holding hands
- One (1) pair of relaxed hands
- Four (4) pieces of gesture hands
- Each piece of head sculpt is specially hand-painted
- One (1) black-colored hooded robe
- One (1) black-colored tunic
- Two(2) black-colored belts
- One (1) pair of black pants
- One (1) pair of black-colored gauntlets
- One (1) gold-colored pendant
- One (1) LED-lighted Darth Maul’s lightsaber (red light, battery operated)
- One (1) lightsaber hilt
- One (1) pair of red-colored lightsaber blades in motion (attachable to the hilt)
- One (1) specialized seat for Darth Maul
- One (1) hologram figure of Darth Maul
- One (1) hologram figure of Qi’ra
- Specially designed dynamic figure stand with Star Wars logo and character nameplate
© & TM Lucasfilm Ltd.
© 2019 Hot Toys Limited. All Rights Reserved.


This five-part documentary series, follows five of Channel 4's high-profile presenters, including George Clarke and Jimmy Doherty, as they work with charities to develop new projects aimed at addressing some of society's most pressing problems. At the same time, the celebrities will be secretly trying to help secure for the charity £2m of Lottery money that could turn their idea into reality.
Runtime: 60 minutes
The Secret Millions - 13 Hours: The Secret Soldiers of Benghazi - Netflix
13 Hours: The Secret Soldiers of Benghazi (also known simply as 13 Hours) is a 2016 American biographical war film directed and produced by Michael Bay and written by Chuck Hogan, based on Mitchell Zuckoff's 2014 book of the same name. The film follows six members of Annex Security Team who fought to defend the American diplomatic compound in Benghazi, Libya after waves of attacks by Islamic militants on September 11, 2012. The film stars James Badge Dale, John Krasinski, David Giuntoli, Max Martini, Pablo Schreiber and Toby Stephens. Filming began on April 27, 2015 in Malta and Morocco. Known colloquially as “the Benghazi movie”, the film was released on January 15, 2016, by Paramount Pictures. Upon release, 13 Hours received generally mixed reviews from critics and grossed just $69 million worldwide against a budget of $50 million, becoming Bay's lowest-grossing film to date. The film received an Academy Award nomination for Best Sound Mixing at the 89th Academy Awards.
The Secret Millions - Release - Netflix
On June 30, 2015, Paramount announced that the new title would be 13 Hours: The Secret Soldiers of Benghazi, and set the film to be released on January 15, 2016, on the MLK Holiday weekend. The film premiered on January 12, 2016, at the AT&T Stadium in Arlington, Texas, benefitting the Shadow Warriors Project, which supports private military security personnel and other groups. Unusually for a major American film, the film was given only a limited release in Canada during its American wide opening weekend, playing in select theatres in Toronto, Montreal, Vancouver, Edmonton, Calgary and Ottawa. The film expanded to a wide release in Canadian theatres the following weekend, January 22–24. Paramount specifically marketed the film to conservatives, in a method similar to previous films Lone Survivor and American Sniper, both of which had beaten box office expectations. This included screening the film for key Republican Party figures in order to generate endorsement quotations.
The Secret Millions - References - Netflix


Some of my personal favorite, somewhat lesser-known movies. I was first trying to think of how to describe my taste in movies, but decided in the end I'd show rather than tell.
And also, a gift to all you parents out there, all four are under 2 hours! Free streaming options are listed for each, although all are available for rent on Amazon Prime for a few dollars if you, like me, habitually delay shipping there to build up media rewards for rentals.
1. Moonrise Kingdom [HBO Max, 1h 34m]
I love Wes Anderson’s movies, and this is the one I’ve been yearning to re-watch recently. (I’ve been thinking about his films a lot since a rare theater experience last week seeing The French Dispatch!)
2. Before Midnight [Hulu, 1h 49m]
This is the third movie in a trilogy that Justin and I both love because of the honesty of the screenwriting and acting, and for the rich conversations all three have prompted between us. A bit of a bait and switch to recommend the third here; but they’re all worth your time, I promise.
3. The Farewell [Amazon Prime, 1h 40m] and
4. Big Night [Paramount+, 1h 47m]
Both of these are funny, poignant, and take you inside another culture in fascinating ways. Excellent acting too!


Montgomery can be an ideal backdrop for your next film or entertainment project. It has low production costs, strong logistical support, local professional production assistants, and a hospitable local talent pool.
The Development Department can be a helpful liaison with the Alabama Film Office and with the City’s special events permits application process. Staff can support suggestions for shooting locations, local contacts, weather, etc. We hope you will find ours a great city to work in!
For film office information, contact Courtney P. Murphy, Film Liaison/Community Liaison, Alabama Film Office, 334-242-4195. For City streets and locations permitting, contact Jaime L. Gonzalez, 334-625-2118. For more information about filming in Montgomery and exciting things happening in economic development, contact Lois Cortell 334-625-3755.


The migration of striped bass is an epic journey that fly fishermen up and down the East Coast look forward to with great anticipation each year. There's books that follow this -- On The Run by David DiBenedetto comes to mind, as does Peter Kaminsky's more targeted The Moon Pulled Up an Acre of Bass -- but there has not been a feature documentary or film that follows stripers migration. In the GoPro age, that was a gap waiting to be filled. Thankfully Howard Films, the creators of such films as Location X and Chasing Silver, filled it before the guy in the boat next to you with a GoPro on his head, chest, and dashboard could. Their film Running the Coastis,according to their press statement, "the first documentary film series to follow the striped bass migration, and the anglers that follow in its wake.” The film does precisely this: over 2 hours and forty-four minutes it follows striped bass along the Eastern seaboard, and features some recognizable names in the sport.
The film is nicely shot, with lots of drone and underwater footage, as well as the obligatory shots breaking fish. Some of the footage you will have seen before; the film borrows from Popovics and Peter Laurelli, to name the two I recognized. But there’s some beautiful original footage in here too — some beautifully exposed shots that no amateur could capture. Beyond that, Howard does more in interviewing lots of people with plenty of experience. According to Howard, the movie took 5 years to make. This is a documentary in that it covers many aspects of the fishery, and gives attention and time to the decline of the species.
This investment of time and talent is where the price tag comes in; at $24 on Vimeo to watch, you might wonder, “Why don’t I just watch what’s free on YouTube?” That’s a fair question.
The movie does wander. The title suggests a linear progression up or down the coast (or perhaps both), but the film bounces around, from the Chesapeake to Maine and south again, and then north again. This bouncing around is confusing at times. So too are some of the claims for the need for catch and release, only to see fish being held by the gills, or sluggishly making their way back into the water after being out of the water for, it seems, too long.
While I think artists should be compensated for their work, is this movie worth $24.99 to buy? I wish there was a rental option, which would make recommending it easier. It does make you want to go fishing, that’s for sure. Here’s my suggestion: Get a few friends together, crack a few beers, split the cost, and talk about fishing — something that seems miles and miles away right now.


Deepika Padukone exudes elegance in a white dress at a luxury brand event in Spain
After setting some major style goals for herself at the Cannes Film Festival, actress Deepika Padukone is giving us all some really big fashion cues with her latest outing. As divine as ever, the diva recently attended an event in Spain hosted by luxury jewelry brand Cartier. There she met Oscar-winning actor Rami Malek and actress Yasmine Sabri. The three stars are the ambassadors of the luxury brand.
In a white gown, Deepika looked utterly stunning as she posed alongside other celebs. The dress featured a plunging neckline, which the actress wore perfectly. She tied her hair in a messy bun and wore a diamond-studded necklace and Cartier-brand diamond earrings.
Rami Malek looked sharp in a black suit. He paired it with black shoes. Yasmine Sabri looked stunning at the event in a red dress. She was seen having a candid conversation with Deepika in the video she shared on her official Instagram account.
Several photos and videos from the brand’s event are going viral on social media.
Sharing a clip from the event, the Egyptian actress tagged the brand in the caption with heart emojis. Looked!
On the cinema side, Deepika will then be seen in “Pathaan”. Directed by Siddharth Anand, it stars Shah Rukh Khan, John Abraham and Deepika in leading roles.
The actress will also star in Nag Ashwin’s upcoming film. The film will mark Deepika’s debut in Telugu.
Also Read: ‘Shamshera’ Teaser: Ranbir Kapoor Set to Star in Pre-Independence Saga


On one hand we have the Maharashtrians, especially the Punekars, coming together, not like they do at 4pm outside Chitale Bandhu Mithaiwale, but this time with their pens as swords, to slam Bhansali’s Bajirao Mastani. On the other hand we have Bhansali and the film fraternity who stand by the movie in the name of ‘Creative liberty’. Whose side am I on? Doesn’t matter. No one cares. Will I watch the movie? Hell, yes! I have even watched Humshakals in the theater. My tolerance (a very popular word these days) for low IQ cinema is very high.
Bhansali justifies that when the audience comes to watch his movie they would want entertainment and he is giving them just that (a biopic on Sunny Leone would have been more appropriate for that purpose, IMHO, but that’s besides the point). And then, this is his style – Grand sets, a love triangle and a dance sequence with the leading ladies. His movie should have that Bhansali stamp, right?!
So while I read the amusing WA and FB jokes on Bajirao Mastani (may their souls rest in peace), I wondered what would happen if other directors joined the bandwagon and decided to make their own version of the same story. Here’s my take.
Karan Johar – [Star cast: SRK, Kajol (Kashi), Kareena (Mastani).] Mastani is on a horse, ready to leave, but looking at Baaji, longingly. Kashi is holding Baaji’s hand firmly. The horse neighs. It’s time to leave. Baaji looks at Kashi with a ‘Kaashiji-mujhe-jane-do’ face. Kashi lets go. “Ja Baaji ja, jee le apni zindagi”. Baji sprints and jumps onto the horse and the two gallop into the far in slow motion as a beautiful mandolin piece plays in the background. Creative liberty hain bhai!
Anurag Kashyap – [Star cast: Manoj Bajpayee, Huma Qureshi (Kashi), Kalki (Mastani), Nawazuddin would have a special role – a fictional character that has been added on the pretext of artistic freedom]. 80% of the movie will be shot in the dark in the natural lights of the glowing lanterns with sounds of crickets in the background. Bajirao’s mother Radhabai and Kashibai meet in the darkness of the Wada. The ever increasing influence of Mastani is worrying them. Kashibai is infuriated and in a weak moment bursts out, oblivious as she stands in front of her mother-in-law. The non-Marathi audience in educated with a series of Marathi cuss words being spit out like venom. ‘Tujhya ....chi, …chi, ..chi’ chichichi Kashi chirps on. Mastani canot live, they both agree. “Keh ke lenge”, they say with clenched fists. The screen becomes dark. Creative liberty hain bhai!
Suraj Barjatya – [Star cast: Salman (who else?), Kareena (Kashi), Sonam Kapoor (Mastani), Reema
Lagoo (Radhabai), Anupam Kher (Balaji Vishwanath), Sanskaari Alok Nath (Chatrasaal) with Renuka Shahane, Mohnish Behl, Bindu, Himani Shivpuri… I could go on ]. Barjatya declares he is making a sequel to his 1994 blockbuster and calls his new movie – ‘Hum Aapke Hain Kaun Firse Batao’. And wait, hold your breath - Instead of one wedding, audiences would now be treated to two. The first half would be the wedding of Baajirao and Kashi. After the intermission, the second would be the wedding of Baajirao and Mastani. And mind you, you poor Marathi people from humble backgrounds, if you have issues with Bhansali’s grand portrayal of the Peshwas, wait till you watch Barjatya’s set of the Peshawe Wada. Bharjatya’s set would make the descendants of the Peshhwa’s wonder where all that money went. (The movie will go on floors as soon as Barjatya recovers from the loss of PRDP.)
Ram Gopal Verma – He was last seen doing the rounds of Shaniwar wada, to gather content for the film. The chowkidar mistook him to be the ghost of Narayanrao and ran for his life. Disheartened, RGV left. Thank god or “Kaka, amhala vachva” (“Save us, uncle”), is what the audience would have to say.
Sajid Khan – Are you still reading this?
“So is there no one who could do justice to this biopic?” I thought somberly. I thought of Rajkumar Hirani. But he has burned his lips once and refuses to delve into any sensitive topic, be it mythological or historical. Sunju will be available soon, so he’ll probably just play it safe with Munna Bhai Part 3. Then Zoya Akhtar? She said she loved the script, but Farhan was busy. Ashutosh Gowarikar? - Is he still around?
Finally!! Hallelujah - Amir Khan, the perfectionist. How did I not think of him before? He would probably be the only one to do it right. Alas - he is leaving the country! ;)


alwaysthewiseone said: (May I request one or two gifsets of my muse?)
sewergator2k12 said: Could you make a gif of myself deathrolling Raphael in the lair? *grins*
Yeah :) You actually just gave me an idea for a gifset, thanks!
BTW…IT’S LEATHERHEAD!!!! *fangirls*
Anonymous said: Can u make a the good moments of tmnt 2012 season 1 2 3?
Hahaha xD i get that my gifsets sometimes are a bit of a downer and all I do is heartbreaking and emotional and tragic xD I’m sorry xD But there are too many good moments in this show, it would take too long. Maybe if you were a little more specific I’d do it :)
Emotional moments of season 2 (2/?)
Not cool, guys xD
I told you not to be stupid
Requested by: donnie-bear
WHAT A SCARY EPISODE!!! Like…WTF was that?????? It was so great. NOTHING like what I expected. Cause the description said nothing about April’s mom being the scariest monster ever!!
So the moment in the beginning when Donnie was trying to impress April again and said “Check me out April”. I guess we all realized that last episode taught Donnie nothing. But that’s not my problem. April doesn’t even look his way like…total ignore! Seriously, he wants her attention and she just waks past him like he’s not even there. What the hell was that? I know April’s not a bitch so why make her act like one?
And I would love an explanation on why Mikey didn’t trust April’s mom? Like, one second he’s smiling looking at them hugging, the next second he’s suspicious. What made him change his mind in just one second?
I really really loved Casey/April moments in this episode. For once, it wasn’t Casey hitting on her and complaining that she doesn’t show him any affection. Here, it was emotional, it was meaningful. When Mikey attacked her mom Casey was like “You know how much this means to April! If you ruin this for her” That was totally sweet, he knew how happy April was to see her mom again and he wanted to protect her. That’s why when April tells him that her mom wants her to leave Casey says “I understand if you wanna go” because he doesn’t want to separate her from her mom again, even though he doesn’t want her to leave. And the time in the end when he just sits next to her asking how she feels. They were all little but such sweet moments that show how much Casey cares about her feelings. I’m so thankful they showed these moments. That’s how you get a girl to like you, Casey, not by showing off, by being there for her when she needs you.
Also, just wanna say how funny it was that the turtles didn’t know how to call April’s mom so they called her mom too xDD It was hilarious XDD
And I still don’t understand…do the kraang need April? I thought they didn’t, since they already perfected mutagen and tried to kill her like a million times. So her mom wanted to deliver April because she didn’t know that the kraang didn’t need her anymoe? I hope so because this whole April situation is just confusing. And her powers are too convinient xD
But it was one hell of an episode. So emotional and scary and funny and sweet. I loved it!


TV GLOBO – PARTNERSHIP
Wolf Maya worked for more than 35 years at TV Globo, now as an actor as a director, and now He makes his debut in a new role: partner about training television professionals.
An agreement signed with the Wolf Maya Academy of Actors will make available to the broadcaster the entire structure of the venue, as well as training and courses in Rio de Janeiro and São Paulo. The courses will be exclusively to actors selected by TV Globo.
TRAINING FOR ACTOR
The Drama Development and Accompaniment area (DAA) of TV Globo will have at its disposal workshops and courses such as theater history; body and vocal expression; theatrical and Interpretation of TV; dramaturgical analysis; special effects; action techniques; period behavior; stunt and improvisational techniques.
Besides the practical classes, two theaters of the school in Rio de Janeiro and São Paulo, Nahalia Timberg and Nair Bello, can also be used for the improvement and rehearsals to the actors. As well as the entire infrastructure of the school, which will be open exclusively to TV Globo in the morning.
Actor and director known worldwide for his work in the Brazilian cultural scene.
He studied at the National Conservatory (Rio de Janeiro), majoring in musical theater in New York at Carnegie Hall Ballet. It is an actor since the 1980s and has performed in several shows, soap operas and miniseries. Simultaneously, flashed in his directing career, staging musicals of precursor form in Brazil.
He is currently director of soap operas, miniseries, movies, theater and music. He is the creator, president and professor of Wolf Maya Actors School.