On this week’s show Pastor Joe talks about the new movie release by Disney called Maleficent. Is it safe to park our children in front of today’s supposed child-friendly movies? In today’s show we take a closer look at how the character from the 1959 Disney movie, Sleeping Beauty, is portrayed in today’s time. Is the character Maleficent portrayed as good or evil? As hero or villain?
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Jenna Ortega is an American actress known for her work in the entertainment industry. Born on September 27, 2002, in Coachella Valley, Palm Desert, CA, she started her career as a child actress and gained recognition for her role as young Jane in the popular CW series Jane the Virgin. Jenna is a talented and versatile actress who has captured the hearts of audiences with her exceptional performances. She is known for her dedication and passion for acting, constantly striving to deliver memorable and authentic portrayals. Jenna is also active on social media, with a large following on Instagram, where she shares glimpses of her personal and professional life. Outside of her acting career, not much is known about her personal relationships, as she keeps her private life private. With her undeniable talent and youthful charm, Jenna Ortega continues to make waves in the entertainment industry and is definitely a rising star to watch out for. Sexy patreon girl jenna bikini pictures leaked from patreon. There is more than on reddit from nude patreon model jennaortega is showing her tits on girl premium content and adult photography patreon leaked from from November 2023 for adults on bitchesgirls.com. Sexy jenna0rtega gonewild. Jenna lingerie pics. Do you know what is real name of jennaortega?. She is definetly F18+, but do you know what is jenna0rtega age?


Cinderella & Rockerfella
The children from 1st-6th classes performed Cinderella & Rockerfella for our Christmas show. It was a wonderful display of acting, singing and dancing. We were delighted to welcome our families and friends back into the school after years of no live shows. Please see photos and videos of our performances below.
'A Friend Like you'
'Happy Ever Afters'
'I'm so in love with me'
'It's not all it's cracked up to be'
'Tonights the night'
You're going to the ball'
'There's a party here tonight'
'You're Feet are too big'
A Snowman at Sunset
Our Junior and Senior Infants put in a wonderful performance of 'A Snowman at Sunset'. See clips of their wonderful singing below.
Welcome to our Bah Humbug movie page. Our movie took over six weeks to shoot in our spacious hall involving our whole school. Each class filmed their scenes separately using our school iPads and a green screen. Once scenes were shot they were stored online for editing at the end of filming. It gave the children a real insight into how a film is made and produced.
This mammoth production would not have been possible without the support of our families, staff and of course the children. It was a wonderful and an enjoyable experience that will be a treasured memory for all involved.


The Hamlin Grand Opera House was built after the Great Chicago Fire on the original site of "Bryan Hall and Hooley's Opera House." This opera house was the location where the musical, The Wizard Of Oz first premiered in 1902. Baum penned the script while Paul Tietjens wrote the lyrics. Anna Laughlin played as Dorothy, Fred Stone as the Scarecrow, and David C. Montgomery as the Tin Woodman. The stage production strayed away from the original source material. Instead of Toto, Dorothy has a cow named Imogene, the Good Witch Of The North gives her a magic ring that gives her three wishes, and Pastoria takes control of the throne and overthrows the Wizard.
Although largely forgotten, this musical had massive influence on a certain movie produced by MGM. Primarily the snow storm that appears at the end of Act 1 to wake up the characters from the deadly Poppy Field. A scene that happens in the MGM movie as well.
Today the Richard J. Daley Center stands in place of the opera house.
The Hamlin Grand Opera House
119 North Clark Street
Please check the website for phone numbers
Monday - Friday: 8am to 6pm
Richard J. Daley Center stands in the place of the old opera house


The world of movie distribution is a tough place. After fighting and sweating to finish a movie you’re mentally and physically exhausted.
You just want to take a break and rest, but you can’t because, เว็บบาคาร่าฝากถอน1วินาที finishing a movie is only half the battle. It’s time to enter the world of movie distribution.
Movie distribution is a tough place for filmmakers new to the grind. It’s hard to switch off the creative mind to deal with the business side of selling movies.
What I’ve learned the hard way is the movie distribution really starts with promoting and marketing a movie.
Social media is an inexpensive way to get the word out about your movie and create a killer viral buzz online.
It’s cool to go the film festival route to get your movie seen by viewers and potential film buyers, but over the years from talking to other filmmakers there is a common feeling that the film festival scene is too crowded now.
U.K. filmmaker Wayne Daniells from LiarDice Films told me his last trip to The Cannes International Film Festival was a ruthless feeding frenzy.
There were a glut of movies and producers were fighting to get the attention of movie distributors.
All in all Wayne expressed that it was a waste of time, สล็อตออนไลน์เว็บตรง and money pitching his film there. I’ve heard the same opinion from other filmmakers that are frustrated with the film festival scene and no longer see it as a good way to secure movie distribution.
I personally like the direct route of contacting movie distributors to see if they’re interested in being sent a screener. This is where it helps if you have already been promoting and marketing your movie online using social media.
Movie distributors are more interested in acquiring movies that already have a strong online presence.
I’m strictly speaking from a true independent movie perspective. Studio budget movies are an entirely different animal when it comes to the world of movie distribution.
When it comes to movie distribution for an indie produced film the way it normally happens are independent producers and filmmakers take the risk making the movie without any guaranteed movie distribution deal in place.
They usually have to shop it around to sell it. That’s been my personal experience so far. I’ve never created content with a movie distribution deal in place.
It’s like writing a screenplay on spec, สล็อตขั้นต่ำ 10 บาท but you’re dealing with a movie. Promoting and marketing a movie through social media is an absolute must.
Start early before you’re movie is even finished. That way when you begin contacting movie distributors you’re movie will already have more appeal because people are talking about it.
Movie distributors that cater to releasing independent movies do very little marketing for most of the titles they release.
If you’re movie doesn’t have any actors or celebrity, สมัครสล็อตขั้นต่ำ100 names attached to it then it won’t get marketed outside of the standard insert in a movie distributor catalog.
So once you do secure a movie distribution deal you’re already giving your movie a boost by promoting and marketing yourself.
My mind is all over the place today, so let me get back to finding a movie distribution deal. Hold up please. A nice Miller Lite would help me focus right now.
That’s much better now. There are different ways to land a film distribution deal. You can spend the money doing the film festival route. Deals get struck all the time at film festivals.
But honestly there is a glut of film festivals. The number of film festivals is way out of whack compared to the number of movie distributors that release independent films.
Skipping the film festival circuit works for many independent movie producers that don’t have name actors in their film or know their story won’t appeal to an art house crowd.
Hiring a film sales representative is a good call if you skip the film festival scene all together. A film sales representative or producer’s rep has contacts with movie distributors to get your movie screened.
Plus many of them can get you into magazines like Indie Slate and MovieMaker to make your movie look more appealing to movie distributors.
They also watch your back when it comes to movie distribution agreements. When filmmakers look at movie distribution agreements it can be overwhelming.
There is lots of legalese “mumbo jumbo” in there designed to lessen the amount of money you make from movie royalty payments or a straightforward buy-out of your movie.
Unless you have experience reading movie distribution contracts it’s easy to get taken advantage of. I’m in the habit know even if I have a films sales representative like “El Tigre” watching my back I still read all contracts completely.
You will be surprised at the hidden fees and costs some movie distributors try to get over on a filmmaker with in of all places, the contract definitions section.
My film sales rep and I once found a flat fee of $50,000 for marketing costs in the definitions section.
Hiring an entertainment attorney is another good move, but usually is too costly for a truly independent filmmaker. Plus from my own experience an entertainment attorney is not as helpful as a film sales rep with securing a movie distribution deal or getting you some press.
That’s not really the job an entertainment attorney. They’re great when it comes to negotiating your movie distribution contract. But most won’t get you a deal like a film sales rep. You can bring them in after you have a deal on the table.
I had two sharp entertainment lawyers that saved my ass from getting burned when it came to sell a reality show I produced called “America’s Wildest Bachelor Parties.” They got me a producer friendly, สล็อตเว็บไหนดี contract and got me paid on time each quarter. I’m glad I hired them.
If it’s just not in your budget to hire a film sales rep or entertainment lawyer you can still secure meaningful movie distribution hustling hard yourself.
Promoting and marketing your movie online is followed up by putting together a clean and neat film package to send to movie distributors. Keep it simple with a DVD screener, one-sheet artwork, tight synopsis, tagline and very short bios for key cast or crew that have previous IMDB credits.
To get a list of potential movie distributors see what companies are releasing movies in the same genre as yours. The Internet makes it pretty easy to find contact information nowadays.
Movie distribution companies usually have a contact page for film submissions. Follow the guidelines and mail off your film package. They get a flood of film submissions, so be patient if you don’t hear back right away.
Movie distributors have certain times they are aggressively seeking films to fill their catalog and other times they have all they need for now. I have the buying months written down.
Once they get your film package they will Google your movie. That’s where having been promoting and marketing your movie online really stands out. It takes more than only having a website or blog.
You need some press and backing from online film bloggers to make your movie standout in the eyes of movie distributors.
I dedicated a chapter about movie distribution in a book on indie filmmaking I wrote. It might help you with more detailed movie distribution information. All the best with marketing and selling your movie.


Inuyasha is a popular anime series that captured the hearts of fans around the world. The series, created by Rumiko Takahashi, tells the story of Kagome Higurashi and Inuyasha, a half-demon, as they embark on a quest to find the shards of the Shikon Jewel. Throughout the anime series, there are also four movies that continue the adventures of our beloved characters.
The Four Inuyasha Movies
The Inuyasha movies are a great addition to the anime series and provide fans with even more exciting stories and adventures. They expand on the existing characters and introduce new ones, taking viewers on thrilling journeys filled with action, romance, and suspense. Here are the four movies:
|Inuyasha the Movie: Affections Touching Across Time
|Inuyasha the Movie: The Castle Beyond the Looking Glass
|Inuyasha the Movie: Swords of an Honorable Ruler
|Inuyasha the Movie: Fire on the Mystic Island
When to Watch the Inuyasha Movies
While the chronological placement of the movies within the anime series can be a subject of debate among fans, it is generally recommended to watch the movies after reaching a certain point in the main series. This ensures a better understanding of the characters and their relationships.
It is advisable to watch the movies after completing at least the first 55 episodes of the Inuyasha anime series. By this point, viewers will have gained a solid grasp of the main story and the dynamics between the characters.
Watching the movies after reaching this milestone enables fans to fully appreciate the events that unfold and the impact they have on the characters’ development. This approach enhances the overall viewing experience and prevents potential spoilers that may arise from watching the movies too early.
The Benefits of Watching the Inuyasha Movies
By watching the Inuyasha movies, fans are treated to additional storylines that delve deeper into the lives of their favorite characters. The movies offer a unique perspective, exploring different themes and emotions that may not have been fully explored in the main series.
These stories often present new challenges for the characters to overcome, allowing for further character growth and development. Additionally, the movies introduce remarkable villains and allies that add depth and excitement to the Inuyasha universe.
Watching the movies also provides fans with a chance to delve deeper into the world of Inuyasha, experiencing breathtaking animation, unforgettable music, and intense action sequences. The movies offer a visual spectacle that complements the captivating storytelling of the series.
Frequently Asked Questions For When To Watch Inuyasha Movies : Essential Viewing Timeline
What Are The Inuyasha Movies Based On?
The Inuyasha movies are based on the popular manga and anime series Inuyasha by Rumiko Takahashi.
How Many Inuyasha Movies Are There?
There are a total of four Inuyasha movies released as part of the franchise.
Where Do The Inuyasha Movies Fit In The Timeline?
The Inuyasha movies are set within the timeline of the original anime series and are best enjoyed after certain arcs.
Are The Inuyasha Movies Standalone Stories?
Yes, the Inuyasha movies feature standalone stories that offer more adventures involving the main characters.
If you are an Inuyasha fan looking to immerse yourself further in the adventures of Kagome, Inuyasha, and the rest of the gang, watching the Inuyasha movies is a must. By watching the movies after reaching the suggested episode milestone, you can truly appreciate the additional storylines, character development, and thrilling new challenges that await you. So get ready to embark on new journeys and experience all that the Inuyasha movies have to offer!


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The Lion, the Witch and the Wardrobe
A QuakerInfo.com review by Bill Samuel
Recently I saw the movie, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, based on the novel by C.S. Lewis. I have not read the book, nor have I read extensively in C.S. Lewis, so my impressions are not illuminated by such knowledge.
The Chronicles of Narnia are said by many to be Christian allegories, and this was a major interest of mine in seeing the movie. I was disappointed as I didn't find it to be truly a very Christian movie. And I also thought it was considered a children's movie - at least, the books have a reputation as children's books - but the movie seemed clearly unsuitable for young children (it is rated PG for battle sequences and frightening moments).
There is an aspect of the movie clearly patterned after Christ's sacrifice. Aslan accepts death to save the life of Edmund, one of the children who is portrayed as a traitor, and then is resurrected. But this felt like a discordant element in the midst of a fairly conventional action movie. It didn't seem to me to fit well into the story.
The movie seemed to glorify war and violence. C.S. Lewis denounced Christian pacifism on the British air waves, from which other clerics were banned for their faithfulness to the Gospel, during World War II. To plop Christ's sacrifice in the middle of a story based on the conventional human view of how to achieve something (kill the people on the other side) represents an inability to absorb the meaning of Christ's ministry and sacrifice. The movie seems to mostly want Christ to be the Messiah many of those around Jesus thought the Messiah should be - a conquering war hero. But the gospels clearly portray Jesus as rejecting that model. The Chronicles portrayal makes Christ's sacrifice an anomalous element rather than the culmination of the whole gospel calling people to a very different way of living.
The experience of watching and reflecting upon this movie emphasized to me how critical the message of peace is to the Gospel. The whole message of Christ is severely crippled when one rejects this element.
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Anastasia is a beloved 1997 animated musical film that has become a classic for all ages. It follows the story of a young Russian girl who discovers her identity as the grand duchess of the Romanov family.
The movie tells an inspiring story of courage and hope, while also providing viewers with beautiful music and stunning animation. With its strong themes and captivating visuals, it’s no wonder Anastasia remains popular to this day.
Anastasia is also noteworthy for featuring an impressive cast of actors, including Meg Ryan, John Cusack, Kelsey Grammer, and Angela Lansbury. Its soundtrack is even more iconic than the movie itself, thanks to memorable songs like “Once Upon a December” and “Journey to the Past”.
From its instantly recognizable score to its timeless story, Anastasia stands as one of Disney’s most beloved movies of all time.
Overview Of The Film
Anastasia is a 1997 American animated musical fantasy film produced and directed by Don Bluth and Gary Goldman.
It tells the story of Anastasia Romanov, an 18-year-old amnesiac orphan who sets out to discover her identity during the twilight of Imperial Russia.
The film stars the voices of Meg Ryan, John Cusack, Kelsey Grammer, Hank Azaria, Christopher Lloyd, Bernadette Peters and Angela Lansbury.
The movie was met with generally positive reviews from critics and audiences alike and was a box office hit.
It won several awards including Academy Award nominations for Best Original Musical Score and Best Original Song (‘Journey to the Past’).
Anastasia has been followed by two direct-to-video sequels entitled Bartok the Magnificent (1999) and Anastasia: Once Upon a Time (2000).
Overall, Anastasia provides viewers with a well-crafted story that captures both the magic and tragedy of its era.
With strong animation, engaging characters, catchy songs, beautiful backgrounds and memorable moments, it’s no wonder why this movie still remains popular today.
Characters And Cast
The characters and cast of Anastasia are integral to the success of the movie.
The main protagonist is voiced by Meg Ryan, who plays a young woman with amnesia, trying to reclaim her true identity as Grand Duchess Anastasia Nikolaevna of Russia.
She is joined by John Cusack, playing the role of Dimitri, a con artist who helps her on her quest.
Together they are supported by an all-star voice cast including Christopher Lloyd, Kelsey Grammer, Bernadette Peters and Hank Azaria.
Anastasia’s villainous counterparts are also brought to life with strong performances from Kirsten Dunst as the wicked Rasputin, Angela Lansbury as Dowager Empress Marie Feodorovna and Jim Cummings as Bartok the albatross.
The remaining supporting roles provide an array of personalities that round out the film beautifully.
From comedic relief provided by Andrea Martin’s singing cook Babette to Kathryn Beaumont’s portrayal of Anya’s confidante Sophie, every character leaves their own mark on the story.
The combination of these characters makes for an exciting adventure that is sure to captivate audiences regardless of age.
Their interactions create memorable moments that will stay with viewers long after the credits roll.
Plot And Themes
Fate plays an integral role in ‘Anastasia’, as it is seen as the force driving the main character’s journey. Power is a constant struggle between the Tsar and those attempting to overthrow him, and betrayal is a heartbreaking part of the story. All of these themes come together to create a story of love, loss, and ultimately hope.
Fate plays a big role in the 1997 classic, Anastasia.
From the beginning of the movie, it’s clear that Anastasia is meant to fulfill her destiny as the Grand Duchess of Russia.
She battles through every obstacle she faces with determination and courage, all while being guided by an unseen power.
Even when she finds out that everything she believed about her past was false, she still manages to make it out alive and find her true identity.
It’s a powerful reminder that no matter what life throws at you, fate will help guide you to where you need to be.
Power is a major theme in the movie Anastasia. It’s not only a reflection of the power of fate, but also the struggle between good and evil forces.
From Rasputin’s dark magic to Anastasia’s determination, every character is trying to gain control over their own destiny. The power of love even plays a role as Anastasia and her family come together against all odds and prove that hope can reign supreme.
Ultimately, it’s a story about how even with many obstacles in our paths, we can take control of our own lives if we have faith in ourselves and those around us.
Betrayal is another prominent theme in Anastasia, as it serves to highlight the consequences of our choices and how they can have profound effects on us and those around us.
Rasputin’s treacherous plan causes Anastasia and her family to be separated from one another, while also putting their lives in danger.
Meanwhile, Dimitri risks his own safety to keep Anastasia safe from harm.
These examples show that the consequences of betrayal can be dire and long-lasting, but ultimately the power of love can help bring healing and redemption.
Production And Reception
The production of Anastasia was an ambitious project, with a complex mix of animation, live action, and music. It took four years to complete, with the help of top-notch talent from around the world. The end result was a stunningly beautiful movie that captivated audiences everywhere.
The reception of Anastasia was overwhelmingly positive. Critics praised its visuals and story, while audiences were enchanted by its characters and songs. Many children were especially taken by the themes of resilience and perseverance, giving them encouragement in their own lives.
The film also won two Academy Awards and numerous other awards throughout its release.
Legacy And Cultural Impact
Overall, the success of Anastasia was undeniable. The production and reception of the movie showed that it had a great impact on audiences. Looking at its legacy, it’s clear that this impact has been long-lasting.
Anastasia has become an iconic film in the Disney canon, with people of all ages still appreciating its timeless story. Its music and characters have also left a lasting impression, with many of its songs being covered by famous artists and its characters often featured in other forms of media.
It’s even been adapted into a Broadway musical and is now a beloved classic in the world of animation.
The impact Anastasia has had on culture is undeniable, having inspired countless works since its release over two decades ago. Its influence can be seen everywhere from fashion to literature, and it continues to touch hearts around the world today.
In conclusion, Anastasia (1997) is a classic animated film that continues to be beloved by audiences of all ages. It’s an inspiring story of love and resilience that resonates with viewers and shows the power of believing in oneself even when others don’t.
The cast was superb, the animation top-notch, and the themes were poignant and meaningful. With its lasting legacy, Anastasia has proven to be an important part of modern culture and is sure to stay with us for years to come.
I’m personally thankful for this film because it’s one of my favorites. The characters are endearing, the music is beautiful, and there are so many lessons to take away from it.
Every time I watch it I feel uplifted and inspired which is why I’m grateful for its existence.
Anastasia (1997) is an incredible movie that deserves all the praise it receives today. Its success over the years demonstrates its powerful impact on viewers around the world. As long as people continue to watch this movie and appreciate its beauty it will remain alive in our hearts forever.


Posted March 2, 2016
ON CAMERA SUMMER CAMP for YOUNG ACTORS
Nashville Acting Studio
Nashville Acting Studio is opening its specialized and concentrated for camera, on camera, training to young actors for our week long summer camp intensive. Actors between the ages of 11 and 18 may apply*.
We will feature:
· On camera training shot on full 1080p HD cameras with three acting coaches, including Caroline Locorriere who is regarded as the best acting coach in Nashville
· Monologue and Scene Showcase (material selected from film and television) with local agents invited to attend along with your guests
· Digital copy of students’ work for them to have upon completion, including the showcase
· Audition Training for commercials, television and film
· Practical Business Aspects, such as headshot and resume development and interaction with casting directors, agents and directors as well as expectations on a set
Students will be coached in:
· Sensorial Detail, Focus and Concentration, Goal/Action/Obstacle, Script Analysis and Emotional Preparation
June 13th – 17th, 2016
Monday through Friday, 9:30-3:30
Contact firstname.lastname@example.org for a registration form or with questions about the camp. You may also reach Caroline at 615-598-8986. Visit www.nashvilleactingstudio.com to find out more about us. Click on the Youth tab for more information about the camp or go directly to
*Potential students may be asked to submit a video audition unless referred by their talent agent.


The Lumber Baron
An independent film loosely based on the lumber industry in Chippewa Falls, Wisconsin. The Cook-Rutledge Mansion, its Board of Directors, and everyone associated with the historic building are proud to have been involved in this project with such a wonderful production team and cast.
The Lumber Baron is the winner of the Twin Cities Film Fest 2018 Audience Award.
"Wisconsin 1910. Heir to a failing lumber business, Daniel Rimsdale strives to recover his fortune and hold his family together, while rumors of a treasure left behind by his grandfather haunt him and incite fortune hunters to hound his path."
A Scene & Hurd Production


In what ways does your media product use, develop or challenge forms and conventions of real media products?
The typical conventions in the film I created where;
Ø Establish it’s a Crime genre
Ø To signify the importance of a microchip
Ø To show the main characters characteristics
The way in which my media product has used, developed or challenged forms and conventions of real media products has been accomplished through establishing the genre of the film from the first scene, therefore setting the mood and tone for the audience. As a crime/action genre film the title sequence begins with a stack of cash; a microchip and lastly a phone which rings, clearly showing the audience the contactors information “Client 1 Welling”, this deviates from the curiosity of the contact to a melodramatic shot in which we see a character answering the phone and having a conversation with this client, this scene is shot with purely with diegetic sound as it shows the significance of this conversation (supplier of Cold Fusion). Moreover as a crime film this is effective as it helps to the audience to establish key objects (microchip) and information about particular character of the film which makes them more inclined to ask themselves more questions such as what is on the microchip?; who’s the buyer? And therefore keep them guessing and more engaged to what the narrative has in stock.
In addition, the different media techniques such as micro- elements; cinematography; mise-en-scene and sound all played a fundamental parts in conveying the genre; introducing key characters and setting the location of the film, I have also subtly captured a “Red London bus” in the background in one of the beginning scene to state to the audience what location the film will be set in as this resembles a traditional London l heritage. However it was vital that that I also followed particular codes and conventions by creating fast cuts to increase the pace of the sequence with regards to also using different camera angles and positions to emphasise the irresponsible life of a criminal and how transactions of goods are instigated. I skilfully manoeuvred this by using close-ups of when items were exchanged and enabled the non-diegetic sound too slowly disband to accentuate the dialogue between the two different characters.
In the title sequence there is a number of times whereby the importance of the microchip is signified and is framed in the centre to alert the audience attention towards it, at the beginning we see the microchip enter the characters pocket which is then taken to the check-point in which money is exchanged for this object. This is a key shot as the camera particularly focuses on the exchange of goods and therefore leaves the enigma of what will happen to the main character and also what information is on the microchip.
What kind of media institutions might distribute your media product and why?
The institution that is more inclined to distribute my film would be Lionsgate in co-production with SKA films. The fundamental reason that I chose this particular distribution company is that it has previously created and distributed similar films of this stature such as “Snatch” and “Mean Machine” which are both British low budget films exceeding up to £2.5/£6 million to produce the film with regard to my £3.85million budget. In addition, most of the films these companies produce are of a similar genre and therefore the target audience will be established as they will know what the film will offer due to the company’s past history with related films.
Who would be the audience for your media product?
For my target demographics I chose to base the film towards 15-25 year olds as it is suitable for certificate 15 individuals and therefore would be available to a larger target market. I particularly found this age category suitable as there is references to only moderate foul language and violence within the film and other similar film such as “The Bank Job” are also certificate 15. Also the meaning of the film is also extremely impactful which signifies karma (cosmic principle according to which each person is rewarded or punished accordance to that person's deeds in life.) and therefore can be seen as both an exuberating film but with educational morals. I decided that the target for this media product if the best possible social age category as they showed a more enthusiastic response to any other age category which I surveyed after making the title sequence. Up to a staggering 83% of the 10, 15-25 years stated they would watch it and therefore this primary research showed me that the narrative and the essence of the film would be more applicable with a younger audience. Although, this particular film title would be more suitable for also a male audience as it exuberates and exhibits elements of masculinity, this has been shown through the narrative and also the features with in the scene make the film seem more hoodlum.
How did you attract/address your audience?
I addressed my target audience through showing the title sequence from a first person perspective of the main character in which the film will be based around. This enabled the audience to distinguish and witness the “journey” and process in which the microchip reaches its buyer and its purchased for money and this involves the audience as the clear dialogue states that the recipe for “Cold Fusion” is present on that microchip (Condensation of hydrogen to generate useable energy/ power) and it is being sold to a third party which stereotypically looks mischievous. Also to engage the audience into taking notice of the titles the titles all have the swipe effect and are motion tracked to place them subtly into the scene and swipe of in regards to the characters actions.
What have you learnt about technologies from process of constructing the product?
From constructing this particular media product I have drastically learnt and developed new skills from being able to operate Final Cut to being able to create a video with integrating elements such as sound and typography. The main reason that I have gain an enormous amount of experience from this is as I undertook this project by myself and learnt how to do all the areas such as filming the video; editing the sequence and lastly adding transitions and sound to suit the particular “genre”. After completing the project I feel that I have enhanced my skills on media software’s and has transitioned from a rookie user to an intermediate user. The main trouble that I faced in the beginning was to cut sequences together to make transitions smooth and continuous; once I gained more experience with the software and grasped the importance of camera framing I was able to make shots effortlessly integrate with one another and also add motion tracked titles into scenes.
Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product?
Since the preliminary task, I feel I have improved in organising, planning and research into the task before physically doing it. The most important part I found that affected the project long-term was planning each shot and scene to see how they will create continuity throughout the media product. I also found that genre must be clearly displayed within the title sequence as I produced a total of 3 title sequences and began to improve drastically as I progressed. By using devises such as story boards it helped me structure what is was film and when, this gave me guidelines to what I was supposed to do and enabled me to understand the chronological order in which particular scene should be placed.
Overall, I am content with the final title sequence that I created as I think it effectively portrayed the genre of the film and also it was well constructed which created a sense of continuity throughout the sequence.


NEWS & PAST APPEARANCES
Look here for archived news and happenings about Tyler Kelly.
Tyler Gregory Kelly joins the summer cast at Quisisana Resort, on Lake Kezar, ME, for their 76th season!
This summer, Tyler Gregory will make his debut appearance at the Quisisana resort in Lovell, ME as Harry in the musical Kinky Boots. Directed by Bob Cline, with music and lyrics by Cyndi Lauper and book by Harvey Fierstein, this musical spectacle is based on the 2005 British film of the same name. Tyler will also be featured in the resorts family musical, Honk!, which tells the tale of the classic fable, The Ugly Duckling.
Tyler Gregory Kelly comes to Plymouth, MA, joining the cast of Camelot at Priscilla Beach Theatre
Tyler Kelly has been cast as Sir Lionel in the Lerner & Loewe classic musical, Camelot, for the final show in the 2023 season at Priscilla Beach Theatre. The musical follows the classic love triangle of the idealistic King Arthur, his lovely queen, Guenevere, and the young Knight, Lancelot. King Arthur's kingdom, built on honor and dignity, is tested when Queen Guenevere falls in love with the handsome Lancelot and the fate of the kingdom hangs in the balance.
Tyler Gregory Kelly will be featured in Busch Gardens Williamsburg's Christmas Town in their orginial musical production, Gloria!
Come and spend the holiday season with Tyler Gregory Kelly in beautiful Busch Gardens Williamsburg at their holiday spectacular Christmas Town! Tyler will be featured in the theme park's original musical production, Gloria!, which is the joyous re-telling of the story of the first Christmas. You will experience inspiring music and dance, as well as contemporary and traditional songs to ring in the Christmas season!
Tyler Gregory Kelly is Oscar Shapiro in Curtains, directed by Kurt Domoney
This April, Tyler Gregory made his final appearance on the stage of the Callahan Theatre as Oscar Shapiro in the musical comedy Curtains directed by Kurt Domoney. This hilarious musical comedy send-up of murder mystery and detective stories, will leave you in stitches. Set in 1959 Boston, Massachusetts, Curtains follows the who-done-it mystery of who killed the supremely untalented starlet, Jessica Cranshaw. We hope you can join us as Tyler gives his final performance at Nazareth College.
Tyler Gregory Kelly Lands Role in Particle, a workshop of a new musical by Derek Gregor and Selda Sahin
Tyler Kelly has been cast in a developmental workshop of this new musical from the award-winning writing team of Selda Sahin and Derek Gregor. Particle follows Cora, a 16-year old who gets recruited onto a world class, professional eSports team. It is a coming-of-age story, as Cora is forced to grow up faster than she has planned. She embarks on a journey both inside and outside the game where realities collide. From writers Sahin and Gregor, "This show is about so much more than eSports. It is about relationships, growing up and loss."
Tyler Gregory Kelly Lands Role in Callahan Theatre's Fall Musical Production of Love's Labour's Lost
This fall at Nazareth College, Tyler Kelly has been cast as Don Adriano de Armado in this musical adaptation of Shakespeare's comedy. Directed by Trey Compton, this show is filled with romance, revelry and enchanting music and blends together the language of the bard with a fresh contemporary pop-rock score. Love's Labour's Lost is a hysterical, smart, sexy, outrageous and irreverent comedy; a madcap celebration of true love and coming of age.
Tyler Gregory Kelly is cast as Old Deuteronomy in Andrew Lloyd Webber's Cats
This August, Tyler will be seen as Old Deuteronomy in Cats at Interlakes Summer Theatre in beautiful Meredith, NH. Directed and choreographed by Chazz Wolcott, this show will not run now and forever -- only from August 17-21 at Interlakes. So, don't miss your chance to see Tyler perform in full Cats costume regalia! Tickets are selling fast for this popular show.
To read about a review of the season click below!
Tyler Gregory Kelly makes his debut performance with Interlakes Summer Theatre
This summer, Tyler Kelly will be joining the company of Interlakes Summer Theatre (Meredith, NH) from August 3-14 for Sister Act, the Musical. This hilarious stage adaptation of the hit comedy film will be directed by Amanda Coffin . Come on down to the beautiful Lakes District of New Hampshire to see what is sure to be a heavenly production.
To read about a review of the season click below!
Tyler Gregory Kelly rounds out the Cast of Nazareth College's Main Stage Production of Airness
After coming back to college in Fall 2021, Tyler was cast in the Callahan Theatre's Main Stage production of Airness at Nazareth College. He portrayed the character of Facebender in Chelsea Marcantel's rockin' comedy Airness. Directed by Dr. Matthew Ames, this production received fabulous reviews for it's ability to make the audience laugh and simultaneously rock out to classic 80's hits from Joan Jett, REO Speedwagon, Boston and more!
Tyler Gregory Kelly moved to Sandusky, Ohio to help Cedar Point celebrate their 150th Anniversary Celebration!!!
During Summer 2021, Tyler Kelly received a contract with Cedar Point to help them celebrate their 150th Anniversary. Mr. Kelly performed in Forbidden Frontier on Adventure Island each day as Coop Summerset. The performance was a 150th Anniversary experience of a lifetime!
Tyler Gregory Kelly rounds out the cast of Brett Smock's Songs & Scenes from Dogfight
Due to the Covid-19 pandemic, Nazareth College made the decision to forgo their original plans for a Spring 2021 musical. In its place they reimagined the spring slate and developed Workshop 360. Workshop 360 was was a process of songs and scenes from 6 different musicals and focused on the educational process of creating a musical production over the product of a musical itself. Tyler Gregory Kelly was lucky enough to be cast as the Adult Man in director Brett Smock's Songs and Scenes from Dogfight!
Tyler Kelly: Top 10 Finalist on BroadwayWorld's Next on Stage Competition
Tyler Kelly made the Top 10 in the collegiate division of BroadwayWorld's Next on Stage Competition! The Next on Stage Competition is a new, online musical theatre singing competition sponsored by BroadwayWorld and Broadway Records. It is styled after popular network TV singing contests, where you can vote each week for your favorite competitor. Over 1,600 competitors entered the competition and Tyler has been voted into the Top 10.


About Entrée Act
Yes, Virginia, Entrée Act does murder mysteries with a touch of class and elegance.
Each Entrée Act play is unique and exclusive to our troupe. Our plays are fully scripted and designed to entertain and involve the audience.
Many shows are set in historic eras with period costuming. Guests are welcomed and encouraged to join the fun by dressing in similar attire.
Most of our plays include music and even dancing.
We invite our audience to participate - especially the murder victims.


We recently went on a date to see a movie. We went to see Ides of March at the Sony Center, which shows lots of movies in English without any subtitles even. Thank goodness for the lack of subtitles, because I didn’t want anything obscuring my Clooney-Gosling viewing pleasure. As at home, we ordered a large popcorn and soda to share. I am not exaggerating when I tell you that the GIANT popcorn was the size of a bucket! The Pepsi came in a 1.5 Liter cup that would not even fit into the cupholder in my seat. I even joked with the concession stand girl that they were “American sized,” though she just nodded and looked all judgy as I walked off to theater number 7.
We knew we weren’t at home though. First, there was the fact that our tickets were printed with assigned seats that we had to find. No joke, at some point this other couple came to claim their seats next to ours and the lady said, “Well really this seat (pointing at the one directly next to me where my coat was) is ours too, but we’ll just sit over here.” (Auf Deutsch natürlich!) Secondly, the theater was WARM. I specifically wore a sweater layerered over a t-shirt to the movie, because I’m soo used to American theaters being cold. As soon as we sat down, I was sweating and had to take off the sweater. It’s January in Berlin right now. I guess the theater didn’t get the news about the austerity measures...I digress. The third reason we knew we weren’t at home, was because when we sat down 10 minutes before the show time the screen was completely blank. No Commercials at all for that whole lead-up period to the show. At the appointed time of the movie, the theater got dark, they played exactly 3 commercials, and then the house lights came back on to let the stragglers find their assigned seats. At least ½ the audience showed up at this time. Where are the punctual Germans anyway? Finally, the lights went back down, they played 3 previews, and then came the Clooney-Gosling goodness.
For the record, I did really like the movie! I thought it was an extremely candid and jaded insider look at the American political machine as it currently exists, and Gosling’s performance was really spot-on! I love a good political thriller, and this one was as bitter and twisted as they come. Phillip Seymour-Hoffman and Paul Giamatti also gave outstanding performances, and stole their respective scenes, which was no easy feat when competing with the hunkiness of Gosling.
Post Script: I took Annika to see a matinee of Puss in Boots there one week later, and she was soo happy it was in English that she actually sat in her seat through the whole thing!


Download Chit Boak Banhchoat The Best Thai Drama, Watch Chit Boak Banhchoat The Best Thai Drama, don't forget to click on the like and share button. Series Chit Boak Banhchoat The Best Thai Drama Channel 8 always updated at Khmer Movie | khmer drama | video4khmer | Phumikhmer | movie-khmer | khmotions | kolabkhmer | KS Drama | sweetdrama | khmercitylove | khmeravenue | khmersearch | khreplay | tvb cambodia drama | KS Drama Live | KS Drama Hong Kong | Video 4 Khmer | Khmer Video | Khmer Dubbed. Don't forget to watch other series updates.
Chit Boak Banhchoat The Best Thtai Drama Channel 8, She wants Raveet to suffer for this. Thaywa is torn between his sister and the one he loves.
Chit Boak Banhchoat The Best Thtai Drama Channel 8
Raveet and Pring are cousins, however, Pring is envious of Raveet because Raveet has everything. Due to their jealousy, they try to take away everything good in Raveet’s life. Raveet blames them for her mother leaving. Thaywa is a single father with a daughter, Tawan.
He fell in love at first sight with Raveet however, Raveet believes that he is an irresponsible father and a player. Da, Thaywa’s sister, hates Raveet and blamed her for the death of her husband, Prasin.
- Native Title: ใจลวง
- Also Known As: Jai Luang
- Director: Jariwat Uppakharnchaiyaphat
- Genres: Romance, Drama
Good Lakorn, Raveet character potray a strong woman.
Thaywa can’t help to falling in love to this woman. He make any excuse to be with Raveet, even that revenge.
Yes, it about revenge to help his sister but it seem just excuse only to be with Raveet.


Do you like a Korea movie? Which genre of the movie that you like? Sometimes, I also like to watch a Korea drama or movie. For that, in this moment I would like to share the best Korea movie to watch. There is a lot of films which has a good story and best Korean actor and artist. Surely, I know most of the people like to watching it.
Nowadays, Korea movie becomes the most popular or trending topic among the teenagers, especially for the girls or woman. Actually, this one has been coming for a long time, but some of the people are lately to watch it. If you want to know more information about the best Korea movie includes the latest movie, you may check and see it below! I only share some of the movies which have a great plot. Let’s scroll down your tab here!
The Best Review of Korea Movie To Watch
- Tazza 2
A sequel of its first part, this movie has topped the chart of best films at the global level. The story of the film is about gamblers and it informs the people about their life-giving an insight about it. The amazing story and effective direction help the film bag a position at the Top 10 Best Korean Movies 2016.
- New World
This is a suspense movie which is loved by all people who like suspense and expects the unexpected. The film is greatly loved by viewers who are in love with criminal films and are interested in taking a look at their life. Directed by HoonPark, also the script-writer of the film, this movie shows the audience the life of a criminal.
- The Target
This film tops the list of the best Korean movies. It is a recreation of the French thriller “the Point Blank” which have a lot of breathtaking effects. This is a full on entertainment movie packed with action and effective story line.
- No Breathing
The film brings a new and fresh air in the environment. This exciting movie has an engaging story line which keeps you alert throughout. Most of the part of the film has been shot in the U.S.A. This thrilling movie stars popular character of Korea and also some well known foreign actors.
- The Admiral (Roaring Currents)
Cho Jin-Woong, Ryu Seung-Yong, Jin Goo and Lee Jung-Hyun are in the cast of the film, though the film no doubt deserves for top rank in Top 10 Best Korean Movies in 2016. The film became most-valued in history with the experienced director, Producer Kim Han-min, while a South Korean actor played tremendously the lead character of leading a community. The action sequences of the venture were filmed using unique technology which made the film most attracting for people.
- Casa Amor: Exclusive for Ladies
The film tells the story of hard work young, gorgeous hard worker Bo-hee who known as a successful marketing executive at top toy manufacturer company in Korea. Her friendly behavior makes her so respectable in the company but one day something goes wrong.
So, that’s all about the best Korea movie to watch. You may choose which a great movie that has a good story line. See you for the next article.


Welcome friends, Throughout the year, we see someone’s birthday every day, so let’s know Whose birthday is today in Hollywood –
Whose birthday is today in Hollywood?
|Johnny Depp||9 Jun 1963||59 Years|
|Natalie Portman||9 Jun 1981||41 Years|
|Thomas Tull||9 Jun 1970||52 Years|
Johnny Depp is the world’s most popular actor, he is very famous for “Pirates of Caribbean series, he was most paid actor in Hollywood.
so friends if you like the article please share this and know about more festivals and special days, stay tuned to our website today festival, thank you, friends.
Old birthday –
|Mark Wahlberg||5 Jun 1971||Actor|
Mark Wahlberg is the most popular actor in Hollywood, he gave many hit films like Transformers, and Uncharted.
|Brad Pitt||18 Dec 1963|
|Steven Spielberg||18 Dec 1946|
|Katie Holmes||18 Dec 1978|
|Jake Gyllenhaal||19 Dec 1980|
|Annie Murphy||19 Dec 1986|
|Finn Wolfhard||23 Dec 2002|
|Eliza Dushku||30 Dec 1980||Actress|
|Fred Ward||30 Dec 1942||Actor|
|Lucy Punch||30 Dec 1977||Actress|
|Jason Marsden||3 Jan 1975||Actor|
|Florence Pugh||3 Jan 1996||Actress|
23 December & today is Finn Wolfhard‘s birthday in Hollywood, he is a very young age actor in Hollywood. He is very famous for the “Ghostbusters: Afterlife” movie.
Jake Gyllenhaal & Annie Murphy‘s birthday in Hollywood, both are very famous actors of Hollywood.
- Riz ahmed
- Stephen Blackehart
- Emily Mortimer
Riz Ahmed, Stephen Blackheart & Emily Mortimer’s birthday is today in Hollywood.
18 December & Brad Pitt, Steven Spielberg & Katie Holmes’s birthday in Hollywood.


Oscar-winning filmmaker Julia Kennelly and “Saturday Night Live” alum Rachel Dratch have made a sweet and surprisingly poignant short film about a schoolteacher-turned-dominatrix.
“Marcy Learns Something New,” starring Dratch as an emotionally flat-lining widow who finds some joy after a suburban BDSM workshop, is making its world premiere in Program Three of the virtual 2020 Aspen Shortsfest, screening online through April 5.
The 16-minute film offers some welcome laughs and features a brilliantly modulated comedic and empathetic turn from Dratch, which has the viewer rooting for Marcy as she wields a whip while quizzing her submissive partner on American history trivia.
“We wanted to cast someone who was known as a comedic performer, so they could nail those scenes and so it might be more approachable,” Kennelly, who wrote and directed the film, explained in a recent phone interview. “Working with Rachel was amazing.”
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Kennelly first learned about the existence of BDSM workshops at a live storytelling event a few years ago, which piqued her interest as a filmmaker. She went to some of the classes and was surprised at what she found.
“People think of BDSM as a dark and scary thing,” she said. “But especially in a community setting, it’s lighthearted and fun. It’s like the environment of an improv class.”
The idea of someone like Marcy in the suburbs finding a wholesome joy as a dominatrix is based in the reality that Kennelly found in this subculture.
“It’s amazing seeing the kinds of people who are interested in it,” she said. “It takes a lot of bravery to go into a workshop and say, ‘Sure, I’ll try dominating someone in front of a group of people.’”
Kennelly most recently produced “The Neighbors’ Window,” which won the Oscar for Best Live Action Short in February. Producing an Academy Award-winning short obviously opened a lot of doors for Kennelly, though her career – like all of the film world – is largely paused amid the coronavirus pandemic.
“I had a great month-and-a-half where everybody was reaching out to me and saying, ‘Let’s talk about doing something,’ mostly feature projects, which are all now on hold,” she said. “But it’s great. They will come back to life.”
While Kennelly’s film projects, commercial shoots and work as a television line producer is halted amid the coronavirus shutdown of the film industry, she’s volunteering with a grocery deliver service for the at-risk and quarantined in New York.
“I’m managing our call center, so I’ve been very busy doing that,” she said. “And I may get some writing done, which seems like what everybody thinks they’re supposed to be doing now.”


Monday, Oct 21, 2019
11:30am – 3:00pm
Shine the spotlight on audit, accounting and tax practices unique to the entertainment industry to understand how the various areas of entertainment accounting impact each other.
Cover topics from production budgeting to GAAP, to fraud, to profit participations and to entertainment tax updates. Receive the essential information to be the star of the financial show.
CPAs and attorneys.
- Identify the motion picture budgeting, production, and distribution process.
- Recognize the entertainment accounting and tax hot topics.
- Recognize studio participation reporting, including breakevens and key litigation impacting participations.
- Identify key fraud cases impacting the film and television industry.
- Motion picture deal-making, production, and distribution process
- GAAP for motion pictures and television
- Taxes for motion picture and television
- Fraud impacting the motion picture and television industry
- Motion picture and television industry trends and challenges
General knowledge of motion picture and television industry, including key trends in accounting, tax, participation, and fraud.


Random – It's been awhile since I did a movie review. Not because I haven't seen any movies lately but more so because I've been so swamped with commission work that I haven't had to do filler articles to keep up traffic on the blog. However with the terrible reviews Suicide Squad is getting I felt the need to voice my opinion. It's easiest if I break it down into bullets.
1. It's an entertaining movie. I went in with incredibly low expectations and was pleasantly surprised. It was a decent action comedy with some solid potential. All the characters are pretty well cast and the actors do a great job with what they have to work with.
2. It's not Deadpool. Unfortunately Ryan Renolds set the bar for what kind of movie this should have been. Suicide Squad would have benefited from an "R" rating and about 50% more dialog. There's way to much grim looks and nonverbal communication for a comic book movie.
3. Harley Quinn hits the mark. Her performance is really good and I look forward to them spinning off the character. The chemistry between Harley and Deadshot is interesting. I'm glad they made here more than just eye-candy in this movie.
4. It's set in the DC Expanded Universe. Unfortunately it's in the same dark and brooding universe as the rest of the films. Which makes the general tone a downer, they tried the music score like Guardians and even had the whole odd-ball thing going for them and still it felt depressing. The whole dramatic climax felt like a joke and the villian never really felt like a threat. Lots of standing in one place and dancing until the end when this super powerful being suddenly decides to put out swords and fight the team. It just feels like generic hero sequence tacked on to the end the weird dramatic music, the slow motion it was just bad. And not in the ironic funny way.
So in summary this is an ok movie that had the potential to be amazing, the cast was great the writers and directors just couldn't get it there, which is unfortunately a them that keeps repeating itself in all of the DC universe movies. Their animated films are great, but the live action movie assemble a dream team and then give them a deflated ball and oblong hoop to play with.


I didn't show up at the ceremony to collect any of my first three Oscars. Once I went fishing, another time there was a war on, and on another occasion, I remember, I was suddenly taken drunk.
John Ford, who died on this date in 1973, was perhaps the greatest of all American film directors.
Ford is remembered mostly as a director of Westerns. Ford won the "Best Director" Oscar four times -- more than any other director -- but never won it for one of his Westerns.
It's hard to believe that he wasn't even nominated for The Man Who Shot Liberty Valance or The Searchers -- "a darkly profound study of obsession, racism, and heroic solitude" that stars John Wayne as a very different kind of hero than he usually portrays -- which is now widely considered to be the greatest Western ever made. Steven Spielberg, Martin Scorsese, George Lucas, Jean-Luc Godard, and several other well-known directors have paid homage to The Searchers in their movies.
Ingmar Bergman, who many would say is the greatest movie director of all time, said Ford was the best. After viewing Ford's The Informer, Jean Renoir reportedly told another director, "I learned so much today . . . I learned how to not move my camera." When Orson Welles was asked to list his favorite directors, he said, "I like the old masters, by which I mean John Ford, John Ford, and John Ford."


Read hamlet: a comparison of two movies free essay and over 88,000 other research documents hamlet: a comparison of two movies hamlet: a comparison of two movies by. Hamlet, fortinbras and leartes are all very different people with different lives, but there are many circumstances surrounding them that mysteriously connect them. Hamlet comparison essay - free download as word doc (doc / docx), pdf file (pdf), text file (txt) or read online for free. Compare and contrast thecharacters hamlet and laertes related as and a level hamlet essays compare and contrast the approaches of hamlet and laertes to revenge. Free essay: kenneth branagh made it seem like hamlet was following his father’s orders even though in the play he wasn’t this made the audience feel better.
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movie at the farm
Saturday, June 26, 2021 Doors open at 7:00 p.m. Movie starts at 8:30 p.m.
Family Drive-In Movie Night at the Farm
At Logan's Heroes Animal Rescue 9411 Kings Highway, East Greenville, PA 18041
Featuring The Secret Life of Pets
See adoptable animals before the movie starts.
Van Pelt Hot Dog Co. The Proper Brewing Company and Triple Sun Spirits will all be there.
$25.00 cash donation per car to attend.
Bring blankets and chairs and your well behaved dogs and children.
There will be speakers and you can also play the sound through your car speakers.
If you are a local business and would like your name up on the big screen before the movie starts. Please click here to download our form about advertising with us.


My Mom used to always tell me whenever my life seemed out of control (from Sir Shakespeare)… The World is a Stage and we are merely the players.
So many times this feels so true. Here we learn how to play, how to “role” with the punches.
Each of the archetypes in the monomyth has a tendency to contain a certain scope of emotions and these emotions.. act out, or they like to express themselves. It’s fun to understand each one – and once you know the rules, they can bend.
Understanding these tendencies can equip us to enriching our acting, our screenwriting and even our lives… as they say art imitates life. So let’s learn this deep, complicated stuff together. So acting is an acting out of emotion, allowing that emotion to drain out or explode out, or to flow out of us but we must understand why this is. So OK, a film is a hyper quick, reduced down, timeline of a hero’s journey. For example, in a movie we don’t see the hero spending hours and hours sleeping. We need and we want to see the most dramatic moments. Because of this we don’t act out, or write the slow… the boring aspects of the journey, we need to work to understand these moments, build tension, release tension. We need to learn, to watch the most dramatic of moments, the hits of a story. For this to be compelling dramatic work we need to read in the eyes the moving through complex circumstance, grounded in knowing the archetypal positioning of the symbol your role represents to the audience. Acting and writing is such deep work. Wow.
This expression of emotion based on archetypical design is a fascinating topic. We can learn quite a bit looking at the monomythic structure from this unique lens. Actors can train their minds to prepare for this array of emotional choices based on the circumstances in the script and a deduction of their archetype. The writer can acquire an insight into this structure and play with these rules. To those reading this that may not be pursuing a career on the arts can use this breakdown to discover clues in your own life so you can use his insight to move through emotions. It’s a wonderful study.
Let’s go through each of the archetypes and explore these emotional tendencies that express themselves.
The hero embodies a baseline emotion of neutrality. They tend to fully absorb the emotional twist and turns of all the other archetypes, their drama and become affected by them all by taking it all in, thinking it through. Heros are keen observers of their circumstances, they are constantly thinking why are things are happening to them the way they are. You might hear a her say to themselves, “I did not sign up for this“, which implies they are in over their head. Their wheels are turning. This doesnt mean they don’t feel when they need to. These feelings need to purge, the cycles of life must enter in the hero and must cycle out. The choices the hero makes go into effect and the hero is searching, constantly working from their own ethics how to correct their own thinking. Heros typically start their adventure feeling defeated from aspects of their ordinary world. They are the victims of their own circumstances and it’s time to grow. The hero then goes into confusion over their call to adventure, loss over the stealing of their prince or princess, awe inspired by the insights of the mentor, determination to saving their loved ones…
As we move into the other archetypes we move into more definition of the emotions they act out. Where the hero can blend into really any spectrum of emotion the others tend to bleed into a fewer range of emotions. This is because they are clear on what they want, they are more clear of their role where the hero must toss and turn through the rabbit hole of the journey. Think of the hero as the one falling through the rabbit hole and the other archetypes being bits and pieces of the bumps, apparitions, fog and the many elements the hero must pass through. The go to emotional spectrum for our villains they act out are: selfishness, revenge, betrayal, rage, jealousy. These nasty negative emotions stem from past choices they made in their past, and they won’t let it go.. let’s go into detail of a few of these emotions to be acted out, to be expressed by both the writer and the actor.
Selfishness: creating a character that wants more stuff, wants to rule the world is quite relatable. We all know or we all have experienced levels of selfishness. The feeling of wanting more, your villain’s core negative emotion can solely be this and your audience will accept it.
Revenge: This is a strong choice. The desire to see the hero suffer for what the villain perceives they have done can penetrate your entire film and beyond.
Jealousy: this is a strong choice. Your characters need a core throughline, that can be reduced down to one word. Going through this process can help you identify the choices your character will make, in whatever circumstances they find themselves in. A jealous villain is really fun choice!
A note on villains: As you can see negative emotions tend to be predictable. Your villains are usually predictable in their tendency to lean towards the negative aspects. Nonetheless the way you choose to show how your villain acts out these scenarios is up to you and is very creative. Villains are often very creative characters that mask their baseline emotions behind many others.
The primary emotional state of mind of the mentor is compassion. The mentor exudes or acts out empathy, sympathy towards the state of mind of the hero, for they have been there before. This leads to a deep, kindly demeanor that helps the mentor deliver the often times mind altering belief system the hero must adapt to in order for the movie to move forward. The mentor is experiencing a profound release of their own divinity and are acting from this position. They want other actors to interact with in this way and the hero is close to unlocking their own divine gifts. It’s a perfect relationship, it’s a lifting up. If the hero hears, feels, takes in, absorbs the lessons of the mentor the hero will be lifted up into acquiring new gifts.
Let’s try this > The mentor is acting out of their divinity, their high moral, ethical principles. Create a scene in which you are in a position to help lift the hero up through your divine purpose, your mentors divine release. You are here to help the hero cleanse their physiological mind so they too can live out their gifts. This is a very hard scene to write, to act out but once a groups if creatives find the right flow the work is incredible.
The core emotional state of mind for the minion is fear. They are terrified of what the villain may do to them if they don’t obey them. This acting out of this baseline emotion leads to many other colors of fear, aspect of fear. The minion sways to the side of the negative, as if they are a villain in waiting. They tend to agree with the villains evil plans out of fear of what the villain may do to them if they don’t agree.
A scenario to act out >
Pretend you are afraid of the villian. Imagine you want to have the material possessions the villain flaunts. Act from this place and observe what happens within you.
* Understanding this dynamic can help you prevent yourself from it in your real life. You don’t want to act out of this place, you want to be fearless. You want to destroy nothing.
The Prince/ Princess:
The baseline, core emotional status of this archetype is love. You must act out of this wonderful place. Your acting should feel warm, kind and generous. You are akin to a small child who loves being here. Loves all the endless, simple adventures of all the things they discover but are helpless here at the same time. This dynamic will create such a powerful bond with your audience. We are all like a small child, we all should protect our inner child so we can always have a genuine joy behind the veil of our existence.
Act this out > Pretend you possess a genuine love for the hero. You trust the seed of love inside the hero and because of this the hero, in return protects you. In this scene express, act out your love for life and your appreciation for the hero through a kind action.
* These scenarios may unlock aspects of yourself, you may discover a new awareness of your own life script. This awareness can provide you the opportunity to edit, enhance your own life script. The monomythic structure is, right now, acting out in your life. No doubt.
The Shapeshifter/ The Trickster:
The primary baseline emotional state of mind of the shapeshifter is curiosity. The shapeshifter uses their curious mind to shift the thoughts of hero towards good circumstances or negative ones. If sided with the villain they usually have an agreement in place and the villain has appeased their curious mind. If sides with the hero they aid the hero, often through humor to think through their delusions by looking within.
Action > You are the shapeshifter. Pretend you have an infariois agreement with the villain. You goal is to trick the hero into a trap in which they will be ensnared by the villian. Then try the opposite. Because you are good find a negative mental form of thinking the hero uses and to illustrate its absurdity poke fun of it.
The go to, baseline emotion of the ally archetype is passion. The ally exudes a genuine passion for the adventure the hero is on. If the hero’s journey is a roller coaster then the ally is the passenger. They are on the ride with the hero, and they care about the experience the hero is having. Different then compassion because the ally is also experiencing the adventure with the hero for the first time while the mentor has already experienced the passage of that particular journey. For us the passion of the ally can be an extension of our own passion for our craft. Do we not love it? Use your own passion to fill in the energy of this incredibly powerful archetype. We all need to be and to have allies to remind us of the adventurous spirit of being alive.
Give this a shot > one actor plays the hero and the other plays the ally. The actor playing the ally, your job is to work to Express your passion for the adventure the hero is about to go on. The actor playing the hero, I want you to be scared of the journey. Perhaps you are scared you can’t face the villain, or you don’t understand the new world or you fear what you may leave behind. The scene is fear vs passion. Follow the rule of three. There times hero, balk to the convincing arguments of the ally but on the last one agree to go. Ally you must overcome each objection the hero presents with genuine passion, zeal and a thrust of adventure… this story needs it!
Ok. I think that’s it for this module.
I’ve packed this one with great setups you and your writing team or acting company can explore. Mastering these story moments is such a challenge. It may bring up real connections between it and where you are in your own journey. You may discover, pinpoint how your own fears are being created.
Now not ever villain for example is selfish. But they usually are. However just because they are doesn’t mean you, the actor, must go to the obvious choice. When the actor receives the audition they should really play with the script. Figure out which archetype you are. Sink your teeth into the story. Anchor yourself their and create your performance timeline. Let it build. It can be beautiful work. I have seen happen.
I believe what my Mom was telling me was to master the stage, to set the stage, to write the story of my own journey. This is something I will never stop learning. I just love the idea of each day learning something new about it. About the roles I play and the roles others seem to play in my life.
- If you have made it this far let me see if I can offer you something. In life we are ALL the archetypes. To someone you are the ally, you are the villain, you are the mentor just as much as you are met with them all in your life. It’s hella fun to observe this unfolding in your life. Fro what I have learned about this place is there are RULES here and these rules are not bad. The core rule is the golden rule. If you are good, good will be earned, if you do something out of malicious, malicious be returned to you. So please… use this breakdown here to help you see the journey, but use it to only improve your connection to nature laws.
Please contact me if you have any questions. Training will begin soon.


Workshop Stage and Costume Design
It requires special basic knowledge and a suitable approach to understand the theater system, the essence of a theatrical space, or giving a performance after a piece of music or script. The Stage and Costume Design Workshop aims to impart the necessary basic artistic and technical skills and the requisite tools of the trade within a cooperative Chair structure.
Tools are necessary for stage and costume design in the theater profession
Depicting reality in the model, special qualities of a scale, exact simulation of an imagined or existing space and the surface that goes with it, examining the impact and possibilities of using visual elements in the space.
Checking figures and objects in the space. Independent movement in the (stage) space, action in the space. Experiencing the architecture and its acting area. Role of the performer and observer, storyboard, scenario, fundamentals of perspective, spatial arrangements in the theater.
Stage set up
Making stage models on a scale of 1:25, making model figures. Model building of own designs, dealing with stage parameters – recognizing the laws and properties of the theatrical space.
From the model to realization on a scale of 1:1, space and installation. Figures and/or objects in space, realization of projects conceived, construction of own designs on a scale of 1:1, material research and processing.
Experiencing the theater business in reality: visits to mock-up set rehearsals in theaters and simultaneously conducting mock-up set rehearsals of own stage sets in the university’s own theater laboratory. Understanding the acting / theater space.
Making costume parts, sewing techniques, pattern making, material science, textile processing and finishing techniques, presentation forms, figurine drawings, technical costume drawing, costume list, cost calculation, making own costumes based on costume designs.
Lighting design in the stage set model, fundamentals of lighting design and lighting technique, visits to lighting rehearsals, lighting plans, lighting practice, light in real space, operating model lighting systems, exploring the connection between light and space, color and space, and material and light in the model simulation and in reality in the theater laboratory.
Becoming familiar with and learning theater technique. Acquiring and advancing manual skills. Theater visits, experiencing the means of technically transforming a stage, visits to workshops, technical drawing, ground plans, section drawing, technical execution, details, compiling item lists and records, completing the design specifications, cost calculation.
Technical drawing CAD 2D, simulating the design as a digital 3D model.
Sound design, sound direction and make-up.
... in Modellen denken ...
Das Untersuchen von Räumen und Raumsituationen anhand eines Modells, das Verstehen einer räumlichen Situation als ein System aus vielfältigen Parametern, das Wesen einer räumlichen Setzung zu begreifen und zu entwickeln, es nach einem Musikwerk, einer Textvorgabe, einer Idee zu bespielen, verlangt Grundkenntnisse und ein entsprechendes Vorgehen. Die dazu nötigen künstlerisch-technischen Grundkompetenzen sowie die nötigen Bausteine zu vermitteln, ist Inhalt der Werkstatt Bühne im Rahmen einer kooperativen Lehrgebietsstruktur.


By Will Espero
Anima is a short documentary directed by Jennifer Jessum about man’s association with all living things. It is spiritual film looking at the relationship between animals and humans in our universe. The term anima is about the soul and the interconnectivity between living beings and their relationship to one another. From a religious perspective, the film showcases many people and religions and captures the commonality of thought when it comes to animals on our earth.
The sacredness of life and the importance of respect, reverence, and compassion for animals are prevalent throughout the film. Animals are seen as God’s creatures to be cherished and loved versus to be seen as food and property. They are seen as equals with a full spectrum of emotions and feelings similar to humans.
Friends and protectors of animals will enjoy this short documentary.
Director Jennifer Jessum
Jennifer Jessum is an award-winning director, choreographer, writer, cinematographer, and producer. She holds a Master of Fine Arts degree in Film Production from USC School of Cinematic Arts, and a Master of Fine Arts degree in Dance from New York University’s Tisch School of the Arts.
Her work spans across numerous genres including narrative, documentary, commercials, dance-for-the-camera, music videos, live events, and theater. She just wrapped production on Power Rangers Kids Force, a series she directed for the Power Rangers Franchise.
Her two award-winning feature documentaries, Holy Man: The USA vs. Douglas White, narrated by Martin Sheen, and Finding God in the City of Angels, have both received critical acclaim. Her short narrative dance film, Red Earth Calling, won numerous awards at the Maui Film Festival, the Moondance International Film Festival, the Toronto Independent Film Festival, The Eugene International Film Festival, The Utah Screen Dance Festival, and an Accolade.
Anima is a short film and documentary series she was commissioned to create, and her latest film, Sacred Hoop, is currently in post-production.
Anima was a commission from an interfaith organization that felt that the voice of religion was missing from the conversation about animals and the environment. As a Director, it was a natural progression to approach the film from the perspective of a universal force that connects us all – which is at the heart of many faith traditions.
The film is a peace-keeping tool not just between people of different backgrounds, but between people, animals, the environment, and this beautiful planet we all call home. The highest goal of the film is that people might be inspired to act from a deeper place when they are making choices that impact other people, animals, and the planet.Jennifer Jessum
Anima is an Official Selection at the 2022 edition of the Global Nonviolent Film Festival, and it can be watched from September 29 to October 10 on globalnonviolentfilmfestival.com. D!


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