DEADLINE – “I didn’t set out to do it at all,” I, Tonya screenwriter Steven Rogers said at Deadline’s The Contenders event Saturday in Los Angeles. “Then I saw this great documentary on 30 for 30 about Tonya Harding.”
Neon’s I, Tonya explores the reality of Olympic figure skater Harding’s life, and the differing accounts of what happened when her U.S. rival Nancy Kerrigan was attacked and injured. With Margot Robbie in the title role, Rogers set out to show a side of Harding that nobody knew.
“It was fascinating to really get Tonya’s backstory,” director Craig Gillespie told Deadline’s moderator Pete Hammond. Using the contradictory accounts from Rogers’ interviews with Tonya and her ex-husband Jeff Gillooly, the film cleverly presents several viewpoints. “We found in the edit [that] we made that deliberately less clear, so the audience had to concentrate to work out what version we were telling at that moment,” Gillespie said.
Robbie said she decided how she would approach the role before she actually met Harding because she wanted “just to meet her as a person, I didn’t want it to feel like research.” Harding was “incredibly kind,” Robbie said. “She was like, ‘How are you learning to skate? Do you want me to help you train?’”
One of the things that really helped Robbie present Harding without prejudice was that she didn’t know about the Kerrigan incident before seeing the script. “It was actually better that way, to approach it with fresh eyes,” she said. “The reality is she had a very hard life.”
Check our gallery to see some photos of Margot and the I,Tonya cast during The Contenders panel for the movie, and some portraits taken during the interview! Enjoy!


"Doosra has a strong script and an unwavering focus on the theme. The subject is new and the dialogue well crafted, scoring sixes quite often with punch lines. Mention must be made of the several humorous moments. The exchange between Ganesh's parents on cricket as a career is particularly endearing." - The Hindu
"The play is worth watching for its appealing cast, humorous and witty dialogues. As the Video footage of Cricket is used in the play, one feels that one is watching cricket live." - Deccan Herald
Doosra’s protagonist is the Game of Cricket. The changes in the game are depicted through the life of Ganesh, a 20 year old lad who gets selected to represent the country. The young cricketer's metamorphosis is driven by the forces of power, politics, money and pressure and is depicted in the 90 minute play which, through its various characters, illustrates the changing phase of the game which over the years has grown from a sport to a commercial venture.
The play offers the perspectives of - a father who still believes in the values of the game, an obsessed fan with a love and hate attitude, a Captain who is victimized, a Bookie who represents the darker side of the game and a Politician who patronizes the game for money. The highlight of the play is video projections as back drop - a feature that one is unlikely to have experienced in plays in India.
The play will be staged by Paradigm Creation, in aid of PNLIT.
DATE: SUNDAY, 13th JAN 2013 TIME: 3.30 p.m. and 7.00 p.m.
VENUE: MLR CONVENTION CENTRE, BRIGADE MILLENNIUM,
JP NAGAR 7th PHASE, BANGALORE 560078
FOR DONOR PASSES PLEASE CONTACT
Sujata - firstname.lastname@example.org, Cell 9880054070
Usha - email@example.com, Cell 7259722996
Nupur - firstname.lastname@example.org, Cell 9886629769
Ramaswamy - email@example.com, Cell 9845079076
DONATIONS TO PNLIT ARE EXEMPT u/s 80G OF THE INCOME TAX ACT


OK, time for something a little different, subject-wise.
This weekend, I managed to make it out, venture into the cinema, and watch Cabin In The Woods. At 10.45am. This was something of an achievement for me, for several reasons:
1. I love movies. I once worked as a cinema manager – happiest time of my life.
2. I now live out in the middle of nowhere, with no cinema anywhere near, and no car to travel to one with.
3. My girlfriend is not so good at the horror films, which means we rarely watch them together. Although she did enjoy Evil Dead 2.
4. We have a little ‘un. Which means that if we do ever go to the cinema, we must watch something age appropriate.
5. I’m a huge Joss Whedon fan.
6. I’m a fan of this kind of horror movie. I love the Friday 13th series, Evil Dead series, etc. Not so interested in the gorno genre, but was intrigued by this one.
So, I made it out. I sat in the dark with six other geeky-types who had ventured out at this time, and settled back to enjoy a film in relative peace and quiet. And enjoy it I did! Very much.
To address some of the things being said about it:
1. It redefines the genre. No, it doesn’t. It takes a nice little spin on it, but it’s not groundbreaking.
2. It’s too complicated to follow. No, it’s not. If you find this film too difficult to follow, you probably shouldn’t be in the cinema on your own.
3. You can’t post a review without spoiling it. Hmm. Given that the plot behind it all is revealed fairly quickly, I’m not too sure I agree with this.
In my own opinion (and seeing as this is my blog, mine is the opinion that counts), the film scores big on several parts:
1. Realistic, believable characters who you don’t want to personally disembowel. And when they do something stereotypical, annoying or stupid, there’s a good reason behind it.
2. Joss Whedon excells at ensemble pieces. He does well with this.
3. The comedy plays along nicely with the horror, but there’s some lovely little bits in there as well.
4. The script has some wonderfully quotable lines in there (“I’m drawing a line in the fucking sand. Don’t read the Latin!”)
5. It riffs nicely on the genre, taking it apart and playing with it.
6. Some wonderful set pieces.
7. Rather than gamble everything on one last minute twist which is great for a single viewing only, there’s enough there to warrant and reward repeat viewing.
Well done to all involved. A definite thumbs-up from me.


Everyone Needs A Sam.
The day has finally arrived! Catch the premiere of 'American Horror Story: Freak Show' TONIGHT at 10PM on FX.
On Wednesday We Are All The Freaks.
I am hooked on American Horror Story Freak Show. I haven’t watched American Horror Story Since Asylum but this one I will watch till the end. I loved it.
"The benefit of working out is 90 percent mental and 10 percent physical,” he says. “I feel better — like that I have more energy. But the mental side is an extraordinary benefit. I’m happier, more confident, and more positive when I work out. And I feel like I’m a better actor because of the clarity it gives me." [x]
21 Facts You Probably Didn’t Know About “The Rocky Horror Pictures Show” en We Heart It.


Nick Brown lives in North London with Maureen.
Ideology, religion and analysis have not broken him though his back is sore.
PREVIOUS THEATRICAL PRODUCTIONS
|Priest Hole||Dir. Alan Freestone||2010 Hen & Chickens Theatre, Islington|
|Some Afternoons||Dir. Jason Lawson||2006 Hen & Chickens Theatre, Islington|
|Blue Sky||Dir. Jason Lawson||2005 Hen & Chickens Theatre, Islington|
|Quinto Quatro||Dir. Jason Lawson||2005 Union Theatre, Southwark|
|Red Sky||Dir. Jason Lawson||2004 Hen & Chickens Theatre, Islington|
|Alice's House||1997 Red Door Theatre, Clapham|
Orthodoxy And Other Bondage
The Centipede Assembly Rooms
Captain Spacecake's Recipe Book
Graduated in politics from QMC, University of London


Gold Medal Olympic runner, Travis Downes is forced to confront his actions after steroid allegations surface and his agent sets up a press conference for the next day. As he is locked in a hotel room is actions become more clear and he is forced to make a choice that will forever impact his future.
Watch the full short film below!
Keith Powers - Travis Downs/Associate Producer
Keith Powers is a model and actor form Sacramento, California. He is best known for playing Jordan on the Freeform series Famous in Love, his role of Ronnie DeVoe in the hit BET biographical mini-series New Edition, star basketball player Ladarius Pope on Yahoo's Sin City Saints, and Dr. Dre's brother Tyree in Straight Outta Compton. Other credits include MTV's Faking It, Freeform's Recovery Road, AMC's Fear the Walking Dead, BET's Tales, the feature film Before I Fall, and the the Netflix film #REALITYHIGH.
Hal Ozsan - Thomas Becker
Hal Ozsan is a British actor, writer, and musician best known for his extensive career in television including roles on Dawson's Creek, Fallen, Kyle XY, 90210, Californication, The Blacklist, Graceland, Mary + Jane, and Impastor. He previously was the singer and guitarist for the rock band Poets and Pornstars. Most recently Hal served as a co-executive producer and writer on the new Viceland series What Would Dilpo Do? starring James Van Der Beek.
Nafessa Williams - Angela
Originating from Pennsylvania, Nafessa Williams can currently be seen staring on the CW/DC Comics series Black Lightning. Her recent work includes Twin Peaks: The Return, CBS's Code Black, the Lifetime film Whitney, and Starz's Survivor Remorse. Nafessa got her start as Deanna Forbes on One Life To Live. She also known for the independent films Burning Sands, The Man in 3B, Brotherly Love, Restored Me.
Mike Sellari - Director/Writer/Producer
Originally from New Jersey, Mike Sellari is a director, writer, podcaster and comedian who currently resides in Los Angeles. He previously worked on the production of season two of Jerry Seinfeld's Comedians in Cars Getting Coffee. He currently works in talent management.
Edgar Rosa - Producer
Edgar Rosa is a graduate of the American Film Institute Conservatory (AFI) with a Master's Degree in Producing. He holds a Bachelors' in Visual Media Production: Film Producing from Emerson College in Boston. Professional highlights include interning at Good Universe (formerly Mandate Pictures) and The Gersh Agency, freelancing with the Russell Simmons' founded YouTube multi-channel network and continuing to work with a diverse clientele base of award-winning producers and directors.
Judy Phu - Director of Photography
Judy Phu photographs pretty much everything image based, including documentaries for Nike, Skype, Oprah's O Magazine, and independent filmmaker Vanessa A. Yee's THE LAUNDROMAT. Judy's previous work has included Iliana Sosa's narrative feature, DETAINED IN THE DESERT - winner of the 2014 Women's Los Angeles Film Festival Best Film Award. the James Franco produced PALACE starring Whoopi Goldberg, and Amit Desai’s HOLY STRIPPERS -- a 3D hologram installation loop about reclaiming the body, featuring non traditional stripteases from a 400 lb steam punk, 95 year old man, and a female survivor of physical and sexual abuse currently on display at a gallery in Hong Kong. Eva Vives's comedy short, JOIN THE CLUB starring Ari Graynor, was DPed by Judy and premiered at Sundance 2016. In 2015, Judy was awarded the Best Cinematography Award for her work on the film, LILY IN THE GRINDER at the Museum of Moving Images in New York. Judy is in the middle of filming the long form documentary, SARAH for Emmy and Sundance award-winning filmmaker Tracy Droz Tragos. Their next collaboration together is an HBO documentary that is set to premiere at the 2016 Tribeca Film Festival.
Clay Pritchard - Editor
Clay Pritchard is a photographer and editor that currently works with Larry King on the award-winning Hulu series, Larry King Now. He has work featured in web series, TV shows, commercials, features and published in online magazines.
Liz Fisher - Colorist
Liz Fisher is a freelance editor, colorist, and photographer from Pennsylvania who has been working in post-production over the last several years. She is a former post-production assistant for The Queen Latifah Show and has worked on small independents to larger films such as The Amazing Spiderman 2 and The Way Way Back. Her directorial debut Sophie won the Best Short Film by Women award at the 2015 Burbank International Film Festival and played at the 67th Cannes Film Festival.
Original Kickstarter Video


The Deonar Dumping Ground in Mumbai is the largest dumping ground in Asia. Every day, thousands of trucks deposit half of all the garbage that the city produces. And everyday most of it finds its way back – picked and processed by the many men, women and children who make a living off the waste of the city. In the film, the dump is a powerful symbol of most of the city’s people who are constantly dumped, recycled, and dumped again, while perpetually remaining out of sight. The film explores this space through Mohammad Hussain aka Babu, a young ragpicker and Haroon, a local scrap dealer.
To see the film click here


My 5 Favorite Movies
Been going through MattJ1991's blogs, he seems to be quite the cinema fan. I used to be really into movies, before I transitioned back into video games, so I thought I'd quickly list my 5 favorite films ever.
1. The Godfather:
Kind of a chalk pick, but for good reason. Every part of that movie is great, the acting is amazing, the setting is perfect, and the story is an absolute classic. I've seen it a dozen times at least, check it out if you've never seen it before.
2. Schindler's List
Contrary to The Godfather, I've actually only sat through all of Schindler's List once. At this point, if I were to watch it again there would be plenty of "new to me" moments since I saw it so long ago. But there's one dramatic scene at the end that I'll never forget, one of the most heart wrenching scenes of all time.
3. 2001: A Space Odyssey
This movie is one long strange trip into the unknown. A lot of people I know find the pacing of the movie so slow, but I think the pacing works perfectly for this film, it gives you a chance to really soak up the film. The film is an absolute marvel considering how long ago it was made (1968) and presents a great set of circumstances but let's you interpret them however you'd like. I definitely encourage everyone to check out at least one Kubrick classic.
4. Star Wars: Episode V - The Empire Strikes Back
Not too much needs to be said about Star Wars, the originally trilogy makes for some wonderfully entertaining moments, and I feel Empire does the best of setting the tone for what Star Wars should be. My only regret is that I'm not old enough to have seen it when it first released in theaters, I'd imagine that would have been an amazing film to see and then spend the next 3 years anticipating how the story would end.
5. Apocalypse Now
Apocalypse Now is my favorite war movie by a wide margin. It's unbelievably grand scale made it look so perfectly real, and the acting (and cast) was equally amazing.


So, this picture is super personal and it marks a huge triumph in my life. I’ve spent over half my life absolutely terrified of clowns. No, I don’t have coulrophobia. I was raped by a man in a clown suit. Ever since that night, clowns have been a huge trigger. Clowns just aren’t something you see every day. So, on the rare occasion that one would pop up, it would send me spiraling into a mental tailspin. The funny thing is that it was Hollywood that helped me face this fear and get to the point where I could do this photo.
First there was Zombieland. The main character kills a zombie clown and for some reason, I was able to pull that character into my nightmares about clowns. Over time, he has appeared in a number of ways, helping me destroy clowns in my dreams. I’m also a huge fan of the American Horror Story franchise and upon learning they would do the season, Freakshow, I knew I was going to need to get over being afraid of clowns in order to watch that season. Thus began my own immersion therapy. I forced myself to look at clowns every day for months. The nightmares were horrible, but I was sick of this monster having so much power over me.
By the time, Freakshow aired, I was ready. I did have a few nightmares, but for the most part I did really well. Then came the remake of IT. *sighs* I knew my husband wanted to see it at the theater and I had only seen the original once (against my will, I might add) many many years ago. Pennywise has always been the most scary of all the clowns to me. However, when I found out who was playing Pennywise, I started to relax. I had been a huge fan of his role in Hemlock Grove. To prepare for this movie, I wached lots of videos of him preparing for the role and behind the scenes footage. When the day came to see the movie at the theater, I was ready. I did have nightmares, but not rapey ones.
Now, I sit here today, fully able to dress myself up as a female clown. Not only was I able to dress up like this, but I was able to spend a lot of time working on the photo. Now I’m looking at it and it is quite possibly my new favorite. I have reclaimed my power.
Apt B // Carnival Chair


After beginning his career as a photojournalist in the 1980’s, Adam Berman has gradually earned notoriety as an elite professional in the pacific northwest photography and film scene.
Berman graduated in 1989 with a degree in Cinema and Television Production from the renowned USC School of Cinematic Arts and quickly broke into film production on the sets of several well-known Hollywood movies and TV shows.
In addition to award winning film production, Berman has produced standout freelance photo and film ads for several notable Fortune 500 companies, startups, launch campaigns, government agencies, and nationally recognized non-profits.
As a freelancer, Berman has been privileged to work with several notable dignitaries, VIPs, and CEO’s.
A flexibility specialist in both indoor and outdoor environments, Berman has gained a reputation for producing standout work on location—expertly blending both film and photographic techniques to deliver an unparalleled product—often garnering viral recognition on social media.
Working alongside many recognized figures in the industry, Berman counts the unique experience of assisting the late photographer Mary Ellen Mark on location as further influencing his roots in blending of artistic, and technical production methods.


In terms of artistic achievements, production / set design belonged to the outstanding domains of film production at the Babelsberg studios since the 1920s. Offering an extensive documentation of imagery from DEFA feature films, the museum's collection is unique. It also comprises a few sketches from the time before 1945 and some material from films produced after 1990. The most comprehensive and prominent collection is devoted to Alfred Hirschmeier, who was involved in the most important DEFA films and later became head of the studio's art department.
Approximately 12,000 set sketches, drafts, construction plans, storyboards and location photos provide an insight into the work of set designers and architects / draftsmen. These items have been attributed exclusively to persons and are indexed by person and sorted by film title. Mehr dazu.
Contact person: Ines Belger
T +49-331-56704-18 email@example.com Informationen zur Benutzung des Bestandes


Ben Rufus Green - Comedian - Writer - Actor
Ben Rufus Green is an actor, writer and comedian. He recently played series regular David Cockfield in “The Cockfields” on Gold for UKTV and was in “GameFace” and “Eastenders”. Previous credits include “Alan Partridge’s Scissored Isle”, “Not Going Out” and “Sherlock”.
He wrote an award winning, super short film, “Paper Trail“, that was nominated for Best Online Comedy at the 2020 Writers Guild of Great Britain. The film has won several other awards. He has also had a sitcom optioned by Princess Productions.
Ben does live gigs with Rich Keeble as ‘From Both Ends’ (check out their website for upcoming shows)
Here is his showreel.
Ben has built up his YouTube channel with sketches he’s written and his work is regularly featured on The British Comedy Guide.
Ben has extensive training in the comedy world having trained with Second City, Monkey Toast and The Free Association! He is also, literally, a trained clown!
Latest News - February 2020
I got a sketch in The British Comedy Guide bulletin. Please check it out - Coughing for Cash
I also, got mentioned in The Comedy Crowd newsletter. Top 5 interesting shows. Read it here. My show is Hot Desk but take a look at the others (if you must)
Check out my showreel below. It's really, really good
Ben Rufus Green's TV Showreel
Ben on Spotlight and Wikipedia
Ben's YouTube Channel
Ben on IMDb and BBC Comedy
Ben on Funny or Die and YOBI TV
A short film I wrote. Directed, shot and edited by Emily Brown
Best Man's Webcam Prank


The Diversity Scouts of the FAU, together with the FSI Sociology and the FSI Pedagogy, are presenting a Movie Night followed by a discussion on Wednesday, 20 June 2018 at 7 pm at Kochstraße 4 (Room 5.054; Admission from 6.30 pm).They show the ZDFneo documentation based on the 1968 Blue-Eyes-Brown-Eyes Workshop developed by Jane Elliott. In this experiment about racism is shown, how quickly we can be carried away by a discriminatory movement.
After the film, there will be the opportunity for discussion and comments on the subject. In addition we will provide snacks and drinks for you. We look forward to an interesting and nice evening with you!


Krysten Ritter, Finn Jones, Charlie Cox and Mike Colter star in Netflix’s “The Defenders.”
from netflix The set of Marvel-branded TV shows will leave the streaming service.
Eagle-eyed viewers saw a message on the platform, informing subscribers that “Daredevil”, “Jessica Jones”, “Luke Cage”, “Iron Fist”, “The Punisher” and “The Defenders” would only be available. Until March 1st. .
The shows, premiered between 2015 and 2019, were held before Disney decided to create his own list of Marvel titles connected to his cinematic universe. Netflix’s license to the content has ended and the rights have reverted to Disney.
It’s currently unclear when these shows will be available through Disney’s streaming services and if they’ll be available on Disney+, with the company’s other Marvel content, or on Hulu.
Contracts with Netflix previously prevented the title’s characters from appearing in any non-Netflix series for two years after its cancellation. However, those terms ended, allowing Charlie Cox to reprise his role as Matthew Murdock, aka Daredevil, in the Sony-The Disney co-production “Spider-Man: No Way Home” and Vincent D’Onofrio will appear as Wilson Fisk, aka Kingpin, in the Marvel series “Hawkeye.”


SHONN WILEY is the consummate song and dance man and a gifted choreographer. He made his Broadway debut in the Tony Award-winning revival of “42nd Street.” He was then asked to star in a groundbreaking production of “42nd Street” in Moscow, making Shonn the first American actor to perform in an English speaking musical in Russia. Shonn later returned to the Broadway stage in “Dracula the Musical,” during which time he also made his television debut on “Guiding Light.” He received a Lucille Lortel Award as well as a Drama Desk Award Nomination for Outstanding Choreography for “My Vaudeville Man” and was featured in the Chicago cast of “Jersey Boys” as Bob Gaudio. Additional highlights include his debut as the title character in “Candide” at New York City Opera, costarring opposite Kristen Chenoweth in Stairway to Paradise for City Center “Encores!” and performing “Sweeney Todd” for Steven Sondheim. He holds a BFA in Drama from Carnegie Mellon University. www.shonnwiley.com.
A love for the golden age of movie musicals is something that my dad and I shared. My dad was a tap dancer so we’d watch them and then break them down together. Gene Kelley. Fred Astaire. Frank Sinatra. Steve Lawrence. Sammy Davis, Jr. – especially Sammy Davis, Jr. I admire his ability to cross over between being contemporary and performing the standards embraced by older audience. Those guys were not only movie stars, but major recording artists. They were superstars. They could do it all.
Favorite Streetlamp Moment:
Meeting our fans at the end of each show blows my mind, particularly the veterans. I do a tribute in the show to my dad and our country. Hearing how much this means to the vets after the show is really touching. That’s been the greatest.
Favorite Song to Perform:
I love doing “Cry” since I really get to ham it up and I love putting my tap shoes on for “When You’re Smiling.” But honestly, I also like sitting at the table and watching everyone shine in their own way.


Trainwreck DVD #ad - But when she finds herself starting to fall for the subject of a new article she's writing, Amy starts to wonder if other grown-ups, including this guy who really seems to like her, a charming and successful sports doctor Bill Hader, might be onto something.
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4 Film Favorites: Sandra Bullock (Divine Secrets of the Ya-Ya Sisterhood, Miss Congeniality 2, Miss Congeniality: Deluxe Edition, Two Weeks Notice) #ad
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SINGER | ACTOR | THEATRE ARTIST
A Little About Me!
I grew up an only child in a theatre-appreciating family in the South Suburbs of Chicago. They took me to my first show, Phantom of the Opera, at 8 years old, and I vividly remember thinking "I wanna do that".
After putting on no budget plays in my friends' basement, my mom pushed me into acting classes and I eventually performed in my first summer camp musical... CATS. That was a sight to see, let me tell ya.
I've been telling stories on stages ever since, not only through performing but also directing and scenic designing - which combines my love of art and theatre in the best way!
When not in the theatre, I love acting a fool with friends, exploring, drawing, and occasionally sipping on a nice amaretto sour with a splash of pineapple juice ;)
Now based in NYC, I am so excited to see where this journey takes me!


»People who were black like them. People who ate sadza like them. People who used to survive solely on agriculture like them… People who, nonetheless, were unsympathetic, hostile and chased you out of their yards like you were not a person, like them.«
from Who Knows What Season Tomorrow Brings in Long Time Coming
Gothataone was born in 1984, in Serowe in Botswana, and is currently working as a journalist for the Botswana Daily News. As an aspiring filmmaker, she has worked in the production department for Precious Films, the production company making the No.1 Ladies Detective Agency, and has made a documentary film about the life of Bessie Head. Her short story Singing in the Rain won second prize at the inaugural British Council/Alexander McCall Smith short story writing competition in 2006.
amaBooks writings by Gothataone Moeng
Short Story: Who Knows What Season Tomorrow Brings in Long Time Coming


One of the joys of rewatching Scrubs on Netflix is noticing how the series so cleverly uses music. In one such instance, I found myself singing along to “Don’t Stop Believin’” by Journey, as it played throughout an episode of the show. It wasn’t until the episode finished that I noticed the name of the episode, “My Journey,” corresponded to its music. But it seems like the doctors from Sacred Heart Hospital won’t be saving any more lives to the tune of yesteryear’s pop hits on Netflix because Netflix did not renew its license for the popular show. After May, Scrubs will be gone from the Netflix catalogue. Scrubs has had a tumultuous relationship with the online streaming service. Brad McHargue, a user on twitter, tweeted to Zach Braff, who plays J.D. on Scrubs, “The Netflix version of Scrubs uses different songs in a # of the episodes. Why?” To which Mr. Braff replied, “The music license didn’t cover Netflix.”
This isn’t just a question of erasing the show’s original vision. As the “Golden Age of Television” continues, production companies are investing heavily in soundtracks by commissioning original music and licensing existing songs. Both original scores and already existing songs serve the same purpose: to capture the feelings in a show at any given moment. Further, a different soundtrack may alter the effectiveness or appeal of a show; a good soundtrack can retain viewers.
Netflix spends more on its original shows than most cable companies, e.g., Fox or Disney. Creators of shows have become more willing to spend large amounts of money on music supervisors and licensing rights to existing songs. Netflix is quickly becoming a dominant player in the new TV market, and is taking steps to beef up its music licensing division in 2017. According to Netflix, their investment in originals will slowly increase and come to replace some of the other content they currently spend money on licensing, which could explain Scrubs getting nixed. The value of Netflix’s original content jumped from $450 million in 2015 to about $5 billion in 2016. Netflix has exhibited an upward trend in its spending on original content in order to garner new customers. A sizeable percentage of this investment goes to the production of soundtracks for Netflix Originals. Because TV Soundtracks have become easier to access through digital streaming, they have garnered more attention as standalone pieces of art. This partly explains the hype for original soundtracks from Netflix Originals such as Stranger Things and Master of None.
The age of streaming TV shows on streaming services such as Netflix, Amazon Prime, and Hulu has started to remove the old cable business model out of the equation. Audiences no longer feel a need to pay a lump sum for hundreds of channels, only a fraction of which they like. Instead, they pay a small monthly fee for a select few shows that they love. Both Netflix and Amazon Prime have invested heavily in original content, emphasizing a higher production value compared to many cable channels. Netflix and Amazon come in second and fifth place in how much networks spent on content in 2016. Another appeal is that these platforms allow audiences to binge watch seasons from beginning to end. Thus, these shows are treated more liked extended movies rather than one-off episodes. There is a greater pressure on production companies to create in-depth character development and plot to keep viewers interested in binge-watching the show. Because viewers binge-watch these shows as if they are watching an extended movie, TV shows needs to include more of a cinematic experience, and part of this requires a higher quality soundtrack on par with a movie. A soundtrack has the power to deepen the meaning of a show, but only if done correctly. This is where music supervisors come in handy along with the funds to back up their musical choices. It’s no surprise then, that Netflix is investing more in their music licensing department, hiring more staff and diverting more funds to Originals.
For Stranger Things, the creators sought out an original score from band members Kyle Dixon and Michael Stein from S U R V I V E. Dixon stated in an interview with Rolling Stone that in comparison to producing one of their own albums, in “dealing with a film or a TV show, there’s a broad[er] range of emotions that you have to touch on.” In an interview with Complex, Matt Duffer commented, “Because I think I was so frustrated that I’d watch television and the scores felt like an afterthought.“ The choice of an original score turned out to be quite successful, leading to an original soundtrack album release and a nomination for the 2017 Grammy Award for Best Score Soundtrack for Visual Media for both Volume 1 and Volume 2. Netflix takes into account critical acclaim and awards when measuring its success for originals through the addition of new customers and retention of old customers paying for an annual membership.
Whether it is the uncanny music from Stranger Things that plays while in the Upside Down or when “Don’t Stop Believin’” by Journey during Scrubs, a well-planned soundtrack effortlessly matches the current feelings present in the show. Next time play closer attention to the music playing in the background of a favorite show. Someone chose it on purpose. It may come to your attention that Scrubs isn’t the only well liked show on Netflix with a modified soundtrack, Freaks and Geeks on Netflix also made some changes to its soundtrack. Netflix might want to find room in its budget to retain other content with original soundtracks. If spending on original content eclipses the preservation of old shows’ existing soundtracks, Netflix runs the risk of alienating the fanbase that gave them the power to create originals in the first place.


The City Art Gallery started its cultural activities in 1977. In 1989 a Film Culture Center was established as a part of the Gallery activity and thus the ILLUSION cinema. The gallery in Czestochowa is a place for different fields of art like painting, sculpture, ceramics, film and photography. The ILLUSION cinema is the only art-house in Czestochowa and the surrounding area. The Cinema is offering movies for both children and the adults. Currently it is participating in a program, which aims to attract the audience of school age in films and allows them to discuss those and share their thoughts with each other.
The ILLUSION cinema was granted a funding from the National Film Institute in 2014 which allowed a redesign of the hall. It was rebuilt and adapted to the current regulations. The floor was completely replaced, walls and scene was renewed and new and comfortable Baco seats were installed. The Baco cinema seat is in Brilliant upholstery and comes with a cup holder on the back seat. Part of the seat installed in the cinema is equipped with a movable armrest what makes them a “love seat”.


Prior to discovering his destiny as a filmmaker, Scott Cervine traveled the globe as a comedian and magician, performing with such legends as Jim Carrey, Dennis Miller and Jay Leno. By casting his magic into his movies, Scott has earned numerous awards, including the Mark Goodson video award and an American Film Institute Award. Scott wrote, directed and starred in two features, Never Alone and Escape from Orion, winner of the Digital Maverick Film Festival Audience Choice Award. Scott is a sought after director and editor throughout the film community. His unprecedented amount of respect among his clients and peers, garnered a successful career of writing, directing and editing nearly twenty films to date.
Scott's passion for directing is fueled by his sharp eye as an editor and his unique ability to inject laughter into serious topics. His short film Out of Proportion, won the grand prize at the “Beverly Hills Short Film Festival” and was distributed world wide. Robert Kholer (Los Angeles Times) has this to say about Cervine's talent as a film maker: "Scott Cervine is an irresistible force.” Recently Scott directed Debbie Ford's groundbreaking feature length documentary entitled "The Shadow Effect", which aired on The Oprah Winfrey Network; and People V. The State Of Illusion that was picked up by Samuel Goldwyn for a nation wide theatrical release.
Scott was then granted the film rights to THINK AND GROW RICH, one of the top ten most widely read books of all time. Officially sanctioned by the Napoleon Hill Foundation, this film version of the world renowned classic is lighting up screens around the globe.


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Pierce Brosnan plays 007 in GOLDENEYE, the latest in a long line of Bonds films dating back to 1963. SPEAK UP asked the actor how he approched the character and if Sean Connery was his role model.
Pierce Brosnan: I can only aprroach it like I approach every other job and that is find... try and go for the truth of the chacacter and the sincerity and be as honest as possible. Otherwise it becomes a sham, it becomes fraud and I'm not doing my job. But I cannot help but hear and see Sean in my mind's eye. And I cannot reproduce what Sean did, he did what he did. Fortunately, I have a very good director in Martin Campbell who's got a very good ear and likes actors and appreciates the performance and, you know, this is an action movie. But you do have a character here and we have a script which feeds me as an actor in a couples of scenes, which is enough, two scenes, to kind of have an emotional bite on the part, because we're dealing with betrayal whithin this. So there's enough there from an acting point of view to have an emotional intensity to it. And also, hopefully, have colossal fun.
SPEAK UP: Do you think it's true that in GOLDENEYE Bond is now a hero for the nineties?
Pierce Brosnan: What does a Bond for the nineties mean? Is he politically correct? Well, up to a point, yes. But he still likes the women, you know, he has the girl here, he has the girl there and he's got an eye for them, you know and he's got a sense of honour, and there's a certain sense of tradition about him. He's a one-man show as it were, he does his job doggedly, but with a sense of... with a flair to it. When Sean did it in the sixties, it was just... it captured everyone's imagination. and I think with the heroes that we've seen in the DIE HARDS and the Mel Gibson in the LETHAL WEAPONS, and you want to get underneath and you want to see just a little bit of vulnerability, even when a guy is very cool and very effective at what he does, I think we should be able to see a little chink in the armour.
SPEAK UP: I understand that it was after seeing one of the early Bond films that you decided to become an actor yourself.
Pierce Brosnan: I saw GOLDFINGER. And, as a boy of eleven in 1964, I left Ireland and I remember the first weekend I was here in England my parents took me to see GOLDFINGER. And you've got to remember this is a boy of eleven who grew up in the Christian Brothers, who was an altar boy in the country. And first of all, it was in colour, which was incredible; I'd never been in a cinema that big; I saw this naked woman covered in gold paint; I saw this little chinaman whit a hat that was made of metal cut this statue's head off. And I saw this incredible character, who was Sean Connery, playing this man, James Bond, who could do no wrong, who just... every move was perfect. And I suppose that was the seed of wanting to become an actor.
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In 1935, some local enthusiasts set up a film-making club. Membership grew and many films were made but lack of space led to the decision to put on a play once a year.
In 1938, Ledbury Amateur Cine & Dramatic Society was formed. During the Second World War, Italian prisoners at the camp at Mabel’s Furlong set up a theatre in a Nissen hut. After the war, LADS (the ‘cine’ had by then been dropped) took over the Camp Theatre. In the late 1950s, LADS moved into the old Market Theatre, then known as the Church Room. In 1986, the building was almost destroyed by fire. In 1999, the old building was demolished and Ledbury’s new Market Theatre opened in January 2000.


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This Father’s Day, settle in with a few movies dedicated to fathers being good fathers—or the not-so-good fathers who are learning to be better. Sometimes dads are more of the bumbling Colin Firth type, who mean well but don’t really have a clue about what they’re doing. Some kids, like Sophie Sheridan in Mamma Mia, get three whole dads, while others, like Mia Thermopolis in The Princess Diaries, are missing their late fathers. Fathers and father figures look different depending on the family, but there are enough movies to celebrate all these differences. Here, binge some of these 50+ films to celebrate the dads in your life, no matter what “dad” means to you.
This Pixar film was written and directed by Dan Scanlon and though it is meant for a younger audience, it has a pretty serious origin story. Scanlon's father died in a car accident when he and his older brother were still children; in Onward, two elf brothers named Ian and Barley are dealing with growing up without their father. In this magical world, magic itself has become obsolete with the onset of technology and these boys live in a very familiar suburban landscape. On Ian's 16th birthday, they're presented with a magical opportunity to resurrect their father for 24 hours, but things go awry. Soon, they're on a quest to finish the spell that will let them see their dad one more time.
The title says it all, but for a little more context, this 2021 film starring Kevin Hart follows a man struggling with being a single father to his infant daughter after the sudden death of his wife. And it's a true story based on a 2011 memoir by Matthew Logelin titled Two Kisses for Maddy: A Memoir of Loss and Love. While there's some humor to the film, because it stars a world famous comedian, Hart's performance was praised for its unexpected pathos. In Fatherhood, Hart's character struggles with the decision to raise his daughter himself rather than leave her to the care of his extended family and it just might make your father's eyes mist up from where he's sitting stoned faced in the lounge chair.
Guardians of the Galaxy Vol. 2 2017
This movie may seem like just another entry into the Marvel Cinematic Universe—heck, it's even “Vol. 2” rather than the original. But this sci-fi, fantasy crowd pleaser has a real handle on what exactly makes a dude into a father. Chris Pratt plays Peter Quill aka "Star-Lord," a man who has been trying to find his real dad his whole life only to discover that there's a real difference between the guy who gives you his genetic code and the guy who raises you. Plus, there's a talking raccoon and some incredible action set pieces if the emotional stuff doesn't hit home. There's also a cameo from David Hasselhoff, which just might give dad a laugh.
My Octopus Teacher> 2020
This documentary on Netflix isn't about a father and their kid, but it is about the tender symbiotic relationship between a quiet introverted man and a flashy sea monster. The film's producer Craig Foster spent a year getting to know an octopus who lived in a South African kelp forest he regularly visited. Over time, the octopus comes to recognize and relate to Foster while going about her octopus business until eventually meeting her natural end. Foster has said this year he spent “learning” from the ocean animal taught him a great deal about the “fragility of life and man’s connection to nature” and improved his relationship with his son, Tom Foster, who became a free diver and marine biologist himself.
To Kill a Mockingbird 1962
This classic film is about a lot of things, but at the center of the plot is a little girl's relationship to her widowed father. A lot of dads have almost certainly seen Gregory Peck's interpretation of Atticus Finch by now, but dads also love rewatching stuff that they've already seen. And To Kill a Mockingbird addresses a lot of themes that remain relevant today: racism, media influence, the injustice of the carceral system, small town politics, and coming of age in a fraught world.
Da 5 Bloods 2020
This American war drama was directed, produced, and co-written by Spike Lee, and is the last film featuring Chadwick Boseman that was released while he was still living. The movie is about four men who survived the Vietnam War together, but decide to return to the country to search for the remains of their fallen squad leader, Norman. There's also a treasure hunt. After arriving in Ho Chi Minh City, one of the veterans discovers he has a daughter living with his former girlfriend, Tiên. Another of the veterans is then joined by his son, introducing yet more family dynamics into what was supposed to be a war and adventure movie. And it still is! While the connections between family are the main theme of the film, action and politics will keep everyone invested.
Fathers' Day (1997)
Jack (Billy Crystal), a cynical lawyer, and Dale (Robin Williams), a depressed writer, have one thing in common: Collette (Nastassja Kinski), the woman they each dated. When Collette enlists them to help her search for her runaway teenage son, Scott, there might also be a little paternity issue at stake.
The Half of It (2020)
Ellie Chu (Leah Lewis) is a shy, smart student living in a small, small-minded town in Eastern Washington where she moved with her single father, a Chinese immigrant, so he could take the only job he could get. Ellie makes extra money to help pay the bills by writing papers for students, and she helps a jock at her school get the attention of popular girl Aster Flores (Alexxis Lemire) while secretly crushing on Aster, too. This movie isn’t exactly about father-daughter relationships, but it’s clear Ellie’s dad is the person she loves most in the world: She grapples with going to college nearby so she can live and help out at home, and she and her dad have Old Hollywood movie nights.
Mr. Mom (1983)
When Jack Butler (Michael Keaton), an auto engineer in Detroit, loses his job in a recession and his wife, Caroline (Teri Garr), finds work, Jack has to take over the responsibilities at home—thus becoming “Mr. Mom.” Remember that this movie was made in the 1980s, when other revolutionary films such as 9 to 5 (1980) and, later, Working Girl (1988) helped change the concept of the American workplace (that is, it’s perfectly normal for women to have titles other than “secretary”).
What a Girl Wants (2003)
Daphne Reynolds (Amanda Bynes) grew up in New York City's Chinatown with her very cool mom Libby (Kelly Preston), but she’s always been missing one thing: a father. She knows the man is Lord Henry Dashwood (Colin Firth), a member of British nobility running for political office, but they’ve never met, and Henry doesn’t know Daphne exists. So the summer after Daphne graduates high school, she hops across the pond to meet him, much to the shock of Henry and his stuffy wife and stepdaughter-to-be. Daphne soon wins over even the stiffest-lipped Brits, but it’s still clear her world and her father’s are nothing alike. Someone's going to have to bend if they have any chance of the father-daughter relationship Daphne’s always wanted.
The Princess Diaries (2001)
Mia Thermopolis (Anne Hathaway) lives in San Francisco with her mom in a restored firehouse. Her father, whom she wasn't close with, recently died. She’s almost 16 and feels invisible at school, especially to her crush (Erik von Detten). But, out of nowhere, her estranged grandmother (Julie Andrews), comes to town with huge news: Mia's a princess (“Shut. Up!”). Soon, her whole world changes, and she has to decide if the royal life is something she wants. She obviously can’t talk to her father about it, but she still manages to find his guidance along the way.
There’s something about Steve Martin and a movie about fatherhood. Before the Father of the Bride movies, there was the Ron Howard-directed Parenthood. Gil Buckman (Martin) is a sales executive who already feels over his head with work and his children, who are having issues for which Gil blames himself. When his wife, Karen (Mary Steenburgen), reveals she's pregnant with their fourth child, Gil becomes fearful he won’t be able to handle one more kid, and—the ultimate fear—that he’s becoming his workaholic father.
Big Fish (2003)
Edward Bloom (Albert Finney) and his son William (Billy Crudup) have always had a strained relationship, because Edward told big, elaborate stories that William never believed. When Edward falls ill, William, a journalist, returns home, and in the final days of his dad’s life, William investigates these tall tales and learns more about his dad than he ever expected.
National Lampoon's Vacation (1983)
As Clark Griswold (Chevy Chase) and his family (Dana Barron, Anthony Michael Hall, and Beverly D’Angelo) make their way from Illinois to a California amusement park, the family runs into some road blocks—including the death of a family member. By the time they make it to L.A., Clark worries his family will veer off track again and takes matters into his own (well-meaning but misguided) hands in order to make sure they make it to the park.
10 Things I Hate About You (1999)
Kat (Julie Stiles) and Bianca (Larisa Oleynik) Stratford have a very strict single dad who forbids them to date. This isn’t a problem for Kat, who couldn't care less about the teen boys at her high school. But Bianca wants nothing more than to be like the rest of the popular set. When their father decides Bianca can date only if Kat does too, he inadvertently sets off a grand plan from new kid Cameron (Joseph Gordon-Levitt) to get bad boy Patrick Verona (Heath Ledger) to date Kat, so Cameron can take out Bianca. Basically, the plot of this entire movie revolves around a stern father and his archaic rules, so there you have it: Father’s Day movie.
Father of the Bride (1991)
In this father-daughter classic (and remake of Vincent Minnelli's original from 1950), Steve Martin gets the age-old case of fatherly envy when his one and only daughter finds a guy she likes spending time with more than him—her fiancé! Daddy's little girl is all grown up, which makes Martin's George Banks a little cuckoo. It's endearing and hilarious to watch Martin go through wedding panic and have a full breakdown at a grocery store while tearing through bags of hot dogs and hot dog buns. Another comedic delight here is Martin Short, playing a European wedding planner who pronounces cake like "cock."
Indiana Jones and the Last Crusade (1989)
All Indiana Jones movies are arguably dad movies, but The Last Crusade is the dad-est of them all, as it features Harrison Ford as our favorite archaeologist working side by side with his father, Professor Henry Jones, played by the equally iconic Sean Connery. There's some good ol' father-son rivalry as they end up sleeping with the same woman (yikes), but it's nothing they can't set aside to fight the big bad guys (Nazis, in this case).
Mission: Impossible (1996)
There's nothing really dad about this movie except that dads seem to love it—at least, mine does. Every new Mission: Impossible movie is dad bait to get him to go to the movies with you, but nothing quite beats the first installment, directed by Brian De Palma. It's never not thrilling watching Tom Cruise's Ethan Hunt infiltrate the CIA, hanging by rope, just one sweat drop away from blowing the entire thing. Or heck, watching a helicopter chase a train inside a goddamn tunnel.
The Tree of Life (2011)
Perhaps this is for the dad who gets late-career Terrence Malick, but I'm sure even a Malick rookie can be persuaded by the fact that Roger Ebert declared this one of the ten greatest films ever made. Ever. While some parts of the movie look like Windows desktop images (the whole Big Bang sequence), The Tree of Life is, at the end of the day, about something far more intimate: family, specifically the relationship between father and son. Brad Pitt and Sean Penn star—though the former is the father (in flashback). This may not be your typical "good dad" movie, but it's a poetic depiction of the complexities in their relationship and how father and son mirror each other.
Gotta include Heat on this list as it is, according to my own father, "the greatest movie ever made." First of all, the cast: Al Pacino and Robert De Niro. The two finally share screen time after a missed opportunity in The Godfather, Part 2, in which they shared a bill but never actually appeared in the same scene. In Michael Mann's Heat, Pacino, the cop, and De Niro, the crook, face off in an epic, nearly three-hour-long crime drama, which includes unforgettable lines ("She's got a GREAT ASS!") and an even more unforgettable shoot-out.
Hilary Weaver is a freelance writer based in New York who writes about politics, queer issues, Meryl Streep, Glenn Close, and every woman the Queen has ever made a dame. I saw Mamma Mia! Here We Go Again three times in theaters, and that's pretty much all you need to know.
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Don’t Get Killed in Alaska Premiers! September 19, 2013
An exciting week ahead, with Don’t Get Killed in Alaska getting its premier — and being chosen as a Critics’ Pick for the Calgary International Film Festival.
Starring Tommie-Amber Pirie, the film first hits the big screen on Friday, September 19 at Cinefest Sudbury International, then moves on to Calgary.
Here’s what the Sudbury programmers have to say:
“Liney (Pirie) has always been “one of the guys.” She’s not the girl that boys chase after. That is, until she meets Dan (Lewis), a charming labourer with big ambitions for the both of them. In a down economy, Liney and Dan dream of moving to Alaska to find work on a fishing boat and start a new life together. They just need a little cash to get there. When Liney asks her family for a loan, old tensions boil up and Dan’s intentions are called into question. Don’t Get Killed in Alaska explores a young women’s struggle to forge her own destiny in spite of what her family and the world expects of her.”
Written and directed by Bill Taylor, the film also stars Rosemary Dunsmore, Oliver Dennis, Gianpaulo Venuta and Ben Lewis. I’m co-producer, Laura Perlmutter and Andrew Nicholas McCann Smith of First Love Films are the producers, while Dan Bekerman of Scythia Films is executive producer. Ben Lichty is the cinematographer and Michelle Szemberg the editor, with an all-round excellent crew behind them.
Get your tickets the Calgary International Film Festival for the Wednesday, September 25 showing here: http://www.brownpapertickets.com/event/460285
And have a look at the trailer:


The pianist, directed by roman polanski is the dramatized story of holocaust survivor wladyslaw szpilman it is also a story of war, despair, ghettoization and deportation, and ultimately, of survival the pianist tells the story of wladyslaw szpilman, a celebrated polish-jewish concert pianist (played by adrien brody) living. W szpilman the pianist story of one man«s survival in warsaw ghetto w szpilman«s home page picador new york. Roman polanski, the director of the pianist, was a survivor of the bombing of warsaw and the cracow ghetto essay by aznxsa2587, october 2005 based on an autobiography written by wladyslaw szpilman right after the war and polanski's own personal recollections, the pianist is about the life of. Read this full essay on the pianist, by wladyslaw szpilman literature often documents historical events of great significance and possesses the ability to. The last live broadcast on polish radio, on september 23, 1939, was chopin's nocturne in c# minor, played by a young pianist named wladyslaw szpilman, until his shelves: cherished, gen-non-fiction-essays-critique, european- literature, world-war-ii, poland, disturbia, holocaust, autobiographical-biography- memoir,.
The pianist and world war ii essaysthe film the pianist (2002) roman polanski is an adaptation of the memoirs of wladyslaw szpilman a jewish pianist who lived through the nazi occupation of poland during wwii according to the sources, roman polanski supplemented the story with a few anecdotal event. 'the pianist' is a film directed by roman polanski and based around the life of wladyslaw szpilman during the nazi invasion of poland roman used visual techniques in the opening scenes such as black and white film, camera positioning and motifs to create an atmosphere for the audience the first scene in the film is a. A striking holocaust memoir that conveys with exceptional immediacy and cool reportage the author's desperate fight for survival and the german who came to his aid when wwii broke out, szpilman was a talented young jewish pianist in warsaw within a few years, he would be forced with his family into. Roman polanski's heartfelt and high-minded holocaust movie - based on the true -life memoir of polish pianist wladyslaw szpilman - arrives garlanded with the cannes palme d'or and a widespread, respectful sense that here is a very substantial work seeing it for the first time at the festival i was restive at.
Szpilman, who made an early name for himself as a pianist and composer of classical, popular, and film music, also managed to survive the war in poland but and the united states, which is where the most famous member of this family, władysław szpilman, was able to continue his career as a film and song composer. Summary: the movie takes place in poland right after the nazis started to take over warsaw the movie shows the life of wladyslaw szpilman and what he and his family, as jews, go through as more and more regulations are made through the nuremberg laws eventually, he gets separated from his family when they are.
In 2002 wilm hosenfeld achieved world-wide fame as the rescuer of the polish- jewish pianist and composer wladyslaw szpilman, when roman polanski's film the pianist won the golden palm in cannes and 3 academy awards this incredible story of survival brought tears to the eyes of those all around the world who. The film is based on the autobiography of wladyslaw szpilman, who was playing chopin on a warsaw radio station when the first german bombs fell szpilman's family was prosperous and seemingly secure, and his immediate reaction was, i' m not going anywhere we watch as the nazi noose tightens.


Ali Liebert is a Canadian Screen Award winner ("Best Actress in a Featured Supporting Role in a Dramatic Series") for her portrayal of Betty Mcrae in Reelz/Global TV's original hit series, Bomb Girls. She also won a Leo Award for the same character. In 2013, Whistler Film Festival, Elle Canada & Variety named her "Rising Star of the Festival". Variety also featured her as "International Star You Should Know" in their July issue. In 2014, the Hollywood Reporter named Ali as one of the "Next Generation 15 Hottest Canadian Talents under 35".
Ali's film career has taken her to festivals across the world, most recently to South Korea for the Busan International Film Festival with Connor Gaston's crisis-of-faith drama, THE DEVOUT. Ali took home the 2016 Leo Award for 'Best Lead Actress in a Motion Picture' for her role in THE DEVOUT, a mother coming to terms with her young daughters imminent passing. Her other favourite feature credits include Sook- Yin Lee's YEAR OF THE CARNIVORE (TIFF), Ben Ratner's DOWN RIVER (VIFF) and FOXFIRE (TIFF) (based on the Joyce Carol Oates novel), which was written and directed by Palme d'Or winning French filmmaker Laurent Cantet for Paris-based Memento Films International. In 2011, Ali had two films that premiered at TIFF: AFGHAN LUKE (Mike Clattenburg) and SISTERS AND BROTHERS (Carl Bessai). Ali was also extremely honoured to work alongside Academy Award Nominee Michael Clark Duncan and Emmy Award Nominee Loretta Devine in the Robert Townsend dramatic feature, IN THE HIVE. In 2017, Ali was also thrilled to be a part of Stephen Chbosky's WONDER, starring Julia Roberts and Jacob Trembley. Her favorite Television Credits include: Bomb Girls (Global), MechX4 (DisneyXD), Lost Girl (Syfy), Ten Days in the Valley (ABC), iZombie (CW), Legends of Tomorrow (CW), Harper's Island (CBC) and and Strange Empire and Intelligence, both on the CBC.


Almeria’s Wild West Parks
Wild West Country in the Almeria Region
From Almeria city drive north towards Tabernas, a desert-like landscape. Drive along Autopista A 92 for about 30km to exit 376. The roundabout exit signposted for Western Leone, a smaller road that runs parallel with the motorway. If you follow signpost Tabernas (road N 340a) shortly after the roundabout, signposted Oasys MiniHollywood and park. Fort Bravo visitors continue towards Tabernas, a signpost for Fort Bravo, exit after about 5km.
More info below to Almeria regions western parks
The film studios of Tabernas
have grown into the wild west tourist attraction known as Mini Hollywood. Mini Hollywood has three separate itineraries, Oasys Park, Fort Bravo, and Western Leone, all are open for visitors and each offers a different wild west adventure for all the family with western shows among the many other attractions.
Western Leone and Fort Bravo are still part-time workings in film locations. Stunt actors perform shows for tourists daily at Fort Bravo/Texas Hollywood, which was originally built in the 1960s as a western-style set for films, instrumental in pioneering Sergio Leone’s Spaghetti Western genre.
Brief film history from Tabernas
In the 1960s the landscapes of the desert of Tabernas developed into a sought-after movie location, well-known productions such as King of Kings (1960), Cleopatra (1963), and the winner of seven Oscars, Lawrence of Arabia (1962), all used the desert as a backdrop during filming, attracting big-budget Hollywood directors such as Steven Spielberg who chose Almeria for scenes in his blockbuster movie Indian Jones and the Last Crusade (1989) starring Harrison Ford.
Sergio Leone, the director of the famous Spaghetti Westerns, starring Clint Eastwood, also capitalised on these unique landscapes, scenes from A Fist Full of Dollars (1964), For a Few Dollars More (1965), The Good The Bad and The Ugly (1966), and A Fistful of Dynamite (1972), was filmed in the western village movie sets as well as the surrounding desert and other ell suited spots throughout the remarkable terrains of the province.
More recently, in 2012, the BBC chose Tabernas to shoot an episode for the cult series Doctor Who.
Exodus movie set in Sierra Alhamilla Almeria. In October of 2013, the landscapes of Almeria were once again in the headlines as filming began for the Ridley Scott movie Exodus – Gods and Kings, the texture and colour of the terrain, and its resemblance to Egypt.
What’s more, season six of Game of Thrones was shot in and around Taberna desert.
Who will be the next one?


Jodi Levitan began her writing career without words, first finding success writing mime and clown routines. Those routines grew into longer stories, and those stories grew into full length award-winning screenplays.
Jodi’s screenplays are character-driven stories with strong female leads that reach a multi-generational audience. All of her scripts are award winners in major screenplay contests, including The Austin Film Festival, Big Break, The Page Awards, StoryPros, The Richmond Film Festival and The American Zoetrope Screenplay Competition with Francis Ford Coppola serving as judge. With her most recent script, Jodi was the grand prize winner of the Emerging Screenwriters Shoot Your Sizzle competition. A short version of the screenplay was shot in December.
Jodi received her BA in theater from StonyBrook University and graduated from the Welsh College of Music and Drama in Cardiff, Wales, with a concentration in performance. She currently resides in Oceanside, New York.
Enjoy this recent interview by Creative Screenwriting Magazine
Finding Distance has been officially selected to be shown in the 2020 Garden State Film Festival. Stay posted for preview dates or go to https://www.gsff.org/
Here is a sneak peek of Jodi’s newest project Finding Distance
Behind the scenes from the set of Finding Distance
(finding distance slider)


Your journey starts where you'll meet your tour representative, when you arrive, enjoy timed access and be greeted by a dedicated Studio Tour guide who reveals the wonders you'll encounter throughout your tour of the original sets, props, and costumes from all eight of the Harry Potter films. You will be given your own personal headset to ensure you do not miss any of the fascinating behind-the-scenes facts.
Start your experience with a short film in the cinema before you enter the iconic Great Hall set. The guide will share production secrets and inside information and tells you about the processes used to bring the films to life. Take a look inside Dumbledore’s office, and walk along cobbled Diagon Alley, which features the shop fronts of Ollivanders, Flourish and Blotts, Weasleys’ Wizard Wheezes, Gringotts Bank, and Eeylops Owl Emporium. Visit the original Hogwarts Express locomotive and a recreation of Platform 9 ¾. Climb aboard the train carriage, and pose with a luggage trolley as it disappears through the platform wall.
Once the guided tour comes to an end, you have the option to re-enter the Warner Bros. Studio Tour London at your leisure, find that perfect Harry Potter souvenir at the Studio Shop, or purchase a coffee at the Studio Tour Cafe.


Waves In The Wind by Guru Moorthy (2017) (India) (5m)
A co-winner of the BEST INDIAN SHORT FILM in the FILMS short competition. Inspired by a true story, this simple but poignant film gives us a glimpse of two young people in love. It does not matter that they are both deaf and dumb, but it does apparently matter that he is from a lower caste than she is. However, he is convinced that he can persuade her parents that he is worthy of their daughter. In a country where the caste system still persists, and it is often seen as a matter of "honour", how will this young couple fare?


Sunnybrook stages a spectacular musical annually. It is difficult to describe the SBS musical in a way that will do it justice. Our musical is a pivotal annual event, that brings the entire community together in the creation of a truly wondrous show.
We view the musical as an additional Unit of Inquiry that focuses on how we express ourselves through collaboration, drama, music and performance. As students go through their SBS years they experience the musical from different perspectives. Younger students are guided by teachers and older peers as they learn about being on stage and cooperating with the entire school to create a magical evening of musical theatre. Older actors learn about the audition process, take responsibility for learning their part and develop a sense of acting a key role in a show. They also develop leadership amongst themselves as well as with younger students. The learning experience during the musical is only eclipsed by the exhilarating experience of performing in front of the audience.
Every child from grade 1 – 6 is involved in all aspects of preparing the show. Auditions, learning the music, making sets and props, practicing choreography, rehearsing with the whole school, creating programs and posters; all this is part of the SBS experience every year.
Past shows have included:
- Wizard of Oz
- Sound of Music
- Willie Wonka
- Peter Pan


Geek Of All Trades Takes On Hindi Films
Carla is not new to Hindi films, and neither is Filmi Geek a new blog. Carla has written over 90 Hindi film reviews to date, ranging from the 1950s films to the latest, e.g. Eklavya and The Namesake. Being a true geek of both films and languages, Carla's reviews are full of all the lingo one would expect from pro film critics (or my eglish teacher, God knows how much she hated me for not taking her class seriously :p). Add that to her deeply thoughtful and unique perspective on each film and you have a film review that is always a pleasure to read.
Welcome to BBNetwork Carla, very glad to have you aboard!
Labels: BBNetwork News


A firm believer in Self-Expression and Personal Development, Ora’s passion is to positively impact individuals to further their development through different forms of media, for example, film, music, and images to name a few. She has experience in vocal performance, directing, scriptwriting, painting/drawing and other creative mediums, and possess a wide array of talents that provides a holistic approach to the arts.
She has seen the positive impact of such artistic works Ora has participated in. One such example was a professional production of Spring Awakening. The production allowed the community, as well as individuals, to open a discussion on the controversial issues the play dealt with, caused a positive self reevaluation, and a new view on how they act and react in the world. Whether to provide a laugh, approach controversial topics, or simply to entertain a hungry mind, Ora uses all forms of media to delight the audience and better herself.
Ora Cevallos is our sound designer, artist, assistant director, and principle talent. A jack of all trades, she is an essential member of the team. She sings, draws, directs, acts, plays several instruments, and writes. There isn‘t anything the we could throw at her that she wouldn’t be able to pick up and learn.


Fernando Moya Delgado is an Actor, Dancer and Choreographer who was born and raised in Guayaquil, Ecuador. He graduated from Pace University-Pace School of Performing Arts with a BFA in Acting for Film and TV and a Dance Minor.
Fernando is currently working with Curet Performance Project, Teatro SEA, Grind Arts, Bated Breath Theater Company, Sitting Shotgun, Teatro 220 and Homegrown Theater Company.
Fernando’s work comes from a passionate, colorful background bred in his home country and a love for bringing people together.
Upcoming productions: Rough Draft Festival (March,NYC) High Tide (Short Film), and In the Tent of the King (April, NYC).


New Delhi, Nov 6: Senior Bollywood actor and Lok Sabha MP Shatrughan Sinha on Tuesday paid tributes to versatile Bollywood actor Sanjeev Kumar on his death anniversary.
In a tribute to Sanjeev Kumar, Sinha, who co starred with Sanjeev Kumar in films like ‘Khilona’ and ‘Kaala Pathar’, said,’’Tributes, Prayers & Respect for a phenomenal icon, genius legend #SanjeevKumar. His flair & range across all genres is remarkable & par excellence! He won several awards including the National Film Awards twice for ’Dastak’ & ‘Koshish’ respectively. He had no inhibitions...’’
Tuesday marks 33 years since the death of Sanjeev Kumar, who died at age of 47 due to a congenital heart condition . (UNI)


Tuesday, May 18, 2010
New Farce The Liar from Shakespeare Theatre Company
"BRIMMING WITH PUNS AND DELICIOUS WORDPLAY"
Shakespeare Theatre Company presents The Liar, a farce by Pierre Corneille, adapted by Broadway playwright David Ives. When the charming and handsome pathological liar Dorante enters Paris, he impresses everyone who hears his lies. But as his lies multiply, will Dorante be able to keep his lies straight and still manage to get the girl?
May 24 - 30, 2010
Get half off tickets at Goldstar


Greetings Steyr Movie Fans! Ok, I saw Lord of War in the theaters and I have to say it is a must see movie for anyone who would consider themselves a gun nut. Alot of action and solid acting make it one my favorites that will add to my dvd collection. The DVD will be available for purchase or rental on January 17th so pick-it up. I don't recall seeing any Steyr AUGs in the film, but I'm going to watch it again and again too see if I catch one. Safe Shooting.


The scene in Marvel’s Black Panther (2018) where T’Challa reunites with his father spoke volumes to me. Fatherhood, parenthood, manhood, so many relationships are being addressed by these two, and it struck me that even The Black Panther needed his father.
With everything going on in the world, it just reminded me of just how important parenthood is.
The hands that rock the cradle may not actually rule the world, but they determine how the world will be ruled by the next generation.
As I watched this scene again recently, I thought to myself that, “Dang, my superhero needed his superhero.”
When he needed direction and guidance, T’Challa needed T’Chaka.
The Black Panther needed his Black Parent.


When Justice League premiered in 2017, the evaluations had been decidedly blended: Even with robust performances from cast users like Gal Gadot, critics panned the overwrought particular consequences and felt the movie appeared cobbled alongside one another. Just one main issue was the departure of director Zack Snyder, who still left the film for family members reasons. Joss Whedon took above directing obligations and managed reshoots, and followers have prolonged suspected that Snyder’s variation of the film—the so-termed “Snyder Cut”—would be superior than the variation that was in fact launched. Soon after many years of speculation and hints (even Jason Momoa weighed in), Warner Bros. at last agreed to launch Zack Snyder’s Justice League on HBO Max, and the initial trailer dropped above the weekend.
The trailer characteristics Snyder himself introducing the motion, and you can check out it underneath:
“They said the age of heroes would hardly ever appear all over again.” Zack Snyder’s Justice League arrives on @HBOMax March 18th. #SnyderCut pic.twitter.com/ZY1rYEcu5M
— Zack Snyder’s Justice League (@snydercut) February 14, 2021
It’s been a prolonged street to get in this article. The initial Justice League price tag Warner Bros. hundreds of millions of pounds to make and distribute, and the studio shed close to $100 million on the film. Contemplating that large fiscal reduction and much less-than-stellar evaluations, the studio was reluctant to spend even more cash to make the Snyder Cut. In 2018, Warner Bros. announced it had no programs to launch Snyder’s variation of the film.
But followers (and Snyder himself) hardly ever shed hope. 1st, there was a extensively circulated petition to get Warner Bros. to launch the Snyder Cut. In 2019, a supporter posted a video of Snyder confirming his reduce did exist, but it was up to the studio to in fact launch it. In May 2020, it grew to become official: The studio announced Zack Snyder’s Justice League would premiere in 2021.
In the trailer, you are going to see a great deal of familiar faces from the last Justice League, including Gal Gadot as Wonder Girl, Ben Affleck as Batman, and Henry Cavill as Superman. But Snyder aims to make a extremely distinct movie than the 2017 launch. He’s refused to check out Joss Whedon’s film, and suggests the new variation of Justice League will be totally his individual.
“I’d ruin the movie, I would established it on fireplace in advance of I would use a single body that I did not photograph,” he told The Wrap last July.
Zack Snyder’s Justice League debuts on HBO Max on March 18.
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Maya M., Culture Change Manager, comes from the world of storytelling for social change. Born and raised between the U.K. and U.S., her background has drawn her to nuanced stories that progress social movements. Maya joined Caring Across Generations after deciding to utilize her passions for art and activism towards caregiving, a reality core to her upbringing and family. Prior to joining the team, Maya spent six years as a campaigner and digital strategist, working on films such as Academy Award winning documentary American Factory, When They See Us, John Lewis: Good Trouble, and Judas and the Black Messiah. Her campaigns have received recognition from institutions including: Fast Company’s World Changing Ideas Awards, Cannes Lion, Shorty Awards, and the Webby Awards. In between strategizing and mobilizing, Maya loves to watch animated films, take film photos, and listen to early 2000s R&B.


I AM LEGEND (2007), film review
English days on Click! by students of 4F. That’s their experience:
“On Friday afternoon we have watched films in English with English subtitles, so as not to over-hang the last hours of the day.
In the next lessons we usually discussed about the films watched in the classroom, highlighting the parts that we liked.
Noticing an interest in the subject, the teacher Silvia Avanzolini proposed us to write a review on a film, following the example of the analysis we did on the films watched in class.
The students who took part in this project are: Stefano Valenti, Mirko Zapponi, Andrea Conti, Mirco Brambilla, Emanuel Ragusi and Alessandro Matera of the class 4F.”
Emanuel Ragusi and Alessandro Matera declare: “We chose “I Am Legend” because for us it is a film with a simple plot but well told. We were particularly impressed by the choice of special effects.”
The film is set mainly in a post apocalyptic New York, the protagonist’s name is Robert Neville (Will Smith). Robert lives in a now abandoned NY, his purpose is to find a cure for the people who were transformed into “zombie” by another supposed cure for cancer. After the development of a serum Robert spends his time in NY trying to catch zombies every day to test the serum on them. Staying alone for a long time he starts to become crazy, in fact in a part of the film Robert tries to kill himself but a woman saves his life. This episode will give Robert the strength to go back to working with the serum, saving humanity.
The protagonist’s interpretation by Will Smith in the film is fantastic, especially during the period when Robert is alone and his loneliness is destroying his mental sanity and so he starts to doubt about everything and thinks of giving up everything he has done before.
We will see Will Smith or Robert having perpetual frustrating moments during the film, where he will sadly remember his strong affective attachment to his family and how he had to break up with it. These moments are very well narrated, and show the mental condition of Robert Neville.
The film is directed by Francis Lawrence who also made Hunger Games series. The special effects are amazing in fact the initial budget of the film was about 159 millions US dollars. In our opinion the soundtrack is incredible, it made me feel completely involved in the film. Indeed that film has won also a World Soundtrack Award.
In the end…
The film overall was really good, a simple story with a superb narrative featured by amazing special effects and awesome landscapes; but in the film the causes of the disease named Krippin Virus are not well explained, and personally this is an important lack of the narrative.
Original Name: I am Legend
Director: Francis Lawrence
Genre: Thriller Horror
Release date: December 2007
by Alessandro Matera & Emanuel Ragusi


Georgia’s Film Industry can be traced as early as 1912 and Central Georgia is the number one choice for set locations & film projects. There are three Fall Line Cities in Georgia and Macon is one of them. Macon’s one-of-a-kind geography that includes rolling hills and smooth plains, has become the home of many film productions. What’s more interesting is that Macon houses 5,500 National Register historical structures in all its 11 districts!
Unique architecture, numerous industrial sites, talented local people, reasonable expenditures and ofcourse, their genuine Southern hospitality makes Macon one of the greatest filmmaking locations.
This suspense movie titled “The Crazies” was filmed in Middle Georgia and you might identify the extras here if you’re from Georgia as they hired locals for this movie. This movie was rated R because the scenes are not suitable for very young audiences as it contains violence and explicit language.
Trouble With the Curve:
Trouble With The Curve movie has already been filming in various location in Georgia including Atlanta, Athens, Conyers and Macon. The movie stars Clint Eastwood as a senior sports scout who attempts to improve his relationship with his hostile daughter during a baseball recruiting trip. The beautiful and talented Amy Adams plays as his daughter and Justin Timberlake is his opposing scout.
Film Industry in Georgia has been known that it is always ready for films and TV productions with a very attractive financial incentives with almost 30% of savings, exceptional location, affordable resources and amazing professional support that will surely make any production be successful.
The direct flights from over 200 cities in Georgia makes it very easy to fly in celebrities and talents any time. You don’t have to worry about the stay as there are lots of fine hotels and restaurants to choose from. With a very nice moderate climate all over the year, Georgia really is one of the best places to film movies, commercial and other broadcasting projects.
Macon Film Commission:
Macon Film Commission go between filmmakers who wants to make Central Georgia their location for various projects. With the help of the Macon Film Commission, the flow of projects will run smooth be it a commercial, movie or other broadcasting projects. The talented commissioners will help you in the following:
- Supports set location assistance
- Makes connections to local businesses and city officials
- Supplements information in finding the best local production crew
- Aids in casting calls to find talented actors all over Georgia
Macon Film Festival was made to celebrate the amazing arts and crafts of filmmakers and to present indie films that are rarely seen in Macon, Georgia.
The Macon Film Festival invites all filmmakers, both mainstream and independent, to promote their films in Central Georgia. Entertainment, Education and Inspiration focused movies in all genres, themes and media are welcome to show the community their talent in filmmaking.
Movies from Macon:
In hopes of competing in the Negro National League, an African-American baseball star puts together his own highly theatrical team. - via IMDb
An idiosyncratic interior designer demands to spend one night alone in her clients’ homes before commencing re-decoration. Little does she know, her next job may be her last. - via IMDb
A talkative grandmother and her family encounter a killer who calls himself “The Misfit”. - via IMDb
“Superhero” follows the story of Margot, a young woman coping with the death of her parents by wearing a homemade superhero costume. She doesn’t know exactly when she started wearing the costume or why it makes her feel better, but somehow it has become her new skin. With the help of a few friends, and a unique comic book club, Margot begins to take her first steps back into the real world. - via IMDb
A group of aspiring actors attend a cast party for their low budget slasher movie. Missing from the fun is the movie’s director, who later the cast finds out is a killer herself! What lies ahead is a story of gruesome murder, spine-tingling suspense….and side splitting comedy? What demise will our young actors meet? Will anyone survive?…or will they all starve waiting for the pizza guy to arrive? - via IMDb
No one he touches will ever be the same. - via IMDb
Johann Bach teams up with the mysterious Josh after he is resurrected by a failing rap artist. Thus ensues a murderous rampage that can only be quenched by one thing: cop John Cannon’s magnum. - via IMDb
A socially conscious monster movie in which zombies symbolize society’s disadvantaged and oppressed. - via IMDb
A 1940s Tennesee welfare worker learns that Georgia Tann, the charismatic head of a local adoption agency, is actually running a black-market baby ring behind the Tennesee Childrens Home Society. - via IMDb
Beautiful young Daisy feels stuck working as a shopgirl by day and caring for her ailing mother by night. A suicide gone wrong leaves Daisy wrongly imprisoned, while the neighbor whose testimony put her away struggles with guilt. A tongue-in-cheek homage to 1950s women-in-prison films. - via IMDb
A Southerner–young, poor, ambitious but uneducated–determines to become something in the world. He decides that the best way to do that is to become a preacher and start up his own church. - via IMDb
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Here's my latest Baffler piece, in which I review the Netflix series Orange Is the New Black in the context of some classic Hollywood-era women's prison movies. My take, basically, is that while the show is enjoyable and has moments of real power, ultimately it falls short by indulging in too much audience-pleasing sentimentality and comedy shtick. For a far tougher look at a women's prison that does a much better job at looking at prison as a system, I strongly recommend the classic 1950 film noir Caged. The critic Jonathan Rosenbaum called Caged “probably the most ferociously effective and politically potent women’s film ever made.” He was right.
Eleanor Parker in Caged (1951)


ISC-Cairo students from grades 4 to 12 have the opportunity to participate each year in drama productions.
The ISC-Cairo campus includes a large, purpose-built theater that accommodates an audience of up to 600 people. The theater includes state-of-the-art lighting equipment as well as professional-standard projectors mounted on lighting bars for productions.
Throughout the school year, ISC-Cairo offers a number of theater-related activities, which offer our students the chance to learn improvisation and prepare monologues, as well as guidelines for high school students interested in working backstage.
The ISC-Cairo School Musical is one of the highlights of the year. Past musicals have included “Mama Mia,” “Grease,” “Hercules,” “The Wizard of Oz,” and “The Jungle Book,” among others.


Jennifer produced and directed the critically acclaimed broadcast hour documentary Crimes of Compassion for Global Television. She has also produced programming for CTV, CBC, Rogers, Prime, Knowledge, W, Corus Entertainment and Noga Communications in Israel. Her films have been screened at numerous festivals and exhibitions around the world.
Jennifer's vision as a director is to produce socially relevant films with the intention of stimulating positive change.
Some of the themes she has explored in her films include environmental and Aboriginal issues, women's rights and alternative health.
Jennifer was recently awarded the Times Colonist award as one of Vancouver Island's 2006 "Top 40 Under 40" for her achievement in the field of Entertainment.