1986/09/14 · With John Shrapnel, Juliet Stevenson, Donald Eccles, Robert Eddison. A trilogy of plays detailing the tragic fate of Oedipus and his children, as well as. 1986/09/16 · Directed by Don Taylor. With Michael Pennington, Claire Bloom, John Gielgud, John Shrapnel. Plagues are ravaging Thebes, and the blind fortune-teller Tieresias tells Oedipus, the King, that the gods are unhappy. The murder of the. This volume offers the fruits of Peter Meineck and Paul Woodruff's dynamic collaboration on the plays of Sophocles' Theban cycle, presenting the translators' Oedipus Tyrannus 2000 along with Woodruff's Antigone 2001 and a. Sophocles’ masterpiece is the cycle, named by the specialists The Theban Plays, or the Oedipus cycle. They tell the story of the mythical king Oedipus of Thebes and his descendants. The plays were written across thirty-six years.
Theban Plays Book Summary: This powerful new rendering of the plays of the Theban cycle includes, in addition to the translators' celebrated Oedipus Tyrannus, annotated new translations of Antigone and Oedipus at Colonus. Theban plays The Theban plays consist of three plays: Oedipus Rex also called Oedipus Tyrannus or Oedipus the King, Oedipus at Colonus and Antigone. All three plays concern the fate of Thebes during and after the reign of. Download The Theban Plays ebook for free in pdf and ePub Format. The Theban Plays also available in format docx and mobi. Read The Theban Plays online, read in mobile or Kindle. Greek theater still needs to be read, but we must not forget that, because it is so alien to us, reading these plays calls not only for analysis, but also for imagination. Antigone Antigone was probably the first of the three Theban plays. The women of Thebes were famed for their skills at weaving. Theban silk was prized above all others during this period, both for its quality and its excellent reputation. Though severely plundered by the Normans in 1146, Thebes.
1984/02/07 · The heroic Greek dramas that have moved theatergoers and readers since the fifth century B.C. Towering over the rest of Greek tragedy, the three plays that tell the story of. Towering over the rest of Greek tragedy, Sophocles' The Three Theban Plays are among the most enduring and timeless dramas ever written. This Penguin Classics edition is translated by Robert Fagles with introductions and notes.
Free download or read online Antigone pdf ePUB The Theban Plays Series book. The first edition of this novel was published in -441, and was written by Sophocles. The book was published in multiple languages including English.
The stirring tale of a legendary royal family's fall and ultimate redemption, the Theban trilogy endures as the crowning achievement of Greek drama. Sophocles' three-play cycle, c. 1984/02/07 · About The Three Theban Plays The heroic Greek dramas that have moved theatergoers and readers since the fifth century B.C. Towering over the rest of Greek tragedy, the three plays that tell the story of the fated Theban royaland.
Sophocles’ Theban Plays—Oedipus the King, Oedipus at Colonus, and Antigone—lie at the core of the Western literary canon. They are extensively translated, universally taught, and frequently performed. Chronicling the downfall of. The Three Theban Plays - Oedipus the King - Oedipus at Colonus – Antigone by Sophocles Translation by F. Storr To Laius, King of Thebes, an oracle foretold that the child born to him by his queen Jocasta would slay his father and. 2019/10/13 · Quotes tagged as "the-theban-plays" Showing 1-7 of 7 “There was the girl, screaming like an angry bird, When it finds its nest left empt and little ones gone.". 2014/02/14 · A video blog in which I discuss Sophocles' Theban Plays--Oedipus Rex, Oedipus at Colonus, and Antigone. A video blog in which I discuss Sophocles' Theban Plays--Oedipus Rex, Oedipus at Colonus, and Antigone. Sign in.
PLAYS OF SOPHOCLES OEDIPUS THE KING OEDIPUS AT COLONUS ANTIGONE OEDIPUS THE KING Translation by F. Storr, BA Formerly Scholar of Trinity College, Cambridge From the Loeb Library Edition Originally. 2014/10/14 · I will be attending the 9th grade after summer and this was a mandatory book we had to read. Antigone kept me on the verge of my seat and was a constant page turner, filled with action,sorrow, and love. The book was difficult to read. Theban Plays, Brooklyn, New York. 202 likes. 2015. Facebook is showing information to help you better understand the purpose of a Page. See actions taken by the people who manage and post content. SOPHOCLES 496?-406 B.C. Antigone An English Version by Dudley Fitts and Robert Fitzgerald Person Represented ANTIGONE ISMENE EURYDICE CREON HAIMON TEIRESIAS A SENTRY A MESSENGER CHORUS. 2019/12/28 · About The Theban Plays ‘O Light! May I never look on you again, Revealed as I am, sinful in my begetting, Sinful in marriage, sinful in shedding of blood!’ The legends surrounding the royal house of Thebes inspired.
2018/01/09 · The Three Theban Plays: Antigone, Oedipus the King, and Oedipus at Colonus Translated by Francis Storr with Introductions by Richard C. Jebb [Sophocles, Francis Storr, Richard Claverhouse Jebb] on. FREE. The timeless Theban tragedies of Sophocles—Oedipus the Tyrant, Oedipus at Colonus, and Antigone—have fascinated and moved audiences and readers across the ages with their haun.
Get this from a library! Theban Plays. [Sophocles.; Paul Woodruff; Peter Meineck] -- This volume offers the fruits of Peter Meineck and Paul Woodruff's dynamic collaboration on the plays of Sophocles' Theban cycle, presenting the.
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Leila Kotori's Biography
Leila Kotori is a British actress, born in the small seaside town, Exmouth, Devon.
From a young age she was always involved in performing arts, starting at the age of 5 in ballet and continuing on to tap and modern dance until she was 15.
Immediately after starting Secondary school she enrolled in an award winning youth theatre company and has been passionately pursuing acting ever since.
She studied screen acting at Redroofs Theatre School completing her diploma in 2009, since then she has appeared in numerous film and TV productions.
Her accomplishments include being cast in 'Human' the multi award winning short by Patrick Ryder, feature films 'Set me Free' (2016) by Kris Smith, 'Fighting Heart' (2017) by Lee Hampton and 'Palatable' by Hartfelt media Ltd.
Behind the screens Leila has written and Co - produced the concept film 'Blame' (Hartfelt Media ltd)
Over the last three years Leila has branched into writing young adult fiction, her contemporary fantasy/paranormal novel, 'PowerBorn', was her launch as a first time author.


Discovering Steiner’s Six Dramatic Gestures
Drama, Speech & Poetry Teacher; Teacher Trainer
Drama potentially provides an endless resource for the development of educational and “life” skills. It is particularly valuable as a growth process in self-expression and the discovery of human qualities in ourselves and in others.
In this certificate course of five sessions, participants will practice dramatic scenes from a Greek Play Demeter and Persephone that was written as a class play. We will explore how to find character and dramatic tension using the six dramatic exercises suggested by Rudolf Steiner in his Speech and Drama lectures. This work also lends itself to the discovery of the Female and Male Greek Archetypes and their expression in our world today.
Skills to enhance:
Through dramatic games, exercises and performance, teacher will learn to help children:
- Develop confidence in self-expression and communication: This involves improving speech articulation and fluency, enhancing imaginative and flexible thinking, overcoming self-consciousness by being in front of peers and adults, utilising the body creatively, actively listening and adapting to others, connecting emotionally through objective experiences, practicing sensitivity in interactions, and exploring various dramatic styles.
- Develop social skills: Child’s social skills grow through drama by fostering responsibility for collective success, instilling commitment to project completion, building empathy through character portrayal, promoting sharing with audiences, teaching receptiveness to direction, encouraging teamwork and assistance, cultivating self-discipline, awareness, and concentration, and igniting curiosity for worldly exploration and comprehension.
- Kindle their interest in reading, literature and language: Child’s reading and language interest is aroused through drama by creatively engaging with literature, portraying diverse historical characters and situations, reading new materials like scripts and stories, and interacting with writings from renowned playwrights.
About Daniel Stokes
He currently lives with his wife in Portland and spends much of the year training teachers and mentoring in Waldorf Schools.


Footprints tell the story of five college friends, who are settled in their lives. Mohsin, the protagonist, loves to capture the natural beauty of Kashmir through his still camera as he is going to lose his eyesight in the next six months which his non-Kashmiri friends are not aware of. He wishes to spend some time with his friends and invites them to Kashmir. Despite resentment of the families of non-Kashmiri friends, they make it happen and the friends start their journey, which somehow from a charming expedition turns to be an odious one.
Javid Banday is a Canadian based filmmaker, who did his post graduation from Sheridan College film School in 2008. Mr. Banday served in All India Radio, Dubai TV and many Canadian based television channels. He has written, directed and produced many radio and television plays, documentaries, TV commercials, short films and feature films. Mr. Banday bagged national award for writing and producing documentary on Manto. He have been co-writer and co-producer for a bunch of Hindi movies that includes "Million Dollar Nomad" bought by "House of Film" a Los Angeles based North American Distribution Company. Mr. Banday’s has been associated with feature films entitled, Identity Card Ek Lifeline, Side A and Side B and Mantostaan. Mr. Banday has recently completed his first feature film as writer & director and producer “FOOTPRINTS “based on Kashmir. Footprints was premiered and screened in Canada and India in July 2022 and travelled across more than 40 film festivals, got 15 nominations, 6 awards and 6 semi-finalist selections. It will be soon on OTT platforms. Mr. Banday is currently working on his next project “The Immigrant” based on the life of immigrants in Canada.


Jafar then turns the Sultan into a puppet, allowing Iago to torture the Sultan by force-feeding him crackers as revenge for the crackers the Sultan fed Iago. Baylee from our ghost hunting group R.E.D. If someone has more information about the cast, please use the contact section. However, due to Aladdin's wit and Hercules's strength, Jafar is defeated for the final time, being pulled into the River Styx forever. The film is scheduled to be released on January 20, 2022. voiced by Jonathan Freeman and 7 others. He was the first actor cast, and spent one year and nine months recording dialogue; he went months without any other actors to interact, and later interrupted theater tours to fly to Los Angeles and record newly written lines. He has lost his status as an all-powerful immortal genie after dying, but Hades gives him a new cobra staff that makes him flesh and blood as long as he holds it, and the two villains team up to get rid of Aladdin and Hercules. A live-action version of Jafar appears in the Once Upon a Time spin-off Once Upon a Time in Wonderland. The peddler then begins to tell us a tale… The Sultan later scolds Jafar for supposedly executing an innocent life behind his back without consulting him, in which Jafar pretends to regret his actions and promises not to do it again. In Aladdin, Jafar is instead played by actor Marwan Kenzari, dubbed “the New Hot Jafar” by Vulture upon his casting announcement in August 2017. Jafar and Iago in Aladdin. Jonathan Freeman, BFA ’72, the voice of Jafar from Disney’s animated movie Aladdin and the actor who plays the role in the Broadway stage production, shared with students in the School of Theater his more than 50 years of experience on the stage, in the recording studio and on television via three virtual masterclasses and two Q&A sessions the week of Nov. 2. In the original Aladdin, Jafar establishes himself one of the greatest villains in Disney history, alongside Ursula, Scar, and Captain Hook. Disney's live-action remake of "Aladdin" went viral yesterday after fans on Twitter freaked out that the first-look photos of Genie (Will Smith) differed wildly from the way he looked in the original. $25.99. Jonathan Freeman was born on February 5, 1950 in Bay Village, Ohio, USA. The actor of interest is Marwan Kenzari, a Dutch actor with credits in "The Mummy," "Ben-Hur" and "The Promise." Jafar is the main antagonist of the 1992 Disney animated film Aladdin and its first sequelThe Return of Jafar. JONATHAN FREEMAN Jafar (ALADDIN & RETURN OF JAFAR) 12 Broadway shows including: ALADDIN on Broadway as Jafar Numerous Film & TV Oscar Nominated Documentary: LIFE ANIMATED Jafar secretly plots to obtain the Genie's magical oil lamp and rule Agrabah. Jafar betrayed Amara by transforming her into his serpent staff so that he could have her power for himself. Knowing the power that Aladdin wields, Sinbad asks Aladdin to lend them his power in capturing the Fog Troupe. Jafar is featured in many episodes of Disney's House of Mouse where he is often found in the audience. Ahmed is another actor who passed on the title role of Aladdin. Here, he plans to use The Heartless and take over Agrabah while he attempts to locate both Jasmine (as she is one of the Princesses of Heart) and Agrabah's Keyhole. Jafar is the main antagonist of Disney's Aladdin franchise. Aladdin uses that character flaw to trick Jafar into using his last wish to become a genie, resulting in his imprisonment and being thrown into the Cave of Wonders by the Genie. Aladdin introduces himself and summons Ugo, which surprises Ja'far. Like The Return of Jafar, Iago will reform and decides to betray Jafar for abusing him. The Return of Jafar (1994) Aladdin and the King of Thieves (1996) Aladdin (2019) Powered by Create your own unique website with customizable templates. The Cat!. Aladdin battles Jafar (who has turned into a giant cobra) and taunts him with the fact that he is only the second-most powerful being on Earth after Genie, who was the one who gave him his power in the first place and can very easily take it away. Jafar Navid Negahban. Actor - Jafar in Aladdin. Aladdin. Jonathan Freeman voiced Jafar in both games. Source: Walt Disney Studios He’s also made it clear how excited he … Jafar is the biggest problem with the live-action Aladdin remake. In the Starkid production, Twisted, Jafar is a main character and the storyline tells the Aladdin story from his point of view. In Kingdom Hearts II, Jafar's lamp is found by the Peddler, making him a target for Pete as he reveals his intent to make Jafar into a Heartless under his control. Jafar, the Grand Vizier, is being played by the Tunisian-Dutch actor Marwan Kenzari, ... One Twitter user supported Jasmine pursuing a relationship with Jafar as opposed to Aladdin. Once Pete is driven off, the lamp is placed within the palace for safe keeping. Jafar, seeking a queen to rule Agrabah alongside him, offers Jasmine his hand in marriage. From the style of his costume to his facial hair, there are several notes of Jafar in this character. After trying to sell us on his wares, he pulls out an old oil lamp, claiming it "once changed the course of a young man's life. Jafar plots to get revenge on Aladdin. $30.36. Jonathan Freeman (born February 5, 1950) is an American actor and puppeteer, known for puppetering and voicing Tito Swing in Shining Time Station and for voicing Jafar in Disney's Aladdin franchise, as well as the Kingdom Hearts franchise and the 2011 Aladdin musical. Actor Marwan Kenzari plays the villain Jafar in Disney’s live-action “Aladdin” adaptation. Andrews did not reprise his role in Once Upon a Time's sixth season due to a scheduling conflict, and he was replaced by Oded Fehr. The character had a lot of different influences, but one of his real-life inspirations was actor Conrad Veidt's portrayal of the Jaffar, the evil sorcerer in The Thief of Bagdad. voiced by Frank Welker. He graduated from Ohio University. After the heroes arrive, with Iago taking a hit meant for Aladdin, Sora defeats Jafar, causing him to implode with his lamp dissolving soon after. Actor - Jafar in Aladdin. Free shipping . Aladdin 2019, directed by Guy Ritchie, has been something of a surprise. Early in the film, Aladdin is imprisoned in the palace dungeons, as arranged by Jafar due to his influence over the guards. The Return of Jafar (in any other case known as Aladdin and the Return of Jafar or Aladdin 2: The Return of Jafar) is a 1994 American direct-to-video vivified melodic dream expertise film delivered by Walt Disney Photos and Tv. Freeman began his run starring as Admiral Boom and the Bank Chairman in the Broadway production of Mary Poppins on December 12, 2009.. Jafar primarily operated from a secret lair hidden behind the walls of his bedroom in the Sultan's palace.Whilst presenting a charming and respectable exterior to the Sultan and the people of Agrabah, he secretly holds everyone around him in contem… Aladdin Naomi Scott. Freeman can be heard on the 1997 Varèse Sarabande studio recording of the flop 1965 musical Drat! Upon arrival in the lamp chamber, they engage Jafar in battle after he used his second wish to enlist Genie's help in the fight. D isney debuted a first look at the cast for their new live-action version of Aladdin on Wednesday and if the Internet is any indication, it appears that Jafar … , Animator Andreas Deja decided to design Jafar in a way he was contrasting to the other characters, with many vertical lines against the curvy designs based on Al Hirschfeld. Jafar is a fictional Grand Vizier, sorcerer and one-time genie featured in the Aladdin film series produced by Walt Disney Pictures. He was also seen on stage as Cogsworth in Disney's Beauty and the Beast, and originated the role of Grimsby in Disney's Broadway production of The Little Mermaid.. Freeman reprised his role as Jafar in the Hercules crossover with Aladdin. JONATHAN FREEMAN Jafar (ALADDIN & RETURN OF JAFAR) 12 Broadway shows including: ALADDIN on Broadway as Jafar Numerous Film & TV Oscar Nominated Documentary: LIFE ANIMATED He is always accompanied by his sarcastic, devious pet parrot, Iago. In exchange for Aladdin's help in retrieving the lamp from the Cave of Wonders, Jafar reveals an escape route from the prison and promises him a reward if he succeeds, it is soon revealed that the reward is death. He is evil, the worst sort of traitor, betraying the Sultan while pretending to be a faithful adviser. In the 1992 adaptation of Aladdin, where he is voiced by Jonathan Freeman, Jafar is the Grand Vizier of Agrabah, the Sultan's most trusted advisor. Aladdin Jafar (1992) Mathnet Joshua (1990) Shining Time Station: 'Tis a Gift Tito Swing (1990) A Shock to the System Decorator in Bob's Office (1990) Kids-TV D.J. Images of the Jafar voice actors from the Aladdin franchise. Disney ENCHANTED EMBLEMS Aladdin JAFAR Spinner LE 3000 Trading Pin. Jonathan Freeman, BFA ’72, the voice of Jafar from Disney’s animated movie Aladdin and the actor who plays the role in the Broadway stage production, shared with students in the School of Theater his more than 50 years of experience on the stage, in the recording studio and on television via three virtual masterclasses and two Q&A sessions the week of Nov. 2. Aladdin is a 2019 American live-action animated musical fantasy film produced by Walt Disney Pictures.Directed by Guy Ritchie, from a script he co-wrote with John August, it is a live-action adaptation of Disney's 1992 animated film of the same name, which itself is based on the eponymous tale from One Thousand and One Nights. An inspiration to the character is the villain Jafar, played by Conrad Veidt in The Thief of Bagdad, from which Aladdin borrows several character ideas and plot elements. Jafar is the main villain of the 2019 live action remake of Aladdin. Seeing “Prince Ali” as a potential threat to his plans and a rival for Jasmines’s hand in marriage, he plots to dispose of him. He notices Aladdin, however, from the reflection of Jasmine's crown, and he realizes the whole thing was a ruse. When his pet parrot Iago suggests an alternative plan, Jafar decides to use the hypnotic powers of his cobra-headed staff to manipulate the Sultan into mandating a marriage between himself and Jasmine. SEE ALL Games » Jasmine angrily refuses and throws a cup of wine in his face. He is the power-hungry Grand Vizier of Agrabah who serves as Aladdin's arch-nemesis and Iago's former owner and boss. However, as Jafar revels in his newfound phenomenal cosmic power, he finds out too late that Aladdin has tricked him into wasting his wish on becoming a genie, since genies are not free beings, and becomes trapped in a magic lamp of his own, and the lamp is sent into the Cave of Wonders by the Genie. Jafar decides to use his final wish to become Sultan and the of! Like Aladdin, but no one remembers him Retired LE RARE HTF Disney Pin - Park July! Of everybody else around him Aladdin to lend them his power in capturing the Fog Troupe 2019 live remake. 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Virtual Community Screening
April 18 ~ 5:00pm PT
Join the Stakeholder Business community for a free, virtual screening of the critically acclaimed film, Beyond Zero. Hailed as "the most important business story of the last 100 years," this film will leave you inspired and motivated to change business for good.
Q&A With The Film's Director
April 18 ~ 6:30pm PT
Following the screening, participants will have access to a live Q&A session with the film's Writer & Director, Nathan Havey, to hear about the inside story of the Interface journey and ask any questions inspired by the film.
Sign up here for the Beyond Zero private screening


Rachel Finley is a Colorado native who has been active in theatre for over 10 years. She studied performing arts at Colorado Christian University earning her Bachelors of Arts then spent time in New York City continuing her studies at the American Musical and Dramatic Academy. Starting her theatre career as an actress, she transitioned to also being a costume designer in 2012. In 2016, she created her own costuming company named Rachel’s Costume Shop. She has worked with many theatres and directors around Denver and Colorado on both musical and dramatic productions and has costumed casts as small as 2 and as large as 40.


Endgame is both a dark, sordid tragedy and a witty, ironic parody of life itself; as such, it has a little something for everyone. I hope that – at the least – some parts of this story spoke to you directly. Considering this, what are some of your favorite quotes or passages from the text? Why do these excerpts resonate with you?
Monday, April 22, 2013
Any worthwhile story has a source of tension that propels the characters, and usually a central protagonist who must confront the problem and overcome obstacles en route to a discovery of self or other. Endgame is a classic drama – but one which avoids some of the trappings and traditions of pre-twentieth-century literature. What is the tension at play in this work? Who is the “hero” and what is his journey and discovery?
Wednesday, March 6, 2013
Cliffs notes are over-rated. Who needs them when all of you start plying your critical reading skills to the text at hand? So here we go . . .
What is the key, central passage in Frankenstein that works to reveal the theme of the work, or a central tenet, or a major understanding of character? While you needn't quote the entire passage, refer to it specifically, along with the page number, and include some commentary on why you believe this passage to be so significant and indispensible to the work.
Thursday, January 31, 2013
|Where does Language and typical human behavior fail us in Much Ado? Note a specific scene or two where the characters fail to understand each other. What is the cause or result of this misunderstanding? With these examples in mind, what is Shakespeare noting about human nature and the facility of language?|
was a rebel, a mover and shaker, and an instigator who enjoyed turning convention
on its ear. With this in mind, what typical conventions does he
introduce and fiddle with in Much Ado? Consider stock characters,
social rank and status, gender roles, marriage, love, cultural fears and
taboos, and even the comic structure itself.|
Wednesday, January 30, 2013
|What contrasting images and ideas (or elements, including character) do you see at work in Much Ado? And because we can't possibly leave our understanding at the doorstep of mere observation, What SIGNIFICANCE do these contrasting images serve?|


For this assignment, for 3 stars, I did a movie intro. Going along with the 80’s theme, I wanted to make a trailer for Pretty in Pink. I created this in iMovie using LOOOTS of different photos from Google Images, and then used iMovie trailers to make all of the transitions. With the audio, I did the suspenseful one, kind of to make it ironic since it’s a rom-com movie. I really like how it turned out and I made myself laugh for sure. I explain the basic plot and filled in the rest. I was able to use pictures of the characters and the vinyl shop from the main background of the movie. I spent way too much time making sure the timing and pictures for each one was right. After finishing, I uploaded the video to vimeo. ENJOY!


adidas Paris released “Odyssée Grandeza”, a unique 3’30” film that pays tribute to the legendary football club, Real Madrid and its 120 year-long legacy. Inspired by manga, the film focuses on French footballer Karim Benzema with many nods fans will recognize referencing the club’s legends, goals, and jerseys. An ambitious storytelling to connect the brand to its audience through culture.
The film features 3 teenagers who must draw upon this communal spirit, incarnated by Karim Benzema, as they find themselves playing a match against supernatural forces in the club’s historic stadium, Santiago Bernabéu. A journey of initiation, the film celebrates the mindset that drives the club that has led to so many victories, by drawing upon another cultural phenomenon for today’s youth and sports enthusiasts, Japanese manga.


Creative Films was first established in 1988. Craig Walsh set up the company when he was a teenager. He was exposed to the power of film from an early age.
Inspired by his father and grandfather who were both successful cinema projectionists. Video and capturing moments in time was and is still his passion.
Initially filming weddings for little or no money in his weekends for family and friends, Craig worked a full-time job during the day and tirelessly spent his nights and spare time editing the wedding videos he filmed. He had a vision of one-day filming weddings full time and so Creative Films was born.
Fast forward twenty-seven years and today the business is thriving and, due to demand, Craig only takes on four weddings per month. His talent lies in capturing the beauty and intimacy of those special moments that many couples miss on their wedding day.
Craig’s effervescent personality, easy going nature and infectious sense of humour have him consistently held in high regard with the couples he films for and his wedding industry peers. Craig often films weddings for couples who then recommend him to their extended family and friends as they’ve seen the amazing cinematic wedding highlights and they want a wedding video exactly the same.
Creative Films has filmed weddings for A-listers, celebrities and royalty alike including the King of Tonga, Jonah Lomu, Richard Kahui and Campbell Myers to name but a few.
We look forward to capturing your special day for you.


Now Entering Russ's World
Magic Mike debuted three years ago starting Channing Tatum and Matthew McConaughey. The movie received critical praise, and some critics compared it to a modern day Saturday Night Fever. The film grossed $113,7 million and put Channing Tatum on the Hollywood A-list. So naturally, there is a sequel Magic Mike XXL.
McConaughey doesn’t return in this sequel, but True Blood’s Joe Manganiello returns for another stunning performance alongside Channing Tatum. According to the story, a few years have passed and Mike is making an honest living. The guys get together and push Mike in to doing one last show at a stripper convention in Myrtle Beach to do it up in style. Eventually, Mike gives in as a way to provide health insurance to his employee.
This time it’s not all about the guy’s, the women of the film play a strong role. One of the strong female characters is Lauren, played by Crystal Hunt. In the story Lauren and her sister Megan brings the strippers back to their house where they meet Nancy, played by Andie MacDowell.
Viewers may recognize Hunt from her role in daytime television as Lizzie Spaulding on Guiding Light and Stacy Morasco in One Life to Live. Hunt earned a Daytime Emmy Award nomination for her role as Lizzie Spaulding. Her website suggests that Crystal Hunt was born in Clearwater, Florida, and participated in pageants at the age of two. Hunts career took her from the runway to television commercials, and then on to daytime television. Hunt also appeared in the family feel good movie, The Derby Stallion. Hunt is also appeared in the romantic comedy Sydney White. In 2013, Crystal Hunt co-starred alongside Arielle Kebbel in NYC Underground from Lionsgate. Magic Mike XXL pulled the actress from daytime television into one of the hottest girls-night-out movie of the 2015 summer. Crystal can be found online through both Vimeo, and is also easily available on her Instagram account as well.
Magic Mike XXL is not only entertaining it was exhilarating. The female roles in the movie make the men look like they are brimming in mysteriousness and complexity. Male vulnerability is incredibly sexy especially dancing for and with a woman. The quieter parts of the movie have a relaxed and soft kind of humor that perfectly matches with Channing Tatum’s charm.


Set in Elizabethan England, Blackadder - The Golden Age is a timeless story of boy meets girl disguised as boy, boy falls for girl/boy and questions his sexuality, boy owes money, boy is kidnapped, boy is in danger of suffering an agonising death, boy loses girl, boy becomes King...Just a typical week in the 17th century. The play is a mash-up of the best characters and scenes from the much loved television programme and transports Lord Edmund Blackadder, Baldrick, Lord Percy, Queenie and other wonderfully ridiculous characters from the small screen to the stage. Such comedy gold makes for great night’s entertainment, so create a cunning plan and join in the fun! Inspired by the BBC’s series written by Richard Curtis and Ben Elton, directed by Angela Newell, adapted for stage by Jason Fraser. Show is is R13-rated with some adult themes and language.
Individual tickets can be bought via the link below, but if you’d like to arrange a discounted group booking, please contact Dean Swain on [email protected].


Michael J. Arndt has been a Professor of Theatre Arts at California Lutheran University for the past thirty-eight years and is currently the chair of the Theatre Arts and Dance Department. He is a founding member of the Kingsmen Shakespeare Company and has served as the company’s Artistic Director for the past 24 years. He has written several plays and contributed to the book, Theatre in Cyberspace. He is a past president of the Southern California Educational Theatre Association, a past board member of the Alliance for the Arts, The California Educational Theatre Association, and The Region VIII Kennedy Center/American College Theatre Association and currently serves on the board of Warfighter Advance, a veteran’s support organization. He has received a number of awards including: the Thousand Oaks Arts Commission Certificate for Excellence in the Arts, The California Lutheran University President’s Award for Teaching Excellence, the national MacBeth Award for Computing in the Liberal Arts, The Kennedy Center/American College Theatre Festival, Region VIII-Outstanding Theatre Educator, and the Alliance for the Arts’ Exemplary Arts Educator Award. In 2016 he was named a “local hero” by the Ventura County Reporter and in 2017, he was named “Patriotic Citizen of the Year” by the Conejo Valley Chapter of the Military Order of the World Wars and The Sergeant Michael A. DiRaimondo Chapter of the Military Order of the Purple Heart.
As a Vietnam combat veteran, he compiled and edited collected stories of combat veterans of WWII, Korea, Vietnam, and the more recent conflicts in Iraq and Afghanistan into a multimedia play entitled Under Fire: Stories of Combat Veterans Across Generations. Under Fire has been performed several times in California and in Ohio. He is currently writing a book with a Vietnam Veteran comrade-in-arms, with a working title: Making Contact: The Way to Healing from the Trauma of Combat


Crucible of the Vampire is a 2017 British supernatural horror film directed by Iain Ross-McNamee (I Saw Black Clouds; The Singing Bird Will Come) from a screenplay co-written with Darren Lake and John Wolskel (I Bought a Vampire Motorcycle). The movie stars Neil Morrissey, Katie Goldfinch, Brian Croucher, Florence Cady and Larry Rew.
An ancient, cursed artefact draws a young, university researcher (Katie Goldfinch) to an old house which holds a dark and terrible secret. The young woman discovers the truth within the grim, foreboding walls of the house, but once in the clutches of its malevolent occupants, will she be able to leave with her life?
“Florence Cady, as Scarlet Scott-Morton, exudes the same kind of dangerous female sexuality that made Linda Hayden’s performances in Blood on Satan’s Claw and Exposé so compelling. Meanwhile Katie Goldfinch embodies that same, strong-willed heroine that you see in films like Suspiria and Rosemary’s Baby – women trying their damnedest to fight against the rising tide of evil…” Phil Wheat, Nerdly
“Taking elements of classics such as The Wicker Man and the spirit of M. R. James, it’s a film that is very easy to like, despite the occasional beats that don’t quite hit. The tone is pitch-perfect, and will certainly appeal to fans of parlour horror stories and moody old dark house flicks.” Martin Unsworth, Starburst
Screenbound Pictures is releasing Crucible of the Vampire in the UK on HD DVD on 4 February 2019.
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The Return of the Vampire is a 1943 supernatural horror feature film directed by Lew Landers (Terrified; The Boogie Man Will Get You; The Raven) from a screenplay by Griffin Jay (Cry of the Werewolf; The Mummy’s Hand; et al), based on an idea by Kurt Neumann (The Fly). The Sam White produced movie stars Bela Lugosi, Frieda Inescort, Nina Foch and Miles Mander.
Although not a sequel to Lugosi’s 1931 Dracula, this film has been interpreted by some critics and some scholars as an unofficial follow-up with Lugosi’s character renamed because the production was made at Columbia Pictures rather than Universal.
The Return of the Vampire is being released on Blu-ray by Scream Factory on February 19, 2019. Extra features are in progress and will be announced nearer the date.
A voiceover (Miles Mander) announces that ‘the following events are taken from the notes of Professor Walter Saunders of King’s College, Oxford…’
A mist-shrouded cemetery at night: A werewolf (Matt Willis) enters a tomb and tells his vampire ‘Master’ that it is time for him to awake. A hand reaches out of the coffin and lifts the lid. A shadow appears on the wall, and the unmistakable voice of Bela Lugosi asks what happened while he was asleep. The werewolf replies that his latest victim has been taken to Dr. Ainsley’s clinic.
Baffled by her patient’s anaemic condition, Lady Jane Ainsley (Frieda Inescort) has called in Professor Walter Saunders (Gilbert Emery). While they are discussing the patient, two children enter. They are Lady Jane’s son, John, and Professor Saunders’ granddaughter, Nikki. Lady Jane and the professor send the children to bed and return to their patient.
The vampire, finding that his victim is not alone, attacks Nikki instead. After the patient dies, Professor Saunders sits up the rest of the night, reading a book on vampires written two hundred years ago by Armand Tesla…
“The film is efficiently directed by Lew Landers, complete with the dreamlike rovings of a mobile camera and moody, mist-shrouded set pieces that are second to none. It also benefits greatly from the unwonted topicality of its setting.” Jonathan Rigby, American Gothic
“The best thing about it, apart from the outstanding performances by Inescourt (as a distaff Van Helsing) and Foch (making her debut as the vampire’s chief victim), is the ending in which the werewolf, tired of being in thrall to the vampire, drags him into the sun as he sleeps. The last shot of Lugosi’s face melting (actually a wax mould over a skeleton) was cut by the censor in Britain.” The Aurum Film Encyclopedia: Horror
“Bela Lugosi’s Armand Tesla is a far cry from the smooth and well-mannered Count Dracula, who smarmed his way into society. In his final serious outing as a vampire, Lugosi gives us a grouchy and bad-tempered bloodsucker, exhibiting little of the charisma traditionally associated with the role.” And You Call Yourself a Scientist!
” …contains everything that makes classic horror films so special. It’s brimming with atmosphere in the form of foggy graveyards and decaying crypts, with Lugosi’s vampiric presence being the highlight of the show. As the speech-gifted werewolf, Matt Willis (who in human form resembles a bloated Buster Crabbe) is fun to watch and is given much screen time…” George R. Reis, DVD Drive-In
“It almost ODs on atmosphere (that low-lying ground fog is everywhere, including indoors at times) and the surprises are few, but there is plenty of energy and fun in the proceedings, with even the comic relief being sharper than usual. Though I wouldn’t call it a great movie, it is a lot of fun…” Dave Sindelar, Fantastic Movie Musings and Ramblings
“As a film, it certainly coasts a bit on the novelty of seeing Lugosi back in the cape, but, in hindsight, it sort of sadly encapsulates how stagnated his career had become. Once a huge star, here he is clutching to past glories in a film content to do faintly echo the better films that preceded it. The Return of the Vampire is certainly not a bad film, merely one that feels a bit perfunctory in many ways.” Brett Gallman, Oh, the Horror!
“Lady Jane Ainsley is an atypically strong female character for horror movies of the time, which makes this more interesting than it might be otherwise, and Inescort does a fine job with the role, offering it both strength and charisma. She’s basically the lead protagonist in the picture…” Ian Jane, Rock! Shock! Pop!
“Lugosi proved he still had it when portraying this kind of Eastern European supernatural threat, and if he wasn’t onscreen quite as much as you might have liked, he did get star billing and made his scenes, er, count. With creeping fog and graveyards featuring prominently, it was cliché all the way as far as the visuals went, but had a nice line in high-falutin’ dialogue well delivered by a solid cast.” Graeme Clark, The Spinning Image
“Inescort’s got good scenes with both Gilbert Emery and Miles Mander and Nina Foch seems like she’s a better actor than her part. The direction’s actually half good, usually going bad after a really good shot, but it’s probably better direction than most of the Universal monster movies of the era.” The Stop Button
…crude but fun – if you can accept cornball premises and a corny fog swirling around the vampire as he attacks his victims.” John Stanley, Creature Features
“The revenge orientated plot is too humdrum to give anyone a chance, apart from the conceit of a werewolf servant for Lugosi.” Alan Frank, The Horror Film Handbook
Red Spring is a 2017 Canadian horror feature film written, produced, directed by and starring Jeff Sinasac. The movie also stars Elysia White, Adam Cronheim and Jonathan Robbins.
The world has been ravaged by vampires. A group of survivors band together to search for loved ones who may be alive, dead or something in between, eventually taking shelter in what may be the only safe hideout left to them. However, well defended hideouts have a way of becoming prisons. And prisons aren’t the safest place to be when your friends can turn on you at any time…
“Red Spring does occasionally dip toes into familiar tropes just to up the body count, but it never uses it as a crutch. The film manages to build its tension and action slowly, offering a thrilling experience despite the limitations of its budget. A pleasant surprise from beginning to end, and featuring strong performances from its ensemble cast…” Courtney Small, Cinema Axis
“The film’s low budget is quite evident at times and with the exception of the Nosferatu-like lead vampire (Andre Guantanamo), most of the vampires border on cheesy with their grey make-up and dark circles around their eyes. However, despite the film’s limitations, Red Spring still ends up being a solid post-apocalyptic thriller.” Sean Kelly on Movies
“From a technical point of view, the film is well made with some creepy makeup and decent cinematography but they can’t overcome the lack of a good script. And there’s no excuse for this given the fact Sinasac had fourteen years to rewrite and improve it. Instead, Red Spring is a well made but dull film that owes more to Red Dawn than I Am Legend.” Jim Morazzini, Voices from the Balcony
” …the film does succeed where so many others fail—it’s sad when people die. Is it a touch too long? Yes. Does it deliver a better zombie-type plot than many zombie movies? Also yes. Red Spring’s uncommon approach to the genre is a refreshing change for anyone who’s tired of the same old zombie movie or vampire film or both.” Zombots!
Cast and characters:
Jeff Sinasac … Ray
Elysia White … Vicky
Adam Cronheim … Eric
Jonathan Robbins … Carlos
Lindsey Middleton … Bailey
Reece Presley … Mitchell
Andre Guantanamo … Vampire Leader
Sarah Chisholm … Vampire Gang
Tim Crawford … Vampire Gang
Glen M. Taylor … Vampire Gang
Fort Papalia … Vampire Gang
Alex Rawlings … Vampire Gang
Jim Peddie … Vampire Gang
Alanna Boucher … Pharmacy Vampire
Adrienne Lipson … Young Ballet Vicky
Work on Red Spring initially began in 2003 and it took actor Jeff Sinasac a further fourteen years to complete his project.
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Vampirella vs. ReAnimator is a 2018 Dynamite Entertainment comic book mini-series written by Cullen Bunn and Blacky Shepherd with artwork by the latter.
The first issue of Vampirella vs. ReAnimator is released on December 12, 2018. There are four different cover designs by Johnny Desjardins, Stuart Sayger, Blacky Shepherd, and a cosplay cover.
Here’s the synopsis:
“It’s the big question of 2018: How could Vampirella and the ReAnimator not have met before now?!!?! Herbert West – the Reanimator – has long sought the secret to perfecting his reagent and break death’s hold on mankind once and for all. The key to his success lies in only one place – the forbidden tomb of the Aztec god of death!
But disturbing sleeping gods is as troubling (to put it mildly) as raising the uncontrollable, murderous dead… especially when this deity is an ancient enemy of Vampirella of Drakulon! It’s vampire versus mad scientist in a battle that threatens to tear the gates of the underworld asunder!”
Devils of Darkness is a 1964 British horror feature film directed by Lance Comfort (The Ugly Duckling; Daughter of Darkness) from a story and screenplay by Lyn Fairhurst (production manager on The Flesh Eaters) and produced by Tom Blakeley. The Planet Films movie stars William Sylvester, Hubert Noël, Carole Gray, Tracy Reed and Diana Decker.
A small town in Brittany, primarily inhabited by gypsies: Paul Baxter (William Sylvester) is on holiday with a group of friends. Count Sinistre returns to terrorise the townspeople on All Soul’s Night, and murders three of Baxter’s friends.
Initially sceptical of the supernatural nature of the town, Baxter becomes suspicious and returns to England with a talisman belonging to Sinistre which he had taken from the scene of one of his murders, leading Sinistre to pursue Baxter in an attempt to recover the talisman and murder acquaintances along the way…
“Plot expediency sees the police keep their cynicism for approximately two minutes before suddenly believing all Paul’s wild theories about vampires on the loose, and the cast, although mainly attractive, are wooden and dull. The film’s only saving grace comes when Karin the gorgeous shop girl (Tracy Reed ) wakes up after being initiated into Sinistre’s coven…” British Horror Films
“Stilted British dud […] Directed uncomfortably by Lance Comfort.” John Stanley, Creature Features
“Stodgy and slow-moving though it is, the film is garishly photographed and has several diverting moments.” Jonathan Rigby, English Gothic: A Century of Horror Cinema, Reynolds & Hearn, 2004
” …it’s an uninteresting combination of vampires and Satanists, and the only times the movie comes alive are during a dance scene in the pre-credits sequence and a lab scene in the middle of the movie where all the lab animals start going wild.” Dave Sindelar, Fantastic Movie Musings and Ramblings
“Uninspired but efficient, the film raises little sense of terror or atmosphere but has an ingenious script that manages to combine elements of witchcraft, reincarnation and vampirism.” Alan Frank, The Horror Film Handbook, Batsford, 1982
“With some amusing special effects such as a rubber bat (shown up by a couple of real bats later on) and a hurricane from nowhere, there are intermittent points where the tone gets it right, but it was colourful yet flat otherwise.” Graeme Clark, The Spinning Image
The second season of the Netflix series refines its formula and delivers another love letter to the gothic horror video game franchise!
“The suffering doesn’t really matter to me anymore—only the death. Only the death matters now.”
Castlevania’s first season made a strong name for itself and proved to be a video game adaptation that demanded to be taken seriously, but season one really felt like an extensive prologue to what this Castlevania series would become in its sophomore year. Season one concludes with Trevor Belmont and prolific magic user, Sypha, joining forces with Dracula’s son, Alucard, after a grueling battle. The trio resolves to take down Alucard’s dad and now the show can finally let them kick ass as an eclectic monster-fighting team. Naturally, Dracula is also more prepared than ever this year and wields a number of new dangerous relics and allies at his disposal. These new complications bring out the best in the show and indicate the scope of a Castlevania series once the heavy lifting is out of the way.
Curiously, this season’s beginning charts back to the days of the Inquisition where a naïve Lisa Tepes, Dracula’s second wife and Alucard’s mother is persecuted for being a “witch.” More than anything the scene is meant to accentuate the power of Dracula and it’s incredibly effective in that regard. The scenes that he’s in are electric, but these moments where others speak of him in fear are just as intimidating. Castlevania absolutely nails scenes like this that honor these characters storied reputations from the game series. At the same time, this scene also reinforces this season’s mission statement and Alucard and company’s goal to avenge his mother’s death and end Dracula’s unholy rule. They both fight in Lisa’s name, but with diametrically opposed goals.
Dracula prepares his undead army for their attack on Wallachia on the one-year anniversary of his wife’s death, while Belmont, Sypha, and Alucard prepare to prevent humanity’s extinction. Curiously, this season really fleshes out Dracula as a character and tries its best to create sympathy for the tyrant as it simultaneously intensifies the fight against him. Word to the wise, don’t besmirch Lisa’s name around the guy.
Furthermore, Hector and Isaac, Dracula’s two (human) generals, but also his must trusted individuals, perhaps in spite of how they support a mission to wipe out humanity. The season provides them with their own respective spotlights to shine and provides some warped backstory for them both while not getting indulgent in the area. Popular recurring villain from the game series, Carmilla, also lends her support to the Lord of Darkness.
Dracula is a forthcoming 2019 British three-part television mini-series being co-written by Mark Gatiss (Jekyll series, 2007) and Stephen Moffat (Doctor Who). The BBC One show, first unveiled as ‘in development’ in June 2017, will be a co-production with Netflix, who will stream it outside the UK.
Inspired by Bram Stoker‘s novel, the mini-series will “re-introduce the world to Dracula, the vampire who made evil sexy” says a BBC press release. “In Transylvania in 1897, the blood drinking Count is drawing his plans against Victorian London. And be warned: the dead travel fast.”
“There have always been stories about great evil,” Sherlock creator Moffat and Gatiss say in the announcement. “What’s special about Dracula, is that Bram Stoker gave evil its own hero.”
Piers Wenger, Controller of BBC Drama added, “Steven and Mark’s ingenious vision for Dracula is as clever as it is chilling. In their talented hands the fans will experience the power of Bram Stoker’s creation as if completely anew. We are thrilled to be collaborating with them and the brilliant team at Hartswood on yet another iconic British series.”
Vampire is a 1979 American horror made-for-television feature film directed by E.W. Swackhamer (Terror at London Bridge) from a screenplay by Steven Bochco and Michael Kozoll. It stars Richard Lynch, E.G. Marshall, Jason Miller and Jessica Walter.
Leading San Francisco architect John Rawlins is hired by the mysterious Anton Voytek to excavate the old ruined Heidecker Estate. A vast treasure trove of artworks worth more than $25 million is uncovered. Rawlins’s wife Leslie discovers that all of the artworks have been stolen over the centuries.
Arrested, Voytek swears vengeance. Bailed out, he turns up at Rawlins’ home and seduces Leslie. Rawlins returns home to find her dead. He becomes obsessed with revenge against Voytek. Breaking into Voytek’s apartment, he flees after discovering him sleeping in a coffin. After being placed in a psychiatric institution, he is freed by former police detective Harry Kilcoyne who believes his story because of a similar experience on the force. Together the two of them team up to eliminate the vampire Voytek…
ABC’s Vampire is essentially a modern-day (1979) reworking of Bram Stoker’s Dracula. Splendidly directed by E.W. Swackhamer, it’s a solid production with just enough tweak to make the centenarian plot a fresh one. Steven Bochco, who also executive produced, and Michael Kozoll deliver a nearly impeccable script that intelligently and subtly updates the desired Gothic tropes, perfectly mingling traditional vampire lore with 20th century sensibilities.
Fred Karlin provides an excellent score, with touches of tinkling harpsicord and gloomy oboe in order to evoke regal mystery. Cinematographer Dennis Dalzell negotiates the maze of established shadowy symbolism and modern expectations beautifully, enhancing the venerable mythology while simultaneously respecting it.
The cast is exemplary, each playing their warmly familiar characters: Richard Lynch as the menacingly elegant vampire, Prince Anton Voytek; Jason Miller as the Jonathan Harkeresque John Rawlins; E. G. Marshall as the police detective equivalent of Professor Van Helsing, Harry Kilcoyne; the female co-stars – Kathryn Harrold as Leslie Rawlins, Jessica Walter as Nicole DeCamp, and Barrie Youngfellow as Andrea Parker – offer-up fine performances, with their characters intermingling traits from the original counterparts from Stoker’s Dracula as well as taking on some of the aspects of the male characters from the book. Harrold’s Leslie Rawlins is essentially a mix of both Mina Harker and Lucy Westenra; Walter’s DeCamp takes on the role of estate agent performed by Jonathan Harker in the original novel; and Youngfellow’s Andrea Parker inherits the position of Mina Harker from Kathryn Harrold.
Presumably, this mish-mashing is done to streamline the story, move things along, and set things up for a TV series spin-off which is hinted at as this was apparently a pilot. Regardless of the changes, ABC’s Vampire is an agreeable mix of late-70s police procedural and monster hunt, similar in vein to ABC’s earlier success, The Night Stalker (1972).
A brief, but welcome, cameo by Joe Spinell (Maniac) as Captain Desher doesn’t hurt, either. Vampire (1979) is a distinguished yet rarely seen gem well worth any serious horror fan’s time.
Ben Spurling, HORRORPEDIA
“Richard Lynch’s Voytek has more personality than Barry Atwater in The Night Stalker and is certainly a more engaged modern vampire than say Dracula was in Dracula A.D. 1972 – but not that much. We never see him drinking blood, for one. The other flaw of the show is E.W. Swackhamer’s workmanlike and dull direction…” Richard Scheib, Moria
Saturday the 14th is a 1981 American comedy horror feature film written and directed by Howard R. Cohen based on a story by Jeff Begun, who also co-produced with Julie Corman. The movie stars Richard Benjamin, Paula Prentiss, Kari Michaelsen and Kevin Brando.
An all-American family inherits a deceased uncle’s house. John (Richard Benjamin) and Mary (Paula Prentiss) together with their daughter Debbie (Kari Michaelsen), and son Billy (Kevin Brando) then move into the house. Waldemar (Jeffrey Tambor), a vampire figure, and Yolanda (Nancy Andrews), his wife, want desperately to get into the run down house because it contains a book of evil.
Billy finds the mysterious book Waldemar and Yolanda are after. He opens it and reads of a curse hanging over the date of Saturday the 14th. As he turns the page a monster is unleashed, and with each turn another disappears from the page and is materialized within or outside the home. The house is soon swarming with monsters.
Soon, strange things start happening: eyes appear in John’s coffee, sandwiches are eaten, the television tunes into The Twilight Zone only, dirt is found in Mary’s bed, dishes get done by themselves, neighbours disappear. As this is happening, neither John or Mary suspect anything, blaming things on a lack of curtains…
Saturday the 14th will be released on Blu-ray by Scream Factory on January 15, 2019. Special features will be announced nearer the release date.
“Unfortunately Saturday the 14th’s humour feels like it should be more zany, and more madcap than it actually is. Most jokes fall flat against deadpan performances (with the exception of the incredible Jeffrey Tambor) and uninspired direction from Howard R. Cohen. It is a dumb movie, but a harmless one.” Ken Wynn, Attack from Planet B
“There are a few pleasing notions […] but the humour is for the most part pitifully juvenile and the film itself crude.” Phil Hardy (editor), The Aurum Film Encyclopedia: Horror
“Many folks worked on the effects but men in rubber monster suits still look like men in rubber monster suits and most of the jokes fall as flat as corpses.” John Stanley, Creature Features
“Like Love at First Bite, it’s nothing spectacular, but it’s a harmless little movie that breezes by, feeling even shorter than its 75 minute run time. It takes roughly 3 minutes from the time they move into the house for the first monster to show up, and it rarely slows down too much from there.” Horror Movie a Day
“The acting in this movie rates somewhere between flat and dead. Richard Benjamin is humorous as John and Severn Darden is mildly entertaining as the exterminator, Van Helsing. The rest of the cast is quickly forgettable. The plot is forgettable too. And, so are the laughs.” Movie Metropolis
“There is an on running joke, with regards oblivious John and Mary, about any noise at night, including a monster falling through a window, being owls (and the fact that Mary can’t tell the difference between an owl and a bat) that is severely overplayed. The rest of the film fell really flat laughs wise…” Taliesin Meets the Vampires
” …a pathetic farce which will seem frail even on TV, for which it probably should have been made in the first place.” Variety
Van Helsing: “Selling the house now would be like closing the barn door after the horses eat your children.”
Waldemar: “If you weren’t immortal, you’d kill yourself.”
Cast and characters:
Richard Benjamin … John Hyatt – Witches Brew; Love at First Bite


Have you ever imagined what Demi Lovato’s wedding dress might look like? Well, thanks to you don’t have to. The songstress released the music video for the powerhouse ballad where plays her future husband. In the emotional film, Demi wears a beautiful Lazaro wedding dress ($4,290) that fits her like a glove.
While watching Demi’s music video, we couldn’t help but wonder if the singer will choose something similar when she does get married. Demi’s tiered, Chantilly lace gown featured a sweetheart neckline and Venice lace appliqué on the bodice. Keep reading to have a look at her beautiful wedding dress and shop the exact gown, as well as similar styles, if you choose.


So, I finally got my hands on a copy of the Twilight movie. I have read all the books multiple times and feel like I have a good grasp on the story, the characters, and the mythos…
So what happened to the movie???
Did the director even READ the books before she made this thing? Did she realize that not only did she leave out extremely important scenes (such as the blood typing in biology class) and discussions, but she took great liberties in adding scenes (dinner at the Cullen’s and the attacks from James’ coven) and changing the order.
Now I have always understood that the visual medium is very different then the written medium and that changes have to be made, however, some of the changes in Twilight were unnecessary. There was no real reason to add in the scenes where James’ coven kills two people. Some may say that it helped explain that these were “bad” vampires but in reality it didn’t. The discussions about real (non vegetarian) vampires that Bella had with Edward did a good enough job in the books to get the idea across. It simply became unneeded action to "liven up" the story.
So, when it comes to the movie versus the book…. Well, it is no contest. The book was MUCH better, which usually happens.
Let’s look at the movie by itself then, as separate from the book.
It was an okay movie, not great, but not the worst I had seen. The first half while Bella is trying to figure out what is going on with Edward was a bit slow and awkward. It really seemed to drag on with way too many voiceovers. From the Port Angeles scene on it really seemed to pick up. The actors seemed to finally fit their characters and it didn’t feel as painful to watch. Over all I would give it a 6 or 7 out of 10 and only because there were a couple character and scenes that I LOVED.
Let me break it down into the best and the worst:
-Best Performance: This is a tough one as some of the performances were really up there. My favorites were Taylor Lautner as Jacob Black, Ashley Greene as Alice Cullen, Cam Gigandet as James, Rachelle Lefevre as Victoria, and Billy Burke as Charlie Swan. All of these people seemed to have a feel for the characters they were asked to play.
Gigandet had James down to a science. He was able to make the viewer feel like they were the ones being hunted and you could feel the fear he would inspire in his prey. I am truly sad that the character of James was killed in Twilight now as I would have LOVED to see Gigandet portray him again.
Burke created a very lovable and believable Charlie. You could feel his love as a father for Bella and his worries/concerns for her. He also had some of the BEST lines of the movie! There were times I was laughing out loud (in a good way) at the lines as he delivered them. “I’ve heard that before” after Edward promises to take good care of Bella before they head to prom is a great example. The line may have fizzled with any other actor saying them, but Burke had Charlie down pat and you believed this is how the character would have sounded.
It will be very interesting to see how the other actors grow and evolve with their characters and I think we will see great things from them in New Moon.
-Worst Performance: Easy, the main characters, Robert Pattinson as Edward and Kristen Stewart as Bella. I couldn’t help but laugh every time Edward was upset about something because Pattinson looked like he had smelled horse shit. I felt like singing “How could this happen to me?”. Kristen was just as bad, but in another sense… she never looked like she felt anything BUT confusion. She constantly had this dazed look on her face, no matter what the scene called for.
-Best Scene(s): Vampires playing baseball… need I say more? Great effects with a great set of actors. It was great to finally see that visually as it was also one of my favorite scenes in the book. I also really loved when James’ coven arrives at the clearing… you could feel the tension. It was without a doubt the best scene in the whole film and if the whole movie had been as well done, it would have been amazing.
-Worst Scene(s): Anything at the High School, but especially the scenes at Biology class. These were some of the worst offenders of Pattinson's funny faces and the most boring of conversations.
-WTH: I have agree with many people when it comes to the effect of Edward's skin in the sunlight. It really did just make him look sweaty. I expected better from ILM.
I’m really looking forward to New Moon and I hope that the new director can do a better job then Twilight’s did. I am excited to know that Taylor Lautner will be back as Jacob and that Dakota Fanning will be playing the role of Jane. I think Fanning it the perfect choice and I know she can pull off the creepy vibe that Jane gives off. I am also excited to get to know the Wolf Pack and have them become a real part of the series.


Physical Theater Play
“United Fortress of Europe”
11., 12., 13 of September 2022. 19:30h Theater Odeon, Taborstraße 10, 1020 Vienna
Languages: English and German
September 12th: Exclusive artist talk after the performance. Moderated by Zoe Gudović
Our artistic vision is theatre based on authenticity, vulnerability and exposure. On storytelling rather than acting. We believe that everyone has something to say! On stage! For us there’s so much joy in the process of translating people’s personal stories, experiences and emotions into movement and spoken word. No matter if they are theatre professionals or not, as long as they’re passionate about their message! Our artistic director Danilo Jovanović is originator of our method that is called the “Open Soul concept”.
This method is taking personal stories, experiences, memories of performers as a starting point for creative research. There are no less or more important stories or perspectives, everything that exists in the rehearsal room has creative potential. Development of theater piece relies on principles of devised theater. This means that all content, text and specific stories are built during the rehearsals through joint work of the director, performers and entire creative team involved in specific production.
Open Soul is entering the space between performance and theater as two art forms. It questions and explores overlapping and collision of theatrical structure (script, text, choreography etc.) with “freedom” of performance art. What is happening when we apply “unpredictability” of performance art to a theater piece? The aim is to express the most authentic truth on the stage. That inner truth of performers is something that changes, through performing in different spaces, for different audiences and with different inner states. Guidance in the form of script, choreography and dramaturgy of the piece are established by the director and they represent the foundation. But, what if performers are also invited to follow their authentic inner urge which sometimes can go beyond theatrical structure? There starts the unpredictable space of the performance art. How much of the frame of theatrical structure can be stretched by the performers? At the same moment they’re playing with structure and keeping in mind not to break it. To which extent it can be stretched is to be discovered in each creative process. We’re all changing, our perspectives, memories, emotions, experiences are shaped by a complex spectrum of influences. In theater it can be related to inner impulses of performers, text, movement, theater room or something that the audience does. Invitation for performers to stretch structure can come from inside or as a reaction to outer impulses. What should we do when the inner world of performers changes at that moment? They’re trained to be able to recognize and hear their inner guidance and express it on the stage or to react to outer impulses such as “mistakes” on stage, reaction from audience, unforeseen occurrence in the room, technical problems, room itself etc. All these are opportunities for performers to step outside of the frame and perform them on stage in real time. In the end Open Soul is dancing on the edge of the entire theatrical structure and stepping into risky unknown space. It is an invitation and open space for performers to follow their most authentic inner truth while being fully present, alert and open in the moment of performing.
We come on the stage as we are. You will not get acting, but rather our open souls on the stage. This will be the space where experiences are transformed, where we heal together, where personal experiences are becoming collective testimonials. Our performance goes beyond screenplays, structures and frames. We all change, our stories, perspectives and memories are changing. We perform that change.
Performers of Side Effect


Starting as a stage manager for both television and theatre, Paul Harrison then moved on to direct TV, theatre, and film. He has directed/produced over 100 episodes of some of Britain’s most successful TV series, which include Midsomer Murders, A Touch of Frost, Ballykissangel and Lovejoy with Ian McShane. In all, He has directed episodes over 40 different series titles. His first drama was “Come Back Lucy” which was nominated for a British BAFTA award. Paul has produced and directed many programs that have been nominated and won BAFTA awards, RTS awards, NATIONAL TV awards and NEW YORK FILM AND TELEVISION awards. Within the past three years, he worked in South Africa on the ITV drama Wild at Heart and the BBC drama Death in Paradise in Guadeloupe. He recently directed the first five episodes and Christmas Special of the comedy Trollied for Sky and the 20th Anniversary episode of Midsomer. Paul Harrison resides in a suburb of West London.


In both curricular and extra-curricular Drama, we offer pupils the most diverse and professional theatre experiences possible.
Our young actors perform in local professional theatres such as The Norwich Playhouse and Epic Studios, where we have produced our annual musicals (We Will Rock You, Sweeney Todd, Sweet Charity, West Side Story and Jesus Christ Superstar). More recently in our own newly purpose-built Blake Studio theatre, we have presented Private Lives and Dying for It.
Senior productions at Maddermarket Theatre include The Philadelphia Story, The Cherry Orchard and The Importance of Being Ernest and we recently produced Hamlet at Epic TV Studios, where we incorporated live mixing and live-stream camera work by Norwich School's Aspect Films. We look forward to our upcoming Senior production of the German expressionist play Judgement Day at Norwich Puppet Theatre.
Last summer, we mounted an atmospheric and magical version of The Tempest, part of our yearly Shakespeare repertoire which takes place outdoors in the Cloister of Norwich Cathedral during our end-of-year creative arts festival (Much Ado about Nothing, The Winter's Tale, A Comedy of Errors). We are fortunate to have put on full-scale productions in Norwich Cathedral (Patriotism is not Enough, Norwich School Passion Play, written by our school chaplain Reverend Corin Child). Our pupils have also performed for several years at the Edinburgh Fringe Festival.
Drama is equally diverse, fun and challenging for our junior pupils. Recent productions include The Heart of Robin Hood, The Wolves of Willoughby Chase, James and the Giant Peach, George and the Dragon, and The Witches (with live puppet work).
Our extra-curricular weekly Spiral Drama continues to flourish as we explore all forms of acting and performance. It offers a safe space for new student writing and devised plays, improvisation and physical theatre.'
For those at a senior level who are interested in theatre, film and production arts, we have developed a bespoke, non-academic course 'Polymath', which explores all aspects of performance including acting, theatre design, lighting and sound, stage management and all the elements of filmmaking. Through this course we produce a high standard of film and theatre and we invite professionals from the industry for workshops and lectures. We encourage strong collaborative and creative development in all who take part.


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23/10/2018 · Starz is coming to Hulu — just in time for the fourth season premiere of Outlander on Nov. 4. Beginning today, Hulu subscribers can add Starz to their subscription plans and gain access to the ＜12月20日（木）からHuluプレミアにて配信＞https://www.happyon.jp/static/rectify/スコットランドで出会い、始まった2人の愛の物語 Looking to watch Outlander? Find out where Outlander is streaming, if Outlander is on Netflix, and get news and updates, on Decider. 10/9/2018 · Watch the full trailer for 'Outlander' Season 4, which follows Claire and Jamie to Colonial America, where they build a new life in the new world where revolution awaits.
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Subscribe to tvpromosdb on Youtube for more Outlander season 4 promos in HD!Outlander official web 2/2/2021 · As Outlander season 4 just debuted on Netflix, fans of the hit series want to know when season 5 will be released on the streaming service. 4/11/2018 · Outlander (2014) Season 4 show reviews & Metacritic score: Married World War II nurse Claire Randall (Caitriona Balfe) time travels to 1743 century Scotland, where she meets Jamie Fraser (Sam Heughan) in this adaption o Outlander Season 4 struggles to find its footing in the early episodes, but when it settles an exciting frontier drama develops with a new couple added into the romance of the show's fabric. When Outlander debuted on Starz, it gained a following instantaneously. For years, Starz capitalized by limiting streaming of its second-most-watched series to its streaming app. In 2019, however Hulu adds Starz Subscription Ahead of ‘Outlander: Season 4’.Welcome to the official Beautiful Life channel. Subscribe to the channel at: https://goo.gl/QW5cV 12/12/2019 · Outlander Season 4 episodes are also available to purchase on Prime Video ($2.99/HD, $1.99/SD), and you can add Starz to your Prime account for $8.99/month. A free trial of Starz on Amazon is Starz is coming to Hulu -- just in time for the fourth season premiere of Outlander on Nov. Beginning today, Hulu subscribers can add Starz to their subscri Aug 1, 2019 - Start your free trial to watch Outlander and other popular TV shows and movies including new releases, classics, Hulu Originals, and more.
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In what is yet another sign of Starz really setting up Outlander season 4 to succeed, it and many other shows are now coming to Hulu. Starz is coming to Hulu — just in time for the fourth season premiere of Outlander on Nov. 4. Beginning today, Hulu subscribers can add Starz to their subscription plans and gain When will Outlander Season 4 arrive on Netflix? Here's everything you need to know! Outlander isn’t available to stream with a traditional Hulu subscription, but you can add Starz is now available to Hulu subscribers as an additional add-on, ahead of the fourth season premiere of Outlander on Nov. You can, however, watch Outlander on Hulu by adding Starz to your Hulu account. Outlander won’t be available to watch with a traditional Hulu account. Discover the new 2020 Mitsubishi Outlander SUV with third-row seating, rear-view camera, Homelink and a limited 10 years/ 100,000 miles Mitsubishi warranty.
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December 1, 2023
Animal movie review and animal movie download
Bollywood enthusiasts are eagerly awaiting the release of the much-anticipated animal movie, set to hit the screens soon. The animal movie’s trailer has created a buzz, leaving fans curious about its story in Hindi. Rumors suggest that this Bollywood flick might be a remake of a popular South movie, adding an extra layer of excitement for cinephiles. The animal movie download options are likely to be in high demand post-release, given the anticipation surrounding it. As fans count down to the animal movie’s Bollywood release date, they can’t help but wonder about the potential success of this venture and its impact on the box office collection. With a combination of intriguing storyline and star-studded cast, this animal movie is poised to make its mark in the Bollywood film industry
In a well-known tune by the Icelandic band Of Monsters and Men, the lyrics declare, “My head is an animal…” Sandeep Reddy Vanga’s protagonists, resembling thick-headed creatures of privilege and entitlement, have previously manifested in characters with a penchant for bad behavior. Following the narratives of Arjun Reddy (2017) and Kabir Singh (2019), both centered around a chain-smoking doctor grappling with anger issues, Vanga returns with his second Hindi feature, “Animal.” This time, the focus is on a chain-smoking engineer with unresolved daddy issues. Despite the grim and primal portrayal of human instincts, Vanga endeavors to elicit awe, admiration, and empathy for his flawed heroes.
Ranvijay (Ranbir Kapoor), a wealthy Delhi native, grows up idolizing his stern and emotionally distant father, industrialist Balbir Singh (Anil Kapoor). Balbir’s demeanor disrupts Ranvijay’s emotional wiring from an early age. The narrative unfolds as Ranvijay, now a grown man with a rebellious attitude, navigates complex relationships, including a childhood crush on Geetanjali (Rashmika Mandanna). The story unfolds in the US, where Ranvijay and Geetanjali build a life together, yet Vanga chooses not to explore the nuances of their marital bliss. The film’s propulsion is fueled by Vanga’s distorted notions of love, lacking finesse in depicting the mechanics of genuine love stories.
The plot takes a turn six years later when Balbir is shot by unidentified assailants on a golf course. Ranvijay, now a bearded force to be reckoned with, returns home with a dual mission—to fortify his family’s safety and satiate his insatiable thirst for revenge.
Vanga’s cinematic landscape, reminiscent of the controversial Kabir Singh, continues to push boundaries. Ranvijay, portrayed as a murderer with a hand blade, serves as a cheeky expansion of Vanga’s narrative style. The film is filled with provocations, perhaps strategically crafted to bait critics. The term ‘toxic’ is casually dropped within the opening minutes, and Ranvijay categorizes men into ‘alphas’ and other, seemingly weaker, poetry-writing types. The hero’s insistence that his father’s company, Swastik Steel, is not a ‘Nazi’ enterprise reflects a juvenile and self-aggrandizing approach to filmmaking—a commercially successful director flaunting his style to fans while leaving detractors fuming.
Unlike The Godfather, which serves as an apparent inspiration for this film, Vanga doesn’t merely explore chauvinism or codes of honor within a large patriarchal household. Instead, these themes seem deeply ingrained in his overall approach to plot, character, and dialogue. Ranvijay, embodying traits of both Michael and Sonny, exhibits territorialism that naturally extends to all the female members of his family. He even delivers condescending praise to his elder sister after dispatching her equally cruel husband. While Geetanjali presents a more vocal character than Vanga’s past heroines, her breaking point in the story surprisingly arises from Ranvijay’s departure from the marital bed—a more significant offense in the writer’s conception than violence or neglect.
Despite the bravado and self-contradictions in Vanga’s narratives, he seems to find his footing when delving into and unraveling the male psyche. However, each time Animal shifts towards becoming an action film, it loses its distinctive edge. An extended battle in a hotel lobby, while suitably messy, lacks the artistic flair and impact seen in works by Tarantino or Karthik Subbaraj. Bobby Deol, in a role best left undisclosed, injects some much-needed ferocity into the film.
Vanga’s circuitous approach to editing occasionally pays off but often feels cumbersome and frustrating. The film struggles with being simultaneously bloated and thin throughout its three-hour-plus runtime. Ranbir Kapoor curates a career mixtape, blending the swagger of Sanju, the cockiness of Bombay Velvet, and the angst of Rockstar. Anil Kapoor shoulders much of the emotional weight with his tired, regretful eyes. There are noteworthy performances on the periphery, with Shakti Kapoor as Balbir’s soft-spoken consigliere and Babloo Prithiveeraj as a comically outsized heavy.
Animal had the opportunity to carve out a fresh, psychology-driven path for Hindi action movies, especially at a time when it faces stiff competition from superior products from the South. However, the raw, lacerating violence promised by Vanga to his critics is scarcely delivered. Like many before him, he appears more enticed by franchise potential than telling a controlled, coherent story. As a doctor attempts to convey to Ranvijay, “Confidence is a medicine but…,” she is cut off before finishing her sentence, as he has already dismissed her.


Xbox One designed by Tony Stark – Microsoft has announced Xbox One special edition.
Microsoft has announced the launch of Xbox One special version, which looks harmonize with the Marvel movie release right now, the “Captain America : Civil War”. This edition of Xbox One was inspired by Tony Stark, also known as the Iron Man, one of the main characters of the movie Captain America: Civil War. The Console has the white “Arc Reactor” in central along with the words “designed by Stark Industries” attached.
In the Controller has been designed and installed to the 2nd white Ark Reactor at top of it, and a light indicator. Microsoft has created just only 3 of this special edition Xbox One to welcome the movie Captain America: Civil War especially.
Source : youtube.com/watch?v=4Dj-vy6x5T0


By Michael Curtis
Many people know of the late actor John Cazale’s work. The man made an indelible mark on the history of film despite only being in a total of five movies. Those five films, however, were nominated for a staggering 40 Academy Awards. Now you may know him best for his role as Fredo Corleone from The Godfather. But what you probably didn’t know is that Cazale is a local product. That’s right; Fredo is originally from Revere, MA.
So I’m a little late with this post, but I felt like I needed to write something. AMC recently dedicated an entire week to classic mob movies. While watching both Godfather films (I don’t acknowledge that The Godfather III exists), I couldn’t help but notice how tremendous of an actor John Cazale truly was. I then started to remember an HBO documentary I watched a little over a year ago called I Knew It Was You directed by Richard Shepard. It was a great piece based on his life, so I decided to watch it again. During the film, some of the greatest actors of our generation absolutely praise this guy. Al Pacino, Meryl Streep, Robert DeNiro, Richard Dreyfuss, and Gene Hackman just to name a few. They all acted alongside this skinny, frail, homely looking man, and they all spoke of how he made them all better actors.
Now when we think of actors from The Godfather series, the first two people that obviously pop into our heads are Al Pacino and Marlon Brando. Then it would probably be the Roberts, as in Robert DeNiro and Robert Duvall. But what about Cazale? Fredo is certainly one of the most unforgettable characters ever. He was the one who stood there fumbling a gun while Don Corleone was being shot by a rival family. And it was Fredo who was part one of the most heartbreaking scenes in the history of cinema when he confessed to Michael his betrayal of the Corleone family.
So I guarantee if you showed someone a picture of John Cazale they would most likely say “Hey, that’s Fredo!” But more often than not when you asked them if they knew what his real name was, they probably would have no clue. And that’s a problem.
Like I said, he only starred in five films. But they weren’t just any five films. Try The Godfather, The Godfather II, The Conversation, Dog Day Afternoon, and The Deer Hunter. Oh, and did I mention that every single one was nominated for Best Picture? To this day he is still the only actor to have this honor. And the best part about it? He’s from Reveahhh.
Imagine that. This guy was born and raised in Revere. These days when you think of actors from the Boston area Ben Affleck, Matt Damon, and the Wahlbergs come to most people’s minds. Throw in there Uma Thurman, Chris Evans, Steve Carell, and John Slattery for the people who know their shit. But John Cazale? As we know, you’re lucky if someone even knows his real name.
It’s a shame due to the fact that he may be the most talented and influential actor to ever come out of this area. “I learned more about acting from John than anybody,” Al Pacino said about Cazale. They became friends early in their careers while they were on Broadway together. And it’s no surprise that they both won numerous Obie awards during that time. Both men of course got their big break playing two of the Corleone siblings in The Godfather. And they would once again reunite in the Sidney Lumet classic Dog Day Afternoon in which Cazale provides an unbelievable performance as Pacino’s silent nutcase partner in a bank robbery that goes epically wrong. Meryl Streep, who was engaged to him, still does not like to talk about him almost 35 years after his death from lung cancer. She actually threatened to quit The Deer Hunter when the studio was considering firing Cazale because he was dying while they were filming. Just goes to show you that two of the greatest actors of any generation were both profoundly influenced and affected by this man.
It also goes to show you just what kind of effect growing up in Revere can have on a person. All that pain and depravity Cazale exhibited through his characters can be traced back to the home of America’s first public beach. I mean it’s certainly not surprising for anyone who is familiar with the city. It can be a rough and tumble place sometimes to say the least. Factor in that Cazale grew up during a time where Revere was even more of a rough and tumble place than it is now, it could explain where a lot of his inspiration came from.
Remember that next time you watch any of his classic characters. And the next time you travel into the city of Revere, just remember that you are standing in the hometown of the incomparable John Cazale. Or where Fredo grew up if it’s easier for you.


I’ve been a writer, journalist, and content strategist for almost twenty years, most recently for DISH Network. How this qualifies me to write a collection of original Christmas stories, I haven’t a clue. But people seem to love the book, and that makes me happy.
I’ve interviewed hundreds of writers, directors, and actors, including such Oscar-winning and A-list talent as Shane Black (Iron Man 3), Bill Condon (Beauty and the Beast), Frank Darabont (The Shawshank Redemption, The Walking Dead), Hugh Jackman (X-Men/Logan), Christopher Nolan (The Dark Knight Trilogy), M. Night Shyamalan (The Sixth Sense), and the elegant and classy Robert Towne (Chinatown).
I’ve also served for 13 years as editor-in-chief for print and online, including content creation and management, creation of new media products, and monetization of new and existing assets. I’ve run or contributed to great publications and sites like IGN Movies (IGN.com), Variety, The Academy of Motion Picture Arts & Sciences (the Oscar people), Creative Screenwriting (both the print mag and the online CS Daily/Weekly), Coming Attractions, and Movie City Geek.
But mostly, I’m just a guy in LA serving my two feline overlords the best I can. And sometimes I write.