Stage and Concert Management
This course introduces the skills and procedures involved in stage managing a theatrical, dance, or music production. Through hands-on experience and observation, students learn to develop the knowledge and skills involved in managing a live performance. They also learn how to properly devise and design scheduling systems to prep, organize, and run rehearsals; design and develop a production book and prompt script; run appropriate dimmer and sound checks; design, organize, and format scenic shifts and their execution; and develop systems for calling lighting and sound cues during live performance. Students are required to attend two live performances.
Course Number: 1969


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Elenco di film di atto Wynn Reichert
Qualità : WEBRip 1080p con sottotitolo
A robot servant is pushed to the brink of disaster and murder at the hands of a vicious and abusive owner.
Qualità : WEBRip 1080p
Ana Alvarez is a single mother from Nicaragua living in Warsaw, Indiana with her teenage daughter, Izzy. When a routine check in leads to a deportation order, life as Ana knows it ends. The...
Qualità : BDRip con sottotitolo
A Korean-born man finds himself stuck in Columbus, Indiana, where his architect father is in a coma. The man meets a young woman who wants to stay in Columbus with her mother, a recovering addict, instead of pursuing her own dreams.
Qualità : WEBRip
A new female coach fresh out of college takes over the cross country program at an all girls private Christian school and tries to lead them to their first state title.
Qualità : WEB-DL 1080p
An empowering story inspired by true events, a poverty-stricken young mother is forced to move when her house is condemned. With no money and no options, she must confront her abusive past in order to save her family.


The Performing Arts Center (PAC) is located inside Belvidere High School. This 850-seat theatre is located just off I-90 and Route 20. It is ideal for plays, musicals, dance recitals, comedy nights, large seminars, conventions, and more.
The modern facility includes:
- Stage dimensions of 44'x35'
- A full complement of curtains
- Counterweight rigging system for flying scenery
- 24-channel sound board with playback and recording capabilities
- 170 lighting positions with 2 "intelligent" lights
- Dressing rooms with shared makeup facility
- Access to band and chorus rooms for additional off stage space
- Beautiful lobby with secure ticket booth
- Large shop with easy load-in and load-out
- On-site catering available


Acting (theater and film) and voice instructor
B.F.A. Acting, Texas State University
Regan Goins grew up in Marysville and is happy to be returning to her roots. Having spent the last ten years in Austin, TX, she has plenty of real world experience to include in her teaching. Regan holds a BFA in Acting from the high ranked Texas State University. Her credits include films like “My All American”, “The Way We Weave”, and an uncountable amount of professional theatre credits such as the world premiere production of the “The Secretary”, “A Streetcar Named Desire” (Blanche), “Macbeth” (Lady Macbeth), and many others.
Take lessons with Ms. Regan!
For fee information and to schedule a consultation or lesson, please use the contact form or call (937) 828-4733.
433 Allenby Drive
Marysville, OH 43040
Paul and Chelsea Melcher, founders of RED School of Music.
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Get In Touch
We would love to hear from you.


Film Season 2018
Wednesday, 28 March, 18:30, Barbican Centre
How Viktor ‘The Garlic’ Took Alexey ‘The Stud’ to the Nursing Home
dir. Alexander Hunt
UK Premiere + ScreenTalk
This charismatic prize-winning debut feature evokes the aesthetics of early Tarantino (Pulp Fiction) and Danny Boyle’s Trainspotting, as it takes us on a journey through a failed parenthood that hopelessly duplicates from one generation to another.
‘The Garlic‘ is an angry young man, tentatively reconciled with ‘The Stud’ – his long absent ex-convict father. Together they embark on a road journey which should bring a brighter future for both: nursing home for the older and inherited apartment for the younger. Dark as the most lovable lowlifes, this film manages to bring out the most important – humanity. It turns loathing into acceptance and the vicious circle of perennial misery to a possibility. Thewicked charisma of this film shines through its characters – humble and funny, yet determined to change for better. Throbbing beats of Russian rap mixed with bright colours, canted angles, and deadpan humour create an ironic commentary and give a caustic snapshot of contemporary Russia.
Monday, 12 March, 18:30, HOME Manchester
dir. Maya Vitkova
Film Screening + Introduction/ Manchester Premiere
Dreaming of the west, Boryana is determined not to have a child in communist Bulgaria. Her desire is thwarted however by the birth of her daughter Viktoria, who resolutely and determinedly enters the world in 1979. Born without an umbilical cord, Viktoria’s relationship with her mother is severed before it even begins, even as she is declared ‘Baby of the Decade’ and hailed as a living symbol of the Communist party. The debut feature film by Bulgarian director Maya Vitkova, Viktoria is a darkly comic absurdist epic that plays out against a highly fragile and unstable background, as both familial and political terrain shift under the characters’ feet. As the film follows the young Viktoria from birth to adulthood, simultaneously taking in the fall of communism and the birth of a new socio-political space, it forges a powerful metaphorical link between the physical body and the body politic.
Wednesday, 25 April, 18:30, Barbican Centre
dir. Temirbek Birnazarov
UK Premiere + ScreenTalk
Based on the book ‘The Old Man and the Angel’ by Kyrgyz writer and publicist Talip Ibragimov, Night Accident faithfully conveys Ibragimov’s distinct style. Rich in observations and metaphors reflecting on the local reality, the film immerses us into the daily routine of rural Kyrgyzstan. Having passed retirement age, economic instability forces Tenti to hard and undignified labour, accompanied by constant abuse from the old man’s boss. After another tough day at work, he gets into a road accident, hitting a young woman with his car. After realising that she’s wounded, Tenti takes her home in order to nurse her. Unfolding themes of loneliness and alienation, the lonely old man falls in love with the strange and silent young woman. A masterpiece of pacing and revelation, Night Accident is a sad, charming and graceful portrait of two lonely hearts in an unexpected encounter.


I am a founding producer — along with Ben Stadelmann, Benj Gallander, Greg Holmgren, and Carol Pauker — of the Summerworks Theatre Festival in Toronto. In the festival's inaugural year in 1991, I mounted two of my own plays — Nero and The Canadian Clerk. The festival has completed its 20th season.
Five of my plays — Thugs, Drinking In Circles, Absolution, Spin, and B-Play — received their world premiere at the White Bear Theatre in London, England. Four of these plays earned a Critic’s Choice from London’s Time Out magazine.
Absolution went on to a nomination for the Best Fringe Play of 1997 from the Writer’s Guild of Great Britain, a second production at the Battersea Arts Centre in London, an American premiere at the Court Theatre in Los Angeles, an Israeli premiere in Tel Aviv at Habimah, the National Theatre of Israel, a Midwest American premiere at the Steppenwolf Theatre in Chicago, and an East Coast premiere at the American Repertory Theatre at Harvard.
Spin, which received a grant from the Arts Council of England, went on to a second production at the Battersea Arts Centre, and an American premiere at the Wilma Theatre in Philadelphia, and a production in Boston with the Zeitgeist Theatre Company.
The world premiere of The Last True Believer was staged at the Seattle Repertory Theatre.
I have completed four new plays: Zeno's Arrow, which was a commission for the Wilma Theatre in Philadelphia; Unrequited, which was a commission for the South Coast Repertory Theatre in Orange County, California; Adventures In Terror; and Kinshasa.
Scripts are available upon request.


On #rbnews international on 19 January 2013, we inaugurated our series about culture in the time of the crisis in Greece with a show dedicated to the play “Our Great Circus”, which is currently staged in the National Theatre of Northern Greece (@NTNGreece) in Thessaloniki. Director Sotiris Chatzakis, actors Tasos Nousias and Marina Aslanoglou, and singer Zaharias Karounis told us about this seminal text of contemporary Greek political theatre, the reasons behind its success in 1973 as well as 2012-2013, and the changes and challenges posed by the crisis to the performing arts scene in Greece.
The music excerpts in the show are the songs composed by Stavros Xarchakos for the play, with the voice of Zaharias Karounis from the 2012-2013 run of the play and Nikos Xylouris from the 1973 run, and “Ta Lianotragouda” from the “Megalo Erotiko” by Manos Hatzidakis.
Special thanks to @northaura, @ippotis_nyktos and @Skoufokokinitsa for helping with the voiceover.
You can listen to the podcast after the jump.


The Highway 61 Film Festival is looking for a few film buffs to serve as judges.
These judges will be picking from one or more of the film categories: Drama Feature or Short, Documentary, Comedy Feature or Short, Action/Horror, Animation, Minnesota Made and finally Student Short.
They will help pick the winners for the 2019 festival.
“We’ve had hundreds of films submitted to our festival this year, and we’re looking to send the very best ones to our judges,” said Patrick Schifferdecker, a director of the annual Pine City film festival. “If you love movies, you’ll love this job.”
You will need a good internet connection and computer to review the films because they are only available online.
Judges will watch up to 10 films with most being under 40 minutes.
There is no rule dictating how you watch the films as long as judges send in their rankings by the due date.
“In the past, some people watch the films by themselves, but some make it a party and invite friends,” Schifferdecker said. “The only real rule is you need to watch all the selections submitted to you, rank them as best as you possibly can – and send in your rankings by Feb. 15.”
The ninth annual Highway 61 Film Festival will take place in Pine City on April 4-7. People who participate as judges will get an all-access weekend pass and free passes for friends to the festival.
People interested in judging can send an email to firstname.lastname@example.org.


3 de abril de 2011
So much to see, so little time
Having this month on a medical leave is sort of a blessing and a curse at the same time. A blessing because I can have time to take proper care of myself and do so many things I've always wanted to do. And a curse because I get stressed trying to do all the things I have always wanted to do.
Spent the last few days watching some movies I missed on the big screen. Babies is definitely one I do not regret seeing at home. I would have scandalized everyone at the movie theater with my "awwww" and "ohhhh", "It's so fluffy I'm gonna die".
The Young Victoria I wish I had seen at the theater. I love movies about the British monarchy and sometimes regret we did not keep monarchy ourselves in Brazil. Although I must say some people, even nowadays, behave as if they're monarchs themselves.
A Long Engagement is entertaining, but a little hard to follow. It has the ever pleasant Audrey Tatoo as lead role and love, and tears, and war...
So today, international day of going to the movies, I am getting ready to see what are the latest releases.


Samantha LaCroix is a TV/Film actress born in Vienna, Austria.
She studied voice and acting in Toronto, Canada (Cawthra Park HS for the Performing Arts), piano in TX, (Master’s degree in Piano Performance from Texas Christian University) opera in CT, (Private study at the Yale School of Music), and studied acting in NYC with the American Academy of Dramatic Arts and Broadway Teacher Workshop Summer Programs.
She also balanced teaching music and theater in award winning school programs with performing in local stage and film productions and raising her family in South Florida. After playing a leading role in the full length independent feature film Pepperonia, she moved to Atlanta in the Fall of 2020 and is now a full time actress working on many projects ranging from commercials to independent feature films.
When not on set, Samantha loves reading, yoga, cooking, swimming, composing and writing, as well as spending quality time with her kids.


Saturday Film School has launched the careers of hundreds of British independent filmmakers. The techniques and tools described in this information-packed day are the ones used by filmmakers like Edgar Wright and Christopher Nolan. It has been taken by over 15,000 filmmakers and screenwriters worldwide.
The information-packed Saturday Film School will give you the tools you need to establish yourself as a screenwriter, director, producer or filmmaker. Divided into 4 parts, this course starts at the very beginning with Writing the Screenplay before explaining the processes, tools and jobs of actually Making the Movie for whatever budget you can achieve.
After lunch, veteran screen and stage director Patrick Tucker takes the stage to ask So You Want To Direct? His entertaining and revealing session will uncover some of the secrets behind framing and directing actors, followed by Raindance founder Elliot Grove explaining how to Break Into the Film Industry, touching on CVs, pitching, negotiating and personal branding. This experience is wheelchair friendly!
What you need
No available dates? Drop the host your email and they'll add some more dates! You need to be signed in to request.
You may cancel this booking up to 5 days and 0 hours in advance.
This experience is wheelchair accessible. In order to be wheelchair accessible, all of the following criteria must be met.Please note that the host is responible for ensuring that the criteria above has been met.
Did you know?
In the Stephen King novella for The Shawshank Redemption, Morgan Freeman's Red is described as a white Irishman. The script sees Red sarcastically quip, "Maybe itís cause I'm Irish" as a nod to the change.
Find your way there
10a Craven Street, Londra, Regno Unito
- World renowned film training covering the complete spectrum of filmmaking, from short courses to higher education, taught by the film industry's top professionals.


Beloved Georgia judge Joseph Donaldson was known for his unshakable fairness, his hard-won fortune–and a scandalous second marriage to his much-younger white secretary. Now he’s left a will with a stunning provision. In order to collect their inheritance, his lawyer daughter Maya, her stepmother Jeanie, and Jeanie’s teen daughter, Ryder, must live together at the family lake house. Maya and Jeanie don’t exactly get along, but they reluctantly agree to try an uneasy peace for as long as it takes…
But fragile ex-beauty queen Jeanie doesn’t know who she is beyond being a judge’s wife–and drinking away her insecurities has her in a dangerous downward spiral. Fed up with her mother’s humiliating behavior, Ryder tries to become popular at school in all the wrong ways. And when Maya attempts to help, she puts her successful career and her shaky love life at risk. Now with trouble they didn’t see coming–and secrets they can no longer hide–these women must somehow find the courage to admit their mistakes, see each other for who they really are–and slowly, perhaps even joyfully, discover everything they
A story about grief and how three women who loved the same man in different aspects deal with his unexpected death.
Maya, who is Judge’s daughter from his first marriage has now lost both parents and the grief of her father’s passing is devastating. But because of the morals and ethics her father instilled in her, she pushes forward and her grieving is limited. This is a situation that a lot of people find themselves in and don’t really know how to handle their grief and because of that, their grief bleeds into other parts of their lives.
Jeanie who is Judge’s second wife has let grief completely overtake her to the point of self destructive behavior. I could almost relate to the pain that she was going thru even though at times I felt she was playing the victim a bit too much at times.
Ryder who is Jeanie’s daughter and Judge’s stepdaughter is caught between her own grief and hiding her mother’s destructive behavior from Maya.
Each woman must learn how to grieve and how to get along. Maya and Jeanie must learn how to do this without depending on Ryder to be their buffer. She has her own issues as a teenager to deal with on top of losing the man she knew as her father.
This was a good story to show that people deal with grief differently and that families can still come together. Having lost both of my parents this was a story that I could definitely relate to.
3 Golden Girls


Humanism and the idea of completeness: A critical analysis of the Girish Karnad’s Play Hayavadana
The focus of the present paper is that Girish Karnad has dramatized the idea of completeness in the play, Hayavadana. Humanism is one of the branches of philosophy, which deliberate on such issues. In the introduction and the first, emphasis remains on the relation between drama and philosophy. The relation between the philosophy of humanism and drama is commented upon. Hayavadana appears to be foregrounding concerns of completeness and appeasement under Spencer’s and Neitzsche’s ideals of ‘superhero’ or ‘superman’. In the human world of Devadatta and Kapila, transposition offers a symbolic but temporary resolution to the problem of mind/body dualism: for a brief period of time, Devadatta-Kapila possesses the ideal mind as well as the ideal body, while the other hybrid being, Kapila-Devadatta, is deficient in both respects. But when each man’s body reverts to its original qualities, the problem of dualism returns, and the human condition appears as essentially one of disunity and imperfection culminating in death” (C P Vol II xxvi-vii). The three characters are complete in every sense and send a message to everyone that God looks upon those who are only patient, righteous and innocent of sins. Padmini is the only character in the play who is left out without a proper validation. Padmini is the only character who is left incomplete in the play. Devadatta and Kapila forgive each other before death and die without even concerned about Padmini. The fruits of righteousness, patience and innocence are reaped by three characters.


SOURCE Artemis Motion Pictures
AWIAFF Fifth Edition honors two women of "firsts": The first female stunt coordinator to win an Emmy, Shauna Duggins--and Mahsa Ahmadi who was the first stuntwoman in Iran; also Artemis Women In Action Film Festival is proud to announce Entertainment Partners and InkTip as festival prize sponsors.
BEVERLY HILLS, Calif., Feb. 12, 2019 /PRNewswire-PRWeb/ -- The Artemis Women In Action Film Festival is excited to announce that Shauna Duggins and Mahsa Ahmadi will be among its Fifth Edition honorees. AWIAFF will recognize these women of action, who not only exhibit a powerful strength of character but who also embody a strong, physical presence onscreen. The festival is proud to honor these pioneering women as they continue to maintain an incredible standard of skill-something that has always been personified in the festival's unique mission.
Shauna Duggins will be honored with the Artemis Stunt Powerhouse Award for smashing boundaries with her work as a stunt double, stunt performer, stunt coordinator, and 2nd Unit Director. Before she became the first woman to win a Primetime Emmy for Stunt Coordination and SAG Award Winner for the Netflix hit comedy "GLOW"-a show about female wrestlers-Ms. Duggins was best known for being Jennifer Garner's personal stunt double. With a background in gymnastics and martial arts, Duggins moves easily between doubling and stunt coordination, and has an impressive 136 stunt credits. She has doubled for Gwyneth Paltrow, Cameron Diaz, Jordana Brewster, Charlize Theron, and more. As a stunt coordinator she has worked on "Ray Donova," "Counterpart," "Kidding," "Camping," "Alias," "Fringe," "Brothers & Sisters" . . . just to name a few. Jennifer Garner perfectly encapsulates her skills: " . . . Shauna Duggins is a leader as a woman . . . and as a [stunt] coordinator."
Artemis Women in Action Film Festival is proud to honor Mahsa Ahmadi with the Artemis Stunt Unsung Heroine Award for her trailblazing career as a stunt performer and stunt coordinator. Ms. Ahmadi has been instrumental in making women's roles in Iranian films more dynamic. Her remarkable stunt skills include skydiving, base jumping, horse falls, martial arts, weapons, wire work, and stunt driving. She is responsible for many firsts. She was the first female stuntwoman, the first female skydiver, and the first female base jumper in Iran. At 16, she began training as a stuntwoman with Iran's Stunt 13 group, facing many challenges including wearing a hijab and loose clothing all while performing stunts. Ms. Ahmadi successfully convinced the authorities to give her (a woman) the permits to work on stunts. A true pioneer, she has amassed 55 IMDB stunt credits since her career took off in 2010. The stunt that brought her international attention involved a car flying 20 feet into the air over a truck; it went viral and led to her working on "Skyfall" in 2012. Her U.S. credits include "Fear the Walking Dead," "S.W.A.T.," "Will & Grace," "9-1-1," "Seal Team," "Last Ship," "Z Nation," "Tomb Invader," and "Saint Judy."
"Wow! My mom is gonna be so proud. She's [the one] who taught me how to 'kick ass.' Thank you Artemis!" -Mahsa Ahmadi
The Fifth Edition will also be marked by recognizing Jeannie Epper with the Artemis Stunt Lifetime Achievement Award, Melissa R. Stubbs with the Artemis Stunt Icon Award and Lisa Hoyle with the Artemis Stunt Warrior Award. Past Artemis honorees include Melissa McCarthy, Michelle Rodriguez, Tom Cruise, Ming-Na Wen, Zoë Bell, Debbie Evans, Heidi Moneymaker, Jessie Graff, and many others. For sponsorship opportunities, visit Artemisfilmfestival.com/sponsors for more information.
The Artemis Women In Action Film Festival (AWIAFF) is happy to announce that Entertainment Partners (Movie Magic) and InkTip have joined as festival prize sponsors. AWIAFF is proudly presenting Movie Magic software bundles to two award-winning feature ?lms and giving InkTip memberships to the top five finalists in the screenplay competition. Artemis will be giving approximately 7K in prizes to official selections at their 2019 Edition.
ABOUT Artemis Women In Action Film Festival:
Artemis Women In Action Film Festival was founded by Melanie Wise and Zac Baldwin, two filmmakers with a long time love of female-driven action films. Wise and Baldwin have produced shorts and features, focusing on female action projects. They saw that the genre was loved by audiences around the world, despite the fact that studios for many years claimed female action films were box office poison. In 2014, the idea of Artemis was born with the intent to create a space where these types of films could play for audiences with an unsatisfied hunger of female-driven action films. And for the Fifth Edition, Artemis is proud to include female-powered music.
About Entertainment Partners: EP is the global leader in entertainment payroll, workforce management, residuals, tax incentives, finance, and other integrated production management solutions with 15 offices in the U.S., Canada, London, and Tokyo. Currently on a mission to digitize the paper-heavy back office processes of entertainment production, EP is striving to reinvent how the entertainment industry works and interacts to make production simpler. EP collaborates with its clients to help them produce the most cost-effective and efficient film, television, digital, and commercial projects. Its accounting systems and Movie Magic Budgeting and Scheduling programs are the industry standards. EP's Financial Solutions group, along with Canada Film Capital (CFC) are the industry's most experienced incentives teams, assisting productions all over the world. In addition, casting and payroll for background actors is handled through its legendary Central Casting division, a Hollywood icon since 1925. Established over 40 years ago, EP is a 100% employee-owned company.
About InkTip: InkTip was born in 2000 and pioneered an online destination to help producers easily find good scripts, agents and managers more efficiently locate the right people for their clients' scripts, and greatly increase exposure for screenwriters.
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Scratch poster My Poster Fantastic Movies which includes 350 of the best science fiction films in a set with a mini poster with the premieres of the current year!
Your task is to see everything!
We selected the best, cult films in the genre of Fiction, Fantasy Comics, etc. with an IMDB rating of more than 6.0
Cool Design for Comic Fans!
The poster is divided into categories with films of the universes Marvel and DC, about Robots, Adventures, Post-Apocalypse, Fantasy, Horror, Action, about Space, Aliens, Comics.
We took care of your time and carefully selected all the films that were included in the poster, each worthy of viewing. Do not get bored in the evenings! Choose a movie on the poster and, together with your loved ones, arrange movie screenings and mark in the poster how much each film liked.
Under each film there are 5 erasable stars, you can rate each after watching - the more stars under the film, the higher the rating.
What do you like more - Lord of the Rings or Harry Potter, Batman or Superman, Matrix or Interstellar? Rate, glue stickers and make your own rating
Scratch poster in a beautiful tube will be a great gift for movie fans!
The poster is made using the best materials, every detail is thought out, it is perfect for a gift for any holiday that will not leave anyone indifferent.
Material: thick laminated paper + metallized layer.
- 61 х 41 cm
- Country of origin


Stats: 5’5” 115 lbs 34B-25-35
Location: Los Angeles, CA
Willing to travel. Current Passport
Sandra began her education in the performing arts when she started taking ballet, tap and jazz dance classes at Borgo Sisters School of Dance in Royal Oak, MI at the tender age of five. Shortly thereafter, when Sandra was six, she began taking voice lessons from Debbie Tedrick in Farmington, MI and started “star camps” at The Marquis Theatre in Northville, MI, subsequently leading to her first professional play as a munchkin in “The Wizard of Oz” (her line was “Follow the yellow brick road”) and then some. Sandra also took theatre, choir, modern dance and writing classes at Interlochen Arts Camp for two summers, starting at the age of ten.
At twelve, Sandra commenced classes at The Second City Theatre and continued at both the Detroit and Novi, MI locations. At thirteen, she was introduced to John Robert Powers and the world of film, television, and modeling. Sandra was the Runner-Up in the Drama Monologue Competition and gained Honorable Mention in the TV Real People/Commercial and Sitcom Competitions at the International Modeling and Talent Association (IMTA) Convention in Los Angeles in 2000.
Since then, Sandra has continued her education of the arts through Wayne State University, Washtenaw Community College, and Schoolcraft College, and has studied a bit of all the reknowned acting techniques, including the Sanford Meisner acting technique at Redbud Productions in Ann Arbor, MI and Method acting classes at the Lee Strasberg Theatre and Film Institute in West Hollywood, CA. Stella Adler and Constantin Stanislavski acting techniques have also been covered in various acting and theatre classes at Wayne State University, Washtenaw Community College, and Novi High School.
A real seeker of truth, Sandra loves to keep learning and building on her already enormous and impressive set of skills. Her immense knowledge is displayed through each character she portrays, including everything from crying on cue in “Sherome” (a short film by Dark Fortress Pictures LLC) to entertaining the masses as a Sexpert on Playboy TV’s “Foursome” and keeping us all on the edge of our seat in the upcoming thriller "Hollywood and Vine." Sandra has a “work hard, play hard” kind of personality, and brings joy and honesty to all that she does, whether it be theatre, film, modeling, music, stand up comedy, or stunts. Stay tuned for much to come from this cool, creative young lady!
2010 - present
2010 - present


Outlaw King is a Scottish historical drama filmed around Scotland about Robert the Bruce and the Scottish Wars of Independence. Written & directed by David Mackenzie and starring Chris Pine, it is the first of a trilogy of films about Robert the Bruce’s life.
The drama follows the epic struggle for the control of Scotland and the Scottish Crown between Robert the Bruce and the English Kings Edward I and II.
Sites used include Linlithgow Palace, Dunfermline Abbey, Craigmillar Castle, Mugdock Country Park and Glasgow Cathedral. It is now available on Netflix.


Jeremy is a member of the Kappa Tau Gamma fraternity. He is a background character of the Greek television series; not much is known about his background or personal story. However, small details of his personality are revealed over the course of the show. He wears eye makeup and leaves his hair long.
A running joke is that he likes to watch people while they sleep (although he doesn't like it when other people watch him sleep, as revealed when the Kappa Taus turn his snoring patterns into a drinking game).
Jeremy is one of the three Kappa Taus expelled--along with Wade and Ferret --after the Omega Chis betray their interhouse prank on campus security. Though he had never spoken before over the course of the series, it was revealed at that moment that he speaks in a British accent, when he says "Well this is a sticky wicket, isn't it?"


The first fully post Walt Disney movie came out in November of 1973. Robin Hood which had been tossed around as an idea for years finally made its debut once they decided to make the show star animals instead of people.
It was a commercial success and should be remembered as one of the classic Disney films, but due to the overshadowing of Walt dying, the success of movies before such as Cinderella and Jungle as well as success of movies after like Lion King and Beauty and the Beast, it is not a highly prioritized IP.
The lack of Walt’s influence is felt in the music specifically. In the action scenes rather than cleverly choreographed scenes with classic music, we are treated to fairly generic cartoon action music. The art style is similar to the other films during this time frame with some nice artistic backgrounds that show up between a few scenes.
The story behind Robin Hood is a bit deeper than most of the films up to this point with a few notable exceptions. But at the same time, it feels a bit like three different short stories all starring Robin Hood were tied together. This has been a complaint of mine up to this point so it isn’t a big surprise.
Run Time – 83 Minutes
46th Academy Awards – 1 Nomination – 0 Wins
Best Song – Love - Nominated
Disney Animated Canon so far in order of Quality
1. Lady and the Tramp 6-22-1955
2. Peter Pan 2-5-1953
3. One Hundred and One Dalmatians 1-25-1961
4. Dumbo 10-23-1941
5. Cinderella 2-15-1950
6. Pinocchio 2-7-1940
7. Sleeping Beauty 1-29-1959
8. The Adventure of Ichabod and Mr. Toad 10-5-1949
9. The Jungle Book 10-18-1967
10. Robin Hood 11-8-1973
11. Make Mine Music 4-20-1946
12. Fun and Fancy Free 9-27-1947
13. The Aristocats 12-11-1970
14. Snow White and the Seven Dwarfs 12-21-1937
15. Saludos Amigos 8-24-1942
16. The Sword in the Stone 12-25-1963
17. Alice in Wonderland 7-26-1951
18. Melody Time 5-27-1948
19. Bambi 8-13-1942
20. Fantasia 11-13-1940
21. The Three Caballeros 12-21-1944


James will be joining countertenor Iestyn Davies, and Tony and Oscar winner Mark Rylance in the Broadway transfer of Claire Van Kampen's play Farinelli and the King.
Previews will begin December 5, 2017 in advance of an opening night on Sunday, December 17, 2017 at Broadway's Belasco Theatre (111 West 44th Street). The production plays a strictly limited engagement for 16 weeks only through Sunday, March 25, 2018.
More information can be found on the official Farinelli and the King website.
FARINELLI AND THE KING premiered to rave reviews and played a sold out run at Shakespeare's Globe's Sam Wanamaker Playhouse in February 2015. The production later played a sold out engagement on the West End in Fall 2015, where it was the highest grossing show in the history of the Duke of York's Theatre, and received six Olivier Award nominations.
King Philippe V of Spain (Mark Rylance), plagued by insomnia, lies awake in his chamber. The Queen, desperate for a cure, hears of Farinelli - a castrato with a voice so divine it has the power to captivate all who hear it. Philippe is astonished when Farinelli sings, and begs him to stay. But will Farinelli, one of the greatest celebrities of his time, choose a life of solitude over fame and fortune in the opera houses of Europe? In its five-star review, The Independent hailed Farinelli and the King as "a pitch-perfect production by John Dove. Mark Rylance's Phillipe is like the love child of Stan Laurel and Hamlet."


Utah Film Circuit: MOAB is an initiative of the Utah Film Center and the Grand County Public Library. Each month we offer a free film screening in Moab's historic Star Hall at 159 E Center Street. Join us for the monthly screening series that features the best dramatic and documentary films from around the world.
A MAN CALLED OVE Thursday, May 25 @ 7PM
Ove, an ill-tempered, isolated retiree who spends his days enforcing block association rules and visiting his wife's grave, has finally given up on life just as an unlikely friendship develops with his boisterous new neighbors. -IMDb
Directed by Hannes Holm | 2015 | PG-13 | 116 minutes
EAGLE HUNTRESS Thursday, June 15 @ 7PM
Thirteen-year-old Aisholpan trains to become the first female in twelve generations of her Kazakh family to become an eagle huntress. -IMDb
Directed by Otto Bell | 2016 | Not Rated | 87 minutes
ALL GOVERNMENTS LIE
Thursday, July 20 @ 7PM A look at the life and work of American journalist I.F. Stone, who leads a one-man crusade against government deception.
Directed by Fred Peabody | 2016 | Not Rated | 91 minutes
MOONLIGHT Thursday, August 17 @ 7PM A look at three defining chapters in the life of Chiron, a young black man growing up in Miami.
Winner: Best Motion Picture of the Year - 2017 Academy Awards
Directed by Barry Jenkins | 2016 | R | 111 minutes


He took homes from black people to give to (largely white) developers in the name of "Redevelopment", and he has studiously refused addressing the deep, entrenched, and extreme racism of the South Bend police force, such as when he fired a black police chief who uncovered incontrovertible evidence of racism in the ranks.
In the latest incident, his police force was literally quoting KKK quotes from the movie Django Unchained while they were busting down a black man's door.
Pete Buttigieg may have inherited a racist police department, but he has chosen to do nothing to fix the problem:
While the South Bend Police Department arrested a black resident on Wednesday, officers gleefully quoted a scene from Quentin Tarantino’s “Django Unchained” in which hooded KKK members bicker amongst themselves while riding to kill Jamie Fox’s character, Django.I don't care what is in Buttigieg's heart, I care what he does, and it's clear that he does not give a flying f%$# about the minority residents of his town.
The individual being arrested, 21-year-old African American Marko Mosgrove, broadcasted his arrest to Facebook. Multiple officers with guns and shields over their faces rammed into the man’s home before they discovered his phone was livestreaming.
“Hey, that phone is recording,” an officer says, six minutes and 17 seconds into the livestream. The officers then turn the phone around, resulting in the screen going black.
But the audio continued broadcasting throughout the arrest as officers reenacted the film’s scene.
18 minutes and 23 seconds into the livestream, an unknown officer giggles while asking: “You know what’s a good idea for your kid? Is a skull mask in case you have to shoot a guy.”
“Dude, this is how you rob banks, alright?” another officer responds. A few seconds later, an unknown officer imitates a KKK member from the film struggling to see through his Klan hood.
“I can’t see fu**king sh*t out of this thing!,” the officer says while laughing, mimicking the scene from Tarantino’s Western bloodbath where KKK members argue with one another over their Klan hoods not fitting their faces.
An officer responds by asking if the quote was from the film “The Boondock Saints.”
“No, Django Unchained,” the other officer responds. An officer then continues to quote from the KKK scene, mimicking a Klan member who defended his wife who worked for hours making the hoods for the KKK members.
“My wife was up all…” the officer says before audio temporarily cuts out. Another officer responds by continuing the reenactment, quoting theKKK member from the scene who tried to diffuse the situation.
“I think we all agree that these were a nice idea,” the officer imitates.


Let’s celebrate the amazing filmmaking in Chisholm at the Made in Chisholm Film Screening! Join us Thursday, December 21st at the Minnesota Discovery Center for a cinematic screening experience featuring four local films produced right here in beautiful Chisholm!
Doors open at 5:30PM and the program begins at 6:15PM.
Our community has been busy with lights, cameras, and grip trucks over the past couple years and now we are bringing the Iron Range Premiere of Canusa Street to be screened at our theater for the community that helped make it! Additionally, we will be screening three short films showcasing the people, places, and stories that make Chisholm so special!
Made in Chisholm Film Screening: Featured Local Films
In an absurd small town cut in half by the Vermont/Quebec border, a jaded US Border Patrol attempts to solve local cases while maintaining a fierce rivalry with her twin sister in the Canadian Mounties.
Filmmaker: Zack Morrison
Game of Stones
This is the story of the history of curling in Chisholm Minnesota. The story is told through the original founder of the club who is currently 102 years of age and through the successful curlers from our little town of 5,000.00 people. Our club has many National Champions and an Olympic Gold Medalist.
Filmmaker: Mark Wangensteen (in attendance for Q and A)
Co-owners Paul David Marturano and Rob Russo of the Iron Range Supper Club Valentini’s Supper Club reflect on their contrasting immigrant heritage from Italy and Vietnam, and the roles that their mothers have played in their culinary careers.
Filmmaker: Matthew Koshmrl (in attendance for Q and A)
To most people, Chisholm, MN is barely a dot on the map. But this small town on the Mesabi Iron Range once provided the ore that built the tanks and planes of WWII and the skyscrapers of New York. Chisholm built America and the people prospered. But as time went on, the demand for Chisholm’s ore declined. Now, the community and industry that built this town are banding together to revitalize a forgotten piece of America. Can Chisholm make the leap from mining town to outdoor capital?
Producer: Jordan Metsa (in attendance for Q and A)
Tickets & Times for Made in Chisholm Film Screening
- Non-Members : $15
- Minnesota Discovery Center Members: $12
- Students & Seniors: $10


Rise of the Appliances - The Short Film
Rise of the Appliances - The Short
In order to demonstrate how we could make houshold appliances come to life on a modest budget - and give a taste of the comedy of the piece - I wrote and directed a short film version of the movie. It has gone on to win several international awards including The British Horror Award at the Empire Leicester Sq.
It was one of the hits of 'Frightfest' (also at the Empire)...
"The standard of the mini-movies was high this year, with Total Film taking a particular liking to Rise Of The Appliances (who’d have thought a Breville could do such damage?)" Total Film
....and the Sci-Fi London festival - as well as winning awards at film festivals from Washington to Los Angeles.
To watch the short film trailer follow the YouTube link below:


ABOUT BRIAN HOLLARS
DIRECTOR / CINEMATOGRAPHER
Brian Hollars is an aspiring cinematographer with experience in both film and digital formats. Over the past seven years he has worked on a variety of projects, including documentaries, features, music videos, commercials, photo shoots and promotional pieces.
Being an IATSE 478 Member in the Lighting Department on big budget features has allowed him to learn and light first hand with the best cinematographers in the world. His work has garnered awards from the Aurora Awards, Three Rivers Film Festival and The University of St. Francis Film Festival.
A graduate of Ball State University's telecommunications video production program, he currently lives and works in New Orleans, Louisiana.
10 years past, Hurricane Katrina still affects the citizens that call New Orleans home. Whether memories were washed away or family members disappeared, the people continue to strive to bring the city back to what they once knew. BOY reflects on a community, but also transcends its theme to who ever has been through the devastation of natural disasters. Lives might be loss but hope and strength is always gained.
Currently, BOY is running the film festival circuit, being accepted at both the Los Angeles CineFest and Speechless Film Festival. The IndieGoGo campaign is to find assistance in raising festival fees for the larger, international events so BOY's message can be seen around the world.
The video below discusses the campaign and the story behind the film.
A little boy and his dog travel through ruins of a fallen city to a place he will never forget
ALL INQUIRIES REGARDING BRIAN HOLLARS OR HIS WORKS FILM CAN CONTACT RIAIN RISING DIRECTLY OR THROUGH THE INQUIRY FORM


Call :phone to book directly from the theatre or Subscribe
Thursday, 26 October 2017
Saturday, 3 February 2018
Approximately 2 hours including the interval.
Four real estate agents, desperate to sell the most undesirable properties and win their Cadillac car bonus. Anything less than success means they’re out on their ear. So, each one goes to more and more desperate lengths – intimidation, threats, burglary – to try and save their own jobs. Glengarry Glen Ross returns to London for a limited fourteen-week season at the Playhouse Theatre in an explosive revival of David Mamet’s award-winning production.
Mamet is no stranger to the West End, winning an Olivier Award for Best New Play and a Pulitzer Prize for Drama when Glengarry Glen Ross first played the National Theatre in 1983. The production has achieved critical acclaim on the other side of the pond too, with four Tony Award nominations for its inaugural showing in 1984 and a further four for the 2005 revival, as well as two Tony Award wins in 2005 for Best Revival of a Play and Best Featured Actor in a Play (Liev Schreiber).
This version stars Christian Slater, Robert Glenister, Kris Marshall, Stanley Townsend and Don Warrington, all themselves seasoned theatre performers as well as being stars of both TV and Film. With acclaimed young director Sam Yates at the helm, Glengarry Glen Ross promises to end the 2017 theatre season with a bang. Book your tickets now to avoid disappointment for this limited run at one of London’s leading West End theatres – full of lies, greed and corruption, it’s just another day in the office for these shady agents.


Performance of Gravity of Life IV, Hjorthagens Kyrka, Stockholm, December 2016.
Operaimprovisatörerna, Hjorthagens Vokalensemble, conductor Karin Oldgren, light designer Kristofer Langerbeck. A film by Anton Wikström.
A documentary on the project based on performances of Gravity I, II and IV 2016, by Operaimprovisatörerna and Anton Wikström.
Here is the first improvised song scene (following the soundscape initiated by the storyteller who sets the scene) of Gravity of Life I in Lund 2016.
Here is the final scene from the same opera (somewhat extended as compared to Video example 8 from the dissertation below).
Examples from dissertation
Bricolage Gravity of Life, based on performances I, II and IV.
Final scene from Gravity of Life IV, Stockholm 2016 (also in the performance above).
Example of IAM analysis (see dissertation) of final scene in Gravity of Life III, Lund 2016.


In the revolutionary age of media, the right PR and publicity can take a film to new heights.
Our process of PR starts from Day 1, even before the pre-production stage has begun. Designing the promotion is as important for the success of the film as scriptwriting is to the filmmaking. Our experts are highly experienced in designing unique promotional activities for each film, based on its strength and weaknesses.
Our team do evaluate the advantages and disadvantages of premiering at global festival before the film gets released.


(Film Review) Upstream colour (2012): a dream-like experience.
If you like Terrence Malick’s visuals, or if you liked Primer, you will most likely enjoy this movie. However, if you are a more action type and struggles with slow-paced movies, you may want to sit this one out.
This movie’s visuals and soundtrack are amazing and create an experience of its own. I am willing to let a lot go for decent visuals. In the case of Upstream Colour, the visuals and sound compensate for a not-so-linear plot and dialogue. The tranquil shades of blue and open shots of the second half of the movie; compensate for a much darker and intense first half.
The plot, in a nutshell, without trying to spoil anything is about two people that had their lives turned inside out after being exposed to a mind-controlling substance. They don’t know how that has happened, all they lived with is the consequences of days “under the influence” when they have transfer all their possessions to an unidentified man. Kris and Jeff meet and are obviously drawn to each other, but they don’t know why and their lives have more link then they would initially think.
The acting is not superb across the board, but the main actors are good. Actress Amy Seimetz does a nice job in conveying the confusion and distress of someone who doesn’t know what is happening to them or why. Main actor and director Shane Carruth does a decent job as reserved Jeff, whose attraction for Kris joins a long list of unexplained events in his life.
It is easy to approach this literally, however this perspective ends up following short, especially in the end. There are several plot lines that don’t get closure or a satisfying explanation. So, I would face the story as memories and dream flashes, it makes the flowing of the narrative more comprehensible. Overall, this movie is a thoroughly pleasant sensorial experience.
First posted at Post-Production Reviews. Link to the film’s IMDB page.


I would kneel down low Under stained glass light To taste your body to taste your blood Then count the minutes till we’d reunite
Before the gulf turned black Before this town got too close to the flames When I would wait at the door like a goddamn dog For you to wrap your tongue ‘round my name
But you left me here With just a memory How do I feel your love Adrift on this plastic plague of a sea Is this all of the grace you allow? I begged you before and I’m begging you now Will the slaughter convince you to stay? The cross wouldn’t hold you but this time you won’t get away
“ A man’s walking down the street and he falls into a hole. Its walls are too tall for him to reach the top so he can’t get out. A doctor passes by, and the man calls out for his help. The doctor writes a prescription and tosses it down into the hole. A few minutes later a priest walks by and the man calls out again for help. The priest writes a prayer and tosses it down into the hole. Minutes after that, a friend of the man passes by. The man calls out for his friend, who promptly jumps into the hole. The man looks at his friend in horror. “You idiot! Now we’re both down here!” The friend smiles for a moment. “Yeah, but I’ve been down here before, and I know the way out.” ”
— Leo McGarry, written by Aaron Sorkin, The West Wing: Season 2, Episode 10, Noel (via fargorps)
924 Gilman Street is an all ages club in Berkeley, California. It has been around for 27 years and hosts bands (mainly punk rock bands) that aren’t signed to major labels. These are the rules, posted right inside the entrance. This, my friends, is punk rock.


If you saw The Time Traveler’s Wife and were as gutted as I am with how they threw away a fantastic opportunity to create a stonking time-travel movie, you’ve probably spent many an hour bitterly wishing it were actually possible to travel back through time and have another crack at it. Well somehow Richard Curtis appears to have done just that.
This is pretty much that same story, sort of, with one of the same cast, only done over here, done better, and in his trade mark style. Don’t be put off by the misleading movie poster (as I was) – this film kicks ass.
If you enjoyed The Boat That Rocked, or Love Actually, you will LOVE this.
Last night finally got around to seeing Before I Go To Sleep.
Imagine the plot of Fifty First Dates …but sent in an entirely different direction, as if Alfred Hitchcock had been at the reigns.
Would I watch it again? Probably not. It was a good story, lots of twists and turns, solid performances from a strong cast, but… well… it felt like there was something missing. In the closing minutes I found myself waiting for a REALLY big twist… one that that would knock me off my chair and reward me for my investment… but… nothing. Which was a shame. Maybe I’m just hard to please.
We got it because the trailer made us laugh. The concept and storyline is pretty good. It’s kind of Men In Black meets Ghost Busters, but it falls short of both those classic feel-good movies by a) being extremely hard to hear (I swear all the actors were mumbling) and b) the script appears to have been dashed off the night before filming.
With the exception of Kevin Bacon it’s got a strong cast.
Finally got to see this last night. Still trying to figure out what I thought of it.
I think the problem this film has is that you never really get the sense that Johnny Depp’s transcended character is actually ‘bad’. So as the film progresses the ‘good guys’ (the ones with the guns who do all the shooting) seem more and more misguided. You start to think, “let the AI change the whole blinkin’ world and network the whole human race! Can it be any worse than what we have?” That feeling is amplified when Will finally manages to become ‘human’ again and loses the whole ‘I’m sorry Dave I can’t do that’ aspect to his personality. So when the ‘good guys’ (with their guns) finally win the day the whole film is ultimately unsatisfying.
Trailer? Ok here it is…….or I’ve made it even easier by including it below.


A hat is a head covering. It can be worn for protection against the elements, for ceremonial or religious reasons, for safety, or as a fashion accessory. In the past, hats were an indicator of social status.
Top Hat is a 1935 screwball comedy musical film directed by Mark Sandrich with Ginger Rogers and Fred Astaire. The songs were written by Irvin Berlin; “Cheek to Cheek” has become one of the most popular American jazz standards. © wikipedia
Special thanks to my splendidly brilliant model
Original photos Germany, November 2011


The Academy of Motion Picture Arts and Sciences announced on Monday that the 93rd Academy Awards will not take place on February 28 as scheduled.
“For over a century, films have played an important role in relieving, inspiring and entertaining us in the darkest times. They certainly have this year. Our hope for extending the eligibility period and the date of our awards is to provide flexibility Directors need to complete and release their films without being punished for anything beyond anyone’s control, “said Academy President David Rubin and Academy Director Dawn Hudson in a joint statement.
In addition to the delay, the Academy has agreed to extend the selectability window for movies, which usually corresponds to the calendar year. For the 2021 Oscars, the new window will be extended until February 28, 2021.
Submission deadlines have also changed.
ABC and producers have not said how delays or ongoing coronation mitigation recommendations will affect the form of actual transmission.
“We are in an unfamiliar territory this year and will continue to work with our academy colleagues to ensure that next year’s performance is a safe and festive event that also captures the excitement of the opening of the Motion Pictures Academy Museum,” said Karey Burke. , President, ABC Entertainment.
The Motion Pictures Academy Museum, which was scheduled to open on December 14, 2020, will now open on April 30, 2021.
Adaptations to the 2021 ceremony come about three months after the spread of coronavirus began in the United States and around the world, disrupting every corner of life, including the entertainment industry.
Since then, almost every aspect of film and television production has been delayed or had to be reconsidered, from film releases to film festivals.
Tribeca Enterprises and YouTube collaborated on a ten-day virtual film festival called We Are One: A Global Film Festival late last month, but the event was far from the standard Oscar nominations that set the calendar for the awards season. .
Meanwhile, as theaters closed across the country, circulation calendars shifted, unprecedentedly changing the summer movie season. The result is a full movie release calendar at the end of the year.
Some long-awaited summer movies such as “Wonder Woman 1984” and “Black Widow” have moved their releases in the fall, which are often occupied by movies that will be in intense controversy. (Of course there were exceptions to this.)
It remains to be seen whether the films with new dates will be released as planned.
Some films have only adopted a digital approach to their releases in response to the pandemic.
The move was described as a one-time concession.
The awards of the British Academy will also move dates, it was announced later on Monday. The BAFTAS are traditionally held two weeks before the Academy Awards and are scheduled for April 11, 2021.


Introducing Our New Logo
[6/18/2020] Raylynmor Opera is proud to introduce our new corporate logo. The new logo more clearly identify our ties to the Monadnock region, while remaining stylistically consistent with the prior branding.
Pagliacci Streaming Event
[6/4/2020] For the past couple of months, we have been working on some contingency plans that will allow us to present our fall production of Pagliacci. Long story short, we are going into the movie business! Yes, you read that right. A film version of Pagliacci, set in the time of Covid-19. The best part of it all: you can see it without ever having to leave home!
Given that this approach is new to us, we have chosen not to produce Aleko this season and focus our effort on Pagliacci alone. Pagliacci is the story of a traveling theatre troupe headed by Canio, the abusive husband of Nedda. Nedda has been having an affair with a local man, Silvio. Canio finds out and confronts his wife and her lover in front of a live(stream) audience during their performance. Playing off of the popularity of live-streamed performances, we will make the show within the show a livestream event - and our chorus will be the consumers. To be clear, the final product is NOT a livestream, but rather a produced film put out onto a streaming platform.
Performers will record audio and video in their homes. We will edit the numerous tracks and videos together digitally and release the finished product over a streaming platform. The final product will use footage of different people to give perspective on how the "audience" is interacting with the "livestream." We invite you to join us for this unique event. We anticipate a release date of mid-October 2020. More details will follow in coming weeks.


Sharon Leal is an American actress of Filipino-African-American descent. She was known for her role as Michelle in the movie “Dreamgirls” with Beyonce Knowles. She had numerous TV series roles previous to the big hit film. Sharon was born on 17 October 1972 in Arizona to an African-American father and a Filipino mother.
Sharon was nominated for Outstanding Performance by a Cast in a Motion Picture in the Screen Actor’s Guild Awards in 2006 for her role in Dreamgirls.
More of Sharon's photos here...
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Burr and Burton Academy’s Performing Arts Department will present the musical Pippin, May 9, 10, 11, 12, 13, 2017 at 6:30 pm in the Riley Center for the Arts. Originally directed and choreographed by Bob Fosse, Stephen Schwartz's music and lyrics together with Roger O. Hirson ’s book tell a fictitious story of Pippin, the son of Charlemagne. BBA’s production boasts over 70 students involved on stage, behind the scenes, and in the orchestra. Don’t miss this amazing show. Tickets go on sale APRIL 24th.


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WHO WE ARE
Based in Wales and London, Milk and Blood was founded by Eifion Ap Cadno in 2018 while training on the Acting and Contemporary Theatre course at East 15 Acting School.
Through new writing, devising, original music, bold design and improvisation, we create work that is honest, risk-taking, and doesn’t pull punches. We bring untold stories to the stage and experiment with new forms of storytelling.
Milk and Blood also currently offers a puppet-making workshop, The Imaginarium, where participants design and make their very own puppet. We are currently working on a graphic novel adaptation of THE DIP; and our next show Journey to the Moon-cup will shatter the stigma around periods. Period.
Our proudest achievements include every single puppet made in The Imaginarium, selling-out at our first ever Edinburgh Fringe in 2018 (in the good sense), getting plenty of stars, some people seeing the show SIX TIMES and almost getting Lyn Gardner to see it.
Oh, and not killing our cast.
EIFION AP CADNO
Eifion is Welsh actor, writer, director and produce currently based in South Wales. He is also the founder and artistic director of Milk and Blood.
He graduated from the Acting and Contemporary Theatre course at East 15 Acting school in 2018.
He has worked as an actor, deviser and theatre-maker with theatre companies in the UK and internationally.
He is represented by Gillian Rowe.
Becca is a London based theatre designer.
Coming from a background in fine art with a focus on textiles and sculpture, she joined Wimbledon College of Arts in 2015 to train as a theatre designer.
During her time there she has worked on speculative designs for classical plays as well as creating realised designs for contemporary writing, namely in collaboration with students from East 15 Acting School.
Sam is a Luton born artist with a background in devising and contemporary dance. He trained at East 15 Acting School on the BA Acting and Contemporary Theatre Course where he was awarded the Sir John Gielgud Award.
He has performed with multiple award winning companies, winning awards such as the Brighton Fringe 'Outstanding Theatre Award 2015' and the 'NDT First Devised Award 2017'. As a performer he has been to multiple fringe festivals and performed in shows both at The Donmar Warehouse and The Royal Opera House. He is a director and playwright for both film and stage, as well as a professional lighting designer and technician.
Nick Young Nick studied at East 15 Acting School on the BA Acting and Contemporary Theatre course. Having trained in Ballet and Cello he has mastered the art of sitting and standing. He once wrote a letter asking to draw as good as his brother, and now he owes his talent to Santa Claus.
Nick is currently studying on the MA Independent Games
and Playable Experience
Design at Goldsmiths, University of London.
Nick is an international actor originally from Houston, Texas and is in his final year on the BA Acting International course at East 15 Acting School. He has performed in Angels In America, The Glass Menagerie, The Cherry Orchard, and A Midsummer Night's Dream. He also won Best Actor (2016) by BroadwayWorld Houston for his performance as Mozart in Amadeus.
When not acting, Nick can be found editing videos and running around in the Officer Flatfish costume doing "marketing".
We really REALLY need it
As an emerging theatre company we really do depend on the kindness of strangers at this stage. Well, and friends. Mostly friends... but "the kindness of friends" is not a quote.
Our debut show THE DIP could not have gone to the Edinburgh Fringe 2018 without the generous support of everyone who donated to our Click crowdfunding campaign.
If you would like to support us and our work then a donation would be massively appreciated and put to very good use. Right now it would help us renew our subscription for this very website, pay for comprehensive annual insurance and go towards the cost of a storage unit to keep all our set, costumes and props safe and dry in one place.


A new Bollywood film, Kabir Singh, is being described as misogynistic even as it has set box office coffers ringing. But this is hardly a new problem in India’s biggest film industry
Kabir Singh is the story of a man who becomes addicted to alcohol and drugs after his girlfriend’s family refuses to accept their relationship, and marries her off to someone else. The movie hit the screens on 21 June and has divided opinions sharply.
The lead character – played by actor Shahid Kapoor – is a man-child who belittles his girlfriend, Preeti Sikka, tries to control her life and objectifies women. The lead female role is played by Kiara Advani.
Singh is volatile and violent – in one scene, he threatens to rape a woman at knifepoint when she refuses to have sex with him. He eventually backs off, but it’s no credit to him.


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25/05/2016 · The story is about a middle-class girl Pooja Kumar marrying an NRI Kamal Haasan with hopes of completing her education in the US. But after her studies, she is not interested in him anymore and looks ways to divorce him. She employs a detective to find fault on her husband only to be shocked by some revealing facts. What happens. 12/08/2018 · Vishwaroopam2 Telugu Movie Review, Kamal Haasan Vishwaroopam2 Movie Review, Vishwaroopam2 Movie Review,. Vishwaroopam 2 will be a full toss for all those who have not seen the first part as it is hard to understand what is going on with. 10/08/2018 · 'Vishwaroopam-2' could have been a much better movie with mainstream writing. Slow pace, jarring narration, and half-hearted mixture of masala and nuance are found. If you are a Kamal Haasan fan, you will love his fabulous performance. Even if you are not, it's time you become one.
28/10/2018 · Buy Vishwaroopam DVD, Blu-ray online at lowest price in India at Amazon.in. Free delivery on qualified orders. Check out Vishwaroopam reviews, ratings, browse wide selection of blu-ray, DVDs and shop online at Amazon.in. 25/01/2013 · Directed by Kamal Haasan. With Pooja Kumar, Miles Anderson, Kamal Haasan, Rahul Bose. When a classical dancer's suspecting wife sets an investigator behind him, a series of violent events are triggered, revealing his real identity and connection to a darker world. 05/09/2018 · Vishwaroopam 2 2018 Telugu Comedy Romance Movie released in Tamil language in theatre near you. Watch Vishwaroopam 2 2018 Tamil Movie Trailer Online, Audio Jukebox, Wiki & Know about Film Release Date, lead cast and crew like Hero, Heroine, Film director, photos &.
11/06/2018 · Presenting The Official Telugu Trailer of Vishwaroopam 2 Starring Kamal Haasan, Rahul Bose, Pooja Kumar, Andrea Jeremiah, Shekhar Kapur,. Vishwaroopam 2 Pre Release Event, Vishwaroopam 2 Official Telugu Trailer, Vishwaroopam 2 Official Jukebox, Vishwaroopam 2 Official Trailer, Vishwaroopam 2 Telugu Official Trailer, Vishwaroopam 2 Trailer. 01/01/1970 · It's a battle of brain, brawn, and emotions for RAW agent Wisam Ahmad Kashmiri struggling between the task of eliminating his nemesis, and maintaining his personal life. Watch Vishwaroopam 2 Full Movie on Hotstar now. 25/01/2019 · Vishwaroopam Telugu 2013, action drama thriller released in Tamil Telugu language in theatre near you in Mumbai. Know about Film reviews, lead.
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Residents of a small rural town discover that a demon is about to be born among them. They desperately try to escape before the evil is born, but it may be too late.
Original title Cuando acecha la maldad
IMDb Rating 7 15,910 votes
TMDb Rating 7.2 289 votes
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Final expression project, finally online :D
How to Marry a Millionaire was the first and only movie I’ve seen Marilyn Monroe. It’s about these two classy ladies on the search to find millionaires to marry. They each end up with unlikely men and find true love in the process.
We have to visually portray an intense emotion. I was thinking of doing mine on a girl and her journey with her friend and the pain it caused her as they grew apart.
Requiem for a Dream is about 4 people and their experiences with love, sex, coke, herion and speed. The abundance of these drugs keep the 4 trapped in a spiraling drug cycle as everything quickly turns for them. It was directed by Darren Aronofsky and stars Ellen Burstyn, Jared Leto,Marlon Wayans and Jennifer Connelly.
Seven Pounds, Field Scene
We Found Love is a song by Rihanna and Calvin Harris and the video was directed by Milena Matsoukas. Its about a couple whose relationship goes wrong because of their involvement in drugs and their inability to separate regardless of it. This is my favorite music video so far. I love the pacing and the creative drug references. Their relationship seems sincere and it makes most people empathize in one way or another. It’s a video that I can watch over and over and I’ll never get tired of it. The couple is beautiful and the video is fun and captivating.


CINDY L. ABEL
Director | Producer | Writer
Director and Producer Cindy L. Abel formed Atlantis Moon Productions in 2007 to develop film-related projects that launch conversations and impact popular culture.
Her first full-length documentary, the award-winning BREAKING THROUGH, was conceived in response to the high number of teens who were taunted because of being gay or perceived to be and committing suicide. Having struggled with coming out, Abel knew the importance of having positive role models and wanted to highlight openly LGBT leaders living authentic and fulfilled lives
In addition to BREAKING THROUGH, she directed shorts DISTURB THE UNIVERSE and BACK TO SALEM. Abel also combines her experience in managing multi-million dollar, award-winning communications projects with filmmaking to create videos and webisodes for corporate and public affairs clients. She blogs for Huffington Post, previously served as Co-Chair of the Gay & Lesbian Victory Fund, Vice-Chair of Atlanta Film Festival and Vice President of Communications of Women in Film & Television Atlanta.
Director of Photography | Editor
Director of Photography and Editor Michael Bruno delivers visually compelling footage and skillfully weaves traditional editing techniques with cutting edge motion graphics.
Driven by a desire to show the truth about LGBT people and the struggle for full civil rights, he applies the art of filmmaking to his commitment to equality and partnered with Cindy L. Abel on the award-winning documentary BREAKING THROUGH.
Bruno began his career filming musicians, which lead to the role as Director of Photography for an independent zombie musical. With diverse skills in both the production and post-production process he later worked extensively with Georgia Public Broadcasting, including roles as a Lead Editor, Assistant Director, and Cameraman for several programs. He was Director of Photography for the Emmy-nominated documentary, THE PLAZA, and was the Editor and VFX artist for the award-winning Sci-Fi webseries, 31. In addition to filmmaking, he applies these skills to his work with Atlantis Moon Productions, creating videos and webisodes for corporate and public affairs clients.
JESSE STEPHEN FREEMAN
Writer Jesse Stephen Freeman is an Emmy-nominated freelance writer and video producer who holds an MFA in Creative Writing from the University of Maryland, where he was the winner of the 2012 Katherine Anne Porter Prize for Fiction.
In 2010 he was nominated for an Emmy for SOMEBODY ELSE, SOMEWHERE ELSE: THE RAYMOND ANDREWS STORY, a documentary film he wrote and directed. He also co-wrote the award-winning documentary BREAKING THROUGH.
From 2002-2010, Freeman appeared on various Georgia Public Broadcasting programs, including Lawmakers and Prep Sports Plus. He also hosted Cover to Cover, a literary talk show on GPB Radio, and has written features and book reviews for Lake Oconee Living magazine.
Marc is a multi-award winning director, producer and executive producer with 25+ years of experience across all aspects of the entertainment and media business. His career focus has been on powerful social issue filmmaking across all genres. His long list of credits includes films that have screened at top-tier festivals—Sundance, Berlinale, AFI Docs, IDFA, Tokyo, Melbourne, among others—and been released worldwide. Select titles include: “The Nine” (Producer 2016), “The Watermelon Woman” (Restoration Producer 2016), “Desert Migration” (Producer 2015), “Keep the Promise: The Global Fight Against AIDS,” narrated by Margaret Cho (Co-Director/ Co-Producer) and the Academy-Award nominated “The Weather Underground” (Producer 2003).


Spring 2017 Schedule
30 Don’t Think Twice (2016, USA, d. Mike Birbiglia)
From the director of the award winning Sleepwalk With Me, comes a film about the true cost of fame. In Don't Think Twice, two members of an improv comedy troupe get a big break to audition for a scripted weekend comedy series, while the others are left behind. New-found success will test friendships and strain lifelong dreams. Writer-director Mike Birbiglia is joined on screen by Gillian Jacobs and Keegan-Michael Key in a film that famed critic Leonard Maltin called Birbiglia's Annie Hall.
(92 min; R, for language, some drug use )
6 Hunt for the Wilderpeople (2016, New Zealand, d. Taika Waititi)
In this road comedy/adventure, Ricky, a defiant city kid, gets a new foster family in the New Zealand countryside. A tragedy makes it likely that he will have to go to another foster home, so he goes on the run, followed by his cantankerous foster uncle. A series of adventures and mishaps requires them to adjust their attitudes toward each other, ultimately resulting in what LA Weekly’s April Wolf calls “one of the most sincere and funny portraits of family life to come along in a while.”
(101 min; PG-13, for thematic elements, violent content, language)
13 The Eagle Huntress (2016, UK/Mongolia/USA, d. Otto Bell)
Aisholpan is a thirteen-year- old girl who lives with her nomadic family in Mongolia when she is not attending boarding school, preparing for her future education to become a doctor. A hit at Sundance and Telluride, this documentary follows her in her quest to become the first female eagle hunter in twelve generations. Kate Erbland of IndieWire says the film is “a soaring, sweet documentary that welcomes its audience into an unexpected new arena [. . .] with a leading lady who has something to share with everyone.”
(87 min; G, though several animals are killed and eaten)
20 American Honey (2016, UK/USA, d. Andrea Arnold)
Star, a young girl on the run from a troubled home, takes up with a magazine sales crew that travels across the country selling subscriptions door-to- door. In this coming of age story, replete with drugs, alcohol and sex, and somehow, love, Star comes to understand what is really being sold. Matthew Lukona, of the San Diego Reader, says, “Writer-director Andrea Arnold artfully manages one of the best endings in recent memory.”
(162 min; R, for sexual content, graphic nudity, language, drug/alcohol abuse, all among teenagers)
27 Moonlight (2016, USA, d. Barry Jenkins)
Barry Jenkins’ beautifully nuanced film, winner of the Golden Globe for Best Picture—Drama, takes us into the life of a boy growing from boyhood to manhood in a rundown Miami neighborhood. Critics have universally praised the film for its insightful and complex portrayal of growing up African American and male in the contemporary U.S. “Jenkins’ film is confident in every single aspect of the way that a critic can use that word,” Brian Tallerico, editor of RogerEbert.com, writes. “Every performance, every shot choice, every piece of music, every lived-in setting—it’s one of those rare movies that just doesn’t take a wrong step.”
(111 min; R, for some sexuality, drug use, brief violence, language)
6 Tower (2016, USA, d. Keith Maitland)
A one of a kind documentary blending animation, personal testimony, and archival footage, Tower chronicles the killing of 16 people by Charles Whitman at the University of Texas in August of 1966. The film is both a memorial to the victims and a look at how one heinous act could rock a nation to its core. Hailed as "immersive, immediate, and essential," by SlashFilm, Tower has received nearly universal praise and was awarded the Grand Jury and Audience Prizes at the South by Southwest Film Festival.
(96 min; NR, contains animation of shootings, dead bodies, blood; archival footage of bodies)
13 The Innocents/Les Innocentes (2016, France/Poland, d. Anne Fontaine)
Set in the wake of World War II, Anne Fontaine's The Innocents is a gripping, difficult film that explores the fine line between morality and devotion to God. When the war concludes, a young Red Cross doctor is sent into Poland to help survivors of German death camps, only to discover a convent of pregnant nuns determined to keep their secret from the world. An official selection of the 2016 Sundance Film Festival, The Innocents has been hailed for its striking beauty and has been described as a "powerful, brave film that will stay with you for days." (Ellen Brait, Globe and Mail)
(115 min; PG-13, for disturbing thematic material including sexual assault, blood)
3 20th Century Women (2016, USA, d. Mike Mills)
The central consciousness of 20th Century Women is the son of one of them, 15-year-old Jamie, whose coming of age in the summer of 1979 is essentially defined by the women surrounding him. His single mother, Dorothea (Annette Bening), is equally driven by the counterculture and the stock market, “a rigid free spirit, a control freak in Birkenstocks,” Owen Gleiberman (Variety) writes. “1979 was the last moment of calm before the counterrevolution—the takeover of the culture by money fever, fashion, and Reaganite unreality . . . the dawn of the era when both sexes were striking down barriers but, at the same time (and maybe in reaction against that), working their way toward the idea that they really inhabit different planets.”
(118 min; R, for sexual material, language, nudity, brief drug use)
10 The Handmaiden/Ah-ga-ssi (2016, South Korea, d. Chan-wook Park)
The visionary director of the dark and shocking Oldboy brings us another tale of sex and deceit in The Handmaiden. Told from multiple points of view (like a modern Rashomon), the story defies summary: its complex and shifting plot focuses on a Japanese heiress, a petty thief who becomes her handmaiden, and her much-older uncle; beyond that, prepare for tectonic shifts of perspective and character in a story marked by pervasive sexuality. James Beradinelli, Reel/Views calls it "deliciously perverse, delightfully twisty, and unapologetically erotic."
(144 min; NR, but IMDB suggests NC-17; contains sexuality, nudity, violence)
17 Forgotten Farms (2016, USA, d. Dave Simonds)
While farm-to-table restaurants, farmer's markets and CSAs are booming and new farmers are celebrated, traditional dairy farmers are often left out of the local food celebration. New England has lost over 10,000 dairy farms in the past 50 years, and fewer than 2,000 farms remain. Through conversations with farmers and policy experts, the film reconsiders the role of these vital but forgotten farmers. Forgotten Farms gives us a glimpse into the past and a vision for a future regional food system, highlighting the need to examine differences, develop mutual understanding, and find common ground. Director Dave Simonds will join us.


Romeo and Juliet
Full Production .
Full outdoor production of Romeo and Juliet shot in March 2008 and featuring third year acting students from the University of Southern Queensland. Duration 2:31.
Director: Scott Alderdice.
Scene By Scene
Scene by scene commentary of Romeo and Juliet with recorded performance of the 2008 outdoor production. Text in captions as an option.
Click on an Image
Once in Verona
R&J:Once in Verona is a modern verse adaptation of the original play including all major characters and plot points. Performed by four actors in a school quadrangle. Click on the image to play video. Scene markers appear below video on opening. Duration 47 minutes.
R&J Once In Verona Script. Why not download it and stage some scenes in your own setting and using your own music.
R&J Original Script. Why not download it and read along to the our production.


Pangean Productions and Silhouette Films
Silhouette Films, is delighted to announce its brand new collaboration with Pangean Productions, a theatre and film production company also based in London.
Pangean Productions, run by drama college graduates Ryan Duncan and Ian Horgan was set up formally one year ago as a theatrcial production company. After successfully touring "This Language", a brand new piece of theatre written by Ian, to the Edingburgh Fringe Festvial, the company has embarked on a new, cinematic project in collaboration with Silhouette Films.
Throughout February we will be filming a short film inspired by the poem "Mending Wall" by Robert Frost. With an incredibly busy production schedule spread out across three weeks of filming and editing, the four man strong production team comprised of writers, directors, cinematogprahers and prodcution managers and a six person cast are aiming to produce a reflective interpritation of Mr Frost's poem.
Silhouette Films is providing technical and production services, including production management for the project. With pre-production already taking place, we will be organising three different shoots in Cumbria, Dover and London.
We are so happy to be working with Ian and Ryan on this exciting new endeavor! Watch this space for updates on our progress and some behind the scenes action!
"Mending Wall" by Ken Fiery


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David Garver has been on the Taos music and theater scene for 35 years. He was the leader of the well known Taos band The Boheims in the 80’s and 90’s. For the past three years was the singer/songwriter and guitarist for the popular Taos rock band Bones of Romeo. He is now the lead singer/songwriter for the band StoneDaddy. As a solo singer/songwriter, his CD, Blind Artist, was nominated for Rock CD of the Year in the 2009 New Mexico Music Awards. His song Tennessee won Americana Song of the Year. In June , 2019, he released the EP, Songs From the Ghost Tree, a folk rock record produced by Greg Thum in Taos New Mexico. . In November 2019, he released another EP, Illinois, produced by Thum as well. He was a member of Working Class Theater of Taos, and has done over fifty shows since 1983. He is also a television and screen actor. He has appeared in the t.v. shows Longmire, In Plain Sight, Wildfire, and many others. On the big screen he was seen in the critically acclaimed film Sicario, in the role of Bob Fisks. He is the founder of Sage and Fool Productions, which produces music, concerts, theater and short film and videos. He wrote, produced and starred in the critically acclaimed one man show, The Age Between Sage and Fool. His new one man show, Sage and Fool Part II toured in February ,March, and June in 2019. His company also produced the short film, The Walking Shadow of Danny O'Shea, which he wrote, produced and starred in. With his wife Aura, he is co-owner of Aurafitness, a yoga, training, and special events studio in Taos New Mexico.


Audio/Video Quality: The audio and video quality are very good. This film is shot in High Definition and Dolby Digital.
Overview: Jewell Marceau's Holiday Kink is a film by legendary fetish and bondage performer Jewell Marceau. In this film from her production company A Crowned Jewell Production, Jewell is the boss of a company. Christina Carter is her loyal employee and Anastasia Pierce is the office intern. Jewell Marceau is one of all time best performers who can combine fetish and bondage so sexy. Even though she can be rough when she wants to, Jewell is quite amazingly hot when she puts on the charm during her softer side of bondage play.
Scene One: When the scene begins, we see Jewell Marceau laying on a bed. Her head is covered by a black hood. Her body is covered in green rubber. Her wrists are tied together. Her breasts are exposed. The woman is moaning and wiggling a bit. She wants to be free. There is a paper sign stating "To be played with, but not opened until Christmas." There are a few Christmas presents beside her. The camera pans Jewell's body for a while before Stacy Burke arrives. There is a vibrator on top of Jewell, a pussy pump and mouth pump are connected to her, and some Christmas ribbon on top of her. Moments later, the preoccupied Stacy realizes that someone else in on her bed. She tries to figure out who the covered woman could be and who might had given her the cool gift. Later, Stacy is rubbing her pussy as she continues to figure out who the woman could be. The Stacy's hands become more touchy-feely throughout her body especially her breasts. I really enjoy listening to the lady's vocal comments as the lady becomes more turned on. Later, when Stacy squeezes the pump, Jewell squeals very loudly. Then, she squeezes and sucks on the woman's tits. I love hearing Jewell squeal when Stacy sucks and licks her breasts. Jewell continues to wiggle while Stacy rubs ice cubes on her nipples. Afterwards, Stacy focuses on Jewell's feet. She removes her black heels and tickles her feet a whole lot. It's a pretty silly and fun moment. It lasts several minutes. Then, she puts Jewell's heels back onto the woman's fee. Next, Stacy opens a present very rapidly. The gift is vibrating nipple clamps. She tries the toy on her own hot nipples. The sensations get her quite turned on. Later, Stacy uses those nipple clamps on Jewell. Then, the red head takes her turn on using all of the toys that are connected to Jewell. In the end, Stacy puts on her bra and leaves the room.Final Thoughts: Fetish lovers of female on female teasing activity are going to love this film. Stacy Burke's performance was so good that viewers who had never seen her before will want to see more of her performances. She was so likable and at times, silly. Even though Jewell was sort of a mummified figure, the tone of the movie was never mean-spirited. The audience never felt sorry for her. Credit needs to go to Jewell in being in that position for a long time as well as reacting to the situation so perfectly. I recommend this fun fetish flick even though no sex occurred.


& Action! Film and Television to look forward to
Dream Scenario by Kristoffer Borgli from A24.
Paul Matthews, a regular family man played by Nicolas Cage, experiences a sudden change in his life when countless strangers begin to see him in their dreams. However, as his presence in these dreams becomes more disturbing, Paul must navigate the unexpected fame that comes with it. This comedy film, written and directed by Kristoffer Borgli (known for “Sick of Myself”) and produced by Ari Aster, provides an entertaining and wickedly funny story.
Image: Dream Scenario (L-R) Nicolas Cage and Michael Cera. Courtesy of A24


There was drama on the Eurostar trains today when the journey had to be halted before it entered the channel tunnel. Luckily Hollywood superstar Johnny Depp was on board to keep the staff entertained while the problems with the train were resolved.
The Pirates of the Caribbean star seemed happy to pose for photographs with Eurostar staff and passengers while the train was being held at Calais station. It is thought that Depp was heading to London from Paris to promote his new movie Alice Through the Looking Glass. Depp was holding what looked to be a glass of champagne as he happily had photos taken while the staff attempted to resolve what was thought to be a fire in one of the engines.
The new film, directed by James Bobin, is an adaptation of the classic Lewis Carroll novel. The film also stars Hollywood juggernauts Anne Hathaway and Helena Bonham Carter.
This is not the first time that Depp has hit the headlines recently. He and his wife, Amber Heard, were forced to make a very public apology for secretly smuggling their dogs into Australia without following the quarantine protocol. Though, while doing promotion for the new film he has mocked the apology video that he was requested to make by the Australian authorities.