I’m sure there are dozens of people all over the world waiting for the second half of my review of D&D 5th Edition’s Basic Rules. That will be coming in a few days, but I wanted to write about something else just now.
Those of you that have any interest in it will probably have seen the first trailer for 50 Shades of Grey, the film adaptation of the… “novel” of the same name by EL James aka Snowqueen’s Icedragon. For those of you fortunate enough to avoid it, I’m going to ruin your day. Continue reading →
The gamers among you will almost certainly know that Wizards of the Coast released the first official Dungeons & Dragons 5th Edition item last week. Wait, are we still calling it D&D Next? Let me check…
OK, I’m not sure; Wizards are just calling it Dungeons & Dragons. But for the sake of clarity, I’m going to call it 5th Edition. I should state early on here that, aside from a few sessions of 4th Edition D&D, I’ve never really played the world’s most famous roleplaying game. I got into gaming through the Warhammer RPGs, which are a very different beast. But I have played plenty of Pathfinder, and Pathfinder is just D&D 3.5 with the serial numbers filed off, so I don’t think I’m lacking in a whole lot of knowledge here. Continue reading →
My love for Kaiju Vs Mecha fight fest Pacific Rim is no secret and I was disheartened when the movie didn’t set the box office on fire in 2013. It wasn’t a perfect film, by any means, but it was a damn sight more satisfying than the Transformers franchise, which squeezes out another epic turd this coming weekend. Robot on monster action was what we asked for, and when you also include the cheesy acting and paper thin plot, it was a fun Summer blockbuster.
The film’s success in international markets, however, gave hope to fans that we might see a seuqel. Last night, word came to us from Guillermo Del Toro himself about the fate of the Pacific Rim universe. Continue reading →
WARNING: This article features possible spoilers to the season for finale of Game of Thrones, as well as the books upon which the series is based. If you’ve somehow managed to go all week without being spoiled and want to stay that way, turn back now! Continue reading →
Even as Warner Bros. and DC flail around trying to catch up with Marvel’s movie output, they can at least take solace in knowing their television shows are largely better. FOX announced that “Gotham,” a prequel show of sorts that follows a young detective Jim Gordon as he establishes himself in the famous fictional city, will receive a thirteen episodes stint on the network later in the year. They also released the first trailer for the show. Continue reading →
The zombie genre has seen a huge swell in popularity in recent years. The success of “The Walking Dead” television series is only one sign that the public can’t get enough of the undead. We’ve got zombie books, zombie mugs, zombie flip-flops – pretty much anything you can print zombies on, it’s there. Alexandre O. Philippe, director of The People Vs George Lucas, explores the phenomenon in his new film Doc of the Dead, which I caught at the Canadian International Documentary Festival. Continue reading →
You know what I love most about living in Toronto? Tim Hortons.
But if you asked me if there was anything else I loved about Toronto, it would probably be that there’s always something going on. This is the first real city I’ve ever really lived in, so I’m often amazed by how spoiled for choice I am. Music, movies, art in all its myriad forms – it sometimes feels like every few weeks another big event rolls into town.
And so it is that the 2014 Canadian International Documentary festival kicks off next Thursday, the 24th of April. I’m going to catch a few docs and, if you happen to be passing through Toronto in the next couple of weeks, here are some you might want to keep your eyes on. Continue reading →
Conor and Katie naturally saw the latest blockbuster from Marvel Studios, Captain America: The Winter Soldier. You’ve already read the review of the comic book blockbuster; now listen as we ramble on about the movie, unemployed HYDRA agents, Robert Redford’s pimp slap and the potential for a Marvel Cinematic Universe that continues to grow and evolve.
Captain America: The First Avenger was a pleasant surprise to many people, though I’m not sure why. I saw the same trailers, the same cast, the same guy in the director’s chair and I knew it would be a fun movie. Though it felt rushed at times, it did the spectacular job of bringing a hero to the screen that could have gone horribly wrong. There was no jingoistic tone or flag-waving patriotic BS with the first Captain America film. Instead, it got right to the core of the character: Steve Rogers simply hated bullies and, in him, existed the real sense of what “America” could mean.
So I’m very happy to report that the sequel, Captain America: The Winter Soldier, manages to surpass the quality of the previous movie and, in my opinion, is the best Marvel flick we’ve seen since The Avengers. Continue reading →


Thorndon Hall, 5th, 6th and 7th February 2018.
The Performing Arts Department of Abbs Cross Academy and Arts College are pleased to announce that the school production of ‘Loserville The Musical’ was a success.
The cast impressed audiences in a matinee performance for local primary schools, followed by three outstanding evening performances. Each night, both cast and crew, earned standing ovations for the professional standards of work.
‘Loserville The Musical’ is set in 1971 and centred around a 17 year-old named Michael Dork, who is called a nerd, geek and a slacker by peers. Michael and his sci-fi obsessed, social-misfit friends are all set to change the course of history, fashion and dating (in no particular order!) Eddie – the coolest boy in school – wants to a fast ride to the top and doesn’t care who get trampled along the way. Will Michael ever find his ‘ticket out of loserville’?
This incredible and unforgettable production was only possible due to student’s talent, commitment and desire to produce this ‘genius’ production. The cast, crew and band have attended countless rehearsals since September 2017. Students have pushed themselves to prove that they are not ‘slackers’ and to prove that all of the ‘little things’ add up to big achievements!
Congratulations to the cast and crew of Loserville, 2018.


CJ Entertainment and Starvision have released Sweet 20, an Indonesian remake of the movie Miss Granny. Both of the movies tell a story about a 70-year-old woman who liked to brag about her professor son. The woman, one day, found out that her son’s family planned to send her to a nursery home. Being so sad, she went outside. While sitting on the street side, she saw a photo studio. She decided to take a photo for her funeral. Never did she expect she would be given a second chance on being 20 again. She became 20 and did the things she hadn’t been able to do back then, especially to reach her dream on being a singer.
I read the news about the movie release and I was interested. I looked for the Korean movie (Miss Granny) and streamed it immediately. It was indeed a beautiful movie with moral values. In the afternoon, I went to the cinema to watch the Indonesian movie (Sweet 20) with my mom and my sister. I expected the movie to be a good adaptation of the original one since it was produced by the same company. How did it turn out? Keep reading, because below I did a compare and contrast on both movie.
1. The Scenes
The scenes of both movies are almost the same. The order and the dialogue are similar. The order of the scenes is amazingly pretty much the same except for some excluded scenes. The dialogue, I think they translate Korean to Indonesian pretty smoothly. What I mean by saying that is the Indonesian dialogue is smooth and natural compared to the dubbing version of many Korean and English dramas and movies.
2. The Settings
They mentioned this in an interview that some settings were adjusted in order to make the movie more Indonesian. I won’t mention all the differences, but here is an example. The scene where Jiha asked Doori to be his band’s singer was shot in a soju place, while the scene where Juna asked Mieke to be his band’s singer was shot in a restaurant. This was done since drinking is not something habitual for Indonesians.
3. The Flashbacks
Y’all who have watched the Korean versions must be familiar with the scene when the female lead sang in the music show and remembered her past. Personally, I think the flashbacks in the Korean version are more emotional. The length, the amount of scenes, the cinematography portray the hardwork of a single mother beautifully. Not saying that the Indonesian version’s scenes were bad. It’s just that I think they could have done better.
4. The Humor
I don’t know if it is a matter of language but I think the Indonesian version is better in humor. The actors and actresses were amazing at making some scenes look hilarious.Some scenes got me laughing louder than I did when I watched the Korean version.
If you ask me to choose which one is better, I’m afraid that I will have to say that I’m in a dilemma. Both movies had their own strengths and weaknesses. Miss Granny had an amazing cinematography and ability to build up the audiences’ emotions. Miss Granny, being the first, was a movie with an amazing concept. While Sweet 20, being an adaptation, goes beyond my expectation. The production team nailed it. Sweet 20 is different than other adaptation. The actors and actresses, I can say, were carefully cast.
So, which one to watch? Watching both wouldn’t hurt 😉
Here are the trailers of both movies
Happy watching and cheers!


How central is the idea of a?
Student Answers gurden Student Macbeth is a tragic hero and the beginning praise by Duncan about his military skills proves it. So yes, the methods and ideas are from his own mind, but what do we see throughout Macbeth? We see a man, once noble and honorable, praised by the king, a cousin of him as well, suddenly sell his humanity to ambition.
I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other. He knows what he's doing and he's in full control, but we see the struggle in his eloquent poetry. We see the conflict between his moral self and his ambition.
Ambition wins out, and Macbeth embraces immorality. Once he gets what he wants, the crown, he realizes he is not happy. He can't trust anyone, and no one will trust him. His wife is mad, and a lot of people are This is his reversal of fortune.
Macbeth soon loses his vigor in the speech in Act V Scene V.
Macbeth is a tragic hero through and through. However his actions cause resentment amongst the audience, so instead of feeling sorrow at his demise as we would for Othello, Hamlet, or King Lear, we feel relief that such a tyrant is dead.
But in truth, there was a story, there was a human inside this tyrant.
He is literary proof as to the dangers of ambition. Macbeth has served his duty sincerely in this aspect. He is noted for his bravery on the battlefield which is why Duncan makes him Thane of Cawdor. His tragic flaw is that he allows his wife to manipulate his ambitious desires.
His downfall is when he turns his back on honor and murders his king. The protagonist of the play is a person of significance. Macbeth is the Thane of Glamis and later of Cawdor as well.Published: Mon, 5 Dec King Lear, one of William Shakespeare’s greatest tragedies, depicts a society in grim circumstances.
As with all tragedies, there exists a tragic hero , one who possesses a fatal flaw that initiates the tragedy and all the sufferings that follow. In this play, the tragic hero is undoubtedly the title character, King Lear.
A tragic flaw is the failing of a tragic hero, a character who suffers a downfall through the tragic flaw in mistaken choices or in personality.
Aviation Human Factors Industry News. The following weekly issues have been generously provided by Roger Hughes, President, Decoding Human Factors, Inc. - Congratulations to Roger on being awarded - The Charles Taylor "Master Mechanic" Award by the FAA (click here to read his Autobiograhy) Click to see a larger image. The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the. noun, plural trag·e·dies. a lamentable, dreadful, or fatal event or affair; calamity; disaster: stunned by the tragedy of so many deaths. a dramatic composition, often in verse, dealing with a serious or somber theme, typically involving a great person destined to experience downfall or utter destruction, as through a character flaw or conflict with some overpowering force, as fate or an.
Hamlet’s tragic flaw is his inability to act to. Most of the protagonists of Shakespeare’s plays have one tragic human flaw in their characters – hamartia – which ensures their fall during the course of the play.
As is the case with Macbeth, whose fatal flaw is ambition, King Lear’s tragic flaw happens to be his .
King Lear and the Fatal Flaw?How central is the idea of a? fatal flaw’ in King Lear? ‘ More than any of Shakespeare’s plays, King Lear explores the concept of a fatal flaw and the terrible downfall it could lead to.
It is indeed the most central idea in the play. noun, plural trag·e·dies. a lamentable, dreadful, or fatal event or affair; calamity; disaster: stunned by the tragedy of so many deaths. a dramatic composition, often in verse, dealing with a serious or somber theme, typically involving a great person destined to experience downfall or utter destruction, as through a character flaw or conflict with some overpowering force, as fate or an.
‘How central is the idea of a ‘fatal flaw’ in King Lear?’ More than any of Shakespeare’s plays, King Lear explores the concept of a fatal flaw and .


Above is my presentation for the class to briefly outline my goals, research, inspiration and the process that went into producing my first complete draft film. Please see the full presentation above.
Colour grading has been a continuous process through out post production. This is a comparison between unedited and the final result. I made slight adjustments to the clips throughout the editing process as my main sequence grew. As I had initially planned through colour grading I focused on increasing vibrancy and saturation but keeping the natural hues of the scene intact. Looking through my previous progressional footage you can clearly notice a continuous change in my videos colour grading. I believe through my colour grading I was able to portray the emotions I set out to achieve.
Final Draft Video
Above is another compilation of my edited footage so far. This week I will be focusing on minor adjustments to make in the time I have left. After getting some feedback on Monday I have decided I am going to take out the text shown in the flying food scene and also change my title sequence. I also am going to colour grade further as I still see some faults.


HEAL IT by Roger Bowling/Byron Hill
This is the first time ever release of this iconic song featured in the opening credit sequence of 80s cult classic movie THE EXTERMINATOR.
Remastered from the original master tape. This double A-side single features the original 1980 version sung by Roger Bowling, and also new 2022 recording by songwriter Byron Hill himself.
Red and Black “splatter" 7inch vinyl disc.
Limited 300 copies.


Every once in a while, a retro slasher arrives to little or no fanfare, only to be recognized years later, thus attaining what we like to call cult status. Charles Kaufman’s 1980 classic Mother’s Day arrived into theaters only to be looked down upon by fans of the then more popular Friday The 13th, which was coincidentally shot across the same lake used in Mother’s Day.
With the advent of VCR‘s and the VHS boom in the mid 80‘s, Mother’s Day soon crept into the homes of unfamiliar watchers who were exposed, among other things, to violent rape, torture, and ultimately a much well deserving revenge twist that was sure to satisfy the hungriest of gore hounds. More than 30 years later, the movie is just as well known as it was in 1980. It’s known enough to warrant a remake by famed Saw alumni Darren Lynn Bousman who promises that his version will be just as gritty as the original.
I was lucky enough to be in contact with Nancy Hendrickson, who played Abbey, and was able to get all the details of what went on during production. Read on to find out everything you’ve wanted to know about Mother’s Day!
1. How did you get started in the business?
“I always wanted to be an actress. I started taking "drama" class as an elective in junior high, continued on through high school and then auditioned for Carnegie-Mellon University's Drama Dept. - the top undergrad acting program at that time. I didn't get selected after my first audition so I went to a local college, took acting classes, did a few more plays and got into CMU two years later. After I got my BFA I went to New York and started auditioning for plays. Almost as soon as I arrived there I met my first husband, Dan Loewenthal (editor of Mother's Day). I got a day job as a script supervisor/PA on a low-budget film and he was the 1st assistant cameraman.”
2. How did you find out about Mother’s Day?
“Dan and I were married at that time with a four-year-old son. I was working in plays and he had settled on editing as a profession. He did an early film for Charles Kaufman (director of Mother's Day and brother of its producer, Lloyd Kaufman). Charles asked him to edit Mother's Day so that's how I found out about it.”
3. Did you audition for anyone else, or did you specifically read for the part of Abbey?
“I don't think I auditioned when they were originally casting. Charles had cast all three parts with other actresses but one dropped out after the first week of rehearsal. They had one week of rehearsal left before the start of filming and Charles needed a replacement fast so he offered me the part outright.
4. What were the other cast members like on set when the cameras weren't rolling? Did anyone stay in character the entire time?
“No. No one stayed in character. However, Deborah, Barbara and I did almost everything together so that helped to build convincing relationships. The atmosphere behind the scenes was really very different from what you see on film, though. The five of us younger actors (the three girls and Mother's two boys) all became good friends and hung out together. We lived in cabins in an old Boy Scout camp and ate our meals in a dining hall. Barbara, the real name of the actresses who played Trina) and Deborah (who played Jackie) and I shared
a cabin and I believe the two guys shared one with each other.”
5. On the commentary for the dvd, it was mentioned that there was a relationship budding on the set between 2 of the actors and that Charles Kaufman had asked that it be put on hold to keep everyone in character. Do you have any insight on this?
“That would have been Barbara (Trina) and Holden (Ike). I don't remember it getting put hold. Maybe it just went underground. I know it lasted awhile after filming ended because I kept in touch with Barbara for quite awhile. In fact we went to Los Angeles together when the film opened there to try to take advantage of the film's release to advance our film careers. The two main actors from "Don't Go in the House," another horror film of the same period, were out here doing the same thing so we hung out with them and traded career tips. One of
them, Dan Grimaldi, resurfaced recently as Patsy Parisi on The Sopranos.
6. Also, Charles mentioned that before shooting a scene, Billy Ray Mcquade was so hungover from partying the night before that he vomited on Rose Ross. Were you there for that as well?
“I'd forgotten that but, now that you mention it, I do remember his throwing up one day. Michael (aka Billy) was a real method actor who would get so into his role he'd get carried away. When he tied me to the exercise equipment, he was pretty rough and he actually dropped me on the kitchen floor in one scene and I hit my head pretty hard but he was really a sweetheart. He was always terribly concerned that he'd hurt me and apologetic after the camera stopped rolling and he broke character. Michael went on to do quite a bit of work as an actor. Can't remember everything I've seen him in but I know one film he did was "L.A.
Btw, Rose Ross was actually Beatrice Pons who played the cook's wife on the 50's TV series, "Sgt. Bilko", starring Phil Silvers. She was also a regular Officer Toody's wife) on the 1960's show "Car 54, Where Are You?" Since she's passed away now and the statute of limitations is up, I think her true identity can be revealed without getting her in any trouble with the Screen Actors Guild.”
7. It was also mentioned that prior to filming, someone had died in the house. Were you aware of this?
“I remember hearing that. I didn't know if it was a rumor concocted to help us get into character or actually true but I really didn't want to know. It was a pretty creepy place, with or without a death, thanks to production designer Susan Kaufman (Charles and Lloyd's sister). She went on to have a big career as did Ellen Lutter who was the costume designer/wardrobe mistress/sometimes boom operator on Mother's Day.”
8. Speaking of the sets, What was it like spending most of the movie in the woods and in a dirty old house? Any stories?
“Well, as I mentioned already, the house really was creepy so we got out of it the minute Charles called "Cut!" No one stayed on the set for meals or breaks. There was a make-up trailer outside the house where we could hang out between takes. The woods wasn't scary at all. There were big lights all over during the night scenes and lots of crew members. And the Boy Scout camp was primitive but pleasant enough.
I think the scariest thing might have been the food they served us. There was a cook who worked full time in the dining hall making our meals and she did the best she could I guess but a lot of the food was procured for free in trade for screen credit.”
9. Some fans would really like to know what was used as the bear poop that Trina (Tiana Pierce) stepped in. Any clue?
“No. I can't remember. It looks pretty gross and realistic, doesn't it? We had a special effects person though who made the Drano I killed Ike with out of pop rocks and rigged the TV set that I hit him over the head with. I'm sure he made it and made several back-ups too because you never get anything on film in just one take.”
10. There were a lot of physical stunts in the movie. Did you do your own or did you have a stunt double?
“I did my own stunts and had the bruises to prove it. The only exception being that the bodies inside the sleeping bags were not us, except during the campfire scenes when you first see us being stuffed into them.”
11. What was the most difficult scene for you to shoot?
“The night time campfire scene because we shot it in New Jersey at the end of September which means it was 40 degrees and I wasn't wearing much so I was freezing the whole time. Carrying Jackie around in the sleeping bag was a close second. She lost fifteen pounds right after the shoot. Wish she'd done it BEFORE. ;-) ”
“The most memorable scene was the one where I lowered Trina out the window inside a sleeping bag - or it appears as though I did. I actually just had my hands on a rope that was being held taut at the other end. The scenes of the bag were
done separately with two guys holding a sleeping bag with Meta, the script supervisor, inside. I can remember the crew applauding after my takes were done and that was really surprising and gratifying.”
The make-up/special effects people did such a good job on my hands, that people who'd seen the film kept wanting to look at them afterwards to see if they had scars or whether they'd healed. Then a still photo of me with my bleeding hands holding the rope was blown up to life-size and displayed on the sidewalk outside some of the theaters where the film was playing. A shot from that scene also made it into Fangoria magazine so it would be very hard to forget.”
12. Was there anything in the script that didn't get shot? Was there anything that was shot that didn't make it to the final cut?
“Not that I can recall.”
13. Queenie's back story was briefly touched upon in the movie. Was there supposed to be more to this story that perhaps set itself up for a sequel?
“No one ever really said so but of course, as actors, we hoped that ending would be the jumping off point for a sequel.”
14. Were you aware that a then unknown movie called "Friday The 13th" was being shot across the lake? If so, did you or anyone else go over to the set and visit?
“Yes, we were aware of it and no, we didn't go to visit. When you're shooting there's no time for anything else. You work 12 hour days, then you try unwind a bit and sleep. On Sundays, our one day off, we would drive back to NYC to spend some time with our families.”
There was a small local bar in the area where we used to go sometimes after the shooting day ended. Patrons autographed the ceiling tiles there so of course cast members from Mother's Day did too. Apparently the Friday the 13th cast also visited the bar because they also signed the ceiling tiles but we never happened to be there on the same nights and never met them. I was aware that Betsy Palmer was in the film and that was a big deal as her name had been a household word when I was growing up. Because of those two productions that little stretch of northern New Jersey became known, for awhile, as the "Hollywood of Horror.
Friday the 13th was picked up by Paramount and released months before Mother's Day and it gave us all high hopes for our own film. That was the first time it really occurred to me that Mother's Day might actually play in real theaters - not just drive-ins. Interestingly, my ex, who cut Mother's Day ended up cutting Friday the 13th Part V and the character of the young boy in that film was modeled after our son.”
15. Mother's Day is known for its excessive violence and rape which caused it to be banned or severely trimmed in other countries. Did you think that it would have a negative impact upon its initial release? More importantly, did you ever think that it would have such a cult following, even 30 years later?
“Thirty years?! Yikes! That makes me thirty years older. I have to say that I never worried too much about the release because very few horror films had crossed over into mainstream theaters at the time we started filming - probably only Halloween and The Hills have Eyes. I did the film thinking it would be good practice in film acting and that no one would ever see it. When I was approached to attend Eli Roth's screening last year, I was absolutely flabbergasted to learn that the film still had so many fans.
It's true the tone was pretty dark compared to other horror films. I really think that darkness (along with the dark comedy aspect) is why it was never a franchise like Friday the 13th but also probably accounts for the fact that it has developed a cult following. I tried to dissuade Charles from some of the more tasteless scenes - in particular, stuffing Addley's mouth with sanitary pads - but he really wanted that edginess. I'm not sure how many people know that Mother's Day was an early effort of writer Warren Leight who went on to win a Tony Award for his Broadway play "Side Man" and who became president of The Writers Guild of America East.”
16. The ending pretty much left it opened to the viewers to determine the fate of Abbey and Trina. What would you have happen if the scene didn't end with a shot of Queenie jumping out from the bushes? Would you reprise your role as Abbey had there been a sequel?
“I liked the open-ended ending because of the fact that it seemed to be setting up a sequel but I wondered if it was dissatisfying to the audience not having the plot resolved. Yes, I definitely would have reprised Abbey.”
17. Were you asked to participate at all for Troma's DVD release? If not, would you have?
“No, I wasn't asked. I doubt they knew where to find me by that time. Certainly, I would have. The night the film opened in 1980, my husband Dan and I and Charles Kaufman and his girlfriend at that time took cabs from movie house to movie house in NYC (it opened in 70 theaters at once in the NY area) and we spent a little time at each watching it on the big screens and watching the audience's reactions. I was asked to do an interview for the TV show 20-20 that was doing a segment on horror films shortly thereafter but I had booked a commercial for the day of the interviews so Deborah Luce took my place.
A little over a year ago, after Quentin Tarantino bought the New Beverly Theater in LA, Eli Roth hosted a horror festival there and borrowed the last 35mm print of Mother's Day from Lloyd Kaufman. Charles Kaufman, who now owns and operates a bakery in San Diego, Rex Piano (a PA on Mother's Day who now directs Lifetime movies) and I were on hand to introduce the film and do a Q&A afterward.
18. Sadly, Frederick Coffin/Holden McGuire passed away in 2003 due to
complications with lung cancer. Were you aware of this? And do you still keep in contact with anyone from the movie?
“No, I wasn't aware of that and I'm very sad to hear of it. Unfortunately, I lost touch with most people associated with the movie in 1985 when I moved to California. I was in touch with Warren, the screenwriter, briefly, a couple of years ago when he had a play opening out here and I just saw Charles and Rex for the first time in decades at the New Beverly.”
19. A lot of fans were surprised when it was announced that Darren Lynn Bousman was going to be remaking Mother's Day. How do you feel about remakes in general? More importantly, what are your thoughts regarding them remaking Mother's Day?
“First of all, I heard it was Brett Ratner. Maybe they're both involved? In general, I'm not a fan of remakes because usually people choose to remake movies that were really successful and would be hard to do any better than they were originally. Consequently, the remakes are almost always a disappointment.
My only reaction to the news of a Mother's Day remake, however, is to be
intrigued and curious. I wish the filmmakers and actors well. I've heard it's not going to be just a straight remake but will have a whole new slant which I think is good. I also think it might revive some interest in the original. I'd love to do a cameo in it.”
20. Not only are you an actress, but you also write, produce and direct. What projects do you have lined up?
“I am just finishing up a rewrite on a comedy which I have high hopes for and producers waiting to read. I also have several features I've written being shopped by producers so there are various irons in the fire. Although I still like to act when asked, I no longer pursue acting work. My main profession is
writing now. I started in 1991, writing star-driven promo spots for The Disney Channel. Since then I've won some screenwriting awards, had scripts optioned and was a regular writer for Creative Screenwriting magazine for many years as well as a sometime contributor to MovieMaker magazine. I've written, produced and directed three short films and currently teach screenwriting, directing and general filmmaking at The Los Angeles Film School.”
21. Any last words for fans of Mother's Day?
“Yes. I'd like to let you all know how very appreciative I am that you remember that performance all these years later and for your interest and support. Andy Warhol said everyone gets fifteen minutes of fame but, thanks to your generosity and to new generations of Mother's Day fans, I've had way more than my fair share.”
Thank you so much for doing this. I speak for the fans when I say that we truly appreciate hearing from you. Good luck!
P.S. HAPPY BELATED BIRTHDAY!!


Mr Bogert and I had already decided we wanted to watch a Christmas movie every day with the small people in the run up to Christmas. We made a list of our favourite Christmas movies (young child friendly ones - No Gremlins or Bad Santa in this list!) and each has been written on a card. Every day we pull a card from the bag, and that's the movie we watch! The rules are though, that if we pull out a movie that is part of a series, we watch the series in a row on the following nights.
So, we already had the movie countdown planned, but then I came across this on Pinterest: Activity Advent Countdown with The Activity Mom.
So now we have our own Wishes activity countdown using quite a few suggestions from Activity Mom, and a few others thrown in of our own or seen in other places. The Small person gets to open an envelope each day which has her activity in. After the activity, we finish off with the movie. (There maybe popcorn and hot chocolate involved - preparing for Christmas is a serious business!)
I hope you'll join us through December as we blog our countdown!
(We're actually starting the movies a few days early because we liked so many, we didn't have enough days!)


Jean-Luc Godard, iconic French New Wave film director, dies at 91 | News
Godard revolutionised popular cinema with his 1960 debut, Breathless, and stood for years as one of the world’s most provocative filmmakers.
Film director Jean-Luc Godard, the godfather of France’s New Wave cinema, has died aged 91, multiple French media outlets reported on Tuesday.
Godard was among the world’s most acclaimed directors, known for such classics as Breathless and Contempt, which pushed cinematic boundaries and inspired iconoclastic directors decades after his 1960s heyday.
His movies broke with the established conventions of French cinema in 1960 and helped kick-start a new way of filmmaking, complete with handheld camera work, jump cuts and existential dialogue.
For many movie buffs, no words are good enough: Godard, with his tousled black hair and heavy-rimmed glasses, was a veritable revolutionary who made artists of movie-makers, putting them on a par with master painters and icons of literature.
“It’s not where you take things from – it’s where you take them to,” Godard once said.
Godard made a string of films, often politically charged and experimental, which pleased few outside a small circle of fans and frustrated many critics through their purported overblown intellectualism.
Cannes Film Festival director Thierry Fremaux told The Associated Press he was “sad, sad. Immensely so” at the news of Godard’s death.
Godard was born into a wealthy Franco-Swiss family on December 3, 1930 in Paris’s plush Seventh Arrondissement. His father was a doctor, his mother the daughter of a Swiss man who founded Banque Paribas, then an illustrious investment bank.
He grew up in Nyon, Switzerland, and studied ethnology at the Sorbonne in France’s capital, where he was increasingly drawn to the cultural scene that flourished in the Latin Quarter “cine-club” after the second world war.
He was friends with future big-name directors Francois Truffaut, Jacques Rivette and Eric Rohmer. Breathless, based on a story by Truffaut, was Godard’s first big success when it was released in March 1960.
In 1961, Godard married Danish-born model and actress Anna Karina, who appeared in a string of movies he made during the remainder of the 1960s, all of them seen as New Wave landmarks. Notable among them were My Life to Live, Alphaville and Crazy Pete.
His work turned more political by the late 1960s. His film, Week End, came out a year before popular anger at the establishment shook France, culminating in the iconic but short-lived student unrests of May 1968.
Quentin Tarantino, American director of Pulp Fiction and Reservoir Dogs in the 1990s, is often cited as one of a more recent generation of boundary-bending tradition that Godard and his Paris Left Bank cohorts initiated.
Earlier came Martin Scorsese in 1976 with Taxi Driver, the disturbing neon-lit psychological thriller of a Vietnam veteran turned cabbie who steers through the streets all night with a growing obsession for the need to clean up seedy New York.
In December 2007, Godard was honoured by the European Film Academy with a lifetime achievement award.
In 2010, he refused to travel to Hollywood to receive an honourary Oscar alongside film historian and preservationist Kevin Brownlow, director-producer Francis Ford Coppola and actor Eli Wallach.
His lifelong advocacy of the Palestinian cause also brought him repeated accusations of anti-Semitism, despite his insistence that he sympathised with the Jewish people and their plight in Nazi-occupied Europe.
He spent his last years living in Rolle, Switzerland, near where he grew up along the shores of Lake Geneva.


Magician. Hypnotist. Thought reader. Mind reader. Lie detector. Chicken eater. Piano player. Flute blower. Dog lover. Excessive reader.
Having said all that, nothing describes me better than this. "I'm an illusion."
Friday, August 9, 2013
A Train Journey With Shah Rukh Khan
It's the year 1995. A thin, tiny little four year old with a negligible pony tail sits between his parents in a movie theatre. A bucket of pop corn to big for his hands lies on his lap and a glass of pepsi in the glass holder on the reclining chair he's sitting on with the straw about to fall out. He sits waiting in anticipation. The lights go dim, the doors close, the hall fills up and the feature starts. A 30 year old man with scruffy weird hair, piercing eyes, an eagle like nose and an overlarge Adam's apple comes onto screen, looks at a woman and says, "Bade bade desho mein, chotti chotti baatein hoti rehti hain Señorita." That is one of the first memories I have of being in a movie theatre. Shah Rukh Khan, with all his wit, all his passion, all his charisma being on screen and doing what he does best appealed to the four year old me. I was entertained.
The next eighteen years of my life have been spent watching every Shah Rukh Khan movie on the day it came out. Then again the day after and then again when the dvd (read illegal torrent download with a decent print) comes out. This was followed by watching him hosting game shows and film awards. Doing a better job than Mr. Amitabh Bachchan at hosting a game show in India is a tall order (in every sense of the word tall) and I think that even though Shah Rukh did a decent job, no one touches Mr. Bachchan. As for the film awards, from 2005-2013, Shah Rukh has been one of the main reasons a major part of the country tunes in year after year. Being a mind reader I know a lot of you shake your head in disgust, but let me explain. I, like all blindfolded fans do love Shah Rukh Khan movies, I absolutely adore his showmanship on stage but if you call that obsession, nothing matches up to my insane amount of admiration for the man's wit, sense of humour, power of communication, command over languages that I've seen in hours and hours of interview footage of the man. Love him or hate him, you can't deny that the man is a national treasure. The last few years of an unhealthy amount of love and respect for the man have been like a train journey. Sometimes fun, sometimes rickety, sometimes annoying but almost always a delight.
Which is why it's ironic that a movie named after a train is the main reason so many fingers are being pointed and voices are being raised against the man which has made it even harder for loyal admirers such as myself to defend him. Let me get it straight, it's the first time in years I'm not going to catch a Shah Rukh movie the weekend it releases. Although that may be because after weeks of trying I haven't been able to convince any of my friends or acquaintances or even family for that matter to be crazy enough to watch the movie with me. But still, my love for him is enough that I'd be willing to be a loner and watch the movie alone. However something holds me back this time. It's probably a review that Taran Adarsh wrote of the movie which uses the words, "Typical Rohit Shetty" 25 times in 500 words. Which actually means, "Yaar samajh lo, bakwaas movie hai, Shah Rukh Khan hai, zaada against nahi bol sakta, industry mein career khattam ho jaega"."
Don't get me wrong, I still respect the man's showmanship, wit and wisdom. I just fail to understand why a man with his sense of humour and intellect would do a Rohit Shetty slapstick non sensical movie or dance to something as wonderfully intellectual as Lungi Dance. I've seen him deliver speeches at the India Today Conclave in 2009 and 2011, and they remain the most artistically deep, beautifully worded speeches I've ever heard any Indian deliver. Why then must he try a South Indian accent in Ra.One, fail miserably at it then be willing to act in a movie with Deepika Padukone doing the accent this time around while he tries to crack pathetic jokes and act in a way which would never ever suit him? Surely making Rohit Shetty's beloved Scorpios topple over can't be more rewarding than hear people applaud to performances like the ones in Baazigar, Darr, Chak De India, Swades and Devdas?
Mr. Khan, I absolutely adore you and if while sitting in your room at the Sheraton with pillows that say, "Shah Rukh", if I ever have the guts, I'd like to show you a video of one of your many beautifully worded speeches or talks then show you the trailer of Chennai Express and do all this without uttering a word and leave your brilliant mind to do the deductions.
Having said all of that, all my heart really hopes is that this indeed is a train journey which eventually ends in a delight because as I've said all the time for Shah Rukh, "Kahin na kahin, laakhon karodo log khush hain, kyu ki tum khush ho."


DULQUER SALMAAN IS A SOUTH INDIAN FILM ACTOR BEST KNOWN FOR HIS MALAYALAM AND TAMIL HINDI FILMS.
Dulquer Salmaan is the son of renowned actor Mammootty.
Dulquer made his debut with the Malayalam film Second Show (2012) . His next appearance was in the lead role as Faizal in Ustad Hotel (2012) directed by Anwar Rasheed. The movie was a great commercial success and won the National Award for Best Popular Film. His debut in Tamil was through Balaji Mohan’s Vaayai Moodi Pesavum(2014). Dulquer is a two time recipient of the Filmfare Award for Best Male Debut in 2012 and 2014 for his performances in the Malayalam film Second Show and the Tamil film Vaayai Moodi Pesavum. He was also nominated for the Filmfare Award for Best Actor for his performance in Ustad Hotel and Njaan. His performance in Charlie (2015) won him the Kerala State Film Award for Best Actor in 2015.
Dulquer Salmaan has been voted as the Kochi Times Most Desirable Men 2014 based on online polls conducted by the India Times Group. Dulquer was ranked 7th in the Chennai Times Most Desirable Men 2014 and ranked 45th in Times Most Desirable Men 2014 in India.
EARLY AND PERSONAL LIFE
Dulquer Salman was born to actor Mammootty and Sulfath on 28th July, As the younger brother to his sister Surumi. He did his schooling in Toc-H Public School , Kochi ,Kerala till primary classes , after which he joined Shishya School in Chennai . He recieved his bachelor ’s degree in Bussiness Administration from Purdue University ,U.S.
He tied the knot with Chennai-based architect Amal Sufiya on 22nd December 2011
Dulquer has been involved in several social service activities. He has acted in a short film as part of the Kerala motor vehicle department’s safe riding campaign. In addition, he is the owner of several businesses, including a web portal for trading cars and a dental business chain in Chennai. He also acts as the Director of Bangalore-based Motherhood Hospital.


Title: The Long Walk Home
Author: Rachel Smith Cobleigh
Fandom: She Loves Me (Broadway show)
Pairing: Amalia Balash / Georg Nowack
Genre: Romance, Humor, Drama, Friendship
Story Summary: Amalia Balash and Georg Nowack are two shop clerks who fought constantly at work while also unknowingly writing anonymous love letters to each other through a Lonely Hearts Club. When these Dear Friend pen pals finally decide to meet, Georg discovers what's going on, but he doesn't let Amalia in on the secret for two whole weeks, during which time he has a bit of fun at her expense. As he tries wooing her in person, she starts to warm up to him, but when Amalia finally invites both versions of him to have dinner with her family on Christmas Eve, he's forced to give up his ruse. She seems delighted to discover that he's her Dear Friend, and she kisses him, but after such a bumpy beginning, the road to love is never that simple...
Rated T for references to religion and prior assault. This is a canon-compliant follow-up to the show.
I welcome all kinds of feedback, including critique and suggestions for improvement, so feel free to tell me what you think!


The first video is the amazing story of how Sylveste Stallone came to create Rocky. I had no idea the struggle behind this movie and truly is a story of determination.
The man in the next video is regarded as the BIGGEST guru of personal development. Jim Rohn has taught me and so many more how to become better, watch my favorite speaker talk about the day that can truly change your life.
The third video is truly powerful due to the raw emotion and transformation performed in front of an audience. Whether you watch the following and focus on the relationship or the transformation it truly is an emotional video.
Here is the legendary Steve Jobs giving his legendary speech at Stanford. Can you imagine being there watching live, this man has changed the world...So worth watching
Mr. Les Brown is a man who overcame the beliefs that often hold us back. He shows you how to do the same, persistence pays off.
And here we are at my all time favorite video by Nick Vujicic. Ask yourself, why are you giving excuses once you watch this.
Don't be ashamed if you shed a tear or two. These videos are amazing and I hope they affected you to take action right now.


Cape Cinema @ The Screening Room
A recorded message of films and showtimes is available at any time by calling
508-385-2503 or 508-385-4477, ext 6.
Inequality for All
Thursday, December 5, 2013
2, 4:30, 7 pm
(Tickets sold at the door, no advance reservations)
Adults under 62: $9 (Cash or check only)
Members of Senior Club, CCMA and UU (with card): $5.50
A documentary that follows former U.S. Labor Secretary Robert Reich as he looks to raise awareness of the country's widening economic gap.
Winner of Sundance Film Festival Special Jury Prize.
Robert Reich is a best-selling author of 13 books, University of California Chancellor's Professor of Public Policy at UC Berkely, Clinton Administration Secretary of Labor, and a foremost expert on economics.
Robert Reich is an economist, author, and educator who was U.S. Secretary of Labor under Bill Clinton and who teaches a course on wealth and poverty at the University of California Berkeley. Since the mid-1980s, Reich has been outspoken on the issue of the growing divide between America's rich and poor; in his book Aftershock, Reichpresents his argument that this gulf is slowly but surely wiping out the middle class, and will lead to an economic catastrophe if left unchecked. Filmmaker Jacob Kornbluth presents a powerful look at Reich and his theories in the documentary Inequality for All; featuring footage from Reich's lectures to students as well as interviews with the author and his conversations with Americans from many walks of life, the film provides disturbing evidence of the roles stagnating wages, growing personal debt, an economy based on consumer spending, and the decline of manufacturing are playing in the weakening of the American economy. Inequality for All received its world premiere at the 2013 Sundance Film Festival. ~ Mark Deming, Rovi


The above are some videos to follow up our meeting of 23rd January:
- Valentine Warner’s Scandinavian Supper is a Google Hangout we produced with Electric Robin – who are a video production company we work with regularly. The recording here has been downloaded from YouTube – and isn’t the greatest quality. That is partly the process of downloading it, partly a limitation of the Google Hangout solution and partly the available bandwidth of the location where we conducted the Hangout. The original YouTube recording is here. If we are doing a Hangout, we need really good bandwidth on location – we can’t use our backpacks to compensate for a lack of venue bandwidth.
- The Stylist 24-hour Challenge is a live stream we produced with Cherry Duck – who is another video production company we work with regularly. We did all the live production and offered viewers a choice of four live streams for a period of 24 hours, including a live stream from the office dog and from a car that the Stylist food writers took on a 24-hour road trip. More details of the production are here.
- The Magic Flute Q&A is a broadcast we produced and live streamed to digital cinemas across the US following the US cinema release of The Magic Flute last year. Viewers tweeted their questions from their cinema seats which Branagh answered from his home theatre. More details here.
- From Britain With Love was another live webcast to digital cinemas across the US. We had the Director of the movie participate in the panel via Skype – and the production was done in a production space which was a similar size to the one you have at the James Grant offices. Please excuse the earpieces, that is something we fixed subsequent to the webcast. More details here.
- For last year’s Pride of Britain Awards we produced and live streamed a Red Carpet program as guests arrived for the Daily Mirror. Additional details here.
- We produced and live streamed this month’s European Skateboard Awards for VANS with a crew of six with one cameraman operating six o the seven cameras used.
- The BBC Scotland classical music production was also done with robotic cameras with two operators managing three cameras each.
- The Russian Standard Vodka production was done with Electric Robin for Getty.
- The England Women’s Football clip is an example of our sports OB production. We do all the live production and streaming for the Football Association when the rights haven’t been sold to TV networks – and live stream some events that are also distributed on TV – for example, we live stream the FA Cup draws.


WE AIM TO KEEP YOUR EYES ON THE SCREEN
POW! Productions was founded in 2011 by Ryan N. Olsen, a Nebraska native with the aspirations of becoming a filmmaker and hopes to one day build a movie studio in the Great Plains.
With a focus on narrative films, both short and feature, POW! has been involved in making everything from music videos to online contests, to public service announcements to in-house promotional material. We are constantly striving to make the next video more appealing, more engaging, and more effective than the previous. We continue our education, as well as our experience, by always looking for the next big project.
Having worked with many creative individuals and creative firms, POW! has curated a list of the most talented cinematographers, gaffers, sound engineers, actors, location scouts, prop masters, make-up artists, hair stylists, costume designers, editors, graphic artists, and film crews to best suit whatever your idea needs to make it truly memorable. We are also well versed in the legalities of shutting down streets with permits and securing expensive locations as well as resolving any red tape that may be involved.
To put it simply, POW! Productions is passionate about visual storytelling and keeping your audience engaged.
Ryan N. Olsen is no stranger to the video production & filmmaking industry. His love for visual storytelling was honed while studying film at the University of Nebraska at Lincoln and on countless film sets over the years. A devout cinephile, a constant student of the craft, and an active member of the Midwest film community, Ryan believes in letting his work, and the results they bring, speak for themselves.
“My idea of professionalism is probably a lot of people’s idea of obsessive.”
– David Fincher


Posts Tagged rigging
I have recently been working as a Modeler, Rigger, and Scripter on a kids TV show called The Adventures of Chuck and Friends – Season 1. I have scripted an auto rigging system that generates a fully animation ready rig in under 30 seconds and adjusts the rig to the unique proportions of whatever character is passed into it. This system allows the riggers on the team to have the base rig ready to use very fast and gives them more time to focus on additional features unique to the character. For instance, the blue character above was run through the auto rigger, his arm however was manually rigged by me. I have also been responsible for modeling/rigging a large number of characters that appear on the show including sets and props. Throughout this process I have also helped develop tools for animators to animate auto steering and auto tire rotation for all characters so they can focus more on the acting and performance. More information about the show and upcoming episodes can be found here.
Click here to see a short clip of how the character rigs function in the show and what type of animation they support. All characters on the show use the auto rigging system.


Let me make a quick confession before we get started: I've never watched an episode of Doctor Who in my life, and I'm not sure if I've ever even seen an advertisement for the show either (or paid attention to it, anyway). And to be perfectly honest, I don't really have any interest in doing so.
Eh? What's that you say? 'Then how do I have any business writing a Doctor Who comic-story?'
The answer to that question is simple:
I DON'T HAVE ANY BUSINESS WRITING A DOCTOR WHO COMIC-STORY!!!
Luckily for me, I didn't reeeeeeally have to write a Doctor Who comic-story. Doctor WTF?! Magazine is basically a collection of 'random perverse nonsense' in an alternate Who-niverse that has little, if anything, to do with the True-Who show; editor Owen Watts asked a gang of writers (including me, ha, the fool) to come up with bizarre new takes on the good Doctor and the time-space continuums he inhabits.
Before I go any further, let me apologize: I like to give some sort of insight into my thought process regarding the comic I'm blogging about, but really, I have nothing for this one. I just wanted to be as ridiculously fucking weird as possible. So let's continue, shall we, and I'll just gibber on about a lot of nothing.
First thing I did before writing the script was perform a quick wikipedia search to get an idea of what the good Doctor and his show are all about (so I could ignore everything, of course). Right away I liked this Davros guy, as he seemed a sad sort of fellow, all tragic and robo-wheelchair bound. And these robot thingies, Daleks, I figured I could do some stuff with them, too. Then I took all these random Who elements and mushed them together with my own perverse ideas and BOOM! A love story!
That's right, 'Cosmic Excrement' is a love story.
The 'Cosmic Excrement' tagline: evil Davros just wants to be loved, and he's been waiting throughout eternity for the perfect Who to fall into his withered arms and onto his impotent organs. Alas, it seems not to be - so he creates a Who from the Who-parts his Dalexxx Sado-Robots harvest for him to mix and match into the perfect Who all his own. See? A love story.
I found myself paired up with the perfect artist to draw up and color the strip: Bhuna, who also had never seen an episode of Doctor Who (well, that he could remember anyway - but at least our letterer, Bolt 01, has seen the show, so one out of three ain't bad)! With all this ignorance running rampant through the project, we were sure to come up with something 'bizarre and new' involving Who - though I have to admit, I had fears that by accident we might create something that makes sense in a Who sort of way, but alas! my fears were unfounded! - and if we didn't quite come up with something 'bizarre and new' at least we ticked all the boxes as far as 'random and perverse' goes...
A vast Cosmic Worm through whose bowels time and space...em, runs...? Check.
Doctor Who shat out of said Cosmic Worm's bowels? Check.
Who-parts harvested from Who-farms? Including extra-large Who-penises? Why...check.
A black Doctor Who assembled from said parts? Running around naked through the entire strip? Partway check - his head is from a black Who but his body is white. I wonder...oh, silly Davros, what other black Who-parts did you use?
S&M Dalexxx Robots? Erotic surgery? Check and check.
A blatantly homosexual Davros? A distinct homoerotic undercurrent? Abundant innuendo? Oh indeed, check, check, check.
Yes, 'random and perverse'. Doctor WTF?! 'Zine, fully loaded with my 'Cosmic Excrement', is cumming in May! If this post has given you even one reason to buy the mag, then it was made specifically for you!
Update: Bhuna has posted Who and Davros concept sketches on his blog.
Update 2: Bhuna has now posted Dalexxx concept sketches here.


The Little Mermaid franchise Wikipedia. The Little Mermaid is a Disneymedia franchise. The success of the 1. My Little Pony Friendship is Magic Game Canterlot Wedding Cheat Playthrough, Part 2. Game Description. The bestselling Dark Parable series continues with The Little Mermaid and the Purple Tide Follow the clues as they take you to an underwater. Textbook Of Surgery Book Pdf By Das. Little Mermaid tableware Find your Little Mermaid party supplies, Little Mermaid party favors, Little Mermaid birthday decorations, invitations, and more. American animated feature film The Little Mermaid led to a direct to videosequel, a prequel film, a spin off television series, a musical, several video games, theme park attractions, and other merchandise. A live action remake of the film is in development. The Little Mermaid paved the way for what would become the Disney Renaissance, with the original film becoming the first film of that era. The Little Mermaid II Return to the Sea is a direct to video sequel to the first film. It was released by Walt Disney Studios Home Entertainment on VHS in the United States on September 1. It was directed by Jim Kammerud and Brian Smith, and produced by Leslie Hough and David Lovegren. In 2. 00. 6, the film was bundled together with the original film in the Region 2 release. The original DVD release has been discontinued. A special edition DVD with a deleted song, Gonna Get My Wish, and a new game was released on December 1. Unlike its predecessor, The Little Mermaid II Return to the Sea received generally negative reviews from critics, with the criticism reserved for the film being a repetition of the first film. The Little Mermaid Ariels Beginning is a direct to video prequel to the first film. The film was released on Region 1 DVD in the United States on August 2. Region 2 DVD in Europe on September 2. It was directed by Peggy Holmes and produced by Kendra Halland. The DVD contains special features including deleted scenes, a production featurette hosted by the director, games and activities, and a featurette hosted by Sierra Boggess about the Broadway musical. The Little Mermaid Ariels Beginning received largely positive reviews, although the films new antagonist, Marina Del Rey, was criticised for being nowhere near as good a villain as Ursula. The Little Mermaid film is a live action film adaptation of The Little Mermaid that is currently in the works. Television serieseditDisneys The Little Mermaid is an animated television series featuring the adventures of Ariel as a mermaid prior to the events of the first film. This series is the first Disney television series to be spun off from a major animated film. The Little Mermaid premiered in the fall of 1. A Whale of a Tale, then moved to Saturday mornings. This series originally appeared on CBS, with an original run from 1. John Deere 3020 Service Manual. It was later shown in reruns on The Disney Channel and Toon Disney. Some of the episodes contain musical segments, featuring original songs written for the series. The opening theme to the show is a combination of the songs Part of Your World, Under the Sea and Kiss the Girl. A series of shorts starring Sebastian were aired as part of another Disney Saturday morning series for CBS, Marsupilami, which ran from 1. The Little Mermaid 2 Pc Game' title='The Little Mermaid 2 Pc Game' />Pearltrees is a place to organize all your interests. It lets you organize, explore and share everything you like. Mermaid Man and Barnacle Boy III is a SpongeBob SquarePants episode from season two. In this. Charm Tale 2 Mermaid Lagoon for iPad, iPhone, Android, Mac PC Dive into and explore an underwater country, and help Dorothy find out the truth about her family. The Little Mermaid is a Disney media franchise. The success of the 1989 American animated feature film The Little Mermaid led to a directtovideo sequel, a prequel. I/41PXRZQTNQL.jpg' alt='The Little Mermaid 2 Pc Game' title='The Little Mermaid 2 Pc Game' />Stage musicaleditA pre Broadway stage version premiered in September 2. Denver, Colorado, at the Ellie Caulkins Opera House, with music by Alan Menken, new lyrics by Glenn Slater, and a book by Doug Wright. The musical began performances on Broadway at the Lunt Fontanne Theatre on November 3, 2. January 1. 0, 2. 00. The original cast featured Sierra Boggess as Ariel, Norm Lewis as King Triton, Sherie Rene Scott as Ursula, Eddie Korbich as Scuttle, Tituss Burgess as Sebastian, Sean Palmer as Prince Eric, Jonathan Freeman as Grimsby, Derrick Baskin as Jetsam, Tyler Maynard as Flotsam, Cody Hanford and J. J. Singleton as Flounder, and John Treacy Egan as Chef Louis. The show closed on Broadway August 3. Cover art that was used in both NES and Game Boy versions of The Little Mermaid video game in North America. There are several video games based on the films, and the characters have made appearances in other crossover video games. The Little Mermaid the video game was developed by Capcom for the NES and Game Boy, and published in 1. It is a single player side scrolling action game where the player controls Ariel on a quest to defeat Ursula. Ariel has already met Eric, and they plan to wed, but Ursula has taken control of the ocean. So Ariel After explaining whats going on to Eric becomes a mermaid once more and sets off to rescue the sea. The game takes place from a side view and Ariel swimming most of the time, but hopping around on the land occasionally can shoot bubbles to trap her foes and can then throw them at each other. She can also dig through sand to find treasure and pick up sea shells to break chests open with. The treasure she finds in the sand is usually just bonus points, but the treasure you find in chests will increase your bubbles power and range. The gameplay is similar to other Capcom games such as Chip n Dale Rescue Rangers and Duck. Tales in that Ariel shoots air bubbles from her tail that when they hit certain enemies, can be picked up and thrown at other enemies or bosses. Ariel can also collect icons scattered throughout the levels to restore health, gain extra lives, or increase the rangepower of her air bubbles. There are some differences between the NES and the Game Boy versions. When a stage begins, Ariel descends from the top of the screen to the recommended starting point in the NES version, but just starts out in the recommended position in the Game Boy version. The featured SFX are different in both versions. The start of the stages BGM can be heard only once in the NES version although the whole BGM can be repeated in the Game Boy version. The stage backgrounds were more restricted in the Game Boy version than in the NES version. When you lose a heart, the heart turns into a heart frame in the NES version, but disappears in the Game Boy version. The key scales of the Boss BGM are different in both versions. The BGM speed in the NES version is much faster than in the Game Boy version. Ariel the Little Mermaid is a video game published by Sega in 1. Mega DriveGenesis and Game Gear a Sega Master System version was released by Tec Toy in Brazil. The game lets the player control either Ariel or King Triton to defeat Ursula. Rescuing requires the player to simply swim into the unfortunate little victims as they hang about at fixed places in the watery world while fending off and dodging enemies like eels, clams, sharks, and several other sea meanies. Friends like Flounder and Sebastian can also be summoned for a little helping hand. The Little Mermaid Magic in Two Kingdoms, by Buena Vista Games, was released for the Game Boy Advance. A The Little Mermaid hand held LCD game from Tiger Electronics was also released in 1. The most recent game released was The Little Mermaid Ariels Undersea Adventure which was released on the Nintendo DS on October 2, 2. Characters and the setting from the first film appear in DisneySquares Kingdom Hearts series of video games. Ariel appears as a party member, while Ursula is the boss in the world of Atlantica and one of the members of Maleficents inner circle. Other characters from the film also make appearances. Ariels Musical Surprise, was released on i. OS and published by Disney Mobile Studios on October 1. The Little Mermaid Undersea Treasures, a hidden object PC game by Microsoft Studios was released in a preview playable form on December 2. Other mediaeditSeveral attractions based on The Little Mermaid have been released. Mermaid Lagoon at Tokyo Disney. Sea is a themed land made to look like the Palace of King Triton and features fanciful seashell inspired architecture.
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Movie buffs can find Nathaniel Dominy, the Charles Hansen Professor of Anthropology, weighing in on films currently at the box office in reviews recently published in the journals Science and Nature Ecology and Evolution.
Dominy and colleague Catherine Hobaiter at the University of St. Andrews write about the British thriller Out of Darkness in the Feb. 26 issue of Nature Ecology and Evolution. The film centers on six Paleolithic humans searching for a safe home as they contend with mysterious dangers and their own fear of each other.
"The trailer generated a lot of buzz among paleoanthropologists, and I was intrigued enough to ask the production company for a screener," Dominy says. "I was surprised when they agreed and doubly surprised with the exceptional quality of the film. It is outstanding in many respects."
The Hop will host an April 19 screening of Out of Darkness, followed by a discussion with Dominy, Professor and Chair of Anthropology Jeremy DeSilva, Assistant Professor of Anthropology Raquel Fleskes, and Associate Professor of Anthropology Zaneta Thayer '08.
In the March 7 issue of Science, Dominy writes about Ibelin, a documentary screened at this year's Sundance Film Festival about a Norwegian gamer who died at age 25 from a rare genetic disorder. Dominy's piece is part of "Science at Sundance," the journal's annual roundup of Sundance films with scientific themes.
In Ibelin, the titular subject's parents worry that he was wasting his remaining life playing games online, only to realize to their great sorrow after his death that he was a beloved and dynamic personality. "As a parent, I can relate to their perspective in the opening act of this film," Dominy says. "I probably would've reacted the same way and also regretted it."
Film reviews are both challenging and liberating, Dominy says. "Most scientists share their findings through scientific papers, a formulaic medium that worships at the altar of concision and muted enthusiasm," he says. "But a film review can take many different forms. Scientists are not usually trained to write this way and I have to resist many of my go-to writing habits."
He also contributed to Science's 2023 Sundance reviews with write-ups about the futuristic romantic comedy, The Pod Generation, and the documentary Fantastic Machine. His first foray into film reviews was a 2019 science-themed review of Godzilla: King of the Monsters in Science that he wrote with Professor of Biological Sciences Ryan Calsbeek.
"The films assigned to me have each revolved around our human relationship with technology and its effects on our social behaviors," he says. "It is a theme with cross-cutting importance in anthropology, including for researchers like me who focus on human evolution."
While he enjoys the creativity of these writing projects, Dominy plans to take a break to focus on his research, though he does have his eye on this year's remake of Nosferatu and says: "Vampire lore is a rich and interesting topic!"


Full Length of In the Heart of the Sea in Best LookNow you can watch full In the Heart of the Sea in best video format with duration 121 Min and has been aired on 2015-12-03 with MPAA rating is 52.
- Original Title : In the Heart of the Sea
- Movie title in your country : In the Heart of the Sea
- Year of movie : 2015
- Genres of movie : Adventure, Drama, Action,
- Status of movie : In Production
- Release date of movie : 2015-12-03
- Companies of movie : Imagine Entertainment, Cott Productions, Enelmar Productions, A.I.E.,
- Countries of movie : United States of America,
- Language of movie : English,
- Durationof movie : 121 Min
- Average vote of movie : 4.5
- Youtube ID of movie : 7oRgQXCVRxQ
- Translation of movie : EN,FR,ES,RU,PT,DE,HU,ZH,SV,EL,DA,CS,IT,NL,RO,
- Cast of movie :Chris Hemsworth (Owen Chase), Cillian Murphy (Matthew Joy), Benjamin Walker (George Pollard), Ben Whishaw (Herman Melville), Tom Holland (Young Thomas Nickerson), Brendan Gleeson (Old Thomas Nickerson), Donald Sumpter (Paul Macy), Frank Dillane (Owen Coffin), Joseph Mawle (Benjamin Lawrence), Charlotte Riley (Peggy), Paul Anderson (Thomas Chappel), Michelle Fairley (Mrs. Nickerson), Jordi Mollà (Spanish Captain), Sam Keeley (), Jamie Sives (Isaac Cole), Andrew Crayford (Customs Officer), Claudia Newman (Nantucket Townswoman), Daniel Westwood (Nantucket Passenger), osy ikhile (Richard Peterson), Edward Ashley (Barzallai Ray), Hayley Joanne Bacon (Nantucket Townswoman)
Movie summary of In the Heart of the Sea :
Watch full In the Heart of the Sea in High Definition Format with movie summary "In the winter of 1820, the New England whaling ship Essex was assaulted by something no one could believe: a whale of mammoth size and will, and an almost human sense of vengeance. The real-life maritime disaster would inspire Herman Melville’s Moby-Dick. But that told only half the story. “Heart of the Sea” reveals the encounter’s harrowing aftermath, as the ship’s surviving crew is pushed to their limits and forced to do the unthinkable to stay alive. Braving storms, starvation, panic and despair, the men will call into question their deepest beliefs, from the value of their lives to the morality of their trade, as their captain searches for direction on the open sea and his first mate still seeks to bring the great whale down." in top quality. Full Length of In the Heart of the Sea in Best Quality by viewing the download link.
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Director : Ron Howard, Producer : Will Ward, Director of Photography : Anthony Dod Mantle, Screenplay : Charles Leavitt, Story : Charles Leavitt, Story : Rick Jaffa, Story : Amanda Silver, Novel : Nathaniel Philbrick
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After receiving a $25 million paycheck for her role as Bella in the upcoming Twilight film Breaking Dawn, Kristen Stewart plans to put her fortune to good use. In an interview with Vogue, Kristen Stewart revealed plans to fund a network of halfway houses to help teenage prostitutes forced into the sex trade underworld get back on their feet.
Kristen Stewart’s role as a teenage prostitute in the 2010 film Welcome to the Rileys inspired the 20-year-old actress to help others recover from the bleak sex trade underworld. In the film, she plays a teenage runaway and stripper who slips into the world of prostitution.
Courts and law enforcement are treating teen prostitutes as child abuse victims and their pimps as human traffickers; New York laws requires teen prostitutes to be sent to rehabilitation programs instead of juvenile detention. Statistics show teen prostitutes tend to have been victims of sexual abuse in their childhood.
Kristen Stewart hopes her charity will help the young women. “That would be amazing. Right now it’s the thing I feel most connected to.”


Hi there! Welcome to my wonderful world of Disney! :D
Here I will be posting mostly DISNEY (I AM PRIMARILY A TANGLED BLOG), occasionally Once Upon a Time, Hunger Games, and anything else I like and feel like posting.
**My main ambition is to keep the Tangled fandom alive!! :D **
"It’s for the lost princess."
I just love this little girl and how she is seen giving the same flower to Rapunzel at the end of the movie. I really love how Rapunzel interacts with little kids in general. I think she would be a great mommy :)


❰Read❯ ➳ Rising Son Star Trek Deep Space Nine Author S.D. Perry – Buyprobolan50.co.uk A prophecy leads Jake Sisko on a desperate search for his missing father Instead what he finds at his journey's end is totally unexpectedIn the climactic closing episode of the final season of Star Tr A Star Trek Deep Space PDF/EPUB ² prophecy leads Jake Sisko Star Trek PDF/EPUB Â on a desperate search for his missing father Instead what he finds at his journey's end is totally unexpectedIn the climactic closing episode of the final season of Star Trek Deep Space Nine Captain Benjamin Sisko his destiny inextricably linked to that of the alien entities known Rising Son eBook Á as The Prophets was last seen plunging into the depths of the Bajoran Fire Caves locked in combat with Gul Dukat Although he appeared to Son Star Trek Deep Space eBook Á his new wife Kasady Yates and promised her that he would one day return his son Jake has not seen him since In Deep Space Nine Avatar a Son Star Trek Kindle Ø mysterious prophecy sent Jake on an impossible uest to trace his missing father However instead of finding his heart's desire Jake is thrown across the galaxy and saved by the unexpected intervention of a strange ship with an even stranger crew Sharing their travels and their dangers he learns important lessons about dealing Son Star Trek Deep Space eBook Á with his father's loss and about the truth of the prophecy that sent him here In the process he discovers much than he anticipated; a revelation that will change the world forever for Jake for Bajor and for Deep Space Nine.
- Mass Market Paperback
- 308 pages
- Rising Son Star Trek Deep Space Nine
- S.D. Perry
- 04 October 2016 S.D. Perry


Working with Serious Feather was a joy.
I saw the casting call on Facebook and upon looking at their website and other work I knew they would be great to work with.
Communication with all the Serious Feather team was constant and immediate, asking dietary requirements and providing the relevant costumes etc.
I could not have been happier with the footage. The editing and the quality were fantastic, and I will be able to pick and choose which bits I would like to use on my showreel.
Being able to film a scene with a lengthy monologue was a great learning experience. I’m looking forward to seeing the next scenes develop, so if you get the opportunity to be involved do not hesitate.
Twitter: @ThompsonLizt / Instagram: liz_thompson22
Copyright © Brett Gregory 2005 - 2020. All rights reserved to Serious Feather.
Established in 2005.


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Seasoned musician Jackson Maine discovers—and falls in love with—struggling artist Ally. She has just about given up on her dream to make it big as a singer—until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.
Axe to Grind
B-movie legend, actress Debbie Wilkins, has just been replaced by a 23 yr old scream queen in her lovers bed. More importantly she's been left out of her lovers new film. Debbie doesn't take rejection well.
A young woman in L.A. is having a bad day: she's evicted, an audition ends with a producer furious she won't trade sex for the part, and a policeman nabs her for something she didn't do, ...
Betty White: First L
The definitive look at Betty White's life and career. As the only authorized documentary on Betty ever made, this film is packed with hilarious clips from her long career. Plus comments from friends and co-stars.
Bombshell The Hedy L
Dream for an Insomni
A girl with insomnia who works in a coffee house has impossibly high standards for her love and fears she will never meet a worthy man. Then in walks a new employee and they click - until she discovers he has a girlfriend. Undaunted, she moves to L.A. with a friend sure that he will dump the girlfriend and follow her. She puts all her faith in fate and hopes for the best.
A middle-aged pizza delivery man serves up more than just food to a young advice columnist who's having second thoughts about his engagement.
An adventure film about a film crew in search of a monster on a remote island. The crew finds King Kong and decides to take him back to New York as a money making spectacle. The film is a masterpiece of Stop-Motion in filmmaking history and inspired a line of King Kong films.
La La Land
An idealistic British drama school teacher, Jodi Rutherford, persuades a cynical South African farmer to prepare her for a role in a major film as an Afrikaans war heroine. In return Jodi undertakes to direct the annual concert on the Willemse farm. Jodi's interaction with the quirky small town citizens and the stubborn Kobus, teaches her that: "there is more to life than lights... camera... and action!"
Marquise is a drama about the rise and fall of a beauteous actress. As cheerfully portrayed by Sophie Marceau, the eponymous heroine is an engagingly ribald, but perhaps rather too modern, character. She rises from an impoverished background to become a favourite of the Sun King, Louis XIV, and the mistress of the celebrated Racine, who wrote roles especially for her; but her fate, in the end, is a tragic one.
A celebrity actress who gets her dream role playing real-life 19th century serial killer Belle Gunness in a feature film, starts to take on the characteristics of the character both on-screen and off.
After a car wreck, an amnesiac woman sets out to learn what happened to her with the help of a wannabee actress.
Om Shanti Om
In this modern remake of Karz, Om - an aspiring actor from the 1970s - is murdered, but is immediately reincarnated into the present day. He attempts to discover the mystery of his demise and find Shanti, the love of his previous life.
Private Valentine: B
When fluffy, bubble gum movie star Megan Valentine suddenly finds herself broke and humiliated in the public eye, she wanders from the wreckage of a car accident and witlessly enlists in the U.S. Army hoping in vain that it will change her life.
A meteor crashes into a quiet lake in the remote countryside and awakens a centuries-old beast, who tears through a nearby town and its inhabitants, who must fight for their lives and stop this Queen Crab before she can hatch an army of babies.
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Jane (Anna Faris), a struggling but perpetually stoned actress, has a busy day ahead. She has several important tasks on her list, including buying more marijuana. Even though she already has a good start on the day's planned drug use, she eats her roommate's pot-laced cupcakes and embarks on a series of misadventures all over Los Angeles.
A hopeful young starlet uncovers the ominous origins of the Hollywood elite and enters into a deadly agreement in exchange for fame and fortune.
The Bad and the Beau
Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.
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When an out of work actress unexpectedly lands a starring role in the sexually explicit mini-series adaptation of a best selling erotic novel, her aimless, stoner boyfriend does his best to be supportive. But when her volatile, Oscar winning co-lead takes "rehearsals" too far, her dream job becomes her boyfriend’s worst nightmare and the couple is forced to decide whether or not their relationship is worth fighting for.
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On New Year's Eve, an insecure, struggling actress (Anna Magnani) has nothing to do. When a colleague invites her to a New Year's party, she jumps at the opportunity. Accidentally she runs into an old acting acquaintance (Toto), who is helping a professional pickpocket (Ben Gazzara) steal from people during the hustle-bustle of New Year's Eve festivities. During the course of the evening, they have numerous crazy, humorous adventures all over Rome at different parties, restaurants, and even the Trevi fountain. Magnani's character (Tortorella) falls for Gazzara's character (Lello) without knowing what he's up to, while Toto tries to placate them both.
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Dr. Francis Flegg , a specialist in blood disease and research, has been assisted in recent months by a mysterious fellow named Marshall Quesne who is extremely pale, with a streak of white hair. Newspaperman Garrett following the disappearance of an actress, whom he claims he saw was dead, turns up alive again, making Garrett look foolish. But he slowly becomes suspicious of Quesne and Flegg.
This Is the End
6 Los Angeles celebrities are stuck in James Franco's house after a series of devastating events just destroyed the city. Inside, the group not only will have to face with the apocalypse, but with themselves.


‘And Grandsire Went Wrong’ is a play written by local author Angela Hodges, originally devised for radio but currently being updated for the stage. The play’s plot centres on a group of present day bell ringers who meet weekly in the church at Stoke-sub-Hamdon for bell ringing
practice and the discovery by one of their members, of a set of initials ‘GR’, carved into the stone of the bell tower. This discovery sparks an investigation by ‘Tricia’ who manages to find out that mystery initials belonged to a local resident, George Ralph who lived in the village in
the early twentieth century. The story then unfolds into one that through the telling of George’s story of growing up in Stoke, then going off to the Battle of the Somme in the Great War as a young man, cleverly links the present day bell ringers to the ghosts of the past, in more ways than they had ever imagined!
An enthusiastic group of local residents intend to take a proposal forward to the wider village community, to stage a production of ‘And Grandsire Went Wrong’ in the summer of 2016. Ideally the event would take place on the first weekend of July, to coincide with the 100th anniversary of the start of the Battle of the Somme.


Willy Russell’s highly acclaimed story ‘Blood Brothers’ is coming to the Vernon Theatre in Lyndurst next week. It stars two Ashurst residents in the lead roles of Mickey and Eddie, the Johnston twins. They are separated at birth because their mother cannot afford to feed two more mouths. They grow up apart but meet at the age of 7 and become firm friends…and Blood Brothers.
But their very different home backgrounds soon create tension and lead to highly emotional incidents.
The Lyndhurst Drama and Musical Society’s production is set to be a cracker and tickets are still available for all three performances at the moment. The show is on 20/21/22 July at 7.45. Ring 023 8028 2729 to book……Don’t miss it!!


Jonathan Frakes is best known for his portrayal of Commander William Riker in the television series Star Trek: The Next Generation. Early in his acting career, he became a member of The Impossible Ragtime Theater in New York City and did his first off-Broadway acting in Eugene O'Neill's The Hairy Ape. His first Broadway appearance was in Shenandoah. At the same time, he landed a role in the NBC soap opera, The Doctors. When his character was dismissed from the soap, Frakes moved to Los Angeles, California and played guest spots in many of the top television shows of the 1970s and 1980s, including The Waltons and Steven Bochco's Hill Street Blues. He had recurring roles in Falcon Crest and the miniseries North and South, where he played Stanley Hazard of Hazard Iron, a weak man easily manipulated by his mother and wife, a character in stark contrast to the strong Commander Riker role from Star Trek.
He has done animation voice acting, most notably voicing the recurring role of David Xanatos in the television series, Gargoyles, and he provided the voice of his own head in a jar in the Futurama episode "Where No Fan Has Gone Before". He hosted Beyond Belief: Fact or Fiction and had a small, uncredited role in the 1994 movie, Camp Nowhere. Frakes also played the part of Charles Lindbergh in a 1983 episode of Voyagers! titled "An Arrow Pointing East".
Frakes is also the only Star Trek regular besides Majel Barrett to appear on four different Star Trek series (Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek: Voyager, and Star Trek: Enterprise). He has directed episodes in three of them (The Next Generation, Deep Space Nine, and Voyager) and was a popular and innovative director on the Star Trek set, often finding completely new ways to shoot the show's familiar sets.
His talents are not limited to the acting arts. Frakes appears on the Phish album, Hoist, playing trombone on "Riker's Mailbox". Indeed, Frakes occasionally performed on the trombone during his tenure as Commander Riker.
Frakes married soap opera actress Genie Francis on May 28, 1988. They live in Maine with their son, Jameson Ivor, born in 1994, and daughter, Elizabeth Francis, born in 1997. Frakes works with The Workshops, The Waterfall Arts Center, and The Saltwater Film Society, all located in Maine, where he teaches classes on film direction. He co-owns a home furnishings store with his wife in Belfast, Maine, called The Cherished Home.
Roles on Gargoyles
- David Xanatos
- Alexander Fox ("Future Tense")
- Fang ("Metamorphosis")
- Xanatos Computer Program
- Xanatos Program
- Himself (Behind the scenes featurette of the VHS Gargoyles The Movie: The Heroes Awaken.)


Claudia Cecilia Gonzalez Rogers
DEGREE IN LAW
She worked as an associate attorney for the National Organization of Collective Law Firms (ONBC) and Instructor Professor of Law from 2013 to 2015_cc781905-5cde-bb6d_cf315-315-bb3b5_cc781905-5cde-bb3b518
She began as Legal Advisor of the Cuban Institute of Cinematographic Art and Industry (ICAIC) in 2015 and in 2019 she was promoted as Director of Artistic Creation, attending from her position the Registry of the Audiovisual and Cinematographic Creator; the conception, organization and control of the Fund for the Promotion of Cuban Cinema; the organization of the Independent Production Service Office, as well as care for filmmakers and personalities of Cuban cinema.
She has been the executive producer of several documentaries such as The hugs will return (2020) by Jonal Cosculluela, La Caja Negra (2020) by Enrique Álvarez, Soberanía (2020) by Alejandro Gil and the fiction feature film Cuentos one more day (2021) with the general direction of Fernando Pérez.
He is currently studying the Master's Degree in Latin American and Caribbean Cinema, convened by the Chair of Latin American and Caribbean Cinema of the Foundation for New Latin American Cinema and the ISA University of the Arts.


Filmmaker Vidhu Vinod Chopra has reacted to the news of a petition seeking a stay on the release of his upcoming film Shikara: The Untold Story of Kashmiri Pandits, by stating that he will let his legal team handle the matter. "We have just learnt from media sources that a petition has been filed by few people in J&K Court against the release of Shikara. We have no other information in this matter, our counsel Harish Salve will take appropriate steps as may be required," shared Chopra.
A public interest litigation (PIL) was filed earlier in the day on Tuesday in the Jammu and Kashmir High Court against Chopra's upcoming film demanding a stay on release and the deleting of certain scenes. Shikara is set against the backdrop of the Kashmiri Pandit exodus from the Kashmir Valley in late 1989 and early 1990, in the wake of violent Islamist insurgency.
The petitioners Iftikhar Misgar, Majid Hyderi and Irfan Hafiz Lone have alleged that the film portrays untrue facts about Kashmir and Kashmiri Pandits. Misgar told a news agency, "We are asking for stalling the release and deleting a few scenes that portray the valley's Muslims in a bad light." "We have urged the high court to take the case up on a priority basis," he added.
Shikara: The Untold Story Of Kashmiri Pandits marks Vidhu Vinod Chopra's comeback to Bollywood as a director for the first time since his 2007 release, Eklavya, starring Amitabh Bachchan, Sanjay Dutt, Saif Ali Khan, Vidya Balan, Raima Sen, Jackie Shroff and Jimmy Sheirgill. Chopra introduces Aadil Khan and Sadia in the lead roles of Shikara. The film is scheduled to release on February 7.