Sometimes a Great Notion: Lee Remick, Paul Newman, Richard Jaeckel, Henry Fonda, Joe Maross, Charles Tyner, Linda Lawson, Hal Needham Sometimes a Great Notion - Cast, Crew and Credits - … CAST AND CREW.  When it was finally aired on commercial television in 1977, it was retitled Never Give A Inch [sic], a reference to the Stamper family philosophy. Cast & Crew; Release Dates; Translations; Changes; Media Backdrops 3; Logos 0; Posters 11; Videos Trailers 1; Fandom Discussions Overview; General 1; Content Issues 0; Reviews; Share Share Link; Facebook; Tweet; Expand. Sometimes a Great Notion ( 1970 ) Directors Paul Newman Producers John Foreman Frank Caffey Writers Ken Kesey John Gay Cast Paul Newman Henry Fonda Lee Remick Roy Poole Charles Tyner Follow Sinemia Social! … Sometimes a Great Notion; Full Cast; MOVIE INFO. Sometimes a Great Notion is the second novel by American author Ken Kesey, published in 1964.While One Flew Over the Cuckoo's Nest (1962) is more famous, many critics consider Sometimes a Great Notion Kesey's magnum opus. PG; Genre(s): Drama Action-Adventure; Release year: 1970; Running time: 114 min; Based on the best-selling novel from author and icon Ken Kesey (his follow-up to One Flew Over The Cuckoo's Nest), the story focuses on a two-fisted Oregon family that bucks their close-knit timber community to deliver a shipment of logs in defiance of a strike. Cast & Crew; Release Dates; Translations; Changes; Media Backdrops 3; Logos 0; Posters 11; Videos Trailers 1; Fandom Discussions Overview; General 1; Content Issues 0; Reviews; Share Share Link; Facebook; Tweet; Expand. 21 people found this helpful. Despite the fact that he is uncomfortable living with a family he barely knows, Lee joins forces with them when they are forced to battle both the locals, who have burned their equipment, and the elements, which threaten their efforts to transport their logs downriver. After aiding their adversaries when their lives are in peril, the Stampers are handed two calamities at once, a falling tree that severs Henry's arm, and a trunk that crushes Joe Ben in shallow water. Andrew Imbrie Dayton; May 1, This monthly feature invites readers to (re)discover a work that’s so rich and. I remember the first time I saw this movie was in the late 70's on TV (Portland's KPTV-12). Sometimes a Great Notion by Ken Kesey. Meet the cast and learn more about the stars of Sometimes A Great Notion with exclusive news, pictures, videos and more at TVGuide.com The title comes from lines in the folk song "Goodnight, Irene": "Sometimes I take a great notion / To jump in the river and drown." "Battlestar Galactica" Sometimes a Great Notion subtitles. ... Henry. Starring: Cliff Potts, Linda Lawson, Richard Jaeckel, Michael Sarrazin, Lee Remick, Henry Fonda, Paul … The film was one of the first two programs (after a New York Rangers–Vancouver Canucks NHL game) and the first movie presentation to be broadcast by Home Box Office (HBO) when the pay television network launched in Wilkes-Barre, Pennsylvania on November 8, 1972, airing less than two years after its initial theatrical release. Alan and Marilyn Bergman and Henry Mancini were nominated for the Academy Award for Best Original Song for "All His Children" but lost to Isaac Hayes for "Theme from Shaft". Lee Remick. CAST AND CREW. The screenplay by John Gay is based on the 1964 novel of the same name by Ken Kesey, the first of his books to be adapted for the screen. These included Kernville and other locations along the Siletz River, as well as Yaquina Bay, the Yaquina River, and the city of Newport, where several scenes were filmed in Mo's Shanty Fish House. 71. (US/ Canada rentals) Sometimes a Great Notion(also known as Never Give an Inch) is a 1971American drama filmdirected by Paul Newmanand starring Newman, Henry Fonda, Michael Sarrazin, and Lee Remick. ... Hank. ", Roger Ebert of the Chicago Sun-Times rated the film three out of four stars and described Newman as "a director of sympathy and a sort of lyrical restraint. 2. Hank returns to an empty home and appears for a while to have given up. People mangling well known expressions & proverbs To be fair, I don't think the book can be accurately captured as a film; perhaps as a TV miniseries it could be, but there's just way too much there that had to be cut to get it down to feature film length. Film. 3. You must be a registered user to use the IMDb rating plugin. 4.0 out of 5 stars Never Give and Inch! Tell them the old bartender from the "Embarcadero" sent you. read more. John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Native Americans, becomes their only hope for survival when they are set upon by outlaws. 1. Not easy to read. "Never give a inch" was the motto of the Stampers of Oregon. "Sometimes a Great Notion" is the eleventh episode in the fourth season of the reimagined Battlestar Galactica. Great scene. Report This. - Music by Henry Mancini; Lyrics by Alan Bergman and Marilyn Bergman - It was an Academy Award Nominee for Best Song--Original for the Picture in 1971 Five weeks after principal photography began, Colla left the project due to "artistic differences over photographic concept", as well as a required throat operation. Drama. The plot centers around a family of independent loggers who work in opposition to unionized loggers. As in Howard Hawks's Only Angels Have Wings, these films are, at their best, considerably less simple-minded than they sound—being expressions of lives lived almost entirely in terms of rugged, essentially individualistic professionalism . , "Matt Love revisits the summer of 1970, when the stars of 'Sometimes a Great Notion' mingled with the locals", "Film manages to retain flavor of Kesey novel", "Sometimes a Great Notion (1971) - Overview - TCM.com", An insider's look at the making of the film, The Effect of Gamma Rays on Man-in-the-Moon Marigolds, https://en.wikipedia.org/w/index.php?title=Sometimes_a_Great_Notion_(film)&oldid=1001513105, Films produced by John Foreman (producer), Films with screenplays by John Gay (screenwriter), Creative Commons Attribution-ShareAlike License, This page was last edited on 20 January 2021, at 01:12. 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By Adegboyega Arulogun
When I first heard people called him ‘uncle JAB’, I thought it was a nickname from the boxing ring. But I was wrong. The three letters were the initials of his personal names: Joseph (the dreamer or the biblical father of Jesus); Abiodun (a child born during a festival celebration — in his case, three days after Xmas and three days before the New Year) — he was born in Calabar, capital city of Cross River State on the December 28, 1932; and Babajide (the departed father has arrived early in the morning). That Baba was likely according to Yoruba’s personal names to be his grandfather from whom he picked Adu, his surname.
Of the three names, Joseph seems to be a pointer to his future career – creativity. He is into creative writing as a screen and radio script writer who dreams to create stories that educate, entertain, inform and relax the viewers and listeners.
However, the story of JAB Adu did not start in creativity but in banking.
JAB started his educational career at the primary section of Baptist Academy then situated at Oil Mill Street, Lagos, after returning from Calabar at the age of five to his Popo Aguda, Brazilian Quarters of Lagos. His parents being of the Catholic faith, insisted he had to go to St. Gregory’s College, Obalende, also in Lagos. While at St. Gregory’s, he tasted some acting. On graduating, his father wanted him to work in the bank and he landed a job at the British Bank for West Africa, the B.B.W.A, now the First Bank, PLC.
He later travelled to Britain where he studied Banking at the Westminster City College, London and graduated as an Associate of the Institute of Bankers (A.I.B) UK. His brief stint at St. Gregory’s as an actor moved him to Morley College of Drama, also in London. On his return to Nigeria, he worked with the Central Bank of Nigeria between 1964 and 1970.
While in the Central Bank, he participated as an actor and writer in the popular Nigerian Television Drama series titled ‘The Village Headmaster’ in which he played the role of Bassey Okon, the doctor, dispenser and pharmacist of Oja village. Remember he was born in Calabar and now in Village Headmaster he played the role of an Efik in the junction town of Oja. Remember him and Sisi Clara (Elsie Olusola) and Amebo (Ibidun Allison)? He left banking in 1970 and went into full acting, writing and production.]
He is more renowned in acting but his creative pedigree transcends not just acting that he is very well known for on the screen. He is a film producer whose production credits include Bisi, Daughter of the River and Adio’s Family in co-production with NTA.
JAB Adu wrote, co-produced and directed the full length film – ‘Bisi, Daughter of the River’, a film that was one of the pioneering efforts that followed Kongi’s Harvest and ‘Things Fall Apart.’ Based upon the Yoruba legend of Olurombi and shot on 35min on celluloid on location both in Lagos and Badagry. The film threw a challenge to the American and Indian films in the Nigerian cinema circuit because of its production quality and Nigerians’ thirst to see their own people on the cinema screens in the theatres. One of the lessons of Bisi was that like ‘Kongi’s Harvest ‘and ‘Things Fall Apart’, the crew was both Nigerian and foreign film technicians — an avenue for learning by the local crew members. Bisi, Daughter of the River had a success story in the cinema theatres.
One other feature film producer who, with courage, turned out films was Eddie Ugbomah in ‘The Death of a Black President’ (reminding us of General Murtala Muhammed’s assassination), Oyenusi (the armed robber), Apalara (the murder of an Islamic preacher at Oko Awo in Lagos by the Awo Opa cult and many others. Chief Ugbomah later became chairman of the Nigerian Film Corporation, NFC. I was always amazed at the pace he produced his films, especially considering the state of film financing in Nigeria at that time.
When you write or talk about the growth and development of feature film production in Nigeria, you cannot forget the Adesanya Brothers in Vigilante, shot on 16mm film.
Afolabi Adesanya remains solidly in the profession of film making as the Managing Director of the NFC while his brother who remains in Sagamu managing the family business still finds time to teach in one of the film schools in Lagos.
The adaptation of Bayo Faleti’s book ‘Idaamu Padi Minkailu’ (The Dilemma of Father Michael) by Lola Fani-Kayode as ‘Iwa’ shot on 16mm seemed to close the first chapter of celluloid (film) in Nigeria.
After the production of the TV series ‘Winds Against My Soul’, by Laolu Ogunniyi, which featured the ageless Taiwo Ajai-Lycett, NTA encouraged co-production with independent producers. One of such co-productions was Jab Adu’s Adio Family, shot on 16mm reversal stock processed at the NTA Victoria Island’s film laboratory by Dolapo Okubanjo and Wale Fanu. The Camera Operator and Director of Photography was Asani Folawiyo. The 52 episodes of the programme were edited by Ben Olisha, who himself later became an international documentary film award winner with the first episode of Land Preparation of NTA’s Food Basket.
JAB Adu wrote, produced and acted in the TV social drama series, the Adio Family, which dealt with family life. It focused on the effort of a typical middle-class family in coping with and maintaining a value oriented upbringing for their children and striving for a happy married life between husband and wife.
After acting in the first production of the play “The Boat “by J.P. Clark, JAB was invited by Professors J. P. Clark and Ebun Clark to be the Director of Plays at their Pec Repertory Theatre at the J.K. Randle Hall, Onikan. JAB Adu kept the Pec Repertory productive with ‘Our Dear Native Lord,’ ‘Parcel Post,’ ‘The Opportunity,’ ‘Schools Out’ and the maiden public performance of Clark’s ‘Wives Revolt. When the BBC TV/NTA co-production of Nigeria: A Squandering of Riches was shot on location in Nigeria, all the sketches were written by JAB and performed at the PEC Repertory.
JAB was lucky about the sketches in the ‘Nigeria: A Squandering of Riches; I wasn’t as co-producer with Richard Taylor of the BBC, I was a friend of the State Security Service at 15, Awolowo Road, Ikoyi. Please do not insinuate about my friendship if you want to know ask Onyeka Onwenu who anchored the programme.
JAB’S acting credits are enormous, particularly with the advent of Nollywood and the Yoruba movies. He adapted late Bode Osanyin’s stage play ‘Aiyetale’ for a one how population control drama, directed and produced for UNFPA/Federal Ministry of Health.
He is one of the Script writers of the African Radio Drama Association (ARDA) that wrote the radio series titled ‘Rainbow City’, which dealt with issues of good governance and democracy, accountability and transparency, reproductive health issues and HIV/AIDS.
His international radio contribution was with the BBC World Service as a script-writer and actor on their award winning radio drama series — ‘Story Story’– Voices from the Market. This programme is popular in Nigeria and in many Africa English speaking countries.
JAB served on a Ministerial Committee to harmonise the functions of the Nigerian Film Corporation and the Nigeria Films and Video Censors Board. He also participated in the development and writing of a BBC WST TV drama series ‘Wetin dey’ and also acted in it.
The Zuma Film Festival, in 2008 gave the Lifetime Achievement Award to JAB Adu for his contributions to acting, film production and leadership in the creative world of the country.
In 1978, JAB was awarded the Member of the Order of Niger (M.O.N.) – (without them, ‘ey’ — which is the craze of today’s Nigeria) for his contributions to the arts and creativity.
As uncle JAB has moved to Abeokuta for his retirement, he breathes the unpolluted air from Olumo rock that will enhance his good health and make him live longer than if he stays in his home in Lagos. We are sure to join him in the next decade to celebrate him at 90! So 80 “gbosas” and cheers to JAB Adu, a creative man at 80!
Alhaji Arulogun, filmamaker, ex-General Manager NTA, and former Commissioner for information in Oyo State, writes from Ibadan.
Culled from The Guardian.
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Mistaken for Strangers
Mistaken for Strangers is a truly hilarious, unusual, and moving film about two brothers, Matt and Tom Berninger. On the eve of The National's biggest tour to date, Matt invites Tom to work for the band as a roadie, unaware of Tom's plan to film the entire adventure. What starts as a rock documentary soon becomes a surprisingly honest portrait of a charged relationship between two brothers, and the frustration of unfulfilled creative ambitions.
Credit: Post Production Assistant
Director: Tom Berninger
Tribeca Film Festival: Opening Night Film
Traverse City Film Festival (Winner): Founders Prize Special Award


BLU-RAY REVIEW: THE STOLEN
Charlotte Lockton (Alice Eve) has settled in the South Island of New Zealand with her wealthy British husband, David, but her dreams of a new life and prosperous future are shattered when David is murdered and her baby son is kidnapped. When a ransom note arrives, she realizes her only option is to track him down on her own. Charlotte's quest forces her on a dangerous journey of survival through an untamed world to fight to the death for what she holds most dear.
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The Stolen: Behind the Scenes


I made the short film, "The Detail", to honor my close friend MSgt. Thomas V. Saunders, a MARSOC/Raider who died in a trainmen accident on March 10, 2015 with 6 other Raiders, his brothers-in-arms. I didn't know the impact the film would have on my life when I started the process just over two years ago. I've met so many incredible people who care deeply about those who serve and who showed up to help me make the film a reality. There’s something undeniably wonderful about our military community, no matter where we go in the world. It’s an extended family and we know how to honor each other. We show up for each other when work needs to get done. In a world of order and regimen, I’ve witnessed the many unique ways that our community handles homecomings – from parties to formal welcomes on base, people really love being able to connect with servicemen/women returning home, it’s one of the most joyous moments we have. At Tom's funeral, I saw a unique side to a homecoming and was immediately inspired to share this beautiful story of honor and loyalty with you. The film is based on his "celebration of life" ceremony. It's a powerful tribute. Yes, this film is about a group of Marine Raiders, but I wrote this film to honor ALL SERVICEMEN I hope you watch "The Detail" and come away with a new found respect for the camaraderie that keeps all who serve together, bonded together, forever. The film is available on Amazon Prime and Amazon Instant Video FOR FREE, in honor of Memorial Day.


With unprecedented access, the documentary 'Walk with Me' takes us inside the world-famous monastery of Zen Buddhist master Thich Nhat Hanh. The film captures the life of a monastic community who have given up all of their possessions for one common purpose - to practice the art of mindfulness.
Filmed over three years, this visceral film is a meditation on a community determined to develop a deep sense of presence, not just for themselves, but for all those they love.
As the seasons come and go, the monastics' inner journey is amplified by insights from Thich Nhat Hanh's early journals, narrated by Benedict Cumberbatch.
Plan to attend this complimentary documentary on Tuesday, October 17th at Studio Movie Grill located at NE corner of Royal Lane & N. Central Expressway.
The auditorium opens for seating at 6:30 pm and showtime is 7 pm. The film's running time is 94 minutes and we'll follow it with a brief Q&A.


Director Michel Hazanavicius has definitely paid an homage to Bernard Herrmann in his academy award nominated movie “the Artist”. He uses Herrmann’s main theme from the beautiful score to Hitchcock’s “Vertigo” in the crux of his own movie. The actress Kim Novak (who starred in the Hitchcock movie 50 years ago) had some pretty serious qualms with the theme being taken saying, “This film could and should have been able to stand on its own without depending upon Bernard Herrmann’s score from Alfred Hitchcock’s Vertigo to provide it more drama.” To which Michel Hazanavicius replied: “The Artist was made as a love letter to cinema, and grew out of my (and all of my cast and crew’s) admiration and respect for movies throughout history. It was inspired by the work of Hitchcock, Lang, Ford, Lubitsch, Murnau and Wilder. I love Bernard Herrmann and his music has been used in many different films and I’m very pleased to have it in mine. I respect Kim Novak greatly and I’m sorry to hear she disagrees.” In any case, here is a selection of the famous theme on 3 pianos by The 5 Browns (arrangement by Pat Russ).


Henri Langlois’ quote at first seems so outrageously absolute, so outright, so unquestionable, that one might think it trivial if it weren’t stated by such an authority in film. But who is Henri Langlois?
Monsieur Langlois was one of the founders of the Cinématèque Française, in 1936, which holds one of the biggest film archives in the world. Thanks to the smuggling efforts of Langlois, many masterpieces were saved from being destroyed by the Germans during World War II. Besides preserving invaluable works of art, Langlois was a cinephile that encouraged the discussion and study of the medium of film before anyone else thought it relevant to discuss film as an art form. Langlois’ screenings at the Cinématèque Française were influential for many of the New Wave directors, such as Françoise Truffaut, Alain Resnais and Jean Luc Goddard.
I would have to agree with Langlois: “A film without sound is not worth making”(1). First of all, in order to believe that about film one should define it, as well as its composition, qualities, and possibilities. Although film is bi-dimensional, it is not a painting, as it incorporates movement through space and the actors upon it.
Film is not theater; again since it is bi-dimensional whereas theater is three dimensional and interactive. In fact, theater could be done without sound – both its three dimensionality and interactivity, as it is live, can compensate for lack of “sound” (or speech, since it is impossible for actor performing on a stage not to make any sound.)
Nevertheless, film needs sound. Without sound, it would not be film; it would instead be something that could be made on a theater stage or in a painting. For example,
The Cabinet of Dr. Caligari, the 1920’s silent film directed by Robert Wiene – a very famous and influential film of the German expressionist movement – leaves one quite dissatisfied, as if it were not a complete film. Even though its visual motifs are very interesting, the color, design, overall theme and style, the movie presents a story that could have been done in theater. I believe that part of the reason is that it was a silent film.
Sound adds another quality that film should not omit, a quality that has become intrinsic to the medium; it creates a truly complete film experience. “Sound had economic and technological implications, but it also affected style. Some critics and directors feared that extensive dialogue scenes in adapted plays would eliminate the flexible camera movements and editing of the silent era. Most filmmakers soon realized, however, that sound, used imaginatively, offered a valuable new stylistic resource” (Boardwell, 193).
Yet as we win some, we lose some. As sound became a part of film, I believe film lost something special too: vibrancy and purity in its visual composition, the exaggerated and physical comedy of greats such as Buster Keaton and Charlie Chaplin. Yet film is not trying to be something it is not. The development of sound technology helped mature film into its own medium with its particular defining qualities.
There was a period of transition from silent films to sound. At first it was a time of both economic and creative uncertainty. People were not entirely sure of its success. By 1932 the conversion of sound to film was virtually complete. People started to realized that sound on film adds a whole other dimension for filmmakers to work with creatively, such as, “imaginative use of camera movements, stretches of silence, and sonic puns. [These] helped quiet fears of critics who believed that sound would result in static dialogue pictures” (Boardwell, 207).
The introduction of sound to film not only brought more depth and complexity to film, it also gave the filmmaker complete creative control over their film. “In 1933, Alfred Hitchcock commented on the difference between musical accompaniment for silent Films and musical scores in sound Films: ‘I have always believed that the coming of sound opened up a great new opportunity. The accompanying music came at last entirely under the control of the people who made the picture.’ Now sound and image could be combined in predictable ways during production.” (Boardwell, 193).
Sound is an element that has the power to set or alter the mood in a motion picture. Sound can also give us literal or symbolic information about the characters on the screen. In Germany, it was not until early 1930 that sound production and exhibition accelerated. By 1935 virtually all theaters were wired” (Boardwell, 201). The film
The Blue Angel, directed by Josef Von Sternberg, was one of the first German talkies. In it Marlene Dietrich, then an unknown actress, becomes instantly famous for her appearance as a coquettish cabaret showgirl. This early sound film shows how sound creates a more moving experience.
Thanks to sound, we are able to enter the actor’s world in a more profound and personal way. We see Professor Rath at the beginning of
The Blue Angel in his silent apartment. We hear him whistling, and when we hear the silence of his dead bird that doesn’t whistle back, we can really feel his loneliness. In moments like these when there is a perfect match or synchronization between sound and image, when a filmmaker is able to put those two together in a way that is just right – that’s when memorable moments and great films are created.
To create an image in perfect harmony with a sound or witty dialogue is quite a challenge, the rules of the game had been altered. Sometimes it is even by chance that such fortuitous connections are made between those two senses. But it is up to the artist to identify such an instant in time. I believe that this is what Langlois meant when he said, “A film without sound is not worth making”.
The Blue Angel. dir. Josef Von Sternberg. Universum Film, 1931.
Boardwell., David and Kristin Thompson.
Film History an Introduction 2ed. University of Wisconsin Madison, Mac-Graw Hill Co. Inc., 2003.
The Cabinet of Doctor Caligari. dir Robert Wiene. Die Nibelungen Rache, 1924.
(1) In this quote Langlois refers to diegetic sound or actual sound, which is any sound that is presented with its origin in the film’s world (voices of character’s and sound from instruments and objects presented in the movie, on screen or off-screen.)


Yesterday I watched a Dwayne Johnson (the Rock) movie called Skyscraper. It was such an awesome movie because he played an amputee who has made a life for himself after his injury and then has to fight to save his family during an inferno. Obviously, those of us old enough to remember the Towering Inferno would consider it similar to that movie.
Now the reason why I found this amazing is how well he did at playing a person with a disability. It really shows that you can do anything despite your disability. I am not saying you can scale the side of a burning building but, what I am saying is that you can use your disability as a strength. This movie also had an inspirational background as an AMAZING Paralympian helped The Rock learn what it was like to be an amputee.
Even if you do not like the idea of taking inspiration from a movie, you can take the message which is that we are all the same, just some people may struggle more than others. Definitely, a worthwhile movie to watch.


Canterbury Shakespeare Festival comes to The Canterbury Tales, with their version of Twelfth Night.
If music be the food of love, play on.” Twelfth Night, I.i.
One of Shakespeare’s most well-known comedies, exploring the pain of unrequited love, satire and mistaken identity, all highlighted by beautiful verse and songs. It follows the journey of Viola, who has been shipwrecked and separated from her brother, as she meets a love-sick duke, mourning lady, scheming drunk, vain pedant, musical fool and cunning maid.
Friday 12th of August, 7.30 pm
Saturday 13th of August, 3.30 pm + 7.30 pm
Sunday 14th of August, 3.30 pm
Tickets £10 full price, £8 concession, £7.50 group tickets


Since it is coming around to typhoon season and a lot of people will be having to spend a lot of time indoors I thought I would take the opportunity to introduce some interesting movies from Australia and New Zealand. Movies are a great way to A- have fun and B- study English of course. These are my favourites.
Do you like movies?
1 Muriels Wedding 1996 (Australia)
This movie is a romantic comedy/drama from the 1990s. It is about Muriel, she is a lady whose dream has always been to get married. Muriel is not so beautiful or talented, do you think she will be able to get married?? This movie is so funny and also a little sad as Aussie and kiwi films tend to be. It shows just how the 1990s looked and felt in Australia.
Boy 2010 (New Zealand)
Boy is a comedy drama about a young boy growing up in a coastal town in New Zealand. He lives with his grandmother brother and cousins, as his father is in prison and his mother died giving birth to him. Boy spends his days dancing to Michael Jackson and playing with his friends. When Boys father is released from prison he tries to carry on life as normal living in the same house as a family. But is he really there to spend time with Boy? This movie is so funny and sad at the same time. It shows the problem with poverty and disadvantage that New Zealand still faces.
Lantana 2001 (Australia)
This movie is a crime drama. It is set in suburban Sydney and focuses mainly on the complicated relationships between the characters. The main event is is the disappearance and death of a woman. Who is responsible? What happened to her? Who can be trusted? This movie shows beautiful scenery of the suburbs of Sydney and is a dialogue heavy movie. Please challenge yourself and watch this amazing film!]
Two hands 1999 (Australia)
Two hands is an independent crime film from the late 90s starring a handsome young Heath Ledger. It is set in Sydney and is about a young club promoter who is approached by a gang leader to take care of a delivery for him to recieve a large payment in return. Unfortunately the delivery goes wrong forming the plot of the movie. This movie is very fun and has a very Australian feeling. It features scenes in famous areas of Sydney such as Kings cross and Bondi beach. The characters also use a lot of slang so you can get a real feel for native Australian speakers.
What we do in the shadows 2014 (New Zealand)
This is a horror comedy movie about vampires. It is filmed in documentary style however it is obviously not a real documentary. The movie is centered around a group of 4 vampires who share a house together in Wellington. Each vampire is centuries old so the movie shows their day to day lives and how they have got used to 21st century life. The movie is so funny and has a light mood. It features a lot of New Zealand slang and humor.
I hope you could enjoy this blog post about movies and I hope you can brush up your English by watching some of them!


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If you enjoyed the BBC hit series 'Victorian Farm' or 'Victorian Farm Christmas' and long to see the places where they were filmed, we've teamed up with P and P Tours to make it possible.
Well established in arranging exclusive visits of well known production locations, P and P Tours has put together ‘A SHROPSHIRE DOUBLE BILL’. Join a private tour led by Rupert Acton of the authentic film locations used in Victorian Farm at Acton Scott. While at nearby Stokesay Court, the primary location for Oscar winning film ‘Atonement’, starring Keira Knightley and James McAvoy, Caroline Magnus is your host.
Deep in the beautiful Shropshire countryside the guided tour uncovers the hidden property gems used in filming. On the two day visit, you will:
See the actual film sites and hear production anecdotes
Learn the historical importance of the two venues
Meet the fascinating owners of the production locations
Highlights at Acton Scott include visits to the Glebe Farm, Acton Scott Church and the forge restored by Alex and Peter, plus a tour inside the authentic Victorian cottage, reinstated during the production. There is also the opportunity to visit the Historic Working Farm attraction, located in the estate's 18th century Home Farm buildings, as featured in the series.
At Stokesay Court, Caroline Magnus tells her personal story of inheriting Stokesay by surprise, and hosting the celebrated cast and film crew of Atonement. With its interior décor unchanged from that production and a chance to see memorabilia preserved from filming, the full guided tour of includes home-made tea and cakes.
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Chapter 47 – You’re So Dead… |Members Only| Bloody Hunters Saga
“What?! Are you crazy?! Do you hear yourself? How did I fuck? How did I fuck your life? And how the fuck did I make you lose your dad? As far as I remember, I brought him back to life and protected him and the company all these years! That’s what you call it? What’s wrong with you?!” His head was splitting into two.
“Oh! I’m also crazy! That’s perfect! Well done!” She fetched an armchair and threw it onto him. “Just to strengthen your diagnosis over my mental state! You asshole!”
He moved to the side, avoiding it.
“Tz-tz….” He really didn’t get any of it.
“Don’t tz-tz me!” She raged.
“What’s the meaning of this?!” He asked one more time.
“I fucking saw you in the cave, you smart ass! There!”
He became serious hearing that and a bit calmer.
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“Vincenzo came into my office, threatening me that if I don’t choose him as husband as I was sold to him, he would kill my father a second time, as it appears he brought him back to life to get to me! How he did that, I don’t know! I tell him that I already have a loving husband and kicked his ass until he disappeared, but not before he was, as per his words, a gentleman and gave me one more week to reconsider his offer. So, my father could be alive at the mercy of that demon! Then, I go into a mission, and guess what?! Saw your conversation with that traitor, telling you all the truth about me, you kill him, and then the bitch appears and you get sentimental just because she sweettalked you, seduced you a bit, and you were playboy mode for old times’ love! Who the fuck is your wife that you forced to marry you on the reason you love her?! Huh? Oh! I’m so killing you, you son of a bitch!” And she jumped on him, ultimate hunter mode, sending him on the walls, crushing him.
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“Mika….” He interrupted her verbal train.
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On this episode the Longbox Guys have a spoiler filled review of the marvel movie, Avengers Infinity War, in which they compare the movie to the comics. Mike previews the Thanos comic book, LT reviews the graphic novel Infinity, Tom talks about the Boys, and Josh goes off on a tangent about who else should have appeared in the movie. Thanks for listening.
Please consider supporting us at patreon.com/thelongboxguys to hear our Patreon exclusive podcast, the GOAT (Greatest of All Time). You can follow us on twitter @thelongboxguys or visit or website thelongboxguys.com.


January can be a bleak month following the excitement of Christmas: cold and dark with summer seeming a long way off. Here then is our pick of some of the best looking films and books to look out for in 2020, to give us all something to look forward to!
10th January sees the release of 1917, a Sam Mendes film about two young British soldiers in World War One in a race against time to save their comrades from attack. It stars Benedict Cumberbatch, and Colin Firth as well as George MacKay and Dean-Charles Chapman in the lead roles.
This new version of Mulan is one of several Disney films to get a live action makeover this year. Out in March, it sees Chinese-American actress Liu Yifei plays Mulan, who disguises herself as a man to fight in place of her father in China’s imperial army, with the film also starring Jason Scott Lee, Jet Li and Donnie Yen.
No Time to Die
James Bond fans have to wait until April for No Time to Die to appear at the cinemas. It’s the 25th outing for the hero, and is rumoured to be Daniel Craig’s last. In the film, Bond finds himself pulled out of retirement to fight a new villain played by Rami Malek, the actor last seen as Freddie Mercury in last year’s Bohemian Rhapsody.
One for Avengers fans, Marvel Studios releases Black Widow in May. Starring Scarlett Johansson as Black Widow, it follows the events of 2016’s Captain America: Civil War and sees Natasha Romanoff alone and on the run from the US government for helping Captain America escape with Bucky. She finds herself forced to revisit unfinished business and coming face-to-face with the Red Room: the mysterious organisation that trained her and hundreds of girls like her.
A great one for the summer holidays, this looks set to be more popular than the last Ghostbusters outing in 2016, not least because it sees Dan Aykroyd, Bill Murray and Sigourney Weaver reprise their original roles. Fans of Stranger Things will also be excited to see it stars Finn Wolfhard who plays Mike Wheeler in the Netflix show. The film sees a mum and her two children move to a small town where they discover their connection to the original Ghostbusters and the secret legacy left behind by their grandfather.


This is the first of my review series for Halloween themed reads to enjoy the month of October. They will range from new finds to seasoned classics. So if you’re looking for books to put you in the Halloween spirit … Continue reading Halloween Reads: Mexican Gothic by Silvia Moreno-Garcia
“Guava Island” is a unique narrative by Childish Gambino that seems like a mix between legend, fairytale, movie and musical. It centers around a couple and their struggle to survive and thrive. The film starts with an origin story in which … Continue reading A Childish Gambino Film: Guava Island Review
THIS IS SPOILER HEAVY SO UNLESS YOU HAVE SEEN THE MOVIE, YOU HAVE BEEN WARNED. . . . . . . . . . . . . . . . . . . LAST CHANCE . . . . . … Continue reading CAUTION SPOILER HEAVY: US Movie Review and Breakdown
If you’ve never had a beignet before, prepare yourself for a delicious treat! Beignets are French donuts covered in powdered sugar. They can bring to mind a funnel cake like feel. However, beignets are fluffier and the taste is better … Continue reading Are Cafe Du Monde’s Famous Beignets THAT Good?


Andy Walraven is the Creative Director of Milestone Entertainment.
Andy Walraven began his career in film working on Michael Mann’s ‘Heat’. His attraction to storytelling, design and animation led him to receiving several prestigious ‘Broadcast Design Awards’ (BDA’s) for interactive projects with high-profile companies. His work in Motion Picture Marketing for such films as ‘Transformers’, ‘Cloverfield’ and ‘The Soloist’ brings valuable insight into the User Experience, and his combined understanding of UX, Design and Marketing made him a commodity at some of Hollywood’s top Film Studios including Paramount Pictures and Jeff Skoll’s Participant Media.
He is the editor of the book ‘The Ad War: A Look Into the Multi-Billion Dollar Advertising Industry and How They Waged War Against Their Own Consumers’.
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The first thing that surprised me about “Once Upon A Time in the West,” was the fact that Charles Bronson was actually is a good movie, the second thing that surprised me was that a movie this amazing could have gone under my notice for so long. How I’m not a movie critic, though I could probably do that too, I’m a music critic, so let’s get to the point.
About four seconds into the film Granit turns to Sean and me and says “best sound track ever.” When you’re right, you’re right; it was in fact the best soundtrack ever.
While it may be far from original, every major character gets their own theme song. Charles Bronson plays the man with no name, but when he appears, every time without fail we hear the harmonica playing the classic death rattle. Every time Frank (Henry Fonda) appears we get an electric guitar with violin. Claudia Cardinale gets a beautiful operatic song. The final song, the great climax plays a mix of all three, appropriate too since the final duel is literally the coming of worlds between the protagonist Charles Bronson and the villain Henry Fonda, and it is finally revealed why the man with no name wants to kill Frank.
If you haven’t seen it, see it, if you have seen it, watch again. In the mean time listen to the climatic end theme “Man With Harmonica.”
Now you know where “Kill Bill” got its great score from, now you know the ultimate duelling song, now you know.
I don’t really have much else to say other than the Stampede makes me thing about cowboy stuff, which in turn makes me think about spaghetti westerns, that’s just now I operate. I consider it a good thing.
Until next month, keep on rocking in the free world.
- Colin Kelly


I'm a sucker for these kinds of movies. If you liked "Dead Poets' Society" and "The Emperor's Club," then "Mona Lisa Smile" is right up your alley. Julia Roberts plays a young teacher who aspires to make a difference in Wellesley in the 1950s. She wants to teach the young women in the college to think for themselves, to not accept that they are just meant to get married and become housewives. By now, we are familiar with the Vulnerable and Awkward Julia: the slightly furrowed brow, the uncertain walk, the wide, tentative smile, the resolute lips, the eyes. They are put to good use here.
The supporting cast is very strong as well. Particularly Kirsten Dunst as the proper young socialite who does what is expected of one in her station. There is an undertone of dissatisfaction even though she is at the brink of achieving all of her dreams: a good husband, a nice house, a society wedding. However, Maggie Gyllenhal as the wild Giselle, steals every scene she's in. She gives her character a backbone even while she is taken advantage of by the men she dallies with. Tori Amos has a cameo where she sings two songs--both of which are featured in the soundtrack. She sounded really good.
Call up your girlfriends, this one's cause for a night out. Or if you can cajole the boyfriend, I think he may find it entertaining as well. No--there are no gratuitous nude scenes or flashes of boob, but I hope you have the sense not to have a boyfriend that makes these a criteria to go see a movie. It's okay though to have a boyfriend that will go see this movie with you in hopes of getting laid. The movie opens next Friday (Dec 19th).


Yugo Ogami is a fictional character from the Bloody Roar series. His beast form is the wolf. Yugo appeared in the first installment, Bloody Roar. He is the series main protagonist and is often viewed as its character mascot.
|Full Name||Yugo Ogami|
|Height||177cm (5'10") / 180cm (5'11") in beast form|
|Weight||81kg / 84kg in beast form|
|Occupation||Former Boxer, Leader of the W.O.C.|
|Relations||Alice - Friend/Love Interest|
|Japanese Voice Actors||Nobutoshi Canna (BR)|
Hideo Ishikawa (BR2, BR3, BR:PF/EX, DMTV:WF)
Akimitsu Takase (BR4)
|English Voice Actors||David Babich (BR,BR2)|
Barry Gjerde (BR3)
Michael J. Gough (BR:PF/EX)
Rob Narita (BR4)
- "Luckily it wasn't a full moon tonight."
- — Yugo in Bloody Roar
Yugo appeared in the first installment, Bloody Roar. He is the series main protagonist and he is often viewed as its character mascot.
Yugo was the son of the mercenary, Yuji. One day he is informed that his father has been killed while out at war. Yugo starts to doubt the circumstances of his father's death and decides to investigate it himself. It's at this point he comes to learn that he is a Zoanthrope and that his father was involved in a conspiracy with a multinational corporation called Tylon. To find out the secrets behind Tylon and to find out what actually happened to his father, he sets out against the evil company. He's joined by an old Yuji's friend and brother-in-arms, Gado. They break into a hidden lab in the Tylon building where many large cylinders line the room with test subjects inside. Yugo cannot find his father, and by Gado's reaction, he can tell that Tylon had already killed his father. He at least now knew the truth of how his father died. Standing over a makeshift grave at a top of a hill, he vows never to let it be over.
Something worth protecting
After the fall of Tylon, Yugo hides his Zoanthropy and takes up a career as a boxer hoping to earn quick money. He has big dreams about starting a pro career even if he has to start from the beginning.
He is not truly alone, as he took under his wing a boy that he found during the destruction of Tylon while looking for his father. The boy had no memories and nobody to take care of him, so Yugo took it upon himself to adopt him as his brother and named him Kenji.
Back To The Battlefield
Five years after the incident with Tylon, Kenji is mysteriously abducted by a terrorist group led by a strange man named Busuzima who seriously beat him up into a bloody pulp while he abducts Kenji away from him after his boxing match. He was later taken to the hospital where his childhood friend Alice works as a nurse. Alice tries to treat Yugo's serious injuries but he angrily refuses and quickly leaves the hospital to save his brother while in his injured state that forces Alice to follow him and takes him back for treatment.
He learns by Jenny, a mysterious woman, that Kenji is taken prisoner by the ZLF, the terrorist organization. Later on, he meets Busuzima's former partner and scientist, Stun, and also mistakes him that he is working with the ZLF. After defeating Stun, he apologizes for beating him as he tells him that the ZLF abducts live Zoanthropes as their experiments. This makes Yugo become overprotective of his brother and does not want his brother to become a terrorist like them. He then asks about the location of the ZLF headquarters. Stun tells him that he's already been in the headquarters but it was too late for him. Yugo continues his research and he finally finds Kenji, but he's brainwashed by Busuzima and became his bodyguard.
After a fight against his brother, Kenji retreats to the ZLF headquarters, making Yugo follow him. Arriving at the headquarters, he finally found Busuzima, who is experimenting with other live Zoanthropes and reveals to him that he brainwashed Kenji to become Bakuryu the cold-blooded ninja assassin as the original, and orders him to eliminate Yugo as the latter was then forced to fight his brother for another round. After he defeated his brother a second time, Kenji regains his mind, and Yugo was relieved and finally confronts Busuzima for what he had done. He then orders Shenglong to deal with him. Yugo recognizes him as Long but he states that his smell was different than the real Long and fights him. After defeating Shenlong, Busuzima finally fights him after his bodyguards were defeated by him.
Yugo brutally defeats Busuzima into a bloody pulp and finally convinces his brother to get home and Kenji became mortified that Busuzima made him a ninja assassin. He then tells him to live a normal life just like him as he goes with him. On the way back, Gado comes to them and convinces Yugo he is the perfect candidate for the position as the leader of a new group that would support the peace between humans and Zoanthropes. That it's his generation that will make a difference. Yugo initially refuses the position as Gado fights him. Yugo managed to defeat Gado and he stated that he is the perfect candidate whether he likes it or not and convinces Yugo to become the leader even his brother Kenji also convinces him to be the new leader after he saves him from Buzusima. He reluctantly accepts the position and states that he will try to do whatever he can as the leader of the new group. He and his brother help Gado in his injured state from the burning ZLF headquarters. Along with his brother, Yugo sets out as the new leader of a group that sets out to pave their way to a bright future.
Yugo becomes the leader of an NGO (Non-Government Organization) called the W.O.C. (World of Co-Existence). Their goal is to build a bright future for both humans and Zoanthropes alike. But a mark known as the 'XGC' appears on his body. The 'XGC' will eventually end his life and end the lives of others who are afflicted if he doesn't find out how to stop it. He sets out to uncover the truth about the Tabula, the mysterious cause behind the mark. Yugo sets about destroying the object, previously Xion's possession, so that the XGC mark will disappear from the bodies of the Zoanthropes. Now the ordeal is over, he returns home to be happily greeted by his brother and friends - especially Alice, who lets him know how much she misses him as she leaps at him with a hug.
A representative of the Zoanthrope tournament visits Yugo. Prior to his visit, a group of thugs had attacked Yugo as part of a test to show the representative his legendary skills. Yugo had worked out for himself who they were working for. The man gives him an invitation to the tournament. Yugo accepts, wanting to learn more about the 'bad' activities that were going on behind the scenes. His investigation lead him to Cronos, the prince of the Kingdom of Zoanthropes and opponent in the tournament. Yugo defeats him in the Tournament final. Cronos then begins to glow, a greater power emanating from within. Yugo tells him to get up. He doesn't believe the fight is yet over. Red beams of light pierce through the darkness. He looks over his shoulder as Gado enters the lab with armed forces. Yugo thanks him but says he can handle things. He steps up to Cronos, who looks up at him breathlessly. A soldier cocks a gun but Gado raises a hand to indicate he should wait patiently. Yugo and Cronos stare eye to eye before abruptly squaring off and lunging toward each other. Later, Yugo overlooks the palace atop his motorcycle. He smiles to himself before revving the engine and riding off into the sunset.
Yugo has been racking his brains over the violence occurring. While out investigating the incidents he heard rumors of a 'Black Shadow'. Also, that the name of this 'Black Shadow' was Nagi. This name he'd heard before. He was sure she had been a victim during the incident with the XGC a year before and was still in a hospital somewhere. In order to learn the truth, Yugo sets out on a journey after Nagi, but eventually meets Ryoho and Mana, suddenly Ryoho becomes a dragon Zoanthrope and attacks Yugo. After defeating him, Mana reseals the dragon, she verbally supports Yugo's assumption of the dragon's power causing the earthquakes and violence. She makes a final call and the seal is complete. Mana thanks Yugo for his help in the resealing. He asks what the connection was with the Unborn. She explains to him that the dragon was created by the life force of the planet itself with a purpose to protect the world and rid it of evil beings and beings that threatened to harm the world. He asks if it was the dragon that was holding back the Unborn all that time ago. She confirms this. It confuses him why Nagi has become loyal to the Unborn. Mana informs him of her powers being a copy of the Unborn's, though unfortunately along with the powers the spirit was copied as well. He understands that she was taken over. Proudly, he exclaims he must be pretty strong to have defeated such a strong dragon. She's quick to inform him that the seal wasn't fully broken, so that was only some of its power he experienced. She looks mournfully, admitting if the seal had completely broken off then she wouldn't have been strong enough to stop the dragon. Yugo takes in what she says, and tells her he wants to fight a dragon with full strength one day. Horrified, Mana tells him he can't. Yugo starts to laugh, admitting that he was only joking and not looking so scared. Somewhat relieved, she scolds him for his joke. At that moment, Ryoho begins to make sounds indicating he is starting to stir. Yugo points out the 'old man' is waking up. Mana gives Ryoho a happy good morning as he sits up, asking if he slept well. Grumbling groggily, he mutters that he guesses so.
Yugo is very aggressive, impulsive, and short-tempered; he is also somewhat childish and very upbeat, as seen in Bloody Roar 4 when in every scene he smiled cheerfully, and also Yugo has some heroic tendencies. Despite his hot-tempered nature, however, Yugo is actually a caring and kind-hearted man who hates injustice and will always lend a hand to anyone who needs it. Yugo is also very protective of his level-headed brother Kenji. He is very playful around him, as seen in Primal Fury and Extreme, putting Kenji in a playful noogie in Kenji's ending.
- See also: Yugo's Outfits
Yugo is a young and muscular Asian man who is of above-average height, 177 cm, and weighs 81kg. He has short brown hair with long fringes on both sides of his head with an X scar on his face (his signature feature) and brown eyes. The reason for this mark remains unknown, but he has a scar of claw marks on his chest as well. For Bloody Roar: Primal Fury, his hair becomes longer and has disheveled spikes on his hair downward.
In the first installments, Yugo wears a very urban look recalling his street-fighting nature. He wears a vest, jeans, biker gloves and running shoes, a style that will stay throughout the series despite a more modern take in Bloody Roar: Primal Fury.
In his beast form, the Wolf, he often has gray fur and red eyes. He gains three centimeters and three kg. His outfit is generally safe instead of some shreds at the extremities and the disappearance of his shoes or boots. His beast form has a lot of similitude with the Gray Wolf.
Yugo and Alice were childhood friends. During the Tylon events, they were allies against the multinational. Five years later, Alice met Yugo when he was brought into the hospital where she worked as a nurse. But quickly he left the place. Concerned for his welfare, she chased after him to drag him back for treatment. Yugo was less than pleased with her fussing over him. However, they became close friends and participate together in the W.O.C. organization. A love interest was never confirmed but the two have a really strong attachment toward each other. Alice is often worried about the risk he takes like for the Bloody Roar: Primal Fury events.
On his path to the truth about his father, Yuji, Yugo met Gado, a friend, and brother-in-arms of his father during the war who took Yuji's life. Gado joins Yugo in his investigation against Tylon, the corporation behind Yuji's death. They break through Tylon building and learn, Yuji was abducted for an experiment before being shot down. During the ZLF event, Yugo meet Shina, Gado's daughter, who is persuaded that her father is the leader behind the terrorist company, Yugo eventually don't believe her and when Gado comes to him, the latter convinces Yugo to create a new group that would support the peace between humans and Zoanthropes, Gado thinking he is too old for ensure a new Zoanthropes generation.
During the collapse of Tylon building, Yugo took under his wing a boy, previously Tylon's guinea pig. The boy had no memories and nobody to take care of him, so Yugo took it upon himself to adopt him as his brother and named him Kenji. When Kenji was abducted by the ZLF, Yugo cover all the city to bring back him from the terrorist organization. Recovering his humanity in the care of Yugo, Kenji carries on an aide to his brother in his activities in the non-government organization (NGO) that he runs called the World of Co-Existence (W.O.C.).
Yugo was his son. One day he is informed that his father has been killed while out at war. Yugo starts to doubt the circumstances of his father's death and decides to investigate it himself. It's at this point he comes to learn that he is a Zoanthrope and that his father was involved in a conspiracy with a multinational corporation Tylon. Unfortunately, Yugo cannot find his father and can tell that Tylon had already killed him. He at least now knew the truth of how his father died. Yuji's disappearance was the first Yugo's motivation for becoming a fighter and a protector of Zoanthrope's rights.
Founder and leader of the non-Government organization. After the ZLF event, Gado comes to Yugo and is convinced to become the leader of a new group that would support the peace between humans and Zoanthropes. Along with his Kenji, Yugo sets out as the new leader of a group that sets out to pave their way to a bright future. When he comes to WOC's affair, Yugo's friends playfully call him obsessed but Yugo is decided to help all the Zoanthropes from human experiments like he helped Kenji.
- See also: Yugo's Command Lists
Yugo is quick and speedy, and many of his moves are punch-based. Not only that, but he often attacks high, too. Add a move that can evade moves and open up to several attacks he's deadly. The downside is that he attacks high most of the time, so medium or low hits (Preferably low) can easily throw him off.
The main thing about him is the fact that his punches can easily overwhelm enemies who can't react quickly enough. Because Yugo doesn't have many attacks hitting below others, you'll want to mix them up a bit. Unless your opponent isn't good at dodging attacks (Especially speedy ones), try not to use the same combos over and over.
As a Hyperbeast, in Bloody Roar: Primal Fury and beyond, Yugo gains Any Cancel A and Consecutive Hit Effect as his two Abilities Plus. Respectively, the ability to cancel any of his attacks that use no more than one direction input and the ability to freeze the opponents' block ability and hit them continuously.
In DreamMix TV World Fighters, Yugo has three principal attacks: a punch combo, a throw move, and a spiral attack recalling, his Beast Drives, Spiral Fang. In this game, Yugo is quick and agile, he can jump higher than the average of the other fighters.
- Spiral Fang - Yugo attacks with an uppercut. Successfully connecting the uppercut has Yugo leap up and initiate a series of midair kicks and punches. The Beast Drive finishes off with the foe being grabbed between teeth, being rocketed upwards, and finally being spiraled down to the ground with tremendous force. The damage inflicted by this attack can subtract about half of the life gauge from the opponent. Appears in Bloody Roar 2 onwards.
- King of Breaker - After a first low evasive move towards his opponent, Yugo performs a barrage of flaming punches able to "breakthrough" a foe's block. Yugo then finishes the attack off with a fiery uppercut, knocking the opponent straight up into the air. In the case where the initial attack misses, it is possible to cancel the Beast Drive using the Guard button. An additional input of has the finishing blow instead become a straight punch which creates a stream of fire. Appears in Bloody Roar 3 onwards.
Yugo is presented as the series main protagonist and he is often viewed as its character mascot.
With Bloody Roar 3, the developers gave Yugo a more boxing moveset  as they wanted to expand upon the play styles established with the last game for each returning character. Design-wise, they wanted to make him a little cooler, updating his outfits.
In the fourth installment, Bloody Roar Primal Fury/Extreme, Yugo underwent again through an appearance change, supposedly for a more urban look.
Bloody Roar 2
Bloody Roar 3
Bloody Roar Primal Fury/Extrem
DreamMix TV World Fighters
Bloody Roar 4
- "Lucky it wasn't a full moon tonight."
- — Victory quote (Bloody Roar 1)
- "You're lucky it wasn't a full moon."
- — Victory quote (Bloody Roar 2)
- — Victory quote after revert back to human form (Bloody Roar 2)
- — Victory while in his Gray Wolf form (Bloody Roar 2)
- "Here we go!"
- — Fight ready quote (Bloody Roar 2)
|Bad Moon Rising||Bloody Roar|
|No One Can Stop Me||Bloody Roar 2|
- Yugo is a playable character in the crossover fighting video game DreamMix TV World Fighters, only released in Japan on December 18, 2003. He's voiced by Hideo Ishikawa.
- In his story mode in Bloody Roar 2, His surname is misspelled as "Ohgami" instead of Ogami.
- In Bloody Roar 2, Yugo's chest scar from his in-game appearance is not seen while his appearance in the arcade and console opening sequence as well as his CGI artwork his chest scar is visibly seen.
|Bloody Roar Series|
|Main Series||Bloody Roar • Bloody Roar 2 • Bloody Roar 3 • Bloody Roar 4|
|Related Games||Bloody Roar: Extreme/Primal Fury • DreamMix TV World Fighters|
|Characters||Alice the Rabbit • Bakuryu (Ryuzo) the Mole • Bakuryu (Kenji) the Mole • Busuzima the Chameleon • Cronos the Penguin • Fang the Wolf • Gado the Lion • Ganesha the Elephant • Greg the Gorilla • Hans the Fox • Jenny the Bat • Kohryu the Iron Mole • Long the Tiger • Mana the Ninetail • Mitsuko the Boar • Nagi the Spurious • Reiji the Crow • Ryoho the Dragon • Shenlong the Tiger • Shina the Leopard • Stun the Insect • Uranus the Chimera • Uriko the Half-Beast • Xion the Unborn • Yugo the Wolf|
|Other Media||Bloody Roar: The Fang (manga)|


Blue Line is a new released Hollywood 2017 action and thriller full movie which is directed by Jacob Cooney. This movie is written by Jacob Cooney. Main cast of this movie is Tom Sizemore, Jordan Ladd, Nikki Moore, Kevin Nash, Thyme Lewis, David Gere, Tom DeNucci, Lindsay Lamb, Lester Keefe and Kim Mulhauser. Running time of this movie is 90 minutes. Language of this movie is English and country is United States. This movie is released on 17 March 2017.
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“I remember going from audition to audition in NYC one day and being really stressed out. I ended the day drinking Singha Beer with my friends to unwind at a Thai restaurant and just sharing stories. We sat around the table talking about the different things that happened to us that day and ironically, we all shared our stories drinking this beer. Needless to say that a few years later when I went to Thailand, that’s all I drank.” – Jake Choi
Jake Choi is an American actor born and raised in Queens, New York. He has performed throughout New York on stage, film, TV and national commercials.
He has been acting and modeling since 2011, working in various plays, TV shows, indie films, commercials and print ranging from GQ spreads to a national Best Buy campaign that premiered during Super Bowl XLVII starring Amy Poehler to the NBC drama Law and Order: SVU. His recent film, Front Cover, has received praise from fans and critics, such as Hollywood Reporter, NY Times, LA Times, Variety, and Salon.com.
Jake is all about the creative process. He gets hyped about the idea of working with creative, inspiring people day in and day out, and he loves the intense, collaborative effort it takes to make this kind of work happen.
In his free time, he enjoys Muay Thai, basketball, and enjoying Singha Beer.


“Honestly, the best thing to do would be to get rid of the AP Program, and just design a course that prepares students for the college-level experience.”
A few nights ago, we hosted a screening of the film Race to Nowhere (find screening locations on the film’s website.) The quote above is from Jay Chugh, an AP Biology teacher featured in the film, and it’s one that stuck with me when I first saw the film during its short theatrical run in Los Angeles last September. The film is the product of Vicki Abeles who had seen the strain in her children as they navigated school, homework, tutoring and extracurricular activities, and eventually a major crisis when her 12-year-old daughter was diagnosed with a stress induced illness. In trying to understand what was driving student pressure, Abeles began talking to experts and learned of the soaring rates of youth depression, suicide, cheating, and determined to do something. Hence, the film. Race to Nowhere makes many arguments around the central thesis that the competition our schooling culture pushes has dangerous consequences: “childhood has become indentured to test scores, performance and competition. We face an epidemic of unhealthy, disengaged, unprepared kids trying to manage as best they can.” The film takes aim in particular at the College Board’s Advanced Placement program, arguing that too many kids enter AP classes in search of weighted GPAs instead of deeper learning in subject areas about which they are passionate. The result, the film asserts, are stressed kids who have more to do than time available, and who don’t actually learn much. Abeles posted this selection of clips from the film as an Op-Ed piece for the New York Times:
Is Advanced Placement a problem? Perhaps. AP’s influence in education is complicated. Though it would certainly go a step too far to blame AP for all the problems of school pressure (Abeles doesn’t do this, the film finds many faults with schooling) there’s no doubt that courses like AP Biology and AP United States History are, as Chugh says, “a runaway train”. These two courses have evolved over the years to include so much content that it’s frankly impossible for students to learn all they must to feel well prepared for the AP Exam. Because teachers know there’s so much content to learn, and understandably perceive ‘coverage’ (lecturing) as the only way to get through it all, these courses frequently devolve into “stand and deliver” teacher-centered classes where students “sit and git”. This is Advanced Placement at its worst – anti-student, anti-21st-century-skills, “content is king” stuff. The New York Times recently ran a great feature story on “Rethinking AP“, laying out the arguments for why the College Board is trying to change Bio and U.S History, and why many schools are considering dropping the AP program altogether. The move to reform these courses is a good one, but it’s going to take some time as we learned this weekend – APUSH won’t get a change until 2013-14.
Video Op-Ed, at the NY Times: (http://video.nytimes.com/video/playlist/opinion/op-ed/1194833176718/index.html#1247466680941)


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