The Influence of Asian Americans in Pop Culture (Illustration by Momo Shinzawa)
In the ever-changing landscape of Hollywood, the spotlight on the representation of Asian Americans has become increasingly significant, sparking crucial conversations about the urgent need for more diverse and authentic narratives. Although there have been some noteworthy advancements, challenges persist, prompting the industry to grapple with the profound implications of genuine representation.
In cinematic history, Asian Americans have frequently found themselves confined to stereotypical roles, pushing harmful tropes and limiting the diversity of their stories. One notable example lies in the historical use of yellowface, a practice where non-Asian actors do makeup to portray Asian characters, perpetuating caricatures and racial stereotypes. In the classic film Breakfast at Tiffany's, Mickey Rooney's portrayal of Mr. Yunioshi, a Japanese character, exemplifies this problematic tradition, emphasizing the caricatured depiction of Asians prevalent in Hollywood's earlier years. The trope of the perpetual foreigner is another recurring stereotype that has permeated media representations. TV shows such as 2 Broke Girls have been criticized for their portrayal of Han Lee, played by Matthew Moy, whose character leans heavily on racial and cultural stereotypes. The show maintains the notion of the perpetual foreigner, reinforcing the idea that Asian Americans are forever outsiders in their own country. For decades, the industry has had an inclination to rely on one-dimensional portrayals of Asian Americans, preserving stereotypes that oversimplify the diverse experiences within the community.
However, in recent years, the entertainment industry has revealed triumphs in the search for Asian American representation. Films like The Farewell, directed by Lulu Wang, provide a poignant example of authentic storytelling, emphasizing the power of narratives driven by those intimately familiar with the cultural nuances they portray. In this film, Wang beautifully captured the complexities of her family's experiences, showcasing the transformative potential of diverse voices behind the camera. Similarly, the landscape of representation expands further with television series such as Never Have I Ever, co-created by Mindy Kaling and Lang Fisher. Centered around Devi Vishwakumar, a first-generation Indian American teenager navigating the challenges of adolescence, the show resonates with authenticity. The inclusion of a South Asian protagonist allows for a nuanced exploration of cultural identity, family dynamics, and the universal struggles of teenagehood, contributing to the broader conversation on diverse and relatable storytelling.
Though advances have been made, the entertainment industry still faces issues like typecasting and limited opportunities. A 2019 report from the USC Annenberg Inclusion Initiative revealed that Asian characters comprised only 3.4% of speaking roles in top-grossing films. This emphasizes the persistent gap in on-screen representation, with less than 2% of leading characters being of Asian descent.
Social media has become a powerful tool for demanding representation and challenging stereotypes. Activists and influencers, such as John Cho, an actor famous for his role in the Harold and Kumar film series, have used online platforms to advocate for more diverse casting choices, contributing to the ongoing conversation about the need for inclusivity. The #Oscarssowhite movement, gaining prominence in 2016 on platforms such as Instagram and Twitter, heightened awareness about the industry's lack of diversity in prestigious award ceremonies. Despite the following years witnessing increased recognition of diverse talents, including Asian American nominees and winners, the entertainment world continues to grapple with the intricate challenges of fostering genuine inclusivity. This movement serves as a critical reminder that the push for representation extends beyond the actors on screen to encompass the entire spectrum of industry professionals working both in front of and behind the camera.
While notable steps have been taken in the representation of Asian Americans in the entertainment industry, the journey is far from complete. Authentic storytelling, diverse casting, and increased opportunities for Asian American talent are essential steps toward a more inclusive and representative entertainment landscape. As audiences continue to demand diverse narratives, the industry must embrace the richness of the Asian American experience, fostering an environment where every voice can be heard and celebrated.
Chi, Paul. “Two Years after #StarringJohnCho, John Cho Is Finally a Leading Man.” Vanity Fair, 26 July 2018, www.vanityfair.com/hollywood/2018/07/john-cho-starring-searching. Accessed 20 Dec. 2023.
Smith, Stacy L., et al. “Inequality in 1,600 Popular Films.” USC Annenberg, Aug. 2023, https://annenberg.usc.edu/research/aii. Accessed 20 Dec. 2023.
Ugwu, Reggie. “The Hashtag That Changed the Oscars: An Oral History.” The New York Times, 6 Feb. 2020, www.nytimes.com/2020/02/06/movies/oscarssowhite-history.html. Accessed 20 Dec. 2023.


Exciting news for Electric Man –
Charlie Adlard, artist of the comic series The Walking Dead, caught up with the EM team recently and this is what he had to say. “I really enjoyed Electric Man and the makers should be applauded for creating something so good out of so little. It’s a great combination of slice-of-life comedy/drama with the strange world of comics fandom… watch it!”
Electric Man is currently available on DVD, Hulu+, iTunes and other digital platforms. For more, visit the film's website.
Electric Man was produced in Edinburgh on a paltry, shoestring budget of approximately £55,000, but it’s a film which deserves acclaim not because it’s indie, nor because of the fact that it’s Scotland’s first comedy superhero film, but rather because it is simply lots of fun to watch. This is a film which packs lots of love and affection into its run time and which is a sweet love letter to both the superhero genre and comic book subculture. Geeks, freaks, villains and beautiful people – there’s something here for pretty much everyone.
"Media Muppet’s editor, Billy, has requested (demanded) that I point out just how beautifully stunning and geekily sexy actress Jennifer Ewing is in her portrayal of the sultry Lauren."
- Cara Jenkins, Media Muppet Online


BH Cinema Presents…
Directed by Zhang Yimou
Starring Chou Yun-Fat & Gong Li
This week, BH Cinema presents Curse of the Golden Flower, one of most expensive Chinese films ever made. The film stars Chou Yun-Fat and Gong Li and creates a pageant of imperial China.
While Scooter has never viewed the film, Nickle swears it is great. She admires the film’s storyline and style. After seeing the poster art, Scooter agrees.
“The film is directed by Zhang Yimou,” Scooter said. “He directed Hero, and I loved Hero. Therefore, based on the laws of nature, I must love this film also.”
Here is the film, presented through YouTube, dubbed in English, and in 12 parts:
We hope that you enjoyed this film. Please join us next time as we present another classic picture at BH Cinema Presents.


Sacrament in SpainI know not many in the U.S. will ever see the interview that Marilyn recently did for the El Pais newspaper in Spain recently, so I thought I would share the translation here. It was a lot of fun for me to read, and I hope you enjoy it as well.
Tell us about your role in Sacrament.
Beulah Standifer, is a hard-working, God-fearing, no nonsense stern woman who runs and owns a small grocery store with her long suffering husband of many decades.
Is weird to come back to another Texas cannibalistic horror?
It was truly a treat to play opposite Ed Guinn, my Savior from TCM. The story of Sacrament is unique, powerful, mysterious, and frightening.
Do you see any similarities in the energy and passion of Shawn Ewert and his team and the atmosphere in Texas Chainsaw Massacre?
Shawn’s script promised something new I had not seen done before and it worked. It was a great experience to work with his cast and crew. Everyone was professional, supportive, enthusiastic and glad to be there and their bonding energy was still present at the screening. Sacrament takes you on a wild ride to the dark side. Enjoy!
About The Texas Chainsaw Massacre 40th Anniversary
Speaking with Daniel Pearl, he told me that you were “a bunch of hippies” in the middle of a infernal summer in Texas? Do you agree with this description? How was the mood and atmosphere of the shooting of Texas chainsaw massacre?
It was in the middle of a miserable infernal summer in Texas but a “bunch of hippies” would have stayed in bed and would have never been able to complete the hardest, longest, and ever challenging shoot of their careers. Most of us had graduated with degrees in film or drama and were very serious about our chosen professions. Daniel’s much too modest to admit it. There were many problems to overcome due to budget issues so the crew had to find ways to make the shots work with the equipment we had on hand, there was quite a bit of improvising. The crew worked long hours from morning through the night and the actors were right there on the locations with them. However, the actors had little to do but hang out on the grass, dirt, or in the hot van the first week patiently waiting for the camera crew to be ready to shoot.
There were no trailers to retire to between shots, no food truck and no bathrooms for miles. We began with 5 actors, one DP, one sound man, one director, and one assistant in the van creeping down the road at about 5 miles an hour filming the beginning,the van sequence. It was so very hot as we slowly put sweaty take after sweaty take into the can. This process seemed to drag along forever till we added one more actor on aboard, the Hitchhiker. Here was new energy, refreshing new dialog and here comes the big scene, the Hitchhiker puts some foil on his hand and loads it with gun powder. Props came up and loaded up his hand and Ed Neal, the actor playing the Hitchhiker asked, “what do you want me to do?”.
He was told to simply light it with a match and there would be a tiny explosion. Everything went perfectly as planned till the match hit the excessive amount of gunpowder, we were very lucky to all have made it home that night. Finally, the van week was over and though many emotions had been tested we were all grateful to move along . The film was sent off to the lab, a few days later, it returned, none of the footage made it to screen. We had some sort of technical problem.
Your role was incredibly physical. Tell me about how it was to shoot that incredible running in the forest with Gunnar?
Yes, the role of Sally was physical but I was twenty three years old, I never thought I better hit the gym to do this. Hell, I was out late at night with a bunch of kids filming as I was really being chased by an actor in a mask that he could hardly see properly out of as he carried a screaming chainsaw. An actor prepares, no the actor just runs as fast as she can.
How was your relationship with Gunnar. He was as disgusting for not being able to wash himself as he has quoted?
Gunnar is my dear friend today, but back then all I knew was Leatherface. We only had one costume and for continuity purposes it couldn’t be washed. You could smell Leatherface coming and going.
Do you feel during the horrendous scene of the dinner the horror of your character? Do you ever feel that you were doing something too grotesque?
The twenty six hour dinner scene smelled of rotten chicken, disgusting headcheese, exhausted crew and spent actors. We were all a bit crazed by then.
What is your favorite moment in the movie as an actress point of view?
My favorite scene in the movie is when I am pushing Franklin through the woods and then we hear the sound of the chainsaw. I still jump when I see it.
What about the laughing and crying at the same time in the final scene? Was an improvisation?
As for the ending, we had to re shoot that shot too, more trouble in the lab. I was really crying and laughing, wondering if I ever was going to wrap this movie.
In his book, Shock Value, Jason Zinoman, stated that your relationship with Bill Parsley played a big role in the funding of the movie. It’s true that you knew some scandal related to Parsley and public funds and that you press him with this? Did you have any relationship, aside the professional, with him, and some of the gossip in books and interviews hint?
Warren Skaaren was over the Texas Film Commission, Bill Parsley and I were on the board at its conception in 1971. We were able to bring many studio movies to Texas. Warren brought the script to Bill, who saw it as a tax shelter. I had met Tobe and Kim on the set of ‘Lovin Molly’ directed by Sidney Lumet. I auditioned and landed the role. There was never a scandal related to Parsley and public funds! Legends get bigger and tales grow taller.
After the screening, there was much controversy about the team not being a part of the finanncial success on the movie. What is your point of view about this?
Look, it has been 40 years and people still care, that is quite a gift! Who would have thought?
Reprinted with permission from El Pais newspaper, Spain.


I love music. I absolutely love it. I also really love movies and TV shows. I don't know why they are so dang entertaining to me, but they are. It's also really easy for me to get addicted to a show. So, take that combination, and what do you have?
Haha. Yes, I joined the hype. I didn't watch it forever because I figured I'd probably get sucked into it, but the other day while procrastinating, I decided to watch the first episode. Just the first episode. I mean, that couldn't be bad, could it? Just one episode.
Ha! I was hooked. But, not as hooked as you'd think. I don't think, "OH MY GOSH I CAN'T WAIT FOR THE NEXT EPISODE!!" I'm not obsessed like that (shocker!). I just really love the music. It's fantastic! They have a lot of talent, and do some really amazing songs. I also like the singing-and-dancing combination.
I'm not a fan of the drama that goes on in each episode, nor am I a big fan of many of the characters. They're either too erratic, or too stereotypical for me to really like them. I want to like Finn, but he's just so... stupid. Haha. There's no other way to put it. It really turns me off when somebody uses a big word (that's not really that complicated) and he says something like, "I have no idea what you said." He's cute, but he doesn't have very many neurons in that brain of his.
I like Mr. Schuester, kind of. I think he makes a lot of dumb decisions, and that's also a turn-off. I mean, a lot of dumb decisions. But he's very attractive, has a spectacular voice, and just radiates energy. So I like him... sometimes.
Rachel bugs me like crazy.
Puck, though... :) Now there's my man! His character is totally girl crazy, lies a lot, and is very promiscuous with his sexual life, but I like him because beneath all that, he actually has a brain, and has a kind heart. I didn't like him so much in the beginning because he was being a stereotypical football player, throwing people in the dumpster, stuff like that. But his voice, looks, and sarcasm have won me over. This guy plays his character so well! There are so many layers to him, and the actor does a really good job with him. That's why I like him.
Also, because of this scene. :) This song has been stuck in my head since I watched this episode three days ago. It's at the top of my list of songs to learn on the guitar as soon as I get home. I've heard this song sung by the Jonas Brothers, Neil Diamond, Elvis, David Archuleta, and even the Red Sox fans, but none of them came even close to how amazingly Puck sings this song! His voice makes me want to melt. So, enjoy! I certainly did.


LAS VEGAS, NV – GenderX Films is proud to announce its Platinum Sponsorship of the 2022 Trans Erotica Awards and the return of their coveted ‘GenderX Films Model of the Year’ Award. The winner will be announced at the upcoming TEAs presented by ManyVids on March 13, 2022, at the Avalon in Hollywood.
“I’m excited to once again present the award for the GenderX Films Model of the Year. It’s an honor to celebrate the achievements of the many incredibly talented trans performers I get the opportunity to work with,” said Jim Powers, GenderX Films Director. “It means a lot to me to be a part of this event and for GenderX Films to return as a proud sponsor of the TEA show.”
“We’re excited to have GenderX Films back as a sponsor,” added TEA Executive Producer, Kristel Penn. “As one of the leading producers of trans erotica, we know performers are hoping to be named as their model of the year!”
GenderX Films has been nominated for four awards including Best DVD for TNT: Trans on Trans 2 and Transsexual Hitchhikers 2, Best Girl/Girl Scene for Transsexual Mashup 4 starring Jade Venus and Spencer Bradley and Best Boy/Girl scene for Super Trans starring Aubrey Kate and Pierce Paris.
The 2022 TEAs presented by ManyVids will be held in Hollywood on March 13, 2022. The official Pre-Party will be held on March 11, 2022, at the Avalon’s connecting property, the Bardot. More information can be found at theTEAShow.com or on Twitter at @TGEroticaAwards.


Wednesday, October 31, 2007
I have to confess Dexter would not be my normal choice of viewing, and FX channel would not be one I normally hop to, but I was intrigued by adverts on the London Tube of a new series about a serial killer. OK, so there are plenty of crime dramas around but this was about the serial killer with him being the star. The ad intrigued me so I watched and was hooked, downloading episodes from the USA and watching the first season quite quickly. Now season 2 has just started in the US.
So, what is it about? Well, Dexter is a disturbed man who as a child witness the brutal murder of his mother. He was saved by a policeman from the bloody scene and adopted by the same policeman but the murder affected him. He now feels strange urges and desires that can only be satisfied by killing. His "father" realises the only way to stop Dexter from being incarcerated is to teach him a code and some control. Dexter's code is that he only kills those who kill others - he has some "ethics" - and he always covers his tracks by leaving no forensic evidence. Oh and did I mention his job? He's a Blood Spatter Analyst for the Miami Police Department.
I would not want to spoil the plot for you but season 1 ends with a bang. Season 2 opens with Dexter's stash of victims bodies being discovered. And look out for Dexter's girlfriend, she is someone that fan's of Buffy may recognise, Drusilla, played by Julie Benz.
One to watch without a doubt. If you liked, or didn't like it, let me know.


Summer may be over but the Star Club is definitely not and now it's time to plan their next show! Meg has to get used to a new town and new school and she doesn't want everyone to know a dramatic secret about her family. Luckily her Star Club friends are there to support her but can they keep her secret? Will other people accept Meg for who she really is? This second Star Club adventure is full of excitement, fun and of course drama!
the second story in Natasha Mac a'Bhaird’s lively new series is full of drama and will get rave reviews from readers … Mac a'Bhaird captures all the fun, challenges and camaraderie involved in putting on a show while the background stories and everyday adventures of the four friends are equally convincing and enjoyable. Bravo!
this second Star Club adventure is full of excitement, fun and of course drama. It's a perfect series for girls, full of friendship, fun and laughter
Parents in Touch


Adam Berman has earned notoriety as an elite professional in the pacific northwest film and photography scene. Adam has shot standout freelance photo and film ads for several notable Fortune 500 companies, startups, launch campaigns, government agencies, and nationally recognized non-profits. As a freelancer, Adam has been privileged to work with several notable dignitaries, VIPs, and CEO’s. A flexibility specialist in both indoor and outdoor environments, Adamhas gained a reputation for producing standout work on location—expertly blending both film and photographic techniques to deliver an unparalleled product often garnering viral recognition on social media.
Unparalleled Education: A graduate of the prestigious University of Southern California's School of Cinematic Arts, Adam's academic foundation sets him apart. Adam quickly broke into film production on the sets of several well-known Hollywood movies and TV shows.
Premium Gear Arsenal: Equipped with high-end cinema cameras, top-notch lenses, advanced lighting, and pristine sound equipment, Adam is geared up for any production challenge.
Society of Camera Operators (SOC): As a member, Adam adheres to the highest industry standards, ensuring your project receives the utmost professionalism and expertise.
Diverse Portfolio: Adam's work spans a wide spectrum, from collaborating with esteemed government officials to crafting compelling content for renowned companies. His adaptability and versatility shine.
Creativity Unleashed: Adam Berman infuses each project with a unique blend of artistry and technical precision, resulting in cinematic masterpieces that stand out in the crowd.
• National Quill & Scroll
• PRSA Totem Award
• 24 Telly Awards
• Professional Photographers of America
• Winner of Numerous Film Festivals Worldwide


The concession helps us keep the doors of the theater open and movie prices low, so
we do not allow anyone to bring in their own drinks or snacks.
|Soft drink refills are half-price||Other Items|
|White Castle Burgers (2)||$2.50|
|Cup of Filtered Tap Water||$0.50||Ball Park Hotdog||$2.50|
|Bottle of Ozarka Water||$1.00||Jerky||$1.00|
|Small||$2.00||Famous Amos Cookies||$1.25|
|Buttery topping is free upon request|
You won’t find a movie theater that has
lower concession prices than ours!
Here’s The Proof:


Celebrate 50 years of love, lust and drama on Days of Our Lives with PEOPLE’s special collector’s edition, out Oct. 30! The following article was posted on People.com, you can view it here.
The whole gang is here.
To celebrate the 50th anniversary of Days of Our Lives, the cast of the NBC soap got together for a photo shoot and PEOPLE has the exclusive first look at the end result.
The milestone season has seen the return of actress Alison Sweeney, who had left the series late last year after 21 years on the show.
“I said to the producer, ‘You know I’m really out of practice, right? Just so you’re aware it’s a really long time since I’ve memorized anything like that,’ ” Sweeney told PEOPLE in May of returning to a life of memorizing an entire script overnight. “I’m freaking out a little but am very excited to see my friends and be family again.”
Days of Our Lives airs weekdays on NBC.


The ascent of strong social media influencer : Enzo Zelocchi: Zelocchi is fresh from his latest smattering of interesting films across various topics and genres. A man of his caliber isn’t just content to spend his time idle or resting on his laurels- it’s quite the opposite. Enzo says that experience has made him a better filmmaker, director, artist, and actor, and that life is a gift that gives man different levels of pain and happiness. The actor adds that it has been an amazing journey so far, and that people should think of tomorrow as a brand-new beginning.
Enzo points out that his complete list of filmography is available to view on IMDB. He’s been a part of several projects, and proudly states that ‘The Source’ trailer is one of his glowing accomplishments in the past. Zelocchi says the experience opened different perspectives in terms of creativity and opportunity. Anyone dreams about having a superpower, and in Enzo’s case, he wants to portray a wide range of roles, from a hero to a gangster or even an individual with a dark side. He says he can get a feel for them quickly and without too much trouble. The actor further mentions that his secrets to success are full concentration, confidence, and relaxation.
Was there an ‘aha moment’ when you know this was the career path you were most passionate about? My ‘aha moment’ was after a couple of years of modeling and commercials when I got booked in a TV show. That experience captured my heart. Find more info on actor Enzo Zelocchi.
He opened up about My Little Princess, which he wrote, directed, produced, and starred in. The film earned a glowing review from Digital Journal, and rightfully so. “I gave a piece of my heart in that project,” he admitted. “It was an interesting journey and a very good experience for me. I watched everything through the eye of a young father and I looked at this tragedy of how a family lives through it, which is horrible.” “I put so much hard work and sweat in it. I tried to be very spiritual with it, and I wanted it to be authentic. The message in My Little Princess is love, faith, and family and I wanted to project that. I was very blessed since it earned me a lot of awards. Movies are like miracles, especially when they are successful enough to be seen,” he said.
Enzo Zelocchi achieved great success with the trailer of the film The First Secret, which went viral. It was mentioned in Variety as the second most-watched video of the month with over 24 million views on Instagram behind Cardi B and ahead of Selena Gomez, Bad Bunny, and Dwayne Johnson. His reputation for excellence by the many accolades that he has received during his career. Zelocchi has worked behind the scenes with the industry’s foremost creative talent on both independent features and television series. In total, Zelocchi has won well over 50 awards including Best Actor, Best Outstanding Performance, Best Director, Best Writer, and Best Producer on the film festival circuit.
Enzo Zelocchi is best known for his success with the movie My Little Princess (over 33 movie awards at film festivals and a 2010 semi-finalist for an Academy Award nomination), but also for his consideration to star as the new Zorro in Zorro Reborn, the development for the first Hollywood Hispanic superhero “Starlight Man – The First Secret” and as executive producer and vice president of development at Crossroads Entertainment. He is also listed as a producer of Find Me Guilty, starring Vin Diesel, which was directed by the Academy Award winner Sidney Lumet; and as producer of Shadow of Doubt, starring Melanie Griffith and Tom Berenger.
Enzo Zelocchi is an Italian/American, Hollywood film producer, actor and businessman, an award winner as actor, producer, social Media influencer, businessman and founder of A-Medicare with over 33 movie awards in Film Festivals and semifinalist for an Academy Award nomination with the project “My Little Princess”.
Now, The Source is the movie trailer with the most views in the history of movie trailers. What fulfills you most about what you do? Enzo: I just want everyone to know that if you put in the hard work, you can be a successful person. Being successful doesn’t mean you make a million dollars. You could be a successful teacher, or writer, whatever makes you happy with whatever skills God gave you. Sometimes I get these great DMs saying, ‘Thanks to you, I believe in myself.’ Thanks to me? I’m just being me. These things make my heart be happy more than success in movies. See more information at Enzo Zelocchi.
Enzo Zelocchi was honored over 5 Times as Best Actor, 4 Times Best Outstanding Performance, 4 Times Best Director, 3 Times Best Writer and Best Producer and at the California Film Awards 2010 he won Grand Winner for Best Family Film. Other awards include the following film festivals: in 2010 Hollywood Variety Movie Awards as Best Actor and Best Outstanding Performance, in 2011 at the Golden Indie Movie Awards also as Best Actor and Best Outstanding Performance; as well as at the Hong Kong Best Film Awards (hongkongbestfilmawards.com) as Best Actor, Best Outstanding Performance and Best Original Content.
Zelocchi spoke about working with master photographer Bjoern Kommerell. “I love that guy,” he said. “Bjoern knows how to direct you and he gets me. The quality of his work obviously is way above average. He is top-notch, and one of the best. He has a great heart, he is a loving person and he genuinely cares. He loves to capture random moments and I love how he plays with lights. His amazing talent is being able to capture the ‘real you’ in the moment. Bjoen is one of a kind.” For his fans and supporters, he said, “You surprise me every day, especially when I receive certain fan messages that impress me and move me. I feel really honored and touched in my heart.”


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BIG MOVIE RELEASES DELAYED DUE TO COVID-19
Political strategist Dominic Cummings is providing the British public with some cracking lockdown drama. The quirky, defiant outsider is turning parliament into the Corleone family. There's in-fighting, underhanded tactics and questionable behaviour.
The whole of the UK is caught up in how the dilemma will turn out. It could be that Brits are actually interested in this babble and hypocrisy. Or it could be something to do with the fact nothing new is grabbing our attention. The film industry is on pause. Gone are the days are of special effects, stunts and stories to keep us entertained.
Here are some of the films delayed due to Covid-19.
A Quiet Place Part II
The follow-up to the American horror flick A Quiet Place was down for release on March 18. Now Paramount Pictures plans to release the film in theatres on September 4. The end of the summer is seen as the worst period for movie-going, however, there is a method in the studio's madness. They're hoping the pent-up desire to catch a movie after lockdown will see a surge in ticket sales. Not sure a dark room watching a screen will be people's go-to place after a stint of isolation.
(F9) Fast and Furious 9
The ninth instalment of the Fast & Furious franchise was down for release in the United States on May 22. On March 12, however, Universal Pictures pushed the date back by a year to April 2, 2021. Interesting fact: stuntman Joe Watts was badly hurt during filming on July 22, 2019. The accident - described as a 'serious head injury' after a major fall - saw the production shut down at Warner Brothers' Leavesden Studios as Watts was airlifted to the Royal London Hospital.
Top Gun: Maverick
Tom Cruise reprises his iconic role Captain Pete 'Maverick' Mitchell. Now he's a test pilot and flight instructor for the United States Navy. Impressive for a man close to 60. After a number of pushbacks, the film had a final release date of June 24 but Covid-19 has seen that delayed to December 23. Sales for Ray-Bans spiked 40 per cent when the 1986 Top Gun premiered, so expect to see hordes of people wearing the shades this winter.
No Time To Die
Talk of James Bond is usually about who will follow after Daniel Craig. Perhaps Michael Fassbender? Richard Madden? Sam Heughan? A safe bet would apparently be Tom Hardy...or a woman. Or Tom Hardy as a woman. Whatever the case No Time To Die is Craig's fifth and final outing as the MI6 agent. After a few setbacks, including the departure of Danny Boyle as director, the film was finally scheduled for April. On March 4, however, MGM and Eon Productions announced that after 'thorough evaluation of the global theatrical marketplace' they had postponed the film's release until November 12.


We aim to foster a love of the Arts and use Drama as a tool to enable students to develop key skills in speaking, listening, reading and writing that will prepare them for their future.
Drama allows students to communicate with and understand others in new ways, whilst developing practical aspects of communication so necessary in today's increasingly information-centred world.
Students will learn to express themselves creatively and imaginatively, working collaboratively with their peers to develop confidence, resilience and co-operation through teamwork, devising their own pieces of meaningful drama and realising text in performance.
We aim to stimulate creativity in problem solving, challenge perceptions about the world, develop empathy of others and provide an outlet for emotion, thoughts and dreams within a wholly inclusive and safe environment.
Through an extensive range of topics stemming back through theatre’s rich history of mime and pantomime, to more thought-provoking and innovative styles of contemporary and physical theatre; students develop necessary skills to create and develop performance work, apply theatrical skills in performance, explore design roles in the industry and develop analytical and evaluative skills to appraise their own and others work, including the work of professionals. The topics and texts explored explore a diverse range of cultures, allowing students of all backgrounds to engage with and enjoy their learning in the subject.
Our extra-curricular programme extends learning and enjoyment beyond the classroom, allowing students further opportunity to create, perform and design for theatre in a more professional manner as part of our clubs or productions. We also aim to provide the opportunity for students to experience the wonders of professional live theatre, through an array of theatre visits.
The Learning Journey
By Year 11 a student of Drama will have:
- developed knowledge and understanding of the characteristics of performance text and dramatic works including; context, staging, design elements and vocal/physical interpretation of role.
- developed creative skills to develop thought-provoking ideas and communicate meaning in a devised theatrical performance.
- developed analytical and evaluation skills to critically appreciate their own performance work and the works of professional theatre makers.
- developed the ability to interpret performance texts and communicate meaning to live audience, realising artistic intention in text-based drama.
By Year 13 a student of Drama will have:
- developed an informed, analytical framework for making, performing, interpreting and understanding drama and theatre.
- developed understanding of a range of theoretical research in informing the processes and practices involved in creating theatre and the place of practical exploration in informing theoretical knowledge of drama and theatre.
- developed an understanding and appreciation of how the social, cultural and historical contexts of performance texts have influenced the development of drama and theatre and understand the practices used in 21st-century theatre making.
- developed a range of theatre-making skills, creativity and independence to become effective contemporary theatre makers.


Alam Ara, the first Indian talkie to release in 1931 was so highly anticipated that apparently police had to be brought in to control the crowd. Imagine the impact it had on the audience and how it influenced the public in how they dressed. Whether it was the suave Prithvi Raj Kapoor or Zubeida’s ‘nomadic’ garb – the film was a big hit, and set the tone for the song and dance routines that Bollywood would later go on to become famous for.
The heavily hooded eyes and the dark lip style was pretty much derived from the previous decade and continued for a few more years. The only thing different was lead actor Zubeida’s open curly hair which was the sign of her being a nomad, along with leopard printed knee length dresses and gladiator sandals.
Two years later the bilingual Karma released in London and in India. While the Indian audience did not take the film very well, it was a sensational success in Europe. The film has now come to be known for its four minute long kiss between the leads Devika Rani and Himanshu Rai.
Devika Rani looked phenomenal in the film. With slim arched eyebrows, well shaped lips and a dewy make up to reflect light to the camera, the ‘Indianness’ of her face highlighted with a plain small bindi. Her softly middle parted hair with small white flowers adoring her hair look was very popular and she wore it even in her later films like Vachan (1938).
Devika Rani was the central lead for many of the films that made Bombay Talkies a force to be reckoned with. Along with Ashok Kumar (the biggest star Bollywood has seen so far) Devika Rani ruled the Box Office with one hit after another. Her simplistic style and Indian features were the most popular looks and were loved by one and all.
Another beloved lead heroine of the time was Durga Khote, who later played many important supporting characters in the 60s, 70s and 80s. Durga Khote played many lead roles in mythological films in the 40s especially in Marathi cinema like the first Marathi talkie Ayodhyecha Raja (1932). Although the look of mythological cinema did not change much from the silent era – complete with the extravagant head gears and jewellery.
Regional films like Bengali, Tamil and Marathi films were hugely successful. The Bengali film Devdas (1935) was a super hit and was later released in Hindi as well as Assamese. Jamuna Barua’s role as Parvati (Paro) became the quintessential look of the beautiful young Bengali woman. Or perhaps it was vice-versa in this case as art imitates life. Long open hair, lightly kohled eyes, soft lips and a dark bindi. There were several other films that are equally important and played a part in influencing the people of the time.
When one talks about the advent of talkies, one cannot leave out the famous Hunterwali (1934). The iconic look of the lead stunt actor – ‘The fearless Nadia’ is considered extraordinary even today. The recent look of Kangana Ranaut in Vishal Bharadwaj’s film Rangoon (2017) is supposedly inspired from this film.
The masked vigilante/superhero look, complete with leather boots, a whip arm bands and a rakishly set cap/hat, Australia born Mary Ann Evans set the standard for the ‘women in action’ for movies that were released decades later. The film was such a blockbuster that it set off a range of products being sold in the market with the film’s name like footwear, matches, whips etc. Although, unlike today they did not bring in any moolah for the producers for the name was not patented.
Coming back to the make up – stunt woman Nadia had a strong body owing to the circus and stunt woman training. She was blonde and blue eyed and many feared that the Indian audience would not accept her. But the massive promotion of Hunterwali and its subsequent success made sure that she was a big star. Her films thereafter were a huge success and her European features were widely accepted. She generally wore shirts and pants for the action sequences and kept her mid length hair open even on camera.
In the mid 1930s the focus of cinema had slowly started shifting from historical characters, the royals and mythological fantastical films to more realistic characters and social dramas. So, the makeup and accessorising had also become more subtle. Films were also being made on the poor and other classes – Achhut Kanya (1934), Street Singer (1938), Izzat (1938), Duniya Na Mane (1937), Kisan Kanya (1937) and scores of other films. The lead actors started wearing more daily attires like plain sarees and started wearing their hair more simplistically.
The clean looks of these regular characters also set trends. Especially within the middle class who increasingly started copying the hairstyles and the saree wearing styles of heroines like Kanan Devi (known famously as Kanan Bala).
In the image from the film Mukti, I don’t know if it is clear enough to see her extravagant hairstyle and her chandelier earrings that show her high society status. This is juxtaposed with her later wearing simple styles to show the tone of the film.
The styles of the 30s set the tone of the next decade as well as lighting equipment became better and more and more Indian film directors fine tuned their art and Indian cinema became even more socially relevant and even played a part in the freedom movement. More on that later.


It has been nine days since Salman Khan-Katrina Kaif starrer Bharat released. The movie hit the theatre screens on the occasion of Eid i.e. on June 5. This film had a good run at the Box Office in its initial days and is now set to cross Rs. 175 crore mark.
The buzz around Salman Khan-Katrina Kaif starrer has reduced in most cities. However Box Office India is of the opinion that the movie is working well in Delhi, UP and East Punjab. In fact the movie, which should have attracted audiences around Maharashtra, especially Mumbai, is gaining a lot of attention there.
After opening to great number (Rs 41.75 crore), Bharat became the second-highest opening film after Amitabh Bachchan-Aamir Khan starrer Thugs Of Hindostan. The movie minted Rs. 150 crore till its first Monday, but it then saw a major dip. The collections dropped from Rs. 26 crore on Sunday to Rs. 9 crore on Monday, which is more than 50% drop. Ever since, the movie has been earing in single digit numbers.
It collected Rs. 6.25 crore approximately on Wednesday and then minted Rs. 5.25 crore on Thursday. The Friday and weekend numbers would play a crucial role in knowing whether Bharat will also be a hit, superhit, blockbuster or just another movie that worked on Salman Khan’s star power and Eid holiday.
Here, take a look at the total collections till date:
Wednesday – Rs 41.75 crore approx
Thursday – Rs 30 crore approx
Friday – Rs 21.25 crore approx
Saturday – Rs 25 crore approx
Sunday – Rs 26 crore approx
Monday – Rs 9 crore approx
Tuesday – Rs 7.75 crore approx
Wednesday – Rs 6.25 crore approx
Thursday – Rs 5.25 crore approx
TOTAL – Rs 172.50 crore approx
Bharat is expected to stay strong over the weekends. It however will face little competition from Shahid Kapoor-Kiara Advani’s Kabir Singh, which is remake of the Telugu blockbuster film Arjun Reddy. More so, Men In Black: International starring Avengers: Endgame’s Thor Chris Hemsworth along with Valkyrie aka Tessa Thompson, is also slated to release on June 14.


Special Ticket Price: $6. (Please note: some films in this program contain scenes of graphic violence.) Hope St (dir. Elias Ressegatti, US, 8 minutes) A young man is about to drastically alter the course of his life. As he contemplates going through with an armed robbery, he is haunted by repeating visions of what could go wrong. Thresher (dir. Alex Clark, Canada, 14 minutes) A lone man is terrorized by a masked burglar late one night, but the intruder soon realizes that the man’s house is not what it seems. Stitched (dir. Heather Taylor, US, 4 minutes) A sheltered woman, reeling from the death of her mother, shows her sister how far she will go to be heard. Third Guest (dir. Fraser Watson, UK, 7 minutes) A mysterious woman finds an unplanned, unwanted guest. Wicked Conclusions (dir. Phillip G. Carroll Jr., US, 13 minutes) A young woman chained up in her boyfriend’s basement must decide who the real monster is – her captor or the little boy imprisoned beside her.


I can hardly wait to see Frozen! Disney does such a great job with films and I just know this one will be amazing!
Here's the official movie blip - Walt Disney Animation Studios presents “Frozen,” a stunning big-screen comedy adventure. Fearless optimist Anna (voice of Kristen Bell) sets off on an epic journey, teaming up with rugged mountain man Kristoff (voice of Jonathan Groff) and his loyal reindeer Sven, to find her sister Elsa (voice of Idina Menzel), whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf, Anna and Kristoff battle the elements in a race to save the kingdom.
to see the just-released trailer
for Disney's Frozen!
In theaters on November 27, 2013


The media - and feature films especially - influence how we perceive countries, how we imagine them to be, especially if we haven't had the chance to visit or experience them ourselves. Apart from "hard" factors such as tax incentives or legal frameworks, a country's ability to attract visitors, talented professionals or businesses and funding therefore depends on its creative potential and - as Robert Govers illustrates so well in his latest book - on the ability to be imaginative as community.
During our visit of Uruguay we had the opportunity to meet some of the country's pioneering filmmakers - among them Pepi Gonçalvez.
Co-founder of The Producers Meeting at the International José Ignacio film festival, Pepi in this interview shares her thoughts on Uruguay's attractiveness for filmmakers and feature film productions.
Pepi, you are the CEO of Motor Films, co-founder of Este Audiovisual and also co-founder of The Procers Meeting at the International Jose Ignacio Film Festival. Do you remember what triggered your interest in film and the cultural industries?
I was born into a family of artists who love cinema. My father is a teacher, painter, writer and a cultural activist. My mother is a sculptor and teacher. Inés, my sister is a visual artist, art director and teacher. I saw "Solaris" by Tarkovsky when I went to school. I chose to study film production in Brazil, inspired by a group of students from Rio de Janeiro who breathed cinema. It was a trip that changed my life.
Looking back now, has your perception of the film production business changed over the years – in Uruguay or internationally?
Our industry reinvents itself every day. There are technological changes, greater access to the Internet, new formats and forms of consumption. Social media open new business opportunities all the time.
It is necessary, as a country with a strong cultural tradition, to develop a versatile audiovisual industry that allows us to export content to the rest of the world.
We are in a good moment now to advance the film business: be more competitive in costs, invest in the international marketing of Uruguayan cinema, strengthen the development of quality products for export, and add creative value.
In Punta del Este we founded Este Audiovisual and The Producers Meeting with the José Ignacio International Film Festival because we live in a perfect place to do business. We want our event to be a reference for the regional and international audiovisual industry for the next thirty years.
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“David Bowie: The Last Five Years” Film Documentary to Air in January
A follow-up to the acclaimed 2013 film documentary, “David Bowie: Five Years,” is set to be broadcast in January 2017. Produced and directed by Francis Whately, who helmed the first “Five Years” film, “David Bowie: The Last Five Years” will premiere on BBC Two. The new documentary focuses on the three major projects undertaken by Bowie during the last half-decade of his life: the 2013 album, The Next Day; the 2016 album, Blackstar; and the acclaimed musical, Lazarus.
As with the original “Five Years” film, “David Bowie: The Last Five Years” features interviews with some of the artist’s closest friends and collaborators, and includes never-before-seen archival footage. Previously unheard audio interviews will also be included. Whateley says his goal, in part, was to examine the continuity that ran through Bowie’s work, from the late ‘60s until the singer’s death in January of this year.
“I always hoped that I would make another film about Bowie as we were only able to scratch the surface in the first film,” he says, “but I just didn’t expect it to be this soon. However, looking at Bowie’s extraordinary creativity during the last five years of his life has allowed me to re-examine his life’s work and move beyond the simplistic view that his career was simply predicated on change — Bowie the chameleon… ‘ch ch ch changes’ etc. Instead, I would like to show how the changes were often superficial, but the core themes in his work were entirely consistent – Alienation, Mortality and Fame.”
Highlights of the film include a reunion of Bowie’s “The Next Day” band with producer Tony Visconti, the latter of whom offers a look at the production process for key moments on the album. Directors and players in some of Bowie’s last videos are interviewed as well. In addition, the writer, the director, and the cast of “Lazarus” discuss the story behind the project, including Bowie’s unwavering devotion to the musical. “BBC Two is thrilled to have commissioned this unique documentary chronicling the most recent achievements of one of the most significant figures in the history of music,” says Adam Barker, Channel Executive for BBC Two and BBC Four.
The new documentary is the most ambitious among a spate of Bowie-related projects slated for January. BBC Four plans to broadcast “Bowie at the BBC,” a compilation of video clips from the BBC archives, including archived interviews with Bowie and classic performances staged for “Top of the Pops” and “The Old Grey Whistle Test.” In addition, BBC Radio 2 plans an in-depth examination of Bowie’s iconic 1971 song, “Life on Mars.” The radio broadcast will include interviews with “Life on Mars” pianist Rick Wakeman, the song’s co-producer Ken Scott, and Bowie himself. Also promised is a first-time airing of Bowie’s original piano-and-voice demo of the classic track.
It’s worth noting that BBC film productions are regularly picked up for stateside airing on PBS. “David Bowie: The Last Five Years” is being distributed internationally by BBC Worldwide.


In this task I had to take a CGI trailer and analyse how it uses sound to portray emotion.
The trailer I have chosen to analyse is the “Dead Island: Offical Announcement trailer”.
The music in the trailer is a slow piano and string piece made just for the game (it’s a score) and the music piece is accompanied by sound effects of the struggle and I believe that the music piece was used to appeal to the watchers emotional side as it is a slow paced yet high pitched song which can get the viewer to stop and think about what was going on as well portray a real sense of loss and sadness. I think that the music piece is used to bring the viewer down and make them feel bad about the situation but the sound effects are thrown over the top of the piece to also make the viewer terrified, almost as if they were putting the viewer in the experience the sounds used in the trailer are fit for purpose as the trailer itself is meant to be sad and portray the sense of loss, especially at the end.
Axis Productions. (2011). Dead Island: Offical Announcement Trailer. [Online Video]. 16 February. Available from: https://www.youtube.com/watch?v=Bwtr_-4vz6g. [Accessed: 07 October 2015].


I think this is just going to be an overview of what I thought of the movie. It’s really hard to give a review without giving details :D So… without further ado!
- – It’s a half star! it may be added to the other stars, or left by itself. If a movie only has half a star, it’s not worth going too.
- – Movie has no plot, no story. Nothing really screaming out at me. But it’s better than no star.
- – Movie is pretty good. I’d go see it again. Not too many problems. Believble acting, good plot.. etc
- – Movie is exellent. The highest rating I can give. One I suggest you go spend your money on.
Movies to be watched :
2007 Movies –
Balls of Fury
Because I said so
Black Snake Moan
Blood and Chocolate
Bridge to Terabitha
Catch and Release
Fantastic Four – Rise of the Silver Surfer
Happily N’ever AFter
The Dead girl
The Last Mimzy
2006 and earlier –
A Scanner Darkly
An Unfinished Life
Down in the Valley
Everything is Illuminated
Leonard Cohen – I’m your man
Rory O’Shea was Here.
The Ice Harvest
Walk the Line
Movies to be reviewed (watched) :
School for Scoundrels
Stranger than fiction
Little Miss Sunshine
Mission Impossible III
Pirates of the Caribbean 2 – Dead Man’s Chest
The Da Vinci Code
Children of Men
Recent Movies (last movie watched listed first) :
- – The Descent
Great movie, but you have to view it with the right mindset, that it’s a psychological thriller, not a straight on gore fest horror.
- – Vertigo
Really great movie, Wonderful twist.
- – RV
I did not want to see this movie but Charlie somewhat forced me too, and I am glad that I did, it was a wonderful movie =) Very funny.
- – Driving Lessons
Very good movie, excellent message put forth, I really just enjoyed the whole thing :D
- – X-Men – The last stand
Erm .. No.
- – The Pink Panther
Another movie I did not really want to see, but it was alright, not too bad, not tooo great.
- – Underworld : Evolution
Very similar to the original, but I throughly enjoyed it.
- – V for Vendetta
Excellent movie, I really enjoy the storyline, and I read up about the comic afterwards.
- – Brokeback Mountain
I wasn’t really prepared when I saw this movie, I realise that I saw it much later than most people however, the message that it puts forth.. wow.
- – Howls Moving Castle
Another Wonderful movie, I love the animation and the storyline.
- – Nausica – of the Valley of the Wind
Wonderful movie, I want to own it heh.
- – SAW III
Nothing made me jump at this movie, or even get my heart rate up :(
- – Night Watch
Good plot line a bit hard to follow but I think that is due to it’s in another language :D
- – Running Scared
What a strange movie, I think they were trying to put every element they could inside of the flick..
- – A History of Violence
- – King Kong
- – Elizabethtown
- – Lucky Number Slevin
- – Hoodwinked
- – Nanny McPhee
- – The Exorism of Emily Rose
- – Fun with Dick and Jane
- – The Family Stone
- – Wedding Crashers
- – Prime
- – Saw II
- – Charlie and the Chocolate Factory
- – The Family Stone
- – Four Brothers
- – Chronicles of Narnia
- – Brothers Grimm
- – Serenity
- – In Her Shoes
- – Sky High – Strange, it was a bit surreal, like disney was trying to play up to the comic movies that are coming out now. But overall it was cute, if not dreadfully predictible.
- – Little Manhattan – Really cute movie, I really liked it, it was on the airplane so I missed some of it, but really good. It’s about first love, and the trials of it, heh.
- – Harry Potter and the Goblet of Fire –
It was really hard for me to watch this movie I was sick,.. but regardless it was strange they changed it a lot from the book, so I will have to watch it again, but it was good for the most part.
- – Wallace & Gromit: The Curse of the Were-Rabbit – Great movie! Very cute! I absolutely love claymation I know its incredibly hard to do.. I think it was a very cute movie and done very well, The cute adult jokes in it were great.
- – 40 year old virgin – GREAT movie.. I mean just excellent, totally my humor, its dark, its fantastic, its wonderful. Even I didn’t mind all of the cussing in it. Overall it’s a very cute movie, and I think a lot of people can relate to it.
- – Alexander – Another movie that was too long and I fell asleep during.
- – Corpse Bride – Cute movie, but it doesn’t hold a candle to Nightmare. Overall it was okay, the acting was great, and the effects were great, but still, its rather short, and cute.
- – Guess Who – As I stated earlier I normally don’t do comedies, but this was pretty good, and very cute. Some great oneliners, and some great thoughts behind it.
- – Batman Begins – A very dark version of batman. I really enjoyed it, really. It’s not the gotham you are used too, Gordon is not huge yet, and you have no idea who this caped crusader is. It’s a wonderful film and I really think that it was potrayed well.
- – Hitchhikers Guide to the Galaxy – Okay if I thought that the books made me get lost.. I was SO kidding myself. This movie .. made me completely lost.. Completely. I fell asleep during it.
- – I heart Huckabees – ADORE this movie! heh its dark, wonderful, and right up my alley.. I also throughly enjoy the transcendental type of movies.. Anyways this one does make you think.. About life, about the world, about your place.. Great great acting.
- – Kung Fu Hussle Very funny, though not what I was looking for, but funny. I have problems with some comedies but this one did make me laugh so kudos for that! even if the plotline is a bit lost.
- – Sideways – Very sad movie in some sense, very hopeful movie in another. I think its a great movie, it has some wonderful lines, the plot is excellent, the sound is excellent, the acting is fantastic. Overall a great movie, although a bit dark.
- – The Devil’s Rejects – Excellent flick! It does its predecessor justice! I wish that the ending didn’t happen the way that it did, I am always rooting for these guys for some insane reason, but I throughly enjoyed the movie.
- – The Skeleton Key – A bit predictable but it is okay.. But just that, Okay, they could have done oh so much more with this movie, but alas the ydid not. The plot is good, but not great, the acting is good, but not great. I love the ending but the ending is really predictable.
- – Titan A.E. – Great movie! But It’s a little slow on the uptake, excellent effects but I still think the story line is lacking. Overall though its a good movie.
- – The Sisterhood of the Traveling Pants – Excellent movie!! At least I thought so of course I watched it disjoined .. But I still found it to be really good.. :D
- – The Ring Two – Erm.. Yeah.
- – Diary of a Mad Black Woman – Great movie, but its definitely a dark one.. I can completely relate with her on a many points..
- – Coach Carter – This was a very good movie. It .. wow, just yes.. I really enjoyed it. The acting in it was fantastic, it also makes you think. I love Samual Jackson anyways.. LD
- – 7 Seconds
– Erm .. Yeah not one of Westly Snipes best..
- – War of the Worlds
It was really good! Tom Cruise did a suburb role in this movie. I never saw the orginial, but wow, just wow. This movie was really well done. I would have liked to have seen some different things done, but overall it went well. Sometimes I wish movies could go longer, just so you can see some of the story develop more. Anyways.. :D Thumbs up!
- – Cursed
Uhh… this was a horror movie, or a demo to show how not to act during a horror movie?? .. heh .. Yeah.
- – Finding Neverland
Excellent film!! Very well done! I absolutely love Dustin Hoffman in this movie even though he was only a supporting role! It was a great movie, it will make you cry, and laugh and smile. I throughly enjoyed it.
- – Madagascar
VERY Cute movie! Very cute. I was laughing very hard. I think this movie was excellent, it appealed both to children and to parents. The humor was great. I would definitely recommend this movie to anyone.
- – Sahara
This movie was.. Okay. Not spectacular, but okay. I think it was trying to be like Indiana Jones, but It really didn’t hit the nail on the head.. To many stories floating around, However I love Steve Zahn, and I really like Matthew M. and William Macy, So they were enough to watch it.
- – Constantine
I really liked this movie. I think the graphics were superb, I really enjoyed the acting. There is a lot of dark comedy in this one. I really like their idea of what hell is, I like the idea of a bible that was made in hell. Overall, I really think this movie was great. There were some plot errors. But anything that Keanu does I think is fanastic. They opened this movie up for a sequal, Which is excellent, I would definitely go to see it. They also kept very well with the preexsistings myths. Go watch it :D
- – The Jacket
Excellent film. It makes you think, plus Adrian does a fantastic job in this movie. You really, just completely feel his character. Very remenscient of Butterfly Effect and Jacob’s Ladder, but overall very VERY well done. The plot is excellent. I throughly enjoy it. I wish they would explain his ‘travel’ a bit better.
- – Unleashed
Interesting movie. The acting was fairly well done, but basically all I got from it was that it was a movie to see Jet Li fight. The premise has been done before, however, I always like the filming of most UK movies. I think it was filmed very well, I also really enjoy Morgan Freeman as an actor, but if he was not in it, I doubt the movie would be that grand.
- – Hide and Seek
Erm, I turned this off before it even ended. Let’s just put it that way.
- – Hitch
Very CUTE movie, I really liked the acting in this one, it was believble for the most part, but I think it also hit the nail on the head with male and female relationships. I would definitely say this is a movie to watch with someone you love.
- – In Good Company
I think this movie rocked! I love sidebeat comedies like this one. I really want it actually. I would go in more depth but I don’t want to spoil it.
- – Star Wars – Episode III – Revenge of the Sith


Damson Idris, the protagonist of the Snowfall series, was cast as a co-star alongside Brad Pitt in Lewis Hamilton’s untitled Formula 1 film.
“I want to make the film, in terms of diversity and representation, I want it to be how Formula 1 should be in the future – or it should be now, but it will be in the future.” Hamilton said
“I want to see mechanical women. We’d love to see a female pilot. We haven’t reached that point yet. But why not?” he added.
The famous Top Gun: Maverick director Joseph Kosinski is in charge of the movie’s direction. He is also known for preferring to use real-life effects over green screens for action sequences.
In Top Gun, Kosinski put the actors in real fighter jets to shoot the flight scenes. That’s why the production team conducted intense driving tests with the actors during the selection process.
The same is expected to happen in the film set in the world of F1, with the cast actors taking the wheel of racing cars at times.
The team behind Kosinski’s F1 racing film has been searching for Pitt’s co-star since November. Idris’ name shot to the top of the list early on, but it took time to narrow the roster.
Idris will play a young driver who will be teammates with a returning veteran, a role that will be played by Pitt.
The film features Jerry Bruckheimer, producer of the CSI: Criminal Investigation series and the Pirates of the Caribbean series films. Penni Thow will executive produce.
Idris is known for starring in the Snowfall series, on the FX channel and available on Disney+, which talks about the crack use epidemic in Los Angeles in the early 1980s.
In the production, Idris plays a drug dealer. He still has work on the Black Mirror and The Twilight Zone series on his resume.


ROUGH KUTS: The Thirsty Dead Download Free
Operating system: Windows 7, 8, 10 (64-bit)
ROUGH KUTS: The Thirsty Dead is a cinematic project that immerses users in watching an old classic movie. The film is divided into frames and staged scenes, where at certain moments you need to control the development of the plot and see where the choice will lead. Players will take part in solving incoming problems that arise for the characters in the story in order to influence future events and determine the outcome in the finale, which can lead to a positive or negative ending.
If you fail ROUGH KUTS: The Thirsty Dead, the game ends and reverts to the last action performed by the player. Branching allows you to assemble the story yourself and take the position of director. The variety of interactive scenes is not great and often a bad choice leads to the death of the characters or the end of the movie, forcing you to try another solution.
The plot is about young and beautiful girls kidnapped by a mysterious death cult. The action takes place in the regions of Manila, where the main protagonists of the cinema game are located. The cult needs the blood of young ladies to achieve full immortality in performing the ritual. The user has to rescue characters, influence the plot and the development of events through the selected actions throughout the passage and observe the rescue of women.
ROUGH KUTS: The Thirsty Dead screenshots:
Download ROUGH KUTS: The Thirsty Dead on PC for Free
Size: 7.34GB. Game version: Complete last release
Download WITHOUT torrent (dstudio)
(max speed + fast connection)
In very rare cases there is a password to the archive. When you come across it, the password is: 1122


Last weekend, I took the kids to the Waterfront Film Festival. I’ve been wanting to go for a few years, but I didn’t know who to go with or how to get there.Â My husband doesn’t really like indie films and my friends weren’t really into it either. It was going to be too hard. Yada, yada, yada.
I was journaling and asking myself what I really wanted to do this summer. The film festival appeared on the page. So I decided to actually go this year with or without anyone. I asked my son, who is just about 15, if he wanted to go. And he did. Then my just about 13 year old daughter wanted to go as well. So I screened the movie listings to make sure they weren’t too inappropriate. Jon printed off maps so we could get there.
We all had a fantastic time. We went for one day instead of the full three days. I didn’t think the kids would last that long. Surprisingly they both wanted to go another day. Next year!
After the movies we were able to ask questions of the directors and sometimes the actors. We also saw the Actors Forum where actors like Mary Lynn from 24 and American Fork (on the left), and Sharon Lawrence (drinking the water) answered questions for the audience and a moderator. I was even able to talk to a couple of the actors personally.
What are you going to go for this summer?


The internet is going crazy with the recent announcement of F.R.I.E.N.D.S reunion. Speculations on what the iconic TV series is planning with the reboot is rife and thus it’s the perfect opportunity to discuss the finer nuances of this precious show! As we deal with design and interiors here at Cindrebay, let’s take a look at one of the elements in the show which has earned worldwide acclaim. You are right! It’s the beautiful interior sets which have become somewhat of an iconography and has a separate fan-base altogether! ‘Central Perk’, the famous coffee shop in FRIENDS and the two apartments were the constant backdrop in the sitcom and one which every 90s kid is familiar with. So, what are the makings of a good interior set design? Let’s find out!
1. LOCATION IS KEY
We can all acknowledge that in modern film-making, sets and locations aren’t just backdrops anymore, they are an inherent part of the story. Where the characters live, work or where the story unfolds is as important as the story itself. The aesthetic created in a movie should resonate with the characters and their personalities, the mood of the film, the genre and the general theme of the story-line. Great production design lends a realistic touch to the whole story, making it more believable.
In order to achieve this, it is important to get the movie set interiors right, but also to get the overall location on point. For example, in FRIENDS, Rachel Green is a small time waitress, working at a coffee place. She shares her apartment with Monica in New York. This is finely portrayed by the messy street location outside Central Perk and in scenes where the cast can see what goes on in the apartment opposite to theirs. This conveys the density of New York, it’s holistic nature and the huge metropolis life. Like I said, Location is Key!
2. TRANSLATING THE STORY TO DESIGN
Designers need to study, analyse, nit pick and absorb the story perfectly to create an appropriate set. This is even more important in movies where the story is based in a fictional world. How the plot traverses in the length of the movie, the shifting mood of the film and the character arc of the protagonists is of utmost significance while designing the set. In this context, designing for a show such as FRIENDS or How I met your mother, which is based in real life is easier than designing a set for a show like Game of Thrones or Harry Potter. In the latter’s case, the design is unprecedented and based entirely on the writer’s imagination. Bringing this imagination to life is an interesting yet herculean task for which professionals need to be hired.
Take for instance the gigantic task of designing the several descriptive cities in Game of Thrones. Winterfell, King’s Landing, Qarth or Mereen – these are fragments of the writer’s imagination, but play an important role in the story. It is as if, these are one of the characters in the story, their presence is so important! The falling of Bran Stark from the tower, the Watch on the Wall, the treacherous dungeons in the Eyrie Prison are scenes we can never forget. Recreating these over the top sets, some in real and some digitally enhanced, makes the saga seem genuine.
3. ANGLES AND FRAMES
It is important to remember that sets, however realistic, are still sets. It is a false environment which needs to accommodate heavy duty camera gear plus lots and lots of people. This means, that angles and frames need to be considered in layout planning, furniture and styling. In a camera frame, only the characters need to be visible to authenticate the story. Thus, space planning, camera settings and plot lines need to be carefully worked on extensively to create the right effect. Details like mirrors, glass and fake replicas are also important, because they can give away the made-up nature of the set.
Lighting and colors also play an equally significant role in set design. Duh! The pace of the story and the emotion in the characters reflect in the colors of the backdrop. Lighting plays a crucial role in depicting scenes from different seasons or times of day as well as to bring out certain sentiments in viewers. In terms of interior design, it becomes obvious to incorporate more space for this tech as well as play with illumination and hues to convey emotion.
4. KILL OR OVERKILL?
Every Director wants to do as much as he can to narrate his story. The same thing applies to designers. They want to do as much as they can in a project for the client’s sake and theirs. But, how much is too much? Where do you draw the line to save your set from becoming an overkill rather than a relatable environment? It is vital for designers to not overdo a set otherwise it can overshadow the characters, overwhelm the audience and gather smirks instead of smiles. A wrongly placed artifact, an over the top representation of the character’s space un-matching of their monetary status (in the film), unrealistic transition spaces and clashing colors on screen tend to take away a story’s authenticity.
Bollywood sometimes tends to do just that. The overkill in the set design, the complete removal of the character’s back-story from his present day environment, the lack of relationship between a scene and the setting is cringe worthy sometimes.
5. ATTENTION TO DETAILS
The most important part of a set design is the attention to detail. For a completely immersive movie experience, it is important that the set speak volumes about the character’s life, his/her situation, the complexities they deal with and their past-present-future. As the set cannot directly speak, the finer nuances have to do the work for them. A brand new set, cannot look brand new if the character is an ageing alcoholic with a slob personality. Similarly, an abandoned mansion in a horror movie has to have signs of neglect. A rich workaholic’s condominium should look appropriately organized or dirty depending on the character’s nature.
How do you achieve this? A character can come to life with the right makeup and styling. Similarly, the set needs to be polished and treated to suit the age of the house/office/restaurant etc. It needs to be touched upon physically and digitally (with lighting and filters) to suit the scene. Graffiti, stains, signs of ageing like broken tiles, hanging fixtures, or perfectly clean showpieces, a stacked library, dead plants or an aquarium etc. are ways in which production designers make the movie sets talk!
6. THE LAWS OF LOGIC
Physics plays a powerful role in attesting the story, a field of set designing Bollywood unfortunately takes for granted. Barring the intentional over the top sequences in Bollywood like fight scenes or flying cars, even the smallest detail in physics need to be taken care of. For example the tectonics of the moving staircase in Harry Potter or the vertical transition at the Wall in Game of Thrones is an imaginary built, but it still seems plausible as they are within the range of physics. Also, playing upon the suspense in the audience, by showing something larger than it is is also acceptable, for example a person falling endlessly from a building balcony or jumping across huge heights.
However, tweaking sets unrealistically or even not doing enough to express logic can spell doom for the movie/show. As much as abundance affects a scene, so does callousness and inadequacy. The intelligent audience of today, doesn’t just watch a movie, but questions it. They try to find loopholes and gaps in the character arcs and set designs. Thus, to make a believable world, a deep study of an existing set (if the story is a realistic commentary on society) or a deep study of the fictional world as in the case of Avatar or GOT or Harry Potter needs to be carried out.
Set designing or production design has become a highly coveted area of specialization for architects and interior designers. The content hungry world of today is looking for newer and more lifelike movie experiences. The budget for creating sets and the amount of work that goes into it is magnanimous. The ever growing bank of content, online, on TV or in the theaters, makes this field even more relevant. It is also exciting for a designer, to get a chance to create an iconic design, which will not just be experienced in one city, by one user, but caters to a Worldwide audience and is remembered forever!


ISNOR DZULKARNAIN JAAFAR
Isnor Dzulkarnain Jaafar, a passionate Filmmaker, Producer, Colorist, DIT, Film Distributor & Trainer.
He was one of the recipients of the Tan Chay Bing Scholarship with a full scholarship Honours degree in Lasalle College of the Arts, Puttnam School of Films in 2011. He returned to his alma mater to continue his film education after being in the media industry for more than 10 years.
He is the Founder of Singapore Malay Film Society (SMFS). Officially formed in 2010, SMFS’s vision is to unite talented individuals who have a keen interest in the creation and preservation of Malay culture, language and heritage through films.
DLUX Studios focuses on post production and digital cinema services. As an executive producer, filmmaker & colorist, he specializes in consultations from production to post production workflows, media management and the finishing quality of a product up to cinema release.
One of his earlier achievements was winning 'Kacau' for Best Film of Singapore in Filmapalooza Festival hosted by the Miami International Film Festival, Florida. It came in as a winning entry from 48 Hours Film Project 2010, an International Short Film Competition.
Among his recent achievements was successfully leading the his distribution team to organize gala premieres and public screening event for Malaysian films such as Redha, Rock Bro, Soulmate Hingga Jannah, Kau Takdirku, Jrevolusi, Adiwiraku just to name a few.
Isnor’s passion in film and filmmaking has brought him to significant exerperiences & milestones. Driven by film and filmmaking, he aims to spread the impact a film can make to the community at large.
DIT / COLORIST
2016 - Present
Cold Pressed | Viknesh Island Productions | 2016
2K/4K Film Restoration:
Zombie Kampung Pisang | Digital Pixel Post | Astro | 2018
Kala Bulan Mengambang | Digital Pixel Post | Astro | 2018
Trapped Minds | RETA | Toggle | 2016
Tasmin | TP | 2016
Akan Pedas Ikan Salamon | TP | 2016
My Blue | Boboying Films | 2016
Tipping Point | CNA | 2019
Terror Trails | CNA | 2019
Bronze Documentary | CNA | 2018
Game On Becak | Bein Sports | 2017
Starhub Deepavali | Red Dot Moving Pictures | 2017
Kisah Tok Kadi Season 1 | Think Plate | Suria | 2016
Asian Cup | Red Dot Moving Pictures | Fox Sport | 2018
M1 Big Data | IGN ASIA INC | 2018
Orchestrate Samsung Connect Home | IGN ASIA INC | 2017
Johnson's Baby | Made For Digital | 2017
Colors Boutique | IGN ASIA INC | 2016
Singapore Netball Team | IGN ASIA INC | 2016
3M Easy Sweeper | The Creative Room | 2016
Reverse Auction | Red Dot Moving Pictures | 2016
Volvic | Onedash | 2016
TECHNICAL OPERATIONS EXECUTIVE & COLORIST
MOCHA CHAI LABORATORIES
2014 - 2016
DP/CAM ASSIST/CAM OP/EDITOR/WEDDING/PHOTOGRAPHER/TRAINER
2010 - 2014
Freelance jobs ranging from Directing, Producing Short Films, Photography, Videography, Production Crew to Post Production Editing and Training.
Digital cinema services ranging from Digital Cinema Packages (DCP) conversion, subtitling, reversioning, editing. In house colorist for feature films, short films, corporate TVCs and documentaries.
The Return | Mirtillo Films | 2015 | 80mins
Singapore Minstrel | Ng Xi Jie | 2015 | 88mins
Mee Pok Man (4k Restoration) | Eric Khoo | 2015
12 Storeys (2k Restoration) | Eric Khoo | 2015
Pineapple Town (7 Letters) | Tan Pin Pin | 2015 | 15mins
Banting | Papahan Films | 2014 | 110mins
Standing In Still Waters | Creative Room | 2014
MsJ Comtemplates Her Choice | Oak3Films | 2014 | 88mins
Helai Demi Helai | Project 2020 | Temasek Holdings | Lasalle College of the Arts | 2016
Windmill | Project 2020 | Temasek Holdings | NTU | 2016
Ama | Project 2020 | Temasek Holdings | NP | 2016
Childless Mother | NP | 2015
Gone Home | NP | 2015
Afloat | NP | 2015
Reunion | TP | 2015
Pupa | Highest Kite | 2015
Don’t Feed The Snakes | NP | 2015
SMA Last Hours | 2015 | 3m47secs
Men Behind The Mask | TP | 2015
The Dream Team | TP | Singapore Discovery Centre | 2015
My Autograph Book | Wee Li Lin | 2015
I Never Lie | 8Pixel Production | 2014
Riot City | Ken Kwek | 2015 | 3m 45secs
Kway Chap | Sun Koh | 2015
The Studio | Sun Koh | 2015
Singapore Botanical Gardens | Beach House Pictures | 2015
Story of Our City 3D | CNA & Screenbox | 2015
Burger King Fish’N’Crisp | Creative Room | 2015 | 40 secs
SingTel Deepavali | Millenia Motion Pictures | 2014 | 30 secs
ESSO LPG The Connection | Creative Room | 2015 | 1min & 6m45secs
CHAS Tamil | Millenia Motion Pictures | 2014 | 30 secs
Lasalle College of the Arts
Puttnam School of Film
Cinematography & Editing
2011 - 2012
Sharing knowledge has always been a passion. I graduated with BA degree with 2nd Class Honours (2nd Division) in Film at Lasalle College of the Arts. I was also a recipient of the Tan Chay Bing Scholarship Award. With this, I finally hope to contribute back to my community.
Idayu has a vast experience in customer service and industrial relations. Her career started as a customer service officer in one of the major telecommunications company in Singapore and she rose her way up to lead a team of 15 officers.
She enjoys interacting with others and that helped her with her next career move to become an Industrial Relations Officer for one of the unions representing several established organisations; the biggest postal & courier company and a major telco in Singapore. She handles workplace grievances raised by the workers, resolve conflicts and negotiate collective agreements. She was also 2nd in command for the company’s annual bursary award events where it disburses bursaries to hundreds of school going children from low income families.
She also developed an interest in narrating and voice over and attended a course organised by the Singapore Media Academy. With that, she was tasked to host several movie gala events organised by the Singapore Malay Film Society (SMFS) including the Gala Premiere and screenings of Redha and deliver the founder’s speech during the Gala Premiere and Concert of Rock Bro, organized by DLUX Entertainment.
Idayu is also the presenter for DLUX TV, a youtube channel for DLUX Entertainment.


CATS sweeps at Elly awards with “Journey to the West”
Community Asian Theatre of the Sierra, or CATS, swept this year’s Elly awards with five honors for Journey to the West,, the Sacramento Area Regional Theatre Alliance, or SARTA, announced Sunday night.
It was more than the runner-up in Sacramento (Big Idea Theatre) and second to Stockton (Stockton Civic Theatre). CATS operates in Grass Valley and Nevada City — cities that are much smaller.
This is a further sign that community theater in the foothills is thriving, a trend that we outline in our upcoming fall-holiday issue. “Community Theatre occupies a peculiarly important position in the American theater picture,” according to Theater in America.
“It engages more people in theatrical activity, albeit part-time, than all the rest of the American theatre put together, including schools and colleges.”
Among foothills theater production companies, Sierra Stages received one award for A Midsummer Night’s Dream, Quest Theatreworks won for Sealed for Freshness, and Synthetic Unlimited received two honors for Antony and Cleopatra and Kingdom of Earth.
CATS honors were for best overall production, comedy; costume design, comedy; direction, comedy; set design, comedy; and sound design, comedy. Sierra Stages won for lighting design, comedy (A Midsummer Night’s Dream). Quest Theatreworks won for supporting actress, comedy (Sealed for Freshness). And Synthetic Unlimited won for leading actress, drama(Kingdom of Earth) and consume design, drama (Antony and Cleopatra).
We attended Journey to the West and were thoroughly delighted.
For the second time in 31 years the annual Elly Award ceremonies were separated into Adult and Youth ceremonies. Sunday night marked the celebration of excellence by Sacramento’s adult performers in the Comedy, Drama, Musical and Original Works categories at the 31st Annual Elly Awards- Adult Division.
Named for Eleanor McClatchy, a devoted patron of the arts and former publisher of the Sacramento Bee, the Elly Awards celebrates excellence in Sacramento’s local and regional community theater.
A grand total of 34 Elly Awards, plus two lifetime achievement awards, were given to individuals and theaters from across a 10-county region in the Adult Division.
Sponsored by the Sacramento Area Regional Theatre Alliance (SARTA), this formal event was attended by nearly 300 active community theatre members and their families and friends.
–SARTA and Sierra FoodWineArt or SierraCulture.com
(photo credit: David Wong)


South Shore Theatre Experience
GET IN TOUCH WITH US
115 S Wellwood Ave, Lindenhurst, NY, USA
Founded in 2009 to fill a void in children’s theatre workshop programs,
South Shore Theatre Experience is a 501(c)(3) non-profit organization that strives to bring the joy and love of theatre to everyone through theatre classes & workshops, magic shows and our professional adult theatre company. We perform Broadway & Off-Broadway classics, as well as original works from local writers, for the community, both young and old. We are ardent in our desire to develop and foster learning workshops for children. We are committed to helping charities and organizations in our community with our programs, as our organization believes in "Paying it Forward". We try to do that in everything we do.
Life is Good!
~Debbie & Ted Plezia


Nemorin Creative Film & Video are the full-service, fast-turnaround branded video production company. We create bespoke video content for our clients globally.
Every video project is totally unique, so are the locations and spaces we shoot in.
Location and studio shoots are available globally. From a simple office shoot, to hired spaces, we take care of everything for you so you can focus on the day to day.
Branded documentaries are an exciting and effective medium for brands to reach and engage with their audiences. Compelling films that audiences love.
More and more publishers, agencies and brands are embracing documentary filmmaking to reach and engage larger audiences. We offer powerful and emotive documentary production services globally to help our clients break through the noise.
Documentary film making for brands is a form of branded content as it creates an opportunity for an overarching brand ethos and wider message to be conveyed in a long-form, compelling narrative.
Documentaries have huge audience appeal too – just click on your Amazon or Netflix menu to prove it. Documentaries also happen to be a practical and affordable way to communicate with an audience.
Nemorin Creative Film & Video were early pioneers of branded video content. Our unique insight is available to help brands reach, engage and convert audiences through video production services including documentary.
Some examples we love:
BMW - The Escape
Philips - The Longest Night
Credit: TBrand Studio
Philips - Breathless Choir
Credit: Ogilvy & Mather, Carat, Tool of North America, One Voice
Stella Artois - Up There
Credit: Stella Artois / Visual Catch
Worn Wear - Presented by Patagonia
- On-site filming (at your office)
- Hired locations available globally, including:
- Historic buildings
- Family Homes
- Modern loft conversions
- Urban cityscapes
- Riverside views
- Iconic buildings
- and much more
- TV Studios
- Film Studios
- Infinity curve studios
- Photographic studios
- Green screen
- Dance or arts studios
- Music and recording studios
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- Events space


Welcome to Our Shop!
OVER THE EDGE – Blu-ray
“Over the Edge” is one of the most inspirational films in skydiving history, Produced, Directed and Filmed by legendary skydiving cinematographer Tom Sanders, “Over the Edge” is a masterpiece and a skydiving history. The film was shot in 16mm film motion picture film to produce the stunning image quality at that time. It was created at a time when small action cameras were not available, so capturing the action in a way it is captured was a real production challenge for the production team and all aerial and skydiving cinematographers. 16mm cameras can weigh up to 20lb were mounted in a way to capture various angles on the plane wings, on the skydivers bodies, helmets and many other places. “Over the Edge” is also one of the most decorated films in the history of skydiving and early action adventure films featuring extreme sports and skydiving.


It is the dawn of the second millennium, when royal daughters are traded like pawns, a captured queen can shatter a realm, and the birth of a child can trigger internecine war. It is a time of superstitious beliefs, when ghosts walk the halls of power and when fear of the supernatural governs the actions of men. In 1002 fifteen-year-old Emma, sister of the Duke of Normandy, arrives in England to wed King Æthelred II, a man haunted by past sins who greets his peaceweaving bride with suspicion. Mistrusted by her husband, resented by her stepsons, and threatened by the schemes of a bewitching rival, Emma is caught in a web of courtly intrigue; and when a Viking army invades she is caught between mortal enemies vying for the same throne. This is a story about marriage and honor, about desperate yearning, and about a queen whose choices will dictate England’s future.