The 1980s were pretty much the inverse of the 1960s; liberal consensus had mutated into the New Conservatism; youth culture had been superseded by the Sloane Ranger and the Yuppie. Old heroes, like Mick Jagger or Michael Caine, looked hopelessly lost, while some, such as John Lennon, didn’t even make it that far. Likewise, the Bond series began to look badly shopworn.
A View to a Kill, coming as it did in the middle of the decade, is a fascinating time capsule of this generational malaise. Aside from the notorious fact that Bond is played by a man nearing pension age (Roger Moore was 58 and beneficiary of multiple facelifts), the rest of the film seems like an effort to encompass everything that would seem retrospectively embarassing about the 80s. The villain is a yuppie who plans to destroy Silicon Valley; he owns a BBC Micro Computer and a corporate blimp (borrowed from the 1984 Olympic Games in Los Angeles). Before Christopher Walken was cast, the producers wanted either Sting or David Bowie (Bowie looks uncannily like Walken in the video for 1983’s Let’s Dance); any of these men facing an aging Bond would have been a sight to behold, but Walken’s avant-garde delivery (he transforms a simple line of five words into two separate sentences) and Bronx accent make for a particularly bizarre contrast with the embalmed Moore.
At points, it feels as though the producers were deliberately trying to humiliate their leading man; he spends most of the film in jackets almost as leathery as his face, cooks a quiche for Tanya Roberts (star of 1982’s Beastmaster) and is roughly humped by Grace Jones (playing herself). Apparently Moore and Jones didn’t get on, partly because she insisted on playing loud rock music in her dressing room; one can only guess what he thought of Duran Duran’s theme song.
Rock music has never worked particularly well in the Bond series, and though the song itself is one of my favourites, its power-synths and overwrought yelping seem somehow comical when contrasted with the elderly bent to proceedings (Moore’s back-up in the film is the even older Patrick Macnee, and their antics together have the faint air of Last of the Summer Wine). Wisely, the band filmed their own video for the song, as the title sequence used in the film is a vision of 80s cool as seen by an old man (title designer Maurice Binder was in his 60s). The dancing girls are plastered in day-glo body paint and labour under immaculately feathered mullets, shooting flourescent laser beams or gyrating in a vaguely tribal fashion, all interspersed with old footage of Moore from The Spy Who Loved Me.
All of this probably explains why I think it’s one of the best films I’ve ever seen.


I suffer from a condition common among film buffs: classic movie backlog. Weekend binge watching is often my only defense against my DVR purging important stuff to free up space. When that happens, I’m like a hoarder on a reality show who finds an old VHS tape in a skip in my driveway, after an intervention.
“HEY! I WAS GOING TO WATCH THAT SOMEDAY!”
Friday night’s DVR clean out featured Imitation of Life, recorded from Turner Classic Movies back in February. It’s a remake of a 1934 film based on a novel by Fannie Hurst, starring Claudette Colbert. (Full disclosure: I’ve neither seen the original, nor read the book.)
In the 1959 version, Lora Meredith (played by Lana Turner) is a widowed mother who dreams of Broadway stardom. One sunny afternoon at Coney Island, she encounters another single mom – Annie Johnson (played by Juanita Moore), who is African American – and her daughter Sarah Jane.
Sarah Jane has such fair coloring, Lora assumes she’s white and mistakes Annie for her caregiver. Annie isn’t offended. It’s a common assumption, she explains. Sarah Jane’s father was very “light skinned”.
The women commiserate about the challenges of single motherhood, until Annie suggests she and Sarah Jane move in with Lora and her daughter Susie, so that Lora could be free to audition. Lora initially turns her down, because she can’t afford live-in help, then changes her mind when she realizes the two are homeless.
Over the course of the film, Lora’s singular ambition pays off. She becomes the golden girl of Broadway comedy, and later drama. All the while, Annie is her housekeeper, nanny, friend and support system. The women and their daughters upgrade to a beautiful home – where there are no lowly servants’ quarters — and Annie is financially secure for the first time in her life.
Imitation of Life has stuck with me for days. Is it a great film? Probably not, by most measures. Upon its release, a reviewer at the New York Times sniffed, “It is the most shameless tear-jerker in a couple of years.” Still, it got me thinking…
I wondered if the friendship between Lora and Annie was shocking for the time – but a Google search suggests it wasn’t. It would seem that audiences struggled more to relate to single motherhood – uncommon in 1959 — than to interracial friendship.
The aforementioned New York Times reviewer sneered, “There are two mothers in the situation—and no fathers, by the way; no parents of masculine gender to confuse the rich flow of mother love.”
Listen closely and you can almost hear the favorite anti-feminist boo-hoo: “Women think they don’t need men anymore!” (In case you were wondering, David Brooks was NOT the Times film critic in 1959. But that sure sounds like him, doesn’t it?)
An important storyline in Imitation of Life revolves around Sarah Jane’s light complexion, and her relentless determination to “pass”.
Early in the film, she refuses to play with black dolls – a nod to the Doll Test, conducted by psychologists Kenneth and Mamie Clark in the 1940s to assess the impact of segregation on the self-esteem of black children. Before long, Sarah Jane is passing. Everyone in her new elementary school class assumes she’s white – and she does nothing to correct this misassumption. Annie is devastated. Being black “is who you are”, she reminds Sarah Jane.
For the rest of the film, the young woman (played by Susan Kohner) stares across America’s racial divide, and longs for a different life. She can have it, if she reinvents herself as a white woman. She runs away, and disowns Annie. The consequences are heartbreaking.
The biggest surprise in the film is its treatment of Lora’s professional aspirations. She balances on the bleeding edge of self-aggrandizement and ambition, without coming across as a selfish shrew.
She sometimes neglects her daughter Susie, leaving her in Annie’s care for long periods – but Lora is generally portrayed as a kind employer and loving mother, and her bond with Susie is unambiguously strong.
Early in the film, she flirts with a Broadway agent to get a part, but draws the line at diving onto his casting couch. Later, she embarks on a long romance with a writer/producer who develops plays that turn her into a Broadway comedy star – then unapologetically breaks off their engagement when she sets her sights on more dramatic parts. She isn’t cruel, but she’s unsentimental and doesn’t shed a tear.
She also strings good-guy Steve along throughout the film. Each time they renew their romance, and she agrees to marry him, she receives a telegram – she’s been offered the role of a lifetime! Suddenly it’s, “Steve? Steve who?” In one instance, the engagement and breakup happen on the same afternoon.
I’m glad Imitation of Life narrowly escaped the dreaded DVR purge. I like a movie that surprises me, and challenges my assumptions about America in the decades before I was born. Most of all, I was intrigued by the film’s portrayal of an ambitious woman who enjoys success after success, without an eventual downfall because she chose her career over Mr. Right.
I can’t help but wonder how the New York Times would review the film today?
What’s more, I keep envisioning a 2017 remake, with the race of the characters flipped. What if an ambitious African-American woman befriended a down-on-her-luck single mom who was white?
That’s a movie I’d pay to see.
2 thoughts on “Imitation of Life”
I agree — the remake would be awesome.
You can produce, since you’re the math genius. I’ll write the script!


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Martyrs Movie Review
Written by Joel Harley
Released by Altitude Film Distribution
Directed by Kevin Goetz and Michael Goetz
Written by Pascal Laugier and Mark L. Smith
2015, 86 minutes, Rated 18 (UK)
DVD released on 4th April 2016
Troian Bellisario as Lucie
Bailey Noble as Anna
Kate Burton as Eleanor
Caitlin Carmichael as Sam
Melissa Tracy as The Creature
Romy Rosemont as Mom
Toby Huss as Fenton
“Well, I never want to see that movie again in my whole life” – My immediate, traumatised reaction to Pascal Laugier’s seminal work of French extremism, circa 2008. Rarely have I ever been so profoundly shocked and upset by a horror film as I was Martyrs, an incomparable piece of cinema rightly regarded as one of the most terrifying movies of all time, and rite of passage for any self-respecting horror fan. Of course, I did see Martyrs again (and again) in the years which followed that fateful first viewing; it is, after all, a masterpiece, and one of my favourite movies of all time.
Say, remember that time I called Martyrs incomparable? Well now we have something to directly compare it to – Martyrs, Blumhouse style! While there are many remakes I enjoy and even love (I’ll take The Hills Have Eyes remake over the original any day) there’s a reason you tend not to see too many remakes of the extreme French cinema movement, not least the fact that what makes them work is mostly their unflinching brutality and no-holds barred attitude to torture, murder and violence (particularly towards children and our four-legged friends). Not so, this American remake – in fact, if there is one word I would use to describe this version of Martyrs, it is ‘flinching.’ Holds are very much barred.
For much of the film’s first half, Kevin and Michael Goetz’s Martyrs is a fairly straight redo of the original movie, adding in an orphanage childhood for Lucie and Anna (which I liked) and making the girls more ‘traditional’, passive (read: cries all the time) horror heroines (which I did not like), while watering down absolutely everything else in-between. I had similar fears for the Oldboy remake, but at least that added in a bit of lunacy of its own, plus Samuel L. Jackson. Here, we get to see the exact same scenes from Good Martyrs all over again, but with added dilution stirred into the formula. Nobody needed to see the ultraviolence of Good Martyrs again, but the scene-for-scene approach only highlights how depressingly close to mainstream the line is drawn here. It helps even less that horror’s big, messy torture phase has been over for a while now, a boat well and truly missed by this outdated, unnecessary remake.
The film does have a few surprises of its very own though, not least the trajectory of Anna and Lucie’s journey into martyrdom. Ironically, given how safe the remake plays matters, poor Lucie gets an even crueller treatment here than she did in 2008, staying alive long enough to find herself back in the same experimental torture basement, forced to relive traumas past over and over again, without so much as a trigger warning for comfort. Anna, meanwhile, becomes the archetypal American Final Girl, sneaking around (a very French looking) farm, slaughtering her captors wholesale, as though the filmmakers decided to tack Doug’s arc from The Hills Have Eyes onto a goddamn Martyrs remake. With its action sequences and shit-you-not gunfight in the basement, the last half plays out like somebody’s spoof version nightmare of what an American version of Martyrs might look like.
Barring its early orphanage sequences and pretty Blumhouse visuals (which serve only to remind how safe the film is), there’s nothing to recommend about Martyrs. As a remake, it’s watered-down and insufferable in its cowardice. When doing its own thing, it becomes boring, stupid and clichéd. Worst of all are when the two meet, during a reshuffled version of the finale which tries to repurpose that shocking, faith-shattering revelation as a kick-ass moment for its now badass heroine, inadvertently ruining both. Having nothing to say of your own isn’t so bad (Blumhouse has largely founded a studio on empty-headed entertainment) but one should at least try to understand the sentiment if you’re going to copy someone else’s thoughts.
This remake is a brainless travesty, every bit as bad as you’d feared it would be. Not even the rumoured Olsen sister or 15 rating could have made it any worse. Even those who have never seen Martyrs are unlikely to find much to enjoy – the constant baulking from the dark heart of the material is noticeable even when you have nothing to compare it to. It’s a slightly gorier and less supernatural Blumhouse distributed tale than one might be used to, but not in any way a good one.
For the second time in a lifetime, I have walked out of a Martyrs movie hoping never to see it again in my life. This time, however, I feel entirely confident in saying that I never, ever will.


See Breaking Dawn, of course!
I went with my coworker and let's just say the movie was..uhm....about as good as I expected it to be.
Which wasn't that good.
I saw the first one in the theater and wanted to see this one on the big screen too, because come on, who doesn't want to see that vampire baby born in mega-size.
I quickly learned after watching that scene....me.
Really....did we need to have the surround sound of Bella's bones breaking? No really. That was MESSED UP! Cringe worthy, throw-up, sick.
And apparently Edward eats through the placenta to get the baby out.
Yeah, I didn't know that because I didn't see it. I was too busy sitting with my hands over my eyes cringing from Bella's stomach being ripped open and bones cracking like twigs in a fire.
Also...I thought the first half was slooooooooow....I kept wanting things to move faster, or at least for Bella to talk. Stop biting your lip, girl!
Oh, and did I mention the bones crack o'lacking?
My coworker said her daughter had nightmares after seeing it. I told her it might have been because of the gruesome pile-up of dead bodies at the start of the movie. Nothing like the entire wedding party and guests in white...then adorned with red blood dripping down the mountain of corpses. Delightful.
And don't forget Bella's bones snapping left and right!
I was also equally creeped out by Jacob imprinting on Renesme. Really. Creepy. My students tried to tell me that it wasn't romantic, he was imprinting in a big brother way. No. It. Was. Creepy.
But at least we got to see a shirtless Jacob within the first 30 seconds of the movie. I'm joking, folks.
The soundtrack actually seemed like it might be decent. Maybe I should pick buy it, turn it up and try to drown out the memories of the breaking bones.
Did you see it? What did you think????


John van Putten
A Howard Fine Acting Studio and NIDA Screen Actors Studio graduate, John van Putten has had guest roles on ‘Neighbours’ (Tony Ronson) and ‘Blue Heelers’. He is also known for his work on ‘Angel Of Light’, ‘Proto’ and ‘It’s A Date’.
He stars in THIRTY as ‘John’, our disillusioned dad, school teacher and husband.
Helen has trained and performed in Australia, NYC and the UK, studying with the likes of Elizabeth Kemp, Larry Moss, Atlantic Theater Co and Anthony Brandon Wong. She is shooting an independent feature in 2017 (dir. Samuel Van Grinsven), and her theatre credits include ‘The Women’ and ‘The nights and days of Beebe Fenstermaker’.
Helen plays the enigmatic politician, ‘Natalie’.
Jordan is an actor/model from Wollongong. His credits include guest roles on ‘The Matty Johns Show’ and ‘Starting From…Now’.
Jordan plays graphic designer, awesome husband, terrible boss and all-round-nice guy, ‘Ben’.
Alex Jae, one of Sydney’s brightest up and coming stand up comedians, is a two time NSW RAW state finalist and a regular at the world famous Sydney Comedy Store. She has also had successful runs and sold out crowds at her Adelaide and Sydney Fringe Festival shows.
Alex joins the cast of THIRTY as motormouth sidekick journalist, ‘Dani’.
Scott’s credits include ‘Neighbours’, ‘Underbelly: Squizzy’ and ’Sidewalks’, along with a host of independent films and theatre productions. He trained at the Melbourne Acting Academy and The Impulse Company in London, and stars in the upcoming feature film ‘The Osiris Child’.
Scott plays the charming entrepreneur ‘Chris’.
After graduating from Sydney Theatre School in 2015, Jenae went on to study the Meisner Technique at the William Esper Studio in New York. She does a mean impersonation of Sharon from ‘Kath & Kim’ and she strongly believes your “dirty thirties are the best”.
Jenae plays ‘Jane’ – the feisty and wise half-sister to Dalia.


REBEL IN RISING is a breath-taking debut fashion film from director and Boulevard Artists member Braden Summers.
The film is an emotional response to the dawn of the new administration last year–which Braden describes as a frustrating and harmful time–but it's intentionally subtle, beautiful and accessible for viewers of any political persuasion. He said, "Anger doesn’t see [the opposite point of view], they’re not going to fully understand you if you're just responding angrily, so I wanted to create a response to how I was feeling emotionally. With something that was hopefully a little more digestible. Expressing anger and frustration but in a poetic, beautiful and artistic fashion...I wanted to show that there was heart in what we were feeling and not just bitterness."
The finished product is a visually stunning three-minute passion project featuring Clint Eastwood's daughter, Francesca. London Fashion Film Festival, Chicago's Fashion Film Festival, California Film Awards, Lift-Off Global Network Los Angeles and Golden Gate International Film Festival have recognized the work, amongst others.
"I definitely can’t speak for everyone, but I know for myself as a member of the LGBTQ community who is very liberal, I felt very protected and comforted under the Obama administration. And then the band-aid got ripped off. This administration threatened, through each policy, to chip away at the rights of LGBTQ people, people of color, and women. The narrative is almost a stream of consciousness response–the thoughts of the main character as the movie played out."
Braden has been studying to incorporate film as an extension of his art for the past six or seven years. He's created a lot of experimental work on the way to finding his voice as a filmmaker and translate from still to motion. He says that with REBEL IN RISING, for the first time there wasn't a struggle regarding how to approach the visuals for the film. Every scene was created as if it were a still photograph.
The film is a natural progression, but not a continuation of Braden's still work, All Love is Equal, a viral fashion project about same-sex couples.
"I wanted to create work that resonated with people who might otherwise be uncomfortable with that type of imagery. The goal was for people to look at it and think it's beautiful. Should they discover the after they looked at it and thought it was beautiful that it’s a same-sex couple then be disgusted–then fine. But I wanted the initial moment and reaction to be a positive reaction and a positive association with that type of imagery."


The 2018 Midterms Explained
WHO WE ARE
Lise Zumwalt, is a veteran producer/writer/director/editor of over 50 documentary films for NATIONAL GEOGRAPHIC TELEVISION, PBS, WNET, BBC, NBC, THE HISTORY CHANNEL and the DISCOVERY CHANNEL on series including NATURE, NOVA, WIDE ANGLE, WHO CARES ABOUT GIRLS, AMERICAN INVESTIGATIVE REPORTS & LOCKDOWN and has won 16 awards for her work. Her projects include the award-winning indie doc, “CRAZY” as well as political campaigns and non-profit image and advocacy campaigns. In addition to SNAP, Lise is a founding partner on A BAND OF VOTERS, a get out the vote effort for Millennials for the 2018 midterm elections.
Jenny Alexander is owner/producer of Activevista Media that focuses on immigration stories including DACA, immigrant detention and the effects of immigration policy on families. She is also a Senior Producer for Northern Light Productions in Boston.
WEB DEVELOPER / CONTENT PARTNER
Katherine Wells is the owner/founder of WellsDigital, a consultancy based in Brooklyn, NY. She has spent 20+ years leading web design and development teams for major media companies such as A&E, NBC Universal (Bravotv.com), Warner Music Group, Sony Pictures Television & HARPO Productions, and Getty Images (Photos.com). She is an Executive Producer for 91 East Productions, and is an active member of WICT-NY and NYWIFT, and is an advisory board member of FamiliesGiveBack.org.
Maryanne Galvin - Producer/Camera for Jimmy Tingle short
Maryanne Galvin is a practicing forensic psychologist and prolific independent documentary filmmaker who has produced, shot and edited 15 films in almost as many years. Maryanne’s films have a social justice focus and explore everything from suicide to food rescue to wildlife on shared landscapes to a psychologist’s take on terror. Her films appear regularly in film festivals and are distributed widely.
Emmy Scharlatt — Producer/Camera for man on the street interviews
Independent award-winning Director/Producer
Darcy Auguste — Producer/Camera for man on the street interviews
Social media maverick, human character explorer
Julia Sarantis — Producer/Camera for man on the street interviews
Writer at Kulturehub
Joey Forsyte — DP man on the street interviews
Joey’s work includes 50 feature films, high-end corporate pieces for BMW, Museum of Modern Art and DesignworksUSA. As a cinematographer, Forsyte has filmed political spots for candidates like Hillary Clinton and filmed throughout California’s underserved communities for the California Endowment. Joey is the creator and founder of A BAND OF VOTERS, a get out the vote effort for youth.
Rob Green — DP for Laurie Pohutsky short
Rob Green has 20 years of experience in documentary and non-fiction television and is the owner/producer of Leadfoot Films.


This Brave Time class will be producing the bi-weekly school TV show and independent short films when time allows. This is a yearlong Brave Time class and it will be hard work, but fun work. Students will rotate taking turns being the producers, directors, camera operators, on screen talent, editors and script writers. We will cover how to ask good interview questions, how to set up good looking shots and how to write scripts for short stories. We take pride in the product that we put out and our goal as a Brave Time class is to encourage positivity and community throughout the school – even though we are behind the scenes.
Advisor: Ms. Shalvey
Check out the latest episode of WHMS-TV
Want more? See past episodes below:


The film Adipurush has attracted much attention since it was announced. Produced by Om Raut the film is an adaptation of one of the most famous legends of Indian mythology, namely the Ramayana. The film stars Bollywood actor Prabhas as the main character as Lord Rama The trailer of this film already caused some buzz on the internet. But, a debate has erupted due to an assertion in the trailer about the birthplace for Lord Rama’s spouse Sita. In the trailer for Adipurush, Sita is referred to as the “daughter of India’. The reference to Sita’s birthplace has angered many in Nepal since it is believed that she was been born in the country’s Janakpur. This has led to a massive protest from Nepalese residents and political leaders who have demanded an apology from film makers.
Kathmandu Metropolitan City Mayor Balen Shah is the most vocal voice in this dispute. Balen Shah has stated that if the film doesn’t correct the’mistake and acknowledge Sita’s genuine roots the film will not be shown in Kathmandu. Indian movie will ever be shown in the capital region of Nepal. He also has criticized the depiction of the ‘conquest mindset that is depicted in the film which he believes is detrimental to relationships with Nepal as well as India.
Adipurush Dialogue Meme Trolls
This debate illustrates the fragile character of the historical and cultural references within the film. Although it may appear to be something minor to some people, the manner in which characters and events are presented can have a major influence on how people view these characters and the events. With regard to Adipurush the film makers may have accidentally caused a stir in the entire country by calling Sita in the form of an Indian instead of being a Nepalese. But it’s important to note it is the Ramayana is a classic that is revered throughout a large portion in Southeast Asia, and as so, it’s not surprising that many have a strong affinity for the protagonists and the themes.
The controversy over Adipurush serves as an example of how filmmakers should be cautious when working with the past and culture in their films. While it’s impossible to please everyone, it’s essential to take note of the potential impact minor details could affect the wider public. We hope that the film makers be aware of this critique and make changes to any perceived errors or flaws prior to the release of the film. It is our hope that this controversy will lead to better filmmaking in the coming years.


18/09 - 22/09 - Happy Spring Break!!
Ingrese a la Agenda
Donde cada uno da lo mejor de sí
Fostering Fair Play and Creativity
A Helping Hand
Everything Starts Here
Embracing The Future
A Passion for Educating.
Friends for life
Honesty, Wisdom and Love
Last Wednesday 13th, Primary School had its own school concert. This year, the students performed the play "The Enchanted Rose", based on the play "Beauty and the Beast".


The Great Controversy DVD Vol 3
By:Golden Eagle Films,
ISBN: 9780828026772 | Video (DVD) | Review and Herald | 2011
The closing events of earth's history will be rapid ones! September 11, 2001, proved that everything can change in an instant. This eye-opening, feature-length film portays in stunning detail the final scenes of the great controversy-the controversy between good and evil. Prepare yourself for the end of the world as we know it!


Story Warnings, Disclaimers, and Credits
I, John T Poole, don’t know any of the celebrities mentioned. I don’t know anything about their sexual orientation (unless otherwise stated in the public eye). This story is fiction and shouldn’t be taken for real life. This is for entertainment value only folks. Please don’t take this story seriously, it could lead “you” to get into a lot of trouble if you do. You’ve been warned. This is for entertainment only.
Pictures of celebrities on this website are depictions of what characters are envisioned to look like for the particular story. The pictures of celebrities presented here don’t mean that the characters they represent are how that celebrity actually acts in real life. Come on, it’s just like a movie, the celebrity pictures are only helping you to visualize what the character is like in the story. Don’t take this for more than what it actually it is. It’s a story and nothing more. Again, this is for entertainment value only folks.
|Dylan Chastayne is actor Brian Kubach||JT Chastayne-Donovan is actor Rockmond Dunbar|
|Hillary Chastayne is actress Sanaa Lathan||Julie Sheldon is actress Allison Mack|
|Dr. Gregory Sheldon is actor Hugh Laurie||James Chastayne is actor Ving Rhames|
|Alan Quartermane is actor Alan Ritchson||Kevin Chastayne is actor Michael Jai White|
|Ashley Chastayne is singer Beyonce Knowles||Geraldine Crestmore-Chastayne is singer/actress Whitney Houston|
|Ari Campbell is actor Josh Hopkins||Dahlia Crestmore-Jordan is actress Tisha Campbell-Martin|
|Donna Owens-Knight is actress Kathy Bates||Alex Chastayne-Donovan is actor Alex O’Loughlin|
|Janet Rayner is actress Vivica A. Fox||Justin Randall is singer/performer Justin Timberlake|
|Rev. Ely Carter is singer/actor Scott Clifton||Keegan James is actor Gary LeRoi Gray|


WATCH: Nola Darling Is BACK! 'She's Gotta Have It' Season 2 Trailer
Netflix recently released the trailer for Season 2 of 'She's Gotta Have It," the ongoing reboot series of Spike's 1986 breakout film. And Nola Darling played by Dewanda Wise, is still on a roller coaster ride with this thing called adulting.
"She's Gotta Have It" Season 2 will premiere May 24th on Netflix.
Peep the trailer below:


Born and raised just outside of New York City, Karson attended Emory University in Atlanta, where she studied Psychology and Theatre Studies and performed in the Atlanta theatre scene. In 2003, a love of performance and teaching brought Karson 12 miles west of New York City, to the Montclair Kimberley Academy, where she would teach high school theatre, dance, and yoga for five years. In 2008, Karson took a huge leap (pun intended), and moved across the country to San Diego to pursue her love of live performance. Since her arrival to Southern California, Karson has had the privilege of performing with San Diego Repertory Theatre, ion theatre, Playwrights Project, Cygnet Theatre, Diversionary Theatre, VoxNova Theatre Company, New Village Arts, Moxie Theatre, North Coast Repertory Theatre, and Moonlight Amphitheatre. Karson is also a member of ION Theatre Company.
In addition to performing, Karson is an Ambassador for lululemon athletica & Manduka, and owns Namaste Yoga Center in Ocean Beach with her husband, Mitch. She is also the owner of HAPPY-U and head writer for the HAPPY-U Bloggity Blog.
She and Mitch live in Ocean Beach with their dog, Sophie (aka the Furry Happiness Guru), and are expecting their first child in early July.


Lights. Camera. Pizza! Creekside is pleased to continue our partnership with the California Film Institute and the annual Mill Valley Film Festival. With the ongoing union strike, MVFF will likely be changing up their format a bit to welcome other non-union and international films. Now in their 46th year, The Mill Valley Film Festival’s longevity, selections, star-power, and galas bring world-wide attention to Marin County. Films are shown at many theaters, not just Mill Valley, and this year, Downtown San Rafael will be the host to one of the major galas. Past locations include Town Center in Corte Madera, Marin Country Mart in Larkspur, and of course, downtown Mill Valley. Berkeley and SF theaters are also now part of this year’s showing venues. It’s a good time every time at the Mill Valley Film Festival.
As movie buffs, short film supporters, and have had our hands in a few projects… Creekside loves the creative arts! We’ll see you at the movies. For tickets and more information on MVFF46: CLICK HERE


16 April 2012
How to write a cop Drama
Lately I've been watching a lot of cop dramas. TV is the only thing that Netflix Canada does well and once I finish the shows I'm interested in I'm planning to quit my subscription. Anyway while watching cop shows I noticed some similarities between and decided to write down my observation.
Using this as a guide you should be able to cobble together your own pitch to a network for your very own crappy cop drama/comedy/horror show.
Writing the premise:
Step 1: Your idea
Getting an idea is hard. It's much better if you can steal a popular idea that's already been done in any other country. American audiences won't (can't?) read subtitles so that means you can let british writers do all the heavy lifting and simply steal their idea. Then americanize it by plunking someone iconic and all-american like Harvey Keitel in the middle of it (Life on Mars).
Step 2: Where's your gimmick?
So you decided to come up with your own original idea? Well, it's your funeral I guess. Still you might have a chance if you get a good gimmick. Every
good cop show needs a gimmick. That is, the advantage your hero has in solving crimes that will make the show interesting different and provide the needed plot devices.
Here are some common ones:
- Solving crimes by reading lies in your face (Lie to Me)
- Solving crimes with science-y montages (CSI)
- Solving crimes by knowing about bones (Bones)
- Solving crimes by having OCD (Monk)
- Solving crimes by being a vampire (Angel)
- Solving crimes by being from the future and stuck in the 1970's (Life on Mars)
- Solving crimes by being MI-5 agents who always wear their seat belts (Spooks)
- Solving crimes (sort of) by being a serial killer (Dexter)
- Solving old crimes with new technology (Waking the Dead)
- Solving crimes by seeing inside the mind of the killer (Millenium)
- Solving crimes by becoming an enlightened buddhist cop after having served time wrongly-convicted for murder (Life) Note: This is my favourite one
It should be noted that at no point in this blog will I mention the Wire. The Wire is to television as the mongols are to all of history.
Most shows are broken into a 3-act structure. I'm assuming you know this already and I'm going to introduce the following steps that you can redistribute into your own three acts. Where you put each of these parts will give your show the flavour that will make or break it so choose wisely. For example, you could do each show Momento style and just reverse the parts each week. That might be a little too complicated for most audiences though.
Part 1: The Hook
The hook is the part of your story where the victim gets murdered. This is where you hire unkown actors at bargain basement prices to do things like scream and play corpses. Ending the hook with a scream and showing the bloody corpse is appropriate for a more serious show whereas a lighter show might have the main character come in and say something glib, and vaguely witty like "Looks like Mr. Reynold's piano brought the house down.... on him". Have them wink at the camera (or put on a pair of sunglasses dramatically, don't get too original here folks).
Part 2: Showing the crimescene
Your goo and makeup team can have a little fun here showing the corpse in weird and improbable positions, skewered by picket fences and mashed by trash compactors. You may have to do some research here. Given the number of cop dramas every week trying to outdo each other you might think that Americans have a 50% chance of dying in bizarre and horrible ways before their 30th birthday.
Part 3: Interviewing Struggling Actors
Part three is where you round up the usual suspects, played by struggling actors who are mostly so glad to have been promoted from the actors in part two that they will do whatever you ask of them. Most of that is sitting in interrogation rooms and crying while trying to convincingly deliver lines like "I swear, I didn't even know he was practicing his piano that night."
As far as writing it goes, always start with shedding light on a secret affair perpetrated either by the victim or their spouse. It is widely known that everyone suspected of murder is also an adulterer who can cry on command.
Part 4: The twist
Every episode needs a twist. This is where the underpaid actors you played to be the original suspects have alibis that check out. The hunt is then on for the medium-salaried guest actors who play the real murderers.
By now the audience knows it's coming. They saw the opening credits that said "Guest Starring John M Famousson" so they know that he's the killer. Also you're going to do a twist every single week in the second act.
It's tired and expected but you MUST do it because otherwise you're going to have to hire real writers to fill the last 20 minutes of the show with something non-formulaic. Non-formula is not our friend here. It's risky and expensive and won't give the audience that feeling of wearing your episode like their father's tired, comfortable-but-threadbare cardigan from 1975.
Part 5: The big finish
Never mind that the solved murder rate in the US is dropping to near 60% in recent years. Not catching the bad guy will bum out your viewers. DON'T DO THAT.
There are only two scenarios in which your murderer is not caught so pay attention:
- A 2-parter: When your writers are so proud of the psychopath you've created that he deserves a two part episode with a cliffhanger "TO BE CONTINUED" in which he WILL be caught at the end of the second episode.
- Long Plot: When the killer was the one responsible for the murder of your hero's mother. In this case him getting away will actually add tension and convince your viewers to keep watching.
Ok so now you have the opportunity to get your ballistics SF team into the fray. To catch your killer the heroes are going to need to unholster their prop guns and run down some dark hallways. Use tight shots so that the audience feels claustrophobic. After some lovely bits of running and dramatic gun waving they get to shout things like "Mrs. Reynolds, there's nowhere to run! You have to face the music!!" and your moderately priced, guest spot actors can cry and say things like "I didn't mean to kill him".
Part 6: The resolution
After the perp is in custody your male and female partners will be out for drinks/coffee/yoga and gaze into each other's eyes only to look away, feeding your "will-they-or-won't-they" sub-gimmick. You might want to have family members in here too so that the detectives can let off steam and break down so that we can see they are human.
End with a hug if you want the family viewers. End with a shot of whiskey and a thousand-yard stare into the distance if not.
Part 6 1/2: Next Time on....
This scene is short and optional. The last shot could be a set up for the next episode or 10 seconds of plot to further the overarching story arc. For example you might want to show the supervillain for the season throwing darts at a picture of your protagonists. Or you may flash back to the crimescene and show your supervillain watching the scene carefully through binoculars before swaggering off into a steamy New York alley.
The pilot is where you blow 50% of your effects budget for the year. Go nuts here: Recreate New York City in 1890 for no apparent reason, splatter your heroes with gore and do lots of car chases. If that doesn't get their attention I guarantee you won't get to spend the rest of the money anyway.
Season Story Arc
Every episode needs to follow the method outlined above. No exceptions. You're not trying to win awards here. Remember, formulaic and amusing.
That being said, you need an overarching story to make people come back. The trick is to give them barely enough to satisfy their craving to know more. Who killed the detective's mother all those years ago? What happened between your investigator and her estranged husband that caused her to drink so heavily? What, in your cop's deep, dark past made him/her want to be a cop in the first place?
Good. Now in every third or fourth episode write a bit of that story in and don't answer any questions until either a season finale or the season opener after a two-part "To be continued" that leaves people (hopefully) in suspended agony about your unanswered questions for 4 months of hiatus while you drink heavily on a beach in Maui and write more episodes.
Ok. So now let's practice what we've learned.
Let me tell you about a show. A show about a bunch of hardened cop friends that, after a gruesome crimscene involving the russian mob and a bus full of orphans, quit the force together to form a Beatles tribute band (ringo is played by a woman cop with an even more troubled past). On tour someone in their entourage gets murdered and they use their knowledge of beatles trivia and obscure, unplayable guitar chords to solve it. This leads to media attention and they return to the force to solve only rock'n'roll related murders.
That's it. Now give me money.


Absent… One from Another is the second installment in the Hattiesville Trilogy. The first part, The Wedding Party was published in 2012. Absent… opens three years after The Wedding Party ends with an unanswered question and reveals some disturbing news about the bride. The characters inAbsent… deal with past loves, past hurts, interracial relationships, death, infidelity, illness, and sibling rivalry, and then the story comes to a suspenseful end. Some new characters are introduced, but their lives are entangled in the lives of the characters you already know.


Gambling is a significant part of human life, and online casinos make it easier for everyone to access their favourite games at FreebetCasino. But did you know that gambling has also infiltrated the film industry? Below are some of the best ten movies about casinos.
1. Casino Royale (2006)
Casino Royale is a James Bond remake of the original 1967 film. Directed by Martin Campbell, the 2006 movie features Le Chiffre. He plays a game of Texas Hold’em, where he must win money to maintain his life in the risky client base he has built. Bond and a foreign agent, Vesper Lynd, must also play to stop Le Chiffre from winning.
2. Casino (1998)
Based on a true story, Casino tells of a regular American man who gets trapped in debts for failure of making responsible decisions in his gambling life. Starring Robert De Niro (Don), who is also faced with personal problems that disorient him. At some point, he ends up hospitalized due to a complete breakdown.
3. Ocean’s Eleven (2001)
Ocean’s Eleven is a comedy about gaming and gambling, where the main character manages to get everything back together. The film tells the story of Danny Ocean, a gifted bettor who can build an empire thanks to his skills and strategy. However, others are interested in his turf, and Danny has to hire the best bank robbers in the country to escape the predicament.
4. Uncut Gems (2019)
Featuring Adam Sandler as Howard, Uncut Gems is darker than a comical with some wits in it. Howard’s chaotic descent into financial problems and knack for associating himself with dodgy characters make the movie tense.
5. Rounders (1998)
If you enjoy high-stakes poker, then this movie is a must-watch. It takes you on the exploration of New York clubs. It tells the story of a law student who loses his savings to a club owner. He goes into a non-stop, no-sleep gambling binge with his friends.
6. The Player (1992)
The Player tells the story of a man whose past is dark and who wants to escape a life of gambling and drugs. The main character loses everything when gambling and turns to the only way to gain control of his life.
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7. The Gambler (1974)
The Gambler movie tells the story of a man who is trying to get away from his past. He struggles to forget about betting and a woman who doesn’t understand him. He has many problems and debts, and he decides to go on a round of trips and ends up in fifteen different places. He will need to bet more to win back what he has lost.
8. 21 Days (2001)
The main character in this movie is a man in the casino industry. He has worked in a high-risk area for many years and has accumulated a huge sum of money while facing his problems. He goes to get the job done when he learns that there is an opening in the Casino where all his problems can be solved. He later finds out that he has been set up and faces a high-end robbery in Casino.
9. 21 (2008)
The movie features a guy facing financial problems and gambling to make ends meet, and the Casino saves him. The film is one of the best gambling movies of the last decade, featuring a mix of tension and comedy.
10. The Hangover (2009)
The movie features a group of friends who head off to Vegas for their friend’s Doug bachelor party. They later wake up but don’t remember anything, a tiger in the bathroom, and their friend missing. They have a few hours to recollect everything that happened the night before and get their friend to his wedding.
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Welcome to the Square One Theatre Company! We are the only full-time, resident theatre currently producing in the Town of Stratford.
Our black box, intimate venue is located on the stage of Stratford Academy at 719 Birdseye St. here in Stratford. Please browse our website to learn more about us. There is a “Hall of Fame” for actors and video clips from some of our most memorable productions, as well as our Past Productions gallery. To be added to our mailing list, fill in your information below. You may also use our contact form to send your comments and questions or call us at 203.375.8778. We’re always happy to hear from you!


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We are putting names in the play program tonight, so please be there if you are planning on being in the play. If you are going to be in the play, and can't be there tonight, send me a message please. We will be in the sanctuary tonight.
May 5th: Dress rehearsal for Follow U
May 6th: Follow U Presentation at 6
(Free yogurt mountain trip for anyone that makes it to all the rest of Follow U rehearsals)
May 30-June 2: Camp JAM
June 3: VBS kick-off
June 4-8: VBS


Independent America: The Two Lane Search for Mom & Pop is a documentary film about a couple who travels 13,000 miles across America to find “independent America,” that is, no big boxes, no chain hotels, no fast food chains – just the mom & pop version of America. And on their journey they have two rules: 1) no interstates and 2) no chain anything. Watch the trailer on the website. The film was also featured on the Sundance Channel.
I haven’t seen this movie, but I want to. In the meantime, it’s inspired me to plan my summer road trip in a similar manner (albeit abridged and slightly different since I’m not making a film). Check out the Independent America blog for details on their trips, movie screenings. To follow the route of the film makers, click the “our route” category on the blog. (Or see this post for just the map version. It looks like fun!)
Has anyone seen this film?
After The Two Lane Search for Mom & Pop, Independent America has moved on to other films, including one about New Orleans after Hurricane Katrina. It is called Independent America: Rising From Ruins. It, too, looks fabulous. I’ll have to look for these at the library.


The role marks Grammy-winner and American Idol alumnus Underwood's most prominent acting gig yet. She previously played a small role in 2011's Soul Surfer and has co-hosted the Country Music Association Awards for five years.
The live Sound of Music broadcast, which NBC announced Friday, will be produced by Craig Zadan and Neil Meron, the creative leaders behind TV's Broadway musical drama Smash as well as the upcoming Academy Awards telecast.
The Sound of Music debuted on Broadway in 1959 with film and theatre star Mary Martin as the convent novitiate-turned-governess Maria.
In 1965, a film adaptation saw Julie Andrews take on the role. It won best picture at the Academy Awards and has become one of her best-known performances.


In the play by Stephen Dedalus called LEOPOLD BLOOM and also written as LEOPHARD DAHLUSCH and also as STEPHEN DEDALUS there is a story of two lovers, Constant and Archimago who fall in love with one another. They are both university graduates but Constant for some reason does not feel he can trust Archimago, who has a wicked nature. Their relationship is depicted as a cold one because of Constant’s feeling that he cannot trust his new partner. He always thinks of Archimago as someone who is out to get him and who perhaps might even try to kill him.
This is where LEOPOLD BLOOM steps in to fill this character. We see through Dedalus’ words that Constant is a man who feels the same way about all men. And so when he finally confesses his love to Archimago – BLOOM almost flies into the arms of the man he so deeply adores. After all this is done, we also see how Archimago grows and develops emotionally as he also comes to terms with his feelings for Constant. Eventually, however, it becomes clear that his attraction to Blooms was not only physical but also had an emotional component as well.
This is a great relationship between two strong characters who are both strong willed and attracted to each other but who also did not know how to let their feelings go. This play is full of emotion, pathos and mystery and it ends with the happiest ending of all, the union of the two lovers. Even though the play has been used many times in later plays it is still of great importance. It is hard to find modern productions that do it justice.


Tim Burton has dropped out of directing Angelina Jolie as the evil Maleficent in a “Sleeping Beauty” adaptation.
The filmmaker planned to put his Gothic twist on the story of the evil witch after his “Alice in Wonderland” adventure was a huge success for Disney last year.
Jolie was eager to play the fairy-tale villain after learning Burton was to helm the project, saying, “Tim Burton, the chance to work with him would be extraordinary.” But, according to The Hollywood Reporter, the film is now without a director after Burton decided to focus on his pet project “Frankenweenie” for the studio instead.
The publication reports that David Yates, who has directed the last four “Harry Potter” films, is in the running to take over.
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- Johnny Depp drops out of Whitey Bulger biopic


A 10分彩平台网址Sc10分彩平台网址ene fr10分彩平台网址om Disney's Mulan [Photo/Mtime]
Niki Caro, who has been tapped to direct the upcoming Disney live-action reboot of Mulan, said that the new film will not be a musical but a family-friendly and girl-powered martial arts flick.
The revelation has disappointed some fans, as the original animation features well-known songs like Reflection and I'll Make a Man Out of You.
During an interview with ScreenCrush, Caro said as the project has not officially started, she does not have too many details to reveal. However, given the scope of the production and the story, the director did promise the piece will come out a creative extravaganza.
Caro added that to prepare for the film, she and her 9-year-old daughter plan to learn martial arts together.
Since the story of Mulan is set in China, casting of the new film has attracted some attention, amid concerns of the story being whitewashed. The live-action remake will now reportedly feature an all-Asian cast to preserve the cultural accuracy of the tale.
Disney's 1998 animation Mulan was a worldwide hit. It was based on the Chinese folk tale of legendary warrior Hua Mulan from the Northern and Southern Dynasties, or around 1,2000 years ago, in Chinese history.
Disguised as a man, she took her ailing father's place in the army and earned high military honors, before retiring to her hometown.
The upcoming Mulan movie is scheduled for a release in November 2018.
Fans call on Disney 'not to whitewash' Mulan
'Game of Thrones' director may direct Sony's live-action 'Mulan'


20 December 2013 DRACULA RISING - DISCOVER THE ORIGINS OF VLAD TEPES Following the airing of new SkyLiving 10 episodes series "DRACULA, started on Halloween night, sky.com proposes an animated 5 parts video that imagine the origins of Vlad Tepes.
Travel back to the 15th century to discover the iconic Vlad Tepes, also known as Dracula.
31 October 2013 SINK YOUR TEETH INTO BRAND NEW DRACULA
Sky's brand new 10-episode series re-introduces Dracula as he arrives in London, posing as an American entrepreneur who maintains that he wants to bring modern science to Victorian society. In reality, he hopes to wreak revenge on the people who ruined his life centuries earlier. There's only one circumstance that can potentially thwart his plan - he's fallen hopelessly in love with a woman who appears to be the reincarnation of his dead wife.
Golden Globe winner Jonathan Rhys Meyers leads an outstanding cast including Arrow actress Jessica De Gouw as muse Mina Murray, Merlin star Katie Mcgrath as social butterfly Lucy Westenra, Mr Selfridge actor Oliver Jackson-Cohen as Jonathan Harker, Thomas Kretschmann as Abraham Van Helsing and the stunning Victoria Smurfit as Lady Jane Wetherby.


It’s been eight years since the original Resident Evil made the leap from videogame to big screen. And unfortunately the movie companies have decided there’s still money to be made. Afterlife, the fourth in the series, follows the same trails as those before it adding only the barest necessities. Oh and 3D. Lots and lots of 3D.
The first film was enjoyable. A good zombie romp with a decent cast and palatable story. Ever since it has devolved into some hair-brained tale of superpowers and even crazier bad guys competing for the worst accent award. I doubt the studio would have bought the series back to life had it not been for the uptake of 3D and the extra profit it generates.
Afterlife takes place some time after the last film, with Alice taking out the corporate bigwigs of Umbrella. The opening scene, in which she eliminates the Tokyo HQ, also helps to remedy the two main threads people were wondering about: namely the numerous Alice clones and her newly discovered telekinetic abilities. Needless to say, fifteen minutes in she’s back to her normal self and all alone. Wow, what a clever way to tie those loose ends off.
The rest of the film is spent following Alice as she tries to reconnect with others. The only downside however is that the people she does meet are killed off so quickly and frequently you begin to wonder why she even bothers. You can tell who is meant to survive and who’s just a walking Happy Meal in the first five seconds. And unfortunately the battles themselves are also over far too quickly, leaving an anticlimactic feeling in your stomach.
By the end of the 97 minute runtime you’ve seen a lot of explosions, had all manor of things fly out of the screen and watched more people die than you care to remember. Unfortunately, if not inevitably, a fifth film is hinted at but this really should be the last. Watch the first again, maybe the second. But after that? Go elsewhere, Resident Evil has been done to death.
My rating: 40%


**Title: “Pearl” Film Review by Ti West | Silver Screen with Martin**
Join me, Martin, on Silver Screen as we delve into a film review of “Pearl,” the second installment of a trilogy by the talented Ti West. With the third part already in the works and the first part premiering in 2022, the rapid development of this interconnected three-part story is truly remarkable.
Set in the aftermath of World War I, “Pearl” follows the story of a young woman named Pearl living on a farm in Texas. Juggling the care of her ailing father and the hope for her husband’s safe return from Europe, Pearl longs for a life beyond the confines of the farm. When a local dance contest presents her with an opportunity to tour with a theater troupe, Pearl’s aspirations take a new turn, leading her on a path of self-discovery and defiance of societal norms.
Ti West’s direction in “Pearl” pays homage to classic films like “Mary Poppins” and “The Texas Chainsaw Massacre,” offering a unique blend of horror elements and character-driven drama. The standout performance by the lead actress adds depth and nuance to the film, elevating it to a level worthy of critical acclaim.
With stunning visuals and a captivating soundtrack, “Pearl” is a must-watch for fans of genre-bending cinema. While some moments may feel drawn out, the overall experience is a cinematic treat that deserves recognition. Rating “Pearl” a solid 9 out of 10, this film stands as a highlight of the cinematic year, promising an exciting continuation in the upcoming third installment.
Don’t miss out on this mesmerizing film experience that challenges conventions and celebrates the power of storytelling. Join me on Silver Screen as we explore the captivating world of “Pearl” by Ti West. Subscribe for more film reviews and discussions. **Experience the magic of cinema with “Pearl” today!**


Special Screening of Most Likely to Succeed
Come see Most Likely to Succeed on Thursday, April 28. This critically acclaimed film examines the question, “Do current educational methods prepare students to succeed in the future?”
After disappointing interactions with his children’s schools, film producer Ted Dintersmith trekked around the country to meet with teachers, students, and leaders in education. The film captures his findings from those discussions and offers direction for change.
Seeing this film begins a community discussion of how to improve our schools. Most Likely to Succeed will be shown at 7pm, April 28, in James River Day School’s Carrington Field House.
This event is free and open to the public. A panel discussion immediately follows the film. Local educational leaders will be on hand, including representatives from Lynchburg City Schools, Lynchburg College, Randolph College, Chatham Hall, Virginia Episcopal School, and the event’s host, James River Day School. Please join us for what is sure to be an informative and exciting event here in Lynchburg!
Because space is limited, please register your intention to attend this event by registering below.
||Alumna Reece Schietinger (class of 2014) began showing a talent for film while in middle school at James River. Because of her engaging video style, Reece was asked to produce a short film about James River Day School. She chose to base her film upon the Character Pledge, which our students recite each school day morning. Reece manages to say a lot in a short, 20-second clip. Take a look!


At the end of last year I did a post about Ivo Gormley’s seminal film, Us Now. The film had such an impact that since then (as promised) FutureGov has been working with Ivo to screen the film both in the UK and further afield. The reaction at these screenings was so positive that we’re working with Ivo to launch the film online in association with the British Council think tank Counterpoint.
The launch will be on the 12 May at an event that brings together eminent sociologist Richard Sennett, Minister for Transformational Government Tom Watson and Catherine Fieschi, Director of Counterpoint, to discuss the theory and practice of transforming governments through participation. We are also looking to provide a live web link to a parallel event in the USA at The Kennedy School of Government, Harvard. The events will be broadcast live online (4pm UK time, 11am US east coast time) and from 12 May onwards the full film will be available to stream online on the film’s site.
In case you’ve missed the well-deserved buzz about Us Now, the film tells the stories of online networks that are challenging the existing notion of hierarchy. For the first time, it brings together the fore-most thinkers in the field of participative governance to describe the future of government. FutureGov is proud to be coordinating the launch of the film so that audiences across the world are inspired to act.
Tickets to the launch event are extremely limited so if you’re interested in attending and/or sponsoring the event or site where the film will be hosted, get in touch at dominic [dot] campbell [at] futuregovconsultancy [dot] com.
See you there!


Danny Dyer is seen for the first time since announcing EastEnders’ departure as he returns to the set in Bentley… after bookmakers narrow his chances of becoming the next Doctor Who
Danny Dyer was seen back at work on Friday for the first time since announcing he is leaving EastEnders after nine years on the soap.
The actor, 44, drove his black Bentley to the set in London as he prepared to film scenes as Mick Carter.
It comes as Danny was named as one of the frontrunners to take over the Doctor Who role from Jodie Whittaker.
Moving on: Danny Dyer was first seen back at work on Friday after being named as one of the frontrunners to take over the Doctor Who role from Jodie Whittaker
Show fans are betting that Jodie, 39, will be replaced by Danny when she leaves the show this fall.
Danny was behind the wheel of his black motorcycle as he pulled into the Elstree studios in Hertfordshire.
The fencing star cut a casual figure in his vehicle in a gray coat while looking serious at his face.
Next move? Show fans are betting that Jodie, 39, will be replaced by Danny, 44, when she leaves the show this fall
Screen star: While he announced he was leaving his role as Mick Carter on EastEnders last week after nine years, it was back to work when he arrived for filming in his lavish Bentley today
On a roll: Danny was behind the wheel of his black bike as he pulled into the Elstree studios in Hertfordshire
Following Danny’s announcement that he is leaving EastEnders, bookmakers have lowered his odds from 66/1 to 16/1.
About how the chances of the next Doctor Who have changed dramatically since his announcement, a Ladbrokes spokeswoman told The Sun: “Danny may not be the archetypal actor to play the Doctor, but that’s exactly why he might be the perfect choice.” to make a big change in the show.
“He is wildly popular with gamblers and has already said he would like to take on different roles.
“So we could see him swapping the Queen Vic for the Tardis — and we’ve lowered our odds accordingly.”
Departure: Jodie will be leaving Doctor Who later this year and following Danny’s announcement that he is leaving EastEnders, bookmakers have lowered his odds from 66/1 to 16/1
Earlier this week, Danny admitted he had wanted to leave EastEnders “for a while” when he spoke out for the first time since announcing his departure from the soap.
On his Sorted With The Dyers podcast, he said: ‘If you have a job as a soap, your contract will be renewed and every time they’ve asked me to stay, and I’m very grateful for that. . Because I’ve seen a lot of people come and go. It’s very heavy.
“I’m always in doubt whether I want to draw again and I’ve been doubting for a while whether it’s time to roll the dice, take the plunge.
Moving on: The actor is leaving his role as Mick Carter in the BBC series after nine years, saying he wants to try other things now
The big news is that I have decided not to renew my contract. That’s all. It’s not because I’ve had a fight with anyone, I love everyone. That job was great for me. It’s an important part of television.’
The soap star insisted there is no “big story” behind his departure, other than that he wants to try other things.
It comes after Jodie asked another female doctor to take over the role.
She told Radio 1’s Vick Hope and Jordan North: “If we had the power to choose, I’m going to pick an actress that I find really exciting and that I think would be phenomenal, an actress named Lydia West. If I had the power!’
Lydia is bookmaker Coral’s favorite to replace Jodie with a 3-1 chance, while Fisayo Akinade and Omari Douglas (both 5-1) are joint second favorites and Olly Alexander is next in the bet at 6-
New: It comes after Jodie asked another female doctor to take over the role. She said, ‘If we had the power to choose, I’d choose an actress named Lydia West’; Lydia pictured 2021


(ATR) The U.S. Gymnastics sexual abuse saga will be told in a new documentary on HBO in 2019.
"At the Heart of Gold: Inside the USA Gymnastics Scandal" is based on years of research by producers David Ulich and Dr. Steven Ungerleider. Erin Lee Carr is the director.
The 90-minute film includes interviews with the gymnasts who revealed the crimes of former USA Gymnastics team doctor Larry Nassar.
"They had the courage to stand up, to be confident," Ungerleider tells Around the Rings. He credits a former director of USA Gymnastics as the whistle blower for calling attention to the scandal.
Ungerleider says the film has been in production for 18 months and that final edits are being made.
While he says interviews with victims will be the most poignant highlights of the film, Ungerleider says the documentary will deal with what he terms "the disconnect"of institutions such as the U.S. Olympic Committee and U.S. Gymnastics. He says those institutions failed to protect athletes.
Ungerleider says he expects the film to premiere by September 2019.
"I think this will bring new energy to the push against sexual abuse of athletes," he says.
"We are thrilled HBO has picked up At the Heart of Gold," Ulich tells Around the Rings. "Ultimately, our goal is for more people to understand what happened with USA Gymnastics and the Larry Nassar case, and we see this film as an important step in accomplishing that objective."
Ulich, an attorney in Los Angeles and Ungerleider, a sports psychologist in Oregon, have been involved in the Olympic Movement for 40 years. Ungerleider wrote the best-seller Faust’s Gold, exposing the East German doping machine.
The two men also produced "Munich '72 and Beyond," a 44-minute film the gives the perspective of the families of Israeli team members killed in the terrorist attack at the Munich Olympics.
Reported by Ed Hula.


Jonny Walker performs Song For Bernie – from his debut EP – in Hampstead, London for late-night shoppers. 2012.
Jonny Walker’s lead single from the debut EP, This Is Not Me. Film by Ruskin Kyle.
Jonny Walker Performs Hey There Delilah – 9th Febuary 2008
Jonny Walker covers Michael Jackson’s Man In The Mirror, live in Manchester
Jonny Walker performs his original song, Last Waltz Of The Summer, live on the streets
Jonny Walker performs his original song, Beautiful Morning, on the streets of Leeds
Jonny Walker performs his original song ‘Strange Disease’ live on the streets…
Jonny Walker performing at the Keep Streets Live protest, Liverpool (2012) – cover of the Beatles song, You’ve Got To Hide Your Love Away.
Jonny walker – The Last Dance (Original) – Albion street Leeds City centre.
This year is one of the most important year’s of his life as he launches his first EP ‘This is not me’ and marries the love of his life, Philippa Morgan. Jonny Walker shares with you his journey and hopes you enjoy it!!!


Photographing the stills for this project was beyond. Jason asked me to come on board of his documentary ‘Our Jubilee’ that was part of Black History month and I am so grateful to have been a part of this. The film explores the meaning of the Queen’s Jubilee from the point of view of Black British citizens from all different generations.
Being locked in a studio and listen to people’s life stories all day is a dream for me anyway, but the atmosphere on set was incredible. Jason is a great facilitator and space holder for people. It was a joy seeing him at work.
There are a total of 5 amazing documentaries in this Fresh Cuts series by ITV, which I highly recommend watching as well.
In September we were all invited to the official screening at the BAFTA which was so exciting and yes I had a total ‘what the hell is happening’ moment (see end of the post). I definitely roamed the halls looking at the wonderful portraits hanging there and visualising the day my work will be hanging in this building as well.
Here are some snaps from my phone, the night the documentary was shown at Bafta:


Immortals (2011) HD
|Producer||:||Mark Canton, Ken Halsband, David Hopwood, Ryan Kavanaugh, Jamie Marshall, Gianni Nunnari, Nico Soultanakis.|
|Release||:||November 10, 2011|
|Country||:||United States of America.|
|Production Company||:||Virgin Produced, Mark Canton Productions.|
|Genre||:||Fantasy, Action, Drama.|
Movie 'Immortals' was released in November 10, 2011 in genre Fantasy. Tarsem Singh was directed this movie and starring by Mickey Rourke. This movie tell story about Theseus is a mortal man chosen by Zeus to lead the fight against the ruthless King Hyperion, who is on a rampage across Greece to obtain a weapon that can destroy humanity.
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I have a real curiosity, I wouldn’t go so far as to call it an obsession, about Shanghai circa 1930. Recently, I watched Ang Lee’s Lust, Caution, a heavy duty film, and the set was an amazing dipiction of a long lost mix of Chinese and French mise en scene in Shanghai.
I followed this up with Wong Kar-Wai’s In the Mood for Love, and 2046. I have yet to watch the first of this accidental trilogy, Days of Being Wild. These are all Hong Kong in the 60s. The women are stunning (and include Maggie Cheung, Li Gong and Ziyi Zhang) and tend to overshadow the subdued main character, Chow Mo-wan played by Tony Leung Chiu-Wai (who plays the seemingly confused and brutal Mr Lee in Lust, Caution also). Again the sets are amazing and the soundtrack is superb. If only I had a time machine. All of these film reminded me of Henry and June, which has amazing art direction.


We’ve gathered together the greatest new movies turning out in 2018, including Black Panther, Infinity War and Deadpool 2. Watch their most recent trailers and discover their throwing and discharge date information right here.We’ve gathered together a portion of the best new movies turning out in 2018 with their trailers and discharge dates, including Black Panther, Deadpool 2, and that’s only the tip of the iceberg. What’s more, on the off chance that you need to get tickets for any of the motion pictures, look at our manual for purchasing shabby silver screen tickets in the UK.
Last refreshed with the best trailers from the Super Bowl, including Mission: Impossible, Skyscraper, Jurassic World 2, and the principal ever take a gander at Solo.
Dark Panther discharge date: 9 February 2018
Featuring: Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Danai Gurira
What we know: After appearing in Captain America: Civil War, Chadwick Boseman is back as Black Panther, Marvel’s all-African hero who just additionally happens to be a ruler. The for the most part dark cast resembles an enormous advance forward for superheroic decent variety, and it doesn’t hurt that the activity is presumably going to be really choice as well.
2.The Shape of Water
The Shape of Water UK discharge date: 16 February 2018
Featuring: Sally Hawkins, Doug Jones, Michael Shannon, Octavia Spencer
What we know: The most recent animal element from eminent chief Guillermo Del Toro looks prone to be more blubbering than startling, focussing on the taboo love between a hard of hearing lady and a quiet fish man who lives in an administration office. It’s a story as old as time what not. In any case, it looks flawless, it won the best prize at the Venice Film Festival, and commentators have been raving.
3.Pacific Rim: Uprising
Pacific Rim: Uprising discharge date: 23 February 2018
Featuring: John Boyega, Scott Eastwood, Rinko Kikuchi, Charlie Day, Burn Gorman
What we know: Giant robots meet mammoth creatures. Once more. This continuation of Guillermo Del Toro’s showstopper of creature anarchy originates from TV veteran Steven S. DeKnight, and stars John Boyega (of Star Wars notoriety) as the child of the principal film’s Idris Elba character. The early trailers were about character, yet the most recent gives us an appropriate taste of the plot, together with all the monster smashy robot activity you would ever request.
Red Sparrow UK discharge date: 2 March 2018
Featuring: Jennifer Lawrence, Joel Edgerton, Charlotte Rampling, Jeremy Irons
What we know: Jennifer Lawrence is a super-spy in this new spine chiller which sees her prepared as a ‘Sparrow’, a Russian operator who utilizes each instrument available to her to lure and dispense with her objectives. That all sounds entirely natural, yet the trailer proposes an appreciated dull tone to the film, so there may be more here than the plot synopsis recommends.
Tomb Raider discharge date: 16 March 2018
Featuring: Alicia Vikander, Walton Goggins, Daniel Wu, Dominic West
What we know: Tomb Raider stars Alicia Vikander as Lara Croft toward the start of her tomb striking days. Here she’s only a young lady off to take after the strides of her bafflingly vanished father, which will lead her to, you got it, a tomb. Ponder what she’ll do once she arrives? Read the most recent Tomb Raider motion picture news.
6.A Wrinkle in Time
A Wrinkle in Time discharge date: 23 March 2018
Featuring: Oprah Winfrey, Reese Witherspoon, Mindy Kaling
What we know: This book adjustment from Disney is a trippy voyage through time and space drove by none other than Oprah. Astounding. Chief Ava DuVernay is best known for documentaries and enormous genuine stuff like her Martin Luther King Jr. biopic Selma, so we can hardly wait to perceive how she handles shiny, woke dream. In light of the trailers, it would appear that she has it under control.
7.Ready Player One
Prepared Player One discharge date: 30 March 2018
Featuring: Tye Sheridan, Olivia Cooke, Ben Mendelsohn
What we know: Based on the top of the line novel by Ernest Cline, Ready Player One is a popular culture-doused tribute to the ’80s. Set in 2045, it focuses on a virtual reality challenge with a fortune as the prize – and the appropriate response is more likely than not covered up in its maker’s fixation on the music, movies, TV, and in particular videogames of the ’80s. Steven Spielberg is in the chief’s seat, so ideally it ought to be in safe hands. Discover more about Ready Player One.
8.Isle of Dogs
Isle of Dogs UK discharge date: 30 March 2018
Featuring: Bryan Cranston, Edward Norton, Scarlett Johansson, Jeff Goldblum
What we know: The most recent movie from auteur executive Wes Anderson sees him come back to stop-movement liveliness for one of his most grounded stories yet. Envisioning a future where Japan is overwhelm by puppies, the overabundance canines are transported off to an island refuse dump, which one young man voyages to on a journey to recover his own missing pooch. It’s all, exceptionally Wes Anderson – make of that what you will.
Frenzy UK discharge date: 13 April 2018
Featuring: Dwayne Johnson, Naomie Harris, Jeffrey Dean Morgan
What we know: Dwayne ‘the Rock’ Johnson stars in this retro computer game adjustment, which pits him up against a monster gorilla, wolf, and crocodile. Not adventitiously, it’s from the executive of San Andreas, which set him against a seismic tremor, so we’re seeking after comparable levels of so-terrible its-great rushes.
10.Avengers: Infinity War
Vindicators: Infinity War UK discharge date: 27 April 2018
Featuring: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Chris Pratt… et cetera
What we know: All of the superheroes ever are uniting in the greatest Marvel motion picture yet, as Josh Brolin’s for quite some time prodded Thanos at long last lands to assert the six Infinity Stones and fundamentally kill everyone. The cast is totally idiotically immense, yet everything leads into the up ’til now untitled fourth Avengers film in 2019, which will likely thin the group a bit.
Content credit: MP3SKULL


Our productions have won various awards in multiple industries.
We have experience in both large and small productions and adjust the production to your needs and budget.
With experience in writing and directing through editing and finishing, we can take your message from concept to screen.
Shoot Anywhere in the US
Our productions have taken us all over the nation. We'll come to you to get the job done.
We've worked with great brands.
The path to clear communication includes you.
Once we receive your messaging and target audience, we work together with you to define the right way to communicate your message in the most effective way. Our team presents a plan that includes every step of the production.
The production will be a solid execution of our pre-production. We’ll work together to shift gears if and when it’s necessary, in order to accomodate any changing needs.
03. Post Production
In the edit is where we finish your story. We’ll work together on finalizing the edit and then move to final color and sound, where your video is polished and delivered to spec and on time.


We’re honored to announce that THE SKIN I’M IN won “Best Feature” and “Best in Fest” at the inaugural 2015 Tattoo Arts Film Festival in Saskatoon, Canada. So grateful that audiences responded to the film and its questions. Especial thanks to festival founder Mark A. Allard for his support of the film and his vision putting together this festival!
Posts Tagged “Roxy Theatre”
The Skin I’m In will screen as one of the opening night films of the inaugural Tattoo Arts Film Festival at the historic Roxy Theatre in Saskatoon, Saskatchewan, Canada on Saturday April 4, 2015. The film will play at 9:30 PM, followed by a live Skype session with director Broderick Fox. Ticket purchases and the full lineup for this two-day festival accessible at: https://www.picatic.com/TattooArtsFilmFestival


I was tagged by Felicity at Poems, Prayers and Promises for "The Songs, Movies, and Books Tag".
Sorry my post wont be all pretty and fancy with cool pictures! ;)
1 // A Song That Describes You In Some Way
Learning How To Bend - Gary Allen
A Few Questions - Clay Walker
2 // A Movie That Inspires You
I have a few :P
A Man Called Peter
The End of the Spear
Since You Went Away
3 // A Book That The Main Character Is Like You
Anne of Green Gables
4 // A Song That You Love
Well besides all hymns...
I will put the first one that came into my mind :)
What A Difference You Made In My Life - Ronnie Milsap
5 // A Movie That You Love
Anne Of Green Gables
6 // A Book You Love
Ivanhoe - Sir Walter Scott
Saving Graces - Laura Ingalls Wilder
Anne of Green Gables The Complete Series
7 // A Song You Do Not Like
I have to put the same as Felicity, "Goodbye Earl" the Dixie Chicks.
I have not heard a stupider song yet!
8 // A Movie You Do Not Like
All Love Comes Softly Movies
9 // A Book You Do Not Like
Anything written by Lauraine Snelling!
I know a lot of you girls like her books, but I just don't. ;P
10 // A Song That Makes You Happy
160 Acres - Marty Robbins
11 // A Movie That Freaked You Out
The Brave Little Toaster! I think this is where my fear of clowns came from. I still cant watch it!!
12 // A Book That Made You Cry
Stepping Heavenward - Elizabeth Prentiss
13 // A Song You Listened To A Lot When You Were Younger
Don't Fence Me In - Moe Bandy
14 // A Movie You Watched A Lot When You Were Younger
Frosty The Snowman
Sarah Plain and Tall
lol a few :P
15 // A Book You Read A Lot When You Were Younger
Alice In Bibleland
I loved these books growing up!
16 // A Song That Irritates You
I Believe In You - Don Williams
17 // A Movie That Kept You On The Edge Of Your Seat
18 // A Book That Left You Breathless
Writing The War: Chronicles of a Word War II Correspondence
There you have it! ;)


Film production company Malaysia
Malaysia has some of the best infrastructure and is one of the hottest economies in South East Asia. Everyone is looking to film in Malaysia and Windup Films is here to provide film production services for you in Malaysia and all around SE Asia. Wind Up Films is a film production company in Malaysia and South East Asia. A very large portion of SE Asia’s film industry is located in bustling Malaysia. Shooting in Malaysia has major upsides and one such upside is the ease in communicating with local production houses and crew. This is why international crews prefer shooting here because almost everybody can speak fluent English. Mandarin, Hindi and Tamil are also prevalent languages here.
Therefore, when it comes to bringing your film production to Malaysia, there are no restriction as far as communication is concerned. However, this doesn’t mean there are many restrictions at all. Of course during any film shoot, problems can certainly arise at any point of production. Although no matter the issue, Wind Up Films is there to make sure every aspect of filming runs smoothly. Our resourcefulness and ability to surpass all challenges is consequently what separates us from others as the premier film production company in Malaysia. Malaysia also possesses beautiful islands, deserts, mountains, and modern urban areas.
No production is too big or small for us, we welcome all inquiries. Contact us 24 hours via our email, telephone or fill out a form provided below. Read further to learn about the complete services Wind Up Films offer as well as the stellar locations Malaysia is blessed with.
Film Production Services In Malaysia
Kuala Lumpur is the capital of Film making in Malaysia. From large feature film to short but sweet TVC’s there are production houses for every size project. Better yet the Malaysian permit process is very easy and efficient. The whole process can be completed in less than a month. Windup Films has offices in Kuala Lumpur and we are ready to provide production services for your film, documentary, short video, music video and TVC all over Malaysia. Our film production company in Malaysia provides every service you need from pre-production right through to editing in post-production. We consistently provide production crew, the latest camera equipment, editing and visual effects, casting, locations scouting, fixers and permits.
For these reasons, we continue to work with past clients who choose our film production company when shooting in Malaysia or anywhere in Asia. We’ve worked with world renown brands such as Apple, Google, Nike, Siemens and more as well as whole host of feature films, shorts and music videos. In addition, we’ve also provided our production services for documentaries with National Geographic, ARTE and Channel News Asia to name a few.
Feel free to give us a call or send us an email about your production. Continue reading to see some of Malaysia’s best filming locations, crew, and equipment you could work with when you come to film here.
Malaysia Filming Locations
This ASEAN nation has some of the most pristine natural locations in Asia. Filming in these natural wonders are just a skip and a hop away with only a van ride or a quick flight from Kuala Lumpur. Located on the Strait of Malacca, Georgetown on Penang Island is the second-largest city in Malaysia. Quiet, diverse and historic, Georgetown’s colonial architecture stand out amounts all the street food and scenic streets that surround them. It is also a highly covenant diving spot for divers from around the world visiting the Andaman Sea. Penang Island is also a very culturally diverse place with Chinese, Malay, and Indian communities peppered all around the island. Creating their own Chinatown and Little India.
Taking a brief boat or plane ride from Penang or Kuala Lumpur and you will arrive at the Langkawi island archipelago which will greet you with it’s the tropical and rural atmosphere. Langkawi is renowned for water sports, diving and pristine beaches. Imagine the perfect island and that picture you have is the Langkawi Island chain. From the Cameron Highlands to Sarawak and Sabah, Borneo. Malaysia has all the filming locations you would need for your film or TVC’s tropical locations. There is no set as good as a real lived-in place and Malaysias billion years old natural location are the most lived-in sets you could ever find for your cinematic needs.
Film Equipment And Crew In Malaysia
Arri, Red, Panavision, all these brands and their equipment are available in Malaysia. Along with some of the most experienced crews SE Asia has to offer. Efficient and effective crew is also one of the reasons films and TVC’s choose to create their masterpieces in Malaysia. This is also why Netflix and several other studios have chosen Malaysia to be their headquarters in South East Asia. Windup Films wants to help take your production to the next level. We would love to talk to you about your upcoming project in Malaysia or anywhere else in ASEAN. Please call or email us with any questions you may have about filming in ASEAN. We are looking forward to your call and want nothing more than to make your next production the best it can possibly be.


I am a Malay editor based in London. Originally from Singapore, I started out as a tape operator and rose through the ranks in the editing department. I spent a decade editing TV documentaries (Nat Geo, Discovery, A+E), dramas and promos (NBC, BBC, MTV) before moving to the UK in 2018 to pursue an MA in Editing at the NFTS.
My short films spanning fiction, documentary and animation have garnered nominations and special recognition at the student BAFTAs, the Annies, the RTS Awards as well as LFF, TIFF, Locarno, and SXSW.
In 2022, I edited my first feature film Ajoomma, which premiered at Busan Film Festival and received four nominations at the Golden Horse Film Awards. It was also selected as Singapore’s Official Submission to the 95th Academy Awards.
Recently, I completed work on my second feature film Dreaming & Dying which won two prizes (Golden Leopard – Filmmakers of the Present and Swatch First Feature Award) at the prestigious Locarno Film Festival.
I am particularly drawn to films which are a little weird, dark and funny, so do get in touch if you're the same.
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Haunted by memories as a child soldier in 1980s Iran, Behrouz finds himself in bustling, neon-soaked Los Angeles, working to become a real estate agent and live a simple life with his girlfriend Oksana. But Behrouz’s attempts at a normal life become increasingly difficult as his opium addiction and gambling habit rear their ugly heads, and he struggles to leave behind his past with the Iranian mafia. Soon Behrouz and Oksana find themselves caught between the feuding heads of the Iranian and Russian mobs.
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