Why did you so cry out, sirs, in your sleep? When grief, and blood ill-temper'd, vexeth him? Be angry when you will, it shall have scope; Do what you will, dishonour shall be humour. Must I observe you? That tidings came. Boston: Allyn and Bacon. This is probably an essay question for someone’s homework. Give me your hand. a bribe or tip.
What is Shakespeare's purpose in delaying such news? [. Rather than being overwhelmed with emotion by her death, Brutus controls his emotions in typical stoic fashion and continues planning his military strategy against Octavius. I am a 70-pound, hunky Mastiff mix who is 3 years old. What frightens Brutus at the end of Act IV? So shall he waste his means, weary his soldiers. Give me a bowl of wine. Do you confess so much? A summary of Part X (Section4) in William Shakespeare's Julius Caesar. Porcia Catonis (c. 70 BC – June 43 BC or October 42 BC) (Porcia "of Cato", in full Porcia Catonis filia, "Porcia the daughter of Cato") also known simply as Porcia, occasionally spelled "Portia", especially in 18th-century English literature, was a Roman woman who lived in the 1st century BC. Good reasons must, of force, give place to better. Have mind upon your health, tempt me no further. Or, by the gods, this speech were else your last. Portia was distraught because Brutus had been gone so long and because she feared that Brutus would be defeated by his enemies. Antony orders his men to go see if the real Brutus is alive or dead and to treat their prisoner well. The people 'twixt Philippi and this ground.
How does Brutus react about portias death? What does Lucilius tell Brutus about Cassius’ attitude?_____ 2. I love dogs, cats and kids, which makes me the perfect guy ! Brutus hath rived my heart: A friend should bear his friend's infirmities. By their proscriptions, Cicero being one. We must die, Messala. There is room for them to mourn, and when Lucius enters, Brutus immediately asks Cassius to put the news and the grief aside (4.2.210). Bear with me, good boy, I am much forgetful. Bid him set on his powers betimes before. Had you your letters from your wife, my lord? Cassius, a good friend of Brutus, was so overcome with sadness upon hearing the news of Portia’s death that he exclaimed, “O insupportable and touching loss!” (Act 4, scene 3, line 172.) In contrast to alternate representatives, who kill Caesar for individual increase, Brutus pursues Cassius out his anxiety for the Roman natives. That every nice offence should bear his comment. Portia dies by swallowing fire, or as we would say burning coal. And touch thy instrument a strain or two? Ed.
He seems unmoved by it and drinks wine while avoiding the subject. Gentle knave, good night; I will not do thee so much wrong to wake thee: If thou dost nod, thou break'st thy instrument; I'll take it from thee; and, good boy, good night. That makest my blood cold and my hair to stare? To lock such rascal counters from his friends. Ask for FREE. Give me the gown. She commits suicide because Antony and Octavius just gained a lot of power, and a lot of other reasons. What villain, etc. ACT IV
Our legions are brim-full, our cause is ripe: Which, taken at the flood, leads on to fortune; And we must take the current when it serves. Must I give way and room to your rash choler? There is some grudge between 'em: 'tis not meet. The Ghost of Caesar has appeared to him on the battlefield, he says, and he believes that the time has come for hi… How does Brutus react about portias death? Claudius! A friendly eye could never see such faults. The deep of night is crept upon our talk. Ha! What, shall one of us, That struck the foremost man of all this world. Noble, noble Cassius. must I stand and crouch. Cassius and Brutus have a tight relationship; and when Brutus tells Cassius of Portia’s death, they are in a private space (4.2.199). You have done that you should be sorry for. All through the play, Brutus is a tangled, complex man who settles on the troublesome choice to join the plotters in Julius Caesar's death. ____
Portia is Brutus' harlot, not his wife. When I spoke that, I was ill-temper'd too. Brutus sits with his few remaining men. Never come such division 'tween our souls! Trending News. And chastisement doth therefore hide his head. Brutus fled Rome for his life after Antony's momentum-changing speech, the turning point of the play and has been trying to raise an army in Sardis, Asia Minor, so that he can fight Caesar's avengers and take back Rome. Brutus prepares for another battle with the Romans. Seventy. What does Cassius say to Brutus when he arrives at Brutus’ tent? She also suggests that, when Brutus keeps things from her, he's treating her like a "harlot [prostitute], not his wife." Julius Caesar basically committed suicide, not entirely unlike what we call today, "death by cops". Brutus has two different reactions to his wife's suicide, and I believe that like anyone else he kept himself private for the masses and opened up to his friends. What is being compared here? Except that he was not defeated in death, quite the opposite, the liberals, such as they were, utterly defeated the conservative Optimates that opposed Caesar. Art thou some god, some angel, or some devil. When speaking of suicide and Caesar one cannot help but point out that immediately after receiving the infamous Ides of March warning, he dismissed his personal guard, as well as his surreptitiously altering his will just days before to transfer a huge sum to the Dole (welfare). hear you aught of her in yours? That carries anger as the flint bears fire; To be but mirth and laughter to his Brutus. Here it is, I think. Brutus reacts to her death is sorrow, but in calm sorrow - without weeping and such. Get you hence, sirrah; saucy fellow, hence! Member of French dance music duo Cassius who worked with the Beastie Boys and Kanye West falls to his death from a high window in Paris, two days before new album is released Asked by Wiki User. "Deserted Village": Seneca's Tragedies and the Elizabethan Drama. What does the news concerning Cicero show us of conditions in Rome? We'll along ourselves, and meet them at Philippi. There's not a lot of justification for… he wants to stay and wait for antony and octavius at sardis, but there is no point in arguing with Brutus . [. For so much trash as may be grasped thus? 20. 11. mart: sell, barter, a contraction of market, used more frequently as a noun. 12. We should say. Portia is dead. As Cassius, I have three options when acting through the news of Portia's death.
Two years Sirs, awake! you durst not so have tempted him. Shall I be frighted when a madman stares? There is an extended metaphor in lines 213-223. I'm not sure why my family decided that they didn't want me any longer, but it broke my heart. 4.2.239-245 shows a public response to her death, where Messala tells him to take the news “like a Roman.” My heart is thirsty for that noble pledge. He asks them to hold his sword so that he may run against it and kill himself. What villain touch'd his body, that did stab, And not for justice? Copyright © 1999 - 2020 GradeSaver LLC. 1 0. 16. chastisement: punishment. The value that Brutus did illustrate in his reaction to his wife, Portia's, death is being stoic or stoicism. Boy, Lucius! Because I knew the man, were slighted off.
Good night, Titinius. A flatterer's would not, though they do appear. That is, who of those that killed Caesar was such a villain as to stab him with any other motive except justice? 16 Act IV and V Continued. How ill this taper burns! And grief that young Octavius with Mark Antony, Have made themselves so strong: for with her death. The expression is explained by the next line. What message does the ghost of Caesar tell Brutus? . what do you mean? For shame, you generals! should bear its comment, or be criticized. Be ready, gods, with all your thunderbolts; I did not: he was but a fool that brought.
_____ 3. I'll use you for my mirth, yea, for my laughter. Portia was a friendly acquaintance who Cassius knew through Brutus. Prepare to lodge their companies to-night. 10. condemned to have: accused of having. Why ask you? Portia didn't want Caesar dead; she's a friend to Calpurnia and feels like she's an accessory because she's overheard Brutus and the other men planning. must I endure all this? Brutus dies AFTER Portia kills herself, so she doesn't kill herself because of Brutus' death. Impact. How do Cassius and Brutus react differently to Portias death? ay, more: fret till your proud heart break; Go show your slaves how choleric you are. O ye gods, ye gods! 2) Horribly distraught. Why does Brutus delay in telling about Portia’s death, and how does Cassius react to the news? I should not urge thy duty past thy might; I know young bloods look for a time of rest. For the first one hundred and forty-six lines of the scene, the reader is unaware that Portia's death is probably the underlying motivation for Brutus' passionate quarrel with Cassius. Remember March, the ides of March remember: Did not great Julius bleed for justice' sake? How 'scaped I killing when I cross'd you so? Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Brutus fled Rome for his life after Antony's momentum-changing speech, the turning point of the play and has been trying to raise an army in Sardis, Asia Minor, so that he can fight Caesar's avengers and take back Rome. 13. Dea, your understanding of Portia’s death further emphasizes my interpretation of the repetition surrounding Brutus. I'll know his humour, when he knows his time: What should the wars do with these jigging fools? The first time is by Brutus to Cassius in Act 4, Scene 3. That by proscription and bills of outlawry. In this I bury all unkindness, Cassius. What do you think will happen to Brutus’ and Cassius’ forces there? Portia and Calpurnia never enter the same scene or speak of one another, so I find the first answer quite interesting since there is no textual evidence of their relationship. 22. Though it do split you; for, from this day forth. Set in a note-book, learn'd, and conn'd by rote. What do you think. You wrong me every way; you wrong me, Brutus; When Caesar lived, he durst not thus have moved me. Hated by one he loves; braved by his brother; Cheque'd like a bondman; all his faults observed. I’m going to start with a caveat. Bending their expedition toward Philippi. Not affiliated with Harvard College. 1) Mildly distraught. Poor knave, I blame thee not; thou art o'er-watch'd. To tell thee thou shalt see me at Philippi. That tidings came;--with this she fell distract. How does Brutus react to Cassius’ charge against him? 27. bay the moon. It was well done; and thou shalt sleep again; This is a sleepy tune. When you are over-earnest with your Brutus. (Note: he was suffering from temporal lobe epilepsy, so his sacrifice was not so appalling, but rather a strategic use of his state of health.). In the field, Lucillius pretends that he is Brutus, and the Romans capture him. Brutus persuades the others to go to Philippi. This is boring, and because it is boring option 2 is preferable to option 1 in any case. Speak no more of her. Cassius is disconsolate because he thinks that he sent his best friend down to his death. How many senators including Cicero die? That plays thee music? Claudius! Learn exactly what happened in this chapter, scene, or section of Julius Caesar and what it means. I'll have them sleep on cushions in my tent. Yes, that thou didst: didst thou see any thing? That you have wrong'd me doth appear in this: You have condemn'd and noted Lucius Pella. I trouble thee too much, but thou art willing. An interesting comparison is our slang word "palm-grease," -- money given as
The name of Cassius honours this corruption. Portia was distraught because Brutus had been gone so long and because she feared that Brutus would be defeated by his enemies. NCERT Class 10 English Literature Reader Chapter 14 Julius Caesar And, her attendants absent, swallow'd fire. My answer back.
Brutus is an ignorant man; does not know what it really takes to win a war Brutus is a greedy man; he has secret plans to keep the winnings of the war to himself Brutus is very cowardly; he fights internal conflict and is afraid to battle because he fears he will die What do Cassius and Brutus accuse each other of? Why do Brutus and Cassius' army go to Phillipi? For certain she is dead, and by strange manner. Fill, Lucius, till the wine o'erswell the cup; I cannot drink too much of Brutus' love. Why is Cassius so shocked when he finally hears the news of Portia’s death from Brutus? Compare this with line 121 of Goldsmith's
Next: Julius Caesar, Act 5, Scene 1
According to Antony, what are Brutus and Cassius doing? He'll think your mother chides, and leave you so. Doing himself offence; whilst we, lying still. Explanatory Notes for Act 4, Scene 3
All this! Peace, peace! Scene 3
Portia was the daughter of Cato and the granddaughter of Marcus Cato. Brutus is overwhelmed by emotion and cries because stoics value emotion over reason. Shakespeare took the expression "condemned and noted" directly from Plutarch. I did not think you could have been so angry. Lucilius and Titinius, bid the commanders. Portia dies by swallowing fire, or as we would say burning coal. Why does Cassius believe he is going to die? No man bears sorrow better. Lesson Summary On the most basic level, Portia is Brutus's wife and one of the two female characters in the play Julius Caesar. What does his reaction reveal about his commitment to the philosophy of Stoicism? "Brutus here! My spirit from mine eyes! Which we will niggard with a little rest. To meet Antony and Octavius' army. You shall digest the venom of your spleen. Marcus Junius Brutus, a leading conspirator in the assassination of Julius Caesar, dies by suicide after his defeat at the second battle of Philippi. That we have tried the utmost of our friends. Brutus does not spend his passion grieving for his wife but instead turns it to war. How is Brutus' reaction to Portia's suicide an example of the philosophy of stoicism? an itching palm. Brutus said," Why, farewell, Portia. How does brutus react to portia's death? Must I budge? The second time is in the same scene by Massala.
Come on refresh'd, new-added, and encouraged; From which advantage shall we cut him off. Samuel Thurber. 18. How does Brutus react to Portia's death? Are full of rest, defense, and nimbleness. Portia will be greatly missed not only by her husband, but by her dear friends and family. Let me see, let me see; is not the leaf turn'd down. Dearer than Plutus' mine, richer than gold: If that thou be'st a Roman, take it forth; I, that denied thee gold, will give my heart: Strike, as thou didst at Caesar; for, I know, When thou didst hate him worst, thou lovedst him better. Portia's death is told to the audience twice. Where is thy instrument? 21. There is no terror, Cassius, in your threats. His victory was total and complete. Brutus has two different reactions to his wife's suicide, and I believe that like anyone else he kept himself private for the masses and opened up to his friends. Brutus reacts to her death is sorrow, but in calm sorrow - without weeping and such. Ha, ha! Do you agree with Brutus or Cassius in their plans for the approaching battle? Which you denied me: was that done like Cassius? She was the daughter of Marcus Porcius Cato Uticensis and his first wife Atilia. O murderous slumber. With this she fell distract. Didst thou dream, Lucius, that thou so criedst out? Compare the first scene in which we saw Lucius with this one in Brutus' tent before Sardis. With meditating, she must die only once, I have patience to endure it now." Ill spirit, I would hold more talk with thee. The news of her death to Brutus is delayed. Myself have letters of the selfsame tenor. Love, and be friends, as two such men should be; For I have seen more years, I'm sure, than ye. Varro! I will not have it so: lie down, good sirs; Look, Lucius, here's the book I sought for so; I was sure your lordship did not give it me. 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Latino Strategies Selected by Latino Film Institute to Revamp all LFI Properties
Posted on 05/11/2021 @ 01:40 PM
Including LFI, Los Angeles Latino International Film Festival, Youth Cinema Project, and LatinX in Animation
Latino Strategies, a Latino-owned full-service creative and design agency, has been selected by the Latino Film Institute (LFI) to update all LFI websites, including LatinoFilm.org, LALIFF.org, YouthCinemaProject.org, and to build a website for LatinX in Animation (LXiA).
The Latino Film Institute showcases, strengthens, and celebrates the richness of Latino lives by providing a pipeline, platform, and launching pad from their community into the entertainment industry. LFI houses three signature programs: The Youth Cinema Project (YCP), the Los Angeles Latino International Film Festival (LALIFF), and LXiA.
Latino Strategies will redesign the websites of LFI’s three flagship programs to reflect the latest in design and usability trends. These updates will include new, attractive design as well as persuasive copy – elements intended to draw and engage visitors, influence ticket sales, and increase membership and online fundraising. Latino Strategies will also see to many of the LFI’s technical requirements, by implementing its cloud based platform, including online fundraising, registration system, direct response email, SMS, donor management, advocacy, and content management, and much more.
In addition to a full suite of online management tools, Latino Strategies will help build out LALIFF’s online fundraising campaign. With years of success leading online fundraising campaigns for nonprofit organizations, Latino Strategies is optimistic about helping LALIFF achieve their fiscal goals.
“We are excited to partner with Edward James Olmos and the Latino Film Institute to raise awareness of the contributions of Latinos to the film industry,” said Juan Proaño, Latino Strategies’ co-founder and CEO. “Latino Strategies’ commitment to the Latino community and diverse representation for all Latinos in the entertainment industry is an opportunity to build long-term capacity for LFI in its fight for equity.”
LFI is the brainchild of actor, producer, and humanitarian Edward James Olmos. Its Board of Directors includes artists, entertainment industry insiders, and experienced professionals of all stripes – all of whom wish to see an increased representation of Latino artists and filmmakers throughout the industry.
“Latino Strategies is the industry leader for online technology consulting,” said Rafael Agustín, Executive Director of LALIFF. “As the Latino Film Institute continues to grow and paves the way for the entertainment industry’s multicultural future, Latino Strategies will help us build out our virtual footprint, along with our online fundraising capabilities.”
To learn more about LFI, visit LatinoFilm.org


A native of Belgium with roots in France and an accomplished vocal coach, conductor, and pianist, Kristof Van Grysperre has led Angels Vocal Art as artistic director and conductor since 2015. Most recently, Kristof Van Grysperre conducted the company’s production of Candide.
Playwright Lillian Hellman worked alongside American composer Leonard Bernstein to bring Voltaire’s famous novella Candide to life on the stage. Initially, Hellman intended for the adaptation to be a play with only background music, but Bernstein suggested they write the show in the form of a comic operetta. Candide made its debut in 1956 but later underwent several revisions. Today, productions of the show use not Hellman’s original libretto, but content from a commissioned text by Hugh Wheeler.
Told across two acts, Candide follows the story of its eponymous character, a resident of the country Westphalia and nephew to Baron Thunder-ten-Tronck. Though he is in love with the Baron’s daughter, Cunegonde, the Baron will not allow them to be together because Candide is an illegitimate member of the family. After the Baron exiles Candide for becoming engaged to his daughter, the story takes a satirical look at the ideas of happiness and optimism. Among other travails, Candide must endure the Spanish Inquisition, shipwreck, the loss of his fortune, and separation from Cunegonde. Bernstein sets the plot against such classic pieces as “Glitter and Be Gay” and “The Best of All Possible Worlds.”


"Michelle & Isabelle" - The Movie - With English Subtitles
Michelle (played by Michelle Landgraf) and Isabelle (played by Isabelle Pilipp) are best friends. You do a lot with her two dogs in a small town and go together through thick and thin. Michelle lives with her single mother, Isabelle with her also single father (played by Aom Flury). Michelle's mother (played by Connie Landgrave) have one day to take care of Grandma suddenly fell ill, who lives in another city. When the children are alone in one weekend, they discover on a trip an old mine, where a mystery before which they flee in fear. They promise never to talk about it and forget what they saw. Life goes on as usual. A few days later, Michelle was in love with a boy (played by Max Bauer) and Isabelle can from this point on the left. They neglected the school and even her dog. When she realizes that the boy was only playing with her, she regretted the betrayal. But it seems too late, because Isabelle has supposedly a new best friend. As well as her mother does not help, because this has its own problems, Michelle breaks world together and she sets out to secretly to find her biological father.


Cinema with a French accent: RUDN University at the Bordeaux Film Festival
The festival of short films of young filmmakers of Russia "In Cine Veritas" is held annually as part of the festival. This year, more than two hundred short films have been announced. Seventeen creators personally came to Bordeaux to present their work.
The prize "For deep and soulful disclosure of the plot" was received by the film "023 Moscow - Paris", directed by Miloslava Vybornykh, created with the participation of RUDN University. The film is unique in that it is fully voiced in Frenchby Tatyana Evsikova, lecturer of the Department of Foreign Languages at the Faculty of Philology of RUDN University and the head of the Club of Franco-Russian Friendship “Pocidelki”.
The festival prepared an educational program in cooperation with the University of Bordeaux, the School of Image and Sound 3IS, RUDN University and VGIK Russian Cinema Institute). The program featured master classes with the director and teacher of Wordshop Academy, Alyona Kukushkina, the presentation of the book “Woman and Her Career”, an honored guest of the festival, the founder of the “Serve Russia” Foundation Irina Yasakova, a lecture by film critic Irina Pavlova, as well as a discussion of the films with famous creators directors, actors and producers.
The festival has been held in Bordeaux since 2009. Created on the initiative of students of the University of Bordeaux-Montaigne and students of RUDN University, the festival helps to familiarize the French public with the richness and diversity of Slavic culture through the art of cinema. Each new festival in Bordeaux is successfully implemented by director Daria Tsukanova, the Institute of Modern Languages, Intercultural Communication and Migration of RUDN University, and invariably surprises with a new format.
32-year-old Emmanuel Nkweto from Zambia is studying in Russia a specialty that he loves with all his soul. The master’s student found a lot in common between our countries in the approach to work. He was happy to talk about his formation, family and practice at RUDN.
Khaula Mutaz is completing a bachelor’s degree at the Engineering Academy of RUDN. She dreams of returning to Sudan and establishing herself as a professional artist. So, she decided to enter the master’s program “Modern landscape architecture and urban design” and get another profession. And, as Khaula says, the way to suc-cess in the creative profession is hard.
RUDN has resumed full-time training in compliance with the recommendations of Rospotrebnadzor.


THE BROGAN DAVISON SHOW (2019)
Three years ago Brogan Davison started to visit the homes of strangers to perform her stand-up shows, as someone who has never done stand-up before. Embracing failure and vulnerability, she was interested in the sense of solidarity that an act like this could produce. Then before not too long, it became evident that Brogan needed a bigger stage.
The vulnerable relationship between performer and spectator is a central aspect of The Brogan Davison Show. It’s both funny and grand, absurd and ridiculous - but mostly a declaration of love for anyone who’s looking to find a meaningful place in the world.
Through Dance For Me’s vulnerable and off-key approach to performance making, guests can expect a brutally raw performance full of love, rage, bravery and stupidity, through song, dance, stand-up and storytelling.
Concept and creation: Brogan Davison, Pétur Ármannsson
Artistic support: Ingrid Vranken and Samara Hersch
Co-production: Indiciplinarte (IT), Das Theatre School (NL), Productiehuis Theater Rotterdam (NL)
The Brogan Davison Show (2019) has been to:
Welcome To Our Guesthouse, Productiehuis Theater Rotterdam, Rotterdam, The Netherlands
Das Theatre Graduate School, Amsterdam, The Netherlands
Meteor Festival, Bergen, Norway
Reykjavík Dance Festival, Reykjavík, Iceland


Thursday, December 27, 2012
Deftly scripted spy thriller that stays true to its name
There's a scene in this movie when his secretary asks "What's this all about?; "Money," says Nathan Muir. "Microchips. Toaster ovens." Muir (Robert Redford), a CIA agent about to retire, is bitterly certain that what he's saying is true - that the tricks being played by higher-ups in the CIA are motivated by American greed and international trade interests. But that turns out to be only part of what Spy Game (2001) is about. There's also friendship, love and loyalty.
The film, directed by the late Tony Scott (Top Gun), moves through two decades over two hours, but the breakneck pace never gives you a chance to get bored, aided by a great score by the English composer Harry Gregson-Williams.
In 1974, CIA agent Muir meets sharpshooter Tom Bishop (Brad Pitt) in Vietnam. Brad Pitt lends credence to the role and impressed by the kid's guts and skills, Muir recruits him. The snippets of spy training we get to see as Muir instructs Bishop are the coolest part of the film, and Redford lends his usual easy authority to the role of mentor. It must've been a thrill for him to resuscitate his All the President's Men wardrobe, too.
Ten years later, the two men are on a mission together in Beirut. Somehow, amid the carnage and constant shelling, there's time for Bishop to fall in love. He meets Elizabeth Hadley (Catherine McCormack), a volunteer who, among other things, smuggles medical supplies to a refugee camp. In Muir's eyes, Bishop has broken a cardinal rule of spydom: He's allowed his emotions to cloud his judgment. Muir intervenes in a ghastly way, with horrifying consequences that don't become fully clear until 1991.
What could've been a run-of-the-mill spy thriller turns out to be a great movie. It's smart, well written and well paced and like its tag line crafty and intelligent . However, most of the credit for its success goes to Robert Redford rather than Brad Pitt. Sure, he's played the role of the old pro before; but Redford just keeps getting better at it and in the Spy Game, he shines.
Free Video Link - Streaming and Download - VeeHD


Adam Heffernan is a freelance actor and director, and teaches acting, theatre history and Shakespeare at Baldwin-Wallace College. He earned his M.F.A. at the University of Tennessee, Knoxville, his B.A. at the University of New Hampshire, Durham, and apprenticed at Actors Theatre of Louisville. He has served as the artistic director of both Highlands Playhouse and The Instant Theatre Company, and is a proud member of Actors Equity Association, American Federation of Radio and Television Artists and the Screen Actors Guild.


Jamestown, Virginia has a long and fascinating history behind it. This was the first permanent English settlement in the United States. This settlement was at the center of a number of significant historical events. Because of this, the settlement has been featured in all kinds of films.
Historical fiction is a rich genre. There are many fictional movies that use Jamestown as a backdrop. For example, the famous love story To Have and To Hold is set in Jamestown.
In addition to old classics, there are a number of newer movies that take place in Jamestown. The movie The New World, which was released in 2005, was set in Jamestown. There are all kinds of intriguing stories that feature Jamestown in some way.
If you’re in the mood for a good story, and you don’t know what to watch, you should start looking for movies about Jamestown. You’ll find a lot of appealing options.
If you’re looking for a movie that you can watch with young children, you should definitely consider movies that include the Jamestown settlement. One of the most famous children’s movies that involves Jamestown is Disney’s Pocahontas. There are also other versions of the Pocahontas story that are child-friendly.
You don’t have to wait until after your children have gone to bed to watch a movie about Jamestown. If you want to watch a movie like this, all you have to do is seek out family-friendly films. There are a lot of great movies that you can check out.
Because Jamestown is an important historical site, there are a number of documentaries about this town. If you’re looking for an educational film to watch, you’ll find no shortage of options.
There are documentaries that focus on different times in Jamestown histories. You’ll be able to find movies that focus on the initial settling of Jamestown, and you’ll be able to find films that show what happened to Jamestown when it was temporarily abandoned.
If there’s something you want to learn about Jamestown, you don’t necessarily have to read a book. There are plenty of educational and interesting documentaries that you can watch.
If you’re looking for movies about Jamestown, Virginia, you’ll find all kinds of films to watch. Start looking for movies that are relevant to you. You should be able to find all kinds of movies that are in line with your tastes and interests.


Jordana Brewster Net Worth, Age, and Instagram
Jordana Brewster is a Panamanian-American actress and model who is best known for her role in the 2001 film The Fast and the Furious. She has also starred in other films such as D.E.B.S., Nearing Grace, and Furious 7. In addition to her acting career, Brewster has also worked as a model for brands such as Ralph Lauren, Gap, and Neiman Marcus. Jordana Brewster’s net worth is estimated to be $20 million as of 2022.
|Full Name||Jordana Brewster|
|Birth Date / Age||April 26, 1980 / 41 Years Old|
|Birth Place||Panama City, Panama|
|Source of Wealth||Acting / Modeling|
|Height||5 ft. 7 in. / 170 cm.|
|Net Worth||$20 Million|
Jordana Brewster Early Life:
Jordana Brewster was born on April 26, 1980, in Panama City, Panama to Maria João (a Brazilian swimsuit model who appeared on the cover of Sports Illustrated in 1978) and Alden Brewster (an investment banker with roots in England, Scotland, and Ireland). Jordana has one younger sister named Isabella who is married to former NBA player Baron Davis.
When the Brewster family was young, they moved around a lot. They resided in London, England, until the age of six. After that, they moved to Rio de Janeiro, Brazil, where they stayed for four years. Finally, they settled in New York City at the Convent of the Sacred Heart. Jordana received her education from the Convent of the Sacred Heart in New York City. She then attended and graduated from Professional Children’s School.
Jordana Brewster Career:
When she was 12 years old, Brewster made her soap opera debut as Anita Santos on “All My Children.” She then played Nikki Munson in a recurring role on “As the World Turns.” With Cameron Diaz and Christopher Eccleston, she starred in the independent drama The Invisible Circus in 2001.
In 1976, she played a depressed teenager who traveled to Europe to discover why her older sister killed herself. Brewster played Maria, an art gallery dealer, in three episodes of “Dark Blue” in 2010. She also guested in two episodes of “Gigantic” that year. In 2011, she reprised her role as Mia Toretto for the fifth movie in the series, Fast Five.
She played Mia again in “Fast & Furious 6” which was released in 2013 – marking her fourth time playing the character. The movie features the final remaining fugitives from the heist in “Fast Five.” It grossed a total of $789 million worldwide. In 2015, Walker’s last movie role was in “Furious 7” as Mia. He died midway through filming in a single-car accident.
Jordana Brewster Instagram and Twitter:
View this post on Instagram
As of now, the skilled actress has a total of 4.4 Million Instagram followers and 692K Twitter followers.
My mama’s cray https://t.co/s7TEF6GJzU pic.twitter.com/lQwEjawsko
— Jordana Brewster (@JordanaBrewster) August 28, 2022
She is also known as a model and actress. She has twice been named one of the top 12 sexiest ladies on the planet by Maxim magazine. In May of 2009, she stripped down to black lingerie for a photo shoot. A few years later, she was photographed nude for Allure magazine’s May issue. Nicole Beharie, Katheryn Winnick, Sandrine Holt, Laverne Cox, and Lynn Whitfield were in attendance.
Jordana Brewster has been married to Andrew Form since 2007. Together, they have two sons: Julian (born in September 2009) and Rowan (born in June 2015). Brewster is a stepmother to Form’s children from his previous marriage, Phoenix and Keegan. In mid-2020, Brewster filed for divorce. She resides in Los Angeles, California with her family. Brewster is fluent in English, Spanish, and Portuguese.
Jordana Brewster Net Worth:
Jordana Brewster’s net worth of $20 million comes from her many years in the entertainment industry, with roles in film and TV dating back to her teenage years. She shows no signs of slowing down, having appeared in 10 projects over the last 5 years alone.
You can also read about SYDNEY SWEENEY NET WORTH: BIO, BOYFRIENDS AND CAREER


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written by Jonathan E. Steinberg & Robert Levine | directed by Neil Marshall
Now that Spartacus has finished its bloodthirsty tale, Starz is desperate for another hit to replace it (no, Da Vinci's Demons wasn't it). It's now pinning its hope on a tough-as-nails 18th-century pirate drama produced by Michael Bay (Transformers) and Neil Marshall (The Descent), who also directs this opener. But it's probably best to remember it's created by Jonathan Steinberg (Human Target) and Robert Levine (Jericho). Black Sails is an imagined prequel to Robert Louis Stevenson's classic novel Treasure Island, if anyone wants to know what Long John Silver was like as a young man, and why he came to mockingly name his parrot Captain Flint.
It's 1715 and (a very human) Captain Flint (Toby Stephens) is on an mission to find and loot a Spanish galleon containing almost unimaginable riches, while keeping that fact a secret from his near-mutinous crew. After Flint ransacks a ship in the West Indies containing sailor John Silver (Luke Arnold), who pretends to be an excellent cook so they'll spare his life, this first hour drops the action and shifts focus onto characters and politics, as Flint tries to find a missing page torn from a Captain's Log that indicates where his Spanish booty can be found. We also meet a variety of people in this cut-throat world: black marketeer Richard Guthrie (Sean Michael) and his lesbian daughter Eleanor (Hannah New), Flint's boatswain Billy Bones (Merlin's Tom Hopper), and real-life buccaneers Captain Vane (Zach McGowan) and knife-wielding Anne Bonny (Clara Paget).
It's a heady mix of characters (some created by Stevenson, others genuine pirates of the era), and the basic outline of what Black Sails is about has merit. I just found myself disinterested in too much, too quickly. There wasn't a character who stood out from the crowd, as Stephens didn't make a big enough impression. I was initially excited about the pirate genre coming to television (NBC also has Crossbones in development), but this might be territory small-screen budgets can't do justice with. There's a tangible lack of seafaring going on, as it's expensive and difficult to make look real, and I'm told this doesn't improve as the first season progresses. That wouldn't matter too much if there were fantastic characters to get behind, even if they're stuck being land lubbers, but Black Sails doesn't have a Johnny Depp-style "secret weapon" the Pirates of the Caribbean films benefited from.
As a premium cable drama, some will be pleased the language is appropriately salt and there's full-frontal nudity (which does sell the setting and period well), but such things don't make audiences tune in. Spartacus was also sneered at for being shallow and exploitative in its early days, but it quickly proved it understood its theme and could develop a story while getting audiences hooked into each character's concerns. Perhaps Black Sails could do the same, over time, and it's encouraging Starz have already commissioned a second season, so you can take the plunge without fearing it'll be axed and leave plots unresolved.
Overall, Black Sails didn't manage to pull me into its story, although something chimed with me during Flint's speech about the real enemy of pirates being civilisation. This show is set during the so-called Golden Age of Piracy (1650-1730), so maybe there's something deeper to be told about a seagoing, lawless lifestyle that largely went extinct. I quite like the idea that its pirates are a dying breed, existing on the fringes of a society that's encroaching on their existence more and more, hoping to find this bounty as a kind of "retirement plan". I just hope Black Sails can do something with that idea, rather than just throw vulgarity and nudity at a thin, overpopulated storyline.
It clearly wants to be Deadwood-at-sea, but right now it's just driftwood.


A graduate of The Actors Institute, London, further studies undertaken with the faculty at the Howard Fine Studio, Australia, Sally McLean has played roles in over thirty UK and Australian professional theatre productions, including Flame Trees, Uncle Vanya, The Auxiliary, Chasing Pegasus (a play in ten chords), The Clairvoyant, P.S I Love You, the Australian Premier of I Love You, You're Perfect, Now Change and the World Premier of Annabel's Requiem on the West End.
Sally has also played Shakespeare in both Australia and the UK, playing roles in Macbeth and Hamlet in the UK before performing for three seasons with the Australian Shakespeare Company in their critically acclaimed productions of Comedy of Errors and Romeo & Juliet.
Sally has additionally appeared in various lead and guest roles on numerous UK and Australian television series including Utopia, Lowdown, Elephant Princess, Flying Doctors, Totally Full Frontal, Blue Heelers, Tonight Live, Bingles, Comedy Inc. and the BBC mini-series Bootleg. Film credits include Raymond Taylor's Earnest Adventures In Love, V for Vienetta, Evie Wants A Baby and Why Must The Show Go On?, amongst others.
Her work behind the camera began with the BBC as a member of the Books & Special Projects Unit in BBC Music & Arts. Three years in production at the BBC led to her writing and producing her first film A Little Rain Must Fall in London in late 1996, thought to be the first TV-length drama to be shot on DV tape in the UK, and to her forming her production business Incognita Enterprises under the Honorary Patronage of Oscar® nominated actor, Sir Nigel Hawthorne - an association that continued until his passing in 2001.
Since then, Sally has worked in production for Channel Nine, Endemol Southern Star and others on programs including Big Brother, Australian Idol, The X-Factor and 1 VS 100, written and produced a number of short films and two theatrical productions (which she also directed), and is currently writer/director/producer for her first feature-length documentary, Champion (the story of Franz Stampfl), due for release in 2018 and Creator/Director/Producer of the internationally award-winning web series Shakespeare Republic. Other industry activities include serving as an official Jury member in both acting and screen craft categories for the AFI Awards, AACTA Awards and ATOM Awards since 2010.
Sally continues to work in Australian theatre, film and television as an actor as well as developing several projects for both the big and small screen as writer and producer.
IMDB PROFILE: http://www.imdb.com/name/nm0572643
ROLE: PRODUCER/SCRIPT CONSULTANT
Probably best known to international audiences as "Mauser" from The Matrix trilogy of films, Christopher Kirby began his career in his native USA before moving to Australia in the late 1990's and has a long list of varied Film and TV roles to his name, both here and in America.
US television roles include the series Quantum Leap, Space: Above and Beyond, The Fresh Prince of Bel-Air, The Lost World, BeastMaster, The Burning Zone, Nightmares & Dreamscapes, The Starter Wife, Hunter, Camp and The Divorce as well as the television special Blockheads for HBO. Australian credits include We Were Tomorrow, Marshall Law, Neighbours, Ocean Girl, Flipper and The Games.
Chris' film credits include Predestination with Ethan Hawke, the cult classic Iron Sky, Arrowhead, Queen of the Damned with Stuart Townsend, the comedy Crackerjack with Mick Molloy, Visitors, penned by the late, great Everett de Roche and directed by Richard Franklin, the Michael Caton and Paul Hogan comedy Strange Bedfellows, Macbeth, directed by Geoffrey Wright, Daybreakers with Ethan Hawke, George Lucas's Star Wars: Episode III - Revenge of the Sith, the Chi Cao dramatic adaptation Mao's Last Dancer and the iconic The Matrix Reloaded and The Matrix Revolutions with Keanu Reeves.
But Chris is no stranger to theatre either. He has played roles in such diverse professional stage productions as The Speechmaker for MTC opposite Nicholas Bell and Lachy Hulme, Twelfth Night for the Australian Shakespeare Company, the Green Room Award nominated This is How it Goes as well as Lobby Hero for Red Stitch Theatre, Transit for La Mama Theatre, The Sapphires for Company B, The Rocky Horror Picture Show with Craig McLachlan and the WW2 touring drama production Boundary Road.
Recent screen credits include Incognita Enterprises' Speaking Daggers and Shakespeare Republic: #LoveTheBard (Season Two), for which Chris won Best Lead Actor at the 2017 Austin Web Fest.
IMDB Profile: http://www.imdb.com/name/nm0456130/
A graduate of Ballarat Arts Academy (formally BAPA), Billy has played numerous roles in theatre, most notably Banquo and The Doctor in Macbeth, followed by Lysander and Lion in A Midsummer Night's Dream for Oz Act and performing six seasons of new Australian writing with Fractured Femur theatre company in various lead roles.
His screen credits include playing the guest role of Lieutenant Colonel Roland Claremont in Miss Fisher's Murder Mysteries for ABC TV, the lead role of Sheriff Sealey in the short film Ransom's Bribe, the lead role of Bounty Hunter in the vampire short film Spring Cleaning, the guest role of Martin in Salam Cafe: Chef Rumzee for SBS TV and the lead role of Hawksborn in the much-anticipated Terry Pratchett short film Trollbridge, amongst others.
Billy is also a presenter and voice-over artist, hosting the educational film The Physics of Light for VEA and voicing the role of "Spy" for a Team Fortress parody musical video, that has to date has gained just over half a million views on YouTube. He has appeared on several TV commercials including Australian Super and Ballarat University.
Billy's producing experience includes Co-Producer on the international docudrama Champion, Producer on the short film Speaking Daggers, as well as Executive Producer on two seasons of the award-winning web series Shakespeare Republic.
In addition to his acting work, Billy is a highly experienced Kung Fu practitioner, has a basic foundation in Parkour and is an ex member of the Australian Defence Forces (Army).
IMDB PROFILE: http://www.imdb.com/name/nm3830885/
MARG WOODLOCK-McLEAN OAM OLY
ROLE: STORY RESEARCHER
A classically trained musician, with a strong interest in the Arts, 1956 Olympian Marg Woodlock-McLean began her work as a behind-the-scenes Creative as Director of The Strolling Players – a youth performing arts touring troupe, who toured Australia, Holland, Switzerland and the U.K. Other relevant Arts experience includes working as Box Office Manager and Manager for the Playhouse Theatre, Toronto, Canada.
She went onto run her own special events company, Emjay Projects, organizing and managing large-scale events at venues such as The Royal Exhibition Buildings, and who’s flagship event, Making The Most of Life, won theMinister for Sport and Recreation Award for the Most Outstanding Community Event of 2000. Marg has also produced several large-scale televised concerts at the Sidney Myer Music Bowl and the Victorian Arts Centre with various television personalities and youth groups to raise money for charities such as The Royal Children’s Hospital.
An Olympic shot putter (Melbourne, 1956), Marg continues her involvement with the Olympic movement serving for many years as a member of the Victorian Olympic Club Executive Committee, and worked as a volunteer at the 2000 Sydney Olympic Games, as well as running with the Olympic torch in Frankston. She has received several awards, most recently MECWA’s Remarkable Person Award for her outstanding career and commitment to Older Persons, the Arts and Sport & Recreation.
In 2017, Marg was awarded with the Medal (OAM) of the Order of Australia for her service to Masters Sport and the Community in the Queens Birthday Honours. Now retired, she continues to work with Melbourne-based TV & film production company Incognita Enterprises as a consultant on a variety of projects including their feature documentary Champion: The Franz Stampfl Story and flagship digital series Shakespeare Republic.
IMDB Profile: https://www.imdb.com/name/nm1806192/
Based in Melbourne, Victoria, but known for travelling all over the world for work, Shaun studied Film at Footscray City College, achieving his Diploma in Screen in 2008. Since then he has fallen in love with being behind the camera and become an in-demand Director of Photography.
With experience shooting both nationally and internationally, creating content for television, film, news, corporate films, music videos and everything in between, Shaun's varied credits include Fashion Asia (F.A.D. Group), Inside MMA (Spike TV), Highway Cattle (documentary), Blood, Sweat & Tears (documentary) and the multi award-winning Chris & Josh (The Webseries), among many others.
A full Australian Cinematography Society Member (ACS), Shaun has also recently completed shooting the feature films 36 Questions and The Journey and is currently Director of Photography on the international feature documentary, Champion.
To see more of Shaun's work visit http://www.shaunherbertsonvisuals.com/
IMDB PROFILE: http://www.imdb.com/name/nm3764171/
ROLE: SOUND RECORDIST/EDITOR
Based in Melbourne, Australia, Tim McCormick is a qualified Sound Engineer (Bachelors of Recording Arts, Middlesex University England) and has a diploma in Sound Engineering from SAE in London. He has had over 10 years of experience doing studio and live work and has recently become more focused on post production and creating sound for picture.
Tim works with the philosophy is that sound is integral to story telling. As he puts it so well: "Sound is something that is often over-looked in productions, it shouldn’t be. It can be the difference between a good film and a great film. We couldn’t agree more!
Tim's credits include several short & feature films, corporate videos, web series and documentaries, both as sound recordist and sound editor, including Director, Sally McLean’s feature-length documentary Champion.
For more information about Tim’s work, visit his sound business website: http://www.assumption-audio.com/
IMDB PROFILE: http://www.imdb.com/name/nm5926166/
FULL CREW LIST (CONCEPT TEASER)
Produced by Sally McLean, Billy Smedley & Christopher Kirby for Incognita Enterprises
Written & Directed by Sally McLean
Featuring Nadine Garner, Christopher Kirby, Sarah Hallam, Sally McLean, Billy Smedley, Jessica To and Nikolas Morris with Newsreader voice-over by Tim McCormick
Cinematographer: Shaun Herbertson
Sound Design & Editing: Tim McCormick
Editors: Sally McLean & Thanassi Panagiotaras
Colourist: Thanassi Panagiotaras
Production Design: Eleanora Steiner
Wardrobe: Greta Weiner
Make Up: Taryn & Joel Gionis
Standby Props: Bianca Milani
Graphic Props Researcher & Props Buyer: Lisa Cookson
First Assistant Camera: Tim McCormick
Gaffer: Fabio Capodivento
Second Assistant Camera: Srini MadHavan
Production Management: Megan Williams & Lena McMurray (for Auspicious Arts Projects Inc.)
Unit Manager: Margaret Woodlock-McLean
Stills Photographer: Phill Northwood
Behind The Scenes Camera: Cole Kirby
Producers Assistants: Nikolas Morris & Jessica To
Production Assistants: Eva Torkkola & Georgia Kirby
Music by Glenn Miller
With thanks to Rye RSL, Warwicks, Tom McEvoy (Costumes)
Filmed on location at St Catherine's School, Melbourne


Magical collaborated on five films at the Mostra “Som Cinema”21/10/2014
“Segon Origen”, “Camí Ral”, “Clodette”, “Herència Tèrbola” and “Venki”
Magical Media has collaborated on five films presented at the Mostra Som Cinema, which will open in Lleida on Thursday the 23th. The event will open with the presentation of the making of the film Segon Origen, directed by Carles Porta, made at Magical.
Camí Ral, directed by Pep Oriol, will participate in the documentary section and it was filmed with Magical technology, where the sound and image post-production was done as well. Clodette, directed by José Pozo, will introduce the short film section, which used Magical filming technology and post-production. Herència Tèrbola, from the youths Mireia Cañadas, Anna Ibáñez, Lídia Pàmies and Jordina Solé, winners of the UdL/Ibercaja award Lights, Camera, Action, used the Avid and Mistika halls for the editing. Finally, you can see the teaser for Venki, under the direction of Miquel Abella, filmed with Magical technology.


The Colorado Film Institute's mission is to foster independent film through film screenings, panels, workshops, networking events, and educational projects. The Colorado Film Institute stages the Vail Film Festival on an annual basis in Vail, Colorado as the primary outlet for the Institute's initiatives. This year features women filmmakers with a diverse slate of 51 films.
Amazing weather and amazing activities are the cornerstones of Beaver Creek Loves Kids - SpringFest! Performers of all types will light up the spring-themed stage throughout these two fun-filled weeks. Kids can enter contests, take photos with our spring characters, join in parades and so much more! Be on the lookout for more information on the 25th Annual Easter Egg Hunt in Creekside Park!
All SpringFest activities are free and fun for "kids" of all ages. Please visit www.beavercreek.com/springfest for more details and schedule updates.
The two best friends celebrate and rejoice in their differences that make them unique and special. Part vaudeville, part make believe, all charm, A Year With Frog And Toad tells the story of a friendship that endures, weathering all seasons.


Twinkle Khanna or so-called Tina Jatin Khanna, born on December 29, 1974, is an indoor designer, columnist, film producer and former Indian film actress.
Khanna won or won the Filmfare Award in the Best Female Debut for her role in the love film Barsaat (1995). Khanna also plays the main character in the film Telugu Seenu (1999).
|Twinkle Khanna, via dnaindia.com|
Khanna became a princess of the cast of Dimple Kapadia and Rajesh Khanna. The last film that followed was in a lead role in Love Ke Liye Kuch Bhi Karega (2001).
Indian People : Biography of Rudyard Kipling (Short Story Writer)
Khanna married Kumar right back in 2001. After leaving his acting profession in the same year, Khanna went into the indoor planning profession and became one of the owners at The White Window, which is a network of indoor designer shops operating in Mumbai.
Khanna did not have a professional degree and successfully learned the skill while working with an architect for about 2 years.
Other Actress :
Twinkle Khanna is the daughter of Dimple Kapadia and Rajesh Khanna. Her sister Rinke Khanna also works as an actress. Her aunt was called Simple Kapadia.
Khanna met with Akshay Kumar for the first time in a photo session in Filmfare magazine and eventually married in 2001. Khanna and Kumar have 2 children.


ArtBuzz Studios in collaboration with Open Call India presents Moving Images, a screening of selected experimental and video art. Be a part of a vibrant community and conversations and meet your peers!
The event will begin with a brief introduction, followed by the screening of the films. There will also be a discussion session, with some time to mingle with your fellow audience.
Film Screening: 16th October 2021
Timings: 6.30 pm onwards
Venue: ArtBuzz Studios
Ticket Price: Rs. 250
Get your tickets now!


Documentaries and short films are a great way of demonstrating the good work your organisation does in an entertaining and engaging way, or maybe highlighting a problem which you’d like your audience to act on.
We work with organisations who want to transform research findings, a new company strategy or a plea for support into an engaging, informative and easily understood documentaries or short film to show at events, in email mailouts, TV and Social Media rather than stuck in reports which may be uninspiring and hard for a lay audience to understand.
Our documentaries are produced by a team who know how to tell engaging stories through film and we’ll work with you to ensure key messages are covered in a human way, by real people who can encourage the action you want from your audience and justify the work you do to funders and supporters.
We use great journalism skills to identify contributors for your film, cast acting and voiceover talent where needed and plan filming sessions which are demonstrative and not simply a series of talking heads. We’re also able to research and create animations and graphics to convey statistics and necessary information in a memorable way.
Almost all contributors we work with have no camera experience and so we make sure we allow plenty of time to settle them in beforehand and encourage them throughout. It’s important to us that everyone enjoys the experience of making films and that we represent your organisation in front of external contributors as if it was our own.
Documentary & Short Film Work
Let’s work together
T: +44 (0)1227 935050


Jed is an emerging lighting designer, who is beginning to explore the world of professional theatre in Canberra and beyond. After working extensively with the ANU student theatre community and numerous comedy and theatre festivals, Jed has been working in lighting and production at the Street Theatre including his the lighting design for Revolt. She Said. Revolt Again in 2018. Career highlights include working with countless talented performers and directors through The Street Theatre’s dramatic repertoire, and supporting a hilarious cohort of comedians and comediennes over a number of years for the Canberra Comedy Festival. Jed is excited to get further embroiled in the Canberra theatre and live performance community, to shed light on beautiful and moving stories.
The Street talks to Jed about lighting and his design work as part of the creative team for Icarus, created by Christopher Samuel Carroll.
WHY LIGHTING DESIGN?
I feel that light for people can be a lot like water for fish; it’s so present in our lives we begin to forget that it’s there, and fail to realise how it affects us. Yet, like water, its temperature, colour and direction can have a huge effect feel and how we interact with the world around us. This subtle shifting of perspective or direction opens up a world of possibilities to extend or augment creative works and tell moving stories.
HOW DID YOU RESPOND TO CHRISTOPHER SAMUEL CARROLL’S WORDLESS SCRIPT?
I was quite excited to work on a piece without dialogue! I am hoping that without dialogue to carry the narrative, the audience will be listening and watching more closely than usual to pick up on what Chris and the rest of the creative team are trying to convey. I’m aiming to use this to the full, both highlighting and subverting the narrative to make the piece as compelling as possible.
WHAT ARE SOME OF THE IDEAS YOU HAVE DEVELOPED FOR THE LIGHTING DESIGN OF ICARUS?
I see the lighting design of Icarus as a way to contrast the hope and struggles of the main character, who goes unnamed, but we affectionately refer to as Icarus. There are a number of moments in the piece where the light lifts and suspend the character, allowing them to escape the grim realities of their search for asylum. This has got me thinking extensively about the ways we connect the brightness and openness of the sky with freedom, and how the brightness that escape brings is both liberating and blinding.
WHAT ARE YOU DISCOVERING TO BE SIGNIFICANT IN LIGHTING DESIGN INNOVATION?
The big thing I have noticed, working with a lot of designers, is how you integrate traditional lighting from incandescent lights designed for theatrical works with more modern technology, particularly LEDs and projectors. While I haven’t used any projection in Icarus, I have experimented with a number of ways to incorporate LEDs into the piece to get an intensity of light and breadth of hues that can be difficult with traditional theatre luminaires.
HOW DO YOU USE LIGHT AS A DESIGN TOOL?
I generally use light to focus and refocus attention, and to temper tone. Relative changes in colour and attention can shape a piece so that the audience sees the right parts of the show, and sees them in the way the creative team intends. The capacity of lighting to shape both what an audience looks at and how they interpret it continues to astound me.
HOW DO YOU WORK – WHAT IS YOUR PROCESS FROM START TO FINISH?
I always start working on a piece by talking to the director, and where possible the other creatives, to get a sense of where they want to take the work. Then I like to read through a script and, if possible, watch a rehearsal to get my own sense of how the show is shaped, both physically and thematically. Then I’ll draft up a list of ideas including what lights I want to use, what tone I want to convey, and how the lights can contribute to the overall journey in the work, which I take to the director and the creative team. From there it’s a matter of refining those ideas and realising a design in the space.
LIGHT IS OFTEN THE LAST LAYER TO BE ADDED TO A PRODUCTION. HOW DO YOU DEVELOP YOUR VISION THROUGH THE REHEARSAL PROCESS?
Where possible I like to read a script and sit in on rehearsals and talk through lighting ideas with the director as the rehearsals evolve. In some cases I have had the luxury of setting up test lights for use during rehearsals so the lighting can inform the action more and we can test some exciting, but outlandish ideas.
HOW DO YOU WORK IN REHEARSALS VERSUS PRODUCTION WEEK?
Usually rehearsal time is more conceptual for me, as I won’t have enough of a lighting rig up to see how the light plays in the space. I often use rehearsal time to consider how the themes and key moments of the show can be conveyed through the lighting design, and investigate how we can find or build the lighting fixtures we need. During production week it is full steam ahead, rigging and experimenting with the lighting, and rapidly refining that into a final show.
WHAT IS YOUR RELATIONSHIP WITH THE STREET?
I originally joined The Street Theatre team as a casual lighting technician, doing the rigging, but little of the creative work of the company. However, I have recently had the privilege of getting more involved with the creative process at The Street. Working with some incredible visiting designers to realise their designs and develop my own skills at the same time. Getting to work on Icarus as my second solo design has been tremendously exciting
WHAT’S INSPIRING YOU CREATIVELY AT THE MOMENT?
I’ve recently been inspired by art that makes the unrelatable relatable. I feel that a huge challenge facing modern democracies like Australia is the challenge of relatability, of hearing and feeling the stories of others as if they are your own. I think that art has an incredible ability to draw people across the gulfs of life experience which divide us, so that we can not only know what has happened to another human, but feel it ourselves. Icarus, as a story of someone seeking refuge from war against all odds, is a really clear example of this movement to use art to help people feel something that often seems so distant, but which people who live amongst us here in Australia have personally experienced. I think it is amazing when a creative team can use human bodies, lights and sound to convey these life changing experiences, and I hope that I can help Chris convey the astonishing journey to our audience.
WHAT ARE YOU CURRENTLY READING AND WATCHING?
I have recently been reading a book by John Safran called Depends What You Mean by Extremist (2017) about the rise of neo-Nazism and anti-immigration politics in Australia, it has been fascinating, and has informed how I think people may receive Icarus’s story. I have been watching the most recent Star Trek (Discovery) recently which offers a different perspective on some similar issues, and it explores the clash of civilizations and the challenges the dream of multiculturalism faces in a multicultural world/universe. I have also been playing a video game called This War of Mine where you play as a civilian trying to survive in a city when a civil war breaks out. It can be a stressful and demoralising experience, but may also be worth a look for people who are interested in insights into the kinds of experiences that Icarus explores. Interestingly, I didn’t seek out these stories because of Icarus, it seems that stories of multiculturalism and conflict are all around us these days, and I believe that it is very important for me to engage with how this issue touches people very differently.


Character Analysis Tsotsi Wright-On Notes 1 Every story that you read follows a series of events that range from the introduction of a conflict to begin the story and a final resolution at the end; this is the plot of your story. Tsotsi asks Boston similar questions that resulted in Boston getting beaten in the outset of the novel. This is the moment where Tsotsi leaves his rules behind him.
Tsotsi Essay Major Tests Basically, it’s what happens throughout the narrative, and it appears in in both fiction and non-fiction work. Tsotsi Essay. Source "Tsotsi Can a baby redeem a hardened thug?" - Mile Klindo and Helen Haylard Tsotsi is based on a novel written in 1960 by Athol.
Analysis of Tsotsi by Athol Fugard Essay - 1109 Words. When you write a plot summary, you’ll essentially condense a novel into a short essay, touching on the key points of the material. This essay will gather information to prove, what it believes the authors is trying to convey. The novel, “Tsotsi”, by Athol Fugard shows how characters struggle and change to fit in with individuals they have chosen to surround themselves with. This can be seen through multiple scenarios, which unfold throughout the book.
Tsotsi Essay Topics Essay Example You’ll want to introduce the main characters, setting of the story, and the main conflict of the narrative, including the five basic components of the plot: introduction, rising action, climax, falling action, and finally, a resolution. The dramatic film ‘Tsotsi’ instills a sense of hope that even the worst can change. Tsotsi is an awe-inspiring film about a teenager who struggles for survival. At a very early age he experienced the loss of his mother, an abusive father which eventually led him to take it to the streets.
Tsotsi Essay - 997 Words Cram Some outlines will break down a plot into more segments (exposition, inciting incident, central conflict, rising action, climax, falling action, resolution) but the premise is the same - a pattern of rising and falling action that looks essentially like an arc or a bell curve when you consider the level of drama the characters experience. Free Essay Level 2 English Visual Text essay for Tsotsi Describe important visual or aural symbols in a visual text you have studied and.
Tsotsi Essay Rough Draft - Jolly 1 Jimmy Jolly Jennifer Wolfe. To properly summarize a plot, start by figuring out the main problem that the story will solve. View Essay - Tsotsi Essay Rough Draft from ENGLISH 111 at Chippewa. 10 20 January 2017 Tsotsi A Distortion Between Book and Media A.
The Ways In Which Choice Is Represented. - UK Essays This could come from understanding the main characters, who are crucial components of the plot. Most characters have a mission to accomplish, often it is finding, saving, or creating something or someone. Words 10 pages Essay in English Literature. The title character of Athol Fugard's book, Tsotsi, is shown to have become an angry young man because.
FREE Tsotsi - A Novel by Athol Fugard Essay Understand what drives the main characters, and that will help you in the first step to summarize the plot. In the novel "Tsotsi," by Athol Fugard and the film of the same title, directed by Gavin Hood, these themes are present. The plot of "Tsotsi" differs in the film and the novel. However, the basic outline of the plot is about a boy "Tsotsi," who lives in a township outside of Johannesburg. He is given a baby, who he is to look after.


Fans of Colin Firth should set up camp at your local DVD store this Tuesday, because his instant-classic The Kings Speech will be released on Blu Ray and DVD for the whole world to see! We here at Colin Firth.tv are huge fans of the movie, and happen to think that it was one of the best dramas to be released in 2010. Colin Firth’s performance in the film was utterly breathtaking, and apparently the Academy Awards agreed too, because he ended up getting Best Picture for his incredible portrayal of the King of England! If you missed this film, be sure to watch it this Tuesday!
Colin Firth has been a supporter for a very long time of Survival International, a non-government organization that defends the rights of tribal people. When Firth spoke in 2001, he stated, “My interest in tribal peoples goes back many years and I have supported Survival ever since.”
In 2003, during the promotion of his movie “Love Actually”, he defended the tribal people of Botswana. He condemned the Botswana government’s eviction of the Gana and Gwi Bushmen from the Central Kalahari Game Reserve. He stated about eh Bushmen, “These people are not the remnants of a past era who need to be brought up to date. Those who are able to continue to love on the land that is rightfully theirs are facing the 21st century with a confidence that many of us in the so-called developed world can only envy.”


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Musical Theatre Camp for Youth (Ages 7-14)
Aug. 22 – 26, 2022
9:30am – 4:30pm at King’s Theatre
There will be a Final Performances on the last day for friends and family.
Participants are asked to bring their own snacks, lunch, and beverages.
Price: $195 + tax per participant for the week
Bursaries are available on request.
Call the Box Office at 902-532-7704
Do you love to sing, dance and act? Well, this is the camp for you! We’ll learn songs, scenes and dances, play theatre games and learn and rehearse a show to be presented for family and friends on the final day. Laughing is encouraged! Come to have a blast and you just might discover some talent you didn’t know you had.
ABOUT THE INSTRUCTOR
Andrew Morrisey is a New York based actor, singer and teacher, originally from Truro, NS. Andrew is a graduate of Sheridan College’s Music Theatre– Performance program, as well as Circle in the Square Theatre School’s acting program. In 2012, he attended the International Cabaret Conference at Yale University. He has been in countless musicals, plays and cabarets. His most recent cabaret was directed by Tony Award winner, Faith Prince. Presently, Andrew teaches singing lessons at two studios in the New York area. His students have won countless awards, gained acceptance into top musical theatre schools and starred in regional and Broadway musicals. Having created and lead musical theater camps for more than a decade, Andrew is excited to discover all the talent in Annapolis Royal!
Click here for King's Ticket Exchange policies


Wild Confluence is a production company dedicated to grassroots storytelling. We make films that elevate our planet’s most pressing causes, critical movements, and innovative leaders. You can find our award-winning films touring with festivals, including Banff Mountain Film, Wild & Scenic and 5 Point. Wild Confluence has worked with industry leaders, including REI, Patagonia, Merrell and NBC Left Field. We love working with like-minded brands and nonprofits to build collaborative alliances and campaigns that leverage grassroots engagement from a local to international scale.
We are a full service creative studio that specializes in developing captivating stories from concept to completion. We couldn't do it alone though, and luckily we have amazing friends with diverse skills including script writing, producing, underwater cinematography, audio post-production and dangling from high places.
Wild Confluence Media is a creative duo based in Missoula, Montana.
A few of the adventurous and talented creatives that we love to work with.


2. The pre-production
2.1 Determine the film design
The organisation starts with coordinating the design of the film between the customer and the producers. So the required amount of time and equipment can be calculated.
2.2 Creation of a shooting schedule
The film production writes a shooting schedule based on the screenplay. It forms the basis for the organisation. Detailed versions contain the daily planning and lay out, on which locations will be filmed, which props will be used and how much time will be needed.
2.3 Arranging locations
Depending on the budget and the structure of the film the selection of shooting locations is based on the information given by the client, evaluation of pictures, or after a visit of the locations by the director or producer.
2.4 Arranging equipment
Depending on the screenplay and budget the needed equpment is organized. Primarily this includes cameras and basic auxiliary equipment like tripods, monitors and memory cards, as well as light and sound equipment. Elaborate productions may require a dolly, a crane, or even an helicopter for aerial shots. The director decides what is needed.
2.5 Organizing the crew
On the basis of the shooting schedule the size of the staff will be determined and organized. Normally the film team contains at least one cinematographer and one editor. A more professional set needs an assistant. If important sound is recorded you need a sound technician and an additional gaffer for complex light situations. If actors and presenters are employed, a director and make-up artists will be necessary. The closer it gets to cinema standard, the more staff will be needed.
2.6 Selectinging speakers
In the pre-production stage you also select the voice-over artists and dubbing actors. A professional voice-over has become minmum standard for an image film.
2.7 Arranging props
In nearly every film you need properties, which have to be chosen and organized. That´s for example clean company clothing for the staff, helmets in safety-related environments, or forms and presentations for staged meetings.
2.8 Arranging travel and catering
Based the shooting schedule, the chosen locations and the crew size, journeys and the catering for the team on set can be arranged.Based the shooting schedule, the chosen locations and the crew size, journeys and the catering for the team on set can be arranged.
2.9 Selecting actors
The selection of the actors or presenters are coordinated with the client. The screenplay defines what profile of actor is needed. Depending on the budget, a selection can be based on pictures or showreels of the actors. A specific test shoot might be applicable for a high-end production. Extras are selected by means of pictures.
2.10 Organisation of the studio
For image films, trade fair films or commercials a studio is needed for elaborate and complex productions, or for the recording of presentations. Regular company films are shoot at the client’s locations or in real-life settings like offices or workshops.


Page
The descriptions that are in this page were written by Elena.
|Genma is Ranma's father and a good friend of Soun Tendo. When Ranma was young Genma took him for a trip to teach him martial arts and to let him become a real man, but something went wrong when Ranma fell into the springs! Genma himself fell into a spring, so that now he turns into a funny Panda; he lives well with his curse: everytime he doesn't want to be recognized, he goes Panda. He's fond of food and, to obtain some, he can even offer his son to anybody; that's why Ranma has a lot of troubles.|
|Soun is Akane's father, he decided (with Genma) the
engagement between Ranma and Akane and he's afraid that Ranma could break
the pact. That's why he becomes angry with Ranma when he feels that some
other girl is catching his heart.
A peculiar characteristic of Soun are his "fountain weepings" that gush out for the most absurd reasons.
|Happosai is Genma and Soun's Master. His main characteristic
is perversion. In fact his hobby is following women and robbing them of
their panties. That's why he's often in trouble, but he saves himself
laying the blame on Ranma.
Ranma-chan is his favorite victim and the scenes in which Happy tries to let Ranma wear a bra are definitely funny.
|Kodachi, the black rose||
|Kodachi (Kuno's sister) decided herself she's Ranma's girlfriend, so she often fights other girls for him wearing an artistic gym suit and using a ribbon as a weapon. Her weird laughter and her strange behaviors make me think she's a bit insane.|
|Tatewaki is Kodachi's brother and their father is Furinkan's principal. Like his father and his sister, he's somehow insane. He's a Kendo champion and he's full of himself but he isn't so brilliant: he's in love with Ranma-chan and he doesn't realize she's a "he". He's also in love with Akane and he isn't able to decide between the two girls he likes.|
Back to the Characters main page


Thank you to the Rose City Steampunk Film Festival for a really fun evening! I had a great time watching films and short films, and being a part of the author panel. My only regret is I didn’t have more time to browse the vendors’ booths.
Of all the films I saw, McDonough: A Steampunk Stop Motion Musical by Kyle Stephens had to be my hands-down favorite. I loved it!! Funny, short, and totally worth a look. Go ahead, click on the link. I promise it will be two minutes well spent!


How to create compelling characters? First, it’s by understanding that they are not perfect. They can never be perfect. And then, it’s by making them … juicy. Figuratively speaking, of course.
Consider what makes a character. Characters have goals. They have fears and secrets and desires and strange quirks and at least one memory they wish to forget.
Mark Twain said that everyone is a moon and has a dark side which he never shows to anybody. So it’s your job as the writer to figure out what that side is.
Make sure readers can empathise with your characters’ actions.
Even if they are a**holes, your characters need to have at least one redeeming point, or at least a reason for their a**holism. No one wants to read a story about a big jerk.
It is only when you have entered your character’s inner psyche that you can understand the conflicts – however small or trivial-seeming – he or she faces. You might want to approach them from these few angles:
Whether it is the fear of something abstract like death (Lord Voldemort) or concrete like spiders (Ron Weasley), your character’s fears will be the driving force for the things he or she does. How does she avoid the thing that she fears? How does she overcome it? Find the thing that your character fears, and make her face it.
Whether your character wants to save the world, or to go to Taco Bell, every bit of intent leads to action. And every bit of action helps to drive the story forward.
Does your character have a strange habit? Why that habit? What does she stick to it?
When writing Lambs for Dinner, I considered how I could make Skye stand out from other regular teenage girl. Why was I telling HER story? She feels that her father’s untimely death is her fault, so she turns to superstitions as a crutch, a sort of rule book that she could turn to in order to make sure nothing goes wrong in her life again. It’s the first thing that catches Drew’s attention, because she is so weird. It also, hopefully, makes the reader want to read on to find out more about that character’s quirk.
A secret or two makes a character juicy because we are all nosy buggers who want to know things we aren’t supposed to know. A secret also means your character will go to great lengths to guard it, and that’s where things get interesting. Dirty little secrets are meant for writers – and readers – to unearth.
Try approaching your characters from different angles, draw up a character chart for each character if necessary – whatever works for you, do it. Those guys in your head deserve the effort!


Wendy Pridgen, left, presents a donation check of $200.00 from Troop Loops to Lorie Southerland, Manager of the Fort Bragg Fisher House. The Fisher Houses, throughout America, offer free housing to military families of soldiers needing medical care and to traveling or recuperating soldiers. Troop Loops Camo Infinity Scarves are proudly made in America, they show your patriotism and help to support our military.
Stars from the recently released faith-based movie, Shake Off the World, model their Troop Loops Camo Infinity Scarves. Shake Off the World was filmed in Robeson County, NC in 2015 and Troop Loops are seen throughout the movie. Troop Loops - an official sponsor of Shake Off the World.
Former POW, Jessica Lynch, was featured in the 2015 faith-based movie Shake Off the World and she wears a Troop Loops scarf in the film. Troop Loops, an official sponsor of the movie, promotes American made, local industry, patriotism and our military.
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Day: May 28, 2018
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