Get Peter Gabriel's
New Blood Live in London concert
on your iPhone 4/4S in 3D,
Peter Gabriel shares the story behind the making of his
New Blood Live in London 3D concert movie
Banque Scotia Cinema in Montreal, Canada
September 12, 2011
The concert – powerful, intimate, mesmerizing
At London’s iconic Hammersmith Apollo on March 23, 2011, Rock and Roll Hall of Fame artist Peter Gabriel performed a collection of orchestral reinterpretations of songs captured for the first time in 3D. Shooting New Blood Live in London in 3D involved a crew armed with 3D cameras to capture the wraparound experience. Directed by Blue Leach, the concert film is a visual feast with the drama of a 46-piece orchestra, conducted by the spirited and renowned Ben Foster.
Use the 3DeeSlide to watch 3D content, glasses-free!
View this brief video on how to view 3D content from the 3DeeCentral app, available on the iPhone 4/4S using Spatial View's 3DeeSlide. This special 3D lens allows users to watch 3D content glasses-free!


Posted January 22, 2018 79
The Thor movies have always been something of a mixed bag. Kenneth Branagh’s cultured introduction to the Norse deity, 2011’s Thor, brilliantly imagined the comic-book saga as heroic fantasy in space, one part Tolkien to two parts Gene Roddenberry, with a dash of cod-Shakespearean pomp for good measure. Then 2013’s Thor: The Dark World rather ruined it all with a muddled tale of cosmic dark elves that to this day remains an entirely missable entry in the Marvel canon. Now we have Thor: Ragnarok, billed by its director Taika Waititi as a reinvention of the son of Odin, and currently the recipient of a staggering 99% “fresh” rating on the review aggregator Rotten Tomatoes.
Is this latest trip to Asgard really the best Marvel movie so far? Does the movie live up to Waititi’s own hype? And will you ever forgive him for ruining Chris Hemsworth’s gorgeous mug? Here’s your chance to weigh in on the film’s key talking points.
Thor is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the prophecy of destruction to his homeworld and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela.


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Kirk Woodward Nelson is an artist and filmmaker who resides in Los Angeles. He wrote and directed the feature film “Humanoid” (2003) produced by David Schwimmer and Dark Harbor Stories. He has made several short films that have screened at “Hollywood Shorts” and AFI in Los Angeles. His music video “Miracles and Light” for the band Sargent was a finalist in the Silver Sound music and video festival in New York. In 2018 Kirk was an associate producer on the Blumhouse film "Only You," written and directed by Jacob Estes and starring David Oyelowo and Storm Reid. As an artist, Kirk has shown at Kim Light Gallery in Los Angeles, Perpetual Art Machine in Miami, Scope Art Fair in London, LA ART in New York, and the Hayworth Gallery in Los Angeles. Alongside entrepreneur Melissa Bochco and fashion designer Jeffrey Sebelia of Project Runway, Kirk created the original artwork for boys clothing line called La Miniatura in 2011. Kirk has a masters from The School of the Art Institute of Chicago.


So, I saw the movie The Blinside yesterday. I hadn't really ever cared to see it before, but I was laid up sick and it was On Demand, so I figured, "Why not?" I mean, wasn't his an Academy Award Nominee. Didn't Sandra Bullock win Best Actress? How bad could this thing be?
Ugh, what a glorified after school special! I know this movie was based on a true story, but the artistic license here is pretty obvious. This movie contains some of the most offensive overuse of outrageous stereotyping I've ever seen. And as someone who's pretty okay with stereotyping as a whole, that's saying a lot. This film panders to white guilt in a way that makes Crash look wishy-washy in it's messaging.
And hey, Hollywood, if you're going to insist on casting Miss Congeniality in a role where she has to speak in a thick southern accent for two hours, be prepared for me to assume your movie is a some kind of ridiculous family comedy. I kept expecting a Saint Bernard to kick a game winning field goal.
By all means, though, if you love annoying child actors go see The Blindside right now, because they found the most annoying one. Ever. Two thumbs down and Hollywood can eat a dick.


Toby is an actress/writer from Calgary, Alberta Canada. She started to dance Ballet at the age of three and that same year, starred as the Oil Jug in her school's production of the Hannukah Story. She wrote her first poem at aged 12 and was published ten years later. She is a graduate of Syracuse University and currently lives in Los Angeles.
Toby has written several pilots and feature films, telling of the stories of unique women throughout the multiverse. She loves to write with a "girl against the world" vibe and her writing often favors the genres of: Sci-fi, YA, thrillers/mystery, and action.
Toby is best known for her portrayal of Alex in the feature film, Suck It Up (pictured here) , which gained audience acclaim at Slam Dance Film Festival in Park City, Utah. She loves drama/dramedy and tends to play snarky, clever characters who hide dark and emotional secrets but, she also has a knack for mean girls and quirky nerds.
Toby has a fraternal twin brother, she likes to knit, collects Shakespeare anthologies and has memorized 42 digits of pi.
Copyright © 2018 Toby Marks - All Rights Reserved.


If you are looking for a comedy movie that will make you laugh out loud, then you should download Bumboo 5 full movie in Hindi. Bumboo 5 is the latest installment of the popular Bumboo series, which is based on the French film L'emmerduer by Francis Veber. Bumboo 5 follows the hilarious adventures of various characters who meet someone who screws up their life and makes it miserable.
Bumboo 5 is a comedy of errors that revolves around a hitman, a journalist, a politician, a cop, a don, and a sultu bhai. The hitman is hired to kill the politician, but he gets stuck with the journalist who wants to interview him. The journalist is chased by the cop who suspects him of being involved in a scam. The cop is also after the don, who is the mastermind behind the scam. The don is in love with the sultu bhai, who is a notorious criminal and a rival of the politician. The sultu bhai has his own plans to get rid of the politician and take over his empire. How these characters cross paths and create chaos is what Bumboo 5 is all about.
Where can you download Bumboo 5 full movie in Hindi?
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Bumboo 5 full movie in Hindi is a comedy movie that you should not miss if you love laughing and having fun. The movie has a great cast, a hilarious plot, and a catchy soundtrack. You can download Bumboo 5 full movie in Hindi from various sources, but you should be careful and responsible while doing so. You should always download the movie from legal and safe sources, and avoid any problems or issues that may arise from downloading the movie from unauthorized sources. Downloading Bumboo 5 full movie in Hindi can give you some benefits, such as convenience, choice, and control. However, you should also respect the rights and efforts of the makers of the movie and support them by paying for the movie or watching it on a legitimate platform. Bumboo 5 full movie in Hindi is a movie that will make you laugh and enjoy yourself. So, what are you waiting for? Download Bumboo 5 full movie in Hindi today and have a blast! b99f773239


I’m going to get one thing out of the way right now: I LOVE JURASSIC WORLD. I’ve literally seen it in theaters three times and I’m probably going again before it’s out. “But T,” you may be saying, “why do you love it so much?”
Oh, thank you for asking, kind, starving friend of mine. I would be happy to enlighten you.
For starters, Jurassic Park 3 and Star Wars were the first two movies I ever remember seeing in theaters. I’m not sure if there were any before that and there were definitely some after that, but those made a huge impression on me. I went to see Jurassic Park 3 in theaters in 2001. Sorry to age myself here, but I was five. That might not be too surprising but think about this: I remember that I had seen Jurassic Park many, many times before going. I probably started watching it when I was three. I am in college now, and studying to be an anthropologist – and possibly, an archaeologist.
We may not realize it, but influences from our early lives shape who we become. Without Jurassic Park, would I have gone through my dinosaur phase? Would I have jumped from paleontology to archaeology, from the Jurassic dinosaurs to the Egyptian mummies? Jurassic Park sparked my love of dinosaurs even before Land Before Time or Dinosaur or Walking with Dinosaurs (I was also crazy about the Discovery Channel).
The point is, Jurassic Park was one of my favorite movies as a child and influenced what I’m going to school for. I admit that when I heard Jurassic World was coming out, I ignored it. I didn’t watch any previews and I didn’t get excited about seeing it. When I went, it was because my aunt wanted to. I think a part of me had forgotten about the magic, or didn’t want to recreate it.
But then I watched it. I started feeling an inkling of hope when the dinosaurs were revealed. I appreciated the focus on consumerism in today’s society in the movie and then OH MY GOSH THE RAPTOR SQUAD WAS SO COOL. Okay, composure recovered. But really. Can I have a velociraptor?
Jurassic Park will always hold a special place in my heart. It is for that reason that I’m happy to say that Jurassic World most certainly did it justice.


The perfect introduction to Shakespeare’s classic play for 6-11 year-olds
After an awful shipwreck, identical twins Sebastian and Viola find themselves separated for the first time in their lives. Disguised as a boy, Viola works as a page to Duke Orsino, who tells her of his love for the countess Olivia. But unfortunately, Olivia has her eye on someone else – Viola! Could the timely arrival of Sebastian solve this romantic mishap?
A wonderful retelling of this classic Shakespearean comedy.
Author: Retold by Andrew Matthews
Publisher: Orchard Books
Product Code: 9781407809847
Weight: 80 гр
Dimensions: 12.9 см х 0.4 см х 19.8 см


This video is an extract taken from Cassandra, a film Anja and I made last year for KerstenWoods Productions. This sequence is beautiful and I thought it could be a stand alone piece in its own right. This section is called, The Sun and the Stones, and is a joyful celebration of the mid-Summer sun rising above the circle of stones at Boscawen-un. It will form the inspiration for the Summer Solstice festivity in our new series of Earth Goddess films charting the cycle of the year. Some of the raw footage will be re-edited, together with new material and a brand new soundtrack to explore the theme of the The Earth Goddess at the height of her Serpent powers, nourished by the energy of the sun at it’s zenith in the sky.
(The full version of Cassandra is available on DVD from KerstenWoods Productions)


Check out our Blog for updates on the film, including behind-the-scenes, photos, videos, teasers, and more!
April 17, 2013
Fourth and Orchard honored
by Honolulu International Film Festival
While we will be visiting Fredericksburg, TX on May 4th for the screening at the Hill Country Film Festival, Fourth and Orchard will be recognized in Honolulu with the Gold Kahuna Award for excellence in filmmaking. If only I could be in two places at once...
It's such an honor to hear so many different festivals and filmmakers give their thoughts on this film and recognize it for its merits. Congratulations, Team Orchard!
March 20, 2013
Fourth and Orchard is back in Texas!
It's 2013, and Fourth and Orchard is still going strong! The Hill Country Film Festival, which is held in Fredericksburg, just outside of Austin, has selected our film as one of fifty shorts to be showcased, including some Oscar-winning and other noteworthy shorts. What an honor! This makes the eleventh festival appearance for Fourth and Orchard, and it should be a great festival, as it strongly supports the art of film in Texas.
I'm also very excited to announce that one of Team Orchard, Ryan Britton - the infinitely talented artist who built the tree house and shed in Fourth and Orchard - will have a film of his also screening in competition at Hill Country. Please click on those links and support one of the most driven and skilled filmmakers I've met!
For a list of all films screening at Hill Country and for more information, follow this link:
'Til next time!
December 4, 2012
Fourth and Orchard
accepted into Macon Film Festival
An early Christmas gift - Fourth and Orchard will screen at its tenth film festival in its Georgia premiere at the 8th annual Macon Film Festival. The festival runs February 14th - 17th, 2013.
More to come when the schedule is posted!
Congratulations, Team Orchard!
About The Film
A boy who spends his time alone with his pocketknife is forced to confront his fears when his inquisitive new stepbrother comes home.
FOURTH AND ORCHARD is the story of Adam, a violent and awkward boy, who has to share his life with his new younger stepbrother Conner. Trekking through the woods together, the boys inevitably grow closer. Conner finds the big brother he’s wanted, and Adam falls for his life-loving soul. With Conner, Adam has a chance to heal and be a kid again, but he struggles to find the innocent boy tucked away inside.


Jueves de Cine - 2017
EL ACOMPAÑANTE is set in 1988 Cuba as the government dispatched HIV patients to AIDS centers under military rule. It narrates the friendship between Horacio Romero, a Cuban boxing champion that fails a drug test and must serve as a “companion” (an euphemism for warden) of Daniel, a conflictive patient. The film has won numerous awards at Film festivals in the US and Europe and it was Cuba’s entry to the Oscars and the Goya’s (Spanish Film Academy Award) in 2016.
About Jueves de Cine
Jueves de Cine is organized by the Center for Latin American Studies (CLAS) and co-sponsored by the Cinema Studies Program, and the Department of Latino and Caribbean Studies. The Program is free and open to the public. Seating is on first come, first served basis. Popcorn and soda will be served courtesy of CLAS.


December 16th: My favorite Christmas movies
One of my favorite activities that will guaranteed get me into the Christmasy mood is putting on a Christmas movie. So today I thought I would gather a little list for you guys! Maybe there are some movies on the list you haven’t watched yet, if not maybe you’ll want to watch them again (I re-watch movies all the time, which Edward never seams to understand). Do let me know in the comments down below, if your favorite movie is not on the list. I would love to watch new Christmas movies!
All of them. But mostly the first ones. I love the magic of Harry Potter and how it takes you to a whole other world (I have a little dream of visiting the Harry Potter museum in England and also going to Ballard!). I’ve had the movies on repeat on cozy Saturday and Sunday mornings while eating breakfast in bed. It is one of my favorite December activities.
This one is actually playing in the background as we speak! Such a Christmasy comedy that delves into different aspects of love seen through different peoples lives. They all end up having some sort of connection in the end of the movie. This one is definitely a favorite, taking place in one of my favorite cities in the world; London. I can’t even choose my favorite scene, but if I had to… no, I can’t.
Another Christmasy comedy! This one is about the characters Amanda and Iris, two lovelorn women from California and London, who temporarily exchange homes to escape heartbreak during the holiday season. Full of love, coziness, and laughter. I love this movie so much, that I actually posted a photo of Iris’ house on Instagram the other day dreaming of spending Christmas there.
A Christmas Carol
This one I was introduced to this year actually. I was watching Freeform (a channel that shows 25 days of Christmas movies non-stop) and there it was. It’s such a lovely story taking part somewhere in Britain. I love that it’s animated, and then all the magical music appearing throughout the movie!
A silly Christmas comedy starring Will Farrell as one of Santa’s Elfs. He learns that he’s actually a human and goes to New York City to meet his biological father. The movie is filled with cute and funny moments, and lots of Christmas cheer. A movie for the whole family!


From Batfleck…to Patman. Twilight star Robert Pattinson is in talks to play Batman for Matt Reeves in his upcoming film, The Batman.
via Gizmodo http://bit.ly/2VO8H6w
You know someone or something is about to get an Asgardian-level beatdown when Thor’s eyes start to glow. It’s an effect in the movies that’s created by visual effects artists in post-production, but YouTuber KyleofAsgard has figured out how to create in real life with a custom-built Thor helmet and special contact…
via Gizmodo http://bit.ly/2Ske7A2
Disney has revealed the cast of Star Wars: Episode IX, which will see the directorial return of J.J. Abrams. Among the cast are the expected stars, like Daisy Ridley and Oscar Isaac. But it looks like Luke Skywalker (Mark Hamill) will be back and we’ll even see the return of the late Carrie Fisher as Leia Organa. It…
via Gizmodo https://ift.tt/2OoRjh5
Avengers: Infinity War is demanding, heartbreaking, exhilarating, massive, and dense. More than seemingly any movie so far in the Marvel Cinematic Universe, it requires its viewer to be intimately acquainted with all the films that come before it—and, if you are, it’s rewarding and audacious in ways the franchise has…
via Gizmodo https://ift.tt/2HYC6Rh
April, the tiny star of Arthur Metcalf’s horror short He’s Watching, is an A+ hellraiser. When her parents foolishly leave her home alone, all kinds of mayhem, destruction, and cheese pizza-consumption ensues… some of it involving an axe-wielding intruder that April doesn’t seem to notice. Or does she?
via Gizmodo http://ift.tt/2BNEUkh
In George R.R. Martin’s A Song of Ice and Fire series, the author devotes a lot of time to fleshing out and differentiating between the various personalities of Daenerys’ three dragons. HBO’s Game of Thrones has done the same, albeit to a lesser extent, choosing instead to focus primarily on Drogon, the largest of the…
via Gizmodo http://ift.tt/2BOntQF
It’s Christmas in the eerie town of Kirlian—well, sort of. With doomsday on the horizon thanks to an incoming comet, everyone’s favorite late-night radio DJ has decided to celebrate a little out of season… but his listeners, beset by the usual supernatural horrors, are having none of it.
via Gizmodo http://ift.tt/2kXomvR
Last week, we got an excellent look at Zazie Beetz in action as Deadpool 2's probability-altering mutant mercenary Domino. Now, after months of teasing, we finally have a look at the movie’s other mutant addition: Deadpool’s long-time comrade and time-traveling maniac Cable.
via Gizmodo http://ift.tt/2vcxi5Q


*Oh come on, you haven't seen Frozen yet? Get on with it!*
I don't want to join the 'pile on', because I enjoyed the film and I want - no DEMAND - Disney make more films with women in the lead, driving the action. More, d'ya hear me? MOAR!
But writer Dani Colman makes some really valid points about where Frozen falls down. Elsa lacks true motivation (or characterisation), living her life according to the demands of trolls and her own father, to hide who she truly is.
Anna is … I'm not really sure. I don't think she knows what she wants in life. She reacts to things, she doesn't set out to change the world … sort of. I mean, she loves her sister to the point of endangering her own life, which serves to emphasise how important love is, but she also tears off into the winter without a proper coat, no preparation, and leaves a virtual stranger in charge of things.
Then there were the blatant open window /closed door references that made me feel like I was being whacked over the head with the metaphor hammer.
I have to confess tho, I found the hardest chunk to swallow was the mother. She said nothing in the whole film. Seriously. Sure, she was there on screen, but I don't recall her uttering one line of dialogue!
Then Disney killed off the parents!
Aside from having abandonment issues, the part that really fell down was in the characterisation, which is where I feel Dani Colman is bang on about the film NOT having strong characters.
Characterisation is where the characters have goals, motivation and conflicts.
a) what do they want (the goal)
b) why do they want it? (the motivation)
c) what's in their way? (both external and internal conflicts)
So let's look at Elsa.
In the beginning:
She wants - to be left alone
Because - people have told her the ice magic is dangerous and she could kill her sister
But … actually, she does all this. There is no conflict because she has achieved her goals and she's been a shut-in her whole life. Alas, she has lost any chance of a normal life but this seems to be OK with her. There is no mention of the film about how much Elsa has missed out on because of her shut-in status.
During the coronation Elsa
Wants - to hide her powers and be left alone
Because - she thinks she'll hurt someone
But … she makes a mistake and sends some ice splinters loose so … she runs away.
OK, Elsa's character is ALMOST there, but it's not.
Let's look to Anna
She wants … to experience life? To get out of the castle?
Because - she's been shut in (by other people)
But - no, she gets this too. Anna gets out, makes a hash of things and falls in love with the first man she meets. But this is not conflict.
Which is where the story fell apart for me because although I really enjoyed the film - and the 10-y-old boy, 10-y-old girl and 8-y-old girl we took with us LOVED it - I couldn't help tinkering with their characters and writing my own fan fiction as I watched the film. I also re-wrote the parents back in as well, and the story worked just fine in my head.
You do that too, right?
Fine then. What about Anna's relationship with Elsa?
Anna wants - Elsa to come out and play (do you want to build a snowman?)
Later, she wants a proper relationship with her sister.
Because - she's lonely
But - Elsa won't come out because she's a shut-in. Later, Elsa chases Anna away because of her fear of her powers.
Hooray, goal, motivation and conflict! Even if it's external conflict brought about by other people, it's still conflict. Phew, I thought I'd never get there.
(Internal conflict is when a character self-sabotages … like the way Scarlett O'Hara and Rhett Butler are madly in love with each other but they simply can't admit to it because of their true natures).
For fans of structure, this is definitely NOT the structure of The Hero's Journey, but it does follow several of the main beats of The Virgin's Promise, which is a more feminine journey of realising you don't fit in, self-discovery, becoming comfortable with your powers and acceptance of those powers. It's a structure of LOVE as the driving force of a personal journey, and Frozen has that in spades.
I lost it during "Let It Go" as Elsa acknowledged her powers and gave in to who she really was. I had tears, people, TEARS! Well played Disney, well played.
Loving your sister is a beautiful message, and I have to give Disney props for basically making a film about two dysfunctional women causing utter chaos wherever they go. Elsa with her accidental magic that gives her sister a heart condition, and Anna who can't stop falling over things.
Sure, they are not 'strong characters' because the goal, motivation and conflict are not fully developed, but they still carry with them a message of love and acceptance.
What did you think of Frozen?


OSTS is the best place for young independent short filmmaker’s to showcase short films around the world. OSTS strives to encourage the young independent filmmakers to provide them with opportunities to tell their stories, network with their peers and be recognized for their creativity.
Our Shorts Their Shorts are making plans to do great things with international film distributors, film festivals, VOD channels, film awards, film review magazines and much more.
OSTS CINE LAB is the workshop wing of Our Shorts Their Shorts initiative, with a mission to support young talents developing their artistic voices.
Our Shorts Their Shorts aims to be a continuous project with regular film screenings around the world so that these films can reach out to diverse groups of audience, thus raising the awareness of short film industry & issues we all should care about.


Memories bring back memories!- Well, we cannot deny the fact that we miss people more when they are gone. Its been a year since the amazingly bright actor named Sushant Singh Rajput left this world. The actor who was not only bright in acting, but in academics too. His passion for science and his creative work in acting made amazing impact in many hearts.
It was a shock to the world, when the world got to know that actor left the world by his own will and hung himself up in his apartment, in Mumbai. Also, there was a big debate of his death- weather it was a planned murder or if he suicided. But mystery remains undiscovered as nothing came into conclusion even after a year of his death.
Paying tribute to the actor, True Speak comes up with a set of photos of actor who has made a mark in the industry, but is said to have faced nepotism in the Bollywood industry, which did not let him grow in his career. Alas, all said and done, Sushant Singh Rajput left the world leaving some of his best acting skills in number of movies and television serial names “Pavitra Rishta”
Life goes on, films are being made, and fans with their memories will remain forever. Unfortunately we misses a great talent due to some unknown reasons but the actor will be in conversations like many other mysterious death which occurred in the Indian Film Industry. Some mysteries are unresolved and we are left with blurred wishes of keeping the person alive in our memories. Fortunately, he left some really great work for his family who can witness him moving and talking, through the number of films done by the actor.
You are in Stars Sushant Singh Rajput- Shine bright and if there is a second life, I wish you have a long and healthy one.
The Covid-19 pandemic had a devastating impact on the academic calendar. The exams like NE…


Casting Call for Actors!
Clay & Diamonds are looking for actors to take part in a production at BFI Flare on 24th March 2017. Orlando: The Queer Element is an immersive performance that explores our understanding of sex and gender from a scientific as well as cultural and historical perspective and will be performed to an audience of sixth form and university students as well as the general public alongside discussion and a screening of the film.
Directed by Andy Dawson, Artistic Director of Clay & Diamonds, time travelling audiences will step inside Orlando’s story as it unfurls across history to explore what it means when we call ourselves woman, man and those spaces in between.
Casting will take place in London on 8th March with rehearsals in week of 20th March. Actors will rehearse for 1 ½ days during that week with the performance on the day of 24th March totalling 2 ½ days at Equity minimum rate of £80 per day (£200).
Deadline for applications 17:00, 6th March
Casting Workshop (London venue) 10:45-12:15, 8th March
1 ½ days of rehearsal (dates tbc with actors) w/c 20th March
Call time at BFI Southbank 09:00, 24th March
Public Performance 13:00-16:00, 24th March
Two actors who identify as transgender who wish to explore that space between one sex and the other through live performance. No matter how you identify from within the community, we look forward to your application for the role.
One actor to play 18th Century poet and satirist Jonathan Swift.
One actor to play early 20th Century Geneticist Nettie Stevens.
One actor to play Peter Goodfellow, who discovered the SRY gene in the 1980s.
We are casting these roles regardless of age, race, ethnicity, sex, or gender identity.
Please send your application to email@example.com by 17:00 on 6th March 2017. Include your experience and motivation for the project.
Clay & Diamonds
As educators & theatre makers, we seek to ask questions & evoke curiosity in our partners & audiences. Our work allows us to explore humanity & strengthen our communality through open and frank collaborations between artists & scientists.
Drawing together the artistic & scientific method offers a rich opportunity that comes out of their contrast & compatibility. While one looks for questions & the other for answers, both science & art look to examine & express nature with practitioners in each thriving off creativity & precision. At Clay & Diamonds, we bring together artists, scientists & audiences to explore the whole picture. Through unusual collaborations, we create space for full & open discussion around the nature of life. This defines the work that we make.


The Bride wakes up after a long coma. The baby that she carried before entering the coma is gone. The only thing on her mind is to have revenge on the assassination team that betrayed her – a team she was once part of.
A chronicle of the founding of Facebook, the social-networking Web site.
In 13th century England, Robin and his band of marauders confront corruption in a local village and lead an uprising against the crown that will forever alter the balance of world power.
In a small village in the Shire a young Hobbit named Frodo has been entrusted with an ancient Ring. Now he must embark on an Epic quest to the Cracks of Doom in order to destroy it.
Detective Sherlock Holmes and his stalwart partner Watson engage in a battle of wits and brawn with a nemesis whose plot is a threat to all of England.
Monsters generate their city’s power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
Despite trying to keep his swashbuckling to a minimum, a threat to California’s pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) — and his wife, Elena (Zeta-Jones) — to take action.
Jason Bourne dodges a ruthless CIA official and his agents from a new assassination program while searching for the origins of his life as a trained killer.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers, and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
In Poland during World War II, Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis.
A computer hacker learns from mysterious rebels about the true nature of his reality and his role in the war against its controllers.
Professional assassin Leon reluctantly takes care of 12-year-old Mathilda, a neighbor whose parents are killed, and teaches her his trade.
Revolves around Frank, an American tourist visiting Italy to mend a broken heart. Elise is an extraordinary woman who deliberately crosses his path.


Kate Beckinsale looks fantastic in a blue sequined romper with nylons.
Kate Beckinsale is racking up the likes on Instagram once again, this time with designer Nina Kate. The latter is wearing a long, animal print piece with a long pearl necklace to match, while the former poses in a sparkly blue-sequined top and sheer black tights as her cat (also wearing a blue shirt) hangs over her shoulder like a furry parrot.
The two demonstrate several poses for the camera, some more serious and others more playful, but almost all involve pets and sky-high heels. Kate Beckinsale wears her hair up in her trademark high ponytail with just a hint of lip color, but Nina Kate goes darker with maroon lipstick and dark eyeshadow.
Kate Beckinsale’s also-playful caption reads: “Kate squared/a pair of Kates/a Kate for most occasions except a boring occasion and even then we would probably have a nice time Kate-ing about.”
The two Kates have been friends for a long time and have often posted photos of their adventures together on Instagram. According to Women’s Health magazine, Kate Beckinsale made another notable post on “Galentine’s Day” last year, in which the two posed in short, frilly pink babydoll dresses and white spiked heels before drawing in coloring books together and dancing to death metal music.
This intense music choice surprised a lot of people, who wouldn’t have expected such a sophisticated UK native to be a headbanger. Kate Beckinsale has always been full of surprises, however, starting with the way she broke into the acting business. According to Rotten Tomatoes, the actress was a complete novice when she debuted in Kenneth Branagh’s adaptation of Shakespeare’s Much Ado About Nothing, but her ability to imbue the character of Hero with the right amount of intelligence, fragility, and “star quality” made it clear she was someone to keep an eye on in the industry.
That gig led to more on-screen roles in England before she broke into American films as well. Her first movie in the States, 1999’s Brokedown Palace, unfortunately, bombed pretty hard, but 2001’s Pearl Harbor brought her to bigger audiences.
Kate Beckinsale’s fame grew even greater still when she starred as Selene, a vampire warrior, in Underworld. Fans of the comic book character showed up in droves to see the film – and instantly fell in love with the star for both her acting skills and her tight leather outfit. She became the ideal leading lady in the eyes of science fiction fans, and this helped her get her foot in the door for other roles like The Aviator with Leonardo DiCaprio.
At the moment, Kate Beckinsale is shooting Canary Black, which Taken’s Pierre Morel is directing. In this action thriller, Beckinsale plays a CIA agent who is forced to betray her country to save her husband. She is then cut off from the agency and forced to survive on her own as she struggles to find other information her blackmailers are demanding.
Fans are excited about her return to her action movie roots with this film, but they are also surely delighted to see her and the “other” Kate pose in sexy outfits on Instagram in the meantime.


Staff and students are invited to Road, a new drama production produced by BTEC Extended Diploma students.
Set in the 1980s, Road follows the lives of a community living in poverty during the political reign of Margaret Thatcher. Written by Jim Cartwright, it examines the effects of struggling with unemployment and being at the bottom of the social class ladder during a time of economic hardship – drawing parallels with today’s society and issues.
The students will be putting on four performances of the play on Wednesday the 23rd and Thursday the 24th of May at 13:15 and 18:30. Tickets to the matinee performances are free and £2.50 for the evening performance and can be booked through Sheree Snowdon on 0191 511 6123


Miles2Smile is proud to announce the release of its new powerful documentary, titled ‘The Promise of Dignity’ . The film offers an unfiltered glimpse into the lives of the Rohingyan people while taking you on an emotional rollercoaster ride.
The Promise of Dignity is a powerful documentary telling the unheard story of Rohingyas, as they navigate treacherous journeys, seeking solace in foreign lands, desperate for a glimmer of hope.
Rohingyan crisis, widely recognized as one of the most severe humanitarian crises of our time, has left an indelible mark on the world’s conscience. This documentary aims to amplify the voices of the Rohingyan community, who have endured unimaginable hardships, persecution, and displacement.
Through raw and unfiltered storytelling, the documentary peels back the layers of oppression and sheds light on the dark reality faced by the Rohingya community.
As you watch the film, you will feel the weight of their tears, as each drop holds stories of lost homes, torn families, and relentless persecution.
The film incorporates interviews with Rohingyan individuals of all ages, genders, and backgrounds offering never-before-seen footages, eyewitness accounts, and the complex historical and political dynamics which have led to the systematic marginalization and violence faced by the Rohingyans in Myanmar.
It also highlights the beauty of their culture, the richness of their traditions besides the heartbreaking realities they face on a daily basis.
Moreover, the film captures the essence of their experiences, and as well their determination to rebuild their lives despite the unimaginable loss they have suffered.
From the harrowing tales of escape and survival to the challenges of living in overcrowded refugee camps, the documentary provides an unfiltered and authentic portrayal of the Rohingyans’ journey.
To mark the release of this documentary on June 6, 2023, Miles2Smile will be organizing a grand screening and discussions to engage with the audiences, and explore tangible ways to contribute to the betterment of the Rohingyan community, who refuse to be defined by their victimhood.
Together, let’s amplify the voices of the Rohingya, and strive for a world where no one is left unheard or forgotten


Giulietta Masina was a fantastic Italian actress and the great love of legendary Film Director Frederico Fellini. She starred in 'La Strada' in 1954 for which she won Best Actress at Cannes and the film, inspired by the actresses 'humanity' according to her husband, won the Oscar for Best Foreign Film in that year. 'Giulietta' was a woman of charm and charisma and her acting has a natural, nuanced quality that is reflected in Tocca's perfume. The innocence of lily of the valley is teamed with the natural beauty of Bulgarian roses and these sweet florals are grounded by a base of cedarwood that suggests a measured and serious facet to a charming personality. Although inspired by passionate romance, this is the scent of a vital and sophisticated woman of complex character.
Key notes: Bulgarian Rose, Lily of the Valley, Cedarwood
Tocca means 'touch' in Italian and the delightful bottle, based on an antique cognac decanter, to the exquisite embossed metal caps which are, quite frankly, the best in the business, is a masterclass in how to get it right. The scents themselves were my go-to gift for family and friends and even today, some 15 years after unwrapping their scent, my nearest and dearest often ask me where they can find what became their favourite fragrance. This is the mark of a great perfume and I am delighted that we have secured the collection for Roullier White this Spring!


According to Public Relations of 48th Roshd international film Festival,
After the screening of Abbas Kiarostami's educational films collection which were welcomed, a review session of his films was held on monday ,November 19.
At the meeting of review session of Abbas Kiarostami’s films ,Saeed Pour Esmaeili, Cinema lecturer , pointed out to the Golden Age of Institute for the Intellectual Development of Children and Young Adults, and the collaboration of directors such as Abbas Kiarostami, Amir Naderi, Majid Majidi and said:” The institute gave directors freedom to portray their concepts in their own .”
He argued that Kiarostami made his own artistic film, but he directly or indirectly addressed educational issues.
»That is why Abbas Kiarostami's films are still watchable because he taught and raised educational issues in the form of art and art language.«
Then Vahid Nikkhah Azad, the director of Roshd International Film Festival, said that he was personally stunned by watching Kiarostami Films and said:” homework (1989) was supposed to be screened at the festival, but due to the wide range of programs and the number of films, only five educational films were selected .”
He referred to the role of the institute to provide the opportunity to create such films and added:” When Kiarostami made educational films, he was a famous person; he was the one who made the titles of Qeysar. To make films for children, he tried to make them from children’s point of views.”
Ebrahim Forozesh, a veteran filmmaker and former colleagues of Abbas Kiarostami, was among the participants in the meeting. Referring to the making of educational films in the 60s and 70s; he said:” Bread and Alley is one of Kiarostami's films that at the height of simplicity, it speaks of the courage and effrot. These films were not ordered by anyoneو And they were made with the personal motives of directors who were concerned about children.”


Do you remember Toma (1973-74)? I do. I was just a kid, but I watched all the cop shows, and this was a successful one. Tony Musante (1936-2013) played real-life Newark cop David Toma, an officer with a legendary arrest record putting away drug dealers. Simon Oakland (later of Kolchak: The Night Stalker) was his superior officer in the department. Susan Strasberg played his wife. Unlike the majority of television shows, Toma did not flop. After a moderately successful first season, a second one was ordered. There was only one problem: Musante wasn’t interested. He never had been. When he had agreed to do the series, the actor had announced his intention to do only one season, and he stood by his original declaration. The producers had assumed that stance to have been a negotiating tactic. After all, wouldn’t you? What was he, crazy?
And that’s always been my overall feeling whenever I thought of this well-known incident (we’ll get back to why this incident remains well-known): “What was he? Crazy?”. Most actors would KILL for a successful series. It’s the goal. You have a steady gig for a lengthy period, you’ll get residuals, you have a high profile that helps with later casting, etc etc etc. That’s how most actors think and operate, which is very sensible.
But there is another path, one that is often discussed, but seldom taken, and this is the one Musante took. What if you really love acting for its own sake, and you prefer the challenges of taking lots of roles so much that you don’t want to be locked into one thing, and that’s not just bullshit, but you really mean it? Such was the case with Musante, and he proved it. He wasn’t in it for the fame, but for the love of the work itself. I’ve never been one to particularly regard that stance as the intrinsic virtue everyone loves to pay lip service to. But on the other hand, Musante’s years of solid performances don’t deserve to be dismissed either. It’s a body of work to be proud of, even if most of it has to be excavated nowadays.
Musante studied at HB Studios and worked in off-Broadway theatre before breaking into films and tv. One of his earliest projects was the TV movie Ride with Terror (1963), which was adapted into the cinematic release The Incident (1967), a fascinating time capsule I stumbled onto a few years ago because of its all-star cast. Musante and Martin Sheen play a couple of hoodlums who terrorize the people on a New York subway car late at night. The train passengers are Jack Gilford, Thelma Ritter, Ed McMahon, Gary Merrill, Beau Bridges, Ruby Dee, etc. Following a role in The Detective (1968) with Frank Sinatra, he also began to take roles in lots of Italian films (which gave him bigger roles), such as Corbucci’s The Mercenary (1968), and Argento’s The Bird with Crystal Plumage (1970). He’s 3rd billed in Robert Aldrich’s The Grissom Gang (1971), with Kim Darby, Scott Wilson, Connie Stevens, and Robert Lansing. After leaving Toma, Musante didn’t just drop off the face of the earth. His biggest profile was immediately thereafter, when he did a couple of Broadway shows, and starred as the title character in the TV movie Judgment: The Court Martial of Lt. William Calley (1975). He was nominated for an Emmy for a 1975 episode of Medical Story. Most of the time he was cast as mafia thugs in things like Origins of the Mafia (1976), The Pope of Greenwich Village (1984), and Oz (1997).
And what of the show Musante left behind? When life hands you lemons, make a limonata. A new actor was brought in to play the part — Robert Blake. Once he was cast the series was retooled entirely, and it became Baretta. This wasn’t the only other hit detective show spawned by Toma. The series that became The Rockford Files began its life as a script for an episode for Toma’s second season. (Ironically, Musante would later appear as a guest star on The Rockford Files, in an unrelated character). But this is why Musante’s decision became sort of legendary — his decision to leave resulted in two monster hits.


LOCAL EMOTION PICTURES is a workshop production method. It promotes as much connection as possible between the story, actors and their background. The script is written from the people and their stories.
Here is a basic plan to develop and make the movie. (1) Audition and select actors through videoing their love stories. (2) Organize an actors’ workshop with improvisations of scenes from the love stories and edit the scenes into a final filmic drama. (3) Shoot the resultant script. (4) Edit and exhibit the movie.
Auditions are held to find people whose stories personify the place where the movie is set. Each applicants tells a personal love story which is recorded on video. The recording provides potential story material and also reveals more about the person than a conventional ‘acting’ performance. In conventional acting auditions the applicants pretend to be characters - instead, we try to find the unique qualities of the person applying to be in the movie. Actors are chosen from their unique qualities - and the stories they tell. For a real story set in a real place, the characters must be connected to that place.
As well as finding people with qualities that give character to the place, they (the actors) have to be willing to avoid trying to be invented characters. When actors try to represent 'characters', or give performances, it can be entertaining but it diverts us from the essential mystery of the person. To pursue that mystery, we search for the deep, hidden needs and desires of the characters. The main thing practised in the workshop by the actors is reading their partners attitudes while pursuing their own desires. This work engages the actors in analysing their hidden desires. In addition, all love stories include the tensions between the individual and society, between tradition and modernity, money and detachment, body, soul and mind, good and evil, youth and age - and innocence and experience. Bangalore has all this in the extreme. The place is packed with vivid, comic and tragic characters rich with entertainment skills and there are brilliant locations and situations. We must celebrate this in the movie, especially any actor’s special talent and flair for entertainment.
Actors Script workshop: In a script development workshop, the chosen players work on scenes from dramatic elements found in their love stories (using improvisation). The video-ed scenes are edited (distilled) and become part of the scripting process. Much of the final dialogue is edited from the improvisations and then played back to the actors. From watching the playback, the actors learn how their analysis and screen technique is working. While the actors rehearse the developing scenes, we begin to infuse into the script their personal talents; e.g, a boy is a fabulous dancer and that enlarges his story, an actress's pregnancy becomes part of the story; a girl is a karate ace and that illumines her story. The writer enriches the overall story with these integral elements. The story takes shape after some months and then we rehearse the developed scenes, adding detail.
'Story' is found in the people and place where the film is made. Rather than squash that into the structure of the Hollywood/Film School manuals, we work to discover a film form in the alive stories. This involves finding the ‘visual and dramatic relationship of the characters to the background’. We develop this as a movie. In other words, this means discovering the appropriate framing, rhythmic, textural and sound juxtapositions that suit the character’s stories. The workshop shapes their stories into filmic drama.
Shooting The director of photography should be involved in the development workshop. This will help find more connections between characters and place and allow more intuitive camera moves and produce more options for the style of the final movie. The options include the framing, montage, sound and juxtapositions of the movie.
We look for acts of spontaneous courage and humour. But actors (playing characters) often block their impulses when ‘trying to get it right’. Alternatively, 'To act impulsively while pursuing your real desire', requires courage and gracefulness. These are qualities worth filming and the method encourages this in the acting and the filming.
It requires a brave leap in the dark by the player to act impulsively as they pursue their desires. The method encourages the camera operators to also go with the flow of the improvised action rather than being too premeditated. The camera needs to be alive to the flow of energy between the actors and to the changing relationships of the characters to their locality.
Capturing images is only part of film-making, but for me, preparing to capture those authentic impulsive moments of courage and humour is crucial. The whole production process is a way of setting up and capturing those decisive moments.
Scheduling the movie is easy because everyone knows where they are in the story.
In order to retain the actors' energy in scenes, we shoot faster than in a conventional production schedule. It means spending more preparation (workshop) time pushing the method of exploration ('Practical Aethetics') to achieve that live connection.
The method gives the actors lasting focus as well as courage - so while we can shoot very fast, the method sustains the actors and it is possible to push further and spend more time getting the ‘decisive moment’.
Editing A good editor should participate early in the process in order to discover and practice the individual filmic style of the movie. And a generous amount of editing time is needed to arrange that mosaic. A huge benefit in production would be re-shooting. That would be encouraged by a good editor involved in the whole workshop process.
Some background We (audiences) are engaged by what is inimitable about people on the screen. And a story can be found in the tension between the foreground person and their background and we can explore that story in the movie. This naturally results in dealing with the social conditions of the place where we are filming. Real social issues are exposed through this way of depicting the characters.
These issues generate real emotions. The question is: what is the best way to capture genuine and spontaneous moments? Most of the actor’s preparation is done to achieve an unselfconsciousness (forgetting of themselves) while they strive for their desires. Preparing actors through scene analysis and practice, through ‘Practical Aesthetics’, is a good way to achieve those moments of truth with actors. When the crew is also technically well-prepared and committed enough, we will be filming at that moment.
We want to capture something authentic about our lives - to depict the story of people's true desires in relation to the community and conditions where they live.
Exibiting the Movie. Screenings will initially be at grass-roots venues in keeping with the integral nature of the production and maintaining connection with the community.
Tom Cowan directed these feature movies, THE OFFICE PICNIC, PROMISED WOMAN, JOURNEY AMONG WOMEN, SWEET DREAMERS and ORANGE LOVE STORY.
Sunday, November 14, 2010
Lets imagine the vast possibilities of ‘Bangalore Love Story’ as a 90 minute feature film. Love stories are compounded of all the tensions between the individual and society, between tradition and modernity, Money and detachment, body and soul and mind, good and evil, rich and poor, the new and the old, youth and age - and innocence and experience.
Bangalore has all this in the extreme. Because of the urgent Indian context it will be dramatically interesting – not only to people in Karnataka. Your place is packed with vivid, comic and tragic characters who are rich with entertainment skills and there are brilliant locations and situations. We must celebrate this in a movie. Basically, we look for a range of characters who personify the place. I’d love to see some pictures of Infinite Souls.
As a starter to our discussion, here’s a very basic plan to develop and make the movie.
(1) Audition and select actors through videoing their love stories.
(2) Organise an actors’ workshop including improvisations of scenes from the stories and then: script edit the scenes. 1 month ( 18 scenes of 5 minutes each)
(3) We video the selected scenes. ( 2 teams shooting – 9 days each)
(4) We edit (will takes several months) and exhibit the movie.
Orange Love Story took well over a year from (1) to (4). We can do it in less time - and make a better movie. But I think it will take at least six months to complete. For my involvement, I could come for up to three months. This probably means you do the auditions and select the actors and their stories. I would be there for the actors workshop where we script edit an overall structure from the improvised scenes. I reckon this needs at least a month. And I can be there during the shoot. Then we would do the edit both in Bangalore and Sydney using internet to improve the cut. We would need to be practical in planning. There may be ways you can think of to speed the process up.
In any case, the most important contribution I can make is to encourage an irreverent devil-may-care approach in the acting and (I mean) a non-arty, non-lugubrious treatment with jokes, tricks and low-life humour as in Shakespeare – as well as heart wrenching longing. Possibly it could verge on the surreal. With songs, dance, funny business and hopefully animation.
After we talk, we can look at a more detailed plan and I can add ideas based on my experience.
Sunday, July 4, 2010
I see movies as detective stories.
Outside the visible frame is a mystery – the detective seeks the answer to what hides unseen outside the frame.
The story for the audience is the search to reveal that secret. The frame moves and we discover another clue. We also want to uncover the mystery presented by the characters. ‘She badly wants something and has great difficulties getting it.’ What will Red Riding Hood uncover when she travels to Grandma’s house? She is confronted by daunting obstacles to her goal. And the audience badly wants to know how she will measure up while she struggles to discover what is hidden.
The movie I am interested in spins this yarn as a game at high speed. It captures the images live, so the actors and crew, like skilled musical improvisers, bounce ideas off each other with the abandon of dervishes who dance just ahead of logical thought. The camera surfs these waves, catching the patterns of energy the actors create.
I see movies spinning stories that are astonishing, heartbreaking, spiritual, enraging, encouraging, hilarious, poetic, pulsating. I see movies as dreams, sexy, scary and ridiculous.
Not all movies are like this.


Lindsay in the cast of After Midnight now through March 12!
Lindsay starred in RESPECT in Philadelphia from April 8-May 31, 2015!
Lindsay opens the Broadway First National tour of "The Gershwins' Porgy and Bess!"
Lindsay travels to Ghana to serve as the Director of Theatre at SMDPS!
Lindsay made her starring debut as Felicia Farrell December 1st-2nd, 2012!
Lindsay on the Broadway First National Tour of MEMPHIS the Musical!!!


The next Theatre Collingwood production of the Summer Festival Season is called TRYING and will be staged at the Gayety Theatre for one week only, Tuesday August 19 through to Satruday August 23. To read the review in last week’s Collingwood Enterprise-Bulletin, click here. Tickets (including H.S.T.) are $40 for adults and $20 for youth. Tickets can be purchased at the Theatre Collingwood box office, 65 Simcoe Street, or by calling 705-445-2200/1-866-382-2200; tickets can also be purchased on the day of the show at the Gayety Theatre box office, one hour prior to performance.
Trying is a two-hander (two actors) with actors Walter Learning (who plays Francis Biddle) and Jennifer Toulmin (who plays Sarah, the young woman from the Canadian Prairies. Jennifer played Ariel in the production of The Tempest at Theatre by the Bay. She also played Anne in Anne of Green Gables at The Charlottetown Festival for five years, as well as Sophie in the Canadian and U.S. tours of Mamma Mia. Walter is an extremely accomplished Canadian actor (stage and film), originally from Newfoundland.
The year is 1967; 82 year old Francis Biddle (former Attorney General under FDR and primary American Nuremberg trial judge) struggles to write his memoirs. Enter Sarah a smart, strong-willed, young women from the Canadian Prairies. What unfolds is a witty and touching story of two people at different stages of life, who are unexpectedly and forever changed by friendship. Based on a true story and hailed by critics all over the world as a triumph of Canadian theatre!
It should also be noted that the play is based on a true story, and the writer was the young woman who worked with Francis Biddle.


Directed by: David Dobkin ; Written by:Will Ferrell and Andrew Steele
Starring: Will Ferrell, Rachel McAdams, Dan Stevens, Melissanthi Mahut, Mikael Persbrandt, Ólafur Darri Ólafsson, Graham Norton, Demi Lovato, and Pierce Brosnan
MPAA Rating: PG-13; Running Time: 123 Minutes
The Nicsperiment Score: 8/10
Lars Erickssong has a dream: ever since he was a small boy, he has wanted to win the Eurovision Song Contest. Sigrit Ericksdóttir also has a dream: ever since she was a small girl, she has wanted to be with Lars Erickssong. And finally, Erick Erickssong has a dream: that his son was somebody other than Lars Erickssong. As Lars and Sigrit approach middle-age, it appears neither of their dreams will be coming true. Despite their tireless musical work together, Lars and Sigrit don't seem anywhere close to getting into the Eurovision Song Contest, and because Lars can only focus on writing the perfect song, he has no time to turn his affections toward Sigrit. Meanwhile, life in their idyllic Icelandic town of Húsavík goes on until suddenly, through a series of bizarre events, Lars and Sigrit land a spot in the contest. As they leave for foreign shores, will they make their town and tiny island nation proud, or bring down national and regional embarrassment? Elrick sure hopes its not the latter.Eurovision Song Contest: The Story of Fire Saga seems like a surefire miss on paper. Will Ferrell, despite past glories, hasn't exactly enjoyed any cinematic triumphs over the past decade. Underdog stories like the one found in this film have been done to death, and nobody can recycle a tired formula to middling results like Netflix's film division. On top of that, the high concept of an Iceland-set comedy based around an over-the-top singing contest could have produced something overly weird and stereotypical.
Thankfully, cliches and tired formulas can be overcome by an overwhelming abundance of heart. Eurovision Song Contest: The Story of Fire Saga's got that enduring, charming heart of an underdog. Somehow, against all odds, nearly every element of this movie works. It starts with Will Ferrell and Andrew Steele's script, which deftly balances both broad and specific comedic elements. The laughs also come from carefully built character work. Despite some decidedly dark humor sprinkled throughout, the film isn't mean toward its core duo, instead letting the laughs flow from a genuine understanding of these characters. Ferrell, as Lars, does a great job of playing a guy whose short-sighted ambition has clearly blinded him appreciating what he already has. He's flawed, but in a relatable way that never allows his character to slip into outright unlike-ability. Even better as Sigrit, Rachel McAdams proves yet again how big of cinematic treasure she has become. The talented actress long ago proved her dramatic chops, but in recent films like Game Night, and now Eurovision, she's proven that she's only more highly refined the comedic skills she showcased early in her career. McAdams dives into this role, fleshing out Sigrit's hilarious eccentricities, but never allowing the part to become a caricature. The talented actress deftly blends humor and heart, and the script, along with Dobkin's direction, wisely puts her front and center, particularly in the film's final act.
With all of this heart, along with McAdams' excellent performance, and even though Eurovision hits major beats underdog flicks have been working for decades, the film's emotional lynchpin moments all work. Most impressive is a stirring, surprisingly powerful moment celebrating Iceland and Húsavík. The film does real work creating a full character for Húsavík, painting the far north town as a unique and charming place where I must admit, I'd gladly move to this very moment.
The film even gets the old "I just didn't know how to raise a kid like you" trope to work, particularly due to a wonderfully prickly performance by Pierce Brosnan as Elrick, along with the ex-Bond's great chemistry with Ferrell. Really, I can't believe how well this film works. Eurovision Song Contest: The Story of Fire Saga is a fine example of how, with heart, thought, and care, even the most exhausted cinematic elements can feel fresh and invigorating.


Actually, while I'm on the subject, that reminds me of a funny anecdote I heard on a making-of doco for The Hitch-Hiker's Guide to the Galaxy, the TV series. David Learner played the body of Marvin, and at one point during the series, David Prowse (aka the body of Darth Vader) joined the cast as Hotblack Desiato's body guard (the separation of the words is intentional, given the context).
Anyway, during rehearsals, David Learner found himself sitting on a couch next to David Prowse. Learner himself wasn't going to provide the voice of Marvin, and so asked David Prowse if he had any idea why George Lucas replaced Prowse's voice with James Earl Jones'.
Prowse's response? "Oi have no oideah."
Have you seen the size of human brains? They're hilarious!
-The Twelfth Doctor


From the spellbinding lights of Broadway in New York City to the shrouded mystery of a stage play in London, weddings have always had something truly magical about them. Now, with the advent of magical theater weddings, couples are finding even more intriguing ways to make their big day even more special. For those wanting to take their happy day to a new level of enchantment, a theater wedding can create a stunning backdrop that is sure to leave attendees spellbound. Let’s take a look at all that this unique event style has to offer.
1. What is a Magical Theater Wedding?
A theater wedding can be a truly unique and magical experience for brides and grooms who want the “wow” factor on their big day. From a grand stage with spectacular decor to the emotional impact of theatrical performances, theater weddings offer an elegant and distinctive atmosphere.
- Stage Design
- The theater’s stage provides a majestic setting for a wedding ceremony. With large staircases, luxe drapery, backdrops, and stunning lighting effects, it produces a one-of-a-kind look that is sure to wow your guests.
- Theatrical Performances
- A theater wedding provides an opportunity to include special touches like musical performances, skits, and improv scenes that let the bride and groom customise their special day. Whether it’s having a celebrity play the father-of-the-bride or having a dance number feature the bridesmaids, these touches add extra pizazz to a theater wedding.
- The warm, inviting atmosphere of a theater naturally sets a romantic mood for the wedding. The set design and props of a theater wedding create a fantasy world where guests feel like they have been transported to a special place that only the bride and groom could create.
All in all, a theater wedding can be truly unique and unforgettable for the couple – and their guests!
2. Benefits of Choosing a Magical Theater Wedding
Planning a wedding is hard work, and you may want to pick something special for your big day. A magical theater wedding could be the perfect way to celebrate your love story. Here are some of the benefits of choosing a theater wedding for your special day:
- Attention to detail: Theater weddings offer the perfect opportunity to be creative and show off your unique style. You can rent out the entire theater or just a portion of it for your guests. Every element of the theater can be tailored to your needs, from the seating to the lighting and decor.
- Glamour and style: With a theater wedding, you can choose a venue that reflects your theme and style. Whether it’s a traditional theater with ornate decorations or a modern cinema with a high-tech auditorium, you’ll find something special to make your wedding stand out.
- Affordable: Theater weddings are typically much cheaper than traditional weddings due to the reduced costs associated with a theatrical event. Plus, you have the flexibility to use the venue in any way you’d like.
- Creative: Theater weddings are a great way to create your own unique wedding. You can have performances, special effects, and interactive activities for your guests to enjoy. The possibilities for creativity are endless!
- Memorable: Theater weddings are both exciting and unforgettable. You and your guests will remember the night for years to come.
A magical theater wedding offers all the glamour and romance of a traditional wedding, while giving you the freedom to make it your own. With a little imagination and some creative planning, theater weddings can be a beautiful and unique way to celebrate your love story.
3. Creating a One-of-a-Kind Magical Theater Wedding
Having a theater backdrop for your wedding can create a truly astounding atmosphere that will set your nuptials apart from the rest. Whether you choose to host your ceremony in a theater, opera house or local playhouse, let your imagination soar for ways to make it truly special. Here are some ideas to help you create a magical theatre wedding!
- Make it a star-studded affair by decorating your ceremony with red carpet and faux paparazzi.
- Spice up your invitations with some theatrical flair by using colorful playbills and theatre-style font.
- Go for a vaudeville vibe at the reception with a juggler, magician, stilt-walker or fire dancer.
- Hire an orchestra for a live performance of your favorite love songs throughout the day.
- If you’re hosting a daytime ceremony, surprise your guests with a billboard-style announcement of the happy couple.
- Have a popcorn bar for guests to eat while they mingle or during the reception.
Perhaps there’s a classic movie your family loves or a classic rom-com like Lady and the Tramp. Incorporating any of these elements into your special day can make it a truly unforgettable event. Whether you go for a classic theater feel, a modern twist, or both, you’re sure to have a magical theater wedding!
4. Personalizing Your Magical Theater Wedding
A theater wedding brings the excitement and elegance of a real Broadway experience to your big day. You can personalize the decor to your liking while delivering a timeless and artistic theme.
- Set the Mood: Choose a signature color and work with it visually. Whether you want a classic look with deep reds and purples or an understated elegance with pastel hues, a bold color palette instantly adds a wow factor to your magical theater wedding. You can also select lighting pieces that coordinate perfectly with the distinctive atmosphere of the space.
- Surrounding Details: As the the theater is the focal point, look for ways to bring in unique elements that play up the existing decor. You can incorporate antique-style gold frames to dress up a reception wall or white fabric drapes with twinkling lights to adorn the ceiling.
- Extra Touches: Complete your look with surprising details that will catch your guests’ eyes. Faux theater curtains can draw attention to your bridal entrance, or opera boxes can provide a unique seating option for your VIPs. Get creative and consider ideas like a themed cake or signature cocktails presented in bowler hats.
Creating a magical theater wedding is all about infusing your vision with touches of classic theater style. Through careful personalization and thoughtfully chosen accents, you can make your wedding a night to remember.
5. Making Your Magical Toast
When it comes to your wedding, having fun and enjoyable activities is key. When you plan a theater-themed wedding, takes it to a whole new level. Here are a few ideas to make that experience unforgettable.
- Create a script- A theatrical toast should be scripted and rehearsed. Enlist the help of your wedding party to write a magical toast and you’ll have your audience in the palm of your hand. Plus, it’s a great way for them to feel involved in the special moment.
- Costumes- To make the toast more theatrical, why not dress up? A bright dress or a jester costume will be perfect for the occasion and make for some great photos too.
- Anecdotes and Insights- a little humour and sincerity will make your toast memorable and connect with your guests. telling sweet, poignant stories or even funny ones will hit all the right notes.
- Include All Guests- Let the happy couple’s guests express their best wishes too! Ask each guest to add something memorable or give a small toast themselves.
Adding a theatrical twist to your wedding will make the toast sparkle. Make sure you are prepared with the right script and don’t stress if you can’t deliver perfectly- it’s the magic of the moment that will be remembered.
6. Design Tips for a Magical Theater Wedding
1. Keep the Theme Going: To make your theater wedding truly magical, you need to make sure the entire event matches the theme. Include details such as old-time movie-style ushers, theater-style tickets as favors, and even decorations that emulate the grandeur of a theater.
2. Get a Tiny Towel: Whether as a wedding favor or part of the props, a tiny towel suspended from each chair in the aisle serves as a whimsical touch that nods to the grandeur of the theater experience.
3. Hire a Storyteller and a Hand Shadow Artist: To really bring the theater experience to life, hire a storyteller and a hand shadow artist to entertain guests before or after the ceremony.
4. Choose Theatrical Music: Select music with flair, such as song from Broadway musicals, for your processional and recessional.
5. Create Drama with Lighting: Make your theater wedding magical by adding dramatic lighting effects. Soft blues, rich purples, and bright oranges are all theatrical colors that create a romantic atmosphere for your special day.
6. Include a Dramatic Backdrop: Choose a dramatic backdrop that captures the romance of a theater wedding, such as a theater curtain, a props backdrop, or an ivy covered trellis.
7. Hosting an Unforgettable Magical Theater Wedding
When you choose to have a theater wedding, you can create a unique, magical ambiance for your special day. At a theater wedding, all the world is a stage and guests will be part of a dramatic production of a fairytale style celebration. There are many ways to make your theater wedding they talk of the town:
- Invite special guests: put out a special invitation out to friends and family who have made an extraordinary impact in your lives.
- Magical Guests: to add more mystery and fun, you can invite iconic characters from your favorite movies, books, and plays.
- Beautiful Music : choose classic tunes that bring out the theme of your special day. You can even work with a local theater troupe or music school to provide entertainment for your night.
- Mystical Decorations: don’t forget to incorporate special touches of sparkles, lights, and textures into your decor to create a truly magical atmosphere.
- Unique Favors: give something special to your guests to remember your theatrical wedding. You can include a personalized program, playbill, or even play cards with your special day printed on them.
- Cinematic Photos: hire a professional photographer to capture all the special moments of your magical day to make sure it’s something you’ll never forget.
Creating a magical theater wedding is easy when you incorporate these special touches. Let your imagination run wild and you’ll have an unforgettable wedding that will make your guests feel like they stepped into an enchanted world. Love is magical, and what better way to celebrate that than by planning a unique theater wedding? From choosing the perfect venue to finding the perfect dress or suit, can help couples plan a special day that will be remembered for years to come. Let the stage be yours for your fairy-tale wedding — you’re sure to create a beautiful production.


For Immediate Publication
February 23, 2018
The Acadia Performing Arts Series presents Inside/Out, a prison memoir by Patrick Keating at Festival Theatre in Wolfville on Saturday, March 17 at 7:30; a production by Neworld Theatre in association with Main Street Theatre and Urban Crawl.
Patrick is kind, soft-spoken and sincere. Inside/Out is his real-life story of years spend in and out of Canada's penitentiary system. And that's the thing - you look at Patrick and think, 'this guy robbed a bank?' Patrick's honest and engaging delivery of his funny, sad, and stirring true story helps dismantle our ideas of what a 'criminal' looks like - and helps us better understand how language, race and class play a very real part in our lives as Canadians. It's about a man's search for community: the community of the street, the community of prison, and of the theatre.
Written and Preformed by Patrick Keating / Directed and Dramaturged by Stephan Malloy / Sound Design by Noah Drew / Lighting Design by Jaylene Pratt / Set, Props, and Costume Design by Barbara Clayden / Stage manager: Sandy Cumberland
Tickets are $26 for adults, $20 for students. For more information or to buy tickets, visit the Acadia University Box Office in person, by phone at 902 542-5500 or 1-800-542-TICK(8425), or online at boxoffice.acadiau.ca
Contact: Peter Smith 902 585-1282 or firstname.lastname@example.org


Check out upcoming events by this organizer, or organize your very own event.
JuntoBox Films Greenlighting Event!
Sunday, June 24, 2012 from 3:00 PM to 6:00 PM (PDT)
Los Angeles, CA
Come join us at The Conga Room for a Greenlighting Event to celebrate the second JuntoBox Films project to go into production! Shira Lazar, co-founder of What’s Trending and all around digital media boss, will be presiding over the event.
In addition to Shira’s awesomeness, we’ll have drinks and a DJ to satisfy your muscial and emotional needs, as well as a sweet gift bag. Tony McGrath, writer/director of Passenger, our first film, will will also be on-hand as well to answer questions.
This is another big step for JuntoBox Films, join us as we march forward with fusing Hollywood and the tech industry as never before!
Can't make it on Sunday? Join us Thursday the 21st as part of Silicon Beach Fest!
JuntoBox Films is a fully funded, global, independent film studio. We are a unique digital gathering place for filmmakers as well as film fans, where people can submit screenplays, search productions that are hiring, learn from filmmaker mentors, and contribute to the evolution of ideas. Join the community - Be a part of the next indie hit.
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Edward norton courtney love dating
His father, Edward Mower Norton Jr., served in Vietnam as a Marine lieutenant before becoming an environmental lawyer and conservation advocate working in Asia and a federal prosecutor in the Carter administration.He subsequently immersed himself in movies and named Dustin Hoffman and Robert De Niro as two of his early inspirations because "the ones I liked were also the ones who made me think I could do it because they weren't the most handsome guys".He gained immediate recognition for his debut in Primal Fear (1996), which earned him a Golden Globe for Best Supporting Actor and an Academy Award nomination in the same category.
For his role in the 2014 black comedy Birdman, Norton earned another Academy Award nomination for Best Supporting Actor.Edward Harrison Norton (born August 18, 1969) is an American actor and filmmaker.He has received multiple awards and nominations including a Golden Globe Award and three Academy Award nominations.Norton rewrote the script several times without credit, focusing on the historical context and adding some humor while retaining Kahlo's real-life crude personality. Edward's instinct is going to be, 'I have to take over this film.' He's going to try to rescue the film.In the horror film Red Dragon, Norton stars as retired FBI profiler Will Graham, who is assigned to track down a mysterious serial killer utilizing his psychological abilities. That's both a blessing and a curse." Paramount Pictures forced Norton to star in the heist film The Italian Job (2003), threatening to sue him for violating a three-film contract he had signed; the studio had previously distributed 1996's Primal Fear and 2001's The Score.
Search for edward norton courtney love dating:
Norton co-produced The Painted Veil, in which he starred with Naomi Watts, who portrayed his character's unfaithful wife.


Nagisa is making a lot of progress, on the play for the Theater Club, with the support of everyone.
When Nagisa and Tomoya return home, Akio is there to greet them and shows them a video of a theatrical play, to watch as a reference.
The funny part is that Nagisa have not seen a play before in her life, much to the shock of Tomoya since everyone know that Nagisa is the president of the Theatre Club..
The next day at the club, everyone is discussing what music to use. Rie and her choir group drop by to give their opinion.
Then came along Tomoyo Sakagami.. As head of the student council, she came to take a look at the progress of the Theatre Club..
She congratulates Nagisa on making this far to making a play for the school festival..
On the next day, Nagisa was so concentrated on her script, she didn't take notice about her surrounding.. Even Tomoya tried to test her by saying that she looks Kawaii but fail..
He even have to guide her to avoid hitting the lamppost..
In school, the group were doing their rehearsal.. Nagisa told everyone that she felt nervous of doing the play.. Pretty good reason since she recently seen the play on tv and she would be the only one facing the audience on the day itself..
Sunohara, being a joker tries to help calm her down by telling her to imagine that the human race survival against the alien depends on her play..
If she does it right, the alien won't attack.. But if it didn't work out..
With everything from practices to the rehearsal moving along smoothly, Nagisa and everyone else are clearly aiming to make this play a success.
However, it was not as it seems as Nagisa later found out about her parent's past in the picture books left in the shed.. She was there to look for batteries for her torchlight..
Tomoya, who couldn't sleep, saw her looking at the pictures.. He told Nagisa to focus more about the play and to go back to sleep while he gathers all the pictures on the floor..
Akio-san, who heard the ruckus, went to the room and saw the whole thing.. He then blamed himself for not hiding the books properly and also told Tomoya that this isn't a good time for her to find the truth about them..
Well, it's sad to see Nagisa found out the truth about her parents.. She should have found out about it earlier since she has a play to do.. But truth really hurts no doubt.. But with Tomoya there, he might able to snap her out of it in the next episode judging by the trailer..
Oh yes.. Tomoyo Sakagami and Sunohara looks more mature than in the earlier part of the series.. Sunohara still have some comic relief but he gave a helping to set up the stage and stuff..
Tomoya on the other hand, being an underclassman is more like a senior to Tomoya and his group.. She told Nagisa how lucky she is to be chosen by Tomoya.. This (1) gave some kind of closure for the other girls' feeling towards Tomoya. The very fact that they are still happily helping out Nagisa for the theater club proves it.
And wearing the glasses, she looks so cool.. Well, I will wait for the last episode of the series to catch the end result.. It's sad to see Clannad ending already..
3 weeks ago


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Kal Athannassov is a animation art director and character designer living in Burbank, California. He is currently a Lead Character Designer at Netflix Animation on an upcoming Adult Animated Show.
Previously, he was the Character Art Director at Baobab Studios, where he won an Emmy for Outstanding Individual Achievement in Character Design in Animation for Crow: The Legend in 2019, and for Baba Yaga in 2021.
In 2016, Kal co-directed, and was the Art Director for the award-winning, animated short film, The Wishgranter. The film went on to win Best Animated Film at the 43rd Student Academy Awards®, the College Television Awards, Student BAFTA, National Board of Review, and many more.
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At 80, William Shatner is one of the most impressive and powerful actors and Celebrity Brand Endorsers out there – just don’t call him a brand. In a recent Forbes' article, Shatner says, “I don’t think of myself as a brand. I like think of myself as an artist.” And a true artist, a real renaissance man he is. This year alone Shatner has starred in a series ($#*! My Dad Says), written a book (Shatner Rules: Your Guide to Understanding the Shatnerverse and the World at Large), made a CD (Seeking Major Tom), produced a documentary (The Captains) and is staring in a one man show (starting October 19th). Some artist's may not accomplish this much over the span of their entire careers. And to think Shatner's role as Captain Kirk (Star Trek) sparked it all!
Despite all of his success, I would argue that most people too young for an AARP membership would refer to Shatner as the “Priceline Negotiator.” And I think that's a fine legacy to have – he's nailed the part for years. Shatner gives it his all in everything he does and believes that “your best off opening yourself to life than closing yourself off to life.” Shatner takes opportunities and seizes them – whether it be singing a song or playing a goofy negotiator of hotel and airline prices. The Priceline role gave him the reach and awareness that actors of any age would kill for, and he gives a truly commanding performance. He approaches the "Negotiator" as a role, and any marketer can appreciate what that does to create genuine and effective creative.
So cheers to Priceline for giving the actor, director, producer, writer, recording artist a platform that allowed him to maintain his relevance and entertain us all.


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Posted on April 16, 2009 by posterdemic
This isn’t a new addition to my collection, but it is such a cool piece regardless. It’s an 80’s re-release for La Chinoise and is pretty scarce. I have seen only three, one of which had a huge tear in it. For a poster from the 80’s that is just not too many sightings over a period of eight years. And I am always actively searching for these.
Some have commented that the poster is boring because of the large red field. I think it’s brilliant. One of my favorites.
Vintage original Japanese movie posters from posterdemic
Filed under: Japanese movie posters | Tagged: 60's movie posters, 80's movie posters, Japanese B1 movie posters, Japanese movie posters, Jean-Luc Godard | Leave a comment »
Posted on April 12, 2009 by posterdemic
Here’s the latest inventory update that are shipping to me shortly from Japan. Note that unless stated otherwise these are B2 (20″ x 29″) size. Deleted items
like this mean they are already sold:


Mind Blowing Closeups! Game of Thrones Embroidery
These stunning little embroidered beauties come from the fabulous mind of Michele Carragher, she is the Principal Costume Embroiderer for the HBO award winning series Game of Thrones (there's a drool worthy title!!), she's worked on all 5 seasons. She is based in London and studied Fashion Design at The London College of Fashion. She's worked in the industry for over 15 years, working on ITV's shows David Copperfield, Mansfield Park and BBC's Our Mutual Friend. Make yourself a cuppa or pour a glass of wine, because your going to spend hours looking at her beautiful work and closeup details. Visit her website www.michelecarragheremboridery.com.


Returning to visit his family, George is horrified to find his wife and children dead. Insisting that a ghostly presence killed them, George turns to paranormal expert Robert Brandon for help.
Robert contacts the dead to piece together their tragic tale of ghosts, demons, murder... and the family's darkest secret. Untangling lies and confusion, he discovers a truth far more dangerous than any ghost story — and becomes a target for the darkness that tore the family apart.
Tied in Blood is an unsettling tale of evil and manipulation, courage and redemption. Featuring bold performances from a strong ensemble cast and a tightly directed story that will grip you right til the end, Tied in Blood is a chiller like no other — an experience not to be missed.


Summer Musical Theater Workshop 2018
EARLY REGISTRATION: (Now until March 15)
Stage Right offers two Summer Workshops for ages 5 - 14.
Each workshop is different, so you can register for one or both.
Students who attend the Summer Musical Theater Workshop provide training in drama, dance, voice and prep (behind the scenes) each day. Each class is designed to evaluate a student's skill level and then build upon that with new experiences based on material from a different broadway show each day.
The workshops are designed to allow students to explore new material while they develop their skills in a nurturing environment. Ideal for students with little or no experience, or looking to master their audition skills.


Photographer / Film director
Mika Ninagawa has been accredited with the “Kimura Ihei Photography Award” in Japan. In 2007, she directed her first film “SAKURAN” to start off her career as a film director. Her second film “Helter Skelter” in 2012 recorded more than 2.2 billion Japanese yen at the box office.
Mika Ninagawa is represented by Tomio Koyama Gallery and she is also one of the executive board members for the 2020 Tokyo Organising Committee of the Olympic and Paralympic Games. In 2016, her retrospective “MIKA NINAGAWA” was held in Museum of Contemporary Art, Taipei. In 2017, her solo exhibition took place in Shanghai and was well received by the audiences.