Sci-fi photo illustration of a man in a biomechanical sanctuary, surrounded by angled steel machinery and bioluminescent horrors in glass domes. The long, dark hall is reminiscent of Giger's designs, with wet, confusing pathways leading to the central god machine. This cinematic scene, inspired by Ridley Scott and Simon Stålenhag, captures the devotion to and love for the god of technology, an ancient relic from the 90s.