The Subject:
The subject is the head and upper body of an androgynous fashion figure with an unconventional, deconstructed look. Their skin appears to be made of smoothly molded matte black rubber or latex. Theatrical makeup with stark geometry surrounds large, hollow black eyes rimmed with metallic gold powder.
Instead of hair, their head is partially encased in an assymetric black leather hood that leaves their face, neck and one shoulder exposed. Angular shards of brushed gunmetal protrude from the hood, giving the appearance of an abstract sculpted headpiece.
Their neck and shoulder transition seamlessly into an intricate woven torso covering made of sleek carbon fiber tubing and wires. This techno-organic "garment" undulates over the contours of their body like futuristic musculature on display. Here and there, glowing circles of electric blue light embedded within the woven patterns provide the only pops of color.
Perspective:
The perspective is a classic three-quarter portrait view, tilting slightly up towards the subject to give a subtly dominant impression as they gaze down towards the viewer. Fine details are in tack-sharp focus while the lower half of their body fades into shadowy bokeh.
Lighting:
Stark, spotlit illumination rakes across the scene from an asymmetric angle. This results in brilliant focused highlights hitting peaks and edges to define and separate the form's unique textures and materials. Contrasting inkblack shadows carve out deep negative spaces in the profile and crevices for high impact.
Artistic Elements:
The color scheme is mainly a desaturated monochrome palette of velvety blacks, shimmering grays and crisp whites, punctuated by pinpricks of glowing blue-green lights. The avant-garde fashion components blend fluid organic curves with rigid geometric shapes and patterns. Traditional human features are abstracted and subverted into sleek modern armored sculpting. The play of chiaroscuro lighting and unconventional forms lends an air of mystery and stylized futurism.

