And we put the piano on the sweet spot of the stage in the Shrine, which has not changed since 1949, still seats 6,000 people. And on the sweet spot on the stage, Tatum starts playing... and every note, every beat, every slur, every accent, every pedal was perfect, because he played it for that room on that day.
Entonces, colocamos el piano en ese fantástico lugar del escenario en el Shrine — que no ha cambiado desde 1949, con un aforo de 6.000 personas — y en ese fantástico lugar del escenario, Tatum comienza a tocar... y cada nota, cada golpe, cada ligadura, cada acento, cada movimiento de pedal era perfecto, porque lo tocó para ese lugar aquel día.