Everything else was shot on cranes and various things like that, and it literally was done over five different sets, two different boys, different times, and it all had to feel like it was all one shot, and what was sort of great for me was it was probably the best-reviewed shot I've ever worked on, and, you know, I was kind of proud of it when I was done, which is, you should never really be proud of stuff, I guess.
Todo lo demás se filmó con grúas o aparatos similares, y literalmente se hizo en cinco sets diferentes, con dos niños diferentes, en tiempos diferentes y todo debía de verse como una única toma, y me pareció genial que la toma fue, probablemente, la toma con las mejores críticas en la que trabajé y, ya saben, me sentía algo orgulloso luego de finalizarla pero uno nunca debe sentirse orgulloso, eso creo.