I then continued on to make a whole body of work about Marilyn — the biggest icon of all — and trying to titillate by shooting through doorways and shutters and so on and so forth, and only showing certain angles to create a reality that, obviously, is completely constructed.
Y tratando de excitar a través de la toma de imágenes desde los marcos de las puertas y contraventanas, etc. Y solamente mostrando ciertos ángulos, para crear una realidad que, obviamente, es completamente construida.