And in a tradition where we often don't know the dancer's names, who they were, what their lives were like, what they felt, let me propose that we move forward honestly and openly from "khnhom." Khnhom not as in slave, but as in conscious service.
Y, en una tradición en la que no solemos saber los nombres de los bailarines, quiénes eran, cómo eran sus vidas, qué sentían, voy a proponer seguir adelante honesta y abiertamente desde "khnhom". Khnohm no como esclavo, sino como un servicio voluntario.