The patriot has done no such thing. He keeps throwing theories arround that do not hold water hoping something sticks to wall.  To you WPW I'll quote this WN who goes by the name Seasoned. He was there when rock 'n' roll went mainstream from black marginalized communities.   Seasonen:  Arguing over a Jewish Elvis. It's a pretty sad sight to see, and nearly as bad as ignoring that fact that Jews were the ones pushing the music.  To the point, however, Rock 'N' Roll was deliberately used as a subtle means of degrading White society; it was entirely negro music. Anyone old enough to recall be a well-ground adult at the time can thoroughly remember it being classified, acknowledged, and despised as being primative negro 'music' by the adult generation.  Those possessing sufficient intelligence saw through the stealthy infiltration of enticing White youth with this unseeming venom. Though, sadly, the youth of the fifties and sixties began to embrace it. And the rest, as they say, is history. Defending and purporting such a base and originally hedonistic poison as stemming from the clear-thinking minds of Whites is an insult.  There is no other reason connected to young, confused Whites attempting to name Rock 'N' Roll as of White origin other than the aforementioned few holding a fondness of the genre's current perceived Whiteness. And that is understandable; I, too, once held many musicians within it as examples of the creativity Whites are capable of. But make no mistake, the negro invention of Rock 'N' Roll was and has been a detriment to Western White Society. . . . I saw it, your grandparents saw it. But your then young fathers, in their youth, ignored it -- and thus paid a heavy price.  Anyone with enough gall to look into the Beatles and their connection to the Tavistock Institute and the pre-determined Sexual Revolution will see notice the true use and purpose of the negro music become wholly apparent. Good luck trying to argue with a person who was there at the time. It was and is disgusting negro music, through and through. It has done a tremendous amount of serious damage.  Classical music is the invention of Whites, and is so much more beautiful than such a base creation as the negro-born, Jew-sponsored sex music that is and was Rock 'N' Roll.  My theory is fact. It's not just my opinion or anything. I have even given you references from experts, even Jewish ones who agree with me. Hey I have much more where that came from if you really want but this is getting tedious, you're just very annoying. Most Black people are though so that is no surprise.     My theories(facts that are not just my opinions) don't hold water with you because your little 8000 year old primitive boat that looks like a giant turd is a bit leaky I suppose. You're just floating around in your crappy, leaky little boat in da Nile (denial) man :D     This is some ignorant jackasses opinion, this seasoned guy is a moron when it comes to history of rock n' roll I can tell you that much, you keep throwing this out here. Certain elitist WASPs have always hated rock and jazz, because it was rowdy and sexually suggestive so they would say Blacks and Jews were behind it to get people to not listen to it. This is why most of the early White Jazz players were Irish, Italian and Polish, because the Anglo establishment was appauled by this new low music. You keep bringing up Elvis Presley but how many times do I have to tell you Elvis didn't invent Rock N' Roll , he wasn't the first rock star. And Elvis to this day gets played on country stations just as much as rock stations, his biggest influence by far was country and gospel and yes gospel is White church music, not Black slaves yelling and screaming like howler monkeys. But I don't really want to repeat myself which is what you keep forcing me to do. Until you have something new and not just the same old blacks created music mantra, I'm not wasting my time on you. You're hopeless, typical negro can't cope with the fact that Blacks didn't invent all of this music, it's a modern day afro centric Jewish media perpetuated myth/lie/rumor/misconception(take your pick).    Hey....you know the famous Black Jazz player Herbie Hancock right? Guess where he got all his influence from? He started out playing classical music, he was classically trained...so he was influenced by WHITE Classical music...hm....     Like many jazz pianists, Hancock started with a  classical music  education; Hancock studied from age seven. His talent was recognized early, and he played the first movement of  Mozart 's Piano Concerto No. 5 in D Major at a young people’s concert with the  Chicago Symphony  at age eleven. [1]      And guess who Herbie Hancock's biggest influences were?? Here it is in his own words   He was also influenced by records of the vocal group  the Hi-Lo's : ..by the time I actually heard  the Hi-Lo's , I started picking that stuff out; my ear was happening. I could hear stuff and that's when I really learned some much farther-out voicings -like the harmonies I used on 'Speak Like a Child' -just being able to do that.  I really got that from  Clare Fischer 's arrangements for the Hi-Lo's.  Clare Fischer  was a major influence on my harmonic concept... He and  Bill Evans , and  Ravel  and  Gil Evans , finally. You know, that's where it really came from.   Almost all of the harmony that I play can be traced to one of those four people  and whoever their influences were. [2]      Well look at that...he was classically trained and by his own admission practically all of the harmony that he plays can be traced to Clare Fischer, Bill Evans, Gil Evans and Maurice Ravel (all White guys). Herbie Hancock plays White music, and he isn't the only one. All Black Jazz players were influenced by White musicians whether they want to admit it or not.;)   Hey, have you ever heard of the White Jazz musician by the name of Bix Beiderbecke?? Well Louis Armstrong and Miles Davis sure did....     As Louis Armstrong said, Lots of cats tried to play like Bix; ain't none of them play like him yet.     Louis Armstrong once remarked that he never played the tune Singin' the Blues because he thought Beiderbecke's classic recording of the song should not be touched.      Miles Davis was fascinated by Bix's playing , and sought out people who had known and played with him.  Miles's silvery tone and understated, cool phrasing clearly hark back to one aspect of Bix's playing .    LOL.....look what the wikipedia says about Nick La Rocca of the ORIGINAL Dixieland Jazz Band.    In the 1950s he started writing numerous vehement letters to newspapers, radio, and television shows, stating that he was the true and sole inventor of jazz music, and that  those who claimed that the music had Negro origins were part of a Communist conspiracy .    Nick La Rocca and the ORIGINAL Dixieland Jass Band were upset about those liars saying Jazz was Black too as you can see. Oh and they changed the name from Jass to Jazz because people used to scratch out the J on the signs and things(seriously) .... lol:rofl     La Rocca may have inadvertently done much damage to his own reputation,  especially in some of his statements which are unusually racist even when compared to interviews with other white southerners born in the late 19th century,  and his dismissal if not outright insults of his fellow white musicians. :rofl Nicky LaRocca cracks me up. Good old Joe Blade.