[quote=Hwhite Powr;6023533]   If by black culture, you mean contributions to modern culture by blacks i'll list the following music genres as being influenced by black culture, i'd have to do some research to find other contributions.   Music: Rock and Roll   How many Black rock stars can ya name?:rolleyes: Whites created Rock so shove it! It started as Hillbilly music!      Jazz   Whites started Jazz too. Gave it it's name and everything. But since about the 1950s certain people in the media...(cough) Jews want to pretend Blacks created Jazz and alot of people believe it now. But it would be a part of Black culture because alot of Blacks did play it and had a big impact on it, of course, and developed their own styles like Hot Jazz(Blacks tend to play it hot hot hot, as in loud, fast and aggressive, whereas Whites prefer the Cool sound, calm, relaxed and sophisticated, which is why it was Whites who started West Coast Jazz which led to Cool Jazz(Bill Evans had a huge hand in that), which led to Smooth Jazz which is today the most popular type of Jazz music and is dominated by Whites and quasi-White Ashkenazi Jews), and Bebop. A few of them actually still do play it. But if you turn on a comtemporary Jazz station you'll hear mostly White people and quasi-White Ashkenazi Jews. Not many Blacks, they all want to be rappers now.     Blues   In the beginning there was no distinction between what was Country and what was Blues, a Blues song was a particular style of a Country song. The term the Blues is White slang that dates all the way back to England. So called blue notes are prevalent in traditional Irish and British folk music(go figure).     In the early days of recorded music there was no genre of Blues, a Blues song was a sad type of Country song. The record industry marketed Country/Blues performed by Whites as Hillbilly Music, and Country/Blues performed by Blacks as Race Music, the only distincton to be made at this time was the race of the performer. But as times changed they decided the terms race music and hillbilly music sounded too out dated and a bit offensive so the record industry began to call Hillbilly Music, Country, and Race Music became just simply Blues/Rythm and Blues, I'm not sure why they chose to call race music Blues/R&B, I think it's probably because the Blacks tended to do alot more Blues songs(low songs, depressed songs) than Whites, Whites tended to do more upbeat stuff, which is what would evolve from upbeat Hillybilly music into rock n' roll/rockabilly!! Then the Blacks proceeded to create their own style( Delta Blues) that we now recognize today as the Blues, ironic enough, the so-called 'Father of the Delta Blues was a mulatto named Charlie Patton and another one of the most influential figures in the early history of what would come to be known as Blues was Jimmie Rodgers...who was White, he influenced Howlin' Wolf and Muddy Waters. So...Black Blues music is a bastardized, spin off from White Country and Folk music and would not exist at all without White people. All of this so-called Black music is always from America, why? They need Whites to influence them and to immitate, that's why.:cool:     I want to hear some traditional Black African music that isn't just beating wildly on a drum and chanting, similar to a toddler banging on pots and pans with a wooden spoon. Why is this Black music all from America? ;) Us White people were making plenty of good and popular music back in Europe before we ever came to America. Music that was much more sophisticated than simply banging on a drum and chanting and shouting.     Soul R&amp;B   Black pop music. The R&B/Soul term is just a label created by the record industry for marketing convenience, a catchall, umbrella term for all Pop music performed by Blacks. But it is true, Black pop music is distinct from Whites for the most part, they do have unique styles, especially Motown and Funk. Once again, comes from America and not Africa, big surprise. I wish you guys were still making Motown, Funk and New Jack Swing instead of this hippity hoppity trash nowadays.      Rap Hip-Hop   You got me there.   Electronic beats created by beat machines and synthesizers that are the product of White people and utilizing the so-called break beats and other beats, sounds and techniques that were/are stolen aka sampled from European Electronic groups and producers like Kraftwerk, with some explicit, materialistic and often times anti-White, rhyming chants and spoken word poetry to accompany it.