A sign with an arrow pointing to the left, indicating the direction to the first change room. The sign is black and white, standing on a floor with a patterned design.
A man with a serious expression, wearing a white shirt with Japanese characters, stands in a room with a door labeled "0057".
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A man with crossed arms stands in front of a locker room, looking serious. His posture suggests he's in a leadership role.
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In the manga panel, there are three characters: a man with glasses, a woman with a ponytail, and another man with a short haircut. The man with glasses is speaking, and the other man is listening intently. The woman is standing next to the man with short hair, looking at the man with glasses. The background is simple, with no significant details.
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A group of people standing in a room, one man in the foreground with a cigarette, the others looking at him with expressions of concern or confusion.
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A young man with short hair is depicted in a manga panel. He is wearing a dark shirt and is in the process of turning his head to the side. His expression is serious, and he appears to be listening intently.
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The manga panel is a black and white illustration of a bustling scene with numerous characters. The characters are drawn in a dynamic, expressive style, with some appearing to be in motion. The background is filled with various elements that suggest a busy, urban setting.
A group of men in suits are walking down a hallway, one of them is looking back with a surprised expression.
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A group of people, including a man with a surprised expression and a woman with a concerned look, are gathered in a room. The man is wearing a dark suit, and the woman is in a light-colored blouse.
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Three characters in a manga panel, with one in the foreground and two in the background. The foreground character is a young man with glasses, looking to the side with a thoughtful expression. The two characters in the background are a young woman with dark hair and a young man with a serious expression. They are all dressed in casual clothing.
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