hat
Charlene, yon manadjè ak yon chèn rad gwo, ak Kira, yon kineziterapeut, rive nan nayklib la popilè Galapagos byen bonè ase yo ka resevwa yon tab nan mitan an nan aksyon an, ak yon View gwo nan ba a ak planche a dans. Trè byento foul moun yo moute desann nan ak kote a plen moute. Tou de fanm yo elegaman abiye ak gade tankou yo fè pati isit la. Kòm Charlene pale ak Kira, li analiz sal la ak vyèl ak kèk seksyon ki lach nan cheve l '. Chak koup la minit li wiggles kò l 'ak, de tan zan tan, mete koud li sou tab la ak repoz tèt li sou men l ', pouting ak fè je nan kandida yo gason nan bar la. Charlene panse li te ke yo te sexy, men li la pa. Li nan fè sa yon anpil nan moun, ni gason ak fi, fè lè yo ap soti sou rode a: Li nan konfizyon ke yo te sexy ak ke yo te bèl. An reyalite, aksyon li sèlman fè l 'gade anksyeu ak anfantin, bay sou enèji frelikè.
eng
Charlene, a manager with a large clothing chain, and Kira, a physiotherapist, arrive at the popular nightclub Galapagos early enough to get a table in the middle of the action, with a great view of the bar and the dance floor. Pretty soon the crowds wander in and the place fills up. Both women are fashionably dressed and look like they belong here. As Charlene talks to Kira, she scans the room and fiddles with some loose strands of her hair. Every couple of minutes she wiggles her body and, from time to time, puts her elbows on the table and rests her head on her hands, pouting and making eyes at the male prospects at the bar. Charlene thinks she’s being sexy, but she’s not. She’s doing what a lot of people, both male and female, do when they are out on the prowl: She’s confusing being sexy with being cute. In fact, her actions only make her look insecure and childish, giving off immature energy.