hat
@alasdair pwen an se li ki fè, ki w ap eseye kònen koupe jis tankou li te di nan chante sa a,, se ke lapolis blan gen ak fè fè sipozisyon nan gason nwa ki pa valab. Pou ou kab vin blan ak k ap viv ak yon sèl bò nan fanmi mwen sa a, se prejije, ak lòt bò a sa a, se pasyèlman Afriken Ameriken, Mwen ka di ou ke sa Sòti a di se vre. Nan ka a nan Dillon Taylor, ki mwen dwe admèt se youn nan fwa yo kèk Mwen te konn tande nan yon bagay tankou sa a ki fèt, li te kapab menm bagay la. Sòti a se ki deklare ke gen nan toujou yon pwoblèm ak rasis ak prejije nan peyi sa a, epi li akòz peche. pwoblèm Sa pa jis ale yon fason, men chante sa a sou pwòp li yo ap pale sou pwoblèm nan pi ijan nan men kounye a, ki se epidemi an nan jenn gason nwa ki yo trete enjisteman paske yo anfòm yon kliche. Ou pral kwè sa ou vle, men nou wè pwoblèm nan, epi nou pral kanpe kont li, ak fè mal ak moun ki fè mal.
eng
@alasdair the point he is making, which you’re trying to blow off just like he said in the song, is that white police have and do make assumptions of black men that aren’t valid. Being white and living with one side of my family that’s prejudice, and the other side that’s partially African American, I can tell you that what Trip said is true. In the case of Dillon Taylor, which I have to admit is one of the few times I’ve heard of something like this occurring, it may have been the same thing. Trip is stating that there’s still an issue with racism and prejudice in this country, and it’s due to sin. That problem doesn’t just go one way, but this song on its own is talking about the most pressing issue at hand right now, which is the epidemic of young black men who are treated unjustly because they fit a stereotype. You will believe what you want, but we see the issue, and we will stand against it, and hurt with those who hurt.