Besides the town-drunkards there were other persons in whom the boys were interested, like the two or three dandies, whom their splendor in dress had given a public importance in a community of carelessly dressed men. Then there were certain genteel loafers, young men of good families, who hung about the principal hotel, and whom the boys believed to be fighters of singular prowess. Far below these in the social scale, the boys had yet other heroes, such as the Dumb Negro and his family. Between these and the white people, among whom the boys knew of no distinctions, they were aware that there was an impassable gulf; and it would not be easy to give a notion of just the sort of consideration in which they held them. But they held the Dumb Negro himself in almost superstitious regard as one who, though a deaf-mute, knew everything that was going on, and could make you understand anything he wished. He was, in fact, a master of most eloquent pantomime; he had gestures that could not be mistaken, and he had a graphic dumb-show for persons and occupations and experiences that was delightfully vivid. For a dentist, he gave an upward twist of the hand from his jaw, and uttered a howl which left no doubt that he meant tooth-pulling; and for what would happen to a boy if he kept on misbehaving, he crossed his fingers before his face and looked through them in a way that brought the jail-window clearly before the eyes of the offender.