Schifano passes to new pictorial images where he finds the representation of nature. Especially the latter is introduced in his "anemic landscapes" of 1963, where memory, through allusive phrases, rapid gestures and details, becomes the voice of the representation of nature itself. This will then further evolve in the series Trees, Oxygen Oxygen, Oasis, and imagination above all in the depiction of the Palm, where it finds its most complete maturity and where the artist carries forward his idea of ​​the painting and its function as a screen. It also alludes to the protection of the environment, in times when it was not lived like today, and it alludes to a human and cultural problem, representing the theme of escape, where to rediscover the soul. The escape from this solitude of the tree as an individual without roots, the escape from a way of building one's present through a rigid series of values, Schifano, in these paintings where the dream evidently begins to appear, the moment of detachment from reality, where the continuum of perspective space [...] tends to fracture, Schifano begins to analytically dissociate the image”&lt;ref&gt;AA.VV. , Mario Schifano, Parma, 1974/ref&gt;, it presents itself as a complete manifesto of his cultured art at a key moment.