Actually, for new listeners, the voodoo reference was a little misleading, as it referred to the music's often spooky quality, as opposed to any Haitian or Caribbean influences. In fact, WoV's music could fairly have been described as a cross between early synthesizer pop (especially that of Devo) and Ennio Morricone's spaghetti western soundtracks. Adding to the music's distinctiveness was Ridgway's unusual vocal style, a half-spoken western drawl, and Nanini's percussive experimentation, mixing drum machines with found instruments such as pots, pans and various kitchen utensils, as well as Marc Moreland's distinctive guitar.