The Cathedrals of the old capital, Santiago de Cuba, and Havana, both employed fine musicians and choir-masters. They composed, taught and directed. This helped the development of all kinds of music. In the 19th century, Manuel Saumell (1818–1870), was the father of Cuban criole musical development. He helped transform the European contradanza by adding African rhythmical elements, and had a hand in the habanera, and the danzon, two typically Cuban dance forms.