We have said so much about the artist working for a harmony of colors, that I ought to warn you that you will not see color harmonies in all pictures. For a great many painters are not colorists. Bouguereau, for example, was interested chiefly in form. If he represented a young girl, drawing water from a well, he painted her flesh pink; her dress, perhaps, blue; the stone-work of the wall, gray; the wood work of the bucket, brown; and, if there was a bush in the picture, of course, painted it green. His only purpose in choosing this color or that color was to represent the general appearances of the figure and other objects. He only _saw_ color, never _felt_ it. He never even saw it, as it really is; or he would hardly have painted all his girls and women the same kind of pinky or creamy china-color. In fact, color to him was quite unimportant. If he could _draw_ the girl beautifully he was satisfied. So it is beautiful form we must look for in his pictures; the color does not count.