We will begin with the latter. Note, then, how the sloping line of the field cuts across the picture. This diagonal line is contrasted with the perpendicular sides of the picture, and with the upright direction of the figure of the man. It forms, however, another contrast; it divides the light from the dark. The sun has gone down behind the slope; so that, while the sky is still luminous with a lovely glow, the ground is in shadow, dreary and heavy looking. So, too, the figure of the man. The light is at his back, so that what we see of him is shrouded in gloom. Against the gloom of the ground his figure shows comparatively indistinctly, but the upper part stands very sharp against the light. There is a strong contrast between its heaviness and gloom and the lovely radiance of the waning light; while down below the figure looms out of the gloom and heaviness, as if it were a part of them that had gathered into definite shape. Yes, though his head may stand against the sky, the man is part of the earth.