The fictional form of presentation devised by the editor has definite merit. It allows a freedom in depicting or suggesting the thoughts and feelings of the Indian, such as is impossible in a formal, scientific report. In fact, it incites to active psychological treatment, else the tale would lag. At the same time the customs depicted are never invented. Each author has adhered strictly to the social facts as he knew them. He has merely selected those that seemed most characteristic, and woven them into a plot around an imaginary Indian hero or heroine. The method is that of the historical novel, with emphasis on the history rather than the romance.