These were the _Juvenile Tatler_ (1783), the _Fairy Spectator_ (1789) and the _Juvenile Spectator_ (1810).[70] The first two are among the earliest books that show the influence of Marmontel and Madame de Beaumont; they therefore are no true Lilliputians: the third mimics Addison’s method with absolute fidelity, and sparkles with the satirical spirit of its original; yet this too breaks loose from Lilliputian convention; it has almost enough sanity and wit to be called a nursery Jane Austen.