“Evening”, the companion picture, is no more original; in due order all the properties of Morpheus move before tired eyes; sheep, and the parting linnet and the owl, the setting sun, the friendly moon that peeps through the curtain. Children know them all, and for that reason, the cradle-movement of the verse is the more soothing. Conventional portraits, “The Shepherd Boy” and “The Gleaner” stand out in clear simplicity, one on each side of the nursery mantel-piece, as “Evening” and “Morning” go over the bed. But when all the pictures are arranged, some of the figures walk out of them and begin to dance upon the floor.