Representations of interior scenes about Venice life are rare, and this is one of the most historical images of everyday life. The scene portrays the hall of a Venetian palace, as can be deduced from the view in the area of ​​Piazza San Marco, the Doge's Palace (in Italian: Palazzo Ducale), also known as the Doge's Palace, a symbol of the city of Venice and the Belfry of São Marcos, in addition to the open window. It is not easy to interpret the theme of the painting, wrapped in the story of a mystery of the Republic of Venice: perhaps the lady, who turns a stunned and grateful look at the sky at the same time, recognizes in the child of the clothes dispensed a girl dear to her, whose physiognomy is mentioned in the picture on the console to the right of the painting. On the same island there is a large Chinese pink porcelain vase of the family, to connote the richness and refinement of the furniture and the testimony of the importance of the commercial relations between the Republic of Venice and China at the time. The Chinese porcelain vase, is a piece of furniture that signals the widespread passion that collectors showed in those years for chinoiserie and for Chinese art and culture. Rotta is interested in the representation of true everyday life, finding in it a deep introspection of the human soul. It is still life according to the realism that impresses the first moment when the innocence of children dies along with the knowledge of life.