The first great masters in the rendering of textures were the old Flemish artists of the Fifteenth Century--the brothers Hubert and Jan van Eyck, for example, and Hans Memling. Their country,--what we now call Belgium--had long been famous for its textiles. Silks, linens, cloths and velvets--its gold and silver and other metal work, its manufacture and decorating of glass. The Flemish were a nation of craftsmen, skilled in the production of the most beautiful articles of domestic use and church worship. And this love for objects of beautiful workmanship was shared by her painters. They represented them in their pictures. They painted not only the character of the men and women of the time, but the character of the life in which they lived, and did this by surrounding them with the furniture and objects that gave distinction to their lives. So the very rug on the floor, the glass in the windows, the mirror on the wall in its highly wrought frame, as well as the clothes worn by these quiet, serious men and women, have a choiceness of feeling. The room is not simply furnished, much less is it cluttered up with all kinds of tasteless Department Store “objets d’art.” Every thing in it has its own distinction of beauty, suggesting the taste and refinement of its owners, and so by its own character contributing to our appreciation of the character of the men and women in the picture.