This hair arrangement serves in ceremonials as a kind of mask, as you may see in the frontispiece picture of the headdress worn in the Thlahawe, a woman’s corn dance. A mask proper, that quasi fetich which has so important a place in Pueblo ceremonialism, Waiyautitsa will in all probability never wear. Unlike her brother, Waiyautitsa will not be initiated in childhood into the Kachina society, and consequently she will not join one of the six sacred clubhouses or estufas which supply personators for the Kachinas or masked dancers. Not that female personages do not figure in these ceremonials, but as was the rule on the Elizabethan stage, women are impersonated by men.