Pantemitl was about to complete a wonderful Ball Court at Chichen, for the game of tlachtli which formed a part of the religious life of the Mexicans. The people of Chichen looked with favor at the introduction of this game into their city, as they were fond of spectacles. The court consisted of two massive and parallel walls of masonry. Near the top and at the center of each wall there projected a stone ring which was carved with the feathered serpent design. But the court itself was a very small part of the whole undertaking. There were two beautiful temples at either end, and the most wonderful of all buildings on the top and at the end of one of the walls. The outside was decorated with friezes of tigers alternating with shields. The portico of the building was borne by two serpent columns with a stone altar between, consisting of fifteen carved and painted human figures, supporting in their upturned hands a flat stone as a table. The stone jambs of the doorway were carved with warriors and the carved wooden lintel had the Sun God upon it. Inside the temple itself Pantemitl painted the scenes of the battles of Hunac-eel and his enemies. He introduced into this fresco also many scenes of domestic life; he had even dared to paint in women and the very house of Nicte. This was sacrilegious according to the ideas of Taxcal who believed that women should not be represented in a temple of the gods, as they had no part to play in the religion of his fathers.