In David Fincher : Films That Scar , a literary analysis of the director , Mark Browning writes that Harold Andrews ' totalitarian control of Fury 161 exempts Dillon 's religiosity .
Harold Andrews views religion as a tool to prevent violence and provide control .
In David Fincher : Films That Scar , a literary analysis of the director , Mark Browning writes that Harold Andrews ' totalitarian control of Fury 161 exempts Dillon 's religiosity because Andrews views religion as a tool to prevent violence and provide control .