However , they ultimately found live instrumentalists more dynamic and challenged themselves to reproduce older music productions and the Motown aesthetic of the 1960s .
Saadiq and Brungardt both liked to layer multiple instruments and , prior to recording , had contemplated techniques such as sampling and drum programming .
They ultimately found live instrumentalists more dynamic and challenged themselves to reproduce older music productions and the Motown aesthetic of the 1960s .
Saadiq and Brungardt both liked to layer multiple instruments and , prior to recording , had contemplated techniques such as sampling and drum programming .