His best pieces from the late thirties are collected in Back Where I Came From ( 1938 ) and The Telephone Booth Indian ( 1942 ) .
Liebling joined The New Yorker in 1935 .
Liebling 's best pieces from the late thirties are collected in Back Where I Came From ( 1938 ) and The Telephone Booth Indian ( 1942 ) .
Liebling joined The New Yorker in 1935 .