She is confronted there with Christian images ( of historically Jewish individuals ) in a juxtaposition with the Synagogue montage at the start of the film .
Golde goes to the priest to look for Chava ( described by her in the stage production ) .
Golde is confronted there with Christian images ( of historically Jewish individuals ) in a juxtaposition with the Synagogue montage at the start of the film .
Golde goes to the priest to look for Chava ( described by her in the stage production ) .