human
Write me a song called The March of the Black Queen with the following description: “The March of the Black Queen” stomps out of 1974’s Queen II prominently, on Side Black of the vinyl release (vs. Side White, of course) featuring a regally grand variety of music during its length; it bows out approximately 27 seconds short of seven minutes.
This rhapsodic march is the precursor to a certain 6-minute lead single two albums later, 1975’s ambitious and surprisingly radio-friendly “Bohemian Rhapsody”.
“March” rules in the realm of Queen’s masterpiece signature tracks, from composition to studio-mastery; over-dubbed meticulous vocal harmonies; and analog perfection in sound-engineering.  Objectively or subjectively, it weaves musical weirdness, hard rock, and musical gravitas, with more than a hint of humor.  The sheer boldness strikes the ears of any beholder to extreme opinionated ends.  “Sublime” to most Queen fans, lyrically and musically, it was derailed by many critics.  And to others, it was a scary piece of evil hubris, too loud in its lauding of an evil monarch.
And yet, the song breathes out an unexpected angelic interlude that’s melodically classical(-ish), via a heavenly oasis in white contrast to the black loudness that marches before and after.  The lyrics have a “love and joy” theme, aligned in contrast.  The overall effect marches the regal sound of the song way up and past the pearly white gates.
Freddie Mercury nor the band have alluded to any cryptic meanings of these lyrics of imaginative mythic fantasy.  The main theme is of a Victorian-era baker, dubbed “the Black Queen”, whose influence and creations are praised and followed by many, hence “the march”.
Like much of Queen II’s Side Black, it’s ripe with Victorian phrases and references such as “Water Babies” and “Fie-Fo”.
The title features similar wording to the King Crimson song “The Court of the Crimson King".  In that prog-rock pioneering court, “the Black Queen chants the funeral march”, referencing death metaphorically (the Vietnam War).
Queen’s variety of music did and didn’t fit into the “prog rock” mold, as such in the heavy metal mode (with many exceptions early on).  They were “glam" not for their sound, but for their stage attire and presence, meant to entertain as spectacle.
On stage, Queen could not possibly emulate “March”  live, with its dense, complex vocals.  Only the fourth verse was featured on stage, gracing a medley comprised of other song-sections.
Forty years after its release, WatchMojo, the popular YouTube channel, “surveyed” the musical spectrum of Queen for Mojo’s definitive Top 10 Queen songs.  Mojo claims their lists as an “objective” showing, a summary settlement of the countdown of subjective bits of entertainment clusters from band-songs to many other entertaining spectrums.  It draws in a million+ viewers for about 10 minutes of pop culture fun.  The Queen Top-Ten songs piece was done like so many others, i.e., for mega-popular musical acts.
The audience reaction was overwhelming:
After the initial Queen top 10 songs in their “survey” (with “Bo-Rap” at #1, of course) the channel was inundated by rabid Queen fans demanding a redaction or a recount that original “WatchMojo” reel.
And the content providers yielded, for the first time, a second alternative top 10, as in “Another Top 10 Queen Songs” in late 2013 cutting an 11 + minute video culminating in a new number one song, by popular Queen-fan demand …



Spoiler alert: this Queen song of Queen II, Side Black, marched to the top of Mojo’s 2nd Queen Top 10, in line with the overwhelming demand of fans, and the songs they expressed as “missed”.  And so the voices of fans were not only heard.  They were tabulated. (Mojo does not claim this, and there is no triable evidence of material fact-checking herein; the sentence is hereby ordered to be stricken from this song bio).
“She boils and she bakes and she never dots her i’s
(She’s our leader)”?  At “Forty years after” above, this addendum to a song bio began, for one comprised of nine diverse musical sections.  Its lyrics are to be interpreted by the listener.  The End. Make sure the lyrics are different from the original song.
gpt
[Intro]
Do you mean it?
Do you mean it?
Do you mean it?
Why don't you mean it?
Why do I follow you
And where do you go?
[Instrumental Break]
[Verse 1]
You've never seen nothing like it, no never in your life
Like going up to heaven and then coming back alive
Let me tell you all about it (and the world will so allow it)
Ooh, give me a little time to choose
Water babies singing in a lily-pool delight
Blue powder monkeys praying in the dead of night
[Chorus]
Here comes the Black Queen, poking in the pile
Fie-Fo the Black Queen, marching single file
Take this, take that, bring them down to size
(March to the Black Queen)
[Guitar Solo] [Verse 2]
Put them in the cellar
With the naughty boys
A little niggah sugar
Then a rub-a dub-a baby oil
[Chorus]
Black on, black on
Every finger nail and toe, we've only begun, begun
Make this, make that, keep making all that noise
(Oooh, march to the Black Queen)
[Post-Chorus]
Ooh, now I've got a belly-full
You can be my sugar-baby
You can be my honey-chile, yes
[Guitar Solo]
[Instrumental Break]
[Verse 3]
A voice from behind me reminds me
Spread out your wings, you are an angel
Remember to deliver with the speed of light
(A little bit of love and joy)
Everything you do bears a will
And a why and a wherefore
(A little bit of love and joy)
In each and every soul
Lies a man and very soon
He'll deceive and discover
But even 'till the end of his life
He'll bring a little love [Verse 4]
I reign with my left hand, I rule with my right
I'm lord of all darkness, I'm Queen of the night
I've got the power
Now do the march of the black Queen
My life is in your hands, I'll fo and I'll fie
I'll be what you make me, I'll do what you like
I'll be a bad boy, I'll be your bad boy
I'll do the march of the black Queen
Ah, ah, ah, ah
[Guitar Solo]
[Verse 5]
Walking true to style
She's vulgar, 'buse, and vile
Fie-fo the black Queen, tattoos all her pies
She boils and she bakes and she never dots her i's
(She's our leader)
[Fake Ending]
[Outro]
Forget your singalongs and your lullabies
Surrender to the city of the fireflies
Dance with the devil in beat with the band
To hell with all of you hand-in-hand
But now it's time to be gone
(La la la la forever) forever
Ah ah ah ah ah [Segue to "
Funny How Love Is
"]