In NUMBER@1 , he actively promoted PERSON@1 , formerly known as `` The MISC@1 , '' and actor PERSON@2 , in what may be the first instance of a studio using stars in its marketing .

In NUMBER@1 , he actively promoted PERSON@1 , then known as the `` MISC@2 girl '' , in what may be the first instance of a studio using a film star in its marketing .
