The present bowl displays all the characteristics attributed to the finest ‘Ding’ wares known in museum and private collections. Celebrated for their thin potting, fine near-white body and an ivory-colored glaze which tends to run down in somewhat darker ‘tears’, ‘Ding’ wares were ranked among the ‘five great wares’ of the Song a term coined by collectors of the Ming and Qing dynasties. The high quality of the potting seen here is evident in the feather light weight of the bowl with the carved walls especially thin and delicate. The whiteness of the body is also special, as is the case with most ‘Ding’ wares, it did not require the application of a slip to appear white after firing. The glaze is expertly applied with the incised lotus spray design seen in the interior of the bowl in harmony with the overlapping leaves applied to the exterior of the piece. ‘Ding’ designs generally display a high level of naturalness and fluidity, however, the maker of this bowl appears to have been particularly skilled at rendering his lines in a spontaneous manner, creating a decoration that is especially free in style. The shape of the bowl is also worth noting as, while rare amongst ‘Ding’ bowls, the type is known from silver examples of the Song period. For example, see a bowl illustrated in Zhongguo jin yin poli falangqi quanji, vol. 2 (2), Shijiazhuang, 2000, pl. 261, together with another silver bowl of more rounded body but the exterior molded with layers of overlapping upright leaves, reminiscent of that seen on this bowl, pl. 262. 
 
 Only one other bowl of the same form, size and almost identical decoration is known; the piece in the British Museum London, published in The World’s Great Collections. Oriental Ceramics, vol. 5, Tokyo, 1981, pl. 57. This bowl was bequeathed to the museum in 1947 by Henry J. Oppenheim, together with a small number of other ‘Ding’ pieces, including a plain dish with foliate rim, pl. 62, and a bowl with molded decoration of boys and flowers, pl. 61. 
 
 The kiln site identified with ‘Ding’ ware is located at Quyang in Ding county, Hebei province. This was an area formerly known as ‘Dingzhou’. ‘Ding’ production consisted mostly of small utilitarian wares such as dishes and bowls, generally left in their natural form undecorated in 10th and early 11th century. From the late 11th century and early 12th century they are increasingly incised and carved and later through the thirteenth century mold-impressed and densely patterned. Rose Kerr in her work on the collection of Song ceramics in the Victoria and Albert Museum, London, mentions that the ‘fact that Ding ware was an official ware made one feature of its decoration especially pronounced. This was its tendency to mimic other, more precious materials such as gold and silver, huge quantities of which were stored in palace treasures’. See Rose Kerr, Song Ceramics, London, 1982, p. 102, for further information. ||||| A New York family scored a huge payday when this small bowl, which they bought at a garage sale for $3, turned out to be a 1,000-year old Chinese piece that sold for $2.2 million at Sotheby’s yesterday. The family bought the rare bowl at the secondhand sale in 2007, and kept it sitting on their mantle for years, the auction house said. 
 
 After becoming curious, the bargain hunters began consulting experts about the bowl. They finally brought the piece to Sotheby’s, which estimated it would sell for somewhere in the $200,000 to $300,000 range. 
 
 But yesterday, London art dealer Giuseppe Eskenazi blew away those figures when he plunked down $2.2 million for the museum-quality piece. 
 
 He beat four other bidders for the Northern Song dynasty bowl — known as a Ding bowl — which dates back to the 10th or 11th century. 
 
 There is only one other bowl like it in the world, and it is in the British Museum. 
 
 A little less than 5 1/2 inches in diameter, the multimillion-dollar bowl could be mistaken for a decorative ashtray. 
 
 Early-era Ding wares are known for their small utilitarian qualities, Sotheby’s said. 
 
 Author Rose Kerr believes the ornamental Ding bowls were made to mimic the more elaborate gold and silver wares that were common in palaces. 
 
 The ancient piece is described as a Ding bowl because of the county Ding in the Hebei province where the kilns used to make the bowls were housed. 
 
 The Ding bowl owned by the British Museum in London has been on display for more than 60 years, since it was bequeathed by famous collector Henry J. Oppenheim. 
 
 This isn’t the first big buy for Eskenazi. In 2005, the Turkish-born dealer paid $23.5 million for a rare blue-and-white jar from the 14th century at a Christie’s auction. 
 
 Sotheby’s would not identify the lucky bowl sellers, only to say that they were a family from somewhere in New York state. 
 
 Earlier this month, a collection of abstract Impressionist art found in a Long Island garage was appraised at $30 million. 
 
 The owners of the bungalow found thousands of paintings and drawings by the Armenian-American artist Arthur Pinajian in 2007. They were later appraised by art historian Peter Hastings Falk and shown at the Antiquorum Gallery in Midtown.
– One lucky New York family sold a tiny Chinese bowl this week for $2,224,997 more than they paid for it: $3, at a garage sale six years ago. The bowl, which measures roughly 5.5 inches in diameter, sat in the unnamed family's home for years; eventually, a quest to see what it was worth took them to Sotheby's, which identified it as a "Ding" bowl from the 10th or 11th century. Making their windfall even sweeter: Sotheby's had anticipated it would sell for up to $300,000, reports the New York Post. It's one of only two known bowls of its kind. (And it's not the only great buy in the news: A cottage purchased in 2007 was found to contain $30 million worth of art.)