finished_summaries/cliffnotes/The Brothers Karamazov/section_8_part_0.txt
The Brothers Karamazov.book 5.chapters 6-7
book 5 chapters 6-7
{"name": "Book V: Chapters 6-7", "url": "https://web.archive.org/web/20201219142226/https://www.cliffsnotes.com/literature/b/the-brothers-karamazov/summary-and-analysis/part-2-book-v-chapters-67", "summary": "Ivan leaves Alyosha and feels greatly depressed. He cannot understand his depression until he realizes that perhaps it is because of his deep dread of meeting Smerdyakov. He does, however, go home, but seeing the cook sitting in the yard, hopes to pass him without speaking. Strangely, however, he cannot and finds himself greeting his half-brother with great cordiality. Smerdyakov confesses to Ivan that he too is troubled because of the rivalry between Fyodor and Dmitri for Grushenka. He also fears that the strain of worry might bring on an epileptic seizure. Furthermore, he says, he knows that Dmitri has learned the secret signals that Grushenka is to use if ever she decides to come to Fyodor. If such a meeting occurs, the results could well be tragic: both Grigory and Marfa are ill, and Smerdyakov fears that he is ripe for a seizure and Fyodor will be left alone to face Dmitri's wrath. Ivan wonders why Smerdyakov told Dmitri the secret signals and suggests that perhaps Smerdyakov has arranged matters so that Dmitri will have access to old Fyodor as soon as Ivan leaves for Moscow. Ivan, however, cannot be a watchdog for Karamazov, so he resolves to leave the next day for Moscow as planned. Smerdyakov insists that he not go to Moscow, that he go to a nearer town, but Ivan is firm and goes to bed without further discussion. The talk has left him exhausted, however, and he finds that he cannot sleep. Next day, Fyodor pleads with Ivan not to go to Moscow, but to a town close by to sell a copse of wood for the old man. Ivan finally agrees and, as he is leaving, admits to Smerdyakov that he is not going to Moscow. The servant whispers mysteriously that \"it's always worth while speaking to a clever man.\" Ivan is puzzled. A few hours later, Smerdyakov falls down the cellar steps and an attack of epilepsy seizes him. He is put to bed and, as predicted, Fyodor is alone. He locks all the doors and windows and then begins his wait for Grushenka. He is certain that she will come to him tonight.", "analysis": "Leaving Alyosha, Ivan feels morose and dejected, emotions probably related to the guilt that he feels by associating with Smerdyakov. For even though Ivan does not realize it, he is subconsciously beginning to feel a certain duplicity in his relationships with the servant; the last two chapters, in particular, show how certain actions on Ivan's part implicate him in the murder of old Fyodor. This fact is also important: Ivan feels a distinct loathing for Smerdyakov. He has entered into many philosophical discussions with him, and we learn that they have discussed such questions as how there \"could have been light on the first day when the sun, moon, and stars were only created on the fourth day.\" Smerdyakov, in turn, has discussed things that would impress Fyodor, hoping to make an impression on him and contradict old Grigory. However, he has, we discover, taken most of his ideas from Ivan. Even the idea of the murder came from Ivan. When Ivan meets the cook, he has planned to say to him, \"Get away, miserable idiot. What have I to do with you,\" but instead he says, \"Is my father still asleep?\" This reversal suggests that Ivan is repulsed by this creature but is drawn to him at the same time. By the same analogy, Ivan is repulsed by the idea that his father will be murdered but seems also to acquiesce in readying the scene for the hypothetical murder. In these last chapters, one can easily see how completely Smerdyakov has planned the homicide. We hear, first of all, that Dmitri has heard of the secret signals by which Grushenka is to come to the old man. There could, of course, be no reason for Smerdyakov to tell Dmitri about these signals except to lay suspicion on Dmitri when it is known that he was aware of such signals; furthermore, Ivan's ready acceptance of Smerdyakov's explanation indicates that Ivan is also eager to accept such an alibi. Second, Smerdyakov announces that he feels that he will have an epileptic seizure on the following day -- the day that Ivan will be absent from the house. Third, Smerdyakov announces that old Grigory will be doped with some strong medicine that Marfa gives him and always saves a bit of for herself; soon both will be in a heavy sleep. Consequently, Smerdyakov has conceived a perfect setting for murder; he has even created perfect alibis. As he announces later to Ivan, everything had to go just as he planned it; otherwise, the murder never could have been accomplished. Ivan even recognized this when he said earlier, \"But aren't you trying to arrange it so?\" and tried to remove himself from direct responsibility. But ultimately Ivan must take his share in the moral guilt for his father's death. At the end of Book V, most of the machinery is arranged for the murder. Smerdyakov pretends to have his seizure, old Grigory is laid up with illness, Marfa prepares the medicine for them both, and Fyodor anxiously awaits Grushenka."}
Chapter VI. For Awhile A Very Obscure One


And Ivan, on parting from Alyosha, went home to Fyodor Pavlovitch's house.
But, strange to say, he was overcome by insufferable depression, which
grew greater at every step he took towards the house. There was nothing
strange in his being depressed; what was strange was that Ivan could not
have said what was the cause of it. He had often been depressed before,
and there was nothing surprising at his feeling so at such a moment, when
he had broken off with everything that had brought him here, and was
preparing that day to make a new start and enter upon a new, unknown
future. He would again be as solitary as ever, and though he had great
hopes, and great--too great--expectations from life, he could not have given
any definite account of his hopes, his expectations, or even his desires.

Yet at that moment, though the apprehension of the new and unknown
certainly found place in his heart, what was worrying him was something
quite different. "Is it loathing for my father's house?" he wondered.
"Quite likely; I am so sick of it; and though it's the last time I shall
cross its hateful threshold, still I loathe it.... No, it's not that
either. Is it the parting with Alyosha and the conversation I had with
him? For so many years I've been silent with the whole world and not
deigned to speak, and all of a sudden I reel off a rigmarole like that."
It certainly might have been the youthful vexation of youthful
inexperience and vanity--vexation at having failed to express himself,
especially with such a being as Alyosha, on whom his heart had certainly
been reckoning. No doubt that came in, that vexation, it must have done
indeed; but yet that was not it, that was not it either. "I feel sick with
depression and yet I can't tell what I want. Better not think, perhaps."

Ivan tried "not to think," but that, too, was no use. What made his
depression so vexatious and irritating was that it had a kind of casual,
external character--he felt that. Some person or thing seemed to be
standing out somewhere, just as something will sometimes obtrude itself
upon the eye, and though one may be so busy with work or conversation that
for a long time one does not notice it, yet it irritates and almost
torments one till at last one realizes, and removes the offending object,
often quite a trifling and ridiculous one--some article left about in the
wrong place, a handkerchief on the floor, a book not replaced on the
shelf, and so on.

At last, feeling very cross and ill-humored, Ivan arrived home, and
suddenly, about fifteen paces from the garden gate, he guessed what was
fretting and worrying him.

On a bench in the gateway the valet Smerdyakov was sitting enjoying the
coolness of the evening, and at the first glance at him Ivan knew that the
valet Smerdyakov was on his mind, and that it was this man that his soul
loathed. It all dawned upon him suddenly and became clear. Just before,
when Alyosha had been telling him of his meeting with Smerdyakov, he had
felt a sudden twinge of gloom and loathing, which had immediately stirred
responsive anger in his heart. Afterwards, as he talked, Smerdyakov had
been forgotten for the time; but still he had been in his mind, and as
soon as Ivan parted with Alyosha and was walking home, the forgotten
sensation began to obtrude itself again. "Is it possible that a miserable,
contemptible creature like that can worry me so much?" he wondered, with
insufferable irritation.

It was true that Ivan had come of late to feel an intense dislike for the
man, especially during the last few days. He had even begun to notice in
himself a growing feeling that was almost of hatred for the creature.
Perhaps this hatred was accentuated by the fact that when Ivan first came
to the neighborhood he had felt quite differently. Then he had taken a
marked interest in Smerdyakov, and had even thought him very original. He
had encouraged him to talk to him, although he had always wondered at a
certain incoherence, or rather restlessness, in his mind, and could not
understand what it was that so continually and insistently worked upon the
brain of "the contemplative." They discussed philosophical questions and
even how there could have been light on the first day when the sun, moon,
and stars were only created on the fourth day, and how that was to be
understood. But Ivan soon saw that, though the sun, moon, and stars might
be an interesting subject, yet that it was quite secondary to Smerdyakov,
and that he was looking for something altogether different. In one way and
another, he began to betray a boundless vanity, and a wounded vanity, too,
and that Ivan disliked. It had first given rise to his aversion. Later on,
there had been trouble in the house. Grushenka had come on the scene, and
there had been the scandals with his brother Dmitri--they discussed that,
too. But though Smerdyakov always talked of that with great excitement, it
was impossible to discover what he desired to come of it. There was, in
fact, something surprising in the illogicality and incoherence of some of
his desires, accidentally betrayed and always vaguely expressed.
Smerdyakov was always inquiring, putting certain indirect but obviously
premeditated questions, but what his object was he did not explain, and
usually at the most important moment he would break off and relapse into
silence or pass to another subject. But what finally irritated Ivan most
and confirmed his dislike for him was the peculiar, revolting familiarity
which Smerdyakov began to show more and more markedly. Not that he forgot
himself and was rude; on the contrary, he always spoke very respectfully,
yet he had obviously begun to consider--goodness knows why!--that there was
some sort of understanding between him and Ivan Fyodorovitch. He always
spoke in a tone that suggested that those two had some kind of compact,
some secret between them, that had at some time been expressed on both
sides, only known to them and beyond the comprehension of those around
them. But for a long while Ivan did not recognize the real cause of his
growing dislike and he had only lately realized what was at the root of
it.

With a feeling of disgust and irritation he tried to pass in at the gate
without speaking or looking at Smerdyakov. But Smerdyakov rose from the
bench, and from that action alone, Ivan knew instantly that he wanted
particularly to talk to him. Ivan looked at him and stopped, and the fact
that he did stop, instead of passing by, as he meant to the minute before,
drove him to fury. With anger and repulsion he looked at Smerdyakov's
emasculate, sickly face, with the little curls combed forward on his
forehead. His left eye winked and he grinned as if to say, "Where are you
going? You won't pass by; you see that we two clever people have something
to say to each other."

Ivan shook. "Get away, miserable idiot. What have I to do with you?" was
on the tip of his tongue, but to his profound astonishment he heard
himself say, "Is my father still asleep, or has he waked?"

He asked the question softly and meekly, to his own surprise, and at once,
again to his own surprise, sat down on the bench. For an instant he felt
almost frightened; he remembered it afterwards. Smerdyakov stood facing
him, his hands behind his back, looking at him with assurance and almost
severity.

"His honor is still asleep," he articulated deliberately ("You were the
first to speak, not I," he seemed to say). "I am surprised at you, sir,"
he added, after a pause, dropping his eyes affectedly, setting his right
foot forward, and playing with the tip of his polished boot.

"Why are you surprised at me?" Ivan asked abruptly and sullenly, doing his
utmost to restrain himself, and suddenly realizing, with disgust, that he
was feeling intense curiosity and would not, on any account, have gone
away without satisfying it.

"Why don't you go to Tchermashnya, sir?" Smerdyakov suddenly raised his
eyes and smiled familiarly. "Why I smile you must understand of yourself,
if you are a clever man," his screwed-up left eye seemed to say.

"Why should I go to Tchermashnya?" Ivan asked in surprise.

Smerdyakov was silent again.

"Fyodor Pavlovitch himself has so begged you to," he said at last, slowly
and apparently attaching no significance to his answer. "I put you off
with a secondary reason," he seemed to suggest, "simply to say something."

"Damn you! Speak out what you want!" Ivan cried angrily at last, passing
from meekness to violence.

Smerdyakov drew his right foot up to his left, pulled himself up, but
still looked at him with the same serenity and the same little smile.

"Substantially nothing--but just by way of conversation."

Another silence followed. They did not speak for nearly a minute. Ivan
knew that he ought to get up and show anger, and Smerdyakov stood before
him and seemed to be waiting as though to see whether he would be angry or
not. So at least it seemed to Ivan. At last he moved to get up. Smerdyakov
seemed to seize the moment.

"I'm in an awful position, Ivan Fyodorovitch. I don't know how to help
myself," he said resolutely and distinctly, and at his last word he
sighed. Ivan Fyodorovitch sat down again.

"They are both utterly crazy, they are no better than little children,"
Smerdyakov went on. "I am speaking of your parent and your brother Dmitri
Fyodorovitch. Here Fyodor Pavlovitch will get up directly and begin
worrying me every minute, 'Has she come? Why hasn't she come?' and so on
up till midnight and even after midnight. And if Agrafena Alexandrovna
doesn't come (for very likely she does not mean to come at all) then he
will be at me again to-morrow morning, 'Why hasn't she come? When will she
come?'--as though I were to blame for it. On the other side it's no better.
As soon as it gets dark, or even before, your brother will appear with his
gun in his hands: 'Look out, you rogue, you soup-maker. If you miss her
and don't let me know she's been--I'll kill you before any one.' When the
night's over, in the morning, he, too, like Fyodor Pavlovitch, begins
worrying me to death. 'Why hasn't she come? Will she come soon?' And he,
too, thinks me to blame because his lady hasn't come. And every day and
every hour they get angrier and angrier, so that I sometimes think I shall
kill myself in a fright. I can't depend upon them, sir."

"And why have you meddled? Why did you begin to spy for Dmitri
Fyodorovitch?" said Ivan irritably.

"How could I help meddling? Though, indeed, I haven't meddled at all, if
you want to know the truth of the matter. I kept quiet from the very
beginning, not daring to answer; but he pitched on me to be his servant.
He has had only one thing to say since: 'I'll kill you, you scoundrel, if
you miss her,' I feel certain, sir, that I shall have a long fit to-
morrow."

"What do you mean by 'a long fit'?"

"A long fit, lasting a long time--several hours, or perhaps a day or two.
Once it went on for three days. I fell from the garret that time. The
struggling ceased and then began again, and for three days I couldn't come
back to my senses. Fyodor Pavlovitch sent for Herzenstube, the doctor
here, and he put ice on my head and tried another remedy, too.... I might
have died."

"But they say one can't tell with epilepsy when a fit is coming. What
makes you say you will have one to-morrow?" Ivan inquired, with a
peculiar, irritable curiosity.

"That's just so. You can't tell beforehand."

"Besides, you fell from the garret then."

"I climb up to the garret every day. I might fall from the garret again
to-morrow. And, if not, I might fall down the cellar steps. I have to go
into the cellar every day, too."

Ivan took a long look at him.

"You are talking nonsense, I see, and I don't quite understand you," he
said softly, but with a sort of menace. "Do you mean to pretend to be ill
to-morrow for three days, eh?"

Smerdyakov, who was looking at the ground again, and playing with the toe
of his right foot, set the foot down, moved the left one forward, and,
grinning, articulated:

"If I were able to play such a trick, that is, pretend to have a fit--and
it would not be difficult for a man accustomed to them--I should have a
perfect right to use such a means to save myself from death. For even if
Agrafena Alexandrovna comes to see his father while I am ill, his honor
can't blame a sick man for not telling him. He'd be ashamed to."

"Hang it all!" Ivan cried, his face working with anger, "why are you
always in such a funk for your life? All my brother Dmitri's threats are
only hasty words and mean nothing. He won't kill you; it's not you he'll
kill!"

"He'd kill me first of all, like a fly. But even more than that, I am
afraid I shall be taken for an accomplice of his when he does something
crazy to his father."

"Why should you be taken for an accomplice?"

"They'll think I am an accomplice, because I let him know the signals as a
great secret."

"What signals? Whom did you tell? Confound you, speak more plainly."

"I'm bound to admit the fact," Smerdyakov drawled with pedantic composure,
"that I have a secret with Fyodor Pavlovitch in this business. As you know
yourself (if only you do know it) he has for several days past locked
himself in as soon as night or even evening comes on. Of late you've been
going upstairs to your room early every evening, and yesterday you did not
come down at all, and so perhaps you don't know how carefully he has begun
to lock himself in at night, and even if Grigory Vassilyevitch comes to
the door he won't open to him till he hears his voice. But Grigory
Vassilyevitch does not come, because I wait upon him alone in his room
now. That's the arrangement he made himself ever since this to-do with
Agrafena Alexandrovna began. But at night, by his orders, I go away to the
lodge so that I don't get to sleep till midnight, but am on the watch,
getting up and walking about the yard, waiting for Agrafena Alexandrovna
to come. For the last few days he's been perfectly frantic expecting her.
What he argues is, she is afraid of him, Dmitri Fyodorovitch (Mitya, as he
calls him), 'and so,' says he, 'she'll come the back-way, late at night,
to me. You look out for her,' says he, 'till midnight and later; and if
she does come, you run up and knock at my door or at the window from the
garden. Knock at first twice, rather gently, and then three times more
quickly, then,' says he, 'I shall understand at once that she has come,
and will open the door to you quietly.' Another signal he gave me in case
anything unexpected happens. At first, two knocks, and then, after an
interval, another much louder. Then he will understand that something has
happened suddenly and that I must see him, and he will open to me so that
I can go and speak to him. That's all in case Agrafena Alexandrovna can't
come herself, but sends a message. Besides, Dmitri Fyodorovitch might
come, too, so I must let him know he is near. His honor is awfully afraid
of Dmitri Fyodorovitch, so that even if Agrafena Alexandrovna had come and
were locked in with him, and Dmitri Fyodorovitch were to turn up anywhere
near at the time, I should be bound to let him know at once, knocking
three times. So that the first signal of five knocks means Agrafena
Alexandrovna has come, while the second signal of three knocks means
'something important to tell you.' His honor has shown me them several
times and explained them. And as in the whole universe no one knows of
these signals but myself and his honor, so he'd open the door without the
slightest hesitation and without calling out (he is awfully afraid of
calling out aloud). Well, those signals are known to Dmitri Fyodorovitch
too, now."

"How are they known? Did you tell him? How dared you tell him?"

"It was through fright I did it. How could I dare to keep it back from
him? Dmitri Fyodorovitch kept persisting every day, 'You are deceiving me,
you are hiding something from me! I'll break both your legs for you.' So I
told him those secret signals that he might see my slavish devotion, and
might be satisfied that I was not deceiving him, but was telling him all I
could."

"If you think that he'll make use of those signals and try to get in,
don't let him in."

"But if I should be laid up with a fit, how can I prevent him coming in
then, even if I dared prevent him, knowing how desperate he is?"

"Hang it! How can you be so sure you are going to have a fit, confound
you? Are you laughing at me?"

"How could I dare laugh at you? I am in no laughing humor with this fear
on me. I feel I am going to have a fit. I have a presentiment. Fright
alone will bring it on."

"Confound it! If you are laid up, Grigory will be on the watch. Let
Grigory know beforehand; he will be sure not to let him in."

"I should never dare to tell Grigory Vassilyevitch about the signals
without orders from my master. And as for Grigory Vassilyevitch hearing
him and not admitting him, he has been ill ever since yesterday, and Marfa
Ignatyevna intends to give him medicine to-morrow. They've just arranged
it. It's a very strange remedy of hers. Marfa Ignatyevna knows of a
preparation and always keeps it. It's a strong thing made from some herb.
She has the secret of it, and she always gives it to Grigory Vassilyevitch
three times a year when his lumbago's so bad he is almost paralyzed by it.
Then she takes a towel, wets it with the stuff, and rubs his whole back
for half an hour till it's quite red and swollen, and what's left in the
bottle she gives him to drink with a special prayer; but not quite all,
for on such occasions she leaves some for herself, and drinks it herself.
And as they never take strong drink, I assure you they both drop asleep at
once and sleep sound a very long time. And when Grigory Vassilyevitch
wakes up he is perfectly well after it, but Marfa Ignatyevna always has a
headache from it. So, if Marfa Ignatyevna carries out her intention to-
morrow, they won't hear anything and hinder Dmitri Fyodorovitch. They'll
be asleep."

"What a rigmarole! And it all seems to happen at once, as though it were
planned. You'll have a fit and they'll both be unconscious," cried Ivan.
"But aren't you trying to arrange it so?" broke from him suddenly, and he
frowned threateningly.

"How could I?... And why should I, when it all depends on Dmitri
Fyodorovitch and his plans?... If he means to do anything, he'll do it;
but if not, I shan't be thrusting him upon his father."

"And why should he go to father, especially on the sly, if, as you say
yourself, Agrafena Alexandrovna won't come at all?" Ivan went on, turning
white with anger. "You say that yourself, and all the while I've been
here, I've felt sure it was all the old man's fancy, and the creature
won't come to him. Why should Dmitri break in on him if she doesn't come?
Speak, I want to know what you are thinking!"

"You know yourself why he'll come. What's the use of what I think? His
honor will come simply because he is in a rage or suspicious on account of
my illness perhaps, and he'll dash in, as he did yesterday through
impatience to search the rooms, to see whether she hasn't escaped him on
the sly. He is perfectly well aware, too, that Fyodor Pavlovitch has a big
envelope with three thousand roubles in it, tied up with ribbon and sealed
with three seals. On it is written in his own hand, 'To my angel
Grushenka, if she will come,' to which he added three days later, 'for my
little chicken.' There's no knowing what that might do."

"Nonsense!" cried Ivan, almost beside himself. "Dmitri won't come to steal
money and kill my father to do it. He might have killed him yesterday on
account of Grushenka, like the frantic, savage fool he is, but he won't
steal."

"He is in very great need of money now--the greatest need, Ivan
Fyodorovitch. You don't know in what need he is," Smerdyakov explained,
with perfect composure and remarkable distinctness. "He looks on that
three thousand as his own, too. He said so to me himself. 'My father still
owes me just three thousand,' he said. And besides that, consider, Ivan
Fyodorovitch, there is something else perfectly true. It's as good as
certain, so to say, that Agrafena Alexandrovna will force him, if only she
cares to, to marry her--the master himself, I mean, Fyodor Pavlovitch--if
only she cares to, and of course she may care to. All I've said is that
she won't come, but maybe she's looking for more than that--I mean to be
mistress here. I know myself that Samsonov, her merchant, was laughing
with her about it, telling her quite openly that it would not be at all a
stupid thing to do. And she's got plenty of sense. She wouldn't marry a
beggar like Dmitri Fyodorovitch. So, taking that into consideration, Ivan
Fyodorovitch, reflect that then neither Dmitri Fyodorovitch nor yourself
and your brother, Alexey Fyodorovitch, would have anything after the
master's death, not a rouble, for Agrafena Alexandrovna would marry him
simply to get hold of the whole, all the money there is. But if your
father were to die now, there'd be some forty thousand for sure, even for
Dmitri Fyodorovitch whom he hates so, for he's made no will.... Dmitri
Fyodorovitch knows all that very well."

A sort of shudder passed over Ivan's face. He suddenly flushed.

"Then why on earth," he suddenly interrupted Smerdyakov, "do you advise me
to go to Tchermashnya? What did you mean by that? If I go away, you see
what will happen here." Ivan drew his breath with difficulty.

"Precisely so," said Smerdyakov, softly and reasonably, watching Ivan
intently, however.

"What do you mean by 'precisely so'?" Ivan questioned him, with a menacing
light in his eyes, restraining himself with difficulty.

"I spoke because I felt sorry for you. If I were in your place I should
simply throw it all up ... rather than stay on in such a position,"
answered Smerdyakov, with the most candid air looking at Ivan's flashing
eyes. They were both silent.

"You seem to be a perfect idiot, and what's more ... an awful scoundrel,
too." Ivan rose suddenly from the bench. He was about to pass straight
through the gate, but he stopped short and turned to Smerdyakov. Something
strange followed. Ivan, in a sudden paroxysm, bit his lip, clenched his
fists, and, in another minute, would have flung himself on Smerdyakov. The
latter, anyway, noticed it at the same moment, started, and shrank back.
But the moment passed without mischief to Smerdyakov, and Ivan turned in
silence, as it seemed in perplexity, to the gate.

"I am going away to Moscow to-morrow, if you care to know--early to-morrow
morning. That's all!" he suddenly said aloud angrily, and wondered himself
afterwards what need there was to say this then to Smerdyakov.

"That's the best thing you can do," he responded, as though he had
expected to hear it; "except that you can always be telegraphed for from
Moscow, if anything should happen here."

Ivan stopped again, and again turned quickly to Smerdyakov. But a change
had passed over him, too. All his familiarity and carelessness had
completely disappeared. His face expressed attention and expectation,
intent but timid and cringing.

"Haven't you something more to say--something to add?" could be read in the
intent gaze he fixed on Ivan.

"And couldn't I be sent for from Tchermashnya, too--in case anything
happened?" Ivan shouted suddenly, for some unknown reason raising his
voice.

"From Tchermashnya, too ... you could be sent for," Smerdyakov muttered,
almost in a whisper, looking disconcerted, but gazing intently into Ivan's
eyes.

"Only Moscow is farther and Tchermashnya is nearer. Is it to save my
spending money on the fare, or to save my going so far out of my way, that
you insist on Tchermashnya?"

"Precisely so ..." muttered Smerdyakov, with a breaking voice. He looked
at Ivan with a revolting smile, and again made ready to draw back. But to
his astonishment Ivan broke into a laugh, and went through the gate still
laughing. Any one who had seen his face at that moment would have known
that he was not laughing from lightness of heart, and he could not have
explained himself what he was feeling at that instant. He moved and walked
as though in a nervous frenzy.




Chapter VII. "It's Always Worth While Speaking To A Clever Man"


And in the same nervous frenzy, too, he spoke. Meeting Fyodor Pavlovitch
in the drawing-room directly he went in, he shouted to him, waving his
hands, "I am going upstairs to my room, not in to you. Good-by!" and
passed by, trying not even to look at his father. Very possibly the old
man was too hateful to him at that moment; but such an unceremonious
display of hostility was a surprise even to Fyodor Pavlovitch. And the old
man evidently wanted to tell him something at once and had come to meet
him in the drawing-room on purpose. Receiving this amiable greeting, he
stood still in silence and with an ironical air watched his son going
upstairs, till he passed out of sight.

"What's the matter with him?" he promptly asked Smerdyakov, who had
followed Ivan.

"Angry about something. Who can tell?" the valet muttered evasively.

"Confound him! Let him be angry then. Bring in the samovar, and get along
with you. Look sharp! No news?"

Then followed a series of questions such as Smerdyakov had just complained
of to Ivan, all relating to his expected visitor, and these questions we
will omit. Half an hour later the house was locked, and the crazy old man
was wandering along through the rooms in excited expectation of hearing
every minute the five knocks agreed upon. Now and then he peered out into
the darkness, seeing nothing.

It was very late, but Ivan was still awake and reflecting. He sat up late
that night, till two o'clock. But we will not give an account of his
thoughts, and this is not the place to look into that soul--its turn will
come. And even if one tried, it would be very hard to give an account of
them, for there were no thoughts in his brain, but something very vague,
and, above all, intense excitement. He felt himself that he had lost his
bearings. He was fretted, too, by all sorts of strange and almost
surprising desires; for instance, after midnight he suddenly had an
intense irresistible inclination to go down, open the door, go to the
lodge and beat Smerdyakov. But if he had been asked why, he could not have
given any exact reason, except perhaps that he loathed the valet as one
who had insulted him more gravely than any one in the world. On the other
hand, he was more than once that night overcome by a sort of inexplicable
humiliating terror, which he felt positively paralyzed his physical
powers. His head ached and he was giddy. A feeling of hatred was rankling
in his heart, as though he meant to avenge himself on some one. He even
hated Alyosha, recalling the conversation he had just had with him. At
moments he hated himself intensely. Of Katerina Ivanovna he almost forgot
to think, and wondered greatly at this afterwards, especially as he
remembered perfectly that when he had protested so valiantly to Katerina
Ivanovna that he would go away next day to Moscow, something had whispered
in his heart, "That's nonsense, you are not going, and it won't be so easy
to tear yourself away as you are boasting now."

Remembering that night long afterwards, Ivan recalled with peculiar
repulsion how he had suddenly got up from the sofa and had stealthily, as
though he were afraid of being watched, opened the door, gone out on the
staircase and listened to Fyodor Pavlovitch stirring down below, had
listened a long while--some five minutes--with a sort of strange curiosity,
holding his breath while his heart throbbed. And why he had done all this,
why he was listening, he could not have said. That "action" all his life
afterwards he called "infamous," and at the bottom of his heart, he
thought of it as the basest action of his life. For Fyodor Pavlovitch
himself he felt no hatred at that moment, but was simply intensely curious
to know how he was walking down there below and what he must be doing now.
He wondered and imagined how he must be peeping out of the dark windows
and stopping in the middle of the room, listening, listening--for some one
to knock. Ivan went out on to the stairs twice to listen like this.

About two o'clock when everything was quiet, and even Fyodor Pavlovitch
had gone to bed, Ivan had got into bed, firmly resolved to fall asleep at
once, as he felt fearfully exhausted. And he did fall asleep at once, and
slept soundly without dreams, but waked early, at seven o'clock, when it
was broad daylight. Opening his eyes, he was surprised to feel himself
extraordinarily vigorous. He jumped up at once and dressed quickly; then
dragged out his trunk and began packing immediately. His linen had come
back from the laundress the previous morning. Ivan positively smiled at
the thought that everything was helping his sudden departure. And his
departure certainly was sudden. Though Ivan had said the day before (to
Katerina Ivanovna, Alyosha, and Smerdyakov) that he was leaving next day,
yet he remembered that he had no thought of departure when he went to bed,
or, at least, had not dreamed that his first act in the morning would be
to pack his trunk. At last his trunk and bag were ready. It was about nine
o'clock when Marfa Ignatyevna came in with her usual inquiry, "Where will
your honor take your tea, in your own room or downstairs?" He looked
almost cheerful, but there was about him, about his words and gestures,
something hurried and scattered. Greeting his father affably, and even
inquiring specially after his health, though he did not wait to hear his
answer to the end, he announced that he was starting off in an hour to
return to Moscow for good, and begged him to send for the horses. His
father heard this announcement with no sign of surprise, and forgot in an
unmannerly way to show regret at losing him. Instead of doing so, he flew
into a great flutter at the recollection of some important business of his
own.

"What a fellow you are! Not to tell me yesterday! Never mind; we'll manage
it all the same. Do me a great service, my dear boy. Go to Tchermashnya on
the way. It's only to turn to the left from the station at Volovya, only
another twelve versts and you come to Tchermashnya."

"I'm sorry, I can't. It's eighty versts to the railway and the train
starts for Moscow at seven o'clock to-night. I can only just catch it."

"You'll catch it to-morrow or the day after, but to-day turn off to
Tchermashnya. It won't put you out much to humor your father! If I hadn't
had something to keep me here, I would have run over myself long ago, for
I've some business there in a hurry. But here I ... it's not the time for
me to go now.... You see, I've two pieces of copse land there. The
Maslovs, an old merchant and his son, will give eight thousand for the
timber. But last year I just missed a purchaser who would have given
twelve. There's no getting any one about here to buy it. The Maslovs have
it all their own way. One has to take what they'll give, for no one here
dare bid against them. The priest at Ilyinskoe wrote to me last Thursday
that a merchant called Gorstkin, a man I know, had turned up. What makes
him valuable is that he is not from these parts, so he is not afraid of
the Maslovs. He says he will give me eleven thousand for the copse. Do you
hear? But he'll only be here, the priest writes, for a week altogether, so
you must go at once and make a bargain with him."

"Well, you write to the priest; he'll make the bargain."

"He can't do it. He has no eye for business. He is a perfect treasure, I'd
give him twenty thousand to take care of for me without a receipt; but he
has no eye for business, he is a perfect child, a crow could deceive him.
And yet he is a learned man, would you believe it? This Gorstkin looks
like a peasant, he wears a blue kaftan, but he is a regular rogue. That's
the common complaint. He is a liar. Sometimes he tells such lies that you
wonder why he is doing it. He told me the year before last that his wife
was dead and that he had married another, and would you believe it, there
was not a word of truth in it? His wife has never died at all, she is
alive to this day and gives him a beating twice a week. So what you have
to find out is whether he is lying or speaking the truth, when he says he
wants to buy it and would give eleven thousand."

"I shall be no use in such a business. I have no eye either."

"Stay, wait a bit! You will be of use, for I will tell you the signs by
which you can judge about Gorstkin. I've done business with him a long
time. You see, you must watch his beard; he has a nasty, thin, red beard.
If his beard shakes when he talks and he gets cross, it's all right, he is
saying what he means, he wants to do business. But if he strokes his beard
with his left hand and grins--he is trying to cheat you. Don't watch his
eyes, you won't find out anything from his eyes, he is a deep one, a
rogue--but watch his beard! I'll give you a note and you show it to him.
He's called Gorstkin, though his real name is Lyagavy(4); but don't call
him so, he will be offended. If you come to an understanding with him, and
see it's all right, write here at once. You need only write: 'He's not
lying.' Stand out for eleven thousand; one thousand you can knock off, but
not more. Just think! there's a difference between eight thousand and
eleven thousand. It's as good as picking up three thousand; it's not so
easy to find a purchaser, and I'm in desperate need of money. Only let me
know it's serious, and I'll run over and fix it up. I'll snatch the time
somehow. But what's the good of my galloping over, if it's all a notion of
the priest's? Come, will you go?"

"Oh, I can't spare the time. You must excuse me."

"Come, you might oblige your father. I shan't forget it. You've no heart,
any of you--that's what it is? What's a day or two to you? Where are you
going now--to Venice? Your Venice will keep another two days. I would have
sent Alyosha, but what use is Alyosha in a thing like that? I send you
just because you are a clever fellow. Do you suppose I don't see that? You
know nothing about timber, but you've got an eye. All that is wanted is to
see whether the man is in earnest. I tell you, watch his beard--if his
beard shakes you know he is in earnest."

"You force me to go to that damned Tchermashnya yourself, then?" cried
Ivan, with a malignant smile.

Fyodor Pavlovitch did not catch, or would not catch, the malignancy, but
he caught the smile.

"Then you'll go, you'll go? I'll scribble the note for you at once."

"I don't know whether I shall go. I don't know. I'll decide on the way."

"Nonsense! Decide at once. My dear fellow, decide! If you settle the
matter, write me a line; give it to the priest and he'll send it on to me
at once. And I won't delay you more than that. You can go to Venice. The
priest will give you horses back to Volovya station."

The old man was quite delighted. He wrote the note, and sent for the
horses. A light lunch was brought in, with brandy. When Fyodor Pavlovitch
was pleased, he usually became expansive, but to-day he seemed to restrain
himself. Of Dmitri, for instance, he did not say a word. He was quite
unmoved by the parting, and seemed, in fact, at a loss for something to
say. Ivan noticed this particularly. "He must be bored with me," he
thought. Only when accompanying his son out on to the steps, the old man
began to fuss about. He would have kissed him, but Ivan made haste to hold
out his hand, obviously avoiding the kiss. His father saw it at once, and
instantly pulled himself up.

"Well, good luck to you, good luck to you!" he repeated from the steps.
"You'll come again some time or other? Mind you do come. I shall always be
glad to see you. Well, Christ be with you!"

Ivan got into the carriage.

"Good-by, Ivan! Don't be too hard on me!" the father called for the last
time.

The whole household came out to take leave--Smerdyakov, Marfa and Grigory.
Ivan gave them ten roubles each. When he had seated himself in the
carriage, Smerdyakov jumped up to arrange the rug.

"You see ... I am going to Tchermashnya," broke suddenly from Ivan. Again,
as the day before, the words seemed to drop of themselves, and he laughed,
too, a peculiar, nervous laugh. He remembered it long after.

"It's a true saying then, that 'it's always worth while speaking to a
clever man,' " answered Smerdyakov firmly, looking significantly at Ivan.

The carriage rolled away. Nothing was clear in Ivan's soul, but he looked
eagerly around him at the fields, at the hills, at the trees, at a flock
of geese flying high overhead in the bright sky. And all of a sudden he
felt very happy. He tried to talk to the driver, and he felt intensely
interested in an answer the peasant made him; but a minute later he
realized that he was not catching anything, and that he had not really
even taken in the peasant's answer. He was silent, and it was pleasant
even so. The air was fresh, pure and cool, the sky bright. The images of
Alyosha and Katerina Ivanovna floated into his mind. But he softly smiled,
blew softly on the friendly phantoms, and they flew away. "There's plenty
of time for them," he thought. They reached the station quickly, changed
horses, and galloped to Volovya. "Why is it worth while speaking to a
clever man? What did he mean by that?" The thought seemed suddenly to
clutch at his breathing. "And why did I tell him I was going to
Tchermashnya?" They reached Volovya station. Ivan got out of the carriage,
and the drivers stood round him bargaining over the journey of twelve
versts to Tchermashnya. He told them to harness the horses. He went into
the station house, looked round, glanced at the overseer's wife, and
suddenly went back to the entrance.

"I won't go to Tchermashnya. Am I too late to reach the railway by seven,
brothers?"

"We shall just do it. Shall we get the carriage out?"

"At once. Will any one of you be going to the town to-morrow?"

"To be sure. Mitri here will."

"Can you do me a service, Mitri? Go to my father's, to Fyodor Pavlovitch
Karamazov, and tell him I haven't gone to Tchermashnya. Can you?"

"Of course I can. I've known Fyodor Pavlovitch a long time."

"And here's something for you, for I dare say he won't give you anything,"
said Ivan, laughing gayly.

"You may depend on it he won't." Mitya laughed too. "Thank you, sir. I'll
be sure to do it."

At seven o'clock Ivan got into the train and set off to Moscow "Away with
the past. I've done with the old world for ever, and may I have no news,
no echo, from it. To a new life, new places and no looking back!" But
instead of delight his soul was filled with such gloom, and his heart
ached with such anguish, as he had never known in his life before. He was
thinking all the night. The train flew on, and only at daybreak, when he
was approaching Moscow, he suddenly roused himself from his meditation.

"I am a scoundrel," he whispered to himself.

Fyodor Pavlovitch remained well satisfied at having seen his son off. For
two hours afterwards he felt almost happy, and sat drinking brandy. But
suddenly something happened which was very annoying and unpleasant for
every one in the house, and completely upset Fyodor Pavlovitch's
equanimity at once. Smerdyakov went to the cellar for something and fell
down from the top of the steps. Fortunately, Marfa Ignatyevna was in the
yard and heard him in time. She did not see the fall, but heard his
scream--the strange, peculiar scream, long familiar to her--the scream of
the epileptic falling in a fit. They could not tell whether the fit had
come on him at the moment he was descending the steps, so that he must
have fallen unconscious, or whether it was the fall and the shock that had
caused the fit in Smerdyakov, who was known to be liable to them. They
found him at the bottom of the cellar steps, writhing in convulsions and
foaming at the mouth. It was thought at first that he must have broken
something--an arm or a leg--and hurt himself, but "God had preserved him,"
as Marfa Ignatyevna expressed it--nothing of the kind had happened. But it
was difficult to get him out of the cellar. They asked the neighbors to
help and managed it somehow. Fyodor Pavlovitch himself was present at the
whole ceremony. He helped, evidently alarmed and upset. The sick man did
not regain consciousness; the convulsions ceased for a time, but then
began again, and every one concluded that the same thing would happen, as
had happened a year before, when he accidentally fell from the garret.
They remembered that ice had been put on his head then. There was still
ice in the cellar, and Marfa Ignatyevna had some brought up. In the
evening, Fyodor Pavlovitch sent for Doctor Herzenstube, who arrived at
once. He was a most estimable old man, and the most careful and
conscientious doctor in the province. After careful examination, he
concluded that the fit was a very violent one and might have serious
consequences; that meanwhile he, Herzenstube, did not fully understand it,
but that by to-morrow morning, if the present remedies were unavailing, he
would venture to try something else. The invalid was taken to the lodge,
to a room next to Grigory's and Marfa Ignatyevna's.

Then Fyodor Pavlovitch had one misfortune after another to put up with
that day. Marfa Ignatyevna cooked the dinner, and the soup, compared with
Smerdyakov's, was "no better than dish-water," and the fowl was so dried
up that it was impossible to masticate it. To her master's bitter, though
deserved, reproaches, Marfa Ignatyevna replied that the fowl was a very
old one to begin with, and that she had never been trained as a cook. In
the evening there was another trouble in store for Fyodor Pavlovitch; he
was informed that Grigory, who had not been well for the last three days,
was completely laid up by his lumbago. Fyodor Pavlovitch finished his tea
as early as possible and locked himself up alone in the house. He was in
terrible excitement and suspense. That evening he reckoned on Grushenka's
coming almost as a certainty. He had received from Smerdyakov that morning
an assurance "that she had promised to come without fail." The
incorrigible old man's heart throbbed with excitement; he paced up and
down his empty rooms listening. He had to be on the alert. Dmitri might be
on the watch for her somewhere, and when she knocked on the window
(Smerdyakov had informed him two days before that he had told her where
and how to knock) the door must be opened at once. She must not be a
second in the passage, for fear--which God forbid!--that she should be
frightened and run away. Fyodor Pavlovitch had much to think of, but never
had his heart been steeped in such voluptuous hopes. This time he could
say almost certainly that she would come!






Book V: Chapters 6-7
Ivan leaves Alyosha and feels greatly depressed. He cannot understand his depression until he realizes that perhaps it is because of his deep dread of meeting Smerdyakov. He does, however, go home, but seeing the cook sitting in the yard, hopes to pass him without speaking. Strangely, however, he cannot and finds himself greeting his half-brother with great cordiality. Smerdyakov confesses to Ivan that he too is troubled because of the rivalry between Fyodor and Dmitri for Grushenka. He also fears that the strain of worry might bring on an epileptic seizure. Furthermore, he says, he knows that Dmitri has learned the secret signals that Grushenka is to use if ever she decides to come to Fyodor. If such a meeting occurs, the results could well be tragic: both Grigory and Marfa are ill, and Smerdyakov fears that he is ripe for a seizure and Fyodor will be left alone to face Dmitri's wrath. Ivan wonders why Smerdyakov told Dmitri the secret signals and suggests that perhaps Smerdyakov has arranged matters so that Dmitri will have access to old Fyodor as soon as Ivan leaves for Moscow. Ivan, however, cannot be a watchdog for Karamazov, so he resolves to leave the next day for Moscow as planned. Smerdyakov insists that he not go to Moscow, that he go to a nearer town, but Ivan is firm and goes to bed without further discussion. The talk has left him exhausted, however, and he finds that he cannot sleep. Next day, Fyodor pleads with Ivan not to go to Moscow, but to a town close by to sell a copse of wood for the old man. Ivan finally agrees and, as he is leaving, admits to Smerdyakov that he is not going to Moscow. The servant whispers mysteriously that "it's always worth while speaking to a clever man." Ivan is puzzled. A few hours later, Smerdyakov falls down the cellar steps and an attack of epilepsy seizes him. He is put to bed and, as predicted, Fyodor is alone. He locks all the doors and windows and then begins his wait for Grushenka. He is certain that she will come to him tonight.
Leaving Alyosha, Ivan feels morose and dejected, emotions probably related to the guilt that he feels by associating with Smerdyakov. For even though Ivan does not realize it, he is subconsciously beginning to feel a certain duplicity in his relationships with the servant; the last two chapters, in particular, show how certain actions on Ivan's part implicate him in the murder of old Fyodor. This fact is also important: Ivan feels a distinct loathing for Smerdyakov. He has entered into many philosophical discussions with him, and we learn that they have discussed such questions as how there "could have been light on the first day when the sun, moon, and stars were only created on the fourth day." Smerdyakov, in turn, has discussed things that would impress Fyodor, hoping to make an impression on him and contradict old Grigory. However, he has, we discover, taken most of his ideas from Ivan. Even the idea of the murder came from Ivan. When Ivan meets the cook, he has planned to say to him, "Get away, miserable idiot. What have I to do with you," but instead he says, "Is my father still asleep?" This reversal suggests that Ivan is repulsed by this creature but is drawn to him at the same time. By the same analogy, Ivan is repulsed by the idea that his father will be murdered but seems also to acquiesce in readying the scene for the hypothetical murder. In these last chapters, one can easily see how completely Smerdyakov has planned the homicide. We hear, first of all, that Dmitri has heard of the secret signals by which Grushenka is to come to the old man. There could, of course, be no reason for Smerdyakov to tell Dmitri about these signals except to lay suspicion on Dmitri when it is known that he was aware of such signals; furthermore, Ivan's ready acceptance of Smerdyakov's explanation indicates that Ivan is also eager to accept such an alibi. Second, Smerdyakov announces that he feels that he will have an epileptic seizure on the following day -- the day that Ivan will be absent from the house. Third, Smerdyakov announces that old Grigory will be doped with some strong medicine that Marfa gives him and always saves a bit of for herself; soon both will be in a heavy sleep. Consequently, Smerdyakov has conceived a perfect setting for murder; he has even created perfect alibis. As he announces later to Ivan, everything had to go just as he planned it; otherwise, the murder never could have been accomplished. Ivan even recognized this when he said earlier, "But aren't you trying to arrange it so?" and tried to remove himself from direct responsibility. But ultimately Ivan must take his share in the moral guilt for his father's death. At the end of Book V, most of the machinery is arranged for the murder. Smerdyakov pretends to have his seizure, old Grigory is laid up with illness, Marfa prepares the medicine for them both, and Fyodor anxiously awaits Grushenka.