finished_summaries/sparknotes/The Brothers Karamazov/section_3_part_1.txt
The Brothers Karamazov.book 3.chapter 1
book 3, chapter 1
{"name": "book 3, Chapter 1", "url": "https://web.archive.org/web/20210305110438/https://www.sparknotes.com/lit/brothersk/section4/", "summary": "In the Servant's Quarters The narrator tells the story of Fyodor Pavlovich Karamazov's servant Grigory, who briefly cares for each of the three Karamazov brothers when they are young. Grigory's wife gives birth to a child with six fingers. The child dies two weeks after it is born. The night Grigory buries it, his wife hears a baby crying in the distance. When Grigory goes to investigate, he discovers a newborn child lying next to a young girl, who has just given birth and is dying", "analysis": ""}
Book III. The Sensualists Chapter I. In The Servants' Quarters


The Karamazovs' house was far from being in the center of the town, but it
was not quite outside it. It was a pleasant-looking old house of two
stories, painted gray, with a red iron roof. It was roomy and snug, and
might still last many years. There were all sorts of unexpected little
cupboards and closets and staircases. There were rats in it, but Fyodor
Pavlovitch did not altogether dislike them. "One doesn't feel so solitary
when one's left alone in the evening," he used to say. It was his habit to
send the servants away to the lodge for the night and to lock himself up
alone. The lodge was a roomy and solid building in the yard. Fyodor
Pavlovitch used to have the cooking done there, although there was a
kitchen in the house; he did not like the smell of cooking, and, winter
and summer alike, the dishes were carried in across the courtyard. The
house was built for a large family; there was room for five times as many,
with their servants. But at the time of our story there was no one living
in the house but Fyodor Pavlovitch and his son Ivan. And in the lodge
there were only three servants: old Grigory, and his old wife Marfa, and a
young man called Smerdyakov. Of these three we must say a few words. Of
old Grigory we have said something already. He was firm and determined and
went blindly and obstinately for his object, if once he had been brought
by any reasons (and they were often very illogical ones) to believe that
it was immutably right. He was honest and incorruptible. His wife, Marfa
Ignatyevna, had obeyed her husband's will implicitly all her life, yet she
had pestered him terribly after the emancipation of the serfs. She was set
on leaving Fyodor Pavlovitch and opening a little shop in Moscow with
their small savings. But Grigory decided then, once for all, that "the
woman's talking nonsense, for every woman is dishonest," and that they
ought not to leave their old master, whatever he might be, for "that was
now their duty."

"Do you understand what duty is?" he asked Marfa Ignatyevna.

"I understand what duty means, Grigory Vassilyevitch, but why it's our
duty to stay here I never shall understand," Marfa answered firmly.

"Well, don't understand then. But so it shall be. And you hold your
tongue."

And so it was. They did not go away, and Fyodor Pavlovitch promised them a
small sum for wages, and paid it regularly. Grigory knew, too, that he had
an indisputable influence over his master. It was true, and he was aware
of it. Fyodor Pavlovitch was an obstinate and cunning buffoon, yet, though
his will was strong enough "in some of the affairs of life," as he
expressed it, he found himself, to his surprise, extremely feeble in
facing certain other emergencies. He knew his weaknesses and was afraid of
them. There are positions in which one has to keep a sharp look out. And
that's not easy without a trustworthy man, and Grigory was a most
trustworthy man. Many times in the course of his life Fyodor Pavlovitch
had only just escaped a sound thrashing through Grigory's intervention,
and on each occasion the old servant gave him a good lecture. But it
wasn't only thrashings that Fyodor Pavlovitch was afraid of. There were
graver occasions, and very subtle and complicated ones, when Fyodor
Pavlovitch could not have explained the extraordinary craving for some one
faithful and devoted, which sometimes unaccountably came upon him all in a
moment. It was almost a morbid condition. Corrupt and often cruel in his
lust, like some noxious insect, Fyodor Pavlovitch was sometimes, in
moments of drunkenness, overcome by superstitious terror and a moral
convulsion which took an almost physical form. "My soul's simply quaking
in my throat at those times," he used to say. At such moments he liked to
feel that there was near at hand, in the lodge if not in the room, a
strong, faithful man, virtuous and unlike himself, who had seen all his
debauchery and knew all his secrets, but was ready in his devotion to
overlook all that, not to oppose him, above all, not to reproach him or
threaten him with anything, either in this world or in the next, and, in
case of need, to defend him--from whom? From somebody unknown, but terrible
and dangerous. What he needed was to feel that there was _another_ man, an
old and tried friend, that he might call him in his sick moments merely to
look at his face, or, perhaps, exchange some quite irrelevant words with
him. And if the old servant were not angry, he felt comforted, and if he
were angry, he was more dejected. It happened even (very rarely however)
that Fyodor Pavlovitch went at night to the lodge to wake Grigory and
fetch him for a moment. When the old man came, Fyodor Pavlovitch would
begin talking about the most trivial matters, and would soon let him go
again, sometimes even with a jest. And after he had gone, Fyodor
Pavlovitch would get into bed with a curse and sleep the sleep of the
just. Something of the same sort had happened to Fyodor Pavlovitch on
Alyosha's arrival. Alyosha "pierced his heart" by "living with him, seeing
everything and blaming nothing." Moreover, Alyosha brought with him
something his father had never known before: a complete absence of
contempt for him and an invariable kindness, a perfectly natural
unaffected devotion to the old man who deserved it so little. All this was
a complete surprise to the old profligate, who had dropped all family
ties. It was a new and surprising experience for him, who had till then
loved nothing but "evil." When Alyosha had left him, he confessed to
himself that he had learnt something he had not till then been willing to
learn.

I have mentioned already that Grigory had detested Adelaida Ivanovna, the
first wife of Fyodor Pavlovitch and the mother of Dmitri, and that he had,
on the contrary, protected Sofya Ivanovna, the poor "crazy woman," against
his master and any one who chanced to speak ill or lightly of her. His
sympathy for the unhappy wife had become something sacred to him, so that
even now, twenty years after, he could not bear a slighting allusion to
her from any one, and would at once check the offender. Externally,
Grigory was cold, dignified and taciturn, and spoke, weighing his words,
without frivolity. It was impossible to tell at first sight whether he
loved his meek, obedient wife; but he really did love her, and she knew
it.

Marfa Ignatyevna was by no means foolish; she was probably, indeed,
cleverer than her husband, or, at least, more prudent than he in worldly
affairs, and yet she had given in to him in everything without question or
complaint ever since her marriage, and respected him for his spiritual
superiority. It was remarkable how little they spoke to one another in the
course of their lives, and only of the most necessary daily affairs. The
grave and dignified Grigory thought over all his cares and duties alone,
so that Marfa Ignatyevna had long grown used to knowing that he did not
need her advice. She felt that her husband respected her silence, and took
it as a sign of her good sense. He had never beaten her but once, and then
only slightly. Once during the year after Fyodor Pavlovitch's marriage
with Adelaida Ivanovna, the village girls and women--at that time
serfs--were called together before the house to sing and dance. They were
beginning "In the Green Meadows," when Marfa, at that time a young woman,
skipped forward and danced "the Russian Dance," not in the village
fashion, but as she had danced it when she was a servant in the service of
the rich Miuesov family, in their private theater, where the actors were
taught to dance by a dancing master from Moscow. Grigory saw how his wife
danced, and, an hour later, at home in their cottage he gave her a lesson,
pulling her hair a little. But there it ended: the beating was never
repeated, and Marfa Ignatyevna gave up dancing.

God had not blessed them with children. One child was born but it died.
Grigory was fond of children, and was not ashamed of showing it. When
Adelaida Ivanovna had run away, Grigory took Dmitri, then a child of three
years old, combed his hair and washed him in a tub with his own hands, and
looked after him for almost a year. Afterwards he had looked after Ivan
and Alyosha, for which the general's widow had rewarded him with a slap in
the face; but I have already related all that. The only happiness his own
child had brought him had been in the anticipation of its birth. When it
was born, he was overwhelmed with grief and horror. The baby had six
fingers. Grigory was so crushed by this, that he was not only silent till
the day of the christening, but kept away in the garden. It was spring,
and he spent three days digging the kitchen garden. The third day was
fixed for christening the baby: mean-time Grigory had reached a
conclusion. Going into the cottage where the clergy were assembled and the
visitors had arrived, including Fyodor Pavlovitch, who was to stand god-
father, he suddenly announced that the baby "ought not to be christened at
all." He announced this quietly, briefly, forcing out his words, and
gazing with dull intentness at the priest.

"Why not?" asked the priest with good-humored surprise.

"Because it's a dragon," muttered Grigory.

"A dragon? What dragon?"

Grigory did not speak for some time. "It's a confusion of nature," he
muttered vaguely, but firmly, and obviously unwilling to say more.

They laughed, and of course christened the poor baby. Grigory prayed
earnestly at the font, but his opinion of the new-born child remained
unchanged. Yet he did not interfere in any way. As long as the sickly
infant lived he scarcely looked at it, tried indeed not to notice it, and
for the most part kept out of the cottage. But when, at the end of a
fortnight, the baby died of thrush, he himself laid the child in its
little coffin, looked at it in profound grief, and when they were filling
up the shallow little grave he fell on his knees and bowed down to the
earth. He did not for years afterwards mention his child, nor did Marfa
speak of the baby before him, and, even if Grigory were not present, she
never spoke of it above a whisper. Marfa observed that, from the day of
the burial, he devoted himself to "religion," and took to reading the
_Lives of the Saints_, for the most part sitting alone and in silence, and
always putting on his big, round, silver-rimmed spectacles. He rarely read
aloud, only perhaps in Lent. He was fond of the Book of Job, and had
somehow got hold of a copy of the sayings and sermons of "the God-fearing
Father Isaac the Syrian," which he read persistently for years together,
understanding very little of it, but perhaps prizing and loving it the
more for that. Of late he had begun to listen to the doctrines of the sect
of Flagellants settled in the neighborhood. He was evidently shaken by
them, but judged it unfitting to go over to the new faith. His habit of
theological reading gave him an expression of still greater gravity.

He was perhaps predisposed to mysticism. And the birth of his deformed
child, and its death, had, as though by special design, been accompanied
by another strange and marvelous event, which, as he said later, had left
a "stamp" upon his soul. It happened that, on the very night after the
burial of his child, Marfa was awakened by the wail of a new-born baby.
She was frightened and waked her husband. He listened and said he thought
it was more like some one groaning, "it might be a woman." He got up and
dressed. It was a rather warm night in May. As he went down the steps, he
distinctly heard groans coming from the garden. But the gate from the yard
into the garden was locked at night, and there was no other way of
entering it, for it was enclosed all round by a strong, high fence. Going
back into the house, Grigory lighted a lantern, took the garden key, and
taking no notice of the hysterical fears of his wife, who was still
persuaded that she heard a child crying, and that it was her own baby
crying and calling for her, went into the garden in silence. There he
heard at once that the groans came from the bath-house that stood near the
garden gate, and that they were the groans of a woman. Opening the door of
the bath-house, he saw a sight which petrified him. An idiot girl, who
wandered about the streets and was known to the whole town by the nickname
of Lizaveta Smerdyastchaya (Stinking Lizaveta), had got into the bath-
house and had just given birth to a child. She lay dying with the baby
beside her. She said nothing, for she had never been able to speak. But
her story needs a chapter to itself.





book 3, Chapter 1
In the Servant's Quarters The narrator tells the story of Fyodor Pavlovich Karamazov's servant Grigory, who briefly cares for each of the three Karamazov brothers when they are young. Grigory's wife gives birth to a child with six fingers. The child dies two weeks after it is born. The night Grigory buries it, his wife hears a baby crying in the distance. When Grigory goes to investigate, he discovers a newborn child lying next to a young girl, who has just given birth and is dying