finished_summaries/gradesaver/Sense and Sensibility/section_0_part_4.txt
Sense and Sensibility.chapter 4
chapter 4
{"name": "Chapter 4", "url": "https://web.archive.org/web/20210419170735/https://www.gradesaver.com/sense-and-sensibility/study-guide/summary-chapters-1-10", "summary": "Marianne questions Edward's taste in drawing; Elinor is perfectly content that he is not as obviously passionate about art as Marianne should hope, though she knows that this is one of Edward's failings with Marianne. Elinor says she is perfectly happy with his tastes and education, and even Marianne cannot find fault with his good nature and kind heart. Marianne says she would like Edward even more if he were to get married to Elinor; Elinor knows that her sister and mother believe that there is an attachment between herself and Edward, but does not wish to confirm it because she is not sure of feelings being exactly mutual. Elinor also admits that there is something in Edward which suggests he does not love her as much as she loves him. She believes that it might have something to do with the expectations and overbearing nature of Edward's mother, though of course Elinor cannot be sure. Fanny is especially displeased by this attraction, and comments to Mrs. Dashwood about how there are high hopes for Edward, and he must marry a woman of high birth and much wealth. Fortunately, Mrs. Dashwood then receives a letter from a relative of hers, offering her a cottage on his property very cheaply. The letter is very friendly and urges Mrs. Dashwood to come to Barton Park, his estate in Devonshire, to have a look at the nearby cottage and see if it is suitable. Since Mrs. Dashwood is ready to escape from Fanny, she accepts; Marianne and Elinor approve the proposal, though Elinor does not want to be separated from Edward.", "analysis": "The clash between sense and sensibility is again shown in this discussion between Elinor and Marianne, and what their views on Edward and Elinor's relationship are. Elinor, with all her sensibility, does not allow herself to get carried away; she knows that Edward's affections might fall short of hers, and that there is no promised attachment between them. Marianne surveys the situation with a more romantic eye, assuming that he must love her equally well, and is bound to propose soon. That romantic notions lead Marianne to assume more about the situation than is true shows the failing of sense; sense is far from exact, and belief and hope often fall short of reality. Elinor's confession to Marianne foreshadows some secret of Edward's; he must have a reason for sometimes acting reticent around Marianne, if his affection is as genuine as it seems. Another obstacle is, of course, the approval of Edward's mother, who has great hopes for Edward's advancement and certainly would not look favorably on a less-than-ideal match. Fanny's insinuations to Mrs. Dashwood indicate that any match between Elinor and Edward would be harshly opposed by the Ferrars family, and this foreshadows further obstacles to Edward and Elinor being united"}


"What a pity it is, Elinor," said Marianne, "that Edward should have no
taste for drawing."

"No taste for drawing!" replied Elinor, "why should you think so? He
does not draw himself, indeed, but he has great pleasure in seeing the
performances of other people, and I assure you he is by no means
deficient in natural taste, though he has not had opportunities of
improving it.  Had he ever been in the way of learning, I think he
would have drawn very well.  He distrusts his own judgment in such
matters so much, that he is always unwilling to give his opinion on any
picture; but he has an innate propriety and simplicity of taste, which
in general direct him perfectly right."

Marianne was afraid of offending, and said no more on the subject; but
the kind of approbation which Elinor described as excited in him by the
drawings of other people, was very far from that rapturous delight,
which, in her opinion, could alone be called taste.  Yet, though
smiling within herself at the mistake, she honoured her sister for that
blind partiality to Edward which produced it.

"I hope, Marianne," continued Elinor, "you do not consider him as
deficient in general taste.  Indeed, I think I may say that you cannot,
for your behaviour to him is perfectly cordial, and if THAT were your
opinion, I am sure you could never be civil to him."

Marianne hardly knew what to say.  She would not wound the feelings of
her sister on any account, and yet to say what she did not believe was
impossible.  At length she replied:

"Do not be offended, Elinor, if my praise of him is not in every thing
equal to your sense of his merits.  I have not had so many
opportunities of estimating the minuter propensities of his mind, his
inclinations and tastes, as you have; but I have the highest opinion in
the world of his goodness and sense.  I think him every thing that is
worthy and amiable."

"I am sure," replied Elinor, with a smile, "that his dearest friends
could not be dissatisfied with such commendation as that.  I do not
perceive how you could express yourself more warmly."

Marianne was rejoiced to find her sister so easily pleased.

"Of his sense and his goodness," continued Elinor, "no one can, I
think, be in doubt, who has seen him often enough to engage him in
unreserved conversation.  The excellence of his understanding and his
principles can be concealed only by that shyness which too often keeps
him silent.  You know enough of him to do justice to his solid worth.
But of his minuter propensities, as you call them you have from
peculiar circumstances been kept more ignorant than myself.  He and I
have been at times thrown a good deal together, while you have been
wholly engrossed on the most affectionate principle by my mother.  I
have seen a great deal of him, have studied his sentiments and heard
his opinion on subjects of literature and taste; and, upon the whole, I
venture to pronounce that his mind is well-informed, enjoyment of books
exceedingly great, his imagination lively, his observation just and
correct, and his taste delicate and pure.  His abilities in every
respect improve as much upon acquaintance as his manners and person.
At first sight, his address is certainly not striking; and his person
can hardly be called handsome, till the expression of his eyes, which
are uncommonly good, and the general sweetness of his countenance, is
perceived.  At present, I know him so well, that I think him really
handsome; or at least, almost so.  What say you, Marianne?"

"I shall very soon think him handsome, Elinor, if I do not now.  When
you tell me to love him as a brother, I shall no more see imperfection
in his face, than I now do in his heart."

Elinor started at this declaration, and was sorry for the warmth she
had been betrayed into, in speaking of him.  She felt that Edward stood
very high in her opinion.  She believed the regard to be mutual; but
she required greater certainty of it to make Marianne's conviction of
their attachment agreeable to her.  She knew that what Marianne and her
mother conjectured one moment, they believed the next--that with them,
to wish was to hope, and to hope was to expect.  She tried to explain
the real state of the case to her sister.

"I do not attempt to deny," said she, "that I think very highly of
him--that I greatly esteem, that I like him."

Marianne here burst forth with indignation--

"Esteem him! Like him! Cold-hearted Elinor! Oh!  worse than
cold-hearted! Ashamed of being otherwise.  Use those words again, and I
will leave the room this moment."

Elinor could not help laughing.  "Excuse me," said she; "and be assured
that I meant no offence to you, by speaking, in so quiet a way, of my
own feelings.  Believe them to be stronger than I have declared;
believe them, in short, to be such as his merit, and the suspicion--the
hope of his affection for me may warrant, without imprudence or folly.
But farther than this you must not believe.  I am by no means assured
of his regard for me.  There are moments when the extent of it seems
doubtful; and till his sentiments are fully known, you cannot wonder at
my wishing to avoid any encouragement of my own partiality, by
believing or calling it more than it is.  In my heart I feel
little--scarcely any doubt of his preference.  But there are other
points to be considered besides his inclination.  He is very far from
being independent.  What his mother really is we cannot know; but, from
Fanny's occasional mention of her conduct and opinions, we have never
been disposed to think her amiable; and I am very much mistaken if
Edward is not himself aware that there would be many difficulties in
his way, if he were to wish to marry a woman who had not either a great
fortune or high rank."

Marianne was astonished to find how much the imagination of her mother
and herself had outstripped the truth.

"And you really are not engaged to him!" said she.  "Yet it certainly
soon will happen.  But two advantages will proceed from this delay.  I
shall not lose you so soon, and Edward will have greater opportunity of
improving that natural taste for your favourite pursuit which must be
so indispensably necessary to your future felicity.  Oh! if he should
be so far stimulated by your genius as to learn to draw himself, how
delightful it would be!"

Elinor had given her real opinion to her sister.  She could not
consider her partiality for Edward in so prosperous a state as Marianne
had believed it.  There was, at times, a want of spirits about him
which, if it did not denote indifference, spoke of something almost as
unpromising.  A doubt of her regard, supposing him to feel it, need not
give him more than inquietude.  It would not be likely to produce that
dejection of mind which frequently attended him.  A more reasonable
cause might be found in the dependent situation which forbade the
indulgence of his affection.  She knew that his mother neither behaved
to him so as to make his home comfortable at present, nor to give him
any assurance that he might form a home for himself, without strictly
attending to her views for his aggrandizement.  With such a knowledge
as this, it was impossible for Elinor to feel easy on the subject.  She
was far from depending on that result of his preference of her, which
her mother and sister still considered as certain.  Nay, the longer
they were together the more doubtful seemed the nature of his regard;
and sometimes, for a few painful minutes, she believed it to be no more
than friendship.

But, whatever might really be its limits, it was enough, when perceived
by his sister, to make her uneasy, and at the same time, (which was
still more common,) to make her uncivil.  She took the first
opportunity of affronting her mother-in-law on the occasion, talking to
her so expressively of her brother's great expectations, of Mrs.
Ferrars's resolution that both her sons should marry well, and of the
danger attending any young woman who attempted to DRAW HIM IN; that
Mrs. Dashwood could neither pretend to be unconscious, nor endeavor to
be calm.  She gave her an answer which marked her contempt, and
instantly left the room, resolving that, whatever might be the
inconvenience or expense of so sudden a removal, her beloved Elinor
should not be exposed another week to such insinuations.

In this state of her spirits, a letter was delivered to her from the
post, which contained a proposal particularly well timed.  It was the
offer of a small house, on very easy terms, belonging to a relation of
her own, a gentleman of consequence and property in Devonshire.  The
letter was from this gentleman himself, and written in the true spirit
of friendly accommodation.  He understood that she was in need of a
dwelling; and though the house he now offered her was merely a cottage,
he assured her that everything should be done to it which she might
think necessary, if the situation pleased her.  He earnestly pressed
her, after giving the particulars of the house and garden, to come with
her daughters to Barton Park, the place of his own residence, from
whence she might judge, herself, whether Barton Cottage, for the houses
were in the same parish, could, by any alteration, be made comfortable
to her.  He seemed really anxious to accommodate them and the whole of
his letter was written in so friendly a style as could not fail of
giving pleasure to his cousin; more especially at a moment when she was
suffering under the cold and unfeeling behaviour of her nearer
connections.  She needed no time for deliberation or inquiry.  Her
resolution was formed as she read.  The situation of Barton, in a
county so far distant from Sussex as Devonshire, which, but a few hours
before, would have been a sufficient objection to outweigh every
possible advantage belonging to the place, was now its first
recommendation.  To quit the neighbourhood of Norland was no longer an
evil; it was an object of desire; it was a blessing, in comparison of
the misery of continuing her daughter-in-law's guest; and to remove for
ever from that beloved place would be less painful than to inhabit or
visit it while such a woman was its mistress.  She instantly wrote Sir
John Middleton her acknowledgment of his kindness, and her acceptance
of his proposal; and then hastened to shew both letters to her
daughters, that she might be secure of their approbation before her
answer were sent.

Elinor had always thought it would be more prudent for them to settle
at some distance from Norland, than immediately amongst their present
acquaintance.  On THAT head, therefore, it was not for her to oppose
her mother's intention of removing into Devonshire.  The house, too, as
described by Sir John, was on so simple a scale, and the rent so
uncommonly moderate, as to leave her no right of objection on either
point; and, therefore, though it was not a plan which brought any charm
to her fancy, though it was a removal from the vicinity of Norland
beyond her wishes, she made no attempt to dissuade her mother from
sending a letter of acquiescence.



Chapter 4
Marianne questions Edward's taste in drawing; Elinor is perfectly content that he is not as obviously passionate about art as Marianne should hope, though she knows that this is one of Edward's failings with Marianne. Elinor says she is perfectly happy with his tastes and education, and even Marianne cannot find fault with his good nature and kind heart. Marianne says she would like Edward even more if he were to get married to Elinor; Elinor knows that her sister and mother believe that there is an attachment between herself and Edward, but does not wish to confirm it because she is not sure of feelings being exactly mutual. Elinor also admits that there is something in Edward which suggests he does not love her as much as she loves him. She believes that it might have something to do with the expectations and overbearing nature of Edward's mother, though of course Elinor cannot be sure. Fanny is especially displeased by this attraction, and comments to Mrs. Dashwood about how there are high hopes for Edward, and he must marry a woman of high birth and much wealth. Fortunately, Mrs. Dashwood then receives a letter from a relative of hers, offering her a cottage on his property very cheaply. The letter is very friendly and urges Mrs. Dashwood to come to Barton Park, his estate in Devonshire, to have a look at the nearby cottage and see if it is suitable. Since Mrs. Dashwood is ready to escape from Fanny, she accepts; Marianne and Elinor approve the proposal, though Elinor does not want to be separated from Edward.
The clash between sense and sensibility is again shown in this discussion between Elinor and Marianne, and what their views on Edward and Elinor's relationship are. Elinor, with all her sensibility, does not allow herself to get carried away; she knows that Edward's affections might fall short of hers, and that there is no promised attachment between them. Marianne surveys the situation with a more romantic eye, assuming that he must love her equally well, and is bound to propose soon. That romantic notions lead Marianne to assume more about the situation than is true shows the failing of sense; sense is far from exact, and belief and hope often fall short of reality. Elinor's confession to Marianne foreshadows some secret of Edward's; he must have a reason for sometimes acting reticent around Marianne, if his affection is as genuine as it seems. Another obstacle is, of course, the approval of Edward's mother, who has great hopes for Edward's advancement and certainly would not look favorably on a less-than-ideal match. Fanny's insinuations to Mrs. Dashwood indicate that any match between Elinor and Edward would be harshly opposed by the Ferrars family, and this foreshadows further obstacles to Edward and Elinor being united