With critic’s points and terms verbatim I want you to add the sentence “all of these books use homodiegetic first-person child narrators to    and how to start discussion about novel the catcher in the ray so that it maintains connection with this para and that next one in which that novel will be analysed” in unique way and comment in polished coherent academic style Using Complex vocabulary and sentence structures, including varied punctuation and transition words and Tone must be in active voice, informative and authoritative and writing style is coherent, consistent, and organized and the sentences are logically structured to create a clear and progressive flow of ideas
As we embark on a journey through the world of child narrators in twentieth-century novels, we are met with a vast and diverse array of literary works. Ranging from the troubled journey of Holden Caulfield in The Catcher in the Rye (1951) to the mysterious atmosphere permeating The Painted Bird (1965), the breadth of these stories is both vast and compelling. Harper Lee’s To Kill a Mockingbird (1960) presents a series of revelatory fragments addressing themes of racism and injustice in the American South, while Patrick McCabe’s chilling tale, The Butcher Boy (1992), explores the harrowing effects of mental illness on a young boy grappling with a turbulent upbringing and external pressures. Shifting to the more light-hearted, yet moving narrative of Paddy Clarke Ha Ha Ha (1993), readers are enveloped in the intricacies of childhood experiences- joys, challenges, and complexities of growing up. And Saleem Sinai in Midnight’s Children (1981), masterfully weaves his personal journey with that of India’s historical transitions, chronologically coinciding with his birth at midnight on the country’s epochal day of independence from British colonial rule