"L'asino d'oro" nel rinascimento: Dai volgarizzamenti alle raffigurazioni pittoriche. Mariantonietta Acocella
"Vichian" reading of literary history. With this recent publication, he has done just that. Here, as he deftly wends his way through the Renaissance world of changing perspective and shifting vantage points, characterized variously by tropes of mirrors and telescopes, Mazzottas own exercise in world making emerges from the pages of this profoundly insightful act of cross-temporal reconciliation. Moving easily beyond the role of critic and scholar, Mazzotta, with his characteristic elegance, calls convincingly for a rebirth of myths and memories and for a modern renaissance of cosmopoiesis. MARY A. WATT University of Florida