Just Anger: Representing Women's Anger in Early Modern England. Gwynne Kennedy
Marvell that emerges from these essays is one committed to politics and freedom throughout his life, and not only in his youthful years, and one whose political commitment causes him to turn to art frequently and often. Or, to put it another way, this Marvell is revealed even more profoundly that we have hitherto understood as our most important "son of Milton." These two books, thus, evidence a broad range of criticism and critical approaches to the early modern period. While Ellrodt seeks to find the personal in the aesthetic, the contributors to Marvell and Liberty present art and political commitment as interrelated. Both books have much to offer and certainly will reward a close reading. MARY A. PAPAZIAN Oakland University