Nature as Model: Salomon de Caus and Early Seventeenth-Century Landscape Design (review)
complicated waters of printed book production during a time of tremendous innovation and change. The entrepreneurial spirit that moved many artists during this period to branch out into new fields opens up new avenues for investigating a novel aspect of the history of the print. Pichore not only acquired new skills as a designer of prints, he also briefly ventured into the risky business of publishing. Printmaking, usually connected in art historical studies to roots within the metalworking and textile trades, must also be considered as an offshoot of manuscript illumination. Zöhl contributes an important perspective on the intersection of these two worlds, at once fairly obvious yet curiously understudied. SUSAN MAXWELL University of Wisconsin, Oshkosh