Hundertwasser
229290743
Exploring the Architectural Designs of Hundertwasser
Pamela Geiger Stephens Andreas Furst Nancy Walkup
230582172
Hundertwasser Schiele: Imagine Tomorrow
Vanessa Noizet
225152574
Hundertwasser's theory and its relation to the Slow fashion movement
Moda Palavra
225115746
A teoria de Hundertwasser e sua relacao com o movimento Slow fashion
Moda Palavra
219850221
A. Gaudiy, F. Hundertwasser, Z. Hadidyi hwansangjuyi geoncuggwa dijaine naejaedoeeo issneun hamcugseonge daehan bigyoyeongu
Today's architecture and design actively adopt "anomaly" which is defined as an fantasist design element. Buildings that imply dynamism serve as landmarks all over the place, and design too makes provocative "difference" the living environment integrated in functionalism. From some time ago, we have sensed a formal similarity in the architecture and design of Antoni Gaudiy, Friedensreich Hundertwasser, and Zaha Hadid, but we have not classified them into one and the same design group. In this light, this study aims to trace the representation relationality by comparing the characteristics implied in the fantasist architecture and design that began in the late 19th century and is still prevalent. Chapter 2 of the study examines the Zeitgeist linked to the three persons through literature review in order to discover the relationality which mediates them. This study also uses the evaluation tool suggested from a hermeneutic perspective to come up with the implications for architecture and design, and the survey involved 30 persons including undergraduate and graduate students majoring in design. Based on this, Chapter 3 compares the implications of heir architecture and design. Thus, the study verifies the implications of the three persons' architecture and design that reflect the Zeitgeist and their representational relationality.
214557040
A Comparative Study on the Implications of the Fantasist Architecture of A. Gaudiy, F. Hundertwasser, and Z. Hadid
Journal of Cultural Product Design
Sung Woon Choi
192270378
Hundertwasser five skins: Pretext for the study of the role of drawing and human body in the project of architecture
F Moreira da Silva
234051032
Construction and design of F. Hundertwasser green roofs
The article presents the main provisions of the philosophy and theory of plant integration into the architecture of the Friedensreich Hundertwasser building: forest, grass, meadow roofs, tenant trees. Indicated on their purpose and role in improving the ecology and aesthetics of the city. Data from a field survey of the green roofs of famous Hundertwasser buildings are given. For the first time in domestic landscape science, data on the structures and materials of green roofs used since the 70 s of the last century for the implementation of Hundertwasser projects has been studied and presented, which is of both theoretical and practical interest for the development of this area of landscape architecture.
T V Kireeva
233847169
Friedensreich Hundertwasser and his <Green Architecture>
Environmental and globalization problems are swiftly becoming a focus of an ideological, political, and economic warfare. Today, it can be a reason of violent collisions and conflicts. Alongside, many solutions have already been found and are actual and successful. The world known Hundertwasser KrawinaHaus in Vienna can certainly be referred to such projects. The unforgettable outlook of this building excites designers' and architects' minds but its creator's ideas have not been developed widely in the contemporary urban environment. The objective of the given article is to analyze main conceptions of Friedensreich Hundertwasser, a gifted and original designer and architect of the XX century. His bright creations captivate by freedom of self expression, humane attitude to nature and people, artistic outlook of architectural forms, and highly expressive decorative and colour design of his main creation Hundertwasser KrawinaHaus, Vienna. At present, methods of arranging a harmonic urban environment where social cooperation of people originates on a freewill basis, can demonstrate ways of formation of a really innovational urban environment. According to Hundertwasser, nature is an inherent part of the city life and a source of purity and freshness. The care for "tree tenants" is socially important collective activities and voluntary joining together efforts of every inhabitant of the urban environment. Results. A study and usage of the past successful experience, which being a bold experiment, has become an important and meaningful part of the world cultural heritage. Such an experience can be regarded as a kind of a trigger for creative thinking of future designers and projectors. Hundertwasser's creative work can serve as a source of inspiration for students of the Chair of Design and History of Art of the Ufa State Petroleum Technological University while making a collection of models and an exposition at the gallery "ACADEMIA" in Ufa.
L M Stratonova
194244935
Mimarlik Ve Ressamlik Arakesitindeki Bir Sanatci: Hundertwasser
Mimarlik farkli disiplinlerin etkilesimden olusabilecegi gibi, sanatin degisik dallarindan da etkilenmektedir. Ozellikle resim sanati ile iliskili oldugu ve tarihin her doneminde farkli bicimde kullanimiyla ortaya ciktigi gorulmektedir. Resim kompozisyonu olusturmada ve mimari tasarim gerceklestirmede tasarimcilarin basvurdugu temel olcutler temel tasar elemanlari ve temel tasar ilkeleridir. Ressam ve mimar olan Hundertwasser'in resim ve mimari alandaki calismalarinda buyuk benzerlikler bulunmaktadir. Bu baglamda Hundertwasser'in resim ve mimari eserleri arasindaki iliski temel tasarim eleman ve ilkeleri dogrultusundaki analizlerle ortaya konulmustur. Sanatcinin resimlerinde ve yapilarinda agirlikli olarak kullanmis oldugu temel tasar ilke ve elemanlari calismalarinda irdelenmistir. Calismada gorsel nesnelerin grafik ve istatiksel analizleri yapilmistir. Istatiksel analiz asamasinda katilimci anket yontemi uygulanmistir. Katilimcilardan her bir eser icin 1 ile 6 arasinda (en cok etkili:1 en az etkili:6) deger vermeleri istenmis ve SPSS analiz programi ile One Way ANOVA testi uygulanmistir. Yapilan calismada mimar ve ressam Hundertwasser'in resim ve mimari eserlerinde ozellikle temel tasar elemanlarindan renk ve cizgi yon ogelerini, temel tasar ilkelerinden ise tekrar ve birlik ogelerini daha cok kullandigi ortaya cikmistir. Bu calismada ressam ve mimar Hundertwasser'in resim ve mimari eserleri incelenmis, temel tasar ilke ve elemanlari acisindan degerlendirilen ogelerin iki farkli disiplin arasindaki benzerlikleri analiz edilmistir. Ayrica resim ile mimarlik arasinda kurulan iliskinin, tasarimcilarin yaraticiliklarini arttirmada etkili olacagi dusunulmektedir.
Selda Al Sensoy Buket Ozdemir Isik