Antonio buero vallejo de la peinture au theatre un dramaturge plasticien et ses personnages-peintres
The thesis here presented examines, with the help of the conceptual instruments of dramatic semiotics, the meaning of the artistic (figurative) references in the plays of antonio buero vallejo : "quotations", figurative objects, mention of famous painters, the use of ficticious painters in the plays, who are confronted with the problem of genius in art, of success and failure and with the problem of political power (censoring). The five plays, in which there are painters characters, are the object of a monography : las meninas, madrugada, el sueno de la razon, llegada de los dioses and dialogo secreto.