A New and Unusual Landscaping Ideal: Joseph Addison's Contribution to Romanticism
Addison's landscape discussion in the famous 1712 Spectator essay on the pleasures of the imagination has often been regarded as the beginning of modern aesthetics. To see how this is the case but not in the way of conventional interpretations, it is important to remember the then revolutionary idea of “beauty without order” which Sir William Temple first discussed via the asymmetrical Chinese gardening style and which Addison enthusiastically endorsed in his horticultural reform agenda. Much more than the notions of beauty, greatness, and uncommonness which are the ostensible focus and usually noticed content of his essay and which are all derived from classical European aesthetics, it is this new and unusual love of things in their seeming irregularity and disorder, and the associated belief in their capability to work themselves out, that retrospectively seems to constitute Addison's most important contribution to English and European Romanticism.