Indistinción e ineficacia: observaciones al entrecruce arte y política en la escena artística del siglo XX
This paper seeks to relate some central issues from Danto and Ranciere’s theoretical developments with some form of avant garde art developed in Argentina in the twentieth century. In a first instance are taken into account both forms of artistic and political denunciation as paradigms of overlapping and indistinctness exemplified by El Siluetazo and Tucuman Arde. Danto will offer the indiscernibility concept to think about art and with Ranciere will be evaluated the degree of impugnation claimed for the critic art facing the examples offered. Keywords: Danto, art, politics, Ranciere, inefficacy.