Hardcore, punk, and other junk : aggressive sounds in contemporary music
Foreword Acknowledgments Introduction Chapter 1: Food For Thought: On Sid Vicious's Cannibalization of "My Way" Evan Ware Chapter 2: Let the Shillelagh Fly: The Dropkick Murphys and Irish-American Hybridity Sean Ahern Chapter 3: Am I Evil? The Meaning of Metal Lyrics to its Fans Mika Elovaara Chapter 4: By Demons Be Driven? Scanning 'Monstrous' Voices Marcus Erbe Chapter 5: Heavy Metal Music in the Caribbean Setting: Politics and Language at the Periphery Nelson Varas-Diaz, Eliut Rivera-Segarra Chapter 6: No Fun: Noise Music, Avant-garde Aggression, and Sonic Punishment Ross Hagan Chapter 7: The Last Report: Throbbing Gristle and Audio Extremes Brian Cogan Chapter 8: Black Metal Soul Music: Stone Vengeance and the Aesthetics of Race in Heavy Metal. Kevin Fellezs Chapter 9: "The Time is Right to Set Our Sight on Salvation": The Strange Tale of How the Hare Krishnas Came To Play Hardcore Punk Colin Helb Chapter 10: The Cult of Hellmouth: The Success of Contemporary Hardcore Eric James Abbey Afterword Bibliography Contributors Index