Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Hoch
Introduction: Representing the New Woman 1 The Berlin Dada Photomontages 2 Mass Media, Modernism, and the avant-garde 3 Hannah Hoch's Mass Media Scrapbook: Utopias of the Twenties 4 Portraits, Dancers, and Coquettes: The Modem Woman in Hoch's Photomontages, 1923-35 5 From An Ethnographic Museum 6 Androgyny and Spectatorship Conclusion Appendix A "A Glance Over My Life" by Hannah Hoch Appendix B "The Painter" by Hannah Hoch Appendix C: Chronology Appendix D: "A Few Words on Photomontage" by Hannah Hoch Notes Bibliography.