The Singer of Tales in Performance
Preface I. Common Ground: Oral-Formulaic Theory and the Ethnography of Speaking II. Ways of Speaking, Ways of Meaning III. The Rhetorical Persistence of Traditional Forms IV. Spellbound: The Serbian Tradition of Magical Charms V. Continuities of Reception: The Homeric Hymn to Demeter VI. Indexed Translation: The PoetOs Self-Interruption in the Old English Andreas Conclusion Bibliography Index