Sources and the Circulation of Renaissance Music
Contents: Introduction Part I Scribes and the Making of Manuscripts: Manuscript structure in the Dufay era, Charles Hamm Simon Mellet, scribe of Cambrai cathedral, Liane Curtis A contemporary perception of early 15th-century style: Bologna Q15 as a document of scribal editorial initiative, Margaret Bent The origins of the Chigi Codex: the date, provenance, and original ownership of Rome, Biblioteca Vaticana, Chigiana, C.VIII.234, Herbert Kellman Jean Michel, Maistre Jhan and a chorus of beasts: old light on some Ferrarese music manuscripts, Joshua Rifkin. Part II Sources, Politics and Transmission: European politics and the distribution of music in the early 15th century, Reinhard Strohm A gift of madrigals and chansons: the Winchester Part Books and the courtship of Elizabeth I by Erik XIV of Sweden, Kristine K. Forney Danish diplomacy and the dedication of Giardino novo II (1606) to King James I, Susan G. Lewis [Hammond]. Part III Sources and the Transmission of Repertory: The early Tudor court, the provinces and the Eton Choirbook, Magnus Williamson Antwerp's role in the reception and dissemination of the madrigal in the North, Kristine K. Forney. Part IV Patrons and Collectors: The purpose of the gift: for display or for performance?, Stanley Boorman Music in the library of Johannes Klein, Tom R. Ward Music for the nuns of Verona: a story about MS DCCLXI of the Biblioteca Capitolare in Verona, Howard Mayer Brown The salon as marketplace in the 1550s: patrons and collectors of Lasso's secular music, Donna G. Cardamone. Part V Music Printing: 1501-1528: The 500th anniversary of the first music printing: a history of patronage and taste in the early years, Stanley Boorman The printing contract for the Libro primo de musica de la salamandra (Rome 1526), Bonnie J. Blackburn. Part VI Printing and Printing Houses after 1528: The Libro Primo of Constanzo Festa, James Haar Twins, cousins, and heirs: relationships among editions of music printed in 16th-century Venice, Mary S. Lewis Thoughts on the popularity of printed music in 16th-century Italy, Stanley Boorman The Burning Salamander: assigning a printer to some 16th-century music prints, Jane A. Bernstein. Part VII The Financial Side of Music Printing: Financial arrangements and the role of printer and composer, Jane A. Bernstein The Venetian privilege and music-printing in the 16th century, Richard J. Agee Orlando di Lasso, composer and print entrepreneur, James Haar Music selling in late 16th-century Florence: the bookshop of Piero di Giuliano Morosi, Tim Carter Name index.