Artistes: Beatrice Knop\nIn 1989 while a student she won prizes in several national competitions and a Prix de Lausanne/Tokyo. Still being a student she was entrusted with the role of Myrtha in "Giselle“ at the Staatsoper Unter den Linden in Berlin.\nToday her extensive repertoire includes a wide range of principal roles in the most famous classical Ballets including John Cranko‘s "Onegin“ (Tatjana), Rudolf Nureyev‘s "Sleeping Beauty“ (Princess Aurora), ), and "Raymonda“ (Clémence), Patrice Bart‘s "Swan Lake“ (Odette/Odile, Queen), "Giselle“ (Giselle, Myrtha), "The Nutcracker“ (Duchess, creation for her), "Don Quixote“ (Mercedes), and "Verdiana“ (The Summer),\nVladimir Malakhov‘s "La Bayadere“ (Hamsatti, Nikia), "Cinderella“ (Good Fairy), and "Sleeping Beauty“ (Lilac Fairy), Frederick Ashton‘s "Sylvia“ (Titelrolle), Kenneth MacMillan‘s "Manon“ (Lescaut‘s Mistress),\nGeorge Balanchine‘s "Apollon musagète“ (Terpsichore), "Ballet Imperial“, "Serenade“, "Symphony in C“ (Soloist parts in the first, second, fourth movement), "Violin Concerto“ (Aria I), and "The Prodigal Son“ (Sirene), Pierre Lacotte‘s "Le Lac des fées“ (Katharina),\nMikhail Fokin‘s "Le Spectre de la rose“ (the young girl), "Les Sylphides“, "Sheherazade“ , and\n"The Dying Swan“,\nMaurice Béjart‘s "Ring um den Ring" (Fricka,Freia), "Serait-ce la mort?“, "Sonate à trois“ (Estellle), "Nacht/Verklärte Nacht“, "Apropos Scheherazade“, and "Le Concours“ (Ada),\nRoland Petit‘s "Dix oder Eros und Tod“ (Pas de deux "Lustmord“), Jirí Kylián‘s "Return to a strange land" ,\nNacho Duato‘s "Without Words“, William Forsythe‘s "Steptext“, Jerome Robbins' "Afternoon of a Faun“,\nPeter Martins‘ "Fearful Symmetries“, Twyla Tharp‘s "Variations on a Theme by Haydn“,\nAngelin Preljocaj‘s "Le Spectre de la rose“, Boris Eifman‘s "Tchaikovsky“ (Nadeshda von Meck),\nUwe Scholz‘ "Mozart“ Piano Concert: (Second movement), Christian Spuck‘s "this-“ (creation),\nMark Baldwin‘s "Labyrinth“ (creation for her), and "Dämon“ (creation for her),\nRonald Savković' "Transparente“ and some others.\nBeatrice Knop made a succesfull career in Berlin sharing the stage with partners like Vladimir Malakhov, Roberto Bolle, Thomas Edur, Oliver Matz, Ronald Savković, Artem Shpilevky and Dimitri Semionov.\nShe was invited to the Ballet National de Marseille Roland Petit to dance in "La Valse triste“, with Jan Broecks and Cyril Pierre, to the Leipziger Ballett, the Ballet of the Deutsche Oper am Rhein Düsseldorf, where she danced Youri Vamós' "Julien Sorel" (female principal role) and to the Stuttgart Ballet.\nHas performed in Galas in Athens, Belgrade, Kiev, 2006 in Brisbane (Australia), 2007"Stars of the 21st Century“ in Toronto (Canada) and appeared on several tours and festivals in Spain, Switzerlland, China and Japan.