Most traditional Tamil art is religious in some form and usually centres on Hinduism, although the religious element is often only a means to represent universal—and, occasionally, humanist—themes. 
The most important form of Tamil painting is Tanjore painting, which originated in Thanjavur in the ninth century. The painting's base is made of cloth and coated with zinc oxide, over which the image is painted using dyes; it is then decorated with semi-precious stones, as well as silver or gold thread. A style which is related in origin, but which exhibits significant differences in execution, is used for painting murals on temple walls; the most notable example are the murals on the Kutal Azhakar and Meenakshi temples of Madurai, the Brihadeeswarar temple of Tanjore. Tamil art, in general, is known for its stylistic elegance, rich colours, and attention to small details.

Tamil sculpture ranges from elegant stone sculptures in temples, to bronze icons with exquisite details. The medieval Chola bronzes are considered to be one of India's greatest contributions to the world art. Unlike most Western art, the material in Tamil sculpture does not influence the form taken by the sculpture; instead, the artist imposes his/her vision of the form on the material. As a result, one often sees in stone sculptures flowing forms that are usually reserved for metal. As with painting, these sculptures show a fine eye for detail; great care is taken in sculpting the minute details of jewellery, worn by the subjects of the sculpture. The lines tend to be smooth and flowing, and many pieces skillfully capture movement. The cave sculptures at Mamallapuram are a particularly fine example of the technique, as are the bronzes of the Chola period. A particularly popular motif in the bronzes was the depiction of Shiva as Nataraja, in a dance posture with one leg upraised, and a fiery circular halo surrounding his body.

Tamil temples were often simply treated as sculptures on a grand scale. The temples are most notable for their high spires, known as Gopura, consisting of a number of stepped levels, and the "vimanam", which rises above the "sanctum sanctorum". During the Chola period, the "vimanams" had more prominence, as seen in the Brihadīsvara temple of Thanjavur. During the Nayak period, the spires became progressively more elaborate and ornate, as exemplified by the Meenakshi Temple in Madurai, while the "vimanam" became much smaller. From the 13th century onwards, the entrance gates to the temples, called gopurams in Tamil, also began to grow bigger, and more elaborate. The temples at Chidambaram and Srirangam have particularly impressive gopurams, covered with sculptures and reliefs of various scenes and characters from Hindu mythology.

As with Indian art in general, Tamil art does not traditionally aspire to portraiture or realism. Much more emphasis is placed on the representation of ideal prototypes, and on depicting the symbols with which the theme of the artistic work is associated. This means that small details, such as the direction which a hand faces, the animals or trees portrayed, or the time of day depicted, are often of critical importance to understanding the meaning of a work of art.

इतिहास
तमिळ भारताततले
दृकश्राव्य कला आणि स्थापत्यकला
Etymology