In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.

Q: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (September 2016) (Learn how and when to remove this template message)In 1965, Chris Taylor (Charlie Sheen) has dropped out of college, enlisted in the U.S. Army, and volunteered for combat duty in Vietnam. Assigned to Bravo Company in the 25th Infantry Division, near the Cambodian border, he is quickly disillusioned by the difficult environment, and his enthusiasm for the war declines. One night, his unit is set upon by a group of North Vietnamese Army (NVA) soldiers, who retreat after a brief confrontation. New recruit Gardner is killed while another soldier, Tex, is maimed by friendly fire. Taylor is scorned by the cruel Staff Sergeant Barnes (Tom Berenger) for falling asleep during watch, after being implicated by one of the veterans. Taylor eventually gains acceptance from a tight-knit group in his unit whose members socialize in a bunker clubhouse at their base. He finds mentors in King (Keith David) and the loyal Sergeant Elias (Willem Dafoe), and becomes close friends with other soldiers, including Lerner (Johnny Depp), Rhah (Francesco Quinn), Crawford (Chris Pedersen) and Manny (Corkey Ford).During a patrol, Manny is found mutilated and tied to a post, while two other soldiers, Sal (Richard Edson) and Sandy (J. Adam Glover), are killed by a booby trap in a bunker. As tension mounts, the platoon reaches a nearby village where they discover a supply and weapons cache. Using Lerner as a translator, Barnes interrogates the village chief to determine if his people have been aiding the NVA. Despite the villagers' adamant denials, Barnes coldly shoots and kills the chief's wife. He holds the chief's daughter at gunpoint, threatening to kill her as well, if the villagers do not reveal what they know. Elias arrives and is furious with Barnes' behavior. A physical altercation between the duo ensues, which is ended by the timid platoon commander, Lieutenant Wolfe (Mark Moses), who orders the men to secure the villagers, destroy the enemy supplies, and burn the village down. As they leave, Taylor stops a group of soldiers from gang raping two girls.When the unit returns to base, Captain Harris (Dale Dye) advises that if he finds out that an illegal killing took place, a court-martial will be ordered. Barnes worries that Elias will testify against him. On their next patrol, the platoon is ambushed and pinned down in a firefight, in which numerous soldiers are wounded, including Lerner and Big Harold (Forest Whitaker). Lerner is taken back to the helicopter landing area, while Lieutenant Wolfe calls in a artillery strike and the incorrect coordinates he provides results in a number of friendly fire casualties. Elias takes Taylor, Crawford, and Rhah to intercept flanking enemy troops. Barnes orders the rest of the platoon to retreat and goes back into the jungle to find Elias' group. Barnes finds Elias alone and shoots him, then returns and tells the others that Elias was killed by the enemy. While the platoon is extracting via helicopter, they glimpse Elias, mortally wounded, emerging from the treeline and being chased by a group of North Vietnamese soldiers, who kill him. Noting Barnes' anxious manner, Taylor realizes that he gave a false account of Elias' wounding.At the base, Taylor becomes convinced that Barnes is responsible for Elias' death. He attempts to talk his group into fragging the sergeant in retaliation when Barnes, having overheard them, enters the room and mocks them. Taylor assaults the intoxicated Barnes but is quickly overpowered. Barnes cuts Taylor near his eye with a push dagger before departing.The platoon is sent back to the combat area to maintain defensive positions, where Taylor shares a foxhole with Francis. That night, a major NVA assault occurs, and the defensive lines are broken. Much of the platoon, including Bunny, Junior, and Wolfe, are killed in the ensuing battle. During the attack, an NVA sapper, armed with explosives, rushes into battalion headquarters, making a suicide attack and killing everyone inside. Meanwhile, Captain Harris, the company commander, orders his air support to expend all remaining ordnance inside his perimeter. During the chaos, Taylor encounters Barnes, who is wounded and driven to insanity. Just as Barnes is about to kill Taylor, both men are knocked unconscious by an air strike.Taylor regains consciousness the following morning, picks up an enemy Type 56 rifle, and finds Barnes, who orders Taylor to call a medic. Seeing that Taylor won't help, Barnes tells him to pull the trigger. Taylor shoots and kills Barnes. He sits and waits until reinforcements arrive and find him. Francis, who survived the battle unharmed, deliberately stabs himself in the leg and reminds Taylor that because they have been twice wounded, they can return home. The helicopter carries the two men away. Overwhelmed, Taylor sobs as he glares down at multiple craters full of corpses, both friend and foe., Question: Francis reminds Taylor that because they have been wounded twice, they can do what?

A: Answer: Go home
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Q: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girlâs television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomââshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billyâs wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in ÅÃ³dÅº during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced sheâs being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelgÃ¤nger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsâencompassing some of the subplots of the filmâbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomâRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: A parallel plotline involves circus artists of which nationality?

A: Answer: Polish
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Q: In 1906, Saxton (Christopher Lee), a renowned British anthropologist, is returning to Europe by the Trans-Siberian Express from China to Moscow. With him is a crate containing the frozen remains of a primitive humanoid creature that he discovered in a cave in Manchuria. He hopes it is a missing link in human evolution. Doctor Wells (Peter Cushing), Saxton's friendly rival and Royal Society colleague, is also on board but travelling separately. Before the train departs Shanghai, a thief is found dead on the platform. His eyes are completely white without irises or pupils, and a bystander initially mistakes him for a blind man. A monk named Father Pujardov (Alberto de Mendoza), the spiritual advisor to the Polish Count Marion Petrovski (George Rigaud) and Countess Irina Petrovski (Silvia Tortosa), who are also waiting to board the train, proclaims the contents of the crate to be evil. Saxton furiously dismisses this as superstition. Saxton's eagerness to keep his scientific find secret arouses the suspicion of Wells, who bribes a porter to investigate the crate. The porter is killed by the ape-like creature (Juan Olaguivel) within, which then escapes the crate by picking the lock.The creature finds more victims as it roams the moving train, each victim being found with the same opaque, white eyes. An autopsy suggests that the brains of the victims are being drained of memories and knowledge. When the creature is gunned down by police Inspector Mirov (Julio PeÃ±a), the threat seems to have been vanquished. Saxton and Wells discover that images are retained in a liquid found inside the eyeball of the corpse, which reveal a prehistoric Earth and a view of the planet seen from space. They deduce that the real threat is somehow a formless extraterrestrial that inhabited the body of the creature and now resides within the inspector. Father Pujardov, sensing the greater presence inside the inspector and believing it to be that of Satan, renounces his faith to pledge allegiance to the mysterious entity.News of the murders is wired to the Russian authorities. An intimidating Cossack officer, Captain Kazan (Telly Savalas), boards the train with a handful of his men. Kazan believes the train is transporting rebels; he is only convinced of the alien's existence when Saxton switches off the lights and Mirov's eyes glow, revealing him to be the creature's host. The creature has absorbed the memories of Wells' assistant, an engineer, and others. It seeks the Polish count's metallurgical knowledge too, in order to build a vessel to escape Earth. Kazan fatally shoots Mirov, and the alien transfers itself to the deranged Pujardov.The passengers flee to the freight car while Pujardov murders Kazan, his men, and the count, draining all of their minds. Saxton rescues the countess and holds Pujardov at gunpoint. Saxton, having discovered that bright light prevents the entity from draining minds or transferring to another body, forces Pujardov into a brightly lit area. The creature/Pujardov explains that it is a collective form of energy from another galaxy. Trapped on Earth in the distant past after being left behind in an accident, it survived for millions of years in the bodies of protozoa, fish and other animals, but cannot live outside a living being longer than a few moments. The creature begs to be spared, tempting Saxton with its advanced knowledge of technology and cures for diseases. While Saxton is distracted by the offer, the creature resurrects the count's corpse, which attacks Saxton.Saxton and the countess flee the creature, but it now resurrects all of its victims as zombies. Battling their way through the train, Saxton and the countess eventually reach the caboose, where the other survivors have taken refuge. Once there, Saxton and Wells work desperately to uncouple themselves from the rest of the train. The Russian government sends a telegram to a dispatch station ahead, instructing them to destroy the train by sending it down a dead-end spur. Speculating that it must be war, the station staff switch the points.The creature takes control of the train as it enters the spur. Saxton and Wells manage to separate the last car from the rest of the train. The creature tries to find the brakes to try and stop the train, but fails to even get it to slow down as it rams through the barrier and plunges down the cliff, destroying it as soon as it hits the bottom. The caboose rolls precariously to the end of the track before stopping, inches away from the edge of the cliff. The survivors quickly depart from the caboose while Saxton, Wells and the countess gaze over the ravine to witness the inferno consuming the train and its unearthly inhabitants. The final scene shows the image of the earth., Question: What does the goverment send instructions to do?

A:

Show your work and conclude with the exact phrasing "Therefore, the final answer is [answer]." where [answer] is just the final number or expression that solves the problem.
user
Answer: Destroy the train
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