Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix `Q:` followed by the answer prefix `A:`, and the follow-up question has a prefix `FOLLOWUP_Q:`.

Example Input: CONTEXT: It's a replaceable - some say rechargeable - power cell. You can see a spare on Ronon's belt in many shots, but there is as far as I can recall only one time you see him actually replace the power cell. In the tavern scene near the beginning of S2E7 "Instinct," he replaces the cell near the end of the conversation, just before he stands up. In S4E5 "Travelers" at about the 26 minute mark, you see Shepard ask Larrin if she has more "of these," referring to either the weapon, or the power cell he removes from the depleted gun. They are both weaponless because the gun is out of power. The show never actually shows how he replaces/recharges the cells, though. Probably for the same reason they never show the SG teams loading ammo into magazines. :)  <sep>  Q: Why doesn't Ronon's gun run out of power? A: It's a replaceable - some say rechargeable - power cell  Q: How does he recharge this power cell gun? A: You can see a spare on Ronon's belt in many shots, but there is as far as I can recall only one time you see him actually replace the power cell  Q: When does he do this exactly, I can't recall seeing him recharge it? A: In the tavern scene near the beginning of S2E7 "Instinct," he replaces the cell near the end of the conversation, just before he stands up  Q: Is this the only time he is seen recharging the gun? A: The show never actually shows how he replaces/recharges the cells, though  <sep> FOLLOWUP_Q: Do you have any other facts about the weapons in the show?
Example Output: Yes

Example Input: CONTEXT: I think you've pretty much answered your own question. The film is based on the idea of a fictional character crossing over into the real lives of the real actors who acted in the earlier films in the franchise. That Wes is writing the dialogue in a script that exactly matches the dialogue the characters have just said totally fits the crossover world being created in this film.  <sep>  Q: Is the script Wes Craven is writing on his computer the movie itself?
Example Output: Yes

Example Input: CONTEXT: Travellers is about saving people in the future not in the present by altering the course of history. The people from the future can only do this safely and without unpredictable side-effects on the timeline if they don't "save" lives in the past. Their future technology actually does allow them to replace people who were not about to die, but they regard this as a moral problem and it is forbidden. But they can take over those lives if they were about to be eliminated from the timeline, hence the apparent paradox of "saving" McClaren. But they haven't actually saved McClaren at all, they have replaced him with a traveller. Early in the series only people about to die get replaced. Obviously the whole point is to alter the timeline but the travellers are aiming not for minor alterations like saving a single, random life, but for big alterations that radically change the course of history. One of their protocols actually forbids them from saving other lives as well even when they know someone is about to die (but not be replaced). This [minor spoiler alert] becomes a source of some dramatic tension in later episodes.  <sep>  Q: Why does MacLaren die in the first episode of Travelers?
Example Output:

Show your work and conclude with the exact phrasing "Therefore, the final answer is [answer]." where [answer] is just the final number or expression that solves the problem.
user
Yes

