Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : The discography of Marianas Trench, a Canadian pop rock band, consists of four studio albums, three extended plays, 18 singles and 18 music videos. The band recorded and released their debut EP in 2002, entitled "Marianas Trench" containing 8 tracks. Context_2 : The Never Say Die Tour (Marianas Trench) is a Canadian concert tour by Canadian pop-rock band Marianas Trench (band) in support of their album "Astoria (Marianas Trench album)". Context_3 : Face the Music: The EP (also known as Face the Music) is the title of the second extended play released by Canadian pop-rock group Marianas Trench. Featuring popular songs from the group's most recent album, "Ever After" (2011), the EP marks Marianas Trench's first official US music release. It was first released May 10, 2013 in New Zealand before being released in North America later that month, and was distributed through 604 Records, Cherrytree Records, and Interscope Records. Context_4 : Trench Town (also Trenchtown) is a neighborhood located in the parish of St. Andrew which shares municipality with Kingston, the capital and largest city of Jamaica. In the 1960s Trench Town was known as the Hollywood of Jamaica. Today Trench Town is the location of the Trench Town Culture Yard Museum, a National Heritage Site presenting the unique history and contribution of Trench Town to Jamaica. Trench Town is the birthplace of rocksteady and reggae music, as well as the home of reggae and Rastafari ambassador Bob Marley. The neighborhood gets its name from its previous designation as Trench Pen, 400 acres of land once used for livestock by Daniel Power Trench, an Irish immigrant of the 18th century (descendants of the Earls of Clancarty). The Trench family abandoned the land in the late 19th century. It is a common misconception that the name comes from the large open storm-water drain that runs through the neighbourhood in the middle of Collie Smith Drive. Trench Town is home to the communities of Wilton Gardens [Rema], Federal Gardens, Arnette Gardens [Jungle], Havana, Buckers and others. Trench Town today is also the home of two of Jamaica's top Premier League football club teams, Arnette Gardens and Boys' Town. Context_5 : The Mariana Trench or Marianas Trench is the deepest part of the world's oceans. It is located in the western Pacific Ocean, an average of 200 km to the east of the Mariana Islands, in the Western Pacific East of Philippines. It is a crescent-shaped scar in the Earth's crust, and measures about 2550 km long and 69 km wide on average. It reaches a maximum-known depth of 10994 m (± 40 m ) at a small slot-shaped valley in its floor known as the Challenger Deep, at its southern end, although some unrepeated measurements place the deepest portion at 11034 m . If Mount Everest were dropped into the trench at this point, its peak would still be over 1.6 km underwater. In 2009, Marianas Trench was established as a United States National Monument. Context_6 : Marianas Trench is a Canadian pop punk band from Vancouver, British Columbia, formed in 2001. The band consists of members Josh Ramsay (lead vocalist, rhythm guitarist, pianist, songwriter, and occasional drummer), Matt Webb (lead guitarist and backing vocalist), Mike Ayley (bass guitarist and backing vocalist), and Ian Casselman (drummer, percussionist, and backing vocalist). The band has released four full-length studio albums, the most recent titled "Astoria", released on October 23, 2015, along with 2011's "Ever After", 2009's "Masterpiece Theatre" and 2006's "Fix Me". Their third album "Ever After" was nominated for a Juno Award. Context_7 : Alice in Chains is an American rock band formed in Seattle, Washington, in 1987 by guitarist/vocalist Jerry Cantrell and drummer Sean Kinney, who then recruited bassist Mike Starr and lead vocalist Layne Staley. Mike Starr was replaced in 1993 by Mike Inez. Context_8 : Something Old / Something New is the third extended play recorded by Canadian rock group Marianas Trench, released May 26, 2015 through 604 Records, Cherrytree Records, and Interscope Records. It contains two songs originally recorded for the band's fourth studio album, "Astoria" (2015), and two tracks that pre-date the recording of their debut studio album, "Fix Me" (2006), from their Self-Titled EP "Marianas Trench" (2002). The EP was released in promotion of "Astoria" and serves as a "thank you" to their fans. Context_9 : Ibrahim (Arabic: إبراهيم‎ ‎ , "Ibrāhīm" ) is the Arabic name of the prophet and patriarch Abraham. He was God's messenger. It is a common first name and surname among Muslims and Arab Christians, a derivative of the name Abraham or Avram from Judaism and Christianity in the Middle East. In Lebanon and Maghreb, Brahim is a common diminutive for the first name Ibrahim. Context_10 : Krischan and similar are surnames deriving from a German dialect of the word Christian. Alternative spellings include Krischon, Krizan, Kryschan, and Krishan. The Krischan surname is German in origin. The name is also used as a first name mostly in German speaking countries serving as a variant of the more common first name Christian. It is also speculated that the name is largely east German in origin considering the likelihood of Slavic influence in the spelling. Much of eastern Germany throughout history was at one point or another settled by Slavic tribes and the influence of Slavic languages becomes evident in various personal, place and surnames of the region. fact_1 :  The band consists of members Josh Ramsay (lead vocalist, rhythm guitarist, pianist, songwriter, and occasional drummer), Matt Webb (lead guitarist and backing vocalist), Mike Ayley (bass guitarist and backing vocalist), and Ian Casselman (drummer, percussionist, and backing vocalist). fact_2 : Alice in Chains is an American rock band formed in Seattle, Washington, in 1987 by guitarist/vocalist Jerry Cantrell and drummer Sean Kinney, who then recruited bassist Mike Starr and lead vocalist Layne Staley. fact_3 :  Mike Starr was replaced in 1993 by Mike Inez. Question: The bassist for Marianas Trench and Alice in Chains share what common first name?
Solution:

Show your work and conclude with the exact phrasing "Therefore, the final answer is [answer]." where [answer] is just the final number or expression that solves the problem.
user
Mike