In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
A: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : "Cold Shoulder" is a song by British singer Adele, released from her debut album "19". It was released digitally in Ireland on 30 March 2008 and in the UK on 31 March 2008. This is the only song on the album to be produced by Mark Ronson. Ex-Jamiroquai bassist Stuart Zender plays on the song who is also part of Mark Ronson's touring band. Adele performed the song on "Friday Night with Jools Holland" on 8 February 2008 and on "Saturday Night Live" during the 18 October 2008 show. A remix by Basement Jaxx has also been receiving airplay and is digitally available. Context_2 : Jeff Bhasker (also known as Billy Kraven and U.G.L.Y.) is an American record producer, songwriter, keyboardist, vocalist, and multi-instrumentalist. He collaborated with rapper and producer Kanye West on the albums "808s & Heartbreak", "My Beautiful Dark Twisted Fantasy", and "Watch the Throne". He has won Grammy Awards for the songs "Run This Town" by Jay-Z, "All of the Lights" by Kanye West, "We Are Young" by Fun., and "Uptown Funk" by Mark Ronson. Bhasker received the 2016 Grammy Award for Producer of the Year, Non-Classical for co-producing Mark Ronson's album "Uptown Special" and producing Nate Ruess's album "Grand Romantic" among other records. Context_3 : "The Bike Song" is the second single taken from "Record Collection", the third studio album by Mark Ronson, released under the moniker Mark Ronson & The Business Intl. The song features singer Kyle Falconer from Scottish indie rock band The View and rapper Spank Rock. It was released on 17 September 2010 in the UK. Context_4 : 100 Miles & Running is the third official mixtape by Washington, D.C. rapper Wale. It was released on July 11, 2007. The mixtape was mixed by Nick Catchdubs and featured remixes of songs by Amy Winehouse, Lily Allen and Justice. The mixtape also includes appearances from Daniel Merriweather, Mark Ronson and Tabi Bonney. XXL Magazine gave the mixtape a positive review and called Wale "the thinking man's Lil' Wayne", while the "Chicago Reader" picked it as a staff favorite from 2007 and called "W.A.L.E.D.A.N.C.E.", Wale's remix of Justice's "D.A.N.C.E", "positively epic". Wale and Ronson performed the song at the 2007 MTV Video Music Awards and Wale later appeared on the cover of "URB" with Justice. Context_5 : Version is the second album by New York-based English producer Mark Ronson. It is an album of cover versions with a retro-inspired sound, which Mark Ronson describes as "Motown/Stax". "Version" was released on 14 June 2007 in the iTunes Store, and it entered the UK Album Chart at number two on 22 June 2007. Context_6 : "Ooh Wee" is a song by Mark Ronson featuring Ghostface Killah, Nate Dogg, Trife and Saigon. It was released as the lead single from Ronson's debut studio album, "Here Comes the Fuzz", on 20 October 2003. It charted at number 15 on the UK Singles Chart, and caused Ronson to return to the UK after many years of living in the United States. Context_7 : "Bang Bang Bang" is a song from "Record Collection", the third studio album by Mark Ronson, released under the moniker Mark Ronson & The Business Intl. The song features rapper Q-Tip and singer Amanda Warner of MNDR. It was released as the album's lead single on 9 July 2010 in the United Kingdom. Context_8 : Mark Daniel Ronson (born 4 September 1975) is an English musician, DJ, singer, songwriter and record producer. Although his debut album "Here Comes the Fuzz" failed to make an impact on the charts, his second album "Version" reached number two in the UK and included three top 10 singles. This earned him a Brit Award for Best British Male Solo Artist in 2008. His third studio album, "Record Collection", was released on 27 September 2010, peaking at number two in the UK. Context_9 : Here Comes the Fuzz is the debut studio album by British producer Mark Ronson. The album was released on 8 September 2003, led by the lead single, "Ooh Wee". Unlike Ronson's later releases, his debut album focuses more on the genre of hip-hop, with guest appearances from a number of famous rappers and hip-hop alumni, including Ghostface Killah, M.O.P., Nate Dogg, Saigon and Sean Paul. The album also features appearances from singers Rivers Cuomo and Daniel Merriweather, whose commercial breakthrough came with this album. Context_10 : Record Collection is the third studio album by music producer Mark Ronson. The album was released under the moniker Mark Ronson & The Business Intl. and was released on 27 September 2010 in the UK and on 28 September 2010 in the US. fact_1 : Version is the second album by New York-based English producer Mark Ronson. fact_2 : Mark Daniel Ronson (born 4 September 1975) is an English musician, DJ, singer, songwriter and record producer. Answer: producer
A:

Show your work and conclude with the exact phrasing "Therefore, the final answer is [answer]." where [answer] is just the final number or expression that solves the problem.
user
What profession does Version and Mark Ronson have in common?