Part 1. Definition
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Answer: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Part 3. Exercise
Context_1 : Lucjan Żeligowski (] ; 1865–1947) was a Polish general, politician, military commander and veteran of World War I, the Polish-Soviet War and World War II. He is mostly remembered for his role in Żeligowski's Mutiny and as head of a short-lived Republic of Central Lithuania. Context_2 : Ashmyany (Belarusian: Ашмя́ны ; Łacinka: "Ašmiany"; Russian: Ошмя́ны ; Lithuanian: "Ašmena" ; Polish: "Oszmiana" ; Yiddish: אָשמענע, "Oshmene"‎ ) is a town in Grodno Region, Belarus, located at 50 km from Vilnius, capital of the Ashmyany raion. It lies in the basin of the Ashmyanka River. It is also known as "Aschemynne" in the chronicles of the Teutonic Knights. It was the birthplace of Lucjan Żeligowski, a renowned Polish general and military commander. Context_3 : Żeligowski's Mutiny (Polish: "bunt Żeligowskiego" also "żeligiada", Lithuanian: "Želigovskio maištas" ) was a Polish military operation led by General Lucjan Żeligowski in October 1920, which resulted in the creation of the Republic of Central Lithuania. Polish Chief of State Józef Piłsudski had surreptitiously ordered Żeligowski to carry out the operation, and revealed the truth several years later. The area was formally annexed by Poland in 1922 and internationally recognized as Polish territory in 1923. Nevertheless, Lithuania, continued to claim the Vilnius region. Context_4 : The name Kościuszko's Squadron or Kościuszko's Escadrille, taken from the Polish-Lithuanian hero Tadeusz Kościuszko, has been borne by several units of the Polish Air Force throughout its history. Each used the insignia designed by Eliott Chess, an American pilot serving with the Polish Army during the Polish-Soviet War. One of the most famous pilots was Merian C. Cooper, producer of the 1933 movie King Kong, who was decorated for valor by Polish commander-in-chief Józef Piłsudski with the highest Polish military decoration, the Virtuti Militari. During WW II the Kościuszko Squadron was formed by refugee Polish pilots who joined the RAF and played an essential role in helping save England during the Battle of Britain and of their betrayal by the United States and England at the end of World War II. Context_5 : Vladislav Vikentyevich Korchits (Polish: "Władysław Korczyc" ) (1893 near Slonim -1966) was a Soviet and Polish general. He supported the Bolshevik side during the Russian Revolution, joining the Red Army. He participated in the Polish-Soviet War. In the interwar period he graduated from the Mikhail Frunze Military Academy. He was imprisoned and tortured during the Great Purge, survived it and was reinstated afterward. He took part in World War II. From 1944 he was attached to the Polish Armed Forces in the East. After the war he remained in the People's Republic of Poland. He served in the Polish People's Army as the chef of Polish General Staff from 1 January 1945 to 18 January 1954. While in Poland, he joined the Polish Workers' Party, was the Deputy Minister of National Defense (1949/1950-?), and the deputy to the Polish parliament (Sejm) for the term 1952-1956. In 1954 he retired and returned to the Soviet Union. He died in Moscow. Context_6 : Stanisław Wycech (June 27, 1902, Sadoleś – January 12, 2008) was, at age 105, the last Polish veteran of the First World War. At the time of his death, he was, at age 105, the youngest living veteran of the war. Wycech was underage when he enlisted in the Polish Military Organisation in 1917 aged only 15 and participated in the disarming of German troops on November 10, 1918. He did not participate in the Greater Poland Uprising due to contracting typhoid, but was also a veteran of the Polish-Soviet War. He resided in Warsaw until his death at age 105. Context_7 : The Suwałki Agreement, Treaty of Suvalkai, or Suwalki Treaty (Polish: "Umowa suwalska" , Lithuanian: "Suvalkų sutartis" ) was an agreement signed in the town of Suwałki between Poland and Lithuania on October 7, 1920. It was registered in the "League of Nations Treaty Series" on January 19, 1922. Both countries had re-established their independence in the aftermath of World War I and did not have well-defined borders. They waged the Polish–Lithuanian War over territorial disputes in the Suwałki and Vilnius Regions. At the end of September 1920, Polish forces defeated the Soviets at the Battle of the Niemen River, thus militarily securing the Suwałki Region and opening the possibility of an assault on the city of Vilnius (Wilno). Polish Chief of State, Józef Piłsudski, had planned to take over the city since mid-September in a false flag operation known as Żeligowski's Mutiny. Context_8 : Polish Armed Forces in the East around World War I is a term used for several Polish military formations formed in Russia and operating in the period of 1914–1920 (First World War, Russian Revolution of 1917, and the early stages of the Polish-Ukrainian War and Polish-Soviet War. Early formations were part of the Imperial Russian Army. Later, during the Russian Revolution, the Polish formations were mainly allied to the White Russian forces and the Western powers (both the German Empire and the Entente). All the formations (or their remains) were eventually incorporated into the Polish Army by 1920. Context_9 : Jan Romer (1869 in Lwów – 1934 in Warsaw) was a Polish general and military commander. Studied in Mödling and joined the Austro-Hungarian Army. During the First World War fought at the battle of Limanowa (1914) and battle of Gorlice (1914), was wounded twice. Later he joined the newly recreated Polish Army. During Polish-Ukrainian War he fought in the liberation of Lwów. In Polish-Soviet War, commanded the Cavalry Division at the Battle of Koziatyn (April 25-April 27, 1920), one of the most spectacular raids of the Polish cavalry, during the Polish advance towards Kiev. His troops fought against the Soviet cavalry elite "Konarmia" of Semyon Budyonny. He commanded the Polish 13th Infantry Division during the Battle of Komarów (August 31, 1920). Respected by Józef Piłsudski, he was among the first group military personas who confirmed the decoration of Virtuti Militari, highest Polish military decoration, restored after the recreation of the Second Polish Republic, and he himself received the Commander's Cross of that award. Held position of Inspector of the Army after the war. Buried in Powązki Cemetery in Warsaw. Context_10 : The Polish 4th Rifle Division (Polish: "4. Dywizja Strzelców Polskich" ) was a Polish military unit, forming, together with the Polish 5th Rifle Division of the Blue Army, the only part of the Polish military which took part in the Russian Civil War. Under the command of General Lucjan Żeligowski, it operated as an ally of the White movement from autumn 1918 to August 1919 in southern Russia and Bessarabia. fact_1 :  He is mostly remembered for his role in Żeligowski's Mutiny and as head of a short-lived Republic of Central Lithuania. fact_2 : Żeligowski's Mutiny (Polish: "bunt Żeligowskiego" also "żeligiada", Lithuanian: "Želigovskio maištas" ) was a Polish military operation led by General Lucjan Żeligowski in October 1920, which resulted in the creation of the Republic of Central Lithuania. Answer: Republic of Central Lithuania
Answer:

Show your work and conclude with the exact phrasing "Therefore, the final answer is [answer]." where [answer] is just the final number or expression that solves the problem.
user
Lucjan Żeligowski, was a Polish general, politician, military commander and veteran of World War I, the PolishSoviet War and World War II, hes mostly remembered for his role in Żeligowskis Mutiny, a Polish military operation led by General Lucjan Żeligowski in October 1920, which resulted in the creation of which titled puppet state?