 The Verge is partnering with the inaugural Panorama Music Festival this year in New York City. And we're going to be hosting The Lab, an incredible interactive art space that's running all weekend long. We spoke to Gabriel Pelesio, an artist with work featured in the space. His piece is called Infinite Wall. My name is Gabriel Pelesio. I'm a digital light artist based in Brooklyn, New York. It's been a very interesting path for me into art because I started studying art and then I moved to motion graphics and 3D design. For Panorama, we're building an immersive installation made out of Infinity mirrors and see-through mirrors. And it's a panel that's an interactive installation so when the public comes, it will be triggering ripples of light through the installation from the floor, crawling up one of the walls. The feeling is like more that you're floating in space and you're like repeated infinite times. I've been doing research and developing on this for several months but the build for this is going to be more or less six weeks. Everything is built here, mostly these laser cut panels rigged with LEDs and extruded aluminum frame that holds the whole structure. There's three Kinect sensors in the ceiling that pretty much are tracking the position of each one of the people inside. And then this is sent to Touch Designer which is taking that data, triggering the movies and the several animations that will be mapped into the LEDs. I think there is two sides of it and one is all the back end of the installations that I'm doing is digital. But the end result is like an analog result which is light bouncing inside of a mirror and creating these graphics. I think interaction is key because somehow the spectator, the public will immediately connect to the piece. The fact that it's interactive means that it lives in this sort of fourth dimension of time. It's all about how technology distracts us from our day to day and our second to second and how we don't live in the present. And this piece of technology, what it's doing is creating ripples of light out of your position. So it's like technology telling you again where you are and that you are here right now.
 The Verge is partnering with the inaugural Panorama Music Festival this year in New York City.
 And we're going to be hosting The Lab, an incredible interactive art space that's running all weekend long.
 We spoke to Gabriel Pelesio, an artist with work featured in the space.
 His piece is called Infinite Wall.
 My name is Gabriel Pelesio. I'm a digital light artist based in Brooklyn, New York.
 It's been a very interesting path for me into art because I started studying art and then I moved to motion graphics and 3D design.
 For Panorama, we're building an immersive installation made out of Infinity mirrors and see-through mirrors.
 And it's a panel that's an interactive installation so when the public comes, it will be triggering ripples of light through the installation from the floor, crawling up one of the walls.
 The feeling is like more that you're floating in space and you're like repeated infinite times.
 I've been doing research and developing on this for several months but the build for this is going to be more or less six weeks.
 Everything is built here, mostly these laser cut panels rigged with LEDs and extruded aluminum frame that holds the whole structure.
 There's three Kinect sensors in the ceiling that pretty much are tracking the position of each one of the people inside.
 And then this is sent to Touch Designer which is taking that data, triggering the movies and the several animations that will be mapped into the LEDs.
 I think there is two sides of it and one is all the back end of the installations that I'm doing is digital.
 But the end result is like an analog result which is light bouncing inside of a mirror and creating these graphics.
 I think interaction is key because somehow the spectator, the public will immediately connect to the piece.
 The fact that it's interactive means that it lives in this sort of fourth dimension of time.
 It's all about how technology distracts us from our day to day and our second to second and how we don't live in the present.
 And this piece of technology, what it's doing is creating ripples of light out of your position.
 So it's like technology telling you again where you are and that you are here right now.