the spirit of the times
AFFILIATION: Pittsburgh Filmmakers is a 501(c)(3) non-profit arts organization.
SPECIAL SKILLS: the Regent Square Theater’s Sunday Night Classics series (a great way to conclude the weekend), Film Kitchen at Melwood (a monthly program of locally made films and videos, now in it’s 13th year) and hi-end 16mm projection (yes, it still exists).
DCP ? : Currently installed at the Regent Square, planning Harris and Melwood conversions down the line when funds become available.
FIRST ZEITGEIST MOVIE: Tony Buba’s Lightning Over Braddock: A Rustbowl Fantasy in 1988
PRICE OF A SMALL POPCORN: $3.00
When Pittsburgh Filmmakers was founded in 1971, its primary mission was to serve non-commercial filmmakers and photographers in the Pittsburgh area by providing low-cost access to the expensive tools of their art forms. More than 40 years later, their mission continues with the addition of extensive education, membership and exhibition programs.
Pittsburgh Filmmakers operates three single screen theaters in the Pittsburgh area that feature American independents, documentaries, and first-run foreign films, as well as an ongoing weekly series of popular classics. All three theaters are equipped to project Super-8, 16mm, reel-to-reel 35mm, and certain digital formats. Pittsburgh Filmmakers also produces, hosts and programs the Three Rivers Film Festival, held annually in early November.
The Melwood Screening Room was built in 1995 as part of extensive renovations that converted an urban warehouse into attractive headquarters for Filmmakers’ administrative and equipment access offices, classrooms, and sound stage. Located on the second floor, the Screening Room shares a lobby with Filmmakers’ Galleries.
The Harris Theater opened as Avenue Cinema in 1931 and featured “continental pictures.” In 1935 it changed to the Art Cinema, a name it kept for more than 50 years. By the 1960s the Art Cinema was part of the city’s red-light district and became an adult movie theater. It was renovated in the early 90s as part of a strategic cultural renaissance; The Harris has been programmed and operated by Pittsburgh Filmmakers since 1995. It is the only movie theater in downtown Pittsburgh.
The Regent Square is one of the last remaining single-screen neighborhood theaters in the region and is surrounded by funky shops, restaurants, cafes, bars, and art galleries. Built in 1938, old-timers fondly remember going to see the Marx Brothers, Bogart & Bacall and John Ford Westerns at the original theater – a tradition that continues with the Sunday night classic film series.
We’ve had the privilege of bringing our films to Pittsburgh with Pittsburgh Filmmakers since the very beginning of Zeitgeist, and we’re thrilled to present our Russian noir Elena at the Regent Square Theater today… click here for tickets!
(special thanks to Gary Kaboly of PGH Filmmakers)
I hate to brag (false) but we’ve had a very exciting 24 hours at Zeitgeist.
First, Paul Goodman Changed My Life opened at the Film Forum last night to a sold out crowd (and fabulous reviews) at the 6:30 show, which was followed by a great Q and A with director Jonathan Lee and producer/editor Kimberly Reed (there’s another Q and A tonight after the 8:30 show, if you can make it!).
Just as the Q and A was starting, we got the word that Elena had won the Grand Prix for Best Film at the Ghent Film Festival! I had a glass of champagne for each joyous event at the after party (it’s not that many, mom! Yes, I know it’s a Wednesday).
Congrats to all our filmmakers! Stay tuned for tomorrow’s Fun Friday, where I very much hope to somehow incorporate Ellen Barkin’s Twitter.
Speaking of Divan, our home media producer Shannon found this straight-up awesome polaroid of her and home media sales director, Ian, taken by Pearl Gluck on the title character sofa.
Apparently, Pearl photographs everyone who sits on the divan for her own scrapbook, and gives a copy to the lucky sitter, too. New goal for the new year?
We opened up today’s Variety and found two of our favorite filmmakers staring back at us!
Both Todd Haynes (writer/director of Poison) and Olivier Assayas (writer/director of Irma Vep) are nominated an Emmy for Outstanding Direction of a Miniseries or Movie— Todd for HBO’s Mildred Pierce, and Olivier for the Canal+ production Carlos.
Congratulations to our Outstanding filmmakers!
We’d love to give you $500.
And a year’s subscription to a great magazine. And a DVD. We’re just a giving group like that.
Here’s the deal: we’ve partnered with Film Matters to sponsor this year’s Frame Analysis Contest, featuring a gorgeous still from our 2010 release Vision: From the Life of Hildegard von Bingen. If you haven’t seen it, you should, and enjoy the incredible cinematography, direction by Margarethe von Trotta, and magnificent performance by star Barbara Sukowa.
But enough about that. You’re still thinking about the $500, right?
Submit your frame analysis of the still above to be considered to have your essay published in Film Matters in addition to the great prize package they’ve put together. Check out this link for all the details, and good luck!