Aaron Einbond’s work explores the intersection of composition, computer music, music perception, field recording, and sound installation. He was born in New York in 1978 and has studied at Harvard, the University of Cambridge, the University of California Berkeley, and IRCAM in Paris with teachers including Mario Davidovsky, Julian Anderson, Edmund Campion, and Philippe Leroux. From 2009–2011, he was Mellon Postdoctoral Fellow in Music at Columbia University and he is currently Research Fellow at the Centre for Research in New Music at the University of Huddersfield. Upcoming projects include a 2013 Guggenheim Fellowship and a Giga-Hertz Prize from ZKM to produce a new work at the SWR Experimentalstudio in Freiburg.
TopicsAcht Brücken amplified Anubis bass clarinet bass flute Berkeley Break CeReNeM CIRMMT CMC CNMAT Columbia Dal Niente Das Neue Ensemble Eco electric violin electronics ensemble Exapno field recording fMRI Freiburger Barockorchester Guggenheim guitar Huddersfield ICMC improvisation IRCAM Issue Project Room Le Balcon Le Cabinet des Signes MATA Mosaik MOTH music Music 21 Niedersachsen New Yorker New York Times Noise Occupation Paetzold Paläontologie Passagework percussion performances piano podcasts Post-Paleontology press PRIME quartet Qubit recherche recorder ensemble Resistance saxophone Schloss Solitude Silent Screen SNIM solo Sonic Postcards Starting Over SurPlus SWR Temper Uncategorized video viola voice Weimar What the Blind See Without Words Yarn/Wire ZKM