Habibi, a story of forbidden love, is the first fiction feature set in Gaza in over 15 years. Two students in the West Bank are forced to return home to Gaza, where their love defies tradition. To reach his lover, Qays grafittis poetry across town. Habibi is a modern re-telling of the famous ancient Sufi parable Majnun Layla. The full Arabic title is Habibi Rasak Kharban, which translates as “darling, something’s wrong with your head.”
Susan Youssef, the writer and director, has been named one of “25 New Faces” to watch for by Filmmaker magazine. Habibi is her first feature film. Her five shorts have screened at venues such as Sundance Film Festival and Museum of Modern Art (NY), and have been acquired for distribution by Video Data Bank, Third World Newsreel, and Canadian Filmmakers Distribution Centre. For information on her past films, click here.
Habibi won the Grand Prize in the Emerging Narrative program at IFP’s Independent Film Week and is supported by Cinereach, Austin Film Society, Princess Grace Foundation – USA, Fonds BKVB, Rooftop Films, Institute of International Education, Jerome Foundation, New York State Council on the Arts, Funding Exchange, A.M. Qattan Foundation, Idioms Film, Panasonic, fiscal sponsor Women Make Movies, Richard Linklater, and many other generous donors. —habibithefilm.com
At the IFP Narrative Lab, a mentor said of Susan Youssef’s first feature, Habibi Rasak Kharban (literally, “Darling, Something’s Wrong with Your Head”): “It’s a classic story, like Romeo and Juliet.” True, but the roots of Youssef’s story go back far further. The film is an adaptation of the 12th-century Sufi parable Majnun Layla, which was itself based on a 7th-century Arabic story. Over the years, the tragic tale of undying love between a woman and the wandering poet her family forbids her to marry has formed the basis for countless works of art, from Shakespeare’s classic to several Indian films of the 1920s to even pop songs like Eric Clapton’s “Layla.”
Youssef is currently in post on her feature, and it’s been a long road. “I’ve been working on the film for eight years, continuously,” she says. “I’ve never fought for something so hard before — I’ve defined my whole existence around this film.” The feature began in 2002 when Youssef traveled to Gaza while in post on a short… read more
Heavy-handed with clunky, preachy writing and unbelievable characters. The character of Layla was fairly fully realized but Qays was not. Difficult to get invested in their love when we see no reason to root for them. On top of it the acting was pretty stiff. I really wanted to see a story where the Israeli-Palestine conflict served as a backdrop to inform tone. Instead it took over the narrative and overshadowed it.