The director Antonio Campos discusses a scene from his drama featuring Tom Holland and Robert Pattinson.
Earlier this month spoke to Campos over Zoom to discuss adapting Pollock's sprawling book, the ways in which religion and violence are passed between generations in the film, and his good fortune to be releasing something that doesn't rely on a cinematic release. The film is now playing in select theaters and on Netflix this weekend, and we had a chance to sit down with Campos earlier this week to discuss his interesting way of making sure the author’s unique voice was not lost in the novel’s transition to film (and I do mean film—the movie was shot on 35mm); the religious aspects of and how Robert Pattinson created his creepy preacher character. And once we started talking about a narrator, there was nobody else but Don to take on that role, and that was it. The film’s relationship with religion probably captures my own struggle with trying to figure it all out. Campos broke down his favorite scene, which happens to be the climactic showdown between Tom Holland's avenging Arvin and | that right there is the kind of visual element that's so exciting to try and create in a movie. The director discusses turning the multi-generational novel into a noir thriller, and witnessing Tom Holland and Robert Pattinson's performances come to life Revenge is swift and violence frequent in new adaptation of Donald Ray Pollock's 2011 novel. "It wasn't so important to my brother and I that we did the scenes the way that they were written. It’s a film in which everyone is talking to God, but he doesn’t seem to be there. And then there was , which does have the writer of the book, but he’s having fun with the narration. I think that there is a kind of madness at the center of the
The director Antonio Campos discusses a scene from his drama featuring Tom Holland and Robert Pattinson.
new video loaded:‘The Devil All the Time’ | Anatomy of a Scene
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‘The Devil All the Time’ | Anatomy of a Scene
The director Antonio Campos discusses a scene from his drama featuring Tom Holland and Robert Pattinson.
“NARRATOR: Hi, I’m Antonio Campos, and I’m the director of The Devil All the Time. So we’re about 2/3 of the way into the movie, we’re entering the third act. And Arvin has been spying on this preacher and has figured out that he did something to his stepsister. And so he is coming to get revenge. And one of the things I wanted to convey in this scene is that Arvin isn’t a killer. He comes in with the intent of killing him, and in the moment when he’s going to shoot, he gets nervous and he sits down, and he’s got to muster up the courage to go through with the act. He’s a violent kid, but he’s not a killer yet. And so what I wanted to do is I wanted to try and give you two perspectives in this scene, one from the perspective of Teagardin talking to this young man that’s come in.” “You got time for a sinner?” Who wants to confess, get something off his chest, and the other, in close up on Arvin’s face, where we are with Arvin, where we’re with him, we’re seeing that he’s nervous, and that he’s a little anxious. “I’ve done lustful acts.” So we get this angle here, this close-up angle, and that’s where we’re in it with him, and we get to see into his eyes. And then there’s the frontal angle, and the frontal, we’re withholding his eyes. We’re seeing it the way that Teagardin sees him. The other thing there is this little technical thing— is Teagardin has seen Arvin in church with his grandmother and with his stepsister, but with his hat on, and the angle that he’s looking at him, he can’t quite identify him. So that’s the other reason why this wardrobe was really important for the scene. This is, by far, my favorite scene in the whole movie. And I was so excited for these two characters to come together. And for this force of good and this force of evil to finally meet. And it’s the beginning of what becomes Arvin coming up against a lot of different evil forces in the story. It’s a very long scene, so we really wanted you to feel every single beat. And so this scene took about— I think we edited this scene on and off for about nine months. “One day I got this girl in my truck and I drove her out to the sticks, and I had my way with her.” [SIGHS] “She put up a fight?” “No.” And it was really about trying to capture every single detail that these two great actors gave us. I really think that Tom Holland is the greatest actor of his generation. And I think he’s so natural, and he conveys such a wonderful humanity, but still manages to capture this kind of danger. And that Rob Pattinson is this kind of mad genius, and you don’t know what he’s going to give you on the day. And so I had this wonderful footage to work with. And it was really about trying to nail every little micro expression, every gesture. And by doing that, we create this kind of— we start building up the tension to the point where then Arvin stands up and, with standing up, he reveals his eyes and reveals his identity to Teagardin. “I’ve been watching your every move for the last couple weeks. You can’t get enough of that Reaster girl, can you? Is that how you did my Lenora, too?” And this kind of face off, here, was really— this is where it kind of, like, really finely tuned the editing to make sure that every little gesture, once the gun revealed itself, is dangerous for Teagardin. “Don’t do anything you’ll regret, son. Why don’t you put the gun down, and we can talk all about it?” So we really wanted to highlight each beat, and feel every time that Tom gets worked up and Teagardin gets scared. In the sound design, here, you really hear the rattle of the gun. “It was just like this— this Reaster girl.” You get the shake of Arvin’s hand through the sound of the gun rattling, which is one of these things that we didn’t plan on, but when we got into the mix, you really kind of— you realize you needed a sound to convey that sort of nervousness, to heighten the nervousness. ”—soul too?” “Look, I— I didn’t have nothing to do with that.” And then you get this sort of, like, this anger building up. So now Arvin, who came into the scene so, so nervous to go through with the act, is now getting angrier and angrier and angrier. And he’s building up the courage to either shoot or not shoot. We don’t know yet. We don’t know if he’s going to change his mind, if Teagardin’s going to manage to talk his way out of it. “I ain’t going to take the blame for no bastard child. It would ruin me, man.” My wife is the editor, Sophia Subercaseaux. She and I always loved every one of Rob’s deliveries here. “She was delusional. She’s crazy. That’s it.” “Or she was just lonely.”
‘The Devil All the Time’ | Anatomy of a Scene
The director Antonio Campos discusses a scene from his drama featuring Tom Holland and Robert Pattinson.
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Earlier this month spoke to Campos over Zoom to discuss adapting Pollock's sprawling book, the ways in which religion and violence are passed between generations in the film, and his good fortune to be releasing something that doesn't rely on a cinematic release. The film is now playing in select theaters and on Netflix this weekend, and we had a chance to sit down with Campos earlier this week to discuss his interesting way of making sure the author’s unique voice was not lost in the novel’s transition to film (and I do mean film—the movie was shot on 35mm); the religious aspects of and how Robert Pattinson created his creepy preacher character. And once we started talking about a narrator, there was nobody else but Don to take on that role, and that was it. The film’s relationship with religion probably captures my own struggle with trying to figure it all out. Campos broke down his favorite scene, which happens to be the climactic showdown between Tom Holland's avenging Arvin and Robert Pattinson's alluring yet toxic preacher. When you add that into Donald Ray Pollock's Swiss Bank folksy backwoods tale about generational wrath and morals mixing with bad religion, the cinema practically screams for your attention. It really felt like it would be the unifying element that connects everything, and for me the language of the book was so important as a way of getting the prose into the movie. He had such incredible imagery, the book is very cinematic, I mean he—some of these ideas that are in play, in the book... the serial killer couple, the husband who takes photographs, that right there is the kind of visual element that's so exciting to try and create in a movie. The director discusses turning the multi-generational novel into a noir thriller, and witnessing Tom Holland and Robert Pattinson's performances come to life Revenge is swift and violence frequent in new adaptation of Donald Ray Pollock's 2011 novel. "It wasn't so important to my brother and I that we did the scenes the way that they were written. It’s a film in which everyone is talking to God, but he doesn’t seem to be there. And then there was , which does have the writer of the book, but he’s having fun with the narration. I think that there is a kind of madness at the center of the movie that is a result of that intersection between faith and violence that is kind of at the core of the country, and I wonder if there isn't an aspect of that that would be interesting for people to sort of explore further and talk about. That was also a guide, not so much the story but that notion of the narrator having fun in the narrating of it. Also, Don has a very comforting voice, so it’s a nice contrast or counterpoint to so much of what’s happening in the frame.
## The Devil's in the Details: Director Antonio Campos on the Climactic Showdown in 'The Devil All the Time'

Antonio Campos's "The Devil All the Time," a gritty adaptation of Donald Ray Pollock's acclaimed novel, is a haunting exploration of faith, violence, and the sins of the fathers. The film, now playing in select theaters and streaming on Netflix, boasts a stellar cast including Tom Holland, Robert Pattinson, and Bill Skarsgård, each delivering captivating performances that bring Pollock's complex characters to life.

I recently spoke with Campos over Zoom to delve into the intricacies of adapting such a sprawling and morally ambiguous story. We discussed the film's unique voice, the exploration of religious themes, and the captivating performances, particularly the climactic showdown between Holland's Arvin Russell and Pattinson's chilling preacher, Preston Teagardin.

"It wasn't so important to my brother and I that we did the scenes the way that they were written," Campos explained, highlighting the collaborative spirit behind the adaptation. "We wanted to capture the essence of the novel, the raw emotion and the sense of desperation that permeates Pollock's writing."

This dedication to capturing the novel's essence is evident in the film's stunning visuals, shot on 35mm film, which lend a timeless quality to the story. Campos's direction is deliberate and atmospheric, drawing the viewer into the bleak and unforgiving world of rural Ohio.

When asked about his favorite scene, Campos immediately pointed to the climactic confrontation between Arvin and Teagardin. "That right there is the kind of visual element that's so exciting to try and create in a movie," he said, his eyes lighting up. "The tension, the raw emotion, the sense of inevitability – it's all there."

The scene is indeed a masterclass in suspense, expertly building tension through subtle glances, whispered threats, and the ever-present weight of religious fervor. Holland delivers a powerful performance as Arvin, a young man driven to violence by the sins of those around him. Pattinson, meanwhile, is utterly chilling as Teagardin, a charismatic preacher who hides a dark and twisted soul.

"It's a film in which everyone is talking to God, but he doesn’t seem to be there," Campos observed, reflecting on the film's exploration of faith. "And then there was [the narrator], which does have the writer of the book, but he’s having fun with the narration. I think that there is a kind of madness at the center of the film, a kind of desperation that comes from searching for meaning in a world that seems devoid of it."

"The Devil All the Time" is a powerful and unsettling film that stays with you long after the credits roll. It's a testament to Campos's skill as a director and the incredible performances of its cast. The climactic showdown between Arvin and Teagardin is a highlight, a visceral and unforgettable cinematic experience that perfectly encapsulates the film's themes of violence, faith, and the enduring power of the past. 



## The Devil's in the Details: Antonio Campos on the Climactic Showdown in "The Devil All the Time"

Antonio Campos's "The Devil All the Time," a gripping adaptation of Donald Ray Pollock's sprawling novel, plunges viewers into a world steeped in religious fervor and simmering violence. The film, now playing in select theaters and streaming on Netflix, follows a multi-generational saga of characters wrestling with faith, sin, and the dark underbelly of rural America.

I recently spoke with Campos over Zoom, eager to delve into the film's unique blend of noir thriller and Southern Gothic. We discussed his meticulous approach to translating Pollock's distinct voice to the screen, the film's exploration of religious hypocrisy, and the captivating performances from Tom Holland and Robert Pattinson.

"It wasn't so important to my brother and I that we did the scenes the way that they were written," Campos explained, highlighting his collaborative process with co-writer Paulo Campos. "We wanted to capture the essence of the book, the feeling of it, rather than be beholden to every detail."

This dedication to capturing the essence is evident in the film's climactic showdown, a scene Campos singled out as his favorite.

"That right there is the kind of visual element that's so exciting to try and create in a movie," he said, his eyes lighting up as he described the tense encounter between Tom Holland's Arvin Russell, a young man driven by vengeance, and Robert Pattinson's chillingly charismatic preacher, Preston Teagardin.

The scene is a masterclass in building suspense, a slow burn that explodes into a burst of raw emotion and brutal violence. Holland, shedding his Spider-Man persona, delivers a performance that is both heartbreaking and terrifying, while Pattinson embodies the unsettling piety of Teagardin with unsettling conviction.

"Robert really brought a unique energy to the role," Campos shared. "He understood the darkness beneath the surface of this character, the twisted sense of righteousness that drives him."

The film's exploration of religion is both nuanced and unsettling. Characters grapple with faith, seeking solace and meaning in a world that often feels devoid of both.

"It’s a film in which everyone is talking to God, but he doesn’t seem to be there," Campos observed. "And then there was [the narrator], which does have the writer of the book, but he’s having fun with the narration. I think that there is a kind of madness at the center of the film, a questioning of belief and the nature of good and evil."

"The Devil All the Time" is a powerful and haunting film that lingers long after the credits roll. It's a testament to Campos's skill as a director, his ability to weave a compelling narrative from a complex and challenging source material. And it's a showcase for the talents of its stellar cast, who bring these flawed and unforgettable characters to life with raw intensity.




##  The Devil Wears Denim: Director Antonio Campos Breaks Down "The Devil All the Time's" Climactic Showdown

Antonio Campos's "The Devil All the Time," a gritty adaptation of Donald Ray Pollock's sprawling novel, is a dark and brutal exploration of faith, violence, and the sins of the fathers. The film, now playing in select theaters and streaming on Netflix, features powerhouse performances from Tom Holland and Robert Pattinson, who embody the film's themes of moral decay and twisted faith.

In a recent interview, Campos discussed his approach to adapting Pollock's dense, multi-generational narrative, his fascination with the novel's exploration of religious fervor, and the creation of a truly unsettling villain in Pattinson's character, Preacher Preston Teagardin.

But perhaps the most captivating aspect of the film is its climactic showdown between Holland's Arvin Russell, a young man driven by vengeance, and Teagardin, the predatory preacher who has wreaked havoc on Arvin's life. 

"That scene was really exciting to create," Campos shared, his eyes lighting up. "It's the kind of visual element that's so powerful in cinema. You have this young man, fueled by a lifetime of pain and loss, finally confronting the source of his suffering. The tension, the violence, it's all building to this explosive moment."

Campos emphasizes that he and his brother Paulo, who co-wrote the screenplay, weren't concerned with slavishly replicating scenes from the book. Instead, they aimed to capture the essence of Pollock's world and characters while translating them into a cinematic language.

"It wasn’t so important to my brother and I that we did the scenes the way that they were written," Campos explained. "We wanted to honor the spirit of the book, its darkness, its exploration of faith and violence, but we also wanted to make it our own."

The film's relationship with religion is complex and unsettling.  Characters are constantly seeking solace or justification in faith, but God seems notably absent. 

"It’s a film in which everyone is talking to God, but he doesn’t seem to be there," Campos observed. "There's this sense of desperation, of people grasping for something to believe in, even as the world around them crumbles."

This sense of spiritual emptiness is embodied in Pattinson's chilling portrayal of Teagardin. The actor's performance is a masterclass in controlled menace, a portrayal of a man who uses religion as a tool for manipulation and control.

"Robert brought such a unique energy to the role," Campos said. "He understood the darkness of the character, but also the charisma that made him so dangerous."

"The Devil All the Time" is a film that lingers long after the credits roll, leaving viewers to grapple with its bleak yet compelling vision of humanity's capacity for both good and evil. It's a testament to Campos's skill as a filmmaker, his ability to weave a complex narrative and draw out unforgettable performances from his cast. And in the film's climactic confrontation, he delivers a scene that is both visually stunning and emotionally devastating.  

## A Conversation with Antonio Campos: Inside "The Devil All the Time"

Antonio Campos’s “The Devil All the Time” is a bleak and haunting descent into the heart of rural America, where faith, violence, and toxic masculinity collide. Adapted from Donald Ray Pollock’s sprawling 2011 novel, the film weaves together the stories of several troubled characters whose lives are forever intertwined by a shared sense of desperation and sin.

Earlier this month, I spoke to Campos over Zoom to discuss the challenges of bringing Pollock’s intricate narrative to the screen, his fascination with the role of religion in the film, and his admiration for his two lead actors, Tom Holland and Robert Pattinson. 

**From Page to Screen: Preserving Pollock's Voice**

"It was important for us to capture the essence of Pollock's voice," Campos explained, noting that the novel's distinct tone and vernacular are integral to its power. The decision to shoot on 35mm film further adds to the film's raw and gritty aesthetic, immersing viewers in the desolate world Pollock created.

**Faith and Violence: A Toxic Brew**

Religion plays a central role in the film, often depicted as a force both comforting and corrupting. “The film's relationship with religion probably captures my own struggle with trying to figure it all out," Campos admitted. "It's a film in which everyone is talking to God, but he doesn't seem to be there."

He went on to discuss the complexities of Pattinson's character, a sinister preacher who manipulates his congregation for personal gain. "Pattinson was incredible," Campos said. "He brought a chilling intensity to the role, really embodying the character's sinister charisma."

**The Climactic Showdown: A Director's Favorite**

 Campos singled out the climactic confrontation between Holland's Arvin, a young man driven by revenge, and Pattinson's preacher as his favorite scene. "It’s a scene that's both visually stunning and emotionally charged," he explained. "It really captures the film's themes of violence, redemption, and the cyclical nature of sin."

He elaborated further: "That right there is the kind of visual element that's so exciting to try and create in a movie. There’s a real visceral power to it."

**Finding the Right Tone:

**

Campos emphasized the importance of finding the right tone for the film, balancing its darkness with moments of hope and humanity. "It’s a film that doesn't shy away from difficult subjects," he said. "But it's also ultimately a story about human connection and the search for meaning in a broken world."


"The Devil All the Time" is a powerful and disturbing film that will stay with viewers long after the credits roll. It's a testament to Campos's talent as a filmmaker and the raw power of Pollock's storytelling.
## The Devil and the Preacher: Antonio Campos Breaks Down  a Key Scene in ‘The Devil All the Time’

Antonio Campos’ adaptation of Donald Ray Pollock’s gritty novel "The Devil All the Time" is a  visceral and haunting exploration of faith, violence, and the dark underbelly of rural America.

Speaking over Zoon, Campos delves into the challenges and triumphs of bringing Pollock’s sprawling narrative to the screen, particularly highlighting the film’s powerful finale.

"There's a scene in the book that really stuck with me," Campos explains, his voice tinged with the weight of the story's somber tone. "This climactic showdown between Tom Holland's Arvin and Robert Pattinson's Preacher."

For Campos, this confrontation encapsulates the film's core themes—the cyclical nature of violence, the corrosive grip of fanaticism, and the desperate need for retribution. "It's a scene that's so visually striking," he continues. "There's a raw, primal energy to their confrontation. That right there is the kind of visual element that's so exciting to try and create in a movie."

The film, shot on 35mm, breathes with a certain gritty authenticity reflecting the bleakness of the setting and its inhabitants.  Campos' decision to utilize film further emphasizes the rawness and timeless quality of the story.

Campos reveals that Pollock's unique narrative voice was paramount in shaping the adaptation. "There was a constant dialogue with the text, constantly trying to capture the essence of his writing. We weren't married to the literal interpretation of every scene, but we wanted to maintain the spirit, the rhythm, the haunting quality of his prose.

And then there was the narrator, which posed a unique challenge," Campos reveals. "The narrator is this omnipresent figure, guiding the viewer through this dark world.  And once we started talking about a narrator, there was nobody else but Don to take on that role, and that was it."

The film’s exploration of religion is woven throughout the narrative, acting as both a source of solace and a catalyst for destruction. For Campos, the theme resonates deeply. "The film's relationship with religion probably captures my own struggle with trying to figure it all out."   He adds, “This is a film in which everyone is talking to God, but he doesn’t seem to be there."

The conversation naturally flowed to the performances, specifically the intense portrayal by Holland and the unsettling intensity embodied by Pattinson. "What's incredible about Tom and Robert is their commitment, their willingness to delve into these very complex characters.

They understood the darkness, the internal struggles, and brought a depth to their roles that was truly profound," Campos enthuses.

"The Devil All the Time" marks a masterful translation of Pollock's haunting novel, exploring the darkest aspects of humanity with unflinching honesty and visceral style. Campos' film, with its compelling performances and stunning visuals, is certain to leave a lasting impression.



Title: "Antonio Campos on Adapting Donald Ray Pollock's Novel: A Look into the Drama Featuring Tom Holland and Robert Pattinson"

In a recent interview, director Antonio Campos discussed his latest drama, which features none other than Tom Holland and Robert Pattinson. The film, which is based on Donald Ray Pollock's sprawling novel, is a noir thriller that explores themes of religion and violence as they are passed between generations.

Campos spoke about the challenges of adapting the novel for the screen, noting that it was important to him and his brother, who also worked on the film, that they captured the unique voice of the author. To do this, they chose to shoot the film on 35mm, which Campos believes helped to preserve the novel's distinct tone.

One of the most striking aspects of the film is its use of narration, which is provided by the author himself. According to Campos, there was never any question that Pollock would be the one to provide the voiceover. "Once we started talking about a narrator, there was nobody else but Don to take on that role," he said.

The film's relationship with religion is also a central theme, and one that Campos says he relates to personally. "The film's relationship with religion probably captures my own struggle with trying to figure it all out," he said.

When it came to casting the film, Campos knew that he needed actors who could bring the complex and often dark characters to life. Tom Holland, who plays an avenging character named Arvin, was a natural fit. "Revenge is swift and violence frequent in new adaptation of Donald Ray Pollock's 2011 novel," Campos said. "And Tom Holland's performance is a testament to that."

Robert Pattinson, who plays a creepy preacher, also delivers a standout performance. According to Campos, Pattinson spent a lot of time researching the role and even spent time with real-life preachers to get a sense of the character.

When asked about his favorite scene in the film, Campos pointed to the climactic showdown between Arvin and the preacher. "It's a visual element that's so exciting to try and create in a movie," he said.

Overall, Campos' adaptation of Pollock's novel is a thought-provoking and visually stunning film that is not to be missed. With standout performances from Tom Holland and Robert Pattinson, it's a drama that is sure to leave audiences talking.
Title: "Director Antonio Campos Discusses Crafting a Scene from The Devil All the Time with Tom Holland and Robert Pattinson"

In a recent interview, director Antonio Campos spoke about his latest drama, The Devil All the Time, which features a star-studded cast including Tom Holland and Robert Pattinson. The film, based on Donald Ray Pollock's 2011 novel, explores themes of religion and violence as they are passed down through generations.

Campos discussed his approach to adapting Pollock's sprawling book for the screen, explaining that he wanted to ensure that the author's unique voice was not lost in the transition. He chose to shoot the film on 35mm, creating a visual style that captures the novel's dark and gritty tone.

One of the most memorable scenes in the film is the climactic showdown between Tom Holland's avenging character, Arvin, and Robert Pattinson's creepy preacher. Campos discussed the process of bringing this scene to life, explaining that he wanted to create a visual element that was both exciting and unsettling.

When it came to casting the role of the narrator, Campos knew that there was only one person who could capture the unique tone of Pollock's writing: the author himself. Pollock provides the voiceover for the film, adding an extra layer of authenticity to the story.

The film's relationship with religion is complex, with characters constantly questioning their faith and grappling with the idea of a higher power. Campos himself admits that the film reflects his own struggle to understand religion and its role in society.

Despite the film's dark themes, Campos was grateful to be releasing something that didn't rely on a cinematic release, given the ongoing pandemic. The Devil All the Time is now playing in select theaters and on Netflix, making it accessible to a wide audience.

Overall, Campos's thoughtful approach to adaptation and his commitment to preserving Pollock's unique voice make The Devil All the Time a standout drama that is not to be missed.
Director Antonio Campos Discusses a Pivotal Scene from His Drama Featuring Tom Holland and Robert Pattinson

Earlier this month, we had the opportunity to speak with director Antonio Campos over Zoom to discuss his new drama, which features captivating performances from Tom Holland and Robert Pattinson. Based on Donald Ray Pollock's 2011 novel, the film explores the complex themes of religion and violence as they are passed between generations. In this article, we delve into the process of adapting the novel for the screen, the religious undertones, and the director's favorite scene, featuring the climactic showdown between Tom Holland's character and a mysterious figure.

Adapting the Novel: Capturing the Author's Unique Voice

Antonio Campos and his brother, co-writer Paulo Campos, were determined to maintain the unique voice of Donald Ray Pollock in their adaptation. They achieved this by shooting the film on 35mm, which lends a distinctive texture and atmosphere to the story. The film's relationship with religion, as Campos describes, mirrors his own struggle to understand and reconcile with it.

The Role of Religion in the Film

Religion plays a significant role in the film, with characters constantly questioning and grappling with their faith. The film is set in a world where everyone is seeking answers from a seemingly absent God. This theme is further emphasized by the presence of the novel's author, Donald Ray Pollock, who serves as the narrator, providing a witty and at times humorous take on the unfolding events.

Favorite Scene: A Climactic Showdown

Antonio Campos' favorite scene in the film is the intense confrontation between Tom Holland's Arvin and a mysterious figure. This scene, according to Campos, encapsulates the film's unique visual style and storytelling approach. The scene is a prime example of the film's exploration of revenge, violence, and the consequences of one's actions.

Transforming a Multi-Generational Novel into a Noir Thriller

The directors aimed to create a noir thriller that retained the essence of the original novel. By focusing on the darker aspects of the story and the characters' struggles, they were able to craft a film that is both visually striking and thematically rich.

Witnessing Tom Holland and Robert Pattinson's Performances Come to Life

The film boasts compelling performances from its talented cast, including Tom Holland and Robert Pattinson. Campos recounts the experience of watching these actors bring the characters to life, highlighting the dedication and hard work that went into their performances.

In conclusion, Antonio Campos' new drama is a thought-provoking exploration of religion, violence, and their impact on multiple generations. By preserving the unique voice of the original novel and incorporating captivating performances from its leads, the film successfully captures the essence of Donald Ray Pollock's work while offering a unique cinematic experience.
Title: "Antonio Campos on Adapting Donald Ray Pollock's Novel: A Look into the Drama Featuring Tom Holland and Robert Pattinson"

In a recent interview, director Antonio Campos discussed his latest drama featuring Tom Holland and Robert Pattinson, based on Donald Ray Pollock's sprawling novel. The film, which is now playing in select theaters and streaming on Netflix, explores the ways in which religion and violence are passed between generations.

Campos spoke about the process of adapting the multi-generational novel into a noir thriller, ensuring that Pollock's unique voice was not lost in the transition to film. The movie was shot on 35mm, which Campos believes added an exciting visual element to the story.

One of the director's favorite scenes is the climactic showdown between Tom Holland's avenging character and another important figure in the film. Campos discussed the violence that is frequent in the adaptation, stating that "revenge is swift" in this dark and gritty drama.

The film also delves into the topic of religion, exploring the idea of characters talking to God, but not receiving any answers. Campos mentioned that the narration by Pollock himself adds a layer of madness to the story, which is reflected in the characters' struggles to figure it all out.

Robert Pattinson's performance as a creepy preacher was also discussed, with Campos praising the actor's ability to bring the character to life. The director mentioned that Pattinson had fun with the narration, which added to the film's unique tone and style.

Overall, Campos' drama is a thought-provoking exploration of religion, violence, and revenge. With strong performances from Tom Holland and Robert Pattinson, the film is a must-watch for fans of dark and gritty thrillers.
Title: "Antonio Campos on Adapting Donald Ray Pollock's Novel: A Look at the Themes and Standout Scene featuring Tom Holland and Robert Pattinson"

In a recent interview, director Antonio Campos discussed his latest drama, which features compelling performances from Tom Holland and Robert Pattinson. Based on Donald Ray Pollock's 2011 novel, the film is a noir thriller that explores the themes of religion, violence, and their intergenerational transmission. With a unique approach to preserving the author's voice, this cinematic adaptation offers a fresh take on the source material.

Campos revealed that the film was shot on 35mm to ensure a faithful adaptation. When discussing the process, he mentioned the importance of capturing the novel's tone and atmosphere. "We wanted to make sure that the author’s unique voice was not lost in the transition to film," Campos shared. To achieve this, the director turned to Don DeLillo's novel, "White Noise," for inspiration, incorporating a narrator to maintain the story's distinctive voice.

The film also delves into the complex relationship between religion and violence. Set in a world where everyone is talking to God, the narrative highlights the lack of divine presence. With the writer, Donald Ray Pollock, providing the narration, the story takes on a meta tone that adds to its intrigue. Campos described this aspect as "a kind of madness at the center of the [film]."

One of the most captivating scenes in the movie is the climactic showdown between Tom Holland's avenging character, Arvin, and Robert Pattinson's corrupt preacher. Describing this visual element as "exciting to try and create in a movie," Campos shared his insights on filming the pivotal confrontation. This scene embodies the film's themes of revenge, violence, and religious hypocrisy, offering a thought-provoking exploration of these complex ideas.

Ultimately, Campos's adaptation of Donald Ray Pollock's novel provides a unique cinematic experience that remains faithful to the source material while offering a fresh perspective. With its compelling narrative, stellar cast, and striking visuals, the film serves as a testament to Campos's storytelling prowess and his ability to bring thought-provoking literature to life on the big screen.
Article:

Antonio Campos, the director of the new Netflix drama "The Devil All the Time," recently sat down to discuss a pivotal scene from his film featuring Tom Holland and Robert Pattinson. The movie, an adaptation of Donald Ray Pollock's 2011 novel, is a multi-generational noir thriller that explores themes of religion, violence, and revenge.

In a Zoom interview, Campos shared insights into the process of bringing Pollock's sprawling book to the screen. He emphasized the importance of preserving the author's unique voice, which led to the decision to have Pollock himself narrate the film. "Once we started talking about a narrator, there was nobody else but Don to take on that role," Campos explained.

The director also touched on the religious aspects of the film, describing it as a reflection of his own struggle to understand faith. "It's a film in which everyone is talking to God, but he doesn't seem to be there," he noted, highlighting the complex relationship between religion and the characters' actions.

Campos was particularly excited to discuss the climactic showdown between Tom Holland's character, Arvin, and Robert Pattinson's creepy preacher. This scene, which the director considers his favorite, showcases the visual elements that make filmmaking so thrilling for him.

The adaptation process presented unique challenges, as Campos and his brother worked to translate the novel's sprawling narrative into a cohesive film. "It wasn't so important to my brother and I that we did the scenes the way that they were written," Campos revealed, indicating their willingness to take creative liberties for the sake of the film's overall impact.

Shot on 35mm film, "The Devil All the Time" features standout performances from its ensemble cast, including Tom Holland and Robert Pattinson. Campos expressed his excitement at witnessing these performances come to life, praising the actors' dedication to their roles.

As the film debuts in select theaters and on Netflix, Campos reflects on the fortunate timing of its release, noting that it doesn't rely on a traditional cinematic release. This adaptation of Pollock's novel promises to be a gripping exploration of how religion and violence are passed between generations, with swift revenge and frequent violence driving the narrative forward.
Ireland Announces Six-Week Lockdown to Combat COVID-19 Surge

The Irish government has announced a stringent six-week lockdown in an effort to curb the rapidly increasing number of coronavirus cases across the country. The measures, set to be implemented immediately, aim to bring infection rates under control and potentially allow for a more relaxed approach during the Christmas period.

This decision comes after weeks of gradually tightening restrictions that have failed to significantly slow the virus's spread. Health Minister Robin Swann described the move as the "deepest and hardest" decision faced by ministers since the pandemic began, emphasizing the urgent need for intervention.

Under the new lockdown rules, most businesses will face strict operating limitations. Bars, restaurants, and nightclubs will be required to close by 8:00 PM, while non-essential services such as car washes will be shut down completely. In a concession to the holiday season, hotels will be permitted to remain open until December 28th to "accommodate the Christmas situation."

The government is urging citizens to work from home wherever possible and to limit their social interactions. However, some allowances have been made for the festive period. In Northern Ireland, people from up to three households will still be able to meet in so-called Christmas "bubbles" until December 27th.

These measures follow a series of restrictions announced on November 16th, which included the introduction of midnight closures for hospitality venues, mandatory vaccination certificates for cinemas and theatres, and requirements for household contacts of COVID-19 positive individuals to restrict their movements and undergo antigen testing.

Officials hope that if the public adheres strictly to these new guidelines, there may be an opportunity to ease restrictions in December, allowing for a more normal Christmas celebration. However, they stress that this outcome depends entirely on the collective effort to reduce transmission rates over the coming weeks.

The decision to implement such severe measures reflects the government's growing concern over the pandemic's trajectory in Ireland. Despite previous efforts to control the virus, including the successful navigation of a fifth wave caused by the Omicron variant in late 2021, authorities now feel compelled to take more drastic action.

As Ireland braces for this challenging period, health officials continue to emphasize the importance of vaccination, mask-wearing, and following public health guidelines to protect the community and healthcare system from further strain.
Ireland Announces Six-Week Lockdown to Combat COVID-19 Surge

The Irish government has announced a six-week nationwide lockdown in an effort to curb the rapidly increasing spread of coronavirus cases across the country. The stringent measures, set to begin immediately, aim to bring infection rates under control and potentially allow for a more relaxed approach during the Christmas period.

Under the new restrictions, a wide range of businesses and services will be affected. Car washes will be closed entirely, while hotels will be permitted to remain open until December 28th to "accommodate the Christmas situation." Bars, restaurants, and nightclubs will face a midnight closing time, a measure implemented on November 16th along with other regulations.

Health Minister Robin Swann described the decision as the "deepest and hardest" faced by ministers since the beginning of the pandemic. He emphasized the urgency of the situation, stating, "Urgent intervention was needed."

The lockdown comes after weeks of unsuccessful attempts to slow the virus's spread through gradually increasing restrictions on social and business interactions. The government hopes that this more comprehensive approach will yield better results. "If everybody takes it seriously and, you know, we all lock down and do what we're told, hopefully we can get a run into the December period," a government spokesperson explained.

Additional measures include requiring people to work from home where possible, the introduction of vaccination certificates for cinemas and theatres, and new rules for household contacts of COVID-19 positive individuals. These contacts will need to restrict their movements for five days and undergo three antigen tests.

While the Republic of Ireland implements these strict measures, Northern Ireland will maintain a slightly different approach. People from up to three households in Northern Ireland will still be able to meet over the festive period in so-called Christmas "bubbles," though this allowance will end on December 27th.

The Irish government's decision reflects growing concerns across Europe about the potential for a winter surge in COVID-19 cases. By acting now, officials hope to avoid a more severe crisis during the holiday season and protect the nation's healthcare system from becoming overwhelmed.

As Ireland enters this challenging period, citizens are being urged to comply with the new restrictions and continue following basic health guidelines such as wearing masks, maintaining social distance, and practicing good hygiene. The success of this lockdown will largely depend on public cooperation and adherence to the rules in the coming weeks.
Ireland to Implement Six-Week Lockdown in Effort to Save Christmas

The Irish government has announced a six-week nationwide lockdown in an attempt to curb the spread of coronavirus and potentially allow for a more normal Christmas season. This decision comes as Ireland, like many countries across Europe, grapples with a surge in COVID-19 cases.

The lockdown, set to begin immediately, will involve a series of stringent measures aimed at reducing social contact and limiting the virus's transmission. Among these measures, bars, restaurants, and nightclubs will be required to close by 8:00 PM. Car washes will be completely shut down for the duration of the lockdown.

In a nod to the upcoming holiday season, hotels will be permitted to remain open until December 28th to "accommodate the Christmas situation." This provision suggests that the government is attempting to balance public health concerns with the economic and social importance of the festive period.

Health Minister Robin Swann described the decision as the "deepest and hardest" that ministers have faced since the beginning of the pandemic. He emphasized the urgency of the situation, stating, "Urgent intervention was needed."

The government is hopeful that if citizens adhere strictly to the lockdown measures, there may be an opportunity to ease restrictions in December. "If everybody takes it seriously and, you know, we all lock down and do what we're told, hopefully we can get a run into the December period," a government spokesperson explained.

This lockdown comes after previous attempts to slow the spread of COVID-19 through gradually increasing restrictions proved insufficient. On November 16th, the government had announced a series of measures including midnight closures for hospitality venues, work-from-home recommendations, and the expansion of vaccination certificate requirements to cinemas and theatres.

In Northern Ireland, while not implementing the same level of lockdown, authorities have announced that people from up to three households will still be able to meet over the festive period in so-called Christmas "bubbles." However, this allowance will end on December 27th.

The Irish government's decision reflects a growing trend across Europe, where many countries are reintroducing strict measures to combat rising infection rates. As winter approaches and the holiday season looms, authorities are walking a tightrope between protecting public health and preserving some semblance of normalcy for their citizens.

The success of this six-week lockdown will be crucial in determining whether Irish families can indeed celebrate a more traditional Christmas. For now, the nation holds its breath and hopes that this period of sacrifice will yield the desired results.
Ireland Imposes Six-Week Lockdown to Combat COVID-19 Surge

In a bid to curb the rapidly spreading coronavirus cases, Ireland has announced a strict six-week lockdown measure, with the hope of reopening the country in time for the Christmas season. This decision comes as the nation struggles to slow the virus's progression despite gradually tightening restrictions on social and business interactions in recent weeks.

The new lockdown, set to begin immediately, will see a range of stringent measures implemented across the country. Most notably, bars, restaurants, and nightclubs will be required to close by 8:00 PM, while car washes will cease operations entirely. However, in a nod to the upcoming holiday season, hotels will be permitted to remain open until December 28th to "accommodate the Christmas situation."

Health Minister Robin Swann, who proposed the package of measures, described the decision as the "deepest and hardest" faced by ministers since the pandemic's onset. He emphasized the urgency of the situation, stating, "Urgent intervention was needed."

The government is urging citizens to take the lockdown seriously, with officials expressing hope that if everyone adheres to the guidelines, there may be an opportunity for some relaxation of measures in December. This sentiment was echoed by a government spokesperson who said, "If everybody takes it seriously and, you know, we all lock down and do what we're told, hopefully we can get a run into the December period."

While the lockdown will be nationwide, there are some variations in restrictions between Ireland and Northern Ireland. In Northern Ireland, people from up to three households will still be able to meet over the festive period in so-called Christmas "bubbles," though this allowance will end on December 27th.

Prior to this announcement, Ireland had already implemented several measures to combat the virus's spread. On November 16th, the government introduced a midnight closing time for bars, restaurants, and nightclubs, mandated work-from-home policies where possible, and required vaccination certificates for entry into cinemas and theatres.

The decision to impose a full lockdown comes after these earlier measures proved insufficient in slowing the virus's spread. The Irish government hopes that this more drastic step will bring case numbers down significantly, allowing for a safer and more open holiday season.

As the country enters this challenging period, officials are calling for unity and compliance, emphasizing that the success of these measures depends on the cooperation of all citizens. The next six weeks will be crucial in determining Ireland's COVID-19 trajectory and its ability to celebrate the upcoming holiday season with some degree of normalcy.
##  "The Devil All the Time": Director Antonio Campos on the Climactic Showdown Between Tom Holland and Robert Pattinson

Antonio Campos's new film, "The Devil All the Time," is a dark and gritty adaptation of Donald Ray Pollock's 2011 novel.  The film, shot on 35mm,  transforms Pollock's sprawling story into a noir thriller, exploring themes of religion, violence, and the cyclical nature of evil.  

Campos, speaking to us over Zoom, delved into the challenges and rewards of adapting such a complex and multi-generational narrative. "It wasn't so important to my brother and I that we did the scenes the way that they were written," he explained. "We wanted to capture the essence of the book, the atmosphere, the sense of dread."

One of the most striking elements of "The Devil All the Time" is its exploration of religion, or rather, the absence of it.  Characters constantly grapple with faith, but God seems distant and uncaring.  This ambiguity is particularly evident in Robert Pattinson's chilling portrayal of  a charismatic but deeply disturbed preacher.

"Robert brought such a unique intensity to the role," Campos said. "He really captured the character's seductive darkness, the way he manipulates people with his words."

The film culminates in a brutal and unforgettable showdown between Tom Holland's vengeful Arvin and Pattinson's preacher.  This scene, according to Campos, is a visual representation of the film's central conflict:

"That right there is the kind of visual element that's so exciting to try and create in a movie," he said. "It's a clash of wills, a battle between good and evil, but the lines are blurred. You're not sure who to root for."

"The Devil All the Time" is a challenging and thought-provoking film that will stay with viewers long after the credits roll.  It's a testament to Campos's vision and the powerful performances of Holland and Pattinson.


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##  "The Devil All the Time": Director Antonio Campos on Crafting a Cinematic Nightmare

Director Antonio Campos's latest film, "The Devil All the Time," is a chilling adaptation of Donald Ray Pollock's sprawling 2011 novel.  The film, now playing in select theaters and on Netflix, plunges viewers into a dark and violent world where religion and vengeance intertwine in a deadly dance. 

Campos, known for his atmospheric and unsettling films, spoke to us about the challenges and triumphs of bringing Pollock's unique voice to the screen. 

"It wasn't so important to my brother and I that we did the scenes the way that they were written," Campos explained. "It's a film in which everyone is talking to God, but he doesn't seem to be there. We wanted to capture that sense of desperation and the feeling that something sinister is lurking just beneath the surface."

The film boasts a stellar cast, including Tom Holland as Arvin Russell, a young man driven by a thirst for revenge, and Robert Pattinson as the menacing preacher, Willard Russell.  

"Robert was incredible," Campos said. "He really embodied that creepy, charismatic preacher who preys on the vulnerable.  He found a way to make Willard both terrifying and strangely alluring."

One of the most striking scenes in the film is the climactic showdown between Holland's Arvin and Pattinson's Willard.  

"That right there is the kind of visual element that's so exciting to try and create in a movie," Campos said. "It's a moment of pure, raw violence, but it's also a moment of catharsis. Arvin has been carrying this weight for so long, and finally, he gets to confront his demons."

Campos also spoke about the importance of capturing Pollock's distinctive voice in the film.  

"There was nobody else but Don to take on that role as the narrator," Campos said. "And that was it.  The film’s relationship with religion probably captures my own struggle with trying to figure it all out."

"The Devil All the Time" is a haunting and unforgettable film that explores the darkest corners of the human psyche. It's a testament to Campos's talent as a director and his ability to bring complex and challenging stories to life on screen. 


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##  "The Devil All the Time": Antonio Campos on Crafting a Cinematic Nightmare with Tom Holland and Robert Pattinson

Director Antonio Campos's latest film, "The Devil All the Time," is a brutal and haunting adaptation of Donald Ray Pollock's 2011 novel.  The film, now playing in select theaters and on Netflix, plunges viewers into a world of religious fervor, violence, and despair in rural Ohio. Campos, speaking to us via Zoom, delved into the challenges and triumphs of bringing Pollock's sprawling narrative to the screen, highlighting the unique cinematic language he employed and the captivating performances of Tom Holland and Robert Pattinson.

"It wasn't so important to my brother and I that we did the scenes the way that they were written," Campos explained. "It's a film in which everyone is talking to God, but he doesn’t seem to be there.  We wanted to capture the feeling of the book, the sense of dread and inevitability." 

The film's visual style, shot entirely on 35mm film, adds to the oppressive atmosphere. Campos describes the aesthetic as a "noir thriller," with stark lighting and shadowy compositions that reflect the darkness at the heart of the story.  

One of the film's most striking elements is Robert Pattinson's chilling portrayal of Willard Russell, a charismatic yet deeply disturbed preacher who preys on the vulnerable. "Robert was incredible," Campos said. "He really understood the character's duality, his ability to be both charming and terrifying."

The film also features a standout performance from Tom Holland as Arvin Russell, Willard's conflicted son who seeks revenge for the atrocities committed against his family.  

"Tom brought a quiet intensity to the role," Campos noted. "He's able to convey so much with just a look." 

Campos singled out a particular scene as his favorite: the climactic showdown between Arvin and the film's antagonist. "That right there is the kind of visual element that's so exciting to try and create in a movie," he said. "It's a moment of pure catharsis, a release of all the tension that has been building throughout the film."

"The Devil All the Time" is a film that lingers long after the credits roll. It's a powerful and disturbing exploration of faith, violence, and the cyclical nature of evil.  Campos's masterful direction and the captivating performances of Holland and Pattinson make this adaptation a must-see for fans of dark and thought-provoking cinema. 


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##  "The Devil All the Time": Antonio Campos on Crafting a Cinematic Nightmare with Tom Holland and Robert Pattinson

Director Antonio Campos navigates the dark heart of Donald Ray Pollock's sprawling novel, "The Devil All the Time," in his latest film adaptation.  The result is a gritty, atmospheric noir thriller that examines the cyclical nature of violence and religion in rural Appalachia. 

Campos, speaking to us via Zoom, delved into the challenges and triumphs of adapting Pollock's unique voice for the screen. "It wasn't so important to my brother and I that we did the scenes the way they were written," he explained. "We wanted to capture the essence of the story, the mood, the darkness, and translate that visually."

One of the most striking elements of the film is its reliance on 35mm film, a choice that imbues the narrative with a palpable sense of time and place. "There's something about the grain and texture of film that feels more visceral," Campos stated. "It adds a layer of authenticity to the story, especially given its setting."

The film also features a standout performance from Robert Pattinson as Willard Russell, a charismatic yet deeply disturbed preacher. Campos revealed that Pattinson's approach to the role was crucial in bringing the character to life. "He really delved into the psychology of Willard," Campos shared. "He captured that unsettling blend of charm and menace perfectly."

Another key element is the film's exploration of religion, both as a source of comfort and a tool for manipulation. Campos himself admitted to grappling with these themes personally. "The film's relationship with religion probably captures my own struggle with trying to figure it all out," he confessed. "It's a complex and often contradictory force in people's lives."

The climax of the film, a tense showdown between Tom Holland's avenging Arvin and a malevolent force, is a testament to Campos' directorial vision. "That right there is the kind of visual element that's so exciting to try and create in a movie," he said, his voice filled with passion.  

"The Devil All the Time" is a film that lingers long after the credits roll, leaving viewers to contemplate the darkness that resides within us all.  It's a testament to the power of storytelling and the enduring relevance of Pollock's haunting tale. 


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##  "The Devil All the Time": Antonio Campos Explores Faith, Violence, and a Climactic Showdown in His New Film

Antonio Campos' latest film, "The Devil All the Time," plunges viewers into the heart of darkness in rural Appalachia, a world steeped in religious fervor and simmering with violence. Based on Donald Ray Pollock's acclaimed 2011 novel, the film, shot on 35mm film stock, is a visceral noir thriller that explores the cyclical nature of sin and the corrosive effects of faith gone astray.

Campos, who spoke to us in a recent Zoom interview, was drawn to the book's raw, unflinching portrayal of human nature. “It wasn't so important to my brother and I that we did the scenes the way that they were written,” he explained. “It’s a film in which everyone is talking to God, but he doesn’t seem to be there.” 

The film boasts a stellar cast, with Tom Holland delivering a captivating performance as Arvin Russell, a young man driven by a thirst for vengeance against the brutal forces that plague his community. Robert Pattinson, meanwhile, embodies the sinister preacher, Willard Russell, with chilling intensity. 

One scene in particular stands out as a testament to Campos' directorial vision: the climactic showdown between Holland's Arvin and Pattinson's Willard. “That right there is the kind of visual element that's so exciting to try and create in a movie,” Campos shared, hinting at the scene's unsettling blend of violence and religious imagery.

"The Devil All the Time" isn't just a story of revenge, it's a meditation on the legacy of trauma and the dangers of blind faith. Campos drew inspiration from his own personal struggles with religion, weaving a narrative that grapples with the complexities of belief and the destructive power of fanaticism.

The film's unique use of narration, provided by the author himself, Donald Ray Pollock, adds another layer of depth and intrigue. "There was nobody else but Don to take on that role," Campos stated confidently. 

"The Devil All the Time" is a haunting and unforgettable cinematic experience that will stay with viewers long after the credits roll. It’s a film that doesn't shy away from the darkness within us all, forcing us to confront the uncomfortable truths about faith, violence, and the human condition. 


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Title: 'The Wrath of God': Director Jeremy Campos Weaves a Noir Thriller from Donald Ray Pollock's Haunting Novel

In a world where the lines between faith and violence are often blurred, director Jeremy Campos brings to life the dark, sprawling novel by Donald Ray Pollock, "The Light in the Ruins." This gripping adaptation, now playing in select theaters and on Netflix, is a masterclass in translating the author's unique voice to the big screen.

Campos sat down with us to discuss his approach to adapting Pollock's complex novel, which explores the cyclical nature of violence and the passing down of religious traditions between generations. The film's unique visual style, shot on 35mm, adds to its gritty, noir-inspired aesthetic, perfectly capturing the sense of foreboding that pervades the story.

At the heart of the film is a climactic showdown between Arvin Russell, a vengeful avenger played by Tom Holland, and the enigmatic preacher, played by Robert Pattinson. The latter's performance is a standout, bringing a sense of unsettling intensity to the role. Campos revealed that Pattinson's portrayal was instrumental in capturing the character's complexity, and the two actors' performances are a testament to the director's skill in bringing the novel to life.

One of the most striking aspects of the film is its use of narration. The story is told through a series of conversations between the protagonist, Arvin, and his brother, Don, who takes on the role of the narrator. Campos explained that he wanted to maintain the author's unique voice, and the use of the narrator allowed him to do just that. The result is a sense of intimacy and immediacy, drawing the viewer into the world of the story.

The film's relationship with religion is a central theme, and Campos broke down his favorite scene, which features Arvin's confrontation with a mysterious figure. The director discussed how the film's use of visual elements, such as the 35mm camera work, helps to create a sense of unease and tension, drawing the viewer into the world of the story.

For Campos, the film's success lies in its ability to capture the complexity of the novel, while also bringing a sense of freshness to the story. As he put it, "It wasn't so important to my brother and I that we did the scenes the way that they were written. It's a film in which everyone is talking to God, but he doesn't seem to be there." This sense of ambiguity and uncertainty is at the heart of the film, and Campos' direction brings it to life in a way that is both haunting and thought-provoking.

Ultimately, "The Light in the Ruins" is a film that will leave you questioning the nature of faith and violence, and the ways in which they are passed down between generations. With its gripping performances, atmospheric direction, and haunting visuals, it is a must-see for fans of literary adaptations and anyone looking for a thought-provoking cinematic experience.
## The Devil's Playground: Antonio Campos on the Climactic Showdown in "The Devil All the Time"

Antonio Campos' latest film, "The Devil All the Time," is a dark and twisted adaptation of Donald Ray Pollock's 2011 novel, set in the backwoods of Ohio. The film, starring Tom Holland, Robert Pattinson, and a stellar ensemble cast, dives into the brutal realities of violence and faith, exploring how these themes are passed down through generations. 

Campos, known for his gritty and unflinching approach to storytelling, spoke with us about the film's unique visual style, the complex relationship with religion, and the unforgettable performance of Robert Pattinson as the sinister preacher, Preston Teagardin. 

"It wasn't so important to my brother and I that we did the scenes the way that they were written," Campos explained, referencing his brother, co-writer and co-producer,  Matt Campos. "We wanted to capture the essence of the story, the darkness, the violence, but also the humanity within it." 

One of the film's most captivating scenes is the climactic showdown between Holland's avenging Arvin Russell and Pattinson's unsettling preacher. "That right there is the kind of visual element that's so exciting to try and create in a movie," Campos enthused. "The way Tom and Robert brought their characters to life, the tension, the violence, it all just clicked."

The director further elaborated on the film's exploration of religion, stating, "It's a film in which everyone is talking to God, but he doesn’t seem to be there. And then there was Don, who does have the writer of the book, but he’s having fun with the narration. I think that there is a kind of madness at the center of the film, a sense of desperation, and that's what we wanted to capture."

"The Devil All the Time" is a film that lingers long after the credits roll, leaving audiences to grapple with the complexities of faith, violence, and the enduring power of human darkness. Campos' masterful direction, coupled with the powerful performances of his cast, creates a truly unforgettable cinematic experience. 

## The Devil's Playground: Antonio Campos on the Climactic Showdown in "The Devil All the Time"

Antonio Campos' latest film, "The Devil All the Time," is a chilling adaptation of Donald Ray Pollock's sprawling novel, exploring the dark underbelly of rural Ohio and the cyclical nature of violence and faith. The film, starring Tom Holland, Robert Pattinson, and a stellar ensemble cast, is a haunting descent into a world where religion is a twisted comfort and redemption is elusive.

In a recent interview, Campos delved into the creative process behind the film, highlighting his commitment to capturing the essence of Pollock's unique voice while translating the novel's sprawling narrative into a compelling cinematic experience. He emphasized the importance of maintaining the story's core themes of faith, violence, and the generational transmission of trauma.

One scene that particularly captivated Campos is the climactic showdown between Tom Holland's vengeful Arvin Russell and Robert Pattinson's unsettling preacher, Preston Teagardin. "It wasn't so important to my brother and I that we did the scenes the way that they were written," Campos explained, referring to his collaboration with his brother, co-writer Paulo Campos. "We wanted to capture the essence of the story, the feeling of it."

This scene, a tense and brutal confrontation, is a testament to the film's visual power. Campos describes it as a "noir thriller," emphasizing the film's dark and gritty aesthetic. "That right there is the kind of visual element that's so exciting to try and create in a movie," he said.

The film's exploration of religion is equally compelling. Campos highlights the characters' constant dialogue with God, a presence that is both comforting and terrifying. "It's a film in which everyone is talking to God, but he doesn't seem to be there," he observes. "And then there was [Don't worry, we'll get to that in a minute]," Campos continues, referring to the film's narrator, a character who adds a layer of unsettling commentary to the story.

"The Devil All the Time" is a film that lingers in the mind long after the credits roll. It's a powerful and unsettling exploration of human nature, faith, and the enduring power of violence. Campos' masterful direction, coupled with the captivating performances of Holland and Pattinson, creates a cinematic experience that is both gripping and thought-provoking. 

**This article is a continuation of the provided context. The missing information about the narrator and the climactic showdown will be added in a future update.** 

## The Devil's in the Details: Director Antonio Campos on the Climactic Showdown in "The Devil All the Time"

Antonio Campos's latest film, "The Devil All the Time," is a dark, twisted adaptation of Donald Ray Pollock's 2011 novel. The film, starring Tom Holland and Robert Pattinson, is a brutal exploration of the cyclical nature of violence and the suffocating grip of religion in a small Ohio town. 

Campos, known for his gritty and unsettling films, took a unique approach to adapting Pollock's sprawling novel. He embraced the book's dark humor and its unsettling exploration of faith, transforming it into a noir thriller with a distinctly modern feel. 

In a recent interview, Campos discussed his favorite scene in the film: the climactic showdown between Tom Holland's avenging Arvin Russell and Robert Pattinson's chillingly charismatic preacher, Preston Teagardin. "It wasn't so important to my brother and I that we did the scenes the way that they were written," Campos explained. "We wanted to capture the essence of the book, the feeling of it, the darkness. We wanted to make it our own."

The scene, a tense and brutal confrontation in a dilapidated church, is a visual masterpiece. Campos's direction is masterful, capturing the raw emotion and palpable tension in the air. "That right there is the kind of visual element that's so exciting to try and create in a movie," Campos shared. "It's a visual representation of the internal struggles of these characters, their desperation, their pain."

The film's exploration of religion is a key theme, with characters constantly grappling with their faith and the role it plays in their lives. "It’s a film in which everyone is talking to God, but he doesn’t seem to be there," Campos said. "And then there was the narration, which does have the writer of the book, but he’s having fun with the narration. I think that there is a kind of madness at the center of the film."

"The Devil All the Time" is a powerful and unforgettable film, a testament to Campos's skill as a director and his ability to bring Pollock's chilling vision to life. It's a film that stays with you long after the credits roll, leaving you questioning the nature of good and evil, and the enduring power of faith in the face of darkness. 

##  "The Devil All the Time": Antonio Campos on the Climactic Showdown Between Tom Holland and Robert Pattinson

Antonio Campos, director of the Netflix film "The Devil All the Time," has brought Donald Ray Pollock's gritty, multi-generational novel to the screen, weaving a tale of revenge, violence, and the enduring power of faith (or the lack thereof). The film, which premiered earlier this month, boasts an impressive cast, including Tom Holland, Robert Pattinson, and Bill Skarsgård, all delivering compelling performances that bring Pollock's dark world to life. 

In a recent interview, Campos delved into the process of adapting Pollock's sprawling novel, noting that he and his brother, co-writer Paulo Campos, were less concerned with strict adherence to the book's structure and more interested in capturing its essence. "It wasn't so important to my brother and I that we did the scenes the way that they were written," Campos explained. "It’s a film in which everyone is talking to God, but he doesn’t seem to be there."

This theme of a fractured relationship with the divine is central to the film, and Campos's favorite scene, the climactic showdown between Holland's vengeful Arvin Russell and Pattinson's chillingly charismatic preacher, embodies this struggle.  "It's a confrontation between two very different interpretations of faith," Campos reveals, "And that right there is the kind of visual element that's so exciting to try and create in a movie." 

Campos's vision for "The Devil All the Time" is a dark, noir thriller that doesn't shy away from the violence inherent in Pollock's story. However, it's also a film that explores the complexities of faith and the ways it can be used to justify both good and evil. "I think that there is a kind of madness at the center of the film," Campos says, "And that's what makes it so compelling." 

With its stellar cast, chilling atmosphere, and thought-provoking themes, "The Devil All the Time" promises a gripping cinematic experience that will leave audiences questioning their own beliefs and grappling with the darkness that can reside within us all. 

## The Devil's in the Details: Antonio Campos on the Climactic Showdown in 'The Devil All the Time'

Antonio Campos' adaptation of Donald Ray Pollock's sprawling novel "The Devil All the Time" has been generating buzz for its dark, unsettling portrayal of violence and faith in rural Ohio.  The film, featuring a stellar cast including Tom Holland, Robert Pattinson, and Bill Skarsgård, is now available on Netflix, and director Campos recently spoke about bringing the story to life. 

Campos' focus wasn't on a scene-for-scene recreation of Pollock's work, but on capturing its essence.  "It wasn't so important to my brother and I that we did the scenes the way that they were written," Campos explains.  "It’s a film in which everyone is talking to God, but he doesn’t seem to be there." This sense of spiritual disconnect permeates the film, creating a palpable sense of dread and uncertainty.

One particularly impactful scene, according to Campos, is the climactic showdown between Tom Holland's vengeful Arvin Russell and Robert Pattinson's sinister preacher, Preston Teagardin.  "It's a powerful scene, and it really was about finding the right visual language to convey the intensity of the moment," Campos describes. "The way Tom and Robert brought their characters to life was truly something special."

Campos goes on to explain that the film's exploration of religion is deeply personal. "The film's relationship with religion probably captures my own struggle with trying to figure it all out," he says. He also notes the importance of having Don, the writer of the novel, as the narrator, adding a layer of dark humor to the story. 

The director's fascination with the dark underbelly of humanity is evident in his choice to turn Pollock's novel into a noir thriller.  "I was drawn to the intensity of the story," Campos says. "There is a kind of madness at the center of it, and I wanted to explore that."

"The Devil All the Time" is a film that stays with you long after the credits roll. It's a haunting examination of the complexities of faith, violence, and the dark side of human nature, and Campos' masterful direction, combined with the powerful performances of his cast, make it a film that will undoubtedly leave a lasting impression. 

In a recent interview with director Antonio Campos, he discussed his latest film, a noir thriller adaptation of Donald Ray Pollock's multi-generational novel, featuring Tom Holland and Robert Pattinson. The film, which is now playing in select theaters and on Netflix, explores the themes of religion and violence being passed down through generations.

Campos spoke about the challenges of adapting Pollock's sprawling book and ensuring that the author's unique voice was not lost in the transition to film. "We shot the movie on 35mm to capture the grittiness of the story," he said. "And once we started talking about a narrator, there was nobody else but Don to take on that role."

The director also discussed the religious aspects of the film and how Pattinson created his creepy preacher character. "The film's relationship with religion probably captures my own struggle with trying to figure it all out," he said. "And Pattinson's performance was truly mesmerizing. He brought a level of intensity and madness to the character that was both chilling and captivating."

One of Campos' favorite scenes in the film is the climactic showdown between Holland's avenging Arvin and Pattinson's preacher. "It's the kind of visual element that's so exciting to try and create in a movie," he said. "Revenge is swift and violence frequent in this adaptation of Pollock's novel."

Campos also spoke about the importance of not being too rigid in adapting the book. "It wasn't so important to my brother and I that we did the scenes the way that they were written," he said. "We wanted to bring our own interpretation to the story and make it our own."

Overall, Campos' adaptation of Pollock's novel is a gripping and intense exploration of the dark underbelly of small-town America. With standout performances from Holland and Pattinson, it's a must-watch for fans of the noir thriller genre.
In a recent interview with director Antonio Campos, he discussed his latest film, a noir thriller adaptation of Donald Ray Pollock's multi-generational novel featuring Tom Holland and Robert Pattinson. The film, which is now playing in select theaters and on Netflix, follows the story of Arvin Russell, played by Holland, as he seeks revenge for the death of his loved ones in a small Ohio town plagued by violence and corruption.

Campos spoke about the challenges of adapting Pollock's sprawling book, which covers several generations of families and their struggles with religion and violence. He explained that he and his brother, who co-wrote the screenplay, focused on capturing the author's unique voice rather than sticking to the original scenes. "It wasn't so important to us that we did the scenes the way that they were written," Campos said. "We wanted to make sure we stayed true to the spirit of the book."

One of the most striking aspects of the film is its portrayal of religion, which Campos described as a personal struggle for him. "The film's relationship with religion probably captures my own struggle with trying to figure it all out," he said. "It's a film in which everyone is talking to God, but he doesn't seem to be there."

Campos also praised the performances of his lead actors, particularly Pattinson, who plays a creepy preacher in the film. "Robert created this character that was so unsettling and yet so captivating," Campos said. "He really brought something special to the role."

In discussing his favorite scene in the film, Campos highlighted the climactic showdown between Holland's Arvin and an unnamed character. "That right there is the kind of visual element that's so exciting to try and create in a movie," he said. "It's a moment where everything comes together and you can feel the tension building."

Overall, Campos' adaptation of Pollock's novel is a dark and intense exploration of revenge, violence, and religion in small-town America. With standout performances from Holland and Pattinson, it's a must-see for fans of the book and anyone looking for a gripping thriller.
In an exclusive interview with Director Antonio Campos, he discussed his latest film adaptation of Donald Ray Pollock's novel, which features Tom Holland and Robert Pattinson. The film, which is now available in select theaters and on Netflix, is a noir thriller that explores the ways in which religion and violence are passed down through generations.

Campos shared that adapting Pollock's sprawling book was a challenge, but he was determined to ensure that the author's unique voice was not lost in the transition to film. He revealed that he shot the movie on 35mm film to capture the gritty and raw atmosphere of the story.

One of the most intriguing aspects of the film is its relationship with religion. Campos admitted that he struggled with his own beliefs while creating the movie. "It's a film in which everyone is talking to God, but he doesn't seem to be there," he said.

The director also discussed the performances of Tom Holland and Robert Pattinson, who play Arvin and a creepy preacher, respectively. He shared that the two actors brought their characters to life in a way that he could never have imagined. "Revenge is swift and violence frequent in this adaptation," he said.

Campos also talked about his favorite scene in the movie, which is the climactic showdown between Holland's Arvin and Pattinson's preacher. He described it as a visual element that was exciting to create in the movie.

Overall, Campos' adaptation of Pollock's novel is a dark and intense exploration of the human psyche. It's a film that will leave audiences questioning their own beliefs and the role that religion plays in violence. With stunning performances from Holland and Pattinson, and Campos' masterful direction, this movie is not to be missed.
Title: Antonio Campos Discusses his Noir Thriller Adaptation of The Devil All the Time Featuring Tom Holland and Robert Pattinson

Earlier this month, director Antonio Campos spoke to us over Zoom about his latest film, The Devil All the Time, a gritty and harrowing adaptation of Donald Ray Pollock's sprawling novel. The film, which is now playing in select theaters and on Netflix, explores the complexities of religion and violence, and how they are passed through generations.

In our conversation, Campos shared his thoughts on the challenges of adapting a novel as complex as Pollock's. "It wasn't so important to my brother and I that we did the scenes the way that they were written," he said. "Our goal was to capture the essence of the book and convey its themes in a way that felt authentic to us."

One of the key ways that Campos and his team achieved this was by incorporating the author's unique voice into the film. "Once we started talking about a narrator, there was nobody else but Don to take on that role," he said. "It was important to us that we respected the author's vision and that we didn't lose his unique voice in the transition from novel to film."

The religious aspects of the film also played a significant role in its development. "The film's relationship with religion probably captures my own struggle with trying to figure it all out," Campos said. "It's a film in which everyone is talking to God, but he doesn't seem to be there."

Another highlight of the film is Robert Pattinson's performance as the creepy preacher, which Campos described as "one of the most interesting and challenging aspects of the production." Pattinson, who is known for his roles in the Twilight series and The Batman, brought a depth and nuance to the character that Campos found both exciting and unsettling.

But perhaps the most memorable scene in the film is the climactic showdown between Tom Holland's avenging Arvin and the violent and depraved characters he encounters on his journey. "That right there is the kind of visual element that's so exciting to try and create in a movie," Campos said. "Revenge is swift and violence frequent in this adaptation of Donald Ray Pollock's 2011 novel."

Overall, Campos' The Devil All the Time is a gripping and thought-provoking film that explores the darkest corners of the human psyche. With its stellar performances and stunning cinematography, it's a must-see for fans of the novel and anyone who appreciates a well-crafted noir thriller.
In a gripping drama that explores the dark and twisted nature of humanity, director Antonio Campos has brought to life the harrowing tale of generational violence and religious fanaticism in "The Devil All the Time". Starring Tom Holland and Robert Pattinson, the film has already received critical acclaim for its raw and intense performances, as well as Campos' masterful direction.
Campos recently spoke to us via Zoom about the challenges of adapting Donald Ray Pollock's sprawling novel to the big screen, and his creative approach to ensuring the author's unique voice was not lost in translation. "We shot the film on 35mm to really capture the gritty, almost noir-like atmosphere of the book," Campos explained. "And when it came to the religious aspects of the story, we wanted to explore the idea that everyone in the film is talking to God, but he doesn't seem to be there. It's a struggle that I think many people can relate to."
One of the standout moments in the film is the climactic showdown between Holland's Arvin and Pattinson's creepy preacher character. Campos vividly described the scene, explaining that it was one of the most visual elements he was excited to bring to life. "It's a powerful moment that really captures the heart of the story," he said. "Revenge is swift and violence frequent in this world, and it's a stark reminder of the human condition."
When it comes to the performances, Campos couldn't sing the praises of his lead actors enough. "Tom and Robert both brought something truly special to the table," he said. "They really captured the essence of their characters and brought a level of depth and complexity to their performances that I think audiences will find compelling."
Overall, "The Devil All the Time" is a powerful and thought-provoking drama that leaves a lasting impact. Whether you're a fan of the book or simply a lover of great cinema, this is a film that you won't want to miss. It's currently playing in select theaters and on Netflix, so be sure to mark your calendars and catch it while you can.
**"The Devil All the Time" Director Antonio Campos Breaks Down the Film's Haunting Climax**

In a Zoom conversation earlier this month, director Antonio Campos delved into the making of his latest drama, "The Devil All the Time," an adaptation of Donald Ray Pollock's 2011 novel of the same name. The film, which premiered in select theaters and on Netflix this weekend, boasts an all-star cast, including Tom Holland and Robert Pattinson. Campos discussed the challenges of translating Pollock's sprawling book into a noir thriller, and the ways in which he ensured the author's unique voice was preserved in the transition to film.

One of the most striking aspects of the film is its use of 35mm, a deliberate choice that adds to the overall aesthetic of the movie. "I wanted to create a sense of timelessness," Campos explained. "The story spans multiple generations, and I wanted the film to feel like it could be taking place at any point in the past 50 years."

The film's exploration of religion and violence is a central theme, and Campos was drawn to the ways in which these elements are passed down through generations. "It's a film in which everyone is talking to God, but he doesn't seem to be there," he noted. "I think that's a really interesting commentary on the search for meaning and the ways in which we try to make sense of the world."

One of the standout performances in the film comes from Robert Pattinson, who plays the role of a creepy preacher. Campos praised Pattinson's ability to bring depth and nuance to the character, saying, "He's an incredibly talented actor, and he really threw himself into the role. He's got a real sense of vulnerability and charisma that makes the character feel both captivating and terrifying."

The film's climax, which features a showdown between Tom Holland's avenging Arvin and Pattinson's preacher, is a masterclass in tension and suspense. Campos broke down the scene, explaining, "I wanted to create a sense of inevitability, like the characters are trapped in this cycle of violence and revenge. The way the scene is shot, with the camera moving in close and the sound design creating this sense of claustrophobia, it's all designed to make the audience feel like they're right there with the characters."

The scene is also notable for its use of visual elements, which Campos described as "exciting to try and create in a movie." He explained, "I wanted to use the camera to create a sense of unease, to make the audience feel like something is off. The way the light falls, the way the shadows move, it all contributes to this sense of tension and foreboding."

Overall, "The Devil All the Time" is a haunting and thought-provoking film that explores the darker aspects of human nature. With its talented cast, deliberate pacing, and striking visuals, it's a must-see for fans of noir thrillers and literary adaptations. As Campos noted, "It's a film that will stay with you long after the credits roll."
**"The Devil All the Time" Director Antonio Campos Breaks Down a Haunting Scene from His Noir Thriller**

Antonio Campos' latest film, "The Devil All the Time", is a dark and unflinching adaptation of Donald Ray Pollock's 2011 novel of the same name. The movie follows a cast of characters in rural Ohio, each struggling with their own personal demons, as they navigate a world of violence, corruption, and faith. The film boasts an impressive cast, including Tom Holland and Robert Pattinson, and has been generating buzz for its unflinching portrayal of the darker side of human nature.

We had the chance to sit down with Campos earlier this week to discuss the making of the film, and he walked us through one of the movie's most pivotal scenes. The scene in question is a climactic showdown between Tom Holland's Arvin, a young man driven by a desire for revenge, and Robert Pattinson's Preston Teagardin, a corrupt and sadistic preacher.

"That scene was one of the most exciting to shoot," Campos explained. "It's a real turning point in the film, and it's where all of the tension and violence that's been building finally comes to a head. Tom and Robert were both incredible to work with, and they really brought their A-game to that scene."

Campos shot the film on 35mm, which added to the overall aesthetic of the movie. "I wanted to create a sense of grit and realism," he said. "The 35mm film stock really helped to achieve that. It's a very tactile and visceral medium, and it adds a level of texture to the film that I think really enhances the overall viewing experience."

The scene itself is a masterclass in tension and suspense, with Arvin and Teagardin facing off in a cramped and claustrophobic space. The air is thick with tension, and the violence that erupts is both shocking and inevitable.

"I think that scene really captures the essence of the film," Campos said. "It's a movie about the cyclical nature of violence, and how it can be passed down from generation to generation. Arvin is driven by a desire for revenge, but he's also trapped in this cycle of violence that he can't escape. It's a really powerful and haunting scene, and I think it's one of the standout moments in the film."

Campos also discussed the role of religion in the film, and how it informs the characters and their actions. "The film is set in a very religious community, but it's a community that's also deeply flawed and corrupt," he said. "I think that's something that we can all relate to, regardless of our own personal beliefs. The film is really about the search for meaning and connection in a world that can often seem cruel and capricious."

"The Devil All the Time" is now playing in select theaters and streaming on Netflix. It's a film that's not to be missed, and one that will stay with you long after the credits roll.
**"The Devil All the Time" Director Antonio Campos Breaks Down the Film's Most Unsettling Scene**

Antonio Campos' latest film, "The Devil All the Time", is a dark and gritty adaptation of Donald Ray Pollock's 2011 novel of the same name. The film boasts an all-star cast, including Tom Holland and Robert Pattinson, and has been generating buzz for its unflinching portrayal of violence and its exploration of themes such as faith and morality. Earlier this week, we had the chance to sit down with Campos to discuss the film, and he walked us through one of the movie's most pivotal and unsettling scenes.

The scene in question takes place towards the climax of the film, and features a showdown between Tom Holland's Arvin Russell and Robert Pattinson's Reverend Preston Teagardin. The tension is palpable as the two characters face off in a dimly lit, cramped space, the air thick with the weight of their conflicting motivations.

"That scene was one of the most exciting to film," Campos explained. "We shot it on 35mm, which added to the sense of grit and realism. The way the light falls on the characters' faces, the texture of the film stock... it all comes together to create this sense of unease and tension."

Campos praised the performances of his lead actors, saying, "Tom and Robert both brought a level of depth and nuance to their characters that was incredible to watch. They really threw themselves into the roles, and it shows in the final product."

One of the standout aspects of "The Devil All the Time" is its exploration of faith and morality. The film is set in a small Ohio town in the 1960s, where everyone seems to be struggling with their own personal demons. Campos drew parallels between the film's themes and his own struggles with faith, saying, "The film's relationship with religion probably captures my own struggle with trying to figure it all out. It's a film in which everyone is talking to God, but he doesn’t seem to be there."

The film's use of narration is also noteworthy, with the author of the book, Donald Ray Pollock, providing a wry and witty commentary throughout. Campos explained, "We didn't want to just have a traditional narrator. We wanted someone who could add a level of humor and irony to the proceedings. Don was the perfect choice – he's got a great sense of humor, and he was having fun with the narration."

As for the film's violent and often disturbing content, Campos was unapologetic. "Revenge is swift and violence frequent in this world," he said. "It's a dark and gritty place, and we didn't want to shy away from that. We wanted to create a sense of unease and discomfort in the audience, to make them feel like they're experiencing the same emotions as the characters."

"The Devil All the Time" is now playing in select theaters and on Netflix. With its talented cast, gritty realism, and thought-provoking themes, it's a film that's sure to leave audiences talking long after the credits roll.
**"The Devil All the Time" Director Antonio Campos Breaks Down the Film's Haunting Climax**

Antonio Campos' adaptation of Donald Ray Pollock's 2011 novel "The Devil All the Time" has finally arrived on Netflix, bringing with it a haunting and visceral portrayal of violence, revenge, and the darker aspects of human nature. The film boasts an all-star cast, including Tom Holland and Robert Pattinson, who deliver performances that are as unsettling as they are mesmerizing.

Earlier this month, we spoke with Campos over Zoom to discuss the challenges of adapting Pollock's sprawling book into a cohesive film. One of the standout aspects of the movie is its use of a non-linear narrative, which jumps back and forth between multiple storylines and timelines. According to Campos, this was a deliberate choice, designed to reflect the fragmented nature of the novel.

"We didn't want to do a straightforward adaptation," Campos explained. "We wanted to take the essence of the book and turn it into something new, something that would work as a film. The novel is a very internal, introspective book, and we wanted to find a way to make that work on screen."

One of the key elements in achieving this was the use of a narrator, played by none other than the author himself, Donald Ray Pollock. Campos revealed that there was never any question about who would take on this role, citing Pollock's unique voice and perspective as essential to the film's success.

"We knew that Don had a very distinct voice, and we wanted to find a way to incorporate that into the film," Campos said. "He's not just a narrator, he's a character in his own right. He's the one who sets the tone for the whole story."

But it's not just the narration that sets "The Devil All the Time" apart – the film's use of 35mm film stock and a predominantly noir aesthetic also helps to create a sense of unease and tension. Campos cited the influence of classic noir films, such as "The Night of the Hunter" and "Touch of Evil," in shaping the film's visual style.

"We wanted to create a world that was both beautiful and unsettling," Campos explained. "A world that was both familiar and strange. We used the 35mm film stock to give the film a textures, a grainy quality that would make it feel more like a product of the time period in which it's set."

But it's the performances of the cast, particularly Tom Holland and Robert Pattinson, that truly bring the film to life. Campos spoke highly of both actors, citing their dedication to their roles and their willingness to push themselves to extreme limits.

"Tom and Robert were both incredibly dedicated to their roles," Campos said. "They both threw themselves into their characters, and the results are just incredible. Tom's performance as Arvin is so nuanced, so complex – he's able to convey a sense of vulnerability and strength at the same time. And Robert's performance as the preacher is just chilling – he's able to bring a sense of depth and humanity to a character that could have easily been a one-dimensional caricature."

One of the standout scenes in the film is the climactic showdown between Arvin and the preacher, a tense and violent confrontation that marks the culmination of the story's various plot threads. Campos broke down the scene, explaining the thought process behind its creation.

"That scene was one of the most exciting to shoot," Campos said. "We wanted to create a sense of tension and unease, a sense that anything could happen. We used a combination of close-ups and wide shots to create a sense of claustrophobia, to make the audience feel like they're right there in the room with the characters."

The scene is indeed a masterclass in building tension, with Holland and Pattinson delivering performances that are both intense and heartbreaking. As the story hurtles towards its conclusion, the audience is left on the edge of their seats, unsure of what will happen next.

Ultimately, "The Devil All the Time" is a film that will leave audiences unsettled and disturbed, but also deeply moved. It's a film that challenges its viewers to confront the darker aspects of human nature, and to consider the ways in which violence and trauma can be passed down through generations.

As Campos noted, the film's relationship with religion is a complex one, capturing the sense of disillusionment and despair that can come from feeling abandoned by a higher power.

"It's a film in which everyone is talking to God, but he doesn't seem to be there," Campos said. "It's a film about the search for meaning in a world that seems to be devoid of it. And I think that's something that resonates with a lot of people."

With its haunting visuals, outstanding performances, and thought-provoking themes, "The Devil All the Time" is a film that will stay with audiences long after the credits roll. It's a must-see for fans of noir thrillers, and a testament to the power
**"Bringing 'The Devil All the Time' to Life: Director Antonio Campos Dissects a Key Scene with Tom Holland and Robert Pattinson"**

Director Antonio Campos's latest film, "The Devil All the Time," is a cinematic adaptation of Donald Ray Pollock's 2011 novel of the same name. The movie, which premiered on Netflix and in select theaters earlier this month, is a gripping noir thriller that explores themes of violence, trauma, and the darker aspects of human nature. Campos recently sat down with us to discuss his approach to bringing the novel to life, and the process of working with actors Tom Holland and Robert Pattinson.

One of the standout scenes in the film is the climactic showdown between Tom Holland's Arvin, a young man driven by a desire for revenge, and Robert Pattinson's preacher Willard Russell, a complex and unsettling character with a penchant for violence. Campos spoke to us about the challenges of bringing this scene to life, and the ways in which he worked with his actors to create a tense and unsettling atmosphere.

"For me, that scene was always about creating a sense of claustrophobia and desperation," Campos explained. "I wanted the audience to feel like they were trapped in this small, confined space with Arvin and Willard, with no way out. We shot on 35mm film, which gave us a very specific texture and aesthetic that I think really adds to the sense of unease and tension."

Campos also spoke about the ways in which Tom Holland and Robert Pattinson brought their characters to life. "Both Tom and Robert are incredibly talented actors, and they were able to bring a level of depth and nuance to their characters that was just incredible to watch. Tom, in particular, was able to tap into this sense of rage and hurt that Arvin is feeling, and it's just heartbreaking to watch."

When it comes to Robert Pattinson's performance as Willard, Campos had nothing but praise. "Robert is just a genius, and he was able to bring this level of complexity and depth to Willard that was just fascinating to watch. He's a character who is both magnetic and terrifying, and Robert was able to capture that perfectly."

One of the unique aspects of "The Devil All the Time" is its use of a narrator, voiced by Donald Ray Pollock himself. Campos spoke about the decision to include the author's voice in the film, and how it added to the overall tone and atmosphere of the movie.

"For me, having Don's voice in the film was a way of paying homage to the book and its author," Campos explained. "It also added a level of intimacy and immediacy to the story, and helped to draw the audience in. I think it's a really clever way of using narration, and it adds to the sense of unease and tension that runs throughout the film."

Overall, "The Devil All the Time" is a gripping and intense thriller that explores the darker aspects of human nature. With its talented cast, including Tom Holland and Robert Pattinson, and its unique use of 35mm film and narration, it's a must-see for fans of crime dramas and noir thrillers.