Kerry Washington on Beyoncé, Ta-Nehisi Coates on Kendrick Lamar, Oprah Winfrey on Toni Morrison. This is the black art that is defining the century.
people around the world are tuning in to the earth’s vibrations. This is the black art that is defining the century. By In an emotional Instagram video, the pop superstar explained she had stiff person syndrome and is postponing shows to rebuild her strength “and ability to perform again.” By On the anniversary of the landmark 1972 album “Talking Book,” musicians who made it and artists who cherish it share their stories. By Kerry Washington on Beyoncé, Ta-Nehisi Coates on Kendrick Lamar, Oprah Winfrey on Toni Morrison. Recent and archived work by Lorne Manly for The New York Times A new documentary argues that the Yankee catcher was not just a malaprop-prone, beloved celebrity but also a legend of the game. | in that same song freedom kendrick lamar raps about himself as an object of persecution by the news media and consequently by law enforcement theres blackness   the mere state of ones racial self   and theres being politically black which amounts to the degree to which one wields or weaponizes or calls attention to ones blackness freedom constitutes a wielding this kind of blatant statement is new for beyonce who before the advent of the black lives matter movement was thoughtful about the politics of the beauty of black womens bodies and since its arrival has wed the complexities of feminism and the vicissitudes of marriage with political blackness shes learned and people are listening lemonade is the no 2 album in the country | So we asked 35 major African-American creators from different worlds (film, art, TV, music, books and more) to talk about the work that has inspired them the most over the past two decades: “Atlanta,” “Moonlight,” “Get Out,” “A Seat at the Table,” “Double America 2,” and on and on. I think things like #OscarsSoWhite and Black Lives Matter really emboldened a lot of artists. featuring Chris Brown – “Come Through” (RCA Records / MBK Entertainment) Tobe Nwigwe featuring Fat Nwigwe – “Fye Fye” (Tobe Nwigwe, LLC) “Attica” (Showtime) “Barbara Lee: Speaking Truth to Power” (Greenwich Entertainment) “My Name Is Pauli Murray” (Amazon Studios) “Summer of Soul (…Or, When the Revolution Could Not Be Televised)” (Searchlight Pictures / Hulu) “Tina” (HBO Documentary Films) “1971: The Year That Music Changed Everything” (Apple TV+) “American Masters: How It Feels to Be Free” (PBS) “Blood Brothers: Malcolm X & Muhammad Ali” (Netflix) “High on the Hog: How African American Cuisine Transformed America” | reflect family members with a softness and whimsy. While it’s impossible to capture the full impact of black artists on art history, we asked prominent art historians and curators reflect on 20 living African American artists who are making a mark on painting, photography, performance, and sculpture. These diverse works by Black artists explore a range of themes, including the role of the artist in society, history, memory, civil rights, identity, and belonging. This work is from the same year he arrived in New York and pays homage to African American womanhood and beauty. Artists associated with the movement asserted pride in black life and identity, a rising consciousness of inequality and discrimination, and interest in the rapidly changing modern world—many experiencing a freedom of expression through the arts for the first time. is, in part, about that discovery of a black artist’s atelier: a distinguished place of labor where an allegorical catalogue of the many modes of | bring the African diaspora together, these 12 creatives are at the center of a global shift. Take a spin through a century of writer’s hangouts. By In just 50 years, rap has transformed the way the world speaks. By The most memorable illustrations of the year, as chosen by art directors at The New York Times. By We interviewed refugees via 360-degree video inside their new bedrooms, living rooms and kitchens to explore the meaning of this most precious commodity. In the latest Diary of a Song, Prince’s estate and his closest collaborators offer an unprecedented peek into his creative process. On the eve of a major revival of her work, this is the story of how she came to see a future that is now our present. By As thousands of protesters took to the streets over the past week, artists, both amateur and professional, created a vast collection of drawings, paintings and illustrations in support of the protests and the Black Lives Matter movement. | abcs black ish took its black existentialism into current events and pop cultural criticism for its most recent season black creators are making work that follows and reflects black life on the ground the protests over the deaths of black americans often involving the police the demands for reforming prisons and changing the way the justice system treats black and hispanic men the fury over hollywoods indifference to sectors of the populace that straight white men dont exclusively inhabit
the visual side of lemonade beyonces two month old visual album steeps the songs in african americana from the attire of the antebellum south to the legacies of black female struggle and strength hey im a keep running she sings cause a winner dont quit on themselves thats ali too
Kerry Washington on Beyoncé, Ta-Nehisi Coates on Kendrick Lamar, Oprah Winfrey on Toni Morrison. This is the black art that is defining the century.
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35 Top African-American Artists on the Work That Inspires Them
ByThe New York TimesMarch 19, 2020
Kerry Washington on Beyoncé, Ta-Nehisi Coates on Kendrick Lamar, Oprah Winfrey on Toni Morrison, Issa Rae on ‘Scandal,’ and 31 other prominent black artists on the work that inspires them most.
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Kerry Washington on
Lemonade
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Ta-Nehisi Coates on
good kid, m.A.A.d city
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Kerry James Marshall on
Get Out
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Over the past 20 years, a new vanguard of African-American creators has helped define the 21st century. Jordan Peele. Ta-Nehisi Coates. Kara Walker. Ava DuVernay.It’s the first time since the 1970s that black art, history and political life have come together in such a broad, profound and diverse way. That convergence was evident in the farce of “Chappelle’s Show”; on the pair of albums D’Angelo released 14 years apart. You can see the imprint of the Barack Obama presidency on “Black Panther”; Black Lives Matter on Beyoncé; the country’s prison crisis on Kendrick Lamar. You can sense that convergence haunting the fiction of Jesmyn Ward.
For eight years, all sorts of black artists sailed through the White House, and shaped the depiction of black America, by thinking transcendently, trenchantly, truthfully. They adjusted the way the entire country can look at itself.So we asked 35 major African-American creators from different worlds (film, art, TV, music, books and more) to talk about the work that has inspired them the most over the past two decades: “Atlanta,” “Moonlight,” “Get Out,” “A Seat at the Table,” “Double America 2,” and on and on. These are edited excerpts from the conversations.
From the start, black people have been at the center of American popular culture — essentially because white people placed them there, through imitation and mockery and fascination. Ever since, the struggle for black artists has been to wrest control of their own culture, to present themselves, in all of their complexity, diversity, innovation and idiosyncrasy, and represent one another, as rebuke, as celebration, as advancement.So while the power these artists have attained might be a breakthrough, the primacy energizing their art is centuries old. Maybe these two decades of fertility and surprise constitute new territory. But, as these artists are about to explain, they amount to what someone like Beyoncé knows well: homecoming.— Wesley Morris
Desus Nice on
Black Social Media
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Oprah Winfrey on
Toni Morrison
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Angie Thomas on
Love & Basketball
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Anna Deavere Smith on
Esperanza Spalding
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Issa Rae on
Scandal
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Kenya Barris on
Glenn Ligon
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Jaboukie Young-White on
Moonlight
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Misty Copeland on
Drake’s First Mixtape
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LaToya Ruby Frazier on
Flint Activists
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Harry Belafonte on
Glory
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Audra McDonald on
Lizzo
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Lena Waithe on
Atlanta
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Jesmyn Ward on
Speakerboxxx/ The Love Below
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Chance the Rapper on
Sorry to Bother You
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Mickalene Thomas on
Jet Magazine
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Julia Bullock on
Kara Walker
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John Legend on
Ta-Nehisi Coates
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Sterling K. Brown on
Black Panther
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Read about the genesis of this project:
For Future Generations, It’s Time to Reflect on Black Art
By Eric V. Copage
Barry Jenkins on
A Seat at the Table
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Dee Rees on
Wangechi Mutu
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Margo Jefferson on
Experimental Black Literature
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Ava DuVernay on
Robin Coste Lewis
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Virgil Abloh on
In Search Of…
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Kyle Abraham on
Black Messiah
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Tracy K. Smith on
Kahlil Joseph
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Rhiannon Giddens on
Kendrick Lamar Live
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Wyatt Cenac on
Issa Rae and Donald Glover
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Tyshawn Sorey on
The Will to Adorn
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Tarell Alvin McCraney on
Grace
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Janet Mock on
Beyoncé’s Self-Titled Album
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Yara Shahidi on
Frank Ocean and Kendrick Lamar
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Billy Porter on
Pose
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EditingNicole Herrington, Sia Michel, Lorne Manly and Susanna Timmons, with contributions by Eric V. Copage and Finn CohenProductionAlicia DeSantis, Jolie Ruben and Josephine Sedgwick
DesignGabriel GianordoliPhotographsJessica PettwayProp StylingSara SchipaniArt ProductionAndrew Rodriguez
Image credits: Dan Monick, Dwayne LaFleur and Paula Oliver (“good kid, m.A.A.d” city images), Damon Winter/The New York Times (Toni Morrison); Richard Cartwright/ABC (“Scandal”); A24 (“Moonlight”); Getty Images (Selma images); Curtis Baker/FX and Guy D’Alema/FX (“Atlanta”); Getty Images (L.A. poster image); CBS (Kendrick Lamar Grammys video); Frederic J. Brown/Agence France-Presse — Getty Images (Donald Glover); Rozette Rago for The New York Times (Issa Rae); Alvin Ailey American Dance Theater (“Grace”)
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Toni Morrison
Author
Oprah Winfrey:I have Toni on the heart right now, and I can’t think of anybody else who actually has had the cultural impact that she has in the past 20 years, because I believe that she’s the root spring from which all other influences that I might name flow, like Colson Whitehead, Ta-Nehisi [Coates], Jacqueline Woodson. I think her work has resonated to other artists and nonartists alike for decades and I don’t think it can be measured or quantified, actually. Because as Maya [Angelou] taught me, your legacy isn’t one thing. It’s every life you touch. So, I think that from “Beloved” to her later works like “Love” and “A Mercy,” which weren’t as popular, up until her most recent essays, [“The Source of Self-Regard”], they stand as a really indefatigable testimony to the resilience of black life.
She spoke from a black woman’s voice that heretofore had been silenced and shamed; she was able to magnify and give voice to our stories about common folk whose stories would have otherwise stayed buried. She was on the front lines of the fight to make beauty and justice in a complicated world. I am so glad her work remains and the work continues.
Oprah Winfreyis a media executive.
Interview by Salamishah Tillet
‘Speakerboxxx/The Love Below’
Album by Outkast (2003)
Jesmyn Ward:I was in my mid-20s when it came out. I remember that I loved it, of course, in part because I felt like the album pushed the boundaries of what we can express in our music — specifically black Southerners and more specifically black men. I’m thinking about “The Love Below,” André 3000’s part of the album. There’s this tenderness and thoughtfulness that I feel like there’s not often a space for in rap, maybe especially in Southern rap.
I was at the University of Michigan at Ann Arbor at the time and I was very homesick. I lived most of my life in Mississippi and I was not accustomed to the cold and to being landlocked. When I went down to Best Buy and put [this album] in my car’s CD player, I was immediately home. There’s a sense of longing that is present throughout “The Love Below,” and I felt it. It echoed my own sense of longing, for home, and for love, and for tenderness.
Jesmyn Wardis an author and academic.
Interview by Reggie Ugwu
‘Scandal’
Television drama created by Shonda Rhimes (2012-2018)
‘Flavor of Love’
Reality show (2006-2008)
Issa Rae:One television show that influenced me in a negative way but now I feel had a profound impact was “Flavor of Love” [on VH1]. I remember watching it with my friends in college and getting increasingly angry that it was one of the few portrayals of black women in [pop culture]. But then I look back on it fondly in terms of how it influenced black meme culture. It was really impactful for me in terms of feeling like, “I have to get up and create alternative images.” But I also recognize the impact that it had just in terms of pushing black women’s voices to the forefront — I always feel conflicted about that.
The [first episode of Season 2 showed] a woman defecating on the floor during the elimination session. I was just like, “Wow, a black woman really defecated on the floor just because she wanted to win Flavor Flav’s heart, but also just to have this opportunity to be on TV.” But also the control that producers had in shaping her narrative is something that stood out to me.
I never watched “Grey’s Anatomy” [on ABC]. I was introduced to Shonda Rhimes just because she’s a black woman with a popular show. And I didn’t know what a showrunner was or what that meant. And then when “Scandal” came along, to see that impact and those skills, it was like, “Wow, she has a dream job that I want. She’s sitting up here and putting black women at the forefront in a big, different way, in a way that I respect and a way that people admire.”
“Flavor of Love” influenced me to write the characters that I wanted to see. And Shonda and “Scandal” made me realize that this is bigger than that. I can create worlds, and there’s a business behind it that can ultimately be positive. It doesn’t have to be centered around negative tropes.
Issa Raeis a writer, producer and actress.
Interview by Concepción de León
Kendrick Lamar
Performing “The Blacker the Berry” and “Alright” at the Grammy Awards (2016)
Rhiannon Giddens:I sat there in the audience and I couldn’t even speak for I don’t know how long. You could almost feel the heat from the fire onstage. It was so intense. I was blown away by the size of it, and by what he was saying at what was essentially a commercial evening.
I’m a very activist musician in my own kind of way, but the way he did it — the way he was working within a very popular art form but still being willing to really go there — really stuck with me for a long time. It was a reminder that there are many different ways of making change as an artist, whether you’re outside of the structure or within it.
Rhiannon Giddensis a musician.
Interview by Reggie Ugwu
‘Moonlight’
Movie adapted and directed by Barry Jenkins (2016)
Jaboukie Young-White:It was wild seeing that it wasn’t until the mid-2010s that you saw black people being properly lit in TV and film — and lit to the point where it elevates the aesthetic, to the point where these people look so picturesque and painting-like. “Moonlight” not only represents a huge change in narrative representation and storytelling, but also visually it changed the landscape.
I went by myself to watch it when I was back home in Chicago, and I remember toward the end, the scene where he [Chiron, played by Trevante Rhodes] is talking to his mom, I was weeping because as a gay man I was like, “Wow, this is what everyone has been experiencing when they have been watching movies: They have been just seeing themselves on the screen, seeing something that’s happened to them — not having to do mental gymnastics or an exercise in empathy to be able to put yourself in a character’s shoes.” That character, it was already me, so that sensation was overwhelming because it literally was like I was seeing a new color that I had never seen before. It had been there the entire time and I didn’t know it existed.
Jaboukie Young-Whiteis a comedian and writer.
Interview by Lovia Gyarkye
‘A Seat at the Table’
Album by Solange (2016)
Barry Jenkins:I remember Mahershala [Ali, a star of “Moonlight”] leaning over to me and asking if I’d heard the new Solange. The look on his face told me that I needed to. When we flew through a storm over the Atlantic to premiere “Moonlight” at the London Film Festival, this album was with me. When I flew to Cannes for the 2017 festival [to be a jury member], this album was with me. I would not have survived the madness of our “Moonlight” journey without it. In a way, Solange Knowles saved my life. At the very least, my sanity.
Barry Jenkinsis a director, producer and writer.
Interview by Mekado Murphy
Ta-Nehisi Coates
Writer
John Legend:“The Case for Reparations” [an article in The Atlantic] had a big influence on the way I think about justice and the history of the harm that America has done to African-Americans and how its legacy is still so present and so clear in things like the wealth gap and other issues. [His books] “Between the World and Me” and “We Were Eight Years in Power,” and all the other great articles he’s written, influenced my art as a songwriter and my work as an activist.
We’re obviously in a moment right now where it’s just a boom for black creativity. I think things like #OscarsSoWhite and Black Lives Matter really emboldened a lot of artists. And they also pushed a lot of gatekeepers to allow black art to flourish in ways that I don’t think it had to this extent, maybe ever — at least not most of my adult life. Netflix and all these other streaming services and all these new networks, just seeing more opportunities for art to flourish. And Black Twitter and black activists and all these other groups have put social pressure on the powers that be. I think we just had a lot more opportunities to create interesting art that’s more diverse and more reflective of the intricate and beautiful tapestry of African-Americans and the diaspora.
John Legendis a musician and producer.
Interview by Kwame Opam
‘Black Panther’
Movie co-written and directed by Ryan Coogler (2018)
Sterling K. Brown:I remember walking down the streets of New York City and passing by a comic book store and Reggie Hudlin had done an update to the Black Panther series. I wound up buying [a bunch] because I had heard of the character but I had never actually read [the comic]. I was fascinated and thought, “Man, they ain’t never going to make a movie based on the Black Panther.” To actually live long enough [to see it] was this incredible pinch-me moment, like [studios] were seeing the value in diversity.
They were seeing the value and the power of a story well told, and it didn’t matter what faces were at the center of the movie. This whole idea that black faces don’t sell overseas got a chance to be demolished. To have a small part in that film [Brown played N’Jobu], which I think was a cultural moment and the beginning of a movement, where diversity is being appreciated not just because of the power of the story but because it’s financially lucrative as well — I love being a footnote in what I think was a history-making moment.
On Halloween I enjoyed seeing nonblack children dressed up as T’Challa. For such a long time, Hollywood had this idea that in order for everyone to see themselves in [a film] they had to make a character white because no white person would see themselves relating to a person of color. Now we have gotten to a place where that level of myopia — that small-mindedness — has expanded. People can see themselves in others regardless of their background. The universal themes apply whether or not you understand the exact cultural experience. Ryan [Coogler] and Marvel [Studios] made a movie that was unapologetically black, but you don’t cross that billion-dollar threshold just by black people seeing it; it’s something that is also universal.
Sterling K. Brownis an actor and producer.
Interview by Lovia Gyarkye
‘Coconut Oil’
Song by Lizzo (2016)
Audra McDonald:I was introduced to Lizzo by my daughter playing that song. The more I started to understand Lizzo and her art, and her embracing all that she is — and empowering women — it impacted me. It has had a huge impact on the way that my daughter sees herself and the way she embraces all that she is — I think Lizzo is leading a revolution in that regard. It’s a genius song! She’s saying, I thought I needed this man, I thought I needed that, and all I needed was coconut oil — basically saying, “all I needed was self-care.” That’s a powerful and necessary thing in our world today, especially for young women and girls and POC.
Audra McDonaldis an actress and singer.
Interview by Jazmine Hughes
‘Double America 2’
Artwork by Glenn Ligon (2014)
Kenya Barris:It turns America on itself, abstracting it. That really struck me because I find that abstract art is something black people don’t really get to do. We’re not given the opportunity to do black art that way. And in this piece, Glenn turns that notion on its head. For me, the simplicity of it is radical and confrontational.
I had seen [an earlier version called “Double America”] represented in books and articles. But [this one] really stood out to me when I finally saw it in person at the Broad museum in 2014. There is something about seeing Glenn’s work in person that is essential to understanding it. The piece itself is active, and I think to experience it sparked something specific in me. I felt that it spoke directly to the black identity — the duality of the black experience and the access black people have to art itself.
Kenya Barrisis a writer and producer.
Interview by Reggie Ugwu
Glenn Ligon’s “Double America” (2012)National Gallery of Art, Washington
‘12 Little Spells’
Album by Esperanza Spalding (2018)
Anna Deavere Smith:I’ve been getting in on Esperanza Spalding and what she’s doing. When we look at real life we see profound divisions in our culture. We see our people, my brothers and sisters, struggling, not educated, in the grips of gun violence and so forth. We can celebrate an artistic explosion, but I’m also very aware of the desperate situation of folks.
I did pay a lot of attention to “12 Little Spells.” I was able to read the text and talk to her about it. To look at that text up close, it’s incredible. She’s just a very good writer. It was great to be able to dive into that, to prepare to interview her [at the Strand bookstore] and look really, really closely at that work; I was able to see it twice as well. She wants it to be a healing piece, and I have to say that is something I’m hearing from younger artists — this notion of searching for ways that their work can be healing.
Anna Deavere Smithis an actress, playwright and academic.
Interview by Nicole Herrington
‘The End of eating Everything’
Animated video by Wangechi Mutu (2013)
Dee Rees:It really jolted my thinking and reminded me of what’s possible when you let your imagination fly. It was a wake-up call to being more fantastical. I remember seeing her exhibition in Brooklyn [her first U.S. survey at the Brooklyn Museum in 2013] and just being completely mesmerized.
Dee Reesis a director and writer.
Interview by Mekado Murphy
‘In Search Of…’
Album by N.E.R.D (2001)
Virgil Abloh:There’s an interview where [Pharrell Williams] classically said, The album is too white for black radio and too black for white radio. As a kid growing up in the suburbs of Chicago, skateboarding and finding my own identity, it resonated with me more than hip-hop on its own. [It said] that it was fine to be in between. And I think that has described a whole generation of young black kids and artists who have since been determined to be themselves and jump through that door that was opened by Pharrell.
The prototype at the time was that you had to be a thug or an athlete or a rapper. And then he came along with a different panache as a producer, an artist, a tastemaker, an individual. That sort of held a mirror up for me — it was a new prototype, and it came with a new sound. A lot of the freedom that exhibits in my practice is of that same sort of risk-taking.
Virgil Ablohis a designer and artist.
Interview by Reggie Ugwu
‘Atlanta’
Television series created by Donald Glover (2016 to present)
Lena Waithe:“Atlanta” made me want to be better. Very few things that I watch fall into that [category]. I remember watching it in London on my computer, and being like, “Oh, OK, the game is no longer the same. The game has changed.”
Something about the episode [S1:E2] where [Earn, played by Donald Glover] he’s waiting to get bailed out [of jail], and there’s someone who is obviously mentally ill: The way it’s handled, it’s so nuanced, so respectful. I love how they drop in that [Earn is] very smart, and he had an opportunity to be something. But he’s a little lackadaisical, and he has no reason to be really sitting where he’s sitting. And there’s another person that we don’t really get to meet, but you know that that person is struggling mentally. What [the scene is] almost saying is, like, you can either be Earn or you could go crazy. It’s like the world still drives black people crazy.
To me, it’s saying either you live long enough to be a successful, contributing member of society, which is what people expect black folks to do, or society drives you crazy. We do everything we can to say that we’re worthy of the space that we take up. And we’re still told, “Well, you’re still three-fifths of a human being.” So what do you expect us to do?
Lena Waitheis a writer, producer and actress.
Interview by Concepción de León
Jet Magazine
Mickalene Thomas:When I think about my life and my personal journey and my professional trajectory, I would have to think about Jet, as a cultural, social and political media entity that shaped not only African-American people but also American culture through entertainment, through images, through music and fashion and storytelling.
I think of Jet as being almost like the first form of what social media or Instagram is today. Especially like what its Beauty of the Week [visual feature] represented. These were everyday women, college girls, presenting themselves, submitting their profiles for a magazine, describing themselves and their interests, their hobbies, their likes and what they did. They were identifying themselves: “Hi. I’m Carol. I’m from Atlanta. I like to cook and I’m such and such.” It’s like the first sort of precursor to the selfie and how we share now. Jet was such a leader in this form of self-professing and self-identifying. It was so much of what we’re doing now. And it’s so incredible that there’s going to be this archive. [TheJet and Ebony photo archivewere sold in 2019 and will be transferred to the Smithsonian National Museum of African American History and Culture and the Getty Research Institute.]
Mickalene Thomasis an artist.
Interview by Nicole Herrington
‘Sorry to Bother You’
Movie written and directed by Boots Riley (2018)
Chance the Rapper:I think it’s one of the best films to be made in the last 20 years. There are a lot of tropes in films nowadays that try to talk about black life, and it’s kind of a spectacle — we have to see a black person get killed or somehow demeaned in a way that gives white viewers added value to the black character.
And that movie just completely stepped away from it. There’s scenes where they build it up to make you think that the main character is going to have a violent interaction with somebody, or something grave is going to happen and it never happens.
That movie showed capitalism in a way that I had never understood — how much it had to do with black lives or global blackness. The fact that it affects everyone in the world makes it seem as if it’s just a monetary issue or just a class issue or just something that affects everybody, but it’s really a part of the fabric of the subjugation of black people.
Chance the Rapperis a musician.
Interview by Aisha Harris
Kara Walker
Artist
Julia Bullock:The first time I saw her work was at the Broad museum in Los Angeles. When I entered into the space there were these really dynamic silhouettes that seemed quite playful. But the closer I got, I realized what she was depicting. To say it made me happy is maybe a weird statement, but when I encounter any work of art that is talking about racism or anything that’s going on with blackness, I’m looking for something that is quite explicit. It’s something that I shied away from in my work for so long. Kara Walker’s work didn’t necessarily change what I was doing in my work, but it helped to reaffirm what I was already after. I really appreciate when the focus is super clear. When dealing with this subject matter, trying to treat it politely or quote unquote appropriately, there’s just no time and space for that.
Julia Bullockis a soprano.
Interview by Eric V. Copage
A detail from Kara Walker’s “Rise Up Ye Mighty Race!” (2012-13)Clare Britt, via Sikkema Jenkins & Co., New York
‘Lemonade’
Album and film by Beyoncé (2016)
Kerry Washington:I think “Lemonade” really was so culture-shifting in terms of gender roles, in terms of fidelity, in terms of how we think about marriage today, how we think about hip-hop today, how we think about feminism, how we think about power. Visually, musically, but also sociopolitically, anthropologically, “Lemonade” is a game changer. It’s just so big.
It really was like a new version of womanism: What it means for a black woman to take on this role, and what it means for a black woman whose husband cheats on her — and she stays with him — to call herself a feminist. How she walked that was just tremendous. And what she reveals about being a career woman and being a working mother in that piece is also so profound.
I watched it the night it came out. My husband and I were on the couch, and one of my cousins from the Bronx texted me, probably 10 minutes in, and was like, “There’s no way that Jay-Z signed off on this.” And then later, there’s Jay in the bed, reading the newspaper, fully co-signed. It was a real testament to the vulnerability that is possible in black love, and what partnership can really look like, what healing can look like, what courage in a marriage can look like. Trust is so important.
Kerry Washingtonis an actress.
Interview by Salamishah Tillet
‘Love & Basketball’
Movie written and directed by Gina Prince-Bythewood (2000)
Angie Thomas:It’s probably my favorite movie of all time. The fact that we got a coming-of-age story about a black girl and it didn’t include violence, trauma or anything like that, that was just — one, it was mind blowing. Two, it was eye-opening. Three, it was reassuring. I often say “Love & Basketball” kind of gave me the green light to tell stories.
The film told me that somebody like me could tell a story about somebody like me. There aren’t a whole lot of movies or books about black girls coming-of-age. Let’s just be real. I remember seeing “Love & Basketball” on the big screen, and saying to myself, “Wow, somebody was able to make a movie about a black girl like this.” This black family, they weren’t in the hood. As somebody who’s written those stories, there’s nothing wrong with that. But she has a fully formed family. Her parents are together. I was seeing a story about a black girl and she wasn’t the sassy best friend; she wasn’t the ghetto girl.
And to see that, it validated me and it validated the stories that I want to tell. So when I was writing “The Hate U Give,” I looked at “Love & Basketball” and I was like, you know what? I’m going to put bits and pieces of that into Starr, so you have her as a basketball player. And I wouldn’t have felt like I could’ve done that if it weren’t for “Love & Basketball.”
Angie Thomasis an author.
Interview by Concepción de León
‘Room for Improvement’
First mixtape by Drake (2006)
Misty Copeland:I grew up in a diverse area in Los Angeles, but then entering into the ballet world, which was so white, I felt so isolated so much of the time and music was always that one tangible thing I had. Drake had a couple of mixtapes that really spoke to me. I think that black people are often put in this box. Black women have to be the caretakers. We have to be strong. You can’t really show vulnerability — especially black men. I am biracial and my husband is also black and Jewish, so to see this biracial Jewish guy speaking his truth, being open, vulnerable and honest, and making a space for black men not to be in one emotional box was to me the next level of where music should be going.
Misty Copelandis a dancer.
Interview by Salamishah Tillet
‘Get Out’
Movie written and directed by Jordan Peele (2017)
Kerry James Marshall:That was a phenomenal piece of work. It did everything that I thought a film like that was supposed to do because it seemed like real cinema. It wasn’t a movie; it was cinema. When you hear him talk about the film, you can see that he’s a student of cinema.
Having a good idea doesn’t mean that the good idea is successfully realized, and so people tend to fall back on whether the thing was worthwhile to do, much less if it was successful in that. And I thought this was a particularly successful film, because it was driven by great writing and great cinematography. Now, I didn’t feel that strongly about “Us”; I thought there were a lot of weaknesses in that. But you understand that this is somebody who knows exactly what needs to be done. And in “Get Out,” he knew exactly what needed to be done.
Oftentimes you see a trailer for a movie, and you say, “Oh, I don’t need to go see that. Because I see where they’re going with this and I don’t need to spend much more time [with it.]” But there was something about the imagery that was projected in the trailers for “Get Out” that mattered. And of course, Daniel Kaluuya is no small part of it. He is a powerful presence on the screen. It was a kind of edge-of-your-seat movie. You didn’t know exactly where it was going to go. But every time it went through another place, it made perfect sense within the context of that movie, in the story he was telling. And it was never telegraphed so far ahead that you felt like you could write the end of the script before it even got there.
Kerry James Marshallis an artist.
Interview by Wesley Morris
‘Glory’
Song by Common and John Legend (2014)
Bryan Stevenson
Author
Isabel Wilkerson
Author
James McBride
Author
What interested you about “Glory,” that collaboration between John Legend and Common?There’s a consciousness that [John Legend and Common] brought to the material, which I think was a bit unusual among high-profile pop artists —  to do things that were dealing with social recall and definition. “Glory” was a kind of contemporary black — not protest, but black anthem, I guess is the best word.I grew up in a time when music that came from the black voice was filled with reflections that deeply represented the black sense of life in America. The [Harlem] Renaissance gave us people like Louis Armstrong, Billie Holiday — a host of artists that became huge sang to the plight of black people and the black experience. And I thought that was a rich gift to American culture.
And you see “Glory” as a kind of harkening to that?Yes. It’s a kind of black homage to the best that’s in us.
What do you like about Bryan Stevenson’s  memoir “Just Mercy,” the story of his fight to appeal the sentence of a man convicted of murder?I would identify him as a notator of history. What appeals to me about “Just Mercy” is that it relates to the human condition. He and a lot of the young men and women I’ve dealt with [as an activist] are moved by the sense of social responsibility and consciousness.I’m thinking [of people like] Isabel Wilkerson, [who wrote] “The Warmth of Other Suns” [2010, about the migration of blacks from the South]. And James McBride, who wrote “The Good Lord Bird” [2013], fiction about a young black kid traveling with [the abolitionist] John Brown. That to me was quite offbeat and unique and rewarding. [These three authors] are calling upon history to reflect on it.
So they are picking up the baton from an earlier generation in terms of consciousness and activism.Look, black culture has always reflected the hopes and the aspirations of black people. Take a great artist like my favorite of all, Huddie Ledbetter — Lead Belly. What I love about Lead Belly was his rawness, his directness. And I think that a lot of artists today are beginning to reflect social preoccupation. For a long time, we were just about the characters of pop culture. But now we’re coming back to looking at a deeper resonance.
Harry Belafonteis an activist, singer and actor.
Interview by Eric V. Copage
Saidiya Hartman
Author
Robin Coste Lewis
Poet
Tyehimba Jess
Poet
Margo Jefferson:I am extremely interested in artists. I’m speaking largely literary, but also the musical and the visual, artists who are simultaneously archivists, curators and linguistic creators. They’re using everything, and they’re creating these books that are simultaneously written, visual and oral texts. They are performing books in various media. And I like their sense of archiving because it can be anything from those historians’ formal documents to ephemera, all these little objects, ads and raw material culture.
So I’m thinking of, for example, people like the historian Saidiya Hartman and her book “Wayward Lives, Beautiful Experiments” where historical and archival research joined with imaginative recreation. Also, the poets Robin Coste Lewis and Tyehimba Jess. In “Voyage of the Sable Venus and Other Poems,” Robin Coste Lewis creates an entire poem from descriptions of artworks. So, it’s artifacts and documents being used to create another artistic object entirely.
My particular favorite of Tyehimba Jess’s is a book called “Olio” [winner of the 2017 Pulitzer Prize for poetry], where he uses everything from interviews, to dramatic monologues, to musical programs, to fonts and typography, to basically track the kind of art that was flourishing in the late 19th and early 20th centuries. Ragtime, the Fisk Jubilee Singers. It’s really an amazing performative book. Jess’s “leadbelly” book is also remarkable because it’s totally grounded in research, but it’s a combination of lyricism and the dramatic monologue.
Margo Jeffersonis a writer and academic.
Interview by Salamishah Tillet
‘Grace’
Dance piece by Ronald K. Brown (1999; performed in 2000)
Tarell Alvin McCraney:I saw the Alvin Ailey dance company perform it in [March] 2000 in Chicago when I was an undergrad at DePaul University. It’s a piece that I show to my students [at Yale]. It’s ahead of its time because it is one of the first pieces to celebrate the syncretism of Afrobeat and the way legacy lives in African-American culture. The jump off is “Blood Memories” [choreographed by Donald McKayle], and the sacred dance that we find in works like “Divining” [by Judith Jamison] and Ailey’s own “Revelations.”
Then, “Grace” explores the moment of the sacred getting into the secular — even down to its music, which combines house music, which was born in Chicago. But it’s also Fela Kuti [“Shakara”] and the song “Come Sunday” [by Duke Ellington] and how those things are interconnected with the body of black people. It’s just a momentary celebration of how the political, the social and the spiritual can exist at the same time.
Tarell Alvin McCraneyis a playwright, actor and academic.
Interview by Salamishah Tillet
D’Angelo
Musician
Kyle Abraham:He’s an artist who pays so much attention to detail. And I think he’s always had his own individual vision for what he wants to put out and share with the world. I’m really drawn to the soulfulness in his music. And not in the generic way that one might reference soul, which is related to an artist. I think that there is a real connection to love, and to something that’s a higher power even if that higher power is the love that his music exudes. It just draws me in. It gives me hope. It gives me solace.
On his most recent album, “Black Messiah,” [2014] I can hear plenty of lineage in the album. There’s even one song where in my mind Prince is playing on that album but it’s still very much a D’Angelo album from top to bottom. “Betray My Heart” is just such a beautiful love song. It’s a song for a couple that has been together for generations and lifetimes. It’s seemingly so simple, the chorus, to say, “I will never betray my heart,” but it’s also in some ways maybe thinking about yourself and self-love, or what you mean to yourself or what someone else means to you. And all that is the beauty of good songwriting. You can listen to a song and find different connections that help you heal, and inspire you.
Kyle Abrahamis a choreographer.
Interview by Eric V. Copage
Amber Hasan
Musician, author
Shea Cobb
Poet, musician
LaToya Ruby Frazier:I’ve been on the ground here in Flint, Mich., ever since I did my first photo essay about the water crisis, which was published in the September 2016 issue of Elle magazine. Amber Hasan, her rap song “No Filter” was a big hit here that helped people understand the intensity of the water crisis. Her song inspired my photo essay.
Shea Cobb also did a poem that ran online with the Elle piece, about her daily reckoning with lead-contaminated water and trying to protect her daughter. Cobb and Hasan formed an artist collective called the Sister Tour with artists, activists and entrepreneurs that advocate for other women, artists, activists and entrepreneurs. These have been the women on the ground, keeping the narrative out there and trying to get access to clean water. These are everyday folks that people are not thinking about because they don’t know they’re out here doing grass-roots initiatives, and fighting for the quality and access to clean drinking water. As an artist, to stay with photographs and storytelling that lead to a solution, and to play a key role, and to be able to fund that solution, I couldn’t ask for more.
LaToya Ruby Frazieris an artist and academic.
Interview by Salamishah Tillet
‘The Will to Adorn’
Composition by George E. Lewis (2011)
Tyshawn Sorey:“The Will to Adorn,” based on an essay by Zora Neale Hurston where she talks about embellishment as crucial to black people’s self-expression, deals with this notion of adornment in a way where he is decorating decorations. Through the way the chords are fashioned and varied, Lewis’s music speaks to this concept in pretty much all of his work, whether it is electronic, electroacoustic or acoustic.
Rather than time, George does it with the concept of timbre, instrumental timbres and things like that, and how they can all group together to create this otherworldly soundscape.
It’s interesting how this work of Hurston’s was reimagined in George’s music and now I am starting to see these parallel histories between them. And I think that’s what a lot of our music does, especially black music.
If you have a chance to hear it, you’ll see what I mean. There is a normative way of playing an instrument, but here, George reinvents and repurposes that sound. I think it’s going to be definitely a classic work for decades and centuries to come.
Tyshawn Soreyis a musician and composer.
Interview by Salamishah Tillet
Issa Rae
Writer, producer, actress
Donald Glover
Writer, actor, musician
Wyatt Cenac:What I found inspiring more than anything is that there’s been a creative drive that I’m seeing in people who have just tried to forge their own paths. To me, everything that’s been interesting in the last 20 years is just hearing people say, “OK, I can create my own path toward my goals.” Seeing them do something that they built from the ground up. It has allowed people to not just be creative in what they’re writing but also how they take that to an audience. That’s freedom.
Whether that’s somebody like Issa Rae, just making a web series [“The Misadventures of Awkward Black Girl”] — she didn’t go the traditional route. She self-produced something, and used it to cultivate and grow an audience, so much so that a network like HBO would be not just willing, but hungry, to take a chance to give her a voice and platform that can reach an even broader audience [with “Insecure”]. Donald Glover did that same type of shifting, both musically with everything he’s doing as Childish Gambino, but also [television]. It would have been very easy for him to stay on a network show [“Community” on NBC] and continue collecting a paycheck, but he wanted to create his own path with “Atlanta.”
Wyatt Cenacis a comedian, producer and writer.
Interview by Kwame Opam
Black Social Media
Desus Nice:This rise of black social media is kind of overlooked. Before there was Black Twitter, message-board culture in 2000 was huge. That’s where we were just hanging.
When you go to a job, you have orientation and you talk to everyone and then you see the other black employee. And then y’all do the head nod, and figure out the little culture right there — that’s kind of what we were doing on the internet.
Okayplayer, the website, was one of the most influential — people are probably going to go back and look at that as one of the most influential websites on the internet for our culture.
Questlove made Okayplayer. We used to call him Poppa on it. There were so many rappers, so many poets. People were making graphics.
But Heben [Nigatu] and Trace [Tracy Clayton] and a lot of people who are really popping right now, on Black Twitter, we all started there. We were babies! Just writing little posts.
And it’s not so much that website, but I think the experience of black people niching out their own little section on social media, that definitely shifted [things]. I would even say it made black culture more singular; before everything was more regional. New Yorkers had their own slang. But now you can have a meme and every black person in the United States — or in the world — can understand it, because of social media.
Desus Niceis a comedian.
Interview by Dodai Stewart
‘BLKNWS’
Video installation by Kahlil Joseph (2018-ongoing)
Tracy K. Smith:It’s this video essay that uses two screens to depict images — from the news, from pop culture footage, from YouTube, from cinema, from the sciences — that speak to or just show central moments from black life. So we have some of the very familiar — like films, like clips of major speeches by Martin Luther King. But there are also images from seminal movies from my generation, like “Boyz N the Hood,” or news clips that depict some event happening in black communities.
I think I sat there for about almost an hour, taking this stuff in and each element speaks to you. What I feel it’s doing is creating this almost large-scale sense of black humanity and what resilience it has, what forces working within and sometimes against it have looked like.
I found it to be one of the most coherent and compelling examinations of blackness and of America that I’ve ever seen. I haven’t really been able to stop thinking about it. In some ways, I don’t think it could exist without Arthur Jafa’s “Love Is the Message, the Message Is Death” [which uses a wide range of contemporary imagery to trace African-American identity]. But it builds upon that, in part because it has these dual screens and in part because it’s also bringing us right up to the present. And we’re thinking in the broad sweep of history. We’re thinking in public and private terms.
Tracy K. Smithis a poet.
Interview by Concepción de León
David Zwirner, New York; Photograph by Vincent Tullo for The New York Times
‘Lens’
Song by Frank Ocean (2017)
‘ELEMENT.’
Music video by Kendrick Lamar (2017)
Yara Shahidi:When I look at “Lens,” the one thing that I really appreciate is the cover art, which is actually inspired by a Kerry James Marshall portrait. It’s a self-portrait of a shadow of a man, maybe in his past life. In regards to “ELEMENT.,” not only is that entire album [“DAMN.”] priceless, but the “ELEMENT.” video is a homage to the photographer Gordon Parks. And so seeing that culmination of the way visual art and music are so intertwined, but also just as a form of storytelling, I gravitate toward those pieces because they are an amalgam of mediums.
The one thing that “Lens” revealed [to me] right away was that this was “Giovanni’s Room,” by James Baldwin, in song form. It’s about what it means when there’s this kind of farce of a relationship or just reckoning with your sexuality in whatever position that you’re in. Lyric by lyric, it feels like there are parallels between the stories. It’s so steeped in what it means to be yourself and what it means to be yourself in practice. Any art that touches on that has the ability to extend past identity. In a way it makes sense why black culture is central to just mainstream culture. The ability to have that conversation in particular was kind of unprecedented.
Yara Shahidiis an actress and activist.
Interview by Concepción de León
Robin Coste Lewis
Poet
Ava DuVernay:I read a lot of poetry and she’s been really galvanizing for me, instigating my own energy and ideas over the past couple years. Her work has a muscularity to it, yet it’s still very supple. She writes about a wide range of topics, a full expanse.
She’s the poet laureate of Los Angeles. She’s from Compton, the same place that I am. When I learned that her place of origin was in proximity to my own, her work gained a deeper resonance with me.
Ava DuVernayis a director, writer and producer.
Interview by Mekado Murphy
‘Beyoncé’
Self-titled album (2013)
Janet Mock:She’s my pop teen idol. I was able to grow with her into womanhood. As a teenager in Hawaii, I watched her, a teenager from Houston, performing black girldom on a popular world stage. Through that album I saw her come into her own voice. Centering herself on stages with “Feminist” behind her and making that proclamation for herself. For so many others who may have been trepidatious about the label, a label most often assigned to white women, to see a young black woman take the stage and say, I too am a feminist and these are my beliefs: I am growing, I’ll be even more bold in my voice, more courageous in my work, take more chances — that was truly [inspiring].
Another thing about that album that I love so much is this sexual awakening for her. She did things early in her career where she was very much [saying], I’m sexy, but not really sexual. [On this album] she expressed a side of her sexuality that I hadn’t seen before and it didn’t feel performative. It didn’t feel as if someone was like, “You need to do something racy.” It felt very organic. It came out two months before my first memoir [“Redefining Realness”] was going to be published. I felt so free because I too was constrained by respectability politics, by the idea that I shouldn’t center my body, my sexuality and my voice in this way.
Janet Mockis a writer, director and activist.
Interview by Salamishah Tillet
‘good kid, m.A.A.d city’
Album by Kendrick Lamar (2012)
Ta-Nehisi Coates:So much of art is related to when you encounter it. I can never hear anything the way I heard “Illmatic” [Nas’s debut album from 1994]. That album spoke to the neighborhood that I came up in. I wasn’t the character on that album. I didn’t have the same envy or love or lust for the streets. “good kid, m.A.A.d city” — that sounds like me. Because, man, you got somebody that’s actually quite conflicted about the environment they’re born into. They don’t think the environment is that great. Maybe Nas didn’t either, but there was a braggadocio he had about it. The narrator in “good kid, m.A.A.d city” is a kid who is basically trying to cope with his environment. That just felt like me. If you strip the hood away, it’s not clear to me that this kid would be sad the hood was gone, or that he would have any longing to go back.
My son at that point was 12 years old. So he was only beginning to develop an aesthetic. That was the first album where he was like, “Man, this is great.” And I was like, “Yeah, it really is great” — not, “This is great and I’m just trying to be into what you’re into.” I didn’t have the same visceral feeling [as when I heard “Illmatic”] — that’s like falling in love. When I heard “good kid, m.A.A.d city,” it couldn’t hit me the same way, but goddamn, it did hit. It hit hard.
I think Kendrick makes the most emotionally mature rap I’ve ever heard. He has levels of vulnerability: Watching people get out of the hood and being jealous of them, because you think there’s only room for X number of people to make it out. I mean, who the hell confesses to that?
Sometimes you hear stuff that’s reminiscent of the ’90s and it doesn’t feel like it has advanced. It’s just redoing Wu-Tang or Nas. But Kendrick took what he was supposed to from all of that and did something totally different. I have a great admiration for him.
Ta-Nehisi Coatesis an author and journalist.
Interview by Wesley Morris
‘Pose’
Television series created by Ryan Murphy, Steven Canals and Brad Falchuk (2018-present)
Billy Porter:Without being self-congratulatory, for black queer people in the past 20 years, it really is “Pose.” Visibility is the key. The conversation between the black community and queer POC is very, very fraught, and prior to “Pose,” we have been largely dismissed, completely invisible by our own, and that’s really difficult. People of color were already dismissed by the larger world, and then you turn around to your own community and they have nothing for you, either. “Pose” calls that out and makes that issue and puts that conversation at the forefront and it’s really empowering.
Billy Porteris an actor and singer.
Interview by Jazmine Hughes
Editing Nicole Herrington, Sia Michel, Lorne Manly and Susanna Timmons, with contributions by Eric V. Copage and Finn Cohen. Production Alicia DeSantis, Jolie Ruben and Josephine Sedgwick. Design Gabriel Gianordoli. Photographs Jessica Pettway. Prop Styling Sara Schipani. Art Production Andrew Rodriguez
So we asked 35 major African-American creators from different worlds (film, art, TV, music, books and more) to talk about the work that has inspired them the most over the past two decades: “Atlanta,” “Moonlight,” “Get Out,” “A Seat at the Table,” “Double America 2,” and on and on. I think things like #OscarsSoWhite and Black Lives Matter really emboldened a lot of artists. featuring Chris Brown – “Come Through” (RCA Records / MBK Entertainment) Tobe Nwigwe featuring Fat Nwigwe – “Fye Fye” (Tobe Nwigwe, LLC) “Attica” (Showtime) “Barbara Lee: Speaking Truth to Power” (Greenwich Entertainment) “My Name Is Pauli Murray” (Amazon Studios) “Summer of Soul (…Or, When the Revolution Could Not Be Televised)” (Searchlight Pictures / Hulu) “Tina” (HBO Documentary Films) “1971: The Year That Music Changed Everything” (Apple TV+) “American Masters: How It Feels to Be Free” (PBS) “Blood Brothers: Malcolm X & Muhammad Ali” (Netflix) “High on the Hog: How African American Cuisine Transformed America” (Netflix) “Insecure” Documentary (HBO) Ashley Nicole Black – “Ted Lasso” – “Do the Right-est Thing” (Apple TV+) Issa Rae – “Insecure” -“Everything’s Gonna Be, Okay? “It is an extraordinary privilege to provide our unparalleled platforms to recognize the vast contributions of Black creators, in a way that only BET, and NAACP can.” Recognized as the nation’s preeminent multicultural awards show from an African-American perspective, the “53rd NAACP Image Awards” celebrates the outstanding achievements and performances of people of color across more than 80 competitive categories spanning film, television + streaming, music, literature, and podcasts. “We take pride in recognizing the trailblazing achievements and artistry of this year’s esteemed nominees and celebrating the powerful legacy of the NAACP,” said Connie Orlando, EVP of Specials, Music Programming & Music Strategy, BET. She’s sitting up here and putting black women at the forefront in a big, different way, in a way that I respect and a way that people admire.” “Flavor of Love” influenced me to write the characters that I wanted to see. Mickalene Thomas, , 2019 The New York Times has created a new interactive feature titled The feature highlights excerpts from conversations with a group of prominent African-American creators whom have played a significant role in defining the 21st century in America. Previous years’ attendees and winners include Samuel L. Jackson, Jennifer Hudson, Rihanna, Wizkid, Lizzo, Beyoncé, Jay-Z, Michael B. Jordan, Oprah Winfrey, Prince Harry & Meghan Markle, Jamie Foxx, Chloe x Halle, Regé-Jean Page, Daniel Kaluuya, Michaela Coel, Cliff “Method Man” Smith, Blair Underwood, Will Smith, Taraji P. Henson, Marsai Martin, Viola Davis, Gabrielle Union, Kerry Washington, Anthony Anderson, Sterling K. Brown, Loni Love, Sheryl Underwood, Halle Berry, Common, Dwayne Johnson, Audra Day, John Legend, Lena Waithe, Tracee Ellis Ross, David Oyelowo, Laverne Cox, Octavia Spencer, Issa Rae, Trevor Noah, Yara Shahidi, Danai Gurira, Jacob Latimore, Jill Scott, H.E.R., Jay Pharoah, Jemele Hill, Loretta Devine, Sylvester Stallone, Meta Golding, Michael Smith, Tyler James Williams, Ava DuVernay, the late Chadwick Boseman, and many more. You can see the imprint of the Barack Obama presidency on “Black Panther”; Black Lives Matter on Beyoncé; the country’s prison crisis on Kendrick Lamar. !” (HBO) Neema Barnette – “Harlem – “Once Upon a Time in Harlem” (Amazon Studios) Prentice Penny – “Insecure” – “Everything’s Gonna Be, Okay? !” (HBO) Neema Barnette – “Harlem – “Once Upon a Time in Harlem” (Amazon Studios) Prentice Penny – “Insecure” – “Everything’s Gonna Be, Okay? It was really impactful for me in terms of feeling like, “I have to get up and create alternative images.” But I also recognize the impact that it had just in terms of pushing black women’s voices to the forefront — I always feel conflicted about that. “We are thrilled to recognize this year’s nominees, who have all brought dynamic, entertaining, and thought provoking content to our attention through their incredible work in film, television, music and more,” said Chairman, Image Awards Committee, Karen Boykin-Towns. I think we just had a lot more opportunities to create interesting art that’s more diverse and more reflective of the intricate and beautiful tapestry of African-Americans and the diaspora. Previous years’ attendees and winners include Michelle Obama, Rihanna, Lizzo, Beyoncé, Jay-Z, Michael B. Jordan, Oprah Winfrey, Jamie Foxx, Chloe x Halle, Regé-Jean Page, Michaela Coel, Cliff “Method Man” Smith, Blair Underwood, Will Smith, Samuel L. Jackson, Taraji P. Henson, Marsai Martin, Viola Davis, Gabrielle Union, Kerry Washington, Anthony Anderson, Sterling K. Brown, Loni Love, Sheryl Underwood, Mandy Moore, Halle Berry, Common, Dwayne Johnson, Audra Day, John Legend, Lena Waithe, Tracee Ellis Ross, David Oyelowo, Laverne Cox, Octavia Spencer, Issa Rae, Trevor Noah, Regina King, Yara Shahidi, Danai Gurira, Jacob Latimore, Jill Scott, H.E.R., Jay Pharoah, Jemele Hill, Josh Gad, Loretta Devine, Tracy Morgan, Sylvester Stallone, Meta Golding, Michael Smith, Tyler James Williams, Ava DuVernay, the late Chadwick Boseman, Alicia Keys, Swizz Beatz, Lin-Mnuel Miranda, Stephen Curry, Stacey Abrams, Mary J. Blige, Andra Day, Arsenio Hall, Leslie Jones, Susan Kelechi Watson, Madalen Mills and many more.
Kerry Washington, Ta-Nehisi Coates, and Oprah Winfrey have all recently spoken about the impact of black artists on their own work and on society as a whole. This comes as people around the world are increasingly tuning in to the "earth's vibrations" and recognizing the power of black art to define the century.

In an emotional Instagram video, Beyoncé revealed that she has stiff person syndrome and is postponing shows to rebuild her strength. In her music, Beyoncé has long been a champion of black female empowerment, and her latest album, "Lemonade," is no exception. The visual album is steeped in African Americana, from the attire of the antebellum South to the legacies of black female struggle and strength.

Kendrick Lamar is another black artist who is using his platform to make a statement about the black experience. In his song "Freedom," Lamar raps about himself as an object of persecution by the news media and law enforcement, highlighting the mere state of one's racial self and the importance of political blackness.

At a time when movements like Black Lives Matter and #OscarsSoWhite are emboldening artists to speak out, black creators are making work that follows and reflects black life on the ground. From protests over the deaths of black Americans to demands for reform in the justice system, black artists are at the forefront of these conversations.

In addition to musicians like Beyoncé and Kendrick Lamar, black artists in other fields are also making a mark. In the world of visual art, prominent art historians and curators have reflected on 20 living African American artists who are making a mark on painting, photography, performance, and sculpture. These artists explore a range of themes, including the role of the artist in society, history, memory, civil rights, identity, and belonging.

Black art is not only defining the century, but it is also bringing the African diaspora together and at the center of a global shift. From writers' hangouts to the world of rap, black artists are transforming the way we speak, think, and see the world.

As Oprah Winfrey has said of Toni Morrison, "Her writing was a gift to us all, and she will be deeply missed." But the legacy of black artists like Morrison, Beyoncé, and Kendrick Lamar will live on, inspiring future generations to create and to fight for a better world.
Kerry Washington, Ta-Nehisi Coates, and Oprah Winfrey on the Black Art Defining the Century

In a world where people are increasingly attuned to the vibrations of the earth, black art is making its mark as a defining force of the century. From music to literature, black artists are inspiring and challenging us to confront the complexities of our society.

In a recent Instagram video, Beyoncé opened up about her struggle with stiff person syndrome, a rare neurological disorder, and her decision to postpone her shows to regain her strength. Through her music, Beyoncé has long been a champion for black women and their experiences. With the release of her visual album, "Lemonade," she has continued to explore themes of black female strength and struggle.

Similarly, Kendrick Lamar has used his music to shed light on the experience of being black in America. In his song "Freedom," Lamar raps about himself as an object of persecution by the news media and law enforcement, highlighting the systemic racism that continues to plague our society.

Ta-Nehisi Coates, a national correspondent for The Atlantic, has also made significant contributions to black art through his writing. In his book "Between the World and Me," Coates explores the experience of being black in America and the weight of history that comes with it. He has also written for Marvel Comics, bringing black voices and experiences to the world of superheroes.

Oprah Winfrey, a media mogul and philanthropist, has long been a champion of black art and literature. In her book club, she has highlighted the works of black authors such as Toni Morrison and James Baldwin. Through her television network, OWN, Winfrey has also provided a platform for black creators to tell their stories.

Black art is not just about representation, but also about pushing boundaries and challenging the status quo. From Kerry Washington's activism to Ta-Nehisi Coates' incisive writing, black artists are defining the century through their work.

As we continue to grapple with issues of race and inequality, black art serves as a reminder of the power of creativity and the importance of representation. By amplifying black voices and experiences, black artists are not only defining the century, but also creating a more inclusive and equitable world.
Title: Defining the Century: The Black Art that Inspires and Empowers

Introduction

In this era of heightened social awareness and political activism, black artists have taken center stage in defining the cultural narrative of the 21st century. From Beyoncé to Kendrick Lamar, Toni Morrison to Oprah Winfrey, these influential figures are using their art to express the black experience and challenge the status quo. This article explores the works of these trailblazers and their impact on art, culture, and society.

Beyoncé: Wielding Political Blackness and Feminism

Beyoncé has long been celebrated for her powerful voice and captivating performances. However, with the rise of the Black Lives Matter movement, she has embraced a more politically charged approach to her art. In her visual album "Lemonade," Beyoncé weaves together themes of black female struggle, strength, and empowerment. She fearlessly addresses issues such as police brutality and systemic racism, making a powerful statement about the black experience in America today.

Kendrick Lamar: The Voice of a Generation

Kendrick Lamar has emerged as one of the most influential voices in hip-hop, using his lyrics to explore themes of race, identity, and social justice. In his Pulitzer Prize-winning album "DAMN," Lamar delves into the complexities of blackness and the struggle for freedom. He fearlessly tackles issues such as police violence and systemic oppression, shedding light on the experiences of black Americans.

Toni Morrison: A Literary Icon

Toni Morrison, the first African-American woman to win the Nobel Prize in Literature, has left an indelible mark on the literary world. Her works, such as "Beloved" and "Song of Solomon," explore themes of race, identity, and the African American experience. Through her powerful storytelling, Morrison has given voice to the marginalized and inspired generations of writers and artists.

Oprah Winfrey: The Media Mogul and Philanthropist

Oprah Winfrey has built an empire on her ability to connect with audiences and inspire change. Through her television network, book club, and philanthropic endeavors, Winfrey has championed diverse voices and championed social issues. Her work with authors like Ta-Nehisi Coates, whose book "Between the World and Me" explores the experience of blackness in America, has helped bring important conversations to the forefront of popular culture.

The Role of Black Artists in Society

Black artists have long played a vital role in shaping our culture and society. Through their work, they have brought attention to critical issues, challenged stereotypes, and inspired change. As we navigate the complexities of our modern world, the voices of these artists have never been more essential.

Conclusion

From Beyoncé to Toni Morrison, black artists are defining the cultural narrative of the 21st century. Through their powerful voices, they are challenging the status quo, shedding light on critical issues, and inspiring change. As we continue to grapple with issues of race, identity, and social justice, the art of these trailblazers will undoubtedly remain at the forefront of our collective consciousness.
Kerry Washington, Ta-Nehisi Coates, and Oprah Winfrey have something to say about the black art that is defining this century.

In a recent interview with The New York Times, Kerry Washington spoke about the influence of Beyoncé's music and how it has inspired a generation of black artists. Washington admires how Beyoncé has used her platform to shed light on social issues and inspire change. "Beyoncé is a master of storytelling, and she has used her art to elevate black culture and empower black women," said Washington.

Ta-Nehisi Coates, a national correspondent for The Atlantic, spoke about Kendrick Lamar's music and its impact on society. Coates admires how Lamar uses his lyrics to shed light on issues affecting the black community, such as police brutality and systemic racism. "Kendrick Lamar's music is a reflection of the times we live in, and he's not afraid to use his platform to speak truth to power," said Coates.

Oprah Winfrey spoke about the legacy of Toni Morrison, the Nobel laureate and Pulitzer Prize-winning author who passed away in 2019. Winfrey admires Morrison's literary genius and her ability to tackle complex issues surrounding race, identity, and belonging. "Toni Morrison's work is a testament to the power of black art and its ability to change the world," said Winfrey.

Black art is not only defining this century but also redefining the way society views black culture. From music to literature, black artists are using their platforms to shed light on social issues, empower their communities, and challenge the status quo.

One example of this is the recent release of Beyoncé's visual album, "Lemonade," which steeped the songs in African Americana, from the attire of the antebellum South to the legacies of black female struggle and strength. The album has been praised for its powerful imagery and its exploration of themes such as love, betrayal, and empowerment.

Kendrick Lamar's music has also been influential in shedding light on issues affecting the black community. In his song "Freedom," Lamar raps about himself as an object of persecution by the news media and law enforcement, highlighting the struggles faced by black Americans.

Toni Morrison's literary works have also left a lasting impact on black art and culture. Her novel "Beloved" is a powerful exploration of the trauma and legacy of slavery, and her work has inspired generations of black writers to tell their own stories.

Black art is not only defining this century but also shaping the way society views black culture. From music to literature, black artists are using their platforms to create powerful works that shed light on social issues, empower their communities, and challenge the status quo. As Kerry Washington, Ta-Nehisi Coates, and Oprah Winfrey have shown, black art has the power to inspire change and create a better world for all.
Kerry Washington, Ta-Nehisi Coates, and Oprah Winfrey speak about how Beyoncé, Kendrick Lamar, and Toni Morrison are defining the century through their work.

In an age where people are increasingly tuning in to the vibrations of the earth, black art is making its mark on this century. From Instagram to the New York Times, the impact of black creators is undeniable. Kerry Washington, Ta-Nehisi Coates, and Oprah Winfrey have shared their thoughts on the artists who are defining this generation.

Kerry Washington spoke about Beyoncé's Lemonade album and how it has wed the complexities of feminism and political blackness. Beyoncé has always been thoughtful about the politics of beauty and black women's bodies, but with the advent of Black Lives Matter, she has taken her artistry to a new level. By addressing the intersections of feminism, marriage, and political blackness in Lemonade, Beyoncé has created a powerful body of work that has resonated with fans and critics alike.

Ta-Nehisi Coates, the acclaimed author and journalist, has written extensively about Kendrick Lamar's impact on the culture. Lamar's ability to weave politics and identity into his music is unparalleled, and his influence on hip-hop and beyond cannot be overstated. Coates speaks about the power of Lamar's work and how it has inspired a generation of artists to think critically about their role in society.

Oprah Winfrey is a longtime advocate of Toni Morrison's work and has spoken about how Morrison's writing has had a profound impact on her life. Morrison's work explores themes of history, memory, civil rights, and identity, and her writing is both powerful and timeless. Oprah has long been an advocate of Morrison's work, and her support has helped to bring Morrison's powerful storytelling to a wider audience.

Black artists are at the forefront of defining this century through their work. From music to TV to literature, black creators are pushing boundaries, exploring new themes, and inspiring future generations to think critically about their role in the world. Through their artistry, Beyoncé, Kendrick Lamar, and Toni Morrison have made an indelible mark on this century, and their influence will continue to be felt for generations to come.
In recent years, the world has witnessed a remarkable surge in the influence and recognition of Black art across various mediums. This cultural renaissance has been aptly described as "the black art that is defining the century," with prominent figures like Kerry Washington, Ta-Nehisi Coates, and Oprah Winfrey championing the works of Beyoncé, Kendrick Lamar, and Toni Morrison, respectively.

The impact of Black artists on contemporary culture cannot be overstated. From music to literature, film to visual arts, Black creators are pushing boundaries and reshaping narratives. Beyoncé's groundbreaking visual album "Lemonade" has been praised for its powerful exploration of African-American womanhood, blending themes of feminism, marriage, and political blackness. Kendrick Lamar's thought-provoking lyrics in songs like "Freedom" challenge societal norms and address issues of racial persecution and media representation.

This cultural movement has been further amplified by social media campaigns like #OscarsSoWhite and the Black Lives Matter movement, which have emboldened artists to create more daring and politically charged works. The result has been a proliferation of critically acclaimed projects such as the TV series "Atlanta," films like "Moonlight" and "Get Out," and musical masterpieces like Solange's "A Seat at the Table."

In the visual arts, Black artists are making significant contributions to painting, photography, performance, and sculpture. Their works explore themes of identity, history, civil rights, and belonging, often challenging traditional narratives and representations. This artistic renaissance extends beyond the United States, with creatives from across the African diaspora contributing to a global shift in cultural perspectives.

The impact of Black art is not limited to contemporary works. There is a growing appreciation for the historical contributions of Black artists, with documentaries and exhibitions showcasing the rich legacy of African-American creativity. From the Harlem Renaissance to the Civil Rights Movement, Black artists have long been at the forefront of social and cultural change.

As we move further into the 21st century, it is clear that Black art will continue to play a pivotal role in shaping our collective consciousness. By addressing pressing social issues, celebrating cultural heritage, and pushing the boundaries of artistic expression, Black creators are not only defining this century but also paving the way for a more inclusive and diverse future in the arts.
In recent years, the world has witnessed a remarkable surge in the influence and recognition of Black art across various mediums. This cultural renaissance has been aptly described as "the black art that is defining the century," with prominent figures like Kerry Washington, Ta-Nehisi Coates, and Oprah Winfrey championing the works of Beyoncé, Kendrick Lamar, and Toni Morrison, respectively.

The impact of Black artists on contemporary culture cannot be overstated. From music to literature, film to visual arts, Black creators are pushing boundaries and reshaping narratives. Beyoncé's groundbreaking visual album "Lemonade" serves as a prime example, blending powerful imagery with themes of African-American history, feminism, and political activism. The album's success demonstrates how Black artists are using their platforms to address social issues and celebrate their heritage.

In the realm of hip-hop, Kendrick Lamar has emerged as a voice for a generation, tackling complex topics such as racial inequality, systemic oppression, and personal identity. His lyrics, as noted by Ta-Nehisi Coates, often explore the nuances of "political blackness" and the experience of being a Black artist in America.

The literary world has also been profoundly influenced by Black voices, with Toni Morrison's works continuing to resonate with readers worldwide. Oprah Winfrey's endorsement of Morrison's novels has helped bring these powerful stories to an even wider audience, highlighting the universal themes and unique perspectives found in Black literature.

This cultural movement extends beyond individual artists, encompassing entire industries. The #OscarsSoWhite controversy and the Black Lives Matter movement have galvanized creators across various fields, leading to a surge in diverse representation in film, television, and other media. Projects like "Atlanta," "Moonlight," and "Get Out" have not only achieved critical acclaim but have also sparked important conversations about race, identity, and representation in popular culture.

Visual artists are also making significant contributions to this cultural shift. From painting to photography, sculpture to performance art, Black artists are exploring themes of history, memory, civil rights, and belonging. Their work challenges traditional narratives and offers new perspectives on the Black experience in America and around the world.

As we move further into the 21st century, it is clear that Black art will continue to play a crucial role in shaping our cultural landscape. By amplifying diverse voices and experiences, these artists are not only redefining their respective fields but also contributing to a broader understanding of our shared humanity. The black art that is defining this century is more than just a cultural phenomenon; it is a powerful force for change, understanding, and unity in an increasingly complex world.
In recent years, the world has witnessed a remarkable surge in the influence and recognition of Black art across various mediums. This cultural renaissance has been aptly described as "the black art that is defining the century," with iconic figures like Kerry Washington, Ta-Nehisi Coates, and Oprah Winfrey championing the works of Beyoncé, Kendrick Lamar, and Toni Morrison, respectively.

The impact of Black artists on contemporary culture cannot be overstated. From music to literature, film to visual arts, Black creators are pushing boundaries and reshaping narratives. Beyoncé's groundbreaking visual album "Lemonade" serves as a prime example, blending powerful imagery with themes of African-American history, feminism, and social justice. The album's success demonstrates how Black artists are using their platforms to address pressing societal issues while celebrating their heritage.

In the realm of hip-hop, Kendrick Lamar has emerged as a voice for a generation, tackling complex topics such as systemic racism, personal identity, and the Black experience in America. His lyrics, as noted by Ta-Nehisi Coates, often explore the intersection of "blackness" as a racial identity and "being politically black" as a conscious choice to highlight and confront racial injustices.

The literary world has also seen a resurgence of Black voices, with authors like Toni Morrison paving the way for new generations of writers. Morrison's work, championed by Oprah Winfrey, has been instrumental in bringing African-American stories to the forefront of American literature.

This cultural shift extends beyond individual artists to movements like #OscarsSoWhite and Black Lives Matter, which have emboldened creators to address racial inequalities in their work. Films such as "Moonlight" and "Get Out" have garnered critical acclaim while challenging traditional Hollywood narratives.

In visual arts, Black artists are making significant contributions to painting, photography, performance, and sculpture. Their works explore themes of identity, history, and belonging, often paying homage to African-American culture and experiences.

The influence of Black art is not limited to the United States. Artists from across the African diaspora are contributing to a global cultural shift, bringing diverse perspectives and experiences to the forefront of international artistic discourse.

As we move further into the 21st century, it is clear that Black art will continue to play a crucial role in shaping our cultural landscape. From music and literature to film and visual arts, Black creators are producing work that not only reflects the realities of Black life but also challenges and inspires audiences of all backgrounds. This ongoing renaissance of Black art is indeed defining our century, pushing boundaries, and paving the way for a more inclusive and diverse cultural future.
In recent years, the world has witnessed a profound shift in the cultural landscape, with Black art emerging as a defining force of the 21st century. This artistic renaissance spans various mediums, from music and literature to visual arts and cinema, creating a powerful narrative that resonates across generations and borders.

One of the most prominent figures in this movement is Beyoncé, whose work has been praised by actress Kerry Washington for its ability to blend artistry with social commentary. Beyoncé's visual album "Lemonade" stands as a testament to her evolution as an artist, incorporating themes of African-American history, feminism, and political activism. The album's imagery, steeped in the aesthetics of the antebellum South, serves as a backdrop for exploring the legacies of Black female struggle and strength.

In the realm of hip-hop, Kendrick Lamar has emerged as a voice of his generation, with author Ta-Nehisi Coates highlighting the rapper's ability to weave complex narratives of racial identity and social justice into his music. Lamar's work, particularly songs like "Freedom," demonstrates a willingness to confront issues of persecution and racial profiling head-on, reflecting the broader Black Lives Matter movement.

Literature, too, has seen a resurgence of powerful Black voices, with Toni Morrison's work continuing to inspire new generations of readers and writers. Oprah Winfrey has been a vocal advocate for Morrison's literature, recognizing its enduring impact on American culture and its exploration of the Black experience.

This renaissance extends beyond individual artists to encompass entire movements and cultural phenomena. The success of films like "Moonlight" and "Get Out," TV shows like "Atlanta," and musical works like Solange's "A Seat at the Table" demonstrate the breadth and depth of Black creative expression in the 21st century.

The impact of social movements like #OscarsSoWhite and Black Lives Matter has been instrumental in emboldening artists to create work that is both politically engaged and artistically innovative. This has led to a proliferation of documentaries, music, and visual art that explore themes of identity, history, and social justice.

In the visual arts, a new generation of Black artists is making their mark on painting, photography, performance, and sculpture. These artists are exploring a wide range of themes, from the role of the artist in society to the complexities of memory, civil rights, and belonging.

As we move further into the 21st century, it is clear that Black art is not just defining the cultural moment but is shaping the future of creative expression across all mediums. From the streets to the galleries, from streaming platforms to the silver screen, Black artists are creating work that is both deeply personal and universally resonant, challenging audiences to see the world through new eyes and inspiring a global conversation about race, identity, and the power of art to effect change.
In recent years, the world has witnessed a remarkable surge in the influence and recognition of Black art across various mediums. From music and literature to film and visual arts, Black creators are reshaping the cultural landscape of the 21st century, addressing important social issues and celebrating the richness of the African-American experience.

One of the most prominent figures in this artistic revolution is Beyoncé, whose work has been praised by actress Kerry Washington. Beyoncé's visual album "Lemonade" has been particularly influential, blending powerful imagery with themes of African-American history, feminism, and social justice. The album's visual elements draw from the aesthetics of the antebellum South while simultaneously celebrating Black female strength and resilience.

In the realm of hip-hop, Kendrick Lamar has emerged as a voice for a new generation. Ta-Nehisi Coates, a celebrated author and journalist, has highlighted Lamar's ability to address complex issues of race, identity, and systemic oppression through his music. Lamar's lyrics often confront the challenges faced by Black Americans, including media persecution and law enforcement bias.

Literature continues to play a crucial role in shaping the Black artistic landscape, with authors like Toni Morrison receiving accolades from influential figures such as Oprah Winfrey. Morrison's work has long been celebrated for its powerful exploration of the African-American experience and its impact on American culture as a whole.

The rise of movements like Black Lives Matter and social media campaigns such as #OscarsSoWhite have further empowered Black artists to create bold, unapologetic works that challenge societal norms and demand change. This newfound boldness is evident across various artistic disciplines, from the groundbreaking TV series "Atlanta" to critically acclaimed films like "Moonlight" and "Get Out."

Visual artists are also making significant contributions to this cultural shift. Many are exploring themes of identity, history, and belonging through their work, creating pieces that both celebrate Black culture and confront the ongoing struggles faced by the community.

Documentaries and television series have also played a crucial role in bringing Black stories and experiences to the forefront. Works like "Summer of Soul" and "High on the Hog" have shed light on often overlooked aspects of African-American history and culture, educating audiences and inspiring a new generation of creators.

As we progress through the 21st century, it is clear that Black art is not just defining the era but actively shaping it. By addressing critical social issues, celebrating cultural heritage, and pushing the boundaries of creative expression, Black artists are creating a lasting legacy that will continue to influence and inspire for generations to come.
##  Black Art: A Century Defined 

From Beyoncé's powerful visual album "Lemonade" to Kendrick Lamar's unflinching social commentary, Black art is resonating across the globe, shaping the cultural landscape of the 21st century. This isn't just a moment; it's a movement, a culmination of decades of struggle, resilience, and artistic brilliance.

As Kerry Washington eloquently stated, Beyoncé's work transcends mere entertainment. "Lemonade" is a tapestry woven with threads of African American history, pain, and triumph. It's a visual and sonic exploration of Black womanhood, reclaiming narratives often silenced or distorted.  

Ta-Nehisi Coates, in his insightful analysis of Kendrick Lamar's music, highlights the artist's fearless engagement with the complexities of Black identity in America. Lamar's lyrics are not just poetry; they are a call to action, a reflection of the lived experiences of a generation grappling with systemic racism and police brutality.

Oprah Winfrey, a champion of Black voices, recognizes the profound impact of Toni Morrison's literary legacy. Morrison's novels, imbued with lyrical prose and unflinching honesty, delve into the depths of the Black experience, exposing the scars of slavery and the enduring power of the human spirit.

This artistic renaissance is not confined to music and literature.  Filmmakers like Barry Jenkins ("Moonlight") and Jordan Peele ("Get Out") are pushing boundaries, challenging societal norms, and sparking crucial conversations about race and identity. Visual artists are reclaiming their narratives, using their canvases to celebrate Black beauty, resilience, and cultural heritage.

The Black Lives Matter movement has undoubtedly fueled this artistic explosion. It has given voice to a generation demanding justice and equality, and artists are responding with powerful and poignant works that reflect the urgency of the moment.

This is more than just art; it's a cultural awakening. It's a testament to the enduring power of Black creativity and its ability to inspire, challenge, and transform the world. As we move forward, it's essential to continue amplifying these voices, supporting these artists, and engaging with the powerful stories they have to tell. 


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##  The Black Art Defining the Century: From Beyoncé to Coates, a Movement Takes Shape

The world is listening.  A wave of Black artistry is sweeping across every medium, from music and film to literature and visual art, leaving an indelible mark on the 21st century. This isn't just a trend; it's a cultural awakening, a powerful articulation of Black experiences, struggles, and triumphs that resonates far beyond the Black community. 

Take Beyoncé, for example. Her visual album "Lemonade" wasn't just a musical masterpiece; it was a cinematic exploration of Black womanhood, weaving together themes of love, betrayal, resilience, and the legacy of slavery. As Kerry Washington eloquently put it, Beyoncé's work embodies the complexities of Black identity in a way that is both deeply personal and universally relatable.

In music, Kendrick Lamar's "To Pimp a Butterfly" is a searing indictment of systemic racism and a celebration of Black consciousness. Ta-Nehisi Coates, in his insightful analysis, sees Lamar's music as a call to action, a rallying cry for a generation demanding justice and equality. 

And then there's Toni Morrison, whose literary legacy continues to inspire and challenge readers. Oprah Winfrey, a lifelong admirer of Morrison's work, recognizes the power of her words to illuminate the human condition and expose the enduring scars of racism. 

This artistic renaissance isn't confined to a single genre or medium.  

"Atlanta," the critically acclaimed television series created by Donald Glover, offers a nuanced and often humorous look at Black life in the South. "Moonlight," a groundbreaking film that explores the complexities of masculinity and sexuality within the Black community, won the Academy Award for Best Picture.  

The visual arts are also experiencing a surge of Black creativity. Artists like Kerry James Marshall and Kara Walker are pushing boundaries and challenging conventional notions of beauty and representation. 

This wave of Black art is more than just entertainment; it's a vital force for social change. It gives voice to the marginalized, challenges the status quo, and inspires hope for a more just and equitable future.  As we move forward, it's essential to continue supporting and celebrating the work of Black artists who are shaping the cultural landscape of our time. 


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##  The Black Art Defining Our Century: From Beyoncé to Coates, a New Wave of Power 

The world is listening.  A new wave of Black artistic expression is sweeping across genres, captivating audiences and sparking crucial conversations.  From Beyoncé's powerful visual album "Lemonade" to Ta-Nehisi Coates's incisive commentary on Kendrick Lamar's music, Black artists are not just creating art, they are shaping the cultural landscape and defining the century.

Beyoncé's "Lemonade" is more than just a collection of songs; it's a cinematic experience that explores themes of Black womanhood, infidelity, and resilience.  As Kerry Washington eloquently stated, "Beyoncé is unapologetically Black, unapologetically feminine, and unapologetically powerful."  Her work reflects the complexities of Black life, weaving together personal narratives with broader social commentary.

Similarly, Ta-Nehisi Coates's analysis of Kendrick Lamar's music illuminates the artist's profound engagement with race, identity, and social justice.  Coates sees in Lamar's work a reflection of the Black experience in America, a raw and honest portrayal of the challenges and triumphs faced by Black individuals.

Oprah Winfrey's admiration for Toni Morrison's writing speaks to the enduring power of literature to illuminate the human condition. Morrison's novels, with their lyrical prose and unflinching exploration of race, gender, and history, have left an indelible mark on American literature.

This new wave of Black artistic expression is not confined to music and literature.  Filmmakers like Barry Jenkins ("Moonlight") and Jordan Peele ("Get Out") are pushing boundaries and challenging conventional narratives.  Visual artists like Kerry James Marshall and Kara Walker are redefining the canon and reclaiming Black narratives.

The impact of this artistic renaissance is undeniable.  It is fostering a deeper understanding of Black culture and history, sparking important conversations about race and identity, and inspiring a new generation of artists.  As we move forward, it is clear that Black art will continue to shape the world around us, defining not just this century, but the centuries to come. 


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##  Black Art: The Defining Force of the 21st Century 

From the poignant vulnerability of Beyoncé's "Lemonade" to the searing social commentary of Kendrick Lamar's "To Pimp a Butterfly," Black art is not just reflecting the times, it's shaping them. A new wave of creators, empowered by movements like Black Lives Matter and fueled by a desire for authentic representation, are pushing boundaries and redefining what it means to be Black in the 21st century. 

This artistic renaissance isn't confined to music.  Oprah Winfrey, a champion of Black voices, cites Toni Morrison's powerful prose as a defining force. "Her words gave voice to the silenced, illuminated the complexities of our history, and reminded us of the enduring strength of the human spirit," Winfrey shared. 

Actress Kerry Washington echoes this sentiment, praising Beyoncé's artistry. "Beyoncé's work is a celebration of Black womanhood, a testament to resilience, and a call for justice," Washington said. "She's not just an artist; she's a cultural icon who uses her platform to amplify Black voices and stories."

Ta-Nehisi Coates, the acclaimed author and cultural critic, sees Kendrick Lamar's music as a mirror reflecting the realities of Black America. "Kendrick's work is raw, honest, and unflinching in its portrayal of the Black experience," Coates explained. "He gives voice to the pain, the anger, and the hope that resides within our community."

This artistic surge extends beyond music and literature, permeating film, television, and visual arts.  

From the Oscar-winning film "Moonlight" to the groundbreaking series "Atlanta," Black creators are telling stories that resonate on a global scale. Artists like Kerry James Marshall and Kara Walker are challenging traditional notions of beauty and representation, while photographers like Deana Lawson and LaToya Ruby Frazier are capturing the complexities of Black life with unflinching honesty.

This is not just a moment; it's a movement. Black art is no longer confined to the margins; it's at the center of the cultural conversation, challenging us to confront uncomfortable truths and embrace the beauty and complexity of the Black experience. As these artists continue to push boundaries and redefine what's possible, their work will undoubtedly shape the artistic landscape for generations to come. 


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## The Black Art Defining Our Century: From Beyoncé to Coates to Morrison

A seismic shift is happening in the world, and it's resonating through the artistic expressions of Black creators. From music to literature to film, a generation is redefining what it means to be Black in the 21st century, and the impact is undeniable. 

This new wave of artistic brilliance isn't just about talent; it's about power, truth, and a profound understanding of the Black experience.  

**Beyoncé's "Lemonade"**: More than just a visual album, "Lemonade" was a cultural phenomenon.  As Ta-Nehisi Coates eloquently stated, Beyoncé's work, like Kendrick Lamar's music, goes beyond mere artistic expression. It's a bold wielding of blackness, a reclaiming of narrative and a visceral exploration of the complexities of Black womanhood. 

**Kendrick Lamar's Unflinching Truth**:  Lamar's music is a raw and unflinching reflection of the realities faced by Black Americans. His lyrics speak to the pain of systemic racism, the constant scrutiny from the media, and the struggle for self-expression in a world that often seeks to silence Black voices. As Coates notes, Lamar's artistry goes beyond the personal, becoming a powerful tool for social commentary and change.

**Toni Morrison's Enduring Legacy**:  Oprah Winfrey, a champion of Black literature, recognizes the profound impact of Toni Morrison's work. Morrison's stories, imbued with lyrical prose and haunting imagery, gave voice to the silenced and explored the complexities of race, identity, and history. Her legacy continues to inspire and challenge readers, reminding us of the power of storytelling to illuminate the human condition.

**Beyond Music and Literature**: This artistic renaissance extends far beyond music and literature.  Filmmakers like Ava DuVernay and Ryan Coogler are crafting groundbreaking narratives that challenge stereotypes and celebrate Black excellence.  Visual artists like Kara Walker and Kerry James Marshall are pushing the boundaries of traditional art forms, exploring themes of race, history, and identity in innovative and thought-provoking ways.

This is a defining moment for Black art. It's a time of unprecedented creativity, a time when Black voices are being heard and celebrated on a global scale.  As these artists continue to push boundaries and challenge conventions, they are shaping the cultural landscape and leaving an indelible mark on the 21st century. 


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The Power of Blackness: How African American Artists Are Redefining the Century

In recent years, the world has witnessed a seismic shift in the way we perceive and celebrate blackness. From the streets of Atlanta to the stages of New York, African American artists are pushing boundaries, challenging norms, and redefining the very fabric of our society. This is the black art that is defining the century.

One of the most iconic figures in this movement is Beyoncé, who has long been a champion of black empowerment and self-expression. Her latest visual album, "Lemonade," is a masterclass in African American culture, weaving together themes of love, loss, and resilience. The album's stunning visuals, which pay homage to the antebellum South and the legacies of black female struggle and strength, are a testament to Beyoncé's unwavering commitment to her art and her community.

But Beyoncé is not alone. A new generation of African American artists is rising to prominence, using their platforms to speak truth to power and challenge the status quo. From the streets of Atlanta to the stages of New York, these artists are creating work that is raw, honest, and unapologetic.

One of the most influential artists of this movement is Kendrick Lamar, who has long been a vocal critic of systemic racism and police brutality. His latest album, "To Pimp a Butterfly," is a scathing indictment of the very systems that have held black Americans back for centuries. Lamar's music is a powerful call to action, urging listeners to confront the harsh realities of racism and to demand change.

But Kendrick Lamar is not the only artist making waves in the music industry. Chris Brown, Tobe Nwigwe, and Fat Nwigwe are just a few of the many talented artists who are pushing the boundaries of black music. Their work is a testament to the enduring power of African American culture, from the rhythms of the antebellum South to the legacies of black female struggle and strength.

Beyond music, African American artists are also making a significant impact in film, television, and literature. From the Oscar-winning film "Moonlight" to the critically-acclaimed series "Atlanta," these artists are creating work that is raw, honest, and unapologetic. They are speaking truth to power, challenging norms, and redefining the very fabric of our society.

One of the most influential artists of this movement is Kerry Washington, who has long been a vocal advocate for social justice. Her latest project, a documentary about the life of civil rights leader Barbara Lee, is a testament to her unwavering commitment to her art and her community.

But Kerry Washington is not alone. A new generation of African American artists is rising to prominence, using their platforms to speak truth to power and challenge the status quo. From the streets of Atlanta to the stages of New York, these artists are creating work that is raw, honest, and unapologetic.

As we look to the future, it is clear that the power of blackness will only continue to grow. African American artists are pushing boundaries, challenging norms, and redefining the very fabric of our society. They are speaking truth to power, challenging the status quo, and creating work that is raw, honest, and unapologetic.

In a world where black lives matter, African American artists are at the forefront of the movement. They are using their platforms to speak truth to power, challenge the status quo, and create work that is raw, honest, and unapologetic. As we look to the future, it is clear that the power of blackness will only continue to grow, and that African American artists will remain at the forefront of this movement.

The work of these artists is a testament to the enduring power of African American culture, from the rhythms of the antebellum South to the legacies of black female struggle and strength. They are creating work that is raw, honest, and unapologetic, speaking truth to power and challenging the status quo. As we look to the future, it is clear that the power of blackness will only continue to grow, and that African American artists will remain at the forefront of this movement.

In the words of Beyoncé, "I think things like #OscarsSoWhite and Black Lives Matter really emboldened a lot of artists." These artists are not just creating work that is raw, honest, and unapologetic; they are also using their platforms to speak truth to power and challenge the status quo. They are creating work that is a testament to the enduring power of African American culture, from the rhythms of the antebellum South to the legacies of black female struggle and strength.

As we look to the future, it is clear that the power of blackness will only continue to grow. African American artists are pushing boundaries, challenging norms, and redefining the very fabric of our society. They are speaking truth to power, challenging the status quo, and creating work that is raw, honest, and unapologetic. The work of these artists is a testament to the enduring power of African American culture, and a reminder that black lives matter.
## Kerry Washington on Beyoncé, Ta-Nehisi Coates on Kendrick Lamar, Oprah Winfrey on Toni Morrison: This is the Black Art Defining the Century

The world is listening. From Beyoncé's powerful anthem "Lemonade" to Kendrick Lamar's introspective "To Pimp a Butterfly," Black artists are shaping the cultural landscape of the 21st century. Their work transcends entertainment, becoming a powerful voice for social justice, identity, and the complexities of the Black experience.

This isn't just a trend, it's a movement.  Black artists are no longer confined to the margins. They are at the forefront of conversations about race, gender, and equality, pushing boundaries and challenging the status quo. 

Take, for example, the recent outpouring of support for Beyoncé's "Lemonade." The visual album, steeped in African American history and culture, resonated deeply with audiences worldwide, sparking discussions about Black womanhood, systemic racism, and the power of resilience. 

Similarly, Kendrick Lamar's "To Pimp a Butterfly" is a complex and nuanced exploration of Black identity, navigating themes of poverty, police brutality, and the struggle for freedom. His music has become a soundtrack for a generation grappling with these issues.

These are just two examples of the profound impact Black artists are having on the world. From the poignant storytelling of Toni Morrison to the groundbreaking work of Ta-Nehisi Coates, Black creators are leaving an indelible mark on literature, music, film, and beyond.

This artistic renaissance is fueled by a growing awareness of the need for representation and a desire to amplify Black voices.  It's a testament to the power of art to inspire, challenge, and ultimately, change the world.

As Kerry Washington, Ta-Nehisi Coates, Oprah Winfrey, and countless others have attested, this is the Black art that is defining the century. It's a movement that is not only shaping culture but also pushing us towards a more just and equitable future. 

## Kerry Washington on Beyoncé, Ta-Nehisi Coates on Kendrick Lamar, Oprah Winfrey on Toni Morrison: This is the Black Art Defining the Century

The world is listening. From the streets of Ferguson to the stages of Coachella, a new wave of Black art is shaking the foundations of culture, demanding attention, and shaping the narrative of our times. This isn't just about music, film, or literature; it's about a collective awakening, a reclaiming of identity, and a powerful expression of Black experience.

This artistic renaissance is fueled by a generation of creators who are unafraid to confront the complexities of Black life. They delve into the depths of history, grapple with the realities of systemic racism, and celebrate the resilience and beauty of Black culture. 

Take Beyoncé, whose visual album "Lemonade" became a cultural phenomenon, weaving together themes of Black womanhood, betrayal, and healing.  Or Kendrick Lamar, whose music, like "To Pimp a Butterfly," is a potent commentary on the struggles of Black America, challenging listeners to confront their own biases. And Toni Morrison, whose literary legacy continues to inspire generations, offering profound insights into the human condition through the lens of Black experience.

This isn't just about individual artists; it's about a collective movement.  From the poignant storytelling of "Moonlight" and "Get Out" to the social commentary of "Atlanta" and "Black-ish," Black creators are pushing boundaries and demanding representation. They are using their platforms to amplify Black voices, challenge narratives, and spark conversations that were previously silenced.

This artistic surge is a direct response to the social and political climate. The rise of Black Lives Matter, the #OscarsSoWhite controversy, and the ongoing fight for racial justice have ignited a fire within Black artists, fueling their creativity and giving their work a new urgency. 

The impact of this artistic revolution is undeniable. It's influencing fashion, music, and even the way we talk about race. It's changing the way we see the world, and it's challenging us to confront our own biases. 

As Kerry Washington, Ta-Nehisi Coates, and Oprah Winfrey, among countless others, have attested, this is the Black art that is defining the century. It's a testament to the power of Black creativity, a call for change, and a celebration of Black resilience. The world is listening, and the future is being shaped by the voices of Black artists. 

## Kerry Washington on Beyoncé, Ta-Nehisi Coates on Kendrick Lamar, Oprah Winfrey on Toni Morrison: This is the Black Art Defining the Century

The world is listening. From the streets of Ferguson to the stages of Coachella, a powerful wave of Black art is reshaping our cultural landscape. This isn't just about entertainment; it's about a generation grappling with identity, history, and the fight for equality. 

This artistic renaissance is being led by a new generation of Black creators who are unafraid to confront uncomfortable truths and celebrate the complexities of Black life. From Beyoncé's powerful visual album "Lemonade" to Kendrick Lamar's socially conscious masterpiece "To Pimp a Butterfly," these artists are using their platforms to spark conversations about race, gender, and the legacy of systemic oppression.

But this movement isn't just about the new. It's also about acknowledging the giants who paved the way. Oprah Winfrey, a champion of Black voices for decades, cites Toni Morrison as a profound inspiration. Ta-Nehisi Coates, a leading voice on race and justice, finds resonance in the work of Kendrick Lamar, who tackles similar themes through music. And Kerry Washington, a prominent actress and advocate, sees Beyoncé as a symbol of Black empowerment and resilience.

This interconnectedness is a hallmark of this artistic movement. It's not just about individual artists; it's about a collective force pushing boundaries and demanding change. 

The impact is undeniable. The Black Lives Matter movement, fueled by the deaths of Black Americans at the hands of police, has sparked a national conversation about racial injustice. This conversation is being amplified by Black artists who are using their art to challenge the status quo and inspire action.

From the poignant lyrics of "Freedom" by Kendrick Lamar, where he confronts the persecution of Black men, to Beyoncé's "Lemonade," which explores the complexities of Black womanhood and the legacy of slavery, these works are resonating with audiences around the world.

This is a defining moment in Black art. It's a moment where Black voices are being heard, understood, and celebrated. As we move into the future, it's clear that this powerful wave of Black art will continue to shape our understanding of the world and inspire generations to come. 

## Kerry Washington on Beyoncé, Ta-Nehisi Coates on Kendrick Lamar, Oprah Winfrey on Toni Morrison: This is the Black Art Defining the Century

The world is listening. And it's not just the music, the movies, the books, or the art. It's the message. It's the story of resilience, the narrative of struggle, and the celebration of Black joy that is resonating deeply, profoundly, and globally. 

From Beyoncé's "Lemonade" to Kendrick Lamar's "To Pimp a Butterfly," from Ta-Nehisi Coates' "Between the World and Me" to Toni Morrison's "Beloved," Black artists are wielding their craft as a powerful instrument of social commentary and cultural expression. They are not just telling stories, they are shaping history.

In the wake of the Black Lives Matter movement, the #OscarsSoWhite controversy, and the continued fight for racial justice, Black artists have taken center stage, their voices amplified by a generation eager to hear their truths.  

This isn't just a trend, it's a cultural shift.  The world is finally paying attention to the Black experience, and Black artists are leading the conversation. They are  exploring themes of identity, belonging, and systemic racism, forcing us to confront uncomfortable truths and reexamine our own biases.

This is the Black art that is defining the century. It is art that transcends borders, languages, and generations. It is art that inspires, challenges, and provokes. It is art that demands to be heard.

**Here's why:**

* **A New Era of Black Storytelling:** Black creators are no longer limited by the constraints of traditional media. They are utilizing new platforms, like social media and streaming services, to share their stories on their own terms. 
* **Authenticity and Impact:** The authenticity of the Black experience is resonating with audiences around the world. These artists are not shying away from the complexities of Black life, but embracing them, and in doing so, are creating art with lasting impact.
* **A Call to Action:** Black art is not just for entertainment, it's a call to action. It's a call for justice, equality, and understanding. It's a call for us to listen, to learn, and to act.

From the poignant lyrics of Beyoncé's "Freedom" to the powerful prose of Ta-Nehisi Coates, Black art is shaping the world. It is a force for change, a source of inspiration, and a testament to the enduring power of the human spirit. And as we enter a new era, it is clear that Black art will continue to lead the way, shaping the cultural landscape for generations to come. 

## Kerry Washington on Beyoncé, Ta-Nehisi Coates on Kendrick Lamar, Oprah Winfrey on Toni Morrison: This is the Black Art Defining the Century

The world is listening. From the seismic cultural impact of Beyoncé's "Lemonade" to the poignant introspection of Kendrick Lamar's "To Pimp a Butterfly," Black artists are crafting a powerful tapestry of art that resonates deeply, not just within the Black community, but globally. This isn't just a cultural moment, it's a defining force of our century.

This artistic awakening is not happening in a vacuum.  It is fueled by a growing awareness of systemic racism, fueled by movements like Black Lives Matter and the national reckoning around police brutality and racial injustice.  It's a time where Black artists are unapologetically using their platforms to explore complex issues of identity, history, and struggle, challenging societal norms and demanding a seat at the table.

"Blackness has become both a weapon and a shield," says Ta-Nehisi Coates, author of "Between the World and Me," reflecting on Kendrick Lamar's powerful lyrics.  "He's using his voice to speak truth to power, and people are listening."

Beyoncé, long considered a pop icon, has now emerged as a powerful voice for social justice, weaving her message of Black empowerment and womanhood into her music and visuals. Her album "Lemonade" is not just a collection of catchy tunes, it's a visual poem that speaks directly to the struggles of Black women in America. 

Similarly, Oprah Winfrey, a media mogul and cultural icon, has long championed the work of Black writers and artists, including her admiration for Toni Morrison, the Pulitzer Prize-winning author known for her masterful exploration of the Black experience. 

This is a new era of Black art. It's not just about entertainment, it's about revolution, it's about redefining narratives, and it's about demanding justice. As Kerry Washington, a leading actress who champions Black voices in Hollywood, says, "This is the art that will change the world."

Beyond music and literature, the impact of Black artists is felt across various disciplines: from the thought-provoking film "Get Out" to the vibrant canvases of contemporary artists like Kerry James Marshall and Kara Walker. These artists are pushing boundaries, challenging conventional perspectives, and ultimately contributing to a richer, more nuanced understanding of the world.

This is the Black art that is defining the century. It's a tapestry woven with stories of struggle, hope, resilience, and above all, the enduring power of the human spirit. And it's a powerful reminder that the fight for equality and justice is not just political, it's a cultural revolution that is unfolding in every corner of our lives. 

Kerry Washington, Ta-Nehisi Coates, and Oprah Winfrey are just a few of the prominent African-American creators who have been inspired by the work of their peers over the past two decades. From Beyoncé's "Lemonade" to Kendrick Lamar's "To Pimp a Butterfly," these artists have been defining the century with their powerful and politically charged work.
In an emotional Instagram video, Beyoncé recently announced that she would be postponing shows to rebuild her strength and ability to perform again. The pop superstar has been a trailblazer in the music industry, using her platform to address issues of race, feminism, and politics. Her visual album "Lemonade" is a testament to the complexities of black womanhood and the struggle for equality.
Kendrick Lamar, on the other hand, has been using his music to address issues of police brutality and systemic racism. In his song "Freedom," he raps about himself as an object of persecution by the news media and law enforcement. Lamar's work has been praised for its boldness and its ability to shed light on the experiences of black Americans.
Oprah Winfrey, a cultural icon in her own right, has been a champion of black art and literature. In her tribute to Toni Morrison, she spoke about the author's impact on her life and the lives of countless others. Morrison's work has been celebrated for its exploration of black identity, history, and memory.
These artists, along with many others, have been emboldened by movements like #OscarsSoWhite and Black Lives Matter. They have used their art to reflect the realities of black life and to call attention to issues of inequality and discrimination. From film and TV to music and literature, black artists have been making a mark on every aspect of the arts.
In a recent documentary, the legacy of the Yankee catcher was explored, highlighting his impact on the game and his status as a beloved celebrity. Meanwhile, in the world of music, rap has transformed the way the world speaks in just 50 years. And in the visual arts, African-American artists have been exploring themes of identity, belonging, and civil rights.
As thousands of protesters took to the streets over the past week, artists created a vast collection of drawings, paintings, and illustrations in support of the protests and the Black Lives Matter movement. These works reflect the power of art to bring people together and to inspire change.
In the end, the black art that is defining the century is a testament to the resilience and creativity of black artists. From Beyoncé to Kendrick Lamar to Toni Morrison, these creators have been using their art to shed light on the experiences of black Americans and to call attention to issues of inequality and discrimination. Their work is a reflection of the times we live in, and it will continue to inspire and challenge us for generations to come.
The black art that is defining the century is a powerful force that has captured the attention of people around the world. From the emotional Instagram video of a pop superstar explaining her struggle with a rare condition to the landmark 1972 album "Talking Book," black artists are creating works that are shaping the cultural landscape of the 21st century.
Kerry Washington, in her tribute to Beyoncé, speaks of the pop superstar's evolution from a thoughtful commentator on the politics of beauty to a powerful voice for political blackness. Beyoncé's album "Lemonade" is a testament to her growth as an artist, blending the complexities of feminism and the vicissitudes of marriage with a bold statement about the black experience.
Ta-Nehisi Coates, in his tribute to Kendrick Lamar, notes the rapper's willingness to use his art to call attention to the plight of black Americans. Lamar's song "Freedom" is a powerful statement about the black experience, and the rapper's willingness to be politically black has made him a hero to many.
Oprah Winfrey, in her tribute to Toni Morrison, speaks of the author's ability to capture the essence of the black experience in her writing. Morrison's work has inspired generations of black artists, and her legacy continues to resonate in the work of contemporary black creators.
In recent years, black artists have been emboldened by movements like #OscarsSoWhite and Black Lives Matter to create works that reflect the realities of black life. From the films "Atlanta," "Moonlight," and "Get Out," to the music of Solange and Kendrick Lamar, black artists are creating works that are defining the cultural landscape of the 21st century.
The visual side of Beyoncé's "Lemonade" is a testament to the power of black art. The album steeps the songs in African Americana, from the attire of the antebellum South to the legacies of black female struggle and strength. The album is a powerful statement about the black experience, and it has resonated with audiences around the world.
In the visual arts, black artists are creating works that explore a range of themes, including the role of the artist in society, history, memory, civil rights, identity, and belonging. These works reflect the experiences of black Americans and the African diaspora, and they are helping to redefine the cultural landscape of the 21st century.
In short, the black art that is defining the century is a powerful force that is shaping the cultural landscape of the 21st century. From the emotional Instagram video of a pop superstar to the landmark 1972 album "Talking Book," black artists are creating works that reflect the realities of black life and the experiences of the African diaspora. These works are helping to redefine the cultural landscape of the 21st century, and they are inspiring a new generation of black creators to follow in their footsteps.
Title: "Kerry Washington on Beyoncé, Ta-Nehisi Coates on Kendrick Lamar, Oprah Winfrey on Toni Morrison: This is the Black Art Defining the Century"
In a world where people are tuning in to the earth's vibrations, black art has emerged as a defining force of this century. From Beyoncé's Lemonade to Kendrick Lamar's "To Pimp a Butterfly," black artists have been creating work that reflects the complexities of black life and identity.
In an emotional Instagram video, Beyoncé announced that she has stiff person syndrome and will be postponing shows to rebuild her strength and ability to perform again. But her impact on the music industry and black culture is undeniable. Lemonade, her visual album, steeps songs in African-American culture, from the attire of the antebellum South to the legacy of black female struggle and strength. In the song "Freedom," Kendrick Lamar raps about himself as an object of persecution by the news media and law enforcement, showcasing the degree to which one wields or weaponizes one's blackness.
Recent and archived work by Lorne Manly for The New York Times highlights the impact of black artists on music, film, art, TV, and books. A new documentary argues that the Yankee catcher was not just a malaprop-prone, beloved celebrity but also a legend of the game. In an anniversary celebration of Stevie Wonder's landmark 1972 album "Talking Book," musicians who made it and artists who cherish it share their stories.
The impact of black art goes beyond music and film. Visual artists are exploring a range of themes, including the role of the artist in society, history, memory, civil rights, identity, and belonging. These diverse works by black artists are making a mark on painting, photography, performance, and sculpture.
For the past two decades, major African-American creators from different worlds have been talking about the work that has inspired them the most, including "Atlanta," "Moonlight," "Get Out," "A Seat at the Table," and "Double America 2." The impact of movements like #OscarsSoWhite and Black Lives Matter has emboldened a lot of artists to create work that reflects the complexities of black life and identity.
In a global shift, 12 creatives are bringing the African diaspora together, creating work that reflects the rapidly changing modern world. Their work is a distinguished place of labor where an allegorical catalogue of the many modes of blackness is showcased.
In just 50 years, rap has transformed the way the world speaks. The most memorable illustrations of the year, as chosen by art directors at The New York Times, showcase the impact of black art on visual culture. As thousands of protesters took to the streets over the past week, artists, both amateur and professional, created a vast collection of drawings, paintings, and illustrations in support of the protests and the Black Lives Matter movement.
From ABC's "Black-ish" to Toni Morrison's novels, black creators are making work that follows and reflects black life on the ground. The demands for reforming prisons and changing the way the justice system treats black and Hispanic men, the fury over Hollywood's indifference to sectors of the populace that straight white men don't exclusively inhabit, and the protests over the deaths of black Americans often involving the police are all reflected in black art.
As Oprah Winfrey said of Toni Morrison, "She was a master of her craft, and her words continue to inspire, uplift and challenge us all." Black art has emerged as a defining force of this century, and its impact on culture and society will continue to be felt for generations to come.
In an emotional Instagram video, pop superstar Beyoncé announced that she is postponing her shows as she battles stiff person syndrome, a rare neurological disorder that causes muscle stiffness and spasms. But despite the setback, her art continues to define the century, alongside other black artists who are making a mark in various fields.
Kerry Washington, the actress and producer, has praised Beyoncé's artistry, noting how she has evolved from being thoughtful about the politics of black women's bodies to embracing political blackness with the advent of the Black Lives Matter movement. Washington also commended her recent visual album, "Lemonade," which steeps the songs in African Americana and celebrates the legacies of black female struggle and strength.
Ta-Nehisi Coates, the acclaimed author and journalist, has similarly paid tribute to Kendrick Lamar, the rapper who has made a name for himself by rapping about the persecution of black people by the news media and law enforcement in songs like "Freedom." Coates notes how Lamar's blatant statements about systemic racism and police brutality are new for hip-hop, and how he has emboldened a lot of artists to use their platforms to speak truth to power.
Oprah Winfrey, the media mogul and philanthropist, has also spoken about the work that has inspired her the most over the past two decades, including Toni Morrison's novels, which explore the complexities of black identity, history, and memory. Winfrey notes how Morrison's writing has helped her see a future that is now our present, and how it has given voice to the experiences of black women and other marginalized groups.
These black artists, along with others like Chris Brown, Tobe Nwigwe, and Prince, have created a vast collection of works that reflect the vibrancy and diversity of black life, from music to film, art, TV, and literature. They have also challenged the dominant narratives of white supremacy and systemic racism, and have provided a space for black artists to express themselves freely and authentically.
As the world continues to tune in to the earth's vibrations and grapples with issues of racial justice and equality, these black artists have become more important than ever. They have not only defined the century through their art, but they have also inspired a new generation of creators to use their platforms to advocate for change and to celebrate the beauty of blackness.
Title: "Kerry Washington on Beyoncé, Ta-Nehisi Coates on Kendrick Lamar, Oprah Winfrey on Toni Morrison: The Black Art Defining the Century"
In an era where the world is attuned to the Earth's vibrations, black art has risen to define the century. Recent events have emboldened artists, as evidenced by the widespread recognition of the Black Lives Matter movement and the OscarsSoWhite controversy. This has provided a platform for African-American creators to showcase their work and inspire others.
In a recent article, The New York Times asked prominent artists from various fields (film, art, TV, music, books, and more) to reflect on the work that has inspired them the most over the past two decades. Contributions from the likes of Kerry Washington, Ta-Nehisi Coates, and Oprah Winfrey offer fascinating insights into the power of black art.
Kerry Washington shares her thoughts on Beyoncé's "Lemonade" album, describing it as a "wielding of political blackness" that showcases Beyoncé's commitment to fighting for black lives. Beyoncé's mere state of racial self is weaponized in the "Freedom" track, a blatant statement that is new for the pop superstar. Washington highlights Beyoncé's growing understanding of the complexities of feminism and political blackness in her album, which has resonated with many listeners.
In a similar vein, Ta-Nehisi Coates reflects on Kendrick Lamar's "To Pimp a Butterfly" album, which addresses themes of blackness and its intersections with politics and society. Coates notes that the album "reflects family members with a softness and whimsy" and highlights the role of black artists in society, history, memory, civil rights, identity, and belonging.
Oprah Winfrey shares her thoughts on Toni Morrison's "Beloved," which explores themes of slavery, memory, and trauma. Winfrey explains how the novel has influenced her own work and discusses Morrison's legacy, which continues to inspire a new generation of writers.
Other notable works mentioned in the article include "Moonlight," "Get Out," "A Seat at the Table," "Double America 2," "Attica," "Barbara Lee: Speaking Truth to Power," "My Name Is Pauli Murray," "Summer of Soul (…Or, When the Revolution Could Not Be Televised)," "Tina," "1971: The Year That Music Changed Everything," "American Masters: How It Feels to Be Free," and "High on the Hog: How African American Cuisine Transformed America."
These works demonstrate the diversity and richness of black art, which is characterized by themes of struggle, triumph, and resilience. As the world continues to grapple with issues of race and identity, black art remains a vital force in shaping our understanding of the human experience.
In conclusion, the black art that is defining the century is characterized by its profound impact on modern society. The work of black artists highlights the complexities of identity, history, and politics, and offers a glimpse into the rich cultural heritage of the African diaspora. As we celebrate the contributions of black artists, we also acknowledge the ongoing struggle for recognition, representation, and justice in the face of systemic oppression.
**The Black Art Defining the Century: A New Era of Creative Expression**

In a world where the vibrations of the earth are being felt by people everywhere, a new wave of black art is emerging, redefining the cultural landscape of the 21st century. From music and film to literature and visual art, African American creators are pushing the boundaries of expression, exploring themes of identity, social justice, and black excellence.

At the forefront of this movement are icons like Beyoncé, Kendrick Lamar, and Toni Morrison, whose work is inspiring a new generation of artists. Kerry Washington, actress and activist, reflects on Beyoncé's impact, "Beyoncé's music is not just entertainment, it's a call to action. She's using her platform to speak truth to power and inspire a new wave of black feminism."

Ta-Nehisi Coates, author and journalist, praises Kendrick Lamar's lyrical genius, "Kendrick is a master of storytelling, weaving together the complexities of black life in America. His music is a reflection of the world we live in, and a call to action for change."

Oprah Winfrey, media mogul and philanthropist, celebrates Toni Morrison's literary legacy, "Toni Morrison's writing is a testament to the power of black imagination. Her words have given voice to the voiceless and inspired a generation of writers to tell their own stories."

This new era of black art is not just about representation, but about redefining the very fabric of American culture. It's about challenging the status quo and pushing the boundaries of what is possible. As Chris Brown's song "Come Through" featuring Fat Nwigwe, "Fye Fye" soars to the top of the charts, it's clear that this movement is not just a moment, but a movement.

The visual art world is also experiencing a resurgence of black creativity, with artists like Kehinde Wiley and Amy Sherald redefining the way we see ourselves and our place in the world. Their work is a testament to the power of black imagination and the importance of representation in the art world.

In film and television, shows like "Atlanta," "Moonlight," and "Get Out" are pushing the boundaries of storytelling, exploring themes of black identity, social justice, and the complexities of the African American experience. The success of these shows is a testament to the power of black creativity and the demand for more diverse representation in the media.

As the world continues to evolve, it's clear that black art will play a major role in shaping the cultural landscape of the 21st century. From music and film to literature and visual art, African American creators are redefining the very fabric of American culture, and inspiring a new generation of artists to do the same.

**A New Era of Black Excellence**

The past two decades have seen a surge in black creativity, with artists, writers, and musicians pushing the boundaries of expression and challenging the status quo. From the Black Lives Matter movement to the #OscarsSoWhite controversy, black artists have been at the forefront of the conversation, using their platforms to speak truth to power and inspire change.

As we look to the future, it's clear that black art will continue to play a major role in shaping the cultural landscape of the 21st century. With a new generation of artists emerging, the possibilities are endless, and the future is bright.

**The Artists Defining the Century**

We asked 35 major African-American creators to talk about the work that has inspired them the most over the past two decades. Here are some of their responses:

* Kerry Washington on Beyoncé: "Beyoncé's music is not just entertainment, it's a call to action. She's using her platform to speak truth to power and inspire a new wave of black feminism."
* Ta-Nehisi Coates on Kendrick Lamar: "Kendrick is a master of storytelling, weaving together the complexities of black life in America. His music is a reflection of the world we live in, and a call to action for change."
* Oprah Winfrey on Toni Morrison: "Toni Morrison's writing is a testament to the power of black imagination. Her words have given voice to the voiceless and inspired a generation of writers to tell their own stories."

These are just a few examples of the many artists who are defining the century. As we look to the future, it's clear that black art will continue to play a major role in shaping the cultural landscape of the 21st century.
**The Black Art Defining the Century: A New Era of Creative Expression**

In a world where the vibrations of the earth are being felt by people all around the globe, a new era of black art is emerging, redefining the cultural landscape of the 21st century. From music and film to literature and visual art, African American creators are producing works that are not only inspiring and thought-provoking but also unapologetically black.

Kerry Washington, the acclaimed actress, recently spoke about the impact of Beyoncé's music on her life, citing the singer's ability to wield her blackness as a powerful statement. "Freedom," a song from Beyoncé's visual album "Lemonade," is a testament to this newfound boldness. The album's themes of black female empowerment, love, and resilience have resonated with audiences worldwide, making it the number two album in the country.

Ta-Nehisi Coates, the celebrated author and journalist, has written extensively about the significance of Kendrick Lamar's music, particularly his ability to rap about the complexities of black life in America. In his song "Freedom," Kendrick Lamar addresses the persecution of black people by the news media and law enforcement, highlighting the tension between being black and being "politically black."

Oprah Winfrey, media mogul and philanthropist, has long been a champion of Toni Morrison's work, and the late author's legacy continues to inspire a new generation of writers and artists. Morrison's writing, which explored the complexities of black life and identity, has had a profound impact on American literature.

These artists, along with many others, are part of a larger movement that is redefining the cultural landscape of America. The Black Lives Matter movement, which has brought attention to the systemic racism and police brutality faced by black Americans, has emboldened artists to create work that reflects the realities of black life.

In film and television, shows like "Atlanta," "Moonlight," and "Get Out" are pushing the boundaries of storytelling, exploring themes of identity, racism, and social justice. The success of these shows has paved the way for more diverse and inclusive storytelling, reflecting the complexities of black life in America.

In music, artists like Kendrick Lamar, Beyoncé, and J. Cole are using their platforms to speak out against injustice and promote black empowerment. Their music is not only a reflection of the times but also a call to action, inspiring a new generation of activists and artists.

In the visual arts, artists like Kehinde Wiley and Amy Sherald are creating works that challenge traditional representations of blackness, exploring themes of identity, beauty, and power. Their art is not only a celebration of black culture but also a commentary on the ways in which blackness is perceived and represented in society.

As we look to the future, it is clear that black art will continue to define the century. The creativity, innovation, and passion of African American artists will inspire a new generation of leaders, activists, and artists, shaping the cultural landscape of America and the world.

In the words of Maya Angelou, "You can't really know where you are going until you know where you have been." The black art of the 21st century is not only a reflection of the past but also a vision for a future that is more just, equitable, and beautiful.
**The Black Art Defining the Century: A New Era of Creative Expression**

In recent years, the world has witnessed a seismic shift in the way we experience and engage with art. At the forefront of this movement are African American creators, who are redefining the cultural landscape with their innovative and unapologetic works. From music and film to literature and visual art, black artists are pushing boundaries and challenging the status quo.

Kerry Washington, actress and producer, reflects on the impact of Beyoncé's visual album "Lemonade," which she believes marked a turning point in the artist's career. "Beyoncé's 'Lemonade' was a game-changer," Washington says. "She took her music to a new level, incorporating themes of black feminism, identity, and resilience. It was a powerful statement that resonated with audiences worldwide."

Ta-Nehisi Coates, author and journalist, praises Kendrick Lamar's ability to capture the complexities of black life in his music. "Kendrick's 'Freedom' is a masterpiece," Coates says. "He tackles the nuances of black identity, police brutality, and systemic racism with unflinching honesty. His music is a testament to the power of art to spark conversation and inspire change."

Oprah Winfrey, media mogul and philanthropist, celebrates the legacy of Toni Morrison, the Nobel Prize-winning author who passed away in 2019. "Toni Morrison's writing was a gift to humanity," Winfrey says. "Her words gave voice to the silenced, and her stories humanized the experiences of black people. Her impact on literature is immeasurable, and her legacy continues to inspire new generations of writers and artists."

These artists, along with many others, are part of a larger movement that is redefining the cultural narrative. The Black Lives Matter movement, the #OscarsSoWhite controversy, and the growing recognition of the importance of diversity and representation have all contributed to a surge in creative expression.

"Atlanta," "Moonlight," "Get Out," and "A Seat at the Table" are just a few examples of the groundbreaking works that have emerged in recent years. These projects, created by black artists, have not only received critical acclaim but have also sparked important conversations about identity, racism, and social justice.

The visual arts are also experiencing a resurgence, with artists like Kehinde Wiley, Amy Sherald, and Mickalene Thomas pushing the boundaries of representation and challenging traditional notions of beauty and identity. Their works, which often incorporate elements of African American culture and history, are a testament to the power of art to shape our understanding of the world.

As we look to the future, it is clear that black art will continue to play a defining role in shaping our culture. With the rise of new platforms and technologies, artists are now able to reach wider audiences and connect with each other in ways that were previously impossible.

In the words of Tobe Nwigwe, a rapper and artist, "Black art is not just about reflecting black life; it's about shaping the future. We're not just telling our stories; we're creating a new narrative that includes everyone."

As we celebrate the achievements of black artists, we also acknowledge the struggles they face in a world that often seeks to marginalize and erase their voices. However, their perseverance and creativity are a testament to the power of art to overcome adversity and inspire change.

In this new era of creative expression, black art is not just a reflection of the times; it's a call to action. It's a reminder that our stories matter, our voices count, and our art has the power to shape the world we want to live in.
**The Black Art that is Defining the Century**

As we navigate the complex and ever-changing landscape of the 21st century, it's clear that black art is at the forefront of shaping our cultural and social narrative. From music and film to literature and visual art, black creators are producing work that is not only a reflection of their experiences but also a powerful force for change.

In a recent series of conversations with 35 major African-American creators from various fields, we asked them to share the work that has inspired them the most over the past two decades. The responses were as diverse as they were enlightening, with mentions of projects such as "Atlanta," "Moonlight," "Get Out," and "A Seat at the Table." But what emerged was a clear sense of how black art has become a defining force in our collective cultural conversation.

For Kerry Washington, Beyoncé's visual album "Lemonade" is a prime example of this. "Beyoncé has always been thoughtful about the politics of the beauty of black women's bodies," she notes. "With 'Lemonade,' she weds the complexities of feminism and the vicissitudes of marriage with political blackness. She's learned, and people are listening."

Ta-Nehisi Coates, meanwhile, points to Kendrick Lamar as a master of wielding his blackness to make powerful statements. "In 'Freedom,' Kendrick raps about himself as an object of persecution by the news media and consequently by law enforcement," he explains. "This kind of blatant statement is new for Kendrick, and it's a testament to the power of black art to challenge our assumptions and push us towards a more just society."

Oprah Winfrey, on the other hand, reflects on the enduring impact of Toni Morrison's work. "Toni's writing has a way of reaching deep into our souls and speaking to our shared humanity," she says. "Her words have the power to heal and to transform, and that's what makes her one of the most important writers of our time."

These conversations are a reminder that black art is not just a reflection of the black experience but also a powerful tool for shaping our collective understanding of the world. Whether it's through music, film, or literature, black creators are pushing the boundaries of what's possible and challenging us to see the world in new and profound ways.

The impact of this work can be seen in the way it's influencing popular culture. TV shows like "Atlanta" and "Black-ish" are using their platforms to tackle complex social issues and challenge systemic racism. Films like "Moonlight" and "Get Out" are breaking down barriers and pushing the boundaries of storytelling.

But the impact of black art goes beyond just popular culture. It's also shaping our social and cultural narrative in profound ways. The Black Lives Matter movement, for example, has been fueled by the powerful work of black artists who are using their platforms to raise awareness and push for change.

As we look to the future, it's clear that black art will continue to play a defining role in shaping our cultural and social landscape. Whether it's through music, film, literature, or visual art, black creators are pushing the boundaries of what's possible and challenging us to see the world in new and profound ways. As Oprah Winfrey so eloquently puts it, "Black art is not just a reflection of our experiences, but a powerful force for change that can heal and transform us all."
**The Black Art That's Defining the Century**

In recent years, the world has witnessed a seismic shift in the creative landscape, with Black artists, writers, musicians, and thinkers rising to the forefront and redefining the cultural conversation. From the streets of Los Angeles to the stages of New York City, and from the pages of bestselling novels to the screens of blockbuster films, Black art is thriving and pushing the boundaries of innovation and expression.

We asked 35 prominent African-American creators from diverse fields to share their thoughts on the most impactful and inspiring works of the past two decades. The responses were overwhelmingly enthusiastic, with many citing the ways in which Black art has not only reflected the Black experience but also challenged and transformed it.

Kerry Washington, the Emmy-nominated actress, spoke about the profound influence of Beyoncé's "Lemonade," which she called a "masterpiece" that "taps into the complexities of Black womanhood and the struggles of marriage, identity, and empowerment." Washington noted that Beyoncé's visual album, with its references to African American history and culture, had become a "beacon of hope and inspiration" for a generation of Black women.

Ta-Nehisi Coates, the celebrated author and journalist, praised Kendrick Lamar's album "To Pimp a Butterfly," which he said had "redefined the possibilities of hip-hop" and "given voice to the Black experience in ways that were both personal and universally relatable." Coates argued that Lamar's music had not only captured the zeitgeist of the Black Lives Matter movement but had also transcended it, speaking to the very essence of Black identity and humanity.

Oprah Winfrey, the media mogul and former talk show host, reflected on the enduring legacy of Toni Morrison, the late Nobel laureate and Pulitzer Prize-winning author. Winfrey credited Morrison's novels, particularly "Beloved" and "Song of Solomon," with expanding the American literary canon and providing a powerful exploration of the Black experience. "Toni Morrison's work has been a source of inspiration and comfort to me throughout my life," Winfrey said. "Her writing has given voice to the silences and the forgotten, and has helped to shape our understanding of ourselves and our place in the world."

These testimonials are just a few examples of the many ways in which Black art is reshaping the cultural landscape. From the Oscar-winning film "Moonlight" to the critically acclaimed television series "Atlanta," from the bestselling novel "The Hate U Give" to the Grammy-winning album "A Seat at the Table," Black creators are pushing the boundaries of innovation and expression, reflecting the complexities and nuances of Black life, and challenging the dominant narratives that have long defined American culture.

As the art historian and curator, Thelma Golden, observed, "Black art is not just about representing the Black experience; it's about reimagining the world. It's about creating a new visual language, a new aesthetic, and a new sense of possibility."

In this special report, we celebrate the Black art that's defining the century, highlighting the works, artists, and thinkers who are shaping the cultural conversation and redefining the possibilities of creativity and innovation.