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[caption id="attachment_5410" align="aligncenter" width="350"] Joseph Wright of Derby, Academy by Lamplight, 1769, huile sur toile, New Haven, Yale Center for British Art, Paul Mellon Collection.[/caption]Type : appel à communication.Date limite de l’appel : 15 avril 2020.Date de l’événement : 17 et 18 septembre 2020.Lieu :  Birkbeck, University of London.Recent years have seen a resurgence of interest in the formation and display of country house collections of art and antiquities in Britain, and particularly those created as a result of a Grand Tour to Italy in the eighteenth century. From The English Prize at the Ashmolean Museum in 2012 and the collaboration between Houghton Hall and The Hermitage State Museum, Houghton Revisited, in 2013, to The Lost Treasures of Strawberry Hill: Masterpieces from Horace Walpole's Collection in 2018, curators and academics have sought to investigate the antiquities, paintings and collectibles that were brought to Britain in such large quantities.However, the organisation of the art market at that time has received less attention, and far less than it deserves given its fundamental role in the processes by which objects arrived in collections at that time. New contexts for collecting have also emerged, such as the history of consumption and the economic background to the acquisition of so-called 'luxury' goods and prestige objects. The art market of the eighteenth century continues to play a vital role in collecting today; with so many of the objects acquired during a Grand Tour since dispersed in house sales and auctions, or bequeathed or sold to museums. The antiquities and paintings that once adorned the galleries of the cultured in Britain are also still to be found for sale, indicating the longevity of their appeal and value for collectors.This conference seeks to explore the processes by which these collections were formed, interrogating the relationship between the Italian and British art markets of the eighteenth century, the role of the dealers in Italy and the auction houses in Britain, through which many of the objects were later to pass, encompassing in depth discussion of the objects themselves. We invite abstracts of no more than 500 words for 30 minute papers to be submitted to the organising committee by 15th April 2020 (antiquitiesartmarketconference@gmail.com) as well as a short CV. We welcome proposals from scholars working in museums, collections and archives, as well as from academics from across disciplines such as History, Art History, Museum Studies and Classics. PhD students and ECRs are particularly encouraged to submit abstracts.Topics may include, but are not limited to:- Dealers in antiquities between Rome and Britain- Auctions and auction houses in Britain- Object biographies of antiquities, old master paintings, modern paintings, rare books, prints and neo-classical sculpture circulating in the 18th-century art market- Customers and collectors in the 18th century- Networks and communities of dealers and collectors- The economic history of the art market- The afterlife of collections from the 18th century to todayOrganising committee: Dr Caroline Barron, Professor Catharine Edwards, Professor Kate Retford