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[caption id="attachment_2482" align="aligncenter" width="500"] Hubert Robert, Ruines romaines avec le Colisée, 1798, 0,50 x 0,59 m, Paris, musée du Louvre[/caption]Type : colloque.Date de l’événement : 14 et 15 novembre 2019.Lieu : Istituto Svizzero di Roma / Academia Belgica, Rome.The questions of ruins and their images oscillate in the history of art between the vanitative interpretations related to the early modern period and the aesthetic categories of romanticism, while for the cultural studies the theoretical reflection on the ambiguities of memory and oblivion stands in the foreground. The conference goes beyond this topic range and raises questions about the importance of a ruin as an anachronistic symbol, a visual indicator of historical difference, and a critical touchstone of modernity.How did ruins turn into an independent figurative metaphor regarded as the epitome of transience? To what extent were the ancient Roman ruins transformed in the early modern period into iconic images of symbolic and aesthetic value and what is the relevance of this long process of transference—the elevation of the ruin to a sovereign image—for the way in which we view today’s Syrian war ruins from a distance? In this context, one needs to differentiate between natural disintegration and planned ruination: what distinguishes the archaeological from the iconoclastic dimension of a ruin?The instrumentalization of the ruins of Palmyra which themselves became victim to a media-related iconoclasm in 2015 and the elevation of their void space after devastation into a social icon give reason to think critically about how the reception of ruins and the depiction of ruination combine anachronism with aesthetics and affect. Following these issues, we shall ask: What is the pictorial evidence of ruins and that of their images? In how far can images of ruins iconically convey or translate the nature of a catastrophe? To what extent does the aesthetic familiarity of the ruins of Rome as a visual paradigm of a ruined city raised by art since the 16th century contribute to our understanding of the new media-related impact of factual destruction today? Does aesthetics have an anaesthetic effect in this case?With these questions, the conference seeks to contribute to the critical analysis of a pictorial concept of ruins from the early modern period to the present—spanned between destruction, restoration, and construction—and to ask how the issue of the media topicality of ruins can be dealt with today.T H U R S D A Y ,  1 4  N O V E M B E R  2 0 1 9Istituto Svizzero di Roma15.00  Welcome by Adrian Brändli (Istituto Svizzero di Roma))15.15  Afternoon Session• Mateusz Kapustka (University of Zurich/FU Berlin), Ruins, Ruination, and Anachronism: An Introduction• Henri de Riedmatten (University of Geneva), Recoding Fragmented Figures: Dynamics of Restoration in Early Sixteenth-Century Rome• Jumana Al Asaad (University of Heidelberg), The Iconization and Medialisation of the Syrian Cultural Heritage in the Ongoing Armed ConflictF R I D A Y ,  1 5  N O V E M B E R  2 0 1 9Academia Belgica9.00  Welcome by Sabine van Sprang (Academia Belgica)9.15  Morning Session• Maarten Delbeke (ETH Zurich), Getting Rid of the Ruins.: Remnants as Sources of Knowledge and Confusion in the Late Seventeenth Century• Dirk De Meyer (Ghent University), Palmyra to Europe and Back: Architectural Ruins and their Mediatization• Stanislaus von Moos (University of Zurich/Getty Research Institute), Constructivist Ruins? On Frank Lloyd Wright and Peter Blume12.00  Lunch break13.00  Closing Session• Robert Harbison (London), Ruins and Fragments in Modern SculptureConceptMateusz KapustkaOrganizationAdrian BrändliRalph DekoninckMateusz KapustkaTristan WeddigenContactsIstituto Svizzero di RomaVia Ludovisi 48, 00187 RomeAdrian Brändli, info@stitutosvizzero.itAcademia BelgicaVia Omero 6, 00196 RomeCharles Bossu, info@academiabelgica.itBibliotheca Hertziana – Max Planck Institute for Art HistoryVia Gregoriana 28, 00187 RomeMara Freiberg Simmen, freiberg@biblhertz.it