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[caption id="attachment_8551" align="aligncenter" width="500"] Rembrandt d'après Léonard de Vinci, La Cène, ca. 1634-1635, sanguine, 36 x 47 cm, New York, Metropolitan Museum of Art.[/caption]Type : colloque.Date de l’événement : 24 et 25 octobre 2019.Lieu : Accademia Nazionale di San Luca, Palazzo Carpegna, Salone d’onore, Piazza dell’Accademia di San Luca 77, Rome.The aim of the Study Days is to focus the attention of international scholars working in a variety of fields, and of Leonardo experts and enthusiasts, on studies and research regarding the transmission of da Vinci’s ideas and writings and their circulation and reception in Italy and across Europe during the sixteenth and seventeenth centuries. In the abridged version known as the Treatise on Painting, the Libro di Pittura compiled by Francesco Melzi was widely circulated in the decades following Leonardo’s death. Avidly read by artists and collectors closely associated with the accademie del disegno, it profoundly influenced the theory, practice and teaching of the time. The speakers will examine previously unexplored or little-known aspects (biographical, linguistic, theoretical, graphic and collection-related) of the complex historical process via which Melzi’s re-elaboration of a group of Leonardo’s original manuscripts, and his subsequent compilation of the Codex Vaticanus Urbinas 1270, eventually led to the production of numerous manuscript copies and to the Italian editio princeps: the Trattato della Pittura di Lionardo da Vinci.Conception and Scientific Responsibility:Francesco Moschini, Vita SegretoScientific Committee:Janis Bell, Francesco Cellini, Francesco MoschiniVita Segreto, Carlo VeccePROGRAMMEThursday, 24 October 20199.30 Welcome adressFrancesco Cellini, Accademia Nazionale di San LucaIntroductionFrancesco Moschini, Accademia Nazionale di San LucaVita Segreto, Accademia di Belle Arti, RomaSession I CirculationChair Francesca Fiorani, University of Virginia, Charlottesville10.00 Leonardo, il Trattato, gli scritti: l’eredità lombarda e un’alterna fortunaGiulio Bora, Veneranda Biblioteca Ambrosiana, Milano10.30 La fortuna dei disegni architettonici di Leonardo nel primo CinquecentoSabine Frommel, École Pratique des Hautes Études, PSL Université, Paris11.00 Coffee break11.30 Giovan Francesco Melzi, allievo ed erede di LeonardoFurio Rinaldi, Department of Old Master Drawings, Christie’s, New York12.00 Dei movimenti dell’uomo ovvero di Leonardo in AccademiaVita Segreto, Accademia di Belle Arti, Roma12.30 Discussion13.30 Light lunchKeynote lecture15.00 Genesi del Libro di PitturaCarlo Vecce, Università degli Studi ‘L’Orientale’, NapoliSession II TransmissionChair Anna Sconza, Université Sorbonne Nouvelle, Paris 315.45 Il Vat. Lat. 1270 da Milano a Urbino. Fatti e ipotesi per la cessioneRossana Sacchi, Università degli Studi, Milano16.15 Why the Doctored Libro di Pittura Transformed Leonardo da Vinci from Pittore Universale to PolymathFrancesca Fiorani, University of Virginia, Charlottesville16.45 Il libro perduto di Leonardo, sulla pittura e sui movimenti umaniMatthew Landrus, Wolfson College, University of Oxford17.15 DiscussionFriday, 25 October 2019Session III ReceptionChair Carlo Vecce, Università degli Studi ‘L’Orientale’, Napoli9.30 Purus pictor, non medicus nec philosophus. Cardano e LeonardoSalvatore Carannante, Scuola Normale Superiore di Pisa10.00 Lettori di Leonardo nella Firenze del tardo CinquecentoAnna Sconza, Université Sorbonne Nouvelle, Paris 310.30 From Diagrams to Landscapes: the Reception of Chapters on Aerial PerspectiveJanis Bell, Brown University, Providence11.00 Coffee break11.30 Leonardo’s Colors, Lomazzo’s ColorsBarbara Tramelli, St Benet’s Hall, University of Oxford12.00 Leggere Leonardo da Vinci nel Cinquecento a Roma: la recezione del Trattato della Pittura nel Corpus estetico di Federico ZuccariMacarena Moralejo Ortega, Universidad de Granada12.30 Discussion