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Type : colloqueDate et horaire : 28 et 29 mars 2019.Lieu : Biblioteca Nacional de Portugal, Lisbonne.Political, diplomatic, cultural, and artistic relations—including music and the visual arts—between Rome and Lisbon in the 18th century have, at different times, aroused the interest of several scholars. However, these research fields have often been approached in parallel paths within the traditions of each of the disciplines, without establishing in most cases a true dialogue between the different areas of knowledge and disregarding cross-cutting issues. On the other hand, the study of artistic relations and cultural transfers presupposes an in-depth and up-to-date view of the historical and social context of each city in their own peculiarities. This international conference intends to promote new approaches to the history of music and the arts through multidisciplinary dialogue that involves different points of view.ProgrammeT H U R S D A Y ,  2 8  M A R C H  2 0 1 99.30  Opening Session• Inês Cordeiro (Director of the BNP)• Pilar Diez del Corral and Cristina Fernandes (conference board of directors)10.00  Ceremonial and DiplomacyChair: Pilar Diez del Corral• John E. Moore (Smith College, Northampton, Massachusetts), Obsequies for Peter II (1707) and John V (1751) in S. Antonio dei Portoghesi, Rome• Rodrigo Teodoro de Paula (CESEM-NOVA FCSH), Imitando Roma: Música e outros sons no cerimonial fúnebre por D. João V (1750)• Christopher M. S. Johns (Vanderbilt University, Nashville, Tennessee), Queen Maria I, Pope Pius VI, and the Sacred Heart of Jesus: Lisbon, Rome, and the Counter-Enlightenment11.30  Coffee Break12.00  Ceremonial and Diplomacy, continuedChair: Pilar Diez del Corral• Maria João Ferreira (CHAM – NOVA/FCSH – UAc), Da Roma pontifícia para a Lisboa joanina: Abordagem das encomendas de têxteis através da correspondência trocada entre José Correia de Abreu e Fr. José Maria da Fonseca Évora• Rosana Brescia (CESEM – NOVA FCSH), ‘Teatro alla Moda’: Opera Costumes for Portuguese Royal Theatres during the Reign of D. José I13.00  Lunch14.30  Working for Portuguese Patrons: From Italy to PortugalChair: Manuel Carlos de Brito• Giuseppina Raggi (CES – Universidade de Coimbra), Roma e le traiettorie artistiche di Filippo Juvarra e Domenico Scarlatti nella penisola iberica• Ricardo Bernardes (CESEM/NOVA FCSH), Giovanni Giorgi (d. 1762) and the ‘Roman Musical Style’ in Lisbon in the First Half of the 18th Century• Fabrizio Longo (MIUR), I solfeggi di Giovanni Giorgi (d. 1762), valide ed ispirate lezioni di violino16.00  Coffee Break16.30  Working for Portuguese Patrons: From Italy to Portugal, continuedChair: Manuel Carlos de Brito• Aline Gallasch-Hall de Beuvink (Universidade Autónoma de Lisboa/CIAUD/CICH), O arquitecto Giovanni Sicinio Galli Bibiena: novos contributos biográficos• Marco Brescia (CESEM/NOVA FCSH), Niccolò Nasoni and Visual and Sound Symmetry on Portuguese Organs17.30  Book Presentation • Politics and the Arts in Lisbon and Rome: The Roman Dream of John V of Portugal (The Voltaire Foundation, 2019) for Pilar Diez del CorralF R I D A Y ,  2 9  M A R C H  2 0 1 99.30  Aristocratic Power and Performing Arts in Baroque Rome: Portuguese ConnectionsChair: Rui Vieira Nery• Teresa Chirico (Conservatorio di musica ‘S. Cecilia’ di Roma- Performart), l cardinale Pietro Ottoboni (1667–1740), i portoghesi e la musica• Cristina Fernandes (INET-md, NOVA FCSH, PerformArt – Rome), ‘When in Rome, Do as the Romans Do’: Portuguese Cardinals’ Musical Patronage and Their Artistic Networks after the Conclave of 1721• Diana Blichmann (PerformArt –Rome), Alessandro nell’Indie as Opera Event in Rome (1730) and Lisbon (1755): Examples of Different Multimedia Strategies for Staging Power11.00  Coffee Break11.30  Images, Treatises, and BooksChair: James W. Nelson Novoa• Alexandra Gago da Câmara (UAb / IHA / CHAIA ) + Carlos Moura (IHA- UNL), Uma imagem da Roma Pontifícia no fausto da Lisboa Joanina: Os azulejos do Terraço superior do Mosteiro de São Vicente de Fora• João Cabeleira (Lab2PT, Escola de Arquitetura, Univ. De Minho), Perspectiva Pictorum et Architectorum: Science and Architectural Image Propagation• Leonor Antunes (BNP, Lisboa), From Lisbon to Rome, Passing through Parma: Portuguese Artists and patrón Diplomats in Bodonian Editions13.00  Lunch14.30  From Portugal to RomeChair: TBA• James W. Nelson Novoa (Otawa University, Canada), Forging Portuguese National Memory in 18th-Century Rome• Maria Onori (Univ. di Roma ‘La Sapienza’), Dos Santos/De Sanctis: Notizie di un architetto lusitano a Roma dagli archivi romani• Giada Lepri (Univ. di Roma ‘La Sapienza’), Un inedita committenza portoghese nella Roma del 700’: La vigna da Gama de Padua sulla via Salaria ed i suoi legami con l’ambiente architettonico romano dell’epoca• Michela Degortes (ARTIS-UL), Giovanni Gherardo De Rossi and the Portuguese in Rome at the End of the 18th Century: Artistic Relations and Cultural Network16.30  Coffee Break17.00  Roman Taste for Lisbon CourtChair: Maria João Albuquerque• Fernando Miguel Jalôto (INET-md, NOVA FCSH), Antonio Tedeschi: An Italian Musician at the Court of John V• Vicenzo Stanziola (Univ. degli Studi di Roma, Tor Vergata), Arte romana per Joao V: Il caso di Pietro Bianchi18.00  Closing Session• Guided tour of the library exhibition From Tagus to Tiber: Portuguese Musicians and Artists in Rome in the 18th CenturyScientific Committee• Manuel Carlos de Brito (NOVA FCSH, Lisboa)• Elisa Camboni (Accademia Nazionale di San Luca, Roma)• Pilar Diez del Corral Corredoira (UNED, Madrid)• Cristina Fernandes (INET-md, NOVA FCSH, Lisboa)• Anne-Madeleine Goulet (CNRS, Projecto Performart-Roma)• Teresa Leonor M. Vale (ARTIS, Universidade de Lisboa)• Rui Vieira Nery (INET-md, NOVA FCSH/Fundação Gulbenkian, Lisboa)Board of Directors• Pilar Diez del Corral Corredoira• Cristina Fernandes