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Vol. 18, No. 2, Fall 2015Published by: The University of Chicago Press on behalf of Villa I Tatti, The Harvard Center for Italian Renaissance Studies.....TABLE OF CONTENTS...Editor’s Note (pp. 261-264)Jane TylusDOI: 10.1086/683185Stable URL: http://www.jstor.org/stable/10.1086/683185The New Museo dell’Opera del Duomo (pp. 265-286)Timothy VerdonDOI: 10.1086/683191Stable URL: http://www.jstor.org/stable/10.1086/683191De mulieribus claris and the Disappearance of Women from Illustrated Print Biographies (pp. 287-318)Susan GaylardDOI: 10.1086/683138Stable URL: http://www.jstor.org/stable/10.1086/683138The Birth of Ruins in Quattrocento Adoration Paintings (pp. 319-348)Andrew HuiDOI: 10.1086/683137Stable URL: http://www.jstor.org/stable/10.1086/683137On the Threshold of Law: Dictatorship and Exception in Machiavelli and Schmitt (pp. 349-370)Andrea MoudarresDOI: 10.1086/683136Stable URL: http://www.jstor.org/stable/10.1086/683136Parodia per immagini: Appunti sulla tradizione silografica del Baldus  (pp. 371-396)Alessandra Paola MacinanteDOI: 10.1086/683184Stable URL: http://www.jstor.org/stable/10.1086/683184The Modern Copy: Dante, Ariosto, and Michelangelo’s Sistine Ceiling (pp. 397-427)David QuintDOI: 10.1086/683175Stable URL: http://www.jstor.org/stable/10.1086/683175Creating a Renaissance Painter: Pesellino, Connoisseurship, and the Romantik (pp. 429-467)Nathaniel SilverDOI: 10.1086/683139Stable URL: http://www.jstor.org/stable/10.1086/683139Isabella’s Christ (pp. 469-488)David Alan BrownDOI: 10.1086/683183Stable URL: http://www.jstor.org/stable/10.1086/683183Source