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---------------------- THE ART BULLETIN ---------------------The Art Bulletin, Vol. 97, No. 1, March 2015SHERI FRANCIS SHANEYFELT, The Società del 1496: Supply, Demand, and Artistic Exchange in Renaissance Perugia (p. 10)&#160;The Art Bulletin, Vol. 97, No. 2, June 2015MARVIN TRACHTENBERG, Building and Writing S. Lorenzo in Florence: Architect, Biographer, Patron, and Prior (p.140)&#160;The Art Bulletin, Vol. 97, No. 3, September 2015KIRK AMBROSE, Digital Art History (p. 245)FLORINA H. CAPISTRANO-BAKER, Whither Art History in the Non-Western World: Exploring the Other(’s) Art Histories (p. 246)&#160;&#160;----------------------------- ART HISTORY -----------------------------Art History, Volume 38, Issue 1, February 2015Portrait and Imprint in Fifteenth-Century Italy (pages 10–37), Joost KeizerFrans Floris's Allegory of the Trinity (1562) and the Limits of Tolerance (pages 38–67), Edward H. Wouk&#160;Art History, Volume 38, Issue 3, June 2015Tintoretto's Time (pages 414–433), Kamini VellodiVisuality, Morality, and Same-Sex Desire: The Infants Christ and Saint John the Baptist in Early Netherlandish Art (pages 434–461), Andrea Pearson&#160;&#160;----------- Art Histories Supplement 2.0-----------Art Histories Supplement 2.0, issue 1 (2015)The studiolo of Francesco I de’ Medici: A Recently-Found Inventory, by Lindsay Alberts, p.3The Giorgio Vasari Project: A user-generated content project, p.25&#160;&#160;----------- Artibus et Historiae -----------Artibus et Historiae, no. 71 (XXXVI), 2015Paul Joannides, Revival or Continuity? Three Turns about Pontormo (pp. 91-112)Marcin Fabiański, L’iconografia del 'Giove pittore di farfalle' di Dosso Dossi, ossia il sogno di primavera di Alfonso d’Este (pp. 113-124)&#160;&#160;------------------ The Burlington Magazine ------------------The Burlington Magazine, July 2015BOOK REVIEWSThe Miraculous Image in Renaissance Florence, M. Holmes by JOANNA CANNONThe Spectacle of Clouds, 1439–1650: Italian Art and Theatre, A. Buccheri by DAVID EKSERDJIAN&#160;The Burlington Magazine, October 2015ARTICLESTitian’s ‘Danaë’ for Philip II of Spain: a clarification by CHARLES HOPEBOOKSRaphael, Notes and introduction by W.E. Suida, preface by B. Talvacchia by JANE MARTINEAULa Pala d’Altare a Bologna nel Rinascimento, opere, artisti e città, 1450–1500, C. Cavalea by FRANCIS RUSSELLParmigianino’s ‘Madonna of the Long Neck’: A Grace beyond the Reach of Art, E.J. Olszewski by DAVID FRANKLINEXHIBITIONSFederico da Montefeltro’s studiolo by FRANK DABELL&#160;The Burlington Magazine, November 2015BOOKS REVIEWSLeon Battista Alberti and Nicholas Cusanus: Towards an Epistemology of Vision for Italian Renaissance Art and Culture, C.H. Carman by PETER HOWARDBramante’s Tempietto, the Roman Renaissance and the Spanish Crown, J. Freiburg by DAVID HEMSOLLCornelis Engebrechtsz. A Sixteenth-Century Leiden Artist and his Workshop, J.P. Filedt Kok, W. Gibson and Y. Bruijnen, with contributions by E. van Duijn and P. Klein by DAN EWINGEXHIBITIONSDonatello in Padua by JEREMY WARRENMedici tapestries by Bronzino and Pontormo by HELEN WYLD&#160;The Burlington Magazine, December 2015ARTICLESFederico Zuccari and the chapel of the Dukes of Urbino at Loreto: the design for the altar of the Annunciation by ANTONIO RUSSO&#160;&#160;----------- IKON Journal of Iconographic Studies -----------IKON Journal of Iconographic Studies, No. 8, 2015Yvonne zu Dohna, An Introduction into the Popes’ Hermeneutics of Art. The Theology of the Aesthetic Experience of the “Other” in an ImageJudy Peter, The Renaissance. Ideological and Cultural Constructions of Grand Narratives&#160;&#160;---------- International Journal for Digital Art History ----------International Journal for Digital Art History (DAH-Journal) - 1 (2015)Lev Manovich, Data Science and Digital Art HistoryBenjamin Zweig, Forgotten Genealogies: Brief Reflections on the History of Digital Art HistoryAnna Bentkowska-Kafel, Debating Digital Art HistoryElli Doulkaridou, Reframing Art History&#160;&#160;-------- Journal of Medieval and Early Modern Studies --------Journal of Medieval and Early Modern Studies, Vol. 45, No. 3, Sep 2015Juliet Fleming: The Renaissance Collage: Signcutting and Signsewing, 443-456 (Free online access)&#160;&#160;------- Journal of the Warburg and Courtauld Institutes -------Journal of the Warburg and Courtauld Institutes, Volume LXXVII (2014)Climate, Astrology and the Age of the World in Thirteenth-Century Thought: Giles of Lessines and Roger Bacon on the Precession of the Solar Apogee, C. P. E. NothaftMarsilio Ficino’s ‘Si Deus Fiat Homo’ and Augustine’s ‘Non Ibi Legi’: The Incarnation and Plato’s Persona in the Scholia to the Laws, Denis RobichaudSome Unpublished Notes by Marsilio Ficino on Plato’s Parmenides in MS Laur. 89 sup. 71, Valerio SanzottaA Print after Raphael’s Ajax and Cassandra and Another Antique Cameo, David EkserdjianGuglielmo della Porta’s Last Will and the Sale of his Passion of Christ to Diomede Leoni, Lothar Sickel&#160;Journal of the Warburg and Courtauld Institutes, Volume LXXVIII (2015)Triplex Periculum: The Moral Topography of Giotto’s Hell in the Arena Chapel, Padua, Anne Derbes and Mark SandonaThe Golden Age Returns: Virgil’s Fourth Eclogue in the Political Panegyric of the Italian Courts, L. B. T. HoughtonCosimo Rosselli’s Birmingham Altarpiece, the Vallombrosan Abbey of S. Trinita in Florence and its Gianfigliazzi Chapel, Susan J. May and George T. NoszlopyDecoding da Vinci’s impresa. Leonardo’s Gift to Ippolito d’Este and Mario Equicola’s De opportunitate (1507), Bernhard SchirgIntricate Readings: Machiavelli, Aristotle, Thomas Aquinas, Carlo GinzburgRonsard and the Visual Arts: A Study of Poetic Creativity, Margaret M. McGowanAndré Thevet, Pierre Belon and Americana in the Embroideries of Mary Queen of Scots, Peter Mason‘Placardes and billis and ticquettis of defamatioun’: Queen Mary, the Mermaid and the Hare, Michael Bath and Malcolm JonesJohn Dee’s ‘Brytish Impire’: ‘A Laborious Treatise’ on Ophir of 1577, Graham Yewbrey&#160;&#160;----------- Kunstchronik -----------Kunstchronik Heft 5, Mai 2015Berthold Kress, Divine Diagrams. The Manuscripts and Drawings of Paul Lautensack (1477/78–1558), Kathrin Müller (p. 234)Anita Fiderer Moskowitz, Forging Authenticity – Bastianini and the Neo-Renaissance in Nineteenth-century Florence, Birgit Langhanke (p. 240)Alexandra Zvereva, Portraits dessinés de la cour des Valois. Les Clouet de Catherine de Médicis, Philippe Bordes (p. 246)&#160;&#160;--- Mitteilungen des Kunsthistorischen Institutes in Florenz --Mitteilungen des Kunsthistorischen Institutes in Florenz LVI (2014), Heft 2Salvatore Settis, Rinascimento e decadenza: una simmetria necessaria (pp. 139–151)Takuma Ito, Domenico Ghirlandaio's Santa Maria Novella Altarpiece: A Reconstruction (pp. 171–191)Antonio Russo, Pellegrino Tibaldi architetto: un progetto d'altare e qualche riflessione sugli altari del Duomo di Milano (pp. 237–245)&#160;Mitteilungen des Kunsthistorischen Institutes in Florenz LVI (2014), Heft 3Stefania Gerevini, "Sicut crystallus quando est obiecta soli": Rock Crystal, Transparency and the Franciscan Order (pp.255–283)Doris Carl, Verloren und wiedererfunden: Desiderio da Settignano, die Ximenes und das Ziborium der National Gallery in Washington (pp.285–323)Jörn Steigerwald, Elegante Nachahmungen der schönen Natur: Literarhistorische Anmerkungen zu Giovan Pietro Belloris 'Idea' (pp.325–349)Louis A. Waldman, "Vadunt ad habitandum hebrei": The Otto di Balìa, Vasari, and the Hiding of Murals in Sixteenth-Century Florence (pp.351–354)Federica Kappler, Una nota di cronologia sui disegni di Michelangelo per la pala Cesi di Santa Maria della Pace (pp.355–360)&#160;Mitteilungen des Kunsthistorischen Institutes in Florenz LVII (2015), Heft 1Christa Gardner von Teuffel, The Carmelite Altarpiece (circa 1290–1550): The Self-Identification of an Order (pp. 3–41)Brenda Preyer, Palazzo Tornabuoni in 1498: A Palace 'in Progress' and Its Interior Arrangement (pp. 43–63)F.W. Kent † - Caroline Elam, Piero del Massaio: Painter, Mapmaker and Military Surveyor (pp. 65–89)Francesco P. Di Teodoro, "modo chome si de' fare uno chammino che non facci fumo". Camini tecnologici nei fogli di Leonardo (pp. 129–138)Diletta Gamberini, Benedetto Varchi, Giovann'Angelo Montorsoli e il Tempio dei "Pippi": un inedito dialogo in versi agli albori dell'Accademia Fiorentina del Disegno (pp. 139–144)&#160;&#160;----------- Print Quarterly -----------Print Quarterly, XXXII, no. 1, March 2015An Engraving by Giulio Bonasone after a Drawing by Giulio Romano by PAUL JOANNIDESPrince Albert’s Reprint of Agostino Veneziano’s The Witch's Procession by CHRISTIANE WIEBEL&#160;Print Quarterly, XXXII, no. 2, June 2015Picturing Venus in the Renaissance Print by SHINSUKE WATANABEThe Art and History of Globes by ELLY DEKKER&#160;Print Quarterly, XXXII, no. 4, December 2015Philippe Thomassin and Giulio Mancini's Art Collection by JAMIE GABBARELLIMaps of Paradise by DOMINIC BATEChiaroscuro in the Renaissance by NAOKO TAKAHATAKE AND NANCY BIALLER&#160;&#160;----------- Renaissance Quarterly -----------Renaissance Quarterly, Vol. 68, No. 1, Spring 2015StudiesThe 2014 Josephine Waters Bennett Lecture: “Certain of Death”: Michelangelo’s Late Life and Art (pp. 1-32), William E. WallaceFemale Virtue and the Embodiment of Beauty: Vittoria Colonna in Paolo Giovio’s Notable Men and Women (pp. 33-97), Kenneth GouwensThe Translations of a Humanist Ship Captain: Jean Parmentier’s 1529 Voyage to Sumatra (pp. 98-132), Michael WintroubWomen’s Fashions and Politics in Seventeenth-Century Spain: The Rise and Fall of the Guardainfante (pp. 133-186), Amanda Wunder&#160;Renaissance Quarterly, Vol. 68, No. 2, Summer 2015StudiesThe Business of Prostitution in Early Renaissance Venice (pp. 419-464), Paula C. ClarkeIncoherent Texts? Storytelling, Preaching, and the Cent nouvelles nouvelles in Marguerite de Navarre’s Heptaméron 21 (pp. 465-495), António De Ridder-VignoneThe Homeric Question in the Sixteenth Century: Early Modern Scholarship and the Text of Homer (pp. 496-557), Tania DemetriouReading Galileo’s Discorsi in the Early Modern University (pp. 558-596), Renée J. Raphael&#160;Renaissance Quarterly, Vol. 68, No. 3, Fall 2015ArticlesCity Portrait, Civic Body, and Commercial Printing in Sixteenth-Century Ghent (pp. 803-839), Frederik Buylaert, Jelle De Rock, and Anne-Laure Van BruaeneElizabeth I’s Virginity and the Body of Evidence: Jonson’s Notorious Crux (pp. 840-871), Kaara L. PetersonPlato’s Hermaphrodite and a Vindication of the Sense of Touch in the Sixteenth Century (pp. 872-898), Pablo MauretteThe Matter of Belief in John Donne’s Holy Sonnets (pp. 899-931), Kimberly Anne ColesThe Language of Mysticism and the Language of Law in Early Modern Spain (pp. 932-956), Dale Shuger&#160;&#160;----------- Source : Notes on the History of Art -----------Source : Notes on the History of Art (Vol. XXXIII No. 2, Winter 2014)Grotesque Painting and Painting as Grotesque in the Renaissance, Una Roman D’EliaEnvy and the Other Vices in Michelangelo’s Last Judgment, Patricia SimonsThe Satirical Charity of Saint Martin from Bosch to the German Baroque: a Drawing by Michael Herr, Martin W. Walsh&#160;&#160;