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The 33rd PSYART International Conference on Psychology and the Arts will be held at the Université de Reims Champagne-Ardenne, France, June 29-July 4, 2016. The conference is sponsored by the PsyArt Foundation and the CIRLEP research department.Le XXXIIIe Congrès international PSYART sur la Psychologie et les Arts aura lieu à l’Université de Reims Champagne-Ardenne du 29 juin au 4 juillet 2016. Le Congrès est organisé par la Fondation PsyArt et par le laboratoire CIRLEP.PROGRAMMEWednesday, June 296:00-7:30 pm – Reception “Vin d’Honneur”: Hôtel de Ville (City Hall), Salon de Mars, Place de Hôtel de Ville. The celebrated Champagne Quaffers will perform. Dinner on your own afterwards.Thursday, June 309:00-9:15 am – Coffee – Espace détente9:15-9:30 – Welcoming remarks – Room 10059:30-10:00Session 1: Ego, Superego, and Id – Room 1005 Robert Silhol, How I Was Betrayed by the Ego10:00-11:00Session 2: Forms of Psychiatry – Room 1005 Adrian Chapman, Radical Psychiatry, Radical Writing: A Report from the R. D. Laing Archive Jeffrey Berman, Pharmascolds and Pharmasirens: Psychiatry’s Two CulturesSession 3: Trauma and the American Novel – Room 1004 Christelle Ha Soon, “Not a Story to Pass On”: Overcoming the Trauma of Slavery in Toni Morrison’s Beloved Tony Hughes-d’Aeth, Jonathan Safran Foer’s Extremely Loud and Incredibly Close: The Primal Scene as a Narrative Epistemology11:00-11:15 – Coffee break – Espace détente11:15-12:15                            Session 4: Dream Symbolism – Room 1005 Rebecca Gimeno, The Image as Dream: Reflections on Heartbreak, Archetypal Imagery, and Gustave Moreau’s Painting “A Dead Poet Being Carried by a Centaur” Maria Kardaun, Dream SymbolismSession 5: Twentieth Century American Novel – Room 1004 Marleen Stevens, The Death Drive is Not Yet Dead : Sylvia Plath’s Novel The Bell Jar Revisited Bent Sørensen, Who Needs Religion When You Have The Desert?12:15-1:30 – Lunch – Espace détente1:30-3:00Session 6: Folk Tale and Fairy Tale – Room 1005 Namiko Haruki, Hospitality to the Real Aqsa Khalid, A Study of Jungian Archetypal Patterns in Selected Fairy Tales Ellen Handler Spitz, Toward a Psychology of Fairy TalesSession 7: Painting – Room 1004 Puy Soden, Grounding Painting: An Artist-Researcher’s Experience of Maurice Merleau-Ponty’s ‘Flesh of the Gestalt’ Laura Gonzalez, What Does Hysteria Want From Me? Dulce Anacion, Painting in Incarceration: Jie’ur’s Sanctum3:00-3:15 – Coffee break 3:15-4:15Session 8: Film, TV, and Madness – Room 1005 Ágnes Hortobágyi, “Today art is all but dead anyway”: The Metaphysical Horror of Madness in Jan Švankmajer’s Film Lunacy Erwin Erhardt, Madness in ‘Western’ Civilization: Images from The Big Valley (1965-69)Session 9: Play and Creativity – Room 1004 Monika Chylińska, Pretend Play and its Possible Connections with Creativity and Imagination Ekaterina Muravevskaia, Storytelling Through Constructivist Lenses: Fairytale as a Tool for Teaching Culture-Related Topics in an Art Classroom5:00 pm – Walking tour starts outside the Office de Tourisme at 6 Rue Rockefeller, (the street in front of the Cathedral). Wear good walking shoes. Tour covers the Cathedral and Art Déco Reims. Ends 7:00 pm. Dinner on your own.Friday, July 19:00-10:00 am  Session 10: Nineteenth Century British Novel – Room 1005 Sarah Frühwirth, Sensational Self-Defeat: The Case of Rhoda Broughton’s Not Wisely but Too Well Catharina Hellberg, Disruptive Semiotics: A Kristevan Reading of the Imagery in Thomas Hardy’s Desperate RemediesSession 11: Charlie Chaplin and Woody Allen – Room 1004 Claire Hershman, Charles Chaplin’s Limelight Solange Leibovici, Woody Allen’s Zelig: The Joke as Synthome10:05-11:05    Session 12: Ghosts and Phantoms – Room 1005 Antal Bókay, Enigmatic Stories: Phantom and Trauma in Hamlet Gavriel Reisner, The Ancestral Father and the Ghosted Self in Conrad’s Lord JimSession 13: Ecopsychology – Room 1004 Mary Valentis, Good Breast, Bad Breast: Fantasies of Terrestrial Matricide and the Regressive Imaginary of Climate Change Joseph Dodds, An Entomology of Art: Insects in the Three Ecologies11:05-11:20 – Coffee break11:20-12:20Session 14: Shakespeare – Room 1005 Sharanya Sridhar, Shylock’s Repressed Desire: Re-reading Shylock through Hysteria Laura Vogel, As You Like It: A Dream PlaySession 15: Ian McEwan’s Novel The Children Act – Room 1004 Aino-Maija Lahtinen, Binding, Unbinding, and Rebinding in The Children Act Claire Kahane, Music, Empathy and Narrative Movement in Ian McEwan’s The Children Act12:20-1:45 – Lunch1:45-3:15Session 16: British Modernism: Lawrence, Woolf, Joyce – Room 1005 Emel Zorluolgu, How to Create Machines Out of Humans Alexander Venetis, Freudian and Jamesian Rhetoric and Ideas in Virginia Woolf’s Literary ManifestosSession 17: Contemporary Poetry – Room 1004 Calum Neill, The Particular in Poetry, or How Psychology has Colonised the Expression of Experience Felicity Powell, Ted Hughes, Primal Mentality and the Psychology of Tricksters Shanee Stepakoff, Representations of Failure in Contemporary Poetry: A Jungian Perspective3:20-4:20Session 18: American Literature and War – Room 1005 Reiko Nitta, J.D. Salinger and WW II Donald Vanouse, The Survival Value of Art in Mourning WW ISession 19: Research into Psychology and the Arts – Room 1004 Piotr Francuz, What Exactly Do You Mean When You Say That This Painting is Beautiful? Martin Gliserman, Cultural Neurology: Unconscious Rules of Semantic Distribution in 100 Novels4:20-4:35 – Coffee break 4:35-5:45 – Directors meeting of the Psyart Foundation (directors only) – Room 1004Sunday, July 29:00-10:30Session 20: Twentieth Century Painting – Room 1005 Marcello Mangano, Picasso’s Guernica: Trajectories of a Paranoid Elaboration of Mourning Marike Steeman, Rothko’s Tears: The Painter’s Process and His Object Relations Burton Melnick, Cézanne’s Apples: Disengaged Contemplation of the Object of DelightSession 21: Contemporary British Fiction – Room 1004 Ivan Čipkár, Between Fancy and Distress: Cognitive Universals and Reader Identity in the Interpretations of Neil Gaiman’s Short Works Aycan Akçamete, The Failure of the Law and the Embrace of Multiple Sexualities in Angela Carter’s The Passion of New Eve Elizabeth Fox, The Monstrous Maternal: Bad Mothers and Abandoned Children in Pat Barker’s Noonday (2016)10:30-10:45 – Coffee break 10:45-12:15Session 22: The Novel – Room 1005 Michael Graziano, The Real Space of Critique Rainer Kaus, Émile Zola’s The Belly of Paris: The Natural and Social History of a Family in the Second Empire Renée Von Paschen, Coping with CapgrasSession 23: French Film – Room 1004 Neha Bhatia, Plurality and Corporeality in Francois Ozon’s Young and Beautiful (2013) Natalie Strobach, A Fish with a Fig: A Narrative Time of Possibility Nancy Blake, Far From Men: Existential Choice in the Twenty-First Century12:15-1:45 – Lunch1:45-3:15   Session 24: Film and Film Posters – Room 1005 Pablo Perez, In Reality Lies Fantasy: A Psychoanalytic Study of Iñarritu’s Birdman (2015) Valerie Deacon, Deconstructing the Visual: Critical Analysis as a Sign System, Mediating through Film Posters Rainer Koeppl, Hitchcock, Freud, and the Tinseltown Dream FactorySession 25: Literature and Memory – Room 1004 Flavio de Oliveira, The Workshop: Memory and Labour Fiction Kim Eyre, Time out of Mind: The Therapeutic Power of Edward Thomas’s “Adlestrop” Simon du Plock, Ontological Insecurity and the “Immense Sensibility” of the Jamesian Novel3:15-3:30 – Coffee break3:30-5:00Session 26: American Film – Room 1005 Sharon King, Fantastic Falls: Narratives of the Narcissist in Blade Runner, Aliens, and Avatar Emily Fox-Kales, Guilty Pleasures: Unruly Bodies and Appetites for Sex, Food and Love in American Romantic Comedy Andrew Gordon, Bipolar Boys: Manic-Depressive Children in the Films of Steven SpielbergSunday, July 39:00-10:00 amSession 27: Jokes and the Unconscious – Room 1005 Leah Bowron, Penis Envy: Denis Breen’s Freudian Moniker in Joyce’s Ulysses Jerry Flieger, “So these two therapists walk into a bar…”: Freud in the Locker Room, Lacan in the Jail Yard10:00-11:00Session 28: Film and Gender – Room 1005 Samir Dayal, Trappings of the Body: New Masculinities and “the Natural” in Indian Cinema Camelia Elias, Mute Medea: Pasolini’s Voice11:00-11:15 – Coffee break11:15-12:00 – PsyArt Foundation business meeting (all registered conferees are members of the Foundation and are invited and encouraged to attend and to VOTE) – Room 100512:00-12:15 – Group photos (bring your cameras!)12:15-1:15 – Lunch 1:30 – Bus leaves from campus. Be on time. Tour Le Chemin des Dames and La Caverne du Dragon. The bus will return us 6:30 to Reims and the Cave de Champagne Cazanove to tour their cellar and have our closing banquet.Monday, June 48:30 am-6:00 pm – Departure. Or optional post-conference TOUR of the winemaking region with vineyard visit at Hautvilliers, lunch in Soissons, and the Château de Blérancourt and its Franco-American Museum. (Tour is sold out.) Bus leaves 8.30 am from the hotel and returns at 6 pm.LIEUUniversité de Reims Champagne-ArdenneCampus Croix Rouge – Bâtiment 1857, rue Pierre Taittinger – ReimsTram A ou B – Arrêt : “Campus Croix-Rouge”DATESmercredi 29, jeudi 30 juin, vendredi 1er,  samedi 2, dimanche 3 et lundi 4 juillet 2016