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Scientific photography for cultural heritage : pigment image database under UV and IR radiationsSeveral pigments/colorants were registred using Hasselblad photography imaging under several radiations, from UV (365 nm) to IR (780-1000 nm). We obtained several images : VIS : normal image, in visible domain under visible light (380-780 nm; REF_UV_UV : reflection in UV domain under UV radiations (360-400); UVFC : image treatment of REF_UV_UV with VIS to obtain false color lisible image FLUO_UV_VIS : fluorescence of material under UV (pic 365 nm) seen in visible domain; REF_NIR_NIR : infrared reflection under near infrared light (780-1000 nm); IRFC : image treatment of REF_NIR_NIR with VIS to obtain false color lisible image FLUO_VIS_IR : fluorescence under visible light (pic 690 nm)  in near infrared domain (780-1000 nm);Those images are used to find out some possible pigments and colorants, because some of them have  specific spectral responses in IR or UV, or with fluorescence.We provide FORS (400 nm-1000nm) reflection spectra made with Ruby Still non contact spectrometer for information.Be aware that color material identification is usually completed with microscopic observations and FluoX analysis but could need much more complex investigations.We share our image database hoping it could help the community of cultural heritage. In order to use them, please understand that the colors are indicatives as your artwork materials, binding and aging could differ.KREMER PIGMENTS ON PAPERWeb page : http://www.kremer-pigmente.com/fr/livres-und-cartes-de-couleur/Explanations : http://www.kremer-pigmente.com/media/pdf/fk-ColourCharts.pdf RED HISTORICAL PIGMENTS - KREMER ON PAPERdownload pdf :C2RMF_EXTRACT1_DATABASE_HistoricalPigments_RED_170920Pinkcolor Very lightfast, &#60; 38 µmPinkcolor Deep Very lightfast, (contains lead) &#60; 38 µmNatural Cinnabar from China, mercuric sulphideCinnabar, ne chu piao, 20 - 50 µmRed Jasper semi-transparent, 0 - 120 µmCôte d’Azur Violet light caput mortuumBrown-Red Slate from AustriaGold Ochre from Saxony, Germany deep brown-gold. Very nd grind Burgundy Red Ochre Medium from France, 0 - 80 µmBurgundy Red Ochre Deep from France, ne, 0 - 80 µmSpanish Red Ochre Bauxite, extra ne, 0 - 63 µmBrown Earth from Otranto. Italy, pea-ore, sanguine-rust brown, stand. grind. Iseo Brown reddish brown umber, from ItalyRed Maroccan Ochre. warm transparent red ochre, &#60; 80 µmDark Red Moroccan Ochre &#60; 80 µm•  GREEN HISTORICAL PIGMENTS - KREMER ON PAPERdownload pdf :C2RMF_EXTRACT2_DATABASE_HistoricalPigments_GREEN_170920Egyptian Green Copper glass, 40 - 120  µmPloss Blue. Sky-blue crystals of very brilliant luminosityMalachite natural, extra ne, 0 - 80  µm, intense colorMalachite MP extra ne, 0 - 63 µm, intense colorChrysocolla, Bluish green, copper silicate, 0 - 120 µmMalachite Fibres, ne 0 - 80 µmMalachite Arabian, ne, 0 - 80 µmTurquoise sky-blue, ne 0 - 80 µmAtacamite, ne 0 - 80 µmCavansite, extra ne, 0 - 40 µmVerona Green Earth, standard, genuine earth pigment, 0 - 120 µm Bavarian Green Earth, 0 - 120, similar to Bohemian Green Earth Russian Green Earth, ne, natural, extra ne, 0 - 63 µmAegirine, ne, 0 - 63  µm, dark green earthFlorentine Green, 60 - 120 µm, washedAndeer green, ne, 0 - 200 µm, Green Gneiss from Andeer, Switzerland Green Jasper, crystalline bluish green, 0 - 120 µmCeladonite, green earth, from the Côte d’Azur, FranceCopper Resinate, transparent copper green•  YELLOW HISTORICAL PIGMENTS - KREMER ON PAPERdownload pdf :C2RMF_EXTRACT3_DATABASE_HistoricalPigments_YELLOW_170920Lead Tin Yellow, light, &#60; 38 µm, light lemon changed hue, contains lead, toxicLead Tin Yellow deep, changed hue, &#60; 38 µm, contains lead, toxicLead Tin Yellow II, yellow lead glass, 0 - 63 µm, contains lead, toxicNaples Yellow, from Paris, &#60; 50 µm, contains lead, toxicOrpiment, genuine, King s Yellow, coarse, 175 µmRealgar, genuine, red orpiment, 175 µmEpidote, yellow-green earthJarosite, clear yellow ochre, &#60; 100 µmTaunus Ochre, light, Ochre, from the Taunus region, Germany Burgundy Yellow Ochre, from France, 0 - 80 µmYellow Moroccan Ochre, &#60; 80 µmElba Brown Ochre Deep, dark brown, fine grind, from Tuscany•  BLUE HISTORICAL PIGMENTS - KREMER ON PAPERdownload pdf :C2RMF_EXTRACT4_DATABASE_HistoricalPigments_BLUE_170920Smalt, very fine, according to a recipe from 1820, &#60; 80 µmEgyptian Blue, blue copper silicate, &#60;120 µmHAN-Blue, fine, the blue of ancient China, 0 - 40 µmHAN-Purple, fine, &#60; 40 µm, color of ancient ChinaBlue Verditer, synthetic Azurite, blue bice, cendres blueBlue Bice, Copper Calcium Carbonate, CCCBlue Azurite MP, pale, 38 - 63 µmAzurite natural fine, 0 - 80 µmSodalite, fine, 0 - 80 µm , bluish-purple gray pigmentLapis Lazuli, grayish-blue, natural ultramarineLapis Lazuli, pure, Fra Angelico BlueLapis Lazuli from Chile, 0 - 20 µm•  BLACK HISTORICAL PIGMENTS - KREMER ON PAPER download pdf :C2RMF_EXTRACT5_DATABASE_HistoricalPigments_BLACK_170920Galena, Gray-black lustrous powder, contains lead, toxicPyrite Powder Fine, 0 - 80 µmAntimony, stibium, gray metallic, baroque, 0 - 200 µmGray from Mels, SwitzerlandOnyx black, 0 - 120 µmIvory Black, GenuineIvory Black, own productionPeach Black, genuine, matt blackGrape Black, genuine, bluish-blackCherry Black, genuine, brownish-blackAtramentum, ink stone, blackBistre, genuine beechwood sootSepia, from adriatic cuttlefish, raw, dry, 0 - 120 µm•  WHITE HISTORICAL PIGMENTS - KREMER ON PAPER download pdf :C2RMF_EXTRACT6_DATABASE_HistoricalPigments_WHITE_170920Nero Bernino, gray-green slate, Bernina (Switzerland), 0-120 µmAlba Albula, buff white colored chalk, from Albula, Switzerland Sugar Dolomite, 0 - 120 µmRhodochrosite, pale-coral pink, 0 - 120 µmSlate Green from Mels, SwitzerlandJade, very fine, Russian, &#60; 63 µmRock Crystal, powder, 0 - 63 µmEggshell White, fine, white powderFuchsite, extra fine, 0 - 100 µmObsidian black, natural glass from MexicoSelenite, Marienglas, gypseous spar, from Cyprus, 0 - 80 µmAragonite, extra white, fine grind, 0 - 63 µm•  CADMIUM PIGMENTS - KREMER ON PAPER download pdf :C2RMF_EXTRACT7_DATABASE_CadmiumPigments_RED_GREEN_YELLOW_170920RED CADMIUM PIGMENTSCadmium Orange No. 0 very light, very lightfast, opaqueCadmium Orange No. 0.5, light, very lightfast, opaqueCadmium Orange No. 1, medium, very lightfast, opaqueCadmium Orange No. 2, vermilion, very lightfast, opaque Cadmium Red No. 1, light, very lightfast, opaqueCadmium Red No. 2, medium, very lightfast, opaqueCadmium Red No. 3, dark, very lightfast, opaqueCadmium Red No. 4, bluish purple, very lightfast, opaqueGREEN CADMIUM PIGMENTSCadmium Green, light, mixture of cadmium yellow and ultramarine blueCadmium Green, dark, mixture of cadmium yellow and ultramarine blueYELLOW CADMIUM PIGMENTSCadmium Yellow Lemon No.1, very lightfast, opaqueCadmium Yellow No. 2, very light, very lightfast, opaque Cadmium Yellow No. 4 light, very lightfast, opaqueCadmium Yellow No. 6, medium, very lightfast, opaqueCadmium Yellow No. 8, medium dark, very lightfast, opaque Cadmium Yellow No. 9, dark, very lightfast, opaque•  GREEN COLORSdownload pdf :C2RMF_EXTRACT8_DATABASE_GREEN_COLORS_170920Phthalo Green dark, bluishPhthalo Green, yellowish lightfastGreen Earth, light yellowish, GermanBohemian Green Earth, genuine, brilliant hue, extra fine grindingGreen Earth from Verona, genuine, pureGreen Earth from France, lightVerona Green Earth enhanced with Viridian GreenVagone Green Earth, enhanced with Prussian blue and chrome oxide greenNicosia Green, mixed green earths with cobalt blue,enhancedBohemian Green Earth, imitation, enhanced earth color, yellowish green lightVerona Green Earth, imitation, mixed green earthsCobalt Green, contains cobaltCobalt Oxide Green Blue, deep turquoise, contains cobaltCobalt Bottle Green, dark green, contains cobaltCobalt Green, bluish A, contains cobaltPastel Green, Victoria Green, bright, very lightfast, transparentChrome Oxide Green, cool green, opaqueChrome Oxide Green DD, pure, intensive color, very fineViridian Green, hydrated chrome oxide, bright, transparentPermanent Green, mixture, lightfastMalachite, synthetic, contains copperVerdigris, synthetic,coarse bluish green powder, contains copperCadmium Green, light, mixture of cadmium yellow and ultramarine blueCadmium Green, dark, mixture of cadmium yellow and ultramarine blueUltramarine Green, genuine, historic pigmentStudio Pigment Light Green, synthetic organic pigment and fillerStudio Pigment Dark Green, synthetic organic pigment and filler•  YELLOW COLORS download pdf :C2RMF_EXTRACT9_DATABASE_YELLOW_COLORS_170920Cadmium Yellow Lemon No. 1, very lightfast, opaqueCadmium Yellow No. 2, very light, very lightfast, opaque Cadmium Yellow No. 4 light, very lightfast, opaqueCadmium Yellow No. 6, medium, very lightfast, opaqueCadmium Yellow No. 8, medium dark, very lightfast, opaque Cadmium Yellow No. 9, dark, very lightfast, opaquePermanent Yellow light, organic pigmentPermanent Yellow medium, organic pigment IrgazinYellow greenish, transparent IsoindoleYellow, organic pigmentIndian Yellow, imitation, contains nickelPyramid-Yellow medium, clear warm yellowBrilliant Yellow, Hansa yellowIsoindolinon Yellow, greenishIrgazin Yellow light orangeStudio Yellow, Hansa yellowPaliotol Yellow-Orange, brilliant orangeMassicot, Litharge, yellow lead oxide, litharge, pieces, contains lead, toxicBristol Yellow pale Naples yellow imitation, lead-freeBristol Yellow, medium, Naples yellow imitation, lead-freeNaples Yellow, lemon, genuine, contains lead, toxicNaples Yellow, dark, genuine, contains lead, toxicNaples Yellow, reddish, contains lead, toxicBristol-Yellow, reddish, Naples yellow reddish imitation, lead-free Nickel-Titanium Yellow, artificial mineral pigmentNickel-Titanium Yellow, greenish, artificial mineral pigment Praseodym Yellow, paleTitanium Orange, golden-orangeCobalt Yellow aureolinAntinomy Red, golden antinomy sulphideYellow Zircon, Zircon-Praseodymium-SilicateIntensive Yellow transparentBismuth-Vanadate Yellow lemon, very lightfastStudio Pigment Yellow, synthetic organic pigment and fillerStudio Pigment Egg Yolk Yellow, synthetic organic pigment and fillerStudio Pigment Yellow Sun Gold, synthetic organic pigment and filler•  BLUE COLORS download pdf :C2RMF_EXTRACT10_DATABASE_BLUE_COLORS_170920BLUEPhthalo Blue, Primary bluePhthalo Blue royal blue, Heliogen BluePhthalo Blue reddish, Heliogen BluePhthalo Blue, very lightfastIdanthren Blue, deep blueDioxazine Violet, halogen-freeThioindigo Red, lightfastCinquasia Violet RT 201 D, reddish violetAlizarine violet, bright medium violetIndigo, genuine, Indian, powder, Indigofera tinctoriaIndigo Blue Lake, medium blue, natural blue dyeIndigo Red-Violet, natural blue pigmentMaya Blue, genuine, indigo in a silicic crystal matrixUltramarine Blue, very dark, synthetic mineral pigment Ultramarine Blue, dark, synthetic mineral pigmentUltramarine Blue, reddish, synthetic mineral pigment Ultramarine Blue, greenish extra, synthetic mineral pigment Ultramarine Blue, greenish light, synthetic mineral pigment Ultramarine Blue, light, synthetic mineral pigmentUltramarine Violet, medium, bluish, mixtureUltramarine Violet, reddish, darkUltramarine Violet, light reddish, synthetic mineral pigment Prussian Blue LUX also Milori blue, Berlin blueManganese Violet, synthetic mineral pigmentCopper Blue, very light turquoise blueZirconium Cerulean Blue, semi-opaque, light blueCobalt Blue Dark, synthetic mineral pigmentCobalt Blue Dark, greenish, slightly lighter and more greenish than 45700Cobalt Blue, SapporoCobalt Blue Medium, opaqueCobalt Blue Pale, synthetic mineral pigmentCobalt Blue light, synthetic mineral pigmentCobalt Cerulean blueCobalt Blue, greenishCobalt Blue Turquoise, lightCobalt Blue Turquoise, darkCobalt violet, dark, semi-opaqueCobalt Violet brilliant, dark &#60; 75Cobalt Violet, light brilliantStudio Pigment Sky Blue, synthetic organic pigment and filler Studio pigment dark blue, synthetic organic pigment and filler Studio pigment violet, synthetic organic pigment and filler&#160;Cite this article as: Clotilde Boust, "DATABASE : Pigments under UV and IR radiations," in Scientific imaging for cultural heritage / Images scientifiques pour le patrimoine, ISSN 2609-780X, 18/08/2017, https://copa.hypotheses.org/552.