{"word_count": 464, "character_count": 3314}
The Thousand and One Nights does not fall into a scholarly canon or into the category of popular literature. It takes its place within a middle literature that circulated widely in medieval times. The Nights gradually entered world literature through the great novels of the day and through music, cinema and other art forms. Material inspired by the Nights has continued to emerge from many different countries, periods, disciplines and languages, and the scope of the Nights has continued to widen, making the collection a universal work from every point of view. The essays in this volume scrutinize the expanse of sources for this monumental work of Arabic literature and follow the trajectory of the Nights’ texts, the creative, scholarly commentaries, artistic encounters and relations to science. Contributors: Ibrahim Akel, Rasoul Aliakbari, Daniel Behar, Aboubakr Chraïbi, Anne E. Duggan, William Granara, Rafika Hammoudi, Dominique Jullien, Abdelfattah Kilito, Magdalena Kubarek, Michael James Lundell, Ulrich Marzolph, Adam Mestyan, Eyüp Özveren, Marina Paino, Daniela Potenza, Arafat Abdur Razzaque, Ahmed Saidy, Johannes Thomann and Ilaria Vitali.Information : https://brill.com/view/title/55386Sommaire :Dans l’atelier des Mille et une nuits By: Ulrich MarzolphPages: 3–21Reshaping the Frame Story of the Thousand and One Nights The Coherence of Prologue and Epilogue in the Earliest Existing Arabic MssBy: Johannes ThomannPages: 22–38Les manuscrits des Mille et une nuits au Maroc By: Ahmed SaidyPages: 39–56Redécouverte d’un manuscrit oublié des Mille et une nuits Le manuscrit de James AndersonBy: Ibrahim AkelPages: 57–67Métissage and the Literary Field of the French Enlightenment The Impact of Galland’s Translation of the Arabian NightsBy: Anne E. DugganPages: 69–81Genie in a Bookshop Print Culture, Authorship, and ‘The Affair of the Eighth Volume’ at the Origins of Les Mille et une nuitsBy: Arafat Abdur RazzaquePages: 82–120Eugénie et les deux rêveurs By: Abdelfattah KilitoPages: 123–126Subtile influence des Mille et une nuits dans le Rimbaud des Illuminations By: Rafika HammoudiPages: 127–141Callida Junctura Richard F. Burton’s Transtextual 1001 Nights and the Source of Its PoetryBy: Michael James LundellPages: 142–162Sacred and Profane Love in the Arabian Nights Nūr al-Dīn ibn Bakkār vs. Nūr al-Dīn ibn ḪāqānBy: William GranaraPages: 163–174Hārūn Al-Rašīd, the Arabian Nights, and Politics on the Arabic Stage, 1850s–1920s By: Adam MestyanPages: 175–197Alfred Faraǧ’s Arabian Nights Ongoing Experimentation in Arabic TheatreBy: Daniela PotenzaPages: 198–215The Reception of One Thousand and One Nights in Polish Contemporary Literature By: Magdalena KubarekPages: 216–226Italian Nights Three Twentieth-Century Examples of Reception (Vittorini, Pasolini, Calvino)By: Marina PainoPages: 227–239L’héritage des Mille et une nuits chez Michel Ocelot By: Ilaria VitaliPages: 240–253American Nights The Introduction and Usage of the Arabian Nights within the US’s Print ModernityBy: Rasoul AliakbariPages: 255–269Jacqueline Kahanoff on the Margins of A Thousand and One Nights By: Daniel BeharHealing by Exempla Political Therapy in the Nights’ HypertextBy: Dominique JullienPages: 280–295The Devil in the Details, or, Economics in Thousand and One Nights By: Eyüp ÖzverenPages: 296–324