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Im Hörraum vor der Schaubühne»We developed, relatively early [in our 18 years of collaboration] a way of collabo- rating that depends on the concept of two separate worlds, one is the visual and one is the aural world, and we both worked pretty much independent of each other. By that [I mean that] the music is not illustrative with the piece but rather parallel to the other parts of the piece.« (Hans Peter Kuhn, 1995)zitiert in: Julia H. Schröder, Im Hörraum vor der Schaubühne. Theatersound von Hans Peter Kuhn für Robert Wilson und von Leigh Landy für Heiner Müller, Bielefeld: Transcript 2015, 25.