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&#160;CENSORSHIP AND WOMEN’S RESISTANCE IN THE PERFORMING ARTS, FROM CONTINENTAL ASIA TO INSULAR SOUTHEAST ASIAThursday and Friday 22, 23rd May, 2014(190 avenue de France, salle 638-640)Thursday 22 MAYPresentation by Marie Fourcade (CEIAS) &#38; Bénédicte Brac de la Perrière (CASE)Introduction by the organizers  Tiziana Leucci (CEIAS), Dana Rappoport (CASE) and  Davesh Soneji (McGill University, Montréal)1. Historical Representation10h-13hChairs : Philippe Bruguière, Cité de la Musique &#38; Hélène Marquié, Université Paris VIII John Baily (University of London),Women, Music and Censorship in Afghanistan Joep Bor (University of Leiden),Voluptuous Bayaderes or Dancing Whores?On Praise And Contempt For Courtesans In Early Colonial IndiaJulien Jugand (Ph. D., University of Paris X, Nanterre),Grace and Disgrace:Changing Patronage and Self-Representations of the Courtesans of Banaras in the 20th centuryTiziana Leucci (CNRS, Centre d’Études de l’Inde et d’Asie du Sud, Paris),Censorship and Resistance of the South Indian Courtesans: Silenced Voices and Forgotten Struggles.Bangalore Nagaratnamma’s Combats (1910-1952)14h-18hChair : Stéphanie Tawa Lama-Rewal, CNRS, Centre d’Études de l’Inde et d’Asie du Sud, ParisPhilip Yampolsky (University of Illinois),The Ubiquity And Persistence Of Erotic Dance In IndonesiaCatherine Basset (Centre Asie du Sud-Est),Figures of the “bayadère” (public singer/dancer/lover) and of the “femme savante” (literate woman) on the Javanese and Javano-Balinese stage: a tantric point of view. Lucie Labbé (Ph. D Student, Centre Asie du Sud-Est, Paris),Keeping Khmer Court Dance Alive Through The Vicissitude Of Cambodia's Recent History (From 1953 To Present Day)The voice of the performer : Savay Meas, (Cambodia), Court DancerFriday 23 MAY2. Censorship, Moral Order, Religious Morality 10h-13hChair : Catherine Servan-Schreiber, Centre d’Études de l’Inde et d’Asie du Sud, ParisIntan Paramaditha (University of New York),Obsession for the Visible: The Politics of Vilified Bodies and Religious Morality in IndonesiaDana Rappoport (Centre Asie du Sud-Est, Paris),«Tell Me Yes!»:Music And Censorship in The Toraja Highlands (Sulawesi, Indonesia)Renaud Redien-Collot (Novancia Business School, Paris),Women Social Representation and Social ControlFriday 23 MAY3. Resistance and Marginality14h-18hChair : François Picard, Université Paris IVMarie Lecomte-Tilouine (Laboratoire d’Anthropologie Sociale, Paris),Women’s Cultural Struggle and Artivism in NepalAnna Morcom (Royal Holloway, University of London),India's Marginalised Erotic Performers in the 20th and 21st Centuries: Strategies Of SurvivalDavesh Soneji (McGill University, Montréal),Stigma, Resistance, Resilience:Dance and Subterfuges of "Reform" among Women from Devadasi Communities in Globalized South IndiaThe voice of the performer : Yashoda Thakore (Hyderabad University, India), dancer and scholarRound TableFinal discussion with all the speakers, performers and audience + Cocktail