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MAXWELL Robert A., AMBROSE KirkCurrent directions in eleventh- and twelfth- century sculpture studiesTurnhout : Brepols, 2010, XII-212 p.Collection Studies in the visual cultures of the Middle Ages ; 5ISBN 978-2-503-53165-6EUR 848Résumé éditeur :This collection of essays explores the intersection of different traditions and approaches to Romanesque art in current scholarship and, in the process, serves also to highlight promising future directions.Table des matières :- Introduction : Romanesque Sculpture Studies at a Crossroads, Robert A. Maxwell and Kirk Ambrose - Iconography beyond Iconography : Relational Meanings and Figures of Authority in the Reliefs of Souillac, Jérôme Baschet- The Status of Sculpture in the Early Middle Ages : Liturgy and Paraliturgy in the Liber miraculorum sancte Fidis, Martin Büchsel- The Nude at Moissac : Vision, Phantasia and the Experience of Romanesque Sculpture, Thomas E. A. Dale- The Date of the Moissac Portal, Ilene H. Forsyth- (Re)framing Early, Romanesque Sculpture in Italy, Dorothy F. Glass- Sculpturing Architecture, Framing Sculpture and Modes of Contextualizing the Arts in the Eleventh and Twelfth Centuries, Klaus Niehr- Between Rupture and Continuity : Romanesque Sculpture at the Monastery of Santo Domingo de Silos, José Luis Senra- Romanesque Sculpture in Italy : Form, Function, and Cultural Practice, Andrea von Hülsen-Esch- The Emergence of Spanish Romanesque Sculpture : A Century of Scholarship, John WilliamsAxe de recherches :Équipe 1 : Histoire de l’art : formes, dynamiques, interprétation