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Crévilles signale une petite perle, l'enregistrement d'une conférence de Jon Hughes qui traite de la figure du Flâneur chez les auteurs Hessel et Roth au 19ème siècle en Allemagne. L'anglais est absolument remarquable de clarté. Un pdf peut vous donner un rapide aperçu du contenu de cette conférence. The ‘Flâneur’, both as a figure and as an approach to art, has its origins in the nineteenth century, when the leisurely ‘gentleman stroller’ emerged as a recognizable urban type in cities such as London and, especially, Paris, and consequently became the subject of comment, satire and analysis. For the poet Charles Baudelaire, the flâneur became of a figure of aesthetic and existential significance: the pedestrian observer able to ‘bathe’ in crowds, to feel at home anywhere, to derive intoxication from random encounters. As the world’s cities have continued to expand, the flâneur has continued to exercise influence on and appeal to artists and writers, and architects and urban planners. The early twentieth century saw the figure impact on the work of journalists and critics writing in German, notably the work of Walter Benjamin. At the same time, city streets, the anonymity of crowds, and a fascination for ‘observation’ were characteristic preoccupations of many photographers, artists and filmmakers. More recently, the narrative position of the flâneur – a combination of critical distance and total immersion – has become a feature of travel writing in an increasingly mobile, globalized world.Jon Hughes is Senior Lecturer at the School of Modern Languages, Literatures and Cultures at Royal Holloway, University of London, Research Officer at the Centre for German-Jewish Studies in Sussex, and Lecturer in German at King's College London.