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De la part de Nicolas Rémy veille pour nous depuis Volas (Grèce), Merci!Date limite pour l'appel à communication : 1er mai 2011Lien vers le site du ColloquePapers are invited from individuals in all branches of music and architecture: composition, design, practice, performance, theory, research, history, musicology, management…Topics of interest include, but are not limited to:* How spatial logic informs musical form, and vice versa.* Metaphorical and phenomenological links and tensions between music and architecture.* How digital architectural design and digital composition (synthesis/sound-design) can fuse both arts.* The ways in which architectural acoustics influence(d) musical composition and performance.* The mental spaces or structures created by the experience of music.* The “visual music” created by the experience of architectural forms.* Site-specific compositions and/or occasion-specific architectures and musical performances: historical accounts, future possibilities.* The process of composing compared to the process of designing.* “Popular” vs. “serious” forms in music and architecture: comparisons, assessments, interactions.* Styles (of architecture) and genres (of music) considered synchronically, diachronically.* Perception/cognition of space (or buildings) and perception/cognition of music.* Shared vocabulary (rhythm, texture, movement, weight, tension, tonality, etc, etc.): parlor game or deep homology?* Systems of education in architecture and education in music: comparisons.* Biographies or architecture-loving composers and music-loving architects; histories of collaboration, roads not taken.* Is architecture performed? And if so, by whom?* Quantification and analysis: what is captured by mathematics, and what escapes it, in both arts?* The experience of music and/or architecture under the influence of personal/portable media players and communication devices.* New materials, new instruments, new effects. Novel geometric approaches to sound.