{"word_count": 315, "character_count": 1990}
Hollywood and history : costume design in filmNew York : Thames and Hudson ; [Los Angeles] : Los Angeles County Museum of Art, 1987, 256 p.ISBN 0-500-01422-1Résumé :Since their earliest days, the movies have been concerned with historical and Biblical subjects. The first cinematic genius, D. W. Griffith, turned for his greatest themes to the American Civil War, the French Revolution and ancient Babylon. Then came the era of Cecil B. De Mille's extravaganzas, drawing on the Bible, the wickedness of ancient Rome, and early America.The sense of history and its suitability for film treatments has always been present among American film-makers. But their view of the past has constantly altered, so that a film about ancient Rome made in the 1930s would be quite different in its approach and in its costuming and make-up from one made on the same subject in the 1950s or the 1970s. It is this fluctuation that is comprehensively and entertainingly examined in Hollywood and History.The Los Angeles County Museum of Art possesses by far the most important collection of costumes made for Hollywood films. In addition, its archives hold an enormous assortment of designers' costume sketches from all the movie studios, as well as a treasure-house of stills.In this absorbing volume, Edward Maeder, Curator of Costumes and Textiles at the Museum, examines the social and economic conditions reflected in the changing tastes of the cinema ; Alicia Annas contributes a section on make-up and hairstyles ; and Satch LaValley writes about the historical film and retail fashion.With an extensive filmography which describes the costumes in hundreds of period films, and with nearly 300 illustrations, Hollywood and History offers an unparalleled record of this endlessly fascinating phenomenon. It will prove invaluable not only to film buffs but also to costume designers, social historians and anyone interested in the history of film.Axe de recherches : Axe transversal : Cultures visuelles